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30 Thin and Light Fonts
Listing of 30 free thin fonts. [Google]
Sergiy Tkachenko (b. 1979, Khrystynivka, Cherkasy region, Ukraine) lives in Kremenchuk, Ukraine, and has been a prolific type designer since 2008. Sergiy graduated from Kremenchuk State Polytechnic University in computer systems and networks in 2007. Various other URLs: Microsoft link, Identifont, 4th February, Behance, Klingspor link, Revision Ru, Russian creators, CPLUV Fontspace, Twitter. Kernest link. Sergey Tkachenko's typefaces:
- 2008: the techno typefaces Bladi One 4F, Bladi One Slab 4F, Bladi Two 4F, Abia Wide 4F Thin.
- 2009: Wrongo 4F, Zantiqa (an über-serif), Serifiqo (a (free) thin didone fashion mag display face), Codename Coder 4F (monospace programming font), Droporado 4F (using circles only), Tovstun (futuristic, ultra-fat and rounded), Perfocard 4F, Modularico (five modular typefaces based on a logo from Master Kremenchug a company for which Sergiy worked for 4 years), Boldesqo Serif 4F (a splendid informal fat didone, now with Greek support), Tkachenko Sketch, Unicase Slab (a techno slab), Laftatic, Logofontik 4F (techno), PC.DE Stencil (+Italic; custom stencil font), Stenciliqo 4F, Tiap Liap 4F (handwriting), Nut Kit 4F, Rezzzistor 4F, the inline modular face Grand Hotel, and Bijou 4F.
- 2010: Roboo 4F (a bubblegum typeface family), PädIn (a custom typeface for Pädagogische Initiative e.V.: rounded fat informal face), Fat Quad (in the fatty trend), Veselka (a free multiline face), Smeshariki Black (+ Gleams: a bubble gum font made for an animation company), Republica 4F (a fat family), Rodeqa Slab 4F, ComFi (semi-octagonal), Grotesqa 4F, Nowy Geroy 4F, Fabryka 4F (a monospaced typewriter family), Placarto4F-Italic (an ultra fat art deco), Lavina 4F (a hairline sans with lachrymal terminals).
- 2011: Squartica (octagonal), Decomart (free), Model 4F Unicase (a unicase fat didone released in 2013 only), Fontatigo 4F, Kylie 4F (bilined and geometric), Waldemar 4F (a large didone style fat typeface family), Dinesqo (2011, a monoline sans of utter simplicity), Qargotesk (+Cyrillic) [images: i, ii, iii, iv], Neultica 4F (black unicase family), Squartiqa 4F (2011, constructivist), Clarenta 4F Black (after Clarendon---a great family), Designosaur (free sans), Perfopunto (based on perforated circles and squares), OlaScript 4F, Bayadera 4F (a tamed upright monoline script), Febrotesk4FUnicase (squarish unicase family).
- 2012: Targo 4F (rounded typeface with stencil and non-stencil styles), Myra (free font), Myra 4F Caps (free), Cedra (wide monolined sans face), Fontatica 4F (rounded techno grotesk), Akzentica 4F, Ukraintica 4F Wide (a monoline wide-bowled sans family), Laventa 4F, Sports World (free athletic lettering font), Web Serveroff (free computer geek font), Octin Spraypaint Cyrillic (a rough stencil done exclusively for Ninja Theory).
- 2013: Condesqa (modular sans), Esqadero (an uncomplicated monoline sans), Vanyla 4F Unicase (monoline), Esqadero FF CY (a free wide sans, Cyrillic), Bond (a confident no-frills sans), Attentica (free sans font for Latin and Cyrillic), Cedra 4F Wide Thin.
- Cyrillizations: several typefaces such as Lavoisier (by Alec Julien), Budmo Jiggler (Ray Larabie) and JoAnne Display (Sandy Cerovich), Gnuolane (of a Ray Larabie font), Paranoid Cyrillic (based on Kevin Lo's Paranoid), Movavi Grotesque Black (+Cyrillic; image; numerals), Azoft Sans (made for Azoft, and free here and here).
- Custom fonts: Blue Pill, Sansus Webissimo (since 2011 free at Open Font Library), Minaeff ECT (2011, a free legible family for Latin and Cyrillic, custom-made for and downloadable from WebhostingRating.com), Webhostinggeeks.Com (2011), Web Serveroff, OnlinePharmacyCheck.Com (2011), 1800Flowers.com (2011), DesignStudio.com (2011, free), ArchyStudio.Com (2011, free download, Movavi Grotesque (2011, free), Azoft Sans, PÄd In, Smeshariki, Fat Cow (2010: free condensed sans), ComFi (2010, free), PC.de (2009: free techno family, including a stencil face), League Gothic (2009-2011, The League of Movable Type) Cyrillic, Paranoid Cyrillic, 28 Days Later Cyrillic, Acid Label Cyrillic, Dead Secretary Cyrillic, Rezland Cyrillic, Sweet Leaf Cyrillic, Droid Cyrillic, Jo Anne Display Cyrillic, Gnuolane Free Cyrillic, Bosox Cyrillic, Budmo Jiggler Cyrillic.
- Typefaces from 2014: Laqonic 4F (unicase sans), Cubynets 4F, Blogger Sans (free rounded organic sans), Boncegro (free Western typeface, briefly called Vaquero before a name change), Motor 4F (based on Russian car license plates), Monitorica (a futuristic typeface made for ipHostMonitor.com, free at OFL), Areqo (condensed titling sans), Architect's Daughter Cyrillic (architectural lettering), GetVoIP Grotesque (a free typeface commissioned by GetVoIP), Meeneralca (unicase sans inspired by the logo of the mineral water Borjomi from Georgia), Glasoor (free oil spill or jelly bean font), Robotesqa.
- Typefaces from 2015: Croogla (a circle-based informal sans), Blackentina 4F (free ultra-black squarish typeface), Dart 4F (neo-grotesque), Kent 4F (a layered family for letterpress emulation).
- Typefaces from 2016: Brent 4F (original design going back to 2013), a custom typeface for the labels used in the Ukrainian Armed Forces, Economica Cyrillic Pro (with Vicente Lamonaca).
- Typefaces from 2018: Indi Kazka 4F (Indic simulation).
Abstract Fonts link. Dafont link. Creative Market link. Behance link. Hellofont link. Open Font Library link.
View Sergiy Tkachenko's fonts. [Google]
A New Machine
Foundry, est. 2011, in Raleigh, NC, by Kent Swecker. A New Machine created the beautiful hairline hand-printed typeface Hair Line (2011), Sweck Sans (2011, a sans with some contrast and a large x-height), Unstable (2011, a paper cut face), the sketch typeface Crosshatch (2011), and the modular FontStruct-like typeface Model UR (2011).
In 2012, he made Quarry (an outlined hand-drawn shadow font), Holt Sans (a Peignotian family), Unstable Slab, Mitosis (using bubbly dots), Radial (prismatic), and Airwave (techno).
Typefaces from 2013: Benthic (decorative geometric caps), Tubbs (a beefy poster face), Dot To Dot (a dotted and lined pair of school fonts), Emjay (sketched blackboard bold typeface).
Typefaces from 2014: Art Party (a festive hand-drawn typeface co-designed with with Erin Solomon), Carawan (a rounded sans family), Back and Forth, Fat Nib (splatter brush face), Smoot (whimsical typeface).
Typefaces from 2015: El Guapo (a hand-crafted typeface co-designed with Erin Solomon), Nervy, Current (thin connected script).
Typefaces from 2016: Etymon (Skyline style), Big Trees (Victorian, Western), Igor (a beatnik style font).
Typefaces from 2017: Down With The King (a great techno headline typeface).
Typefaces from 2018: Thickness (hand-drawn), Chisel Brush, Dot to Dot, Dot To Dot Cursive (dotted line font, perhaps for teaching children in school).
Typefaces from 2019: Artie Deco, Marie Jeanne.
Klingspor link. [Google]
Designer of the thin unicase sans typeface Ardency (2013) [during his studies at George Brown College in Toronto]. Behance link. [Google]
Frontenac, KS-based designer of the free hand-crafted typeface The Friendly Ghost (2016). In 2017, he designed the free font Piedmont.
In 2019, he released the free typefaces Aaro Sans and Aaro Sans Hairline. [Google]
Gifted designer from Epalinges, Lausanne, Switzerland. One of the most talented creators of typefaces with FontStruct.
Typefaces made in 2009: DB72, DBColon, DBPoints Sans, DBCube, and DB13, mostly dot matrix or octagonal fonts.
In 2010, these were followed by db Outline, db Stickers, db Stick, DB Cube New, db MOKI (stencil), db Ciao, db Ticket Light, db 72, DBpoints (dot matrix), DBPoin2, and db Kopix (blackletter), db New Points Italic (dot matrix face).
In 2011, we find dB Stick, dB Sticker, dB Sticker Mono (a monospaced typewriter face), db Prague (fat sans), db Backjumps (an extraordinary fat poster stencil), db Perl, db Perl 1.2 (texture face), db Quarz (2011, +Mix), and db Nox and db Nox II.
Fonts made in 2012: db Como (a simple monospace sans), db Sticker (hairline sans), db Rocko v2 (stencil face), db Today v1 (a beautiful black slab face), db Today v2, db Etroite (2012, in several weights: constructivist), db N3, db Drops (fat counterless face), db Quarz Mix, db Soda, db Klacks, db NQ, db Boxer, db Como (monospaced), db Smoothie (fat stencil face), db Quick Cut (stencil), db Karton (stencil), db Frieda.
Typefaces from 2013: db Etroite, db Concierge (hairline serif), db Lineo, db Lucky, db Boxer III, db SIL.
Typefaces from 2014: db Darling. db Oh Darling, db Melitta (a fantastic brush emulation typeface), db Sticker T, db Points Sans Oblique (dot matrix font), db Como Splitt, db Quirlo (fat rounded poster typeface), db Quirlo Mix, db Limo (angular angry anthroposophic sans), db Limo N, db Slow (a German expressionist typeface), db Bargo Condensed, db TwoLines (an inline font).
Typefaces from 2015: DB Caryptis, DB Oleumi, DB Caroli Plain, DB Caroli, DB Seimeins Serif, DB Seimains, DB Sago, DB Sago II, DB Sthlm (+Light), DB Gertrude, DB Track, DB Track Too.
Typefaces from 2016: DB Maquette, DB Largo, DB For You (winner in the 2016 Fontstruct Love competition), DB Bargo Slanted.
Typefaces from 2017: DB Jojo, DB Scrape, DB Tape Noir, DB Tape Slab, DB Tape, DB Pins, DB Monoto Sans, DB Mrs Back n Black, DB Dr. Bob, DB Tilda, DB Rondo Mix, DB Rondo, DB Shop.
Beate set up Acces Design ca. 2017. The typefaces available there are ad Backjumps (stencil), ad Bargo, ad Como, ad Concierge, ad Darling, ad Oh Darling, ad Frieda, ad Klacks, ad Limo, ad Lucky, ad Magritte, ad Melitta, ad Mill, ad Points, ad Quirlo, ad Slow, ad Soda and ad Soda Plex.
Typefaces from 2018: ad Falter (blackletter).
Typefaces from 2019: ad Dorma (sans), ad Flieger, ad Louise, ad Hobby, ad Journal, ad Juli (sans), ad Tape, ad Violetts (hand-crafted), ad Tape (sans).
Typefaces from 2020: ad Sticker Mono, ad Juli (sans), ad Magritte (sans and serif; for posters).
Behance link. FontStruct link. [Google]
ACME Fonts (or: CHK Design)
Started in 1996, by Christian Küsters and Andy Long (from South London), ACME Fonts is a London-based foundry, offering fonts by Küsters and these designers: Anthony Burrill, Gérard Paris-Clavel&Johannes Bergerhausen, Jean-Lou Désiré, Paul Farrington, Robert Green, Paul Kehra, Henrik Kubel, Simon Piehl, Alex Rich, Carsten Schwesig, Sandy Suffield, Dirk Wachowiak, Anne Wehebrink and Paul Wilson. Christian Küsters is an ex-student of Matthew Carter at Yale. Born in Germany, he now lives in Oberhausen. Buy the fonts at MyFonts. The company evolved, I guess, into CHK Design.
MyFonts link. Interview. Klingspor link. The ACME font list:
- By Christian Küsters: AF Angel (1998, based on an old woodblock typeface), AF Satellite, AFWendingen, Cashier 1 AF (1998, dot matrix), AF Champ Fleury (1996, a Codex-like face), AF Hybrid (1996), AF Hadrian Roman (1998, art nouveau), AF Interface One and Two (1998, grotesque sans), AF Retrospecta (1998, exaggerated wedge serif family), AF Track AF One and Two (1998, white on black dot matrix printing), Unzialis (1994), Zip Code AF 30, 40, 50 and 60 (2001, hairline squarish sans family). Christian had a nice connection at Plazm, where he published Hadrian (1996), Retrospecta (1994), Unzialis (1994), Hybrid (1996) and Interface One (1996).
- By Robert Green: AF PAN (1997, octagonal).
- By Henrik Kubel: 4590, AF-Battersea (1999, a grotesque family), AF-CENTERA, AF-Copenhagen, AF-Klampenborg (2000, grotesque sans), CPH-ArabicNumbers, CPH-Medium, Grot-25.
- By Sandy Suffield: CarPlatesCarPlates, AF Carplates (1998, squarish, including Carplates AF Bold Stencil).
- By Paul Wilson: AF Screen (1999).
- By Pete McCracken: INKy-black (1994).
- By Carsten Schwesig: Nicoteen 13 AF (1998, grunge), AF Syrup (1998, slab serif).
- By Paul Farrington: Camberwell AF One (1998, grotesque sans), AF Tasience (1998), Amateur 69 AF (1998, grunge).
- By Dirk Wachowiak: AF Diwa (2002, large squarish sans), AF Generation (2002, huge squarish sans families called A, A2, A2A, Z, and ZaZ).
- By Jean-Lou Désiré: Kub AF (2002, experimental).
- By Johannes Bergerhausen and Gerard Paris-Clavel: LeBuro AF (2003, grunge in weights called Breau, Crade, Louche, Extra Crade, Demi Beau).
- By Sylvia and Daniel Janssen: AF Nitro (2004, techno family in subfamilies called Intro, Riton, Trion).
- By Anne Wehebrink: Oneline AF (1998, squarish sans).
- By Paul Kehra: PostSoviet AF (2001, geometric sans family; with Cyrillic and Latin letters; weights called Culture, Free Latvian, Free Revolution, Ideology, Revolution).
- By Simon Piehl: Spin AF (1998, squarish sans).
- By Anthony Burrill: Video Wall AF (1998).
- By Christian Küsters, based on lettering of H.T. Wijdeveld: AF Wendingen (1998, LED simulation).
- Other: AFConstants (1998), Allen, Indy 500, Interface, AFLogotype (1998).
View ACME's typefaces. Acme's typeface library. Typefaces made by Christian Küsters. MyFonts selection for ACME. [Google]
[Ronnie Dela Cruz]
Active Sphere is a foundry in Valenzuela City, The Philippines. It is run by Ronnie Dela Cruz (b. 1963, Manila), a part-time freelance web and graphic designer.
Their fonts include the geometric sans display families Kayla Sans (2008), Kathleen Sans and Serif (2008), Leenyx (2008), Jekatep, Sean Henrich ATF (2009), and Yarikha (2008). Stephanie (2008) and Zirphy (2008) are rounded geometric display fonts, and Kamaru Sans (2008) is an experimental sans face. Mecatoque (2008) is Victorian but pretends to be futuristic, and Sayonachi (2008) is a curly children's book face.
Stanix (2011) and Tsikot (2011) are fat techno typefaces. Maxine Sans (2011) is a basic humanist sans family. Tamika (2011) is a gorgeous oriental style brush face. Anino (2011) is a grunge family. Anikka (2011) is a monoline sans family with an extremely thin hairline on one end. Filipina (2011) is an organic sans family. Bradford (2011) is a squarish family. Gretta (2011) is a minimalist sans with missing strokes. Danrex (2011) is Ronnie's contribution to the "fat counterless" craze. Merina (2011) is a fat piano key face. Sailfin is a stylish monoline organic sans family.
Typefaces from 2012: Noki (a great slabbed squarish typeface family), Xira (angular), the sturdy geometric display font Zafra, and the fat squarish techno family Mossimo.
Typefaces from 2013: Monterra.
Typefaces from 2014: Tiger Cat. A large modular typeface family that follows the octagonal mechanical genre.
View Active Sphere's typefaces. [Google]
Born close to the Black Sea coast in Romania, Diana moved to Austria as a child, where she attended the American International School. After graduating from the New Design University in St. Pölten, she worked as a graphic designer, mainly on book and corporate design projects. In 2013, she graduated from the Type & Media program at KABK in Den Haag. Some time later, she set up Acute Studio in Amsterdam under the motto: We like sharp outlines, tight curves, and edgy designs.
Creator of the hairline face Opium (2010) characterized by teardrop terminals. Creator of Paige (2011), developed at the tipoRenesansa 3rd international type design workshop in Ljubljana, Slovenia. This is an attractive and bouncy papercut display face. Marge (2011) is edgy and highly legible even at very small sizes---it was developed at the tipoRenesansa 2nd international type design workshop. Paige Italic (2012) was done at tipoRenesansa 4 and TypeClinic 5 (2012).
Her KABK graduation typeface was Editura (2013), a a type family for serious publications, magazines, as well as non-fiction books.
At The 8th International Typeclinic in 2014, she continued work on an untitled text typeface. At Die Gestalten, she published Paiper, an extraordinarily balanced and readable 6-style text family with angular flared glyphs that are genetically related to folded paper strips.
In 2014, Diana collaborated on the design of HF Stencil with Bold Monday and Studio Thonik. Made for Holland Festival, HF Stencil is based on Glaser Stencil.
In 2016, Diana published Equitan Sans and Equitan Slab at Indian Type Foundry, marrying industrial era rustiness with modern functionality. In 2017, she designed Tiny Sans and Albert Samuels Clock Type.
Codesigner in 2017 with Samo Acko and Sabina Chipara of the typefaces Passenger Display (2017) and Passenger Serif (released in 2019: a Clarendon). Passenger Display is a high-contrast didone-style font family. It is intended for use in headlines, signs, or posters. Passenger Display is a high-contrast didone-style font family. It is intended for use in headlines, signs, or posters. In 2019, Diana Ovezea and Samo Acko added Passenger Sans, which is characterized by horizontal and vertical terminal strokes and small apertures, and delivers a relaxing read in long texts.
With Sabina Chipara, she co-designed the 8-weight simplified sans family Bega at Indian Type Foundry. Diana Ovezea also published the sharp-edged 14-style Matteo in 2017.
At Future Fonts, she published Bizzarrini (together with Sabina Chipara) and Silverspoon, ca. 2018. She writes about the wonderful Bizzarrini: Though the idea originates from a Stefan Schlesinger ad sketch for a Paris couture house, we straightened up this typeface and made it seem engineered and sharp. It gets its name from the Bizzarrini Manta, a wedge-shaped concept car designed in 1968 by Giorgetto Giugiaro. Bizzarrini has extremely long wedge serifs. Following Schlesinger's sketch, it features very tall capitals with an out-of proportion middle-line (very big heads on S, B and R). Silverspoon is a contemporary take on Copperplate Gothic.
Designer of Britney.
In 2019, she released the connected monoline sans script Akin (done with Sabina Chipara) and the geometric sans family Matteo at Indian Type Foundry.
Home page. Behance link. [Google]
Digital artist from Limerick, Ireland. Devian tart link. At FontStruct, he created the ultra thin squarish typeface Lithe (2010). In 2011, he created the thread-themed experimental alphabet I Hate Thread. [Google]
Designer of the free hairline sans typeface Adam (2016) and the fat all caps sans typeface Bold (2019). [Google]
Saint Louis, MO-based graphic designer who created several typefaces in 2012, including Helvy, Stitch, Digiti, Exposed, Skinny Jeans (hairline caps), Golden Age (fashion mag caps), Tunnel Vision, and Grand Penn (ultra-condensed caps). [Google]
Eger, Hungary-based creator of Hairline (2012, a sans family). [Google]
Aesthetic Type (Cardiff, CA) was founded in 2014 by multi-disciplinary creative Michael Jarboe alongside his partner Robin Jarboe. Michael holds a BFA in Painting from the Maryland Institute College of Art (MICA) and Robin a BA in Art History from the University of California San Diego. Before Aesthetic Type, Michael Jarboe ran the type foundry Reserves. Aesthetic Type published the hairline sans typeface Anon Line (2019), and Anon Grotesk (2014-2018). [Google]
Akaki Razmadze is from Tbilisi, Georgia, b. 1991, Tbilisi. He graduated from Tbilisi State Academy of Arts (Tbilisi, Georgia) in 2014. Since 2014, Akaki is a Masters level student of Communication Design at Trier University of Applied Sciences (Trier, Germany). During his studies, he completed an internship at Monotype (Bad Homburg, Germany), where he worked on Georgian versions of various Monotype typefaces such as Helvetica and Meta.
Several Georgian typefaces were designed by him. They are distributed for free, and are quite popular in Georgia. He created Lushgunin (2011), a monoline hairline sans using grids and circles in the design.
In 2012, he started his own foundry and published the free Georgian font Font Archy. Archy can be found on book covers, posters, TV programs and various advertisements.
In 2013, he designed Melany, a Latin / Georgian sans titling font.
In 2017, he finally published FF Meta Georgian. Each of the two weights in the family contain all the characters needed to set modern Georgian, as well as additional symbols for the Old Georgian, Megrelian, Svan, Abkhazian and Ossetian languages.
In 2016, he designed Sabon Georgian.
Neue Frutiger Georgian (2018) was created by Akaki Razmadze and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi.
Speaker at ATypI 2016 in Warsaw on Capital additions to Georgian typography.
Behance link. [Google]
Freelance graphic designer and photographer in Quatre Bornes, Mauritius, who created an art deco architectural font, Archi, in 2013 as a school project. In 2014, he designed a hairline sans and an experimental geometric typeface. [Google]
During her studies in London, Alaa Alsaraji created the hairline avant-garde typeface Vienna (2015). Behance link. [Google]
Alan Jay Prescott
Pottstown (Philadelphia)-based designer and PostScript font hacker who ran Prescott Design and now Alan Jay Prescott Typography, but was also involved in other ventures such as the Black Walnut Winery. Originally from Greenfield, MA, he graduated from Saddleback College. He advertizes himself as Leader in PostScript Open Type Font development specializing in the revival of print-only letterforms into digital typographic materials. Alan created three substantial sans typefaces families with many weights starting from hairline, almost in the fashion mag style: Clemente (2011), Ultima (2011), Passion Sans (2011, a Peignotian family).
Additional typefaces: the Bizarre series (decorative caps), Advertisers Gothic PD (2010: a large family based on Robert Wiebking's ugly original from 1917), APT Antique, Crayon PDS (2013, a decorative Victorian family), APT Caslon 76 (1997, based on a Compugraphics original), APT Feinen Inline (1997, after Henry Mikiewicz, 1983), APT Millais (1995, unknown origin), APT New Abel Cursive (1996, a revival of Bernie Abel's Abel Cursive (Compugraphic, 1974)), APT New Artcraft (1996), APT New LSC Book (1996, after a 1970 original by Lubalin Smith Carnese), APT New Classic Rubber Stamp (1996: based on DeVinne by G.F. Schroeder, 1890; F.W. Goudy 1898), APT New Hearst (1995, based on an original from Inland Type Foundry, 1901, which was famously ripped off from Goudy; the Italic was by Carl Schraubstadter, 1904), APT New Ticonderoga (1995-1996), APT New Woolly West (1995), APT Horizon Initials (1995), APT New Gill Floriated (1995), Old Gothic Initials Plain (1995: Lombardic caps), Pfister Bible Gothic APT Cameo (1997, blackletter caps), APT Saint Nick (1995: snow-themed caps).
His 19th century series, all made in 1995 or 1996: APT New Abramesque, APT New Alferata (psychedelic), APT New Armenian, APT New Belmont (Victorian), APT New Brenda, APT New Cabinet, APT New Caprice, APT New Dawson, APT New Euclid, APT New Linden, APT New Madison, APT New Moorish, APT New Mystic, APT New Rollo (Victorian), APT New Slapstick (wooden plank font), APT New Spiral, APT New Stephen Ornate, APT New Teahouse, APT New Viola, APT Novelty Script.
The wood type collection of Alan Prescott:
- APT Antique Wood Double Outline Shaded 1995, APT Antique Wood Extended 1996
- APT Caslon Wood w: Alts 1996
- APT Clarendon Wood Extended 1996
- APT Columbian Wood w: Alts 1996
- APT Courier Wood 1997
- APT Doric Wood 1995
- APT Gothic Wood (+Alts) 1997
- APT Grecian FullFaced Wood 1996
- APT Jenson Old Style Wood 1996
- APT Kurilian Wood w: Decorated Alts 1997
- APT Modified Gothic Wood Cond 1997
- APT New Venetian Wood 1996
- APT New Woodcut Shaded Initials 1995 (Houtsneeletter)
- APT Roman Wood 1994-1995
- APT Tuscan Antique Wood (+Alts) 1995-1996
- APT Tuscan Concave Wood 1996-1997
- APT Tuscan Contour Wood 1996
- APT Tuscan Gothic 1 Wood 1996, APT Tuscan Gothic 2 Wood Cond w: Alts 1996, APT Tuscan Gothic 3 Wood Cond w: Alts 1997, APT Tuscan Gothic Pointed Wood w: Alts 1997 (Ironwood)
- APT Tuscan Italian Wood 1997
- APT Unique Wood 1995
- APT Wood 1995-1997
- APT Wood No. 501 1996 (orig Wm.H. Page 1887), APT Wood No. 508 1997, APT Wood No. 51 1997, APT Wood No. 510 1997, APT Wood No. 515 1996
- Stencil typefaces: APT Crystal Ship (1995), APT New Acapulco Light (1995; after the phototype Acapulco Light VGC), APT New Alpha Midnight (1996; after a typeface from 1969 sold by John Schaedler), APT New Beans w/ Alts (1996, after Beans by Dieter Zembsch, 1973), APT New Checkmate (1995---not a stencil type, really, but rather a modular typeface; after the film type Checkmate), APT New Zephyr (1996).
- Ornamental typefaces: APT New Courtier Italic (1996, Vanity Fair), APT New Harlequin (1996), APT New June (1996, after Fournier le Jeune).
- Computer fonts: APT Bugsy (1995), APT New Quote (1996: bilined).
- Art nouveau typefaces: APT New Abbott (1995; after Joseph W. Phinneys' abbott Old Style, 1901), APT New Ambrosia (1995, after Peter Schnorr's 1898 Jugendstil typeface), APT New Baldur (1996; after Baldur by Schelter (1895) and Julius Klinkhardt (1903)), APT New Jagged w/ Alts (1996), APT New Jason (1996), APT New Livonia (1996), APT New Margit w/ Alts (1996), APT New Nightclub (1995), APT New Quaint (1995), APT New Quaint Open (1995).
- Various display typefaces: APT Black Dog (1995), APT Blacksmith Heavy (1995), APT New Airedale (1995, after an original tattoo / poster from the 1930s), APT New Blade Display w/ Alts (1996), APT New Cugat (1995; a wedge serif letterpress emulation typeface), APT New Fieldstone (1995), APT New Static (1995), APT New Trump Gravur (1995; after Georg Trump, 1954), APT New Yagi Bold (1996).
- Avant Garde typefaces: APT Avant Garde Alts and Display (1997), APT Lubalin Graph Alts (1997; to be used with BT Lubalin Graph, Ed Benguiat, 1974).
Local download of some of his fonts. Facebook link. Dafont link. [Google]
Creator of this hairline typeface for the San Francisco magazine (2008). [Google]
Designer who lives in Buenos Aires and who teaches graphic design and typography at the Universidad de Buenos Aires. He has worked as an art director in prestigious Argentina-based studios, handling high-profile corporate brands such as Arcor, Marta Harff, Morph, SC Johnson, Danone, and Movicom. He runs Estudio Paul. Professor at Facultad de Arquitectura, Universidad de Buenos Aires. Co-creator, with Apostrophe at Apostrophic Laboratory, of Usenet (2000), FontCop I through IV (2000) and the pixel font family Cayetano. Published the dot matrix font Stardust with T-26 in 2000. Designed the gorgeous font Elektora in 2000. He developed with Michael Lynch a 17-font Tennis set of grid-based pixel fonts. At Typeworx, he published Reflex (2002), a commercial 6-style unicase font family. Another web site by Alejandro. Cofounder of DAS, a design studio in Buenos Aires.
Cofounder of Sudtipos (2003), where he does custom work and creates new typefaces.
His work there includes Tierra (a titling face), Latinaires (2003-2018: originally called Latina Sans), Reflex, Downtempo (2003), Stardust and Mosaico (1999, pixel face).
Still at Sudtipos, he digitized the beautiful handwriting/calligraphic typefaces by Angel Koziupa called Alma (2005), Murga, Habano and Tiza, which together with his script typeface Argenta (2004), Oxida (2005), the medieval script typeface Mama Script (2004, designed with Alfredo Graziani), Divina (2004, with Alfredo Graziani), and the sans family Kautiva (2004) can be bought via Umbrella Type.
For children's orthography, he developed Estrada Hand, on commission for Editorial Estrada. He was working on the serif family Libertina (2004).
Herencia (2004, a handwriting typeface done with Diego Giaccone), Grover (2004, slab serif), Milk Script (2004, with Alfredo Graziani), Mama Script (2004, with Alfredo Graziani), Politica (2004, a techno typeface with a very thin Thin weight) are at Sudtipos.
The Bluemlein Scripts (2004-2005, Umbrella and Veer) are based on the calligraphic renderings of Charles Bluemlein, shown in a 1943 ink catalog: Miss Le Gatees, Mr Rafkin, Mr Keningbeck, Mr Lackboughs, Lady Dawn, Mrs Von Eckley, Mr Sheppards, Mr Dafoe, Mr Canfields, Mr Stalwart, Mr Sandsfort, Mr Leopolde, Mr DeHaviland, Mr Blaketon, Miss Stanfort, Miss Packgope, Miss Fajardose, Mrs Saint-Delafield, Mrs Blackfort, Mr Sopkin, Mr Sheffield, Miss Lankfort, Herr Von Muellerhoff, Dr Sugiyama, Dr Carbfred. (Note: Soft Horizon's Lainie Day (1993) is an earlier free font in the style of Lady Dawn and Mr Lackboughs). In 2011, that series was made available at Google Web Fonts.
Sudestada (2005, Sudtipos) is a handwriting script developed with Diego Giaccone. Cuisine (2005, Umbrella Type) is an informal bold script. Mousse Script (2005, Sudtipos) is based on Glenmoy, a 1932 Stephenson Blake typeface. Suave Script (2005) is a 4am jazz bar script. Ministry (2005) is related in style but less funky, Chocolate (2005) is for sales ads, and Cenizas (2005, with Angel Koziupa) is straight from an old manuscript.
Whomp (2006, Umbrella) was based on a partial sign-painting font by Alf Becker (1930s), and so was Buffet Script (2006, Sudtipos). Affair (2006, Umbrella) is swashy and calligraphic, while Candy Script (2007) and its italic version Sugar Pie (2011) are based on Argentina's market lettering. Galgo Script (2007) is a brush calligraphic font based on a design of Angel Koziupa.
Burgues Script (2007) is an ornate calligraphic script based on the lettering of calligraphy teacher Louis Madarasz (1859-1910) (award at TDC2 2008). Burgues Script, Adios Script (2008: it won an award at TDC2 2009), Feel Script and Sugar Pie all won awards at Tipos Latinos 2008.
Sinfonieta (2006) and Buffet Script are fifties style connected scripts. Feel Script (2007) is based on lettering that calligrapher and logo designer Rand Holub created in 1950 and that was subsequently captured in Intertype's typeface Monterey (1958). Some letterforms were redrawn from vintage American magazine ads (some by Holub himself), Cuisine (2008, food advertising script), Pronto (2008, comic book style, by Alejandro Paul and Angel Koziupa), Grover (2004, rounded sans family), Grover Slab (2004). Burgues Script, Adios Script, Feel Script and Sugar Pie all won awards at Tipos Latinos 2008. Calgary Script (2008, Umbrella) is a pure signpainting job.
Accolades from all typophiles for his calligraphic wunderkind, Compendium (2008).
The 2009 haul: Sugar Pie (signage font), Bravissima Script, Theorem (upright semi-script).
Speaker at ATypI 2009 in Mexico City.
The year 2010 starts off with a bang, five awards at Tipos Latinos 2010: a grand prize for Brownstone Sans, and four standard awards, for Semilla, Kewl Script (for food packaging and store windows), Calgary Script, and for Business Penmanship.
Typefaces from 2010 include the baseball lettering typeface Fan Script and the tattoo script face Piel Script (piel=skin), which was influenced by Burgues Script and more remotely by showcard lettering by B. Boley (1930s, Sign of the Times Magazine). Piel Script won an award at Tipos Latinos 2012.
In 2011, he and Koziupa made the fat signage typeface Aventura and Viento (a grunge version of their earlier 2004 face, Brisa).
He added one retro connected signage font to the Filmotype collection in 2012, called Filmotype Kitten (original from 1955). Filmotype Zephyr (2012) is an italic roman formal script. Filmotype Yukon (2012) is inspired by the classic Palmer style of penmanship.
Storefront (2012) is a swashy signage typeface based on an incomplete alphabet by Alf Becker.
His signage script typeface Hipster Script won an award in the TDC 2012 competition and at Tipos Latinos 2012.
Typefaces from 2013: Rolling Pen (a connected script that recalls the business penmanship genre), Bellissima Script (based on a copperplate calligraphic alphabet from Bellezas de la Caligrafía by Ramón Stirling, 1844).
In 2014, he helped Panco Sassano, a lettering artist and illustrator from Mar del Plata, who designed the wide connected semi-calligraphic handwriting typeface Horizontes Script (Horizontes subsequently won an award at Tipos Latinos 2016). Still in 2014, he published the fat packaging or signage script Bowling Script, which is based on Freely Drawn Italic, a non-font alphabet by Ernst Bentele (1953).
In 2015, Alejandro Paul, Yani Arabena and Guille Vizzari combined forces in the signage script typeface Quotes (Script+Caps) (2015, Sudtipos).
Merengue Script (2015, with Panco Sassone) is a fun creamy script, ideal for pastry shops, tea rooms or supermarkets.
Steak (2016) is a connected vintage signage script based on an Alf Becker design.
Envelove (2017) is a script typeface family consisting of Script, Icons, and Caps, designed at Sudtipos by Yani Arabena, Guille Vizzari, and Alejandro Paul. Winner at Tipos Latinos 2018 of a type design award for Envelove.
Still in 2017, Guille Vizzari and Alejandro Paul co-designed the great Moleskine notebook-inspired typeface family Proprietor. Proprietor comes in Script, Icon, Deco, Wide, Open and Roman styles. It won an award at Tipos Latinos 2018.
Rigatoni (2017): A skyline didone based on mid-20th century example by Eugen Nerdinger.
Bibliophile Script (2017). A pair of copperplate calligraphic typefaces.
Fixture (2018: a 72-font grotesk family published by Sudtipos).
Newbery Sans Pro (2018). A simple workhorse sans typeface family that is inspired by German industrial design and the lettering of Eugen Nerdinger.
Winner at Tipos Latinos 2018 of a type design award for Tennis Set, Bibliophile Script, French Bulldog, Envelove, La Taqueria, and Speakeasy Set (a collection of (copperplate) script, sans, modern, flare and gothic substyles).
From 2019: Hot Salsa (a retro brush script; with Ximena Jimenez), Old Letterhand, Clockmaker (arts and crafts style), Steak Script (inspired by an old alphabet by Alf Becker), Address Sans Pro (a sans family inspired by Butti and Novarese). In 2019, Alejandro Freitez and Claire Menager, under the art directoship of Alejandro Paul, designed the multistyle wood type look / Western / Victorian / reverse stress / hyper-decorative Presley Slab.
Typefaces from 2020: Dilemma, Dilemma Serif (Dilemma is a sans/serif type system with 42 styles; it is inspired by the anonymous Polyphème, Cyclopéen and Extra Condensé designs from the early 1900s at the Peignot Fonderie; two variable fonts are included), Sporty Pro (a large sports / athletics font family). [Google]
Aleksandar Petkov Aleksandrov
Bulgarian type designer, b. 1983, who runs a foundry by the same name in Yambol. Bulgaria. Typograph Pro (2010) is a clean almost geometric sans family with two hairline weights. Zip (2010) is a squarish techno family. Another URL: Amateur Media. [Google]
Georgian designer (b. 1988, Georgia) who runs his own foundry in Tbilisi. MyFonts link. He created the Helvetica-like Lax family (2010).
In 2012, he created the free typeface Grammatika (or Grammatica) out of Helvetica and DIN. Open Font Library download site.
AS Naya (2012) is a minimalist condensed sans family. AS Nerd (2012) is a sign-painting brush script.
In 2013, the following typefaces could be bought at Graphic River: AS Scripty, AS Vardo (hairline sans), AS Negal, AS Vino, AS Neo Medium, AS Amplo (a wide all caps sans), AS Neo, AS Bordo Regular, and AS Grammatika.
Klingspor link. Behance link. Link to his studio. Graphic River link. [Google]
Graduate of Moscow University of Printing Arts in 2006 where she studied under Alexander Tarbeev. She teaches type design and typography there. In 2007, her book for Russian students on typography was published (English title: Alive Typography). She received many awards for her work and is a frequent speaker at type design conferences. In particular, she received the prestigious Prix Charles Peignot in 2013. After that she became Type Director at ParaType in Moscow.
Designer of the beautiful Cyrillic serif family Leksa (a winner at Paratype K2009) and the accompanying Leksa Sans family from 2004 until 2007. This was followed by equally gorgeous families such as Fence (2009, an ultra-fat artistic beauty). Skoropix is an experimental pixel typeface done with FontStruct.
She also made Belladonna (2008, a stunning modern typeface for Latin and Cyrillic; a winner at Paratype K2009 and Grand Prize winner at Granshan 2011), Skoropix (with FontStruct), and the experimental typeface Cless (2009). She spoke about Cyrillic at ATypI 2008 in St. Petersburg. She received a TypeArt 05 award for the display family Fourty-nine face. Alternate URL.
At MyFonts, one can buy Gorodets [2009: a Russian decoration typeface based on traditional wood-painting style from the town Gorodets on the Volga river, Russia], Leksa and Leksa Sans], Blonde Fraktur (2010: written with a quill by Alexandra Korolkova and prepared in digital form by Alexandra Pushkova), Airy (2010, a curly script), Airy Pictures (2010, animal and plant dingbats), Bowman (2010: a blackboard children's script), PT Serif (2011, Paratype's superfamily of 38 fonts, co-designed with Vladimir Yefimov and Olga Umpeleva; Open Font Library link), PT Circe (2011, a geometric sans family with a neat Thin weight; Third Prize for Cyrillic text typefaces at Granshan 2011), and Cless (2010: ultra fat and counterless).
Together with Isabella Chaeva, she made PT Mono (2012, Google Web Fonts and Open Font Library).
In 2012, Vasiliy Biryukov and Alexandra Korolkova co-designed the Christmas dingbat font Gingerbread House, together with a plump display face, Gingerbread.
In 2013, Vasily Biryukov and Alexandra Korolkova co-designed the soft roundish sans typeface Kiddy Kitty (link).
In 2014, she cooperated with Maria Selezenava on a revamped Journal Sans typeface at Paratype, called Journal Sans New (Latin and Cyrillic). This geometric sans in the style of Erbar Grotesk and Metro Sans is a major extension of the Journal Sans typeface (1940-1956, SPA, in metal form, and 1990s in digital form). Still in 2014, she co-designed Stem, a geometric large x-height Latin / Cyrillic sans serif with optical sizing, with Isabella Chaeva and Maria Selezeneva at Paratype. This was followed in 2015 by Stem Text.
In 2015, she and Alexander Lubovenko co-designed Circe Rounded, which is an extension of her earlier Circe typeface (2011), both published by Paratype. In 2018, Paratype extended that family with Circe Slab (by Alexandra Korolkova and Olexa Volochay). Still in 2015, Alexandra Korolkova and Alexander Lubovenko published Aphrosine at Paratype, a typeface based on pointed pen script and situated somewhere between handwriting and calligraphy. Many alternatives and smart OpenType features help Aphrosine look like real handwriting.
Codesigner of Kudryashev Display (2015, Isabella Chaeva, Alexandra Korolkova and Olga Umpeleva). Kudryashev Display is a set of light and high-contrast typefaces based on Kudryashev text typeface. In addition to Kudryashev Display and Kudryashev Headline typefaces, the type family includes also two Peignotian sans-serif typefaces of the same weight and contrast, with some alternates. The serif styles were designed by Olga Umpeleva in 2011, the sans styles were created by Isabella Chaeva in 2015 with the participation of Alexandra Korolkova.
In 2016, she designed FF Carina, a delicate and absolutely stunning decorative didone.
In 2018, Alexandra Korolkova and Manvel Shmavonyan designed Fact at Paratype. Fact (2018) is based on Frutiger. The Fact type system contains 48 upright styles with variations in width and weight and eight italics of normal width. At the end of 2018, Alexandra Korolkova, Alexander Lubovenko, and the Paratype team finished Six Hands, which is a collection of six hand-crafted typefaces: Black, Brush, Chalk, Marker, Condensed and Rough.
In 2019, Vitaly Kuzmin and Alexandra Korolkova co-designed the free sans serif typeface Golos Text at Paratype. It was originally commissioned by Smena (AIC Group) for state and social service websites.
Typefaces from 2020: Tupo Vyaz (a free modular closed sans serif font with very simple design and some elements from the northern variant of Vyaz slavonic calligraphic hand), Grrr (at Paratype, with Dmiry Goloub; a techno family characterized by an oversized lower case f).
MyFonts interview. Kernest link. Klingspor link.
View Alexandra Korolkova's typefaces. Speaker at ATypI 2019 in Tokyo. [Google]
[The Routine Creative]
Alex H B
Designer of Britannica Display (2005), a hairline geometric all caps face. [Google]
[Avondale Type Co]
German designer (aka laynecom) at FontStruct in 2008 of band, blokk_2, maiden, substance, Fette Serif (fat, octagonal), Runde Pixelig, Velvet, Thin Sans, Constr, Clear Serif, Blokk.
Added in 2009: Russisch Brot, Block Out (3d face, +Filled1, + Filled2), Bold Stencil Sans, Script Pixelig, Dorky Corners Sans, Haus der Kunst (inspired by the building in München by that name), Fraktur Test, Fette Sans (nice), Emilia, Runde Pixelig (pixel script).
Creations in 2010: Fraktur Test, The Plot (octagonal, architectural), 80s Metal Band, Fieldwork Font (pixel), Black Metal, I slabbed the Seriff, Play (curly face).
Creations in 2011: Obvious Stencil (Bauhaus, or piano key), Supercali (a psychedelic font inspired by the cover for A.R. Kane's "I"), Manuale (with straight slabs; +Manuale Giocoso, 2012), Graphite (fat and rounded), Graphite 2, Hinterland Italic (quaint Victorian face).
From 2012: Linea Fraktur (extended in 2013 to Linea Runde), Black Organic (spiky blackletter), Green Organic (a spurred blackletter), Standard Sans, Modular Blackout Bold Condensed, Viva Las Vegas, Helios, Faux Pas Serif (Egyptian typeface), Nova Thin Extended (this hairline sans is a tour de force---it is the first successful hairline sans typeface ever made by anyone using FontStruct), Bencraft.
Fonts from 2013: Meadow Bold, Lush Capitals, SwiftStroke, Its Slab To Be Square, Mellow Doubt, Ligure Black, Beige Organic, Trafo, Trafo Evolution, Codester Mono (a programming font), Swash Buckle, Nova Thin Extended (a hairline sans), Meson Sans, Burgwald Exquisite Bold Condensed, Editoriale, Coalescimen, A La Carte, Hampton Italic, Baby Elephant (fat grotesque).
Fonts from 2014: Terminal One (a basic sans), Fanomino, Fontris (like Tetris), Schlaraffenland (+Variant: great rounded sans family), Crystalline, Tick Brush, Manuale Neue Bold, Terminal One, Sanspura, Italics Study, Mundane Black Extended, Heavy Grain, Wineshop Stencil, Folds and Rhizones, Viva Las Inline.
Fonts from 2015: Augustine, Coleridge, Framtid, Licht-Sans, Quire-Bold, Quire, Static-Grotesk, Tattoo-Parlour, The-Gift-Serif, Tuileries-Black, Usual-Type, Ziseleur, Zungenschlag, Blackesteverblack.
Klingspor link. [Google]
Alexis Graf (Brookly, New York) created the avant-garde family Courtney Crawford (2012).
Behance link. [Google]
Alvaro Thomáz Oliveira
[Alvo Type (or: ATF, or: Alvaro Thomaz Fonts)]
Alvo Type (or: ATF, or: Alvaro Thomaz Fonts)
[Alvaro Thomáz Oliveira]
Ipatinga, Minas Gerais-based (or Santa Barbara-based, or Belo Horizonte-based) designer of these typefaces in 2011: Gogating Book (a Helvetica-like face), Mytupi, Pirates Writers, Chapenettoer 8 Thin, a large x-height and large-bowl minimalist sans face. This was followed by the bold caps sans typeface Laranja Pro and Laranjha Pro Fraco, Aovel Cool (geometric monoline sans), Aovel Sans Rounded, Aovel Sans Light, Aovel Neo (based on Avant Garde), Yagora (humanist sans), Salika, Sheep Sans (2011), Mariana Family, Extrememame, Timo Roman, AvantFox (based on Avant Garde), Brasil (based on ITC Lubalin), Hasteristico (monoline geometric typeface based on Avant Garde), Amiju Book, DMF Arreia Black (fatted up Helvetica), DMF Cantell, DMF Handwriter, DMF Handatme, BDP Sergipe, BDP Fox, BDP Clien, BDP Up, and BDP Gelly.
Typefaces made in 2012: Flex Display (a free thin sans), Meva (geometric sans), Duase Light (a thin rounded avant-garde geometric sans), Tenue Sans (a distinguished sans---tuxedo required), Cridigo Sans, Cogga (a display sans face), Homizio (a free 6-style geometric sans family), Aliquam, Regencie, Blouding (from blood samples?), Quinfo (avant garde family), Frugal Sans, Agnele Modern (a didone titling face), Salutino, Bondoluo (geometric avant-garde sans, +Light, +Display), Duase (rounded monoline sans).
Typefaces from 2013: Panjo (humanist titling sans inspired by Eric Gill), Grieff (a DIN-like sans), Burne (a geometric all caps sans with elements of Futura and Avant Garde), Suicca (hairline sans), Datidi (custom slab face).
Typefaces from 2014: Homizio Nova (sans), Amper.
Typefaces from 2015: Savass Sans.
Typefaces from 2016: Cerko (a gemoetric circle-based futuristic typeface).
Typefaces from 2017: Beaga (a slab serif named after Belo Horizonte).
Typefaces from 2019: Antropil (a rounded sans), Finis Grotesk (inspired by the Bauhaus movement), Finis Text, Finis Text Soft.
Typefaces from 2020: Dumont (a 27-style structural geometric sans named after Brazilian aviation pioneer Alberto Santos dumont), Hauslan (a sans family).
Home page. Fontspace link, where he is known as authimie. Another Fontspace link. About me page. Behance link. Another Behance link. About Me link. Dafont link. Aka Alvaro Ovelha. Creative Market link. Future URL. Home page of Alvaro Thomaz. [Google]
American designer, b. 1984. Home page. Her free fonts include Selfish Bitch (2010, hairline, hand-printed), and the ornamental art deco caps typeface Sundays Are Boring (2010). [Google]
Ampersand Creative (Liverpool, UK) created the hairline avant-garde sans typeface Duality (2013). [Google]
Anders Schmidt Hansen
Danish creator (b. 1989) of the hairline octagonal font Aciddotica (2009). He lives in Aarhus. [Google]
Graphic designer in Santo Tirso (Porto), Portugal. In 2011, he created the hairline sans typeface Wayne Thin, the counterless fat slab face Rotula, and the fat round Wayne Black. He also made Virtude (2011, a Garamond revival). In 2012, he added Urbe (3d face).
Typefaces from 2013 include the grid-based modular typeface family Kamo, which comes with Kamo Stencil.
Home page. [Google]
Brazilian creator in Sao Paulo (b. 1989) of Neou (2012, h free airline sans caps face), Kubus (2012, cubist face), Oval Track (2011) and VIP Roman (2011).
He created the beautiful commercial font Contrasto in 2013.
Behance link. Dafont link. [Google]
[Subtype (was: Typisc or Suprb)]
Graphic designer from Bucharest (and now Burriana, Spain) who made these typefaces in 2011: STT, Rock, Square, Desgraciado, Cylon, Kalypso, Dgtl, Passio, Sting, and VCT. Via Dos Cabrones, he partners with Vian Peanu.
He hooked up with Pose Radu in 2017 and set up The Jumping Foxes. Through The Jumping Foxes, they commercialized Radu's Matisse design as JF Matisse (2017). [Google]
Andressa De Conto
Designer in Porto Alegre, Brazil, who created the hairline avant garde typeface Simetrika in 2012. [Google]
Andrew Hart is a Corona-based American digital photographer (b. 1988), who runs a small free font archive. Another archive of his. Dafont link. Another URL. Yet another URL. And still another one. And another one. And one more. His later fonts refer to SickCapital.Com.
His own fonts include Gothickella (2017, blackletter), Sailorette Tattoo (2015), Elkwood (2014, sans), Snowinter (2014, sans), Rebel Pixy (2014, tattoo script), Pride of the Young (2014, hipster style), Scribblet (2014), Tall & Slim (2014, a great tall-legged poster typeface), Tribal Threat (2014), Boldenstein (2014), Fireflies (2014), Rio Frescata (2014, curly), Alpaca Scarlett (2014), Alpaca Solidify (2014), Vanity Script (2014: a vampire script), SC Gretchin and Timmy (2013), Fun In The Jungle (2013), Pixelic War (2013), A Glitch In Time (2013), Giraffe And Co (2013, an African-themed typeface), Chameleon Dreams (2013: a fantastic wacky party typeface), Angelic Serif (2012), Angelic Peace (2012), Pyrite Script (2012), Pyrite Crypt (2012), Body Piercing And Chains (2012), Love til Killed (2012), Hollywood Capital (2012), Donaldo Regrecka (2012), Deadly Black Chain (2012), Dirt2 Copperbolt (2012, grungy copperplate), Truskey (2011, grunge), Sick Capital Kingston (2011), Full Moon On (2011), Grafitik Riot (2011, graffiti face), Electric Panda (2011), Last Draft (2011, grunge typewriter), CaliforniabyDirt2 (2010), JusticebyDirt2 (2010), SC Gum Kids (2010), SC Tinas Baby Shower (2010), Little Ryan (2010, handwriting), Sick Capital Vice (2010), Star Avenue (2009), Cute Tattoo (2009), DuerTWO (2009), Dirt2Stickler (2009), Ithornët (2009, grungy blackletter), NoXWay (2009, graffiti grunge), Skulls and Splatters (2009), Hacjiuza (2009, hand-drawn blackletter; +Dirty), Popstar Autograph (2009, comic book style script), The Quickest Shift (2009, curly script), DuerTwoo (2009, bloody horror font), Malgecito (2009, grunge), Ithornët (2009, grungy medieval pirate font), Little Bliss (2009), Loyal Fame (2009, curly script), Angelic War (2009, grunge), Soulstalker (2009, grungy blackletter), Kings of Pacifica (2009, ransom note font), GanixApec (2009), GoodPeace (2009), KatyBerry (2009), OffTheDrugs (2009), ThinFranq (2009), WILDAFRICA (2009, African-theme multiline face), St. Andrew (2009, a spray type font), Hawaii Lover (2009, grunge calligraphic script), Aristotle Punk (2009, grunge), Juicy Hunt (2009, grunge), Dead Hardy (2009, Victorian), Kate Perry (2009, fifties script), Kate Berry (2009, fifties script), Vloderstone (2009, hairline slab serif), Good Peace, Off The Drugs, Thin Franq (2009, hairline), Ganix Apec (2009, sans), Jailbox1 (2009, grunge), Blast Beat (2008), Ghosttown-BC (2008, Western style), Dead Secretary (2008, grunge), DIRT2-DEATH (2008, grunge), Robot Head (2008), Alpaca 54 (2007, grunge), Hawaii Killer (2007, Coca Cola grunge), Splinter2 (2007, grunge based on Franklin Gothic), Everyday Ghost (2007, grunge), Plague Death (2006, grunge), SEXtalk69 (2007), Screamz1 (2007). [Google]
Andrij Shevchenko (b. 1973) (aka Andrij Che) is the Berdyansk-based Ukrainian designer of the following typefaces, somne of which can also be had from MyFonts. Behance link.
In 2012, he started Ukrainian Type.
- Agarsky (2006, a bold casual script face) which used to be called Agara until Berthold complained about the possible confusion with Agora.
- Zion Train (2007, an experimental sans in 20 styles).
- Andrij Script. See here.
- Andrij Hand (a Cyrillic handwriting font, 2002-2006; see discussion).
- Strudel (2002, informal handprinting).
- ALS Agrus (2005-2006, a script face, Art Lebedev Studio).
- Machinegun (2005, octagonal military look).
- Magela (2003, a Cyrillic sans).
- Hajdamaka (2004, a bouncy Latin/Cyrillic script).
- Also check out his lettering (not fonts) in Kozaku (2005, a flowing Cyrillic script), XLibna (2005, another Cyrillic script) and here (2005).
- The semi-serifed Oksana (2007, 6 styles), Oksana Sans (2007, +Condensed), Oksana Text (2008), Oksana Cyrillic (2007), Oksana Greek (2007), and Oksana Text Swash (2008). This was followed by Oksana Text Narrow (2011), Oksana Sans (+Wide) and Oksana Sans Compressed (2011), which have hairline weights.
- Osnova Pro (2010): a sans family that covers Cyrillic, Greek and Latin.
- Ababa (2002, Cyrillic lettering).
- Turbota (2010) is a rounded Latin / Cyrillic type family that was was developed as part of an identity system for Turbota, a center for disabled children in the Ukraine.
- Arsenal (2011). A free typeface that won a national Ukrainian type competition called the Mystetsky Arsenal contest.
- Seaside (2011) is a Peignotian face.
- Bandera Pro (2011) is a useful workhorse square serif type family that covers Latin, Greek and Cyrillic. Accompanied by Bandera Text (2014) and Bandera Display (2014).
- Arsenal (2012) is a workhorse sans family for Latin and Cyrillic. It won the Mystetsky Arsenal contest, and is free.
Zion Train Pro (2012, +Stencil): Originally ZionTrain was built as a (probably first in Cyrillic!) navigation typeface for the Kharkiv identity project and Kharkiv subway and airport navigation systems. We wanted comprehensible, distinctive letterforms, that can help everybody on the way from Babylon to Zion. The project was used in Kharkiv promotion at homeland and abroad, but was rejected by the new government. As a corporate typeface it was used for a few cultural projects. Now it is equipped with Slavic Cyrillic and Monotonic Greek.
Showcase of Andrij Shevchenko's typefaces at MyFonts. [Google]
[Mint Type (was: PDesign 6.0)]
Andy Kennedy (Animal44) is the creator of Resselle (2003), reminiscent of Dennis Ortiz-Lopez's proprietary Elle Girl Rounded Light font, a very thin geometric sans. Posted by him on abf on June 4, 2003.
Fontspace link. [Google]
British designer who works as a designer at Church of London. Creator of commercial typefaces at The Type Foundry, such as Nord Express (art deco; based on the Nord Express train poster) and Grande Fete (hairline avant garde caps face). [Google]
Graduate of The National Academy of Art in Sofia, where she obtained a Masters in type design in 2014. Upon graduation, she started to work for Fontfabric, and set up her own type foundry in 2019. Sofia, Bulgaria-based designer of these typefaces:
- The plump display typeface Maver (2019).
- The 28-style sans workhorse family Vocal (2019).
- The 16-style humanist grotesque typeface Kardinal (2019), which covers Latin and Cyrillic.
- Quat (2019). A 22-style sans family, covering hairline to black.
- Alamia (2020). A 20-style slightly condensed sharp-edged sans family.
- Faddy and Faddy Cyrillic (2020). A fun poster typeface family.
Designer in Bombay, who made a custom Hindi font (2012), as well as a typeface for teaching children how to draw the Latin alphabet. He also created Hexy (2012, a hexagonal family that includes an inline face), Hindustan Hipsters Icons (2012), the thin geometric typeface Elefont Sans (2012) and the paperclip typeface Incomple (2012).
Another Behance link. [Google]
Creator of the hairline avant garde font Visart (2013). It was developed during her studies in Budapest. [Google]
Designer at ACME in London. Her creations include AF Oneline (1998), a geometric hairline monoline stencil font.
Klingspor link. [Google]
Graphic designer in Haderslev, Denmark, who created the hairline fashion mag typeface Balonzo (2012). [Google]
German designer who studied at FH Trier. Creator of Line Ultralight (2011, a hairline monoline sans). Dafont link. [Google]
Prolific and talented Brazilian designer in London and Brasilia, who created the modular monoline display typeface Colibri (2012), the hairline sans typeface The Fake Blondes (2012), and the fashion mag typeface Models (2012). He created several other modular alphabets and typefaces in 2013, including Boogie (a fat disco typeface), Stay With Me (fashionable fat didone), Concrete Butterflies (2013, paper cutout theme), London (blackboard bold, derived from Bodoni MT Bold) and Cardboard. Berlin (2014) is a group of display typefaces. Subfaces include Berlin, Berlina, Slaberlin and Überlin. He also designed Havana and the free typeface Gili Meno in 2014.
Behance link. [Google]
Ariel Di Lisio
Måns Grebäck (Aring Typeface, Örebro, Sweden) is a prolific Swedish designer (b. Lindesberg, Sweden, 1990), who lives in Borlänge, Sweden. Måns Grebäck has a bachelor's degree in graphic design from the University of Dalarna (2012). In 2010, he went commercial, and started selling fonts through MyFonts. In 2011 he started Mawns Design. In 2013, that was renamed to Aring Typeface. In 2011 he already had over seven million downloads of his fonts, which were featured at websites such as Dafont and Myfonts. He also does custom type work. His typefaces, both free and commercial:
- Acryle Script (2014).
- Actonia (2016). A monoline script.
- Adielle (2018).
- Aerofoil (2017). A vintage bottom-heavy script.
- Airways (2016). A signage script.
- Akayla Script (2018). Calligraphic.
- Aliment (2018). A sharp geometric sans.
- Amertha (2020). a fat finger font.
- Amplify (2013). A signage script.
- Angars Runes (2019: medieval, with gothic cathedral curves).
- Angilla Tattoo (2013). A connected spurred tattoo typeface. Followed by Angilla Script (2020).
- Antlers (2012). A calligraphic script.
- Aquate Script (2019).
- Arachnids (2011, graffiti face)
- Artely Inks (2016).
- Atelas (2015). Signage type, baseball script.
- Atures (2018). Futuristic and monoline.
- Autograf (2015). A signature typeface.
- Ave (2016) in styles called Ave Utan, Ave Betwan and Ave Fedan. A family of baseball scripts.
- Avelana. A connected script.
- Backpack (2014). A thick signage script typeface.
- Backyard (2016). A blackletter typeface.
- Barkants (2011, elegantly hand-printed family).
- Barley Script (2017). A signage script.
- Beautiful Trouble (2012). A rabbit-eared upright connected script.
- Beaked Tyrant (2014). A copperplate calligraphic script.
- Beckasin (2011, signage face)
- Before The Rain (2011, calligraphic) Before The Rain Arabic (2016).
- Bellino (2018).
- Billion Dreams (2020, by Mans Grebäck and Rangga Subekti). A heavy signage script.
- Billion Stars (2013). A tattoo script font.
- Bira (2012). A retro connected brush / signage script.
- Blaak (2019).
- Black Fox (2014). A sirupy brush face.
- Black Larch (2016) and Dark Larch (2016).
- Bloc Boy (2016). Like handwriting.
- Blockography (2011). A sketched typeface.)
- Block Talk (2011, with Zaydek Michels-Gualtieri)
- Blods (2011, a great blotty brush face)
- Blueberry Script (2017; with Noah Kinard).
- Botanink (2011)
- Brannboll (2011, baseball signage face; Brannboll Ny was done in 2013), Brannboll NY (2013).
- Bready (2011). A retro signage script with art nouveau aroma.
- Brev Script (2014). A connected secretary hand from the 19th century.
- Bronze Script (2014).
- Brother Tattoo (2012).
- Bumblebees (2012). A plump curvy script.
- Bunya (2016). A geometric slightly deco sans typeface family.
- Calendary Hands (2012).
- Caligraf (2020).
- Canela Bark (2015, co-designed with Luis Miguel).
- Caneletter Sans and Script (2013). Upright unconnected and connected scripts.
- Cantona Script (2019).
- Capoon (2018). A ten-style sans family.
- Caprica Sans (2014) and Caprica Script. A plump script.
- Casat Cap (2017). An all caps brush typeface family.
- Caster (2019). A heavy poster script.
- Castro Script (2012).
- Celebrater (sic) (2012). An oily font.
- Cellos Script (2013).
- Centeria Script (2012).
- Channel (2011, connected upright script)
- Chapel Script (216). For signage.
- Characteristic (2011).
- Chavenir (2011).
- Chinal (2018).
- Choko (2011, released in 2016). Chocolate and cream-themed decorative typeface.
- Christmas Miracle (2018) and Christmas Sparkle (2018).
- a href="https://www.myfonts.com/fonts/mawns/chrysante/">Chrysante (2020). A monoline flowing pen script.
- Clear Line (2012). A fat finger / signage typeface.
- Clipper Script (2011).
- Clothe (2017).
- Coneria Script (2012). A connected script.
- Conture Script (2018). Elegant, classical, and with exaggerated capitals.
- Crackin (2011).
- Crunchy (2016). An upright connected script.
- Cruz Quaste (2020). A hand-crafted blackletter typeface.
- CutScript (2011, connected script)
- Dark Crow (2020). a dry brush script.
- Ebbing (2018).
- Echinos Park Script (2012).
- Ederson (2018). A vintage signage script.
- Ekologie Hand (2012).
- Elaya Script (2019). A creamy signage script.
- Electronics (2017). A retro signage script.
- Elevate (2016).
- Emiral Script (2017). A baseball script.
- Encina Script (2016). A thin calligraphic typeface.
- Enlighten (2011)
- Delinquente (2012).
- Denigan (2011, hairline)
- Equal Sans (2012).
- Espesor Olas (2011, fine hand-printed calligraphic family)
- Esplanade Script (2015, by Mario Arturo).
- Ethernal (2017). A connected script.
- Europe Underground (2010, geometric sans with a hairline weight).
- Fabulous (2017) and Fabulous Gold (2017). Signage script.
- Falkin Sans (2016), Falkin Script (2016), Falkin Serif (2016).
- Faltura (2011, constructivist), Faltura Alien (grunge), Faltura Guerra (grunge)
- Faltura Animals (2011)
- Feathergraphy Decoration (2011, calligraphic).
- Dollie Script (2013).
- Duera (2016). A variable width sans typeface family.
- Fat Wandals (2018). A graffiti font.
- Feathergraphy Clean (2011).
- Fibography (2013). A caps typeface composed of fibers.
- Filbert Brush (2012), Filbert Color (2013, a soft brush font).
- Finition (2017). A connected brush script.
- First Lyrics (2011).
- Flighter (2018). A retro airplane font.
- Fondy Script (2018).
- Frankentype (2013). An all-caps brush typeface for signage.
- From Skyler (2016).
- Funkygraphy (2011, fat and counterless).
- Gecko (2015, a fine creamy signage script).
- Geza Script (2017). A great angular almost Arabic-looking script.
- Ghang (2011, graffiti family).
- Gingo (2020). A script.
- Graced Script (2016). A wide calligraphic connected brush script.
- Grandi (2016). A ten-style display sans.
- Greback Grotesque (2012). The Thin is very very thin.
- Gretoon (2011, cartoon family)
- Griphite (2018). A rough brush typeface.
- Guld Script (2015).
- Habanero (2016). A fat signage typeface.
- Handtalk (2010, silhouettes)
- Harbell (2013).
- Hard Block (2011, Western slab face)
- Haydon Brush (2016).
- Hemmet (2013). A signage script.
- Hierograf (2016). A layered textured hand-crafted poster typeface family.
- Hitalica (2011).
- Honeymoon (2017). A connected script.
- Housegrind (2013, connected script).
- Impregnable (2013). A connected script.
- Indiana Script (2017). A baseball script.
- Inked Bones (2019). a hand-painted blackletter font.
- Intrique Script (2013). A baseball script.
- Isle Body (2019), Isle Headline (2019).
- Jacked Eleven (2011), Jacked Eleven Highlight (2011), Jack Pirate (2020: a tattoo blackletter typeface), January Script (2013).
- Jaymont (2018). A sharp-edged wedge serif typeface family.
- Kandira (2018). A sleek sans family.
- Kanvas (2020). A script typeface.
- Kerater (2011, sans)
- Lace 2.0 (2012). A thin connected script co-designed with Matteo Milazzo.
- Kompar (2018).
- Krinkes (2015, baseball script). A connected swashy signage script.
- Kurri Island (2020).
- Lakesight (2014). A connected script.
- Larch (2016). A crisp script typeface.
- Las Enter (2013). A neon light script.
- Let Me Ride (2011)
- Levitee (2011, a lively connected script).
- Lighthouse (2013). A bold high-contrast script face.
- Lina Script (2012). A tattoo script done with Vicky Mardian.
- Lourino (2018).
- Low Casat (2017) and Low Casat Fat (2017).
- Lyrics Movement (2011, tall-ascendered hand).
- Lyster (2020).
- Mainland (2018). A sans family.
- Mainstream (2017). Graffiti style.
- Martyric (2014, brush script),
- Masteries (2013). A connected formal script.
- Mastoc (2014).
- Mean Casat (2018).
- Medish Script (2018). A great calligraphic handwriting typeface.
- Together with Noah Kinard, he designed the calligraphic typeface Melay Script (2016).
- Middle Ages (2019). A Lomardic blackletter in Regular and Deco styles.
- Milasian Circa (2015) and Milasian. A connected script.
- Merry Christmas (2015). A retro script in Flake and Star styles. Followed in 2017 by the color script font Merry Christmas Color.
- Milkyway Hotel (art deco sans).
- Mistuki (2015). An oriental brush simulation font.
- Mochary (2016). A signage or tattoo script.
- Molly Sans (2019). Caps only.
- Monsta Tag (2013): a graffiti font.
- Motion Picture (2013). A heavy connected retro script.
- Mount (2012).
- MAWNS Graffiti (2010) and MAWNS Serif (2010)
- MAWNS Handwriting (2010).
- Made With B (2011, sketched face).
- Mardian (2012). A calligraphic tattoo script done with Vicky Mardian.
- Markera (2011, marker pen family)
- Many Weatz (2011)
- Mawns Rock (2011)
- Monoment (2011). A fat upright connected script.
- Monosphere (2012-2016). A futuristic monospaced typeface.
- Nacinth (2020). A script.
- Nino Script (2018). A tattoo font.
- Normale (2014). A set of distressed typewriter fonts.
- Notera (2014). A connected handwriting font. Followed by Notera 2 in 2018.
- Odenburgh (2020). A medieval calligraphic typeface.
- Optien (2011, techno face)
- Ordinatum (2011, a severe sans)
- Ornamental Versals (2011, ornamental caps)
- Painter (2016). A sign painting script.
- Pennybridge 1563 (2010, blackletter)
- Pharmount (2014). A calligraphic connected script.
- Phraell (2013). A great italic formal calligraphic script with optional swashes.
- Pigeon (2016).
- Pineapple (2012).
- Plates Napery (2015).
- Plicata (2016).
- Pligo (2016). A balloon or cartoon font.
- Preside (2017).
- Prime Script (2012).
- Prognostic (2011)
- Qaskin (2015). A semi-formal connected script typeface with Black and White (outlined) styles.
- Qraxy (2016). Quache Variable (2020) and Quache (2020). A 28-style flexible sans family.
- Querino Sans (2019). A very bold sans. Followed by Querino Script (2019).
- Quickier Pro (2012). A swashy calligraphic script face.
- Quincho Script (2016).
- R-2014 (2011, LED face)
- Race Fever Pro (2015, in Brush and Pen versions) and Race Fever Brush (2015).
- Radio 187.5 (2010, techno family)
- Rakoon (2014). A creamy ultra-fat upright script. Followed by Rough Rakoon in 2016.
- Rangly (2017-2018). A paint roll font.
- Raspberry Script (2017).
- Recorda Script (2013). A formal calligraphic script.
- Reditum (2014). A decorative script.
- Reeler (2014, with Noah Kinard).
- Remachine Script (2013). Retro signage script.
- Respective (2011, calligraphic script, +Swashes)
- Rider (2011, a 30-style "versal" sans family)
- Ringer (circle and arc-based sans)
- Ristella (2017). A baseball script.
- Roona Sans (2018: modernist and organic curves).
- Ropest (2018). A rope font.
- Roskrift (2011, calligraphic; + Roskrift Clean)
- Rurable (2015).
- Ruthless Wreckin (graffiti typefaces), Ruthless Drippin' (dripping paint family)
- Safir Script (2016). A fat baseball script.
- Saker Sans (2017).
- Santa Claus (2019). A blackletter typeface, accompanied by Santa Claus Deco, a snow crystal font.
- Scantype (2016).
- Sculptor's Hand (2011, connected chancery hand)
- Second Lyrics (2011, Treefrog-style handwriting)
- Sequal (2020). Graffiti style.
- Sicret (2020) and Sicret Mono (2020). An all caps family.
- Servin' for Salute (2011)
- Goatskin Brush (2015). A great brush typeface.
- Shaded Larch (2016).
- Sharpe (2019). A sharp-edged high-contrast serif typeface family. See also Sharpe Variable (2020).
- Shenandoah (flowing signage script).
- Shimes (2015).
- Shipped Goods (2011). A copperplate calligraphic script.
- Shortbrush (2011)
- Signerica (2011, connected flowing hand)
- Sketchica (2011, sketchy face)
- Skyzhi (2016). An advertising headline typeface.
- Society Editor (2013, connected script).
- Snacker Comic (2013).
- Snowstreet (2013, an octagonal typeface) and Snowy (2013).
- Some Weatz (2011, calligraphic, copperplate; +Swashes)
- Sonika (2018).
- South African (2014). A movie poster brush typeface.
- Southern Aire (2013, connected script face).
- Specify (2016). A 40-style sans family.
- Spoken (2019). A graffiti font.
- Square Worm (2011)
- Stackyard (2015). A script.
- Stainy (2013). A signage script.
- Starella Script (2019) and Starella Tattoo (2019).
- Starge (2019).
- Strawberry Script (2017).
- String Lines (2018).
- Stroke Dimension (2011, 3d face)
- Suecos Locos (2011---yummy!).
- Sultan Cafe (2014). An interlocking poster typeface.
- Sunny Sam (2020). A script typeface.
- Sverige Script (2012). Calligraphic wedding font.
- Tall Casat (2018).
- Tamoro Script (2014).
- Tevegraphy (2011, elliptical)
- The Hills (2017).
- The World is Yours (2011, quaint)
- Throwupz (2011)
- Toley Hand (2019).
- Tipbrush Script (2011).
- Tomino (2016).
- Top Comic (2013). A very fat cartoon bubble face.
- Treehouse (2011, upright connected script; +Snowhouse for a snow-covered version)
- Tusch Touch 1 (2011)
- Two and Three (2011: a tattoo parlor blackletter family)
- Typographic Onedalism (2011, graffiti simulation face).
- Undergone (2014). Decorative and calligraphic.
- Unthrift (2015). A pen script.
- Vacer Sans and Vacer Serif (2016). The latter is a slab serif.
- Validity Script (2020, with Misti Hammers).
- Ventography (2013). A bold signage script.
- Waiter (2017).
- Walk Da Walk One
- Wandals (2018). A graffiti font.
- Wankstaberg Battles (2010, a tall fat script)
- White Larch (2016). A connected script typeface.
- Wild Growth (2011).
- Winfield Script (2019).
- Xtreem (2012) and Xtreem2 (2014).
- Yanty, Yanty Big, Yanty Script, and Yanty Script Big (2012).
- Yaquote Script (2014).
- Yaty (2019).
- Yoghurt (2011).
View Mans Grebäck's typefaces.
Abstract Fonts link. Fontspace link. MyFonts link. Another URL. Dafont link. Klingspor link. Buy fonts directly from Måns Grebäck. Old URL. [Google]
Riverside, CA-based designer of the calligraphic Orris Root (2017), the bush script Light Butterfly (2017), the hairline calligraphic typeface Bounderas Script (2017), the calligraphic script Pink Coyotes (2017), and the Treefrog brush script Moodellyna (2017). [Google]
Cecelia "Cecy" Rodriguez ("Art Serrano", Tampico, Mexico) designed the techno typeface Electric Feel (2010), Chilly (2009, hand-printed, hairline) and Crazy Diamond (2009, black typeface with small holes). Fontsy link Behance link. Dafont link. [Google]
Aryon Thyago Moraski
Designer in 2009 at FontStruct of Letreiro Digital para LED quadrado (a thin dotted line face). [Google]
Ashfaq A. Niazi
[King Fahd Glorious Quran Printing Complex]
Creator of the curly display typeface Boots & Barkley (2013) and the hairline typeface Cloud (2013). [Google]
Avondale Type Co
Avondale Type Co is a type foundry established in 2013 and located in the Avondale area of Chicago. It is a type coop that groups several designers. It is a subsidiary of the design studio Bright Bright Great. Its typefaces:
- By Alex Sheyn of Bright Bright Great: ATC Krueger (2013, an ultra-thin compressed straight-edged sans serif typeface), ATC Rosemary (2013, a didone with heavy contrast and shiny exaggerated ball terminals).
- Finki Pro (2013). A layered and beveled type family by Quinn Keaveney.
- Codex (2014). A spurred wrought iron and black death typeface by Justin Siddons.
- ATC Nasty (2015).
- ATC Overlook (2014) is a great grotesque sans family by Alex Sheyn. Almost monolined and genetically geometric, it is characterized by a lower case "e" that has a very short tail. Samantha Dion Baker made a free patterned version called ATC Overlook Baker in 2014.
- ATC Timberline. A wide open sans in 14 styles.
- The connected script typeface ATC Ripley (2014).
- The grotesque typeface ATC Duel (2015): Bold and bolder, ATC Duel is an extended grotesque sans-serif font family comprised of over 500 glyphs in 5 weights and 10 styles. Duel is an ultra wide display font whose rounded shapes and sharp edges are inspired by the letterforms and lines of 1960s cars, the Golden Age of automotive design.
- ATC Fritz (2015): ATC Fritz is a numerals specific display face comprised of over 60 glyphs in 8 layerable fonts. Fritz's numerals are chunky, bold, and soak up color. Inspired by modern sign painting techniques, Fritz works best where numbers need to stand out.
- ATC Saturn. A rounded octagonal techno typeface.
- ATC Yara (2016).
- ATC Arquette (2017). A geometric sans.
- The free hand-crafted typefaces ATC John Doe, ATC Jane Doe and ATC Jay Doe (2017).
- ATC Abernathy (2019). Described as a soft humanist serif by ATC.
- ATC Merrin (2019).
- ATC Hal (2019).
- ATC Oneshot (2019). A sign painter's font inspired by bodega signage.
- ATC Doubletap (2019).
Behance link for Alex Sheyn. Alex Sheyn's home page.
Behance link. Other people at Avondale or Bright Bright Great include Drew Rios and Jason Schwartz. We also find typefaces by Quinn Keaveney and Justin Siddons. %b https://www.behance.net/JasonSchwartz [Google]
Bagel & Co
Japanese foundry that offers these free Latin fonts made by Ryoichi Tsunekawa around 2005: Kiwi (geometric hairline), Bagel (roundish comic book face), Coconut (noisy outline face), Coconut Split, Fresh Tomato (LED simulation), Dried Tomato (LED simulation), Dutch Style, Mocha Harrar (great stencil face), 103 (experimental, Bank Gothic style), Airhead, ArealBlack, Awkward, BagelNew, BagelOld, Banbino, Bebas (2005, industrial sans), Berlin89, Blackout, Built-1970, Bunyan, Busted, Canstop, Chiangmai (Thai simulation face), DBLline, Dijkstra, Dutchstyle, Fling, Graphite, Harcomaso, Hiexplosive, Hitech, Honeycomb (hexagonal), Junkmix, Kanatypo, KemikalHi, Meegoreng, Mikrob, Natsupopy, Overwork, Palsu, Plamo, Plasitico, REC001, REC002, REC003, Resistance, SQRT, STdigi (LED font), Shandy, Superstar, Tembaga, Tenaga, Tomodachi, Tragedia, Trucker, VRdigital, VRembroidery, Welcome2M, Workaholic, Zeebraa, plot-A, plot-K, Appendix 3, Gesso, Pusab, Sushitaro, Typewrong.
Dafont link. Fontspace link. Kernest link. [Google]
Hungarian designer in Budapest, b. 1987. Home page. Designer of the display typeface Paris je t'aime (2010, a heavy comic book face) and the contrast typeface Blessed (2011), renamed Fortunata (a font without closed counters) and Fortunatus a few days after its first publication.
Desereted (2012) is a thin geometric sans face. Unzip Me (2012) is an alphading typeface. [Google]
Graphic designer in Zaragoza, Spain. In 2017, she created these typefaces: Volantis (a connect-the-dots font), Divex (hairline sans), Orion (slab serif). [Google]
[Tropical Type Foundry]
[Désigne (was: Calame Design)]
Berserker Studio is Christopher Mooij's graphic design studio in Monterrey, Mexico. He created La Revolucion and Green in 2009. He designed the hairline geometric typefaces This is her type (2010) and BRSRKR (2010), and the experimental geometric typefaces Bibo (2010), Nova (2010) and Balla (2010). At the end of 2010, he started work on a big avant garde sans family called República Sans. Raw (2011) is a modular experimental face. Behance link. Cargo Collective link. Another Behance link. [Google]
Berton Hasebe (b. 1982, Honolulu, HI) moved from Hawaii to study and work in Los Angeles, where he obtained a BA from Otis College of Art and Design in 2005.
In 2007 he moved to the Netherlands to study type design through the Type and Media Masters course at The Royal Academy of Art in the Hague (KABK). Berton has resided in New York since 2008, and was a staff designer with Commercial Type from 2008 to 2013, when he left to start his own studio. Berton's typefaces have been awarded by the New York and Tokyo Type Directors Club, the ATypI, and the Brno Biennial. In 2012 he was awarded Print magazine's 20 Under 30 Award. Berton currently teaches typography at Parsons and has taught type design at The University of the Arts in Philadelphia and the Type@Cooper Extended Program at The Cooper Union in New York.
His typeface Alda was designed to function at very small sizes while remaining expressive. The bold is macho and delicate at the same time. Alda won an award at TDC2 2009. In the same year Alda was also selected by the Tokyo Type Directors Club to be included in its annual publication. It was published by Emigre.
At Commercial Type he co-designed the extensive family Stag with Christian Schwartz and Ross Milne. Stag started as a small family of slab serifs commissioned for headlines by the US edition of Esquire magazine and eventually grew into a sprawling multi-part family including a flexible sans companion and two additional special effects display variants. Stag Stencil followed in 2009.
In 2010, he published the geometric sans serif family Platform at Commercial Type. It has a gorgeous circle-based hairline.
In 2013, he published a 4-family 20-style French Renaissance typeface family called Portrait (+Text, +Inline, +Text), still at Commercial Type: Portrait started out as an experiment in drawing a display typeface that managed to be both beautiful and brutal, and both classical and minimalist. While its lighter weights are quietly elegant, the heavier weights show the influence of chiseled woodcut forms. Portrait draws its primary inspiration from the Two-line Double Pica Roman (equivalent to 32pt in contemporary sizes) cut by French punchcutter Maître Constantin around 1530 for the printer Robert Estienne. Portrait replaces the delicately modeled serif treatments of Constantin's original with simple, triangular Latin serifs, reimagining the Renaissance forms in a contemporary light. Portrait Text resembles the text types attributed by the printing historian Hendrik Vervliet to Constantin and used by the printer Estienne in the 1530s, which had a lighter and more open texture than the text types that preceded them, and marking the move to more elegant type that culminated in the work of Claude Garamont. The stripped-back simplicity of the Latin serifs gives Portrait a cleaner and sharper tone than a typical Renaissance oldstyle-influenced text face, bringing an active personality to text.
In 2015, he created the sans headline typeface families Druk, Druk Text, Druk Wide, Druk Condensed and Druk Text Wide: Druk is a study in extremes, featuring the narrowest, widest, and heaviest typefaces in the Commercial Type library to date. Starting from Medium and going up to Super, Druk is uncompromisingly bold. It was meant as a companion of Neue Haas Grotesk. Of the families in the Druk collection, Druk Condensed is the most explicit homage to Willy Fleckhaus. Originally designed for the 2011 Year in Review issue of Bloomberg Businessweek, its flat sides make letters and words snap together in a clean and satisfying way.
For MittMedia, he made the corporate sans typeface Duplex (2016).
Still in 2016, Berton Hasebe published Styrene at Commercial Type. Their blurb: Styrene, a new sans serif by Berton Hasebe, is his latest exploration of proportion and simplicity in type design. The initial inspiration for the family was a charmingly awkward sans serif shown in an early 20th century Dutch type specimen. However, Styrene has an entirely ahistorical attitude. Its name was inspired by the purposefully synthetic feeling to its curves and geometry. The family is characterized by its proportions: typically narrow characters like f j r and t are hyperextended and flattened, adding openness in unexpected places. Styrene's two widths offer different textures in text: version A is dogmatically geometric, with a stronger overall personality, while version B is narrower for more reasonable copyfit, though not truly condensed.
Schnyder (Commercial Type) was designed by Berton Hasebe and Christian Schwartz for the 2013 redesign of T, the New York Times Style Magazine by creative director Patrick Li and his team. Schnyder has the high contrast typical of a fashion typeface and has a large number of alternates. The stem thicknesses in each weight are identical across the widths, an unusual feature that allows the widths to be mixed freely in headlines, even within single words. It features three weights, four widths, and four optical sizes. Production assistance by Hrvoje Zivcic and Miguel Reyes. Schnyder Wide, Condensed and X Condensed were published in 2018.
Produkt (2014, Christian Schwartz and Berton Hasebe) is Graphik with slabs added on.
Klingspor link. [Google]
Designer of the (free) decorative hairline typeface Kaptor (2014). [Google]
Bon Chantawibul is a young graphic designer currently based in Bangkok, Thailand. Angelic (2011) is a hairline typeface inspired by the shapes of butterflies and angels. It was first created for Beauty Hall's 11th anniversary special magazine with Harper's Bazaar Thailand.
Cargo collective link. [Google]
Sankt Augustin, Germany-based creator (b. 1981) of the pixel typeface BOODASDREIECKE (2007): all the pixels are in fact small triangles. He also designed BOODAS.DE|Subtract (2007, negative octagonal), My (2007), Boodas.de|My|Regular (2007, octagonal, free), Redhead (2007, geometric, experimental), Bourier (2007, like Courier with bowls filled in and frills added), Slimbo (2008, hairline geometric). All his fonts are free. [Google]
Borutta (or: Duce Type)
Borutta (or Duce Type) is the creative studio of über-talented Warsaw-based designer Mateusz Machalski (b. 1989), a graduate of Wydziale Grafiki ASP in 2014, and of Warsaw Academy of Fine Arts. His oeuvre is simply irresistible, charming and a worthy representative of the Polish poster style---witness Alergia (2016), Magiel Pro (2017) and Madiso (2017).
He is the creator of the blackletter-inspired typeface Raus (2012), which also could pass for a Cyrillic simulation font. It was possibly made with Pawel Wypych. He also made Kebab (2012, a fat caps face), Duce (2012, art deco: withdrawn from MyFonts after Charles Borges complained that it was a rip-off of his own Gloria), Fikus (2012), Woodie (2012, a condensed rough wood type face), Polon (2012), Aurora (2012, a German expressionist poster face), Musli (monoline connected script), HWDP (2012, poster font), Wieczorek Script (2012, hand-printed), Hamlet (2012, a sword and dagger typeface, renamed to Prince), Caryca (2012, Cyrillic simulation, done with Pawel Wypych), Bezerro (2012, poster face), Bitmach (2012, pixel face), Meat Script (2012, a caps only market signage brush script), Krac (2012, a tall poster font), Hermes (2012: Ten Dollar Fonts), Berg (2012, a roughened blackletter face), Buldog (2012), Dudu (2012, tall condensed face).
In 2012, Polish designer Wojciech Freudenreich and Mateusz Machalski combined forces to design the techno typeface SYN.
Machalski likes old wood types, which inspired him in 2012 to publish a wood type collection of weathered display typefaces: Condom, Hype, Whore, Banger, Buka. Elo (2012) and Duce (2012) are fat weathered wood types.
Typefaces made in 2013: Wood Type Collection 2 (which includes Brie, Kaszti, Mader, Modi, Rena, Roast, Ursus), Zigfrid (headline face), Salute (letterpress style), Benito (a letterpress or geometric wood typeface), Bojo (heavy wood style poster face), Picadilly (heavily inktrapped open counter sans family), GIT (a manly headline sans), Lito (an eroded poster typeface), Haine (vernacular caps), Aneba (an organic sans family, renewed in 2016 as Aneba Neue), Vitali (sans), Korpo Serif (slab serif), Korpo Sans (elliptical family; +Greek, +Cyrillic).
Typefaces from 2014: Adagio Slab, Adagio Serif, Adagio Sans (a superfamily not to be confused with the 2006 typeface Adagio Pro by Profonts), Adagio Sans Script, Adagio Serif Script, Adagio Slab Script, Tupperware Pro. Tupper Pro (42 styles) was designed by Mateus Machalski and the RR Donnelley team.
Typefaces from 2015: Tupper Serif (again with RR Donnelley: a custom superfamily for pairing Latin, Cyrillic, Hebrew an Greek; for Tupperware), Vitali Neue, Legato Serif, Corpo Serif, Corpo Sans, Zigfrid, Picadilly (a great ink-trapped sans typeface family with an erect g).
Typefaces from 2016: Nocturne (just like Magiel, this free typeface was designed as part of the Warsaw Types project: this wedge serif text typeface is inspired by the lettering on stone tablets commemorating the victims of World War II, and prewar Jewish shop signage), Favela (an experimental, geometric sans, for headline and fashion magazine use), Gangrena (a weathered typeface system co-designed with Ania Wielunska), Migrena Grotesque (earlier named Enigma Grotesque but probably in view of a clash with the name Enigma used by Jeremy Tankard cganged to the appropriately named Migrena Grotesque), Alergia Grotesk (a take on the classical geometric grotesque style, in 60 weights, for Latin, Greek and Cyrillic), Alergia Remix (a hipster / hacker / Futura take on Alergia Grotesque).
Typefaces from 2017: Nocturne Serif, Massimo (copperplate semi-serif influenced by New York; originally called Madison, they were frced to change the name to Massimo), Magiel Pro (a geometric display family influenced by Polish banners from the Russian occupatuon era, 1945-1989; it has a charming Black and a hairline, and covers Cyrillic too).
A particularly intriguing project in 2017 was Bona, which set out to revive and extend Andrzej Heidrich's old typeface Bona. Mateusz Machalski contacted him for advice on the revival project. The resulting typeface families were published by and are available from Capitalics. The centerpiece is the warm and wonderful text typeface Bona Nova. It is supplemented by the extreme contrast typeface family Bona Title and the inline typeface family Bona Sforza. Participants in the project also include Leszek Bielski, Ania Wielunska and Michal Jarocinski.
Typefaces from 2018: Bilbao (an innovative blend of sans, slab and mono genres in 18 styles), Cukier (a logo font family inspired by the vernacular typography from Zanzibar).
In 2018, Mateusz Machalski, Borys Kosmynka and Przemek Hoffer co-designed the six-style antiqua typeface family Brygada 1918, which is based on a font designed by Adam Poltawski in 1918. Free download from the Polish president's site. The digitization was made possible after Janusz Tryzno acquired the fonts from Poltawski's estate. The official presentation of the font took place in the Polish Presidential Palace, in presence of the (right wing, ultra-conservative, nationalist, law and order) President of Poland, Andrzej Duda. Calling it a national typeface, the president assured the designers that he would use Brygada 1918 in his office. It will be used for diplomas and various other official forms.
Typefaces from 2019: Gaultier (a sans family that is based on the styles of Claude Garamond, Robert Granjon and Eric Gill---a serifless Garamond and Gill Sans hybrid; includes a fine hairline weight), Aioli (a commissioned type system), Promo (a rounded sans family), Sigmund (the main style is inspired by the Polish road signage typeface designed in 1975 by Marek Sigmund: With the increase of weight, Sigmund turns into a geometric display in the spirit of vernacular typography from the signs of Polish streets), Podium Sharp (based on Dudu, this 234-style family is a hybrid between different old Polish modular and geometric woodtypes such as Rex, Blok and Bacarat; note that 234=2x9x13, so fonts are numbered in Univers style from 1,1 (ultra-compressed hairline) to 9,13 (ultra expanded heavy)), Harpagan (an experiment in reverse and unusual stresses).
Typefaces from 2020: Habibi Display (an ultra-fat display typeface inspired by bold Arabic headline typefaces), Podium Soft, Afronaut (an experimental Africa-themed font).
Home page. Behance link. Personal Behance link. Behance link for Duce Type. Another link. [Google]
Designer of the hairline techno font Speakeasy Menu (2013) and of Extremis (2013). [Google]
Brenna Noel Martin
American designer (b. 1990) of the unicase hairline typeface Wonderlust (2012). [Google]
Bright Ideas Fonts
A foundry which made over 500 fonts, mostly in 1998-1999, and was located in Carlsbad, CA, where Gail Conwell edited their Bright Ideas Magazine at that time, and Rick Hutchinson is listed as one of the directors / managers / owners. Dafont link. Another URL. Font Squirrel link.
Typefaces in alphabetical order with a few additional fonts mentioned separately later: Abraham, Accumulation, Adderley, Aerosol, Akimbo, Alexander, Amadeus-Regular, Amadeus, Amadeuz, Anderson, Arkitex, Arthur, Ashley, Asphalt, Asphalt'Wicker', Avante, Aztecan, Backlit, Balcony, Banshee, Barbarian, Barnaby, Barney, Beanbag, Bender, Bicycle, Billie, BlackRose, Blanchard, Blazed, Blossom, Bodkin, Bogsley, Boingo, Bonham, Botica, Bradley, Braxton, Brittany, Brownie, Bubbly, Bullwinkle, Bumper, Bunker, Butterscotch, Cajalco, Camelot, Candles, CandlesChrome, Candy, Canterbury, Cappuccino, Capsule, Carbiner, Carousel, Carrington, Carson, Casanova, Catfish, Cathedral, Catnip, Cecily, Ceremony, Challenge, Chamberlain, Chance, Chantilly, Cheetah, Chilled, Chocolate, Chopstick, Chump, Conniption, Corrigan, Corrosion, Crawford, Cyborg, Daffodil, Dakota, Danferno, DantesInferno, Darcie, Daytona, Delineator, Dementia, Diamondhead, Donika, Donnah, Dribble, Einstein, Elizabeth, Energy, Espresso, EspressoBI, FabreseDemi, Fairytale, Fallbrooke, Fiancee, Fido, Fionah, Fontana, Fonture, Fortress, Framed, Frankie, Frazier, Freddy, Frederick, Frizbee, Funhouse, Futana, Gapetto, Gatsby, Gemini, Gershaw, Gobbledygook, Godfrey, Goliath, Gonzales, Gonzo, Gothica, Graphitti, Grasshopper, Grendel, Griffin, Groovy, Habibe, Hannah, Hansel, Haskel, Havisham, Hawthorne, Henderson, Hendrix, Higgins, Highland, Holmes, Horton, Humphry, Hutchinson, Incense, Independence, IndependencefromBrightIdeas, Interpret, Invisible, Jacinda, Jacoby, Jaddarack, Jagger, Jamboe, Jangazoo, Jeremy, Jigsaw, Jokester, Joplin, Joseph, Joshua, Jubilee, Junior, Kaboom, Kamden, Karissa, Katherine, Kaufman, Kayleigh, Kendra, Kennedy, Khaki, KhakiBold, KhakiBoldOblique, KhakiOblique, Khakiripp, Khakiwrink, Kilcher, Killian, Kincade, Kingdom, Kinison, Klinker, Komodo, Kramer, Kromeon, Kryski, Kurrajong, Kyanna, Labrador, Leallie, Leland, Licorice, Limousine, Lindsy, Liquitek, Lockleer, Lockwood, Londonderry, Loyalty, Machine, Maddox, Madman, Magazine, Magellan, Maggie, Magician, Majesty, Malachite, Malone, Mandolin, Margarita, Marilyn, Marley, Marmalade, Marquardt, Martin, Mascara, Masters, McMahon, Mckinsey, Mechanizm, Meddler, Michelle, Milano, Millenium, Moccasin, Mongrel, Monolyth, Monster, Montey, Montoya, Moonstar, Morgan, Morrison, Morteza, Moteefe, Muskrat, Mustard, Napkin, Neolite, Newlywed, Nirvana, Noodles, Nouveau, OldWood, Oliver, Omicron, Pajama, Palooza, Panache, Paperclip, Papercut, Parbuckle, Parkinson, Paschico, Patches, Patriot, Patton, Payton, Pebbles, Pegasus, Perkins, Phantom, Picante, Picasso, Pickles, Pigeon, Pinhead, Pirouette, Platinum, Poodle, Pugsly, Quantum, Quentin, Radford, Ragetta, Ramirez, Rampart, Ramsey, Rapunzel, Rathskeller, Ravage, Ravish, Razor, Rebecca, Recess, Rediculous, Reefrash, Remeus, Revenge, Rhackoon, Rhodes, Ricksha, Riesling, Rockafella, Rockford, Rockola, Romance, Romulus, Rookie, Rutger, Ruxton, SMCChicago, SMCHollywood, SMCMiami, SMCMonteCarlo, SMCPhoenix, Sabien, Sampson, Samurai, Sangrial, Sapphire, Sapporo, Sawyer, Scarab, Scarlet, Scirocco, Scorpio, Scratch, Scrubblack, Scrubbold, Scrubcle, Scrublight, Sebastian, Seymour, Shakah, Shardee, Sheela, Skatty, Sketcher, Skyline, Skywalker, Snoozie, Snowboard, Squared, Stacker, Starsky, Stencil, Stencilla, Stiltskin, Sublime, Sundance, Surkle, Surrender, Swashed, Swingreg., Tagger, Tamarin, Tamborine, Tanner, Tantrum, Tarzana, Taylor, Teriyaki, Thompson, Thrash, Thrust, Tiddwell, Trapeze, Trident, Trinket, TrujillietXtra, Tuolumne, Twinkle, Tybette, Urbana, Vargas, Ventolin, Ventura, Vitrono, Vulmere, Waynne, Weiland, Whitney, Windsong, Winslow, Winton, Wonton, Wookie, Zargon, Ziggie.
Additional fonts not in the list above: Andrew, Boogie, Fracas, Mandrel, Sinclair, Tuxedo, Varsity.
Christoph York is a British graphic and type designer currently splitting his time between Berlin and London. He specialises in branding and identity design. His typefaces:
- The precise geometric sans serif family Segma (2018), which spans the thickness range from Black to Thin (hairline).
- BR Firma (2018). BR Firma is a functional geometric sans serif consisting of eight weights ranging from thin to black with matching italics.
- At The Designers Foundry, he released Shape (2019), a contemporary geometric type family in 18 styles.
- BR Omega (2019: a thin to black-weighted clear geometric sans).
- BR Hendrix (2019). In 16 styles. Described as a modern geometric grotesque.
- BR Candor (2020). A sixteen-style geometric sans in the Futura tradition.
- BR Omny (2020). A slightly rounded geometric sans typeface.
Graphic designer in Hanover, Germany, who studied at FHH in Hanover. Behance link. Another Behance link. She is experimenting with letters, and designed letters by dissolving ink in water (Tinten in Wasser), such as in the Sepia alphabet (2009). Connected (2009) is another experimental alphabet. There is also the avant-garde Sepia family (2009). Fency (2009) uses fences to populate the glyphs. High Five (2010) is a monoline geometric hairline sans. Poster. [Google]
Rio de Janeiro-based designer of the hairline sans typeface Fina (2015) and of the experimental modular typeface Fony Font (2015). [Google]
Andreas Münch (Buro Lazer, Nuremberg and Berlin) created the hairline octagonal typeface VS Lazor Racor (2010).
Dafont link. [Google]
Carnoky Design (or Carnoky Type) is run by Samuel Carnoky in Kosice (and before that, Kluknava), Slovakia. He created these fonts: LECO 1988 (2011, a display sans based on lettering a LECO bottle from 1988), 2D3D Molcak (2010, octagonal), Samo Sans (whose Samo Sans Pro version from 2012 covers all weights from hairline to ultra black), LECO 1983 (poster face), LECO 1976 (squarish pixelish family), Arcus (2010, a free rounded type family).
In 2012, he designed Technik (completely constructed from geometric elements).
Typefaces from 2013: Technik Mono, Technik Serif (slab serif family).
In 2014, Carnoky published the squarish modular typeface family Corner, which is split into subfamilies called A (pixelish), B (octagonal), C and D.
In 2015, Carnoky's talent and energy were rewarded by his splendid 42-style text family, Inka, which has subfamilies with larger x-height (A) and smaller x-height (B), and is characterized by daring vertical butcher cuts in letters such as a, c and italic f.
Typefaces from 2016: Normatica (a neutral typeface inspired by advertising letters used as letterings on shop windows during period of normalization (1960-1990) in former Czechoslovakia).
Typefaces from 2017: Zin Slab, Zin Sans.
MyFonts link. Behance link. Klingspor link. [Google]
During her studies at the University Of Applied Sciences in Mannheim, Germany, Carolin Wanitzek created the thin sans typeface Plaisir (2010). Behance link. [Google]
Montreal-based designer of Dot Typeface (2015), a hairline display typeface with embedded dots. [Google]
CC Creative Company
Canadian designer, b. 1992, of CC Fat (2019: a black headline sans), CC Afterglow (2019), CC Robo (2019: a squarish monoline sans), CC Disto (2019: a computer emulation font), CC Alamo (2019), and CC Keni (2018: a hairline sans). [Google]
Monterrey, Mexico-based designer of an untitled hairline sans typeface in 2013. [Google]
Malaysian designer (b. 1984) based in Petaling Jaya.
Creator of these typefaces in 2012: Afro, Stitches (stitch font), Pop Jazz, Galah Panjang, Bunga Cengkih, Senandung Malam (Victorian all caps family), Kunang Kunang, Raja Drama (hairline avant garde sans), Piring Hitam (Peignotian sans), Dayang Senandung (hairline caps), Kaberet (a squarish outlined typeface), Kata Bidalan (hairline sans), Halusinasi (hallucination), Pak Pandir, Primadona, Mohsuri, Badang (a strong sans), Si LuNcai (monoline geometric sans), Kata Bidalon (a hairline avant garde sans), ContenG (grungy), Chempaka, Retak Seribu, Batik Indo (a textured typeface), Berus Rambut Kuda, Usang (sketched face), Songket (textured caps), Ugly Hand Writing, Dedaun (floriated), The Garden (ornamental caps), Seni Pop (a textured typeface), Modern Kerawang (ornamental caps), Cakar Ayam (scratchy hand), Sticky Notes, and Kerawang (ornamental caps).
Typefaces from 2013: Selari (bilined), Haru Biru (bilined).
Behance link. [Google]
Graphic design student at The Art Institute Minnesota in Minneapolis. During his studies, he created the rounded squarish hairline sans typeface Needle (2011). [Google]
During her studies at Chelsea School of Art, UAL, Charley Bailey (London, UK) created the hairline display typeface Fringe (2015). Behance link. [Google]
With just one name (the other one was lost in an accident!), Chester, the type designer, was born in Montreal in 1971. In 1995 Chester moved to Chicago to work with Rick Valicenti and eventually become a partner in his digital type foundry, Thirstype. In 2004, he started up the type coop Village in New York together with his wife and partner, tracy Jenkins. Chester's published designs have been used for branding programs including AT&T, Starwood Hotels, CBS Television, Nike, the San Francisco Ballet, Columbia University Business School, and the National September 11 Memorial & Museum. He has created bespoke typefaces for Blackberry, Cooper Hewitt Smithsonian Design Museum, and the National Football League.
His fonts include Syzygy, Schmelvetica (at FontShop), Psyche (unreleased), Orbit (2003, with Rob Irrgang), Rheostat (1996, a grunge dot matrix font family), HateNote, Panderella (2000-2001, ultra geometric), Eclogues (1999, an absolutely stunning romantic high-ascender-descender family), LoveHateCollection, JohnHadANightmareLastNight (2001), Alexey (2003, a stencil family, with Rick Valicenti), Apex Serif (2003, with Rick Valicenti), Exchange (dot matrix), Pizzelle Italic, Phatso (2003), Satchel Paige (2003, a wood type typeface made with Tracy Jenkins), Pixella (2003, pixel font), Nillennium (2000, an octagonal family), Freedumb (2004), Galaxie Polaris (2004, a sans) and Virgil, the last twelve fonts at Thirstype. At Village, he published Mavis (2005), Apex Sans (2004, with Rick Valicenti), and then Apex New (2006), which has a hairline weight, Apex Thin, and Apex Rounded (2010). In 2009, he co-designed the large x-height text family Galaxie Copernicus with Kris Sowersby at Village. In 2010, he and Jeremy Mickel made the poster type family Aero, which took inspiration from Roger Excoffon's Antique Olive. It won an award at TDC2 2011.
His custom-made typefaces from 2006-2007 include these: Rewards (with Kris Sowersby), Always Radio (with Markus Rakeng), 2Wice Egyptian, Apex Compact, Apex New Condensed, Baro Heavy, Baro Light, Baro Medium, Baro Super, DPA Gothic, Endzone, Galaxie Ariane, Galaxie Copernicus, LMVDR, Modernismo, Snickers. [Google]
Spouse of Ray Larabie in Nagoya, Japan. Chikako Larabie is a font design assistant for Typodermic Fonts, specializing in kerning, and languages. With Ray, she created From The Stars (2010, a consumer electronics / techno sans family), Hackensack (2010), Naked Power (2010, a geometric/industrial sans-serif font family in the style of the art deco typeface Novel Gothic (1929, ATF, Morris Fuller Benton and Charles H. Becker)), Moon Cresta (2010, modeled after Goudy Sans), Voivode (2010, headline face), Honfleur (2010, art deco all caps face), Hachimitsu (2010, Asian look face), Kadeworth (2010, rounded retro look sans), Gnuolane Jump (2010), Nagomi (2010, oriental simulation face), Biondi Sans (2010, a copperplate gothic without serifs in the style of AT Sackers), Board of Directors (2010, a Bank Gothic style family), and Wee Bairn (2010). [Google]
[CC Creative Company]
Chris E. Lozos
[ACME Fonts (or: CHK Design)]
Christian Schwartz was born in 1977 in East Washington, NH, and grew up in a small town in New Hampshire. He attended Carnegie Mellon University in Pittsburgh, Pennsylvania, where he graduated in 1999 with a degree in Communication Design. After graduation, he spent three months as the in-house type designer at MetaDesign Berlin, under the supervision of Erik Spiekermann. In January 2000, he joined Font Bureau. Near the end of 2000, he founded Orange Italic with Chicago-based designer Dino Sanchez, and left Font Bureau in August 2001 to concentrate full-time on developing this company. Orange Italic published the first issue of their online magazine at the end of 2001 and released their first set of typefaces in the beginning of 2002. Presently, he is an independent type designer in New York City, and has operated foundries like Christian Schwartz Design and Commercial Type (the latter since 2009). He has designed commercial fonts for Emigre, FontShop, House Industries and Font Bureau as well as proprietary designs for corporations and publications. In 2005, Orange Italic joined the type coop Village.
His presentations. At ATypI 2004 in Prague, he spoke about "The accidental text face". At ATypI 2006 in Lisbon, he and Paul Barnes explained the development of a 200-style font family for the Guardian which includes Guardian Egyptian and Guardian Sans. FontShop's page on his work. Bio at Emigre. At ATypI 2007 in Brighton, he was awarded the Prix Charles Peignot. Jan Middendorp's interview in October 2007. Speaker at ATypI 2009 in Mexico City, where he announced his new type foundry, simply called Commercial.
FontShop link. Font selection at MyFonts.
A partial list of his creations:
Schwartz also made numerous custom fonts: [Google]
- FF Bau (2001-2004): Art direction by Erik Spiekermann. Released by FontShop International. He says: Bau is based on Grotesk, a typeface released by the Schelter&Giesecke type foundry in Leipzig, Germany at the end of the 19th century and used prominently by the designers at the Bauhaus. Each weight was drawn separately, to give the family the irregularity of the original, and the Super is new.
- Neutraface (2002, House Industries) and Neutraface Condensed (2004). Art directed by Ken Barber and Andy Cruz. Schwartz states: Neutraface was an ambitious project to design the most typographically complete geometric sans serif family ever. We didn't have many actual samples of the lettering that the Neutras used on their buildings, so it ended up taking a lot of interpretation. There was no reference for the lowercase, so it's drawn from scratch, looking at Futura, Nobel, and Tempo for reference. Stephen Coles reports: Reminiscent of the recent FB Relay and HTF Gotham, Neutraface is an exaggerated Nobel with nods to Bauhaus and architectural lettering. Yes, and maybe Futura? Maggie Winters, Ioana Dumitrescu, Nico Köckritz, Nico Kockritz and Michelle Regna made great Neutraface posters.
- Neutraface No. 2 (2007), discussed by Stephen Coles: By simply raising Neutrafaces low waist, most of that quaintness is removed in No. 2, moving the whole family (which is completely mixable) toward more versatile, workhorse territory. This release is surely Houses response to seeing so many examples of Neutraface standardized by its users. Also new is an inline version. Who doesn't love inline type? It so vividly recalls WPA posters and other pre-war hand lettering. There are other heavy, inlined sans serifs like Phosphate, but one with a full family of weights and text cuts to back it up is very appealing. A typophile states: Designed by Christian Schwartz for House Industries, Neutraface captures the 1950s stylings of architect Richard Neutra in a beautiful typeface meant for application on the screen, in print, and in metalwork. If you are ever in need of a classy retro face, they don't get any more polished than this.
- Farnham (2004, Font Bureau) and Farnham Headline (2006, Schwartzco). Commissioned by Esterson Associates and de Luxe Associates. Winner of an award at TDC2 2004. Based on work by Johannes Fleischman, a German punchcutter who worked for the Enschedé Foundry in Haarlem in the mid-to-late 1700s. Schwartz: Truly part of the transistion from oldstyle (i.e. Garamond) to modern (i.e. Bodoni) Fleischman's romans are remarkable for their energy and "sparkle" on the page, as he took advantage of better tools and harder steel to push the limits of how thin strokes could get. In the 1800s, Fleischman's work fell into obscurity as tastes changed, but interest was renewed in the 1990s as digital revivals were designed by Matthew Carter, the Hoefler Type Foundry, and the Dutch Type Library, each focusing on a different aspect of the source material. I think the DTL version is the most faithful to the source, leaving the bumps and quirks inherent to metal type untouched. I've taken the opposite approach, using the source material as a starting point and trying to design a very contemporary text typeface that uses the basic structure and character of Fleischman without duplicating features that I found outdated, distracting, or unttatractive (i.e., the extra "spikes" on the capital E and F, or the form of the y).
- FF Unit (2003-2004, Fontshop, designed with Erik Spiekermann). A clean and blocky evolution of FF Meta intended as a corporate typeface for the Deutsche Bahn (but subsequently not used).
- Amplitude (2001-2003, Font Bureau), Amplitude Classified and Amplitude Headline. A newspaper-style ink-trapped sans family, unfortunately given the same name as a 2001 font by Aenigma. Winner of an award at TDC2 2004. The typeface selected by the St Louis Post Dispatch in 2005. One of many agates (type for small text) successfully developed by him. This page explains that they've dumped Dutch 811 and Bodoni and Helvetica and Franklin Gothic and News Gothic (whew!) for various weights of Amplitude, Poynter Old Style Display and Poynter Old Style Text. AmplitudeAubi was designed in 2002-2003 by Schwartz and Font Bureau for the German mag AutoBild.
- Simian (2001, House Industries): SimianDisplay-Chimpanzee, SimianDisplay-Gorilla, SimianDisplay-Orangutan, SimianText-Chimpanzee, SimianText-Gorilla, SimianText-Orangutan. Designed at Font Bureau. Art Direction by Ken Barber and Andy Cruz. Schwartz: "Although Simian's roots are in Ed Benguiat's logos for the Planet of the Apes movies, Simian wound up veering off in its own direction. The display styles look very techno, and we really went nuts with the ligatures, since this was one of House's first Opentype releases."
- Publico (2007): A predecessor of Guradian Egyptian. Schwartz writes: During the two year process of designing the typeface that would eventually become Guardian Egyptian, Paul Barnes and I ended up discarding many ideas along the way. Some of them were decent, just not right for the Guardian, including a serif family first called Stockholm, then renamed Hacienda after the legendary club in the Guardian's original home city of Manchester. Everyone involved liked the family well enough, but it didn't fit the paper as the design evolved, and several rounds of reworking left us more and more unsure of what it was supposed to look like. In the summer of 2006, Mark Porter and Esterson Associates were hired to redesign Publico, a major Portuguese daily newspaper, for an early 2007 launch. He asked us to take another look at Hacienda, to see if we might be able to untangle our many rounds of changes, figure out what it was supposed to look like in the first place, and finish it in a very short amount of time. Spending some time away from the typeface did our eyes a world of good. When we looked at it again, it was obvious that it really needed its "sparkle" played up, so we increased the sharpness of the serifs, to play against softer ball terminals, and kept the contrast high as the weight increased, ending up with an elegant and serious family with some humor at its extreme weights. As a Spanish name is not suitable for a typeface for a Portuguese newspaper, Hacienda was renamed once more, finally ending up as Publico. Production and design assistance by Kai Bernau. Commissioned by Mark Porter and Esterson Associates for Publico
- Austin (2003): Designed by Paul Barnes at Schwartzco. Commissioned by Sheila Jack at Harper's&Queen.
- Giorgio (2007): Commissioned by Chris Martinez at T, the New York Times Sunday style magazine. Small size versions produced with Kris Sowersby. Not available for relicensing. A high contrast condensed "modern" display typeface related to Imre Reiner's Corvinus. Ben Kiel raves: Giorgio, like the fashion models that it shares space with in T, the New York Times fashion magazine, is brutal in its demands. It is a shockingly beautiful typeface, one so arresting that I stopped turning the page when I first saw it a Sunday morning about a year ago. [...] Giorgio exudes pure sex and competes with the photographs beside it. The designers at T were clearly unafraid of what it demands from the typographer and, over the past year, kept on finding ways to push Giorgio to its limit. Extremely well drawn in its details, full of tension between contrast and grace, it is a typeface that demands to be given space, to be used with wit and courage, and for the typographer to be unafraid in making it the page.
- Empire State Building (2007): An art deco titling typeface designed with Paul Barnes for Laura Varacchi at Two Twelve Associates. Icons designed by Kevin Dresser at Dresser Johnson. Exclusive to the Empire State Building.
- Guardian (2004-2005): Commissioned by Mark Porter at The Guardian. Designed with Paul Barnes. Not available for relicensing until 2008. Based on an Egyptian, this 200-style family consists of Guardian Egyptian (the main text face), Guardian Sans, Guardian Text Egyptian, Guardian Text Sans and Guardian Agate.
- Houston (2003): Commissioned by Roger Black at Danilo Black, Inc., for the Houston Chronicle. Schwartz: As far as I know, this typeface is the first Venetian Oldstyle ever drawn for newspaper text, and only Roger Black could come up with such a brilliant and bizarre idea. The basic structures are based on British Monotype's Italian Old Style, which was based on William Morris's Golden Type. The italic (particularly the alternate italic used in feature sections) also borrows from Nebiolo Jenson Oldstyle, and there is a hint of ATF Jenson Oldstyle in places as well.
- Popular (2004): Commissioned by Robb Rice at Danilo Black, Inc., for Popular Mechanics. An Egyptian on testosterone.
- Stag (2005): Commissioned by David Curcurito and Darhil Crooks at Esquire. Yet another very masculine slab serif family. Schwartz writes I showed them a range of slab serifs produced by French and German foundries around 1900-1940, and synthesized elements from several of them (notably Beton, Peignot's Egyptienne Noir, Georg Trump's Schadow, and Scarab) into a new typeface with a very large x-height, extremely short ascenders and descenders, and tight spacing. Also, we find Stag Sans (2007, Village) and Stag Dot (2008, Village).
- Fritz (1997, Font Bureau). Schwartz: "Fritz is based on various pieces of handlettering done in the early 20th century by Ozwald Cooper, a type designer and lettering artist best known for the ubiquitous Cooper Black. Galapagos Type foundry's Maiandra and Robusto are based on the same pieces of lettering."
- Latino-Rumba, Latino-Samba (2000, House Industries). Art Direction by Andy Cruz. Designed with Ken Barber. Jazzy letters based on an earlier design of Schwartz, called Atlas (1993).
- Pennsylvania (2000, FontBureau). A monospaed family inspired by Pennsylvanian license plates. Schwartz: "Thai type designer Anuthin Wongsunkakon's Keystone State (1999, T26) is based on the exact same source."
- Luxury (2002, Orange Italic, co-designed with Dino Sanchez). Gold, Platinum and Diamond are the names of the 1930s headline typefaces made (jokingly) for use with luxury items. The six-weight Luxury family at House Industries in 2006, contains three serif text weights called Luxury Text, as well as three display typefaces, called Platinum (art deco), Gold, and Diamond (all caps with triangular serifs).
- Los Feliz (2002, Emigre). Based on handlettered signs found in LA.
- Unfinished typefaces: Masthead, Reform, Bitmaps, Bilbao, Boyband, Addison, Elektro, Sandbox, Vendôme, Bailey.
- Fonts drawn in high school: Flywheel (1992, FontHaus), Atlas (1993, FontHaus, a "a fairly faithful revival of Potomac Latin, designed in the late 1950s for PhotoLettering, Inc"), Elroy (1993, FontHaus), ElroyExtrasOrnaments, Hairspray (1993, "a revival of Steinweiss Scrawl, designed in the mid-1950s by Alex Steinweiss, best known for his handlettered record covers": HairsprayBlonde, HairsprayBrunette, HairsprayPix, HairsprayRedhead), Twist (1994, Precision Type and Agfa), Zombie (1995, Precision Type and Agfa), Morticia (1995, Agfa/Monotype), Gladys (1996, an unreleased revival of ATF's turn-of-the-century Master Script).
- Ant&Bee&Art Fonts (1994-1995): three dingbat fonts, Baby Boom, C'est la vie, and Raining Cats&Dogs, based on drawings by Christian's aunt, Jill Weber. Released by FontHaus.
- Digitizations done between 1993-1995: Dolmen (Letraset), Latino Elongated (Letraset), Regatta Condensed (Letraset), Fashion Compressed (Letraset), Jack Regular (Jack Tom), Tempto Openface (Tintin Timen).
- Hand-tuned bitmap fonts: Syssy, Zimmer's Egyptian, Elizzzabeth, Newt Gothic, Trags X, Tibia, Fibula, Tino, Digest Cyrillic (based on Tal Leming's Digest). Free downloads of the pixel typefaces Newt Gothic, Tibula and Fibia here.
- At Village and Orange Italic, one can get Local Gothic (2005), now in OpenType, a crazy mix of Helvetica Bold, Futura Extra Bold, Franklin Gothic Condensed and Alternate Gothic No. 2. It is a collection of alternates one can cycle through---thus a for of randomization.
- FF Oxide (2005), a Bank Gothic style stencil family. FF Oxide Light is free!
- Graphik (2008), a sans between geometric and grotesk made for thew Wallpaper mag. Kris sSwersby writes: In a sweltering typographic climate that favours organic look-at-me typefaces bursting with a thousand OpenType tricks, Graphik is a refreshing splash of cool rationality. Its serious, pared-back forms reference classic sans serifs but remain thoroughly modern and never get frigid. Any designer worth their salt needs to turn away from the screen&pick up the latest copy of Wallpaper magazine. There you will find one of the most beautiful, restrained sans serifs designed in a very long time. See also Graphik Wide (2018).
- In 2011, he created a 22-style revival of Helvetica called Neue Haas Grotesk (Linotype), which offers alternates such as a straigt-legged R and a differently-seriffed a. It is based on the original drawings of Miedinger in 1957.
Active type expert and type designer, who created FF Mark in 2013 together with Hannes von Döhren and the FontFont team. This 10-style font family spanning hairline to black is marketed as Ze new Germanetric sans. The FF Mark Ultra weight, published in 2015, is absolutely stunning. One of the weights of FF Mark is free.
In 2016, he designed Fabrikat, which had creative input of Hannes von Döhren. This simple geometric sans serif family is based on the DIN style used in the 20th century by German engineers: It has a plain and precise appearance, and is a textbook example of a compass-and-ruler typeface. The monospaced almost-typewriter version Fabrikat Mono followed in 2017. In 2020, Fabrikat Normal was released.
In 2016, he set up Sportsfonts, and promptly published the 24,000-glyph 49-font athletic lettering superfamily, Winner.
Behance link. Fontfont link. [Google]
Illustrator and designer at the Kern&Letter Company in Missouri. Behance link. Home page
Creator of various display typefaces including the kitchen tile typeface Voltrona (2011, a kitchen tile typeface), Hate (2012), the kitchen tile typeface Metgeo (2012), the monoline sans typeface Duplica (2012), the piano key typeface Lucreow (2012: Lucreow is a permutation of Crouwel), Caladan (2012, fat blackletter), Hague (2012, angular), the Bauhaus-style typeface Joi (2012), the blackletter typeface Caladan (2012), Rid-G (2012, experimental), Sugar (2012), Cumo (2012, a happy children's book typeface), Domm (2012, stencil face), Zukunft, Iron (2012, an old film typeface), Freight (2012, stencil face), Noir, Shamrock (2012, octagonal athletic shirt typeface), Unison (2012, sans), Basic (2012), Sexy (2012, hairline), Gitter (2012, rounded), Modo (2012, monoline techno face), and SF Mono (2012). [Google]
Montreal-based graphic designer. His work includes a typeface, Plateaux (2009, a hairline architectural drawing face)---clean as a whistle, it seems to have been used in some movie titles. [Google]
Brisbane, Ausralia-based designer of the thin art deco typeface DecoStick (2015). [Google]
Avant-garde font in hairline weight by URW, 1994. [Google]
C.J. Dunn has a background in graphic design and typeface design, and studied under Ed Benguiat at The School of Visual Arts in New York. He worked on typefaces for Font Bureau, and continued his relationship with the Berlows at Type Network. He is a graduate of Type@Cooper, a postgraduate certificate program in typeface design, where he also assisted Sumner Stone & Sara Solskone in teaching typeface design. He started TypeNY.com to keep track of type related events in New York City. In 2016, he launched CJ Type.
In 2017, he released the stunning 2-axis variable font Dunbar and writes: Dunbar is an exuberant geometric sans with a unique structure, including Tall and Low display versions for large sizes and a Text version for smaller sizes. Inspired by Jakob Erbar's Erbar-Grotesk, it is not a strict revival but interprets the design for contemporary applications, rediscovering some of Erbar's innovative ideas of alternate letterforms and proportions. Dunbar comes in large and small x-heights, Dunbar Tall and Dunbar Low.
His other major typeface is Louvette (2017), a typeface with four optical sizes (Banner, Display, Text, Deck) and five weights. He explains: Louvette is a sharp, stylish, modern serif including a range of optical sizes from Banner to Text. The design of Louvette is optimized to maintain thin, elegant hairlines at a wide range of sizes. Ideal for publications and cultural institutions, exhibitions and fashion. The design process for Louvette started during Type at Cooper in 2010, under the guidance of Jesse Ragan, with an interest in reviving ATF Louvaine by Morris Fuller Benton for contemporary usage. After some helpful feedback from Christian Schwartz, the project soon evolved away from the source material to include a large optical size version with ultra thin hairlines, and to expand the weight into the fatface range of designs such as Ultra Bodoni, also by M. F. Benton. Further research into the italics led to sources such as Doppel Tertia Cursiv from J. F. Unger, Berlin, and the small heavy sizes drew inspiration from Compacte Romain by Enschedé, Haarlem.
Speaker at ATypI 2016 in Warsaw on A Proposal for a Common EULA. [Google]
Art director in San Jose, Costa Rica. He made the thin geometric sans typeface Fuerza Natural in 2010. [Google]
French student who is studying graphic arts at the Winchester School of Art in the UK. He created a thin and moody typeface called Decay (2011). [Google]
[Elí Castellanos Chávez]
A 2004 graduate of Universidad Autonoma de San Luis Potosi. As a student at CEAD in Mexico, Elí Castellanos Chávez (b. 1980) is the director of Cocijotype, a foundry located in Oaxaca. He taught editorial design and typography in Loma Bonita, Mexico. Cocijotype was earlier called Sexytype. He won the Gold prize at the Morisawa Type Design Competition in 2014. He works as a Font Developer at studio Dalton Maag in London.
- Koch's Neuland inspired Elí to create Barrilito (2009). This anthroposophic typeface won an award at Tipos Latinos 2010 in the script category.
- Barricada (2008, Sudtipos) is a fat rounded signage typeface that was awarded in the Tipos Latinos 2008 competition in the non-text category.
- Lucecita (2009) is a dot matrix LED font. It won an award at Tipos Latinos 2010 in the screen typeface category.
- Barronegro (2009) is a text family on which he has been working between 2006 and 2009. Barronegro is based on the cultural heritage of Oaxaca, as found on local posters, menus, shops, clothing, and art.
- Miniblock (2009, by Manuel Guerrero) is created to stack letters next to each other to look like labyrinths. It won an award in the Tipos Latinos 2008 competition for best text family.
- Optica (2008, Manolo Guerrero) is a tribute to Colombian artist Omar Rayo's optical art.
- Block02 (2009, Manolo Guerrero) is a FontStruct font that is part pixelized, part stencil.
- Optica (2008, Manolo G) is an optical experiment.
- Chicha (2012, Diego Sanz) is based on Peruvian market signs.
- Quincha (2009, Diego Sanz) is the quechua word for stone wall. Letters can be packed together in a way that reminds one of ancient Inca art.
- Casiopea (2010) is a corporate or signage type family that comes in six weights including Bold and Thin.
- Zipolite (2011). A mix of grotesk and humanist. See also Zipolite Rounded (2013). Zipolite won an award at Tipos Latinos 2014.
- Hola is a text typeface that won an award at Tipos Latinos 2014. In addition, it won the Gold Prize in the Latin category at the Morisawa Type Design Competition 2014.
- Calmetta (2017). Designed at Dalton Maag as an extension of Dalton Maag's wayfinding font Pantograph originally created by Marc Weymann.
- Speaker at ATypI 2018 in Antwerp (together with Eloise Parrack) on a revival project summarized as follows: In November 2017 an international cohort on the Expert Class in Type Design, based in the UNESCO world heritage site of the Museum Plantin-Moretus, embarked upon a collaborative project to research and revive a Renaissance-era typeface of the Flemish punchcutter Hendrik van den Keere from the collection of Christophe Plantin. Comparing Van den Keere's well-known Real Romain (1575) and Ascendonica Romain (1577) with his Small Pica Roman (1578), and investigating the patterning, proportions, and details, our research led to the design of a revival using Small Pica Roman at 9-point Didot size as a departure. Evaluations of the approaches of working in metal and standardization in type design at different optical sizes were considered, and were contrasted to methods and tools of digital typeface design today. The unique and rich historic archive of punches, matrices, and printed materials provided an exciting basis for our research, leading to some surprising discoveries counter to our expectations and to accepted theories found in many typography and type design texts. This project provoked a wide range of interpretations, approaches, and opinions about how to create a contemporary usable digital typeface, whilst honouring and imagining the intentions of Van den Keere five centuries past.
Klingspor link. [Google]
Codesign (or: Aviation Partners, or AVP)
Nicholas Garner (b. 1949, Windsor) runs Codesign (or: Aviation Partners), a small London-based design firm which has created these commercial type families:
- Cerafino (2005): informal sans.
- Delamere (2005): more classical sans.
- Kensington (2005): titling sans related to Gill Sans.
- Maisee (2005): an open, wide, generous and broadly smiling sans family.
- Tenison (2005): connected formal script.
- Fiendstar (2006, 16 styles; +Cameo (white on black), +Shaded) (after Gill Sans Schoolbook).
- Rosie (2010): a connected cosy script, in the Mistral style.
- Norwich (2006): a grungy version of Tenison. Outrage (2006) is more grunge.
- Cashback (2006).
- Crystal (2006): a slab serif family.
- Autobahn (2011) is a monoline elliptical sans family. Garner writes: Autobahn is a robust masculine sans of near monoline thickness and angular characteristics. Autocode (2011) is a monoline monospaced (for programs) elliptical sans based on Autobahn.
- LaCarte (2007): inspired by a series of handwritten menus produced in 1980. Further extended to La Carte Pen in 2010.
- Midas (2007).
- Sky Sans (including hairline weights) (2007).
- Lamoreli (2007).
- Backstage (2007). A stencil face.
- Amy (2010). Nicely hand-printed.
- Atria (2010) An ink-trapped sans-serif.
- Blocksta (2010). A rounded fat sans.
- The elegant script typeface Jacqueline (2010).
- New Fiendstar (2010).
- Omniscript (2010).
- Cambridge (2010). An elegant sans family with a misbehaving lower case q. Accompanied by a Cambridge Round family. It is designed as a schoolbook font, and is useful for dyslexics, since there are no ambiguities between letterforms.
- Central (2011). A rounded geometric sans family. Followed in 2012 by Central Inline.
- Combi (2011). This is a wonderful effort, as described by Garner himself: The Combi collection includes Sans, Sans Oblique, a true Italic, Serif, Serif Oblique and a set of Openface capitals. Combi fonts have 5 compatible weights and metrics allowing them to be used in free combination. Inspiration came from Jan Van Krimpen's Romulus (Enschedé, 1931). In addition to the Roman style, Van Krimpen created a set of open capitals, a simple oblique variant and subsequently, an attractive calligraphic italic, Cancelleresca Bastarda. In addition to Van Krimpen's idea, Combi has been influenced by features from many typefaces including Bembo, Melior and Optima. The object was to create a versatile family of body text and titling typefaces for use in books, magazines and on the web.
Polaris (2012) is a rounded sans family that reads well in print and on screens.
Mensa (2012) is a 36-weight large x-height sans body family.
- Beaulieu (2012).
- Clocktime (2012). A dingbat font with clocks.
- Chokey Pro (2012). A tall connected script face.
- Alleyn (2013), a soft geometric sans family.
- Corsica (2013). Corsica is an all-purpose geometric sans-serif typeface of visually uniform stroke thickness. The family contains six weights, two widths and three lowercase size options, together with an italic variant for each.
- Intrinseca (2014). An incised sans with some contrast and flaring, but still quite readable thanks to a good x-height.
- Browser Serif and Browser Sans (2014). These families were designed for use on screen.
Arethusa (2014) and Arethusa Pro (2014) are 12-style transitional typeface families.
- Gimbal Egyptian (2018). Characterized by some asymmetric slabs and curvy italics. It covers Latin and Cyrillic and comes in several widths. See also Gimbal Grotesque (2018).
MyFonts site. Klingspor link.
Showcase of Nicholas Garner's typefaces. [Google]
British type designer and art director, born in 1940 (MyFonts.com says 1945, Warwickshire), who was type director at Letraset for some time. In 1980 he became Type Director for Esselte Letraset. In 1995 Brignall moved to ITC. With the closure of ITC's New York office in November 1999, Brignall was re-appointed Type Director for Esselte Letraset. The latest major project in which Brignall was involved was the ITC Johnston series launched in 1999. He received the Type Directors Club Medal at TDC2 in 2001. The Letraset and ITC collections are now owned (via Linotype) by Monotype.
Bio. Bio at Linotype. His fonts include
- Aachen Bold (1967, Letraset), Aachen Medium (1977, an extension done with Alan Meeks). Digital implementations of Aachen: Aachen (ITC), Aachen (Tilde), Aachen (Adobe), Neue Aachen (ITC), Aachen SH (Scangraphic Digital Type Collection), Aachen SB (Scangraphic Digital Type Collection). In 2012, Jim Wasco (Monotype) extended Aachen to 18 fonts including an italic, called Neue Aachen. Aachen is characterized by short slab serifs, which gives it a retro techno look.
- Revue (1969), an unsuccessful display face.
- Countdown (1965, LED simulation face), cyrillicized in 1993 by A. Kustov at TypeMarket.
- Superstar (1970, an athletic lettering typeface now owned by ITC and sold by MyFonts).
- Italia (1974; see Istria on the SoftMaker MegaFont XXL CD, 2002), Italia Book (1977). Influenced by the Venetian style.
- Premier Lightline (1969), an elegant art deco hairline face. For a digital revival, see Pergamon (2012, SoftMaker).
- Premier Shaded (1970), caps only shaded art deco face.
- Romic Light (1979-1980). See R790 Roman on Softmaker's XXL CD (2002).
- Corinthian (1981).
- Epokha (1992), a 1910 poster style slab serif.
- Edwardian (1983). Digital versions: Edwardian Medium (ITC), Edwardian (Linotype), Edwardian EF (Elsner&Flake).
- Harlow (1977-1979), a fifties style keavy monoline display script. The Scangraphic versions are Harlow SB and Harlow SH. Harlow Solid was revived by Felipe Calderon as Melts Script (2017, more an interpretation than a revival). For other digital versions, see Harlekin (2012, SoftMaker), HarlowICG (Image Club Graphics), Harlow (ITC), HarlowD (URW), OPTI Hastings (Castcraft), H652 Script (SoftMaker), and Harrogate (SoftMaker).
- Octopuss (1970), similar to Harlow.
- Tango (1974) [a freefont inspired by Tango can be found in Julius B. Thyssen's Kylie 1996-J], yet another typeface in the spirit of Harlow.
- Jenson Old Style (1982, with Freda Sack), a Venetian face.
- Victorian (1976, Letraset; with Freda Sack).
- Type Embellishments One, Two and Three (1994): handsome ornaments developed in the Letraset Type Studio by Michael Gills and Colin Brignall to complement the Fontek Typeface Library.
- Retro Bold (1992, a slab serif done with Andrew Smith).
- ITC Werkstatt (1999, ITC: a hookish Preissig-style typeface developed with Satwinder Sehmi).
FontShop link. Klingspor link.
View Colin Brignall's typefaces. [Google]
Type designer from Buffalo, NY. His typefaces were mostly developed at P22. Klingspor link. A partial list of his fonts:
- In 2008, he revived and extended Cigno, a 1950s script typeface by Aldo Novarese, and called it P22 Cigno.
- LTC Circled Caps.
- P22 Civilité is a joint effort of Colin Kahn, Richard Kegler and Milo Kowalski.
- P22 Curwen. P22 Curwen Poster is a digitized version of a rare wood type used by the Curwen Press in England in the early 20th Century for poster work. P22 Curwen Maxima is a new hyper-stylized re-interpretation of Curwen Poster.
- The great display/comic book font Ebin (and Ebin Outline).
- In 2006, he created the P22 Gauguin font family (Regular, Alternate, Brush and Extras), a script font set based on the writings and sketches of post-impressionist artist Paul Gauguin.
- Glamour (2006, P22/Lanston; also called LTC Glamour Grotesque) is based on the 1948 design by the same name done at Lanston Monotype, which in turn is based on Imre Reiner's Corvinus.
- P22 Goudy Aries (2004, P22, by Richard Kegler and Colin Kahn). This typeface revives Goudy's aries from 1926.
- Goudy Sans (2006, P22/Lanston, 6 styles): Goudy Sans Bold was originally designed by Frederic Goudy in 1922 as a less formal gothic and finished in 1929. The Light was designed in 1930 and the Light Italic in 1931. Colin Kahn digitized them in 2006 to make a 6-style Goudy Sans family, which includes a Goudy Sans Hairline.
- In 2008, he revisited Richard Kegler's P22 Platten, which was based on lettering found in German fountain pen practice books from the 1920s, and created the extended typeface P22 Platten Neu.
- Internship (2003), or St G Schrift. P22 swrites: St. G Schrift (2005, P22) is a font based on the type designs of German poet Stefan George. This sans-serif typeface features a few variations found in books published by George in Berlin. Includes P22 St. G Schrift One, P22 St. G Schrift Two and P22 St. G Italic (an art nouveau version of the roman, newly designed). The original font was cast in 1907 by a small foundry in Germany and was used primarily for the works of George as well as other books including a monumental edition of Dante's Divine Comedy. This may or may not contradict the fact that Marcus Behmer designed Stefan George-Schrift in 1904.
- P22 Tuscan Expanded is a digitization of the mid-19th century wood type font Antique Tuscan Expanded - Wells&Webb 1854.
- P22 Vale (2007, in Roman and Kings Fount styles) are based on types by Charles Ricketts that were used by the Vale Press (which in turn were based on Jenson). The Kings Fount is originally dated 1903.
- In 2007 still, he revived Zebra (P22), a font originally designed in 1963-1965 by Karlgeorg Hoefer.
View Colin Kahn's typefaces. [Google]
Sydney, Australia-based web designer, who created the ultra thin experimental typeface Machine Man (2004). [Google]
Context Reprise SSi
An SSi font in the category "hairline sans". [Google]
Based in the space industry capital of France, Toulouse, Corentin Allerdet designed the hairline futuristic typeface First Step Typo (2013). [Google]
Codesigner with Alexandre Venancio and Felippe Duque of the hairline art deco typeface Capa (2009, Oporto Design). [Google]
Dada Studio (Babice Nowe, Poland) is run by Michal Jarocinski (b. 1980, Warsaw). In 2017 or 2018, he founded Capitalics. His typefaces: [Google]
Designer from Richmond, VA (aka fontcollector) on whom I bestow the title King of octagonal typefaces. Dafont link.
- He used FontStruct in 2008 to create the ultra fat octagonal typefaces ShortFatStrangerMono and TallDarkStrangerMono after his Bank Gothic-themed series called EZMonoA through EZMonoG. Other creations: MaxiFiveMono, MaxiFiveTallMono, MaxiFiveTooTallMono, CurvedFiveMono, SkinnyMinnieMono (think skinny and octagonal), KaleidoscopeMono (dingbats), NervosaMono (thin, angular and jittery). CourieresqueMono, HeavyMono, SuperHeavyMono, SkinnierMinnierMono, SkinniestMinniestMono, DiamondsMono, LucDevroyeMono1 and LucDevroyeMono1 (based on my own Yonkaku fonts), PortraitMono (each character on an easel), PortraitText Mono, RollingStockInverseMono (characters on wheels), OctagonoMonoA, OctagonoMonoB, AmazonoMono (a macho octagonal face), BlackboardTallMono (white on black), ScoreBoardInverseMono, VarionoMono, TeflonoMono, SymmetronoMono (geometric patterns), VerticalSlatsMono, VerticalSlatsTallMono, BlackboardMono, BlackboardTallMono, SteepFifteenStretchMono, SteepFifteenSuperStretchMono, SteepFifteenMono, RockSolidMono, RockSolidStretchMono, RockSolidSuperStretchMono, YugoFiveUltraTallMono, KitchenTilesMono, PrimoMono, OctagonoMonoC (+Tall, +ExtraBold), LotsaDotsMono, OvaltinoMono, OctagonoPropC (+Tall).
- Fonts made in 2009: Bevel's Advocate Mono, Mammoth Mono, NovaMono (+Inverse), OctoMono, PortraitMono, GravitonoMono, PortraitTextSteepMono, XLMono, XLProportional, ScallopiniMonoInverse, BrickbatsMono (dingbats), IconoMono (white on black dings), KaleidoscopeMono, DiamondsMono, ShortFatStrangerMono, QuattroMono (+SC), OvaltinoMono, GargantuaMono, EdgeMono, FacetedSuperFiveStretchMono, MegaloMonoGrande, OctagonoMonoExtraBold (+SuperSteep), MegaloMono, KitchenTilesMono (#1, #2, #3), PrimoMonoTall, StereophoneMono (+Inverse), GrecoRomanoMono (+Ultimo), FacetedFiveMono, YugoFiveMono, TopsyCurvy, DiamondLinkMono, RunningOnEmpty.
- Fonts made in 2010-2011: BAP Solid (sturdy octagonal typeface), XLMonoAlt, XLProportionalAlt, Octagonico (octagonal inline face; +Dark), White Elephant 3 (2011, a 3d shadow face), White Rhino (outlined athletic lettering, Black Rhino), Albino Rhino (2011, black on white), Striped Rhino (2011), Curvilino (ultra-condensed), Rondino (2011, similar), BAPSolid (2011, octagonal).
- Fonts from 2012: BAP Outline, Big Hairline (octagonal hairline caps face).
- Fonts from 2013: Rondino Junior, Legibus Rex Mono (octagonal), Little Black Font (octagonal), Legibus Maximus (octagonal), Bevel's Advocate Proportional (prismatic typeface).
Daniel Hernández Sanchez
[Hernández Type (was: Estudio de diseño Calderón)]
Daniel Olán (Nueva Leon, Mexico) designed the hairline display typeface Prólogo (2011; images: i, ii). Creator of the rounded squarish typeface Act #1 (2011). He is also a gifted photographer. [Google]
[Darren Scott Typographics (was: Truth Design)]
Darren Scott Typographics (was: Truth Design)
Darren Scott Typographics (was: Truth Design) is Darren Scott's design firm in Manchester, UK. Darren Scott graduated from Salford University in Manchester with a Design Practice Degree in 1996. Formerly the Senior Designer and Typographic Consultant at McCann-Erickson Manchester, Darren now runs his own consultancy, Truth Design. Their type design includes typefaces such as Aggregate, Amplifier (hairline geometric), Berliner, Como (artsy display), Imprimitur (serif), Mechanic (influenced by the poster types found in advertising during the industrial revolution), Nitrogen (hookish sans), Press On (grunge), Rivo (stencil), Rub On, Sodium. All typefaces available from FontWorks. Before Truth Design, which started in 2007, Darren Scott sold and licensed his typefaces through various firms:
- [T-26]: BadAngel, Berliner, Circuit, Mechanic Gothic (1997), Polymer (1997), Retoric, Petrol Medium, Rub-On, Launderette Rinse.
- TSi Font Foundry: TSI Aggregate.
- ITC: Mechanic Gothic and Petrol.
- FUSE 15 collection: Berliner (1996).
- Atomic Type: Aggregate, Mechanic Gothic and Hydrate.
- Red Rooster Type: Mechanic Gothic.
FontShop link. Klingspor link.
View the typefaces of Darren Scott. [Google]
David Berlow (b. Boston, 1955) entered the type industry in 1978 as a letter designer for the Mergenthaler, Linotype, Stempel, and Haas typefoundries. He joined the newly formed digital type supplier, Bitstream, Inc. in 1982. After Berlow left Bitstream in 1989, he founded The Font Bureau, Inc. with Roger Black. Font Bureau has developed more than 300 new and revised type designs for The Chicago Tribune, The Wall Street Journal, Entertainment Weekly, Newsweek, Esquire, Rolling Stone, Hewlett Packard and others, with OEM work for Apple Computer Inc. and Microsoft Corporation. The Font Bureau Retail Library consists mostly of original designs and now includes over 1,000 typefaces. In a video made for Mike Parker's TDC medal in 2011, Mike Parker says that David Berlow is the most talented type designer he ever met. David lives in Martha's Vineyard.
At ATypI 2004 in Prague, David spoke about Daily types. At ATypI 2009 in Mexico City, he spoke on The heart of my letter, (and the online version). Since that time he has been very active and vocal on the issue of high quality web fonts. Speaker at ATypI 2011 in Reykjavik and at ATypI 2014 in Barcelona.
David Berlow Type Specimens (free pdf). Another type specimen booklet. Interview by A List Apart in 2009. Speaker at ATypI 2010 in Dublin. FontShop link. www.typovideo.de/david-berlow. David Berlow on web fonts. Interview by The Boston Globe. His typefaces:
- Amstelvar (2017). a variable (or parametric) font at Font Bureau. Contributors include David Berlow, Santiago Orozco, Alexandre Saumier Demers, and David Jonathan Ross. Open Font Library link, where one can download the font. Github link.
- Apres (2008, a sans with 40 styles). David Berlow and staff drew Apres as part of a series designed originally for the Palm Pre smart phone, for use both on the device and in print marketing. Simple, open letterforms and generous proportions provide a clear, comfortable, and inviting experience for navigation and readability.
- Belizio (1987-1988), a beautiful slab serif modeled after the 1958 original slab serif by Aldo Novarese called Egizio Corsiva Nero. Claudio Piccinini would have liked Font Bureau to acknowledge Aldo Novarese's Egizio as the source of this family.
- Belucian (1990, by David Berlow and Kelly Ehrgott Milligan. Several weights exist, including Demi and Ultra.
- Berlin Sans (1997).
- Bureau Grotesque (1989). This 27-style family is now called Bureau Grot. Font Bureau's blurb: The current family was first developed by David Berlow in 1989 from original specimens of the grotesques released by Stephenson Blake in Sheffield. These met with immediate success at the Tribune Companies and Newsweek, who had commissioned custom versions at the behest of Roger Black. Further weights were designed by Berlow for the launches of Entertainment Weekly and the Madrid daily El Sol, bringing the total to twelve styles by 1993. Jill Pichotta, Christian Schwartz, and Richard Lipton expanded the styles further, at which point the family name was shortened to Bureau Grot.. Note: there is a custom version called M&C Saatchi Grotesque with truetype data created by dtpTypes in 1998.
- Custer RE (2014), a typeface for small on screen use. The Font Bureau blurb: In 2009, a book from 1897 in the library of the University of Wisconsin caught David Berlow’s attention. It was set in a clear text face---a predecessor of Bookman---cast by the Western Type Foundry who called it Custer. Upon noting how well the typeface worked in point sizes of 6 and 7 points, Berlow developed it into a member of the Reading Edge series specifically designed for small text onscreen. Custer RE is a broad and approachable typeface drawn large on the body with a tall x-height to maximize its apparent size when set very small. The minimal stroke contrast and the hefty serifs let it stay exceptionally clear down to a font-size of 9px. Font Bureau.
- Decovar (2017). A variable font. Github link, where one can freely download the font family. See also Open Font Library.
- Desdemona (1992). An art nouveau face.
- Eagle (1889-1994). This art deco typeface Font Bureau Eagle was started in 1989 for Publish. David Berlow designed a lowercase, finished the character set, and in 1990 added Eagle Book for setting text. In 1994, Jonathan Corum added Eagle Light and Eagle Black to form a full series.
- Esperanto (1995).
- ITC Franklin Gothic (1991). In 2008, David Berlow added Condensed, Compressed and Extra Compressed widths to Vic Caruso's 1979 ITC Franklin interpretation (which had Light, Medium, Bold and Black), and Font Bureau sells a complete ITC Franklin now. In 2010, Berlow completed his definitive revision of ITC Franklin, a single new series of six weights in four widths for a total of 48 styles. Typeface review at Typographica.
- Giza (an Egyptian family.
- Hitech (1995).
- Juliana Text (2009), a rebirth of Sem Hartz's Juliana (1958, Linotype), a popular narrow legible paperback text face.
- Kis FB (2007): a revival of old style types by Nicholas Kis from ca. 1700.
- Letras Oldtsyle (1998). Letras Oldstyle was commissioned by Letras Libres, the reigning literary magazine published by Enrique Krauze in Mexico City. This garalde series was inspired by the earliest typefaces cut in the Americas in the early 1600s by printer Henrico Martinez. Proofs survive in the Biblioteca Nacional. Letras Oldstyle stands as the first typeface ever cut in the Americas, the root of American type design.
- Meyer Two (1994). Based on a 1926 type by L.B. Meyer.
- Millenium BT Bold Extended (1989, Bitstream). Also known by insiders as Starfleet Bold Extended, this font was used on federation starship hull markings until episode ten. MyFonts link.
- Moderno FB (1995): an exhibitionist didone in 32 styles, for Esquire Gentleman. In 1996 Berlow cut new styles with Richard Lipton for El Norte. In 1997, Roger Black ordered new weights for Tages Anzeiger. It grew further when the Baltimore Sun, with FB Ionic as text, was redesigned. The whole series was then revised for Louise Vincent, Montreal Gazette, with further styles added in 2005 for La Stampa. [It is my favorite type family at Font Bureau.]
- Momentum (2018). An in house variable font family for use on the Type Network web site.
- Nature (1995).
- Numskill (1990).
- Old Modern.
- Online Gothic (1995).
- Phaistos (1990-1991). A flared angular design done with Just van Rossum, and inspired by Rudolf Koch's Locarno.
- Poynter Agate.
- Reforma: Based on Giza.
- Rhode (1997).
- Scotch Roman (1993).
- Skia (1993, Apple). A Greek simulation sans, in the style of Twombly's Lithos, co-designed with Matthew Carter for Apple's QuickDraw GX project.
- Titling Gothic FB (2005): Berlow spent 10 years developing FB Titling Gothic in seven weights of seven widths each for use as display and headline romans. It was inspired by the popular ATF Railroad Gothic and grew out of Berlow's own Rhode.
- Throhand: a classic family based on metal type found at the Plantin Moretus Museum in Antwerp.
- Truth FB (1995).
- Vonness (2007): a newspaper sans family. Font Bureau: Vonness was designed by David Berlow working closely with Neville Brody on corporate redesign for Jim Von Ehre at Macromedia. Core weights are loosely based on Bauersche Giesserei's Venus, 1907-1910. Berlow expanded the ideas behind the series to 56 fonts.
- Yurnacular (1992, part of FUSE 4).
- Zenobia (1995).
View David Berlow's typefaces. Another catalog of David Berlow's fonts. Speaker at ATypI 2018 in Antwerp. [Google]
David Fernando Espinosa Martínez
David Jonathan Ross
Baltimore, MD-based senior creative director at High5design. He drew some illustrated caps alphabets in 2012 such as Crazy World Alphabet, and Gothic Inspired Type (more a painting than a set of letters). In 2018, he published the hairline sans typeface Zobel Thin. [Google]
Japanese foundry with excellent web pages on early 20-th century type design. Shin Oka, or Shinya Okabe (b. 1976, based in Himeji) created various revival fonts in or just before 2009, many connected in some way to Tom Carnase and the phototype era. He specializes in 1970s and 1980s typefaces, often with open counters and high contrast. His fonts:
Additionally, they identified the fonts on many covers and albums from the 1960s and 1970s. Further revivals of photolettering era fonts:
- Bentley (2010). This is the same as Avant Garde Gothic.
- Bernhard Neo DF (2010).
- Caslon223 DF (after ITC/LSC Caslon 223 by Tom Carnase). Other Caslons include Caslon Headlione DF (2010) and Caslon Swash DF (2010).
- Didot DF (2008).
- Garamond DF (2010).
- Grouch DF (after ITC Grouch by Tom Carnase and Ronne Bonder)
- Lubalin Graph DF (after ITC Luabalin graph by Herb Lubalin, Ed Benguiat, Joe Sundwall, and Tony DiSpigna)
- Busorama DF (after ITC Busorama by Herb Lubalin and Tom Carnase)
- L&C Hairline DF (after L&C Hairline by Herb Lubalin and Tom Carnase)
They are working on Permanent Massiv (after a 1962 Ludwig&Mayer font by Karlgeorg Hoefer---comparable to Impact or Compacta in its massiveness and masculinity), Michel, Didoni, Tiffany, Ginger Snap, Patriot, Motter Ombra, Pistilli Roman, Benguiat Caslon, and Via Face Don.
- Baby Teeth (2009): after the art deco typeface of Milton Glaser, 1968, PhotoLettering.
- CBS Didot (2009): after the original by Freeman Craw, 1970s.
- Indigo (2009): after a font by Albert Hollenstein, 1970s.
- Pacella Collegiate (2009): after Vincent Pacella's typeface at PhotoLettering.
- Penny Bee (2009): a Peignot lookalike.
- Tiffany Heavy With Swash (2011). A swashy Didot display face. This type was used by Quentin Tarantino's movie Jackie Brown in 1997. Tiffany Heavy (Ed Benguiat, Photolettering) is basically identical to Benguiat Caslon Swash (1960s) and to Foxy Brown (1974). Similar typefaces include LSC Book with Swash by Herb Lubalin and Tom Carnase (ca. 1970).
- Wexford (2009): after the typeface of Richard A. Schlatter, VGC, 1972.
In 2020, Shin Oka released the caslon-sinspired Ivy Ivy, the piano key version of a fat Bodoni, the fashionable Gara Gara, the 1970s font Bern Bern, Super Bodo Bodo, the art deco / Bauhaus typeface Sophi Sophi, the art deco typeface Fifty Four, the fashion mag typeface Rache Rache, the Peignotian sans typeface Mid Mid Sun Sun, and the display didone Fau Fau. [Google]
Désigne (was: Calame Design)
Désigne (which was Calame Design is run by Benoit Sjöholm from Rennes, France, b. 1980.
Creator of the double-lined Margarette 01 (2008), the piano key typeface Désigne (2010), the sans display typeface Explora (2010), the elliptic Bagadek (2010), Fontastique (2010), Rajkeys (2010), the geometric sans Violette01 (2009), the octagonal typeface Yllia (2008), Nioubes (2008, very geometric hairline face), Julie01 (2008), Frida01 (2008, organic slab serif), Thamara01 (2008, sans), Linea (2008, outlined), and the ultra-contrast typefaces Lamia (2008, like leaves), Olivia (2008, art deco), Kanis (2009, organic), Kamalo (2009, upright connected script), Ageone (2009, organic), Agnes Serif (2009), Dollis (2009, elliptical), Johanna (2009, upright multiline script), Jalane Light (2009, techno sans), Yatis Black (2009, almost blackletter), Cilogie (2009, organic), Ageone Serif (2009), Kabys (2009), Kyma (2009), DekerS (2009, sans family), Sixty Queens (2009), Alice (2009), Genikas (2009), Naya (2009), Genikas, Cross (2009), Johanna (2009, multiline face), Johanna Bold (2009), Kamalo (2009, +Bold), Sakiane (2009, a counterless geometric face), Balkeno (2010, display sans), Nolla (2008).
Typefaces created in 2011: Rachel (minimalist sans), Marilou (elliptical monoline sans), Melody, Sophie, Judit, Monika (hand-printed), Fabrik, Eve Isabelle, Marilyn, Charlotte.
Typefaces from 2012: Constance (rounded bold sans), Emmanuelle (extended sans), Behatrice (techno), Georgiquas (a wide all caps face).
Typefaces made in 2013: Kabegnos (elliptical sans), Henorias (elliptical sans).
FontVila link. Dafont link. Old URL. Fonts and font blog. [Google]
At Anderson University in Anderson, SC, in 2019, Dehlia Comeau Hooper designed the thin monoline geometric sans typeface Bella. [Google]
Kiev, Ukraine-based "designer" of the sans typefaces Axiom (2016) and Equilibrium (2016), Arsenal Slab (2016), Parabola (2016, geometric display font), the hairline avant-garde typeface Amsterdam (2016), the minimal rounded sans typeface family Straus (2016), the sans family Aurora (2016), the condensed sans display typeface Tokiozza Light (2016) and the circle-based display typeface Parabola (2016).
Typefaces from 2017: Arson (sans family), Arthur, Adderley, Ashley, Azalea, Havana (a great super-heavy display sans), Atlas, Alicia, Martin, Apollo, Aroma, Tilt (modern geometric sans), Napster (ultra-condensed sans), Equilibrium, Arizona (condensed rounded sans), Argentina (a smooth high-contrast brush typeface), Aroma, Melony Sans, Argo (rounded monospaced sans), Aura (squarish sans), Bloke, Arnold Thin, Arnold Black (heavy geometric titling sans), Anima (rounded sans), Axiom Sans, Arcadia (minimalistic sans), Diod (a tall minimalist sans), Diod Bold, Aurora Thin, Emerald Modern Serif (a skyline typeface), Aqueduct, Arcanzas (a didone, +3D), Alabama (squarish and tall small caps), Antsy (a slab serif that comes across as a typewriter font), Steady Hand (hand-crafted caps). Graphicriver link.
Now, alert typophiles have pointed out that most---if not all---of Gorohovskiy's fonts are renamed and plainly stolen fonts. I leave the images on my site for the historical record. Here is a list of equivalences, as reported by this Italian blog:
As a result, Gorohovskiy's Creative Market account has been suspended. But why did Creative Market let this matter go on for a full two years? Incompetent editors? As a matter of fact, another distributor, Graphicriver, still has not removed his account as of late February 2018. His sales there amount to about 900 dollars, so this is plain theft. But then again, is this very different from Book Antiqua (Monotype's copy of Palatino) and Fotura (Linotype's not-so-subtle copy of Futura)? [Google]
- Bebas Neue (Adderley)
- Canter Bold (Alabama)
- Chivo (Arthur)
- Dense (Aroma)
- Gotham with unofficial (pirated corporate) Cyrillic part (Arson Pro)
- Josefin Sans (Arsenal Sans)
- Josefin Slab (Arsenal Slab)
- Long Tall Sally EEN Plain (Emerald)
- Source Sans (Equilibrium)
- TT Chocolates (Arnold)
- Uniform Black by Miller Type Foundry (Tilt)
- Vidaloka (Arcanzas)
- Vollkorn (Martin)
Prolific NY-based designer (born in East Los Angeles) who specializes in faithful revivals of old masters and logotype, in Latin and Hebrew. He made over 500 fonts including. He is also a translator and illuminator of Biblical period Hebrew and Aramaic. His clients include The Vatican (Pope John Paul II's Holocaust commemerative CD) and Hadassah, the Women's Zionist Organization of America. His specialties are translations worded in the language and style of the period in which the Biblical text was composed. His translation and enumeration of kabbalistic writings, otherwise known as Hebrew Mysticism and numerology, demonstrate the mathematical base of Biblical miracles.
MyFonts wrote this analysis of his work: Dennis Ortiz-Lopez is a hugely talented New York type designer. lettering artist&typographer, with around 600 typefaces to his credit. Typographic quality in the magazine market doesn't get much better than Rolling Stone magazine---well, guess who was their typographer (as well as InStyle, Sports Illustrated, People, etc.). Dennis made a successful transition to the digital era around 1989, keeping up his prodigious output. Dennis is also known by his Hebrew name, Siynn bar-Diyonn. Dennis follows the footsteps of great American type designers such as Morris Fuller Benton and Herb Lubalin. And he likes contrasts, too: his typefaces are very narrow or very wide, very thin or very fat. If you love Franklin Gothic but always felt like it's not fat and wide enough. try [Google]
Designer Terminal: Best Free Thin Fonts
Best free hairline / thin fonts: a list compiled by Designer Terminal in 2011. [Google]
Rian Hughes studied at the LCP in London before working for an advertising agency, i-D magazine, and a series of record sleeve design companies. Under the name Device he now provides design and illustration for the advertising, entertainment, publishing, and media industries. He works from Richmond, UK, as a comic book artist, letterer and typefounder---his foundry is called Device. He creates mostly display type. List of fonts. Interview. Review by Yves Peters. Monotype Imaging page. Interview by Die Gestalten. Various (overlapping) font listings, still unorganized.
- Dingbats: Pic_Format, Mastertext Symbols, MacDings, RiansDingbats, Autofont.
- FontFont fonts: Identification (1993), Revolver, Rian's Dingbats, LustaOneSixtySans, Knobcheese, CrashBangWallop, and Outlander.
- [T-26] fonts: English Grotesque (1998), Data90 (2003; a free FontStruct typeface that is virtually identical to Data90 is Bitrate by Kummaeno (2010)), Flak Heavy (2003, stencil), Flak (2003, stencil), Freeman (2003), Klaxon (2003, kitchen tile font), Cordite, Substation (2003), September (2003), West Way (2003), Egret (2003), Paralucent Complete (2003), Paralucent Condensed, Paralucent Stencil (2003), Mercano Empire (2003), Iconics (2003), Cantaloupe (2003), Gravel (2003), Acton (blocky screen font, 2002), Ainsdale, Amorpheus, Anytime Now (alarm dingbats), Bingo, Blackcurrant (Blackcurrant Cameo (1997) is free), Bordello, Elektron, Haulage (U-Haul lettering, 2002), WexfordOakley, Telecast, Terrazzo, Transit, Untitled, Scrotnig, Skylab (2002), Silesia (1993), SlackCasual, Ritafurey, Reasonist-Medium, Regulator, GameOver, Novak, Quagmire, PicFormat, Jakita Wide (2000, techno font), Metropol-Noir, Motorcity, Mastertext, Mystique (2002), MacDings, Lusta, Laydeez, Sinclair, Paralucent (sans serif), Judgement, Bullroller, Zinger (a fifties font), Citrus (2002), Popgod (2003), Range (2000, a futuristic font), Hounslow, Jemima, Griffin, GranTurismo, Gargoyle, Foonky, DoomPlatoon, Darkside ("remixed" by FontStructor Kummaeno in his Ubangi (2011)), Kallisto (2010), Kallisto Lined (2010), Cyberdelic, Contour, and the very original Stadia Outline family (Stadia is a kitchen tile font).
- List of all fonts by Rian Hughes, as of 2004: Acton, Ainsdale, Amorpheus, Anytime Now, Bingo, Blackcurrant, Bordello, Bull Roller, Chascarillo, Contour, Cottingley (1992), FF CrashBangWallop, Cyberdelic, Darkside, Data90, Doom Platoon (1996), Elektron, English Grotesque, Flak, Foonky, Freeman, Game Over, Gargoyle, Gran Turismo, Griffin, Haulage, Hounslow, Iconics, FF Identification, Jakita, Jemima, Judgement, FF Knobcheese, Laydeez Nite, Lusta (big family), Mac Dings, Mastertext, Men Swear, Metropol Noir, Motorcity, Mystique, Novak, FF Outlander, Paralucent, Pic Format, Platinum, Quagmire, Range, Reasonist, Register (A and B), Regulator, FF Revolver, FF Rian's Dingbats, Ritafurey, Scrotnig, September, Silesia, Sinclair, Skylab, Slack Casual, Space Cadet, Stadia, Substation, Telecast, Terrazzo, Transmat, Untitled One, Vertex, Westway, Wexford Oakley, Why Two Kay, Zinger.
- At Veer, in 2005, these Device fonts were published: Gentry, Gridlocker, Valise Montreal, Custard, Box Office (moviemaking letters), Sparrowhawk, Monitor, Moonstone, Miserichordia, Yolanda (a great playful medieval text typeface in three styles: Duchess, Princess, Countess), Gusto, Dauphine, Rogue, Ritafurey, Dynasty, Radiogram, Xenotype, Roadkill (grunge), Payload (stencil family comprising Regular, Outline, Spraycan, Narrow, Narrow Outline, Wide, Wide Outline), Catseye, Electrasonic, Absinthe (psychedelic style), Straker, and Chantal (brush).
- In 2006, Veer added these: Profumo, Ironbridge, Cheapside, Battery Park (grunge), Forge, Shenzhen Industrial, Hawksmoor (grunge), Coldharbour Gothic, Wormwood Gothic (grunge), Chase (grunge), Diecast, Roadkill Heavy, Tinderbox (fuzzy blackletter), Dazzle (multiline face), Nightclubber (art deco), Klickclack (2005, comic book or cartoon caper typeface), Vanilla (art deco), Wear it's at (grunge), Diecast, Drexler, Box Office (movie icon font).
- Fonts from 2007: DF Conselheiro (2007, grunge), DF Glitterati (2007), Indy Italic (script), DF Apocrypha (2006, rough outline), DF Quartertone (2007), DF Lagos (2007, rough stencil), DF Pulp Action, DF Reliquary #17 (2006, grunge didone), DF Dukane (2007, octagonal grunge), DF Strand (2007, striped stencil), DF Rocketship from Infinity (2006, futuristic), DF Appointment with Danger (2006), DF Las Perdidas (2006, grunge stencil), DF Kelly Twenty (2007, grunge stencil), DF Heretic, DF Roadkill, DF Ironbridge, DF Forge, DF Shenzhen Industrial, DF Hawksmoor, DF Cheapside, DF Battery Park, DF Saintbride, DF Profumo, DF Coldharbour Gothic, DF Wormwood Gothic, DF Tinderbox, DF Flickclack, DF Vanilla (multiline art deco face), DF Chase, DF Nighclubber (art deco jazz club face), DF Diecast, DF Dazzla, DF Zond Diktat (grunge), DF Yellow Perforated, DF Mulgrave (grunge), DF Ministry B, DF Ministry A (with a hairline weight), DF Gridlocker, DF Gentry, DF Valise Montréal (grunge), DF Custard, DF Box Office, DF Roadkill, DF Payload Wide, DF Payload Narrow, DF Catseye Narrow, DF Catseye, DF Yolanda, DF Xenotype, DF Telstar, DF Straker, DF Sparrowhawk, DF Rogue Serif, DF Rogue Sans Extended, DF Rogue Sans Condensed, DF Rogue Sans, DF Ritafurey B, DF Ritafurey A, DF Radiogram, DF Pitshanger, DF Payload (stencil), DF Outlander Nova, DF Moonstone, DF Monitor, DF Miserichordia, DF Interceptor, DF Gusto, DF Glitterati, DF Galicia (2004), DF Galaxie, DF Electrasonic, DF Dynasty B, DF Dynasty A, DF Drexler, DF Dauphine, DF Chantal, DF Absinthe, DF Register Wide B, DF Register Wide A, DF Register B, DF Register A, DF Quagmire B, DF Cordoba (2007, grunge), Mellotron (2004, stencil), Seabright Monument (2007), Charger (2007, grunge).
- T-26 releases in 2007: Klickclack, Hawksmoor (grunge), Heretic, Ironbridge (old letter simulation), Battery Park (grunge), Chase (grunge), Cheapside (grunge), Dazzle (multiline art deco), Diecast (grunge), and Forge (grunge).
- T-26 releases in 2008: Automoto (fat multiline deco face), Straker (organic). Also from 2008: Mission Sinister (grunge), Gonzalez (grunge).
- FontBros release in 2009: Filmotype Modern. Other Filmotype series fonts include Filmotype Miner (2012), Filmotype Manchester (2012), Filmotype Meredith (2012), Filmotype Marlette (2012), Filmotype Mansfield (2012), Filmotype Power (2012) and Filmotype Major (2012: this is based on a typeface used as the titling font for the popular children's book by Dr. Seuss entitled One Fish Two Fish Red Fish Blue Fish, 1960). Other 2009 fonts: Degradation (grunge).
- Creations in 2010: Pod (2010, fat round stencil), Korolev (2010, a 20-style monoline sans family based on communist propaganda from 1937), DF Agent of the Uncanny (2010, brush face), DF Destination Unknown (2010, Kafkaesque brush), DF Maraschino Black (a sleek, sophisticated high-contrast swash capital font).
- Creations in 2011: DF Capitol Skyline, DF Capitol Skyline Underline and DF Capitol Skyline Capitals (a multi-weight all-caps pair that epitomizes Streamline Moderne), DF Korolev (a 20-weight sans serif family based on lettering by an anonymous Soviet graphic designer who did the propaganda displays at the Communist Red Square parade in 1937. Named in honor of Sergey Pavlovich Korolyov, or Korolev, considered to be the father of practical astronomics). In 2018, Korolev was expanded to Korolev Rounded and Korolev Rough.
- Typefaces from 2012: Ember (informal script), Kane (based on the Batman logo), Glimmer Glossy, Glimmer Mate, Galleria (avant-garde caps), Clique (flared sans).
- Typefaces from 2013: Wulf Utility (grungy), Charterhouse (an aggressive black sans), Filmotype Melon (after a 1959 original, this is an offbeat Googie era doo-wop typeface), Filmotype Melody (similar to Melon), Filmotype Mellow (also similar to Melon), Raw (worn wood type), Cadogan (a rhythmic connected script), Whiphand (brush face), Steed (heavy codensed masculine sans inspired by the titles of the Avengers TV show), State Stencil (Clean and Rough: in the style of Futura Black), Korolev Military Stencil (named after Sergei Korolev, father of Soviet astronautics, and based on signs from the Red Army parade of 1932), Armstrong (a 1950s automobile font).
- Typefaces from 2015: 112 Hours (numerals font).
- Typefaces from 2016: Typex (an angular yet rounded monospaced typewriter or OCR-style typeface based on the lettering used on Alan Turing's and Tutte's famous code-breaking machine at Bletchley Park, the Bombe, and the subsequent British answer to the German Enigma machine, the Typex), Serenity (a legible sans family).
- Typefaces from 2017: Pitch (a heavy block sans in chrome and solid variants), Shard (originally commissioned for Nickelodeon's 3D reboot of the Teenage Mutant Ninja Turtles franchise), Championship Inline, Mood (a great liquid deco font), Grange, Grange Rough, Dazzle Unicase, Urbane (sans), Urbane Rounded, Albiona (a modern take on Clarendon; includes Albiona Heavy Stencil), Albiona Soft (a rounded version of Albiona), Pact (a modular geometric font).
- Typefaces from 2018: Rutherford, Salvation (a potato cut font), Kano (inspired by the work of Dutch furniture designer and architect Gerrit Rietveld, one of the principal members of the Dutch artistic movement De Stijl), Rogue Sans Nova, Fairtrade (rough-edged font), Goddess (Victoriana), Neuropa (a five-weight semi-extended sans that projects a muscular corporate authority), Worthington Arcade (a caps-only lapidary typeface), Zeno (a piano key stencil typeface), Vektra (an experimental crosshatch-textured typeface), Recon (a quartz display font), Kinesis (Kinesis is inspired by the work of Dutch furniture designer and architect Gerrit Rietveld, one of the principal members of the Dutch artistic movement De Stijl. It is a modular headline font, constructed from white, black and grey overlapping rectangles), Freehouse (Freehouse is a reinterpretation of the well-remembered Watney's logo, a brewery and pub chain infamous for its poor quality beer and brutalist decor.), Zipline (a great multiline typeface), Argent Sans, Craska (a multiline font), Panther Black, Carilliantine (art nouveau with many interlocking letter pairs), Regulator Nova, Broadside, Bubblegum Pop, Heft (a heavy slab serif), Faction (stencil style), Metaluna (techno, engineering), Magnetron (futuristic), Urbane Rough, Urbane Adscript (a monoline semi-linking sans), Revolver (original from 1992), Albiona Inked (a Clarendon).
- Typefaces from 2019: Gerson Rand, Gravesend Sans (an all caps sans family based on the unique typeface used for the iconic grass-green signage for the now-defunct Southern Railway in England).
- Other: Customised Foonky Starred, Altoona, DfAncestorITC, DfAttitudesPlain, HotRod (2002).
- Typefaces from 2020: Atomette (a stylized comic book typeface family), Conquera (a stylish extended caps-only font in five weights plus an inline), Dare (a tape font, that borrows a pinch of the hand-drawn swagger of Bauer's Cartoon (designed in 1936 by H. A. Trafton), used as Dan Dare's signature logo in the British boy's comic Eagle, and also the upward-pointing serifs of machine-moderne typefaces such as Dynamo (designed by K. Sommer for Ludwig & Mayer in 1930), Urbane Condensed.
FontShop link. Klingspor link. [Google]
[Chris E. Lozos]
Chris Lozos (aka Dezcom and Dezcom Typefaces) is a Washington, DC-based (well, now Falls Church, VA-based) graphic designer and Vietnam veteran, b. 1944, Pittsburgh, PA. He studied Design at Carnegie Mellon University where he earned a BFA in Graphic Design (1966). While at CMU, he studied with calligraphers Arnold Bank and Howard Glasser, who both brought out the love of historic letter-forms and learned to set hot metal type in the Laboratory Press established there by Jack Stauffacher. Chris also was influenced by guest professors Hermann Zapf, Rudy DeHarek, Martin Krampen and Gui Bonnsieppe (of the HfG Ulm). He attended Graduate School in Visual Communication Design at the Ohio State University from 1972 through 1974.
- Dez Petranian (2013). A warm text typeface designed for story-telling, and related to Souvenir.
- Des Squeeze Pro (2013). A great condensed display family with large x-height. The Pro version of Des Squeeze (2009).
- Dez Weimar Plakat (2013). Inspired by a 1923 Weimar Bauhaus / constructivist exhibition poster. This is a finished version of Weimar Plakat 1923 Pro (2006-2007). See also here.
- Dez Yinznat Stencil (2012). A military stencil dedicated to the industrial past of Pittsburgh.
- Dez Quo Vadis Titling (2010).
- Dez Boulder (2010).
- The bold headline typeface family Dez Squeeze (2009, +Fat). Discussions: Squeeze, Fat Squeeze.
- Leporello (2004).
- The semi-techno typeface Align Sans (2005).
- Now (2005). A geometric sans family with several novel ideas, which was followed by Now Bold (2006), Now Regular, Now Light, Now Gaunt Display (hairline) and Dez Now Sans (2018), about which he writes: A humanistic typeface family that was begun in 2005 by Chris Lozos of Dezcom. Since then, it has been nurtured, revised, and expanded to include 12 weights in both upright roman and true italics totaling 24 variations.
- The sans families Boulder Ego and Boulder Alter Ego (2006).
- Froggy (2006).
Flickr page. . [Google]
Brazilian designer (b. 1990) of the hairline informal typeface Antropofagia (2011). [Google]
Creator of the hairline hand-printed typeface Clowning Around (2012). [Google]
Art director in Athens, Greece. Creator of the hairline avant garde typeface Mythont (2013).
Behance link. [Google]
Dino dos Santos
[David Jonathan Ross]
DJR Type (Conway, MA, and before that, Deerfield, MA, and before that Los Angeles, CA, and before that, Lowell, MA) stands for David Jonathan Ross Type. Originally from Los Angeles, he was a student at Hampshire College in Amherst, MA, where he studied information design and typographic tradition. In 2007, he joined Font Bureau as a junior designer and was assisting with custom projects and expanding Font Bureau's retail library. Soon after that, het set up DJR Type. In 2016, DJR Type joined Type Network and pulled all his typefaces from MyFonts. He also runs Font of the Month Club.
In 2018, he was the tenth winner of the Charles Peignot Prize. His typefaces:
- Manicotti (2010). An ultra reversed-stress Western saloon style typeface that won an award at Modern Cyrillic 2014. DJR Manicotti won an award at TDC2 2007. For a free lookalike, see Plagiacotti (2009, Saberrider).
- Climax Text (2006) is a text and display series that was designed for Hampshire's student newspaper.
- Trilby (2009, Font Bureau). Trilby is based on a 19th century French Clarendon of wood type fame.
- Condor (2010, Font Bureau). This is a 60-style art deco family.
- Turnip (2012) is an angular and manly text face, also published at Font Bureau.
- In 2013, Ross revived Nebiolo's Forma for the redesign of Hong Kong Tatler, a fashion mag, supervised and commissioned by Roger Black, who was then based in Hong Kong. Read about the whole process in this piece by Indra Kupferschmid. Page specially dedicated to DJR Forma.
- Bungee (2013, Google Fonts) won an award at TDC 2014. This homeless typeface, which comes in Regular, Hairline, Inline, Outline and Shade versions, is free: Bungee is a font family that celebrates urban signage. It wrangles the Latin alphabet to work vertically as well as horizontally.
- In 2014, David Jonathan Ross created the formidable 168-style programming font family Input (Font Bureau). Input is free for private use. It won an award at Modern Cyrillic 2014 and in the TDC 2015 Type Design competition.
- Gimlet (2016). A 112-style Opentype family loosely based on Georg Trump's 1938 typeface, Schadow, and advertized as funky and functional. Ross writes: Gimlet is half Schadow, half imagination, and nothing else. And like its namesake beverage, Gimlet is a little tart, a little sweet, and can really pack a punch. Gimlet Variable Bold Condensed followed in 2019.
- Fern Micro (2014, Font Bureau). A Venetian typeface designed for screen.
- Output Sans.
- Fit (2017, by David Jonathan Ross and Maria Doreuli). A tall black display family that runs from ultra-compressed to very wide. It screams Use me for the Oscars! Fit was first developed as a variable font. It won an award at Granshan 2017.
- DJR Lab, or Lab Variable (2017), is a free pixelish variable font.
- Under miscellaneous, we find an untitled French Clarendon and an untitled semi-serif.
- Font of the Month Club fonts from 2017: Nickel, Roslindale (Roslindale is a text and display serif that takes its inspiration from De Vinne, a Victorian oldstyle typeface named for the nineteenth century printer and attributed to Gustav Schroeder and Nicholas Werner of the Central Type Foundry), Zenith (blackboard bold), Crayonette, Bild (a compressed headline font based on the American gothic type styles from the 20th century; a variable font followed in 2019), Pappardelle Party (spaghetti Western style), Roslindale Text, Klooster.
- Font of the Month Club fonts from 2018: Extraordinaire, Rhody, Output Sans Hairlines, Rumpus Extended, Roslindale Light, Merit Badge (a variable color font).
- A tech type virtuoso, he charmed me with his art deco variable font Extraordinaire (2018) that was influenced by the diamond-shaped forms found in the center of the city of Sao Paulo, Brazil.
Speaker at ATypI 2016 in Warsaw and at ATypI 2017 in Montreal. Klingspor link. Home page. [Google]
FontStructor who made the grotesk typefaces CanPicafort (2011), canPicafort Mono (2011) and Mono Grossa (2011), and the high-contrast headline typeface Microfont (2011). Farrutx (2011) is a hairline architectural-look face. Ternelles (2011) is a great monoline sans typeface with tall ascenders. Kares (2011) is a scanbat fontstruction (---how did he do that???---) with typefaces of Beethoven, Che Guevara, Dalai Lama, Einstein, Grouxo Marx, Hepburn, Jordan, Grace Kelly, Lennon, Mahatma Gandhi, Norma Jean Baker (Marilyn), Steve Jobs, Therese of Calcutta, William "Bill" Gates, Hugh Laurie (House), Elvis Presley, Maria Sklodowska (Mme Curie) and Will Smith. [Google]
Based in New York City, Don Citarella created the squarish typeface Donline (2009) and the roundish condensed typeface Era 404 (2011), which was a new identity for era404 Creative Group, Inc.
In 2015, he published the (beautiful!) architecturally inspired hairline sans typeface Citarella Gothic and Citarella Gothic Ultra Light. MyFonts link. Dafont link. [Google]
Dot Colon (also: Arro, Alt Rivet)
Japanese foundry, formerly Alt Rivet. Superb free fonts: Route 159 (2016, a sans designed for legibility), Eunomia (2013, a sci-fi sans), Seshat (2012), Penna (2011, beautiful hairline sans), Ferrum (roman capitals inspired by the logo of the Final Fantasy series), Medio (didone), Vegur (sans), all developed from 2004 until 2011. Tenderness (2007) is a high-legged beauty of art deco heritage loosely inspired by Garamond and Optima.
In 2014, Seshat became available via TipoType and in 2016 vie Open Font Library. They published the sans family Aileron in 2014 as well. Open Font Library link for Aileron.
Arro. Klingspor link. [Google]
Douglas F. Olena
[Dino dos Santos]
Established in 1994, dstype used to offer free fonts but has gone commercial now. It is run by Dino dos Santos (b. 1971, Oporto) from Oporto, Portugal. He graduated in Graphic Design at ESAD, Matosinhos. He received a Masters degree in Multimedia Arts at FBAUP, Porto. MyFonts place. In 2006 he won the Creative Review Type Design Competition in the Revival/Extension Family. At ATypI 2006 in Lisbon, he spoke about Portuguese lettering since 1700. Interview in 2007. Klingspor link. Author of A Letra Portuguesa, a book about Portuguese calligraphy. Dino created these typefaces:
- Access (1997).
- Acta, Acta Display and Acta Poster (2011, +Poster swashes). A didone fashion mag family. First designed for Chilean newspaper La Tercera in 2010, DSType's Acta family is a clean information design type system. It includes Acta Symbols, an extensive dingbat family.
- Acto (2012). Acto is a type system designed as the sans serif counterpart of the previous released Acta. Both type families were designed in 2010 for the redesign of the Chilean newspaper La Tercera.
- Andrade Pro (a modern) and Andrade Script Pro: based on the calligraphy of Andrade de Figueiredo, ca. 1722.
- Anubis (2003): a unicase face.
- Aparo (2013). A plumpish elegant high-contrast script face.
- Apud and Apud Display (2010): a high-contrast serif family.
- Aquila (2004).
- Ardina (2016). Done with Pedro Leal, this text typeface family has three optical sizes.
- Boldina (2004). A fat informal poster family with 18 weights and styles.
- Braga (2011, Dino dos Santos and Pedro Leal). This is a layered font design family. Dino writes: Braga is an exuberant baroque typeface, named after a portuguese city, also known as the baroque capital of Portugal. Our latest typographic extravaganza comes with a multitude of fonts designed to work like layers, allowing to insert color, lines, gradients, patterns, baroque, floral swashes, and many other graphic elements. Starting with Braga Base, you can add any of the twenty-three available styles, to create colourful typographic designs.
- A type system from 2014: Breve News, Breve Display, Breve Slab Title, Breve Sans Title, Breve Title, Breve Slab Text, Breve Sans Text, Breve Text. The Breve system includes modern design elements in the skeleton and ball terminals, transional elements, almost wedge-serifs in the serifed styles. As with most of dos Santos's typefaces, even the sans and slab styles exhibit Latin warmth and exuberance.
- Capsa (2008): a family that was inspired by, but is not a revival of the Claude Lamesle types Gros Romain Ordinaire and Saint Augustin Gros Oeil.
- Ception (2001): a futuristic sans family.
- Cimo (2017). A distinguished condensed sans.
- Cultura, and its improved version Cultura New (2013), a text book typeface family.
- Decline (1996).
- Denso (2019). By Dino dos Santos and Pedro Leal: a great condensed variable font with weight, serif and optical size axes.
- Dione (2003): a sans; redone in 2009 as Dobra at TypeTrust. See also Dobra Slab (2009).
- Enorme (2020). Ultra massive and modular 3000-glyph mastodont of a font, by Pedro Leal and Dino dos Santos.
- Esta (2004-2005): extensive (transitional) text and newsprint family.
- Estilo (2005): a gorgeous and simple art deco-ish geometric headline face. This was accompanied by Estilo Script (2006), Estilo Text (2007, a 6-style rounded sans family), and later, Estilo Pro (2010, +Hairline).
- Ezzo: a sans family.
- Factor (1997).
- Finura (2009): this typeface has hints of University Roman.
- Firme (2014). A geometric sans for corporate use.
- Fragma (2003): squarish techno family.
- Girga (+Italic, +Engraved, +Banner, +Stencil) is a strong black Egyptian family designed in 2012 together with Pedro Leal at DS Type.
- Glosa (2008): Glosa is a meaty multi-style didone family. Glosa Text and Glosa Headline all followed a bit later in 2008, and Glosa Display in 2009.
- Hades (2012). A yummy and free blackletter typeface.
- Hypergrid (2002): octagonal.
- Ines (2015). A classic 7-style text typeface.
- Isento and Isento Slab (2017). Bothe loosely based on ATF's Times Gothic.
- Quase (2017). Loosely based on William Caslon's Specimen of Printing Types (1785). With a larger-than-Caslon x-height and reduced descenders, it comes in Display, Text, Headline and Poster substyles.
- Dino dos Santos and Pedro Leal published Jules in the summer of 2015---a fat fashion mag didone 45-style family inspired by several plates from Portuguese calligrapher Antonio Jacintho de Araujo; it comes in Big, Colossal and Epic. They followed up in 2017 with Jules Text.
- Kartago (2005): based on Roman inscriptions from Cartago.
- Keiss (2017). A Scotch roman with a lot of contrast.
- Large (1999) and Large Pro (2006).
- In 2020, Dino dos Santos and Pedro Leal designed Larga, which was inspired by the typefaces shown in the specimens of the Fundiçãao Typographica Portuense from 1874. Larga is a wide all caps family and comes with a variable opentype format.
- Leitura, Leitura Headline, Leitura News, Leitura Sans, Leitura Symbols, Leitura Display (2007): the 31 styles were all made in 2007.
- Logica (2016). A classical text typeface.
- Maga (2012). A text family.
- Methodo (2005): calligraphic penman typefaces.
- Missiva (2004).
- Monox and Monox Serif (1998-2000): a monospaced family.
- Ni Sans, Ni Slab, Ni Serif (2018).
- Musee (2006): a transitional family with ornaments and borders.
- Nerva (2004). A subdued Trajan typeface with flaring.
- Nitida (2017). A 114-font family with five optical sizes.
- Nyte (2012). A serifed text family.
- Otite (1995).
- Outside (1996): grunge.
- Plexes (2003). See also Plexes Pro (2006).
- Pluma (2005): a series of three exquisite calligraphic flowing scripts called PlumaPrimeyra, PlumaSegunda and PlumaTerceyra). Inspired by the typographic work of Manuel de Andrade de Figueiredo that was published in 1722: "Nova Escola para Aprender a Ler, Escrever e Contar, offerecida a Augusta Magestade do Senhor Dom Jao V, Rey de Portugal".
- Poesis (1999).
- Prelo (2008): A sans family for magazines, it has styles that include Hairline, Hairline Italic, Extra Light, Extra Light Italic, Light, Light Italic, Book, Book Italic, Medium, Medium Italic, Semi Bold, Semi Bold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Black, Black Italic, Slab and Prelo Condensed.
- Priva Pro (2006): a sans family that includes Greek and Cyrillic).
- Prumo (2011-2012). A 92-font family originally created for the redesign of the Argentinian newspaper La Nacion. Released to the public in 2013, it covers low and high contrasts, and has slab serif styles as well as Scotch Roman styles. So, it is more a type system or type collection than one single typeface: Prumo Banner, Prumo Deck, Prumo Display, Prumo Poster, Prumo Slab, Prumo Text.
- Quadricula (1998).
- Quaestor and Quaestor Sans (2004). Roman inscriptional typefaces.
- Recita (2019). A sturdy oldstyle text typeface family.
- Resea (2004) and Resea Consensed: Bank Gothic style typefaces.
- Solido (2012) is a versatile type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact. In total there are 35 fonts. Codesigned with Pedro Leal.
- Synuosa (1999): an experimental typeface showing only the top half of the characters.
- Tecla (2018). After Printype, a typeface developed in the early twentieth century for the Oliver Typewriter.
- Terminal (1996).
- Titan and Titan Text (2003).
- User (2012), User Upright (2012), and User Stencil (2012). Monospace type families.
- Velino (2010): an extensive family including Velino Text, Velino, Velino Condensed, Velino Compressed, Velino Poster, Velino Sans, Velino Sans Condensed, Velino Display (+Compressed Display, +Condensed Display). This didone superfamily is sure to win a ton of awards.
- Ventura (2007): based on the calligraphy of Portuguese calligrapher Joaquim José Ventura da Silva, ca. 1802, who wrote Regras methodicas para se aprender a escrever os caracteres das letras Ingleza, Portugueza, Aldina, Romana, Gotica-Italica e Gotica-Germanica in 1820. It had a "Portuguese Script". Do not confuse Ventura with Dieter Steffmann's font by the same name made many years earlier. Ventura won an award at TDC2 2008).
- Viska (2015, by Dino dos Santos and Pedro Leal) is designed for small print.
- Volupia (2005): a connected advertising face.
DS Type also has typefaces by other type designers, such as Pedro Leal. They worked with leading companies, world scale events and well-known design agencies including: Appetite, Banco CTT, Banco Economico, BBDO, CondéNast, CTT Correios de Portugal, Electronic Arts, Errea Communicacion, Erste Bank, ESPN, Expo 2020 Dubai, Fifa World Cup 2018 Russia (the Ducha typeface), Garcia Media, Gatorade, Gruner + Jahr, Hearst, Innovation, King Games, McCann-Erickson, Meredith, Palmer Watson, Pentagram, Sagres, Starbucks, The New York Times (the Nyre typeface), Vox Media and Wolff Olins.
View Dino dos Santos's typefaces. DS Type's typeface library. [Google]
Dave Trooper (New Jersey) was associated with the photo type foundry VGC. Almost 40 years later, he set up his own digital type foundry, DTrooper Foundry, which publishes digital versions of his typefaces. Creator of these typefaces:
- Trooper Roman (1974, VGC), a didone display face. [Klingspor puts the date at 1976] TypeShop made TS Toledo based on this idea, especially Toledo TS-XBold. Another digital clone is Talon (BuyFonts). Infinitype / Softmaker have a set called Toledo. And Nikita Vsesvetsky extended it cyrillically to Troover (SoftUnion, 1994). Dave's own digital font Trooper Roman Bold Display was finished in 2013. The typeface is characterized by the left-leaning "o". In 2020, Jordan Davies published Trooper Roman Black.
- Trooper Grotesque (2010). This too is based on his own VGC font from the 1970s.
- Trooper Jazzerini (2011). An elegant geometric avant-garde typeface with weights from hairline to bold.
Klingspor link. [Google]
Type and graphic design pages by Edgar Walthert, b. Sursee, Switzerland. In 2007, he graduated from the TypeMedia program at KABK in Den Haag. Since then he is free-lancing. He completed TazIII in 2008 for Lucas de Groot in Berlin. In 2008, he moved to Amsterdam to work as an independent graphic and type-designer.
His typefaces include Agile (2007, a sans family done at KABK), Grosse Pläne, Instant Schrift (2000: Redesign of Isonorm 3098 matching the radical restrictions of the Instant design-manual), and Sonic Waves.
Agile was further developed in 2011 with weights ranging from hairline to fat, and appeared in 2013 as a retail typeface at Incubator / Village.
He published the constructed sans typeface family Logical in 2018 at Bold Monday / Type Network.
He published the constructed sans typeface family Logical in 2018 at Bold Monday / Type Network. [Google]
EFI Home Page (Educational Fontware)
Sells handwriting-fonts designed to exactly replicate many educational handwriting styles. In particular, they have these:
- D'Nealian: DN Cursive and DN Manuscript.
- Zaner-Bloser: ZB Manuscript, ZB Cursive, OZ Manuscript, OZ Cursive.
- A Beka: AB Cursive and AB Manuscript, based on the style shown in workbooks developed by A Beka Book, Inc.
- Bob Jones University: CCU Cursive and CCU Manuscript, ugly fonts based on materials copyrighted by Bob Jones University.
- DKL Cursive and DKR Cursive, patterned after the handwriting methods in the workbooks Cursive Writing Skills (Educators Publishing Service, Inc, 31 Smith Place, Cambridge, MA), by Diana Hanbury King.
- Frank Schaffer: FS Classic, FS Contemporary, and FS Manuscript, developed using materials copyrighted by Frank Schaffer Publishing.
- Getty-Dubay Italic: GDI Basic, GDI Combined, and GDI Cursive, a handwriting method developed by Barbara M. Getty and Inga S. Dubay at Portland State University, Continuing Education Press. EFI worked with Getty and Dubay to develop its GDI fonts.
- Handwriting Without Tears: HWT Cursive and HWT Manuscript, pretty upright cursives and a hairline geometric sans. Handwriting Without Tears is a registered trademarked of Jan Z. Olsen.
- Harcourt Brace: HB Cursive and HB Manuscript.
- Loops and Groups: LG Cursive, based on the handwriting samples in the copyrighted Instructor's Manual Loops and Other Groups---A Kinesthetic Writing System by Mary Benbow.
- McDougal, Littell: McD Cursive and McD Manuscript, based on materials copyrighted by McDougal, Littell&Company.
- Palmer: Palmer Manuscript (simple hairline sans), Vintage Palmer and New Palmer, which include several variations of the cursive handwriting style that constitute the Palmer Method. Vintage Palmer is based on a 1923 workbook, and New Palmer on a 1987 workbook.
- Pentime: PT Cursive and PT Manuscript, developed for use by the Amish communities, through workbooks rather than directly with computers. The fonts were created for JKL Services, who use the fonts to produce handwriting materials for the Amish community.
- Peterson Directed Handwriting: PM Cursive, PM Block, and PM Slant.
- Queensland: QM Cursive and QBA Manuscript, based on samples from workbooks by Horowitz Martin Education.
- Russian: RU Cursive and Manuscript families (9 fonts) for Cyrillic.
- Seattle School District: SSD Cursive and SSD Printscript, based on handwriting samples and methods developed by Patricia Heller and Elaine M. Aoki for the Seattle Public Schools. samples were found in a 1993 K-5 handwriting manual called Write It Right (Seattle Public Schools).
- Steck Vaughn: SV Cursive and SV Manuscript, developed using materials copyrighted by Steck Vaughn Company.
- Specialty Fonts: four Ball-and-stick and Dashes fonts, Braille 24 and Braille 24 Hollow, Clocks, EFI Count Dots on Numbers, EFI Direct Instruction, EFI Music Symbols, Emo-faces, Fingerletters (for American Sign Language), Lettersound Pictures, Morse Code, Phonetics Phont, POSTNET-16.
Creator of the hairline sans typeface CNClines (2000). [Google]
Elí Castellanos Chávez
Elizabeth Kate Hartley
[Lizzy Hartley Design]
Elliott graduated in graphic design at EPSAA (Ecole Professionnelle Supérieure d'Arts Graphiques et d'Architecture de la ville de Paris, France) in 2012.
Together, Elliott Amblard (France) and Gia Tran created the bold signage / retro baseball script typeface Paname FY at FontYou in 2014. At Long Type, he created Oradour: Inspired by french vernacular lettering, it is also a very contemporary re-interpretation of Eurostyle typeface (Aldo Novarese) by stripping it from this dated aesthetic. FontYou link.
In the TypeMedia program at KABK in Den Haag, he designed Emil for his graduation in 2015. Emil is situated between a text typeface and a slab serif typeface. It is characterized by convex stems and low contrast and includes a Hairline weight.
In 2016, he published Yuzu at Indian Type Foundry. It is a simple yet effective straight rounded sans typeface family. Guide (2016), also published by Indian Type Foundry, is a wayfinding and traffic sign sans typeface family.
In 2017, Elliott Amblard and Théo Guillard designed Read Greek Condensed, which won an award at TDC Typeface Design 2018.
In 2018, Elliott Amblard and Jérémie Hornus co-designed the information design humanist sans typeface family Drive. It is accompanied by the more typewriter-styles families Drive Mono and Drive Prop, and published by Black Foundry. Angus (2018) is a multiplexed rounded sans typeface family by Elliott Amblard that includes a variable font. [Google]
Roman designer at FontStruct in 2008 of Mango (ultra fat, rounded), Doodeka (dodecahedron-themed letters---sublime!), Culdesac, Candelabra, Legorama, Legorama Everywhere Fill, Legorama Everywhere, Legorama Fill, Magnetor (shadow outline face), Thuring (athletic lettering), Monkey Pizzazz (pixelized monkeys), Escaptionist (pixel face), Dioptical (optical illusions face), allurium, allurium_welded, avinguda (an octagonal face), Avinguda Light, Myopia, Fast Pussycat, Roboro (techno), Monkey Pizzaz (monkey dings), Solari Platform, avinguda_jagged, beamo (monoline sans, a take on Franklin Gothic), beamo_outline, beamo_pixel, conformista_1, hairdo, minimalia, minimalia_noon, minimalia_rounded, sherif_1, yvette ("a fat font with a belly button), Hairdo, Bee Legacy (blackletter glyphs encased in hexagons), Legorama. He also made the beautiful hairline squarish typeface Les Bains (2008) which is based on the lettering used for the signs in Les Bains des Docks, by French architect Jean Nouvel.
Additions in 2009: Chauncey, Sixto (ultra fat octagonal typeface made at FontStruct; obese geometry in his own words), Proclama (a cold war font), Lamina.
Fonts from 2010: Bromance (upright connected script), Oliva (open typeface style), Podio (3d), Thuring (athletic lettering), Budino and Budino Kiri (fat counterless), Escaptionist (pixel), Riba (2010, a ribbon font).
Fonts from 2011: Arancito (upright connected script).
Home page at House 42. Behance link. [Google]
[Emily Lime Design]
Student at Saginaw Valley State University (MI). In 2012, she created the free dymo label typeface family Goonberry and the hairline typeface Demure Fleur.
Fontspace link. Dafont link. [Google]
Emily Lime Design
Emily Conners (Emily Lime Design, Greenville, SC) has a BS in Biology from the University of South Carolina. Based in Atlanta, GA, she specializes in capricious scripts. Her typefaces include:
Old home page. Some fonts or subsets of fonts can be had for free at Fontspace and Dafont.
MyFonts interview in June 2012, with this introductory paragraph: We've seen a few meteoric careers on MyFonts before, but the dazzling feats accomplished by the one-woman foundry called Emily Lime has left us seriously in awe. Based in Greenville, SC, this brand new font company managed to score one best-seller after another these past six months. The energetic Southern Belle in charge of the operation has made fonts in a range of styles, but capricious scripts are what she does best. Her peacefully named Bombshell Pro is at the top of our Hot New Fonts list as we speak. And while her alphabets are nonchalant and untamed, the underlying font technology is smart and nifty. Meet Emily Conners, a newcomer with a punch. [Google]
Graduate of Birmingham Metropolitan College. Birmingham, UK-based designer of Kronen (a free monospaced typeface family), Bolde (2013), a sans titling face. The octagonal hipster typeface Ontwerp (2013) was a school project at Birmingham Metropolitan College. Emraan also designed the hairline sans caps typeface Ava (2013, avant-garde) and Sanotra (2013, an alchemic / hispter typeface). [Google]
Graphic designer in Ulaanbaatar, Mongolia. In 2012, he created the geometric Latin hairline typeface Circles. [Google]
Etcetera Type Company (or: ETC; was: Finck Font Co)
Graphic designer (b. 1982) at the New York studio AWP who grew up in Maine and is currently based in Ithaca, NY. In 2018, he founded Etcetera Type Company, which is based in Spencer, NY.
He created the fat counterless caps typefaces Blackout and Blackout Midnight (2008), and his most famous typeface, Ostrich Sans (2011). This typeface includes many weights, including a beautiful Ostrich Sans Inline and a hairline. In 2016, this was followed up by the layered monoline sans typeface family Ostrich Proper (+Inline).
I am not sure if he designed the wood type-inspired slab serif typeface Chunk Five.
Porter Sans (2013) is a large wide headline type family. It has a free inline outline weight. Elm (2013) is hand-printed. Blackout Sunrise (2013) is an outlined face. Lickety Split (2013) is a crayon or brush face. Almost (2013) is a poster face. Guilder (2011) is a free typeface family with an inline thrown in. Itthaca Sans and Guilder were made in 2013.
At Google Web Fonts, he republished Knewave (2011), a brush signage face.
Typefaces from 2014: Fartlek Sans (hand-crafted poster typeface), Katahdin (free), Upstater (a classical American gothic with shaded and layered styles), Grandstander (comic book face), Boo City (pixel face), Didactic Display (grunge), Upstater Ink (grunge), Blackout Noon, Finck32A, Saturnight (heavy brush), Porter Sans Ink, Typocopia (letterpress emulation), Taurus Mono (outline), Southpaw (nice informal hand), Chawp (crayon face), Mr. Brunch (brush face), Gluten FT.
Typefaces from 2015: Flabbergast (a didone), Grandstander Classic (comic book style), Korsque (layered), Bico (a rounded condensed organic typeface).
Typefaces from 2016: Porter Rough, Ichabod (an antiqued serif), Altitude Condensed, Imbue (a condensed didone poster typeface), Retrograde (monoline and monospaced organic sans), Plainview (squarish and fat), Nonesuch (condensed sans), Juju (octagonal layered typeface family).
Typefaces from 2017: Juju (a layerable octagonal typeface family), Ichabod (an eroded typeface), Atiga, Imbue FT (a skyline typeface), Porter FT (his earlier font Porter Sans remade, and rounded styles added), Grandstander Classic.
Typefaces from 2018: ETC Gluten (an organic font family), ETC Epilogue (a variable sans font), ETC Anybody (a 72-style variable font with weight, width and slant axes), Furrow (grungy sans), Cease (techno, squarish).
Typefaces from 2019: ETC Trispace (a variable font with weight and width axes; based on League Mono), ETC Imbue (a variable font version of Imbue with a variation in optical size from Text to Display), ETC Tourney (variable font, playing on outline versus inline), Struthio (a rounded sans).
Typefaces from 2020: Birdo (an inline typeface), Prologue (a reworking of ETC Epilogue).
Alternate URL, called The League of Movable Type. Typedia link. Kernest link. League of Movable Type link. Creative Market link, Klingspor link. Dafont link. Home page. Creative Market link. Abstract Fonts link. Google Plus link. YWFT link. Old home page. Behance link. [Google]
A designer in Moscow who created a hairline Cyrillic didone typeface called Apple (2011). In 2006, he graduated from the Faculty of Design and Fashion. [Google]
[Groteskly Yours (or: Photographers Lounge)]
Inspiring graphic design talent in Moscow. During her studies at the British School of Arts and Design in Moscow, she created the hairline Latin / Cyrillic display typefaces Folio (2015) and Liquid Secession (2015). [Google]
Jos Buivenga (exljbris; b. Assen, 1965) is the Arnhem-based Dutch artist who designed some of the most popular fonts of 2010-2011. MyFonts interview in 2009. Speaker at ATypI 2010 in Dublin. His oeuvre:
- Anivers (2007). The regular weight is free.
- Calluna (2009). A garalde in 8 styles, one of which is free but the others are not---see Fontsquirrel. Calluna Sans (2010).
- The sans family Delicious (1994-1996). A free face. See also here. He is working on this and DeliciousX.
- Diavlo (2007). A free sharp-edged sans opentype face.
- Fertigo (2006) and Fertigo Pro (2008). A lively organic display text type.
- Fontin (2007: a free miniserifed family).
- His masterpiece from 2010 is the Geotica family, which runs the gamut of art deco styles and includes inline blackboard bold styles.
- Museo (2008, a 5-style slab serif), Museo Sans (2008; 2 free and 8 non-free styles), Museo Sans Rounded (2011), Museo Slab (2009). In 2012, he added Museo Sans Condensed and Museo Cyrillic. Museo Sans Display received five new weights from Hairline to Extra Black in 2014. From about 2009 until 2014, the Museo family was one of the best-selling typefaces in the world.
- In 2010, Martin Majoor and Jos Buivenga started work on Questa Sans (a typeface with a special y) as part of their Questa project. Questa is a squarish Didot-like font that Jos originally had planned in one display style only. It turned out to be a perfect basis to apply upon Martin's type design philosophy about the form principle of serif and sans. Questa was finished in 2014 and now includes Questa Sans, Questa Serif, Questa Slab and Questa Grande. Fontsquirrel link.
- Tallys (2008). A serif with tall ascenders.
- Tenso (2013). A lively humanist sans family. Tenso Regular is free.
Special Museo posters have been created, such as by Jasmine Lockwood (2012), Laurellie Pacussich (2013) and Larisa Mamanova (2012).
Klingspor link. Old personal home page. Abstract Fonts link.
View Jos Buivenga's typefaces. [Google]
Suffolk, UK-based creator of many free typefaces. Designer of the free sans typefaces Smiley (2013, a hairline circle-based sans), Larke Sans (2013), Statement (2013), Formation Sans (2013) and Creativ Zoo (2013, +Serif), and the free serif typefaces Formation Serif (2013) and Edmundsbury Serif (2013), and its sans companion Edmundsbury (2013). As Cute As (2013) is a hand-drawn typeface.
Typefaces from 2014: Larke Neue (sans family), Explogos (a free organic sans typeface, and a 778-glyph commercial extension that covers, e.g., Greek and Cyrillic besides all Latin-based European languages), Squarea (squarish), Cirqua (circle-based sans), Chapaza (transitional text typeface, +Italic), Plateia (a sans typeface for Latin, Greek and Cyrillic), Coughy Machine, Kalypsa (free sans with 2300 glyphs and coverage of Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, IPA Extensions, Spacing Modifying Letters, Combining Diacritical Marks, Greek & Coptic, Cyrillic, Cyrillic Supplement, Latin Extended Additional, Greek Extended, General Punctuation, Superscripts & Subscripts, Currency Symbols, Letterlike Symbols, Number Forms, Mathematical Operators, Coptic), As Cute as Comic, UFont Sans Medium, Bedric's Worth, Pragma Sans, Bold As Cute As, As Cute As Comic.
Typefaces from 2015: Tretton, Baqacents (sic), Reformation Sans.
Typefaces from 2016: Tretton Serif, Qaranta Bold.
Typefaces from 2018: Calamity Wayne (a reverse-contrast slab serif for Latin, Greek and Cyrillic, inspired by the wild west French Clarendons and Italians of the late-1800s)
Home page. Fontspace link. [Google]
Frank Béla (b. 1978, Orosháza, Hungary) is a graphic design student at Krea Art School in Budapest who uses the pseudonym Fabergraph. Home page. Blog. In 2010, he started out commercially as Faberfonts. Dafont link. Behance link. Klingspor link.
He created the ink trap font Portrait Of A Lady (2009), FR Irisz (2009, didone family), Pontifex (2009), the hand-printed Munkácsy 1120 (2009), the unicase Reka Sans (2009), the thick-thin Azur (2009), the simple sans Babyface (2009), the medieval sorcery font Elmulas (2009), the Valentine;s Day font Sapet (2009), the avant garde sans family Hopper Sans (2009) and the ultra-fat typeface Rendezvous (2009). Callimachos (2009) is a fun triple-lined hand-printed headline typeface (with a Cyrillic version added in). Azur Title Font (2009) is a hairline slabbed typewriter type. Pasta Simpla (2009, followed by FR Pasta Mono in 2010) is another experimental jewel. Hobbista (2009) mixes symbols and glyphs. FR Rama Nous (2009) is a free modular font. In 2009, he also made Arrow, Enamel Paint Type, Belonging (Roman caps).
Commercial fonts made in 2010: FR Unalom, FR Sniccer (stencil), FR Ceruza, FR Minta (a dingbat typeface to make labyrinthine patterns; +Two), FR Tabula (beveled face), FR Smaragdina, FR Mintry One and Two (pattern fonts), and a custom alphabet for Esquire Russia, FR Hopper (monoline sans family).
Activity in 2011: A didone-inspired typeface called MFA Dagi that was was commissioned for a catalog of an exhibition at The Museum of Fine Arts (Budapest, Hungary). [Google]
[Fabrizio Schiavi Design (or: FSD)]
Fabrizio Schiavi Design (or: FSD)
Fabrizio Schiavi was born in Ponte dell'Olio in the Piacenza province in 1971. FSD Fabrizio Schiavi Design in Piacenza was opened in 1998. With Alessio Leonardi, he co-founded Fontology. He also co-launched the experimental graphics magazine Climax in 1994.
Bio at FontFont where he made FF Mode 01, FF 0069, FF GeabOil, FF9600, FF Trade 01, FF Steel Mix, FF Steel Ring, FF Steel Jones.
[T-26] designer of D44 (1994), Lithium (1994, dingbats), Moore895 (1994), Moore899 (1994), Sidewalker (1994), Exit (1988). Many of his typefaces are grungy such as Washed (1994). Some are minimalist, such as Monica Due (1999), Monica (1999), and Eco (2001, developed from a logo in the 70s for Ageco). The latter three fonts are very geometric in nature.
Other fonts: Washed (1994), Parakalein, Aurora Nintendo (1995), Aurora CW (1995), Mode01 (1995), GeabOil (1995), 9600/0069 (1995), Fontology (1995), FSDItems (2001), FSDforMantraVibes (2001), Pragmata (2001, monospace, designed for programs), PragmataFlash (2002, a pixel font), Essential Pragmata Pro (2011, still monospaced), Sys (2002), SysFlash (2002, a pixel font), Sys 2.0 (2012, a condensed sans designed for very small print), Virna (2003, a multiline typeface for Italian MTV, discussed here). The Pragmata and Sys series were optimized for screen usage. In addition, Sys has many ink traps, so it prints well at small sizes, and is more legible than Verdana.
He does some custom typeface design, such as the innovative sans serif family called CPCompany (2000). Other clients include Ferrari and Philip Morris.
In 2007, he produced a stencil and signage font, Siruca (see also here), for the Al Hamra Complex, one of highest skyscrapers in the world, located in Kuwait. Siruca Pictograms (2008) is free. In 2015, he followed that up by a non-stencil rounded sans called Sirucanorm: Designed using golden ratio formulas, it's inspired to DIN and Isonorm typeface.
In 2013, he published Sys Falso, Abitare Sans (30 weights, originally commissioned by the group Rizzoli Corriere della Sera. Abitare is an Italian magazine).
Typefaces from 2014: Nove (a German expressionist typeface inspired by B movie typography: Nove freshly reworks exploitation film era movie poster lettering, refitting the genre to a contemporary audience. The expressive typeface was done for a Nike Italy spoof campaign featuring 1970s cult film director Enzo Castellari and a recently found film reel from his archives, featuring several current Italian athletes and American basketball star Kobe Bryant).
The rounded sans typeface Widiba Bank (2015) was co-designed with Jekyll & Hyde in 2015 for the brand identity of the new bank of Gruppo Monte dei Paschi di Siena.
In 2016, he designed the custom corporate typeface R&M in art nouveau style.
At ATypI in Rome in 2002, he spoke about the need for more fonts.
Behance link. FontShop link. Klingspor link. Font Squirrel link. Dafont link.
Showcase of Fabrizio Schiavi's typefaces. [Google]
Austrian foundry located in Vienna, est. in 2008 by Marcus Sterz (b. 1971) and Andrej Waldegg. MyFonts link. Unless exlicitly mentioned, all typefaces are by Marcus Sterz. You Work For Them link.
- Adria Grotesk (2013). This was followed by Adria Slab (2014).
- Aldrans (2009, minimal sans).
- Anymals (2008) is one of my favorites: it has dingbats of imaginary undersea monsters.
- Asimov (2009). What is this?
- Baustelle Thin (2009, hairline sans).
- Bikra (2010, Plain and Stencil).
- Blitzplakat (2009). A poster face, white on black.
- Darjeeling (2010) is a display family inspired by both Optima and Bodoni.
- Doll (2008), Dollbats (2008).
- Flint (2008). A hand-drawn squarish face.
- Gerber (2009, pixel face).
- Grafinc (2009). An ultra fat art deco. See also Grafinc Rounded.
- Hausbau (2009, experimental).
- Idrans Medium (2010). A poster face.
- With Georg Herold-Wildfellner, he created the Victorian family Ivory in 2009.
- Letterpress (2009) is an experimental grungy family in which he mixes glyphs of three classics, Jakob Erbar's Phosphor (Ludwig&Mayer Foundry, ca. 1923), Aurora (1912, Johannes Wagner Foundry) and Permanent Headline or simply Headline (Karlgeorg Hoefer).
- Lignette Script (2011) is an extensive loopy monoline script font.
- Loki (2009). A decorative pixel family.
- The Marlowe family (2010) is pure art deco elegance---a play on geometric forms and elegance. Subfamilies include Marlowe Cocktail and Marlowe Swirl.
- Moki (2011).
- Mono Lisa (2020) by Marcus Sterz, in collaboration with programming experts Andrey Okonetchnikov and Juho Vepsäläinen. A commercial programming font to compete with Fira Code, Source Code, and Jetbrains Mono.
- Motto (2009). An art deco typeface in the style of the Italian Futurismo of the 1920s, designed for using with two colors.
- Mouse (2008-2009, pixel), Mousedings (2008).
- Newcastle (2014).
- Notdef (2009). A strange experiment.
- The handwriting typeface Palma (2008).
- Pinback (2009, techno).
- Plaquette (2018). A collection of retro typefaces ranging from Victorian to Bauhaus to the sixties.
- Publica Sans (2016). A clean geometric sans typeface family. Publica Play (2016) is a playful, and even more organic, sans that exploits many OpenType features. Publica Slab (2017) completes the collection.
- Scrap Outline (2008).
- Slug (2009). A geometric typeface made for bicoloring.
- Status (2009, super fat art deco).
- Strangelove Next and Strangelove Next Slab (2010). This beautiful typeface was inspired by Stanley Kubrick's movie Dr. Strangelove. The original titles were designed by Pablo Ferro, who is one of the most acclaimed film title designers, especially famous for his hand-drawn lettering. Dr. Strangelove is a hairline face.
- Substance (2013). A sans family.
- Wenzel (2009). Handprinted.
Facetype's typeface library. See also here. View Marcus Sterz's typefaces.
Klingspor link. Behance link. Fontspring link. [Google]
Facu Rodriguez Ramos
Blanes, Spain-based designer of the modular typeface Nevermind (2018) and the minimalist hairline sans typeface Palomera (2018). [Google]
Designer of the free hairline typeface To Whom It May Concern (2015). [Google]
Codesigner with Alexandre Venancio of the Thai simulation typeface Thaitype (2009, Oporto Design). With Alexandre Venancio and Cristiano Vinciprova, he made the hairline art deco typeface Capa (2009, Oporto Design). [Google]
German designer (b. 1988) who made Felix Hand (2009) and Across The Stars (2009, hairline sans). [Google]
During his studies, Newtown, CT-based Felix Summ designed the hairline avant garde typeface Helios (2017) and the tattoo typeface Greaves (2017). Behance link. [Google]
Ferianto Aryo N
Indonesian designer of the hairline avant-garde typeface Dont Buy Stuff (2016). [Google]
[Fontdesign by Fidel Peugeot]
Graphic design student at UEMG in Belo Horizonte, Brazil. During her studies in 2012, she designed the hairline typeface Skinny Heels. [Google]
Japanese site with original fonts by Kato Masashi (b. 1973), who lives in Takasaki (Gunma prefecture, Japan): Parismatch (2004), SAKUalp (2000, handwriting), Steeltype, Broadband, Hivision, Cinematime, Ultracomic, Ice Cream, Be Happy, Summer Beauty, Flyermix, Cheerscript, Breakstyle, Breakfont, Round, H-Five, Natsucomi, Long Vacation, Lovers, Breakfont (2003, graffiti style), Pokkaman, BeHappy, Natsucomi, Momolcan, Seasons Dings, Electron, Round, Lovers, FlyerMix (fifties style), CheerScript (comic book style), Hi-Five (pixel font), Summer Beauty, SummerDrive, White Day, Long Vacation, Amayadori (high contrast kana font), Fuyucomi, Icecream, Pickett, 321, Pingpong, Frontline, Ginza, Yago (nice free dings), Polaris, 321eng, 321kana, APPLE, CLIQUE, Clover (kitchen tile font, 1998), DIGI, Eneneng, Enenhira, FDalp, FDwhie, Hnoodle, Hanko (free black on white stamp font, 1998, see also here), MKCuer, MOOGIRLALP, MOOMILKKANA, Noodle, Origami, Pers, SA0kmh, SA100kmh, SA50kmh, SK0kmh, SK100kmh, SK50kmh, Template6, Tenten, Ami Font, Speedfont, Supercar, Sakura, Regoty, Shopping Famiry, Ticket, Yohic, Recording, Akachan, Wafont, Frontbit7, MusicNetwork, Yakitori (free handwriting font), Ticket, Folkdance (pixelized people), Human Building (dings of famous buildings), Bunny (free), Frontline0, Side5 (pixel font), Side6, Side7. Some pixel fonts, many techno fonts, some kana fonts, and the Japanese kids dingbat font, Folkdance. Some fonts, such as his Latin/Japano font ShoppingFamily (1998), are sold by Font Pavilion. Major Japanese free font links.
In 1999, he published the AMI screen pixel font series in Digitalogue's DPI72 package. Other commercial fonts: Pine Apple, the WM family, Cutie Girl, Astratic, PictPlasma, Minivan, Frontbit 7, Ginza, Zoological.
Free fonts as of 2007: Aiko, a 4-weight rounded sans with support for Latin and kana (see also here). Fonts made in 2007-2008: MobileDisco, AbbeyRoad-Alternative, HighwayStar, Kompakt, AbbeyRoad, Prefuse, Readymade (didone inspired by Corvinus and Giorgio).
Additions in 2009: Kanna W4, Sweet Doughnuts (rounded sans).
Fonts made between 1998 and 2008: 321, AirExpress, AirTickt, AMAYADORI, AMIFONT, APPLE, ASTRA, AYANO, BeHappy, bitneon, BORDER7, BREAKFONT, BroadBand, BUNNY, CALENDER, CheerScript, CinemaTime, CLIQUE, CLOVER, CutieGirl, Departure, DIGIT, ELECTRON, FlyerMix, FolkDance, FOLKDANCE2, FrontBit, FRONTLINE, FRONTLINE01, FUYUCOMI, GINZA, HANKO, HappyEnd, hiFive, HumanBuild, IceCream, ICHIGO, JAPON2, KAKIZOME, KEYMODE, LabLife, LongVacation, LoversMINIMONO, MKCUTTER, MOMOKAN, MooFont, MusicNet, NATSUCOMI, Nenga, Noodele, OnePiece, oneBox, Origami, ParisMatch, Pers, Pickett, PICTdings, PictPlasma, PineApple, PingPong, pokkaman, Polaris, PopStar, Puzzle, Recoya, REGO, ROUND, SAKURA, SAMACAN, Seazons, Shopping, SIDE5, SIDE51byte, SIDE6, SIDE61byte, SIDE7, SPEED, STAMPER, SteelType, SummerBeauty, SummerDrive, SuperCar, Template5, TenTen, Ticket2, UltraComic, WHITEday, Yabako, Yago, Yakitori (handwriting of Mayumi Kakegawa), Yothic, Zoological, Nippondings, Caredings, TraficSignsWLD, TraficSigns, JPN, Kamondings, Kamondings2, Kurashidings, Okonomi, FunnyFace, Hotsuma, Toyokuni, Constellation, SunnyDay, BOXdings, Machinedings, CLICKdings, Berrys, Container Box, Twinkleline, Minivan, Akachan.
Dingbats: Kurashidings, IchigoC, TraficsignsWLD, TraficsignJPN, Nenga, Kamondings2, Kamondings, Breakstyle, Pictdings, Zoological, Caredings, Clickdings, Funnyface, seasons, Pictplasma, Humanbuilding, Nippondings, Yago, Boxdings, Toyokuni, Constellation (astrological symbols), Machinedings, Hotsuma, Folkdance, Calender.
Japanaese handwriting fonts: Aiko, Haruka, Syuntaro, YUKI, Ryunosuke.
Futuristic/ geometric fonts: MobileDisco, AbbeyRoad-Alternative, HighwayStar, Kompakt, AbbeyRoad, Prefuse.
"Funny" fonts: IchigoR, Ultracomic, Amayadori, Parismatch, hanko, LongVacation, Cinamatime, Natsucomi, Okonomi, IceCream, Yakitori, Cutiegirl, Monokan Wa, Shopping, Lovers, Fuyucomi, Berrys, Akachan, Bunny, Clover, Pokkaman, Pickett, Electron.
Cool fonts: Sunnyday, HiVision AirTicket, Lablife, Flyermix, Popstar, AirExpress, Broadband, Recording, Breakfont, Frontline, Ami, Minivan, Side5, Side6, Summerdrive, Digit, Supercar, Frontline00, BeHappy, Steeltype, Onepiece, Puzzle, Astlatic, Stamper.
Download page of their free silhouette dingbat images. In 2014, they created the free art deco typeface Jazzkissa. In 2018, they published the full CJK font Soukou Mincho (by Ken Lunde and Masataka Hattori) at Fontsquirrel for free download.
Dafont link. Abstract Fonts link. Fontspace link. Direct access. Alternate URL for free stuff. And another URL. Klingspor link. Fontsquirrel link. [Google]
Chris Vile (Fontmonger, Austin, TX) is a type and graphic designer and web developer, who was briefly located in Chicago. He specializes in horror, graffiti, grunge and brush fonts.
Creator of Cannibal (2012, scratchy hand), Die Already (grungy caps), The Dead Saloon (2012, Western caps face), the scratchy scary typeface Dead Bitch (2012), the athletic lettering typeface No Honor Roll (2012), the grungy Redux (2012), Konquer (2012), Sandy Ravage (2012), and Digital Anarchy (2012), the blood drip typefaces Spiked (2012) and XSpiked (2012), and the brushed typeface GwizsK (2012).
In 2013, he designed The Five One Two (graffiti font), Skidmarked (graffiti font), There Be Monsters, Digital Disorder (a textured typeface), We Are Depraved, The Dead Are Coming (grunge), Barbaric, Welcome To Texas (graffiti font), Chopper City (a spurred constructivist typeface), Maya Rose (a script face), Chaos and Pain (a tattoo font), Abandon (grungy poster face), Virtual Bliss, and Pale Horse (a dagger font), Malevolentz (grungy caps), Shrapnel (grungy caps).
In 2014, he created Turnt Up (graffiti font), Grind Mafia, No Hard Evidence (glass scratch typeface), Techno Wanker, Abduco (grunge), Blackhead, Summon The Executioner (grunge), The Grinder (eerie font), Normal Sometimes (rounded sans), November Mornings, One More Day, Waukegan Hustle, Thoughts of Her, All Cracked Out, Redux, Cook County Jailhouse, Ol Skool (graffiti font), Why So Serious (grunge), Never Speak Of, Taco Truck Militia, Reason to see evil, Reaching for heaven, Digital Firebomb, Gas Mask Warriors, Necrotype, The Deadliest Saloon, The Decompozed, Necro Monger, Self Righteousness (grunge face), Rasterized (brush face), Some Devil Faces, Flowers For You, Dirtgrub Graffiti, M Ponderosa (letterpress typeface), Dr. Toboggan, Midnite Hour.
Typefaces from 2015: Thoughts of Her, Any Takers, Men of Nihilist, Rise Inside, Ugly Kids, Mya Papaya, The Unknown, Shun Set, Chops Chops, My Funeral, Blood Lust (dripping blood font), Middle Schooler, Hood Rich, Tequila Sunset, Hire a Cowboy, Tequila Sunrise, Cynical Hills (spurred eroded vintage typeface), Make them suffer (grungy letters), Gristled, Dark Waters, Poison Hope, Code Predators (grungy and squarish), Oak Lawn, Sovereign (grungy blackletter), Crucifixion, Sinner Script, Travis County (graffiti font), No Reverence (grunge), Barter With A Gypsy, Vance Jackson (graffiti script), Vary Sharky (brush face by Chris Vile and Roland Huse), Sons of Noah, Knife Fight Ballet, Dingle Huckleberry (grungy blackletter), The Grim Raiders, Tha Kool Kidz, Genesee St, Quaaludes, Quaalude Hulk, Kings Butcher, Gunfighter Academy (grungy and spurred), Buffalo Grove, Children Among Lions, Dedecus Putro, Dedecus.
Typefaces from 2016: El Sancho Rancho, Hells Rider Decay (spurred style), Eternity Tomorrow, The Last Call, Our Retaliation (grungy), Zero Athletics, Filth of Icarus (grungy), Texas Slaughter, Black Dahlia, Real Horror, Means of Malice, Mechanization, Valley of Elah, Hells Rider (Tuscan), Black Jacket Boys, Outerspace Militia, Fort Death, The Lost Canyon, The Defiler, Solace for Sadist, Mind Antiks, Tattle and Tales, In Collection, Skinny Jeans (all caps sans), Born Addict, Born a Sinner, Pistol Grip Pump (spurred Western style), Under Authority (grungy), Thrash It, They Perished, Sinthetic, Epitaph (spiky tattoo font), Eternity Now (hipster style), Sniffin Paint, Poker Kings, Virtual Rot, Apex Flunkee.
Typefaces from 2017: Urbane Cuisine (sketched), Boots And Spurs, San Antono Charros (spurred), Faxine Sky (hairline), Hooligan (graffiti face), Pack of Wolves (dry brush), Tweaky, Eatn Cake, Who Asks Satan (brush style), The Devil Net, Hallow Grave, Death To Metal, Brake Fluid (tattoo style), Boiled Denim, El Sancho.
Typefaces from 2018: Reposed, A Glimpse, The Waiting Room (scratchy typeface), Philophobia, Medium Rare (a Western font; and its grunge version, Soiled Doves), Chased Through The Woods, Blood Thirst, Voices in my Head, The Quick Marker, Watch People Die, Blue Waffle (erasure font), Under Your Bed (all caps grunge), Eater of Children, Burn The Witch (dripping blood blackletter)Side Effects.
Typefaces from 2019: Taken (textured), Krazy Hazy, Jackknife, Cowboy Cadaver (Western, spurred), Commanders, Mortem Throne, Among Dead Priest (brush), Smile and Wave, Impact Brutas, Rustic Man.
Typefaces from 2020: Covid Contagion, Family Annihilator, Font to a Chainsaw, Paper Planets (squarish), Sad Szn, Bless The Galling, Marshal The Dead, Golfclub Homicide, Malignant (a Halloween font), Mustafar Reloaded, Pathogens (a rough brush font), Space Mavericks, Milwaukee Cannibal, Fit for Murder (a dripping blood font), Horror Type, Happy Face Killer.
Home page. Personal home page for Designs By Chris.
Dafont link. Fontspace link. [Google]
Jamie Place (aka FontBlast, b. 2002) is a UK-based FontStructor, allegedly born in 2002 (?), who made these typefaces in 2012: Microstruct (gridded, kitchen tile face), FontStrukt Soft, FontSrukt Clean Soft, Kombinationsschrift, Gridder (a kitchen tile family: +Soft, +Box, +Bold), Skyber, Diabolo (piano key stencil genre), fb Catbop, Hangar Shot, Hangar (army stencil), FontStrukt (+Soft), Braille Full, fb Symbols, Imagine More FB, fb Atarian, Imagine FB, Barkode, Fontstruction No1 (+Extended), Tetraminos, Structurosa Fill, fb Karakter, Minimal Export, Barkode, fb Scoreboard (dot matrix typeface for Latin and Cyrillic), Wenlock, Small Fonts, Fat Largo, Largo, Kerr, Kerr Bold, fb Mixture Unstable, Freehand, Structurosa Refined, fb Switch, fb Mixture, Vado, NES Forever, Retrotype Dot Matrix, Avant Pixel, fb Tall, Fast Money Clean, Retrotype, Retrotype Too (pixelish), Retrotype Sliced, Braille Caps, Tiger Sans (horizontally striped), Pixelface (smilie face), Karmink (star dingbats), Cofmugg (+Gap: piano key typefaces).
Typefaces from 2013: Slink, Tuning Fork, Dicey (dice font), Septober, Pico Pop (kitchen tile), Plano (kitchen tile), Dolphin Sans (hairline), New English (stencil), Gadget, Curvaceous Script, Avant Pixel, Barkode, Brailled, Haus (counterless), Zapadni, Curvaceous Script, Metric (a piano key Futura-like stencil face), Mocha, Mocha Book, dm FB Solidis, Tapedeck, Gridder Bold (kitchen tile face), Modulator, Turning Fork, Zapadni (Western), FontStrukt2, Metric (piano key face), Monaco (pixel face), Blackfoot (Pac-Man style), FB Catbop, Peach Condensed, Noodle, Peach Squared, Vaquero, Haus, fb Academy Sans, Peach, Rider.
Dafont link. [Google]
Fontdesign by Fidel Peugeot
[Lucas de Groot]
FontFabrik was established in 1997 in Berlin by Luc(as) de Groot (b. 1962, Noordwijkerhout, The Netherlands). He studied at the Royal Academy of Fine Arts in Den Haag, worked from 1989-1993 as a freelancer at the design bureau Premsela Voonk. From 1993 until 1997, he was with Meta Design in Berlin as typographic director in charge of many corporate design projects. In 1997, he set up his own studio, FontFabrik. Since 2000 his fonts are also sold under the Lucasfonts label. He creates retail and custom fonts, and made his reputation with his humongous font family Thesis. Originally, he published most of his retail fonts with FontFont, but his "FF" fonts were withdrawn from FontFont in 1999, and renamed with LF instead of FF, where LF stands for LucasFonts. Here is a partial list of his fonts:
- Thesis (1994-1999) originally known as FF Thesis. This consists of many subfamilies all starting with the prefix The. Thesis includes TheAntiquaB (1997; 1999 Type Directors Club award), TheAntiquaE, TheAntiquaSun [TheAntiqua received a TypeArt 05 award], TheSans, The Sans Classic, The Sans Basic, The Sans Office, TheMix, The Mix Classic, The Mix Basic, The Mix Office, TheSerif, The Serif Classic, The Serif Basic, The Serif Office, The Sans Condensed, Thesis Mono, The Sans Mono, The Sans Mono Dc, The Sans Mono 11pitch, The Sans Mono Cd Office, The Sans Typewriter. An OEM was made for the SPD party called SPD 2002 TheSans. Grundfos TheSans (2007) is another commissioned font.
- FF Nebulae, now LF Nebulae.
- FF Jesus Loves You all, now LF Jesus Loves You all.
- FF TheSansMono and others.
- MoveMeMM (erotic multiple master font)
- Agrofont (1997, for the Dutch Ministry of Agriculture, Environment and Fisheries), Agro Sans, developed in collaboration with the Dutch design bureau Studio Dumbar.
- Fohla Serif (2001, for a Brazilian newspaper in Sao Paulo: this collection includes a multiple master font, FohlaMM).
- Spiegel and SpiegelSans (for Der Spiegel). Alkso called LF Spiegel Sans and LF Spiegel Serif. The Sans comes from Franklin Gothic, and the Serif from Linotype Roitation.
- Sun (1997, for Sun Microsystems).
- Taz (sans family, 2002), Taz III (2003, including a hairline weight) and Taz Text (for "taz", the magazine). Are these the same fonts as Tazzer and Tazzer Text? Taz has grown as fopllows: TazText, Taz CFondensed (2010), Taz Text Small Caps (2011), Taz Wide (2013-2014), Taz Textended (2013-2014).
- LucPicto (dingbats for private use at FontFabrik). Not available to the world.
- Volkswagen Headline and Volkswagen Copy (1996), extensions of Futura. Note: the other Volkswagen house font is VW Utopia, a descendant of Utopia.
- Rondom (finished in the LF Punten family: Punten Straight, Punten Extremo and Punten Rondom).
- Corpid III (sans family, 2002-2007, with support now for Cyrillic, Greek and Turkish).
- BellSouth Basis, Serif and Bold, developed with Dutchman Roger van den Bergh.
- LeMonde (2002, new headline family). An OEM family made for LeMonde in 2001 includes Lucas-Bold, Lucas-BoldItalic, Lucas-ExtraLight, Lucas-ExtraLightItalic, Lucas-Italic, Lucas-Light, Lucas-LightItalic, Lucas-SemiBold, Lucas-SemiBoldItalic, Lucas.
- BolletjeWol (1997, Fontshop).
- Transit and Transit Pict (both at FontShop).
- MetaPlus (1993, with Erik Spiekermann).
- Calibri and Consolas (2004), two OpenType font families designed for Microsoft's ClearType project (Latin, Greek and Cyrillic glyphs). Calibri received a TypeArt 05 award. Also, it won an award at the TDC2 2005 type competition. For a yet-to-be-revealed reason, Google decided to support a metric-compatible free clone of Calibri for its Chrome OS system, Lukasz Dziedzic's Carlito (2014).
Speaker at many international conferences. At ATypI 2015 in Sao Paulo, he spoke about his Folha Sao Paulo newspaper typeface.
FontShop link. Klingspor link.
View Lucas de Groot's typefaces. [Google]
Gábor Kóthay (Fontmunkások) is a Hungarian type designer (b. 1962) who lives in Szeged. Gábor Kóthay's fonts include:
- At T-26: Alphabet2, Alphabet4, Archetype, Axis No 1, Bacchus, and Tyrnavia in 2000, and the Roman inscription inspired family Minerva Modern, Minerva Display (a Roman family) in 2002. Also, Betabet sans, Betabet web, Gnosis (hairline italic), Oceanus (2004, hairline sans), Pelso (2004, hairline), Laureate (2004, hairline art deco), Picaresque (2004, irregular handwriting).
- At FONTana: LaDanse, Y2K, Domino, QwertyRegular and Luxury, all in 1999-2000.
- At P22: Driade (2005, Regular, Linea and Aged: calligraphic futuristic experiments), Zephyr (2001, curly; +Open Face), Schwarzkopf (2003, a Schwabacher face), La Danse (2001), Ambient (2001), the Schwabacher Fraktur font SchwarzKopf (2002), Caffe (2009: originally designed for the Artz Gallery Cafe in Budapest Hungary. The design is a contemporary handwriting style adapted from examples in lettering exercise books. It has been redrawn and expanded into six styles. The four weights were created by drawing the style using different mediums: Cappuccino in pen, Pastry in felt-tip, Lemonade in brush and Tobacco, the original, in pencil, and Poster and Poster Inline are additional styles).
- At PsyOps: the formal script Anglia (2001), Berill (2001), SchwarzKopf (2002, Fraktur) and Plexo (2001).
- At Job Art Studio (his own studio in Szeged, which he founded): Cats (free dingbats), Disasters (dingbats), Bubble (comic book font), 103 kék.
- At Fountain: Zanzibar (2003, nice script face), Incognito (2007, a typical old map typeface), Dessau (2007-2008, a collection of eleven Bauhaus and Bauhaus stencil styles).
- At Fontana: Zodiac, Tisza (2001-2007), a sans family. And Kinesis (2003), a sans typeface based on geometrically precise instructions.
- At Cinqueterre Type Foundry: Eva (wedge serif; sample, another sample).
- At Fontmunkások: Birdland (1999-2002), a minimalist face; Asphalt and Asphalt Signs (1996-2000), a slightly grungy set of fonts; Arcade (1999); Adagietto (2000); Flyer and Flyer Fossil (2002), a curly family.
- Custom typefaces: Aqua Futurist (2008): a hairline unicase sans family with uncial influences. It is unclear if he had a hand in the typography of stockings, which I found on his site.
Dafont link. FontShop link. [Google]
FontShop: Hairline sans types
Quoting the FontShop feed: [Google]
FontShop: Hairline slab serifs
Quoting the FontShop feed: [Google]
Graphic designer in Newcastle upon Tyne (UK), who created the display typeface Awkward (2004) and a very thin sans face (2004). [Google]
Graphic designer and typographer in Sydney, Australia. Creator of these typefaces: 10 (circle-based), Alien Coins, Candy Bean, Earthquake (grunge), Floppy Disk, Fuel Condensed, LED, Mathvetica, Press, Spring, Stitch, Superlight (hairline sans), Thorn.
Behance link. Old URL. [Google]
Aka Grzegorz Luk and just Gluk, Grzegorz Luksza is a Polish type designer (b. 1973) who specializes in ultra-decorative and experimental tyopefaces.
Creator of the free artsy font Wanta (2008), of Resagnicto (2010), of Rawengulk (2010), of Rawengulk Sans (2011), of Reswysokr (2011), of the bold slab serif typeface Zantroke (2011), and of the free calligraphic typefaces Odstemplik (2009), promocyja (2008) and Konstytucyja (2008).
He published the elegant serif family Foglihten (2010), which includes the inline typefaces Foglihten No. 1 (2011), Foglihten Fr02 (2011), Foglihten No. 3 (2011) and Foglihten No. 4 (2012). The latter is inspired by the Polish Constitution of May 3, 1791. Foglihten Petite Caps Black (2012) and Foglihten Black PCS (2012) are high-contrast fat didone typefaces, minus the ball terminals. The series continues with Foglihten No. 6 (2012) and Foglihten No. 7 (2013).
Qumpellka No 12 (2011) is a flowing italic. Opattfram01 (2011) is a dingbat typeface with onamental patterns. The Okolaks family (2008) has a bit of an art deco feel. It covers East-European languages as well as Cyrillic. Sportrop (2008) is a neat multiline face. Gputeks (2008) is a delicate decorative face. Szlichta07 (2008) on the other hand is an experimental typeface based on tilting the horizontal edges about ten degrees up. Kawoszeh (2008) is a curly Victorian pre-art nouveau face. Spinwerad (2009) and Itsadzoke S01 (2010) and Itsadzoke S02 are display didones. Znikomit (2011) is an impressive lachrymal hairline slab face. See also Znikomit No. 25 (2012) and Znikomit No. 24 (2012; image by Benjamin Frazzetto).
Creations from 2012: Charakterny, Garineldo, Mikodacs (an Impact-like black display sans), Yokawerad (a didone headline face), Resagokr, Nikodecs, Garineldo SC.
Typefaces from 2013: Etharnig, Namskin, Namskout (a layered heavy display face), Prida 65 (spurred antique face), Ketosag, Prida 61, Gatometrix, Glametrix, Gallberik.
Typefaces from 2014: VECfont FogV4, EtharnigV (a bi-colored font), Risaltyp, Wabroye, Kleymissky, Sortefax (an outline font with engraved versions as on dollar bills), Dragerotypos (blackboard bold), Resamitz.
Typefaces from 2015: Prida 36, Sudegnak No. 3 (script), Vecfont Sudegnak (cartoonish), PridaEn (a vector font for color), Prida S4, Prida01, Prida02 Calt.
Typefaces from 2016: BroshN, Tofimpelik (+Candy), Prosh3, Digitalt, Agreloy (a lovely curly Victorian typeface), Gluk Mixer (ransom note font), Fogtwo No 5.
Typefaces from 2017: Prosh 4B (a variable color font), BroshK2 (an origami style color font, in OpenType SVG format), Fuetargio (a multiline bejeweled typeface).
Typefaces from 2018: BroshK, Rostef (all caps titling typeface), Fogthree.
Typefaces from 2019: ResotE, ResotE-Pastels (a color font), ResotYc (a decorative unicase font), Resot Yg, Liserif (a kinetic SVG font).
Typefaces from 2020: Digico M (a color font), Resotho (a wide all caps geometric sans).
Dafont link. Digart link. Fontspace link. Dafont link. Open Font Library link. Scribus Stuff link. Fontspace link. Kernest link. Abstract Fonts link. Behance link. Font Squirrel link. Klingspor link. Creative Market link. [Google]
Jason Vandenberg (Greyscale Type, Toronto) created the 8-style Grey Sans family in 2013. Gia Tran and Jason Vandenberg created the decorative typeface Ella FY (2013, Fontyou). The slender display typeface Sérafine FY (2013) was co-designed by Jason Vandenberg, Jérémie Hornus and Alisa Nowak. At the end of 2013, Jason Vandenberg and Jérémie Hornus co-designed the groovy poster typeface Jack FY.
In 2014, Adrien Midzic, Jason Vandenberg, Jérémie Hornus, Julien Priez and Alisa Nowak co-designed the creamy script Vanilla FY. It was renamed Vanille FY after a few days.
Minuit FY (2014, by Jason Vandenberg and Gia Tran) is a beautiful angular angry calligraphic display typeface. Still in 2014, he published the Peignotian fashion mag typeface families Bodoni Sans, Bodoni Sans Display, and Bodoni Sans Text.
Typefaces from 2015: Abrade (a 12-style geometric sans with medium x-height and perfect rhythm covering Hairline to Ultra).
Typefaces from 2016: Fourth (a baseball or roundhand script family), Town (a huge art deco and lettering typeface family).
Typefaces from 2017: Colby (a workhorse hand-drawn sans family).
Typefaces from 2018: Stash (signage script).
Typefaces from 2019: Marsden (114 styles: a bold, no-nonsense Grotesque. It was designed for display, branding, advertising, packaging or anywhere a strong voice is needed. Marsden is built on a geometric foundation, with just enough warmth to keep the style confident and lively).
Typefaces from 2020: Mello (an informal grotesque).
Fontspring link. Behance link. Monotype link. [Google]
Groteskly Yours (or: Photographers Lounge)
St. Petersburg, Russia-based designer (b. 1993) of these typefaces:
- Resist Sans (2020). A 20-style neo-grotesque.
- Okta (2019). A geometric sans family, with a nice range of weights from hairline (called Thin) to black. Followed by Okta Neue (2019).
- Porte (2019). An elegant sans serif font inspired by stone carving and disproportionate typefaces of the early 20th century.
- Rothek (2019). A 20-style modern grotesque.
- Pellago (2019). An 180style family that descends from Bodoni.
- Bardamu Serif (2019). A slab serif.
- The sharp-edged slab serif typeface Tatline (2019) that is characterized by almost inverse stress. See also Tatline Neue (2019).
- Callisto (2019).
- Chilead (2019). A classical sans.
- Commeria (2019). A 16-style grotesk family.
- Anchoria (2019). A spurred and unspurred all caps sans in the style of nature park signage.
- Calaiso (2019). A modern manicured sans.
- Virgil (2019). An 8-style all caps condensed headline typeface.
- Belated (2018). An all caps sans.
- Space Monster (2018).
- Gromecks (2018). A display typeface.
Nick Cooke is a British type designer based in Otley, West Yorkshire, and/or Newent, UK, who has been at it since 1982 as a lettering artist. He founded G-Type in 1999. Nick started as a lettering artist in London in 1982 crafting type by hand for book jackets. His typefaces:
- Accent Graphic (1997, a Peignotian fashion mag sans).
- Amulet (2002, a Celtic look face).
- Avocet (2006).
- Chevin (2003, sans family, +Std, +Chevin Pro, +Chevin Eco, a version with perforatons).
- ITC Dartangnon (1998). A hand-printed script probably named after Dartagnan.
- Digitalis (2000).
- Geetype (an upright script inspired by cigarette pack lettering by the great A. M. Cassandre).
- Gizmo (a beautiful chaotic brush handwriting face).
- Goskar (2020). A forceful script.
- Houschka (an Avenir lookalike; see also Houschka Rounded (2006), Houschka, Houschka Rounded Alt (2011), Pro (2009), and Houschka Alt Pro (2011), featuring weights from hairline to extra bold).
- Morpeth (2008, a sturdy sans family).
- Nubian (sans family).
- Olicana (2005, a nice casual connected script face), Olicana Rough, Olicana Smooth (2007) [note: everyone likes Olicana: Eben Sorkin writes The primary reason it was so powerfully and instantly popular was the font's voice, a personality both complicated and unique. On the one hand it has a casual and authentic sense of vivacity and fun. On the other hand this expressiveness is intermittent; it continuously but gently teases the eye.].
- Organon Sans and Organon Serif (2009). These families are lapidary---they have tapered stems.
- FF Penguin (1995).
- Precious Sans (2002), Precious Serif (2003). In 2014, he followed that up with Precious Sans Two.
- Remora Sans (2017). An extensive humanist sans serif consisting of the effervescent Remora Sans and its business partner Remora Corp. Both styles include five individual width sets ranging from the condensed W1 to the extra-wide W5.
- Rollerscript (2012). A connected informal script with enough bells and whistles to evoke true handwriting.
- Saltaire (2019). A decorative didone.
- Sherborne (2020). Nick writes: Inspired by a comment in a letter from Eric Gill to Stanley Morrison, Sherborne has waisted vertical stems, meaning they curve inwards to give an elegant appearance resulting in a typeface of supreme legibility and beauty. Sherborne references its calligraphic roots featuring tapered stems, angled axes and bracketed serifs so could be considered a Humanist Old Style with a distinctly modern twist.
- Sovereign Display (2008: an engraved or dollar bill style typeface; one free weight of this serif family could be found here).
Klingspor link. Behance link. View all typefaces by Nick Cooke (G-Type). View Nick Cooke's typefaces. Font Squirrel link. [Google]
Moscow-based designer of Cone (2015, a decorative Cyrillic typeface), Aesthete (2015, a hairline all-caps circle-based typeface, done at BHSAD) and Bad George (2015, a hybrid created at BHSAD using Bad Script and Georgia as models, in honor of George Clooney). Behance link. [Google]
Gustavs Andrejs Grinbergs
Born in Riga, Latvia, in 1943, he has mainly cooperated (since 1990) with Tilde in the font development of East-European languages, and has created the AG fonts collection for Cyrillic. He specializes in Cyrillic and East-European extensions of prominent typefaces (such as the ones in the Bitstream collection). His typefaces:
- Linotype Brewery (Linotype), Brewery No2 Pro (2015, Linotype). Brewery No. 2 is based on his submission in 1997 to the Second Linotype Design Contest, and was inspired by early 20th century German type. The Black weight is expressionist.
- Waldorf Pro (2003, Tilde). A didone.
- Robusta (2002, Tilde). A large sans typeface family.
- Linotype Rowena (1996, Linotype).
- Constellation Pro (2009, Tilde). An avant garde sans family with very thin hairline weights.
- Linotype Gneisenauette (Linotype).
- Baltic Ornaments (1999, Tilde).
- Stencil Moonlight (2003, Linotype). This typeface won an award at the Linotype International Type Design Contest 2003.
- Snowbird (Tilde).
- Am Beauty (2011, Tilde). An art deco family. Includes Am Beauty Stencil.
- Kette Pro (2009, Tilde).
- Rigaer Tango Pro (2009, Tilde). A connected script family with high contrast.
- Brunch Pro (1996, Tilde).
- Exquisite Pro (1998, Tilde).
- Scintilla Pro (2001, Tilde). A delicate text family.
- Tourandot Pro (1999, Tilde).
- Starfighter (Tilde).
- He published the AG Fonts collection, mostly between 1992 and 1994. In the AG fonts collection, we find the following families (non-exhaustive list): AGAalen, AGBengaly, AGCenturion, AGCrown, AGFriQUer, AGGalleon, AGGloria, AGLettericaCOMpr, AGMelanie, AGNewHandbook, AGOpus, AGPalatial, AGPresquire, AGReverence, AGZeppelin.
FontShop link. Linotype link. Klingspor link.
MyFonts collection. View Grinbergs's typefaces. [Google]
Russian pixel artist (b. 1984) who created Psyleave (2004), Microtronix (2004), d-gen (2004, a squarish face), d-mek (2004, a futuristic pixel face), Needle (2004, a hairline version of Bank Gothic). Alternate URL. [Google]
Japanese graphic designer, b. 1953, who started out as an industrial designer, and became a graphic designer in 1974. He won the 1990 Morisawa International Typeface Design Competition with an Honorable Mention in the Latin Category. The list of his typefaces:
- Cat Cat Cat (2005, URW++). Cat dingbats.
- Juline (2016, FontForum). fantastic hipster robot font.
- Kotohogi (2016, FontForum). A display sans.
- Light Fit (2005, URW++). A hairline sans.
- Mond (2005, URW++). An artsy typeface inspired by Mondriaan.
- P22 Akebono (2001, IHOF).
- P22 Basala (2001, IHOF).
- P22 Ching Mang (2003, IHOF). Dingbats based on a cartoon character Hajime created for a Japanese mag in the 1980s.
- P22 Hiromina 03 (2003, IHOF). Kana and Latin.
- P22 Komusubi (2005, IHOF). An informal typeface including Latin, Hiragana and Katakana.
- Letraset Magatami (2001). A contemporary typeface.
- P22 Rakugaki (2003, IHOF). Kana and Latin.
- P22 Relax (2003, IHOF).
- P22 Vidro (IHOF).
- Seed (2005, URW++). A sans.
- Wavy Rounded BT (2004, Bitstream).
- With Ink (2005, URW++). Hand-printed.
Australian designer of the hairline sans typeface Clearcut (2017). [Google]
Finn VanRoo or Finn Hanberg is the London, UK-based designer of the free techno typeface Anson (2018). It was made using a tilted grid and strict geometric principles.
In 2019, he published the wonderful wide (and free) Hanson Hairline and the free Hanson Bold. [Google]
Very talented Pistoia, Italy-based designer (b. 1982). His typefaces:
A follower of Calugi writes: Jonathan is a young illustrator hailing from Pistoia, Italy. It's nearly impossible to not recognize his signature style: what at first appears to be a child-like doodling, a closer look will reveal a world of intricate, carefully crafted patterns and eccentric geometric forms. Hellofont link. Behance link. Dafont link. [Google]
[Harry G. Blakeman]
Portland, OR-based designer of the hand-printed typeface Granite Letter (2013), the experimental typeface Moonblock (2015), the pixel typeface Protovision (2015), the techno typeface Anchorage (2015), the crayon typeface Autumn Pixels (2015), Barcode Decol (2015), and the hairline squarish typeface Granite Mode (2015). Typefaces from 2016 include Granite Postmodern and the squarish Turntable Aux (2016).
Typefaces from 2017: Fuzzface, Graytype, Ventures.
Typefaces from 2018: Microchip (an LED or MICR font), Aroundabout (circle-themed), Blakeman Hand, June 5. Dafont link. Old personal URL. [Google]
Harry G. Blakeman
Henry Paul Sanchez Cuaran
Quito, Ecuador-based creator (b. 1994) of the hairline sans typeface Line Style (2014). Facebook link. [Google]
Born in New York in 1918, Herbert Frederick Lubalin died there in 1981. Founding editor and art director of U&lc from 1973-1981. Co-founder of ITC in 1970. Professor at the Cooper Union in New York from 1976-1981.
His fonts: Pistilli Roman (VGC, see here; with John Pistilli), L&C Hairline (ca. 1966, VGC, with Tom Carnase), ITC Avant Garde Gothic (with Tom Carnase, Gschwind, Gürtler and Mengelt, 1970-77; see Avignon on the SoftMaker MegaFont XXL CD, 2002), ITC Busorama (1970), Ronda (1970), ITC Lubalin Graph (1974; see Square Serif on the SoftMaker MegaFont XXL CD, 2002; poster by Pablo Monachese), ITC Serif Gothic (with Tony DiSpigna, 1974; see Serenade Two on the SoftMaker MegaFont XXL CD, 2002). His companies: Herb Lubalin Inc (1964-1969), Lubalin, Smith&Carnase Inc (from 1975 onwards).
In 1985, Gertrude Snyder and Alan Peckolick published Herb Lubalin. Art Director, Graphic Designer and Typographer (New York). Retrospective at ITC.
Revivals: Receding Hairline NF (2014, Nick Curtis) revives L&C Hairline. Pudgy Puss (2007, Nick Curtis) is an ultra-fat modern digital display type based on Fat Face (Herb Lubalin, Tom Carnase).
Linotype link. Klingspor link. FontShop link.
View Herb Lubalin's typefaces. [Google]
Hernández Type (was: Estudio de diseño Calderón)
[Daniel Hernández Sanchez]
Estudio de diseño Calderón in Chile had the work of two Chilean designers:
- Daniel Hernández has some free fonts at Dafont and Font Squirrel. Klingspor link. His award-winning fonts include Stgotic textura (2006), Stgotic Fracktur (pixel blackletter), and the (free) unicase piano key font Pincoya Black (2008), which was based on Spanish Civil War poster, and won an award at Tipos Latinos 2010. He calls his ultra fat Roxy (2009) tipografia desde el culo del mundo.
Behance link. His Flickr page. His lettering.
Hernandez Bold (2010, Sudtipos) has slabs, serifs, and plenty of round curves. It won an award at Tipos Latinos 2012.
Rita (2010, Sudtipos) is an ultra-slab all caps typeface inspired by the fat wood types. In 2018, Daniel Hernandez and Rodrigo Fuenzalifa enlarged Rita.
Merced (2011) is a thin monoline sans. Sanchez (2011, Latinotype and YWFT) is a slab serif family with a free weight. In 2013, he published the beautiful sequel, Sanchez Slab, which is patterned after Rockwell. Sanchez Niu (2017) is another slab serif in this family.
- Javier Quintana created the smooth and delectable text family Berenjena in 2007. He also made the roundish display typeface Botota (2007), which is reminiscent of market signage in Santiago.
- Monroe (2010, Sudtipos, and revised in 2018, Latinotype) is a swashy slab family. See it in action in this I Love New York poster.
- Patagon (2011, Latinotype) is a rounded wood-inspired poster typeface done with Daniel Hernandez and Luciano Vergara.
- Guadalupe (+Gota, 2011, Latinotype). A hairline didone family with sufficient contrast and frilliness to satisfy the fashion mags.
- Andes (2011, Latinotype). This is a playful slightly swashy sans family. Followed by Andes Italic (2012) and Andes Condensed (2012). See also Andes Rounded (2014) and Andes Neue (2019), which has 56 styles.
- Bosque (2012) is a wood style family co-designed with Paula Nazal at Latinotype.
- Magallanes (2012, Daniel Hernandez) is a contemporary neohumanist sans serif typeface family covering Ultra Light to Black. This typeface was followed by the 8-style Magallanes Essential (2012) and by Magallanes Condensed (2013).
- Trend (2013). A layered type system done together with Paula Nazal Selaive. Followed by Trend Hand Made also in 2013 and Trend Rough in 2014.
- With Eli Hernandez, Daniel Hernandez published the unicase typeface family Grota in 2013.
- Roble (2013): A slab serif font family which Daniel places halfway between Andes and Sanchez. It is characterized by its clampy backbitten lower case c. The slab serif Roble Alt (2013) has eight weights of two fonts each.
- Together with Miguel Hernandez at Latinotype in 2014, Daniel Hernandez designed the 1930s tall-ascendered sans family Arquitecta, which is promoted as an alternative for Futura, Kabel and Avant Garde. It was followed later that year by Arquitecta Office and Arquitecta Standar. They also co-designed Texta, a geometric sans for all. His Newslab (2014) family is a combination of Andes, Sanchez and Roble; the Regular and Italic styles are free.
- In 2016, Cesar Araya and Daniel Hernandez co-designed the very Latin / curvy / warm slab serif typeface family Hernandez Niu.
- The foundry became Hernández Type at some point. The fonts there, repeated from the former foundry, include Patagon, Merced, Hernandez Bold, Monroe, Pincoya Black Pro, Rita Bold and Fat, and Pincoya Black Free.
- In 2016, Daniel Hernandez, now studying at the KABK in Den Haag, The Netherlands (2014-2018), created Lxy, an interesting dynamic (animated) display typeface made entirely with the Python programming language in Drawbot. At Latinotype, he published Basic Sans, Basic Sans Cnd and Basic Sans Narrow.
- In 2016, Bruno Jara Ahumada, Alfonso Garcia, Luciano Vergara, Daniel Hernandez and the Latinotype Team designed the roman square capital headline typeface family Assemblage.
- In 2017, Paula Nazal and Daniel Hernandez co-designed Trenda, a geometric sans family based on the uppercase of Trend. The rounded edge version of Trenda is Boston [corrections and review by Alfonso Garcia and Rodrigo Fuenzalida].
- Peckham (2018). An 8-style slab serif named after the birthplace of Vincent Figgins. Digital editing and corrections by Alfonso Garcia.
- The Reinvention of Rita (2018). A slab serif.
- In 2019, Latinotype published the great super-slab typeface Breton which was designed by Daniel Hernandez and Rodrigo Fuenzalida. Daniel Hernandez added the geometric sans family Biennale in late 2019.
- In 2020, he released Magazine Grotesque at Latinotype. It is characterized by an overhanging umbrella lower case a, and an overbiting lower case e.
- Facundo (2020, Paula Nazal Selaive and Daniel Hernandez, at Latinotype) is a 14-style geometric sans family.
Behance link. Home page. [Google]
Hoefler (was: Hoefler&Frere-Jones, and Hoefler Type Foundry)
Born in 1970 in New York, Jonathan Hoefler ran the Hoefler Type Foundry (or: HTF) in New York. It employed Tobias Frere-Jones, Josh Darden, and Jesse Ragan. In 2004, it was renamed Hoefler&Frere-Jones, or HFJ for the cognoscenti. However, a legal problem between Jonathan and Tobias led to a corporate divorce in 2014---the company is renamed again The Hoefler Type Foundry. Their typefaces:
- Archer (2001, by Jonathan Hoefler and Tobias Frere Jones). A humanist slab serif originally designed for Martha Stewart Living. It has a great range of features, including a classy hairline style. However, I see trouble down the road with the name Archer which has been used previously by several other foundries such as SignDNA, Arts&Letters and Silver Graphics. Some say that Archer is just Stymie with some ball terminals. Nevertheless, it became a grand hit, and has been used by Wes Anderson in The Budapest Hotel, and in Wells Fargo's branding. David Earls on Archer: with its judicious yet brave use of ball terminals, and blending geometry with sexy cursive forms, all brought together with the kind of historical and intellectual rigour you fully expect from this particular foundry, Archer succeeds where others falter.
- Champion Gothic.
- Chronicle Text. In 2007, HFJ published the "blended Scotch" newspaper serif text family Chronicle, which led to Chronicle ScreenSmart in 2015. See also Chronicle Display. In 2016, Hoefler published Chronicle Hairline. In Wired Magazine, Margaret Rhodes writes that it is for men who wear dress shoes without socks. Chronicle Hairline is a didone that breaks the didone rules. It is rounder, asymmetric (as in the mouth of the C), and as Hoefler puts it, more musical. As of 2016, the Chronicle typeface family consists of the display styles Chronicle Hairline, Chronicle Display (+Condensed, +Compressed), and Chronicle Deck (+Condensed), and the 60-style Chronicle Text family, which comes in G1, G2, G3 and G4 subfamilies.
- Many custom and branding typefaces, including, e.g., General GG (2005-2007) and typefaces for The New York Times Magazine, Times Mirror, Esquire and McGraw-Hill (1995, free download). Time.com provides previews of fonts made for Esquire, Lever House, eCompany Now, The Guggenheim Museum, The New York Times, and the Whitney Museum.
- Cyclone. Didot. HTF carefully designed and complete families include HTF-Didot (1991) in 42 weights/variations, originally designed for Harper's Bazaar; based on the grosse sans pareille no. 206 of Molé le jeune.
- Eyes Only (2019). a stencil typoeface.
- Forza (2010). A sans typeface. Not to be confused with the 2007 font Forza by Michel Luther at Die Gestalten.
- Geometer Screen Fonts. Free Mac fonts.
- Gotham (2003). The stylish sans typeface made famous by Obama. See also Gotham Rounded.
- Historical Allsorts. This includes Historical-EnglishTextura, Historical-FellType, Historical-GreatPrimerUncials and Historical-StAugustin.
- Hoefler Text (+Ornaments). This antiqua text typeface consists of 27 fonts made in 1991-1992, and is distributed with many Apple products.
- Hoefler Titling.
- Ideal Sans. A slightly flared humanist sans. In the 1996 Morisawa Awards competition, Hoefler received a bronze prize for Ideal Sans. In 2011, HFJ writes it up beautifully: Typefaces are born from the struggle between rules and results. Squeezing a square about 1% helps it look more like a square; to appear the same height as a square, a circle must be measurably taller. The two strokes in an X aren't the same thickness, nor are their parallel edges actually parallel; the vertical stems of a lowercase alphabet are thinner than those of its capitals; the ascender on a d isn't the same length as the descender on a p, and so on. For the rational mind, type design can be a maddening game of drawing things differently in order to make them appear the same. Twenty-one years ago, we began tinkering with a sans serif alphabet to see just how far these optical illusions could be pushed. How asymmetrical could a letter O become, before the imbalance was noticeable? Could a serious sans serif, designed with high-minded intentions, be drawn without including a single straight line? This alphabet slowly marinated for a decade and a half, benefitting from periodic additions and improvements, until in 2006, Pentagram's Abbott Miller proposed a project for the Art Institute of Chicago that resonated with these very ideas. As a part of Miller's new identity for the museum, we revisited the design, and renovated it to help it better serve as the cornerstone of a larger family of fonts. Since then we've developed the project continuously, finding new opportunities to further refine its ideas, and extend its usefulness through new weights, new styles, and new features. Today, H&FJ is delighted to introduce Ideal Sans, this new font family in 48 styles. Ideal Sans is a meditation on the handmade, combining different characteristics of many different writing tools and techniques, in order to achieve a warm, organic, and hand-crafted feeling.
- Idlewild (2012). A wide sans typeface family.
- Isotope (2018). A squarish typeface family. Not to be confused with Isotope by Fábio Duarte Martins, designed six years earlier.
- Inkwell (2017). Hoefler writes: Inkwell is provided in a range of styles with which readers already have clear associations: a bookish Serif and a cleanly printed Sans, a conversational Script, a ceremonial Blackletter, a fancy Tuscan for decoration, and a stately Open for titles. Each style is offered in six weights, from a technical pen Thin to a graffiti marker Black. Inkwell is a name used as far back as 1992 by Sam Wang, and additional older fonts called Inkwell exist by Dan Solo, Philip Cronerud and MXB Foundry.
- Knockout. The Knockout collection was designed to celebrate the beauty and diversity of nineteenth century sans serif wood types.
- Landmark (2013). In Regular, Inline, Shadow and Dimensional styles. A collection of architectural caps which started out as a custom typeface for Lever House in New York.
- Mercury Text and Mercury Display.
- Nitro & Turbo (2016). Hoefler writes: We designed Nitro for Pentagram's Michael Bierut, as part of a new identity for the New York Jets football team. Originally named Jets Bold, Nitro is rooted in the styles of lettering used by the team throughout its fifty-year history: even as its logotype evolved, it consistently used heavy, slanting forms to imply force and movement. and ends with corporate babble: Nitro embodies this indomitable spirit in the context of a fresh, contemporary design. About the naming: AF Nitro was made by Sylvia Janssen at the very popular Die Gestalten Studio in Germany, in 2001. It will be fun to watch that battle between giants. Not to mention that lesser known players also made commercial fonts called Nitro more than a decade earlier---these include Jack Wills at Sign DNA and Markus Schroeppel (in 2004).
- Numbers. In 2006, HFJ published the Numbers family, 15 fonts with nothing but numbers from various sources: Bayside (based on a set of house numbers produced around 1928 by H. W. Knight & Son of Seneca Falls, New York), Claimcheck (inspired by ticket stubs), Delancey (from tenement doorways), Depot (modeled on vintage railcars), Deuce (based on playing cards), Dividend (from an antique check writer), Greenback (based on U. S. currency), Indicia (inspired by rubber stamps), Premium (after vintage gas pumps), Prospekt (based on Soviet house numbers), Redbird (inspired by New York subways), Revenue (from cash register receipts), Strasse (after European enamel signs), Trafalgar (inspired by British monuments), Valuta (after Hungarian banknotes).
- Obsidian. In 2015, Jonathan Hoefler and Andy Clymer cooperated on the decorative copperplate engraved emulation typeface Obsidian. Various kinds of 3d illumination in Obsidian were obtained by an algorithmic process. Not to be confused with about ten other fonts called Obsidian--for example, we have Obsidian (pre 2003, Silver Graphics), Obsidian (2014, Steffi Strick), Obsidian (2012, Krzysztof Stryjewski), Obsidian Deco (2013, Yautja), Obsidian (2005, Sparklefonts), and Obsidian Chunks (pre 2002, Jeni Pleskow).
- Peristyle (2017). A stylish condensed typeface family with piano key elements, and described by Hoefler as dramatic.
- Requiem (1991-1994).
- In 2003, they published Retina (which was originally designed for the stock listings in the Wall Street Journal), but that font disappeared from their listing.
- St. Augustin Civilité: St. Augustin Civilité is a digitization of Robert Granjon's extraordinary type of 1562, now in the collection of the Enschedé type foundry, Haarlem. This typeface is reproduced in Civilité Types by Harry Carter and H. D. L. Vervliet (Oxford Bibliographical Society, by the Oxford University Press, 1966.) As figures and punctuation were lacking in the original, these have been borrowed from two other Granjon types, the Courante and Bastarde of 1567. (The remainder of the character set has been invented.)
- Sentinel. Sentinel (2009) is HFJ's take on a Clarendon. I can't understand why they picked a name already taken by many foundries such as Graphx Edge Fonts, Comicraft, Dieter Steffmann and Sentinel Type.
- Shades (2003). In Cyclone, Topaz, Giant and Knox weights.
- Surveyor (2014). An exquisite mapmaker and newsprint didone font family with Fine, Display and Text subfamilies.
- The Proteus Project.
- Tungsten (2009) and Tungsten Rounded. Their sales pitch: That rarest of species, Tungsten is a compact and sporty sans serif that's disarming instead of pushy - not just loud, but persuasive. Douglas Wilson compares Tungsten with Alternate Gothic No. 3 (Morris Fuller Benton). Not to be confused with Tungsten (2005, Sparklefonts).
- Uncategorized early typefaces: Gestalt-HTF, Fetish-HTF (blackletter modernized, 1995), Ehmcke-HTF.
- Verlag (2006). A 30-style art deco-inspired semi-Bauhaus geometric sans family based on six typefaces originally designed for the Guggenheim. HFJ writes: From the rationalist geometric designs of the Bauhaus school, such as Futura (1927) and Erbar (1929), Verlag gets its crispness and its meticulous planning. Verlag's fairminded quality is rooted in the newsier sans serifs designed for linecasting machines, such as Ludlow Tempo and Intertype Vogue (both 1930), both staples of the Midwestern newsroom for much of the century. But unlike any of its forbears, Verlag includes a comprehensive and complete range of styles: five weights, each in three different widths, each including the often-neglected companion italic.
- Vitesse (2010). The typophiles react to the slab family with praise: I think they're chasing Cyrus Highsmith, Dispatch and Christian Schwartz, Popular on this one. Doing a pretty good job of it too! [...] Looks to me like the love-child of Eurostile and City. In 2020, Jonathan Hoefler added the inline Cesium, which forced him to modify the glyphs somewhat.
- Whitney. In 2004, they produced an amazing 58-weight sans serif family, Whitney (by Tobias Frere-Jones), designed for use in infographics. Whitney's sales blurb: While American gothics such as News Gothic (1908) have long been a mainstay of editorial settings, and European humanists such as Frutiger (1975) have excelled in signage applications, Whitney bridges this divide in a single design. Its compact forms and broad x-height use space efficiently, and its ample counters and open shapes make it clear under any circumstances. See also Whitney Condensed and Whitney Narrow.
Hoefler received Bukvaraz 2001 awards for HTF Guggenheim, HTF Knockout, HTF Mercury (1997, no relationship with Goudy's Mercury of 1936) and HTF Requiem. At ATypI in 2002, he received the Charles Peignot award.
FontShop link. [Google]
House of Burvo
House of Burvo is the UK-based foundry of Matthew Burvill (b. 1984, Kent, UK) located in Colwyn Bay, Wales. His typefaces:
- Big Softie (2011). A fat round bubble gum typeface destined to become a hit. It is Burvill's most popular typeface.
- Checks (2010). Patterns for checks.
- FreeDee (2010). A 3d typeface.
- GHS (2010). GHS stands for Geometric Hairline Serif. It is influenced by the didone style.
- Links (2010, modular).
- NK Fracht Round and NK Fracht Square (2010). An octagonal typeface family.
- Neue Konstrukteur Round and Neue Konstrukteur Square (2010, an engineered, mechanical typewriter font).
- Poster Hand (2010).
- Sequencia (2011). A monospace and semi-monospace typeface done at Die Gestalten.
- This collection of typefaces from 2007: Angel of Death (techno), Architect, Baby's Definate Hit (art deco heavy stencil), Beauty Full (rounded), Burvo (art deco stencil), Bürvo Konstrukteur (octagonal), Indivisual (art deco stencil), Killer (octagonal), Neg Space (pixelish), Optical (geometric, experimental), PUMP (ultra black art deco).
MyFonts link. Behance link. Klingspor link.
View Matthew Burvill's typefaces. [Google]
Toni Hurme (Hurme Design, Helsinki) started publishing fonts in 2013. His first series, numbered 1 through 4, is Hurme Geometric Sans, a geometric sans family of large x-height and simple avant-garde structures. Each series has 14 styles and true small caps.
In 2016, he updated Hurme Geometric Sans 1 + 2, Hurme Geometric Sans 4, and Hurme Geometric Sans 3.
In 2019, Erik Bertell and Toni Hurme co-designed the wavy custom display typeface Well for Well Coffee. Also, Hurme releases Hurme FIN 1a and 1b, and Hurme FIN Mono in 2019, all more or less monolinear with a wide choice of widths from Compressed to Extended. [Google]
[Joshua M. Smith]
Joshua M. Smith (Centerville, OH) runs Hydro74, which is located in Sanford and/or Orlando, FL. His typefaces take their themes often from metal rock bands, the goth scene, blackletter, and grunge. They can be bought at MyFonts or here. See also here. More direct access.
His typefaces: Gestapo Dirty, Gestapo Tech, Terra Firma, Rehab, MissionUK, Messiahcom, Kogji, New York Corp, Texan, Grace For The Fallen. Free fonts include Beast, Broken74, Gatecrashertexan, Heresy, MeaniesThick, MegalomaniaItalic, MegalomaniaNormal, MilitarizeConform, MoogwaiItalic, MoogwaiNormal, MoogwaiThinOblique, OmnipotenceBlack, PietyBlack, Platipus, Proclivitydark, Proven, Resurrection, Revolution, Sacrafical, SailorJerry, Spitfire (2010, tattoo face), Submit, SubmitItalic, SubmitThinItalic, TripleXXX, Conform, Meanies, Megalomania, Moogwai, Platipus, Resurection, Revolution, Proven, Gate Crasher, Agnostic, Working Class hero (Western), Blasphemy, Disestarlishmentarianism, Napalm Vertigo, Black Mass (2005, blackletter / tattoo face).
In 2009, he fired up his creative mind, and started working on a new batch of display typefaces: Muerte Black, West Coast Soul, Iron Fist, Nue Black, Uber Black (+Caps, blackletter), Le Venom (a phenomenal high-contrast art deco face), Avante (art deco, counterless), Nue Goth (blackletter), The Thickness (ultra fat), Script, Razor Black, Martyr Black, Sentry Black, Imperial Black, Thai Black, Dayton Black (racecar lettering), Slash Black (blood and guts font), Burial Black (blackletter), Cadaver Ink (gothic), Czar (hairline sans), Tramp Stamp, Wolfstien Electro (in the spirit of Sinaloa), Viper Black (scary), Catalyst Solid (ulta fat), Calypso (sans), Suture Slab (gothic), Venice Black (gothic), Black Mamba (metal rock band lettering, Cyrillic influences), Tyranny Gothic (blackletter), Blackmail Sect (more blackletter), Sailor Jerry (bilined), Napalm Vertigo (army stencil), Heresy Gothic (blackletter grunge), Working Class Hero (Western grunge), Golden Age, La Santisma Muerte (scary).
Free typefaces at Legacy of Defeat, as of 2011: H74Cairissian, H74DemonRacer, H74EastZombieHigh, H74Federation, H74GhettoWolves (scary), H74InfectedZombies, H74Pistola, H74SnakeOilEmbossed, H74SnakeOilSolid (2011, constructivist), H74Spitfire, H74TheBlackBureau, H74TheGoldenDawn, H74TheGoldenDawnItalic, H74ThunderScript, H74ZombieAttack, Black Label Whiskey, H74 Cadaver Ink (2011, tattoo face), Cortez, Damn Hippies, H74 False Idols (2011), Heathen, Kremlin Ink, H74 Kustom Style (2011, a tattoo/graffiti font), Moscow Moonshine, San Loscisco (2011), Blood Tonic (2011), Snake Whiskey (2011), Time Is Money (2011), Valkyrie (2011), Viva Los Vatos (2011), Warriors (2011), West Coast Soul (2011), Yo Santos (2011).
Commercial typefaces done in 2011: H74 Warriors (2011), H74 Viva Los Vatos (2011, cholo graffiti), H74 Snake Whiskey (2011, spurred Western face), H74 Norway Black (2011), H74 Her Majesty (2011, spurred face), H74 Muerte (2011), H74 Hellfire (2011, spurred family), H74 Luckys Flash (2011), H74 Le Venom (2011, art deco), H74 Dishonor, H74 Cobra (tattoo face), H74 Pistola (2011, a tattoo font), H74 San Loscisco, H74 Wizard Nip (brush), H74 Wizard Staff, H74 The Black Bureau (black slab serif headline face), H74 Zombie Allegiance, H74 Monniker, H74 El Librador, H74 Eastern Star, H74 Dead Empire, H74 Black Diamond, H74 Alcazar, H74 Corpse Black, H74 Corpse Paint.
Production in 2012: Achilles, Bootleggers, Chingon, Hernandez, Kuso, Malice, Muerte Wolf, Pendejo, Pinche Muerte, The Order, Witness.
Typefaces from 2013: The Pricks, Ocelot Piss, The Witches, Wizard Tit, Conquest, Wizard Dick, Riverside, Dirty Sanchez, Corpus Delicti, Warlock Ghetto Wolves, Spitfire.
Typefaces from 2014: Thunder Pussy, The Kült, The Clap, Shit Script, Prison Bitch, Hëavy Mëtal, Fucktura Heavy, Fucktura Thin, Go Fuck YerSelf, Drop Anchor, Camp Cooter, Born to Lose.
Typefaces from 2015: The Dirty Collection (Fucktura Thin, Brothel, Caracas, The Clap, Scalliwag, Cholo Fett, Camp Cooter, Drop Anchor, Born to Lose, Pillow Biter, Prison Bitch, Salty Sailor, Go Fuck Yerself, Heavy Metal, Fucktura Heavy, Fancy Fuck), Forty Thieves, Zombie Headshot, Fancy Fuck (a tattoo script), Emancipator.
Typefaces from 2016: BloodCloth, Brothel, Dreamwave, GoldenDawn, HCholobakka, Mystic, Nomad, RazorBlack, RoyalBaron, Vahalla, Warlock.
Typefaces from 2018, mostly military stencils, war game fonts and sci-fi typefaces: Bioroid, BlackOps, Cipher, Complx, CounterStrike, Crux, Crypto, DeathStrike, Destroid, Division, Epitaph, FirstAssault, Frontline, HouseHarkonne, Kuso, Merc, Protocol, Psyops, ReconDelta, RoboticSystem, SaintAnn, Section9, Shogun, Surrogate, System, Tachikomo, Tactical, Warmech.
Typefaces from 2019: Recita (a solid oldstyle text typeface), Recita Sans, Interceptor, Mecha Unit 01 (octagonal), Ghost, Cataclysm, Protagonist (a tech / stencil font), Executioner, Kingslayer, Epitaph (stencil), Black Ops (a rough military stencil), Bioroid, Miami Viced.
Dafont link. Legacy of Defeat is a related site with their free fonts. Behance link. Creative Market link. Klingspor link. [Google]
Chicago, IL-based designer of an untitled hairline typeface in 2014. Behance link. [Google]
idfont (was: Inoue Design)
Inoue Design (idfont) is Inoue Masaru's Japanese foundry: there are about 30 original kana fonts, often of the comic book style. They are named Kaiseki (2003), Kaifu2 (2003) and Kaifu3 (2003). Other fonts: Kairyu (full kanji font), Kai (kanji font), Kaiseki (kanji font). Kairyua and the kanji fonts have a good representation of Latin, Cyrillic and other characters. The full list of font names: Kaifu2 (2003, thin Latin letters), Kaifu3 (2003, thin Latin letters), kairyu1 (2003, thick roman letters, full kana and kanji set), kairyu3 (2003, thick roman letters, full kana and kanji set), kaiseki, kana001, kana001p, kana002, kana002p, kana003, kana003p, kana004, kana004p, kana005, kana005p, kana006, kana006p, kana007, kana007p, kana008, kana008p, kana009, kana009p, kana010, kana010p, kana011, kana011p, kana012, kana012p, kana013, kana013p, kana014, kana014p, kana015, kana015p, kana016, kana016p, kana017, kana018, kana018p, kana019, kana019p, kana020, kana020p, kana021, kana021p, kana022, kana022p, kana023, kana023p, kana024, kana024p, kana025, kana025p, kana026, kana026p, kana027, kana027p, kana028, kana028p, kana029, kana029P. Alternate URL. People are saying good things about his hairline sans id-Kaze2OT-Light. [Google]
Owen Earl (Indestructible Type, Seattle, WA) takes a new look at old classics. He reinvents them from scratch, and redesigns each glyph very carefully. Some of his work is completely free, and other typefaces are commercial. His fonts:
- Besley (2017). A redesign of Robert Besley's Clarendon. For modern times, the x-height has been increased, and a totally new italic has been added. Buy it at FontSpring.
- The free sans typeface Geo (2013).
- The free sans typeface Quizzical (2015).
- Renner (2017). A revival, from scratch, of Paul Renner's Futura. Totally free! Github link. FontSpring link. Open Font Library link. A major update, Renner 3.0, followed in 2018---it includes a variable font, a blacker Black and the thinnest Hairline ever. And due to a trademark dispute Renner became Jost in August 2018. In 2019, Cyrillic characters were added to Jost. Google Fonts link. See also the derived family Venryn Sans (2020).
- Bodoni (2015). With Bodoni 6 and Bodoni 12 subfamilies. Includes a delicious Bodoni 6 Fatface. Extended in 2020 to amny optical sizes (6, 11, 16, 24, 36, 48, 72, 96), and a variable font. Github link.
- Jones (2016).
- Miedinger (2015). A clone of Helvetica. Only two weights were ever finished.
- Umbra (2017). A variable Opentype font with two sliders---distance of the shadow, and time of the day.
- Gnomon (2017). A free variable font: Gnomon is the first font ever to respond to the user's actual time. The shadow of Gnomon changes location throughout the day in relation to the time.
- Copperplate CC (2020, at the Cowboy Collective).
Aka Ewon Rael. Github link. FontSpring link. Facebook page. [Google]
[idfont (was: Inoue Design)]
Insigne Type Design Studio (was: Dooley Type)
Insigne Type Design Studio (est. 2006) is run by Jeremy Dooley, b. Columbia, SC, 1981, who received a masters in graphic design at Savannah College of Art and Design in 2005. He lived in Atlanta, GA, and is now in Knoxville, TN. From 2004 until 2006, he ran Dooley Type in Greenville, SC. Behance link. Klingspor link. Font squirrel link. Creative Market link. MyFonts interview. His fonts:
- 44th President (2009, based on Obama's handwriting).
- Aberlyth (2006). An informal script face.
- Ainslie (2014), Ainslie Slab (2014), and Ainslie Sans (2014).
- Antigen (2007) is futuristic.
- Arendahl (2007) is a connected but irregular handwriting font.
- Ashemore (2012). Production assistance for Ashemore was provided by Lucas Azevedo and Marcelo Magalhaes. Followed by Ashemore Softened (2012).
- Avaloc (2006) is an expanded sans.
- The Aviano superfamily. Aviano Wedge (2012), Aviano Slab (2007), Aviano Serif (2008), 2009 Aviano Didone (2009), Aviano Flare (2010), Aviano Sans (2010), Aviano Future (2011), Aviano Contrast (2012), Aviano Gothic (2013), Aviano Sans Layers (2013), Aviano Copper (2018), Aviano Didone (2019). Aviano Titling (2007) is inspired by Trajan. Aviano Silk (2015) is a bilined decorative titling typeface. Aviano Royale followed in 2016.
- Barcis (2013). An organic sans family.
- Beastias (2006). An informal script face.
- Belda (2017). An elegant serif family of fonts that grew from the ancient roman capital. Followed by the 54-style Belda Didone (2020). A 54-style didone family without ball terminals.
- Biortec (2004).
- Biscuit Boodle (2008) is a fun and crazy script from Portland Studios illustrator Justin Gerard. Biscuit Boodle Ornaments (2009, dingbats).
- Blue Goblet (2005) is a Treefrog-style script developed for the pending illustrated childrens book from Portland Studios, The Blue Goblet. It was co-designed by Cory Godbey of Portland Studios and Jeremy Dooley. In 2011, Cory Godbey added Blue Goblet Christmas Ornaments.
- Boncaire Titling (2012) was iInspired by the type elements of 17th century map of Curacao made by Dutch cartographer Gerard Van Keulen.
- Brigette (2007) is an ink-splattered calligraphic script.
- Cabrito (2013). A typeface for children's books. Followed by Cabrito Inverto (2014) for reversed stroke stress---some of its heavier styles have a Western appearance. In 2014, Cabrito Sans was added to the set. Cabrito Semi followed in 2015, the playful Cabrito Didone in 2016, Cabrito Contrast in 2018, and Cabrito Flare and Cabrito Serif in 2019.
- Carta Marina is a family of medieval map text typefaces and dingbats (2007).
- Cavole Slab (2011).
- Celari Titling (2014).
- Chatype is a geometric slab serif typeface family designed in 2012 for the city of Chattanooga, TN, by Robbie de Villiers and Jeremy Dooley.
- Chennai and Chennai Rounded (2007) are playful display sans typefaces. Chennai Slab (2009).
- Chypre (2017). A techno sans family.
- Civane (2017). A flared inscriptional typeface family.
- Coegit (2012). A sans family that offers Compressed, Compact and Condensed subsets.
- Cohort (2010, elliptical sans).
- Coupe (2003).
- Dever (2015) is a 107-style family of rough and weathered letterpress typefaces with industrial octagonal skeletons.
- Dienstag (2008, 8 styles).
- Daito (2018). A welcoming soft slab serif typeface family.
- Donnerstag (2010, extended slab serif).
- Dulcian (2017). A bright open sans family.
- Eigerdals (2010, rounded sans family).
- Enocenta (2013). A penmanship typeface family done with Cecilia Marina Pezoa.
- Enzia (2009, an elegant sans family).
- Fizgiger (2006). An informal script face.
- Florencia (2007) is a vintage script.
- Foverdis (2010, a calligraphic family that includes a hairline).
- Gineso (2016). A set of 48 slightly condensded and squarish headline typefaces. Followed by Gineso Titling (2016) and Gineso Soft (2018).
- Grayfel (2015). A 42-style sans typeface family characterized by flush horizontal or vertical terminal endings.
- Grenale (2013). A flashy in-your-face didone family from Thin to Heavy. Grenale #2 (2013) is a curvy sans that is almost a monoline. In 2015, Dooley launched Grenale Slab.
- Haboro (2016). A 54-font strong didone family with wedge serifs replacing the standard rectangular ones. It has no ball terminals. Followed by Haboro Slab (2016), Haboro Soft (2016), Haboro Serif (2016), Haboro Sans (2016), Haboro Contrast (2017), and Haboro Slab Soft (2020).
- Honeydrop (2017). A brush script.
- Insigne Abstractions (2007) and Insigne Fleurons (2008) are dingbats.
- Jon Cary (2004, the handwriting of John Kerry).
- Kairengu (2007) is a comic book family.
- Kasuga (2008) and Kasuga Brush (2009) are fresh new scripts with oriental undertones.
- Kidela (2007) is a sassy scrapbook family. Kidela Sketch (2009).
- Kochi (2015). A 54-font rounded organic sans typeface family.
- Le Havre (2008) is a gorgeous 8-style geometric art deco sans with tall ascenders. In 2010, the Le Havre Sketch family was added. We also have Le Havre Rough (2014, a bit of letterpress feel thrown in), Le Havre Rounded (2009), Le Havre Titling (2012), Le Havre Layers, Le Havre Hand (2015) and Le Havre Width (2017).
- Look (2015). In Sans, Script, and Serif subfamilies, this super-collection blends a bit of vernacular signage with weathered letterpress.
- Lorelei (2007, Insigne) is a bouncy script family.
- Lourdes (2007) is an informal script.
- Madeleine (2007) is a basic handwriting face.
- Madurai (2012). A simple monoline sans superfamily. Madurai Slab (2013) has 54 styles.
- Mahalia (2008) is a retro script.
- Majidah and Majidah Potens (2006) are medieval scripts.
- Mandrel (2017). A typeface with sharp serifs.
- Marintas (2012).
- Maris (2015). A curly script.
- Massif (2008) is an aggressive sans family.
- Metairie (2018). A connected high-contrast script.
- Mirantz (2019). A 54-style text typeface family.
- Mittwoch (2009, organic serif).
- Montag (2007) is a casual rounded sans family in six styles.
- Mr Darcy (2015). A Tuscan all-caps typeface.
- Mynaruse Flare (2018). An update of Mynaruse (2010), which is a roman inscriptional titling family---it is characterized by skinny flared serifs.
- Nanumunga (2007) is a comic book style face.
- Natalya (2007) is a connected calligraphic script. Natalya Monoline (2007). Natalya Swashes (2009, calligraphic).
- Newcomen (2008) is a 4-style roman titling face.
- Obline (2004, sans).
- Oita (2014). An octagonal typeface family.
- Olidia (2008) is calligraphic.
- Orewelia (2004, grunge face).
- Pauline Didone (2011, a curly didone family). Pauline (2008) is a monolinear retro script.
- Plathorn (2014). Inspired by the Wild West, this generous typeface family uses flaring in a thousand ways to recreate the feel of that era.
- Promethian (2005, futuristic).
- Quarca (2013). A 36-font sans family with a sturdy rounded square look.
- Quatie (2013). A curvaceous family: Quatie draws much of its inspiration from the industrial brawn of the railroad and the unique characteristics of Cherokee letterforms, giving it an atypical form not usually found in an industrial slab (accring to Dooley).
- Questal (2007) is a unicase serif face.
- Qurillian (2006, legible sans).
- Ranelte (2016). A condensed sans series with techno or DIN appeal. The textured versions are collected in Ranelte Deco (2017).
- RendtPhysic (2006).
- Ript Cure (2005).
- Sabler Titling (2016). An all caps typeface family with tapered flared strokes.
- Sancoale (2011, an organic sans family, from Thin to Black). Sancoale Narrow (2011). Sancoale Softened (2012). Sancoale Slab (2012). Sancoale Slab Soft (2013). Sangli (2015). A 54-style rounded organic sans typeface family.
- Savigny (2011). Images: Savigny Black Extened, Savigny Regular Condensed.
- Senlot Serif (2019). In 54 styles.
- Serofina (2010, a calligraphic face).
- Savory Paste (2007). Grunge.
- Schorel (2019). A 54-style Scotch roman.
- Senlot (2018). A 54-strong sans family. In 2019, Senlot Sans was added.
- Shrike2003 (2003).
- Sildetas (2010, a high-contrast script typeface with tear drop terminals).
- Solitas (2015). A rounded 42-style geometric sans family. Followed by Solitas Slab (2015) and Solitas Serif (2017).
- The sans family Sommet (2008; see also Sommet Rounded (2008), Sommet Slab, 2010, and Sommet Serif (2011, a wedge serif family)) is futuristic. Sommet Slab Rounded (2011).
- Soprani (2020). A 54-font set with considerable flaring and thorny serifs, based on a vintage plaque from the 1920s.
- Sovba (2009, upright italic).
- Steagal (2013). A geometric sans with a 1930s American feel.
- Steam Court (2015). A combination of steam punk and blackletter.
- Stefania (2007) has two calligraphic/chancery styles. Its aged version is called Stefania Antique (2008).
- Stratham (2007) is a medium to black family of legible sans typefaces.
- Terfens (2007) is an informal and quite rounded sans serif with inspiration from chancery scripts like Stefania.
- Torcao (2013). An elliptical anthroposophic typeface family.
- Ultine (2016), an utilitarian sans family.
- Valeson (2020). A vintage display typeface with a kneeling art nouveau lower case n.
- Valfieris (2006). Valfieris Aged (2007) imitates medieval printing.
- Varidox (2019). A variable font with a roundish slab serif design.
- Verao (2018) and Verao Ornaments. A calligraphic script.
- Waialua (2019). A script typeface with a variable font option.
- Waimea (2019). A variable script font produced with the help of Lucas Azevedo.
- Winsel (2019). A flared typeface influenced by British nostalgia, vintage signage and typographic ancestors like Edward Johnston and Eric Gill. Perfect for typesetting speeches by Winston Churchill.
- Wreath (2016). A script typeface family.
- Xalapa (2008) is a grunge family.
- Yevida and Yevida Potens (2006, scripts).
- Yorkten (2015): 54-style monoline sans family. See also Yorkten Slab (2017).
- Youngblood (2008, +Youngblood Antique, 2010) is non-connected.
Catalog of their typefaces. View Jeremy Dooley's font library. View Jeremy Dooley's typefaces. [Google]
Prolific designer of these typefaces at FontStruct in 2008: Mausoleum, Quarantino, Strontium (heavy octagonal), Redactor (inline; athletic lettering), Coppertones, Copperthief Gothic, Disarticulate, Adamantine, Spindlery, Thalamicus, Monolog, Abstruction, Banned Rotunda, Less Rotunda, Blabbermouth, Hackney, Circumfence, Circle Play, Outlandish, Cannibaal, Valedictory, Hegemony, Sansibal, Shoptima, Toobatu, Dwarven, Evonce, Magog, Fuego, Empyreus, Upscale, Quickie, Svengali, Amanuensis (hairline), Whitechapel, Interzone, Annexia, Mugwump, Misterioso, Slitcom, Mud Indigo, Integer, Optimist, Interim, Tredd (athletic lettering face), Brilliant Corners, Palimpsest, Trudge Fix, Plangent Shaven, Plain James Bond, Spikeful, Plain James, Portia, Juliette, Rotunda One, Dystopian, Fed Up, Mag Lev, Eensy, Simpatico, Afterburn, Fongeray, Less-Sirvere, Levio-sah, Oddity-oldstyles, Planar-light, Plangent, Plangent-semi-serif, Plangent-shaven, Prester-John, Spin Doctrine, Tabula, X-Sirvere, abricado, aubrey, chunki-phat, chunki-slim, chunki, cold-shoulders, emerald-city, epistrophy, experiment, flawa-pawa, fongamatah, gematria-experiment1, gematria, malinki, massif, modnera, nutty-slab, okey-dokey, patina, planar-book, planar, plangent, simplex-b, slantfest, slinky, solidad, solitude, souvlaki, space-oddity, spin-doctrine, splayful, too-much-caffeine, travelclock-alt, travelclock, tredd, trudge-fix, Zinzan (blocky headline face), Sir Vere (haha---he writes A Bodoni that won't take its meds; still, a great-looking simulation of Bodoni's balls), More Sirvere and Less Sirvere (derived from Sir Vere), Ugly Beauty, Tito Puente, Plain James Bold (octagonal), and First Sampler.
Faces from 2009: Infrastruct Hairline, Untag, Scansion, Manganesi, Curly Queues, Culdeslack, Clerestory, Snurkle, Arabica, Mishmash, Processor, Insomnia, Spatial Test, Furtiva, Wedgistry, Semiotica, Prince Edward, Imprimatur, Reverie, Spikenard (octagonal), Brusque (heavy slab serif), Flikki Crude, Crudenza, Arvid, Makizmo (black mechanical), Purdy, Whaddya, Timaru, jehoshophat, Octane, Purdy, spikenard, Slabba Dabba Doo, Attempa, Meshugge, Shvoss, Ruffian, Leterodoxi, Anuva, Jehoshophat, Tagliana (typewriter style), Mocktura (fat octagonal), Pustulate, Fuego, Souvlaki, Palimpsest, Onsquared (about which he writes Please excuse the X. He badly needs to go for a pee), Octavia (octagonal art deco face), Queasy Peasy, Slubgob, Squibnib, Micro Splotchika, Mixter (octagonal), Odile, Transept.
Typefaces from 2010: Ropey Sans, Compositor, Dooble Trouble, Flopsical, Dulcet, Sprig Latin, Flux, Yabadaba, Holdem (Western style), Elvira (octagonal), Adhoc, Little Schema, Fiddledy-Dee, Triplecheck, Rusty Blades, Crudenza, Zingaling (kitchen tile), Ornery, Strictly Boardroom, Serif Test, Merenge, Ugly Sister, Cholestera (heavy mechanical face), Prefab.
Production in 2011: Albedo (Egyptian), Candyrock Mountain, Cooperite (Cooper Black relative), Ran Tan, Rangitoto (fat, almost-blackletter face), This Little Piggy, Boxica (an angry angular face), Carpathian (almost blackletter), Kinnybuns (almost art deco), Wallachia (stencil blackletter), Ubend (organic, almost LED face), Quickstep, Basket Case, Flik Flack, Effigy, Laguna, Barbary.
Typefaces from 2012: Vertical Hold, Heresy Arcfun (a play on positive and negative spaces), Morphology (wide elliptical display face), Sausinges.
Typefaces from 2013: Chinoiserie. [Google]
Graphic designer in Guadalajara, Mexico. Textures inspired him to create the geometric textured typeface FN Tekture (2010), FN RE EVO (2011), FN Revoluxion (2012), and the spurred military typeface Nacion Gothic (2012). Monotypo (2012) is a hairline fashion mag sans typeface.
In 2013, he created the ball terminal ornamental typeface Mexique. He drew inspiration from Porfirio Diaz and Mexico in the 1880s.
His typefaces can be bought via HypeForType. [Google]
Foundry in Ixipcalli, Mexico, run by Mexico City-based Francisco Arellano (b. 1981). Creator of the free monoline sans typefaces Coamei (2011) and Copilme (2011), the informal monoline typeface InColhua (2011), and Huelic (2011).
In 2012, they published the commercial typefaces Bolta (monoline organic sans), Caronta (a monoline humanist sans with a large x-height), Tecpana, Naolica (a monoline, elliptical sans family), Auloe (a rounded contrast-laden sans family), Olpan (monoline sans family), Kaodai (monoline sans), Ocelca (a tribal organic type family), Qatana (a Peignotian sans family), Metrica (an organic elliptical sans family in 12 styles), Minimalista (monoline sans family with a hairline weight), and the elegant wide sans family Ekon.
Typefaces from 2013: Ancora (high-contrast fashionable titling face), Binaria.
Typefaces from 2014: Ipnea (a logotype sans), Gillca.
Typefaces made in 2015: Minum Sans.
Dafont link. Aka Jef Triforce. Fontspring link. FontVila link. [Google]
UK-based designer (b. 1991, Cuckfield) of the monoline almost modular typefaces Abode (2009), Altera (2011, hairline sans--caps only), and Tenga (2009), which were free at Dafont. MyFonts link. In 2011, he extended Michael Tanner's counterless fat copperplate design Peep and called it MT Peep. His commercial typefaces: JK Abode, JK Altera, JK Define, JK Prestige, JK Polar (2012).
Abstract Fonts link. [Google]
FontStructor who made Curvatured (2011, a hairline sans), Trek (2011, based on the series), and the experimental typefaces Fowl, Ancient Soft and Ancient Hard (both from the TV series Stargate), Team Battle (sci-fi face), Monoline Light, ATeck (gridded modular kitchen tile face), and Pixelish, all in 2011.
Typefaces from 2012: Amens (bold grotesk). [Google]
Graphic designer in London, who created the hairline art deco typeface James Bond in 2016. [Google]
[Typemefonts (was: 26plus zeichen)]
Graphic designer in Manchester, UK, who made Geometric Type (2010, hexagonal), Simplicity Type (2012, hairline sans) and Natural Influences (2010), and who adores black and white. [Google]
[The Difficult Type]
London-based designer of the display typefaces Oxlade (2012), Chunk (2012), Plucky (2012, hairline) and Maxi (2012, bold and counterless). [Google]
James Morgan used FontForge to create the hairline avant-garde caps typeface Venitian Sound System (2013). [Google]
[The Ivy Foundry]
Czech designer. Dafont also mentions the name Heinz Newman. Creator of the 3-d pixel fonts Khalijaka Black and Outline (2007) and the hairline octagonal typeface Boulder (2007). [Google]
[Typolar (was: Jarno Lukkarila Type Foundry, or: Format Design)]
Frenchman Jérémie Hornus studied typography at Le Scriptorium de Toulouse, France and the University of Reading, where he graduated in 2006. He worked at Dalton Maag, where he designed Tornac (which became a retail typeface in 2013 at Dalton Maag), a connected script face, and was involved in brand identity for clients such as Burberry, Toyota, HP, Nokia, Danish Industries, Dubai Metro, Manchester Metrolink, and the city of Southampton.
Currently located in Paris, he set up his own commercial foundry in 2013. He also started publishing some of his typefaces at the French type coop Fontyou in 2013. His typefaces:
- Kefa (2006), a Latin/Ethiopic family with slab serif origins and a futuristic twist. Kefa is an Apple system font. In 2013, he published Kefa II Pro.
- Schoiffer Sans. A soft slightly flared sans inspired by Enschedé's Roman No6, also known as the Scheffers or Quentell types.
- Together, Jérémie Hornus and Franck Montfermé designed the feminine italic typeface Maryleen FY (2013, Fontyou).
- The connected script typeface Tornac (retail typeface from 2013 at Dalton Maag).
- Beaurencourt FY (2013). A vintage 19th century connected secretary's hand script codfesigned with Gia Tran.
- Booster FY (2013, with Alisa Nowak and Luis Gomes). Luis Gomes, Jérémie Hornus and Alisa Nowak co-designed the rounded sans typeface family Booster Next FY in 2014.
- Gauthier FY (2013, with Alisa Nowak). A transitional typeface family. In 2014, Jeremie Hornus and Julien Priez co-designed the hairline typeface Gauthier Display FY.
- Lean-O FY (2013, with Alisa Nowak and Benjamin Lieb). A slab serif with leaning asymmetrical brackets. Has a hairline weight. See also LeanO Sans in 2014.
- Marianina FY (2013, with Alisa Nowak). A contemporary condensed 24-style headline sans family with simple strokes. Characterized by kinks in the ascenders.
- The slender display typeface Sérafine FY (2013) was co-designed by Jason Vandenberg, Jérémie Hornus and Alisa Nowak.
- Gregori Vincens, Gia Tran, J&eacxute;rémie Hornus and Alisa Nowak co-designed the humanist sans typeface Klaus FY (2013).
- At the end of 2013, Jason Vandenberg and Jérémie Hornus co-designed the groovy poster typeface Jack FY.
- In 2013, he collaborated with Alisa Nowak and Fabien Gailleul at FontYou on the design of the astrological simulation typeface Astral FY. The same group of three collaborated in 2014 on Naive Gothic FY.
- In 2014, Adrien Midzic, Jason Vandenberg, Jérémie Hornus, Julien Priez and Alisa Nowak co-designed the creamy script Vanilla FY. With Midzic and Nowak, Hornus co-designed the very humanist sans typeface family Saya FY (2013) and Saya Semisans FY.
- Joao Costa co-designed the thin lachrymal typeface Zitrone FY in 2014 at FontYou with Jérémie Hornus and Alisa Nowak.
- In 2014, Monica Munguia, Alisa Nowak and Jérémie Hornus co-designed the blackletter typeface Blackmoon FY.
- In 2014, Matthieu Meyer, Alisa Nowak and Jérémie Hornus co-designed the wedge serif typeface Ennio FY at FontYou.
- The punchy poster typeface Kraaken FY (2014) was designed by the FontYou team of Bertrand Reguron, Alice Resseguier, Valentine Proust, Julien Priez, Gia Tran, Jérémie Hornus, and Alisa Nowak.
- In 2014, Joachim Vu, Jérémie Hornus and Alisa Nowak co-designed the classical copperplate script typeface Vicomte FY.
- Wes FY (2014). A sans family modeled after Futura.
- Hansom FY (2014) and Hansom Slab FY (2014, Gia Tran, Jeremie Hornus and Alisa Nowak). An organic sans and slab with very large bowls.
- In 2014, Julien Priez, Hugo Dumont, Jérémie Hornus and Alisa Nowak co-designed Rowton Sans FY, a sans family patterned after Gill Sans in six weights, from Hairline to Bold---named after Arthur Eric Rowton Gill, it has the Gillian lower case g but italic lowercase is a bit too far afield for my own taste, especially the squeezed g.
- In 2015, Jérémie Hornus, Clara Jullien and Alisa Nowak co-designed the spurless / organic slightly inflated sans typeface family Diodrum at Indian Type Foundry.
- In 2015, Jérémie Hornus and Clara Jullien co-designed Eurosoft (Indian Type Foundry). Eurosoft is an elliptical monoline techno sans typeface family that is especially attractive in the heavier weights.
- Volkart (2015, Indian Type Foundry). An 18-style neo-grotesk.
- At Indian Type Foundry, Jérémie Hornus and Julie Soudanne co-designed the Spencerian calligraphic copperplate style script typeface Spencerio (2016).
- Tabular (2016): a monospaced programming font by Jérémie Hornus and Julie Soudanne for Indian Type Foundry.
- Intercom (2016). A bare bones sans with tapered terminals and very short ascenders and descenders.
- In 2016, as Black Foundry, Jeremie Hornus, Gregori Vincens, Yoann Minet, and Roxane Gataud (and possibly Riccardo Olocco) designed the free Google web font Atma for Latin (in comic book style) and Bengali.
In 2016, Google Fonts published the free Latin / Bengali signage font Galada (2015). It is based on Pablo Impallari's Lobster (for Latin). The Bengali was developed as a studio collaboration by Jeremie Hornus, Yoann Minet, and Juan Bruce at Black Foundry in France.
- In 2016, he designed the connected calligraphic script typeface Rosaline and the heavy slab serif poster typefaces Thug and Thug Rough for Indian Type Foundry. Github link.
- In 2016, Julie Soudanne and Jérémie Hornus designed the condensed movie title and credit typeface Title.
- Alpinist (2016) is a humanist sans with a small x-height optimized for magazine design and other editorial applications. The edges are slightly rounded for easy reading. Designed by Jeremie Hornus and Alisa Nowak.
- In 2016, Gaetan Baehr and Jeremie Hornus co-designed Hate at Indian Type Foundry. This is the best Halloween and horror movie font ever made, period. The font has 510 glyphs, and each letter has three variants. Letters have spooky-looking hairs or roots sprouting from their zombie outlines.
- In 2017, Jérémie Hornus, Theo Guillard, Morgane Pambrun, Alisa Nowak and Joachim Vu co-designed Bespoke Slab, Bespoke Serif, and Bespoke Sans.
- In 2017, Jérémie Hornus, Julie Soudanne and Alisa Nowak designed the attractive titling didone typeface Zesta.
- Associate Sans (2019, Jérémie Hornus and Alisa Nowak). A sans family with an American gothic look. Matching font families include Associate Slab, Associate Sans Stencil, Associate Slab Stencil, and Associate Sans Mono.
- Diodrum Rounded (2020, by Manushi Parikh, Jérémie Hornus, Clara Jullien and Alisa Nowak). A spurless organic sans family.
- Claire (2020, by Alisa Nowak, Jérémie Hornus, Jean-Baptiste Morizot and Gaetan Baehr). A 12-style bracketed serif newspaper type with small x-height in the mold of late-nineteenth century typefaces along the Century model.
Klingspor link. Old URL. Behance link. [Google]
Prolific type designer in Florida, b. New York, 1952. His fonts were originally free and consisted largely of dingbats. Around 2005 he went commercial, and now sells his work (over 350 fonts as of 2009) via MyFonts. He has branched out into several font styles, with a soft spot for stencil fonts, fonts for signage, art deco, and fonts for advertising. Born in New York, his family moved to Florida in 1963, where he has been ever since.
An interview. Alternate URL. Yet another URL with his early free fonts. My pages on him. Dafont link. Abstract Fonts link. MyFonts link. Klingspor link. [Google]
[Jeff Levine: Art Deco Typefaces]
Jeff Levine: Art Deco Typefaces
Art deco is another style that appeals to Jeff Levine. He has created some beauties:
- Acceptable JNL (2014).
- Aircheck (2006, retro CBS font).
- Airliner JNL (2008, all caps, based on a promotional postcard for Kitty Davis' Airliner - a popular Miami Beach night spot of the 1940s).
- Allerton (2019).
- Aparcero JNL (2015).
- Artistry JNL (2017).
- Art Class JNL (2014). Art Class JNL was re-created from the titling of a lettering booklet called Drawlet Portfolio, published by the Esterbrook Pen Company in the 1930s. Drawlet pens were Esterbrook's answer to the popular Speedball lettering pens, and the booklet was an instructional manual on hand lettering with the pen nibs.
- Art Lover JNL (2007, based on an art deco typeface from a Dan Solo book).
- Art Museum JNL (2016).
- Artwork Stencil JNL (2018, based on an art deco stencil alphabet by Georges Léculier, 1939).
- Autumn Song JNL (2019).
- Bandleader JNL (2014).
- Bandshell JNL (2020).
- Bargain Shopping (2019). Based on an old storefront sign of F.W. Woolworth.
- Barn Dance JNL (2018).
- Bay Ridge JNL (2015).
- Beachfront Hotel JNL (2018).
- Bed And Bath JNL (2016, from the hand-lettered name on a 1930s-era tin for Cadet condoms).
- Belmont JNL.
- Bensonhurst JNL (2016).
- Big Band JNL (2011) is a brash typeface that is based on a lettering example found in a 1941 Speedball Lettering Pen instruction book.
- Blue Orchid JNL (2015).
- Borough Park JNL (2014).
- Brand X JNL (2013),
- Brookhurst (2006, compressed art deco font).
- Cabana Club (2006, Miami Deco inspired font with a razor-thin double outline).
- Cafe Society JNL and Cafe Society Monoline JNL (2014).
- California Bound JNL (2015). Based on the hand lettering found on the side of the old California Zephyr passenger trains.
- Canarsie JNL (2006, a hand-lettered art deco face), Canarsie Slab JNL (2001).
- Casting Call JNL (2015).
- Casual Deco JNL (2019).
- Catalog JNL (2012). A blocky headline typeface.
- Central Park JNL (2014).
- Changing Times JNL (2017).
- Chanson De Paris JNL (2018).
- Chinese Song JNL (2019).
- Chocolate Bar JNL (2016).
- Clean Deco JNL (2020).
- Cleveland Neon JNL (2016, based on the art deco neon sign for the iconic Clevelander Hotel located in the Art Deco district of Miami Beach).
- Club Lunch JNL (2016).
- Common Area JNL (2015).
- Contintental Gothic (2006).
- Cortland JNL (2009): modeled [in part] from lettering spotted in the opening credits of Columbia Pictures 1945 Batman serial.
- Cover Art JNL (2016). Based on a cover of an art deco era Portuguese magazine called Illustracao.
- Cover Charge JNL.
- Crestview Six JNL (2010). And its outline and shadow versions called Gramercy Eight JNL (2010).
- Cut Stencil JNL (2011).
- Dance Band JNL (2017).
- Dance Number JNL (2015).
- Dance Partner JNL (2015). Based a movie poster for the 1935 RKO picture "Roberta" starring Fred Astaire and Ginger Rogers, which in turn was based on the hit 1933 stage play that introduced the song Smoke Gets in Your Eyes. The play itself was based on the Alice Duer Miller novel Gowns by Roberta.
- Dance Routine (2019).
- Date Night JNL (2016, based on the opening title card for the 1931s pre-code movie drama Other Men's Women starring Mary Astor, Regis Toomey, James Cagney and Joan Blondell.
- Deco Days JNL (2018).
- Deco Design JNL (2020).
- Deco Diva JNL (2020).
- Deco Drop Caps JNL (2018). Based on an alphabet shown in Modèles de lettres modernes par Georges Léculier (1925).
- Deco Eccentrique JNL (2018) and Deco Multiline JNL (2018).
- Deco Banner JNL (2016).
- Deco Edition JNL (2017), Deco Moderne JNL (2017), Deco Nights JNL (2017),
- Deco Pen JNL (2017),
- Deco Revisited JNL (2020).
- Deco Roundpoint JNL (2018), Deco Semi Serif JNL (2017).
- Deco Sketch JNL (2020).
- Deco Spot Initials JNL (2020). A set of rounded art deco initials set inside circular borders, after Georges Léculier's Modèles de Lettres Modernes.
- Deco Hotel JNL (2015). A hairline deco typeface.
- Deco Geometric Stencil JNL (2015).
- Deco Style JNL (2018).
- Deco Paragraph Initials JNL (2015).
- Deco Pennant Initials JNL (2013).
- Deco Elongated JNL (2013).
- Deco Triline JNL (2017).
- Delancey JNL (2014). Inline and squarish.
- Design District (2006, art deco inspired design elements).
- Desk Clerk JNL (2010).
- Dine and Dance JNL (2015). Supper club deco, multilined.
- Direkta JNL (2012).
- Dip Pen Deco JNL (2019). Made with a round nib pen.
- Discotheque JNL (2018).
- Double Bill JNL (2013). Inspired by the promotional movie trailer for 1938 gangster comedy A Slight Case of Murder starring Edward G. Robinson.
- Double Line Deco JNL (2015).
- Drawing Tablet JNL (2011).
- Dress Shirt JNL (2018).
- Drexel JNL (2018).
- Dual Line Deco JNL (2017).
- Dutch Deco JNL (2020). Based on Anton Kurvers's hand lettering on the front cover of the 1927 magazine Het Vlaamsche Volstooneel.
- East Village JNL (2016).
- East To West JNL (2014).
- Easy Living JNL (2015).
- Easy Money JNL (2014).
- Erratic JNL (2014).
- Estella JNL (2008, starry art deco version of Farragut JNL). Jeff writes: Her father named her Estella Dawn, or morning star. She truly shines bright, for as the owner of Stella Roberts Fonts, she has dedicated part of her net profits to helping her siblings pay for their medication; they both suffer from Cystic Fibrosis and diabetes. Calm in spirit, loyal to friends and family, nurturing and caring, Stella has been a friend of Jeff Levine's for years. His Estella JNL font was dedicated to her, as is this other namesake font, Morningstar JNL.
- Eckhardt Showcard JNL (2008).
- Evening Gown JNL (2015). Based on an ad for the 1935 musical "Roberta" starring Fred Astaire and Ginger Rogers.
- Evening Initials JNL (2015).
- Evening Out JNL (2018).
- Evening Wear JNL (2014).
- Fancy Dancing JNL (2015). Based on sheet music titling for the 1938 movie musical "Carefree" starring Fred Astaire and Ginger Rogers.
- Fancy Deco JNL (2018: based on the 1934 French lettering book L'Art du Tracé Rationnel de la Lettre by D. Duvillé).
- Fancy Roman JNL (2018).
- Fashionable JNL (2016, art deco: based on print ads for the Hickok Jewelry Company).
- Fashion Statement JNL (2018).
- Faux Decaux (2007, fat art deco).
- Favorite Hangout JNL (2009).
- Film Noir (2010). A counterless art deco typeface based on Alf R. Becker's examples.
- Fine And Dandy JNL (2018, curly art deco).
- Fine Dining JNL (2016: inspired by the opening titles for the 1940 Barbara Stanwyck-Fred MacMurray film Remember the Night).
- Fine Food (2019).
- Finery JNL (2014).
- Flirtation Walk JNL (2018).
- Floorwalker JNL (2013). Based on stncils made in 1926 by Display Material Company of St. Paul, MN.
- Formal Dance JNL (2018, Dutch deco).
- Free Form Deco (2019).
- French Bistro JNL (2018, based on the 1934 French lettering instruction book L'Art du Tracé Rationnel de la Lettre).
- French Deco JNL (2018).
- French Geometric JNL (2018, based on an art deco alphabet by Georges Léculier, 1939).
- French Pastry JNL (2015).
- French Wine JNL (2018).
- Frisco Bay JNL (2007, a nice art deco).
- Funny Business JNL (2018).
- Funny Papers JNL (2017).
- Gambling Resort JNL (2014).
- Gidley (2007).
- Golden Beach JNL (2015).
- Golden Opportunity JNL (2015).
- Graduating Class JNL (2017).
- Grand Central JNL (2010): multi-line Art Deco font is reminiscent of all of the glitz and glamour associated with Manhattan in the 1930s and 1940s.
- Hatchery JNL (2016).
- Hollenbeck JNL (2008).
- Hollywood Revue JNL (2015). Inspired by a movie poster for The Hollywood Revue of 1929.
- Home Movies JNL (2012). Based on 1950s cling vinyl letters made by the Clingtite Letters Company of Chicago.
- Horse Drawn Carriage JNL (2016. Based on the title card for a 1935 Bette Davis feature entitled The Girl from 10th Avenue.
- Hotel District JNL (2016).
- Huntington (2006, an art deco typeface inspired by the opening titles of the film Casablanca).
- Hybrid Deco JNL (2020).
- Industrial Arts JNL (2017). An interpretation of Morris Fuller Benton's Phenix American, 1935.
- Informational Sign JNL (2016).
- Inline Retro JNL (2019).
- Jams And Jellies JNL (2016).
- Jazz Guitar JNL (2020).
- Juke Joint JNL (2014).
- Junior Clerk JNL (2017).
- Kiddie Show JNL (2017).
- Lauderdale JNL (2013).
- Light Line Deco JNL (2018).
- Limousine JNL (2010, counterless, caps only).
- Love Song JNL (2014).
- Malagueña Stencil JNL (2015).
- Maplehurst JNL (2010): a beautiful rounded ultra-fat face.
- Market JNL (2009).
- Metalworker JNL (2009), and its star-spangled derived face, NationalSpiritJNL (2009).
- Metalet Modern JNL (2008, based on the letters found within the Metalet Movie Titling Set manufactured by the Modern Display Advertising Company of Hollywood, California circa the 1940s. Each stamped metal letter would be affixed to the background surface via the use of miniature magnets. Once in place, titles for home movies or slides could be photographed, the letters then returned to their storage area in their box.).
- Midtown JNL (2010) and its serifed version, Crosstown JNL (2010).
- Millbrae JNL (2015). Named after the old Millbrae Theater in Millbrae City, CA.
- Modular Deco JNL (2018). Based on an alphabet shown in Modèles de lettres modernes par Georges Léculier (1925).
- Monoline Deco JNL (2014).
- Monthly Adventures JNL (2012).
- Moonlit Night JNL (2017).
- Moonlit Walk JNL (2017).
- More Deco Lettering JNL (2015).
- Movie House JNL (2013). A trilined typeface.
- Movie Screen JNL (2020). An art deco typeface based on the hand-lettered opening titles from the 1944 Laurel and Hardy comedy The Big Noise.
- Mulholland JNL (2015).
- Musical Number JNL (2015) and Musical Prelude JNL (2017), Music Lesson JNL (2020).
- Nameplate JNL (2016).
- Narrow Deco JNL (2019).
- Night Life JNL (2012).
- Nightspot JNL (2011). A bilined headline typeface based on lettering by Alf R. Becker.
- Nightowl JNL (2011): a headline font encased in rectangles inspired by an Art Deco hand-lettered alphabet found in a 1941 edition of the Speedball Lettering Pen instruction book.
- Nouveau Poster JNL (2011). based on an alphabet found in Modern Pen Lettering (1915, C. Howard Hunt pen company).
- Nyack (2010, Inline, Solid, Monoline): tall, caps only.
- Oceanfront Property JNL (2017).
- Parisian Playboy JNL (2017).
- Parkitecture JNL (2006): counterless and fat.
- Park West JNL (2020). An art deco slab serif.
- Party Invite JNL (2016).
- Pencil Pusher JNL (2014).
- Pen Lettering Sans JNL (2017, hand-crafted art deco).
- Pen Work JNL (2017).
- Penwrite JNL (2017).
- Performing Arts JNL (2018).
- Perfume Counter JNL (2017).
- Periodical JNL (2016). Based on a cover of a 1920s Spanish magazine called Nuevo Mundo.
- Period Piece JNL (2015).
- Piano Lesson JNL (2015).
- Piano Solo JNL (2015).
- Playwright JNL (2010): Levine's version of Broadway.
- Old Miami Beach JNL (2012). Based on signs of the Roney Plaza hotel in South Miami Beach.
- On The Town JNL (2016).
- Opening Night JNL (2013).
- Ormond JNL (2011) and Ormond Inline JNL (2011). The latter is a blackboard bold style face.
- Pocatello JNL (2016. Based on the cast and crew credits for Presenting Lily Mars (1943), (starring Judy Garland and Van Heflin.
- Pocomoke JNL (2015).
- Ornate Deco (2019). Based on an alphabet by Martin Meijer in Album de Lettres Arti (1949).
- Postmodern Moderne (2019). Based on an alphabet by Paul Carlyle and Guy Oring in their 1935 book, Letters and Lettering.
- Poultry And Fish JNL (2016).
- Presswork JNL (2020).
- Private Eye JNL (2019). Based on signage seen in 77 Sunset Strip, an ABC series that ran from 1958 until 1964.
- Prospect Park JNL (2015).
- Quite Animated JNL (2016).
- Radio Singer JNL (2017).
- Railway Depot JNL (2018: based on the 1934 French lettering instruction book L'Art du Tracé Rationnel de la Lettre).
- Regal Suite (2006, display art deco).
- Rhythmic Revue JNL (2018).
- Ridgewood JNL (2012).
- Ritz Stencil JNL (2011).
- Riverside JNL (2017).
- Roney JNL (2008, a stylized version of his own art deco typeface Metalet Modern).
- Seahawk JNL (2019).
- Screenplay JNL (2010): modeled after the signage seen in an old photo of the RKO movie studios building circa the 1930s.
- Service Deluxe JNL (2015).
- Sheet Music JNL (2011).
- Shopping Spree JNL (2016). Inspired by the hand lettering on the title card for the 1938 film Fast Company starring Melvyn Douglas and Florence Rice.
- Show Biz JNL (2013).
- Show Card Deco JNL (2017).
- Showgirl JNL (2011). Based on the neon letters of a 1940s marquee.
- Showpiece JNL (2014).
- Signage JNL (2013). A stencil in the style of Futura Stencil.
- Silver Screen Deco JNL (2020).
- Sleuth JNL (2013, after the trailer for the 1936 movie After The Thin Man).
- Social Gathering JNL (2016).
- Society Column JNL (2016. Based on the title card for the 1938 screwball comedy Four's a Crowd starring Errol Flynn, Olivia de Havilland and Rosalind Russell.
- Solid Deco JNL (2016).
- Song Album JNL (2016).
- Song And Dance JNL (2014).
- Song Sheet JNL (2014).
- Deco Drop Caps JNL (2018). Based on an alphabet shown in Modèles de lettres modernes par Georges Léculier (1925).
- Space Deco JNL.
- Stage Play JNL (2015).
- Summerhaven JNL (2009).
- Society Dame JNL (2008).
- Solitude JNL (2015).
- Song Folio JNL.
- Stationery Department JNL (2015).
- Streamlined Stencil JNL (2015).
- Striptease JNL (2012). A 1930s burlesque show marquee typeface.
- Stagehand JNL (2014).
- Stuffed Shirt JNL (2013).
- Stylette JNL (2007, an art deco typeface after Stylor JNL).
- Stylor JNL (2006, hairline art deco).
- Suggestion Box JNL (2015).
- Supper Club JNL (2007).
- Swing Era JNL (2015).
- Table Fortu JNL (2007, art deco stencil).
- Tall Order JNL (2015, a revival of Raleigh).
- Tanawonda JNL (2010).
- Thoroughfare JNL (2014).
- Ticket Booth JNL (2016. Based on the opening title card for 1940's Two Girls on Broadway.
- Tin Pan Alley JNL (2014).
- Top Hat JNL (after Art Lover JNL).
- Totally Deco JNL (2017).
- Town And Country JNL (2014).
- Travel Brochure JNL (2016, based on a vintage booklet from the Japan Tourist Bureau entitled How to See Matsushima and Environs).
- Triborough JNL (2008).
- Tropical Tourist (2011). A 1934 advertisement for the Roney Plaza Hotel at 23rd Street and Collins Avenue on Miami Beach yielded the inspiration for Tropical Tourist JNL.
- Type Uncommon JNL (2015).
- Upscale JNL (2014, based on a 1939 alphabet by Sanford Ink Company).
- Uptown JNL (2013). Based on the book Sixty Alphabets (1944).
- Tap Water JNL (2016).
- Thin Line Deco JNL (2016).
- Top Tune JNL (2018).
- Torrid Tango JNL (2018).
- Uptown Line JNL (2015), Uptown Residence JNL (2015), and Uptown Review JNL (2017).
- Van Wyck JNL (2008).
- Variety Store JNL (2015).
- Vaudeville JNL (2012).
- Vocalist JNL (2014).
- Weekend Plans JNL (2020).
- Westbrook JNL (2012, a monoline all-caps typeface), Window Dressing JNL (2012).
- Window Treatment JNL (2013). A Broadway style marquee face.
- Wingate JNL (2006, a narrow monolinear art deco type).
- Wonderful JNL (2014).
- Words And Music JNL (2014). Based on the 1934 sheet music for I'll String Along with You from the Dick Powell-Ginger Rogers musical 20 Million Sweethearts.
Illustrator and art director in Belfast, Northern Ireland. Designer of the hairline avant-garde caps display typeface EO (2012-2013), which is inspired by and named after biologist E.O. Wilson.
Behance link. [Google]
American designer of the hairline sans typeface Penelope (2019), Curson Handwriting (2019) and the script typeface Charlotte (2019). [Google]
[Insigne Type Design Studio (was: Dooley Type)]
Graduate of Ringling College of Art and Design. Wilton, NH-based creator of Simple Dandy (2014), Perlines (2014, textured all caps typeface), Xack (2014, a tall geometric hairline sans) and the counterless black typeface Blooky (2014). Dafont link. [Google]
[Jeremy Tankard Typography]
Jeremy Tankard Typography
Jeremy Tankard established Jeremy Tankard Typography in 1997, after corporate design work at Addison Design Consultants and Wolff Olins. This Londoner made some extraordinary and daring font families. In many of his typefaces, Jeremy mixes upper and lower case letters for more impact. A list of his typefaces:
- FF Disturbance (1993, a unicase based on Sabon).
- Alchemy (1998). Mystical. To be used with Enya's music in the background.
- Blue Island (1999, Adobe).
- The Shire Types (1998, consisting of Shire-Cheshire, Shire-Derbyshire, Shire-Shropshire, Shire-Staffordshire, Shire-Warwickshire, and Shire-Worcestershire). Shire Pro followed in 2011 and Shire Arabic in 2012. Shire is based on idiosyncratic vernacular lettering seen across Britain.
- Enigma (1999-2015). A great text typeface family with influences going back o Hendrik van den Keere.
- Shaker (2000) A sans serif with some flaring.
- Harmony Greek, a typeface that netted him a Bukvaraz 2001 award alongside the Shire Types and Shaker.
- Aspect (2002). A typeface with many ligatures and swashes.
- Bliss (Agfa Creative Alliance). Bliss Pro (2006), a sans family, covers Latin, Greek and Cyrillic ina harmonious fashion.
- Corbel (2004). A sans family made for Microsoft's ClearType project, for which he received a TypeArt 05 award.
- Custom designs: Epsilon (a very bold face, supposedly designed for the Düsseldorf branch of Frogdesign) and Harmony (for Telstra in Australia).
- Kingfisher (2005). A transitional petit-Bodonesque serif family.
- Arjowiggins (2006). Tankard cooperated with Arjowiggins and design agency Blast on AW Inuit that was commissioned by ArjoWiggins for the launch of the Inuit paper: it is a unicase Latin font inspired by Inuit letterforms. See also at MyFonts. The typophiles are unjustly upset at this sort of typeface though.
- Trilogy (2009). This extensive typeface family consists of Trilogy Sans Compressed, Trilogy Sans Condensed, Trilogy Sans Normal, Trilogy Sans Wide, Trilogy Sans Expanded, Trilogy Egyptian Normal, Trilogy Egyptian Wide, Trilogy Egyptian Expanded, and Trilogy Fatface.
- Fenland (2012). A 14-style ink-trapped sans.
- Redisturbed. A classical unicase typeface.
- Capline (2014). A bilined all-caps typeface family for titling work. It won an award at Modern Cyrillic 2014.
- Queezoid (2015).
- Pembroke (2014). A British geometric typeface family with many weights ranging from Hair to Ultra.
- De Worde (2017). An italic typeface family in seven weights to celebrate the 60th anniversary of e Wynkyn de Worde Society.
- Wayfarer (2017). He writes: The typeface was originally commissioned for use with a new wayfinding system for the city of Sheffield in the UK. As Sheffield was the home to the type foundry, Stephenson. Blake & Co. it had been thought that their type, Granby Condensed would be suitable. The Granby family of types was developed during the 1930s as Stephenson, Blake's contribution to the general cashing in of other foundries on the popularity of Monotype's Gill Sans and the geometric sans serifs being introduced by the continental type foundries.
- Hawkland and Hawkland Fine (2018). A text typefaceC with didone and transitional elements.
- Brucker (2019). An 8-style angular expressionist typeface family.
Fontfont write-up. Alternate URL. Interview by Planète Typographie. Interview by Brendan Staunton. FontShop link. Klingspor link. MyFonts link. [Google]
Jill Pichotta began working for Font Bureau as an apprentice with David Berlow in 1991, honing her skills on projects for Rolling Stone, Esquire, Condé Nast Traveller, The New York Times and Apple Computer. She has managed the production of retail releases for independent designers since 1993, and has contributed several typefaces at Font Bureau. In 2016, Jill Pichotta became Principal Product Manager for Type Network, overseeing type development and quality for the company's global alliance of foundry partners. Jill Pichotta's typefaces:
- Gangly (1996-1998). Codesigned with Joe Polevy.
- HipHop (informal printing, 1993).
- RomeoSkinnyCondensed (1991). One of the thinnest fonts on earth.
- Rats (with Jean Evans, 1997).
- FB Garamond Text and Display (1992-2000). Modeled after Ludlow's Garamond done in 1929 by Douglas Crawford McMurtrie and Robert Hunter Middleton.
- Californian FB Text and Display (1994-1999). Done in cooperation with David Berlow and Richard Lipton.
- A redesign of Matthew Carter's Postoni (1997), called Stilson (2009, with Richard Lipton and Dyana Weissman): Since 1997, The Washington Post's iconic headlines have been distinguished by their own sturdy, concise variation on Bodoni, designed by Matthew Carter. For the 2009 redesign, Richard Lipton, Jill Pichotta, and Dyana Weissman expanded the family with more refined Display & Condensed styles for use in larger sizes. Originally called Postoni, the fonts were renamed in honor of The Post's founder, Stilson Hutchins.
- Caslon FB (1992, Font Bureau) comes with this text: Our familiar Caslon Bold headletters were invented around the turn of the twentieth century in the United States and were only loosely based on William Caslons romans. The best of the Caslon Bolds originated at the Keystone Type Foundry of Philadelphia, whose Caslon Bold Condensed appeared about 1905, probably drawn by R.F. Burfeind. Jill Pichotta revised his Bold Condensed&drew the Bold Extra Condensed.
FontShop link. [Google]
[SUMO Design (or: Hello Fonts)]
Jimena San Pedro
Designer in Buenos Aires who created a geometric hairline sans typeface called Oceanica (2012).
Behance link. [Google]
Portuguese co-founder, with Benoit Dupuis, of Tropical Type Foundry in 2020. In 2020, Benoit Dupuis and Joana Roca designed and released Shoika, a 24-style geometric sans family featuring a hairline weight called Air. [Google]
Creator of the hairline condensed elliptical typeface Gandhi (2011). [Google]
[yrmk (was: Youremin)]
[The Northern Block (TNB)]
[Hoefler (was: Hoefler&Frere-Jones, and Hoefler Type Foundry)]
Jose Luis Eguidazu de Maortua
Madrid-based designer of a hairline compass-and-ruler avant garde caps typeface in 2016. Aka Double Monkey. [Google]
José Manuel Urós
Josep Pep Patau i Bellart
[Tipo Pepel (was: Antaviana Typeface Division, or: Astramat)]
During his studies at Pennsylvania State University in University Park, PA, Joshua Ryan Fallon created the hairlined typeface Versa Condensed (2013). [Google]
Type designer from Minneapolis, Minnesota, b. 1974. He created the monoline upright connected script family Hennepin (2011), and the ultra-fat art deco slab typeface Thickset (2011), and its companion hairline slab typeface Thinset (2011). Mere (2011) is a monoline geometric sans. Simpleton (2011) is a fat display face. Calhoun (2011) mixes a liquid style with tear drop terminals.
Mortadella (2012) is a hand-drawn burly-looking sans. Mol (2012) is a mini-serifed didone display face.
MyFonts link. Behance link. Cargo Collective page. Klingspor link. YWFT link. [Google]
Joshua M. Smith
Designer (b. 1985, Marburg) at 26-plus Zeichen in Germany, who is based in Köln. He graduated from the University of Applied Sciences in Trier in 2010.
In 2010, he designed Telegraph Sans and Telegraph Serif and Hellschreiber (2011, Sans and Serif), the latter at Die Gestalten. The name Hellschreiber originates from an old Siemens telegraph system (or Hell-Schreiber, named after Dr. Rudolf Hell). Both fonts have the look of typewriter type and were inspired by Courier.
In 2012, Joerg started the Joerg Schmitt Foundry. His first typeface there is the pleasing rounded monospaced typewriter style sans family Ingrid Mono (from Hairline to Bold).
Fansy (2013) is a prismatic typeface. In 2014, he created the (curly) ironwork typeface Snappy.
In 2017, he published the very readable soft sans typeface Oblivian Grotesque and the sharp-edged Oblivian Text, which is characterized by a kneeling italic f.
Klingspor link. Behance link. 36plus Zeichen link. [Google]
Parisian designer of the hairline hipster typefaces Claustrophobia (2014) and Island (2014). [Google]
Juan Pablo de Gregorio
Hamburg-based designer of the hairline sans typeface Juis Delight (2013) and of the geometric sans typeface Concrete (2013). [Google]
Julien Priez (b. 1986, Montreuil, France) studied typography and type design at Ecole Supérieure Estienne des Arts et des Industries Graphiques in Paris (2006, 2008). In 2010, he worked at Atelier Pierre di Sciullo in Montreuil. Recently, he was affiliated with the French type foundry FontYou. His typefaces:
- Rag FY (2013). A wavy brush typeface co-designed by Julien Priez, Sofia Proisy and Charles Privé at FontYou.
- Le Normandie (piano key face). Le Normandie was expanded at Fontyou in 2014 to a gorgeous display triple of fonts, Normandie FY (Modern, Gothic, Italian). Der Klaus (2011) is a blackletter version of Normandie.
- Le Montreuil (2010). An experimental poster typeface family done at Estienne with the help of Michel Derre, Margaret Gray et Franck Jalleau.
- Le Briqueterie (2010). Done with Pierre di Sciullo's studio: a modular pixelish family.
- Le Baaf (2010). Done with Margaret Gray: an experimental titling face, based on the stained glass windows of a cathedral in Ghent, Belgium.
- Le Composite (2010). An imaginary letter font made under the guidane of Michel Derre and Franck Jalleau.
- Le Jimmy (2009). A typeface done to invoke the 1930 mafia. A beautiful idea executed with the help of Michel Derre, Margaret Gray and Franck Jalleau.
- Typetool (2010). An ornamental caps typeface).
- At Fontyou, Benjamin Lieb, Gia Tran and Julien Priez co-designed the hand-drawn typeface Brixton FY (2013). Not to be confused with two earlier typefaces called Brixton, one by Tom Chalky, and one by Luke Ferrand. Since two of the three Brixtons are commercial, I expected FontYou to change the name.
- In 2014, Adrien Midzic, Jason Vandenberg, Jérémie Hornus, Julien Priez and Alisa Nowak co-designed the creamy script Vanilla FY. It was renamed Vanille FY after a few days.
- The punchy poster typeface Kraaken FY (2014) was designed by the FontYou team of Bertrand Reguron, Alice Resseguier, Valentine Proust, Julien Priez, Gia Tran, Jérémie Hornus, and Alisa Nowak.
- In 2014, Jeremie Hornus and Julien Priez co-designed the hairline typeface Gauthier Display FY.
- Mandinor FY (2014) is a decorative didone typeface---it comes with separate Gothic (blackletter) and Italian (Western) variants, and is accompanied by Mandinor Ornaments FY. Still in 2014, Julien Priez, Hugo Dumont, Jérémie Hornus and Alisa Nowak co-designed Rowton Sans FY, a sans family patterned after Gill Sans in six weights, from Hairline to Bold---named after Arthur Eric Rowton Gill, it has the Gillian lower case g but italic lowercase is a bit too far afield for my own taste, especially the squeezed g.
- Julien also drew many calligraphic alphabets, some of which will eventually become fonts.
- Michel Derre and Julien Prez jointly won the Bronze Medal in the Latin category for Abelha in 2016 at the Morisawa Type Design Competition 2016.
Behance link. Julien Priez Drawing link. [Google]
Julien Tourdot writes about himself: I am Juart Little aka The Digital Blue Collar Worker. I am a graphic&web designer residing in Paris (France).
Behance link. Dafont link. Devian tart link.
In 2010, he created the script typeface Someothaship, the octagonal typefaces Vador and Bionic, and the hairline face Lafine. In 2011, he made the Juart script face.
In 2012, he did Sickofont and Juart (YouWorkForThem). [Google]
Freelance designer from Slovakia, b. 1981, Zilina. He set up shop at MyFonts in 2009. His typefaces:
- 2009: Stanislawski (display sans), Bonatti (simplified sans), Motyka (an octagonal family).
- 2010: Cassin (dingbats), Birkenmajer (blackletter and curly), Ruman (a piano key font not unlike many of the modular fonts made over at FontStruct), Komarnicki (geometric---it is largely based on arcs of a circle), Batura (ornaments), Flexi Social Icons (a set of 64 social network and media buttons), Messner (a hairline sans), Kammerlander (a high-contrast all caps Peignotian face that Juraj claims is well suited for fashion mags), Runout (a black marker face), Walker (a floral dingbat face), Trango (an unevenly spaced fun childish hand-printed face), Chogolisa (an elliptical sans family).
- 2011: Primitive Icons (dingbats), Manaslu (his first cartoon font), Baltoro Sans (humanist sans), Masherbrum Slab Thin (hairline slab for fashion mags), Latok (a fat keyhole-themed art deco display face), Makalu (a flower dingbat typeface inspired by the lovely drawings of the famous illustrator Zdenìk Miler), Besley Hand (hand-printed didone), Ambassador (a hairline roman capitals face, ideal for glossy fashion mags. Its high-contrast Peignotian companion is Snob), Greenhorn (a comic book face), Gamba (an elliptical typeface), Valibuk (a strong black sans headline face), Lomidrevo (a grunge stencil derived from Valibuk), Baronessa (hand-printed poster face), Baron (hand-printed poster face).
- 2012: Rumbarak (inspired by the titles of a few old Czech movies for children), Boudoir (a hand-printed poster face), Fimfarum (a wonderful set of hand-printed poster typefaces that can be mixed and matched for certain effects).
- 2013: Gentleman (a sans family from hairline to black), Amundsen (an all-caps stencil typeface), Smart Labels (badges), Lustig (an interlocking poster font), Hilton Sans and Hilton Serif (fashion mag headline typefaces kerned and spaced by Igino Marini), Handy Labels, Loco (a counterless geometric art deco face), Charmante (hand-drawn poster typeface).
- 2014: Fram (an uppercase stencil typeface for Latin and Cyrillic), General (neutral sans family with a very thin hairline weight).
- Fonts from 2015: Vagabundo (hand-brushed), Britva (a glaz krak typeface derived from Valibuk).
- Typefaces from 2016: Gerlach Sans, Gibon (a cartoon font).
- Typefaces from 2017: Mysteria (hipster sans).
- Typefaces from 2019: Freud (a 9-style sans).
Pic. Myfonts link. Creative Market link. Klingspor link. Fontspring link. Behance link.
Showcase of Juraj Chrastina's typefaces at MyFonts. Behance link.
View Juraj Chrastina's typefaces. Showcase of Juraj Chrastina's typefaces at MyFonts. [Google]
Slovenian Jure Stojan designed the sans serif family JY Koliba in 2000 at Jack Yan and Associates. Check out that wacky "g", and the great hairline style. Also at Jack Yan, he published Raj JY (2001-2011), KlinJY (2003; first done for a student magazine in Ljubljana) and JY Shapa (2014, a calligraphic serif typeface family).
In 2017, designed published Saj JY, a heavily modulated sans with some exaggerated characters, which was published by Jack Yan. [Google]
Designer of the hairline sans typeface Elegant Light (2011). [Google]
Type designer (b. 1929, Wiesenkirch, d. 2010) at Typoart Dresden (former East Germany).
Karl-Heinz was enrolled in the Humanistic Gymnasium at Elbing from 1939 to 1945 and changed to the Wernigerode High School after his family had to flee to central Germany. From 1949 to 1951, Karl-Heinz Lange studied at the Werkkunstschule Halle, where one of his teachers was Professor Post. After 1951, he continued his studies at the Hochschule for Grafik und Buchkunst in Leipzig with an emphasis on book design. He received his diploma in 1955 with distinction based on his design of a hot metal typeface. From 1956 to 1961, Karl-Heinz Lange worked as a lecturer for Type and Commercial Graphics at the Hochschule für Angewandte Kunst in Magdeburg. From 1961 to 1963, he taught at the Hochschule für Grafik und Buchkunst in Leipzig, and finally as a freelance commercial designer in Magdeburg. From 1969 to 1976 he was Artistic Director at Henschelverlag, Berlin. From 1976 until 1994 he was Professor of Type and Typography at the Fachschule für Werbung und Gestaltung in Berlin. From 2005 to 2007 he taught at the Fachhochschule Magdeburg/Stendal.
Karl-Heinz Lange was awarded the second prize at the International Type Design Contest 1971 for a headline typeface, and, in 1984, at the XIth Biannual of Graphic Design in Brno, he won a silver medal for Publica. He created the telephone book typeface Minima and redesigned the Typoart Super Grotesk (Arno Drescher, 1930) as well as the newspaper typeface Magna (originally by Herbert Thannhaeuser). His fonts include:
Obituary (in German) by Ivo Grabowitsch. [Google]
- Publika: a sans typeface developed between 1981 and 1983---this must have been one of the last big East German typefaces.... It obtained a silver medal at the Bienale of Graphic Design Brno 1984.
- Primus (a 1962 workhorse family for the magazines in the DDR), Magna (a DDR magazine text typeface from 1968) and Typoart Super Grotesk. These metal typefaces were adapted for Phototype by Lange.
- Minima (1984): a narrow sans designed for the DDR's telephone directory. Revived by Ralph M. Unger in 2017 as Tablica.
- ViabellaT H Pro (2009-2016). From 2006 until 2009, Veronika Elsner and Günther Flake helped Lange with his new signage script typeface Viabella. Earlier, Elsner and Flake published Lange's Rotola (1985/2007). Viabella and Rotola were adjusted and finished after Lange's death by the type designer Björn Gogalla.
- At the end of his life, Lange had a fruitful cooperation with Primetype. His old typefaces were revived in 2009 with the help of Ole Schäfer as Publicala [PTL Publicala has 60 typefaces], Minimala [PTL Minimala is a family of 96 fonts from Primetype] and Superla [PTL Superla has 64 styles in the geometric/Futura genre]. The first two names refer, of course, to Publika and Minima.
- Rotula TH Pro (2016, Elsner & Flake). When first developed in 1985 at Typoart, Lange called this circle-themed psychedelic font Boutique. It was further developed by him from 2006 until 2009, and finally published by Elsner & Flake after his death in 2016.
Wroclaw, Poland-based designer of a hairline display typeface in 2018. [Google]
Katatrad (was: Behaviour)
The idea of Katatrad originally comes from the vision and support of Cadson Demak design team. Started out by a type design exhibition project and transformed itself to a boutique font collection. Katatrad, which is located in Bangkok, offers fonts from new and up coming designers from Thailand. The collection is also available in standard Latin set and Latin&Thai version of the same font. Stawix Ruecha (Katatrad) designed the super-contrasted didone family Xree (2011) and the rounded octagonal family Nubb (2012). They cover Thai and Latin. Katatrad was previously known as Behaviour, est. 1996. In 2006, Katatrad published Fiber Eno, a cross between OCRA and OCRB. In 2005, they did OCR-Be. In fact, many of their typefaces have octagonal roots. Katatrad published Beauty in 2011. Pharmasee (2011) has medical dingbats.
In 2012, Stawix was established in Bangkok.
In 2015, the Katatrad team and Cadson Demak (and especially Thanarat Vachiruckul) published the free loopless Thai / Latin typeface Prompt. It won an award at Granshan 2016.
In 2018, they designed Niramit (Google Fonts, Cadson Demak).
In 2019, Katatrad developed the free version Readiness of their geometric sans typeface family Prompt.
Images of their best-selling typefaces. [Google]
Graduate of Middlesex University who lives in London. She created a compass-and-ruler monoline sans typeface with three weights called Compass (2012). [Google]
Overland Park, KS-based student-designer (at KU) of the hairline sans typeface Kindred (2018). [Google]
Thai type designer who publishes at Stawix Type foundry. His first typeface there was Rit Graph (2014), which emulates the writing by engineers and architects on technical drawings. His second typeface, with Stawix Ruecha, was the beautiful Frygia (2015, a rounded industrial sans in 20 styles, from Hairline to Heavy).
In 2017, he designed the fun 3-style rounded sans typeface Merlod at Stawix.
Typefaces from 2018: Yotin, Infoma (a techno sans done with Stawix Ruecha), Kinn (an industrial sans). [Google]
Saint Augustine Beach, FL-based creator of the hairline typeface Vue (2012, deasigned during a typography course), and of Collected (2013) and Collected Decorative (2013).
Fontspace link. Behance link. [Google]
Kenneth Pilo is art director and creative director of pilo.se, his own virtual agency in Sweden. He has worked in the advertising business since 1977. Since 2003, he has also been the driving force behind the online community bold.se, a meeting point for the Swedish advertising business. In collaboration with Mårten Fischer, Ray Larabie of Typodermic, and Göran Söderström of Pangea Design, the biline headline display font Pilo (Regular, Thin) was created in 2007-2009 and is available at Veer. It is based on the logotype of bold.se, which in turn was designed by Björn Höglund at Daddy. Typedia link. [Google]
[A New Machine]
Creator of the free sci-fi hairlined outline font Freeze (2012). [Google]
[Douglas F. Olena]
Douglas Olena's company, Keystrokes, is located in Birmingham, AL. Great typefaces by Doug Olena (b. 1953) include Adastra (Herbert Thannhaeuser, 1928, revival 1995), Ampersands (1995), Arwen (1995), Blocks (1995, a very black geometric face), Elegant (1995, art deco), DecoBats, Hindenburg (1995), Informal Black (1995), Marquis (1995, like Broadway), Maximilian (Rudolf Koch, 1917, revival 1995), Metropolis and Metropolis Shaded (1928, after Willy Schwerdtner), Minimal (1995, a very thin avant garde font), FFD Neuland (Rudolf Koch, 1922, revival 1995), Newton Inline (Rudolf Koch, 1928, revival 1995), Poetry (1995), Questions (1995), Searsucker (1995, another Broadway style font; see Agfa), FFD Sphinx (Deberny&Peignot, 1925, revival 1995), Stalk (1995), Tube (1995), and the classy MontBlanc Regular and MontBlanc Engraved. Fox and Arwen are freeware. His fonts at Agfa/Monotype: Adastra, Ampersands, Arwen, Blocks, Elegant Inline, Elegant Open Face, FFD Neuland, FFD Neuland Inline, FFD Sphinx, FFD Sphinx Inline, Hindenburg, Informal Black Condensed, Informal Black, Marquis, Maximilian, Metropolis ShadedCS, Minimal, Newton Inline, Poetry, Poetry Inline, Questions, Searsucker, Searsucker Bold, Searsucker Outline, Stalk, Tube. His CV reveals that he has a Masters in Philosophy! Many of his fonts have been absorbed into the Monotype collection without further mention of Olena or Keystrokes.
FontShop link. Klingspor link. [Google]
Aka ghostcreamd. Mansoura, Egypt-based creator of the free hairline sans typeface Luxury (2017; the name inside the font is verylightnormalfont). [Google]
Kim Si Nai
Jeonju, South Korea-based creator of The Match (2011), The Tongs (2011), A Needle and Thread (2011; images: i, ii), The Clip (2011), The Fan (2011, a hairline script face---images: i, ii), The Clip (2011, paperclip face), The Safety Pin (2011) and The Straw (2011). Aka Kim baby. [Google]
Kinetic Plasma Fonts (was: Cannot Into Space Fonts)
Cannot Into Space Fonts is the free font studio of Robert Jablonski (b. 1991), who is based in Indiana. Before this studio, Robert used to make fonts at FontStruct under the alias Rabbid Bahh. Mew Too (b. 1991, Indiana) is co-lead designer for Cannot Into Space Fonts. Jasper (b. 1996) joined in 2015.
The fonts include first and foremost the large geometric sans typeface family Nordica (2014) and the large grotesque family Hussar (2014). Other typefaces: Warszawa (2016: a wide display sans), Camo3 (2016, camouflage pattern fonts), Armata (2016, sans), Bolshevik (2016, constructivist), Rabbid Highway Sign II (2015, a sans, followed by IV in 2016), Rocketfuel (2015, by Mew Too), Charger (2015, a sans by Jasper; see also the 2016 typeface Charger Pro), Kabina (2015), Just Breathe (2015), Polan Stronk (2015), Apple Storm (2015), Numb Bunny (2015), Hi (2015, with Mew Too), Hussar Motorway (2015, an arrow font), Hussar Szturm (2015), Hussar Print (2015), Happy Time (2015, transitional; done with Mew Too and forked from TeX Gyre Termes), Distraught (2015), Curly Kue (2014), Filament (2014), Thicker Than (2014), BigWriter (2014), SuplexDriver (2014), Loogie Hawk (2014), Squared Hand (2014), Polan Writings (2014), Waterfire (2014), RDJ Hand (2014, a pixel typeface), Bwahh (2014, FontStruct font), DinKursivschriftEng, DinKursivschriftGhostEng, DinKursivschriftLeftEng, PolanCannotInto (2014, +DIN, +Shqip), PolskiDINKursivschrift (2014), Rabbid-Highway-Sign (2014, FontStruct font).
Typefaces from 2015: Warsaw Gothic (a modification of a font by The League of Movable Type, 2009), Sztylet Bold (not a "Cannot Into Space Fonts" font, this heavy geometric sans is a derivative of Hussar by "Crazy Dave" at Plus One Fonts), Trueno (by "Jasper"; an extensive sans family based on Julieta Ulanovsky's Montserrat (2014)), Passageway (based on an Ascender design from 2010), Fog Sans (a derivative of Intel's Clear Sans from 2012), Asimov (a derivative of Roboto), Rocketfuel, Be Happy (a smiley doodle font by Mew Too), CSF Camouflage Kit (dingbats), Stormning Aesir (an outlined version of Stormning, with Mew Too), Blink (a condensed sans in nine styles, by Mew Too), DIN Kursivschrift (an update of the earlier font), Stormning (a Norse runic font co-designed with Mew Too; followed in 2016 by Ny Storming), Analytik, Through The Black, Ruined Serif, Warp Storm, Give A Hoot (2016: sans family).
Special mention: Hussar Techniczy (2015), Hussar Ekologiczny (2015), Hussar Paneuropjskich (2015, a hacker font). In Jablonski's own words, it is an April Fool's day joke font. We were inspired to make it by Erik Spiekermann's April Fool's day joke font "FF Mt", which was a disemvoweled version of Meta, and by "Lato Saves Billions", by Lukasz Dziedzic and Adam Twardoch, a Miniaturized version of Lato. Hussar Paneuropjskich (Polish for Paneuropean) is a "universal European font".
Designs made with FontStruct: Bwahh, Rabbid Highway Sign, Handwriting series, Waterfire, Numbbunny, Squarish, Proton, Jag Elskar Dig (I Love You), Applestorm, BigWriter, Squared Hand, Gib Font Plox, Blanket, Dictator, Krieg Font, Thicker Than..., HoneyBee, Just Breathe, Reckless Catfish, Tape, Polanwritings, Filament Serie, Curlykue, Børk Börk, Loogie Hawk, Take Off, Piccolo, Suplexdriver, Kabina, Polanstronk, Subtitle, CiSf OpenHand, Mewtoo Hand, Distorted series, I Like Turtles, Analytik, Koop, Carwash, Anarchic Type, Messed Up, Drag You Down, Blindside, Through The Black, Warpstorm, Ruined Serif, Distraught, Photofail, Sprayer, PlasticEraser.
Typefaces from 2016: Ember, Retroscape (a pixel typeface made with FontStruct).
Typefaces from 2018: Hussar Motorway (arrows), Anxiety, Mew Too Catdings.
Typefaces from 2019: Connection II (pixel font).
Fontspace link. FontStruct link. Dafont link. Open Font Library link. One Drive link to download all his fonts at once. [Google]
King Fahd Glorious Quran Printing Complex
[Ashfaq A. Niazi]
Ashfaq A. Niazi is a designer in Lahore, Pakistan, who graduated from Govt Islamia College in Lahore. Since 2008, he is associated with the King Fahd Glorious Quran Printing Complex in Saudi Arabia, which in 2009 released the free Arabic language font Uthman Taha's Naskh (2008, +Bold). Earlier fonts by King Fahd Complex include QCF P001 and QCF BSML, which are here. He also made the free symbols typeface KFGQPC Arabic Symbols 01 (2010). In 2008, Peter Bilak, Eike Dingler, Ondrej Jób, and Ashfaq Niazi created the 21-style family History at Typotheque: Based on a skeleton of Roman inscriptional capitals, History includes 21 layers inspired by the evolution of typography. These 21 independent typefaces share widths and other metric information so that they can be recombined. Thus History has the potential to generate thousands of different unique styles. History 1, e.g., is a hairline sans; History 2 is Peignotian; History 14 is a multiline face; History 15 is a stapler face, and so forth.
He writes: My objective is to work on Quranic Fonts, with Latest Digital Technology, and enhance them for the maximum visibility. My aim is to produce High Quality Mushaf & Naskh fonts, with the best possible placement of Tashkeel (Diacritics). I've developed, Indo-Pak Quranic Calligraphy System (QCS), Full Quran, having more than 15000 Ligatures, now used widely in Pakistan, for the printing of Quran. Now this complete package is free for everyone.
Typedia link. [Google]
German designer in Recklinghausen, Germany of First Strike (2008, FontStruct) and First Strike Spaced, a grid-overlay of First Strike. Other FontStruct fonts from 2008: Aria Penci Roman (sketched font), Canned Heat (dingbats), Guttermouth (slab serif), Guttermouth Spaced (dashed version), Guttermouth Bold, Bloc Party Outline Shadowed, BabyBaby (toy blocks), Possibly Winged Polepieces, Skylines, Canned Heat, Simplicity, Stadium, Brussels (inspired by the Atomium), Cardboarder (nice 3d face), Crazytown (a Western font, an hommage to Maurice de Bevere, creator of Lucky Luke, 1923-2001), Itallica, Orica*cut, Orica, Pavement, Moduli, Tinka, Tinka Filled, Moduli, Loreylane, FS United One, (gorgeous sketched letters), babybaby, bellevue, bloc-party-outline-shaded, brussels-contourized, elceedee, eurofiction, horrorhouse, plenum, scratch-me-if-you-can, simplicity, skylines, sophia---superlight (hairline), stadium, werkshalle (Ferrari lettering font?), schachmatt (stitching font).
In 2009, he added Terence Kill (blackletter), Cellophone, Amanerd (texture face), Drenama, Poster Classic, Midnight Diner, Sunburst, Signo, Multiverse (Basic, Striped, Alaska, Couch), Pointless Task, Broadway (dotted outline), Mostly, Terence Kill (blackletter), Pole Position (dot matrix), Antares 37 (Startrek font), Figure Collection Part 1 (dingbats), and College Pornmag.
In 2010, he made Motown Motel, Olympic Spirit (dot matrix outlined), Cyclobe Pro (octagonal), Gappy, Burtonesque.
In 2011, he FontStructed the gorgeous typeface Vuvuzela, Dance (dancing men), and Zapotek (elliptical face), Asgardian, Legendary (eleven movie stars).
In 2012, he created CMND (outline face) and Equinoxe.
In 2013, Christoph made the crayon font Grungarian and Histamic.
Typefaces from 2014: FS Dark Shogun, FS Galaxy Epsilon (3d font), FS Tigerwood (striped font), FS Orica Stencil, FS Moduli, FS Underworld (blackletter), FS Pointless Task (dot matrix font), FS Horrorhouse, FS Werkshalle (one of my favorite fonts in this collection), FS Brussels (connect-the-dots typeface inspired by the Atomium), FS Skylines, FS Signo, FGS Orica, FS Plenum, FSAntares37, FS Old Brewhouse, FS Commander.
Dafont link. [Google]
Kometa is Christian Jansky's type foundry located in Brno, Czechia. His typefaces: Attila Sans (a contemporary sans with an attitude, 2019), Labil Grotesk and Stabil Grotesk (2018, based on his Masters thesis), Victor Serif (2019, a transitional typeface famiy named after Victor Lardent who designed Times New Roman; it has a variable option with a weight axis). Home page. [Google]
Kreative Korporation (was: Relay Fonts, or: Kreative Software)
Relay Fonts (Rebecca Bettencourt, aka Beckie RGB, and also known as Kreative Korporation and Kreative Software) offers a number of free fonts.
- Their main list of fonts, 2003-2010: Alisha, CosmicSpamMS, DotCom, Eighteen, Felicia, FluorineLite, FluorineLiteMikiana, Glass, GlathenGirl, Infinity, Kaileen, Kawakimi, LongIsland, LongIslandIcedTea, Madgecrack, MikaPro, Miranda25, Miranda27, OpenDocRocks (hairline sans), SixthKristenSquirt, Sorority, Tenbitesch, ThiMegaTampon.
- Designers in 2008 of the large free typeface Constructium seen at the Open Font Library.
They write: Constructium is a free font for supporting constructed scripts, as encoded in the Unofficial ConScript Unicode Registry. It is based on SIL Gentium and thus released under the SIL Open Font License. Constructium is ideal for mixed Latin/Greek/Cyrillic, IPA, and conlang text, thus well suited for conlangers' web sites. In addition to most Latin and Greek, basic Cyrillic, and IPA extensions, Constructium supports the following conscripts: Tengwar, Cirth, Amman-Nar, Olaetyan, Seussian Latin Extensions, Sylabica (isolated forms only, no syllables), Unifon, Solresol, Glaitha-A, Glaitha-B, Deini, Kamakawi (encoded at U+F000), and Klingon.
- They made the pixel fonts Chixa, Epilepsy Sans (2011), Fairfax (+Bold, +Italic, +Serif), FluorineMicro, Goethe (+Bold), Hippauf, KKFixed4x5, KKFixed4x7, KKPx4, Magdalena (+Bold), McMillen (+Bold), Mischke (+Bold), Monterey (+Bold), SeaChelUnicode, SixteenSegments, dwtMicro, dwtMicroMask.
- Fontstructor who made SF Subway (2011), a kitchen tile typeface based on tiled lettering seen in the San Francisco MUNI system, Underclocked (2012), Great Rounded Matrix (2012, a dot matrix face), Fonteriana (2014), Thin Martin (2014).
- Discontinued fonts: Berkelium Bitmap, Endcurled, Lauren, Sunflower's Illegible Writing, Berkelium Type, Fluorine, Mikkav, Unmodified Fax, C Colon Backslash, Hydrogenfluoride, Modern Grease, Copyright Renewed, Infinite, Signatures.
- Conlang fonts: Constructium, Nuvenon (Tehano Venon for Ayeri).
- The Urban Renewal series revives the old Apple typefaces with new names: Liverpool (aka London), Sanfrisco (aka San Francisco), Los Altos (aka Los Angeles), Torrance (aka Toronto), Athene (aka Athens), Parc Place (aka Cream, aka Palo Alto), Valencia (aka Venice).
- Faithful recreations in 2011 of pixel fonts of old computers, notably Apple II [BerkeliumIIDHR, BerkeliumIIHGR, PRNumber3, PrintChar21, Shaston320, Shaston640, ShastonHi320, ShastonHi640], Commodore 64 [Berkelium1541, Berkelium64, Giana, PetMe, PetMe128, PetMe1282Y, PetMe2X, PetMe2Y, PetMe64, PetMe642Y], Apple Lisa [EmptyFolders2X3Y, EmptyFoldersRaw, Engelbart2X3Y, EngelbartRaw, LisaCalcPaper2X3Y, LisaCalcPaperRaw, LisaGraphPaper2X3Y, LisaGraphPaperRaw, LisaGuidePaper2X3Y, LisaGuidePaperRaw, LisaProjectPaper2X3Y, LisaProjectPaperRaw, LisaSketchPaper2X3Y, LisaSketchPaperRaw, LisaTerminalPaper2X3Y, LisaTerminalPaperRaw, LisaTerminalPaperSmall2X3Y, LisaTerminalPaperSmallRaw, PriamWhamos2X3Y, PriamWhamosRaw, SomeAcronym2X3Y, SomeAcronymRaw, StartupFrom2X3Y, StartupFromRaw, Twiggy2X3Y, TwiggyRaw], and others [Antiquarius, CandyAntics, ColleenAntics, DosStartDefaultFont, ItalianPlumber, Speccy].
- Custom fonts: Jewel Hill, Miss Diode n Friends, This is Beckie's Font.
- Under the alias of Jon Relay, Rebecca made mostly handwriting fonts: Eighteen, Nineteen, Felicia (2002), Ditch The Logical, Endcurled, Alisha (2003), AdministratorPassword, BerkeliumBitmap, BerkeliumType, CopyrightRenewed, Cosmic Spam, DotCom, DWT, Eighteen, Fluorine (+Lite), Fonteri, Glass (3d face), Glathen Girl (2004), Hydrogenfluoride, Infinity, Jewel Hill, Kaileen (2004), Kawakimi, Make Lots of Graphs, Jon'sNewRoman, Jon'sSupercondensed, Kelly, Lauren, Matal, Miranda 27, Mikkav, Modern Grease (Greek simulation), OpenDocRocks, Plastic, ReturnofRelayScript, SCSIPort, Sexy Sara (2002), Sixth Kristen Squirt, Sorority, Teen Dreem Magazeen, Tenbitesch, UnmodifiedFax, Jewel Hill (2002, based on artwork by Amy Taramasso).
- Typefaces from 2012: Hippauf (pixel face), Fairfax (pixel family), Thi Mega Tampon, Tenbitesch (curly face), Sorority, Miranda 25, Mika Pro, Madgecrack, Long Island, Long Island Ice Tea.
- Typefaces from 2013: Constructium (a text typeface adapted from J. Victor Gaultney's Gentium (2003)).
- Typefaces from 2017-2019: Kreative Square (a wide monospaced sans), Fairfax HD.
Dafont link. Fontspace link. Abstract Fonts link. Klingspor link. Open Font Library link. [Google]
Kvant Type Foundry
Swedish type designer, graphic designer and illustrator, born in 1975, and based in Lund. He drew FF Enzo, a sans serif typeface released in 2008 by FontFont. Its original version was called Zai. It has an interesting hairline weight.
His font projects include this chunky typeface.
In 2018, he published the rounded sans typeface family Menco at Linotype. [Google]
Los Angeles, CA-based designer. Creator of the tall hairline typeface Caribbean Blue (2012). [Google]
Latinotype was founded in 2007 by Felipe Soto and Miguel Hernández, and is based in Concepción, Chile. Catalog of their typefaces. Latinotype now also includes the work of Daniel and Enrique Hernandez, Luciano Vergara and Joaquín Contreras. Their typefaces:
- Stgotic Textura and Pintana (Daniel Hernandez) are pixel font award winners at Tipos Latinos 2008.
- Patagon (2011, Latinotype) is a rounded wood-inspired poster typeface done with Daniel Hernandez and Luciano Vergara.
- Selaive (2011, Paula Nazal) is a geometric monoline sans with an extreme hairline weight, Selaive Light.
- Sanchez (2011) is a large slab serif family. The Regular weight is free at Fontsquirrel.
- In 2011, he cofounded Los Andes Type, and published the fat round typeface Fatta (2011) there.
- Mija (2011). Inspired by vernacular signs.
- The Google Web Font Ceviche One (2011). This is an angular yet curvy extra black expressionist sans serif type.
- Sail (2012). A didone script.
- Sofia (2012). An upright script, free at Fontsquirrel.
- Tikal Sans (2012).
- Lolita (2012, Miguel Hernandez). A playful rounded sans family.
- Chela One (2012). A bold condensed brush script, free at Google Web Fonts.
- Arquitecta (2014, by Daniel Hernandez ad Miguel Hernandez). A 1930s sans with small x-height, great readability and an odd g, promoted as an alternative for Futura, Kabel or Avant Garde. It was followed later in 2014 by Arquitecta Office and Arquitecta Standar.
- Via Sans (2014, Daniel Peralta). A wayfinding typeface family inspired by Steile Futura and DIN 1451.
- In 2014, he co-designed Uomo with Tania Chacana at Latinotype. Uomo is a contemporary typographic system that explores the geometric sans style and Italian art deco in combinations of four widths and three weights.
- In 2014, Daniel and Miguel Hernandez co-designed Texta, a geometric sans for all.
- In 2015, the Latinotype team developed the 60-style semiserif typeface family Corporative [Corporative was developed by Javier Quintana and Cesar Araya, under the supervision of Luciano Vergara, and Daniel Hernandez], the 64-font family Corporative Sans, the 64-style Corporative Soft [Corporative Soft was developed by Javier Quintana, Eli Hernandez and Rodrigo Fuenzalida, under the supervision of Luciano Vergara and Daniel Hernandez], the 32- style Corporative Sans Round Condensed (dated 2016; developed by Elizabeth Hernandez and Rodrigo Fuenzalida, under the supervision of Luciano Vergara and Daniel Hernandez], and the 28-style headline wood-inspired Titular.
- Revista (2015, Paula Nazal Selaive, Marcelo Quiroz and Daniel Hernandez, at Latinotype) is a typographic system that brings together all the features to undertake any fashion magazine-oriented project. It has Revista Script (connected style), Revista Stencil, Revista Dingbats, Revista Inline and the didone Revista all caps set of typefaces. Revista won an award at Tipos Latinos 2016.
- Lota Grotesque (2017).
- Inter Sans (2017). An information design sans.
View the Latinotype typeface library. View Miguel Hernandez's typefaces. Fontsquirrel link. [Google]
[Juan Pablo de Gregorio]
Juan Pablo De Gregorio Concha lived in Santiago, Chile, where he founded Letritas in 2006. He is presently based in Barcelona. Home page of Sabia Usted. Blog with entries on themes such as legibility. Designer of these typefaces:
- Chucara Serif (2003) and Chucara Text (2003): free at Dafont.
- Los Niches (2007). A playful hairline sans, about which Anna Malsberger writes: The lowercase f puffs out its chest with exaggerated aplomb, and t splits into a script stem reminiscent of a table grab a cocktail and pull up a chair to watch the show.
- Comalle (2008, Umbrella type). An organic roman with a comic book mind.
- Romeral (2004, slab serif), a custom typeface for the University of Chile (2007).
- Curico (2004).
- Beauchef (2011, Cabinet Type). Beauchef is an organic monoline sans serif typeface, originally created to meet the needs of the Center for Mathematical Modeling, University of Chile. The design is cold as steel and rather abstract and lifeless, which reflects the ideas most people have about advanced mathematics. However, true mathematicians like warm, curvy and passionate letters and symbols. Beauchef was republished by Latinotype in 2015.
- Los Niches (2011). A clean monoline sans family with some swashes. Published by Latinotype in 2012.
- Pret-a-porter (2016). A calligraphic script typeface family accompanied by Pret-a-porter Slab.
- Isabel (2016). Designed together with Eleonora Lana, Isabel is a very Latin text typeface family, feminine and didone-inspired. It has a unicase style. In 2017, Juan Pablo de Gregorio and Eleonora Lana added Isabel Condensed and Isabel SemiCondensed.
- Condell Bio Poster (2016). A fat rounded sans. The larger Condell Bio family (published in 2017) was started in 2006.
- Molde (2017). A neo-grotesque inspired by the extreme sobriety of famous post-Bauhaus Swiss Movement of the mid-twentieth Century.
- The great layered vintage typeface Biscotti (2018).
- Squalo (2018). A sans family.
- Liliana (2018). A geometric sans with mischievous and frivolous alternates.
- Vicky (2019). A slab serif.
- Duddy (2019). A rounded sans.
- Copihue (2020). A humanist sans family.
Letritas home page. Creative Market link. Dafont link. Klingspor link. Kernest link. Behance link. [Google]
Berlin-based type foundry, est. 2012 by Björn Gogalla. Typefaces published in 2014 include the fat didone typeface family Barkley Poster and Barkley Block (2014), and the ornamental typeface Moskau Pattern (2013), as well as the geometric sans Moskau Grotesk (2013).
Gogalla writes: The design of the typeface Moskau Grotesk is based on the signage created for the Café Moskau in Berlin by the graphic artist Klaus Wittkugel in the beginning of the 1960s. The Café Moskau, across from the Kino International on Karl-Marx-Allee in Berlin Mitte was one of the prestige edifices of the former DDR (German Democratic Republic). [...] The lettering display on the roof was created by the graphic artist Klaus Wittkugel (1910-1985). He was Professor at the School for Applied Arts in Berlin, created many posters, book covers and postage stamps, and was responsible for the signage of the Kino International as well as for the complete graphic treatment for the Palace of the Republik. Moskau Grotesk comes with a great hairline weight, ExtraLight.
In 2014, he designed Flaco. [Google]
Also written Botjo Nikoltchev, b. 1978, Sofia, Bulgaria. Botio studied graphic and type design in Potsdam. He is living and working as a freelance designer in Berlin. He studied communication design at the University of Applied Science Potsdam and took type design classes with Luc(as) de Groot. After his studies Botio worked with Ole Schäfer (Primetype) on the Cyrillic characters of PTL Manual, PTL Manual Mono and PTL Notes. Since 2010 he has been collaborating with Ralph du Carrois and Erik Spiekermann as type designer and art director at Carrois Type Design, focusing on Cyrillic, Greek and Arabic language extensions and CI projects. In 2014, he set up the commercial type foundry Lettersoup.
Creator of the free font Ropa Sans (2012, Google Web Fonts, +Arabic, +Ropa Soft, 2014). The typeface is in DIN's circle of friends.
Sofadi One is a scriptish font that is free at Google Web Fonts.
Share Tech Mono (2012, Google Web Fonts) is a monospaced sans face. Share Tech (2012, Google Web Fonts) is its proportional version. Both are derived from Share (2012, Google Web Fonts). He helped with the Greek and Cyrillic portions of FF Meta Serif.
Corporate fonts by Botio include MMH Netrange Cyrillic + Greek + Arabic, Cisco, Meta Science and Exploratorium Sans. He designed the icons for Museo de Art de Ponce.
In 2014, Botio designed the humanist sans typeface family PTL Manohara (Primetype) for Latin and Cyrillic.
In 2016, a team of designers at Lettersoup that includes Ani Petrova, Botio Nikoltchev, Adam Twardoch and Andreas Eigendorf designed an 8-style Latin / Greek / Cyrillic stencil typeface, Milka, which is based on an original stencil alphabet from 1979 by Bulgarian artist Milka Peikova. Later in 2016, he published the nearly geometric sans family Quasimoda, which covers a full range of weights, from Hairline to Heavy.
Typefaces from 2017: Attractive (a free sans, done with Ani Petrova), Ropa Mix Pro.
Typefaces from 2019: Rouse Sans (by Botio Nikoltchev and Ani Petrova: based on Sofia Sans).
FontShop link. Fontsquirrel link. [Google]
British graphic designer who created the hairline typeface Airline (2011), which takes its forms from the exterior design of planes. [Google]
Lizzy Hartley Design
[Elizabeth Kate Hartley]
Lizzy Hartley Design (Hamilton, MA) is Elizabeth Hartley's foundry. Elizabeth was a student at Flagler College in Tallahassee, FL.
She created the hairline sans typeface Satin (2011).
Dafont link. [Google]
Studio in Kiev, Ukraine. Creator of a hairline sans typeface simply called Font (2012: Latin and Cyrillic). Behance link. [Google]
New York City-based designer of the hairline display sans typeface Bisurk (2013). Dafont link. [Google]
Milan-based creator of the hairline sans typeface Fibo (2013). [Google]
Lucas Benjamin Sharp
Lucas de Groot
Graphic designer in Sao Bernardo do Campo, Brazil. Lucas "Matuda" Torres created the thin hairline sans typeface Diztinta (2012). [Google]
Ludwig Übele is a Berlin-based German type designer (b. Memmingen, 1974). In 2007, he established Ludwig Type in Berlin. Ludwig practiced type design and branding in his own studio in Den Haag, The Netherlands. He graduated in 2007 from the KABK in Den Haag, the same year in which he started his foundry Ludwig Uebele (or: Ludwig Type) in Berlin. MyFonts interview. Behance link. In 2018, he joined Type Network. His award-winning typefaces:
- The extensive serif family Marat, a winner in the TDC2 2008 competition. Its 9 styles can be bought here.
- In 2008, he published Mokka, a subdued serif family with Zapfian influences (lower case "a"). [Do not confuse it with Mokka, Fidel Peugeot's script font from many years earlier---I wonder how Uebele got the Mokka trademark, quite impressive that oversight by the trademark office].
- Augustin (2004). A renaissance typeface inspired by the type of Nicolas Jenson made in Venice in 1470.
- Helsinki. A sans based on Finnish traffic signs---has a hairline weight, and a gorgeous Fat weight. Helsinki 2.0 was published in 2013. In 2014, he published the formidable free weights Helsinki XXL Black and Helsinki XXL Thin.
- Mediana. A custom typeface based on Franklin Gothic.
- NewTaste. Commissioned by McDonald's.
- Walhalla (2008) is a strong and bold uncial family inspired by uncial letters of the Czech type designer Oldrich Menhardt, made in 1948.
- Daisy (2010) is an artsy ultra-fat vogue magazine style display face, best shown in pink. It won an award at TDC2 2011.
- FF Tundra (2010-2011, FontFont) is a narrow low-contrast small-text type family that was also awarded at TDC2 2011. It was influenced by Carl Dair's Cartier (or Raleigh).
- Daphne Script (2013) based on Georg Salden's Daphne.
Riga and Riga Screen (2014). Designed for web page use, this is a practical space-saving sans family. Not to be confused with several other typefaces called Riga, one by Mostar / Olivier Gourvat (2009) and one by Gunnar Link (2012).
- Diogenes (2014) and Diogenes Decorative (2014). Microsite.
- Brenta (2015). A sharp-edged wedge serif text family. Microsite.
- Contemporary Sans (2015). This sans family is characterized by the contrast between horizontal and vertical strokes.
- Godfrey (2015). A compact sans typeface family characterized by straight edges in the terminals of f, j and y, and elongated dots on i and j.
- Kakadu (2016). A squarish sans typeface family.
- Aspen (2016). Microsite. Influenced by the old grotesques, its oh-so-slightly flared terminals give the design some pizzazz.
- Niko (2019). A magnificent and very legible humanist sans in 54 styles (3 widths, from Regular to Extra Condensed), characterized by slightly flared terminals.
View Ludwig Übele's typefaces. A list of Ludwig Übele's typefaces. Klingspor link. [Google]
Luis Angel Uribe
Mexican creator (b. 1988) of the scratchy hand-printed typeface Bichochos (2009), the 3d mechanical typeface Pandimencional (2010), the blackletter grunge BichOGothic (2009), Bicho (2009), (((o))) brushhhh (2009), (((o))) O Basic (2009, hairline geometric sans), and Bicho Plumon (2009).
Blog. Behance link. Dafont link. [Google]
Luiz Felipe Souza
During his studies in Sao Paulo, Brazil, Luiz Felipe Souza Soares designed the sans typeface Procmatika (2014). Later he created the free hairline sans typeface Speck Display (2016).
Typefaces from 2017: B & B Stencil (octagonal style).
Typefaces from 2018: Uneexal (free). [Google]
During her studies, Rio de Janeiro-based Luiza Morgado created the hairline avant garde sans typeface Hiper Cool (2015) and the modular octagonal typeface Box (2015). She also designed a set of playing cards based on the work of Cassandre. [Google]
During his studies, Luke Davisson (Napa, CA) created the hairline sans typeface Clean & Mean (2014). [Google]
During her design studies in Sidney, Australia, Luschia Porter created a delicate hairline geometric display face (2013). [Google]
M. Salman Shahzad
Designer of the free hairline typeface Rangy (2016). [Google]
Zaporizhzhia, Ukraine-based designer of the free all caps hairline sans typeface Sarah (2017) for Latin, the sans typeface Elys (2017), and the free brush script typeface Spring Time (2017). In 2017, he published the rounded sans Rokky, the bilined logo font Maze Modern and the textured typeface Poppy Seeds. Creative Market link. [Google]
Based in Valencia, Spain, and born in Madrid in 1969, Manuel Ramos is the creator of these free and commercial typefaces in 2012: Astralia (oblique monoline sans), Datura (upright unconnected script), Humana (fat finger face), Fantastica (hairline), Cristal, Vernissage (display face), Humate (thin script), Graff, Retorica (an elegant wide techno face), Arsone (graffiti font), Future, Artesana, Subatomic, Aura (caps only), Radiance (thin face), Romantica, Alameda (an Arabic simulation typeface that conjures up Granada), Abstracta (textured techno face), Understand (an elegant lachrymal typeface), Metropolis (a stiletto deco typeface), Aritmetica (angular), Regard (hairline display face), Artistica (art deco), Iniciatica (bilined), Isabel (bilined caps-only face), Regard (hairline), Glubgraff (graffiti), Graffont (graffiti font), Extraterrestrial, Expresiva, Rotorica (spiky), Passion (a hairline avant-garde typeface), Infinita (hairline avant-garde sans), Cosmonautica (fashion mag typeface with just capitals; also called Eternal), New World (thin octagonal), Modes (condensed and straight-edged), Lavande, Modesta (thin octagonal) and Garbage.
Typefaces from 2013: Transient, Evaow, Stella, Oval, Koda, Amaral (a technical pencil font), Astralasia.
Typefaces from 2014: Radiance (avant garde), Valerie, Akasic, Destiny, Ensure (a casual sans), Exacta, Oldskool.
Typefaces from 2015: Arsone (graffiti style), Manuscripta (script), Valerie (high contrast cursive typeface), Bertica, Exacta, Manuscripta, Spirituality, Bertica, Pleiadian, Positive Thinking, Lovelica, Dawn (sketched), Picasa (sketched painter's font), Abstracta, Future, Akasic.
Typefaces from 2016: Artesana, Graff, Astralia, Idilica (avant garde), Yass, Sharik.
Typefaces from 2017: Magnetic, Soma (an elegant tall display font), Solar (avant garde), Reason (a geometric hairline sans).
Typefaces from 2019: Zen Garden (oriental simulation), Sistematica, Inedita, Galaxy, Existence (art deco), Amaral (architectural lettering), Kasparosky, Destiny (graffiti letters), Yes (a hairline art deco sans).
Dafont link. Fontspace link. Behance link. Old URL.
View Manuel Ramos's commercial typefaces. Newer Behance link. [Google]
Designer who used FontStruct in 2009 to make MB 3D, MB Display (LED font), MB Modern (hairline sans), MB Scoreboard (dotted), MB Pixel, MB Compact, and MB FontStruct. [Google]
Marcelo Martins Ferreira
Graphic designer in Sao Paulo who created a hairline art deco typeface called Trinca (2013), which was inspired by architectural lettering seen on buildings in his city. [Google]
Art director in Buenos Aires. Behance link. Creator of the hairline minimalist typeface Minitipo Serif (2011). [Google]
Scottish graphic designer who is based in Edinburgh.
Creator of Symmetrical Typeface (2012), a free hairline gemetric sans that has the feature that each glyph is the same if flipped horizontally. He also made the hairline octagonal typeface Mono (2012), a monowidth, monospaced font in which each glyph of the same width and height.
Behance link. [Google]
Romanian type designer who created the beautiful Bauhaus / geometric monoline sans family Geometron Pro Angular (2010), which has weights ranging from hairline to black. Geometron Pro Radial (2010; +Greek) is a more rounded family.
His foundry in Bucharest. Klingspor link. [Google]
Graphic designer in Oshkosh, WI. Behance link. He created the hairline condensed typeface Rossen (2011). [Google]
[Mark Simonson Studio]
Mark Simonson Studio
Mark Simonson Studio is located in StPaul, MN. Mark founded Mark Simonson Studio around 2000, and describes himself as a freelance graphic designer and type designer. From his CV: Early in my career I worked mainly as an art director on a number of magazines and other publications including Metropolis (a Minneapolis weekly, 1977), TWA Ambassador (an inflight magazine, 1979-81), Machete (a Minneapolis broadsheet, 1978-80), Minnesota Monthly (Minnesota Public Radio's regional magazine, 1979-85), and the Utne Reader (1984-88). I was head designer and art director for Minnesota Public Radio (1981-85) and an art director for its sister company, Rivertown Trading Company (1992-2000). During that time, I designed over 200 audio packages, including most of Garrison Keillor's, along with several hundred products (t-shirts, mugs, rugs, watches, etc.) for the Wireless, Signals, and other mail order catalogs. I have frequently done lettering as part of design projects I'm working on. This has always been my favorite part, so in 2000 I opened my own shop specializing in lettering, typography and identity design. I've also been interested in type design since my college days. I started licensing fonts to FontHaus in 1992, and since starting my new business, stepped up my efforts in developing original typefaces. I now have more than 70 fonts on the market with many more to come. This is increasingly becoming the focus of my activities. His fonts:
- Coquette (2001). He says: Coquette could be the result of a happy marriage of Kabel and French Script.
- Anonymice Powerline (2009-2010). This is probably a hack by some people based on Anonymous. It is available in some Github directories.
- Kandal: a 1994 wedge serif, now also at MyFonts).
- Proxima Sans (1994, a geometric sans, rereleased in 2004), followed in 2005 by his massively successful Proxima Nova in 42 styles/weights. Followed by Proxima Nova Soft (2011). The rounded version of Proxima Nova is Proxima Soft (2017). Poster by Dreher Gerrit.
- Mostra (2001): based on a style of lettering often seen on Italian Art Deco posters and advertising of the 1930s. Look at the Light and Black versions, and drool...... The 2009 update is called Mostra Nuova. Selected styles: Mostra Nuovo Bold, Mostra One Light, Mostra Three Bold, Mostra Two Heavy.
- In 2001, he made the Mac font Anonymous. Its updated version is Anonymous Pro (2009-2010), a TrueType version of Anonymous 9, which was a freeware bitmap font developed in the mid-90s by Susan Lesch and David Lamkins. It was designed as a more legible alternative to Monaco, the mono-spaced Macintosh system font.
- In 1998 and 2001, he produced the (free) 3-style Atari Classic family.
- In 2003, he released Blakely Bold and Heavy (an art deco font first done for the Signals mail order catalog). The original Blakely is from 2000.
- Goldenbook Light, Regular, and Heavy, based on the logotype of the 1920s literary mag called "The Golden Book Magazine".
- Metallophile Sp 8 Light and Light Italic (2008): a "faithful facsimile of an 8-point sans as set on a 1940s-vintage hot metal typesetting machine".
- Refrigerator Light and Heavy, Refrigerator and its extension Refrigerator Deluxe (2009) (geometric sans).
- Changeling Light, Regular, Bold, Stencil, and Inline (2003): a redesign and expansion of China, a VGC photo-typositor typeface from 1975 by M. Mitchell, which includes unicase typefaces; see also Changeling Neo, 2009.
- Sanctuary Regular and Bold: a computerish typeface based on lettering in the 1976 movie Logan's run--later withdrawn from the market.
- Sharktooth (+Bold, +Heavy).
- Felt Tip Roman, Woman and Senior (based on his own handwriting). Felt Tip Senior (2000) is based on the hand of Mark's father. Felt Tip Woman Regular and Bold are based on the handwriting of designer Patricia Thompson.
- Filmotype Gay (2011).
- Filmotype Honey (2010): fifties brush lettering face. For a free alternative, see Honey Script (2000) by Dieter Steffmann.
- Raster Gothic Condensed Regular and Bold (12 fonts total), and Raster Bank (a pixelized version of Bank Gothic).
- Other free bitmap fonts for the Mac [the PC version was made by CybaPee]. MyFonts page.
- He digitized Phil Martin's family, Grad (2004, inspired by Century Schoolbook, and originally done by Martin in 1990).
- His 2006 production includes three script typefaces: Kinescope is a connected script based on title lettering in Fleischer Studios' animated Superman films from the 1940s. Snicker is a cartoony block letter type. Both were published at Font Bros. And Launderette is a connected very slanted script based closely on lettering used in the titles of the 1944 Otto Preminger film, Laura.
- In 2007, he revived and extended Filmotype Glenlake (2007, sold at Font Bros).
- Lakeside (2008) is a flowing 1940s-style brush script. It was inspired by hand-lettered titles in the classic 1944 film noir movie Laura.
- In 2008, he revived Filmotype Zanzibar, about which he writes: That Zanzibar is nearly an anagram of bizarre seems fitting. The surviving people from Filmotype (later Alphatype) have not been able to tell us who designed this gem, so we have no record of the designers intentions. Released in the early 1950s, it seems somewhat inspired by the work of Lucian Bernhard (Bernhard Tango, 1934) and Imre Reiner (Stradivarius, 1945). At first, it appears to be a formal script, but there are no connecting strokes. It would be better described as a stylized italic, similar to Bodoni Condensed Italic or Onyx Italic, with swash capitals.
- Filmotype Vanity (2008) is an outline typeface based on a 1955 design by Filmotype. It was derived from Filmotype Ginger.
- Filmotype Alice (2008) is casual handwriting. However, MyFonts now credits Patrick Griffin with the digitization.
- Filmotype MacBeth (2008) is a freestyle face.
- Filmotype Ginger (2008) is a heavy display typeface with an aftertaste of Futura.
- Boxy2 (2008) and Boxy1 (2008) are severely octagonal typefaces made to test out FontStruct. See also bubblewrap.
- In 2008, Mark Solsburg and Mark Simonson cooperated on the digital revival of the calligraphic Diane Script, originally designed in 1956 by Roger Excoffon.
- In 2009, Mark worked on SketchFlow Print, a font for Microsoft. It will be bundled with the next version of Christian Schormann's Expression Blend, part of Microsoft's Expression Studio suite. The fonts, based upon the handwriting of architect Michaela Mahady of SALA Architects, Inc., give that well-known architectural printing look (like Tekton).
- Filmotype Gem (2011). A sans headline typeface that was first drawn by Filmotype in the 1950s.
- Bookmania (2011) is a revival of Bookman Oldstyle (1901) and the Bookmans of the 1960s, but with all the features you would expect in a modern digital font family. Especially, Simonson's Bookmania story is worth reading.
- In 2018, he published the 25-style Acme Gothic at Fontspring. He explains: Acme Gothic (2018) is based on the thick and thin gothic lettering style popular in the U.S. in the first half of the twentieth century. There have been typefaces in this genre before, but they were either too quirky (Globe Gothic), too English (Britannic), too Art Deco (Koloss), too modern (Radiant), or too Art Nouveau (Panache). None captures the plain, workman-like style of Acme Gothic.
- Parkside (2018) is a script typeface inspired by typefaces and lettering of the 1930s and 1940s. Parkside uses OpenType magic to automatically select letter variations that seamlessly connect to the letters coming before and after.
- In 2018, he emulated wood type in his HWT Konop at P22. Named for Don Konop, a retired Hamilton Manufacturing employee, who worked from 1959 to 2003, this typeface is monospaced in both x and y directions so that letters can be stacked vertically and horizontally. All proceeds go to the Hamilton Wood Type and Printing Museum.
Links to his typefaces, in decreasing order of popularity: Proxima Nova, Bookmania, Mostra Nuova, Proxima Nova Soft, Coquette, Refrigerator Deluxe, Felt Tip Roman, Grad, Changeling Neo, Goldenbook, Lakeside, Kinescope, Metallophile Sp8, Blakely, Felt Tip Woman, Snicker, Felt Tip Senior, Kandal, Sharktooth, Anonymous, Raster Bank, Raster Gothic.
FontShop link. Fontspace link. MyFonts interview. View all typefaces designed by Mark Simonson. Fontspring link. Google Plus link. Klingspor link. Abstract Fonts link. Kernest link. Font Squirrel link. [Google]
Markela Bgiala, an interior designer in Berlin, created the ornamental typeface Twirkle (2012) and the thin poster headline typeface Hair Line (2012, Latin and Greek).
In 2013, Markela designed the display sans family Mismark, which comes with a hairline weight.
In 2014, she created Copy Paste Futura, which can be bought here.
Behance link. [Google]
[Muhammad Ariq Syauqi]
Known as Marsnev, Marsneveneksk, Muhammad Ariq Syauqi and Ariq Sya. London-based Indonesian creator of the free grunge typefaces A for A (2013), Mars Inside (2012) and 29 days (2012), and the children's handwriting font 2 September (2012).
Typefaces from 2013: Roadshow IAIC 2013 (hand-printed), Gycentium Popwell (named after the slab typeface Rockwell), and Gycentium Goes Pop (a grunge version of the previous font).
In 2014, Ariq designed the hand-printed typefaces Hello Goodbye, Marsneveneksk, Untuk Ibu and A Day In September, as well as the all caps geometric sans typeface Lemon Milk. For an extension, see Lemon Milk Pro (2020).
In 2015, Ariq published the octagonal slab serif Mars&Twist, the octagonal High Jakarta, the geometric sans typeface Engcarnation, the sans typeface Aku&Kamu, the comic book typeface Engcomica, the inline typeface Dopest, and the hand-crafted Mala's Handwriting.
Typefaces from 2017: Festival Budaya 31.
Typefaces from 2020: Nyata (a 19-style clean sans family with tall ascenders and long descenders; includes a nice hairline). [Google]
Jessica Turcotte (Matchbook Press, Glens Falls, New York) designed the hairline display typefaces Retrograde and Susanna, and the paperclip typeface Squalor in 2017. Behance link. Dafont link. Another Behance link. [Google]
[Borutta (or: Duce Type)]
Graphic designer in Ljubljana, Slovenia, who created the hairline avant-garde typeface Tozonsky in 2014. Behance link. [Google]
During his graphic design studies in Milan, Matteo Carraturo created the hairline display typeface Agita Pro (2013). [Google]
Matthew Aaron Desmond
MADtype (est. 1996) is Matt Desmond's place in the type world. He has had a prolific career that started out with shareware fonts while Matt was at the Minneapolis Technical and Community College. His page back then said A haven for quality shareware type for the Mac. Later, Matt started mattdesmond.com, and co-founded the Test Pilot Collective (est. 1998 with Joseph Kral and Mike Cina). Many of his early typefaces were experimental and/or futuristic. In late 2003, mattdesmond.com disappeared, and MADtype, commercial now, resurfaced at the MyFonts site. Currently, Matt is based in Minnetnka, MN. He has also lived in Atlanta, GA, Fayetteville, GA, Rochester, NY, Redwood City, CA, and San Francisco, CA. His fonts can also be purchased via You Work For Them. He also does commissioned type design. Some fonts are freely available at the Google Font Directory.
Retail types as of 2011:
- Abel (2011, Google Font Directory). Abel Pro was published in 2013.
- Aldrich (2011). A Bank Gothic style face, free at OFL.
- Amber (2000): kitchen tile face.
- American Gothic (1998): squarish.
- Audebaud (2010): a 19-th century style French Clarendon (wood type look). The design was inspired by the work of Constant Audebaud, an engraver of wooden type that was used for posters. Audebaud's work appeared in the 1880s in the Deux-Sèvres département of France.
- Beat (1998): rounded OCR face.
- Brauhaus (2004): Textura face.
- Cagliostro (2011). A free font at Google Web Fonts that is based on the handlettering of Ozwald Cooper.
- Curbdog (1998).
- Desmond Text (1998): a roman that has features of University Roman.
- Distill (2009): a De Stijl font that shouts 1920s.
- Dunelm (1996): emulation of 17th century printing styles.
- Dwiggins Deco (2009): This typeface was originally designed in 1930 by W.A. Dwiggins as the cover for the book "American Alphabets" by Paul Hollister. Only the 26 letters of the alphabet were included on the cover, so the rest of the numbers, punctuation, symbols, and accented characters have been crafted in a matching [art deco] style.
- Findon (2007): stencil.
- Futuristic category: ER9 (1999), KAH (2005, LCD style), Lunarmod (1997), Retron (1997; can be considered as a retro upright connected script as well), Shifty (1998).
- Grunge category: Bulletin (1997), Gothico Antiqua (1999), Rubba (1997), Stomper (1997--a rubber stamp font), Zapatista (1998-2007).
- Handwriting, handprinting category: Casino Hand (2005), Ghouliez (1996), Handegypt (2002---hand-drawn slab serif), Handy Sans (1997, hand-drawn sans), Joppa (1997), Pufficlaude BT (1998).
- Hessian (2009): Tuscan style wood type.
- Hydrochlorica (2004): organic.
- Invoice (1997).
- Ironside Crosses (2004): dingbat face.
- Marble Roman (2004-2009): angular roman all caps type.
- Matterhorn (2013). A 9-style sans family created with Michael Cina for Disney. Not to be confused with the many retail typefaces that are also called Matterhorn, such as Paratype's PT Matterhorn (1993) and Treacyfaces' TF Matterhorn (1990s).
- Pacioli or Luca Pacioli Caps (2007: emulating a mathematically constructed caps font by Pacioli (1509) published in his treatise De divina proportione.
- Pixel category: Basis (1999), Mang (1997).
- Plenti (2004): ultra plump.
- Quantico (2007): octagonal.
- Stencil category: Bandoleer (2009, +Tracer: a couple of stencil fonts with art deco and army influences), Madison (2007, slab serif stencil), Mercado (2005; has a non-stencil Mercado Sans).
- Urbandale (2018). A basic sans family.
- Variable (2004-2010): a sans-serif monoline typeface that includes ultra thin weights.
- Vexed (2005): sketched face.
- Wolfsburg (2007): blackletter stencil.
- Wooddale (1999): wood type emulation.
Free types as of 2010: Marble Roman, Environ regular, Dorkbutt, Europa, Exsect, Inthacity, Liquidy Bulbous, Lustria (2012, Google Web Fonts), Stomper.
Commissioned types: 77kids (2007, for the children's brand; the sketched typefaces were done with Justin Thomas Kay), AE Aerie (2005-206, American Eagle Outfitters), AE Newburgh (2005-206, American Eagle Outfitters), AE Summer Fonts (2007, all for American Eagle Outfitters), EEL Futura (2006, for Enjoying Everyday Life), Nike World Cup (2006), Virgin America (2006).
Typefaces from 2019: Starfire (2019, a retro geometric sans).
Orphaned types that disappeared or were planned but never executed: BrotherMan, Caprice, Convolve, HipstersDelight, Lugubrious, ModestaSmallCaps, Serifity, Skitzoid, Sliver, ThrowupSolid, Auresh (1998, futuristic; Test Pilot Collective), Kcap6 (1998, with Cina; Test Pilot Collective), Epiphany (1997; Test Pilot Collective), Testacon (with Kral and Cina; Test Pilot Collective), Civicstylecom (1999; Test Pilot Collective), Lutix (1998; Test Pilot Collective), Xerian (1997; Test Pilot Collective), Swoon, Furtive (2004, a sans), the display typeface Flathead (2004), the blackletter typeface Bahn (2004), Mesotone BT (2006, Bitstream, a monoline sans), Practical (a monoline connec script, planned in 2007 but not published), Poliphili (planned in 2007, as a revival of an Aldus/Griffo font), Wutupdo (1996, Garage Fonts), GFDesmond (Garage Fonts), Drone, Golden Times (2014, a corporate small caps typeface for the University of Minnesota), Vapiano (2014: hand-printed typeface for Vapiano International).
Behance link. View Matt Desmond's typefaces. Fontspring link. Fontsquirrel link. [Google]
[House of Burvo]
[Matthew Aaron Desmond]
Mauricio Astete Brito
Or Mauro Andres. Concepcion, Chile-based designer at Latinotype of the upright copperplate script and accompanying lapidary sans typeface family Antonietta (2016, Script and Caps), which is inspired by the eccentricity of the rococo style and Queen Marie Antoinette's wild personality. Winner at Tipos Latinos 2018 of a type design award for Antonietta.
In 2020, Mauro Andres published Universo (+Stencil) at Peggo Fonts. This display font family includes a nice hairline weight. Universo was initially made for Caos Sagrados and was inspired by Aldo Novarese's style (Microgramma, Eurostyle) and other retro-futuristic fonts and poster designs of the 1950s. The work was started in 2018. [Google]
Mauve Type (est. 2015) is based in Berlin and run by Eike Dingler. He studied type design in The Hague, as well as graphic design in Düsseldorf and Arnhem and has worked for Typotheque type foundry in The Netherlands.
In 2008, Peter Bilak, Eike Dingler, Ondrej Jób, and Ashfaq Niazi created the 21-style family History at Typotheque: Based on a skeleton of Roman inscriptional capitals, History includes 21 layers inspired by the evolution of typography. These 21 independent typefaces share widths and other metric information so that they can be recombined. Thus History has the potential to generate thousands of different unique styles. History 1, e.g., is a hairline sans; History 2 is Peignotian; History 14 is a multiline face; History 15 is a stapler face, and so forth.
In 2015, Eike designed the textured and patterned typeface family Pattern and the snow crustal-themed font Christmas Pattern.
Typedia link. [Google]
Stew Deane's type foundry in London is called Meat Studio. In 2014, Stew designed the semi-serif typeface Bardot, which has a hairline style. In 2014, he added the monoline poster typeface Organico.
Typefaces from 2015: Fortima (octagonal typeface), Nevo (a modern sans family in 14 styles--simple, organic and slightly techno).
In 2018, he designed Rigrok, which he advertizes as oh so bold, brash and ballsy. [Google]
Peter Lorenz (Memela Studio, Guadalajara, Mexico) designed Cali Ms (2010, with Alberto Arellano), Fina (2011, a tall hairline all-caps face), Marga (2012, a polygonal typeface done with Alberto Arellano), Marcatextos (2012, a stencil family), and Quetzal (2012, decorative).
In 2013, Memela designed the art deco marquee typeface Albahaca.
Behance link. Another Behance link. Behance link for Peter Lorenz. [Google]
MendozaVergara is Luciano Vergara, a Chilean graphic designer from Concepcion (b. 1979), and his companion, Guisela Mendoza. Mendoza & Vergara is located in Santa Juana, Chile.
Vergara created these typefaces between 2004 and 2010: the sans typeface Conce (2004), Pepona (2006, T-26, a pixel face), Sketch (2008, T-26), Trauco (2006, T-26, a wonderful display face), Otto (2006, T-26, another pixel face), Roket U (2007, T-26, rounded anthroposophic unicase typeface) and Hisla Negra (2004), the serif typeface Patua (2003; Patua One is free at Google Web Fonts), the pixel typeface Xerif (2004), the pixel typeface Sinaptix (2004), the pixel typeface UNXERIF (2004), the pixel typeface Don Paul (2004, named after Paul Renner), the liquid display typeface Revolución (2006), the pixel family Renex (2004) and the pixel typeface O'Higgins (2003).
At Latinotype (which Vergara co-founded with Daniel Hernandez in 2007), he created the dingbat typeface Chilean Bugs (2006) (free at Dafont), as well as Patua (serif), Regia (2008, hairline condensed sans).
At FontStruct, he experimented with Flaca (2008).
At his Flickr site, check out more commercial typefaces: Fidel (strong sans), Regia and Trasans (two light, even hairline, sans typefaces), Biotech,
Working on a short-ascendered sans typeface called Midas (2010).
Typefaces from 2011: Biotech, Cachiyuyo (a pixel family), Machi (titling sans), Los Lana Pro (an angular poster face; a stone age font), Fidel Black (a strong rounded sans, +Stencil Black), Patagon (Latinotype: a rounded wood-inspired poster typeface done with Miguel and Daniel Hernandez), Suisside (a humanist sans).
Typefaces from 2012: Julius Sans One (Google Web Fonts), Pantano Pro (Pantano is a handmade grunge typeface inspired by the rustic style of Amazonia), Antartida (an 8-style family at Latinotype), Antartida Rounded (a rounded sans family), Kahlo (2012, Latinotype, designed for magazine headlines), Frida (Latinotype: a Latin style hipster sans typeface), Schwager (a steampunk slab serif, followed by Schwager Sans in 2014).
Typefaces from 2013: Estandar (a wayfinding sans published by Latinotype; the Regular is free), Estandar Rounded, Moderna Condensed (+Unicase: an organic sans family), Four Seasons (handwritten, with Guisela Mendoza), Pasarela, Kahlo Rounded (Latinotype). Moderna (a monoline organic sans, with unicase styles thrown in). Antartida Rounded Essential (2013) is a rounded sans by Luciano Vergara, done for Los Andes Type.
Typefaces from 2014: Estandar Rounded (by Vergara, a rounded sans in 13 styles named after Standard Oil Company), Garden (a playful decorative set of typefaces), Darwin (2014, a 20-font sans family with multiple fathers; see also Darwin Office, 2014, Darwin Pro, 2017, and Darwin Rounded, 2018), DIY Time (hand-printed, with Coto Mendoza at Latinotype).
Typefaces from 2015: Nordikka (a headline sans with large x-height and a Scandinavian feel; Latinotype), Styling (a simple almost techno sans family inspired by the aerodynamic curves and elliptical shapes of old cars and airplanes). Corporative Sans, Corporative Sans Rounded and Corportaive are large typeface familes created by the Latinotype Team in 2015. In particular, they were developed by Javier Quintana and Cesar Araya, under the supervision of Luciano Vergara, and Daniel Hernandez.
With Bruno Jara, Luciano Vergara designed the angular Jurassic park style typeface Los Lana Niu (2016).
In 2016, Mendoza Vergara (Cecilia Mendoza, Coto Mendoza and Luciano Vergara) published the script family Bach and the script/slab pair Matcha at Los Andes.
In 2016, Bruno Jara Ahumada, Alfonso Garcia, Luciano Vergara, Daniel Hernandez and the Latinotype Team designed the roman square capital headline typeface family Assemblage.
In 2017, Luciano Vergara published Niemeyer as a tribute to Brazilian architect Oscar Niemeyer, and the modular---almost sci-fi---sans typeface family Nizzoli as a tribute to Marcello Nizzoli. He also designed the 28-style Internacional in 2017-2018, following the Swiss grotesque examples.
Typefaces from 2018: Alvar (a humanist sans family at Los Andes; italics designed with the help of Alfonso Garcia), Resort (Sans, Script, Ornaments).
In 2019, Luciano Vergara and Alfonso Garcia co-designed Moderna Sans at Latinotype. It is an interpretation of American gothics like Alternate Gothic.
Typefaces from 2020: Spock (2020: a 48-style sans family by Luciano Vergara, Cesar Araya and Rodrigo Fuenzalida), Neogrotesk.
Klingspor link. Dafont link. Behance link.
View Lucian Vergara's typefaces. Fontspring link. [Google]
[Reserves (or: AE Type)]
Designer of the hand-crafted typeface Dyslexia (2015), Drop Caps Narrow (2015, thin caps), and the sci-fi typeface Decoder (2015). Creative Market link. [Google]
San Salvador-based designer (b. 1985) of the thin slab typeface Espacio (2011), the monoline extended sans typeface Añejo (2011), the playful Antelope (2011), the razor blade-themed Font Interrupted (2011), the sci-fi typeface Cerebro (2011), the headline sans Jenkins (2011), the stencil typeface Mura Knockout (2011), which can be downloaded from Dafont.
He also made Diminuto (2011, monoline slabby face), Wednesday (2011, gridded), Diamante (2011, elliptical architectural sans face), 50 Blizzards (2011, stencil face), Kiona (2011, headline caps face), the geometric logotype New Drop Era (2011), the angular typeface A Brand New Day Midnight (2011), Catman (2011), Lowery (2011), and the tattoo font Slayer Dragon (2011). Naomis Citadel (2011) is a font comissioned by author Rick Austinson for his upcoming Consecution Books series. Ocho Siete (2011) and La Quince de Mayra (2011) are hairline sans typefaces. Ciudad Nueva Caps (2011) is a geometric avant garde caps face. Home page. Mariko Chan (2011) is a soft rounded and friendly monoline display sans. Alto Voltaje (2011) is also a monoline typeface but its sharp corners make it much more threatening.
Typefaces from 2012: Bad Handwriting, Sessions, Gorila (sic) (techno sans), Daiichi (hairline elliptical sans), Elite Hacker Corroded, Impalinger (hand-printed).
In 2013, he made Dolce Vita (avant garde sans), Blackbook Two, Giorgio (organic sans), Blackbook One (graffiti face), Tokyo Pop Star.
Typefaces from 2014: Tranquila (grungy), Blackbook 3rd (graffiti brush face), Bobby Corwin, Outlier (sci-fi face).
Typefaces from 2015: Break Label (monoline techno font), Generica (clean sans), Sylphie, Mnml Fnt (experimental stroke removal font), Espacio Novo (thin slab serif).
Typefaces from 2017: Head Traffic.
Dafont link. Klingspor link. [Google]
Austrian type designer (b. 1950), son of the famous calligrapher Friedrich Neugebauer. He designed these typefaces:
Controversy: Soraya (2004, by Karl Nayeri of Prime Graphics) seems like a copy of Cirkulus. FontShop link. [Google]
Creator of the hairline caps typeface Nouveau Fontdue (2013). [Google]
Student at Queensland College of Art, 2011-2013. Brisbane-based designer of the striking avant-garde all-capitals typeface Krach (2013), which includes an elegant hairline weight.
Behance link. [Google]
Mint Type (was: PDesign 6.0)
Ukrainian Andrey Konstantinov (b. 1981, Moscow, lives in Kiev) graduated from the National Technical University of Ukraine in 2002. He lived for some time in Tallinn, Estonia. He ran PDesign 6.0, and later established the commercial foundry Mint Type.
His typefaces generally cover Latin and Cyrillic: Tecco (techno), Radix, Aera Sans, Aera Serif, Careless Hand Script (2005), Guarda Sans (2012), Vitra Sans (2005), Terra Sans (2005), Terra Semi Slab (2005), Terra Slab (2005), Radix (2004), Cyntho Pro (2012, a geometric sans), Cytia Pro (2012, a geometric sans with built-in contrast), Cytia Slab Pro (2013), Lytiga Pro (2012, a 48-font techy sans family, starting with hairline weights).
Typefaces from 2013: Pancetta Pro (elliptical sans), Pancetta Serif Pro, Clinica Pro (a clean non-geometric sans), Cyntho Slab Pro, Cytia Slab Pro, Espuma Pro (a soft humanist sans family with lots of curviness), Ristretto Pro (a narrow display sans), Ristretto Slab Pro.
During the riots and revolution in Ukraine in 2014, Andrey designed Anglecia Pro, a text typeface in Text, Display and Title subfamilies. Just before the 2014 elections in Ukraine, he designed the geometric partially humanist sans typeface Proba Pro, which has wide spacing and small x-height---the regular and italic styles are free.
Synerga Pro (2014) is a humanist slab serif with rounded terminals.
In 2015, he published the newspaper typeface Diaria Pro, which started out during a course at EINA in Barcelona. Diaria Sans Pro and Quiza Pro (a geometric display sans) were published in 2016.
In 2016, Oleh Lishchuk and Andriy Konstantynov co-designed the rounded scientific or technical paper font Midpoint Pro.
Typefaces from 2017: Skema Pro (a 84-style serif text family with Livro, Text, Omni, News, Title and Display subfamilies), Excentra Pro (a sans family with stroke variation and inclined axis), Opinion Pro (by Oleh Lishchuk), Orchidea Pro.
Typefaces from 2019: Ponzu (a stencil-style display sans), Greenwich (a modern-looking humanized sans-serif typeface with open aperture inspired by Gill and Johnson; +Cyrillic), Closer Text (a sans with overclosed apertures), Cyntho Next Slab, Cyntho Next (advertized as Swiss and Dutch).
Typefaces from 2020: Ki (a monospaced display typeface inspired by older VCR / camcorder OSD (on-screen display) fonts), Fiorina (a 72-style didone family in four optical sizes).
View Mint Type's typefaces. Hellofont link. Behance link. Old URL. [Google]
ShenZhen/Hong Kong-based photographer, b. 1989, who currently lives in Miami, FL. Alternate URL. Miphol Studio is related to Marica Typographic Design Studio, run by Marica. Creator of the elegant hairline sans family ULT Sans (2007). She says that, inspired by FF Milo and Stainless, it took her over two weeks of straight work just to get the beta out. She also made the squarish stencil typeface SquareX (2008), the mechanical typeface Incognita (2008), and the semi-serif typeface ChanorSans (2008). Her latest: the gorgeous constructivist-marries-didone headline typeface Modern 9, and Melor (2008, a simple sans family in two styles done for Miphol Studio). [Google]
Molotro is Luciano Perondi's type foundry, which he runs with Stefano Minelli and Valentina Montagna. This Italian type designer (b. Busto Arsizio, 1976) lives in Busto Arsizio (Varese). At ATypI in Rome in 2002, he spoke about the logo-grammatic approach to type design: "Carattere senza un nome importante". His ATypI 2002 report is here. In this enlightening piece, you can read about his opinions on type. From 2000 on, he is lecturer at the Basic Design Lab of the Politecnico di Milano. In 2003 he founded the Research Team EXP. The research team, formed by type designers and psychologists, studies the reading process, the influences of the irregularity of typefaces on reading and the non linear script. EXP is now starting to work on the effects of presbiopia on reading and on how an adequate design of types could help presbiopian readers. At ATypI 2005 in Helsinki, he spoke about How does the irregularity of letters affect reading? His type designs include
Klingspor link. Google Plus link. [Google]
- Solferino Text (2007), a great transitional understated text typeface for the Corriere della Sera newspaper. Done with Leftloft (Andrea Braccaloni).
- Minotype (2006, aka Ninzioletto, a stencil face).
- Zotico/Zotica (2004, a sans family for the Milano Film Festival).
- Ninzioletto (2004, a stencil typeface designed for the Venice sign system).
- Tecnotipo (2005, designed for Tecno).
- Quinta (2006).
- DeA (2003, for DeAgostini).
- Csuni (which stands for Carattere Senza Un Nome Importante).
- Csuni1885 (2003, for Mattioli1885; see also Experience1885).
- DeA, for DeAgostini (2003).
- Sessantacinque (2003).
- Eye of Goat: designed in 2005 by Perondi, Valentina Montagna and Federico Zerbinati. It is a medieval ornaments typeface (free for a limited time).
- Nanoline (hairline sans).
- Decima (2005), a sans.
- Lontano (2003). A Caslon-style typeface commissioned for the Matteoli 1885 edition.
- Brera (2007, a sans family by Leftloft and Molotro).
- Voland (2010). A commissioned Baskerville typeface for the Italian publishing house Voland.
- Under the identity design and art direction of FF3300, Molotro created the sans typeface family Divenire, in Regular, Italic and Mono subfamilies, for the Italian Democratic Party in 2012-2013. Since 2014, Divenire can be bought as a reatil font at CAST.
- Dic Sans (2014). This elliptical sans was inspired by Aldo Novarese's Eurostile. It has its own idiosyncracies, and comes with a gorgeous Dic Sans Extra Bold weight (2014). On the nomenclature---French are allowed to operate Sans Dic, and Americans are permitted to typeset with Extra Bold Dic.
- Tribasei 16-000 (2006). An experimental typeface.
- Macho Modular (2015, CAST). Macho was originally designed in 2010 for MAN (Museo d'Arte Provincia di Nuoro) and is based on the idea of modular widths of the 20th-century typesetting systems, as required by the Olivetti Margherita and the hot-metal Linotype machine. It was followed by Macho Moustache (2018, CAST).
During her studies in Sydney, Australia, Monica Li designed the floral decorative caps typeface Flora (2015) and the hairline sci-fi typeface Grandioso (2015). [Google]
Bogota, Colombia-based type designer who created the basic sans family Ortodoxa (2014), the modular typeface Hemiciclo (2013) and the hairline typeface Flexline (2013, a font that can be boldened by its own stroke). The foundry, Monograma, is located in Bogota and was founded in 2012 by Federico Parra and Tatiana Gomez.
The round sans serif Rotokas (2013) performs well in general, while its motivation is unique: Rotokas is a sans serif typography. It is probably the first font designed exclusively to type Rotokas language. Spoken by Bougainville islanders (Papua New Guinea), Rotokas has the world's smallest alphabet consisting of only twelve Latin letters.
In 2015, Parra set up Typelapse.
Co-founder of Bastardatype in 2017.
In 2017, he designed the flared display typeface Magma and the strong calligraphically inspired text typeface Flux.
Behance link. Behance link for Federico Parra. Home page. [Google]
Moritz Kleinsorge (Düsseldorf, Germany) studied at Rhine-Waal University. After graduating, he was mentored by Pilar Cano from LetterJuice via the Alphabettes mentorship program while developing his first retail font, Bw James (2017, Branding With Type), a 14-style sans typeface family that introduces many elements from handwriting and features subdued ball terminals.
In 2018, he designed the geometric typeface Flink, the Peignotian typeface Bw Vivant (with Alberto Romanos), the fresh grotesque typeface Klainy, and the humanistic "upright italic" sans typeface Campuni.
Typefaces from 2019: Faible (a soft and friendly sans), Kisba (a wedge serif workhorse).
Typefaces from 2020: Glance Slab (an almost stencil style), Allrounder, Allrounder Antiqua (Granjon inspired) and Allrounder Monument (inspired by ancient inscriptions on columns, monuments and buildings in Rome), Allrounder Grotesk (from a hairline Air weight up to a strong Black). [Google]
Graphic and type design studio founded in La Boissière-d'Ans and/or Cubjac, France by Olivier Gourvat in 2004 and first located in Cubjac, Dordogne, France, and later in La Boissière-d'Ans, France. Olivier Gourvat originally worked as a graphic designer for various agencies, producing artwork, brands, corporate publicities and print layouts. He later joined the team at Chronicle Editions to create image content, cover designs, illustrations and maps for numerous books on the history of the twentieth century. Following his printing experience, he pursued web design and interactive web functions, founding a website company with three associates in 1999. Olivier is an über-talent.
Typefaces: Sofia (2009; a great sans family which includes a hairline weight), Sofia Pro (2012), Sofia Pro Soft (2014: a rounded version of Sofia Pro, soft as a baby's bottom), Sofia Rough (2015, letterpress emulation and layering, in the style of Trend or Nexa Rust), Sofia Rough Script (2015), Hexagon, Microbia, Bucharest, Interval (Condensed, Sans), Neolux (experimental), Riga (sans family), Visoko (striped; Visoko is a playful, geometric typeface inspired by post-modern fonts designed by Mecanorma in the 80s), Glamwords (2009, a 1970's glitter style face), Mozziano (2009, purely geometric), UNIcod Sans Pro (2010, a techno sans family), Kyrial Display Pro (2011, a mini-serifed sans family).
In 2012, Olivier Gourvat designed the flared typeface family Kara which was inspired by Basque (Euskaran).
Mettro Pro (2013) is an elliptical sans family that could attract a large fan base. Its hairline weight is called Mettro Air. A few weeks later, we learn that this family was renamed Metronic Pro. And a month later, Gourvat published Metronic Slab Pro (2013). It was followed by Metronic Slab Narrow in 2014.
Typefaces from 2014: Filson Pro (a geometric sans family with curvy R, k and t).
Typefaces from 2015: Univia Pro (a squarish sans family), Strato Pro (not to be confused with Sophie Brown's Strato from 2013; Strato is a legible classical roman serif typeface family), Chronica Pro (a clean geometric sans workhorse).
Typefaces from 2016: Interval Next (a successor of Interval Sans Pro), Filson Soft, Fengo (an oriental brush typeface by Olivier and Jean-Claude Gourvat that was influenced by Sino-Japanese and traditional Chinese hieroglyphic characters).
Typefaces from 2017: Rival Sans, Magnetic Pro (inspired by typewriter characters; with a mechanical aspect), Rival (slab serif).
In 2018, Olivier added Rival Slab and the soft sans serif Marlon Pro.
Typefaces from 2019: Archeron Pro (a sharp-edged serif and stencil typeface family), Ariana Pro (a 9-style geometric sans).
MyFonts link. Creative Market link. Behance link. Klingspor link. MyFonts interview. Images of some of Olivier Gourvat's commercial typefaces. Fontspring link. [Google]
MTT is the commercial type foundry of Mattia Bonanomi (b. 1985, Brescia) in Milan, Italy, est. 2013. In 2010, Mattia graduated from Central Saint Martins College in London.
He writes about the elegant ten-style sans typeface family MTT Milano (2013): MTT Milano is a font inspired by the Milanese typographic heritage and the Futurist movement that developed it. Drawn from scratch, it features ascendants and descendants slightly taller than what can usually be found in similar typefaces, in order to improve its elegance.
In 2016, MTT published MTT Roma, a humanist sans inspired by the Trajan capitals, as is apparent from the razor sharp terminals. It is designed to re-create the atmosphere of the city of Rome of the 21st century.
In 2014, he set up Type Firm in Milan, and republished his successful MTT Milano and MTT Roma there in 2016. [Google]
Muhammad Ariq Syauqi
Mel Drake (Musimon Fonts) is the designer of Groceries (2010, hairline hand-printed face) and Hopes are free (2010, calligraphic penmanship face). [Google]
Turkish visual artist who made the hairline sans typeface Thin White Duke (2010). [Google]
MyFonts: Hairline typefaces
MyFonts pages on hairline typefaces. [Google]
Moscow-based designer of the hairline modular ultra-condensed typeface Phasmida (2012) and the narrow squarish typeface Starship (2012).
Cargocollective link. [Google]
Nasser Khalaf (b. 1991) is a digital artist in Amman, Jordan and Doha, Qatar. He created the hairline straight-edged typeface Muse (2013), which was inspired by British rock band Muse. Soul (2013) is a straight-edged graffiti typeface. In 2014, he made the single stroke typeface Lolo. Behance link. [Google]
Toronto-based freelance graphic designer who moved to New York City. Creator of the multiline typeface Neon (2007), the hairline avant garde typefaces Gisele (2014) and Daria (2014), and the display typeface Electro Font (2014). Behance link. [Google]
Buenos Aires-based Natalia Mercol is a talented illustrator and print designer who is into colors. In 2010, she created a hairline typeface that was derived from Bauer Bodoni, called King Serif. [Google]
Natasa Gondry Denic
Graphic designer and typographer in Belgrade and Brussels. She created some counterless experimental typefaces in 2009 such as FullMetalTypo. The experimental (2d and 3d) typeface CF followed in 2010, and the hairline art deco typeface Chaplin in 2013. [Google]
Natasha Maria Fernandez-Fountain
[One by Four]
Nathan Towle (Titan Vex) (b. 1992, USA) created the outlined hand-crafted cartoon typeface Lightning (2015), the avant garde sans typeface family Origin (2012; includes a hairline weight), and the hand-ptinted typeface Hashtag (2013).
Dafont link. [Google]
American designer of the roman typeface Alive Serif (2016) for Latin and Greek. In 2017, he published NCT Granite for Latin and Cyrillic and writes: NCT Granite brings the shapes of Renaissance type into the modern world with a robust and functional typeface designed to work on both screen and print. Its italic is about as wide as the roman, making it very easy to read in long text.
In 2018, he published NCT Torin, a relaxing sans serif typeface family that also covers Vietnamese, Greek, and Russian. It has one of the thinnest hairlines in the industry. Still in 2018, he finished the text typeface family NCT Larkspur.
Typedrawers link. [Google]
[Pixel Sagas (was: Protoform Project, and Fontshack)]
[Ariel Di Lisio]
Negro is a design site where some commercial fonts can be found, all designed by Ariel Di Lisio, a native of Buenos Aires. He studied graphic design at the University of Buenos Aires. From 1993 to 1997 he worked in the design department at Puma. Since 2015, he is a professor at FADU / UBA in Buenos Aires. Still in 2015, he set up Nodo Type Foundry in Buenos Aires together with Mexican designer Aldo Arillo.
His typefaces from before 2010: Marzo (2008: a hairline vogue typeface commissioned by the Argentinian mag Atypica), Donuts (2008: a layer of round upon a layer of round), Paz (2008: a stylish night club or fashion magazine family---stunning), Lynda (2008: an octagonal/mechanical face), Lunes (2007: art deco), Day (2007: art deco), Friday (2007: art deco), Nigga (2007: an ultra-fat art deco typeface with an experimental edge), Love (2007: a mini-serifed geometric beauty), Santino (2008: trying to bring waves into a simple sans face), Normal (2008: gorgeous, geometric and galant), Mate (2008: a geometric all caps typeface for magazine headlines), Caracas (2008), Soko (2009), Stola (2008), Pink (2008: experimental), Cascabel (2009: a kitchen tile typeface digitized by Alejandro Paul at Sudtipos), James (2009: a bullet hole-themed face), Inlove (2009, Sudtipos: a Lubalin-style poster face designed by Di Lisio and digitized by Alejandro Paul).
Typefaces shown in 2010, mostly experimental / geometric / art deco: Destiny, Drimpy, Hongki, Mobile, Moonglow, Normal, Vincent.
In 2011, Ariel published the futurismo face Saturna at Sudtipos [and I do not understand HypeForType's claim that it is an exclusve HypeForType font]. Their offices are in Buenos Aires and Caracas.
Typefaces from 2012 include Uma (with Alejandro Paul at Sudtipos: a gorgeous two-weight monoline sans family).
In 2013, he created the stencil typeface Anima for a housing project in Punta Chica, San Fernando, Argentina.
In 2015, he designed the cold sans typeface family Stockholm Type, and the display typeface Roska. In 2015, he set up Nodo Type Foundry in Buenos Aires together with Mexican designer Aldo Arillo.
Negro Nouveau link. [Google]
[José Manuel Urós]
Neue is a digital studio in Barcelona, run by José Manuel Urós (b. 1956), who founded Type-O-Tones in 1992. In 2013, it created a grotesque type family called Arboria. Type-o-Tones published Arbotek (2013), a great monoline sans family with a stylish art deco Arbotek Ultra weight.
Behance link. Fontshop link. [Google]
Neutura was formed in 2003 by Alexander McCracken, who is located in San Francisco. His typefaces have a large geometric component: Aerion, Aperture (slab serif family), Autobahn, Belfast (octagonal black-bowled headline face), Cerie Outline, Children (paperclip face), Circle (avant garde style), Deuce (ultrafat), Deuce Round (fat and counterless), Estrella (2011, a high-contrast fat vogue didone titling face), Frank (fat and counterless), Frank Stencil, Frank3, Gulden Draak (blackletter), Interpol (texture face), Magnum (2006, for Neo2 magazine: free), Maisalle, Neutrino (ultra-fat futuristic beauty, 2006), Neutura (clean geometric sans family), Orange (geometric hairline sans), Orange Round, Rabbit, Register (architectural sans), Royale (fat decorative didone), Sabre (octagonal), Sarcophagus (very original blackletter), Slayer Heavy, Spade (fat and counterless), SPQRExlight, Syrup (paperclip font), Vendella (2011), Wafer (ultrafat). At T-26, he published Children (2006, a paperclip font), Deuce and Sarcophagus.
Behance link. Klingspor link. Abstract Fonts link. [Google]
[Codesign (or: Aviation Partners, or AVP)]
[Nick Curtis: Typefaces from 2014]
Nick Curtis: Typefaces from 2014
Typefaces made by Nick Curtis in 2014:
- Alto Rey NF. A revival of a Victorian typeface issued by the Palmer and Rey Type Foundry of San Francisco in 1884.
- Angler NF. A revival of Anglo, a Victorian typeface by Barnhart Brothers and Spindler, 1895.
- Argentina Cursive NF. Based on a typeface by Morris Fuller Benton, 1919.
- Bandiera Del Legno NF. A Tuscan wood type that revives Gothic Tuscan Condensed Reversed by William H. Page.
- Belgique NF. A revival of the (Western) wood type French Clarendon XXX Condensed No. 117 by William H. Page.
- Benton Gothic Thin NF. A revival of Lightline Gothic (1908, Morris Fuller Benton, ATF).
- Big D NF. Based on a Speedball pen font by Ross F. George.
- Bricoleur NF. A connected script from a French magazine in 1927.
- Bully Pulpit Plain NF. After Bullion Shadow (1970, Face Photosetting).
- Call Me Ishmael NF. After Moby Dick (Affolter and Gschwind).
- Chapeaux Noirs NF. After a MacKellars, Smiths & Jordan typeface.
- Chieftain NF. Revival of Pontiac (1893, ATF).
- Coronation Street NF. Based on a typeface created in 1936 by Stephenson Blake.
- De Roos Mediaeval NF. After Sjoerd de Roos.
- Dimanche NF. An art nouveau typeface revival. The original is known as Domingo or Brillante.
- Fluid Drive NF. A take on an art deco typeface by Samuel Welo.
- Gloriosus NF. Revival of the Victorian typeface Apollo (1888, Gustave F. Schroeder, Central Type Foundry).
- Grieshaber Monos NF. After a Schelter & Giesecke typeface designed in 1911 by Moritz Grieshaber.
- Harley Quinn NF.
- Hi Ho Steverino NF. In the Beat style of the 1960s and 1970s.
- Koralle Rounded NF. A rounded revival of Koralle (1913, Schelter & Giesecke).
- Leabhar Ceilteach NF. Inspired by lettering in the Book of Kells.
- Legnano (2014, Italian art deco wood type).
- LevellerNF (2014, Nick Curtis). A revival of Roundhead (Charles Beeler, Mackellar Smiths & Jordan, 1883).
- Lodewijk Gothic NF (2014). Adter Elzevir Gothic (1897, ATF).
- Loopy Loo NF. Upright script based on an original by the Hunt Brothers.
- Marmorherz NF. After an 1866 font, Marble Heart, by Farmer, Little, and Co.
- Maxed Out NF (+Inline, +Starstruck). This series of fonts is based on a 1970s art deco series at PhotoLettering Inc called Riverside Drive by Peter Max.
- Meriwether Circular NF. After a 1905 Victorian typeface by William Martin Johnson for ATF called Meriontype.
- Millrich Olivian NF. A revival of Olivian by Richard & Miller.
- Miss Dottie NF. After Dotted Roman (1897, Barnhart Brothers and Spindler).
- Morticia NF. Based on an ATF original.
- National Oldstyle NF. After a 1916 font by Frederic W. Goudy.
- Nickel Box NF.
- Olden Daze NF. From Alphabets A to Z.
- Page Ephesian NF. A wood type after William H. Page, 1890.
- Page Etruscan No 5 NF. A wood type after William H. Page.
- Painters Roman NF. A wood type based on Painters Roman by Vanderburg and Wells (1878).
- Pique-Nique NF. Based on the art nouveau typeface Outing (1888, John F. Cumming, and 1895, ATF).
- Receding Hairline NF. After L&C Hairline (1966, VGC, Herb Lubalin and Tom Carnase).
- Renaissant NF. After the Victorian typeface Renaissant (1880, by John F. Cumming, Dickinson Type foundry).
- Rythme NF. After a Mexican simulation typeface from 1935 by Maximilien Vox called Éclair.
- Scalar Biform NF.
- Schweimann Moderne NF. An art nouveau typeface.
- Skelett Antiken NF. After William H.Page's wood typeface Clarendon XX (1859).
- Ski Alpin NF. An art deco typeface based on a Swiss travel poster from 1927.
- Sodbuster NF. After William H. Page's wood type Gothic Dotted.
- Southie Signboard NF.
- Strassenmeister NF. After an art deco typeface called Buick Schmalfett by Herbert Thannhaeuser.
- Sweet Afton NF. After a silent movie font by Samuel Welo.
- Talsmann NF. A faithful reproduction of the Advocate font used by the IBM Selectric typewriter.
- Trading Hoss NF. After Ross F. George's Speedball alphabet D-nib Display.
- Tuscalooza NF. After William H. Page's font Tuscan Extended.
- Twinkletoes NF. After a comic book typeface by Ross F. George.
- Unjustified NF. Inspired by the opening credits for the television series Justified.
- Vauxhall NF. Based on Angelica, a 1970s typeface by Robert Trogman (FotoStar).
- Venusian Ultra NF. A heavy sans based on the extra bold extended version of Bauersche's classic sans typeface family Venus (1907-1927).
- Vulkan NF. A wedge-serifed typeface based on a Barnhart Brothers and Spindler original called Vulcan (1884).
- Well Said Black NF. Modeled after Welling Black, a 1970s typeface by Robert Trogman (FotoStar).
London-based graphic designer. Creator of Teflon (2009), a minimalist hairline sans face. Behance link. He also created a beautiful sans serif time chart (2009). [Google]
Graduate of York University, who is working as a graphic designer in Toronto. Creator of experimental typefaces such as Slinkyy (2014, prismatic), Workshop (2014, multilined) and Pigment (2014, hairline). Behance link. [Google]
Nine Font is Paul Chen's type foundry in Tsim Sha Tsui, Hong Kong. In 2014, Paul Chen designed the condensed hand-crafted sans typeface family Briko (+Ornaments, +Rough, +RoughOrnaments), the condensed sans typeface Nephrite, and the 6-style caps typeface family Dimor (with Inline, Outline, and Diamond (beveled) sub-styles).
In 2015, he designed the sans typeface family Lanz and the rough brush font Bellis.
Typefaces from 2016: Sebino (neutral sans famly), Carin (an all caps family including several tattoo and blackboard bold styles), Rohn (a robust squarish sans), Rohn Rounded.
Typefaces from 2017: Glence (a geometric sans with a beautiful hairline weight).
Typefaces from 2018: Sebino Soft (a comfy toilet paper soft sans family). [Google]
New Delhi, India-based designer of the free hairline typeface Morena (2019). [Google]
Norah C. Stone
Graphic designer and artist who is studying at the Minneapolis College of Art and Design and who is based in Minneapolis, MN. Creator of Bodoni Curl (2012, a hairline typeface that is not really a Bodoni). [Google]
OGJ Type Design
Aka OGJ, Oliver Jeschke is based in Berlin. With Oliver Mayer (Tatin, Basel), he created the avant garde linear grotesk typeface family Version 1 International (2013). The typeface family, characterized by upward diagonal strokes in the f, h, m, n and u, was published by Volcano. Volcano writes: The Version 1 font family is a mannered geometric linear-grotesque, hand-drawn and developed by Oliver Jeschke and Oliver Mayer at Tatin Design Enterprises in Basel, Switzerland and Berlin, Germany. It was created in a three-month training and was further developed in the later stages as OpenType font.
In 2015, influenced by the work of Swiss master designer Max Bill, Oliver Jeschke created the Greek simulation typeface family Bill Display, the sans typeface Bill Corporate, and Bill Corporate Narrow. See aso Bill Corporate Mx (2016) and Bill Display Lowercase.
Spectators Headline (2016) is a breezy semi-informal notebook sans family.
Typefaces from 2017 include Sequel Sans and Sequel Rounded. Calling it a "post-Max Bill design", Sequel Sans was developed in collaboration with the Max Bill Georges Vantongerloo Foundation. In 2018, Sequel 100 Wide and Sequel 100 Black were added to that collection.
Typefaces from 2018: Shapiro (a 32-style grotesk in which horizontal and vertical strokes are nearly identical in width), Temper Wide (slab serif).
Typefaces from 2019: Shapiro Pro (138 styles), Shapiro Base (sans), Darbee Legend (a sans family with cuts named after famous racehorses).
Typefaces from 2020: Sequel Sans VF (the variable font version of Sequel Sans), JT Energy (a great addition to the geometric sans genre featuring optically consistent line thickness; it comes with two condensed styles called JT Energy Placard, and with JT Energy Variable). [Google]
Jackson Cavanaugh (b. Waterloo, IA, 1981) is a freelance graphic designer and independent type designer based in Brooklyn, NY, and/or Chicago. He founded Okay Type in 2009.
Jackson designed Alright Sans (2009, clean sans) and Alright Display (voguish hairline sans).
In 2012, he created The Harriet Series (with Harriet Text and Harriet Display subfamilies), a full didone family that won an award at TDC 2012.
In 2016, he was asked by Mac Lewis, artistic director at Playboy, to design a new headline typeface for the magazine. Cavanaugh designed a heavy slab serif for the occasion.
In 2019, he released the ultra-black typeface family Okay. [Google]
Graphic designer and typographer in Moscow. She screated the avant garde and ultra thin sans typeface Hair (2009, Paratype). [Google]
[OGJ Type Design]
Oliver Tatin (Tatin, Basel, Switzerland) co-designed the avant garde linear grotesk typeface family Version 1 International (2013) with Berlin-based Oliver Jeschke. The typeface family, characterized by upward diagonal strokes in the f, h, m, n and u, was published by Volcano. [Google]
One by Four
[Natasha Maria Fernandez-Fountain]
One by Four is a four-person design studio in South Florida, and later in Brooklyn, NY. The main type designer in the group is South Florida-based Natasha Maria Fernandez-Fountain (b. 1985). The others are Alejandra Abad, Brian Haines and Bruno Torquato. Typefaces by Natasha include Geomancy (2010, +ExtraBold, +Hairline; a free geometric art deco typeface family), Dechenko Deco (2008, art deco), Goofus (2008, a comic book typeface) and Bookworm (2007, hand-printed and legible). Brian Haines designed Matchbook (2009, retro sans).
Font Squirrel link where one can download Matchbook. Dafont link. Natasha Maria Fernandez-Fountain's home page. [Google]
Sao Paulo-based design studio. MyFonts link. Its designer is Alexander Venancio, who graduated in Industrial Design from the Faculdade de Belas Artes de Sao Paulo. Creator of Speaking Corporate (2011, office and business dingbats), Maze (2009, multiline typeface), Landmark (2009), Thaitype (2009, Thai simulation typeface made with Felippe Duque), Ale's Script (2009, comic book script), Capa (2009, hairline art deco typeface done with Felippe Duque and Cristiano Vinciprova), and Oporto (2009). Indice (2009) is another hairline uber-geometric face.
Typefaces from 2012: Bolha (counterless ultra-fat face).
Biteme (2011, organic and minimal) was co-designed by Guilherme Rizzatti, Makoto Saito and Alexandre Venancio.
Home page. [Google]
Monterrey, Mexico-based designer of the fashion mag hairline sans face Thin Frank (2011) and of the pixel dingbat typeface Simbolos Positivos (2011). Behance link. [Google]
[Otto Maurer (was: Tattoofont)]
Otto Maurer (was: Tattoofont)
Tattoo artist and graphic designer from Dinslaken (Duisburg), Germany, b. 1968, Duisburg. Klingspor link.
Otto Maurer (Tattoofont) created Ipoint (2008, a 15-style fun-filled Bauhaus-inspired family), Black and Beauty (2007, blackletter family), Big Rain (2007), Blood (2007, dripping blood type), Preussen (2007, a 4-style blackletter family), Otto Bismarck Italic (2007), an italic blackletter face, and its parent, Otto Bismarck (2007). Designer of the free curly font Corps Script (2006) and Corps Script Shadow (2006). Creator with Sabrina of the free handwriting fonts Sabsis Handwriting Version 3 (2007) and Sabsis Handwriting (2007). Home page. Dafont link. Yet another URL.
In 2007, he went partially commercial and set up shop at MyFonts. His fonts there include the artsy Sailors Tattoo (2006), SailorsTattoo-waves (2007), Sailors Tattoo Pro Xmas (2007), Sick Skull (2007, scary), Tribal Maori (2007), MauBo Flatline (2007, experimental), Tribal Dingbats (2007), Tribaltypo (2007: quite interesting), MauBo (2007, mechanical look), Hotrod (2007), Blood (2007, scary), MauBo Flatline (2007, white on black) and Corpse Fairy (2007), Mrs. Sabo (2007, calligraphic and grunge hand), Tribal King (2007), Pierced (2007), Big Rain (2007), Detective Maurice (2007, a typeface with fingerprints on the alphabet), Cutdown Maurice (2007), Digital Maurice (2007), Good Old Fifties (2007, 11 styles), Tribal Dingbats II (2008, a tattoo font), Tribal tattoos III (2010), Hot Flames (2008), Drago (2008, a blackletter and alphading family), Party Night (2009), Tattoo Girl (2008).
Typefaces from 2009: Yuma (2009, Western saloon font), Freiheit (2009, blackletter), Lycaner (2009, blackletter), Sud France (2009, script), Psychbilly (2009, fat brush), Love Mom (2009), Vampire (2009), Animal Zoo (2009), Turtle (2009), Grunge (2009, cracked marble family), Crate (2009).
Typefaces from 2010: Big Mom (2010, a family that includes a blackboard bold style), Haike (2010).
Typefaces from 2011: Tinka Babe (2011, a gangster or tattoo script), Poisoni Pro (2011, tall art nouveau style brush face, with Shadow and College sub-styles), Lanzelott (2011, a very elegant retro display family, followed in 2017 by New Lanzelott), Stencilla (2011, a heavy stencil face), Guilin (2007, brushy), Darkwood (2011), Rock n Roll Typo (2011), Loreen (2011: an elegant display family that includes a hairline and a shadow style).
In 2012, he made the pointy Psychomonster typeface.
In 2013, Otto Maurer published the gangster tattoo font Bibiana as a companion for Tinka Babe.
Typefaces from 2014: Cupcakes Winterwonder (snowy font), Soul Winterwonder, Loreen Hollywood (art deco), Soul Material Design Dingbatz, Soul Love (Valentine's Day font), AZ Cupcakes, Soul (a sans family with some flaring), Christe Wagner (a great set of curly Victorian music sheet-inspired typefaces), Spider Type, Marie Lyn, Mariedean (a Victorian titling set, including decorative caps), Peachy (+ Shadow: a slab serif).
Typefaces from 2015: Maori New Zeeland, Chika Tattoo (12-style tattoo script), Chino Tattoo, Big Yukon (Wild West font), Bonecracker, Freibeuter NR (Western Tuscan family), Sailor Marie (tattoo font family), Baby Lyns ABC (children's book alphabet).
Typefaces from 2017: Anchorage (a sailor's tattoo font), Friedrichsfeld (blackletter).
Typefaces from 2018: Lettre Damour (handwriting font), Cryptolucre (started in 2014, Cryptolucre is a font specifically for all crypto currencies like Bitcoins, Litecoins, Ethereum, Ark, Siacoin and Golem--the icon version includes some existing currency logos and newly invented currency logos), Haike, Soul Leo (textured), Soul Skull, Tattooflash Fingers, Tattooflash Marie.
Typefaces from 2019: Stencilla.
Showcase of Otto Maurer's fonts. View the typefaces made by Otto Maurer. [Google]
P22 Type Foundry
Richard Kegler's fun Buffalo-based foundry, which he founded in 1995 together with his wife, Carima El-Behairy. Currently, on staff, we find type designers James Grieshaber and Christina Torre. In 2004, it acquired Lanston Type. P22 has some great unusual, often artsy, fonts.
The fonts are: Industrial Design (an industrial look font based on letters drawn by Joseph Sinel in the 1920s---this font is free!), LTC Jefferson Gothic Obliquie (2005, free), Sinel (free), P22Snowflakes (2003, free), Acropolis Now (1995, a Greek simulation typeface done with Michael Want), P22 Albers (1995; based on alphabets of Josef Albers made between 1920 and 1933 in the Bauhaus mold), Arts and Crafts (based on lettering of Dard Hunter, early 1900s, as it appeared in Roycroft books), Ambient, Aries (2004, based on Goudy's Aries), Arts and Crafts ornaments, Atomica, Bagaglio, P22 Basel Roman (2020, Richard Kegler: an update of a 2015 typeface, P22 Basel, based on a garalde font used by Johannes Herbst (aka Ioannes Oporinus) in 1543 to publish Andreas Vesalius' On the Fabric of the Human Body (De humani corporis fabrica) in Basel), Bauhaus (Bauhaus fonts based on the lettering of Herbert Bayer), Bifur (2004, Richard Kegler, after the 1929 original by Cassandre), Blackout, P22 Brass Script Pro (2009, Richard Kegler; based on an incomplete script fond in a booklet from Dornemann&Co. of Magdeburg Germany, ca. 1910 entitled Messingschriften für Handvergoldung; for years, P22 and MyFonts claimed that Michael Clark co-designed this, but Michael does not want any credit, as he did only about 20 letters), Cage (based on handwriting and sketches of the American experimental composer John Cage), P22 Casual Script (2011, Richard Kegler, a digitization of letters by sign painter B. Boley, shown in Sign of the Times Magazine), Cezanne (Paul Cezanne's handwriting, and some imagery; made for the Philadelphia Museum of Art), Child's Play, Child's Play Animals, Child's Play Blocks, Constructivist (Soviet style lettering emulating the work of Rodchenko and Popova), Constructivist extras, Czech Modernist (based on the design work of Czech artist Vojtech Preissig in the 20s and 30s), Daddy-o (Daddy-o Beatsville was done in 1998 with Peter Reiling), Daddy-o junkie, Da Vinci, Destijl (1995, after the Dutch DeStijl movement, 1917-1931, with Piet Mondrian inspired dingbats; weights include Extras, P22 Monet Impressionist (1999), Regular and Tall), Dinosaur, Eaglefeather, Escher (based on the lettering and artwork of M.C. Escher), P22 FLW Exhibition, P22 FLW Terracotta, Folk Art (based on the work of German settlers in Pennsylvania), Il futurismo (after Italian Futurism, 1908-1943), Woodtype (two Tuscan fonts and two dingbats, 2004), P22 Woodcut (1996, Richard Kegler: based on the lettering carved out in wood by German expressionists such as Heckel and Kirchner), Garamouche (2004, +P22 Garamouche Ornaments; all co-designed with James Grieshaber), GD&T, Hieroglyphic, P22 Infestia (1995), Insectile, Kane, Kells (1996, a totally Celtic family, based on the Book of Kells, 9th century; the P22 Kells Round was designed with David Setlik), Koch Signs (astrological, Christian, medieval and runic iconography from Rudolf Koch's The Book of Signs), P22 Koch Nueland (2000), Larkin (2005, Richard Kegler, 1900-style semi-blackletter), London Underground (Edward Johnston's 1916 typeface, produced in an exclusive arrangement with the London Transport Museum; digitized by Kegler in 1997, and extended to 21 styles in 2007 by him as P22 Underground Pro, which includes Cyrillic and Greek and hairline weights), Pan-Am, Parrish, Platten (Richard Kegler; revised in 2008 by Colin Kahn as P22 Platten Neu; based on lettering found in German fountain pen practice books from the 1920s), P22 Preissig (and P22 Preissig Calligraphic, 2019), Prehistoric Pals, Petroglyphs, Rodin / Michelangelo, Stanyan Eros (2003, Richard Kegler), Stanyan Autumn (2004, based on a casual hand lettering text created by Anthony Goldschmidt for the deluxe 1969 edition of the book "...and autumn came" by Rod McKuen; typeface by Richard Kegler), Vienna, Vienna Round, Vincent (based on the work of Vincent Van Gogh), Way out West. Now also Art Nouveau Bistro, Art Nouveau Cafe and the beautiful ornamental font Art Nouveau Extras (all three by Christina Torre, 2001), the handwriting family Hopper (Edward, Josephine, Sketches, based on the handwriting styles of quintessential American artist Edward Hopper and his wife, Josephine Nivison Hopper, and was produced in conjunction with the Whitney Museum of American Art), Basala (by Hajime Kawakami), Cusp (by James Grieshaber), P22 Dearest (calligraphic, by Christina Torre), Dwiggins (by Richard Kegler), Dyrynk Roman and Italic (2004, Richard Kegler, after work by Czech book artist Karel Dyrynk), Gothic Gothic (by James Grieshaber), La Danse (by Gábor Kóthay;), Mucha (by Christina Torre), Preissig Lino (by Richard Kegler), P22Typewriter (2001, Richard Kegler, a distressed typewriter font), the William Morris set (Morris Troy, Morris Golden, Morris Ornaments, based up the type used by William Morris in his Kelmscott Press; 2002), Art Deco Extras (2002, Richard Kegler, James Grieshaber and Carima El Behairy), Art Deco Display, the Benjamin Franklin revival font Franklin's Caslon (2006), Dada (2006) and the Art Nouveau font Salon (bu Christina Torre).
In 2006, Kegler added Declaration, a font set consisting of a script (after the 1776 declaration of independence), a blackletter, and 56 signatures. Many of the fonts were designed or co-designed by Richard Kegler. International House of Fonts subpage. Lanston subpage (offerings as of 2005: Bodoni Bold, Deepdene, Flash, Fleurons Granjon, Fleurons Garamont, Garamont, Goudy Thirty, Jacobean Initials, Pabst, Spire).
Bio and photo.
In-house fonts made in 2008 include Circled Caps, the Yule family (Regular, Klein Regular, Light Flurries, Heavy, Klein heavy, Heavy Snow, Inline; all have Neuland influences). Kegler / P22 created a 25-set P22 Civilité family in 2009 based on a 1908 publication from Enshedé, the 1978 English translation by Harry Carter, and a 1926 specimen also from Enshedé.
P22 Declaration (Script, Signatures, Blackletter, 2009) is based on the lettering used in the 1776 Declaration of Independence.
At ATypI 2004 in Prague, Richard spoke about Vojtech Preissig. Speaker at ATypI 2010 in Dublin, where he presented Making Faces: Metal Type in the 21st Century about which he writes: This film has the dual aim of documenting the almost-lost skill of creating metal fonts and of capturing the personality and work process of the late Canadian graphic artist Jim Rimmer (1931-2010). P22 type foundry commissioned Mr. Rimmer to create a new type design (Stern) that became the first-ever simultaneous release of a digital font and hand-set metal font in 2008. At ATypI 2011 in Reykjavik, he showed Making Faces.
Typefaces from 2014: LTC Archive Ornaments (Richard Kegler and Miranda Roth).
Typefaces from 2020: Showcard Script (by Terry Wüdenbachs, based on an original of Beaufont at the Hamilton Wood Type Museum, custom designed by the Morgan Sign Machine Company of Chicago).
View Richard Kegler's typefaces. View the IHOF / P22 typeface library. [Google]
Designer and type designer in Cordoba, Argentina. His typefaces include Need (2011), Salt (2010, condensed octagonal face), Gotan (2010), Playfont (2010, art deco / geometric stencil face), Seaside (2010, hairline sans), Noche (2010, monoline gemetric sans), Noche Bold, Izquierda (2010), Good (2010, a high-contrast face) and Narrow (2010).
Cemento (2015) is a minimalist, modern and monoline typeface. In 2016, he designed the free typeface Cordoba (Citype).
In 2016, he published the stencil-based Oceanshore at Los Andes.
Typefaces from 2018: Sonda (pixel), Moduleto (a grid-based typeface, done with Don Toledo).
Behance link. Devian tart link. [Google]
London, UK, and Athens and Kifissia, Greece-based type foundry started in 2001 by Panos Vassiliou. It specializes in fine multilingual (usually Latin, Greek and Cyrillic) typeface families. Panos Vassiliou has conducted numerous seminars for Canadian companies such as Bank of Nova Scotia, Royal Bank and Sony Canada. He graduated from the University of Toronto/Canada, where he studied Applied Science and Engineering. He has been Creative Director for the Canadian design firm AdHaus, former Publisher of the monthly magazine DNA (Greece) and Secretary-General for the Hellenic Canadian Congress (Ontario, Canada). He has been designing typefaces since 1993, including commercial fonts as well as commissions from Vodafone, Nestlé, Ikea and National Geographic. He started Parachute in 2001 setting the base for a typeface library that reflected the works of some of the best contemporary Greek designers, as well as creatives around the world obsessed with type. Apart from its commercial line of typefaces, Parachute offers bespoke branding services for corporate typefaces and lettering. Customers include Bank of America, the European Commission, UEFA, Samsung, IKEA, Interbrand, National Geographic, Financial Times, National Bank of Greece, Alpha Bank and many others.
Myfonts link. Behance link.
Other type designers at Parachute include Kanella Arapoglou, Alexandros Papalexis, Dimitris Foussekis, Aggeliki Skandalelli, Helen Gabara, Babis Touglis, Vangelis Karageorgos, George Toumbalis, Eva Karapidaki, Charis Tsevis, Pavlos Levendellis, Panos Vassiliou, and George Lygas.
At Granshan 2010, Vassiliou won Second Prize in the Greek text typeface category for PF Encore Sans POro, and First and Second Prizes in the display typeface category for PF Regal Pro and PF Champion Script Pro, respectively. Typefaces:
- PFAgora Pro: Agora Sans, AgoraSerif, AgoraSlab.
- PF Archive Pro (2004). He received a design award for his typeface Archive at the E AWARDS 2004. It has special typographic features and multilingual support for all European languages including Greek and Cyrillic.
- Bague Universal and Bague Sans (2014). A geometric grotesk that dares to be different. Accompanied by Bague Slab Pro (2014), PF Bague Inline Pro (2014), and PF Bague Round Pro (2014).
- Beau Sans (2011). Inspired by Bernhard Gothic.
- PF Benchmark Pro (2014).
- Bodoni Script (2009).
- PF Brummell (2016). A sans characterized by sharp angled terminals and a diamond dot on the i.
- Bulletin Sans (2000-2005)
- Centro (Centro Sans, Centro Serif, Centro Slab) a typeface originally developed for the redesign of the Financial Times Deutschland. PF Centro Pro family (Sans, Serif, Slab, a trillion styles) won an European Design Award in May 2008 in Stockholm and at Paratype K2009. It was completed by PF Centro Serif Compressed, PF Centro Sans Condensed and PF Centro Sans Compressed in 2015. In 2016, he published PF Centro Slab Press.
- PFChampion Script Pro (2004-2008). A much lauded connected calligraphic script that is based on a calligraphic script by Joseph Champion, 1709-1765. Winner at Paratype K2009 and Granshan 2010. Images: i, ii iii, iv, v. The 4245-glyph family comprises Cyrillic, Latin and Greek subfamilies.
- Cosmonut (sic) (2002). A retro futuristoc typeface made by Dimitris Foussekis.
- PF Das Grotesk Pro (2014). Panos writes: Das Grotesk was inspired by earlier nineteenth-century grotesques, but it is much more related to American gothic designs such as those by M.F. Benton.
- DaVinciScript (2001-2006). A Treefrog-style script typeface by Vassiliou and Dimitris Foussekis.
- PF Dekka (2014). This solid elliptical sans family was influenced by Monaco's outline version called MPW. It includes PF Dekka Mono.
- PF DIN (2010): PF DIN Display (2002-2005), PF DIN Mono, PF DIN Serif (2016; this great serif version of DIN---a first---contains a wealth of goodies: just look at the great weather icons; it won an award at Granshan 2016), PF DIN Stencil Pro (2010), PF DIN Stencil, PF DIN Stencil B (2016), PF DIN Text Pro, PF DIN Text Condensed, PF DIN Text Compressed, PF DIN Text Arabic, and PF DIN Text Universal. With Latin, Cyrillic and Greek coverage, each font has about 1300 glyphs. The designs go back to the the lettering of the Prussian railways around 1900. In 2013, PF Din Text Pro was published.
- Eco Park. A 3d outline face.
- PF Encore Sans (2009). A rich and versatile sans family supporting Greek, Latin and Cyrillic.
- PF Fuel Pro
- PF Fusion Sans (1996-2006)
- PF Garamond Classic.
- PF Goudy Intials and PF Goudy Ornaments. A winner at Paratype K2009.
- PF Grand Gothik (2019). A large grotesque typeface family with three subfamilies and a variable font option. He writes: Grand Gothik is a postmodern, multiscript, multifaceted and variable type system which shines at its heavier extended versions with its hip, expressive, almost brutal energy. Grand Gothik's design space includes 3 axes for weight, width and one for italics. It is available as a variable font or as five separate opentype families---compressed, condensed, normal, wide and extended. Each family comes with 9 weights spanning from Extra Thin to Black plus italics.
- PF Handbook (2005-2007, sans family)
- HellenicaSerif. Chiseled look, Greek simulation face.
- PF Highway Sans (2001-2015). Highway Sans Pro is based on the standard typefaces used for highway signs and other byways open to public travel in the United States. These standards were established by the US Federal Highway Administration in 1966 following several studies which were conducted at the California Department of Transportation in the 1940s. It covers Latin, Greek and Cyrillic.
- House Square. A Bank Gothic lookalike.
- PF Isotext (2005). Meant for technical documentation, it is modeled after Isonorm.
- Kids, KidsStuff
- Lindemann and PF Lindemann Sans (2012).
- PF Marlet (2019). A sharp-edged humanist sans family fit for fashion mags: Marlet Titling, Marlet Finesse, Marlet Swash, Marlet Display, Marlet Text. PF Marlet, collected three awards one after the other, a year after appearing on Luc's best-of-2019 list. First, the coveted TDC Certificate of Typographic Excellence 2020, followed by another one from European Design Awards and a third distinction from Tokyo TDC.
- Mechanica A and B, 2002-2006. Octagonal families.
- PF Mellon (2019). A modernist variable grotesque influenced by nineteenth and early twentieth century condensed sans serif typefaces such as Stephenson Blake's Grotesque No.77 and ATF's Alternate Gothic.
- PF Monumenta (2002-2006). A majestic lapidary roman family.
- Online (One, Two and Three). Pixelish family.
- PF Ornamental Treasures (2008). Byzantine ornaments and borders.
- PF Pixelscript
- Psychedelia (2003, Dimitris Foussekis). A psychedelic typeface.
- Regal Pro and Regal Finesse Pro: Award-winning high fashion display didone families, 2010-2012, originally designed for the Grazia magazine. Awards include Red Dot Awrd 2012, Communication Arts Annual Competition 2012, Creative Review Type Annual 2011, European Design awards 2011, EBGE awards 2011, Granshan Awards 2010. See also PF Regal Swash and PF Regal Stencil.
- PF Reminder Pro (2003). A hand-printed typeface.
- PF Square Sans Pro, PF Square Sans Condensed Pro (2013).
- PF Stamps (2002-2006). A grungy stencil typeface by Panos Vassiliou and George Lygas.
- PF Synch Pro (2006). An industrial strength slab-serif typeface.
- PF UEFA Super Cup (2013).
- PF Uniform
- PF Venue (2017). Semi art deco, and free-spirited, a great poster typeface family.
- PF Wonderbats (2003). Funky and strange animals.
- Wonderland (2006). By Dimitris Foussekis.
Their type blog is called Upscale typography.
Catalog. View all typefaces designed by Parachute.
Klingspor link. MyFonts interview. [Google]
Spanish designer of the free hairlined caps typeface Rasty Lop (2013). [Google]
Paula Nazal Selaive
Santiago de Chile-based creator of Selaive (2011, Latinotype), a geometric monoline sans with an extreme hairline weight, a bold, and several curly alternates. She also made the curly swashy script typeface Dulce (2011; Dulce Pro appeared in 2013 at Latinotype). Dulce has slight teardrop terminals.
In 2012, she and Daniel Hernandez created the Bosque family at Latinotype, which comes with six variants, Normal, Wood, Shadow, Wood Shadow, Dingbats and Shadow One. Julieta is a curly swashy thin monoline typeface family. Romeo (Latinotype) is a swashy curly condensed unicase typeface.
In 2013, with Daniel Hernandez, she designed the layered type system Trend, also at Latinotype. See also Trend Rough (2014).
In 2014, together with Daniel Hernandez, she created the upright good-spirited coffee shop script Showcase. It is morally supported by a set of Ornaments and a few Sans and Slab styles.
Revista (2015, Paula Nazal Selaive, Marcelo Quiroz and Daniel Hernandez, at Latinotype) is a typographic system that brings together all the features to undertake any fashion magazine-oriented project. It has Revista Script (connected style), Revista Stencil, Revista Dingbats, Revista Inline and the didone Revista all caps set of typefaces. Revista won an award at Tipos Latinos 2016.
In 2016, she designed the delicate display didone typeface family Camila (Latinotype), for which she was influenced by Coco Chanel.
In 2017, Paula Nazal and Daniel Hernandez co-designed Trenda, a geometric sans family based on the uppercase of Trend. The rounded edge version of Trenda is Boston [corrections and review by Alfonso Garcia and Rodrigo Fuenzalida].
In 2018, Paula Nazal and Daniel Hernandez co-designed the monoline connected script font Save The Date.
Facundo (2020, Paula Nazal Selaive and Daniel Hernandez, at Latinotype) is a 14-style geometric sans family. [Google]
English designer in West Cork, Ireland. In 2014, he designed the classical roman caps typeface Carrig---not Trajan, but still influenced by stone carving. He also created the similar typefaces Carrig Roman (2015), Carrig Italic (2015), Carrig Refined (2015), Carrig Rough (2016), Carrigeen (2014), and Carrig Pro (2017). Woodford Bourne (2015, 8 weights for 16 fonts in all, from Hairline to Black) is a 19th century grotesque typeface that pays homage to the historic stone cast type in the building façades of the former Woodford, Bourne & Co. in Cork City, Ireland. It was imprioved and extended in 2016 as Woodford Bourne Pro. Arundel (2015) is a beveled medieval typeface.
Typefaces from 2016: Didonesque (didone headline typeface characterized by a large x-height and slightly curved v, w and y), Fnord (a serif family designed with a mischievous streak), Fnord Display (in Engraved, Inline and Woodcut styles), Eponymous (an experiment with chunky serifs), Pseudonym (a subtly falred sans with interlocking and unicase features).
Typefaces from 2017: Didonesque Ghost (a stylish very contrasted didone typeface family), Banjax (humanist sans, followed in 2018 by Banjax Notched), Faded Grandeur (inspired by stone engravings that have withered and decayed over time), Torus (a rounded monoline organic sans; see also Torus Variations (2018): Torus Notched, Torus Inline, Torus Outline and Torus Biline), Meccanica (an intoxicating nuts and bolts-style engineering typeface).
Typefaces from 2018: Eurocine (this is in the wide elliptical sans genre: This typeface attempts to capture the mood of movie credits from European Cinema in the 1970s, with a focus on Giallo films in particular. In terms of style, Eurocine sits somewhere between Walter Baum and Konrad Friedrich Bauer's Folio, and Aldo Novarese's Eurostile), Polyphonic (a 60-font slab serif family), Majesty (flared, incised), Verbatim (a 60-font sans family that was inspired by the best (and worst) of 1970s science fiction TV shows and movies, and aims to extract the essence of futuristic type from that era).
Typefaces from 2019: Didonesque Script, Modica (an 18-style geometric sans that came from Technica), Technica (a more conservative rounded geometric sans / techno family than his earlier Meccanica), Rhetoric (a semi-cursive typeface), Quorthon (blackletter, in Black, Dark and Grey substyles), Yolk (a sans family based on the shape of an egg yolk), Transcend (an all caps titling typeface), Ergonomique (a humanist sans in 18 styles), Eloquence (a renaissance font family), Didonesque Stencil.
Typefaces from 2020: Audacious 9a 20-style decorative serif), Cream (a warm text family, with the heavier weights leaning towards Cooper Black), Sqwared, Logik (sci-fi).
Creative Market link. MyFonts link. [Google]
Aka Skomii. Austrian creator of the hand-printed typefaces Simallos (2012), Scriptia Happy (2012) and Danï Donne (2012), of the sans typeface Aster (2012), of the avant-garde hairline caps typeface Veron (2012, +Extra), and of the counterless typeface Chronodue (2012).
Typefaces from 2013: Rhino Luz, Erasaur, Always Together, Aspergit (avant-garde sans family), Science Fair, Our First Kiss (upright monoline connected script), Marchesa, Marte (hairline avant-garde font), New Spirit (2013), Max And The Dust, Essence Sans (avant-garde sans), Moondance, Dalmais (Peignotian fashion mag face), Mers (circular arc font), Camieis (squarish face), Cliche 21 (avant-garde hairline sans), Old Cave (brush face), Aspargo (hand-printed), The Rainmaker (outlined 3d face), Skandar.
Typefaces from 2014: Oxymorons, I Never Learn, Realize My Passion, Stark (geometric sans), Pistara (thin avant garde sans), Maloire, Arenq (bilined).
Dafont link. Fontspace link. [Google]
Brno, Czechia-based designer of the hairline avant garde typeface Brite Lites (2015). [Google]
Pedro González Jorquera
Pedro Leal graduated in graphic design and advertising from the ESEIG-Escola Superior de Estudos Industriais e de Engenharia in Vila do Conde, Portugal, and lives in Porto. In 2010 he obtained a degree in type design at ESAD (Escola Superior de Artes e Design, Matosinhos) and started working at DSType. MyFonts link. Behance link.
He used FontStruct in 2008 to create the pixel typeface Minimal 8pt (514 glyphs!). In 2010, he created the text family Mafra at DSType. This was followed a bit later by Mafra Display (2010; +Medium, +Black). Apud and Apud Display (2010, DSType) are high-contrast typefaces.
Penna (2011) is a calligraphic type system. Braga (2011, Dino dos Santos and Pedro Leal, DS Type) is a layered font design family. Dino writes: Braga is an exuberant baroque typeface, named after a Portuguese city, also known as the baroque capital of Portugal. Our latest typographic extravaganza comes with a multitude of fonts designed to work like layers, allowing to insert color, lines, gradients, patterns, baroque, floral swashes, and many other graphic elements. Starting with Braga Base, you can add any of the twenty-three available styles, to create colourful typographic designs.
In 2012, he designed User, User Stencil and User Upright>/a>, a monospaced type family with 30 styles, from Hairline to Bold. This too will many awards. Girga (+Italic, +Engraved, +Banner, +Stencil) is a strong black Egyptian family designed together with Dino dos Santos at DS Type. Solido (2012, with Dino dos Santos, DS Type) is a versatile type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact. In total there are 35 fonts.
In 2012, he created the sans family Global, with its own dedicated web site, The Global Font. In 2013, he followed that up with the Global Stencil typeface family.
In 2013, Dino dos Santos and Pedro Leal published Diversa, a set of nine very different fonts that are jointly kerned so that letters can be swapped out and replaced at will. Diversa Std (2014) extends this to include Stencil, Inline and other decorative styles. Pedro Leal's main typeface of 2013 is Aparo, a script that is calligraphic, yet keeps the characteristics of penmanship scripts, and the pizzazz of a good fashion font.
In 2014, he published Ocre and Ocre Poster in sans and slab serif substyles inspired by W.A. Dwiggins, Torio, a penmanship script based on a style used in Arte de Escribir por Reglas y con Muestras (1798, by Spanish penman Torcuato Torío de la Riva y Herrer). Torio received the Communication Arts Type Award of Excellence in 2014.
In 2015, he created the large Rudo and Rude Slab typeface families that exhibit many humanist traits: Rude ExtraWide, Rude Icons, Rude SemiCondensed, Rude SemiWide, Rude Wide, Rude, Rude Condensed, Rude ExtraCondensed, Rude Slab, Rude Slab Condensed, Rude Slab ExtraCondensed, Rude Slab ExtraWide, Rude Slab SemiCondensed, Rude Slab SemiWide, Rude Slab Wide, Rude Slab, Rude Slab Condensed, Rude Slab ExtraCondensed, Rude Slab ExtraWide, Rude Slab SemiCondensed, Rude Slab SemiWide, Rude Slab Wide. Early in 2015, he also did a custom typeface family for the Jornal de Notícias, including sans, serif and micro sub-styles. Dino dos Santos and Pedro Leal published Jules and Jules Text in the summer of 2015---a fat fashion mag didone 45-style family inspired by several plates from Portuguese calligrapher Antonio Jacintho de Araujo; it comes in Big, Colossal and Epic. Ecra is a workhorse slab serif, also done in 2015. Viska (2015, by Dino dos Santos and Pedro Leal) is designed for small print. Finally, TCF Zellige (2015, TypeCult) is a modular typeface inspired by the tiles that can be found in Southern Europe and North Africa.
Typefaces from 2016: Oposta (Italian, Western style pushed to the esthetic extreme; received the Communication Arts Type Award of Excellence in 2017), Ardina (with Dino dos Santos: a text typeface family with three optical sizes).
Typefaces from 2017: Scrittore (a heavy dark Italian bastarda influenced by the connected hand of Giovanniantonio Tagliente and Robert Granjon's Civilité; at DS Type), Zart (a voluptuous ebullient black didone, or fat face). Fusta (a gorgeous wood-type inspired poster typeface), Ordem (a low-contrast contemporary Capitalis Monumentalis).
Typefaces from 2018: Glitched (an experimental variable spacing font), Striver (a crisp contrasted curvy display typeface), Certo Slab and Certo Sans, Foreday (a forward-looking typeface family with associated variable font, covering sans, serif, semi-sans and semi-serif), Perfil (an inline and swashy high end script).
Typefaces from 2019: Akut (a purely angular typeface with some rounded corners), Denso (by Dino dos Santos and Pedro Leal: a great condensed variable font with weight, serif and optical size axes), Jornada (a multistyle family with a Fraktur, a chancery, a bookish style called Libro, a news text serif, a clean sans, a slab serif, a monospace, and a penmanship script, all in one family dubbed hygienic post-punk by Leal).
In 2020, Dino dos Santos and Pedro Leal designed Larga, which was inspired by the typefaces shown in the specimens of the Fundiçãao Typographica Portuense from 1874. Larga is a wide all caps family and comes with a variable opentype format. Pedro also designed Mescla and Enorme (an ultra massive and modular 3000-glyph mastodont of a font, together with Dino dos Santos) in 2020. [Google]
[Pedro González Jorquera]
Type designer graphic designer, calligrapher and illustrator from Chile, who graduated in graphic design in 2005 from the Universidad del Bío-Bío., b. 1977, Santiago de Chile. Aka PeGGO, a foundry established in 2002. MyFonts link. PeGGO designed some commercial fonts, such as:
- Farola (2008, a curly Victorian face; +Farola Simple, without curls).
- PAI Fashion Font (2011).
- Legan (2008, a mini-serifed Trajan face).
- Thörtl (an angular display face).
- Gothric (gothic).
- Claramaria (sans).
- Claramaria Mega Black, Claramaria Extra Light (hairline version).
- Fonton (a fat elliptical face; images i, ii, iii, iv, v, vi, vii, viii, ix, x). I can't understand why Fonton has not won any major awards. Even in this popular genre, it stands on a pedestal all by itself.
- Cuadrada (2010, angular).
- Lighton Extra Light (2011). An elliptical hairline sans.
- Trianglery (2010, calligraphic).
- Politic (+ExtraLight, +ExtraBlack: a slabbed family).
- Minesmall (hand-printed).
- SP-Font (squarish).
- Halcön (2008, blackletter).
- Krämfark (2008, blackletter).
- Milica (2013). A squarish severe poster typeface family.
- Hexaround (2013) is a dotted hexagonal matrix font.
- Latinisiert Hebraica Schrift (2014). A Hebrew simulation typeface.
- Double Trase Latinsiert Fraktur Schrift (2014) is a calligraphic blackletter alphabet.
- Limonada (2015). An organic semi-serif typeface.
- Ironbrick (2015). Pure techno futurism.
- Sharka (2015). A mechanical high impact display typeface family ranging from Normal to Compressed widths.
- Globa (2016). Globa is a low contrast round sans typeface family.
- Niva (2016). A 60-style display sans typeface family advertized for use in scientific documents.
- Primaria (2018). A great school script and print typeface family.
- The commissioned decorative typeface family Roijer (2016), and Roijer Ornaments, Roijer Dingbats, and Roijer II (2017). This absolutely stunning display typeface family evolved from a branding exercise in which each letter was developed as typographic jewelry, a bond between classical and creative freedom concepts with Lombardic and art nouveau touches, Röijer puts a dual capital model in your hands---a classic Roman and a contemporary alternative.
- LeBrush (2016). A contemporary humanist serif Roman typeface based on real brush lettering, in ten styles ranging from Thin to Extra Dark, inspired by the classical Roman proportions of the Capitalis Monumentalis of the Trajan Column. It comes with several dingbat fonts and a set of ornaments. The family could be appropriate for movie titling.
- Animals LeBrush Extras (2016): a set of hand drawings of wild mountain and sea animals done for book covers, magazines and posters.
- Geometrica (2017, Latinotype). Geometrica is a low contrast rounded geometric Sans with a mid 19th/early 20th century simplicity air yet it remains modern and minimalist. Geometrica has ten weights.
- Caprina (2017). A geometric sans family with the flat squarish tops that characterize the original Futura and the work of Max Bill.
- In 2018, Pedro Gonzalez and Marcela Aguilera co-designed Orqquidea and Orqquidea Garden (dingbats).
- Rationell (2020). Classifying it as neo-grotesk, Pedro writes: Rationell is a functional multipurpose corporate typeface, based on classic 1950's Swiss rationalism, subtly tuned on a XIX century didonesque modernist structure, a contemporary interpretation with the eyes of the Latin idiosyncrasy. Rationell's great weight range stretches from hairline to extra black, with rounding in the heavier weights.
- Geometrica (2019). A low contrast geometric sans family.
Calligraphic works include L'Ecole d'Fine Arts (2009), Latinisiert Fraktur Neue (2014), Paradise Duck, Eclesiastes (based on "La Rueda" of Sheila Waters, 1981).
Creative Market link. Behance link. MyFonts foundry link. Klingspor link. [Google]
Designer in Spain who runs Pyo Studio. He created Mantequerí (2011), and Circon (2011, hairline sans based on circles). Behance link. [Google]
Slovakian type designer (b. 1973), who lives in The Netherlands. Bio at FontFont. Designed: FF Atlanta, FF Craft (Kafkaesque), Champollion, Collapse, Didot Sans (unpublished), Decoratica (great display font, unpublished), Desthetica (grunge, but nice!), FF Eureka, FF Eureka Sans (2000), FF Eureka Mono (2001, FontFont), FF Eureka SansCond, FF Eureka Symbols (2002), FF Eureka CE, FF Eureka Sans CE, FF Eureka Sans Office (2011), FF Eureka Mono Office (2011), Fountain Pen (free fountain pen nib dingbat font), FF Masterpiece (wacky), FF Orbital, Fedra Sans (2001, a de-protestantised version of Univers, originally a corporate font for Bayerische Rück, a German insurance company), Fedra Bitmap (2002), Euroface (1996, Typerware, a scribbly font allegedly more legible than Helvetica at 80km/h), HolyCow and The Case. Essays on typography and design. Editor of dot dot dot. He also made AccentKernMaker, a font utility. Peter Bilak now lives in The Hague, The Netherlands, at the same address as Paul van der Laan. Free dingbat font FountainPen (Mac). At ATypI 2004 in Prague, he spoke about white spaces in typography. Speaker at ATypI 2005 in Helsinki. [Google]
Born in Budapest in 1957, but Parisian since 1957. Designer and type artist who made many custom and magazine fonts. Blog. There is an ongoing feud between Porchez and Gabor which has invaded the internet waves. Gabor's blog and Porchez's blog are the stages for this royal battle. Generally, Gabor decries the hypocrisy in the type industry and calls for the Foundation of a Sir Francis Drake Society. The Book Antiqua/Palatino case and the Bitstream/Linotype battle irked Gabor, and he likes to expose type designers whose fonts are too close to others. Among his creations:
- American Match. For Paris Match.
- Elle Gabor. A great fashion-conscious geometric sans family. For Elle magazine.
- Firmin Didot.
- Futura Canal.
- Gabor 2000 (TypoGabor Phototitrage, 2000).
- Gabor Script (TypoGabor Phototitrage, 1975).
- Les Échos.
- Libération (1994). Four typefaces for the newspaper.
- Manu Script Short (1995). A free script font based on his own handwriting.
- Mermoz (TypoGabor Phototitrage, 1988). A roman style mini-serif family.
- Moka Presse.
- Nintendo: a pixel face.
- Sade (Salon Sade, 1976).
- Serge Lutens: a severe Calvinist face.
- Total: commissioned by the gas company.
- Yves Saint-Laurent.
Phantom Power (was: Phantomphonts)
German type designer Stefan Claudius (b. 1971, Essen) studied in Wuppertal and Essen (industrial design) and became an independent graphic designer in 2000. He runs Phantom Power and co-founded Cape Arcona (in 2002, with Thomas Schostok).
He designed CA Saygon Text (2019: a grotesque family), CA Saygon (2019, with Thomas Schostok: a formidable experimental sans that evokes an internal clash between 90-degree angles and smooth arcs), CA Rough Rider (2015, weathered typeface), CA Rusty Nail (2015, hand-crafted vintage style), CA Segundo (2014), Yalta Sans (2013: Yalta Sans Pro was published by Linotype), Buenos Aires, Strong Man, Phantom, Play (Real, Roman, Wild, Script, Gothique Superfat (2009) and Dynamic, all at Cape Arcona), Cape Rock (a fat Clarendon, Umbrella Type; with Schostok), Cosmo-Pluto and Cosmo Saturn (2002, at Cape Arcona), CA Normal (2010, grotesque), CA Normal Serif (2011), CA Plushy (2007, a nice brush script at Cape Arcona), Styroscript (at fontomas.com), Caseprintitalic, Caseconected, Malermeister, CA Oskar (2012, originally a custom typeface for the international Traumzeit music festiva), CA Postal (2013), PhantomItalic, Product (stencil font), Untitled1, Pizzeria Hamburg, Dekoria (2006, a saloon font), CA Subbacultcha and CA Zaracusa (2006, a sans family at Cape Arcona), Minimal Punctuation, Futile extraoutitalic, Kalish-Normal, Malermeister (2001, white oblack stencil), PhantomItalic (2001, techno), Product (2001, a rough handpainted stencil), Melancholie4, Low (2001), CA Texteron (2010, an award-winning text font family), Koenigsbrueck (2002, handwriting).
Stefan was at one point part of the Chank Army, where you can buy his ultra-thin font Sensuell Thin (2002, a gorgeous fashion mag hairline face, also at Cape Arcona).
Designer of Dekoria (2004, Fountain).
Designer of Melancholie at Fontomas.
Designer at Volcano Type of Hermaphrodite (a sans with serif genes).
Interview. FontShop link. Dafont link. Klingspor link. Fountain Type link. Linotype link. Linotype interview. [Google]
Philippe et François Blondel
[Polices True-Type Manuscrites]
A subsidiary/part of House Industries in Yorklyn, DE. I quote: Photo-Lettering was a mainstay of the advertising and design industry in New York City from 1936 to 1997. PLINC, as it was affectionately known to art directors, was one of the earliest and most successful type houses to utilize photo technology in the production of commercial typography and lettering. It employed such design luminaries as Ed Benguiat and sold type drawn by the likes of Herb Lubalin, Milton Glaser and Seymour Chwast as well as countless other unsung lettering greats. The company is best known by most of today's graphic designers for its ubiquitous type catalogs. Physically, the collection takes up about 1500 cubic ft (42 cubic meters) of space and consists of film negatives and positives of most of the 6500 fonts produced in the company's 55 years. There are also countless patterns, cartouches, borders and dingbats, all of which have been preserved in film negative form. Each negative is approximately 28 in (71 cm) by 5 in (13 cm) high. House Industries, a Yorklyn, Delaware-based independent type foundry, purchased the entire physical assets of Photo-Lettering in April of 2003. Through a partnership with Ken Barber, Christian Schwartz and Erik van Blokland, House Industries is carefully digitizing select alphabets from the collection and plans to offer them through a modern web-based interface. The Photo-Lettering interface has allowed us to reach beyond the rigid confines of typography to offer extended features such as layering, color control and multiple master interpolation over six axes. With some of the most talented minds in display typography behind this new display lettering system, users of the system will enjoy the same refined typography as the original Photo-Lettering customers.
A snapshot of their production, as of mid 2012, in alphabetical order: