TYPE DESIGN INFORMATION PAGE last updated on Thu Jan 29 10:33:14 EST 2015
Bauhaus and type design
1919 Type Foundry
1919 Type Foundry presents the typographic work of Scott Sullivan, who is currently a graphic design major at Ohio University in Athens, Ohio, scheduled to graduate in 2009. About the name: The year 1919 was the year that the Bauhaus school opened in Weimar, Germany. It was roughly the year 1919 when Modernism and Constructivism were born in Germany and the U.S.S.R., respectively. All fonts are heavily based in geometry, therefore: Dosim OKT, Geovlad (2009, constructivist, based on the posters of Georgii and Vladimir Stenberg), 44X34X (2009, futuristic, free). The Triflig Paradigm is another project of his. There he is developing some fonts such as Moon Man, and one can download Gnashraw-Spaced (2009) and two of his FontStruct (pixel) fonts, pgdm001 and pgdm002 (2009). Designmoo link. [Google] [More] ⦿
Valencia, Spain-based creator of the Bauhaus-inspired monoline geometric rounded sans typeface Bowhouse (2013, free), the retro futuristic typeface AC Brodie (2013, free), the free art deco typeface AC Mountain (2013), the 3d typeface AC Framed (2013), the film strip typeface AC Filmstrip (2013, free), Comic Runes (2013, rune simulation), Scribbled (2013), and the hexagonal typeface Bee Type (2013, +Filled, +outline).
Romaji Mincho (2013) is a free Asian simulation font based on the style of the Mincho typeface. Rhyder (2013) is a great (free) geometric 1930s style sans typeface. Martell (2013) is a free general purpose slab serif family.
Typefaces from 2014: AC Wanita (hand-drawn).
Adult Human Male
Adult Human Male is the typefoundry of Malaysian designer Alex Hy, who is located in Berlin or Ireland. His Twitter account says that he is New York, Paris and Coolock. His Dafont account calls him Irish. Whatever. Alex has two aspects, a commercial one, expressed in his commercial foundry Adult Human Male, and a free one via his Squack site on Dafont.
The commercial Alex created the grunge stencil typeface Butterworth (2011), the hand-drawn Teksi (2011), the monoline squarish family Ebdus (2011), Valis (2011, futuristic), and the thin avant garde monoline typeface New Slang (2011). Gordito (2011) is a graffiti style bubble font that says Smurf.
In 2012, Alex published the poster caps typeface Areaman, Stink Lines (multilined typeface) and Penang (art deco signage typeface seen on Penang by the creator). Straights Light is a beautiful pair of bilined all caps faces. Dale Kids is a children's book typeface. Hokkien (2012) is an art deco typeface with Chinese influences. Mister Mustard is a chubby rounded art deco typeface. Barkley (2012) is a textured caps typeface with a chalk board feel. Liner Notes (2012) is a bilined hand-drawn typeface. Bartleby (2012) is a hand-drawn all caps display font.
The free font foundry Squack has the hand-printed faces Barker Allcaps (2012), Scrapist (2012, sketched), Billy Boy (2011, 3d), Quito Chicken (2011, 3d), Fred Wild West (2011, a grungy western face), Coolock Black (2011), Zapftig (2011), Ringworm (2011), Suicide Draft (2011), National Granite (2011, a 3d stone chisel face), Whiskey Fingers (2010), Wank Hands (2010) and Middle Man (2010), and the irregular faces Zapftig (2011), Shock Corridor, Pollo Asado, Middle Woman, Ghost Words, Late Puberty, Parrannoyed (2010, ransom note face), the hairline typeface Rexic (2011), Black Grapes (2012), Chump (2012, hand-printed capitals), Areman OT (2012), and the grungy Skidmarks (2012).
Typefaces from 2013: Salas (a chunky cartoon face), Rabid (a crayon font), Strokin (a great brush face---part charcoal part paint strokes), Bevel Hands, Bunk (a layered beveled type system absed on a monoline fat rounded sans, Bunk Base 2), Spengler (inline face), Vastra (Bauhaus style, organic), Swingers (curly and cartoonish), Chump Change, Treves Sans (crayon face).
We read that the fonts are designed by EircomTest. Aka Squack, MiddleMan and Alex H.
Afrojet Type Foundry
John Skelton is a type designer from St. Paul, MN, b. 1973. He is currently based in Portland, OR. He started out in 2008 as afrojet on FontStruct, making many free fonts there. Late in 2009, he set up Afrojet Type Foundry at MyFonts.
FontStructions in 2008: Playtime (an original stencil family), Playtime Pattern Motifs (dings), Playtime Rounded (+Bold), Playtime Cutouts, Mango Solid (ultra fat, rounded), Mooch (experimental), Mooch Squared, Zombies Are The New Black, Jettison Stencil, Micromoog, hewett, hewett_bold, hewett_extended, Mikey (a Mickey Mouse font). Other creations there include Summer Grillz (about which he writes More gangster than Gill with more gold than Garamond, Summer Grillz is type jewelry for your mouth. All letterforms are diamond-kut using the finest type constructing software on the market today. Customize your grill with different fills., Lovestruc, Konstruct (multiline face), Steeplechase, Sawhorse, Sawhorse Braumarks (dingbats of a brewery), Alfred, Chesterfield, Hydroplane, Jettison-Stencil, Pop-Drops (kitchen tile face), Starstruc, Lovestruc, Chesterfield Prince, Chesterfield King, Chesterfield Queen (piano key font), Brainfreeze (ultra fat).
Fontstructions in 2009: the Sans Serious family (a tribute to Dutch Bauhaus designer Jurriaan Schrofer), Factory (stencil), Hunstrüct (blackletter), Slug, Micromoog Remix, Get To The Falcon, Jetstream and Perforate (octagonal, loosely based on several styles of letter and numeral forms observed on various aircrafts at the Evergreen Aviation&Space Museum in McMinnville, Oregon), Get To The Falcon (multiline face), StacheStruct (moustache font), Factory (stencil), Playtime Bolda, Thunderball, Gaga, Gaga Stencil, Pinpression, Sessions (a take on type by Josef Albers; he writes: Having previously played around in Fontstruct with Anni Albers' textile patterns, I thought it time to turn my attention to her husband Josef's work. Josef Albers' constructivist typographic experiments are a perfect match for Fontstruct. Other Fontstructors have done great work with Alber's ideas. Most notably, Saberrider's fontsract and Stewf's Leaflet family. Using Josef Albers' Kombinationsschrift alphabet (1928-1931) as my foundation, I've been having a lot of fun remixing and experimenting with his letters.).
Fonts made in 2010: Whoopee (piano key face), Prog.
Commercial fonts: Sessions (2009, modular).
FontStructor who made these typefaces in 2010: Tessa (an über fat face), Pomegranate, Archipelago Serif, QQQQQ.
In 2011, these faces were created: Barnhaus (+Lite), Not My Font (clone of zalamera eYeFS by Antonio J. Morata), Mission Design Sans, Soundproof, Naturally Blonde, Sector12 (an army stencil face), Industrial Sans Better, Elegantite, Grey Hand (texture face), Ubnshufr II Hellllp, Havoc, Havoc Thin (scratchy face), Pixels Redefined (texture face), Capitas Lite (texture face), Capitals Woodcut, Adl Capitals (hand-printed), Useful Sans, Spirit (tattoo/blackletter face), Wanted 2.0, Detaile, fs Greener Grass (grotesk headline face), Bean (pixelish), Small Sans, Doundproof.
In 2012, Agent Demonic Ladybug made these typefaces: Mechans (upright connected script), Tessa Revived, Minimalist No. 2 (piano key face), Laceys (dot matrix typeface), Roundsclean, Squareup, Barnhaus 2012, Mission Design Sans, Barnhaus (+Lite, +Mono; named after Bauhaus), iFontStruct, Squishypixel, Moredetailes, Who Needs Nonconformity (heavy octagonal), Stuckinneurone Error, Stuckingranite, 220a, Boldish (piano key face), Strategy Bold. [Google] [More] ⦿
French digital type foundry, est. 2007, located in Lille. The type coop includes Stéphane Meurice, Xavier Meurice, Sébastien Delobel (the three founders), as well as Jérémie Perrin and Baptiste Servais.
Commercial fonts include these made by Atelier Télescopique: Stone Heure (2007, multiline), Ader, Bepierre (pixel), Beye (pixel), Birinte (experimental), Boureuse (an elegant geometric sans), Byme, Capulco, Ciceron (dot matrix), Delory (clean sans), Dicion (dot matrix), Dixca (pixel), Fisher, Fluo (2012-2014, a stencil font by Xavier Meurice and Sébastien Delobel), Hic, Kune (sans family), Lailuya, Lienne, Mentable (dot matrix), Mento (clean sans), Merik, Miante, Micale, Mulette, Naconda, Nalfabait (dings), Natomi (techno), Nibalsmith (ultra-fat), Norak, Normal, Peindice, Rabik (paperclip face), Raoul, Rijsel (2013, sans), Rondie (kitchen tile), Rubal, Scard, Screenex, Stone Heure (prismatic), Singolo, Sphiquesy, Steroid, Stuce, Tino, Tomica, Treen, Varo, Velinge (dings), Veu, Vrette, Vure, Yoli (dings), Xatif, Zofage.
Corporate typefaces by them include the Quechua family (for the sports company Quechua in Domancy, France), which consists of four typefaces, Bionnassay (for cross-country skiing), Forclaz (mountain hiking), Arpenaz (for recreational hiking) and Capcir (for Nordic skiing).
Added in 2009: Russisch Brot, Block Out (3d face, +Filled1, + Filled2), Bold Stencil Sans, Script Pixelig, Dorky Corners Sans, Haus der Kunst (inspired by the building in München by that name), Fraktur Test, Fette Sans (nice), Emilia, Runde Pixelig (pixel script).
Creations in 2010: Fraktur Test, The Plot (octagonal, architectural), 80s Metal Band, Fieldwork Font (pixel), Black Metal, I slabbed the Seriff, Play (curly face).
Creations in 2011: Obvious Stencil (Bauhaus, or piano key), Supercali (a psychedelic font inspired by the cover for A.R. Kane's "I"), Manuale (with straight slabs; +Manuale Giocoso, 2012), Graphite (fat and rounded), Graphite 2, Hinterland Italic (quaint Victorian face).
From 2012: Linea Fraktur (extended in 2013 to Linea Runde), Black Organic (spiky blackletter), Green Organic (a spurred blackletter), Standard Sans, Modular Blackout Bold Condensed, Viva Las Vegas, Helios, Faux Pas Serif (Egyptian typeface), Nova Thin Extended (this hairline sans is a tour de force---it is the first successful hairline sans typeface ever made by anyone using FontStruct), Bencraft.
Fonts from 2013: Meadow Bold, Lush Capitals, SwiftStroke, Its Slab To Be Square, Mellow Doubt, Ligure Black, Beige Organic, Trafo, Trafo Evolution, Codester Mono (a programming font), Swash Buckle, Nova Thin Extended (a hairline sans), Meson Sans, Burgwald Exquisite Bold Condensed, Editoriale, Coalescimen, A La Carte, Hampton Italic, Baby Elephant (fat grotesque).
Fonts from 2014: Terminal One (a basic sans), Fanomino, Fontris (like Tetris), Schlaraffenland (+Variant: great rounded sans family), Crystalline, Tick Brush, Manuale Neue Bold, Terminal One, Sanspura, Italics Study, Mundane Black Extended, Heavy Grain, Wineshop Stencil, Folds and Rhizones, Viva Las Inline.
He created Foldgami, Apollo 13 (techno, futuristic), Fatgami, Origamia, Paper Roll, Alt Retro (2010, multilined family), Alt Tiwo (2010, fat counterless), Alt Matey (2010, a family that includes a multiline style; the piano key typeface Alt Matey V2 followed in 2012), ALT Lautus (2010, a minimalistic monoline sans family), Japanese Cities Type Experiment (2010), ALT Alternatice (2010), ALT Vxt11 (2010, a high-contrast art deco octagonal face), ALT Aeon (2010, a unicase but multiline family), Alt Re 32 (2010, techno), ALT Mun (2010, a curlified family), ALT Breo (2011, octagonal family), ALT Exline (2011), Jun Script (2011, connected contemporary upright script), ALT Ayame (2011, condensed squarish family, +Long), Alt UAV31 (2011, an octagonal experiment), Alt Moav (2011, a striking geometric caps face. Images: i, ii, iii), Alt Geko (2011, an art deco caps face), and Archetype (unicase, Bauhaus).
Typefaces made in 2012: DNR001, ALT Kora (for the identity of Drone), ALT Fat (monospaced squarish caps face), ALT Exodus (sci fi face), Alt Wet (a paint splatter face), Alt Sku (ornamental didone face), Alt Robotechnica (pixel face), Exodus (a blackletter style straight-edged typeface), Juk01 (an ornmaental mechanical typeface), Alt Sake (a thin condensed poster typeface).
Typefaces from 2014: Ren (a free vintage display typeface family).
Saint Petersburg-based creator of Milan (2012) and Kidot (2013). She writes: Kidot font was created as a corporate font for KIDSTUDIO. It was born from professional passion to design & typography. A child of bauhaus and modernism. Honest & pure. Created by Anastasia Yakovleva & Marco Innocenti. [Google] [More] ⦿
Mexican designer of the hand-printed Bolita, the kids faces Nino and Bíblica, the unicase Bauhaus, the round typeface Aqua, the grunge faces Gap and Heart, the handwriting faces Pessoa and Pincelazo, Geometrics, Matisse, the minimalist typeface Moogdula, Offset, the sans typeface Quatro, the windowed typeface Ventana, Voluble, Starline, Santa Clara, the trekkie typeface Wet Alien, and the experimental typeface Chida, mentioned here. [Google] [More] ⦿
The Bends (2011) is a hairline curly-yet-straight display face. SansGoma (2011) is a hairline slab poster face. Nu Gothic (2011), Nu Modern (2011) and especially Vironica (2011) are fashion mag display faces. Neu Nouveau (2011) is a curly art nouveau face. Numera (2011) is an organic fashion mag face. Killoton (2011) is super-fat and beautiful.
Typefaces from 2013: Canada (alchemic).
BFA Graphic Design student at California State University, Long Beach. She writes in 2012: Chromosthesia is an experimental typeface designed in a Typography 2 class. The concepts as well as ideals of Vassily Kandinsky were used to construct each letter by using common shapes found in his paintings. [Google] [More] ⦿
Born in Auerbach, Germany, 1882. Died in Braunschweig in 1971. Worked mostly in Leipzig and Braunschweig. Drescher is most famous for his huge Super Grotesk family (Schriftguss, 1930, a geometric sans serif). At the foundry of Ludwig Wagner, he published Arabella (1936, a script face; for a revival, see Arabella Pro (2006, Ralph Unger, Profonts), Arabella Favorit (1936 or 1939), Fundamental Grotesk (1938-1939, four weights), Manutius Antiqua (1935), Manutius Kursiv (1935). He designed Antiqua 505 (aka Manutius) in 1955, a strong bold face. The latter was published by J. Wagner. Other faces include Drescher Initials (Schriftguss, 1927, an open lineale titling face), Duplex (Typoart, 1930, a delicate double-stroke titling type), Energos (Schriftguss, 1932, almost a comic book type of script font) and Helion (Schriftguss, 1935, and Fonderie Française, 1935, a 3-d shaded outline font).
His Super Grotesk family was revived at FontShop in 1999 by Svend Smital, and at Bitstream in 2001 by Nicolai Gogoll as Drescher Grotesk BT. Energos led to Ralph Unger's Energia Pro (2008). [Google] [MyFonts] [More] ⦿
Art deco faces by Nick Curtis: I
Art deco faces by Nick Curtis: II
Israeli type designer at Masterfont. Creations include Alonim MF, Axioma MF, Azili MF, Bauhaus MF, Bazelet MF, Bdeal MF, Cabanos, Casda MF, Cobra MF, Frick MF, Gali MF, Gesharim MF, Hadran MF, Ivritica MF, Kashtit MF, Kayak MF, Klilit, Kneset MF, Koloseum MF, Koryntos, Lakritz MF, Leeron MF, Mag MF, Magal MF, Mesila MF, Naheer MF, Neer MF, Nesharim MF, Netafim MF, Radial MF, Redis Square MF, Shaava MF, Shablul MF, Shanhai MF, Shira MF, Shofarot MF, Simple MF, Strip MF, Strip Saduk MF, Sufle MF, Taar MF, Tapuah MF, Tzach MF, Tzazit MF, Viola MF, Yali MF, Yeelim MF, Yeelot MF, Yuval MF. [Google] [MyFonts] [More] ⦿
Astronaut Design is located in Almaty, Kazakhstan. It is run by Slava (Vyacheslav) Kirilenko. A graduate of Kazakh National Pedagogical University Abai, Vyacheslav has worked as a graphic designer for Forty Studio, Why Smart Branding Agency, and USP Advertising Agency. In 2013, he won an award in the Granshan competition. He also designs typefaces at the Brownfox typefoundry run by Gayaneh Bagdasaryan.
His typefaces from 2012 include the free rounded sans family Static (Fontfabric), 1204 Grotesque, Neue Standart Grotesk, the free font Archive (a rounded sans headline typeface that is also also at Fontfabric: both Latin and Cyrillic), Svalbard Chrome, Cosmographia (sans headline face), Geometria (done with Gayaneh Bagdasaryan), Terminal Regular (like Courier), and Weimar.
Institut (2013, Brownfox) is an industrial-strength sans typeface designed by Vyacheslav Kirilenko and Gayaneh Bagdasaryan.
Atelier Telescopique (Fonderie Nordik)
Fonderie Nordik is a new French foundry in Wasquehal near Lille, which publishes some fonts such as Tomica (2009, a geometric sans done for Wéo Télé Nord Pas de Calais), Le Dixca, Le Cicerond, LaNormal, La Lienne. Founded in 1998 by Xavier Meurice and Sébastien Delobel. Stéphane Meurice and Guillaume Berry are also involved.
Font list: Font list: Scard (2000, Xavier Meurice), Stonehenge, Dixca (free pixel font), Fish, Delory, Lienne (2001, with Delobel), Bizeau, Raoul, La Cidulée, Ader (Xavier Meurice, 2002), Tex (2002, pixel font by Xavier Meurice), Normale (free), PSUS (Xavier Meurisse, 2000), Bépierre, Péro, SV01 (dings), Cicerond (free dot matrix font), Réka (2001, Meurice and Delobel), Nuk, Stéroide, Rosoir (2002, Xavier Meurice, dingbats), Equinox, Acropik, Wazemmes, Kune, Stoneheure (2001, Xavier Meurice), Sphiquesie (Xavier Meurice, 2002, an octagonal font), Nyctalope (2002).
Xavier Meurice participates in the type cooperative Ainsifont in Lille. His typefaces there include:
Swiss designer (b. Lausanne, 1902, d. 1955), who worked for Hoffmann-LaRoche before he went to work at the Bauhaus in Dessau in 1928. The URW font family Theo Ballmer (2000) is based on his ideas, and was digitized by Theo's grandson Thierry Ballmer. The family has many typical Bauhaus ingredients. [Google] [MyFonts] [More] ⦿
Babushke is a design cooperative in Zagreb that includes Marija Juza [a gradutae of School of Applied Arts and Design, Zagreb, the Faculty of Architecture, Zagreb and the School of Design, Zagreb], who is the codesigner with Nikola Djurek of Balkan (2012, Typonine), a sans / stencil type system for Latin and Cyrillic that was awarded by TDC in 2012.
Babushke created Herbert (2012), which is based on Herbert Bayer's early Bauhaus sketches. It is a low contrast 3-style typeface whose function is to properly align text in blocks.
TDC mentions that Marija lives in Zabok, Croatia.
Also known as Fielding Lucas, Jr., Lucas Bros., H.L. Pelouze&Son, and Chas. J. Cary&Co. Specimen may be found in Convenient Specimen Book of Type, Rules, Borders, and Electrotype Cuts from the Baltimore Type Foundry (Baltimore: Chas. J. Cary&Co., 1888. Banta Book of Types&Typographical Tips. Menasha: George Banta, 1961). The company existed until well into the 20th century, and published a catalog as late as 1957 called Type and Rule Catalogue 13, Baltotype.
A selected list of typefaces:
Rich Hopkins, a printing historian, acquired Baltotype ca. 1993. Based on drawings from the 1950s in the Baltotype material, Miranda Roth at P22 designed LTC Athena, a narrow art deco typeface, in 2013. [Google] [More] ⦿
Greg Flores (University of California at Santa Cruz) explains about the Bauhaus movement. He tells about Herbert Bayer's dislike for serifs (which he though useless) and about the introduction of the single case alphabets. [Google] [More] ⦿
Baha, Bahamas (Corel), Baron (BaronBlackDB Normal), Bimini, Bordeaux, Mumbo (Mumbo SSK), Dyname (SSI), Dessau (megafont.de), R790 Sans (Softmaker), BH (Itek), Geometric 752 (Bitstream). [Google] [More] ⦿
The Bauhaus school was founded in 1919 by Walter Gropius. It was based in Weimar (1919 to 1925), and then in Dessau (1925 to 1932), and finally in Berlin (1932 to 1933), before it was closed by the Nazi regime. Its directors were Walter ropius (1919-1928), H. Meyer (1928-1930) and Mies Van der Rohe (1930-1933).
The Bauhaus movement, which cut almost everything to its bare minimum and naked essentials, influenced art, architecture, graphic design, interior design, industrial design, and typography. Its typographical masters included Josef Albers (who made Kombinationsschrift), Herbert Bayer (famous for his Universal), Joost Schmidt and Kurt Schwitters. Bauhaus-style typefaces emerged everywhere---Futura (Paul Renner), Super Grotesk (Arno Drescher), and the types of Moholy-Nagy.
Brief bio of Walter Gropius, the founder: Born to a family of architects, he himself studied architecture in Munich from 1903-1904 and in Berlin from 1905-1907, and worked for Peter Behrens until 1910. In 1919, he founded the Bauhaus School. [Google] [More] ⦿
Bauhaus type: Stephen Coles
Stephen Coles discusses Bauhaus type in 2011. He says the real Bauhaus look typefaces are FF Bau, Venus, Vonness (large family based on Venus), Monotype Grotesque, Basic Commercial, Gothic 726, and ARS Region. Geometric, contructivist typefaces based on the design ideas of the Bauhaus, according to Coles: Albers, Bayer Universal, Joost, Erbar, Futura, Dessau, Neuzeit, Nobel, Super Grotesk, Avenir, Superla, Twentieth Century. [Google] [More] ⦿
BenBenWorld (or: BB Bureau)
Benoît Bodhuin (aka Ben Ben) lived in Tournai, Belgium, and after a brief spell in "chti" country, i.e., in Villeneuve d'Ascq, France, he relocated to Nantes in France. He studied mathematics and graphic design. Freelance graphic designer since 2004. In 2011, he set up Benben World at MyFonts.
Designer of the pixel fonts Logotix (2004), Latham and 5x7 Negatie Moyenne. In 2010, he made the paperclip face La Pipo, which was published in 2011 by Die Gestalten. He created the commercial angular sans typeface S-L (2006) which was originally made for the University of Arts Saint-Luc in Tournai. It was published by Volcano.
Commercial faces include S-L Bold (2012, a hexagonal typeface based on his design at St. Luc in 2006), Zigzag (2012, Volcano Type; a font originally made for the Vivat theater), and Marianne (2012, BenBenWorld: an inline and modular typeface family).
In 2013, he published the stencil / fractured typeface Mineral.
Foundry created in 2006 by Virginia Beach, VA-based Harry Warren (b. 1961, Cape Charles). Digitization of the typefaces by Bob Alonso (of BA Graphics).
MyFonts sells Cooper Goodtime (2007, inspired by the lettering used on the CBS-TV variety series The Glen Campbell Goodtime Hour (1969-1972)), Happy Trails (2007, based on the lettering (all upper case) that was used on most Trailways buses from 1936 through the very early 1960s), Jesus Saves (2008), Jesus Heals (2010), Neon Bugler (2008, a neon-light or paperclip font; digital help by John Bomparte; +Neon Bugler Squared), Future Bugler (2008), Future Bugler Upright (2010), Handmade Bugler (2009, digitized by John Bomparte), Southern Nights (2009, disconnected script), Scan (2010, a barcode-themed font), My Left Hand (2011), Minnesota Plaid (2011, a gaspipe family digitized by John Bomparte), Bauhaus Bugler (2013, digitized by John Bomparte: monoline Bauhaus style sans; compare with Qero Nite), Fast Food (2014) and Dime Store (2007).
Keith Tam writes this: "A fellow of the Society of Graphic Designers of Canada and partner/founder of the design firm Trio, Carole Charette recently exhibited her MA thesis project titled Sixx Styles at the Emily Carr Institute of Art&Design in Vancouver. The exhibit consisted of 12 posters created as reinterpretations of six chosen typographic styles in the twentieth century including Constructivism, De Stijl, Bauhaus, New Typography, International Style and New Functionalism. She gave a fascinating lecture at the institute last Monday titled Zeitgeist and Typography, which was a culmination of her academic research on the cultural study of typographic styles in the twentieth century at Université Laval, Québec City. The lecture included two very engaging multimedia presentations." [Google] [More] ⦿
Chris E. Lozos
Christian Schwartz was born in 1977 in East Washington, NH, and grew up in a small town in New Hampshire. He attended Carnegie Mellon University in Pittsburgh, Pennsylvania, where he graduated in 1999 with a degree in Communication Design. After graduation, he spent three months as the in-house type designer at MetaDesign Berlin, under the supervision of Erik Spiekermann. In January 2000, he joined Font Bureau. Near the end of 2000, he founded Orange Italic with Chicago-based designer Dino Sanchez, and left Font Bureau in August 2001 to concentrate full-time on developing this company. Orange Italic published the first issue of their online magazine at the end of 2001 and released their first set of typefaces in the beginning of 2002. Presently, he is an independent type designer in New York City, and has operated foundries like Christian Schwartz Design and Commercial Type (the latter since 2009). He has designed commercial fonts for Emigre, FontShop, House Industries and Font Bureau as well as proprietary designs for corporations and publications. In 2005, Orange Italic joined the type coop Village.
His presentations. At ATypI 2004 in Prague, he spoke about "The accidental text face". At ATypI 2006 in Lisbon, he and Paul Barnes explained the development of a 200-style font family for the Guardian which includes Guardian Egyptian and Guardian Sans. FontShop's page on his work. Bio at Emigre. At ATypI 2007 in Brighton, he was awarded the Prix Charles Peignot. Jan Middendorp's interview in October 2007. Speaker at ATypI 2009 in Mexico City, where he announced his new typefoundry, simply called Commercial.
A partial list of his creations:
On the theme of Christmas, Manfred Klein created ClassiCapsXmas, ClassiCapsXmas2002-Inverted, Xmas2002, XmasBalls, XmasBatzz, XmasGingerbread, XmasOnMoon, XmasOne (2004), XmasSketches, XmasPromotions (2005), XmasCaps (2005), XmasCapsRound (2005), Christmas05 (2005), XmasGsuffa (2005), Happy Xmas Bats (2006), PetrasBauhausXmas (2006), XmasImprovisations (2006), Weihnacht2006 (2006). [Google] [MyFonts] [More] ⦿
Creator of various display typefaces including the kitchen tile typeface Voltrona (2011, a kitchen tile typeface), Hate (2012), the kitchen tile typeface Metgeo (2012), the monoline sans typeface Duplica (2012), the piano key typeface Lucreow (2012: Lucreow is a permutation of Crouwel), Caladan (2012, fat blackletter), Hague (2012, angular), the Bauhaus-style typeface Joi (2012), the blackletter typeface Caladan (2012), Rid-G (2012, experimental), Sugar (2012), Cumo (2012, a happy children's book typeface), Domm (2012, stencil face), Zukunft, Iron (2012, an old film typeface), Freight (2012, stencil face), Noir, Shamrock (2012, octagonal athletic shirt typeface), Unison (2012, sans), Basic (2012), Sexy (2012, hairline), Gitter (2012, rounded), Modo (2012, monoline techno face), and SF Mono (2012). [Google] [More] ⦿
His early type designs were released as photolettering through Berthold. In 2000, in partnership with Chank, his fonts are finally being converted to the standard electronic formats. In 1984, he won a Silver Prize at the Morisawa Awards competition. In 2009, he was made a life member of The New Zealand Designers Institute DINZ.
MyFonts writes: Churchward Type started in 1962 as Joseph Churchward's freelance lettering service. Within six months he had generated enough work to move from his job as Senior Artist into setting up Churchward International Typefaces, which became one of the largest typesetting companies in New Zealand. In 1969 Joseph was asked to submit alphabet designs to Berthold Fototypes and saw immediate success. He later went on to sign distribution agreements with D.Stempel AG, Dr Böger Photosatz GmbH/Linotype, Mecanorma-Polyvroom B.V and Zipatone. He self-published a handful of original fonts in 1978 becoming the first and only company in New Zealand to publish original photo-lettering. Churchward International Typefaces was forced to close in June 1988 but Churchward Type lives on with a fresh set of independent releases. David Buck has taken on the role of digitisation. Joseph continues to draw alphabets and now has a stockpile of over 300 unique alphabets to his name.
Belgian designer (b. 1962) who lives in Brussels where she taught (teaches?) at the École supérieure des arts visuels de La Cambre and at the École supérieure de l'image. Her fonts were published by 2Rebels in Montreal, and by FontHaus in the USA. Her fonts are experimental and geometric in nature.
Some creations: Billes (1995), Boulbar (1995), Boules (1996), BubbleBath (1996), Craaac (1996) Caaarc (1996), Design, Douff, Graphic, Handex (1995; an alphading based on fists), Inbetween (1996), Lines (1994), Lolo (1992, funny figurines), Minimex (1996), Modern (1996), Perles (1995), StencilFull (1997), StencilFullBraille (1997).
She is most famous for her avant-garde geometric fonts Alpha Bloc (1994) and Alpha Geometrique (1994) published by Font Bureau. Alpha Geometrique Compact, for example, is a Bauhaus style stencil face.
Free fonts by Swedish designer Martin Fredrikson Core (b. Gothenburg, 1970), whose real name is Martin Lexelius:
Daniel K. Nielsen (Sheffield, UK) designed his first font in 2013. Called Hydra Grotesque, it was inspired by Bauhaus and art deco styles. Its low x-height makes it stylish---its rounded corners cry out "made after 2010".
Daniel was born in Copenhagen and graduated from DMJX Danish School of Media and Journalism in 2013.
During his graphic design studies, Valenciennes, France-based Dath Hugo created the round display typeface Slot (2014), the austere typeface family Bauhaus (2014), aand the experimental organic sans font Mobius (2014). [Google] [More] ⦿
David Fleming Nalle
American designer of the fonts P22 Bauhaus Extras, P22 Bauhaus Extras, P22 Bayer Shadow, P22 Bayer Universal, P22 Cage Extras, P22 Da Vinci, P22 Da Vinci Extras, P22 Escher, P22 Escher Extras, P22 Folk Art Extras, P22 Hopper Josephine, Koch Signs (astrological, Christian, medieval and runic iconography from Rudolf Koch's The Book of Signs), P22 Michelangelo, P22 Michelangelo Extras, P22 Hieroglyphic, P22 Petroglyphs, P22 Rodin, P22 Rodin Extras, P22 Vienna Extras, P22 Vienna (1997: art nouveau and expressionist style based on the Vienna Workshop), P22 Way Out West, P22 WayOutWest Critters. [Google] [MyFonts] [More] ⦿
Chris Lozos (aka Dezcom and Dezcom Typefaces) is a Washington, DC-based (well, now Falls Church, VA-based) graphic designer and Vietnam veteran, b. 1944, Pittsburgh, PA. He studied Design at Carnegie Mellon University where he earned a BFA in Graphic Design (1966). While at CMU, he studied with calligraphers Arnold Bank and Howard Glasser, who both brought out the love of historic letter-forms and learned to set hot metal type in the Laboratory Press established there by Jack Stauffacher. Chris also was influenced by guest professors Hermann Zapf, Rudy DeHarek, Martin Krampen and Gui Bonnsieppe (of the HfG Ulm). He attended Graduate School in Visual Communication Design at the Ohio State University from 1972 through 1974.
Dick Pape: February 2013
In February 2013, Dick Pape published a number of typefaces grouped together here. Local download page. The typefaces:
Typefoundry in München run by independent designer Antje Driemeyer, a graduate from the University of Applied Sciences Augsburg, Faculty of Design in 2004. Antje specializes in type design, corporate design and editorial design.
In 2013, Antje designed the remarkable rounded blueprint sans family Herrmann, which comes in ten styles. Near the end of 2013, she published the avant garde architectural sans family Bauhans. [Google] [MyFonts] [More] ⦿
Born in New York in 1927, Ed grew up in Brooklyn. He was once a very prominent jazz percussionist playing in several big bands with Stan Kenton and Woody Herman, among others. He has created a large number of typefaces between 1970 and 1995. About his career, he once said: I'm really a musician, a jazz percussionist. One day I went to the musician's union to pay dues and I saw all these old people who were playing bar mitzvahs and Greek weddings. It occurred to me that one day that's going to be me, so I decided to become an illustrator. He designed more than 400 faces for PhotoLettering. He played a critical role in establishing The International Typeface Corporation (or ITC) in the late '60s and early '70s. Founded in 1971 by designers Herb Lubalin, Aaron Burns, and Ed Ronthaler, ITC was formed to market type to the industry. Lubalin and Burns contacted Benguiat, whose first ITC project was working on Souvenir. Ed became a partner with Lubalin in the development of U&lc, ITC's famous magazine, and the creation of new typefaces such as Tiffany, Benguiat, Benguiat Gothic, Korinna, Panache, Modern No. 216, Bookman, Caslon No. 225, Barcelona, Avant Garde Condensed, and many more. With Herb Lubalin, Ed eventually became vice-president of ITC until its sale to Esselte Ltd.
Ed is a popular keynote speaker at major type meetings, including, e.g., at TypeCon 2011, where he entertained the crowd with quotes such as I do not think of type as something that should be readable. It should be beautiful. Screw readable. His typefaces---those from PhotoLettering excepted:
Pics harvested from the web: Portrait With Ilene Strivzer at ATypI 1999. One more with Strivzer. With Jill Bell at ATypI 1999. In action. At TypeCon 2011 with Matthew Carter and Alejandro Paul. At the same meeting with Carole Wahler and with Roger Black.
Elementar (2012) is a student project at the Escola de Belas Artes da Universidade Federal da Bahia, carried out by these students: Henrique Sales (Salvador), Howfens Cavalcante (Salvador), Marcelo Vanzillota, Roberto Souza (Salvador), Victor Fonseca. It is concerned with the compass and ruler design of a bauhaus style geometric sans typeface. [Google] [More] ⦿
Emboss was founded in 1995 by Stephen Boss (b. 1969, Michigan), and is located in Beacon, NY, and Camillus, NY. Stephen Boss lived in Gloucester, MA, then in Brooklyn, NY, and finally near Syracuse, NY. His fonts are sold by Monotype Imaging / ITC and Myfonts.
Typefaces include Babalon, Oo La La, Chubbét (2010, sans family, +Distended), Tobago, Phervasans (pixel face), DNA, Elefont, Eurydome (2010, like Eurostile?), Thai One One (a Thai simulation font), Jerusalem Syndrome, Dramaminex, Crossell (2010, a sans family), FaxFont97, Embossanova (2012), Chubbét Extended (2012), EmBauhaus (2012), and Zyncho.
Swiss typographer (b. Zürich 1914, d. Basel, 1970), and type guru in the 50s and 60s. Taught at the Basel School of Design (Kunstgewerbeschule), and founded the International Center for the Typographic Arts in New York, 1962.
Author of Typographie: Ein Gestaltungslehrbuch - A Manual of Design - Un Manuel de Creation (Teufen: Niggli, 1967), and Typographie. Ein Gestaltungslehrbuch. Mit über 500 Beispielen (7th edition in 2001, Niggli). The Road to Basel (Helmut Schmid) is an homage to Emil Ruder by Helmut Schmid, one of Ruders students, who headed a group of other ex-students and organized their contributions. The former students who participated are Harry Boller, Roy Cole, Heini Fleischhacker, Fritz Gottschalk, André Gürtler, Hans-Jürg Hunziker, Hans-Rudolf Lutz, Fridolin Müller, Marcel Nebel, Åke Nilsson, Bruno Pfäffli, Will van Sambeek, Helmut Schmid, Peter Teubner, Wolfgang Weingart, and Yves Zimmermann. Karl Gerstner and Kurt Hauert also contributed. Paul Shaw reviews this book and Ruder's contributions.
Quotes from Shaw's piece:
IDEA Mag's special issue #332 entitled Ruder Typography Ruder Philosophy (2009), with articles by Leon Maillet (Tessin), Armin Hofmann (Lucerne), Karl Gerstner (Basel), Kurt Hauert (Basel), Lenz Klotz (Basel), Wim Crouwel (Amsterdam), Adrian Frutiger (Paris), Hans Rudolf Bosshard (Zurich), Andre Gutler (Basel), Juan Arrausi (Barcelona), Ake Nilsson (Uppsala), Fridolin Muller (Stein am Rhein), Harry Boller (Chicago), Maxim Zhukov (New York), Taro Yamamoto (Tokyo), Fjodor Gejko (Düsseldorf), Helmut Schmid (Osaka), and Susanne Ruder-Schwarz (Basel).
Detroit-based designer, b. 1990. Behance link. Her typeface Zeitgeist (2010) was inspired by Bauhaus artwork by German artist Marianne Brandt: simple geometric monoline glyphs, with a few curves thrown in for a minimal amount of warmth. [Google] [More] ⦿
Eyesaw (was: Fontomas.com, or Signalgrau)
Dirk Uhlenbrock's (b. Essen, 1964) studied communication design at BUGH Wuppertal. His typographic contributions were presented under various labels such as Signalgrau, Fontomas.com, Eyesaw, or TypeType.
His fonts: Buddies (funny dingbat font), Scrabble (1999), Pizzo (pixel font, 2000), Accient (2000), EURASIAOblique, Freak (1998), SpaceAge, Fivejive (2000), Missu (2001), T-Series (a family by Stephen Payne (UK, 2000) for Territory), XXX (1998, sexy silhouettes), Y2k (2000), Basm (family by Miguel Basm Visser, 2000), Corner-bi and Corner-mono (both by Ole Fischer for Fischer Jr Design), Persona, Creatures (dingbats by Dirk Uhlenbrock, 1998), Thaipe, Thaiga, (squaregrid (Jay Marley, 2001), Bath (Heiko Hoos, 2001), Honey (Dirk Uhlenbrock, 2001), Pinx (Dirk Uhlenbrock, 2001), Tuna Salad (Dirk Uhlenbrock, 2001), Evo (2002), EvoThin (2002), Gen3000 (2002), Gen3000Thin (2002), HanneloreOutline (2001), Hannelore (2001), MassBlack (2002), MassOutline (2002), Mass (2002), MassStriped (2002), MassThin (2002), Microbe (2002), PellegriniItalic (2002), Pellegrini (2002), PileOutline (2002), Pile (2002), Rickshaw (2002, Indic letter simulation), Swisz (2002), SwiszThin (2002), TurbonItalic (2002), Turbon (2002), Apollo9, Apollo9Italic, Bite, Blob, BlobThin, Bubble, BubbleWild, Crack, Creatures, Dennis, Dioptrin, Dna, Electrance, Frakt, Launchpad, ORAV, Paul5, Paul6, PlakatOne, PlakatTwo, Push, Rubbermaid, RubbermaidSingle, Ticker, Tubeone, Tubetwo, Tvdinner, TvdinnerFull, Ufo, UfoItalic, Yodle.
Kombi was created in 2003.
The Fontomas CD published in 2005 (40 dollars for 75 fonts) is reviewed by Yves Peters. On it, we find older fonts as well as newer ones by Dirk himself: Ove, Gen1000 (DNA style), Hannelore, Mass, Micro B, Pellegrini (script), Pile, Swisz, Turbon, Rickshow (Indic simulation).
At 14. tage der typographie in 2013, he spoke on Grafik gegen Rechts.
F37 (or: Face37)
Rick Banks (b. 1985, Manchester) established F37 (Face37) in 2010 in London, UK. He created F37 Xan (2010, a counterless geometric typeface based on a geometric solid typeface from 1925 by André Vlaanderen) and F37 Form (2010, a mimimalist circular experimental (Bauhaus?) font). He writes about Form: After looking at Armin Hoffman's Die Gute Form poster and Herbert Bayer's universal typeface I constructed an alphabet based on their letterforms. Inspired by Wim Crouwel's Soft Alphabet, I constructed a grid to create the modular alphabet and programmed very tight letterspacing into the font lending itself to the style of Die Gute Form.
Type Trumps are playing cards that feature the main typefaces.
Bella (2011) is an extremely contrasted didone display face, available as F37 Bella at Hype For Type. He says that he was influenced not only by Didot, but also by Pistilli and by Tschichold's Saskia. F37 Bella won an award at TDC Tokyo 2012.
In 2014, he published F37 Ginger (a geometric sans family).
Foundry, est. in 2012 by Anton Koovit and Yassin Baggar in Berlin, and in Neuchatel, Switzerland. Fatype has designed typefaces for GQ France (such as GQ Baton), Derzeit (2012, Fashion Week Berlin Daily: a typeface by Yassin Baggar and Manuel Schibli), Google and Journal B. Their typefaces include U8 (2010, Anton Koovit: named after the ghost stations underground that were closed in the good old days of the GDR), Aleksei (Anton Koovit) and Adam BP (2008, Anton Koovit).
U8 started out as a Berlin subway system signage project based on found lettering. Some glyphs had to designed from scratch. The result is an early modernist typeface with elements of DIN and Bauhaus.
Typefaces from 2012 include Adam Serif (a book and magazine typeface family).
In 2013, Anton Koovit and Yassin Baggar codesigned the low x-height typeface family Baton.
In 2014, he created Aleksei.
The first fonts include Logotypia Pro (2004) and Graublau Sans Pro (by Georg Seifert). In 2008, he added Sebastian Nagel's Iwan Reschniev, a Bauhaus style family of severe sans styles. In 2010, Sebastain Nagel's medieval map typeface FDI Tierra Nueva followed.
FDI (was: Schriftgestaltung)
Georg Seifert (Schriftgestaltung) is a Bitterfeld-Wolfen and/or Jena, Germany-based designer. Photograph. He was a student at the Bauhaus University Weimar and runs Schriftgestaltung.de (Leipzig; now FDI or fonts dot info in Jena) with Ralf Hermann.
Schriftgestaltung's fonts include Olive Green Mono and Rosa Stencil. All others are FDI fonts:
Floodfonts has freeware fonts by Felix Braden (b. Koblenz, Germany, 1974, an ex-student at the Trier College of Design). In 2000 he founded the free-font site Floodfonts with Peter Hoffmann. After working for five years as an art director for Gaga-Design, Koblenz, he decided to set up his own graphic design studio in Cologne. He now lives in Cologne working as a freelance designer and as a art director for MWK Cologne.
His free fonts at Floodfonts include Polaris (2011), Floodicons (2003), Hydrophilia (2003. He writes: Hydrophilia family was created in 2003 by Felix Braden as a further development of Moby and comes with two fonts: The gothic typeface (liquid) is a revised version of the pixel font (iced). Hydrophilia liquid got a lot of letterforms with a diagonal axis, which reminded me of the technical fonts used on early liquid crystal displays.), Squid (2002, free), SquidCaps (2002), Ninetwist (2002), Catherine (2002), Moby (2002, a Bauhaus style corporate and headline font for the Cologne based design bureau Glashaus), Babelfish (2002), Blendfontsexperiment (2001), Incpot (1997), Hammerhead (2001: an angular constructivist typeface---free), HammerheadBlack (2001), HammerheadBold (2001), HammerheadMedium (2001), Multikultur (1997, Fraktur font), MultikulturExtraBold (2001), Orchidee (2001), Sadness (2001), Wuestling (1997).
Peter Hoffmann designed Alita (2001) and Lacuna (2001).
In 2004, he cofounded Timetwist with Pia Kolle, where you can download Rabbits (2004, Kolle), Pirates Stoertebecker (2004, Braden at Floodfonts, a ransom note face), Pirates Drake (2004, Braden at Floodfonts), PiratesBlackbeard (2004, Braden at Floodfonts), PiratesBonney (2004, Braden at Floodfonts), Bigfish (2009, a Western billboard face).
At Ductype, Braden published Timetwisteight (2005, a pixel face).
At URW++, he published the Supernormale family (part techno, part pixel) in 2006.
The Orchidee project started in 1999 led to a fantastic free font. Felix: Orchidee was created as a part of the business stationary of the restaurant Orchidee located in the luxory hotel Quellenhof in Aachen, Germany. After the founding of the restaurant the hotel manager realized that there earlier was a bordello in the city with the same name, so he wanted to change the name. At the time when our agency had to presentate the logotype the name was not appointed so I created the font. The restaurant was specialized on crosscultural european-asian cuisine. Because of that I wanted to mix up some elements of traditional asian typography with european typography. The letters are designed in freehand by the repetition of just a few basic elements. To create the rough outline I used xerox-copier because I wanted to have some chaotic elements to give the font a handmade touch.
At FontShop, he published FF Scuba (2012), as an offline companion to Verdana.
FontShop link. Klingspor link. Fontspace link. Dafont link. Behance link. Fontsquirrel link. Personal page. Another Behance link. Fountain Type link. Home page of Felix Braden. [Google] [MyFonts] [More] ⦿
Interesting geometric and experimental typefaces by Ivan Hristov in Bulgaria:
Michel Bujardet (a Frenchman living in West Hollywood, CA) runs Matchfonts, and started Fontmenu.com in August 2001. Commercial fonts, and free demos in all formats.
A partial list of fonts:
Gábor Kóthay (Fontmunkások) is a Hungarian type designer (b. 1962) who lives in Szeged. Gábor Kóthay's fonts include:
Jason Smith is the British corporate typeface designer who founded Fontsmith in 1999, where he retails his own designs from his office in London. He has created a typographic identity for the Post Office in the UK. His fonts include FS Sinclair (2008, octagonal), Casey, Seat, Tractebel, PPP Healthcare, Powergen, Allied Irish Bank, UUnet, Channel 4, FS Ingrid, FS Rome, FS Albert (2002, a soft-cornered sans family), and Saudi Aramco. Of these, only FS Albert (2002), FS Rome and FS Ingrid can be purchased.
Newer fonts include Champions (Regular, Bold, Headline; done in 2009 for the UEAFA Champions League), FS Rufus (a slab serif by Mitja Miklavcic, Jason Smith and Emanuela Conidi), FS Sophie (2004, sans), FS Rigsby (2005, sans), FS Clerkenwell (2004, with Phil Garnham, slab serif), FS Pele (2007, ultra fat), FS Kitty (2007), FS Sinclair (2007, rounded octagonal), FS Alver (2007), FS Dillon (influenced by the Bauhaus quest for simplicity), FS Lola (2006, for Wechsler Ross&Portet; done with Phil Garnham, it is advertised by Fontsmith as a transgender type).
In 2007, he made the custom typeface Xerox Sans (+Condensed) as a modification of his FS Albert, to which Greek and Cyrillic alphabets were added as well. Mencap, a British company that works with people with a learning disability, asked Smith to design a font, FS Mencap (also known as FS Me), for the learning disabled---easy to read, yet elegant.
Custom typefaces include Colgate Ready (2014: for Colgate, covering Latin, Cyrillic, Eastern European, Devanagari and Thai), More4 (2005, for the Channel 4 Adult Entertainment channel), ITV (2006, for the ITV network), BBC ONE (2006, for the BBC), Post Office Sans (2003), FS Conrad (2009, a multiline display face). Vernon Adams and Fontsmith got into a quarrel about Vernon's Mako, which was submitted and rejected by Fontsmith, which published its own similar typeface Lurpak a few weeks later.
Ukrainian font foundry run by Genadij (also spelled Henadij) Zarechnjuk (b. 1961) who lives in Lviv. Nice historically accurate free fonts made by him in the period 2000-2003: Abetka Kirnarskoho, Ancient Kyiv, Luchtein-Bold, Luchtein, LuchteinLight, NarbutClassic, NarbutNarrowContrast, NarbutWhirlSans-Serif, Narbut Abetka, Skoropys-XVII, SnarskyUstav, SnarskyjOldStyleNarrow, SnarskyjUstavNew, Traditional-Heavy, Yakutovych-Black. Chomenkivska (2007) is a semi-slab serif Cyrillic beauty.
In 2010, he created the art deco typeface New Hotinok 2D (2D Typo), together with Viktor Kharyk, as well as the nice calligraphic typeface Ukrainian Barokko 2D. Khomenkivska (done with Viktor Kharyk) is based on a 1965 design by Basil Khomenko (1912-1984). Baumans (2011, Google Web Fonts) is a geometric typeface for headlines. Its letterforms are inspired by Bauhaus typefaces and preconstructivist forms.
In 2014, Dmitry Rastvortsev, Lukyan Turetsky, and Henadij Zarechnjuk cooperated on the design of the free Latin / Cyrillic handwriting typeface Kobzar KS, which is based on the handwriting of Taras Shevchenko, a famous Ukrainian poet, artist and philosopher.
Nearly all (Mac only) fonts at Fontyoufonts.com are made by Henrik Kubel, who works at the London-based design studio A2-GRAPHICS/SW/HK in London, which was founded in 2000 by Royal College of Art graduates Scott Williams and Henrik Kubel. Henrik Kubel is visiting lecturer at Royal College of Art since 2009. In 2010, Kubel and Williams set up A2 Typwe. Kubel's text fonts include FY-Battersea, FY-Klampenborg, FY-Neon, FY-ParsonsGreen, FY-M.Carpenter, FY-Gt.Eastern, FY-Stencil, FY-Typewriter, FY-Centera, FY-Cubitt Fax, FY-S.Staton. The display fonts include FY-Grot-7, FY-Boing, FY-Army, FY-Woodblock, FY-Rodeo, FY-Ornamenta, FY-Italic One, FY-Signsystem, FY-Black, FY-Stencil. There are grid-based/pixel fonts such as FY-Lego-Logo, FY-Bauhaus (a kitchen tile font), FY-Link, FY-Optic, FY-Graduate, FY-MeSoHungry, FY-Buckminster, FY-3D (2001), FY-Dictate, FY-Angel, FY-DotZero, FY-Square. Finally, there are the dingbat fonts FY-Pictogrammes, FY-Early Learning Dingbats. Kubel is also the designer at ACME of 4590, AF-Battersea (1999, a grotesque family), AF-CENTERA, AF-Copenhagen, AF-Klampenborg (1997-1999, grotesque sans, done with Scott Williams), CPH-ArabicNumbers, CPH-Medium, Grot-25. With Margaret Calvert, he updated the British Rail fonts in 2009, adding East European characters, for example. At ATypI 2010 in Dublin, he spoke about New Rail Alphabet, a revival of that typeface, still with Margaret Calvert. During the Expert Type Design Class (2011, Plantin Genootschap, Antwerp), he created the text family called Antwerp. [Google] [More] ⦿
Formlos (was: Folio)
Formlos is an independent design bureau, brand consultancy and type foundry, founded in 1999 and originally located in Hellmonsoedt/Vienna, Austria. It seems to be in Berlin right now.
David Hubner (b. 1981, Wels, Austria) is the Austrian designer (based in Hellmonsoedt and Malta) of
Lukas Kerecz created Monocrane (2013) while studying in Berlin.
Link to his studio Dav Marken Design. Alternate URL (2003), where you can find his custom typography. Still another URL, called Folio (2003), where you can find his custom typography. Another URL, where Ventisei can be downloaded. Dafont link. Behance link. [Google] [More] ⦿
Futura Black circa 1860
This provocative title is used by type historian Eric Kindel for his presentation at ATypI 2013 in Amsterdam. His research is captured in the abstract, which is reproduced verbatim below.
Futura Black, Braggadocio, Transito, Schablone. These typefaces, variously constructed of squares, triangles and circle segments, are blunt and counterpunctual. They are a consolidation of letters (and numbers) that emerged in the work of early European modernists, among them De Souza Cardoso, Léger, Hoerle, Arntz, Berlewi, Lissitsky, Schmidt, Albers and Moholy-Nagy. The Dutch, too, found such letters to their liking: Van der Leck at first, then Sandberg, Elffers, Schrofer, Bons and many others. The letters are emblematic of the first machine age and it impulse to build from or reduce to simple geometric elements. They seem mechanistic but are not obviously made by any specific tool or machine. This presentation will trace this most modernist of letters to its mechanical origins. The trail will lead to the northeastern United States where, in the middle decades of the 19th century, a group of inventor-makers devised letters of this kind for very practical reasons. Their aim was quick and easy stencil cutting. To achieve this, stencil letter punches seemed like a good idea---and so they invented them. When it came to their manufacture, the punches acquired striking features: forms stripped of all vulnerable detail, cut with grinding wheels, hack saws and files, built to withstand relentless hammer blows, driving them through brass into hard wood. Letterform conventions were followed but only so far as manufacture and use would allow. The results were odd, perhaps ugly, but certainly purposeful. In addition to reviewing the idiosyncratic form and manufacture of these letters, the presentation will offer brief profiles of their almost unknown inventor-makers. A range of artefacts associated with stencil letter punches will be illustrated, including stencil-making outfits advertised and sold in the US after 1860, which were bought by enterprising individuals in search of a trade. Requiring only a modest outlay, some initiative and perhaps a decent pair of boots, many purchasers became canvassing stencil cutters, armed with a license, an account book and a small catalogue of designs to tempt the public. The presentation will follow the evolution of stencil letter punches through the later 19th century and into the 20th, when their letters were reborn into a bright modernist world. [Google] [More] ⦿
From the Wikipedia entry:
Futura is a geometric sans serif typeface designed in 1927 by Paul Renner. Although Renner was not associated with the Bauhaus, he shared many of its idioms and believed that a modern typeface should express modern models, rather than be a revival of a previous design. Renner's initial design included several geometrically constructed alternative characters and ranging (old style) figures which can be found in the typeface Architype Renner. Futura was commissioned by the Bauer type foundry. The success of Futura coincided with the creation of many competing geometric sans serif faces including Kabel, Metro, Vogue, Erbar and Spartan, Twentieth Century, and Century Gothic among others.
Futura has an appearance of efficiency and forwardness. The typeface is derived from simple geometric forms (near-perfect circles, triangles and squares) and is based on strokes of near-even weight, which are low in contrast. (This is most visible in the almost perfectly round stroke of the o, but the shape is actually slightly ovoid.) In designing Futura, Renner avoided the decorative, eliminating non-essential elements. The lowercase has tall ascenders, which rise above the cap line. The uppercase characters present proportions similar to those of classical roman capitals.
Uses of Futura by businesses: Graphic identity of Volkswagen and Union Pacific, Swissair (1950s to the 1990s), Boeing's flightdeck labeling, films by Wes Anderson and Stanley Kubrick, the commemorative plaque left on Earth's moon by Apollo 11 astronauts in July 1969, Ikea Sans and Opel Sans (Futura-based house fonts designed by Robin Nicholas), Doctor Who (BBC series), RAI Radiotelevisione Italiana, and Ferrovie dello Stato. [Google] [More] ⦿
Gene Buban (aka geneus1) is the creative and prolific designer at FontStruct in 2008-2009 of these faces:
Geometrical type designs
Manfred is always keenly aware of the geometrical nature of objects and things. Sometimes he is seduced by geometry for the sake of geometry. His Archimedean perversions have led him to a number of superb experimental type designs: AbstractConcretLogo, Abstracta-Bold, AbstractaGrid, AeroGapBricks, AeroSans, AntikWaCom, AntiquaInGrid, AntiquaInGridBalloons, ArcheTypoBricks, ArcheTypoBricksInvers, ArchitectsDreams, ArchitectsDreamsDwa, Architypo, ArchitypoOblique, Architypogra, ArchitypograPsychodeliqu, BlaxxOnGrid, BloxxSerifBold, BorisBlackBloxx (used by Brisbane for its branding), BorisBlackBloxxDirty, ConstrxiaBlackInline, GalleriaGeometricaA, GalleriaGeometricaB, GeometricWanderlust, Graphis, GridPix, GridRiding, KleinBricksNegative, KleinsFirstBricksBold, LeArchitect, Logomatique, LogomatiqueBold, LogomatiqueShadow, NautilusOne, NautilusTwo, NeoPanButtons, NeoPanRings, NeoPanSquares, Qbicle1BRKMK, Qbicle1BRKMKinv, RomanArchitectura, SketchiquaA, SketchiquaB, SketchiquaC, SketchiquaD, TechnoMK, ThreeDeeTwoBeta, ThreeDimRightwards, ThreeDimRightwardsRound, Threedimensional, ThreedimensionalRound, TypoTracesOne, Typotraces-Cinque, Typotraces-Four, Typotraces-Three, Typotraces-Zwo, WorkWithGridsStageC, ZigZagOne, ZigZagThree, Geoplays (2005), GeoEyes01 (2006), BauhausFragments (2005), ZigZagTwo, BlackBats (2007).
Grosse Pointe Group LLC
The Grosse Pointe Group LLC is located in Westport, CT, and is run by Mark Solsburg, who also owns Group Type, ansd who was involved in or ran FontHaus and TypoBrand. Under the Grosse Pointe label, we find a digital font called Stradivarius (1992), named after Imre Reiner's 1938 formal script font Symphonie (Bauer; renamed Stradivarius in 1945). At Group Type or the other outfits of Solsburg, we find these fonts: Carpenter (a 1995 revival of an old connected ATF script by James West), Aquiline (an absolutely wonderful 16th century script), Bank Gothic (1994, a revival of Morris Fuller Benton's original---see also Bank Gothic BT), Aries (a 1995 revival of a lapidary by Eric Gill), Schneidler Initials (a 1995 revival of Friedrich Hermann Ernst Schneidler's Trajan-style typeface), Raleigh Gothic (a 1995 typeface based on Morris Fuller Benton's design. See also Raleigh Gothic RR for a different revival), Ovidius Script (a medieval simulation script, dated 2006, designed by Thaddeus Szumilas; in Light, Demi and Bold weights), Metro Sans (2006, a great Bauhaus style sans family based on William Addison Dwiggins' Metro #2), Corvinus Skyline (1991; a revival of a condensed modern family by Imre Reiner by the same name, 1934), Cloister Initials (2006, a revival of an illuminated caps typeface by Goudy), Regular Joe (2006, an out-of-place childish handwriting font), and Caslon Antique (1993; based on an original by Bernd Nadall). [Google] [More] ⦿
Mark Solsburg's outfit located in Westport, CT. Before GroupType, Solsburg worked at ITC, which he left in 1989 to start FontHaus. Later he started TypoBrand and Grosse Pointe Group LLC. Solsburg headed the Type Directors Club for a few years. He is presently located in Ann Arbor, MI. He is President / CEO of DsgnHaus (1989-present), and partner in TypoBrand LLC (2004-present), a specialized typographic consulting firm founded by type designer, Mark van Bronkhorst; former type designer for Adobe, Linnea Lundquist, and Mark Solsburg. It seems that the FontHaus collection is now being marketed under the Group Type label at MyFonts. Group Type does technology consultation in the field of providing software and type typeface fonts for designers, publishers and typographers, related to the selection, purchase and use of design software and type typeface fonts for use in graphic, industrial, interactive and communications design. They specialize in revivals. Their fonts include
British graphic designer and ale connoisseur. Creator of Flatland (2012, a Futura Stencil-like typeface influenced by the novel Flatland: A Romance of Many Dimensions by Edwin A. Abbot) and Staub (2012, a rounded logotype for the Staub company).
Austrian type designer and artist, 1900-1985. A very inflential artist, Bayer joined the Bauhaus in Weimar as a student in 1921, and was a professor ("young master" they called those ex-students who became professors) there from 1925-1928. Bayer was head of the workshop of Graphic Design and Printing at the Bauhaus school of architecture and art in Dessau. He fled Nazi Germany in 1938, and worked in New York until 1946 for such clients as Dorland International, Thompson, Wanamaker's, and developing exhibitions and general graphic design for large corporations. In 1946 he moved to Aspen, Colorado and continued as consultant to firms such as Container Corporation of America. He died in Montecito, near Santa Barbara, CA, in 1985. His typefaces include Universalschrift or Universal Alphabet (1925-1930) and Bayer-Type (for Berthold, 1930-1936). See also this image. He is best known for his unicase proposal (as in Universalschrift).
Revivals of his work:
HiH (Hand in Hand)
Tom Wallace's foundry, HiH (est. 2005), was first located in Woodbridge, CT. Subsequently, Tom Wallace (b. 1944) moved from Woodbridge to Naugatuck to Waterbury and finally in 2009 to New Britain, CT. His type designs are based on historical letterforms:
Hoefler&Frere-Jones (was: Hoefler Type Foundry)
Born in 1970 in New York, Jonathan Hoefler ran the Hoefler Type Foundry (or: HTF) in New York. It employed Tobias Frere-Jones, Josh Darden, and Jesse Ragan. In 2004, it was renamed Hoefler&Frere-Jones, or HFJ for the cognoscernti. However, a legal problem between Jonathan and Tobias led to a corporate divorce in 2014---the company is renamed again The Hoefler Type Foundry.
HTF carefully designed and complete families include HTF-Didot (1991, in 42 weights/variations, originally designed for Harper's Bazaar; based on the grosse sans pareille no. 206 of Molé le jeune), the antiqua text typeface HTF Hoefler Text (27 fonts made in 1991-1992, distributed with many Apple products), Hoefler Text Ornaments (distributed with Apple products), Saracen, Ziggurat, Leviathan, Historical-EnglishTextura, Historical-FellType, Historical-GreatPrimerUncials, Historical-StAugustin, HTF Hoefler Titling, Gestalt-HTF, Fetish-HTF (blackletter modernized, 1995), Ehmcke-HTF, Champion-HTF, Acropolis-HTF, Requiem, Knockout, all in the period 1998-2000.
In 2003, they published Retina (which was originally designed for the stock listings in the Wall Street Journal), Gotham, and Shades (in Cyclone, Topaz, Giant and Knox weights). The Geometer Screen Fonts are free Mac fonts.
In 2004, they produced an amazing 58-weight sans serif family, Whitney (by Tobias Frere-Jones), designed for use in infographics. Whitney's sales blurb: While American gothics such as News Gothic (1908) have long been a mainstay of editorial settings, and European humanists such as Frutiger (1975) have excelled in signage applications, Whitney bridges this divide in a single design. Its compact forms and broad x-height use space efficiently, and its ample counters and open shapes make it clear under any circumstances.
Hoefler received Bukvaraz 2001 awards for HTF Guggenheim, HTF Knockout, HTF Mercury (1997, no relationship with Goudy's Mercury of 1936) and HTF Requiem. In the 1996 Morisawa Awards competition, Hoefler received a bronze prize for Ideal Sans (a slightly flared humanist sans family).
In 2011, HFJ writes it up beautifully: Typefaces are born from the struggle between rules and results. Squeezing a square about 1% helps it look more like a square; to appear the same height as a square, a circle must be measurably taller. The two strokes in an X aren't the same thickness, nor are their parallel edges actually parallel; the vertical stems of a lowercase alphabet are thinner than those of its capitals; the ascender on a d isn't the same length as the descender on a p, and so on. For the rational mind, type design can be a maddening game of drawing things differently in order to make them appear the same. Twenty-one years ago, we began tinkering with a sans serif alphabet to see just how far these optical illusions could be pushed. How asymmetrical could a letter O become, before the imbalance was noticeable? Could a serious sans serif, designed with high-minded intentions, be drawn without including a single straight line? This alphabet slowly marinated for a decade and a half, benefitting from periodic additions and improvements, until in 2006, Pentagram's Abbott Miller proposed a project for the Art Institute of Chicago that resonated with these very ideas. As a part of Miller's new identity for the museum, we revisited the design, and renovated it to help it better serve as the cornerstone of a larger family of fonts. Since then we've developed the project continuously, finding new opportunities to further refine its ideas, and extend its usefulness through new weights, new styles, and new features. Today, H&FJ is delighted to introduce Ideal Sans, this new font family in 48 styles. Ideal Sans is a meditation on the handmade, combining different characteristics of many different writing tools and techniques, in order to achieve a warm, organic, and hand-crafted feeling.
At ATypI in 2002, he received the Charles Peignot award. Time.com provides previews of fonts made for Esquire, Lever House, eCompany Now, The Guggenheim Museum, The New York Times, and the Whitney Museum. He has worked on custom fonts for The New York Times Magazine, Times Mirror, Esquire and McGraw-Hill (1995, free download). Hoefler has made many more custom fonts, but he asked me to remove the names of these fonts from my pages.
In 2006, HFJ published the Numbers family, 15 fonts with nothing but numbers from various sources: Bayside (based on a set of house numbers produced around 1928 by H. W. Knight & Son of Seneca Falls, New York), Claimcheck, Delancey, Depot, Deuce, Dividend, Greenback, Indicia, Premium, Prospekt, Redbird, Revenue, Strasse, Trafalgar, Valuta. They also made a 30-style art deco-inspired geometric sans family called Verlag in 2006 based on six typefaces originally designed for the Guggenheim.
In 2007, HFJ published the "blended Scotch" newspaper serif text family Chronicle. Still in 2007, we find the gorgeous 30-style semi-Bauhaus sans family Verlag about which HFJ writes: From the rationalist geometric designs of the Bauhaus school, such as Futura (1927) and Erbar (1929), Verlag gets its crispness and its meticulous planning. Verlag's fairminded quality is rooted in the newsier sans serifs designed for linecasting machines, such as Ludlow Tempo and Intertype Vogue (both 1930), both staples of the Midwestern newsroom for much of the century. But unlike any of its forbears, Verlag includes a comprehensive and complete range of styles: five weights, each in three different widths, each including the often-neglected companion italic.
In 2008, they released Archer, a humanist slab serif originally designed for Martha Stewart Living. It has a great range of features, including a classy hairline style. However, I see trouble down the road with the name Archer which has been used previously by several other foundries such as SignDNA, Arts&Letters and Silver Graphics. One can say that Archer is just Stymie with some ball terminals. David Earls on Archer: with its judicious yet brave use of ball terminals, and blending geometry with sexy cursive forms, all brought together with the kind of historical and intellectual rigour you fully expect from this particular foundry, Archer succeeds where others falter. Poster featuring Archer by Courtney McNary (2013).
Sentinel (2009) is HFJ's take on a Clarendon. Yet again, I can't understand why they picked a name already taken by many foundries such as Graphx Edge Fonts, alus, Comicraft, Dieter Steffmann, not to speak of a foundry called Sentinel Type. And they repeated that daredevil naming of fonts with Tungsten (2009), which has been around---as a font name---since 2005 at Sparklefonts. Their sales pitch: That rarest of species, Tungsten is a compact and sporty sans serif that's disarming instead of pushy - not just loud, but persuasive. Douglas Wilson compares Tungsten with Alternate Gothic No. 3 (Morris Fuller Benton).
Naming fonts is Hoefler's weakness. In 2010, they again took an existing name, Vitesse, for their newest font family. The typophiles react to the slab family with praise: I think they're chasing Cyrus Highsmith, Dispatch and Christian Schwartz, Popular on this one. Doing a pretty good job of it too! [...] Looks to me like the love-child of Eurostile and City. To continue the trend, they published Forza in 2010, a sans family, not to be confused with the 2007 font Forza by Michel Luther at Die Gestalten--surely, there must be a way to choose original names. St. Augustin Civilité: St. Augustin Civilité is a digitization of Robert Granjon's extraordinary type of 1562, now in the collection of the Enschedé type foundry, Haarlem. This typeface is reproduced in Civilité Types by Harry Carter and H. D. L. Vervliet (Oxford Bibliographical Society, by the Oxford University Press, 1966.) As figures and punctuation were lacking in the original, these have been borrowed from two other Granjon types, the Courante and Bastarde of 1567. (The remainder of the character set has been invented.)
In 2012, they published the wide sans typeface family Idlewild.
HFJ also sells a package of various number fonts. This includes the following: Bayside (after ornamental house numbers), Claimcheck (inspired by ticket stubs), Delancey (from tenement doorways), Depot (modeled on vintage railcars), Deuce (based on playing cards), Dividend (from an antique check writer), Greenback (based on U. S. currency), Indicia (inspired by rubber stamps), Premium (after vintage gas pumps), Prospekt (based on Soviet house numbers), Redbird (inspired by New York subways), Revenue (from cash register receipts), Strasse (after European enamel signs), Trafalgar (inspired by British monuments), Valuta (after Hungarian banknotes).
Typefaces from 2013 include Landmark (Regular, Inline, Shadow and Dimensional), a collection of architectural caps (which started out as a custom typeface for Lever House in New York).
In 2015, Jonathan Hoefler and Andy Clymer cooperated on the decorative copperplate engraved emulation typeface Obsidian. Various kinds of 3d illumination in Obsidian were obtained by an algorithmic process. Not to be confused with about ten other fonts called Obsidian--for example, we have Obsidian (pre 2003, Silver Graphics), Obsidian (2014, Steffi Strick), Obsidian (2012, Krzysztof Stryjewski), Obsidian Deco (2013, Yautja), Obsidian (2005, Spaklefonts), and Obsidian Chunks (pre 2002, Jeni Pleskow). [Google] [MyFonts] [More] ⦿
Adam Katyi, who hails from Sopron, Hungary, has three degrees. He has a BA from the University of West Hungary at Institute of Applied Arts, Sopron in 2010, and with MA from Moholy-Nagy Art and Design University, Budapest in 2012. In 2013, he graduated from the Type & Media program at KABK in Den Haag.
Hungarumlaut is a Hungarian typefoundry run by Adam Katyi. In 2010, he designed a pixel face, and a typeface called Ringua.
His KABK graduation typeface is a large sans typeface family, Westeinde, which has caption, text and display subfamilies, and weights going from hairline to black. The geometric family shows influences from Bauhaus and constructivism. In addition to being drop-dead gorgeous, this family has optical sizes as well.
In 2013, Adam Katyi created Gewaard, an interpretation of Halfvette Aldine, shown in the Lettergieterij Amsterdam specimen of ca. 1906. This didone with bracketed serifs was a revival project at KABK under the guidance of Paul van der Laan.
HypoTypo (real name: Walter J. P.) is the designer in 2002-2004 of a number of ornamental fonts, which he showcased via alt.binaries.fonts.
His typefaces: Amber'Shadowed', AnnabelleJF'LessItalic', AntiqueThings-01, AridiRenaissanceCaps, Asphalt'Wicker', Bauhaus'StainedGlass'-Heavy, BigRigs, Centurnalus'Deluxe', ChurchText'Replicant', ChurchText'Shaded' (blackletter), Coventree'Deluxe', CupieDoll, CupieDoll Buckshot (2004), Dantium'Tracing', FearFactor'3D', FearFactor'SmallCaps', FearFactor, FearFactorBlack, FearFactorText, Florence'Striped', Florence'Stripped', FuturexRoughlySliced, GillSans'MonkeyBars'-UltraBold, Gramius Blizzard (snow-cover alphabet), Gramius'ChromeDeco', Gramius'StainedGlass', GreatPrimerUncials'SnowBound', Guppulla'RoughlySliced', HopScotch'Denim', HopScotch'ElectricEddie', Kreepshow'Frigid', Lancastershire (2004), Licinia'Aged', Licktenstein'Chromed', Malaki'Continuum', Malaki'Deluxe', Metilius'BongoWood', Metilius'LeadedGlass', Metilius'PopCulture', Modius'Frigid', NewYorkTimes, Oleander'RoyalTablets', Oleander'StainedGlass', Ornam-oodles-01, PhoenixScriptUpr'Shadowed', PhoenixScriptUpright, Plautius'Branded', Plautius'LeadedGlass', Plautius'Rugged', Point-Dexter, Puffy'SandStone', Quintus'StainedCameo', QuintusLeadedGlass, Rocillius'QuickSilver', RocilliusBlack'Arson', Sintex'3D'UltraBlack, SkuareNot'BongoWood', Snoilies-01, Snoilies-02, Tekton'WhiteOnBlack', Timrombo'Erroded-DoubleVision'-Tall, VehicleDecals'Flames&Art', WoodsWorld'Deluxe', WoodsWorld'LeadedGlass', WoodsWorld'Melting', WoodsWorld'Quilted', WoodsWorld'StainedGlass', Auriol 'Shaded' Black (posted 09-02-2002), Bauhaus 'Shaded' Heavy (posted 09-19-2002), Bauhaus 'StainedGlass' Heavy (posted 10-23-2002), Bauhaus 'Textile' Heavy (posted 09-14-2002), Broadway 'Corroded' (posted 09-19-2002), Cooper 'Chromed' Heavy (posted 10-22-2002), Kid Type 'Flintstones' (posted 10-17-2002), Zapf 'SnowBound' Heavy (posted 10-19-2002), Zapf Int'l 'BubbleWrap' Heavy (posted 10-06-2002), LocusDelecti'Sibylline', SkuareNot'PlankYou', SkuareNot'Waveform', TexasWilly'Tracing', Half SunBurst-w4-01 (2003), Half SunBurst-w4-02 (2003), Half SunBurst-w4-03 (2003), NurfStar 'Shaded' (2003), StarBurst-w4-01 (2003), HavingWrit, IceCrystals-01'Continuum', IceCrystals-01'Impressions', IceCrystals-01 (snowflakes), PictoGlyphs, PlymouthRock'SnowDusted', Santa'sSleighFull-Bold, Santa'sSleighFull (a silent movie / art nouveau font), Zoophel (2003), Monika'Engraved'-Italic, Monika'Upright', Monika-Italic (2003), DotsType (Regular and 'OnFilm'), Hearts-O-Plenty, PinWheel, SchoolsOut, ButterCream'Tracing' (2004), Bartholomeow, ChitownScript (Regular, Bold, Light, Italic, Bold Italic and Light Italic), Guppula 'Ripples', Gramius Blizzard (2004), Letter People Things, Point-Dexter, TownSquare ('Grate' and 'Lattice'), StarryType.
Spanish art student (in 2013). FontStructor who created these typefaces in 2013: Beauvoir, Lancaster, Figaro, Abel, Cawdor (octagonal), Dilior (a didone), Harmond (blackletter), Antelopes, Godiva (blackletter), Autumn, Sasanida, Help I Need Somebody (circle-based geometric sans), Goodbye Fontstruct, Fairy Tale Vanishing, Slanton, Kyrie, Eat Me, De Stijl, Chiara, Hecate, Stancyl (piano key), Ionica, Winty's Gothica, Vintage America, El Greco, Fairy Tale, Ozawa, Donibo Display, Decade (blackletter), Donibo, Weirdy Moves (+Party), Bliss (crayon font), Ibsen (a dark copperplate style inspired by an Ikea logo), Avenzo, Avenzo Mad Serif, The Code of Honour (constructivist), Yago, Vienna Cafe Big (art nouveau), Castillian (Textura, +SmallCaps), Lumpy, Origami (3d face), Baldur2 (a lava lamp typeface), Trinity (Victorian), Patterns For Everyone, Evangelion, Scriptura, Maverick, Giralda, Freak Fraktur, Vienna Cafe (art nouveau), Sportiva (Small Caps, Deco1, Deco2 [blackboard bold], Sans, Alternates 1, Alternates 2, Alternates 3, Regular), Carmina, Hieronimus (a pixelish typeface inspired by Bauhaus: +Slab, +Stencil).
Typefaces from 2014: Bronzino, Hagia, Decodrops, Kobe Slab, Enoe (blackletter), Adagio, Nemesis (thin avant garde sans), Shalott (geometric sans), Origami, Kobe Regular, Kobe Stencil, Giovanni (textura blackletter), Decan, Thoreau (blackboard bold), Blue Requiem, Funky Business, Red Requiem, Dreamcatcher, Drastic, Retropix, Vanity Strong, Dotchild, Reya (blackletter). [Google] [More] ⦿
Advertised as the internet's one stop resource for free fonts, typography, commercial fonts, and links. For now, we find Taber Buhl's commercial fonts BDFQ (dot matrix font, 2001), Biochem Yearbook, Boxxon, Capsized Gamut, Internal Calibrator, Jean Template (Bauhaus style, 2001), Kolkom, Licon, Mechno, Plasmatronix, Shark Scrote, Smelly Gazebo, Steel Crate, TB2 (pixel font), Thirty 9 (screen font), Zeichen LCD (LCD font), Bootyscratch (free) and Dirty Clutch (free). Taber Buhl was at Syracuse University and ran at that time The tabertype font foundry (useless link), which does not seem to exist any longer. At that place, he had one commercial font, Sarey, and many free fonts: Smelly Gazebo, Steel Crate, Sephus, the handwritten Taberhand, a grungy CrapSerif, BootyScratch, Dirty Clutch, PinkBlah, and a square Shitfont. In production: Sargon, Busport. [Google] [More] ⦿
German type personality (b. 1973, Fulda) who studied visual communication at the Bauhaus University in Weimar. She is involved in type at the Museum für Druckkunst Leipzig and in the DIN committee for type classification. Founder of Kupferschrift, a type expertise firm based in Weimar and Düsseldorf. Alternate URL. She is a professor of Kommunikationsdesign und Typografie and head of the department FB Design at the HBK (Hochschule der Bildenden Künste) Saar. She researches the classification of typefaces, the history of grotesks and legibility.
She is co-author of Helvetica Forever (Lars Müller Publishers) and Buchstaben kommen selten allein, a typographic reference book.
Ingofonts is a foundry in Augsburg started by Ingo Zimmermann (b. 1967) in 1994. It offers Fraktur fonts, handwriting fonts, sans serif fonts, Antiqua fonts and some pixel fonts. Full fonts go for 50 USD a piece and up. Some fonts are free. Many fonts are adaptations or revivals of historically important fonts. Ingo also practices calligraphy, and in particular, calligraphy for wine labels. The list:
Foundry run by Klaus Herrmann from Düsseldorf, whose fonts are distributed by Precision Type and FontHaus. Fonts include basically all of David Rakowski's old shareware fonts. Through Intecsas, David Rakowski has finally gone commercial. The fonts are often redrawn, and have complete international character sets. The library contains 500 fonts, of which about 90 are based on David's old shareware fonts. Among the newer fonts, DwigginsFortyEight (1999).
Atomic Type distributes their fonts as well.
Partial font list: Aaaaaaaargh Caps, Aarcover, Adineski, Adine Kernberg Script, Adriana Davidovsky, Air Supply, Alvin Caps, Aminal Initials, Anderson Script, Anne Stone, Avery Jean, Beffle, Bela Drips, Belgian Casual, Bellagio, Benjamin, Bizarro, Blasius, Braille Font, Brandenburger, Brookfield, Brooks Initials, Buffalo Bill, Cardboard Cutout, Carrick, Chalice, Charlotte Tile, Chinese Menu, Christensen Caps, Command Ment, Constructivist, Corsage, Crackling Fire, Crane Initials, Davys Blocks, Davys Dingbats, Davys Key Caps, Davys Big Key Caps, Davys Other Dingbats, Davys Ribbons, DeBellis, Deco Twenty Two, Dewhurst, Dieter Caps, Dilara Caps, Dinderman, Dorothy Initials, Dragonwick, Drawing Pad, Dubiel, Dupuy, Eileen Caps, Elizabeth Ann, Elzevier, Eraser Dust, Even More Face Cuts, Face Cuts, Fetch Scotty, Flicker, Forest, Frisch Script, Garton, Gessele Script, Gouda Old Style, Grab Bag, Gravestone Rubbing, Green Caps, Griffin Dingbats, Ground Hog, Harting (an old typewriter font), Headhunter, Holtzschue, Horror Show, Horst Caps, Hunan Garden, Ian Bent, Jacobs, Jeff Nichols, Joanna Lee, Judy Finckel, Kastner Casual, KidStuff, Kinigstein Caps, Kioko, Konanur Caps, Korf Caps, Koshgarian Light, Kramer, Lee Caps, Legal Vandal, Lemiesz, Lilith, Logger, Lower East Side, Lucy Script, MalakaLaka-LakaLakaLaka, Man About Town, Mary Monroe, McGarey Fractured, More Face Cuts, Multiform, Munchner Initials, Nauert, Nitemare Caps, No More Face Cuts, Octagon, Paris Metro, Party Down, Pavelle, Phonetic, Pixie Font, Pointage, Polo Semiscript, Randolph, Rechtman Script, Relief, Reynolds Caps, Rhodes Roman, Rounded Relief, Rudelsberg Regular, Rumble, Saint Albans, Scratchy Pen, Showboat, Sjlausmann, Sprecher Initials, Starburst, Still More Face Cuts, Sturbridge Twisted, Taiga, Tejaratchi Caps, Thompson Pond, Toletto, Travis Brush, Trench, Trevor Light, Tucker, Tundra, Upper West Side, Varah Caps, Victoria Casual, Wedgie, Wein Initials, Wharmby, What A Relief, Will Harris, Yasmine, Zaleski, Zallman Caps.
At Will-Harris House, we find these fonts by David Rakowski: Cardboard Cutout, Dwiggins 48 (ornamental caps first designed by Dwiggins), Fetch Scotty, Gibbons (a great geometric Bauhaus-style font), Gravestone Rubbing, Greene&Greene (architectral lettering), Davy's Art Nouveau Initials, Gravestone Rubbing, Harting, Handscrifte, Lillith, Lillith Initials, Pointage, Rabbit ears, Rasta Rattin Frattin, Tenderleaf Caps, Tendril, Toletto (toilet paper alphadings), Will-Harris, and Zaleski. [Google] [More] ⦿
During her studies at Escola d'Art i Superior de Diseny de Valencia, EASD, Isa Lloret (Trieste, Italy) created a geometric solid alphabet that was inspired by the Bauhaus work of Josef Albers, and colored it according to Kandinsky's paradigm of relating color to shape. Behance link. [Google] [More] ⦿
J. Randall Harris
Bangkok-based graphic designer (b. 1979) who founded Design Reform Council in 2005, and is senior designer at YWFT. He made Fetti (2009), a type experiment in 3d based on polyhedra. Spikes (2009) is a modern, wild and abstract handset. Buffer (2010) is a highly contrasted slab display face. Soaka (2010) is more grungy, but remains slabby. YWFT Gavin (2010) began as a hand-drawn exploration of George Bruce's Seven-Line Pica. YWFT Wonderland (2011) is a smorgasbord of various hand-drawn styles. Pello (2011) is an arts and crafts typeface with Mexican influences.
British designer based in Dubai, b. 1978. Behance link. He created Schrofer (2009-2010), a lower-case only piano key stencil face, based upon an alphabet drawn by Bauhaus artist Jurriaan Schrofer, 1926-1990. Dafont link. [Google] [More] ⦿
Born in Leipzig (1902), died in Locarno, Switzerland (1974). Influential German type designer whose typefaces include these:
Boston-based designer who was born in Cuba and raised in Venezuela. Behance link. He created the geometric outline typeface Jeroglifico (2011), and the Bauhaus-inspired outline typeface Dessau (2012).
In 2014, Jérôme Bruley was studying design in Lille, France. In that same year, he created a Bauhaus-style typeface called LMVDR, which is named after Mies Van Der Rohe, architect and director of the Bauhaus school, on who's work the font is based. In particular, the piano key glyphs are inspired by the German Pavillion in Barcelona (1929). He also created Sail Font (2014).
French type designer and calligrapher (b. 1947, Rennes) in Cergy-Pontoise whose fonts include Abécédaire à Renayures (1991, for Collector magazine), Beauté (1966, for Magazine Votre Beauté), Castillejo-Bauhaus (1980, Rapitype Madrid), Catich (1998), Digitale (1974, Hollenstein Phototypo), Gautier (1992, Agence J.-P. Gautier&Associés), Guapo (1973-75, Hollenstein Phototypo), Hollywood Script (1989), Honolulu (1974, Hollenstein Phototypo), Incise Volume (1981, for Cergy Magazine), Jamaica Experience (1978, for Rock Hebdo Magazine), Lancöme (1981, Rapitype, for Lancöme), Larcher (1974, Hollenstein Phototypo), Latina (1987, Mécanorma), Liberté Égalité Fraternité (1985, for the Ministère de l'Éducation Nationale), Logement (1980, Rapitype, for Cergy Magazine), Menhir (1973-75, Hollenstein Phototypo), New Crayon (1980, Rapitype, for Cergy Magazine), Optical (1974, Hollenstein Phototypo), Plouf (1970-74, Hollenstein Phototypo), Rasgueo (1979, for U&lc Magazine), Revival (1979, for 20 ans Magazine), Soleil (1973-75, Hollenstein Phototypo), Super Crayon (1976, Titrage CCT), Tornade (1974, Hollenstein Phototypo), Veloz (1987, Mécanorma), Vibrator (1976, Titrage CCT).
Parisian designer of the Bauhaus-inspired Ortaki (2012, with Cyril Barrier). In 2014, he designed the display typeface Norris and the calligraphic typeface Yonne.
Artist and graphic designer affiliated with the Linotype Library. Runs John Jones Art&Design in St. Albans, UK. He designed Taut at Linotype in 2001. Jones writes: The original typeface idea was outline with diagonal stripes at 45o through the characters and was to be called "Candy". This was in 1971. The font "Taut" which is based on "Candy" was started in summer 1995 and four versions of the font were submitted to Linotype in February 1996 and included a striped version. As with "Albertus" the font has only caps and is essentially minimalist. Taut was originally named "Mies" after the great architect Mies van der Rohe, whose designs inspired the geometric simplicity of the font. "Mies" has an unfortunate meaning in the German language and so "Taut" was chosen as the final name for the font, after the Bauhaus architect Bruno Taut. In Taut, I have attempted to marry this geometry and a 30s personality with the stylish graphic adventures of the 90s. [Google] [MyFonts] [More] ⦿
During his studies at Falmouth University in Falmouth, UK, Jonathan Kevin William Holburn created a modular piano key stencil typeface in the style of Joseph Albers's work entitled Bauhaus Typography Experiment (2014). [Google] [More] ⦿
German typographer and painter, b. Wunsdorf (1893), d. Nüremberg (1948). He studied at Bauhaus from 1919-1925, and started working with type in 1923. From 1925 until 1932, he was a professor at Bauhaus. After the war, he became professor at the Hochschule für bildende Künste in Berlin. He created some typical Bauhaus alphabets.
Aka Josema Uros. Self-taught programmer in Barcelona, b. 1956, who set up the typefoundry Type-O-Tones in 1992. He is also involved in Neue in Barcelona. Since 1993 he has been teaching at Eina, Elisava, ESDI and IDEP. His typefaces:
German-born designer (b. Bottrop, 1888, d. New Haven, 1976) associated with the Bauhaus School that made artistic ripples from 1919-1933. Ex-director of the Department of Design at Yale. Regarding the Economy of Typeface: an article explaining Albers' vision for typography. His typefaces: Display (1923), Schablonenschrift (1923-1926), Futura Black (1926, a great stencil face---Paul Renner and the Bauer design office made it into a typeface in 1929, and included it in the Futura series, even though Futura is quite different in concept) and Kombinationsschrift auf Glas (1928-1931; combine a few elements---it was recreated as P22 P22 Albers by Richard Kegler from 1995 until 2004; see also here). Kombinationsschrift is inherently modular, the principle at the basis of FontStruct and other font creation tools. On my pages, I sometimes call the blatantly modular faces in the style of Kombinationsschrift piano key fonts.
Josep Pep Patau i Bellart
Dutch Bauhaus designer, 1926-1990. He drew some alphabets, one of which led James Mattison to create the digital stencil font Schrofer (2009). The Sans Serious family by John Skelton is also a revival. Jan Middendorp writes in Dutch Type: chrofer made several attempts to create complete typefaces - one of which was wittily called Sans serious - but this was never his goal. "Is it necessary", he wrote, "to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes". Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms `made to measure' as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, `Les textes sociologiques' from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids. [...] In his booklet Letters op maat (Type made to measure, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven. [Google] [More] ⦿
Just in Type (was: Tipomovel)
Just in Type (ex-Tipomovel) is a Brazilian foundry run by Tony de Marco (b. 1963) and his brother Caio de Marco in Sao Paulo since 2005. Tony de Marco was an illustrator for Folha de S. Paulo, 1987-1994. He co-edits Tupigrafia with Claudio Rocha Franco.
As a type designer, he created over 50 faces for the newspaper Noticias Populares, for America Online, and the magazines Moderna, Saraiva, FTD and Atica. Free fonts at the Tipomovel site included Ariana, Beabá, Bloco, CyberComix, Cyber Rounded, Cyber-Zinha, Digital Typewriter, Egly (my favorite--a Bodoni with curly serifs), Futura Vítima, Futura Vítima Bold, Futura Vítima Extra Bold, Games, Genoveva, Helvetica Backlight, Illinoise, Macmania Bold, Neurastenic, Notícias Populares, Oficina Bold, Pin ups, Pixel, Pravda, Sequestro, Simbolo, Splash, Stalin, Sumô, Super Braille (created for the Dorina Nowill Foundation), Times Change, Tipografia, Toxic Bodoni, Web Power, Zine. Samba LT (2003, Linotype, designed with Carlo de Marco; this art deco typeface was inspired by the lettering art of J. Carlos, a Brazilian illustrator during the early 20th century) won an award at the Linotype International Type Design Contest 2003.
Just in Type typefaces include HallowHell Dingbats (2006, Halloween dingbats), Drop It (2005, dot matrix), Illinoise (2005, techno-grunge, by Tony and Caio de Marco), Pixel Zoo (2008, dingbats), Inferno Dingbats (2008), Brazil Pixo Retro (2007, rune simulation), Fractal (2010), Concreta (2011, a stencil typeface in the style of Josef Albers, done with Niko Fernandez).
In 2014, Bernardo Faria and Tony de Marco created the masculine typeface family Terrorista, and wrote this blurb: Terrorista is a homage to everyone who fought against the Millitary Regime in Brazil from 1964 to 1985. The Terrorista Marighella features generous inktraps, fits perfect for small sizes. Terrorista Dilma has the same design as the Marighella, but without inktraps, made for display. The last typeface from the package is Terrorista Lamarca, stencil version. This is the font for the political propaganda machine.
Just My Type
Just My Type is a type foundry that was founded in 2012 by J. Randall (or Randy) Harris (b. 1947, Marion, IN) in Tucson, AZ. Harris is a graphic and type designer who has been making typefaces since 1997. He teaches at the Art Institute of Tucson. His typefaces from 2013: Megatropolis (a stackable deco font system), Historic Warehouse (Victorian).
Typefaces from 2012: Happenstance (a lovely retro-futuristic script), Illuminations Woodcut, Yule Love It (Christmas time dingbats), Gawain (based on the hand of Gawain Douglas), Oaxaca (a Mexican look face), Boxy Code, Channel B (a rounded monoline sans), Curves, Puzzle, Dempsey (based on the writing of Tucson film teacher, media artist and programmer, Vikki Dempsey), Chilespice, Strata, Deco Donut, Jiminy (a comic book face), Invites (a roundish upright script that intends to recreate the 1920s spirit), Hunky Chunky (an obese poster face), the hand-printed typeface Carissa, Got Milk, Cutting Corners, Astro (retro-futurustic), Dix (2012: a slabby wood style typeface inspired by the poster for the 1929 film Redskin, and a desire to create a black Edwardian font with an offbeat serif), and the monoline rounded stripped-down sans typeface family Laszlo (2012: the name is an homage to Laszlo Moholy-Nagy of Bauhaus fame).
Kolega (2012) is a constructivist typeface family that consists of Kolega, Kolega Tall, and Kolega Podrobska (fake comrade).
Steampipe (2012) is an ironwork, Jules Verne, wrought iron and time machine font.
Los Muertos (2012) is a Halloween font.
Typefaces from 2013: Megatropolis (a stackable deco font system).
In 2014, he created the art deco typeface HG Welles, which was originally designed for a privately-published luxury edition of The Time Machine.
Design studio in Monterrey, Mexico. They created some typefaces such as Bahia (2014) and Okulta (2014). Okulta is a Bauhaus sans inspired by Wilhelm Pischner's Form is function motto [Pischner designed Neuzeit Grotesk]. Behance link. [Google] [More] ⦿
German FontStructor who made the white-on-black-grid face Pacto (2010), Telamon (2010, +Bold), the thin condensed typeface Sycamore (2011), Sansybar Wide (2011), and the octagonal family Telamon (2010). Klatt runs Konstantin Klatt Mediendesign in Berlin, and makes fonts as kla2t.
German artist and writer associated with the Dada movement in Hanover, 1887-1948. Unclear which fonts he designed. But he had many original book designs, book covers, and posters. Cover of Merz (1925). [Google] [MyFonts] [More] ⦿
Hungarian typographer from the Bauhaus era. He designed posters such as this title page for Staatliches Bauhaus Weimar 1919-1923. [Google] [More] ⦿
Leonardo Lorenzo (Salvador, Brazil) created Breuer (2012), a typefaces named after one of the Bauhaus artists, Marcel Breuer. His G-Type (2012) is a monoline sans named after Eric Gill. [Google] [More] ⦿
Graphic designer based in Israel, who graduated from the Department of Visual Communications, Minshar for Art, in 2012.
Lovedesign offers free fonts, mostly by Wataru Osakabe (aka J. Brain). Many are techno faces. A partial list: Fool22, CommonPixel, Haris, SecretPassage, SucideNote, Vanilla, Arupino (2001, kana), CherryBlossom (futuristic, 2001), Metropolis (Bauhaus style, 2001), Lovedesign 99 font kana, Gulico Extra Bold, Han-Rice (2000, Asian lookalike font), Tytyle kana, Tytyle Regular (kitchen tile face), Cobra-Ld Regular, ErisKana, MonnaLisa, LovelyDesign, Aurora Devil, Tonight Tonight, Cobra2, GENOCIDERMX, GameOver, HEIGHt, Loedesign99HIRABold, Metamorphose, SweetDays, Poo, tonighonigh, Tytyle, Romantic9 (2004, with Junichi Kato), Papicon (techno), Gameboy gamegirl, Ookami-girl, Hirakumo, Ikkoue, TKO Crazy, F39 Gold (stencil), Fickle, Mr. Chan, Aurora Dance, Masshimo (dingbats of figures made by Akiko Yaeshima). As of January 2004, these can be downloaded: LVDCCLASSIX, LVDCCobra4AL, LVDCCobra4KN, LVDCDisco02, LVDCDubKana, LVDCErisSQ, LVDCFool22, LVDCGOLD, LVDCGulico3, LVDCIKKOUE, LVDCLovelydesign, LVDCMirinda, LVDCNextGames, LVDCOtsukaDream, LVDCPapicon, LVDCPoo3, LVDCSecretPassage, LVDCSucideNote, LVDCSweetDays, LVDCTonightTonight, LVDCVanilla, LVDCauroradance, LVDCver5, LVDCArupino, LVDCBloodyValentine, LVDCCommonPix2, LVDCDubKana, LVDCHaris, LVDCauroradevil, LVDCHanricever3, LVDCMrsChan, LVDCGarnet (2004), LVDCMelos (2004), LVDC Berlin, LVDC Rebirth, LVDC Parthenon, LVDC Nina.
Teekanne (2012) is a geometric typeface inspired by Marianne Brandt's 1924 "Teapot", created at the Bauhaus School in Dessau, Germany. It is a typeface designed by Madison Twombly during her graphic design studies at the University of Kansas in Lawrence, KS.
Typographer at Neufville, who digitized the 34-style family Futura ND (1999) from the original sources of the Bauersche Giesserei, now held by FT Bauer in Barcelona. There is also Futura ND Black (stencil) and Futura ND Display. The originals are of course due to Paul Renner (1920s). There is a consensus among typophiles that this is the best digital version of Futura around.
Romanian type designer who created the beautiful Bauhaus / geometric monoline sans family Geometron Pro Angular (2010), which has weights ranging from hairline to black. Geometron Pro Radial (2010; +Greek) is a more rounded family.
Designer in Barcelona. Behance link. She has been working since 2008 on some gorgeous typefaces, such as Ophelie, Rigid (2010, a piano key font that she proclaims to be a grandchild of Josef Albers), and Gallo Guapo, which mix high contrast and extreme quaint roundness. In 2011, she made the ornamental watch number typeface Nido.
Martin Fredrikson Core
Born in Gothenburg, Sweden, in 1970, Martin Lexelius (aka Core, aka Martin Fredrikson Core) started his career in the 1990s an an artist and freelance illustrator. Then he designed type, publishing at Chank's place, at T4, at Fountain, and at his own outfit, Core, where one can find his free fonts. Martin Fredrikson Core (b. Gothenburg, 1970), whose real name is Martin Lexelius:
German Photographer, 1887-1961. In 1924, he proposed the introduction of one alphabet (no more upper case and lower case). That idea was picked up by other avant-garde type designer, and was developed at Bauhaus by Herbert Bayer, and by Joost Schmidt, Kurt Schwitters, Jan Tschichold and at the end of the 30s by Peignot. [Google] [More] ⦿
Student of Graphic & Web Design at DMACC (Des Moines Area Community College). FontStructor who made a few nice typefaces in 2012. These include Little Tittle (a stencil typeface influenced by Josef Albers' Kombinationschrift), and the tall-legged condensed Skinny & Sweet. Aka ciotog. [Google] [More] ⦿
British type designer from Waltham Abbey principally associated with P22. Morisawa Judge's Choice Award winner in 1996 for his typeface Fusaka (an oriental simulation font, 1996, Adobe). Other designs: P22 ToyBox Blocks, P22 ToyBox Animals (1996), P22 ToyBox Regular (1996, child's hand), P22 Vincent, P22 DeStijl (1995, with Richard Kegler--Regular, Stencil, Extras and Tall: of these, Want only did the Stencil style), P22 DaddyO-Square, P22 Bayer Fonetik (1997), P22 Acropolis (1995, Greek simulation typeface done with Richard Kegler), P22 Kells Square (1996, Michael Want and David Setlik), P22 Insectile (1995), P22 Cezanne (1996, a popular handwriting face), P22 Fonosaurus, P22 Folk Art (1997, a number of stitching fonts done with Richard and Denis Kegler), P22 Vincent Extras (1998, dingbats), P22 GD&T (1997), P22 Prehistoric Pals, P22 Prehistoric Pen. The ToyBox set was codesigned by Michael Want, Jennifer Kirwin, Richard Kegler, Kevin Kegler, and Mariah Kegler in 1996. The P22 Kells set was codesigned by David Setlik, Richard Kegler, and Michael Want in 1996.
Mind Design is a British studio, which is responsible for quite a few, typically customized, typefaces. It was established by three people, Holger Jacobs (German founder of Mind Design in 1999), Claire Huss (who joined Mind Design in 2010) and Romily Winter (a British designer who joined Mind Design in 2011). Their typefaces are sold through The Type Foundry.
Holger Jacobs (b. 1967, Kleve, Germany) studied at Saint Martins College of Art & Design (1992-1994) and at the Royal College of Art, (1995-1997). He was briefly Art Director at Tuttle Publishing, Tokyo (1998-1999). Since 2011, he is Professor at the University of Applied Science, Düsseldorf, Germany.
Communication Design student at Parsons the New School for Design in NYC in 2013. Creator of the Bauhaus (piano key) stencil typeface Haeckel (2013, Friday Fonts), which was named after the German naturalist, philosopher, biologist and artist Ernst Haeckel, who promoted the idea of structure and symmetry in marine organisms and nature.
Designer in 1983 of ITC AvantGarde Mono and ITC Souvenir Mono. Note: The geometric sans family ITC Avant Garde Gothic was designed by Herb Lubalin and Tom Carnase and based on Lubalin's logo for Avant Garde Magazine. Ed Benguiat designed the condensed fonts for ITC. Souvenir was originally drawn by Morris Fuller Benton in 1914 as a single weight for the American Type Founders company. It was revived in 1967 by Photo-Lettering and optimized for phototypesetting equipment. ITC was formed in 1971 and, with the help of Photo-Lettering, introduced ITC Souvenir as one of its first typeface families. ITC Souvenir was designed by Ed Benguiat and comes in four weights, each with a matching italic. Linotype link. [Google] [MyFonts] [More] ⦿
Nick Curtis (b. Chicago, 1948) lived in Texas from 1952-1997, and lives since 1997 in Gaithersburg, MD and Alexandria, MD. From ca. 1990 onwards, he has been designing fonts, first for free, and then commercially. He had a great reputation as a "revivalist" type designer, with a particular interest in retro fonts and art deco types. In 2003, his site had become too popular and too expensive to maintain, and thus he went commercial as Nick's Fonts. In 2013, he stopped making fonts, and donated his collection of rare books and type material to the University of Virginia. Interview. Free downloads at TypOasis. Complete list of names and other info, maintained by Sander de Voogt. Interview in which we learn about his fondness for Corel Draw as a type design tool.
Near the end of 2012, he posted this comment on his web site: Fifteen years ago, I embarked on a wonderful voyage of discovery, when I created my very first font with Fontographer 3.15. My maiden voyages were, frankly, rather clunky and amateurish, but I have been told that they showed promise. Well, sure enough, thanks to the diligent (and patient) efforts of Ilene Strizver, I polished up my craft enough to sell my humble efforts---first as a sideline business and, since 2006, as my full-time job. In total, I have produced over eleven hundred fonts---almost five hundred of them freeware fonts, which I conservatively estimate have been downloaded and enjoyed by over three million people worldwide. Unfortunately, this past year has brought a series of unanticipated setbacks, culminating in the loss of my wife's beautiful mind and soul to the scourge of alcoholism. In an effort to generate extra income to cover the expenses for her long-term care, I have proposed a number of, I believe, innovative ways to revamp the online font business; unfortunately, those efforts have fallen flat, primarily due to the professional font community's abject fear of crossing the $165 million Elephant in the Room. I even offered a special discount rate of 75% off retail price for full-time students of Typohile Forum. To date, there have been zero takers. Hell: even the webfont kit of one of my own fonts which I purchased from myfonts.com turned out to be an empty folder. Talk about a run of bad luck. Which leaves my with you, dear readers. If you or someone you know has had fun or made a buck from my humble efforts throughout the years, please donate whatever you can---even a lousy dollar would help---to help me out. I would greatly appreciate it.
Nick Curtis: Commercial faces
Nick Curtis (b. Chicago, 1948) lived in Texas from 1952-1997. Since 1997, he is in Gaithersburg, MD and Alexandria, MD. Since the 1990s, he has been designing fonts, first for free, and then commercially. He had a great reputation as a "revivalist" type designer, with a particular interest in retro fonts and art deco types. In 2003, his site had become too popular and too expensive to maintain, and thus he went commercial as Nick's Fonts. Interview. Free downloads at TypOasis. Complete list of names and other info, maintained by Sander de Voogt. Interview in which we learn about his fondness for Corel Draw as a type design tool. Home page. His free fonts are listed elsewhere.
On MyFonts, he says this about himself: Nick's Fonts is a modest little foundry dedicated to the preservation of our rich typographic heritage. Most of the foundry's designs are based on authentic historical sources, gleaned from the massive collections of the Library of Congress. If you are looking for a font that captures the essence of the Wild West, the Gay Nineties or the Jazz Age, look here first: if it is not in the catalog, it will be soon. [Google] [MyFonts] [More] ⦿
Nick experiments widely with type. Noteworthy is his Albers Moiré, which is part of a project for creating complex type designs with a limited and easily interchangeable set of parts. The structure of Albers Moiré is based on the Bauhaus stencil type designs by Joseph Albers, and uses radiating lines to achieve the moiré effect when layered. [Google] [More] ⦿
Brazilian art director who has worked with with Tony de Marco at Just in Type. From Brazil, he moved to Amsterdam. His typeface Concreta (2011, done with Tony de Marco) is a stencil typeface in the Bauhaus and piano key styles. It was inspired by the work of Josef Albers.
Designer of Bravo AV (2004, a sans face), Hikarigama (2003, oriental font simulation), Numerica Sans (2002, inspired by the Bauhaus movement), Unicratica (2002), Kotica (2002, a futuristic font), Bamboo (2002), Chai House (2002) and Syncratica (2002, a futuristic font), Copernican (2002, futuristic), Impressica (2002, distressed), Tribal (2004, a floriated caps version of Fedra Serif). [Google] [More] ⦿
Linotype had pages on the history of sans serif ("Grotesk" in German), from its inception in 1816 in England and the early versions of William Caslon and Vincent Figgins (1832), through the Akzidenz Grotesk (1900), Reform-Grotesk (1904) and Venus (1907). [Google] [More] ⦿
Pixel font specialist who created these pixel typefaces using FontStruct in 2013: fs Inspira 2 (pixel face), fs Mikibit, FS Tacticalreminds, FS Terc.butyl (slab serif), Fin Competition, Opipik's Caps, Stencil, Cond, Alter Ego, Anakin, Nonsense Remix, Simple, Fluid PX (pixelish), Fluid, Shamewriting (wide techno face), The FS Ion (stencil), Opirus Semi-Serif, Launching a similar one, F Serif Q, Opirus OPIK, Sans Tai Na, Leftleaning, FSPx Kayah D70, 1234 Font, Random Regular.
Other typefaces made in 2013 include fs Logo, fs Mansion, fs Kismet, LASO Serif, fs Ad, fs Groszak's Dreams, fs Road Sans, fs Connet (retro automotive script), fs Large, fs Mico, fs Use, fs By, fs Part, fs Strongness, fs Permutoo 1 through 7 (op-art), fs Ethstruct, fs Ais (wood type simulation), fs Eng (like fs Ais), fs 01, fs Jim Jam (sencil), fs Sor, fs Nothing (blackletter), Anakin Mono (a sci-fi face), Shaak Sans, LASO Serif, 42 Stencil, 42 Sten Grid (kitchen tile face), 42 Bold (piano key face), 42 Sten Vert, Sten Bold Vert, 42 Light Vert, 42 Bold Vert, 42 Light Grid, 42 Cond, 42 Light, 42 Black, Iont Slab (monospaced), Experiment Elongated Ears, Pixel Old English, Check It, Trifolium Stencil (like a Bauhaus stencil), Avatars New, Shaakmono, and Better Sans.
Typefaces from 2014 include fs Pixalic (a great textured typeface), fs Weighted, fs Monital, fs Pixnod Serif, fs Gaelpix, fs Jenson 1 (+Italic), fs Hand2, fs Wood Type 1, fs135 Opinno Serif, fs135 Inno Huge, fs Dotnudge Biggerterm, fs Nudgershoots, fx 8x6, fs Eng, fs Streetsign, fs Fassyrian, fs Apjop, fs Jenson 1, fs Stenserife, fs Recover, fs Lapa 1 Bold, fs Dotital, fs Lapa 1, fs Hikinspot, fs Geofut, fs Samil, fs Pxalic, fs Stdb Regular, fs Papeda, fs Greekpix, fs Stylized Arpeggios, fs Teimodern, fs My Take on Parsifal 1, fs Samil, fs Eco, fs Dotmatrix Serif Mono, fs Dotmatrix Sans, fs Uahkoch, fs Fluffy, fs Computer Says No Mild Italic, fs Paseky Ideograms, fs Eatit Bold, fs Mind, fs Switch, fs Dotty Serif, fs Smallmicro, FSerifQ, fs Afterline, fs FontstrFillersMono, fs Four Ideas,
Otto Maurer (was: Tattoofont)
Tattoo artist and graphic designer from Dinslaken (Duisburg), Germany, b. 1968, Duisburg. Klingspor link.
Otto Maurer (Tattoofont) created Ipoint (2008, a 15 style fun-filled Bauhaus-inspired family), Black and Beauty (2007, blackletter family), Big Rain (2007), Blood (2007, dripping blood type), Preussen (2007, a 4-style blackletter family), Otto Bismarck Italic (2007), an italic blackletter face, and its parent, Otto Bismarck (2007). Designer of the free curly font Corps Script (2006) and Corps Script Shadow (2006). Creator with Sabrina of the free handwriting fonts Sabsis Handwriting Version 3 (2007) and Sabsis Handwriting (2007). Home page. Dafont link. Yet another URL.
In 2007, he went partially commercial and set up shop at MyFonts. His fonts there include the artsy Sailors Tattoo (2006), SailorsTattoo-waves (2007), Sailors Tattoo Pro Xmas (2007), Sick Skull (2007, scary), Tribal Maori (2007), MauBo Flatline (2007, experimental), Tribal Dingbats (2007), Tribaltypo (2007: quite interesting), MauBo (2007, mechanical look), Hotrod (2007), Blood (2007, scary), MauBo Flatline (2007, white on black) and Corpse Fairy (2007), Mrs. Sabo (2007, calligraphic and grunge hand), Tribal King (2007), Pierced (2007), Big Rain (2007), Detective Maurice (2007, a typeface with fingerprints on the alphabet), Cutdown Maurice (2007), Digital Maurice (2007), Good Old Fifties (2007, 11 styles), Tribal Dingbats II (2008, a tattoo font), Tribal tattoos III (2010), Hot Flames (2008), Drago (2008, a blackletter and alphading family), Party Night (2009), Tattoo Girl (2008).
Typefaces from 2009: Yuma (2009, Western saloon font), Freiheit (2009, blackletter), Lycaner (2009, blackletter), Sud France (2009, script), Psychbilly (2009, fat brush), Love Mom (2009), Vampire (2009), Animal Zoo (2009), Turtle (2009), Grunge (2009, cracked marble family), Crate (2009).
Typefaces from 2011: Tinka Babe (2011, a gangster or tattoo script), Poisoni Pro (2011, tall art nouveau style brush face, with Shadow and College sub-styles), Lanzelott (2011, a very elegant retro display family), Stencilla (2011, a heavy stencil face), Guilin (2007, brushy), Darkwood (2011), Rock n Roll Typo (2011), Loreen (2011: an elegant display family that includes a hairline and a shadow style).
In 2012, he made the pointy Psychomonster typeface.
In 2013, Otto Maurer published the gangster tattoo font Bibiana as a companion for Tinka Babe.
Typefaces from 2014: Cupcakes Winterwonder (snowy font), Soul Winterwonder, Loreen Hollywood (art deco), Soul Material Design Dingbatz, Soul Love (Valentine's Day font), AZ Cupcakes, Soul (a sans family with some flaring), Christe Wagner (a great set of curly Victorian music sheet-inspired typefaces), Spider Type, Marie Lyn, Mariedean (a Victorian titling set, including decorative caps), Peachy (+ Shadow: a slab serif).
P22 Type Foundry
Richard Kegler's fun Buffalo-based foundry, which he founded in 1995 together with his wife, Carima El-Behairy. Currently, on staff, we find type designers James Grieshaber and Christina Torre. In 2004, it acquired Lanston Type. P22 has some great unusual, often artsy, fonts.
The fonts are: Industrial Design (an industrial look font based on letters drawn by Joseph Sinel in the 1920s---this font is free!), LTC Jefferson Gothic Obliquie (2005, free), Sinel (free), P22Snowflakes (2003, free), Acropolis Now (1995, a Greek simulation typeface done with Michael Want), P22 Albers (1995; based on alphabets of Josef Albers made between 1920 and 1933 in the Bauhaus mold), Arts and Crafts (based on lettering of Dard Hunter, early 1900s, as it appeared in Roycroft books), Ambient, Aries (2004, based on Goudy's Aries), Arts and Crafts ornaments, Atomica, Bagaglio, Bauhaus (Bauhaus fonts based on the lettering of Herbert Bayer), Bifur (2004, Richard Kegler, after the 1929 original by Cassandre), Blackout, Cage (based on handwriting and sketches of the American experimental composer John Cage), P22 Casual Script (2011, Richard Kegler, a digitization of letters by sign painter B. Boley, shown in Sign of the Times Magazine), Cezanne (Paul Cezanne's handwriting, and some imagery; made for the Philadelphia Museum of Art), Child's Play, Child's Play Animals, Child's Play Blocks, Constructivist (Soviet style lettering emulating the work of Rodchenko and Popova), Constructivist extras, Czech Modernist (based on the design work of Czech artist Vojtech Preissig in the 20s and 30s), Daddy-o (Daddy-o Beatsville was done in 1998 with Peter Reiling), Daddy-o junkie, Da Vinci, Destijl (1995, after the Dutch DeStijl movement, 1917-1931, with Piet Mondrian inspired dingbats; weights include Extras, P22 Monet Impressionist (1999), Regular and Tall), Dinosaur, Eaglefeather, Escher (based on the lettering and artwork of M.C. Escher), FLLWExhibition, FLLW Terracotta, Folk Art (based on the work of German settlers in Pennsylvania), Il futurismo (after Italian Futurism, 1908-1943), Woodtype (two Tuscan fonts and two dingbats, 2004), P22 Woodcut (1996, Richard Kegler: based on the lettering carved out in wood by German expressionists such as Heckel and Kirchner), , Garamouche (2004, +P22 Garamouche Ornaments; all codesigned with James Grieshaber), GD&T, Hieroglyphic, P22 Infestia (1995), Insectile, Kane, Kells (1996, a totally Celtic family, based on the Book of Kells, 9th century; the P22 Kells Round was designed with David Setlik), Koch Signs (astrological, Christian, medieval and runic iconography from Rudolf Koch's The Book of Signs), P22 Koch Nueland (2000), Larkin (2005, Richard Kegler, 1900-style semi-blackletter), London Underground (Edward Johnston's 1916 typeface, produced in an exclusive arrangement with the London Transport Museum; digitized by Kegler in 1997, and extended to 21 styles in 2007 by him as P22 Underground Pro, which includes Cyrillic and Greek and hairline weights), Pan-Am, Parrish, Platten (Richard Kegler; revised in 2008 by Colin Kahn as P22 Platten Neu; based on lettering found in German fountain pen practice books from the 1920s), Preissig, Prehistoric Pals, Petroglyphs, Rodin / Michelangelo, Stanyan Eros (2003, Richard Kegler), Stanyan Autumn (2004, based on a casual hand lettering text created by Anthony Goldschmidt for the deluxe 1969 edition of the book "...and autumn came" by Rod McKuen; typeface by Richard Kegler), Vienna, Vienna Round, Vincent (based on the work of Vincent Van Gogh), Way out West. Now also Art Nouveau Bistro, Art Nouveau Cafe and the beautiful ornamental font Art Nouveau Extras (all three by Christina Torre, 2001), the handwriting family Hopper (Edward, Josephine, Sketches, based on the handwriting styles of quintessential American artist Edward Hopper and his wife, Josephine Nivison Hopper, and was produced in conjunction with the Whitney Museum of American Art), Basala (by Hajime Kawakami), Cusp (by James Grieshaber), P22 Dearest (calligraphic, by Christina Torre), Dwiggins (by Richard Kegler), Dyrynk Roman and Italic (2004, Richard Kegler, after work by Czech book artist Karel Dyrynk), Gothic Gothic (by James Grieshaber), La Danse (by Gábor Kóthay;), Mucha (by Christina Torre), Preissig Lino (by Richard Kegler), P22Typewriter (2001, Richard Kegler, a distressed typewriter font), the William Morris set (Morris Troy, Morris Golden, Morris Ornaments, based up the type used by William Morris in his Kelmscott Press; 2002), Art Deco Extras (2002, Richard Kegler, James Grieshaber and Carima El Behairy), Art Deco Display, the Benjamin Franklin revival font Franklin's Caslon (2006), Dada (2006) and the Art Nouveau font Salon (bu Christina Torre).
In 2006, Kegler added Declaration, a font set consisting of a script (after the 1776 declaration of independence), a blackletter, and 56 signatures. Many of the fonts were designed or co-designed by Richard Kegler. International House of Fonts subpage. Lanston subpage (offerings as of 2005: Bodoni Bold, Deepdene, Flash, Fleurons Granjon, Fleurons Garamont, Garamont, Goudy Thirty, Jacobean Initials, Pabst, Spire).
In-house fonts made in 2008 include Circled Caps, the Yule family (Regular, Klein Regular, Light Flurries, Heavy, Klein heavy, Heavy Snow, Inline; all have Neuland influences). Kegler / P22 created a 25-set P22 Civilité family in 2009 based on a 1908 publication from Enshedé, the 1978 English translation by Harry Carter, and a 1926 specimen also from Enshedé.
At ATypI 2004 in Prague, Richard spoke about Vojtech Preissig. Speaker at ATypI 2010 in Dublin, where he presented Making Faces: Metal Type in the 21st Century about which he writes: This film has the dual aim of documenting the almost-lost skill of creating metal fonts and of capturing the personality and work process of the late Canadian graphic artist Jim Rimmer (1931-2010). P22 type foundry commissioned Mr. Rimmer to create a new type design (Stern) that became the first-ever simultaneous release of a digital font and hand-set metal font in 2008. At ATypI 2011 in Reykjavik, he showed Making Faces.
Typefaces from 2014: LTC Archive Ornaments (Richard Kegler and Miranda Roth).
Type designer at Canada Type. Wikipedia tells us that Patrick Griffin had been locked away in a mental institution by Carter and Barbara, after he walked in on his mother performing oral sex on Jackie Gleason. He had a nervous breakdown and was sent to a mental hospital, where he came to the conclusion that Gleason was evil because he was fat, leading him to hate fat people. However, that is a different Patrick Griffin. The real Patrick Griffin, a graduate of York University, lives and works in Toronto, where he founded Canada Type and made it the most successful Canadian typefoundry. His work is summarized in this 2009 interview by MyFonts. It includes lots of custom work for banks, TV stations, and companies/groups like New York Times, Pixar, Jacquin's, University of Toronto, and the Montreal Airport. His retail fonts include the following.
German type designer, architect and Bauhaus-style designer, b. 1878, Wernigerode, d. 1956, Hödingen. Designed the famous and popular Futura between 1924 and 1936 at Bauer. Later weights include the stencil font Futura Black, a great headline font. Deberny&Peignot issued the Futura family under the name Europe. Spartan (American Typefounders and Mergenthaler Linotype) is similar but not identical. Intertype Futura Extra Bold was designed by Edwin W. Shaar (roman in 1952; italic in 1955 with Tommy Thompson). Neufville published a revival of his Futura fonts. This 50+ family, Futura ND (1999), has Small Caps, Old Style Figures, Display and Black (stencil), and was digitized by Marie-Therésè Koreman. The typophiles generally agree that this version of Futura is the best digital implementation around. Nick Curtis's Airport Tourist (2009) is modeled after Futura. In 2013, URW++ published Futura Round. Tens of other typefaces are also descendants of Futura. Futura poster by Matthew Benkert. Futura posters by Stacia Stornetta-Morabito, Lapedra Tolson and Mahmoud Afif.
Renner's typeface "Topic" is also known as Steile Futura (1952) [check also Bauer Topic (The Font Company) and URW Topic for two digitizations]. Renner also designed the Fraktur font Ballade (1937, Berthold; revived by Dieter Steffmann in 2002), Plak (1928), Futura Schlagzeile (1932), Renner Antiqua (1939, D. Stempel).
Bibliography: Christopher Burke wrote "Paul Renner: the art of typography", Hyphen Press, 1999. U&LC review. Bio by Nicholas Fabian. In 2007, Nathalie Wegener wrote a graduation thesis on Renner entitled Paul Renner. Au-delà du Futura.
Portuguese author of Tipografia: origens, formas e uso das letras (2006, Paulo Heitlinger, Lisbon) and Alfabetos, Caligrafia e Tipografia (2010, Lisbon). Born in Lisbon, he studied nuclear physics in Germany. He lectured on communication design at the Universidade do Algarve. His pages (in Portuguese) are quite complete, with a great glossary, a beautiful section on the history of type, a mag called Cadernos de Tipografia, links to type design in the world in general, and in Brazil, Spain and Portugal in particular, and more general information on type. Font-making how to. Useful timeline of 16th century writing manuals. An absolute must. He has also created or revived a number of typefaces, which can be bought on-line.
An incomplete list of his typefaces:
Peter Bain Design (was: Incipit)
Incipit, or Peter Bain Design, was Peter Bain's type and graphic design studio in Brooklyn, New York. It closed down gradually between 2007 and 2010.
Peter Bain received his M.F.A. in Design: Visual Communications from Virginia Commonwealth University. He was type director at Saatchi&Saatchi Advertising in New York, and taught at Parsons/The New School for Design and Pratt Institute in New York. After Saatchi, and before Incipit, he was freelancing. After Incipit, he relacted briefly to Virginia to attend VCU and then went on to Mississippi, where he is Assistant Professor of Art, Graphic Design at Mississippi State University. He lives in nearby Starkville, MS.
He is best known for his wonderful book Blackletter: Type and National Identity (1998, with Paul Shaw).
His photocomposition display faces were reedited and available in reproduction proofs (for a short time). The photocomposition display faces are in two-inch film format, as formerly used on machines such as the Typositor and Filmotype. They are being held in storage, and are no longer listed for that reason. PDF format list. Text format of Bain's file. Bain says he built this from the Typositor type libraries formerly offered by Techni-Process Lettering and Pastore DePamphilis Rampone, which he bought at an auction. Report on his talk in London on blackletter type (2003). MyFonts sells the 4-weight Josef Albers-inspired stencil family Gridiot (2003-2011). His thoughts about the art of Albers: Remember, any idiot can design a typeface on a grid: Gridiot.
Pier Francesco Martini (b. 1984), a graphic designer in Prato / Firenze, Italy, designs and sells typefaces. He created Bahn (2013), a display font inspired by the old Austrian Bahn signs. Free version. With Rafaella Pioto, he made an animated version of Bahn (2014). See also Animography.
In 2013, he published the 4-style headline sans typeface family Alto.
In 2014, he finished Bahn Pro Rough (a constructivist version of Bahn), Pire (a 1930s style grotesk family) and Haus Sans (Bauhaus style sans in six weights).
Daniel Bär (Pyroglyphix) is a talented Swiss designer in Lausanne. Type subpage. Creator of the monoline grotesk typeface GT Skeletor (2009, Grilli Type). This typeface can be stretched and compressed at will without losing its effectiveness. While studying at ECAL in Lausanne, he made the gorgeous fat didone display face Pyrose (2008), the all caps sans headline typeface Pyroplastic (+Fat). At ECAL in 2010, he made the Bauhaus-inspired PYROhbau (a scripted font system based on a skeleton). Behance link. [Google] [More] ⦿
Graphic designer in Valencia, Spain, b. 1983, Alzira. Graduate of EASD in Valencia, class of 2013. Creator of a geometric Futura / Bauhaus style typeface family called Geometric Obsession (2012).
Ralph du Carrois
Reading Type is a UK enterprise that offers free fonts designed by Ben Weiner, a British information designer specialising in internet work. Fonts: Acknowledgement (2001, heavy slab serif), Bentham (2008, didone), Crop, Geo (1999, a squarish typeface completed in four hours---influenced by modernist designers such as Theo van Doesberg and Herbert Bayer), GeoOblique, Lineastraightforward, Puritan (grotesque), PuritanBold, PuritanBoldItalic, PuritanItalic, RolloutBold, RolloutBoldItalic, RolloutPlain, RolloutRegularItalic, St. Margaret's Cross (2008, a Victorian Gothic revival cross drawn over a photo of a stone cross in the masonry of St Margaret's church, Oxford, England). Acknowledgement (2001, OFL) is an Egyptian face.
Reserves (or: AE Type)
Reserves (and, since 2012, AE Type) is a commercial foundry offering mostly techno faces. It is located in Carlsbad and Cardiff-by-the-Sea, CA, and run by Michael Jarboe. He graduated from the Maryland Institute College of Art, and now lives and works in San Diego.
The earliest typefaces: Base (stencil), Evac (octagonal), Claes (a heavy blacked out display typeface named after Swedish sculptor Claes Oldenburg), Raider, Error (LED simulation face), Reserves03 (2009), Output II (2009), Scape (octagonal stencil), Void, Vacant (2009, monoline stencil), Debacle (2009), Scam (2009; a fun geometric experiment), Immortality, Asecs, Analog SE, Scheme (pixel face).
Typefaces made in 2010: Idiom (2010, a piano key family inspired by P22 Albers), Vector RG (2010, an octagonal typeface inspired by the 1979 Atari Asteroids video game UI screen font), Sevigne (2010, monoline geometric avant-garde sans that looks a bit like a stencil), Velvet (2010, a heavy rounded block retro typeface inspired by the typeset album covers of the protopunk rock band The Velvet Underground), Monocle (2010, monospaced and monoline geometric sans).
Typefaces made in 2011: Scape (2011, rounded monoline stencil family), Velvet (2011), Defense (2011, octagonal slabbed stencil), Offense (2011, strong octagonal mechanical family), Vanitas Bold (2011, Peignotian fashion mag typeface rooted in didones).
In 2012, Mike published Enamel (a condensed sans family---the inline version of Sorren), Sorren (a condensed sans influenced by neo-grotesque designs, and dada in style), Sorren Ex, Vanitas Stencil and Memoire (a charming fashion mag monoline hairline stencil).
Typefaces from 2013: A large Neue Haas Grotesk / Helvetica-style sans family called Acronym, from Hairline to Extra Black and Outline.
At Storm Type, Czech designer Rotislav Vanek published the Clara type system in 2012: it consists of full palettes of weights for Clara Sans and Clara Serif. Rotislav is professor and head of the Studio of Graphic Design and Visual Communication at the Academy of Arts, Architecture and Design in Prague. Through Tomas Nedona, he got gis ideas translated into digital typefaces at Nedona's typefoundry, Signature Type. His typefaces there include some made with Roman Cenohous (Aktion, Corridor), Marek Pistora (Meridianus Sans+Serif), and Tomas Nedona (Fenomen Sans, Galaxy, Haven, Quodlibet Sans+Serif). [Google] [More] ⦿
Sascha Lobe of Stuttgart design studio L2M3 designed a new visual identity and typeface, Bayer Next, for the Bauhaus-Archiv museum in Berlin. Lobe and his team expanded on Herbert Bayer's universal typeface from 1925 by adding more than 555 glyphs. The new typeface will be used in print materials, on the website and on location at the museum. Wired link. [Google] [More] ⦿
Scholtz Fonts was started by Anton Scholtz (b. Durban, 1941) in 1997. This South African design company is located in Durban, where the Zulu culture of the region has greatly influenced Anton's font design. Klingspor link
Scholtz sells a fine selection of display types that ooze African themes. An alphabetical list:
Scriptorium (Ragnarok Press, Fontcraft)
Dave Nalle was born in Beirut in 1959, but lives and works in Texas. He is currently in Manor, TX. From his wiki page: Dave Nalle is a political writer, game author and font designer who was active in the early history of the development of the internet. He is Chairman of the Republican Liberty Caucus, a group that promotes libertarianism within the Republican Party and is Senior Politics Editor at Blogcritics online magazine and is the CEO of Scriptorium Fonts. A creative and prolific designer, he has made hundreds of beautiful (often historic) fonts. His outfit, Scriptorium (based near Austin, TX, est. 1989), also does custom font and logo design. At some points, Scriptorium was also known as Ragnarok Press and Fontcraft. It specializes in artsy and ancient faces. Some subset of the fonts is made by Michael Scarpitti. Free font demos.
Images of his best selling fonts. Special subpages:
Fonts from 2014: Highball, Carillon (based on a typeface by Samuel Welo), Edifice (based on lettering by J.M. Bergling).
Fonts from 2015: Dahlgren.
French designer, b. 1972, Lille. He graduated from the École Supérieure des Arts décoratifs de Strasbourg, and cofounded Atelier Telescopique in Lille in 1998.
Designer of these typefaces: Acopik (2000), Bizeau (2002), Byme (2007), Beye (2007), Fish (2001), Fisher (2007), Kune (2008), Lailuya (2007), Equinox (2000, a liquid font), Delory (2002), Lanne (2001, faces), Stronote (2002), Nuk (2002), Normal (2000), Merik (2002), Mulette (2005), Normal (2007), Raoul (2007), Rondie (2003), Lienne (with Xavier Meurice, 2001), SV01 (2002, dingbat), the pixel and dot fonts Kune (2002), Le Dixca (2000), and the free dot fonts Steroid (2002), Vabo (2002), Bepierre (2002), LeCicerond (2000-2001).
He participates in the type cooperative Ainsifont in Lille. His typefaces there include
Graphic designer and illustrator in Buenos Aires (b. 1985, Buenos Aires). In 2009, he experimented with mechanical letters in Mech Type.
In 2012, he created the connected upright Lara Script, and the beautiful monoline rounded sans typeface Seattle (which was inspired by Bauhaus). He created a number of vernacular typefaces for the Masticar food fair in Buenos Aires in 2012.
Graduate of Fachhochschule Vorarlberg in 2004, where his Diplomarbeit was entitled Rialto eine humanistische Antiqua.
Vorarlberg, Austria-based designer of Terra Nova (2005), a gorgeous treasure map typeface based on lettering found on a map of the Americas from 1562 by Diego Gutierrez and the Dutch copperplate engraver Hieronymus Cock. In 2005, he also made Sofa (2005), a slab serif. In 2006, he added , the modular dingbat typeface Sofa and Sofa Italic. Renamed canapé serif some time later.
Other typefaces by Nagel include Canapé (a roman, slab serif and sans serif family), Scriptum (a text face), Grass Script (brush based on the hand of Mario Lorenz), Classicismo (a futuristic didone), Space, and Iwan Reschniev (2008, a Bauhaus style geometric typeface after lettering by Jan Tschichold, 1930).
In 2010, he revisited Tierra Nueva and published it at FDI. This true pirate ship font was found on a map of America, created by Spanish cartographer Diego Gutiérrez and Dutch engraver Hieronymus Cock in 1562.
Berlin-based design company, est. 2003, run by Ralph du Carrois and Jenny Horn. It ceased to exist, but du Carrois now runs Colaborate (sic): A four-style sans family done in 2001 for StudioMiR (free).
Graphic designer in Chennai, who created the octagonal typeface Adian Grid (2012) as a student at DJ Academy of Design, Coimbatore, India. He also made Struktur (2012), a typeface based on Herbert Bayer's Universal Alphabet.
After graduating from DJ Academy of Design, he stated studying graphic design (MFA) at the Maryland Institute College of Art (MICA). One of his school projects there was the angular fat stencil typeface Enemy (2014, available at Lost Type).
At the Indian Type Foundry, Shiva helped with Rozha One (2014, free Google web font). This is a heavy didone typeface with large x-height, high contrast, and a harmonious balance between its Devanagari (designed by Tim Donaldson and Jyotish Sonowal) and Latin (designed by Shiva Nallaperumal). Github link.
The Indian Type Foundry published several typefaces at Google Web Fonts in 2014, including Rajdhani. Rajdhani is an Open Source typeface supporting both the Devanagari and the Latin scripts. The font family was developed for use in headlines and other display-sized text on screen. Its initial release includes five fonts. Satya Rajpurohit and Jyotish Sonowal developed the Devanagari component in the Rajdhani fonts together, while the Latin was designed by Shiva Nallaperumal.
Orwellian (2014) is a reversed-stress typeface designed for display use. It was inspired by the concepts explored by George Orwell in his monumental work Nineteen Eighty Four and follows Henry Caslon's Italian model. Buy it at Lost Type. Orwellian was hand hinted by Tom Grace of Virgo Type and mastered by Psy Ops in San Fransisco.
Signature Type Foundry
Tomas Nedona established Signature Type Foundry in Prague in 2014. Most of their work is influenced by and rooted in the work of Professor Rotislav Vanek of the Studio of Graphic Design and Visual Communication at the Academy of Arts, Architecture and Design in Prague. In many cases, Vanek's sketches were digitized by participating type designers. Except where explicitly mentioned below, all typefaces were made by Tomas Nedona. The typefaces:
Sorkin Type (was: Eyebytes)
Eben Sorkin obtained an MA in typeface design from The University of Reading (2009), based on his typeface Arrotino (2009). In 2015, he joined the faculty at Lesley University near Boston, MA. Sorkin Type (was: Eyebytes, in Eagle River, Alaska) is run by him.
Designer of Army Pool Tiles (2005) and No Step (2007, stencil). He is working on the extensive (200+ weights) Bahn family (see also here), which has pixel and monospace themes. Software Developer (2005) is along the same pixel/monospace theme (see also here). Just for fun, he made the dot matrix typeface Exp1 (2008).
His talk at ATypI 2008 in St. Petersburg was entitled Contextual alternatives. He writes about Arrotino: Arrotino begins with the forms of early Italian renaissance in the late 15th century. Their melody, generousity, and variety of shape and proportion are echoed in Arrotino. As a consequence of this Arrotino is not especially efficient, but it is comfortable.
About his Gelasio, he says: Gelasio is designed to be metrics compatible with Georgia. Gelasio is a "Reale" or Transitional design with many style cues coming from the period immediately after the Romain du Roi type was introduced.
In 2011, Eben put Nicole Fally's elegant art deco typeface Limelight and Hammersmith One on the Google Font Directory. Typefaces by Riccardo De Franceschi were added as well in 2011. Plaster (2011) is a Josef Albers-inspired stencil face, free at Google Web Fonts. And after that, there was a flood of additions to Google Web Fonts, best checked at Sorkin Type on Google Fonts.
In 2015, he contributed Dekko to Google Web Fonts--Dekko is a Latin / Devanagari casual font in the spirit of Comic sans. It originated with Modular InfoTech's 4948 [Modular InfoTech is a company based in Pune, India], and should not be confused with Norrasak Ramasute's YWFT Dekko from 2010.
Eben spent February and March 2011 learning how to carve letters in stone from Lida Cardozo at the Cardozo Kindesley workshop, Cambridge UK, and collaborating with Lida on the typeface Pulle.
The photographer photographed (in 2011, by Ralph Herrmann).
Dortmund-based digital media designer who is working on this Bauhaus-inspired geometric sans (2006). Working on the Baskerville-like typeface Eris Avec (2006), the great masculine sans headline typeface Tobacco (or Tabak) (2007), this rough didone (2007) and the clean sans Knubbel (2007). [Google] [More] ⦿
His foundry is Studio K: The foundry specialises in display fonts designed primarily for advertising, publishing, product packaging and signage.
In 2012, he published Hollywood Hills, Pier Arcade, Graffix, Skeleton Slab, the art deco typeface Tea Dance, the art nouveau typeface Paris Metro, Oscar Bravo (a heavy octagonal typeface), Café de Paris (a stylish retro--futuristic fifties style typeface), Barrowboy, and the stylish Contessa family.
Typefaces from 2013: Communiqué (rugged stencil face), Regency (influenced by Americana and Optima, it is a flared very humanist sans), Alma Mater (athletic lettering), Showbiz (inline typeface), Dynatron (retro sci-fi font), Mechanoid (elliptical techno sans), Canterbury (inspired by the shapes of the cathedral), Export Drive (a bold condensed cargo stencil), Soft Rock (bold condensed sans), Red Top, Colossus (an elliptical typeface that is a bit squarer than Microgramma), 4Square (elliptical), Aspidistra (art nouveau), Home Grown.
Beautiful and practical archive specializing in retro: 50s, 60s, art deco, 70s, art nouveau, Bauhaus, Western. Run by Josella Colquhoun. Josella also designed some freeware fonts such as Tack-O-Ding (2004). [Google] [More] ⦿
In 2012, he designed these typefaces: Kinghorn 205 (Egyptian), Kinghorn 105, Kamerik105 (+Kamerik 105 Cyrillic, 2014), Kamerik205 (an avant garde type family with many weights, including a hairline), Karben, KarbenMono (a mono-width sans family in the style of DIN), Karben 205 Mono, Karben 205, Karben 105, Karben 105 Mono, Kessel105, Kessel205 (a geometric sans family influenced by Futura), Kettering105, Kettering205 (a slabby almost typewriter typeface influenced by Lubalin and similar avant garde styles), Kiruna (a legible and very open sans family), Kursk105, Kursk205 (constructivist), Kaleko 105 and 205 (Gill Sans-style sans families with large x-heights).
Typefaces from 2014: Kelso (an outline font with outlines that consist of a single continuous line), Klef (a geometric sans influenced by Avant Garde), Kenwyn (a playful bullet-holed Egyptian; +Stencil), Korbin (a semi-geometric grotesque family), Kandel 105 and 205 (geometric, tri-line, display and headline font).
Russian type and web designer associated with ParaGraph. Since 1999, she is a head of Taitl Design (USA). She designed the Cyrillic version of Bernhard Condensed (1993, based on Lucian Bernhard's typeface from 1912 for the Bauer company), ITC Bauhaus (1994, ParaGraph, with assistance of Elvira Slysh) and ITC Beesknees (1994, ParaGraph, with Elvira Slysha), and ITC Franklin Gothic (with Isay Slutsker). She also made the art nouveau typeface PT Karolla (1994, ParaGraph, based on Karola Grotesk, of H. Berthold and Bauersche type foundries, and Haas' Boutique. URW has Latin and Cyrillic versions of PT Karolla. Its bold style is based on Hercules (early 20th century) and was added for ParaType by Manvel Shmavonyan in 2002).
The Letter D (was: Entica Typograffiti)
Aussie design and type company, est. 2003 by Dan Pike from Brisbane. Their typefaces include Airport (2004, fantastic airport tile font), FourFive (2001, thin octagonal face), Block (2004), Pixel (2002), Route (2006), Slabamond (2002), Stencil (1999), Theo Fine (2005) and Theo (2000, inspired by the work of two great Bauhaus movers, Theo van Doesburg [1883-1938] and Theo Ballmer [1902-1965] both of whom created an alphabet based on a basic 5x5 grid system), Font 705 (2003, pixel face), Schwarz*Weiss (2003, swooshy face), Grave Archaize (2003, this is unbelievable--to be seen!), Flip&Rotate (2003), Valetta (2003). Most fonts are by Dan Pike. Some are by "Phil". Designer at FontStruct in 2008 of Font Airport (stencil-like), Font Theo Fine, Font Theo, Font Block and Font Pixel, and in 2009 of Font Pixel (SC, OB, BD, OS), Font Stencil (stencilized pixel face), and Font Theo Fine. [Google] [More] ⦿
The Northern Block (TNB)
The Northern Block (TNB) is Jonathan Hill's foundry based in Leeds and/or Sheffield and/or Newcastle, UK, est. 2006. The designer and funder is Jonathan Hill (b. Sheffield, 1971) who lives in Newcastle-upon-Tyne, UK. Maria Pigoulevskaya joined The Northern Block as type designer in 2012. Home page. Free fonts by Jonathan Hill can be found at Dafont and Fontspace.
Typefaces from 2006 until 2008: Sylar (2008, a techno family in 16 styles), Geta Robo (2008, a mechanical typeface influenced by Japanese animation), Arctic Patrol (angular family), Dokter Bryce (2008, octagonal and severe), Orange Royale (2008, 8 styles of fat techno and stencil fonts), CorTen (2008, octagonal ultra-fat stencil), QueueBrick (2008, LED simulation), Center Forward (2008, futuristic), Platform One (2008, a futuristic family), Line Wire (2008, octagonal, influenced by the work of Dutch designer #Wim Crouwel), StealWerks (2006, LED-inspired stencil face; published at T-26) and Blockout (2007, 5 weights of a futuristic blocky type family). In 2008, these were followed by more computer-related typefaces such as VideoTech (futuristic), JoyRider and AstroNaut (octagonal+futuristic, now at T-26). WerkHaus (2008) is a 5-style family inspired by the minimal sans faces of Herbert Bayer and the Bauhaus movement.
Typefaces from 2009: Scriber (2009, octagonal techno family), Get A Robo (2009, a 10-weight mechanical family influenced by Japanese animation (Anime)), Ten Gu (2009, paperclip font remastered from the 1970's Letragraphica font Tangui), Orange Royal (2009, rounded stencil), VideoTech (2009, inspired by computer games for the Commodore 64), SkyWing (2009, rounded typeface inspired by Japanese computer console games, such as Captain Tsubasa created by Yoichi Takahashi), VanBerger (2009, an octagonal family influenced by the De Stijl movement), Logan Five (2009, techno family inspired by the 1976 sci-fi film Logan's Run), Zaius (2009, a bold sans family that includes a stencil style, all based on Ed Benguiat's work for the 1968 movie poster for Planet of the Apes), Oric Neo (2009, a free octagonal techno family; +Stencil), VanBerger Stencil (2009, a free geometric sans influenced by Theo Van Doesburg and the De Stijl movement), Aldo (2009, +Open: a bold stylized type typeface re-worked from the original 1970s movie poster The Battle For The Planet Of The Apes), Sylar Stencil.
Typefaces from 2010: Intropol (2010; image), Arcle (a monoline organic sans), Hoxton (humanist sans family), Lintel (monoline sans family with a large x-height), Knul (monoline sans), Dohrma (a machismo geometric face; +Inline), Planer (a technical writing family), Otomo (a Japanese techno family that includes a stencil), Yodo (a geometric experimental family in 3 weights), Nu Order (a sans family that includes a very thin weight), PyeMan (2009, a piano key font named after the PacMan game), ProtoFet, DraftWerk (a minimal rounded typeface inspired by architecture and furniture detail drawings), DyeLine (a geometric face with a great hairline weight), Cobol (2010, great octagonal monowidth face), Draftwerk (architectural lettering), Olympik (a gorgeous multiline family based on Letraset's Optex, 1970), Kaine (a slab family inspired by 1960s spaghetti westerns: +Stencil, +Outline, +Italic +Block; Hill says that The grid template is based on Welt Extra Bold from Letraset with detailed changes, additional characters and new style variations.), Brion (a modernization and extension of A. Mailay's rounded sans font Arpad (1971, VGC); Kaine Block, the counterless version, is free at Dafont). Mekon (2010) is a fat sans display typeface with a free horizontally striped style. MarkusLow (2010) is a revival and extension of Basilea (1965, Markus Low, VGC). Teletex (2010; +Ultra Light, +Light, +Medium) is a typewriter style slab serif whose design was influenced by Rockwell.
Typefaces from 2011: Dekal (nice fat multiline family, +Inline), Norpeth (2011, humanist sans family), Bosko (+Stencil, +Block), Bosko Block (2011, free), Woolworth (sans family), NeoGram (sans family), Juhl (an organic/ geometric sans family with the bowls of b, c, d. p and q modeled after chairs). Millar (2011) is a simple monoline sans family. Tondu (2011) is a strong sans poster face. Gelder Sans (2011) is a clean modern sans serif typeface. Brokman (2011) is a contemporary 10-style sans family. Vitro (2011) is a monoline geometric sans family. Beval (2011) is a humanistic sans family. Nurom (2011), Monsal (2011), Tadao (2011) and Kuro (2011) are additional sans families. Heltar (2011) is a revamping, TNB style, of Helvetica. Regan Slab is a readable slab family. It was followed in 2012 by Regan (the sans version) and Regan Alt.
Type designs done in 2012: Hackman (elliptical sans), Borda (octagonal), Savile (humanist sans), Metrik (a nice geometric---borderline organic---sans family), Metral (rounded octagonal typeface), Uniman, Kobern (a strong sans), Reznik (techno sans).
Type designs from 2013 by Jonathan Hill: Nauman (a humanist sans family with attention paid to the triple (1, i, j)), Norpeth (a neutral sans), Gunar, Nuber, Eund (a modulated sans), Corbert (Bauhaus-inspired sans), Corbert Condensed.
British commercial type foundry. They sell typefaces made, e.g., by these designers:
Dutch cofounder (1883-1931) with Piet Mondriaan, Bart van der Leck, Anthony Kok, Vilmos Huszar and J.J.P. Oud of the De Stijl magazine in 1917. This was also the start of the De Stijl movement. Born Christiaan Emil Marie Küpper on August 30, 1883 in Utrecht as the son of the photographer Wilhelm Küpper and Henrietta Catherina Margadant. Early in his twenties he started using the name of his stepfather Theodorus Doesburg to sign his early paintings. His first exhibition was in 1908. He died in Davos, Switzerland, in 1931. In 1919 he created an alphabet by dividing a square into 25 equal smaller squares. This alphabet predates Bauhaus experimental types by Kurt Schwitters and others. van Doesburg's alphabet has been mimicked and digitized and used as inspiration by many. A partial list:
Els Hoek, Marleen Blokhuis, Ingrid Goovaerts, Natalie Kamphuys, et al. penned Theo Van Doesburg: Oeuvre Catalogus (2000, Centraal Museum). Picture of a dada poster by him. Page at Design History. [Google] [MyFonts] [More] ⦿
Now also Tiffany Wardle de Sousa. She obtained a Bachelors of Fine Arts with an emphasis in Graphic Design from Brigham Young University, she worked in magazine design in New York City, and returned to her native Utah to teach as an adjunct professor in Graphic Design at BYU. She was a Pleasant Grove, UT-based librarian and designer. At Reading, she pocketed a Master of Arts in the Theory and History of Typography and Graphic Communication. She created VolkSans, a Bauhaus-style rounded font not available for public consumption. She also made the gorgeous font Affiché (2002), inspired by turn-of-the-century posters of Charles Loupot. She manages a great web page on type books and is involved in many typographic projects: Interrobang (A SOTA Publication), Indie Fonts III (a type book), TypeCulture (another type book), the Society of Typographic Aficionados (as a board member), the Association Typographique Internationale, Typophile (as a moderator). Presently, she is based in San Jose, CA. [Google] [More] ⦿
Lars Bergquist is the Swedish type designer (b. 1936) who runs Timberwolf Type in Sollentuna, just outside Stockholm. Bergquist designed numerous successful text families and display faces, including the free Beryll typeface. Some offerings:
Tipo Pepel (was: Antaviana Typeface Division, or: Astramat)
Antaviana Typeface Division is a Catalan foundry, est. ca. 2002. It went also under the name Astramat and was also known as ANTAVIANA SERVEIS INTERACTIUS, SCCL. Located in Lleida, it is run by Josep Patau i Bellart (b. 1971, Les Borges Blanques, Lleida). Patau i Bellart offered free fonts, as well as commercial fonts. He has emerged as one of the most talented contemporary Spanish type designers. In 2011, he started Tipo Pepel [MyFonts link] in Les Borges Blanques. Josep Patau's typefaces:
Additional links: Dafont. MyFonts page. Alternate URL. Fontspace link. Fontfreak page. Patau Bellart is also involved in the type information site Unos Tipos Duros. Klingspor link. Abstract Fonts link.
Ramiz Guseynov was born in Russia and educated as an architect and graphic designer. After moving to the USA in 1991, where he worked as a graphic designer, Ramiz Guseynov became a part-time type designer who published his work at T-26. In 2004, he set up his own foundry, TipografiaRamis in Highland Park, IL.
Tomaso Typo Baj Fonts
Gironico, Como, Italy-based designer of the retro sans all caps typeface Aero Club Como (2014). In 2012, he created Archiquadro, a Bauhaus style piano key stencil face.
Tony de Marco
Design bureau in Barcelona and Berlin, est. 2007. They designed quite a few typefaces, but none of them seem to be downloadable or even retail. The list:
Typoart GmbH (or: VEB Typoart)
Dresden (East Germany)-based font studio that evolved from the former East German centralized press, VEB Typoart. VEB Typoart operated from 1948 until 1989, when it was renamed Typoart GmbH. Typoart GmbH dissolved mysteriously in 1995. MyFonts catalog of digitizations. Timeline as provided by Typoart-Freunde, a project of Jay Rutherford at the Bauhaus University in Weimar (and published in 2007 in a book by the same title, Heinz Wohlers Verlag, Harrlach):
The fonts produced in 2002 by Manfred Klein: Bauhouse, ClassiCaps Xmas 2002, GGothique MK, Lombardic, Mouse Traces, Music Elements, DreiDreiDreiBlack, Griffo's Font, Noisy Buttons, Hamlet ToBeOrNot, Oszillo Caps, Cave Paintings, Rodgauer (a CODEX-like font), Prinz Eugen (medieval font), DreiDee Sketches, Typo Cubes, AustralBats, RoundMouseBats, Torynitialen, Wood Cutted, FlowerPower, Graf Typo (a CODEX-like family), Solitaire, Breeze, Eyes, Lead Types Heap, Petit Fleur, ABCari, Floralalpha, Karlas ABC-Start, OliJo Bold, Athena Handwritten, The BroadWay, MK Squares, Incunitials, Luc's Plants, Monte Petito, Before Alphabets 4, Threedimensional, Blind Reading, Zebral Caps, Before Alphabets 3, Braille Latin, Tangoasis, Katrins (handwriting of Katrin Dillmann, Manfred's daughter), Laurens Erste (handwriting of Laurens Dillmann, Manfred's grandson), Tangodoni, Typesetters TV, Unscreen, Caps MKS, Haunted, Mouse Scribbles, RunishMK, Fatsans, Rotten Script, Stormy, Strong Dots, Caro Mio, Reduce 2 Max, Pudels Kerning, Cheerio, Gersans, ArabDances (Arabic simulation font, with Cybapee), Slab Serif Written, Shalom (Hebrew simulation), Bloxx Serif, Kara Ben Nemsi (an Arabic simulation font), Remember Cassandre, Wieynk Caps Round, Fragment Caps, Golden Swing, Tango Macabre (a gorgeous font in which letters are made with skeletons), Eye Beings, Frax Handwritten, HotsBlots, Latin China (oriental lettering), Dinos Fragments, HotchPotch, SketchBats, AmorE, Chinawestern (oriental simulation), Valentine Flies, AmorEatPersia, AmorEmoticons, Artfacts, The Kiddies, ConstrAccident, Kochs Roots, AnimSilhous, Framed Frax Caps, K-Arrows, GridEx Gallery, K-Arrows B, Swinging Petidoni, Big Swinging SlabS, Relief Caps, Shapes 1-3, Petitscript, Shapes Four, Fullsize Sans, Petitscript Italic, Shapes A 1-3, Imperium Serif, Big Broken, Semaphore, MKalligFrax, Pix Caps, Slabsoft, Windy City, Slabsoft, Windy City, Timeless, Against Rules, Berolina, FabCreatures, CookinDada, FoodnDrinks One, HabSpass-HaveFun, Mighty, Klammeraffen Italic, Elefontitis Xtreme, Cairotiqua Freestyle, Eastereggs, Cave People, RandoMiKa, Big Ella, Hands Subversive 1+2, Build Your Own People, Antroposofia, EasterChicken, GridRiding, Irish Sketches, KidPicts, MatrixbuK, Dornspitz Grotesk, PeaceBats, Arte FS, Eagles Buttons, BlowinInWind, Cave Popart, Karla 1B, Crosses, SharkJockey, Toscanienne, SilhousTwo, Kleins Three Pixel, Religionen, Shapes One-Popart, Shapes Two, ShapesTwo, QuickBats, QuickWritten, KidsDrawings, QuickBats 1.1, Shapes Strokebrushes, SteepQuickHand, Steepiqua, Sleepklill, Steepodoni, New Aliens, SteepTypewriter, CarpetParts, Fourfeeters, Steepidien, Yumiya Arrows, HotHats FS, Eyes Gallery, Steeprump, Zebra Shapes, GrafFitty, KidsArt, Klones, Belly Sans Condensed, Tshirts Springtime, Landscapes, Pastfuturum, typOasis Uncial, ABC Thru, Parma Petit, SpaceLiving, FS Funkturm, TorysTools, Aero Sans, MouseToons, Parma Petit Outline, KL1 MonoCaseKrux, Remember Reiner, Frungtura FS, Perforation Strip, Weimar, Gothic Caps, HumanPartsPoetry, Archetypo Bricks, Human Parts, Big Dots, Spiders Club, MirrorBlack, Mirror Chicken, MonoMouse, MousefraKtur, AmericanNatives, DaVincy Cut, Mouse Liturgic Sketches, MKlunger FS, Waldoni New Torsi, Bradburys Shadow Paseo, Horses, Jessica Plus, Farm Animals, Fat Free Frax, BugsNFriends, Gut Joe Black, People Sketches, Human Parts, Cycling, MousePen, Unknown Heads, NowTheWeather, Qbicle MK, Strange Friends, AfroBats, AmNativeTwo, Bayreuth Fraktur, FingerSinging, Cuxhaven Times, Schwabach Duemille, Balloons, MathRosetts, Folks, Frankophile, Caslonish Fraxx, Has Bodoni Scribbled, Peace Damaged, Wrong Types Shadows, AnimaliaScissored, Bredda, Variations In Geo Dur, QuarrelerPlus, Montages Surrealistiques, Twinset Sans, The Muscle Fetish, Mammothisch, Animali Silhouetti, EleFontissimo, Neopan, Animals Two, Loopings, Logovals, Spiderish FS, Jugendstil FS, LucSan Faces, Crazy Written, Luc Plants Growin Again, Klein Hollywood, For Kids, Total Krass, Pesces Bizarri, Headbirthes Two FS, Stampede, Tribut to Warhol, DadaSchwitters, Van Doesburg, KleinScribere, MK Uncilae, FranKlein, Tschich (unitype suggested by Jan Tschichold in 1929), MK Logo Sketches, Something FS, Stencilia, Kritzel Three, Steep Oldstyle, Steepimbo, Cairotiqua Light, SteepSlab, Toms Beings (a great!!!! collection of critters), FraktSketch, MouseGrafitty, Luther Stencil, RudolfsBats, Blackberry Plants, Circus Klein, Klein Reunion, Squashed Random, Strokey, Uncial Buttons, WaComToon, JohannesButtons, BlackWhiteGrids, Johannes Buttons / Bricks+Traces, MAntiKwa, Vehicles, EyesNStrokes, Babelfish Children, Chaos, MKarolingish, Swiss Cheese, Archibeta, Frankly Spoken, Hardware, Neptunia, Rotunda Espagna, Hardware, Arabuttons, Bodoni Flying, Eggheads Crying, PopNonsens, ScrapTiqua, St Dinah, Confusica, Crazygrams, Human Redesign, Crazyness, MKorsair, Big Caesar, MoveU, MyMedieval, RodauButtons, RodauButtonsInverse, Owls&Friends, Obliqua Romana, Oggi Angular, JohG Diamonds, Ornamen, SlabStick, Morbus Parkinson Fraxx, FolksTypo, AidaSerifaCondensed, Big Cheese, Viecher, MKOCR, Decollagena, Concrete Poets, Swinging Sans, KlausBFraktur, Peitinho, Openbuttons, MCapitals, Cavebats 1-4, BonSans, Folks, Gotica Caps, SketchesForPainting, XmasSketches, FolksCircleNegative, FolksCirclePositive, FolksDecoon-Light, KarlasBats, KleinSlabSerif, KleinSlabSerifBold, CantaraGotica (Fraktur), Logomatique (experimental, minimalist), LogomatiqueShadow, LogomatiqueBold, WorkWithGrids1202, WorkWithGridsButtons, WorkWithGridsRandom, WorkWithGridsStageC, Living Yesterday, Xmas 2002, Schneesterne, CaveBats 1A+2B, Nautilus, LateBirds, SpiralusKrux, SpiralusFaces, Smokescreen (with Petra Heidorn). 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Fonts published in 2005: Mirobattz, MK-SchmalHands, OperaSemper, BarlosRandom, BarlosRandomRings, JuliusC2, LambordicCaps, MyElectronicSchwabach, QuickJuliusC, AsABird, Climbers-2005, FunnyCharacters, MasKs, Myths, OurPoliticians, PeaceOnEarth, StadtLandFont, RandomUnciale, BirdsNFishes, Circus, GreekMythes, MK-Doodles, SomeSketches, TypoOrnaments, Zettelkasten, Draculas, MonkeyUncialica (2005, based on AI-UnciTronica (1994)), VollkegelTypewriter, AfricanissimaInvers, AfroParts, BirdsCuts, Horoscopish, KarlasUndOpas, MArteFact, Occasiones, OutdoorSports, SomeSymbols, Stages, WildFaces, Bodidota, SaiGon, ForJeffTwo, SilhousForJeff, KochRootsRoundBold, Africanissima, DirtyVectors, EgyptianSilhouettes, Egypticons, FaceToolsbox, FromTheMoon, GangsMembers, Geobatz, Overheads, GaranitialRings, ZeitGeisterbahn (nice curly face), ZigZagDisplays, AfricQuattro, CyberDinxx, FlyingOne, KiddiesR, Polygonish, SecurityPeople, Services, Signals, SundriesBats, Surrealbats, ThingsAndSomethings, MKAbel, MKAbelRough, Anarchica, FragmentAZ, PiratiquaVertical, AbstractFragments, HeadToHead, Hispaniola, MarineBats, ModernArts, NewYork, Piratical, ShadowPlaying, SomeSilhous, TafelrundeKnights, Wonderlanders, Woodcuts5, CantzleyAD1600, ChildrensWorld, ForgottenArtOne, ForgottenArtTwo, Musicians, PiCaSolitaires, Risky, Women, Blackredis, CyberCaligraphic, Desastra, EtruskRough, KleinSchwabach, Beardfaces, Hanswurste, Heads+Hands2, HumanHeads, KinderUndEngel, PlayingChildren, PoliticiansOrArtists, BohrDonni, KleinSlabBlaxx, KleinSlabserif, BlaxBloxx, BradburysBoldShadow, GridConcrete, Easteria, EyesNoseMouth, Fabulous, Getier, GetierTwo, Lifestyle, Madhubania, TheHammerSlab, Cyrillatina, Diversitia, Letterbeings, Biblical, Casting, FaceLab, Mythologicals, ZooWoodcuts, BalloonDigits, BirthdayDigits, Florabetic, MovingLetters, Piratiqua, Clausewitz-Fraktur, ArtMonsters, Jokers, MansPartsPlaying, ShipsNBoats, DoradoHeadline, Nilland, Nilland-SmallCaps, EveryLetterTellsAStory, AncientBats, Apish, CaveNTribalArt, Drawings, FarmersLife, Kampfsport, WeInside, Carissima, HelpUsGiambattista, ManTiquaBlaXX, EyesAlphabet, ArtistsTraces, FitnessSilhouettes, MusiciansFriends, Offbeat, OldBirdsDesigns, Testroom, Vectortrials, Viechereien, WebTubbies, FrancophilSans, Winterthur Condensed, Biblicals, FineArts, Karlchens, LaughOrNot, RareAnimals, RenaissanceWoodcuts, ShoppingBats, DirtyHatchCaps, FrenzyWut, ManFont, StackCaps, Vampyrs, ArtesCocktail, Blackheads, Geoplays, KarlasInterpreted, KarlasSketches, SeeAndAct, DancingSuperserif, KleinsSansCondBold, CompositLetters, VaticanianInitials, BeautyMaking, FantasticCreations2, FantasticCreatures, HelmbuschCrest, HeraldryPartsOne, Insects, Musikantenstadel, OwlsAndMore, StrangersOnEarth, Surrealism, Winners, BlackIsBeauty, WeissGotnitials, AfterLastWar, CuteFaces, Fishing, NastyHorrorShow, RenaissancePeople, TypicalFaces, VikingDesigns, ZigzagZoo, ChristianInitials, EinsteinsWorlds, Relative, HumanABC, 5thCenturyCaps, BalletSketches, Denkmal, LadiesGentlemen, Maritime, MensBestFriends, NewAliens, OldArtGallery, Sportler, WetWorld, Anarchistica, Archeologicaps, MissalUncialeBricks, MissalUncialeMaster, SnowCupsCaps, AbstractFaces, AnimalShadows2, OnStage, OrnamFaces, VisitTheNil, WhoWasTheArtist, Petita, FlyingHollander, Goudament, GoudamentBricks, 20thCenturyArt01, 20thCenturyTwo, 20thCenturyThree, AnthropolTraces, ChiefCook, Prehistorish, TheIkeaUniform, WebWideWorld, NoArtOnlyChaos, MKantzley, BatsAntiques, CelticOrnamBats, ColumbusTraces, InLandBetween, MiszellMay, Phantabats, StrangersInTheDays, StrangersTwo, MediaevalItalique, LinoLeumInvers, MouseCuts, ExcuseMe, LookingMasreel, VasarelyWasHere, VirtualWoodcuts, Senats-Antiqua, BastardaMajuskel1300, Abstractions, AfriqueDrawings, DancingTraces, Floranimals, FlyWithMe, InsectsMK, InternationalSigns, YouAndMe, ZockersHomeland, Cuban AnimalsAnywhere, ArtistSketches, Circularium, GirlsGirls, It'sAllTheater, Monstrous, MythologicBats, PuzzleParts, SteubenHelpsPresident, TangramAnimals, ToonCharsOne, ToonCharsTwo, DolbyFraxCaps, BirdsEtcetera, DadaSays, MasereelThree, MasereelTwo, RoundMarks, TangramBam, TangramBumBirds, Punktum!, ArtEtcetera, BauhausFragments, CatsCo, CreaturesShadows, MagicMoments, MPictures, Professions, SwimmingHotelTitanic, ElectrUnciale, MKancellerescaCaps, Arrowy-Three, BeautyFaces, FantasyBeings, HundeDogsChiens, MoreClimbing, MWaKomia, CorrosClassicClimbers, MKapish, MKapsMixed, MünchnerFraktur, MKapishTwo, MouseToonsTwo, OpenParlament, SchauSchau, ScienceBats, Scurile, SansKleinCut, DadadaBats, FightersForFreedom, HumanFollowUp, IndustrialBats, ClownsAlphaBeta, InkAlphabet, FlyingHistory, HumanInside, KinderKinder, KinderAbsurdo, LeuteHeute, MKarla, PeaceAndNightmares, PosterFrames, SometimesDocCanHelp, Tourism, RoundSans, AnimalComedians, ArteStuff, AthletenEins, BirthdaySurprises, Heads4Ads, MagicBats, NightlifeRoaring Twenties, Woodcuts06, Clothes, Idols, KarlasZeichnungen, Mangalia, RomanticShadows, AugenWappen, BoatsShipsAhoi, Cherubians, DesignBasics, DesignersWeAll, ILikeBW, OldEyeCatchers, OldSignArts01, OurLeadersArms, SpeakingHands, TodayArms, WappenAltNeu, Zoology, AnimalShadowsDrei, DrawingTraces, Haringe, MeteoSat, OldArts, Peculiar, PointToPoint, PrestoWritten, ToolsInstrumentsGadgets, PlantsLetters, BatzBatz, Characters-A, ConstructionFreehand, Grandparents, HelloVienna2005, Hobbies, Horses, RefuelStation, StillLeben, BlaxSlabXXL, Magyarish, GotikaButtons, FantasyPix2, From KarlasIdeas, GrandfathersDesigns, Martial01, BusinessAsUsual, CalligrSketches, CharactersB, DramaAndCo, EarlySurrealismus, GraphicAnimals, Maskenball, OldTypoPieces, Sammelsuriart, Tanzbar, Trivialiartes, Bayreuther-BlaXXL, BubbleToBird, DesignElementsTwo, Floralia, MicroBeings, MicroBeingsTwo, Outside, SansSerifVarying-Black, XmasGinger2005, LettersAnimales. BlackStrokeBeings, Coincidences, HeadsConstructed, Maskenball04, OldFashionPeople, ProBeauty, Dyonisius, ArtDekoParts, Austranimals01, ConfusEyecons2005, DesignPartsSix, DueTresQuattro, EyeEye, EyeSee, GenesisSketches, Western, AntiKwa, OldTypefaces, BrokenLinoCut, EgyptianFreehand, Hurrikanish, LettersBats, AbstractFaces03, Botanicals, BrickToBrick, EyesAugenMouth, DiskJockeys, ToolsSymbols, Back2School, BeforeE-Mail, CircledHeads, CircleFaces, CircleMixes, EyeMen, GeometricGlyphs, IAmSailing, SchiessScheibe, SchnörkelCaps, MagicHelloWien, Mittelalter, PeaceFighters, StrokeToBirds, UpUpAndAway, XmasPromotions, ArteNero, ArtFound, EighteenMayanMonths, PeaceWeapons, PopIcons, Strokemen, TypologicalAccidents, VectorPaintings, WebFolks, WoodcutBats, Zoological, ArtistsOr, Characters-C, Characters-C, ChildrenAnimalsFriends, Christmas05, DramaticArts, FlightDreamsTwo, FlightsDreams, FlyBirdFly, GeometricFaces, HeadsVectorAttempt, IhrHunde, Letterly, NewDinos, NiceNeighbours02, OldFashionedClichees, OldstyleZoo, PatternsAnimals, PeopleSurreal, QuakeRoman, SpiralTraces, Vectories, XmasCaps, XmasCapsRound, BooksBats, CountryLife, MoreSilhousFrame, PhantasticSketches, Precassos, SilhouetteSituations, SilhouetteSquaresInvers, SomeSilhous2, SpaceStationHokus, TypoPieces, WoodcutsFound, AfricanSymbols, BauhausReminisce, CeltishParts, ClassicoAntiqua, Florenius, MotherAfricaArchetypo, NewTechnoFaces, Scherenschnitte, SomeSilhouBatsOne, VectorPaintingsOne, AllThatStress, Ancestors, HorosCopies, LittleFriendsTwo, LosAngelesBatzz, OurLittleFriends, Pabloesque2005, PopArtes, SomeNewSilhous, SomeSilhousPlus, Webmasters, XmasGsuffa. 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Fonts published in 2006 by Manfred Klein: Mironikas, BatsStuff, CIAThePeaceWatchers, Expressiones, Faces, FirstLove, FischersFritzen, GodsAndHeroes, Hispanish, LifeIsAMovie, NewsFromAbsurdistan, PrivateLuck, BookBeings, DaddyGrid, LineArtVectoria, AbstractToConcrete, AfricainBats, Gestalten, GloriaVectoria, ModernTimesMrChaplin, PhotosToVectors, PixelBats, SurrealismK, BlaxArties, CoolDrawings, DogsFewCats, MKBrokenTypes, NearModernArt, Piepmaetze2006, Poppenspeeler, SportsAnimals, WithALittleHelp, AllWeathers, BienMayaInvers, CarnevaleConCarne, RenaissBeings, Sagenwelt, Scissoria, Sketcheria2, StrandgutC, TrainWhatVectorMeans, CuxhavenFraktur, CuxhavenInitials, MK-Skulls, ModernHeros, MouseArt, WillkommenLeute, WreckageCuttings, CurrentBlack, AtLastATshirt, Holzschnitte, OpticalArt, Taucher, WebArtSigns, ArteVectoria, OldStyleTravel, PicturesA, Trust YourDentist, GutenbergGoesAbstract, MouseFruitFaces, Silhouettes02, SomeCapsStories, HandsDown, HandsUp, HumanPartsStore, PhantaToons, ArteFacts02, BlackBeckMan, GeoEyes01, RockFonts01, Sketchbook01, Sketchbook02, WitchesStuff, Vampyrish-ABC, AfricArtes, ArtistTracesTwo, BirdsInfluenced, KidsDrawings02, LogosLogo, MesoFauna02, MyHouse, PhaistosFingers, ReligiousSymbols, TypographicTangos, EmkaBats, GeldRegiertDie Welt, GnomesTwo, KaleidoBats, KaleidoTypes03, StrongEuro, BigShadows, BigShadowsLeftOblique, Bradbury-Oblique, BuschButGerman, DillElefantenTwo, EgyptRund, KaleidWieynckFrax, KaleidoTypesCinque, KaleidoTypesQuattro, SomeTypesSilhous, LogoPhantasies, LogoSketchesMK, MKsketches, MonAmourFraktur-Broken, PlanetarishBats, SmallTypeWriting, SmallTypeWriting-Medium, StagesAfterEarthquake, StencilStamps, WoMan, Working, ImresCorrodetCaps, OldLettresOmbrees, GingkoFraktur, LufrakturBricks, MonAmourCaps, HeadfeeterO2, MangaManjana, MangaTypes, MrVector, OnStreet, PetitButtoni, Amputata, Chaplone, KleidosChaplina, VeryBrokenFrax, AbstractClassicCuts, BauhausOSix, ComicHeadsBeings, GeoStructures2, Kaleido04Invers, MechanicsActors, SuchLifeC, BerlinCaps, BrushPenMK-Medium, LettersSnakesAndMore, ComicChars, FineArts, ForCongrats, Frames, OldfashionPeopleTwo, PeopleButtons, PiCollection, SilhousOldfashion, SomeArtists01, AntikAlphaBeta, CorrodetInitials, DrunkenSailor, MendelsohnsTochter, AnimalsOldfashion, ColumbusAntePortas, CuriousVisitors, DadaPeople01, Malheur, OldDrawingsOne, WetterKapriolen, CatsAlphabet, DigitalisHistory, Duodez, EatMyHat, FlorAlphabet, InitialenFramed-MK, ArmsIdeasNParts, BirdsNPlants, Petrographs, SomeArtistsSquares, TypoJewels, TypoJewelsSquare, ClassicRomanCaps, IllustratedAlphabet, KleinHeadline, MKGreco, ArtParticles, ChildrensDarlings, Clowns, Devils, DongbutsBeings, HistoricMedicine, K-Labyrinths, WoodcutFurniture, Nighthawk, ToleCaps, CaveBeings, DesignElemente, DinoSilhous, StreetGraffArts, TribalBats, VignettesNFrames, Reclamare (art deco), AstroSymbols3, BlacKLinoleum, CaveLife, Krabbeltiere, LandAnimals, LionsClub, OldArtTools, OldScissorCuts, ZooloVectoriA, MotherAndChild, GermanFatman, Botanish, CrazyWeather, HeadImprovisations, Masks_K, MiddleAgers, Nipponia, DelitzschCaps, ImresDiscs, EgyptMythOne, LessIsMore, Protectors, SpaceBeingsTwo, ZooBats, HappyFrax, CorneredBirds, ExtraTerrestrial, Gargoyle, GargoyleRings, HeadSketches, IndiansToday, InTwilight, MardiKrass, OldCastles, AffigMonkeys, AngelsOrDevils, FlyingPioneers, MaritimK, MonkeysTheatre, PardonAgain, PardonThankYou, PetroglyphMarks, PixelFifties, SmallEdgedFrax, TextEmptyStickers, M-AnimalsUno, PhantasyDolls, SilhouettenPeople, TribalDesigns, ZodiacsSignStars, FacesAlphabetBeta, FatFineFree, AstrobatsInvers, BlackArt, BusyPeople01, GoodOldEyeCatchers, L'ArtPourL'Art, NipponFlorales, OtherShapes, Rock'nRollTime, RunningBeings, AstrologyCeltic, ColtecsBats, DesignParts, EgyptChildren, ElectricFaces, Kidsfont01, MediBats01, MediCartoons, OldTimers, TribalBirdsMissingGap, Archaeological, BeforeAlphabetsGallery, BlackWhiteMinimalism, DancingLetters, EveryPictureTellsAntique, FemalesNMales, HeadsGallery, ImprovisationsAboutK, KleinsBrokenGotik, KleinsKruschKursiv, MusiciansOne, OldRomaUno, OurLittleDarlings-One, ParmaInitialenMK, RunningZigzags, RunningZigzagsTwo, ScrapArt, SpaceWorkers, StripedSansBlack, SzeneInFrames, TypoDisturbances, Wacomian-Regular, ZoologicalGardenOne, ZoologicalGardenThree, ZoologicalGardenTwo, AlphabetismHand, KlungerCaps, RememberScribbledInv, Tequila, LudwigHohlwein, CatSketches, HeadSketches02, Krizzeleyn, PowerWoman, RosettaCalligraphia01, ThingsFound, TypoSymbols, VectorAnimals, Fraxboxes, RodgauCaps, OhRosetta, Olisillus, DeKonitials, Buddhism, Roylich, Grotesk, BigBrotherClassizismCaps, K-LettresOmbrées, TreeLike, InsectsTwo, Woodcutter, OldAntique, MKGrecoExtraBold, AbstractFaces, Africaans, AfricanGhosts, EmotionDrawings, GeoFacesBold, MirosWitchesMedium, Neighbours, PrimaryBats, RoundPieces06, StoneAgeBats, TypoSignals, SlabRoundSerif-Light, VictorianInitialsOne, Techno06, Artists, MasKs, Masks03, MythologicalArts, MythoBats, OldBoysToys, OldPictures, StarsStripesBullets, Woodcuts01, FischersFritze, HistoricPeople, HotelPrisoner, MythologicalSquares, OrnataUno, PatternArt, PatternaliaMK, WoodcutsFontissimo, ZooCages, AfricaArt, Meeting, Pumpkins2006, ElephantaBlack, FatSansRound, FishFaces, FlagHolder, HiddenSigns, HinduismK, Jugendstil-Medium, ManneKen, MobileSquares, OrnamHeads, PrivateAstroBats, RosettaMutanta, Schonan-Black, ScribbledFraktur-XHeavy, SomeImprosBats, VectorFaces, VikingsArt, AfricanissimaOSix, ApishOne, AxeBlack, CircusBoldSquares, EiDesKolumbus-Improvisations, FamilyLifeBats, HiddenSignsRings, KidSignsThree, KochsLongCapsSquares, SketchesX, TreesAndCo, VectorDrawingsOne, BlackWhiteSigns, BoringSansBold, CuxhavenInitialsRound, FrakturNitials, GeometricConstructs, HandsAndFeet-Two, HeadsNBirds, IrishHalfUncialisBricks, IrishUncialfabeta-Bold, MaennekinTwo, MutantA-MediumOblique, MyMaestroMrMiro, RomanaCapsClassicSquares, RoundBats, RoundFacesTwo, SansThirteenBlack, SchabLonski, TypographicRosettas, WinterSports, PopUp, Gotic Caps, Fun Bats, HappyXmasBats, MKlothes, MKomicsV2, AllDaysJokes, Blackbirds, DiscoverBats, EgyptianSilhouettes, FiftyYearsAgo, HumanRelations, MKoepfeBold, NewDarkTimes, PeaceTools, SilhouettSketches, SpaceMeetings, ComicFaces, MK-Heads, NewKoeppes, PetrasBauhausXmas, SilhousSimplex, StonesAgeButtons, ZagzagHeads02, BigMummy, CircusBoldSquaresInvers, EmastEtcetera, MKanzleiCaps-One, ReadersBats, SimPlexBats, XmasImprovisations, AnimalsPrey, Cartoons, Weihnacht2006, AxelsWoodTypesMK, CowBats, KleinsLittleDings. 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Typogama is the personal foundry of Swiss designer Michael Parson (b. Geneva, Switzerland, 1979), who published these fonts in 2003 as part of Linotype's Taketype 5 collection: Anlinear LT Std Bold, Anlinear LT Std Light, Anlinear LT Std Regular, Arabdream LT Std (Arabic simulation face), ClassicusTitulus LT Std, Hexatype LT Std Bold, Morocco LT Std, Jan LT Std, Ned LT Std, Pargrid LT Std Cross, Pargrid LT Std Regular, Pargrid LT Std Trash, Piercing LT Std Bold, Piercing LT Std Code, Piercing LT Std Regular, Raclette LT Std.
Most of Parson's fonts cover both Latin and Cyrillic.
In 2004, he made Clans (T-26, blackletter) and Boulas (T-26).
In 2007, still at T-26: Heraldry, Thunderbolt 73 through 76 (from techno stencil to techno sans).
In 2008, at T26: Ealing (geometric sans family, with a hairline), Bauhau (6 weights), Jane (a rounded sans in 12 weights), Quean, Halja (blackletter), Faddish (a high-contrast vogue family), Big Boy (11 styles, a slab family from grunge to regular, accompanied by BigSigns, a hand sign font).
Fonts from 2010: Tinsel (condensed), Rusty (Latin / Cyrillic constructivist typeface inspired by snowboarding), Vindaloo (+Outline, T26), Kimbo (octagonal slabby family), Cyrus (for Latin, Greek and Cyrillic), Calvin (a monoline sans family, +Hairline), Checkpoint (rounded display sans),Fuera (2011, bilined face, T26).
In 2013, he published Calvin (a sans family, T26: the weights range from hairline to heavy black), Selecta (an organic rounded sans, T26), Thunderbolt (an octagonal army style typeface family with a military stencil, T-26), Xcetera, Ignorance (a calligraphic typeface), Psalta (an octagonal blackletter typeface), Nadsat (a geometric display sans with some interlocking letters), Cobono (organic sans), Prox (sans face), Zurika (a wonderful crazy script face), Faddish (T26: a fashion mag typeface), Heraldry (T26), Cedi (YWFT: a hand-printed typeface family with huge multi-character ligature set to simulate real handwriting), Tcho (T26: a soft rounded sans family that covers Latin, Thai, Arabic, Greek and other scripts), Dejecta (a striking scratched titling face, T26), Nedo (a bold prismatic display typeface inspired by the work of Nedo Mion Ferrario in Venezuela), Quam (an elliptical sans family), Pictypo (a useful icon typeface).
In 2014, he updated the interlocking poster display typeface Tinsel (T26---original from 2010) and published the fantastic cartoon / comic book typeface family Bangbang. Siggy (2014) is a funky typeface. Lale (2014) uses the opentype features to set up a font system for flowers. Jane (2014) is a rounded sans typeface family. Vulgat (2014) is a vibrant display typeface based on uncial letterforms. Elsuave is a free fat rounded stencil typeface
Typography in Decay (TiD)
Charlotte, NC-based Matt Perkins' fonts Das Reicht Gut and A Scratch are interesting display fonts. He made about 20 fonts in all, many of them at the peak of the grunge font deacde: A Scratch, Bauhaus Sketch (1997), Crescent Obfuscated, Cube Toss, Cybertown Subterreanean, Das Reicht Gut, Finn, Gene Pool, Kefka (1997), Linear Curve, Linear Curve Fatty, Metrostruct, Oh Mega Sigh, Parolm Smallcaps, Seeds, Shamen Remix, Sketch 1, Stepped in Times. A Scratch, Finn and Stepped in Times were done by Ben Hutchens, all others by Matt Perkins. Mercury_Blob was a cooperative effort. Ben Hutchens has also contributed to typography in Decay.
Ingo Krepinsky (b. 1976, Eschwege) graduated in 2000 from Fachhochschule Hannover, and in 20903 from Hochschule für Künste Bremen, where he specialized in typography. He is a cofounder and type designer at Typonauten, a Bremen-based commercial font foundry started in 1998 (together with Christoph Hanser and Stefan Krömer). MyFonts sells these fonts: Freakshow (2005, grunge), Nautilo Font System (2002, a futuristic font family), Oklahoma (2003, Wild West, handpainted look; the Pro version from 2012 was done with Gunnar Link), Toon Town (2005, a comic book typeface done with Stefan Kroemer), B-Movie Retro (2007 a brush font series with Florian Schick and Stefan Kroemer), B-Movie Splatter (2007, a grunge version of that family).
Newsletter (2007) is an extensive no-frills sans family influenced by fonts like OCR-B and DIN. Newsletter Stencil was published at Volcano Type. Creator (with Gunnar Link and Stefan Kroemer) of Royal Oak Decor (Victorian ornaments), Royal Oak Sans (Edwardian headline sans) and Royal Oak Serif (Western headline face).
Other commercial fonts: Dimitri (Cyrillic simulation), Flarrow, Grebbelinsky (nice dingbats), Killvetica, Litterae Diaboli, Mosaixxs, Nautilo (pixel font), Navtilo (pixel font), R2D2 (futuristic), Sheffield (sans), Singapur (2002, a gambling dingbat font), Oklahoma (2002, Egyptienne), Transarc, Uxmal (unicase with Mexican ornaments), Weimar (Bauhaus style), Estelec (Cyrillic simulation), Trixel (2002, free pixel font), Sport1, Spacelord (2013, sci fi face).
In was waiting for this moment, but in 2015, Typonauten published the free slogan typeface Je Suis Charlie.
German type designer and software expert who offers his fonts for free. He is mostly doing revivals, and started in 2010. His typefaces:
New York-based advertising designer associated with Photo-Lettering Inc. and ITC. His typefaces:
Victory Type Foundry
Original designs include the free TrueType fonts Acme, Bark, Boxsoo, Markerz, Psychosis, Seventy, Splurge, Refund and Refund-Bold, Freon, Gaseous, Seriesorbit, Transit, Runamuck, Quarky, Mr Wick, Rat Poison, Muddy, Morkman, Year2000Boogie, Year2000Replicant, and Arena. Not-so-free original designs such as the weathered font Mauvais, the jerky Junkyard, and many other fonts such as Alfalfa (2001, felttip pen), Quattro (medieval letter simulation), Industrial, Sloshed, Saturn, Badhaus, Basuhand, Lysosome, Friction, Balance (2000, a squarish face; +unicase), BayerSans, Beanstalk, Chlorine Sans/Serif, Dungerees, Embargo, Farmhouse, Grizzly, Jaggers, Lysosome, Mechanikschrift (nice!), Metrogothic, Nolkster, Quattro (grunge font), Sign Gothic.
In 2009, she published Bayer Modern, which was modeled after Herbert Bayer's universal alphabet designed in 1925 (she based her letters on P22 Bayer Universal).
Fonts from 2010: Surfside (2010) is pure Miami South Beach art deco. MCM Hellenic Wide (2010) is a revival of Hellenic Wide. MCM Monogram (2010) is an art deco / Bauhaus face. Cosmo (2010) is a set of two inline fonts inspired by the CNN logo and Toronto Blue Jays uniforms.
Production in 2011: Barnum (a good old slabby Western poster face), Asteroid (the inline space age alphabet on the CNN logo, in the Sega Genesis, and on old Toronto Blue Jays uniforms). [Google] [MyFonts] [More] ⦿
They have also a gorgeous collection of eighteen blackletter fonts, called the Gutenberg Press, which includes the great old German script font Kurrent Kupferstich and the charming Zentenar Fraktur and the elegant Peter Schlemihl.
Their pages include a brief history of blackletter, as summarized in the PDF document The Gutenberg Press: Five Centuries of German Fraktur (1997).
Their Renaissance&Handwriting font pack has 9 different handwriting fonts from 1450 to 1700. Minuteman Printshop has colonial fonts.
Blackletter font list: Alte Schwabacher, Breitkopf Fraktur, Coelnisch Current, Fette Haenel Fraktur, Ganz Grobe Gotisch, Grossvater Kurrent, Gutenberg Bibelschrift, Kurrent Kupferstich, Luthersche Fraktur, Maximilian Gotisch, Neue Schwabacher, Peter Schlemihl, Suetterlin, Theuerdank Fraktur, Unger Fraktur, W'bg. Schwabacher, Zentenar Fraktur.
There are also many wood type fonts, such as Sawtooth WF (2002) and Wild West Press (2010). Gnomos is a grungified merovingian typeface [Walden Font claims that it was found in a 16th century house]. Astaroth is claimed to an 8th century typeface by Walden Font, but its origins are somewhere in the 11th century.
The collection of American poster fonts of World War II, heavily influenced by art deco, was created in 2013: AcieWF, AlmanzoWF, BalfreyWF, BellofattoWF, BleeckerWF, BleeckerWFShaded, BobbinWF, BullshornWF, CaltWF, CassinoWF, CephusWF, ChippettWF, CutrightBoldItalicWF, CutrightBoldWF, CutrightWF, DickieWF, DragooWF, ElbieWF, EldonWF, ElmiraWF, EnlowWF, EpsomWF, FalaiseWF, FanslerWF, FustianWF, GlancyWF, GoldenWF, GraveneyWF, GreenlawWF, HackettWF, HardwickWF, HarlieWF, HuntleyWF, IrbyWF, IvaWF, JowdyWF, KilroyWF, KododaWF, LacarWF, MaximinoWF, NeldaWF, NuisanceWF, OdonWF, OlindoWF, PaysonWF, PaysonWFBold, PaysonWFBoldItalic, PaysonWFItalic, PerlinaWF, PosterBulletsWF, RemelyWF, RenyWF, SharkeyWF, SheffieWF, TelmossWF, TilmonWF, ToxieWF, UlaWF, WallingtonWF, WilberWF, WylieWF, ZipnutWF.
Other fonts in the collection: 10thCenturyBookhand, AcanthusBorder, Alchemy-Symbols, Alte Schwabacher, AncientBlack, AshwoodCondensed, AshwoodExtraBold, Asphaltum, Astaroth, Astrological-Symbols, AubreyLanding, Bastarda, Batwynge, BaublesBorder, BearGulch, BrassRulesBorder, BreitkopfFraktur, Bullion, BullionExtraCondensed, BullionItalic, BullionRoman, CWP_TypeNo08, CWP_TypeNo09, CaslonBook-Italic, CaslonBook, CaslonSwashItalic, Cattle Brands, ChalkBluff, CliffordEight, CoelnischCurrentFraktur, ColonialBullets, ConfederateSignatures, Copperplate1672, Cut&Shoot, DaisyBorder, Dead Man's Hand, EnglishHand, Faywood, FaywoodExtraCond, FaywoodItalic, FetteHaenelFraktur, FinalFrontierShipside, FringeBorder, GanzGrobeGotisch, GarlandBorder, GatlinBold, GebetbuchFraktur, GermanLatin, Gnomos, GridBorder, GrossvaterKurrent, GutenbergBibelschrift, Heroes & Villains, JamesII, JawbonesCond, Jugend, KurrentKupferstich, LaceBorder, Langtry, LilyBorder, LutherscheFraktur, Luxeuil, MarigoldBorder, Matchwood, MatchwoodBold, MatchwoodBoldItalic, MatchwoodItalic, MaximilianGotisch, Muleshoe, NeedlepointBorder, NeueSchwabacher, OldStateHouse, Ophir, Orgeuil, Pangho, Panghobl, Pangolin, Pangbl, PeterSchlemihl, PineConeBorder, QuiltBorder, Rawhide, RevolutionaryWarHeroes, RoseBorder, RoundMountain, RoyalNonesuch-Bold, Runor, Sageland, Salem1692, Sawtooth, SealBorder, Shelldrake, SignersoftheDOI, SpanishCourtHand, Stockton, Sütterlin, TheuerdankFraktur, Thousandsticks, ThunderMountain, TulipBorder, TypeNo1, TypeNo2, TypeNo3, TypeNo4, TypeNo5, TypeNo6, TypeNo7, TypeNo8, TypeNo9, TypeNo10, TypeNo11, TypeNo12, TypeNo13, TypeNo14, Uncial, UngerFraktur, UnionSignatures, VineBorder, WebsterRoman, Western Bullets, Whitecross, WilliamShakespeare, WittenbergSchwabacher, ZentenarFraktur.
Swiss type designer, b. 1933, Zug. He created Schmalfette Grotesk (1954). He is most famous for the black headline typeface Haettenschweiler (1954)---a renaming of schmalfette Grotesk by Photoscript in the photo font era---, which made it to the Microsoft library in 1995 as part of Microsoft Office. Haettenschweiler was used by Paris Match for headlines. The soccer team Nottingham Forest has a logo based on it as well.
Unpublished typefaces: Africaine, Breifette Etienne, Busride (1969), Coal (1975). Eleanora (1970), Haetti-Antiqua (1972), Haettenschweiler Face (1970), Halbstarke Pica, Oberoy (1971), Schmale Mediäval, Timeless (1971).
Further typefaces accredited to him: Breitfette Unziale, Roaring Twenties, Unziale, Happening, Chelsea Type, Flat Letter, Knock Out, Strada, Yardley, Sezession, Carnaby, Op-Letter, Allshadow, Subway, End, Wornout, The Ugly American, Expo, Ellington, Boris Vian, Blues, Ella for ever, Wir Wunderkinder, Calder, Tropic, Polyp, Maotse, Aleman con Adorno, Alphabet Art Nouveau, Alphabet Capitales de Fantasie, Alphabet Majeur d'Anglaise Rubannee, Alphabets Capiale&Romain Penches en...., Arnold Boecklin, Eckmann-Schrift, Edelgotisch-Initialen, Fantail, Favorit, Fraktur-Bastard, Jugendstil-Unziale, Kalligraphia, Lettres Ombrees, Lichte Italienne-Kursiv, schraffiert+abschattiert, Lima, Metropolitaines, Mira, Ornamentale Antiqua, Romantique, Siegfried, Smoke, Soutache, Thalia, Verzierte Unziale, Wotan, Walhalla, Teutonia, Lichte,Abschattierte,Umrandete,Schraffierte Etienne, Alphabet de L'Amour, Historismus, Plastische Verzierte Italienne Toscanienne, Audrey Hepburn, Cocteau, Leslie, Disney, Caron, Klee, Picasso, Mondrian, Bauhaus, Marino Marini, Congo, Schenk ein Buch, Beggarstaff, Black'n White, Broad, Für das Alter, Gaité, Girlish Face, Green Leaves, Halbstarke Pica, Lawless Type, Lettre coupée, Maidenform, New Fashion, Nouvelle Vague, Schmale Mediaeval, Sacral Letter, That bad Eartha, Vanishing Letter.
Revivals of his typefaces include Capital Ideas 2 NF (2012, Nick Curtis), which is based on Breitfette Unziale (1958).
Russian painter and art theorist, 1866-1944. He taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. After that, he moved to France, where he died. Picture. [Google] [MyFonts] [More] ⦿
Gert Wiescher was born in Braunsbach am Kocher, Germany, in 1944. Based in München, Gerd Wiescher designed many classy and classic Bodoni families, as well as New Yorker Type (1985). All of his typefaces are carefully fine-tuned and balanced. Wiescher founded first Munich Type and then Wiescher Design and Autographis. He is known as a hard, fast and prolific worker. His exquisite faces can be bought at MyFonts. Catalog of his bestselling typefaces. Interview in 2008. Wikipedia page. List of faces:
Author of many books, including Zeitschriften & Broschüren (Systhema-Verlag, München, 1990), Schriftdesign (Systhema-Verlag, München, 1991), and Blitzkurs Typografie (Systhema-Verlag, München, 1992).
The following text was excerpted from his wikipedia page: At 14 years of age, Wiescher went to Paris to study fine art. He financed his stay by doing portraits on the Place du Tertre on Montmartre. In the sixties Wiescher studied graphic design at the Berlin Academy of Fine Arts. (Since November 2001, Berlin University of the Arts.) He financed his studies by sidewalk painting and drawing portraits. While doing sidewalk paintings, he met the typeface designer Erik Spiekermann, who inspired his love of this branch of design. After two years he quit his studies, and went to Barcelona where he worked at the offices of Harnden & Bombelli, for whom he designed the OECD-Pavilion of the 1970 Osaka World Expo. In 1972 he moved on to Johannesburg working as an art director at Grey and Young advertising . In 1975, he returned to Germany, working first for DFS+R-Dorland, and then for the "Herrwerth & Partner" ad agency. At Herrworth, he was involved in introducing IKEA into the German market. In 1977 he became a creative partner in the Lauenstein & Partner ad agency, creating mainly campaigns for large German retail chains. In 1982 he started his own design office, creating work for editors (Markt & Technik, Systhema and Langen-Müller-Herbig), computer companies (House of Computers, FileNet) and he worked for Apple Computers designing their publications (Apple-Age and Apple-LIVE).
German type designer, b. Offenbach, 1904, d. Offenbach, 1989. Creator of Neuzeit Grotesk (1928-1929, Stempel, 6 styles---leicht, mager, halbfett, fett, schmalhalbfett, schmalfett) while he worked at Stempel, where he was an apprentice from 1918-1922 and a full time employee from 1922-1940. See also Neuzeit Grotesk (URW++: the first four styles only), DIN Neuzeit (Linotype), Geometric 706 (Bitstream: the schmal styles), N692 Sans (SoftMaker), and Neutral Grotesk (2002, SoftMaker). In 2006, Akira Kobayashi produced Neuzeit Office (Linotype), modeled after the original sans serif family Neuzeit S, which was produced by D. Stempel AG and Linotype's design studio in 1966. Neuzeit S itself was a redesign of Pischner's DIN Neuzeit.
Minor typefaces by him include Barcarole (1939, Stempel, a shadow caps face) and Tory Gotisch (unpublished blackletter).
After the second world war, he became an independent graphic designer in Offenbach. Sometimes his name is spelled C. Wilhelm Pischiner or Wilhelm C. Pischiner.
Illustrator and graphic designer in Leicester, UK, who runs Willis Design. During his graphic design studies at De Montfort University, he created two experimental typefaces in 2012 that are rooted in the basic geometric forms used in Bauhaus posters. Untitled (2012) is a bilined all caps script typeface. Typeface No. 23456463 (2012) also is experimental.
In 2013, he created Grumpy Al's Typeface. His type anatomy drawings are wonderful.
Graphic designer and illustrator in the St Louis area in Missouri. Scott Simpson graduated with a Bachelor of Fine Arts in graphic design and illustration from Southeast Missouri State.
FontStructor who made Paper Cutout WSS (2011, counterless, geometric, Bauhaus?), De Stijl Mag (+Rounded, 2011), Randstand, Randstand Slab, Randstand Fat Face (art deco), and Randstand Practical (2011).
Commercial fonts at this boutique type foundry and publisher operating in Tokyo, jointly run by Ian Lynam and Thien Huynh. Ian Lynam is a New Yorker who studied Graphic Design at Portland State University (B.S.) and California Institute of the Arts (M.F.A.). MyFonts link. Images of most of Ian Lynam's typefaces.
Rob Janssen (Yoozer) (b. 1978, Netherlands) is the designer of the fantastic pixelish font Depthcore (2002), the techno font Musictelevisionselector (2002), the techno font Bauwerck (2002, Bauhaus elements) and the techno font Tsunami (2002).
You Work For Them (or YWFT; formerly Cinahaus or TrueIsTrue)
Michael Cina (Minneapolis) is the cofounder of WeWorkForThem and YouWorkForThem (in 2002), also known as YWFT. Before that, he ran TrueIsTrue, and before that was partner in Test Pilot Collective (which he left in 2001), and before that he ran Cinahaus. YWFT is located in Baltimore, MD. The creative director is Michael Paul Young.
Cina's fonts include the pixel fonts Caliper (1998), 6x7oct (1998) and BlackGold; the handwriting font Cinahand; Blessed (1999, techno), Cam (1998), CommunityService, Crossover (1998, dot matrix with stars instead of dots), Composite (1998, octagonal), Formation (1999, a big octagonal family), Jute, Maetl (1999, octagonal, angular family), Novum, Pakt, Reversion (1997, squarish), Selector, Selek (1998, pixelish), Service (2001-2002, an octagonal family), YWFT Signature (1998), Trisect (1999, three-lined family), Unisect (1999, organic monoline sans), Ultramagnetic (1998), Ultramagnetic2 (1999), Unfinished. Bastard (1998), Kcap6 (with Matt Desmond), Cheese (1998), Novum (2002), Overcross (2002, unfocused letters), Stem (1998), Testacon (with Kral and Desmond, 1999), Praun (2002, pixel faces), OneCross (2002, pixelish stitching family), Estenceler (2004, a great stencil family), Graphium (2004, octagonal Western style family), Expos (2004, graffiti or poster face), Vox (2007, monoline sans), Militia Sans (2007, like a Russian constructivist stencil), Jupiter (roman), Militia (2007, heavier stencil), Merc (2007, grunge), Guild (2007), Clarendon Text (2007, a complete revival), Jezebel (2007, script), Ambassador Script (2007, a digital revival of Novarese's typeface by that name), Enam (2002, influenced by Crouwel), Enigmatic Hand (2007), Dusty (2007, a Tuscan-eared Western font), Poplock (2007, experimental), Pakt (2007, geometric sans), Sudsy (2007), Black Sabbath (2008, ultra black slab serif, by Stefan Kjartansson), Agostina (2008), Bitwood (2009, pixelish western face), Mullino (2009), Trithart (2008, grunge by Emma Trithart), Tapscott (2008, in the style of Rennie Mackintosh), Habano (2008, script), Amorinda (signage script), Retron (2008, connected script), MD01 (medical-themed dingbats), Adelaide (script), Centennial Script (calligraphic), Alexia (calligraphic), Ultramagnetic (experimental), Nash (1997, grunge), Amber (kitchen tile), Fab (3d), 6x7 Oct (1998, pixels and dots), Wool (2009, stencil), Matter (2009, a wide bold grotesque), Merriam (2009, slab serif), Agostina Alternate (2011, with Michael Paul Young and Taechit Jiropaskosol), Ramsey (2012), YWFT Dessau (2013, schizograms and capitals like Bauhaus on drugs), YWFT League (2014, inspired by college football jerseys), YWFT Yoke (poster typeface done with Pintassilgo), YWFT Illuminati (2015, abstract capitals).
House fonts at YWFT by unknown designers: YWFT Motif (2015), Ramsey Condensed (2015), YWFT Whisky (alchemic), YWFT Psychosis, Dogma (2012, alchemic), Attic (spooky poster face, in EPS format), YWFT Yoke (textured all-caps), Riblah (2003, dot matrix), YWFT Fraktur (tattoo face).