Blackletter fonts

A. Froescher

German designer of these blackletter typefaces: Block Fraktur (1914-1915, Berthold), Stuttgarter Fraktur (1915, Berthold). [Google] [More] ⦿

A. Mendoza

Designer of the Paganini, Arenski, ChopinOpenFace, KhachaturianCaps, Capinini (blackletter) and Debussy families of fonts. [Google] [More] ⦿

AARGH

Czech design studio. Behance link. Creator of the blackletter / metal band typeface Gothicecream (2012, Ten Dollar Fonts). [Google] [More] ⦿

Aaron Carambula

A Kalamazoo, MI-based designer working on Fractured Six (2004), a blackletter bitmap face. Examples of typographic posters done at Friends of Type in 2010: Ah, Clef, poster.

In 2012, while studing at Type@Cooper under Jesse Ragan, he published the beautiful angular typeface Marais. Site dedicated to Marais. [Google] [More] ⦿

Aastha Deshpande

At National Institute of Fashion Technology, Mumbai-based Aastha Deshpande designed a blackletter Latin typeface in 2019. [Google] [More] ⦿

Abdul Ghofur
[GFR Creative]

Abel Oroz

Designer of the free blackletter typeface Catafalque (2018, FontStruct). [Google] [More] ⦿

Abhilasha Jaiswal

Varanasi, India-based designer of the modular Latin typeface Elegance (2016). During her studies at IIT Jabalpur, Abhilasha Jaiswal designed the compass-and-ruler monoline rounded sans typeface Gol (2016) for Devanagari. She drew a textured set of zodiac symbols, a blackletter alphabet, and a Latin poster alphabet in 2016. [Google] [More] ⦿

Abigail Whigham

During her studies in Greenville, SC, Abigail Whigham designed the blackletter-inspired typeface Sachsen (2017). Behance link. [Google] [More] ⦿

Abzari Jafar
[McJer Studio]

Acces Design
[Beate Limbach]

Gifted designer from Epalinges, Lausanne, Switzerland. One of the most talented creators of typefaces with FontStruct.

Typefaces made in 2009: DB72, DBColon, DBPoints Sans, DBCube, and DB13, mostly dot matrix or octagonal fonts.

In 2010, these were followed by db Outline, db Stickers, db Stick, DB Cube New, db MOKI (stencil), db Ciao, db Ticket Light, db 72, DBpoints (dot matrix), DBPoin2, and db Kopix (blackletter), db New Points Italic (dot matrix face).

In 2011, we find dB Stick, dB Sticker, dB Sticker Mono (a monospaced typewriter face), db Prague (fat sans), db Backjumps (an extraordinary fat poster stencil), db Perl, db Perl 1.2 (texture face), db Quarz (2011, +Mix), and db Nox and db Nox II.

Fonts made in 2012: db Como (a simple monospace sans), db Sticker (hairline sans), db Rocko v2 (stencil face), db Today v1 (a beautiful black slab face), db Today v2, db Etroite (2012, in several weights: constructivist), db N3, db Drops (fat counterless face), db Quarz Mix, db Soda, db Klacks, db NQ, db Boxer, db Como (monospaced), db Smoothie (fat stencil face), db Quick Cut (stencil), db Karton (stencil), db Frieda.

Typefaces from 2013: db Etroite, db Concierge (hairline serif), db Lineo, db Lucky, db Boxer III, db SIL.

Typefaces from 2014: db Darling. db Oh Darling, db Melitta (a fantastic brush emulation typeface), db Sticker T, db Points Sans Oblique (dot matrix font), db Como Splitt, db Quirlo (fat rounded poster typeface), db Quirlo Mix, db Limo (angular angry anthroposophic sans), db Limo N, db Slow (a German expressionist typeface), db Bargo Condensed, db TwoLines (an inline font).

Typefaces from 2015: DB Caryptis, DB Oleumi, DB Caroli Plain, DB Caroli, DB Seimeins Serif, DB Seimains, DB Sago, DB Sago II, DB Sthlm (+Light), DB Gertrude, DB Track, DB Track Too.

Typefaces from 2016: DB Maquette, DB Largo, DB For You (winner in the 2016 Fontstruct Love competition), DB Bargo Slanted.

Typefaces from 2017: DB Jojo, DB Scrape, DB Tape Noir, DB Tape Slab, DB Tape, DB Pins, DB Monoto Sans, DB Mrs Back n Black, DB Dr. Bob, DB Tilda, DB Rondo Mix, DB Rondo, DB Shop.

Beate set up Acces Design ca. 2017. The typefaces available there are ad Backjumps (stencil), ad Bargo, ad Como, ad Concierge, ad Darling, ad Oh Darling, ad Frieda, ad Klacks, ad Limo, ad Lucky, ad Magritte, ad Melitta, ad Mill, ad Points, ad Quirlo, ad Slow, ad Soda and ad Soda Plex.

Typefaces from 2018: ad Falter (blackletter).

Typefaces from 2019: ad Dorma (sans), ad Flieger, ad Louise, ad Hobby, ad Journal, ad Juli (sans), ad Tape, ad Violetts (handcrafted), ad Tape (sans).

Typefaces from 2020: ad Ander, ad Sticker Mono, ad Juli (sans), ad Magritte (sans and serif; for posters).

Behance link. FontStruct link. [Google] [More] ⦿

Active Depth
[C.C. Marshall]

C.C. Marshall (b. 1985, Richland Center, WI) is a type designer in Madison, WI. He graduated from Minneapolis College of Art and Design, and founded the multimedia shop and font foundry Active Depth in 2000. Designer of Catenary (2010, an organic sans family). This family includes a Stencil style and a grungy Guerrilla style. At Dafont, one can download the grungy Catenary Stamp (2011).

In 2018, he designed Blackscript. [Google] [MyFonts] [More] ⦿

Adam Albers

Portland, OR-based creator of Old English Style Font (2011). [Google] [More] ⦿

Adam Greasley
[Wearecolt]

Adam Numrich
[Schriftgiesserei A. Numrich & Co]

Addict

Chengdu, China-based designer of Zcool Addict Italic (2016), Addict Old Style Gothic One (2016, blackletter), Addict Script One (2016), Addict Handwriting (2016) and Addict Round (2016, sans). Behance link. [Google] [More] ⦿

Ade Meiada
[Fontsgood]

Adi Wahyudi
[Fight Graphx]

Adolf Heimberg

Blackletter type designer: Urdeutsch (1924-1925, Genzsch&Heyse). See the digital revival by Petra Heidorn (2004). Free download of that font at Dafont.

Notes: The sample at Klingspor's site uses Heidorn's font, but no credit is given to her there. Schnelle spells Heimberg's name Heimberger. [Google] [More] ⦿

Adolf Meier

Hofkonditor (court confectioner) in Detmold, Germany. Author of Schriften-Album fur Konditoren nebst Monogrammen und Tortenschildern (ca. 1910, Heinrich Killinger, Konditoreibucherverlag, Nordhausen). This wonderful book shows many decorative capital alphabets designed mainly for decorating pies, cakes, and pastries. Local PDF file for that book. [Google] [More] ⦿

Adolfo Monti

Codesigner with Francesco "Mistico" Canovaro at Zetafonts / Studio Kmzero in Firenze of the simple bold sans families Duepuntozero Pro (2006-2008) and Arista (2006-2008). He also made Cibreo, Sugo (2006).

Dafont link. [Google] [MyFonts] [More] ⦿

Adri Valls

While studying in Barcelona, Adri Valls designed the squarish typeface New Trink (2013) and a modular typeface called Moludar (sic) (2013) and Moludar Neue (2013). In 2018, he published the free blackletter typeface Ludwig, which was inspired by Koch Script. [Google] [More] ⦿

Adriana Peralta

Paraguayan codesigner with Oz Montania of Totentanz (2009), a stencil blackletter font. [Google] [More] ⦿

Advance Type Foundry

Short-lived foundry run by Robert Wiebking and Henry Hardinge in Chicago. In 1894 Robert Wiebking and Henry H. Hardinge (also from Chicago) built the first successful machine for engraving type matrices. In 1896, they became partners and set up Wiebking, Hardinge & Co in 1901, manufacturing matrices for type foundries. This led them to set up the Advance Type Foundry in Chicago. Typefaces by them include the ArtCraft Series, Caslon Antique, and Modern Text (blackletter). [Google] [More] ⦿

Aenigma
[Brian Kent]

Aenigma is the free font foundry of New York-based Brian Kent. The fonts often carry the string BRK in the name. Yet another site. Fontspace link. Dafont link. Typosasis backup. Backup at Fontfreak. Backup at 1001 fonts. Backup at Fortunecity.

The free fonts: Arthritis BRK (2013), Alpha Beta BRK (2013), Amalgamate BRK (2013), Revert (2006), Gyneric (2006), Key Ridge (2006), 18 Holes (2006: Encircled letters and monograms), Double Bogey (2005), Hairball (2005), Whatever (2005), Dyphusion (2005), Blackonimaut (2005, blackletter), Snailets (2005), Vigilance (2005), Wager (2005), Janken (2005), Dented (2005), Syracuse (2005), Symmetry (2005), Nucleus (2005), Underscore (2004), Gesture (2004), Rough Day (2004), Sarcastic (2004), Galapogos (2004), Reason (2004), Slender (2004), Gather (2004), Quadratic (2004), Saunder (2004), NostalgiaBRK (2004), Kinkaid (2004), Jeopardize (2004), Pincers (2004), Fascii (2004), Grapple (2004), WaywardBRK, WaywardShadowBRK (2004), Obstacle (2004), False Positive (2004), Goosebumps (2003), Jargon (2003), Bewilder (2003), 90Stars (2003, snowflake font), Chumbly (2003), Synthetic (2003), Jawbreaker (2003), Mobilize (2003), GreatHeightsBRK (2003), Graveyard (2003), Bend 2 Squares (2003), Redundant (2003), Homespun (2003), Galvanize (2003), Dastardly (2003), Vantage (2003), Quarantine (2003), Knot Maker (2003, with a program for weaving Celtic knots), Combustion (2003), Knot (2003), Enthuse (2003), Weaver (2003), Foreshadow (2003), Rambling (2003), Mincer (2003), Intersect (2003), Technique (2003), Nominal (2003), Unlearned (2003), Brass Knuckle (2003), Quarterly (2003), Zirconia (2003), Zephyrean (2003), Whippersnapper (2003), Ryuker (2003), Discordance (2003), Graze (2003), Gravitate (2003), Edit Undo (2003), Persuasion (2003), Encapsulate (2003), Nymonak (2003), 36DaysAgo (2003), Vertigo (2003), Lights Out (2003), Sequence (2003), Rehearsal (2003), Yearend (2002), SupraGeniusCurvesBRK (2002), SupraGeniusLinesBRK (2002), Faux Snow (2002, snowflakes), Mishmash (2002), Brigadoom (2002), Gyrose (2002), Dystorque (2002), Upraise (2002), QuacksalverBRK (2002), Ravenous Caterpillar (2002), Bumped (2002), Tonik (2002), Jupiter Crash (2002), Mysterons (2002), Sideways (2002), Scalelines (2002), Pneumatics (2002), Granular (2002), Volatile (2002), Aspartame (2002), Bleak Segments (stencil font), Genotype, United, Lynx (2002), Lyneous (2002), Alpha Beta (2002, pixel font), Licorice Strings (2002), Syndrome (2002, futuristic font), Your Complex (2002), Nanosecond (2002), Binary (2002), Dynamic (2002, techno), Qbicle (2002), Flipside (2002), Amplitude (2002), Pindown (2002), Kurvature (2002), Euphoric (2002), Bobcaygeon (2002), Zoetrope (2002), Overhead (2002), Zelda DX (2002, pixel), Telephasic (2002), Hearts (2002), Lamebrain (2002), Compliant Confuse (2002), Line Ding (2002), AE Systematic, Acknowledge, Mini Kaliber, Upheaval (2002), The Code of Life font (2001), Amalgamate (2002), Bandwidth (2001), ClassicTrash (2001), XmasLights (2001, alphadings), Setback (2001), Qlumpy (2001), Regenerate (2001), Konector (2001), registry (2001), Stagnation (2001), Elsewhere (2001), Claw (2001), Cleaved, 8-bitLimit (4 weights), 10.15SaturdayNight-BRK-, Automatica-BRK (2001), Bendable-BRK (2001), BitBlocksTTF-BRK-, Kickflip-BRK-, Withstand-BRK-, Hyde-BRK-, Ecliptic (2000, a bold rounded monoline techno sans), Jekyll-BRK-, Larkspur-BRK-, NotQuiteRight-BRK-, Quandary-BRK- (an LCD font), Thwart-BRK-, Weathered-BRK-, AEnigmaScrawl, Aftermath, Blox (1999, 3d), CandyStripe (1999), Circulate, Collective (1999), Conduit, Corpulent Caps (2001), DarkSide, DashDot (1999), Dephunked (1999: halftone texture emulation), EmbossingTape (3 fonts), Exaggerate, Frizzed, FullyCompletely, Grudge, Hassle, Hillock, Impossibilium, Inertia, InkTank, Lethargic, MoronicMisfire, Numskull, Opiated, Phorfeit, PixelKrud, Powderworks, Pseudo, QuantumFlat, QuantumFlatHollow, QuantumRound, QuantumRoundHollow, QuantumTaper, Ravaged-By-Years-, Raydiate, Relapse, Sorawin-Plain, Spastic-, Splatz-, Stranded-, Swirled-, TRAGIC-, VacantCapz, Wobbly, XeroxMalfunction(BRK), Zenith, ZeroVelocity, Zoidal, simplton, Waver, SaffronColdWars, 3DLET, Bri's-Scrawl, TRAGIC-, AcidReflux, Arthritis, Ataxia (1999), AtaxiaOutline, BlockTilt, ChintzyCPU, ChintzyCPUShadow, Decrepit BRK (1999), Detonate, Draggle (2000), Draggle[overkerned], FatboySlimBLTC, Gasping, Hack&Slash, HeavyBevel, Jagged, Jasper, JasperSolid, Katalyst[active], Katalyst[inactive], LucidTypeA, LucidTypeB, LucidTypeBOutline, LucidTypeAOutline, Neural, NeuralOutline, ObloquyOutline, ObloquySolid, PlasmaDrip, PlasmaDrip[Empty], Queasy, QueasyOutline, Rotund, RotundOutline, SkullCapz (dingbats), Tearful, Tetricide, Turmoil, Ubiquity, Underwhelmed, UnderwhelmedOutline, Vanished, Xhume, Yonder, Yoshi'sStory, ZurklezOutline, ZurklezSolid, Gaposis, Naughts, Ink Swipes, Irritate, Perfect Dark, Forcible, Loopy, GaposisOutline(BRK), GaposisSolid(BRK), Head-DingMaker(BRK), JoltOfCaffeine(BRK), KirbyNoKiraKizzu(BRK), Orbicular(BRK), Xtrusion(BRK).

Commercial fonts at CheapProFonts: Lamebrain BRK Pro, Dynamic BRK Pro, Phorfeit Bundle, Phorfeit Slanted BRK Pro, Genotype Bundle, Genotype S BRK Pro, Genotype H BRK Pro, Classic Trash BRK Pro, Vigilance BRK Pro, Technique Bundle, Technique BRK Pro, Technique Outline BRK Pro, Galapogos BRK Pro, Visitor BRK Pro (pixelish). [Google] [More] ⦿

Aerotype
[Stephen Miggas]

Aerotype is a foundry in Camarillo, CA (formerly in Glendale, CA). It sells the typefaces of Stephen Miggas. Many types were designed around 1998, and most were rejuvenated and updated in 2005. A list of Aerotype's typefaces typefaces:

Pixel fonts: Airlock, AirlockWebDings, Fronteer One, Fronteer Two, Microtooth, Microtooth Web Dings, No Biggie One (+Bold), No Biggie Two (+Bold).
Old typewriter fonts: Obsolete (+Bold, XBold, Light, XLight).
Handwriting or informal scripts: Fave (2019), Arbordale (2014, calligraphic), Bountiful, BountifulBold, Khaki (2007, fun script), Khaki Alternate, Mission, Sanscripta (+Heavy), Siesta, Southbee, Stay True (2011, tattoo-inspired), Turbinado (2018), Boundless, Chillin, Angeleno, Game Street, Jumpshot.
Stencil typefaces: Expedition Stencil (+Heavy, +Thin), Hogwild (2010).
Blackletter: Octoberfest, Kingshead (+Alternate, Alternate Gothic, Alternate Light, Gothic, Light), Ladybat (+Alternate, Alternate Light, Light), Ravenwood One (+Bold, Condensed), Ravenwood Two (+Bold, Condensed), Wilhelmschrift, Ravenwood, Octoberfest (blackletter), Gothicus (2006, after Rudolf Koch's Maximilian), Dractura, Dracena.
Destructionist: Derailer (2016), Americanus (2016, emulating 1800s newsprint type), Dogjaw (2009), Thunderhouse (2009), Sluicebox (2008), Americanus, Conquistador Medium, Derailer (2006), Fiesta, Indigo Medium, Rebound (+Bold, Light, Super, XLight), Coldsmith, Blackstock, Boilerplate, Geoduck, Ghost train.
Techno: Durandal (+Black, Flat, FlatBlack, FlatLight, Light, Recycle.
Octagonal typefaces: Expedition (+Heavy, Thin, Super, StencilSuper), Protocol (+Alternate, Alternate Light, Alternate Bold, Bold, Light).
Dymo label simulation typefaces: Recycle Alternate, Recycle Alternate Reverse, Recycle Reverse, Recycle Standard), Public Works.
Display typefaces: Pacifico (2009), Rebound, Roughneck, Fiesta (Mexican style), Mediterano, Pitchfork, Serendipity.
Western style: Buckboard (2009), Bootstrap (2010, a estern wood-inspired slab serif), Planchette, Protocol, Leadville (Egyptian), Saloon After, Saloon Before, Boxwood, Caboose, Copperjack (2006, Egyptian), Silverton (Egyptian).
Pre 1999 typefaces that have been discontined or renamed: Clique Serif, Bevel-Broken, CliqueWedge, Vector, Corrode, Looneywood.
Dingbats: Antique Macabre Ornaments (2007).
Wood type: Coldsmith (2016), Sluicebox (2016, letterpress style), Applewood (+Alternate, 2009), Blackstock (2015).
Brush scripts: Zooja (2016).
Script typefaces: Fave (2019-2020).
Calligraphic typefaces: Duende (2016), Meritage (2014, a contrast-rich brush face)), Keepsake (2012, also advertised as a tattoo script typeface family), Spindrift (2012).

Creative Market link. View Stephen Miggas's typefaces. [Google] [MyFonts] [More] ⦿

Affenprinz Belmondo
[Büro Sequenz]

Affolter und Gschwind AG
[Werner Affolter]

Werner Affolter ran a phototype and printing company in Basel, Switzerland, called Affolter und Gschwind AG, Fotosatz&Reprotechnik. In 1981, Affolter published an extensive catalog entitled Letterama that showed over one thousand alphabets. Few of those were original, so I suspect he acted as a vendor of sorts, but at least a couple seemed original, or were claimed to be original or exclusive: Guigoz, Moby Dick. Moby Dick was revived in 2014 by Nick Curtis as Call Me Ishmael NF.

Some examples of the types shown, in alphabetical order: Antique Wood MP363 (art nouveau), Antique Wood MP 364 (oriental simulation face) [the Antique Wood series is quite extensive, and is just numbered], B+T Classic (roman), Bernhard Fett, Beton Fine Line (typewriter), Burko (avant garde family), fonts starting with G, Gaston Fett (a squarish gothic typeface also called Gipsy), Gaston Halbfett (also called Grassy), Gemini Computer, Germanic Sans (more avant garde and Lubalin-style glyphs), Hollandse Mediaeval, Hollywood (a 3d decorative family), typefaces starting with K, Lineamarca (slabby), Linear (avant garde, geometric monoline), Melen (experimental, geometric), Meola Bookman swash (decorative), Metro (art nouveau, after the Metroploitaine font), Moraine (squarish), the Old Foundry sub-collection [another mysterious numbered collection; examples include some uncials, and some more art nouveau typefaces, some Victorian ornamental typefaces (F260 through F262), more art nouveau (MP418 through MP420) and blackletter typefaces (MP421)], Pierrot (psychedelic, groovy), Phydian (one of many Western style ornamental typefaces), Ronda, Roulette, Roulette Schattiert (=Rajah) (more Western fare), Ruby (shaded caps), Runic Small (condensed), Rustic (wood log look), typefaces starting with S, Spengler Gothik, St. Clair (ornamental), Zither (calligraphic script). [Google] [More] ⦿

Afrojet Type Foundry
[John Skelton]

John Skelton is a type designer from St. Paul, MN, b. 1973. He is currently based in Portland, OR. He started out in 2008 as afrojet on FontStruct, making many free fonts there. Late in 2009, he set up Afrojet Type Foundry at MyFonts.

FontStructions in 2008: Playtime (an original stencil family), Playtime Pattern Motifs (dings), Playtime Rounded (+Bold), Playtime Cutouts, Mango Solid (ultra fat, rounded), Mooch (experimental), Mooch Squared, Zombies Are The New Black, Jettison Stencil, Micromoog, hewett, hewett_bold, hewett_extended, Mikey (a Mickey Mouse font). Other creations there include Summer Grillz (about which he writes More gangster than Gill with more gold than Garamond, Summer Grillz is type jewelry for your mouth. All letterforms are diamond-kut using the finest type constructing software on the market today. Customize your grill with different fills., Lovestruc, Konstruct (multiline face), Steeplechase, Sawhorse, Sawhorse Braumarks (dingbats of a brewery), Alfred, Chesterfield, Hydroplane, Jettison-Stencil, Pop-Drops (kitchen tile face), Starstruc, Lovestruc, Chesterfield Prince, Chesterfield King, Chesterfield Queen (piano key font), Brainfreeze (ultra fat).

Fontstructions in 2009: the Sans Serious family (a tribute to Dutch Bauhaus designer Jurriaan Schrofer), Factory (stencil), Hunstrüct (blackletter), Slug, Micromoog Remix, Get To The Falcon, Jetstream and Perforate (octagonal, loosely based on several styles of letter and numeral forms observed on various aircrafts at the Evergreen Aviation&Space Museum in McMinnville, Oregon), Get To The Falcon (multiline face), StacheStruct (moustache font), Factory (stencil), Playtime Bolda, Thunderball, Gaga, Gaga Stencil, Pinpression, Sessions (a take on type by Josef Albers; he writes: Having previously played around in Fontstruct with Anni Albers' textile patterns, I thought it time to turn my attention to her husband Josef's work. Josef Albers' constructivist typographic experiments are a perfect match for Fontstruct. Other Fontstructors have done great work with Alber's ideas. Most notably, Saberrider's fontsract and Stewf's Leaflet family. Using Josef Albers' Kombinationsschrift alphabet (1928-1931) as my foundation, I've been having a lot of fun remixing and experimenting with his letters.).

Fonts made in 2010: Whoopee (piano key face), Prog.

Commercial fonts: Sessions (2009, modular).

The commercial fonts by Afrojet type foundry include Sessions, Playtime, Hydroplane, Lovestruc, Dansa, Pinpressions, Micromoog, Widjiwagen, Mooch, Hunstrüct, Slug, and Brutal Exchange.

Cargocollective link. Behance link. Home page. Dafont link. [Google] [MyFonts] [More] ⦿

Aga Silva

Aga Silva (aka Mme. Ping) is an ex-architect/urban designer, who now lives in Krakow, Poland. Creator of the Glitter family (kaleidoscopic, star-shaped, and possibly of use as snow fonts), Stars Promo (2012), Ivy Tiles (2012), Lillius (2012, floral and froggy dingbats), Maya Tiles (2012), Ballpen (2012, hand-printed), Mickey Script (2012), and Nillie's Love Letters (2012).

In 2011, she designed Grand Duchess (script face), Rosette110621 (kaleidoscopic dingbats), Brasserie (connected script), Marker Script, Skarpa LT (an avant-garde hairline face), Skarpa Regular, Skarpa Bold, Auld Magick (blackletter), Two Am, and Fantasy Dingbats.

Typefaces from 2013: Monmica (an upright copperplate script), Skarpa 2.0, Trufla (English round hand, copperplate script), Trufla Words (calligraphic), Calissa (copperplate script), Calissa Words.

Typefaces from 2014: Mavblis, Lavenda (a connected copperplate script), Roicamonta (connected script).

Typefaces from 2015: Skarpa Round, Nistiver (calligraphic script), Lavenda (calligraphic script).

Typefaces from 2016: Lidaxid (connected script), Hinzatis (calligraphic script), Roicamonta Basic (an upright connected calligraphic script), Monmica Fancy, Bisalir (heavy script), Piambis (thick signage script), Piambis Round, Piambis Sharp.

Typefaces from 2020: Skarpa (a revised version of her 2011 typeface), Skarpa Condensed.

Typefaces from 2021: Timernis (a 9-style humanist sans based on 1940 stone engraving commemorative plaque). [Google] [MyFonts] [More] ⦿

Agathe Richard
[Lettres Vagabondes (or: Fonts by Holyrose)]

Agent Demonic Ladybug

FontStructor who made these typefaces in 2010: Tessa (an über fat face), Pomegranate, Archipelago Serif, QQQQQ.

In 2011, these typefaces were created: Barnhaus (+Lite), Not My Font (clone of zalamera eYeFS by Antonio J. Morata), Mission Design Sans, Soundproof, Naturally Blonde, Sector12 (an army stencil face), Industrial Sans Better, Elegantite, Grey Hand (texture face), Ubnshufr II Hellllp, Havoc, Havoc Thin (scratchy face), Pixels Redefined (texture face), Capitas Lite (texture face), Capitals Woodcut, Adl Capitals (hand-printed), Useful Sans, Spirit (tattoo/blackletter face), Wanted 2.0, Detaile, fs Greener Grass (grotesk headline face), Bean (pixelish), Small Sans, Doundproof.

In 2012, Agent Demonic Ladybug made these typefaces: Mechans (upright connected script), Tessa Revived, Minimalist No. 2 (piano key face), Laceys (dot matrix typeface), Roundsclean, Squareup, Barnhaus 2012, Mission Design Sans, Barnhaus (+Lite, +Mono; named after Bauhaus), iFontStruct, Squishypixel, Moredetailes, Who Needs Nonconformity (heavy octagonal), Stuckinneurone Error, Stuckingranite, 220a, Boldish (piano key face), Strategy Bold. [Google] [More] ⦿

Agfa Monotype

Fraktur typefaces sold by Agfa Monotype (including Elsner&Flake and Linotype typefaces): Linotype Buckingham Fraktur, Fette Fraktur, Fraktur, EF Fraktur Bold, EF Fraktur Bold Dfr, EF Fraktur CE Bold, EF Fraktur T Bold, EF Fraktur, Hoyerswerda Fraktur, EF Justus Fraktur Bold, EF Justus Fraktur Bold Dfr, EF Justus Fraktur Regular, EF Justus Fraktur Regular Dfr, Linotype Luthersche Fraktur, Linotype Luthersche Fraktur DFR, EF Neue Luthersche Fraktur Medium, EF Neue Luthersche Fraktur Medium Alt, EF Neue Luthersche Fraktur Medium Dfr, EF Neue Luthersche Fraktur Medium Titel, EF Neue Luthersche Fraktur Regular, EF Neue Luthersche Fraktur Regular Alternate, EF Neue Luthersche Fraktur Regular Dfr, EF Neue Luthersche Fraktur, Linotype Richmond Fraktur, Walbaum Fraktur, EF Walbaum Fraktur CE Regular, EF Walbaum Fraktur Regular, EF Walbaum Fraktur Regular Dfr, EF Walbaum Fraktur T Regular, EF Walbaum Fraktur, Wittenberger Fraktur Bold, Wittenberger Fraktur, Alte Schwabacher, EF Alte Schwabacher, Fette Gothic, EF Gotisch Bold, EF Gotisch Bold Dfr, EF Gotisch, Weiss Rundgotisch, Weiss Rundgotisch Antique, EF Weiss Rundgotisch Regular, EF Weiss Rundgotisch Regular Dfr, EF Weiss Rundgotisch, Wilhelm Klingspor Gotisch. [Google] [More] ⦿

Agni Ardi Rein Prasetyo
[Agniardi]

Agni Yugisworo

Co-founder with Danu Setyaji Nugroho of Dansdesign in 2018. Creator, with Dani Setiaji Nugroho, of Bugenvil (a festive blackletter) (2021). [Google] [MyFonts] [More] ⦿

Agniardi
[Agni Ardi Rein Prasetyo]

Yogyakarta, Sumedang and/or Bandung, Indonesia-based student-designer (b. 1998) of the free handcrafted typefaces Natural Signature (2019), Rollingdore (2019), Aesthetic Gelatinate (2019), Weslona (2018), Bradles (2019), Argopuro (2019), Callista Oliander (2019) and Stay Ontheway (2019).

In 2020, he published the script typefaces Blushing, Charlotte Smoothy, Familiar, Bakira, August Cameron, Askana, Hanah Montana, Yellow Playlist, Jartifisa (a wild calligraphic script), Wreckout (a brush font; with StringLabs), Millatyna (a playful font; with Analogous), Cydonia (a blackletter font; with Typotopia), Happyland, Double Chocolate, Katrina Signature, Mellorine, Chillout, Galatik and Delilah.

Typefaces from 2021: Childish. [Google] [MyFonts] [More] ⦿

Agustin Senatore

Argentinian designer (b. 1989) of the free blackletter typeface Modern Goth (2018) and the heavy text typeface Meridies Antiqua (2018). Creative Fabrica link. [Google] [More] ⦿

Ahmad Ramzi Fahruddin
[Arterfak Project]

Ahmad Wakhid
[Eko Zero]

Aktiengesellschaft für Schriftgiesserei und Maschinenbau (or: AG für Schriftgiesserei)

A.J. Dimarucot

T-shirt artist in Pasig, Philippines. His typefaces:

Maroons Type. A free octagonal sports font family developed over the years for the Fighting Maroons at the University of the Philippines by AJ Dimarucot, Joanna Malinis of Plus63 Design Co., and Dan Matutina of Plus63 Design Co. The most recent update was in 2019.
In 2021, he published the free blackletter typeface Panata, which was inspired by a local religious movement.

[Google] [More] ⦿

AJPT
[Alan Jay Prescott]

Pottstown (Philadelphia)-based designer and PostScript font hacker who ran Prescott Design and now Alan Jay Prescott Typography, but was also involved in other ventures such as the Black Walnut Winery. Originally from Greenfield, MA, he graduated from Saddleback College, and worked for some time as a typesetter in New York. He advertizes himself as a leader in PostScript Open Type Font development specializing in the revival of print-only letterforms into digital typographic materials. He operates as APT and more recently as AJPT. In 2019, he announced that he would stop making typefaces altogether. His work can be partitioned into time periods. For this reason, Prescott's oeuvre is split over several pages:

His late period (2017-2019). In these three years, he showcased his work on Facebook, and was mainly involved in reving 19th century typefaces, about half of which were from the Victorian era. The annotations in the list below are quoted from Prescott's pages.
- Absolution Cursive (2017). When I was a typesetter in New York City, I had one of the largest collections of typefaces from CompuGraphic's library available for setting. One of the faces I never used in two decades of work was a rather ungainly decorative font called Abel Cursive. Apparently it was designed by Bernie Abel (perhaps one of CompuGraphic's employees) and I'm not sure it got much use, since I don't recall seeing it anywhere except my type catalog. Before I sold my equipment and closed my business for good, I made a scan of every typeface at 72-point size that I owned for future development, if there ever came a time to work on something crazy like that. Most of those 2,000 scans were lost when I changed computers a long time ago, but Abel Cursive survived and I made a down-and-dirty mow-and-blow font back then. I have recently worked on it extensively to make it usable as a multilingual slightly redesigned font in OTF format. I would classify it is as neo-Victorian medium-contrast decorative italic. It is definitely an oddball and may never see use.
- Algol (2017). Based on a scan from Dan X. Solo, Algol is a vastly expanded character set for Algernon, a typeface that clearly presages Machine and other "octics." I don't have any source material for the original design, but it may have been a Dan Solo original.
- Aloysius and Aloysius Ornamented (2017). This is a digital revival of the original Algonquin, cut by J.F. Cumming in the late 1880s for the Dickinson Type Foundry in Boston. While this was not my most challenging project, it was a doozy.
- Alpenhorn Roman (2017). Another oddball typeface is revived here, renamed from the design called Alpine by Henry Schuenemann for the Cleveland Type Foundry in the 1880s. Buried in the "gingerbread" of this weird face is technically a Latin serif, but otherwise it is an entirely unique letterform for which I had a heart soft enough to revive here in digital form.
- Androgen Roman (2017). I know next to nothing about this ultra-geometric blackletter called Anderson that I found displayed in a Dan X. Solo catalog, but it is another oddball that is attractive and very simple to revive in digital format. It is one of those projects I would recommend to a beginning revivalist who wanted to cut his or her teeth on a moderate challenge after mastering some basic tools in font development software.
- Angolan Text (2017). I found Angular Text in a Solo catalog and revived it as a digital font with diacritics and other characters for expanded typesetting possibilities. It was designed by Herman Ihlenburg in 1884 for MacKellar, Smiths & Jordan, which information I found in a link from Tom Cruz for a fellow named Toto who revived the font as well; he has several glyphs I do not have and I like his showing better. Interesting to see what others have done with the exact same typeface and scan and some research for tantalizing missing glyphs...kudos.
- Antiochia Series (2017). This collection of typefaces represents a revival of several bold slab-serif wood types with the name Antique that are related. Their individual histories will follow at another time, but note that several here are useful derivatives that add to the variety of this letterform's impact.
- Azurine Roman (2017). Azurine is a digital revival of a typeface known as Aztec, drawn by an unknown designer for the Union Type Foundry before 1889.
- Beltane Roman (2017). The very complicated story behind the work on this revival is too long for this space (and perhaps too boring to most), but suffice it to say that this letterform started out in 1886 as drawn by the great Herman Ihlenburg as Artistic and assigned to MacKellar Smiths & Jordan. Dan Solo called this face Belmont but only showed caps and was suspect anyway. I was able to find specimens elsewhere and a motherlode of other interesting things in the Inland Printer. I developed my first full-featured OTF using this typeface and designed Greek and Cyrillic glyphs as well. I also fitted it out with a set of small caps to make a font that now has 4,000 glyphs for nearly every non-Asian language. To top it off, Robert Donona revived the decorative caps for this typeface, an excruciating task that I once considered for myself but was lucky enough to have this other crazy person take up. The number of hours dedicated between Robert and myself in reviving this complete series digitally is probably unprecedented.
- Bernhard Swirl (2019). This is a digital revival of the letterform of the same name. It is equipped only with the upper case, an ampersand, a spacer dingbat and the numerals. The numerals are quirky, not only in design, but the fact that they seem to have been intended as old-style figures with the exception for the 4 and 7. Lucian Bernhard is either the designer of this limited-use typeface or inspired a reworking of his "wobbly" poster typefaces for which he is known as an innovator. I have reworked the scanned samples I had used as templates and drew them with a little more consistency than the originals to improve color on the page.
- Bireme Roman (2017). Below is a digital revival of a typeface called Bijou. As I have come to understand, several people have revived this face already. It is similar to Flirt in many respects. I will update information as I come across it, but I wanted to post my version here for your appreciation.
- Blackguard (2018). This is a digital revival of a typeface known as Black Cap. William E. Loy writes that Black Cap was designed and cut by Charles H. Beeler Jr. for MacKellar, Smiths & Jordan. The earliest-known commercial specimen was advertised in the January 1891 edition of The Inland Printer, so he probably created it in 1890.
- Blackminster (2017). One of the more interesting treatments of blackletter forms in the 19th century is this beauty called Black No. 544 designed by Henry Brehmer in 1889, who assigned the rights to Bruce Type Foundry. Originally I was unable to locate certain key glyphs in this font, but they were graciously supplied by others in our crazy network of type geeks. More information on the people behind these projects will follow in other articles.
- Bleak (2017). Bleak is a series based closely on a typeface called Stark. As with nearly all typeface names, there are several unrelated fonts developed in recent years that bear no resemblance to this gorgeous sans serif.
- Brotherly Roman (2017). Among many "antiqued" letterforms developed in the late 19th century, Ben Franklin was offered by Keystone Type Foundry in Philadelphia. Several glyphs were missing from my best showing of the font, but I was luckily able to find them, as well as logotypes, two ornaments, several alternate characters and some punctuation. There had already been a digital revival of this typeface kicking around as shareware in the 1990s, but it was very poorly drawn and incomplete. I believe it has been rendered nicely and consistently here for posterity.
- Busker Contour (2017). Burlesque was the name given by Solo to a typeface originating through Caslon or Figgins around 1843 and shown in German specimens a couple of years later.
- Cane Gothic (2018). Cane Gothic was designed and cut by Edwin C. Ruthven c.1886; he patented it in March–April 1886 and assigned the rights to David Wolfe Bruce (son of George Bruce, holder of the first design patent in US history). The Bruce catalog number is unknown. The tradename Cane Gothic, an apt description of the caning patterned background, may have been assigned by Dan X. Solo, who had revived the face for his photo-lettering service, but it has previously been considered impossible for digitizing. Although the average character in this font contains something like 3,000 Bézier control points, it turned out to be doable once I figured out the original mathematics that Ruthven must have used to guide his design objectively. It is digitized for posterity and I thank Anna Allen once again for the patent specimen (No. 16,643) indicating, if extremely faintly, five missing glyphs from my otherwise excellent scan. Thus I've generated the border glyphs and a pound Sterling symbol to augment this letterform. As far as I can determine, this character set is complete, and I have generated three fonts in order to accommodate chromatic typesetting with very little effort.
- Cantini Casual (2019). This is a digital revival of the typeface of the same name (or at least that is the name Solo gave it in the type specimen book from which it was scanned). It is a great example of the exuberant fancy characters that came to ascendance during the 1960s and 1970s. It is a medium-weight Latin italic with unusual decorative details in addition to crazy swash choices. I do not have any information on the history of this trippy face, but it is likely it was revived at some time in the recent past. It includes a large number of alternate glyphs as well.
- Capulet (2017). This is a revival of a typeface called Caprice that was patented in 1888 by Arthur M. Barnhart and assigned to Barnhart Bros. & Spindler of Chicago. This letterform is a prime example of the explosion in design ideas occurring before the turn of the century, hundreds of which remain to be translated into digital format.
- Carmenite Roman (2017). This beautiful digital revival covers a letterform drawn by the Bauer Type Foundry of Stuttgart, Germany sometime before 1896. It was originally called Carmen and has been referred to as Carmencita in the Solo books.
- Centrum Text (2017). This is my digital revival of one of the more complex decorated blackletters, among my favorite and most difficult projects to work on and just finished today. It is identified as Celebration Text on p. 18 of Solo's "Gothic and Old English Alphabets." The lowercase for this letterform is also presented for two other typefaces, Testimonial Text and Innsbruck in his larger catalog, presenting some confusion. But I believe all three were drawn by the same designer, although I have no idea how old they are. The lowercase may simply have been used for all three decorated capitals, since they are a very good match. Intentional, who knows? It is a real beauty and I'm going to perhaps revive the other two in this triplet of great examples of decorated capitals.
- Chapterhouse Roman (2017). This is an interesting typeface known as Ecclesiastic from Caslon around 1870. It was also known as Albion and Chapel Text No. 30. Most of those names were applied to completely unrelated designs, adding to the confusion that permeates typographic development and history to this day (and only gets worse over time). There are probably more alternate characters out there, but this is the best showing I could make with the resources I have and it is now available from me as a digital font.
- Chapterhouse Roman (2017). This is an interesting typeface known as Ecclesiastic from Caslon around 1870. It was also known as Albion and Chapel Text No. 30. Most of those names were applied to completely unrelated designs, adding to the confusion that permeates typographic development and history to this day (and only gets worse over time). There are probably more alternate characters out there, but this is the best showing I could make with the resources I have and it is now available from me as a digital font.
- Clarence Roman and Dotted (2017). Clarence Roman is a revival of Clown Alley and Clarence Dotted that of Cooktent (also called No. 515). Wood typeface Cooktent comes from W.H. Page before 1890 and the other looks to be a back-formation from it.
- Commissioner Script (2017). The typeface known as Commercial Script was designed by Morris Fuller Benton in the early twentieth century and enjoyed widespread use for decades. There have been many variations from other foundries, varying mostly in contrast; but as far as I know there was ever only one rather bold weight produced. I have redesigned the letterforms for consistency on the way to producing the ten weights shown here. It is interesting to see the font in lighter weights that accentuate the beauty lurking in this standard, and the heavier weights to see that the design still holds up under even heavier lifting.
- Courtesan Roman (2017). Among the dozens of wood types I have revived digitally is Courier, here called Courtesan. Many of these letterforms have been revived by others, all slightly different in their interpretations. More information on wood types will follow in articles I plan to write in the future on various areas of interest in the field of revival in particular and typography in general.
- Cranston Ornamented (2017). This is one of the most difficult digital revivals I have worked on. It started as Crayon, another masterful design from the prolific Ihlenburg, available at MSJ in 1885. There are sister fonts in an Open and a Solid that differ slightly in design and will be available from me at some point in the future.
- Creekside Playful and Calligrapic (2018). These are two digital casual scripts of my own creation based loosely on hand-drawn types from the 1950's. One is a calligraphic interpretation and the other is a more mono weight design that is a bit more slanted, both available for multi-language setting.
- Criticism (2017). This is a digital revival of Critic, a typeface designed by William F. Capitain in the mid-1880s with rights assigned to Marder, Luse & Co. Several logotypes had been designed for this letterform and many alternate glyphs. I added a few of my own, as well as diacritic marks, for balance to this surprisingly modern face that can be rendered multilingually as well.
- Crosby Roman (2017). This is a digital revival of the typeface known as University Text, designed in 1862 and shown by MacKellar, Smiths & Jordan in 1869 as Crosier. It was also known much later as Morningside. It is a stylized Latin with great charm.
- Crossan Roman (2017). This is digital multilingual OTF revival of a typeface called Cross Gothic, another one of those unique, nearly unusable letterforms I adore. I got a million of 'em.
- Cullane Roman (2017). Cullane is a digital revival of Herman Ihlenburg's Culdee, patented in 1885 and offered through MSJ. Others helped me scour the literature for missing glyphs and no one is sure we've got them all, but this is a wonderful showing of what we think is available until something randomly shows up in the future.
- Currier (2018). J.B. Lieberman, Ph.D. identifies it as Deberny & Peignot Lettres Ombrés Ornés (ornamented shaded letters) and adds that it was originally cut by Gillé in 1820, thus making it one of the oldest typefaces I have revived digitally. It is an exuberantly decorated engraved shadowed heavy-weight Egyptian.
- Danuvius (2017). Danube is the original name for this letterform, again found in a Solo catalog, and its links with medieval letterforms is obvious despite the trends toward modernization at the time it was first produced. I otherwise have no information on this face.
- Devonian Roman (2017). This is a digital revival of a wood typeface known as DeVinne. More information updated later.
- Dorothy Series (2017). The original Doric Chromatic was designed as a wood typeface and made its appearance in the United States in the 1850s, though it probably got its start in France in the 1840s according to Rob Roy Kelly.
- Doughboy Roman (2017). This series of decorative caps is shown as Dodge City in Solo. I am not sure it is very old; it may very well have been a photographically slanted version of an older wood typeface in the Thunderbird category with flourishes added on at the same time. This has been revived before because of its simplicity, but I made my own version a little more consistent and they make attractive drop caps.
- Enclave Roman and Expanded (2017). These two related digital revivals represent Enchorial in two versions. The roman came out of the Caslon Type Foundry in 1884 and was extremely popular (sometimes known as London). Petzendorfer showed the expanded Enchorial around 1903.
- Esteban (2017). Esteban is an original design I developed around 2010, named after the recently deceased Esteban Arriaga, a leading seascape painter in the area of Málaga in Spain. It is a medium-contrast sans serif produced in nine weights plus italics. Currently it is available only for the Macintosh OS, but an OTF cross-platform font is anticipated.
- Euclid, Euclid Initials,Euclastic, Elberon, Astral, and Auroral (2018). Elberon existed by November 1886 from Cleveland Type Foundry in The Inland Printer. Euclid (a lighter version of Elberon with a few different glyphs) is an obvious derivative from Illinois Type Founding Co. in Chicago in August 1890. Euclid appears with several Euclid Initials, a full sample of which appears as "Grant Iniitials" from Minnesota Typographic Co. Auroral (basically a shaded form of Elberon) appears in January 1887 from Central type foundry. Astral, also from Central type foundry, (the almost exact shading concept) whose base form is a condensed, heavier form than Euclid) appears in December 1886. Euclastic is my name for a complete set of weights, from a Hairline at the extreme end of lightness, through Black at the other extreme, using redesigned examples of Euclid and Elberon.
- Farmerboy and Farmergirl (2017). Although these two typefaces have both been called Fargo in the past, they are distinctly not the same letterform despite sharing some characteristics. They are both probably late 1850s, early 1860s and some sources say they are German. In any case, two interesting oddballs with no usage in the last century-and-a-half are revived digitally by AJPT.
- Fastidious Series (2017). The typeface known as Fashion started out in 1876 and was patented by Andrew Little for A.D. Farmer & Son. There are a total of five related typefaces in the same design: the prototype, condensed, ornamented, antique and extra-condensed. It turned out that the samples I had available when I originally revived these two were rather suspect and I have to consider going back to these and try to figure out what the "real" glyphs are. I believe that the Solo ornamental showing was rather a hatchet job on the base font, so I consider these two on hold pending further research, but they are interesting to view how they are so far.
- Flare Serif Striped (2018). This is a digital revival of a face called Ornamented 1,079. This over-the-top candy-cane-with-curls design was created by Henry Brehmer, who patented it in December 1884–January 1885. The application was submitted and approved on the same days as Ornamented No. 1,077 (Hermann Ihlenburg), and the rights to both were assigned to David W. Bruce of the Bruce TF (New York) [USPTO D15748]. It was advertised in The Inland Printer of October 1885. Thanks again to Anna Allen Conroy for the background on Ornamented 1,079 and for the patent samples giving a good idea of the design of glyphs missing from the catalogs. I have produced AE and OE ligatures as well as a decent set of diacritical marks for setting in a few important languages, but it is not at OTF font at the moment and exists only as PostScript for Mac only.
- Flippant Roman (2017). This fun font is a revival of a typeface known as Flirt. Although it has that 1960s feel, like many fonts popular then, I believe it has a much older pedigree. I will supply more information as I come across it. (There is currently an unrelated script font called Flirt on the market now, designed in 2009.)
- Fusion (2017). i developed three weights (including small caps) for the popular typeface Futura, all of them lighter than the Futura Light that is widely available. You can never be too thin.
- Gallantry Roman (2017). The earliest known specimen of the original Gazelle is found in the 1893 catalog of ATF in Cleveland and designed by Henry Schuenemann. This digital revival has multilingual capabilities and is quite unusual, demonstrating again the almost limitless possibilities of type design over the centuries.
- Gamut (2017). The Gamut series of very condensed sans serifs is based on a wide range of typefaces that all began with the letter "G": Galaxy, Gable, Garfield, Giant, Gamma, etc. (Their italics began with the letter "E", perhaps to come at a later time). I produced these typefaces under the same name to keep them all in one place, all ten weights that are floating around somewhere undigitized until now. They are currently available from me as Mac-only fonts, but OTF may be developed over time. They are members of the large "family" of typefaces whose members can be difficult to separate, such as the Helveticas, Trade Gothics, Standard Gothics, etc. I believe this was a well-designed condensed face that has nice nuances.
- Gironde and Gironde Extended (2017). Giraffe is the original name for this digital revival. It has been difficult to find a complete character set for this typeface, as I'm sure whatever existed in the roman also existed for the extended version. I revived what I could find, but it is a rather simple design and other characters can be imagined that are congruent with what is seen here. I'm not sure how much use these two oddball typefaces got in their time, but they were designed by Charles Beeler, Jr. in 1891for MacKellar , Smiths & Jordan.
- Gothic Decorated (2018). This is my temporary name for the digital revival of a typeface once called Ornamented 1,078. In the past couple of weeks, I have revived the "ornamenteds" on either side of this number. I have no information on this other than that it appears in the Inland Printer of October 1885 from George Bruce's Son & Co. TF in New York City.
- Goudy Flare Extra Bold (2019). This is a digital revival of another typeface in the Goudy superfamily, titled originally as simply Goudy Flare. I don't know the provenance of this particular letterform, but it was found in a Solo publication and could very well be one of his own creations, since I have never seen it used in print. It turns out that this is a modification of Goudy Old Style Extra Bold, and so I was able to find a suitable digitized version that matched the base forms very closely and modified the existing characters to accommodate these rather simple swashes. A reader added: "Goudy Flair was created by Mr. Phil Martin of Alphabet Innovations, that is he took Goudy Extra Bold and added swashes to this."
- Goudy Long Fancy (2019). This is a digital revival of the typeface of the same name, again another addition to the large Goudy family. There is a tremendous selection of swashes and alternate characters in this font, especially the upper case. It is an extra bold italic Goudy whose slant is less steep than normal for this family. There are no figures or punctuation provided for this letterform; those provided in the scan from which I worked were incorrect, and possibly back-formations from a different Goudy, so they were not produced for this version.
- Goudy Swash Heavy Italic (2019). This is a digital revival of the typeface of the same name. There are literally hundreds of revivals of letterforms in the Goudy "family" of typefaces. Nearly every foundry has produced its own version of this popular form, with many nuances between them. There are many weights, italics, various alternate characters and swashes galore, but I haven't seen a revival of this particular set of gorgeous swashes and alternates. Thus, I worked on very good printed samples, perhaps from a photolettering catalog half a century ago.
- Goudytype Antique (2019). This is digital revival of a typeface designated as Goudytype in a Solo catalog, with a slight twist. There is no punctuation for this font, but several nice swash alternates, a dollar sign and an ampersand. I decided to draw this as an "antique," because the ink spread in the original lent itself to this sort of treatment. Although a bit tedious, it can be used in the same way as other faces, such as Packard, Benjamin Franklin, Caslon Antique, Papyrus (heaven forbid) and others. Although one would assume this is in the Goudy superfamily, there are some characteristics that set it apart. The stresses and some other features are rather reminiscent of Palatino. And the slant is so slight as to make it unlike both typefaces' italics.
- Gracile (2019). Gracile is based closely on Greyhound Script, but has been expanded and standardized to include weights on either side of the two available in Solo. It is a semi script, since not all characters can be joined, and thus has a more casual feel. It is a strictly monoweight letterform in all six stroke thicknesses, with several alternate glyphs. There are digital versions in two medium strokes available from others, but those I was able to locate are rather poorly realized despite having diacritical marks for foreign languages. They can readily be designed and added to my interpretations, but I have chosen to do this later if anyone requires them.
- Griego Wood Series (2017). Several typefaces classified as Grecian were produced in wood for large sizes. Here I show Full Faced (William Page, 1859); Condensed and X Condensed (Wells & Webb/L. Johnson, 1846); X Condensed Bold (probably handmade, Nebraska, before 1885), and XX Condensed (John Cooley, 1859). I had revived some of these digitally years ago, but I revisited them recently and gave them a real facelift. They have undoubtedly been revived before because of their relative simplicity.
- Grosgrain (2017). This is a revival of a typeface called Grotesque No. 120. The lineage of the most famous typeface in the world, Helvetica (and, sort of, Arial) is evident in the early "grotesques." Although there are distinct differences in many of the characters of this very light typeface designed for mostly display use with alternate flourished glyphs, its resemblance to the later sans serifs of the twentieth century is striking. Marder, Luse & Co. of Chicago shows this face in 1885. Another similar typeface from around the same time called Circular Gothic is even closer to the Helveticas and derivatives of today. The alternate characters are revived from the sister font called Grotesque Fancy.
- Grounded Series (2017). I have revived Abramesque again, this time in congruence with the series from which it originated, thus it is called Grounded Ornamented. The original types started with Gothic Rounded. There was a Roman, an Outline, an Open and an Ornamented. The story behind these beauties is (as usual) too long, but briefly, information from Anna Allen: Old Bowery and Abramesque were originally called Rounded Open and Rounded Ornamented and have led interesting lives. Nicolette Gray identifies them with Caslon c1844. As a teenager, Rounded Open visited the Bruce TF (c1854), where she was called Ornamented No. 1007. After a suspected Bruce facelift as Gothic Round Shaded (≤1869), she was reintroduced by ATF as Old Bowery in 1933. McGrew writes, “Old Bowery is an ATF revival, in 1933 and again in 1949, of Round Shade No. 2, originated by Bruce , one of its predecessor companies, about 1854, as Ornamented No. 1007.“ Only an ornamented version, different from Abramesque and not illustrated by Gray, is shown in Bruce 1856. At a recent Oak Knoll event, Nick Sherman shot a photo of the page in Caslon's 1844 catalog showing Rounded, the solid prototype of these faces (not documented by Gray) and shared it at flickr.com. Albert-Jan Pool (designer of DIN and keen historian of sans-serif faces) observed that the footer is dated “September 1836,” so it was reprinted (probably as a stereotyped page) from an earlier Caslon publication. Until then, the earliest specimen examined by THP is shown in Caslon 1841. All agree that, so far, it is the earliest-known rounded sans-serif face in history—and this pleasingly plump family of three is as appealing today as ever! Of a very similar wood-type face tradenamed Gothic Round, Kelly reports: “First shown by George Nesbitt in his 1838 specimens. … The Nesbitt design was an Outlined or Rimmed Gothic Round. The Caslon Foundry issued several Gothic Round designs, of which an ornamented one (Abramesque), in particular, came into general usage in America around mid-century.” George Nesbittt, a New York printer, distributed wood types produced by Edwin Allen (Windham, CT ). Sherman adds that “Miguel Sousa at Adobe is in the process of making a digital revival of this face (Gothic Round|Old Bowery) for the Hamilton Wood Type Foundry.”
- Heraldry Roman (2017). This is a digital revival of a typeface called Heraldic, patented by John K. Rogers in 1880, an agent of the Boston Type Foundry.
- Hinterland (2017). Attached is a revival of an exuberant, heavy sans serif called Hibernian in Solo's catalogs. I've included alternate glyphs that I know of, but there may be some floating out there somewhere. The origin of this typeface is obscure, but there is some evidence it may have been from Genzsch & Heyse around 1893 according to one knowledgeable source.
- Hopscotch Roman (2017). Hopscotch is a revival of a wood typeface known as Hopkins.
- Jackdaw (+Open) (2017). This is a revival of a wood typeface known as Jackpot in Solo's catalogs, but was originally named Tuscan Shade No. 1. I have also produced a derivative called Jackdaw Open. Otherwise, I have little information on this bizarre beauty.
- Jeffers Contour (2017). Another decorative cap discovered as Jeffrey in a Solo catalog has been digitally revived here.
- Jeremiad (2018). A digital revival of Jenson Old Style, a typeface cut by Hamilton with the permission of American Type Founders in 1906. It has undoubtedly been revived before, as many wood types already have, but this is my interpretation and has been given a measure of consistency without losing its charm. I post this now, but it was produced a couple of years ago and I overlooked posting
- Joshua Contour (2017). I found a rather odd display typeface called Joseph in a Solo catalog, and it seems not to have a history longer than that, so who knows?
- Juvenilia Roman (2018). Juvenilia is a revival of a semiserif medium-weight typeface called Jumbo. Anna Allen's description follows: This slick stylized sans serif was designed and patented by Ernst Lauschke in 1887; he assigned the rights to Arthur M. and Alson E.Barnhart. This letterform is very unusual in having the tops of the characters generally devoid of the expected serif. Overall the design has medium contrast, which would be expected of a serif face. Several characters reflect missal-style influences (e.g. T, M), which was common for the time, but they are sprinkled in with standard types. The ampersand is influenced by wood types of the era. It is a distinctly odd species, another Lauschke innovation and unique.
- Katy Beth (2017). I discovered in the Inland Printer typefaces called Katherine and Elizabeth that were identical to each other and I was able to piece together a complete set of glyphs between the two to make a full digital revival.
- Kodiak (2017). Kodiak is a revival of Komet, an exuberant calligraphic sans serif produced by Roos & Junge Type Foundry around 1902
- Latchkey Roman (2018). This is a digital revival of Lattice, a face designed by Carl/Charles E.Heyer (1841 Berlin–1897 Chicago). He patented it in October–December 1883 and assigned the rights to Arthur M. and Alson E. Barnhart by name (the firm was not yet incorporated). Among other things, his unique hooked C was probably inspired by the hint of a hook in Copley (a sign-painter face dated before or in 1877 and cut by J.F. Cumming in 1881-1884). As Heyer's talent flourished at BBS (Chicago, 1868–1929), he led his new employer from one loathed by traditional TFs for bartering stolen designs for newspaper advertising space to one at the forefront of truly innovative display types. In the history of this TF historically regarded as great, he conceived at least 50% of their designs. Thanks to Anna Allen for the background on Lattice. Thanks to Dan X. Solo for the complete specimen, which although inconsistent and ink-heavy for some characters, was complete as far as I know. I have substantially reworked this typeface to bring a consistency for modern-day typesetting, but it is entirely faithful to the original cutting. Several of the characters are adventurous for their time (the C and ampersand, for example).
- Latin Fancy (2018). The Latin Fancy Engraved Shade version of these three fonts (the two others are derivatives) started life as Ornamented No. 1,077. Thanks again to Anna for the research that follows and for a patent specimen that gave a very rough idea of glyphs that did not appear in the catalog showings. It has ben digitally revived for posterity and is available for now as Mac-only. It appeared in October 1885 in the Inland Printer. Herman Ihlenburg, usually associated with MacKellar, Smiths & Jordan (Philadelphia), designed and cut this sizzling all-caps Latin face for the Bruce TF (New York). The patent application, submitted and approved on the same days as the one for Ornamented No. 1,079 (Brehmer), was likewise assigned to David W. Bruce (New York) [USPTO D15752]. A caveat for purists out there: The "A" has been drawn to compensate for a cutting or design error that appears in all examined versions of the typeface. No alternate has been provided for the misdrawn A.
- Lipo Caps Series (2017). Lipo Caps is a typeface series whose members are related in the sense that they have never existed as digital fonts (as far as I know), they are hand-lettered (probably by the same person), they were unlikely ever to have been developed as typefaces at the time they were drawn, and they were found in the same publication of bizarre letterforms. I have given them consistency without sacrificing the hand-drawn qualities and produced two versions of each one that I found, five fonts altogether (with "undecorated" versions as the lower-case keystrokes in each case). It is interesting to see great drawing technique that nevertheless never resulted into typography until now.
- Livornese Roman (2018). This is a digital revival of Livonia, an art nouveau-inspired typeface for which I have no information. There is a full set of alphanumerics, but no punctuation. It is a monoweight bold condensed sans serif with minimal descenders and an x-height that is at the maximum allowed visual percentage of cap height. This is another example of a face I revived in the 1990s but has been tightened up considerably for consistency and professional typesetting.
- Lubricious (2018). This strictly monoweight rounded sans serif typeface was referred to as Lute Medium in a Dan X. Solo publication, but I otherwise have no information on this letterform. It is influenced by the Art Nouveau movement and I have drawn a plausible Light and Bold as well; it seems that either one or both must have existed if it was referred to as a medium and I have made a rough guess as to the stroke weight. I think this face is quite pretty and has several innovations that are not over the top.
- Luring Series (2017). Luring is a faithful rendition of MacKellar , Smiths & Jordan's Luray and patented by Charles H. Beeler around the mid-1880s. Because the lining work in each was different depending on the point size of the metal type used (in order to achieve the same visual "grayness" when printed), I have developed each of these in such a way that when the same size is selected for each font, the optimal relative size is actually produced. The same technique was used for the equally challenging typeface called Tinted.
- Luscious (2017). This is a revival of a typeface called Lulubelle found in Solo's catalogs. It has been rendered in 7 weights, several of which correspond to known weights of this interesting sans serif condensed Art Deco-influenced letterform.
- Maggie Tried (2018). This is my digital revival (there have been others) of a typeface called Margit. According to sources I believe to be reliable, it was designed in 1969 by Phil Martin. An inquiry from a follower of this page generated a look back at a face I had once revived in the 1990s, but it was not as well-rendered as it could have been. I started from scratch and brought it back to life in a way more congruent with my current skills. It is a lovely example of letterforms developed in the late 1960s and early 1970s.
- Maltic (2018). In the six original sizes advertised and an additional three sizes to fill the gaps: This is a revival of the typeface by the same name, since it may not have been patented or trademarked by anyone until further notice. This typeface may never have been used and certainly is rather odd, but it can be seen that it must be one of the oldest forerunners of typefaces that were built from discrete "pieces" into a dot pattern, presaging the use of pixelation on monitors a hundred years later, as well as many other examples of typefaces built from pixels, dots, rectangles, stars and numerous other doodads and dingbats. In this case, the strict grid is violated for diagonals and many other interesting work-arounds; there are actually three different shapes used to build this geometric sans serif letterform. Information by Anna Allen: "Maltic is an interesting sans-serif face built from geometric motifs, was shown by the Illinois Type Foundry in The Inland Printer edition of December 1886. The specimen is marked patented, but extensive THP research finds no verification of this claim. This typeface is a complete mystery to me, as is the Illinois TF [Chicago, 1872–1892]… Annenberg (who bewails the lack of history details) reports that it was originally a distributor for the BruceTF (New York) and no record exists of any types that were originated by the Illinois Type Foundry. A showing of ornamental borders in the August 1890 edition of The Inland Printer advertises that they were Western Agents for Conner (New York) types as well."
- Margarethe (2017). It is hard to believe, but the original typeface was shown by Eduard Haenel (Berlin) in 1847 and was later adopted by American type houses. Eventually it was called Marble Heart, but most samples show only the upper case. Eventually I was ably to put together a large character set for multilingual setting after a rare, complete lower case specimen was discovered. This digital revival also covers typefaces variously known as Ornamented No. 11, 13 and 33. It is an early forerunner of faces known as grotesques (sans serifs that resemble Helvetica, Standard Gothic, etc.) This is another very difficult drawing exercise, but made all the more enjoyable after valuable sleuthing for missing glyphs by Anna at Type Heritage Project.
- Minster (2018). Minster was yet another style ground-breaker by Herman Ihlenburg, who patented the design in May–June, 1878 with assignment to MacKellar, Smiths & Jordan. This rimmed dual-case ornamented Latin beauty was consistently shown by MSJ and by ATF as late as 1897. It was also distributed by the Franklin TF (Cincinnati) [aka Allison & Smith]. Charles H. Smith, foreman, was the son of Lawrence Johnson's former partner (Johnson & Smith, 1833–1843). It has been digitally revived for posterity and took about two weeks to produce the full set of glyphs. Thanks to J. Choi and Anna Allen for very good specimens of printed materials.
- Molto (Fiorito, Ombreggiato and Nero) (2018). Molto Fiorito is a digital revival of MoléFoliate, whose history below has been researched by Anna Allen. Ombreggiato is a derivative with just the shadow, and Nero is the central characters adapted for separate setting, Bodoni or Didone letterform with high contrast and thin slab serifs. It has been produced in multiple sub-fonts for a wide variety of pin-register multicolor setting. Researching the topic on Fonderie Générale (Paris, 1834–1912) raised some perplexing questions about the history of this famous ornamented Didone. Twentieth-century historians attribute the design to Joseph Moléin c1819. Indeed, the conservative styling is compatible with fonts intended for title pages of scholarly and literary books, mainstay of the publishing industry during this period. The 1835 catalog issued by Tarbé (Molés successor) states that text, titling and display faces are offered therein. Even so, none resembling MoléFoliate is shown by any Molésuccessor in five digital specimen books dated 1835–1896. On the contrary, surface ornamentation is limited almost exclusively to Tuscans and Egyptians. Jaspert et al. (2001) note the then-current letterpress font source as Stephenson Blake & Co. Ltd. (Sheffield). Millington explains that the face was "redrawn by S.L. Hartz from a design by the Parisian typefounder Molé". Sem L. Hartz was associated with the Enschedé TF (Haarlem). SB introduced it in 1958 as "An Exotic Display Type". Did Molétransfer rights to this design before Tarbé's acquisition in 1835? If so: to SB? Enschedé? Another TF in existence at the time? Did Moléhimself design the leafy ornamentation attributed to him today? Or… Did Hartz superimpose his own concept on the surface of a MoléDidone roman? An anonymous developer digitized free revivals of this font and a matching plain one in 1997. They are difficult to find now [and are poorly executed].
- Montrose Roman (2017). Montrose is a display typeface with many interesting features, an example of numerous "banner style" letterforms produced at the time, such as Stephen Ornate and Arboret. It was called Motto (a design claimed by John P. Rogers for the Boston Type Foundry in 1879) and I understand there is still a typesetter who has the original metal matrices. Mine was produced from rather poor scans, so some interpretation was necessary. It came out quite nicely, but not quite exacting enough for some standards. It is definitely of historical interest.
- Moocher Roman and Moocher Open (2018). These digital revivals are based on Moorish and Moorish Open as described below: Moorish was designed, cut and patented by German immigrants Julius Schmohl and Ernst Lauschke, who assigned the rights to Barnhart Brothers & Spindler in April–May 1891. Commercial specimens consistently showed Moorish Open on the same page or in a spread. As advertised, this handsome stylized Latin was meant for multi-color effects.
- Morton Roman (2017). It is plausible for reasons too long to explain here that Ludwig S. Ipsen of Boston designed the typeface known as Mother Hubbard sometime before 1886 when it was offered by Dickinson Type Foundry. There were numerous swashes and alternate characters for this typeface, and I'm certain some will never be discovered. (The unadorned caps of this font bear a close resemblance to Monopol from Petzendorfer in 1903 and I have heard a rumor that a lower case alphabet was designed in modern times. As with many typefaces, the stories behind the letters are sometimes fascinating to those who are interested to know more.)
- Muralla Text (2017). This is a digital revival of Music Hall text. I have no information about it except that it appears in one of Dan X. Solo's publications, but it is quite pretty. Robert Donona added: "This was called Teuton Text, shown in MacKellar, Smiths & Jordan type specimen books, it is also shown in the 1898 book entitled Shriftatlas by Ludwig Pfetzendorfer of German and also shown in some German Printing periodicals entitled Archiv für Buchdruckerkunst by Alexander Waldow, this publication ran from 1864 to the early 20th century."
- Mystica (2019). Mystica was found in a Dan Solo publication on swash alphabets. It consists of the upper and lower case only, but is a very pretty example of a slightly quirky calligraphic letterform that appears to have been hand-drawn. There are several features that I retained when digitizing, and there are others I standardized without sacrificing the overall feel. I'm not sure whether this was ever really a typeface; until now it probably would have been classified as ephemera.
- National Pride (2018). This is a digital revival of a typeface known as National or National Gothic that is surprisingly old, and more surprisingly, not digitized until now despite being a rather obvious project. It was completed a few weeks ago, but it required a little massaging to get a few parameters more in line with afterthoughts I had. Thanks to Anna again for research and some good specimens to go with mine. In his correspondence with William E. Lo , German immigrant Julius Herriet Sr. (then in his 80s, with a life-long career in type design/cutting) recalled producing this face during the few years he worked in Philadelphia. As was customary at the time, his boss, the "hyper-active" Lawrence Johnson, patented it in 1856 [USPTO D760]. Johnson's patent affidavit explains that the design was geared to chromatic separations for printing with blue and red inks with white paper as the third color. What a great idea 150+ years later! Incidentally… It is said that Mr. Johnson [1801-1860] "worked himself to death." In the process, he promoted three of his employees to partners and groomed them to succeed him: Thomas MacKellar, John F. Smith and Richard Smith (sons of his first partner, Johnson & Smith). Together with Peter A. Jordan (the CFO of his time), these men built on Johnson's foundation to become the "largest and most celebrated type foundry in the world."
- New Orange (2017). New Orange is a revival of a typeface called New Orleans but originally called Romantiques No. 3 in catalogs from the 19th century. The Decorated is the original design and the roman is one I created for special interest. Like many of these decorative typefaces from the 19th century, they can be produced as dual fonts for chromatic separations on special request.
- Nile (2017). Nile is an original work based loosely on typefaces called Egyptians, particularly that of VGC. I've greatly expanded the possibilities of this letterform by generating 8 weights with accompanying italics and small caps, suitable for a wide range of languages as well as English, both text and display.
- Nova Sandra Script (2017). Novelty Script has been revived as Nova Sandra. I've produced the typeface as an Extra Light, Light, Roman, Medium, Bold, Extra Bold and Black. (The Bold is a revival of the Novelty Script available from specimens.) The six other weights were added as an extra-special challenge. It is a beautiful connected script that has many unusual quirks unique to this design. There are several alternate characters and I have supplied a full set of “beginning forms” as well. I have also created a reasonable set of punctuation that did not exist in the original. It is a connected script, and therefore, one of the most difficult projects to undertake.
- Octic Latin Drop Shade (2018). This is my digital revival of a typeface that started out life around 1884 at Illinois Type-Founding as Octagon Shaded. Several typefaces over the years have had "Octagon" somewhere in their name, but this is really an octic Latin with distinctive features such as a certain curviness where one would expect linearity, so not a true octagon type, and it in any case has a Latin serif, which was itself applied differently in later Latin designs. It has a wonderful drop shade that gives it great depth. There is no known lowercase for this font and the showing in Inland Printer was nearly complete.
- Octuple (2017). This is a digital revival of a very old wood typeface called Octagon, which seems to have been first shown by George Nesbitt in specimens from 1838, believed to have its origins in France.
- Partisan Ornamented (2017). One of the most challenging projects I've undertaken in the digital preservation of antique letterforms is this remarkable typeface that started off as a reference to "French 1838" and what Figgins showed as Parisian in 1843. Johnson & Smith showed it as Ornamented in 1841, but it was also known elsewhere as Dandy and Ornate No. 6. The principal trouble (beyond the sheer work involved in reviving this monster) lies in assembling anything like a complete character set. Showings in catalogs for nearly all typefaces have been several letters and perhaps a figure or two, but it is often impossible to get enough glyphs from even a dozen showings; Q, X, Z, J are commonly not shown. I revived the letter N to see whether it was even feasible to start the project and estimated it would take two months to complete, even if the missing letters could be found. Beyond my wildest dreams, several people were able to track down every missing letter and even the numerals and the AE and OE ligatures, in varying degrees of resolution from ancient catalogs. I was able to generate this type over many enjoyable, hellish hours.
- Pattycake Condensed (2017). Attached is a digital revival of a lovely monoweight casual serif font called Pastel Condensed. I have seen revivals of this typeface, but I believe mine is a more complete and consistent version, and includes diacritical characters for setting in a wide variety of languages.
- Paymaster Roman (2017). This wood typeface was called Painter's Roman and cut by both Page and Wells, being made available in the 1870s. It was revived a while ago by a major font developer with many glyphs added, but my cut retains some of the quirkiness of the sample I had available from Rob Roy Kelly's masterpiece, American Wood Type 1828–1900. Its numerous specimens are the source of many of my wood type digitizations.
- Pencilings (2018). Pencilings has been digitally revived in three versions known to exist. Pencilings One was originally shown as Paragon Pencilings. Pencilings Two was originally shown as Paragon Pencilings No. 2 and uses the same caps as Pencilings with the lower case characters at 75% the size of No. 1 and with different cuts; both showings have several ligatures and alternates. Pencilings Three is a rendition of Solo's version, which was much heavier and was shown in "Grunge Alphabets" on page 65. The alphabet I scanned for One and Two is shown by Marder, Luse & Co., January 1885 in The Inland Printer. This is a lovely if somewhat inconsistent example of early explorations of typefaces that mimicked handwriting, particularly printing as opposed to calligraphy or penmanship. As such, these irregular examples are sometimes called casuals, a large group that includes brushes and bounces.
- Pisa Semiscript (2017). A seldom-used font available from Bitstream, Piranesi Italic is nevertheless a lovely letterform whose designer I do not know. I have discovered that there was also a bolder version at some time in the past, but have never seen it except in type catalogs existing before digital typography, so quite rare. Despite its being called an italic, there never was a "Piranesi Roman." I have produced nine weights, both lighter and heavier than the original, completely redrawn for consistency and available in OpenType PostScript multilingual cross-platform fonts.
- Precocious (2017). Preciosa was the original name for this little gem and it dates from around 1898 from Bauer & Co. in Stuttgart. It has been fonted before as freeware from Klaus Johansen of Svendborg, Denmark, but did not include lowercase. I'm not quite sure the lowercase I came across is the one designed for that face, as it comes from a Solo catalog, and occasionally he used lowercase alphabets from other faces to accompany his perhaps all-caps blackletter fonts, so who knows? More on that subject later as I revive a couple other drop-cap Gothic beauties whose lowercase characters are the same.
- Protagonist (2018). This series is a digital revival of a face known as Program. Thanks to Anna Allen for the following research as well as a few critical scans from materials I didn't have in my possession: According to William E. Loy, this typewriter-like Egyptian was designed and cut by William F. Capitain [1851–1915]. Carl Müler, an executive of Marder, Luse & Co. (Capitain's employer since November 1874), patented the design in November 1881–April 1882 and assigned the rights to [USPTO D13862]. Contrary to USPTO regulations effective in 1874, he got away with identifying the intended commercial tradename. It was advertised in The Inland Printer of April 1885. In February–May 1885, Capitain himself patented Inclined Program, a dual-case back-slant derivative [USPTO D161054]. Like Program, it was shown in the Marder, Luse catalogs issued in 1889 and 1890. Unlike Müler, he retained the rights.
- Rochelle (2017). This series is intended as an extension of Herb Lubalin's 1970 creation, Ronda. It has always been available in several weights, but I extended the utility of this face to some lighter forms as well as the inclusion of small caps (except in the bold).
- Rose Madder (2017). This is another example of reviving a letterform that may never have been a typeface. It was found unnamed in Carol Belanger Grafton's "Bizarre & Ornamental Alphabets" on pp. 96–97.
- Rosemary Series (2017). Rosemary is a revival of various Roman woods found in "100 Wood Type Alphabets," by Rob Roy Kelly. Ornamented (p. 230) first shown by George F. Nesbitt in 1838 specimens (Shadow and Expanded are derivatives); X Condensed (p. 234) same Nesbitt; Condensed (p. 233) same; Extended (p. 231) same; Roman (p. 232) first shown by Darius Wells 1828.
- Ruinous Titling (2018). This is a digital revival of a face called Parable that appears in one of Dan X. Solo's publications. It would be strange if no one has revived this face, and I do so solely as a demonstration of how it is that people get into doing the sort of work I do, even as an occasional hobby and nothing more. With the right software and a little determination to learn something new, the average person can produce a typeface in a few hours, albeit one this simple and lacking anything more than the capital letters. It whets a lot of folks' appetites for something more challenging, but rarely ending up where I am at a level of astonishing self-inflicted pain! The typeface was less than two hours from turning on the scanner, through drawing and spacing to a usable font.
- Rye Roman (2017). This is a digital revival of a typeface identified as Ryan Jackson on p. 85 of Solo's "Victorian Display Alphabets," but I have found no other reference so far as to its origins before that publication. Technically, it is a moderately decorated low-contrast Latin.
- Saluzzo font (2017)> Giambattista Bodoni, one of the first rockstars of typography and printing, flourished in the latter half of the eighteenth century in Parma, Italy. His fans included Benjamin Franklin, Napoleon and Pope Pius VII. The typeface we know as Bodoni has been developed by numerous foundries, particularly in the late twentieth century, no two of which are identical. It has generally been drawn as a high-contrast serif and was itself based on some of the transitional forms originating in Baskerville's studios at the time Bodoni ran his printing business. I have developed a unique Bodoni myself, slightly lower in contrast to render it more readable at smaller sizes. I have produced the letterform in Open Type PostScript format for cross-platform use in eleven different weights, italics and small caps (in the roman only), for a total of 33 multilingual fonts. Saluzzo is named for Bodoni's birthplace in Italy.
- Santa Claus (2018). This is a self-named digital revival of Santa Claus and Santa Claus Initials, both No. 1 and No. 2. This irresistible pair of fun faces was introduced by Central TF in the December 1885 edition of The Inland Printer. A patent pending notice was displayed in at least one commercial specimen; no such patent exists and none was claimed in the post-ATF catalog issued by the Central /Boston TFs in 1892. According to policies of the US Patent and Trademark Office in effect at the time, Santa Claus was positively new, novel and non-obvious and absolutely worthy of a design patent. No approved applications for design patents were filed by Central executives nor assigned by others after 1886. Apparently this notice was of the "beware of the (non-existent) dog" variety. The designer is unknown. William E. Loy does not account for Santa Claus in his biographies of Gustave F. Schroeder or Nicholas J. Werner, Central's staff type designers/punch-cutters until 1889, when they partnered an independent business. In 1891, Schroeder moved to California; he and Werner continued to contract design commissions from Central and other clients.
- Saprophyte Roman (2018). Saprophyte is a digital revival of a typeface that started out as Ornamented No. 1060. Thanks to Anna Allen for the commentary on its provenance. This Latin gingerbread face was designed and patented by Julius Herriet, Sr. in 1878–1879. He assigned the rights to David Wolfe Bruce , the last family member involved with the Bruce TF. After the USPTO established the trademark division in 1870–1874, the Bruce TF switched from naming its new faces to numbering them. Presumably, this expedient circumvented payment of additional attorney and registration fees. The name Safari may have been dubbed by Dan X. Solo. Those comparing my version with Solo's and the patent specimen will find there to be discrepancies with Solo. The patent specimen was poor but indicated significant changes that occurred by the time Solo had samples. I went as best I could by indications from the patent application of 1878 in regards to overall form and design and had to rely on Solo for only several details. It is my creation based on the information I have available and is nevertheless stunning and unique.
- Shifty Wide (2017). Shifty is a revival of a typeface identified as Shimmer Wide in Solo's "Victorian Display Alphabets," p. 88. I don't otherwise know the origin of this letterform, but because of its regularity I don't believe this was a wood type, or at least the version I'm seeing comes from a metal face that may have been based on a wood design. There is a resemblance to Antique Tuscan No. 1, a wood face from the 1850s.
- Snitch Script (2017). Based squarely on one of the most familiar scripts, Snell Roundhand, my version has several major design changes. Charles Snell developed this letterform many decades ago and it was translated by Matthew Carter into phototype in the mid-1960s with a total of three weights made available. I have developed a total of 12 weights of this very difficult connected script, all the way from a Hairline to an Extra Black, beyond the ranges previously available—keeping in mind that this form has some very different glyphs in place of the originals, and quite a bit of standardizing in ways the original designer would perhaps find offensive. But I love it, so there.
- Solomonic, Cliffhanger and Deerfield (2017). I revived Solar, Climax and Dearborn Initials consecutively, since they had been shown in many catalogs adjacent to one another and were offered by Barnhart Brothers & Spindler in the late 1880s. They are decidedly modern-looking display faces, and as I always say, all of our best ideas were stolen by designers of the past!
- Spiral Swash (2019). This is a digital revival of the typeface of the same name, found in one of Solo's publications. Technically it is a higher-contrast extra-bold, wide, extreme flare-serif with ball swashes. It is reminiscent of the Euclids I revived last year and would work well as drop caps with the entire range of undecorated forms from that revival. It is equipped with a very nice range of alternate characters, but there is no punctuation supplied. I don't know the designer of this face or the time period, but it looks to be something that would have appeared in a photolettering catalog in the late 1960s and early 1970s.
- Springfield Roman (2017). This is a revival of a previously undigitized typeface called Spangle in some catalogs but has been also named Uncle Sam, Carnet de Bal, Ornate No. 3, Ornamented No. 851 and Romantiques No. 1; which demonstrates with one font the tremendous problem in type identification. In any case, it's hard to believe this was designed in the 1830s by Laurent & de Berny of Paris, calling it Ornamented No. 1071.
- Sprinkle Roman (2017). Based on the original typeface called Spring, this is a display letterform that I digitized a few years ago from one of Dan X. Solo's catalogs. It is notable for containing a huge number of alternate characters that make it a lot of fun to work with for a distinctly retro feel. Also called Bonaparte by Photo-Lettering, and Radiant Flair by OptiFont.
- Stakeholder Roman (2017). This wood typeface was called Staccato by Solo, but was originally released as Tuscan Extended by W.H. Page before 1872. I suspect this is another letterform that has been revived by others.
- Stengel Roman (2018). This is a digital revival of Sterling. There have been other unrelated typefaces with the same name, but the history of Sterling follows. Again, thanks to Anna Allen for the sleuthing: A far cry from ATF Sterling (Morris F. Benton, 1917), this suave stylized Latin has just the right slinky curves! The designer, Charles E. Heyer, reprises his trend-setting hooked C and extends the style to the G with a new interpretation for this stunning all-caps alphabet [with two alternates, an E and an L]. His patent application was promptly approved in September–October 1890; rights were assigned to Barnhart Brothers & Spindler, his employer since 1878. It was shown by BBS until at least 1909. A few of my own comments on this letterform follow. For its time, it is certainly a departure from standard interpretations of alphabets. To begin with, we are finding terminals in some of the characters that are unexpected, swashes where we would expect traditional terminals. The A is square with a swash crossbar, echoed in the H, and the H itself is like the M and H in being bandy-legged. The W is practically an inverted M. The J and the U are very wide. All characters are quite a bit wider than usual, in line with Clipper, which it resembles in some respects; but the question mark is super-condensed. The A, B, E, F, H, P and R have compressed upper stories, giving the face a top-heavy look, which became very popular in the Art Nouveau craze. The curves are much thicker than expected, perhaps a bit outside acceptable for good color, so a high contrast in places where you would not expect. The serif is minimal and difficult to discern in my specimens, so I interpolated somewhat. Its modern sort-of-equivalent look is like Newtext, Americana or the modern Copperplates. I worked mostly from the patent specimen, because it was quite different from all the printed materials I examined.
- Stigmata (2018). Only rock-solid project management, determination and a tolerance for tedium will get a typographic revivalist though the gantlet in bringing back to life one of the most complex typefaces ever designed, Stipple. The history of this unique letterform is provided by Anna Allen as follows: The brilliant Herman Ihlenburg completed design of this masterpiece in 1889; in January–February 1890, he patented it and assigned the rights to MacKellar, Smiths & Jordan [USPTO D19660]. Concurrently, he patented a set of related ornaments for line finials and a semi-rectangular frame [USPTO D19659]. The earliest commercial specimen examined was shown in the June 1890 edition of The Inland Printer by Shniedewend & Lee Co., then MSJ's Chicago agent. Widely considered unvectorizable, it was thus a challenge I undertook because the number of good specimens was high enough to consider the challenge. The rest of the story of this revival is too long and technical to relate, so I will describe this is as a maximally decorated modified bold Latin banner typeface. Just one of these characters contains around 2,000 data points, close to the maximum possible to create a font that will not crash. Thanks to all and sundry for a few rare specimens and particularly the US Patent Office for its poor but complete specimen of the 48-point characters; and several others for the serendipitous discovery of a couple important 36-point characters. The bang, question, period, comma and colon were designed by me to make the font more usable. Stipple is now available for the first time in 130 years.
- Sundog (2019). This 9-weight series is a revival of a typeface shown as Sunningdale (in three weights from Dan X. Solo). It is a slab face Egyptian italic with very nice swashes, but there is no punctuation for this letterform. It contains a large range of alternate characters. Although I don't know the origin of this typeface, it is almost certainly the same designer as Whitley Sans, revived most recently by me. The lighter weights in this series are almost strictly monoweight, but there is an increase in contrast from Light through Heavy, as in the original forms.
- Sunnybrook Script (2019). This is a very light monoweight upright semiscript of my own design with a lot of features found in traditional scripts of 150 years ago. The exuberant swash capitals are very loosely based on Flemish Script but have been modified a great deal and standardized across several glyphs. It can be set in a wide variety of languages.
- Superior (2018). This is a digital revival of Superior, whose first showing I have as April 1886 from Great Western Type Foundry in Chicago. It is a slightly decorated extra-light condensed Latin existing only in caps as far as I can tell. There is a full set of numerals and minor punctuation. Superior is a rather simple revival in relative terms and requires only a few hours because of that simplicity and paucity of other glyphs. It has perhaps been revived by other developers, but I am not sure.
- Tanglewood (2017). This revival ranks in the top five of the most difficult projects I've undertaken, not only because of the sheer amount of work involved in drawing the characters but in addition because of the number of glyphs that happened to be available. The name of this face was originally offered as Conner Ornamented No. 43, patented by James M. Conner in 1881. My undying thanks must go to Robert Donona, who supplied an incredibly good specimen from Graphic Compositions, Inc.'s phototype specimen book wherein the typeface is called Tangier. Diacritical marks, superior and inferior characters and basically enough glyphs to complete a large OTF file were evident in the specimen. Specimens of such completeness are rare in the world of typography, but having them available for viewing makes the revival process a time-consuming, if satisfying, venture. It required an absolutely stupid amount of time to finish. Several people have said this is my magnum opus...so far at least!
- Tasty Gothic (2018). This is a digital revival of typefaces variously known as Tasso, Gotham and No. 205). 1890 (Tasso, Gotham), Barnhart Bros. & Spindler; 1895 (No. 205) George Bruce's Son. Some hunting around was necessary to find missing glyphs, but my version appears to contain everything that was originally designed for this very pleasant monoweight gothic.
- Tender Regard (2018). This is a digital revival of a graceful letterform originally known as Tendril. The design for Tendril was patented by Herman Ihlenburg [1843–1905] in 1878. Along with Camelot (Goudy-Phinney/ATF Boston 1900), his application was one of the fastest-approved in 19th-century history. Rights were awarded in less than three weeks during November and assigned to MacKellar, Smiths & Jordan [MSJ ] of Philadelphia.
- Thursday Roman (2017). Attached is my digital revival of Thurston, a letterform appearing in one of Dan Solo's numerous type specimen books. I don't have any information on the source of this form, but like other postings here, this will be updated at some point in the future for the curious. This face is strongly reminiscent of the Peignot types, sans serifs with relatively strong contrast, but in this case with quirky ornamentation.
- Tiberius (2017). Tiberius is a revival of a typeface called Tirolean. This is another strange letterform that has distinct Art Nouveau influences, but I'm not at all sure of the history of this face except that it was found in a Solo catalog.
- Tinting Series (2017). Tinting is a faithful rendition of MacKellar, Smiths & Jordan's Tinted and patented by Charles H. Beeler around 1885. Because the lining work in each was different depending on the point size of the metal type used (in order to achieve the same visual "grayness" when printed), I have developed each of these in such a way that when the same size is selected for each font, the optimal relative size is actually produced. The same technique was used for the equally challenging typeface called Luray.
- Trinitro (2018). This super-sophisticated stylized Latin (known originally as Trinal) was patented by British immigrant William F. Capitain [b1850] of Chicago in September–October 1888. The Marder Luse Type Foundry (a.k.a. Chicago Type Foundry ), his employer since 1874, advertised it in The Inland Printer edition of November 1888. It was shown by ATF until c1900. Trinal has been digitized, containing many of the variously decorated characters that make up a large font. I am not at all sure I found everything, and it took the sleuthing of several other fanatics to find anything like a final set of everything that may have been produced.
- Tunbridge Shadow Ornamented (2017). This is a revival of Tungsten, another oddball ornamented style probably originating in the late 19th century.
- Unitary Roman (2017). Unitary is a revival of a wood type published as Unique. I have no other information as to the provenance of this typeface except that it was taken from a Dan X. Solo publication.
- Valor Shade and Rimmed Shade (2017). These digital revivals started out in 1847 at V & J Figgins and there were several other variants in wood type at the time. Van Horn, Zebra and Tuscan Condensed Shade were other names used over the years, but the latter best describes the letterform. This is a moderately challenging revival that can be made available for chromatic separations, as many of these complicated characters were intended originally.
- Venetian Tulip Wood (2018). The story of this revival is unfolding, but to make it short, this was digitized from a very large point-size specimen of what purports to be wood type from Kelly's collection. But upon further investigation, it is unclear whether this sample was a drawing made from an impression (or printed specimens) or whether it is an actual impression of wood type itself. I suspect the former, but it is indeed a legitimate typeface (and an important early 19th-century face) that existed in several different decorated forms. It is unclear which came first, the metal or the wood letterform. Technically this is an exuberantly decorated drop-shadow concave Tuscan.
- Vicarage Initials (2017). This challenging revival took many hours to complete for digital font use, but well worth it. Vatican Initials was found in a Solo publication and much has been done here to achieve consistency of color and design without sacrificing the nuances of this rare beauty.
- Warpath (2017). Warpath is a revival of a wood typeface called Wampum in Dan Solo's publication; otherwise, I don't know the provenance of this letterform.
- Whitestone Sans (2019). This is a digital revival of a very unusual face called Whitely Sans, found in a Solo publication. It is a medium-weight sans serif italic with very nice swashes and an interesting treatment of shading. There is a wide variety of alternate glyphs, including rare "ending forms," several of which I produced on my own to make it a little more consistent with typefaces supplied with ending forms.
- Wood Types Numbers 154, 500, 506, 508 & 510 (2017). These are five unrelated wood types that were occasionally used in foundries setting metal type because of their availability in large sizes. No. 154 is a modified Tuscan; Nos. 508 and 510 are flared sans serifs; and Nos. 500 and 506 are Latins. Like most wood types, the character availability was usually quite limited.
The free sans typeface families done in 2003: Clemente, Ultima, Passion Sans (a Peignotian family).
His 19th century series, all made in 1995 or 1996: APT New Abramesque, APT New Alferata (psychedelic), APT New Armenian, APT New Belmont (Victorian), APT New Brenda, APT New Cabinet, APT New Caprice, APT New Dawson, APT New Euclid, APT New Linden, APT New Madison, APT New Moorish, APT New Mystic, APT New Rollo (Victorian), APT New Slapstick (wooden plank font), APT New Spiral, APT New Stephen Ornate, APT New Teahouse, APT New Viola, APT Novelty Script.
The wood type collection of Alan Jay Prescott.
- APT Antique Wood Double Outline Shaded 1995, APT Antique Wood Extended 1996
- APT Caslon Wood w: Alts 1996
- APT Clarendon Wood Extended 1996
- APT Columbian Wood w: Alts 1996
- APT Courier Wood 1997
- APT Doric Wood 1995
- APT Gothic Wood (+Alts) 1997
- APT Grecian FullFaced Wood 1996
- APT Jenson Old Style Wood 1996
- APT Kurilian Wood w: Decorated Alts 1997
- APT Modified Gothic Wood Cond 1997
- APT New Venetian Wood 1996
- APT New Woodcut Shaded Initials 1995 (Houtsneeletter)
- APT Roman Wood 1994-1995
- APT Tuscan Antique Wood (+Alts) 1995-1996
- APT Tuscan Concave Wood 1996-1997
- APT Tuscan Contour Wood 1996
- APT Tuscan Gothic 1 Wood 1996, APT Tuscan Gothic 2 Wood Cond w: Alts 1996, APT Tuscan Gothic 3 Wood Cond w: Alts 1997, APT Tuscan Gothic Pointed Wood w: Alts 1997 (Ironwood)
- APT Tuscan Italian Wood 1997
- APT Unique Wood 1995
- APT Wood 1995-1997
- APT Wood No. 501 1996 (orig Wm.H. Page 1887), APT Wood No. 508 1997, APT Wood No. 51 1997, APT Wood No. 510 1997, APT Wood No. 515 1996
Stencil typefaces designed in 1995 and 1996: APT Crystal Ship (1995), APT New Acapulco Light (1995; after the phototype Acapulco Light VGC), APT New Alpha Midnight (1996; after a typeface from 1969 sold by John Schaedler), APT New Beans w/ Alts (1996, after Beans by Dieter Zembsch, 1973), APT New Checkmate (1995---not a stencil type, really, but rather a modular typeface; after the film type Checkmate), APT New Zephyr (1996).
Computer fonts designed in 1995 and 1996: APT Bugsy (1995), APT New Quote (1996: bilined).
Art nouveau typefaces designed in 1995 and 1996: APT New Abbott (1995; after Joseph W. Phinneys' abbott Old Style, 1901), APT New Ambrosia (1995, after Peter Schnorr's 1898 Jugendstil typeface), APT New Baldur (1996; after Baldur by Schelter (1895) and Julius Klinkhardt (1903)), APT New Jagged w/ Alts (1996), APT New Jason (1996), APT New Livonia (1996), APT New Margit w/ Alts (1996), APT New Nightclub (1995), APT New Quaint (1995), APT New Quaint Open (1995).
Decorative typefaces designed between 1995 and 1997: The Bizarre series (decorative caps), Advertisers Gothic PD (2010: a large family based on Robert Wiebking's ugly original from 1917), APT Antique, Crayon PDS (2013, a decorative Victorian family), APT Caslon 76 (1997, based on a Compugraphics original), APT Feinen Inline (1997, after Henry Mikiewicz, 1983), APT Millais (1995, unknown origin), APT New Abel Cursive (1996, a revival of Bernie Abel's Abel Cursive (Compugraphic, 1974)), APT New Artcraft (1996), APT New LSC Book (1996, after a 1970 original by Lubalin Smith Carnese), APT New Classic Rubber Stamp (1996: based on DeVinne by G.F. Schroeder, 1890; F.W. Goudy 1898), APT New Hearst (1995, based on an original from Inland Type Foundry, 1901, which was famously ripped off from Goudy; the Italic was by Carl Schraubstadter, 1904), APT New Ticonderoga (1995-1996), APT New Woolly West (1995), APT Horizon Initials (1995), APT New Gill Floriated (1995), Old Gothic Initials Plain (1995: Lombardic caps), Pfister Bible Gothic APT Cameo (1997, blackletter caps), APT Saint Nick (1995: snow-themed caps), APT Black Dog (1995), APT Blacksmith Heavy (1995), APT New Airedale (1995, after an original tattoo / poster from the 1930s), APT New Blade Display w/ Alts (1996), APT New Cugat (1995; a wedge serif letterpress emulation typeface), APT New Fieldstone (1995), APT New Static (1995), APT New Trump Gravur (1995; after Georg Trump, 1954), APT New Yagi Bold (1996), APT New Courtier Italic (1996, Vanity Fair), APT New Harlequin (1996), APT New June (1996, after Fournier le Jeune).
Avant Garde typefaces: APT Avant Garde Alts and Display (1997), APT Lubalin Graph Alts (1997; to be used with BT Lubalin Graph, Ed Benguiat, 1974).

Local download of some of his fonts. [Google] [More] ⦿

Akiem Helmling

German cofounder of Underware (b. Heidelberg, Germany, 1971), a typographic design studio based in Den Haag, founded in 1999 by Akiem Helmling, Sami Kortemäki and Bas Jacobs. Akiem studied from 1998-2000 at the KABK. He co-designed all Underware fonts: Dolly, Bello, Sauna (2002; +Sauna Mono Pro), Liza (2009), Auto (1, 2 and 3) (2004-2014), Unibody 8 (free) and Fakir (a blackletter typeface). In 2015, Bas Jacobs, Akiem Helmling and Sami Kortemäki published the stencil family Tripper Pro.

In 2017, Underware developed the super-adaptive and parametric typeface family Duos Pro.

MyFonts page. FontShop link. Klingspor link. Speaker at ATypI 2017 in Montreal. At ATypI 2018 in Antwerp, Bas Jacobs and Akiem Helmling introduced the high order interpolation system for fonts called HOI. [Google] [MyFonts] [More] ⦿

Foundry in Offenbach, Germany. Their main specimen book is Haupt-Probe über Schriftgiesserei-Erzeugnisse und Messing-Material (1911, Offenbach am Main). House typefaces include the blackletters Angelsächsisch, Archiv-Gotisch (1909), Asta (1902), Freigotisch, and Schöffer-Gotisch (ca. 1900). Heinrich (Heinz) König made the blackletter typeface Germania (1903). Eduard Brox designed Moderne Alt-Fraktur (1907; some give the date 1910). Albert Christian Auspurg created the blackletter typefaces Apart (1911) and Fraktur-Kursiv (1923). Their art nouveau typefaces include Apollo (ca. 1900), Inserat Kursiv, Neptun, Tedesca.

For digital revivals, see Appeal DT (2007, Malcolm Wooden, a revival of Apollo) and RMU Neptun (2021, Ralph M. Unger). [Google] [More] ⦿

Akubin

Original fonts for Mac and PC, mostly Latin letters, but also a few kana typefaces: AKAkubit12H, AKElephant3, AKMyPrince (2004), AKOsaruH, AKOsaruR, AK-Keroyon (2003, alphadings), Akubin (handwriting), AKAppriqueBlack, AKANGEL, AKAppliqueWhite, AKUNCIAL, AKCalligraphy, 09Keroyon (2004), AK Jelly Beans (2004), AK-Piyoko (2004, egg dingbats), AK woopaa, AK Roopaa, AK-Halloween (2004, dings), AK Sweet Prison (2004, Fraktur), AK-BlackCastle (blackletter, 2004), AK-WinterYawns (2004, winter dings). AK-Shanghai 1930 (2005), AK-Japonesque (2005), AK-My Baby (2005, child dingbats), KS Lovers (2007, handwritten Latin and kana). In 2008, they stopped offering free fonts. [Google] [More] ⦿

Alan Jay Prescott
[AJPT]

Alan N. Po
[TNAIA]

Albert Christoph Auspurg

German type designer, b. Frankfurt am Main, 1868, d. Leipzig, 1943. His oeuvre:

At C.E. Weber: Start (1934).
At Ludwig&Mayer: Aristokrat (1912), Miracle (1931, a script face), Rasse (1924), Schöndeutsch (1934), Reklame-Fraktur (1914; revived in 2016 by Ralph M. Unger as Reklame Fraktur), the gorgeous long-legged Mona Lisa (1930; digital version by Pat Hickson, 1992), the blackletter typeface Deutsche Kraft (1915), Brigitte (1935), the display roman typeface Krimhilde (1933-1934; with Schwabacher-style capitals, though).
At Schriftguss: Lido (1936, script face) and Miami (1934). Digital revivals of Krimhilde were done by Ralf Herrmann (as Krimhilde, 2018) and Klaus Burkhardt (also as Krimhilde). Rick Banks's F37 Attila was inspired by Krimhilde. Miami was revived in 2020 by Ralph M. Unger as Elbflorenz.
At Benjamin and Krebs: Brentano Fraktur (1915-1916), Federzug Antiqua (1913), Nürnberger Kanzlei (1906), Schönbrunn (1928), Trajan Versalien (1928).
At Genzsch&Heyse, he did Hans Sachs Gotisch (1911, revived in 2005 by Petra Heidorn; the typeface also appeared at Ludwig & Wagner, where some date the Initialen style at 1902---Hans Sachs Gotisch was named after Hans Sachs from Nürnberg, 1494-1576, who was a master singer and songwriter), Domina (1929), Souverän (1913).
At Haas: Castor (1924), Pollux (1925).
At Trennert: Trocadero Kursiv (1927, a script font with flourished capitals). In 2010, it was extended and revived by Ralph Unger as Trocadero Pro.
At Berthold: the peculiar Messe Grotesk family (1921-1927) and the shaded titling typeface Vesta (1926, a Mexican simulation face; for a digitization, see Visillo Adornado (2006, Nick Curtis) or Venezuela RR (2000, Pat Hickson at Rabbit Reproductions Type foundry, aka Red Rooster)). The Messe Grotesk design was revived by Nick Curtis as Troglodyte NF (2006-2011) and by Paul Hickson as Messe Grotesk (1997, Red Rooster).
At AG für Schriftgiesserei in Offenbach: the blackletter typefaces Apart (1911) and Fraktur-Kursiv (1923).
At Schelter & Gisecke: Kolibri (1915; for a digital version of this multiline open typeface caps face, see Trochilida NF (2012, Nick Curtis)).
At Berling: the italic open capitals typeface Berling Kortversaler.
At Lettergieterij Amsterdam: Albert or Select (ca. 1936). Revived by Paul Hickson as Honduras RR at Red Rooster.

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Albert Kapr

German type designer, typographer, calligrapher, author and educator, b. Stuttgart (1918), d. 1995. He was art director at the Dresden type foundry VEB Typoart from 1964 until 1977. He founded and led the Institut für Buchgestaltung at the Hochschule für Grafik und Buchkunst at Leipzig from 1956 until 1978. Obituary by Harald Suess. Page at Klingspor. MyFonts page. Catalog of Albert Kapr's typefaces

He designed these typefaces:

Faust-Antiqua (1958-1959), or just Faust. This right-footed serif typeface suffers from the ugly duck syndrom. Nevertheless, it inspired Nick Curtis to design Kaprice NF (2010). In 1993, Steve Jackaman revived it as Faust RR.
Leipzig (with Otto Erler in 1963). A font with large x-height.
Leipziger-Antiqua (1959). Revived by Tim Ahrens in 2004 as JAF Lapture. It was also digitized--close to the original and under the original name--by Ralph Unger at URW in 2005. And it was shamelessly digitized by Linotype and sold as Hawkhurst without mentioning the Leipziger Antiqua source, in fact claiming that Hawkhurst is an original.
Calendon-Antiqua (1965).
Prillwitz-Antiqua (1971, Typoart, with Werner Schulze).
Magna Kyrillisch (1975).
Circa 1975, he created Garamond Cyrillic at Typoart.

A specialist of blackletter, he was passionate about Gotische Bastarda.

Author of these books:

Fraktur: Form und Geschichte der gebrochenen Schriften (1993, H. Schmidt, Mainz).
F.H.Ernst Schneidler Schriftentwerfer, Lehrer, Kalligraph (SchumacherGebler a.o., München, 2002). Co-authors: Max Caflisch, Albert Kapr, Antonia Weiss and Hans Peter Willberg.
The Art of Lettering; The history, anatomy, and aesthetics of the roman letterforms (München, K.G. Saur, 1983, original edition in German by VEB Verlag: Dresden, 1971).
Schriftkunst. Geschichte, Anatomie und Schönheit der lateinischenn Buchstaben (Dresden, 1971).
Schrift- und Buchkunst (VEB Fachbuchverlag, Leipzig, 1982).

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Albert Wilhelm Kafemann
[J. G. Francke Nachfolger]

Alberto Manzella

Photographer and graphic designer in Monza, Italy. In 2014, he designed the calligraphic blackletter typeface AM Gotisch. Behance link. [Google] [More] ⦿

Albrecht Dürer

Born and died in Nuremberg, Germany, 1471-1528. Painter, wood carver and copper engraver extraordinaire, famous for many great geometrical and structured capitals and proportioned designs, carried out with compass and ruler. Example from 1524. Another example, ca. 1500. Best known for the books on the geometry of letters, Unterweysung der Messung [A Course on the Art of Measurement] [or: Of the Just Shaping of Letters], published in 1525. See here.

Images of his work: his famous set of German Renaissance Capitals (1525), Gothic Capitals, German Minuscule, his famous rhinoceros (1515) and his blackletter type Dürerfraktur (1519).

Digital typefaces based on Duerer's work:

Terry Wüdenbachs at P22: P22 Durer Caps (2004).
MichelM at URW++: Hands on Albrecht (2005).
Amy E. Conger: Duerer (2006).
SoftMaker: Albrecht Duerer Fraktur Pro (2016). A revival of Duerer's ornamental blackletter.
Christopher Adams: Just Letters (2012, blackletter). This was based on Albrecht Duerer's Of the Just Shaping of Letters (1525).
Alan Hoenig: The Computer Duerer fonts (1990). A set of Metafont typefaces.
Dieter Steffmann: Duerer Gotisch (2001).
Jeff Jackson: JGJDurerGothic (1997).
Gilles Le Corre: 1525 Durer Initials (2010).
David nalle: Albrecht Durer Gothic.
Martin Lorenz and Joan Pastor: VLNL TpDuro (2019). A blackletter.
Manfred Klein. The geometrical overlays reminiscent of Duerer are another recurrent theme in Manfred Klein's work. Fonts directly or indirectly related to Duerer's compass-and-ruler constructions made by Manfred Klein include DancingVampyrish, GrafBoldBold, GrafCirculum, GrafCirculumBricks, GrafObliqueItalic, GrafRoundishMedium, GridConcreteDue, GridConcreteLogoable, OldConstructedCaps, RodauButtons, RodauButtonsInverse, RodgauHeads, RodgauerFisheyes, RodgauerOne, RodgauerOneRoundMedium, RodgauerThree, RodgauerThreeRoundedMedium, RodgauerTwo, RodgauerTwoRounded-Medium, RomanGridCaps, SketchesByDuerer-Inverse, SketchesByDuerer, TheRoots, XPCrazy-Light, XPFourTwoContourMedium, XperimentypoFS, XperimentypoFSBlack, XperimentypoFSWhite, XperimentypoFourBRound, XperimentypoFourCRoundInvers, XperimentypoFourRound, XperimentypoNr1, XperimentypoNr1Oblique, XperimentypoStripes-One, XperimentypoStripes-Two, XperimentypoThree-B-Square, XperimentypoThree-C-Square, XperimentypoThree-Crazy, XperimentypoThreeSquares, XperimentypoTwo, XperimentypoTwoCrazy, XperimentypoTwoStripes. Download page. Download all these fonts in onze zip file.

[Google] [MyFonts] [More] ⦿

Aleksandra Korolkova

Graduate of Moscow University of Printing Arts in 2006 where she studied under Alexander Tarbeev. She teaches type design and typography there. In 2007, her book for Russian students on typography was published (English title: Alive Typography). She received many awards for her work and is a frequent speaker at type design conferences. In particular, she received the prestigious Prix Charles Peignot in 2013. After that she became Type Director at ParaType in Moscow.

Designer of the beautiful Cyrillic serif family Leksa (a winner at Paratype K2009) and the accompanying Leksa Sans family from 2004 until 2007. This was followed by equally gorgeous families such as Fence (2009, an ultra-fat artistic beauty). Skoropix is an experimental pixel typeface done with FontStruct.

She also made Belladonna (2008, a stunning modern typeface for Latin and Cyrillic; a winner at Paratype K2009 and Grand Prize winner at Granshan 2011), Skoropix (with FontStruct), and the experimental typeface Cless (2009). She spoke about Cyrillic at ATypI 2008 in St. Petersburg. She received a TypeArt 05 award for the display family Fourty-nine face. Alternate URL.

At MyFonts, one can buy Gorodets [2009: a Russian decoration typeface based on traditional wood-painting style from the town Gorodets on the Volga river, Russia], Leksa and Leksa Sans], Blonde Fraktur (2010: written with a quill by Alexandra Korolkova and prepared in digital form by Alexandra Pushkova), Airy (2010, a curly script), Airy Pictures (2010, animal and plant dingbats), Bowman (2010: a blackboard children's script), PT Serif (2011, Paratype's superfamily of 38 fonts, co-designed with Vladimir Yefimov and Olga Umpeleva; Open Font Library link), PT Circe (2011, a geometric sans family with a neat Thin weight; Third Prize for Cyrillic text typefaces at Granshan 2011), and Cless (2010: ultra fat and counterless).

Together with Isabella Chaeva, she made PT Mono (2012, Google Web Fonts and Open Font Library).

In 2012, Vasiliy Biryukov and Alexandra Korolkova co-designed the Christmas dingbat font Gingerbread House, together with a plump display face, Gingerbread.

In 2013, Vasily Biryukov and Alexandra Korolkova co-designed the soft roundish sans typeface Kiddy Kitty (link).

In 2014, she cooperated with Maria Selezenava on a revamped Journal Sans typeface at Paratype, called Journal Sans New (Latin and Cyrillic). This geometric sans in the style of Erbar Grotesk and Metro Sans is a major extension of the Journal Sans typeface (1940-1956, SPA, in metal form, and 1990s in digital form). Still in 2014, she co-designed Stem, a geometric large x-height Latin / Cyrillic sans serif with optical sizing, with Isabella Chaeva and Maria Selezeneva at Paratype. This was followed in 2015 by Stem Text.

In 2015, she and Alexander Lubovenko co-designed Circe Rounded, which is an extension of her earlier Circe typeface (2011), both published by Paratype. In 2018, Paratype extended that family with Circe Slab (by Alexandra Korolkova and Olexa Volochay). Still in 2015, Alexandra Korolkova and Alexander Lubovenko published Aphrosine at Paratype, a typeface based on pointed pen script and situated somewhere between handwriting and calligraphy. Many alternatives and smart OpenType features help Aphrosine look like real handwriting.

Codesigner of Kudryashev Display (2015, Isabella Chaeva, Alexandra Korolkova and Olga Umpeleva). Kudryashev Display is a set of light and high-contrast typefaces based on Kudryashev text typeface. In addition to Kudryashev Display and Kudryashev Headline typefaces, the type family includes also two Peignotian sans-serif typefaces of the same weight and contrast, with some alternates. The serif styles were designed by Olga Umpeleva in 2011, the sans styles were created by Isabella Chaeva in 2015 with the participation of Alexandra Korolkova.

In 2016, she designed FF Carina, a delicate and absolutely stunning decorative didone.

In 2018, Alexandra Korolkova and Manvel Shmavonyan designed Fact at Paratype. Fact (2018) is based on Frutiger. The Fact type system contains 48 upright styles with variations in width and weight and eight italics of normal width. At the end of 2018, Alexandra Korolkova, Alexander Lubovenko, and the Paratype team finished Six Hands, which is a collection of six handcrafted typefaces: Black, Brush, Chalk, Marker, Condensed and Rough.

In 2019, Vitaly Kuzmin and Alexandra Korolkova co-designed the free sans serif typeface Golos Text at Paratype. It was originally commissioned by Smena (AIC Group) for state and social service websites.

Typefaces from 2020: Sber (the type system for Russia's Sber Bank; by Korolkova and the Paratype team), Tupo Vyaz (a free modular closed sans serif font with very simple design and some elements from the northern variant of Vyaz slavonic calligraphic hand), Grrr (at Paratype, with Dmiry Goloub; a techno family characterized by an oversized lower case f).

MyFonts interview. Kernest link. Klingspor link.

View Alexandra Korolkova's typefaces. Speaker at ATypI 2019 in Tokyo. [Google] [MyFonts] [More] ⦿

Ales Santos

Madrid, Spain-based designer of Neogothic (2014, a modular 21st century creamy blackletter) and AQRS Script (2019, with Juanjo Lopez). In 2022, he released the sharp-edged display serif Almoneda at Sudtipos. [Google] [More] ⦿

Alessandro Malcotti

During his Masters studies at Politecnico di Milano, he spent a year in Berlin where he designed the blackletterish typeface The Raven (2015) in a course taught by Luc(as) de Groot at Fachhochschule Potsdam. Earlier, in 2012, he created the condensed octagonal typeface Fiat that is based on Fiat's logo. Fiat was a school project completed with Cecilia Negri and Virginia Nardelli. [Google] [More] ⦿

Alex Burrowes

During his studies at Clyde College (Cardonald) in Glasgow, Scotland, Alex Burrowes created an untitled blackletter typeface (2014). [Google] [More] ⦿

Alex Camacho Studio
[Alex Camacho Pizarro]

Graphic designer and illustrator from Barcelona who has an MA from Central Saint Martins, and works in London since 2009. His typefaces:

Origen (2018). A blackletter typeface that won an award at TDC Typeface Design 2018.
Excritura (2013). A calligraphic script influenced by the work of the Catalan architect Antoni Gaudi.
Die Modularität (2012).
De Palo (2011).
Scriptura (2011). A connected calligraphic script.
Variable (2010).
A triangle/circle based modular type.
GoodBye. An experimental type based on Barcelona's night lights.
A geometric custom-designed typeface for the Aroy Restaurant in Barcelona.
Mares (2018). A wildly psychedelic unicase typeface.
Kenza (2020). A 6-style angular display typeface described as big and bold poster block movanble type.
Berona Stripes (2022). Bilined.

Cargo collecive link. Linotype link. [Google] [MyFonts] [More] ⦿

Alex Camacho Pizarro
[Alex Camacho Studio]

Alex Etewut

Moscow-based artist who created these typefaces in 2016: Buena Onda, Londa (a connected script), Foie Gras (signage script), Fuego, Cama (a thick connected script), Blackthorn, Savoiardi (connected monoline script), Savoiardi Sans, Savoiardi Display, Zimbra (a zebra stripe font), Signal, the Vincent Van Gogh-inspired Absinth, the Russian fairy tale font Anchor, the handcrafted Swan, the weathered Cliché Font, the constructed extraterrestrial font Structure, the geometric solid typeface Forma, the semi-calligraphic Absinthe and Glasgow, the calligraphic oriental brush typeface Yakudza, and the brush typefaces Augenblick and Barbada.

Typefaces from 2017: Curator (a curvy decorative didone), Gluck (a rounded monoline sans family with outlined and double outlined styles), Laser Dots, Zarathustra (a soft blackletter typeface family), Pedrera and Pedrera Script, Hooley (advertized as a party font), Forma (free counterless typeface), Fuego (calligraphic script), Arc Boutant (a vintage ballpoint-laden text typeface), Moloko (script), Etalon (a 33-style organic sans family), Molodos All Caps, Click (Stripes, Black), Geometry Pair, Venzel (an interesting experimental deco typeface), Batllo (inspired by Gaudi), Pluma (handwriting).

Typefaces from 2018: Pistoletto (a jelly or toothpaste script inspired by the work of Roy Lichtenstein and Michelangelo Pistoletto), Lento (a monoline script family), Rajomon (a dry brush typeface), Solomonk (an inky script), Ma Tilda, Warka, Abudabi (connected script), Lunar, Tilda (a monoline sans with character), Jeunes (connected script), Danken (a textured all caps typeface family), Salud (a hand-drawn slab serif, with some interesting sketched and arched styles), Hoochie, Brutto (stencil with alyering and coloring potential), Hvala, Mafond (slab serif), Tadaam, Liberal (a simple monoline sans).

Typefaces from 2019: Etewut Serif, Etewut Sans, New Lobster (sigange script).

Typefaces from 2020: Vulgary (a glistening oily font family), Spiro 2020 (a rounded sans), Chakra (script), Baker ST (spurred, all caps), Geraldica (a monoline script).

Typefaces from 2021: Domosed (sci-fi), Riley Wow (a round oily font for emulating glows).

As Etewut Graphics in Florence Italy, he published Pronto (2018, a monoline sans) and Allora (2018).

Typefaces from 2022: Domosed Slab Serif. [Google] [MyFonts] [More] ⦿

Alex Jacque

Alex Jacque (b. 1986, Virginia) is a designer and developer based in Oakland, CA (was: Baltimore, MD). He studied at the University of Michigan School of Art&Design and was located at that time in Ann Arbour, MI. He obtained an MFA from the Maryland Institute College of Art.

Creator of Coop Blackletter (2016, a soft blackletter version of Cooper Black), Dequindre (2015, based on the capitals of Fette Buhe Fraktur by Walter Buhe, 1914-1915), Teip (2014, a multiline layerable all caps typeface), Pila (2014, techno stencil), Handu (2012, hand-drawn sans-serif inspired by the hand-painted type and signage on the streets of Kolkata, India), Atrium (2012, a squarish sans family based on the pen art of W.E. Dennis), Saugatuck (2011, grunge) and Sello (2011, a unicase hand-drawn, geometric sans-serif with a touch of retro).

Behance link. Klingspor link. MyFonts foundry link. Home page. [Google] [MyFonts] [More] ⦿

Alex Joganic
[1871 Project]

Alex Mata

FontStructor who made the blackletter typeface Black Bible (2010). I understand his complaint: We made fonts on FontStruct.com. The website is buggy and difficult to use, but I persevered and Black Bible was born. [Google] [More] ⦿

Alex Moseley
[Crazy Diamond Design Historical Fonts]

Alex Rütten
[Formsport]

Alexa Schara

As a graphic design student at Ringling College of Art and Design (class of 2015) in Sarasota, FL, Alexa Schara created the hybrid typeface Klaus (2012), a mixture of Century Gothic and Fette Fraktur. [Google] [More] ⦿

Alexander Cherepanov

Alexander Cherepanov (White Russian Studio, Moscow) designed the Latin / Cyrillic sans typeface Transgender Grotesque (and Transgender Grotesk), the serifed display typeface New York City, Sport Super Italic, the blackletter typeface Kendrick Human Sacrifice, the avant garde typeface Hueviy Thin, and the piano key typeface Trust Me, the sans typeface November, the triangle-serifed Naaah, and Sestra Thin in 2017. [Google] [More] ⦿

Alexander Colby
[xyz.ch]

Alexander Lubovenko

Talented Russian graphic and type designer who works for ParaType in Moscow. His typefaces:

In 2015, he and Alexandra Korolkova co-designed Circe Rounded, which is an extension of the Circe typeface (2011), both published by Paratype. Circe is named for the circular nature of many of its glyphs.
In 2015, Alexandra Korolkova and Alexander Lubovenko published Aphrosine at Paratype, a typeface based on pointed pen script and situated somewhere between handwriting and calligraphy. Many alternatives and smart OpenType features help Aphrosine look like real handwriting.
Carol Gothic (2015, Alexandra Korolkova and Alexander Lubovenko, Paratype) is a traditional blackletter face closest to Linotype's Old English.
Liberteen (2015) is a playful tongue-in-cheek take on 19th century slab serifs, including Clarendons. For Latin and Cyrillic, from Thin to Black. Dessert Script (2015, Paratype). A smooth-outlined advertising script for Latin and Cyrillic.
In 2016, Alexander Lubovenko and Manvel Shmavonyan co-designed the 30-style Latin / Cyrillic workhorse sans typeface family Mediator which was followed in 2017 by Mediator Serif. Later in 2016, Alexander Lubovenko designed the heavy slab serif family Bombarda.
Hypocrite (2017, Paratype).
He created some additional styles for Zakhar Yaschin's Mojito script font.
in 2018, he designed Clincher at Paratype, a set of monospaced and duospaced fonts that were specifically developed for program coding and user interface design.
Wak (2018). By Aleksander Lubovenko and Viktor Fitzner.
Journal Sans New (2018).
Six Hands (2018). This is a collection of six handcrafted typefaces: Black, Brush, Chalk, Marker, Condensed and Rough, by Alexandra Korolkova, Alexander Lubovenko, and the Paratype team.
Stapel (2020, Paratype). A 57-style Latin / Cyrillic sans family with a sci-fi look and thin stroke joints.
Vast (2021, Paratype). A 56-style sans family, and three variable fonts, by Manvel Shmavonyan and Alexander Lubovenko. Choices are from thin to black and regular to extra wide.
In 2021, Paratype designers Isabella Chaeva, Vasily Biryukov and Alexander Lubovenko created DIN 2014 Rounded, an extension of the industrial sans serif DIN 2014. The six-style typeface supports all European languages based on Latin, Cyrillic, and Asian Cyrillic (Tatar, Kazakh and Kyrgyz) and has a variable version.

Paratype link. [Google] [MyFonts] [More] ⦿

Alexander McCracken
[Neutura]

Alexander Sperl

German designer (aka laynecom) at FontStruct in 2008 of band, blokk_2, maiden, substance, Fette Serif (fat, octagonal), Runde Pixelig, Velvet, Thin Sans, Constr, Clear Serif, Blokk.

Added in 2009: Russisch Brot, Block Out (3d face, +Filled1, + Filled2), Bold Stencil Sans, Script Pixelig, Dorky Corners Sans, Haus der Kunst (inspired by the building in München by that name), Fraktur Test, Fette Sans (nice), Emilia, Runde Pixelig (pixel script).

Creations in 2010: Fraktur Test, The Plot (octagonal, architectural), 80s Metal Band, Fieldwork Font (pixel), Black Metal, I slabbed the Seriff, Play (curly face).

Creations in 2011: Obvious Stencil (Bauhaus, or piano key), Supercali (a psychedelic font inspired by the cover for A.R. Kane's "I"), Manuale (with straight slabs; +Manuale Giocoso, 2012), Graphite (fat and rounded), Graphite 2, Hinterland Italic (quaint Victorian face).

From 2012: Linea Fraktur (extended in 2013 to Linea Runde), Black Organic (spiky blackletter), Green Organic (a spurred blackletter), Standard Sans, Modular Blackout Bold Condensed, Viva Las Vegas, Helios, Faux Pas Serif (Egyptian typeface), Nova Thin Extended (this hairline sans is a tour de force---it is the first successful hairline sans typeface ever made by anyone using FontStruct), Bencraft.

Fonts from 2013: Meadow Bold, Lush Capitals, SwiftStroke, Its Slab To Be Square, Mellow Doubt, Ligure Black, Beige Organic, Trafo, Trafo Evolution, Codester Mono (a programming font), Swash Buckle, Nova Thin Extended (a hairline sans), Meson Sans, Burgwald Exquisite Bold Condensed, Editoriale, Coalescimen, A La Carte, Hampton Italic, Baby Elephant (fat grotesque).

Fonts from 2014: Terminal One (a basic sans), Fanomino, Fontris (like Tetris), Schlaraffenland (+Variant: great rounded sans family), Crystalline, Tick Brush, Manuale Neue Bold, Terminal One, Sanspura, Italics Study, Mundane Black Extended, Heavy Grain, Wineshop Stencil, Folds and Rhizones, Viva Las Inline.

Fonts from 2015: Augustine, Coleridge, Framtid, Licht-Sans, Quire-Bold, Quire, Static-Grotesk, Tattoo-Parlour, The-Gift-Serif, Tuileries-Black, Usual-Type, Ziseleur, Zungenschlag, Blackesteverblack.

Alexandr Galuzin
[Alexandr Galuzin (was: Tangramus)]

Alexandra Leopoldovna Gophmann

Alexandr Galuzin (was: Tangramus)
[Alexandr Galuzin]

Pavlodar, Kazakhstan-based designer (b. 1987) of the medieval calligraphic typeface Square Capitals (2014, Latin and Cyrillic), the uncial typeface Uncial (2015) and the Trajan typeface Capitalis Monumentalis (2015). In 2015, he designed the angular and angry straight-edged typeface KZ Kirpich, the tangram-inspired German expressionist typeface Tangramus, and the Latin / Cyrillic deco typeface Kvadrat.

In 2015, he set up the commercial type foundry Alexandr Galuzin. His first commercial typeface is Golovolomka (a modern blackletter).

In 2017, he designed the fat stenci typeface Growling.

Typefaces from 2020: AG Bambook (a condensed sans family). [Google] [MyFonts] [More] ⦿

Russian designer of typefaces who collaborates with Ivan Zeifert and specializes in revivals, cyrillizations and beautiful digitizations, some of them done with Anatole Gophmann. There have been complaints about her practice of borrowing fonts from type designers without asking. One typophile writes: I have cracked open fonts she claims as hers, Bolero, Bickham and others, she has copied and pasted glyphs, copyright data, added Cyrillic and changed the copyright string. As an example, Angelica is a copy of Alejandro Paul's Miss Fajardose. Alejandro has drawn the numerals in his font in 2004 to accompany the letters found in an old catalog of alphabets. There is no other source of the numerals, and Angelica has them. Michael Clark writes: I initiated a battle with the illustrious Alexandra "Bitch" from Russia who has renamed Pouty (FontBureau) and copyrighted [it as] Bolero. She and her partner Anatoly shithead. Available on Fonts101.com for anyone who wants it free. The ass's site, Jagdesh, is in Pakistan and we cannot touch him. 260+ viewings and 140+ downloads. Let's see that is 1400$ I will never see! Others have complained as well about her practice of taking and extending fonts without permission. Anyway, her "fonts" are:

A: Adine_Kirnberg (2005, the Cyrillic version), Advokat Modern (2008), Afisha, Afisha Cap, Agatha-Modern, AlexandraScript, Amadeus, American Text C, American-Retro (2008), Ametist [based on Lorelei] (2008), AmpirDeco, Andantino-script (2008), Andantinoscript, Anfisa Grotesk (2008), Angelica, Annabelle, Antikvar (2008), Antikvar Shadow (2008), Antonella Script (2008), Antonella Script X (2008), Antract, Aquarelle, Ariadnascript, Ariston-Normal, Arkadia (2008), Arkhive, Arlekino, Art-Decoretta (2008), Art-Decorina (2008), Art-Metropol, Art-Nouveau Initial (2008), Art-Nouveau1895, Art-Nouveau1895-Contour, Art-Nouveau1900, Art-Nouveau1910, Art-Victorian (2008), ArtNouveau-Bistro, ArtNouveau-Cafe, Artemis Deco (2008), Artemon (2008, psychedelic), Arthur Gothic, Artist-Modern, Astoria Deco (2008), Atlas Deco A (2008), Atlas Deco B (2008), Auction, Augusta One, Augusta Two, AvalonMedium.
B: Ball-Point Pen, Bankir-Retro, Barocco Floral Initial (2008), Barocco Initial (2008), Baron Munchausen, Batik Deco (2008), Belukha, BelukhaCapital, BickhamScriptAltFour, BickhamScriptAltOne, BickhamScriptAltThree, BickhamScriptAltTwo, BickhamScriptOne, BickhamScriptThree, BickhamScriptTwo, Birusa (2008), Bodoni Initials (2008), Boleroscript, Bonapart-Modern, Briolin, Brokgauz&Efron, Brokgauz&Efron-Italic.
C: Caberne, Cafe Paris C, Calligraph-Medium, Campanella (2008), Capitol Deco (2008), Carmen, Carolina, Casanova (art nouveau) (2008), Cassandra, Castileo (2008), Certificate of Birth (2008), Chocogirl (2008), ClassicDecor (ornaments), Classica-One (2008), Classica-Two (2008), Cleopatra (2008), Conkordia (2008), Cordeballet, Corinthia, Corleone, CorleoneDue.
D: Dama Bubey (grunge) (2008), Debut (art deco in the style of Broadway) (2008), Decadance Cursiv (2007), Decor Initial (2009: decorative caps, a Cyrillic extension of a typeface by Pampa Type), Decor Line (2008), DeutschGothic (blackletter), Donaldina (2008).
E: Edisson (blackletter), Egipet-Bold, Ekaterina_Velikaya_One (2005), Ekaterina_Velikaya_Two (2005), English Rose (2008), EnglishScript, EseninscriptOne, EseninscriptTwo, Evgenia Deco (2008).
F: Fairy Tale (2008), Fantasia (2008), Fata Morgana, Favorit, Favorit Grotesk (2008), Flamingo (2008), Fortuna Gothic FlorishC (2009, blackletter).
G: Geisha (2006), Gertruda Victoriana (2008), Globus (2006), Gloriascript, Goudy Decor InitialC (2009, ornamental caps), Goudy Decor ShodwnC, Goudy OrnateC, Graceful Mazurka (2008).
H: HeatherScriptOne, HeatherScriptTwo, HeinrichText, Hogarth_script (2005).
I: Isabella-Decor, Italy-A (2008), Italy-B (2008), Izis One (monoline sans), Izis Two.
K: Kabriolet Decor (2009), Kamelia (2009, Victorian face), Kareta-A (2007), Kareta-B (2008), KarnacOne, KarnacTwo, Konkord-Retro, Konrad-Modern (2008), Konstrukto-Deco (2008) (2008), Kot Leopold (2008), Kumparsita.
L: Lastochka (2008), Le Grand, Leokadia Deco (2008), Lombardia, Lombardina One, Lombardina Two, Lombardina-Initial-One (2008), Lombardina-Initial-Two (2008), Lombardina-One-Roman (2008), Lombardina-Two (2008), Ludvig_van_Bethoveen (sic) (2005).
M: Majestic X-2, Majestic-, MajesticX, Malahit-Bold, Margaritascript, Marianna, MarkizdeSadscript, MartaDecor One and Two, MartaDecorTwo, Martina Script C, Masquerade (2008), Matilda, Matreshka, Maya (2008), Medieval English, Melange Nouveau (2008), Menuetscript, Metro Modern, Metro Retro B (2008), Metro Retro C (2008), Metro-Retro A (2008), ModernistNouveau, ModernistOne, ModernistThree, ModernistTwo, ModernoNouveau, ModernoOne, ModernoThree, ModernoTwo, Modestina (Victorian), Mon Amour Two (both jointly copyrighted with David Rakovsky) (2008), Mon Amoure One (2008), Monte-Carlo, Monte-Kristo, Monti-Decor A B, Moonlight, Moonstone, Moonstone Stars, Morpheus, Moulin Rouge (2008).
N: Nocturne (2005), Nostalgia (2008).
O: Old Comedy, OldBoutique, Olietta-script-BoldItalic (2008), Olietta-script-Lyrica-BoldItalic (2008), Olietta-script-Poesia-BoldItalic (2008), Orpheus, Ouverture Script (2004, calligraphic).
P: Parisian, Picaresque One, Picaresque-Two (2008), Pilotka (2008), Plimouth, Port-Arthur (2008), Poste Retro (2008), Postmodern One, Postmodern Two, Promenad Deco (2008), Prospect-Deco (2008), Pudelina (2008), Pudelinka (2008).
R: Red Sunset, Regina Kursiv (2008), Renaldo Modern, Rochester, RochesterLine, RockletterSimple, RockletterTransparent, Romantica Script, Romashka Deco (2008), Romashulka (2008), Rondo Ancient One (2008), Rondo Ancient Two (2008), Rondo Calligraphic (2008), Rondo Twin (2008), Rosa Marena, Rosalia (2008), RosamundaOne-Normal, RosamundaTwo, Rotterdam, Rubius, Rurintania (sic) (2005).
S: Samba DecorC (2006), San Remo, Sapphire C (2008), Scriptorama (a clone of Scriptina), Secession-Afisha, Sevilla Decor X, SevillaDecor, Sladkoeshka (2008), Stereovolna (2008), Stereovolna Black (2008), Stradivari Script (2008), Stradivari Script [the Latin part copyrighted by Grosse Pointe Group] (2008), Stravinski Deco (2008).
T: Taverna, Teddy Bear [Latin by House Industries] (2008), Telegraph, TelegraphLine, TelegraphShodwn, TelegraphSmall, Terpsichora (2008, psychedelic), Theater (2009, Victorian), Theater Afisha, Topaz, Trafaret Kit (2008), Trafaret Kit Hatched (2008), Trafaret Kit Transparent (stencil) (2008), Traktir-Modern, Traktir-Modern3-D, Traktir-ModernContour, Turandot.
V: Valentina (2008), Variete (2008), VenskiSadTwo-Medium, VenskisadOne-Medium, Vera Crouz, VeronaGothic (blackletter), VeronaGothicFlourishe (blackletter), Veronica-script-One (2008), Veronica-script-Two (2008), Victorian-Gothic-One (2007), Victorian-Gothic-Two (2008), Victoriana, Vizit (2010, engraved face).
W: Wolfgang Amadeus Mozart (2005), Wonderland (2008), Wonderland Star (2008).
Z: ZanerianTwo, [Google] [More] ⦿

Alexandra Pushkova

Digital type artist at ParaType. Among her contributions is the digital version of a bastarda blackletter alphabet (Blonde Fraktur, 2010) that was drawn with a quill by Alexandra Korolkova. [Google] [More] ⦿

Alexandre Saumier Demers
[Coppers & Brasses]

Alexandru Mihis
[Headfonts Store (was: Mcraft, and Mihis Design)]

Alexis Faudot and Rafael Ribas

Alexey Fetisov

Aka Alexey Blogoodf and Aleksei Fetisov. Designer in Moscow. In 2017, he designed the display typeface Koras (blackboard bold), Arktica, Arcachon (organic sans), Arcachon Dots, Arugula (handcrafted), Adequate (thick rounded sans), Public Icons, the organic sans typeface Iconic, the decorative blackletter font Kaligry, Fluffy, the bilined titling typeface Blogoodf, and the vintage script font Jewel.

Typefaces from 2020: Satinado. [Google] [MyFonts] [More] ⦿

Alexey Timokhovsky

Or Alex Timohovsky. Ukrainian type designer based in Kiev (b. 1983, Kiev). He has his own type foundry in Kiev. In 2014, he designed the blackletter beer label typeface Grenadier for Latin and Cyrillic. Behance link. [Google] [MyFonts] [More] ⦿

In 2019, Alexis Faudot and Rafael Ribas released fifteen free fonts that are all revivals resulting from a 2015 workshop led by Jerome Knebusch at ANRT in Nancy, France, a 2016 workshop at ESAD Valence led by Jerome Knebusch and Thomas Huot-Marchand, a workshop at Hochschule Mainz and Gutenberg-Bibliothek, Mainz in 2016, a workshop at ISDAT in Toulouse, France in 2018, and a workshop at Bauhaus University Weimar and Anna Amalia Bibliothek Weimar in 2018. The project, entitled Gotico-Antiqua, Proto-Roman, Hybrid dealt with 15th century types between gothic and roman in the period 1459-1482. They explain: This relatively understudied period---after Gutenberg and before the consolidation of Jenson's model--extends from the earliest traces of humanistic tendencies to pure roman, including many cases of uncertain or experimental design, voluntary hybridisation and proto- or archaic roman. In 1459 in Mainz, Johann Fust and Peter Schöffer printed the Rationale Divinorum Officiorum by Guillaume Durand, using a typeface (now known as Durandus) that looked like no other before. From that point, we can follow a wide variety of developments, partly related to the travels of early printers from the Rhine area to Italy and France. By extension, we are also interested in the Private Press movement initiated by William Morris and Emery Walker at the end of the nineteenth century in England, which revived some of those typefaces before they were once more largely forgotten. The typefaces:

Ptolemy Great Primer 18 (from the 2015 workshop at HEAR Mulhouse). Ptolemy was designed in Chelsea by St John Hornby, Sidney Cockerell and Emery Walker, and was cut in 18 pt by Edward Prince for Cervantes's Don Quixote, which was published by the Ashendene Press in 1927. The type used until 1935 was a revival of Lienhart Holle's cut for Ptolemaeus's Cosmographia printed in 1482 in Ulm. It is possible that Lina Kahal was the actual designer at that 2015 workshop in Nancy.
Jessen Mittel 14 and Jessen Cicero 12 (from the 2016 workshop in Valence). Jessen Schrift is hybrid of gothic (blackletter) minuscules and roman capitals (including the characteristic Basque capital A) designed and cut without preliminary drawings in Offenbach am Main by Rudolf Koch for The Four Gospels, which was printed at the Klingspor press in 1926 and published by Koch himself. Formerly named Bibel-Gotisch, the type was released as Jessen in several sizes by the Klingspor foundry in 1930.
Hamlet Tertia 18 and Hamlet Cicero 12 (from the 2018 workshop in Weimar). Hamlet (also named Kessler-Blackletter) was designed by Edward Johnston and cut in three sizes (10, 12 and 18 pt) by Edward Prince for William Shakespeare's Hamlet (published by Harry Kessler's Cranach Press in Weimar in 1929). The type is based on the Durandus for the lowercases, and Sweynheim & Pannartz's Subiaco type for the capitals. Type design workshop at Bauhaus Universität Weimar and Anna Amalia Bibliothek Weimar, January 2018.
Parix Hybrid 111R (from the Toulouse workshop in 2018). This hybrid was first used in Toulouse by Johann Parix for Rodericus Zamorensis's Speculum vitae humanae, around 1475 (exact date unknown) and was used until 1481. Type design workshop at isdaT Toulouse and Bibliothèque municipale de Toulouse, February 2018.
Fust&Schoeffer-Durandus-GoticoAntiqua118G (from the Mainz workshop in 2016). Durandus's 118G, Gotico-Antiqua was first used in Mainz by Peter Schoeffer and Johann Fust for Guillaume Durand's Rationale Divinorum Officorum in 1459. The book displays two sizes, the smaller 92G for the main text and the bigger and more contrasted 118G used only for the colophon and later for the famous 48-line Bible in 1462. It was used until the end of the 15th century.
Sweynheim & Pannartz Subiaco 120R. A Proto-Roman first used in Subiaco by Konrad Sweynheim & Arnold Pannartz, for an edition of Donatus in 1465 (no longer preserved) and used until 1467 in four editions in total. Type design workshop with students of ANRT at Biblioteca Statale del Monumento Nazionale di Santa Scolastica, Subiaco, May 2018.
Sweynheim & Pannartz 115R A Proto-Roman first used in Rome by Konrad Sweynheim & Arnold Pannartz, for Cicero's Epistolae ad familiares in 1467 and used until 1476. Type design workshop with students of ANRT at Biblioteca Statale del Monumento Nazionale di Santa Scolastica, Subiaco, May 2018.
Spira 110R. A Proto-Roman first used in Venice by Johannes and Vindelinus de Spira for Cicero's Epistolae ad familiares in 1469 and used until 1473 by Vindelinus. Type design workshop at ENSBA Lyon and Bibliothèque municipale de Lyon, March 2017.
Rot 102R. A Proto-Roman first used in Rome by Adam Rot for Dominicus de Sancto Geminiano's Lecturae super secunda parte sexti Decretalium in 1471 and used until 1474. Type design workshop at HBK Saar and Bibliothèque municipale de Metz, Sarrebrücken, December 2016.
Rusch Bizarre 103R. A Proto-Roman first used in Strasbourg by Adolf Rusch for Raban Maur's De universo between 1467-74 (exact date unknown) and used until 1475. Type design workshop at ESAL Metz and Bibliothèque municipale de Metz, April 2018
Rusch 100G, Gotico-Antiqua first used in Strasbourg by Adolf Rusch for Balbus' Catholicon, between 1470-75 (exact date unknown) and used until 1478. Type design workshop at ESAL Metz and Bibliothèque municipale de Metz, April 2018.
Soufflet Vert 106R, Hybrid first used in Paris by the Au Soufflet Vert workshop for Guido de Monte Rochen's Manipulus Curatorum in 1476 and used until 1480. Type design workshop at ISBA Besançon and Bibliothèque d'étude et de conservation de Besançon, May 2018.
Zainer 96G, Gotico-Antiqua first used in Ulm by Johann Zainer for Jacques de Voragine's Legenda aurea not after 1477 and used until 1485. Type design workshop at Hochschule Aachen and Stadtbibliothek Aachen, October 2017.
Zainer Initials, richly decorated gothic initials of 45 mm height, first used in Ulm by Johann Zainer for the Spiritual Interpretations of the Life of Jesus Christ around 1478. Used until 1480. Type design workshop at Hochschule Aachen and Stadtbibliothek Aachen, October 2017.

ANRT Nancy link. Github link. [Google] [More] ⦿

Alfons Schneider

German type designer, b. 1890, Groitzsch, d. 1946, Mühlberg/Elbe. He studied at the Staatlichen Akademie für graphische Künste und Buchgewerbe in Leipzig, where he taught typography from 1934 onwards.

Alfons Schneider created the blackletter typeface Franken Deutsch (1934-1939, Ludwig Wagner), and the didone family Pergamon Antiqua (1937, Ludwig Wagner; +Mager, +schmalhalbfett, +halbfett, +fett, +schmalfett), and Pergamon Kursiv (1938).

L. Wagner mentions the typefaces Pergamon Werkschrift, Pergamon Kursiv halbfett, Pergamon Kursiv kräftig and Pergamon schmalhalbfett. Schneider published all his typefaces at L. Wagner.

Pergamon was digitally revived in 2016 by Coen Hofmann at URW++ as Fontforum Pergamon. More than a decade before that, Softmaker created its own digital revival, P700 Deco. Franken Deutsch was revived in 2015 by Peter Wiegel as CAT Franken Deutsch. [Google] [More] ⦿

Alfonso García
[Tipos del Oeste]

Alfred Riedel

Type designer in Freiburg (b. Waldkirch, 1906; d. Freiburg, 1969) who was a pupil of Rudolf Koch, and studied at the Badischen Landeskunstschule in Karlsruhe. He designed books for Verlag Herder from 1935 onwards. His typefaces include the fat face Domino (Ludwig&Mayer, 1954). A digital revival was created by Nick Curtis in 2007, called Idle Fancy NF.

His typefaces Adamas and Adamas Unziale (1963, for Herder Verlag) were made into a phototype by Monotype.

Sample of blackletter calligraphy. [Google] [MyFonts] [More] ⦿

Alfredo Alvarez

Cadiz, Spain-based designer of the decorative blackletter typeface Nirvana (2015) and the angular text typeface Wild Roman (2015). [Google] [More] ⦿

Alfredo Callistini
[XXI Creative]

Alisa Nowak

French type designer who studied at Fachhochschule Düsseldorf (2009) and at the Ecole supérieure d'art et de design d'Amiens, France, class of 2011. At ESAD her graduation typeface was called Eskapade. In 2012, the blackletter typeface Eskapade Fraktur was published by Type Together. The angular weights Eskapade Regular and Eskapade Italic were added in 2012.

With Sebastien Degeilh, she is a partner in Nowak & Degeilh, a French type foundry started in 2012. At Nowak & Degeilh, she created the 3d geometric overlay font family Carton (2012).

For the next few yours, her work was published by Fontyou:

She co-designed the stylish Egyptian typeface Achille FY (2012) with Gia Tran, Gregori Vincens, Valentine Proust and Bertrand Reguron, and Achille II FY (2014) with Valentine Proust and Gregori Vincens.
With Gia Tran, Gregori Vincens, Valentine Proust and Elvire Volk, she co-designed the monoline sans display typeface Younion FY (2013). Younion One FY is free at Dafont.
Codesigner of Kaili FY (2013): an exotic typeface with crazy ligatures, inspired by Indian scripts, designed by Gregori Vincens, Bertrand Reguron, Gia Tran and Alisa Nowak.
The EPS format display typeface Alice FY (2013). Co-designed by Alisa Nowak, Micaela Neustadt, Gia Tran, Bertrand Reguron and Valentine Proust. Alice FY was inspired by Adrien Genevard's lettering. Sub-themes are Alice in Wonderland and playing cards.
The EPS format frilly script typeface Lullaby FY (2013), co-designed by Alisa Nowak, Micaela Neustadt, Gia Tran, Bertrand Reguron and Valentine Proust at Fontyou. It too was inspired by Adrien Genevard's lettering.
Exquise FY (2013). A fashion mag didone co-designed by Bertrand Reguron, Alisa Nowak, Valentine Proust, Elvire Volk and Gia Tran at Fontyou.
Bruum FY (2013) by Gia Tran, Alisa Novak, Micaela Neustadt, Bertrand Reguron and Grégori Vincens. Bruum FY is a curvy stressed elliptical sans typeface.
Four typefaces done with Luis Gomes and Jeremie Hornus: Booster FY (2013: a rounded sans), Gauthier FY (2013: a transitional typeface family, followed in 2014 by Gauthier Next FY), Lean-O FY (2013: a slab serif with leaning asymmetrical brackets; see also LeanO Sans in 2014), Marianina FY (2013: a contemporary condensed 24-style headline sans family with simple strokes. Characterized by kinks in the ascenders).
Gregori Vincens, Gia Tran, J&eacxute;rémie Hornus and Alisa Nowak co-designed the humanist sans typeface Klaus FY (2013).
The slender display typeface Sérafine FY (2013). Co-designed with Jason Vandenberg and Jérémie Hornus.
Codesigner with Mr. Zyan of the alchemic hipster font Pyrenees FY (2013).
She collaborated with Jérémie Hornus and Fabien Gailleul on the design of the astrological simulation typeface Astral FY (2013). The same group of three collaborated in 2014 on Naive Gothic FY.
In 2014, Adrien Midzic, Jason Vandenberg, Jérémie Hornus, Julien Priez and Alisa Nowak co-designed the creamy script Vanilla FY. It was renamed Vanille FY after a few days.
Still in 2014, Adrien Midzic, Jérémie Hornus and Alisa Nowak co-designed the very humanist sans family Saya FY and Saya Semisans FY.
Luis Gomes, Jérémie Hornus and Alisa Nowak co-designed the rounded sans typeface family Booster Next FY in 2014.
Joao Costa co-designed the thin lachrymal typeface Zitrone FY in 2014 at FontYou with Jérémie Hornus and Alisa Nowak.
In 2014, Monica Munguia, Alisa Nowak and Jérémie Hornus co-designed the blackletter typeface Blackmoon FY.
In 2014, Matthieu Meyer, Alisa Nowak and Jérémie Hornus co-designed the wedge serif typeface Ennio FY at FontYou.
The punchy poster typeface Kraaken FY (2014) was designed by the FontYou team of Bertrand Reguron, Alice Resseguier, Valentine Proust, Julien Priez, Gia Tran, Jérémie Hornus, and Alisa Nowak.
In 2014, Joachim Vu, Jérémie Hornus and Alisa Nowak co-designed the classical copperplate script typeface Vicomte FY.
Codesigner with Jan Dominik Gillich of Sperling FY (2014, FontYou), a didone-inspired headline or fashion mag display typeface family.
Designer of Marianina Wide FY (2014).
In 2014, Alisa Nowak, Gregori Vincens and Andrey Kudryavtsev created Achille II Cyr FY.
Codesigner of Hansom Slab FY (2014, Gia Tran, Jeremie Hornus and Alisa Nowak).
Still in 2014, Julien Priez, Hugo Dumont, Jérémie Hornus and Alisa Nowak co-designed Rowton Sans FY, a sans family patterned after Gill Sans in six weights, from Hairline to Bold---named after Arthur Eric Rowton Gill, it has the Gillian lower case g but italic lowercase is a bit too far afield for my own taste, especially the squeezed g.

In 2015, Jérémie Hornus, Clara Jullien and Alisa Nowak co-designed the spurless / organic slightly inflated sans typeface family Diodrum at Indian Type Foundry. Diodrum Rounded (2020, by Manushi Parikh, Jérémie Hornus, Clara Jullien and Alisa Nowak) is a spurless organic sans family.

In 2016, Alisa Nowak designed the all caps art deco / avant garde typeface family Inbox that comes with many great ligatures and interlocking glyph pairs. It was published at Indian Type Foundry.

Alpinist (2016) is a humanist sans with a small x-height optimized for magazine design and other editorial applications. The edges are slightly rounded for easy reading. It was designed by Jeremie Hornus and Alisa Nowak. Somehow, it evolved into Alpino at Fontshare.

In 2016, Jeremie Hornus and Alisa Nowak released Associate Sans and Slab (+Stencil), and Associate Mono at Indian Type Foundry. This is a family with an American gothic look.

Vesterbro (Jeremie Hornus, Alisa Nowak, Ilya Naumoff, Black Foundry, 2017) is a high-contrast Latin / Cyrillic typeface with a Viking feel that won an award at Granshan 2017.

Papelli (2016) is an informal typeface family by Alisa Nowak and Julie Soudanne.

At Fontstore / Fontshare, she released the 6-weight sans typeface Excon in 2017. Excon is named after and a tribute to French designer Roger Excoffon (1910–1983). Excon's letters are top-heavy, a rarely-explored idea in type design Excoffon himself experimented with.

In 2017, Jérémie Hornus, Théo Guillard, Morgane Pambrun, Alisa Nowak and Joachim Vu co-designed Bespoke Sans, Bespoke Serif and Bespoke Slab at Fontstore / Fontshare. In 2020, Bespoke Stencil was added.

In 2017, Jérémie Hornus, Julie Soudanne and Alisa Nowak designed the attractive titling didone typeface Zesta.

Zodiak (2021, Jérémie Hornus, Gaetan Baehr, Jean-Baptiste Morizot, Alisa Nowak, and Théo Guillard at Fontshare) is a free 24-style text family with Century-like newspaper roots and sturdy bracketed slab serifs that was originally named Claire (2020).

In 2020, Jeremie Hornus, Theo Guillard, Morgane Pambrun, Alisa Nowak and Joachim Vu co-designed Bespoke Stencil (2020, Fontstore). [Google] [MyFonts] [More] ⦿

Alistair McCready

Auckland, New Zealand-based designer of the blackletter typeface Huia (2015) and the chiseled typeface Obelisk (2015) which references early colonial hand-cut granite plaques and slabs. In 2016, he designed the typeface Monolith. In 2017, he published the roman inscription typeface Kahu, which takes inspirationn from the typography of the ANZAC war memorials across New Zealand.

Alit Design (or: Gurita Hitam)
[Alit Suarnegara]

A graduate of Institut Seni Indonesia Denpasar Bali who is based in Denpasar, Bali, Alit Suarnegara (Gurita Hitam, b. 1986, Denpasar) created these typefaces:

2022: Psychofun (psychedelic), Lhont Down (a bouncy baseline serif), Spidro Marley (a flared display serif), Bellyman (an art nouveau boutique serif), Hulahoy Typeface (a formal reverse stress script), Bulone (a display serif with curved stems and terminals), Mankey (glyphs with wavy kinks), April Blossom (a scrapbook script), Soka (a 28-style display sans), Mollyn (a 14-style casual sans), Mongek (a 13-style display serif with funky curves), Round Saetan (a ribbon typeface), Putrey (a 9-style display grotesk), Rosehot (a display serif), Maglony (a 9-style font with sharply cut edges and terminals), Nillota (a 13-style display serif), Romans Lovers (a 12-style decorative serif), Maboth Typeface (blackletter), Belong Faith (a spurred tattoo (?) blackletter), Hello Mytoys (a modernized blackletter), Belligoes (blackletter), Boiller (a 14-style Peignotian sans).
2021: Mybook Again (a great swashy calligraphic script meant for romantic events), Radja Lover (a calligraphic font with hairline connectors), Brohoney (a 13-style text family), Two Race (a race car font family), Piersob (a very wide display sans reminiscent of the old Porsche logo font), Black Mild (Victoriana), Decondor (a 14-style delicate mini-serif), Gathell (a 13-style fashion mag serif), Hero Beam (spurred, Victorian), Vaclice Script, Nokarin (a bold calligraphic script), Horseboy Boots (Western, with terminals that emulate hooves), Mokgech (blackletter), Sutray (a rather formal upright script), Mister Honey (Tuscan), Nandola (a fine calligraphic script), Bungker (a layerable hand-drawn slab serif), Brolimo (a 14-style Peignotian sans), Takashimura (a Japanese emulation font), Bunker (a layerable marquee font family), Dronefly, Miloner (a 14-style fashion mag serif), Mono and Friends (handcrafted and rounded), Roby Soho (a simple flared display sans in 12 styles), Saihat (emulating Arabic calligraphy), Gofienda (a calligraphic script), Rusty Store (Victoriana), Chalk and Friend (a sketched typeface), Grunge Decade (art nouveau), Kenoky Coffekan (a 15-style decorative sans and script duo), Botaky and Botaky Script (a wavy display font), Hidrofont (vintage), Roller Alika, Mistic (a decorative serif), Burgie (14 styles: an ink-trapped swashy and inky display serif), Hand Real (a thin monolinear script), Assox (a reverse contrast Tuscan typeface), Balian (a textured typeface that is based on Balinese carvings), Handy Quomte (calligraphic), Brohillo (a display serif).
2020: Karmila, Shary (a 52-style sci-fi sans font that could also be useful in sports), Brave Eighty One (techno, squarish), Mollas (a decorative serif), Crying, Milk and Balls (a 28-style display typeface with rhombic tittles, wedge serifs and razor blade edges---the connection with milk or balls will forever remain mysterious), Boiling, Mallent (brush script), Bemalla (script), Marons (a script/serif hybrid).
2019: Black Quality (inline, vintage), Caibojog (watercolor brush), Bonillo, Balimoon, Mofita, Nahye, Pintgram, Subscriber, Lovina Script , Bolehdong (script), Zamrack, Melloner, Melloner Fun, Beautiful Lovina, Localghost (a signature script).
2018: Controwell (a Victorian script and text collection), Raustila, Rollete Qaku (dry brush), Norffo, Nermola Scripcy Font, Braton Composer.
2017: the script typefaces Rumble Brave Script (as part of the vintage typeface Rumble Brave), Mellony (2017: dry brush script), Raph Lanok (brush style), Jandys, Jandys Dua, Billy Ohio (2017: dry brush), Localghost and Valledofas, and the vintage tattoo typeface Young Heart.
2016: the thin connected script typeface Mooglonk, the signage script Altoys, the decorative didone Florva, the connected script typefaces Asfrogas, Rofitaste (brush style), Qarvic (a sans), Qarvic Icon, Morva (a decorative didone), Young Heart (a free vintage typeface with spurs), and Brushgyo.
2015: Bromello (brush script), Vroffloow (in script and sans styles), Godfeem, Mooglonk, Floren (a display serif), Lawasth, Mooglonk Serif, the brush typeface The Faino, the tattoo font Alitide, the watercolor brush typefaces Roomfer and Norffo, the connect-the-dots typeface Circle Line, and Kemayu.
2014: the beveled typeface Piramid.
2013: the spurred signage typeface Starck.

Creative Market link. Another Creative Market link. Dafont link. Graphicrier link. [Google] [MyFonts] [More] ⦿

Alit Suarnegara
[Alit Design (or: Gurita Hitam)]

Aliz Borsa

Aliz Borsa is a packaging designer from Hungary. She graduated with an MA from the University of West Hungary, Institute of Applied Arts (AMI), Sopron, in 2010. She also studied painting in Helnaes, Denmark, and typography at MOME, Budapest. Before studying at KABK Den Haag (TypeMedia class of 2012), Aliz worked as junior designer on Subjective Atlas of Hungary with Annelys de Vet at new media lab Kitchen Budapest.

Her graduation project at KABK was the Leda family (2012): Leda Broken Bold (blackletter), Leda Serif. [Google] [More] ⦿

Allison James
[Chequered Ink]

Alphabetum
[Juan-José Marcos García]

Juan-José Marcos García (b. Salamanca, Spain, 1963) is a professor of classics at the University of Plasencia in Spain. He has developed one of the most complete Unicode fonts named ALPHABETUM Unicode for linguistics and classical languages (classical&medieval Latin, ancient Greek, Etruscan, Oscan, Umbrian, Faliscan, Messapic, Picene, Iberic, Celtiberic, Gothic, Runic, Modern Greek, Cyrillic, Devanagari-based languages, Old&Middle English, Hebrew, Sanskrit, IPA, Ogham, Ugaritic, Old Persian, Old Church Slavonic, Brahmi, Glagolitic, Ogham, ancient Greek Avestan, Kharoshti, Old Norse, Old Icelandic, Old Danish and Old Nordic in general, Bengali, Hindi, Marathi, Phoenician, Cypriot, Linear B with plans for Glagolitic). This font has over 5000 glyphs, and contains most characters that concern classicists (rare symbols, signs for metrics, epigraphical symbols, "Saxon" typeface for Old English, etcetera). A demo font can be downloaded [see also Lucius Hartmann's place]. His Greek font Grammata (2002) is now called Ellenike.

He also created a package of fonts for Latin paleography (medieval handwriting on parchments): Capitalis Elegans, Capitalis Rustica, Capitalis Monumentalis, Antiqua Cursiva Romana, Nova Cursiva Romana (2014), Uncialis, Semiuncialis, Beneventana Minuscula, Visigothica Minuscula, Luxoviensis Minuscula, Insularis Minuscula, Insularis Majuscula, Carolingia Minuscula, Gothica Textura Quadrata, Gothica Textura Prescissa, Gothica Rotunda, Gothica Bastarda, Gothica Cursiva, Bastarda Anglicana (2014) and Humanistica Antiqua. PDF entitled Fonts For Latin Palaeography (2008-2014), in which Marcos gives an enjoyable historic overview.

Alphabetum is not Marcos's only excursion into type design. In 2011, he created two simulation fonts called Sefa rad and Al Andalus which imitate Hebrew and Arabic calligraphy, respectively.

Cyrillic OCS (2012) is a pair of Latin fonts that emulate Old Church Slavonic (old Cyrillic).

In 2013, he created Cuneus, a cuneiform simulation typeface.

Paleographic fonts for Greek (2014) has ten fonts designed by Marcos: Angular Uncial, Biblical Uncial, Coptic Uncial, Papyrus Uncial, Round Uncial, Slavonic Uncial, Sloping Uncial, Minuscule IX, Minuscule XI and Minuscule XV. These fonts are representative of the main styles of Greek handwriting used during the Classical World and Middle Ages on papyrus and parchments. There is also a short manual of Greek Paleography (71 pages) which explains the development of Greek handwriting from the fourth century B.C. to the invention of printing with movable type in the middle of the fifteenth A.D. He wrote a text book entitled History of Greek Typography: From the Invention of Printing to the Digital Age (in Spanish; second edition, 2018). See also here and here. [Google] [More] ⦿

ALT Foundry
[Andreas Leonidou]

ALT is the type foundry of prolific type designer Andreas Leonidou from Limassol, Cyprus, b. 1986. His main work is commercial, but there is also a substantial collection of free fonts.

He created Foldgami, Apollo 13 (techno, futuristic), Fatgami, Origamia, Paper Roll, Alt Retro (2010, multilined family), Alt Tiwo (2010, fat counterless), Alt Matey (2010, a family that includes a multiline style; the piano key typeface Alt Matey V2 followed in 2012), ALT Lautus (2010, a minimalistic monoline sans family), Japanese Cities Type Experiment (2010), ALT Alternatice (2010), ALT Vxt11 (2010, a high-contrast art deco octagonal face), ALT Aeon (2010, a unicase but multiline family), Alt Re 32 (2010, techno), ALT Mun (2010, a curlified family), ALT Breo (2011, octagonal family), ALT Exline (2011), Jun Script (2011, connected contemporary upright script), ALT Ayame (2011, condensed squarish family ain the piano key style, +Long), Alt UAV31 (2011, an octagonal experiment), Alt Moav (2011, a striking geometric caps face. Images: i, ii, iii), Alt Geko (2011, an art deco caps face), and Archetype (unicase, Bauhaus).

Free fonts at Devian Tart: Alt Retro (2010, multilined family), ALT Hiroshi (2011, ornamental), ALT Deville (2011, spurred).

Typefaces made in 2012: DNR001 (hipster style), ALT Kora (for the identity of Drone), ALT Fat (monospaced squarish caps face), ALT Exodus (sci fi face), Alt Wet (a paint splatter face), Alt Sku (ornamental didone face), Alt Robotechnica (pixel face), Exodus (a blackletter style straight-edged typeface), Juk01 (an ornamental mechanical, or steampunk, typeface), Alt Sake (a thin condensed poster typeface).

Typefaces from 2013: Modu (alchemic, hipster style), Modu Deco, Bely (a severe-looking almost constructivist Latin/Cyrillic typeface).

Typefaces from 2014: Ren (a free vintage display typeface family).

Typefaces from 2015: ALT Hazer (a great free shadow sans), ALT Smaq (a family of eight free beveled styles for Latin and Greek).

The free fonts as of 2015: ALTBELY, AltJoli, AltPixelsGoneBad, AltRe32-Duo, AltRe32-Normal, AltRenDuo, AltRenRegular, AltRenRetro, AltRenShadow, AltRetroBlack, AltRetroBold, AltRetroLight, AltRetroRegular, AltRetroThin, Alt-Twitchy, AltVxt11, Altapollo13, AltAeon-Black, AltAeon-Bold, AltAeon-Light, AltAeon-Medium, AltAeon-Thin, AltAeonRegular, AltAxlDeco, AltAxlRegular, AltDEVILE, AltGeko-AltGeko, AltMateyv2-Black, AltRobotechnica, AltSku, AltSkuItalic, AltUAV31, AltWet, Altapollo13-Black, Altapollo13, althazer, altsmaq2.8, altsmaq4.8, altsmaq6.8, altsmaq8.8, altexodus, altfatgami, altfatitalic, altfatregular, altfoldgami.

Typefaces from 2016: Sadistic (a free scratchy font), System Code (free programming font).

Typefaces from 2017: Rekt, Rogue (free).

Typefaces from 2018: Alt Catwalk (a fashion mag typeface family), Frantic, Looper (a compass-and-ruler font), Silent Scream (a free dry brush font). free).

Flickr link. Behance link. Hellofont link. Devian Tart link. Klingspor link. Creative Market link.

View Andreas Leonidou's typefaces. Home page. [Google] [MyFonts] [More] ⦿

Alte Schriften
[Susuanne Ulmke]

German page advertising a CD with nice old writing samples (in tiff, not ttf!!!). Mostly decorated initials and Fraktur. R.G. Arens' Sütterlin font can be downloaded from this site, which is run by Susanne Ulmke in Arnsberg, Germany. [Google] [More] ⦿

Alter Littera
[José Alberto Mauricio]

Spanish foundry, est. ca. 2009, and on the web since 2012. It is located in Madrid. Alter Littera's fonts and web site are designed and managed by José Alberto Mauricio, who holds a doctorate degree in Economics and Business Administration, and is Associate Professor of Econometrics at the Universidad Complutense de Madrid.

Alter Littera produces and markets opentype fonts reviving some of the most beautiful bookhands from medieval Western manuscripts, as well as some of the finest European and North-American typefaces from the mid-fifteenth through the early-twentieth centuries. The "Bookhand", "Oldtype" and "Initials" font collections cover gothic and/or blackletter letter forms.

The typefaces:

Gutenberg (B42-type) A (Johann Gutenberg, Mainz, ca. 1455). Includes the full set of special characters, alternates and ligatures from The 42-line Bible. Under development.
Gutenberg (B42-type) B (Johann Gutenberg, Mainz, ca. 1455). Includes the full set of special characters, alternates and ligatures from The 42-line Bible. Published as Gutenberg B in 2012, this is a clean, smooth rendition of the B42-type used by Johann Gutenberg in his famous 42-line Bible. The font includes a comprehensive set of special characters, alternates and ligatures, plus Opentype features, that can be used for typesetting (almost) exactly as in Gutenberg's Bible and later incunabula. He says: The main historical sources used during the font design process were high-resolution scans from several printings of Gutenberg's Bible. Other sources were as follows: Kapr, A. (1996), Johann Gutenberg - The Man and his Invention, Aldershot: Scolar Press (ch. 7); De Hamel, C. (2001), The Book - A History of The Bible, London: Phaidon Press (ch. 8); Füssel, S. (2005), Gutenberg and the impact of printing, Burlington: Ashgate (ch. 1); and Man, J. (2009), The Gutenberg Revolution, London: Bantam (ch. 7).
Gutenberg (B42-type) C (Johann Gutenberg, Mainz, ca. 1455). Includes the full set of special characters, alternates and ligatures from The 42-line Bible. Published in 2012 as Gutenberg C, this is a slightly roughened version of the Oldtype "Gutenberg B" Font, simulating irregularities and ink spreads associated with old metal types, papers and parchments.
Psalterium (Psalter-type) (Peter Schoeffer, Mainz, 1457). Includes the full set of special characters, alternates and ligatures from The Mainz Psalter (Psalterium Moguntinum). He writes: A clean, smooth adaptation of the magnificent gothic types used by Johann Fust and Peter Schöffer in their famous Mainz Psalter (Psalterium Moguntinum) of 1457, also used in their Canon of the Mass (Canon Missae) of 1458, and in their Benedictine Psalter (Psalterium Benedictinum) of 1459. [Although these works were published after Gutenberg's break with Fust, it is generally agreed that Gutenberg was working along with Fust and Schöffer on the Mainz Psalter while the 42-line Bible was still being printed.] In addition to the usual standard characters for typesetting modern texts, the font includes a comprehensive set of special characters, uncial initials (adapted from both the Mainz Psalter and early sixteenth-century Dutch types by Henric Pieterszoon), alternates and ligatures, plus Opentype features, that can be used for typesetting (almost) exactly as in the Mainz Psalter and later incunabula.
Oude Hollandse (Henric Pieterszoon "Lettersnijder", Antwerp, 1492). Under development.
French Textura (Joos Lambrecht, Ghent, 1541). Under development.
Flamand A (Hendrik van den Keere, Antwerp, 1571). Under development.
Flamand B (Hendrik van den Keere, Antwerp, 1571). Under development.
Nederduits (Johann M. Fleischmann, Haarlem, 1733). Under development.
Psalter Gotisch (Benjamin Krebs Nachfolger, Frankfurt am Main, 1890). Under development.
Manuskript Gotisch (Bauersche Giesserei, Frankfurt am Main, 1899). Under development.
Munthe Schrift (Gerhard Munthe, Offenbach am Main, 1904), Under development.
Deutsche Schrift (Rudolf Koch, Offenbach am Main, 1910). Includes both normal and large, ornamental capitals (two sets), plus several finial characters and ornaments from Koch's original designs. He writes:A comprehensive and faithful rendition of Rudolf Koch's first release, usually referred to as "Fette Deutsche Schrift" or "Koch-Schrift". In addition to the regular character set, the font includes a large number of alternates and ligatures, plus two sets of ornamental initials (Initialen mit Zierstrichen und Punkten zur Koch-Schrift, and Initialen zur halbfetten deutschen Schrift). The main sources used during the font design process were a sample page from Hendlmeier, W. (1994), Kunstwerke der Schrift, Hannover: Bund für Deutsche Schrift und Sprache (p. 164), and several specimen sheets from the Gebrüder Klingspor Type Foundry for Koch's Deutsche Schrift type family.
Maximilian (Rudolf Koch, Offenbach am Main, 1914). Includes normal, small (Klein), and roman (Antiqua) capitals, plus ornamental capitals and alternates (Zierbuchstaben). Under development.
Wilhelm Klingspor Schrift (Rudolf Koch, Offenbach am Main, 1925). Includes both normal (wide) and narrow capitals, plus the full set of alternates, ligatures and finial characters from Koch's original designs.
Caslon Gotisch (D. Stempel A.G., Frankfurt am Main, 1926). Produced in 2012 as Caslon Gotisch, it is a faithful adaptation of the "Caslon-Gotisch" type acquired (among several other types) by D. Stempel A.G. in 1919 from the Leipzig printer Wilhelm E. Drugulin, and further developed by Stempel in later years. Details: In addition to the usual standard characters for typesetting in modern Western languages, the font includes a comprehensive set of special characters, alternates and ligatures, plus Opentype features, that can be used for typesetting as in antique writings and printings. The main sources used during the font design process were as follows: A sample page from Typographische Mitteilungen - XXIII Jahrgang - Heft 2 (1926), and a sample page from Hendlmeier, W. (1994), Kunstwerke der Schrift, Hannover: Bund für Deutsche Schrift und Sprache (p. 37).
Gótico Cervantes (Fundición Tipográfica Richard Gans, Madrid, 1928). Under development.
Wallau (a rotunda by Rudolf Koch, Offenbach am Main, 1930). Includes German, Uncial, and Ornamental capitals. Under development.
Alter Gothic (Alter Littera, Madrid, 2012), or Alter Gothisch. This is Alter Littera's first original design. They write: Two specific sources must be acknowledeged: (1) the "Black" type from William Caslon's A Specimen of Printing Types (1785), and (2) the "Caslon Gotisch" type by D. Stempel A.G. (1926).
Gothic A. After late Carolingian and early Gothic manuscripts (12th century). Under development.
Gothic B. After Erhard Ratdolt's Lombardic Capitals (1491). Under development.
Gothic C. After Henric Pieterszoon's Uncials (1508). A comprehensive set of initials (usually referred to as Uncials, Lombardic Initials, or Lombards) of the Germanic variety, designed after Henric Pieterszoon's Gothise Monnikke Letteren as appearing in Enschedé, J. (1768), Proef van Letteren, Haarlem (p. 120); also mentioned as Great Primer Uncials and 2-line Brevier Uncials in Vervliet, H.D.L. (1968), Sixteenth-Century Printing Types of the Low Countries, Amsterdam: Hertzberger (pp. 54-55, and 212-213).
ATF Cincinnati, ATF Caxton, ATF Missal. From American Type Founders Company's American Specimen Book of Type Styles (1912). Under development.
Initials Bergling (2012, Alter Littera) is a comprehensive set of initials (usually referred to as Uncials, Lombardic Initials, or Lombards) of the French variety, adapted from Bergling's book Art Alphabets and Lettering (Second Edition) (1918, Chicago: Blakely-Oswald Printing Company).
Bergling B. From J.M. Bergling's Art Alphabets and Lettering (1918). Under development.
Morris. From William Morris's The Kelmscott Chaucer (1896). Under development.
Initials ATF Cloister (2012). After F.W. Goudy's Cloister Initials (1917).
Roman Square Capital. From 1st century B.C. onwards. Under development.
Roman Rustic. 1st to 6th centuries. Under development.
Uncial. 3rd to 6th centuries. Under development.
Artificial Uncial. 6th to 10th centuries. Under development.
Roman Half-Uncial. 3rd to 9th centuries. Under development.
Insular Majuscule. 6th to 9th centuries. Under development.
Insular Minuscule. From 6th century onwards. Under development.
Luxeuil Minuscule. 7th and 8th centuries. Under development.
Beneventan Minuscule. 8th to 13th centuries. Under development.
Carolingian Minuscule. 8th to mid-12th centuries. Under development.
Early Gothic. 11th and 12th centuries. Under development.
Gothic Textura Quadrata. 13th to 15th centuries. Under development.
Gothic Textura Prescisus. 13th to 15th centuries. Under development.
Gothic Rotunda. 12th to 16th centuries. Under development.
Gothic Littera Bastarda. From 13th century onwards. Under development.
Fraktur. From 15th century onwards. Under development.
Humanistic Book Script. From 15th century onwards. Under development.
Humanistic Cursive. From 15th century onwards. Under development.
ATF Missal Caxton (2012): A comprehensive set of initials, frames and borders, adapted from American Type Founders (ATF) Company's American Specimen Book of Type Styles, Jersey City, 1912 (pp. 944-5). The font contains over one hundred glyphs, including clean renditions of both Missal Initials and Caxton Initials, plus adaptations of Department Store Initials and French Cast Squares. Caxton Initials were first designed by F. Goudy in 1905. Missal Initials is originally due to Will Bradley in 1904.
Alter Headletter (2012). An original from Alter Littera in the style of Century Bold Condensed.
The Oldtype Gutenberg A Font (2012, free) is a free abridged edition of the full-featured Gutenberg B and Gutenberg C fonts.

[Google] [MyFonts] [More] ⦿

Alternika Fonts

Freeware calligraphic and handwriting fonts, with some Fraktur influences. Font names: ShambhalaInitialsPlain, FrodoBold, FrodoClose, FrodoItalic, FrodoNormal, FrodoOrnate, Alternika-Millenium, Calis-in-Puppetland, Dragongirl-Meander, Elite-Monogram-(Alternika-Fonts) [Fraktur numbers], Fred-is-Alive, Jungles-Severly-Crappy-Font, Lilian-Scheaffer-Gothic-Adorned, Lilian-Scheaffer-Gothic, Tate-Divine-(alternika-courthand), Way-Out-Beyond-Of-by-Maz, Spudly in the Sky with Demons, ALTelite3. Direct downloads. [Google] [More] ⦿

Alvaro Yuste

Madrid-based graphic designer. FontStructor who made the counterless square typeface Ilusteo (2011). Other typefaces include Hipster Viral Blackletter (2014, tweetware) and Cibelina (2014, a font based on the typography of the ceramic name street plaques in Madrid made by the recently deceased ceramist Alfredo Ruiz de Luna. The original sources of this font go back to the seventeenth century). Behance link. FontStruct link. [Google] [More] ⦿

Amar Choiruddin

Jakarta, Indonesia-based designer of the free spurred display typeface Migunani (2014) and the free all caps blackletter typeface Dapurandes (2015). [Google] [More] ⦿

Amélie Dumont
[Polymorph]

Amelie Bldx

During her graphic design studies at the ECV Nord Europe, Lille-based Amélie Bldx created a blackletter typeface in Illustrator (2013). [Google] [More] ⦿

American Text

A textura typeface. Mac McGrew: American Text was designed by Morris F. Benton for ATF in 1932, as a modernized adaptation of the sort of typeface commonly called Old English. It seems to be constructed entirely of straight lines, with a very angular appearance. It has had some popularity in advertising, as well as for stationery.

Digital versions include American Text by Bitstream, OPTI American Text by Castcraft, Blackletter 851 by Bitstream, National Text by Bitstream, American Text (2019) by SoftMaker, and the free typeface American Text (2000) by Dieter Steffmann. [Google] [More] ⦿

Amir Subqi Setiaji
[Blank Sub (or: Subqi; or: Blankids; was: Bombas Type)]

Amit Maman

Tel Aviv, Israel-based student at Shenkar College of Engineering and Design. Creator of the free Hebrew blackletter typeface Akusta (2017). [Google] [More] ⦿

Amondo Szegi
[FONTana Typestudio]

AMS fonts

AMS Euler (a calligraphic font, designed by Herman Zapf), AMS Cyrillic, AMS Computer Modern, AMS extra math symbols (msam, msbm). In metafont and type 1 formats. [Google] [More] ⦿

Ana Marin

Ana Marin (t-grafica) is the Ciudad Real, Spain-based designer of Hand Slab (2013), Gala Script (2013), Black Brush (2013, a brush blackletter), Grafica Sans (2013), a sans typeface that is partly grotesk.

Dafont link. Behance link. [Google] [More] ⦿

Ana Parracho
[Ana's Fonts]

Ana's Fonts
[Ana Parracho]

Paris-based Portuguese designer (b. 1990) of the free old typewriter typeface Ana's Rusty Typewriter (2013) and the sans typeface Squiggly Asta (2013). In 2014, she made Night Still Comes (a 4-style serif family), a serif typeface family in four styles, Candlebright (blackletter), Mystery Typewriter, Strangeways (brushed), and Calling Cards (sans). In 2015, she created the informal typefaces Rough Notes and Chalk Marks. In 2016, she designed the connected script typeface Better Phoenix.

Typefaces from 2017: Reckless (thick brush), Bloxhall (art deco titling sans), Delirium (brush style), Blue Fires, Unexpected Typewriter, Wild Creatures (brush script), A Pompadour (11 styles, from retro sans to display), Night Wind Sent.

Typefaces from 2018: These Days (brush SVG font), Soft Notes (blackletter), Popless (Serif, Script), Pitch or Honey, Be Cool, Honolulu (a hand-drawn blackboard bold typeface), Floret, Landslide, Bellevue (brush), BigRiver (+Script), Farewell Angelina (a display family in Sans, Serif and Text substyles), Siren Song, Something Exquisite (signature font).

Typefaces from 2019: Amateur Typewriter, Be Cool, Big River (Sans, Script), Soul Drifter, Fletcher Typewriter, Rockford, Gumball (sans), Unika (a signature font).

Typefaces from 2020: Thesis Typewriter (an old typewriter font family), The Voyager (a decorated full-bodied sans), Leaves and Twigs (dingbats), Notes and Quotes, Honey and Smoke, Summer Days (a monoline fat finger font), Smoke Signals, Secretary Typewriter, Clockwise (a friendly sans), Calling Cards (a condensed sans), Pitch Or Honey, Porchlight (a text typeface inspired by vintage French types).

Typefaces from 2021: Little Things (a children's hand), Moon And Stars (handwriting and doodle bats), Dramatico Script (a rough-edged chancery script), Populaire Typewriter, Garden Song (a handcrafted text typeface), Morning Magpie (a fat finger font).

Typefaces from 2022: Handy Typewriter, Linoblox (a linocut font; +Ornaments). [Google] [MyFonts] [More] ⦿

Anders Engen

Anders Engen (Oslo, Norway) created Letters of Death in 2010. This tattoo / black metal typeface was inspired by the cholo writing of the gangs in Los Angeles. He also made an alchemic typeface for the Sommerøya Elektronika Festival 2012.

Anderson Maschio
[Estudio Crop]

Andez
[Roberto Osses]

Chilean foundry with both free and commercial typefaces. The free typefaces gre mostly out of Esos tipos de la UTEM, the Escuela de Diseño de la Universidad Tecnológica Metropolitana de Santiago de Chile.:

By Rodrigo Valenzuela: Maipo (2009, a precolombian native face), La Vega Fraktur (2008).
By Fabian Flores: Miliciana (2008), a militant poster face.
By Ariel Martinez: dfdDefensa (2009), a gothic angular face.
By Jonathan Vivanco: The Go Font (2008), an ultra fat credit card face.
By Sebastian Contreras: Basural (2008, grunge).
By Santiago Toro: Nahueltoro (2007), an exceptionally beautiful comic book style headline face.
By Matias Quiroz: dfdCanibalisma (2007), described as a font for zombies.
By Daniela Martinez: Lastarria (2007), a curly ornamental face.
By Felipe Vicencio: Chasquilla (2007), a graffiti face.
By Mariana Sanchez: dfd Animita (2007), an organic hand-printed face.
By Macarena Budin: Selfish Jean (2008), a condensed headline sans with some contrast.
By Macarenna Rocco: Revolucionaria (2009), a strong slab serif face.
By Flora Argemi: Rakatan Negra (2011). A comic book style.
By Alejandro Scaff and Javier Quintana: dfd Nueva Estadio (2009).
By Macarenna Rocco and Javier Quintana: dfd Revolucionaria (2009).
By Daniel Hernandez: Pincoya Black (2009-2010).

The commercial typefaces include Mazúrquica (2011, Javier Quintana). [Google] [More] ⦿

Andhika Pradana
[Ikiikowrk]

Andika Putra
[Andmicro Studio (or: Scratchones)]

Andmicro Studio (or: Scratchones)
[Andika Putra]

Perhaps Andika Putra. Bali, Indonesia-based designer of these mostly handcrafted typefaces in 2020: Mogella, Bellmoco Handcola, Qomallida, Bellmeta, Aquarium, Quacko Mahaka (a decorative blackletter), Ragellia Mellinda, Ameyallinda Signature, Romantic Hanimun, Mellinda Creative, Helala, Azazax, Kreatife, Saraba, Sayang, Sayanag, Adadaha, Dadagata, Esenene, Agamama, Adaaba, Mamanada, Nomer, Manararo, Kakatama (blackletter), Yandilove, Amellia, Vadimbrush, Kajumillan (a signature font), Rollina (a display serif), Bellania (script), Homework (script), Orlline (script), Amboqia Boriango (a display serif), Bollando (a creamy script), Aku Sayang, Designer (stencil), Calligraphy, Rassika Love, Student, Shells and Starfish, Ayuku Love, Bahagia Jarah (a rabbit ear script), Smart Sport (squarish), Student Smart, Besbogo, Bellbion, Sunrise Minimalist, Hanmade, Balloman, Bonogoda, Balfa Hode, Malliboro, Garangan, Mangolia, Bllodir Smart, Bollgania, Fonmini, Amekanu, Typography (a painter's font).

The following Dafiont sites all go back to the same designer:

Creatib=ve Fabrica link. [Google] [More] ⦿

Andrea Fusinski

In Laura Meseguer's class in Barcelona, Andrea Fusinski designed a German expressionist typeface called Shelley (2013).

Andrea Garcí Flores

Tampico, Mexico-based designer of the blackletter typeface Oh Victoria (2012) which was created during a course taken from Francisco Calles.

Cargocollective link. [Google] [More] ⦿

Andrea Goh

Singapore-based designer of the sketched blackletter typeface Black Nouveau (2016). [Google] [More] ⦿

Andrea Mernijk

Novi Sad, Serbia-based designer of Gothica (2013), a typeface that blends paper-folding (origami) with blackletter. [Google] [More] ⦿

Andrés M. Briganti

Buenos Aires-based illustrator and designer, whose studio is called Bureau AMB. HeHe created the hand-printed typeface Stella (2011). Decanata (2012) is a curlified gothic typeface family that comes in styles called Romana, Principia, Fines, Atramenta and Mitis.

Brodat (2013) is an 8-bit style blackletter typeface inspired by cross stitch patterns. See also the updated Brodat Nou (2018).

Vera (2013) is an upright fat didone with extreme contrast.

In 2021, he released the display sans typeface AB Ticena.

Behance link. Cargocollective link. [Google] [MyFonts] [More] ⦿

Andreas Brietzke
[Pixel und Punkte]

Andreas Höfeld
[Fontgrube AH]

Andreas Leonidou
[ALT Foundry]

Andreas Pohancenik
[zwei]

Andreas Seidel
[astype.de (or: Astype)]

Andreas Stötzner
[SIAS (or: Signographical Institute Andreas Stötzner)]

Andrei Robu
[Typeverything]

Andreu Balius Planelles
[Type Republic]

Andreu Balius Planelles

Born in Barcelona in 1962, Andreu Balius studied Sociology in the Universidad Autonoma de Barcelona (1980-1984), and graphic design at IDEP in Barcelona (1985-1989). He holds a PhD in Design from the University of Southampton (UK). He founded Garcia Fonts&Co in Barcelona in 1993 to show his experimental designs. He cofounded Typerware in 1996 with Joancarles P. Casasín. Typerware existed until 2001 and was based in Santa Maria de Martorelles, a village near Barcelona. He cofounded Type Republic (see also here), and ran Andreu Balius (tipo)graphic design. He is presently an associate professor at Pompeu Fabra University in Barcelona.

Balius won a Bukvaraz 2001 award for Pradell. Pradell also won an award at the TDC2 Type Directors Club's Type Design Competition 2002. SuperVeloz (codesigned with Alex Trochut) won an award at the TDC2 2005 type competition.

At ATypI 2005 in Helsinki, he spoke on Pradell and Super-Veloz. Speaker at ATypI 2006 in Lisbon. At ATypI 2009 in Mexico City, he spoke about the Imprenta Real. Coorganizer of ATypI 2014 in Barcelona.

Author of Type at work. The use of Type in Editorial Design, published in English by BIS (Amsterdam, 2003).

FontFont link. Linotype link. Behance link.

His production:

Garcia/Typerware offers about 50 fonts, including some very artsy typefaces, such as Fabrique (Andreu Balius), Futuda, Garcia Bodoni (Typerware), Alkimia (Estudi Xarop), Ariadna (pixel font, 1988-1989), Garcia Bitmap (1993), Playtext (Andreu Balius, 1995), Matilde Script (Andreu Balius, 1994: an embroidery face), Fabrique (1993, Andreu Balius) and Dinamo (1993, Balius and Casasin at Typerware), Helvetica Fondue (1993-1994), Futuda (1993), Ozo Type (1994), Tiparracus (1994, dingbats), Mi mama Me Soba Script (1994), Parkinson (1994), Garcia Bodoni (1995), Garcia snack's (1993-1995), Juan Castillo Script (1995, irregular handwriting), and Vizente Fuster (1995), all by Andreu Balius and Joancarles Casasin, 1993-1995; Water Knife (Laudelino L.Q., 1995); Alquimia (Estudi Xarop, 1995); Jam Jamie (Malcolm Webb, 1996); Network (Alex Gifreu, 1996); Panxo-Pinxo (David Molins, 1996); Euroface 80 mph (Peter Bilak, 1996); Inmaculatta (Roberto Saenz Maguregui, 1997); Proceso Sans (by Argentinan Pablo Cosgaya, 1996); Afligidos deudos (Adria Gual, 1996); Route 66 (Francesc Vidal, 1997); Popular (Sergi Ibanez, 1997); Visible (handwriting by Fabrice Trovato, 1997); SoundFile (Reto Brunner, 1998); Ninja type (kana-lookalike alphabet by Charly Brown, 1995); Vertigo (Charly Brown, 1996); Loop UltraNormal (Franco and Sven, 1996); Inercia (Inigo Jerez, 1996).
Fontshop: FF Fontsoup.
ITC: ITC Temble (1996, a great subdued ghoulish face). With Joancarles P. Casasin, he created ITC Belter (1996) and ITC Belter Mega Outline (1996).
Typerware: Czeska was developed from Vojtech Preissig's woodtype typefaces. Andreu Balius completed the design and included an italic version and a large variety of ligatures (both for regular and italic).
Type Republic: Pradell, Trochut, SuperVeloz, SV Marfil Caps (2004), SV Fauno Caps. Pradell was freely inspired from punches cut by catalan punchcutter Eudald Pradell (1721-1788), and is considered to be Balius' main work. Trochut is based on specimens from the 1940s by Joan Trochut. SuperVeloz is a collection of the type modules designed by Joan Trochut and produced at José Iranzo foundry in the beginning of the 40's, in Barcelona. Digitized and recovered by Andreu Balius and Alex Trochut in 2004. Example of such composition of modules include the great art nouveau typefaces SV Fauno Caps and SV Marfil Caps. In 2007, he added Taüll, a blackletter type. Still in 2007, he did the revival Elizabeth ND, which was based on an old type of Elizabeth Friedlander.
In 2008, he created the Vogue mag like family Carmen (Display, Fiesta, Regular), which are rooted in the didone style. Carmen, and its flirtatious companion Carmen Fiesta, were both reviewed by Typographica.
Barna (2011) and Barna Stencil (2011).
In 2012, Trochut was published as a free font family at Google Web Fonts. It was based on Joan Trochut-Blanchard's Bisonte.
Lladro (2012) is a custom sans typeface done for the Lladro company.
Rioja (2013) is a grotesque typeface that was custom-designed for Universidad de La Rioja.

[Google] [MyFonts] [More] ⦿

Andreu Gallart Ruiviejo

Vic, Spain-based designer of the blackletter typeface Kalika (2018), the connected script typeface family Andarina (2018), the free black lapidary serif typeface Gilland (2018: an extension of Gary Elfring's free font Alonse (1993) from 100 to nearly 500 glyphs), the octagonal typeface family Gridger (2018) and the decorative inline typeface Linocut Deko Shade (2018).

Buy his fonts at Etsy. [Google] [More] ⦿

Andrew H. Leman
[E-phemera (was: HPLHS Prop Fonts, and earlier: Prop Fonts)]

Andrew Hart

Andrew Hart is a Corona-based American digital photographer (b. 1988), who runs a small free font archive. Another archive of his. Dafont link. Another URL. Yet another URL. And still another one. And another one. And one more. His later fonts refer to SickCapital.Com.

His own fonts include Gothickella (2017, blackletter), Sailorette Tattoo (2015), Elkwood (2014, sans), Snowinter (2014, sans), Rebel Pixy (2014, tattoo script), Pride of the Young (2014, hipster style), Scribblet (2014), Tall & Slim (2014, a great tall-legged poster typeface), Tribal Threat (2014), Boldenstein (2014), Fireflies (2014), Rio Frescata (2014, curly), Alpaca Scarlett (2014), Alpaca Solidify (2014), Vanity Script (2014: a vampire script), SC Gretchin and Timmy (2013), Fun In The Jungle (2013), Pixelic War (2013), A Glitch In Time (2013), Giraffe And Co (2013, an African-themed typeface), Chameleon Dreams (2013: a fantastic wacky party typeface), Angelic Serif (2012), Angelic Peace (2012), Pyrite Script (2012), Pyrite Crypt (2012), Body Piercing And Chains (2012), Love til Killed (2012), Hollywood Capital (2012), Donaldo Regrecka (2012), Deadly Black Chain (2012), Dirt2 Copperbolt (2012, grungy copperplate), Truskey (2011, grunge), Sick Capital Kingston (2011), Full Moon On (2011), Grafitik Riot (2011, graffiti face), Electric Panda (2011), Last Draft (2011, grunge typewriter), CaliforniabyDirt2 (2010), JusticebyDirt2 (2010), SC Gum Kids (2010), SC Tinas Baby Shower (2010), Little Ryan (2010, handwriting), Sick Capital Vice (2010), Star Avenue (2009), Cute Tattoo (2009), DuerTWO (2009), Dirt2Stickler (2009), Ithornët (2009, grungy blackletter), NoXWay (2009, graffiti grunge), Skulls and Splatters (2009), Hacjiuza (2009, hand-drawn blackletter; +Dirty), Popstar Autograph (2009, comic book style script), The Quickest Shift (2009, curly script), DuerTwoo (2009, bloody horror font), Malgecito (2009, grunge), Ithornët (2009, grungy medieval pirate font), Little Bliss (2009), Loyal Fame (2009, curly script), Angelic War (2009, grunge), Soulstalker (2009, grungy blackletter), Kings of Pacifica (2009, ransom note font), GanixApec (2009), GoodPeace (2009), KatyBerry (2009), OffTheDrugs (2009), ThinFranq (2009), WILDAFRICA (2009, African-theme multiline face), St. Andrew (2009, a spray type font), Hawaii Lover (2009, grunge calligraphic script), Aristotle Punk (2009, grunge), Juicy Hunt (2009, grunge), Dead Hardy (2009, Victorian), Kate Perry (2009, fifties script), Kate Berry (2009, fifties script), Vloderstone (2009, hairline slab serif), Good Peace, Off The Drugs, Thin Franq (2009, hairline), Ganix Apec (2009, sans), Jailbox1 (2009, grunge), Blast Beat (2008), Ghosttown-BC (2008, Western style), Dead Secretary (2008, grunge), DIRT2-DEATH (2008, grunge), Robot Head (2008), Alpaca 54 (2007, grunge), Hawaii Killer (2007, Coca Cola grunge), Splinter2 (2007, grunge based on Franklin Gothic), Everyday Ghost (2007, grunge), Plague Death (2006, grunge), SEXtalk69 (2007), Screamz1 (2007). [Google] [More] ⦿

Andrew J. Gryc

Designer of the free blackletter typeface AutoREALM Blackletter (1999). [Google] [More] ⦿

Andrew Lines Graphic Arts (or: Drewfont Foundry)
[Andrew Patrick Lines]

Andrew Patrick Lines (b. Lowestoft, Suffolk, UK, 1958) is a signage and logo specialist in Norfolk, UK. His fonts are sold through MyFonts. He started Drewfont Foundry (Great Yarmouth, UK) in August 2001 as part of Andrew Lines Graphic Arts. His typefaces:

Jester (2001).
Seahorse (2004).
Histry (2004).
Nondy (2004).
The Castles (2001). Includes Castle Nouveau and Castle squat. Inspired by the Victorian gothic revival and the work of Augustus Pugin.
Celt (2001, Celtic).
Gotheau (2001). This blackletter was developed for the logo of the Letterhead UK movement (an informal yearly gathering of sign based crafts people).
Spaceboy (2001).
Starman (2002).

[Google] [MyFonts] [More] ⦿

Andrew Martin
[Thumbnail Designs]

Andrew McCluskey

Independent game developer Andrew McCluskey (NAL Games, Dundee, Scotland, b. 1991) published hundreds of free typefaces before 2015 under the NAL label. In 2015, Andrew McCluskey, after becoming Allison James, joined forces with Daniel Johnston and set up Chequered Ink in bath, UK. They live in Newport, Wales. Andrew's pre-merger fonts are listed here.

Andrew McCluyskey designed the free LED-inspired Kinglify (2011), Digital Display (2012), and Princelify (2011). Manly Man (2011), Metal Arhyrthmetic (2011) and Ace Futurism (2011) are semi-octagonal. Consider Me Vexed (2011) and Pixel Flag (2011) are pixel typefaces.

In 2012, he made She Curls in the Mist, Xero's Karma, Pastcorps (army stencil), Gnome Splinters, Fought Knight, Vermin Vibes (futuristic), Vermin Vibes 1989 (pixel face), Vermin Vibes 2, Vermin Vibes 3 (2014), Vermin Vibes Diet, Vermin Vibes Redux, Dubbing Star (futuristic), Sorrier Statements, Particulator (an octagonal paper fold typeface), Coder's Crux (a pixel typeface created for programmers, FontStruct), Triggering Fanfares (octagonal), Alt West, Notalot25 (pixel face), Notalot35 (pixel face), Lord Juusai (inspired by the logo for Lord Tensai from WWE), Zephyr Jubilee (an alien language simulation typeface), Bevel Fifteen, Xero's Theorem (sci-fi), Sawchain (2012, FontStruct), Dubbing Step and Here Be Dubstep (FontStruct), Italic Bricks, Gang Wolfik (angular, +Blade), Ruaturecu, Quous Inno, Electramaniacal, Xodohtro-Nu (a black octagonal typeface), Distortion of the Brain, Berate the elementary (techno face), Not sure if weird or just regular, Opulent Fiend, Rawhide Raw 2012 (techno, inspired by the WWE Raw logo of 2012), Particulator II (octagonal), The Missing Link (trekkie), Thunderstrukk, Understrukk, Ganf Wolfik Blade (a pointy Blade style font).

Typefaces made in 2013: Call of Ops Duty, Spinebiting, Laceration, Casual Hardcore, Zany Races, Vermin Vibes 2 Nightclub, Exoskeleton, Perspire, Piston Pressure (sans), Particulator III, Liberty City Ransom (grunge), Zdyk Leo, Variety Killer (grunge), Savantism, Vermin Vision, Zdyk Sagittarius (a circle-based experimental font), Milestone One (a gaspipe sans), Comfortably Fucked, Noasarck (+Sporadico, +Quattro), Future Time Splitters, Heart Breaking Bad, Jan Hand, Erhank, Exoskeleton, The Rave Is In Your Pants, Minecraft Evenings (inspired by the Minecraft logo), FoughtKnight Victory (a video game font), Piescese, Comic Spans, Cauterise, Dead Font Walking (rough-edged poster font), Cutthroat Clawmarks, Eride (grunge), Effervescent Superbeings, Front Page News, Kill The Noise (brush script), Distort You A Lesson (grungy), Vermin Vibes 2 Black, Vermin Vibes 2 White, Vermin Vibes 2 Soft, Dubstep Cadence, Relapse Into Madness, Kings of Kings Lynn (dadaist), Smorgasbord, Scream When You'Re Ready, I Phone You Phone, Respire, Perspire, Vermin Vibes Slant, Sharp, Cursivertex, Rick Lobster (stencil face), Cursivertex, Vermin Vibes Dystopia (cyberpunk), Wabbit Sans, Calligraphy Aquiver, Agra Axera (knife-edged sci-fi face), The Keepsake Days, See You At The Movies, Xero's Proof, Vermin Vibes Out Of Ink (textured), Melancholic Roadeo, Wickermanor (a stiletto typeface), Lord Juusai Rises, Vermin Vibes Ex, Vermin Vibes Roundhouse, Just in the Firestorm, Stuntcroft (modular), Ghetto Magnetic (grunge), QA Reports (fat finger typeface), Y-Andermo (stiletto style), Dragon Slapper.

Typefaces from 2014: Man Flu (FontStruct), Zany Races, Big Quicksand, Modern Caveman, Alpha Sapphire (a Pokemon typeface), Omega Ruby (a Pokemon typeface), Schweiz, Beta (FontStruct), Jawbreaker (FontStruct), Tomorrow Wind, Embezzler, Royal, Final Gambit (grungy athletic lettering), NAL Hand, Fingbanger, Dont Waste That Napkin (squarish font), Bold Testament, Cisgender, NonchalantLove, Grelsey Kammar (sic), Valiant (stencil), Anger Management, Italipixel, Ultramarine, Nero (sci-fi font), Bamboozler, Seriffic, High Jinks, Iregula (sic), LNR Phonetic Alphabet, Primary School, Playtime (3d face), Electromagnetic Lungs, Node to Nowhere, Alienated (trekkie font), Questrian, Scars, Da Se Nei (art deco), Dance Floor (dot matrix face), Edge Cutting, Lord Juusai reigns, Superpower Synonym (fat brush), Fought Knight Die (techno), The Thrill of the Kill, Lay of the Land, Deavantgar (art deco), Confidel, Fight Night, Comeback of the Damned, Vermin Vibes Corrupto, Chandstate, Scars, Bustin Jieber (pixel typeface), A Dash of Salt, Come Rain or Fall, Xsotik, Sanseriffic (avant-garde sans), Cassius Garrod, Effortless Tattoo, Coder's Crux 2, Radaro, Overdrive Sunset (brush face), Dead CRT, Fatality's Edge, Tolerant, Coder's Crux 2 (dot matrix), Consider Me Vexed (pixel face), Diamante, Pixel Flag, Aardvark CWM Type, Enter The Grid, Vermin Vibes 2 EDM XTC, Byron, See You at the Movies 2, And Then It Ends, God Hates Westboro, Writing Without Ink, Zdyk Aquarius, Curvert, Superdie, Rocky Road, Animal Silence (constructivist), Gnaw Hard, 19th Century Renegade, Trip Trap, Freudian Slit, Digital Dismay (LED face), Zdyk Pisces (circle-based typeface), Zdyk Scorpio, Guilty Treasure (techno), Wolfganger (inspired by Wolfgang Gartner), Xero's Retreat, Sitdown (octagonal), Stencylette, No More Justice (blackletter), Masterblast (sci-fi), Kesha (sci-fi), Primal Dream, Grandma's Television, Keyboard Warrior, Foughtknight, Blissful Thinking, Positive Reinforcement, The End of Days.

Typefaces from 2015: This Sucks (pixel font), Front Page Neue, Vermin Vibes Mert, Rock Elegance, Stripes.

Typefaces from 2016: Enter The Grid, Fill In The Gaps, FoughtKnight, Grunge Tank, Alt West.

Dafont link. Most of his typefaces were made using FontStruct, where he is known as NAL or Notalot. Fontspace link. [Google] [More] ⦿

Andrew Patrick Lines
[Andrew Lines Graphic Arts (or: Drewfont Foundry)]

Andrew S. Meit

Plantation, FL-based designer of GoodCityModernPlain (1991, a blackletter font based on J. Gutenburg's 42-line bible), and LombardocMedium (1991).

Fontspace link. [Google] [More] ⦿

Andrew Willis

Designer of the blackletter typeface Wendel (2016). [Google] [More] ⦿

Andrey Chernevich
[Mister Chek]

Andrey Jahred

Designer and jewelry maker in Bandung, Indonesia. Creator of the blackletter / tattoo font Typebeast (2015). [Google] [More] ⦿

Andrey Martynov

Ekaterinburg, Russia-based calligrapher. Creator of a Latin Kanzlei-style blackletter alphabet (2015). [Google] [More] ⦿

Andriy Dykun
[NREY]

Andy Benedek
[Font Factory]

Andy Clymer

Andy Clymer grew up in Irvine, CA and studied at San Diego State University in 1998. At that time, he was working on Stencil Fraktur (2002). In 2004-2005, he studied type design in the Masters program of the KABK in Den Haag. He joined the typeface development department of Hoefler&Frere-Jones in New York in 2005. He has been an instructor in the Type@Cooper program in New York since 2011.

From 2005 until 2018, Andy worked at the Hoefler&Co. type foundry, where he contributed to the typefaces Vitesse, Forza, Ideal Sans, Archer, Surveyor, and spearheaded the design of Operator and Obsidian (2015: a decorative copperplate engraved emulation typeface---various kinds of 3d illumination in Obsidian were obtained by an algorithmic process.

In 2019, he co-developed Mingei Mono for the Mingei International Museum along with Yomar Augusto.

In 2020, he released Tilt. Tilt is a family of (variable) typefaces inspired by three dimensional lettering found in storefront signage. Subfamilies: Tilt Neon (mimics the construction of neon tube lettering), Tilt Prism (based on prismatic lettering, cast or cut in a material), Tilt Warp (resembles peeling vinyl stickers). The variable fonts have two axes, horizontal rotation and vertical rotation.

Github link. [Google] [More] ⦿

Andy Cruz
[House Industries]

Andy Forrester

Designer of these free fonts: Asgardian Wars (1999, blackletter), Forgotten World (1998, created for Lapland 'Luna Rova', Glasgow Art Fair 1998), Elab (2003, futuristic). His outfit was also called Fontkasten at some point. He calls himself Andrew F on the web. [Google] [More] ⦿

Angel Caballero

Spanish type designer who created many typefaces at José Iranzobetween 1948 and 1965. These include: Gotico (1951, blackletter), Nueva Escritura Inglesa (1948), Junco (1962-1965: fino, seminegro, negro---condensed contrasted sans family), Pincel (1956, informal signage script), and Supremo (1956: fino, fino cursiva, seminegro, seminegro cursiva, negro, negro cursiva). [Google] [More] ⦿

Angel Carvallo
[Avenged Creations]

Angelica Baini

Angelica Baini was born in Castiglion Fiorentino, Italy in 1990. During her studies at the New World School of the Arts in Miami, FL, she designed the blackletter typeface Infinitüm (2013), which can be bought from Ten Dollar Fonts and The Designers Foundry. Creator of the alchemic typeface Marina (2012). In 2014, she designed the retro diner signage font Nighthawk Script.

In 2017, Tatiana Gancedo and Angelica Baini co-designed the free modular typeface Renasci.

Behance link. Cargo Collective link. You Work For Them link. [Google] [More] ⦿

Angst Free Fonts
[Chris Dunfield]

Chris Dunfield's free fonts from 1990-1992. Mac PS, MacTT and Win TT. Includes AngstBlackLetter, AngstChartz1, AngstCircus2, AngstDingbatsOne3, AngstForce4, AngstGonzo5, AngstKidz6, AngstKink7, AngstMagicMush11, AngstMindless10, AngstPimp12, AngstProgge13. [Google] [More] ⦿

Angus R. Shamal
[ARS Type (was ARS Design)]

Ania Wielunska
[Stolat Studio]

Anita Lukacsi

Graphic designer in Budapest. She created the wonderful Fraktur typeface Mantodeum (2012). [Google] [More] ⦿

Anita Sun

Creator of the free blackletter typeface Ye Olde Shire (2008, +Outline), Coptic Eyes Coptic (2009), and I Crashed Into Gothic (2009). Using FontStruct, she made the Amaya technical family in 2009. Fontsy link. [Google] [More] ⦿

Anke Arnold
[Anke Art]

Anke Art
[Anke Arnold]

Wernau (was: Wendlingen), Germany-based Anke Arnold's free fonts: aa QWERTZ-Tasten (2012: German keyboard font), aa Halftone (2012: texture face), aa Tafelschrift (2012, school font), Car Go Frame (2011), Car-Go Plain (2011, modeled after German license plate lettering), Typo Garden (2010, alphadings), 80er Teenie Demo (2009), Acki Preschool (2009), Just Another Stamp (2009), Firlefanz (2009, curly letters), Pixelstitch (2006), AnkeHand (2003), Hole-Hearted (2003, Gill Sans with hearts), KRITZEL (scratchy pen), MilkyWay, FrightNight, Eminenz (2002), Scribble, Skribus, Why, TooLazyToPractice, XXX, CheapInkkilledmyPrinter, Storch (alphadings), Alexandras-Stempelkasten, Anatevka-Caps, BulletMix, Catwalk, Duke, Dukeplus (2000, blackletter), Riddleprint, Anke-Print, AnkeCalligraph, Titanic, Wasser, butterbrotpapier, distracted-musician, dyslexic, manko, quixotic, verrutscht, zladdi, barcoded, BulletMix2, CAR-GO-2, Fortunaschwein (nice curly script; no punctuation or numbers), Round, BigBrothers&Sisters, BoringLesson, CrimesceneAfterimage, Incognitype (old typewriter), Jenna'sPopsicles, Japanese Brush (1996), Knuffig (2000), MonkyBusiness, Olympia2000, Samba, Dandelion, Kritzel (2003, scratchy hand), Krystal (2000, snow simulation typeface based on Gill Sans), Nervous, ParryHotter (2001, a Harry Potter blackletter face), Pffft, Tschiroki, Heart2Heart (heart alphadings), Anke Sans.

English page. For 10DM (5 USD), Anke will make your handwriting into a font! Alternate URL. Dafont link. Another link. Open Font Library link. [Google] [More] ⦿

Anna Bergmann

Berlin-based designer of the semi-blackletter typeface Frago (2014). [Google] [More] ⦿

Anna Ogonowska

Poznan, Poland-based student designer who created the angular blackletter-inspired typeface Odpustova (2014). Behance link. [Google] [More] ⦿

Anna Seslavinskaya
[Popkern]

Anomali Creative
[A A Ngurah A Krisna Teja]

Or just Krisna Teja. Bandung, Indonesia-based designer, b. 1982, of the techno or speed typeface Dash Horizon (2019), the brush typefaces Magnolia (2019) and Anarchaos (2019), the spurred typeface Motopica (2019), the blackletter typeface Omerta (2019), the script typefaces Retrovert (2019) and Balingkang (2019), the monoline script typefaces Papertua (2019), Barlingtton (2019) and Dastingtton (2019), the sans typeface Flooper (2019), the squarish Andromedia (2019), the cursive Aladina (2019), the signature font Gellattik Janggan (2019), and the shadowed typeface Gallagher Shadow (2019).

Typefaces from 2020: Mumbai Curry (script), Rosanthie (script), Funyard College (a children's typeface), Armenicha, Chronosfer (a squarish typeface family), Manallagi (a fat finger font).

Typefaces from 2021: Qamassan (a ten-style retro hyper-decorative serif), Omerta (a decorative blackletter), Magento (an 18-style display serif), Nur Hidayah (Arabic emulation). [Google] [MyFonts] [More] ⦿

Ansgar Schoppmeyer

Type designer (b. 1857, Berlin, d. 1922, Berlin) who made Flinsch-Fraktur (1911, Flinsch, Bauersche Giesserei). Flinsch Fraktur is also called Frankfurter Fraktur. [Google] [More] ⦿

Anthonie Van Hayu
[ARToni]

Anthony Datty

Anthony Dathy is a graphic and type designer. He graduated from the École Nationale Supérieure des Arts Décoratifs in Paris in 2008 with a degree in graphic design. Since then he followed the type design programm of André Baldinger and Philippe Millot and worked as freelance designer on a variety of design projects, including identity, editorial and interactive design. Speaker at ATypI 2010 in Dublin. In 2009-2010, with fellow ENSAD students Timm Borg, Perrine Saint Martin and Ok Kyung Yoon, he developed a complete family of fonts that extend blackletter and roman typefaces by Ulrich Gering that go back to the 1470s. [Google] [More] ⦿

Anthony James

Anthony James (Manchester, UK) is a talented British type designer. iHis typefaces, in chronological ordr:

Kaiju (2014). A dashing art deco typeface. Kaiju II followed in 2015.
Chase (014). A free monoline sans.
QG (2014). A minimalist free typeface.
Argö (2014). A commercial decorative fashion mag didone typeface.
Global (2014). A slender ball terminal-laden typeface meant for magazine titling.
Goku (+Regular, +Stencil; 2014). A multilingual didone fashion mag typeface, initially designed as a stencil font for the Basel & Geneva Watch Launch Event for Watches of Switzerland.
Giza (+free Stencil; 2015). A fashion mag didone. It was unfortunately named, as David Berlow's famous Egyptian typeface is also called Giza. After I wrote this in June 2015, I noticed that Giza became Giaza in July 2015.
Kingston (2016). A fashion mag typeface derived from didones.
Jitzu (2016). A multilingual high-contrast fashion didone in ten styles.
Osgard (2017). A swashy blackletter.
Ghost Cove (2017).
Indulge Script (2017). Formal calligraphy.
Kenjo (2018). Fashion mag headline type.
Omega Sans (2018).
Solar Vesta (2018). A font duo.
Qavo (2018). A sharp-edged monoline all caps sans.
Mojita (2019). A geometric display typeface, inspired by Japanese art deco, as well as Aztec & Mayan pattern design.

Facebook page. Buy his commercial typefaces here. [Google] [MyFonts] [More] ⦿

Anthony Moore

Ann Arbor, MI-based designer of Mohr Fraktur (2019). [Google] [More] ⦿

Anthony Nash
[Classic Font Company]

Anthony Robinson

UK-based creator (b. 1967) at FontStruct in 2008 of Metal Vampire (athletic lettering meets vampire), Moonbase Tokyo (neat futuristic oriental simulation), Sir Robin's Minstrels (blackletter), Starscraper (techno), Moonmonkey (outline LED font), First.

In 2010, he added the non-FontStruct typefaces Chromium (a great special effect face), Clawripper, Dirty Play, HairyMonster, HairyMonsterSolid, Punched, and Slasha, mostly inspired by blood, guts, and murders. Static Buzz (2010) is a texture face. Newcastle (2010) is a castle-themed alphabet. Blinger (2010) is a star-studded outline face. New York Punk (2010) is grungy. Dinosaurs (2011) is a dingbat face. NUFC Shield (2011) is a shield face. Zombified (2011) and Sound Sample (2012) are grunge typefaces.

Rollerball 1975 (2012) is the font used in the Rollerball movie. Western Show Caps (2012) is a Western circus font. Stoned (2012) evokes letters carved in stone.

In 2013, Robinson published the textured athletic lettering font Robbie Rocketpants, Airlock, Cargo Bay (a great army stencil, with a negative letter option), Dogma (a grungy Lombardic face), and the grungy blackletter typeface Flesh Wound. MDMA (2013) is a halftone simulation texture face. Barbarian (2013) is an alphading typeface on the theme of swords. Camouflage (2013) is a textured typeface. Atheist (2013) is an outline typeface. Power (2013) is inspired by lettering on pwer buttons. Witching Hour (2013) is a halloween font. Dystopian Future (2013) is a grungy typeface. Olde Stencil (2013) is a stenciled blackletter typeface. Anonbats (2013) has scanbats and dingbats related to the famous hacker group Anonymous. Creature Feature (2013) is a slimy typeface. Ka Blamo (2013) is a comic book font. Beer Goggles (2013), Supercreep (2013), KaBoing (2013), Gloop (2013, an oil slick face), Voodoo Vampire (2013) and Ye Olde Oak (2013) are textured typefaces. Anti Everything (2013) is a blood drip typeface. PCB (2013) is a printed circuit board font. Dickensian Christmas (2013) is a decorative Christmas font.

Typefaces from 2014: Spondulix (hacker type), War Wound, Lasso of Truth, Counter Dial.

Typefaces from 2015: English Football Club Badges, Fuzzy Cops, Kick to the Face (oriental simulation).

Typefaces from 2016: Squeal Piggy.

Typefaces from 2019: Footy Scarf.

Dafont link. Aka Anfa. Home page. Another URL. FontStruct link. [Google] [More] ⦿

Anthony Vallejos

Anthony Vallejos (Irvine, CA) created the tattoo / blackletter typeface Love=Evol (2011). [Google] [More] ⦿

Antifa Publishing

Hannover, Germany-based outfit that published the Fraktur font Propaganda (1999). Download here. [Google] [More] ⦿

Anton Bolin

Anton Bolin (Hökarängens Bokstavsfabrik) is a Swedish type designer located in Hökarängen, just outside Stockholm. Creator of the rounded children's book or poster font Glupsk (2015).

In 2016, he designed the free blackletter typeface Bajern.

In 2017, he published the slab serif typeface Farsan and the free ink splash typeface Pissjar Sans (for which he peed over 300 times during a six-month period). Behance link. Creative Market link. [Google] [MyFonts] [More] ⦿

Anton Drachuk
[Jimi-neko]

Anton Koberger

Nürnberg-based printer who created many interesting typefaces in the late 15th century, as narrated by Christoph Reske in Eine neue Entdeckung zur Druckgeschichte der Schedelschen Weltchronik (note: Schedelschen Weltchronik (1492) is a book by Hartmann Schedel). These include a gorgeous Rotunda and Schwabacher (1492), a Druckbastarda, and other original Fraktur typefaces, called No. 9 and No. 11 by Reske. Koberger was first and foremost a printer, who made the first illustrated bible in 1475, and printed, as hinted to above, Schedelschen Weltchronik (1492). He died in 1515. MyFonts page. Modern digital types based on Koberger abound:

Manfred Klein created the blackletter typeface FF Koberger for Fontfont.
Ernst H. Wulfert created a blackletter typeface called Koberger.
Paulo W created ScotoKobergerFrakturN11 (2007) and ScotoKobergerFrakturN9 (2007). He chose the name because of Ottaviano Scotus, whose blackletter types were similar to Koberger's. Paulo W writes: Ottaviano Scotus headed a distinguished family of Venetian printers. Born of a noble family of Monza, he came to Venice at the age of 35 and operated a press there between 1479 and 1484. He continued as an editor until 1499 whereupon his heirs, including his brothers and nephews, undertook their own activity (1499-1532).

[Google] [MyFonts] [More] ⦿

Anton Studer
[Atelier Bubentraum (or: Nouvelle Noire)]

Antonia Schön

At Hochschule RheinMain, Wiesbaden, Germany-based Antonia Schön designed Morsch (2018), an interesting typeface that combines the angularity of blackletter with the primitive nature of wood type. [Google] [More] ⦿

Antonin Kavalec

Czech Fraktur page. It has a lot of information and samples, includes a table (reproduced below), and has a small archive: Gothenburg (WSI), MA-Gotic (Will Software), Magdeburg (Scriptorium), SchwabenAlt-Bold, Diamond-Gothic (Jim Fordyce, 1993), Engrossing (Scriptorium, 1994), Fiorne (WSI), GF-Gesetz (Lorenz Goldnagl, 1999), JGJDurerGothic (Jeffrey Glen Jackson, 1997, based on Albrecht Dürer), OffenbachChancery, Ruritania, Schwabach, WornManuscript (Phillip Andrade, 1999), Suetterlin, MA-Bastarda1 (Will Software), FFraktur1, DSNormalFrakturBold (BfdS, 1997), Old-London, WilhelmKlingsporGotisch-Dfr.

Alte Schwabacher 1470

Andreas-Schrift 1942-1948 Hans Kühne (1910-1961)

Breitkopf-Fraktur 1750 Johann Gottlob Imanuel Breitkopf (1719-1794)

Caslon-Gotisch 1760 William Caslon (1692-1766)

Claudius 1931-1937 Rudolf Koch (1876-1934)

Deutsche Kursiv 1909 Richard Ludwig

Deutsche Werkschrift 1934 Rudolf Koch (1876-1934)

Deutsche Zierschrift 1919-1921 Rudolf Koch (1876-1934)

Eckmann-Schrift 1900-1902 Otto Eckmann

Ehmcke-Schwabacher 1920 Fritz Helmut Ehmcke (1878-1965)

Eisenacher Fraktur 1994 Christian Spremberg (1956)

Fette Gotisch 1893 Hausschnitt

Fichte-Fraktur 1934-1939 Walter Tiemann (1876-1951)

Frühling 1913-1914 Rudolf Koch (1876-1934)

Gilgengart 1938 Hermann Zapf (1918)

Kleist-Fraktur 1928 Walter Tiemann (1876-1951)

Koch-Fraktur 1910-1921 Rudolf Koch (1876-1934)

Lincoln-Gotisch 1907 Morris Fuller Benton

Maximilian 1926 Rudolf Koch (1876-1934)

Normal-Fraktur 1913-1914 Rudolf Koch (1876-1934)

Offenbacher Schwabacher 1926 Rudolf Koch (1876-1934)

Peter-Jessen-Schrift 1899-1900 Rudolf Koch

Post-Fraktur 1935-1940 Herbert Post (1903-1978)

Rhapsodie 1951 Ilse Schüle (1903-1997)

Straßburg 1926 Hausschnitt der H. Berthold AG

Tannenberg 1933-1935 Emil Mayer (1898-1983)

Thannhaeuser-Fraktur 1937 Herbert Thannhaeuser (1898-1963)

Unger-Fraktur 1794 Johann Friedrich Unger (1750-1804)

Walbaum-Fraktur 1800 J. G. Justus Erich Walbaum (1768-1837)

Wallau 1924-1936 Rudolf Koch (1876-1934)

Wartburg-Fraktur 1998 Christian Spremberg

Weißgotisch 1936-1937 Emil Rudolf Weiß (1875-1942)

Wilhelm-Klingspor-Schrift 1920-1926 Rudolf Koch (1876-1934)

Zentenar-Fraktur 1937-1938 Friedrich Hermann Ernst Schneidler (1882-1956)

[Google] [More] ⦿

Antonio J. Morata

Antonio J. Morata (Almeria, Spain, b. 1968) is a FontStructor (aka elmoyenique) who used FontStruct to make several modular typefaces starting in 2010. The typeface names start with z. We list them alphabetically:

Je suiz Charlie (2015).
zabadoo eYe FS (2013, bilined), zadartopia eYeFS (2014), zadora-q-eYeFS (pixelized), Zaffron EyeFS (2013), zaftig eYe FS (2013), zage eYe FS (2013), zagreb-eYeFS (2009), zagzig eYe FS (2012), zagzig Linear eYe FS (2013), zahoree eYeFS (2012, dot matrix), Zakapunt eYeFS (2010), Zapatiesta EyeFS (2013, a cut paper font), Zakyra eYe-FS (2010, a western font modeled after Kyra 1 my Michel Troy), zalamera eYeFS (2011), zaloon eYeFS (Western face), zamantha eYeFS (2012), zame-eYeFS, Zamzibar eYeFS (2012, octagonal), zandal eYe FS (2013, +2b), zandalo eYe FS (2014), zanexos eYe FS (2015, kitchen tile face), zanzibar-eYeFS, zancle-eYeFS, zancle-rev-eYeFS, zanadalo eYe FS (2014, Tuscan), Zangona eYe FS (2013), zanity eYe FS (2012), zanta eYe FS (2013), zapphire eYeFS (2012, kitchen tile face), zapristi-eYeFS (outlined and oblique), zarcs-eYeFS, zarina-eYeFS (2011, blackletter), zaturdaynote eYe FS (2014: dot matrix font), zaved eYeFS (2012), zaxet eYeFS (2014, Western), zayre-eYeFS, zaza eYeFS (2011).
zblackmagic-eYeFS (2011, Based on the Tomeri Nu-No font by Nuria González and Noël Nanton), zbrickfont eYeFS.
Zcare Myself EyeFS (2013), zcell-eYeFS (2010, fat counterless, and outlined), zcell rnd eYeFS (2012), zchwarze eYe FS (2014), zchwarze deco eYeFS (2014), zcloudy eYeFS (2012), zcout eYeFS (2010, a mini-stencilled art deco face), zcrackers eYe/FS (fa, counterless and starred), zcratched eYe FS (2014).
zdurer (blackletter).
zeagull eYe FS (2014), zebralbox eYeFS (2013), zebralkey EyeFS (2013), zeelandia-eYeFS (horizontally striped), zeenvoudige eYeFS (2011), zefaleas eYeFS (2013), zegovia eYeFS (2012), zelada eYeFS (2011), Zelectra eYeFS (2013), zelemin eYe FS (2013), zelfvolution eYeFS (stencil), zenda-eYeFS, zeneka eYe FS (2013), zenequalia eYe FS (2014), zenix-eYeFS (2011), zenoid eYe FS (2012), zenon eYeFS (2011, horizontal stripes), zenovia-eYeFS (2011), zentenial eYeFS (2015), Zenzilla EyeFS> (2013), zeres eYeFS (2011), zerone eYeFS (2011, a modular piano key face), Zertera eYeFS (2015, textured), zetentas-eYeFS (disco light face; +Light), zeventy-eYeFS (2011), zextile-eYeFS.
zfraktur eYe FS (2011, blackletter).
Zhadowlite eYeFS (2014), zhadows eYe/FS (shadow face), zhalloween eYe/FS (pixel face), zhapp3y-eYeFS (alphading), zhappy eYeFS (2011, fat art deco), zhappy5th eYeFS (2013), Zharkonada eYeFS (2014), zharona-eYeFS (2010).
ziabelle-eYeFS (shadow face), ziberia eYeFS (2011: extended to a full-fledged commercial typeface, KD Ziberia, by Zhalgas Kassymkulov, in 2021), zibernia blk eYe/FS (2011), zibernia blk x thal eYe/FS (2011), zicrets eYeFS (2013), Zilken eYe FS (2013), zilverstone eYeFS (2011, blackletter), zimbawee-eYeFS, zimbelino eYeFS (2013), zimonart eYe FS (2014), zinabrium eYeFS (2013), zincline eYeFS (2014), zinders eYeFS (2012), zinergy-eYeFS (3d face), zinergy blk eYe/FS, zinfont eYeFS, zinnamon eYeFS (2011), zinus eYeFS (2013), zirconite eYeFS (2011, slab face), zircus eYeFS (2010), zirius eYeFS (2011).
Zkalpel eYe FS, Zkalpelbar eYe FS (2014, blackletter), zkandia-eYeFS (stencil), zkinlight eYeFS (2013).
zlabyrinths eYeFS (2011, improved by fanstruct1 in zlabyrinths eYeFS v2, 2012), zlash eYe FS (2011, a keyhole face), zloty eYeFS (2011, art deco face).
zmorse xDad eYe FS (2011, a texture / African typeface based on morse code).
znederland eYe FS (2012), znipped eYe FS (2012, heavy angular face).
zpanish caravan eYe/FS (2011, a bullet hole face), zpeedo eYe FS (2013, race car font), zpido eYeFS (2012), zpixel eYeFS (2011), zporty eYeFS (2012, textured face).
zquadrata eYeFS (2010), zquared-eYeFS.
Zocratic EyeFS (2013, kitchen tile face), Zocraticrux eYeFS (2014), Zoftly 70 EyeFS (2013, LED font), Zombra eYeFS (2013, influenced by Orthmar Motter's Motter Ombra, 1973), zometimes eYeFS (2014), zonatta eYeFS (2013), zonora eYeFS (2011, a Far West face), zooctogonal eYeFS (2013), zoolphabet eYeFS (2010, animal dingbats), zorongo eYeFS (2014: inspired by the MuirMcneil poster lettering for Braun systems), Zoulsister Plus eYe FS (2016), zoutheast eYe FS (2012, Western), zouthwest eYe FS (2012, Western), zoutland eYeFS (2011, octagonal), zouvenir 2U eYeFS (2013), zovietztyle eYeFS (2013, constructivist), zozial-eYeFS, zozial-sqrd-eYeFS.
Realta2 (2013), zreeways eYe FS (2014: multilined face), zround eYeFS (2010).
Ztardust eYe FS (2014), ztarsky-eYeFS (+Round: art deco ultra black), ztainless eYe FS (2014), ztamina eYe FS (2014: shaded), ztator eYeFS (2012), ztay eYeFS (a condensed almost art nouveau face), Zteamboat EyeFS (2013), ztedelijk-Crouwel eYe/FS (2011, based on Wim Crouwel's stedelijk Museum poster), zteefunny eYe FS (2011, ultra fat keyhole face; + zteefunny dm eYeFS), ztencils eYeFS (2011, army stencil face), ztires-eYeFS (2011, texture face), ztoasts eYeFS (2013), ztonewall eYeFS (2013), ztorm eYeFS (2013, blackletter), ztrands eYeFS (2011), ztrange eYeFS (2010), ztrange blk eYeFS (2011), Ztrangelovedoc (2016), Ztratos eYe FS (2014), ztream eYeFS (2011), ztrong eYeFS (2013, sci-fi), ztrontiumdog eYe FS (2013, fat stencil), ztructures eYe FS (2012, crosshaired), zturdy-eYeFS (ultra-fat), ztylo eYeFS (2011, art deco).
zumbaya eYeFS (2014), zummertime eYe FS (2012), zunivetica eYe FS (2013), zunset eYeFS (2012), Zuspiria eYe FS (2015), zuzanna eYeFS (2013, Western, Italian).
zweater eYeFS (2011, knitted look), zweet eYeFS (2013), zwimming eYeFS (2011), zwire blk eYeFS (an LED face), zwiss-eYeFS.
zybaris eYeFS (2012), zybona-eYeFS (athletic lettering), zychotropic eYeFS (2013, an Italian Western face), zydonia eYeFS (2012), zykedelia-eYeFS (2012), zylone-eYeFS (2011), zylvania eYeFS (2013, retro automotive script), zynopsis eYe FS (2013), zyrano eYeFS (2013), zyrens eYeFS (2013), Zyrup Eye FS (2013).

Dafont link. [Google] [MyFonts] [More] ⦿

Antraxja Fonts (or: Atrax)
[Rafal Brzezinski]

Antraxja Fonts (or: Atrax) is a (now defunct) Polish foundry which offered these free fonts made by Rafa Brzezinski in 2004: ARTUR, Antraxja Goth 1938 (blackletter), Art (art nouveau), Battlefield (war lettering face), BananaShow-Medium, CrashTest, CrashTestItalic, CrashTestShadow, Cybernetyka (futuristic family), CybernetykaItalic, CybernetykaNormal, CybernetykaOutline, DarkPalladin, History Brush, Kreskwka-Italic, Kreskwka (handwriting), Monster, MonsterShadow, Mortis, Orchidee, Reforma, Returntocastle (gothic), Speed+, Speed+2, Techno, Medusa (blocky lettering), Weronika, Bajareczka, Camilla, Cherif, Top Secret (stencil).

Alternate URL. Fontspace link. [Google] [More] ⦿

aphoria

Designer at FontStruct in 2008 of Interest (dot matrix), Order (constructivist), Attica, Continuum (rounded bold), Fairway (+Slab, +Serif), Slant (techno), Cowboy (2008, Western-themed), Lights in the sky, Olymia Bold, Solida (psychedelic), Digi (pixel face), Villa (heavy slab serif) and Olympia Light. In 2009, he added Versional, Crown, Vend, Reed (Slab, Sans, both octagonal), Spaced Out (Bold, Italic, Regular), Jingle, ReMix (kitchen tile), Squire (3d face), Garage Sale (stencil), Signage, Futility (blackletter), Expearemint, Textual, Callout, tweedie, Embolden, Clipped, Economical, Emphasis, Vessel, Honest, Union (+Flat, +Sans, +New), Interest (pixel/dotted face), Venus Sans, Minanim, Diner (rounded), Lights in the Sky (De Stijl-like font), Opine, Charmer (+Inverse), Tweedle, Textual, Solida (ultra round), Slant, Slant, Villa (heavy slab serif), Versional, Vend, Union, Union Sans, Union New Sans, Union New Flat, Paperclip, Poofy, Steel (+Outline: octagonal), Crown, Diner (rounded), Solemn Bold, Solemn, reed Sans Mono (octagonal).

Fonts from 2010: Full Deck (playing card font), Scrollboard, Power Up (piano key face), Groovy Fu, Formality, Union New (+Sans, +Flat), Angle Tutorial, Aurora Light (elliptical monoline sans), Pushpins, Aurora Light, Scrawl (marker face), Evity (a grotesk face), Altipen (upright script).

Fonts from 2011: Obleak (oblique techno face), Likea (a heavy mechanical sans), Uptake (elliptical).

Fonts from 2012: Omit (a bilined stencil face).

Fonts from 2013: Emblazoned.

Typefaces from 2014: Game Over, Aurora Light, Flowidity, Oxquad (textured, octagonal). [Google] [More] ⦿

Apple Fonts

Alternate URL. The history of all fonts used and produced by Cupertino, CA-based Apple. A brief summary of this:

Corporate fonts and brand identity
- Motter Tektura (designed by Othmar Motter of Voralberger Graphic in 1975): before the first Macintosh, Apple used Motter Tektura to accompany the Apple logo. "According to the logo designer, Rob Janoff, the typeface was selected for its playful qualities and techno look, in line with Apple's mission statement of making high-technology accessible to anyone."
- Apple Garamond, the new corporate font used when the Macintosh was introduced in 1984. ITC Garamond (Tony Stan, 1977) was condensed to 80% of its normal width by Bitstream, who also adjusted and hinted it. Apple Garamond was used in most of Apple's marketing. The Wikipedia comment: "Many typographers consider ITC Garamond in general, and Apple Garamond in particular, to be poorly designed typefaces. A common viewpoint is that the algorithmic scaling distorted the typeface."
- Myriad Pro: starting in 2002, Apple began using Myriad Pro Semibold (a sans serif face) in its marketing, gradually replacing Apple Garamond. MyriadPro and MyriadApple can be downloaded here.
- Gill Sans Regular: used in the marketing of the Newton PDA.
Fonts of the original Macintosh All but one of these bitmap fonts were due to Susan Kare. The fonts were originally named after stops along the Paoli, Pennsylvania commuter train line: Overbrook, Merion, Ardmore, and Rosemont. Later, under pressure from Steve Jobs, names of world cities were chosen. A number of different variants of each font were algorithmically generated on-the-fly from the standard fonts. Bold, italic, outlined, underlined and shaded variations were the most common.
- Cairo: a bitmap dingbat font, most famous for the dogcow at the 'z' character position.
- Chicago (sans-serif): the default Macintosh system font in System 17.6.
- Geneva (sans-serif): designed for small point sizes and prevalent in all versions of the Mac user interface.
- London (blackletter): an Old English-style font.
- Los Angeles (script): a thin font that emulated handwriting.
- Monaco (sans-serif, monospaced): a fixed-width font well-suited for 912 pt use.
- New York (serif): a Times Roman-inspired font family. Freely avaliable from Apple.
- San Francisco: a ransom note face.
- Venice (script): a calligraphic font designed by Bill Atkinson.
Fonts in Mac OS X
- Lucida Grande: the primary system font in Mac OS X (all versions). Lucida Grande looks like Lucida Sans, but has more glyphs. It covers Roman, Cyrillic, Hebrew, Arabic, Thai and Greek. Many of its 2800+ glyphs were added by Michael Everson to the original collection.
- Mac OS X ships with a number of high-quality typefaces, for a number of different scripts, licensed from several sources.
- LastResort (designed by Michael Everson of Evertype): used by the system to display reference glyphs in the event that real glyphs needed to display a given character are not found in any other available font. Wikipedia states: "The glyphs are square with rounded corners with a bold outline. In the left and right sides of the outline, the Unicode range that the character belongs to is given using hexadecimal digits. Top and bottom are used for one or two descriptions of the Unicode block name. A symbol representative of the block is centered inside the square. By Everson's design, the typeface used for the text cut-outs in the outline is Chicago, otherwise not included with Mac OS X. The LastResort font has been part of Mac OS since version 8.5, but the limited success of ATSUI on the classic Mac OS means that only users of Mac OS X are regularly exposed to it."
- Apple Symbols (2003-2006): a 4000+-glyph dingbat font that complements the symbols from Lucida Grande, inttroduced first in Mac OS X 10.3 ("Panther").
- Zapfino (a calligraphic typeface designed by and named after renowned typeface designer Hermann Zapf for Linotype, based on an example he first drew in 1944): Zapfino utilizes the most advanced typographic features of the truetype format, and is partially included in OS X as a technology demo for ligatures and character substitutions.
- Mac OS X Snow Leopard comes with four new fonts in 2009: Chalkduster (emulating chalk on a blackboard), Menlo (a monospaced family based on Bitstream's Vera Sans Mono that replaces Monaco for applications such as Terminal and code editors; see also Deja Vu Sans Serif Mono), Heiti SC and TC and Hiragino Sans GB.
Fonts used in other devices
- Espy Sans: designed in 1993 by Apple's Human Interface Group designed the typeface Espy Sans specifically for on-screen use. It was first used for the Newton OS GUI and later integrated into Apple's eWorld online service.
- eWorld Tight: a bitmap font used for headlines in Apple's eWorld. The metrics of eWorld Tight were based on Helvetica Ultra Compressed.
- Chicago (see above): bitmap typeface used in Apple's iPod music player since 2001.

The Apple Design team won two awards at 25 TDC in 2022, pne for SF Arabic (a contemporary interpretation of the Naskh style with a rational and flexible design; this extension of San Francisco serves as the Arabic system font on Apple platforms. Like San Francisco, SF Arabic features nine weights and variable optical sizes that automatically adjust spacing and contrast based on the point size of text. The typeface features an extensive repertoire that covers numerous vocalization, tone and poetic marks, extended vowel signs, honorifics and Quranic annotations. SF Arabic provides support across the following languages: Arabic, Kashmiri, Kurdish, Sorani, Mazanderani, Northern Luri, Pashto, Persian, Rohingiya, Sindhi, Urdu, and Uyghur) and SF Symbols 3 (over 600 new symbols including representations of devices, game controllers, health, communication, objects, and tools; it prides greater control over how color is applied to symbols, and has a variable font srtyle as well). [Google] [More] ⦿

Aprian Sembada
[Griyotype]

Aradhana Chand

During her studies in London, Aradhana Chand designed Geometype (2017) and Gothvetica (2017: a blackletter / heavy metal font). Behance link. [Google] [More] ⦿

Archive Type
[Matevz Medja]

Slovenian foundry which specializes in old typefaces found in old prints, books and samples. Typefaces are reproduced as they appeared in print. In order to preserve the original feel of typefaces, no additional characters were added to originals therefore most of fonts consist just of basic character set. Upper case letters, lower case letters, numerals and basic punctuation. It was set up in 2000 by Matevz Medja. Engraving style typefaces: Kludsky (2006), Garfield (2005), Copperplate Head (2005), Western Iron (2005), Cider (2005), French Shaded (2005), Tilt (2005). The blackletter typefaces: School Text (2005), Harlem Title (2005), Copperplate Text (2005), Black Title (2005), Chased Black (2005), Tinted (2005), Steeler (2005), Blackcap (2005). Calligraphic typefaces: Petite Script (2005), Autograph Script (2005), French Script (2005), Penman Script (2005), Magnolia Script (2005), Roundface Script (2005), Roundhand Script (2005). Other typefaces: American Shadow (2005), Lightface Extended (2005), Grotesque Shaded (2005), Gothic Ornate (2005), Antique Extra Condensed (2005), Antique Extended (2005), Ironlace (2005), Atlantique (2005), Mann (2005), Old Style Condensed (2005), Ribbon (2005), Salisbury Script (2005), Black Title Text (2005, blackletter), German Text (2005, blackletter), Archive Hands (2006, pointing fingers), Archive Woodchild (2006). Distressed typefaces: Archive Tale (2006), Archive Egipt Compressed (2006). In 2011, he published the Archive Garamond family, which is closer to the unpolished originals. The 2010 catalog has three parts:

The Archive 40: Archive Western Iron, Archive American Shadow, Archive Antiqua Extra Cond, Archive Antique Extended, Archive Atlantique (avant garde sans), Archive Autograph Script, Archive Black Title Text, Archive Black Title, Archive Blackcap, Archive Chased Black, Archive Cider (engraved; a vintage money font), Archive Copperplate Head, Archive Copperplate Text, Archive Egipt Compressed, Archive French Script, Archive French Shaded, Archive Garfield (2005), Archive German Text, Archive Gothic Ornate, Archive Grotesque Shaded, Archive Harlem Title, Archive Ironlace, Archive Kludsky, Archive Lightface Extended, Archive Magno Script, Archive Modern II Open, Archive Modern II, Archive Old Style Condensed, Archive Penman Script, Archive Petite Script, Archive Ribbon, Archive Roundface Script, Archive Roundhand Script, Archive Salisbury Script, Archive School Text, Archive Steeler, Archive Tale, Archive Tilt, Archive Tinted.
Archive Americana: Archive American Shadow, Archive Steeler, Archive Tilt, Archive Grotesque Shaded, Archive Black Title (blackletter), Archive Mann (an industrial 3d typeface), Archive Autograph Script, Archive Tinted, Archive Harlem Title (blackletter).
Archive Western: Archive Egipt Compressed, Archive French Shaded, Archive Western Iron, Archive Antique Extended, Archive Copperplate Head, Archive Ribbon, Archive Gothic Ornate, Archive Oldstyle Condensed, Archive Lightface Extended, Archive Ironlace.

Creative Market link.

View Archive Type / Matevz Medja's typefaces. [Google] [MyFonts] [More] ⦿

Arcor.de

80-font archive, with emphasis on Fraktur fonts. [Google] [More] ⦿

Ari Rafaeli
[ARTypes]

Ariel Martinez
[Bless Studios]

View Mans Grebäck's typefaces.

Aring Typeface
[Måns Grebäck]

Måns Grebäck (Aring Typeface, Örebro, Sweden) is a prolific Swedish designer (b. Lindesberg, Sweden, 1990), who lives in Borlänge, Sweden. Måns Grebäck has a bachelor's degree in graphic design from the University of Dalarna (2012). In 2010, he went commercial, and started selling fonts through MyFonts. In 2011 he started Mawns Design. In 2013, that was renamed to Aring Typeface. In 2011 he already had over seven million downloads of his fonts, which were featured at websites such as Dafont and Myfonts. He also does custom type work. His typefaces, both free and commercial:

Acryle Script (2014).
Actonia (2016). A monoline script.
Adielle (2018).
Aerofoil (2017). A vintage bottom-heavy script.
Airways (2016). A signage script.
Akayla Script (2018). Calligraphic.
Aliey (2021). A 4-style Victorian copperplate serif.
Aliment (2018). A sharp geometric sans.
Amertha (2020). a fat finger font.
Amplify (2013). A signage script.
Angars Runes (2019: medieval, with gothic cathedral curves).
Angilla Tattoo (2013). A connected spurred tattoo typeface. Followed by Angilla Script (2020).
Antlers (2012). A calligraphic script.
Aquate Script (2019).
Arachnids (2011, graffiti face)
Artely Inks (2016).
Artisual Deco (2021). Pure art deco.
Artographie (2020). An all caps art deco typeface family.
Atelas (2015). Signage type, baseball script.
Atures (2018). Futuristic and monoline.
Autograf (2015) and Autografia (2021). Signature typefaces.
Ave (2016) in styles called Ave Utan, Ave Betwan and Ave Fedan. A family of baseball scripts.
Avelana. A connected script.
Backpack (2014). A thick signage script typeface.
Backyard (2016). A blackletter typeface.
Barkants (2011, elegantly hand-printed family).
Barley Script (2017). A signage script.
Baystar Script (2021).
Beautiful Trouble (2012). A rabbit-eared upright connected script.
Beaked Tyrant (2014). A copperplate calligraphic script.
Beckasin (2011, signage face)
Before The Rain (2011, calligraphic) Before The Rain Arabic (2016).
Belladio (2021). An urban script.
Bellino (2018).
Bezar (2020). A script.
Billion Dreams (2020, by Mans Grebäck and Rangga Subekti). A heavy signage script.
Billion Stars (2013). A tattoo script font.
Bira (2012). A retro connected brush / signage script.
Blaak (2019).
Black Fox (2014). A sirupy brush face.
Black Signature (2021). A bold signature font.
Black Larch (2016) and Dark Larch (2016).
Bloc Boy (2016). Like handwriting.
Blockography (2011). A sketched typeface.)
Block Talk (2011, with Zaydek Michels-Gualtieri)
Blods (2011, a great blotty brush face)
Blueberry Script (2017; with Noah Kinard).
Botanink (2011)
Bouncy (a cartoon font).
Bourdos2022). A script typeface.
Brannboll (2011, baseball signage face), Brannboll NY (2013), Brannboll Connect (2020), Brannboll Stencil (a baseball script) (2020).
Bready (2011). A retro signage script with art nouveau aroma.
Brev Script (2014). A connected secretary hand from the 19th century.
Bronze Script (2014).
Brother Tattoo (2012).
Bumblebees (2012). A plump curvy script.
Bunya (2016). A geometric slightly deco sans typeface family.
Calendary Hands (2012).
Caligraf (2020).
Canela Bark (2015, co-designed with Luis Miguel).
Caneletter Sans and Script (2013). Upright unconnected and connected scripts.
Cantona Script (2019).
Canyon (2021). A wide elliptical sans in 18 styles, featuring a coathanger lower case f.
Capoon (2018). A ten-style sans family.
Caprica Sans (2014) and Caprica Script. A plump script.
Caravela (2020). A pirate map script.
Casat Cap (2017). An all caps brush typeface family.
Caster (2019). A heavy poster script.
Castro Script (2012).
Catchland (2021). A retro baseball script.
Celebrater (sic) (2012). An oily font.
Cellos Script (2013).
Centeria Script (2012).
Channel (2011, connected upright script)
Chapel Script (216). For signage.
Characteristic (2011).
Chavenir (2011).
Chinal (2018).
Choko (2011, released in 2016). Chocolate and cream-themed decorative typeface.
Christmas Miracle (2018), Christmas Reign (Tuscan, all caps) (2020), and Christmas Sparkle (2018).
Chrysante (2020). A monoline flowing pen script.
Clear Line (2012). A fat finger / signage typeface.
Clipper Script (2011).
Clothe (2017).
Coneria Script (2012). A connected script.
Conture Script (2018). Elegant, classical, and with exaggerated capitals.
Crackin (2011).
Crunchy (2016). An upright connected script.
Cruz Quaste (2020). A handcrafted blackletter typeface.
Cubest (2021). A squarish monospaced techno family.
CutScript (2011, connected script).
Danbury (2022). A speed-emulating sans.
Dark Crow (2020). a dry brush script.
Dollie Script (2013).
Ebbing (2018).
Echinos Park Script (2012).
Ederson (2018). A vintage signage script.
Ekologie Hand (2012).
Ekorre 2021). Aa vintage decorative serif.
Elaya Script (2019). A creamy signage script.
Electronics (2017). A retro signage script.
Elevate (2016).
Emiral Script (2017). A baseball script.
Encina Script (2016). A thin calligraphic typeface.
Enlighten (2011)
Delinquente (2012).
Denigan (2011, hairline)
Equal Sans (2012).
Espesor Olas (2011, fine hand-printed calligraphic family)
Esplanade Script (2015, by Mario Arturo).
Ethernal (2017). A connected script.
Europe Underground (2010, geometric sans with a hairline weight).
Fabulous (2017) and Fabulous Gold (2017). Signage script.
Falkin Sans (2016), Falkin Script (2016), Falkin Serif (2016).
Faltura (2011, constructivist), Faltura Alien (grunge), Faltura Guerra (grunge)
Faltura Animals (2011)
Feathergraphy Decoration (2011, calligraphic).
Duera (2016). A variable width sans typeface family.
Fargo (2021). A cursive script.
Fat Wandals (2018). A graffiti font.
Feathergraphy Clean (2011).
Fibography (2013). A caps typeface composed of fibers.
Filbert Brush (2012), Filbert Color (2013, a soft brush font).
Finition (2017). A connected brush script.
Fireplace (2020). A connected script.
Firstly (2020). A flowing calligraphic signature script.
First Lyrics (2011).
First Reign (2022). A medieval typeface. Second Reign (2022), Third Reign (2022) and Fourth Reign (2022) are further medieval typefaces.
Flighter (2018). A retro airplane font.
Fondy Script (2018).
Frankentype (2013). An all-caps brush typeface for signage.
From Skyler (2016).
Funkygraphy (2011, fat and counterless).
Gecko (2015, a fine creamy signage script).
Geza Script (2017). A great angular almost Arabic-looking script.
Ghang (2011, graffiti family).
Gingo (2020). A script.
Goatskin Brush (2015). A great brush typeface.
Golden Hopes (2021). A signature script.
Gonzi (an 31-style sans). Published in 2021.
Graced Script (2016). A wide calligraphic connected brush script.
Grandi (2016). A ten-style display sans.
Gready (2021). A fat signage script.
Greback Grotesque (2012). The Thin is very very thin.
Gretoon (2011, cartoon family)
Griphite (2018). A rough brush typeface.
Guld Script (2015).
Habanero (2016). A fat signage typeface.
Handtalk (2010, silhouettes)
Harbell (2013).
Hard Block (2011, Western slab face).
Hastafi (2022). An 8-style sharp-edged display serif.
Haydon Brush (2016).
Heavy Rain (2021). Decorative initials, and an all caps wedge serif.
Hemicube (a wide squarish all caps sans) (2020).
Hemmet (2013). A signage script.
Hierograf (2016). A layered textured handcrafted poster typeface family.
Hitalica (2011).
Honeymoon (2017). A connected script.
Housegrind (2013, connected script).
House of the Dragon (blackletter). Published in 2021.
Hoyle (2020). A slab serif.
Hundred Miracles (a signage script). Published in 2021.
Impregnable (2013). A connected script.
Indiana Script (2017). A baseball script.
Inked Bones (2019). a hand-painted blackletter font.
Intrique Script (2013). A baseball script.
Isle Body (2019), Isle Headline (2019).
Jacked Eleven (2011), Jacked Eleven Highlight (2011), Jack Pirate (2020: a tattoo blackletter typeface), January Script (2013).
Jaymont (2018). A sharp-edged wedge serif typeface family.
Jengotan (2021). A dry brush script.
Jumper (2021). A 13-style sans. Free download for personal use only.
Kandira (2018). A sleek sans family.
Kanvas (2020). A script typeface.
Kerater (2011, sans)
Lace 2.0 (2012). A thin connected script co-designed with Matteo Milazzo.
Lacosta (2020). A signage script.
Kompar (2018).
Krinkes (2015, baseball script). A connected swashy signage script.
Kurri Island (2020).
Lakesight (2014). A connected script.
Larch (2016). A crisp script typeface.
Largelake (2021). A signage script.
Las Enter (2013). A neon light script.
Leaders (2020). A blackletter font.
Ledare (2021). A 14-style bold and expressive sans.
Letric (2021).
Let Me Ride (2011)
Levitee (2011, a lively connected script).
Lighthouse (2013). A bold high-contrast script face.
Lina Script (2012). A tattoo script done with Vicky Mardian.
Lourino (2018).
Low Casat (2017) and Low Casat Fat (2017).
Lyrics Movement (2011, tall-ascendered hand).
Lyster (2020).
Mandoul Script (2021) and Mandoul Black (2021: a brush script).
Mainland (2018). A sans family.
Mainstream (2017). Graffiti style.
Manofik (a 4-style warm retro serif with a coathanger lower case f; for Latin, Cyrillic and Arabic). Published in 2021.
Martyric (2014, brush script),
Masteries (2013). A connected formal script.
Mastoc (2014).
Mauritz Caps (brushed) and Mauritz (a great wild script family), both published in 2021. Followed by Mauritz Sans (a brush script with a strong personality and a cartoon vibe) in 2022.
Mean Casat (2018).
Medish Script (2018). A great calligraphic handwriting typeface.
Together with Noah Kinard, he designed the calligraphic typeface Melay Script (2016).
Middle Ages (2019). A Lomardic blackletter in Regular and Deco styles.
Milasian Circa (2015) and Milasian. A connected script.
Merry Christmas (2015). A retro script in Flake and Star styles. Followed in 2017 by the color script font Merry Christmas Color.
Milkyway Hotel (art deco sans).
Miraikato Hand (2022) and Miraikato Script (a rustic script) (2022).
Mistuki (2015). An oriental brush simulation font.
Mochary (2016). A signage or tattoo script.
Molly Sans (2019). Caps only.
Monsta Tag (2013): a graffiti font.
Motion Picture (2013). A heavy connected retro script.
Mount (2012).
MAWNS Graffiti (2010) and MAWNS Serif (2010)
MAWNS Handwriting (2010).
Made With B (2011, sketched face).
Mardian (2012). A calligraphic tattoo script done with Vicky Mardian.
Markera (2011, marker pen family)
Many Weatz (2011)
Mawns Rock (2011)
Monoment (2011). A fat upright connected script.
Moneymachine (2022).
Monosphere (2012-2016). A futuristic monospaced typeface.
Murality (2022). A readable graffiti or mural typeface.
Myteri Tattoo (2021) and Myteri Script (2021: a calligraphic script).
Nacinth (2020). A script.
Nino Script (2018). A tattoo font.
Nobella (2021). A retro baseball script.
Normale (2014). A set of distressed typewriter fonts.
Notera (2014). A connected handwriting font. Followed by Notera 2 in 2018.
Odenburgh (2020). A medieval calligraphic typeface.
Optien (2011, techno face)
Ordinatum (2011, a severe sans).
Original Black (2021). A fat blackletter typeface.
Ornamental Versals (2011, ornamental caps)
Painter (2016). A sign painting script.
Patched (2021).
Pennybridge 1563 (2010, blackletter)
Pharmount (2014). A calligraphic connected script.
Phraell (2013). A great italic formal calligraphic script with optional swashes.
Pigeon (2016).
Pineapple (2012).
Plates Napery (2015).
Plicata (2016).
Pligo (2016). A balloon or cartoon font.
Preside (2017).
Prime Script (2012).
Prognostic (2011)
Qaskin (2015). A semi-formal connected script typeface with Black and White (outlined) styles.
Qhuman (2021). A 6-style Victorian serif.
Qraxy (2016). Quache Variable (2020) and Quache (2020). A 28-style flexible sans family.
Quanton (2022). An 8-style angular serif.
Querino Sans (2019). A very bold sans. Followed by Querino Script (2019).
Quickier Pro (2012). A swashy calligraphic script face.
Quincho Script (2016).
Quintal Script (2021). A retro signage font.
R-2014 (2011, LED face).
Rabento (2021). A 6-style condensed display slab serif.
Race Fever Pro (2015, in Brush and Pen versions) and Race Fever Brush (2015).
Radio 187.5 (2010, techno family)
Rakoon (2014). A creamy ultra-fat upright script. Followed by Rough Rakoon in 2016.
Rangly (2017-2018). A paint roll font.
Raspberry Script (2017).
Recorda Script (2013). A formal calligraphic script.
Reditum (2014). A decorative script.
Reeler (2014, with Noah Kinard).
Remachine Script (2013). Retro signage script. In 2020, Mans added Remachine Script Arabic.
Respective (2011, calligraphic script, +Swashes).
Respondent (2021). A script.
Rider (2011, a 30-style "versal" sans family)
Ringer (circle and arc-based sans)
Ristella (2017). A baseball script.
Rivera 2022). A narrow sans in 10 styles.
Rodrigues (2021). A script typeface.
Roona Sans (2018: modernist and organic curves).
Ropest (2018). A rope font.
Roskrift (2011, calligraphic; + Roskrift Clean).
Rougant (2021). An organic display font.
Roughen (2020).
Rurable (2015).
Ruthless Wreckin (graffiti typefaces), Ruthless Drippin' (dripping paint family)
Safir Script (2016). A fat baseball script.
Saker Sans (2017).
San Andre (2021) and San Andreas (2021), the free version. A baseball script.
Santa Claus (2019). A blackletter typeface, accompanied by Santa Claus Deco, a snow crystal font.
Scantype (2016).
Sculptor's Hand (2011, connected chancery hand).
Second Lesson (2022). A wide script.
Second Lyrics (2011, Treefrog-style handwriting)
Sequal (2020). Graffiti style.
Sicret (2020) and Sicret Mono (2020). An all caps family.
Servin' for Salute (2011)
Shaded Larch (2016).
Sharpe (2019). A sharp-edged high-contrast serif typeface family. See also Sharpe Variable (2020).
Shenandoah (flowing signage script).
Shimes (2015).
Shipped Goods (2011). A copperplate calligraphic script.
Shortbrush (2011)
Signerica (2011, connected flowing hand)
Sketchica (2011, sketchy face)
Skyzhi (2016). An advertising headline typeface.
Society Editor (2013, connected script).
Snacker Comic (2013).
Snowstreet (2013, an octagonal typeface) and Snowy (2013).
Some Weatz (2011, calligraphic, copperplate; +Swashes)
Sonika (2018).
South African (2014). A movie poster brush typeface.
Southern Aire (2013, connected script face).
Specify (2016). A 40-style sans family. Download, free for personal use.
Spoken (2019). A graffiti font.
Sponger (2021). In the VAG Round genre.
Square Worm (2011)
Stackyard (2015). A script.
Stainy (2013). A signage script.
Starella Script (2019) and Starella Tattoo (2019).
Starge (2019).
Starkey (2020).
Stormland (2021). A wide monoplinear sans.
Stormline (2021). All caps, wide and outlined.
Strawberry Script (2017).
String Lines (2018).
Stroke Dimension (2011). A 3d typeface.
Struck Base (2021). A baseball script.
Suecos Locos (2011---yummy!).
Sultan Cafe (2014). An interlocking poster typeface.
Sunny Sam (2020). A script typeface.
Sverige Script (2012). Calligraphic wedding font.
Tall Casat (2018).
Tamoro Script (2014).
Taylor Hand (2020). A signature script.
Tevegraphy (2011, elliptical)
The Hills (2017).
The World is Yours (2011, quaint)
Throwupz (2011)
Toley Hand (2019).
Tipbrush Script (2011).
Tomino (2016).
Top Comic (2013). A very fat cartoon bubble face.
Treehouse (2011, upright connected script; +Snowhouse for a snow-covered version)
Tusch Touch 1 (2011)
Two and Three (2011: a tattoo parlor blackletter family)
Typographic Onedalism (2011, graffiti simulation face).
Undergone (2014). Decorative and calligraphic.
Unthrift (2015). A pen script.
Vacer Sans and Vacer Serif (2016). The latter is a slab serif.
Validity Script (2020, with Misti Hammers).
Ventography (2013). A bold signage script.
Vinho De Amora (2021). A vintage all caps wedge serif and a stencil version.
Waiter (2017).
Walk Da Walk One
Wandals (2018). A graffiti font.
Wankstaberg Battles (2010, a tall fat script)
White Dream (2021). A retro script.
White Larch (2016). A connected script typeface.
Wholecar (2021). An unerground train graffiti typeface family.
Wild Growth (2011).
Wildline (2021).
Winfield Script (2019).
World Series (2021). A baseball script.
Xtreem (2012) and Xtreem2 (2014).
Yanty, Yanty Big, Yanty Script, and Yanty Script Big (2012).
Yaquote Script (2014).
Yaty (2019).
Yoghurt (2011).
Zoney (2021).

Abstract Fonts link. Fontspace link. MyFonts link. Another URL. Dafont link. Klingspor link. Buy fonts directly from Måns Grebäck. Old URL. [Google] [MyFonts] [More] ⦿

Armando Pineda

Mexico City-based designer of the Capricho (2014), a high-contrast didone with an additional stencil style. In 2016, he designed the blackletter typeface Toska One and Lapin Brush. Creative Market link. A newer Creative Market link. [Google] [More] ⦿

Armel Bellec

London, UK-based designer of the free pixelish blackletter typeface Frakture (2017), the ribbon typeface Neo Rotunda (2017), and the brutalist Beton Brut (2017). Behance link. [Google] [More] ⦿

Arnaud Le Roux

Parisian graphic designer who created Meneïde (2013, a free blackletter stencil) and Foresee (2013, a free geometric display typeface).

In 2014, he created the free experimental typeface Coda as a tribute to Paul Renner. [Google] [More] ⦿

Arnold Hans Morscher

Small blackletter archive, largely fonts made by Dieter Steffmann: BreitkopfFraktur, Deutsch-Gothic (by Jim Fordyce), FetteFraD, FettedeutscheSchrift, Fraktur, HumboldtFraktur, Kleist-Fraktur, KochFraktur (by Helzel), Luftwaffe (by WSI), MarsFrakturNormal (by Helzel), Propaganda (by Antifa Publishing), SchmaleAnzeigenschrift, SchwabenAlt-Bold, TannenbergFett, ZentenarFraktur. [Google] [More] ⦿

Aron Jancso

Extraordinary Hungarian design talent based in Budapest, 1986-2015. I can't find enough superlatives to describe his work or find appropriate words to express my sadness when I learned of his death due to a bicycle accident on September 4, 2015. He was best known for his experimental type projects. He published the masterful Ogaki in 2009, the high contrast didone typeface Sensaway Pro (2010, Die Gestalten), the calligraphic Caligo (2013), the freestyle jazz high-contrast typeface Qalto (2012) and the fat counterless Dubwise Pro (2010) at Die Gestalten. Other typefaces include Milen Serif (2009, organic), Minimalstile (2008), Minimalca (2008, organic), Fade Away and Fancy Fence (2009, geometric blackletter), Muzikal (2010), Type #32 (2010).

Typographic poster examples: A, B, C, D, E, F, G | H | I | J | K | L | M | N | O | P | Q. Examples of typographically great bike posters: A | B | C.

Behance link. Facebook link. Flickr link. Die Gestalten link. [Google] [More] ⦿

ARS Type (was ARS Design)
[Angus R. Shamal]

ARS Type is an Amsterdam-based foundry with some commercial fonts by Angus R. Shamal. Shamal had earlier published fonts with T-26 and Plazm. Fonts can be bought via Fontshop.

The fonts: AudioVisual1, Code, Kamp, Kamp Serif, Retro City, OCRU, Toycube, Mortal, Maquette (1999-2000), Angelring, ARS Bembo, Contrast, Dandy, EcologyModern, Hartu (handwriting), Temper, ARS Novelty (2011, a free hybrid style face), ARS Polythene (pixel font family), Misanthry, Syntax (OsF format sans serif), CensorSans (1994), CensorSerif (1994), Credit (1995), Epilogue.pfa (1995), Exert (T-26), Humain-Graphica (1995), Humain-Synthetica (1995), Platrica (1994), Roscent (1995), ARSFortune (2000, futuristic), ARS Region (2002, Bauhaus sans), District (experimental), Descendiaan (1998), Zero Rate (futuristic), Tegel (1998, stencil, kitchen tile), Twenty (octagonal, techno), Trio (dot matrix fonts), Maquette (1999), Region, Product (2007, sans typefaces), Mr Archi, Prime (display), Deviata (unicase face), Forum I-AR (after Forum I, a 1948 font by Georg Trump), Freie Initialen-AR (2007, after a 1928 set of caps for Stempel Garamond), Fry's Ornamented (2007; a revival of Ornamented No. 2 which was cut by Richard Austin for Dr. Edmund Fry in 1796), Graphique-AR (2007; a shaded typeface based on a 1946 design by Eidenbenz for Haas), Gravur-AR (2007; a digital version of a type designed by Georg Trump and issued as Trump-Gravur by Weber in 1960), Initiales Grecques (after a Firmin Didot design, ca. 1800), Lutetia Open (2007; based on Jan Van Krimpen's Lutetia), Old Face Open (2007; a digitization of Fry's Shaded, an open all caps Baskerville cut by Isaac Moore for Fry, ca. 1788), Open Capitals (2007, after Jan Van Krimpen's 1928 typeface for Enschedé called Open Kapitalen), Romulus Capitals (2007; after the caps series by Jan Van Krimpen, 1931), Romulus Open (2007; after the Open series by Jan Van Krimpen, 1936), Rosart 811 (2007; open caps after Enschedé no. 811 by Rosart), Zentenar Initialen (2007; based on blackletter initials of F.H.E. Schneidler, ca. 1937).

Fontshop link. Designer link at FontShop. [Google] [MyFonts] [More] ⦿

Arterfak Project
[Ahmad Ramzi Fahruddin]

Ahmad Ramzi Fahruddin (aka Ramzehhh and as Ramz Fahruddin, b. 1993) established Arterfak Project in 2015. He is the Palembang, Indonesia-based designer of the display typefaces Aidah (2015, spurred), Temenyut (2015, spurred), Basenglah (2015, a geometric solid typeface), Local Genius (2015), Oropitem (2015, blackletter), Cakmacak (2015), Maeninaja (2015), Yagitudeh (2015, a free doodle font), Cagar (2015, free), Pletakrutuk (2015) and Beguyur (2015), the free experimental techno typeface Semravut (2015), the lava lamp typeface Cagar (2015) and the free spurred vintage typeface Outromoro (2015).

Typefaces from 2016: Anehena (a beveled ornamental typeface), Bongoknian (spurred), Sebasengan (sketched, arched, stitched, textured, eroded and embossed substyles), Sekatoon (Victorian), Bekelakar (Victorian), Sambeltigo, Wayawaya (free bilined art deco), Geroboktuo, Bedengkang, Ringam, Cindo Kato (spurred Victorian typeface), Ngopi Doken (a layered handcrafted typeface family), Bedesau (Victorian), Temenyut (spurred Victorian style), Sirugino (a spurred tattoo / blackletter type), Buyanbengak (spurred), Geradakan (dry brush type).

Typefaces from 2017: Martinez (Tuscan), Hughoney, Rockrace, Monabelia (Victorian), Philosophiya, Love Quake, Childwood, Circulat Decorative Frames, Dakmodal, Yasaman, Bsakoja, Meringam, Besigetz (Victorian), Bedempank, Ngamboel (a modern inline), Jemahok (an inline typeface), Sirunian (decorative blackletter), Belinjangan (brush style), Cerudikan, Kanjian (Victorian deco).

Typefaces from 2018: Mirandah (monoline, vintage), Subversia (Victorian), Bertha (a free display family that includes Shadow Line, Sans and Spurred substyles), Quickers, Marchelle (art deco), Lourena, Mellynda, Leophard (octagonal), Wishteria, Slashback, Katheryna, Febiolla, Tropicane, Maretha (a monoline script).

Typefaces from 2019: Requeiro (a spurred inline vintage font), Mourich (an all caps display typeface), Newston (a tall condensed news headline typeface family), The Black Sugare (blackletter-inspired), Magnies (an elegant stencil), Hermona (a spurred vintage label font), Bronzier (a sports font), Mayhena (a monoline script), Amnestia (a vintage all caps typeface), Highrush (font duo), Humeira (for children's books), Montheim (retro signage font), Hodgeson (a slab serif family), Delaroca, (a spurred black metal band font) Banda Niera, Bargers Distressed (spurred, Victorian), The Realita, Newston (a compressed skyline-style font), Ariestha Script, The Black Square, Requiem (Victorian or rococo inline caps), Invasible, Ferguson (an almost monoline slab serif family), Mirenath (a rounded vintage monoline typeface), Afolkalips (a tribal painted font inspired by the Papuan culture), Mellandry, Masterson (a slab serif western font), Marsheila (art deco), Kanjian, Belinjangan, Sirunian (a decorative spurred typeface), Quickers, Marcheile (slightly art nouveau), Marcheile, Monabelia, Nourishe (a fashion mag sans).

Typefaces from 2020: Trashbone, Burgery (a monolinear all caps children's book font), The Brande and Lotaline (a decorative serif), Rimba Andalas (a tribal font), Bronela (a decorative serif), Wonder Night (a beatnik font), Malinsha (a signage script), Marones (spurred, vintage, all caps), Katenila (a fat finger font), Meliana Script (a brush script), Romelio (sans / script pair), Bondrians (a vintage label font), Black Ravens (a dry brush font), Shinkoya (vernacular lettering), Brothership, Novante (stylish caps), Almatine Script (a flat pen calligraphic script, with perhaps a touch of Arabic script emulation), Almatine Sans, Wargate (a military stencil font family), Bragley (a cartoon font), Varino (a rounded unicase sans family), Ranille (a bold display serif), Neilvard (a vintage label font family), Nagietha, Khodijah (an Arabic emulation font), Sometimes Rough, Savaneta (a vintage all caps typeface), Valmera (a Peignotian sans), Hargalia (classic calligraphy), Cherione (a unicase font), Revans (a display sans).

Typefaces from 2021: Larantuka (an informal font with a dancing baseline), Bolandes (a weathered monoline sans), Delauney (a formal art deco typeface), Chieezy Burger (grungy, vernacular), Ranmor (a vintage slab serif), Andalia (a signage script), Insiders (a dry brush script), Granesta (a dry brush font), Abigral (a Peignotian serif), Suzanstein (a dripping blood font), Broken Console (a retro video game pixel font), Naluka (a tiki or nature park font), Lovatine (a scrapbook script), Rushen (vintage caps in curvy, regular, distressed, stencil and shadow versions), Siegra (futuristic), Komersie (a bold supermarket font), Borensa (a reverse stress font), Rashavine (a dry brush font), Blankone (a brush font), Montagna (a monolinear script), Hadnich (a heavy signage script), Sallomae (a scrapbook font), Vankours (a dry brush font), Wonderful Melanesia (a decorative serif), Albertson (a Tuscan font), Rantika (a bold brush script), Rusthack (a stylish brush typeface), Mustopha (an upright typeface in arabesque style), Marviona (a marker pen font), Marviona (a marker pen font), Niquitta Mirzani (script), Shikamaru (emulating a Japanese brush), Mortend (a 5-style expanded all caps sans), Barlock (an all caps and spurred varsity font), Northash (stencil), Motteka (a beatnik font), Sharely (a brush font), Rompies (a condensed titling sans), Beardsons (a vintage label font), Broken Crush (dry brush).

Typefaces from 2022: Bradrock (a vintage semi-Tuscan Western font), Market Written (a fat finger font), Almalik (Arabic emulation), Vanitha (a brush script), Rambors (prismatic caps with four parallel lines), The Last Shuriken (emulating Japanese), Warzone (an all caps echno / sci-fi font), Kalidony (calligraphic with heart-themed tittles), Lemands (a stocky condensed display typeface).

Dafont link. Creative Market link. Behance link. Graphicriver link. Creative Fabrica link. [Google] [MyFonts] [More] ⦿

Arthur Pestner

German type designer, who created the blackletter headline typeface family Deutsche Reichs-Schrift (1915, Wilhelm Woellmer). Other weights: Fett (1915), Schmal (1924), Eng (1919), Schmalfett (1924), Schmalhalbfett (1917). [Google] [More] ⦿

Arthur Reinders Folmer
[Typearture Type Foundry]

View Astigmatic's typeface library. View the typefaces made by Brian Bonislawsky.

Arthur Schulze

German punchcutter. Designer at Ludwig&Mayer of the blackletter typeface Werbekraft (1926) and of the script typeface Mammut (or Werbeschrift Mammut) (1927; see also L. Wagner in 1928 and 1932). At Schelter & Giesecke, he published Ambra (1924). At Lettergieterij Amsterdam, he created Schaduw Capitals (1919).

Revivals include Schulze Werbekraft (Peter Wiegel, 2017) and WF Neue Werbe Kraft (Oliver Weiss, Walden Font, 2016-2017). [Google] [More] ⦿

Arthur Vanson

British designer whose typefaces were published by Letterhead Fonts. They include Stratford (2002), Hindlewood (2002: a fraktur family, in Sans, Soft, and Hard; and Regular or Groteque), Opening Night (2002: for sgnage), Red Sable Script (2006, photolettering age script), Senatus, Flash Script (signage), LHF Chesham Sans (2002-2012), Wade Grotesque (2003), Wade Dynamic (2008, bold sans), Cincinnati Poster (2003, signage), Tallington (2003, a great gas-pipe lettering font), Stevens Percepta (2003, inspired by showcard writer/designer Mike Stevens), Speedstyle (2004, comic book face), LHF Tideway Script (2004, connected fifties script), Essendine (roman), Stevens Percepta (flared headline sans), and American Sans. Klingspor link. [Google] [More] ⦿

Arthur William Presser

Graphic designer in Blumenau, Brazil, and/or London, UK, who created these typefaces:

Bossa Nova Font (2012, art deco). Updated in 2016. Free download.
Brasilac (2016). An irregular typeface based on early Brazilian vernacular typographic elements from the 18th and 19th centuries.
Johann Script (2016). A handwriting typeface based on the hand of Johann P. P. Presser dated between 1760 and 1809. Johann, an ancestor of Arthur William Presser, owned a leather tanning company in the city of Woldersweiller (today known as Nohfelden) in Germany and used a book to keep records of the financial affairs of his business. It is from this book that the font was derived.
Gothic Roots (2016). A blackletter design.

Home page. [Google] [More] ⦿

ARToni
[Anthonie Van Hayu]

Kabaro, Soppeng and/or Labokong, Indonesia-based designer of the squarish typefaces Fino (2019), Kardust (2019) and Kardust TS Condensed (2019), the monoline geometric sans typeface Shadeerah (2019: a display sans in three weights), the calligraphic typeface Khaleefa (2019), and the cursive fonts Lambola (2019) and Syifa (2019).

Typefaces from 2020: Finto (a techno typeface inspired by jet airplanes), Nellyana Script (monoline).

Typefaces from 2021: Yesslyn (a tall upright script), Kindheart (a monolinear signature script), Ratched (an inky script), Stitka (a rhythmic signature script with tall ascenders), Fionetta (a graceful calligraphic script), Heartway Signature (an upright signature script with personality), Safiya (a semi-formal calligraphic script), Olimate (a molecular typeface), Quakeland (a display font), Khaleefa (a calligraphic font that emulates Arabic), Syafiqa (an informal monolinear typeface), Maghfirah (calligraphic), Maghfirah Two (a bold calligraphic typeface), Hidayatullah (Arabic emulation), Cruisader II (a casual font), Cruisader (a speed font), Aeroblades (futuristic; or for emulating speed), Sketter (a speed font).

Typefaces from 2022: Azteria (a retro blackletter-inspired script), Nearly Brush (a creamy brush script), Lillyberry (a scrapbook script). [Google] [MyFonts] [More] ⦿

ARTypes
[Ari Rafaeli]

ARTypes is based in Chicago, and is run by Ari Rafaeli. List of their typefaces categorized by revival type:

Hermann Eidenbenz: Graphique (1946) now called Graphique AR, a shadow face.
Jan van Krimpen (Enschedé) revivals: Romulus Kapitalen (1931), Romulus Open (1936), Curwen Initials (Van Krimpen did these in 1925 for The Curwen Press at Plaistow, London), and Open Kapitalen (1928).
Jacques-François Rosart: Rosart811, a decorative initial typeface that is a digital version of the 2-line great primer letters cut by J. F. Rosart for Izaak&Johannes Enschedé in 1759 (Enschedé no. 811).
Stephenson Blake revivals: Borders, Parisian Ronde.
Rudolf Koch (Klingspor) revivals: Holla, Koch-Antiqua-Kursiv Zierbuchstaben, Maximilian-Antiqua, Neuland 24pt.
Bernard Naudin (Deberny&Peignot) revival: Le Champlevé.
W. F. Kemper (Ludwig&Mayer) revival: Colonia. P.H. Raedisch: Lutetia Open (2007) is based on the 48-pt Lutetia capitals engraved by P. H. Raedisch under the direction of Jan van Krimpen for Enschedé in 1928.
Richard Austin: Fry's Ornamented (2007) is a revival of Ornamented No. 2 which was cut by Richard Austin for Dr. Edmund Fry in 1796. Stephenson, Blake&Co. acquired the type in 1905, and in 1948 they issued fonts in 30-pt (the size of the original design), 36-, 48- and 60-pt.
Max Caflisch (Bauer) revival: Columna.
Elisabeth Friedlaender (Bauer) revivals: Elisabeth-Antiqua, Elisabeth-Kursiv (and swash letters). Linotype Friedlaender borders.
Herbert Thannhaeuser (Typoart) revival: Erler-Versalien.
O. Menhart (Grafotechna) revivals: Manuscript Grazhdanka (cyrillic), Figural, Figural Italic (and swash letters). Also, Grafotechna ornaments (maybe not by Menhart).
Hiero Rhode (Johannes Wagner) revival: Hiero-Rhode-Antiqua (2007).
F. H. E. Schneidler (Bauer) revival: Legende.
Herbert Post revival: Post-Antiqua swash letters.
Georg Trump (Weber) revivals: Trump swash letters, Trump-Gravur (called Gravur AR now). The outline caps typeface Forum I-AR is derived from the Forum I type designed by Georg Trump (1948, C. E. Weber). Signum AR-A and Signum AR-B (2011) are based on Trump's Signum (1955, C.E. Weber). Palomba AR (2011) is based on Trump's angular calligraphic typeface Palomba (1954-1955, C.E. Weber). Amati AR (2011) is based on a Georg Trump design from 1953.
Hermann Zapf revival: Stempel astrological signs.
F.H. Ernst Schneidler: Zentenar Initialen is based on the initials designed by Prof. F. H. E. Schneidler, ca. 1937, for his Zentenar-Fraktur types.
Isaac Moore: Old Face Open (Fry's Shaded) is a decorative Baskerville which was probably cut by Isaac Moore for Fry ca. 1788. A revival was issued in eight sizes by Stephenson Blake in 1928.
Border units and ornaments: Amsterdam Apollo borders, Gracia dashes, Primula ornaments, Bauer Bernhard Curves, Weiß-Schmuck, Curwen Press Flowers, Klingspor Cocktail-Schmuck, Nebiolo fregi di contorno, Attika borders, English (swelled) rules, Künstler-Linien, an-Schmuck, Primavera-Schmuck.
Freie Initialen are derived from initials made for the Stempel Garamond series. The type was issued in 1928 in three sizes (36, 48, and 60 pt); the AR version follows the 60-pt design.
Initiales Grecques, based on Firmin Didot's design, ca. 1800.
Emil A. Neukomm revivals: Bravo AR (2007; originally 1945).
Ernst Bentele revivals: Bentele-Unziale (2007).
Joseph Gillé: Initiales ombrées (2007) is based on Gillé's original all caps typeface from 1828.
Maria-Ballé-Initials (2007), after an original font from Bauersche Giesserei.
Raffia Initials (1952, Henk Krijger): revived by ARTypes in 2008 as Raffia.
Ornaments 1 AR (2010): from designs from 18th and 19th century typefounders that were ancestors of the Stephenson Blake foundry.
Ornaments 2 AR (2010): Ornaments 2 contains designs for the Fanfare Press by Berthold Wolpe (1939) and for the Kynoch Press by Tirzah Garwood (ca. 1927).
Ornaments 3 AR (2010): based on designs by Bernard Naudin for Deberny et Peignot, c. 1924; and ornaments based on designs by Oldrich Menhart, Karel Svolinsky and Jaroslav Slab for the state printing office of Czechoslovakia and Grafotechna.
Ornaments 4 AR (2010): based on the Amsterdam Apollo and Gracia ornaments and the Amsterdam Crous-Vidal dashes (designed by Crous-Vidal).
Ornaments 5 AR (2010): based on the Amsterdam Primula ornaments designed by Imre Reiner, 1949.
Ornaments 6 AR (2010): based on designs for the Curwen Press by Edward Bawden and Percy Smith.
Yü Bing-nan revival: Freundschafts-Antiqua AR (2010). Freundschafts-Antiqua (which was also called Chinesische Antiqua) was designed in 1962 by the Chinese calligrapher Yü Bing-nan when he was a student at the Hochschule für Grafik und Buchkunst at Leipzig in 1960.
Sans Serif Inline (2011). Based on the 36-point design of the Amsterdam Nobel Inline capitals (1931).
Hildegard Korger revivals: Typoskript AR (2010) is based on a metal type which was produced in 1968 by VEB Typoart, Dresden, from a design of the German calligrapher and lettering artist Hildegard Korger.
Hans Kühne revival: Kuehne-Antiqua AR (2010) revives a Basque typeface by Hans Kühne.
The Troyer AR ornaments (2010) are based on the first series of ornaments designed for American Type Founders by Johannes Troyer in 1953.
The Happy Christmas font (2011) is a snowflake font that is based on designs by Amsterdam and Haas, c. 1950. December Ornaments (2011) contains the 36 Amsterdam designs which were originally issued in 24 and 36 point.
Walter Diethelm: Diethelm AR (2011) revives Walter Diethelm's Diethelm Antiqua (1948-1951, Haas).
Walter Brudi revivals: Pan AR (2010, based on a 1957 font by Brudi).
Hermecito (2013) is a 46-style type system based on an angular serif. It covers Cyrillic, Latin, Greek and several other scripts. Besides being eminently readable, it also has extensive coverage of mathematical and phonetic symbols. Renzo (2013) is along the same lines but with sharpened serifs.
Spiral (2014) is a revival of a typeface called Spiral designed by Joseph Blumenthal and cut bu Louis Hoell in 1930. In 1936, Monotype reissued that type as Emerson 320.
Custom typefaces include Fabrizio (2016), a classical serif typeface family for Hebrew, Latin, Cyrillic and Greek, with hints of Garamond and Caslon. Ari writes that Fabrizio made its first appearance in Saggi di Letteratura Italiana: Da Dante per Pirandello a Orazio Costa, by Lucilla Bonavita, printed at Pisa in March 2016 by Fabrizio Serra Editore for whom the type was specially designed.

MyFonts link.

View the typefaces made by Ari Rafaeli / ARTypes. [Google] [MyFonts] [More] ⦿

Ashendene Press
[C. H. St. John Hornby]

Founded in 1895 at Ashendene, Hertfordshire, England, by Sir C. H. St. John Hornby and moved in 1899 to Chelsea, London. It was a leader (with the Kelmscott Press and the Doves Press) in the 19th-century revival of fine English printing. Its edition of Dante (1909) is considered an achievement comparable to the Kelmscott Chaucer of William Morris. The Subiaco type used by the Ashendene Press was designed by Sir Emery Walker and S. C. Cockerell from an early Italian typeface. The Ashendene Press, which set all of its editions by hand, issued 40 books in the years from 1895 to 1915 and from 1920 to 1935.

Ptolemy was designed in Chelsea by St John Hornby, Sidney Cockerell and Emery Walker, and was cut in 18 pt by Edward Prince for Cervantes's Don Quixote, which was published by the Ashendene Press in 1927. The type used until 1935 was a revival of Lienhart Holle's cut for Ptolemaeus's Cosmographia printed in 1482 in Ulm. Ptolemy in turn was digitally revived in 2019 by Alexis Faudot and Rafael Ribas in 2019.

The Subiaco type (1902) is now owned by Cambridge University Press. Its punches were cut by E.P. Prince. It is a humanist typeface with blackletter tendencies, and is based on the first roman used in Italy for printing, developed around 1464 at Subiaco by Conrad Sweynheym and Arnold Pannartz.

The Ashendene Press disappeared in 1936. [Google] [More] ⦿

Association for Insight Meditation (or: Aimwell)
[Bhikkhu Pesala]

Bhikkhu Pesala, a Buddhist monk based in London, designs free fonts. His original we page was called Aimwell (Association for Insight Meditation). On that site dedicated to Pali fonts, there was a file with Bhikkhu Pesala's free fonts. Most of Pesala's fonts have well over 1000 glyphs, cover Latin, Vietnamese and Greek, and have an enormous set of symbols including chess symbols and astrological signs.

The present list of fonts, with some older ones removed:

Acariya (2016): a Garamond style typeface derived from Guru, but with suboptimal kerning.
Akkhara (2006). Derived from Gentium.
Balava (2014): a revival of Baskerville derived from Libre Baskerville.
Cankama (2009). A Gothic, Black Letter script.
Carita (2006). An all caps roman.
Garava (2006). Designed for body text. It has a generous x-height and economical copy-fit. The family includes Extra-Bold and Extra-Bold Italic styles besides the usual four. Typeface Sample
Guru (2008). A condensed Garamond style typeface designed for economy of copyfit in Buddhist publications. 100 pages of text set in the Pali typeface would be about 94 pages if set in Garava, or 92 pages if set in Guru.
Hari (2016): a hand-writing script derived from Allura by Robert E. Leuschke, released under the SIL license.
Hattha (2007). A felt marker pen typeface.
Jivita (2012): an original sans typeface for body text.
Kabala (2009). A sans serif typeface designed for display text or headings. Kabel?
Lekhana (2008). Pesala's version of Zapf Chancery.
Mahakampa (2016): a hand-writing script derived from Great Vibes by Robert E. Leuschke.
Mandala (2007). A geometric sans designed for decorative body text or headings. Has chess symbols.
Nacca (2016): a hand-writing script derived from Dancing Script by Pablo Impallari.
Odana (2006). A calligraphic almost blackletter brush font suitable for titles, or short texts where a less formal appearance is wanted.
Open Sans (2016): a sans font suitable for body text. Includes diacritics for Pali and Sanskrit.
Pali: Pesala's version of Hermann Zapf's Palatino.
Sukhumala (2014): derived from Sort Mills Goudy.
Talapanna (2007). Pesala's version of Goudy Bertham, with decorative gothic capitals and extra ligatures in the Private Use Area.
Talapatta.
Veluvana (2006). A heavy brush style. The Greek glyphs are from Guru. Small Caps are greater than x-height.
Verajja (2006). A Pali word meaning "variety of kingdoms or provinces." It is derived from Bitstream Vera.
Verajja Serif.
Yolanda (2008). Calligraphic.

[Google] [More] ⦿

Astigmatic One Eye
[Brian J. Bonislawsky]

Astigmatic One Eye (AOE) has lots of nice original fonts by Brian J. Bonislawsky (b. 1973, Pittsburgh, PA). Many are free, others are not. AOE joined Font Brothers Inc in 2006. Brian Bonislawsky currently lives in Las Vegas, NV.

Fontsquirrel link. Dafont link. Fontspace link.

A partial list of the AOE fonts made in 2011: Engagement (2011, a free brush script at Google Web Fonts), Fascinate (2011, an art deco typeface at Google Web Fonts; +Inline), Original Surfer (2011, a free Google Web Font inspired by a vintage advertisement for the "California Cliffs Caravan Park"), Smokum (2011, a Western / Italian face), Yellowtail (2011, signage face), Redressed (2011), Special Elite (2010, a free old typewriter face), Aclonica (2011).

Typefaces from 2008 or before: Horseplay AOE (2008, Western style), Cake and Sodomy AOE (2008), Good Eatin AOE (2008), Paradiso AOE (2008, inspired by logotype of the Paris Resort and Casino in Las Vegas), Montelago AOE (2007, a script inspired by the logotype of the Mirage Resort and Casino in Las Vegas), Jack Chain AOE (2007), Henhouse (2007), Schnitzle (2007), Luxurian AOE (2007, inspired by the logo of the Luxor Hotel&Casino in Las Vegas), Digital Disco AOE (2007), Mighty Tuxedo AOE (2007), Makeshift AOE (2007), Clarity AOE (2007, slab serif headline; + grungy version), Red Pigtails AOE (2007), Run Tron 1983 (2002), Eyeliner AOE (2006, Tekton-like), Mother Hen (2007), Gloversville (2007, comic book style), Mighty Tuxedo AOE (2007, condensed sans), Quick Handle AOE (2007), Surfing Bird (2007), Hydrogen (2004), Hardliner (2004, fifties diner style), Big Ruckus (2004), SS Antique No. 5 (2004), Europa Twin (2003), EuroMachina (2003, techno), Lord Rat (2003: papercut sans), Love Anxiety (2003), BuzzSaw (2003), Skullbearer (2003, skull dingbats), Beatnick Blue (2002), Geisha Boy (2002), Mardi Party (2002), Midcrime (2002), Ocovilla (2002), Ruthless (2002), Saltie Doggie (2002), Whiskers (2002), Royal Gothic, Family, Eggit, Jericho, Wild Monkeys (2002), 5FingeredGothSW, AlienArgonautAOE, AlphaMackAOE, AmphibiPrint, AngiomaAOE, AntiChristSuperstar, AntiChristSuperstarSW, AstigmaSolid, BigLimboAOE, BigLimbodOutAOE, BoneRollAOE, BoneRollAOEBold, BoundAOE, BrailleAOE, BulletBallsAOE, ButterflyChromosome, ButterflyChromosomeAOE, ButtonButton, ButtonButtonAOE, CType, CTypeAOE, CelticLionAOE-Bold, CelticLionAOE-BoldItalic, CelticLionAOE-Italic, CelticLionAOE, CharailleAOE, ChickenScratch, ChickenScratchAOE, ClunkerAOE, ClunkerAOE-Bold, CropBats, CropBatsAOE, CropBatsIIAOE, DarkNightAOE, DeadGrit, DeliveryMatrixAOE, DetourAOE, DigitalDiscoAOE, DigitalDiscoAOEOblique, DingleBerries, DoggyPrintAOE, DraxLumaAOE, DungeonKeeperII, DungeonKeeperIIBold, DungeonKeeperIIItalic, EggItAOE, EggitAOE-Italic, EggitOutlineAOE, ElectricHermes, ElectricHermesAOE, ElectricHermesAOECharge, FearAOE, FilthAOE, FishyPrintAOEOne, FishyPrintOneAOE, FishyPrintTwoAOE, FutharkAOE, FutharkAOEInline, FutharkAOEInline, GateKeeperAOE, Ghoulish Fright AOE (2006), GlagoliticAOE (1999, grungy glagolitic), GorgonCocoonAOE, Gotik, GreyAlienSW, HAL9000AOE, HAL9000AOEBold, HAL9000AOEBoldItalic, HAL9000AOEItalic, HandageAOE, HandageAOEBold, HauntAOE, HybridLCDAOE, IDSupernovaSW, IslanderAOE, JokerWildAOE, KillMeCraig, KillMeCraigAOE, Kinderfeld, KittyPrint, KittyPrintAOE, Kornucopia, KornucopiaAOE, LinusFace, LinusFaceAOE, LinusPlayAOE, LinusPlaySW, Lochen, LovesickAOE, Manson, MasterPlan, Mervale Script Pro (2012: a brushy script based on the 1940's Fawcett Publications Mary Marvel comic), Microbe, MooCowSW, MotherlodeLoadedAOE-Italic, MotherlodeLoadedAOE, MotherlodeStrippedAOE-Italic, MotherlodeStrippedAOE, MysterioSWTrial, NightmareAOE, OrnaMental, Pantera, PapaManoAOE, PenicillinAOE (described as a bacterial stencil typeface), PixelGantryAOE, PixelGantryAOEBold, PixelGantryAOEBoldItalic, PixelGantryAOEHeavy, PixelGantryAOEHeavyItalic, PixelGantryAOEItalic, PixelGantryHiliteAOE, PixelGantryHiliteAOEItalic, PoppyAOE, PoseidonAOE, Prick, QuiltedAOE, QuiltedAOEBlack, QuiltedTrial, RippleCrumb, RippleCrumbUltraCon, ROCKY, ROCKYAOE, RustedMachineSW, SSExpAntiqueAOE, Schizm, Schrill, SchrillAOE, SchrillAOEOblique, Scrawn, ScrawnAOE, ScrawnCyrAOE, ScrawnKOI8AOE, ScrewedAOE, ScrewedAOEOblique, ScrewedSW, SeaweedFireAOE, SenthAOE, ShampooSW, ShottyTransferTrial, SkinnerAOE, SlurCrumb, SpatCrumb, SpikeCrumbGeiger, SpikeCrumbSwizzle, SpikeCrumbSwollen, SteelcapRubbingTrial, StruckSW, StrutterAOE, SunspotsAOE, SurferComicTrial, TRANSHUMANALPHABET10, TRANSHUMANKATAKANA20, TannarinAOE, TannarinAOEOblique, TibetanBeefgardenAOE, TibetanBeefgardenAOE, TouristTrapAOE, TransponderAOE, TransponderGridAOE, UglyStickAOE, VanguardIIIAOE-Bold, VanguardIIIAOE-BoldOblique, VanguardIIIAOE-Oblique, VanguardIIIAOE, Ventilate, VentilateAOE, Y2KPopMuzikAOE, Y2KPopMuzikOutlineAOE, YoungItchAOE, ZeichensSW, ZenoPotionAOE, Zombie, BeatnikBlueAOE, BeatnikBlueFillAOE, GeishaBoyAOE, MardiPartyAOE, MindCrimeAOE, OcovillaAOE, PolynesianTouristAOE, RuthlessAOE, SaltyDoggieAOE, SpruceAOE, WhiskersAOE-Oblique, WhiskersAOE, WhiskersAltCapsAOE-Oblique, WhiskersAltCapsAOE (2002), Habitual, Automatic (techno), Bitrux, Filth (an eerie brush script), Cake&Sodomy, Gulag, Bad Comp, Detour, Alien Argonaut, Dark Night, GateKeeper (Halloween font), Gargamel Smurf, Invocation, Neuntotter, Geisha Boy, Saratoga Slim, Gobe, Stingwire, Lavatype, Tapehead, Islander, Clunker, Digelectric, Gargamel, Krulo-Tag, Krelesanta, SurferComic, Bound, Culture Vulture, Intruder, Cavalier, Anoxia, Synchrounous (IBM logo style lettering), Luna, Data Error, Lunokhod, Jericho. There are many techno and gothic fonts. Kill Me Craig is the first 26 death scene dingbat font (scenes by Craig Dowsett). KittyPrint takes the LinusFace font concept to more realistic cat head dingbats. Krelesanta (not free) is a funky font inspired by the band Kreamy Electric Santa. The free ButtonButton is useful for making buttons. Lovesick AOE is a scrawly, lovelorn typeface, i's dotted with hearts. Strutter AOE is based on the KISS logo. Senth AOR is a runic font. Charaille is one of the many dot matrix fonts. Cavalero is inspired by the logotype of the Chevy Cavalier.

At Bitstream in 2001, AOE published Cavalero, Stingwire and Tannarin. And in 2002, he published the comic book font Big Limbo, Euro Machina BT and Islander there. Bio at Bitstream.

In 2005, Bonislawsky and Sandler realeased 500 fonts, via Bitstream and MyFonts, under the label Breaking The Norm.

In 2006, Astigmatic published their typewriter collection, which includes Military Document, Bank Statement, State Evidence Small Caps, State Evidence, Urgent telegram, Library Report, Overdrawn Account, Customs Paperwork, Incoming Fax and Office Memorandum.

From the bio and various pieces of information, one is led to believe that Brian was born in Poland, and now lives in Miami, but that may be wrong.

In 2010, he placed a free font at the Google Directory, Syncopate. Along the same lines, we find the derived square serif typeface Stint Ultra Condensed (2011, Google Web Fonts) and Stint Ultra Expanded (2012).

In 2011, several other typefaces followed there, like Ultra (fat didone), Maiden Orange, Special Elite (2010, a free old typewriter face), Just Another Hand, Crushed, Luckiest Guy (comic book face), Aclonica, Redressed, Montezuma (a curly connected upright script), Devonshire (brush script), Fondamento (calligraphic lettering), Yellowatil (connected retro script), Righteous (free at Google Web Fonts: inspired by the all capitals letterforms from the deco posters of Hungarian artist Robert Berény for Modiano), Ribeye and Ribeye Marrow> (cartoon and/or tattoo style lettering---free at Google Web Fonts), Spicy Rice (2011, free festive display typeface at Google Web Fonts).

Contributions in 2012: Marcellus (2012, Trajan, flared roman, at Google Fonts and CTAN), Eagle Lake (a free calligraphic font at Google Web Fonts), Uncial Antiqua, Jim Nightshade (2012, free at Google web fonts), Dynalight (2012, a retro script inspired by a vintage luggage tag for the Southern Pacific 4449 Daylight steam locomotive), Yesteryear (a retro script loosely based on the title screen from the 1942 film The Palm Beach Story), Parisienne (Google Web Fonts: casual connected script based on a 1960s ad for bras), Shojumaru (Google Web Fonts: an oriental simulation typeface inspired by a poster for the Marlon Brando movie Sayonara), Berkshire Swash (Google Web Fonts), Audiowide (Google Web Fonts), Romanesco (Google Web Fonts: a narrow calligraphic style), Galindo (Google Web Fonts), Oregano (Google Web Fonts: based on cartoon style lettering of calligrapher and logo designer Rand Holub. This style of hand lettering adorned many retro brochures and advertisements of the late 40's through the 1960's), Peralta (Google Web Fonts: an Egyptian comic book face), Eagle Lake (Google Web Fonts: calligraphic), McLaren (Google Web Fonts: comic book style alphabet), Freckle Face, Hanalei Fill, Hanalei [Polynesian bamboo or tiki lettering], Purple Purse, Margarine, Risque, Clicker Script [image], Stalemate [a gracious script, by Jim Lyles for AOE], Mouse Memoirs, Quintessential [Google Web Fonts: chancery hand], Bigelow Rules, Englebert [Google Web Fonts: from the title screen of the 1930's film titled Der blue Engel, starring Marlene Dietrich], Sacramento [Google Web Fonts: connected script].

Typefaces from 2013: Freckle Face (grunge), Grand Hotel, Purple Purse (Purple Purse draws its inspiration from a vintage Ivory Soap ad from the 1950's. Somewhat of a cross between Bodoni and Pixie, this font finds that it never truly takes itself seriously).

Stiggy & Sands is the American type foundry of Brian Bonislawsky and Jim Lyles, est. 2013. Their first commercial typefaces, all jointly designed, are Luckiest Guy Pro (a fat comic book font based on vintage 1950s ads) and Marcellus Pro (a flared roman inscriptional typeface with both upper and lower case, originally published in 2012 by Astigmatic).

Typefaces from 2014: Franken Jr AOE Pro (inspired by the title screen from the 1966 Hanna Barbera cartoon Frankenstein Jr), Good Eatin Pro AOE (inspired by the title screen from the 1942 Warner Bros. cartoon Dog Tired), Ghostkid AOE Pro (comic letter style).

Typefaces from 2015: Shanks Antique 5 AOE (after the newspaper typeface Memorial (1865, Stevens, Shanks & Sons)), Reliquaire AOE (a somber blackletter typeface inspired by Memorial (1881, Boston Type Foundry)).

Typefaces from 2016: Mailuna Pro AOE (a gothic sans), Kentish AOE Pro (art deco). Reardon AOE (a digitization of a film typeface called Joyce Black by LetterGraphics), Berkmire AOE (1970s style robot-inspired techno font), Blackheath Pro AOE (this typeface started as a digitization of a film typeface called Roberts Square by LetterGraphics), Delaware Pro AOE (art deco), Rutland AOE (a futuristic font that is a digitization of a film typeface called Maccaro by LetterGraphics). In 2016, Brian J. Bonislawasky and Jim Lyles published the rugged octagonal mega typeface family Tradesman at Grype. In 2017, they added the art deco typeface Cowling Sans AOE (which is based on alphabet from "Lettering for Commercial Purposes" by Wm. Hugh Gordon). In 2018, they published the letterpress emulation typeface Prison Pro, Pink Sangria (50s style movie font), Manic Tambourine, Motenacity (a Martian cartoon font), the old typewriter font Office Memorandum Pro, and the Flintstone font Strongman.

Typefaces from 2021: Klutz AOE Pro (a condensed all caps beatnik font), Data Error AOE Pro (based on early dot matrix printers), Customs Paperwork AOE Pro (based on the NuMode Type No. 61 vintage typewriter), Rinzler AOE Pro (a great stencil font that revives LetterGraphics' Caren), Restraining Order AOE Pro (an old typewriter font), Brazarri AOE Pro (an Aztec emulation font based on MacKeller, Smiths and Jordan's Bizarre from 1884).

Fontsquirrel link. Dafont link. Fontspace link. Creative Market link. [Google] [MyFonts] [More] ⦿

Astrolux
[Glenn Parsons]

Commercial foundry in Oak View, CA, est. 2011, by Glenn Parsons (b. New York City). Creator of UXB Stencil and its companion UXB Spray in 2011, rough stencil typefaces. He also designed the tattoo typeface Dragon Fang (2011), Sugarbang (2012, comic book style), and the octagonal wedge typeface Spacepod (2012).

In 2013, Glenn created the comic book style typefaces Rocket Pop, Rocket Pop Outline and Koo Koo Puff. Signal 1885 (2013) is a vintage cursive script.

In 2014, he published Hexxes (a hexagonal typeface family), the retro futuristic mutant typography typeface Redrail Superfast.

Typefaces frrom 2015: Barn Owl (layered eroded wood style).

Typefaces from 2016: Bonewire, Tin Sign (vintage weathered style).

Typefaces from 2017: Digideco (retro-futuristic).

Typefaces from 2018: Fabbabi (a retro headline type), Surfoid, Smilodon (crayon font).

Typefaces from 2021: Fluffenhaus (a display typeface about which Glenn writes: The glyphs are soft serve ice cream, sorta Cooper Black after too much party. A fun playful look that suggests the 1960s and 1970s).

Typefaces from 2022: Monoicono (encircled icons related to environmental, health, weather, emergency, quality control, and synergy). [Google] [MyFonts] [More] ⦿

astype.de (or: Astype)
[Andreas Seidel]

Astype.de is a German foundry started in 2003 by illustrator and type designer Andreas Seidel (b. 1975, bad saarow, near Berlin, Germany). He lives in Cottbus, Germany. In 1998, he obtained a Masters degree in business administration. In 2007, he and Ingo Preuss set up The German Type Foundry. In 2017, he joined the initial crew at Fust & friends. The typefaces:

One of his first typefaces was Crayfish (originally a URW font, but withdrawn by Seidel from URW in 2002). Crayfish is a display type originally designed for an American Football club. The Crayfish typefaces are sold as Thunder Bold and Titan Bold.
Check his nice weather symbols (not a font).
He finished Ornaments Thanksgiving and the great ASTYPEOrnaments-WineGrape A (2004).
He is working on 14th century initials (2003).
He created Sattler (2003): Joseph Kaspar Sattler, one of the great German art nouveau artists created these nice initials in 1897 for the famous royal monumental book project Die Nibelunge for the Reichsdruckerei Berlin. Only 200 exclusive signed masterpieces were printed in four years from 1900 till 1904. Joseph Sattler was the art director, type designer and designer in one person. The Reichsdruckerei showed samples of the unfinished work in 1900 at the world exhibition in Paris to advertise the high craftsmanship of the German presses.
He made Heraut (2003), an art nouveau lettering typeface based on a 1901 design of Hermann Hoffmann called Herold Reklameschrift.
He created Sveva AS Versal (2003, art nouveau).
About Missa Solemnis, he writes: Solemnis was designed by Günter Gerhard Lange and first cut in metal 1953 (this is the date he quotes himself, other sources mention 1950 or 1952). It seems to be one of his earliest typeface designs that he had done as a freelancer for H. Berthold AG in Berlin. [...] Missa Solemnis AS is a new, remastered and extended version of Mr Lange's typeface. The font is available in the OpenType format and comes in two styles: 1953 and 2003. The 1953 style contains all characters of the original metal type, as well as a few additions. [...] The 2003 cut is more delicate and makes extensive use of the OpenType format. It contains over 650 glyphs, covering Roman-based languages of Western and Central Europe. His Solemnis inspired Simeon AS (2003), a 650-glyph uncial style face.
In 2004, he created Missale Incana, an interpretation of a typeface from Herbert Thannhaueser.
Still in 2004, he created ASTYPE Ornaments Christmas A2 and ASTYPE Ornaments Christmas A. These were followed in 2005 by ASTYPE Ornaments Christmas B.
He made Missale Lunea (2004). This has astroligical symbols, moon phases and medieval characters.
In 2005, the exquisite calligraphic script typeface Gracia was added, consisting of Gracia No. 44, 45, 54 and 55 (graceful calligraphic script), and Gracia Solo.
Paola is a redesigned, new interpretation of a brush typeface from Carl Rudolf Pohl.
He made Adana (2005): The roots of Adana going back to the year 1930, to the Berlin-based German graphic designer Wilhelm Berg. His typeface can be interpreted as an answer to Lucian Bernhards Schönschrift. The Initials are nearly close to the original drawings but the Circular typeface was changed dramaticly. Excentric, unusual forms and loops were changed to fit todays needs. Due to the lack of a corresponding Roman letter form, the Regular version was designed including small caps, fitting the contrast and swinging shapes of Adana Circular. Both typefaces play well together in all kinds of adverts, as well with designs like Bodoni or Didot.
Alea AS Initials (2005) is a floral faced based on the drawings of Maria Ballé.
Taiko (2006). A revival of Otto Arpke's Arpke Antiqua (1928, copperplate).
ASTYPE Ornaments Accolades A (2007), and ASTYPE Ornaments Accolades C (2011).
GTF Toshna Std (2008, German Type Foundry) is a garaldic type family in three optical weights, after a 1955 family called Tschörtner-Antiqua by Hellmuth Tschörtner that was very popular in the DDR.
Secca (2009, German Type Foundry) is a simple sans family rooted in early German grotesque type designs. See also Secca Soft (2014) and Secca Stencil (2015).
Nepos (2010) is an experimental modular type kit consisting of ready-made typefaces and a set of special BUILD fonts to build your own letters and ornaments. These BUILD fonts can be used on layers with different colors and overprinting for special effects. The effects like Antiplex can be considered as kitchen tiles. There are also color inversions and stencil types.
Secca Saloon (2011) is a versatile ornamental Western family.
Popsil (2011) is a white-on-black hand-printed poster face.
Ademo (2011) is a classic shaded layered 3d caps face, based on two typefaces designed by Carl Albert Fahrenwaldt that were published in 1931-1932 by Schriftguss AG.
Wood Bonnet Antique No.7 (2012) is based on real vintage wood type blocks from Switzerland.
VTG Stencil US No. 4 (2012) is based on plate US No. 4 from New York Stencil Works. This revolving stencil-plate was invented by Eugene L. Tarbox and patented in 1868. The military stencil fonts VTG Stencil US No. 2 (+Ornaments), VTG Stencil US No. 51, VTG Stencil UK No. 76, VTG Stencil Germany No. 101 (2014, modeled after historic blackletter stencil plates from Bavaria), and VTG Stencil US No. 72 followed in 2014. In 2016, he added Vtg Stencil DIN.
VTG Stencil Germany No. 1 (2013) is a set of nicely executed didone stencil typefaces based on real models used in Germany from 1871-1918 and later. There is a Sketch style.
Wood Poster Eight (2015) is a free wood type slab serif.
Alea Initials (2017, floriated caps).
Wood Bonnet Grotesque No 4 (2017).
The Vtg Stencil France series (2017) in substyles Vtg Stencil France No1, Vtg Stencil France No3 and No. 5.
The expressionist typeface Alarm (2017, Fust & Friends), which is based on an old design of Heinz König also called Alarm (1928, at Trennert).
Presto (2017, Fust & Friends), a revival of a script by Helmut Matheis (1970).
Vtg Stencil Italy No2 (2018).
Rocaie (2018). Decorative caps base on antique rococo letters from a gilding workshop.
Wood Heinz No.4 (2019). Wood Heinz No.4 offers up to four printed look variations of all the Latin base letters and figures. An OpenType letter rotator is programmed into the fonts to emulate the randomness of wood type printing. Also: Wood Heinz No.2 (2019).
Missale Solis (2019). An uncial typeface that overhauls Missale Lunea (2004).
Vtg Stencil UK No2 (2019).
Vtg Stencil Marsh (2020). Based on one inch stencils, cut by a Marsh machine. Marsh was an American stencil machine maker in the 1920s.
Bonnet Grotesque Narrow (2020). A condensed grotesque family.

Behance link. Creative Market link. Fust & Friends link. Klingspor link. Home page. See also here.

View Andreas Seidel's typefaces. [Google] [MyFonts] [More] ⦿

Ata Syed

Ata Syed (Karachi, Pakistan) has a dual identity at FontStruct, where he is one of the most prolific contributors. He is known there as thalamic and as minimum. Behance link.

Typefaces made in in 2008 as thalamic: Hello (connected upright script), Epilogie (blocks), WimSoft (+U/C), Chunk Chip, Konstruct (Russian constructivism face), Sensei Says, FS Tributary, Twotype Font, Urge (fat octagonal), Subliminal, FS United One, The Game of Type, Anaximander Zooom!, Corrupt and Corrupt Ed (piano key stencil fonts), Blueprint, Monomum, Synergy, Insert Coin Italic, Write I Careful, Write I Casual, Write I Dump, Loop UC, Loop LC, Emergic, Prick!, Insert Coins Pixels, Retro Electro, Bubble Lab IJ, Bubble Lab Bang, A Needle Pulling Thread, Send, Scan (IBM logo look), Intermittent and Intermittent Sans (stencil typefaces), Melt x DR and Melt x tDR (dot matrix), Oval x DR and Oval x tDR (original design by theDesignersRepublic for Issey Miyake), On Grid, Indigo (almost blackletter), orange_2 (dot matrix), Scan (horizontal stripes), Bass, Grape (simple pixel face), Nachahmung and Nachahmung Block (fat and extra condensed, Wim Crouwel simulation typefaces), Nachahmung Block Serif, Conjunction, Interjection, Is It, Sangular (nice experiment), Anonon (nails in square letters), Purple and Purple Very (slab serif headline typefaces, pixelized), Arc Echo (biline and strutted), The Question (a fantastic 3d paper fold imitation face), FS Minimal (a fantastic ultra fat decorative face), FS FontStructor, Vibrant (multiline labyrinthine or op-art face), Writ (upright pixel script), Castor, Ooki (octagonal), Industrial, The I Flat, The I, Indiscrete, Analog (connected script), Dent (mechanical), Digital (connected script), Hello Hello, and Sensei Says.

In 2009, he made Clone It, Entwined, C64, Helix, Fontsration, Bent, Stripe Zoo, Dull, Indent (stencil), Quartertined (kitchen tile), Firox, Orfix, A Priori, Ignore, Confused, S-Ookii, Ookii (octagonal), Very Becoming, Crisis Averted, Crisis (neat bold octagonal face), Penmanship, Up All Night, Sleep All Dayi, Chunk Chip, Grayletter (upright script), Soso, Mostly Harmless (textured face), Etched, La Cross, Twotype, Etched Bare, Aught (One, Two, Three), as: Inflate (Pop, Pfft, Puff, Poof), Istic, Very Becoming, Ignore, Ought, Balance, Broken, Dry Flat (dot matrix), La Cross, Etched (+Bare), Fontsration (+Refined: multilined beauties), FS Institutional (fat multiline face), FS Industrial, FS Pixelayers.

Additions in 2010 as thalamic: fs Section, fs Reboot, fs Easy DNA Auto Stencil, fs Institutional (+Ho, +Elements), fs Quartertined, fs Stencil 2.0, fs Rivet, fs Intaglish, fs Dumb Italic, fs Loop Gap, fs GoTeam (stencil), fs ITilic, fs Kerplunk (Startrek face), fs Dumb Italic, fs Ribbon, fs Beringer, fs Ooki Woodcut, fs Croissant (stencil), fs 45 (octagonal stencil), fsXO, fs Pipe, fs Confused Less.

Fonts from 2011 as thalamic: fs Xenon (a paperclip face), fs Instant, fs Twist, fs WIP (blackletter), fs Sparc, fs Reboot (texture face), fs Pod, fs Flute Tune, fs Special, fs Watch Out (stencil), fs Etched Nyle (labyrinthine face), fs No Kerning Required (2011, connected upright script).

Creations in 2012 as thalamic: fs Flip, fs Mom, fs Noise, fs Noise II, fs Junk, fs You Are Here, fs Flash (outlined), FS Easy Too (paperclip face), FS Strict, FS Fix, fs in three (octagonal stencil face), fs Single, fs Wakarimasen, fs r-failed (white on black), fs Permutation X, fs Pan Am, fs Institutional, fs Institutional 2, fs Chunky (counterless), fs Grayletter (textured face), fsXply (op-art).

Creations in 2013 as thalamic: fs So Not Right, fs Grid Urdu (pixel face), fs Not So Right, fs Six Sticks, fs Half (octagonal family), fs Bored, fs Make it Happen, fs Salvage, fs To Be Discarded, fs Connect (stencil), fs Whomp, fs Praxis, fs Fez (3d face), fs Input, fsTramp, fs Five Alive, fs Hote-Zyd (labyrinthine), fs Patterns (Layers, Quarters), fs Five Alive (origami font), fs Go To Sleep (retro speed font), fs Vaerktoj (inspired by the brand identity of Hoejmark Cycles), fs Permutation B, fs Jester, fs Permutation XII (op-art), fs Insatiable, fs Electronic, fs Carbon (a nice chequered face), fs When We Were Young (multiline typeface), fs Shogun Tiny (a lined kitchen tile typeface), fs Optical, fs When We Were Young (multilined), fs Slate, fs Shogun (gridded), fs Iie (+Filled), fs Blocky (dot matrix), fs Thalamic.

Creations in 2014 as thalamic: fs Perhaps, fs Perhaps Perhaps, fs Stability (Turmoil, Flux), fs Industrial (an artsy fat dot matrix face), fs Rehash, fs Ah, fs Curly, fs So, fs Flint, fs ICK (blackboard bold style), fs Wiggle, fs Grid, fs Ah.

Creations from 2015 as thalamic: fs B-Chain (bike chain font), fs Risque (art deco), fs Squangular (Impair, Square, Flair, Pair), fs Oval, fs MIP, fs Flower (kitchen tile face).

Creations as minimum: fs Chips (2014), fs Oh (2014, piano key style), fs Stack (2014, +Overflow), fs llljjj (2014), fs Turn Off The Sun (2014, beveled), fs Zag (2013 textured), fs Zig (2013, textured), fs Mullions (2013), fs The Italic (2013), Gridlock (2009), Mingle Minx (2009), Mingle Co (2009), Mingle (2009, gridded letters), Bevel (2009, 3d beveled family), illiij (2009, multiline family), m.ove.r (2009, multiline family), Grayscale (2009, multiline family), fs Cubed (2010, 3d-face), Bas Relief (2009, 3d face), Silver (2009, 3d face), Tin (2009), Lead (2009), Bevel (2009), Bevel Just (2009), Bevel Just Shadowed (2009), Ceci n'est pas une vague (2009), A Fault in Reality (2009, optical effect font), Blit Slash (2009, experimental), Blit Hack (2009), Dot Dot Hex (2009), Super Black (2009), fs Overlap (2010), fs Fabric (2010, texture font), fs Original (2010), fs Ink Blot (2010), fs Dots and Dashes (2010), fs I Square (2010), fs Squared Up (2010), fs Super Black (2010), fs Unoriginal (2010), fs Minimum (2010, geometric stencil face), fs Pin and Thread (2010, stitching face), fs Shade (2012, 3d face).

FontStructions from 2011: fs Perpetual (dotted line face), fs Slither, fs No Escape, fs Prompt (a DNA-inspired biochemical lab face), fs Plus H (horizontally striped face), fs Arc Test 2:2 (a modular blackboard bold face), fs V Simple (2010, textured face), fs Instant, fs Permutation V, fs Rehash Monoic (labyrinthine), fs Meta (texture face), fs Scroll, fs Scroll Not (stencil).

FontStructions from 2012: fs Translucent (a texture face), fs Bank, fs Shade, fs Confined (white on black), fs Institutional (+Vo, +HeVe, +Ho, +He, +Ve: texture typefaces), fs Bang, fs Random (textured face), fs Random Pattern, fs Lead, fs Tin, fs Silver, fs Tungsten.

Klingspor link. Abstract Fonts link. Behance link. [Google] [More] ⦿

Atelier Bubentraum (or: Nouvelle Noire)
[Anton Studer]

Atelier Bubentraum is Anton Studer, a designer located in Zürich. We also find himn asssociated with Nouvelle Noire in Zurich.

His transitional slightly angular typeface Rekja (2011) won an award at TDC 2012.

For Neo2 magazine, he designed the (free) experimental paper-fold font The Folded Font (2008).

Other typefaces: Frank (2007, a commercial grotesque blackletter sold by Die Gestalten Verlag), Motion (2008, experimental), Hausbau (2008, free, experimental), Minimeter (2008, free ruler-themed font, for Neo2), Archiv (2008-2010), Goodbye (2009).

Together with Clovis Valois, he set up Nouvelle Noire in 2012 in Zurich. At Nouvelle Noire, he published Rekja (2011) and Medien (2011).

Typecache link.

Klingspor link. Behance link. [Google] [More] ⦿

Atelier de Design Holistique
[Joel Maillot]

Designer in Camboulazet (was: Albi and Toulouse), France, who created the didone display typeface Black Italic in 2014, and the blackletter Gothique, the wavy Dancing Font, Tape Font, Mosaique, the splendid Mono Gorille, Curiosité, the free geometric sans typeface Activitic, and the signage font Shibby in 2016.

In 2017, he designed Sharpness Grotesk.

Typefaces from 2018: Joplin (a free experimental pair of typefaces that play on positive and negative spaces), 518 (a free color font), Meta (a courageously named emoji-enriched free monoline rounded sans; I am sure that under pressure from FontShop, it was renamed 518 after a few weeks), Spectacle (free), Fracture (a free blackletter font).

Typefaces from 2019: Abac (free).

Typefaces from 2020: Spectacle (free). Behance link. Another URL. Yet another URL. [Google] [More] ⦿

ATK Studio
[Radinal Riki]

Indonesian designer of these techno display typefaces:

Tronica Mono. A monospaced pixel typeface.
Aux Mono (2020). Inspired by airline tickets, airport signs and electronic displays.
Cosmo (2019) and Cosmo Display (2020: a monolinear display sans).
Cygnito Mono (2019) and Cygnito Mono Pro (2021: 36 styles). Inspired by modernism and industrial graphic design.
Elios (2021). A stencil typeface.
Ligano (2020). A reverse contrast display typeface.
Moldiv (2020). Octagonal and futuristic.
Monoska (2019). Monospaced and pixelish.
Proto Mono (2021). An octagonal typeface.
Sillium (2019). A techno blackletter.
Nort Mono (2021). A techno / electric circuit font.
Porlane (2021).

[Google] [MyFonts] [More] ⦿

Attila Zigó
[Bumbayo Font Fabrik]

Atypic Co (was: Argo Typo)
[Jonathan Cuervo Cisneros]

Jonathan Cuervo (Atypic Co, Mexico City, and before that, Argo Typo) designed these typefaces:

The blackletter display typeface Febrile (2014), which won an award at Tipos Latinos 2014.
Corvus (2010-2012). A gorgeous blackletter roman hybrid in Antiqua, Kursiv, Fraktur and Initialen styles, which won an award at Tipos Latinos 2010.
Mayahuel (2013). A curvy display typeface influenced by Gabriel Martinez Meave's style.
Cygnus (2012). A blackletter-inspired script.
Eskema (2014). A calligraphic outline font that won an award at Tipos Latinos 2016.
Acanto (2016) won an award at Tipos Latinos 2016 and at TDC 2016.

Augenbluten
[Axel Pfaender]

Free fonts at the German outfit Augenbluten (Mac only): Poprock, Destroy Dingbats, Menace, Destroy Gotisch (Fraktur), Excellence (multiline font), Augmented, Maschinen (octagonal), Nano, Mikrokomputer (pixel face). All these fonts are by a group of four people among which we find Axel Pfaender. The group calls itself "interfaces - symposium ueber schrift und sprache". PC versions at Augmented.de.

Augustus Welby Northmore Pugin

August Dietz

Letterer and Intertype director of typography from Richmond, VA. Credited with the typeface Dietz Text, which is also attributed in places to Oswald Cooper. August Dietz patented a blackletter with two incised white lines for Barnhart Brothers&Spindler as Design 79792 on November 5, 1929. [Google] [More] ⦿

Augusto Roglio

Caxias do Sul, Brazil-based creator of Alfabeto Caligarfico (2013), a blackletter caps alphabet. [Google] [More] ⦿

Augustus Welby Northmore Pugin (1812-1852) was an English architect, designer, artist and critic, chiefly remembered for his pioneering role in the Gothic Revival style. His work culminated in the interior design of the Palace of Westminster. Pugin designed many churches in England, and some in Ireland and Australia.

Pugin designed several blackletter and uncial style alphabets ca. 1844. His Gothic Revival ornaments influenced the design of the digital typeface Gothic Herbarium (2015, Lukyan Turetskyy). [Google] [More] ⦿

Austin Mateka

Toronto-based designer who created the semi-blackletter typeface Elganis in 2016. Behance link. [Google] [More] ⦿

Austin Norman Palmer
[Portfolio of Ornate Penmanship]

Authentic Studio
[Faras Dina]

Or Faras Parkom. Langkat, Indonesia-based designer of the free rhythmic scriopt typeface Mainmia (2017), Ottoman (2018, sans and script), Korkila Script (2018) and Maldiva Script (2018). Typefaces from 2019: Adellion, Satalia Signature, Carlanta (free), Martuah (signage and packaging script), Gradiola (monoline script), Amchiela (signage script), Gardhen Script.

Typefaces from 2020: Parchom, Barika (a creamy script), Cardanaya (blackletter), Mainsan, Berkahi Blackletter, Jandu Signature, Baliga Blackletter, Malanaya Script.

Typefaces from 2021: Admara, Balonia, Bastin Cutie, Bulgani (blackletter), Christmas, Clanton Ellie, Damage, Farmhome, Galexya Blackletter, Haluga, Happy Christmas, Hello Santa, Juliette, Kalinda (a groovy poster typeface), Kaliya, Kamore, Karnia, Narnia, New Bulgani, Spooky Hallowen, The Quest, Valentine Day. [Google] [More] ⦿

A.V. Haight
[Inland Type Foundry]

Avalon Design

Studio in London. In 2016, they designed these typefaces: Opal, Emery Sans, Nova Display, Chopsticks (asian look), Holiday, Game Over (squarish), Pumpkin (Halloween font), Neons Display, Styllo (art deco, fashionable), Lans Sans Serif, Greenvine, Unfinished, Indigo Handcrafted (calligraphic blackletter), Audovera (techno; organic sans).

Typefaces from 2017: Roadtrip, Samara, Glowe, Easy, Corona, Fibo Serif, Pablo (handcrafted), California, Jules Sans Serif, Pisano, HappyB. Behance link. Creative Market link. [Google] [More] ⦿

Avenged Creations
[Angel Carvallo]

Venezuelan designer of Avenged Ink (2020: a weathered blackletter). [Google] [MyFonts] [More] ⦿

Axel Leyer

Designer in 2008 at FontStruct of NuGothicA (blackletter), BauForm, DINAMO (mechanical), Magnum (great industrial strength slab serif headline face), Cocoa (rounded and ultra fat), EUROstruct (thin and architectural), Kaotic (graffiti), Weimar (pixel face), Rondo, Rondo Tail, Fabrica (octagonal), Fabrica Rotula (stencil, octagonal), Quadrat, Electrica, Electrica Dots, Fabrica Screen (horizontally striped octagonal face), Block Black, Bloop, Blackwolf, Guru Blackletter (Indic simulation face), Inslab (slab serif), Inslab II, Minima (stencil), Boxer (ultrafat, octagonal), Bloko (nice ultra-fat face), Steel (macho slab serif), Nextar (pixelish but elegant), Simplex, Ulises 7 (+Serif) (pixel typefaces), Digita (kitchen tile) and Block (ultra fat), June Cleaver. See America (2008, octagonal) is an octagonal lettering font that was inspired by a travel poster (WPA, 1936) designed by Jerome Roth. Faces made in 2009: Morgana (a beautiful fat piano key face), Manitoba, Machina (+Slab), Old Monk (uncial), NughoticA Brush, LUBA 8 Lowercase (after Lubalin), Nugothic A (blackletter), Dinamo, Ross (strong mechanical face).

Faces made in 2010: Sketch Pix and Sketch Pix 2. [Google] [More] ⦿

Axel Pfaender
[Augenbluten]

Axel Vagnard

Paris-based designer of the display typefaces Roma (2018), Detroit (2017) and Charlie B (2016). In 2019, he released the sans typeface The Circle Line. Typefaces from 2020 include Dahlia, Atlanta, Grotesk, Blue Velvet, Oklahoma (a slab serif and a blackletter), Monique. [Google] [More] ⦿

Azzumar99

Indonesian designer of the blackletter typeface Marfont (2017). [Google] [More] ⦿

B2302
[Simon Becker]

Berlin-based designer Simon Becker (aka B2302) created Legere (2012, HypeForType). It has Light, Regular and Deco styles.

In 2013, with Federico Neeva Orrù, he created a versatile octagonal multiline display family, Vasarely, named after optical artist Victor Vasarely.

In 2014, Simon designed the manicured sans typeface family Helado together with Sabrina Ekecik and Benjamin Campana. Vagtur (a tweetware hybrid of VAG Rounded and Fette Fraktur) was co-designed with Sabrina Ekecik.

In 2016, he designed the deco typeface Twokes.

Bálint Koczman
[Magique Fonts (was: Cpr. Sparhelt)]

Balazs Lengyel

Budapest-based designer, as a student at Jaschik Álmos Secondary School of Art, of Caedmon Gothic (2018), a blackletter typeface that is as dark as Orban's Macchiavelism. [Google] [More] ⦿

Bangkit Tri Setiadi
[Blankids Studio]

MyFonts interview. Creative Pro interview. Bio at Emigre.

Barkit

Creator of the lower-case-only blackletter stencil typeface Tombale (2013). [Google] [More] ⦿

Barmee.com (was: Czcionki.com, or: Barme Fonts)
[Bartek Nowak]

Original fonts by Polishman Bartek Nowak (aka Barme, b. 1973) made in 2000-2001: BukwaNormal (Cyrillic), Nokian (pixel font), Passja, Xar, BarmeReczny, Elementarz (orthographic writing for kids) [see also here], Gotyk-Poszarpany (Fraktur, revamped in 2014 as Gotyk Nr 7), Afarat Ibn Blady (Arabic simulation face), Hieroglify, Kobajashi, Kwadryga, Magda (Basque), Maszyna (old typewriter), MaszynaAEG, Nerwus (scribbly, sketchy), Pascal, SecesjaPL (curly font: a revival of Herman Ihlenburg's ultra-Victorian typeface Nymphic, 1889), Zakret, RecycleIt, Sandwich, Keiser Sousa, Manifest.

Alternate URL.

Font list (with repetitions): 4Mini, BarmeReczny, Elementarz, Fiesta, GotykPoszarpany, GrubaBerta, Hieroglify, KeiserSousa, Kobajashi, Kwadryga, Magda, Manifest-Niski, Manifest, MaszynaAEG, MiniMasa, MiniSet, MiniSter, Nerwus, Nokian, Nokian2, Opeln2001-Prosty, Opeln2001, Opeln2001Szeroki, Pascal, Passja, Premiership, RecycleIt, Sandwich, SecesjaPL, Szablon, Wabene, Xar, Zakret, MiniForma, MiniStrzalki, Miniline, Minitot, Ulisson, Astalamet (2002), Gosford (2002), Volan (2002), Establo, QuatronFat, Infantyl (2002), Quatron (2002), YnduFat (2002), YnduOut (2002).

URL not accessible to my browser (Mac+Firefox).

This site carried these fonts in May 2008: 4Mini, Afarat-ibn-Blady, Astalamet, AstalametPure, BarmeReczny, Cyree, DorBlue, ElementarzDwa, Erton, Establo, EstabloFat, Fiesta, Gosford, GotykPoszarpany, GrubaBerta, Hieroglify, HongKong (oriental simulation), Infantyl, InfantylFat, InfantylItalic, InfantylOut, Jiczyn, KeiserSousa, Kobajashi, Komix, Kwadryga, Lola, Magda, Manifest-Niski, Manifest, MaszynaAEG, MaszynaRoyalDark, MaszynaRoyalLight, MiniBet, MiniForma2, MiniJasc, MiniKongo, MiniLine2, MiniMasa, MiniQuan, MiniQuanMniejszy, MiniSet2, MiniSter, MiniStrzalki, MiniTot, Nerwus, Nokian, Nokian2, Opeln2001-Prosty, Opeln2001, Opeln2001Szeroki-Metro, Opeln2001Szeroki, Pascal, Paskowy, Passja, Quatron, QuatronFat, RecycleIt, Sandwich, SecesjaPL, Sloneczko, Szablon, Tabun, TechnicznaPomoc-Italic, TechnicznaPomoc, TechnicznaPomocRound, Ulisson, Vaderiii, Volan, Wabene, Xar.

In 2011, he established the commercial foundry GRIN3.

Dafont link. Klingspor link. Fontspace link. GRIN3 link. Old free font URL.

Showcase of Bartek Nowak's commercial fonts. [Google] [MyFonts] [More] ⦿

Barnbrook (was: VirusFonts, Virus Foundry, Studio 12)
[Jonathan Barnbrook]

Jonathan Barnbrook was born in 1966 in Luton, England. He is a type and graphic designer and filmmaker. Since 1990 he has worked with cultural institutions, activist groups and charities and produced a steady stream of posters. He is also known for his collaborations with Adbusters and Damien Hirst, his work for David Bowie, and his typefaces released by Emigre and Virus (his own foundry). He started Virus in 1997, and works out of the Barnbook Studio (now Studio 12) in London's Soho. Virus Foundry became just Barnbrook ca. 2017. He specializes in cult-type typefaces.

In 2007, Mathieu Réguer wrote a thesis at Estienne on Barnbrook.

Barnbrook designed these typefaces:

Apocalypso Pictograms and Apocalypso Crosses (1997).
Bastard (1990, blackletter) and Bastard Even Fatter.
Bourgeois (2005). In 32 weights, this was originally done for the Mori Art Museum in Japan. Codesigner with Jonathan Barnbrook of Bourgeois Rounded (2019) and Bourgeois Slab (2019).
Coma (2001).
Delux (1997).
Julian Moncada, Jonathan Abbott and Jonathan Barnbrook jointly designed Doctrine Sans and Doctrine Stencil in 2013 at Virus.
Draylon (1997).
Drone 666 (2010). and Drone (1997).
Echelon (2001, connected upright script).
Exocet (1991, Emigre). This is possibly his most recognizable face.
Expletive Script (2001, upright connected and modular script).
False Idol Script (1997).
Infidel (2003). A crusaders type family praised by Claudio Piccinini.
Mason (1992, +Serif, +Sans). Done at Emigre.
Melancholia (2001).
Moron (2001).
Newspeak (1997).
Nixon Script (1997, fifties style connected upright script).
Nylon and Drylon (1996).
Patriot (1994). Exocet, Patriot---these were the good old days of the missile attacks on Israel and the war in the Falklands. Strange that Barnbrook never designed a font called Wolf Blitzer.
Olympukes (2004, with Marcus McCallion) was a free dingbat font at Fontshop. It can now be found at Undt Typefaces. Followed by Olympukes 2012 (2012), which acknowledges the complex contradictions of the modern Olympics.
Priori Sans (2003, Emigre), Priori Serif (2003) and Priori Acute (2010, Emigre) are Escher-like trompe l'oeuil fonts.
Prototype (1990).
Prozac (1997). This font was created based on just four basic shapes.
Regime (2009). A slab serif.
Resolution and Resolution Blackletter (2015, by Jonathan Barnbrook, Ryuhei Nakadai and Julian Moncada): A family of display typefaces that were developed as part of a creative response to the political situation in Northern Ireland.
Sarcastic (2007). A modular connected script.
Shock&Awe (2004).
Sora (2019). A free sans family at Google Fonts and Github. Co-designed with Julian Moncada.
State Machine (Virus, 2004). Based on lettering on US and Russian military vehicles.
Tourette (2005).

Fontworks link. MyFonts link. FontShop link.

Showcase of Jonathan Barnbrook's typefaces. [Google] [MyFonts] [More] ⦿

Barnhart Bros. Spindler Type Founders: Book of Type Specimens, 1907

Trying to fit this 1000-page book into one web page, with discussion of many types. It's impossible, but I tried it. Download link for Book of type specimens: Comprising a large variety of superior copper-mixed types, rules, borders, galleys, printing presses, electric-welded chases, paper and card cutters, wood goods, book binding machinery etc., together with valuable information to the craft. Specimen book no.9. Another download link. [Google] [More] ⦿

Baron von Fonthausen
[Jacques Le Bailly]

Jacques Le Bailly (b. Thionville, France, 1975) is the "Baron von Fonthausen", located in Den Haag, and the self-proclaimed German-French specialist in the fields of both beer and type design. From 1999 to 2003, Le Bailly lived in Berlin, working at Moniteurs graphic design studio and as an independent graphic designer. Having returned to the Netherlands in 2003, Jacques did type production work for The Enschedé Font Foundry. He is now a typographic designer at Bau Winkel's studio in The Hague. He worked for type foundries like Lineto, Monotype, House Industries, and Bold Monday, as well as on custom projects for several brand design agencies. He has been teaching at the WdKA art academy in Rotterdam and Sint Joost in Den Bosch.

He was working on commercial fonts such as TyPress, Ballpoint and B-Day.

Sardines (2008, Vette Letters) is described by Jan Middendorp as an amusing parade of heavyweight characters crammed into squares. In 2010, that monospaced family was expanded to VLNL Neue Sardines (42 styles).

Designer of the pixel font Mekka.

Macula (2010) is a trompe l'oeuil typeface that is available from Bold Monday. It was inspired by Oscar Reutersvärd's impossible perspectives and M.C. Escher's optical illusions.

In 2016, Jacques Le Bailly extended Vernon Adams's Nunito (2011) to a full set of weights, and an accompanying regular non-rounded terminal version, Nunito Sans, which is free at Google Fonts and Open Font Library.

In 2018, he designed the free family Crimson Pro (a major update of Sebastian Kosch's Crimson from 2011) and VLNL Thueringer (at Vette Letters), and wrote: Jacques got inspired by Albrecht Düer's 15th century Fraktur (blackletter) alphabet, and decided to design a contemporary rounded version of it. It's a modern techno-style blackletter with a (beer)truckload of interesting design details.

In 2019, he released the free font Livvic. Livvic is a 16-style custom corporate sans typeface designed by Jacques Le Bailly for LV (Liverpool Victoria Friendly Society Limited), an insurance company based in the UK. The typeface is part of a brand redesign.

In 2020, Jacques Le Bailly, Cereal and Vernon Adams (posthumously) released the sans typeface family Mulish at Google Fonts. Mulish is a minimalist sans, designed for both display and text typography. It was initially drawn in 2011 by Vernon Adams and then refined until 2014. In 2017 the family was updated by Jacques Le Bailly to complete the work started by Vernon after he passed away, in collaboration with his wife Allison, an artist who holds the trademark on the typeface family name. In August 2019, it was updated with a variable font weight axis.

Behance link. Bold Monday link. %Z Liebe Petra, Die Site ist jetzt erstmal dafür gemacht, um Leuten zu zeigen was ich gerade mache. Leider sind die meisten der gezeigten Fonts noch nicht ganz fertig und werden deshalb noch nicht angeboten. neben Schriftgestaltung, mache ich auch noch Grafik-Design. Im Moment arbeite an der Font TyPress, die bei der 1. Ausgabe folgende Schnitte enthalten wird: Roman, Italic, Bold, Bold-Italic, Caps-Roman and Caps-Bold. Unsicher ist noch wo, oder von wem sie vertrieben werden. Der Font B-Day wird 1 Schnitt haben und wenn alles gut geht, wird sie ab Februar 2002 von Lineto (www.lineto.de) verkauft. Wenn Sie interessiert sind an meinen Entwürfen, oder z.B. an Custom-Type, fragen Sie bitte nach. Oder, wenn Sie gerne sehen möchten, wie meine Schriften im Druck aussehen, kann ich Ihnen ein PDF schicken. Freundlichen Grüsse, Greetings, Baron von Fonthausen, auch Jacques Le Bailly [Google] [MyFonts] [More] ⦿

Baron WNM
[Rahmad Mulyadi]

Banda Aceh, Indonesia-based architect, b. 1987. Designer in 2020 of Darkness (a blackletter or death metal font), Chalysta (a wide signature script), Rhomantics (a handcrafted sans), Hillusy, Qeuliner (an oblique techno / sports font), Comicbon (a comic book font) and Dhaique (a tall monolinear sans).

Typefaces from 2021: Aront (mixing art deco with the rounded sans genre), Jabirah, Redmarch (a hairline signature script), Mane (a techno / speed font), Channe (a fashion mag font), Engrave (an upright calligraphic script), Whitegone, Good Monday (script), Culpa (a fat finger font), Kutaraja (a great upright inky script), Vorticella (an inky script). [Google] [MyFonts] [More] ⦿

Barron Webster

During his graphic design studies at RISD in Providence, RI, Barron Webster, who is originally from North Carolina, created a pair of display sans typefaces called Barcelona and Barcelonetta (2012).

In 2013, he created the modern blackletter family Baum Display (dedicated site: free typeface for personal use).

Bart Co Design
[Bartosz Wesolek]

Or Bart Wesolek, b. 1986. Nowa Sol / Poznan, Poland-based graphic designer, who published the vintage typeface Rheiborn, the display typeface Onufry (based on lettering on vintage cycling posters), the poster typeface Molheim, the letterpress typeface Darmond, the squarish Garthram, the vintage typeface Martslock, the free squarish typeface Rheiborn Sans, the vintage Apothecary collection (Asplin, Garriger, Hagerman, Kimmell and Seidlitz), and the slabbed display typeface Kinshel in 2017.

His vintage liqour collection (2017) includes

Arendt: A thin extended serif typeface (clean, rough)
Groston: A squared sans font (clean, rough)
Kloster: A lower case blackletter typeface (clean, rough)
Othon: A bold sans typeface (beveled, clean, rough)
Rozalyn: A western decorative typeface (clean, rough & free shadow version)
Theobald: A condensed serif font (rough, rounded & free clean version)
Wilhelm: A regular sans & slab display font (clean, rough)

Typefaces from 2018: the Print Press collection (Blutzen, Fratley, Garnet, Harold, Stilzkin Sans, Stilzkin Slab), Nimitz (a free retro all caps sans), Bosmark (a vintage sketched typeface), Monkstead (a block display family with several textures), Signist, Hartwood, and the Newsstand collection (which includes Presson, Stammark, Brookset, and Darmond).

Typefaces from 2019: Pelagia (text typeface), Moorland (a fat face didone), Keller (an all caps sans), Mosley (a weathered letterpress emulation font), Madchen Sans (a free retro sans), Maurine (a retro script).

Typefaces from 2020: Braden Sans, Paschal (serif), Dumont (sans).

Typefaces from 2021: Frisco (a retro display serif), Landman (a retro font inspired by Murillo/Aldo Manutio typefaces designed by Schelter & Giesecke in 1897), Devon (art nouveau caps), Omnibus (a free art nouveau font), Urban Serif (a condensed slab serif), Irish Poem, Mesnage Slab Serif, The Moonshine Collection (Bastien (art nouveau), Dalton (squarish), Fribois (a monolinear school script), Guilmot, Liboury (a frilly decorative blackletter)).

Typefaces from 2022: Vespucio (a classic serif), Blokhaus (a bold sans). [Google] [More] ⦿

Bartek Nowak
[GRIN3]

Bartek Nowak
[Barmee.com (was: Czcionki.com, or: Barme Fonts)]

Bartosz Wesolek
[Bart Co Design]

Bauersche Giesserei blackletter fonts

Bas Jacobs

Dutch graphic and type designer, b. Wanssum, The Netherlands, 1976. In 1999, together with Akiem Helmling, he cfounded Underware in Den Haag. Bas studied at the KABK in Den Haag and lives in Amsterdam since 2001. His type design work:

Bas Jacobs and Akiem Helmling designed Dolly (2001), a 4-font book typeface with flourishes. The Bukvaraz 2001 award they won for it mentions that Lars de Beer and Sami Kortemäki also had a hand in the font. Dolly A Book Typeface with Flourishes is a book that describes the development of Dolly.
Codesigner of Bello.
Codesigner of Sauna (2002; +Sauna Mono Pro).
Codesigner of Liza (2009).
Codesigner of Auto (1, 2 and 3) (2004-2014).
Codesigner of Unibody 8 (free).
Codesigner of Fakir (2006), a blackletter typeface family.
In 2015, Bas Jacobs, Akiem Helmling and Sami Kortemäki published the stencil family Tripper Pro.
In 2017, Underware developed the super-adaptive and parametric typeface family Duos Pro.

At ATypI 2004 in Prague, he spoke about education in type design. FontShop link. Speaker at ATypI 2010 in Dublin and at ATypI 2017 in Montreal. At ATypI 2018 in Antwerp, Bas Jacobs and Akiem Helmling introduced the high order interpolation system for fonts called HOI. [Google] [MyFonts] [More] ⦿

Bas van Vuurde

Graphic designer (b. Dordrecht, The Netherlands, 1979), who specializes in type and typographic design, and lives in Haarlem. Student from 1999-2003 at the Graphic and Typographic design-course at the Royal Academy of Art (KABK) in the Hague. He graduated in 2004 from the postgraduate design-course on TypeMedia at the same academy. While at the KABK, he made the futuristic/computerized typefaces Basetype 144 (2003) and Default (2001). Many of his projects involve lettering in public places, such as the application of DTL Haarlemmer for the street signs in Haarlem. His type designs include Small World, Homerus (text face) and Blackletter (a project for the city of Haarlem). Ancient URL. [Google] [More] ⦿

Basil Boyacos

Berlin, Germany-based designer of the free weathered blackletter typeface family Au (2018). [Google] [More] ⦿

Bastarda -- Schwabacher

Bastarda (Schwabacher in German) dominated printing in Europe in the last part of the 15th and the first part of the 16th centuries. It breaks with the heavy Textura that Gutenberg used in his first books and his bible. All of the Lutherian books were set in Schwabacher, which was nearer to handwriting. It was probably first used by Johannes Bäumler in Augsburg in 1472. In any case, it was in use in Nürnberg in 1485, and showed up in 1490 in Anton Koberger's Schedelsche Weltchronik and in 1498 in Albrecht Dürer's Apokalypse. Examples: a hand-drawn Schwabacher from 1489, a sample by Johann Schoeffer in Mainz, dated 1521, and a fancy title page. In the middle of the 16th century, it was displaced by fraktur as the most-used German typeface. German link. Characterized by the pointed o (both top and bottom), the Asian-looking "g", the Garamond-like "h" and the "A" that thinks it is a "U", it was rejuvenated in the 18th century by German foundries such as Genzsch and Heyse (Alte Schwabacher, 1835, and Neue Schwabacher, 1876) and Klingspor (Offenbacher Schwabacher, 1900), and type designers such as Ehmcke (1916) and Schneidler (1918) who all produced beautiful readable typefaces.

The French bâtarde (bastarda) became popular in France under the patronage of Jean, Duc de Berry, 1340-1416, and remained popular well into the 1600s. It is largely similar to Schwabacher although Schwabacher shows the (unreadable, U-like) open capital A that bâtarde avoids, as a rule.

There are many digital Schwabacher typefaces. See, e.g., Alte Schwabacher by Berthold, Alte Schwabacher by URW++, or Adobe's Duc de Berry, Bigelow's Lucida Blackletter, or P22's SchwarzKopfNew and SchwarzKopfOld. [Google] [More] ⦿

Bastardized

FontStructor who made Mettwurst (2011), a tattoo/blackletter face. [Google] [More] ⦿

Andreas Seidel lists the blackletter typefaces published by the Bauersche Giesserei (and I added a few more):

Flinsch Privat, 1919
Renata, 1914. Digital revivals as renata by Gerhard Helzel, and later by Peter Wiegel.
Bernhard Fraktur, 1913-22
Frankfurter Fraktur, 1905 / after 1911 renamed to Flinsch Fraktur
Flinsch Germanisch, 1876
Zentenar Fraktur, 1937, named after the 100-year anniversary of the Bauer Foundry
Herkules-Gotisch (1898)
Hoyer Fraktur, 1935-37
Weiß Gotisch, 1936, E. R. Weiß
Weiß Rundgotisch, 1937
Weiß Fraktur, 1914
Element, 1933
Gotika, 1933
Laudan Kanzlei, 1913
Manuskript Gotisch (1905-1923; note: I thought the correct date was 1899), made after letters created by Wolfgang Hopyl in 1514.
Leipziger Fraktur, 1909
Wieynck Fraktur, 1912, Prof. Heinrich Wieynck
Gotisch, 1906, Georg Barlösius
Enge Gotisch (1880). Digital version by Gerhard Helzel done in 2008.

[Google] [More] ⦿

Bayreuth

Bayreuth is a blackletter typeface made in 1932 by F.H.E. Schneidler for the C.E. Weber foundry in Stuttgart. At the Dafont site, we find an orphaned digital version of this typeface. [Google] [More] ⦿

Bazhen D. Yurchenko

Bazhen Yurchenko is the Kharkov, Ukraine-based designer of BenCat, Grunge, Flowerchild, BenHardLife, BenKrush and BenPioneer (1997). His fonts are here. Encient German Gothic is a blackletter font to which he added a Cyrillic in 1995-1999. Here, you will find the free Cyrillic truetype fonts Ben-Cat-Bold, Ben-Hard-Life-Bold, Ben-Krush, Ben-Pioneer-Bold. Abstract Fonts link. [Google] [More] ⦿

Beate Limbach
[Acces Design]

Becris
[Kanda Euatham]

Kanda Euatham (Chiang Mai, Thailand) runs Becris. In 2016, he designed the Latin typeface Becris Rounded Monoline. In 2017, he created Becristica (blackletter), Clean Line Icons, and Mono Virgin Script. Creative Market link. Creative Fabrica link.

IN 2019, Euatham set up Paramajan. [Google] [More] ⦿

Belladonna
[Sanguinus Curae]

Ben Goetting

Ben Goetting hails from Brooklyn, but is now based in southern California. In 2014, he designed an all caps rounded blackletter typeface called Grandmaster Clash. [Google] [More] ⦿

Ben Jones
[Protimient.com]

Ben Mecke-Burford
[M-B Creative]

Benjamin Blåholtz

Designer of Hexadecimal (2019), Calculate 16 (2019: an LED font), the modular blackletter typeface Isometretos (2019), Templars Cipher Plus (2019), the heavy slab serif typeface Grundsten (2019) and the traffic sign sans typeface Storgata (2019), which is influenced by the traditional Swedish traffic signage font Tratex. [Google] [More] ⦿

Benjamin Gomez
[Dépli]

Benjamin Krebs
[Benjamin Krebs]

German foundry established in 1816 by Benjamin Krebs (1785-1858) and based in Frankfurt, which grew out of Schriftgießerey der Andreäischen Buchhandlung. Many of its shares were acquired by D. Stempel in 1933. A list of the typefaces:

By Franz Riedinger: Merian Fraktur (1910), Phänomen (1927), Riedingerschrift (1903), Riedinger Mediäval (1929), Riedinger Kursiv (1929), Ideal Schreibschrift (Franz Riedinger, 1927) Ideal I (Krebs staff, 1903), Brentano Fraktur Schmalfett (1917), Archiv Kursiv (1907), Altschwabacher (Werkschrift 1917, Schmalfett 1922, Mager 1923), Epoche (1912), Rohrfeder Fraktur (1909), Rediviva (1905-1907, blackletter in halbfett and schmalfett; also called Deutsche Werkschrift Rediviva), Altschwabacher Werkschrift (1918).
By A. Auspurg: Brentano Fraktur (1916), Federzug Antiqua (1913), Nürnberger Kanzlei (1906), Schönbrunn (1928), Trajan Versalien (1928).
By P.E. Lautenbach: Epoche (1912), Frankfurter Buchschrift (1906).
By L. von Hohlwein: Hohlweinschrift (1907).
By W. Grosz: Künstler Gotisch (1900).
Hartwig Poppelbaum: Hartwig-Schrift (1928), Hartwig Werkschrift (1927).
By the staff: Faksimile (1898 script face), Eureka, Oceana, Robusta, Ideal Schreibschrift (1903; kräftige, also called Ideal II, was added in 1909), Katalog Antiqua (1911), Komet (1907, an art nouveau typeface revived by Dimitriy Horoshkin in 2017 as DXKometa), Latina (1922: a heavy roman with tall ascenders; identical to ATF's Avil), Pompadour (1911), Reklame Elzevir (1896), Xylo (1924: for a digital version, see Xylo by ITC), Bureaukrat (1918), Buchschrift, Alte Schwabacher (1914), Karten-Gotisch (1903), Reform (1903), Viktoria Gotisch, Viktoria-Ornamente (1903), Archiv-Antiqua (+halbfette) (1908), Archiv-Kursiv (1908). [Reichardt attributes some of these to Riedinger]

Krebs published Handbuch der Buchdruckerkunst in 1827, a 830 page monster. Type specimen books started appearing in 1885 under the name Benjamin Krebs, Nachfolger (successor). An 1890 publication identifies this successor as Hartwig Poppelbaum. In 1916, Gustav Mori published a book on the foundry, Die Schriftgiesserei Benjamin Krebs Nachf., Frankfurt a.M. Ein Beitrag zur Geschichte des Frankfurter Schriftgiesser-Gewerbes. They were taken over by Ludwig&Mayer, and then Klingspor and finally Stempel (in 1933). Hans Reichardt's PDF file on Krebs. [Google] [MyFonts] [More] ⦿

Benjamin Krebs
[Benjamin Krebs]

Benjamin Krebs blackletter fonts

Andreas Seidel lists the blackletter typefaces published by the Benjamin Krebs foundry (and I added a few):

Normale Fraktur
Neue Fraktur
Bismarck Fraktur
Kräftige Fraktur
Caxton Type
Fraktur Buchschrift
Kaiser Gotisch (date unknown, before 1907). Also sold by Stempel, Kloberg, and Weisert, and as Royal Black by Reed. Seemann (1926) lists the mager (light) as available from Krebs, and the regular weight from AG für Schriftgießerei and Stempel. Digital revivals of the regular weight include Kaiser Gothic (Dan X. Solo, included in the Celtic and Medieval Alphabets book by Dover, 1998) and Kaiser-Gotisch (G. Helzel, 2001, used for sample). KaiserzeitGotisch (D. Steffmann, 2001) is a free version of the Solotype version.
Künstler Gotisch
Psalter Gotisch (ca. 1890). Digital revivals include TbC Psalter Gotisch (2014, Chiron), Psalter Gotisch (2012, Alter Littera), and Psalter Gotisch (2009, Paulo W).
Neue Kanzlei
Fette Kanzlei
Enge Altgotisch
Mammut Gotisch
Robusta

[Google] [More] ⦿

Benjie Escobar

Los Angeles, CA-based designer of the free squarish display typeface Orale Sans (2021). Other fonts, all in the motorcycle gang blackletter tattoo style, include Kanye Killed It (free), Calidad (free), Appreciation (free) and Chibi OE. [Google] [More] ⦿

Benoit Sjöholm
[Désigne (was: Calame Design)]

Benzer Errol

Manila, The Philippines-based designer of the blackletter typeface Old English (2019). [Google] [More] ⦿

Bergteken

An orphaned typeface designed in the TypeParis Type Design Course in 2019. This angular typeface refers to early rounded blackletter forms of the 14th and 15th centuries. [Google] [More] ⦿

Bernardd William Nadall

Or Berne Nadall, or Bernd Nadall. This designer (b. 1869, Louisville, KY) studied at the Louisville School of Design, worked briefly for some newspapers in Lousville, and then left for Chicago, where he worked for Barnhart Brothers & Spindler (The Great Western Type Foundry). For BBS he designed borders, ornaments, and some typefaces such as Faust Text (1896: a quaint blackletter based on uncial lettering later renamed Missal Text in their 1923 catalog), Fifteenth Century (1898), Tell Text (1898) and a typeface now known as Nadall (1895-1896, BBS). The last typeface was digitized by Dan X. Solo as Nadall Regular in 2001.

Creator at BBS of Mazarin (1895), Mazarin Italic (1895). The historians do not mince words about Mazarin. McGrew writes: Mazarin was introduced by BB&S in 1895, redesigned from the Golden Type of William Morris. Mazarin Italic was introduced a year later, but neither typeface lasted long. See Jenson Oldstyle. Mazarin HTF by Hoefler Type Foundry is a digital version.

Nadall also created Caslon Antique (and Italic) in 1895 (Caslon EF Antique in the Elsner&Flake collection, and Caslon Antique in the Linotype collection), a version unlike any original Caslon. Some say it was developed between 1896 and 1898. For another digital version of this, see Caslon Antique (1993, Group Type).

MFC Nadall Medieval (2019, Monogram Fonts Co) and Faust Text (2005, Dan X. Solo) revive Faust Text.

William E. Loy writes about Nadall in The Inland Printer. Patent office link. [Google] [MyFonts] [More] ⦿

Bernhard Schnelle
[Verzeichnis von Bleisatzschriften der Gruppe X nach DIN 16 518]

Berthold Wolpe

German type designer (b. Offenbach, 1905, d. London 1989), who studied under Rudolf Koch from 1924-27 at the Kunstgewerbeschule in Offenbach. With the help of Stanley Morison, he emigrated to England in 1935 because of his Jewish background. Wolpe taught at the Camberwell College of Art (1948-53), at the Royal College of Art in London (1956-75) and at the City&Guilds of London School of Art (from 1975 onwards). From 1941 until 1978, he worked as a book designer for Faber&Faber in London, designing over 1500 book jackets. He published Schriftvorlagen (Kassel 1934), Marken und Schmuckstücke (Frankfurt am Main, 1937), A Book of Fanfare Ornaments (London, 1939), Renaissance Handwriting (with A. Fairbanks, London 1959), and Architectural Alphabet. J. D. Steingruber (London, 1972). Designer of

Albertus (Monotype, 1932-1940) is a famous lapidary roman with thickened terminals. The Bitstream version is called Flareserif 821. The Ghostscript/URW free version is called A028 (2000). The Softmaker and Infinitype versions are both called Adelon. The original Monotype version is Albertus MT. The letters are flared and chiseled, and the upper case U looks like a lower case u. The northeast part of the e is too anorexic to make this typeface suitable for most work. Some say that it is great for headlines. It is reminiscent of World War II. See also Albertus Nova (2017) by Toshi Omagari for Monotype.
Cyclone (Fanfare Press). A travel poster typeface family.
Fanfare. Revived by Toshi Omagari at Monotype in 2017 as Wolpe Fanfare.
Hyperion (1931, Bauersche Giesserei). Berry, Johnson and Jaspert write: An angular pen-lettered design, with several unusual letters. The right hand serifs of upper- and lower-case V and W run inwards, the Y descends below the line and has a pronounced serif running to the right. Also done by Berthold in 1952.
Pegasus (1938, Monotype). Monotype's digital revival, Wolpe Pegasus, was done in 2017 by Toshi Omagari for Monotype.
Tempest (1936). Digital revival in 2017 by Toshi Omagari at Monotype as Wolpe Tempest.
The blackletter typeface Sachsenwald-Gotisch (1936-1937, Monotype). In 2017, Monotype published the digital revival Sachsenwald by Toshi Omagari. Sachsenwald was originally called Bismarck Schrift, when it was first designed by Wolpe in the early 1930s.
The blackletter typeface Deutschmeister (1934, Wagner&Schmidt, Ludwig Wagner). Revival by Gerhard Helzel in 2009. Warning: The German type community believes that this typeface was not designed by Wolpe, so further research is needed. See also the revival called Deutschmeister by Ralph M. Unger in 20017.
Decorata (1950).
Johnston's Sans Serif Italic (1973).
LTB Italic (1973). Done for the London Transport, and unpublished.

In 2017, Toshi Omagari designed the Wolpe Collection for Monotype, all based on Berthold Wolpe's distinctive typefaces: Wolpe Pegasus, Wolpe Tempest, Wolpe Fanfare, Sachsenwald, Albertus Nova.

Bio at Klingspor. FontShop link. Wiki page. Linotype page.

View Berthold Wolpe's typefaces. Klingspor link. [Google] [MyFonts] [More] ⦿

Bertram Kaiser
[Kaiser Type]

Betatype
[Christian Robertson]

Betatype was established in 2003 by Christian Robertson, and is located in Concord, CA. It offers custom type design services as well as commercial fonts. Christian completed the BFA program in Graphic Design at Brigham Young University in Provo, UT, and was a partner at Mansfield Design Company in American Fork, UT. He joined Google where he presently works.

While at Brigham Young University, he designed Alexandre (2004, a roman influenced by blackletter), Blackletter No.36, Uncial New (2004, an uncial with a unicase feel), Aloe (2003), Betatype No. 28 (2003, a semiserif), Ulysses (2003), Pill Aberration, Raisin Nut, Pill Gothic (2001, a sans family published in 2004 at Umbrella Type/Veer), Beezer Sans, Uncial Slab, Sketch No. 26, Sketch No. 25, Dear Sarah (2004, a contextual handwriting typeface done with great care, available from Umbrella Type), and Factory.

Betatype published these fonts:

Dear Sarah [Veer, 2004]. Dear Sarah is a contextual font that uses the contextual alternates feature of OpenType in an exemplary way. At the same time, people are complaining why OpenType's RAND feature is not implemented anywhere yet.
Pill Gothic [Veer, 2004].
Doublewide [Veer] (2006).
Apertura [Veer]: a large sans family.
Grant Avenue [Veer]: a large sans family.
Zebramond.
Serif Beta (2009): very promising free serif family!
Ubuntu Title Font: a free rounded minimalist titling font.
Uncial Slab (2003): a free unicase face.
Emporium (2009): a display type inspired by Main Street.
Roboto (2011). A free typeface developed at Google for its Android 4.0, and declared dead upon arrival by the typophile community since it does not know whether it is a humanist sans or a grotesk face. Roboto Slab followed in 2013. Image of Roboto. Google Web Fonts download link. Google Web Fonts link for Roboto Slab and Roboto Condensed. Google Web Fonts link for Roboto Mono (2015).
Ubuntu Titling.

Google Plus link. [Google] [MyFonts] [More] ⦿

Betwixt Designs
[Euan Smith]

London, UK-based designer (b. 1992) of the metal band typefaces BTX Radiant Sunshine (2018), BTX Renegade (2018: spurred), BTX Excelsius (2018) and BTX Ornstein (2018), and the script typefaces BTX The Bee Line (2018), BTX The Knights Squire (2018), BTX Ittally (2018), BTX Benafor (2018), BTX Dainty Creek (2018) and BTX Gilther (2018).

Typefaces from 2019: BTX Chaos Made (a tattoo font), BTX Angelika (script), BTX Fluidz, BTX Lindas (script). [Google] [More] ⦿

Bhikkhu Pesala
[Association for Insight Meditation (or: Aimwell)]

Billy Argel

Brazilian graphic designer and prolific creator of free typefaces, which often combine calligraphy, retro signage, and grunge.

Fonts from 2019: Talk Sing, New Garden Two (a circle-based sans), Hearts Garden, Garden Black, Adalgisa, Mellissa, Mattisse, Universal Sans, Universal Script, The Light, Campesina, Babeface, Soulstice, Movements, Love Empure, No Stress (grungy sans), Flowers (script), Magical Day, North Shore (a weathered slab serif), Theodora, Amandita, Brilhant, Alamoana, Palomita, Superworld, Black Rose, Mistical, Rocks (grungy), Marvelous, Dinasty, Magic Touch, Hot Jacket (brush script), Simplicity (beatnik face), Ibiza Crystal, Mystical Eyes, Allicia, Misterios del Amor, Sugar Kisses, Gonna Getha (weathered sans), Valentine Day, Secretss, Honey Lips, Got to be real, Afternoon in Stereo, Hotel Costes, Wall Paper,

Fonts from 2018: Children's Party, Music Magic, Awesome Season, Lavelle, Wonderful Night, Chapter One, Atmospherica, Lost Sunset, Claudina, Run To The Hills, Placid Pool, New Balance, Euphoria, Claudia, Barbecue, Salsa Parrilla, Pilsen Extra, Morphine, Love is the Law, United Forces, Smell a Daisy, Allegratta, Hamburguer, Gingerale, Anette, Marshmallow, Bunch of Flowers, Cinderela, Antonine, Sepetiba, Anastasia Script, Alliance, Mustard, Superstar, Makeup, Flowers of Summer, Honeybe, Mirella, Fantastic (signage script), Inked Skin, Girls Got Rhythm, Dirty Queen, Ipanema, Antidote, Galaxie, Moving Star, Miraflor, Beredith, Allessa, Worldwide, Andorra, Single case, Carpenters, Monster Party (eerie font), Dontchastop, Love Strong, The Hills, Romantica, Attraction, Burning Heart (monoline script), Local Motion, Summer Daisy, Pumpkins, Space Jam, Sweet Movements, California Sun, Body & Soul, Choppers, Magical Waste, Over The Seas, Vegan Yummy, Glamour Girls, Flower Power, Quick Kiss, Star Light, Costa Rica, Nuclear Boots, Amore Mio, Lovely Summer, Roses Everywhere, Love Is The Antidote, Wisdom Words, Limousines, Mysteries of Passion, Moving Pictures, Blackberry Jam, Movie Poster, Beauty Mountains, Bunch Blossoms, Flora, Inked Angels (tattoo font), Loveland, Beautiful Lovers, Belle et Belle, Cherry Blossom, Let It Be, Casual Chance, Caranda, Aromabar, Capable of Loving, Miss Daisy, Mardi Gras, Last Frontier, Nouvelle Vague, Travel Light, Mind Rescue, Bella Fashion, Amarula, Sweet Easy, Indian Strength, Everlast, Megan, Hello Beauty, Vegan Style, Andaluzia, Ambar Pearl, New Era, Candice, Hometown, Sunrise Place, Lemon Jelly, Nature Beauty, Natural Beauty, Black Pearl, Tan Pumpkins, Acid Label II, Thrasher, Inked Babes, Ribbons in the wind, Calligraphy (inky), Amsterdam, Sweet Sixteen, Sunset Beach, Star King, Countryside, Crazy Love, Little Sister, Creature, House Queen, Dr Phibes (beatnik style), Moskitoes, Nirvana (script), Iceland, The Cure, Mr. Fink (beatnik style), Sea Balance, Hot Dog, Blow Up, Blow Me (crayon font), Sunrise, Joes Burguer, Splatted, Moonbeam, Tomatoes, Beautiful People, Hamsters, Vacations in Paradise, Lover Artefacts, School Days, Traffic, Campus (weathered athletics font), Universidad (weathered athletics font), Sundance, Siberian, Rich The Barber, Aurora, Dove of Peace, Clipper, The Quick Fox, Daisy Days, Dieselpower (grungy texture), Progress, Loud and Clear, Generator, Wannabees, Ripmonsters, Shity Chats, Death Before Chocolate, Karmacoma, Clever Couple, Astrovegan, Clarification, Breakfast on the beach, Graceland (signage script), Beauty Bright, Atlantida (letterpress grunge), Cassandra, Gene Loves Jezabel (brush), Great Cities, Crackerdown, Lost Ages, Bite Chocolate (script), Sunflowers (script), Mon Cherry (script), Lovely Day (heart font), Miracle Place, Ebony Eyes, Skywalker, Zabritzkyes, Black (grungy octagonal slab serif).

Fonts from 2017: Waiting a Silver Moon, Master of Comics, Millenia, Fantastic Reason (signage script), Varukers (dry brush), Awakening (grunge), Majestic (signage script, Emotional Rescue, Misstral, Elements, Alouette, Cure of Pain (ink splash type), Farenheight (octagonal), Peacemaker (upright retro script), Altavista (creamy script), Ananda (script), Alexandra (script), Paper Rib (script with paper rib outlines), Honeymoon (script), Gotcha (heavy headline type), Christmas Day (signage script), Clarice, Orange (signage script), Indiana (baseball script), Magnificent (blackletter), Sketching Summer (signage), September Five, Cross Town (weathered), Saturday Nights (signage script), Blessed (baseball script), Blobbers (baseball script), Jam Sessions, Moon Walker (dry brush), Drawing Nature, Sketching Stars, Lone Wolf, Cubika Script, Bonneville Co, Walk (wide wood type), Rio Black (counterless), Secret Agent, Trouble (blackletter), Trouble II (blackletter), Living Colours, Crystal, Sepia (letterpress poster font), Rainbow Bridge, Black Diamonds (signage script), Candy Shop, Enthrall (sharp-edged retro signage script), Movie Makers (script), Sunshine Boulevard, Black Napkins (grungy), Brush Stroke, Carolina Mountains, South Gardens, Calling Angels, Cherry Kisses (candy script), Messenger Pigeons (script), Shine, Carolina Hills, Shave The Whales (tattoo script), Diamonde (baseball script), Yananeska, Black Ball, Miss Hanna (signage script).

Fonts from 2016: Sweet Sensations, Breeze (brush script), Christmas Time (script), Propaganda Sight, Modern Stencil, Eyes Wide Open, Bella Donna, Safira Shine, Heaven Matters, Electricity (fifties script), Maccrap Asphalt (textured), Blockhead Dude (beatnik style), Weekend Flower Hunters, Sunset Clouds (tattoo script), Bikinis, Chedelparedon (scartchy font), Dattermatter (connected script), Granada-Blues (connected script), Mistery-Curse (connected script), Walking-Stones (calligraphic), Moderata, Spring Time (calligraphic), Desert Queen, Marriage Moment (wedding script), Angel Tears Neue, Germanika (blackletter), Great Day, Sunday Morning, Texas Tango (weathered Western font), Stenciled, Casablanca Noir, Brasileirinha, Carioca, Asphaltic Grain, Asphaltic Scratch, Nova Stamp (grungy), Bananas (brush script), Enjoy, Reminiscent Drive, Bananas (signage script), Mandela Script, Altamonte (baseball script), Landscape, Landscape Land, Old Type, Sedex, Good News, IA Type, Satisfaction (heavy creamy signage script), Sebastiana (baseball script), Urgh Type (grunge), Texas Tango (spurred Western font), Factory (textured), Rio Glamour (sans), Like (Italian style Western font), Heaven Gate (connected script), Colt (Western font).

Fonts from 2014: BackStab (metal band blackletter font), Strongbox (concave Western font), Goiabada, Bonesoup, Blanc Chateau (tattoo script), Botas Sujas (grungy letterpress font), Bigbobs (cartoon face), Yukathin N Conte Smile, Sambahollyc, Cherry Jam, Cacha (grunge), Rubber Stamp, Yukafont (hand-printed), Cabriolet (brush script), Sweet Correction Roth (tattoo script).

Fonts from 2011: Tabu, Caribbean Tool (roman caps face), Pijamas (hand-printed 3d outline face), Nova Solid (Nova Regular and Bold are from 2014), Chocolate Dealer, Happy Family (dingbats), Save The Mini, Tosca Zero (grunge), Epidemia (grunge), Skt and Destroy (grunge), High on fire, Manabu, Masterplan, Thrashline (multiline), Triumph Rewind, The Dreamer, Why, Uranium Mafia, Blessed Day, Caribbean Tool (floral caps face), Lost Winner, Dove Love (curly valentine's Day font), Safe Iodine (texture face), Easy Trouble, ArgelFont, BUTECO (sketch font), DIAMONDDUST, Dropping, Ink In The Meat (tattoo font), NORMAL, Popcorn (a great grunge hand-drawn Futura Black), POPCORNSKETCHSKETCH (a sketched face), ROCKETAIR, ShitHappens-Cursive. Panhead (grunge Western face).

Fonts made in 2010: Thrashline, Dotled (a fuzzy texture face), Refurbished, PUNKBABE, CANDYINC, GreenPillow, DIRTYBAGBOLDTRIAL, LEDLIGHT, MAJORGUILTY, Network Vampires, NEWESTTRIAL (Western face), VATOS, Billy Argel Font (calligraphic), ACIDLABEL, BeyondSky-trial, HURTMOLD, TOSCAZERO, TABU (grunge), EASY TROUBLE, BOMBFONT (puffy letters), BILLYARGELFONT (calligraphic), Soap Store (grunge), ANGELTEARS (calligraphic), BUTOXQUEEN-trial, ELECTRICHANDS (cursive hand), FLOWERFLOW-trial, HAPPYFAMILY-TRIAL, HEARTQUAKE (grunge), MSKITOKILLA (grunge), NIGHTSTALKER-TRIAL (grunge), RAINFOREST (handwriting with rough edges), ROADMOVIE, ROSE TATTOO (an outlined hand-printed beauty), TWINPINES (brush), WANNABEME (sketched), WEDDINGNIGHTMAREStrial (calligraphic), BEERNOTE, GREENMIND (grunge), PORNFASHION, MASTERPLAN (grunge), SNIPERSHOT.

Fonts from 2009: COOLECTOR, BODYHUNTER-Bold (grunge), CLUBHAUS-Bold (ultra black, mechanical/octagonal), MAKEMEALPHA (grunge), NewGardenLight, TRIUMPHREWIND (grunge), Nachos and TV, Oxidisaster, Helloween, Lemon Day Semibold (a sketch font), Tosca Zero, Outlaw (Western face), Gangland (scratchy brushy face), B Side (vertical stencil).

Fonts from 2008: Plastic Pill (fat art deco face), Bedspread Assassin, A Bite (grunge), Dirty and Classic (grunge calligraphy), Gas Mask (grunge stencil), PANHEAD (grungy Western billboard font), My Turtle, Cubiculo Gallery (created for the Cubiculo Gallery in Sao Paulo), Ginga (grunge calligraphic--think award-winning grunge!!!), Wallrider, TOY_SOLDIERS-Bold (grunge), Abite (grunge), ACIDLABEL, Bulldozer, Cheap Stealer, DONOTEXIST, HANGUP (3-d bouncy letters), HYERBA (Far West font), LAZYDAY (hand-printed outline caps face), LEDLIGHT, Mon Bijoux (ornamental), MANABU (futuristic), PEIXEFRITO, Positiv-A, Killed DJ (multiline grunge), Sniper (grunge), Black Oak (smudged face), ShAnKed,

Fonts from 2007: Olho de Boi (a great scratchy handwriting font inspired by the first Brazilian postage stamp which was released on August 1, 1843), Skull TS2 (skull dingbats), REBOARD, Hurtmold (rounded octagonal face), PDRPT (grunge), the Soma family (modern stencil), Caatinga (2006, artsy display face), Santos Dumont (handwriting: free at DaFont).

Klingspor link. Dafont link. Abstract Fonts link. [Google] [More] ⦿

Bing Febby Aldiansyah
[Rvq Type Foundry (was: Hey Bing Type Foundry)]

Birgit Stehno

Nice page on the history of blackletter fonts. By Austrian Birgit Stehno. [Google] [More] ⦿

Bjarne Henning Kvaale
[Heyheydecay]

Blackletter fonts @ Fontpool

Blackerning Studio
[Taufiqurrohman Nadri]

Grobogan Jawa Tengah, Indonesia-based designer (b. 1988) of the blackletter typefaces Morsten (2021), Tyger (2021), Sultans (2021), The Youthic (2020) and Standrag (2020). [Google] [More] ⦿

Blackletra
[Daniel Sabino]

Brazilian type designer Daniel Sabino de Souza studied under Laura Meseguer at the Eina-Escuela Superior de Disseny in Barcelona. His foundry in Sao Paulo is called Blackletra (est. 2012). He has taught type design at IED/Sao Paulo.

He won an award at Tipos Latinos 2012 and at TDC 2013 for Karol. In 2012, he won the Silver Prize in the Latin category of the Morisawa Type Design Competition for Hashar, a beautiful angular connected script face.

In 2013, he published Karol at Type O Tones. Falado (2013) is a delicate display typeface commissioned by Estudio Mucho for the graphic identity of the Spanish orchestra La Filarmónica. It won a Gold Medal at Laus'13.

In 2014, he designed the superb angular script typeface Haltrix (Village). Karol Sans was published at Type-o-Tones in 2014. Haltrix, Gandur (which was inspired by other geometric texturas, specially Max Bittrof's Element (1933)) and Karol Sans all won awards at Tipos Latinos 2014. Expectedly, Haltrix won an award in the TDC 2015 Type Design competition. Gandur New (German expressionist) and Gandur Alte (closer to Textura) followed in the summer of 2014.

In 2015, he released Silva (Text, Display), a typeface co-designed with Chester Jenkins.

Gothiks (2015, Village), Gothiks Compressed (2016) and Gothiks Condensed (2016), a family of condensed typefaces of varying widths and thicknesses that hearken back to the gothic wood types, and Latam Sans (2015, a custom typeface for Latam Airlines) won awards at Tipos Latinos 2016.

Typefaces from 2016 include Ofelia Std, a corporate sans family characterized by a lower case f that looks like a stretched s.

Typefaces from 2017: Noka (a sci-fi geometric sans characterized by its curvy f and hipster g).

Typefaces from 2019: STC Forward (a bespoke sans typeface for Saudi Telecom Company), Gothiks Round Compressed, Gothiks Round Condensed, Gothiks Round.

Typefaces from 2020: Elizeth and Elizeth Condensed (a slab serif by Daniel Sabino, Lucas Gini and Henrique Beier), Skol Display (a forceful poster sans), Ofelia Text and Display, Ekos (an all caps typeface designed for the Natura Ekos brand).

Typefaces from 2021: Silva Display (a 16-style serif).

Winner at Tipos Latinos 2018 of a type design award for Elizeth.

Village link (since 2014). Behance link. [Google] [MyFonts] [More] ⦿

Blackletter

A free blackletter metafont dating from 1991. [Google] [More] ⦿

Blackletter: classification
[Thiago Scatolin Barbosa]

Porto Alegre, Brazil-based Thiago Scatolin Barbosa compares various blackletter styles. [Google] [More] ⦿

Archive of blackletter fonts. [Google] [More] ⦿

Blackletter newspaper titling

Examples of blackletter newspaper titling. St Peterburgische Zeitung. More examples: A | B | C | D | E. [Google] [More] ⦿

Blackletter on German bank notes

100 Reichsmark from 1908, 20 Million Reichsmark from 1923, 50 Reichsmark in 1933 and 100 reichsmark in 1935. [Google] [More] ⦿

Blackletter Studio

Indonesia-based designer of blackletter, death metal, tattoo and eerie fonts. Their catalog in 2021 showed Dark Angel, Dark Circle, Dark Family, Dark Ghoul, Dark Hat, Dark Hellow, Dark Jewel, Dark Match, Dark Musroom, Dark Rock, Dark Saber, Dark Shuriken, Dark Wizards, Witch.

Dribble link. [Google] [More] ⦿

Blackletter Today

Blackletter Flickr group. [Google] [More] ⦿

Blackletter Type and National Identity

Blackletter site at the Cooper Union. Pages magnificently put together by Peter Bain and Paul Shaw. Blackletter: Type and National Identity (1998, The Cooper Union/Princeton Architectural Press) is a great book by Paul Shaw&Peter Bain. Amazon link. [Google] [More] ⦿

Blackletter: Typophile choices

Typophiles list their favorite blackletter typefaces:

Georg Trump: Fette Trump Deutsch (there exists a free version by Dieter Steffmann).
Emil Rudolf Weiss: Weiss Rundgotisch (1937)
Canada Type: Blackhaus (2005), a typeface based on Kursachsen Auszeichnung, which was designed in 1937 by Peterpaul Weiss for the Schriftguss.
Michael Harvey and Andy Benedek: Fine Gothic.
House Industries: Blaktur.
Underware: Fakir.
Letterror: Brokenscript.
Kombinat: Ode (2010, Martin Wenzel).
Fette Fraktur.
Old English.
Wilhelm Klingsporschrift.
Ryoichi Tsunekawa: Deluta (2007).
Gabriel Martinez Meave: Darka.
J. Mach Wust: UnifrakturMaguntia (2010: based on Peter Wiegel's font Berthold Mainzer Fraktur which is in turn based on a 1901 typeface by Carl Albert Fahrenwaldt) and UnifrakturCook (2010: based on Peter Wiegel's font Koch fette deutsche Schrift which is in turn based on a 1910 typeface by Rudolf Koch). Latest update of Unifraktur in 2017. Dedicated page.
Brian Sooy: Greenbriar. [I disagree. This is a hexagonal and not a blackletter typeface family.]

[Google] [More] ⦿

Blackletter686BT

Blackletter686BT is a blackletter font by Bitstream. It is based on London Text (Linotype). [Google] [More] ⦿

Blambot!
[Nate Piekos]

Blambot Comics Fonts was founded in 1999 by graphic designer and illustrator, Nate Piekos, and is located in East Providence, RI. Blambot has a huge number of original free comics fonts and balloons by Nate Piekos (East Providence, RI, b. RI, 1975). Comic Lettering is an alternate URL, where you can also order logo designs, custom fonts, and custom lettering. Fontspace link. The fonts:

2021: Collect Em Now BB (a comic strip font), Spinner Rack Pro BB.
2020: Out of Line Pro BB, Ready for More BB, Nightmark BB, Tight Spot BB, Budrick BB, Flannel Shirt BB (a sans family).
2019: Tire Swing BB, Ready For Anything BB.
2018: Invulnerable BB.
2017: Collect Em All BB, Spinner Rack BB.
2016: Friend Or Foe Tall BB, Friend Or Foe BB, Astrogator BB, Out Of Line BB.
2015: Susurrus BB (sans family), Inkcantation BB (slightly creep jhand-drawn serif font), Blambastic BB, Brushzerker BB.
2014: Hundredwatt BB, Piekos Toons BB, Beelzebnrush BB, Astounded Round BB, Astounder Squared BB, Sleuth Serif BB, Crypto Creep BB, Wretched Remains BB (brushy Halloween font), Mech Effects 1 BB, We Come in Peace BB, Manga Master BB.
2013: Unearthed BB (Celtic), Always Angry BB, Sequentialist BB, Might Makes Right BB, Fight To The Finish BB, Palooka BB, ManlyMen BB, Trash Cinema BB, Bulletproof BB, Ticking Timebomb BB (LED font), Potty Mouth BB (dingbats), Vengeful Gods BB (Greek simulation face), Blowhole BB (fat finger font family), Shrunken Head BB, Perihelion (+Condensed: elliptical sans).
2012: Dungeon Dweller BB, Mark of the Beast BB (Halloween font), Monsterific BB, Tough as nails BB, Longbow BB (a rough-edged blackletter), Gamma Rays BB, Inkslinger BB (a true comic book style family), Saucer BB (sketch font), Smells Like Tacos BB, Mutant Academy BB, Destroy Earth BB, Mandroid BB, Fundead BB, Stupid Head BB, Spellbreaker BB, Elevations BB (2012, a blueprint typeface), Revenger BB (angular family).
2011: Silver Bullet BB (a fat hand-drawn blackletter face), Shallow Grave BB, Imaginary Friend BB, Highjinks BB, ShallowGrave BB, Quahog BB (angular, calligraphic), Mumble Grumble BB, Action Figure BB, Piekos FX Rough BB, ChainsawzBB, Heavy Mettle, Billy The Flying Robot BB, Longbox BB.
2010: Ninjutsu BB, Protest Paint BB, Rock Steady BB, Ladylike BB, Protest Paint BB (grunge), Tone Deaf BB, Clown Teeth BB, Irish Stout BB (beer label face), Sans Sanity BB, Straight To Hell, Unmasked, Piekos FX BB, Hometown Hero BB, Piekos Professional; BB, Big Bad Bold BB, Crash Landing, HoneyMead BB, Secret Origins (2010).
2009: Dragonbones BB, MeanStreets BB, Two Fisted BB, RedStateBlueState BB, Scream Queen, Fresh Meat BB, Gone Fission BB, Black Hole, Life Form, Crimewave BB, Firepower BB, Artists Alley BB, Stronghold BB, Village Idiot, Raging Red Lotus (2009, oriental simulation), Dwarven Axe BB, Silver Age BB, Flyboy BB (2009, techno), Giant Sized Spectacular BB (2009).
2008: Snake Oil Salesman (old typewriter face), Earthman and Earthman Extended (a nice 12-style retro sans family), Clairvoyant BB, KrakHead BB [one of my favorites], Blambot FXPro BB, Sangre BB, Dearly Departed BB, Boogers, Bada Boom BB, Old Crone BB (2008, bewitched style).
2007: Fire Fight BB, After Dark BB, Post Mortem BB, Fold and Staple BB (with Brandon J. Carr), Dunce Cap BB, DeathRattle BB, Potty Mouth BB, Dominatrix BB (grunge), Shore Leave BB (based on sailor tattoos), Cloudsplitter BB, Drawing Board (inspired by Tekton), Warhorse BB, Warmonger BB.
2006: Duty Calls BB, Hellfire BB, AveAveBB, Indie Star, Blamblam BB, Braaains BB (dingbats), Musashi BB, Atland Sketches, Double Life BB, SkinDeep BB, SkinDeep Swashes BB, Newsflash.
2005: KeelhauledBBBold, KeelhauledBB, MainframeBBBold, MainframeBB, Alter Ego BB, Entrails, Mastermind BB, Zooom BB, Whitechapel BB (handwriting), Sucker Punch, Crimefighter, 10c Soviet, CyranoBB, Praetorium, Spectre Verde, Hired Goons, Afterlife BB (2005, tall ascendered face), Seven Monkey Fury (oriental simulation face), Spectre Verde, FeedbackBB.
2004: Atland, Creative Block, Midnightsnack BB, Bloody Murder BB, Seven Swordsmen, Webletterer, Rackum Frackum, Oh Crud, CatholicSchoolGirlsBB, Antihero, Dark Arts, Bearded Lady BB, BottleRocket, Streetcred, Lowrider, Extra pickles (2004).
2003: Square Jaw BB, Shinobi, Bar Brawl, Holy Mackerel (2003, Craterface BB, Zombie Guts, Knuckle Sandwich, Workingman, Fat Stack BB, Santa's Big Secret, ArrMatey, Tokyo Robot, JackLanternBB, Perils of Piekos, Turntablz, Wicked Queen (2003, free), Golden Oldie, Badaboom, OhCrap, Whoop Ass, Damn Noisy Kids, Paperboy, Armor Piercing, Radioactive Granny, Sidekick International, Digital Strip, Mighty Zeo, Arcanum, Zud Juice, Ale&Wenches, Bar Brrawl, Bar Brawl BB, Armored Science BB, Blamdude, Shinobi, Man of Science, Sidekick BB (2003).
2002 and earlier: AndroidNation, Blambot-Custom, Blambot-Standard, Captain-Spandex, Casket-Breath, Concetta, Dupuy-Bold, Edible-Pet-II, Edible-Pet, Edible-PetInternational, Enchilada, Evil-Genius, Flat-Earth-Scribe, Gunhead-Chick, Lovecraft's-Diary, Mouth Breather, Mighty-Tomato, MonkeyChunks, Monkeyboy, Mummy-Loves-You, Mutant-Supermodel, Nate's-Choice, PiranhaSexual, Red-Right-Hand, Roboshemp, Space-Pontiff, Squeezy-Cheez, Urinetoast, Voodoo-Doll, YellaBelly, Zartz!, TwelveTonFishstick, TwelveTonSushi, A.C.M.E.-Explosive!-Bold, A.C.M.E.-Explosive!, GrungeUpdate, Mothership, Twelve-Ton-Goldfish, Whoop-Ass, WickedQueen BB, Winter-in-Gotham, 13 O Clock, ACMEInternational, ChroniclesofaHero, ChroniclesofaHeroBold, FanboyHardcore, KidKosmic, LetterOMatic, MangaTemple, GorillaMilkshake, Caeldera, Belizarius, Bottix, ChatteryTeeth, OrangeFizz, OrangeFizzItalic, Pythia, SpiritMedium. Direct access.
Commercial fonts: Knuckle Sandwich, Utility Belt, Tentacle Jones, Rocketboy, Seargent Six-Pack, Secret Identity, Edible Pet 3, Piekostype, LintMcCree Mysteries, Doc Seismic, Mike Allred's AAA, AAARGH, Allred's Aliens Invade, Asteroids for Lunch, Action Away, Allred's Amazing Stupendous, ArmorPiercing, Mars Police, Irezumi, Holy Macxkerel, Hudson VC, CreepingEvil, BlambotPro (great), Creeping Evil, Rooftop Run, AAA Redmeat, Eurocomic, Comic Geek, Jack Armstrong (nice), Rivenshield (useful), Howard Bros (nice), Mighty Zeo, Cajun Boogie, Betty Noir, Sand Diego '02, Wrecking Ball, Miskatonic, Roswell Wreckage, WizardSpeak, Glass Jam, BucketOBlood, Three Arrows, Damn Noisy Kids, Humbucker, Oh Crap, Caveman, Blambot Casual, 10CentComics, BettyNoir, BigBlokeBB, BlamDudeBB, BlamDudeBBItalic, CajunBoogie, DetectivesInc, Irezumi, IrezumiItalic, SpiritMedium, VanHelsing.
Over 1000 free fonts here: 10CentSoviet, 10CentSovietBold, ACMEExplosive, ACMEExplosiveBold, ACMESecretAgent, ACMESecretAgentBold, ACMESecretAgentItalic, AleandWenchesBB, AleandWenchesBBBold, AndroidNation, AndroidNationBold, AndroidNationItalic, AnimeAce, AnimeAceBold, AnimeAceItalic, Arcanum, ArcanumBold, ArcanumItalic, ArmorPiercing, ArmorPiercing20BB, ArmorPiercing20BBItalic, ArmorPiercingItalic, ArrrMateyBB, BadaBoomBB, BattleLines, BettyNoir, BigBlokeBB, BlamDudeBB, BlamDudeBBItalic, BlambotCustom, Bottix, BottleRocketBB, BottleRocketBBBold, Caeldera, CajunBoogie, CatholicSchoolGirlsBB, ChroniclesofaHero, ChroniclesofaHeroBold, CreativeBlockBB, CreativeBlockBBBold, CrimeFighterBB, CrimeFighterBBBold, DamnNoisyKids, DarkArtsBB, DetectivesInc, DigitalStrip, DigitalStripBold, DigitalStripItalic, DwarfSpiritsBB, EvilGeniusBB-Bold, EvilGeniusBB, FanboyHardcore, FanboyHardcoreBold, FanboyHardcoreItalic, FatStackBB, FeastofFleshBB, FeastofFleshBBItalic, FeedbackBB, FeedbackBBItalic, FlyboyBB, GorillaMilkshake, GorillaMilkshakeItalic, Irezumi, IrezumiItalic, JackLanternBB, KeelhauledBB, KeelhauledBBBold, KidKosmic, KidKosmicBold, KidKosmicItalic, LetterOMatic, LetterOMaticBold, LetterOMaticItalic, MainframeBB, MainframeBBBold, MangaTemple, MangaTempleBold, MangaTempleItalic, MarsPolice, MarsPoliceItalic, MightyZeo20, MightyZeo20Bold, MightyZeo20Italic, MightyZeoCaps20, MightyZeoCaps20Bold, MightyZeoCaps20Italic, Miskatonic, MouthBreatherBB, MouthBreatherBBBold, NewsflashBB, OhCrap, OhCrudBB, OrangeFizz, OrangeFizzItalic, PraetoriumBB, PsiphoonBB, Pythia, RagingRedLotusBB-Italic, RagingRedLotusBB, RoswellWreckage, SanitariumBB, SantasBigSecretBB, SergeantSixPack, SevenMonkeyFuryBB, SevenSwordsmenBB, ShockTherapyBB-Italic, ShockTherapyBB, SpectreVerdeBB, SpectreVerdeBBBold, SpiritMedium, SwingSetBB, TurntablzBB, TurntablzBBBold, TwelveTonFishstick, TwelveTonSushi, Umberto, Vampiress, VillageIdiotBB, WarmongerBB, WebLettererBB, WebLettererBBBold, WhoopAss, WickedQueenBB, WizardSpeak, WizardSpeakWorn, Yoshitoshi, YoshitoshiBold, YoshitoshiItalic, ZudJuice, ZudJuiceBold, ZudJuiceItalic.

Dafont link. Klingspor link. Fontspace link.

View the Blambot typeface liubrary. [Google] [MyFonts] [More] ⦿

Blank Sub (or: Subqi; or: Blankids; was: Bombas Type)
[Amir Subqi Setiaji]

Yogyakarta, Indonesia-based type foundry set up in 2017 by two independent foundries, Blankids (Bangkit Setiadi) and Subqi (Amir Subqi Setiaji). Yogyakarta, Indonesia-based designer of the Victorian typefaces Sacred Bridge (2017: co-designed by Bangkit Tri Setiadi and Amir Subqi Setiaji) and Barakah (2017), the script typeface Alyssum Blossom (2017), and the signage typeface Mattoa (2017, co-designed by Bangkit Tri Setiadi and Amir Subqi Setiaji).

In 2018, he designed Headster (signage type), Hondurhas and Black Drama (a free Victorian typeface, with Bangkit Setiadi).

Typefaces from 2019: Sholaria (luxurious calligraphy), Hophus Roghus (a Victorian typeface by Bangkit Tri Setiadi and Amir Subqi Setiaji), Crumble, Hondurhas (a vintage typeface family by Bangkit Tri Setiadi and Amir Subqi Setiaji), Hungry Beast (a Victorian typeface by Bangkit Tri Setiadi and Amir Subqi Setiaji).

Typefaces from 2020: Alstoria (a decorative serif by Bangkit Tri Setiadi and Amir Subqi Setiaji).

Typefaces from 2021: Royal Grande (an old English blackletter with a variable font option), Rotten Banquet (a 19th century / Victorian display typeface), Kovanov (a 14-style serif), Bilgosia (a display serif family), Rosvard (a layerable vintage all caps font by Amir Subqi Setiaji and Bangkit Tri Setiadi). Creative Market link. Graphicriver link. [Google] [MyFonts] [More] ⦿

Blankids Studio
[Bangkit Tri Setiadi]

Nengtak, Bangunjiwo, Kasian, Bantul, Semarang and Yogyakarta, Indonesia-based designer (b. 1991) of Marchell (2017: copperplate calligraphic script), Bluesky (2017), Kallisa Script (2017: brush), the signage typeface Mattoa (2017, co-designed by Bangkit Tri Setiadi and Amir Subqi Setiaji), Blandes (2017: brushed signage font), Slender (2017: signature font), Sacred Bridge (2017: co-designed by Bangkit Tri Setiadi and Amir Subqi Setiaji), Wildcats (2017: vintage signage font), Alentine (2017, brush style), Black Django (2017), Rockaboy (2017, signage), Raidand (2017, brush signage script) and Conjure (2017, Victorian).

Typefaces from 2018: Flanella, Clarissa, Kallisa (dry brush), Funkies (signage script), Monthelo (a retro signage script), Chomolatte, Anthemis (a heavy signage script), Northead (a vintage display typeface), Quiska, Fresty, Old Finlander (Victorian), Black Drama (a free Victorian typeface), Blackjack (sign painter font).

Typefaces from 2019: Sagesta, Hayline, Old Finlander (a blackletter vampire font), Streamzy (a great graffiti font), Questario, Heatting, Bubble Boom (defined by graffiti and comic books), Brigherdz, Black Night (a horror font), Sporter (octagonal), Orlande (brush script), Dayland (formal calligraphy), Birallina, Stonekids (a layerable signage script for children's books), Beautiful Roses (a swashy calligraphic font duo), Butchery, Heykido, Queenline (monoline, swashy), Letter Marker, Frenda (a monoline retro signage script), Rockadelic (signage script), Bresley (a signature font), Brayles (a brush signage script), Hondurhas (a vintage typeface family by Bangkit Tri Setiadi and Amir Subqi Setiaji), Hungry Beast (a Victorian typeface by Bangkit Tri Setiadi and Amir Subqi Setiaji).

Typefaces from 2020: Anelise, Andrea Belarosa, Signatria, Happy People, Deckled, Beatney, Blezer, Bomber Squad, Lodstay (a graffiti font), Right Strongline, Westerion (spurred), Tuberosa, Lodstay (a graffiti font), Restown, Black Squad (an ominous slab serif), Graffiti Rebel, Rastelay (a brush script), Bros Rover, Hardsign, Street Hipster, Cripsy, Madelia, Paisley Cupcake, Miracle Day, Hello Valentica, Romantic Crafty, Strabela Moisty, Stay Girly, South Beast, Monstora (a playful scrapbook font), Alstoria (a decorative serif by Bangkit Tri Setiadi and Amir Subqi Setiaji), Belyard (a signage script), Barlen, Brendy-Berly, Cincha (a cartoon font), Everline (a bilined script), Feelista, Femina (a calligraphic signature script), Lemon-Squash, Lovely-Creamy, Milko-Denilo, Pretty-Yellow, Romie-Shine, Samberia, Belsmont, Bembies, Baby Monkey, Amdoly Cokie, Craptons, Danilena, Benchey, Cuty Tubby, Beirnite, Bilber Bread, Sweety Cats (a cartoon font), Andrea Bilarosa, Balgeris, Aperly, Adora Chalie, Beauty Angel.

Typefaces from 2021: Broly (a creamy blocky font that looks at first like a Hebrew emulation font), Blood Blaster (a cartoon font), Brenza (an urban mural brush font), Aloha Dance (a tiki font), Gresta (a chunky supermarket script font), Black Blast (a super-fat cartoon font), Star Blast (a fat cartoon font), Stone Ocean (beatnik vernacular lettering), Berlion, Vampire Zone (a horror font), Brockers (a graffiti font), Bomber Throw (a bubblegum font), Helsky (a playful font), Scream Zombie, Ageoline (a sign painting script), Airneo (a graffiti font), Cristone (a tattoo blackletter font), Square Spray (ultra-fat), Street Lord (inspired by murals), Rosvard (a layerable vintage all caps font by Amir Subqi Setiaji and Bangkit Tri Setiadi), Loving Kitten (a scrapbook font), Urban Rebel (a plump graffiti font), Bolgen (a sketched font), Mondeline (a signature script), Bomber Squad (a graffiti font), Algeline (a wild script), Hello Almeida (a fat finger font), Northead, Belgetha (handwritten), Hello Valentica, Romantic Heart, Street Urban (a plump graffiti font), Bondy Quirky (a scrapbook font), Slenderline (a signature script), Diamonda (handwriting), Biber Beard (an all caps children's book font), Morthena (a copperplate script), Deliosa, Almeida Script, Hello Nightmare, Rough Letterline, Wildcats (a signage script).

Typefaces from 2022: Smack Boom (a cartoon font).

Home page. [Google] [MyFonts] [More] ⦿

Blaze Type Foundry (was: Adèle Type Foundry)
[Matthieu Salvaggio]

Lyon, France-based designer founded first Adèle Type Foundry and in 2018 renamed it Blaze Type Foundry. Creator of these typefaces:

In 2021, Tim Vanhille, Léon Hugues and Matthieu Salvaggio co-designed the blackletter font Emeritus at Blaze Type.
Area (2020). Area is a variable typeface family of 88 grotesque fonts. Interestingly, all styles have an inktrapped version.
Inferi (2019). Inspired by garaldes.
Oroban (2018). A high-contrast text typeface in six styles, Oroban Masuria & Italic, Oroban Hermonthica & Italic and Oroban Elegans & Italic. The name is unrelated to Hungary's despot, Orban.
AT Apoc (2017-2018), short for AT Apocalypse. A text typeface that exhibits angst in the face of a bellicose American crackpot. In 2020, varialble and Cyrillic options were added.
AT Surt (2017). A 54-style Scandinavian sans typeface family, expanded in 2018. In Normal, Expanded and Extended widths.
Scriptures Memoriam (2017). A didone.
Scriptures Keops (2017). A didone with angular modifications inspired by blackletter type.
Arges (2017). A very condensed American headline sans, updated in 2019.
Osmose (2017). A "neoclassical grotesk". He writes that all of his licenses have been sold. Huh?
AT Global (2017). A sans.
Vuit Grotesk (2016). Not part of the Adele collection.
S1 (2013). A sans typeface designed during his studies at L'École européenne supérieure d'art de Bretagne (2012-2014). Not part of the Adele collection.
AT Inexpugnable. A free font that was promised for 2017.
AT Goliath. A free font that was promised for 2017.

Behance link. I Love Typography link. Cargocollective link. Type Network link. [Google] [More] ⦿

Bless Studios
[Ariel Martinez]

Guatemala City, Guatemala-based multimedia designer. His typefaces as of 2020 include mostly script typefaces, with a few exceptions: Artronica, Berlinda, Bloodlust, Bobas (a bubblegum font), Brokelyn (grungy), Carnival, Chalkiez (a slab serif chalk font), Charllote Sans (a display serif), Chilukba, Darknest, Flowart, Genius Talk, Gothica (a blackletter), Legionaire, Malika, Marcelly, Marlyne, Multiverse, Nightingale (a blackletter), Retropolitan, Starlight, Stranger Kiss, The Hotel, Tony Handwritting. [Google] [More] ⦿

Blue Line Design

North Coast, Australia-based creators of the display typefaces Samatta (2015, a Peignotian sans), Milk Barn (2015), Canyon (2015, handcrafted, with an outline typeface in the style of athletic lettering), Pocket Knife (2015, +3D), Otter Pop (2015), Meso (2015 a tribal font set with Inca themes), Fuego (2014) and Creamsicle (2014, signage type).

Typefaces from 2016: Schoolyard (children's didactic hand-lettered fonts), Millstreet (based on a font found in a school book from 1886).

Typefaces from 2017: Parapet (blackletter). [Google] [More] ⦿

BluGraphic (or: Graphic Pear)
[Wassim Awadallah]

BluGraphic (Wassim Awadallah, Beirut, Lebanon; but also claimed to be in Bern, Switzerland) specializes in free vector format graphics and typefaces. These include the modular sans typeface family Form (2014), and a collection of vector format icons (2013), weather symbols (2013) and arrows (2014). In 2017, he designed the tall sans typeface Giraffey, Viana Script, Valencia, Quenos (didone caps), Soigné (italic fashion mag typeface), Rhama Gothic (blackletter), Florence Script, Alvania, Prink Script, Virtuous Slab, Less Sans, Amigo Script and Holland Script. In 2018, he designed Strain and Tempo (a free modular typeface).

Typefaces from 2019: Lemon&Fresh, Germany (script), Cremona (a free fashion sans), Designer (sans). Behance link. BluGraphic link. [Google] [More] ⦿

Bnomio
[Jose Luis Perez Ramos]

Bnomio is Jose Luis Perez Ramos, b. 1977, Madrid, Spain. He designed the rounded blackletter tattoo typeface Tattoo Flaman (2016). Behance link. Ultratypes link. [Google] [More] ⦿

Bo Berndal

Swedish designer born in 1924 in Stockholm. He says of himself: Compositor, Linotype operator, teacher of typography. Type designer in a small matrix factory 1950-51. Calligrapher, book designer, author, lecturer and trade mark specialist. Now retired, but does type design as a hobby and to special orders for museums, ad agencies, companies and even to private persons. His typefaces:

Art Gallery (Monotype).
Batory (T4).
Batoswash (T4).
Belltrap (1995, ITC).
Benedict (uncial).
Beowulf (uncial).
Berndal (2003, Linotype).
Boberia (1994, Linotype). A formidable didone text family with an antique bouquet.
Boscribe (2005, Monotype).
Bosis (1991, Monotype). A sans.
Botobe (2011, T4). An informal script.
Brigida (Monotype).
Buccardi (1998, Monotype).
Byngve (2004, Linotype). In the style of 15th century Italy.
Caballero Script (2011, T4). Inspired by Spanish handwriting from the 15th and 16th centuries.
Carl Beck Script (1992 Monotype).
Cartesius (2006, T4). A beautiful 5-style family done at T4 in a mix of garalde and Venetian fashions.
Linotype Dala (2002, Linotype). A Fraktur, accompanied by Linotype Dala Pics and Linotype Dala Borders.
Eknaton (T4).
Esseltube (Monotype).
Euclides.
Exlibris (1998, ITC).
Frisans (2005, Monotype).
Geometra (2011, T4).
Gertrud (2006, T4). Based on 16th century calligraphy).
Gianpoggio (1992).
Golota (1998, Agfa).
Grafilone (1994, Linotype). An avant-garde family that is almost illegible.
Grantofte (1995, Monotype).
Hagalind (2011, T4). A calligraphic connected script. Linotype Hieroglyphes One and Two (2002).
Jerrywi (1994).
Johabu (Monotype). A blackletter typeface.
Lacko (Monotype)
Lebensjoy (1994, Monotype).
Logoform (Monotype).
Magellan (1993, Monotype).
Maricava (Monotype).
Mixtra Roman (T4).
Mixtra Sansserif (T4).
Mixtra Slabserif (T4).
Moorbacka (Monotype).
Naniara (1998).
Nordik (1992, Monotype). A revival of Genzsch Antiqua or Nordische Antiqua (1906, Genzsch & Heyse).
Olaus Bandus and Olaus Magnus. Medieval scripts.
Ornabo dingbats.
Palekin (1994, Monotype).
Pelegotic (2006, T4). An art deco inspired but minimalist sans.
Picadyll (2011, T4). Art deco.
PocketType (1994).
Promemoria.
Ringlingje.
Sabellicus (1997, Monotype).
Sergel (T4).
Siseriff (2003, Linotype).
SpaceKid (Monotype). Runes.
Swing Bill (Monotype).
Trotzkopf (1998).
Tyma Garamont (T4).
Unotype (1997, Monotype). Monospaced.
Vadstenakursive (1989, Monotype). a blackletter typeface with almost Lombardic-looking capitals.
Viger Spa (runes).
Linotype Zurpreis (Linotype).

Pelle Anderson interviews Bo Berndal. Bitstream write-up. Agfa/Monotype write-up. Author of Typiskt typografiskt (Fisher and co, 1990). MyFonts page. Linotype page. MyFonts interview. FontShop link. Klingspor link. View Bo Berndal's typefaces. [Google] [MyFonts] [More] ⦿

BOLT Graphics
[Martijn Rijven]

Martijn Rijven (BOLT Graphics) is a Den Haag-based Dutch type designer who started out at Kombinat Typefounders. His fonts include Kwadra (octagonal), Berlina (a take on blackletter), Bastard (based on type used in "Bastard", a Thai manga comic book), Frigidaire (fifties display face), Bitscream, and "Dense Dumb and Dirty". [Google] [More] ⦿

Bomparte's Fonts
[John Bomparte]

Bomparte's Fonts is John Bomparte's (b. Port of Spain, Trinidad, 1959) foundry in Wake Forest, NC. A graphic and type designer, John Bomparte was the assistant to, and a protege of renowned type designer Ed Benguiat, at the legendary Photo-Lettering Inc. It was there that John was surrounded by other great type designers such as Tony Stan, Vic Caruso, Vincent Pacella and Bob Alonso.

John designed the art deco sans typeface Hamptons BF, and another art deco headline face, Take Two BF.

In 2006, he published the 12-style family Blackletter Sans and the exquisite poster semi-Greek simulation art deco typeface Abstrak BF (modeled after a 1931 ATF font by Robert Foster called Abstract).

In 2007, he surprises with the 1920s poster font Michelle BF, the hand-printed Brandy BF, its follow-up Johnny Script BF (2008), the quirky Freaky Frog BF, the dot matrix halftone effect font Subliminal BF, the frizzy Glow Gothic BF (2007), and the gorgeous swashy 3-style blackletter family Black Swan BF (2007).

His 2008 typefaces: Jacky Sue BF (based on the hand of Jackie Geerlings), SoHo Nights BF, Hamburger Font BF (a rounded fat face), and the art deco sans serif typefaces Sidewalk Cafe BF (2008) and Hamptons BF (2 weights).

Emerge BF (2009) is a flare serif inspired by Admiral, c.1900, from the Keystone Type Foundry. Freedom Writer BF (2009) is a connected handwriting script face.

Danielle BF (2010) is hand-printed, based on the hand of Danielle Paradis. Factor BF (2010) is an electronic / futuristic / techno face. FingerSpeller BF (1994) is an American sign language typeface. Retroscript BF (2010) and Capistrano BF (2010) are beautiful connected scripts.

In 2011, he added the fat felt tip pen typeface Sherbet BF and the funky rounded display typeface Dragonfly BF. In that same year, he published the stunted black wood type typeface Squat (BA Graphics, based on earlier work of or with Bob Alonso).

Typefaces from 2012: Rockport BF (a gaspipe font inspired by 19th century wood types), Wilmington Script BF (an upright loopy connected script).

In 2014, Seagrass BF, a connected script, and My Write Hand BF were published.

Footloose (2015, BA Graphics) is a dynamic script typeface that was unfinished when Bob Alonso died. John Bomparte finished it.

Typefaces from 2016: Shandy BF (a playful connected script).

Typefaces from 2018: Petals BF. A flourished curvaceous ornamental didone.

Typefaces from 2021: Between The Lines BF (a display typeface with some Super Veloz vibe).

Klingspor link. Catalog of some of his commercial fonts. [Google] [MyFonts] [More] ⦿

Bonez Designz
[Fiona Clarke]

Fiona Clarke (aka Dead Duckling, Fie Clarke, and Bonez Designz) lives in Birmingham, UK, where she studied at Birmingham City University. She created the angular typeface Do You Like My Font Andy (2011), Cubee (2011, very fat and cubic), Boutique (2011, grunge), Anorexia (2011, a shrieky scribbled face), Time to Scribble (2011, sketched face).

In 2012, Fiona added Bonez, A Gothique Time (grungy blackletter).

Typefaces from 2013: Bernadette, Inky (heavy brush), Nebula, Harsh Hand.

Typefaces from 2014: Mary (art deco), Bernadette.

In 2015, she made Gothic Scribble (inky script), Sun & Rain, Apotheque, Bernadette Display, Bitter Sweet (a blackletter tattoo font) and Mary Outline.

Typefaces from 2016: Sun + Rain, Anti, Anti Display.

Typefaces from 2017: Farbe (dry brush script), Nineteen43 (a decorative didone pushed to extreme contrast), Maeve (art deco influenced by the didone style).

Typefaces from 2018: Night Braille.

Typefaces from 2020: Nineteen43 (a decorastive didone pushed to extreme contrast), Dias de Follaje (a floral sans).

Dafont link. Devian Tart link. Behance link. Another Behance link. Dafont link [Google] [MyFonts] [More] ⦿

Bonjour Monde
[Lucas Descroix]

Lucas Descroix is graphic and type designer based in France. After researching at the National Institute for Typographic Research in Nancy, France, and graphic design degrees at Ecole Estienne (2012) and at HEAR (Haute Ecole des Arts du Rhin) in Strasbourg (2015, Masters), he started designing typefaces, books, posters and visual identities. His typefaces:

The monospaced Nostra (2016, Future Fonts and Type Tomorrow).
The angular and blackletter typeface family Forje (2016).
Hernani (2015).
The ultra-condensed hip-hop sans family Grandmaster (2018, The Designers Foundry).
The 16-style sans family Odisea (2018).
The wide sans typeface families Syne (2018) and Syne Mono (2018). The free Syne family was originally designed in 2017 for the Art Center Synesthésie, based in Saint-Denis. Syne became a Google font in 2020. Syne was imagined by Bonjour Monde and designed by Lucas Descroix with help from Arman Mohtadji. The Mono style was distorted using Bonjour Monde's DataFace, written by Arman Mohtadji. There is also Syne Tactile. Gitlab link.
Fragen (2019). A 16-style hybrid that combines a slab serif with ball terminals and spirited italics (The Designers Foundry).
Faidherbe (2019). At Future Fonts. Faidherbe was initially based on Ile-de-France by Crous-Vidal for Fonderie Typographique Française (1956-1961).
Paraiso (2021). Paraiso is a condensed display typeface with a constructed feel, influenced by 19th and early-20th century wood typefaces.
Custom typefaces by Lucas include the unicase font family ACL Ebène (2018) done for the carpentry shop Atelier Champs Libres, and the display typeface Villa (2018: for the visual identity of Villa Gillet).

Future Fonts link. Gitlab link. Type Tomorrow link. Fontsquirrel link where one can find some free fonts such as Syne. [Google] [More] ⦿

Bonnie Clas

Bonnie Clas has completed her B.F.A. and M.F.A. at Savannah College of Art and Design as a major in Graphic Design with a minor in Drawing. She has been developing her career by taking positions as a designer, illustrator, and letterer for SpotCo, Rodrigo Corral Design, and Hsu+Associates in Manhattan. She lives in New York City. Creator of TWD Sans (2011, semi-blackletter), Mecano Neue (2011), Kule Script (calligraphic, for a clothing brand), Kule Slab (2011, didone), Lady Chatterly (curly fashion mag face), Lacie (curly typeface for Latin and Cyrillic), Methodenstreit (2011, arts and crafts face), Habana (2011, Lost Type), Feverish (2011, experimental), Burlesque (art deco). She also did the lettering for tens of projects. [Google] [More] ⦿

Bonzer Herrbrecht

French designer of the free spurred sans typeface Bonzer-SanFrancisco (2014), the free blackletter typeface Bonzer Dresden (2014), and the free multilined typeface Bonzer Herzogenaurach (2014). In 2015, he made Bonzer Bruxelles. Dafont link. [Google] [More] ⦿

Bookhands
[Peter R. Wilson]

Renton, WA-based Peter R. Wilson's metafont code (2000-2003) for the "bookhands" series of fonts. It was his intention to provide the main examples of manuscript hands from the first century until the invention of printing. Included are the following:

Square Capitals: 1st century onwards
Roman Rustic: 1st-6th centuries
Uncial: 3rd-6th centuries
Half Uncial: 3rd-ninth centuries
Artificial Uncial: 6th-tenth centuries
Insular majuscule: 6th-ninth centuries
Insular minuscule: 6th century onwards
Carolingian minuscule: 8th-12th centuries
Early Gothic: 11th-12th centuries
Gothic Textura Quadrata: 13th-15th centuries
Gothic Prescius: 13th century onwards
Rotunda: 13th-15th centuries
Humanist minuscule: 14th century onwards

[Google] [More] ⦿

Boondox
[Michael Sharpe]

Free package in 2011 maintained at the CTAN TeX archive by Michael Sharpe from UCSD, who writes: The PostScript fonts in this package were derived from the STIX OpenType collection, with regular and bold weights of calligraphic, fraktur and double-struck (aka blackboard bold). The font names: BoondoxCalligraphic-Bold, BoondoxCalligraphic-Regular, BoondoxDoubleStruck-Bold, BoondoxDoubleStruck-Regular (blackboard bold style), BoondoxFraktur-Bold, BoondoxFraktur-Regular. Still in 2011, he published Dutch Calligraphic, a reworking of Elzevier's free math calligraphic font ESSTX13. Another CTAN download site. [Google] [More] ⦿

Boris Kahl

Born in 1975 in Schwäbisch Gmünd, Kahl graduated in 2001 from the Hochschule für Gestaltung in Pforzheim. Boris Kahl is Art Director of the German advertising agency MAGMA (Büro für Gestaltung) since 2001. He cofounded the German type and design weblog Slanted. His type designs are published at Volcano Type (Karlsruhe):

Athletic lettering: Sports (grungy, with Lars Harmsen), Sports Skinny.
Blackletter: Frakturbo, Fraktendon (=Fraktur+Clarendon, co-designed with Harmsen)
Dingbats: Mr. J. Smith Eye, Mr. J. Smith Head, Mr. J. Smith Mouth, Mr. J. Smith Nose, and Mr. J. Smith Wanted are experimental dingbat typefaces by Nikolaii Renger, based on an idea of Lars Harmsen, and digitized by Ulrich Weiss and Boris Kahl. These won an award at the 2005 FUSE competition. Multigenic are a collection of black and white boxes and rectangles (free).
Dot matrix typefaces: C64 (original Commodore 64 font), Doublepoint (five styles), Monopoint (three styles), Rollerblind, Rollerblind Grid
Grungy: Mud (free), Psycho, Poke
Hand-drawn: Decomic Oblique
LED style: Digibeck, Strichcode (a family co-designed with Harmsen).
Kitchen tile typefaces: Bus, Bus PI.
Patriot family, done with Lars Harmsen: Saddam, Commander Robot, Fidel, Slobbodan, Osama, George.
Pixel typefaces: Amiga, Screeny, Pixel, C64, Fette Pixel
Script typefaces: Filou (free, three styles)
Techno typefaces: DigiBo, Teckbo (2002. Boris Kahl writes: Retro-Avant-Garde for Club-Flyer-Honks and Plastic-Pussy-Chicks)
Uncial: Chaucer

free fonts at Dafont include Filou Medium (2010, calligraphic).

View Boris Kahl's typefaces.

Klingspor link. Dafont link. Volcano Type link. [Google] [MyFonts] [More] ⦿

Bormanns Schrifterlass, Lucian Bernhard und der Völkische Beobachter

Lutz Schweizer published the text of the decree of January 3, 1941 signed by M. Bormann on behalf of the Nazi party. He declares: "Die sogenannte gotische Schrift als eine deutsche Schrift anzusehen oder zu bezeichnen ist falsch. In Wirklichkeit besteht die sogenannte gotische Schrift aus Schwabacher Judenlettern." [It is wrong to consider the gothic script (Fraktur) as a national German script. It is in fact nothing but Jewish Schwabacher characters.] Lucian Bernhard (1883-1972), one of Germany's main designers, had created Bernhard Fraktur (1913), and this was subsequently used in Der Völkische Beobachter, the central party newspaper and publication. It is ironic, Schweizer notes, that Lucian Bernhard himself was Jewish. On the topic Bormann's decree, Heinrich Heeger wrote Verbot Deutschen Schrift Durch Adolf Hitler in volume 55 (1997) of Die deutsche Schrift. [Google] [More] ⦿

Borutta (or: Duce Type)
[Mateusz Machalski]

Borutta (or Duce Type) is the creative studio of über-talented Warsaw-based designer Mateusz Machalski (b. 1989), a graduate of Wydziale Grafiki ASP in 2014, and of Warsaw Academy of Fine Arts. His oeuvre is simply irresistible, charming and a worthy representative of the Polish poster style---witness Alergia (2016), Magiel Pro (2017) and Madiso (2017).

He is the creator of the blackletter-inspired typeface Raus (2012), which also could pass for a Cyrillic simulation font. It was possibly made with Pawel Wypych. He also made Kebab (2012, a fat caps face), Duce (2012, art deco: withdrawn from MyFonts after Charles Borges complained that it was a rip-off of his own Gloria), Fikus (2012), Woodie (2012, a condensed rough wood type face), Polon (2012), Aurora (2012, a German expressionist poster face), Musli (monoline connected script), HWDP (2012, poster font), Wieczorek Script (2012, hand-printed), Hamlet (2012, a sword and dagger typeface, renamed to Prince), Caryca (2012, Cyrillic simulation, done with Pawel Wypych), Bezerro (2012, poster face), Bitmach (2012, pixel face), Meat Script (2012, a caps only market signage brush script), Krac (2012, a tall poster font), Hermes (2012: Ten Dollar Fonts), Berg (2012, a roughened blackletter face), Buldog (2012), Dudu (2012, tall condensed face).

In 2012, Polish designer Wojciech Freudenreich and Mateusz Machalski combined forces to design the techno typeface SYN, which is based on an earlier De Stijl-genre alphabet by Freudenreich. In 2020, they released the free typeface family SYN Nova, which includes additional styles and a variable font.

Machalski likes old wood types, which inspired him in 2012 to publish a wood type collection of weathered display typefaces: Condom, Hype, Whore, Banger, Buka. Elo (2012) and Duce (2012) are fat weathered wood types.

Typefaces made in 2013: Wood Type Collection 2 (which includes Brie, Kaszti, Mader, Modi, Rena, Roast, Ursus), Zigfrid (headline face), Salute (letterpress style), Benito (a letterpress or geometric wood typeface), Bojo (heavy wood style poster face), Picadilly (heavily inktrapped open counter sans family), GIT (a manly headline sans), Lito (an eroded poster typeface), Haine (vernacular caps), Aneba (an organic sans family, renewed in 2016 as Aneba Neue), Vitali (sans), Korpo Serif (slab serif), Korpo Sans (elliptical family; +Greek, +Cyrillic).

Typefaces from 2014: Adagio Slab, Adagio Serif, Adagio Sans (a superfamily not to be confused with the 2006 typeface Adagio Pro by Profonts), Adagio Sans Script, Adagio Serif Script, Adagio Slab Script, Tupperware Pro. Tupper Pro (42 styles) was designed by Mateus Machalski and the RR Donnelley team.

Typefaces from 2015: Tupper Serif (again with RR Donnelley: a custom superfamily for pairing Latin, Cyrillic, Hebrew an Greek; for Tupperware), Vitali Neue, Legato Serif, Corpo Serif, Corpo Sans, Zigfrid, Picadilly (a great ink-trapped sans typeface family with an erect g).

Typefaces from 2016: Nocturne (just like Magiel, this free typeface was designed as part of the Warsaw Types project: this wedge serif text typeface is inspired by the lettering on stone tablets commemorating the victims of World War II, and prewar Jewish shop signage), Favela (an experimental, geometric sans, for headline and fashion magazine use), Gangrena (a weathered typeface system co-designed with Ania Wielunska), Migrena Grotesque (earlier named Enigma Grotesque but probably in view of a clash with the name Enigma used by Jeremy Tankard changed to the appropriately named Migrena Grotesque), Alergia Grotesk (a take on the classical geometric grotesque style, in 60 weights, for Latin, Greek and Cyrillic), Alergia Remix (a hipster / hacker / Futura take on Alergia Grotesque).

Typefaces from 2017: Nocturne Serif, Massimo (copperplate semi-serif influenced by New York; originally called Madison, they were frced to change the name to Massimo), Magiel Pro (a geometric display family influenced by Polish banners from the Russian occupatuon era, 1945-1989; it has a charming Black and a hairline, and covers Cyrillic too).

A particularly intriguing project in 2017 was Bona, which set out to revive and extend Andrzej Heidrich's old typeface Bona. Mateusz Machalski contacted him for advice on the revival project. The resulting typeface families were published by and are available from Capitalics. The centerpiece is the warm and wonderful text typeface Bona Nova. It is supplemented by the extreme contrast typeface family Bona Title and the inline typeface family Bona Sforza. Participants in the project also include Leszek Bielski, Ania Wielunska and Michal Jarocinski. Google Fonts link for Bona Nova. Github link for Bona Nova.

Typefaces from 2018: Bilbao (an innovative blend of sans, slab and mono genres in 18 styles), Cukier (a logo font family inspired by the vernacular typography from Zanzibar).

In 2018, Mateusz Machalski, Borys Kosmynka and Przemek Hoffer co-designed the six-style antiqua typeface family Brygada 1918, which is based on a font designed by Adam Poltawski in 1918. Free download from the Polish president's site. The digitization was made possible after Janusz Tryzno acquired the fonts from Poltawski's estate. The official presentation of the font took place in the Polish Presidential Palace, in presence of the (right wing, ultra-conservative, nationalist, law and order) President of Poland, Andrzej Duda. Calling it a national typeface, the president assured the designers that he would use Brygada 1918 in his office. It will be used for diplomas and various other official forms. In 2021, with Anna Wielunska added to the list of authors, it was added as a variable font covering Latin, Greek and Cyrillic to Google Fonts. Github link.

Typefaces from 2019: Gaultier (a sans family that is based on the styles of Claude Garamond, Robert Granjon and Eric Gill---a serifless Garamond and Gill Sans hybrid; includes a fine hairline weight), Aioli (a commissioned type system), Promo (a rounded sans family), Sigmund (the main style is inspired by the Polish road signage typeface designed in 1975 by Marek Sigmund: With the increase of weight, Sigmund turns into a geometric display in the spirit of vernacular typography from the signs of Polish streets; followed in 2022 by Sigmund Pro (15 styles)), Podium Sharp (based on Dudu, this 234-style family is a hybrid between different old Polish modular and geometric woodtypes such as Rex, Blok and Bacarat; note that 234=2x9x13, so fonts are numbered in Univers style from 1,1 (ultra-compressed hairline) to 9,13 (ultra expanded heavy)), Harpagan (an experiment in reverse and unusual stresses).

Typefaces from 2020: Tyskie (a custom sans for Tyskie Magazine), Habibi Display (an ultra-fat display typeface inspired by bold Arabic headline typefaces), Podium Soft, Afronaut (an experimental Africa-themed font). In 2020, the team at Capitalics in Warsaw, namely Mateusz Machalski, Borys Kosmynka and Ania Wielunska, revived Adam Poltawski's Antykwa Poltawskiego (1928-1931) as Poltawski Nowy.

Typefaces from 2021: Alfabet (a 20-style Swiss-inspired sans with narrow connectors, with support for Latin (+Vietnamese), Greek and Cyrillic scripts, including Ukrainian, Bulgarian and Serbian forms), Change Serif (a 10-style Robert Granjon-genre garalde designed as a part of Mateusz Machalski's PhD project, carried out in 2015-2021; the main goal was to create a typeface allowing for the typesetting of complex humanistic texts, containing many historical letterforms; each font contains 4000 glyphs and covers Latin, Cyrillic and Greek), Engram (a soft geometric sans family in 22 styles; close to his own earlier font, Enigma, 2016).

Typefaces from 2022: Yalla (inspired by Arabic headline type).

Home page. Behance link. Personal Behance link. Behance link for Duce Type. Another link. Fontsquirrel link. [Google] [MyFonts] [More] ⦿

Bosil Unique Fonts
[Michael Bolen]

American designer Michael Bosen or Michael Bolen (Bosil Unique Fonts) made these fonts in 2003: Mikie's Christmas List (hand-printed), Bosil Unique Regular (comic book face), Bosil Marker, BU DeBoned, BU Boned, Uniquely Sprayed (grunge), Slightly Dinged, Bu Handy Dings (hands, including fists), and "the finger"), Bu Marker SC.

In 2012, he added BU Gothic Hybrid (a hybrid of grunge calligraphy and blackletter).

Typefaces from 2013: BU Dingbats Sans Purpose (scanbats), BU Wicked, BU Richard The Second (textura), Bu 1757 Bordelish (frilly ball terminal caps), Bu Darn Cupids Again (Valentine Day's font), BU Penfield Deco (loosely based on a font by Edward Penfield at the turn of the 20th century), BU Bernhard Pen (loosely based on a style by Bernhard Pankok from the turn of the 20th century), BU Scarecrow (gothic font based on the hand of Walter Crane), BU Glenda, BU Oscar Diggs. [Google] [More] ⦿

Boudewijn Rempt
[Constructed Languages]

Brandon Bayer

New York City-based designer, who created a blackletter typeface called Black Bayer (2013). He also made the über-frilly All Frills (2013). [Google] [More] ⦿

Brandon Schoepf
[Tepid Monkey Fonts]

Brass Fonts
[Guido Schneider]

Cologne-based group of type designers, founded in 1996: Guido Schneider, Hartmut Schaarschmidt, Martin Bauermeister, René Tillmann, Rolf Zaremba. There are many original free fonts here: Amnesia (René Tillmann; now also sold by URW), Anorexia (G. Schneider, 1996), Battery, Battery Seriph, Battery Leak (Tuschemann, 1996), Matula (G. Schneider, 1997), Nobody (G. Schneider), Paul D (Guido Schneider, 1996), Sanctus, SubZero (Guido Schneider, 1996), SynkopSemi, Veto, Visitor (R. Zaremba, 1996), BiaBia (very avant-garde, G. Schneider, 1996), Corpa Gothic (sold by URW++), Cuba (G. Schneider, 1997), Hone (Piano Dog, 1996), Saw, SoloSans (G. Schneider, 1996), Souper, Styptic, Fluxgold (slabserif, G. Schneider 1999), Rotwang (G. Schneider 1998), Styptic (Tuschemann, 1995), Stoneman (Tuschemann, 1998), Jaruselsky (1997, G. Schneider). Well, that is, these fonts have just the basic alphabet and all numbers 3 and 6 have been removed. The full versions are ultra-expensive, at about 110DM per weight (typically, 4 weights per font). More fonts: Temptice (dingbat by A. Groborsch/G. Schneider 98/99, 80DM), Tara (G. Schneider, 1998, 240DM), Corpa Serif (G. Schneider 1998), Fiona Serif, Slab and Script family (2003, G. Schneider). URW marketed these fonts: BF Anorexia, BF Corpa Gothic, BF Corpa Serif, BF Cuba, BF Fluxgold, BF Invicta, BF Jaruselsky, BF Matula, BF Nobody, BF Paul'D, BF Rotwang, BF Solo Sans, BF Stoneman, BF Stypic, BF SubZero, BF Tara.

Custom fonts by Schneider: Girato (Giraffentoast), Fiona (MDR - Mitteldeutscher Rundfunk), Sion Script (Sion Brauerei), Supralux (Super RTL). He is working on Veltro Pro (a script) and Breite Kanzlei (blackletter).

MyFonts sells BF Anorexia (a grunge typeface by Schneider), BF Corpa Gothic (a DIN-like family done in 1997 by Schneider), Corpa Gothic Pro (a 2019 revival of Corpa Gothic), BF Corpa Serif (1997, a slab serif family by Schneider), BF Cuba (a pixel typeface by Schneider), Fiona Script (2006, connected), Fiona Serif, BF Fiona Slab (2006, Guido Schneider), BF Fluxgold (1998, Schneider), BF Invicta (2006, a roman inscriptional family by Schneider), BF Jaruselsky (1997, Guido Schneider), BF Matula (1996, an organic typeface by Guido Schneider), BF Nobody (1995, a roman typeface by Schneider with pointy experimental serifs), BF Paul D (a grunge blackletter typeface by Schneider), BF Rotwang (1997, a transitional typeface by Guido Schneider), BF Solo Sans (1995, Schneider's grotesk family), BF Stoneman (1997, a decorative poster typeface by Schneider), BF Styptic (a grunge paperclip typeface by Schneider), BF Sub Zero (experimental, by Schneider), BF Tara (1999, a humanist sans family by Schneider), BF Girando Pro (a garalde made by Guido Schneider in 2010).

Typefaces from 2018: BF Rotwang Pro (a redesign by Schneider of his 1997 typeface, BF Rotwang; named after C.L. Rotwang, the inventor of the Mensch-Maschine from the film Metropolis (1925/1926), BF Rotwang relates to the high-contrast transitional and didone styles), BF Konkret Grotesk Pro (a 16-style grotesk family by Guido Schneider with over 1500 glyphs per font).

Typefaces from 2021: BF Garant (a 20-style geometric sans with open counters, tapered spurs and diagonal cut ascenders and descenders).

View Guido Schneider's typefaces. [Google] [MyFonts] [More] ⦿

Brenda23

Creator of the tattoo / heavy metal font Dark Metal (2013). [Google] [More] ⦿

Breton Antonin

Art director in Lille, France. Designer of the blackletter typeface vengeresse (2017). [Google] [More] ⦿

Breton Antonin

Art director in Lille, France. Designer of the decorative typeface Enlarge (2015), the display typeface Organic (2015) and the blackletter typeface Vengeresse (2017). Behance link. [Google] [More] ⦿

Brett T. Johnson
[Simeon out West Foundry]

Brian Aldave

Graduate from FADU, University of Buenos Aires, who created the Fraktur typeface Irontail Gothic (2009). [Google] [More] ⦿

Brian Hunt

Designer of the Portcullis (blackletter) typeface at Margo Chase Design. [Google] [More] ⦿

Brian J. Bonislawsky
[Astigmatic One Eye]

Brian J. Bonislawsky
[Monogram Fonts Co]

Brian Kent
[Aenigma]

Bryde's Free Medieval Fonts

Bross Workshop
[Iim Maulana Ibrahim]

Bandung, Indonesia-based designer (b. 1975) of the blackletter typeface BWS Northland (2020). [Google] [More] ⦿

Bruce Type Foundry
[George Bruce]

Founded in New York in 1813, and acquired by ATF in 1901, this foundry made fonts such as Bruce Old Style (now Bitstream), Madisonian (now available from Présence Typo), Ornamented No. 1007 (Mac McGrew: Old Bowery is an ATF revival, in 1933 and again in 1949, of Round Shade No.2, originated by Bruce, one of its predecessor companies, about 1854, as Ornamented No. 1007.), and Old Style 7 (Linotype, Adobe). Also called D.&G. Bruce, George Bruce, George Bruce&Co., George Bruce's Son, George Bruce's Son&Co., and V.B. Munson. They published a 592-page specimen book in 1901: Bruce Type Foundry: Our Handy Book of Types, Borders, Brass Rule and Cuts, Printing Machinery&General Supplies.. In 1869, George Bruce (b. 1791, Edinburgh, Scotland; d. 1866, New York) published An abridged specimen book Bruce's New York Type-Foundry (1869), now available as a free Google book. Page with specimen of Great Primer Ornamented No. 5, Meridian Black Open (blackletter), Canon Teutonic Ornamented, Small Pica No. 2, Double Pica Graphotype, all taken from An Abridged Specimen of Printing Types Made at Bruce's New-York Type-Foundry (1868) and stolen from Luc Devroye's web site. Fists by the Bruce Foundry.

Revivals: Bruce Ornamented No. 6 was digitized by Iza W from Intellecta Design in 2006 as GeodecBruceOrnamented. Gold Rush (2008, FontMesa) is a family of Western style typefaces based on a Bruce type family from 1865. FontMesa also made Belgian (2008) based on a Bruce Type Foundry design from the 1860s. Bruce 532 Blackletter (2011, Paulo W, Intellecta Design) is an excessively ornamental blackletter face. Michael Hagemann's slab serif family Gold (2011) is based on Bruce's Gold Rush (1865) after removing the shadows. RMU Bowery (2019, Ralph M. Unger revives Old Bowery). [Google] [MyFonts] [More] ⦿

Bruno Fontanelle

Londrina, Brazil-based designer of the free blackletterish typeface Delirium (2017), the music evoking typeface KYXH (2017), and the experimental connect-the-dots typeface Nygotha (2017). [Google] [More] ⦿

Bruno Fontenelle

Japanese-born Brazilian designer based in Toronto, Canada. Creator of the free lower case-only blackletter font Delirium (2019). [Google] [More] ⦿

Great archive with many blackletter fonts. Features fonts such as AngloSaxon 8th, Bastarda, CelticFrames (Omega Font Labs), Celtic Gaelige (Susan K. Zalusky), The Middle Ages (dingbats), Monsters of Stone (dingbats), Stonehenge, Theodoric, Windsor, Magic Medieval (Dave Howell's modification of Goudy Medieval), Kelly Ann Gothic (Mike Allard), Judas, Houters Normal. Has Celtic fonts and Heraldic fonts as well. Page by Bryde the Webmistress. Alternate URL. [Google] [More] ⦿

Bumbayo Font Fabrik
[Attila Zigó]

Hungarian foundry with commercial and free fonts, est. 2005 by Attila Zigó. On Deviantart, they claim to be from Rwanda. They specialize in grunge type--some of the fonts are quite gorgeous indeed. Has a fontmaking service.

Free typefaces: Ruohomatto Sans (2018, what a font with leprosy would look like), Spirit Ginger (2017, grungy), Mentha Rapture (2017), Bad Skizoff (2017), Sad Kropotkin Laugh (2017), Tallierst Grustampa (2017), Baroness Kuffner (2017), FaggottPin Strada (grungy old typewriter), Crnagorszkij Buddah Orkesztar, El Tercer Hombre (2017, grungy letterpress), Burliweh Sans (2017, grunge), Wehryze Copiya (2017, grungy), Night Cola (2016), Slawterhouse Swinggang (2016), Drugstore Waltz (2016), Lost Lubbock Motels (2016, uber-grungy lettering), Amsterdrum Grotesk (2016), Bad Suabia Swing (2015, grunge), Zubajda (2014, grungy), Dioszeghiensis (2014, grungy blackletter), Mahrpedig Sans, Kinizsi Frakturetta (2012, blackletter), Ed Gein Gwilty and Ed Gein Ynnocent (2008), Miguel Sangotisch (2010, blackletter), Kopanyica Strasse (2010, grunge), Third Man (2010, grunge), Pahuenga Cass (2010, grunge), McKoy (2010, grunge), Eordeoghlakat (2010, grunge mechanical face), Santa Gravita (2010, grunge), Fibyngerowa (2010, grunge), Pahuenga Cass (2009, grunge), Liszthius-Alkimista (2008, a lovely 3d-look grunge face), Rueckwarzsalto (2008, grunge), Szorakatenusz (2008), Grymmoire (2008, grungy blackletter), Hrawolam (2008, children's hand), Certto Headline (2008, 3d outline grunge), Kopanyica Strasse (2008), Pokoljaro (2008, medieval look, rough outlines), Fibyngerowa (2008, splatter grunge), Conrad Veidt (2007), Baron Kuffner (2007, grunge inspired by B-movie posters), Karloff (2007), Deutschische (2006, blackletter), Egyptientto2 (2005, slab serif), Bumbayo (2006), Gepetto (2005), Gipsiero (2006, grunge), Lugosi (2005), Matejino (2005), Matejo (2005), McKoy (2005), Tuce (2005), 3rd Man (2007, grunge), Kyselak (2007), Latabár (2007, grunge).
Commercial: Der Erlkoenig (2007), Otranto (2007), Schkorycza (2006), Dajcsise (2005), Engelfeuer (2005), Gomulka (2005), Haniltom Gothic (2005), Perfuct (2005, a great irregular printed typeface), Osiris Records (2007, grunge), Thelema (2007, medieval hand).

Klingspor link. Dafont link. Devian Tart link. [Google] [More] ⦿

Bund für Deutsche Schrift und Sprache

Magazine dealing with Fraktur (history, font-designers) and German language, est. 1927. Written in German and typed in blackletter. Currently edited by Harald Rösler. Gerda Delbanco of Delbanco Frakturschriften is the wife of Helmut Delbanco, who is the chairman of the Bund. Alternate URL. [Google] [More] ⦿

Bureaukrat

Blackletter face, 1918. [Google] [More] ⦿

Burgershaftsfraktur

A blackletter typeface made ca. 1910. [Google] [More] ⦿

Burhan Afif
[HansCo]

Burntilldead
[Eric Kurniawan]

Eric Kurniawan (or Burntilldead, b. 1986) is located in Bali, Indonesia. He created the vintage script typeface The Goldsmith Vintage (2015).

Typefaces from 2016: Lazarus (a brush font), Bestters Supply (signage script), The Wild Hammers, Ramblin Script, Ramblin Sans, Angeline Vintage (brush typeface), Victorian Deco (more Victoriana), Steelworks (letterpress), Angeline (swashy brush script), La Petitenget, Azarus (brush style), Victorian Parlor (Victorian).

Typefaces from 2017: Dandeleon, American Whiskey, Vulturemotor (with Gusti Ngurah Widiantara), Sandglow (signage script).

Typefaces from 2018: Renaissance Garden (vintage), Victorian Fonts Collection (which consists of King Edward (Edwardian) and Queen Victoria (Victorian)), Billyforges (weathered letterpress style; with Ade Meida and I Gusti Widiantara).

Typefaces from 2019: Victorian Decade (18 fonts: +Gradient, +Outline, by Eric Kurniawan and Ade Meiada).

Typefaces from 2020: Alocasia (Sans, Script and Serif), Victorian Supremacy (an 11-style ornate Victorian / blackletter typeface family), Galactus (sci-fi), Prestissimo Classy (Serif and Script: the Script features copperplate calligraphy), Historium and Historia (a weathered vintage typeface), Sportage (a squarish sports font).

Typefaces from 2021: Mashbro, Barones (a vintage label font), Arterium (a vintage Victorian label font family), Veinline (a vintage script font), Bonitalia (script), Alota (funky and groovy 1970s font), Energize (techno), Metalsmith (a weathered all caps typeface), Bower (an early computer emulation font), Broto, Celestic (a decorative partly psychedelic serif), Dellucion (an art nouveau serif), Glitcher (a great art nouveau typeface), Greta, Lazarus, Racer Boy (a techno family), Silly Kids, The Sitcom (a retro script).

Typefaces from 2022: Mooners (a spurred Victorian liqueur font), Morvem (an 18-style psychedelic typeface). [Google] [MyFonts] [More] ⦿

Büro Sequenz
[Affenprinz Belmondo]

Sankt Gallen, Switzerland-based studio with seven participants: Anna Furrer, Andrea Nolli, Moni Rimensberger, Joa Schmied, Sascha Tittmann, Jürg Waidelich, Amanda Züst. Designers of these free typefaces: Lietz Block (2008, heavy poster sans), Hedge Flow (2008, floriated), Nordstern (2004, a simple organic sans family in Hell, Normal and Dunkel, designed by Rolf Benjamin Fleischmann), Marsmonster (2005, rounded techno style by Affenprinz Belmondo).

In 2008, they published the hairy multiline typeface Mink and the linocut emulation typeface Linostate. They also designed the blackletter typeface Heinrich. [Google] [More] ⦿

Bykineks
[Dede Kurniawan]

Sukabumi, Indonesia-based designer (b. 1998) of the angry signage script typeface Zarra (2020). In 2021, he designed Wakaba (an ink bleed script). In 2022, he released Gin (blackletter calligraffiti) and Agasthiya Rococo (a spurred rococo script). [Google] [MyFonts] [More] ⦿

C. E. Weber

Stuttgart-based foundry established in 1827, and taken over by D. Stempel in 1970, which in turn became Linotype in the eighties. Their library included Druckhaus Antiqua (1919), Schadow Antiqua (1938), Mars Grotesk, Weber Fraktur (1860) and typefaces by these designers:

Albert Auspurg: Start (1935).
Julius Kirn: Bison (1935-1938). This brush typeface was revived as Brush 738 BT (Bitstream) and as RMU Bison (2020, Ralph M. Unger).
Walter Jakobs (or Jacobs): Chronika (1936), Verzierte Chronika (1937), Chronika fett (1938) and Chronika licht (1939).
Hans Möhring: Gabriele (1938; Hastings mentions 1947).
Erich Mollowitz: Forelle and Forelle Auszeichnung (1936, script types).
Willy Schaefer: Neon (1935).
Friedrich Hermann Ernst Schneidler: Bayreuth (1935), Deutsch Roemisch (1923; Kursiv in 1926, fett in 1930), Roemisch fett (1930), Kontrast (1930), Suevia Fraktur (+halbfett).
Georg Trump: Amati (1951), Codex (1954), Delphin I and II (1951), Forum I and II (1948 and 1952), Jaguar (1965), Palomba (1954, script), Schadow (Antiqua 1938, Antiqua werk, 1948, Kursiv 1942, Antiqua Fett 1952, Antiqua halbfett 1939, Antiqua Schmalfett 1945), Signum (1955), Time Script (+Light and Medium) (1956), Trump Mediaeval (1954; Kursiv and halbfett in 1956; fett in 1958; Kursiv fett and schmal halbfett in 1962).
Wagner&Schmidt, Leipzig: Colonna Antiqua (1908; halbfett in 1911), Druckhaus Kursiv, Druckhaus Antiqua (1919; +fett, + halbfett, +schmalhalbfett), Ekkehard (1903), Erika (1920; +halbfett), Margarete (<1927), Orient Antiqua (1914), Parlements Fraktur (1908), Progress Reklameschrift.

[Google] [MyFonts] [More] ⦿

C. H. St. John Hornby
[Ashendene Press]

Catalog of its typefaces.

C. Lee

Honolulu, HI-based lettering artist and typographer. C. Lee created Vintage Alphabet in 2013. In 2014, he designed Cassandre Alphabet (2014, art deco, named after Cassandre) and Ornate Alphabet (decorative blackletter caps, which was inspired by Williams and Packard's Church Text). [Google] [More] ⦿

CaballoMRK

Designer of Black Label (2010), a typeface created as a free version of TEFF's Burgundica. He also made Signmaker CaballoMRK (2010) as a reaction to LHFSignMaker, and Brushworks CaballoMRK as a free alternative to LHF Bushworks. [Google] [More] ⦿

Caio Kondo

During his studies in Piracicaba, Goiania, Brazil, Caio Kondo designed the sans typeface Goiania (2014), the blackletter typeface York (2016) and the free didone typeface Chamuyo (2018).

In 2019, Caio Kondo designed the custom typeface Wixx Mono.

In 2020, he co-founded Inari Type with Satsuki Arakaki in Campinas, Brazil. With Satsuki Arakaki, he designed Nikkei Maru (2020) and Mori Gothic (2020), a seven-style geometric sans. Nikkei Maru is a tribute to Japanese immigration done typographically. The project started from a collection of photographs of the ships that brought Japanese immigrants to the American continent, and from our interest in researching the history of immigration, fueled by our own ancestry. In addition to the intercontinental transit, the research also addresses the arrival and establishment of Nikkei---Japanese living abroad and their descendants---on the new continent. The immigration process inspired other aspects of typography, such as newspapers from the Nikkei communities that were a reference for the lower case, and different experiences lived by immigrants which are represented in the dingbats.

In 2021, he published the 3-weight decorative serif family PP Eiko at Pangram Pangram. Characterized by sharp triangular serifs, PP Eiko is inspired by the work of Eiko Ishioka, a multitalented Japanese artist. It seeks to convey the spirit of his work in these typographic explorations. It is an original serif font with high contrast, including the syllable alphabet kana (hiragana and katakana), it can be seemlessly paired with Mincho style kanji fonts. [Google] [MyFonts] [More] ⦿

Caleb Brand

American company that rreleased the free grungy blackletter font Beast & Baron (2020). [Google] [More] ⦿

Caleb Lam

Vancouver, BC-based designer of Mamba Blackletter (2017), a fleshy blackletter typeface. [Google] [More] ⦿

Callifonts
[Kirby Lee Gosnell]

Located in Dallas, TX, Callifonts is run by Kirby Lee Gosnell. It sells a 75-font package of calligraphic, medieval and blackletter typefaces. [Google] [More] ⦿

Canada Type
[Rebecca Alaccari]

Foundry in Canada, est. 2004 by Rebecca Alaccari in Toronto, and run by her and Patrick Griffin. Interview with Rebecca. Her typefaces can be bought via MyFonts: Storyville (2015, a curly script), Centennial Script (2007, a revival of an 1874-1876 high-contrast calligraphic script by Hermann Ihlenburg), Valet (2006, superb art deco face), Freco (2006, an art deco typeface loosely based on designs and letters of Fré Cohen), Silk Script (2006, based on 1956 Helmut Matheis script called Primadonna), Dominion (2006, based on an early 1970s film type called Lampoon), Johnny (2006, an art nouveau poster typeface that revives the Harem/Margit typeface by Phil Martin, 1969), Guillotine (2007), Mayfair (2006, a calligraphic typeface based on Mayfair Cursive by Middleton, 1932), Happy Birthday (2006, script), Geronimo (2005, brush style poster font), Rostrum (2005, a revival and expansion of a type called Oleander, designed in 1938 by Julius Kirn for the Genzsch&Heyse foundry in Hamburg), Apricot (2005; based on A.R. Bosco's Romany for ATF, 1934, but a major extension with many ligatures), Heathen (2005), Cougar (2004, a digital version of Martin Wilke's 1968 handwriting typeface Konzept), Puma (2004, brush typeface based on Herbert Thannhaeuser's 1954 Kurier), Big Brush (brush), Diva (connected script), Odette (a high ascender display typeface after the Morris Fuller Benton 1918 American classic, Announcement Roman), Crucifix (2004, a severe octagonal face), Fore (2004, a bullethole face), Formula, Gamer (2004), Formula (2004), Kofi, Platoon (2004, a stencil face), Verso (2004), Secret Scrypt (2004, a handwriting face), Bluebeard (2004, blackletter by Patrick Griffin), Bolero (2004), Janice (2004, psychedelic), Jimi (2004, also psychedelic), Scroll (2004), Dominique (2004, upright script), Moxie (2004, a fat display family which includes a stencil), StockA (2004), StockB (2004, a fat stencil face), Stalker (2004, a destructionist face), Scroll (2004), Jonah (2005, a hippie typeface based on an early 1970s film type from Franklin Photolettering called Urban). MyFonts page. Phil Rutter and Patrick Griffin made Coffee Script (2004), the digital version of R. Middleton's Wave design for the Ludlow foundry, circa 1962. Phil Rutter and Rebecca Alaccari designed Almanac (2004), a script typeface based on Imre Reiner's London Script (1957) (and Rebecca did a subsequent redigitization in 2007 that led to Reiner Hand), Tiger Script (2004, based on Georg Trump's wild brush script Jaguar done in 1967 for C. E. Weber), and Ali Baba (2004), an Arabic simulation typeface originally designed by Georg Trump as Palomba (1955, C.E. Weber foundry). Patrick Griffin made Leather (2005, after Imre Reiner's 1933 blackletter face), Secret Scrypt (2005), Skullbats (2005), Slang (2004, a blood scratch face), Bluebeard (2004), Expo (2004, an octagonal family), and Dancebats (2004). Simone Wilkie designed Boyscout (2004) after the handwriting of her son. Helmut Matheis' Contact (1963, flowing script/brush) was digitized by Rebecca in 2004 as Bruschetta. Rebecca also made Steiner Special (2007, a revival of Swing, a film type by Peter Steiner, 1974), Genesis (2007, a digitization and extension of Grayda, a 1939 calligraphic script of Frank H. Riley at ATF), Evolver (2006, futuristic family), Redwood (2007, a calligraphic script based on Willard T. Sniffin's Raleigh Cursive (1929, ATF)), Orotund (2005, after the 1970s typeface Eight Ball; this was extended again in 2006 in her art nouveau typeface Huckleberry, which is a revival of the 1973 typeface of Gustav Jaeger called Mark Twain), Pendulum (2005, a fantastic flowing script based on Nebiolo's Americana, 1945), Jojo (2005, a flower child typeface after Spring, by Bernard Jacquet), Mascara (2004), Gala (2004, after Neon (1935, Giulio da Milano at Nebiolo)) and Bella Donna (2004, after a script made by Alessandro Butti in 1948, called Rondine).

Typefaces made in 2005: Jazz Gothic (Patrick Griffin), Showboat, Hunter (a revival of Imre Reiner's brush script Mustang, 1956), Quanta (stencil), Quiller (a script typeface based on J.J. Sierke's 1964 typeface Privat), Rhino (revival of Mobil, a 1960 typeface by Helmut Matheis for Ludwig&Mayer), Dominique (donated to FontAid), Secret Scrypt (donated to FontAid), Jackpot (2005, Western typeface remotely based on Cooper Playbill which in turn is related to Cooper Black, but it also has hippy 1968 influences), Sincerely (handwriting typeface based on Karlgeorg Hoefer's 1968 Elegance), Fontella (a digitization of Novarese's calligraphic script Elite), Boondock (digitization of Imre Reiner's Bazaar from 1956), Gumball (digitization of Papageno, a 1958 bubblegum font by Richard Weber for Bauer), Runway, Gamer, Dominique (OpenType handwriting face), Sterling Script (2005, by Alaccari and Griffin: a 7-weight digitization and extension of Stephenson Blake's 1952 clean copperplate script Youthline Script), Vox (2007, a 24-style monoline sans family done with Patrick Griffin), Vox Round (2013, a softer version), Swan Song (2006: a calligraphic typeface based on the hand of Alexander Nesbitt. A later document states that it is based on work by British artist Rachel Yallop from 1986), Evolver (2006, a 9-style futuristic family), Ambassador Script (2007, an Alaccari-Griffin revival of the angle-reduced calligraphic script Juliet by Nebiolo, 1955).

In 2005, Philip Bouwsma joined Canada Type, and designed a great calligraphic blackletter-inspired family, Torquemada. He designed many other typefaces for Canada Type in subsequent years.

VIP (2007, Rebeca Alaccari) is a humanist sans serif uppercase (and figures) combined with a freshly redrawn revival of the classic VGC Constanze initials originally designed by Harry Brodjian in 1970, and even further back, the Constanze Initials by Joachim Romann (1954-1956, Stempel). Chopper (2007, by Rebecca Alaccari) is a revival of Venture (a 1972 typeface for VGC by Harry Villhardt). Walter (2007, Rebecca Alaccari) is a digitization of Heritage (1952, ATF, a calligraphic script by Walter H. McKay). Celebrity (2007, Rebecca Alaccari) revives and extends the retro/techno typeface Latus (Willy Wirtz, 1971). Sympathique (2008, Alaccari) is an ultra-thin and ultra-tall typeface in the mold of Bernhard Fashion and other era poster or film typefaces (they say that it is rooted in the film typefaces Hairstreak and Mossman). Mullen Hand (2008) is a revival of Repro Script (1953, Jerry Mullen, ATF).

Filmotype Giant (2011, a condensed sans) and its italic counterpart, Filmotype Escort (2011) were both co-designed with Patrick Griffin.

In 2020, they released the variable informal sans typeface Bananas: Bananas was sourced from multiple American film era faces, all from 1950s and 1960s, when the casual sans genre was at its popular peak. Headliners' Catalina and its very similar cousin, Letter Graphics' Carmel, served as initial study points.

Carl Hermann Albert Anklam

Caoca Studio (or: Heroglyphs)
[Olivia Theresa]

Bandung, Indonesia-based type designer specializing in scrapbook fonts.

Typefaces from 2021: Jingle Cookies, Halloween Time, Alpaca Rain, Dingo Nursery, Cheese Sandwich, Charming Winter, Dashing Christmas, Magic Blooms, Dear Love.

Typefaces from 2020: Prune Blossom, Author Junior, Party Festival, Thankful Cookies Font, Christmas Valley, Warm Noodles, Your Summer, Happy House, Back To School, Pink Unicorn Font, Pink Beach, Rolling Film, Chill Time, Holiday Season, The Merry Holiday, Winter Holidays, Chocolate Cheese, Holly Jolly, Some Time.

Typefaces from 2019: The Rudolf Sleigh, Christmas Glee, Pumpkin Halloween, Automono (a rounded monolinear monospaced sans family), Summer Break, Milky Unicorn, Merry Bright, Brain Wash.

Typefaces from 2018: Altocumulus, Great Heart, Jolly Christmas, Winter Story, Romantica Script, Orange Juice, Black Shadows, Baby Seal, Adabame, Ericlaire, Uniquely, Sunday Hawaii, Summer Seas, Pool Party (monoline), The Lettering Font, The Great Circus, Brain Wash, Parents Greet, Monday Lovers (athletic lettering), Moms Note (handcrafted), Meidy, Maldisa, Historia, Laborations (sans stencil), Magic Trick, Kajika, Little Edelweiss, Hello Alpha, Hairmusk (brush), Gallerina, Father and Son (sans), Summer Peach, The Patriot (all caps sans), Vaganza (spurred), The Harison, Twigs (brush script), Valery (vintage), Torberta (spurred), Sants (squarish sans), Out Hill, Super Slayers, Sun Street, Summery, Summer Nude, Retros, Keripik (fat marker font), LaVonn (sans), Happy Valentine's Day (dingbats), Valentine's Edition Dingbats, Irish Green, The Stoothgart, Tying The Knot, San Barley (horizontally hatched), Easton (monoline sans), Pop Fist (condensed sans), Oracles (all caps sans), Pandoura, Popera, Loverstruck.

Typefaces from 2017: Right Brush, Spooky Tricks (halloween font), Treasure Script, Summer Joy, Brave Hearted (outline font), Father And Son, Super Slayers, Earth and Sky, Almondia, Hello People (comic book script), Northern, Looking, Parents Greet, Baker Sweet, Avocados.

Typefaces from 2016: Ineffable (regular and grunge), Saqanone, Salmonberry, Huckleberries, Mongli (a sharp-edged sans), Retros (inline), Andrade (brush style), Amecas (squarish), Queenata (signage script), Ranania (script), Paradise (calligraphic), Valery, The Mastiff, Little Edelweiss (curly informal typeface), Loverstruck, Calamandria, Pulsate (stencil), Peanut, Sedalia (brush script), Delaboean, Rhapsody (blackletter), Chiqarine (connected script), Berretti (a Broadway style art deco typeface), Cupello Sons (a geometric serif), Quella (brush script), Hello Alpha, Historia, Desmosedici. In 2014, during her studies in Bandung, Indonesia, Olivia Theresa created the frilly ornamental caps typeface Sambasa (2014), which was designed on a Georgia skeleton.

Creative Market link. Behance link. Behance link for Olivia Theresa. Creative Market link for Heroglyphs. [Google] [More] ⦿

Carl Albert Fahrenwaldt

German designer (b. Stettin, 1864, d. Stuttgart, 1941). He studied lithography from 1878-1882, and worked as a lithographer in Stuttgart from 1891-1895. After that, until 1939, he was a free-lance graphic designer in Stuttgart. He made these typefaces:

Edelweiß (1936-1937, Schriftguss): an art nouveau typeface.
Hohenzollern (1902, Bauersche Giesserei); a blackletter face. For a revival, see the free font CAT Hohenzollern (2014) by Peter Wiegel, and Hohenzollern (2004, Petra Heidorn).
Imperial (Bauersche Giesserei): a fat version of Hohenzollern.
Mainzer Fraktur (1901, H. Berthold AG and Bauer). The Mainzer Fraktur was digitized by Gerhard Helzel, and also by Markwart Lindenthal (Fraktur.de). Free versions include Berthold Mainzer Fraktur (2014, Peter Wiegel) and Unifraktur Maguntia (2010, J. Mach Wust).
A school script typeface dated 1901. For a free digital version of this, see Peter Wiegel's Helvetia Verbundene (2010).
Minister (1929, Schriftguss). This family comes with Antiqua and Kursiv in various weights, as well as Minister Initlen. Adobe and Linotype have their own digital versions. The Minister family comes with a white on black circle titling font called Minister Kreis Versalien (1933). For further developments of Minister, see, e.g., David Bergsland's Biblia and Biblia Serif (2017).
Prominent (1936, Schriftguss): a beautiful set of filled-in open initials.
Symbol (1933): an engraved set of initials.

Ademo (2011, Andreas Seidel) is a shaded 3d caps typeface based on two designs of Fahrenwaldt done for Schriftguss in 1931-1932.

Klingspor link. FontShop link. Linotype link. [Google] [MyFonts] [More] ⦿

Carl Gustav Naumann

C.G. Naumann is Carl Gustav Naumann, who ran a family printing business in Leipzig. In 1901, he published Schriftproben der Firma C.G. Naumann. Sample pages of that book are shown in the link. Poster by Naumann. [Google] [More] ⦿

German type designer, b. 1842, Berlin, d. 1931, Berlin. In 1870, he started working at Genzsch and Heyse in Hamburg as punchcutter and engraver. His Neue Schwabacher of 1876 became a very popular typeface.

Anklam created Mönchs-Gotisch (or: Mediaeval-Gotisch) in 1877 (Schnelle says 1881) at Genzsch & Heyse. In 1876, he made Neue Schwabacher (normal and halbfett) at Genzsch & Heyse (and Klinkhardt). That same type can also be found at many other typefoundries, including J. John&Söhne, Shelter&Giesecke, Ludwig & Mayer, Gebr. Klingspor, AG Schriftguss, Barnhart Brothers Spindler, H. Berthold AG, etcetera.

Author/editor of Kunstwerke der Schrift Bund für deutsche Sprache und Schrift (Großenkneten 1994).

Digital revivals include Schwabacher Mager Gross and Möncgs-Gotisch, both by Gerhard Helzel, and Neue Schwabacher (2021) by Ralph Unger. [Google] [More] ⦿

Carl Kloberg
[Giesserei Carl Kloberg]

Carlos Mario Peña Solís

Designer, b. 1989, Mexico. He created the blackletter / gothic / tattoo font Mirage Gothic in 2012.

Carol Susana Pinto Zarate

Carlos Mignot

Graphic designer in Rio de Janeiro associated with Plau Design. At Miami Ad School, as a student, he created Minimal Fraktur (2015). In 2018, he designed the corporate art deco typeface Chez Lalu 70. In 2019, he co-designed Muda, a corporate typeface for the fashion brand Oficina Muda with Ana Laura Ferraz, Gabriel Menezes and Rodrigo Saiani. In 2020, still at Plau, he designed the custom all caps sports company typeface Brio. With Rodrigo Saiani, Carlos Mignot designed the video game font family (+stencil, +Cyrillic) either called Killing Sans or Nine to Five (2020). Still in 2020, Mignot designed the flared Koch Antiqua-style custom typeface Xilo.

In 2021, Ana Laura Ferraz, Valter Costa, Carlos Mignot and Rodrigo Saiani designed the handcrafted black poster and branding typeface Vinila for the identity of grammar teacher Eduardo Valladares' personal brand EDU VLLD (Edu stands for Eduardo and Education while VLLD represents Valladares and Vulnerability). Carlos Mignot and Felipe Casaprima designed the corporate family iN Serif and iN Sans (+Mono) for iN Consultoria de Marcas in 2021. Still in 2021, Carlos Mignot and Rodrigo Saiani designed a few hip typefaces for the Brazilian TV channel Canal Brasil.

At Plau, he published the 10-style humanist ans typeface Redonda. [Google] [More] ⦿

Carlos Primo

Carlos Primo, a graphic designer from Madrid, created the super-techno typeface Sector 85 (2011), and the subdued blackletter family Der Neue Gutenberg (2012). Carlos was educated in Venezuela.

In 2014, he designed Archetype and Eye Candy (a bubblegum typeface based on Helvetica Neue 95). [Google] [More] ⦿

Carlos Serrano

Graphic designer at Insignia MK in Murcia, Spain. In 2015, Cesar Ordoño and Carlos Serrano co-designed the blackletter / metal band typeface Fucking Noise. [Google] [More] ⦿

Carmel Type (or: Just Lucky)
[Drew Melton]

Drew Melton (Carmel Type and Just Lucky, Los Angeles, CA) is a graphic and type designer, letterer and occasional illustrator. He has worked for a wide range of clients including McCann, Saatchi & Saatchi and Penguin Books. Many of his typefaces are exquisite.

He created the vintage shaded typeface Lastra (2014, improved in Lastra Display in 2015), Westward Numerals (2014), Steel Cut (2014, numerals), Chisel (2014, numerals), Show Stopper (2014, a signage typeface), Ballpoint Script (2014; released in 2019 at Typeverything), Awning Display (2014), Brite Script (2014, Ten Dollar Fonts), Handsome Script (2014, a calligraphic copperplate script), the signage typeface Sideshow (2014) and the Tuscan typeface Magnifique (2013, +Inline, +Shadow).

Typefaces from 2015: Numerals (Book Club, Butcher Block, Chisel, Chisel Shadow, Chisel Fill, Elegante, Elegante Fancy, Yuma), Dolcetto (a stunning swashy calligraphic copperplate script for stately occasions), Lumber Co (an Italian Western wood style font family at The Designers Foundry; together with Jason Carne), Rubber Boots (a text typeface with considerable contrast), Stockpile (numerals), Luxus Gothic (blackletter), Yuma Numerals. In 2015, Jason Carne and Drew Melton co-designed the large condensed titling typeface family Skyward and wrote: Robust, towering, and geometrically refined, Skyward is a surefire classic cocktail of equal parts utility and elegance. Stuffed Crust, bold and loud, will be a hit too. Drew writes: Big and greasy never looked so good.

Typefaces from 2016: Boulangerie (a Tuscan typeface by Drew Melton), Motor City (by Drew Melton and Jason Carne; an industrial strength slab serif; the name Motor City was already taken by Casey Cole in 2012, so we'll wait and see if there will be a name change in the works).

Creative Market link. Behance link. Ten Dollar Fonts link. Carmel Type link. [Google] [MyFonts] [More] ⦿

Graduate from FADU, University of Buenos Aires, who created the angular almost-blackletter extra-condensed typeface Dergollum (2010). [Google] [More] ⦿

Carolina Melul

Graduate from FADU, University of Buenos Aires, who created the blackletter typeface Schrag Pech (2009). [Google] [More] ⦿

Caroline Denton

Caroline Denton (Elf Creative, Bristol, UK) designed a the calligraphic blackletter ornamental caps alphabet Gothic (2017). [Google] [More] ⦿

Caroline Varon

Graphic designer in Montauban, France. During her studies in 2014, she created these typefaces: Cactoustype (stencil), Hublot (stencil), Scoblitch (modular blackletter). [Google] [More] ⦿

Casady&Greene (Fluentlaserfonts)
[Terry Kunysz]

Casady&Greene, Inc. started out as two separate little companies, CasadyWare and Greene, Inc. CasadyWare, which was founded by Robin Casady in August 1984, began producing Fluent Fonts, which were bitmapped typefaces for the Macintosh. The 1984 set of fonts have copyright lines that mention Richard A. Ware. As soon as PostScript fonts appeared, CasadyWare got hold of the first version of Fontographer and produced the first downloadable PostScript fonts, even beating Adobe, the originators of PostScript, to the punch. These were marketed as Fluent Laser Fonts (FLF) out of Carmel, CA.

The FLF series includes Abilene (Western), Alexandria (1986, slab serif family), Black Knight (1991, blackletter), Bodoni FLF (1986), BodoniUltra (1986, a fat didone), Bonnard (art nouveau), ButtonHighlight, ButtonPlain, Calligraphy (1986), Campanile (a great didone face), Checkbox, Chicago FLF (free at OFL), Collegiate (1988, sports lettering), Coventry Script (calligraphic), Cutouts FLF (1992, cargo stencil), Desperado, Dorovar Carolus (1988, Carolingian; see also D790 at Softmaker and Carolingia (1991, William Boyd)), DryGulch, Epoque (art nouveau), FattiPatti, Fletcher Gothic (1992, art nouveau), Galileo (1987, didone), Gazelle (1988, calligraphic script), Gatsby (1986, pure art deco), Giotto, Gregorian (1986, English Gothic style blackletter), Harlequin FLF (1990), Highland Gothic (1992), Jott, Kasse (1992), Kells (modern round Gaelic font, 1988), KeyCaps, La Peruta, Meath (modern round Gaelic font, 1988), Michelle (1992, art deco, marquee face), Micro, MicroExtend FLF (1986, like Microgramma), Monterey (1986, Peignotian), Moulin Rouge (1992, an art nouveau typeface by Richard A. Ware), Nouveau (1990, art nouveau), Paladin (1988, blackletter), Pendragon (1991), Phoenix Script FLF (1990), Prelude (1986, connected script), Regency Script (1986, calligraphic copperplate script), Right Bank (1986, art deco), Ritz (1986, art deco in the style of Broadway), Rocko (1992, rounded like VAG Round), SansSerif FLF (1986, a large geometric sans family), Sedona Script (1990, connected, calligraphic, semi-psychedelic), Slender Gold (1992, script), Vertigo (1992, condensed monoline sans), VertigoPlus, Zephyr Script (1986, brush script).

Many fonts were digitized by Richard Ware, and some were designed by Mike Wright. The contact was Terry Kunysz in Salinas, CA.

On July 3, 2003, Casady&Greene closed it doors permanently. However, one of its designers, Mike Wright, writes: I believe that all the fonts that were developed by the company are now in the public domain. Robin Casady and I are thinking of putting up a site with free downloads of all of the old C&G public domain fonts--mainly as a way of attracting Mac users to see iData 2.

Robin Casady in 2003: I founded Casady Company in 1984 to publish fonts for the new Macintosh. The name changed with incorporation to CasadyWare, Inc. Around this time I met Mike Greene who was looking for a software project to do after SpellsWell. I talked him into doing a program that became QuickDEX. Later CasadyWare, Inc. merged with Greene, Inc. and became Casady & Greene, Inc. Over the years, my role in management reduced as my interests in other areas developed. In the last ten years I have had no official management duties at C&G. About a year ago I removed myself from the Board of Directors.

Some fonts could be found at TypOasis [defunct link]. Fontex link. Font Squirrel link. [Google] [More] ⦿

CAT Design Wolgast
[Peter Wiegel]

Wolgast-based type designer Peter Wiegel (b. 1955) runs CAT Design Wolgast. Designer of these free fonts:

In 2019: Kufi Pattern.
In 2018: Aurach Tri (a trilined typeface), Googee (monoline circle-themed sans), Gianna (medieval script), Hamburger Schwabacher.
In 2017: Eyechart (heavy slab serif), Border Control (inline), Espresso Dolce (rounded sans), Gotisch Weiss, Halt (a dry brush typeface after Walter Hoehnisch's Stop from 1939), Kanzler, Llewie (rounded sans), Schulze Werbekraft (expressionist, after Arthur Schulze, 1926).
In 2016: Ronaldson Gothic (after a MacKellar, Smiths & Jordan Co original), Vorgang (a great 1920s geometric sans), 5by7 (LED pixel font), BP 12-22 (industrial sans), u DIN 1451 Mittelschrift, Flubby, Gaeilge (Irish / uncial), Junior CAT (after Hans Heimbeck, 1936), CAT Liebing Gotisch (after Kurt Liebing), Tippa (an old typewriter font based on Adler Tippa 1).
In 2015: Nuernberg (blackletter), CAT Schmalfette Thannhaeuser (blackletter), Offenbacher Reform (a revival of Offenbacher Reform, a blackletter typeface by Roos & Junge), Autobahn (blackletter), Barloesius Schrift (after Georg Barloesius's Barlösius Schrift, 1906), CAT-Franken-Deutsch (after Alfons Schneider, 1936), Fuckin Gwenhwyfar, CAT Kurier (a script after Herbert Thanhaeuser's Kurier from 1939), CAT Linz, CAT Rhythmus (a sharp-edged black grotesk after a Schriftguss AG original), DIN Schablonierschrift (DIN-based stencil), CAT North Licht, Feronia, Fette National Fraktur (after Walter Hoehnisch, 1934), Grobe-Plakat-Fraktur, CAT Childs (fifties style cursive typeface), Jena Gotisch (decorative caps), Kabinett Fraktur (after Johann Friedrich Unger, 1793-1794), Wattauchimma (heavy hipster sans), Friedolin (blackletter), Lorem Ipsum, Symphonie (a calligraphic script, reviving Imre Reiner's Symphonie (1938), also called Stradivarius (1945)), Power (a retro techno typeface), Krugmann Brush, Omega.
In 2014: BernerBasisschrift1, BernerBasisschrift2 (school script), Berolina, Brausepulver (after Brause & Co., 1912), Fette Mikado (psychedelic style oriental look), Germanica, Gloria, HentimpsCirclet (blackletter), Hofstaetten (blackletter), Kleinsemmering, KuenstlerGotisch (blackletter), LacledeCAT (psychedelic), NeptunCAT, Neue Zier Schrift (a mischievous curly script), Pommern Gotisch, Reclame, CAT Report (retro brush script), Rueck-Italic, Rueck, RueckLeft, RueckLicht, RundschriftCAT (hairline ronde), Standard Graf (German expressionist and hexagonal typeface), Teutonic, VerzierteFavorite, VictoriaCAT, AdmiralCAT (a retro script), Dynamo (poster font), Des Malers Fraktur, Kanzleyrath (blackletter), Ober-Tuerkheim (art nouveau), PopplFrakturCAT (blackletter), Rundkursiv, Modeschrift (fifties script), Biedermeier Kursiv, Ehmcke Federfraktur (after a 1935 font by F.H. Ehmcke), Wernicke Schwabacher (after an original by Emmi Wernicke), Gotische Missalschrift, Hand Textur (after a 1935 font by F.H. Ehmcke), Renata (after a 1914 bastarda by Bauersche Giesserei), Rundgotisch Rauh (possibly after a Schelter & Giesecke design from 1903), Offenbacher Schwabacher (after Kurt Wanschura's bastarda from 1900), Incopins Clusters (multilined typeface), BadGong, Bernardo Moda (Bold, Semibold, Moda, Contrast: modeled after Lucian Bernhard's Bernhard fashion), CAT-Hohenzollern (after a 1902 art nouveau font by Bauersche), CATNorth, CATNorthLicht, CATNorthShadow, CAT Zentenaer Fraktur UNZ1 (a blackletter after a 1937 original by F.H.E. Schneidler), Coggers-Tariqa, EirikRaude, Fabrik (a geometric sans), Grobe Deutschmeister (German expressionist face), Harry Piel (or Piehl--a tattoo font), Kanalisirung, Klaber-Fraktur, Peter Obscure, Rumburak (a fat retro script), Flottflott (retro script), Indira K, Regent UNZ (a Schwabacher), Postamt, TGL 0-1451 Engschrift (a DIN-like font).
In 2013: Spartakus (+Round), Cut Me Out (white on black sans), 5by9 (dot matrix face), Tartlers End (high-contrast ball terminal face), Alpha 54 (rounded flared script face), Chunk Five Ex (slab serif; he writes: With permission of Meredith Mandel, the original author of the ASCII-Font Chunk Five, I have extended Chunk Five Ex to a full featured unicode font with all figures used in Latin and Cyrillic writing), Simple Print (simple sans), Fette Bauersche Antiqua (a didone fat face), Manuskript Gothisch (after Manuskript Gotisch (1899, Bauersche), which was modeled after Wolfgang Hopyl's 1514 Textura), Quast (hairy font).
Still in 2013, he published a number of school scripts, including Neue Rudelskopf, Deutsche Normalschrift, Imrans School, Rastenburg (German school font), and Bienchen.
In 2012: Hardman (connected fifties script), Immermann (a quaint slab serif), Quast (grunge), Fundamental Brigade (sans family), DiffiKult (a bilined face), Men Nefer (a Memphis lookalike), Fette Unz Fraktur (like Fette Fraktur), Mutter Krause (for the reconstruction of the 1929 silent movie "Mutter Krausens Fahrt ins Glück", where it is used for intertitles, that where missing. The font is redrawn from the original intertitles), Youbilee (a font with laurels).
In 2010: Alfabilder (dingbats), Gondrin (athletic lettering with a 3d effect), Helvetia Verbundene (making Helvetica into a school script? The original typeface was by Carl Albert Fahrenwaldt 1901), Proletarsk (a grotesk face), Vis-à-vis (great idea--a double-storied serif face), ApolloASM (Victorian), BertholdrMainzerFraktur, Doergon-Regular (license plate font), DoergonBackshift, DoergonShift, Eureka (Victorian, ornamental face), GoeschenFraktur (1880-style Fraktur used in Sammlung Göschen books), Makushka, MakushkaKontura, MakushkaQuadriga, MakushkaSecunda, Moderne3DSchwabacher, ModerneGekippteSchwabacher, StrassburgFraktur, TGL0-16 (same as DIN 16), TGL0-17 (same as DIN 17), TGL0-17Alt, Tank (emblems of gas companies), EricaType-Bold, EricaType-BoldItalic, EricaType-Italic, EricaType-Regular (typewriter), ErikaOrmig, Fibel Vienna (2012, a high-legged sans), GreifswalderTengwar-Regular, GreifswalerDeutscheSchrift (German Schreibschrift), Midroba-Regular (a strong mechanical octagonal face), MidrobaSchatten, MMX2010 (futuristic), Präsent60, Rotunda Pommerania (blackletter), TengwarOptime, TengwarOptimeDiagon, cbe-Bold, cbe-BoldItalic, cbe-Italic, cbe.
In 2009: 18thCenturyInitials, 18thCenturyKurrent-Regular, 18thCenturyKurrentAlternates, German writing from the 18th century), CentreClaws, CentreClawsBeam1, CentreClawsSlant, Cöntgen Kanzley Regular (blackletter), Cöntgen Kanzley Aufrecht (2009), ElficCaslin, H1N1, Loxembourg1910Shadow (an art nouveau-influenced stencil face), Luxembourg1910, Tschichold, VarietScala (an art deco sans family), Varietee, VarieteeArtist, VarieteeCabaret, VarieteeCascadeur, VarieteeCasino, VarieteeCirque, VarieteeColege, VarieteeConferencier, VarieteeFolies, VarieteeIkarier, VarieteeJongleur, VarieteeMirage, VarieteeRevue, VarieteeTheatre, KochFetteDeutscheSchrift (blackletter), MoradoFelt-Regular (upright connected script), MoradoMarker (2009), MoradoNib, PreussischeVI9 (DIN-like family), PreussischeVI9Linie, PreussischeVI9Schatten-Linie, PreussischeVI9Schatten, SchatternvonPreussischeVI9, Stage (art deco), Ring Matrix (dot matrix), Nathan, Amptmann Script (2009, upright connected script), Cat Shop, Blankenburg (blackletter), Murrx (arched face), Schwaben Alt (1988, bastarda), Vrango, 14LED (Regular, Phattt-Heavy, Rised-Black), 24LED (+Bright, +Grid, +Modul), DIN1451fetteBreitschrift1936-Regular, FibelNord (basic sans family with an architectural twist), FibelSued (family), PaneuropaBankette, PaneuropaCrashbarrier-Black, PaneuropaFreeway, PaneuropaHighway, PaneuropaRoad, PaneuropaStreet, PaneuropaWrongWay, Quirkus (family), RingMatrix (dot matrix family), RingMatrix3D, RingMatrixTwo, DiscipuliBritannica (connected script), GruenewaldVA-Regular (connected school script), Rudelskopfdeutsch-Aufrecht, WiegelLatein (connected school script), WiegelLateinMedium (2009), Morado, Moebius Bicolor (art deco), Elbaris (sans), ElbarisOutline, Nomitais (multiline face), RostockKaligraph, Waschkueche, WaschkuecheGrob-Ultra, WiegelKurrent (traditional German school script), WiegelKurrentMedium, XAyax, XAyaxOutline (2009), Kaufhalle (squarish), Quimbie (art deco), CasaSans-Regular, Elb-Tunnel, MeyneTextur (blackletter), Yiggivoo, TGL 31034-1 (futuristic sans), Beroga (a simple organic sans).
Before 2009: Xayax, PreussischeIV44Ausgabe3 (2006, a severe sans), Utusi Star (1989, very condensed all-caps face), Avocado (2006, script face), CbeNormal (2006, script face), Leipzig Fraktur (+Bold) (2006), Berlin Email (2006, a condensed sans family, followed in 2009 by Berlin Email Serif), MaassslicerItalic (2006, a futuristic typeface made for Rudolf Maass + Partner GmbH), Powerweld (a gorgeous avant-garde typeface made for OPTI Pumpen und Technik GmbH), WolgastScript (2005), WolgastTwo (2006, connected script), WolgastTwoBold, ZeichenDreihundert-Regular, ZeichenHundert-Regular, ZeichenVierhundert-Regular, ZeichenZweihundert-Regular (2006, traffic dingbats), Djerba simplified (Arabic font, Computer and Technologie, Hamburg, 1995; it can be downloaded here), Titus FrakturBaltic (1998), TITUS FrakturEast Normal (1998), and TITUS FrakturWest Normal (1998) [which used to be downloadable here; these fonts were retired and the Titus name dropped; most of the glyphs made it to Schwaben Alt].

Dafont link. One more URL. Fontspace link. Yet another URL. Font Squirrel link. Fontsy link.

The list of his truetype and opentype typefaces as of 2011: 18thCenturyInitials, 18thCenturyKurrentStart, 18thCenturyKurrentText, Alfabilder, AlteDIN1451Mittelschrift, AlteDIN1451Mittelschriftgepraegt, AmptmannScript, ApolloASM, Avocado, Barnroof, BerlinEmail, BerlinEmail2, BerlinEmailBold, BerlinEmailBold, BerlinEmailHeavy, BerlinEmailHeavy, BerlinEmailOutline, BerlinEmailOutline, BerlinEmailSchaddow, BerlinEmailSchaddow, BerlinEmailSemibold-Bold, BerlinEmailSemibold-Bold, BerlinEmailSerif, BerlinEmailSerif, BerlinEmailSerifSemibold, BerlinEmailSerifSemibold, BerlinEmailSerifShadow, BerlinEmailWideSemibold, BerlinEmailWideSemibold, Beroga, Beroga, BerogaFettig-Bold, BerogaFettig-Bold, BertholdMainzerFrakturUNZ1A-Italic, BertholdMainzerFrakturUNZ1A, BertholdrMainzerFraktur, Blankenburg-Regular, BlankenburgUNZ1A-Italic, BlankenburgUNZ1A, CasaSans-Regular, CasaSans, CasaSansFettig-Bold, CatShop, CentreClaws, CentreClawsBeam1, CentreClawsSlant, ChunkFiveEx, CntgenKanzley-Regular, CntgenKanzleyAufrecht, DIN1451fetteBreitschrift1936-Regular, DiscipuliBritannica, DiscipuliBritannicaBold, Doergon-Regular, DoergonBackshift, DoergonShift, DoergonWave-Regular, Elb-Tunnel, Elb-TunnelSchatten, Elbaris, ElbarisOutline, ElficCaslin, EricaType-Bold, EricaType-BoldItalic, EricaType-Italic, EricaType-Regular, ErikaOrmig, Eureka, FibelNord-Bold, FibelNord-BoldItalic, FibelNord-Italic, FibelNord, FibelNordKontur, FibelSued-Bold, FibelSued-BoldItalic, FibelSued-Italic, FibelSued, FibelSuedKontur, GoeschenFraktur, GoeschenFrakturUNZ1A-Italic, GoeschenFrakturUNZ1A, Gondrin, GreifswalderTengwar-Regular, GreifswalerDeutscheSchrift, GruenewaldVA-Regular, GruenewaldVA1.Klasse, GruenewaldVA3.Klasse, H1N1, HelvetiaVerbundene, KochFetteDeutscheSchrift, KochFetteDeutscheSchriftUNZ1A-Italic, KochFetteDeutscheSchriftUNZ1A, LeipzigFrakturBold, LeipzigFrakturHeavy-ExtraBold, LeipzigFrakturLF-Bold, LeipzigFrakturLF-Normal, LeipzigFrakturNormal, LeipzigFrakturUNZ1A-Bold, LeipzigFrakturUNZ1A-BoldItalic, LeipzigFrakturUNZ1A-Italic, LeipzigFrakturUNZ1A, Luxembourg1910, Luxembourg1910Contur, Luxembourg1910Ombre, MMX2010-Regular, Maassslicer3D, Maassslicer3D, MaassslicerItalic, MaassslicerItalic, Makushka, MakushkaKontura, MakushkaQuadriga, MakushkaSecunda, MeyneTextur, MeyneTexturUNZ1A-Italic, MeyneTexturUNZ1A, Midroba-Regular, MidrobaSchatten, Moderne3DSchwabacher, ModerneFetteSchwabacher, ModerneFetteSchwabacherUNZ1A-Italic, ModerneFetteSchwabacherUNZ1A, ModerneGekippteSchwabacher, MoradoFelt-Regular, MoradoMarker, MoradoNib, MoradoSharp-Regular, Murrx, Nathan-CondensedRegular, Nathan-ExpandedRegular, Nathan-Semi-expandedRegular, Nathan, NathanAlternates-CondensedRegular, NathanAlternates-ExpandedRegular, NathanAlternates-Semi-expandedRegular, NathanAlternates, Nomitais, Nomitais, Numikki, Numukki-Italic, Numukki-Italic, Numukki, Powerweld, PreussischeIV44Ausgabe3, PreussischeIV44Ausgabe3, PreussischeVI9, PreussischeVI9Linie, PreussischeVI9Schatten-Linie, PreussischeVI9Schatten, Proletarsk, Prsent60, Quimbie, Quimbie3D, QuimbieShaddow, QuimbieUH, Quirkus-Bold, Quirkus-BoldItalic, Quirkus-Italic, Quirkus, QuirkusOut, QuirkusUpsideDown, RostockKaligraph, RotundaPommerania, RotundaPommeraniaUNZ1A-Italic, RotundaPommeraniaUNZ1A, Rudelskopfdeutsch-Aufrecht, SchatternvonPreussischeVI9, Schulfibel-Nord-Linie-2, SchwabenAlt-Bold, SchwabenAltUNZ1A-Italic, SchwabenAltUNZ1A, Stage, StrassburgFraktur-Regular, TGL0-16, TGL0-17, TGL0-17Alt, TGL31034-1, TGL31034-1, TGL31034-2, TGL31034-2, Tank, TengwarOptime, TengwarOptimeDiagon, TitilliumMaps29L-1wt, TitilliumMaps29L-400wt, TitilliumMaps29L-800wt, TitilliumMaps29L-999wt, TitilliumText22L-1wt, TitilliumText22L-250wt, TitilliumText22L-400wt, TitilliumText22L-600wt, TitilliumText22L-800wt, TitilliumText22L-999wt, TitilliumTitle20, UtusiStar-Bold, UtusiStar, VarietScala, Varietee, VarieteeArtist, VarieteeCabaret, VarieteeCascadeur, VarieteeCasino, VarieteeCirque, VarieteeColege, VarieteeConferencier, VarieteeFolies, VarieteeIkarier, VarieteeJongleur, VarieteeMirage, VarieteeRevue, VarieteeTheatre, Via-A-Vis, Vrng, Waschkueche, Waschkueche, WaschkuecheGrob-Ultra, WaschkuecheGrob-Ultra, WiegelKurrent, WiegelKurrent, WiegelKurrentMedium, WiegelKurrentMedium, WiegelLatein, WiegelLateinMedium, WolgastScript, WolgastScript, WolgastTwo, WolgastTwo, WolgastTwoBold, WolgastTwoBold, XAyax, XAyax, XAyaxOutline, XAyaxOutline, YiggivooUnicode-Italic, YiggivooUnicode-Italic, YiggivooUnicode, YiggivooUnicode, YiggivooUnicode3D-Italic, YiggivooUnicode3D-Italic, YiggivooUnicode3D, YiggivooUnicode3D, ZeichenDreihundert-Regular, ZeichenDreihundertAlt, ZeichenHundert-Regular, ZeichenHundertAlt, ZeichenVierhundert-Regular, ZeichenZweihundert-Regular, ZeichenZweihundertAlt, cbe-Bold, cbe-BoldItalic, cbe-Italic, cbe, kaufhalle, kaufhalle, kaufhalleblech, kaufhalleblech, moebius.

His type 1 fonts as of 2011: Avocado, BerlinEmail, BerlinEmail2, BerlinEmailBold, BerlinEmailHeavy, BerlinEmailOutline, BerlinEmailSchaddow, BerlinEmailSemibold-Bold, BerlinEmailSerif, BerlinEmailSerifSemibold, BerlinEmailSerifShadow, BerlinEmailWideSemibold, Beroga, BerogaFettig-Bold, CasaSans, Elb-Tunnel, Elb-TunnelSchatten, Maassslicer3D, MaassslicerItalic, Numukki-Italic, Numukki, Powerweld, PreussischeIV44Ausgabe3, Quimbie, QuimbieUH, RostockKaligraph, TGL31034-1, TGL31034-2, UtusiStar-Bold, UtusiStar, Waschkueche, WaschkuecheGrob-Ultra, WolgastScript, WolgastTwo, WolgastTwoBold, YiggivooUnicode-Italic, YiggivooUnicode, YiggivooUnicode3D-Italic, YiggivooUnicode3D, cbe-Bold, cbe-BoldItalic, cbe-Italic, cbe, kaufhalle, kaufhalleblech.

A list of typefaces in alphabetical order, with descriptive comments provided by Reynir Heidberg Stefansson from Iceland: 18th Century Kurrent (Kurrent-style handwriting, Wiegel-coded), Alfabilder (Alphabetic picture font for the German alphabet), Amptmann Script (Partly-connected, upright writing, used on Prussian Railways pattern drawings), ApolloASM (Jugendstil, vaguely resembling an ornate Bocklin), Avocado (Handwriting, broad-nib pen-style), Berlin Email (Narrow sans-serif, based on emailled signage; Wiegel-coded), Berlin Email Serif (Narrow serif, based on emailled signage; Wiegel-coded), Beroga (All-minuscule, rounded marker-style sans-serif with ca. 8° slope), Berthold Mainzer Fraktur (Fraktur in Wiegel (Regular only) and UNZ1(A) coding), Blankenburg (Semicondensed Tannenberg in Wiegel (Regular only) and UNZ1(A) coding), Casa Sans (Squarish, broad-nib pen-style block writing), CatShop (Serif, soft of an acid-washed didone), cbe Normal (Sans-serif, narrow, somewhat cuneiform), Centre Claws (Sans-serif, Art Deco display, a bit like Broadway), Cöntgen Kanzlei (Cöntgen Kanzley) (Fraktur-based calligraphy by Heinrich Hugo Cöntgen, Wiegel coding), DiffiKult (Sans-serif, display, no horizontal lines), DIN 1451 fette Breitschrift 1936 (The now-withdrawn Wide version of DIN 1451 traffic font), Discipuli Britannica (UK school handwriting), Doergon (Slab-serif, narrow-ish, all majuscule), CAT Eckmann, Elabris (Elbaris) (Sans-serif, caps/smallcaps, shades of DIN1451 Engschrift), Elb-Tunnel (Sans-serif, based on signage in the old Elbe tunnel in Hamburg), Elbic Caslon (Elfic Caslon, Elfic Caslin) (a Caslon for the Queen Galadriel), Erika Type (Erica Type) (Slab-serif, typewriter, comes from Wiegel's old Erika typewriter), Eureka (Serif, caps/smallcaps, Art Deco/Jugendstil), Fibel Nord (2009, sans-serif, based on German school primer), Fibel Sued (2009, sans-serif, based on German school primer), Fibel Vienna (Sans-serif, based on Austrian school primer), Fundamental Brigade (Sans-serif, geometric, some UNZ1 ligatures), Göschen Fraktur (Goeschen Fraktur) (Fraktur with a biblical feel, Wiegel (Rg only) and UNZ1 coding), Gondrini (Gondrin) (Sans-serif, geometric, display, shaded outlines, cookie-cutter), Greifswalder Deutsche Schrift (Handwriting, based on Rudolf Koch's Offenbacher Kurrent, Wiegel coding), Greifswalder Tengwar (Tengwar handwriting in Offenbach style), Gruenewald VA (Latin-style schoolhand, Wiegel coding), H1N1 (Heavy display typeface made of parallel wavetrains), Hardman (Heavy, wide, squarish logotype with connecting letters), Helvetia Verbundene (Swiss handwriting), Immermann (Display, resembles a seriffed Radio/Rundfunk, UNZ1 coding), Kaufhalle (Display, recreation of HO Kaufhalle logotype), Koch Fette Deutsche Schrift (Very plain fraktur, Wiegel (Rg only) and UNZ1 coding), Leipzig Fraktur (Fraktur for bread text, Wiegel coding), Leipzig Fraktur UNZ1A (Fraktur for bread text), Luxembourg 1910 (Sans-serif, Jugendstil display typeface from old spice drawers), Maass Slicer (Maassslicer) (Sans-serif, oblique display face, orig. logotype), Makushka (Sort-of an Elabris with minuscules, looks overlayable), Men Nefer (Slab-serif, geometric, UNZ1 coding), Midroba (Spur-serif, display, all-majuscule, heavy, octal), MMX2010 (Sans-serif, display, caps/smallcaps, TV game machine feel), Moderne Schwabacher (Heavily reworked, Wiegel coding), Moderne Fette Schwabacher UNZ1A (Heavily reworked, Wiegel coding), Möbius (moebius) (Sans-serif, display, bicolour (u/c = non-spacing fills, l/c = spacing outlines)), Morado (Connected handwriting with nib or marker pen), Murrx (Heavy display typeface made from ellipsoids on NE-SW axis), Mutter Krause (Serif, slanting, Jugendstil-feel), CAT Neuzeit and CAT Neuzeit Schatten (2012-2014), Nathan (Slab-serif, hand-drawn.), Nomatais (Nomitais) (Elabris with multiple levels of outlines), Numukki (Conlang, knotted-line, good for separators and scenebreaks), Powerweld (Sans-serif, Bauhaus style, all-minuscule), Präsent 60 (PI font with various East German logos), Preussische IV 44 (PreussischeIV44Ausgabe3) (Repro of Prussian Railways pattern type IV 44 version 3), Preussische VI 9 (Repro of Prussian Railways pattern type VI 9 version 2), Proletarsk (Sans-serif, monoline, doubled-up questionmark), Quast (Brush type, all-majuscule, very rough outline), Quimbie (Sans-serif, all-majuscule, resembles Amelia), Quirkus (Sans-serif), Ring Matrix (LED matrix with ring LEDs, solid LEDs and ring LEDs with shadow), Rostock Kaligraph (Very round calligraphy, resembles rotunda), Rotunda Pommerania (Rotunda style, Wiegel-code (Regular only) or UNZ1-coded), Rudelskopf deutsch (Sans-serif, based on Kurrent-style letterforms), Schwaben Alt (Schwabacher in Wiegel- (Rg only) or UNZ1-coding.), Stage (Sans-serif, narrow, Art Deco, fleeting taste of Broadway), Strassburg Fraktur (Handwritten fraktur, ornate majuscules, Wiegel-coding), Tank (PI font with (gas/petrol) tank station logos), TengwarOptime (Optima for Tengwar), TGL 0-16/0-17 (East German versions of DIN 16 and DIN 17 blueprint types), TGL 31034-1, TGL 31034-2 (East German versions of DIN 6776 / DIN EN ISO 3098 blueprint types), Utusi Star (Sans-serif, slight resemblance with Rundfunk), Varieté (Sans-serif, all-majuscule or caps/smallcaps), Vis-A-Vis (Serif, all-majuscule, split in middle), Volk Redis (Kurrent handwriting, anno 1930-1941), Vrångö (LED matrix type like Ring Matrix), Waschküche (Serif, resembles Antykwa Torunska), Wiegel Kurrent (Kurrent-style handwriting), Wiegel Latein (Latin-style handwriting), Wolgast Script (Sloppy-looking handwriting with a broad-nib pen), Wolgast Two (Latin/Cyrillic handwriting), XAyax (Serif, Jugendstil, narrow, all-majuscule), Yiggivoo Unicode (Sans-serif, wide, tall x, board game packaging feel), Youbilee (PI font with various jubilee laurels), Verkehrszeichen (Zeichen) (PI fonts with traffic signs (in layers)), Verkehrszeichen alt (Zeichen Alt) (PI fonts with old traffic signs (in layers)).

Abstract Fonts link. Dafont link. Kernest link. Klingspor link. CAT Fonts link. Fontesk link. [Google] [More] ⦿

Catalina Gutierrez

Bogota, Colombia-based designer of the blackletter typeface Germanica (2015). [Google] [More] ⦿

Catarina Neves

During her graphic design studies at Faculdade de Belas Artes da Universidade do Porto, Portugal, Catarina Neves designed the blackletter typeface Gothic (2016). [Google] [More] ⦿

Catharsis
[Christian "Cinga" Thalmann]

Catharsis is located in Leiden, The Netherlands. Before that, Christian Thalmann's page Cinga.ch was run out of Switzerland, when he was a student at ETH Zürich. Thalmann is an astrophysicist by training.

Catharsis had free typefaces such as the great Arabic simulation typeface Catharsis Bedouin (2004), CatharsisCircular, CatharsisRequiem (a unicase pair), CatharsisRequiemBold, CatharsisCargo, Cirnaja Bookhand and Cirnaja Calligraphy (made for his artificial language, Obrenje), Catharsis Macchiato (2005), CatharsisEspresso (2005).

At Catharsis, the commercial foundry, he published Octant in 2013: Octant is an original steampunk display typeface drawing inspiration from Victorian-age steel and brass engineering, as well as from blackletter typography. Gryffensee (2013, in styles called Eins, Zwei and Drei) is designed to be the Futura of blackletter, combining the time-honored gravity and relentlessness of the Gothic script with the clean, contemporary freshness of the geometric sans. It also covers Cyrillic.

Backstein (2013), baked brick, took its inspiration from the broken antiqua lettering in Berlin's old subway stations.

Volantene Script (2013) is a (free) uncial display typeface inspired by the penmanship of Lady Talisa Maegyr-Stark as seen on HBO's Game of Thrones. Numina (2013, Glamour and Glory substyles) is an extensive condensed fashion-oriented typeface family related to Skyline and Corvinus.

Maestrale (2013) adds calligraphic and flamboyant extenders to a decorative text typeface for a dramatic effect. Choose between Maestrale Manual (swashy) and Manuale Text.

Blumenkind (2013) is inspired by an instance of metal-strip lettering found on the Bürgermeister Kornmesser Siedlung residential building complex in Berlin from the 1960s.

Brilliance (2013) is a glamorous contemporary display blackletter combining the rich tapestry of Textura with a hint of the airy lightness of Spencerian script. Let's say that it is a light-hearted Textura.

In 2015, he made the free 45-style classic serif typeface family Cormorant, which includes several unicase fonts. This typeface started out in 2014 as Paramond, a light, contrasted, space-taking Garalde with impossibly tiny counters and long extenders. Links to the Google Font directory: Cormorant, Cormorant Garamond, Cormorant Infant, Cormorant SC, Cormorant Unicase, Cormorant+UprightCormorant Upright. See also CTAN.

In 2016, he created the humanist geometric sans typeface family Quinoa for Latin, Cyrillic, Greek and Hebrew.

Typefaces from 2017: Tesserae (kitchen tile style), Traction. Traction was originally conceived and designed by Christian Thalmann. Chiara Mattersdorfer and Miriam Suranyi expanded, completed and produced the font family. This typeface sports signature serifs, soft edges and a fluid, organic design.

In 2018, Christian started work on a blackletter-themed stencil typeface, first called Komik Ohne (the German for Comic Sans) and later named Kuschelfraktur (2019).

Between 2016 and 2019, he developed Eau de Garamond---a sans distilled from the essence of Garamond---, which was later renamed Ysabeau. Github link. In 2020, we find another fork, Isabella Sans.

Overbold (2019) is described by him as follows: Overbold is an unapologetic display typeface inspired by an illustration in Eric Gill's Essay on Typography (p.51), in which he demonstrates how not to make letters. In particular, he shows that increasing the weight of the downstroke in a serif A without structural adjustments yields an absurd, overbold result. I found the letter so charming that I decided to blatantly disregard Gill's wisdom and draw an entire overbold typeface. Here is the result. I'm not sorry.

1001 fonts link. Yet another URL. Fontspace link. Behance link. Klingspor link. Dafont link. Open Font Library link. Github link. [Google] [MyFonts] [More] ⦿

Cayo Navarro

Peruvian graphic and web designer. At FontStruct, he created a number of pixel fonts in 2009, such as gridnPix75 (+Light, +nLite), OCR-APix6, cayoPix45, ScrptPix5, sCapsPix4, SerifPix6, moSpPix57, ClassPix5, MicriPix4, CorpoPix5, and BminiPix5. Other fonts there include Proton Type (2009), the geometric pxlNotSqr (2009) and the sturdy headline typefaces Woznian (2009, inspired by bitmap fonts like Chicago and Charcoal) and Gizmatik (2009), his best font. In 2009, he added NuevoSolStile (in the Eurostile/Microgramma mold), MacroBold (ultra-fat), Steam Punker, Funkadeliai, Monocodigo, FS Mini, FS Remix (horizontally striped), BlackSQRda (blackletter), Fontscript, Scanografia (vertical striping of letters), Stencikal, Bloxed (white on black), BlackSQRda, NSS Unicase (unicase), NuevoSolStile (unicase). [Google] [More] ⦿

C.C. Marshall
[Active Depth]

Chair of Medieval English Literature

cdeliason

Designer at FontStruct in 2008 of geogothic (blackletter). [Google] [More] ⦿

Cecilia Payseur

Graphic designer in Charlotte, NC, who during her internship with Arzberger Stationers, created some caps typefaces in 2011; Flora (floriated), Suzy (oriental simulation), Caroline (calligraphic), Sassie (Victorian), and a blackletter face. [Google] [More] ⦿

Cem Eskinazi

Cem is a Turkish graphic and type designer and educator. He holds a BS in Marketing Communications from Emerson College and an MFA in Graphic Design from RISD. He teaches at both undergraduate and graduate levels at RISD. For some time, he was affiliated with Occupant Fonts in Providence, RI. Creator of the blackletter font Dürer Blades (ca. 2021). [Google] [More] ⦿

Cercurius (was: Lars Törnqvist Typografi)
[Lars Törnqvist]

Born in Karlstad, Sweden, in 1952, Lars Törnqvist now lives in Stockholm. Lars Törnqvist's designed many typefaces, first at Lars Törnqvist Typografi, and then at Cercurius:

Dialekt Svi: a series of three phonetic fonts for Swedish dialects.
Dialekt Uni (2001): a huge Unicode phonetic font that includes the West European characters, the characters and diacritics of the Swedish dialect alphabet and most of the IPA characters.
Fitzronald (2013). Based on Ronaldson Old Style (Alexander Kay, 1884).
Hnias (2004): a unicode runic font.
Remington Reseskrivmaskin (2000): a typewriter font.
DecCode (2000) and HexCode (2000): numerical fonts.
Pitmanita, a font containing the characters of Sir James Pitman's Initial Teaching Alphabet. This alphabet was used in many English schools in the 1960s.
Morsealfabetet, a Morse-Code font.
Korsstygn 1, a cross-stitch font.
Tant Brita (2006), Tant Ingrid (2006), Tant Ulla (2006), Tant Gertrud (2006), Tant Lilian (2006): stitching typefaces.
Knappast (2006), Knappolog (2013), Endast (2006), Emedan (2006): letters in circles or rounded rectangles.
Karolinus Fraktur (2006): A slightly regularized digital version of a late Baroque Fraktur type, probably from the beginning of the 18th century, issued by the Norstedts type foundry in Stockholm in 56 point size as Sju petit fraktur nr 2.
Simpliciter Sans (2006), a rounded sans family in three styles, based on the standard round-pen ink lettering used on technical drawings in the middle of the 20th century.
Huruvida (2006). Varvid and Varvid Caps (2006, a bilined tubular caps stencil face).
Vibertus (2007): a didone headline typeface based on Gras Vibert (1840, Vibert, for the Didot type foundry).
Yxlofon (2015). a dot matrix display typeface.

And a jump list for Fraktur fonts. MyFonts link to his foundry, Lars Törnqvist Typografi.

View Lars Törnqvist's typefaces. [Google] [MyFonts] [More] ⦿

Cerement

American designer at FontStruct in 2008 of Lucid (monospaced 5x7 LCD font for Latin, Cyrillic, Greek and katakana: white on black), Absinthe (pixel face), Faith (condensed, unicase), Neuerburg (blackletter influences: from the logo for "Haus Neuerburg Zigaretten" designed by Prof. O.H.W. Hadank, 1925), Conform (pixel face), Minim (Textura blackletter). [Google] [More] ⦿

Cesar Ordoño

Graphic designer at F33 in Murcia, Spain. In 2015, Cesar Ordoño and Carlos Serrano co-designed the blackletter / metal band typeface Fucking Noise. [Google] [More] ⦿

C.F. Rühl

Leipzig-based foundry. It produced typefaces such as Neuwerk-Type (1908, Georg Schiller's blackletter), Breitkopf-Fraktur (original by JGI Breitkopf, ca. 1760, redone in 1912), Alte Schwabacher, Diadem (1912, a blackletter by Georg Schiller), Neudeutsch, and Elementar-Deutsch (1911, a blackletter by Georg Schiller).

C.F. Rühl is perhaps best known in the Hebrew community for its Frank Rühl typeface for Hebrew. The original Frank Rühl was designed in 1908 by Rafael Frank in collaboration with Auto Rühl of the C. F. Rühl foundry. A final version was released in 1910. Many Israeli books, newspapers and magazines use Frank Rühl as their main body text typeface in the 20th century. Many digital versions of this font exist. In 2016, Yanek Iontef designed the free Google Font Frank Ruhl Libre for Latin in Hebrew. Iontef's extension and modernization has five styles. [Google] [More] ⦿

C.G. Schoppe

Designer of the blackletter font Centralschrift in 1853. Had his own foundry in Berlin. [Google] [More] ⦿

Chad Palmer

San Diego, CA-based designer of the decorative blackletter typeface Old Style Loser (2017), the connected monoline script Alpine Hand (2017), the horror brush script The Letter Evil (2017), the spurred sans titling typeface Cape Horn (2017) and American Gothic (2017). His life's motto: I like to draw letters, take photographs, and drink whiskey...but not always in that order. Creative Market link. Behance link. [Google] [More] ⦿

At the Heinrich Heine University of Düsseldorf: SILDoulosIPA-Regular, SILManuscriptIPA-Regular, SILSophiaIPA-Regular, TimesNewRoman-OldEnglish-KT, TimesNewRoman-OldEnglish-KT-BoldItalic, TimesNewRoman-OldEnglish-KT-Bold, TimesNewRoman-OldEnglish-KT-Italic, TimesNewRoman-OldEnglish-KT. [Google] [More] ⦿

Charles Borgerding

Kutztown, PA-based art director and illustrator. In 2010, he drew a blackletter alphabet called Kutztown Fraktur. [Google] [More] ⦿

Charles Emil Heyer

Chicago-based punch-cutter, 1841 (Berlin, b. Carl Emil Heyer)-1897 (Chicago). His typefaces have late Victorian and early art nouveau elements:

At BBS: Armenian (+Extended) (1879), Calumet (1887), Castle (1888, a clean basic sans), Challenge Lightface (1888), Fair (1893), Fair Open (1891), Grant No. 2 (1892), Heyer, Jewel Script (1888), La Salle (1889), Lakeside Script (1883), Lyric (+Lightface Lyric, 1882; in 1925 renamed to Greeting Card (+Light)), Maltese (+Open) (1878), Mayo, Myrtle Script (1885), Occident (+Shaded) (1881), Opaque, Plate Script, Princess Script (1887), Princeton, Solar (1888), Sylvan Text.
At Boston Type Foundry: Bank Note Italic Ornamented (1874 or 1875), Compressed Black (1875), Copperplate Italic (1875), Harlem (+Open, +Shade) (1875), Karnac (1874 [note: not sure this was done at Boston Type Foundry]), Mayence (1875), Nubian (1876), Rococo (1876), Vienna (1875).
At Western Type Foundry: Circular Gothic No. 44 (1879). For a revival, see Foundation Sans Number 44 (Henrik Kubel, 2018).

Charles Enschedé

Dutch author (1855-1919) who wrote the following books or book chapters:

Die Hochdeutschen Schriften aus dem 15ten bis zum 19ten Jahrhundert der Schriftgiesserei und Druckerei (1919, Enschedé en Zonen, Haarlem), a publication which has four articles:
- Gustav Mori: Christian Egenolff, der erste ständige Buchdrucker in Frankfurt a/M
- Christian Münden: Von den ersten Franckfurter Bruchdruckern
- Gustav Mori: Geschichte und Entwicklung des Schriftgiesserei-Gewerbes in Frankfurt a/M
- Charles Enschedé: Die Druckerei der Elsevier und ihre Bezichung zu der Lutherschen Schriftgiesserei
This book is mainly about the development and history of blackletter types. Open Library link.
Fonderies de caractères et leur matériel dans les Pays-Bas du XVe au XIXe siècle (1908: Haarlem, De erven F. Bohn).
Technisch onderzoek naar de uitvinding van de boekdrukkunst, door Mr. Ch. Enschedé (1901).

[Google] [More] ⦿

Charles Nix
[New Fonts]

Charmaine Ang

Singapore-based graphic designer. She created Utopia (2010), a blackletter typeface, and Mononoke (2014, a display typeface). Behance link. [Google] [More] ⦿

Chequered Ink
[Allison James]

Chequered Ink (est. 2015) is a two-man design studio consisting of Daniel Johnston (b. 1993) and Allison James (b. 1991; Allison is a reincarnation of Andrew McCluskey). Their business is based in Bath, England but they currently reside in Newport, Wales. Before 2015, Andrew McCluskey operated as NAL Games. That font collection was merged with Chequered Ink. As of early 2019, they designed 912 fonts, virtually all downloadable at Fontspace. For detailed attributions, we have:

Typefaces from 2015, mostly made with FontStruct: Heartbeat Synchronicity, Sawchain, Man Flu, Ace Adventure, Disco Nectar, Hex Girlfriend, Future Now, Lycra, Rygarde (pixel font), Empire Straight (avant garde caps), Kitty Katastrophe, Gang Wolfik Craze, O.K.Retro, Xxrdcore, the blocky sans serif Horticulture, the modular angular Heartbreaker, Ninja Thing, Fort Brewith, Urgently, Baxter's Slab (heavy octagonal style), Lady Radical (pixel font), Provisionary, Quickfyr, Vermin Vore, Even Stevens.

Typefaces from 2016: Sportscream, Assvssin, Brandsom (ransom note font), BromineCocktail, DestinationMercury, Eviscera, Halloween*Heresy, IReallyReallyReallyReallyReallyReallyLikeFonts, Viadukt, Yetimology, Indocorno, Overdose Sunrise (dry brush), Happy Talk, Camaraderie, Death Hector (sci-fi), Scones And Crossbows, Casual Softcore, Notepads & Roleplay, Order in Chaos, Stencil of Destiny, ViceVersus, Magenta Flow, Prick Habit, Go Faster, BlackboardRovers, Caperput, Chavelite, Lovecraftimus, RawhideRaw2016, SmackLaidethDown2016, SmackLaidethDown2016Oblique, Pelode, The Nineties Called They Want Their Font Back, You Can't Kill Old School, Thoroughbred, Card Shark, Sheeping Dogs, Zen Monolith, The Joy Facade, Cerulean Nights, Pounds of Violence, Altered Quest (octagonal), Thrash Decision (dripping paint font), Afroed Dizzy Yak (handcrafted style), Circulus (octagonal style), 53 Dollars and 92 Cents, Endless Boss Battle (pixel font), Guest Circus Paradiso, Niagaraphobia (sans), Noseblood (squarish italic), Shake Your Plums, The Light Brigade (trekkie font), Beautiful Heartbeat (handcrafted), Poisoned Paradigm (dripping paint font), Development Hell (modular), Energetic Star (stencil), Men Down (display or poster type), Apple Korea (Hangul emulation typeface), Zdyk Capricorn, CQ Mono (a rounded monoline monospaced sans programming font), Pyrsing, Executionist, Mono a Mano (pixel typeface), Toxico, Swiggity (hexagonal), Mono a Mano (pixel font), Dissolved Exchange, Thundercover, Hors d'oeuvres The Garter, Distortion Dos Digital, Acetate, Arcapulse, ChelseaSmile, Headshots, Here&NotFound, IregulaTo, Japers, MidnightsontheShore, RallyBlade, Sothin (a great ultra-condensed squarish typeface), VerminVibes4Helium, 6Cells, DistortionDosAnalogue, SpotMonkey, Summoners, UnderwearProtest (Piano key style), VerminVibes4, Shapeshifters, Puerto Magnifico (Mexican party style font), Zdyk Gemini (intergalactic font), Bones To Your Generic Script Font, Breathe Fire (medieval style), Escalatio (hipster style), Pocket Monka (beatnik style), Jack Frost, Hiruleon, Cfour, CrystalCathedral, DigitalDust (LED font), DotLirium, Griefmachine, KillerCollege, OfMaidsandMen (oriental emulation typeface), Red Dragons, Grimeplex, Iron Amore, Twizzled, ZedSaid, Vermin Vibes, Major League Duty (military stencil), Moist (dripping paint font), Wondertribute, Of the Blue Colour of her Eyes, Anastasia (script).

Typefaces from 2017: Technoma (rounded sans), Gothiqua, Tune Up De Ting, Diary of an 8-bit mage, Night Machine, The Wastes of Space, Nuernberg Messe, Torque Sense, Crevice Stencil, Glitch Slop, Balloonatic, Typist's Pseudonym, Flob Out A Bork, Tumbling Down (grungy), Onomber, Have a Banana (angular style), Not The Far East (oriental simulation font), Electric Shocker, Lady Radical 2 (pixel), AmidVerrion, Basilisk, Beillingsday, Butcher the Baker (a gory brush), CQ-Full-Stretch, Chillit, Diagon, Durmstrong, Embryonoid, Gravedigger, Gridget (gridded), Gridlocked, Hannover-Messe-Sans, Hannover-Messe-Serif (pixel), Ineptic, I Shot the Serif, JesusFrank, Messe Muenchen (slab serif), Ode-to-Idle-Gaming, Punishment (grungy stencil), Rumutocu (squarish), Slitter, Slim Stradiva, Supercarver, Technoma, VitruvianMan, VoiceInMyHead, Riemann Theatre (art deco), The Messenger, Revengeance, Pimlico, North to South, Qui Finn, Oganesson, Xmas Sweater Stitch, Tinsel Christmas, Inky Thin Pixels, Saint Knick Knack, Cookie Cutter Culture, Talking Baseball, Balls of Bastille, Vegan Abattoir, Oxen Crossbow, Thumbs Down, Enter the Harbinger, Im Not Like Most Fonts, We Used To Be Friends, Trendgetter, Strings Theory, Carnival trash, The Life of Flight, Sci Auralieph (rounded sci-fi style), Foreplayer, Pixel or GTFO, Block Stock, Unability, Swore Games (military stencil), Clintwood (Western, spurred), Floral Compass, Skull and Void, Weymouth Ribbon (7 pixel font), Four Mad Dogs, Blaize, Chisholm Heliport, ConfettiWestern, EdgyMarker, Ganymedian, Klein Bottle, LeipzigerMesse, LifeInTheFastLane, Messe-Duesseldorf, MilestoneOutline, Oilrig, QueenofClubs, Peking Assignment, Racetrack-Stencil (trilined typeface), RodentRage, Spoopy Ghost Pixels, SquareRaising, Whisperer, ZdykLibra, Equalize (sci-fi), Helicopta (sci-fi), Saveloy, Hangar Nine, Robo Arriba (a font with Mexican-patterned texture), Clutching Toth, Freestyling Centipede, Idiot Stax, Lorra Lorra Dates (an image font simulated on FontStruct), Rampant, Typingrad (constructivist), Lovesauce (squarish), Scaremonger, Happy Accidents, Aztechno (Mexican Aztec culture emulation typeface), BeastofRage, ComicKhazi, DaisyRoots, DogRough (ink splatter font), Drowsy, FrankfurtMesse-Serif, FrankfurtMesse-Wide, FrontPageSupplement, HipsterHandGrenade, MerrimentHelicopter, OffspringRemorse, PlacktheHanet, RevolutionWillBeHypnotised, SomersetBarnyard, Almond Rocks, Gridking, Rollcage (circle-themed sans), Satire, Some Kinda Madness, Blackletter Buffoonery, Toe the Lineless, Merriment Helicopter, Revolution Will Be Hypnotised, Long Haired Freaky People, Sui Coward, Pirates of Cydonia, Old School Adventures (pixel style), Mersey Cowboy, Disco Everyday Value, Koln Messe-Deutz, Stress Genesis, Vermin Vibesy, Madness Hyperactive, Nebulous Content, Toe The Line, Chunky Felt, Madness Hyperactive, Member Kinglify, Bristol and Bath, Dirty Princess, Modern Bohemian, Chocolate Cavalcade, Capital Clickbait, Frogotype, Ipscrik, Front Page Supplement, Sex Drugs and Fidget Spinners, Pickle Pushing, Thickedy Grunge (crayon font), Knockout Grunge, League of Extraordinary Justice, Thickedy Quick, Avenged for Yourself, Zoon Hoot, Ambidextrose, Thinly Handled, Sketchit Means Sketchit, Return of the Grid, Fierce Brosnan, Chubby Thumbs, Pseudonumb, West End Knights, Cybercrime 2004, Reflecques, Death Knell, Fake News, Zealousy, Aquamarina (rounded sans), Amateur Camcorder, Mighty Squidge, Track & Shield (multilined), Wander Z, Gardenfreude, The Wild Breath of Zelda, Effective Power, Techno Agony, LED Specimen (textured), Projectionist, Splinter Wonderland, Shiny Eyes, Uncopyrightable, Hallowed Grad, Peace and Equality, Steriliser (heavy sans), Electro Shackle, Castforce (titling sans), Butterfly Reflect.

Typefaces from 2018: January Fair, Scared of the Unknown, Teddy Bears, Wicked Jumps, Enter The Grid 2, Chump Change, Take Me Out, Breathe Fire II, Toon Around, Tabloid Scuzzball, The Jjester, Play Pretend, A Friend In Deed, Girlesque, Bumblebear, Joyful Theatre, Snow Deep, Car Lock, Digital Display (an LED font), Game Played, Seldom Scene, The Shape Of Things, Candy Beans, Internal Rainbows, Pride Thusly, Armwarmer, Futuristic Armour, Refresher (dry brush), Brick Shapers, Frostbite Boss, Armed and Traitorous (a rough-edged stencil typeface), Ambystoma Mexixana, The Slug and Lion, Gourmet Hearth, Virtu, Star Doors, Winter Spice Cake, Canvas Bags, Shocking Headline, Tiny Islanders (pixel font), Yumi, Nobody Talks, Finished Sympathy (white on black), One Slice, Somerton Dense, Sunday Afternoon, Close & Open, Another Flight, Kuiper Belt, Platonica, Smoother, Ladders, Cold Warm, Name Smile, Shepherdy, Friend Head, Kevlar Underwear, Scrambled Tofu, Dillydallier, Joy Kim, Office Square, You've Gotta Point, District Four, Scare Arms (grunge), 22 September, Alimony, Xmas Fairy Lights, Segreteria, Leg Hug, Coded Message, Madeleina Sans, Trample Over Beauty, Emerald Grey, Fine Allie, Bottled It, Glee Finder, Pill Anthropic, Achtung! Polizei, Say the Words, Outcome, First In Line, Brain Wants, Green Strand, Die Grinsekatze, Eight Bit Dragon (a pixel typeface), KreepTown, Loudhailer, Progesterone, Insomniax, Quick Fuse, Rowdy Space Pirates, Oestrogen, Whisper Quiet, Zosilla, Construction Lines, Construction Lines, Juxtaposer, Tommi, Under The Weather, Xero's Punishment, Betryal of Mind, Rustic Love Tattoo, Younger Love (heavy octagonal typeface), Gossamer Girls (a pixel font), Dispence, Time Won, Blessings of Babylon, Requires Moonshine, Stroud, Hot Bleb, Nightmare Codehack, Manilla Cellos, Teeny Tiny Pixls, Ava Meridian, Wonders of the Orient, Float The Boat, Cute Zealand, Super Renewables, Lean Foreword, Mister Fisher, Love Nature, Exposure Salary, A Goblin Appears (pixel type), Project H, There Must Be, Charlestoning, Sportsquake, Violet Wasteland (dry brush), Clubbed to Life (sans), Moonwalk Miss, Best Tease, Reach The End (art deco), Slalom, A Grazing Mace, Boomer Tantrum, Disarmer (military stencil), Hell Underwater, Carnival Centenary (Tuscan), Mahalo Brother, Glue Gun, Tyrannothesaurus, Casanova Scotia, Fatherland Faker, Daughter Of A Glitch, Sparkles, Europhonic, Betelgeuze, Goregeous, Supermarketed, All The Way To The Sun, Russia Five, Soccer Scoreboard, Cinqcent, Megan June, Big Old Boldy, 501, Earthshattering, Sheeping Cats, Thousandyard, Closet Dwellers, Clicky Bricks, Painter Decorator, The 27 Club, Adventure ReQuest, Miamagon, Nineteen Ninety Seven, Vermin Verile, Great Attraction, Great Attraction, Zirconia, Oh Beehive (hexagonal), Gofuyo (experimental geometric sans), Wideboy, Im Spiegelland, Battenberg and Custard, Bugfast, Robotic Harlequin, Scouser Ste, Blend Her, Ancient Venusian, Sivereign State (constructivist), Daily Mix 3, Brushstroke Horror, Hellgrazer, Corporation Games (sci-fi), Pride Cometh (dry brush), Squirk (stone cut), Mecklabecka (octagonal), Nineteen Ninety Three (pixel), Dominian (octagonal), Perfectly Together, Super Comic, Nrvsbrkdwn, Bottom Brazil, Don't Delay Act Now, Nu Home, Just My Type, techno at Dusk, Starbirl, Hate Agent, Fool's errand, Bullet Rain, Orchestra of Strings, One Pill Makes You Larger, Interlewd, Fandomonium, Ball Bearing, Jamboree, Hot Thin Roof, No Added Sugar, X Termination, Real Fun Time, Der Neue Spargel, Nineteen Eight Seven (pixel), Bittypix Countdown, Nineteen Ninety Six, Fasterisq, Peekavous, Modest Felt, Im Wunderland, Megarok, Sunk Foal Brother, Skydiver, Chasing Rabbits, Background Noise, Viridian College, Sacred Hertz, Sawyers Whitewash, Brittle, Cupcake Smiles, Machine Gunk, Dubspikes, Onslaughter, Eyes Wide Suicide, Boatycabiners, All Square Now (pixel), Hawking Bowen (octagonal), Style Thief, Tagon (octagonal), Withheld Data (LED font), Dubstep Blackletter, Pixabubble, Hopelelessly in Lurve, Springtime Daydream, Techno Til Dawn, Fluid Lighter, Rush Rush (stencil), Incompetent Landlord, Danger on the Motorway (dot matrix), Hippopotamus Apocalypse (hexagonal), Homunculus, Bittypix Monospace (pixel font), Unicorn Scribbles, Rockout, Truly Madly Dpad, Tincture, Virtual Pet Sans (dot matrix font), How Are You Today (ultra-condensed), Juicebox, Chemical Superior, Organic Teabags, Broadsheet Bubble, Document Two, Slope Opera, Blockbrokers, Off The Haze, Gang Wolfik, Gnorts Mr A, Radiator Falls, Take Me On, Cyberspace Raceway, Rocket Rinder, May We, The Citadels, Life Is Okay, Astrolab, Simple Stitch, Feeding A Moment, Gooseberry Juice, Namso, Rabbit Fire, Texas Drop, Short Xurkit, Maiden Crimes, Hysterix, Introducing Pretentiousness, Lullaby Weight, Slumbers Weight, Vampires, Veal Nerve (a neurotic typeface), Be Kind To Earth, Aardvark Sk8, Ancient Modern Tales (blackletter), Spider Talent (Halloween font), Pooch Doo, Plan G, Rhapsodies (art deco), Lab Pulsar (sci-fi), Hamburg Messe (blackletter), Xide, Scrawling Pad, Bun Ting, Speedeasy, Itty Bity Notebook.

Typefaces from 2019: Hindsight 2020, Provicali, Go Everywhere, Smack Laideth Down 2019, China Fad, Monster Twenty, Into Deep (sci-fi), Mandatory Plaything, Galaxy Girl, San Marino Beach (a shadowed font), Acorn Caravan (a rounded sans stencil), Hairy Beard, Phonograph, Sterelict (futuristic), Egosurf, Bankruptcy, Wayfarer's Toy Box (a pixel font), Fox Cavalier, Heartisan, Modular Amplitude (heavy octagonal, Dolphin with a Massive Shotgun (a glitch font), Jasmine Laslo, Earth Spirit, Nemesis Grant, Daily Mix 4 (an all caps blackboard bold typeface), Uplifting, Ministry of Moron (a heavy sans), Extinction Event, Cut Deep, Q For The Memories, Wozcott, Super Legend Boy (pixelish), Chopsic, Lesotho Beach (octagonal), Illiead, Ten Pin, Isite, Motorstrike, Hwyl Fawr Hello, Undersided, Shut Up and Love Me (shaky letters), Terminal Day, I Am A Designer, Born to Grille (a semi-stencil), Amuse-Bouche, Die Frau, Err Hostess (octagonal), Cthulhu's Calling, Fresh Eaters, Gamma Orionis, Greatsby Gat, Hands Oversaturation (sans), Joy Multiplication, Kotoba, Midnight Champion (an extra tall sans), She Smiles, Read Wharf, Ohno (poster sans), Prodigy Forever (a blood and paint splatter font), Questrian 2 (sans), Nau Sea (squarish), The Macabre, Long Fox, Roll Accurate (stencil), Princess Saves You (pixel font), Clone Machine, Cyberpunk Sealion, Misery Garment, Klimaschutz, Space Obsessed, Serpentire, Squidgy Sweets (fat rounded sans), Yokelvision (fat letters), Coral Colour, None Away From The Moon (counterless), Squidgy Sweets, Yokelvision, Coral Colour, None Away from the Moon, Robot Roc, Figure Things, Gaeilge Kids, FoughtKnight Haymaker, Medical Shape, Revenant (octagonal), Pinch My Ride, Dire Gramme, Assembled from Scratch, Premier 2019 (squarish).

Typefaces from 2020: Hardigan (a titling sans), Petrichor Sublimey, Bardolatry, Star Trebek, Fast Hand (sci-fi), Bonk Robbers, Neuterous, Demoness, Lucid Streams (sci-fi), Fosterama (an elliptical sans), Woman, Shock Mint Fund (octagonal), Milletun (an all caps slab serif), Mille, Vudotronic, Elder Head, Dead Revolution, Charge Off, Asleepytiming, Questrian3, SplendidConfusion, XXIX, Septacharge, Dark Seed, Hawkeye, Dustfine, We Are Survivors, Be A St, Computo Monospace, Dealer Strikes, Zdyk Virgo, Bathrind, Honk, Revamped, Clease Plap, Zdyk Cancer, Cyberway Riders, Memorial Lane, Doubleplus, Ominus (italic), Army Buster (stencil), Tudor Victors (a grungy stencil), Romantic Chemicals, Migraine Machine, Warhead (constructivist), X-Heighting.

Dafont link. Creative Market link. Fontspace link. [Google] [More] ⦿

Chloé Develle

During her studies in Paris, Chloé Develle designed the papercut blackletter typeface Gotch (2017) and the wedge serif typeface Baleton (2017). [Google] [More] ⦿

Chococreator (or: Missingfont)
[Sutrisno Al Rasyid]

Sragen, Indonesia-based designer of these typefaces: the sports font typeface Trabash (2019), the blackletter font Makunu (2020), the minimalistic sans serif Sidiqie (2020), the signature fonts Insani (2020: monolinear) and Charles Bridge (2020), and the decorative serif typeface Luvenia (2020).

Typefaces from 2021: Bendungan Signature.

Elsewhere, we find the name Iqbal Hidayanto. [Google] [MyFonts] [More] ⦿

Choz Cunningham
[Exclamachine Type Foundry]

Chris Costello

Chris Costello (b. 1959, Poughkeepsie, NY) graduated from Northeastern University in Boston. Since 1989, he works as a graphic, web and font designer and illustrator from his base in watertown, MA. From 2002 onwards, he has worked as a creative director and senior graphic designer for Coldwell Banker Residential Brokerage in Woburn, MA. Since 2010, hae also creates artistic designs and renderings for United States coinage and medal programs for the U.S. Department of the Treasury. He runs Costello Art, and is involved in graphic design and handlettering. His typefaces:

The simultaneously gorgeous and overused Papyrus (1983, Letraset). One variant is sold by Elsner&Flake as Papyrus EF Regular, and another is in the Linotype library. The Avatar 2009 movie poster features Papyrus, and many are getting tired of the ubiquity.
Letterpress Text. An antiqued rough outline family based on Caslon.
Mirage (2001).
Blackstone (2001). A medieval (blackletter) typeface. Winner of the Chartpak typeface design competition in 1988.
Virus (2001).
In the planning stage: Driftwood (great lettering!), Sheriden's Letters (writing by a 5-year old), Costello (text font).

Klingspor link. Bio. MyFonts entry. Papyrus blog. FontShop link. Linotype link. [Google] [MyFonts] [More] ⦿

Chris Dunfield
[Angst Free Fonts]

Chris Rugen

Typophile who is working on the modular blackletter typeface Faketur (2008). [Google] [More] ⦿

Chris Vile
[Font Monger]

Christ Trek Fonts
[Tim Larson]

Tim Larson (Christ Trek Fonts) is the Minnesota-based creator of the Open Font License fonts Marapfhont (2009, inspired by the logo font of the classic 1990s game Marathon) and Squarish Sans CT (2011, in Bank Gothic style). Both fonts are free and have tons of glyphs that cover many unicode pages, including mathematical symbols, Greek, Coptic and Hebrew. It is quite possible---but I am not sure of that--that this Bank Gothic family member is the only one that has such a coverage.

Tim is working on Brampton.

He writes about Squarish Sans: Squarish Sans is not a direct clone of any Bank Gothic. I have made conscious choices to deviate from existing designs. Yet it is strongly inspired by them, of course, particularly Michael Doret's DeLuxe Gothic, in that Squarish Sans has a true lower case as well as small caps. It should fit the bill should you have need of a Bank Gothic face.

Motivation for Marapfhont came from the Marathon Trilogy game: Remember the Marathon Trilogy by Bungie Games back in the mid-1990s? If you do, you remember it's iconic logo font, Modula Tall. There are no free alternatives to Modula Tall, and the few similar fonts miss important aspects of its character. I wanted to create a typeface inspired by the appearance of Modula Tall in Marathon. The lowercase of Modula Tall didn't fit the Marathon "feel" at all, for me, so I have redesigned the miniscules, to carry the signature look throughout. Thus, Marapfhont is not a clone of Modula Tall, but may nonetheless be used to generate the "MARATHON" title.

In 2013, he finished the pixelish typeface Looks Like Spht. In 2014, Tim Larson published the free Hebrew simulation font Hananiah (2014, OFL), which is based on Ezra SIL. It also includes regular Hebrew. In 2015, he published the German expressionist typeface Abibas [Abibas is a fork/extension of Gamaliel, a blackletter by Rafael Ferran i Peralta].

Typefaces from 2016: Politics As Usual (political dingbats for the United States), Horta (an angular sci-fi typeface). Open Font Library link. Home page. Aka Christ Trekker. [Google] [More] ⦿

Christian "Cinga" Thalmann
[Catharsis]

Christian Heinrich Kleukens

German type designer (b. Achim, 1880, d. Darmstadt, 1954), brother of the more famous "Kleukens", Friedrich Wilhelm (1878-1956). In 1907, the two brothers started running the Ernst-Ludwig-Presse, the private printing shop of the duke Ernst Ludwig von Hessen. Burte-Fraktur by C.H. Kleukens was cut in 1928 for Mainzer Presse by Gustav Eichenauer, Rudolf Koch's favourite punchcutter. It was revived in 2003 by Manfred Klein and Petra Heidorn. He also added a handwritten freestyle version, Burtine 2003, and another interpretation, Burtinomatic (2004). Petra Heidorn revived it as Burte Fraktur in 2003.

Judith Type (1923), a hookish hellish German expressionist typeface, was at the basis of Judith Type (2007, Nick Curtis), Holofernes NF (2007, Nick Curtis) and Irrlicht (2015, Ari Hausel, Aarhaus).

Klingspor link. Klingspor link for Kleukens. [Google] [MyFonts] [More] ⦿

Christian Horsbøl Christiansen

During his studies at Skolen For Visuel Kommunikation (School of Visual Communication) in Haderslev, Denmark, Christian Horsbøl Christiansen designed the free typeface Fibonacci Fraktur (2018) and the hand-painted all caps typeface Sticks n Stripes (2018). [Google] [More] ⦿

Christian Munk

Danish designer (b. 1991), aka CMunk, who used FontStruct to create most of his typefaces. Dafont link.

In 2008 he designed Flag Semaphore (+Smooth, Peace), Articulate, Font from NATO (military slab serif), Glockenwerk (pixel clock font), Glockenwerk Uhrzeit, Flags-and-NATO (dingbats), Font from NATO alpha, Tall, Flying-Circus (Western showtime typeface to imitate the Monty Python titling font), LCD-display, Simple (stencil font with 700 glyphs), TMNT, Tetris, sharp-pixels, Raster, Quad (nice stencil face), Inverted, Propaganda (Cyrillic font simulation), Empty Monospace, Pride, Stadium, Rounded, Dear God (script pixel face), Celtic Style.

In 2009, he added 7x12 Pixel Mono, @bcde, Abstract Letter Patterns, Music, Texture, Diagonal, Gothic, Illusio, Unispace (typewriter type), Narrow Serif, Delta, Alien Double (great!), Donut, Flags-and-NATO, Simple-Fraktur-Initial, Simple-Fraktur, Texture, Friendly Serif, (+Soft), Invisible, Sharp, Heavy Diacritics, Concentrium, Continuous Digital Display, Elves, Pixies, Space Movie (+Ligatures), Flag Semaphore (+Smooth, +Peace), Articulate, BBT Biline Twist, Biline Twist, Empty Monospace, Unfix, Infix, Pride, Tyre Stencil (like tire threads---nifty...), and Overlap.

FontStructions from 2010: Even (gridded), Brilliance, Slalom Vision, Quirky Serif, 7x12PixelMono, Ball Terminator, Gearbox, Prefix, Upside Down, Way Too Small (a minimalist pixel face), Butterfly, Ribbon Gymnastics, 2D Barcode, Horizon Stencil, Biline Twist, Blocktur, Symmetricus (alien writing?).

FontStructions in 2011: 12 dice, Monotwist (tall, monospaced), Squarific (fat octagonal), Swirl (curly), Sweet (Victorian), Easter Eggs, 50 Fifty (experimental, geometric), Squarific (+Stencilious), Spiralix (spiral-themed for Latin and Cyrillic), Bloccus, Feet (monospaced).

Creations from 2012: Düpbøl (German expressionist face), Slice, Blocktur, Alien Double, 7:12 serif (pixel face), Blick, Dry Heat (Isolates and Initials, Medials, Finals: an Arabic simulation family), FF9 Coin Slots, FF8 Untalic, FF7 w1de, FF6 Lean Mean, FF5 Bamana, FF4 Circulation, FF3 3times7, FF3 Runization, FF1 Glitchy, Squared, Puzzlish, Steep, Digitalis (octagonal), 50 Fifty (artsy and geometric), Monotwist, Infix. FF stands for Forgotten Fonts.

Typefaces made in 2013: Ribbons And Banners, Digital Rome (pixel face), Censorship, Interlock, Bouma, Glaedelig Script, Hand XL Smooth, Vascomat, Spitzschtruct (emulation of Suetterlin), Neonic, Fish Scales, 7:12 Serif, Analogly, Squarific Fraktastic, Metro Sans (pixelish).

Typefaces from 2014: Word Games, Shadows, Yuuroppuna pixel, Spines, Numbers, Tal Dansk, Zahlen Deutsch, Insular Typewriter, Nudge Nudge (dot matrix), 7:12 Serif (monospaced pixel font), Jovian, Squarafic Fraktastic, Computer Says No, Runic, Fluorescent (neon tube typeface).

Typefaces from 2015: Hexagonia, Kapow (a comic book font), Fauxreign (a Thai emulation font).

Typefaces from 2016: Ziplock (art deco), Vexillum (maritime signal flags).

Typefaces from 2019: Drop Cap (Lombardic), Fun with Cubes (3d). [Google] [More] ⦿

Christian Ollert

Creator of the blackletter connected script type Grossmütterchen, made in 1917 for Schelter und Giesecke, Leipzig. It can be seen on the title page of volume 148 of Die Deutsche schrift. [Google] [More] ⦿

Christian Richter
[Glyphicon]

Christian Robertson
[Betatype]

Christian Spremberg

German type designer (b. 1956). At Delbanco-Frakturschriften, he created DS-Eisenacher Fraktur (1994), DS Wartburg Fraktur (1998, based on Barock Fraktur), DS-KlingsporBorgis, DS-Kochfraktur, DS-Jessen-Schrift (1998), DS-Schmuck (1998) and DS-Tannenberg. Lives in Siegen, Germany. [Google] [More] ⦿

Christian-Heinrich Wunderlich
[Typografisches Cabinet]

Christina Torre

Co-designer with Richard Kegler of several fonts at P22 type foundry, which she joined in 2000. She graduated from the State University of New York at Buffalo with a BA in Communication Design. She worked at the Pushpin Group in NYC and at Dog Eat Dog Advertising, Inc. in Buffalo, NY. Her typefaces:

P22 Art Nouveau Bistro, P22 Art Nouveau Cafe, P22 Art Nouveau Extras (ornaments), all made in 2001-2002.
P22 Dearest Script, P22 Dearest Swash: calligraphic in the style of medieval scribes, and a winner of an award at the TDC2 Type Directors Club's Type Design Competition 2002.
P22 FLW Exhibition and P22 FLW Terracotta, both done in 2000: these are based on alphabets by Frank Lloyd Wright published in 1931 and in 1896-1897 (in his book The House Beautiful), respectively.
Gothic Gothic (2001): a blackletter done with James Grieshaber.
P22 Mucha (2001): an art nouveau font inspired by Alfons Mucha, ca. 1900.
P22 Pan Am (1999, with Richard Kegler). Created for the centennial of the Pan-American exposition of 1901, held in Buffalo, NY.
P22 Salon (2001): more art nouveau.
P22 Victorian Gothic (2000, with Richard Kegler and Amy Greenan). Based on a type style called Atlanta, similar to Copperplate.

[Google] [MyFonts] [More] ⦿

Christoffel van Dijck

Born in Dexheim, Germany in 1606 or 1608 (some sources say 1601), he died in Amsterdam in 1669. Dutch printer, typefounder, type cutter, and type designer who worked for Elsevier. He had a type foundry in Amsterdam. In texts like Johan Enschedé's Proef vann Letteren (1768), his name is spelled Chistoffel van Dyk. Elsewhere we find the more modern Dutch spellings Dijk and Dijck for his last name. Rudi Geeraerts explains a bit about present day types based on Van Dijck's work. I cite him, interspersed with my own comments and additions:

Monotype Van Dijck (1937-1938) is based on a typeface used in 1671 in Herscheppinge (Joost van den Vondel) printed by Daniel Bakkamude. Jan van Krimpen was consultant to Monotype on that project. Most graphic designers were a bit disappointed because it looks skinny when used in normal text sizes. The digital version is due to Robin Nicholas.
DTL Elzevir (1992, Gerard Daniels) is based on a study of several cuttings from Christoffel Van Dijck. Dutch Type Library mentions that it is mainly based on the Augustijn Romeyn a cut found on a 1682 type specimen issued by Daniel Elsevier's widow (hence the name DTL Elzevir) showing some typefaces from Van Dijck and others. So the DTL Elzevir is not a remake of the Monotype Van Dijck.
Gerard Unger's Hollander (1983) is based on a study of the typography used in 17th century books using typefaces cut by van Dijck and possible Dirck Voskens. The Hollander is also the base of the well-known Swift. So Unger's Hollander is not a remake of the Monotype Van Dijck.
OurType's Custodia, designed by Fred Smeijers, is a single-weight roman, with italic and matching small caps, with a seventeenth-century flavour. It was made in 2002 for use in the publications of the Custodia Foundation. Custodia 17 is the first typeface to join the OurType Classics collection. By seventeenth century flavoured we mean the flavour shared by a range of 17th century punch cutters, like Christoffel van Dijck, Dirck Voskens, Johan Michael Smit and Jean Baptiste van Wolschaten. References to and specimens of their typefaces can be found in several archives. One of them is the Plantin-Moretus Museum in Antwerp. The OT Custodia is neither a Van Dijck revival nor a Monotype Van Dijck remake.
Dutch Textura (1681), in versions called Augusteyn Duyts and Mediaen Duyts.
He designed a Hebrew typeface for the Hebrew bible of rabbi and typefounder Immanuel Atias (or: Joseph Athias), known as Otiyot Amsterdam (or: Letters from Amsterdam).

Typefaces offered at MyFonts that are rooted in Van Dijck's work include:

Van Dijck (Robin Nicholas, Monotype). Monotype Van Dijck was remade by G.G. Lange (1993, Berthold) and is of better quality according to many, including, e.g., Jan Middendorp in Dutch Type.
Adobe Caslon (1990, Carol Twombly, Adobe). This is here because William Caslon's Caslon (1725) was influenced by Christoffel Van Dijck and Dirck Voskens.
Caslon 3 (Linotype). Based on a 1905 cut bu ATF.
Caslon Classico (1993, Franco Luin, Linotype).

FontShop link. Klingspor link. Christoffel Van Dijck's digital legacy. [Google] [MyFonts] [More] ⦿

Christoph Schwedhelm

Author of Rekonstruiert (2013, Dortmund, Germany), which served as a Diploma Arbeit at the Fachhochschule Dortmund. This book has contributions by Friedrich Forssmann, Albert Rahmer and Bernhard Schnelle. It describes the process of reconstruction of some blackletter fonts, and discussions blackletter typography in general. The four revived blackletter typefaces showcased in the book are

Extrafette Bernhard-Fraktur (Lucian Bernhard, 1921, Bauersche).
Schmalfette Amts-Fraktur (Heinrich Wilhelm Hoffmeister, 1911, Stempel).
Fette National (Walter Höhnisch, 1934, Ludwig&Mayer).
Enge halbfette Bauersche Fraktur (Friedrich Wilhelm Bauer, 1912, Bauersche). Klingspor gives the date as 1905.

[Google] [More] ⦿

Christoph Windmueller
[Kix]

Christoph Zeugswetter
[WRKSTT Graphicstudio (or: Xtoph)]

Christopher Adams

Designer at the Open Font Library, who contributed Just Letters (2012, blackletter) to the project. This was based on Albrecht Duerer's Of the Just Shaping of Letters (1525). [Google] [More] ⦿

Christopher Branson

Illustrator and designer at the Kern&Letter Company in Missouri. Behance link. Home page

Creator of various display typefaces including the kitchen tile typeface Voltrona (2011, a kitchen tile typeface), Hate (2012), the kitchen tile typeface Metgeo (2012), the monoline sans typeface Duplica (2012), the piano key typeface Lucreow (2012: Lucreow is a permutation of Crouwel), Caladan (2012, fat blackletter), Hague (2012, angular), the Bauhaus-style typeface Joi (2012), the blackletter typeface Caladan (2012), Rid-G (2012, experimental), Sugar (2012), Cumo (2012, a happy children's book typeface), Domm (2012, stencil face), Zukunft, Iron (2012, an old film typeface), Freight (2012, stencil face), Noir, Shamrock (2012, octagonal athletic shirt typeface), Unison (2012, sans), Basic (2012), Sexy (2012, hairline), Gitter (2012, rounded), Modo (2012, monoline techno face), and SF Mono (2012). [Google] [More] ⦿

Christopher Haanes

Oslo-based Norwegian who was born in Cheltenham, UK, in 1966. Haanes teaches calligraphy, lettering and typography, and is a freelance calligrapher, book designer and typographer. He designed many alphabets, which are mostly calligraphic, but he has also drawn some old Roman lettering and blackletter alphabets. His blog (in Norwegian) has interesting typographic threads, such as this educational comparison between Antiqua typefaces like Brioso, Adobe Jenson, Bembo, Adobe Garamond, ITC New Baskerville and Linotype Didot. This thread looks at sans typefaces. He designed a calligraphic alphabet specifically for Cappelen Damm in 2008, which was digitized by Sumner Stone as Litterat. [Google] [More] ⦿

Christopher Horst

Designer in Cincinnati, OH, b. 1982, who has mainly designed tattoo and black metal typefaces. Portfolio. In 2010, he made Horst Roman Gothic. In 2011, he added Horst Blackletter (2011). [Google] [More] ⦿

Christopher Laughlin

American graphic and type designer who created Semester (a curly almost Victorian script) and Joseph Venetian (almost blackletter) in 2009. [Google] [More] ⦿

Christopher Saur

Christopher Saur (1695-1758) began a successful German-American printing business in the American Colonies in 1738, from Pennsylvania to Georgia. He printed the first bible in America (in German, in Germantown (!), 1743), using a Fraktur font from Frankfurt's Luther Foundry. He is credited with the first type specimen printed in America, ca. 1740, Philadelphia. Check also his almanac from 1754. [Google] [More] ⦿

Chuck Davis
[Letterhead Fonts]

Chyrllene Albuquerque

Aka Chyrllene K. Daughter of Iza W, who designed many typefaces at Intellecta Design starting in 2010. She studied applied mathematics and graphic design, and works as COO of Intellecta Design. In 2013, she wrote a thesis entitled Revival Tipografico at Faculdades Integradas Barros Melo, Brazil. Based in Recife, Brazil, she is credited with these typefaces:

Naive Ornaments (2012, with Iza W).
Calligraphic Birds (2012, with Iza W).
ABC Hand (2011). A sign language face.
Pencraft (2010): a penmanship typeface with uppercase based on Swagger Capitals (Carl Stephen Junge, at Barnhart Brothers&Spindler), and lowercase based on Sidney Gaunt's Pencraft Oldstyle series (1914), as displayed in the BBS catalog from 1922.
Eingraviert Dutch Capitals (2009). An engraved typeface.
Vintage Hands (2012). A set of fists and penman's hands.
Bonsai Paufo (2010): a dingbat face.
Floreart (2012). With Iza W.
Jugendstil Flowers (2011).
Libertee Ornaments (2011): an elegant art nouveau typeface done with Paulo W.
MesoAmerican (+Two) (2011): native Indian dingbat typefaces.
Tribalism (2011): three typefaces with ornaments and fleurons, done together with Iza W and Paulo W.
Cripto (2011). With Paulo W.
Soft Garden (2012). With Iza W.
Bruce 1065 Soft Serifs (2011). Very Victorian. With Iza W.
Victorian Advertizing (2011).
Gothic Revival Layered (2012). One of the first layered blackletter typefaces anywhere.
Forte (2013) is a fee brush font in the style of Forte MT (1962, Carl Reissberger).
Tribalism (2011). Three fonts with penmanship-style flourishes.
Enchiridion (2012).
Azalleia Ornaments (2012). With Iza W.

Ciaran Brandin

Ciaran is a Brooklyn-based designer who set up Rip Type in 2019 with Nick Losacco.

Designer of the wide sans typeface Oddjob (2019) ans the blackletter typeface Klostro (2020, Rip Type), which was commercially released in 2022. [Google] [More] ⦿

Cindy Zeiwen Chang

Graphic designer with a BFA in Desigm from UT Austin, 2006. Creator of the blackletter typeface Butterfly Sushi (2007), a hybrid of Wilhelm Klingspor Gotisch and Caslon 540. No downloads. [Google] [More] ⦿

Clarence Pearson Hornung
[Dick Pape]

Prolific author, b. 1899. His books include the typographically magnificent Handbook of Early Advertising Art, Mainly from American Sources (Dover, 2 volumes). The typeface Lexington is attributed to him, as Mac McGrew writes: Lexington is a font of shaded and decorated letters and figures, drawn for ATF by Wadsworth A. Parker in 1926, from a design by Clarence P. Hornung. It is an ornamental form of roman letter, with curly serifs, and tendrils at the ends of light strokes. It was recast in 1954, and copied in one size by Los Angeles Type.

The book Early Advertising Alphabets, Initials and Typographic Ornaments (1956), edited by Clarence P. Hornung, led Dick Pape to creates these digital fonts in 2008: AltDeutsch, Amorette1889, ArabesqueDesign, BreiteEgyptienne (2008), BreiteverzierteClarendon, ChiswickPressGothicInitials, EarlyScrollAlphabet, EarlySignboards, EnglandInitials1880, ErhardDatdolt, FlorentineInitials, FlorentineInitialsReverse (2008), GothicChancery1880s, GothicClosedLetter (2009-2010, Lombardic), Hollandisch-Gothic (2010), JudendstilAlphabet (2009), LilyoftheValley, Papillon 1760 [First shown in Paris in 1760, and reprinted by Clarence P Hornung in Dover Pictorial Archive Series: Early Advertising Alphabets, Initials and Typographic Ornaments (1956, Dover Publications). Hornung's images inspired Pape's typeface], Phantasie (2009-2010), Romaine Midolline (2010), RomanPrintShaded (2010, ornamental roman caps), RusticAlphabet, SilhouetteInitials1880, TheTerrorsofNightLife, VerzierteAltGothic, VerzierteGothic, VictoriaGingerbread1890 (2007).

Download here. More direct link to Pape's digitizations. [Google] [More] ⦿

Classic Font Company
[Anthony Nash]

The Classic Font Company is a small foundry with absolutely gorgeous commercial fonts (often revivals of pen drawings) by Tony Nash (b. Bristol, 1944): Abby (blackletter family), Amadeus (1997), Batard, Bede, Byro, Carol (1997, blackletter family), Classic (2000-2002), Copper, Doodles (2000), El Cid (2000), Frameworks, Karen, Kells (celtic uncial), Prima, Priory (1997), Savoy (1997, a great bastarda font family accompanied by Savoy Frames), Scriptoria, Theodore (1995, blackletter font), Tuscany (Lombardic face), Versals (2000, Lombardic capitals). Plus 13 sets of fantastic caps (but not in font format) by Andy Jeffery. Based in North Somerset, UK.

Not to be confused with the rip-off outfit "Classic Font Corporation, USA".

Linotype link.

Identifont lists these typefaces: Abby, Abby Hilite, Abby Lowlite, Abby Open, Abby Split, Amadeus, Carol, Classic, Copper, Doodles (CFC), El-Cid, FW-Leaves, Kells, Priory, Savoy, Theodore, Theodore Fancy, Tuscany (CFC), Versals.

View Classic Font Company's typeface library. Klingspor link. [Google] [MyFonts] [More] ⦿

Claude Médiavilla

French type designer (b. 1948) who was born in the South of France. He studied typography, calligraphy and painting at the School of Fine Arts in Toulouse. He received the Prix Charles Peignot in 1982. In 1992, the President of France invited him to design the inscriptions for the royal tombs in the Basilique Saint Denis in Paris. He published Calligraphie (Imprimerie Nationale, 1993). Author of Calligraphy (Wommelgem, Belgium, 1996) and Histoire de la calligraphie française (Albin Michel, 2006; examples here). In 2009, with the help of Atelier des Signes, he created a typeface for the signage at Chateau de Fontainebleau. Additional URL. In 2010, Mediavilla cofounded Media type Foundry with Sonia Da Rocha and Joel Vilas Boas in Paris.

His typefaces:

Galba: an elegant roman titling face, done at Mecanorma in 1987.
Media Script (Mecanorma, 1985).
Mediavilla (CCT, 1976).
Mediavilla Script (Graphitel, 1986).
Palazzo (Mecanorma, 1984).
Tory (1991).

Examples of calligraphic alphabets drawn by him and shown in his Histoire de la calligraphie française (2006): Bastarda, Cancellaresca, Carolingian, Cursive gothic 1410, Luxeuil, Roman Capitals, Roman cursive 1st century, Roman cursive 4th century, Rustica 1st century, Textura 14th century, Textura 15th century, , Tourneure 15th century, Uncial 4th century.

Claude Pelletier

Quebec-based typographer and type designer (aka Diogene) who specializes mainly in revivals of obscure or old typefaces.

Dafont link. Yet another URL. Abfonts carries many of his fonts. Fontspace link.

His typefaces:

Aerolite C Pone (2013). A calligraphic connected copperplate script.
Angelica CP (2011). After a Fotostar font, Angelica, ca. 1960.
Banner Star (2012). An American flag-themed display typeface.
Barrio CP (2011). An inline face based on a Neufville original.
BeansCP (2010, after a font found on page 10 of Art Deco Display Alphabets: 100 Complete Fonts by Dan X. Solo).
Bienetresocial (2003), BienetresocialBold (2003).
Bizarre and Bizarrerie (2010; based on Edwards and Inland, both designed in 1895 by Nicholas J. Werner at the Inland Type Foundry; renamed in 1925 by BBS)
Bloque Demo (2011). Experimental.
Bold (2008)
Bolina (2015). A copperplate calligraphic script after Dan X. Solo's alphabet shown on page 12 of Dan X Solo. Script and Cursive Alphabets (1987, Dover).
Bonte Divine (2017).
Carre (2009, athletic numerals).
Caslon CP (2012, based on Caslon 223 Bold).
Champignon (1999-2009, a formal calligraphic script)
Chartrand (2010, Victorian)
Chomage (2009)
Chopin Script (1999-2010, calligraphic; after Polonaise by Phil Martin)
Constanze Initials (2010). After Constanze Initials by Joachim Romann (1956).
Crayonnette (2000-2001). Same as his earlier font Derniere (1999).
DeClaude (2010, patterned and named after DeVinne)
Dojo CP (2011)
Dynamic CP (2010, based on page 48 of The Solotype Catalog of 4,147 Display Typefaces as Dynamic Deco)
Ebony (2011). Based on a Marder&Luse design from 1890. Ebony is on page 38 of 100 Ornamental Alphabets by Dan X. Solo and also on page 43 of The Solotype Catalog of 4,147 Display Typefaces.
Embrionic 85 (2012, +Swash Caps) and Embrionic 55 Swash (2012): an ink trap sans display family modeled after Robert Trogman's Embrionic in the FotoStar collection.
Essai (2003)
Euclid CP (2011): based on an 1880 typeface at Central Type Foundry.
Fancy Text (2004, blackletter)
Fantaisie1 (1999)
Gourmandise (2013), an exquisite Normandian-style didone display typeface.
Grandee CP (2014). Claude says that it is based on T.H. Grandee, but that is too cryptic for me...
Haricot (2010, a fat modular typeface based on Beans in the Dan Solo catalog)
Humeur (2001-2002, funny smilies)
IEC5000 (2011). A symbol font with electrical and other icons.
Initiales Medium (2011).
Jeux Cache (2016). A boxed letter font.
JohnHancockCP-Medium (2010, bold didone)
Landi Echo (2011). A remake of Landi Echo by Alessandro Butti (1939-1943).
La Tribune (2011). A newspaper type.
Le Golf or Le Trou (2010, art nouveau typeface by Antoine Szczebanski, digitized by Claude Pelletier; also on page 71 of the Solotype catalog)
Les Etoiles (2013): an inline typeface
Les Tuyaux (2018). A great slinky font.
Lionel CP (2010, a multiline typeface inspired by Letraset's 1973 typeface Stripes)
Louisa CP (2015). A free calligraphic copperplate script. Louisa CP is Louisa on page 56 of Script and Cursive Alphabets: 100 Complete Fonts by Dan X. Solo.
Malvern (1999)
Manquis CP (2012). A roman typeface.
Maratre (2013). A delicious connected copperplate calligraphic script that revives (or is almost identical to) François Boltana's Aurore (1993).
Monterey Wide (2011). A Tuscan ornamental face, based on a showing on page 22 of The Solotype Catalog of 4,147 Display Typefaces.
Motscroises (1997)
Niaisage (2012). A lachrymal caps only typeface.
Oxford CP (2010, a multiline face, based on the 1960s typeface by Christine Lord)
Pasdecourbe (2003)
Pasdenom (2001, no punctuation)
Peak CP (2020). A revival of VGC's photo font Peak.
Pepinot (2012), an art nouveau typeface based on Coral Inline on page 190 of The Solotype Catalog of 4,147 Display Typefaces.
Pistilli Roman (2011, after the original by Pistilli)
Postface (2012). A bold signage script face.
Rita Smith (2012). After Primavera by Rita Major.
Rogers, Rogers2 (1997). He says that it is not his font---that he just rearranged the glyphs. According to Claude, can be found in the book Treasury of Authentic Art Nouveau Alphabets, ed. Petzendorfer, Plate 23. It was made in 1902 by A.V. Haight for Inland Type foundry.
Salamandre (2012). A tall 19-th century style slab typeface based on Iguana, a design of Sally-Ann Grover.
Simplement (2011) is Cut-in Medium on page 163 of The Solotype Catalog of 4,147 Display Typefaces.
Stylie Stymus (2012).
Threshold (2014).
TriangleETcircleShadow, TriangleETcircleShadowed (2010, 3d iron work style face)
UptightC (2010, multiline face).
Whitin Condensed Black (015). Whitin Condensed Black is Whitin Black Condensed on page 151 of The Solotype Catalog of 4,147 Display Typefaces.
YagiUHFNo2 (2012).
Zenith CP (2016). A free connected calligraphic (wedding) script typeface.

[Google] [More] ⦿

Claudia B. Kirsamer

German calligrapher who made a stunning cover in 2003 for the blackletter magazine Die deutsche Sprache. Short bio. [Google] [More] ⦿

Clayton Carkner

Graduate of Humber College in Toronto. Burlington, Ontario-based designer (b. 1994) of the (free) blackletter / tattoo typeface Leteske (2013).

Clémence Poitras

At E-Art Sup in Paris in 2016, Clémence Poitras created a kitchen tile typeface, and a blackletter typeface (called Cersei Lannister). [Google] [More] ⦿

Clément Baychelier

Parisian art director who designed the modular semi-blackletter display typeface Piano (2017). [Google] [More] ⦿

Clément Nicolle
[Stereotype (was: Zone Erogene, or Dasklem)]

Cooper Union: Blackletter

Clemens and Buschmann

German designers of the blackletter typeface Neuzeit Fraktur (1909, H. Hoffmeister). [Google] [More] ⦿

Clemens Bergmann

Based in Stuttgart, Germany, Clemens Bergmann designed the broken grotesk typeface Daimonion (2013). [Google] [More] ⦿

Clement Robert

French designer in London who has a Masters from Maryse Eloy Art School in Paris, 2011. Behance link.

Dünn (2012) is a thin blackletter font created in collaboration with Claire Doghmi during a workshop with Jean Widmer. Dünn is the skeletal version of Fette Gotisch. [Google] [More] ⦿

Clint Childers

Clint Childers (New Martinsville, WV) made the shareware Fraktur font DRAGONSx (1999) which can be obtained through the Abstract Fonts site. See also here. [Google] [More] ⦿

Clint English

Baton Rouge, LA-based designer (b. 1988) of Watchers (2014), OCD Narrow (2014: OCD stads for obsessive compulsive syndrom), and Sex Pistols (2007, grunge sans ransom note face).

Typefaces from 2020: Villain (hand-drawn, perhaps for Halloween).

Typefaces from 2021: Blackleather (a blackletter typeface), Cathedral Display (all caps, with gothic church shapes). [Google] [MyFonts] [More] ⦿

Coen Hofmann

Born in Amsterdam in 1939, Hofmann started out as a typesetter, and then morphed into a calligrapher and an author on calligraphy, and finally into a type designer.

Designer at URW++/Fontforum of

Admira (2019). A revival of the striped all caps money font Admira (1940, Schriftguss).
Altrincham (2003).
Caxtonian Black (2012). A blackletter.
Globus Cursive (2015, +Cyrillic). This cursive font is a revival of a font by Friedrich Hermann Wobst (1932, D. Stempel AG).
Gothic Initials (2015). After an original from 1821 by Firmin Didot's foundry.
Holland Gothic (2012). A blackletter.
Jason Uncial (2012). A unicase uncial design.
Perugia Cursive (2003). A gorgeous calligraphic script based on the 19th century "Scrittura Rotonda Francese" and "Scrittura Italiana" developed by Italian calligrapher Cesare Silvestrini.
Pinel Pro (2014). A revival of a didone from 1899 by Joseph Pinel called French 10pt No. 2. URW++ writes: Coen Hofmann digitized the font from a batch of very incomplete, damaged and musty drawings, which he dug up in Altrincham. He redrew all characters, bringing up the hairstrokes somewhat in the process.
Ramona (2004). A shaded typeface.
Revis (2011). A formal script based on Daphne, a typeface that was originally designed by German type designer Georg Salden. For some reason, that typeface was withdrawn from the URW++ library some time later.
Romeo (2004). A 3d beveled shadow face.
Sax (2008). A didone typeface family.
Seizieme Pro (2013). Based on the 1905 font Série 16 by Peignot, which was mainly used for scientific publications.
Signpainters Script (2013). A connected copperplate script.
Silvestrini (2003). A gorgeous Gando-style ronde. Based on the 19th century "Scrittura Rotonda Francese" and "Scrittura Italiana" developed by Italian calligrapher Cesare Silvestrini.
Sirius and Sirius Caps (2003). A garalde family developed together with British type designer Neville Brown.
Technotype (2011). A revival of Herbert Thannhaeuser's 1952 slab serif family Technotyp.
Thomas Schrift and Thomas Versalien (2015). Based on Friedel Thomas's Thomas Schrift and Thomas Versalien from 1956-1958.
URW Akropolis (2016, URW++). A revival of the cigar box open typeface Acropolis designed by the Ludwig Wagner foundry in Leipzig in 1940.
Pergamon (2016, URW++). A wonderful 10-style didone typeface family that revives, extends and modernizes Pergamon Antiqua first designed in 1937 at Ludwig Wagner in Leipzig by Alfons Scheider.
Marli (2016). A revival of the cursive typeface Korso by F. Schweimanns (1913).
Moewe (2017). An open typeface in the blackboard bold genre that revives Möwe (1929, Heinz Beck for Genzsch & Heyse).
Golf (2017). Golf was originally designed by Henry Reinhard Möller in 1935 for Schriftguss KG. Coen Hofmann redrew the capitals and then added lower case letter and Cyrillic alphabets.

Klingspor link. View Coen Hofmann's typefaces. [Google] [MyFonts] [More] ⦿

Communitas Monacensis

Free Fraktur fonts: MA-Bastarda1, MA-BastardAnglicana, MA-FereTextura, MA-GKursiv1, MA-Gotbuch, MA-InsularMinuscule, MA-Minuskel1, MA-Urkunde, all published by Will Software. [Google] [More] ⦿

Constructed Languages
[Boudewijn Rempt]

Boudewijn Rempt's fonts for imaginary and not-so-imaginary languages: Afaka-Roman (from Suriname, with the help of Rob Nierse), Bugis-Makassar, DendenChancelleresca, Eqalar3 (for Pablo Flores' language Draseleq), goidel, gothic-1, Keiaans-(Kayenian), Mandeville-Hebreeuws, Meroitic-boldItalic, Mandeville-Chaldeeuws, Mandeville-Grieks, Mandeville-koptisch, Mandeville-Saracen, Nosjhe-standard (with Christophe Grandsire), hPhags-pa-(rotated), selang, selang-cursief, Ü-chan, ValdyaansKlerkenschrift, 2ValdyaansKlerkenschrift. He created Gothic after the alphabet devised by the Visigothic Bishop Wulfila (Lat. Ulfilas), 311-383 AD. [Google] [More] ⦿

Continental Type
[Scott Biersack]

Type foundry established in 2017 by Winston Scully & Scott Biersack, aka Scinston & Wott. Both graduated from the Type@Cooper program. Scott Biersack is a designer and illustrator, while Winston Scully is a lettering artist and type designer.

Their typefaces:

In 2017, Scott Biersack published Gatefold, a typeface he started in 2015 during his studies at Type@Cooper. He is currently based in Phoenix, AZ. It was released by The Designers Foundry.
Highground (Bold, Stencil). Winston Scully's typeface started during his studies in 2016 at Type@Cooper West. He writes: The early stages of Highground were inspired by Nicholas Jenson's Rotunda. [...] Highground is a fun typeface for your punk band to make shitty posters to hang on electrical poles around town.

Home page of Scott Biersack. Link to You Bring Fire, Scott's studio that offers custom lettering. At You Bring Fire, he released Malice Stencil (2018), a calligraphic blackletter-inspired typeface with a modern approach.

At Type Paris 2019, he designed Sweet Jesus (an 8 style display family with the beginnings of an 8 style italic companion; with large open counters, sharp angular terminals and serifs). [Google] [MyFonts] [More] ⦿

coonotadfoo

Designer in 2010 at FontStruct of Lolwood (art deco billboard style), Small 2 Big (dot matrix), Strech, Tower (condensed), Loss Goth (blackletter), Wild West, Linchmob, Lycept, Decaration, Quadromanticeacominafosticamer (blackletter), Hand Writing and Grand Theft Auto. [Google] [More] ⦿

A blackletter project in 2009 at the Cooper Union. [Google] [More] ⦿

Coppers & Brasses
[Alexandre Saumier Demers]

Quebec-based type type foundry Coppers & Brasses was set up in 2011 by Alexandre Saumier Demers and Étienne Aubert Bonn in the plateau area of Montreal. Both graduated from the graphic and type design program at UQAM in Montreal and went on do the Type and Media program at KABK in The Hague, The Netherlands.

Creators of these typefaces in 2012: Martha (monospaced slabby grotesque done by both founders), Sardine (fat signage typeface by Bonn), Freitt (blackletter typeface by Bonn). Nicole (2012) is an elegant basic sans typeface by Olivier Mercier-Chan Kane.

In 2013, Etienne graduated from the Type & Media program at KABK in Den Haag. In 2014, Alexandre in turn graduated from the Type & Media program at KABK. For his graduation, Alexandre developed the didone typeface family Lewis. He writes: Lewis is a typeface designed for mathematical typesetting, specifically for the TeX typesetting system. It consists of 3 text styles (Roman, Bold, Italic) and 3 math styles (Math Italic, Greek, Blackboard) for use as variables. The text Italic relates to the Roman while the Math Italic stand out with its cursive construction. Likewise, the Greek differentiate easily from Latin characters. The Blackboard inlines are adapted for text sizes with their wide and open cut. Lewis features many size variants and extending shapes, ideal in displayed equations.

The list of their retail and custom fonts:

Guillon (2016). Manufactured for Studio Feed.
GSM Grotesque (2016). A custom typeface by Coppers and Brasses and Studio Feed, for GSM Project.
Caserne (2015). A custom stencil typeface designed with Samuel Larocque for the Montreal-based studio Caserne.
CCM Grotesk (2015, Latin and Cyrillic). A custom typeface for Canadian sporting goods brand CCM, with a textured version. The Cyrillic was overseen by Russian type designer Maria Doreuli.
VLNL Wurst (2015, VetteLetters). This wurst-themed typefaces comes in three styles, Brat, Blut and Bier Wurst. The interesting aspect of this font is that Demers developed a special Wurst Schreiber software for drawing segments as sausages in RoboFont.
Double (2015, Alexandre Saumier Demers and Étienne Aubert Bonn). A retail typeface family from condensed to wide with wedge serifs, a copperplate feel, and slight flaring. Ideal for display work.
Canal (2015, Étienne Aubert Bonn). A fantastic retail sans typeface family: Canal is a typeface family inspired by the blue collar, hard working people that were the late 19th and early 20th centuries labor force of the new continent. It is a sturdy workhorse with a wink of humanism.
Martha (2014, Alexandre Saumier Demers and Étienne Aubert Bonn). A retail typeface family with curvy typewriter influences, some monospaced styles and a grotesque to boot.
Klaus (2014, Étienne Aubert Bonn). Developed for personal web and paper work.
Théorie (2014, Alexandre Saumier Demers and Étienne Aubert Bonn). A techno stencil typeface commissioned by UQAM's Bureau de Design for the Bâtisseurs of the science faculty award.
Lewis (2014, Alexandre Saumier Demers). A font system for typesetting mathematics in TeX, developed at KABK.
Alphonse (2014, Alexandre Saumier Demers). An elegant garalde custom text typeface.
Nurraq (2013, Étienne Aubert Bonn). Developed as a school project at KABK, Nurraq is a multi-script typeface system that matches a Latin serif text typeface with a Canadian aboriginal syllabics character set for the Inuktitut language.
Compass (2013, Étienne Aubert Bonn). A revival based on the early drawings of Monotype Plantin series 110 by Frank Hinman Pierpont and Fritz Stelzer.
MLS Soccer (2012). A handcrafted custom typeface by Alexandre Saumier Demers and Étienne Aubert Bonn, commissioned by Sid Lee.
Radio Canada (2017). A custom corporate humanist sans typeface for the French TV network in Quebec, co-designed by Charls Daoud and Alexandre Saumier-Demers of Coppers and Brasses. Google Fonts link. Github link.
Mortier (2021): A typeface inspired by old hand-painted advertisements on brick walls---many of which still exist as ghost signs in cities across the world. This unique style of lettering was influenced by precomputer techniques wherein sign painters would use the brick wall on which they were painting as a reference for laying out their text.

Alexandre spends most of his time since 2016 working on variable font projects for The Type Network (ex-Font Font Bureau). Home page of Alexandre Saumier Demers. Behance link for Coppers and Brasses. [Google] [More] ⦿

Copypaste
[Fredrick R. Brennan]

Quezon City, The Philippines-based designer of the free font Some Time Later (2016), which is based on the beatnik lettering used in the credits of the SpongeBob Squarepants Nickelodeon show. He also made the free font LCD (2015) and the free blackletter typeface KJV 1611 (2018), which revives the typeface found in the 1611 King James Bible.

Typefaces from 2019: TT2020 (an extensive multilingual typewriter family with about 7000 glyphs per font, released in 2020), Quaerite Regnum Dei (a libre rotunda font based on a Spanish rotunda hand found in the Misal rico de Cisneros (early 16th century) commissioned by cardinal Francisco Jimenez de Cisneros from Toledo), Open Baybayin (sharing some glyphs with Noto Tagalog), Chomsky (a free blackletter typeface in the style of the masthead of The New York Times). Github link.

Typefaces from 2020: FRBCistercian.

Github link. Open Font Library link. Fontsquirrel link. Github link. [Google] [More] ⦿

Corey Holms

Graduate from Cal Arts (1996), who runs CoreyHolms.Com in Fullerton, near Los Angeles. MyFonts link. MyFonts foundry link. Most of his fonts were republished in the 2020s at Canada Type.

Designer of Compunabula (2015: a low resolution, 8-bit alphabet imagined for our high resolution world), NE10 (2010, a stencil / neon tube typeface), This (a stencil typeface), Area (2008, Umbrella Type, an art deco nightclub face; hints of Avant Garde), Mode (2007, experimental modular type, Umbrella and later Canada Type, Babbage (2005, Umbrella Type, a capricious typewriter font), Sange (2002, a dot matrix blackletter font), Brea and Brea Light (2004, a dot matrix blackletter family at Umbrella Type; republished in 2021 at Canada Type), Mince and Mince Shadow (2004, Umbrella Type), DecadesOS (2002, for Decades Inc), Air-Port (1999), Attractor (2001, based on Alexei Tylevich's NoGlow), Granule (2009, fat rounded sans), Cartridge (2001), Claes (2001, based on a Wim Crouwel design), Consume (1996), Den (1998, for the Digital Entertainment Network), Digital (1997, for "The Apartment"), Empire (1995), Fascia (2002), Hobart (2001, a kitchen tile font), Pea (2005, Veer: letters made up of springs), Phia (another kitchen tile font), Progress (2001, for Progress City), Rasputin, RMX, Savante (1999), Sears (2000), Stencil, Thirty, Untitled and WebType (2000). Many of these fonts are futuristic, experimental, logo-inspired or minimalist.

Cornelis Dirckszoon Boissens

Dutch letterer and calligrapher, 1568-1634 (or 1635). He published the calligraphic masterpiece Gramato graphices in Amsterdam in 1605. This book has several blackletter and chancery alphabets proposed by Boissens. Teaser web site by yours truly. [Google] [More] ⦿

Coron's Sources of Fonts

Dead link. Stephan Baitz's informative page about Ancient Scripts and Fonts, including fantasy fonts, alien and sci-fi fonts, Blackletter fonts, uncials, runes, symbolic fonts, Indic simulation fonts, Arabic simulation fonts (such as Caliph) and exotic fonts. Lots of links are provided as well. Fonts are displayed an can be downloaded from an archive. His page looks great too. [Google] [More] ⦿

Corradine Fonts
[Manuel Eduardo Corradine]

Manuel Eduardo Corradine Mora was born in Bogotá in 1973. He graduated from the School of Graphic Design of the National University of Colombia in 1996, and became a graphic designer. He started by custom-designing fonts and by making typefaces for his own company, Casa Papelera El Cedro (The Cedar Papermaking House), for printing invitation cards. With other designers like Carlos Fabián Camargo, John Vargas and César Puertas he formed Tipográfico in 2007 to strengthen the type discipline in Colombia. Corradine Fonts is Manuel Corradine's own foundry in Bogotá, Colombia, founded in 2006. Today, he is one of Colombia's principal type designers. He also teaches at Universidad Piloto de Colombia in Bogota.

Fonts from 2007: Kidwriting (a family which includes Kidwriting Dingbats 1 and 2), Garabata (a fantastic handwriting face), Garabata Dingbats, Hexagona Digital, Quadrat (grunge), Quadrat Old (grunge), Quadrat Dirty (grunge), Quadrat Broken, Quadrat Ugly, Neogot (experimental, 8 styles).

Fonts from 2008: Mucura (handwriting), Prissa (handwriting), Salpicon (a script), Cuento Serif (a bouncy hand-printed family), Memoria (brush script), Charco, Happy Day (comic book family with Happy Day Dingbats), Espectro (a swinging script with swashes and a Dingbats style), Furia (handwriting), Candelaria (based on house signs in the La Candelaria neighborhood of Bogotá), Old Village (1600's style), Old Village Ornaments, Rapidda (a successful simulation of quick handwriting), Hueca (an outline children's script), Antigua (an old swashbuckler family), Colegial (a great-looking hand script), Pincel (a fantastic paint brush family with accompanying splatter dingbats), Trazo (Corradine's handwriting), Arcos (a techno family), Caveman (a primitive stone-look type family), Rumba (two styles; an elegant flowing brush script), Parche (graffiti family), Elegance Monoline (a greeting card script typeface that won an award at Tipos Latinos 2008), Abuelito (script).

Fonts from 2009: Helga (flowing script), Mussica (+Swash, +Antiqued: a delicate Victorian typeface; followed in 2017 by Mussica Italic), Guarapo (hand-printed), Toxic (futuristic stencil), Emotion (comic book face), Bloque 3D, Rock and Cola, Betco's Hand, Telefante (comic book family), Nancy's Hand (more comic book hand-printing), Alambre (multiline/paperclip), Sensual (calligraphic hand), Zape (in the style of Tekton), Antrax Tech (grunge), Masato (handwriting), Hu Kou (oriental simulation).

Fonts fgrom 2010: Miel (a curly script), Oferta (a signage script), Corradine Handwriting (and Corradine Handwriting Italic, 2015), Alberto (connected hand), Changua (hand-printed).

Fonts from 2011: Plebeya (2011, connected hand), Mimi's Hand Connected, Legendaria (an extensive connected calligraphic family).

Fonts from 2012: Tecna (a techno family co-designed with Sergio Ramirez), Neuron (a fantastic 16-style rounded elliptical sans family created together with Sergio Ramirez), Bucanera Soft (blackletter), Bucanera Antiqued (grungy blackletter), Official (a simple monoline sans family), Almibar (a connected calligraphic Spencerian script), Eterea (a roman all-caps family), Eterea LC (the lower case set), Canciller (an italic roman, done with Sergio Ramirez), Quarzo (2012, a formal copperplate script done with Sergio Ramirez).

Typefaces from 2013: Neuron Angled (still with Sergio Ramirez), Alianza Slab (a great-looking slab family), Alianza Italic and Alianza Script (a packaging font), all made jointly by Manuel Eduardo Corradine and Sergio Ramirez.

Typefaces from 2014: Whisky (a large blackletter family with inlines and fills for layering co-designed with Sergio Ramirez; related to German expressionism, it won an award at Tipos Latinos 2016), Whisky Italics, Beauty Script (with Juan Sebastian Rincon), Emblema and Emblema Headline (tall-legged art deco sans family by Duvan Cardenas), Wild Pen (a 1200-glyph set of typefaces that can be used to simulate handwriting thanks to smart replacements in Opentype), Sinffonia (a thin informal typeface with oodles of choices for swashes).

Typefaces from 2015: Be Creative (a vintage display typeface), Typnic (a varied handcrafted layered and script typeface family; rhymes with picnic), Typnic Headline Slab.

Typefaces from 2016: Naugles (thick display face based on the Naugles logo), Scrans (a modern signage script), Bloque (heavy slab family), Bloque Italic.

Typefaces from 2017: Cristal (layered, triangulated and beveled font family, including exquisite Cristal Dingbats and Cristal Frames), Almibar Pro (connected calligraphic script).

Typefaces from 2018: Tierra Script, Pueblito (rustic style).

Typefaces from 2019: Austera Text (a comfortable workhorse serif).

Typefaces from 2020: Kidwriting Pro.

Klingspor link. Behance link. Creative Market link. MyFonts link. Fontspring link. Font Squirrel link.

View Corradine's typefaces. [Google] [MyFonts] [More] ⦿

Coruja do Norte

Fraktur, medieval, uncial and astrological font archive. [Google] [More] ⦿

Cosimo Lorenzo Pancini

Born in Firenze in 1969. Cofounder with Francesco Canovaro and Debora Manetti of the Italian design firm in Firenze called Studio Kmzero. He co-designed some typefaces there such as Arsenale White (2009). In 2002, Pancini developed Targa, TargaMS and TargaMSHand (for comic books?), basing his design on the peculiar sans serif monospace typeface with slightly rounded corners and a geometric, condensed skeleton that Italy had been using for its license plates. In 2022, Francesco Canovaro redesigned this font into a versatile multi-weight typeface, Targa Pro, which includes Targa Pro Mono (which keeps the original monospace widths), Targa Pro Roman (with proportional widths), both in five weights plus italics, the handmade version Targa Hand, and Targa Pro Stencil.

The handwriting of Lord Byron led Pancini to develop the brush script typeface Byron (2013, Zetafonts).

MyFonts credits him with the rounded avant garde sans family Antipasto (2007), but elswhere we read that this typeface is made by Matteo di Iorio, so there is some confusion. It was extended in 2017 by Pancini as Antipasto Pro.

In 2014, Cosimo Lorenzo Pancini and Francesco Canovaro co-designed Amazing Grotesk (+Ultra). He also designed the calm bold geometric rounded sans typeface Cocogoose (2014; replaced by Cocogoose Pro in 2017) and the stylish deco font Offensive Behaviour. Cocogoose Letterpress is free. Cocogoose is part of the Coco Gothic family, a collection of twelve typefaces each inspired by the fashion mood of every decade of last century, named after fashion icon Coco Chanel. Cocogoose is Coco Gothic for the 1940s. See also Coco Gothic Pro (2021).

In 2015, Pancini published the grand family Coco Gothic. This Latin / Greek / Cyrillic typeface family features a small x-height and sligghtly rounded corners to make the avant garde and geometric sans typefaces in vogue in the 1970s come alive again, ready for 21st century fashion magazines. It comes with substyles that recreate many moods, including art nouveau and arts and crafts (Cocotte), Italian propaganda style and Italian deco (Cocosignum), hipster style (CocoBikeR), or Bauhaus (Cocomat). Coco Gothic was initially developed as a corporate font for Lucca Comics & Games Festival 2013. The rounded geometric sans family Cocomat (by Cosimo Lorenzo Pancini, Deborah Manetti and Francesco Canovaro) was inspired by the style of the twenties and the visions of Italian futurists like Fortunato Depero, Giacomo Balla and Antonio Sant'Elia. Updated in 2019 as Cocomat Pro.

Still in 2015, Cosimo and Zetafonts published the connected creamy baseball script Bulletto, the grungy handvetica Neue, and the calligraphic wedding typeface Hello Script. In 2015, at Zetafonts, Cosimo Lorenzo Pancini designed CocoBikeR (2015) to celebrate the hipster and bike cultures. CocoBikeR (for Latin, Greek and Cyrillic) is part of the successful Coco Gothic typeface family. In 2017, Pancini designed the 1930s Italian art deco typeface families Cocosignum Maiuscoletto and Cocosignum Corsivo Italico. In 2021, he published the 48-style (+variable) font family Coco Gothic Pro. This is a redrawn and expanded set of fonts: Inspired by a biography of Coco Chanel and trying to capture the quintessential mood of classical fashion elegance, Cosimo Lorenzo Pancini designed Coco Gothic looking for the effect that the first geometric sans typefaces (like Futura, Kabel or the italian eponyms like Semplicita) had when printed on paper. The crisp modernist shapes acquired in printing charme and warmth through a slight rounding of the corners that is translated digitally in the design of Coco Gothic. [...] A distinguishing feature of Coco Gothic Pro is the inclusion of ten alternate historical sets that allow you to use the typeface as a true typographic time machine, selecting period letterforms that range from art deco and nouveau, to modernism and to eighties' minimalism. Equipped with such an array of historical variants, Coco Gothic Pro becomes an encyclopedia of styles from the last century. There is also attention to Darkmode and there is coverage of Cyrillic and Greek.

Typefaces from 2016: Adlery (a curly brush script), Kitten (Fat, Swash, Swash Monoline, Slant, Bold: signage script family), Adlibitum (a blackletter typeface by Cosimo Lorenzo Pancini and Francesco Canovaro), Morbodoni (a display didone by Cosimo Lorenzo Pancini and Francesco Canovaro).

In 2016, Cosimo Lorenzo Pancini, Andrea Tartarelli, Giulia Ursenna Dorati and Andrea Gaspari co-designed the 1940s vintage brush script typeface Banana Yeti, which is based on an example by Ross George shown in George's Speedball 1947 Textbook Manual. The Zetafonts team extended the original design to six styles and multilingual coverage. The ExtraBold is free. Still in 2016, Pancini designed Calligraphunk, an experimental typeface that mimicks polyrythmic calligraphy, by alternating two sets of lowercase letters to emulate handwriting.

In 2016, Cosimo Lorenzo Pancini, Matteo Chiti, Luca Chiti and Andrea Tartarelli co-designed the retro connected brush script font family Advertising Script, which is based on an example from Ross George's Speedball 1947 Textbook Manual.

Beatrix Antiqua (2016, by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli). This humanist sans-serif typeface is part of the Beatrix family (Beatrix Nova, etc.) that takes its inspiration from the classic Roman monumental capital model. Its capitals are directly derived from the stone carvings in Florence's Santa Croce Cathedral. Beatrix keeps a subtle lapidary swelling at the terminals suggesting a glyphic serif, similar to Hermann Zapf's treatment in Optima.

Amazing Grotesk (2016) is based on a logo designed by Francesco Canovaro.

Studio Gothic (2017, by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli) is an 8-style geometric sans family based on Alessandro Butti's geometric sans classic, Semplicita.

Hello Script and Hello Sans can be used for layering and coloring. The Christmas-themed version is Hello Christmas.

Pancini designed the 64-strong typeface family Body Grotesque and Body Text in 2017-2018, together with Andrea Tartarelli. It was conceived as a contemporary alternative to modernist super-families like Univers or Helvetica.

In 2017, Cosimo Lorenzo Pancini and Andrea Tartarelli co-designed the sans typeface family Kabrio, which gives users four different corner treatment options.

Anaphora (2018). Anaphora is a contemporary serif typeface designed by Francesco Canovaro (roman), Cosimo Lorenzo Pancini (italic) and Andrea Tartarelli. It features a wedge serif design with nine weights from thin to heavy. Its wide counters and low x-height make it pleasant and readable at text sizes while the uncommon shapes make it strong and recognizable when used in display size. Anaphora covers Latin, Greek and Cyrillic.

Canovaro's Arista served as a basis for the 29-style monolinear rounded sans typeface family Aristotelica (2018) by Cosimo Lorenzo Pancini and Andrea Tartarelli. See also Aristotelica Pro (2020).

In 2018, he designed the italics for Cosimo Lorenzo Pancini's Domotika typeface family. Between 2018 and 2021, Cosimo Lorenzo Pancini and Andrea Tartarelli developed the 8-weight humanist sans typeface Domotika for Latin, Cyrillic and Greek, further into the 18-style Domotika Pro (2021).

In 2018, he published Radcliffe, with Andrea Tartarelli, a Clarendon revival with Text and Casual subfamilies. Radcliffe (a Clarendon revival by Cosimo Lorenzo Pancini and Andrea Tartarelli), and added the layerable condensed Cocogoose Narrows to the Cocogoose family. Codec (2018) by Cosimo Lorenzo Pancini, Francesco Canovaro and Andrea Tartarelli is a geometric sans typeface family in which all terminal cuts are horiontal or vertical. See also Codec Pro (2019).

His Double Bass (2018) is a jazzy 4-style typeface family that pays tribute to Saul Bass's iconic hand lettering for Otto Preminger's The Man with the Golden Arm film title sequence and other movies, Bass's vibrating, almost brutal cut-out aestethics, and the cartoonish lettering and jazzy graphics of the fifties.

In 2018, he published the sharp wedge serif typeface Blacker to pay homage to the 1970s. In 2019, that was followed by Blacker Pro (Cosimo Lorenzo Pancini and Andrea Tartarelli, who write: Blacker Pro is the revised and extended version of the original wedge serif type family designed by Cosimo Lorenzo Pancini and Andrea Tartarelli in 2017. Blacker was developed as a take on the style that Jeremiah Shoaf has defined as the "evil serif" genre: typefaces with high contrast, oldstyle or modern serif proportions and sharp, blade-like triangular serifs). Still in 2018, he designed the swooping polyrhythmic calligraphic typeface Calligraphunk.

In 2018, Cosimo Lorenzo Pancini and Andrea Tartarelli designed Holden, a very Latin cursive sans typeface with pointed brush aesthetics and fluid rhythmic lines.

In 2019, Cosimo Lorenzo Pancini, Francesco Canovaro and Andrea Tartarelli published the monolinear geometric rounded corner amputated "e" sans typeface family Cocogoose Classic, the sans family Aquawax Pro, and the condensed rounded monoline techno sans typeface family Iconic.

In 2019, Cosimo Lorenzo Pancini, Andrea Tartarelli and Maria Chiara Fantini at Zetafonts published a slightly calligraphic Elzevir typeface, Lovelace.

In 2019, the lapidary typeface family Beatrix Antiqua (Francesco Canovaro) was reworked by Cosimo Lorenzo Pancini together with Andrea Tartarelli and Maria Chiara Fantini into a 50-style type system called Monterchi that includes Text, Serif and Sans subfamilies. Monterchi is a custom font for an identity project for a famous fresco in Monterchi, developed under the art directorship of Riccardo Falcinelli.

Tarif (2019) is a typeface family inspired by the multicultural utopia of convivencia---the peaceful coexistence of Muslims, Christians and Jews in tenth century Andalusia that played an important role in bringing to Europe the classics of Greek philosophy, together with Muslim culture and aesthetics. It is a slab serif typeface with a humanist skeleton and inverted contrast, subtly mixing Latin zest, calligraphic details, extreme inktraps, and postmodern unorthodox reinvention of traditional grotesque letter shapes. The exuberant design, perfect for titling, logo and display use, is complemented by a wide range of seven weights allowing for solid editorial use and great readability in body text. Matching italics have been designed with the help of Maria Chiara Fantini and Cosimo Lorenzo Pancini, while Rania Azmi has collaborated on the design of the arabic version of Tarif, where the humanist shapes and inverted contrast of the Latin letters find a natural connection with modern arabic letterforms.

Late in 2019, Cosimo Lorenzo Pancini released the fun typeface family Hagrid at Zetafonts, which writes: Crypto-typography---the passion for unknown, weird and unusual character shapes---is a disease commonly affecting type designers. Cosimo Lorenzo Pancini has celebrated it in this typeface family, aptly named Hagrid after the half-blood giant with a passion for cryptozoology described by R. K. Rowling in her Harry Potter books. Extreme optical corrections, calligraphic counter-spaces, inverted contrast, over-the-top overshoots: all the inventions that abound in vernacular and experimental typography have been lovingly collected in this mongrel sans serif family, carefully balancing quirky solutions and solid grotesque design.

In 2020, Pancini released Stinger (2020, a 42-style reverse contrast family by Francesco Canovaro, Cosimo Pancini, Andrea Tartarelli and Maria Chiara Fantini) and Boring Sans (a typeface family designed along two variable axis: weight and weirdness). As part of the free font set Quarantype (2020), Cosimo Lorenzo Pancini designed Quarantype Embrace, Quarantype Hangout, Quarantype Hopscotch, Quarantype Joyride, Quarantype Sackrace, and Quarantype Uplift (with Maria Chiara Fantini).

In 2020, Cosimo Lorenzo Pancini and Mario De Libero revived Nebiolo's Carioli (1928) as Cairoli Classic and Cairoli Now at Italian Type / Zetafonts. They extended the original weight and width range and developing both a faithful Classic version and a Now variant. The Cairoli Classic family keeps the original low x-height range, very display-oriented, and normalizes the design while emphasizing the original peculiarities like the hook cuts in curved letters, the high-waisted uppercase R and the squared ovals of the letterforms. Cairoli Now is developed with an higher x-height, more suited for text and digital use, and adds to the original design deeper inktraps and round punctuation, while slightly correcting the curves for a more contemporary look. Cairoli Variable has a weight and width axis.

In 2020, Cosimo Lorenzo Pancini and Mariachiara Fantini---with the help of Solenn Bordeau---released Erotique at Zetafonts. Erotique evolved from Lovelace, an earlier Zetafonts typeface. Zetafonts describe this evil serif as follows: it challenges its romantic curves with the glitchy and fluid aestethic of transmodern neo-brutalist typography. Late in 2020, they added Erotique Sans, the sans version of Erotique, also designed by Cosimo Pancini and Maria Chiara Fantini.

Late in 2020, he co-designed the 46-style font family Eastman Grotesque together with Francesco Canovaro and Andrea Tartarelli. This monolinear sans with a tall x-height comprises an interesting Eastman Grotesque Alternate subfamily with daring and in-your-face glyphs. The typeface evolved from Zetafonts' earlier Bauhaus-inspired typeface Eastman (2020). Later fonts in this family include Eastman Condensed (2021, by Francesco Canovaro, Cosimo Pancini and Andrea Tartarelli).

In 2020, Cosimo Pancini, Andrea Tartarelli and Mario De Libero drew the 60-style Cocogoose Pro Narrows family, which features many compressed typefaces as well as grungy letterpress versions.

Sunshine Pro (2020, Zetafonts) was designed by Cosimo Lorenzo Pancini and Solenn Bordeau expanding the original Sunshine design by Francesco Canovaro, part of the Quarantype collection (2020), which in turn was designed as a typeface for good vibes against Covid-19. Sunshine Pro is an experimental Clarendon-style font with variable contrast along the weight axis---contrast is reversed in light weight, minimized in the regular weight and peaks in the bold and heavy weights.

Coco Sharp (2021) is a 62-style sans feast, with two variable fonts with variable x-height, by Francesco Canovaro, Cosimo Pancini and Andrea Tartarelli.

Co-designer of Heading Now (2021), a 160-strong titling font (+2 variable fonts) by Francesco Canovaro, Cosimo Pancini, Andrea Tartarelli and Mario De Libero that provides an enormous range of widths.

Keratine (2021, Cosimo Pancini, Andrea Tartarelli and Mario De Libero). A German expressionist typeface that exists in a space between these two traditions, mixing the proportions of humanistic typefaces with the strong slabs and fractured handwriting of blackletter calligraphy. Pancini, its main designer, writes that it explores the impossible territory between antiqua and blackletter.

Geppetto (2021) is a frivolous Tuscan font that started out as a revival of a condensed Tuscan wood type family appearing in the 1903 Tubbs Wood Type catalog and which was probably derived from an 1859 typeface by William Hamilton Page. Pancini built a variable font on top of it and calls it a font for fake news.

In 2021, Pancini added Coco Tardis as a variable font with a time travel slider to the Coco Gothic family.

Millard Grotesque (2021) is a true "grot" in the Akzidenz Grotesque sense of the word. This typeface family was designed by Cosimo Lorenzo Pancini and Andrea Tartarelli.

Pancini's Descript (2021) is a variable script font with two axes, slant and speed of writing.

Milligram (2021) is a very tightly set grot by Cosimo Pancini and Andrea Tartarelli. [Google] [MyFonts] [More] ⦿

COSMI

I was floored last week when I saw the New York Times (February 28, 2005) list of top five Windows software products sold in January 2005. In fifth position, after various versions of Office, was COSMI's "1000 Best Fonts" CD, which retails for 8 or 9 US dollars. I refuse to pay any money to this company, so I would appreciate any help from readers about the contents of this CD so that I can make an informed opinion. About themselves, COSMI writes: COSMI Corporation is a privately held leading developer and publisher of software for the home and office. With corporate headquarters in Carson, CA, COSMI is the #1 publisher in productivity software as tracked by NPD Techworld, an independent research company. Since 1982, COSMI has been committed to delivering quality products and customer service for a value price. With products covering all major categories including: productivity, business, utilities, education, entertainment and PDA software, COSMI has proven itself to be a formidable player in the market. Building upon its relationships with customers and its distribution strengths, COSMI is poised for continued growth in all consumer software categories. With the evolution of new technologies and the resulting consumer needs, COSMI will continue to provide products that meet and exceed their needs. Check their font 66 (1994, blackletter). [Google] [More] ⦿

Cove 703 (was: ComicVector 703)
[Cundrawan Tan]

Denpasar, Bali-based designer of the curly handcrafted typeface Kerithing (2015), Baline Script (2016) and the watercolor brush typeface Amarill (2016). Typefaces from 2017: The Naturel (woodblock printing style), Balistroke, Rosedita Script (calligraphic), Maheera, Ringotube (2017).

Typefaces from 2019: Tony Bhages (dry brush), James Stroker, Ricky Lhambert, Cleopharta (dry brush), Hardy Blow (dry brush script), Morgan Chalk, Cherry Angela, Christopher Done, Chrusty Rock, Willy Brothers, Zuka Doodle (3d, sketched), Yasmine Rothem, Qinyana Signature, Firyana Beauty, Olivia Dhorgent, Wyntex Brasco, Charlie Zonk, Agnesa Kyoto, Mickey Steward, Becky Tahlia, Boldywolf, Paul Signature, Happy Sunday, Just Mandrawn (sketched), Ghiya Strokes (a dry brush typeface), Jocky Starline, Billy Scriptian, Rose Katrinah, Nugie Romantic (Victorian), Nadia Sofia (bold italic), Golden Ranger, Dharko Gilbert, Kestoy Selfie, Falling Button (a fat finger font), Richie Brusher (dry brush), Rhyanie Lane, Sheila Crayon, Anthem Nasney, Melodya Chatrina, Sandra Belhock, Duck in Shipah, Monster Game, Robert Barack, Hot Restaurant (monoline script), Funshop, Katrine Holland, Shark Ready, Heidy Indigo, Takashi Minta, Ballet Harmony, Knight Jacker (blackletter script), Michael Jackpot (brush font), John Bulgarry (script), Roshida Valentines, (script) The Naturel Txt (a dry brush or wood texture emulation font), Jungle Boy, Shitoberry (script), Baline Script. Creative Market link. Dafont link. Graphicriver link. [Google] [More] ⦿

Cowan

Designer of Engravers' Old English (1901, ATF) with Morris Fuller Benton, who designed the similar typeface Wedding Text (1901). McGrew writes: Engravers Old English is a plain, sturdy rendition of the Blackletter style, commonly known as Old English. It was designed in 1901 by Morris Benton and another person identified by ATF only as Cowan, but has also been ascribed to Joseph W. Phinney. It is a modernization of Caslon Text, and has been widely used. Engravers Old English Open was produced by ATF in 1902. Sidney Gaunt designed Engravers Old Black, very similar to Engravers Old English, for BB&S in 1910, but BB&S later produced Engravers English, a copy of Engravers Old English. It has also been copied by Intertype, and by Ludlow as Old English. [Google] [More] ⦿

Crazy Diamond Design Historical Fonts
[Alex Moseley]

Wonderful 16-th century (commercial) fonts from this Manchester, UK-based foundry, including:

Bastard Secretary
Black Cat Letter. A blackletter font used in the Harry Potter films.
Chancery Hand
Formal Text Hand
Hand of the Court of the Common Pleas.
Italic Hand
Parchment Print & Italic. From the Harry potter films.
Rustic Capitals (2005).
Secretary Hand
Seventeenth Century Print and Italic
Uncial
Wizard Runes and wizrdings. From the Harry Potter films.
Written Square Caps (2005: roman inscriptional caps).

[Google] [More] ⦿

Creative Brainiacs

Canadian or French company. Designer(s) of the hand-drawn typefaces Caramellist (2016, brush script), Delikassy (2016), Fat Foot (2016), Caffe Bistro (2016), Jørn (2016), Old Tavern Serif (2016), Nancy (2016), Suppa Medium (2015), Hers (2015), Slabby Joe (2014), Kampon (2014), Hands Down 3 (2014), Big Tracy (2014, bilined), and Sugar Free (2014, a script). Creative Market link. [Google] [More] ⦿

Creative Media Lab
[Kadek Adi Mahardika]

Bali, Indonesia-based designer (b. 1983) of Baruna (2018: vintage decorative font), Brotherley (2018), the hilarious Chef Characters Icons (2018), the sans typeface Drupadi (2018), the ball terminal typeface Cameo Sweet Gothic (2018), the handcrafted typefaces Miyake Signature (2018), Kiddo Handwriting (2018), Puralova Script (2018) and Children Alien (2018).

Typefaces from 2019: Jollin, Jollin Family, Popstick (an ultra-smooth popart style rounded sans), Yellost (blackletter), Chalk and Pamor, Little Pea, Tropiello (Tuscan, Victorian), Pink Shark, Molga, Othelie (swashy and medieval), Brume, Little Pea, Kuashe (monoline), Lordish (blackletter), Blue Angel, Black Cameo (spurred), Puralova, Milova (a great calligraphic typeface).

Typefaces from 2020: Zolina (a decorative sans, with a variable font added), Black Mango (a chic 10-style display sans with some flared stems; +a variable font), Mesdag, Prettywise (a decorative serif), Loubag (an elegant short-ascender vintage display typeface in ten styles), Kooka (a variable width stylish exaggerated wedge serif family), Belle Story (a high contrast display serif), Losta Masta (a decorative serif), Matterdi (a fashion mag family with an extremely large x-height), Popstone (psychedelic, with a variable font), Carpellon (a tattoo font), Dorris (a swirly psychedelic font), Losta Masta, Mavera (a modular display font), Rajjah Famillia (a blackletter), Allaina (a Victorian serif), Kaoly (a stylish bold serif), Cattedrale (blackletter).

Typefaces from 2021: Losta Bonita (psychedelic), Black Mango (Kadek Mahardika) (display sans), Naskle (psychedelic), Reggy (psychedelic), Losta Frida (a curvy display serif), Parka (a decorative saber-edged stencil typeface in nine styles), Missy Voya (a decorative serif), Greyst (a fashion mag display typeface), Skinny Joe (revisiting the bell bottom 1980s in a wonderful wide display family), Morgy (intestinal), Magrit (an ultra-fat high-contrast display typeface), Pretty Boy (a decorative serif family), Catavalo (a 6-style fashion mag typeface), Voire (a swirly lachrymal serif family consisting of 18 fonts), Viva Kaiva (an intestinal and perhaps psychedelic typeface), Pink Crestelle (a ten style display typeface, and a variable font), Benoa (a 7-style decorative serif).

Typefaces from 2022: Losta Nova (11 styles), Mango Style (10 styles; a stylish wide display sans with straight terminal endings: +a variable font), Cobya (a variable fashion mag family in 28 styles, influenced by ocean waves and liquids), Missy Voya (a stylish display serif), Losta Nova. [Google] [MyFonts] [More] ⦿

Creativework Studio (was: Creativework69 Studio)
[Daddi Daryawan]

Bandung, Indonesia-based designer, b. 1969, of Skatter (2018: signage script), Indonesian (2018), The Beach Boy (2018), Bali Paradiso (2018), Betterday Calligraphic (2018) and Hartford (2018).

Typefaces from 2019: Playground, Bellaviesta (script).

Typefaces from 2020: Cheese Roll (a layerable comic book typeface), Freezone, Crunchy Croissant, Spooky Monster, Caramel Candy, Sketcher, The Centurion (a decorative blackletter), The King Of Romance (a rabbit ear script), Chicken Sticks (a fat finger font), Caramel Candy, Brigitte Eigner (a signature script), Black Eagle (a dry brush script), Chicken Soup, Homelike (an oily bubble or balloon font), Khalifah (Arabic emulation), Blackboard, Grandes (a fat script), Enchantee, Alessandra, Mellodious (a monoline script), Monkey+Banana, Mister Clown, Maheswari (a wild script) Blessing (script), Deathblood (brush).

Typefaces from 2021: Blacksign (a dry brush script), Black Eagle (a dry brush script), Brigitte Eigner (a signature script), Caramel Candy (a creamy scrapbook script), Chicken Sticks, The Centurion (a frivolous decorative blackletter), The King Of Romance (a rabbit ear script), Grandes (a heavy retro signage script), Mister Clown (a children's book font), Enchantee. Creative Fabrica link. [Google] [MyFonts] [More] ⦿

Cristian Gramada

Creator in 2009 of a 3d paper-fold face that seems to have Fraktur influences. [Google] [More] ⦿

Cristian Lopez

Graphic designer at Leo Burnett Colombia in Bogota. In 2017, he created the free Greek simulation typeface Hector, the free blackletter typeface Santiago and the free vector format bicolored typeface Adan. [Google] [More] ⦿

Cristina Paoli

Graduate from the MA Typo/Graphic program at the LCC in London. Her thesis was on the use of blackletters in Mexico. [Google] [More] ⦿

Cruzine
[Peter Olexa]

Peter Olexa (Bratislava, Slovakia, b. 1978) created the (typically retro / vintage) mostly commercial typefaces Slow SVG (2020: a brush font), Hurley (2020), Royal (2020: vintage caps), Wagoon (2020), Snow (2020: a 3d color SVG font), Venomous (2020: spurred, grungy), Behofeel (2020), Chasmophile (2020: formal calligraphy), Angelic (2019: dry brush), Boutique Paris (2019), Umbrella (2019), Cellica Bold (2019), Abigaile (2019), Ragtime (2019: a brush font), Ragtime Marker (2019), Futu (2018), Kiko (2018), Pineapple (2018), Urban (2018: inline), Plasma (2018), Evolve (2018: inline), Hallowen (sic; 2018), Phantom (2018), Palam (2018), Alter (2018), Chrome (2018), Rhino (2018), Giant (2018), Valeria (2018), Ruas (2018), Strife (2018), Giant (2018), Atari (2018), Octopus (2018), Green Light (2018), Atlantis (2018), Maroon (2018), Secure 3D (2018), Cube (2018), Billionaire (2018: art deco), Savana (2018: bejeweled), Castile (2018), Starla (2018), Brodo (2018), Nomos (2018), Brisk (2018, art deco), Tron (2018), Jewel (2018), Forest (2018), Noxa (2018), Ama Deust Inline (2018), Goliath Inline Grunge (2017), Arbatosh (2017: Victorian), Momoco (2017), Heyro Fun (2017), Calliope Fun (2017), Steampunk Gears (2017), Ponds (2017: Victorian), Zahra (2017: inline grunge), Green Light (2017: inline grunge), Jordan Bold Grunge (2017: inline), Metalic 3D (2017), Mecha Grunge (2017), Buffalo (2017), Queen (2017), Lacoste Inline (2017), Ollie (2017, sans family), Nomos (2017), Blue North (2017: spurred), Murray (2017), Atlantis (2017), Montana (2017, outlined), Speedhunter Line (2017), Star Black Inline (2017), Gatsby Inline (2017: art deco), Jibril (2016: spurred), Hallowen (sic) (2016), Kiko (2016), Sailor (2016, tattoo font), Annabel (2016), Zalora (2016), Geno (2016), Marin (2016), Starship (2016), Mozza Shadow (2016), Meravin (2016), Venomous (2016), Amora Inline Grunge (2016), Rocket Shadow (2016), Hydrant (2016), Boston Inline Grunge (2016), Skywalker (2016, art deco), Ocela (2016), Columbus (2016), Raven (2016), Nomura Grunge (2016), Stella (2016), Salada (2016), Vultron (2016), Majestic (2016), Napoleon (2016), Temu (2016), Rodeo (2016, Western style family), Brooklyn (2016), Thunder (2016, Victorian label typeface family), Murray Inline Grunge (2016), Opera (2016, Victoriana), Flamingo Shadow (2016), Blue North Inline Grunge (2016), Montana Bold Outline (2016), Monophone Fancy (2016, retro style), Marin Victorian (2016), Westwood (16-style Western font family), Mozza (2016, +Inline, +Shadow, +Grunge), Speed Hunter (2016), Metro Grunge (2016), Annabel (2016, Victorian), La Forest (2016, blackletter), Star (2016, decorative caps, with outlined and inline versions), Phoenix (2016, a spurred typeface), Gatsby (2016), Bureno (2016, a Victorian display typeface), New York (2016, letterpress emulation), Capella (2016), Almanac Italic Grunge (2015), Anabel (2016, roman caps), Regolith (2015), Chocoleta (2015, hand-printed), Sailor (2015), Turmeric (2015), Ultimatum (2015), Heyro (2015, a rough brush font), Calliope (2015, a rough brush), Glass Beads (2015), Red Paprika (2015), Greenkitchen (2015), Artistico (2015, grungy), Brush Shop (2015), Graceful (2015, irregular script), Brush Wall (2015), Nickainley (2015, connected script), Harloft (2015, a warm brush script), Detective Typewriter (2015), Not Perfect (2015), Good Vibes (2015), Cool Story (2014), Get Coffee (2014), Think Happy (2014), Say Less (2014), Let's Do This (2014), Just Be Cool (2014), Brooklyn Coffee (2014, a spurred poster typeface), Bronx Shoes (2014), Nevermind (2014), RockNRoll (2014), Bluegrass (2014), Memento (2014, spurred Victorian face), Melody (2014) and Grazioso (2014). He runs Dealjumbo.

Creative Market link. Behance link. Dafont link. [Google] [More] ⦿

Cshirecat

60-font archive specializing in medieval and Fraktur fonts. [Google] [More] ⦿

Cucu Supriyadi
[Seventh Imperium]

Cundrawan Tan
[Cove 703 (was: ComicVector 703)]

CybaPeeCreations (or: Typoasis)
[Petra Heidorn]

CybaPee is the nom de plume of Petra Heidorn who lives in Hamburg. She has created many typefaces (listed below) between 1997 and 2005 and has cooperated with several type designers on interesting projects. She is undoubtedly best known for her successful web site Typoasis (discontinued in 2016), where one could download her own creations, and those of her many friends. Petra was also heavily involved in several attempts to revive blackletter fonts, in cooperation with Manfred Klein, Dieter Steffmann, Paul Lloyd and others. She organized several revivals of the typefaces of Rudolf Koch and Ernst Schneidler. She also managed the extensive web presence of Manfred Klein.

In 2016, she allowed me to host her fonts on my site. Download page. Download all her fonts in one zip file.

Her typefaces:

AlphanatismConHeads (2001). Stamped style.
ArabDancesMediumItalic (2002). An Arabic simulation typeface done with Manfred Klain's assistance.
Azimech (1999).
Bauernschrift (2004). After a 1911 typeface from Bauersche Giesserei.
Bayreuth (2003). A nice scan-version of Bayreuth Fraktur by Ernst Schneidler for C.E. Weber in 1932.
Bibelschrift (2004). Codesigned with Manfred Klein, Bibelschrift revives a Fraktur from 1926-1928 used by the Bremer Presse, est. 1911. The Bremer Presse was bombed by the Americans in 1944.
BirthdayGreetz (1999).
Brahms Gotisch (2005). A blackletter typeface co-designed with Manfred Klein. It is a revival of a 1937 Genzsch&Heyse typeface designed by Heinz Beck.
Burte Fraktur (2003). After Christian Heinrich Kleukens for the Mainzer Presse, 1928.
CalliBrush (1999).
Camouflage (1999). Textured.
Chaos-Theorie (2000). A Halloween or vampire font.
Charon (1999). An angry and / or scary typeface.
Crystopian.
CursedKuerbis (1999).
Cyclin (2000). An ironwork font.
DecoCaps (1999). Ornamental caps.
DeutscheDruckschrift (2004). A revival of Heinz König's 1888 blackletter typeface for Genzsch&Heyse.
DeutscherSchmuck (2004). Codesigned with Manfred Klein, this ornamental dingbat font is a revival and extension of the Schmuck für Deutsche Druckschrift by Eduard Ege, Genzsch and Heyse, 1922.
DiamondDreams (1999). A pearly all caps typeface.
Ellipsoideogram (2000). An italic headline sans.
Epitough (1999). A sans.
Extemplary (1999).
Funtastique (1999). An exagerrated, almost bubbkly, art nouveau typeface.
Gondoliere (2000). A light-hearted poster typeface.
Gotika (2005). After Reiner's 1933 blackletter typeface for Bauer.
Greex (1999). A Greek emulation typeface.
Hans Sachs Gotisch (2005). Based on a typeface by that name of Albert Auspurg, 1911, Genzsch&Heyse.
Hartwig-Schrift (2005). A blackletter typeface that revives Hartwig Poppelbaum's Hartwig Schrift from 1927-1928.
Hasenchartbreaker (1999). A handcrafted typeface.
Heimat (2005). After Wilhelm Weimar's Heimat from 1917, Genzsch&Heyse.
HelvAssim (1999). A naughty take on Helvetica to needle Linotype.
Hohenzollern (2004). Based on Carl Albert Fahrenwaldt's blackletter typeface for Bauersche Giesserei, 1902.
HollandGotisch (2005). Designed together with with Manfred Klein, this is a revival of the textura typeface Nederduits (aka Fleischmann Gotisch) by Johann Michael Fleischmann, ca. 1750.
InkyDinky (1999).
IsleOfTheDead (1999). An angular handcrafted typeface reminiscent of the movie titling of Dr. Caligari.
Jaecker-Schrift (2005). Revival of the 1912 blackletter typeface by Wilhelm Jaecker for D. Stempel.
Kleukens-Fraktur (2004). A Schwabacher based on a design by Friedrich Wilhelm Kleukens, 1910.
KrasniFellows (1999). An old Slavonic emulation typeface.
KuehneRevised (2003). A blackletter typeface.
LadyIce-Italic, LadyIce-SmallCaps, LadyIce, LadyIceRevisited, LadyIceRevisitedUpper. An organic monoline sans typeface family developed together with Apostrophe.
Leibniz-Fraktur (2003). A Schwabacher typeface based on a house font at Genzsch & Heyse, 1912.
LeontineLoew. A warm and plump informal typeface.
LightBats (1999). Dingbats.
Lupinus (1999).
Lurzing-Initials (1997). A decorative caps typeface based on a 1908 typeface by Karl Lürzing that depicts naked figures.
Manuskript Gotisch (2004). A revival of a 1514 Textura typeface by Wolfgang Hopyl, which was a house typeface at the Bauersche Giesserei in 1899.
ModerneSchwabacher (2005). After a ca. 1900 typeface by the Otto Weisert foundry called Moderne Halbfette Schwabacher.
MonkeyHouseParty (2001).
MothproofScript (1999). A calligraphic typeface. The name is a take on frostmoth, one of Petra Heidorn's early aliases.
MuseAsis (2002). Artsy fartsy.
Napapiiri (1999).
Neudeutsch (2004). After a 1900 original by Otto Hupp for Genzsch&Heyse.
NeueFraktur, NeueFrakturExtraBold (2004). Revivals of typefaces by Johannes Wagner Schriftgiesserei in 1927.
NinjaLine (2000). An outlined graffiti typeface.
Nordland (2005). Based on a typeface by Heinz Beck for Trennert&Sohn, 1935.
Oetztype (1999). German expressionist. Named after the Tyrolian Iceman, Oetzi.
Oktoberfest (1999).
Pachyderm (1999). A nice ultra-fat typeface.
PeesCelticItalic, PeesCelticPlain, PeesCelticOutline (1999). Ornamental Celtic caps.
Pegypta, Pegyptienne (1999). Hieroglyph-inspired typewriter fonts.
PostmoderneFraktur (1999).
Rammstein (1999). A tall condensed typeface.
ResPublica (2000).
RoteFlora (1999). Garffiti style typeface.
RoyalGothic (1999). A swashy set of initials.
SadLisa. A kitchen tile font designed to support Lisa Jenkins in a copyright battle.
Sagittarius (1999). An arrowed typeface.
SailingJunco (1999). A stencil typeface.
Scalper-Bold, Scalper, ScalperInk (2001). Grunge style.
SchmalfetteGotisch (2004). Codesigned with Manfred Klein, this semi-Textura typeface is based on a type of Ernst Schneidler.
SchneidlerInitialen (2004). After F.H.E. Schneidler.
Schneidler Schwabacher (2004). After F.H.E. Schneidler.
SchwabachDeko (2005). This is Verzierte Schwabacher by Carl Kloberg, Leipzig, 1891. In 2005, Petra co-designed a similar revival of Verzierte Schwabacher with James Arboghast, simply called Verzierte Schwabacher. Her SchwabachDeko attempted to be as close as possible to the original.
Scoglietto (1999). A text typeface.
SerpentisBlack (2004). Digitization of a typeface by E.W. Tieffenbach for Officina Serpentis, 1913. This in turn is based on a Gotico-Antiqua by Peter Schoeffers (Mainz, 1462) which was refined in the late 15th century by Creussner and Koberger.
SlimlinerMicro (1999).
Smoke-Rasterized-Medium (2001). Degraded and textured.
SoftAutumn (1999).
Stoertebeker (1999). A mediaeval typeface with a rough outline.
SunnySide (2000).
Symphonie (2005). A digitization of Imre Reiner's Symphonie from 1938 (renamed Stradivarius in 1945).
TaraType (1999). A lapidary typeface named after Petra's friend, Sabine Taranowski.
Teutonia (2004). Based on a typeface by Roos & Junge, ca. 1900.
TipTop (2004). Based on a typeface from Schriftgiesserei Julius Klinkhardt, Leipzig, ca. 1900. Virtually identical to Teutonia.
ToolTime (1999). Dingbats.
TypesourceFanclub (2001). A heavy semi-slab serif.
Urdeutsch (2004). A rounded blackletter typeface based on Urdeutsch (1924-1925, Adolf Heimberg for Genzsch&Heyse).
Vogeler Caps (2002). Based on Heinrich Vogeler's decorative blackletter caps typeface Jugendstil Initialen (1905).
Weiss-Gotisch (2004). A revival of E.R. Weiss's typeface by that name, published in 1936 at the Bauersche Giesserei.
WelcomeY2K (2000). A casual typeface.
XmasTerpiece, XmasTerpieceSwashes (2001). A Fraktur font based on Rhapsodie by Ilse Schuele.

Dafont link. Klingspor link. Fontspace link. [Google] [More] ⦿

D. Sandi Sjahputra
[Winston Type Co.]

D. Stempel (or: Stempel Studio)

Frankfurt-based type foundry started in 1895 by David Stempel. Took over Roos&June in 1915. Gained a majority share in Klingspor Bros in 1917. Takes over Leipzig's Heinrich Hoffmeister foundry in 1918 and Leipzig's W. Drugulin foundry in 1919. Gains shareholding in the Haas'sche type foundry in 1927, and Benjamin Krebs in 1933. It becomes owner of Klingspor in 1956. In 1985 D. Stempel's type division was taken over by Linotype, and became Linotype's type department. Stempel's history, 1895-1955. Designers and fonts:

J. F. G. Binder: Binder Style (1959).
J. Boehland: Balzac (1951).
H. Bohn: Mondial (1936).
Walter Brudi: Orbis (1953), Pan (1954).
W. Buhe: Buhe Fraktur (1915).
W. Chappell: Trajanus (1939).
J. Christiansen: Christiansen Schrift (1909).
F. Heinrichsen: Gotenburg (1935-1937).
K. Hoefer: Prima (1957), Zebra (1965).
H. Hoffmeister: Amts Antiqua (1909), Stempel Fraktur (1914).
Holzhausen: Holzhausen Antiqua (1916).
M. Jacoby-Boy: Bravour (1912).
M. Kausche: Mosaik (1954).
F. W. Kleukens: Gotische Antiqua (1914), Helga Antiqua (1913), Ingeborg Antiqua (1910), Kleukens Fraktur (1911), Omega (1926), Radio Latein (1923, display didone).
R. Koch: Anzeigenschrift Deutsch (1923).
H. König: Heinz-König-Setzmaschinen-Fraktur (1913).
E. Meyer: Tannenberg (1933-1935).
Hans Eduard Meier: Syntax (1968).
H. Möhring: Elan (1928), Elegant Grotesk (1928).
C. Wilhelm Pischiner: Neuzeit Grotesk (1929).
H. Pauser: Petra (1954).
I. Reiner: Bazar (1956), Mustang (1956).
P. Renner: Renner Antiqua (1939).
H. Rhode: Humboldt Fraktur (1938).
F. K. Sallwey: Present (1974).
A. M. Schildbach: Montan (1954).
F. Schweimanns: Diana (1909), Propaganda (1901), Graziella (1905), Korso (1913).
W. Schwerdtner: Metropolis (1928), Mundus Antiqua (1929), Standard Latein (1929).
J. Tschichold: Sabon (1967).
M. Wilke: Diskus (1938), Gladiola (1936), Konzept (1968).
Friedrich Hermann Wobst: Globus (1932).
Rudolf Wolf: Memphis (1930).
Hermann Zapf: Gilgengart, Kompakt (1954), Melior (1952), Michelangelo (1950, roman caps), Optima (1958), Palatino (1950), Saphir (Linotype, 1953), Sistina (1951), Virtuosa (1952, revived in 2009 as Virtuosa Classic at Linotype with the help of Akira Kobayashi).
G. Zapf-von Hesse: Diotima Antiqua (1952), Smaragd (1953).
Staff: Büxenstein Antiqua (1912: revival by Gerhard Helzel), GerhardHelzel-BuxensteinFraktur-after-DStempel-1912.png">Büxenstein-Fraktur (1912: revival by Gerhard Helzel), AltSchwabacher, Europe, Eurostile, Forma, Garamond, Künstlerschreibschrift (1902), Univers, and the typewriter types Deberny, Haas and Olive.

Specimen book of 1920.

View the Stempel typeface library. [Google] [MyFonts] [More] ⦿

Daap.ru

Russian blackletter font archive. [Google] [More] ⦿

Daddi Daryawan
[Creativework Studio (was: Creativework69 Studio)]

Dahlia Yuen

Graphic Design student at Vancouver Island University in Canada in 2013-2014. Creator of Neu Anglo (2014), an angular shaded typeface influenced by blackletter. Behance link. [Google] [More] ⦿

Dalia Kamel

Or Dalia Abdel Moneim. Cairo, Egypt-based designer of the angular semi-blackletter typeface Oee Regular (2016), which was developed during her studies at German University. She also designed the Arabic typeface Dee Koufi (2017). [Google] [More] ⦿

Damià Rotger Miró
[Dúctil]

Damien Gosset

Parisian designer (b. 1981) of PixArrows (2010, pixelized arrows), BeijingWigoWhat (2005, Indic simulation face), Coin Locker Datura (2005), Fucked Plate (2005, grunge typeface entirely based on old license plates), Destroyed License Plate (2005), BonesBummer (2005, scratchy handwriting), VerArmy (2005, stencil), Knife Fight (2005), Veru Serif (2005), Belgian Army (2005, no longer offered), Bnko (2005, no longer offered), Abuse (2005, handwriting) and Sweeep (2005, typewriter simulation), PoscaMadThrasherz (2009, graffiti), Rififi Serif (2010, pixel face), Sorcery 6128 (video game font) and Satan 1981 (2018).

Typefaces from 2020: Boulder Dash 6128 (a pixel font), 8Bit Arcade (a video game font), Popincourt 1981 (a condensed squarish sans), Blackletter 97, Turfu 97, Peng Chau Nights (squarish), Eighty Nine 75020, Discomobile 1972 (Western), Lavomatic 2000. Alternate URL. [Google] [More] ⦿

DamyaN

Fontstructor who made the tattoo / blackletter typeface Evil Script 2 (2012). [Google] [More] ⦿

Dan M. Zadorozny
[Iconian Fonts]

Dan Reynolds
[TypeOff]

Dan Rhatigan

Daniel Rhatigan (Ultrasparky) was born on Staten Island in 1970. He finished the MA Typeface Design program at the University of Reading, UK, in 2007. Before that, he briefly taught type design at the City College of New York. He briefly was type director at Monotype Imaging, based in the UK, and is scheduled to replace David Lemon as the new Senior manager of the Adobe Type team at the beginning of 2017. In 2021, Dan Rhatigan joined Type Network where he curates Type Network's typeface library and oversees its foundry relationships.

Dan is an expert on Indic scripts, and spoke about that at ATypI 2011 in Reykjavik.

His graduation typeface at Reading was Gina (2007), a serif about which the reactions are generally good (a Minion with character according to Stephen Coles, and an awful lot of Unger in one gulp according to Joe Clark). Gina covers not only Greek, but most European languages. I especially appreciate its attention to mathematical symbols and typesetting. In 2009, Ian Moore and Dan Rhatigan created Sodachrome, a typeface designed at The Colour Grey for Sodabudi, a forthcoming online store for art work inspired by folk art from India. Dan Rhatigan blogged about it here. When the two parts of the typeface are screenprinted in different colours on top of each other, they produce an optical effect. In 2010, his (free) rounded bold serif typeface Copse font was published at Kernest (free downloads).

Kernest link. Google Web Font Directory carries his free typeface Astloch, a monoline blackletter face.

Another download link. Clear Sans (2013) was designed by Daniel Ratighan at Monotype under the direction of the User Experience team at Intel's Open Source Technology Center. Clear Sans is available in three weights (regular, medium, and bold) with corresponding italics, plus light and thin upright (without italics). Clear Sans has minimized, unambiguous characters and slightly narrow proportions.

Ryman Eco is a free multilined typeface created in 2014 by Dan Rhatigan and Gunnar Vilhjálmsson at Monotype that satisfies its two design goals---beauty and economy (it uses 33% less ink than a normal text font).

Speaker at ATypI 2017 Montreal.

Fontsquirrel link. CTAN download link. Klingspor link. Monotype link. Google Plus link. [Google] [More] ⦿

Dan X. Solo
[Solotype]

Dan X. Solo: Digitizations by Dick Pape
[Dick Pape]

Dick Pape based the following digitizations (2008-2010) of blackletter, art deco, Celtic, initial caps, and other ornamental typefaces shown by Dan X. Solo in his Dover books: DXSAlphaMidnight, DXSAlphaTwilight, DXSBeansBold, DXSBlackline (prismatic, art deco), DXSBoboBold, DXSBrusselsInitials, DXSBuckinghamInitials, DXSBust, DXSCharger, DXSCheckmate, DXSCorral, DXSDevon, DXSDevonian, DXSDudleyPNarrow, DXSFatCat, DXSFestival, DXSFrankfortInitials, DXSFuturaInline, DXSGrooviestGothic, DXSGuildhall, DXSHessNeobold, DXSHotline, DXSHuntingtonInitials, DXSJoyceBlack, DXSKupferInitials, DXSLampoon, DXSLeipzigInitials, DXSLeister, DXSLowenbrau, DXSMonogramStencil, DXSMonumentBold, DXSNottinghamInitials, DXSOrbit, DXSOttoHuppInitials, DXSPickfair, DXSPolly, DXSPotsdamInitials, DXSPrismaniaC, DXSPrismaniaP, DXSQuote, DXSRegalBlack, DXSRhythmBold, DXSRickyTick, DXSRoco (art deco), DXSSansSouci, DXSShadyDeal, DXSSheetSteel, DXSSilverShadowBlack, DXSStuttgartInitials, DXSTester, DXSThedaBara (counterless geometric art deco), DXSTulo, DXSTuxedo, DXSUrban (psychedelic), DXSVeronica, DXSWestmorland, DXSWienText, DXSYagiBold.bmp DXSYagiDouble, DXSYorkshireInitials, DXSZany, DXSZephyr.

Images: DXSBlackline, DXSBust, DXSDudleyPNarrow, DXSGrooviestGothic, DXSJoyceBlack, DXSMonogramStencil, DXSPrismania'P', DXSRickyTick, DXSRoco, DXSSheetSteel, DXSTulo, DXSUrban, DXSYagiDouble, DXS Alpha Twilight, DXS Brussels Initials, DXS Kupfer Initials, DXS Lowenbrau, DXS Otto Hupp Initials, DXS Theda Bara, DXS Urban. Download page. [Google] [More] ⦿

Daniel Bonrath

As a design student in Germany, Daniel Bonrath created the free duct tape blackletter font Ruhrpott (2016, Citype), also called Gantzfeld Black. [Google] [More] ⦿

Daniel Graf

Designer of Empire (2009, blackletter). He is based in Berlin. [Google] [More] ⦿

Daniel Hernandez
[Hernández Type (was: Estudio de diseño Calderón)]

Daniel Kulacz
[Trafotype]

Daniel Lyons
[Lyons Type]

Daniel Owen
[Nemesis Design]

Daniel Plant

Designer in 2000 at Fontmonster of 10ptChaos, Bionique (blackletter), BrokenSounds, Euphoria, ImpactPeople, MMCutout, Quel (a tech font), and Timeface. Later he designed MIR, Jab Outline, MIR Research, Double Extra, Truck Stop Puncture, MIR Station, Venue, Time Face (great idea of a stick font!), Rammdisk, Mort, Lacer, Kasper, Lefthand, Felt Script, Frik, Genome TF, Impact Peeps (dingbats), Dieter Con, Egyptian, Etc, Deeter, Crinkle, Control, Broken, 12s6d, 10pt chaos, Crumbs, MortUnicaseBold, MortUnicaseIncised, MortUnicaseThin. [Google] [More] ⦿

Daniel Sabino
[Blackletra]

Handdrawn portrait of Ames found in "Real Pen Work" (1881, Knowles and Maxim). [Google] [More] ⦿

Daniel Severin

Creative director in Zurich. Designer of Vlad Tepes (2005, blackletter) and Severina (2006, text typeface). [Google] [More] ⦿

Daniel T. Ames

American penman. Author of Compendium of Practical and Ornamental Penmanship (New York, ca. 1883) and Ames' Guide to Self-Instruction in Practical and Artistic Penmanship (1884). The latter book contains some explicit alphabets: Roman, Italic Roman, Gothic, German text, Old English, Church Text, Medieval, Egyptian, German Round Hand, Marking and Rustic (elaborate caps). One of the initial caps in that text led Robert Fauver to create the free font Dirty Ames (2006).

In 1890, Ames wrote Ames' Book of Flourishes.

Daniel Taupin

Daniel Taupin (1936-2003) held a degree of the ESPCI school and was a doctor in physics. He was a researcher in a solid-state physics lab at Orsay University (Physique des Solides, University Paris-Sud). Obituary. Another obituary with details of his mountain climbing career and death in the mountains. He published ttfmf2t1, a free C program, to clean up the output of Oleg Motygin's ttf2mf program that converts ttf files installed (!!) in Windows to metafont format. Metafont sources for Garamond, Times, Arial, Book Antiqua and Bookman Oldstyle are also at this site. He also codeveloped OpusTeX and Musixtex (for music notation) with Andreas Egler and Ross Mitchell. He published Les polices TTF converties en Metafont and MusiXTeX: L'écriture de la musique polyphonique ou instrumentale avec TEX. Designer of the metafont fraktur font families CM Fraktur and DM Fraktur. CM Fraktur, or cmfrak, is based on Yannis Haralambous' font yfrak (1990). [Google] [More] ⦿

Daniel Viberg
[Dawnland]

Daniele Capo

Italian architect in Viterbo who is interested in typography. He studied at the Faculty of Architecture at the University of Firenze. He collaborates with Arci Viterbo in the communication of their social and cultural initiatives and has a contract assignment for the graphic design course at the Disucom of the Universita della Tuscia. He specializes in font engineering and training for engineers. He has been a member of the cooperative Italian type foundry CAST and is its type engineer since 2016.

In 2009, he tried to design a typeface and called it Pince-Nez. He was working on Guido (2010), a free typeface based on the Italian gothic letterforms (roughly speaking, a blend between blackletter and chancery), or gotica corsiva (used in the fourteenth century for books such as Dante's Divine Comedy). Flickr page. Capo studied at the Faculty of Architecture at the University of Firenze. [Google] [More] ⦿

danos

The EmGravesSH truetype font (Fraktur) by Soft Horizons. [Google] [More] ⦿

Dansdesign
[Danu Setyaji Nugroho]

Yogyakarta, Indonesia-based graphic designer and lettering artist who founded Dansdesign in 2018. Creator of principally decorative Victorian and blackletter typefaces. These include the curly Victorian typeface Stalber (2019), Black Fellas (2021), Famous Flames (2021), Morgan Tattoo (2021), Tattoo Beast (2021), Gematype Blackletter (2020) Sauronking (2020), Carless Panther Blackletter (2020), Stunegart (2020: a blackletter), Green Bull (2020), and Sinners (2020: blackletter).

Other fonts: Calathea (2020), Graffiti Fat (2020), Grav Boom (2020: a cartoon font), Dirtydroop Graffiti (2020), Revenol (brush) (2020), Crack (2020) and Overloot (2020).

Typefaces from 2021: Bugenvil (a festive blackletter) (with Agni Yugisworo). [Google] [MyFonts] [More] ⦿

Danu Setyaji Nugroho
[Dansdesign]

Darek Artworks

During his studies in Barcelona, Darek Artworks designed Gothic Stencil (2019). [Google] [More] ⦿

Darian Bakliza

Under the mentoship of Nikola Durek and Marko Hrastovec, Darian Bakliza (Zagreb, Croatia) designed the blackletter typeface Unholy (2017). [Google] [More] ⦿

Darien Valentine
[Fixedsys]

Dark Domain

BadAcid, Magik (Wizardworks, 1993), Magdeburg (Fraktur font by Scriptorium), AmazoneBT-Regular. [Google] [More] ⦿

Darren Rigby
[Darren Rigby]

Refreshing fonts created by Canadian Darren Rigby using High-Logic. The fonts come in truetype format (in 2000): Bayern (fraktur font), Beltane (2002), Brasspounder (2004), Con Jitters (2002, handwriting), Enigmatic, EnigmaticUnicodeRegular, Fitzgerald, GangueOuais (2002), HindsightUnicode (2001, with all European languages, Cyrillic, Armenian, and IPA), HindsightSmallCaps, HindsightRegular, HindsightMonospaceRegular, IntruderAlert, QuicktypeRegular, ThinDime, TorturerUpright, SilverDollar, DontWalkRun, History-Repeating (1999-2000), HistoryHappens, HistoryRepeatingH, HistoryHappens, HistoryRepeatingV, Lemon, Norse-Code (runes), OneEighty, TorturerBound, TorturerCrushed, Daybreaker, Yerevan, Seebreaze, Jareth, Tin Birdhouse, Tin Doghouse, Three-Sixty, Three-Sixty Condensed, Levity (2001, Western font), Gravity, River Avenue, Water Street, Warer Street Detour (unicase), Meridiana, Torquemada, Torquemada Starved, Torquemada Starved Unicode, Radian (2002), All Hooked Up (2002), Brasspounder (2004), Quilljoy (2004). [Google] [More] ⦿

Darren Rigby
[Darren Rigby]

Das Nest der Qualle
[Ren Kiryu]

Ren Kiryu is the Japanese creator in 2007 of RN-DawnRaid (hand-printed), RN-Digitalian (LED simulation), RN-EasyCirclet-OL, RN-EasyCirclet-WL, RN-EasyCirclet, RN-Fraktur1 (blackletter), RN-Gothic1 (blackletter), RN-HoneyBlade, RN-Italic1, RN-Laboratory, RN-Lagopus, RN-LovelyBaby, RN-MilkCafe, RN-RibbonSweets (curly), RN-RoughhewnRomancer, RN-SealingClub, RN-SugarRuskHoney, RN-SwingingJohn, RN-UncialHalfUncial1, RN-disStrayedGhost. Free downloads. [Google] [More] ⦿

Datenlimbus

German archive that consists mainly of Fraktur truetype fonts. Has, e.g., London Fraktura, Magdeburg (Scriptorium), Propaganda (Antifa Publishing, Hannover, 1999), Rothenburg Decorative (Alex Winterbottom), Gutenberg (C.H. Wunderlich, 1996). [Google] [More] ⦿

Dave Correll

A graduate of Detroit Lakes Vocational Technical school, Dave has been making signs since 1983. He designs storefronts, dimensional signage, banners and logos at his Faribault, MN-based sign shop. His typefaces at Letterhead Fonts include Anna Banana (2004), LHF Basher (2004, brush style), Blacksmith, Brushwork, Coffee Shop, Divine (2007, blackletter), Flamingo Script, Lakeside, Marie Script (2006), Mister Muster, Mystery Font (2014, art nouveau), Orchard (2007), Packard Script, Piranha Script, Samster Script (2004, a signage face), Signkit Script, Signmaker, Spirit Script, and Stonecutter. [Google] [MyFonts] [More] ⦿

Dave Rowland
[Eclectotype (was: Schizotype)]

David A. Hobbs
[David A. Hobbs, Inc.&Tolley Studios]

David A. Hobbs, Inc.&Tolley Studios
[David A. Hobbs]

David Hobbs (b. Midland, MI, 1943) worked for and with William E. Tolley, a noted Engrosser, the son of A.B. Tolley, the White House Calligrapher for several presidents. He opened his own studio in 1976, and says that he "has done work for kings and presidents". David A. Hobbs, Inc.&Tolley Studios in Washington DC provides calligraphic lettering services. They have developed their own in-house fonts, like Engravers Script, Gothic, Readable Text, Cursive, Old English, Simplified Old English, Roman and Stump Script. He has developed Hobbsian Script (Based on Zanerian script), Hobbsian Stump Script, Hobbsian Old English, Hobbsian Roman Cap and Hobbsian Readable Text. [Google] [More] ⦿

David A. Occhino
[David Occhino Design (was: Treehouse Graphic Design)]

David Bailey

Graduate of Drexel University, where he studied under John Langdon, and now a freelance letterer and logo designer based in Alameda, CA, and a type designer at Delve Fonts. His web site was originally called Bezier Wrangler. In 2016, he finished the post-graduate type design program at Type@Copper West. His typefaces:

Modern Blackletter

this grotesk display

Overpass (2011, Delve Withrington and Dave Bailey). Sponsored by Red Hat, and inspired by Highway Gothic, a set of sans-serif typefaces developed by the United States Federal Highway Administration and used for road signage in the USA (but also used in many other countries), and freely available from Github and Open Font Library. See also Transpass (2011-2019).
The layerable Western style display font Discourse (2012-2014, published by Delve Fonts).
Prospectus (2018, Lost Type). An angular typeface family inspired by Oldrich Menhart.
Summa Inline (2018). An exquisite typeface, it is unclear who did the digitization, Delve Withrington (Delve Fonts) or Dave Bailey (on whose web site the typeface is showcased).

[Google] [More] ⦿

David Bergsland
[Hackberry Font Foundry (Was: NuevoDeco Typography, or: Bergsland Design)]

David DeSandro

Designer, aka nemoorange, who used FontStruct in 2008 to make Remigius WIP (blackletter), Chambermaiden WIP (blackletter), Masphalt (a rip-off of Black Sabbath by You Work For Them), Minutia, Bloc War, Phantsied, Halliday (ultra stencil), Sally Shadow, Ben Day, Izack (experimental stencil), Clive Rounded, Milius (blackletter), Hamleigh (blackletter), Sabatino, Radish, Rosslyn and Rosslyn Metal (futuristic), and Boritone (squarish), Francero Wide (big slab serif), Squabble, Bradshaw Bold, Gretzatz, Quint City (stencil), Remigius (blackletter), Remigius Heavy. Additions in 2009: Bradshaw Bold, squabble, Tom Tussle (pixel face), Curtis Heavy, Curtis Pixel 14, Hermione Black (slabby),

At his home page, one can look at his beautiful all-caps geometric grotesque Curtis CSS (2010)---this typeface was entirely coded using CSS primitives! [Google] [More] ⦿

David Engelby
[David Engelby Foundry]

David Engelby Foundry
[David Engelby]

Copenhagen-based creator (b. Jutland, Denmark) of the four-style serif typeface Ingleby (2006-2008). In 2011, he added Engelberg (pixel face), OnO Display, ServusTextDisplay-Display, and ServusTextDisplayItalic-display (an angular text face). All of these typefaces were free.

In 2013, he set up the commercial David Engelby Foundry. The first typeface there was the text family Ingleby II. This was followed by OnO Display Pro (2013, a calligraphic typeface) and Onward (2013).

Ruth Pro (2014) is a magazine typeface family inspired by ITC Mendoza and Stone Serif.

In 2015, Engelby published the free three-style Copenhagen Grotesk, which was influenced by the rich history of German grotesques. It was followed in 2019 by Copenhagen Grotesk Nova.

Typefaces from 2016: Leducation (a didone family combined with a touch of European decadence).

Typefaces from 2017: Verger (inspired by William Morris's Golden Type), Verger Sans.

Typefaces from 2018: Space Show (an atractive rounded sans for clear and big display typography including wayfinding, infographics and posters), Comic Tantrum (free demo), Verger Book, Kiks, Gothic Tantrum, Jutlandia Slab (which was redesigned in 2020 as Jutlandia Pro).

Typefaces from 2019: College Tantrum (an octagonal athletic shirt font). [Google] [MyFonts] [More] ⦿

David Fernando Espinosa Martínez
[Type Sailor]

David Fleming Nalle
[Scriptorium (Ragnarok Press, Fontcraft)]

David Grigg

Melbourne, Australia-based designer of the free font Standard Blackletter (2021).

Github link. [Google] [More] ⦿

David Jonathan Ross
[DJR Type]

David Kerkhoff
[Hanoded]

David Kettlewell
[New Renaissance Fonts (was: New Fontografia, or: David's Fontografia 2006)]

David Lafourcade

During his graphic design studies in Lyon, France, David Lafourcade created the constructivist typeface Rus 35 (2014), the Trajan typeface Oedipe Antique (2014) and the Fraktur typeface Dornach (2014).

In 2015, he made the crazy arts-and-craftsy typeface Whaye, the geometric script typeface Fibule (which has starter, middle and end glyphs), and the hacker typeface Gaio.

Typefaces from 2016: Aldgate (inspired by London transport signs), Dragonfly, Rallonge (a circle-based typeface designed to be stretched). [Google] [More] ⦿

David Neustadt

David Neustadt ("saberrider") is the designer who used FontStruct in 2008 to make the experimental fonts Eye Pain, Colorblind, Big Blue (like IBM's stripes), Cord, Fontsract (a nice stencil face, based on piano keys), Dice (great; based on an idea of Daniel Pelavin, 1996), Blux (liquid crystal), Blockiger (octagonal), athletica (athletic lettering), divided (two lines, octagonal), edgewalker (heavy slab serif), geomatrix (filled-in letters), olympica. Other creations include Picto People (2008, a great people figure dingbat font), Carmack (2008, octagonal), Pluto (2008, white on black), Pluto Lowercase, Arena Berlin (2008), Katja (2008), Average (2008), Unbalanced (2008), Solido (2008, based on Ata Syed's FS Minimal), Noise (2008, grungy school letters), and Diagonalis (2008, diagonally striped letters).

In 2009, he added Hexastruct, Curvy, Genero (fat face), Plagiacotti (Western saloon font, based on Manicotti, 2007, by David Jonathan Ross), Rasterman (+Bold) (gray effect fonts), Krummbein, Cohen, Mister N (handwriting), Monobono (shadow face), Letter Case, Mikado (3d-stroke font), Boulder (ultra-fat), Night Shift (semi-stencil), Tuvalua, Ripper (fat, counterless), Poff, Blackstruct (blackletter), Borders and Borders2 (outlines of countries).

Typefaces from 2010: Squeeze, Puncture (dot matrix outlined), Yobbo (condensed, counterless).

Typefaces from 2012: Thunderdome. [Google] [More] ⦿

David Occhino Design (was: Treehouse Graphic Design)
[David A. Occhino]

Treehouse Graphic Design was David Occhino's font outlet. It is now called David Occhino Design. The Treehouse collection specialized in Startrek, futuristic, Disney and Indiana Jones style fonts, but has widened lately. Most fonts are commercial, but there are a few free ones:

Exclusive Designs: Tangaroa (2009, tiki font), TradeWind, Nautilus, Graviton, Voyager, Cinema, Firefly, Forest, Emblem.
Signage typefaces: Craftsmen (2010), Craftsmen Ornaments (2010).
Movie Fonts: Safari (1996, based on the famous Indiana Jones movie logo created by Mike Salisbury and David Willardson; version 2 in 2011), Venture, Astro, Galax-E, Time Travel, Iron Hero, Knight, Blade, Aeronaut (1997, avant-garde).
Art Deco Fonts: Aeronaut (1997; Aeronaut 2.0 in 2011), Cinema, Pan-Pacific (2010: based on the classic 1940s lettering style that was used for the signage for the famous Pan-Pacific Auditorium).
Theme Park Fonts: Kingdom (1996, blackletter), Mansion, Encounter, World.
Sci-Fi Fonts: Astro SE, Basestar, Blade, Encounter, Galax-E, Graviton, Nautilus, Time Travel, Voyager.
Halloween Fonts: Hocus Pocus, Nautilus, Mansion 3.0 (1996-2009), MansionCryptBats (2009, free).
Education Fonts: School.
Free Fonts: Aurebesh (for Star Wars, 1997), Forbidden Eye, Tangaroa Glyphs (Hawaiian petroglyphs, 2009), World Symbols, Big Thunder Dingbats (2009: Western dingbats).
Western fonts: Big Thunder (2009).
Fonts I can no longer find: Aurebesh, DNealianArrows, DNealianGuides, DNealianRegular, Starspeeder, StarspeederUpright, Pyramid's Venture, Victorian Mansion.

Abstract Fonts link. [Google] [More] ⦿

David Parr
[Fontwright Design]

David Quay

British type and graphic designer (b. 1948, London) who graduated from Ravensbourne College of Art&Design in 1967, and after working as a graphic designer in London, founded Quay&Gray Lettering with Paul Gray in 1983. David Quay Design started in 1987, and finally, in 1990, he co-founded The Foundry with Freda Sack and Mike Daines in London. The Foundry also develops custom typefaces, marks and logotypes for companies inernationally these include a special typeface to be readable at very small sizes for Yellow pages, corporate fonts for BGplc (British Gas) NatWest Bank, and signage typefaces for both RailTrack in the UK and the Lisbon Metro system in Portugal. After Freda's death, he set up The Foundry Types with Stuart de Rozario. He taught typography and design at the Academie St. Joost, Hogeschool Brabant from 2001-2003. He taught part-time at IDEP in Barcelona, and lives and works in Amsterdam. In 2009, he started selling his fonts at MyFonts. He is also a designer at Retype in Den Haag, The Netherlands. His fonts, in chronological order:

Custom lettering and type for the Penthouse calendar.
1983: Santa Fe (monoline script), Agincourt (1983, Letraset and ITC, blackletter), Blackmoor (1983, ITC, English-style blackletter).
1984: Titus, Vegas.
1985: Quay, Milano.
1986: Bronx (brush script).
1987: Bordeaux (a skyline font family, Letraset), Bordeaux Script.
1988: Latino Elongated, Mekanik.
1989: Aquinas, Robotik, Helicon (1989, Berthold).
1990: Quay Sans (a humanist sans based on Syntax), Digitek, Teknik.
1991: Letraset Arta.
1992: Coptek, La Bamba, Lambada (1992, Victorian; Letraset), Scriptek (angular design, ITC).
1993: Marguerita (curly vampire script).
2010: Kade (Re-Type---it is a display/semi display sans family of fonts based on vernacular lettering photographed around the harbours of Amsterdam and Rotterdam).
2011: Bath (2010-2011), a typeface developed with Ramiro Espinoza for the signage and orientation of the city of Bath. It comes in Bath Serif and Bath Sans versions.
Foundry Gridnik (2016, The Foundry). Influenced by Wim Crouwel's work: Foundry Gridnik was developed from the single weight monospaced typewriter face, originally created by Dutch designer Wim Crouwel in the 1960s.
Foundry Tiento (2020). A magnificent very Latin didone family with exquisite hairline ligatures.
Fernhout (2021). The prototypical kitchen tile typeface. Quay was inspired by an icomplete alphabet Wim Crouwel designed in 1963 for an exhibition poster font the Dutch painter Edgar Fernhout at the Van Abbemuseum.

List of his typefaces, or revivals, at MyFonts: Bordeaux (Elsner+Flake), Bronx (Elsner+Flake), Agincourt (ITC), Aquinas (ITC), Blackmoor (ITC), Bordeaux (ITC), Bronx (ITC), Coptek (ITC), Digitek (ITC), La Bamba (ITC), Lambada (ITC), Latino Elongated (ITC), Letraset Arta (ITC), Marguerita (ITC), Mekanik (ITC), Milano (ITC), ITC Quay Sans (ITC), Robotik (ITC), Santa Fe (ITC), Scriptek (ITC), Teknik (ITC), Vegas (ITC), Titus (Linotype), Kade (Re-Type), Metallic Sky (SoftMaker), Foundry Sans (The Foundry), VLNL Hollandsche Nieuwe (VetteLetters).

View David Quay's typefaces. Klingspor link. FontShop link. Linotype link. View David Quay's typefaces. [Google] [MyFonts] [More] ⦿

David Thometz
[David Thometz Design]

David Thometz Design
[David Thometz]

David Thometz (b. Everett, WA, 1966) is a designer in South Jordan, UT (near Salt Lake City) who has produced some fonts for his own projects. In 2004, he moved to Hampton, TN. Typefaces by him include DTD Silvertone Woodtype, DTD Architrave Sans, DTD Tinhorn, DTD Venceremos Latin, DTD Hefeweizen (blackletter, beer bottle font), DTD Architrave (2001), DTD Digita (a great screen font), DTD Seriatim [+ Seriatim Gestalt, + Seriatim Uncial, 2003, + Seriatim Sans, 2003), DTW Erwin (2004, a Venetian newspaper typeface for the Erwin Record, a small, weekly newspaper in the town of Erwin in northeastern Tennessee, based on a cross of Plantin and Cloister), and Erwin Gothic (2007), its companion. About Erwin Gothic, he says: The design of Erwin Gothic is based on a series of German grotesque families from the early 1900s, designed originally by Johannes Wagner and distributed originally by Wagner&Schmidt as Wotan (ca. 1914?), Lessing, Reichsgrotesk and Edel Grotesque; and subsequently reworked and re-released by several foundries under these names as well as names such as Annonce Grotesque (ca. 1912?), Aurora Grotesk (ca. 1928), Neue Aurora Grotesk (1964) and Aura. Anzeigen Grotesk (ca. 1943) appears to be another offspring of these designs.

In 2004, David Thometz Design made its debut at MyFonts with Seriatim (dingbats), Silvertone Woodtype and Hefeweizen.

View David Thometz's typefaces. [Google] [MyFonts] [More] ⦿

Davide Romito

After majoring in industrial design at the University of Palermo (Sicily) Davide Romita became a graphic designer with a particular interest in visual and corporate identity. In 2014 he set up romdesing in Sicily. In 2017 he moved to Treviso where he joined the HEADS collective, where he worked on the visual identity of the FIS Alpine World Ski Championships Cortina 2021, designing the symbol of the shield logo.

In 2022, he released the modernized blackletter typeface Trisquare. [Google] [MyFonts] [More] ⦿

Davide Zomer

Davide Zomer (Bologna, and before that, Trento, Italy) created the modular typeface REZN7399 (2012) during his studies at the academy of Fine Arts in Bologna. In 2013, he designed the alchemic typefaces Eres and TMRRW, the art deco typeface Goldie, the experimental Nimcts [nothing is more contagious than sin], and the blackletter typeface Voelkisch XXI (with Tommaso Gonzalez).

Typefaces from 2014 include Schelling, Friedrich (blackletter) and Youngzarro (hipster face). [Google] [More] ⦿

Dawnland
[Daniel Viberg]

Daniel Viberg (Dawnland, est. 1999) is a Swedish designer, b. 1976, Nyköping. His early fonts could be downloaded at Dafont. His later fonts can be bought via MyFonts. In general, Dawnland Fonts are for headlines, posters for event graphics and music/media/game packaging.

He created the Chaos font series, which comprises Paradox (1999, trembling hand face; +Paradox X, 2011, +Paradox Runa, 2011), Lamenta (1999, scratchy face), Lamenta X (2011), Lilith (2000, initials made with human figures), Nihil (2011, grungy) and Dissonus (2004, a nihilist grunge typeface inspired by the type treatments of Dave McKean as well as the Manson Anti Christ Superstar-artwork).

Other typefaces include Victualia (brushy), Aeterna (2011, grunge), Haakke (2011, a children's hand), Awe (hand-printed), Victualia X (2011, a hand-drawn brush font), Chaos 1996 (2011, pen illustrations), Massiva GrotesQ (2012), Lore (2012, blackletter), Nokturnia, Nekromantea, Pandemonia, Meep (2013), Blck Phnx (2013, a lava lamp font), Auntie Lee (2013, hand-printed), Uncle Lee (2013, hand-printed), Ponderous (2013, a poster titling face), Cirque De La Lune (2013, poster lettering), Dulcet (2014, vintage script), Left Hand path (2015, hand-printed), Lost + Forlorn (2017, a punk/horror typeface), Wounds (2018: a scribbly horror font), Murk (2020: an all caps typeface with 26 ghastly creatures).

Behance link. Creative Market link. Klingspor link. Dafont link. [Google] [MyFonts] [More] ⦿

DC Design

Company of artist Drena Clementino, who is a Southern California native. She created Bastardre Hand (2006), a medieval minuscule typeface (early blackletter). [Google] [MyFonts] [More] ⦿

De Nada Industries
[Mike Allard]

Mike Allard (DeNada Industries, Gainesville, FL) is the designer in 1992 of many early shareware fonts. The text provided by DeNada: Founded by a grumpy fellow when some software installation actually required a company name in the registration line. DeNada Industries has grown to include one employee (aka Mike Allard). A producer of typefaces in their early years, De Nada has slowly undeveloped over the years to include the odd Theatre Flyer design for out-rageous amounts of money. Their advertising budget is so severely limited as to preclude your being aware of their existence except by sheer accident. DeNada Industries is one of the slowest growing non-corporate entities in all of North America encompassing a wide variety of activities including: Typeface creation, flyer design, theatrical scenic and lighting design (in conjunction with The Shumway Brothers Moving Company) and a wide variety of other activities that defy specific categorization despite the heroic efforts of our staff. Dafont link. His typefaces:

Script typefaces: Lauren Script, Heather (updated in 2000 by Mario Arturo), Kavaler Kursive, Machine Script, Juliet, Kelly Brown, E-Brant Script, Miss Brooks.
Sumdumgoi: a famous oriental simulation face.
The Celtic font Viking.
Blackletter typefaces: MikeAllard-PerryGothic.png, Kelly Ann Gothic.
Brush typefaces: Grauman, Striped-Brush,
Idiosyncratic typefaces: Alfred Drake, Joe Perry, Kurt Russell, Will Robinson.
Camelot De Nada (hairline serif).
Calligraphic: Romeo DN.
Scimitar2.

Klingspor link. Fontspace link. [Google] [More] ⦿

Dépli
[Benjamin Gomez]

Design and type design studio in Paris founded in 2007 by Vadim Bernard, Aurélie Gasche and Benjamin Gomez (who is the main type designer in this group). Their typefaces are mostly commissioned, but include a few retail typefaces as well:

Mondara (2011). A Latin / Arabic typeface done for l'Institut du monde arabe designed by Benjamin Gomez, Mathieu Réguer, Aurélie Gasche and c-album. The Arabic has both Naskh and Kufi styles. Both the Latin and Arabic are absolutely gorgeous.
Pernod Ricard (2008-2012). A slab serif done for Watson Moustache (2012 version) by Benjamin Gomez and Sonia Da Rocha. The 2008 version, based on ITC Lubalin Book, done for Beevy, was designed by Benjamin Gomez.
Kufica (2008). Arabic typeface by Aurélie Gasche, with help of Mathieu Réguer, Antoine Barjini and Amir Dhia.
Treza (2010). Distributed by Die Gestalten, this playful display typeface was designed by Benjamin Gomez and Maroussia Jannelle.
Veolia Italic (2009). By Benjamin Gomez for Piaton Conseil.
Fraktur (2007). By Benjamin Gomez.
Insight Team (2008). A dot matrix typeface designed by Aurélie Gasche and Laurent Ungerer.
Musée de la danse (2009). An inline typeface by Benjamin Gomez.
Ink No (2006). An experimental typeface by Benjamin Gomez.
Muséum de La Rochelle (2004).
MAC VAL (2005). By Benjamin Gomez for Incident. MAC VAL stands for musée d'art contemporain du Val-de-Marne.
Studio Apeloig (2006). Benjamin Gomez did several typefaces for Studio Apeloig, inluding Serpent à Plumes and Octobre.
La Ferme du Buisson (2005). A modular counterless typeface by Benjamin Gomez and Maroussia Jannelle.
Octobre (2006). By Benjamin Gomez and Philippe Apeloig, who conceived the font.
Caractère (2004). Interactive type experiment by Benjamin Gomez.

[Google] [More] ⦿

Désigne (was: Calame Design)
[Benoit Sjöholm]

Désigne (which was Calame Design is run by Benoit Sjöholm from Rennes, France, b. 1980.

Creator of the double-lined Margarette 01 (2008), the piano key typeface Désigne (2010), the sans display typeface Explora (2010), the elliptic Bagadek (2010), Fontastique (2010), Rajkeys (2010), the geometric sans Violette01 (2009), the octagonal typeface Yllia (2008), Nioubes (2008, very geometric hairline face), Julie01 (2008), Frida01 (2008, organic slab serif), Thamara01 (2008, sans), Linea (2008, outlined), and the ultra-contrast typefaces Lamia (2008, like leaves), Olivia (2008, art deco), Kanis (2009, organic), Kamalo (2009, upright connected script), Ageone (2009, organic), Agnes Serif (2009), Dollis (2009, elliptical), Johanna (2009, upright multiline script), Jalane Light (2009, techno sans), Yatis Black (2009, almost blackletter), Cilogie (2009, organic), Ageone Serif (2009), Kabys (2009), Kyma (2009), DekerS (2009, sans family), Sixty Queens (2009), Alice (2009), Genikas (2009), Naya (2009), Genikas, Cross (2009), Johanna (2009, multiline face), Johanna Bold (2009), Kamalo (2009, +Bold), Sakiane (2009, a counterless geometric face), Balkeno (2010, display sans), Nolla (2008).

Typefaces created in 2011: Rachel (minimalist sans), Marilou (elliptical monoline sans), Melody, Sophie, Judit, Monika (hand-printed), Fabrik, Eve Isabelle, Marilyn, Charlotte.

Typefaces from 2012: Constance (rounded bold sans), Emmanuelle (extended sans), Behatrice (techno), Georgiquas (a wide all caps face).

Typefaces made in 2013: Kabegnos (elliptical sans), Henorias (elliptical sans).

FontVila link. Dafont link. Old URL. Fonts and font blog. [Google] [More] ⦿

Dean Britto

Toronto-based creator in 2009 of LSD Blackletter, a dot matrix blackletter face. Conflict (2012) is a modular gridded almost stencil design.

Deckersche Schriftgießerei
[Rudolf Ludwig Decker]

Berlin-based foundry of Rudolf Ludwig Decker. Their fonts include Deckersche Fractur (1844) and an uncial Greek that was used by both Oxford and Cambridge University Press in the late 1800s. That Greek typeface was revived in 2007 by George D. Matthiopoulos as GFS Decker. [Google] [More] ⦿

Dede Kurniawan
[Bykineks]

Deivith Oliveira

Or Deivith Silva, based in Fortaleza, Brazil. During his studies at Universidade Federal do Ceará, Eduardo Novais (project leader), Deivith Silva, Demetrius Abreu, Onofre Paiva, and Rodrigo Almeida co-designed the circuit-inspired blackletter typeface CiberGotica (2014). [Google] [More] ⦿

Delbanco-Frakturschriften
[Gerda Delbanco]

Gerda Delbanco's German foundry in Ahlhorn, specializing in blackletter fonts. Great web presentation, and gorgeous glyphs. The company is owned by Gerda Delbanco, but it is not clear if she designed some or all of the typefaces. Some fonts were designed by Gerhard Helzel, and others by Christian Spremberg. This is one of the best sources of blackletter fonts in the world. Names of the fonts, which are nearly all historical revivals of the great blackletter fonts: Alte Schwabacher, Andreas Schrift, Breitkopf Fraktur, Caslon Gotisch, Claudius (1998, after Rudolf Koch, 1934-1937), Deutsche Kursive, Deutsche Werkschrift (+halbfett), Deutsche Zierschrift, Eckmann Schrift, Eisenacher Fraktur (1994, by Christian Spremberg), Ehmcke Schwabacher, Fette Gotisch, Fichte Fraktur, Frühling (after Rudolf Koch's original from 1917) [sample 1, sample 2, sample 3], DS-Garalang, DS-Garamond, DS Gotenbrg, Hermersdorf, Humboldt Fraktur (after a typeface by H. Rhode), Kleist Fraktur (1996, after the Walter Tiemann original from 1927-1928), Wilhelm Klingspor Schrift, Koch Fraktur, Rudolf Koch Kurrent (after the original school alphabet by Koch, done in 1935), Kurrent (a connected writing font based on examples from J.B. Henning, ca. 1817), Lincoln Gotisch, DS Maximilian Gotisch, DS Maximilian Zierbuchstaben, Normal Fraktur (this is a nameless typeface in the group of Biedermeier-Fraktur typefaces which also includes Schelter's Schulfraktur; also known elsewhere as Armin-Fraktur, Bürenstein-Fraktur, Mars-Fraktur and Pressa-Fraktur), Offenbacher Schwabacher (1996, after the 1899 font by Gustav Ruprecht at Rudhardsche), Old English, Peter Jessen Schrift (1997, after the original from 1924-1929 by Rudolf Koch), Post Fraktur, DS Ratdolt Rotunda, DS Salzmann Fraktur, DS Schmuck, Strassburg, DS Suetterlin, Tannenberg (after a 1933 Stempel typeface by Emil Meyer), DS Thannhaeuser Fraktur, DS Unger Frak tur (1999), DS Walbaum Fraktur, DS Wallau (1996, after Rudolf Koch, 1924-1936), Wartburg Fraktur, DS Weiss Gotisch, DS Wilhelm Klingspor Schrift, Wohe Kursive and Zen tenar Frak tur (1997 (after F.H.E. Schneidler's original from 1937).

Some of the copyright notices refer to the Bund für deutsche Sprache und Schrift, and others to PrimaFont, and this may explain some of the foundry's history. 1994 catalog. Part of the 1999 catalog. Part of the 2002 catalog. [Google] [More] ⦿

Deli Pensil (was: Jetfast)
[Delip Nugraha]

Cimahi, Indonesia-based designer (b. 1994) who created Jetfast (2020: modular), Balist (2020: a display typeface), Algala (2020), Woliday (2019: a blackletter), Woliy (2019: a blackletter), Alohai (2020: a ball terminal-adorned display typeface), Syukur (2020), Carla (2020: script), Blood (2020: a handcrafted blackletter typeface), and Hippu (2020: a stencil typeface), Balist (a decorative serif).

Typefaces from 2021: Lugon (a decorative serif), Hilove. [Google] [More] ⦿

Delip Nugraha
[Deli Pensil (was: Jetfast)]

Demetrius Abreu

Fortaleza, Brazil-based creator of an electronic circuit-inspired blackletter typeface called Cyber Gothic or Cibergotica (2014). This typeface was developed during his studies at Universidade Federal do Ceará, together with Eduardo Novais (project leader), Deivith Silva, Onofre Paiva, and Rodrigo Almeida. [Google] [More] ⦿

Demonics
[Mateo Mok]

FontStructor in Los Angeles (and before that, Oakland, CA), who made DM/LM (2012: ultra black), dm Subfour (2012, experimentally vertically striped typeface), dm Streamline (2012), dm Clas (2012), dm New Humanist (2012), dm Blockd (2012), dm Scythe (2012), dmcm Erebus (2012, counterless), dm Kronos (2012), dm Parkway (2012, art deco), dm Parkway 3 (2012, for the Oakland Parkway Theater), dm Parkway 2 (2012), dm Xu (pixel face), dm E dim (2012), dm E light (2012), dm Eiros (2012, +Aliens, +Typicals, +Unrecognisables), dm Pop (2012), dm Informe 00 (2012), dm Solidus (2012), dm Me (2012, stencil), dm Nova (2012), dm Supernova (2012, a condensed piano key face), dm S 1 (sans), dm Spira (2012), dm Minium (2012, a jungle face), and the powerhouse slabs dm Banx10 (2012), dm Banx 11 (2012), dm Metrigue (2012, blackletter), dm Istruct (2012, pixel face), dm Wharf (2012), dm Solidis (2012).

Typefaces from 2013: dm Yes, dm Legimono. Typefaces not mentioned above includePixtalic (pixel), Mecca, No, Silo, Glatajn, Lm, Legimono, Stuckingranite (3d), Solidus, Subfour (piano key stencil), dm-Blockd, dm-Cantilever, dm-Eiros-aliens, dm-Eiros-typicals, dm-Informe-00, dm-Informe-01, dm-Informe-02, dm-Informe-11, dm-Kronos, dm-Me, dm-mecca, dm-Metrigue, dm-Minium, dm-New-Humanist, dm-no, dm-Pop, dm-readable-sans, dm-regulr, dm-Scythe, dm-silo, dm-Solidis, dm-Solidus, dm-Spira, dm-Subfour-Lb, dm-Subfour, dm-Supernova, dm-Xu, dm-Yes-{c}, dm-Yes. [Google] [More] ⦿

Dene Studios
[James Partington]

Known as James Dene or James Partington. Malaga, Spain-based designer of the handcrafted typefaces Rune (2018), Calx (2018), Calligraphy Rough (2018), Back to School (2018). In 2019, he published Barleycorn, Atomic, Lost in Space, Centuria (a clean modern sans), Nadir, Geneva, Control, Cosmic, Myrkheim (a Norse or hipster font), Perehilion (a paperclip font), Aphilion (stencil), Equinox (a connect-the-dots typeface), Revolve (hipster style), Ascension, Orion (circle-based), Nova (sci-fi), Voyager (stencil), Black Velvet, Quamir (a hipster sans), Norse Elder Futhark, Interlace (a multiline typeface), Exoplanet, Orson (a serif typeface), Dr Jekyll & Mr Hyde, Sterling, Queen, Horace, Amos (a fashion mag sans), Allegra (serif), Archibald (slab serif), Cuneiform, the medieval typeface Reznor, the blackletter typefaces Griffin, Edgar and Deimos, Matrix, Egyptian Hieroglyph, Elder Futhark and Detective (a fingerprint texture font).

Typefaces from 2020: Horizon, Barleycorn, Ancient Language Package, Perihelion (a paperclip typeface), Maze, Lost in Space, Quick, Assassin, Constantine, Drastica, Grace, Orson, Alistair, Antoinette, Bernard, Edgar, Lila, Anastasia, Angelica, Annabelle, Black Velvet, Centuria, Jinx (handcrafted). [Google] [MyFonts] [More] ⦿

Deni Dessastra
[The Sastra]

Denis Libon

Canadian designer of the (free) shadow circus fonts Black Angel (2011), the art nouveau typeface Freshwater Classic (2011), Candle 3D (2011, +Black), and Topsquare (2011). He created the oriental simulation typeface Stick Rice (2011) and the display typeface Melted (2011).

In 2012, he created the shadow typeface ShowLetters, Pullstar (fat signage script family), Pullstar Holinight (2012), Tracker (hand-printed), Medley Script, Rose Heart, Spear Mint, Brick Wall (a texture face), Crispy, Crisp, Armand Chief (connected script), Mystic Arm, Back of Times, Back of Shadow, Fairland (blackletter), Armand Cocktail, and Thorn Heart.

In 2013, he published Jess Font and Jessy Heart.

Denise Bayers

American designer at Letterhead Fonts who specializes in vintage typefaces. Her designs:

LHF Durango (2014). A rustic Western typeface, inspired by the opening credits and title of the 1957 version of 3:10 to Yuma.
LHF Spencer (2014). In the Victorian style.
The 19th century (Victorian) display typeface LHF Royal Crimson (2014), which can be used for layering.
Euphoria (2004). A Victorian extravaganza. Followed by LHF Euphoria2 in 2015.
The Peignot-inspired Charlotte (2004).
LHF Dark Horse (2014). A blackletter tattoo font.
Boot Camp. A letterpress emulation.
Cavalero. A Victorian typeface.
Fat Daddy. A fat art deco poster typeface, done with Chuck Davis, based on an original by Alf Becker from the 1940s.
Big Daddy. Like Fat Daddy.
LHF Shogun (2013). A spurred Victorian typeface.
The retro dingbat typeface LHF Retro Ricky Doohickies (2015).
LHF Mercantile (2015).
The gorgeous compressed art deco typeface LHF Speakeasy (2016).

[Google] [MyFonts] [More] ⦿

Denise Kramm

Art director in Berlin, who created the modern blackletter typeface Faltura in 2015. [Google] [More] ⦿

Dennis Ludlow
[Sharkshock]

Dennis Palumbo

Original fonts as well as font links (about 1800). All fonts made by Dennis Palumbo, a writer from New York, who used to make fonts for Atari. Some fonts were free, but most are now pay fonts, it seems.

Commercial fonts: Vector 3d (1996), Flash Cards Addition (1998), Clock-Digital, Film Strip, BabyBlock, DecorativeBorders (4 fonts), OldWest, Ceramic Tile (2005), I Beam (2005), Porthole (2000), SanSerifUltra Condensed, SanSerifOutline, OldWest 3D, Brick, ZebraLumber, SerifOutline, Dalmation, Vector (4 fonts), Brick3D, OldEnglishEmbellished (1999, Fraktur), ChainLink, Fractions, SanSerif 3DShadow, Serif3D Shadow, Marquee, First Grade (lined school font), Pennant, USA States, USA Map, Piano Keyboard, Gallya Ornamented (1995), Diamond Plate (2000), Clock Digital (1997), Picket Fence (2000).

Shareware: Bobcat (2 fonts), Panther (4 fonts), Caracal Backslant (2 fonts), Lynx (4 fonts), Ocelot (4 monowidth fonts), Cheetah (2 fonts), Serval (2002), Puma (2000, 4 weights), Ceramic Tile (2005), Film Font (2006), One Stroke (2007, octagonal, hairline), Gallya (2008).

The list of his fonts: Baby Block Brick, Brick 3D, Ceramic Tile, Chain Link, Clock - Digital, Dalmation, Decorative Borders, Decorative Borders 2, Decorative Borders 3, Decorative Borders 4, Diamond Plate, Filmfont, FilmStrip, First Grade, Flash Cards - Addition, Fractions, Gallya, Gallya Ornamented, Highway Broken Line, I Beam, Marquee, Old English Embellished, Old English Embellished Bold, Old English Embellished Bold Italic, Old English Embellished Italic, Old West, Old West 3D, One Stroke, Pennant, Piano Keyboard, Picket Fence, Porthole, PVC Pipe, San Serif 3D Shadow, San Serif Outline, San Serif Ultra Condensed, San Serif Ultra Condensed Bold, Serif 3D Shadow, Serif Outline, Vector, Vector 3D, Vector Bold, Vector Bold Italic, Vector Italic, PVC Pipe, USA Map, USA States, Zebra Lumber.

Derek Shafer

Southern California-based designer (b. 1998) of the blackletter pixel typeface Digi Castle (2018). [Google] [More] ⦿

Design Science

Outfit in Long Beach, CA, associated with MathType. They are best known for their "MathType" fonts called Euclid (1999) [Euclid, EuclidSymbol, EuclidExtra, Euclid Fraktur and Euclid Math One and Two], as well as MT Symbol (1995) and MT Extra (1995). Old URL. [Google] [MyFonts] [More] ⦿

Design Studio Blue

Japanese commercial foundry. They offer Latin fonts as well. Among dingbats and special fonts, we cite Benzion, Fraktura, MathFont, Nota, Numerals, Ornament, PiGraphA, PiGraphB. Designers of Takoyaki, sold at Font Pavilion. [Google] [More] ⦿

Design Surplus Co
[Jade Newman]

Freelance graphic designer from London, who lives (lived?) in Wellington, New Zealand. In 2014, she created Gentleman's Poison, and Taco&Tequila. In 2015, she designed the handcrafted typefaces Pilgrim, Chesapeake Script (a monoline script), Kodiak (+Icons: brushy wilderness font), Globe, Old Pine, Tiny Moose, Grayling and Hawk&Hunter.

Typefaces from 2016: Wildbelle, Rawson, Stove, Shilling (handcrafted, almost art nouveau), Marling, Manitoba, Augusten Script, Hawthorne.

Typefaces from 2017: Royal Elk (brush font made with Japanese ink).

Typefaces from 2018: Pentacle (Gothic, Sans).

Typefaces from 2019: Dashwood (script).

Typefaces from 2020: Langston (Script, Sans: monolinear).

Typefaces from 2021: Efficacy, Little Ardour (a doodle script).

Creative Market link. Behance link. Home page. [Google] [More] ⦿

Dhiya Roslan
[Letterhythm Studio]

Diana Sanchez

Graduate from FADU, University of Buenos Aires, who created the blackletter typeface Dighot (2010). [Google] [More] ⦿

Diana White

Caracas, Venezuela-based designer of the decorative blackletter alphabets Goticas Blue (2018) and Romantic Gothic (2018). [Google] [More] ⦿

Diane DiPiazza
[Dinc Type]

Dick Pape
[Dan X. Solo: Digitizations by Dick Pape]

Dick Pape
[Clarence Pearson Hornung]

Dick Pape
[Dick Pape: ornamental typefaces]

Die Hochdeutschen Schriften aus dem 15ten bis zum 19ten Jahrhundert der Schriftgiesserei und Druckerei

Dick Pape

Dick Pape (Dallas, TX) is digitizing the Dan Solo books one by one, and has digitized many other sources of alphabets and images. He started making fonts ca. 2007. In 2009, he was doing Solo's art deco tome. He is on several font-making forums such as High Logic, and is interested in revivals. "Toto" writes: Dick Pape made hundreds of fonts and here are the links to most of his fonts. This list has not been updated and later additions are found in Rapidshare folders. I've missed some and some links had been deleted by Rapidshare during its migration from .de to .com. Some have also been sent directly to the group, like those based on Mada's alphas. It is hard to tell whether the font has been made by Dick Pape. The only indication that he created the fonts is that the font have "DP" as font vendor and/or has "Digitized by TTD" in the trademark field. Both are not present in some of his fonts. He seems not to want to take credit. He is just a guy who wants to digitize anything he likes. In 2010, he made Bultaco, based on the logotype for Bultaco Motorcycles---see Freehostia.

Download here. [Google] [More] ⦿

Dick Pape: ornamental typefaces
[Dick Pape]

Ornamental typefaces made in 2008-2010 by Dick Pape: 2 Cute 4 U (+Block), Abstract Alphabet (2009), Aged Ornaments (2009), Ancient Mortises (2008), Angel Alpha (2009), Angelica Alpha (2009), Ani-Red Jello Alpha (2009), Antique Alphabet (2009), Arabesque Design (2009), Art Deco Dingbat Images (2010), Art Deco Frames (2010), AlphabetArt, AndrewHolmesArtA, AndrewHolmesArtB, AndrewHolmesArtC, AndrewHolmesArtD, AndrewHolmesArtE, AndrewHolmesArtF, Angel Alpha, Angelica Alpha, Ani Red Jello Alpha (2009), AvonInitials, BritishAirwaysNumbers, CaFaitDur, CelticDesignDark, CelticDesigns-Light, Continnental, EckenFlowerBorders, GermanGothicManuscript, KafkaFlourishes, LaxtonCommonRevival, NiceOldAlphabet, Portent, RomanoAlphabet, Weissranken-Initialen, Babylon Initials (2009), Bird Drawings Alphabet (2008), Black Buttons (2010, +Bold), Bold Cameo (2009), Bubble Gum (2010, +Condensed, +Extended), Bultaco (2010, after the motorcycle brand), Cardio Black and White (2010, ECG-inspired), Charcoal family (2010, crayon typefaces), Checkerboard (2010), Chinese Flowers (2008), Chiswick Press (2007), Chocolate Type (2011), ChrisGreen (2010), Calligraphia Latina (2010), Dough (2011), Electronic Alphabet (2011), Elo (2010), EstupidoEspezial1, EstupidoEspezial2 (2010, based on the Hoefler Swash variant of OCR_A), TokoFont, Clip People (2010), Clothes Pin Font, Compass Rose (2008), Coptic Letters (2010), Cubes, Cups, Cute Lolo Animals, Dark Herald (2011, Celtic caps), Dave's Glyphs, Design Images, Digital Auto Sampler, Drinking Scenes, Drinking Utensils, DunHuang Art, Eating Signs, EcoLeaf, Eduardo Recife, Eggs And Milk, Eroding Alphabet Italic (2010), Extra Initials, Extra Ornaments, Fantasy Butterflies, Fantasy Dragon FX, Fantasy Monster Skulls, Far Away Places Images, Festival Books Borders, Festival Books Initials, Festival Books Ornaments, Fire Letters, Fire Letters Cameo, Fire Letters Monospaced, Fire Letters Monospaced, Floral Initials, Florentine Initials, Florentine Initials Reverse, Flower Panels, Flower Panels Outline, Flower Vines, Fresh Fish, Funky (2010), Funny Numbers, Furore Mexican (2011), Futorisugi Face, Garden Nouveau Initials, Gill Canterbury Capitals (2011), Give me a break, Gothic Metal Initials, Goudy Initials, Graph Glyphs (2010), Halbfette Egyptienne (2008), Hat Dance Alpha, Haunted Initials (2010), Hellenic Sketch (2010), Hollandisch-Gothic (2008), Holly Alpha, Hula Ribbon, Hula Ribbon 2, Hula Ribbon1, Humanistic Alphabet 106 Italic (2011), Humanistic Alphabet 108 (2011, uncial), India Designs, Irina Batkova HRG (2010, based on Giger's paintings), Japanese Design Parts, Japanese Design Templates A, Japanese Design Templates B, Jugendstil A, Jugendstil B, Kelt Ornaments 1, Kelt Ornaments 2, Kleft Bold (2011, dot matrix face), Lichte Jonisch, Madeleine Shaded (2010), Mayan Affixes A, Mayan Affixes B, Mayan Main Signs A, Mayan Main Signs B, Mayan Profiles, Mc Call's Magazine, Metal Branches (2010), Mimbres Pottery, Moderne-Zelda (2010, after a Dan X. Solo alphabet), Moderne-Zelda Black, More Drinkings Scenes, Mostly Fish, Moto Bykes, Mythological&Fantastic I, Mythological&Fantastic II, Mythological&Fantastic III, Mythological&Fantastic IV, Mythological&Fantastic V, Mythological&Fantastic VI, Mythological&Fantastic VII, Native Designs-Mexico&Peru 1, Native Designs-Mexico&Peru 2, Native Designs-Mexico&Peru 3, New Music, Objects of Nature, Old English Images, Ondawall Versal (2011, Celtic), Panels&Frames, Parapam (2010), Pinto Inline (2010, +Speckled), Random Doodles, RangeMurata, Rankin-Initialen, Really Black Alphabet (2010), Robu Bold (2010), Rons Old Patterns, Rons Old Patterns Bare, Rosart Initials, Rustic Alphabet, Sacon Inititals, Saks (2010, bilined), Schmale Jonisch, Sea Shells of Nature, Shuttershock Vector Demo, Simple Alphabet, Simple China Images, Simple Doodles, Snails&Slugs, Softsquare, Some Guitars, Soviet Founders, Soviet Life Posters I, Soviet Life Posters II, Soviet Life Posters III, Soviet Life Posters IV, Soviet Propaganda Posters, Splish-Splash (2009), Strange Black Blobs, Tauba Auerbach, The Goetia, Tribal Dividers, Tribal Flames, ViaFaceDon Black, ViaFaceDon Black Hats, ViaFaceDon Outline, ViaFaceDon Speckled, Victorine (2010, Tuscan typeface), Viking Design A, Viking Design B, White Buttons Bold (2010), Wood Type Cheltenham Bold (2010), ZEart Designs, Zelek, Zelek Black, Zelek Boldline, Zelek Shadline.

From 2012: French Onion.

Download here. [Google] [More] ⦿

Die Entwicklung unserer Schrift
[Peter Doerling]

Peter Doerling's visual overview of the styles of writing in Germany, for books, official documents (Urkunden) and in letters. For books, he takes us here:

200-300: Roman capitals.
300-500: Quadrata.
500 on: Uncial.
900 on: Karolingian minuscules.
1200 on: Gothic minuscules.
Textura.
1400 on: Rotunda.
1500 on: Schwabacher.
1600 on: Fraktur.
1500 on: Humanistic style.
1570 on: Antiqua.
1900 on: Grotesk, Egyptian. [Note that he omits the modern style.]
1960 on: Helvetica. (???)

For official documents:

200-300: Roman capitals.
400-600: Rustica.
500 on: Half Uncial.
900 on: Karolingian minuscules.
1500 on: Notula.
1600 on: Canzlei (Cantzley, Kanzlei).
1600 on: Humanistic Canzlei
1875: Ronde, Rondo, Rundschrift.
1915: Jugendstil.
1930: Tannenberg.

For letters:

200-300: Roman capitals.
400 on: Young Roman cursive.
900 on: Karolingian minuscules.
1300 on: Cursive.
1600 on: Cancellaresca [refined formal script].
1600 on: Kurrente.
1600 on: Humanistic cursive.
1800 on: deutsche Schreibschrift.
1800 on: Lateinische (Latin) Schreibschrift.
1930: Tannenberg.

[Google] [More] ⦿

Book in German published by Enschedé en Zonen in Haarlem in 1919. Now available on the web, it deals with blackletter type. Local download. [Google] [More] ⦿

Dieter Steffmann

FontShop was the name of Dieter Steffmann's foundry in Kreuztal, Germany (not to be confused with the FontShop foundry and font vendor). He made about 600 self-proclaimed "old-fashioned" fonts, and among these many Fraktur fonts. His site became too expensive to run, and was for about two decades hosted by Typoasis. His fonts can now de downloaded afrom 1001 Fonts. Alternate URL. Current list of fonts. See also here. New stuff. Fontspace link. A nice essay about Fraktur fonts accompanies the fonts. News. As Dieter puts it: I am not a designer but I add missing letters to public domain fonts in order to get a complete character set and I hint the fonts and create new weights (shadow, inline etc.) His Christbaumkugeln font, and how it was made. The font families:

Acorn Initialen (2000), Adine Kirnberg (2000, after David Rakowski's Adine Kirnberg Script, 1991), AI Parsons (1999: a simple conversion to truetype of AI Parsons (1994, Inna Gertsberg ans Susan Everett), which in turn revived Will Ransom's Parsons from the 1920s), Albert Text (2000), Alpine (2000), Altdeutsche Schrift (1998: a rotunda), Alte Caps (2000: white on black), Alte Schwabacher (2000, +Shadow), Ambrosia (2000), American Text (2000: a blackletter), Aneirin (2000: Lombardic), Angel (2000: an ironwork font), Anglican Text (2000: a frilly blackletter), Angular (1999: +Inline, +Shadow), Ann-Stone (2000: boxed art nouveau caps), Antique No. 14 (2000: fuzzy hand-crafted letters), Arabella (2000: script), ArabesqueInitialen (2002), Argos George (1999, an art nouveau font after Georges Lemmen's George-Lemmen-Schrift (1908); Steffmann added Argos Geirge Contour), Aristokrat Zierbuchstaben (2002, after a house font at Ludwig&Mayer, 1911), Ariston Script (2000: a formal calligraphic script), Art Nouveau Initialen (1999), Attic Antique, Augusta (2000: a rotunda; +Shadow).
Baldur (2000: art nouveau; +Shadow, +RoughSliced; after a schelter typeface from 1895), Ballade Bold (2002, a Schwabacher font based on Ballade Halbfette designed by Paul Renner in 1937; +Contour, +Shadow), Barock Initialen (2002: an incomplete decorative initials typeface), Becker (1999; +Shadow, +Inline), Beckett-Kanzlei (2001), Behrens-Schrift (2002: an art nouveau-inspired blackletter typeface based on an original by Peter Behrens), Belshaw (2000: a Victorian decorative serif), Belwe (2002, after an original by Georg Belwe, 1913; Gotisch, Vignetten), Benjamin Franklin Antique (2000, after a warm wood type designed in 1991 by Walter Kafton-Minkel simply called Benjamin), Berlin Squiggle Condensed, Bernhard Schmalfett, Bier und Wein Vignetten (2002, based on drawings from the Bauersche Giesserei), Billboard, Bizzaro, Black Forest (2000, blackletter; +Text, +ExtraBold), Black Knight (1999: blackletter), Blackletter (2001; +ExtraBold, +Shadow), Blackwood Castle (2000: an almost Lombardic blackletter; +Shadow), Breitkopf Fraktur (2000), Bretagne Gaelic (1999), Brian James Bold (2000, +Contour), Bridgnorth, Broadcast Titling (2000, 3d caps), Broadway Poster, Brock Script (2000: formal calligraphic script).
Cabaret (2000: all caps, +Contour, +Shadow), Campanile (2000: Victirian), Camp Fire (2000: wooden plank font), Canterbury Old English (2001: blackletter), Cardiff (2000: textured caps), Cardinal (2000: almost Lombardic; +Alternate, +Anglican), Carmen (1998: art nouveau style; +Shadow), Carrick Caps (2000), Caslon Antique, Caslon Fette Gotisch, Cavalier (2000), Celtic Frames (2000), Celtic Hand (2000), Challenge (2000; +Contour, +Shadow), Chelsea (2000: a serif), Chopin Script (2000, a formal penmanship script identical to Polonaise), Christbaumkugeln (1999: art nouveau alphadings consisting of Christmas ornaments), Chursächsische Fraktur, Cimbrian (2001: blackletter), Circus Ornate Caps (2001, a Western or circus font), Cloister Black Light (2001: blackletter), Coaster Black (2001, +Shadow), Coelnische Current Fraktur (2000), Colchester Black (2001: an ornamental blackletter), College, Courtrai (2000: a decorative blackletter), Coventry Garden, Cruickshank (2000: art nouveau caps).
Damn Noisy Kids (2002: a heavy brush font), Davy's Dingbats, Debussy, Decorated Roman Initials (2003), Deutsch Gotisch (2002: an expressive blackletter font; +Dutesch Gotisch Heavy, +Outline, +Shadow), Deutsche Uncialis (+Shadow) (2000), Deutsche Zierschrift (2002, after Rudolf Koch, 1919-1921), Devinne Swash (2000), Digits (2000), Direction (2000: letters with embedded arrows), Dobkin Script (2000: after David Rakowski, 1992, Domino, Domo Arigato (1999: oriental emulation), Dover, Driftwood Caps (2000: a wooden plank font), Due Date (2000: a grungy stencil typeface), Duerer Gotisch (2001), Duo Dunkel (+Licht), Durwent (2001: a rotunda).
Easter Bunny (after a 1994 font by Apropos Creations), Easter Egg (2001; after a 1994 font by Apropos Creations), Eckmann Initialen (2002, after the famous art nouveau typeface from 1900 by Otto Eckmann), Eckmann Plakatschrift (2002), Eckmann-Schrift (2002), Eckmann Titelschrift (2002), Eckmann Schmuck (2002), Egyptienne Zierinitialen (2002), Egyptienne Zierversalien (2002), Ehmcke-FrakturInitialen (2002), Ehmcke-Schwabacher Initialen (2002), Eichenlaub Initialen (2000), Eileen Caps (2000; after David Rakowski, 1992), Eisenbahn (2002, based on train vignettes at Bauersche Giesserei), Elzevier Caps (2000; after David Rakowski), Enge Holzschrift (2000; +Shadow), English Towne Medium (2000: a Fraktur), Epoque (1999; an art nouveau typeface; +Shadow, +Inline), Erbar Initialen, Estelle, Evil of Frankenstein, Express (1999).
Faktos (1998; a rip-off of Cory Maylett's Faktos, 1992; +Striped, +Contour, +Shadow), Fabliaux (2000: Lombardic caps), Fancy Card Text (2000: a textura), Fat Freddie (2000: a fat all caps font; +Shadow, +Outline), Faustus (2000: a Schwabacher), Fenwick Woodtype (blackletter: 2001), Fette Caslon Gotisch (2001), Fette Deutsche Schrift (2002, a revival of a Rudolf Koch font from 1908), Fette Egyptienne, Fette Haenel Fraktur (2000), Fette Kanzlei (2002), Fette Mainzer Fraktur (2001), Fette Steinschrift (2002), Fette Thannhäuser (2002; after Herbert Thannhäuser, 1937-1938; +Schattiert), Fette Trump Deutsch (20002, after Georg Trump, 1936), Firecat, Flaemische Kanzleischrift (2000: calligraphic), Flowers Initials (2000: floriated caps), Forelle (2002: a retro script; +Shadow), Fraenkisch Spitze Buchkursive (2002; after Lorenz Reinhard Spitzenpfeil, 1906), Fraktur Coelnische Current (2000), Fraktur Schmuck (2001: ornaments), Fraktur Shadowed (2001), Fraktur Theuerdank (2000: a Schwabacher), Frederick Text (2001: a blackletter), Futura Script.
Gabrielle (1999: a retro script), Ganz Grobe Gotisch (2000), Gebetbuch Fraktur (2000: a Schwabacher), Gebetsbuch Initialen (2001), Germania (2001, a revival of the 1903 blackletter typeface by Heinz König called Germania as well), Germania-Versalien, Gille Fils Zierinitialen (2002, after Gillé Fils, ca. 1820), Gingerbread Initials (Victorian initials, after an original from ca. 1890), Globus, Gloucester Initialen (2001), Gorilla Black (2000: rounded elephant feet font), Gotenburg A+B (2002, after Friedrich Heinrichsen), Gothenburg Fraktur (2000), Gotische Initialen (two different sets with the same name, one from 2000 and one from 2002), Gotisch Schmuck (2002, Fraktur), Goudy Initialen (2000), Goudy Medieval (2000), Goudy Thirty (2000), Grange (1999), GrenzschInitials (2001), Grusskarten Gotisch (2001), Gutenberg Textura (2000).
Haenel Fraktur Fett, Hansa (1999: art nouveau), Hansa Gotisch (2001: a textura), Hansen (1998; +Contour, +Shadow), Happy Easter (1994, by Apropos Creations: art deco caps), Harrowgate (2001: a textura), Hazard Signs (2000), Headline Text (2001: a textura), Hercules (1999: art nouveau), Herkules (2004: art nouveau), Hermann-Gotisch (2002; after an original by Herbert Thannhaeuser, 1934), Herold (2002), Hippy Stamp (2000: after rubber stamps from the 1960s), Hoedown (2000; +Shadow), Holla (2001; after Rudolf Koch), Holidayfont, Holtzschue(2000: a circus font, after David Rakowski, 1992), Honey Script (2000: a retro script), Horror Dingbats (2000; after Letters from the Claw, 1998), Houtsneeletter, Humboldt Fraktur (2002-2005; after a Schwabacher font by Hiero Rhode, 1938; +Zier, +Initialen).
Iglesia Light (2002), Iron Letters (2000), Isadora Original.
Jan Brad, Journal Dingbats, Jahreskreis (seasonal dingbats, 2002), JSL Blackletter Antique (2000, by Jeffrey S. Lee), Jugendstil Fraktur (originally designed by Heinz Koenig, 1907-1910), Jugendstil Ornamente (2002, art nouveau ornaments, after Schelter & Giesecke).
Kabinett Fraktur, Kaiserzeit Gotisch (2001), Kanzle (2001)i, Kanzlei Initialen (2002), Kalenderblatt Grotesk (2000), Kashmir (2001: an arts and crafts typeface), Kinder Vignetten (2002), KingsCross (2001: blackletter), Kinigstein Caps (2000: art nouveau initials after David Rakowski, 1990), Klarissa (2000), Kleist Fraktur + Zierbuchstaben (2002, after Walter Tiemann, 1928), Koch Antiqua (2002), Koch Antiqua Zierbuchstaben (2002), Koch Initialen (2000, after Rudolf Koch, 1922), Koenigsberger Gotisch (2001), Koenig-Type (2002; a Jugendstil Fraktur originally designed by Heinz Koenig, 1907-1910), Kohelet (2001), Koloss, Konanur Kaps (2000, after David Rakowski, 1991), Kramer, Krone Bold.
La Negrita (2000, +Shadow), Latina (2001: script), Lautenbach (2001, +Zierversalien), Legrand (1999: art nouveau), Lemiesz (2000), Lettres ombrées ornées (2002, based on a typeface by Schriftgiesserei J. Gillé, 1820), Linolschrift (2000, +Heavy, a linocut font as in the Munch paintings), Lintsec (2000, a stencil typeface, after David Rakowski, 1992), Liturgisch + Zierbuchstaben (2002, after Otto Hupp, 1906), Logger (2000, after David Rakowski, 1991), Lohengrin Fraktur (2000), Long Island Antiqua, Louisianne (1998-2000: +Contour, +Shadow; a bold upright connected script), Ludlow Dingbats (2000, after Ludlow, 1930), Luthersche Fraktur (2000).
Mainzer Fette Fraktur, Marker Felt (2001), Marketing Script (1999, +Shadow, +Inline), Marlboro (2000), Maximilian (2002, a Fraktur font and decorated caps based on Rudolf Koch, 1914; +Zier), Mayflower Antique (2000), Mediaeval Caps (2000), Medici Text (2002: an ornamental blackletter), Menuetto (1994, after K.R. Field), Messing Lettern (2000), Metropolitain (2000, an art nouveau font like the ine used for the Paris metro; +Contour, +Condensed), Middle Saxony Text (2001), Moderne Fraktur (1999), Monats-Vignetten (2002, based on drawings by Franz Franke for Bauersche Giesserei, 1920), Montague (2000), Monument (2002, after Oldrich Menhart, 1952), Mordred (2000), Morgan Twenty-Nine (1999: Victorian caps), Morris Roman Black (2002, after William Morris, 1893), Morris Initialen (2000, after William Morris).
Napoli Initialen (2000), Neptun Gotisch (1999), Neugotische Initialen (2002, after an original from 1890), North Face (2000), Nougat (2000), Nougat Nouveau Drop Caps (2000), Nubian (after Walter T. Sniffin's font from 1928).
Olde English, Old English Five (2000: blackletter), Old Town (2000: Western), Old London (2000: blackletter).
Packard Antique (2000), Paganini Text (2000: blackletter), Pamela (2000: an ornamental blackletter), Paris Metro (1998; +Outline), Parsons Heavy (2000, after Bill Ransom, 1918), Paulus Franck Initialen (2002), Penelope (2000, Victorian), Peter Schlehmil (2002, after Walter Tiemann, 1918-1921), Peter Schlemihl Fraktur, Picture Alphabet (2000; after an original from 1834), Pilsen Plakatschrift (2000), Pinewood (2000, like wooden branches), Pinocchio (based on a psychedelic typeface by Gustav Jaeger, TypeShop, 1994), Plakat-Fraktur (2001), Plakat Antiqua, Plastisch (2002: ornamental caps), Plastische Plakat Antiqua (2002), Plum Script (2000: an upright script)), Pointage (2000; after David Rakowski, 1992), Polonaise (1999: a formal calligraphic script), Polo Semi (2000), Powell Antique (2000), Prince Valiant (1999: blackletter), Printer's Ornaments One (after Blake Haber, 1994), Prisma (2003, a four-line typeface inspired by Rudolf Koch's Prisma), Progressive Text (2001), Puritan (2000, +Swash).
Quentin Caps (2001: Tuscan).
Rediviva (2002), Rediviva Zierbuchstaben (2002: a Schwabacher font after a 1905 typeface at Benjamin Krebs designed by Franz Riedinger), Reeperbahn (1999; aka Rope), Regatta Relief, Reiner Script, Relief Grotesk (2003), Revue Decor, Reynold Art Deco (2000: arts and crafts; +Contour), Rheinische Fraktur (1999: after a 1905 Stempel font called Arminius Fraktur and Rheinische Fraktur), Rio Grande, Rockmaker (2000, after David Rakowski, 1992), Roland 92000. +Shadow, +Contour), Rolling No. 1 ExtraBold (2000), Roman Antique (+Italic) (2000), Romantik Initialen (2000), Romantiques (2002: ornamental caps, perhaps a circus font), Rondo, Rosemary Roman (2001: a great calligraphic script based on Rosemary Hall's Rosemary Roman), Roskell (1998: a poster font, +Bold, +Shadow), Roslyn Contour (2000), Rossano (2000, +Shadow), Rothenburg Decorative (2000: a frilly blackletter), Rothenburg Fraktur, Royal Initialen (1999), Roycroft Initials (2000), Rudelsberg (Schrift, Initialen, Schmuck: a typeface family in Munch Jugendstil style, based on Otto Eckmann's Eckmann from 1901).
Saddlebag Black (2000: Western), Saloon ExtraBold, Saltino, Salto, Sans Plate Caps (2000), San Remo (2000: a Parisian art nouveau typeface), Sans Serif Shaded (2000, after a font by Stephenson Blake), Savings Bond, Schampel Black (2001: a blackletter), Schmalfette Fraktur (2000; +Schattiert), Schluss-Vignetten (2002, also from Bauersche Giesserei), Schmale Anzeigenschrift + Zierbuchstaben (2002, after Rudolf Koch's Deutsche Anzeigenschrift, 1916-1923), Schmuck Initialen (2001), Schwabacher (2002), Sebaldus-Gotisch (2002, a blackletter after H. Berthold's Sebaldus Gotisch from 1926), Sentinel (decorative caps from 2001), Sesame (2000, +Shadow), Shaded (2002, a take on Sans Serif Shaded by Stephenson, Blake & Co. Ltd., Sheffield), Sholom (1999: Hebrew emulation), Showboat Caps (2000), Shrapnel (2000: in the font, we find a reference to David Rakowski, 1992), Siegfried (2001, art nouveau, based on a typeface by Wilhelm Woellmer), Simplex, Sixties, Snowtop Caps (2001), Starburst (2000; after a 1990 font by David Rakowski), Steelplate Textura (2002), Stencil Display, Subway (2001: Black, Shadow), Supermarkt.
Tanach (2003: Hebrew emulation), Tannenberg (Fette Gotisch, Fett, Umrandet, Schattiert: after Emil Meyer, 1933-1935), Thannhaeuser Fette Fraktur, Thannhäuser Zier (2002; original by Herbert Thannhauser, 1937/38), Theuerdank Fraktur (2000; after Schoensperger's Theuerdank, 1517), Thorne Shaded (2002, a shaded didone based on a Robert Thorne design of 1810), Tierkreiszeichen (2002, zodiac signs, based on drawings by Franz Franke for Bauersche Giesserei), Tintoretto (2000, after a Schelter & Giesecke original), Titania (2001; after Titania by Haas, 1906), Titling Roman Antique, Tobago Poster (2001; +Shadow), Tone And Debs (2002; after a 1991 snow capped font by D. Rakowski; identical to Snowtop Caps in 2001), Tonight (2002: a marquee font), Topic, Toskanische Egyptienne Initialen (2003: after a 1889 font by Schelter & Giesecke), Transport Pictorials, Tribeca (2001, after a David Rakowski original), Trocadero Caps, Trucker Style ExtraBlack, Turtles (2000; an extension of Turtles by Neale Davidson), Typographer Caps (2000), Typographer Fraktur (2002), Typographer Gotisch (2002), Typographer Holidayfont (2002: Christmas dingbats), Typographer Rotunda (2002), Typographer Subway (2011), Typographer Textur (2002, Fraktur), Typographer Uncial Gotisch (2002), Typographer Woodcut Initials (2002), Typographer's Schmuck-Initialen.
Uechi Gotisch, Uncialis Deutsche, Unger Fraktur Zierbuchstaben (2002; after an ornamental caps typeface by Julius Nitsche done in 1908), Unicorn (2000).
Vadstena Rundgotisch, Varah Caps, Ventura Bold (2000), Verve (+Shadow, 2000), Victorian Initials (2001), Victorian Text (2001), Viking (2000), Vivian (2000, +Shadow), Vogeler Initialen (2002, aka Vogeler Caps), Volute (1999: art nouveau caps).
Walbaum Fraktur (after Justus Erich Walbaum, 1800), Wallau Deutsch, Wallau Rundgotisch, Wallau Unzial and Wallau Zierbuchstaben (2002; originals by Rudolf Koch 1925-1930), Walthari Text, Washington Text, Waterloo Relief, Wave, Weiß Initialen (2000), Weiss Lapidar (2002, revival of a typeface by Emil Rudolf Weiss), Weiss Rundgotisch (1998; Bold and Shadow), Werbedeutsch (2002, original by Herbert Thannhaeuser, 1934), Westminster Gotisch (2001: Lombardic), Wharmby (2000, a shadow font), White Bold (2003, a shadow font), Wieynk Fraktur (2002, +Initialen, + Caps Round; after a Schwabacher by Heinrich Wieynck, 1912), Wieynk Fraktur Vignetten (2001), Will-Harris Caps (2002, after David Rakowski, 1992), Woodcut.
Yellow Submarine (1995; after Stanley Davis's Amelia, 1966), Yentus (2001: Hebrew emulation), Yonkers (2001: a Rundgotisch font), Yorktown (2000: a Western wood type emulation font).
Zallman Caps (2000, after David Rakowski, 1991), Zentenar Fraktur (2003: after Friedrich Hermann Ernst Schneidler, 1937), Zentenar Zier (2002; after F.H.E. Schneidler, 1937), Zierinitialen 1 (2002, after an original from ca. 1800), Zierinitialen Two (2002; based on Deutsche Zierschrift by Rudolf Koch), Ziffern und Pfeile, Zither Script, Zodiac Pictorials.

A set of TeX service files for many of the decorative caps fonts was published by Maurizio Loreti from the University of Padova.

The collection is now also available in OpenType. 1001Fonts link. Fontsquirrel link. Dafont link. Fontspace link. Abstract Fonts link. Home page. [Google] [More] ⦿

Dieter Steffmann's blackletter typefaces
[Tim Larson]

A list of Dieter Steffmann's blackletter typefaces, as compiled by Tim Larson (Christ Trekker). Download them here.

Fraktur: Breitkopf Fraktur, Chursaechsische Fraktur, Cimbrian, DS Ballade, DS Luthersche, DS Walbaumfraktur, Durwent, Ehmcke-Fraktur Initialen, Fette deutsche Schrift, Fette Haenel Fraktur, Fraktur Shadowed, Gebetbuch Fraktur, Humboldt Fraktur, Kabinett-Fraktur, Kanzlei, Kleist-Fraktur, Koenig-Type, Moderne Fraktur, Neptun, Paganini, Peter Schlemihl, Plakat-Fraktur, Rediviva, Rothenburg Decorative, Schampel, Schmale Anzeigenschrift, Schmuck Initialen, Theuerdank Fraktur, Typographer Fraktur, Unger-Fraktur Zierbuchstaben, Walbaum Fraktur, Wallau, Washington Text, Wieynk Fraktur, Yonkers, Zentenar Fraktur.
Rotunda: Typographer Rotunda, Weiss Rundgotisch.
Schwabacher: Alte Schwabacher, Schwabacher.
Textura: American Text, Anglican Text, Beckett-Kanzlei, Black Forest, Blackletter Blackwood Castle, Canterbury, Cloister Black, Coelnische Current Fraktur, Colchester, Courtrai, Deutsch-Gotisch, DS Caslon Gotisch, DS Fette Gotisch, DS Weiss-Gotisch, DS Zierschrift, English Towne, Faustus, Fette Trump-Deutsch, Frederick Text, Ganz Grobe Gotisch, Gotenburg, Gothenburg Fraktur, Grusskarten Gotisch, Gutenberg Textura, Hansa Gotisch, Harrowgate, Headline Text, Iglesia, Kaiserzeit Gotisch, Kings Cross, Koenigsberger Gotisch, Liturgisch, Lohengrin, Maximilian, Medici Text, Middle Saxony Text, Old English Five, Old London, Olde English, Pamela, Prince Valiant, Progressive Text, Steelplate Textura, Tannenberg, Thannhaeuser Zier, Typographer Gotisch, Typographer Textur, Victorian Text, Werbedeutsch, Westminster Gotisch.
Script: DS Admiral.
Unclassified: Alpine, Aristokrat Zierbuchstaben, Augusta, Belwe, DS FetteThannhaeuser, DS HermannGotisch, DS Wallau, Fraenkisch, Lautenbach, Neugotische Initialen, Typographer Uncialgotisch, Zentenar Zier.

[Google] [More] ⦿

Digital Type Foundry
[James Banner]

Digital Type Foundry is James Banner's (extinct) Seattle-based foundry that produced typefaces such as Angelic, Bamberg-Initials, Bamberg, Burton, Caxton-Initials, Daggers, Enochian, FetteFraktur, Fraktur, Futhark-Gothic, Futhark, Hebrew, Hermetica, Titling-Ornaments-1 and Turkish, around 1991-1992. Some fonts can be downloaded for free at Fontspace. He wrote: I started making fonts in 1988 and still produce work, although as it became more difficult to upload my work or share it using the University of Michigan FTP server, I haven't released much. Most recently, I issued the Geoffroy Tory initial letters as a Type 1 font and separately as EPS files as Freeware. I've produced 20-30 fonts since the DTF Volume Three bundle package came out.

The foundry disappeared. The licensing today is unclear.

Fontspace link. Old URL. Defunct URL. [Google] [More] ⦿

Digitally Branded

Web site of Kent Hertzog. It resets the page size though to fill the screen. Designer of the free pixel fonts Haysom (2002), Hearst (2004), Hayes (2004) and Cafe 405 (2003). He also created the handwriting typeface Jack's Mannequi (2005) and the blackletter typeface Queen of Pain (2002). [Google] [More] ⦿

Diletta Vignolo

Torino, Italy-based designer of the blackletter typeface Urban Engravers (2018), which revives Morris Fuller Benton's Engravers Old English (1901). [Google] [More] ⦿

Dima Lokamp

Or Dmitry Lokamp. Minsk, Belarus-based designer of the free hipster typeface Serve Inspire (2016) and the blackletter font Gothic Lokampwow (2017). Instagram link. [Google] [More] ⦿

Dima Pole
[Slovolitni de Grande Tartaria]

Dimas Prasetyo
[DM Studio (or: DM Letter)]

Dimitriy Moga

Odessa, Ukraine-based designer of the free blackletter typeface Gothic Modern (2016). [Google] [More] ⦿

Din Studio (or: Doni, Ditatype)
[Donis Miftahudin]

Yogyakarta, Indonesia-based designer (b. 1990) of these script typefaces in 2018: Radicalis (script), Blacktail (layered, spurred, Western), Aniyah (formal calligraphic script), Angelina Script, White Star, Better Saturday, Volaroid, Gravity Handwritten, Wellington (Sans), Mister Froggie, Amadora (upright script), Brilliant, Portland, Adora Queen, Fox Tail, Deliciously (+Sans), Breaking Down (brush-lettered), Welcome Home.

Typefaces from 2019: Smooth Fantasy, Le Jour (font duo), Kafina, The Stranger (dry brush), Rolling Back, Marline, Blue Rose, Better Summer, Lemonday, Rottely (a decorative serif) (by Muhammad Romzul Khoir?), Monday Vacation (a dry brush or chalk font; +Sans), Brilliant Soulmate (a signature font), Perfect Redemption (dry brush), Redemption (dry brush), Andasia, Saturday Lovers, Pondspell (a free dry brush font), Sailing Heart (dry brush script), Calling Loves Script, Just Calling, Zingakon (a brush font), Anastik, Miracle Script, Camellia, Blueberry, Lovely, Gulali (a heavy monoline script), Boga Bogi, Bigtime (script).

Typefaces from 2020: Bright Angels, Blaster Timers, Hawken (a sharp-edged display typeface), Lemonlove (squarish and interlocking), Darknight (a dystopian typeface), Kickout (a sports font), Vintage Melody (a vintage signage script), Anyva (a formal calligraphic script), White Pigeon (a heavy retro signage script), Ayalena, Gamerock (squarish, dystopian), Marrline (an upright monoline script), Black Bones, Westlake (a bold display serif), Anzilam (a regular script with a beheaded lower case f), Among (a condensed monolinear sans), Black Indie, Blue Rose, Kanetin (a sans), Menthol Signature, The Fox Tail (a lava lamp script), Willson (all caps, slightly flared), Kasdio, Lovely, Miftah, Shall Blossom (a dry brush script), Striker (squarish, modular and characterized by square counters), Waranty (a display serif), Aiytha (formal calligraphic), Blastine (a fine inky script), Sporten (squarish; a sports font), Vantely (a one-style monolinear sans), Atteron (a refined decorative all caps typeface), Carade (a decorative serif), Esporte (constructivist), Kafina (a decorative serif), Netraly (a condensed bold organic sans), Regular Brush (a dry brush script), Jafrine, Watterline, Redkits (a dry brush script), Feel Better (a dry brush font), Maraton (a blackboard bold font), Hellomind (a monoline script), Rodwick (a sports font), Norwill (a sports font), Kaithryn (an inky script), Ventralie (blackletter), Kingroad (a blackletter or tattoo font), Hunterlife (a blackletter font), Lovera (a display serif with tall x-height), Rankfine (a formal script), Slashmine (a calligraphic blackletter font), Blackside (a blackletter or tattoo font), Fiosthic (an inky script), Calvera (squarish), Revillia (a decorative serif), Aniyah (formal calligraphy), Better Saturday, Gacor (sans), Bright Rainbow, Dellons Signature, Le Jour, Mister Jacky (brush script), Panama (brush script), Roaster Brush (a dry brush script), Speedline, Sawah (a wide techno logo font), Finest Butter, Garetha (a decorative serif), Rithem (a dry brush script), Vintage Rotter (a monoline script), Amelliyo (a dry brush script), Okinawa (a dry brush script), Rostave (futuristic), Voyntea (calligraphic), Montheylin (a formal calligraphic script), Soage (all caps, mini-serifed), Avalors (a sci-fi font), Mister Sally, Razor Bland (all caps, a heavy razor-sharp sans), Request, Halvert (layered, all caps, vintage), Jasson Gillen (script), Mertalion (a vintage all caps mini-wedge serif), Black Bones (a dry brush script), Halleyo (a dry brush script), Pitchey Bloom, Rocklay (a smooth brush script), Black Arcade (Tuscan), Blaster Timers, Batteny, Bettermind Signature, Castrade (a thin architectural sans), Brown Sunflower, Slash Signature, Chyali, Rockel (squarish, techno, cybernetic), Best Quotes (a brush script), Sweet Fig, Remind (a heavy decorative serif), Stradas (spurred, Victorian), Neon Planet (a neon or paperclip font), Neon Planet Script, Malion (a display serif), Akserant, Akserant Display, Moderrat (a 7-style wide tuxedoed sans family), Pretty Queen, Cybero (a techno / cyberpunk typeface), Sisterhood (a dry brush script), Qeskile Voyage, Breathing (a dry brush script), Fogie (a ten-style display serif), Feeling Passionate, Bella Vista (a thin monoline script), Spring Sunday, Bogota (a display serif), Marcelo (an all caps train font), Montaseli (Sans, Script), March (a display mini-serif font family), Crowded (a vintage font), Grown, Gellatio (a dry brush font), The Poisoned Heart (an art nouveau style script), Costa Rica (script), Brightwall (a dry brush script).

Typefaces from 2021: Valiety (an 8-style display serif), Lafayette (a dry brush script), Margita (an 8-style cultured sans), Steamy Miracles, Smiling Lovely (a dry brush script), Grandift (a squarish typeface), Writable Story (an inky script), Beach Vibes (a brush font), Bigruns Brush (a horror brush font), Blimps (a dry brush script), Yellow Palette (dry brush script), Hysteria Rollers (a brush script font duo), Wild Month (a chubby flared all caps typeface), Denlia, Mirava (an 8-style geometric sans, from hairline to bold), Medyan Script (a bold retro signage script), Morning Vintage (a heavy reverse stress retro script), Misslena (a decorative serif), Boldy Vintage (a bold retro signage script), Finest Vintage (a creamy retro signage script), Reverse Vintage (a reverse stress script), Brave Gates (a dry brush font), Retro Vibes (a signage script), Angella White (a dry brush script), Carloti (a stylish all caps sans), Fitriyah (a decorative, almost painted, serif), Stay Retro (a signage script), Arthur Keith (a brush script oozing personality), Beauty Satine (script), Handoyo Signature, Lost Monday (a heavy monoline script), Vintage Round (a vintage signage script), Vintage Lander (a fat script), Sending (a dry brush script), Sweet Moments (a dry brush script), Vilane (a 7-style geometric sans), Windey Signature (calligraphic), Wonderful Branding (a dry brush script), Glory Signature (upright), Basking (a decorative serif), Billie Sight (an inky script), Finding Beauty, Antique Heritage (a rounded monolinear upright script), Fancy Matter (a monoline script), Safira March (a display serif), Beauty Swing (a decorative serif), White Space (a decorative serif), Billion Miracles (a signature script), Kickoff (a squarish font), Skater Squad (a graffiti font), Streetbomber (graffiti), Streetfire (graffiti), Streetlife (graffiti), Bomber Dreams (graffiti), Bosskids (graffiti), Bostero (a graffiti font), Urban Blocker (a fine bulky graffiti font), Bomberboy (a graffiti font), Billionary (a 7-style slab serif), Magelo (a thin-slabbed serif; seven styles), Miguel (a tuxedoed mini-serif typeface in seven styles), Chicago Makers (a fine vintage decorative serif; eight styles), Feeling Steady (a dry brush script), Flatlion (a monolinear script), Javyer (a thin script), Romely (a 7-style fashionable Peignotian typeface), Billastim (a thin and wild script), Universe (futuristic, octagonal), Wertign (a thin and wild script), Boomber Rockstar (a graffiti font), Vintage Rovery (a plumpish decorative serif), Starstone (squarish, modular), Portaly (a rounded monolinear sans), Spaceline (a sci-fi font).

Din Studio spun off Vintage Division in 2021, where it published their vintage fonts. The initial collection in 2021: Big Flask, Black Arcade, Blacktail, Boosters, Carlingthon, Cravery, Crowded, Dracolas, Fieldstone, Finest Vintage, Lastones (art deco), Lostcowboy, Medyan Script, Mertalion, Monoline Fighter, Morning Vintage, Mostlatest, Reverse Vintage, Royale Dreams, Stay Retro, Vintage Bridge, Vintage Feeling, Vintage Lander, Vintage Melody, Vintage Rotter, Vintage Round, Vintage Rovery, Western Brother.

Typefaces from 2022: Stainger (a 16-style display sans), Rakeny (a 7-style sharp-edged display serif), Billstone Signature. [Google] [MyFonts] [More] ⦿

Dinc Type
[Diane DiPiazza]

Commercial and free fonts designed by Diane DiPiazza, who lived in Hoboken, New Jersey, and was the original bass player for The Misfits. She is now in Lodi, NJ. Dinc closed its doors in January 2006 but returned some time later in 2006. Most of the fonts evoke the fifties.

Wikipedia states: Diane DiPiazza was the first bass player for the The Misfits, although she does not appear on any album. She left the band, vacating the spot that was quickly filled by Jerry Only. Her name is often incorrectly spelled Diane DiPiaza. Growing up in Lodi, New Jersey, she was a friend of Glenn Danzig, the founder of the Misfits. The first lineup consisted of Glenn on vocals and electric piano, Diane on bass guitar, Jimmy Battle on guitar and Manny Martínez on drums. On the Cough/Cool single, The Misfits first release, she is the Diane who Glenn thanks on the sleeve. Diane DiPiazza is an artist. She is a type designer who distributes free fonts and vintage black and white line art at dinc! She is art director at mystifyinglyGLADdesign, who designs for the web, clothing, and packaging. She designs hand screened gig posters and many other forms of rock 'n roll art, retro art, modern art. A collector of vintage design elements, her style has been called retro/modern. Diane also creates custom hand stamped silver jewelry as well as a line of tattoo inspired pieces. She is in the process of recording a demo LP with the working title Last Year's Fab Rave, on which she plays all the instruments, including bass.

Free fonts include Bobo, Dilettante, Modern-Love, Note-To-Self, Plastic-U, Post-No-Bills, Road-Crew, Saturdays-Girl, Sleeptalk, Sugaree, Mod Guitars, Woof Squared, Hatcheck, Mess Kit, Billy Dolls, Knitwits, Claim to Fame, Girlfriend, Book of Joe, Joybuzzer (2007, rough outline), Autos (2007, old typewriter), U Better, The Con, Claim to Fame, Girlfriend, Book of Joe, Ahmet.

In 2006, she created Road Crew (2006, rough stencil), DINC (2006, blackletter), Post No Bills (2006, stencil), Ashtrays&Art.

Typefaces from 2005: Neat Neat Neat, Shut Up, Hello Hey Joe, Wings For wheels, Trustmaker, Bad To Me, BellBottomBlues, DinkyToy, Funkhouse, Rodeoboy, SaturdaysGirl, SoWhat, Blue Monday, Betcha By Golly Wow, Nathaniel (2005, blackletter), Brillo Blue, Doctor My Eye, Guilt For Dreaming, Rhyming Bells, Bob's Your Uncle, Princess Jasmine, 45, Seven, 7-7000, Ahmet, Alexei, Boxer, Cinema Aisles, Divine Intervention, Synchronicity, Tangled Up In Blue, Tjinder, Untrue, Special Edition 6, 20,000 Roads, Big Diamonds, Charly Baltimore, Dream, Fever In The Funkhouse, Green&Blue, Ring Ring, Swoop Swoop.

Typefaces from 2004: Fuzzbox (2004; not to be confused with Bragagna's pre-2004 font by the same name), Ace In The Hole, Balls, The Christmas Font, Beau Geste, ByeBye, Heart, Loverboy, Sycophant, The Comedians, Fishboy, Truth, King Me, Snapper, Blue Heaven, Oceans Eleven, Fresh Fish Seven, Trason, Your Type, Da Doo Ron Ron, Big Flirt, Dicky Dee, Boxtop, Satellites, Upsmack, Starry, Silicon Chip, Howdy, Grandpa Boy, Scarlet Letter, Capsule, Doggy, Little Eden, Frank Mills, Chewtoy, Jez, OneWitU, BrineShrimp, Joe College (2004, pixel face), stj-fro, One Inch Rock (2004, pixel face), Black Hole, Ya Ya Baby, Blondie, ShaLaLa, Lower Eastside, GeeWhiz, Sixteen, Joe Strummer, Amy Johnson, JoJo, JodiGirl, Zelda, Hipster, LaDolceVita, LittleLove, Mod, MrEarl, Noveltease, QBats, Ranger, Rhymes, BarkingDog, BFBigmouth, BooHoo, Chance, CowardSquared, Cupid, DincCorona, FiftyFive, FunkyBut, Gamble, HelloHello, IdiotWind, JimmyCap, Luck, Metropolitan, MidnightKiss, Mine (2004, letters in hearts), PerfectCouple, Resolution, Spitball, StencilMeIn, TypeToyNight, YrChickens.

Typefaces designed in 2003: 11592003, 2004, BrokenPromise, DincCorona, DoublyBlessed, EchoPark, FiftyFive, Fishing, FunkyBut, HelloHello, Hoboken, InstantKarma, Integrity, KaseyMac, PeppermintLump, Resolution, StencilMeIn, ThreeCubicFeet, TypeToyNight, Crybaby, DeepDark, MajorLift, Mikes, MinorFall, Beeper, Kate, Blacktop, Def Caroline, EZ Bake, JoJo, Kima, Bait, Dreamgirl, Sugar Daddy, Friday, Birth of the True, Soul Deep, Virginia Plain, Feelin' Groovy, Sunday SF, Socks, Boy Toy and Sweet Potato, FunnyValentine, Laura, LonelyFrog, Pati, BrokenDoll, Placemats, Satori, Scout, ThousandLies, ThousandOceans, GetTheeGone, Promises, Rudeboy, YuppieFraud.

Typefaces designed in 2002: Emmanuel, Strummer, Teardrops, Busterboy, Evergreen, Blulite, Respect, Pretty Baby, Hickory Wind, Chelsea Boys, Femme Fatale, Tour de Lance, Peppermint Lump, Ce La Luna! Nous, El Goodo (2002, pixel font), Big Boy, Farfallena, Life On Mars, Saturn Return, GeeWhiz, Train in Vain, Massive Blur, Lonely Planet Boy, Littlebits, Secretarial Pool, Eight Bits, Firefly, Fluff, Startone, Cupcake, Diet Dr. Creep, Dr. Creep, messaround, Pencilbox, Crush No 47, Crush No 49, and Dialtone. Mac and PC. Plus Starry F. Hope (1997) at Chank's site.

Commercial fonts: Booboy, Ingigo (2001, script font), Rufus (2001: four pixel/bitmap fonts), Chinese Symbols: Good Fortune, Zen Fontkit, Boxtop Fontset, Bachelorette, Retrobats, Jailbait, Grievous Angel, Milky Way, Spyboy, Light Series: Spotlight, Cameralight, Streetlight, Firelight, Torchlight, Lovelight, Moonlight, Sunlight, YaYa, Alvin, Amplifier, BigBeatBold, BigBox, Bit-Thing, Boxboy, Chatterbox, Chinatown (oriental simulation), Chopsticks, Console, Cup O'Joe, dincBATS, dincINK, Dinette, DincINK (1998), Dixie, Dreamboat, Duojet, Esquire, Fireball, Flashlight, FourWay, Geebot, gomer, goober, Highball, Homework, jacks, Jetage, Jetage Hi-Fi, Jetage Lo-Fi, Kingbats, Light Series, Loverboy, Moondog, Mister Lee, Mr. Big Stuff, PaperTiger, Pipeline, Popstar, Pushpop, Recordhop, Rocketship, Roundup, Rubberduck, Satellite, Scripto, SquareBox, SquareCircle, Speedometer, Starlite, Sugar, Swizzle, Thinman, transistor, TwinTone, Ultramatic, Variable Videobox, W. Square, Wash&Wear, Whatnot, Winky, Yin Yang, Tight Toy Night, Funtime, OCRDINC01, 02 (OCR-like fonts), Whirlwind, Gaslight, Love, Captain, Funtime, FiFi, Fakebook, FlameJob, OCRDINC, Tight Toy Night, Swingbats, Good Fortune, Zen Fontkit, Bachelorette, Retrobats, Jailbait, Grievous Angel, Milky Way, Spyboy, YaYa, Boxtop Fontset, Light Series: Spotlight, Cameralight, Streetlight, Moonlight, Sunlight, Firelight, Torchlight, Hotrod, Iceberg, Gutterball, Homewrecker, Bubba, Starry Night, Lady Luck, Automobile, Hydromatic, Seventeen, Whirlwind, Gaslight, Love, Captain, Swingbats, FiFi, Flamejob, Fakebook, Madness, Apple Scruffs, Marmalade, Queen of Corona, Cupcake, Starry Eyes, Juice, Fivebits (2002, pixel font), Matchbox, Hot Burrito #3, Fishsticks, Eightbits (pixel font), FoolsGold, Drive, Sleepwalk, Icecube, Pruneface, Witness 2HB, Zerogirl (stencil font, 2002), Fairytale of New York, Levi Stubb's Tears, AllModCons, Babylon, BigBoy, ChampsElysees, ConcreteandClay, ElGoodo, Farfallena, Heroes&Villains, LifeOnMars, LittleRamona, MerseyBeat, MetalGuru, Missile, OnYourBike, Pinup, Reconnez, SaturdaysGirl, SaturnReturn, ShepherdsBush, Tatum, TiniestDancer, TumbinDice, VeraGemini, YesterMe, Rising, Treason, Monami Vrai, Robot Girl, Tattooed Sailor, Sunrise, Midnight, Kakadu, Ana, Ace, Yobbo (2002, dot matrix font), GoGo (2002, pixel font), Waltzing Matilda, Memorial Day 911, Good Riddance, Boys, One Tin Soldier, One After 909, Joey, Infidelities.

Some of her fonts can be bought at SnapFonts. Dafont link. Klingspor link. [Google] [MyFonts] [More] ⦿

Dirk Uhlenbrock
[TypeType]

Dirk Widmann

Frankfurt-based designer of the dot matrix blackletter-inspired typeface Globes (2016). Behance link. [Google] [More] ⦿

DJR Type
[David Jonathan Ross]

DJR Type (Conway, MA, and before that, Deerfield, MA, and before that Los Angeles, CA, and before that, Lowell, MA) stands for David Jonathan Ross Type. Originally from Los Angeles, he was a student at Hampshire College in Amherst, MA, where he studied information design and typographic tradition. In 2007, he joined Font Bureau as a junior designer and was assisting with custom projects and expanding Font Bureau's retail library. Soon after that, het set up DJR Type. In 2016, DJR Type joined Type Network and pulled all his typefaces from MyFonts. He also runs Font of the Month Club.

In 2018, he was the tenth winner of the Charles Peignot Prize. His typefaces:

Manicotti (2010). An ultra reversed-stress Western saloon style typeface that won an award at Modern Cyrillic 2014. DJR Manicotti won an award at TDC2 2007. For a free lookalike, see Plagiacotti (2009, Saberrider).
Lavinia.
Climax Text (2006) is a text and display series that was designed for Hampshire's student newspaper.
Trilby (2009, Font Bureau). Trilby is based on a 19th century French Clarendon of wood type fame.
Condor (2010, Font Bureau). This is a 60-style art deco family. By 2020, it had a 3-axis (weight, width, italic) variable version.
Turnip (2012) is an angular and manly text face, also published at Font Bureau.
In 2013, Ross and Roger Blcak revived Nebiolo's Forma for the redesign of Hong Kong Tatler, a fashion mag, supervised and commissioned by Roger Black, who was then based in Hong Kong. Read about the whole process in this piece by Indra Kupferschmid. Page specially dedicated to DJR Forma. In 2021, Belgian national broadcaster VRT picked DJR Forma for all its entire range of media.
Bungee (2013, Google Fonts) won an award at TDC 2014. This homeless typeface, which comes in Regular, Hairline, Inline, Outline and Shade versions, is free: Bungee is a font family that celebrates urban signage. It wrangles the Latin alphabet to work vertically as well as horizontally.
In 2014, David Jonathan Ross created the formidable 168-style programming font family Input (Font Bureau). Input is free for private use. It won an award at Modern Cyrillic 2014 and in the TDC 2015 Type Design competition. See also the proportionally spaced typewriter family Input Sans.
Gimlet (2016). A 112-style Opentype family loosely based on Georg Trump's 1938 typeface, Schadow, and advertized as funky and functional. Ross writes: Gimlet is half Schadow, half imagination, and nothing else. And like its namesake beverage, Gimlet is a little tart, a little sweet, and can really pack a punch. Gimlet Variable Bold Condensed followed in 2019. Gimlet XRay (2020) is an An experimental colorized version of Gimlet that exposes what goes on under the hood of a variable font, visualizing control points, bounding boxes, kerning, etc. Amazingly, this variable color font has six axes, weight, width, oncurve point size, offcurve point size, glyph utline weight and point outline weight.
Fern and Fern Micro (2014, Font Bureau). A Venetian typeface designed for screen.
Output Sans.
Fit (2017, by David Jonathan Ross and Maria Doreuli). A tall black display family that runs from ultra-compressed to very wide. It screams Use me for the Oscars! Fit was first developed as a variable font. It won an award at Granshan 2017.
DJR Lab, or Lab Variable (2017), is a free pixelish variable font.
Under miscellaneous, we find an untitled French Clarendon and an untitled semi-serif.
Font of the Month Club fonts from 2017: Nickel, Roslindale (Roslindale is a text and display serif that takes its inspiration from De Vinne, a Victorian oldstyle typeface named for the nineteenth century printer and attributed to Gustav Schroeder and Nicholas Werner of the Central Type Foundry), Zenith (blackboard bold), Crayonette (a revival of Henry Brehmer's scriptish Crayonette, 1890), Bild (a compressed headline font based on the American gothic type styles from the 20th century; a variable font followed in 2019), Pappardelle Party (spaghetti Western style), Roslindale Text, Klooster (followed in 2021 by Klooster Thin).
Font of the Month Club fonts from 2018: Bradley DJR (a revival of the blackletter typeface Bradley, 1895, William H. Bradley), Extraordinaire, Rhody (slab serif), Map Roman (an all caps vintage mapmaker font), Output Sans Hairlines, Rumpus Extended, Roslindale Light, Merit Badge (a variable color font).
A tech type virtuoso, he charmed me with his art deco variable font Extraordinaire (2018) that was influenced by the diamond-shaped forms found in the center of the city of Sao Paulo, Brazil.
Typefaces from 2019: Heckendon Hairline, a condensed Clarendon.
Typefaces from 2020: Dattilo (a variable style revival of Aldo Novarese's slab serif Dattilo (1974)), Pomfret.
Typefaces from 2021: Rustique (rustic capitals), Megazoid (a chunky geometric sans), Job Clarendon (with Bethany Heck, who wrote: Job Clarendon is an homage to job printing---display-heavy designs made for posters and flyers in the heyday of letterpress printing. This style of Clarendons was wildly popular in this genre of work, and I've always been interested in how adaptable they were. The style was fattened, squished and stretched to accommodate lines of text both short and long and type foundries across the globe each found their own unique features to contribute to the Clarendon stew. Ross pulled the design to both extremes but had his work cut out as he explained: The chasm between Hairline and Black was far too wide to interpolate across effectively, so I incorporated new drawings in the Extra Light, Regular, and Bold weights to act as additional tentposts to support the design).

Speaker at ATypI 2016 in Warsaw and at ATypI 2017 in Montreal. Klingspor link. Home page. Adobe link. [Google] [MyFonts] [More] ⦿

DM Studio (or: DM Letter)
[Dimas Prasetyo]

Bandung, Indonesia-based designer of script typefaces. These include Bravalor (2018), St. Genoa (2018), Skelie Dancie (2018: a Halloween font), Lovely Puppy (2018), Pretty Pumpkin (2018), Gobbie Gobble (2018), Brioche (2018), The Graveyard (2018: Halloween font), The Royale (2018: an unconnected calligraphic script), Mister Boosty (2018: a children's book font), Swan Tales (2018), Chiko and Owlie (2018: another children's book font), Myrtle (2018), Unconnect (stencil), Arabica Vine (2018: free), Romanttica (2018: brush script), Brunella, Qlinsey, Camellia, Morning Glory, Gallant London, Gotmads, Gallant, Mary Quincy. He also designed the display sans typeface Trevor (2018).

Typefaces from 2019: Cooless, Hear Memory, Ramstay Script, Simplicity, Cllarin, Spring Whisper, Lemon Torte, Ronallatie, Swally, Mistletoes, Parfait (brush script), Blocky, Bang Bang (signature script), Sparkling Bright, Spooky Webbie, Janethville, Omarta, Rawhill, Dead Skull, Gratefully, Bubble Mint, Ruthyne, Brightside, Sugar Bomb (a cartoon font), Cutie Monster, The Witch (a vampire font), Skellington Hollow (a Halloween font), Melted Monsters, Sethidy, St. Genoa, The Nightmare, Menzanine (speckled texture), SkitCut (scissor-cut letters), The Salvator (flared caps), Road Shot (Tuscan caps), Lodeh (blackletter), Stranger, Bloem Garden, Panacota, Ramtul (a signature font), Beauty Signature, Stone Age, Estella, Hellena, Katalia, Bigbang, Dream Unicorn, Hariston, Unicorn Magic, Bonjour, Madeleine, Fleur Bleue, Hikaru, Hippie Unicorn, Honey Lemon, Sour Crunch (comic book or supermarket sale style), Alamode, Puppy, Angry Monsta, Cutie Bunnie, Melvick (sans), Rosemary, Gothix (dry brush script), Amavos, Serenita, Graveyard Dingbats, Jelly Berry, Slubby Slurpy, Primrose, Spring, Saxophone, Beauty, St. Genoa, Bambang, Romanttica, Sanggria, Honey Beezy, Unicorn Magic, Sugar Bomb (beatnik style), Queeny, Bavalor (a weathered sans), Snow Deer, UnConnect, Tokyo Bay, Cupid Love, Hunny Bummy.

Typefaces from 2020: Sushi Moshi (a cartoon font), Joyfull Summer, Happy Loves, Almond Caramel, Wild Hazelnut, Sugar Dream, Night Glow, 1000 Wishes Origami, Sophisticated Signature, Heart Memory, Omarta, Love Monday, Roasted Coconut, Spring Whisper, Sethidy, School Mania (3d, handcrafted), Sweet Bless, Aloha March, Blocky, Parfait, Secret Love, Heart Love, Delighted, Mistletoes, Hey Charlie, Mango Sticky, Sweet Lollipop, Brightside, Corgy Puppy, Monas, Hachiko, Spring Garden, Eighties, Modesty Script, Summer Llama, Wedges (a rounded handcrafted sans), Secret Love, Heart Love.

Typefaces from 2021: Sparkling Bright, Shade Blue, Silky Smoke, Wonderful Magic, Winter Wishes, Best Jolly, Amigos, Spooky Webbie, Dead Skull, Scary Zombie, The Nightmare, Bubble Pink (textured), South Pond, Secret Nature, Pear Leaves, Snowy Night, Thanks Autumn, Hello Catto, Sunshine Wishes, Sunset Story, Scary House, La Rosie, Party Story, Lovely, Love Dream, Lost Island, Little Foxie, Rusty Lemon, Matcha Latte, Mister Rocky, Maple Honey, Meow Paw, Sakura Blossom, Jolly Dream, Gobbie Gobble, Flying Home, Dear Emily, Messy Berry, Gold Shine, Ruthyne, Purple Hope, Playful Delight, Sunday Beach, Cutie Shark, Crispy Corn, Chunky Bear, Jelly Party, Cookie Crisp, Chill Blood, El Cabestor (Tuscan, inline), Rosa (Peignotian), Gracias, Ronallatie, Wild Romance, Light Shade, Lemon Sorbet, Lemon Crush, Autumn Sunset, Blush Lovely, Artsy, Block Note, Sachlette Signature, Bambang Signature, Rock Boy (beatnik), Happy Pumpkins (alphadings), Gobbie Dingbats, Autumn Dingbats, Holland Dingbats, Carletone.

Creative Fabrica link. [Google] [MyFonts] [More] ⦿

Dmitriy Sychiov

Aka Dmitriy Sychoff. Russian designer of many Latin / Cyrillic typefaces at FontStruct. These include Fontain (2021), Kabriolet (2021), High Platform (2021), Mortido (2020), Zpheres C (2020: a Cyrillization of a font by Elmoyenique), Gruz (2020), Fat Thin Co (2018), Kuliboni (2018: a dot matrix font derived from Bodoni), Underground C (2018), Chekhova (2018), Antodot sans (2017: dot matrix style), Chrysalide Old Face (2017: dot matrix font), Zychotropic C (2016: a Western / Italian font), Kirpich (2016: a Western font), Mainz C (2016: blackletter), Dry Heat Cyrillic (2016: a Cyrillization of Christian Munk's Arabic emulation typeface Dry Heat), and Belltower C (2016: a compressed all caps text typeface). [Google] [More] ⦿

Dmitry Rodionoff

Moscow-based graphic designer and photographer. During his studies at the British Higher School of Design in Moscow, he created the Latin/Cyrillic packaging script typeface Convienta (2013), the psychedelic typeface Jimmi Hendrix (2013), and the blackletter poluustav hybrid typeface Frakstav (2013, Latin and Cyrillic). Behance link. [Google] [More] ⦿

Dom Nokes

Designer at FontStruct in 2008 of Waffle, Nice Shot (target alphading face), Plumstruct (a beautiful partition face), Roadblock, and Mthr Fckr (stencil, +Alt). In 2009, we find Trouble and Stripe (vertical stripes), Quarterback (athletic lettering face), Fuzz (experimental texture face), Nice Shot (alphadings), Metric, Fourmat, Mongol Metric (squarish), Volume Metric (3d), Volume Metric (+LO, +HI, 3d typefaces), Archityped (based on Bayer's Architype), Subbed Station, Neo Modul (counterless), Heffer (counterless), Perfd (dot matrix), South Central Swiss, Jaunt, Checkout II, Kurrupttd, Checkout, Container ISO Regular, Perfd Regular (pixelish), Lost Outline Condensed (pixel face), Nice Shot (alphadings), Korruptica (Helvetica grungified), Aurora (+II), Beagle (blackletter), Yoga, Trouble and Stripe, Roadblock. [Google] [More] ⦿

Dominic Vielnascher

Born in 1989, Dominic Vielnascher studies at NDU (New Design University) St. Pölten, Austria. His typefaces in 2011 include Naraganda (a beautiful low x-height arts and crafts family), an unnamed modular face, and Fraktur (blackletter).

Behance link.

Images of Naraganda: i, ii, iii, iv, v, vi, viii. [Google] [More] ⦿

Don Marciano
[Juan Miguel Castillo]

San Salvador, El Salvador-based illustrator. Designer of the oriental simulation typeface La Oriental (2018), the casual typeface Cipote (2018), the wide sans typeface Draper (2018), the fat display typeface Hornet (2018), the free athletic lettering font Varsity Team (2018), the free all caps comic book typefaces Benja (2018) and Sivar Regular (2016), the fat rounded sans Yeyey (2016, kawaii-inspired), the rounded sans typeface Lola (2016), the display typeface Contrastes (2016), and the free cartoon font JuanMikes (2016). Typefaces from 2017 and 2018: Castillo (free blackletter), Brand Co, Galactico (a sci-fi font), Cuadra (a block font), Arqui (a blueprint font), Bootcamp (+Bootcamp Morsecode), Camar (a heavy sans poster font), Cipitillo (a horror font), Don Graffiti, Hache, Innova (a techno font).

Typefaces from 2019: Bloody Scary (a Halloween font), Invader (a Halloween font), Kabuto (an oriental simulation font based on katakana and hiragana), Bend (bilined), E-Muse (a sports font), Slugger Monogram, Amore, Slugger (signage script), Alvaro.

Typefaces from 2020: Edge, Play Heavy, Natalia (a vintage script), Mystico, Castillo (blackletter), Marquez (a vintage serif), Poster, Torque, Ernesto, Frida, Don Graffiti (graffiti font), Recluta Stencil (a military stencil), Carmela (a bold script), Andrea Script, Freelancer Display, Junior (a casual script), Hugo Slab, Vaglio (an all caps sans), Alambre Lowrider Thin (squarish), John West (a spurred Western font), Santa Monica.

Typefaces from 2021: Farrah (art deco), Noticia (a news headline font), Turmeric, Comico (a cartoon font), Soria (a bold caps font), Buggy (a lumpy font), Zorro (a Western font), Puerto (a vintage titling sans), Only You (an upright script), Pupusa. [Google] [More] ⦿

Donis Miftahudin
[Din Studio (or: Doni, Ditatype)]

Donis Miftahudin
[Nathatype]

Dotzeem
[Hazim Mujahid]

Bandung, Indonesia-based designer of Adiwangsa (2021: Regular, Outline, Script) and Narapati (2021: a calligraphic blackletter typeface). [Google] [MyFonts] [More] ⦿

Doug Best

Cincinnati, OH-based designer of these typefaces in 2011: Frakked (blackletter), Spartan, Octagon, Modern Wood, Wasabi (a free Asian calligraphic simulation face; +Shogun, +Samurai, +Ninja). Behance link. [Google] [More] ⦿

Doug Larson
[Illustration Ink (was: Lettering Delights)]

Douglas Crawford McMurtrie

Author (1888-1944) of over 400 books on printing and typography. His life story is told by Scott Bruntjen and Melissa L. Young in Douglas C. McMurtrie, bibliographer and historian of printing (Metuchen, N.J. : Scarecrow Press, 1979). A partial list of his books, limited to the history of typography:

In 1923 (and reprinted in 1935, Chicago), Douglas C. McMurtrie published A mysterious type specimen; a note on the typeface showing of the typefounder Marquet, issued at Lyons, France, apparently during the last half of the eighteenth century: page 3, page 4 (where he notices that Marquet's type is difficult to categorize, and is different from anything he had seen in the types of Lammesle, Mozet. Gillé, or Fournier le jeune), a scan of the type, some vignettes.
The invention of printing: a bibliography (Chicago, Chicago club of printing house craftsmen, 1942, 413 pages).
Specimen of types at the Condé Nast Press (1923, Condé Nast Press, Greenwich, CT), a book athat showcases type from ATF and Monotype. At that time, the press liked Monotype's Caslon.
Erhard Ratdolt, the father of typographic decoration (Chicago, Priv. print., 1936).
Typography of magazines and house organs (Chicago, Priv. print., 1935).
The Didot family, typefounders; the work in typographical design of a celebrated line of French typefounders, printers, and publishers (Chicago, Priv. print., 1935).
The first printing on the island of Jamaica (Metuchen, N. J., 1934).
Ludlow ornament. With an introduction on typographic ornament (Chicago, Ludlow Typograph Co., 1929).
Balzac, printer&typefounder (New York, Priv. print., 1926).
Fraktur type design : the attempt of J. F. Unger to make German types more readable (New York : Press of Ars typographica, 1926).
American type design in the twentieth century, with specimens of the outstanding types produced during this period (Chicago, R. O. Ballou, 1924, introduction by F. Goudy).
The First Swedish Type Specimen (Chicago, 1933).
Pierre Cot Type Specimen of 1707 (1924, Robert O. Ballou, Chicago.
The First Printers of Chicago. With a bibliography of the issues of the Chicago Press 1836-1850 (Chicago, The Cuneo Press Inc., 1927).
Benjamin Franklin, Typefounder (1925, Douglas C. McMurtie, New York).

His typefaces include McMurtrie Title, Ultra-Modern&Italic (1928, an art deco typeface published at Ludlow), and Vanity Fair Capitals. Jim Spiece's UltraModernClassicSG is based on Ultra-Modern. And so is Steve Jackaman's Ultra Modern RR (Red Rooster).

FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿

Drachenjäger

Site of the blackletter caps font Gothic-Titel-offiziell (2000). [Google] [More] ⦿

Dragon's Den Type foundry

Runes and dingbat fonts that used to be at Warhammer, but have been spruced up: Dwarven-Runes, Eldar-Runes, Imperial-Symbols, Ork-Glyphs (1995). They also made the blackletter font Wagner. The fonts have disappeared, it seems. [Google] [More] ⦿

Drew Melton
[Carmel Type (or: Just Lucky)]

Dries Wiewauters

Belgian designer who has a bachelors in graphic design from St. Lucas, Gent (Belgium) and ArtEZ Arnhem (The Netherlands), and a Masters in the same area from both places. He lives in Gent and loves mussels (or, at least, he loves to make posters of mussels). The list of his typefaces:

Nib (2019, Colophon). A wedge serif originally designed for the Museum of Fine Arts in Ghent. It was developed in close collaboration with Ruud Ruttens, the head of their design department.
LUCA School of Arts. A custom typeface, ca. 2015.
Newkirk (2012). A custom all-caps stencil typeface for Scott Newkirk Art Studio in New York.
PDU, or Plaque Découpée Universelle (2010, Colophon). Dries writes: After reading the excellent essay by Eric Kindel: The Plaque Découpée Universelle: a geometric sanserif in 1870s Paris (Typography Papers 7, Reading, 2007), both James Goggin and I got fascinated by the idea of a stencil with which you can draw every letter of the alphabet: uppercase, lowercase, numbers, punctuation. The original stencil was invented in 1876 by Joseph A. David (USA). In order to experience the stencil first hand and because the original is really fragile and very hard to come by, 3 prototypes were laser cut out of 0,5 mm steel. To comply with friends' demand, a small edition of 50 copies was made. To enable smoother drawing these were cut out of 0,2 mm flexible steel.
PDP, or Plaque Découpée Personnalisée, is the result of further experimentation with the Plaque Découpée Universelle. These 18 fonts were made as part of Feed the Library, an installation by the Werkplaats Typografie during the 2010 NY Art Book Fair.
Norwich (2005, pixel family).
Gütz (2006, blackletter).
Rietveld Fatface (2007, fat sans titling face).
Hafssól (2007, pixel face).
Grey Text, Grey Display, Ultra Black (2008-2009). Done for his Masters at St Lucas Academy in Ghent, and The Grey Press. Grey Text is a text face, Grey Display a set of six inline / blackboard bold typefaces, and Ultra Black a fat brush poster face.
Interieur2010 (2010): a type family that started out by modeling a chair.
MAD (2009). A multiline typeface family started from Machine Aided Design typefaces. It evolved over the years into MAD Sans ans Serif and now includes Fill versions well. It will be published by Colophon in 2017.
Scribe. A custom typeface for the identity and house style of Museum voor Schone Kunsten Gent.

Home page. [Google] [More] ⦿

Dry Heaves Fonts (was: Phil Fonts)
[Phillip Andrade]

Not to be confused with Phil's Fonts, Phil Fonts offers charityware fonts by Phillip Andrade who uses the nicknames Dry Bohnz, neatoguy and spamboy. Most fonts are grungy, and were designed roughly between 1999 and 2003.

The list: BlownDroid, Neatified, HappyLarry, IShotTheSheriff, Alien Marksman, EvilCow, Corporate Suit, BadHairDay, Tiptonian, Philbats. Grouped as Scroll fonts from the dead Sea, we find: Habbakuk Scroll (Hebrew), Manual of Discipline (Hebrew), Parthenon (Greek), Ambrosius, Problem Secretary (old typewriter), DeadCircuit, MoldyPillow, Pastorswrit, RadiatedPancake, StolenLlama, Untitled, WetNapkin, Worn Manuscript (1999, grungy blackletter), DustyWombat, NasalDrip, Alphasnail, CarbonatedFont, RaptorAttack (2001), Warped Greased Monkey, Alphasnail (2001), Beth David (1999, Hebrew), Greased Monkey (2001), Lost City (1999, Hebrew), Missing man out (2001), No Brainer (2001), Raptor Kill (2001), Spazbats (2002, dingbats), Speed of Oatmeal (2001), Troglodyte (2001), Polyphemus (2000), Infestation (2000), Hand Drawn Wasabi (2002, katakana font), I Am A Font Designer (2003, scanbats), Neosight (2003), FirstTemple (2003, an old Phoenician lettering font), ScreamingGuitar (2002, guitar dingbats), DHUgaritic (2003), PeskyPhoenicians (2003).

Devian tart link. Alternate URL. Fontspace link. Dafont link. Abstract Fonts link. [Google] [More] ⦿

DTP Types Limited
[Malcolm Wooden]

DTP Types Ltd was launched in 1989 by Malcolm Wooden (b. London, 1956) from Crawley, West Sussex, England. Wooden worked at Monotype for over 20 years just before that. Malcolm Wooden joined Dalton Maag early 2008 to work on font engineering and production. DTP Types does/did custom font work, and sells hundreds of retail fonts.

In the Headline Font Collection (50 fonts), we find reworked and extended designs (Apollo, New Bodoni (1996-2002), Camile, Engravers, and so forth), as well as fresh typefaces (Hellene handwriting, Finalia Condensed, Birac, Delargo Black, Delargo DT Rounded (comic book family), Dawn Calligraphy).

In the Elite Typeface Library, there are type 1 and truetype typefaces for Western and East-European languages. For example, Elisar DT (1996, see also Elisar DT Infant) is a humanist sans family made by Malcolm and Lisa Wooden. Fuller Sans DT (1996) is a grotesk family by Malcolm Wooden. Greek and Cyrillic included. Other typefaces: Garamond 96, Pen Tip (Tekton-like).

Fonts distributed by ITF and MyFonts.com: Berstrom DT, Beverley Sans DT (2007, comic book style face), Birac DT, Century Schoolbook DT, Convex DT, Delargo DTInformal, Delargo DT Infant, Engravers DT (1990), Finalia DT Condensed, Garamond DT, Garamond Nine Six DT, Goudy Old Style DT, Graphicus DT (1992, a 24-style geometric sans family), Kabel DTCondensed, Leiden DT (1992: after Dick Dooijes's Lectura), Macarena DT, Modus DT (2007), New Bodoni DT (1992), Newhouse DT (1992, a large neo-grotesque family), Office Script DT (1994, copperplate script), Pelham DT (1992), Pen Tip DT, Pen Tip DT Infant, Pretorian DT (a revival of an old Edwardian font by P.M. Shanks done by Ron Carpenter and Malcolm Wooden in 1992; for a free version, see Vivian by Dieter Steffman), Solaire DT, Triest DT, Vigor DT (2000---a slab serif family).

Discussion: Something I don't get is that Vecta DT (2006) is based on Vecta (2005, Wilton Foundry)---same name, same sans family, what gives? Duet DT (2006, a calligraphic script) is by Robbie de Villiers of Wilton, based on his own Duet (2004). MyFonts page. The typophiles reserve harsh judgment: I recognize these designs by their original names. Slightly manipulating Times Roman, Optima, Icone, Franklin Gothic, Sabon, Tekton, does not make them new or original. Many of the designs are identical to the originals they're derived from (Carl Crossgrove), The DTP Types outfit sells the usual rip-off fonts under new and old names (e.g. Century Schoolbook DT, Engravers DT, Goudy Old Style DT, Kabel DT, etc.) (Uli Stiehl).

Typefaces from 2007: Rustikalis DT (after a phototype by VGC from the 1960s), Appeal DT (a revival of the Victorian typeface Apollo designed ca. 1900 by Aktiengesellschaft für Schriftgiesserei und Maschinenbau), Fatbrush DT, Kardanal DT, Pamela DT (semi-blackletter).

In 2008, DTP announced a new newspaper and magazine text family, Arbesco DT (PDF), based on a 1980s photolettering family (see also here), and a simple 24-style architectural sans family called Sentico Sans DT (elliptical). They also published the marker family Pen Tip DT Lefty in 2008.

In 2009, the calligraphic Trissino DT was published: it was named after Gian Giorgio Trissino (1478-1550) the Italian Renaissance humanist, poet, dramatist, diplomat and grammarian who was the first to explicitly distinguish I and J as seperate letter sounds.

In 2020, he released Hastrico DT (a 13-style grotesque family), Hastrico DT Condensed.

View the DTP Types typeface library. [Google] [MyFonts] [More] ⦿

Dúctil
[Damià Rotger Miró]

Damià Rotger Miró (b. 1981, Ferreries, Menorca) is a type designer, letterer and graphic designer at Dúctil in Palma de Mallorca. He also is professor at EDIB. Since 2015, he is organizing the summer type design course Gliglifo in the picturesque Sos del Rey Catolica near zaragoza, Spain.

His creations in 2008-2009: Lullius (2009, a blackletter named in honor of Ramon Llull (Palma de Mallorca, 1232-1316)), Dúctil (2009, sans family), Crespell (2008, a soft organic sans), Miona (2008, an award winning and stunning serif), Concu (2007, sans family), Lullius Rotunda (2009).

In 2010, these fonts were added: Cin tax (octagonal, modular), Lullius Textura, Lullius Borders, Moll (+Italic).

The sans family Ductil was designed in 2011.

In 2012, we find these new typefaces: Nuada (a chancery script), Lullius Textura Modula.

Other typefaces include FernandezCoca, an informal script named after illustrator Antonio Fernández Coca.

Unostiposduros page. Behance link. [Google] [More] ⦿

Dustin Lee
[RetroSupply Co]

E. Strohm

Designer of Itek Blackletter (Itek, 1978). [Google] [More] ⦿

E. Wetzig

Editor of Ausgewählte Druckschriften in Alphabeten, which was published in Leipzig by the Verein Leipziger Buchdruckereibesitzer as an educational aid. The Bund für deutsche Schrift has scanned in a third of the pages and put it on one of their CDs. [Google] [More] ⦿

eat
[Eduardo Aire Torres]

Born in Mexico in 1992, Eduardo Aire Torres graduated from Universidad Anahuac Mexico Norte in 2014 and followed the condensed type design program at the Cooper Unon in New York City in 2019, after have been formed in lettering and calligraphy by masters such as Gabriel Martínez Meave, John Downer and Brody Neuenschwander.Based in Mexico City, hHis typefaces include Musans Deco (2014), Malos Dingbats (2014) and the great Kanzlei-style ornamental blackletter typeface Blackletter Revolver (2014).

As a member of the Sans Nom team (Eduardo Aire Torres, Gabriel "Pulpo" Rivero Cruz, Isaias Loaiza Ramirez, Jorge Campos Sanchez and Mario Balcazar) that participated in the Torneo Tipograifico in 2020, he co-designed the display family SN Abbatia.

His graduation typeface at Type@Cooper was a slab serif, Paton (2020). Still in 2020, he designed the prismatic typeface Astripe Variable, inspired by Wyman's branding for the Mexico68 Olympic Games. [Google] [More] ⦿

Eccentrifuge
[John Butler]

The Eccentrifuge Blackletter Directory aims to be an exhaustive online reference for all commercially available blackletter fonts (but he only deals with commercial type). Run by John Butler of North Carolina (he was in Atlanta, GA). John Butler designed the Butler Antiqua family (2002) in the style of Ruzicka and Dwiggins. Eccentrifuge assists type designers in navigating and managing the complexity of OpenType feature programming, Euro conversion, character encoding and Unicode, Python scripting, bitmap embedding, and to a certain extent, internationalization. It also specializes in developing connected OpenType font designs at a level of fluidity previously unavailable, allowing your designs to achieve a true handwritten look. Jobs include Emigre's Mrs. Eaves OpenType, an OpenType version of Erik Van Blokland's Kosmik, and Barchowsky Fluent Hand OpenType. [Google] [More] ⦿

Eclectotype (was: Schizotype)
[Dave Rowland]

Type foundry in Sheffield, UK, first called Schizotype, and in 2021 renamed Eclectotype because this is not a foundry that likes to stick to trends or expectations. Its designer, Dave Rowland (b. 1982, Chesterfield) grew up in Sheffield, UK, but was based in Japan, the Philippines, Liverpool, Surat Thani, Thailand, and Koh Samui, Thailand [where he presently lives]. MyFonts Interview.

He created these fonts in 2009: Quesadilla (signage type, Mexican simulation face), Quesadilla Shadow, Schizotype Scrolls, Quiff, Toothpaste, Astroboy (connected script), Decolletage (art deco), Kazumi Sans, Acid Haus, Dr. Black, Dr. Eric, Soyo Gogo, BMX radical (brush), Team, Miami Hopper, and Tubularis (multiline face), Sickle, Klique (futuristic display face), Uncle Eric (a cartoon face), Praline Smooth (connected script in the style of Mistral), Kwaktur, (blackletter typeface based on the logo of Belgium's Kwak beer), Blackball (another blackletter) and Modulogue (a modular display family).

Additions in 2010: Christmas Tuscan (a modular Tuscan), Masonic Lodge, Mook (a retro, unicase, bubble font), Toothpaste 2, Gaden Sans (organic monoline typeface that includes a hairline weight), Sizemore (all caps slab headline face), Quickscript (signage face), New Wave.

Fonts designed in 2011: Brag Pro (like Brag, a Cooper Black alternative), Brag Stencil Pro, Chestnut (curly, hand-printed), Brag (a fat round face in Cooper Black style), Gelato Script (a connected signage face), Brag Stencil (2011), Streetscript (2011, brushy signage face).

In 2011, he created a quaint text family, Vulpa, with quirky foxtail terminals.

Typefaces from 2012: Margot (a rounded slab serif described as a lovechild of American Typewriter and Cooper Black), Range Serif (an angular typeface), Pastiche Brush (a brushy connected script inspired by the titles of the 1959 movie Imitation of Life (Wayne Fitzgerald)), Quayside (a bulbous baseball or signage script).

Typefaces from 2013: Alight Slab (hairline slab), Anultra Slab (a heavy bold slab serif), Ollie (a connected baseball or signage script), Urge Text (an extensive modern text family with ample language support and plenty of mathematical symbols, and large ball terminals).

Typefaces from 2014: Range Sans (a grotesque sans family with the quirky angular cutouts inherited from Range Serif), Samui Script (upright connected script), Streetscript Redux (signage script), Price Didone (created for setting elegant price tags).

Typefaces from 2015: Oldskool Script (a connected signage script; one of many quite different commercial fonts with the same name), Hazel Script (a great flowing calligraphic script designed around the time of the birth of his first child, Hazel; the name may create confusion as there is a famous BB&S metal font with the same name), Mastadoni (a fat didone for headlines and fashion mags), Kake (a great creamy sign-painting font), Bali Script (creamy signage script), Flat Sans.

Typefaces from 2016: Cinema Script (retro movie script), Chill Script (a retro non-brush signage script), Blanket (a soft cursive font, ideal for children's books), Schizotype Grotesk (a very original angry geometric grotesk, with bucketloads of pizzazz), Astrid Grotesk, Asterisk Sans Pro (a versatile humanist sans family for Latin, Greek, and Cyrillic), Strelka Ultra (a retro space age typeface), Revla Serif (beatnik style, emulating randomly positioned handlettering).

Typefaces from 2017: Duckie (a bubblegum or creamy signage script), Tusque (a layered decorative Tuscan typeface), Ekamai (a tight non-connected creamy signage script), Quinella (seventies script), Delfino Script (retro signage script), Tchig Mono (a special, almost hipster monospace typeface family), Revla Sans (beatnik style), Revla Sans Text, Eroika Slab (a robust wedge serif family).

Typefaces from 2018: Aziga (descrived by Dave as a high (occasionally reversed) contrast, postmodern, deconstructed-reconstructed, serifless (mostly), fashion didone), Revla Slab (bouncy, beatnik), Galix (subdue futuristic sans family), Gelato Luxe (an update of his earlier Gelato Script), Engria (an angular brush-inspired text typeface).

Typefaces from 2019: Gelato Fresco (a warm flowing script), Amica Pro (a stocky part humanist part geometric workhorse sans), Galix Mono, Backstroke, Gigantic (an exercise in ultra-fatness).

Typefaces from 2020: Gelica (a 14-style retro soft serif family influenced by Cooper Black, Goudy Heavyface and Ludlow Black), Capsule (a reverse-stress high-contrast rounded sans-serif), Sausage (a friendly fat rounded typeface that is is unapologetically bold and bulbous. Influenced by magnetic fridge letters, hot dogs and 70s phototype fonts, it is retro, but not cloyingly so).

Typefaces from 2021: Revla Round (a child-friendly version of Revla Sans), Megumi (a formal hairline fashion mag script), Yink (a bulbous psychedelic experiment).

Klingspor link. Behance link.

Showcase of Schizotype's typefaces at MyFonts. Fontspring link. MyFonts interview. [Google] [MyFonts] [More] ⦿

Edgar Rodriguez

Designer in El Paso, TX. Behance link. He created a blackletter face from first principles in 2011. [Google] [More] ⦿

Edmund Fry

British typefounder, d. 1835. Son of Joseph Fry, the founder of the Fry Letter Foundry in Bristol. Quoted from MyFonts: In 1784 he introduced a raised roman letter for the blind, and was awarded a prize by the Edinburgh Society of Arts. Louis Braille's system of lines and dots ultimately proved better. In 1787, he and his brother Henry took over the Fry Letter Foundry from their father. Credited with many great typefaces, including Fry's Baskerville (1768) and Fry Moxon (or Graisberry), a Gaelic typeface, Fry A Gothic Capitals (ca. 1819), an angular transitional Gaelic face, and Fry B Gaelic Capitals, a transitional Gaelic typeface (Everson mentions the date 1836, but that would be one year after his death...) and Priory Text.

Mac McGrew writes: Priory Text was the blackletter of the Fry Foundry in England, with some sizes dating back to about 1600, and most sizes shown in 1785. It was revived by Talbot Baines Reed for his History of the Old English Letterfoundries in 1887, and DeVinne used it for his edition of Philobiblon in 1889. The Dickinson foundry, a forerunner of ATF, issued it as Priory Text about that time. It is very similar to Caslon Text (q.v.). BB&S made a near-duplicate type, originally called Reed Text, but later shown as Priory Black Text. Although the latter was shown as late as 1925, these typefaces had generally been replaced earlier by Cloister Black (q. v.) and other Old English typefaces with more refined draftsmanship.

About the Gaelic types, Brendan Leen writes: In 1819, Edmund Fry cut a type once again commissioned by the British and Foreign Bible Society. The design of the Fry type signifies a departure from the angular minuscule toward the more rounded form of the half-uncial, a characteristic of Irish typography in the nineteenth century. Sample of Fry Irish type from The Two First Books of the Pentateuch.

Author of Pantographia (1799, Cooper&Wilson, London), a work that shows the scripts of many languages [a careful digitization of some can be found in the font family Pantographia (2010) by Intellecta Design]. The full title is Pantographia; Containing Accurate Copies of All the Known Alphabets in the World; Together with an English Explanation of the Peculiar Force or Power of Each Letter: To Which Are Added, Specimens of All Well-Authenticated Oral Languages; Forming a Comprehensive Digest of Phonology. Examples from that book: Bastard, Bengallee and Berryan, Bulgarian and Bullantic, Chaldean. Local download.

Author of Specimen of Printing Types by Edmund Fry, letter founder to the King, and Prince Regent, Type street, London (1816). Local download.

Edric Studio
[Ega Nugraha]

Known as Edric Studio, Renata Insan C, M. Nouval, and Ega Nugraha. Bandung, Indonesia-based designer of mainly modular typefaces. He created these typefaces in 2017: Nine Tail, Meatballs (a layered signage script), Rohman, Roundfra (a modular typeface), the preppy handlettered typeface Mirinia, the brush font Hummer, the deco typeface Coet, the script typefaces Ghost (smooth and with high contrast), Ora et Labora, and Lisna, the handcrafted Sild, the marker font Winkdeep, the brush script Oppy Sahra, Cully Mac, Terry Bruce, Gliford, and the art deco sans typeface Allorta.

Typefaces from 2019: Ghost (a high-contrast script), Cully, Trumans Script, Rowland, Nairi Amber (Sans, Script), Qalin, Allorta, Rowland (sans), Flower Adaline, Rowland Caligraphy, Axton, Dezert, Kempton Serif, Kempton Sans Serif, Kempton Handwritting, Stanwick, Fornever, Victorisa, Anamelia, Oldwin Script, Old Excalibur, The Afford, Aldith, Bigboby, Victorisa Script, Aldith Script, Cully, Ethelyne, Allorta (an art deco sans), Atthia, Gladwin (a connect-the-dots font), Gladwin Script, Cyttah, Thiaga (a font duo), Neolion (sci-fi style), Trumans (Shadow, Stencil, Script), Qalin (Sans, Script), Stanwick (+Calligraphy), Holea, Livingston (Sans, Serif, Signature), Haston, Accelerare, Lionello (sans+script), Brian Worth, Kempton (font trio), Amorica (Sans, Script), Northcliff (slab serif, +Stencil, +Shadow, +Outline), Stella Alpina, The Lekker (spurred), Xharp (sci-fi), Joscelynn, The Champ, Mery Qolby, Twopath, Aldora (a monoline sans), Coet (rounded sans), Alfrida, Brian Worth (slab serif), Funny Samurai (oriental simulation font), Rohman, Zorgeous, Alaqua (rounded sans), Sam, Green Aila, Goldin Finance (sans), Saila Nurissalma, Fositif (monoline script), Twopath, Dezert, Louise Ann (script).

Typefaces from 2020: Acilla Tristan, Aftermoon (a lively script), Aghnesta Sans, Aghnesta Signature, Aghnesta, Aldira, Alican, Aneetha Sans, Aneetha, Angel Valley, Angemurphy Blackletter, Angemurphy, Anindya Meita, Ariesta Moon, Arsya Edelwiess (sic), Ashelynn Sweet Sans, Aslina Ohio, Ayesha Burns, B Luna Piena, Badass Holliday (+Sans), Barnetta, Because of You, Belagiana Flowers (+Sans), Bhalbino, Birdella, Black Suit, Blind Heart, Bolliver, Breezy Bolton (+Sans), Bufferly Serif, Burning Sun, Calderdale, Callion, Canvashead, Cardolith, Carllis, Catherina, Cattily, Cerys Everett, Chairmate, Chameeta, Charlyn Rushmoor, Cheeks Rosy Script, Cheeks Rosy, Chill Friend, Choerunnisa, Cifans Bell, Claressa, Crush on You, Daisy Facthory, Damiola, Daysave, Dazz Place Display, Delafinka, Denique, Devllin, Dewebeauty, Donellia, Doughnuts, Dreamy Melodies, During Dusk, Eberta Light, Exninja Caligraphy, Exninja, Explore Sky (Greek simulation), Extraordinary U (a signature font), Ezhilan Aliqua, Fangirliya, Feliciana, Flow Perfect, Fly Feather Script, Gamila, Gapbrooth, Garan Fox, Gemintang, Ghaniya Holmy, Ghivton, Ghostlike, Ginger Bread, Ginger Spice, Gladwin (a connect-the-dots font), Gloria Beauty, Gonlotus Fangwell Script, GonlotusFangwell Dry Brush, Goodselves, Goshty Doll, Great Devotion, Greatest Show, Great March, Greentler, Guritno Script, Guritno, Happy Nature, Happy Sweety, Hasita Hillary, Haston, Hatching Love, Hazelnut Smooth Handwriting, Heluzenut, Herist, Hilliard, Himponis (a signature script)Holla Hearth, Jellita, Jenoshark Feiya, Jillfester, Kandis Marsh Script, Kanya, Karllia, Kate Raymond Script, Kathreen Smith, Keira Dreamer (+Sans), Kelana Morris, Kellia Wakeup Script, Kellista, Kelsey Wilson, Kiarina, Lamish Caritta, Lauliya, Leading Role, Leonita, Lighten Up (upright script), Long Knive, Look Down, Lorieta, Lovic, Lovic, Machaela (monoline script), Mallisa, Maxwell Leonard, Meiriona, Meisya Emilia, Mile Green, Mind Notes, Mirinia, Modya Tea, Moody Star, Morachinno, Most Sense, My Illutions, Myron Hector, Naiyana, Naminasae, Neolion, New Gladish Fancy, Nhadiem Elans, Nicollia, Nicolls, Nielsen Owen Script, Night Feel (wild calligraphy), Nikeisha, Ninabell, No Offense (a signature script), North Mount Script, Nothan (stencil), Ogorphy, Ogowey, Only Friend (a signature script), Oppy Sahra, Orla Fiola Script, Orla Fiola, Oscar Wright, Overa, Pancake Batter, Peace Boy Serif, Peace Boy, Pep Talk, Photogenics, Plaza Avenue, Pubarash Lulu, Qailla Gloam, Quinnesha, Rainray Serif, Rainray, Rashean (a rough brush font), Raysha Moonly, Redalle, Reyburn (+Script), Right Attitude Sans, Right Attitude, Rottorant, Rubicela, Saeela Nuary Serif, Saeela Nuary, Sandwell (+Sans), Secret Feeling, Selfies Script, Sellby Ridge, Selvillia Dreamer (+Sans), Semiora, Sendayu, Serameyer (a signature font), Sevastyan, Shaimaa Script, Shamora, Sheinman, Sheira, Shimponia, Sillmy Sans, Sillmy, Simple Harmony, Snoorks, Squirrel Boys, Stay Big, Straight White, Sunaiko Haines, Sunny November, Swag Ghost, Syllia, Tantra (stencil), Tantra Script, Tantra, Telly Humble Sans, Telly Humble, Thalia Hillary Script, Thalia Hillary, The Billie Monlly Sans, The Billie Monlly, The Moyanka, Thiaga Script, Thifa, Think Dreams, Thipany, Timitty Sans, Treated Good, Vanellofa, Velasquis Tamyra Script, Velasquis Tamyra, Vender Rustime Display Grunge, Vender Rustime Script, Veronica Elena, Verwalter (a great modern rounded sans). Vlorens Flower Script, Vlorens Flower, Waringtons (+Script), Washllo, Wavaca, Wednesday Night, White Chunti, White Honey (+Sans), Within Life, Wolf Rubeus, Wolven Shevana, Wooslight, Wubby Kitten, Xabiya, Xander Bruce, Xenia Urshina, Yhasmeera, Yofanka (a brush script), Yoforia, Zainiver, Zakilla, Zeanica, Zephira.

Typefaces from 2021: Flower Leaf, Gladiator Arena (grunge), Hang Stick, Happy Rhino, Dalisha (script), Kinasih (a signature script), Cute Lovely, Cool Glasses, Simple Couple, Bright Summer (script), Battles Bridge (a spurred beer bottle font), Grand Estonia (script), Judicious, Brookville (calligraphic), Salisbury (script), Airframe (a monoline sans family by Widiyanti & Suci Anita), Hardenburg, Beechlands (a dry brush font), Racemate (a racecar font), Wedding Dream (calligraphic), Lifebest, Snowbare, Ice Breaking, Botanic, Seychelles (a monoline script), Juicely (script), The Empire, Monice (a rounded organic sans), Cartoonery, Beckley (brush script), Happy Moon, Rayesha Moony (a calligraphic script), Black Sting (a blackletter font), Triumphal, Strong Iron, Brockley, Chubby Toon, Super Shining (a signature script), For Kids, Rashyid, During Dusk, Rubicela, Gloria Beauty, During Dusk, Seaways, Close Distance, Yofanka, Pep Talk Script, Whether Fark, Lighten Up, Crush On You, Fairy Style, Ninabell, Aftermoon, Doughnutz, Great March, Goodselves, Extraordinary U, Dreamy Melodies, Canvashead, Mile Green, Colorful Glazed, Dazz Place Display, Treated Good, Night Feel, Plaza Avenue, Sheinman, Gingar Bread Script, Himponis, Semiora, Naminasae, Within Life, Stay BIG, No Offense, Only Friend, Black Suit, Zeanica, Krisward, Firlands House, Jazz One Script, Infinity Gown, Jazz One, Mighty Duck, Good Smells, Nice Tune, Nebula Starry, Social Trend, Slang Outfit, Leading Role, Eberta, Matchmaking, Lux Rose, Eberta Script, First Heart, Siblings Love, Mad Galaxy Script, Ghostlike, Mad Galaxy, Go Come Sans Serif, Go Come, Pink Tinge, Overall Deep, Pink Sun, Siblings Love Sans, Roxanne Elea, Young Boy, Thahiyat, Eleanor Satnight Script, Bardlove, Nadheva, Manly Dack, Khensin, Brusly Name Signature, Freakouts, Hermony, Blankspot, Stepballoon, Lansbury Goulding, Bevernice, Horror Type, Without Love (script), Crushing (font duo), Breaking Dawn, Sugar Roll, Hanry Potter (sic) (script), Bestnine, Fine Todey (sic), Havelberg (a monolinear script), Lushyana (an inky script), Catch You, Woolymood (calligraphic script), Seaways (a monoline script), April Dance, Hitz Girlz.

Typefaces from 2022: Hello Bhessy, Luvi Hollis, George Asher, Curly Planet, City Halle (script), Night Lover (a fashion mag typeface), Ivanka Rachel (a fat finger script), Fire Foxes, Captain Jerry (a cartoon font), Kathleen Tico, Clock Crown, Saturday Moon (font duo), West Houston (script). [Google] [More] ⦿

Eduard Brox

German type designer who did mainly blackletter alphabets: Moderne Alt-Fraktur (1906; the date at AG für Schriftgiesserei und Maschinenbau is 1910), Hamburger Fraktur (1907, J. John Söhne; includes also Fette, Halbfette), Faust-Fraktur (1910, D. Stempel; includes also Fette, Halbfette, Schmale Halbfette), Neue Moderne Fraktur (normal and halbfett) (1909, elsewhere, this is known as Faust, Richard Wagner, Ideal, Dresdner Amts, Hamburger and Alt Fraktur). [Google] [More] ⦿

Eduard Gustav Haenel
[Schriftgiesserei Eduard Haenel]

Eduard Wilhelm Tieffenbach
[Officina Serpentis]

Eduardo Aire Torres
[eat]

Eduardo Novais

Brazilian teacher at Universidade Federal do Ceará in Fortaleza, who, with his team (Arthur Tavares, Marcos Mourão, Camilla Paiva, Júnior Chaves) designed the multiline typeface Ariadne (2014, with the team consisting of Arthur Tavares, Marcos Mourão, Camilla Paiva, Júnior Chaves), the circuit-inspired blackletter CiberGotica (2014, with the team consisting of Deivith Silva, Demetrius Abreu, Onofre Paiva, and Rodrigo Almeida), the angry geometric typeface R Judas Sans (2014, together with Afonso Negromonte, Daniela de Morais, Danilo Crispim, and Reno Beserra), assperimenys (2014, with Boro Lacerda, Magno Leitão, Gabriel Muniz, Luana Cavalcanti), Unai (with the team consisting of Atila Oliveira, JP Martins, Paulo Filho and Ana Karolinne Frota), Soberba Serif (by Mateus Pinheiro, Nayana Carneiro, Valeska Mesquita and Eduardo Novais), Gary (by Raphael Carmo, Sibele Castro, Lorena Raíssa and Eduardo Novais), Shicoo (by Felipe Bica, Filho Luzz, Matheus Frota and Eduardo Novais).

Typefaces from 2016: Spaceport 2006 (octagonal, with Tiago Amora). Dafont link. [Google] [More] ⦿

Eduardo Omine
[Omine Type]

Edward Philip Prince

English punchcutter active from 1862 to 1923, associated with seemingly the whole of the blossoming private press movement in England and America, b. 1841, Kennington, d. 1923, North London. His type creations include Tudor Black (1878, Miller&Richard), a typeface co-designed by Frederick Tarrant. Notable work was for the Kelmscott Press of William Morris, and the Doves Press of Emery Walker&Thomas Cobden-Sanderson. For the Doves Press he cut the revivals of Jenson's type that stimulated an interest in 15th century printing in the wider printing industry. (This Doves type was later thrown into the River Thames by an upset Cobden-Sanderson, over a protracted argument about its authorship). Prince's major design failure is worth noting. He was commissioned by Emery Walker to design type for Count Harry Kessler's Cranach Presse. The roman design was not a problem, for Prince had cut similar designs for the Kelmscott and Doves presses. The italic presented a new challenge though. Based on a type used in a 1525 work of Tagliente, this was the first attempt to recut a chancery italic. Despite help from Edward Johnston, Prince was seemingly unable to do interpret the design, and demanded finished drawings from Johnston, which the Englishman - in accordance with his views on the nature of craftsmanship - was not inclined to provide. It is instructive to note a confession Prince made to Kessler, characterizing himself as "a craftsman carrying out other men's designs". For Kelmscott Press, William Morris (a founder of the Arts and Crafts movement and a forerunner of the influential private press movement in Europe) and Edward Prince (master engraver) designed Golden Type (1890), a robust typeface made after the 1469 roman by Nicolas Jenson [Charles Leonard: The Golden Type was one of the most influential of the 19th century, but doesn't hold a candle to the Venetian revival typefaces that quickly followed.]. See also ATF Jenson Recut, and the digital Linotype ITC Golden Type. [Google] [MyFonts] [More] ⦿

Edwin C. Ruthven

Type designer (b. 1811) from Philadelphia, who filed some designs with the US patent office. All were assigned to MacKeller Smiths&Jordan. These include an unnamed ornamental blackletter (1881), Shadowed Sunbeams (1878), He also filed this for David Wolfe Bruce of New York: an unnamed blackletter (1888), an unnamed texture face (1886). With Rudolph Gnichwitz, he created an unnamed border type in 1889 for the Mather Manufacturing Company of Philadelphia. [Google] [More] ⦿

Ega Nugraha
[Edric Studio]

Ekahermawan
[Putu Eka Hermawan]

Bali, Indonesia-based designer of Brastika (2020: a decorative serif), Kopitha (2020: a decorative serif), Castrelon (2020), the blackletter typeface Herkaloya (2020), the display serif typefaces Diskanila (2020) and Astila (2020).

Typefaces from 2021: Sunbest Mora (a curly serif with Victorian influences), Klaristha (a Victorian serif), Dhaks (a display typeface with traditional Hebrew terminals), Rottran (a woolly serif font), Kostania (a superb display typeface with plenty of ligatures), Bakihara (a blackletter), Bhostra Lala (a hyper-decorative font), Frastha (a wavy hipsterish display typeface), Brolian (a display sans), Shallota (a 9-style stylish display script), The Kanderlic (a creamy signage script), Kalivo (a 9-style display typeface with flared strokes).

Typefaces from 2022: Balkind (an 8-style display serif), Distrela (a 5-style display serif). [Google] [MyFonts] [More] ⦿

Eko Bimantara
[Type Dish]

Eko Setiawan
[Emyself Design]

Eko Zero
[Ahmad Wakhid]

Purwodadi, Indonesia-based designer (b. 1990) of the frilly blackletter typeface Marthapura (2022). [Google] [More] ⦿

Electric Typographer
[Judith Sutcliffe]

Judith Sutcliffe (Audubon, IA) is the Electric Typographer (est. 1986, Santa Barbara, CA). She has made absolutely exquisite highly original typefaces, which are sold by many foundries and vendors, including Will-Harris.

Her typefaces: Abelard (1988, mediaeval), LeonardoHand (Da Vinci's handwriting--greeeeaaaat), Lutahline (clean hand-printed family), ArabiaFelix, Petroglyph (nice dingbat series), AuntJudy, BlockParty, PetroglyphHawaii, ItalianAElectric, TaglienteInitials (another great calligraphic font), TommysType (letters on a clothesline), Kiilani, and Troubador (1988-1989, mediaeval) and Troubador Initials (1989). Atomic Type sells her fonts. Other fonts: Petroglyph Hawaii (1993), Daylilies, Greene, GreeneGreene, Insecta, Leaves, OldstyleChewed, Finfont, Flourish, Hawaii Set, Maskerade, Santa Barbara Electric (1989, a Lombardic / uncial face; + Barbara Svelte, + Barbara Plump), Schampel, Electric Stamps, Daly Hand, Kiilani, Mesopotamia (1992). Emodigi site. At Will-Harris House, we find these fonts by Judith Sutcliffe: Catastrophe, Tommy, Daly Hand and Daly Text (based on the casual calligraphy of Pacific Northwest artist George Daly), Finfont (fish), Daylilies, Leaves, Flourish (calligraphic family), Greene&Greene (architectral lettering), a Hawaiian set consisting of Kiilani, Hibiscus (alphadings), and RockArt dingbats, Insecta (dings), Oldstyle Chewed, Leonardo (neat handwriting of DaVinci simulated), Petroglyphs, Schampel (blackletter), Serpent, Maskerade (masks), Tagliente (nice old-fashioned lettering and caps).

FontShop link. Another FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿

Eli Heuer

Font engineer and open source software advocate located in Seattle, WA. Before that, he studied mathematics at CUNY in New York. His typefaces:

Epistle. An old-style typeface.
Toren Mono, Toren Proportional, Toren Rotalic. Use Modify link for Toren.
Contributed to Titillium Web VF.
Contributed to Orbitron VF.
Contributed to Staatliches (a Google font).
Micro Grotesk (2021). He writes: A classic sans-serif typeface as a 256-UPM variable font, designed to have a small file size.
GTL Naskh (2020), is a contemporary Naskh typeface for the Perso-Arabic script.
Isotherma (2015). A free blackletter font.
Rena (2021).
Gnu Grotesk.

Interview. Use Modify link. Github link. [Google] [More] ⦿

Eliana Ferreira

Graduate of ESAD Matosinhos, who works as a graphic designer in Oporto, Portugal. She created the geometric typeface Methane (2013) from circles, rectangles and straight line segments. In 2010, under the direction of Dino dos Santos, she created a digital revival of William Morris's Troy. Behance link. [Google] [More] ⦿

Elias Bitencourt

Designer, type designer and professor in Salvador, Brazil. He made Benedicta (2006), a blackletter-inspired sans. See also here. He also made the geometric blackletter typeface Tex (2006). [Google] [More] ⦿

Elideth Paola Gutierrez

During her studies at the University of Monterrey in Mexico, Elideth Paola Gutierrez created Gotric (2014) by blending Chronicle Display Bold (Hoefler & Co) and Lucida Blackletter (Charles Bigelow & Kris Holmes).

In 2017, she designed the Slavonic emulation typeface Haute Land (which was inspired by a logo created by visual artist Kukula in his presentation of the year 2015 Haute Debutante), and Blogger Sans Icons. [Google] [More] ⦿

Eliot Truelove

American artist, b. 1988, located in Warminster, PA. Dafont link. Creator of the wooden plank font Stardew Valley (2019: based on the title font of the game Stardew Valley), the blackletter-inspired typefaces Lifecraft (2008, metal band face) and Kingdom Hearts (2008, tattoo face). [Google] [More] ⦿

Elisa Rastello

During her studies in Torino, Italy, Elis Rastello designed a balcakletter typeface that was inspired by Behrensschrift (1902, Peter Behrens). [Google] [More] ⦿

Elisabet Lozano Robles

Barcelona-based designer of the modular blackletter typeface Kory (2017) and the experiment in contrast and stress called Contrast (2017). [Google] [More] ⦿

Elizabeth Post

During her studies at the University of Kansas in Lawrence, KS, Elizabeth Post created a display typeface called Hamburg (2013) and a novel blackletter typeface, Neugotik (2014).

Eller Type
[Emerson Eller]

Emerson Nunes Eller is a Brazilian graphic designer based in Lisbon, Portugal. He has a Masters from UEMG in Belo Horizonte, Brazil, in 2014, and his thesis there was entitled Letras do cotidiano: a tipografia vernacular na cidade de Belo Horizonte. It led to the (caps only, Tuscan, Victorian) vernacular typeface Sucata. He holds a PhD in Communication Design from the University of Lisbon. In 2019, he graduated from the Expert Class type design at the Plantin Institute of Typography, Antwerp.

In 2017, he designed the innovative hybrid (sans / serif) typeface Sagarana.

Typefaces from 2021: Itacolomi. He explains: Itacolomi is a result of an extensive investigation into Scottish style types produced in Brazil around 1820. A possible connection between Brazil and Scotland. In short, it preserves the qualities of the famous 19th-century Scotch Roman types while adding a personal approach with unique features from the early Brazilian models.

In 2019, supervised by Frank E. Blokland at the Plantin Institute of Typography, he developed the (garlde) Glossa type family.

In 2021, he released the slab serif Perva, which is accompanied by Perva Reverse (a Western font) and Perva Black (an old English blackletter). [Google] [MyFonts] [More] ⦿

Ellinor Maria Rapp
[YOFF (or: Your Own Font; was Font Garden)]

Elsner&Flake

German type foundry in Hamburg established in 1986 by Veronika Elsner and Günther Flake. They offer original fonts as well as improved versions of classical fonts. There are many non-Latin fonts as well. In-house designers include Jessica Hoppe (Carpediem), Verena Gerlach (Aranea), Petra Beisse (Petras Script), Uwe Melichar, Manuela Frahm (Fritz Dittert), Ralf Borowiak, Lisa von Paczkowski, and Achaz Reuss.

Additions in 2005 include the dingbat typefaces Beautilities EF Alpha, Ornamental Rules EF, Diavolo Rules EF, Squares EF (Alpha, Beta and Gamma), Topographicals EF Alpha, Typoflorals EF Alpha, Typographicals EF Alpha, Typomix EF Alpha, Typosigns EF Alpha, Typospecs EF Alpha and Beta (which have several fists), Typostuff EF Alpha, Diavolo EF, Schablone EF, Gigant EF, Maloni EF, OCRA EF, EF Unovis (a 16-weight family inspired by Quadrat).

In the hand-printed category, let us mention Filzerhand.

Their blackletter collection includes some bastardas (Alte Schwabacher, Lucida Blackletter), some frakturs (Fraktur, Fette Fraktur EF, Justus Fraktur, NeueLutherscheFraktur, Walbaum-Fraktur), some rotundas (Weiss-Rundgotisch), and some texturas (Gotisch, Old English).

Commissioned fonts include Castrol Sans (2007).

Selected additional typefaces: Garamond Rough Pro (2018), Bluset Now Mono (2018), Newspoint (2017, based on Morris Fuller Benton's News Gothic), Meier Kapitalis (2013, a lapidary typeface based on a 1994 sketch by Hans Eduard Meier in his book Die Schriftentwicklung), Gillies Gothic EF (after William S. Gillies's 1935 original), EF Medieva, Bank Sans Caps EF, Metropolitain (1985) (after a 1905 art nouveau typeface by Fonderie Berthier).

Fonts4ever link (2008). Listing at Fontworks. Future events schedule. New fonts.

List of their fonts.

Catalog of their typefaces [large web page warning]. See also here. [Google] [MyFonts] [More] ⦿

Emelie Svensson

During her studies at Berghs School of Communication, Stockholm, Sweden-based Emilie Svensson designed the angular display typefaces Dynast (2016) and Anxiedentity 006 (2016), and the blackletter typeface Poseidon (2016). Earler, she created the decorative caps typeface Fay (2014). [Google] [More] ⦿

Emerson Eller
[Eller Type]

Emil Johannes (Hans) Kühne

Emil Gursch

German foundry based in Berlin, active from 1866 until 1917, when it was acquired by H. Berthold AG. Klingspor's file on Gursch. Typefaces published by them include:

Accidenz-Versierungen.
Akademisch.
Alexandra (<1897).
Antiqua No. 2 through 9.
Apollo Grotesque (1897).
Alt-Gotisch (1899) mager&halbfett. Altgothische initialen.
Bambus Grotesque (1896).
Berliner Fraktur (ca. 1897).
Briefschrift Deutsch (<1899).
Britannia-Versalien (1902).
Continental Grotesque.
Dekorative Vignetten (1899).
Egyptienne.
Elzevir, ca. 1899: many weights and styles.
Eskorial (1909) and Eskorial halbfett (1908) by Eduard Lautenbach, published by Emil Gursch.
Flächer Ornamente (1899).
Fraktur 14g (1910), Fraktur 14 halbfett (1915), Fraktur 16 (1916), Fraktur No.4 through No.8. Halbfette and Moderne schmale halbfette Fraktur, Schmale Fette Zeitungs-Fraktur, Fette Fraktur.
Gloria (1898), Fette Gloria Kursiv (1904), Gloria fett (1902), Gloria schmalfett. Gloria Kuric schmalfett. Digitally revived in 2019 by Ralph M. Unger as RMU Gloria.
Gothisch (schmale enge, Courante and Accidenz), Renaissance Gothisch (1902: eng, magere and halbfette), Fette Gothisch (neueste and breite). Gothische Federzüge.
Grandezza I and II (1904) by Hermann Zehnpfundt.
Grotesque.
Hermes Grotesque (1897).
Hortensia (<1902). A digital version of this Victorian script was finished in 2009 as Hortensia by Canada Type: Hortensia was Gursch's most popular typeface, used extensively and prominently in many beautiful type catalogs, and a commonly seen design element in Germany for quite a while after its release.
Industria (1913, a grotesk designed for ads). Weights include Zart, Halbfett, Fett and Zephyr. By Hermann Zehnpfundt.
Journal (1912-1913) by Hermann Zehnpfundt. Weights include Antiqua, Kursiv, Antiqua Halbfett.
Breite Kanzlei, Moderne halbfette Kanzlei, Antike Kanzlei (wow!).
Kavalier (1910) by Hermann Zehnpfundt.
Klinger (1919, +Antiqua) by Julius Klinger.
Koenig-Type (1903-1907, Heinz König), Koenig Schwabacher (1912-1913, Heinz König), Koenig-Fraktur (1910, Heinz König. This is also called Gursch Fraktur),
Kontinental Grotesk.
Korona (1905, + Halbfett) by Albert Auspurg.
Mediaeval, Cursiv, Mediaeval Cursiv.
Monument (+Halbfett).
Moderne Schreibschrift.
Phönix-Cursiv (1897).
Polygon Undine (1904).
Roma (ca. 1897).
Rubens (1905) by Albert Auspurg.
Rundschrift.
Saxonia Einfassung (borders).
Schwabacher, Fette Schwabacher (1899).
Schwarze Hände, and many great math and astrological sets.
Senefelder (1908).
Sirius Ornamente (1908).
Skulptur (1901): has styles called Halbfett and Licht.
Sütterlin Unziale (+Halbfett), made in 1905 by Ludwig Sütterlin himself.
uncial gotisch or Morris Gotisch. For a digital version, see Morris Gotisch by Gerhard Helzel.
Versierte Italienne.
Werk Fraktur (fett, halbfett), done before 1907.
Zierschrift Roma, Zierschrift Apollo, Zierschrift Gloria, Boston Zierschrift.
Zirkular Kursiv (1913) by F. Müller-Münster.

There were also numerous ornaments and vignettes. Published documents include Industria, eine charaktervolle Reklame-Grotesk (1913), Polygon-Undine. Fette Gloria-Kursiv (1904), Nachtrag zur Handprobe. Neue Erzeugnisse aus den Jahren 1898-1901 (1902), Munster-Sammlung der Schriftgiesserei Emil Gursch, Berlin S., Messinglinien-Fabrik und Gravir-Anstalt (1899). That last book is their main publcation, 112 pages of nicely presented specimens covering all lettertypes and ornaments in detail. A peek into one of Gursch's specimen books. PDF prepared by Klingspor Museum. [Google] [MyFonts] [More] ⦿

German type designer (b. 1910, Schmiedeberg-d. 1961, Hamburg), who, after studies in Offenbach under Rudolf Koch and Ernst Engel, became a soldier in 1939. After the war, he became a freelance graphic designer in Hamburg, where he also taught at Werbefachschule Hamburg. Wolfgang Hendlmeier summarized his contributions in 1985. His typefaces include:

Andreas Schrift (designed in 1942). It was cut in 1948 by J. Trennert und Sohn. In 1954, it was also at Gebr. Klingspor. It was recut in 1988 by Johannes Wagner. Delbanco's digital version is called DS Andreas Schrift. Gerhard Helzel also did a digital revival.
Logos (1955). Digital revival by Gerhard Helzel.
Deutsche Musterschrift, done in 1938 for the post office (Postbereich).
Deutsche Versalien (1934).
Halbfette Offenbach (1937). Fette Offenbach was done in 1936. Digital revival by Gerhard Helzel.
Kühne Antiqua (1939): looks like a Basque face. Klingspor mentions the date 1954. A digital version of this was done by ARTypes in 2010, called KuehneAntiquaAR.
Kühne Gotisch (1938). Revival by Gerhard Helzel.
Kühne Schrift (1937). This blackletter also has a mager weight. Klingspor mentions the dates 1954 and 1955.
Stahl (1937). There are fett, schmal-halbfett and schräg versions. Digitally revived as Stahl (2007) and Stahl Kursiv (2009) by Gerhard Helzel.

Other material: Logos done by him. Brief German biography. A famous poster of the Nikolaikirche in Hamburg. Picture. [Google] [More] ⦿

Emil Meyer
[Erich Meyer]

Type designer (b. Offenbach, 1898, d. Waldshut, 1983). He created the blackletter typefaces Tannenberg mager and halbfett (1933-1935, D. Stempel) and Woellmer-Fraktur (1937, Wilhelm Woellmer). In several publications and web sites, Emil is called "Erich". Schnelle calls him Erich Mayer. Digitizations of his typefaces include Tannen (2021: a layerable family by Rafael Jordan Oliver), Tannenberg Fett (+Umrandet, +Schattiert, 2002, Dieter Steffmann), DS Tannenberg (2001, Delbanco) and Tannenberg (Gerhard Helzel). [Google] [More] ⦿

Emil Rudolf Weiß

German typographer, graphic artist, book artist, painter, type designer, poet and teacher, b. 1875, Lahr, d. 1942, Meersburg. His typefaces include

Weiss Roman (1926). Digital versions include one at Adobe.
Weiss-Fraktur (1909). This was commercialized in 1913 by Bauersche Giesserei. Digital versions: Weiss Fraktur (2004, Petra Heidorn and Manfred Klein), Emilia Fraktur (2021, Ralph Unger).
Weiss-Fraktur Kursiv (1923-1924, Bauer).
Weiss Antiqua (1928). Digital versions: W 690 Roman (SoftMaker), Emilia (2016, Ralph Unger), Weiss Antiqua (URW). In 2019, Rutherford Craze did his own revival.
Weiss Lapidar mager (1931). Revived as Weiss Lapidar in 2002 by Dieter Steffmann.
Neue Weiss-Fraktur (1935).
Lichte Initialen (1935). Revived by Manfred Klein in 2005 as WeissGotnitials.
Weiss-Gotisch (1936). A Textura typeface at Bauer, revived by Petra Heidorn in 2004 under the same name, by Delbanco as DS-Weiss-Gotisch, and by Ralph Unger as Emilia Gotisch in 2016.
Weiss-Kapitale (1931).
Weiss-Rundgotisch (1937, Bauer). Digitized by Fraktur.de, Nick Curtis (as Garmisch Rund NF, 2009), Elsner and Flake (as Weiss Rundgotisch), and Softmaker (as Gothic).
Weiss Rundgotisch Inititalen (1939), at the Bauersche Giesserei.
Rundgotisch and Uhlen Rundgotisch (1937), at Hansestadt Letter Foundry. Uhlen Rundgotisch became a Monotype font in 1938.
Weiß Initials (Series I, II, II Bold, III), the 1920's. Digital versions: Wellsbrook Initials SG (2004, Spiece Graphics), URW Weiss Titling, and Quadrivium NF (Nick Curtis).

In 2011, Gerald Cinamon published E.R. Weiss: The Typography of an Artist (Oldham: Incline Press).

Bio at Linotype, and at D d S. Footnote: Many textbooks incorrectly credit Weiss with Memphis (Stempel, 1929)---these include Mac McGrew, Rookledge, and Jaspert&Berry. Memphis was made by Rudolf Wolf.

View Emil Rudolf Weiss's typefaces. Klingspor link. FontShop link. [Google] [MyFonts] [More] ⦿

Emiliano Monserrate Sanchez

Emi Monserrate (Madrid, Spain) created the pixelish blackletter typeface Hamlet Regular (2014). [Google] [More] ⦿

Emilie Bouchet

Geneva, Switzerland-based designer of several alphabets in 2015, including a blackletter. [Google] [More] ⦿

Emilio Ignozza

Roman designer at FontStruct in 2008 of Mango (ultra fat, rounded), Doo deka (dodecahedron-themed letters---sublime!), Culdesac, Candelabra, Legorama, Legorama Everywhere Fill, Legorama Everywhere, Legorama Fill, Magnetor (shadow outline face), Thuring (athletic lettering), Monkey Pizzazz (pixelized monkeys), Escaptionist (pixel face), Dioptical (optical illusions face), allurium, allurium_welded, avinguda (an octagonal face), Avinguda Light, Myopia, Fast Pussycat, Roboro (techno), Monkey Pizzaz (monkey dings), Solari Platform, avinguda_jagged, beamo (monoline sans, a take on Franklin Gothic), beamo_outline, beamo_pixel, conformista_1, hairdo, minimalia, minimalia_noon, minimalia_rounded, sherif_1, yvette ("a fat font with a belly button), Hairdo, Bee Legacy (blackletter glyphs encased in hexagons), Legorama. He also made the beautiful hairline squarish typeface Les Bains (2008) which is based on the lettering used for the signs in Les Bains des Docks, by French architect Jean Nouvel.

Additions in 2009: Chauncey, Six t o (ultra fat octagonal typeface made at FontStruct; obese geometry in his own words), Proclama (a cold war font), Lamina.

Fonts from 2010: Bromance (upright connected script), Oliva (open typeface style), Podio (3d), Thuring (athletic lettering), Budino and Budino Kiri (fat counterless), Escaptionist (pixel), Riba (2010, a ribbon font).

Fonts from 2011: Arancito (upright connected script).

Home page at House 42. Behance link. [Google] [More] ⦿

Emily Wright

Designer in Washington, DC, who created Gothik (2012, blackletter). She is about to launch Stylus Type Foundry at stylustype.com. [Google] [More] ⦿

Emin Barin

Turkish graphic and type designer, and calligrapher of both Latin and Arabic. He lived from 1913 until 1987. His calligraphy has led to some fine alphabets, including a blackletter and a flared Basque alphabet. Picture.

Bio (in Turkish). [Google] [More] ⦿

Emmanuel Taillard

Nantes, France-based designer of the futuristic blackletter typeface Oracle (2019). [Google] [More] ⦿

Emre Aybicer

Eskisehir, Turkey-based graphic designer who created the blackletter typeface Hairbrush Black Letter (2017). [Google] [More] ⦿

Emyself Design
[Eko Setiawan]

Denpasar, Bali-based designer of the connected script typefaces San Joaquin (2018), Lightober (2018), Lakeland (brush font), Winterskol (2018: formal calligraphy), Lofinight (2018), Faithless (2018: font duo), Anaheim Script (2018: free), Neira (2018) and Senja (2018), and the handcrafted typefaces Windasa (2018), Sarada (2018, a slab serif), Inku (2018, a slab serif) and Shinigami (2018: a haunting brush font). He also designed the blackletter typeface Fullerton (2018), the font duo Ourense (2018) and the flared terminal typeface Queenstown (2018).

Typefaces from 2019: Kurashiki Brush, Yerington, De Ginkgo (a stylish serif), San Francisco (font duo), Blue Lagoon (a bold sans and a glitch style called Wave), Sunset Road (a rounded blackletter), Alma Toran (a rotunda), Furano Gyo (a condensed slab serif), Furano (a condensed serif), Desuka Slab, Reschensee (a Speedball font), Swampcity, Novodevichi (Russian emulation font), Bielefeld (blackletter).

Typefaces from 2020: ED Vitinia (blackletter), ED Ashglen Script, ED Northridge Sans (a 9-style sans), ED Lithosphere (a fashion mag serif), Candytuft (a thorny-serifed typeface), Bielefeld Next (blackletter), Black Orchid (blackletter), Balsamine Script, Lungwort (a text typeface), ED Celandine (blackletter), Cyrene Sans, Point Dume (a font duo), The Broads (a roman family), Failynn (thorny-serifed), Washboard (condensed), Fullerton Next (blackletter), Palmdale (a smooth script), Corbyn, Corbyn Serif (7 styles), Baliem (a blackletter), Kudoes, Logrono (a brush script), Silverdale, Pink Coast, Francoeur, Rosinweed, Nevers, Golden Cape.

Typefaces from 2021: ED Phoebe, ED Lavonia (a stylish calligraphic script), ED Muglins (a display serif), ED Bienova, (a condensed display serif), ED Bedivere (a 10-style sans), ED Begonia (a blackletter with flower petal terminals and a jogging capital K), ED Cerfoglio (a serif), ED Daffodil (a Schwabacher with smooth edges), ED Faliraki (a modern gothic), ED Vacaville Script, ED Fettle, ED Ocher, ED Fettle Serif (10 styles), ED Morrigan (blackletter), ED Randgrid (a display serif), ED Sonar (a cursive typeface), ED Eklutna (a didone display serif with Q-tip terminals), ED Muskrat, ED Brigid (Celtic, uncial), ED Cretheus (a display serif), ED Fayetteville Script (calligraphic), ED Floriane Serif.

Typefaces from 2022:

Type department link. [Google] [More] ⦿

Engravers Old English

Engravers Old English is a plain, sturdy rendition of the blackletter style, commonly known as Old English. It was designed in 1901 by Morris Benton and another person identified by ATF only as Cowan, but has also been ascribed to Joseph W. Phinney. Mac McGrew writes: It is a modernization of Caslon Text, and has been widely used. Engravers Old English Open was produced by ATF in 1902. Sidney Gaunt designed Engravers Old Black, very similar to Engravers Old English, for BB&S in 1910, but BB&S later produced Engravers English, a copy of Engravers Old English. It has also been copied by Intertype, and by Ludlow as Old English. Hansen's Lafayette Text (q.v.) was very similar. Engravers Old English Bold was designed by Morris Benton for ATF in 1910. The unfamiliar characters of Old English types are often misused, and the alternate forms of some letters add to the confusion. I and J are particularly subject to mix-up, because they were originally the same letter, and never developed as definite a distinction in these styles as in roman letters. In Ludlow Old English, cap I is comparable to the one in the Bold weight, but this style has not been found elsewhere in the regular weight. Curiously, in the Engravers Old English Bold specimen shown, the letters appear as the Monotype copy presents them; however, Monotype's I and J are respectively the second and first forms of I as originally designed, while the specimen here shows separately the original foundry J, which Monotype does not make, along with the alternate H. Compare Wedding Text, a similar design in lighter weight; also Cloister Black; Shaw Text; Lafayette Text.

Digital revivals and interpretations include

Engravers Old English BT (Bitstream).
Monotype Engravers Old English (Monotype).
Engravers Old English (Tilde).
New Old English (K-Type).
Old English (ITC).
Old English (URW++).
Old English Text (Monotype).
Large Old English Riband (Intellecta Design).
Collins Old English (Scriptorium).
Same Old English JNL (Jeff Levine).
E780 Blackletter (Softmaker).
Urban Engravers (Diletta Vignolo, 2018).
Old English (URW).

[Google] [More] ⦿

Enoch Noyes

Author of Noyes's Penmanship (1839, Jenks&Palmer, New York). Samples from that book: calligraphy, German text, hand exercises, Old English. [Google] [More] ⦿

Enrique Arenas

Industrial designer in Wellington, FL. In 2015, he created the angular almost-blackletter typeface Catalina Gotic. Behance link. [Google] [More] ⦿

E-phemera (was: HPLHS Prop Fonts, and earlier: Prop Fonts)
[Andrew H. Leman]

Andrew Leman is a prop designer in Hollywood, CA. The type foundry HPLHS Prop Fonts (was: Ephemera, Prop Fonts) was started by Hollywood's Andrew Leman, and is now located in Pasadena, CA. Some fonts are free, most are commercial.

Dafont link. Klingspor link.

Andrew Leman's fonts:

Cablegram (2001, old typewriter face, T-26).
Leviathan.
Garamold (2007, 2 styles).
Journalistic (2007, a blackletter inspired by the nameplate of a New England newspaper from the 1920s).
Blackburn (2006, distressed).
RTemporal (2006, blackletter).
Fonts in the HPLHS series, dated 2002: HeadlineTwoHPLHS, OldStyle1HPLHS, OldstyleItalicHPLHS, OldstyleSmallCapsHPLHS, Rogo, SlabSerifHPLHS, TelegramHPLHS, WW2BlackletterHPLHS, WW2BlackltrAltHPLHS, HPLHS-Lovecraft Cursive and Block (replica of H. P. Lovecraft's own handwriting), HPLHS-Autograph Lanier (replica of the 1875 handwriting of Sidney Lanier, a 19th century American poet), HPLHS-TextSerif (really Linotype Antique No. 1), HPLHS-TypoScript, HPLHS-TextSerif Oblique, HPLHS-Bulfinch, HPLHS-Colwell, HPLHS-Colwell Italic, HPLHS-Cromwell, HPLHS-National Oldstyle (after Goudy's font by that name), HPLHS-Post Monotone, HPLHS-Atlas Italic, HPLHS-Italic, HPLHS-Victoria (from the 1923 ATF book), HPLHS-Manuscript Caps, HPLHS-Tome Pi, HPLHS-TypoGothic, HPLHS-Copperplate Roman, HPLHS-Gothic520, HPLHS-Times Gothic, HPLHS-Persnickety, HPLHS-Roman Engraved, HPLHS-Mercantile, HPLHS-Mercantile Oblique, HPLHS-Mercantile Card, HPLHS-Headline Modified, HPLHS-ExtraExtra, HPLHS-Extra (wood type), HPLHS-Forsythe, HPLHS-MetroThin, HPLHS-MetroLight, HPLHS-MetroMedium, HPLHS-MetroMedium Italic, HPLHS-MetroBlack, HPLHS-Policy Gothic, HPLHS-Black Gothic, HPLHS-Gothic Compressed, HPLHS-Black Condensed, HPLHS-Black Oblique, HPLHS-Electro Gothic, HPLHS-Blackletter (an irregular hand-drawn textura font based on the lettering of French heraldic engraver Charles Demengeot).
The E-phemera Font Collection, available from MyFonts, which includes these fonts, with a majority being retro or script typefaces: Policy Gothic (2012, an eroded caps face), Mooseheart (2012), Operapolitan (2012), Fishwrapper (2012), Fred (2007, inspired by a 1930s typeface by Fred G. Cooper), Schreibweise (2007, a pirate-flavored font inspired by a hand-lettered manuscript dating from 1492), Cablegram-Regular, Golden Ticket (2003: Base, Fill, Highlight; a digitization of hand-drawn poster lettering by Otto Heim from 1925), Cablegram-Urgent, Cablegram-Madras, Cablegram-Ottoman, Julius Klinger (2003, based on 1925 fabric lettering by Julius Klinger), Cablegram-Zagreb, DMV Printer, Landry Gothic, Telegrafo, Toronto Gothic (2003: worn wood type or letterpress emulation, close to Condensed Titling Gothic #11), Vogue (pencil-lettered caps), Penitentiary Gothic (+Fill, +Lolite, +Hilite, +Shadow), Chicago House, Compliments (+Upright), Satisfaction (script based on 1930s cigarette ads), Vandal Broke Extra Juicy, Lanier (2004), Impersonal. The Cablegram and DMV series are typewriter fonts. Heck Italic (2010) is based on captions, labels and legends appearing on 19th-century maps and natural history engravings by Johann Georg Heck. Dai Vernon (2010) is based on the handwriting of card magician Dai Vernon.

View Andrew Leman's typefaces. View the E-phemera typeface collection. [Google] [MyFonts] [More] ⦿

Erasmus Luther
[Luthersche Fraktur]

Erde Graphic Design (or: Erde Studio)
[Rudi Syam]

Makassar, Indonesia-based designer of Asmodeus (2019; or Azmodeuz; blackletter), the athletic lettering typeface Layover (2019) and the beveled typeface Biozard (2019). [Google] [More] ⦿

Eric Kurniawan
[Burntilldead]

Eric Stevens
[Tower of Babel]

Erica Valadez

Fullerton, CA-based designer of Old English Caslon (2017), a hybrid of Old English and Caslon. [Google] [More] ⦿

Erich Meyer
[Emil Meyer]

Erico Lebedenco

Brazilian graphic and type designer and illustrator from Rio de Janeiro, b. 1983. Formed in Graphic Design at SENAI/RJ Technical School and student of Industrial Design at UNESA College. He worked at Dinamo Design and is currently based in Sao Paulo.

His fonts include Philosopher (2008, an organic sans done with Jovanny Lemonad), Chantilly Lace (2011, a thin vertically striped beauty), Old-Gothic (2008, blackletter, done with FontStruct), The-Adrian-Frutiger-Experience (2008, FontStruct), Blow (2008, FontStruct), Todays Meal (2011, chalky face), Yellow Magician (2008, organic headline face, made with FontStruct) and Zillah (2008, using FontStruct). HandTest (2009) was made with Fontcapture.

In 2012, he published the hand-printed typeface Van B. Medusa (2014) is a dingbat font inspired by jellyfish.

Gaspar Italic (2014) is based on a Hungarian Holy Bible.

His graduation project at Senac Sao Paulo was the rounded octagonal typeface Makki (2014). In 2015, he designed Typejet for inkjet printing. Special attention is paid to ink traps and to strength under the color blending process.

Behance link. Dafont link. FontStruct link. [Google] [More] ⦿

Erik Bertell
[Erik Jarl Bertell]

Helsinki, Finland-based Erik Bertell graduated from Lahti Institute of Design. His fonts include Neon, Mama and Mama Round. Born in Helsinki in 1980, Erik was at first a type designer for Fenotype, which was founded by his brother Emil Bertell. He holds an MA in graphic design from aalto University in Helsinki. Around 2012, he set up his own foundry, simply called Erik Bertell.

Erik's fonts EB Base Mono (2009, monospaced), EB Futuretro (2002, bilined art deco techno face), EB Neon (2002), EB Boogie Monster (2002, multiline prismatic op art family), EB Vintage Future and EB Humboldt (2002, ultra fat).

EB Martin (2010) is, in his own words, a post modern take on several traditional blackletter types. EB Bellissimo Display (2010) is a rounded monoline geometric sans typeface family. EB Jessica (2011) is part typewriter, part cemetery.

Typefaces from 2013: Steamer (which he calls a grimy grotesque), EB Vintage Future, EB Martin (blackletter), EB Jessica Condensed Book.

Moomin (2015) is a custom typeface designed for the Moomin brand. It is based the type used in the early comic strips by Tove Jansson, the author and creator of the Moomins. Cavalier (2016) is an avant-garde sans in the style of the 1970s.

Typefaces from 2018: Capital (a sans and serif family by Teo Tuominen, Erik Jarl Bertell and Emil Karl Bertell).

Typeface from 2019: Portland (a reverse contrast typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Taurus (an all caps logotype family by Emil Bertell, Erik Bertell and Teo Tuominen), Zeit (a transitional text typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Avion (a sans family by Emil Bertell, Erik Bertell and Teo Tuominen), Fabrica (a decorative frilly didone by Emil Bertell, Erik Bertell and Teo Tuominen), Tapas (by Emil Bertell, Erik Bertell and Teo Tuominen: a Serif, Sans, Deco and Script collection), Galatea (a 48-style sans family by Erik and Emil Bertell), Well (Erik Bertell and Toni Hurme: a wavy custom display typeface for Well Coffee), Morison (a great 32-style wedge serif typeface by Erik and Emil Bertell and Teo Tuominen), Frank Sans (grungy).

Typefaces from 2020: Laurel (by Teo Tuominen, Emil Bertell and Erik Bertell: a 4 style sans with amnay wedge elements), Resolve Sans (by Teo Tuominen, Emil Bertell and Erik Bertell: an extensive grotesk super family of 124 fonts: from compressed to extended, thin to black), Rockford Sans (2020: an 8-style geometric sans with large x-height and slightly rounded corners; Emil Bertell, Erik Bertell and Teo Tuominen), Walden (a heavy rustic serif typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Klik (a geometric sans family with Bauhaus influences, by the dynamic trio of Emil Bertell, Erik Bertell and Teo Tuominen).

Typefaces from 2021: Imagist (a 12-style sharp-edged serif by Emil Bertell, Erik Bertell and Teo Tuominen), Alonzo (a 24-style Peignotian sans by Emil Bertell, Erik Bertell and Teo Tuominen), Maine (a 12-style modernized book antiqua by Emil Bertell, Erik Bertell and Teo Tuominen), Lagom (a 16-style slab serif with some Clarendon charm; by Emil Bertell, Erik Bertell and Teo Tuominen), Wonder (a 12-style rounded serif in the style of Windsor; by Emil Bertell, Erik Bertell and Teo Tuominen), Grand Cru (a refined serif family with 36 styles; by Emil Bertell, Erik Bertell and Teo Tuominen).

Link to Bond Creative Agency. Behance link. [Google] [MyFonts] [More] ⦿

Erik Jarl Bertell
[Erik Bertell]

Erik Oestergaard

Erik Oestergaard discusses blackletter fonts. [Google] [More] ⦿

Ermin Mededovic
[Lettermin Type Foundry (was: Ermin Design)]

Ernst Bentele

German author of Schrift geschrieben, gezeichnet und angewandt. Ein Lehrbuch für Schriftenmaler, Graphiker und sonstige schriftgestaltende Berufe (1952, Karl Gröner Verlag, Ulm-Söflingen), a guided tour of writing styles from constructed and calligraphed blackletter to written and drawn oldstyle, ornamented letters, and geometric grotesques. Some of his alphabets are shown in Hoffmann's Schriftatlas (1952). Alphabets by Bentele include Frankengold and Wechselstrich Handschrift. His alphabets provided inspiration to many digital era type designers:

AR Types designed Bentele Unziale.
Minjoo Ham revived Freely Drawn Italic and then went on to develop that typeface further into a layerable multi-color typeface, Teddy (2017, Fust & Friends).
Alejandro Paul (Sudtipos) revived Freely Drawn Italic as Bowling Script in 2014.
Alejandro Paul has another revival, Semilla (2011).
Perigord (David Nalle, 1993) is inspired by a Carolingian alphabet drawn by Bentele.

[Google] [MyFonts] [More] ⦿

Ernst H. Wulfert

Type enthusiast and genealogist in Bad Sassendorf, Germany, who made some Fraktur revivals such as Gutenberg-Bibelschrift, Kirchengotisch, Koberger, Lautenbach-Fraktur, Liebing-Fraktur, and Schönsperger. Home page. [Google] [More] ⦿

Ernst Hermann Karl Engel

Typographer, type designer (b. 1879, Kassel, d. 1967, Bad König), teacher (at the Frankfurt Vocational School and at the College of Arts and Crafts in Offenbach am Main) and author of typographic books. In 1905, Engel became supervisor of in-house printing at the Klingspor foundry.

At his own Ernst Engel Privatpresse (est. 1921; it would later be called Ernst Engel Presse Walter Stähle), he designed Mörike Fraktur (1922) with the punchcutter Rudolf Schiffner. Somehow, this typeface is also associated with Klingspor.

In 1927, he created an art deco typeface which was revived in 2008 by Nick Curtis as Engel Stabenschrift NF. He made three Unziale that were all unicase ("Einbuchstabenschrift"), in 1927, 1930/31, and 1935, respectively. In 1939, he made a Schwabacher and finished Deutsche Schrift. Picture.

Esos tipos de la UTEM
[Roberto Osses]

Chilean type foundry and blog (in Spanish) which grew out of the Escuela de Diseño de la Universidad Tecnológica Metropolitana de Santiago de Chile. The team consists of Roberto Osses (the boss), Javier Quintana (type designer), Fabian Flores and Sebastian "Sea" Contreras. Roberto Osses is professor of digital type design at UTEM. He wrote MANIFIESTO, La Declaración Universal de los Derechos Humanos Ilustrada and has won several graphic design awards. The fonts are free. The font list:

By Rodrigo Valenzuela: Maipo (2009, a precolombian native face), La Vega Fraktur (2008).
By Fabian Flores: Miliciana (2008), a militant poster face.
By Ariel Martinez: dfdDefensa (2009), a gothic angular face.
By Jonathan Vivanco: The Go Font (2008), an ultra fat credit card face.
By Sebastian Contreras: Basural (2008, grunge).
By Santiago Toro: Nahueltoro (2007), an exceptionally beautiful comic book style headline face.
By Matias Quiroz: dfdCanibalisma (2007), described as a font for zombies.
By Daniela Martinez: Lastarria (2007), a curly ornamental face.
By Felipe Vicencio: Chasquilla (2007), a graffiti face.
By Mariana Sanchez: Animita (2007), an organic hand-printed face.
By Macarena Budin: Selfish Jean (2008), a condensed headline sans with some contrast.
By Macarenna Rocco: Revolucionaria (2009), a strong slab serif face.
Biblioteca (2015) by Roberto Osses, Cesar Araya, Patricio Gonzalez and Diego Aravena won an award at Tipos Latinos 2016.

[Google] [More] ⦿

Estudio Cacto

Graphic designer in Goiania, Brazil, who created the blackletterish typeface York (2017). [Google] [More] ⦿

Estudio Crop
[Anderson Maschio]

Brazilian graphic design studio which recently branched out into type design. Located in Batel, Curitiba, it is founded and run by Anderson Maschio (b. 1980, Curitiba). Maschio designed Anark Stencil (2007). MyFonts link. Fonts at MyFonts, all by Dado Queiroz: Tritura (2009, grunge textura typeface by Dado Queiroz), Marisco (2007), Riff (2009, slab serif). Postuma (2005) is a calligraphic typeface by Beto Janz. [Google] [MyFonts] [More] ⦿

Estudio Room
[Leonardo Tavares]

During his studies, Leonardo Tavares (Londrina, Brazil) designed the wide sans typeface Type 1617 (2019) and the free modular angular semi-blackletter typeface Kunt (2017). Behance link. Behance link for Estudio Room, his company. [Google] [More] ⦿

ETH Productions

Fontstructor who made Dot Serif (2012), fs Gold (2012, kitchen tile face) and Kidnapper (2012, dot matrix face).

In 2013, he added fs Slyte, fs Kingsletter (blackletter), fs Gardenia, fs Accordion, fs Badminton (+Mono), fs Lollipop Script, fs Monopixel (Serif, Regular), fs Sphinx, fs Quotable, fs Recalibur, fs Informe 04, FS Typewriter (a huge font that covers Latin and Cyrillic), FS Uno (monospaced), Menora, Excalibur, Cirplex (a circular font), 5x5 Monopixel, Medievia, fs Tahoma 8px, Standard Serif, Zapphire Round (kitchen tile face), fs Smilies, fs Gridded (+lc), fs Midnight Gambler, fs Semiserif Mono, fs Almostencil, fs Glass (textured face), fs Will I Am Not, fs Magnifique (a connected script), fs Karmina, fs Kursiv, fs Handwritten, fs Markitaraz, fs Neon, fs Himali (a connect-the-dots typeface), fs Fontstruct, fs Phille (kitchen tile font), fs Phoneta, fs Curves, fs Wizdom, fs Handwritten, fs Sly Small, fs Quark, Williomnot, fs Sanstruct, fs Direction (arrowed letters).

Typefaces from 2014: FS Score 3D, FS Vincent, FS Vandyx, FS Wizdom, FS Dot Serif, FS Handwritten, FS Lost (a labyrinthine font for Latin and Cyrillic that won an award in the 2014 FontStruct InLine Font Competition). Other typefaces from 2014 include FS Cookie, FS Cookie Clean, FS Pentagale, FS Gardenia, FS Monopixel Regular, FS Shattern (glaz krak face), FS Zeblin, FS Intrepid (labyrinthine).

Typefaces from 2015: FS Pentagale (a marker pen font). [Google] [More] ⦿

Ethan Cohen

Typeface designer and calligrapher from New York City, where he worked at Mucca and studied typeface design at The Cooper Union's Type@Cooper Extended Program. Graduate of the Type Media program at KABK in Den Haag, The Netherlands, class of 2019. Presently located in Berlin. His typefaces:

Sig (2018). An update and extension of Rudolf Koch's blackletter typeface, Wallau. Sig won an award at the Type Directors Club's Type Design Competition 2019. It covers Latin and Cyrillic and features a Basque capital A.
His KABK graduation typeface, Decibel (+Text, +Display) (2019). He writes that Decibel embodies the ethos of 1960's and 1970's American funk music: it is quirky, flavorful and syncopated. He writes that Decibel Text was inspired by the charming but naive 19th century British slab serif designs of Caslon, Figgins and Thorowgood.
Contrakt (2017). A text typeface family for contracts. He writes: Contrakt is a warm, but sturdy and authoritative, text typeface family inspired by the limited palette of typefaces that were available to me in my former life, when I worked in the legal department at a NYC record label. Contrakt was my final project for the 2016-2017 Type@Cooper Extended Program.
Melantius (2016). A revival of Bulmer as it appeared in Cheshire House's 1932 edition of Beaumont & Fletcher's The Maide's Tragedy. Melantius was Ethan's first semester project for the Type@Cooper Extended Program.

Future Fonts link. [Google] [More] ⦿

Etienne Aubert-Bonn

Étienne is a graduate of the graphic and type design program at UQAM in Montreal. Cofounder in 2011 of Coppers & Brasses in Montreal, together with Alexandre Saumier Demers. He studied at Type@Cooper in New York and at KABK in Den Haag, The Netherlands (class of 2013). He also teaches type design at UQAM in Montreal.

In 2012, he designed the signage typeface Sardine and the blackletter typeface Freitt. Together with Alexandre, he created Martha (a monospaced slabby grotesque), still in 2012. At The Cooper Union, he created Barapa (2012). His fonts at Coppers Brasses:

Double (2015, Alexandre Saumier Demers and Étienne Aubert Bonn). A retail typeface family from condensed to wide with wedge serifs, a copperplate feel, and slight flaring. Ideal for display work.
Canal (2015). A fantastic retail sans typeface family: Canal is a typeface family inspired by the blue collar, hard working people that were the late 19th and early 20th centuries labor force of the new continent. It is a sturdy workhorse with a wink of humanism.
Energir (2017). A corporate stencil typeface for Gaz Metro, now called Energir.
Ilisarniq (2018). Designed for the Kativik School Board---the only school board of Nunavik. The education programs developed by the school board are offered in all schools of the 14 Nunavik communities, in Inuktitut as first language and in French and English as second languages. The school board operates 17 primary and secondary schools as well as 5 adult education centers all over Nunavik. The goal was to create a modern and clean looking typeface that incorporates both the Latin alphabet and the Inuktitut Syllabics characters. The typeface family has been developed with the help of the board and the community to make sure its readability was optimal. The design has also been optimized to make sure that the color of text was similar between the two scripts. The typeface is available for free at Coppers and Brasses.
With My-Lan, Etienne co-designed Mammouth (2017). Mammouth is a gala on Tele Quebec where teenagers can vote for the people, events, and causes that influenced them the most during the year. This commissioned typeface family contains a heavy and an ultra-fat style.
Codesigner, with My-Lan Thuong of Maple Leafs (2017), a fast and aggressive typeface commissioned for the Toronto Maple Leafs as a display face to use along with their existing typefaces.
McGill Sans and McGill Serif (2019), custom designs for McGill University in Montreal.
Martha (2014, Alexandre Saumier Demers and Étienne Aubert Bonn). A retail typeface family with curvy typewriter influences, some monospaced styles and a grotesque to boot.
Klaus (2014). Developed for personal web and paper work.
Théorie (2014, Alexandre Saumier Demers and Étienne Aubert Bonn). A techno stencil typeface commissioned by UQAM's Bureau de Design for the Bâtisseurs of the science faculty award.
Nurraq (2013). In 2013, Etienne graduated from the Type & Media program at KABK in Den Haag. His graduation typeface is called Nurraq. He explains this Latin/ Inuktitut typeface: Nurraq is a multi-script typeface system that matches a Latin serif text typeface with a Canadian aboriginal syllabics character set for the Inuktitut language. The very different nature and origin of these two scripts creates an interesting context for both typefaces to share influences coming from each other's tradition, and, by doing so, bridging the gap that usually separates these two forms of writing. Nurraq won an award in the Morisawa 2014 type competition.
Compass (2013). A revival based on the early drawings of Monotype Plantin series 110 by Frank Hinman Pierpont and Fritz Stelzer.
MLS Soccer (2012). A handcrafted custom typeface by Alexandre Saumier Demers and Étienne Aubert Bonn, commissioned by Sid Lee.
Triade (2016). A heavy titling or display typeface with tons of personality.
Hochelaga (2012-2017). In cooperation with Feed Type. An all caps sans inspired by old street signs in Montreal.
Bookmark (2020). A 2-style geometric sans made for the Canadian mobile company Fizz.
In 2020, Etienne Aubert Bonn and My-Lan Thuong co-designed Baryton at Coppers and Brasses, a revival of Frank Bartuska's playful photo era didone typeface Century Bartuska.
Agena and Agena Display (2021). A large display sans family with many hipster traits.

[Google] [More] ⦿

Etienne Murphy

During a workshop in 2016 at ENSAD in Paris, Etienne Murphy (Montreal, Canada) designed the gothic typeface Pankow (2017), which is named after a neighborhood in Berlin. Behance link. [Google] [More] ⦿

Euan Smith
[Betwixt Designs]

Catalog of Olcar Alcaide's typefaces.

Eugen Kaelin

German designer of the ornamental caps Verzierte Anfangsbuchstaben für Liturgisch (1988), to accompany Otto Hupp's Liturgisch (1906). [Google] [More] ⦿

Eugen Weiß

Type designer (b. 1911, Hanau, d. 1992, München) who designed Hölderlin (a German expressionist typeface) or Hölderlin-Fraktur (1937-1938, Ludwig&Mayer).

Note: Gerhard Helzel, who revived Hölderlin, mentions the unlikely date 1927. Other revivals include Hoelderlin (2018, Ralph M. Unger). [Google] [More] ⦿

Eurotypo
[Olcar Alcaide]

Institute in Benalmadena, Spain (was: Santa Severa), where one can take 4-week courses at 1450 Euros a shot on the Etruscan alphabet, Trajan, Cuadrata and Rustic Roman Capital letters, and related subjects. They also organize lettering tours in Italy and guided tours in various musea. The teachers are Alberto Di Santo (Professor of the visual communication, Tor Vergata University, Rome; Professor of Graphic Design, Istituto Europeo di design, Rome; Professor of editorial design, La Sapienza University, Rome; Professor of Typography, C.F.P. Sinalunga, Siena) and Olcar Alcaide (b. 1952, Argentina, Professor of Graphic and Typography Design, University of Buenos Aires; Professor of Typography, University of Lanús, and Professor of Graphic Design, Marbella Design School, Spain). Type link jump page.

Eurotypo is also the foundry of Olcar Alcaide.

In 2010, he published the text family Antium and the warm signage typefaces Mijas Ultra and Lila Pro Heavy.

Typefaces from 2011 include Lila pro, Atenea (a humanist sans family), Agerola Script (a fat flowing signage face), Teja (signage face), Zalea (yet another signage face), and Nabu Pro (a connected signage script). Equalis (2011M, with Juan Lavalle) is a monoline slab typeface with a huge x-height and wide open counters. It was followed by Equalis Stencil (2011). Ravel (2011) is a fat signage script face. Atenea Egyptian (2011) is a solid slab serif family. Berta (2011) is a signage brush typeface with connected and unconnected versions. Optic Art (2011) is an ornamental typeface with building blocks that can be used for overlays. Creator of Eurotypo Bodoni Bold (2011).

Typefaces from 2012: Cubus (dingbats), Saxo Deco (art deco), Moliere (2012, an elegant didone family with outspoken ball terminals), Melon Script (a fat curvy signage script family), Riky (comic book family), Chipa (a signage and package design script), Heket (an expressive curly script), Lenga (a slab serif typeface family), Mikal (brush script). Duktus is a 1940s style script in the style of Donatello (1935, Wagner & Schmidt), Troubadour (1927, Wagner & Schmidt), Liberty Script (1927, Willard T. Sniffin), Trafton Script (1933, Howard Allen Trafton), and Coronet (1937, R.H. Middleton).

Picture.

Typefaces from 2013: Dignus (influenced by Bank Gothic and Eurostile), Bague (old Dutch style with little contrast, in the style of Jan Van Krimpen), Lugo (a heavy signage or advertising script), Brittes (copperplate script), Talis (contrast-rich sans family), Fiesole (display family with an awkward back-curled lower case d), C Duflos (after a bâtarde coulée by Claude Duflos, a French engraver who was acitve around 1690).

Typefaces from 2014: Talks (creamy signage script), Fiume (calligraphic script), Predy, Daevon (copperplate script), Beily (letterpress style), Ritts (a heavy script-like display family), Ritts Cursive (in the style of the brush signage scripts descending from Robert E. Smith's Brush Script for ATF in 1942).

Typefaces from 2015: Valentia (a semi-copperplate calligraphic script followed by Valentia Condensed in 2016), Stabia, Digatte Quill (connected script), Digatte (connected monoline cursive script).

Typefaces from 2016: Duero (signage script), Turia (calligraphic script), RRollie (a lapidary typeface based on the roman inscriptions), Valentia Nit (a copperplate typeface enriched with swashes and extensions).

Typefaces from 2017: Citix (a great calligraphic / penmanship script), Citix Two Condensed, Alfabetica (humanist sans), Merick.

Typefaces from 2018: Fortezza (a stiifened didone), Portoluce, Hotdogger (a cursive brush font family), Hotdogger Extras (dingbats), Favarotta, Vikive (a grotesque family), Aretino (a renaissance text typeface), Mirabella, Lectio.

Typefaces from 2019: Palio (a condensed tall didone), Fractus (blackletter), Blackduck (blackletter), Sgraffio (copperplate script).

Typefaces from 2020: Eolia A (a 12-style low contrast grotesque typeface), Breda (a 12-style geometric sans), Breda Two (six additional condensed styles), Marcus Traianus (in the Trajan style, with lowercase included as well), Eurotypo Sans, Eurotypo SII, Eurotypo BKL (a Baskerville-inspired family), Cannoli (a retro brush lettered signage script).

Typefaces from 2021: Zornale (a 7-style text family inpsired by the Zornale, an original manuscript that contains a daily record of the books acquired by the Venetian bookseller Francesco de Madiis, between 1481 and 1488), Alacant (a 14-style slab serif with elliptical shoulders), Tre Giorni (a carefully designed script in solid and outline styles), Due Giorni (a rhythmic calligraphic script), Sagasti (a text typeface with straight serifs), Calcis (a 10-style sans), Rufolo (an 8-style lapidary typeface influenced by Robert Hunter Middleton's Stellar (1929), William A. Dwiggins' Albertus (1932) and Hermann Zapf's Optima (1952)).

Typefaces from 2022: Zornale Title.

Creative Market link. Klingspor link. [Google] [MyFonts] [More] ⦿

Eva D'Ignazio

In Kris Holmes's class in Rochester, NY, Eva D'Ignazio designed the blackletter-inspired typeface Mandel (2013). [Google] [More] ⦿

Evgeny Dneprovsky
[Fractal Font Factory]

Evie S

Designer of an octagonal blackletter typeface called Geometric Blackletter (2021). [Google] [More] ⦿

Exclamachine Type Foundry
[Choz Cunningham]

Choz Cunningham (b. 1975, Santa Cruz, CA) is a Las Vegas and more recently, Nashville, TN-based designer and artist, who set up Exclamachine in 2005. Until 2012, exclamachine published free fonts. In 2012, it went commercial via MyFonts.

Designer of Whiskey Songs (2007), Crass Roots, Crass Roots Alt (2016), and Crass Roots OFL (2007, stencil), Misqot (2006), The Troubles (2006), Limberjack (2006, an ornate wood titling font), this blackletter-inspired serif face (2006), Futurelic (2006, futuristic), Zugzwang (2006), Sketchy Times Bold (2005, grunge), Sketchy Times (2005, grunge), Basket of Hammers (2005, a nice wallpainting/graffiti font). His company, also called Exclamachine Foundry, where these fonts can be downloaded: The Black Bloc (2006, blackletter-inspired), MISQOT (2006), Kutura Frontalis (2006), PaulMaul (2006), Zugzwang (2006), Sketchy Times (2006), Carlos Caffeinated (2006), Basket of Hammers (2006), Disc Inferno (2006, LED simulation), Rosda Laevigata)2007, handprinting), and this heavy metal band font (2006).

In 2012, Choz published the commercial typefaces MISQOT (scratchy) and Paul Maul XT (irregular hand-printed face).

Typefaces from 2013: FinFang (comic book style caps), Lestatic Slashed (+Condensed), Lestatic Obsidian Outline (grungy), Lestatic Lashed (Arabic simulation face), Lestatic Celerite, Lestatic Carved, Lestatic CSS, Lestatic Withered Condensed, Lestatic Withered, Lestatic Sliced.

Dafont link. Open Font Library link. Home page. Fontspace link. [Google] [MyFonts] [More] ⦿

Exclamations (or: The Boutons)
[Gary David Bouton]

Gary David Bouton and Barbara Bouton's site was called Exclamations. Gary has been writing books on computer graphics for over 20 years, inlcuding eight books on Corel Draw. In 2015, Gary went commercial as Gare.

Their typefaces: International Symbols (2015, an icon font), Twooth (2015), Greek Diner Inline (2015, based on Carol Twombly's Lithos), BifurOverlay (2015, an overlay font based on Cassandre's Bifur (1929)), Bouton Kursiv (2008), Odissey (2008), Russel Write (2010), Elephants and Bears (dingbats), GreekDiner Inline, GeotypeTT (1997), WebKnobsTT (1997), Beacon (2008, a Schwabacher), BOUTON Nouveau Ornaments II (2009), BifurFoundation (2010), BifurOverlay (2010, after Cassandre's Bifur), Frankfurter Venetian (2008, fat rounded horizontally striped all caps face), Folks (medieval caps), Nouveau Rococo Deco Dings I (2008, art nouveau ornaments), Simulata (2006, geometric deco typeface with Bifur influences), Whimsy (comic book font), SymbolsTT (1998, charityware dingbat font).

Exclamations link. Alternate URL. Dafont link. Creative Market link. [Google] [More] ⦿

ex-rated

Creator of the blackletter typeface Two x Four (2012, fontStruct). [Google] [More] ⦿

Ezza Adhreza Brahma
[Ezzazabra]

Ezzazabra
[Ezza Adhreza Brahma]

Based in Bandung, Indonesia, Adhreza Brahma (b. 1987) is a typographer and illustrator. At Dafont, one can download Barbarossa (2013), Libre (2013, bilined typeface), Variol (2013), Attic (2009) and Vol (2009). The last two are (incomplete) techno fonts. Bite of Crab (2010) is a monoline octagonal shell. Angled (2013) is a futuristic typeface inspired by traditional letters from Makassar, Indonesia called Lontara. Bite of Crab (2013) is a modular octagonal typeface. Wallflower (2013, free) is a headline sans typeface. Nocte (2013) is a free gothic condensed sans typeface.

Typefaces from 2014: December, Kandel (a great layered typeface in Regular, Bevel and Inline versions), Jingga, Expatriate (a compass-and-ruler typeface), Father (vintage signage face, with 3D and Distort styles).

In 2015, he designed Puna (copperplate), Nawaitu (signage typeface), Tresno (a curly brush script), Mementomori (a modern blackletter), Gulana Slab Serif, the piano key typeface Zaun, and the 7-style vintage typeface family Sonten, which comes in 3D, Bevel, Contour, Deboss, Outline, and Shadow forms.

Typefaces from 2016: Hujan (a fun calligraphic printed typeface), Canda, Canda Script, Ririwa (evil ghost: a wonderful scary ink splatter font).

Typefaces from 2017: Oun (a vernacular blackletter typeface inspired by the Khmer alphabet).

Aka Ezza Zebra. Behance link. Creative Market link. [Google] [MyFonts] [More] ⦿

F. Schweimanns

Independent type designer who created typefaces for D. Stempel when he lived in Hannover, Germany. His typefaces, all published by D. Stempel AG, include

Biedermeier Reklame (1906).
Diana (1909) and Diana halbfett (1910).
Frankfurt Serie I and Frankfurt Serie II (1905). Blackletter types.
Graziella, Graziella fett and Graziella schmalfett (1905).
Korso (1913). Cursive style.
Künstlerschrift (1902) and Künstlerschrift halbfett (1901). Art nouveau.
Maria Antoinette (1905).
Moderne Reklame (1901). Art nouveau style.
Propaganda (1901). Art nouveau style.
Wodan schmalfett (1902) and Wodan licht (ca. 1905). Revived by Oliver Weiss in 2020 as WF Dahlia.

Fr. Ad. Becker and F. Schweimanns coauthored Die moderne Schrift.

Camera (1936, Intertype) is described by McGrew as a novel cursive letter with light, monotone strokes suitable for use on personal stationery and announcements. The design is based on Korso (1913). Korso was revived in digital form by Coen Hofmann at URW++ in 2016 as Marli. It is a vintage script that feels a bit forced. [Google] [More] ⦿

F25 Digital Typeface Design
[Volker Busse]

Volker Busse (F25 Digital Typeface Design) is a graphic designer at Grafikkontor in Berlin.

Designer of the old typewriter simulation fonts F25 Executive (2008), F25 BlackletterTypewriter (2006), Typewriter Condensed (2007), Telegraphem (2004), Cella (2007) and Daisy Wheel (2007). He also made Am Sans (2005), which he derived from a 1960s sample of Intertype Vogue (itself a geometric and clean-lined sans, ca. 1930), and F25 Bank Printer (a MICR family, 2005).

At FontStruct, he made F25 Borderfont (2009, a multiline family including styles called Alita and Kapata), F25 Fontstruction 157 (2009, experimental), and Hidden Text 01 (2009).

Klingspor link. Dafont link. Abstract Fonts link. [Google] [More] ⦿

Fabian Kirst

At the Bauhaus-Universität Weimar, Fabian Kirst (b. 1988) designed the free font Friedrich (2015), a blackletter font inspired by the Thuringian Forest. His typeface Waldschraz (2015) emulates twigs and tree branches. Behance link. Dafont link. [Google] [More] ⦿

Fabian Pfeifhofer
[Protofonts (and Loosy Design)]

Fabrika de Typos
[Marcio Hirosse]

Fabrika de Typos is a Brazilian fondry run by Marcio Hirosse (b. 1969) in Sao Paulo. He made Destroyer (2007, splatter grunge), Helena (2007), Boogaloo (2006), Casual (2006), Expedito (2006), Impresso (2006), Club (2006), Qualque Coisa (2006), Pig (2006), Boogaloo, Casual, Error (2006), Sherley XXX (2006), Thailandesa (2006, Thai simulation face), Expedito, Impresso, Club (2006, stencil), Ferrugem (2006, grunge), Qualque Coisa (2006), Saco de Pao (2006, grunge), Clean (2006, experimental), Poesie Noire (2006, a great multiline calligraphic face), Fuck You Las Vegas (2005), Serial Killer (2004, bloodied Arial), Tragedia (2004), Font Macabra (2004), Font Abuso (grunge), Font Cartaz (2004, stencil face), and Font Mexicana. He created Ballom (psychedelic), Anarchy, Macabra, Cartaz, Crash, Tragedia, Abuso, Estragou de novo (1999), Sucata Special, Brother Bear, Floppy Disk, Punk Dingbats (2004-2005, destructionist typefaces), Swiss AntiNormal (2005), Jooy (2007, grunge), Deusdeti (2007, double script), Deux ex Machina (2007, blackletter-inspired), Comunista (2007, constructivist), BONDAGE-DEMO-VERSION (2007), CASULO-DEMO (2007), D-E-S-T-R-O-Y-E-R-D-E-M-O-V-E-R-S-I-O-N (2007), GARTEN-VON-DORNEN-BLACK---DEMO-VERSION (2007), GARTEN-VON-DORNEN-DEMO-VERSION (2007), Load (2007, grunge), LYSSA-DEMO-VERSION (2007), MUMIA-DEMO-VERSION (2007), OFF-SET---DEMO-VERSION (2007, grunge), Pig (2006, rough stencil typeface), PLEASURES-DEMO-VERSION (2007), Querencia-Army-DEMO-VERSION (2007), TETARIA (2007), FDT Sodomy (2008, blackletter), FDT Carreto (2008), all freely downloadable.

In 2017, he created the colored Memphis-style typeface Denoise.

Commercial typefaces: Circus de Terror, Rapariga (curly), Indiana, Hard Core, Iemanjai, Disorder, Joy, Deusdeti, Deux ex Machina, Comunista, Destroyer, Off Set, Pleasures Poesie Noire, Helena, Base, Clean, Casulo, Serial killer.

Creations in 2012: Big Pig, Suicidal Tendencies.

In 2015, he made FDT Wonderland.

Dafont link. Yet another URL. Behance link. [Google] [MyFonts] [More] ⦿

Fabritius
[Ole T. Ystenes]

Norwegian printer Fabritius and Sønner in Oslo worked on its own version of Munthe's letterforms. In 1962, it published the blackletter typeface Fabritius-skriften, but this typeface is only available in matrix form at the company, and is hardly ever used today. See also here. [Google] [More] ⦿

Fachliteratur

Fraktur.de gives information on books on Fraktur writing. [Google] [More] ⦿

Facundo Beccaglia

During his studies in Buenos Aires, Facundo Beccaglia created two typefaces---an unnamed experimental blackletter typeface (2013), and Filo 74, an uncial-style display typeface (2013). [Google] [More] ⦿

Fadly Pratama
[Hururfraktur]

Fahrenno Asnawan
[Megflags (was: HOUS Studio)]

Faras Dina
[Authentic Studio]

Fat Blackletter Faces: Stephen Coles's List

Stephen Coles points out the best of the fat blackletter types in the FontShop store.

[Google] [More] ⦿

Fatih Hardal
[Typografische (was: Hardal Studio)]

Fatimah Dipi
[Kong Font (or: Gemes Font)]

FDI Type Foundry
[Ralf Herrmann]

FDI stands for fonts dot info, est. 2004 by Ralf Herrmann and partner. This foundry is located in Jena, Germany. The legal entity behind it was the Rossbach & Herrmann GbR in the city of Jena which operated as Seite7 Designagentur. Rossbach & Herrmann GbR ceased in 2015. MyFonts link. The fonts dot info label will be retired in 2017 and replaced by FDI Type Foundry.

Ralf Herrmann (b. 1976, Pößneck, Germany) studied visual communication at Weimar's Bauhaus University and works as a web, graphic, and type designer. He has made a name for himself in the typography community with his internet typography subcommunity typografie.info. He researched the implications of cognitive map research applied to the design of maps and wayfinding systems. In 1999 he founded a design studio with a partner in the city of Jena. His typography projects included the German online community Typografie.info (2001), the type foundry FDI Type (2004) and the typography magazine TypoJournal (2009). He is the chairman of the Pavillon-Presse, a museum for the printing arts & typography in the city of Weimar. In 2015, he launched Typography guru. In his Letter Library, he archives historic and current type specimens of type foundries from around the world. He also wrote typography books and continues to write and provide content for various online and print magazines (like PAGE, Smashing Magazine, TYPO magazine, étapes, I Love Typography).

Typefaces published by FDI:

Krimhilde (2018). A digital revival, and a separate modern modification, of Albert Auspurg's semi-blackletter typeface Krimhilde first published by Ludwig & Wagner in 1933.
Graublau Sans (2008) and Graublau Slab Pro (2012) by Georg Seifert.
Wayfinding Sans Pro and Wayfinding Sans Symbols (2012). This useful wayfinding typeface family was co-designed by Ralf Herrmann and Sebastian Nagel.
Canape
Elfen Fraktur (2015). A revival by Ralf Herrmann of Elfen Fraktur (1919, M. Beck). It contains Elfen Schmuck.
Hooptie Script (2011). A retro signage script inspired by Detroit in the 1950s.
FDI Tierra Nueva (2010). A medieval map typeface by Sebastian Nagel.
Uberschrift (2014). A sharp thin headline typeface by Friedrich Althausen.
Logotypia Pro (2004).
Iwan Reschniev (2008). By Sebastian Nagel. A Bauhaus style family of severe sans styles.
FDI Wiking (2021). A free blackletter font that revives Heinz K7ouml;nig's Wiking (1925, J.D. Trennert & Sohn, Hamburg).

Ralf Hermann designed several other typefaces outside FDI. These include Agendia (2002), a free experimental Antiqua-Schrift (see also here). Author of

Index Schrift (2003).

Speaker at ATypI 2011 in Reykjavik on the topic of the eszet (ß) letter.

Klingspor link. See also here for more news by Ralf Herrmann in English and German. Here he blogs about web fonts and web type matters. His Flickr stream. Home page of Schriftkontor Ralf Herrmann. Typedia link. Behance link. Showcase of the retail FDI fonts. [Google] [MyFonts] [More] ⦿

Felipe Gonzalez

Medellin, Colombia-based designer of the blackletter swashbuckler typeface Merchantype (2012), just perfect for rum smugglers. Newer Behance link. [Google] [More] ⦿

Felipe Pires

Art director in Sao Paulo, who created the rounded blackletterish typeface Bowl Gothic (2013). [Google] [More] ⦿

Felix Braden
[Floodfonts]

Fenny Wiryani
[Starinkbrush]

Feòrag NìcBhrìde
[Feorag's Place]

Feorag's Place
[Feòrag NìcBhrìde]

Nice designs by Feòrag NìcBhrìde (or Feòrag Forsyth) from Edinburgh, Scotland. Her Mac TrueType and PostScript fonts are mostly reproductions of historic type. Styl, Styl Round, Astradyne and DaySquareCut are futurist in inspiration. Chapbook and Chapbook Italic are based on 17th century type and Vespasian is taken from a late 7th century manuscript. Symbats and Orkney Runes are of particular interest to occultists. Flgheadh, my first shareware font, makes the creation of knotwork rows as easy as typing three characters which happen to be next to one another on the keyboard. Viking Runes from the Orkney Isles, Taisean (2010, angular uncial), Accelerando (2009, nice simple techno face), Day Square Cut (1997; based on lettering designed by Lewis Day, some time around 1900), Cianán (Mac type 1 font based on an old Irish manuscript, 1998), Astradyne (based on the font used on Ultravox's Vienna LP from 1980), Symbats (1997-2008, a Pagan dingbats font), Innsmouth Plain (2011, hand-printed), Skelett (2011, blackletter), Maeshowe (2014, Futhark runes), Orkahaug (2014, a grungy version of Maeshowe), Lindberg (2007-2014, a beer bottle font), Lindberg Caffeine (2014), Springmarch (2014). In 2016, he designed the Victorian typeface Whittier.

Dafont link. Older URL for her free stuff. [Google] [More] ⦿

Ferdinand Schumacher

Creator of Schumachersche Fraktur (ca. 1860, D. Stempel AG). [Google] [More] ⦿

Ferdinand Theinhardt
[Ferdinand Theinhardt Schriftgiesserei Berlin]

Ferdinand Theinhardt Schriftgiesserei Berlin
[Ferdinand Theinhardt]

Berlin-based foundry from the 19th century, whose typefaces included Aldeutsch (aka Psalterium, or as Mainzer Gotisch, 1851) and Monumental (1863: roman caps). Ferdinand Theinhardt (b. Halle, 1820, d. Berlin, 1909) ran it.

Around 1880, he published four weights of a Royal Grotesk (in 4 styles) for the Prussian Academy of Sciences in Berlin (Königlich-Preußischen Akademie der Wissenschaften zu Berlin; see, e.g., here or here; here is a sample of his 1895 Breite Grotesk). In 1885 he sold his own type foundry---Ferd. Theinhardt Schriftgiesserei Berlin---to Brothers Mosig and Oskar Mommen. In 1908, Berthold AG bought that foundry, and published the Royal fonts under the new name Akzidenz Grotesk. Theinhardt's Royal Grotesk became internationally known as Berthold's Akzidenz Grotesk, which some call the godmother of all modern grotesque typefaces. [Note: Akzidenz Grotesk is often given the 1898 date.]

Theinhardt was also known as a specialist in cutting hieroglyphs. Author with R. Lepsius of Liste de Hieroglyphischen Typen aus der Schriftgiesserei F. Theinhardt (1875, G. Vogt, Buchdrückerei der Königl. Akademie der Wissenschaften, Berlin). It lists hieroglyphic symbols available from Theinhardt's foundry.

Royal Grotesk was digitally released by Berthold Types (an American company with no legal connection with the original H. Berthold) in 2009.

Typedia link from which I quote: Akzidenz (sic) Grotesk was released by Berthold in Berlin in 1898, according to their own literature. It was obviously based on typefaces already offered by other foundries, some of which were later taken over by Berthold. One of the contemporaries of AG was Royal Grotesk from Theinhardt. In Berthold's specimen booklet no. 429, which was most likely released in 1954, Akzidenz Grotesk Mager (light) was still referred to as Royal Grotesk, in brackets. Berthold acquired a typeface in 1908, (when they bought Ferd.Theinhardt) which they released as Akzidenz Grotesk Halbfett (medium). They kept adding weights, some of them from other typefaces, acquired from other foundries. Every foundry had a version of that type of face, more often than not available in a few sizes only. The original series remained quite divers, individual weights showing not much resemblance but in name. It was mainly a marketing and naming success. That only changed when they cut Series 57, and then Series 58, named for the years of release. These had some sizes (but not all) recut under the direction of Günter Gerhard Lange, who was their (freelance) artistic director at the time. GG Lange always claimed that Berthold had taken some AG weights and sizes from Popplbaum in Vienna, and that is supposed to account for the release date of 1896 or 1898. Popplbaum was not bought by Berthold until 1926. Berthold did take different fonts from all the foundries they bought (and obviously also made deal without buying a foundry) and rename them until they got a family together which still showed the original influences, sometimes even from size to size. The deals between foundries (by 1924 Berthold had bought 17 foundries, in Prague, Riga, Stuttgart, Leipzig, Moscow and St. Petersburg) have never been fully researched, and neither has the complete history of Akzidenz Grotesk been written yet.

Digitizations include AltDeutsch by Gerhard Helzel. The Theinhardt family (2010, Francois Rappo, Optimo) is named after Theinhardt.

Credit for some images below: Danielle West. [Google] [MyFonts] [More] ⦿

Fernanda Gomes Santos

Graphic design student in Campos dos Goitacazes, Brazil. Creator of the blackletter / tattoo font Fonte Santos (2012). [Google] [More] ⦿

Fernando Haro

Las Palmas de Gran Canaria, Ampuero and Laredo, Spain-based designer (b. 1971) who set up deFharo. Creator of the monoline sans typeface Depez (2011), Fabada (2011), and the free monoline geometric sans typeface La Chata (2011). La chatte, in French? Maybe not.

In 2011, he made the monoline organic sans typeface Lerótica (free at OFL).

In 2012, he created Nabatea (stone chisel typeface), V de Vacia (a grungy outline face), Sabática (organic), the straight-edged data style typeface Gabardina, the grotesk typeface A Bebedera, the shadow typeface B de Bonita, D Puntillas, and the deconstructed Qebrada.

In 2013, he designed Yacarena Ultra, H.H. Agallas, Nacimiento (a dymo label font), J Airplane Swash (a psychedelic typeface named after Jefferson Airplane), CA Garrutas (grunge), CA Gatintas (grunge), I Am Telefono (the largest phone dingbat and scanbat typeface on earth), Wach Op-Art (kaleidoscopic icons), K.O. Activista, I Am Hueca, X Template (stencil), H.H.Samuel (rounded sans), U2 Metalona (a beautiful white-on-black display face), M F Plexus Italic, J.M. Nexus Grotesque (an "thin inline" fat grotesque), Wachinanga, Tabaquera, Pabellona (grunge), El Pececito (video game font), the poster typeface Hobby of Night (OFL), H2O Shadow (outline version of Fabada), Zabatana Poster (a didone-inspired poster font), Oaxaquena Tall, Yacimiento (wood style wedge serif), and Rabanera.

Typefaces from 2014: Babalusa Cut, A Cuchillada, Sabandija (a plump round display typeface), F2 Tecnocratica, F1 Secuencia Quad (pixel face), La Pejina FFP (bilined), Tabaiba Wild, Gabachita (ultra-condensed rounded sans).

Typefaces from 2015: Tabarra Pro (Swiss style sans family for Latin, Cyrillic and Greek), A Sogra Ruth (ultra-condensed art deco), Gaban (an outline version of Tabardo), Tabardo (a heavy blocky font), Wacamoler Caps (a Tuscan typeface inspired opening credits of the Western movie Winchester '73 directed by Anthony Mann in 1950), Ubicada (condensed geometric sans), Rabiosa (neurotic font), Zacatecas (condensed shaded sans), F3 Secuencia Round, La Babaca (a powerful black condensed sans in the style of Impact), Obcecada Sans + Serif (condensed with almost disappearing descenders), Eacologica Round Slab (a nice commercial font with an incomplete set of numerals), Palim Script (curly), Vacaciones (signage face), de La Cruz.

Typefaces from 2016: Yugoslavia (calligraphic), Love Box (stencil), Cienfuegos (connected retro script named after the Cuban her Camilo Cienfuegos), Gaitera Ball (round fat script), The Black Box (a retro banner font), Durum Kebab (shadow sans), Jolgoria In Town (script), Yerbaluisa (signage script), Escobeta One (brush script), Posteratus Rex, Bastardilla (a cursive font), Rotulona Hand, The Juke Box (retro juke box lettering), Angelique Rose (connected monoline script), Promenades, Bucanera (a swashbuckle font), Lucemita, Panama Road (a casual calligraphic font), Deslucida, Disoluta, Sucesion Slab, Tabarra Pro Round, Qebab Pro Shadow, Monserga (white on black), Indulta SemiSerif.

Typefaces from 2017: Partizano Serif (a retro poster font; free demo), Jack Stanislav (a great condensed movie poster font), Fontanero (rounded fat sans), Yonky (fat slab serif), Zigzageo, Libertatus (manual serif fonts based on a Czech poster from 1935), Libertatus Duas (slab serif), Flamante Sans, Flamante Serif, Flamante (Round, SemiSlab, Stencil, Seca, Cairo, Roma), Seisdedos Dead (rough stencil fonts), Neo Latina (stencil), Carta Magna (blackletter), La Sonnambula (signature script), Bola Ocho (an eightball font), Clandestina (textured, layered), Acratica (signage script), Penitencia Inline, Autarquica (outlined vernacular style), Caminata One (shaded signage typeface), Sin Razon (wedge serif), Glotona Black and White (a layered tattoo style font duo), Glotona Dots (the textured versions of Glotona), 6th Aniversario, Tribal Box (squarish sans, with tattoo ornaments and a great environment for borders), Candy Pop (bubblegum font), Sargento Gorila (army stencil font), Libertinas + co (a curly calligraphic script; the free version has no numerals).

Typefaces from 2018: Gudariak (a free color SVG font: Vicente Ballester Marco (Valencia 1887-1980) was a graphic designer and Valencian poster artist affiliated with the CNT (Confederacion Nacional del Trabajo) who created political propaganda posters of clear modernist and post-cubist influence during the Spanish Civil War. The Gudariak typeface is inspired mainly by one of the posters he made for the Government of Euskadi and also in others where the author continues to explore this particular typographic style. ), Farisea Fraktur, Octuple Max (techno), Ordeal Eroded, Panfleta Stencil, Secuela (free), Fragua Pro (condensed sans family), Getho (a geometric semi-sans), Cowboya Tuscan (a curly Tuscan circus font), Txuleta Deco (a striped art deco typeface), Coltan Gea (slab serif), Getho Semi Sans, Cowboys (a Tuscan typeface), Drystick Geo Grotesk, Diezma, Grifa Slab, Coltan Gea (slab serif family), Paloseco (geometric and grotesk), Stoica (a color SVG font), Letrera Caps (a rounded square style layered and color font that pays homage to the sans serif inline genre), Enagol Math (a condensed rounded slab serif based on carefully applied mathematical ratios), Heptal, Velocista, Octagen Condensed, Octagen Black, Sextan Serif, Sextan Cyrillic, Quickat (signage script), Octagen (condensed sand with short descenders), Wolframia Script (flowing handwriting), Pentay Slab, Pentay Sans, Pentay Book, Cuatra, Judera (Flat and Ring: monospaced, unicase and totally sqaurish), Quotus (slab serif), Tripleta Grotesk (a 16-style geometric sans family).

Typefaces from 2019: Pervitina Dex (sci-fi), Megalito Slab, Obesum Caps, Jane Roe (sans), Icons Opentype, Felona (stencil: a variable font), Neo Fobia, Bocartes Fritos (food icons), Red Thinker (a squarish monoline sans), Pena Caldaria (blackletter).

Typefaces from 2020: Anoxic (a squarish monoline sans).

Typefaces from 2021: Humato (a sturdy font for weightlifters), Probeta (a squarish techno sans family in 42 styles), Speeday (a speed emulation sans).

Creative Market link. OFL link. Behance link. Dafont link. Devian tart link. Abstract Fonts link. Fontspace link. [Google] [MyFonts] [More] ⦿

Fernando Henrique de Sousa
[Insane Machina]

Fernando Martinez Godoy

Designer in Madrid, who created the ultra-condensed display and logo typeface Zephyr in 2012. He also produced a special set of spurred blackletter numbers called Yorokobu (2012).

In 2013, he created the modular techno typeface Lopsided. [Google] [More] ⦿

Fernao de Pina

Fernao de Pina was the chancelor responsable for the creation of Leitura Nova, which was a compilation of books (forais) that should establish the privileges of the villages and all their administrative duties, determined by the monarch D. Manuel I of Portugal. Written from 1496 to 1520, Leitura Nova has a regular and uniform gothic that is more cursive and rounded then the German gothics. [Thanks to Dino dos Santos for help with this information and for this and this picture.] [Google] [More] ⦿

Ferrets N Fonts
[Perry Mason]

Perry Mason is the prolific ozzie creator (based in Newcastle) of Nato, a truetype font apparently made for NATO military vehicle lettering (2001). Since that first font, he has made well over 1000 fonts, mostly in 2001, but some as late as 2003. Back-up of his fonts at Just Us Now, now defunct. Alternate URL for Just Us Now (also defunct). Yet another URL. List of his fonts, by date, and alphabetical list. Perry Mason's dingbats. [Google] [More] ⦿

Fette Fraktur

A hugely successful blackletter typeface from Johann Christian Bauer (1850, Bauersche Giesserei) characterized by its f. Other German foundries such as C.E. Weber (1875) and Wagner (1875) had their own versions.

Digital implementations were completed by Linotype, Gerhard Helzel, Adobe, URW++, and Elsner & Flake. Lesser known digital versions are called Fraktur Fett (Greenstreet), Baron&Berliner (Swfte), Bauble (SSi), Luftwaffe (WSI), F692 Blackletter (SoftMaker), Fraktur (SoftMaker) and Frakur No. 2 (2012, SoftMaker). [Google] [More] ⦿

Fette Kanzlei

A famous decorative blackletter typeface from ca. 1830-1840. By the 1920s, versions of Fette Kanzlei were cast by most foundries in Germany and Switzerland under the names Fette Kanzlei (Berthold, Haas, Benjamin Krebs) or Halbfette Kanzlei (AG f. Schriftgiesserei u. M., Arndt, Flinsch, Genzsch & Heyse, John, Klingspor, Schelter & Giesecke, Stempel, L. Wagner, Weber). Digital implementations include:

Fette Kanzlei (2019). By Ralph M. Unger.
Kanzlei halbfett (1995 and 2005). By Gerhard Helzel.
Fette Kanzlei (2002). A free font by Dieter Steffmann.
Fette Kanzlei BQ. By Berthold.

[Google] [More] ⦿

Few Karen

FontStructor who made Hkeixkaren (blackletter, 2009). [Google] [More] ⦿

Fight Graphx
[Adi Wahyudi]

Bandung, Indonesia-based designer of the handcrafted Untitled (2016), the tattoo blackletter font The Cronic (2016), the monoline script typeface Hello, the sci-fi typeface family Vorg (2016), and the decorative vector format font Artedoms (2016). [Google] [More] ⦿

Filipe Ferreira

During his design studies at FAAUSP in Sao Paulo, Brazil, Filipe Ferreira an untitled hexagonal gothic typeface in 2015, together with Thais Mendes. [Google] [More] ⦿

Filipe Ferreira

Designer and digital artist in Porto, Portugal. He made a nice typographic poster entitled Free Tibet (2010), and designed a number of experimental typefaces in 2010.

In 2011, he made Souca (multilined), Ayuthaya (blackletter), Gourmet (art deco), Graphic Monkeys (bilined), a curly face and an ornamental caps face.

Typefaces from 2012: Colambo (an early 20th century grotesk), Honkers (rounded sans).

Finaltype
[Hans Heitmann]

Hans Heitmann or Hans-Richard Heitmann. Typography teacher (b. 1951) at the Fachhochschule Augsburg, Germany. Designer of the Fraktur-Roman hybrid font Fraktoer (1996). He also made the lapidary sans family Galathea (1990, Berthold).

After he set up Finaltype, he released these fonts:

Geoso (2019). A 47-style low-contrast geometric sans family.
Monoflow (2019). By Hans Heitmann and Johannes Ammon. Monospaced and perhaps useful for programmers.
Romis (2020). In the Trajan style.
Byzan (2020). A heavy brush font.
Distel (2019). An uncial font.
Benedikt (2021). a 14-style sans and serif display family.
Legit Sans (2021). A very legible sans text typeface family. Followed by Legit Sans Soft, Legit Serif and Legit Serif Soft in 2021.

Fontsquirrel link. [Google] [MyFonts] [More] ⦿

Fine Fonts

A type foundry in Cheltenham, UK, started by Michael Harvey and Andy Benedek in 2001. Their output was sold through Faces, but is now marketed via MyFonts. The list of typefaces:

Aesop. Calligraphic.
Balthasar
Braff.
Fine Gothic. Blackletter.
Frieze
Marceta. Uncial.
Mentor Roman, Mentor Italic (2004). A type designer close to me said: The Mentor and Mentor Sans superfamilies were released last February by Monotype, and nobody even mentioned them. To me they look Michael Harvey's best ever masterpiece, and probably the best new superset to be released this millenium, but nobody's paying attention.
Quirky
Ruskin
Scorpio
Songlines
Tisdall Script
Victoriana

View the Fine Fonts typeface library. [Google] [MyFonts] [More] ⦿

Fiona Clarke
[Bonez Designz]

Fixedsys
[Darien Valentine]

Free truetype fonts: Tai Le Valentinum (for the Tai Le script used in China, Burma and Laos), Valentine Arabic, the faux pixel font Sounds of Apathy, and the unicode faux pixel font Fixedsys Excelsior 2.0 (2007). The latter covers Latin, Greek, Cyrillic, Hebrew, Armenian, Tamil, Hylian, N'Ko, Ethiopic, blackletter, Dehong Dai, Pahawh Hmong, Thaan, Arabic, Thai, Ogham, runic, and IPA. All fonts made by Darien Valentine in 2004. See also here. [Google] [More] ⦿

Flat-It
[Ryoichi Tsunekawa]

Japanese foundry in Nagoya that offers free and commercial Latin fonts made by Ryoichi Tsunekawa, who also runs Bagel & Co, Dharma Type, HolidayType and Prop-A-Ganda. Most of his work was done at Flat-It. His typefaces:

2021: Best Choice (a monospaced sans), Short Films (an art deco sans in twelve styles), Golden Decades (a 16-style sans that borrows from several sans genres).
2019: Mid Century Sans, Tamba Sans, Rama Gothic Rounded, Bio Sans Soft.
2018: Fairweather (clean sans), Kaneda Gothic (a basic severe condensed gothic), Vincente (a tall condensed display didone family).
2017: Calling Code (monospaced programming font), Commuters Sans (elegant wide sans), Mighty Slab, Rigid Square (octagonal), Taro.
2016: Bio Sans, Gomme Sans, Quiet Sans, Siro (sans).
2014: Pero (condensed rounded organic sans), Kiro (minimalist organic sans), Graphie (modern geometric sans), Compasse (semi-condensed sans), Como (rounded sans).
2013: Spoon (organic, rounded, monoline sans family), Antoinette Monogrammes (based on early 1900s embroideries by Janon Co; with frames), Clonoid (a sci-fi family that pays tribute to arcade game logos in 80s and 90s), All Round Gothic Demi (a sans based on perfect circles), Griffon (copperplate titling face), Antique Spenserian (based on Spencerian Script by Mackellar, Smiths and Jordan).
2012: Geom Graphic (a retro sci-fi family that can be considered as a squarish version of Eurostile), Sheepman (modular), House of Cards, Space Colony (a lovely monoline futuristic techno family), Rama Slab (an antiqued wood-style slab serif), Rama Gothic. An antiqued sans serif family that recalls the wood type era), Diamond Ring (an art deco typeface inspired by Japanese cosmetics-packaging designs and posters from the late 19th and early 20th centuries), Controller (techno meets organic in this rounded squaris sans family), Revolution Gothic (an extended version of PAG Revolucion), 2008, which was inspired by retro propaganda posters and wallpainting in Cuba from the 60s to 80s; Revolution Gothic P followed in 2014), Diamond Ring (art deco).
2011: Yummo (monoline organic sans), Sheepman (based on the wood type No. 506 of William Page), Onick (2011, an art deco neojaponist fat display face done for Wordshape), Shiva (2011, hairline sans), Mocha Mattari (2011, grunge), Dharma Slab (2011, inspired by 1800s-style wood type), Dharma Gothic (2011, +P), Rama Gothic (2011, also inspired by 1800s-style wood type), Dimensions (2011, squarish), Design System (2011, a large family based on 70s style techno typefaces), Speedometer (2011, condensed piano key face).
2010: Stereo Gothic (2010: an extended all caps slightly techno sans family), Behrensmeyer Vigesimals (2010, a pixel format connected script), Civilite Vigesimals (2010, pixelized Civilite), Flat10 Arts and Crafts (2010), Flat20 Hippies, Flat10 Segments (2010), Flat10 Antique (2010), Flat20 Gothic (2010), Flat20 Streamer (2009, pixelized ribbon font), Flat10 Fraktur, Flat10 holy, Flat10 Holly, Flat10 Stencil, Flat20 Headline, Flat10 Artdeco, Word From Radio (2008-2010). Cigarette (2007, Bauhaus/Peignot-style).
2009: African Elephant Trunk (2009), Concrete Script, Concrete Stencil (2009, a stencil calligraphic script), Perfect Magic (2009), HT Maison (2009, signage face), HT Farmacia (2009, connected school script), HT Espresso (2008, upright script), HT Cartoleria (2008, connected script), HT Cafe (2009), Sneaker Script (2009).
2007-2008: Bistro Mono (2007, an awkward monoline face), Thousands (2007), Balaghat (2008), Garash Script (2008, a Halloween face), Woodstamp (2008), Banana (2008, brush script), Rebel Train Goes (2007, a piano key font), Rouge (2007, an elegant lipstick-on-the-bathroom-mirror pair of typefaces), Yasashii (2007, a great geometric art deco Broadway-style family, famous for being used in Damien Chazelle's La La Land, the 2017 blockbuster movie), Lily Wang (calligraphic script), Nothing (2007), Garash (2007, Arabic simulation), Moon Star Soul (2007, Western saloon font), Grandes Vacances (+ Une, Deux) (2007), Pansy Bo (calligraphic), Dremie (2007, an art deco headline typeface with Open and Fill weights), Grandes Vacances (2007, based on 19th century billboard letters), Xesy (2007, a fantastic "ronde" high-contrast upright connected script), Deluta Black (2007, a soft blackletter), Cotoris (2007, a 4-style family that takes inspiration from Koch Antiqua and the art nouveau movement).
2006: Daisy Lau (calligraphic), Agedage Luxeuil (based on a monasteric script from the 8th century), Agedage Cancellaresca, Agedage Beneventan, Agedage Simple Versal (2006, Lombardic caps simplified), Amsterdam Modern (art nouveau influences), Flat10 [Holly, Holy, Stencil, Fraktur] (a set of pixel typefaces), Machiarge (a heavy connected brushed signage script), Chic Hand (connected script), Double Dagger (geometric stencil family), Fault (an art deco striped lettering face), Killernuts (headline serif typeface with brush stroke endings), Underconstructionism! (a rectangular look family with associated dingbats), Machia (decorative script), Kiwi (geometric hairline), Bagel (roundish comic book face), Jaguarundi (distressed), Boycott (distressed), Tokyotrail (futuristic techno family), Coconut (noisy outline face), Coconut Split, Fresh Tomato (LED simulation), El Piedra (letterpress emulation), Dried Tomato (LED simulation), Dutch Style, Mocha Harrar (great stencil face), 103 (experimental, Bank Gothic style), Airhead, ArealBlack, Awkward, BagelNew, BagelOld, Banbino, Bebas (2005, industrial sans), Bebas Kai (2014: free!), Bebas Neue (2010: free!), Bebas Neue Bold, Berlin89, Blackout (redesigned in 2011 as the ulta-narrow Dimensions), Boycott (grunge), Built-1970, Bunyan, Busted, Camera (2007), Canstop, Chiangmai (Thai simulation face), DBLline, Dijkstra, Dutchstyle, Fling, Graphite, Harcomaso, Hiexplosive, Hitech, Honeycomb, Junkmix, Kanatypo, KemikalHi, Machia (a calligraphic family), Meegoreng, Mikrob, Natsupopy, Overwork, Palsu, Plamo, Plasitico, REC001, REC002, REC003, Resistance, SQRT, STdigi (LED font), Shandy, Superstar, Tembaga, Tenaga, Tomodachi, Tragedia, Trucker, VRdigital, VRembroidery, Welcome2M, Workaholic, Zeebraa, plot-A, plot-K, Appendix 3, Gesso (grunge), Pusab (ultra round; one free weight), Sushitaro, Typewrong, Celtics Modern (a Celtic family of fonts). At T-26, he published CRZ (2006), Guppy, Ohana (octagonal), Picnica (2006), and Wearetrippin.

MyFonts link. Fontsquirrel link for their free fonts such as Bebas (2005, industrial sans), Boycott, Gesso, and Pusab.

Typefaces from 2022: Senpai Coder, Madromit (a layerable futuristic font inspired by the early computer fonts), Tokyo Olive (art deco), Poipoi (a layerable 3d or bubblegum font).

YWFT link. Bagel & Co. link. Klingspor link. Dafont link. Dafont link.

Interview.

View Ryoichi Tsunekawa's typefaces. Kernest link. Adobe link. [Google] [MyFonts] [More] ⦿

Floodfonts
[Felix Braden]

Floodfonts has freeware fonts by Felix Braden (b. Koblenz, Germany, 1974, an ex-student at the Trier College of Design). In 2000 he founded the free-font site Floodfonts with Peter Hoffmann. After working for five years as an art director for Gaga-Design, Koblenz, he decided to set up his own graphic design studio in Cologne. He now lives in Cologne working as a freelance designer and as a art director for MWK Cologne. In 2016, he set up his own Felix Braden type foundry.

His free fonts at Floodfonts included Polaris (2011), Floodicons (2003), Hydrophilia (2003. He writes: Hydrophilia family was created in 2003 by Felix Braden as a further development of Moby and comes with two fonts: The gothic typeface (liquid) is a revised version of the pixel font (iced). Hydrophilia liquid got a lot of letterforms with a diagonal axis, which reminded me of the technical fonts used on early liquid crystal displays.), Squid (2002, free), SquidCaps (2002), Ninetwist (2002), Catherine (2002), Moby (2002, a Bauhaus style corporate and headline font for the Cologne based design bureau Glashaus), Babelfish (2002), Blendfontsexperiment (2001), Incpot (1997), Hammerhead (2001: an angular constructivist typeface---free), HammerheadBlack (2001), HammerheadBold (2001), HammerheadMedium (2001), Multikultur (1997, Fraktur font), MultikulturExtraBold (2001), Orchidee (2001), Sadness (2001), Wuestling (1997). His commercial typefaces at Floodfonts include Kontiki (2018: a woodprint emulation typeface family; a grungy version of Clarendon), Capri Pro (2011-2015): an expressive constructed sans serif typeface in the tradition of Kabel and Avant Garde, partly constructivist, and partly hipster.

Peter Hoffmann designed Alita (2001) and Lacuna (2001).

Commercial fonts at Fountain: Grimoire (since 2015 at Floodfonts), Sadness (2001).

In 2004, he cofounded Timetwist with Pia Kolle, where you can download Rabbits (2004, Kolle), Pirates Stoertebecker (2004, Braden at Floodfonts, a ransom note face), Pirates Drake (2004, Braden at Floodfonts), PiratesBlackbeard (2004, Braden at Floodfonts), PiratesBonney (2004, Braden at Floodfonts), Bigfish (2009, a Western billboard face).

At Ductype, Braden published Timetwisteight (2005, a pixel face).

At URW++, he published the Supernormale family (part techno, part pixel) in 2006.

At Volcano, he made the rounded display face Bikini (2010).

At Fountain, he published the original version of Capri in 2011. After Fountain's demise, it reappeared as Capri Pro at Floodfonts in 2015.

The Orchidee project started in 1999 led to a fantastic free font. Felix: Orchidee was created as a part of the business stationary of the restaurant Orchidee located in the luxory hotel Quellenhof in Aachen, Germany. After the founding of the restaurant the hotel manager realized that there earlier was a bordello in the city with the same name, so he wanted to change the name. At the time when our agency had to presentate the logotype the name was not appointed so I created the font. The restaurant was specialized on crosscultural european-asian cuisine. Because of that I wanted to mix up some elements of traditional asian typography with european typography. The letters are designed in freehand by the repetition of just a few basic elements. To create the rough outline I used xerox-copier because I wanted to have some chaotic elements to give the font a handmade touch.

Other free fonts: Coraline (2012), Sonar Script (2013), Rollmops (2013).

At FontShop, he published FF Scuba (2012), as an offline companion to Verdana. It was one of the winners of the Communication Arts Typography Annual 2013.

In 2019, he published Pulpo, a ten-style family inspired by Century Schoolbook and Clarendon.

In 2020, he released Turbine (at Fontwerk: a 14-style neo-grotesque family), and Arpona, an 18-style lapidary flared typeface with slight wedge serifs.

Typefaces from 2021: Capitana (an 18-style geometric sans with large counters; not as severe as Futura), Arpona Sans (a 20-style humanist sans with rhombic tittles).

FontShop link. Klingspor link. Fontspace link. Dafont link. Behance link. Fontsquirrel link. Personal page. Another Behance link. Fountain Type link. Home page of Felix Braden. [Google] [MyFonts] [More] ⦿

Flora Jammes

Graphic designer in Paris. In 2016, she created Kitch, a Victorian typeface that is based on Campanile (1881, the Cincinnati Type Foundry). She also drew an alphabet called Fraktur (2016). [Google] [More] ⦿

Florencia Marascio

Graduate from FADU, University of Buenos Aires, who created the blackletter typeface SirFont (2009). [Google] [More] ⦿

Florian Mihr

Designer born in Duesseldorf, Germany, but living in Los Angeles. Creator of the free fonts King Georg (2012, blackletter), Cinerama (2012), Stadium1946 (2012), Stadium1956 (2012), SoCal (2012, a graffiti face), Tight Writer (2012, old typewriter font).

Florian Schick
[SchickFonts]

Fonderie Typographique Française

Type foundry in Paris, founded in 1921 by the merger of the firms of Chaix, Marcou, Durey, Huart and Saling. There were several catalogs of their typefaces such as Fonderie Typographique Française Catalogue Général (ca 1925, 798 pages). This site shows many samples from this foundry. The typefaces shown include Amadis (blackletter), Apollo, Ascot, Atlas (1933, an art deco typeface by K.H. Schaefer), Bizerte (art deco), Blanches Saint Germain (pearly caps), Caravelle (1957, the French name of Folio, a Helvetica-like typeface by Konrad Bauer and Walter Baum), Clipper (1951, by Louis Ferrand), Deauville (a charmer that conjures up Les Vacences de Monsieur Hulot), Décor (pixelized and with mosaic effects), Ecriture parisienne (ronde), Editor (1937, Henri Chaix), Estienne, Excelsior FTF (art nouveau), Flash (1953, Enric Crous-Vidal), Garamond FTF, Hélios (a shaded titling face), Ile de France (by Enric Crous-Vidal), Marocaines FTF (revived in 2019 by mario Feliciano as Mazagan), Moscovites, Muriel (1950, a script typeface by Joan Trochut-Blanchard), Normandy, Paris (1953, Enric Crous-Vidal), Pittoresques FTF (1924, Japanese style art nouveau: revival of Pittoresques penchées by Yanick Blancho in 2015 as Koëlh), Psitt (1954, by René Ponot), Ramsès (a tall-legged Egyptian), Stylo (1935, connected script), Swing (art deco), Vulcain (art deco). Apollo is FTF's reply to Renner's Futura. [Google] [MyFonts] [More] ⦿

Font Bud
[Mikolaj Grabowski]

During his studies in Warsaw, Poland, Mikolaj Grabowski designed the interesting stackable typeface family Epilepsja (2015) and Epilepsja Round (2015). There is a hint of Escher-style 3d effects hidden in this beauty.

In 2015, he set up his own commercial type foundry.

Typefaces from 2018: URLOP (a 14-layer color font, with some SVG styles, and covering many multiline and stencil styles).

Typefaces from 2019: Antifa (for anti-fascist---an ironic use of the blackletter style used by neonazi / fascist groups in Poland), Fushar and Fushar Arabic (a Latin / Arabic colorable and layerable comic book font family).

Typefaces from 2020: Achtung (an extension of Epilepsja, covering Cyrillic as well). [Google] [MyFonts] [More] ⦿

Font Bundles

London-based font vendor who started in 2015 or 2016, and carries mostly brush script typefaces. They are mainly pushing their own work.

Typefaces from 2017: Treasure Script, Hastter Sontial script, Dealina (calligraphic script), Red Mist, Queen, Wishing Well, Highlights, Handy Man, Hey Betty, Polar Bear, Realtech, Golly Gosh, Magic Man, Ardina Script (by Ari Fadli), Rusty Bucket (dry brush), Dolly Script (calligraphic wedding script), Handstyles, Bouncy Hunter (spurred), Django (Western), Olivia Script, Questioned, Renegade, One Dance (calligraphic), Mammoth (script), Honey Bee, September Script (calligraphic), Amanda (calligraphic), Sandy Pro, Lilly Mae.

Typefaces from 2018: Squishy, Squishy Extras (sea life dingbats), Billie Harley, Origami, Arkinay, Moscow (a Cyrillic emulation typeface), Bindi, Felt Tip, Christina, Park Ranger, Rembulan, Catchy Script, Champagne (brush and ink splatter), Azalea, Loft Yian (script), Love Candy, Wisdom Script, Montage (signage script), Bristol, Stephanie Jane (brush pen font), Glamorous Silhouette (font duo), Sun City (sans), Crackers, Sliders Script, Jaquilane (upright script), Gladis (formal calligraphic script), Wheatbread (monoline sans), Monstera (a stylish serif typeface), Sailor (tattoo font), Comic Boom (cartoon font), Kely Rose, Radical, Granger (brush font), New Type (prismatic), Sugar Script, Aloha Big Man, Magical Unicorn, Chocolove, Gentle, Roseland, Queensland (copperplate calligraphy), Pink Grapefruit, Jingle Boo, Old Press, Michigan (outline slab serif), Boulder Holder, Angelica (a creamy signage script), Anchor, Freshca (upright connected script), Zimbra (zebra-striped, by Alex Etewut), Adele, AlyshiaScript, BackStitch, BirthdayScript, Brat, BringHearte, CherryBlossom, Eastland, ElhammerBrush, Enyssala, Florva, GloomyDay, HappyBirthday, Heavenfield, Herbie, Junitha, Kayleigh, Mirantie, Mountiane, Nattalia, Quance, QuickBrush, Rafifi, Reebiolla, Rockets, SandyBeaches, Springer, Strangelove, TheCharlotte, Valentino, VictorianMonogram, WinterTime, Zebra.

Typefaces from 2019: Radicals (signage script), Lovebird, Ridgeway, Lindale, Moscow, Anthem, Blackstar (blackletter), Maskoolin, Tatima, Hands Down, Monday Blues, September Script, Restuner, Mammoth, Hey Betty, Ciscopic, Hatterline, Jaiho Script, Diamonds, Indah Script, Amanda (calligraphic), Molyna, Mellow Line, Sandy, Renegade, Loveya Script, Angelina Script, Heilig, Dealicha, Allana.

Typefaces from 2020: Sleeplesson, Nostalgia Script, Fb Super Fun, Fb Lawnmower, Fb Lovehearts, Fb Leonardo, Fb Fancycorgi, Fb Bananasandwich, Fb Doodled, Fb Mighty Spiky, Quirkle, Toasted Cinnamon, Loveya Doodle, Neon Light (a marquee font), Cliche, Zipper, Fb Mainland, Fb Strawberry, Fb Many Mondays, Fb CountryGirls, Fb Caramelong, Sausages (a chunky script). [Google] [More] ⦿

Font Diner (or: Stu's Font Diner)
[Stuart Sandler]

Stuart Sandler (Minneapolis) runs six foundries: Font Diner (est. 1996), Sideshow, Breaking The Norm, the Tart Workshop, Font Bros (est. 2006), and Filmotype (est. 2006). He runs a handful of other companies and web shops as well, including Mister Retro (est. 2004). He is passionate about retro type. DaFont link for their free fonts. Fontspace link. Interview.

Catalog of the best selling Font Diner fonts. Images of Stuart Sandler's best-selling fonts.

Free fonts: Rickles (2007, script), AirConditioner (2002, fifties style upright script), BahamaSlim (2004), BlackNight (2002, blackletter), BlackWidow, BubbleMan, ChannelTuning, Corrupter, CreakyFrank, DecayingKuntry, FeaturedItem, FontOnAGrain, FontOnAStick, Fontdinerdotcom (one of the earlist beatnik style digital typefaces), FontdinerdotcomHuggable, FontdinerdotcomLoungy, FontdinerdotcomSparkly, Fontdinerdotcom Jazz Dark, Fontdinerdotcom Jazz Light, Hothead, KeeponTruckinFW, Leftovers (2002), MaverickBE (stencil face), Musicals, PickAx, Rickles (2009; upright script), RocketScript (2002, retro script), Schnookums, SinsofRhonda, Spacearella (2002), StencilGothicBE, ThatsSuper, Turnpike (2009), Witless, XerkerFW.

Commercial fonts: Continental Railway (1998, retro connected script), Anastasia, Chatty Cocktails (1998, art deco), El Nino, Guest Check, Hamburger Sandwitch (1998), Jumping Bean (1998, comic book style), Lionel Classic (1998, an art deco all caps face), Milwaukee, Motor Oil, and the greatest of them all, Coffee Shop (1998, exaggerated ascenders), a must! Other typefaces: Permanent Waves (1998, + Expanded: retro connected script), Yarn Sale (curlies), Fat Sam (not bad!), Etiquette, Taylors (1998, another great display font; co-designed with Dan Taylor), Kentucky Fried (1998, comic book / signage style), Beer Wip, Seuss, Jack Bisio and FinerDiner, Shivering, Dry Cleaners (2002), Singlesville Script (2002), Dripping Blood, Bowlorama, Action Is, Automatic, Chicken King (2002), CocktailShaker (2002, at Chank), Concurso Italian and Concurso Moderne (2003), DoggieBagScript, Johnny Lunchpail (2000, comic book style), Kitchenette (connected retro script), Lil Tipsy (2003), Milwaukee Neon (1998), Milwaukee Neon Shadow (1998), Motorcar Atlas (2000), Regulator, Stovetop (2002), Swinger (2002), WARNING (2002, rough stencil), BEBlob, BECROSS, DecayingAlternate, Decaying, EvilBrew, TheBlob, Insane Asylum, Creepy Crawly, Crossover, Fire Baaaad!, Rotten Teeth, Candy Good, EvilOfFrankenstein, HMan, HManPt2, PlasmaRain, Chicken Basket (2004), Chowderhead (2004), Cocktail Script (2004, upright), Country Store (2004, Western style), Dairyland (2004), Emblem Chief (2004, fifties diner script), Motel King (2004), Queen Rosie (2004), Sweet Rosie (2004, blackboard bold), Secret Recipe (2004), Square Meal (+Hearty) (2004), Bahama Slim (2004), Space Immortalizer, Matchbook and BE Streetwalker. Many font have a cool retro/fifties look. The InFlight Meal font set (2001) includes Al's Motor Inn, American Highway, Kiddie Cocktails, Lionel Text, Mosquito Fiesta, New York to Las Vegas, Pink Flamingo, Refreshment Stand, Starlight Hotel, Volcano King. The LasVegas font set: El Ranchero (2002), Hamburger Menu, Hamburger Menu Marquee, Holiday Ranch, International Palms, Lamplighter Marquee, Lamplighter Script, Las Vegas to Rome (stone chisel face), Leisure Script, Leisure Script Marquee, Mirage Bazaar (2002), Mirage Zanzibar (Arabic theme face), Mister Television, StarburstLanes, Starburst Lanes Twinkle, Vegas Caravan. At ITC, he published ITC Kiddie Cocktail (2003), ITC Mosquito Fiesta (2003), ITC Volcano King (2003).

In 2006, Font Diner acquired the Filmotype collection and its trademark, Filmotype. Sandler writes: Filmotype initially manufactured a simple manual phototype machine utilizing display typeface designs on 2-inch filmstrips. Additional films were sold to start-up typesetting companies in order to increase their product selection. Font Diner will create new digital versions of the Filmotype collection, recreating it to meet todays graphic design standards. [...] We intend to release the Filmotype library in OpenType format so the original designs can be fully realized with a dynamic feature set including alternate glyph forms and automatic substitutive ligatures.

In 2007, Font Diner started publishing digitizations of the collection: Glenlake (condensed Bank Gothic, by Mark Simonson), MacBeth (script), Alice (casual script), Zanzibar (calligraphic), La Salle (brush writing originally by Ray Baker in the 1950s, named after Chicago's LaSalle Street), Ginger (Mark Simonson; masculine headline typeface genetically linked to Futura), Austin (paintbrush), Brooklyn (hand-printed), Honey (handlettered script), Jessy (handwriting), Modern, Vanity, Filmotype Ford.

In 2010, Stuart Sandler published a book entitled Filmotype by the Letter, in which he details the company's history.

Free fonts on the Google Directory, dated 2010: Fontdiner, Swanky, Cherry Cream Soda, Permanent Marker, Homemade Apple, Schoolbell.

In 2012, David Cohen and Stuart Sandler published these typefaces at Neapolitan: Irish Grover Pro (2010, a bouncy face), Satisfy Pro (2011, a connected retro script face), and Slackey Pro (2010, a paper cut out style face). At the same place, he also published Crafty Girls Pro (2010, co-designed with Crystal Kluge). With Crystal Kluge, he also co-designed the flowing connected script typeface Aya Script (2012).

At Sideshow, he published the pen-drawn connected script Mister Brown (2013) and the retro signage script typeface Cocktail Sauce (2014).

View Stuart Sandler's typefaces.

Jolly Lodger (2012, Google Web Fonts) is an informal retro script.

Typefaces from 2018: Cherry Soda, Deviliette, Fat Sam, Doggie Bag Script, Cherry Soda, Deviliette, Fat Sam, Doggie Bag Script, Black Night (an eerie blackletter), American Cheese (retro display style).

Typefaces from 2019: Madelinette Grande (by Stuart Sandler and Crystal Kluge: created by hand with traditional pointed pen, it includes calligraphic penmanship and rustic styles).

Typefaces from 2021: Bon Marche (a curly vernaculat script by Stuart Sandler and Crystal Kluge), Los Angelino (a script by Stuart Sandler and Crystal Kluge), La Bohemienne deLuxe (a calligraphic script by Stuart Sandler and Crystal Kluge), Epicursive Pro (a script by Stuart Sandler and Crystal Kluge). [Google] [MyFonts] [More] ⦿

Font End Dev (or: Jeti)

Designer of the free pixel typefaces Piacevoli (2020), Enchanted Sword (2019: blackletter), Squarewave (2019), Kapel (2019), Neutrino (2019), St26k (2019), Poco (2019), Mousetrap (2019), Typecast (2018), Planetary Contact (2018), Microserif (2018), Enter Command (2018), Peanut Money (2018), Double Homicide (2018), Root Beer (2018), Lychee Soda (2018), Optixal (2018: OCR-inspired design), Bonefish (2018), Larceny (2018), Pear Soda (2018), Five by Five (2018), Lunch Menu (2018), Scriptorium (2018), Cartridge (2018), Owre Kynge (2018, a blackletter), Grape Soda (2018), Comicoro (2018), Unbalanced (2018), Notepen (2018), Cyborg Sister (2018), Digital Disco (2018), Quadrunde (2018), Alkhemikal (2018), Kiwi Soda (2018), Mousetrap (2008), Pixolde (2008), PW Extended (2008) and Litter Lover (2007). [Google] [More] ⦿

Font Factory
[Andy Benedek]

Andy Benedek's (b. Manchester, UK, 1945) Cotswolds-based outfit for "custom fonts and lettering of distinction", founded by him in 1988. Andy (András) made corporate typefaces for Umbro, QZERO, Bowater, Lloyds Bank, Royal Free Hospital, Liptons teas, Gordons gin, Marlboro cigarettes, as well as typefaces for magazines (Royal Academy of Arts, Elle, Blueprint) and for newspapers (The Scotsman). All this was done under the label of The Font Factory. With Michael Johnson and Mike Pratley, he created a font for BT Cellnet. A braille typeface has been developed to aid the production of signage for the blind. In 2001, he co-founded Fine Fonts with Michael Harvey. CV. Typefaces:

Aesop (2000, with Michael Harvey): developed from book jacket lettering drawn by Michael Harvey for an edition of Aesops Fables.
Balthasar (2002, with Michael Harvey): a serifed stencil font.
Braff (2002, with Michael Harvey, for Monotype Imaging): an outline face.
Fine Gothic (2002, a blackletter typeface co-designed with Michael Harvey): a blackletter family with a Basque A.
Friezea (Andy Benedek and Michael Harvey, Fine Fonts). The original font dates from ca. 1990. They explain: The origin of this font was a frieze in the RAF Chapel in Westminster Abbey which Michael Harvey was commissioned to design and create. It was comprised of the names of the top brass in Bomber Command, namely Dowding, Harris, Newall, Tedder, Portal and Douglas. The Brief was to cut the letters in bronze and guild them. Instead, they were cut in perspex and guilded. Some twenty years later, the missing upper-case letters were drawn together with the lower-case letters and Frieze, the font, was born.
Marceta (2003, with Michael Harvey): an eighth-century uncial.
Mentor (2004, with Michael Harvey, for Monotype Imaging): a Times-Roman style family.
Mentor Sans (2004, with Michael Harvey, for Monotype Imaging): a sans family.
Quirky (2010).
Ruskin (2008, Andy Benedek and Michael Harvey, Fine Fonts). This display serif typeface was originally created as a commission for Michael Harvey to design a signage font for the Dean Gallery in Edinburgh.
Scorpio (2015). Based on he condensed lettering Michael Harvey drew for the card The Sign of The Nudge which was designed in collaboration with poet Ian Hamilton Finlay. It was digitized after Harvey's death by Benedek.
Songlines (2001, with Michael Harvey): based upon a pen-drawn script drawn by Michael Harvey to illustrate a poem by Johannes Thurman.
Tisdall Script (2002, with Michael Harvey): based upon the brush-drawn script lettering of Hans Tisdall, who was the designer of many distinctive lettered book jackets for Jonathan Cape in the 1950s.
Victoriana (2002, a Victorian font by Andy Benedek and Michael Harvey, Fine Fonts). Named after cyclist Victoria Pendleton.

FontShop link.

View Andy Benedek's typefaces. [Google] [MyFonts] [More] ⦿

Font Mesa
[Michael Hagemann]

Michael Hagemann's creations have a 1850-1920 style or at evoke the Wild West. Font Mesa was located in Naperville, IL, but is now based in Las Vegas, NV.

Free fonts include Cactus Sandwich (Mexican simulation face), Timepiece (originally called Tax Cut), Timepiece 3D, Magic School One and Two (2004, two Harry Potter typefaces), Wild Ride, Corleone (2001: see also here), Corleone Due (2001), MightyRapids (2001: discontinued) and the Ferrari logo font FerroRosso (2002).

Michael Hagemann's commercial fonts by year of production:

2001: La Mesa (2001), Maverick's Luck (2001), Desperado (2001), Rio Mesa, Maverick's Luck (based on a bank document from 1876), La Macchina (2001, Lamborghini car lettering)
2002: Brewmaster Modern (lettering of Budweiser Racing), Saddlery and Saddlery Post (Western-style caps: a revival of Minaret by Ihlenberg in 1868; Solo calls it Trocadero), FerroRosso (lettering as in the Ferrari logo), Stampede (a family based on lettering used in document from the Chicago, Indiana&Eastern Railway Co. in 1902), Main Event (a Tuscan font, based on Tuscan Ornate, or Bracelet, fonts that date from before 1860; originally called Main Strike in 2003), Red Dog Saloon, Rough Riders (great Western-style caps), Draft Beer.
2003: OK Corral (revival of Caslon and Catherwood's Italian from 1821), OK Corral Lined (same as OK Corral with layers; called Italianate Barnum by Dan Solo), Gold Standard (a Tuscan font based on a few letters found on an old Gold Certificate from 1882), Rodeo Clown (based on Carnival), Taqueria, Cove.
2004: Bronc Stomper, Open Range, Saloon Girl (a spurred version, Tex Mex, appeared in 2021), Gillé Classic an exquisitily detailed family based on work by Joseph Gillé, 1820's, and implemented elsewhere under the names Circus, Roma and Madame; this was originally called Home Style; some say that the original goes back to Silvestre and not to Gillé; because of this, finally renamed Maison Luxe in 2017; the condensed versions, released in 2021, are Mi Casa and Mariachi), Miss Scarlett (Gone with the Wind poster lettering), Open Range, High Noon, Draft Beer Classic (2002-2005, connected 50s script), High Country, American West, West Wind, AmericanPop (Coca-Cola font).
2005: Buckhorn (a Tuscan style Western or circus font; renamed Circus Wagon in 2020), Rodeo Roundup (rope font; Solo called it Rope Initials), Algerian Mesa (32 fonts; extended to the gigantic font family Tavern in 2017, with further development in 2020 in Bay Tavern and Bayside Tavern; the original Algerian goes back to Stephenson and Blake), Conestoga (circus font), Rough Riders (a nice Western font based on the logo of the Beach Creek Railroad Company in the 1860s), Rough Riders Redux, Mesa Pointe (pointing hands, from 19th century sources), Black Pearl (an ornamental blackletter typeface based on an original from ca. 1860; it has two beautiful manicules; some say it is based on an 1860 font called Rimmed Black by West, published by Farmer&Little), Saloonkeeper (inspired by the Leinenkugels brewing label), Wanderer (inspired by the title logo of the TV show The Wild West), Lynchburg (inspired by the Jack Daniels Green Label Whiskey logo).
2006: Flatrock (a revival of Inverted Shaded by Julius Herriet, done at Conner in 1886; Solo calls it Big Cat; in 2020, Flat Rock was renamed Big Cat by Hagemann), Livery Stable (revival of GlypticShaded by Ihlenburg at MS&J, 1878. See also Glyptic and Glyptic No.2, 1878), Happy Holly Day, Main Street (a Tuscan typeface that revives Soutache by Julius Herriet and Bruce, 1873).
2007: Birdcage (2007, after a lettering sample in Rob Roy Kelly's American Wood Type book), Lonestar, Lonestar Western, Railhead (2007: 4 styles, a revival of an 1870s type style that was originally available from both Bruce's New York and James Conner's&Sons type foundries called English Two-Line Ornamented No.4; an earlier version was English, done in 1853 by Caslon, Austin, Woods and Sharwoods; and before that, the typeface was created by a German designer in 1849), Flying Dutchman (2007, a revival of a MacKellar, Smiths&Jordan Co Kanzlei-style font from 1876), and Western Sky (2007, a revival of a late 1800s Italian font known as Italian Slab Fancy or Dodge City: it is Italic Ornate from Smith, 1874, MS&J). Country Western (2007, 11 styles; plus versions called Country Western Script and Country Western Swing) is a revival of the classic William Page font known as Clarendon Ornamented originally designed in 1859 and again in 1877 by Vanderburgh&Wells. Abbiente (2007) is his first foray into the world of Bodoni and Didot. Buffalo Bill (2007) is a beautiful Western style font that revives a classic from James Conner's foundry from 1888 [Solo also calls it Buffalo Bill].
2008: Gold Rush and Gold Spur (2008) are further Wild West style families, based on typos from the Bruce Foundry, 1865. Silverland (2008, 8 styles; a revival of Ornamented No. 1490 by Ihlenberg, 1874, Bruce) and Belgian (2008, 5 styles; a revival of Ornamented No. 1515 by Julius Herriet, 1861, Bruce) are further revivals of typefaces from the Bruce Foundry.
2009: Spanish Main (revival of an old MacKellar Smiths&Jordan blackletter font named Sloping Black, 1896; others mention Witham and MS&J and give the date 1869), Spanish Rose, Black Rose (spiky blackletter based on BlackOrnamented No. 532, Ihlenberg, 1873, Bruce), Bella Rose (2009, blackletter), Broadgauge Ornate (revival of an 1869 Western poster typeface by Ihlenberg at MacKellar Smiths&Jordan). Apple Pie (2009) is some sort of Bodoni Ornate---it revives and extends a William Hagar Type Foundry face, ca. 1850 [MS&J added a lowercase in 1869]. This was followed immediately by Bodoni Ornamental. Hickory (2009) is an ornamental Western face, a revival of an old unnamed font dating back to 1852 and was sold through a few different type foundries including Bruce, MacKellar Smiths&Jordan and James Conner's Sons.
2010: Gunsmoke is a Far West font, a revival of a James Conner's Sons font that has been around the block under different names such as Extended Clarendon Shaded, Original Ornamented and Galena [Solo called it Galena]. Night Train is another Far West font.
2011: Gold is a multi-style slab serif font family based on the classic Gold Rush (1865, Bruce), with the shadows removed. Images: Gold Black, Gold Thin.
Undated: Cowboy Serenade (based on Phidian by Ihlenberg, 1870, MS&J; Solo's names: Eureka, Shaded Phidian), Gold Fever (based on Caxtonian, 1878, MS&J), Old Thunder (based on a Tuscan typeface from the 1800s).
2013: Great Western, Cowboy Western, Cowboy Rodeo.
2014: Magnum Sans.
2015: Grillmaster (a basic sans family consisting of 128 fonts).
2016: Pitmaster.
2017: Ribfest (a Tuscan circus font), Texicali, Alta Mesa (Wild West wood type).
2019: Marlin Geo, a large sans typeface family---a modern geometric take on Helvetica. Michael writes on Creative Market: You may have noticed a new FontMesa font released on June 17th called Geovetica, Monotype has asked me to rename the font because it's too close to their best selling product. Marlin is the new name choice for our new font with the geometric version [Marlin Geo] being released first. Marlin Geo has many opentype features and comes with italics (at a 12 degree angle) and a slanted version (at a 6 degree angle). See also Marlin Soft (2019).
Fried Chicken (2020). A 32-style slab serif family intended for supermarket or food product advertizing.
Philadelphian (2020). A Western or billboard font family based on a MacKellar, Smiths & Jordan font from 1867 by the same name.
Taco (2020). A multistyle Mexican party font.
Tortilla (2021). A 24-style Tuscan typeface, a flat-sided version of Fontmesa's Saloon Girl and Tex Mex font families.
Marzano (2021-2022). A 30-style blend of Futura, Helvetica and his own Marlin.

Klingspor link. Fontspace link. Dafont link. Creative Market link. MyFonts page. View Michael Hagemann's typefaces. Abstract Fonts link, [Google] [MyFonts] [More] ⦿

Font Monger
[Chris Vile]

Chris Vile (Fontmonger, Austin, TX) is a type and graphic designer and web developer, who was briefly located in Chicago. He specializes in horror, graffiti, grunge and brush fonts.

Creator of Cannibal (2012, scratchy hand), Die Already (grungy caps), The Dead Saloon (2012, Western caps face), the scratchy scary typeface Dead Bitch (2012), the athletic lettering typeface No Honor Roll (2012), the grungy Redux (2012), Konquer (2012), Sandy Ravage (2012), and Digital Anarchy (2012), the blood drip typefaces Spiked (2012) and XSpiked (2012), and the brushed typeface GwizsK (2012).

In 2013, he designed The Five One Two (graffiti font), Skidmarked (graffiti font), There Be Monsters, Digital Disorder (a textured typeface), We Are Depraved, The Dead Are Coming (grunge), Barbaric, Welcome To Texas (graffiti font), Chopper City (a spurred constructivist typeface), Maya Rose (a script face), Chaos and Pain (a tattoo font), Abandon (grungy poster face), Virtual Bliss, and Pale Horse (a dagger font), Malevolentz (grungy caps), Shrapnel (grungy caps).

In 2014, he created Turnt Up (graffiti font), Grind Mafia, No Hard Evidence (glass scratch typeface), Techno Wanker, Abduco (grunge), Blackhead, Summon The Executioner (grunge), The Grinder (eerie font), Normal Sometimes (rounded sans), November Mornings, One More Day, Waukegan Hustle, Thoughts of Her, All Cracked Out, Redux, Cook County Jailhouse, Ol Skool (graffiti font), Why So Serious (grunge), Never Speak Of, Taco Truck Militia, Reason to see evil, Reaching for heaven, Digital Firebomb, Gas Mask Warriors, Necrotype, The Deadliest Saloon, The Decompozed, Necro Monger, Self Righteousness (grunge face), Rasterized (brush face), Some Devil Faces, Flowers For You, Dirtgrub Graffiti, M Ponderosa (letterpress typeface), Dr. Toboggan, Midnite Hour.

Typefaces from 2015: Thoughts of Her, Any Takers, Men of Nihilist, Rise Inside, Ugly Kids, Mya Papaya, The Unknown, Shun Set, Chops Chops, My Funeral, Blood Lust (dripping blood font), Middle Schooler, Hood Rich, Tequila Sunset, Hire a Cowboy, Tequila Sunrise, Cynical Hills (spurred eroded vintage typeface), Make them suffer (grungy letters), Gristled, Dark Waters, Poison Hope, Code Predators (grungy and squarish), Oak Lawn, Sovereign (grungy blackletter), Crucifixion, Sinner Script, Travis County (graffiti font), No Reverence (grunge), Barter With A Gypsy, Vance Jackson (graffiti script), Vary Sharky (brush face by Chris Vile and Roland Huse), Sons of Noah, Knife Fight Ballet, Dingle Huckleberry (grungy blackletter), The Grim Raiders, Tha Kool Kidz, Genesee St, Quaaludes, Quaalude Hulk, Kings Butcher, Gunfighter Academy (grungy and spurred), Buffalo Grove, Children Among Lions, Dedecus Putro, Dedecus.

Typefaces from 2016: El Sancho Rancho, Hells Rider Decay (spurred style), Eternity Tomorrow, The Last Call, Our Retaliation (grungy), Zero Athletics, Filth of Icarus (grungy), Texas Slaughter, Black Dahlia, Real Horror, Means of Malice, Mechanization, Valley of Elah, Hells Rider (Tuscan), Black Jacket Boys, Outerspace Militia, Fort Death, The Lost Canyon, The Defiler, Solace for Sadist, Mind Antiks, Tattle and Tales, In Collection, Skinny Jeans (all caps sans), Born Addict, Born a Sinner, Pistol Grip Pump (spurred Western style), Under Authority (grungy), Thrash It, They Perished, Sinthetic, Epitaph (spiky tattoo font), Eternity Now (hipster style), Sniffin Paint, Poker Kings, Virtual Rot, Apex Flunkee.

Typefaces from 2017: Urbane Cuisine (sketched), Boots And Spurs, San Antono Charros (spurred), Faxine Sky (hairline), Hooligan (graffiti face), Pack of Wolves (dry brush), Tweaky, Eatn Cake, Who Asks Satan (brush style), The Devil Net, Hallow Grave, Death To Metal, Brake Fluid (tattoo style), Boiled Denim, El Sancho.

Typefaces from 2018: Reposed, A Glimpse, The Waiting Room (scratchy typeface), Philophobia, Medium Rare (a Western font; and its grunge version, Soiled Doves), Chased Through The Woods, Blood Thirst, Voices in my Head, The Quick Marker, Watch People Die, Blue Waffle (erasure font), Under Your Bed (all caps grunge), Eater of Children, Burn The Witch (dripping blood blackletter)Side Effects.

Typefaces from 2019: Taken (textured), Krazy Hazy, Jackknife, Cowboy Cadaver (Western, spurred), Commanders, Mortem Throne, Among Dead Priest (brush), Smile and Wave, Impact Brutas, Rustic Man.

Typefaces from 2020: Covid Contagion, Family Annihilator, Font to a Chainsaw, Paper Planets (squarish), Sad Szn, Bless The Galling, Marshal The Dead, Golfclub Homicide, Malignant (a Halloween font), Mustafar Reloaded, Pathogens (a rough brush font), Space Mavericks, Milwaukee Cannibal, Fit for Murder (a dripping blood font), Horror Type, Happy Face Killer.

Typefaces from 2021: LCt50, Bandero, Nerve Agent, Disembowel, Heretic, The Riven, The Rivened, One more Day, Silly Games, Ode To Murder.

Home page. Personal home page for Designs By Chris.

Dafont link. Fontspace link. [Google] [More] ⦿

Font Studio Four
[Paul Bokslag]

Paul Bokslag is a Kilkenny, Ireland-based type designer.

FontStructor (aka Four, or Font Studio Four) who made the dot matrix typeface Numbat (2012), the athletic lettering typefaces Atletica (2011) and Atletica Serif (2011), and the texture typeface Milky Way (2011).

In 2011, he created Things That Go (car silhouette dingbat face).

Faces from 2012: Crazy Fredericka (poster stencil face), Twisty, Remix Chinese Whispers, Toastbread (wavy, 3d) and Plywood (3d), Field Day (blackboard bold), Transfer Window (bilined), Walk in the woods (dot matrix face), Rock Paper Scissors (bilined), One Way Ticket (bilined), White Knight (outlined blackletter), Black Knight (blackletter), Shelf Life (stylish), Oystercatcher, Broken Promises (multiline typeface), Tarmac, Hibernation (German expressionist face), Glendalough (nibbed face), Tartan Permutations (multiline face), Return Flight, Orbital Flight, Quatermaster, Featherstone, Gorilla Republic, Granny's Bear Hunt (stencil), Detour Ahead (multiline face), Shanghai Express (angular), Cassiopeia, Camelopardalis.

Creations in 2013: Solo, C Is For Cookie, Early Riser, Firelighter, Timberline (an angular script), Lupo, Polkastruct, Bridger, Six Quinces, Dompteuse, Scandalous, Lane Seven, Singel (cross stitching font), Shadowbox, Hide And Seek, Playroom, Realta 1, Glimpse, Sinistra, Crash Test Dummy, Flightpath, Close Shave, Popover, Switchboard (electrical circuit font), Black and Amber, Wavelength (prismatic), Sightline (multilined), Structurosa Outline, Sparky, Trasna (stencil), Hold Your Horses (Western), Lupo (a winner in the FontStruct Connected Script competition), Skate Park (multiline face), Circumscript, Blinker, Bobs Your Uncle, Snowcat (inline face), Cottage Industry (house silhouettes), Causeway, Springville, Longitude, Pebble Dash, Tulipano, Hitchhiker, Stretcher, Whalewatcher, Solituda, Carbonium, Railway Sleeper (shaded face), Bricklayer Sans, Candyfloss, Milvi, Bluebell Carpet, Pinball Dingo, Spinfish (blackboard bold), Pelicano (piano key typeface), Metropolaris, Glimpse.

Typefaces from 2014: Thornbrush, Retro Pixel, Spacepixel, Level Rebel, Plutona, Blue Saloon, Seriosa, Bullwhacker, Spiegeltent, Stencilitis, Circumscript, Touchline Script, Brushland, Dordogna, Southbound, Things That Go (ar dingbats), Pacemaker Backslant, Hibernation (wood type emulation), Touchline Script, In Stitches, Stagefright, Process, Cabin Fever, Hamelin, Olingo, Black and Amber, Surftide, Move Over (stencil like Futura Black), Blackrock (rounded stencil), Windway (stencilish), Olingo (bubblegum face), a set of African-themed fonts (Bakelite, Amuletta, Spooner, Chevronel, Yellowhammer, Pinto), Rush Hour, Canario, Nova Zembla (sci-fi), Sleepless, Things That Go (vehicle dings), Cottage Industry (silhouettes of houses), Glimpse, Ticket to Ride (in the style of Tkachenko's Perfopunt), Oluna, Eyeliner, Linearo, Goldfinger, Permanent Black (fat rounded stencil), Solas (artsy dot matrix face).

Typefaces from 2015: Structurosa Italic, Ketting, Panenka, Nook, Companero, Circularity (textured), Recap Stencil, Beach Street, Life Cycle, Waterway, Rock Paper Scissors, Microwave, The Pattern Exchange, Alphabetical Order, Bloem, Synopsis, Microwave, Marbello, Dustcloud, Timberline, Boxthorn.

Typefaces from 2016: Proost, Blueback (a retro wood cut look).

Typefaces from 2017: Appalachia, Chocomotion, CloseShave, CounterCulture (3d), Crocosmia (prismatic), FarewellOphelia, FromAToB, Hinterland, Madagascar (an art deco alphabet), Micrologue, PhoenixPark, PillowTalk, Roetsj, Shadowbox, Sinistra, Skatepark, Soulmates, Spacepixel, Stagefright, ThePatternExchange, Tulipano, UpsAndDowns, Velodrome.

Typefaces from 2018: Hoek, Breach (paperclip style).

Typefaces from 2019: Krabbel, Nollaig Shona (trilined), Night Swimming, Kwadrant, Soulpatch, Sylvestra.

Typefaces from 2020: Bramble Pie (Western), Dialogue (prismatic), Greylock, Juggle, Tomorrow Never Comes (a great bubble font).

Typefaces from 2021: Offstruct RGB (a color pixel font).

Dafont link. Behance link. FontStruct link. Hellofont link. [Google] [More] ⦿

Fontage

Lin Daniel's huge free font page with useful samples of all typefaces, nicely organized. A must! Specializing also in blackletter fonts, typewriter, holiday, and handwriting fonts. Helped and supported by P.J. Evans. [Google] [More] ⦿

FONTana Typestudio
[Amondo Szegi]

FONTana is a font design studio in Szeged, Hungary, started in 1999. Free and commercial typefaces (39USD/piece) by Gabor Kóthay (La Danse, Luxury, Sehrgut (Fraktur), Faximile (1999), L&R (1999), Monsoon (1999)), and Amondó Szegi (Telegdi family, which is based on the worn typefaces used by Abbot Nicolaus Telegdi at the Vienna Jesuit press in the 16th Century; Velorex (1999)). Very beautiful web page, and fantastic fonts in all respects!

Free typefaces: Zodiac (2000), Cards (Gyula Zsigri, 2001), Maldoror, Domino (Gabor Kóthay), Count, Csenge (a Hungarian rune font by Csaba Dávid), Qwerty (Gabor Kóthay, 2000), Y2K (Gabor Kóthay, 2000).

Early commercial fonts: Woodini (caps), Sleeping Beauty (caps), Zimbalo (1999, Amondó Szegi), Pacalsone (1999, Amondó Szegi), Paradox (1999, Amondó Szegi), Construct (2001, Amondó Szegi), Binario (2000, Amondó Szegi), Bikewrench (2001, Amondó Szegi), Cabin (2001, Gábor Kóthay).

At T-26, in 2001, Amondó Szegi published the commercial typefaces MuseFace (art nouveau), Glosso (2003), Xodus (2001, Regular, Italic, Forgotten), Kozma-Ornaments, all showing old Slavonic and/or Armenian influences in Latin letters. In 2000, he made Alian Ornaments (floral ornaments) for T-26.

At T-26, Gábor Kóthay published Adagietto (2000), Minerva (2000), Archetype (2000). At PsyOps, Gábor Kóthay published the formal script Anglia (2001), Berill (2001), and Plexo (2001).

Amondó Szegi's typefaces at T-26: Nexodus (2008, medieval style), Zenthes (2008), Alien Ornaments, Glosso, Iskola (2002, a Victorian typeface done with Silas Dilworth), Kozma (great ornaments), Melico, Melico Ornaments (2004, another great set), Xodus.

At P22, Szegi designed the curly typeface Mantra (2005). Amondó Szegi's Telegdi family is since 2001 available from P22.

At The Type Trust, he created the playful Gepetto (2006).

Typefaces from 2013: Ma (avant-garde, constructivist, done as an hommage to Lajos Kassak), Overdose, Sorry (kitchen tile typeface), Atett (hommage to Lajos Kassak), Street Soul, Samizdat, Velorex (brush script), Zsir (fat octagonal face), Kedves (hipster font).

Typefaces from 2014: Iseum, Pix Gotisch.

Among their custom corporate identity jobs, the Losonczi Hair Salon work (2012) is quite outstanding.

Dubstep (2012) is an experimental triangulated grid-based typeface.

In 2013, Glosso Novum (2013, Fontana Type Foundry), a remastering of Glosso (2003), was published. Nexodus (2013) is a reworking of his 2001 typeface Xodus, with new ornaments and zodiac signs, and more weights. Xodus (2001, Regular, Italic, Forgotten) revives work by Miklós Kis Misztótfalusi (Nicholas Kis), who was one of the first designers of Armenian type: He prepared his first set of exotic types before September 1685 for the Armenian printing house in Amsterdam. It was the knowledgeable mayor of Amsterdam who requested that those types be founded. These types were used to print the mayor's (Nicolaes Witsen) work entitled Noord en Oost Tartarye. Misztótfalusi's name appears in the colophon of the book. Later, in 1687, he found Georgian types, which were, in many respects, similar to the Armenian set. Since there was no printing house in Georgia, he designed the types on the basis of some manuscripts. Unfortunately, as legend has it, the types never reached the Georgian court, which had commissioned Misztótfalusi to design them. They were either lost or stolen somewhere in Sweden. However, a sample sheet survived and was found in 1980 in Amsterdam. It may seem to make no sense to re-Latinise the types of Misztótfalus, who himself was a great master in founding Latin types, and for whom Armenian types meant the first step in a new direction.

Typefaces from 2016: Crave Sans.

Klingspor link. Fontspace link. Behance link. Dafont link. Creative Market link. [Google] [MyFonts] [More] ⦿

Fontaste
[Miguel Reyes]

Miguel Reyes (b. 1984) is a graphic and type designer from Puebla, Mexico, who studied at Benemérita Universidad Autónoma de Puebla. He obtained a Masters in Type Design from Centro de Estudios Gestalt Veracruz. Since 2010, he cooperates with Typerepublic in Barcelona. Founder of Fontaste. Graduate of the TypeMedia program at KABK Den Haag in 2012.

His graduation project consisted of two display typefaces, Naila (a wedge serif) and Rocco (a fattish round sans face).

Typefaces at Fontaste, ca. 2013: Plastilina (+Display, +Deco: signpainter family), Sancho, Candela (signpainter script).

He joined Commercial Type in New York City in 2013. Miguel's grandest achievement to date is Duplicate (2013, Commercial Type: with Christian Schwartz), a typeface family that comes in three substyles, Slab, Sans and Ionic. Commercial Type writes: Christian Schwartz wanted to see what the result would be if he tried to draw Antique Olive from memory. He was curious whether this could be a route to something that felt contemporary and original, or if the result would be a pale imitation of the original. Most of all, he wanted to see what he would remember correctly and what he would get wrong, and what relationship this would create between the inspiration and the result. Though it shares some structural similarities with Antique Olive and a handful of details, like the shape of the lowercase a, Duplicate Sans is not a revival, but rather a thoroughly contemporary homage to Excoffon. Duplicate Sans was finally finished at the request of Florian Bachleda for his 2011 redesign of Fast Company. Bachleda wanted a slab companion for the sans, so Schwartz decided to take the most direct route: he simply added slabs to the sans in a straightforward manner, doing as little as he could to alter the proportions, contrast, and stylistic details in the process. The bracketed serifs and ball terminals that define the Clarendon genre (also known as Ionic) first emerged in Britain in the middle of the 19th century. While combining these structures with a contemporary interpretation of a mid-20th century French sans serif seems counterintutive, the final result feels suprisingly natural. The romans are a collaboration between Christian Schwartz and Miguel Reyes, but the italic is fully Reyes's creation, departing from the sloped romans seen in Duplicate Sans and Slab with a true cursive. Mark Porter and Simon Esterson were the first to use the family, in their 2013 redesign of the Neue Züricher Zeitung am Sonntag. Because the Ionic genre has long been a common choice for text in newspapers, Duplicate Ionic is a natural choice for long texts. Duplicate Ionic won an award at TDC 2014.

Early in 2014, Christian Schwartz, Paul Barnes and Miguel Reyes joined forces to create the manly didone typeface family Caponi, which is based on the early work of Bodoni, who was at that time greatly influenced by the roccoco style of Pierre Simon Fournier. It is named after Amid Capeci, who commissioned it in 2010 for his twentieth anniversary revamp of Entertainment Weekly. Caponi comes in Display, Slab and Text subfamilies.

Gabriello (2015) is a soccer shirt font designed by Paul Barnes and Miguel Reyes: Inspired by brush lettering, Gabriello was commissioned by Puma. First used by their sponsored teams at the 2010 Africa Cup of Nations, it was later used at that year's World Cup, held in South Africa. It was used on the kits worn by Algeria, Cameroon, Cote d'Ivoire, and Ghana.

Marian Text (2014-2016) is a grand collection of ultra thin typefaces designed at Commercial Type by Miguel Reyes, Sandra Carrera, and Paul Barnes. Marian Text 1554 depicts the old style of Garamond & Granjon; John Baskerville's transitional form becomes Marian Text 1757; the modern of Bodoni, with swash capitals and all, becomes Marian Text 1800, and the early Moderns of the Scottish foundries of Alexander Wilson & Son of Glasgow, and William Miller of Edinburgh, become Marian Text 1812. And like the original, a black letter: Marian Text Black, referencing the forms of Hendrik van den Keere.

In 2015, Miguel Reyes designed the high-contrast sharp-edged yet curvy typeface family Canela at Commercial Type. It was followed in 2018 by Canela Condensed and Canela Text.

Ayer is an elegant condensed display typeface designed by Miguel Reyes between 2016 and 2019 for the fashion magazine W. Ayer (Commercial Type) was designed to be malleable and to assert a strong personality at a variety of scales. Commercial Type writes: Ayer Poster has the extremely high contrast that is typical of a fashion typeface and features four different italic styles: the workmanlike italic featured in all optical sizes, a chaotically beautiful Cursive with a full complement of swash capitals, a sharply stylish Angular, and Miguel's decidedly non-traditional interpretation of the staid Blackletter genre. In comparison, Ayer also has high contrast, though less so than the Poster. Finally, Ayer Deck is a low-contrast sans serif with gentle flaring.

Co-designer in 2019 with Paul Barnes of the fat face Isambard: The boldest moderns were given the name fat face and they pushed the serif letterform to its extremes. With exaggerated features of high contrast and inflated ball terminals, the fat face was the most radical example of putting as much ink on a page to make the greatest impact at the time. These over-the-top forms make the style not only emphatic, but also joyful with bulbous swash capitals and a wonderfully characterful italic.

In 2021, he designed the inky script typeface Candy Darling (with Christian Schwartz; commissioned by Richard Turley for Interview magazine) and Canela Blackletter (inspired by the long tradition of blacketter in Mexico) at Commercial Type.

In 2022, he designed the italic script typeface Eugenia at Commercial Type. Its four distinct fonts were derived from the 18th century work of Giambattista Bodoni. Eugenia was drawn to accompany Eugenio Serif, the design created for La Repubblica's weekly women's magazine D. [Google] [More] ⦿

Fontgrube AH
[Andreas Höfeld]

At Fontgrube AH, Andreas Höfeld, a protestant pastor from Erbach/Odenwald, designed these typefaces:

A Charming Font (with Graham Meade).
Adam's Family (based on Addams by John Roshell).
Annifont FG (2002) is an improvement of Annie de la Vega's Annifont (1997).
Auptimagh.
Brinkmann (Fraktur font, 2000).
Brubeck (2001).
CD Numbers.
Civitype (2013, a civilité font).
Dragonwick.
Fanjofey and Fanjofey Leoda (2002, Tolkien-like fonts that can also be viewed as Arabic simulation typefaces).
Gabriele Bad and Gabriele Ribbon (2013). Old typewriter font families that are based on David Rakowski's Harting.
Gapstown (2002, to replace Comic Sans, he says).
Gismonda (2013, art nouveau).
HermanDecanusAH (medieval handwriting based on the kanzleischrift of Dekan Hermann zu Soest, 1269).
Hymnus FG (2015, notes of a 5-line staff).
Invisible.
Jorvik Informal.
Lansbury (2013, art nouveau).
MojacaloAH (2002) and Mojacalo Relief (2013).
PaternosterAH (uncial).
SeferAH (2001, Hebrew simulation).
Slim Fast (2002-2013).
SlotMachine (no longer there, only put here for historical reasons).
Traditio (2013, blackletter).
Trinigan (2013, art nouveau).
He improved Jörgen Gedeon's Vurt and calls it Tusch FG (2002).

Dafont link. Abstract Fonts link. Klingspor link. Fontspace link. [Google] [More] ⦿

Fontmania

Russian font archive. Has mostly Latin fonts. Blackletter subpage. Cyrillic subpage. Display font subpage. Cyrillic script subpage. [Google] [More] ⦿

Fontmenu.com
[Michel Bujardet]

Michel Bujardet (a Frenchman living in West Hollywood, CA) runs Matchfonts, and started Fontmenu.com in August 2001. Commercial fonts, and free demos in all formats.

A partial list of fonts:

Square Text (old English).
Block Letters (orthography for kids), Skryptaag (2001, educational).
Boulons (letters made from nuts and bolts).
Kindergarten (funny typefaces), Learning Handwriting (K2), Learning Cursive Handwriting (Grade 2-4), Japanese Hiragana-Katakana (Year 1).
Morse code.
Dictionary phonetic notation for pronunciation.
The calligraphic fonts Chancellerie Moderne (1998, chancery hand), Oncial, Rodolphe, Willegha.
The dingbat fonts Dinosotype, Matched Potato, Nahkt hieroglyphs, SilBooettes, Angelots, Sceaux, Seraphiques, Talismans.
The monospaced fonts Bordofixed, Dactylographe (1997), Normafixed, Oloron fixed width screen font).
The mathy fonts Oloron program, Hexalist and Numberslist.
The handwriting fonts Charlotte, Louise, Mariette, Milko, Pierre, Quinze, Raoul, and Thibault.
The pixel font 8-PinMatrix.
The Bauhaus font BabyFace.
The Chinese simulation font Chinoiseries.
The LED fonts Diode, Cristolikid and Display.
The Greek simulation font Grecques.
The display fonts Zébrures (striped letters), Venitiennes, Ruban Dis-Moi, Parador, Osselets, Octogone, Metropolitain (art nouveau), Malabars, Halloween Match, Coulures, Chapou Relief, Candy Kane, Calebasse, Bujardet Freres and Big Bacon.
The MICR font MICR E13B.
The serif typefaces Baguad, Chap Clerk, Parlante, Presse, TSF&Co (art deco; +Heavy).
The sans serif typefaces Bordini, Boum-Boum, Halotique (a sans family), Junien, and Normographe.

Alternate URL for his shareware typefaces. MyFonts link for his commercial typefaces. Alternate MyFonts link. Fontspace link. Dafont link. [Google] [MyFonts] [More] ⦿

Fontmunkások
[Gábor Kóthay]

Gábor Kóthay (Fontmunkások) is a Hungarian type designer (b. 1962) who lives in Szeged. Gábor Kóthay's fonts include:

At T-26: Alphabet2, Alphabet4, Archetype, Axis No 1, Bacchus, and Tyrnavia in 2000, and the Roman inscription inspired family Minerva Modern, Minerva Display (a Roman family) in 2002. Also, Betabet sans, Betabet web, Gnosis (hairline italic), Oceanus (2004, hairline sans), Pelso (2004, hairline), Laureate (2004, hairline art deco), Picaresque (2004, irregular handwriting).
At FONTana: LaDanse, Y2K, Domino, QwertyRegular and Luxury, all in 1999-2000.
At P22: Driade (2005, Regular, Linea and Aged: calligraphic futuristic experiments), Zephyr (2001, curly; +Open Face), Schwarzkopf (2003, a Schwabacher face), La Danse (2001), Ambient (2001), the Schwabacher Fraktur font SchwarzKopf (2002), Caffe (2009: originally designed for the Artz Gallery Cafe in Budapest Hungary. The design is a contemporary handwriting style adapted from examples in lettering exercise books. It has been redrawn and expanded into six styles. The four weights were created by drawing the style using different mediums: Cappuccino in pen, Pastry in felt-tip, Lemonade in brush and Tobacco, the original, in pencil, and Poster and Poster Inline are additional styles).
At PsyOps: the formal script Anglia (2001), Berill (2001), SchwarzKopf (2002, Fraktur) and Plexo (2001).
At Job Art Studio (his own studio in Szeged, which he founded): Cats (free dingbats), Disasters (dingbats), Bubble (comic book font), 103 kék.
At Fountain: Zanzibar (2003, nice script face), Incognito (2007, a typical old map typeface), Dessau (2007-2008, a collection of eleven Bauhaus and Bauhaus stencil styles).
At Fontana: Zodiac, Tisza (2001-2007), a sans family. And Kinesis (2003), a sans typeface based on geometrically precise instructions.
At Cinqueterre Type Foundry: Eva (wedge serif; sample, another sample).
At Fontmunkások: Birdland (1999-2002), a minimalist face; Asphalt and Asphalt Signs (1996-2000), a slightly grungy set of fonts; Arcade (1999); Adagietto (2000); Flyer and Flyer Fossil (2002), a curly family.
Custom typefaces: Aqua Futurist (2008): a hairline unicase sans family with uncial influences. It is unclear if he had a hand in the typography of stockings, which I found on his site.

Blog.

Dafont link. FontShop link. [Google] [More] ⦿

Fonto Machina
[Otto Fritzhammer]

A truetype font with the Nazi Swastika in various sizes, and some Fraktur numerals, called "Fahne der Alten Garde der NSDAP", was made in 1999 by Otto Fritzhammer. I am sure that both "Fonto Machina" and "Otto Fritzhammer" do not exist, but I am just reporting what I found in the text area of the font. [Google] [More] ⦿

Fontry West
[James L. Stirling]

Fontry West is located in Tulsa, OK. At MyFonts, these Fontry West fonts can be bought: Iron, Toxcons (2008, skulls), WILD1 Firstvision, WILD1 Larra, WILD1 Nobody, WILD1 Ruts, WILD1 Toxia, WILD2 Ghixm, WILD2 Keetoowah (2008). Its type designer is James L. Stirling, who cofounded the Watts, Oklahoma-based design and lettering studio The Fontry in 1992 with Michael Gene Adkins. Born in 1964 in Oklahoma, Stirling co-designed WILD1 Firstvision (1997, techno) and Ironrider and Ironhorse (2008, blackletter typefaces based on wood types) with Adkins. In 2000, he co-designed the fonts Modern Poster and Modern Roman, based on the lettering of Alf R. Becker, a sign painter from 1932 to 1957. These fonts were published by Agfa-Monotype. Later fonts there include Steel Narrow, Steel Moderne, Chicago Modern. At The Fontry in the early 1990s, he made Klash (comic books style), Peppermint and Peppermint Openface (Southwest influences), Marbles&Strings, and Keetowah. He also made some Greek fonts at The Fontry.

In 2009, James Stirling started a serious digitization program of the art deco fonts of Alf R. Becker (based mostly on his Signs of the Times series), and made ARB 70 Modern Poster, ARB 93 Steel Moderne, ARB 44 Chicago Modern, ARB08ExtremeRomanAUG-32CASNormal (2009; the original is from 1932), and ARB 67 Modern Roman.

The grunge typeface JLS OverKill Grunge (2009) is free. JLS Smiles (2010) is a family of typefaces consisting of smilies / emoticons. FHA Modernized Ideal Classic (2011, with Michael Gene Adkins) is based on a demonstraton alphabet from Frank H. Atkinson's Atkinson Sign Painting (1908).

Typefaces from 2012 include FHA Condensed French (with Michael Gene Adkins), JLS Space X1C (LED style), JLS Space X2C, JLS Space Gothic, JLS Data Gothic.

In 2013, James cooperated with Michael Gene Adkins on FHA Broken Gothic, a layered chiseled type system based on Frank Atkinson's Broken Poster.

Typefaces from 2014: FHA Tuscan Roman (2014, Michael Gene Adkins, James L Stirling).

In 2015, Stirling designed JLS Main Square Frames (corners, rules and frames for vintage ads and monograms).

Typefaces from 2018: FTY Overkill Condensed.

Dafont link. FontShop link. Fontspring link.

View James Stirling's typefaces. [Google] [MyFonts] [More] ⦿

Fonts For Flash
[Randy Caldwell]

Toronto-based "Fonts For Flash" (est. April 2002, run by Walter Apai) offers low cost pixel fonts and allows type designers to sell their fonts through the site. Randy caldwell is the name mentioned by dafont.

Free crippled demos: FFF Freedom, FFF Reaction, FFF Compact, FFF Agent, FFF Extras. MyFonts site. See also here. In 2003, Fonts For Flash and TRUTH in Design developed the notion of Superpixel fonts, which are pixel fonts with quarter pixels added to certain blank pixels so that the results show well in Flash. An example is Halogen (2003).

Dafont has some free fonts, and mentions the name Randy Caldwell.

The list of fonts: Abstract, FFFAccess, FFFAccessExtended, FFFAgentCondensed, FFFAgentTrial, FFFAlaska, FFFAlaskaCondensed, FFFAlaskaCondensed, FFFAlaskaCondensed, FFFAntigua, FFFAntiguaBold, FFFAntiguaBoldExtended, FFFAntiguaExtended, FFFAquarius, FFFAquariusBold, FFFAquariusBoldCondensed, FFFAquariusCondensed, FFFAtlantis, FFFAtlantis, FFFAtlantis, FFFAtlantisBold, FFFAtlantisBoldCondensed, FFFAtlantisCondensed, FFFAtlantisTrial, FFFAtlantisTrial, FFFAvantiBoldCondensed, FFFBusiness, FFFBusinessBold, FFFBusinessBoldExtended, FFFBusinessExtended, FFFBytecode, FFFBytecodeExtended, FFFCalypso, FFFCalypsoExtended, FFFCompact, FFFCorporate, FFFCorporateBold, FFFCorporateBoldExtended, FFFCorporateExtended, FFFCorporateRounded, FFFCorporateRoundedBold, FFFCorporateRoundedBoldExtended, FFFCorporateRoundedExtended, FFFCosmos, FFFCosmosCondensed, FFFDaylight, FFFDaylightBold, FFFDaylightBoldExtended, FFFDaylightExtended, FFFDirect, FFFDirectCondensed, FFFDiscotheque, FFFDreamer, FFFDreamerBold, FFFDreamerBoldExtended, FFFDreamerExtended, FFFEnchanted, FFFEnterprise, FFFEnterpriseBold, FFFEnterpriseBoldExtended, FFFEnterpriseExtended, FFFEstudioExtended, FFFExecutive, FFFExecutiveBold, FFFExecutiveBoldExtended, FFFExecutiveExtended, FFFExecutiveTrial, FFFExpresso, FFFExpressoBold, FFFExpressoBoldExtended, FFFExpressoExtended, FFFExtras, FFFExtras2, FFFFamily, FFFFamilyExtended, FFFForward, FFFFreedom, FFFFreedomTrial, FFFFuego, FFFFuegoBold, FFFFuegoBoldExtended, FFFFuegoExtended, FFFGalaxy, FFFGalaxy, FFFGalaxyBold, FFFGalaxyBoldExtended, FFFGalaxyExtended, FFFGalaxyExtended, FFFGalaxyExtraBold, FFFGalaxyExtraBoldExtended, FFFGames, FFFGamesBold, FFFGamesBoldExtended, FFFGamesExtended, FFFGamesThin, FFFGamesThinBold, FFFGamesThinBoldExtended, FFFGamesThinExtended, FFFGardencity, FFFGardencityBold, FFFGardencityBoldExtended, FFFGardencityExtended, FFFGlorious, FFFGloriousBold, FFFGloriousBoldExtended, FFFGloriousExtended, FFFHarmony, FFFHarmony, FFFHarmony, FFFIdea, FFFIdeaCondensed, FFFIntelligent, FFFIntelligentCondensed, FFFIntelligentThin, FFFIntelligentThinCondensed, FFFInterface01, FFFInterface01b, FFFInterface02, FFFInterface02b, FFFInterface03, FFFInterface03b, FFFInterface04, FFFInterface04b, FFFInterface05, FFFInterface05b, FFFInterface06, FFFInterface06b, FFFInterface07, FFFInterface07b, FFFInterface08, FFFInterface08b, FFFLighthouse, FFFLighthouseExtended, FFFMagazine, FFFMagazineBold, FFFMagazineBoldExtended, FFFMagazineExtended, FFFMajestica, FFFMajesticaBold, FFFMajesticaBoldExtended, FFFMajesticaExtended, FFFManagerBold, FFFMetropolis, FFFMetropolisExtended, FFFMinitower, FFFMinitowerBold, FFFMinitowerBoldExtended, FFFMinitowerExtended, FFFMinute, FFFMinuteBold, FFFMinuteBoldExtended, FFFMinuteExtended, FFFModulas, FFFModulasBold, FFFModulasBoldExtended, FFFModulasExtended, FFFMono01, FFFMono01BoldExtended, FFFMono01Extended, FFFNadador, FFFNadadorBold, FFFNadadorBoldCondensed, FFFNadadorBoldTight, FFFNadadorCondensed, FFFNadadorTight, FFFNeostandard, FFFNeostandardBold, FFFNeostandardBoldExtended, FFFNeostandardExtended, FFFNeostandardTrial, FFFPhantom01, FFFPhantom01, FFFPhantom02, FFFPlaneta, FFFPlanetaBold, FFFPlanetaBoldExtended, FFFPlanetaExtended, FFFProfessional, FFFProfessional, FFFProfessional, FFFProfessionalBold, FFFProfessionalBold, FFFProfessionalBoldExtended, FFFProfessionalBoldExtended, FFFProfessionalExtended, FFFProtege, FFFProtegeBold, FFFProtegeBoldExtended, FFFProtegeExtended, FFFReaction, FFFReactionBold, FFFReactionBoldCondensed, FFFReactionBoldExtended, FFFReactionCondensed, FFFReactionCondensed, FFFReactionCondensed, FFFReactionExtended, FFFReactionTrial, FFFRegates, FFFRegatesBold, FFFRegatesBoldCondensed, FFFRegatesCondensed, FFFRegency, FFFRegencyBold, FFFRegencyBoldExtended, FFFRegencyExtended, FFFResolution, FFFResolutionCondensed, FFFSailor, FFFSailor, FFFSilver, FFFSilverExtended, FFFSimplicity, FFFSimplicityExtended, FFFSpacedust, FFFStar, FFFStar, FFFStar, FFFStarBold, FFFStarBoldCondensed, FFFStarCondensed, FFFStrawberry, FFFTimeline01, FFFTimeline02, FFFTraditional, FFFTraditionalExtended, FFFUrban, FFFUrbanBold, FFFUrbanBoldExtended, FFFUrbanExtended, FFFViewpoint, FFFViewpointBold, FFFViewpointBoldExtended, FFFViewpointExtended, FFFZerofactor, FFFZerofactorBold, FFFZerofactorBoldExtended, FFFZerofactorExtended, Lemoine, LemoineExtended, Orgill, OutlinePixel, OutlinePixelExtended, Pixpat10, Pixpat20, RaxelGreek, RaxelGreekBoldBold.

Showcase of the typefaces made by Fonts For Flash. [Google] [MyFonts] [More] ⦿

Fontscape

Blackletter link page at Fontscape. [Google] [More] ⦿

Fontscape: Blackletter

Fontscape shows many font examples in each of these blackletter categories:

Bastarda (in German: Schwabacher): based on cursive writing. It is typified by an 'o' which is pointed at the top and bottom.
Fraktur, the most common form, with o's that are D-shaped.
Textura (in German: Gotisch; also: Old English): An angular family of blackletter type, characterised by a hexagonal 'o'.
Rotunda (in German: Rundgotisch): the Italian version of Textura blackletter type, called Rundgotisch in German, typified by a smooth circular 'o'.

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Fontscape: Fraktur

Commercial Fraktur fonts listed at Fontscape: Fraktur, Fette Fraktur, Justus Fraktur, Monarchia, Neue Luthersche Fraktur, Walbaum Fraktur, Wittenberger Fraktur. [Google] [More] ⦿

Fontsgood
[Ade Meiada]

Denpasar, Bali-based designer (b. 1988) of the connected brush script typeface Perfume (2017) and the free script typefaces Girly Things Script (2018: a splendid dry brush script), Magical Stylish Script (2018), Prestige Signature Script (2018) and Paradiso (2018), and the free text typeface Prestige Signature Serif (2018).

Typefaces from 2019: Posyden (blackletter, tattoo font), Victorian Decade (18 fonts: +Gradient, +Outline, by Eric Kurniawan and Ade Meiada), Amygdala (a brush script), Lusting Script, Gold Leaf, Westbury Signature. [Google] [MyFonts] [More] ⦿

Fontwright Design
[David Parr]

American designer at Letterhead Fonts of Grindle (blackletter), Squeezebox (Victorian) and United Cigar (more Victorian fare). In 2014, John Studden and Dave Parr co-designed the Victorian display typeface family LHF Blackstone. Dave Parr's other typefaces at LHF and his own type foundry, Fontwright Design, include LHF Tributary (2014, a calligraphic blackletter; followed by LHF Tributary Distressed in 2016), LHF Ascribe (2014), LHF Heller's Script (with John Studden: a retro script), LHF Heller's Casual (2014), LHF Aledo (2014: a Western typeface), LHF Big Bob (2013, a sign painter's casual), Castlerock, Cedar Creek, Sanborn Thin (Victorian), FWD Egyptian Tower (2019: stackable), and Sheridan Script (fifties script).

Typefaces from 2022: FWD Zooks (a beatnik font).

Fraktur fonts by Yannis Haralambous

Fonty PL
[Grzegorz Klimczewski]

Grzegorz Klimczewski, who runs Fonty PL, a commercial Polish foundry etablished in 1994 in Wroclaw, is the Polish designer of a commercial font that mimics the letters found on Polish traffic signs, called Tablica Drogowa (free: based on Marek Sigmund's 1975 font, Drogowskaz). He also made the commercial typefaces Tablica Samochodowa (2002: Polish license plate font), Naomi Sans (2004-2011), Rashel Serif (2012), Grawer (monoline with many hairline weights called SL Gingko, SL Helena, SL Switzer and SL Watch), Pismo Szkolne (upright script), OCR-A, OCR-B, eTerminal, and the monospaced/typewriter family EFN AgeMono (10 styles). Pixel fonts by him include include EFN Cena, EFN Elegants, EFN Screen Banners, EFN Impressive, EFN Machines.

His Multifonty package contains these Cyrillic typefaces: Ailanthus, Eliza, Eukalyptus, Bravus, Bureau, Classic, Fagus (Victorian), Gilead, Gilead Condensed, Gingko Biloba, Flores, Olivea, Ritmo, Switzer, Switzer Condensed, Orient, tamar Alba, Tamar Nigra, Switzer Beveled.

His Eurofonty package has Aerton (+Shaded, +Caps), Alphabet (blackletter), AlphaBook, Absolut, Bravus, Abigail, Ailanthus, Edelmann (art nouveau), Dorothy (various brush typefaces), Cornelius (grunge), Bureau, Credo Chalk, Eunice, EuroGaramond, Gilead, German, Gutenberg, Gaya, Gingko Biloba, Koenig, McGregor (art nouveau), Goldy, Greenfield, Grand Antique, Irbis, Morus, Olivea, Penny Lane (script), Straight, Platea, Pinus, Symeon Old, Random, Schrift, Orient, Switzer (+Condensed, +Round, +Scribbled), Watch, Watch The Line, Tabasco, Techniczne, Rutica, Troya, Flowers, Jasmin, Handy, Fagus, Black Puzzle, Binokle, Breeze, Decorator, Kredki, Daglesia (blackletter), Tablica (chalk font), Detlef, Blackout, Ketling, Etiopia, Eukalyptus, Xtras (fleurons), Rubber, Garage, Machine One (old typewriter face), Wymalowany (brush).

In 2012, he placed the brush typeface Akronim on Google Web Fonts.

Google Plus link. [Google] [More] ⦿

Fontype Studio

Designer of these display typefaces in 2021: Buitenzorg (serif), Crushwear, Baymanat (blackletter), Matthine (sans), Happy Kids, Roschild, Texaz (slab serif), Fontype Rounded (sans). [Google] [More] ⦿

Forlaget Akacia

Danish company that offers a number of gothic and fraktur fonts, as well as old handwriting fonts. [Google] [More] ⦿

Formsport
[Alex Rütten]

German designer in Berlin (was: Mönchen-Gladbach) of the text family Gink go (2008, Linotype), which won an award at TDC2 2009. Typophile discussion of Ginkgo, a typeface in the spirit of the brushy sturdy Dutch types like Dolly.

Other typefaces: Suhmo (2009-2010, FontShop: a typewriter / Egyptian typeface family that won an award at TDC2 2011), Frapé (2001, pixel blackletter).

In 2017, he designed the legible semi-typewriter semi-monospaced wedge serif typeface family Aidos (Ligature Inc).

Klingspor link. Ligature Inc link. Behance link. [Google] [MyFonts] [More] ⦿

Fr. Thiersch

Creator of this blackletter alphabet. [Google] [More] ⦿

Fractal Font Factory
[Evgeny Dneprovsky]

Chita, Russia-based designer of the Latin typefaces Halloween (2016, vector format), Angular (2016) and Linear Style (2015).

Typefaces from 2017: Virgil (a Latin/Cyrillic label font), Fractal (a minimalist sans). In addition, he drew several vector format vintage alphabets.

In 2019, he published the vintage typeface family Vitage.

Typefaces from 2020: Bakeryhouse (a vintage layerable font), Black Crow (an 8-style geometric sans family).

Typefaces from 2021: Angry Monkey (a vintage layered font), Black Beer (a beer bottle blackletter font), Tomahawk (a tattoo font?), Yummy Delivery (a font for food pacakging), Yo ho ho (a pirate font), Yummy Delivery (a cartoon font), Flame Rider (a spiky tattoo or motorcycle gang font), Old Bikers (a multilayer vintage blackletter or tattoo typeface), Scarytale (a spurred typeface), Pirates Rum (a spurred typeface), Fire Needle (a layerable tattoo font). [Google] [MyFonts] [More] ⦿

Fraksoft

Outfit that published Fraktur Offenbach (2000), freeware. [Google] [More] ⦿

Fraktur BT

Fraktur BT (Bitstream, 1990-1993) was originally called Blackletter 581 by Bitstream. It is mainly used today for mathematical typesetting. It is identical to the earlier font Luthersche Fraktur by Linotype and was part of the heist of Linotype fonts by Bitstream in 1990. [Google] [More] ⦿

Fraktur chart
[Mickey Koth]

Blackletter chart at yale University. Maintained by Mickey Koth. [Google] [More] ⦿

Metafont code by Yannis Haralambous for various Fraktur and Gothic fonts: yfrak, yswab, yinit and ygoth. Type 1 versions generated by Torsten Bronger. [Google] [More] ⦿

Fraktur Initialen

A sample of Federschrift Fraktur Initialen from 1729, city of Altona. [Google] [More] ⦿

Fraktur: main dates

Main dates in the history of Fraktur.

Gothic script (gotische Schrift) developed in France in the middle ages during the time of the gothic architecture.
Gutenberg's bible in Latin (1455) contains this gothic script.
1470-1530: All Lutherian books in Germany are printed in the (renaissance) Schwabacher style. The first one in this style was by the Augsburg-based printer Johannes Bämler (1472). It blossoms around 1490 in "Schedelschen Weltchronik", printed by Anton Koberger, and in Dürer's "Apokalypse" (1498).
1517: The Schwabacher script developed into the "Fraktur". Dürer uses this Fraktur script.
19th century, early 20th century: all styles of Fraktur are further enhanced, generalized, extended and refined.
Until Bormann's "Schrifterlass" decree in 1941, nearly all publications, newspapers and books in Germany are printed in Fraktur. After that date, it became a "forbidden" script in Germany.

[Google] [More] ⦿

Fraktur.de
[Markwart Lindenthal]

Wonderful new foundry run by Friedemann, Volker and Markwart Lindenthal, and specializing in redigitizations of Fraktur fonts. Fonts: Gilgengart (Hermann Zapf, 1938), Gutenberg-Bibelschrift, Jaguar, Legende, Mainzer Fraktur (Carl Albert Fahrenwaldt, 1901), Post Fraktur (Herbert Post, 1933-1935), Rhapsodie (Ilse Schüle at Ludwig&Mayer, 1949-1951), Thannhaeuser Fraktur (Mager, magere Zierversalien, Schmalfett and Halbfett) (Herbert Thannhaeuser, 1937-1938), Wallau (Rudolf Koch, 1926-1934), Weber Mainzer, Weiss Rundgotisch (Emil Rudolf Weiß, 1937), Wilhelm Klingspor Schrift (Rudolf Koch, 1926), Zentenar Fraktur (Friedrich Hermann Ernst Schneidler, 1937-1938). There were plans to digitize Werbedeutsch and HermannGotik.

Alternate URL. Yet another URL. [Google] [More] ⦿

FrakturWeb
[Joel Clemmer]

This explains the mostly handwritten Fraktur documents and folk art practiced by Pennsylvania Germans principally from the mid-eighteenth to the mid-nineteenth centuries. By Joel Clemmer in St. Paul, MN. [Google] [More] ⦿

Francesco Mistico Canovaro
[Zetafonts (or: Studio Kmzero, or: ZeroFont)]

Francisco J. Millan Blanco

Francisco Castañeda

Mexican designer (b. 1985) of the blackletter typeface Gotic Ween (2016). [Google] [More] ⦿

Andaluz, Spain-based illustrator who made the typefaces Gothic Stencil (2012, blackletter) and Getto Style (2012).

Francisco Javier Vera Cruz

Alvaro Obregon, Mexico-based designer of the semi-blackletter typeface Bohena (2017). [Google] [More] ⦿

Francisco Lucas

Full name: Francisco Lucas Vezino De Sevilla. Spanish lettering master in the 16th century who wrote Arte de Escrevir (Madrid, 1571 [Paulo Heitlinger says that this is 1580, while others mention 1577]), in which he introduced the so-called Spanish Bastarda. He also published Arte de Escrivir (1608, Iuan de la Cuesta, Madrid). Local download.

Digitizations of his Griffo-style lettering in 1577 include:

Decimosexto NF (2006, Nick Curtis).
Francisco Lucas Llana Regular (2003). A chancery hand by Pia Frauss. She writes Written in Madrid in 1570, by a man called Francisco Lucas. He classified it as a Bastarda; but actually, it is a humanist cursive -- the type of writing that is mostly known under the name of Chancery.
Francisco Lucas Brioso Regular (2003, Pia Frauss). A chancery hand.

Scans: Grifa italica and Batarda, Redondilla (1570), Letra. [Google] [More] ⦿

Frank Adebiaye
[Velvetyne Type Foundry (or: VTF)]

Frank Grießhammer
[Kiosk Fonts]

Frank Hoffmaster

Davenport-based Iowan, b. 1981. Alternate URL. He created the grunge blackletter metal typeface Death Fucking Metal (2009). [Google] [More] ⦿

Frantisek Storm
[Storm Type Foundry]

Franz Riedinger

Designer at the Benjamin Krebs foundry who made Epoche (1912---well, I think this was by Eduard Lautenbach), Merian Fraktur (1910), Phänomen (1927, a heavy informal script), Ideal Schreibschrift (1927, a condensed formal script; this was later passed to Stempel), Riedingerschrift (1903: for a digital version, see Ridinger Std (2012, Ralph Unger)), Riedinger Mediäval (1929), Rohrfeder Fraktur (1909), Rediviva (1905, a Schwabacher published by Benjamin Krebs; a digital revival by Dieter Steffmann in 2002 is also called Rediviva), Altschwabacher Werkschrift (1918; followed by Altschwabacher mager in 1923 and Altschwabacher schmalfett in 1922; also, Altschwabacher Werkschrift Angangsbuchstaben). Reichardt also credits him with Rediviva (1905; halbfett 1906, schmalfett 1907), Riedinger Kursiv (1929), Riedinger Mediäval halbfett (1929), and Brentano Fraktur schmalfett (1917). [Google] [More] ⦿

Fred Bordfeld

German designer of GP.F La Muerte (2005, with Ollie Peters), GP.F Bitur 1.0 (2005, bitmap fraktur font), GP.F Mudam (2005, with Ollie Peters) and Jado (2005, FF DIN modified for Jadolabs GmbH). GP.F Bitur 1.0 is on the CD that comes with Fraktur Mon Amour (Hermann Schmidt Verlag, 2006). MyFonts link. Creator of Deja Rip and Deja Web (2010, with Elena Albertoni; Cyrillic included), a family of eight sans typefaces sold via Anatoletype. [Google] [MyFonts] [More] ⦿

Frederic F

FontStructor who uses the alias Star Script Writer. His Fontstructions (from 2010) include Written Thorns (blackletter), HighLight v2, HighLight v1, Childish Handwriting, Small But Strong, FatThinCo (really fat, but gorgeous), 4x4 NonComposed, Bubbly West, Bad Printer, SmallScreenText and FunOne. [Google] [More] ⦿

Frederic F

FontStructor who uses the alias Star Script Writer. His Fontstructions include Written Thorns (blackletter), HighLight v2, HighLight v1, Childish Handwriting, Small But Strong, SmallScreenText and FunOne. [Google] [More] ⦿

Frederick Tarrant

Codesigner with Edward Philip Prince of Tudor Black (1878, Miller & Richard). [Google] [More] ⦿

Fredrick R. Brennan
[Copypaste]

Friedrich Hermann Ernst Schneidler

FREELANG Fuentes

Spanish language site for various non-Latin language fonts. A sampling: Afus Deg Wfus 2 (for Berber), AlKatib1 (2001, an Arabic typeface by Naseem Amjad), Albanian, Alice_0 (Lao typeface by by Ngakham Southichack), LAOMAY_5 CHAREUNSILP (Lao typeface by by Soupasith Bouahom), Arial AMU (1999, Armenian typeface by Ruben Tarumian), BaltFrutigerLight, BaltHelveticaMedium, BaltNewCenturySchoolbookMedium, BaltOptimaMedium, BaltTiffanyMedium, BaltUniversityMedium, CarloAtor (1997, Arabic family by Timm Erickson, Summer Institute of Linguistics), Caligraf-W, Ciula (1996, a Romanian typeface by Paul Hodor), Cursiv (Romanian), AnlongvillKhek, GabrialAtor (another Arab family by Timm Erickson), Gin, Greek (1993, by Peter J. Gentry&Andrew M. Fountain), HandSign (1993, Sam Wang), HFMassisShantNUnicode (1990-1994, an Armenian unicode typeface by BYTEC Computers and Massis Graphics), HONGKAD (1994, a family by Dr. Hongkad Souvannavong), IsmarBold, IsmarLight, Lakshmi, X000000A (1994, a lao typeface by Sith Bouahom), LAOMAY_2-CHAREUNSILP, Alice3Medium, Alice0Medium, Langagedessignes (1998, by Philippe and François Blondel), NorKirk (1997, a great Armenian typeface by Ruben Tarumian), NovaTempo (for Esperanto), Pazmaveb (for Armenian), ILPRumanianB100 (1996, by Charles J. Coker), Saysettha-Lao, Saysettha-LaoBold, SenzorgaAnhok, Timok, Tribuno, Turn-W, TimesUnicode, ArialAMU, PoliceTypeAPI (for Armenian), Cieszyn-Regular, PoojaNormal, Shibolet (1995, Hebrew), Shree-Ass-0552 (2000, by Modular InfoTech), Tudor-Semi-Lite, Webdunia, TimesNRCzech, TNRLiboriusVII (2001, a fully accented Times typeface by Libor Sztemon), GreatMoravia (2001 Libor Sztemon, Czechia), Johaansi-ye-Peyravi (2001, a full accent blackletter typeface by Libor Sztemon, Czechia), TimesNREuskaraEuransiEsperanto (2001, Libor Sztemon). [Google] [More] ⦿

Freeman Gage Delamotte

Author, artist, photographer and wood engraver, b. Sandhurst, 1814, d. London, 1862. He published The Book of Ornamental Alphabets, Ancient and Mediaeval (1879, Crosby Lockwood and Co., London), which has plenty of 8th to 11th century alphabets and initials. See also here, here, and here. Another book is Examples of Modern Alphabets, Ornamental and Plain (1864, C. Lockwood and Co, London), which was scanned in and can now be downloaded here, here (locally), and here (the latter link has the 1891 version printed by Crosby Lockwood and Son, London). Further texts: The Book Of Ornamental Alphabets Ancient & Modern (1858, publ. E.F.N. Spon, London), The book of ornamental alphabets, ancient and modern, from the eighth to the nineteenth century, with numerals (1859, E. and F.N. Spon), Medieval alphabets and initials for illuminators (1861, E. and F.N. Spon; see here or here (locally) for a PDF), and A primer of the art of illumination for the use of beginners (1860, E. and F.N. Spon). Most of his lettering is typical of the Victorian tradition of adding ornaments to simple silhouettes. Example: 16th century wood engaving. An Italian alphabet (1864).

Digital typefaces based on his work include New Saxon Initials (David Nalle, 2016), Delamotte Initials One (2016, David Nalle), Delamotte Initials Two (2016, David Nalle), Museum Initials (2007, John B. Wundes) and Bad Situation (Intellecta Design, 2007: based on an 1864 design called Example Alphabet). [Google] [MyFonts] [More] ⦿

Fresh Pressed Fonts
[Ryan Welch]

Fresh Pressed Fonts is the foundry of Ryan Welch, who graduated from RIT in 2013. Based in New York City, he created the blackboard bold multi-textured font family Octomorf (2013), the free athletic lettering typeface Matchup (2013), Hickory (2013, a copperplate typeface in which all lowrcase characters are of the same size), Corduroy Slab (2013, free), Matchup Light (2013, free), Parliament (2013, spurred typeface), Grip2X (2013) and Brassie (2013, free regular weight).

In 2014, he published the rounded techno sans typeface Calvaux, Seaside Script, the vintage display typeface Privateer, Sourdough (a creamy script), the wood simulation typeface Fair Trade, the poster typeface Landscaper, and the octagonal typeface Cracker Jack.

In 2015, he published the display sans typeface family Animus and the octagonal typeface Mylodon.

Typefaces from 2016: Machinist (weathered industrial style), Halberd (semi-blackletter), Rematch (slab serif), Life Is Gouda (cheese-themed vector format font).

Typefaces from 2017: Promises, Clout (octagonal and industrial).

Behance link. Creative Market link (for buying his fonts). A newer creative Market link. [Google] [More] ⦿

Frida Medrano

During her studies in Monterrey, Mexico, Nueva Leon-based Frida Medrano created the creamy didone display typeface Kalnia (2014). In 2017, she designed the free "variable font" Fraktur typeface Jabin.

Recipient of The Society of Typographic Aficionados Catalyst Award in 2018. She now cooperates in type design projects at TypeMade. [Google] [More] ⦿

Friedrich Bauer

German type designer (b. Dorste, 1863, d. Schönberg, 1943). In 1882, he becomes the type director at the foundry of Schelter&Giesecke in Leipzig, until 1890, and again from 1896-1898. From 1898 until 1911, he is the head of printing at Genzsch&Heyse, first in München and then in Hamburg. From 1911 until 1924, he taught at the Staatlichen Gewerbeschule Hamburg. At Genzsch&Heyse, he designed Albingia (1906), Bürgerschafts Fraktur (1907; Schnelle claims 1913), Genzsch Antiqua (1906), Genzsch Kursiv (1906), Genzsch Antiqua halbfett (1908), Genzsch Kursiv halbfett (1908), Genzsch Antiqua fett (1910), Genzsch Antiqua schmallfett (1910), Genzsch Fraktur (1931), Genzsch Fraktur halbfett (1932), Heyse Antiqua (1921), Heyse Antiqua halbfett (1924), Heyse Kursiv (1921), Senats Fraktur (1907), Senats Fraktur halbfett (1908), Germanische Antiqua (1911), Germanische Antiqua halbfett (1912), Germanische Kursiv (1911), Hamburger Druckschrift (1904; halbfett and fett in 1908).

The first appearance of Nordisk Antiqua (or Genzsch-Antiqua) was in 1906 with a single weight under the name of "Nordisk Antiqua". In 1912 a family of seven weights was announced under the name "Genzsch-Antiqua" honoring the foundry in Hamburg where Bauer had been the manager of composing and printing since 1900. As the foundry Genzsch&Heyse had a lot of customers in Scandinavia, their Nordisk Antiqua became widely spread over the north of Europe.

All his other typefaces appeared at J.D. Trennert&Sohn: Fortuna (1930), Friedrich-Bauer-Grotesk (1933), Friedrich-Bauer-Grot. kräftig (1934), Friedrich-Bauer-Grot. halbfett (1934), Friedrich-Bauer-Grotesk fett (1934), F.-Bauer-Grot. schmalhalbfett (1934), Friedrich-Bauer-Grotesk licht (1934), Trennert Antiqua (1926), Trennert Kursiv (1927), Trennert Antiqua halbfett (1927), Trennert Antiqua fett (1929), Trennert Kursiv fett (1930), Trennert Antiqua schmalhalbfett (1929), Trennert Latein (1932).

For a digital revival of Friedrich Bauer Grotesk, see FF Bauer Grotesk (2014, Thomas Ackermann and Felix Bonge for Fontfont).

Digital revival of Senats Fraktur: Senatsfraktur (2020, Raph M. Unger).

Digital revivals of Genzsch Antiqua:

Genzsch Antiqua by Gerhard Helzel. In mager, halbfett and kursiv.
Nordische Antiqua (2000) by Gisela Will.
Nordik (1992) by Bo Berndal, released by Monotype.
LD Genzsch Antiqua (2017-2020) by Michael Wörgötter at Lazydogs Type Foundry.

Author of Chronik der Schriftgiessereien in Deutschland und den deutschsprachigen Nachbarländen (1928, Offenbach am Main). A PDF file exists that was made and expanded by Hans Reichardt in 2011. [Google] [MyFonts] [More] ⦿

Friedrich Heinrichsen

Type designer and calligrapher (b. Passau, 1901, d. 1980, Traunstein) who made Gotenburg (1935-1937, D. Stempel) [with Zierversalien, 1936]. This was digitized in 2001 by Delbanco as DS-Gotenburg. GotenburgA and GotenburgB were revived by Dieter Steffmann in 2002. Heinrichsen was associated with the Werkstattgemeinschaft Rudolf Koch. Other typefaces: Heinrichsen-Kanzlei (1933, Trennert), a gorgeous tall-ascendered blackletter face [for a free digital descendant, see KanzleiScriptHJZ by Hans J. Zinken]. His calligraphic work was also outstanding, and includes Initialen, a proposal for Lichte Schwabacher (never actually cut), and numerous handwriting and calligraphic keepsakes.

In 1986, Wolfgang Hendlmeier wrote a brief bio graphy. Picture. [Google] [More] ⦿

Type designer, teacher, publisher and calligrapher, b. Berlin (1882), d. Gundelfingen (1956). He worked initially with J.G. Schelter&Giesecke in Leipzig and C.E. Weber in Stuttgart. In the 1930s, he published his type designs with Bauer. He studied at the school for applied arts in Düsseldorf under F. H. Ehmcke and Peter Behrens. From 1920 until 1948, he was head of the graphics division of the Akademie der bildenden Künste Stuttgart, where his students included Albert Kapr, Imre Reiner and Lilo Rasch-Naegele. His oeuvre resides now in the Klingspor Museum in Offenbach. He is famous for his Amalthea, Zentenar Fraktur, Schneidler Antiqua, Schneidler Mediaeval and Legende. In general, due to his calligraphic tendencies, his types have great rhythm. In his era, he was at the top of his craft (in my view). A list and samples of his work. His typefaces, by foundry:

C.E. Weber: Deutsch Römisch (1923; Berry et al give the date 1926 for this old face; the A has a flat apex; the M has thin slab serif; Q has the tail outside the bowl; in the lower case the round letters are condensed; f is narrow; g has an oval-like bowl and wide tail), Kontrast (1930, an art deco collection which was revived in 15 styles in 2007 by Iza W as Schneider (sic) Kontrast and which saw another revival, RMU Kontrast, by Ralph M. Unger in 2021), Bayreuth (1932: this blackletter font was remade from a scan by Petra Heidorn in 2003 as Bayreuth-Black; for a variation, see Manfred Klein's Bayreuther-BlaXXL (2005); see also the free orphaned typeface Bayreuth), Suevia-Fraktur.
J.G. Schelter&Giesecke: Schneidler Schwabacher (1912-1913; revival in 2004 by Petra Heidorn and Manfred Klein), Schneidler Schwabach Initials (digitized by Manfred Klein in 2004 as SchneidlerSchwabachInitials), Buchdeutsch (1923; a blackletter revived in 2021 by Ralph Unger as Werbedeutsch), Buchdeutsch halbfett (1926), Schneidler-Deutsch [a blackletter revived in 2009 by Intellecta Design as Schneidler Halb Fette Deutsch], Schneidler Fraktur (1914-1916), Schneidler Kursiv (1921).
Schneidler Latein, released in 1916, the bold version in 1920 and the italics in 1921. This typeface was first revived and extended by Lena Schmidt in 2019 as Schneidler Latein. Lena writes: Schneidler Latein is a sharp and elegant Antiqua based on the ductus of the broad edged pen with a strong character. Running perfectly in paragraph text giving it something quite special and being effortlessly legible at the same time, Schneidler Latein works great in headings as well. Each glyph is a piece of art ready to be used in branding and blowup combining beauty and personality in a kick-ass blend. It is absolutely new to the digital world as it never has been digitized before.
Bauersche Giesserei: Ganz Grobe Gotisch (1930): this was revived by Ralph Unger as (FontForum) Ganz Grobe Gotisch (2006, URW), by Dieter Steffmann as Ganz Grobe, by Manfred Klein as TypoasisBoldGothic (2003), by Mars Attacks as Grobe Hand (2012, free), by Paulo W as Schneidler Grobe Gotisch (2008), and by Petra Heidorn as Bayreuth.
Bauersche Giesserei: Graphik (aka Herald, 1934).
Bauersche Giesserei: Schneidler Old Style (or Bauer Text), 1936.
Bauersche Giesserei: Zentenar Fraktur (1937). So called to honor the 100th anniversary of Bauersche, est. 1837: Peter Wiegel (CAT Zentenar Fraktur, 2014), Delbanco (DS Zentenar Fraktur), Ralph M. Unger (Zentenar Fraktur mager, halbfett, 2010), Softmaker (2016) and Dieter Steffmann each have digital versions. See also Z690 Blackletter on the SoftMaker MegaFont XXL CD, 2002. Followed by Zeichen Zentenar Fraktur (1937; see also the 2007 digitization of the caps by AR Types entitled Zentenar Initialen).
Bauersche Giesserei: Zentenar Buchschrift (1937-1938). Digital version by Delbanco.
Bauersche Giesserei: Schneidler Mediaeval (1936). See URW Schneidler Mediaeval (2011).
Bauersche Giesserei: Schmalfette Gotisch. Revived as SchmalfetteGotisch in 2004 by Petra Heidorn and Manfred Klein, and extended by Manfred Klein to SchmaleGotischMK, also in 2004.
Bauersche Giesserei: Schneidler Initials (1937, a Trajan face). See the 2004 revival by Petra Heidorn as Schneidler Initialen, and Shango (1993, Castle Type), and Shango Gothic (2007, Castle Type), the free font Au Bauer Text Initials (1990, Auras Design), OPTI Bauer Text Initials (Castcraft), and the 1994 revival by GroupType as Schneidler Initials. Schneidler Initials is in fact originally known as Schneidler-Mediaeval mit Initialen.
Schneidler Amalthea (1936). See A770 Roman on the SoftMaker MegaFont XXL CD (2002), OPTI Schneidler Swash by Castcraft, Stempel Schneidler by Bitstream, Amalthea SH by Scangraphic, Amalthea SB by Scangraphic, and URW Schneidler Amalthea (2011, URW).
Bauersche Giesserei: Legende (1937). A faux Arabic script font digitized at Profonts/URW++ by Ralph M. Unger in 2002, by Brendel (as Legend) in 1990, by SoftMaker (as Legende Script) in 2012, By SoftMaker as L690 Script, and by Ari Rafaeli in 2006. Elsner and Flake published the script font Graphis (1934, revival by Jürgen Brinckmann).
Bauersche Giesserei: Schneidler (1936). It was published in digital form by Bitstream, Adobe, and Elsner&Flake.

For Schneidler, the best source is the book by Max Caflisch, Albert Kapr, Antonia Weiss, and Hans Peter Willberg entitled F.H. Ernst Schneidler Schriftentwerfer Lehrer Kalligraph SchumacherGebler, München, 2002.

FontShop link. Klingspor link.

View F.H. Ernst Schneidler's typefaces. [Google] [MyFonts] [More] ⦿

Friedrich Hermann Wobst

Designer (b. 1905, Rochlitz) who studied at the Dresdener Kunstakademie, the Kunstgewerbeschule in Offenbach and at the Vereinigten Staatschulen für freie und angewandte Kunst, Berlin. In 1946, he moved to Stuttgart. At D. Stempel he designed the typeface Globus Kursiv (1932), a fat italic with script-like features. His fat Schwabacher typeface Roland Fraktur (1933, D. Stempel) remained unpublished. It was revived in 2015 by Coen Hofmann also as Globus Cursive (2015, URW++). [Google] [More] ⦿

Friedrich (Julius) Wernicke

Designer of the blackletter typeface Schiller-Jubiläumsschrift (1904, Stempel). He was the head of Stempel's print shop in the early part of the 20th century. [Google] [More] ⦿

Friedrich Poppl

German scribe and calligrapher (b. Soborten, Czechoslovakia, 1923, d. Wiesbaden, 1982), and designer of several text families, such as Poppl-Fraktur (1986), Poppl-Antiqua, Poppl-College (1981), Poppl-Exquisit (1970), Poppl-Nero (1982, his last face), Poppl-Laudatio (1982; see the clones OPTI Peach (Castcraft) and Poem Lavish (Softmaker)), Poppl-Pontifex (1974), and Poppl-Residenz (1977, classic calligraphy). These typefaces can be bought at Berthold.

Revivals: His neo-gothic typeface Saladin was later digitized and expanded by Patrick Griffin as Lionheart (2006, Canada Type). Hip Hop NF (2007) is a bouncy retro typeface based on Friedrich Poppl's Dynamische Antiqua (1960, Stempel). Elfort (2009, Iza W, Intellecta Design) is a calligraphic revival of work by Poppl. Poppl Stretto (1969) was at the basis of a revival by Canada Type called Wonder Brush (2012, Kevin Allan King and Patrick Griffin). Poppl Fraktur was revived and modernized by Ralph Unger as Parler Fraktur in 2018. [Google] [MyFonts] [More] ⦿

Friedrich Schoch

Designer of Schochische Cursiv (1844, F. A. Brockhaus, Leipzig). Schoch was also a foundry in Augsburg. [Google] [More] ⦿

Friedrich Wilhelm Bauer

Typefounder, b. 1834, Frankfurt am Main, d. 1923, Stuttgart. Designer of Bauersche Fraktur (1905, Bauersche Giesserei) and Gutenberg-Gotisch (1880, Bauersche Giesserei, with Gottfried Wilhelm Theodor Friebel). Bernhard Schnelle gives the date 1912 for Bauersche Fraktur schmalfett and eng halbfett, and 1919 for Bauersche Fraktur as a whole. Enge halbfette Bauersche Fraktur was revived in 2013 by Christoph Schwedhelm. [Google] [More] ⦿

Friedrich Wilhelm Kleukens

German type designer, 1878 (Achim)-1956 (Nürtingen). Studied in Berlin. Founder in 1900, with F.H. Ehmcke and Georg Belwe, of the Steglitzer Werkstatt, which he left in 1903. He taught at the Leipzig Academy of Graphic Design and Book Arts from 1903 until 1906. Thereafter he taught in Darmstadt and worked at private presses. From 1924 until 1931, he was advisor at D. Stempel AG, where he made, e.g., Gotische Antiqua (1914), Helga (1912, with round wide lower-case letters), Helga Antiqua (1913), Ingeborg Antiqua (1910), Omega (1926: art deco), Kleukens Scriptura (1926), Ratio Latein (1923), and Kleukens Fraktur (1910-1911) [sample scans: sample text, Zierbuchstaben, alphabet]. Still later, he made Trennert Fraktur (1931) at J.D.Trennert&Sohn. He also made Gutenberg-Fraktur.

Many of his typefaces were revived. Kleukens Antiqua (Bauersche Giesserei, 1910) was revived by Nick Curtis in 2007 as Kleukens Antiqua NF and by Christine Gertsch at KABK in 2012 as Kleukens Antiqua. Kleukens Scriptura was digitally revived as Kleukens Kursiv NF (2010, Nick Curtis). The Scangraphic collection has his Trieste (1910). Petra Heidorn and her group created a revival of Kleukens Fraktur. Canada Type (Kevin Allan King and Patrick Griffith) published Ratio Modern (2011), a spectacular revival of Kleukens' 1923 didone face. Omega was revived by Ralph M. Unger in 2020 as RMU Omega. [Google] [MyFonts] [More] ⦿

Frik Rodriguez

Mexican designer (b. 1998) of the blackletter typeface Letter Cream (2020). [Google] [More] ⦿

Fritz Becker

Designer of the rune font Becker-Fraktur (1999). [Google] [More] ⦿

Fritz Genzmer

Author of Das Buch des Setzers (1948), an overview of the hand composition typefaces available by German type foundries at the end of World War II:

From Frankfurt: Bauersche Giesserei, Ludwig&Mayer, D. Stempel.
From Berlin: H. Berthold, Norddeutsche Schriftgiesserei.
From Hamburg: Genzsch&Heyse.
From Offenbach: Gebr. Klingspor.
From Leipzig: J.G. Schelter&Giesecke, Ludwig Wagner.
From Dresden: Brüder Butter.
From Altona: J.D. Trennert und Sohn.
From Stuttgart: C.E. Weber.

[Google] [More] ⦿

Fritz Helmuth Ehmcke

Born in 1878 in Hohensalza, Ehmcke died in 1965 in Widdersberg. Graphic artist, book and type designer, and professor. From 1893 until 1897, he studied lithography in Berlin, and from 1899-1901 he studied at the Kunstgewerbemuseums Berlin. With Georg Belwe and Friedrich W. Kleukens, he founded the Steglitzer Werkstatt in 1900. He taught from 1903 at the Kunstgewerbeschule Düsseldorf, and from 1913-1938 at the Kunstgewerbeschule München . He ran the Rupprecht Presse in Munich from 1913-1934. Since 1941, he worked for the Bund für Deutsche Schrift, which is partially concerned with blackletter type. Finally, from 1946-1948, he was professor at the Hochschule der bildenden Künste München. He designed these typefaces:

Ehmcke Flinsch (1908, Bauersche Giesserei).
Ehmcke Antiqua (1908-1909, Flinsch). A beautiful Belle Epoque font. Linotype sells the digital version as Carlton, after acquiring ITC and Letraset which had digitized Carlton in 1983, based on a Stephenson Blake typeface from the 1910s. It appears that Ehmcke Antiqua predates that Stephenson Blake face. For another revival, see Antiqua Roman (2015, Yuanchen Jiang).
Ehmcke Kursiv (1910, Flinsch).
Ehmcke Fraktur (1910, Offizin W. Drugulin and 1912, at D. Stempel). The halbfett is from 1917. Revived by Dieter Steffmann as Ehmcke-FrakturInitialen (2002).
Ehmcke Rustika (1914, Stempel).
Ehmcke Schwabacher (1914, D. Stempel; some mention the dates 1916 and 1920; see also Ehmcke Schwabacher Zierbuchstaben). The halbfett is from 1915. The Delbanco revival is called DS-Ehmcke Schwabacher. Revived by Dieter Steffmann as Ehmcke-Schwabacher Initialen (2002).
Ehmcke Mediaeval (1922, Stempel). The kursiv is from 1923 and the halbfett from 1924.
Ehmcke Latein (1925, Ludwig&Mayer).
Ehmcke Brotschrift (1927, Ruprecht Presse).
Ehmcke Elzevier (1927, L. Wagner).

FontShop link. Klingspor link. [Google] [More] ⦿

Fritz Müller

Blackletter type designer: Armin-Gotisch (1933, Schriftguss). [Google] [More] ⦿

FrozenSerif

Designer who used FontStruct in 2008 to create the bold octagonal typefaces Mars and Bubbles. He also made Coldletter (blackletter stencil), Influence Engraved, Influence Small Caps (rounded ultra-fat), Artemis, Skylined (dingbat), Cronus, Influence, Pixelated, Modern Serif, Haunt, and Aqua (blocky). [Google] [More] ⦿

Fuk Studio Labs

Milan and Los Angeles-based studio, aka Fukstudio and Fukstudiola. In 2017, they published Rodeo (2017, an angry angular typeface family), Ultra Boost (unorthodox), Uncaged, Mocha, Prima Donna Script, Antica Roma (handcrafted), Maxfield (a script inspired by Rick Owens), Vittorie, Castello (blackletter font) and Merch (weathered blackletter). Towards the end of 2017, all typographic activity ceased, and the say to have jumped to retail clothing.

Instagram link. Graphicriver link. Creative Market link. [Google] [More] ⦿

(fW) FONTNET

Manfred Klein's free Fraktur font (type 1, Mac). [Google] [More] ⦿

Fyrisfonts
[Stefan Lundhem]

Stefan Lundhem started Fyrisfonts. He is the designer of Garajannon (Garamond family), Spartacus (a Roman, CODEX-like lettering font), Beckhem Gothic, Fournament, Primus, Fyris Fraction, Fyris Fraktur, Krabat, Heltime (mix of Times and Helvetica), Terminator, Bessie (2001, multiline art deco typeface modeled after Marcia Loeb's 1972 alphabet, Rainbow), Billie (2001, art deco titling, modeled after Marcia Loeb's 1972 alphabet, Zig Zag), Jämför abc, Miami Blues and Miami Vice (beautiful, now called Bessie and Billie, respectively). The pages in Swedish contain an in-depth study of Jenson and Adobe Jenson MM, Caslon, Cloister Old Style, Fraktur, Garamond, Minion MM, MultipleMaster fonts, Myriad MM, OpenType, Poynter, RailwayType, Newspaper type, Web fonts, Web typography, and screen typography. [Google] [More] ⦿

Gábor Kóthay
[Fontmunkások]

Gabriel Adam

Graduate of Masaryk University in Brno, Czechia, class of 2013. Brno-based graphic artist who created a blackletter typeface in 2011 at Masaryk University that is based on lettering in the Krems Bible (1333/1334, Austria). In 2015, he published the splendid handwriting font Linkingabo. Behance link. [Google] [More] ⦿

Gabriel Espinosa

Under the supervision of Cristobal Henestrosa in Mexico City, Gabriel Espinosa (b. 1995, Mexico City) designed the blackletter typeface Egocentrica (2016) and the free rounded text typeface Delicia Melted (2016). Behance link. [Google] [More] ⦿

Gabriel Martinez Meave
[Kimera Type (was: Diseño Kimera)]

Gaetan Baehr

French type designer. In 2016, Gaetan Baehr and Jeremie Hornus co-designed Hate at Indian Type Foundry. This is the best Halloween and horror movie font ever made, period. The font has 510 glyphs, and each letter has three variants. Letters have spooky-looking hairs or roots sprouting from their zombie outlines. In 2016-2017, Baehr designed the octagonal mechanical varsity typeface family Hoover (Fontstore / Fontshare).

In 2017, the blackletter typeface Aktura was published by Fontstore. At Black Foundry, he designed the emoji font Bluumoji as part of Jean-Baptiste Morizot's brutalist Bluusuuperstar (2017).

In 2018, he published Neptune (a 12-style geometric sans family with a dwarf "t") and the organic sans typeface Hongkong at Indian Type Foundry.

Finder is a multiscript typeface developed in 2020 at Black Foundry by Jérémie Hornus, Gaëtan Baehr, Changchun Ye and Zhang Miao. This neutral sans is intended for interface design, and covers Arabic, Cyrillic, Greek, Hangul, Hebrew, Japanese, Latin, Simplified Chinese, Thai and Traditional Chinese.

Galdino Otten

Cartoonist from Recife, Brazil, b. 1966, whose sense of humor and artsistic prowess shine in his dingbat fonts. Dafont link. Fontsy link.

Creator of the experimental Almost Sanskrit (2009), Zodiac Nice (2009, astrological symbols), Xilo in Zodiac (2009), Xilo-Cordel-Literature (2009, dingbats), Cordel Circo Mambembe (2010), Inside Issue (2009), Stretched Signature Flex (2009), Action of the time (2009, grunge), the dingbat typeface Ugly Cars (2010), the grunge typeface Capitão Galdino (2008), the grunge typeface Saltpeter-N-Fungus (2010), Texture Road (2010, more grunge), BSB DF 50 (2010, grunge), Fine Serif (2009), and the nice dingbat typeface Ochent Silibrina (2009).

Fonts made in 2010: Sport 4 Ever (dingbats for Olympic Games), 60sPop (multiline face), DotSpot (dot matrix), IRON H METAL (tattoo, gothic), IngaStoneSigns (stone age glyphs), Ode2PasteUp (hand-printed), WideSquare (pixelish), ActionoftheTimeNewUL, BSBDF50, Haus-Sweet-Haus, INSIGHT-ISSUE-NEW, Movie Filmstrip, SquareChalk, Action Of The Time New (grunge), CordelValentine (dingbats), IngaStoneSigns (petroglyphs), SustainableAmazon, VeryDamaged (grunge), ParkTechCG (letters as in wired circuits), kidSWritten, Iron H MetallLight, LaceNice (knitted look), Ode2PasteUp, TextureRoad (grunge).

Fonts from 2011: Booklet Cordel (sketched), Cordel Encarnado, Nuclear Accident (texture face), Noncircular (techno), Old Press (grunge), Old Typography (grunge).

Fonts made in 2012: New Press (condensed sans family, +Eroded), Sketch Wall, Comic Gibi, Own Written, Comica BD (comic book shadow font), Cartoon Relief (a 3d cartoon typeface), Riscada Doodle (scratchy hand), Sketch Nice, Needlework Good (a stitching font), Biscuit Made, Just Skinny, Crazy Style, After Cheret (hand-drawn 3d shaded outline face), Spots in the mirror, TNT Xplosion, Escrita Toska (curly script), Cordel Movies (moviemaking dingbats), Fine N Tall, Cordel Groteska, From Street Art (free graffiti font), Sketch College (sketched athletic shirt font), Thin Press (grungy vernacular type), Sketch Serif, Relief BD, Maxxi Serif (very heavily slabbed serif face), Semi Cursive Gut, Sketch Coursive (sketch face), Salt Pet Non Eroded, Advanced Architecture, Very Fine Serif (a monoline Egyptian), Sketch Nothing, Freehand Nothing, Shark Attack (curly), Do Doodle, Maybe Pollock (dust texture face), Xilo Prosa (grunge), Thin Design, Amazon Palafita (hand-drawn 3d outline face), Snow Times, Snow Traces, USSR Army (rough army stencil with a Russian feel), Needlework US (stitch font), Old Scribe (Greek lapidary face), Nickel Bumpy, Soviet Style (stencil face), Top Modern (heavy slab serif), Lettering Set New, Carton East, Not Tuned TV (sketch font), Scar Bleed (scary font), Maxxi Dots (texture face, +Shadows), Dots Land Gotika (grungy blackletter), Stefanie Dots (textured letters), Karamuruh (textured caps), Broken Type (grunge: a glaz krak font), Touppeka (a Kafkaesque, tribal or painter's font), Old Dreams (grungy), Bad King (sketched typeface), False 3D (hand-printed 3d outline typeface), True2D, I Wrote All, Resistance Until The End.

Typefaces from 2013: Serifa Comica (comic book slab), Press Style Serif (letterpress style), Press Style Large, Triatlhon In (sic: a Greek simulation face), Go 2 Old Western (grungy wood type), Old Serif Gut, Press Style (letterpress style typeface), Dust Serif, Thing Press, Thin Grotesk Serif, Before Collapse (glaz krak face), Stencil Style New (a military stencil), Damaged Serif, Press Serif Cool, Press Feeling, Sketch Toska, Link Parties, Almost Cartoon, Cartoon Toy, Toy Toy Toon, Fine Style (didone caps), Fine Sans (Peignotian), Beyond Blackboard, Forgotten Junk (grunge).

Typefaces from 2014: Simply Rounded, Cartoon 2 Packages, Pain N Bleed, Yummy Lollipop, Hippie Movement, Rotunda Geo, Old Figaro Cursive, Cute Cartoon, Sketch Gothic School (sketched blackletter), Fine College (hatched athletic lettering face), Press Felling Eroded (letterpress emulation), School Book New (sketched), Stencil Cargo Army (military stencil), Fine Eroded, Grunge Poster, Education Is A Way, Cartoon Blocks, Cartoon Bones, Cursive Option, Odd Press (letterpress emulation), Cartoon Tunes, From Cartoon Blocks (3d), Hippie Movement, Yummy Lollipop, Needlework Perfect, Press Gutenberg (blackletter), Unic Calligraphy, Roundfed Eroded, Children's Book (outlined), Neon 2 News, Good Choice (shaded letterpress emulation), Cartoon 2 Us, O 10 Type, Dust West (grungy Western style), Comic Balloon, Caligraf 1435 (pirate era script), No Name Sans, Top Secret Stamp (grungy stencil), Fine Blackboard (blackboard bold, inline), Press Style Extra L (letterpress), Sounds Good (geometric sans), Sounds Eroded (shaded letterpress font), Cartoon Blocks Christmas, Street 2 Art (graffiti font).

Typefaces from 2015: Snaps Taste (a grocery store or comic book font), Snaps Taste Christmas, Calligraphy Hand Made, Silly Aliens (dingbats), Sketch Match (3d, sketched), Cartoon 4 Sports (dingbats), Kids Book, Almost Japanese (oriental simulation font, +Comic, +Cartoon), Inga Stone Redesigned, Money Money Plus (engraved money font emulation), Thin Cool, Old N New Media (dingbats), Thinkers World (scanbats of famous intellectuals), Magical Cord, Quick Writing, Eroded 2 Much, Stencil Army WW I (military stencil), Stencil WW II (military stencil), D-Day Stencil (military stencil), Western Bang Bang (weathered Western font), Modern Serif, Modern Serif Eroded, Money Money (handcrafted engraved currency font), Almost Japanese Smooth (oriental simulation typeface), Write Righ, Ease Christmas (dingbats), Sketch Script Cool, Ficticcia College.

Typefaces from 2016: Doodle Cafe Scents (dingbats), Christmas Cookies, Coffee Written, Soft Marshmallow, Niagra Faults, Sketch Toronto, Sketch Fine Serif, Sketch Handwriting, Typewriter Press, Typewriter Style, Sketch 3D, Maple 3 Cartoon (snow-covered letters).

Typefaces from 2017: Crazy Krabs, Old Barbwire, Gregory Packaging, Ghost Army Stencil, Old Wise Sketch (sketched blackletter), Packaging Funny, Blackboard Restaurant, Kavernosa (bony typeface), Little Kid.

Typefaces from 2018: 1927 Epoque, Cartoon Toy Turbo, Old Wise Lord (blackletter), Handmade Memories, Silly Cartoon, Old Press Original, Pet Shop, Cute Script, Dust West College (hatched), New Comic BD.

Typefaces from 2019: Eco Bamboo (Cartoon, Fun), Karamuruh Turbo (all caps with a quilted texture), Cordel Junina, Cordel de Mangai (240 dingbats), Cordel Rustika.

Typefaces from 2020: Beach Party Cartoon. [Google] [More] ⦿

GalloFonts (was: Graphics by Gallo)
[Gerald Gallo]

GalloFonts is part of Graphics by Gallo, founded in 1974 by Gerald Gallo (b. Lucernemines, PA, 1941), and based in Bethesda, MD. The fonts: Bullish (squarish), Display Brutal Rough (2015), Display Black Serif Rough (2015), Pristine Light (2014: caps only squarish sans family), Display Pump (2014), Display University (2005, athletic lettering), Angulatte Light, Angulatte Medium, Angulatte Bold, Anniversary Seals (2003), Basic Bullets, Blooming Ornaments (2008), Brashee Regular, Brashee Bold, Calendar Font One, Calendar Font Two, Calendar Font Three, Carved Initials, Chiseled Initials, Cleancut, Dexterous (2010, art nouveau), Diamond Monogram - 2 Characters, Diamond Monogram - 3 Characters, Display Black Serif (2010, angular), Display Dots Five (2010), Display Dots Six (2010), Display Grungy (2010), Display Robust (2010), Dooddle, Embossed Shallow, Embossed Medium, Embossed Deep, GG Casual Light (2002, was Gallo Casula: hand printing family), GG Casual Medium, GG Casual Bold, GG Dingbats (was Gallo Dingbats, like Zapf Dingbats), GG Serif (1993, was Gallo Serif), Geometric Arrows, Geometric Ornaments, Gnarlee, Greetings, Home Sweet Home, Isometric Initial Caps - Bird's Eye View (1994), Isometric Initial Caps - Worm's Eye View, Isometric Ornaments, Jackolantern Assortment (2002) Just Bugs, Kruede Light, Kruede Regular (handwriting), Kruede Bold, Leaf Assortment (1994), Leaves Falling, Logotype, Magnificent Ornaments (2006, Victorian era decorations), Make Tracks (2002, animal footprints), Number Ornaments, Numbers 0-99 Style One - Circle Negative, Numbers 0-99 Style One - Circle Positive, Numbers 0-99 Style One - Diamond Negative, Numbers 0-99 Style One - Diamond Positive, Numbers 0-99 Style One - Square Negative, Numbers 0-99 Style One - Square Positive, Numbers 0-99 Style Two - Circle Negative, Numbers 0-99 Style Two - Circle Positive, Numbers 0-99 Style Two - Diamond Negative, Numbers 0-99 Style Two - Diamond Positive, Numbers 0-99 Style Two - Square Negative, Numbers 0-99 Style Two - Square Positive, Numbers 0-99 Style Three - Circle Negative, Numbers 0-99 Style Three - Circle Positive, Numbers 0-99 Style Three - Diamond Negative, Numbers 0-99 Style Three - Diamond Positive, Numbers 0-99 Style Three - Square Negative, Numbers 0-99 Style Three - Square Positive, Ornate Initials - Style One (2002), Ornate Initials - Style Two, Ornate Initials - Style Three, Pleasant Hand Light (2002) Pleasant Hand Medium, Pleasant Hand Bold, Precision, Rolling Ball Cursive, Serene (1993), Slender, Smiling Faces, Snowflake Assortment (1994), Snowflakes Falling (2001), Sport Numbers, Star Assortment (2002), Stature (2010, compressed sans), Swiss Folk Ornaments - Critters&Things, Swiss Folk Ornaments - Floral, Swiss Folk Ornaments - Geometric, Time Clocks, Woozee, Display Prominent (2005), Ultimate Ornaments (2005), Cross Ornaments (2005), Heraldic Creatures (2006), Victorian Leaf Ornaments (2006: great!), Quilt Patterns One (2007), Holy Ornaments (2007), Oriental Ornaments (2007), Gothic Initials One through Six (2007-2008), Interlaced Ornaments (2007), Modest Ornaments (2008), Art Nouveau Flowers (2008), Art Nouveau Ornaments (2008), Quilt Patterns Two (2008), Display Gothic (2008, blackletter), Plant Assortment (2008), Birds Flying (2009), Happy Go Lucky (2009, Victorian), Fish Fresh (2009), Display Dots One (2009, dot matrix face), Display Art Two and Three (2009, art nouveau alphabets), Display Dots Two Serif and Sans (2009, dot matrix typefaces), Display Dots Three Serif and Sans (2009), Display Dots Four Serif and Sans (2009), Display Robust (2010), Quilt Patterns Three and Four (both 2009), Gothic Initials (Seven, Eight, Nine: 2009), Carefreed (2009, a Halloween script?), Glorita (2009, casual condensed sans), Fancy Flowers (2010), Rectilinear Ornaments (2010), Display Brutal (2010, grunge), Cross Stitch Graceful (2010), Cross Stitch Regal (2011), Cross Stitch Formal (2010), Cross Stitch Discreet (2010), Cross Stitch Classic (2010), Display Dots Seven (2011), Cross Stitch Majestic (2011), Cross Stitch Elaborate (2011), Cross Stitch Medieval (2011), Cross Stitch Ornaments (2013), Display Squares One and Two (2011, gridded or dot matrix typefaces), Display Digits One through Seven (2011), Display Crisp (2012, octagonal), Blue on Blue (2012, shadow face), Green on Green (2012, 3d shadow face), White on White (2012), Orange on Orange (2012, a 3d shadow face), Victorian Ornaments (2012), Printers Plant Ornaments (2012, a floral typeface), Simple Ornaments, Numbers Style Three Diamond Positiv Regular (2012), Charisma (2013, inspired by the hand lettering used by draftsmen and architects), Display Explicit (2013), Display Uncanny (2013, unicase), Display Carlos (2013, a piano key typeface), Mighty Oaks (2013, stylized oak leaves), Sweet Hand (2014), Fast Hand (2014), Medallion Ornaments (2016), Vigorous (2016, octagonal), Heavy Duty (2016, a bold condensed sans), Tight Hand (2016), Hasty Hand (2016), Neat Hand (2016), Bullish (2017), Impossible Ornaments (2018: based on Escher's ideas), Flair Hand (2018), Severe (2018: squarish).

Typefaces from 2022: Flashie (technio caps), Illustrious (chamfered caps), Sturdie (condensed, squarish), Jubilant (squarish), Noteworthy, Sensuous (art deco), Loftie (chamfered caps), Pudgie, Brilliante (squarish), Fervent (an all caps condensed slab serif), Bevelle (a beveled chamfered slab serif), Lankie (a gas pipe font), Rotunde (a blocky sans), Rigide (a 6-style squarish sans).

View Gerald Gallo's typefaces. [Google] [MyFonts] [More] ⦿

Galynka Boychuk

Lviv, Ukraine-based creator of the Cyrillic blackletter typeface Melanzh (2015). Behance link. [Google] [More] ⦿

Ganlo R. Ithsm
[Xenophilius]

Garden of Darkness

Small Polish Gothic archive. Among the fonts, we find these Autodesk blackletter typefaces from 1996-1997: GothicE, GothicG, GothicI. Also included are Gotyk Poszarpany (2000, blackletter by Bartek Nowak, 2001), and these typefaces by Word of Fonts: wofAchancer (2000, blackletter) and wofAmpageBold (calligraphic, 2000). [Google] [More] ⦿

Gareth Sanger

Bournemouth, UK-based graphic and type designer who made some bling type posters, and created a rounded blackletter alphabet and a heavy slab serif font, both nameless, and viewable at Behance. [Google] [More] ⦿

Garisman Studio
[Risman Ginarwan]

Bandung, Indonesia-based designer (b. 1994) of Patient (squarish) (2021), Wilden (a national park signage font) (2021), Renaise (2021: a letter sign typeface), Farson Family (a weathered vintage label font) (2020), Hookward (condensed and handdrawn) (2020), Retrosey (2020), Holdem (a geometric solid font) (2020), Pylox Street (a fat graffiti font) (2020), Hello Eatery (2020), Highly (2020: an all caps grotesk with some quirks), Chelsea Olivia (a font duo) (2020), Attractype Reborn (2020: a vernacular script), Blocky (2020), Beblock (counterless, handcrafted), Yournotes (2020: a notebook script), Austellia (2020: a dry brush script), Courtland (2020), Lastwinter (2020: a brush script), GR Milesons (2020: art deco), Amoore (2020: all caps, hand-drawn), GR Altosa (2020: a headline sans), Blacks Roobin (2020), Barnett (2020), Highly (2020), Zanaz (2020: a neurotic font), Header Marker (2020), Folkner (2020: emulating stamped letters), Backrush (2020: a dry brush script), Bebrush (2020), Alligator (2020: a death metal font), Nersans (2020: a vintage display sans), GR Read (2020: an all caps headine sans), GR Norch (2020: a sports font), Pintersan (2020), Wattgone (2020), Delight Love (2020), Cattle (2020), Kartoon (2020), Yournotes, Magic Spring, Strong Boyz, Indentia (2020: art deco), Bruzh (2020), Australove (2020), Keypass (2020), Ecriture (2020), Meethlake (2020), Ellouise (2019), Rezpector (2019), Childo (2019: rounded sign painting sans), Elbrush (2019), Jungle Land (2019), Winterbrush (2019), Wintersoul (2019: free), Cordon (2019), Humming (2019), Ouders and Ouders Stencil (2019: rustic), Black Ground (2019: a letterpress font), Hardcore (2019: dry brush), Wattermellon (2019), Attractype Reborn (2019), Real Brush (2019), Wardness (2019), Headson (2019), Signation (2019: signage script), Meranie (2019), Blocky (2019), Destone (2019), Sattersoon (2019), Bassheads (2019; a brush script), Beautiful Heart (2019), Rembank (2019: script), Darkwart Letter (2019), Winsberg (2019), Smackover (2019), Magelove One (2019), Lastwinter (2019), Beattingvile (2019), Sanpaullo (2019), Slovenia (2019), Hellotropica (2019), Molliquam (2019: a brush stroke font), Alinnea (2019: a signature font), Webrush (2019), Starbricks (2019: dry brush), Sacreditty (2019: a free dry brush), Donatellia (2019), Chelsea Olivia (2019: font duo), Austellia (2019: dry brush script), Maxtield (2019: a mural paint or graffiti font), Courtland, Hasthon (2019), Beattingvile (2019), Hardner (2019: monoline retro script), Vector Type (2019), Mighty Brush (2019), Thanose (2019: blackletter), Motowerks (2019: a fat monoline script), Millo (2019), Freudian (2019), Hurson Clean and Rough (2019), Nootdorp (2019), Afterkilly (2019: blackletter), Vintages (2019), Sutter Camp, Westpart (dry brush), Maqueen (2019: sans and script), Easttalia (2019), Meifen (2019: oriental simulation), Chakie (2019: chalk font), Reallova (2019: brush), Theme (2019: a painted texture font), Sunkiss (2019: brush script), Riborn (2019: vintage lettering), Southen (2019), Ultra Brush (2019), Soul Paint (2019: brush), Dirty Brush (2019), Hurson (2019: vintage style), Northen (2019: brush font), Dakwart Letter (2019: brush font), Lolitta (2018), High Xire (2018: dry brush), Hoolegan (2018: grungy), Lesjam (2018: sans), Letter Hellen (2018: a rabbit ear script), Venator (2018: brush script), Sellwyne (2018: a creamy brush script), Kakara (2018), JustJessy (2018), Ellaine (2018) and Adelard (Serif and Scratches) (2018). [Google] [MyFonts] [More] ⦿

GARM Company (or: Graphic Artist Resource Merchant Company)
[Kendrick Kidd]

GARM Company (or: Graphic Artist Resource Merchant Company) is Kendrick Kidd's Jacksonville, FL-based graphic design outfit. Kendrick has worked in the advertising industry, freelancing since 2000 for companies like, Target, Nickelodeon, Fitbit, and Nike.

Kidd released these typefaces in 2021: Cigarro (a Victorian display typeface), Snips (a monolinear single weight modular sans).

Home page. [Google] [MyFonts] [More] ⦿

Gartype Studio
[Gumilang Anggara Ruslan]

Garut, Indonesia-based designer of the marker pen font Andalusya (2018), the upright script Rolanda (2018), Northon (2018), the monolined Henshin Script (2018), the layered poster font Barong (2018), the monoline script Hardolyn (2018), and the brush script typeface Autise (2018).

Typefaces from 2019: Riangriung (a fun layered cartoon font family), Luxuria (an all caps sans), Meltland (a wide all caps sans family), Marthabak, Selamat Lebaran (Arabic simulation), Waltskul, Uyghur Retro, Nuevo, Henshin Sans, Thunderbold (retro sci-fi), Malin Kundang, Real Violet.

Typefaces from 2020: Twentyone (a deco typeface by Gajana Aslanjan, Gumilang Anggara Ruslan, Slava Antipov, and Fidan Aslanova), Chunky Rosie, Malkuns (hand-drawn), New Victoria (a modern blackletter), Prosa GT (all caps, tall and condensed), Barokah Ramadhan (Arabic emulation), Tentang Nanti (a fat finger font), Minimalisty (monoline script).

Typefaces from 2021: Jackal Nest GT, Playbus Bays GT, Aloha Obelic GT (a bulbous children's book script), Gangstown GT (graffiti), Waxedtown GT (a graffiti tag font), Jingle Balons GT (a scrapbook balloon font), Nesora GT, Nighty Tales GT, Windy Monday GT, Bigwogs GT (graffiti), History Walker GT (a fat finger font), Saturday Party GT, Story Maker GT (a marker pen font), Allissona GT, Rosallia GT, Syltica GT. [Google] [MyFonts] [More] ⦿

Gary David Bouton
[Exclamations (or: The Boutons)]

Gary Head

Illustrator and brander in Wollongong, Australia. He created the experimental modular blackletter typeface Roundtura (2010). [Google] [More] ⦿

Gary Munch
[MunchFonts]

Gate & Lock Co.
[Tiffany Major]

Tiffany Major (Gate & Lock Co) is the creator of Metalover (2010, blackletter) and Ali Project (2010, scanbat font). [Google] [More] ⦿

Gatis Cirulis
[RAWTYPE]

Gebr. Klingspor: Schriftkartei

In 1950, Gebr. Klingspor published a nice small booklet simply called Schriftkartei. The images below are from that book. [Google] [More] ⦿

Gebrochene Schriften

Proposed classification of blackletter typefaces. Main page, by Bernhard Schnelle. He has:

Xa Gotisch. Examples: Bamberg, Belwe Gotisch, Caslon-Gotisch, Cloister Black, Fette Gotisch, Ganz Grobe Gotisch, Goudy-Text, Manuskript-Gotisch, Maximilian, Sebaldus-Gotisch, Trump-Deutsch, Weiß-Gotisch Wilhelm-Klingspor-Gotisch.
Xb Rundgotisch. Examples: Gotico, Kühne-Schrift, San Marco, Uhlen-Rundgotisch, Wallau, Weiß-Rundgotisch.
Xc Schwabacher. Examples: Alte Schwabacher, Ehmcke-Schwabacher, Neue Schwabacher, Nürnberger Schwabacher, Rediviva, Renata-Schwabacher.
Xd Fraktur. Examples: Amts-Fraktur, Breitkopf-Fraktur, Fette Fraktur, Fichte-Fraktur, Humboldt-Fraktur, König-Type, Luthersche Fraktur, Mainzer Fraktur, Poppl-Fraktur, Thannhaeuser-Fraktur, Unger-Fraktur, Walbaum-Fraktur, Wieynk-Fraktur, Wittenberger Fraktur (Monotype, 1904 or 1906; Adobe's digital Wittenberger Fraktur), Zentenar-Fraktur.
Xe Fraktur-Varianten. Examples: Claudius, Engravers Text, Fette Deutsche Schrift (Koch), Fette Kanzlei, Hermann-Gotisch, Hölderlin-Fraktur, London Text (Blackletter 686), Post-Fraktur, Rhapsodie, Wedding Text (Blackletter 681).

[Google] [More] ⦿

GemFonts98
[Graham Meade]

Prolific Australian type designer who has made over 300 free fonts to date. Creations: Bonk Fatty, Worstveld Sling (2003), Quastic Kaps (2003), Quadlateral (2003), Junge Burnout (2003), Choktoff (2003), Hall Fetica (2002), Lady Ice Extra (2002), Gizmo (2002), Arggh@$*# (2002), Republika Ego (a huge family made in 2002, as an extension of the large family Republika by Apostrophe), Zillah Modern Offset Outline (2002), Feldicouth (2002, medieval lettering), GM Exp (2002), Pecot, Pecot #2 and Pecot #3 (2002), Wazoo (2002), JamesEightEleven (2002), AnalSatisfaction (2002), GenericFont (2002), PanAm (2002), Border Base Future (2002), Moondog (2001, with Apostrophe), Equine (2001), Street Corner (2001), Mister Belvedere (2001), Freebooter Script (2001), Street (2001, an 31 font sans and slab serif at the Lab), Choda (2001, with Apostrophe), Walkway (2001, see here), Castorgate (2001), Heidorn Hill (2001, a Fraktur font with Apostrophe), Labag (2001, with Apostrophe), 11S01 Black Tuesday (2001, for Life Saving Fonts), Endor (2001; a gothic font with Apostrophe), Dekon (2001), Asenine (2001), Eskargot (2001, with Apostrophe, a "tango" font), Brassier (2001, with Apostrophe), Kandide (2001, with Apostrophe), Labrit (2001, a Fraktur font done with Apostrophe), Control Freak, Gilgongo, Eskargot, LabtopGraphed, PhoenixArise, PrussianBrewSolid, YouthanasiaTexture, Dumbledor, Luciferius, Zebrra, Street, Kronika, PrimaryElector (all at Apostrophic Labs), Scaling the Dragon, Primary Elector, Blacksmith Delight, Birthday Dingbats, Halloween 2, Comicbook Smash, AcidDreamer, Arialic, AvQest, Battered Cooper, Beerglass, Berthside, Bloodgutter 99, Blown Away, Boneribbon, Boneribbon Tall, Bunny Rabbits, Callistroke, Carbonized Timber Chizzler, Deathhead KeltCaps Drummon, Family .., Effluence, Ericott, Erozion, Erthqake, Fanfold, Gemerald, GemFont One, Gorlock, Hungover, Impressed Metal, Inked Weird, Inningham, Isildur High, JaggaPoint, KeltCaps, Kharnorric, Kharnorric Royal, Knights Quest, Knights Quest Callig, Lane Humouresque (2000), Layaway, Linear Beam, Line Etch, Melted Moments, Metal Spagetti, NeoSpacial, Niew CroMagnon, Offset Plain, Old Copperfield, Old Oak, Old Virus, Ooky, Parkvane, Pee's Celtic, Pi in the SciFi, Quilted Indian, Ribbon, Ripplemere, Roughhewn, Rounheads, Rusty Sign, Rykindor, Satan Possessed, Seventy Flares, Simpleman, Skunkline, Slinked, Snail n Ink, SnottMM (multiple master), Solid Ooky, Squashed, Static Charge, StaidMM (multiple master), Steamroller, Stiltedman, Stretch, Tear, Tearoff, Textapoint, Thor version 1.5, Time Pundits (a CODEX-like face), Torcing Away, Trilayered, Ulse Freehand, Uncey, Untidy Skrawl, Vale Shadow, Waif Thin, Warpy Roundhead, Whoosit, Wonkers, Woodbrush, Wormfont, Woven Brick, Woven Outline, Yurine Overflow, Dingbats, Americanic, BirdArt, Cattart, Chyld, Culinary Art, Doggart, Doggon, Drinks - Various, EasterArt, Ein Schwein, Gembats 1, Gembats 2, Helloween, JFC, KidClipart 1, KidClipart 2, Komedy Kritters, Krazy Kritters, Luvya Babe, Moolah, Multicasion, Odds N Sods, Sportzs, Teddyber, Teddyber Too, Vehicular, Whethers, Xmas Clipart 1, Xmas Clipart 2, PenicMasturbata, Aliensatemymum, AustralianSunrise, AustralianSunset, Blockstepped, BoldlyGo, BarredOut, Blockstepped3D, BoldlyGoOut, Daemonesque, Efentine, FuzzyXmas, Gazzarelli, Jhunwest, JhunwestConcaveGM, LickcurlPetite, LupusBlight, MilleniGem, PhilteredPhont, SlicedIron, Stargit, StargitVer2, ZappedSticks, AlphaRomanieG98, BraveNewEraG98, BlobfontG98, BoxingBrophius, CacophonyLoud, ChainzG98, CulinaryArt, DarkBastion, FortuneCity, GorlockBold, HornsofDilemma, LlynfyrchFwyrrdynn, Maranallo, OptimisticPessimist, PositiveNhilism, UniversalShatter, Bonk, Bonk College, Bonk Fatty, Bonk Offset, Bonk Outercut, Bonk Undercut, ChefsSliceNovice, MeteorGM, TreasureMapDeadhand, TechnicallyInsane, Futurex (with Apostrophe), Street, Calan, Lady Copra, Thing, Dexetrine, ChizzMM (multiple master, with Apostrophe, 2001), Charrington (2001), Lady Copra (2001), Likkle (2007), Luteous (with Rich Parks, 2001), Thorazine and Thorazone (last eleven at Apostrophic Labs [dead link]).

Interview.

In March 2001, Graham's Charming Font (done with Andreas Höfeld) won the 2001 Friday Night Type Fights competition.

Alternate URL. Fontfreak link.

Other fonts: Choktoff (2003), Etched Fractals, Film Cryptic (2003), Future Sallow, Hardnsharp (2003), Jagged Dreams, Jungle Burnout, Kyiss M'ass (2003), Tall Films (2004), Meichic (2003), Nightmare Blend Revisited, ReducedEfficiency (2003), Wasted in this job, Western Taint (2003), Wytherness, Yuma Sunset (Western style font), and Zone Linear.

Klingspor link. Fontspace link. Dafont link.

View Graham Meade's typefaces. [Google] [MyFonts] [More] ⦿

Gems of Penmanship by Williams&Packard

Penmanship book written in New York in 1867 by D. Williams and S.S. Packard. It has a few blackletter and other alphabets, and many freehand drawings of birds and animals. Selected alphabets: Grand Capitals, Italian Capitals, Ladies Hand, Roman Capitals, Italian, Half Block, Williams Style German Text, Williams and Packard's Steel Pen German Text, Old English, Williams and Packard's Church Text [this inspired C. Lee's Ornate Alphabet], Beveled Alphabet, Ribbon Alphabet, (continued), Soft and Twisted Alphabet, (continued), Rustic Alphabet, (continued). Selected drawings: a hand, a bird, a deer, a swan.

Digital revivals include Vintage Ornamental (2016) and Gothic Ornamental (2016) by Ludmila Riumina. [Google] [More] ⦿

Genan Al-Alban

Graphic designer in Barcelona, who created the broken style font Dajaja (2014). [Google] [More] ⦿

Gene Buban

Gene Buban (aka geneus1) is the creative and prolific designer at FontStruct in 2008-2009 of these typefaces:

Aerologica (2009): 3-d headline face.
Alphadings: DeTracks.
Altitudinus (2010).
Amplifica (+Carved, 2010).
Arkham Bloodletters (2008).
bay6
Bauhaus style: Slink (2009) is a tribute to Josef Albers---one could also call it a piano key font. Codename Bauhaus (2010).
Arc Brick 1:1 and 2:2 (2010).
Bevelicious (2009): 3d shadow face.
Bezziaiare (2010): an imitation of Futura.
Brikd is a fantastic headline face.
Bubble Lab EF (2008) and Bubble Lab Bang (2008): dingbat fonts.
Calligraphique (2010).
Candella (2013).
ChequereBoard (2008): a 3d face.
Christmas fonts: Kallosia Decorative (2009, blackletter), Snowflakes (2009).
Clone War (2008).
code2
Codename Bauhaus (2010).
Country Fried (Western style)
Crossfyre (2010).
Crystles (2014). He writes: In 1983, Atari released the Crystal Castles video game. You play Bentley Bear walking around castles and collecting gems. Trimetric instead of isometric. Interestingly enough, the initials of the highest scorer in the leaderboard is used to build the first castle. This font version is created using the same thin plated tiles that the player traverses through the castles.
Decorata (stylized art deco)
Didone fonts: Legality (2009, sharply serifed), Petrissage (2009).
Digibubble (2014: pixelish face).
Dingbats: DeTrayne (graffiti-clad trains), Happy Halloween (2009).
Egalite (2010): a blackletter face.
Direktype (2014: striped).
Elektronika (2009) and Circularities (2015). Pixelish.
ElSeeDee (2008, white on a black grid, inspired by the baggage claim LED scrolling message system at the Oakland Airport)
Effleurage (2009).
Eurostijl (2008)
Exersia, Excursia
Ferno (hell?)
Filmstryp (2008)
Flameon (2008) is a vertically striped athletic lettering font.
Fluoralei (2008) and Fluoralyte (2008) are all caps floral-themed typefaces.
Futuro (2008) and Futuro Extra Bold (2008).
Futurity Watch (2009).
Fragg (2014: a rounded stencil face).
Framestore (2008).
G1 Construx (2012). An arched textured typeface for "under construction" signage.
G1 Stenzilla (2012). A piano key stencil face. G1 Twyne (2014: Celtic knots), G12 Brayed (2014: Celtic knots), G1 Explo (2014), G1 Fasttrax (2013).
Gappy and Gappy LC (2010).
Geolateral
Glossierre (2009).
Graffikki (2010): graffiti face.
Hammerslab (2008) is a very thick heavy slab serif face.
Happy Halloween (2008): Halloween dingbats.
HellStruct (2008): flamed letters.
hollo, holloback, holloblack
HulkSmash has the look of cracked concrete blocks---has to be seen to be believed!
HyperLynk (2010).
Indiglo (2010).
Interblok Cylindrome (2011) and Interblok Stroke (2009): labyrinthine / Celtic knot / texture typefaces.
IronManic (2008, letters resemble armor steel plates with bolts)
IsoMatrix 3D (2009, an Escher deception in 3D), Bevelluzian (2010, 3d beveled checkerboard illusion).
Jaggs (2010): angular.
Karuso 68 (2009).
Leefer is a kitchen tile font.
Legere (2010, a roman face).
LegoManiax (2008).
G1 Lovelines (2016). A multiline typeface with embedded hearts that won an award in the 2016 FontStruct competition on the theme of love.
Lucid (2009).
Lush Alienne Caps (2014).
Microboto (2014).
Modulus and Modulus Black, ultra fat fonts.
Motternal (2011), a version of Othmar Motter's Motter Tektura.
Mucro Bold, a heavy metal band font
Multiverse Diagonality (2009).
Nontroppo (2010).
Outlier (2010).
Paradoxx (2011). Peignotian.
Periculum (2010): monoline sans.
pixsle
Pixsle (2010).
Predatoric ad Predatoric2 (2010).
Prikkle (2010): angular.
Ray Type Alpha (2014). A game font based on Konami's 1981 game Scramble.
Renovare S1 (2010) and Renovare S2 (2015). a slab serif.
Requiemme Decorum (Sept. 14th, 2009): blackletter. He writes: Exactly one year ago two of my cousins, Chris and Cleofe, got into a dealer-loaned Lexus for a trip after their main car was being repaired. Cleofe's husband, a CHP officer, was driving and their teen daughter was along for the ride. While on the freeway, the accelerator became stuck and they lost control of the car. As the runaway vehicle sped up to over 100 mph, all four passengers were killed in a fiery crash in the San Diego River. The loss was unquantifiably devastating. This immensely tragic event led my aunt to testify before congress with damning evidence that would initiate the recall of millions of Toyota vehicles. Requiemme Decorum was created on the way down to southern California for the funeral services. For Chris, Cleofe, Mark, and Mahala, may you all rest in peace and love.
Renovare (2010, +Renovare S1, S2): a slab serif.
Roboscript (2008): an upright connected school script.
Rubrix (2008): a Rubik cube dingbat font.
Sanserity (2013).
Scipio (2010).
Scribble Not (2010) is a texture face.
Sequencia (2010).
sedagive
Seriface and Seriface 2.0 (2010, a roman all-caps set).
Sharp-serifed almost modern typefaces: Legality, Petrissage, Effleurage, Karuso68.
Sinaloco (2014: in the style of Sinaloa).
Sirkles (2015). a dot-matrix typeface.
Sonorous (2010). Broadway-style art deco typeface.
Spartan Tech (2010): inspired by the multiplayer game Halo3.
Stanley Twobrick (pointy minimalist face)
Startrek typefaces: Transformicon (2009).
Stencilline (2014).
Streamlyne (2010, squarish, outlined).
Structurocca and Structurozza (2009): Horizontally stencilled black typefaces.
Swizelle (2015). A lava lamp typeface.
Tangience and Tangience Solid (2008) are fonts in which the glyphs are built up from circles glued together.
Tetrisyde
The Pax Man (2009): metallic whatever.
Trelief and Trelief Rounded (2010): multilined 3d beveled typefaces.
Tubric (2010): counterless.
Upriteous and Upriteous Black, condensed protestant fonts.
Victoriana (Victorian caps)
Vindicta Dualine (2011: Blackboard bold).
Wall-F: white squarish letters in black circles
Waverly, with scary pointed barbs like on German WWI helmets.
Weaver (Celtic knot-themed letters)
Xerro (2010): like Helvetica.
Yeomamuh, a fat look face.
Wypeout (2010)
Zorea (2014, inline font).

[Google] [More] ⦿

genealogy.net

Links to old German handwriting fonts and literature. [Google] [More] ⦿

Gennady V. Osypenko

Ukrainian art director in San Mateo, CA, b. 1983. Graduate of International Solomon University in 2004. Designer of the beautiful blackletter typeface Betali (2014). Behance link. [Google] [More] ⦿

Genzsch&Heyse

Hamburg-based foundry ifounded by Emil Julius Genzsch (1856-1906). It was taken over by Linotype in 1963. Their library included typefaces by these designers:

F. Bauer: Fortuna (1930), Genzsch Antiqua (1906), Genzsch Fraktur (1931), Heyse Antiqua (1921), Senats Fraktur (1907).
K. Klauß: Arkona (1935), Horizontale (1942).
Heinz Beck: Brahms Gotisch (1937).
Carl Otto Czeschka: Czeschka Antiqua (1914), Olympia (1929).
A. Auspurg: Hans Sachs Gotisch (1911), Domina (1929), Souverän (1913).
O. Hupp: Heraldisch (1910), Neudeutsch (1900), Numismatisch (1900).
J. Kirn: Oleander (1938).
H. König: Suberpia (1913).
Adolf Heimberg: Urdeutsch (1924).
Helmut Matheis: Verona (1958).
E. Mollowitz: Anemone (1955).
E. Ege: Basalt (1926), Ege-Schrift (1921).
W. Rebhuhn: Fox (1953), Hobby (1955).
H. Schmidt: Gigant (1926), Monument.
F. P. Glaß: Glaß Antiqua (1912).
Eickhoff: Lithograph (1903).
H. Möhring: Phalanx (1931).
C. Adam: Rex (1924).
H. Pauser: Semper Antiqua (1940).
Eugène Grasset: Römisch Grasset (1913), Grasset Antiqua (1900).
Albert Anklam: Mönchs-Gotisch (or: Mediaeval-Gotisch) in 1877 (Schnelle says 1881); Neue Schwabacher (normal and halbfett) in 1876.
J. Göbler: Ballerina (1959, script face).

In addition we find house typefaces such as Adagio (1939, script face), Blockschrift (1897; revived by Nick Curtis in 2015 as Bothas Ruhm NF and by Moritz Zimmer in 2016 as Die Blockschrift), Leibniz-Fraktur (1912; digital versions exist by Klaus Burkhardt, Petra Heidorn (free), Softmaker (Leibniz Fraktur Pro, 2016), and Ralph M. Unger), Nero Kursiv (1913), Alster (1926), Elzevir-Antiqua and Kursiv and Elzevir-Versalien (1925), Rex Versalien (1925), Richard Wagner Fraktur (ca. 1920), Glass Antiqua (1912, Franz Paul Glass: remade in 2011 by Nick Curtis as Half Full NF), Halbfette Hansa Fraktur (1912), Hansa Fraktur (ca. 1915), Hansa Gotisch (digital version by Gerhard Helzel), Plantin Antiqua and Kursiv (1913), Ondosa Ornamente (1912), Preziosa Ornamente (1912), Psalterium (1907, blackletter), Serpentin Ornamente (1912), Hamburger Druckschrift (1909), Nordische Antiqua and Cursiv (1907), Renaissance Ornamente (1901), Römische Antiqua (1899), Sparta (1939), Hauptproben (1910), Negrita, Neugotisch, Neue Pittoresk, Ornamente, Pionier, Renaissance Initialen, Römische Initialen, Römische Kursiv, Venetianische Schreibschrift.

Flickr page on Genzsch and Heyse. Proben von Schriften (1902). View the digital legacy of Genzch & Heyse. [Google] [MyFonts] [More] ⦿

Geoffroi Duchambon
[Typonet]

Georg August Eduard Schiller

Imperial punchcutter at the Reichsdruckerei Berlin, engraver and medalist, b. 1858, Stuttgart, d. 1937, Ravensburg. Type designer at C.F. Rühl (Berthold), where he made these blackletter typefaces: Neuwerk-Type (1908), Rühlsche Fraktur (1909), Rü-Neudeutsch (1899), Elementar-Deutsch (1911), Diadem (1912). At Rühl in Leipzig, he also made the script typeface Esther (1913) and the flared sans typeface Caesar Schrift (1913). [The latter was digitally revived in 2011 by Ralph M. Unger as Caesar Pro (2011).]

At Ludwig & Mayer, he designed the informal blackletter typeface Lyrisch (1907). Lyrisch was revived in 2014 by Ralph M. Unger as Lyrica.

At Akademie für das Buchgewerbe in Leipzig, he made Akademie-Fraktur (1912). Around 1900, he designed the Jugendstil genre font Germania (Reichsdruckerei), and the blackletter font Borussia (Reichsdruckerei).

Georg B. Allmacher
[Rudolf Koch]

Georg Barlösius

Type designer (b. 1864, Magdeburg, d. 1908, Berlin) who studied at Kunstgewerbeschule Berlin and Akademie in München, and worked in Berlin. He designed the blackletter typefaces Barlösius-Schrift (1906, Bauersche Giesserei; +Fett, 1907), Barlösius-Gotisch (1907, Bauerische Giesserei), Fette Barlösius-Gotisch (1907, Bauerische Giesserei), and Barlösius-Buchschrift (1907, Bauerische Giesserei), as well as Barlösius Initialen, Barlösius Einfassungen and Barlösius Vignetten.

Digital versions of some of these fonts by Peter Wiegel (Barloesius-Schrift, 2015), Manfred Klein (Barlosius Edged, 2007) and Klaus Burkhardt (Barlösius, 1999). [Google] [More] ⦿

Georg Belwe

Belwe is best known for his Belwe text family (1907, a somewhat unsuccessful art nouveau font). Based in Berlin, Georg Belwe lived from 1878 (b. Berlin) until 1954 (d. Ronneburg), and was for a long type head of the typography department at the Leipzig Academy for Art. After studies in Berlin, he set up the Steglitzer Werkstatt in 1900 with F.H. Ehmcke and F.W. Kleukens. He taught at the Kunstgewerbschule in Berlin.

His typefaces: Belwe Antiqua (1913), Wieland (1926, a handwriting typeface done at J.G. Schelter&Giesecke), Schönschrift Mozart (1927), Belwe (1907, a somewhat unsuccessful art nouveau font that saw several additions in the period up to 1914 such as Belwe Kursiv (1914)).

He designed the blackletter font Belwe Gotisch in 1912 at J.G. Schelter&Giesecke.

Digitizations of his work include Nick Curtis's 2009 typeface Bellwether Antique NF and in the Scangraphic collection, Belwe SB and Belwe SH. Dieter Steffmann designed Belwe Gotisch and Belwe Vignetten in 2002. [Google] [MyFonts] [More] ⦿

Georg Germroth

Graphic designer and painter who created the blackletter typeface Germroth-Deutsch (1935, Ludwig&Mayer). [Google] [More] ⦿

Georg Herold-Wildfellner

Type designer based in Vienna, Austria. Codesigner with Marcus Sterz at FaceType of a Victorian type family called Ivory (2009). They state that Ivory is inspired by a beautiful typeface used in an illustrated compendium about pomology from 1882. I did not know what Pomology is but the Urban Dictionary defines a pomosexual (for postmodernism sexual) as an individual who challenges assumptions about gender and sexuality. Now, a pomologist is a fruit tree specialist---that's another thing altogether. He created Aeronaut (2009, FaceType), a textura based on Kirchengotische Schrift, a font that can be found in a German font book from 1879 entitled Vorlegeblätter f&uunl;r Firmenschreiber. Weingut Script (+Ornaments, 2011) is a flourished type family. Mr. Moustache (2011) is a neatly hand-trimmed condensed type family, complete with various sets of ornaments and dingbats.

Supernett (2019) and Supernett CN (2013, Facetype) are huge font families based on hand-drawn versions of Helvetica. They have 4700 glyphs and many opentype features.

In 2014, he created the hand-lettered poster series Pinto.

In 2015, Georg published the Opentype-feature-laden 2600+-character Mila Script Pro at FaceType.

Typefaces from 2017: Pinto No 2 (hand-drawn), Sofa Sans Hand.

Typefaces from 2019: Sofa Serif Hand.

Klingspor link. Creative Market link. [Google] [MyFonts] [More] ⦿

Georg Kraus
[Preußisches Bleisatz-Magazin]

Georg Seifert
[Schriftgestaltung]

Georg Trump

A giant of German type design, b. Brettheim, 1896, d. München, 1985. Active with Berthold in Berlin from 1930-1935, and with C.E. Weber in Stuttgart from 1937 onwards. From 1934 until 1953, he succeeded Paul Renner as the Director of the Meisterschule für Deutschlands Buchdrucker in München. In 1982 he was awarded the TDC Medal. Ph. Luidl and G.G. Lange published "Hommage für Georg Trump" in 1981. Linotype link. FontShop link. His production:

At C.E. Weber: Mauritius (1967: his last typeface; revived in 2013 by Canada Type as Mauritius), Amati (1951, a narrow didone typeface with short ascenders and descenders; see Amati Pro (2010, Ralph M. Unger) and Amati AR (2011, Ari Rafaeli)), Codex (1954-1955; a calligraphic face; digital version by Linotype; see also Bitstream's Calligraphic 421), Delphin I (1951 at Weber), Delphin II (1955, at Weber), Forum I (1948, a 3d chiseled face: a digital version from 2007 by ARS Type is called Forum I-AR), Forum II (1952, also digitized by AR Types), Jaguar (1964-1965, a fun script with a wild African look, revived in 2004 at Canada Type as Tiger Script and again in 2010 as Trump Script), Palomba (1954-1955, an angular calligraphic script; revived by Ari Rafaeli in 2011 as Palomba AR and by Canada Type in 2004 as Ali Baba), Signum (1955, revided by Patrick Griffin at Canada Type in 2005 as Trump Gothic West; revived by Ari Rafaeli in 2011 as Signum AR, and again by Patrick Griffin in 2013 as Trump Gothic Pro and Trump Soft Pro), Time Script (+Light, +Medium, +Bold) aka Tioga Script (1956; digital versions by Linotype and SoftMaker), Trump Mediaeval (1954-1960; the Bitstream version is called Kuenstler 480; in 2010, Vladimir Yefimov and Isabella Chaeva cyrillicized the Bitstream family under the same Kuenstler 480 name at ParaType). See also Trump Mediaeval Office.
At Berthold: City (1930-1937: a great slab serif, ideal for athletic lettering, 1930; the mager appeared in 1937). This typeface was marketed at Berthold as City BQ and City BE. The Bitstream version seems to be called Square Slabserif 711. Other digital versions: Centrum (SoftMaker), Commerce, Cyklop (Scangraphic), Cyclop (Scangraphic). At Berthold, he also did the blackletter typeface Trump Deutsch (1935-1936). Digital versions of the latter include Trump Deutsch (2011, Ralph M. Unger), Fette Trump Deutsch (2002, by Dieter Steffmann) and Trump Deutsch by Klaus Burkhardt.
At Wagner: Schadow Antiqua (1937, a slab serif). Schadow includes mager (1937), halbfett (1938), kursiv (1942), Werk (1942), schmalfett (1945) and fett (1952). It is almost a copy of Jakob Erbar's Candida (1936). Digital revivals include one at Bitstream, also called Humanist Slabserif 707. See also S671 Slab (SoftMaker), Schadow Antique (URW) and Sheridan (SoftMaker). The most recent effort based on Scahdow is David Jonathan Ross's Gimlet (2016, 112 styles).
He also designed Forum I (1948), Forum II (1952), Amati (1952), Signum (1955).
Stempel took over many German foundries. It shows these Trump fonts: Trump Mediaeval (1954-1962), Time Script (1956-1957), Trump Gravur (1960, revived in 1995 by Alan Jay Prescott as New Trump Gravur, 2006 by Ari Rafaeli, in 2007 by ARTypes as Gravur AR, and in 2011 by Ralph M. Unger as Jobs Gravure), Jaguar (1965, a script), Mauritius (1967).

View the typefaces made by Georg Trump. [Google] [MyFonts] [More] ⦿

George Bruce
[Bruce Type Foundry]

George Douros
[Unicode Fonts for Ancient Scripts]

George Williams

George Williams's site (now defunct) site was a discovery! George Williams (b. 1959) wrote spline-generating code and then went on to produce several fonts with his software between 1987 and 1998:

Art nouveau style: Carmen, Ambrosia (1989), Fantaisie Artistique, Baldur, Monopol, Parisian, Peignot, Bocklin, Edda.
Lombardic: Lombardic.
Victorian: Caprice, Ringlet.
Uncial: Uncial Animals, Roman Uncial Modern.
Ornamental caps: Versal, Decorative, Square Caps, Extravagant Capitals, Floral Caps, Morris, Andrade.
Display typefaces: Crystal, Flash, Cupola, Santa Barbara Streets (2013-2014; after the street signs in Santa Barbara, CA).
Blackletter: Rotunda (1998), Bastarda, Textura Modern, Fractur (a remake of Wittenbach).
Art deco: Piccadilly, Mirage (1999, prismatic).
Calligraphic: Humanistic.
Text: Caslon.
Slab: Monospace.
Sans: Caliban.
Bamboo Gothic (2007).
TIS620-2529 (a Thai font).

George Williams writes: I have been slowly working to provide free unicode postscript fonts for the three major groupings of styles used by European (Latin, Greek and Cyrillic anyway) type designs: serif, sans-serif and typewriter (or Times, Helvetica and Courier). Monospace is my approximation to Courier. Close examination will reveal that it is a bad copy of courier. Caslon Roman (1992-2001) is a serif font (designed by William Caslon in 1734), it's not a bad copy of Times, it's a bad copy of something else. Caliban is a bad copy of Helvetica. If Microsoft can call their version of Helvetica Arial, then Caliban seems appropriate for mine. Yet another URL.

George Williams is best known as the inventor and creator of FontForge, the biggest and best free font editor today. It made him the darling of the Open Software community. Interview with OSP.

Fontspace link. Dafont link. Abstract Fonts link. [Google] [More] ⦿

Georges Yannopoulos

Georges Yannopoulos is a graphic and web designer and illustrator in Montreal. In 2018, he created the free simplified blackletter typeface Monolith. In 2019, he published the free techno typeface Kubos. [Google] [More] ⦿

Gerald Gallo
[GalloFonts (was: Graphics by Gallo)]

Gerda Delbanco
[Delbanco-Frakturschriften]

Gerhard Helzel

Diplom Engineer and painter from Hamburg who designed or digitized over 210 Fraktur fonts. He is heavily involved in the Bund für Deutsche Schrift und Sprache. Helzel is the designer at Delbanco-Frakturschriften of DS-DtWerkschrift (1997), DS-Fruehling (1996), DS-MaximilianGotisch (1994), DS-MaximilianTitel (1994), DS-Post-Fraktur (1997). He has hand-digitized over 200 Fraktur fonts, including

BreitkopfInitialen (2000). Breitkopf Fraktur was made in the 18th century.
ElementSchmalfett (1998). Element is a modern Textura by Max Bittrof (1933, Bauersche Giesserei).
Fichte Fraktur, after M. Tiemann, 1934.
GotenburgA and GotenburgB (1998-2000). Gotenburg was originally designed by Friedrich Heinrichsen (1935-37, Stempel AG).
HamburgerDruckschriftFett (1996). Hamburger Druckschrift is due to Friedrich Bauer (1904, Genzsch&Heyse). According to "Blackletter: Type and National Identity", Hamburger Druckschrift "is an accomplished entry in this category of hybrid typefaces made before the 1st World War. They work within the black-letter tradition while borrowing lighter weight, softer curves and more open proportions from roman. Bauer maintained the structure of broken script, but subdued any flourishes. The width of his letters are generally wider than in traditional frakturs and, as in Jugendstil hybrids, some lowercase letterforms are modernized." It has been used as headliner for "Hamburger Nachrichten" which was stopped by the Nazis in 1939. Today's "Hamburger Abendblatt", the daily Hamburg Times, is still using it as headliner.
Humboldt Fraktur (2000, gross and klein). Humboldt Fraktur was made originally by Hiero Rhode (1938, Stempel AG).
KochFrakturSchmaleHalbfette (2000). This font is due to Rudolf Koch (1910-1921, Gebr. Klingspor), and was originally named Deutsche Schrift. Digitized in 1998.
Mainzer Fraktur. After an original in 1901 by Carl Albert Fahrenwaldt.
Mars Fraktur (1995, free family).
RatdoltRotunda (1998). Named after Erhard Ratdolt (1443-1528), typesetter. Designed by Wolfgang Hendlmeier in 1989. Available at Delbanco. Tannenber (after E. Meyer, 1934).
Weber Fraktur.
WieynckGotischLicht (2001). A font by by Heinrich Wieynck (1926, Schriftguss Dresden), inspired by William Morris' work.

Helzel also offers a free "Frakturconverter" program for Windows which transforms Antiqua fonts into Fraktur fonts.

List of his fonts as of 2009: (Anker-)Schul-Fraktur, Accidenz-Gotisch, Akzidenz-Gotisch, Aldine, Albion-Gotisch, Alt-Fraktur, Alt-Gotisch (Bradley), Alt-Deutsch (after Ferdinand Theinhardt, 1851), Alte Münchner Fraktur (after a 1850 typeface by Gustav Lorenz), Alte deutsche Schreibschrift, Alte Schwabacher, Amts-Fraktur (after Heinrich Wilhelm Hoffmeister), Andreae Fraktur, Andreas-Schrift, Angelsächsisch, Angelsächsisch, Verzierte, Antike Gotisch, Aramäische Quadratschrift, Astra, Bastard, Bernhard-Fraktur, Bismarck-Gotisch, Breite deutsche Anzeigenschrift, Breite Kanzlei, Breitkopf-Fraktur, Britannia (Alt-Gotisch), Büxenstein-Antiqua, Büxenstein-Fraktur (after a house style at D. Stempel, 1912), Canzlei, Caxton, Caxton-Type, Claudius, Courante Gotisch, Danziger Fraktur (after A. W. Kafemann), Derby, Deutsche Reichsschrift (after a 1910 typeface by Wilhelm Woellmer), Deutsche Schrägschrift, Deutsche Schreibschrift (Bismarck-Zeit and Goethe-Zeit: school fonts), Deutsche Schrift, Deutsche Werkschrift, Deutsche Zierschrift, Deutsch-Gotisch, Deutschland, Dresdner Amts-Fraktur, Eckmann-Schrift, Einfache Kanzlei, Elegant, Element, Enge Gotisch (2008, after an 1880 font by Bauersche Giesserei), Enge moderne Kanzlei, Enge König-Type, Enge Kanzlei, Englische Antiqua, Faust-Fraktur, Fette Gotisch, Fette Schwabacher, Fichte-Fraktur, Fractur, Französische Antiqua, Frühling-Fraktur (1997, after Koch's original from 1917), Garamond-Antiqua, Genzsch-Antiqua, Germanen-Fraktur (this is the same as Stempel's Normannia from 1905), Germanisch, Goethe-Fraktur (after Wilheml Woelmmer), Gotenburg, Graeca, Gronau-Gotisch (after Heinrich Ehlert, 1850), Gursch-Fraktur, Gutenberg-Fraktur, Gutenberg-Bibelschrift, Gutenberg-Gotisch, Haenel-Antiqua, Halbfette Aldine, Halbfette Kanzlei, Halbfette Normalfraktur, Halbfette Schwabacher-Flinsch, Halbfette Wallau, Hamburger Druckschrift, Hamburger Fraktur, Hamburger Schwabacher, Hammonia-Gotisch, Hansa-Fraktur, Hansa-Gotisch (after a Genzsch & Heyse original), Hebräisch, Hellenistische Antiqua "Graeca", Hölderlin (after Eugen Weiss, 1937), Holländische Gotisch, Hoyer-Fraktur, Humboldt-Fraktur, Hupp-Fraktur, Ideal-Fraktur, Jean-Paul-Fraktur, Jubiläumsfraktur, Kaiser-Gotisch, Kanzlei, Karl-May-Fehsenfeld-Fraktur, (after a 1870 font used in the Karl-May books) Karl-May-Radebeul (after a 1890 font used in the Karl-May books), Kirchengotisch, Moderne, Kleist-Fraktur, Kleukens-Fraktur, Koch-Antiqua, Koch-Fraktur, König-Fraktur G14, König-Type, Kühne-Gotisch, Kühne-Schrift, Kurante Gotisch, Kurmark, Lichte National, Liebing-Type, Liturgisch (after Otto Hupp, 1906), Logos, Ludlow-Wartburg-Fraktur (after Ludlow, ca. 1920), Magere Wallau, Mainzer Fraktur, Manuskript-Gotisch, Mars-Fraktur, Maximilian-Gotisch, Mediaeval-Gotisch, Leipziger Altfraktur (after a 1912 typeface by Carl Kloberg), Midoline (after Jean Midolle's typeface from 1840 at Julius Klinkhardt), Moderne Kanzlei, Moderne Kirchen-Gotisch (based on an original from ca. 1880), Mönchs-Gotisch, Morris-Gotisch (Uncial-Gotisch, Unzial-Gotisch, after Emil Gursch), Münster-Gotisch, Neu-Gotisch klein, Neudeutsch(-Hupp), Neue (moderne) Fraktur, Neue Schwabacher, Nordisch-Antiqua, Normal-Fraktur (1999, after the font by Gustav Schelter, 1835), Normannia-Fraktur, Nürnberg, Offenbach, Post-Fraktur, Psalter-Gotisch, Ratdolt-Rotunda, Reklame-Fraktur halbfett, Renaissance-Fraktur, Renaissance-Kanzlei, Renata (after a Schwabacher of the Bauersche Giesserei, 1914), Richard-Wagner-Fraktur, Romeo Fraktur (2009, after a Stempel font from 1910), Rundgotisch, Russisch-Römisch, Salzmann-Fraktur, Schmale Accidenz-Gotisch, Schmale Haas-Gotisch, Schmale halbfette Fraktur, Schmale halbfette Gotisch, Schneidler-Schwabacher, Schraffierte Gotisch "Stella", Schreibschrift, Schul-Fraktur, Schwabacher, Schwabacher Mager Gross (after Albert Anklam, 1876), Sonderdruck-Antiqua (2008, after a 1913 typeface by Deberny and Peignot), Stahl (2007, after a 1937 typeface by Hans Kühne), Stahl Kursiv (2009, after Hans Kühne), Stella, Stempel-Fraktur, Straßburg (a blackletter based on fter H type by H. Berthold, 1926), Tannenberg, Thannhaeuser-Fraktur, Tiemann-Fraktur, Tiemann-Gotisch, Tiemann-Mediaeval, Unger-Fraktur, Verzierte Angelsächsisch, Verzierte Musirte Gotisch, Victoria-Gotisch (Viktoria-Gotisch), Wallau, Wartburg-Fraktur, Weber-Fraktur, Weiß-Fraktur, Werkschrift Germanisch, Wieynck-Gotisch, Wilhelm-Klingspor-Gotisch, Wohe-Kursive (after Wolgang Hendlmeier, 1988), Wohe Textura (2009, after Wolfgang Hendlmeier), Zeitungs-Fraktur, Zeitungs-Schwabacher (halbfette Neue Zeitungs-Schwabacher, to be more precise---based on a 1900 typeface by Pustet), Zentenar-Buchschrift.

Catalog from 1996. Article in 1995 by him on Normal Fraktur. Another catalog, in pieces: I, II, III, IV, V, VI, VII, VIII. Antiqua catalog.

Three free blackletter fonts. [Google] [More] ⦿

Gerhard Helzel
[Gerhard Helzel's typefaces]

German Fonts and Old Handwritten Styles

Gerhard Helzel's typefaces
[Gerhard Helzel]

This list of Gerhard Helzel's blackletter typefaces is compiled (in German) on the basis of information given on Helzel's web page.

Fraktur
- Zeitungs-Frakt. 9 P.
  - Bauer FfM Nr.75 norm.
  - Gutenberg-Fraktur norm.+halbfette 9/9,3 P. (Linotype)
- Normal-Fraktur
  - Borgi+ (9/9,3 Pkt.) norm.
  - Nonpareille (6/6,25Pkt.) norm.,
  - fett Petit (8/8,25 Pkt.) (Belhagen & Klasing)
  - mager 20/22 Pkt.
  - mager 28/30 P.
- Germanen-Fraktur (Normannia-Fraktur) 10 Pkt. normal / halbfett
- Mars-Fraktur 10 Pkt. normal und halbfett
- Weber-Fraktur norm. in 9,5-10 und 12 Pkt. ; fett klein ca. 10 Pkt., mittel 24 P.
- Textschrift der Karl-May-Ausgaben:
  - Fehsenfeld 9/9,3 Pkt. (um 1870)
  - Radebeul 9,5 Pkt. (um 1890): This name was was given by Helzel because the original, which had no name, was used in the publication of the Karl-May-Ausgaben.
- Halbfette Normalfraktur 10--12 Pkt.
- Amts-Fraktur 10 Pkt. normal und halbfett (D. Stempel)
- (Anker-)Schul-Fraktur mager+ halbfette gr.48 Pkt. u. klein 9...10 Pkt. (Schelter & Giesecke 1888)
- Jubiläumsfraktur 12 Pkt. (Erasmus Luther 1678) [Altertümliche Schrift! Sehr schön auch grösser!
- Schmale halbfette Fraktur klein (10--12 Pkt.) und gross 36 Pkt.
- König-Fraktur G14 (Gursch-Fraktur), in 10/11 Pkt. u. 8/9 Pkt. mager u. halbfette (Schriftgiess. Emil Gursch 1910)
- König-Type: normal, halbfett, Schmale fette (vorm. E. Gursch)
- Hansa-Fraktur
  - mager
  - Eng halbfette gr. (Trennert, Gensch&Heyse)
- Fichte-Fraktur (W. Tiemann 1934), normal 20 Pkt. und klein (10 Pkt.), fett 16 P.
- Frühling
  - einfach
  - Ziertypen [von Prof. Rudolf Koch] (vorm. G. Klingspor 1917)
- Deutsche Werkschrift normal u. halbfett, von Prof. Rudolf Koch, 1934, gross 48 u. klein ca. 10 Pkt
- Claudius 36 Pkt., von Prof. Rudolf Koch, 1937 (D. Stempel)
- Post-Fraktur (Prof. Herbert Post 1935), gross 48, klein ca. 10 Pkt., halbfett (nur 1 Grösse üblich gewesen)
- Humboldt-Fraktur gross (20 Pkt.) + klein 10 Pkt., mager + halbfett (Hiero Rhode 1938)
- Zentenar-Buchschrift 9, 10 u, 14 Pkt. (Nicht ident. mit Zentenar-Fraktur. Schneidler 1937)
- Thannhaeuser-Fraktur: klein 10-12 P. mg u. halbfett, schmalfett und Zierversal.
- Fractur doppelmittel (Älteste Normalfraktur) gross 28 Pkt. von Gustav Schelter (um 1800)
- Neue (moderne) Fraktur (Faust-, Richard-Wagner-, Ideal-, Dresdner Amts-, Hamburger-, Alt-) mager, halbfette + fetteinger. für 10 Pkt. (E. Brox 1909) (J. John S., Genzsch & Heyse, Stempel, Trennert & S., Wagner)
- Salzmann-Fraktur
  - kräftige 36 P.
  - magere 12 P. [M. Salzmann 1909] (Schelter & Giesecke)
- Breitkopf Fraktur normal/halbfett für alle Schriftgrade sehr gut geeignet (Breitkopf/Stempel)
- Koch-Fraktur mager klein ca. 10 Pkt. (Deutsche Schrift), fett, Zierversalien fett, 1922.
- Unger-Fraktur mager, halbfett (grosse Seltenheit!), fett, spationiert für 10 Pkt.
- Bernhard-Fraktur mager 24 P./extrafett 20 P. (Bauer/FfM) (Prof. Lucian Bernhard 1922)
- Mainzer Fraktur (C. Fahrenwald 1901, Berthold), gross 28 P. (10 P.i.Vorb.) mager u. fett
- Deutsche Reichsschrift (Wilhelm Wöllmers Schriftgiesserei 1910)
- Kleist-Fraktur klein (W. Tiemann 1928)
Gotisch
- Neu-Gotisch klein (12 Pkt.) und gross (32 Pkt.)
- Schmale Haas-Gotisch
  - mittelgross (14/15 Pkt.)
  - gross 20 Pkt.
- Moderne Kirchen-Gotisch gross (48 Pkt.) normal und licht, ca. 1880, Sonderbelegung!
- Gutenberg-Gotisch normal 10/11 Pkt. (klein) (auch für 12 Pkt. sehr geeignet)
- Gutenberg-Gotisch 28/30 Pkt. (gross)
  - normal
  - halbfett
  - halbfett orniert
- Courante Gotisch A 24/25 Pkt. (vorm. Bauer/Stuttgart)
- Schmale Accidenz-Gotisch (A) 24/25 Pkt. (vorm. D. Stempel, Gronau)
- Accidenz-Gotisch (Schmale Accidenz-Gotisch B) gross (72 Pkt.), auch kleiner sehr gut lesbar. 24Pkt
- Bismarck-Gotisch gross (vorm. Klinkhardt, sehr seltene Schrift der Kaiserzeit)
- Gotenburg A + B mager + halbfett (Friedrich Heinrichsen, 1935 [D. Stempel])
- Maximilian-Gotisch gross, klein ca. 9 Pkt.: Zierbuchstaben dazu. Von Rudolf Koch, 1914
- Fette Gotisch 28 P., beliebteste got. Schrift
- Schm. halbf. Gotisch 72 Pkt. (um 1860)
- Alt-Gotisch mager & halbfett (Gursch, Berthold, Haas, Wagner, Weber) Zierversalien/Kapitälchen
- Schraffierte Gotisch Stella 20 Pkt. (Astra, Elegant)
- Hamburger Druckschrift mager, halbfette, fett (Gensch & Heyse) (fett: Überschriften d. Hamb. Nachr.)
- Tannenberg 10 Pkt. (E. Mayer) 1934: mager+halbfette , Ziervers. mager+halbfette, fett, licht
- Element mager, halbfett, fett, schmalfett (Max Bittrof 1933, Bauer FfM)
- Strassburg, klein ca. 10 Pkt. u. gross (H. Berthold 1926). Sehr gut schon in kleinen Grössen lesbar.
- Liturgisch 20 P., von Otto Hupp (1906)
- Holländische Gotisch grösst 60 P. / klein ca. 10 P. (B. Krebs Nacf., J.M.Fleischmann 1739-60), 24 Pkt.
- Andreas-Schrift 14/16 Pkt. von Hans Kühne, 1942
- Wohe-Kursive von Dipl.-Ing. Wolfgang Hendlmeier, neuer Schnitt 1998
- Caxton (C.-Type, Altdeutsch, Angelsächs.) 36 P. (Bauer & Co., Krebs Nf., Berthold, AGfSMOf.)
- Ratdolt-Rotunda von Dipl.-Ing. Hendlmeier, normal 1989, halbfett 2000
- Eckmann-Schrift (berühmte Jugendstilschrift)
- Deutsche Zierschrift 36/40 Pkt. von Prof. Rudolf Koch, 1919 (Klingspor)
Kanzlei
- Moderne Kanzlei (Canzlei), um 1800. 4 Grössen: klein 10 P., m.gr.ca.20, gross ca.48, grösst 96P.
- Einfache Kanzlei ca. 36 Pkt.
- Breite Kanzlei ca. 36 Pkt.
- Halbfette Kanzlei
- Bastard gross mager 28 Pkt. und fett 14 Pkt. (Gronau, Klinkhardt, AGSMOffenbach)
- Enge moderne Kanzlei (vorm. D. Stempel)
- Renaissance-Kanzlei gross 60 Pkt. (Berthold, Bauer & Co. Stuttgart, Breitkopf & Härtel)
Schwabacher
- Schwabacher mager gross 72 und klein 10 Pkt. mager und halbfett (alle Giessereien.) (A. Anklam 1876)
- Fette Schwabacher gross (ca. 60 Pkt.) (vorm. Stempel, AGSM Offenbach)
- Renata 20 Pkt. Magerer Neuschnitt der Alten Schwabacher Bauersche Gie�erei 1914
- Halbfette Schwabacher-Flinsch 36 P. (Flinsch), (Überschriften der Karl-May-Fehsenf.-Ausg.)
- Deutsche Schreibschrift ohne Initialen, mit grossen Initialen (36 Pkt.)
- Alte dt. Schreibschrift, um 1800 (G. Schelter/Solliger's Wwe.)
- Zierversalien:
  - Breitkopf-Fraktur
  - Kleist-Fraktur
  - Humboldt-Fraktur
  - Alt-Gotisch
Neuheiten
- Alte deutsche Schreibschrift (G. Schelter/Solliger's Wwe.). Erste gegossene dt. Schreibschrift (um 1800). Damit können Sie schreiben wie Goethe! Eine der beliebtesen Schriften aus meiner Sammlung!
- Wieynck-Gotisch licht / normal (Heinrich Wieynck 1930, C. E. Weber)
- Halbfette Unger-Fraktur (D. Stempel)
- Ludlow-Wartburg-Fraktur Ludlow (ca.1920?) (Werbung, Zeitung+type)
- Lichte Kirchengotisch (sehr selten)
- Kaiser-Gotisch Kaiser-Gotisch (Otto Weisert)
- Kühne-Gotisch (Hans Kühne 1938 als Musterschrift für den Postbetrieb)
- Tannenberg 10 Pkt. (E. Mayer) 1934: mager+halbfette, Ziervers. mager+halbfette, fett, licht
- Wilhelm-Klingspor-Gotisch eng (B) 24 Pkt. (Rudolf Koch 1926, Stempel).
- Deutschland fett (Berthold 1934)
- Halbfette Wallau (Rudolf Koch)
  - m. lat.
  - mit deutschen Grossen (beide mit Unterschneidung)
- Neue (moderne) Fraktur (Faust-, Richard-Wagner-, Ideal-, Dresdner Amts-, Hamburger-, Alt-) halbfetteinger. für 10 Pkt. (E. Brox 1909) (J. John S., Genzsch & H., Stempel, Trennert & S., Wagner)
- Hansa-Fraktur mager (J. G. Trennert & Sohn [Altona], Genzsch & Heyse), nach 48 P. eingerichtet für 10 Pkt.
- Liebing-Type, Lichte 20 P., von Kurt Liebing (H. Berthold 1916)
- Rundgotisch (normale) (Schelter & Giesecke, 1903)
- Münster-Gotisch, halbfette (Schelter & Giesecke, 1896)
- Verzierte Musirte Gotisch (Flinsch, um 1870). Sehr aufwendig zu digitaliseren gewesen.
- Alt-Gotische Initialen, ein- oder 2-farbig zu verw.
- Manuskript-Gotisch (Bauersche Giesserei 1844 nach Vorlagen von Wolfgang Hopyl, 1514)
- Tiemann-Gotisch (Walter Tiemann, 1924)
- Lichte National (Ludwig & Mayer)
- Breite deutsche Anzeigenschrift (Rudolf Koch)
- Deutschland halbfett (Berthold 1934)
- Mönchs-Gotisch (Mediaeval-G.) Albert Anklam 1877 nach mittelalt. Inschriften
- Weiss-Fraktur mager 10 und 16 P. (Prof. E. R. Weiss, 1913)
- Weiss-Fraktur kursiv klein (Prof. E. R. Weiss, 1913)
- Lichte Weiss-Fraktur (Prof. E. R. Weiss, 1919-1921)
- Werkschrift Germanisch (Klinkhardt ca. 1880)
- Nürnberg (Ludwig Wagner A.-G. 1934, unter Verwendung der Liebingschrift von Kurt Liebing)
- Magere Wallau (Rudolf Koch)
  - m. lat.
  - mit deut. Gr. (beide mit Unterschneidung), in 10 u. 16 P.
- Bernhard-Fraktur mager 24 P (Bauer/FfM) (Prof. Lucian Bernhard 1922)
- Holländische Gotisch klein 10 P.: Neuschnitt (P.S. Cert neu geschnitten)
- König-Initialen, ein- oder 2-farbig zu verwenden
- Barock-Initialen, einfarbig
- Deutsche Schrägschrift 20Pkt (Rudolf Koch, Gebr�der Klingspor, 1912)
- Mediaeval-Gotisch (Flinsch)
- Psalter-Gotisch (G. Krebs, um 1890)
- Schulfraktur 20 P. fett (Schelter & Giesecke, Leipzig 1890)
- Kurmark mg. 20 Pkt. (Norddt. Schriftgie�erei GmbH)
- Midoline (J. Midolle, Stra�burg um 1840? Julius Klinkhardt, Leipzig)
- Renata 2Pkt. Magerer Neuschnitt der "Alten Schwabacher", Bauersche Gie�erei 1914.
- Neudeutsch(-Hupp) 48 P. (Genzsch & Heyse 1899, Otto Hupp).
- Neudeutsche Initialen
- Genzsch-Kursiv (Fr. Bauer, 1905)
- Courante Gotisch B klein 10 P. (Cottasche Bibliothek der Weltliteratur, um 1850)
- Halbfette Zeitungs-Schwabacher gro� (72 P.) (Pustet, um 1900)
Schriften im Antiqua Charakter
- Büxenstein-Antiqua normal, halbfett und kursiv (vormals Stempel)
- Genzsch-Antiqua (Nordisch-Antiqua) normal, halbfett, kursiv (Friedrich Bauer 1905). Halbfett-kursiver Schnitt in Vorbereitung.
- Normal-Antiqua 10 Pkt. normal (Unterlängen für Zeitungsstatz kurz)
- Tiemann-Mediaeval:
  - gross 72 Pkt.: normal, kursiv, halbfett
  - klein ca. 10 Pkt. normal und kursiv
- Garamond-Antiqua Kursiv 1+1.)
  - kursiv
  - kursiv mit den Ziertypen u. Mediaevalzifern
- Halbfette Aldine (Stempel, Genzsch & H.), einst häufigste halbfette Antiqua
- Hellenistische Antiqua Graecä normal, fett, kursiv (vorm. Monotype)
- Koch-Antiqua gr. 36 Pkt., ab ca. 14 Pkt. gut lesbar, mit ü
- Französische Antiqua Ab ca. 1800 f. Bücher, Notentexte, gross, klein 10 P.
- Haenel-Ant.
- Derby von G. G. Lange 1952, mit lang-s
- Englische Antiqua 10 P. mager, halbfett, kursiv, halbfette-kursiv (Genzsch & Heyse), passend zu Fraktur. Zahlreiche Sonderzeichen
- Hebräisch (Aramäische Quadratschrift)
- Russisch-Römisch gross (deutsche Belegung)

[Google] [More] ⦿

Gerhard Marggraff

Type designer, graphic designer and painter, b. 1892, Dubrow. He lived in Berlin. He created the blackletter typeface Marggraff-Deutsch (1939, Schriftguss: leicht, halbfett, fett) and the script typeface Marggraff Kursiv (1928, followed by Marggraff Kursiv Zarte in 1929; at Schriftguss), and Marggraff Light Italic (1929, Schriftguss--the upstrokes in the g, r, m, n are thin and separate from the downstrokes). Some of his work. Marggraff Bold Script was digitized (and modified) by Dan X. Solo as Margie (Solotype). Solotype mentions the Dresden Foundry, not Schriftguss as the source of the latter face. Sometimes his first name is written Gerhardt. [Google] [More] ⦿

Links to old German handwriting fonts and literature. [Google] [More] ⦿

German-American Corner

Fraktur font archive by Davitt Publications. [Google] [More] ⦿

Gert Wiescher
[Wiescher Design]

Getypes Studio
[Muhammad Rizaldi]

Acehm Indonesia-based type designer, b. 1996. As of 2021, his typefaces included Three Clover (blackletter), Salwa Script, Janetta Signature, Taslymah (calligraphic script), Angeliya (calligraphic script), Loisbeauty, Lostyle Script, and Focus Quotes. [Google] [More] ⦿

GF Fonts
[Lorenz Goldnagl]

Free original fonts and an occasional commercial font by Austria's Lorenz Goldnagl: old typewriter font family GF Halda, labeler family GF Ordner, and the sans serif headliner font GF Vienna. Classy-looking fonts. Recent additions: GF Becker (thick round letters), GF Hubert Caps, GF Gesetz (scanned Fraktur font), GF Krater, GF Fuffiger (modern Gothic font), GF Matilda (handwriting). Alternate URL. Yet another URL. [Google] [More] ⦿

GFR Creative
[Abdul Ghofur]

Tuban Jawatimur, Indonesia-based designer (b. 1997) of these typefaces in 2020: Bangilan (an upright formal monolinear script), Monday Monkey, Asdonuts, Balone Kids, Blarak (a script typeface), Ermia (a monolinear script), Star7 (a car racing font), the monoline scripts Qatar and America, the script typefaces Bhanira, Hati, Rosala, AriesA (a spurred hyper-decorative victorian typeface), Bella Dahlia and Habisa, the dry brush typefaces Ronggolawe and Blackbor, the brush typeface Halloqueen, the fat finger font Monday Monkey, the blackletter typeface Ashter, and the spurred typeface Monshter.

Typefaces from 2021: High Speed (a speed font), Racing Hard (a speed font), Anderik (a bold signage script), Tarik Ses, Yello Cat (hand-drawn, monolinear). [Google] [MyFonts] [More] ⦿

Gha Arizal
[Invasi Studio]

Ghober Karat
[Karat Design]

Gia Tran

Gia Tran is a self-taught calligrapher and type designer. He has worked for Dragon Rouge, 4uatre and A&Mcreative in Paris, as well as Saffron Brand Consultants in Madrid. Gia was the Type Director at the French foundry FontYou, which was founded by Gregori Vincens in 2013. He also teaches calligraphy and type design at various graphic design and visual communication schools such as Strate College Designer, Intuitlab and ESAV Marrakech. With Brahim Boucheikha, he founded the Paris and Casablanca-based design studio Babelfont.

Under the cover of Type Lovers and/or Fontyou in Paris, Gia Tran created the medieval typeface Court Hand (2012) and the blackletter typeface Gothic Fraktur (2012). He also did some great calligraphic pieces.

In 2013, together with Gregori Vincens, Alisa Nowak, Valentine Proust, and Elvire Volk at FontYou, Gia Tran created the monoline geometric sans typeface Younion FY. Younion One FY is free at Dafont. With Franck Montfermé, he co-designed the ball terminal beauty Squirrel FY. The letters of this ultra-fat didone reveal audacious geometric smoothness at large sizes.

Codesigner of Kaili FY (2013: an exotic typeface with crazy ligatures, inspired by Indian scripts, by Gregori Vincens, Bertrand Reguron, Gia Tran and Alisa Nowak) at Fontyou.

The EPS format display typeface Alice FY (2013) was co-designed by Alisa Nowak, Micaela Neustadt, Gia Tran, Bertrand Reguron and Valentine Proust at Fontyou. It was inspired by Adrien Genevard's lettering. Sub-themes are Alice in Wonderland and playing cards. The EPS format frilly script typeface Lullaby FY (2013) was co-designed by Alisa Nowak, Micaela Neustadt, Gia Tran, Bertrand Reguron and Valentine Proust at Fontyou. It too was inspired by Adrien Genevard's lettering. Exquise FY (2013) is a fashion mag didone co-designed by Bertrand Reguron, Alisa Nowak, Valentine Proust, Elvire Volk and Gia Tran at Fontyou. Gia Tran and Jason Vandenberg created the decorative typeface Ella FY (2013, Fontyou). Gia Tran, Alisa Novak, Micaela Neustadt, Bertrand Reguron and Grégori Vincens co-designed the curvy stressed elliptical sans typeface Bruum FY (2013).

Beaurencourt FY (2013) is a 19th centery secretary's hand co-designed with Jeremie Hornus.

Gregori Vincens, Gia Tran, J&eacxute;rémie Hornus and Alisa Nowak co-designed the humanist sans typeface Klaus FY (2013).

At Fontyou, Benjamin Lieb, Gia Tran and Julien Priez co-designed the hand-drawn typeface Brixton FY (2013). Not to be confused with two earlier typefaces called Brixton, one by Tom Chalky, and one by Luke Ferrand. Since two of the three Brixtons are commercial, I expect FontYou to change the name imminently.

In 2014, Gia Tran and Bertrand Reguron co-designed the zombie script Vidok FY (free at Dafont). Together, Elliott Amblard (France) and Gia Tran created the bold signage / retro baseball script typeface Paname FY at FontYou in 2014. Minuit FY (2014, by Jason Vandenberg and Gia Tran) is a beautiful angular angry calligraphic display typeface. The punchy poster typeface Kraaken FY (2014) was designed by the FontYou team of Bertrand Reguron, Alice Resseguier, Valentine Proust, Julien Priez, Gia Tran, Jérémie Hornus, and Alisa Nowak.

Bertrand Reguron, Alice Resseguier and Gia Tran co-designed the retro signage script typeface Coco FY (2014).

Alice Resseguier and Gia Tran co-designed the girly script typeface Lola Lola FY (2014). This typeface was forcibly renamed Chelly FY a few days after its first appearance, possibly because there already was a typeface called Lola by Laura Messeguer.

Codesigner with illustrator Quentin Vijoux of the hand-printed typeface Léon FY (2014).

In 2014, he published the modular kitchen tile typeface Dorum FY with Julien Thébault.

Benjamin Lieb and Gia Tran co-designed the 4-style retro display family Belleville FY (2014).

With Evgeny Tkhorzhevsky, he designed the creamy signage script typefaces Maio FY (2014) and Kumiz FY [Maio renamed].

Hansom Slab FY (2014, Gia Tran, Jeremie Hornus and Alisa Nowak).

Another URL. Behance link. Dafont link. [Google] [MyFonts] [More] ⦿

Giesserei Carl Kloberg
[Carl Kloberg]

Leipzig-based foundry of Carl (or Karl) Kloberg which was taken over by Berthold in 1922.

One of their house typefaces was Verzierte Schwabacher (1891) (Schwabacher Handtooled), which was revived in 2005 by Petra Heidorn as Schwabach Deko, with further fine-tuning still in 2005 by James Arboghast and Petra Heidorn in Verzierte Schwabacher. Related typefaces are Hermann-Gotisch by Herbert Thannhaeuser, 1934 and Peter Schlemihl, also known as Lichte Tiemann-Fraktur by Walter Tiemann, 1918-1921. Both were digitized by Dieter Steffmann.

House typefaces also include Leipziger Altfraktur (1912, mentioned by some as a Berthold face; revived by Gerhard Helzel), Bavaria-Buchschrift (ca. 1900), Bavaria-Brotschrift (ca. 1900), and Gotisch Enge (1882, Berthold).

In 1909, they published a 63-page specimen book, Spezial-Musterbuch für Buchdruckereien über moderne Schriften, Einfassungen, Messinglinien, Ornamente und Vignetten. [Google] [More] ⦿

Gilang Maulana
[Maulana Creative]

Gilang Purnama Jaya
[Spencer & Sons]

Gilang Senzana
[Senzana (was: Inksun Aksara, or: Inksun Mildertype)]

Gilles Le Corre
[GLC --- Gilles Le Corre]

Giovambattista Palatino
[Libro di M. Giovambattista Palatino cittadino romano]

Giraldo Fernandes de Prado

Giovanni Aldave Corte

Puebla, Mexico-based designer of the angular semi-blackletter typeface Reaper (2014). [Google] [More] ⦿

Giovanni Calla

Lyon, France-based designer of the blackletter-inspired typeface Garland (2016). [Google] [More] ⦿

Or Giraldo del Prado (b. ca. 1535, d. Almada, 1592). Paulo Heitlinger writes about him in Cadernos vol. 16, 2010. De Prado was a painter, and acted as the calligrapher of the Teodosio II, the duke of Bragança. His home was in Guimaraes, but from 1580 on he lived in Almada. Author of the writing manual Caderno manuscrito de Caligrafia (1560, Lisbon). He seems to have been the first calligraphy specialist in Portugal. Heitlinger used Prado's examples to make his Lomabardian typeface Uncialis in 2009. Scans: Geometrically formed letters, Chancery hand (1560-1561), Another chancery hand (same year), And another one, Gotica rotunda (1560-1561). [Google] [More] ⦿

Gisele Maiotte

During her graphic design studies in Sao Paulo, Gisele Maiotte created the decorative blackletter typefaces Celta (2014), Gotica (2014) and Gotica Rotunda (2014). [Google] [More] ⦿

Gitayogi Irhandi
[Scratch Bali Design (or: Scratch Store, or: Scratch Design)]

Gittype
[Sigit Nur Wicaksono]

Yogyakarta, Indonesia-based designer of these typefaces in 2018, both free and commercial: Sail Tortuga (script), Revilo San, Andora Ardelion (wild calligraphy), The Standing Still, Picablo Fentier, Laila Ali (signature font), Oliver Quin (signature style), Rio de Janeiro (childish fat finger font), Alfa Delta, Tapagasmo, Gozber, Gozmer, Casey Neistat. In 2015, he designed the handcrafted brush typeface Folk (2015).

Typefaces from 2019: Oliver Quin (a signature script), Alfath (a connected monoline script), Alire (a creamy script), Royal Muffin, Morgan (blackletter).

Typefaces from 2020: Cofley, Redro (blackletter), Callidar (calligraphic script).

Typefaces from 2021: Tisk (blackletter). [Google] [MyFonts] [More] ⦿

Giuseppe Salerno
[Resistenza]

GLC --- Gilles Le Corre
[Gilles Le Corre]

French painter born in Nantes in 1950, who lives in Talmont St Hilaire. His fonts include 2010 Cancellaresca Recens (inspired by a chancery type of Francisco Lucas from the late 16th century), 2009 Handymade (comic book style), 2009 Lollipop (chancery style), 2009 GLC Plantin, 2009 Primitive (2009, a rough-edged roman script), 2008 Script 2 (2008), GLC Ornaments One (2008) and 2008 Xmas Fantasy (2008: blackletter). In 2008, he started GLC -- Gilles Le Corre and became commercial. Creative Market link. He is best known for his historic revivals:

161 Vergilius (2010)
750 Latin Uncial (2010): inspired by the Latin script used in European monasteries from circa 5th to 8th, before the Carolingian style took over. The uppercases were mainly inspired by a 700's manuscript from Fécamp's abbey in France.
799 Insular (2010): inspired by the so-called insular style of Latin script that was used in Celtic monasteries from about 600 until 820.
825 Karolus (2009), and 825 Lettrines Karolus (2009).
1066 Hastings (2009).
1350 Primitive Russian (2012) was inspired by a Russian Cyrillic hand of Russkaja Pravda. It has rough-edged Latin charaters and many old Russian glyphs.
1420 Gothic Script (2008).
1431 Humane Niccoli (2010), after writings of Florence-based calligrapher Niccolo Niccoli (1364-1437).
1456 Gutenberg (2008, based on a scan of an old text). Followed by 1456 Gutenberg B42 Pro, which was based on the so called B42 character set used for the two Gutenberg Latin Bibles (42 and 36 lines).
1462 Bamberg (2008).
1467 Pannartz Latin (2009): inspired by the edition De Civitate Dei (by Sanctus Augustinus) printed in 1467 in Subiaco by Konrad Sweynheym and Arnold Pannartz, who was the punchcutter.
1470 Sorbonne (2010) was inspired by the first French cast font, for the Sorbonne University printing shop. The characters were drawn by Jean Heynlin, rector of the university based on examples by Pannartz. It is likely that the cutter was Adolf Rusch.
1470 Jenson-SemiBold (2008).
1475 BastardeManual (2008, inspired by the type called Bastarde Flamande, a book entitled Histoire Romaine (by Titus Livius), translated in French by Pierre Bersuire ca. 1475, was the main source for drawing the lower case characters).
1479 Caxton Initials (2009): inspired by the two blackletter fonts used by the famous William Caxton in Westminster (UK) in the late 1400s.
1483 Rotunda Lyon (2010): inspired by a Venetian rotunda found in a 1483 book called Eneide printed in Lyon by Barthélémy Buatier (from Lyon) and Guillaume Le Roy (from Liège, Belgium).
1484 Bastarda Loudeac (2008).
1470 Jenson Latin (2009), inspired by the pure Jenson set of fonts used in Venice to print De preparatio evangelica in 1470.
1491 Cancellarasca Normal and Formata (2009): inspired by the very well known humanist script called Cancellaresca. This variant, Formata, was used by many calligraphers in the late 1400s, especially by Tagliente, whose work was mainly used for this font.
1492 Quadrata (2008).
1495 Lombardes (2008): a redrawn set of Lombardic types, which were used in Lyon by printers such as Mathias Huss, Martin Havard or Jean Real, from the end of 14OOs to the middle of 1500s.
1495 Bastarde Lyon (2008, based on the font used in the "Conte de Griseldis" by Petrarque).
1499 Alde Manuce Pro (2010): inspired by the roman font used by Aldus Manutius in Venice (1499) to print Hypnerotomachia Poliphili, the well-known book attributed to Francesco Colonna. Francesco Griffo was the punchcutter. The Italic style, carved by Francesco Colonna, illustrates the so-called Aldine style.
1509 Leyden (2008; a Lombardic typeface inspired by the type used in Leyden by Jan Seversz to print Breviores elegantioresque epistolae).
1510 Nancy (2008, decorated initial letters was inspired by those used in 1510 in Nancy (France, Lorraine) for printing of Recueil ou croniques des hystoires des royaulmes d'Austrasie ou France orientale[...] by Symphorien Champion; unknown printer).
1512 Initials.
1514 Paris Verand (based on initial caps that Barthélémy Verand employed for the printing of Triumphus translatez de langage Tuscan en François.
1522 Vicentino (2011). Based on Ludovico Vicentino Arrighi's 1522 typeface published in La Operina.
GLC 1523 Holbein (2010, after Hans Holbein's Alphabet of Death.
GLC 1525 Durer Initials (2010). Sample R.
1529 Champ Fleury Pro and 1529 Champ Fleury Initials (2010): based on Geofroy Tory's original drawings and text face.
1532 Bastarde Lyon (2008, based on work by an anonymous printer in Lyon (France) to print the French popular novel Les Grandes et inestimables Chroniques du grand et enorme geant Gargantua).
1533 GLC Augereau Pro: inspired by one of Antoine Augereau's three roman typefaces: the Gros Romain size, used in 1533 to print Le miroir de l'&aciorc;me..., a poetic compilation by Marguerite de Navarre, sister of the French king François I.
1534 Fraktur (2009; inspired by the early Fraktur style font used circa 1530 by Jacob Otther, printer in Strasbourg (Alsace-France) for German language printed books).
1536 Civilité manual (2011). Based on a handwritten copy of Brief story of the second journey in Canada (1535) by French explorer Jacques Cartier.
1538 Schwabacher (2008, based on a font used by Georg Rhan in Wittemberg (Germany) to print Des Babsts Hercules [...], a German pamphlet against roman catholicism written by Johannes Kymeus).
1540 Mercator Script was inspired by an alphabet of Gerardus Mercator, who is known for his maps as well as his Literarum Latinarum, quas Italicas cursoriasque vocant, scribendarum ratio (1540).
1543 Humane Petreius (2012) was inspired by the typeface used in Nuremberg by Johannes Petreius for De Revolutionibus Orbium Coelestium, the well-known mathematical and astronomical essay by Nicolas Copernicus.
1543 German Deluxe (2009): a Schwabacher inspired by the sets of fonts used in 1543 by Michael Isengrin, printer in Basel, to print New Kreüterbuch, which is a book with numerous nice pictures, the masterpiece of Leonhart Fuchs, father of the modern botany.
1543 HumaneJenson-Bold (2008, after the typeface used in Vesalius' 1543 book De humani corporis fabrica).
1543 HumaneJenson-Normal (2008, same source).
1545 Faucheur (2011) is a rough garalde typeface that was inspired by the set of fonts used in Paris by Ponce Rosset, aka Faucheur, to print the story of the second travel to Canada by Jacques Cartier, first edition, printed in 1545.
1546 Poliphile (2009), inspired by the French edition of Hypnerotomachie de Poliphile ("The Strife of Love in a Dream") attributed to Francesco Colonna, 1467, and printed in 1546 in Paris by Jacques Kerver.
1550 Arabesques (2008, caps).
1557 Civilité Granjon (2010).
1557 Italique (2008, based on Italic type used by Jean de Tournes in Lyon to print La métamorphose d'Ovide figurée).
1565 Renaissance (2010), inspired by French renaissance decorated letters.
1565 Venetian Normal (2008, initial decorated letters that are entirely original, but were inspired by Italian renaissance engraver Vespasiano Amphiareo's patterns published in Venice ca. 1568).
1584 Rinceau (2008, a set of initial letters is an entirely original creation, inspired by French renaissance patterns used by Bordeaux printers circa 1580-1590).
1584 Pragmatica Lima (2011). Based on fonts used in 1584 by Antonio Ricardo to produce the first publication ever printed in Southern America.
1585 Flowery (2009): inspired by French renaissance decorated letters.
1589 Humane Bordeaux (2008, inspired by the Garamond fonts used by S. Millanges (imprimeur ordinaire du Roy) in Bordeaux ca. 1580-1590. The alphabets were used to reprint L'instruction des curés by Jean Gerson).
1590 Humane Warszawa is a rough-edged garalde typeface inspired by a font carved circa 1590 for a Polish editor.
1592 GLC Garamond (2008, inspired by the pure Garamond set of fonts used by Egenolff and Berner, German printers in Frankfurt, at the end of sixteen century. Considered the best and most complete set at the time. The italic style is Granjon's).
1610 Cancellaresca (2008, inspired by the Cancellaresca moderna type of 1610 by Francesco Periccioli who published it in Sienna).
1613 Basilius (2012) was based on the hand-drawn types used by Basilius Besler (Germany) for the carved plates of his botanical manual Hortus eystettensis.
GLC 1619 Expédiée (2015). A grungy Civilté.
1621 GLC Pilgrims (2010).
1634 René Descartes (2009), based upon his handwriting in a letter to Mersenne.
1638 Civilité Manual (2010). Inspired by a French solicitor's document dated 1638.
GLC 1648 Chancellerie (2011). Inspired by the hand-written 1648 Munster peace treaty signed by roi Louis XIV and Kaiser Ferdinand II.
1651 Alchemy (2010): a compilation created from a Garamond set in use in Paris circa 1651.
GLC 1669 Elzevir (2011) was inspired by the font typefaces used in Amsterdam by Daniel Elzevir to print Tractatus de corde, the study of earth anatomy by Richard Lower, in 1669. The punchcutter was Kristoffel Van Dijk.
GLC 1672 Isaac Newton (2012) is based on the hand of Isaac Newton.
GLC Morden Map (2011). Based on an engraved typeface used on a pack of playing cards published by Sir Robert Morden in 1676.
1682 Writhed Hand: very irregular handwriting.
1689 GLC Garamond Pro (2010): inspired by Garamond fonts used in an edition of Remarques critiques sur les oeuvres d'Horace by DAEP, published in Paris by Deny Thierry and seprately by Claude Barbin.
1689 Almanach (2009): inspired by the eroded and tired fonts used by printers from the sixteenth century to the early years of twentieth for cheap or fleeting works, like almanacs, adverts, gazettes or popular novels.
1695 Captain Flynt.
16th Arabesques (2008, an exquisite ornamental caps scanfont).
1715 Jonathan Swift (2011). An example of the hand of Irish poet and novelist Jonathan Swift (1667-1745). It is a typical exemple of the British quill pen handwriting from about 1650-1720.
GLC 1726 Real Espanola (2012). Based on the set of typefaces used by Francisco Del Hierro to print the first Spanish language Dictionary from the Spanish Royal Academy (Real Academia Española, Dictionario de Autoridades) in 1726. These transitional styles are said to have been the first set of official typefaces in Spain.
1741 Financiere (2009): inspired by the Fournier's font Financière. While it appears handwritten, it was in fact carved in 1741 by Pierre Simon Fournier le jeune and published in his Manuel Typographique in Paris (1764-1766).
1742 Frenchcivilite (2008).
1751 GLC Copperplate (2009), a 6-style family about which Gilles says: This family was inspired by an engraved plate from Diderot&Dalembert's Encyclopedia (1751), illustrating the chapter devoted to letter engraving techniques. The plate bears two engravers names: "Aubin" (may be one of the four St Aubin brothers?) and "Benard" (whose name is present below all plates of the Encyclopedia printed in Geneva). It seems to be a transitional type, but different from Fournier or Grandjean.
1756 Dutch (2011).
1776 Independence (inspired mainly from the font used by John Dunlap in the night of 1776 July 4th in Philadelphia to print the first 200 sheets of the Congress' Declaration of Independence establishing the United States of America).
1781 La Fayette (2010): a formal bâtarde coulée script with caitals inspired by Fournier (1781).
1785 GLC Baskerville (2011). Le Corre explains: The Baskerville's full collection was bought by the French editor and author Pierre-Augustin Caron de Beaumarchais who used it to print---in Switzerland---for the first time the complete work of Voltaire (best known as the Kehl edition, by the "Imprimerie de la société littéraire typographique"). We have used this edition, with exemplaries from 1785, to reconstruct this genuine historical two styles.
1786 GLC Fournier (2010), based on several books printed in Paris just before the Didot era set in. The Titling characters are based on hymns printed by Nicolas Chapart.
1790 Royal Printing (2009): inspired by various variants of Romain du Roy.
1791 Constitution (2011).
1792 La Marseillaise (2011). Based on the original manuscript of the French revolutionary song La Marseillaise which later became the French national hymn---it was composed in one night (April 25, 1792) by captain Rouget de Lisle.
1805 Austerlitz Script Light: a typical French handwriting style from that period, named after one of the few battles that Napoleon actually won.
1805 Jaeck Map (2011). Inspired by the engraved characters of a German map, edited in Berlin at the end of 1700s. The engraver was Carl Jaeck or Jaek (1763-1808).
1809 Homer (2011), a grungy typeface named after the "homer" message pigeons.
1815 Waterloo (2008): a handwriting typeface originating in Napoleon's government. Why do I feel that GLC is nostalgic for the era of Napoleon? Their own present dwarf-version of Napoleon is not exactly a huge success.
1820 Modern (2009) was inspired by a didone font used in Rennes by Cousin-Danelle, printers, for a Brittany travel guide.
1822 GLC Caslon (2010): inspired by a Caslon set used by an unknown Flemish printer from Bruges, in the beginning of 1800s, a little before the revival of the Caslon style in the 1840s.
1845 Mistress (2009): calligraphic script.
1848 Barricades Italic, a quill pen italic.
1859 Solferino (2009).
1863 Gettysburg (2008; inspired by a lot of autographs, notes and drafts, written by President Abraham Lincoln, mainly the Gettysburg address).
1864 GLC Monogram Initials (2011) was inspired by a French portfolio containing about two hundred examples of Chiffres---deux lettres, created for engravers and jewelers in Paris in 1864, and drawn by French engraver C. Demengeot.
1871 Victor Hugo (2011). Based on manuscripts from the final part of the life of Victor Hugo (1802-1885).
1871 Whitman Script (2008) and 1871 Dreamer Script (2008): inspired by manuscripts by American poet Walt Whitman. See also 1871 Dreamer 2 Pro (2012).
1880 Kurrentschrift (2010): German handwriting, based on late medieval cursive. It is also known as "Alte Deutsche schrift" ("Old German script"). This was taught in German schools until 1941.
1883 Fraktur (2009): inspired by fonts used by J. H. Geiger, printer in Lahr, Germany.
1885 Germinal: based on notes and drafts written by Émile Zola (1840-1902).
GLC 1886 Romantic Initials (2012).
1890 Registers Script (2008): inspired by the French "ronde".
1890 Notice (2009): a fat didone family.
1902 Loïe Fuller (art nouveau face).
1906 Fantasio (2010): inspired by the hatched one used for the inner title and many headlines by the popular French satirical magazine Fantasio (1906-1948).
1906 French News: a weathered Clarendon-like family based on the fonts used by Le Petit Journal, a French newspaper that ran from 1863 until 1937.
1906 Fantasio Auriol (2010), inspired by the set of well known Auriol fonts used by the French popular satirical magazine Fantasio (1906-1948).
1906 Titrage (2009): a didone headline typeface from the same newspaper.
Underwood 1913 (2007, an old typewriter font, whose commercial version is Typewriter 1913), and 1913 Typewriter Carbon (2008).
1920 French Script Pro (2010).
1920 My Toy Print Set, 1925 My Toy Print Deluxe Pro (2010): inspired by rubbert stamp toy print boxes called Le petoit imprimeur.
1968 GLC Graffiti (2009).
1917 Stencil (2009; with rough outlines).
2010 Dance of Death (2010): based on Hans Holbein's Alphabet of Death.
2009 Primitive (2016).
2009 GLC Plantin Pro (2016).
2010 Pipo Classic: a grungy typewriter slab serif family.
2010 Cancellaresca Recens (2016).
2011 Slimtype (2011, +Italic) and 2011 Slimtype Sans (2011): an old typewriter typeface.

Creative Market link. Fontspring link. [Google] [MyFonts] [More] ⦿

Gleb Guralnyk

Dnipropetrovsk, Ukraine-based designer of these typefaces in 2015: Odd Times (a vintage blackletter typeface), Brandy Label (a layered Victorian signage font), Smoking (a great Western layered poster font), Traveller, Letterhead (steampunk, vintage, Victorian), Age, Nataly Temper, Vintage Auto (a retro chrome automobile font), Golden Dust (a lava lamp font), Rusty Phoenix, Phoenix, the Victorian signage typeface Whiskey, Spirals, Biker (spurred inline font), the oily signage font Pin Up.

In 2016, he designed Far Kingdoms (Victorian), Brass Heart (steampunk / Victorian), Big City Light (a vintage movie theater typeface), Lostamp (a weathered vintage rough stencil script), Kexman (calligraphic script), Loftype (creamy brush script), Shoelaces (monoline script), Tobacco Box (Victorian), Humblest, Whiskey Label (a great vintage Victorian headline font), Insane Fear (spurred), Falchion Edge (Victorian display typeface), Inside The Box (techno), Amber Taste (a layered Victorian beer label font; see also Amber Taste Pro (2020)), One Thin Line (a paperclip font), Bald Eagle (Victorian), Autumn Feel (brush script), Dirty Cartoon, Magic Curls, Winery, Bite Hard (beveled caps), Lovebus (psychedelic style), Column (layered Victorian), Golden Brush, Marine Fairytale (Victorian), and Old Story (handcrafted).

Typefaces from 2017: Goodwine, Daub (EPS format brush alphabet), Rusted Bevel, Dirty Cartoon (a layerable cartoon font), Bald Eagle (vintage), La Belman (Victorian; see also La Belman Pro in 2020), Bright (creamy calligraphic), Winery, Magic Curls, Black Queen (Victorian style), Little Mess (dry brush), Lovebus (psychedelic), Bite Hard, Fiver (prismatic style), Sweet Rum (vintage), The Freaky Circus (Western circus font), Biker New (spurred), Flex Wire, Agress (graffiti style), Old Story, Rusted Brushpen (dry brush), Mosaic Pool, Ranch (vintage style with layered textures), Golden Dust, Letter Head, Limber (dry brush script), Patina, Craft Beer (a layered beer label font), Droptune (Victorian), Chimera Tail, Hardwatt (dry brush), Megawatt (signage script), Jamish (a handcrafted blackboard bold typeface), Oak Lumber, Odd Times (blackletter), Gunshot (an art nouveau display typeface), Bootleggers (a vintage label typeface), Brandy Label (vintage layered font), Smoking Typeface (vintage Western style, with layering).

Typefaces from 2018: Shining Night (a marquee font), Scratches, Candy Shop (a multiline titling typeface), Nataly Temper (a crayon font), Anise Seeds, Lostamp (a great stamp font), Hicksons (retro signage script), Loftype (creamy script), Far Kingdoms (spurred vintage typeface), Predators Cuspid, Sweet & Fresh, Frantic (a vintage car typeface), Affair (Victorian), Falchion Edge (spurred vintage style), Lost in Space, Traveler (an interlocking vintage Tuscan display typeface), True Black, Late Frost, Inside The Box (an interesting double-width font), Magic Garden (curly style), Skater Girl (retro script).

Typefaces from 2019: True Black (Tuscan), Nature Force, Sweettooth (script: 2018-2019), Rusted Bevel, Rusted Bevel, Fishermans Knot (a vintage label font started in 2018), Skater Girl (a heavy upright script), Cidrella, Western Shooter, Little Mess (a dry brush calligraphic script), Spirit Board (pure Victoriana), Ranch Vintage (shadowed, textured, vintage), Forged Fence (an ironwork font), Long Ride (an octagonal license plate font), Chimera Tail Rough, Patina.

Typefaces from 2020: Sweet Ponch, Natural Heap (letters in laurels), Street Rush, Cally (a decorative Tuscan typeface), Sunny Bay, Harietta (a retro monoline script), Cheer Inside (a vintage font), Frizzy (a vintage label font), Asia Impact (simulating an oriental brush calligraphy), Exa Metline (an inline font), Hallie (a curly display typeface), No Rules, Parallax, Golden Treasure (a vintage ironwork font), Squidink, Bushman (an organic sans), Florry (a display sans), Propeller, Spirit Board (a layered circus font family), Lord Grayson (Victorian), Grayson (a tall gloomy monoline sans), Grayson Rough, Kaipara (a patterned all caps font), Classic Heritage (a Victorian or steampunk signage typeface), Anise Seeds (vintage softly spurred Tuscan caps), Candy Shop (vintage trilined caps), Plop, Practish (an experimental slab serif family), Everleigh (a stylish thin typeface), Everleigh Duo, Love Affair (vintage, perhaps art nouveau), Lost in Space (sci-fi), Sweet and Fresh.

Typefaces from 2021: Dusky Rough (a Western or saloon font), Dusky Pub (a Western typeface with Tuscan features), Dusky Slab (a reverse stress Western font), Humblest Pro (an all caps display sans), Giftbox (a vintage label font).

Typefaces from 2022: Simply Royal (layerable vintage caps with an engraved money look), Go Pop (pop art). [Google] [MyFonts] [More] ⦿

Glenn Fagertveit

Self-proclaimed mad scientist, concept artist, illustrator and graphic artist from Burträsk, Sweden (b. 1982). Creator of the rune font Theban Alphabet (2008) and Old Norse Runes (or: Urnordiska Runor) (2008). On behalf of Ba'al Graphics, he made the blackletter typeface Scaenarium Unus (2008). He also created the dripping blood typeface Terror Production (2008).

Alternate URL. Devian Tart site. Old home page. [Google] [More] ⦿

Glenn Parsons
[Astrolux]

Glyph44 (or: Swash Hub)
[Petros Afshar]

London-based creator of the super-experimental geometric and hipster typefaces Artificer (2011), Insomiak (2015, a hipster typeface), Illusive (2014, alchemic), Tuna (2014), Kim (2014), Solaris (2017), Sleipnir (2012) and Flatland (2011).

Petros is also a talented typographic illustrator---see, e.g., his Blue Heron (2011). An example of his typography for information design: Table Tennis for the 2012 Olympics.

At Studio SAP in London, he had a hand in many illustrations and illustrative typefaces such as Sleipnir (2012).

In 2018, he designed the alchemic or hipster typeface family Geometrica, which comprises Arcane, Orion and Gravity. He also created the hipster font Bastion (2018, with Kimmy Lee and Matthew James) and the blackboard bold typeface Trindle Sans.

As Swash Hub, he designed the hexagonal Elixia (2018), the hipster font Avion (2018, with Joshua Baron), and the rounded lowercase sans Kaige (2018). It is possible that SwashHub is Kimmy Lee (London).

Still in 2018, Matthew James and Petros Afshar co-designed the Japanese emulation font Okami.

Typefaces from 2019: Bael (sans, by Petros Afshar and Matthew James), Berman Bold (a blackletter font by Petros Afshar and Matthew James).

Behance link. Home page. [Google] [More] ⦿

Glyphicon
[Christian Richter]

Christian Richter (Glyphicons, Garbsen, Germany) created the following typefaces: Melanchthon (1999, +Italic), Lichtenberg Condensed (1999, +Italic), Rudolf Koch (2003, this is a revival of Koch Fraktur), Kraftfeld (1999, +Italic: lapidary, +Extra Bold, +Condensed Bold), Luxotel (1999), Yvonne Discaps (2013, art deco), Störtebeker (2003), Unisymbols (2009, dingbats).

Of these typefaces, these are free: Lichtenberg Condensed (1999, +Italic), Rudolf Koch (2003), Unisymbols (2009).

Gottfried Wilhelm Theodor Friebel

GoldenGraph Design

Serang, Indonesia-based designer (b. 1993) of these script or handcrafted typefaces in 2020: Raizen Anthem (brush script), Amadigi, Ratyadu (brush script), Selera Pemuda (a monolinear signature font), Putra Radhen, Rhegina Darling, Deqboza (a thick creamy script), Batheny Rosie, Brifuqa, Bify Keith, Smart Kidz, Degrasi, Falcon (a signature script), Baquillugs, Lazy Fine, The Shinda, Fasigeko (a blackletter). [Google] [More] ⦿

Good Java Studio

Indonesian designer, b. 1994, of the script typefaces Hello August (script), Hello August (2021), Childfolk (a children's book font consisting of all caps only) (2021), Hello Wishes (2021), Fatz (2021: a bold children's book display font), December Holidays (2020), Hello Mono One (2020), Hello Rough (2020), Hello Rainy (2020), Winter Sweety (2020), Wishless (2020), October Quirky (2020), Dalychious (2020: a monolinear script), Wendling (2020), Emerthon (2020: an inky script), Pencilla (2020: a fat finger font), Pretty September (2020), Aliceson (2020), Bestari (2020), Naturale (2020), Hello Brownie (2020), Hello Highly (2020), Hello Winter (2020), Hello Hiltown (2020), Hello Melky (2020: a fat finger font), Melindya (2020: a fat finger font), Good Romance (2020: a fat finger font), Candy Lovely (2020), Hello Girly (2020), Winalissa (2020), Hello Mommy (2020), Naughty Brush (2020), Dutchly (2020), Sweetgrace (2020), Adelyne (2020), Newtoon, Cuttie Beary (2020), Docherty (2020), Auttentic (2020), My Homely (2020), Conelly (2020), Catchme (2020), Reeline (2020), Sharpless (2020), Yullietta (2020), Cherry Bell (2020: a children's book font), Dulce Chico (2020: for cartoons), Welinside (2019), Signtype (2019), Hollie Mally (2019), Ressica (2019), Dreamelly (2019), Cattalina (2019), Hearthline (2019: monoline), Phillips (2019), Thick (2019: a layerable cartoon font), Buttercake (2019), Betterlove (2019), My Homely, Beyond (2019), Intensity (2019), Ragnarock (2019), Free Identity (2019), Hi Virginia (2019) and My Autumn (2019), the graffiti typeface Graffitasi (2019), Sigwald (2019), the marker font typeface Javatages (2019), the script typefaces Gloryouss (2019), Boss Signature (2019), Bestvibes (2019), Love Angellina (2019), My Lovely (2019), Sherly Shane (2019), Jennifer (2019), Letter Kids (2019), Volder (2019), Olivia (2019), Valentiny (2019), Athenic (2019), Samantha (2019), Slowly One (2018) and Simanice (2018), the bubblegum typeface Stella (2019), the textured blackletter typeface Valldemar (2019), the rounded sans typeface Rushmore (2019), and the brush typefaces Kidsglow (2019), Aerobrush (2019), Annamellia (2019), Ice Valley (2019), Good Brush (2019: free) and Slowly Two (2018). [Google] [MyFonts] [More] ⦿

Gothic Hell Schriften

Small archive of blackletter fonts. [Google] [More] ⦿

Gothic uncial

Example of a gothic uncial alphabet, dated 1349, and found at St. Margaret's, King's Lynn, England. Here is another example from the XIVth century. [Google] [More] ⦿

GothicE

Download Autodesk's 1996 Fraktur font, GothicE. [Google] [More] ⦿

Designer of Gutenberg-Gotisch (1880, Bauer & Co), together with F. W. Bauer. [Google] [More] ⦿

Graffiti Fonts (or: Highground Industries, or: Highground Graffiti Fonts, or: Fulltime Artists)
[Matthew Napolitano]

Matt Napolitano (b. 1977) runs Highground Industries (ex-Highground Graffiti Fonts, ex: Fulltime Artists) in Milpitas and/or San Jose, CA. The company also goes by the name Graffiti Fonts and is known as Rase One Full Time Artists over on Dafont.

Commercial graffiti fonts: first, there is a group of such fonts by Matt Napolitano, who runs the site (Dim Basic, Wild Style, Pilot Rase, RaseOne Original, RaseOne Outline, Human Rase, New Digital). There are free contributions by Ray Larabie (Funboy, Bomr, Degrassi, Graffiti Treat, Hawkeye, Yytrium), and Johan Waldenström (Writers, Writers2, writers3, Writers Bold, Writers Condensed, Homeboy, 08Underground, 5Cent, B-Boy, Subway).

Fonts from 2019: Rase Nicolous.

Fonts from 2018: Descent, Rase Grimm.

Fonts from 2017: San Jose (graffiti font), Strokes (dry brush style).

Fonts from 2014: Wild Style (graffiti).

Fonts from 2013: RapScript (graffiti), Olde Crilt (blackletter).

Fonts from 2012: Rase GPL (squarish, free at OFL).

Fonts from 2011: Gang Bang (2011, graffiti tag style), Scrawl (graffiti style).

Fonts from 2010: Stencil Font, Wild Style (tattoo or metal band font), New English (blackletter), Mad Props (brush), Graffick (futuristic), Olde Gangsta (blackletter), Back Spin, Ruckus, Pre Cursive (2007: lined school font; free at Open Font Library), Caption (brush), CaliCholo (brushy wall writing by LA gangs), Skin Art (an all caps tattoo family), Ballers (calligraphic brushy script).

Fonts from before 2010: Standard Cap (2007, brush face), Hardway (2005, graffiti), Burner (2006), Scraper (2007, caps only paintbrush face), Fresh Paint (2006, like Scraper), Street Artist (2008, tag font for graffiti), Rase Downe (2006, graffiti face), Tough Guy (2001, mechanical family; +Stencil College), Dafunk, Fatcap, Pilot Rase, Califas (2006), Califas Chisel (2013), Scrawler (2006), Wild Style (2006), Rase Tribals (2006), Uni Wide (2006, graffiti font), Rase One (2004), Magik Marker (2006), Paint Cans (2003), Rase Basic (2003), Same Gang (2004).

Klingspor link. OFL link. Graffiti Fonts link. Full Time Artists link. [Google] [MyFonts] [More] ⦿

Graham David Blakelock
[Grummedia]

Graham Meade
[GemFonts98]

View all typefaces by Paul Lloyd. Images of Paul Lloyd's best-selling typefaces. Greater Albion Typefounders: typeface collection. View Paul Lloyd's Victorian typefaces. [Google] [MyFonts] [More] ⦿

Greater Albion Typefounders (or: GATF)
[Paul James Lloyd]

Paul J. Lloyd's type foundry in Western Australia, est. 2008. Lloyd (b. UK) made over 100 free truetype fonts before that. He writes: What we will offer is new designs, replete with Edwardian Fun, Victorian distinction, or any other piece of elegance we can manage.

Edwardian creations from 2008-2010: Ark Wright (traditional shop signage), Adantine, Goldbarre, Brosse, Crewekerne, Crewekerne Magna and Crewekerne Magister (arts and crafts face), Larchmont, Brissard, Brossard (slab serif), Bonavia, Bonavia Blanc, Clementhorpe, Veneribe, Chiara Script, Howlett, Svengali Roman, Bonning and Bonnington (1920's style families with ideas from University Roman), Absinette (2009, art nouveau), Bamberforth, Tumbletype, Vertrina, Bromwich, Great Bromwich, Fleete, Helenium. Chipping emulates the Edwardian 1920s. In 2012, he added the Bolton Commercial family (late Edwardian, early art nouveau).

Art deco typefaces: Oakland (2011, multiline typeface gleaned from a 1930s French car ad), Zenia (2010, trilined), Plebe (Plebia, 2008: a grotesk emulating the 1930s), Whitehaven (2008, an extensive art deco family with several shadow weights), Merry Fleurons (2008, Christmas ornament dingbats), Braxia (2008), Keynsia (fifties style art deco family with Peignot influences).

Other typefaces: Haymer is a large sans family made in 2010. Clunic (2008) is a blackletter face. Tectura (2008) is a handwriting font. Eldridge is a slab serif family. Aliqua (2009), Chipperly (2009) and Syondola (2008, Tuscan) are Wild West families. Terazza Tilings (2009) and Valentine's Fleurons (2009) are dingbat typefaces. Additions in 2009 include Lowndes (soft blackletter), Christmas Fleurons, Merry Snowmen, Cherritt (described as a Victorian era Courier), DoodleBirds, Halloween Fleurons, ButtonFaces, Sabio (neither slab nor sans), Daub (brush graffiti font), Sabinard (a modern swash face), Cullions (futuristic blackletter), Coronard (blackletter / roman hybrid), Easter Fleurons, Chapter Initials, Paveline (19th century calligraphic script), Mellin Sans and Open, Gildersleeve (evoking the 1920s Arts and Crafts movement), Stannard (a 1920's advertising inspired small caps face), Slattery (a horizontally shaded fun face), Slatterine (2009, more retro futurism), Spillsbury (2010, Victorian family), Cirflex (2010, geometric display typeface based on arcs of circles), Oxonia (2010, a classic roman family) and Vectis (classic Roman elegance, another small caps face).

Creations in 2010: Windevere, Albion's White Christmas, Paragon (a great didone display family with a wood type feel), Compton (slab serif family), Mexborough, Morover (Schwabacher family), Anavio (a classical roman family), Corvone (3d-effect font), Granville (Victorian), Corton (Victorian), Wellingborough (Victorian), Worthing (Victorian), Ark Wright (traditional shop signage), Bonaventure (art nouveau), Federal Streamliner (1950s feel techno face), Deva (classical roman), Crucis Ornaments (crosses), Bronzino (a roman with Arts and Crafts roots), Bertoni (2010, a didone family), Pardon Me Boy (train dingbats), Woodruff (Open Face fonts with a wood type look), Jonquin (based on a WWI poster; +Incised), Luscombe (1920s display family; +Parva), Movella (futuristic from the 1950s), Magdalena Sans (2010: a clear monoline sans), Endymion (2010: Tuscan), Paget (a Tuscan experimental all caps face), Portello (Victorian).

Typefaces made in 2011: Admiral (art nouveau), Tuscaloosa (Tuscan face), Eccles (bombastic Victorian), Wolverhampton (pre-Victorian), Doncaster (Victorian family), Metropole (art nouveau family), Corsham (stone engraved lettering family), Leibix (casual), Albia Nova (an elegant futuristic organic face), Flapper (art nouveau face), Bertolessi (curly Victorian), Tulk's Victorian Banner (all caps banner face), Fitzgerald (Victorian all caps face), Cleveden (Victorian headline family), Spargo (an extensive set of early 20th century-look engraved typefaces for official documents and securities), Bettendorf (2011, based on a 1900s masthead typeface), Wolvercote (2011, similar to Bettendorf), Pittsburgh (2011, a Western-style engraved face), Chubbly (2011), Portmeirion No. 6 (2011, a Victorian / circus design), Bronzetti (2011; images: i, ii, iii, iv, v, vi), Sophie J (hanprinted), Dem Bones (2011, glyphs made from bones), Stout (2011), Birmingham New Street (a Victorian family inspired by the hand lettered title on a 19th century railway map), Beckinslade (ornamental blackletter).

Production in 2012: Alfere Sans Stripes, Albion's Americana (Western stars and stripes face), Tudor Perpendicular (blackletter), Amici (rounded headline face), Amie (rounded sans), Wolverton Text (Edwardian family), Vinea (10-style display family), Par Avion (retro futuristic), AstroBats (retro sci-fi dingbats), Beeching (+Shadowed), Gondolieri (didone meets Tuscan), Penrose Slabserif (an Escher-like trompe l'oeuil 3d face), Haldane (art nouveau, Arabic look), Solidarius (chubby, fat felt-tip pen font), Bluebottle (angular display face), Merrivale (Victorian), Future Runes (runic simulation), Coliseo, Alfrere Sans (inspired by a 1950s television caption style), Tectura II (Lloyd's answer to Comic Sans), Secombe (Edwardian caps family), Milligan, London Court (Tudor-era caps family).

Typefaces from 2013: Speedblur, Belhampton (Edwardian), Merry Baubles (Christmas tree dings), Merry Bauble Letters (Christmas alphadings), Wroxeter (blackletter), Thurbrooke (+Banner, +Initials, +Black, +Reverso, all based on 19th century banner headings and engraved lettering), Bourne (a rounded type system), Henrician (a set of eight Tudor style display typefaces), Belle Jardin (art deco marquee face), Lavery (Edwardian), Baldione (a stylized didone), Chequers (a vintage poster face), Turvy Topsy (fat finger face), Merrivaux (faux medieval), Blout (German expressionist typeface), Easter Egg Letters, Isometrica (a banner typeface family), Valentine's Letters, Imperial Granum (roman titling face), Brollo (chunky display face).

Typefaces from 2014: Albions Very Old Masthead, Albions Engraved Black, Albions Old Masthead, Albions Incised Masthead, Albions Black Holly, Zanderley (pure Victoriana, +Initials), Landsdowne Commercial, Friendly Shaded Sans, Trivette, Wellmere Sans, Uncia Black, Henry VII, Greene and Rollins (layered Victorian typeface), Barollo, Alfrine, Alfrere Banner (+Incised), Lugano, Lanvier (1930s-style caps typeface family), Bonlivet (a hyper-decorative capitals alphabet from the late Victoian or early art nouveau era), Ames Text (a didone family with rounded brackets), Ames Roman (related to didones but with wedge serifs), Ames Weathered, Ames Shadow, Ames Shaded, Amersham (vintage signage family, 2013-2014).

Typefaces from 2015: Netherland Perpendicular (Victorian blackletter), Ledbury (Victorian), Ambergate (Edwardian poster face), Empyrean (futuristic, yet curvy), Flinscher (1920s script), Signwriter Standard, Display Hatched, Albions Marker No.1 (a charming outlined marker pen typeface inspired by Bembo and Caslon), Joyvrie, Kinver (Victorian), Nationale (Victorian), Doges Banner, Doges Darker (Victorian), Doges Delight (Victorian), Doges Venezia (Victorian).

Typefaces from 2016: Buntisland, Elmcourt, Allorette, Albion Sharp Italic, Deco Metro (art deco), SpeedSwash (blackletterish), Stridere (blackletterish), SpeedSketch.

Typefaces from 2017: Shervington, Cantebriggia 1207 (a weathered blackletter), Algreve, Alambart, Duquesne Dark Woodcut, Courtold Shadow, Athabasca (Wild West Tuscan), Fargo Tuscan, Millerstown (Western), Millerstown Races, Old Millerstown, Sasparillo (Tuscan), Sasparillo Fizz, Wylgate, Herald Banner.

Typefaces from 2018: Garstang Engraved, Halliwell Casual, Portculliard, Rotham Industria, Sombrieul (Edwardian), Shervington Engraved (a shaded typeface that appears hand-engraved on copper-plate).

Typefaces from 2019: Dewhirst Display, Rakia (retro futuristic), Eurobia (art nouveau style).

Typefaces from 2020: Draughtsman Engraved, Draughtsman Label Hand (Victorian), Civic Triline.

Typefaces from 2021: Albion Seventies, Portculliard Engraved (an engraved ultra-decorative blackletter).

Type announcements. Behance link. Klingspor link. Abstract Fonts link. Font Squirrel link. Kernest link. Abstract Fonts link. Hellofont link.

Greg Eckler

Graphic and type designer and art director in Washington, DC, and Woodbridge, VA. He is a professor of communication design at Northern Virginia Community College (NOVA). Before that, he taught graphic design at George Mason University and at The Art Institute of Washington.

Creator of Skatekey (2012, hexagonal: free), Atreyu (2011, a blackletter typeface that is free at Lost Type), Swarm (2010, hexagonal modular face), Black haus (2009), a mix between Futura and Cloister Black (Morris Fuller Benton, 1904). He also made the pixelish typeface SWARM (2009), Tercio (2010, a pastiche slab-serif of wood&metal tendencies in his own words---fresh and different), and Camisado (2010, free humanist sans).

In 2013, he published the didone typeface family Forsyth.

Typefaces from 204: Barrelroom (art deco), Demolin (wedge serif), Heretique (bold bracketed serif), Xyst (modular condensed slab serif), Highpoint (extra-condensed sans), Pergola (rounded modular modern sans-serif), Unholy (spiked semi-serif inspired by metal music), Zero (geometric sans), Quartzous (video game pixel face), Aztlan (Aztec-look typeface), Ordo (condensed sans), Barbed, Covalent (dot matrix), Eschelon, Furious (chamfered), Sagebrush (Western), Vias (circuit font), Chambray (condensed sans), Grout, Manifold, Razor&Blade.

Behance link. Klingspor link. [Google] [More] ⦿

GreyWolf WebWorks (was DarkSide Productions)
[Rich Gast]

Now also known as GW3. Original TrueType fonts by Rich Gast from West Lafayette, IN: Abduction, AbductionCyr, AngieBareFoot, AngieGroovin, AngieImpressing, AngiePierced, AngieTanLines, BigTenMania, BlackWolf, BoilermakerSpecial (dingbats by email: 8 Purdue and Big Ten logos), BrocaineDecade (grunge), CannabisSativa (3 cannabis leaves), ChainLetter, DrawnandQuartered (stencil font), EchoDeco (vertically striped art deco face), ExpletiveDeleted, Frazzed, GravitySucks, GreyWolf, GroundZero, Hypmotizin, Kingbats43 (dingbat font with 6 Richard Petty related pics), KissTheSky, LeeBeeSchwarz (1998, Fraktur font), LoisAnn (elegant!), LongCoolGrandma, LongCoolMother, LongCoolWoman, LongCoolWoman8338, Makisupa, MystikOrbs, PepRally, PheanisWickey, PlatinumHubCaps (Western font), PlatinumHubCapsPolished, PlatinumHubCapsSolid, PlatinumHubCapsSpoked, PointedlyMad, PointedlyMadSmallCaps, ShadowTag, ShineOn, SpitShine, StixnStonz, SwedieCruel, Verticalization, WhiteWolf, XactoBlade (a futuristic stencil font), ZZZTop, ChristmasLightsIndoor, ChristmasLightsOutdoor, Demonized, Dusharnbi (Sinhala), FuturexVoyager, Primo, PrimoBright, SpitShine, Suncatcher, SuncatcherFill, TouristTrap, EagleGTII (1999), YouRookMarbelous, Molly Rose.

Dafont link. Fontspace link. [Google] [More] ⦿

GRIN3
[Bartek Nowak]

A group of independent designers from Poland, heade by Bartek Nowak, and located in Staromiejska. Nowak has been designing typefaces since ca. 2000. Typefaces:

Inkaust (2011). A grungy face.
Uniwerek (2011). A sketched hand-drawn family inspired by college and university sportswear.
Galicya (2011).A hand-printed poster family.
Tygodnik (2011, Bartek Nowak) is a poster font inspired by logo of Polish magazine Tygodnik Powszechny.
Tentacle Szrift (2011, Bartek Nowak) is a blackletter family.
Stencimilla (2011) is an army stencil face.
Goniec (2011) is inspired by graffiti.
Pascal (2011).A brush script.
Machina G and Machina R (2011). A pair of grunge typewriter typefaces.
Nokian11 (2011). A gridded face.
Quattro Tempi (2012). A sketched typewriter face.
Centura Round (2012). A hand-drawn monoline sans family.
Kidorama (2012) is a hand-drawn script inspired by the calligraphic models used in Polish primary schools.
Revers (2012). A roughened slab serif.
Eight Zeta (2012). A casual hand-drawn typeface family.
Skurier (2012) is a hand-drawn font inspired by Courier.
Monosketch (2012) is a hand-drawn font inspired by monospaced fonts like Andale Mono. This sketch typeface can be layered.
Holy Roller (2012). A lively hand-drawn outline typeface.
Larsson (2012). A tall poster font.
Antidotum (2012). A stamp or eroded wood typeface in the style of Veneer or Anodyne.
Sahan (2012). An elaborate Arabic simulation typeface.
Martita (2012). A festive connected script.
Secesja Pro (2013) is a redesign of his earlier Secesja PL font. It is a revival of Hermann Ihlenburg's über-Victorian typeface Nymphic Caps (1889).
Astalamet Pro (2013) is a dot matrix typeface that evolved from Astalamet Pure (2001).
Engineer and Engineer Stencil (2013) is a rounded techno sans family based on Bartek's own TechnicznaPomoc (2001).
Collegium (2013) is an athletic lettering font.
Barme Reczny (2013) is a hand-printed typeface.
Splasher (2013) consists of nothing but ink, coffee and paint splashes.
Gwidon (2013) is a connected script typeface.
Athletico (2013) is a layered university sports lettering typeface family. See also Athletico Clean (2013).
Polina (2013) is a hand-drawn 3d shaded layered typeface system. Its original name, Dobra, had to be discarded because that name was already taken by Dino dos Santos.
Leitmotiv (2013) is a heavy calligraphic typeface.
Misterall (2013). An all caps brush typeface for posters.
Delegat (2014). A comic book lettering font inspired by handwritting of Frank Ching.
Procent (2014). Bold and hand-printed.
Gotyk Nr 7: a grungy blackletter typeface that evolved from Nowak's 2001 typeface Gotyk Poszarpany.
Suarez (2014). A vintage upright connected script. The dingbats are called Suarez Extra.
Kowalski (2014) and Kowalski2 (2014). A swashy typeface family.
Revers (2014) is a grungy slab serif typeface.
Pascal (2014, handwriting), Inkaust (2014, fat finger font).
Jasminum (2014). A connected script together with a flower dingbat font, Jasminium Extra.
Quattro Tempi (2014).
Athletico Clean (2014). Athletic lettering font.
Procent (2014). A shop signage typeface.
Charlize Script (2015). A connected curly script family.
Rossellina (2015). A connected calligraphic script font.
Giulietta (2015). A calligraphic script family.
Bellfort. A letterpress font family.
Elementarz Pro (2016). A monoline school font.
Dramaturg (2016). A brush script.
Ripley (2016). A connected monoline script.
Baltasar (2016). A brush script.
Jeremy (2017). A brush script.
Bridgewater (2018). A brush font.
Bellfort Draw (2018). A hand-drawn typeface family.
Nauticus (2019). A monoline script and an all caps sans font duo.
Vintage Fonts Collection (2019). This letterpress extravaganza includes the following fonts: VFC Besson, VFC Besson Press, VFC Fantomen, VFC Fantomen Press, VFC Fiesta, VFC Fiesta Press, VFC Jagan, VFC Jagan Press, VFC Morty, VFC Morty Press, VFC Ogar, VFC Ogar Press, VFC Rewizor, VFC Rewizor Press, VFC Ruiz, VFC Ruiz Press, VFC Sufler, VFC Sufler Press.
Boromir (2019). A layerable font family.

Aka Leitmotif. Dafont link. Klingspor link. Fontspace link. GRIN3 link. Old free font URL. Creative Market link. Home page.

Showcase of Bartek Nowak's commercial fonts. [Google] [MyFonts] [More] ⦿

Griyotype
[Aprian Sembada]

Indonesian designer in 2021 of Ziga (a reverse stress Western font), Mleyoth (a Hebrew emulation blackletter), Bergas (a Western font) and Rettaya (cursive). [Google] [MyFonts] [More] ⦿

Ground Control (was: Penny Font Foundry, or: Pennyzine)
[Jason Ramirez]

As part of the (ex-) Chank Army, Jason Ramirez (b. 1978, Wisconsin) offers free and commercial fonts. He started out as Pennyzine or Penny Fonts, or Penny Font Foundry, with free fonts that were typically made with the Data Becker software program. Later, his fonts became commercial, and the new site changed its name to Ground Control.

The list of their free fonts, which are mostly in the grunge style that was in vogue ca. 2000: Locals Only (2011), Cocaine Nosejob (2008), Made (2004, grunge blackletter), Strip Club Motion Sickness (2003), One Fell Swoop (2003, scratchy calligraphic), Fear of a Punk Planet (2005), Futon Revolutionist (2002), Bill Hicks (2002, grungy blackletter), Elliot Swonger (2002), Elliots Bad Day (grunge), Don Giovonni (2006, grungy typewriter), Don Giovonni Makin Enemies (2006), Gumuski (2002), DUMMY (1999), Acid Reflux Baby (2002), Avenge Me (2004, multiline, octagonal), Times-New-Omen (1999), punk rock rummage sale (2001), Thatluvinfeelin1 (2001, a sexual positions font), cut-n-paste (1999), Maydogg (1999-2002, handwriting), My-wife-sucks (1999), Stamped-out (1999), Stank (1999), StankII (1999), uncle-tom (1999), uno (1999), Coopdeville (2002), Dirtysocks, FourMoreYears (2003), Punkrockrummagesale (2001), Theregoestheneighborhood (2003), Thiskettle (2002, handwriting), Mr. Rogers (2003), Regime Change (2004), Hotel Coral Essex (2006, grunge), Limp Noodle (2006).

Commercial fonts: Sparkle House (2011), Chompsky Fancy (2011), Redneck Superstar (2002, Chank's).

Dafont link. Yet another URL. Fontspace link. Abstract Fonts link. Alternate URL. Direct downloads. Alternate direct download path. Ground Control web site. [Google] [More] ⦿

Group Type
[Mark Solsburg]

Mark Solsburg's outfit located in Westport, CT. Before GroupType, Solsburg worked at ITC, which he left in 1989 to start FontHaus. Later he started TypoBrand and Grosse Pointe Group LLC. Solsburg headed the Type Directors Club for a few years. He is presently located in Ann Arbor, MI. He is President / CEO of DsgnHaus (1989-present), and partner in TypoBrand LLC (2004-present), a specialized typographic consulting firm founded by type designer, Mark van Bronkhorst; former type designer for Adobe, Linnea Lundquist, and Mark Solsburg. It seems that the FontHaus collection is now being marketed under the Group Type label at MyFonts. Group Type does technology consultation in the field of providing software and type typeface fonts for designers, publishers and typographers, related to the selection, purchase and use of design software and type typeface fonts for use in graphic, industrial, interactive and communications design. They specialize in revivals. Their fonts include

Aquiline. An absolutely wonderful 16th century script.
Arbor Brush (2012). A brush font that seems almost painted.
Aries. A 1995 revival of a lapidary typeface by Eric Gill.
Bank Gothic (1994). A revival of Morris Fuller Benton's original---see also Bank Gothic BT. Now also Bank Gothic Distressed.
Bristol (1994). In Adornado and Solid substyles. Based on a design by Stevens Shanks.
Broadway Poster.
Carpenter Script (1995). Revival of an old connected ATF script by James West.
Caslon Antique (1993). Based on an original by Bernd Nadall.
Cloister Initials (2006). A revival of an illuminated caps typeface by Goudy.
Cooper Poster.
Corvinus Skyline (1991). By Ann Pomeroy. A revival of a condensed modern family by Imre Reiner by the same name.
Craw Modern (2012). A revival of Craw Modern by Freeman Craw (1958, ATF).
Diane Script.
Fortis (2012), formerly Atlas. In the wood style of Latin Wide, with heavy sharp triangular serifs.
Girder Poster.
Gotico Black. A blackletter.
Grosse Pointe Metro (2006-2009). A great Bauhaus style sans family based on William Addison Dwiggins' Metro #2). See also Detroit Metro.
Grotesca (1995).
Laughin. Andrew Smith contributed his Laughin, which was earlier at FontHaus.
Maxim.
Ovidius Script. A medieval simulation script, dated 2006, designed by Thaddeus Szumilas. Comis in Light, Medium and Bold.
Poster Gothic.
Raleigh Gothic (1995). A typeface based on Morris Fuller Benton's design. See also Raleigh Gothic RR for a different revival.
Regular Joe (2006). An out-of-place childish handwriting font.
Ronde Script (2012). This ronde comes from the French side. Group ype says that it was modeled after Parisian Ronde by the Chappelle foundry in Paris, but its roots go back to Nicolas Gando.
Schneidler Initials (1995). Revival of Friedrich Hermann Ernst Schneidler's Trajan-style typeface.
Sitcom. Ann Pomeroy contributed Sitcom.
Spire. By Ann Pomeroy. A condensed didone family heavily based on Sol Hess's Spire (Lanston).
Stradivarius.

View the Group Type typeface libary. [Google] [MyFonts] [More] ⦿

Grummedia
[Graham David Blakelock]

Ilkley, UK-based foundry of Graham David Blakelock (b. 1947, York, England). MyFonts sells his fonts. These include typefaces used in role playing games, often with a medieval look, all published in 2005: Fifteen36 (Venetian with rough edges), Fourteen64 (Venetian with rough edges), High German (blackletter), ItalicHand (inspired by 11th or 12th century Carolingian hand-drawn cursive), Old Russian (fake Cyrillic), Ye-As-Ta (rotated brush style caps), Good Taste (2006), Hieroglyph Informal (2006), Kanjur (2006, Indic simulation face), Mayan (2006, dingbats and Mayan-looking letters), Pepper (2006), Salt (2006).

View Graham David Blakelock's typefaces. [Google] [MyFonts] [More] ⦿

Gruso

Gruso Schriftenmappe: Eine Auswahl schöner Gebrauchsschriften für Maler, Graphiker, Schaufensterdekorateure und verwandte Berufe. Heft 3 and Heft 4 (1952) are booklets with tens of alphabets. They were scanned in by Michael Stoll. I cleaned up a subset of the scans, reorganized the set, and commented on them. [Google] [More] ⦿

Grzegorz Klimczewski
[Fonty PL]

guentersen

Designer who used FontStruct in 2008 to create FUSE (based on the work of Neville Brody), ANNA45 (pixel face), ANNA63-Display-small-caps-Regular, ANNA63-small-caps-Regular, ANNA91-regular-Regular, Alto Monospaced (octagonal and monospaced), Alto Capitals Fat (almost pixel version), ANNA Killed (nice fat face), square Out and Square Out2 (pixel typefaces), Coldplay-Semi-Regular (gorgeous piano key font), Coldplay-Small-Caps-Regular, Coldplay-wide-space-Regular, Coldplay-Regular, Frieda-Regular, HAUS-Small-Caps-Regular (interesting pixelized face), guess-who-Regular. In 2009, these were added: Haus (gridded), HausFraktur (gridded blackletter), Cees (dot matrix), Peace (blocky pixels). [Google] [More] ⦿

Guguh Gumantoro
[Letter Stock (was: Gumacreative)]

Guido Schneider
[Brass Fonts]

Guillem Catala

Guillem Catala runs Font Reactor, a site that aims to compete with Fontspace and Dafont. But he also makes his own fonts, such as the grungy blackletter typeface Goddess (2012), in which the letters are based on the logo of Goddess of Destruction.

Fontspace link. [Google] [More] ⦿

Guillermina Astorga

Graduate from FADU, University of Buenos Aires, who created the blackletter typeface Templetype (2009). [Google] [More] ⦿

Gumilang Anggara Ruslan
[Gartype Studio]

Gunnlaugur S.E. Briem on Blackletter

On the history of blackletter fonts, by Briem. [Google] [More] ⦿

Gustav Eichenauer

Punchcutter, b. 1891 Offenbach, d. 1982, Offenbach. He cut C.H. Kleukens' typeface Burte-Fraktur in 1928 for the Mainzer Presse. [Google] [More] ⦿

Gustav Lorenz
[Lorenz]

Typesetting MPEG4 movie, ca. 1935.

Gustav Mori

Type designer (1872-1950) who reconstructed Gutenberg-Textura (1928, Stempel).

In 1916, he published a book on the Frankfurt-based foundry of Benjamin Krebs, Nachfolger, Die Schriftgiesserei Benjamin Krebs Nachf., Frankfurt a.M. Ein Beitrag zur Geschichte des Frankfurter Schriftgiesser-Gewerbes.

Die Hochdeutschen Schriften aus dem 15ten bis zum 19ten Jahrhundert der Schriftgiesserei und Druckerei was published in 1919 at Elsevier. [Google] [More] ⦿

Gustav Schelter

German designer of Fraktur Doppelmittel around 1800. This typeface was digitally revived by Gerhard Helzel. His Normal-Fraktur (1835) was revived by Helzel in 1999. DS Normal Fraktur is a revival by Delbanco. [Google] [More] ⦿

Gustavo Ferreira

Brazilian designer (b. 1977, Rio de Janeiro) who worked in Amsterdam, The Netherlands, and is based in Cunha, Brazil. In 2009, he founded Hipertipo, a small design studio in Amsterdam. Gustavo Ferreira has a Bachelors degree in Graphic and Product Design from ESDI, in Brazil (2003), and a Masters degree in type design from KABK Den Haag. His typefaces:

The grunge handwriting font Gentileza (2002), taken straight from Rio's streets.
The sans-serif typeface Eva (2002).
In 2004, he joined Ultra Pixel Fonts, where he made the pixel typefaces Elementar 09b, Elementar Basica 13.11, 13.21 and 13.31, which are all part of the pixel and dot matrix "system" Elementar [see also the Typotheque page]. He explains: Elementar is a parametric font system designed to bring more typographic flexibility to digital screens. Elementar embraces and explores the unique properties of digital media: the pixel, the coarse resolution grid, and the dimension of time. At ATypI 2005 in Helsinki, he spoke on Elementar.
At FontStruct, he made these typefaces in 2009-2010: Untitled Modern, ImperialSans, ImperialSerif, Untitled Roman, Modular Serif (Micro, Text, Large), Untitled Italic, Gothica (a geometric blackletter).
In 2008, Universidade de Brasilia asked Gustavo Ferreira to design a Helvetica-style free font family, UnB (in versions UnB Pro and UnB Office). Free download. Fontsquirrel link.

[Google] [More] ⦿

Gutenberg Labo

Japanese font foundry committed to making open license fonts based on old prints. It is run by Judicare and Eunice. Fontspace link. The fonts:

GL SnowBentley (2018). Snow crystals after photographs by Wilson A. Bentley.
GL Morris (2017-2018). After William Morris's blackletter typeface Troy Type (1891-1892).
GL-MahjongTile (2009). In 2018, they added a color SVG style web font called GL-MahjongTile-Clr.
GL-Grimoire-MajKey and GL-Grimoire-MinKey (2007-2009). The former is from the medieval grimoire "The Greater Key of Solomon" (font for the Sacred Pentacles). The latter is from the medieval grimoire "GOETIA The Lesser Key of Solomon" (font for the medieval grimoire "GOETIA The Lesser Key of Solomon").
GL-Runen (2007-2009): Elder Futhark runes.
GL-Nummernschild-Mtl and GL-Nummernschild-Eng (2009): German license plates typeface (FE-Mittelschrift, FE-Engschrift). The original goes back to Karlgeorg Hoefer.
GL-DancingMen (2007-2009): Cipher from "The Adventure of the Dancing Men", The Return of Sherlock Holmes by Arthur Conan Doyle. See also GL Dancing Men Org (2017-2018).
GL-Suetterlin (2008): German formal blackletter-inspired handwriting taught in schools for some time. Renamed GL German Cursive in 2018.
GL-Antique (+GL-AntiquePlus) (2002-2017): Japanese antique style font containing kanji, hiragana and katakana. These fonts are quite complete and contain hundreds of dingbats, arrows, and symbols.
The GL-Tsukiji family (2008-2009): hiragana and katakana fonts from the Meiji era type foundry Tokyo Tsukiji Kappan. Open Font Library link.
GL Otomanopee (2006-2007 and 2017-2018). Hiragana and katakana.

Sourceforge link. [Google] [More] ⦿

Guy Oring

Coauthor with Paul Carlyle of Letters and Lettering (1938), Layouts and Letterheads (1938) and Learning to Letter (1939).

The former book was a big source of inspiration for Nick Curtis. For example, he created the typeface Shishka Bob NF (2005) based on the experimental calligraphy in that book. Type designers who were inspired by, revived or extended alphabets shown in Letters and Lettering include:

Nick Curtis: Shishka Bob NF (2005), TaraBulbous NF (2008: is a fat-lettered font), Guinness Extra Stout NF (1999), Kynges X NF (2004: a blackletter semi-Lombardic face), Astoria Titling.
Dathan Boardman: Afternoon Tea (2010: art deco).
Anton Scholtz: Nocturne (2012: art deco).
Monogram Fonts (Jim Lyles, Brian Bonislawsky): MFC Patisserie Monogram (2020), MFC Redding Monogram (2016), MFC Buttergin Monogram (2018: Tuscan).
Grype (Jim Lyles, Brian Bonislawsky): Decade (2019).
PhotoLettering / House Industries: Quaint or Carlyle Quaint.

[Google] [MyFonts] [More] ⦿

Gymnasio Tipografico

Buenos Aires-based designer of these display typefaces in 2016: Carbura (tattoo style), Pura Vida (blackletter calligraphy), Pesca (graffiti). He also drew a number of alphabets such as Bistro and Rata in 2016. [Google] [More] ⦿

H. Berthold AG

H. Berthold Systeme AG was founded in 1858 in Berlin by Hermann Berthold. Also known as H. Berthold Messinglinienfabrik und Schriftgiesserei, the type foundry was the largest in the world by 1918, with offices in Stuttgart, St. Petersburg, Leipzig, Riga, Budapest and Vienna. It grew by acquisitions of many other foundries, see., e.g., here. A partial list:

1897 Bauer&Co, Stuttgart, 100%, Germany
1898-1900 Branch St. Petersburg, 100%, Russia
1901 Georg Ross&Co. St. Petersburg + new Branch in Moscow, 100% Russia
1905 J. H. Rust&Co. Vienna, 100%, Austria
1907 A. Haase, Prague, 100%
1908 Ferdinand Theinhardt GmbH Berlin, 100%, Germany
1912 St. Petersbrug Branch of Flinsch (later Bauer), 100%, Russia
1917 Emil Gursch Berlin, 100%, Germany
1918 Gottfried Böttger, Leipzig, 100%, Germany
1918 A. Kahle, Weimar, 100%, Germany
1920 Julius Klinkhardt, Leipzig, 100%, Germany
1922 C. Kloberg, Leipzig, 100%, Germany
1926 Poppelbaum, Vienna, 50% - 50% to D. Stempel A.G., Austria
1926 First Hungarian Type Foundry, Budapest, 50% - 50% D. Stempel A.G, Hungary
1929 Genzsch&Heyse, Hamburg 33% - 33% Bauersische Gießerei (Bauer) - 33% D. Stempel A.G., Germany

To complement its typesetting equipment business activities, Berthold developed the Berthold Exklusiv Collection, a collection of typefaces created solely for Berthold by distinguished designers. Günter Gerhard Lange began his association with Berthold in 1952, and was artistic director from 1961-1990. In March 1991, Adobe Systems and H. Berthold AG announced that Adobe was to produce PostScript versions of numerous Berthold Exklusiv ("BE") typefaces - these typefaces were later to be known as Adobe Berthold BE fonts. Until 1999, Adobe marketed its versions of 365 Berthold Exklusivs under agreements with H. Berthold AG, and later Berthold Types Limited. H. Berthold AG also produced its own digital versions of their entire library using the Ikarus system - some of these fonts are later to be known as Berthold BQ. In 1993 the company reported insolvency. A follow-up company, H. Berthold Systeme GmbH was formed, but it finally was dissolved in 1995. Shortly before dissolution, the Berlin-based H. Berthold company signed license agreements with and transferred certain rights and trademarks to a Chicago-based US company that later took the name Berthold Types Limited, now called Berthold Direct Inc. This company now offers digital versions of the "Exklusiv" Berthold typefaces.

Some of its history is explained in this letter.

Old blackletter typefaces from the metal era: Ballade (ca. 1927, Paul Renner), Berthold-Fraktur (1909), Bismarck-Fraktur (1860), Breda-Gotisch (1928, house font), Englische Schreibschrift (1972, version One, version Two; for digital versions elsewhere, see English 157 by Bitstream, or Elegant Script by SoftMaker), Deutschland (ca. 1934), Hansa Kursiv (ca. 1895: art nouveau style, the light version of Regina Kursiv), Schraffierte Gotisch (before 1900; aka Stella), Mainzer Fraktur (1901, Carl Albert Fahrenwaldt for Bauer and Berthold), Morris-Gotisch (before 1905, for Bauer and Berthold), Post Fraktur (1935, Herbert Post), Prinzeß Kupferstichschrift (1905, digitized by Ralph M. Unger as Prinzess Gravur in 2010), Regina Cursiv (ca. 1895: revivals include Carlsbad (2018, Ralph M. Unger), Regina Cursiv (2007, HiH), Toffee Script (2010, Tomi Haaparanta)), Sebaldus-Gotisch (1926: revival by Ralph M. Unger in 2019 as Sebaldus; see also the earlier revivals by Ingo Preuss and Dieter Steffmann, both called Sebaldus), Straßburg (1926, a blackletter face; the digital version by Delbanco is called DS Strassburg; see also Strasburg by Gerhard Helzel), Trump-Deutsch (1936, Georg Trump). House typefaces include Isolde (1912, script face), Augustea Kursiv (1906) and Augustea Fett.

Hebrew fonts in their collection include Meruba, Stam, Mirjam and Frank Ruehl.

Some of the Berthold collection can nowe be bought through Monotype Imaging and Linotype. [Google] [MyFonts] [More] ⦿

Haas'sche Schriftgiesserei

German/Swiss foundry established in 1790 (however, see timeline below) and based in Basel/Münchenstein. Many of its shares were acquired by D. Stempel in 1927. Linotype takes over Haas in 1989. Their collection includes:

Kompakte Grotesk (1893)
Steinschrift (1834). See also here.
Enge Grotesk (ca. 1870)
Commercial-Grotesk Halbfett (1940)
Altgrotesk halbfett (1880)
Haas gotisch schmal. This typeface was digitally revived by Gerhard Helzel.
Bodoni-Kursiv, Bodoni-Antiqua (Bodoni, 1780). The 1924 cuts of Bodoni formed the basis of Berthold Bodoni, which can now be had under that name in digital form.
Ideal-Antiqua (ca. 1880)
Caslon Antiqua and Caslon Kursiv (William Caslon, London, 1720)
Alt-Fraktur and Fette Alt-Fraktur (ca. 1840)
Fette Gotisch (ca. 1860)
Halbfette Normande (1850) and Normande fett (by Thorne, London, 1810)
Nürnberger Schwabacher (originally, ca. 1600, published in 1930)
E.A. Neukomm: Bravo (1945), Chevalier (1946). Digital forms of Chevalier can be found at Agfa and LetterPerfect. Elsner&Flake's Escorial is another digital form of it. And so is PrimaFont's Chauvinist.
A. Auspurg: Castor (1924), Pollux (1925).
Hermann Eidenbenz: Graphique (1941), Clarendon (1953). Clarendon became a Linotype face.
Adrian Frutiger: Ondine (1954), a calligraphic font done at Deberny et Peignot before it was taken over by Haas.
Walter J. Diethelm: Diethelm Antiqua (1945-1950).
M. Miedinger: Helvetica (1957), Horizontal (1964), Pro Arte (1954). Helvetica became Linotype's big prize face.
Eugen+M. Lenz: Profil (1943-1947). In the digital era, Profil became Decorated 035 at Bitstream.
P. Wezel: Constellation (1970).
H. Baumgart: Quirinale (1970).
Richard Gerbig: Riccardo (1941, a script face).
Edmund Thiele: Superba (1934), Normale Grotesk (1942), Troubadour Lichte (1931, script). Troubadour survives digitally as Rechtman Script (Intecsas). Superba was digitally revived by Red Rooster as Superba Pro (1992 and 2017).
Anzeigen Grotesk (1943, Haas / Linotype) is a heavy condensed sans in the style of Impact. Modern digital versions include Anzeigen Grotesk (2009) by URW and Anzeigen Grotesk (2006) by Linotype.
Estienne is a condensed roman with small pointed serifs that revives a nineteenth century design. Not to be confused with the old face Linotype estienne.

In Chronik der Haas'schen Schriftgiesserei (2002), Hans Reichardt describes this timeline:

1654: Johann Jakob Genath (1582-1654) runs a print shop and foundry in Basel.
1708: His son Johann Rudolf Genath (1638-1708) leaves the foundry to his second son Johann Rudolf Genath II.
1737: Johann Rudolf Genath II has no children and makes Johann Wilhelm Haas (1698-1764) his official heir. Haas had come from Nürnberg to Basel in 1718 to work with Genath.
1745: Haas takes over, and dies in 1764. His son Wilhelm Haas Münch (1741-1800) then takes over.
1772: Wilhelm invents a hand press, and in 1776 develops a system for printing maps.
1790: Publication of Epreuves des caracteres d'usage ordinaire dans l'imprimerie. Local download.
1800: Wilhelm is succeeded by his son, Wilhelm Haas Decker (1766-1838).
1830: Wilhelm Haas Decker leaves the business to his son Georg Wilhelm Haas (1792-1853) and to Karl Eduard Haas (1801-1853).
1852: Two employees, Jakob Haas and G. Münch take over. But in 1857, they sell the company to Otto Stuckert (1824-1874) who lived in Lörrach.
1866-1895: The Basler Handelsbank was the main investor in the business, and sells it in 1895 to Fernand Vicarino.
1904: Max Krayer becomes owner.
1921: A new plant is built in Münchenstein.
1924: Work on a new cut of Bodoni has started. Later, Stempel and Berthold would use this type, and it became well-known as Berthold Bodoni.
1927: The company becomes an AG (Aktiengesellschaft) and strikes business cooperation deals with D. Stempel AG and H. Berthold AG.
1940-1941: Caslon Antiqua and Kursiv (1940) and Riccardo (1941) are created.
1941: Ideal Roman is cast. Berry, Johnson and Jaspert write: This Haas revival is a condensed semi-bold nineteenth-century design, which is almost a Fat Face. There is the usual long spur to the G, curled tail to the R, and long serifs in the E, F and T. Ascenders and descenders in the lower case are very short. Cf. Contact. The present design is cast from 1941 matrices, and the identical type is cast by Stempel, who call it Jeannette. The type is quite different from Amsterdam and Intertype Ideal.
1944: Eduard Hoffmann becomes Director when Max Krayer dies.
1945-1958: In the Post World War II boom, these typefaces were created: Bravo (1945), Graphique (1945), Chevalier (1946), Profil (1947), Clarendon kräftig and fett (1953), Pro Arte (1954), Neue Haas-Grotesk halbfett (1957), Neue Haas-Grotesk mager (1958).
1968: Alfred Hoffmann succeeds Eduard Hoffmann.
1972-1982: An expansion period follows. The company takes over Deberny&Peignot (Paris) in 1972, Fonderie Olive (Marseille) in 1978, and Grafisk Compagni (Copenhagen) in 1982.
1989: Linotype takes over Haas and dissolves the company. Linotype itself keeps the name and the rights to the typefaces, and gives the foundry to Walter Fruttiger, who continues that part of the business as Fruttiger AG.
1990: Società Nebiolo (Turin) is taken over.

View the Haas typeface library. See also here. [Google] [MyFonts] [More] ⦿

Hackberry Font Foundry (Was: NuevoDeco Typography, or: Bergsland Design)
[David Bergsland]

In 2009, Hackberry Font Foundry grew out of NuevoDeco Typography, which in turn was a commercial foundry that formed part of Bergsland Design located in Mankato, MN, and before that, Las Lunas, NM, and run by David Bergsland (b. 1944, Buffalo, NY), a 1971 graduate of the University of Minnesota. Author of Practical Font Design: 2nd Edition: Rewritten for FontLab 5. Klingspor link. Creative Market link, as Radiqx Press. His fonts:

Aargh!- Light and Heavy.
Abiquiu Black.
Ablati (2009)
Out of Nuevo Litho (1993) appeared Abrect (2009).
Abwyn.
Academi (2010).
Adieu (1998). Adieu Two (2006, an almost blackletter script).
The high-ascendered and bouncy sans typeface Aerle (2009).
Aero Script (2001, and its extension, JargonPro, 2004)
Aggressian (2012). An angular and angry typeface.
Akme Pro (2002). Akme (2002, an industrial sans family).
Albe Sans (2000).
Allektra (2002).
AllSpeed.
Altra (2006).
AmeriDistort (old typewriter, Seamus Mills).
Amico (2008, a sans family).
Amitale (2008). Amitale (2008) has eight styles in each of AmitaleBook and AmitaleWide.
Araldo (2021). A comic book sans.
Aramus (2008). Aramus is an old style text face.
Archaic Penpoint Pro (2004, stylish blackletter).
Ardone Book (2007, garalde, a close relative of his own Diaconia Old Style, which in turn was influenced by the 19th century Dutch bible font, Minister (Linotype)). Ardone Book (+ Italic) is accompanyied by a sans called Arinar, and a slab serif called Alexandrya.
Artichoke (2007). A calligraphic printed script typeface with rough outlines, which according to the typophiles is a shameful clone of Chris Costello's Papyrus.
Out of Aramus grew Artimas (2009), a "book" family with tall ascenders.
Arturo (2008). A flared sans serif based on an alphabet found in Dan Solo book.
Artz (2002).
Astaire Pro (2004). He writes: This is a deco-style text OpenType Pro font loosely based on Koch's Locarno as seen in KochAltschrift a recent free German tribute to Koch's work. I was familiar with Meeks' Letraset presstype version called Locarno, but I never liked the proportions used by either Meeks or Koch. So I radically revised ascender, descender, and x-height to make them more usable.
Attend.
Auntie Pat (2008). A decorative script face.
Avenue (2002)
Beatz (by or with Seamus Mills).
Biblia, Biblia Serif (2017-2021) and Biblia Display (2022). Biblia is a lapidary outgrowth of Carl Albert Fahrenwaldt's typeface Minister from 1929.
Bergsland Engravers Pro (2005).
Bergsland Display (2005).
In 2005, he created Bergsland Fashion and Bergsland Round
Bergsland Pro.
Bilbo Black.
Bilbo Pro Fiesta.
Bjorgi Pro (2004).
Bling (2009).
Boxy (2018).
Brinar (2006). A Koch-inspired slightly playful humanist sans text family.
Briskly (2016).Handwriting style.
Buddy (2010). Buddy Slender (2011) is an informal display sans family.
Bulkr (2017). Bergsland's replacement of heavy titling faces like Impact.
Bushing (2010). An interpretation of Cushing No. 2 by ATF.
Caesar.
Chivalry.
Chunkie (2010).
Contenu (2010). A text book family. Followed by Contenu EBook (2012).
Cushing Two (2011).
Cutlass (2010). Uncial, created in a swashbuckling style.
Diaconia Old Style (1994-2001).
Draetha (2017). A monoline sans.
In 2006, he added Fiscal, a squarish sans typeface
For his book Practical Font Design With FontLab 5, David Bergsland designed a set of text typefaces in 2016, Librum, Librum Sans, Librum E, Bookish, and Bream (the display version of Librum).
Nordstrom.
NuevoLitho (1993).
Poniard (2011). A medieval script.
Sturdy (2006, heavy sans).

View David Bergsland's typefaces. Behance link. Creative Market link. [Google] [MyFonts] [More] ⦿

Hafidz Qadry

Banda Aceh, Indonesia-based designer of the commercial typefaces Rampage (2016, blackletter) and Gura (2016, condensed handcrafted comic book type). In 2017, he designed Manttiss Marker, Wonder Whisper Script and the brush font Southern Raptor. [Google] [More] ⦿

Haiko Günther

Born in 1980 in Saarbrücken, and a recent graduate at HBK Saar. Working as a designer for the town of Saarbrücken. Somehow associated with Kiosk Type in Berlin, where she created these typefaces: Drückerei (2008, grunge), Rex Mundi (2008), Ghana Signpainters Divine Healer (2008), Wüste Fraktale (2008, a pixel blackletter), Ghana Signpainters Safari (2008), Ghana Signpainters Cocktail (2008, comic book and ad style), Black Frituur (2008, blackletter), Steelcut (2008, slab serif based on Woodcut). [Google] [More] ⦿

Hajra Tariq

Dubai-based designer of Box Trap (2019: a free squarish typeface), Flava Music (2019: a blackletter black metal font), and Miraal (2019: a free children's scrawl font). [Google] [More] ⦿

Hani Abusamra

London-based graphic designer and illustrator, who studied graphic design at London's Architecture and Visual Arts school. Behance link. Her typefaces include Valence (2011, blackletter/tattoo face). Also, starting in 2011, she decided to drawn one letter per day. Shapes (2011) is a geometric face. [Google] [More] ⦿

Hanns Thaddäus Hoyer

Type designer, b. 1886 Kempen, d. 1960 Berlin. He studied in Krefeld, Zürich, Düsseldorf and at the Akademie für Graphische Künste und Buchgewerbe in Leipzig.

He created the script typeface Hoyer Schönschrift (1939, Stempel) and the blackletter typeface Hoyer-Fraktur (1935, Bauersche Giesserei).

Digital revivals: Hoyer Fraktur by Gerhard Helzel, and Hoyer Script (2017, Ralph M. Unger). [Google] [More] ⦿

Hanoded
[David Kerkhoff]

Hanoded is the foundry (est. 2010) of Dutch designer and photographer David Kerkhoff, b. Epe / Vaassen, 1969. In its first year, Hanoded was a free font outfit specializing in handwriting and hand-printed typefaces. Its creations could be seen at Dafont, Abstract Fonts and Fontspace. Fontspring link. Klingspor link.

In 2011, he went partially commercial via MyFonts. His typefaces became more diversified and are quite stunning at times:

A: Aardvark Dreams (2016), Abeille (2016), Abelia (2015), Abysmal Gaze (2011. scratchy face), Aceituna (2018), Adagietto (2018), Aderyn (2012: a poster family), Adieu Mon Ami (2021: a crayon font), Aeronic (2015, based on a 1937 Japanese poster for Nikke Coat by Japanese print artist Gihachiro Okuyama (1907-1981)), Aficionado (2019), After Nightfall (2018: spooky), Aiguille (2018), Aint Nothing Fancy (2010). All Over Again (2010), All Over Again All Caps (2010), Allez Hop (2011), Ambleside (2018: a fun scratchy curly script), Ambrosine (2017), Americain (2012, constructivist), American Grunge (2015), Amoebica (2014), Andorra Script (2014), Another Monday (2020), Antisocial Behavior (2010), Antidote (2016, 3d and handcrafted), Apex Brush (2019), Appelstroop (2016), Arancello (2018, a connected didone), Artful Dodger (2012, a grungy Clarendon), AshesToAshes (2010), Ashtanga (2013, curly caps), Astromonkey (2016), Atonement (2018: a great irregular inky script), Attaboy (2016, dry brush), Attention Seeker (2017), Au Revoir (2012), Autumn Voyage (2017), Avontuur (2017), Awesome Sauce (2019).
B: Background Echo (2021), Backyard Hero (2018), Badehaus (2015, an art npuveau typeface modeled after the lettering on the Thermal Badehaus in Bad Neuenahr, Germany), Bad Medicine (2017), BadPaintjob (2010), Bakeapple (2019), Balagan (2010), Bandolina (2014), Band Wagon (2018: Western), Baznat (2010), Beanstalker (2018), Bearskin (2019), BehindDirtyBlinds (2010), DK Bergelmir (2014), Bergie Seltzer (2019), Betula (2018), Bintang (2016), Bitterbrush (2018), Bitumen (2017: a sticky typeface), Blabbermouth (2018), Black Bamboo (2014), Black Cluster (2018), Black Mark (2012, a heavy brush face), Blackminster (2017: blackletter), Bladesmith (2018), Blauhaus (2015, a rounded organic monoline Bauhaus), Bloemgracht (2014, Dutch deco), Bloomer (2019), Blueberry Jam (2016), Boarding House (2017), Bocadillo (2016, brush script), Bodiam (2016, beatnik style), Bombay Blue (2014, handcrafted poster font), Blue Sheep (2016, comic book style), Bogeyman (2019), Boris Brush (2016), Borrowdale (2016, a crayon font), Bottle Brush (2017, dry brush), Bottle Shop Faded (2010), Bratislava (2015), Breadcrumbs (2019), Breakfast Noodles (2020), Brochette (2019), Bronwen (2018: a vampire or bewitched font), Brouwerij (2021), Brushcrazy (2019), Brush Crush (2016), Buckthorn (2017, grungy), Bugbear (2019: a cartoon font), Bunny Daydream (2020), Bupkis (2017), Breakfast Burrito (2015), Brooklyner (2013: an art deco caps typeface based on the typeface used for The Brooklynite, a magazine from the 1920's), Brouillard (2017), Brushzilla (2017), Bullet in your Head (2010), Bumper Sticker (2020), Bungehuis (2015, Dutch deco after the lettering on a building in Amsterdam, 1931), Buntaro, Burobu (a blobby typeface), Business As Usual (2011, scratchy), Buttered Toast (2015), Butterfly Ball (2014), Bygone (2017, brush font).
C: Cadora Woods (2020), Caerphilly (2018), Caffe Lungo (2019), Camping Holiday (2018: comic book style), Canned Whale (2012, outlined and hand-printed), Canoodle (2016), Capricious (2020: a dry brush font), Carambola (art deco sans), Carbonara (2011, grungy typewriter), Carpe Noctem (2017, a haunted font), Carrot Juice (2017), Carte Blanche (2012, a gorgeous arched / sketched caps face), Castanea (2012, a painter's font), Castle On The Hill (2017), Castlerigg (2020), Catskin, Mon Petit Cahier (a children's handwriting emulation) (2021), Celluloid Bliss (2010), Cerulean Blue (2018), Chalkaholic (2018), Charons Obol (2011, scary brush face), Cheat Sheet (2013, handwritten), Checkout (2015, a basic supermarket script), Cherubina (2016, beatnik style), Chewy Caramel (2020), Chillerz (2020), Chilly Cherry (2018), China Syndrome (2019: a brush-lettered typeface), Chocolatte (2016), Chunky Chicken (2013), Cinnamon Swirl (2016, curly lettering), Cinnabar Brush (2016), DK Clair de Lune (2012, an exquisite curly poster font), Clochard (funky quirky lettering), Closet Skeleton (a scary font based on the cover of the 1946 book De Sprookjeshoorn by Anton Eijkens (1920-2012)), Clootie (2020), Coal Brush (2016), Coconut Punch (2018, dry brush), Codswallop (2011, fat hand-printed), DK Coliseu (2014, art deco), Colporteur (2017), Combustible (2017), Compagnon (2017), Concertina (2018), Cookie Crumble (2019: beatnik style), Cookie Supply (2019), DK Cool Crayon, Cool Daddy (2017, bubblegum font), Coquillage (2017), Corner Shop Chique (2010), Cortese (2016: an interlocking letter poster font based on a 1971 Italian movie poster for La Morte Cammina Con I Tacchi Alti directed by Luciano Ercoli), Cosmo Stitch (2015), Cosmic Turtle (2021: hand-crafted, in beatnik style), Couldnt be bothered (2010), Courant (2011, grungy blackletter), Cover Up (2017), Crayon Crumble (2011, chalk face), Crayon En Folie (2016, a crayon or chalk typeface), DK Crayonista (2012), Crayon Works (2021), Crimson Skyline (2019), Criss Cross (2011), Crocodile Feet (2018: beatnik style), Crowbar (2017), Crowd Pleaser (2021), Crowfeather (2018), Crowd Funded (2018), Crypt (2016), Cry Wolf (2017), Cubissimo (2013, a cubist geometric font inspired by a 1929 poster advertising a museum exhibition), Cul de Sac (2010, 3d outline face, hand-printed and sketched), Cut Along (2017: a paper cutout typeface), Cykelsmed (2018).
D: Daft Script (2021), Daily Challenge (2021), Daitengu (2020), Dapplegrim (2018), Darker Marker (2016), Darkness Rising (2018), Deco Pimp (2011), Delivery Note (2019), Demagogue (2020), Die Bruecke (2013, a woodblock printing emulation typeface named after the Die Brücke movement), Dinosaur Cake (2018), Dirrrty (2016, a grungy brush font), DK Allez Hop (2011), Discolicious (2017), Display Patrol (2017), Dominant Type (2021), Donkeyman (2021), Don Quixote (2011. nice grunge calligraphic hand), DK Dortmunder Ecke (2015, inspired by cubism), Doubledecker (2019), Double Quick (2014), Douceur (2014, a blackboard bold / tattoo script), Downhill Dive (2019), Down The Wall (2017), Downward Fall (2014, a rough brush), Dragonblood (2015), Dragon Spell (2017, drawn with Chinese ink), Drawing Blood (2010), Dreadnought (2014, brush face), Dreamworld (2022: a comic book brush font), Drop Dead Gorgeous (an all caps brush typeface), Dubbel Zout.
E: Early Morning Coffee (2012), Earworm (2018), Elbow Grease (2017), Element 120 (2018, a hand-drawn Ultra Bodoni), Endgame (2019), Entourage (2017), Ersatz Quality (2010), Erstwhile (2019), Evil Laughter (2019: a typewriter font with blood drips), Exit Strategy (2020: all caps, dry brush).
F: Face Your Fears (2011), Face Your Fears II (2015), FairNSquare (2010), Fairy Godmother (2018), Fallout Font (2010), Fantastique (2012, a 3d hand-printed caps face), Fat Little Piggy (2010), Father Frost (2012), Fearsome (2018), Fictional Friend (2019), Fiebiger Eins (2013, an art nouveau / arts & crafts typeface after a 1908 poster by Franz Fiebiger), Fiebiger Zwei (2013), Fingerfood (2018), Flagellum Dei (2016, a rough brush script), Fleabitten (2019), Fledermaus (2012: Fledermaus ("bat") was a cabaret theater from Vienna. The original Jugendstil decor was designed by Josef Hoffman and several posters, advertising performances, were designed by other members of the Vienna Workshop. The Fledermaus font was based on a 1907 poster by Bertold Löffler.; the missing glyphs were created by Kerkhoff), Flying Saucer (2019), Follow The Light (2018), Food Truck (2016, vernacular style), Forgotten Dream (2020: a heavy brush typeface), DK Formosa (2012), Framboisier (2017), Frozen Memory (2017), Fruity Snack (2022), Full Blast (2017: dry brush), Full English (a handcrafted stencil) (2021), Fully Automatic (2022), Funky Flamingo (2018).
G: Galangal (a phenomenal poster typeface that plays on thick and thin, in the style of Horst Caps), Gallows Hill (2019), Gamboge (2017), Garden Bed (2016, a fat brush font), Garden Gnome (2016), Genki Desu (2019: comic book style), Gerards Gold (2010, script face), Getaway Car (2019). Ghost Reverie (2010, a scratchy family), Gingerline (2018), Glitter Candy (2018), Gobsmacked (2019: dry brush style), Goodie Bag (2019), Grafiker (2013, a brush typeface loosely based on the work of designers Oskar Kokoschka (1886-1980) and Jean Carlu (1900-1997)), Gravitational Pull (2021: a fat finger font), Gravity Well (2021: a rough brush), Greyfriars (2017, a hand-drawn Baskerville), Griezelig (2019: eerie), Grigory (2017), Grindylow (2020), Gritstomper (2020), Grumpy Tiger (2017), Guerilla Handshake (2017), Guilty Pleasure (2019: a fat brush font), Gulag Decay (2010), Gumbo (2019), Gumboots (2020).
H: Halewyn (2017), Halfway There (a fat finger font) (2021), Hangmans Delight (2016), Hanoded Hand (2010), Hanoded-Heavy (2010), Harajuku Script (2017), Harimau (2012, a rounded children's book font), Harimau Dua (2015), Harrumph (2011, a fat poster lettering family), Hasta Luego (2020), Hasty Tasty (2011), HaraldRunicDEMO (2010), Headlock (2017), Heartsome (2020), Heckel (2013, a German expressionist hand-drawn typeface based on the handwriting of Erich Heckel (1883-1970), a founding member of Die Brücke, a group of German expressionist), Hedgehog Hans (2012, comic book typeface), Henceforth (2017), Hex (2012), Hexenhammer (2017, a font for witches and vampires), Hey Comrade (2016: a messy script font made with a bamboo satay skewer), Hibagon (a rough dry brush font) (2021), Hieratic Numerals (2010), High Tea (2012), Himawari Script (2019), DK Himmelblau (2012, art nouveau font based on a poster from 1902 made by the Künstlerbund Hagen), Hjem (2019), Hobgoblin (2014), Hofstad (2014, after an art deco typeface used by poster designer John Lavies), Hokitika (2014, art deco), Home Education (2021), Homeward Bound (2017, a grungy slab serif), Honey Dew (2016), Honeyguide (2017), Huggin and Muninn (2012, script face), Hungry Zombie (2020), Hummus Chips Salat (2010), Hyggelig (2015), Hyldemoer (2018).
I: Ice Cream Man (2018), Identity Check (2022: handprinted), Impending Distaster (2022), Inky Fingers (2013, a fat finger font), Innuendo (2015), Interstellar Erosion (2010), DK Insomniac (2015), Instant Harmony (2019), Irena (2016, a cubist/expressionist font inspired by Czech type designer Vojtech Preissig), Ishtar (2012: spooky brush font).
J: Jalebi (2015), Jambo (2014, bouncy and funky), Joe Schmoe (2011, hand-printed), John Brown (2016), Jubileum (2013), Juicer (2021), Just Before Liposuction (2010).
K: Kabouter (2019), Kaikoura (2014, art deco), Kandij (2020), Kapsalon (2019, +Pencil, +Brush), Katsudon (2020), Katzenjammer (2015), Kempoka (2014, brush script), Kerberos Fang (2011), Keswick (2013, a lipstick font created using a 6B pencil), Ketimun (2019), Kingsmead Script (2020), Fat Kitty Kat (2013), DK Koerier (2014, a 3d outlined typeface), Knockdown (2016, brush style), Knucklebones (2017), Kodama Forest (2017, Treefrog style), Kokomo (2012, 3d and outlined), Kolkata Hotelroom (2010), Komsomol (2014: was modeled on several Soviet propaganda posters and anmed after the youth division of the Communist Party of the Soviet Union, the Komsomol, or Kommunisticheskii Soyuz Molodyozhi), Konditorei (2018), Koshatnik (2011, all caps brush face), Kubikajiri (2011, an India ink brush face), DK Kundalini (2013, curly), Kunstschau (2012: a beautiful poster font that was modeled on a stamp, designed by Austrian artist Bertold Löffler, for the Kunstschau 1908 exhibition in Vienna), Kurkuma (2013, a wonderful poster caps face), Kuroneko (2019), Kusukusu (2011, hand-printed), Kwark (2013: a 3d poster font).
L: Lachrymose (2021: a brush font), Lampion (2012, a condensed unicase hand-drawn face), Leakage (2010, ink splash face), Languedoc (2016), Larks Tongues (2017), Laser Vision (2022: a marker font), Lazy Morning (2020), Leftover Crayon (2017), Lemon Yellow Sun (2014), Lenox Avenue (2017, after Studio Handbook Letter And Design For Artists And Advertisers by Samuel Welo), Lille Snemand (2015), DK Limoen (2012, shadow outline face), Liquid Amber (2018), Liquid Embrace (2015, a brush font), Little Boy Blue (2016), Lokomotiv (2012, an art deco caps typeface based on poster for the 1930 Geneva Motor Show), Longreach (2018), DK Louise (2012, art deco, cubist: based on the art of Louise Marie (lou) Loeber, a Dutch painter), Lucky Goldfish, Lunisolar (2017).
M: Maduki (2013), Majolica (2014, art deco), Magical Brush (2017), DK Mama Bear (2012), Mandarin Whispers (2017, a brush font actually made by a marker pen), Mandolin (2014), Mango Smoothie (2015), Mariken (2017), Market Square (2017, vernacular style; +Market Square Marker), Mary Ate a Little Lamb (2010), Matrijs (grungy, stencil) (2021), Mayblossom (2021: a fat finger font), Mayonaise (2011), Meshuggeneh (2013---crazy fool on Yiddish; a twisted 3d typeface), Midnight Chalker (2016, a chalk or crayon font), Midnight Hour (2011), Midnight Sun (2019), Mikan (a bold rounded handcrafted sans) (2020), Millefeuille (2017), Mind Boggle (2020), Minehead (2020), Modern Fantasy (2020), Moi Non Plus (2011), Minou (2018), Mission Accomplished (a fat finger font) (2021), Momotaro (2015, a fun rough brush script), DK Monsieur Le Chat (2012, curly face---can't wait for Madame La Chatte...), Montello (2018), Moonlight Serenade (2016), Moonlight Shadow (2010, a nice scribbly pair of fonts), More Or Less (2016), Morgenfrisk (2017), Mortal Coil (2020: a dry brush font), Mosca (2013), Mothman (2011, a spooky scratchy face), Motley Crew (2016), Mr Stickman (2015, funny dingbats), Mulhouse (2019), Mundbind NL (2021), Mysterious (2017).
N: Nakata (2012, a great notebook style script), Nanuk (2013, an outlined 3d typeface), Nefarious (2019: a great Halloween font), Neuer Weltschmerz (2019: a rounded sans), Neues Bauen (2011), New Beginnings (2016), Nightbird (2011, blood drip face), Northumbria (2012: modeled on original 7th and 8th century monastic gospel books from Northern England), Notaris (2015, a bouncy typeface), Nouveau Crayon (2016), Numpty (2019), DK Nutnik (2012, a mural paint font), Nuuk (2018), Nyctophobia (2010, brush face).
O: Obrigado (2012, rounded art deco face), Odaiba Script (2019), Oei (2010), Office Squeeze (2017, a sketched font made with a Japanese brush pen), Ogenblik (2020), Oomph (2010), Okiku (2014, a scratchy poster typeface), Oranjerie (2013, poster typeface), Orenji (2016), Original Quality (2019), Oslo Stitch (2020), Otago (2014: a classic all caps art deco typeface), Output Volume (2021), Overseas (2020: a dry brush font), DK Oyuki's Ghost (2013, scratchy scary typeface made with a steel pen and Chinese Ink---the name comes from a painting by Maruyama Okyo (1733-1795), which depicts his mistress who died young. Maruyama Okyo claimed she haunted him in his sleep).
P: Palembang (2015, a Dutch art deco typeface), Pandanus (2014), Panettone (2018: upright script), Paradise Lost (2016, created using a broken bamboo satay skewer and Chinese ink), Pardesi (2013, a fat marker pen font), Party Pocket (2019), DK Pastis (2016, a lovely handcrafted typeface), Paviljoen (2014: Dutch art deco), Pawn Shop Pretty (2010), Peanut Crunch (2019), Peking Duck (2021), Perfect Day (2019), Petit Four (2015), Petit Oiseau (2013), Phantom Peach, Pigeon Post (2020), Pimpernel (2012), Pinda (2011), P.I. (2011), Pineapple Daydream (2018), Pingo (2012, display face), Pinkus (2013, a caps-only poster font), Pisang (2013, an all caps poster font), Plague Master (2016), Plakkaat (2011), Plastic Fantastic (2019: a comic book face designed to fight the overuse of plastic), Poison Ivy (2014, scratchy hand), Pondicherry (2014, a hand-sketched 3d typeface), Popty Ping (2018, beatnik style), Popular Vote (2021), Porcupine Pickle (2011), Power Breakfast (2021), Primordial (2017), Prince Frog (2015, a cartoon / children's book font), Printout (2018: a sketched font), ProjectX (2010), ProjectY (2010), ProjectZ (2010), Promedanenmischung (2010), Psycho Killer (2013), Public Secret (textured, handcrafted) (2021), Pumpkins Brush (2021), Pumpkin Soup (2013: a poster typeface), Pundak (2014, all caps 3d outlined typeface), DK Pusekatt (2013).
Q: DK Qilin (2014: a great inky font), Quatrain (a hand-drawn didone), Quid Pro Quo (2011, scratchy calligraphic), Quilted Butterfly (2010), Quite Something (2018), QuoVadisQuasimodo (2010).
R: Rabbit Escape (2016), Rabbit on the Moon (2011, children's typeface), Radical Brush (2019), Rainclouds (2020), Rainforest (2010), Ramkoers (2018), Raspberry Sherbet (2020), Rat Infested Mailbox (2010), Ravenheart (2017, Treefrog or Ralph Steadman style: scary and inky), Ravenstonedale (2018: based on a number of handwritten letters by English author D.H. Lawrence), Reality Check (2019), Rearview Mirror (2018), Redcurrant (2020), Reluctant Aviator (2020), Republica Banana (2019), Retch (2013, frightening scratchy script), Retrouvailles (2018), Return Policy (2018), Roskilde (2018), Rosy Lee (2016), Rotorua (2014, art deco), Roughcast (2020: an all caps brush typeface), Rough Patch (2017), Rough Therapy (2019), Route Du Soleil (2018), Ruby Red (2015, brush style), Rum Doodle (2013), Rumpelstiltskin (2011, comic book family), Runaround Kid (2018), Runic Series [Gunfjaun Runic (2010), Modraniht Runic (2010), Leakage (2010), Hyrrokkin Runic (2010), Harald Runic (2010). Gunnar Runic (2010), Nidhogg Runic (2010), Nippon Note (2016), Skraeling Runic (2010), Sleipnir Runic (2010), Tjelvar Runic (2010), Yggdrasil Runic (2010), Graip Runic (2010), Fenrir Runic (2010), Beowulf Runic (2010)], Running Hipster (2016), Rusty Cage (2011).
S: Saffron Walden (great fattish inky brush script), Same Same but Different (2010), DK Samhain (2012, dry brush face), Sammy Boy (2011, fat poster face), Sanseki (2016, Chinese ink brush script named after Sanseki, a Japanese term used to describe three famous Heian period calligraphers: Yaseki, Gonseki and Saseki), Satsuma (2013, a poster face), Saturday Sunday Monday (2010), Scapegoat (2018), Scissor Madness (2021: cutout font), Scrawlerz (brush script), Scratch Up (2018), Scrawny Cat (2016, a brush and China ink typeface), Scribble Note (2020), Scribbler (2015), Scurvy Dog (2011, scratchy hand), Secret Diary (2013: hand-printed), Semarang (2015, an art deco sans), Senko Hanabi (2020), Sensory Overload (brushed typeface), Seven Seas (2018: a curly script), Shadowfield (2018), Shaken Not Stirred (2015), Sheepman (2012), Shesek (2011, a fat finger face), Shibby (2019), Shinano (2017, made using a Japanese brush), Shoganai (2019), Sibylle (2018: dry brush), Silent Echo (2018), Sing Along (2021; hand-printed), Single Malta (2010), Sirius B (2013, poster font), Skeletal Wish (2019: an inky brush script), Sketchy Smiley (2010, smilies), Sketchy Smiley II (2012), Skratch (2010, broken glass face), Skulduggery (2019), Sleepy Time (2013, hand-printed), Sleight of Hand (2010), Slipstream Sweetheart (2010), Slivowitz (2017), Smiling Cat (2017), Smooth Brushings (2016), Smurrie (2016), Snemand (2013, a poster titling typeface), Snippity Snap (2015, paper cut typeface), Sobriquet (2012: a wonderful antique poster face), Soerabaja (2017, all caps Dutch art deco), Sound Bubble (2020), Souplesse (2013), Southside Fizz (2017, handcrafted art deco), Southwark (2017: sketched), Spaghetti And Cheese (2017), Spandau (art deco), Spiced Pumpkin (2016), Spiderlegs (2011, Spinnenkop (2018: a curly vampire script), Spinwash (2019), Spiraling Down (2019), Splinterhand (2017), Spoonbread (2020), Spring Chicken (2019), Springwood (2019), Springwood Display (2019), Square Beat (2021), SquareOne (2010), SquareOneGrunge (2010), Squint (2013, squarish), Starboard (2021: a dry brush font), Starlight Lovers (2016), Statendam (2014, caps only Dutch art deco influenced by interbellum ads for the Holland America Line), Steamed (2021), Sticky Toffee (2017), Struffoli (2017), Studio Brush (2019), Subway Circle (2021: an informal typeface, perhaps for comic books), Suco de Laranja (2012), Sugarloaf (2018), Sumida Script (2019), Sunbird (2019), Summer Romance, SundayMonday (2010), Sugary Pancake (2016), Superbrush (2017, a Great Chinese ink brush font), Sushi Bar (2016, dry brush), Sweet Lemon (2018: paper cutout type), Sweet Steeffie (2010), Sibylle (2018: Japanese brush), Sunny Weather (2021), Symbolic Prophecy (2020: a dry brush typeface), Symptomatic (2018: brush script), Syphon Spritz (2010, a great curly script; a Pro version appeared in 2010 at CheapProFonts), System Overload (2020).
T: Takeshi (2019), Tartufo (sketched font), Teacup (2017), Tequileria (2016), That Little Piggy (2010), Technojunk (2014, 3d squarish hand-drawn typeface), Tenterhooks (2019), The Cats Whiskers (2016), Terpentijn (2017, grungy), Thievery (2012, curly script), Third Time Lucky (2019), This Little Piggy (2010), Toadstool (2017), Tobu (2014), Tombouctou (2019), Tompouce (2017), Tokeh (2019), Tough Cookie (2018), Tournedos (2019), Toverheks (2016, a bewitched typeface), Traiectum (2017, a messy roman caps typeface based on Goudy Old Style), Treacle (2021), Treppenwitz (2018), Trashtype (2011, grungy), Trained Monkey (2017, a cartoon font), Tripping on Acid (2010), Trollslayer (2011, brush face), Troutbeck (2020), Twelve Weeks Pregnant (2010), Twirrewyn (2018), Twisted System (2018), Tzeva Tari (2010, grunge Hebrew).
U: Udon Soup (2018), Ugh (2010), Utroligt (2021), Umbilical Noose (2014, a rough brush), Umbrella Man (2019: dry brush), Uncle Edward, Uncle Oscar (2016, a crayon font), Under My Umbrella (2018), Understory (2019), Utroligt (2021).
V: Vegetability (2020), Ventana (2013, created using Chinese ink and a bamboo pen), Vermilion (2013, hand-printed poster face), DK Viareggio (2012, an art deco font Viareggio is based on the handlettering found on a 1931 poster, advertising the carnival of Viareggio), Vienna Workshop (2012, an art nouveau typeface based on some of the artwork produced by Vienna Workshop artists, in particular that of Koloman Moser), Visum (2014), Vlinder (2017), Vox Populi (2012, an ancient parchment look font).
W: Waiting For My Girl (2019), Wandering Pencil (2020), Warpspeed (2010), Wayang (2013, influenced by Indonesian puppets), Wayland (2018), Weekend Warrior (2010), Weeping Willow (2018), Welt Schmerz (2012, a post-art nouveau typeface based on a 1910 poster from Austria), WetDream (2010), Whalebone (2020), Whale Song (2017), Whatnot (2013), Whynot (2014), Widdershins (2018), Wild Bunch (2015: Western font), WindshieldMassacre, Wintanceastre (2018: an uncial based on a 10th century Latin manuscript), Winterberry (2017: a messy script), With A Twist (2011), Woebegone (2018).
X: Xanthine (2017, a messy brush type).
Y: Yasuragi (2021), Yellow Balloon (2013, a fat poster face), Yuge (2020), Yuli (2014).
Z: Zealand (2017, sketched), Zeebonk (2013, a tattoo font), Zesty Lime (2016, brush font), Zombie Starfish (2017), Zonnig (2011).

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Hans Heitmann
[Finaltype]

Hans J. Zinken

Köln-based designer whose web page has several pages related to calligraphy and Rechtschreibreform as well as calligraphy and handwriting education in schools. His (free) typefaces:

Deutsche Kurrent (2014). A historic German school script.
Marktkirche.
SchwungFraktur (2011). A Schwabacher.
Fraktur 1900.
AltDeutschHJZ (2002-2006). This is based on the types made for the prayer book of Maximilian I, by Johannes Schönsperger in 1514, and later adapted in metal type by Genzsch ca. 1890.
KanzleiScriptHJZ. After Heinrichsen Kanzlei (1933, Trennert) by Friedrich Heinrichsen.
The calligraphic handwriting font Hans Hand (1994-1996), HansHand2 (1996-2007).
Juergen Script (1998-1999), a heavy fountain pen script. See also Juergen2 (2011).
CiviliteHJZ (1997). This was first called civi4 (1996). Based on Lettres de Civilité.
GutenbergHJZ. This was Fraktur Gutenberg B42 (2000).

Dafont link. Klingspor link. [Google] [More] ⦿

Hans Wagner

Type designer, b. 1894, München, d. 1977, Altenburg. His typefaces include Altenburger Gotisch (1928, a Fraktur font, Ludwig&Mayer), Welt (1931, Ludwig&Mayer, a slab serif family), Largo licht (1937 or 1939, Ludwig&Mayer; but Berthold gives the date 1950) and Wolfram (1930, Ludwig&Mayer, a heavy upright italic). Welt is called Landi by Nebiolo (they added Landi Linear and Landi Echo designed by A. Butti, 1939-1943), Ramses by Fonderie Française and Atlas by Lettergieterij Amsterdam. Digitizations of Largo exist at Scangraphic, at Castcraft (as OPTI Lagoon) and at URW++ (2001).

HansCo
[Burhan Afif]

Yogyakarta, Indonesia-based designer (b. 1988) of the font duo Nesans and Nesans Signature (2019), the script fonts Sweet Love (2019: upright), Mondena (2019), The Bellinda (2019: calligraphic), Austin Capittal (sic) (2019: monoline script), Bread Store (2019) and Wrongler (2019), and the vintage (often, Victorian) display typefaces Blue Spirits (2019), Bandits (2019), Sonia (2019), Belgia (2019), Berlina (2019) and Berlin (2019).

Typefaces from 2020: Blue Spiris, Grapine (Victorian), Ricasto (a signage script), Grizlie (an octagonal sports font), Madanira (a semi-formal script), Amellisa Ink, Anstec (a techno / sports font), Razen (a techno / sports font), Sourta (a speed emulation sports font), Abigile (an upright script), Off Side (all caps, brush), Bastina Sindey (a dry brush script), Bread Store, Feeling Blessed (an upright rabbit ear script), Meristmas, Mosteri (a fantasy font), Ateros (a sci-fi typeface), Aloner (a sci-fi font), Nucleo (a sci-fi font), Roline (prismatic), Tahu Bullats (a creamy signage script), Valentiqu (a curly upright script), Magic Funk (a psychedelic script), Letter Magic (a decorative serif), Craft Lovers, Magzo (a decorative serif), Belights, Cute Meow, Baking Pastry, Sweet Butter, Feeling Blessed, Baby Bunny Script, Misteri Caps, Carglos (blackletter), Traditian, Genta (a rounded bold all caps typeface), Beyond Stars, Off Side (brush), Santoriu, Hi Panda, Crows (a curly serif), Zeniq (a stencil font), Nucleo, Abigile, Blaster, Botania, Crunchy, Femina, Graphite, Holly Days, Hot Sauce, Just Swirls, La Fiesta, Lets Espresso, Little Baby, Magic Sparkle, Ricota, Secillia, Shinesy, Skid Rock, Stripline, The Englands, The Spectre, USA Nation, Magzo (a display serif indeed for food packaging and logos), Stabillo (a food logo brand typeface), Austina Capitton, Kora Kora, Mosherif (Regular, Tall, Short), Golden Stanbury (a signature script font duo), Risolla Calisto (a wild calligraphic typeface), Wild Wolf (brush), Balistone (a wild script), Glastia Monoline, Amorista (a rabbit ear script), Eastblue, Crimmy (a dry brush script), Buchery, Castel, The Begundals, Sambal Pedas (a dry brush script), Blastoic (a dry brush script), Queen Sea, Skid Rock, Platinum Signature, Sonita (a condensed decorative serif typeface).

Typefaces from 2021: Bastro (a great obese short-necked retro display typeface), Romantic Serif, Pastel Orange (an elegant artsy ligature serif), Romantic Serif, Sunroll (fashion mag caps), Romla (a wide display serif), Magic Retro (a heavy magic mushroom typeface), Holingston (a dry brush script), Gopetter, Ballomont (handwriting), Astopher, Restoe Bumi (a handwriting font), Rotenfold (a script), Halima Sofira, Anastia Buttery (an inky signature script), Belighta (wild calligraphy), Bittle Birdy (an irregular typeface that will cause psychological damage), Magic Sparkle (a decorative all caps serif), Notted (an exaggerated fashion mag font loaded with smooth ligatures and featuring surprise gyhphs such as a lower case a that is a mirror of the lower case e).

HansCo Studio. [Google] [MyFonts] [More] ⦿

Harbor Bickmore
[That That Creative (or: Utah Type Foundry)]

Harold Lohner
[Harold's Fonts]

Harold's Fonts
[Harold Lohner]

Harold Lohner was born in upstate New York in 1958. He received an MFA in printmaking from the University at Albany and is Professor of Visual Arts at Sage College of Albany. He began making fonts in 1997 and starting distributing them the next year through Harold's Fonts. He lives in Albany, NY, with his partner, Al Martino. Originally, most of his typefaces were freeware or shareware, but gradually, he started selling most on his site or via FontBros. His typefaces:

Famous fonts: Boom Chicka (2013: a set of three cartoon fonts inspired by the poster for the Marilyn Monroe film, The Prince and the Showgirl (1957), designed by Bill Gold), Auteur (2007, after the handwriting in the opening titles of Jean Cocteau's The Beauty and the Beast, 1946), 12 to the Moon (2000, runes based on the Columbia Pictures movie "12 to the Moon"), Aardvark Café (2000, extrapolated from the famous Hard Rock Café logo), Bensfolk (2000, adapted from the work of Ben Shahn, in turn adapted from "folk or amateur" alphabets. Originally developed for The Arts Center of the Capital Region), Bensfolk Condensed (2000), Bensgothic (1998), BensgothicLigatures (1998), Calaveras (2002, a take on Daisyland), Comet Negative (2000, based on the logo of Country Music Television (CMT)), Comet Positive (2000), HonestJohns (2000, based on the lettering in the classic Howard Johnson's restaurants logo), Metrodf (2000, based on the Mexico City subway's lettering), Radio (2002, derived from the old NPR (National Public Radio) logo), Subway Mosaic (inspired by the classic mosaic tile signs of the New York City subway system).
Handlettering: Empress Monograms (2014), National Archive (2009, calligraphic), Rough Draft (2009, sketched font), Greg's Hand (2009), Rudland Hand (2007, inspired by the work of the British artist and designer Peter Rudland), Gamera (2006), Directors Script (2006, based on a film credits script from the 1940s), National Archive (2005, based on the lettering of Timothy Matlack, who wrote the Declaration of Independence), Frank the Architect (2004, based on Frank Ching's lettering, which also gave rise to the Tekton family), Imitation (2003, inspired by the handlettered titles of the film Imitation of Life (1959), directed by Douglas Sirk and artdirected by Richard H. Riedel), Imitation Two (2004), antiestablishment (2000), Christmas Card (2000, based on the handlettered opening titles of the film "It's a Wonderful Life", Art Director: Jack Okey. This font was retired and replaced in 2006 by Testimonial), Espangle (2002, as the lettering for El Corte Ingles), Dad's Recipe (2000, based on his dad's handwriting), Greg's Hand (2001, Greg Smith's writing), Greg's Other Hand (2002), Kaela (1998, reshaped and extended in 2006), Marker Man (1999), Synch (2000, with Phil Campbell, inspired by the work of the artist Stuart Davis), Synchronous (2000, based on Syncopated Script, again made with Phil Campbell), Syncopated Script (1999).
Blackletter: Waldorf Text (2011, after a 1914 original), Waldorf Heavy Illuminated (2011), Manucrypt (2011), Rude Goth (2007, grunge blackletter), Alsace-Lorraine, Benighted, Chinese Gothic, Christmas Card II, Kombine Regular, Kombine Kursiv (2000), Olde Chicago.
Woodtype: Blacktops (caps, 1999), Blacktop Small Caps (1999), Blacktop Regular (2014), Captain Hook, Captain Hook Crackle (2020), Cinderella (1998). The Western font Cattle Annie (2006) is an unauthorized digital interpretation of the analog font "Les Catalanes." According to ABZ: More alphabets and other signs by Rothenstein and Gooding, it was designed in 1952 by Enric Crous-Vidal (1908-1987) but was never produced.
Stencil fonts: JJ Stencil, JJStencilLight (2000, inspired by the work of Jasper Johns), JJStencil Wet, JJStencilMedium, Sideshow (2000, based on the stencilled lettering on a vintage Ouija board), JJStencilSolid (2003), StencilFour (2001, inspired by the logo of Channel 4 (UK); reworked in 2006 into Oaktag), StencilFourReversed (2001).
Western: Oklahoma (2006, based on the title of the film by that name), Captain Howdy (1999, 2000, Western font based on the lettering on a Ouija board).
Fraktur fonts: Benighted (2002), AlsaceLorraine (2000), Chinese Gothic (2000), Kombine Regular (2000), Kombine Kursiv (2000).
Revived Letraset fonts: BLOCK UP family (2000, based on the font family by the same name by Sally Ann Grover (1974) for Letraset), Good Vibes (2001, based on the analog font "Good Vibrations" by Trevor Hatchett for Letraset, 1973), GoodVibesBackbeat (2001), ObliqueTextBold (2000, based on a Letraset font called Obliq, 1984), ObliqueTextLight (2000), ObliqueTextMedium (2000), Wireframe (2000, based on the Letraset font Bombere designed by Carla Bombere (or Carla Ward)).
Art deco fonts: Cartel (2005, simply gorgeous), based on the lettering of the 1936 movie by that name), Crazy Harold (2009), Road Jester (2009), Onion (2003), Roberta (2003, based on a font of Bob Trogman, 1962), Roberta Raised Shadow (2003), Boomerang family (1998-2000), LeFilmClassic family (2000, based on the classic Art Deco font of the same name, originally designed by Marcel Jacno and released by Deberny&Peignot, 1927), LeFilmLetters (2000), LeFilmShadow (2000), PopUps (1998, a 3-d art deco font for signboards), Tapeworm (1998, based on the work of artist Ed Ruscha), Farouk (2001, a five-line art deco font, based on an analog font of the same name, as illustrated in Paul E. Kennedy's "Modern Display Alphabets"; in fact, the original source should be Fatima, a font designed by Karl Hermann Schaefer in 1933 at Schriftguss, and a copy of it at FT Française was called Atlas (1933). Lohner renamed Fatima to Atlas at some point, and added Atlas Solid, still in 2001).
MICR fonts: CMC7 (1998).
Dingbats: Everyday People (2013, silhouettes), Bingo Dingo (2011, inspired by the classic Mexican game, Loteria), Essene Dingbats (2005), Chapeau (2005, inspired by the 1902 Sears Catalog), Corset (2005, inspired by the 1902 Sears Catalog), Harold's Pips (2004), Alpha Bravo (2003), Rebus, AmericanCheese (1999), Candide Dingbats (1999, a reclinming women dingbat typeface based on decorations designed by Rockwell Kent for "Candide," circa 1928), Maritime Flags (2000), New Year Dingbats (1999: Japanese patterns).
Monospace fonts: Chica Mono (2000, based on Apple's Chicago; not really monospaced, by the way), Queer Theory Black, Bold, Regular and Light (1999).
Arabic simulation typefaces: Alhambra (2006), Alhambra Deep (2006).
Oriental simulation fonts: Bruce Mikita (+Solid) (after a metal font by the same name; Dan Solo calls it Lantern), Pad Thai (2006), Mystic Prophet (2002, inspired by Ouija boards), Chines Gothic, Font Shui (inspired by a style of hand-lettering illustrated in Alphabets: Ancient&Modern, compiled by J. B. Russell (Padell, 1946), Rubaiyat Shadow and Inline, Seoul (Korean font simulation), Shazi, Twelve to the moon, Chow Fun (2001, an oriental simulation typeface based on a sample of hand lettering identified as "Crooks' Stencil Designed Alphabet" in Alphabets: Ancient&Modern, compiled by J. B. Russell and published in 1945 by Padell Book Co), Quasi (1998).
Cartoon fonts: Laughtrack (2009, based on the work of the cartoonist Jerry Robinson), CokerOne (2000, based on the work of cartoonist Paul Coker Jr), Coker Two (2000) (note: therse fonts were erroneously named. They were renamed to Denney because of this: "The lettering in the fonts you have was developed by Alan Denney at Hallmark in the late 1950s. He also worked for American Greetings Hi Brows from 1960 - 1966 and then returned to Hallmark.... And he later went to a different lettering style when Shoe Box cards became Hallmark's funny card line replacing Contemporary Cards. Alan retired from Hallmark in 1993 and died two years later."), ZITZ (2000, based on the hand lettering in the King Features daily strip "Zits" by Jim Borgman and Jerry Scott), Ohmigosh (2007: 12 styles of comic book lettering).
Dot matrix fonts: Fortuna Dot (2001).
Pixel fonts: Larcher (based on a modular font designed by Jean Larcher).
Medieval script fonts: Sonnet Italic&Swash (2009), Galathea (2000, based on a classic analog font of the same name, "Originalerzeugnis von J. S. Schelter&Giesecke, Leipzig").
Fonts made in 2015: Ace of Clubs, Roberta (after Bob Trogman's art nouveau font Roberta, 1962).
Fonts made in 2013: OK Monograms (retro-futuristic), Splunge (based on Franklin Gothic).
Fonts made in 2012: Humerus (Halloween font inspired by the opening credit sequence of Abbott and Costello Meet Frankenstein, 1948), Retrospace (inspired by the hand-lettered opening credits of the film Some Came Running (1958)), Toynbee Idea (free font based on Toynbee tiles), Hymn (scanbat).
Fonts made in 2011: Institute Stamps (grunge), Magic Carpet, Shoemaker (shoe stitch face).
Fonts made in 2010: Salmagundi (grunge), Dynamotor (like Dynamo, which was designed by K. Sommer and first released in 1930), Poignant (inspired by the hand-lettered film titles of certain mid-1900s films from Twentieth-Century Fox, including "All About Eve", "Gentleman's Agreement" and "No Way Out."), Pharmacy MMX (unicase), Karta (3d face), Flores MMX.
Fonts made in 2009: Wexley (revival of a VGC font called Wexford), Sonnet (based on the printed text of Shakespeare, 1609), Fashion Brush, Fashion Script, Imitation One, Two, and Three, Generation B (all at Font Bros), Gainsborough (2009, an art deco typeface inspired by the hand-lettered titles of an Alfred Hitchcock film, The Lady Vanishes (1938)), Comfy (FontBros: inspired by an example of "Pinselschrift" (brush lettering) by Wilhelm Dechert), Sirena (FontBros: inspired by the hand-lettered opening titles of the film I Married a Witch).
Fonts made in 2008: Alumino (inspired by Saul Bass's design for the aluminum company Alcoa), République (four fonts inspired by Paris Metro signs---not the familiar Art Nouveau "Metropolitain" signs, but the later Art Deco design by Adolphe Dervaux), Handbill (based on rubber stamps), Flash Mob, Pen Script Monograms, Royal Wedding (commercial set at Font Bros), 2 Clover Monograms, 4 Heart Monograms, Silverliner (based on the opening titles of the 1951 Hitchcock movie Strangers on a Train), Tricot (lettering as done on a sweater, after a design by Nancy Stahl), Silverliner (based on the opening titles of the 1951 Hitchcock movie Strangers on a Train), Carbon Copy, Bracelet Mongrams.
Fonts made in 2007: Aeolian, Pub Bites, Barril and Barril Doble (a digital interpretation of the 1970s Neufville font Barrio), Circle Monograms, XOXO (grunge), Safety Pin (inspired by the cover of the June 1946 Ladies Home Journal), Swizzle Script (a script based on Stylescript, 1940, Sol Hess: compare with Coronet and Trafton), New England (script), Madfont (after MAD magazine's logo), Quince (a brush version of Klumpp's Murray hill), Plumber's Gothic, Gamera.
Fonts made in 2006: Humdinger (comic book lettering), Stella Dallas (a Koch Antiqua style typeface based on he hand-lettered titles of the film Stella Dallas), Foam Light, Mean 26 Sans, Mean 26 Serif, Gaudi, Lapis Lazuli (3 calligraphic fonts based on Dan X. Solo's Papyrus), Garden, Boston Line and Philadelphia Line (inspired by Boston Line Type, developed in the 1830s by Samuel Gridley Howe for use in raised-letter printing for the blind; the Philadelphia Line fonts were inspired by another raised-print font, this one developed by Julius Friedlander and adopted in 1837 by his Philadelphia school, now the Overbrook School for the Blind), Honeymoon (a script based on the Holiday Inn lettering), Blooper and Bloop Script (after Cooper Black and Brush Script), Roman monograms.
Fonts made in 2005: Don Semiformal, Fabulous Prizes, Valentin (inspired by the work of Valentin Haüy, creator of the first books for the blind), Chelt Press (a grungy Cheltenham), National Debt, Pub Smooth (followed in 2007 by Pub Bites), Baronial Monograms, Vine Monograms, Thaleia (revival of Thalia), Harold's Monograms Bold, Blockograms, CarmenMonograms, Profiler, Goya, Jest, Chaser, Rebus (dingbats), Dilemma, The Birds, CVelestial Alphabet.
Fonts made in 2004: Snowflake Monograms, Upbeat Demi, Pessima, White Birch, Artistamp, Entwined Monograms, Project, Dirty Finger, Koch Dingbats, Yard Sale, Shield Monograms, Gainsborough (inspired by the hand-lettered titles of the Alfred Hitchcock film "The Lady Vanishes", 1938), Jim Dandy (an interpretation of the 19th century typeface Jim Crow), Gaumont (based on the hand-lettered titles of the film The 39 Steps (1935), a Gaumont-British Picture, directed by Alfred Hitchcock), Imitation2, Sunset, Bend It, Pretz, Cantabile, Echo, Skidz, Columbia Stamp, Trudeau Sans (a companion of his architectural typeface Trudeau), Frank the Architect (2004, a Frank Ching-inspired typeface not unlike Tekton).
Fonts made in 2003: Card Characters, Pieces, Harlequin, Hexagrams&Octograms, Popstars, Level, Peace, Collegiate Monograms, Bead Chain, Marquee.
Fonts made in 2002: Level, Backhand Brush, Joggle, Script Monograms, Brickletter, Font Shui (oriental simulation), Heartland (for Valentine's day), Melodymaker (for music), Antiestablishment, Penmanship, RingTV, Cabaletta (now called Roosevelt), Graceful Ghost (caps based on an 18th century French design by Pouget&fils), the Ixat family (grunge fonts), PalimpsestBlack (grunge font), PalimpsestDark, PalimpsestLight, PalimpsestRegular, Pearlie, Repent (based on the work of American folk artist Jesse Howard), WillingRace (upper and lower case together).
Fonts made in 2001: Carmen Caps, Crazy Harold (2001, based on a font of the same name, as illustrated in Paul E. Kennedy's "Modern Display Alphabets"; extended to 8 weights in 2006), Easter Parade (brush script), Famous Label (pen lettering), FLORES (based on a florist's sign in Valencia, Spain), FONT ERROR, Guadalupe (Mexican simulation face), GuadalupeDos, HMBlackDiamondThree, HMBlackDiamondTwo, HMBlackOvalThree, HMBlackOvalTwo, HMWhiteDiamondThree, HMWhiteDiamondTwo, HMWhiteOvalThree, HMWhiteOvalTwo, Handmedown, Hymn, KaffeehausNeon (based on Kaufmann), PubSmooth (a variant of the classic font Publicity Gothic), Roselyn (a script font based on a font in "Lettering and Alphabets" by John Albert Cavanagh), RubaiyatDoubleLine, RubaiyatEngraved, RubaiyatInline, RubaiyatOutline, RubaiyatShadow, RubaiyatSolid, SanitaryBoldCaps, SanitaryDemi, SanitaryRegular, Shazi, ShaziGhost, Subtext (grunge font).
Fonts made in 2000: Arrobatherapy, Barbeque, Black Oval Monogram, Bruce Mikita (oriental simulation), Bruce Mikita2, Cantabile, CantabileAlternate, Celestial Alphabet, the Goya family (extrapolated from the logo of the GOYA food products company), King Harold (inspired by the lettering on the Bayeux Tapestry), KingXmas, KingXmasStars, KochQuadratFill, KochQuadrat, KochQuadratGuides, KochQuadratInline, KochQuadratOutlines, Koch Rivoli, Lab Rat, Law School (based on the architectural lettering at Albany Law School, Albany, NY, now named Trudeau, after a design by architect Robert Louis Trudeau), Milky Way (based on a style of hand lettering by Ross F. George included in 1930s Speedball lettering books), MilkyWayTwo (2001), Neurotoxin, Pharmacy, Punchhappy (holes in letters, influenced by Apostrophe's Toolego?), Punchhappy Shadow, Quarterround, Quarterround Tile (a kitchen tile font), RedCircle (based on the lettering on Eight O'Clock brand coffees), Ringpin, ScarletRibbons (inspired by a Speedball lettering book from the 30s by Ross F. George), Screwball (font in memory of Madeline Kahn), Solemnity (an uncial font modeled on the analog font SOLEMNIS by Günter Gerhard Lange, 1952), ThreePartySystemA, ThreePartySystemB, ThreePartySystemC, Vasarely (named in honor of Op artist Victor Vasarely; based on a modular font by Jean Larcher).
Fonts made in 1999: BrideOfTheMonsterStencil, Bubble Gum Rock A and B (1999-2002), CheltPressDark, CheltPressDarkVariegated, CheltPressLigh, CheltPressLightVariegated, CheltPress, Esquivel, EsquivelEngraved, Fulton Artistamp, MADFONT, Smellvetica, SmellveticaOutline, Vedette Blanche (movie roll font), VedetteNoire.
Fonts made in 1998: BrideOfTheMonster (caps and numbers are based on Rudolph Koch's Neuland), Cheapskate family, Dominican (coffee bean bag font), Landmark, OldeChicago (based on the Apple Chicago font), Ricecakes, SavingsBond extended in 2006 to National Debt, National Debt Hilite and National Debt 3D), StampAct, StampActJumbled, Thanksgiving, Virile Open, Virile Solid.
Typefaces from 2011: Bingo Dingo (dingbats inspired by the classic Mexican board game, Lotería), ManuCrypt (blackletter), Waldorf Text (blackletter).
Typefaces from 2012: Albanita (date unclear though), Curator (a compact handwriting font), Seafare (circus style face), Hardline (op art prismatic style), London (inspired by London, Susan Kare's bitmap-style Olde English designed for Apple in the early 1980s. Variations include cross-stitch, harlequin (black and white diamonds), and shaded (diagonal lines)).
Typefaces from 2015: Gilded Age (inspired by the opening titles of the 1952 French film Casque d'Or.
Typefaces from 2016: Mr. Kite (weathered wood type), Schnapps (blackletter), Egyptian Monograms, Bluelakehawk (with Jason Martinez, inspired by Southwest Pueblo pottery patterns and tribal art).
Typefaces from 2016: Bogo (a digital version of Morris Fuller Benton's Hobo Light, 1915).
Typefaces from 2017: Asian Flavor, Time Lock, Flying Circus (a Western style slab serif modeled after Circo, which was made in 1971 by Jan Solpera at Berthold AG), Traftoon (after Howard Allen Trafton's Cartoon (1936)), Art Deco Monograms, Stage Left (with interlocking capitals), Intermittent (experimental: vertical lines only; inspired by West Side Story).
Typefaces from 2018: Niche, Licorice Whip, Mineral City (grungy), Cascade Monograms, Trails End (grungy), Maze Monograms, Harmonium, Tidal Wave.
Typefaces from 2019: Black Iris (blackletter), Headstand.
Typefaces from 2020: Jimmy Leg, Labelous, Divity Rose Monograms, Peaceful Protest, Headstand (Headstand was inspired by the logo for Melania Trump's Be Best campaign, reportedly designed by the First Lady herself), Tablet Monograms, Don Piano (an early computer-inspired monospaced typeface), Trente Neuf (hand-lettered with art deco roots), Vineyard (an art nouveau typeface inspired by two early 20th-century fonts from American Type Founders, Virile and Erratic Outline), Pheather, Gothic Vine Monograms, Vine Monograms, Money Tree (a currency font), Sonnet, Cantabile, Neurotoxin, Screwball. Typefaces from 2021: Tessera (a mosaic font), Diploma Monograms, Wet Ink (oily).

Link at Dafont. . Abstract Fonts link. [Google] [More] ⦿

Harris Design
[James M. Harris]

James M. Harris' Colorado Springs, CO-based foundry sells five fonts designed by himself, SignPix (1, 2, 3, 4), Earth Font One (1993), PictographOne (1996), and Strasbourg (blackletter) through Fonthaus and Agfa/Monotype. It specializes in tourist and road signs. Harris Design will turn your logo into a (TTF or type 1) font. List of fonts.

Jim Harris made the old shareware fonts Bellerose (1992, an avant-garde face: poster by Benbouzid Fatim-Zohra), Bellerose Pro (various weights are done in 2016), Mazama, Premium Thin, RhyoliteVertical (1990) and Andesite (1991) which can be found on many archives. He also made Harris Modern Extended.

Old home page. Creative Market link. Dafont link. FontShop link. [Google] [MyFonts] [More] ⦿

Harry Lawrence Gage

Harry Gage lived in the village of Annisquam on Cape Ann, Massachusetts after he left corporate and academic life in the printing business. He produced a great deal of fine art in his later years---watercolors, designs for commemorative medals, and designs for the Christmas cards that were sent out by the village committee.

Author of Vel Vet Show Cards (1924). Some of his alphabets can be seen in Thomas Woods Stevens's book Lettering (1916). All of the alphabets in the latter book were digitized by Dick Pape in 2012 and 2013, and are free and downloadable from this site: TWS Heavy Capitals 49, TWS Italian Gothic Caps 80 (Lombardic), TWS Renaissance Alphabet 39, TWS Robinson Caps 23, TWS Roman Caps 13, TWS Slab Capitals 22, TWS The Japanese 32. Futher digitizations of the 1916 alphabets include Jeff Levine's Tenement JNL (2020: of the Cooper Black style alphabet TWS Heavy Capitals 49), Da ABF Mafia's Yoshi Toshi (2003) and David Nalle's Yoshitoshi (2003), both of TWS The Japanese 32. [Google] [More] ⦿

Hartwig Poppelbaum
[K. u. K. Hof-Schriftgiesserei Poppelbaum]

Hayinah Hayinah
[Rockboys Studio (or: Rockboy Studio)]

Hazim Mujahid
[Dotzeem]

Headfonts Store (was: Mcraft, and Mihis Design)
[Alexandru Mihis]

Timisoara, Romania-based designer of the fat blackletter typeface Black Baron (2015).

In 2016, he made the modular typeface family Epicon, the vintage typeface Knucklehead (sans and spurred version), the spurred Velasco, the octagonal typeface family Knox, Scripthead, Monogram World (+Vintage), the monoline script typeface Catarg, and the octagonal typeface family Epicoff (2016).

Typefaces from 2017: Bauhead (piano key or Bauhaus style), Hammerhead (free at YWFT), Typehead (industrial; +Stencil, +Deco), Flathead Round, Merak, Millennium.

Typefaces from 2018: Spearhead, Mudhead, Mudhead Serif, Blackhead, Numhead (industrial, octagonal), Modernhead (Serif, Sans).

Typefaces from 2019: Rustyhead, Uphead, Penhead, Decohead (+Display), Hothead, Inkhead, Techead, Retrohead, Blockhead (+Nova), Overhead (a sports font).

Typefaces from 2020: Techead (a minimalist sans for start-ups), Nordhead.

Typefaces from 2021: Arthead, Zighead.

Typefaces from 2022: Blishead, RutheadArt Deco Monogram, Wildhead, Fathead.

Mcraft link. [Google] [More] ⦿

Hechicero

Hechicero is the French designer of the tattoo typeface Ivalician Gothic (2011), which imitates the font used in the video game Final Fantasy XII (a game by Square-Enix). Similar gibberish language typefaces include Crystal Bearers Script (2011), Pulsian (2011, from the video game Final Fantasy XIII), Clavat Script (2011, from Final Fantasy: Crystal Chronicles), Grace of Etro (2011, from Final Fantasy XIII) and Cocoonian (2011, from Final Fantasy XIII). Final Fantasy Symbols (2011, from Final Fantasy) is a dingbat face. HTML5 Values (2013) is a techno font. [Google] [More] ⦿

Heikki Morgan Hämäläinen
[Morganismi]

Heinrich Ehlert

German typographer who designed type at the Wilhelm Gronaus Schriftgießerei in Berlin in the mid 1800s. Typefaces at that foundry by him include Gronau Gotisch (1850, blackletter). A digital revival by Gerhard Helzel is called Gronau Gotisch. [Google] [More] ⦿

Heinrich Flinsch
[Schriftgiesserei Flinsch]

Heinrich Hoffmeister

Heinrich Hoffmeister is a German foundry established in 1898 by Heinrich Wilhelm Hoffmeister (b. 1857 Lennep, d. 1921 Langen) and was based in Leipzig. Acquired by D. Stempel in 1918. Hoffmeister's typefaces:

Amts Antiqua (1909-1922). Now known as Madison (1965, Stempel) or Century 725 (Matthew Carter, Bitstream) or Madison Antiqua (Ralph M. Unger, Linotype). See Madeira and Magazine on the SoftMaker MegaFont XXL CD (2002). See also Madius (URW), Geneva (SF), Madame (Scangraphic). Stempel's Madison Kursiv (1965) revives Amts Kursiv (1911). The Amts Kursiv halbfett and fett weights are given the date 1931 by Bernhard Schnelle.
Reform-Fraktur (1903).
Ekkehard-Fraktur (1917, at Stempel in 1918). This was earlier called Treubund-Fraktur. There also exists a Halbfette Ekkehard-Fraktur).
Einheits-Fraktur (1914).
Continental (1901).
Reform-Antiqua (1905).
Sensation (1909, Stempel). The Fette was done in 1913 and the Schmalfett in 1914. Sensation is known as Elegante at Baltimore Type Foundry. For a digital revival of the Schmalfett, see Concordia (2020, Ralph M. Unger). Sensation is characterized by a distracting foot on the r and exaggerated inward curves--quite an ugly duckling.
Teutonia (ca. 1900).
Säculum (1907, Stempel).
Stempel-Fraktur (1916, Stempel). Digitized by Gerhard Helzel in 2006.
Amts-Fraktur (1906-1911, Stempel). Revival by Gerhard Helzel, Chiron (2014, as TbC Schmalfette Amtsfraktur), and Christoph Schwedhelm (2013, as Schmalfette Amts-Fraktur).

Karl Rupprecht did Buchgotisch in 1908. Clemens and Buschmann made Neuzeit-Fraktur (1909).

FontShop link. PDF at Klingspor. [Google] [MyFonts] [More] ⦿

Heinrich Laudahn

Laudahn ran a graphic design studio in Berlin. Designer of Laudahn-Kanzlei (1912, Bauersche Giesserei). [Google] [More] ⦿

Heinrich Vogeler

Heinrich Vogeler (b. 1872, Bremen, Germany) was an art nouveau era artist, designer, illustrator and teacher, known for his paintings and for his illustrations of fairy tales. He also did some work for the art nouveau magazine Pan. From 1894 on, he lived for some time in the artist colony at Worpswede, Germany. In 1908 he and his brother Franz founded the Worpsweder Werkst&aauml;tte, which produced household objects. He studied at the Kunstakademie Düsseldorf from 1890-1895. With sympathies for the working class, after the Great War, he became a pacifist and joined the Communist Party of Germany (KPD). The romanticism of his early art nouveau work gave way to proletarian content. In 1931, Vogeler and his second wife, Sonja Marchlewska, emigrated to Russia. Ironically, he was deported in 1941 to Kazakhstan by Soviet authorities, and died there in 1942.

Jugendstil Initials (2007, HiH, Malcolm Wooden) is a commercial digital revival of Jugendstil Initialen (1905, Rudhardsche). Compare with Vogeler Caps (2002, Petra Heidorn, CybaPee Creations) and Vogeler Initialen (2002, Dieter Steffmann), both free revivals of a similar style face.

Other typefaces by him include Vogeler Zierat (1904, Rudhardsche Giesserei), Kalender Bilder (1910, Klingspor).

Vienna Secession link. Klingspor link. [Google] [MyFonts] [More] ⦿

Heinrich Wallau

German printer, b. 1852, Mainz, d. 1925, Zwingelberg. Author of Aesthetik der Druckschrift, which served as a motivation and example for Rudolf Koch, when Koch designed his Wallau blackletter family starting in 1924. This project lasted until 1936, with the rotunda or Rundgotisch typefaces magere Wallau (1931-1933), fette Wallau (1933-1934), Schmale Wallau (1933-1934), and halbfette Wallau (1933-1936). There were also various Versalien (Antiqua-Versalien, Fraktur-Versalien and Schmuck-Versalien) along the way. [The link leads to a short bio by Wolfgang Hendlmeier, written in 1987.]

Digital versions of Wallau include RMU Wallau (2019, Ralph M. Unger), Wallau No1 Pro, Wallau No2 Pro by SoftMaker, Alter Littera's Wallau (2012), Wallau (1996, by Delbanco; called Wal at PrimaFont), Wallau (by Gerhard Helzel), DS Wallau (Dieter Steffmann), Wallaby (SoftMaker), and the 2002 series WallauDeutsch-Bold, WallauRundgotisch-Heavy, WallauRundgotischOsF-Heavy, WallauUnzial-Bold and WallauZierBold (2002) by Dieter Steffmann. [Google] [More] ⦿

Heinrich Wieynck

German type designer (b. Barmen, 1874, d. Saarow, 1931) principally associated with the Bauersche Giesserei. In 1914 he became a Professor at the Akademie für Kunstgewerbe in Dresden. Before that he lived mainly in Berlin. He designed

Belvedere (1906-1907, Bauersche Giesserei). An art nouveau / fin-de-siècle typeface that was digitally revived by Ralph M. Unger in 2020 as RMU Belvedere.
Kolumbus and Kolumbus Eng (1905-1906, W. Gronau)
Mercedes Antiqua, Kursiv and Antiqua Halbfett in 1904, 1905 and 1906 respectively, at Wilhelm Woellmer
Trianon (1905, Bauersche Giesserei) and Trianon Licht (1909, Bauersche). For a digital revival, see Ralph Unger's RMU Trianon (2020), which under pressure from Production Type, was quickly renamed RMU Trifels.
Phyllis (1911, Bauersche Giesserei): a clean old-fashioned rounded script font. Digital versions: Phyllis (Linotype), Phyllis (URW++), Phyllis EF (Elsner+Flake), Phyllis SB (Scangraphic Digital Type Collection), Phyllis FS (Fontsite), Philadelphia (Softmaker). This typeface is also called Wieynck Kursio or Wieynck Cursive.
Wieynck-Fraktur (1912) and Wieynck-Fraktur Halbfett (1913), both at the Bauersche Giesserei. Revived in 2002 by Dieter Steffmann, who also made Wieynck Vignetten). Also revived commercially by Ralph M. Unger as Wieynck Fraktur (2019).
Wieynck Gotisch (1926, Schriftguss; revived by Gerard Helzel in 2001; see also Wieynck Gotisch in 2018 by Ralph M. Unger), Wieynck Werkschrift (1930, Schriftguss), Wieynck Gotisch Licht (1929, Schriftguss)
Wieynck Kanzlei (1926, D. Stempel)
Wieynck Mediaeval (1928) and Wieynck Mediaeval Kursiv (1929), at Otto Weisert.
Woellmer Antiqua (1907), Woellmer Kursiv (1907) and Woellmer Antiqua Halbfett (1908), all at Wilhelm Woellmer.

Bio graphy by Harald Süß (Die deutsche Schrift, 2002). Picture. Klingspor link. Digital versions of Phyllis. [Google] [MyFonts] [More] ⦿

Heinz Beck

German type designer. His typefaces:

Brahms-Gotisch (1937, Genzsch&Heyse) and Brahms-Gotisch Werkschrift (1937, Genzsch&Heyse). This blackletter was digitally remastered by Manfred Klein and Petra Heidorn in 2005 under the same name.
Nordland (1935, blackletter at Trennert&Sohn and Genzsch&Heyse). Nordland was revived by Petra Heidorn in 2005.
Möwe (1929, Genzsch&Heyse). This blackboard bold typeface was revived in 2017 by Coen Hofmann as Moewe.

[Google] [More] ⦿

Heinz J. Kriele
[Wilhelm Dreusicke and Co]

List of his fonts compiled by Harald Süß.

Heinz König

German type designer (b. Lüneburg, 1856, d. Lüneburg, 1937). After years in Braunschweig and Stuttgart, Heinz had contact with Genzsch&Heyse in Hamburg in 1881 and with Otto Hupp in 1887. After that, he returned to his home town to take over the printing business of his father. Brief bio by Harald Süß in 1999.

Typefaces for J. D. Trennert: Alarm (1928), Wiking (1925: blackletter), Wiking licht (1927). Wiking Licht and Wiking Dunkel were revived digitally by Chiron in 2012 as TbC Wiking Licht and TbC Wiking Dunkel, and in 2019 by Ralf Herrmann as FDI Wiking.
Typefaces for J. Klinkhardt: Rundine (1909), Rundine halbfett (1909), Askania, Askania halbfett (1910).
Typefaces for Genzsch&Heyse: Segretario (before 1902), Superbia (1913), Renaissance Fraktur (1885; revived by Manfred Klein in 2005 as Münchner Fraktur and by Softmaker in 2016 as Renaissance Fraktur Pro), Renaissance Fraktur fett (1885), Deutsche Druckschrift (1888/1922; a revival under the same name was done by Petra Heidorn in 2004; the initials were done by König after drawing by Eduard Ege in München), Frappant (1913).
Typefaces for Gebr. Klingspor: Falstaff (1906, a strong black titling face), König Antiqua (1905), König Antiqua fett (1906), Offenbacher Fraktur (1901), Reform Kursiv and Reform Kursiv halbfett (1904), Walthari (1899-1900, Jugendstil font originally done at the Rudhardsche Giesserei), Walthari halbfett (1901). A revival in 2008 by HiH named Waltari is here. Schmuckinitialen (2009, Ralph Unger) is also a revival. Walthari Initialen (Rudhardsche, ca. 1900) was revived by Ralph Unger in 2012 in his Initials RMU One.
Typefaces for Schriftguss: Germania (1903), Germania halbfett (1903). Schnelle mentions that Germania was done for Aktiengesellschaft für Schriftgiesserei und Maschinenbau. Digital revival by Dieter Steffmann in 2001 under the same name.
Typefaces for Emil Gursch: Koenig-Fraktur (1910-1915). This is also called Gursch Fraktur. A revival by Gerhard Helzel exists), Koenig-Fraktur halbfett, Koenig Schwabacher (1912-1913) and Koenig Schwabacher halbfett (1912), Koenig-Type (1903: revived by Gerhard Helzel; Wetzel and Die deutsche Schrift mention 1913), Koenig-Type halbfett (1906), Koenig-Type fett (1910), Koenig-Type eng (1908), Koenig-Type schmallfett (1908). Article about Koenig Type.
Typefaces that ended up in the Linotype library: Heinz-Koenig schmallschrift (1927), Heinz-Koenig schmallschrift halbfett, Heinz-Koenig Setzm. Scans: Roemische Antiqua (1888), Schmalfett, Warm (1928), Heinz König Fraktur (1913), Heinz-Koenig Setzmaschinen Fraktur (+halbfett) (1913, originally Stempel). Dieter Steffmann offers a revival of Heinz Koenig (2002). Chiron has TbC Neue Roemische Antiqua (2012), based on Neue Roemische Antiqua (1924, Julius Klinkhardt).

[Google] [More] ⦿

Helen Bykova

Moscow-based graphic designer. Behance link. Her first font is a Latin/Cyrillic blackletter (2011). [Google] [More] ⦿

Hellmut G. Bomm
[HGB]

Hendry Juanda
[Letterhend Studio (or: Magang Letterhend)]

Henry Cohn

UK-based FontStructor who made these typefaces in 2014: Stencil Class, Stencil Funk, Formal Dragon, Casual Dragon, Gothic Hand (blackletter), Slice, Font, Cheap Spaceship, Dickson, Katholikes (Greek simulation), Grotesque Italic, Clunky Gadget, Hirschfeld (ultra-condensed, based on the signature of one of cartoonist Al Hirschfeld), Strange Square, Traianus Scvlpta, Odd Oval, Traianvs, Canary, Canary Demi, Double Trouble, Metropolis (constructivist: based on Boris Bilinsky's poster for the 1927 film Metropolis), Albrecht, Fittin Justice (+Bold), Serif Ultra, Confessions of a Sinner (Cohn writes: A replica of the lettering I carved into a linocut book cover that I made for my favourite book: The Private Memoirs and Confessions of a Justified Sinner by James Hogg), Fake Kitsch, 1 Brick Letters, Gainst The Wind, Top Serif, Suggestion (+Bold: art deco).

In 2015, Cohn created Stencil Funk (psychedelic style).

Typefaces from 2016: Fittin Justice Bold (letters fit together through the middle), Seeing Double.

Dafont link. Creative Market link. [Google] [More] ⦿

Henry Hajdu

Creator with Anja Pollor of Pixtur (2005), a pixel version of Fette Haenel Fraktur. This font can be found on the CD that comes with Fraktur Mon Amour (Hermann Schmidt Verlag, 2006). [Google] [More] ⦿

Henry W. Troy

Designer of the ornamental blackletter alphabet Trojan Text (1884). He also has some instructions on penmanship.

His work inspired several digital typefaces, including Blaq (2012, Giuseppe Salerno). [Google] [More] ⦿

Herbanu Tri Sasongko
[Herbanuts (or: LetterStuff Type Foundry)]

Herbanuts (or: LetterStuff Type Foundry)
[Herbanu Tri Sasongko]

Wonosari, Yogyakarta, Indonesia-based designer (b. 1991) of Primera (2018), Ballicons (2017) and Glyphicons (2017). In 2018, he added Larys Manice (a children's book font), Typis, Sweet Dessert, Rossela, Kiddos and the sci-fi typeface Space Surfer.

Typefaces from 2019: Rolas Sans (a great rounded sans), Thumbelina, Alenka, Oceania (Victorian), Cherishia.

Typefaces from 2020: Misro (a fat supermarket typeface), Chillok (plump, handcrafted), Qolak Pisank, Pastelova (a fat finger font).

Typefaces from 2021: Silverback (an inline blackletter typeface). [Google] [More] ⦿

Herbert Lemme

Designer (b. 1933, Bismark) associated with VEB Typoart. At that East German foundry, he created the blackletter revivals Alte Schwabacher and Luthersche Fraktur (with Volker Küster; digitized in 1989). [Google] [More] ⦿

Herbert Maring

German designer, b. 1923 Heilbronn. Creator of the gothic bastarda typeface Clairvaux (Linotype, 1990-1991, Adobe and Monotype). Typedia: Designed by Herbert Maring and released by Linotype in 1990, Clairvaux is based on early Gothic typefaces used by the White Monks. It has the same simplicity of the old Cistercian order but yet is closer than any other bastarda to the forms of the Caroline minuscule, thus making it more legible than most. Linotype page. FontShop link. Typedia link. [Google] [MyFonts] [More] ⦿

Herbert Post

German type designer, printer, type teacher and type designer (b. Mannheim, 1903, d. Bayersoien, 1978). Ex-student of Rudolf Koch. He taught at the Werkstätten der Stadt Halle and at the Werkkunstschule Offenbach. From 1956 on, he was Director at the Academy for graphic design in Munich. Designer of Post Mediaeval (1944, Berthold, 1951), Altschrift, Post Fraktur (1933-1937, Berthold; + Halbfett, + Post Fraktur Zierversalien, 1933-1937; for a digital version, see DS Post Fraktur by Delbanco, Post Fraktur by Gerhard Helzel, or Post Fraktur and Postillon by Ralph M. Unger (2014)), Post Antiqua (1932-1940, Berthold; also called Post Roman; for digital revivals, see Corel's Prose Antique and Softmaker's P790 Roman), Post-Kursiv (1943, Berthold), Post-Schmuck (1949, Berthold), Dynamik (1952), eight fonts for Photo Lettering in 1954 (among which Frei bewegte Antiqua, Schmalfette Grotesk, Feder-Kursiv, Eckige Kursiv and die Schwung-Kursiv), and Post Marcato (1961-1962, an art deco bold sans, Berthold).

Scans of a logo/poster for the Deutsche Bundespost, a poster for the Deutsche Bundesbahn (1952) and a poster for a theater performance in Halle in 1932. In 1999, Harald Süß wrote a brief biography. Picture, dated 1940.

View Herbert Post's typefaces. [Google] [MyFonts] [More] ⦿

Herbert Stahr

Designer of the blackletter typeface Badenweiler (1933). [Google] [More] ⦿

Herbert Thannhäuser

Designer born in 1898 in Berlin, who died in 1963 in Kleinmachnow. He worked in various Berlin graphics bureaus. He was artistic consultant at Max Krause and for many printing shops. From 1933 until 1940, he was artistic consultant at Schelter&Giesecke in Leipzig. From 1951 on, he was artistic director at VEB Typoart in Leipzig. Bio at BfdS. Bio at Linotype. Bio at Klingspor. MyFonts link. A brief biography by Gertrud Thannhaeuser in Die deutsche Schrift, volume 1095, 1992: A, B, C, D.

His typefaces:

At D. Stempel AG: Adastra (1928), Schwung Adastra (1931). Adastra was revived in 1995 by Douglas Olena / Keystrokes and by Neil Summerour in 2011 as Rhythm.
At Typoart: Kurier (1939, a brush typeface digitized by Canada Type's Rebecca Alaccari as Puma (2004) and by Peter Wiegel in 2015 as CAT Kurier), Typoart Didot Antiqua, Kursive and Halbfett (1958), Erler Versalien (1953, Typoart: digital versions include Erler Titling (2015, Ralph M. Unger), Missale Incana (2004, Andreas Seidel) and Erler Versalien (2006, Ari Rafaeli)), Typoart Garamond (see Garamond No. 4 by URW) and Garamond No. 5 by Elsner&Flake) and Typoart Garamond Kursiv (1955), Lotto (1955, brush script, revived as Lotto in 2009 by Hans Van Maanen, Canada Type), Liberta Antiqua (1957; revived by Ralph M. Unger as Trybuna in 2013, and by Elsner & Flake as Liberta TA in 2017), Kursive, Antiqua Halbfett and Antiqua extrafett (1956), Liberta Antiqua schmalhalbfett (1959), Liberta Antiqua schmalfett (1960), Magna, Magna Kursiv and Magna Halbfett (1968; see Magna EF by Elsner&Flake, dated 1962 by them), Meister Antiqua (1952, digitized and extended by Ralph M. Unger in 2011 as Meister Antiqua; images: i, ii, iii), Meister Kursiv (1952), Meister Antiqua halbfett (1952), Technotyp schmalhalbfett (1960).
At Schriftguss: Gravira (1935; a stylish multilinear typeface revived as Gravira in 2021 by Ralph M. Unger), Großdeutsch (1935), Hermann Gotisch (1934; revived in 2002 by Dieter Steffmann and in 2015 by Ralph M. Unger as Staufer Gotisch), Kornett (1939), Parcival Antiqua (1930, or is it 1926?; revived in 2016 by Ralph M. Unger as Parcival Antiqua), Parcival Kursiv (1930), Parcival Antiqua fett (1932), Technotyp and Technotyp halbfett (1948), Technotyp Kursiv, Technotyp fett and Technotyp extrafett (1949), Technotyp schmalfett (1951), Thannhaeuser Fraktur and Thannhaeuser Fraktur halbfett (1927-1939, Schelter&Giesecke; Delbanco has a digital version called DS Thannhaeuser Fraktur; Thannhaeuser Fraktur (2013, Ralph M.Unger) is a redesign of Typoart's Thannhaeuser Fraktur)), Thannhaeuser Fraktur schmallfett (1939) and Werbedeutsch (1933). The Lindenthal brothers revived Thannhaeuser Fraktur (Mager, magere Zierversalien, Schmalfett and Halbfett). Delbanco revived these ca. 2001. See also Werbedeutsch by Dieter Steffmann (2002).
At Schriftguss AG: Thannhaeuser Schrift (1929), Thannhaeuser Schrift Kursiv (1933), Thannhaeuser Schrift halbfett (1934). The slab serif family Technotyp was revived in its entirety by Coen Hofmann at URW++ in 2011 under the same name.
Other typefaces: Buick schmalfett. This was digitally revived by Nick Curtis in 2014 as Strassenmeister NF.

FontShop link. Klingspor link.

View Herbert Thannhaeuser's typefaces. [Google] [MyFonts] [More] ⦿

Heriberto Noguera
[Lagalga]

Ihlenburg at the Rochester Institute of Technology's Cary Graphic Arts Collection. [Google] [MyFonts] [More] ⦿

Hermann Bek-Gran

Type designer, b. 1869, Mainz, d. 1909, Nürnberg: Hermann Bek-Gran-Schrift (1905-1906, blackletter typeface at D. Stempel). [Google] [More] ⦿

Hermann Delitsch

Typography professor in Leipzig, b. Leipzig, 1869, d. Leipzig, 1937. He taught at Leipzig's Akademie für Graphische Künste und Buchgewerbe. One of his students was Jan Tschichold (in 1919). His typefaces:

Delitsch Antiqua (1911, J. Klinkhardt). This is Antiguo Manuscrito at the Richard Gans Foundry. The latter was digitized by Paulo W (Intellecta Design) as Gans Antigua Manuscrito (2006). Other typefaces based on Delitsch Antiqua were created by Manfred Klein (Delitsch Initialen, 2004) and Petra Heidorn (Delitsch Antiqua, 2004). Both could be found here (dead link).
Kanzlei Fraktur, or Delitsch Kanzlei (1913, J. Klinkhardt).
Ramses Antiqua (1912, J. Klinkhardt). This Antiqua typeface was revived in 2012 by Chiron as TbC Ramses-Antiqua.

Author of Schribschriftnormen (1928, K.W. Hiersemann), Delitzsch-Antiqua: eine künstlerische Schriftgarnitur mit Initialen und Schmuck für zeitgemässe Buchausstattung (1915). Klingspor link. [Google] [MyFonts] [More] ⦿

Hermann Hoffmann

German type designer, b. 1856, Hildesheim, d. 1926, Berlin. He settled in the 1890s in Berlin and founded Maschinenfabrik Heidenheim & Hoffmann. In 1895 he became head of H Berthold AG in Berlin. His designs:

Bloc (Berthold, 1908). Digitization and Cyrillization by Tafir Safayev, 1997 as Bloc (Paratype). See also Bloc Berthold at BertholdTypes, and FB Hermes (1995, Matthew Butterick at Font Bureau). FB Hermes was extended by Butterick in 2010. Bloc was similar to Hermes at Schriftguss and Woellmer. Bitstream's Gothic 821 (1990) is based on Bloc. The Softmaker version is called Boulder. Grauna (2018, Gabriel Figueiredo at Typeoca) revives Bloc Heavy, but has smoother outlines.
Herold Reklameschrift (1901, Berthold (Berlin)). An art nouveau advertising typeface developed until 1907 with schmal, fett and Kontur substyles. Digitizations of this:
- Vladimir Yefimov at Paratype digitized it in 1993 as Herold and added Cyrillic characters.
- Berthold's own Herold Reklameschrift BQ.
- Heraut AS (2003, Andreas Seidel) is based on Herold Reklameschrift.
- Herold (2008) by Tom Wallace (HiH).
- Herman (SoftMaker).
- In 2020, Ricardo Santos (Vanarchiv) released Nouveau LX Expanded, Nouveau LX Stencil and Nouveau LX. This family is based on Hermann Hoffmann's Herold (1913, Berthold), but has a different capital R.
Kaufhaus-Fraktur (1906, Berthold).

Books: Das Haus Berthold 1858-1921 (1921, Berlin) and Der Schriftgiesser (1927, Leipzig).

FontShop page. Klingspor link. FontShop link.

Oddity: The names Heinz Hoffmann and Hermann Hoffmann are used by two subcommunities. MyFonts, Font Bureau, etc. use Heinz, while Erik Spiekermann, Klingspor, and the German media use Hermann. [Google] [MyFonts] [More] ⦿

Hermann Ihlenburg

German-American type designer (b. 1843, Berlin) who apprenticed at the Trowitzsch & Son type foundry in Berlin, and then worked as a punchcutter in Dresden and at the G. Haase & Sons foundry in Prague. After positions at the Flinsch foundry in Frankfurt, the Battenburg foundry in Paris, and the Fonderie Haas in Basel, Ihlenburg moved to the United States in 1866 to work for the L. Johnson & Company foundry in Philadelphia, which became MacKellar, Smiths & Jordan some time later. Specializing in ornamental (Victorian) fonts and borders, he designed over eighty typefaces for that Mackellar and a few more for American Type Founders after it purchased MacKellar, Smiths & Jordan in 1901. Ihlenburg became an American citizen in 1874, and died in Philadelphia in 1905. He will be remembered as the prototypical Victorian type designer.

His typefaces at MacKellar:

American (1876), Angular Text (1884, a Victorian blackletter at MacKellar, Smiths & Jordan; digitally interpreted by Toto in his free font K22 Angular Text (2012) and by Alan Jay Prescott as Angolan Text (2017)), Arboret (1884), Arboret No. 2 (1885), Archaic (1888), Artistic (1886), Attic (1879). Artistic was revived by Alan Jay Prescott in 2017 as Beltane Roman. He wrote: this letterform started out in 1886 as drawn by the great Herman Ihlenburg as Artistic and assigned to MacKellar Smiths & Jordan. Dan Solo called this face Belmont but only showed caps and was suspect anyway. I was able to find specimens elsewhere and a motherlode of other interesting things in the Inland Printer. I developed my first full-featured OTF using this typeface and designed Greek and Cyrillic glyphs as well. I also fitted it out with a set of small caps to make a font that now has 4,000 glyphs for nearly every non-Asian language. To top it off, Robert Donona revived the decorative caps for this typeface, an excruciating task that I once considered for myself but was lucky enough to have this other crazy person take up. The number of hours dedicated between Robert and myself in reviving this complete series digitally is probably unprecedented.
Bijou (1883: digital copies include Bangle (1990-1991, FontBank), Riccio Display Script by Southern Software (1994, SSi, SSK), Grebe (1994, by an anonymous designer) and Mexacali by Swfte), Black Ornamented (1873), Broadgauge Ornate (1868: a spurred Western typeface at MacKellar Smiths & Jordan; revived by Michael Hagemann), Byzantine (1868).
Centennial Script (1874, a spectacular high-contrast script digitized in 2007 by Canada Type and in 2011 as a free font called Mortem Stylus by Stylus, and by Intellecta Design as Centennial Script), Chaucer (1883), Childs (1892, revived by R. Beatty, and by Ingo Preuss as Daring), Circular Black (1883), Columbian (1891), Columbus (1890: for metal recuts, see Victor Hugo by Nebiolo and Columbia (1909) by Urania); for digital revivals, see Cristoforo by Thomas Phinney, 2012, Cristoforo (2012) by SoftMaker, F37 Drago (2021, Rick Banks) and Colombo by Ingo Preuss), Columbus No.2, Columbus Outline (1892), Copperplate (1877), Crayon (1886), Culdee (1885).
Dado (1882), Drapery Border (1876), Dynamo (1891).
Elliptical Border (1878), Eureka Text (1870, blackletter), Eureka Shaded (1870).
Ferdinand (1892, now at Dover), Filigree (1878), Fillet (1890), Flourish Ornaments (1884).
Glyptic, Glyptic No. 2 and Glyptic Shaded (1878), Gothic Ornate (?), Greenback (1871), Grolier (1887), Gutenberg (1888).
Houghton (ca. 1880). Same as Edison. Revived by Jim Spiece as Edison Swirl SG.
Illuminated and Illuminated No. 2 (1876), Isabella (1892, a bastarda face; digital version at Agfa, Adobe, and Linotype, 2001), Italic Copperplate (1878).
Japanesque and Japanesque No. 2 (1877, oriental simulation typefaces), Johnson (1892).
Lady Text (1884, blackletter), Lippincott (before 1895).
MediaevalText and Mediaeval Text Ornate (1870, blackletter), Minaret (1868), Minster (1878), Mortised and Mortised No. 2 (1884).
Newfangle (1892, revived in 2015 by Nick Curtis as Newfangle NF), Nymphic (1889 [Ruffa says 1884], revived by Barmee in Secesja Pro (2013), and by Paul D. Hunt (2004), who published it as Kilkenny (2005, P22)).
Obelisk (1881), Oxonian (1881). Digital revival of Obelisk in 2014 by Robert Donona.
Pencraft (1885; digital revival in 2013 by Robert Donona), Pencraft No.2, Phidian (1870, redone by Dan X. Solo), Philadelphian (1867; digital revival by Michael Hagemann as Philadelphian in 2020), Pynson (1887).
Quenn Bess Script (1882).
Radiant (1876), Radiant Antique (1876: a money font), Radiated (1871), Relievo (1878), Relievo No. 2 (1879), Rimpled (1895), Ringlet (1882, the prototypical Victorian typeface; Dan X. Solo and George Williams made different digital versions in 1998 which are both also called Ringlet), Romanesque (1874).
Sansom Script (1888), School Text (1876), Spiral (1890, revived by R. Beatty), Stipple (1890), Stylus and Stylus No. 2 (1883).
Tendril (1878), Tilted (1886), Treasury (1874), Treasury Open (1875).
Unique (1874), Unique No. 2 (1875).
Zinco (1891, revived by Jim Spiece in 2002 as Zinc Italian SG).

At ATF: Taylor Gothic (1894), Schoeffer Old Style (1897: revived and extended by Alfonso Garcia in 2020 as Spirits), Roundhand Series (1902), Post Oldstyle Roman No. 2 (1901---possibly made by E.J. Kitson and/or Guernsey Moore), Post Oldstyle Italic (1901), Ihlenburg Series (1900?), Bradley Series (1895-1897, now at Dover), American Italic (1902). Ludlow offers a digital version of Hannibal.

Comments on some typefaces by Mac McGrew:

American Italic is a heavy, novel design by Herman Ihlenburg introduced by ATF in 1902, as a companion to Columbus, which had been designed for ATF's MacKellar Smiths&Jordan branch in 1892. The italic survived its roman mate, being shown by itself in 1906, but was gone by 1912. It is essentially a nineteenth-century design.
Bradley (or Bradley Text) was designed by Herman Ihlenburg-some sources credit it to Joseph W. Phinney--from lettering by Will H. Bradley for the Christmas cover of an Inland Printer magazine. It was produced by ATF in 1895, with Italic, Extended, and Outline versions appearing about three years later. It is a very heavy form of black-letter, based on ancient manuscripts, but with novel forms of many letters. Bradley and Bradley Outline, which were cut to register for two-color work, have the peculiarity of lower alignment for the caps than for the lowercase and figures, as may be seen in the specimens; Italic and Extended align normally. The same typeface with the addition of German characters (some of which are shown in the specimen of Bradley Extended) was sold as Ihlenburg, regular and Extended. Similar types, based on the same source and issued about the same time, were St. John by Inland Type Foundry, and Abbey Text by A. D. Farmer&Son. They were not as enduring as Bradley, which was resurrected for a while in 1954 by ATF. Also compare Washington Text.
Round Hand was designed for ATF about 1900, and has been ascribed to Herman Ihlenburg. It has the appearance of handwriting with a broad pen, but letters are not quite connected.
Schoeffer Old Style [No.2] was designed by Herman Ihlenburg for ATF in 1897. It is typical of a number of typefaces of the day-a plainly lettered roman with small, blunt serifs. Some references list Schoeffer Condensed, cut in 1902; this is probably the typeface shown a little later as Adver Condensed (q.v.). On Linotype, Schaeffer Oldstyle was called Elzevir No.2.

In 2021, Noah Bryant set out to revive many of Ihlenburg's Victorian typefaces.

Hermann Zapf

Prolific master calligrapher and type designer, born in Nuremberg in 1918. Most of his life, he lived in Darmstadt, where he died in 2015. He is best known for Palatino, Optima, Melior, Zapf Dingbats, Zapfino, and ITC Zapf Chancery. He created alphabets for metal types, photocomposition and digital systems.

He studied typography from 1938 until 1941 in Paul Koch's workshop in Frankfurt. From 1946 until 1956, he was type director at D. Stempel AG type foundry, Frankfurt. In 1951 he married Gudrun von Hesse. From 1956 until 1973, he was consultant for Mergenthaler Linotype Company, Brooklyn and Frankfurt. From 1977 until 1987, he was vice president of Design Processing, Inc., New York (which he founded with his friends Aaron Burns and Herb Lubalin), and professor of Typographic Computer Programs, Rochester Institute of Technology, Rochester, New York. Students at RIT included Kris Holmes and Charles Bigelow, who together created the Lucida type family. Other prominent students include calligrapher/font designer Julian Waters and book designer Jerry Kelly. From 1987 until 1991, he was chairman of Zapf, Burns&Company, New York. He retired in Darmstadt, Germany, but consulted on many font projects until a few years before his death. In the 1990s, Zapf developed the hz program for kerning and typesetting. It was acquired by Adobe who used ideas from it in InDesign.

Awards:

1969 Frederic W. Goudy Award, Rochester Institute of Technology, Rochester, New York.
1973 Gutenberg Prize, City of Mainz.
1975 Gold Medal, Museo Bodoniano, Parma.
1985 Honorary Royal Designer for Industry, Royal Society of Arts, London.
1987 Robert Hunter Middleton Award, Chicago.
1994 Euro Design Award, Oostende.
1996 Wadim Lazursky Award, Academy of Graphic Arts, Moscow.
1999 Type Directors Club award for Zapfino (1998), New York.
2010 Bundesverdienstkreuz 1. Klasse.

Some publications by Hermann Zapf:

Feder und Stichel (1949, Trajanus Presse, Frankfurt)

About Alphabets (1960)

Manuale Typographicum (1954 and 1968). Only 1000 copies were printed of the original.

Typographic Variations (1964), or Typografische Variationen (1963, Stempel), of which only 500 copies were printed.

Orbis Typographicus (1980)

Hermann Zapf and His Design Philosophy (Chicago, 1987)

ABC-XYZapf (London, 1989)

Poetry through Typography (New York, 1993)

August Rosenberger (Rochester, NY, 1996).

Alphabet Stories (RIT Cary Graphic Arts Press, Rochester, 2008). Review by Hans Hagen and Taco Hoekwater.

My collaboration with Don Knuth and my font design work [just an article], TUGboat 22:1/2 (2001), 26-30. Local download.

List of his typefaces:

Alahram Arabisch.
Arno (Hallmark).
Aldus Buchschrift (Linotype, 1954): Italic, Roman. Digital version by Adobe.
Alkor Notebook.
Attika Greek.
Artemis Greek.
Aurelia (1985, Hell).
AT&T Garamond.
Book (ITC New York). Samples: Book Demi, Book Demi Italic, Book Heavy, Book Heavy Italic, Book Medium Italic. The Zapf Book, Chancery and International fonts are under the name Zabriskie on the SoftMaker MegaFont XXL CD, 2002.
Brush Borders.
Comenius Antiqua (1976, Berthold; see C792 Roman on the SoftMaker MegaFont XXL CD, 2002).
Crown Roman and Crown Italic (Hallmark).
Chancery (officially called ITC Zapf Chancery): Bold, Demi, Italic, Light, Liht Italic, Mediu Italic, Roman.
Civilité (Duensing). Mac McGrew on the Zapf Civilité: Zapf Civilite is perhaps the latest typeface to be cut as metal type, having been announced in January 1985, although the designer, Hermann Zapf, had made sketches for such a typeface as early as 1940, with further sketches in 1971. But matrices were not cut until 1983 and 1984. The cutting was done by Paul Hayden Duensing in Kalamazoo, Michigan. The first Civilité typeface was cut by Robert Granjon in 1557, based on a popular French handwriting style of the time. Other interpretations have been made from time to time, notably the Civilité (q.v.) designed by Morris Benton in 1922 for ATF. The new Zapf design has the same general character but with a more informal and contemporary feeling. A smooth flow between weights of strokes replaces the stark contrast of thick-and-thin in older interpretations. There are several ligatures, and alternate versions of a number of characters, including several terminals. Only the 24-point Didot size is cut or planned.
Charlemagne (Hallmark).
Digiset Vario (1982, Hell): a signage face.
Edison (Hell), Edison Cyrillic. Scans: Bold Condensed, Book, Semibold Italic, Semibold, Book Italic.
Euler (American Mathematical Society). Zapf was also consultant for Don Knuth on his Computer Modern fonts. In 1983, Zapf, Knuth and graduate students in Knuth's and Charles Bigelow's Digital Typography program at Stanford University including students Dan Mills, Carol Twombly, David Siegel, and Knuth's computer science Ph.D. students Scott Kim and John Hobby, completed the calligraphic typeface family AMS Euler for the American Mathematical Society (+Fraktur, Math Symbols, +script). Taco Hoekwater, Hans Hagen, and Khaled Hosny set out to create an OpenType MATH-enabled font Neo-Euler (2009-2010), by combining the existing Euler math fonts with new glyphs from Hermann Zapf (designed in the period 2005-2008). The result is here. The Euler digital font production was eventually finished by Siegel as his M.S. thesis project in 1985.
Firenze (Hallmark).
Festliche Ziffern (transl: party numbers).
Frederika Greek.
Gilgengart Fraktur (1938, D. Stempel). Some put the dates as 1940-1949. It was released by Stempel in 1952. Revivals include RMU Gilgengart (2020, Ralph M. Unger), and Gilgengart by Gerhard Henzel.
Heraklit Greek (1954). A digital revival was first done by George Matthiopoulos, GFS Heraklit. Later improvements followed by Antonis Tsolomitis and finally in 2020 by Daniel Benjamin Miller.
Hunt Roman (1961-1962, Pittsburgh). A display typeface exclusively designed for the Hunt Botanical Library (Hunt Institute for Botanical Documentation since 1971), situated on campus of Carnegie Mellon University in Pittsburgh, to accompany their text typeface Spectrum. Review by Ferdinand Ulrich.
International (ITC, 1977). Samples: Demi, Demi Italic, Heavy, Heavy Italic, Light, Light Italic, Medium, Medium Italic.
Janson (Linotype).
Jeannette Script (Hallmark).
Kompakt (1954, D. Stempel).
Kalenderzeichen (transl: calendar symbols).
Kuenstler Linien (transl: artistic lines).
Linotype Mergenthaler.
Melior (1952, D. Stempel; see Melmac on the SoftMaker MegaFont XXL CD, 2002). Samples: Bold, Bold Italic, Italic, Roman.
Michelangelo (1950, D. Stempel, a roman caps face; a digital version exists at Berthold and at The Font Company).
Marconi (1975-1976, Hell; now also available at Elsner&Flake and Linotype; according to Gerard Unger, this was the first digital type ever designed---the original 1973 design was intended for Hell's Digiset system; Marconi is a highly readable text face).
Medici Script (1971).
Musica (Musiknoten, transl: music symbols; C.E. Roder, Leipzig).
Magnus Sans-serif (Linotype, 1960).
Missouri (Hallmark).
Novalis.
Noris Script (1976; a digital version exists at Linotype).
Optima (1955-1958, D. Stempel--Optima was originally called Neu Antiqua), Optima Greek, Optima Nova (2002, with Akira Kobayashi at Linotype, a new version of Optima that includes 40 weights, half of them italic). Samples: Poster by Latice Washington, Optima, Demibold Italic, Black, Bold, Bold Italic, Demibold, Extra Black, Italic, Medium, Medium Italic, Regular, Italic. Digital clones: Zapf Humanist 601 by Bitstream, O801 Flare on the SoftMaker MegaFont XXL CD (2002), Opus by Softmaker, Columbia Serial by Softmaker, Mg Open Cosmetica, Ottawa by Corel, October by Scangraphic, CG Omega by Agfa compugraphic, Chelmsford by URW, Classico by URW and Optus by URW.
Orion (1974).
Palatino (1948, D. Stempel; the original font can still be found as Palazzo on Softmaker's XXL CD, 2002), Palatino Nova (2005, Linotype), Palatino Sans (2006, Linotype, with Akira Kobayashi), Palatino Greek, Palatino Cyrillic. Palatino was designed in conjunction with August Rosenberger, In 2013, Linotype released Palatino eText which has a larger x-height and wider spacing. Palatino samples: black, black italic, bold, bold italic, italic, medium, roman, light, light italic. Poster by M. Tuna Kahya (2012). Poster by Elena Shkarupa. Poster by Wayne YMH (2012). Zapf was particularly upset about the Palatino clone, Monotype Book Antiqua. Consequently, in 1993, Zapf resigned from ATypI over what he viewed as its hypocritical attitude toward unauthorized copying by prominent ATypI members.
Phidias Greek.
Primavera Schmuck.
Pan Nigerian.
Quartz (Zerox Corporation Rochester, NY).
Renaissance Antiqua (1985, Scangraphic). Samples: Regular, Bold, Book, Light Italic, Swashed Book Italic, Swash Italic.
Saphir (1953, D. Stempel, see now at Linotype).
Sistina (1951, D. Stempel).
Scriptura, Stratford (Hallmark).
Sequoya (for the Cherokee Indians), ca. 1970. This was cut by Walter Hamady and is a Walbaum derivative.
Linotype Trajanus Cyrillic (1957).
Textura (Hallmark).
URW Grotesk (1985, 59 styles), URW Antiqua, URW Palladio (1990).
Hallmark Uncial (Hallmark).
Virtuosa Script (1952, D. Stempel). Zapf's first script face. Revived in 2009 as Virtuosa Classic in cooperation with Akira Kobayashi.
Venture Script (Linotype, 1966; FontShop says 1969).
Winchester (Hallmark).
World Book Modern.
ITC Zapf Dingbats [see this poster by Jessica Rauch], Zapf Essentials (2002, 372 characters in six fonts: Communication, Arrows (One and Two), Markers, Ornaments, Office, based on drawings of Zapf in 1977 for Zapf Dingbats).
Zapfino (Linotype, 1998, winner of the 1999 Type Directors Club award), released on the occasion of his 80th birthday. This is a set of digital calligraphic fonts. Zapfino Four, Zapfino Three, Zapfino Two, Zapfino One, ligatures, Zapfino Ornaments (with plenty of fists). Poster by Nayla Masood (2013).

Books and references about him include:

Hermann Zapf: A Life in Letters (2016, Julian Waters).
What Our Lettering Needs: The Contribution of Hermann Zapf to Calligraphy & Type Design at Hallmark Cards (2011, Rick Cusick, RIT Cary Graphic Arts Press, Rochester).
Hermann Zapf and the World He Designed: A Biography (2019, Jerry Kelly, The Grolier Club, New York).
Laudatio for Professor Hermann Zapf (Frank Mittelbach). TUGboat 22:1/2 (2001), 24-26. Local download.
Book review: Hermann Zapf and the World He Designed: A Biography, by Jerry Kelly (Barbara Beeton). TUGboat, Volume 40 (2019), No. 3.

Pictures of Hermann Zapf: with Lefty, with Rick Cusick, in 2003, with Frank Jonen, with Jill Bell, with Linnea Lundquist and Marsha Brady, with Rick Cusick, with Rick Cusick, with Stauffacher, a toast, with Werner Schneider and Henk Gianotten, with Chris Steinhour, at his 60th birthday party. Pictures of his 80th birthday party at Linotype [dead link].
Linotype link. Klingspor link. [Google] [MyFonts] [More] ⦿

Hermann Zehnpfundt

German type designer at Emil Gursch in Berlin. His creations include

Alt-Motive (H. Berthold AG).
Grandezza I and Grandezza II (1904, Emil Gursch). Blackletter.
Industria (1910, Emil Gursch). These weights appeared in subsequent years: Halbfett (1910), Zephyr (1913, aka Ronsard), Zart (1913), Fett (1913), Gravur (1920), Schwer (1922). Schwer and Gravur were published by H. Berthold AG. Industria is a celebrated grotesk designed for ads. It was revived in 2015 by Mattox Shuler as Termina. See also Ronsard Crystal in 2009 by Steve Jackaman and Ashley Muir, or OPTI Ronsard Crystal by Castcraft.
Journal Kursiv (1913) and Antiqua (1912) at Emil Gursch. See also Zirkular Kursiv.
Kavalier (1910, Emil Gursch). Inline caps.
Probat Ornamente (1909, Emil Gursch).

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Hernández Type (was: Estudio de diseño Calderón)
[Daniel Hernandez]

Estudio de diseño Calderón in Chile had the work of two Chilean designers:

Daniel Hernández has some free fonts at Dafont and Font Squirrel. Klingspor link. His award-winning fonts include Stgotic textura (2006), Stgotic Fracktur (pixel blackletter), and the (free) unicase piano key font Pincoya Black (2008), which was based on Spanish Civil War poster, and won an award at Tipos Latinos 2010. He calls his ultra fat Roxy (2009) tipografia desde el culo del mundo.
Behance link. His Flickr page. His lettering.
Hernandez Bold (2010, Sudtipos) has slabs, serifs, and plenty of round curves. It won an award at Tipos Latinos 2012.
Rita (2010, Sudtipos) is an ultra-slab all caps typeface inspired by the fat wood types. In 2018, Daniel Hernandez and Rodrigo Fuenzalida enlarged Rita.
Designer of the free text font Belgrano (2011).
Merced (2011) is a thin monoline sans. Sanchez (2011, Latinotype and YWFT) is a slab serif family with a free weight. In 2013, he published the beautiful sequel, Sanchez Slab, which is patterned after Rockwell. Sanchez Niu (2017) is another slab serif in this family.
Javier Quintana created the smooth and delectable text family Berenjena in 2007. He also made the roundish display typeface Botota (2007), which is reminiscent of market signage in Santiago.
Monroe (2010, Sudtipos, and revised in 2018, Latinotype) is a swashy slab family. See it in action in this I Love New York poster.
Patagon (2011, Latinotype) is a rounded wood-inspired poster typeface done with Daniel Hernandez and Luciano Vergara.
Guadalupe (+Gota, 2011, Latinotype). A hairline didone family with sufficient contrast and frilliness to satisfy the fashion mags.
Andes (2011, Latinotype). This is a playful slightly swashy sans family. Followed by Andes Italic (2012) and Andes Condensed (2012). See also Andes Rounded (2014) and Andes Neue (2019), which has 56 styles.
Bosque (2012) is a wood style family co-designed with Paula Nazal at Latinotype.
Magallanes (2012, Daniel Hernandez) is a contemporary neohumanist sans serif typeface family covering Ultra Light to Black. This typeface was followed by the 8-style Magallanes Essential (2012) and by Magallanes Condensed (2013).
Trend (2013). A layered type system done together with Paula Nazal Selaive. Followed by Trend Hand Made also in 2013 and Trend Rough in 2014.
With Eli Hernandez, Daniel Hernandez published the unicase typeface family Grota in 2013.
Roble (2013): A slab serif font family which Daniel places halfway between Andes and Sanchez. It is characterized by its clampy backbitten lower case c. The slab serif Roble Alt (2013) has eight weights of two fonts each.
Together with Miguel Hernandez at Latinotype in 2014, Daniel Hernandez designed the 1930s tall-ascendered sans family Arquitecta, which is promoted as an alternative for Futura, Kabel and Avant Garde. It was followed later that year by Arquitecta Office and Arquitecta Standar. They also co-designed Texta, a geometric sans for all. His Newslab (2014) family is a combination of Andes, Sanchez and Roble; the Regular and Italic styles are free.
In 2016, Cesar Araya and Daniel Hernandez co-designed the very Latin / curvy / warm slab serif typeface family Hernandez Niu.
The foundry became Hernández Type at some point. The fonts there, repeated from the former foundry, include Patagon, Merced, Hernandez Bold, Monroe, Pincoya Black Pro, Rita Bold and Fat, and Pincoya Black Free.
In 2016, Daniel Hernandez, now studying at the KABK in Den Haag, The Netherlands (2014-2018), created Lxy, an interesting dynamic (animated) display typeface made entirely with the Python programming language in Drawbot. At Latinotype, he published Basic Sans, Basic Sans Cnd and Basic Sans Narrow.
In 2016, Bruno Jara Ahumada, Alfonso Garcia, Luciano Vergara, Daniel Hernandez and the Latinotype Team designed the roman square capital headline typeface family Assemblage.
In 2017, Paula Nazal and Daniel Hernandez co-designed Trenda, a geometric sans family based on the uppercase of Trend. The rounded edge version of Trenda is Boston [16 styles; corrections and review by Alfonso Garcia and Rodrigo Fuenzalida].
Peckham (2018). An 8-style slab serif named after the birthplace of Vincent Figgins. Digital editing and corrections by Alfonso Garcia.
The Reinvention of Rita (2018). A slab serif.
In 2019, Latinotype published the great super-slab typeface Breton which was designed by Daniel Hernandez and Rodrigo Fuenzalida. Daniel Hernandez added the geometric sans family Biennale in late 2019.
In 2020, he released Magazine Grotesque at Latinotype. It is characterized by an overhanging umbrella lower case a, and an overbiting lower case e.
Facundo (2020, Paula Nazal Selaive and Daniel Hernandez, at Latinotype) is a 14-style geometric sans family.
In 2020, Luciano Vergara, Daniel Hernandez and Alfonso Garcia co-designed the 54-style sans family Aestetico. They introduce Formal and Informal subsets of fonts so that the family covers several sans genres.
Apparel (2020, Latinotype) is a 20-font display serif family inspired by the MacFarland series in the 1912 ATF catalog, which in turn was based on Heinz Koenig's Roemische Antiqua (1888, Genzsch&Heyse). It was designed by Daniel Hernandez and Alfonso Garcia.
Hernandez Bros (2021). By siblings Daniel and Eli Hernandez. This is a 7-style sharp-edged serif family loosely based on Bulfinch by William Martin Johnson (1903, ATF).

Behance link. Home page. [Google] [MyFonts] [More] ⦿

Hernan Lucio

Graphic and interface designer from Buenos Aires. His Caligrafia Experimental (2011) is an embryo of a great typeface. At FADU UBA, he designed the blackletter typeface Not Gothic (2011) and the fatted up didone display typeface Schön (2011).

Behance link.

Example of his information design. [Google] [More] ⦿

Herzberg Design
[Matthijs Herzberg]

Aka BaronHerzberg. Illustrator, letterer and type designer, who was born in the Netherlands, moved to New Orleans in 2013, and set up Herzberg Design, a commercial type foundry, in 2019. His typefaces include:

Libido (2021). A funky unicase psychedelic typeface based upon Wes Wilson's style. It has a traditional smooth or curvy style, and a ragged style with only straight edges, and is designed in variable format with a width axis and an optical size axis.
Bonkus (2020). A six-style geometric sans-serif typeface with a funky touch that was inspired by similar wide open organic typefaces from the 1970s such as Blippo and Ronda.
Wanchy (2020). A psychedelic typeface.
Yardbird (2020). A stencil typeface.
Cloisterfuch (2019). A blocky modern blackletter.
Psychblock (2020). A variable art nouveau font with two axes (width and optical size), inspired by the psychedelia of Wes Wilson. For Latin and Cyrillic.

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Hewett Tsoi

Hewett Tsoi (b. 1992) created the pixel typefaces Alagard (2013, blackletter) and Romulus (2013). [Google] [More] ⦿

Heyheydecay
[Bjarne Henning Kvaale]

Designer of these free fonts: DaDa Antiquerist (2006), Skjend-Hans-Gotisk (2009, curly frilly blackletter), Equimanthorn (2006, blackletter), Skjend Hans Gotisk (2006, fancy blackletter), Millennium Midnight (2006, hand-printed). Dafont link. Yet another URL. [Google] [More] ⦿

HGB
[Hellmut G. Bomm]

HGB is Helmut G. Bomm's design studio. Bomm was born in 1948 in Backnang, Baden-Württemberg. Stuttgart-based type designer who publishes his type designs with Linotype and URW++.

Catalog of some of his typefaces:

Jazz Ragtime (URW++).
Joga (URW++), 2008. A stylish theatre headline face, art deco.
HGB Grotesk (URW++), 2005. A geometric sans family.
Klassika (URW++), 2004. A sans family with a nice 3d version, Klassika Bronze. Probably the same as HGB Klassika.
Legal (Linotype), 2004. A 6-weight sans family that grew out of his HGB Grotesk which he made in the 1970s.
Solo Mito (URW++), Solo Data (URW++).
Schillerplatz (URW++), 2008. A condensed didone typeface.
Rotate Modern (URW++), Rotate Nouveau (URW++), Rotate Klassik (URW++), 2004. Also, Rotata Mysticons (URW++), 2004.
Neudoerffer Fraktur (Linotype), 2009.
HGB Lombardisch (URW++), 2008. A Lombardic typeface.
Linotype Nautilus (Linotype), 1999. A humanist sans based on a handwritten type used for the text Li. Das Helle, Klare from the I Ging. See also
Nautilus Text (2009) and Nautilus Monoline (2009, Linotype).
Baldur (URW++), 2004.
Linotype Invasion (Linotype), 2002.
Bommi (URW++), in styles called Bommi Carbon and Bommi Oxygen.
Linotype Männeken Outline and Black (2002). Dingbats with funny guys, part of TakeType 4.
Linotype Scott (Linotype), 1999, and Linotype Scott Venus (1999). Alien script-like typefaces.
Linotype Humanistika (Linotype), 1997.

Exposition of his work in 2004 (site includes a bio). Linotype link. FontShop link. Klingspor link. View Hellmut Bomm's typefaces. [Google] [MyFonts] [More] ⦿

Hidetaka Yamasaki

Graduate of Kyoto University and the the University of Reading's MATD program. Hidetaka Yamasaki (Japan) designed several typefaces:

Clare. A clean and clear typeface ideal for journals, such as newspapers and magazines. It covers Latin and Thai.
Carl Marx. A geometric but warm rounded typeface based on a sketch drawn by a German painter who studied at Bauhaus, Carl Marx (1911-1991). It was published in 2018 in the Adobe Originals collection. Adobe writes: This typeface is based on lettering by Carl Marx (1911-1991), designed during his first semester at the Bauhaus in Joost Schmidt?s class, in 1932. Although the letter proportions are based on Schmidt's teachings, the forms are not constructed from compass and ruler, but drawn with brush and marker, lending the words a warm and lively touch. Hidetaka Yamasaki redrew the letters from scratch and added all missing characters for today's needs. A set of hanging figures, alternates for some critical letterforms (such as f, r, and t) as well as several ligatures make CarlMarx especially suitable for use in body text. As suggested by Marx, Yamasaki captured two weights from the original drawing and perfectly adjusted light and bold to highlight words and create hierarchy in headlines without losing or adding space. True to the original, Yamasaki captured the wobbly contour in CarlMarx, preserving warmth in the condensed geometric style of the early 1930s.
Sandberg Grotesque. A quirky typeface based on a black face used in Willem Sandberg's catalogues in 1950s; outstanding feature of tapering serves for display use, but will disappear in small size to turn out a useful text typeface.
Stylus. A simple, slightly lively text typeface for matching Latin with Arabic in small size.
Rudolph. A typeface for greeting cards and picture books, a three-day project as the first assignment of the MATD.
Luke (2019, The Northern Block). In the style of Caslon's English Blackletter (a textura), and named after the Caslon family tomb in the churchyard of St Luke Old Street in London.

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HiH (Hand in Hand)
[Tom Wallace]

Tom Wallace's foundry, HiH (est. 2005), was first located in Woodbridge, CT. Subsequently, Tom Wallace (b. 1944) moved from Woodbridge to Naugatuck to Waterbury and finally in 2009 to New Britain, CT. His type designs are based on historical letterforms:

Augsburger Initialen and Augsburger Schrift (2001), an art nouveau pair found in Ludwig Petzendorfer's Treasury of authentic art nouveau alphabets, decorative initials, monograms, frames and ornaments (1984, Dover). Augsburger Schrift is originally due to Peter Schnorr (1901, Berthold). In 2007, Wallace added Augsburger Ornamente.
Figgins Tuscan (2005) is based on the first metal Tuscan typeface by Figgins in 1817.
Freak, based on Bamboo (1889, The Great Western Type Foundry). HiH explains: Great Western became Barnhart Brothers & Spindler in 1868. At some point, prior to 1925, Freak was renamed Bamboo by BB&S. It was delisted when BB&S was absorbed by ATF in 1929. Compare with Dan Solo's Bamboo (2004).
Gradl Initialen (2005): based on caps designed by Max Joseph Gradl ca. 1900 for engraving on his art nouveau jewelry in Germany. Samples are in Petzendorfer.
Huxley Alt (2005), an alternative to the ultra-condensed Lutherian church font Huxley Vertical (or Aldous Vertical) by Walter Huxley (ATF). Huxley Amore (2006) is a major extension of this, and Huxley Cyrillic (2008) adds Russian characters.
Künstler Grotesk (2005): a simple blackletter caps typeface based on a design seen in Petzendorfer's book.
Page No. 508 (2006): Page No. 508 was designed by William H. Page in 1887 as one of a series of designs for die-cut wood types for the firm of Page & Setchell of Norwich, CT. Page & Setchell was the successor to The William H. Page Wood Type Company and was sold to the Hamilton Manufacturing Company of Two Rivers, Wisconsin in 1891.
Pekin (2005): first designed by Ernst Lauschke in 1888 at the Great Western Foundry under the name Dormer.
Schnorr Dekorativ, Demi Bold and Initialen (2007), all due to Peter Schnorr (ca. 1900), as well as Schnorr Gestreckt (2006), an art nouveau typeface from 1898.
Rundgotisch (2005): based on a design by Schelter and Giesecke, ca. 1900.
Edison (2005) is based on Edison Swirl SG, a Spiece Graphics digitization of a late 18-th century design of the Bauersche Giesserei.
Bethlehem Star (2005) is based on the typeface Accent with the permission of URW++: HiH only added stars to the glyphs.
Antique Tuscan No. 9 (2006). One of the earlier wood-type designs by William Hamilton Page. It was first shown among the specimens produced in 1859, shortly after Page entered into a new partnership with Samuel Mowry, owner of the Mowry Axle Company. Antique Tuscan No.9 is an extra-condensed version of the tuscan style that had been released in moveable type by Vincent Figgins of London in 1817.
Secession (2006): a sans family with art nouveau twists.
French Plug (2007): A sign painters font based upon work of Frank H. Atkinson, a popular Art Nouveau sign painter in Chicago, who worked for Cadillac, and published Sign Painting in 1908.
T-Hand Monoline (2007): a printed script family.
Figgins Antique (2007): an all-caps black slab serif headline typeface based on Figgins, ca. 1815.
Mulier Moderne (2007): Based on a font designed ca. 1894 by E. Mulier, a French art nouveau era artist.
Regina Cursiv (2007): an art nouveau design that revives a typeface published by H. Berthold Messinglinienfabrik und Schriftgiesserei around 1895.
Edelgotisch (2007): a bold Jugendstil design (with caps), based on a design released by Schelter & Giesecke of Leipzig, Germany about 1898 and is very similar to Eckmann-Schrift released by Rudhard'schen Giesserei (later Klingspor) during the same period.
Teutonia (2007), a revival of Teutonia by Roos & Junge, a squarish art nouveau face. HiH writes: There are many quite similar attempts in the field of topography. In 1883, Baltimore Type Foundry released its Geometric series. In 1910, Geza Farago in Budapest used a similar letter design on a Tungsram light bulb poster. In 1919 Theo van Doesburg, a founder with Mondrian and others of the De Stijl movement, designed an alphabet using rectangles only -- no diagonals. In 1923, Joost Schmidt at Bauhaus in Weimar took the same approach for a Constructivist exhibit poster. The 1996 Agfatype Collection catalog lists a Geometric in light, bold and italic that is very close to the old Baltimore version. And in 2008, HiH itself published Baltimore Geometric.
Austin Antique, based on Richard Austin's 1827 antique typeface.
Morris Gothic, Morris Ornaments and Morris Initials One and Two (2007): The gothic that Morris designed was first used by his Kelmscott Press for the publication of the Historyes Of Troye in 1892. It was called Troy Type and was cut at 18 points by Edward Prince. It was also used for The Tale of Beowulf. The typeface was re-cut in at 12 points and called Chaucer Type for use in The Order of Chivalry and The Works of Geoffrey Chaucer. Morris' objective is designing his gothic was to preserve the color and presence of his sources, but to create letters that were more readable to the English eye. ATF copied Troy and called it Satanick. Not only was the ATF version popular in the United States; but, interestingly, sold very well in Germany. There was great interest in that country in finding a middle ground between blackletter and roman styles -- one that was comfortable for a wider readership. The Morris design was considered one of the more successful solutions.
Larisch (2007): a hand-lettered design by the Austrian calligrapher and teacher, Rudolf von Larisch. The original was used for the title page of the 1903 edition of Beispiele Kunstlerischer Schrift Examples of Artistic Writing).
Patent Reclame (2007): an art nouveau typeface first cast around 1895 by Schriftgeisserei Flinsch, and then by Stephenson Blake, ca. 1896.
Jugendstil Initials (2007): an all caps decorative blackletter typeface designed by Heinrich Vogeler around 1905.
Wedding (2007): a multi-style English blackletter family, based on a Morris Fuller Benton original called Wedding Text.
Brass (2007): two blackletter typefaces from the early 1500s described by Alexander Nesbitt in his Decorative Alphabets And Initials (Mineola, NY, 1959) as initials and stop ornaments from brasses in Westminster Abbey.
Auchentaller (2007), a monoline art nouveau typeface inspired by a travel poster by Josef Maria Auchentaller (b. Vienna, 1865, d. Grado, 1949; studied at the Vienna Academy, professor in Munich, member of the secession from 1898, artist) in 1906.
Phinney Jenson (2007): a Venetian by Nicolas Jenson from the 15th century, about which Wallace writes: In 1890 a leader of the Arts & Crafts movement in England named William Morris founded Kelmscott Press. He was an admirer of Jensons Roman and drew his own somewhat darker version called Golden, which he used for the hand-printing of limited editions on homemade paper, initiating the revival of fine printing in England. Morris' efforts came to the attention of Joseph Warren Phinney, manager of the Dickinson Type Foundry of Boston. Phinney requested permission to issue a commercial version, but Morris was philosophically opposed and flatly refused. So Phinney designed a commercial variation of Golden type and released it in 1893 as Jenson Oldstyle. Phinney Jenson is our version of Phinneys version of Morris' version of Nicolas Jensons Roman.
Advertisers Gothic (2008): based on Robert Wiebking's tasteless 1917 design for Western Type foundry. HiH writes: Advertisers Gothic is bold and brash, like the city it comes from, Chicago. It was designed by the accomplished German-American matrix engraver, Robert Wiebking, for the Western Type Foundry in 1917. As its name suggests, it was designed for commercial headliner work, much as Publicity Gothic by Sidney Gaunt for BB&S the year before. See our Publicity Headline.
Publicity Headline (2006): an allcaps version of Sidney Gaunt's advertising typeface, Publicity Gothic (1916, Barnhart Brothers & Spindler). Its heavy weight and robust strength allows it to be used against complex backgrounds or reversed out on dark backgrounds without getting lost.
Herold (2008): a revival of Berthold Herold Reklameschrift BQ (Hermann Hoffmann, 1901), an art nouveau advertising typeface.
Yes Dear (2008) is a funny hyper-curly blackletter face.
Besley Clarendon (2008) is the HiH version of the Clarendon registered by Robert Besley and the Fann Street Foundry in 1845. This condensed typeface was very popular in the 19th century, and was copied by most foundries of that era. It was followed by Gutta Percha (2008), a Clarendon in which the upper case letters are dropcaps.
Waltari (2008): a revival of Walthari (1899, Heinz König for the Rudhardsche Giesserei), a Jugendstil type.
Hispania Script (2008): revival of a pirate map script typeface called Sylphide by Schelter & Giesecke (1896) (and not Schelter & Giesecke's Hispania).
Cloudy Day (2008), an alphading.
HiH stumbled on a 1902 publication by Bruno Seuchter called Die Fäche, in which he found the art nouveau typeface that HiH revived in 2008 as Seuchter Experimental.
Petrarka ML (2006). HiH writes: Petrarka may be described as a Condensed, Sans-Serif, Semi-Fatface Roman. Huh? Bear with me on this. The Fatface is a name given to the popular nineteenth-century romans that where characterized by an extremity of contrast between the thick and thin stroke. The earliest example that is generally familiar is Thorowgood, believed to have been designed by Robert Thorne and released by Thorowgood Foundry in 1820 as "Five-line Pica No. 5." Copied by many foundries, it became one of the more popular advertising types of the day. Later, in the period from about 1890 to 1950, you find a number of typeface designs with the thin stroke beefed up a bit, not quite so extreme. What you might call Semi-Fatfaced Romans begin to replace the extreme Fatfaces. Serifed designs like Bauer's Bernard Roman Extra Bold and ATF's Bold Antique appear. In addition, we see the development of semi-fatface lineals or Sans-Serif Semi-Fatfaces. Examples include Britannic (1906, Stephenson Blake), Chambord Bold (Olive), Koloss (Ludwig & Mayer), Matthews (ATF) and Radiant Heavy (Ludlow). Petrarka has much in common with this latter group, but is distinguished by two salient features: it is condensed and it shows a strong blackletter influence, as seen in the H particularly. See also Nick Curtis's Petrushka NF (2012). Footnote: Fonts in Use refer to the metal typeface Petrarka by Schelter & Giesecke (1900) and Milton (by Societa Augusta). The Solotype catalog has a related typeface, Ophelia.
Haunted House (2008), Halloween-themed fonts.
Gothic Tuscan One (2008) is an all-caps condensed gothic with round terminals and decorative Tuscan center spurs. It was first shown by William H. Page of Norwich, CT, among his wood type specimen pages of 1859.
HiH Firmin Didot (2008) is a one-style didone based on an 1801 version of Didot. It led to a combined alphabet/stick people alphading called Gens de Baton (2008) after a lower case alphabet that appeared in the Almanach des Enfants pour 1886 (Paris, 1886) under the title Amusing Grammar Lessons.
Shout (2008), a Compacta-like fat headline sans about which HiH writes: Its lineage includes the Haas Type Foundrys 19th century advertising font, Kompakte Grotesk, which Jan Tschichold (1902-1974) dryly described as extended sans serif and which graphic designer Roland Holst (1868-1938) would have disapprovingly referred to as a shout, as opposed to the quiet presentation of information that he believed was the proper function of advertising. In 1963 Letraset released what appears to be an updated variation in multiple weights designed by Frederick Lambert called Compacta. Shout draws heavily on Compacta, as well as other similar fonts of the 50s and 60s like Eurostile Bold Condensed and Permanent Headline. In weight, it falls about halfway between Compacta Bold and Compacta Black.
The heavy art deco typefaces Guthschmidt and Guthschmidt Condensed (2008) are based on a 1924 KLM Royal Dutch Airline poster designed by Anthonius Guthschmidt. The poster draws on the imagery of the legend The Flying Dutchman.
Cherub and Cherub Caps (2008) are based on Phinney Jenson. Not to be confused with the many fonts that already existed with that name, such as Cherub from House of Lime, Twopeas, Graph Edge Fonts, and Fuelfonts.
HiH Large (2009) is a poster sans.
Mira (2009) is an art nouveau / Victorian typeface patterned after a font by the Roos & Junge Foundry in Offenbach, ca. 1902.
Thorowgood Sans (2009): A three-dimensional all-cap font for title use, Thorowgood Sans Shaded was released by the Fann Street Foundry of W. Thorowgood & Co. in 1839. Interestingly, it more closely resembles Figgins' Four-Line Emerald Sans-Serif Shaded of 1833 than Fann Street's own Grotesque Shaded of 1834 (with light and shadow reversed).
Fantastic ML (2009): an art nouveau typeface originally released as "Modern Style" by Fonderie G. Peignot & Fils, Paris, France some time before 1903.
Gundrada ML (2010): a medieval style typeface inspired by the lettering on the tomb of Gundrada de Warenne, who was buried at Southover Church at Lewes, Sussex, in the south of England in 1085.
Wedge Gothic (2010). HiH writes: Wedge Gothic ML is the original name of this font released by Barnhart Bros. and Spindler of Chicago in 1893. [...] The typeface was dropped for awhile -- it does not appear in the 1907 catalog for example -- but reappeared in 1925 as Japanette. McGrew says that the new name was Japanet. It was recast by ATF in 1954.
Norwich Aldine ML (2010) is an all caps typeface with enlarged serifs, designed and produced in wood by William H. Page of Norwich, CT in 1872.
Rodchenko Constructed ML (2010) is constructivist (Latin and Cyrillic).
Cruickshank ML (2012): a decorative typeface from the late Victorian period. The typeface was designed by William W. Jackson and released by MacKellar, Smiths and Jordan Type Foundry of Samson Street, Philadelphia, Pennsylvania in 1886.
Habana Deco ML (2013).
Chicago Ornaments (2015). a collection of decorative cuts cast by the Chicago Type Foundry of Marder, Luse & Co. of Monroe Street in Chicago, Illinois. This collection was shown in their 1890 catalog. Some of them were designed by William F. Capitain. Included in the font are a set of Victorian caps inspired by Ernst Lauschke's Dormer (or Pekin, 1888).

View Tom Wallace's fonts. View the typefaces designed by Tom Wallace. MyFonts link. [Google] [MyFonts] [More] ⦿

Hilmius Akbar
[Type Factory]

History of blackletter fonts

Birgit Stehno tells the story of black letter fonts. (1) Textura (written typeface developed in France in the 13th c.). (2) Rotunda, a "soothed" form of Textura, important in Southern Europe in the 15th c. (3) Humanistic Minuscule, written in Italy in the 15th century, and developing into the Antiqua typeface (4) At the end of the 1th century, Bastarda appears (more ornaments and curved strokes): the first printed books use Textura, Rotunda and Bastarda (5) Schwabacher appears around 1481, used in Martin Luther's bible; the umlauts are minuscule e's; until the 19th c. most books in Bavaria are in Schwabacher (5) The German emperor Maximilian (1493-1519) directed that a new typeface based on traditional 'German' fonts had to be created; thus, the Fraktur was designed by the calligrapher Leonhard Wagner; this type was adopted by the Renaissance artist Albrecht Dürer and by the reformation movement, and soon became popular all over Europe. [Google] [More] ⦿

History of gothic

The comparative image traces gothic writing from the year 50 via 510 (uncial), 950 (Carolingian), 1230 (gothic) until 1513 (cursive versions of gothic). [Google] [More] ⦿

H.K. Sarsfield

Auckland, New Zealand-based designer of Milford Pixel (2017: on a 3x5 grid) and Berlin Fraktur (2017, a blackletter pixel typeface). Berlin Fraktur is based on the Google font UnifrakturMagentia (J. Mach Wust), which goes back to Berthold Mainzer Fraktur (Peter Wiegel in 2014 and Carl Albert Fahrenwaldt in 1901). Behance link. [Google] [More] ⦿

Hoefler (was: Hoefler&Frere-Jones, and Hoefler Type Foundry)
[Jonathan Hoefler]

Born in 1970 in New York, Jonathan Hoefler ran the Hoefler Type Foundry (or: HTF) in New York. It employed Tobias Frere-Jones, Josh Darden, and Jesse Ragan. In 2004, it was renamed Hoefler&Frere-Jones, or HFJ for the cognoscenti. However, a legal problem between Jonathan and Tobias led to a corporate divorce in 2014---the company is renamed again The Hoefler Type Foundry. In September 2021, Monotype acquired Hoefler, and that is the end of that chapter. Their typefaces:

Acropolis.
Archer (2001, by Jonathan Hoefler and Tobias Frere Jones). A humanist slab serif originally designed for Martha Stewart Living. It has a great range of features, including a classy hairline style. However, I see trouble down the road with the name Archer which has been used previously by several other foundries such as SignDNA, Arts&Letters and Silver Graphics. Some say that Archer is just Stymie with some ball terminals. Nevertheless, it became a grand hit, and has been used by Wes Anderson in The Budapest Hotel, and in Wells Fargo's branding. David Earls on Archer: with its judicious yet brave use of ball terminals, and blending geometry with sexy cursive forms, all brought together with the kind of historical and intellectual rigour you fully expect from this particular foundry, Archer succeeds where others falter.
Champion Gothic.
Chronicle Text. In 2007, HFJ published the "blended Scotch" newspaper serif text family Chronicle, which led to Chronicle ScreenSmart in 2015. See also Chronicle Display. In 2016, Hoefler published Chronicle Hairline. In Wired Magazine, Margaret Rhodes writes that it is for men who wear dress shoes without socks. Chronicle Hairline is a didone that breaks the didone rules. It is rounder, asymmetric (as in the mouth of the C), and as Hoefler puts it, more musical. As of 2016, the Chronicle typeface family consists of the display styles Chronicle Hairline, Chronicle Display (+Condensed, +Compressed), and Chronicle Deck (+Condensed), and the 60-style Chronicle Text family, which comes in G1, G2, G3 and G4 subfamilies.
Many custom and branding typefaces, including, e.g., General GG (2005-2007) and typefaces for The New York Times Magazine, Times Mirror, Esquire and McGraw-Hill (1995, free download). Time.com provides previews of fonts made for Esquire, Lever House, eCompany Now, The Guggenheim Museum, The New York Times, and the Whitney Museum.
Cyclone.
Decimal (2019). A sans based on early wristwatch typefaces, i.e., the microscopic letters used by Swiss watchmakers in La Chaux-de-Fonds.
Didot. HTF carefully designed and complete families include HTF-Didot (1991) in 42 weights/variations, originally designed for Harper's Bazaar; based on the grosse sans pareille no. 206 of Molé le jeune.
Eyes Only (2019). A stencil typeface.
Forza (2010). A sans typeface. Not to be confused with the 2007 font Forza by Michel Luther at Die Gestalten.
Geometer Screen Fonts. Free Mac fonts.
Giant.
Gotham (2003). The stylish sans typeface made famous by Obama. See also Gotham Rounded.
Historical Allsorts. This includes Historical-EnglishTextura, Historical-FellType, Historical-GreatPrimerUncials and Historical-StAugustin.
Hoefler Text (+Ornaments). This antiqua text typeface consists of 27 fonts made in 1991-1992, and is distributed with many Apple products.
Hoefler Titling.
Ideal Sans. A slightly flared humanist sans. In the 1996 Morisawa Awards competition, Hoefler received a bronze prize for Ideal Sans. In 2011, HFJ writes it up beautifully: Typefaces are born from the struggle between rules and results. Squeezing a square about 1% helps it look more like a square; to appear the same height as a square, a circle must be measurably taller. The two strokes in an X aren't the same thickness, nor are their parallel edges actually parallel; the vertical stems of a lowercase alphabet are thinner than those of its capitals; the ascender on a d isn't the same length as the descender on a p, and so on. For the rational mind, type design can be a maddening game of drawing things differently in order to make them appear the same. Twenty-one years ago, we began tinkering with a sans serif alphabet to see just how far these optical illusions could be pushed. How asymmetrical could a letter O become, before the imbalance was noticeable? Could a serious sans serif, designed with high-minded intentions, be drawn without including a single straight line? This alphabet slowly marinated for a decade and a half, benefitting from periodic additions and improvements, until in 2006, Pentagram's Abbott Miller proposed a project for the Art Institute of Chicago that resonated with these very ideas. As a part of Miller's new identity for the museum, we revisited the design, and renovated it to help it better serve as the cornerstone of a larger family of fonts. Since then we've developed the project continuously, finding new opportunities to further refine its ideas, and extend its usefulness through new weights, new styles, and new features. Today, H&FJ is delighted to introduce Ideal Sans, this new font family in 48 styles. Ideal Sans is a meditation on the handmade, combining different characteristics of many different writing tools and techniques, in order to achieve a warm, organic, and handcrafted feeling.
Idlewild (2012). A wide sans typeface family.
Isotope (2018). A squarish typeface family. Not to be confused with Isotope by Fábio Duarte Martins, designed six years earlier.
Inkwell (2017). Hoefler writes: Inkwell is provided in a range of styles with which readers already have clear associations: a bookish Serif and a cleanly printed Sans, a conversational Script, a ceremonial Blackletter, a fancy Tuscan for decoration, and a stately Open for titles. Each style is offered in six weights, from a technical pen Thin to a graffiti marker Black. Inkwell is a name used as far back as 1992 by Sam Wang, and additional older fonts called Inkwell exist by Dan Solo, Philip Cronerud and MXB Foundry.
Knockout. The Knockout collection was designed to celebrate the beauty and diversity of nineteenth century sans serif wood types.
Knox.
Landmark (2013). In Regular, Inline, Shadow and Dimensional styles. A collection of architectural caps which started out as a custom typeface for Lever House in New York.
Leviathan.
Mercury Text and Mercury Display.
Nitro & Turbo (2016). Hoefler writes: We designed Nitro for Pentagram's Michael Bierut, as part of a new identity for the New York Jets football team. Originally named Jets Bold, Nitro is rooted in the styles of lettering used by the team throughout its fifty-year history: even as its logotype evolved, it consistently used heavy, slanting forms to imply force and movement. and ends with corporate babble: Nitro embodies this indomitable spirit in the context of a fresh, contemporary design. About the naming: AF Nitro was made by Sylvia Janssen at the very popular Die Gestalten Studio in Germany, in 2001. It will be fun to watch that battle between giants. Not to mention that lesser known players also made commercial fonts called Nitro more than a decade earlier---these include Jack Wills at Sign DNA and Markus Schroeppel (in 2004).
Numbers. In 2006, HFJ published the Numbers family, 15 fonts with nothing but numbers from various sources: Bayside (based on a set of house numbers produced around 1928 by H. W. Knight & Son of Seneca Falls, New York), Claimcheck (inspired by ticket stubs), Delancey (from tenement doorways), Depot (modeled on vintage railcars), Deuce (based on playing cards), Dividend (from an antique check writer), Greenback (based on U. S. currency), Indicia (inspired by rubber stamps), Premium (after vintage gas pumps), Prospekt (based on Soviet house numbers), Redbird (inspired by New York subways), Revenue (from cash register receipts), Strasse (after European enamel signs), Trafalgar (inspired by British monuments), Valuta (after Hungarian banknotes).
Obsidian. In 2015, Jonathan Hoefler and Andy Clymer cooperated on the decorative copperplate engraved emulation typeface Obsidian. Various kinds of 3d illumination in Obsidian were obtained by an algorithmic process. Not to be confused with about ten other fonts called Obsidian--for example, we have Obsidian (pre 2003, Silver Graphics), Obsidian (2014, Steffi Strick), Obsidian (2012, Krzysztof Stryjewski), Obsidian Deco (2013, Yautja), Obsidian (2005, Sparklefonts), and Obsidian Chunks (pre 2002, Jeni Pleskow).
Operator, Operator Mono, Operator Screensmart and Operator Screensmart Mono. The non-typewriter typewriter type..
Peristyle (2017). A stylish condensed typeface family with piano key elements, and described by Hoefler as dramatic.
Quarto.
Requiem (1991-1994).
In 2003, they published Retina (which was originally designed for the stock listings in the Wall Street Journal), but that font disappeared from their listing.
Ringside.
St. Augustin Civilité: St. Augustin Civilité is a digitization of Robert Granjon's extraordinary type of 1562, now in the collection of the Enschedé type foundry, Haarlem. This typeface is reproduced in Civilité Types by Harry Carter and H. D. L. Vervliet (Oxford Bibliographical Society, by the Oxford University Press, 1966.) As figures and punctuation were lacking in the original, these have been borrowed from two other Granjon types, the Courante and Bastarde of 1567. (The remainder of the character set has been invented.)
Sagittarius (2021). A soft-edged compact semi-futuristic headline sans. In keeping with tradition, Hoefler dismisses or ignores the fact that the name Sagittarius was taken by a handful of other fonts since about 22 years ago.
Saracen.
Sentinel. Sentinel (1999) is HFJ's take on a Clarendon. I can't understand why they picked a name already taken by many foundries such as Graphx Edge Fonts, Comicraft, Dieter Steffmann and Sentinel Type. Anyway, in 2020, Sentinel got un upgrade (with smallcaps and ornaments) in 2020 in Sentinel Pro.
Shades (2003). In Cyclone, Topaz, Giant and Knox weights.
Surveyor (2014). An exquisite mapmaker and newsprint didone font family with Fine, Display and Text subfamilies.
The Proteus Project.
Topaz.
Tungsten (2009) and Tungsten Rounded. Their sales pitch: That rarest of species, Tungsten is a compact and sporty sans serif that's disarming instead of pushy - not just loud, but persuasive. Douglas Wilson compares Tungsten with Alternate Gothic No. 3 (Morris Fuller Benton). Not to be confused with Tungsten (2005, Sparklefonts).
Uncategorized early typefaces: Gestalt-HTF, Fetish-HTF (blackletter modernized, 1995), Ehmcke-HTF.
Verlag (2006). A 30-style art deco-inspired semi-Bauhaus geometric sans family based on six typefaces originally designed for the Guggenheim. HFJ writes: From the rationalist geometric designs of the Bauhaus school, such as Futura (1927) and Erbar (1929), Verlag gets its crispness and its meticulous planning. Verlag's fairminded quality is rooted in the newsier sans serifs designed for linecasting machines, such as Ludlow Tempo and Intertype Vogue (both 1930), both staples of the Midwestern newsroom for much of the century. But unlike any of its forbears, Verlag includes a comprehensive and complete range of styles: five weights, each in three different widths, each including the often-neglected companion italic.
Vitesse (2010). The typophiles react to the slab family with praise: I think they're chasing Cyrus Highsmith, Dispatch and Christian Schwartz, Popular on this one. Doing a pretty good job of it too! [...] Looks to me like the love-child of Eurostile and City. In 2020, Jonathan Hoefler added the inline Cesium, which forced him to modify the glyphs somewhat.
Whitney. In 2004, they produced an amazing 58-weight sans serif family, Whitney (by Tobias Frere-Jones), designed for use in infographics. Whitney's sales blurb: While American gothics such as News Gothic (1908) have long been a mainstay of editorial settings, and European humanists such as Frutiger (1975) have excelled in signage applications, Whitney bridges this divide in a single design. Its compact forms and broad x-height use space efficiently, and its ample counters and open shapes make it clear under any circumstances. See also Whitney Condensed and Whitney Narrow.
Ziggurat.

Hoefler received Bukvaraz 2001 awards for HTF Guggenheim, HTF Knockout, HTF Mercury (1997, no relationship with Goudy's Mercury of 1936) and HTF Requiem. At ATypI in 2002, he received the Charles Peignot award.

Cargo collective link. Link at Underware. Alternate URL: This is playtime.

Honza Steiner

Czech designer of Grabstein (2019: Handschrift, Sans, Gotik), Bar Forst (2019: script) and Stone Runes (2018). [Google] [More] ⦿

House Industries
[Andy Cruz]

Foundry located in Yorkly, DE. House Industries is run by Rich Roat and Andy Cruz with designer Ken Barber as Typography Director. Originally founded in 1993 by principals Andy Cruz and Rich Roat, House Industries has grown into a studio which sells unique display typography, illustration and design services, and, most recently, clothing and accessories. Fonts sell for 50 USD per face, and about 175 USD for ten. Many of the typefaces are grungy or special effect fonts, and all font names have the word "house" in them, as in the graffiti font Phathouse. Custom font service available. Alternate URL. Free fonts: United Stencil, House Slant, SpaceAgeRound.

Type designers: Andy Cruz (Warehouse, Roughouse), Allen Mercer, Ken Barber, Jeremy Dean, Kristen Faulkner, Nicole Michels, David Coulson, Tal Leming, Ben Kiel.

The early typefaces by House include United Sans (octagonal and stencil), Neutra (2002, a 30-weight stylish architectural sans family named after architect Richard Neutra), Global Font (renamed to Bullet), the Chalet Milan, Cologne, Hong Kong, Los Angeles, Paris, New York, London and Tokyo font families (in versions called 60s, 70s and 80s), Chalet Silhouettes, the Simian font collection (2001: OrangUtan, Chimpanzee, Gorilla, Sacred Scroll).

In 2003, they released the Shag Collection, which includes Shagbats, Exotica, Mystery and Lounge. Andy Cruz designed Roughouse (1993) and Printhouse (1994), and co-designed Spookhouse and HauntedHouse in 1996 with David Coulson. House published House (2004, Gestalten Verlag), a 240-page specimen book. Also in 2004, they released five typefaces based on the lettering of Ed Benguiat: Ed Interlock (1400 ligatures), Ed Roman (animated bounce), Ed Script, Ed Gothic andi Bengbats.

In 2005, they started digitizing the PhotoLettering collection, which they had acquired in 2003. This was done in partnership with Christian Schwartz and Erik van Blokland. They published Holiday Gothic, Holiday Sans and Holiday Script in the same year.

In 2006, the 105-font family United was published. The six-weight Luxury family, also done in 2006, contains three serif text weights called Luxury Text, as well as three display typefaces, called Platinum (art deco), Gold, and Diamond (all caps with triangular serifs). They were designed by Christian Schwartz and Dino Sanchez.

In 2007, we welcome Burbank, a large casual and quirky sans family, and Blaktur, a blackletter typeface which an award for display typeface at TDC2 2008. The lively signpainting typefaces Studio Lettering Sable, Studio Lettering Slant and Studio Lettering Swing also won awards in that competition. Show and Tell is their blog.

In 2009, the low-to-zero contrast Alexander Girard family was published. It consists of Girard Sky, Girard Script, Girard Display, Girard Sansusie and Girard Slab in many weights and styles. It was created by Laura Meseguer based on the lettering used to announce the textile designs that Alexander Girard did for Herman Miller in 1955.

Additions in 2010 include Eames Century Modern (+Poster Numerals, Cover Numerals, Thin, Orna ments, Stencil, +Black Stencil), a 26-style family of medium-to-low contrast modern typefaces in the Clarendon mode that feature nifty tricks on the ligature side---jointly developed by Erik van Blokland and House Industries type designers Andy Cruz and Ken Barber. Blacktur is a blackletter family.

In 2012, House Industries was busy digitizing typefaces from the Photo-Lettering collection. Some of the typefaces in that collection have the prefix Plinc or PLINC in the name. This included typefaces such as Worthe Numerals (fat didone numbers) and Norton Tape (by Kimberly Winder; based on the stencil paperfold typeface Norton Tape by S.E. Norton).

Among typefaces added in 2013 and 2014, we note Velo Serif designed by House Industries, Christian Schwartz, Mitja Miklavcic and Ben Kiel. At MyFonts: Velo Serif Text and Velo Serif Display.

In 2016, they published Municipal Cast. Municipal (a font family inspired by the beefy iron letterforms on manhole covers; by Ken Barber, Quentin Schmerber of Production Type, Teja Smrekar, and Ben Kiel), which was released in 2020.

In 2021, House Industries started selling its fonts through MyFonts. [Google] [MyFonts] [More] ⦿

House of Lime
[Merethe Liljedahl]

Defunct type foundry that had free original dingbats, alphadings and fonts, mostly from scanned art by Merethe Liljedahl (House of Lime) in Landskrona, Sweden.

The font list: Abstract, Africa, African Design, African Eggs, AfricanPattern, AlphaRemember, AlphaSausage, AlphaThin, AmishQuilts, AngelsFairies, Angelsaroundtheworld, AngloText, Animal, Animal Design, AntiqueStuff, AntiqueStuffII, AroundSports, Aroundthehouse, ArtDecoMotif, ArtNouveauBild, ArtNouveauBlume, ArtNouveauFlowers, ArtNouveauFramesandBorders, ArtNouveauInitials (2001), ArtNouveauInitialsA, ArtNouveauInitialsB, ArtNouveauInitialsC, AsianArt, AsianArtII, BOO, BabyTime, BackToSchool (2000, pencil-themed face), Bagsandstuff, BagsandstuffII, Balloons, Baseball, Big Lou (2003, art deco), BirdStencilDesign, BirdStencilDesignII, Birdies, Bzzy (2004, alphadings), Books, Butterflies, Buttons (2006), Calender, CamelotCaps (2000), CarstensOwls, Cats, CelticElements, CelticElementsII, CelticMotif, Celtics, Cherub, CheshireInitials (2001), Chiseled (2006), ChristmasTime, ChristmasWreath, ChubbyDotty, ChubbyTrail, Cornerflair (2002), CrayolaKiddyFont, Curly Fleur Caps, DBLCeltic, DBLCorners, DBLFacesfromthepast, DBLFlowerDelight, DBLMedievalDesign, DancerInTheDark, DancerInTheDarkII, DancerInTheDarkIII, DecorativeOrnamental, Decorette, Decorina (2001), DesignMotif, DesignerCorners, DesignerCorners, DesignerDing, DesignerDividers, DesignerFrames, DesignerFramesTwo, DesignerMix, DesignerMixII, DesignerMixed, DesignerMotifs, DesignerMotifsThree, DesignerMotifsTwo, DesignerPlus, DesignerStuff, Dividers, DividersTwo, DoggyBag, DogsandCats, Dolphins, Dot Trail (2002), DoverChineseMotifDesign, DoverFloral, DoverFloralandDesignII, DoverJapaneseDesign, Dragons, Durbin Initials (2009), EasterBunny, EasterHoppy, EasterTime, EatingOut, Egypt, ElectionTime (2000), Elegance, EvelynsHeart, EvsDragons, ExtraOrnamentalNo2, FaceofaLady, Faces2Faces, FacesOfTheCentury, Faith, Fans, Fashion, FashionLadies, FleurCornerCaps (2000), FloralDesign, FloralStencilDesign, FloridVictorianOrnament, FlowerandFairyAlphabet, Folklore, FolkloreII, Fontanesi, Framed, Frames, FramesAndBorders, FramesAndBordersII, FramesAndBordersIII, FramesandBackgrounds, FramesandHeaders, Fromthegarden, Fruityandveggie, Furballs, GailsUnicorn, GardenTime, Geisha, Genzsch Initials, GermanCaps, GothicCornerCaps, GothicFlourish, GrafikText, GuinevereCaps, HalloweenKiddyFont, Hats, HatsII, HatsIII, HatsIV, HatsV, HeartsofLime, Heraldics, Horses, Houses, HousesII, Howling, Iconettes, Inmygarden, Inyourgarden, Itsserved, Jars, JustFrames, KarensKitties, KeyasTurtles, KiddyDing, KiddyFlakey (2002), KiddyFrames, KiddyHalloween, KiddyToys, KidsAlphabet, KittytheCat, Ladiesofthe20s, Leaves, LimeBlossomCaps (1999), LimeGloryCaps (2000), LisasDragons, LittleHeroes, LizsGibsonGirls, LovePoision, Maskes, MedievalAlphabet (2000), MedievalMotif, MedievalMotifTwo, MexicanMotif, MirrorImage, MosaicCaps (2000), Motif, Mousie (2000, alphadings), MoyrasParrots, Music For Your Ears (2006), MutansII, Mutants, Mythical, NavyBlues (2000, white on black buttons), OldFashionedIllus, OldFloralIllustration, OldFolksShuffle (2000), Onthefarm, OrientalDesign, OrientalIcons, OrientalIconsII, OrientalIconsIII, OrientalIconsIV, OrientalView, OrnamentalCorners, OrnamentalDecoration, OrnamentalDecorationII, OrnamentalElements, OrnamentalElementsII, OrnamentalFramesI, OrnamentalInitialsA, OrnamentalInitialsB, OrnamentalInitialsC, OrnamentalInitialsD, OrnamentalInitialsE, OrnamentalInitialsF, OrnamentalInitialsG, OrnamentalInitialsH, OrnamentalInitialsI, OrnamentalInitialsJ, OrnamentalInitialsK, OrnamentalInitialsL, OrnamentalInitialsM, OrnamentalInitialsN, OrnamentalInitialsO, OrnamentalInitialsP, OrnamentalInitialsQ, OrnamentalInitialsR, OrnamentalInitialsS, OrnamentalInitialsT, OrnamentalInitialsU, OrnamentalInitialsV, OrnamentalInitialsW, OrnamentalInitialsX, OrnamentalInitialsY, OrnamentalInitialsZ, OutOfAfrica (2000), Paisley, Paisley Caps, PaisleyII, Party (2004, Mexican simulation face), Pentagon (2003, Western face), PhilliBoo, PokemonKiddyDing, Retro Elite (2003, art deco), RibbonCaps, Rose, Rosegarden, Scary, Scary House, Scrapper's Arrows, ScrappersCorner, ScrappersElements, ScrappersElementsII, ScrappersElementsIII, ScrappersElementsIV, ScrappersElementsV, ScrappersKeys, ScrappersStencil, ScrappingDoodles, Scream, Sealife, September11, Shaking Salsa, Ships, SimplyFriends, Skeleton, Smelly, SomeoneSpecial, Spiders (2001), SplatterCaps, Spooky, Sporty (2004), Spring (2003, Victorian ornamental typeface), Square Frame (2006), Stamped Flowers, Starlite, Stars, Stencil, StripesCaps (2000), SugarFootStrut, Sun and Moon, Sunflowers, Sunny Days (2004), SunshineKiddyFont, Tattoo, TheGoddess, ThePerfectMan, ThemeCorners, TiffanyCorners, TiffanyCornersII, TiffanyCornersIII, Tiles, Tools, TraditionalFloralDesign, TraditionalFloralDesignII, TraditionalFloralDesignIII, Trapeze (2004), TreasuryofDesign, Treesandleaves, Tulips, TylersPokemon (2000), UncasWomen, Valentine, VictorianWindow, Wedding, Wildflower, WildflowerII, WildflowerIII, WildflowerIV, YesterdaysBeauty, YourSign, Yummi, Zodiac.

Designer Menues (commercial dings, 2001). In 2006, these commercial dings: Scrapping Corners, Scrappers Fills. Direct access to the dingbats. Direct access to fonts.

Fontspace link. Dafont link. Abstract Fonts link. [Google] [More] ⦿

Howard Pyle

Howard Pyle was one of the most renowned illustrators of the 19th century. His work was widely published in adventure novels, magazines and romances. He was the founder of the Brandywine school and artists colony in Chadd's Ford (Pennsylvania), where he taught artists like N. C. Wyeth, Frank Schoonover and Thornton Oakley their craft. Scriptorium's Pyle collection includes a selection of fonts based on Pyle's original lettering, such as Pyle Gothic (based on his black letter style from Arthurian works), Courthand (based on the lettering in his Lady of Shalott), Buccaneer (from his pirate lettering) and Pyle Initials (a set of his decorative initials). [Google] [More] ⦿

Hugo Cavalheiro d'Alte

Born in Porto, Portugal, in 1975. From 1994 until 1999 he studied graphic design at the Escola Superior de Artes e Design. In 2000 he became a postgraduate student at the KABK where he wrote a Masters thesis entitled "Type&Media". He joined Underware in the same year. At ATypI 2005 in Helsinki, he spoke on On the edge of legibility, which in fact is a talk about blackletter. Affiliated since 2002 with Underware. He lives in Finland. Also doing business at Incubator at Village Type.

His typefaces:

For Thirstype, he made Kaas (2005), a blackletter typeface for the 21st century, with Latin, Cyrillic, and Hebrew alphabets.
Still in 2009, he created a transitional type, Rolland (+Rolland Text, Rolland Small, Rolland Text Italic), about which he writes: Rolland is a digital interpretation of some of the printing types used at the "Typografia Rollandiana" in Lisbon at the end of the XVIII century. The printing and publishing house was established by Francisco Rolland after he moved to Lisbon (from France) in the second half of the XVIII century becoming one of the most successful publishers of his time.
Kalevala (2009): a custom sans type family for Finnish jewelry brand Kalevala Koru. The starting point for this project was a book printed and published by Francisco Rolland in 1797: "Escolha das Melhores Novellas e Contos Moraes; Escritos em Francez por MM, d'Arnaud, Marmontel, Madama de Gomez, e outros".
In 2009-2010, he made a DIN-like corporate font for Centro Portugues de Design, CPD Sans. This was accompanied by the CPDSerif family, which evolved from Rolland.
In 2009, he created the squarish unicase typeface Flexibility: Custom typeface commissioned by the portuguese design studio R2 for the identity of an exhibition that took place in Torino (Italy) in 2008 (World Design Capital 2008).
Kaas (2005, Incubator) is a modern geometric/constructed blackletter with a historically-accurate set of titling capitals, a large collection of accents, and Cyrillic and Hebrew alphabets.
Arabia (2015) is a custom typeface for Arabia Finland (for the identity renewal work by Ilkka Kärkkäinen).

[Google] [MyFonts] [More] ⦿

Hugo Espinoza Gallardo

Talcahuano, Chile-based designer of the tattoo / gothic typeface Codice Gothic Unicase (2011). [Google] [More] ⦿

Hugo Gebhardt

German typewriter company. Sample of the blackletter alphabet of one of their typewriters in 1934. [Google] [More] ⦿

Hugo Sa

During his studies at the University of Porto, Portugal, Hugo sa designed the blackletter typeface Murus (2017). [Google] [More] ⦿

Hugo Steiner-Prag

Illustrator and book designer (b. 1880, Prague, d. 1945, New York). He became German in 1907. From 1907 until 1933, he was professor of graphics at the Staatlichen Akademie fü Graphische Künste und Buchgewerbe in Leipzig. He fled Germany in 1933 and after a long voyage, ended up in the USA, where he died. Blackletter typefaces designed by him include Steiner-Prag-Schrift (1912, Genzsch&Heyse), Batarde (Bauersche Giesserei, 1916). Designer of Akzidenz und Kalender Schmuck (1912, C.F. Rühl, Leipzig). Some of his work is archived at the Department of Rare Books and Special Collections of the Princeton University Library. [Google] [More] ⦿

Hugues Gentile

Graduate of ESAD in Amiens, France. His graduation typeface there is the Latin / Bengali typeface Kumar (2016). He writes: Kumar is a multi-script (Latin & Bengali) typeface family, especially crafted for editorial work. It has a classical feeling without being too historical. Kumar Book is a sober yet generous "bookish" typeface. Its design is inspired by various references: the steady structure is borrowed from late 20th century Dutch type design while the proportions are reminiscent of early William Caslon work. Baroque influences nourished the design with subtle features that give Kumar Book its personality and avoid arid shapes. Its bold version is a useful addition for documents with a more complex hierarchy.

Kumar Bengali is driven by the same principles as the Latin, seeking for a coherent combination between the two scripts to optimize legibility. Significant early references have been used such as the Figgins Bengali from 1826 for its fluidity, yet updated with contemporary proportions. Kumar Book italic originates from an interpretation of several italics of Robert Granjon, adapted to work with the roman weight.

Marcel (2016) is based on lettering drawn by Marcel Jacno for Caractère in 1949.

During his studies in Paris, Hugues Gentile created Ignacius (2014: an angular calligraphic typeface) and drew a blackletter alphabet (2014).

In 2019, a senior type designer Production Type, he designed the custom typeface Ormaie for a new Parisian perfume brand founded by Marie-Lise Jonak.

In 2020, Hugues Gentile, under the art direction of Jean-Baptiste Levée, designed the extensive text family Newsreader, which is primarily intended for continuous on-screen reading in content-rich environments. It features various optical sizes and comes with variable typefaces. Github link. Google Fonts link (for free download). [Google] [More] ⦿

Humberto José Torres Peoli

Caracas, Venezuela-based designer (b. 1991) of Regothic (2010, fancy blackletter), and One Way (2011, paperclip face). He lives in Caracas. Home page. Behance link. [Google] [More] ⦿

Hunt Brothers
[Walter Bernard "Ben" Hunt]

Walter Bernard "Ben" Hunt (b. 1888, Greenfield, WI, d. 1970) was an American artist, outdoor educator and author. His books covered native American arts, woodworking, scouting, pioneering, jewelry making, metalworking, and calligraphy. Quoting wikipedia: Hunt was born in Greenfield, Wisconsin and grew up in a log cabin. He attended Milwaukee's South Division High School, but did not graduate, dropping out to become lithographic engraver at the Bruce Publishing Company. Hunt moved to Hales Corners, Wisconsin with his wife, Laura, in 1920. In 1924, Hunt, along with his father-in-law and his brother, Edwin C. Hunt, built a log cabin behind his home. The cabin, a 16x28-foot structure, made of tamarack logs, was the subject of Hunt's first article, How We Built Our Log Cabin. During the late 1930s, Hunt began to study the work of Native American artists. As part of his research, Hunt met with artists and leaders such as Nick Black Elk, Frank Smart (or Chief Gogeoweosh), and James F. "Buck" Burshears. Hunt shared his knowledge of "Indian lore" with Milwaukee's boy scout leaders and, in 1942, Hunt started writing articles for Boy's Life. He became a regular member of its staff, ultimately writing over 1,000 articles. Hunt's work for Boy's Life, led him to serve on the staff of the National Boy Scout Jamboree in 1950, 1953, 1957, and 1960.

Edwin and Ben Hunt published Fifty Alphabets (1931), Lettering of Today (1935, revised in 1941), 60 Alphabets (1935, Bruce Publishing), and 101 Alphabets (1954, 1958). Several digital typefaces resulted from those publications. Grouped by type designer:

Pablo Mateu: HFF Hunts Deco (2012). Based on an alphabet designed by the Hunt Brothers in Lettering of Today.
Nick Curtis: Moonshine Script NF (2004). A casual connected script patterned based on 60 Alphabets (Hunt Brothers, Bruce Publishing, 1935).
Dick Pape created 11 fonts in 2012 that are based on 101 Alphabets, all named HuntBros101Plate followed by a plate number. Plate 02 is a Trajan typeface. Plate 5 is a Trajan face. Plate 6 is an art nouveau face. Plate 7 is a flared caps typeface. Plate 10 is a textured poster typeface. Plate 11 is an ornamental caps face. Plate 13 is a condensed caps face. Plate 14 could be considered as a Mexican vernicular typeface. Plate 18 is an antique italic face. Plate 25 is an upright script. Plate 26 Brush is fifties brush signage at its best. Plate 29 (octagonal), Plate 46 (Celtic), Plate 52 (German expressionist), Plate 54 Blackletter, Plate 56 (Lombardic), Plate 62 (uncial), Plate 63 Script, Plate 65 (Victorian ornamental caps), Plate 66 (Western typeface), Plate 74 (Mexican fiesta font), Plate 68 (Arabic simulation), Plate 71, Plate 76 (architectural lettering), Plate 77 (inline caps) and Plate 83 (stencil face) complete the collection.

Download some typefaces based on the latter publication. Flickr site sith images of 101 Alphabets, courtesy of Diane Zerr. Local download of 101 Alphabets. Download link for Pape's typefaces. [Google] [More] ⦿

Hurup Aksara

Indonesian designer of the blackletter-inspired typeface Malocknow (2018) an the octagonal typeface Belltrain (2018). [Google] [More] ⦿

Hururfraktur
[Fadly Pratama]

Tanjungbalai, Indonesia-based designer, b. 1988, of HuruFraktur (2019: a blackletter), Manttera or Manterra (2019: script), Qrayolla (2019), Fadeline (2019: a monoline script), Elille (2019: a layerable signage script), Winteradiva (2019) and Nutara (2019). [Google] [More] ⦿

Hydro 74
[Joshua M. Smith]

Joshua M. Smith (Centerville, OH) runs Hydro74, which is located in Sanford and/or Orlando, FL. His typefaces take their themes often from metal rock bands, the goth scene, blackletter, and grunge. They can be bought at MyFonts or here. See also here. More direct access.

His typefaces: Gestapo Dirty, Gestapo Tech, Terra Firma, Rehab, MissionUK, Messiahcom, Kogji, New York Corp, Texan, Grace For The Fallen. Free fonts include Beast, Broken74, Gatecrashertexan, Heresy, MeaniesThick, MegalomaniaItalic, MegalomaniaNormal, MilitarizeConform, MoogwaiItalic, MoogwaiNormal, MoogwaiThinOblique, OmnipotenceBlack, PietyBlack, Platipus, Proclivitydark, Proven, Resurrection, Revolution, Sacrafical, SailorJerry, Spitfire (2010, tattoo face), Submit, SubmitItalic, SubmitThinItalic, TripleXXX, Conform, Meanies, Megalomania, Moogwai, Platipus, Resurection, Revolution, Proven, Gate Crasher, Agnostic, Working Class hero (Western), Blasphemy, Disestarlishmentarianism, Napalm Vertigo, Black Mass (2005, blackletter / tattoo face).

In 2009, he fired up his creative mind, and started working on a new batch of display typefaces: Muerte Black, West Coast Soul, Iron Fist, Nue Black, Uber Black (+Caps, blackletter), Le Venom (a phenomenal high-contrast art deco face), Avante (art deco, counterless), Nue Goth (blackletter), The Thickness (ultra fat), Script, Razor Black, Martyr Black, Sentry Black, Imperial Black, Thai Black, Dayton Black (racecar lettering), Slash Black (blood and guts font), Burial Black (blackletter), Cadaver Ink (gothic), Czar (hairline sans), Tramp Stamp, Wolfstien Electro (in the spirit of Sinaloa), Viper Black (scary), Catalyst Solid (ulta fat), Calypso (sans), Suture Slab (gothic), Venice Black (gothic), Black Mamba (metal rock band lettering, Cyrillic influences), Tyranny Gothic (blackletter), Blackmail Sect (more blackletter), Sailor Jerry (bilined), Napalm Vertigo (army stencil), Heresy Gothic (blackletter grunge), Working Class Hero (Western grunge), Golden Age, La Santisma Muerte (scary).

Free typefaces at Legacy of Defeat, as of 2011: H74Cairissian, H74DemonRacer, H74EastZombieHigh, H74Federation, H74GhettoWolves (scary), H74InfectedZombies, H74Pistola, H74SnakeOilEmbossed, H74SnakeOilSolid (2011, constructivist), H74Spitfire, H74TheBlackBureau, H74TheGoldenDawn, H74TheGoldenDawnItalic, H74ThunderScript, H74ZombieAttack, Black Label Whiskey, H74 Cadaver Ink (2011, tattoo face), Cortez, Damn Hippies, H74 False Idols (2011), Heathen, Kremlin Ink, H74 Kustom Style (2011, a tattoo/graffiti font), Moscow Moonshine, San Loscisco (2011), Blood Tonic (2011), Snake Whiskey (2011), Time Is Money (2011), Valkyrie (2011), Viva Los Vatos (2011), Warriors (2011), West Coast Soul (2011), Yo Santos (2011).

Commercial typefaces done in 2011: H74 Warriors (2011), H74 Viva Los Vatos (2011, cholo graffiti), H74 Snake Whiskey (2011, spurred Western face), H74 Norway Black (2011), H74 Her Majesty (2011, spurred face), H74 Muerte (2011), H74 Hellfire (2011, spurred family), H74 Luckys Flash (2011), H74 Le Venom (2011, art deco), H74 Dishonor, H74 Cobra (tattoo face), H74 Pistola (2011, a tattoo font), H74 San Loscisco, H74 Wizard Nip (brush), H74 Wizard Staff, H74 The Black Bureau (black slab serif headline face), H74 Zombie Allegiance, H74 Monniker, H74 El Librador, H74 Eastern Star, H74 Dead Empire, H74 Black Diamond, H74 Alcazar, H74 Corpse Black, H74 Corpse Paint.

Production in 2012: Achilles, Bootleggers, Chingon, Hernandez, Kuso, Malice, Muerte Wolf, Pendejo, Pinche Muerte, The Order, Witness.

Typefaces from 2013: The Pricks, Ocelot Piss, The Witches, Wizard Tit, Conquest, Wizard Dick, Riverside, Dirty Sanchez, Corpus Delicti, Warlock Ghetto Wolves, Spitfire.

Typefaces from 2014: Thunder Pussy, The Kült, The Clap, Shit Script, Prison Bitch, Hëavy Mëtal, Fucktura Heavy, Fucktura Thin, Go Fuck YerSelf, Drop Anchor, Camp Cooter, Born to Lose.

Typefaces from 2015: The Dirty Collection (Fucktura Thin, Brothel, Caracas, The Clap, Scalliwag, Cholo Fett, Camp Cooter, Drop Anchor, Born to Lose, Pillow Biter, Prison Bitch, Salty Sailor, Go Fuck Yerself, Heavy Metal, Fucktura Heavy, Fancy Fuck), Forty Thieves, Zombie Headshot, Fancy Fuck (a tattoo script), Emancipator.

Typefaces from 2016: BloodCloth, Brothel, Dreamwave, GoldenDawn, HCholobakka, Mystic, Nomad, RazorBlack, RoyalBaron, Vahalla, Warlock.

Typefaces from 2018, mostly military stencils, war game fonts and sci-fi typefaces: Bioroid, BlackOps, Cipher, Complx, CounterStrike, Crux, Crypto, DeathStrike, Destroid, Division, Epitaph, FirstAssault, Frontline, HouseHarkonne, Kuso, Merc, Protocol, Psyops, ReconDelta, RoboticSystem, SaintAnn, Section9, Shogun, Surrogate, System, Tachikomo, Tactical, Warmech.

Typefaces from 2019: Recita (a solid oldstyle text typeface), Recita Sans, Interceptor, Mecha Unit 01 (octagonal), Ghost, Cataclysm, Protagonist (a tech / stencil font), Executioner, Kingslayer, Epitaph (stencil), Black Ops (a rough military stencil), Bioroid, Miami Viced.

Dafont link. Legacy of Defeat is a related site with their free fonts. Behance link. Creative Market link. Klingspor link. [Google] [MyFonts] [More] ⦿

Hyo-Song Becker

During his studies in Pforzheim, Germany, Hyo-Song Becker created the blackletter typeface Fraktaeder (2013). [Google] [More] ⦿

HypoTypo

HypoTypo (real name: Walter J. P.) is the designer in 2002-2004 of several ornamental fonts, which he showcased via alt.binaries.fonts.

His typefaces: Amber'Shadowed', AnnabelleJF'LessItalic', AntiqueThings-01, AridiRenaissanceCaps, Asphalt'Wicker', Bauhaus'StainedGlass'-Heavy, BigRigs, Centurnalus'Deluxe', ChurchText'Replicant', ChurchText'Shaded' (blackletter), Coventree'Deluxe', CupieDoll, CupieDoll Buckshot (2004), Dantium'Tracing', FearFactor'3D', FearFactor'SmallCaps', FearFactor, FearFactorBlack, FearFactorText, Florence'Striped', Florence'Stripped', FuturexRoughlySliced, GillSans'MonkeyBars'-UltraBold, Gramius Blizzard (snow-cover alphabet), Gramius'ChromeDeco', Gramius'StainedGlass', GreatPrimerUncials'SnowBound', Guppulla'RoughlySliced', HopScotch'Denim', HopScotch'ElectricEddie', Kreepshow'Frigid', Lancastershire (2004), Licinia'Aged' (2003: weathered), Licktenstein'Chromed', Malaki'Continuum', Malaki'Deluxe', Metilius'BongoWood', Metilius'LeadedGlass', Metilius'PopCulture', Modius'Frigid', NewYorkTimes, Oleander'RoyalTablets', Oleander'StainedGlass', Ornam-oodles-01, PhoenixScriptUpr'Shadowed', PhoenixScriptUpright, Plautius'Branded', Plautius'LeadedGlass', Plautius'Rugged', Point-Dexter, Puffy'SandStone', Quintus'StainedCameo', QuintusLeadedGlass, Rocillius'QuickSilver', RocilliusBlack'Arson', Sintex'3D'UltraBlack, SkuareNot'BongoWood', Snoilies-01, Snoilies-02, Tekton'WhiteOnBlack', Timrombo'Erroded-DoubleVision'-Tall, VehicleDecals'Flames&Art', WoodsWorld'Deluxe', WoodsWorld'LeadedGlass', WoodsWorld'Melting', WoodsWorld'Quilted', WoodsWorld'StainedGlass', Auriol 'Shaded' Black (posted 09-02-2002), Bauhaus 'Shaded' Heavy (posted 09-19-2002), Bauhaus 'StainedGlass' Heavy (posted 10-23-2002), Bauhaus 'Textile' Heavy (posted 09-14-2002), Broadway 'Corroded' (posted 09-19-2002), Cooper 'Chromed' Heavy (posted 10-22-2002), Kid Type 'Flintstones' (posted 10-17-2002), Zapf 'SnowBound' Heavy (posted 10-19-2002), Zapf Int'l 'BubbleWrap' Heavy (posted 10-06-2002), LocusDelecti'Sibylline', SkuareNot'PlankYou', SkuareNot'Waveform', TexasWilly'Tracing', Half SunBurst-w4-01 (2003), Half SunBurst-w4-02 (2003), Half SunBurst-w4-03 (2003), NurfStar 'Shaded' (2003), StarBurst-w4-01 (2003), HavingWrit, IceCrystals-01'Continuum', IceCrystals-01'Impressions', IceCrystals-01 (snowflakes), PictoGlyphs, PlymouthRock'SnowDusted', Santa'sSleighFull-Bold, Santa'sSleighFull (a silent movie / art nouveau font), Zoophel (2003), Monika'Engraved'-Italic, Monika'Upright', Monika-Italic (2003), DotsType (Regular and 'OnFilm'), Hearts-O-Plenty, PinWheel, SchoolsOut, ButterCream'Tracing' (2004), Bartholomeow, ChitownScript (Regular, Bold, Light, Italic, Bold Italic and Light Italic), Guppula 'Ripples', Gramius Blizzard (2004), Letter People Things, Point-Dexter, TownSquare ('Grate' and 'Lattice'), StarryType. [Google] [More] ⦿

I Shot The Serif
[Matthew Welch]

Original free fonts by American designer Matthew Welch: APLPLUS-Regular, AncientGeekRegular, BlackKnightRegular, CheatinRegular (experimental), College (athletic lettering), CollegeBold, CollegeCondensed, CollegeSemiCondensed, ElectricPickle, ElectricPickleBold, Far East (oriental simulation), Farewell, FatFingerRegular, Free3of9 and Free3of9Extended (1997, see also here and here), FuddRegular (1998, Cyrillic simulation), GoLong, Hit The Road, LEDRealRegular, LocustRegular (dingbats), NeverRegular, NewJobRegular, RushinRegular (1998, Cyrillic simulation font), SecretCode, Tiny (pixel face), TRTL, FrakturModern, KingsGambit, Mattbats, OneFortySevenRegular, WhiteRabbit, OddDog, Geek (Greek).

In 2012, he added the constructivist typeface Propaganda, as well as Tinier (a pixel font), Stadium and Libby (an all-caps sans family).

Dafont link. Fontspace link. Abstract Fonts link. [Google] [More] ⦿

Ian Lynam
[Wordshape]

FontShop link. Klingspor link.

Ian Patterson

British-born designer of Webdings (Microsoft, 1997), Railway (Monotype, alphadings), Hollywood (Monotype, alphadings), Freeway (Monotype), and Crusader (grungy blackletter).

View Ian Patterson's typefaces. [Google] [MyFonts] [More] ⦿

Ibnu Utomo
[Omotu]

Ibram Syah
[Ibramsyah Ibram]

Ibramsyah Ibram
[Ibram Syah]

Aka Jehan, Ibram Syah, and Jehan Syah. Banda Aceh, Indonesia-based designer (b. 1992).

Typefaces designed by him in 2020: the decorative caps typefaces Relic Island and Romes Palace, the squarish typeface Space and the script typefaces Holin Jusi, The Masquito (a spurred vampire or pirate script), Rocklands and Ecalyars.

Typefaces from 2019: Nastar Pie (decorative caps), Crackers (textured caps), Garden Wood (Tuscan, textured), Love and Beach (textured).

Typefaces from 2018: Arakunda, Simposiuf (a vampire font), Blackfire (blackletter), Spirazi.

An alphabetic list of fonts released before June 2020: Aladine, Albias Smug, Alexandiya, Aloe Vera, Ancient Sword, Andro Medas, Arakunda, Armada, Asdema, Athenos, Avmo, Azura, Baloon Dory, Barber Lan's, Barista, Bear Cool, Beckyard, Black Widow, Blackfire, Blink Jumps, Bodyguard, Bonamcy, Boy and Friend, Break Times, Brisk Charity, Buzhera, Camelia Script, Campink, Children Day's, Claudya, Clover, Comprest, Contrash, Crackers, Creative Kids, Dragonfly Script, Dunheall, Ecalyars, Etihad, Falmediyar, Fight Stick Family, Forester, Garden Wood, Gardens, Gear, Hamsey, Hello Celvins, Hi Girl's, Hi Prety's, Holiland, Home City, Huming Book, Huringthon, Jack Matras, JockerLand, Julia Swanlya, Kevlac, Levarolls, Love and Beach, LoveBirds, Lyche, Maxce, Merry Love, Moneva, Monogram, Monogram Carnaval, Monograme Party, Morthen, Nastar Pie, Nemo Hunter, Orange Punch, Original Hunting, Paradox, Phanter, Pine Jungle, Poined, Prado, Pumpkin Hollowens, Raiderman, Relic Island, Relick Island, Resya Esdaz, Rocklands Original, Romes Palace, Rosnacy, Samoray, Sape, Scampers, Selimky, Shootink, Silver Gold, Simposiuf, Single Ghost, Slam Monkey, Sleep Charm, SliterD, Snackleaf, Space, Spirazi, Starchild, Sticky, The Brandals, The CheEsS, The Crown Royal, The Last Night, The Masquito, The Modish, The Parthenon, The Razor Blade, The Razor One, The Sallmode, The Suster, Viola, Wild Cruger, Winstone, Zafire, Zaflay, Zarcas, Zimuras, Zulva.

Typefaces from 2021: Lets Study, Ghost Childs (a scrapbook font), Yulia Khaira (a scrapbook script), Radish + Garlick (bouncy, hand-crafted), Listing PacksHalloween School, Koska Esko (a bold decorative typeface), Relic Island 1 (hyper-decorative initial caps), Royal Paradise (a display font with snakehead terminals), Air Leving (a squarish display typeface with a tall body and short neck), Beautiful Place (a scrapbook font), Cheer Up (a fat finger font), Joined Tightly (an interlocking font), Bread Crackers (an adventurous blackboard bold font), Comfort (a techno font), Monogram Challigraphy, Rocker Stage (a monumental typeface for bullies, slightly influenced by graffiti), Relic Island 2 (an alchemic / tribal font), Black Street (a Western font), City Tour (a city-themed textured font), Kevlac (a display sans with art deco elements).

Typefaces from 2022: Axmiq Richard (a 7-style decorative serif), Black Octopus (a graffiti font). [Google] [MyFonts] [More] ⦿

Icelar

Spanish art student (in 2013). FontStructor who created these typefaces in 2013: Beauvoir, Lancaster, Figaro, Abel, Cawdor (octagonal), Dilior (a didone), Harmond (blackletter), Antelopes, Godiva (blackletter), Autumn, Sasanida, Help I Need Somebody (circle-based geometric sans), Goodbye Fontstruct, Fairy Tale Vanishing, Slanton, Kyrie, Eat Me, De Stijl, Chiara, Hecate, Stancyl (piano key), Ionica, Winty's Gothica, Vintage America, El Greco, Fairy Tale, Ozawa, Donibo Display, Decade (blackletter), Donibo, Weirdy Moves (+Party), Bliss (crayon font), Ibsen (a dark copperplate style inspired by an Ikea logo), Avenzo, Avenzo Mad Serif, The Code of Honour (constructivist), Yago, Vienna Cafe Big (art nouveau), Castillian (Textura, +SmallCaps), Lumpy, Origami (3d face), Baldur2 (a lava lamp typeface), Trinity (Victorian), Patterns For Everyone, Evangelion, Scriptura, Maverick, Giralda, Freak Fraktur, Vienna Cafe (art nouveau), Sportiva (Small Caps, Deco1, Deco2 [blackboard bold], Sans, Alternates 1, Alternates 2, Alternates 3, Regular), Carmina, Hieronimus (a pixelish typeface inspired by Bauhaus: +Slab, +Stencil).

Typefaces from 2014: Bronzino, Hagia, Decodrops, Kobe Slab, Enoe (blackletter), Adagio, Nemesis (thin avant garde sans), Shalott (geometric sans), Origami, Kobe Regular, Kobe Stencil, Giovanni (textura blackletter), Decan, Thoreau (blackboard bold), Blue Requiem, Funky Business, Red Requiem, Dreamcatcher, Drastic, Retropix, Vanity Strong, Dotchild, Reya (blackletter).

Typefaces from 2015: Stanwyck (stencil), Tiberian (roman caps), Dresde Sans, Fraktur in the Forest, Dingbat Tribe, Action (in the style of Impact), Hibiscus (sans), Oranienbaum (a stylish serif), Amphora (sans), Lazzaro (squarish), Pineapple Juice, Sheldon.

Typefaces from 2016: Watercolor (an art deco sans inspired by Carlos Winkow's Grotesca Radio), Hipster, Lakme Mondrianesque, Humanist Sans.

Typefaces from 2017: Dublin, Dresde Serif. [Google] [More] ⦿

Iconian Fonts
[Dan M. Zadorozny]

Born in Philadelphia and a resident of McKinney, Texas, Dan Zadorozny's creations at Iconian. He is a prolific type designer who specializes in techno and sci-fi typefaces. Dafont link. Fontsy link. Abstract Fonts link. Font Squirrel link. His fonts in alphabetical order:

#44 font (2002), 00Starmap (2001, pixel font), 1968 Odyssey (2016), 1st Cav (2008), 1st Enterprises (2017), 2-Tech, 21 Gun Salute (2013), 2nd Amendment (2007, guns), 2nd Amendment 2050 (2009, more gun silhouettes), 2Toon, 300 Trojans (2008, comic book family), 4114 Blaster (2008, futuristic), 5th Agent (2008, techno), 7th Service (2002), 8th Element (2013), 911Porscha, 98 Bottles of Beer (2016).
Achilles, Action-Men (2008), Action Women (2008, female outlines), Aegis (2010, Greek simulation family), Aetherfox (2013), AirCobra (2002), Aircruiser (2011, trekkie family), AirForce (planes and copters), Airstrike (2013), Airstrip One (2003), Aldo's Moon, Aldo's Nova, Alexis (2001), Alien League, Alpha Century (2020), Alpha Men (2015), Alpha Sentry, Alpha Taurus (2007, octagonal, athletic lettering), Amalgam, American Kestrel (2019), Americorps (2012), Ampire (2019), Anakefka (2009, ultra-fat family), Annapolis (2016), Antietam (2015), Antikythera (2013, Greek simulation face), Antilles (2009, sans family), Arctic Guardian (2019), Argosy, Arilon (2008), Armed Lightning (2017), Army Rangers (2013, octagonal), Assassin Nation (2015, scary and perhaps referring to the "tradition" of school shootings in the USA), Astro Armada (2020: sci-fi), Astropolis (2009), Atlantia (2012, futuristic), Avenger (2008, futuristic).
Babes&Bond (2009, erotic silhouettes), Babe-alicious (2002, erotic outlines), Bad Axe (2017), Bad Robot (2007, computer game look), Bal-Astaral (2016, octagonal), Bamf (2011, techno family), Banjin (2016), Banshee Pilot (2016), Barcade (2018), Battlefield, Battleworld (2016), Beam Rider, Beam Weapon (2015), Beastian (2011), Behemoth (2018), Ben Zion (2008, Hebrew simulation), Berserker (2008, grunge), Beta Biergärten (2008), Big Blue Bug (2021), Bio-disc, Bio-discSolid, Bio-discThin, Bionic Comic (2002), Bionic Type (2002), Birds of a Feather (2007, dingbats), Black Bishop (2015), Black Gunk (2016), Blade Singer (2021), Blizzard Shaft (2020), Block, Blood Crow (2009), Blood Drenched (2020), Bloodlust (2011, dripping blood face), Blue Cobra (2020), Blue July (2009), Body Swipers (2014, Halloween font), Bog Beast (2013), Bomber Escort (2020), Boomstick (2015), Borgsquad (2014, mechanical/octagonal), Bretton (2018), Brin Athyn (2008, uncial/Celtric), Broken Cyborg (2019), Bronic (2004), Bubble Butt (2014, bubblegum typeface), Buchanan (2016), Buddy Champion (2015), Bummer (2007, octagonal), Bushido (2008, oriental simulation), Butch and Sundance (2013), Buttons the Bear (2008, children's hand), Byte Police.
Camp Justice (2018), Capella (2011, a wide techno family), Capricus (2018), Captain Canaveral (2019), Carnival Corpse (2016), CasperComics, Centaurus (2015), Chardin Doihle (2008), a useful informal handprinting family), Charlemagne, Charlie's Angles (2018: octagonal), Charmling (2019), Cheyenne Hand (2008), Chicago Express (2016), Christendom, Classic Cobra (2016), Clubber Lang (2013, grungy), Cobalt Alien (2015), C.O.D.E.R. (2012), Coffin Stone (2019: a stone age font), College Collage (2017), Colony Marines (2017), Colossus (2011, old chipped stone look), Combat Droid (2019), ComicBookCommando, ComicFX, Commonwealth, Concielian, Concielian Break (2015), Concielian Classic (2018), Concielien Jet (2015), Contour of Duty (2016), Corinthian, Count Suckula (2015, horror font), Covert Ops (2012, army stencil), Coyote Deco (2007, art deco), Crappity-Crap-Crap (2007), Crazy Ivan (2017: constructivist), Creepy Crawlers (2015, horror font), Crime Syndicate (2013), Crixus (2011, a squarish sans that includes an athletic lettering style), Cro-Magnum (2003), Cruiser Fortress (2016), CryUncial, Cyberdyne (2016), Cyberia (like Soviet: neat Russian imitation letters), Cyborg Rooster (2015), Cydonia Century (2017), Cyrus The Virus (2012, grungy, hand-printed).
DS Man, Daedalus (2008), Daemonicus (2012), Dagger Dancer (2020), Dameron (2016), Dangerbot (2016), Danger Flight (2015), Dan Stargate (2008), Dan'sHand, Dark Alliance (2014), Dark Dominion (2019), Dark Hornet (2020: a great blocky mechanical typeface family), Dark Horse (nice brush font), Darklighter (2018), Darkwind, Dassault (2013), Deathblood (2014, Halloween font), Deathshead (2019: a metal band font), Deceptibots (2019: stencil), Defcon Zero (2016), Dekaranger (2015), Delta Phoenix (2019), Delta Ray, Demon Priest (2013), Department-K, DepartmentH, Deranian (2008), Devil's Tongue (2019), Detonator, Devil Summoner (2014), DiegoCon (2004), Digital Desolation (2014), Ding-o-saurs (2007), Direktor (2008, Cyrillic simulation techno), Dire Wolf (2013), Disco-Dork, Disco Deck (2005), Disco Duck, Discotechia (2015), Dodger, Dokter Monstro (2017: a great fat hand-painted typeface), Domino Jack (2016, an octagonal stencil typeface), Domino Mask Condensed (2016), Dotcom (2002), Drafting Board (2008), Drafting Table (2008), Dragon Order (oriental simulation), Dread Ringer (2015), Drid Herder (2002), Drive (2015, techno font), Droid-Lover (2008), Drone Tracker (2016), Drosselmeyer (my favorite), Dusk Demon (2020: grungy).
Eagleclaw (2009), Eaglemania, Eagle Strike (2015), Early Warning (2021), Earth Orbiter (2016), Earthrealm (2013), Earthshake (2013), Earth's Mightiest (2002), East West (2015, constructivist), Echo Station (2017), Eco-files, Edge Racer (2917), Egg Roll (2016, oriental simulation), Elastic Lad (2020), Eldebaran (2012), Elder Magic (2009), Election Day (2009), Elephant Gun (2021), Elite Danger (2017), Emissary (2014, sci-fi), Empire Crown (2011, blackletter), Enduro, Ensign Flandry, Ephesian (2007), Eridanus (2015, octagonal / mechanical), Erin Go Bragh (2009, Celtic/uncial), Escape Artist (2015), Eskindar (2013), Eternal Knight (2013), Eurofighter (2015), Eva Fangoria (2018: a dripping blood font), EverettSteele'sHand, Excelerate, Excelsior, Excelsior Comics, Exedore (2008), Exoplanet (2013, techno), Extechchop (2005), Eyes Only (2018).
Factor (2016), Falconhead, Falcon Punch (2015), Famous Spaceships (2007), Famous Spaceships 2 (2019), Fanfare Ticket (2018: dot matrix family), FantasticCreatures, Fantazian (2003), Fantom (2009, bad handwriting), Federal Blue (2019), Federal Escort (2014), Federal Service (2011), Federapolis (2008, octagonal techno face), Fedyral (2019), Fedyral-II (2019), Feldercarb (2003, octagonal font), Ferret Face (2013), Fiddler's Cove (2012), Fight Kid (2009), Final Front (2019), First Order (2001), Flash Rogers (2016), Flesh Eating Comic (2013, grunge), Flight Corps (2008, techno/pixelish), FlyingLetaherneck (2002), Force Commander (2019), Force Majeure (2016), Foreign Alien (2020), Foucault (2014, uncial), Fox on the Run (2018), Fox on the Run Academy (2018: athletic lettering), Frank-n-Plank (2013, a wooden plank font), Freakfinder (2014: Halloween font), Free-Agent (2008), Freedom Fighter (2013, stencil), From Bond With Love (2014: military stencil), Front Runner (2019), Frost Giant (2019), Frozen Crystal (2016, LED font), Funk Machine (2016, a great ultra-black techno family of typefaces), FunnyPages, Furiosa (2019), Future Forces (2015), Futurex Grunge (2005).
Galactic Storm (2014), Galant, Galaxy-1 (2008), Galaxy Far Far Away (2009, futuristic dingbat font), Galaxy Force (2014), Galga (2008, futuristic), Gamma Sentry, Gemina (2011, sci-fi / techno family), Gemina2 (2013), Generation Nth, Gentleman Caller (2014), GeoBats (2007), Gearhead (2013, octagonal), Ghost Clan (2014), GI Incognito (2012), Global Dynamics (2014), Globe Trekker (2021), Goalie (2008, hockey mask alphading), Goblin Creek (2016: Halloween font), Gods of War, Gotharctica (2015, blackletter for horror flicks), Governor (2017), Graffiti Street (2019), Grand National (2015), Grand Sport (2015), Graymalkin (2011, trekky), Grease Gun (2012), Grendel's Mother, Grim Ghost (2013), Ghoulish Intent (2016: Halloween font), Grimlord (2009), Groovy Smoothie (2018), Guardian (2008), Guardian-Laser (2008), Guardian-Pro (2008), Guardian-Shadow (2008), Gunner Storm (2015), Gunrunner (2016: techno), Gunship, Gunship V2 (2002), Gypsy Killer (2013), Gyrfalcon.
Hadriatic (2008, roman lettering), Half Elven (2013), Halfshell Hero (2013), Hall of Heroes (2007), Halo, Hanging Tree (2019: a wood print emulation font), Han Solo (2013), Hard Science (2019), Harrier (2002), Hawkmoon (2011), Head Human (2021), Heavy Copper (2020), Heavy Falcon (2019), Hello Copters (2013: helicopter dingbats), Hemogoblin (2017: spooky font), Heorot (2009, stone age fonts), Hermetic Spellbook (2017: alchemic), Heroes Assemble (2011), Heroes Assemble Dingbats (2014: all Avenger characters), Hero Worship (2021), Hexgon (2018), Hexkey (2020), Highrise Heaven (2007, city skyline dingbats), Hip Pocket (2014: psychedelic), Hitchblock (2017), Hollow Point (2015), Holly Dingle (2015), Holy Empire, Home Base (2020), Homemade-Robot, Holo Jacket (2016), Homebase (2020: heavy, octagonal), Homelander (2020), Homeworld (2003), Homeworld Translator (2003), Hong Kong Hustle (2015), Horroroid (2015), Horroween (2013, Halloween font), Hot Kiss (2017: paint splatter font), Howlin Mad (2017), Hula Hoop Girl (2019), Hulkbusters, Hydronaut (2019), Hydro Squad (2014), Hyper Vyper (2019: octagonal), Hypno Agent.
Iapetus (2014, sci-fi), Icebox Art (2012), iChrono (2018), IWantMyTTR!, Iconian (2002), Iconified, iDroid (2020), Illuminati, Illumino (2016), Imaginary Forces (2008, mythical dingbats), Imperial Code (2003, Startrek style face), Imperium, Incubus, Incubus-Italic (2008), Incubus-Shadow (2008), Indigo Demon (2017), Infinity Formula (2003, super techno), Infobubble, Inhumanity (2014), I-House Edition (2014), Inspector General (2020), Instand Zen (2016: Halloween font), Inter Bureau (2019), Interceptor (2008), Interdiction (2012), Intergalactic (2017), International Super Hero (2002), Intrepid, Iron-Cobra (2008), Iron Forge (2012).
Jack's Candlestick (2013), Jackson, Jannisaries, Jedi Special Forces (2012), Jeebra (2018), Jerusalem (1999, Hebrew font simulation)[see also here], Jetta, JettaTech, Jetway (2012, a stencil face), Johnny Torch (2012), Joy Shark (2018), Judge, Judge Hard, Jugger Rock (2018), Justice (2009), Jumpers (2017), Jumptroops (2003-2015), Justinian.
Kahless, KameraDings (2009), Kangaroo Court (2018), KarateChop (2009), Kartoons (2008), Katana, Kaylon (2019), Kennebunkport (2013, script), Keystone (pixel font), Khazad-Dum (2011), Kid Cobalt (2008, comic book face), Kinex, King Commando (2011), King's Ransom, Kinnihuman (2020: dingbats), Knievel, KnightsTemplar, Kittrick (2019: a heavy octagonal type), Knock Furious (2003, dingbats), Kobold (2008, futuristic), Kondor (2013), Kountry Kodes (2008, international license plate lettering), Kovacs (2018), Kovacs-Spot (2016), Kreature Kombat (2018), Kreeture (2002), Kubrick (2008).
Lamprey (2012, techno family), LandShark (2001), LandWhale (2001), Laredo Trail (2013, a Western face), Laser Corps (2020), Laserian, Laser Wolf (2018), Law and Order (2005, dingbats), League Wars (2013, sci-fi stencil), Leatherface (2013), LED Sled (2016, LED font), Left-Hand Luke (2016), Legacy Cyborg (2019), LegalTender, Legion, Legionnaires (2017: silhouettes), Legio Sabina (2017), Lethal (2014), Liberty Island (2013, sci-fi), Liberty Legion (2015), Lifeforce (2018), Light Brigade (2018), Lightsider (2011, Star Trekkish family), Lincoln Lode, Livewired (2015, sci-fi), Lionel (2009), Low Gun Screen (2008, a totally square screen type family), Lincoln Chain, Lionheart, Lobo-Tommy (2008), Lord of the Sith, Loveladies, Low Gun Screen (2008, screen face), Lux Contra Tenebras (2018: a fat Textura typeface).
Machiavelli, Mad Marker, Magic Beans (2007), Major Force (2016), Mandalore (2019: squarish), Marathon-II, Marathon, Marsh Thing (2014, Halloween font), Masked Marvel (2002), Master Breaker (2017), Masterdom (2004), Merri Christina (2015, children's hand), Metal Storm 3D (2008), Metronauts (2013), Metroplex, MetroplexLaser, MetroplexShadow, Michaelmas, Michigan (2015), Milk Bar (2003), Micronian (2008, extensive pixel-based family), Military-RPG (2008), Mindless Brute (2015), Miracle Mercury (2017), Missile Man (2002, futuristic), Miss Amanda Jones (2004, brush style), Mister Twisted (2018), Mobile Infantry, Modi Thorson (2013, techno), Monsterama (2011, scary face), Monster Hunter (2017), Montroc (2015: squarish and varsity style), Moon Dart (2008), Moon Runner (2016), Morse Kode, MorseNK, Motorama (2018: car maker icons), Movie Gallery (2008, dingbats), Mrs. Monster (2013, Halloween brush font), Mystery Mobile (2015), Mystic Singler (2008, rough brush face).
Nathan Brazil (2013, art deco), National Express (2003), Native Alien, Navy Cadet (2016), Nemesis Enforcer (2013), Neo-Geo (like the letters on the Neon cars), Neo Navy (2015), Neuralnomicon, Neuralnomicon (2018), Neutron Dance (2020), New Come Title (2016), New Mars (2015), New York Escape (2015), Nextwave (2014), NGC 292 (2020), Nick Turbo (2001), Nicomedia (2020), NifeFite, NifeFiter, NifeFites, Nightchilde (2013), Nightmare Alley (2016: Halloween font), Nightrunner (2008, sci-fi), Night Traveler (2020), Nightwraith (2011, techno family), Ninja Garden (2018), Ninjas (2002), Nobody's Home (2014: poster font), NoloContendre, Northstar (2014), Nostromo, Nuevo Passion (2013), Nyet (2002, Soviet letter simulation).
Oberon, Oberon-Deux, Obsidian Blade (2020), Obsidiscs (2003, dingbats), Oceanic Drift (2013), October Guard (2013, Cyrillic simulation face), Odinson (2007, runes), Oh Mighty Isis (2014, Greek simulation family), Olympic Carrier (2017), Olympicons (2003), Omega 3 (2010, futuristic), Omega Flight (2020), Omega Force (2013, octagonal / mechanical), Omega Sentry, Omni Boy (2019), OmniGirl (2003, techno), Opilio (2012), Opus Magnus (2013, metal band font), Opus Mundi (2015), Oramac (2004), Ore Crusher (2013), Oubliette (2020), Outlands-Truetype (2001), Outrider (2013), Overstreet Bible (2014, hand-printed), Ozda (2011, a fat techno family with several horizontally striped styles), Ozymandias.
Psyonic VII (2012), Paladins (2015), Pandemonious Puffery (2002), Parker's Hand (2002, handwriting), Peace & Houston (2019: squarish), Pepperland (2019), Perdition, Peregrine, Phantacon (2017), Phaser Bank (2008, techno), Philadelphia, Philly Dings (2003), Phoenicia (2015), Piper Pie (2007), Pistoleer (2011), Planet N (2016), Planet S, Planet X, Player 1 Up (2012: architectural family), Pocket Ball (2016, dot matrix style), Pocket Monster (2016), Police Cruiser (2013), Postmaster, Power Lord (2011), Predataur (2019), Presley-Press (2007), Press Darling (2012), Procyon, Prokofiev (2009, rounded and squarish), Promethean (2008), Protoplasm, Prowler (2013), Pseudo Saudi (1999, Arabic simulation), Psycho Butcher (2014, ransom note font), PuffAngel, Pulsar Class (2018), Pulsar Class Solid (2018), Pulse Rifle (2009), Punch (2020), Pyrabet.
QTs (2013: erotic silhouettes), Quake-&-Shake, Quantum of Malice (2013), Quark Storm (2013), Quarrystone (2015), Quartermain (2002), Quasar Pacer (2018), Quasitron (2009, futuristic), Quatl (2002, an Inca font), Queen&Country (2009), Quest Knight (2009), Questlok, Quicken (2013, horizontal stencil), Quickening (2014), QuickGear (2019), Quickmark (2004), Quick Quick (2019), Quick Strike, QuickTech, Quill Sword (2016: soft blackletter style).
RCMP, Racket Squad (2017), RadZad, Radio-Space, Raider Crusader (2016), Raise Your Flag (2013), Range Paladin (2018), Ranger Force (2020), Realpolitik, Rebecca, Rebel Command (2012, Star Trek family), Redcoat (2008, blackletter), Red Delicious (2019), Redline (2015), Red Rocket (2011, techno), Red Undead (2016: Halloween font), Regulators, Renegado (2014), Replicant, Repulsor (2013, pixelish), Rhalina (2011, a nice upright script), Rhinoclops (2019), Righteous Kill (2009), Right Hand Luke (2016), Robo Clone (2018), Robotaur (2008), Rocket Junk, Rocket Pop (2016), Rocket Type (2002), Rockledge (2019: an eroded stone look font), Rogue-Hero, Roid Rage (2003), Ro'Ki'Kier (2008), Rosicrucian (2009, stone age font), Royal Samurai (2018), Rubber Boy (2013, poster font family), Rumble Tumble (2020: a rough military stencil), Rune Slasher (2019).
Sable Lion (2002), Sagan (2008, futuristic), Samurai Terrapin (2018: blocky), Scarab, ScarabScript, Sci-Fi (2008), SDF (2013), Sea-Dog, Searider-Falcon (2008), Secret Files (2011), Sever, Shablagoo (2015: thick creamy poster font), Shining Herald (2013), Shogunate (2019: a heavy octagonal typeface), Singapore Sling (2014), SisterEurope, Skirmisher (2014), Sky Cab (2017), Skyhawk (2014), Sky Marshal (2015), Sky Ridge (2020), Snubfighter (2009, sci-fi), Soldier (2011), Soloist (2018), Sound FX (2003), Soviet, Space Cruiser, Space Junker, Space Ranger (2013), Space Runner (2019), Spartaco (2016), Speed Phreak (2020), Speedwagon (2015), SPQR (2008, grunge roman), Spy Agency (2012), Spy Lord (2001), Starcruiser (2019), Starduster (2011), Star Eagle (2014), Star Fighter (2017), Star Guard (2019), Star Navy (2009: dingbats), Star Nursery (2018, fat stencil), Stranger Danger (2014: grunge), Strike Fighter (2017), Strikelord (2011, trekkie family), Stuntman, Subadai Baan (2013), Super Commando (2015), Super Soldier (2014, silhouettes), Super Submarine (2017: stencil), SuperUltra911, Superago (2002), Swordtooth (2017).
Talkies (2008, dingbats), Tarrget (2013, based on the Tekken "Tag Tournament" logo), Taskforce (2008), Tauro (2012), Team America (2014), Team Galaxy (2020), Tele-Marines, Tempest Apache (2018), Terra Firma, Terran, Terror Babble (2017), Texas, Texas2, The Immortal (2019), TheRifleman, The Shire (2009), The Shooter (2012: gun dingbats), Texas Ranger (2014: Western font), Thundergod, Thundergod II (2013), Thunder-Hawk (2011, an aviation techno face), Thunderstrike (2016), Thunder Titan (2017), Thunder Trooper (2017: stencil), Tigershark (2013), Timberwolf (2011), Time Warriors (2007), Tokyo Drifter (2016), Tool (2012, dingbats of tools), Toon Town Industrial (2005, comic book font), Tower Ruins (2014: stencil), Tracer (2015), Trajia (2008, a techno/stencil/athletic lettering family), TransAmerica (2015), Traveler (2008), Travelicons (2009), Travesty (2003, scrawly handwriting), Trek Trooper (2008, Startrek font), Trigger Man (2013, octagonal and mechanical), Trireme (2011, Star trek family), Tristram (2008, uncial), Troopers (2011, futuristic), Trueheart (2009, Celtic), Turbo Charge (2016), Turtle Mode (2020: heavy octagonal), Tussle (2002), Typeecanoe (hand-printed), Typhoon (2013).
Uberholme, Uberholme Lazar (2001), UFO Hunter (2009), Uglier Things (2018), Ultra 911, Ultramarines (2013), Underground Rose (2014, connect-the-dots), Union Gray (2015), Unisol, United Palanets (2014), UniversalJack, Uno Estado (2009, constructivist), Urban Defender (2019), U.S.A., US Angel (2017), USArmy, US Army II (2013), US Marshal (2012), US Navy (2007), U.S.S. Dallas (2008), Usuzi.
Valerius (2009, uncial), Valiant Times (2021), Valkyrie (2008), Valley Forge (2008), Vampire Bride (2016: Halloween font), Vampire Games (2001), VariShapes (2001), Viceroy of Deacons (2016), Vicious Hunger (2014, grunge), Victory Comics (2017), VideoStar, Vigilante Notes (2003), Viking Squad (2015, stencil), Villain Team-Up (2020: a fat finger font), Vilmos Magyar, Vindicator (2012, techno), Virgin Hybrid (2014), voxBOX, Voortrekker Pro (2009: octagonal and athletic lettering family), Vorpal (2012: sci-fi stencil face), Vorvolaka (2013), Voyage Fantastique (2013), VX Rocket (2014, fat octagonal face), Vyper (2008, futuristic stencil).
War Eagle (2009), Warlock's Ale (2014), War Machine, War Priest (2012), Warp Thruster (2013: military or Star Trek stencil), Warrior Nation (2011), Wars of Asgard (2009), Watchtower (2012), Weaponeer (2008, military lettering), Ween Dings (2918: Halloween dingbats), Were-Beast (2008), Westdelphia (2015, blackletter), Western Rail (2015), Wet Works (2013, grungy stencil), Whatafont, Ensign Flandry (2003), Whiskey Bravo (2003), Whovian (2015, scanbats of all Dr. Who characters owned by the British Broadcasting Corporation), Wiccan Ways (2020: alien writing), Wicker Man (2017), Wildcard (2011, Star trek family), Wimp Out (2004), Winter Solstice (2016), Wolf Brothers (2015), Wolf's Bane (+II, +Super-Extended, 2013), Woodgod (2013), Worldnet (great), Worm Cuisine (2016), Write Off, Writer's-Block, WyldStallyns.
Xaphan (2003), XBones (2018), XCryption (1999, a hacker face), X-Fighters (2014), XPED, Xcelsion (2002), Xeno Demon (2017), Xenophobia, Xephyr, Xeppelin (2005, zeppelin dingbats), X-Grid (2008), Xiphos (2007), Xmas Xpress (2013), Xoxoxa, X-Racer (2012).
Yahren, Yamagachi 2050 (2019), Yama Moto (2009: oriental simulation), Yankee Clipper (2011), Yay USA (2013), Year 2000, Year3000 (2001), Yellow Jacket (2002), Yeoman Jack (2021), Y-Files (2016), Yiroglyphics (2004), Yorstat (oriental simulation), Younger Brothers (2014), Younger Blood (2017), Young Frankenstein (2013), Young Patriot (2019: squarish), Youngtechs (2008, futuristic), Yukon Tech, Yummy Mummy (2018).
Za's Vid (2001, pixel font), Zado (2002, dot-matrix font), Zakenstein (2011, caps only grunge), Zamboni Joe (2002, hand-printed)), Zealot (2008), Zee Lance, Zen Masters (2002, pixelish), Zero Prime (2019), Zeta Reticuli (2019), Zeta Sentry (2009, techno/futuristic), Zirconian (2021), Zollern (2013), Zombie Control (2013: a bloody paint drip face), Zone Rider, Zoologic (2009, animal dingbats), Zoomrunner (2016), Zounderkite (2017), Zyborgs, Zymbols.

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Iim Maulana Ibrahim
[Bross Workshop]

Ikiiko Type (was: wep)
[Wahyu Eka Prasetya]

Madiun/ Surabaya, Indonesia-based designer (b. 1982) of the script typefaces A Auto Signature (2019), A Apollo (2019), A Autoeyes Closely (2019), A Black Crown (2019) and A Baster Rules (2019).

Script typefaces from 2020: a Apotik (a signature script), a Alam Raya, a Assassin Ninja (a brush script), a Berlari, Agen Giveaway, a Andai Kata (brush), a Ancen (brush), A Alley Garden, A Adistro, A Amazing Mother, A Ambyar Sobat, A Antara Distance, a Ahlan Wasahlan (Arabic emulation), Annyeong Haseyo, a Bators Growth.

Non-script typefaces from 2020: a Asian Ninja (oriental emulation), a Barbeque Grill, a Big Deal (a heavy sans titling typeface), a Autobus Omnibus, a Aksi Mosi (brush), a Art Paper (a paper cutout typeface), a Ambang Resesi, a Among You, a Augustus Merdeka (painted), A Anggaran Dasar (an ornamental blackletter), A Black Lives, A Area Stencil, A Atmospheric, A Arush Shiny (a brush font), aAidilfitri (Arabic emulation), A Aha Wow, A Ablasco, Plat Nomor, A Annyeong Haseyo (Korean emulation), a Anterobot, A Abrushow, A Alloy Ink (a bubblegum font), a Attack Graffiti, A Arigatou Gozaimasu (oriental emulation), A Awal Ramadhan (Arabic simulation), a Arbei Berry, a Anti Corona, A Absolute Empire, A Asian Hiro (oriental emulation), a Abrigy Think, a Always Smile (a dry brush script), a Area Kilometer 50 (sans), A Atomic Md (sans), A Anggota, A Adelfa (a watercolor brush script), A Adulsa Script, A Acorn Squash, A Awake Hearts, A Ahay Hore, A Ape Mount (painted), A Arang (painted), A Bapakmu, A Aja Males, A Ampun Bang, A Akuilah, A Buster Down, A Atos (a brush font), A Anekdot (a dry brush font), A Aksentuasi, A Amne Sans, A Akar Rumput (a dry brush font), A Applicant Signature, A Agreement Signature, A Affirmation, A Aneka Satwa, A Alonia (a dry brush script), A Angkanya Sebelas, A Anak Cute Bonus, A Anak Cute, A Asalkan, A Aihao (painted), A Ai Love (painted), a Acakadut, a Semongko, A Alangkah, A Awanipun, a Abstract Groovy (oily), A Angkatan Bersenjata (stencil), a Artinya, a Sumpah Masih Muda, A Anoman Obong, A Api Nyala, A Another Tag.

Typefaces from 2021: A Arena Graffiti, A Arus Balik, A Amaryllis Flower, A Astaga Dragon, A Apa Bedone 11 12, A Aromanis (a textured shadow font), A Amenity Kits, A Authorized Signature, A Andragogy, A Arrange Signature, A Amylase Script, A Artlazies, A Ahead Lettering, A Advice Quotes, a Accountant Signature, A Avocado Taco (textured), A Abrasion (grungy caps), A Agressive Winter (sketched caps).

Typefaces shown at Ikiiko Type in 2021, with a trend away from script fonts and towards display type: Arka, Afrocultures, Bachroque, Beach Sound, Brooklyn Pirates (a baseball script), Brownie Fox, Cameo (a display sans), Eleanore, Felicidade, Fielke, Hellofolks (a monoline script), Kaivalya, Kooltura, Le Cirque, Lebron Slab, Maxmillion, Nevermine, New Kids Crew (graffiti), Newaves, Silvercrush, Southern Clan, The Archies, The Rascals, Tjoekil Kajoe (linocut), vernacular, Tropicalismo (script), Wolfgang Krauss (blackletter).

Creative Fabrica link. Google] [More] ⦿

Ikiikowrk
[Andhika Pradana]

Surabaya, Indonesia-based type designer who set up Ikiikowrk in 2020. Typefaces from 2021: Afrocultures (script), Akira (a zenbrush script), Arka Heritage, Bachroque, Beach Sound (a retro font), Bluntype, Brooklyn Pirates (a baseball script), Brownie Fox, Cameo Sans, Camera Obscura, El Mariachi, Eleanore, Felicidade, Fielke (between serif and script), Hellofolks Monoline, Kaivalya, Kooltura (psychedelic), Le Cirque, Lebron Slab Little Ribbon, Maxmillion (a brush that emulates the 1980s), New Kids Crew, Newaves (Signature), Sailor Vito, Silvercrush (a brush font), Southern Clan, The Archies Typeface (an unconnected creamy supermarket script), The Athens (script), The Cleopatras Typeface The Rascals Tjoekil Kajoe, Tropicalismo (script), Wolfgang Krauss (blackletter).

Typefaces from 2022: Athens (a meaty condensed script), Camera Obscura (bold display type), Cleopatras (a mini-serifed vintage display font), El Mariachi (a stocky gunslinger slab serif), Kaivalya (described by the author as a cultural type), Le Cirque (a Tuscan circus font), Little Ribbon (a stocky script), Newkids Crew (a marker font), Afrocultures (a script with personality), Maxmillion (a retro script), Southern Clan (script), Tropicalismo (a handwriting font with some contrast), Brooklyn Pirates (a baseball script), Brownie Fox (a fat finger script), Fielke, Nevermine (wavy). [Google] [MyFonts] [More] ⦿

Ilham Maulana

Serang, Indonesia-based designer of the display typefaces Zero Line (2015), Heavy College (2015, athletic lettering), Quarta (2015), the script typefaces Peterson Script (2015), Randal Script (2015) and Robin Script (2015), the display typeface Dagzu (2015), and Holly Shot Day (2015), and the blackletter typefaces Punch (2015), Assault (2015) and MrGothic Casual (2015). Creative Market link [Dead link]. [Google] [More] ⦿

Ilham Taro (or: Type Aliens)
[Ilham Wahyu]

Aka Ilhamtaro Ilham, or Type Aliens. Yogyakarta, Indonesia-based graphic designer (b. 1986) who created these script typefaces in 2018: Sidorababy, Chesterville, Asthenia. He also designed the blackletter fonts Avertastevia (2018) and Avertequestra (2018).

Typefaces from 2019: Acuentre (tattoo script), Bvas Estadas, Buchin (a supermarket script), Chemvre, Aihet Script (a tattoo blackletter font), Melvca (Victorian), Hornbuckle (a tattoo font), Bullhawk (Tuscan, +Ornaments), Nafasyah (brush script), The HavSon, Avertequero (a tattoo font).

Typefaces from 2020: Khalif (calligraphic, Celtic), Brighton Spring, Alevantre, Coaster Ghost, Enica, Finezia (a monoline script), Treva Del Mar, Artisocrat (spurred, vintage), Ved Relret, Aviorte, Crockotten, Hanahelia (bold script), Raidspell, Alevattros (script), Blocco, Barstagle (a spurred wedge serif), Bellvast, Mostfear, Constreu (Victorian; with Oka Darmawan), Avestrava (blackletter), Avestrava Tattoo, Bluezingham, Arquitec (a fancy Tuscan typeface), Antistar (vintage label font). [Google] [MyFonts] [More] ⦿

Ilham Wahyu
[Ilham Taro (or: Type Aliens)]

Illustration Ink (was: Lettering Delights)
[Doug Larson]

Lettering Delights (later renamed Illustration Ink) is a company founded by Doug Larson in 1994, and located in Pleasant Grove, UT. Before that, Doug was at WordPerfect Corporation. Lettering Delights specializes in scrapbook, handwriting, doodle and alphading fonts. MyFonts link. MyFonts sells the following fonts, made in 2007-2008: LD Chaver (faux Hebrew), LD Cottage (blackletter), LD Daffy, LD Castle (Lombardic), LD Christmas Ale (uncial), LD Appliquée, LD Count Fontula (a grungy blackletter), LD Absurd, LD Bohemian Filigree, and many more. The "LDJ" series is made by Jillustration. A more complete list, as of March 2009: DB Dainty Swirl, LD Bohemian Filigree, LD Honeydukes, LDJ Christmas Troll, DB Trees, DB Floridity, DB Frilly Frames, DB Animal Occasion, DB Roman Philosophy, LD Garbo, DB Flornaments, DB Post Master, LD Daffy, LDJ Flirt, DB Flower Power, LD Absurd, DB Fancy Flourishes, LDJ Exhibit, LDJ Crafty (2007), LD Lamestain, DB Borders Birthday, DB Journal Doodles, LD Dirty Drusillus, LD Unconventional, DB Circles-Frilly, DB Foliage, LD Kung Pow, LDJ Jill Bird, DB Spring Fling, LD Goober, DB Artsy, DB Girly Flowers, DB Girly Girl, DB Journaling Boxes, DB Falalalala Doodle, LD Rock Hero, LDJ Yuletide, LD Count Fontula, LD Hang Ten, LD Horror Movie, DB Bridal Doodles, DB Floragraphy, LDJ Silly Sister, LDJ Jillk And Cookies, DB Birthday Cheer, LDI Fancy Folk, LD Imagine That, TXT Bethlehem, LD Distorted Drusillus, LD Romeo, LD Ugly Duckling, DB Beach Doodles, DB Easter Bunny, DB Smartypants, LD Christmas Ale, LD Shmutz, LDJ Eccentric, LD Cottage, LD Roman Sketch, LD Flutter, LD Generation X, LDJ Whimsey, LDJ Bash, LDJ Hen Hand, LD Roman Engraving, LDJ Scribble Scriptish, DB Fleuries, DB Pit Stop, DB Post Stamp, LDJ Distressed Yuletide, LDJ Jillegible, LDJ Cool Play, LD Demure, LDJ Caper, LD Poco, LD Softy, LD This Way, DB Easter Fun Doodles, DB Family Tree, DB Fright Night, DB Frilly Paisley, DB Just For U, DB Wedding Book, LD Scary, LD Appliqué, LDJ Forever Friends, LD Castle, LDJ Jill Scratch, LD Puck, LD Chaver, DB Bugs, DB Doodledeedoo, DB Frilly Words, DB Girly Soccer, DB Once Upon A Time, DB Spooky Doodles, DB Vintage Halloween, DB 'Tis The Season Modern, DB 'Tis The Season Words, DB Buggy Christmas, DB Christmas Doodles, DB Christmas Fun Doodles, DB Circles -, DB Circles - Christmas, DB Snowflakes, LD Hoot. Additions in 2009: TXT Fat Hatch, TXT Santa Font, LD Deck The Halls, LD Heather, LD Astoria, LDJ Doodaddles, TXT Brush Script, LD Elementary, LDJ Jingleberry, LDJ Knick Knack, LDJ Sneezes, LDJ Snow Doodles, TXT Annesia, TXT Groovy Smooth, TXT Hoopla, LD Let It Snow, LDJ Ho Ho Snow, TXT Altius, TXT HunkaSpunk, TXT Jubulation, TXT Monkeyshine, TXT Long Hand, LD Painters Hand, TXT Soda Shoppe, TXT Stonewashed, TXT Antique Italic, LD Wait, LD Soccer Mom, LDJ Sweet Potatoes, Scrap Caps, TXT Romanesque, Scrap casual, TXT Scribbletti, TXT Sloppy Script, LDJ Billy Bob, LDJ Cool Cat, LD Wedding, TXT Menu Item, LD Red Hatters Hand, Scrap Twiggy, LD Lanky, TXT Modern Mom, TXT Nuptials, TXT Delicate Script, LDJ Fadoodle, LD Kiss The Cook, LD Kooky, LD Old Country, LD Remington Portable, LD Underwood 5 (old typewriter), TXT Personality, TXT Jersey, LD Wanted (Far West), LDJ Dear Santa, TXT Monique, TXT Old English (blackletter), LD Christmas Carol (blackletter), LDJ Cooligraphy, LDJ Elf writing, LDJ Friend Font, LD Harry, Scrap Brother, LDJ Squirrel Tracks, TXT Tough Love, TXT Small World, TXT Stitched, LDJ Elf Note, LD Engraved, Scrap Sloppy, LD Sidewalk Chalk, LDJ Story Stamp, LDJ Tickled Tourist, LD Little Buggy (2008), LD Platform Soul (2011), PN Finnegan Fine (2017), LD Laundry Night (2018).

Images of some fonts made in 2010: LD Chaplin, LD Confucius, LD Cursive, LD Cursive Flourish, LD Eleanor Ray, LD Elegance, LD Gettysburg, LD Newborn Vampire, LD Twilight, LD Werewolf.

The list of typefaces at Creative Fabrica at the end of 2018: Abomination, Americana Preserves, Aphrodisiac, Apple Crisp, Arachno Horror, Bane Existence, Batabulous, Beddie Bye, Belly Laughs, Bigshot Jitter, Blackbird Pie, Bomb Diggity, Boogieman, Bough Breaks, Bounce Print, Brainpop, Bread and Sugar, Build Me Up, Bunny Hop, Buttermilk, Canoodling, Carbohydrate, Catawampus, Chocolate Candies, Cilantro Leaf, Clacker Jax, Cookie King, Cranky, Cupcake Face, Destination Wedding, Deutschland, Doohickey, Dream Catcher, Earthlings Obey, Eat Your Vegetables, Enthusiasm Serif, Evil Olivia, Farmhouse, Fidgety, Finnegan, Finnegan Fine, Firefly, Frankenfont, Frapple, Gelato, Ghostwriter, Gingerbread Cake, Gladstick Thick, Gooey Gumdrops, Gooey Gumdrops Gorey, Gooey Gumdrops Script, Goose Pimples, Graham Cracking, Grumble, Half Baked, Halloween Bean, Halloween Elegance, Happy Haunted Holidays, Hatch It Inline, Hatch-it-all, Housewife, Hummingbird, Hustle Time, Imaginary Cherry Juice, Incandescent Bulb, Invitation Only, Jack Sprat, Jelly Doughnut, Just Hatched, Kick the Can Serif, Kicks and Giggles, LD Lost and Found, Ladyfinger, Laundry Night, Long Island, Long Island Independence, Lucky Star, Mabel Rose, Macaroni Salad, Magenta, Magnolia, Maunaloa, Megabite, Megajoule, Migelson, Millionaire Bachelor, Millionaire Bleeds, Mingle, Monkey Potluck, Moshing, Mother May I, Mousetrap, Mr. Brown Goes To Town, Necrophobia, Nether Lights, Newfangled, Night Fox, Nightliter, Oh My Gourd, Oogety Hand, PN Alphabet Soup, PN Banana Split, PN Banana Split Script, PN Breakfast Burrito, PN Juneberry, PN Neighborhood, PN Octopus Socks, PN Phat Script Sheen Duo, PN Shenanigan, PN Ski-Doozy and Ski-Dazy Font Duo, PN South Carolina, PN Epoisses de Bourgogne, Peach Mango, Peach Preserves, Peanut Butter and Honey, Peppermint, Playmate, Popsicle Dream, Positively, Pumpkin Patch, Pumpkin Pie, Radioactive, Radioactive Decay, Ragamuffin, Razzle Berry, Rejuvenation, Saddlesore, Said No One, Sand and Sea Drool, Saturday Duo, Say What, Scamper, Seagully, Sharky Pants, Sharkypants Pow, Shoofly, Shugarpie Honeybunch, Singleton, Smarty Pants, Spicy Margarita, Spiegel, Spine Chilling, Spooksville, Spotlight, Stars & Swirls Monogram Banner, Stinkbug, Storybrooke, Storybrooke Script, Sugar Britches, Sugar Cookie, Sugar Rush, Sugarcane, Sundance, Supercilious, Superlunacy, Sweater Weather Serif, Sweeter Dreams, Sweetie Face, The Dead Walk, Threadcount, Thurday's Child, Toastie, Tomatoes, Tombstone, Triassic Dinosaurs, Type Right, Unfortunate News Ooze, Unicorn Script Jitter, Whisk It, Yahoolagism, Yoga Master, ZP Beastly Gorgioso, ZP Bookaholic, ZP Frozen Lemonade, ZP Glue Stick, ZP Jack and Diane, ZP Jack and the Beanstalk, ZP Prehistoric Age, ZP Raisin Cookie, ZP Schnugguns, ZP Seaside, Zucchini Bread, Zweetie Curliecue.

Typefaces from 2019: DB Lucky Sunshine.

Typefaces from 2020: PN Sharkypants.

Creative Fabrica link. View Doug Larson's typefaces. [Google] [MyFonts] [More] ⦿

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Frenchman (b. 1957) who started making fonts in 2010, after a career in illustration, comics, and video games. In 2010, he created the free fonts BabyJo (pixel face), Bayday, Chrom (beveled face), LaPresse (grunge), Muffaroo, Poppy, Poppydot, Spacecard, Strokewith, Strokeless, ToonLand (comic book lettering), ToonLandBlack, ToonLandShad, TrashToys (grunge), WorldColors (3d face).

In 2011, he published Francobelge (comic book face), Freepress (grunge), Gamix (Western titling face), Inmyroom (dingbats), Majestrick (calligraphic), Onomatopaf (comic book dings), Outerzone, OuterzoneB, Starz (dingbats), Stenstreet (grunge), Tram, Tramix (texture face), TrashToys02, War-Lettersn, Mixagex, Massive Dynamite (grunge), Not Well (grunge), Actu, Blck, Gling (texture face), HeRioz (silhouettes), Brightoon (cartoonish brush face), Muzo (ink spill face), Sharpy, Space Shop (dingbats), Pulp Dance (hand-printed), Essef (art deco), Retro Sign (grunge), Labo (grunge), Exhausted, Komikoz, Puzzled, Toonimals (dings), Penstriped (sketch face), Cashier (grungy), Dan Hand, Hardwell (grungy caps), Colleged (athletic lettering), Goodjean (jeans texture face), Seaside Things (dingbats), Real Tek (techno), Zou (3d hand-printed caps), Painter, Border Line (grunge), Handout (grunge), Tract (grunge), Pulpatone (grunge), Logos I Love, Pal Antic (chancery hand), Twent (fat rounded display face), DoodFlow (dingbats), Afro Add (texture face), Crump (grunge), Big White, Dark Room (grunge), Manifesto (grunge), Tacketil (a FontStruct font), Otto Land (sketch face), Over (outline face), Under (brush dings), Baskertown (grunge), Nursery Tale, Panic (texture face), BlackNDot (ink spill face), Beyond (striped display face), Advert, Car Crash (grunge), Heartz, Starsteel, Smart Faces, Blackflag (a brushed blackletter), Dock 51 (grungy stencil), Lead (3d face).

In November 2011, he created a number of texture typefaces: Hotöcop, Pal Mod, Speedy (sketch face), Thirties Gold, Sunset GP.

Further 2011 typefaces: Poptivi, Shadow Mole, Super Modern Black.

Faces from 2012: Remanence, Winter Days (dingbats), Nowharehouse (grunge), Snuff (grunge), Cup of Tea (3d shadow face), Talk of the wall.

Typefaces from 2012: Egirlz (dingbats), Art Post (white on black poster lettering), Volutes (copperplate calligraphic script), From me 2 you (curly script), PS I Love You, Kolossal (caps only), Kraash, Alexandre (3d engraved headline face), Monstres de poche (dingbats), Alternate (grunge), Warning, Dreams (brush face), Headline Crack, Bump Pad (textured typeface), Carton (grungy white-on-black stencil face), Maybe maybe Not, Frames n Riboons (sic), Blackboard (sketched face), Logotronik (a 3d techno face), Big Bad Dogs (dingbats), Libre Expression (engraved copperplate typeface), Mecagothix (textured blackletter face), Destroy, Destroy Helpers, Buy More, Things we said (curly face), Lost Saloon (Tuscan), Salon de Coiffure (beveled), Brighton Pier (grunge), Motel Vacancy (grunge), Bates Shower (dripping blood typeface), Venus Furs (texture typeface), Showmen, True Men Tattoos (dingbats), Quicker (sketch font), Romanum Est (grungy Trajan face), Also (scratchy letters), Lazy Day (3d font), Pusher, Hard Dumb, The Idiot, Overflowing (grunge), Fast Foont (sketched), Melange (grunge), Jumbo Parade (circus font), Happy Monsters, Zozox (experimental), Magic Sound (packaging typeface), Arena Mascaras (dingbats), Top View (3d face), Flagadoum, Last King Quest, Rhythm n Blacks (textured face), Troll Sketched, Superpoz (a 3d painted typeface of exceptional beauty), HalloCuties (Halloween font), Gothik Steel (circus font), Silvestre Relief (3d titling face), Just Like That (comic book face), Numero 10 (athletic lettering), Tet de Mor (skulls), Facelook, Xmas Dad, Instant Marker, Ragtimer, Punk Dots (textured face), Onomato Vlam (comic book balloons), 8th Cargo (textured mechanical octagonal face), Zu Kabarett (creepy curly German expressionist face), Unusual Day One, Happy New One (party font), Xmas Doods, Xmas Doods 2, Higher, Usual Day One, Team 401 (athletic lettering), Doonga (comic strip letters), Killer's Move.

Typefaces from 2013: Them (fat brush), Ghost Code, Tiny Heroes (figurines), Over There (sci-fi), Higher than High, Abandon (sketched face), Broken Hearts, True Stories, A wolf at the door (wood style poster face), Elo Hand, Bots n Droids (dingbats), Toonimals 2 (dingbats), Halftoned Backup (textured face), Novlang (textured poster face), Come With Us, Ptits Pirates (pirate figurines), Board Dudes (skateboard dingbats), Big Bro's Watch (grungy), Doonga Slash (comic book face), Round About, Signz, Lethal League (grungy athletic lettering), Dark Times, Dandy Hat Trick, tardots (textured typeface), Dinoz (dinosaur dingbats), Big Surprise (fat script), Comix Loud, Arlequin, Fanzine Title, Scotch Taped, Phoenix (dingbats), Rock's Death (grunge), Tuamotu (textured), Trees Friends (dingbats), King Arthur Legend (blackletter), Fairy Strange, Flame On, Mystery, Money Go Round (ransom note font), Seven of One, Captain's Talk, Peaches en Regalia (sketch font), Wrong Board (textured or crayon typeface), Subito (comic book face), Extra Sales (signage face), Gimme Danger (grunge stencil), Alphabet City (graffiti font), Raleigh Rock, Rysky Lines, Splash, Good Vibers (comic book figurines), Tequilla Sunrise (3d shadow face), Graphers Blog, Star Waves, Splash, Action Comics, Wild Trails (wood plank typeface), Tiki Club (dingbats), Bad Striped (sketched face), Come With Me (paint drip face), Famous Oldies (textured face), Girly Toons (dingbats), Eshop Advert, Full Pack 2025, Dickson's Tale (a great grungy caps face), Hand Typewriter, Campus Relief (athletic lettering), ZalienZ (dingbats), Manga Style (oriental brush), Journal du Soir (letterpress emulation), Royal Delight (3d sketched face), Gothix Fate, Lettrisme (a letterpress ransom note font), NYC Zone 123 (graffiti face), Tedz (teddy bear dingbats), Merry Xmas, Last Day On Earth (textured typeface).

Typefaces from 2014: Dite Alla Giovine (flared cursive script), Heavy Gothik (textured blackletter), Comix Bubbles, King of Scotland (textured), Lazy Sketch, Arabica Export (coffee bag texture), Scream Again, Season of the Witch, Soul Festival, Back Ride 342, Cheap-Potatoes, Nine-Feet-Under (grunge), Remingtoned-Type, Search'n-Destroy, Starz-2, Vanished, On The Roof (or: On The Tops), Mad Groove Blast, Another Brick (textured face), Destination Future, Perversionist, Dex's Jobs (Treefrog-style typeface), Ptit Coeur d'Amour, Mickey's School (athletic lettering), One Way or Another (a hand-drawn poster typeface), Californian Cars (license plates), Building State Empire, Back on Lime (shadow face), Next Ups (graffiti face), PatchFun (textured face), Railway to Hells, Shut'em Down, Misunderstanding, Another Brick (textureface), Perversionist (grunge), Destination Future, Linographer, Polish Posterisation, For Girls Only, Half Price 4 You (sketched typeface), Secret Agency (bad ink grunge), Player One (a grungy baseball Script), Raw Notice, Home Mad Popsters, No Silly Walk There, Bad Coma (lovely grunge), Dark Net Warrior (grunge), Cowboy Movie (Western font), Palm Beach (textured typeface), Search n Destroy (textured), Carnaval de mai, Variations (textured), Black Jeans (weathered font), City of Light, Santa's Air Mail (snow-capped letters), Cheap-Potatoes, Nine-Feet-Under, Remingtoned-Type, Search'n-Destroy, Starz-2, Vanished.

Typefaces from 2015: Snake Jacket, Big Campus (athletic lettering), Penball Wizard, When The Eagles Dare, Urban Brush Zone (graffiti font), Wild West Pixel, World Black Shadow, Next Custom, Irresponsible Direction (grunge), Doodle Gum (textured), Posthuman (textured), Red Zone (glaz krak face), Smasher 312 (graffiti font), Columbine (dripping blood font), Tarentula's Web, Just Like This (retro funk), Eastern Brush (oriental brush typeface), Pulp Headlines (grungy typeface), War is Over (letterpress emulation), Thirties Relief, Flowers Power (sic) (floral caps), Direct du Gauche (inky brush), Jackpot (3d, sketched), Numero 10 Clean (athletic lettering), Lace Dreams (textured), Right Chalk (chalky crayon font), Lazy Sketch Black, Golden Age (shaded pixel font), Swamp Death (textured), Astounding News, Heavy Metal Rocking, Fifties Movies, Grunge Strokes 01, Cosmik Orchestra, Paysley Sports (sandy athletic lettering), No Safety Zone (grungy stencil), Quicksands (textured), Break It Down (glaz krak font), Naughty Cartoons, Mad Groove Clean (athletic lettering), Outlaw Stars (grungy Western face), Space Comics, Dirty Bowl 86 (athletic lettering), Cheap Potatoes Black (imitating pototo printing?), ExtraBlur (textured), Backside Air, Megalopolis, Curse of the Zombie, After the Goldrush, Avantgardiste 1934, Easy Fashion (textured), Free Thinking's Murder (textured), Phantom Zone (zombie texture), Snake In The Boot, Checkpoint Charlie (grungy stencil), For Girls Only Bold, Playing In The Mood (piano key face), Intergalactik Airlines, Les Mystères de Paris, Season of the Witch Black (blackletter), Resistance Is Futile (a great textured mechanical typeface), On The Tops Lights (matinee signage), Strawberry Fields, Serif of Nottingham, OnomatoBom (cartoon smaks).

Typefaces from 2016: Dynamix (a shaded comic book typeface), Black Santa (snowy letters), Astral Delight, Mr. Headlines (titling sans), Sister Spray, Shaka Pow (cartoon font), Jack in the Box, Glitter Campus (athletic lettering), Ghost Crazy (heavy brush), Prezident, Flowers Kingdom (psychedelic), Galaxy Corps (octagonal stencil), Stitchn School, Brown Shoes, Armagedon (dry brush), Smasher 312 (graffiti style), Bad Stories, Master Droid, Heavy Metal Box (grungy letterpress), Outerspace Shoping (sic), Extros Backstage (squarish), Jelly Crazies (jellybean font), Black and White Banners, Ballad of Dwight Frye (grungy), Crazy Sixties, SciFi Movies, Maximum Strength (athletic lettering), Evanescente (sketched typeface), Urban Ghost, Vif Argent (watercolor brush script), Demolition Crack (textured), How to Disappear, Public Market, Pyjama Party, Magician Rings (modular sans), Pale Blue Eyes (brush script), All The Mad men (sketched), Dixociative (white-on-black), White Flame (octagonal typeface), Asian Delight (oriental brush emulation), Candy Shop, Barb Wire Club, Super Weird, My Socks Line.

Typefaces from 2017: Scoubidou Rap, Good Morning (cartoon font), Graphik Arts (textured), Danger Zone Warning, Love The One You're With, Are You Hung Up (textured), Keys of Paradise, Mr Headlines Fancy, Game of Brush, Powerful, Ghost Shadow, Quick Menu Boards, Urban Fresh Air, Cheer Lace Leader (textured), Cracked Code (grunge), Very Simple Chalk, Fluo Gums, Very Popular, Personal Service, Blind Signature (crayon font), Blood n Guts, Quarterback Fight (octagonal athletic lettering), Supersonic Rocketship, Reboot Crush, Strange Path (dry brush font), Heroes Legend, Cache-Tampon, Championship (a great horizontally striped typeface), Silver Age Queens, Strange Tales.

Typefaces from 2018: Play With Fire, Scrunched, Megalomaniac Headliners, Craps of Paper (white on black), All Things Must Pass (textured), Presque Normal, Interfearence, Pop of the Tops, Universal Knowledge, Digital College, Cold Turkey (a handcrafted horror font), Strange Magic, Grandissimo, Best Prices (sketched), Magician's Daughter, Children's Theater (textured), Magnifico, Lethal Slime, Pop of the Pops, Slow Death, Folk Festival, Strange Marvel, Strong Impact (octagonal), Heavy Metal Blight, Mango Slice, Are You Jimmy Carl Black, Strange Clowns, Mechanical Animals, Fast Forward, Spanish Castles, Vintage Warehouse, Swamp Black, Pixelmania, Enigma key, Vlump (wooden plank font), Guns n Flash Comix, Black Streamer, East Border (military stencil), Bot Craftshop, Super Quick, Don't You Know?, Return of the Flash, Only The Strong (weathered athletics font), Hands Up, Strange Shadow, White on Black, Ed Wood Movies.

Typefaces from 2019: Inner Mounting Flame, Playtimes, Game Commands (white on black), Magic Spots (with a spotted texture), Vanishing (with a halftone effect), State Secret (squarish), All My Stitches (a hospital font), Lightyear Design, Ancient Ad, African Style (textured with African patterns), Secret Planet (sci-fi), Universal Ignorance, Give Peace a Chance, Hard Punk Gothic, Vraoum (speed emulation font), Galaxy Travels, Megapoliscape, Red Signal, Perfect Mystery (dry brush), Many Years Ago (mechanical, octagonal), Vintage Display (textured caps), Space Sport (textured, octagonal), Dancing Days, Steam Punk, Splatch (comic book font), Rear Defender (octagonal, stencil), Ghost Factory, Kids Magazine.

Typefaces from 2020: Bright Star (sci-fi), Fiesta Rumba (a matinee font), Sergeant Rock (a stencil typeface), Tricky Hearts (a vampire font), Organic Brand, Campus Riot (grungy), Crazy Love Song, Shiny Signature, Evil Highway, Slightly Eroded, Lightyear Shadow, City Player (graffiti), Night of the Deads (a horror font), Ka Blam (an all caps cartoon font), Unforgettable, Corrupted File (grungy, pixelish), Urban Heroes (a dripping paint font), Victorian Art Magic Remains, Kid Games, Restricted Area (a dripping paint stencil), Dark Poestry, Platinum Sign, Tacos de Tijuana (a Mexican party font), Retro Shine, Lower East Side (a graffiti font), Holidays Homework (a chalk font), Deep Shadow, Finger Printed, Crushed (a glaz krak typeface), Bing Bam Boum, Stars Fighters (a Star Trek font).

Typefaces from 2021: Baby Party, Shadow Of The Deads, Big Bad Bugs, Boldfinger (bold caps), Paperback Writer (sketched), Comics Tricks, Charming Sixties, Squarely, Mad King Games, Back to School (a varsity font), Youtube Star (an oily typeface), Silver Medal (beveled), Cosmic Blaster. [Google] [More] ⦿

Imogen Ayres
[Möbel Type]

Linotype page on him. FontShop link. Klingspor link.

Imperator Kot
[Liudmila Riumina]

Moscow-based designer of the decorative caps typefaces Gothic Ornamental (2016: this blackletter typeface also has lowercase letters, and is based on "Gems of Penmanship" by Williams&Packard, 1867) and Vintage Ornamental (2016, also based on "Gems of Penmanship" by Williams&Packard, 1867). All fonts are in vector format. [Google] [More] ⦿

Imre Reiner

Typographer, architect, designer and type designer, b. Versec, Hungary, 1900, d. Lugano, Switzerland, 1987. He emigrated from Hungary, and studied at the Staatliche Bildhauerschule Zalatua, the Kunstgewerbeschule Frankfurt, and the Kunstgewerbeschule in Stuttgart, where Prof. F. H. Ernst Schneidler was his teacher. After a brief stint (1923-1925) as a graphic designer in London, Paris, New York and Chicago, he returned to study with Schneidler, and from 1931 onwards, he worked in Ruvigliana near Lugano as painter, graphic designer and illustrator. His list of fonts includes:

Bazaar or Bazar (1956, D. Stempel; this brush typeface was revived in 2005 by Patrick Griffin, Canada Type, as Boondock).
The brush script Contact (Deberny&Peignot, 1952; Ludwig&Mayer, 1968 (according to Jaspert), and 1963 according to others).
Corvinus (Bauersche Giesserei, 1934; Swisstypedesign mentions 1932-1935). See also here. Corvinus Skyline (1934). Digital typefaces derived from this include Corvinus Skyline (1991, Group Type), Skyline (1992, Jane Patterson, Font Bureau).
Figaro (1940).
Floride or Florides Initiales (Deberny&Peignot, 1938): 3d horizontally shaded caps.
The Gotika fraktur font (Bauersche Giesserei, 1933), revived as Gotika by Petra Heidorn (2005, no downloads) and as Leather by Canada Type (2005). Manfred Klein created Gotika Buttons (2005) based on Petra Heidorn's Gotika. Gotika discussion on Typophile. Eric West intends to do a digitization as well, and Neufville is not cooperating.
London Script (1957). This was digitized twice at Canada Type, once by Phil Rutter in 2004 as Almanac, and once in 2007 by Rebecca Alaccari as Reiner Hand.
Matura MT (1938, Monotype), Matura Swash (1938).
Mercurius MT (1957).
Meridian (1930, Klingspor: a fat display face). Swisstypedesign says 1929.
Mustang (1956, D. Stempel, a brush script revived in 2005 by Canada Type as Hunter).
Pepita MT (1959).
Reiner Black (1955, Berthold, a brush script). For a digital vrsion, see Rough Script (2012, SoftMaker).
Reiner Script (1951, Amsterdam). Digitizations of this brush script under the same name include those of Dieter Steffmann and Tobias Frere-Jones (Font Bureau, 1993).
Sassa (1939).
Stradivarius (1945, identical to his Symphonie; Bauersche Giesserei, 1938), a formal script font with a compressed straightened lower case alphabet. [Note: Neufville copied it in its Sinfonia later, and in 2005, Petra Heidorn made a digitized version called Symphonie.] Martin Z. Schröder discusses its origins here. Also called Neue Symphony (1938). Digitizations include the free font Symphonie (2015, Peter Wiegel) and the commercial typeface by Group Type (1993) called Stradivarius.
Amsterdam Primula Ornaments. A digital version by Ari Rafaeli is called Ornaments 5 (2010).

In 1992, Manfred Klein made Tokay-MK after one of Reiner's ideas. In 2004, he added VariationsForImre, a playful typeface based on Reiner's lettering, and this was followed in 2005 by Magyarish.

Reiner wrote several books, including Modern and Historical Typography An Illustrated Guide (1946, Paul A. Struck, New York, and 1948, Zollikofer and Comp., St. Gallen).

View Imre Reiner's typefaces. [Google] [MyFonts] [More] ⦿

I.N. Elnuri

Designer of these Uyghur typefaces: Ukij Junun (2011: shaded), Ukij Mejnun (2011: blackletter), Ukij Mejnuntal, Ukij MoyQelem, Ukij Saet. [Google] [More] ⦿

indigena

Designer who used FontStruct to make Indigena (2008, Inca lettering simulation) and Mapu (2008, blackletter). [Google] [More] ⦿

Ingo Preuss
[preussTYPE]

Ingo Zimmermann
[Ingofonts]

Ingofonts
[Ingo Zimmermann]

Ingofonts is a foundry in Augsburg started by Ingo Zimmermann (b. 1967) in 1994. It offers Fraktur fonts, handwriting fonts, sans serif fonts, Antiqua fonts and some pixel fonts. Full fonts go for 50 USD a piece and up. Some fonts are free. Many fonts are adaptations or revivals of historically important fonts. Ingo also practices calligraphy, and in particular, calligraphy for wine labels. The list:

Absolut Pro (2008) is a classy sans family that comes in Regular, Licht, Thin and Schmuck.
Amhara (2009): An experimental font inspired by the Ethiopic writing system.
Analogue (2010).
Anatole France (1997-2021). An art deco font in the style of Plakat Schrift by the munich-based printer Georg D. W. Callwey.
August Sans (2013).
Auxerre. A wedge-serifed text typeface. Ingo writes: Auxerre is a precursor of Etienne, which later became popular as an advertising script of the 19th century.
Banknote 1948 (2010).
Behrens Schrift (2008) is based on Behrens' famous 1902 Jugendstil typeface for Rudhard'sche Giesserei. Behrensschrift iF Plus (+Schmuck) followed in 2021.
Biró Script is a handwriting font (2007-2012, +Biro Script Plus, 2020) named after the inventor of the ballpoint pen, Laszlo Joszef Biro, 1899-1985.
Boule Plus (2020). A fat round circle-based bubblegum font family in Gras, Contour and Brilliant styles.
CharpentierBaroqueIF, CharpentierClassicItaliqueIF, CharpentierClassicistiqueIF, Charpentier Renaissance Pro (1996 and Pro version from 2020; modeled on Roman Capitalis). Charpentier Classicistique Pro (2020; earlier called Classicist) is an absolutely charming didone display typeface family with an award quality Black. In 2014, he added Charpentier Sans Pro for Latin, Greek and Cyrillic with the Pro version following in 2020.
Chiq Pro. After Apple's Chicago.
Conté Script (2014). A phenomenal effort towards the creation of a typeface that emulates real handwriting. It even has three-letter ligatures to achieve the desired reality. Based on Ingo's own hand, it also achieves a crayon effect. See also Conte Script Plus (2020).
Countries of Europe (2008). Outlines of countries. Free download.
DeBorstel Brush Pro (2009): brush face.
De Display (2010). A gridded type system.
De Fonte (1995): a grungy blurred overexposed Helvetica. See also De Fonte Plus (2020).
Déformé: a grungy Clarendon.
Deko-Blakk, Deko-Yello (art deco typefaces from 2007).
DeKunst (1995, deconstructivist). DeKunst Initialen (2007) is Bauhaus-inspired.
DePixel (1999: based on Apple's Geneva and Chicago; and Illegible DePixel).
Deutsche Schrift Callwey (1998). A free Sütterlin script that is based on a script sample from around 1920/30 by Karl Schäffer. DeutscheSchriftCallwey (1998): a free handwriting typeface in the style of the 1800s that was later taught in German schools under the generic name of "Sütterlin type".
Rudolf Diesel Rudolf (2008-2009): Based on the handwriting of the inventor of the Diesel motor, Rudolf Kristian Karl Diesel (1858-1913).
Die Überschrift (1998): headline sans.
EconoSans Pro (2020). A 28-style sans that is meant to save space by squishing the letters together.
Faber Eins, Faber Zwei (1996, legible sans family), Faber Drei, Faber Gotic (2002, +Text, +Gothic, +Gotic Capitals; a Textura based on Gutenberg's blackletter from 1450), Faber Fraktur (1994), Faber Sans Pro (2011). This comes with a great all caps Deko style.
Façacde Pro (2007). An art nouveau brush typeface found in a 1900 booklet by Karl Otto Maier (a publisher in Ravensburg) entitled Schriften-Sammlung für Techniker Verkleinerte Schriften der wichtigsten Alphabete. Cyrillic version.
Fixogum (1998, scratchy handwriting).
Fundstueck (2021). A simplified squarish typeface.
Graz2006 (1994, a sans family for the 2006 OlumTypographerpic Games in Graz; later renamed by Linotype to Olympia).
Guhly (2011). An organic family.
Gutenberg (1995, a textura).
Handschrift (2007). Expressionist and rough.
Hedwig Pro (2021). A tall condensed sans; 12 styles.
Hero (angular handwriting).
Josef (2000), Josefov (2003, slab serif for Josef), JosefPro (2006, a free sans family), Josefa Rounded Pro (2020: a rounded sans family).
Klex Plus (1997): a calligraphic or watercolor brush font.
Koch Schrift (1998-2021). A Schwabacher used by the Deutsche Reichsbahn and first developed by Rudolf Koch in 1909, first known as Neudeutsch and later as Koch Schrift. An earlier version of Zimmermann's Koch Schrift was called Schwabacher Deutsche Reichsbahn.
Lech Sans (2020). A humanist sans family.
LeDrôle Lettering Pro (2020).
LettreCivilitdeGranjon (1997, a reworking of S. Moye's font by that name).
Maier's No. 8 (2002) and Maier's Neue No. 8 based on forms found in work of Karl O. Maier from before 1914, which already has the geometrical simplicity characteristic of the Weimar period. Maiers No. 21 (2006) and Maiers Nr 21 Pro (2021) are based on a script found in the magazine Schriften-Sammlung für Techniker: Verkleinerte Schriften der wichtigsten Alphabete (Karl O. Maier, Otto Maier Publishing House, Ravensburg, ca. 1910)---a hand-crafted font for technicians. Finally, Maiers Nr. 42 Pro (2020) is a brush-painted art nouveau typeface based a pamphlet of script samples from around 1900 that was issued by Otto Maier's publishing house in Ravensburg, Germany.
Marleen Script (2011, with over 400 ligatures).
Menschenalphabet (1997), based on Peter Flötner's alphabet from 1534.
Novello Pro (2009): The serifed counterpart of his Absolut Pro family.
OlympiaBuchIF, OlympiaFettIF, OlympiaHalbfettIF, OlympiaLeichtIF, OlympiaSemiSansBuchIF
Palmona Plus (2008). A German expressionist blackletter after Karl Schaeffer (1939). Palmona Plus was published in 2020.
Saeculum (1996, cursive connected handwriting).
Rudolf Diesel (2008-2009): Based on the handwriting of the inventor of the Diesel motor.
Toby Font (2006(. A 3d doodle font for children.
Wendelin Pro (1996). A grotesque family. The Pro was released in 2020.
Whole Europe (2008, outlines of countries), now called Countries Of Europe. Pick it up, togeter with many suppoirt files for TeX by Herbert Voss, at CTAN.

Dafont link. Fontsy link. Klingspor link. Dafont link. Abstract Fonts link. [Google] [MyFonts] [More] ⦿

Ingrimayne Type (was: The Bovine Rebellion)
[Robert Schenk]

Ingrimayne Type was established in 1988 by Robert Schenk to sell his fonts via the web and via CDs such as the No-Hype Type CD (2500 typefaces in trueType and PostScript, with mostly original typefaces). Robert Schenk (b. 1946, Minnesota) lives in Rensselaer, IN. Before Ingrimayne, Schenk's type was distributed by Wayzata Technology. Free fonts at his site included Red Letter, Zirkle, Sallonext, Zarrow, Serpent.

Specimen book. Alternate URL.

Dingbat fonts: XPhyn gern (1990, pointing fingers), XPointedDesert and XSimpleHands (1994, more fists), Schneeflaken (two snow fonts, now available as XSchneeFlaken), ComputerBugz (nice butterflies, now available as XCompuTerBuggz), Galaxies (around the theme of the sun and stars), GlitzyFlash (1990), Grandecort (1994), LeakOrLeach (1995), Baumfuss (1990), LeafMeAlone (leaves), StarsAndStripes, StarPieces, Fingers, SimpleHands, PointedDesert, IngyDing (1996, 3 dingbat fonts in the style of Zapf Dingbats; in 2010 overhauled into one 1400-ornament monster face, Ingy Ding MCD, containing smilies, arrows, Zapfian ornaments, dice, chess pieces, fists, weather dingbats, and so forth), IngyDingLeftovers.

A list of fonts:

A: Aabced-Bold-Italic, Aabced-Bold, Aabced-Italic, Aabced-Regular, Aabced, AabcedBold, AabcedBoldItalic, AabcedExtraBold, AabcedItalic, AabcedRoman, AabcedXBold-Bold, AabcedXBold, Abagail-Regular, AbagailJackson, AccruedInterest, AcornSwash-Regular, AcornSwash, AcornSwashAltern-Regular, AcornSwashAltern, AcornSwashRoman, Accrued Interest, Albert Betenbuch (blackletter), AlbertBetenbuchExtrude, AllSmiles, AmericanMorseCodeIT, AnarckWarp, Anarckhie, AnarckhieBold, AnarckhieBoldItalic, AnarckhieDecayed, AnarckhieItalic, AnarckhieJiggled, AnarckhieRagged, AnarckhieShadow, AndrewAndreasBold, AndrewAndreasPlain, AndrewAndreasXBold, Andrew Andy College (athletic lettering), AndrewAndyStencil, AndrewAndyStencilBold, AndyEight, AntsyPantsy, ArgentBobSquish, Argenta, ArgentaBobbWig, ArgentaBobbed, ArgentaBold, ArgentabObbed, Asterx-Regular, Asterx, Auldroon-Regular, Auldroon (blackletter), AndrewAndyKactus, AntsyPantsy.
B: Baker Half (2004, an experimental hexagonally designed family), Balboat-Regular, BalboatBold, BalboatPlain, Bannetters (2021: letters for tilted banners), Barefoot, BaumSquiggle, Baumfuss-Regular, Baumfuss, BaumfussTwo-Regular, BaumfussTwo, Bear Anark (2021: a 10-style slab serif), BearButteTBold, BearButteTBoldItalic, BearButteTItalic, BearButteTPlain, BearButteTSpecial, BeastlyFont, Bene, BeneCryptExtrude, BeneCryptine-Regular, BeneCryptine (blackletter), BeneCryptineDistorted, BeneScriptine-Regular, BeneScriptine (blackletter), BetterEuroika, BetterEuroikaBold, BetterEuroikaBoldItalic, BetterEuroikaHybrid, BetterEuroikaHybridBold, BetterEuroikaItalic, BetterIngriana, BetterIngrianaBold, BetterIngrianaBoldItalic, BetterIngrianaHybrid, BetterIngrianaHybridBold, BetterIngrianaItalic, BetterKamp, BetterKampBold, BetterKampBoldItalic, BetterKampItalic, BetterTypeRightBold, BetterTypeRightBoldItalic, BetterTypeRightItalic, BetterTypeRightMedium, BetterTypeRightPlain, BetterTypeRightThin, BetterTypeRightThinItalic, BetterTypeRiteSpec, BetterTypeRiteSpecBold, Big-Regular, BigBottom, Big Stripes Mono (2021), Bigtop-Regular, Bigtop, Bilevel, Billowed (2022), BiteOfApple, Bizaro, BizaroRES, Blockboys, Bluster Left, BobsExtraPictures, BobsStandardChess, Bouncer (2019), Bowling, Bright Ideas (2020: lightbulb alphadings), BringInTheFrowns, Brrrrr-Regular, Brrrrr, BuggyFont, BumberShoot.
C: Caltic (2020), CemeteryWalk (2018), Cennerik-Bold, Cennerik-Regular, Cennerik, CennerikBold, CennerikEBold, CennerikExtraBold, CennerikPlain, CennerikSpiked, CennerikXBold-Bold, ChainLetterOne, ChainLetterTwo, CheckMateRES, ChessNut, ChessNutTwo, Chessterton, ChesstertonTwo, Circlet, Ckornoments (2020), Close Together (2020), CoffeeMug, Coffinated (2020: letters boxed into coffins), CompassOne, CompuTerBuggz, ConcavWarp, ConcavexCaps, ConcavexCapsWave, ConcavexStepper, CoughingNails, Court-Regular, CourtGesture, CourtJesterFrizzy, CrippledFont, CuthbMangle, CuthbeNick, Cuthbert.
D: DavidBurry, DavidFarewell, DavidFarewellBold, David Farewell Stencil, Dear John, Demotte-Bold, Demotte-Regular, Demotte, DemotteBold, DemotteWarp, Dinner-Regular, Dinner, DinoTracks (2021), Dottie, DrivEddie, Dschoyphul.
E: EdsDream, EdwardEdwinBold, EdwardEdwinPlain (1994, copperplate script), Eggad (2020), Eldroon, Erkball, ErkballBold, Euroika-Bold-Italic, Euroika-Bold, Euroika-Italic, Euroika-Regular, EuroikaBold, EuroikaBoldItalic, EuroikaItalic, EuroikaKamp, EuroikaKampBold, EuroikaKampBoldItalic, EuroikaKampItalic, EuroikaRoman, Euroika, Eyebel, EyebelBold, EyebelRuff.
F: FabFours (2015, patterned typeface), Fangs ALot (2022), FansiPensle (1990, connected signage script), FansiPensleBold, FansiPenslePlain, FansiPensleTwo, FansiPensleTwoBold (1990), FansiPensleTwoPlain, Febdrei, FebdreiBold, Federhozen-Bold-Italic, Federhozen-Italic, Federhozen-Regular, Federhozen, FederhozenBold, FederhozenBoldItalic, FederhozenItalic, FederhozenPlain, FeggoliteDancing, FeggoliteDancingItalic, FeggoliteHatched, FeggoliteKeyed, FeggoliteMonoBold, FeggoliteMonoPlain, FeggoliteRuffled, Fezdaz, Fishhook, FiveOhOne, FiveOhTwo, FlagDayFour, FlagDayOne, FlagDayThree, FlagDayTwo, Fly High, FlyHighBold, FlyHighBoldItalic, FlyHighItalic, ForTheBirds, FourJuly, FourJulyG, FourJulyH, Framo-Regular.
G: GLitzy, GLitzyBarbed, GLitzyPlain-Regular, GLitzyStripe, GLitzyVStriped, Galexica-Bold-Italic, Galexica-Bold, Galexica-Italic, Galexica-Regular, Galexica, GalexicaBold, GalexicaBoldItalic, GalexicaExtraBold, GalexicaItalic, GalexicaMono-Bold, GalexicaMono-Regular, GalexicaMono, GalexicaMonoBold, GalexicaMonoPlain, GalexicaPlain, GalexicaXBold-Bold, GlitzyCurl-Regular, GlitzyCurl, GlitzyFlash-Regular, GlitzyFlash, GlitzyJewel-Regular, GlitzyJewel, Gothamburg (blackletter), GothamburgBold, GothamburgShadowed, GothicHorror, GothicRock, GranCanaries, GrancMitSripes, GrandecortBold, GrandecortHoly, GrandecortMedium, GrandecortShadow, GretchenHelloBold, GretchenHelloPlain, Grundee.
H: Hammered, HandanaBold, HandanaPlain, HandmadeFont, HeartMatrixed, Hermainita, HermainitaBold, HermainitaPlain, Hexonu (2020: hexagonal), HeyPumkin, HippityDippityBold, HippityDippityInline, HippityDippityPlain.
I: IanSegoe, IggoliteMono, IngBurried, IngDingLeftover, Ingone, IngoneSaw, IngoneShadow, IngrianEuroikHybrid, IngrianEuroikHybridBold, IngrianEuroikaH, IngrianEuroikaHBold, IngrianEuroikaHBoldItalic, IngrianEuroikaHItalic, Ingriana, IngrianaBold, IngrianaBoldItalic, IngrianaCasual, IngrianaCasualBold, IngrianaCasualBoldItalic, IngrianaCasualItalic, IngrianaCasualPlain, IngrianaExtraBold, IngrianaItalic, IngrianaPlain, IngyArrows, IngyArrowsTwo, IngyDingThree, IngyDings, Ingy Star Tilings (2019), InsideLetters, InternationalMorseCodeIT, IrritationOne, IrritationTwo.
J: JabcedHy, JabcedHyBold, JabcedHyBoldItalic, JabcedHyItalic, JasperSqueeze, JasperSqueezeBold, JasperSqueezeBoldItalic, JasperSqueezeEB, JasperSqueezeEBItalic, JasperSqueezeItalic, JenneriCurved, Jennerik, JennerikBold, JennerikExtraBold, JennerikInfml-Bold, JennerikInfml, JennerikInfmlBold, JennerikInfmlExtraBold, JennerikInfmlPlain, JennerikInfmlXBold, JennerikRoman, Jester, JesterRES (Tuscan), JesterTwo (Tuscan), Jestres, JetJanBoldItalicGray, the Jet Jane family [JetJaneButton, JetJaneMonoBold, JetJaneMonoBoldItalic, JetJaneMonoCapsBold, JetJaneMonoCapsPlain, JetJaneMonoCapsThin, JetJaneMonoItalic, JetJaneMonoPlain, JetJaneMonoThinBook, JetJaneMonoThinItalic].
K: KampFriendshipBold, KampFriendshipBoldItalic, KampFriendshipItalic, KampFriendshipPlain, KampIngrianaH, KampIngrianaHBold, KampIngrianaHBoldItalic, KampIngrianaHItalic, KampIngrianaHybrid, KampIngrianaHybridBold, KampRipple, Karlisbad, KiddyChessFont, KlipJoint, Knaudens-Regular, Knaudens, Kneebls, KneeblsBold, KneeblsExtruded, KneeblsPlain, KneeblsRuffled, KneeblsThin, KnewFont, KnewFontBold, KnewFontJagged, KnewFontPlain, KnewFontWaisted, KnewFontWaistedBold, KnightMares, KolSpotted, KolStriped, KolkFizzy, Kolkman-Bold, KolkmanDimly, KolkmanGray, KolkmanShatter, KolkmanStriped, Kwalett (2020), Kwersity, KwersityBold, KwersityWider, KwersityWiderBold, Kwodsity, KyhotaBarbed, KyhotaOne, KyhotaTwo.
L: LaserTrain, LaserTrainBold, LastBigFling, LastBigFlingBold, LastMinuteChess, Laudens, LeakorLeach, LeakorLeachLeft, LeefMeAlone, LeefMeAloneHoles, LeekorLeech, Lentzers (2020), Letrinth, LetterTrain-Regular, LetterTrain, LetterTrainBold, LetterTrainBoldItalic, LetterTrainItalic, LetterTrainPlain, Lettergical (1994, blackletter with Lombardic capitals), LettergicalWave, LetunicalBold, LetunicalInline, LetunicalNormal, LetunicalShadow, LetunicalWarp, Library-Italic, Library-Regular, Life After College (2008, athletic lettering family), LineDrive, LineDriveBold, LineDriveOutlined, LineDrivePlain, LineDriveShadow, Lopsickles (a Hobo-style top-heavy font) (2021).
M: MITuscan, MMCheckered, MMDrawings, MMPattern, Mangaled, Masheen (1990, octagonal font), MasheenBold, MasheenConvicted, MasheenFlag, MasheenIIID, MasheenOutlined, MatthewTwo, MattsFastFont, MedicineShelf, MedievalGunslinger, MedievalGunslingerShadow, Metavoria (2021: playful), Minimalist-Regular, Minimalist, Minniesoda, MinniesodaBold, Modsten-Bold, Modsten-Regular, Modsten (stencil, 1990), ModstenBold, ModstenRoman, MoreTexture, MousyFont, MushmellowBold, MushmellowCactus, MushmellowOutline, MushmellowPlain, MuskitosCaps, MuskitosCapsShadDown, Myhota, MyhotaBarbed, MyhotaBold, MyhotaHatched, MyhotaHatchedBold, MyhotaPlain, MyhotaWithSpikes.
N: NailsNStaples, NairobiNormal, NeedALilly, NerdishHex, NerdishHexBold, Neu Altisch (blackletter), NeuAltischBold, NeuAltischGray, NeuAltischPlain, NeuAltischShadLeft, NeuAltischShadow, NeuAltischWormEaten, NeuropolMedium, NewLaudens, NewLibrary, NewLibraryItalic, NewNerdShadowed, NewNerdishBold, NewNerdishPlain, NewNerdishThin, NoPainRight, NoPainRightBold, NopainLeft, NopainLeftBold.
O: OakParkAve, OakParkAvePlain, OakParkBlvdPlain, OakParkExtruded, OakParkSpeckled, OakParkSquaRe, OakParkZiggy, OakParksTripped, Old Harold Ree (1992, a modification of PhederFract, which was a calligraphic fraktur typeface also by Schenk), OldHaroldReeBold, OldHaroldReePlain, Onyon (1997).
P: PastedWarp, PattyDay, PawnShop, Pedestrian, PencilFat, PencilIn, PencilOut, PensleCaligraf-Bold, PensleCaligraf-Regular, PensleCaligraf, PensleCaligrafBold, PensleCaligrafPlain, PeterPierreBold, PeterPierreCondensed, PeterPierrePlain, PeterPierreXBold, Pheder Frack (blackletter), PhederFrackBold, PhederFrackDtsh, PhederFrackDtshBold, PhederFrackDtshThin, PhederFrackPlain, PhederFrackShadowed, PhederFrackThin, PhrackCack, PhrackSle, PhrackSleBold, PhrackSlePlain, Phraxtured (blackletter), PhraxturedDeutsch, PhraxturedPlain, PhraxturedShadowed, Phyngern, Pigknot, PigknotBold, PlainPensle, PlainPensleBold, PlainPensleBoldItalic, PlainPensleItalic, PlainPenslePlain, PlainPensleXBold, PlainPensleXBoldItalic, Porker, PorkerGrey, Poultry Sign (2020), PutMyFootDown, Pzytupid.
Q: Qualettee, QualetteeBold, QualetteeMedium, Quatsity (2020), Quidic, QuidicHatched, QuidicHoley, QuidicItalic, QuidicRoman, QuidicShotUp, Quirtly, Qwatick (1992), QwatickBold, QwatickPlacard.
R: Ranger (1996, octagonal), RangerWider, Rankensteen, Rataczak-Regular, RataczakBold, RataczakBoldItalic, RataczakCandied, RataczakCondItalic, RataczakCondPlain, RataczakExtraBold, RataczakItalic, RataczakRoman, RataczakSwash, Rauchens, Razephu, Red-Regular, RedLetter, Renslaer, RoomingHouse, Rosary, RosaryBold, RoundUp, RoundUpBold, RoundUpShadow, RoundWhy (2019: Western), RoundWhyBold, RummageSaleOne, Rumpled, RundigPencilBold, RundigPencilMedium, RundigPencilNormal, Rundigsburg (1994), RundigsburgBold, RundigsburgMedium, RundigsburgPlain, RundigsburgShadowLeft, RundigsburgShadowRight.
S: SafetyPinned, Salloon, SalloonAStripe, SalloonCracked, SalloonHStripe, SalloonStripeBottom, SalloonStripeEnds, SalloonStripeMiddle, SalloonStriped, Saloon-Regular, SaloonExt, SaloonFrilled, Samsheriff (2020), Sansduski Mono (2022), Sansduski (squarish) (2022), Sansville, SansvilleBold, SarahfSlob, SarahfSlobItalic, SchneeFlaken, SchneeFlakenTwo, Screwged, Sdrawkcab-Regular, Sdrawkcab, Seasick, SeasickBold, SeasickMirror, SeasickMirrorBold, SeasonsGreetings, SeederChess, SeederChessSmall, Sergury, Serpent-Regular, ShadyCharacters, Sihmittree (2019), ShirlyUJest, SimpleChessFont, Sirpent, SJURecord (2019: blackletter), Skagwae, SkagwaeMono, Skigway, SkwareDots, SlimpiSquares, Slippery Fishes (2022), SmokeHausShadow, SmokeHaus (1998), SmokeHouseRough, SmokeHouseShatter, SmokeHouseWave, Snuggels (2020; hexagonal), Spicandspan, SquiggleRES, SquiggleRESBold, Stamper, Substance, SusiScript, SusiScriptBold, SusiScriptPlain, Swanville-Regular, Swanville, Swirlity, SwirlityBold, SwirlityScript, SwirlityText.
T: Tape Up (2022: a tape font), Tescellations (2012), Tessie Letters (2019), Tessie Some More (2020), Tessie Dingies (2012), TOCinRings, TRGrunge, Tacky (2005), Talloween, TapedUp, Teapot (1999), Teethee, TessieSpinners, TessieMiscellaneous (2018), TessieMoreStuff (2018), TessieXtraBirds (2018), TessieMoreBirds, TessieAnimals, TessieBugs (2019), TessieOddsNends (2019), TessieStandingBirds (2018), TessieFlyingBirds (2018), TessiePuzzlePieces (2018), TexturesOne, TiedUp, Tieroh, TierohBold, TierohSans, TierohSansBold, Tinkerer, TiredOfCourier (1992, + Bold, +BoldItalic, +Italic, +Plain, +Thin, +ThinItalic), ToothBrush, TootsieBold, TuskcandyBold, TuskcandyInline, TuskcandyPlain, Twigglee-Regular, Twigglee (1990, inspired by the hand lettering on the plates in a 19th century book on ornaments by Owen Jones), TwiggleeBold, TwiggleePlain, TwiggleeWarped, TwoTonedStoned.
U: UUeirdieBold, UUeirdieRoman, UUeirdieWarp, Undulate (a wavy typeface) (2021), Undulated (2021), Unikled, UnikledBold, UnikledPlain, UnikledSpotted, UnivoxAtomLight, UpsideDown, UrbanScrawl.
V: ValManGal, Valenteena, ValenteenaBroken, ValentinaContour, Valentine-Regular, Valgal, ValgalBold, Vglee, Vinetters (2020), VunderScriptBold, VunderScriptPlain.
W: WalcomeOne, WalcomeOneBold, Watchmaker, WatchmakerBold, WaterCloset, WaterWorksCaps (1992), WaterWorksCaps-Bold, WaterWorksCaps-Regular, WaterWorksCapsBold, WaterWorksCapsPlain, Weaving (2022), WeirdChessFont, Wetetque (1991, an all caps multiline family), WetetqueBold, WetetquePlain (1991), Whichit, WhichitBold, WhichitTwo, WhichitTwoBold, Woven (2022), WrenchedLetters, WurstCactus, WurstHassen, WurstchenDotted, WurstchenOutlined, WurstchenSplatted, WyomingMacroni, WyomingMacroniPegged, WyomingMacroniShadRight, WyomingMacroniShadowed, Wyoming Pastad (1994, Western slab face), WyomingPastadShadLeft, WyomingPastadShadowed, WyomingSpaghettiBold, WyomingSpaghettiPlain, Wyoming Strudel (Far West type).
X: XBobsExtraPictures, XBobsStandardChess, XChessNut, XChessNutTwo, XChesstertonTwo, XCompuTerBuggz, XGalaxies, XGalaxyOne, XIngDingLeftover, XIngyArrows, XIngyArrowsBetween, XIngyArrowsTwo, XIngyDingIII, XIngyDingTwo, XIngyDings, XInterntnlMorseCodeIT, XKiddyChessFont, XKnightMares, XLaserTrainBold, XLaserTrainPlain, XLastMinuteChess, XLeef Me Alone (leaf dingbats), XMMCheckered, XMMDrawings, XMMPattern, XMattsAnimalsOne, XMoreTexture, XPatColumRow, XPatCzeckerz, XPawnShop, XPhyngern (fists), XPointedDesert, XRoomingHouse, XSchneeFlaken (1995), XSchneeFlaken, XSchneeFlakenTwo, XSeederChess, XSeederChessSmall, XSimpleHands, XStarPieces, XStarsAndStripesOne, XStarsAndStripesTwo, XStellaStern, XStellaSternBright, XSternStellaNight, XTexturesOne, Xahosch, Xaltid, XaltidBold, XaltidPlain. The X fonts are predominantly dingbats.
Y: YahoschBold, YahoschMedium, YahoschPlain, YahoschWormy, Yassitf (2019: a sans), YngreEBStripe, Yngreena, YngreenaBold, YngreenaBoldItalic, YngreenaExtraBold, YngreenaItalic, YngreenaPlain, Youbee, YoubeeBold, YoubeeBoldItalic, YoubeeItalic, YoubeeShadow.
Z: Zarrow-Regular, Zarrow, ZcriptBold, ZcriptPlain, Zebraw, ZebrawOS, Zigzaggy (2021), ZimpleBlack, Zimric (2020), ZirkStressed, ZirkleOne-Bold, ZirkleOne-Regular, ZirkleOne, ZirkleOneBold, ZirkleOneRoman, ZumbelsburgBold, Zumbelsburg (blackletter, 1996).

Klingspor link. Dafont link. Abstract Fonts link.

View Robert Schenk's typefaces. View Ingrimayne's typeface library. [Google] [MyFonts] [More] ⦿

Inland Type Foundry
[A.V. Haight]

The Inland Type Foundry in Saint Louis was established in 1892 by the three sons of Carl Schraubstadter (1827-1897), William A. Schraubstadter (1864-1957), Oswald Schraubstadter (1868-1955) and Carl Schraubs Jr. (1862-1947). Carl had run the Central Type Foundry in Saint Louis and sold it to ATF (American Type Founders) in 1892, and the sons reacted by setting up Inland. Until 1911, Inland was one of the most successful foundries in the United States. In 1911 Inland was purchased by ATF and its equipment divided between that foundry and Barnhart Brothers and Spindler (BBS). A.V. Haight (Poughkeepsie) designed Rogers (art nouveau) at Inland Type foundry in 1902. He also designed Haight. Nicholas J. Werner, who used to work for Central, also created many designs at Inland. Look for "Specimen book and catalog, a price list of printers' supplies, showing types and rules in which are embodied all the latest styles ... among which ... may be especially mentioned the casting of types on standard line and unit sets." (1902, 464 pages), Specimen Book and Catalog. A Price List of Printers Supplies, Showing Types and Rules in which Are Embodied all the Latest Ideas that Enable the Printer to Produce Superior Work in a most Economical Manner Among which Betterments May Be Especially Mentioned the Casting of Types on Standard Line and Unit Sets (St. Louis, 1897) (a free copy is here and here) and Specimen Book and Catalog. A Price List of Printers Supplies, Type, Rules and Accessories of the Very Latest Designs which Facilitate the Economical Production of Superior Printing. A Notable Improvement Is the Casting of All Type on Standard Line&Unit Sets (St. Louis, 1907). MyFonts page.

Scans of some typefaces: Becker (art nouveau), Blanchard Italic [Blanchard was revived in 2013 by Paulo W as Blanchard Inland], Commercial Script, Edwards (art nouveau), Inland, Lightface Blanchard, Matthews (1902: revived in 2019 by Chuck Mountain as Cotrell CF), Extended Studley (revived by Chuck Mountain in 2019 as Dukas CF, and by Jeff Levine in 2008 as Bayview JNL), Rogers (art nouveau), Poster French Oldstyle (1897 catalog), Poster Ionic (1897 catalog), Poster Latin Antique (1897 catalog), Pacific Bikes (ornaments, 1897 catalog), Recut Caslon (1907, as taken from the 1923 ATF catalog), Drew (1910, from the 1923 ATF catalog: a digital version called Droobie NF was created by Nick Curtis in 2014), Title Shaded Litho (1911), Litho Roman (1907), Gothic No.578 (1898), Pen Print (1911), Blair (1900; Condensed Blair was revived in 2022 by Jeff Levine as Generic Sans JNL), Mitchell (1906, a bold version of the all caps grotesque face Blair; digitally revived by Nick Curtis in 2015 as Mitchell NF), Comstock (1902), Inland Copperplate (1901), Shaw Text (1907).

Commentaries by Mac McGrew on some of the typefaces:

Gothic No. 578: Gothic No. 578 was shown as Gothic No.8 by Inland in 1898 as "the latest candidate for the printer's favor; a popular old typeface entirely recut." It was shown until 1941. It is a bold weight, and is quite similar to Standard Bold which as an import from Germany was very popular in this country in the 1950s. It is also similar to Comstock, but without the added outline. Keystone called it Standard Gothic, although it is not identical to the German face. As a nineteenth-century gothic, the cap G had no crossbar. Paragon Gothic is the same design, without lowercase, cast as a title face.
Pen Print: Pen Print and Pen Print Bold were introduced by Inland Type Foundry in 1911, with the latter thought to have been the last typeface cut by that foundry before its sale to ATF. Pen Print Open was designed for ATF in 1921 by Morris Benton, and includes open versions of all the characters shown for the bold. The series has more the appearance of rather crude brush lettering than pen "printing," but the inclusion of an open version is contrary to the conception; perhaps it was intended for two-color printing. The letters have a slight backslant. The bold was also cut by Intertype, in 1927. Compare Dom Casual.
Blair: Blair was advertised in 1900 by Inland Type Foundry as new and original, calling it "an exact imitation of the small gothic letter now so popular with engravers for stylish stationery." Its production was continued by ATF until the 1950s. It is similar to Copperplate Gothic Light, but without the tiny serifs of that face. Litho Gothic is the same design but with lowercase. Mitchell (1906) is the same design but slightly heavier. The condensed version was produced in 1903 or earlier. Hansen copied Blair as Card Gothic No.2. Compare Lightline Gothic.
Comstock: Comstock was advertised by Inland Type Foundry in 1902 as "a striking novelty, our brand new face." It was revived by ATF in 1957. It is a medium weight conventional gothic, distinguished by a hairline surrounding each letter. The G lacks a crossbar, typical of many nineteenth-century gothics. The design was sponsored by A. H. Comstock of Omaha, according to a review at the time of its introduction. Condensed Comstock was introduced by Inland in 1905, but patented in the name of William A. Schraubstadter in 1908. It has no lowercase, but the design is more contemporary. Monotype has copied both typefaces, but Monotype Comstock Condensed is in 18-point only, without figures. In both foundry typefaces, there are several sizes on 12-point body; No.1 is the largest in regular, but No.1 is the smallest in Condensed. In 1911, a copy of Comstock was issued by Bauer in Germany under the name Astoria, revived in 1957.
Inland Copperplate: Inland Copperplate is a shaded Old English typeface, first shown by Inland Type Foundry in November 1901. It is similar to Typo Text (q.v.). although the specimen here, reproduced from an over-inked showing, doesn't reveal the shading.
Mac McGrew writes: Matthews is a very heavy, thick-and-thin, serifless type introduced by Inland Type Foundry in 1901. It is somewhat similar to the later Globe Gothic (Bold-in fact it is more carefully designed and seems to agree better with the lighter Globe Gothics than the latter typeface does. ATF cast both typefaces for a while after acquiring Inland in 1912, as well as Condensed Matthews, which Inland had introduced in 1903 as "a new gothic letter." The specimen of Matthews shown here is from a font showing considerable wear, with rounded corners. Compare Radiant Heavy. For a digital revival, see Merchant Trade JNL (2020, Jeff Levine).
Shaw Text: Shaw Text was introduced by Inland Type Foundry in 1907 as its "latest novelty," although it is a rather conventional Old English face, a little heavier than Wedding Text, and a little lighter and fancier than Engravers Old English. After Inland merged with ATF, Shaw Text continued to be shown until 1954. Compare Plate Text.
Litho Antique (1910). Mac McGrew: Rockwell Antique was a reissue of Litho Antique, cut by William Schraubstadter for Inland Type Foundry and introduced in January 1910 when it was advertised as the "newest typeface; one of our best; closely imitating steelplate and lithography." In the late 1920s similar typefaces became popular in Europe, and some were imported into the United States. Morris Benton of ATF added several characters to the old Inland face, matrices of which were then in ATF's vaults, and it was reissued in 1931 as Rockwell Antique. But Benton saw that something more was needed, and redrew it as Stymie Bold (q.v.) in the same year. The alternate characters which were added to Rockwell are the same ones now shown with Stymie Bold. Monotype copied Rockwell but erroneously called it Stymie Bold in some literature, and there has been confusion between the two typefaces ever since; the latter name is often applied to fonts of Rockwell cast on Monotype machines by secondary suppliers. Indicative of this confusion, Stymie Bold Italic on Mono is series 1891, corresponding to Rockwell series 189, while Stymie Bold is 790. English Monotype has several weights of Rockwell, a square serif family which differs from this typeface and should not be confused with it; see Imports in Appendix. Antique Shaded (q. v.) is sometimes called Rockwell Antique Shaded.
Herald Extra Condensed (1909). An octagonal typeface.
Extra Condensed Title Gothic No.12.

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Inna Kovalchuk

Moscow-based designer of a decorative blackletter alphabet in 2013. She also made an unnamed Cyrillic typeface in 2013. [Google] [More] ⦿

Insane Machina
[Fernando Henrique de Sousa]

Brazilian illustrator residing in Joinville, SC. Creator (b. 1992) of the free blackletter typefaces Hairline Quadrata (2013) and Quadrata Preciosa (2013). He also made Tired Fingers Fail (2013, hand-printed), Easy Going Stroke (2013, hand-printed), Trace Me Gordo (2013), and Masonic Cypher (2013).

In 2014, he created Julia Black (blackletter typeface) and Lemurika. In 2016, he designed the handcrafted Teacher Notes.

Dafont link. . [Google] [More] ⦿

Intaglio

Prolific designer of these typefaces at FontStruct in 2008: Mausoleum, Quarantino, Strontium (heavy octagonal), Redactor (inline; athletic lettering), Coppertones, Copperthief Gothic, Disarticulate, Adamantine, Spindlery, Thalamicus, Monolog, Abstruction, Banned Rotunda, Less Rotunda, Blabbermouth, Hackney, Circumfence, Circle Play, Outlandish, Cannibaal, Valedictory, Hegemony, Sansibal, Shoptima, Toobatu, Dwarven, Evonce, Magog, Fuego, Empyreus, Upscale, Quickie, Svengali, Amanuensis (hairline), Whitechapel, Interzone, Annexia, Mugwump, Misterioso, Slitcom, Mud Indigo, Integer, Optimist, Interim, Tredd (athletic lettering face), Brilliant Corners, Palimpsest, Trudge Fix, Plangent Shaven, Plain James Bond, Spikeful, Plain James, Portia, Juliette, Rotunda One, Dystopian, Fed Up, Mag Lev, Eensy, Simpatico, Afterburn, Fongeray, Less-Sirvere, Levio-sah, Oddity-oldstyles, Planar-light, Plangent, Plangent-semi-serif, Plangent-shaven, Prester-John, Spin Doctrine, Tabula, X-Sirvere, abricado, aubrey, chunki-phat, chunki-slim, chunki, cold-shoulders, emerald-city, epistrophy, experiment, flawa-pawa, fongamatah, gematria-experiment1, gematria, malinki, massif, modnera, nutty-slab, okey-dokey, patina, planar-book, planar, plangent, simplex-b, slantfest, slinky, solidad, solitude, souvlaki, space-oddity, spin-doctrine, splayful, too-much-caffeine, travelclock-alt, travelclock, tredd, trudge-fix, Zinzan (blocky headline face), Sir Vere (haha---he writes A Bodoni that won't take its meds; still, a great-looking simulation of Bodoni's balls), More Sirvere and Less Sirvere (derived from Sir Vere), Ugly Beauty, Tito Puente, Plain James Bold (octagonal), and First Sampler.

Faces from 2009: Infrastruct Hairline, Untag, Scansion, Manganesi, Curly Queues, Culdeslack, Clerestory, Snurkle, Arabica, Mishmash, Processor, Insomnia, Spatial Test, Furtiva, Wedgistry, Semiotica, Prince Edward, Imprimatur, Reverie, Spikenard (octagonal), Brusque (heavy slab serif), Flikki Crude, Crudenza, Arvid, Makizmo (black mechanical), Purdy, Whaddya, Timaru, jehoshophat, Octane, Purdy, spikenard, Slabba Dabba Doo, Attempa, Meshugge, Shvoss, Ruffian, Leterodoxi, Anuva, Jehoshophat, Tagliana (typewriter style), Mocktura (fat octagonal), Pustulate, Fuego, Souvlaki, Palimpsest, Onsquared (about which he writes Please excuse the X. He badly needs to go for a pee), Octavia (octagonal art deco face), Queasy Peasy, Slubgob, Squibnib, Micro Splotchika, Mixter (octagonal), Odile, Transept.

Typefaces from 2010: Ropey Sans, Compositor, Dooble Trouble, Flopsical, Dulcet, Sprig Latin, Flux, Yabadaba, Holdem (Western style), Elvira (octagonal), Adhoc, Little Schema, Fiddledy-Dee, Triplecheck, Rusty Blades, Crudenza, Zingaling (kitchen tile), Ornery, Strictly Boardroom, Serif Test, Merenge, Ugly Sister, Cholestera (heavy mechanical face), Prefab.

Production in 2011: Albedo (Egyptian), Candyrock Mountain, Cooperite (Cooper Black relative), Ran Tan, Rangitoto (fat, almost-blackletter face), This Little Piggy, Boxica (an angry angular face), Carpathian (almost blackletter), Kinnybuns (almost art deco), Wallachia (stencil blackletter), Ubend (organic, almost LED face), Quickstep, Basket Case, Flik Flack, Effigy, Laguna, Barbary.

Typefaces from 2012: Vertical Hold, Heresy Arcfun (a play on positive and negative spaces), Morphology (wide elliptical display face), Sausinges.

Typefaces from 2013: Chinoiserie. [Google] [More] ⦿

Intellecta Design (or: Monocracy Types)
[Paulo W]

Intellecta Design is a design company in Brazil run by Paulo W (b. 1970) from Recife. In 2020, he also set up Monocracy Types. Paulo W is a gaúcho (Brazilian southerner), with interests in multiple areas, including poetry (he has published the digital opus Magical Book), graphic design and, most recently, type design.

Dafont link. MyFonts. MyFonts link. Abstract Fonts link. YWFT link. Behance link. Blog. Home page. Fonthaus. Monotype. Eshops. Facebook. Flickr. Klingspor link. Wordpress. Devian tart. T26. Linkedin. Identifont. Linotype. ITC. Faces.co. His typefaces:

Free fonts: Inductive Resonance (2014: connected script), Retrodings (+Two, 2014), Living In The Past (outlined Tuscan face), Rough Ornaments Free (2014), CornPop Three (borders), Too Good To Be True (2013, retro script), Blanchard Inland (2013), Living Together (2013), Arresto (2013, brush script), Hertziano (2013, non-connected fat script), Japanese Tourist (2013), Nouveau Never Dies Free (2013), The Beat Goes On (2012, fifties script), Stencix (2012), Figgins Brute Trash (grunge), Fontaniolo Beveled (2011, ornamental caps), Czech Gotika (2011), Random Dingbats (2011), Victorian Free Ornaments (2011), Rustic (2011), Armorial (2011), Woman Silhouettes (2011), The Nile Song (2010, hieroglyphics), Smith Typewriter (2009), Sign Flags (2010, semaphore dingbats), Senectus Morbus (2010), MesoAmerica (2010, Indian symbols), ClassicSketches (2010, dingbats), Columns (2010, dingbats of Greek and Roman columns), EasyCuneiform (2010), EasyLombardicTwo (2010), EasyOpenFace (2010, blackboard bold style), Egidia (2010), Significante (2010, dingbats with, e.g., gender symbols), WhiteDominoes (2010, domino pieces), Easy Heraldics (2010), Intellecta Heraldics (2010), Heraldic Devices (2011), KidingsFree (2010, dingbats), RoughTuscan (2010), The French (2009, Fleur de Lys dings), AprendizCaligrafico (2010), Volitiva (2006, Trajan caps and chancery lower case, all based on work by Ludovico Vicentino Arrighi), Gaivota (2006), KurrentKupferstichThin (2006), PaulKlein (2010), PaulKleinTwo (2010), PortuguesArcaicoLectura (2005), ReproxScript (2009, based on Jerry Mullen's Repro Script from 1953-1954), RickGearyHomage (2007, scanbats), WestBalaio (2006, ornamental caps), Corto Maltese (2006, scanbats), Renaissance Coiffure (2006), Renaissance Ornaments (2007), Renaissance Shoes (2012, free), TTF Tattoef (2006, tattoo-inspired dingbats), ExperiTypo5 (2006), Lower Metal (2006), Geometric Serif PW (2006), Geometric (2006), Geometric Petras PW (2006), War II Warplanes (2005), Carbono (2005), Times New Vespasian (2005), BoldBold (2005), Vengeance (2005), Doppleganger (2005), Chancelaresca (2005), Cursivo Saxonio (2005), Gotische Minuskel 1269 (2005: a Kanzlei Schrift after Dekan Hermann zu Soest, 1269) and Guto Lacaz (2005, dingbats).
Richard Gans revival project: Gans Tipo Adorno, Gans Lath Modern, Gans Titular Adornada (2006), Gans Ibarra (2006, after Carlos Winkow's Elzeviriano Ibarra), Gans Antigua (2006), Gans Antigua Manuscrito (2006), Gans Radio Lumina (2006), Gans Fulgor (2006), Gans Carmem Adornada (2006), Gans Italiana (2006, extensive Italian-style slab serif family), Gans Titania (2007), Gans Titania Adornada (2007), Gans Titular (2007), Gans Gotico Globo (2007: 9 styles by Iza W), Gans Royality (2007: 3 styles by Iza W), Gans Headpieces (2008), Gans Rasgos Escritura (2010: filets---followed in 2011 by Rasgos Escritura Nuevos), Gan Esquinazos (2010, frames), Gans Blasones (2010, shields), Gans Neoclassic Fleurons (2008), Gans Classical Fleurons, Gans Ding.
Wood-inspired typefaces: Dead Wood Rustic (2007), Taranatiritza (5 wood type styles, after William Hamilton Page), Majestade (2007, by Iza W---two Tuscan style typefaces), Decorative Tuscanian (2007), Concave Tuscan (2010, wood type), Palermo (2007, by Iza W---Tuscan style family), Teatro (2009, Tuscan), Bruce Double Pica (2009, Tuscan; the Beveled weight is free), Antique Extended (2010, slab serif wood type), Dark Wood (2009, gothic), Dark Wood Beveled (2011).
Charles Bluemlein's script revivals: Bluelmin Kisaburo (2013), Bluelmin Ralph (2012), Bluelmin Ronald (2012), Bluelmin Sandsfort (2012) and Bluelmin Benedict (2012). (2012).
Blackletter: Salterio (2012, +Trash, +Three, +Gradient, +Shadow, +Shadow Two), Leothric (2011, bastarda), Bruce 532 Blackletter (2011, after George Bruce), Schneider Buch Deutsch (2007, +Trash, +Shadow, +Shadow Two), Schneidler halb fette Deutsch (2009, +Beveled), Schneidler Zierbuchstaben, Hostetler Fette Ultfraktur Ornamental (2007, blackletter caps), Gothic 16 CG (2007), Gothic 16 CG Decorative (2007, blackletter caps), Schneidler Grobe Gotisch (2008, Iza W, T-26), Allerlei Zierat (2008, ornament fonts based on a 1902 catalog of Schelter & Giesecke), Allerlei Zierat Capitals (2007), Psalter Gotisch (2009, a blackletter after the Benjamin Krebs blackletter face by the same name, ca. 1890), Münster-Gotische (2009, a blackletter family after a 1896 typeface by the same created by Schelter&Giesecke), Koberger N24 Schwabacher (2007), Student's Alphabet (2007, blackletter), Like Gutemberg Caps (2007), Nürnberg Schwabacher, Gotische Frame (2007: four framed blackletter styles by Iza W), Gotische (2007: ten ornate blackletter styles by Iza W), Gothic Garbage, Gothic Shadow, Gothic Trashed, Gothic Flourish (2009), Gotica Moderna (octagonal, blackletter), AltDeutsch (2007, four severe blackletter fonts by Iza W), Fin Fraktur, Gotische Bouffard, Heimat RGS, Gothic Handtooled Bastarda (2006), HostetlerFetteUltfrakturOrnamental (2007, blackletter caps), Gothic Handtooled Bastarda (2006).
Historical revivals: Pantographia (2010: a digitization, as is, of several alphabets from Edmund Fry's Pantographia, 1799), Caslon2000, Caslon B, Delamotte Large Relief (2010), Figgins Brute (2007: 8 heavy Egyptian styles by Iza W based on Figgins' 1817 specimen book), Erased Figgins Brute (2007), Gras Vibert (2007, a didone family; followed by Gras Vibert Two in 2009).
Erotic or human alphabets: American Way of Life (2011), Roman Silhouettes (2011), Silvestre Weygel (2007, named after Martin Weygel'a erotic alphabet from 1560, which in turn was based on Peter Flötner's 1534 alphabet), Gravure (caps typeface made of human silhouettes), Innocence (2007, dingbats of girls).
Medieval chancery hand: Portugues Arcaico (2005, three medieval handwriting styles), Kurrent Kupfertisch (2006, a medieval hand done with Fernanda Salmona), Dovtrina Christam 1622 (authentic old manuscript face), Catania (2007, exquisite medieval caps in 3 styles by Iza W).
Typewriter typefaces: Remix Typewriter (2012), Smith Trash (2012), Neo Bulletin (2010, +Trash), Remington PW (old typewriter face), Olivetti Linea (old typewriter face), Erased Typewriter 2 (2007: 4 styles by Paulo W), RIP Typewriter (2009), Shadow Typewriter (2007), Underwood Typewriter (by Iza W).
Calligraphic: Broken Kiss (2015), Derniere Script (2015), Bradstone Parker Script (after Zaner's penmanship), Jan van den Velde Script (2011, based on the penmanship of Jan van den Velde as illustrated in vna den Velde's 1605 book Spieghel der schrijfkonste; developed jointly by Paulo and Iza W), Penabico (2010, with Iza W); Penabico is a free interpretation of the copperplate script styles to be found in the Universal Penman, London, 1741, by George Bickham---it contains over 1500 calligraphic glyphs and 250 ornaments. Samples of Penabico: i, ii, iii, iv, v, vi, vii, viii, ix), Easy Calig, Intellecta Mixed Script (2008), Spencerian Constancia (2008), Calligraphia Latina Soft4 (2010, quilled ornaments), Intellecta Script commercial (2009), Spencerian By Product (2009), Spencerian Palmer Penmanship Pro (2010), Indenture English Penman (2010), Calligraphia Latina (2008-2010, in weights called Soft2, Dense, 3, Soft4, Mixed, Square Edition).
Victorian, Edwardian: Engel (2007, by Iza W in 15 styles that have a 1870s look), Compendium (Victorian), Costado (2009, a Victorian / Western face).
Ornamental caps: Campi (2009), Doppel Mittel Lapidar Azure (2012), Musirte Antiqua (2012), The House of Usher (2012), Peterlon (2012), Dolphus Mieg Alphabet (2011, +Two), Dolphus Mieg Monograms (2011), Human Nature (2011), English Arabesque Revival 1900 (2011), Imprenta Royal Nonpareil (2011), XVI Century Shaw Woodcuts (2011), Ichweis Caps (2011), Cherubim Caps (2011), Rara Beleza (2011), Gothic 1880 Revival (2011), Angelicaps (2010), Unnamed Caps Two (2010), VertiCaps (2010) Rebimboca Caps (2010), Rebimboca Beveled (2012, free), Rebimboca Gradient (2012, free), Rebimboca Trash (2012, free), Rebimboca Outlined (2012, free), Republica Presente (2010), Speedball Metropolitan Caps (2010, after a design by Ross F. George), Nice Initials (2010), Morphelic (2010), DurerGotischCapitals (2010), Egmontian (2007, ornamental caps family), Saducismus Triumphatus (ornamental caps), Vogus (Victorian caps), Victorian Ornamental Capitals (2009) and Frompac 1889 Arabesque (2007) [both are classical arabesques published in Ludwig Petzendorfer's Schriften-Atlas. Eine Sammlung der wichtigsten Schreib- und Druckschriften aus alter und neuer Zeit nebst Initialen, Monogrammen, Mappen, Landeskarten und heraldischen Motiven fur die praktischen Zwecke des Kunstgewerbes, 1889], Lettrines Petin (+Ornée), Numa Initials (2006), Gradl Initialen, Vampirevich (2009, ornamental caps), Paulus Franck 1602 (2006, ornate caps), Geodec (2006, baroque caps), HostetlerFetteUltfrakturOrnamental (2007, blackletter caps), Cadels (2007, ornate caps by Iza W), Manuscript XIV Century (2007, by Iza W--four Lombardic caps), Merona (2007, by Iza W--ten Lombardic caps fonts), Selena (2007, by Iza W---ornate Victorian caps), Leyenda (great Victorian era ornamental caps), Mixed Capital Style (2007, caps), Lenda (2008, capitals), Kidnaped at Old Times (2008, ornamental caps, ransom note style), Mortised Capitals, Is Not ABrazilian Font (hand-printed blackboard bold caps), Robur The Conqueror (2009, ornamental caps), Georgia Capitals (2009), Decadence avec Elegance (exaggerated ornamental caps).
The American Advertise series: American Advertise No. 9 (2008), American Advertise No. 17 (2007, 19th century caps), American Advertise 018 and 019 (2008), American Advertise Square Series (2007), American Advertise 003 (2012), American Advertise 004 (2010), American Advertise 005 (2010), American Advertise 006 (2010, alphadings), American Advertise 007 (2010, ornamental caps).
Ornaments, fleurons: Transportation Dings *2015), Cornucopia of Dingbats Eight (2015), Animals Old Cuts Two (2015), Unpublished Ornaments Two (2013), Classix (2012), Cornucopia of Dingbats (2012-2014, +Two, +Three, +Four, +Five, +Six, +Seven), Cornucopia of Ornaments (2013; +Two, +Three, +Four, +Five, +Six, 2014), Cornucopia Caligrafica (2012), Vintage Hands (2012), Human Silhouettes (2012; +Free, 2013; +Two, 2013; +Human Silhouettes Three, 2013; +Four, 2013; +Five, 2014; +Six, 2014; +Seven, 2014; +Eight, 2014; +Nine, 2015), Easy Fleurons (2012), Floreale Two (2012), Neoclassic Fleurons Free (2011), Calligraphic Frames Soft (2011, +Two), Jugendstil Flowers Free (2011), Easy Ornaments (2011), Blasons (2011), Blasons Free (2012), Armorial (2011), Monograms Soft (2010, with Iza W), Easy Tiles (2010), Free Tiles (2010), Rough Fleurons Two (2010), Vegetable Breathe (2010), Corn Pop Plus (2010), Mortised Fleurons (2010), Mortised Ornaments (2011), Mortised Ornaments Free Two (2013), Golden Times (2010), Stahlhelme und Kronen (2010), Rough Fleurons (2006), Nouveau Never Dies (2009, ornaments), GeodecBruceOrnamented6 (2006, after a sample from the Bruce Type Foundry), Grave Ornamental (2006), BlackOrnaments (2008), Hera Hedelix (2009, ornamental tiles), Mortised Ornaments (2009), Soft Fleurons (2007), Half Flower (2007), Frames 1 (2007, by Iza W), Flower Essences, Micro Fleurons (2009), Naturella (2009, leaf and grape dingbats by Iza W), Black Fleurons (2010), Easy Fleurons Two (2011), Intellecta Borders (2008, by Iza W), Intellecta Style (2007, borders).
Fonts made before 2007: Brute Aldine (2007, Western family), Bad Situation (2007, after a design by Freeman Delamotte from 1864), Benjamin Franklin (2007), Geodec Petras Enhanced (2006), Deutsche Poster (2006), FatFontGrotesk (2006), Orchis (2006, an art deco family by Iza W), Fantis (2006), Frompac (2006, with Iza W), Geodec Fog (2006), Intellecta Modern (2006), Intellecta Modern 2 (2006), Intellecta Romana Humanistica (2006), Advantage (2006, together with Iza W), Biza (2006, together with Iza W), Elegancy (2006, together with Iza W), Estiliza (2006, a sans family together with Iza W), Experitypo 4, Stairway to Heaven, Copperplate PW, Dings PW, Roger Dean, Gliphs PW, Luxeuil, Watchtower Bible 1965, Gabinete Portugues (11 fonts), Elara (2009), Xilografuras (dingbats), Beta, Alta, Paleolitica Nacional, Shakespeare Studs, Copperplate collection (5 fonts), Wine, Ampersamp, James Poem, Leal Conselheiro, Haeckel Enygma, Iza B, Of, Lementa (2006, ornate family), Pirates (dingbats), Wire Clip (2009), Divina Proportione (2009, dingbats), Tharagaverung (2007), Correo (2009, a nice manly bold face), Titivilus (2007, Roman lettering), Pirates De Luxe (2007, dingbats), Geodec Minuskel (2006), Geodec Spyral (2006), Copperplate Decorative (2006), Feosa (2006), Francesco Decorative (2006, Iza W), Geodec Petras Enhanced (2006), Ibarra Flourished (2006), Intellecta Decorative 017 (2006), Intellecta Decorative 018 (2006), Intellecta Slab Bold (2006), Kansas Decorative (2006), Pingente (2006), Sixties Living (2006), Caractere Doublet (2007), DeutschePosterSteinschrift (2007; by Iza W), Bailarina (2007), GP Casual Script (2007), Colonia Portuguesa (2007), Contouration (2007), Deco Experiment 3 (2007), Floresco (2007), Flower Jars (2007, by Iza W---a very nice idea), Frutisis (2007), Intellecta Monograms (2007: 19 monogram fonts by Paulo W), Intellecta Monograms Random Sample (2012-2013: several typefaces), Peloponeso (2007, by Iza W), Porcupine (2007, by Iza W), Southern Flight (2007, by Iza W---condensed), TTF TTTOEF 4 (2007, by Iza W---dingbats), GeodecBruceFlourished, HostetlerNormande, Victorian Ultra Parphernalia (2007), Angels (2007), Angels Free (2013), Mondrongo (2007), Oorlog (2007).
Fonts in 2008: Das Riese (3d engraved caps, +Shadow), Economica (sans, T26), Antiqua Double 12, Bad Baltimore (+Beveled, +Typewriter), Calligraphia Latina (2008-2009, in weights called Soft2, Dense, 3, Mixed, Square Edition, Free), Fry's Alphabet, Grissom (bug dingbats, by Iza W), Latinish (by Iza W), Lettering Deco (by Iza W), Litho Romana Inland, Quadratta Serif (a slab serif by Fernando Diaz), TTF TATTOEF 7 (by Iza W).
Fonts made in 2009: Eingraviert (engraved; scans: i, ii, iii), Eingraviert Beveled (2011), Greko Roman Oldstyle, Ortodoxa do oriente, Sans Square, Speedball (by Iza W, Victorian style), Speedball Western Letters (after Ross F. George's lettering), Elara (2009), Intellecta Roman Tall, Force Brute & Ignorance, Sunamy Caps, Starret, The Pilgrim (alphadings), Renaisperian (alphadings), Real Caps Two, Mateus Bold (4 bold styles), Intellecta Crafts (arts and crafts family), Bruce 1490, Bradley Dingies (five dingbat typefaces, after William H. Bradley), Allerlei Zierat Renaissance, Grave Plus, the grungy Monkey series (Victorian Monkey, Monkey Poesy, Monkey Messed Gutenberg Caps, Monkey Was Here, Monkey Insinuation, Monkey In The Middle Ages), Montezuma (dingbats), Grotesque and Arabesque, Calhambeque (old car dingbats), Eiger (2009, a 3d sketched headline face).
Faces made in 2010: Po len, Pencraft (capitals were inspired in Swagger Capitals, an original design from Carl Stephen Junge, at Barnhart Brothers & Spindler; lowercase based Pencraft Specials, an ornamental variation of the Pencraft Oldstyle series, as displayed in the BBS catalog from 1922), Salamemingoe (children's hand), BarberPoles, Beware the neighbors (scary), BlackInitialText, CaligrafiaDivina, CornPop, CowboyHippie Pro, Grotesca3-D, Nardis, Senzacuore, Speedball Metropolitan Poster (2010, after a design by Ross F. George), TagWood, Tosca, TypographyTribute, Zooland, Bubbleboddy-Fat, bubbleboddylight-Light, Pretoria Gross (a Victorian family done with Iza W), Wood Font Five (wood plank font), Wood Font Four, Herr Foch (art nouveau), Rebimboca, Octagon French (a 3d beveled typeface due to George Nesbitt, 1838), Picuxuxo (retro futuristic, comic book style), Large Old English Riband, Ornamental Riband, Kidings (Dutch dingbats), Hostil (originally done in 2007: a headline family; followed by Hostil Shadow Two (free, 2012) and Hostil Gradient (free, 2012)), Grotesca, Heptagon French, Antiquariaat (condensed), Cortinado, Sanoxio (3d headline face), Violentia (grunge), Swirlies (spiral dings).
Faces from 2011: Dia de los Muertos (fantastic skeletal masks), Inland Becker, Rasgos Escritura Nuevos, Jaggard (2007, a renaissance penmanship caps typeface modeled after Joachim Romann's Queen (1954-1956, Stempel)), Jaggard Two, Naive Ornaments Black, Augustus (+Beveled: roman letters), Sayonara (oriental simulation face; the Beveled style is free), Trash Barusa (inline ornamental face), Free Ribbons, Black Ornaments Three, Calligraphia Latina Soft 5, Heraldic Devices Premium, Ornate Blackboards, Benjamin Franklin Beveled, Baltimore Typewriter Beveled, Bernardo Beveled, Van den Velde Script (a free interpretation of the work of the famous master penman Jan van den Velde, found in the Spieghel der schrijfkonste, in den welcken ghesien worden veelderhande gheschrifften met hare fondementen ende onderrichtinghe (Haarlen, 1605)), Indenture English Penmanship, Penmanship Birds and Ornaments (2012), Beware The Neighboors Shadow (texture face), White Free (shadow face), Delamotte Large Relief Beveled.
Typefaces made in 2012: Porosa, Presto, Derradeira (signage script), About Sweet Memories (brush script), Intellecta Ribbons, Irrelevante (beveled caps), Laus Sus Chris (Christian dingbats), Unpublished Ornaments, Heavy Squared Writing (brush face), Mezcla Titan, Sweet About (retro script), Publicité, Hard to read monograms, Free Medieval, Doctor Polidori (initial caps), Mixed Silhouettes (One through Five), Glosilla Castellana Cursiva (inline type family), Sayonax (a textured version of the oriental simulation typeface Sayonara), Wood Stevens (free), Rockabilly (fifties script), Interdite Script (heavy calligraphic face), Prismatica (free), Cristalid (free prismatic face), Zed Leppelin (free), Neo Bulletin Outline (free), Neo Bulletin College (2012), Victorian Free Ornaments (+Two), Spanish Army Shields (+Two), Varius Multiplex, Stephens Heavy Titling.
Typefaces from 2013: Face of Yesterday (calligraphic script), Ribbon in the sky, Dreamer (a flowing upright semi-connected script), Vorname (blackletter), Barocque Capitals, Close To You (a rabbit-eared script), Wappen (heraldic shields), Eletroz (hand-printed), Morcrepito (blackletter), Metropolitan Poster Black, Animal Silhouettes, Intellecta Pointers and Hands, The Loyalist (script), Vonnegut (a left-leaning script), Perhaps Love (left-leaning script), So Lonely (script), Exposition (upright script), Plaster of Paris (connected script), Volstead (connected script), Versitia (connected script), Porongo (heavy brush script), Fat Fantasy, Das Krieg (soldier dingbats), Corn Pop Two (ornamental corners), Corn Pop Four, Corn Pop Five, Astrodings, Vulnavia Sans (comic book face), Capitular Heraldica, Mirella Initials Ornamntals (a swashy calligraphic script; with Iza W), Carpete (retro script), Free Writer, Round Hand, Exclusivite (fifties script), Hertz Oscillations (fat retro script), Heavy Rock (fifties script), Raindrops (retro script), Ralph Walker (ronde), Exiles (retro signage script), Mr. Richmond Caps (art nouveau alphadings), Berengard Caps Two.
Typefaces from 2014: Prester John, Animals Old Cuts, Take a Pebble, Corn Pop Five (borders), Kidnapped at German Lands (ransom note font), Kidnapped at German Lands 2, Kidnapped at German Lands 3, Kidnapped at German Lands 4 (finished in 2016).
Typefaces from 2015: Rogeer (script), Chart Moss, Eliensee, Speedball Ragged, State Bridge, Derniere Script, Grissom Four (dingbats of critters), Das Modern, Zona Pro (a sans family).
Typefaces from 2016: Ares Modernos, Soldier William Holmes (vintage handwriting), Doctor Russel (script), Hollandisch Closed (blackletter), Rough Flowers (floral ornaments), Equis (crosses), Mattaaus (a counterless poster font), Holland Morleau (a Kanzlei style blackletter font), Rough Vignettes, Rechnung (a bejeweled didone), Alphabet Fantasie (decorative caps), Phantasinian (blackletter), Loosing Memory (blackletter), Laandbrau (blackletter), Lord Radcliff.
Typefaces from 2019: Penmanship Feather.
Typefaces from 2020: Victorian Alphabets (a weathered engraved money font; despite its name, this is just one alphabet), Mortised Vignettes, Mortised Caps, Monocracy Cuts And Clips, Sincelo Ornaments, Augusta Torino Ornaments (based on art nouveau ornaments from Societa Augusta Torino), Renouveau (art nouveau).
Typefaces from 2021: Gotteslob (blackletter), Cotton Mather (a medieval blackletter), Josef Wein Moderne Blackletter (after an alphabet by Josef Heim from the 1900 book Moderne Schriften / herausgegeben und verlegt von Josef Heim, Supernouveau (art nouveau ornaments).

Showcase of Intellecta Design's fonts, numbering 554 as of early 2017. [Google] [MyFonts] [More] ⦿

Inumocca Mocakaliyeh

Indonesian designer.

Creator of the spiky spurred tattoo typeface Inumocca (2012), Longhorn (2014), the spurred vintage typefaces Gedung State Art Deco (2014, a spurred Victorian typeface inspired by the Gedung building in Bandung), Lemonade (2014, signage script), Iorek Byrnison (2014, based on the movie The Golden Compass) and Empire Wars (2013), Morning Glory (2013, spurred Tuscan Victorian typeface), England (2013, spurred 19th century style), InuTattoo (2013), and InuMocca Belut Listrik (2013).

Typefaces from 2015: Kathleen (handcrafted), Akiko (sans), Kiota (spurred sans), Day After End (pure Victoriana), Summers (handcrafted), Carters (spurred, steampunk style), House of Glory (a hand-lettered family with substyles called Kiota and Akiko), Oldiez, Yellow Orange, Flamboyan (vintage signage type).

Typefaces from 2016: Bhejeuct Gash (sci-fi), Early Morning (signage script).

Typefaces from 2017: Pumpkin's Brush, Urban Case (a glitch font), Rock Sands (decorative blackletter), Bouquet (signage script).

Typefaces from 2019: Brother Wood, Bobber Bold, Ceuretas (an origami font), Crunchy Burn (handcrafted), Bertha Neckline (vintage blackletter), Landdeuh (layered), Iron Horse (Victorian), The Boiseries (Victorian).

Typefaces from 2020: Paddingtoons (a comic book font), High Rise (a blackletter), Industrial Sans, Cuba Script (monolinear), Morning Sunshine, Sanekala, Oat Crackers (brush script), Rootking (blackletter), Bronco Speedway (a layered vintage serif), Work Space, Stronghold (brush), Morning Beach.

Typefaces from 2021: Patinas Stencil (a pearl-studded, but not a stencil, typeface), Rullen (an all caps display font), Patinas Pointed (spurred), Howl Castel, Arunika Lavanaa (a script), Marry Gold, Mollucas Clove (a modern day Tuscan font), Cabo Blancco (a tiki font), Morning Sunshine (a display serif with monumental top slabs), Folkloric (a retro poster typeface), The Buckarooz (a reverse stress Western font), Adenium (a decorative serif), Cendrawasih (a tall rhythmic script), Gold Giggers (all caps, very Victorian), San Louis (a swashy decorative serif).

Typefaces from 2022: Lusto (a display typeface with concave outlines borrowed from wood type), Showra (a very bold and wide display typeface), Urban Case (a font with glitches), Fatdudes (a hybrid between Western and Hebrew emulation styles).

Behance link. Creative Market link. Dafont link. Graphicriver link. [Google] [MyFonts] [More] ⦿

Invasi Studio
[Gha Arizal]

Jakarta, Indonesia-based designer of hand-drawn typefaces. In 2020, he created Coconut Island, Better Season, Creamy Wonder, Fruktosa, The Untold Story, Heavyrust (a brush font), Worthbites (all caps supermarket lettering), Kinethick.

Typefaces from 2021: Briztle (grungy condensed caps), Crafty Bestie (hand-crafted), Howling Wolf (a brush font), Klop (a bold soft sans) Klorofeel (hand-crafted), Moreganic (for national park signage), Protagonice (a hand-drawn slab serif), Mogathe (a spurred Western font), Courage Union (a weathered athletic lettering font), Overgreed (a rounded blackletter), Hypercrack (type for crack addicts), Flashy (making fun of the loud 1990s), Machine Killer (blackletter), Enjoyable, Harmoneux (an all caps display font), Mighty Rooster (a weathered letterpress emulation typeface), Sacred Musk (a display typeface), Mighty Rooster (a weathered letterpress emulation typeface), Sacred Musk (a display typeface), Amateur Hunter (handdrawn caps), Quiet Backyard (a scrapbook font duo), Funky Gloom (a blackletter), Boredom.

Typefaces from 2022: Blastvader (a reverse stress bean font), Hurtmore (a doodled brush script), Youthful Radiance (brush caps), Morphadore (a wide connected script), Foliage Exotica (a hand-crafted serif), Peaceful Island, Local Groceries (a vernacular typeface), Brughler (a vintage label font), Polka Collecta (a casual all caps sans), Constaline Script (a monolinear script), Sirkle (a troubled wedge serif with rhombic tittles). [Google] [MyFonts] [More] ⦿

Ipsum Planet
[Pedro Pan]

Design group associated with Neo2 magazine in Spain, for which they created some (free) experimental typefaces. The designer seems to be Pedro Pan. These include the paperclip typeface Aria (2002), the bold rounded typeface Bassel (2002), Barco.D.A. (2006), Web (2002, pixel face), Teletype (2003, stitching font), Video (2002, blocky face), Puntogotic (2002, fuzzy blackletter), Gallega (octagonal), Zarautz (2006, fashionable simple sans, free here), Track (octagonal), Ciclo (2007, bike chain-themed glyphs), Rotring (arc-themed), Paperfont (2006, alphabet made out of paper), Canaletto (2006, rounded monoline font), New Euro (2002, vertically etched all-caps face), Pixar Five (2002, pixel face), Quiniela (2002, stitching font), Steroid (2008, Star Trek font), Spectrum (2002, rectangularly-pixeled face), Regaliz (2005, a multiline face), Icon (2002, a multiline face), Alpha and Airline (2002, octagonal monoline typefaces), Elo (2004, a good-looking art deco face), Tipod (2006, dot matrix face), Button (2002, dot matrix face), Lobula (2007, art deco), Bit (2002, pixel face), TCK-2000 (2000, futuristic), Rubik (2002, art deco), Error PostScript (2002), Strokes (2003, a multiline face), Maciza (2003), DNNR (2004), Sector-96 (2007, modular), Novich (2007, glyphs based on musical notes), Funk (2003, simple sans), De Stijl (2002), Hi-Fi (2002, pixelish), Salami. [Google] [More] ⦿

Irina ModBlackmoon

Minsk-based Belarussian, b. 1987. Creator of "gothic" and "broken" Latin and Cyrillic fonts like Wings of Darkness (2015), Bad Behaviour (2015), Ancient Runes (2015), Last Words from Earth (2015, ink splatter script), Blood Blocks (2015, a dripping blood font), Gothic Spell (2015, blackletter/tattoo font), MB Thin Worms (2013, a spiked horror black metal font), MB Think Twice (2012, gothic face), MB Demonic Tale (2012), MB Underground (2012), MB Forever Raw (2012), MB Element (2012, +Brutalized: horror fonts), MB Real Grinder (2011), MB Evil Ghost (2010), MB Slavonic Minsk (2010), MB An Old Witch (2010), MB Before The End (2010), MB Horror House (2010), MB Poisoned Type (2010), MB Gravitation (2010), MB-Alien Report 72 (2010), MB-Graveyard-Designs (2010), MB-TheGreatReaper (2010), MB Arcane Gothic (2009), MB-Back for Death (2009), MB-Lords of Evil (2010), MB-BlackBookType (2009), MB-ElvenType (2009), MB-GothicDawn (2009), MB-InDigit (2009), MB-RustyIron (2009), MB TyranT (2009), MB-DigitalReality (2009).

Devian Tart link. Dafont link. Another link. Home page. Old link. Abstract Fonts link. [Google] [More] ⦿

Ironbird Creative

Illustrator and typeface designer. Typefaces from 2019: Fabetabe, Helvegen, Blackport (sans, serif), Pearson, Challore Script, The Forest Factor, Ultralife.

Typefaces from 2020: The Royalheat, The Bariyet, The Buntro.

Typefaces from 2021: Calsera (a vintage font duo), Aero Wolves (a hand-drawn blackletter), Lanford, Cosmic Venus (brush), Franklin Stone.

Typefaces from 2022: Marclane (a spurred weathered typeface). [Google] [More] ⦿

Iryna Trigubova
[Red Ink]

Isis May Wensing

Graphic designer in Florianopolis, Brazil, who created Neue Scharf 18 (2018) after a 16th century curly blackletter found in F. Delamote's book The Book of Ornamental Alphabets: Ancient and Mediaeval. [Google] [More] ⦿

Ismael Dayag

Caloocan, Philippines-based designer of the display serif typeface Maharlika (2020) and the blackletter typeface Blacksoul (2020). [Google] [More] ⦿

Israel Teixeira

At UNESP in Bauru, Brazil, Israel Teixeira designed the blackletter typeface Modern Gothic (2016). [Google] [More] ⦿

Ivan Bettger

Aka as theterrible. Designer in 2008 of this font, based on FontStruct: Struktur (2008, blackletter), more_than_meets_the_eye (2009, based on The Transformers) and New Traface (2009, sans). [Google] [More] ⦿

Ivan Moreno
[Jorge Iván Moreno Majul]

Jorge Ivan Moreno Majul is a graduate of Centro de Estudios Gestalt. At some point, he joined Pampatype. Based in Veracruz, Mexico, he designed the sans typeface Fresca (2011, Google Fonts) and the multiline layered colored and animated typeface Antorcha (2010). Antorcha, which revives the famous 1968 Mexico Olympics font, won an award at Tipos Latinos 2012. His typeface Wixarika won a prize at Cuarta Bienal de Tipografía Latinoamericana Tipos Latino in 2010.

Typefaces from2016: Teris, Palitroche Sans and Serif.

Typefaces from 2018: Saudade, Octothorpe (prismatic and op-art, based on Tony Wenman's font Stripes released by Letraset in 1972; released at Pampa Type in 2020), Automata, Presta (after Lucian Bernhard's 1908 Priester poster). Winner at Tipos Latinos 2018 of a type design award for Octothorpe.

Typefaces from 2019: Pone (striped: a revival of ATF's modular typeface system, Alpha-Blox, 1944).

Typefaces from 2020: Animal (a free 5-person effort for a South American screen text typeface competition, by the Bedepecus team that consists of Laura Barron Rivera, Pedro Elias Sosa Montoya, Ulises Ricardo Ortiz Cisneros, Miguel Angel Contreras Cruz, and Jorge Ivan Moreno Majul). [Google] [More] ⦿

Ivan Repiso

Barcelona-based designer of Fettoni Boktur (2016), an experimental typeface that mixes Bodoni and Fette Fraktur. [Google] [More] ⦿

Iza Wilma Lima Peixoto

Iza W is a Brazilian type designer who works with Paulo W at intellecta Design. Klingspor link. She created Kocham (2008, an art deco geometric typeface with dots centered in all letters), Orchis (2006, Intellecta Design), an art deco famliy in the style of Broadway. Other fonts, done with Paulo W at Intellecta Design in 2006: Advantage, Biza, Elegancy, Estiliza, Frompac. She designed DeutschePosterSteinschrift, Alta (5 styles), Apolo Decorative (Victorian era caps), Ariana, Black, Cresciesco (roman times lettering), Drianh (late 19th century styles), Easy Callig, Evangeliaire Uncial, Geodec N9 (high contrast sans family), Glaciana (decorative caps), Grid, Half Flower 2, Laureatus (Lombardic), Malvinna, Paola Decorative (caps), Passo Borgo (the ultimate spiky dungeon family), Schneider Kontrast (a 15-style art deco and ornamental family based on F.H. Ernst Schneidler's Kontrast (1930, Weber)), and Questy (semi-slab serif) in 2007.

Productions in 2008: Basilissa (flowery caps), Calligraphia Latina Soft, Chyrllene (curly Victorian family), Clea (caps), Fridha (undrerstated and 3d calligraphy), Hostetler Kapitalen 2, Litho Romana Inland (a caps family), Ogden (calligraphic), Olivetti Typewriter (5 styles), Syl (frilly Victorian caps), Tissot (2008, fine caps), Triball (headline blackletter family), TTF TATTOEF 8 (tattoo dings). MyFonts says The mysteriously-named Iza W shares most of the development activities at Intellecta Design with Paulo W. She specializes in revivals of historic advertising types, specifically metal and wood display types of the Americas, from the early 19th to mid 20th century. and lists these fonts at the end of 2008 as having been designed by her: Advantage, Agua (2007, an extension of Heinrich Maehler's 1931 font, Salut), Alta, AltDeutsch, Anatomy, Antiqua Shaded, Apolo Decorative, Ariana, Basilissa, Biza, Black, Boliche, Bruce Borders, Bruce Flourished, Bruce Hairline, Bruce Miscelania, Bruce Ornament, Cadels, Calligraphia Latina Soft, Catania, Centennial Script Fancy (+Three), Chancelaresca Spanola, Chyrllene, Clea, Cleo (Lombardic ornamental caps), Cresciesco, Deco Experiment 2, Deco Experiment 3, Deco Experiment 4, Deco Experiment 5, Deco Experiment 6 (2007), Deco Experiment 7, Deutsche Poster Steinschrift, Donald, Drianh, Easy Callig, Egipcia, Elara (2009), Elegancy, Engel, Estiliza, Evangeliaire Uncial, Faroeste, Feosa, Figgins Brute, Fin Fraktur, Flower Essences, Flower Jars, Fofucha (2007, a psychedelic typeface modeled after Seymour Chwast's Artone from 1968), Frames 1, Francesco Decorative, Fridha, Frompac, Fry's Alphabet, Furniet Roman (2008, after Fournier), Gans Animals, Gans Carmen Adornada, Gans Cornucopia, Gans Gotico Globo, Gans Italiana, Gans Royality, Gans Sport Club, Gans Titania, Gans Titular Adornada, Gans Transportation, Gans Vessels Fishes, Geodec Bruce Ornamented (2006, a tribute to George Bruce), Geodec Minuskel, Geodec N9, Geodec Petras Enhanced, Glaciana, Gloo Biloo (2010, spooky alphading face), Gothic Handtooled Bastarda, Gotische, Gotische Frame, Gottar (blackletter), Gradl Initialen, Grid, Grissom (insect dingbats), Grolier (caps), Grolier Beveled (2011, free at Dafont), Half Flower, Hannover, Hostetler Kapitalen, Imperio Romano (2009, roman heads), Intellecta Bodoned (+Two, +Trash), Intellecta Borders, Intellecta Crowns (royal crowns), Intellecta Grotesca Compacta, Intellecta Slab Bold, Intellecta Square, Intellecta Typewriter, Intellecta Typewriter 2, Japonesa (2010, oriental simulation), Julisa Script, Kocham, Latinish, Laureatus, Lettering Deco (2008, art deco, +Shadow), Litho Romana Inland, Littler Serifada, Magro, Majestade, Malvinna, Manuscript XIV Century, Merona, Missal, Monograms Soft (2010, with Paulo W), Naturella (2009, leaf and grape dingbats), Neretta (2008, +Italic), Numbers, Ogden, Olivetti Typewriter, Orchis, Palermo, Paola Decorative, Peloponeso, Porcupine, Questy, Remington Elite Typewriter, Samuello, Schneider Kontrast, Schneidler Zierbuchstablen, Schwandner Versalia (2010, ornamental caps based on an alphabet by Austrian penman Johann Georg von Schwandner), Schwandner Black Fleurons (2010), Schwandner Ornaments (2010), Selena, Sinfonia, Southern Flight, Speedball, Standard Typewriter, Suciellid, Sunamy (oriental simulation, after lettering by Ross F. George), Surrey (2008), Syl, Tissot, Tondella, Triball, TTF TATTOEF 4, TTF TATTOEF 6, TTF TATTOEF 7, TTF TATTOEF 8, Tuska, Underwood Typewriter (+Underscore), Uthan, Versatile Initials, Victorian Exotical Capitals, Warp, Woodball, Yanna, Zooth.

From 2009: Calligraphia Latina Soft3, Cantate (+Beveled), Remington Weather (old typewriter), Xyla (caps), Polen, Polen Two (2007), Arrius (calligraphic), Catilina, Pentagraph (upright connected script), Renania (calligraphic), Renania Double Line (free), Samantha (caps), Silius Engraved (caps), Stencil Intellecta (+Trash), Tatooyn, Urszula (caps), Victorio (caps), Elfort (formal calligraphy after Poppl Exquisite, a typeface by Friedrich Poppl), Pretoria Gross (2009), Holy Church (2009, blackletter), Holy Church Fleurons (2009), Single Silhouettes (2009).

Typefaces done in 2010: Penabico (a calligraphic script; with Paulo W), Baltimore Typewriter (a great typewriter family, with a black-on-white typewriter keys style added), Izouda (an art deco Broadway-style beauty), Bernardo (an italic family, with swash initials thrown in, named after Lucian Bernhard), Netuno, Supermarket (shop signage family), Bruce Influence (interpretation of Great Primer Ornamented No. 30, from the Bruce's TypeFoundry 1869 catalog), Pretoria Gross (a Victorian family done with Paulo W), Reliant (2010, with Dmitrij Greshnev: a free interpretation of Bernhard Schönschrift (Lucian Bernhard) and Liberty, which was designed by W.T. Sniffin for ATF in 1927, following the original designs by Lucian Bernhard), Reliant Limited (2012, free version).

Gostosinhos (2010) are hilarious faces put together in a dingbat font. Centennial Onaments (2010) was done with Paulo W. Calligraphic Birds is pure penmanship.

Fonts done in 2011: Ambrose Bierce Daned Font (ornamental caps), Menina Carinhosa (floriated caps), Menina Formosa (floriated caps), Menina Espinhosa (2011), Menina Graciosa Ornaments (2011, +Two), Menina Poderosa Ornaments (2011), Azalleia (floriated caps), Azalleia Ornaments, Naoko (a fantastic oriental simulation face), Bestiario (calligraphic penmanship dingbats based on the work of English writing master John Seddon, 1644-1700), Seddon Penmans Paradise Capitals (elaborate caps along the lines of Bestiario), Dolphus-Mieg Monograms (after a 1901 book by the Dollfus-Mieg company), Imprenta Royal Nonpareil, Dia de los muertos (2011), Naive Ornaments (2011), Eingraviert Dutch Capitals (2011).

Creations in 2012: Spirulina, Promotion Script, Soft Ornaments (+Two, +Three, +Four, +Five, +Six, +Seven, +Eight, +Nine, +Ten, +Eleven, +Twelve, +Thirteen, +Fourteen, +Fifteen, +Sixteen, +Seventeen, +Eighteen, +Nineteen, +Twenty, +21), Soft Garden (ornaments), The Black Shapes, Sabor Words, Sabor Digital (textured), Sabor Rasgos Escritura (upright connected script), Floreart (floral dingbats), Mirella Script (French bastarda penmanship script), Soft Flowers, Derriey Vignettes (after Charles Derriey), Gracious Azaleas (flowery dings).

Design from 2013: Bruce Ornaments Collection, Invitation Script (after the calligraphy of Andrade de Figueiredo, 1722), Mirella Initials Ornamentals (a swashy calligraphic script done with Paulo W), Menina Graciosa (ornamental caps), Menina Gostosa (Loira (caps), Morena (calligraphic), Ornamentos (floral)), Alien Trees. [Google] [MyFonts] [More] ⦿

J. G. Francke Nachfolger
[Albert Wilhelm Kafemann]

The type foundry J. G. Francke in Berlin was purchased in 1872 by Albert Wilhelm Kafemann and moved to Danzig and renamed Firma J. G. Francke Nachfolger. In 1872, Kafemann also bought the type foundry Christoph Richter which was based in Köln. On October 1, 1875, Franz Otto Claus---an employee at J. G. Schelter & Giesecke in Leipzig---became a partner in Kafemann's foundry. In 1882, Franz Otto Claus continued the foundry by himself still as J. G. Francke Nachfolger. This foundry produced Danziger Fraktur in 1886. This typeface was designed by eye doctor Dr. Schneller in Danzig and produced (and owned) by Kafemann. In 1895, Otto Claus, the son of Franz Otto, became a partner. The latter died in 1905. Otto Claus himself sold the foundry in 1908 to John Seyfert in Danzig. Seyfert in turn sold the company in 1912 to the company Otto Tech in Berlin. That company was partly absorbed by H. Berthold AG and partly by Emil Gursch in 1917.

Footnote: Danziger Fraktur was digitally revived by Gerhard Helzel. [Google] [More] ⦿

J. Mach Wust

Switzerland-based designer of these fonts:

The free font Unicook (2010, OFL; possibly renamed UnifrakturCook). He writes: Unicook is based on Peter Wiegel's OFL font Koch Fraktur which is in turn based on Rudolf Koch's Fette Deutsche Schrift (1908-1910). Unlike Wiegel's font, this font is Unicode-compliant.
Unifraktur Maguntia (2010). This is based on Peter Wiegel's free font Berthold Mainzer Fraktur which is in turn based on a 1901 typeface by Carl Albert Fahrenwaldt. Latest update of Unifraktur in 2017.
Entiumgay (2010) is based on J. Victor Gaultney's Gentium font. It uses Apple Advanced Typography for scrumbling normal text into Pig Latin. It features various dialects of Pig Latin, including Bernese Meadow English (Mattenänglisch).
Wust is involved in the Free Tengwar Project: The Free Tengwar Font Project aims at developing a family of general purpose fonts that cover J. R. R. Tolkien's tengwar script and that are compatible with the Unicode standard. [...] Johan Winge's Tengwar Telcontar font already existed previous to this project. Indeed, it has been an important inspiration, aiming at Unicode compatibility in a tengwar font. Johan's joining in has been a giant leap for the Free Tengwar Font Project.

[Google] [More] ⦿

J. Marquez
[José Marques]

j4p4n

Creator of Ghetto Dot Alphahira (2010, FontStruct), a dot matrix typeface for Latin and hiragana. Funki Fuji (2010, FontStruct) is a starred outline typeface for Latin and hiragana. Kool Korean (2011, FontStruct) mixes Latin and Korean. Ukikusa (2013) is a hand-drawn hiragan font. In 2014, he published Pirate Power (a grungy blackletter typeface). In 2015, he added Rnd Symbz (dingbats) and Sloppy Koetsu (handwriting). In 2017, he designed DeGerm LoCase (an irregular blackletter), Tracedots, CmpHand, Gizagiza and Lindbergh Baby (ransom note font). In 2020, he added Oddballz. [Google] [More] ⦿

Jack Bloom

Seattle, WA-based designer of STFU (2019: a modern blackletter typeface). [Google] [More] ⦿

Jack McDermottSweeney

Cleveland, Ohio-based designer of the thick blackletter typeface From A Cage (2017), created as a reaction to Trump's crackdown on freedom of speech and movement. Behance link. [Google] [More] ⦿

Jack Roger
[Jack Roger Art (or: JR Design)]

Jack Roger Art (or: JR Design)
[Jack Roger]

Indonesian designer of Lesbos (2015, +Inline), Fox Like (2015) and Jarryd (2015, a death metal font). [Google] [More] ⦿

Jack Usine
[SMeltery Fonts]

Jackson D. Green

During studies in New York City, Jackson Green (or just Jack Green) designed the sci-fi typeface Memphis Sans (2016) and the blackletter typefaces Heutig (2016) and Iron-On Blackletter (2016). Behance link. [Google] [More] ⦿

Jackson Tadeu Amaral
[Oliveira37]

Jacques Dousse

Swiss type designer at Fontnest who designed these fonts: Crux (a gothic bitmap font), Keytype, Frankental (LED simulation), Padsans (dot matrix), Padtype (dot matrix), Multitool (a dingbat font with firemen's tools), Hexagonipus (a kitchen tile font based on lettering on Spitfires), Code. Cofounder of Home Clothing in Switzerland and Canada. [Google] [More] ⦿

Jacques Le Bailly
[Baron von Fonthausen]

Jade Newman
[Design Surplus Co]

Jaime Van Wart
[Ketchup n Mustard]

Jake Ivill

Cofounder with John Booth of Typohaus. During his studies in Manchester, UK, Jake Ivill created the numbers font 18-04-23 (2014), the multiline typeface Track (2014), the semi-blackletter typeface Schwarz (2014), the set of display numerals 18-04-23 (2014), and the backslanted dot matrix typeface family Lite (2014). Behance link. [Google] [More] ⦿

Jake Jarkor
[J.M. Cova]

San Nicolas de los Garza and/or Nueva Leon, Mexico-based creator of the heavy modular typefaces Jakejarkor Locura (2013, street art-inspired) and Conflictivo (2013), and the graffiti typeface Felona (2013, chicano tattoo and graffiti style). In 2014, he made Craneo and Ingobernable (a spurred typeface).

In 2016, he designed the fiery tattoo or metal rock typefaces Perros and La Aurora, the devil-themed Demonio, the spurred Victorian typefaces Tequilero, Arsenico, Los Jefes, Demente, Carbones, Bandidos, Madriza, Abatido, Malosa, Huracan and Mercenario, Radical (street art-inspired), Hermandad, Malandra (ghoulish font), and Infame (a modular typeface influenced by street art).

Typefaces from 2017: Brutal (inspired by tattoo lettering, chicano culture and street art), Furia (a blackletter inspired by tattoo letters, chicano culture, graffiti and street art), Rabia, Aliento, Demolicion (spurred), Pecados (spurred style).

Typefaces from 2018: Crudo, Atraco (graffiti-inspired typeface), Criminal (tattoo font), Dogma (spurred), Asfalto.

Typefaces from 2019: Guerra, Animal, Vicio, Omerta, Bastarda, amenaza, Insano, Supremo, Macabro, Insano (spurred), Bestia spurred), Ataque (spurred), Agresivo (spurred), Artero (spurred), Colapso, Sabotaje. [Google] [More] ⦿

Jakob Straub

Swiss [T-26] designer of Broken Screen (2004, blackletter pixel face), Diphtong (2003), Blockletter (2009, arched letters), Tivoli (2006, sans family in four styles), Hive (2000, dot matrix face), Ruota (2003, two wheel dingbat fonts), Yr-72 (2000), Jakone (2000, a fantastic techno headline face), DPI (2001, dot matrix font). Home page. MyFonts claims that he was born in Berlin in 1975.

View the typefaces of Jakob Straub. [Google] [MyFonts] [More] ⦿

Jakub Stanski

German designer of the German expressionist blackletter-derived typeface Redifraktur (2020). [Google] [More] ⦿

James Banner
[Digital Type Foundry]

James Blevins

James Blevins (Florida) is a graphic designer who specializes in font creation and illustration. For his blackletter typeface Crumby, he drew upon old blackletter motifs and hand-drawn characters found in the work of Robert Crumb. [Google] [More] ⦿

James Grieshaber
[Typeco]

James Hultquist-Todd
[James Todd (or: JTD Type)]

James L. Stirling
[Fontry West]

James M. Harris
[Harris Design]

James Partington
[Dene Studios]

James Stone
[Subversive Type (was: Meztone Design)]

James T. Edmondson
[Oh No Type]

James Todd (or: JTD Type)
[James Hultquist-Todd]

Chicago, IL, and/or Fredonia, NY, and/or Philadelphia, PA-based designer, who runs James Todd Design.

Creator of the text family Garvis (2012), which was inspired by didones and the Dutch Fleischmann types.

In 2013, he designed the wood type revival family HWT Unit Gothic for Hamilton Wood Type Foundry. The Unit Gothic series was released by Hamilton Manufacturing Co. in 1907, and comprises a flexible range of widths from compressed to very wide.

In 2015, he published the contemporary didone optically corrected typeface family Essonnes [MyFonts link].

In 2016, James Todd designed the 6-style sans typeface family Cresta and his garalde take on the (normally didone) fat faces, Gastromond.

In 2017, he co-designed Biwa and Biwa Display, a grotesk typeface family, with Ian Lynam.

Typefaces from 2018: Chapman (a large Scotch roman typeface family with lots of pizzazz), Stack.

Typefaces from 2019: Elfreth (an informal blackletter), Glot (a 10-style flared terminal sans family by James Todd and Ian Lynam; see also Glot Round from 2020).

In 2021, he was part of a big effort by P22 to revive and extend Johnston's Underground to P22 Underground Pro [13 styles: Richard Kegler (1997), Paul D. Hunt (2007), Dave Farey (2021), James Todd (2021) and Patrick Griffin (2021) contributed at various stages].

In 2021, he released Cambium---a text family based on roman inscriptional lettering in which special attention was paid to trhe lowercase---at Future Fonts.

YTypefaces from 2022: Oculi.

Behance link. Dribble link. Old Fontspring link. Old URL. Future Fonts link. [Google] [MyFonts] [More] ⦿

Jan Hendrik Scholte

Dutch author, b. 1874, who edited Die Hochdeutschen Schriften aus dem 15ten bis zum 19ten Jahrhundert der Schriftgiesserei und Druckerei (1919, Enschedé en Zonen, Haarlem), a publication which has four articles:

Gustav Mori: Christian Egenolff, der erste ständige Buchdrucker in Frankfurt a/M
Christian Münden: Von den ersten Franckfurter Bruchdruckern
Gustav Mori: Geschichte und Entwicklung des Schriftgiesserei-Gewerbes in Frankfurt a/M
Charles Enschedé: Die Druckerei der Elsevier und ihre Bezichung zu der Lutherschen Schriftgiesserei

This book is mainly about the development and history of blackletter types. Open Library link. [Google] [More] ⦿

Jan Imken Lichtsetzerei

Oldenburg-based printer / typefounder. Catalog from 1989. [Google] [More] ⦿

Jan König

Art director in Leipzig (and before that, Bremen), Germany, who created the blackletter typeface Eigil in 2013. Behance link. [Google] [More] ⦿

Jan Weidemüller
[Ultra Kühl]

Jana Taillade

Montreal-based designer of the round fat blackletter typeface Black Velvet (2016). [Google] [More] ⦿

Jangs Müller
[Jangs Müller Type Foundry]

Jangs Müller Type Foundry
[Jangs Müller]

Type foundry, est. 2012 by Jangs Müller in New Haven, CT. Typefaces as of 2018:

Arquare. Squarish.
Asialphabet. Oriental simulation font.
August. A sans.
Bernhard. A sans.
Biti. A sans.
Bottomi. A pixel typeface.
Closed. A heavy super condensed typeface.
Commencement.
Flutter.
Fraktur.
Futulabyrinth.
Heritageo. Bilined and of variable width.
Knedgei (2015). A wedge serif typeface family.
Mies.
Opcode. Vintage computer screen emulation font.
Rebuild. Bilined.
Rocle.
Rubend.

[Google] [More] ⦿

Janos Csoma

Hungarian FontStructor who made typefaces like ACDC (2011, a blackletter / tattoo typeface based on the AC DC logo), Code (2011, the pixel font used in Command Prompt), Bonzarificx (2011), Spore (2011), Greek (2011, ornamental Greek face), Olde Time Ornamental (2011), FontStruct (2011), Circuitboard (2011), Logo MT Condensed (2011), and Bonzarific (2011).

In 2012, he added Code (grid-based), Moderniste, and IBM Logo. [Google] [More] ⦿

Jaroslav Novotny

Freelance designer in Prague, who created the blackletter typeface Der Jodler between 2011 and 2013. [Google] [More] ⦿

Jason Anthony Walcott
[JAW Fonts (Jukebox Type)]

Jason Anthony Walcott
[Jukebox Collection]

Jason Kochis
[MetalHead]

Jason Lee

Designer in Oxnard, CA, who made a blackletter face in 2010. He also designed Futura Holiday Dingbats (2010). [Google] [More] ⦿

Jason Levesque

Jason Levesque (b. 1975) from Chesapeake, VA, created two free fonts: stuntcut (grunge), stuntgoth (blackletter outline). [Google] [More] ⦿

Jason Mannix
[Polygraph]

Jason Ramirez
[Ground Control (was: Penny Font Foundry, or: Pennyzine)]

Jasper Habicht

Between 2005 and 2012, Jasper Habicht (Accipiter Media, Germany) created the free typefaces Roaat Regular (for Khmer), Al Saqr (for Arabic), Maya Modern, Pixelfont, Ukussa (for Sinhala), Kayah Li (for Karen), Deutsche Kurrent (deutsche Schreibschrift), Blissymbolics, PixelFraktur, Vexillogic Symbols, Braille, Airport (a segmented font), and Karakorum (for Mongolian) in 2012.

Behance link.

Jasper was born in 1986 in Duisburg, Germany, and is affiliated with the University of Köln, where he specializes in Modern Chinese Studies. [Google] [More] ⦿

JAW Fonts (Jukebox Type)
[Jason Anthony Walcott]

JAW Fonts (and before that, JAW Arts Fonts, and Jukebox Type) was founded by Jason Walcott (b. Trenton, MI, 1971) from Hollywood, CA. Jason grew up in New Jersey, and now resides in Southern California. He graduated from Kean College of New Jersey (now Kean University) in 1997 with a BFA in illustration. JAW Fonts features many elegant calligraphic and comic book style typefaces. JAW Fonts ceased operation in 2003 and Jason reintroduced his collection of fonts in a revised form under the new name of Jukebox Type.

The original list of typefaces includes Acroterion JF (2002, formal script), Adage Script JF (2002, formal script), Alpengeist, Andantino (2003), AnnabelleJF (2002, a formal script), Baileywick Curly, Baileywick Festive, Baileywick Gothic, Baileywick Happy Grams (star dingbats), Baroque Text JF (2003, a great Fraktur font based on a hand-lettered alphabet drawn by Ross George), Boxer Script, Bronson Gothic, Buena Park (2001, Victorian vintage type influenced by Clarendon), Cathexis (2010, a heavy poster font), Cavetto, CharadeJF (2001, informal script), Debonair, Fairy Tale, Fanfare (2004, a bouncy serif family), Fenway Park, Friki Tiki, Geometric Soul (2004, an art deco all caps face), Gypsy Switch, Holiday Times, Hucklebuck (2003, upright connected signage face), Jeffriana, John Andrew JF, KonTiki (a family published in 2002 containing Aloha, Enchantment, Hula, Kona, Lanai, Lounge and Trader), Lady Fair, Luxury Royale (2003), Manual Script JF (2002), Martini (2004, a brush script), Mary Helen, Opulence JF (2002, formal script font), Peregroy, Periwinkle (2006), Cabernet (2006, frilly didone), Polynesian (2004, Hawaiian-look typeface that could also pass for an oriental simulation face), Primrose JF (2002, formal script), Rambler Script, Randolph, Retro Repro (2002, based on a script by Jerry Mullen from 1953), Saharan, Scriptorama (Hostess, Markdown and Tradeshow), Shirley Script JF (2003), Southland, Spaulding Sans, Stanzie, Stella Ann (2005), Stephanie Marie JF (2003), Tamarillo (2005), TwisterJF (2003), Valentina Joy, Varsity Script, Viceroy, Walcott Gothic (Fountain, Hollywood and Sunset), Groovin (2005, Umbrella Type), Wonderboy. The fonts of this West Hollywood, CA-based foundry can be bought at MyFonts.com. In 2003, he started Jukebox Type and started offering his fonts at Veer. In October 2003, Veer acquired Jukebox Type outright.

In 2005, they added Rootin Tootin (Western style), Dulcimer (soft script), Block Party, Dandelion, Marmalade (idyllic script).

In 2006, he created Jukebox Bookman, a 6-weight family, and the brush script typeface Stephanie Marie.

In 2007, he added Hellenic Wide (after a 19th century ATF font), GiggleScript JF, Savoir Faire (after a handlettered slogan in 1940 for Chesterfield cigarettes), Lollipop.

2008 additions: Hogwash (paintbrush face), Antiquities Technobaby.

2009 additions: Cynthia June (calligraphic).

Typefaces from 2010: Eloquent (a didone in the style of Pistilli).

Counterpoint Type Studio was established by Walcott in 2013. In 2013, Jason designed the psychedelic typeface Califunkia and the calligraphic script typeface Profiterole. Domani CP (2013, CounterPoint)) is a faithful digital revival of an old photo-typositing typeface called ITC Didi. Originally designed by Herb Lubalin and Tom Carnese, Domani brings to life a font that has been somewhat neglected by the digital era until now.

This is the list of fonts sold by MyFonts in 2015. It is just a subset of the fonts made by Walcott:

Jukebox Type has these typefaces:

Klingspor link. View the Jukebox Type typeface library. View the JAW Fonts typeface library. [Google] [MyFonts] [More] ⦿

Jay Cobs

Jay Cobs (Aix-en-Provence and Marseille, France, b. 1994) created the free typeface Abstract Labyrinth Rounded in 2013. Rockbuchet (2014) is a weird split personality typefaces created as a mixture of Rockwell Bold and Trebuchet MS. His chiseled rock font Rockfire (2015) is free.

In 2018, he designed the free blackletter font DreiFraktur that is based on a hexagonal grid.

Dafont link. Behance link. Tumblr link. FontStruct link. [Google] [More] ⦿

Jay Rutherford
[Typoart GmbH (or: VEB Typoart)]

Jérôme Knebusch
[Poem Editions (or: Atelier Jerome Knebusch)]

Jean Joveneaux

Author of La lettre dans la peinture et la publicité (1957, Editions Charles Massin, Paris: see also here and here). His Futura Stencil-like Le Pochoir (plate 40) was digitally remade by Toto as Le Pochoir (2011), and also by Jan Gerner as Pochoir (2006). Author also of La lettre dans le décor. An art deco typeface from that book was digitally revived by Toto and Dick Pape in 2011 under the name La lettre dans le décor. Free download here.

The alphabets of La lettre dans la peinture et la publicité (1957) include many styles, from art deco to blackletter, Victorian and retro. Joveneaux gave them names, so I will list them in alphabetical order: 1erEmpire, AnDeGrace1320, Antiquites, Aquarium, ArtsGraphiques, BalDeNuit, Bar, BeauxArts, Cafe, CompositionDecorative, Constellation, CoursDeStenotypie, DerniereHeure, EclairageFluorescent, Editorial, ElectroStatique, EnExclusivite, Exposition, Illustration, InitiationSportive, JeuDeDominos, LaGrandeParade, LePochoir, LettresOrnees, Massif, Meubles, ModeDEte1950, Motos, Nouvelle, Ordonnance, OrpheeAuxEnfers, PrestigeDeLaSoie, Promotion52, RealisationsGraphiques, RobesDEte, SalonMai1953, Samedi23Mai1953, TissusTousColoris, TouteUneGammeDeLaines, ZoneInterdite. [Google] [More] ⦿

Jean McGuire
[Wintertree Software]

Jean Midolle

French calligrapher and graphic artist, b. 1794, Besançon. He lived and worked in Geneva, Mulhouse, St. Gallen, Strasbourg, and finally, Belgium. Author of Spécimen des écritures modernes (Emile Simon fils press, Strasbourg, France, 1835), a book that contains many chromolithographs. His alphabets include:

Alphabet Diabolique and the Alphabet Lapidaire Monstre (1834). Initials depicting the devil and other monsters. Jessica Slater digitized it (as Diabolique) in 2001 and writes: This alphabet was designed by Jean Midolle and published in Strasbourg in 1834. During the previous 50 years the French had seen violent revolution (1789-1799), and the Napoleonic wars (1803-15), followed by the restauration of a monarchy that was increasingly reactionary, intent on augmenting the influence of the wealthy classes, and curbing civil liberties (Louis XVIII 1814-24; Charles X 1824-30). The July Revolution of 1830 restored what promised to be a more moderate monarchy under Louis Philippe. But this new government was not to respond to the economic needs and political desires of the lower classes, and further discontent became inevitable. Within this context, the often tasteless images of this "Alphabet diabolique" may be better understood as portraying through satire the harsh realities that the French people had faced within a single lifetime.
Romaine Midolline (1835) and Midoline (ca. 1840, at Julius Klinkhardt in Leipzig). There is a digital revival also called Midoline by Gerhard Helzel. Dan Reynolds writes: About fifteen years after this portfolio's publication, the printing and typefounding company of Eduard Haenel in Berlin produced a typeface that was also named Midolline. Its letterforms are similar to those in Midolle's print. Since we do not know the date of Midolle's death, it is difficult to imagine how this typeface actually came about. I suspect that Haenel might have produced it as a posthumous tribute to Midolle, for display at the 1851 Great Exhibition at the Crystal Palace in London but that is just a guess. What is certain is that many other typefoundries across Europe acquired matrices for the Midolline types. The design was eventually sold in the U.K. as Saxon Text by the Edinburgh and London-based Miller & Richard type foundry. After the American Civil War, multiple foundries in the United States would carry it, too. They sold it under the name Composite. In 1854/55, just a few years after Haenel's Midolline had been produced, the Trowitzsch & Sohn printing and typefounding firm published a derivative typeface called Schmale Midolline. In the United States, Schmale Midolline was sold as Composite Condensed. For a time Midolline became a type classification term in Germany, used to describe all blackletter-roman hybrids. Other German typefoundries---like Flinsch in Frankfurt am Main---created additional designs that were also marketed with the term Midolline (or Midoline) in their names, such as Halbfette Midolline, Moderne Midolline, and Schmale Midolline. Because so many Midolline types had been in circulation, late-19th and early-20th century German typographers were not certain which foundry had been responsible for first bringing it into the world.
Gothique Composée (1835).

[Google] [More] ⦿

Jean-Baptiste Morizot
[Phantom Foundry]

Jean-Pierre Mallaroni

Marseille and/or Paris, France-based designer (b. 1961) of Argor Fast Scaqh (2015), Argor Priht Scaqh (2007, blackletter), Argor Brujsh Scaqh (2007, blackletter), Argor Cwar Scaqh (2006, pixel blackletter), Argor Biw Scaqh (2006, blackletter), Argor Flahm Scaqh (2001, blackletter), Argor-Got-Scaqh (2001, blackletter) and Argor-Man-Scaqh (2001). The author's fonts can be used for his artificial language Silarg. Dafont link. See also here. Home page. [Google] [More] ⦿

Jeff Bensch

Ex-student from the University of Toledo, b. 1971. Creator of the flamed dingbat and alphading fonts J-Flames (2011), Up In Flames (2008), Up In Flames Too (2008), Up No Flames (2008), Flames VI (2007), Flames V (2007), Gothic Flames (2007), Roman Flames (2009), Flames IV (2007), Flamesiii (2006, blackletter), Flames 2 (2006), Flames (2005), Bensch Gothic (2008), Bensch Gothic Flames (2008). PHuture (2008) breaks with his style and is a high-contrast rounded LED simulation typeface made in 2008.

Typefaces from 2010-2011: What UP (2011, gridded), Headshot (2011), PHUTUREphlamesPHAST (2011), PHUTUREphlames (2011), Gothferatu (2010, a spiky tattoo parlour blackletter face), Skyline (2010), Hexcellent (2011).

Typefaces from 2012: Fontmageddon.

Typefaces from 2014: Bus Stop, Blockt, Skylinesketch, Fast Block Flames, Hot Librarian, Hot Secretary, UpTop, Synced, Small Tall, Bus Stop Worn.

Typefaces from 2015: Namo, Jinkeez (dripping ink font), BeWicked (script), Stout Deco (art deco geometric sans), Middle Management (thick calligraphic script), A15Bit, Tentacles, Dsplaid, 1313 Mockingbird Lane (dripping blood font), Red Velvetica Shadows Bold (Helvetica with an outline and a shadow), Rough Draught, Prosciutto Sansish.

Typefaces from 2016: Brown Bag (script).

Typefaces from 2017: Zombie Tai, Gooey Drippy Sticky, Fingerspelling, Super Skyline, Picksuhl (pixel), Stop Slant Sans.

Typefaces from 2018: Flip Clock, Spoopy, Bologna Sansish, Flip Clock Black, Flip Clock White, Runden, Time For Salad (fat rounded italic), Grabage (grunge), Sole Survivor, Capicola Sansish.

Typefaces from 2019: Shocktober (a dripping blood Halloween font), Puck Man (Pacman font). [Google] [More] ⦿

Jeff Bleitz

Jeff Bleitz (Sarasota, FL) created the blacklewtter logotype Beauxnero in 2012. [Google] [More] ⦿

Jeff Levine
[Jeff Levine: Blackletter typefaces]

Jeff Levine: Blackletter typefaces
[Jeff Levine]

Blackletter typefaces by Jeff Levine:

Blackletter Moderne JNL (2021). Inspired by the original 1935 pencil drafts for Deutsche Schrift, which were intended for Germany's railway system.
Same Old English JNL (2010).
Sealed JNL (2005). A blackletter stencil typeface.

[Google] [MyFonts] [More] ⦿

Jeff Schreiber

Graphic designer in Eindhoven, The Netherlands, b. 1985. He created a scriptish typeface called Nougat (2012), Stack Bill (2012, a stackable typeface that incudes an inline version; the free sample version is called Billmoney, 2013), Fat Frank (2012), and the free multiline paperclip typeface Razor (2012).

In 2013, he published Lucien) (a headline sans), Muchacho (a free Western font), and Gringo (a spurred Western typeface).

In 2014, Jeff created the geometric sans typeface family Rucksack (which has two tweetware weights). With the help of Oliver Dead, he designed the animated typeface Fat Frank (2014, Animography). Jeroen Krielaars and Jeffrey Schreiber co-designed the eighties-style animated typeface Razor in 2014 over at Animography.

Typefaces from 2016: Blackrock (a free chunky blackletter-inspired font).

With Timo Kuilder, he founded Regular Bold Italic.

Behance link Regular Bold Italic link. [Google] [More] ⦿

Jeffrey Glen Jackson

Jeffrey Jackson designed a great blackletter font JGJ Durer Gothic (1997): This font is based on the book Of the Just Shaping of Letters by Albrecht Dürer, 1535. In consists of just the upper and lower case letters with no provision for modern forms (U and V are the same, as is I and J). Other designs by him include JGJackson Fountain (1999), JGJ Roman Rustic (1999) and JGJ Uncial (1999). Dafont link. [Google] [More] ⦿

Jeffrey S. Lee

The web site is now located at a charity, Shipbrook Hill Farm in Cheshire, UK. In the 1990s, it had a remarkable high-quality pair of freeware fonts, JSL-Ancient and JSL-AncientItalic. From Jeff's web page at the time: My most ambitious typographical achievement so far has been to re-create an antique roman/italic typeface pair, complete with ligatures and obsolete characters. Basing the fonts on nearly identical typefaces used by two English printers in the mid-to-late 1600s (Edward Jones and J. Redmayne), I strove to create as faithful a reproduction as I could manage. Using standard typeface classification terminology, it is a transitional or Baroque Oldstyle font. He also made JSL-Blackletter, Alien Nations, The Tenctonese Alphabet (a sci-fi face), and Tenctonese Sinescript.

Another page. Another page.

Dafont link. Abstract Fonts link. [Google] [More] ⦿

Jeffry Macpherson

Linwood, NJ-based designer of Blackletter 1905 (2018) and Architectural 1905 (2018). These typefaces are based on alphabets found in Architectural Lettering (American School of Correspondence, Chicago, IL, 1905). He also designed Foil Balloon Font (2018). [Google] [More] ⦿

Jelloween Font Foundry
[Tjarda Koster]

Dutch designer (b. 1985, Smallingerland), aka Jelloween, who designed the pixel fonts Blinkie 10 (2007), Silky Wonderland (2006, pixel face), Spinach (2006), Spinach Outline (2006), Webbies (2006, web dingbats in pixel format), Chewy Blossom (2006), Charriot Deluxe (2006), Charriot (2006), Spacy Stuff (2006), Smirnof (2006: an elegant dot matrix face), Every Day (2006), JL Quixs (2006, sans), Skinny (2005), Cyborg (2006, futuristic), Cranberry Blues (2006) and Pixelicious (2006). She also made the dingbat typeface Jellodings (2007, free here), the alphading typeface Alien-ABC (2006), the modern sans display typeface Ambrosia (2006), the bouncy typewriter typeface Humble Bee (2006), the 10-style simple sans family Machinato (2007), Tjarda Hand (2007), and the grunge typefaces Thoughts (2006; see also here), Smudgers (2006), Zhang (2007, slightly gothic), Vinegar (2008, free didone typeface), Jellobrush (2008), Puppeteer (2008, grungy blackletter), Happy-Go-Lucky (2010, dingbats) and the funky family Gubblebum (2007, free). Jesterday (2011) is a bouncy sans family.

Dafont link. Another page. Klingspor link. Abstract Fonts link. [Google] [MyFonts] [More] ⦿

Jennifer Kinon
[OCD: Original Champions of Design]

Jennifer Lauren

Virginia-based designer of the cblackletter typeface Germana 1875 (2016). [Google] [More] ⦿

Jennifer Monte

Recife, Brazil-based designer of Mauricea (2012), a blackletter typeface based on lettering on a bottle of cachaça. Surreal (2012) is based on Trajan Pro. Goo Font (2013) is a puixelish typeface. All these fonts were created during Jennifer's studies at Universidade Federal de Pernambuco. [Google] [More] ⦿

Jennifer Neustrass

Graphic designer in Aachen, Germany, who created the blackletter typeface Framusel (2015). [Google] [More] ⦿

Jeremy Steiner

Graphic design student at The Art Institute of Indianapolis, 2011. Creator of the experimental typeface Rocco (2011)--think Rockwell marries Didot. He also made the tattoo / blackletter typeface Feral Wolf (2011). [Google] [More] ⦿

Jeremy Vessey
[Pixel Surplus]

Jeroen Klaver
[Shamfonts (was: Shamrocking.com)]

Jeruel Aaron Amar

Designer from Quezon City, The Philippines, b. 1993, who used FontStruct in 2009 to make Pointers and Pointersoft (pixel arrow fonts), Eleaves, AcidSpeed, Parallelofont (octagonal), Missing Block, Acid Square, The First Font, Danubee (organic), Thorns, ReilyBill Richkid, Tabloid, StillAliveForNow, StillAlive, and The Curve.

In 2009, he added Unbranded, Nokia 6000, Quickening, Bump it up, Corte (3d shadow face), Unbranded, Piloton (techno; +Piloton G, 2012), Tahoma (pixel family), Raft, Paper Company (octagonal), Afro Style, Arko, 7th Service (stencil), Thorns, and Afro Superstar.

In 2012, he created Afro Superstar, Malibata Neue, a modernized and simplified Baybayin/Alibata (ancient Filipino writing), Gumball. In 2014, he designed the free gravestone typeface Furgatorio and an ancient Filipino script font, Malibata (2014, FontStruct). In 2015, he added XOX, the futuristic Babayin typeface Maria Stellar, and the techno sans typefaces Dozer One and Dozer Two. In 2016, he designed the marker pen font Jeboy and the coffin font Furgatorio Sans.

Typefaces from 2017: Alta (a fashion design sans).

Typefaces from 2018: Matatas One (a free Baybayin typeface), Cubao (free; inspired by the signboards hanged on Jeepneys, SUVs, buses and other transport vehicles within and outside the Metro; in 2022, a variable font was added), Quiapo (handcrafted all caps sans), Alta Kratos (alchemic; with Jean Pierre Cruz). He explains the genesis of Quiapo which is based on signs hanging in jeepneys: Quiapo Free is a brush typeface dedicated to the Filipino sign makers, Jeepney drivers, and the daily commuters in the streets of Metro Manila and anywhere in the Philippines.

Typefaces from 2019: Maria Stellar X (a futuristic font for Latin and Baybayin).

Typefaces from 2020: Hayskul, Kawit (a brushed lava lamp font), Dangwa (brush script), HPB (a stylish all caps sans created for the Christian Fellowship Church founded in Plaridel, Bulacan, Philippines), and the Baybayin fonts Malibata Redux (prismatic), Titulo Tagalog, MKBYN Clara (cursive, pixelized), Malamaya.

Typefaces from 2021: Goth Gothic (a free blackletter / tattoo font), Copula (a retro inline typeface). [Google] [More] ⦿

Jessica Faccin

As a student at University of Technology Sydney, Jessica Faccin designed the blackletter typeface Grafted Gothic (2016). [Google] [More] ⦿

Jessica Jaeger

Basel-based designer of the hybrid typeface Fratiqua (2016). [Google] [More] ⦿

Jessica Slater
[West Wind Fonts]

Jesús Eladio Barrientos Mora
[Talavera Type Workshop]

View some digital typefaces that are derived from the Schelter & Giesecke library.

J.G. Schelter&Giesecke
[Johann Schelter]

Leipzig-based foundry started in 1819 by punchcutter Johann Schelter and typefounder Christian Friedrich Giesecke (1793-1850). It evolved in 1946 into Typoart in Dresden, the official East German government's press. Its early history is told in Schelter & Giesecke 75 Jahre (1894, Leipzig).

The descendants of Giesecke were also involved, because we find patents filed in the USA by Georg F. Giesecke for typefaces such as Italian Renaissance (1883, blackletter), an ornamental caps typeface (1889), a boxed alphabet (1881), a Celtic caps typeface (1883), Gothic Initials (1883), Zierschrift 1328 (1889), Zierschrift 1400 (1889), Akantrea (1883, borders and ornaments), an early border typeface (1878), Silhouette Border Series 63 (1884), a Lombardic typeface (1885), some script typefaces (1887, 1892), Kartuschen Einfassung serie 72 (1887, ornaments), an ornamental caps typeface with angels (1888), Shieldface A (1881, caps), Shieldface Combinationpieces (1881, ornamental) and Toskanische Egyptienne Initialen (1889; revival by Dieter Steffmann in 2003).

Typefaces include the script typefaces Hispania Script (1890, a pirate map face), Koralle (1915), Flamme (1933, brush-like script), Fanal (1933, angular blackletterish script face), Sakia (1931, by Jan Tschichold), Shakespeare Mediäval (1930), Koralle (1929; Georg Kraus mentions the date 1915, as does Nick Curtis, who based his Koralle NF (2012) and Koralle Rounded NF (2014) on this typeface; see also the recent revival Koralle RMU (2018, Ralph M. Unger)), Belwe (1929, by Georg Belwe), Gnom (1928), breite Gnom (1928), Perkeo (1928), Tauperle (1928), Kolibri (1928), Wieland (1927, Georg Belwe), Belwe Antiqua (1927, Belwe), Alt Latein (1924, modified modern), Dolmen (1923, Max Salzmann), Titan and breite Titan (1915), Watteau-Schrift and Watteau Schmuck (1913: aka Kartenschrift Watteau; a non-connected script; ornaments by artists Erich Gruner, Professor Flinzer and Louis Oppenheim), Die Zierde (1913, ornaments by F.H. Ernst Schneidler), Salzmann Antiqua (1913, Max Salzmann), Monos (1912), Salzmann Fraktur and Kräftige Salzmann Fraktur (1911, Max Salzmann), Salzmannschrift and halbfette and schmale Salzmannschrift (1910, Max Salzmann), Roland Grotesk and Roland Kursiv (1910), Rundgotisch (1909; others say 1902-1903), Mimosenzierat (1909, Heinz Keune), Meierschrift (1904-1908, C.F. Meier), Walgunde mit Zieraten (1908, Eduard Lautenbach), Schmale Anker Romanisch (1908, a German romanesque), Leipziger Lateinschrift (1908), Liane (1908), Schmale fette Schelterantiqua (1908), Kalender Vignetten (1907, Max Salzmann), Initialen zur Rousseau (1907), Fee (1907, handwriting), Fata Morgana (1907, handwriting), Schmale fette Edelgotisch und Zierat (1907), Schmale Medieäval (1840: revived in 2020 by Ralph M. Unger as Schmale Mediaeval), Akropolis Ornamente (1907), Patriz Huber Ornamente (1906, Patriz Huber), Reklameschrift Radium (1904-1906), Schelter Kursiv (1906), Schelter Antiqua (1906---and its extensions in 1907, Leipziger Lateinschrift and Tauchnitz-Antiqua; revived in 2020 by Oliver Weiss as Schelter Antiqua WF), Fafner (1905, + Schraffierte; revived by Oliver Weiss in 2020 as WF Fafner), Biedermeierzierat (1905), Rosenzierat Serien 534 und 535 (1905, Heinz Keune), Accidenz-Zierat (1902), Edelgotisch (1901, Albert Knab), Belwe Antiqua (Georg Belwe), Belwe Kursiv (Georg Belwe), Schul-Fraktur (1886, + Fette, 1890, + Schmale fette, 1918; digitization by Delbanco as DS-Schulfraktur in 2001), Gutenberg-Gotisch (1885; the original by F.W. Bauer and Th. Friebel dates from 1880; Halbfette Gutenberg-Gotisch was done in 1890), Borghese (1904, art nouveau: revived in 2015 by Ralph M. Unger as Borghese), Münster-Gotisch (1896; revived in 2009 by Paulo W as Münster Gotische; Gerhard Helzel also did a revival), Jugend-Fraktur (ca. 1900), Breite Kanzlei (1835; other publications mention 1890...), Halbfette Kanzlei (1860), Baldur (1895; for a digital revival, see Alan Jay Prescott's New Baldur APT, 1996, and Dieter Steffmann's Baldur from 2000), Moderne enge halbfette Fraktur (1886), Schmale Steinschrift (1898, Grotesk), Schlanke Grotesk (1886, Grotesk), Breite Grotesk (1886, a typeface that influenced the Bauhaus movement and that become the forefather of Helvetica; revived by Nick Curtis as Schelter Grotesk NF in 2010, and by Arve Båtevik as Sagen Grotesk in 2015), Breite Halbfette Grotesk and Breite magere Grotesk. Ornaments found in their 1902 catalog formed the inspiration for the digital family Allerlei Zierat (2008, Intellecta Design).

Comments by Paul Hunt in 2005 on Schelter Antiqua (1906): Schelter & Giesecke had launched Schelter-Antiqua as their own original in-house design with very elaborate and beautiful specimens, an essay on its features, and a warning that they had protected it under German law (gesetzlich geschützt). It was intended as a very serious contender in the legibility stakes and the Schelter & Giesecke specimen contains a fascinating 4-page article on it. There is much emphasis on the care put into avoiding over-fine hairlines and achieving good spacing. Benton's 1914 ATF typeface Souvenir is a cuddly soft version of Schelter Antiqua. Ed Benguiat (Photo-Lettering) did a faithful phototypesetting revival of Benton's typeface in his Souvenir Graphic (1967) and Souvernir Balloon, and that typeface in turn evolved (and was expanded) into the digital typeface ITC Souvenir.

Books: Probensammlung Schelter&Giesecke, Zweite Folge (1894), Probensammlung (1888), Type specimen book of Schelter & Giesecke (1899), Schriften und Zierat (1909), Type specimen book of Schelter & Giesecke (1912), Type specimen book of Schelter & Giesecke (ca. 1932).

Scans of some typefaces: Altromanisch Kursiv, Cancellaresca, Dante, Edda (art nouveau), Edelgotisch-Initialen, Edelgotisch (art nouveau), Galathea, Hispania, Iris, Müstergotisch, Petrarka (1900, an art nouveau typeface revived in 2012 by Nick Curtis as Petrushka NF), Rundgotisch, Sylphide, (see Hispania Script, 2008, Tom Wallace), Thalia (art nouveau), Tintoretto (for digital versions, see Dieter Steffmann (2000) or Ralph M. Unger, 2009), Washington, Altromanische Antiqua, Halbfette Altromanisch Versalien, Romanische Antiqua, Romanische Kursive No 20, Schmale Halbfette Romanisch, Schmale Muenster Gotisch, Sylphide, Sylphide.

Jgieka

Designer of the weathered blackletter typeface Old Englished (sic) Boots (2016). [Google] [More] ⦿

J.H. Tiemroth

Letterer who drew these German Capitals in the period 1738-1748. [Google] [More] ⦿

Jim Fordyce

Or James Fordyce. Type designer active ca. 1993, possibly located in Kosciusko County, IN. His typefaces were free, and can be found in many places. Font Squirrel link.

A list of his creations:

Blackletter typefaces: Deutsch Gothic (1994), Diamond Gothic (1995), Wellsley (1994).
Art nouveau style: Cabaret (1993).
Semi-blackletter: Greenowic-Narrow (1993), renamed Lombardic Narrow (1993).
Independence, a fourth of July type of font. In the same spirit, he made Stars and Stripes (1993) and Patriot (1993).
Poseidon (1993). Recreated by Nick Curtis as Herzog von Graf.
Lombardic: King Arthur (1993), Geschlossen Gotik Kaps (1993, aka Altmark), Lubeck (1993), Curled Serif (1993).
Fatty, roundish: Pleasantly Plump, Rounded Informal (1994---this has an fat art nouveau look).
Pompeii Caps (1993).
Virginia (1999).
Gothic typefaces: Bloody, Angular.
Shadow typefaces: Shadowed Serif, White Bold (1994).
Wavy.

Abstract Fonts link. [Google] [More] ⦿

Jim Parkinson
[Parkinson Type Design]

Jim Spiece
[Spiece Graphics]

Jimi-neko
[Anton Drachuk]

Jimi-neko is a collaboration of Anton Drachuk and Jadwiga Krym offering expertise in various disciplines, such as graphic design, film-making, typography, lettering, print design, street-wear design, advertisement as well as corporate identity design and user experience design. It is located in Poznan, Poland.

In 2012, Anton Drachuk was a calligraphy and graphic design student in Poznan. He designed Crimée (2012, a fresh blackletter typeface), and Sankakkel (2012, a geometric typeface for Latin and Cyrillic).

Anton's graduation typeface in 2013 was Bertau.

Behance link. Another Behance link. [Google] [More] ⦿

Jimmy Indra

Malang, Indonesia-based designer in 2019 of Woodstone, Winterfall (Fraktur), Panama (a monoline signature font) and Rhino (squarish). Creative Fabrica link. [Google] [More] ⦿

Jin Kyeong

Graphic designer in Sunaedong, Korea, who combined Baskerville and blackletter to make Blaskerville (2015). [Google] [More] ⦿

Jindra Holy

Czech graphic designer based in Hradec Kralove. Creator of the condensed blackletter font Future Combat (2012).

Behance link. FontStruct link, where Jindra is known as fash153. [Google] [More] ⦿

J.M. Cova
[Jake Jarkor]

Joachim Heinrich Campe

Type designer who created a Fraktur in 1790, which was cut by Gollner in Halle. Although unsuccessful, it greatly influenced Johann Friedrich Unger's Unger-Fraktur (1793-1794). [Google] [More] ⦿

Joachim Müller-Lancé
[kame Design (was: kametype)]

Joachim Romann

Type designer (b. 1916, Dantzig, d. 1996, Kronberg). He studied lithography from 1933-1937 in Dantzig, and typography in Offenbach until 1944. After that he was associated loosely with Gebr. Klingspor, and was a freelance graphic designer from 1948 onwards.

Romann designed fonts at Klingspor. Chief among these is Constance or Constanze (1954, a light script). Several digital revivals exist such as Stanzie JF at Veer, Constanze Pro (2012, Ralph M. Unger)), and Constanze Initialen (calligraphic; digitally revived as Constanze Initials (2010, Claude Pelletier) and as VIP (2008, Canada Type)). Other typefaces at Klingspor include Doppelmittel halbfette Constanze, Doppelmittel fette Constanze, Queen (1954, outline and decorated renaissance penmanship initials typeface revived as Jaggard (2007) by Paulo W at Intellecta Design), Variante (1951, formal script without lower case). Various typefaces remained unpublished such as Constanze fett, Constanze halbfett (1956) and Kronberg (blackletter). At the Ernst Engel Presse, he created a Schwabacher in 1940 and an Antiqua in 1941. Alternate image from Klingspor.

Revivals of his work also include Jaggard (2007), a renaissance penmanship initials typeface developed by Paulo W at Intellecta Design.

Joan Ramon Pastor Rovira
[Ultra Types]

Joao Henrique Lopes

Ananindeua, Brazil-based creator (b. 1986, Brazil) of FontForum Giureska (2012), a blackletter / uncial family published by URW, and of Styla Pro (2013), a flared typeface also published by URW, and advertized as a romantic sans influened by Bodoni.

Lucca (2013) is a flared humanist sans typeface that was inspired by Italian Renaissance fonts like Poliphilus, Blado, Centaur and Arrighi.

Typefaces from 2015: Pleiad (seven interchangeable scripts published by URW++: Pleiad Alcyone, Pleiad Celeno, Pleiad Electra, Pleiad Maia, Pleiad Merope, Pleiad Sterope, Pleiad Taygete).

Typefaces from 2017 at URW++: Meyling (emulating painted letters, or perhaps an oriental brush).

Typefaces from 2020: Slazer (futuristic, sci-fi).

Author of Elements of Manga Style. [Google] [MyFonts] [More] ⦿

Joao Oliveira
[Onrepeat Studio]

Joaquín Lavori

Graduate from FADU, University of Buenos Aires, who created the ornamental Fraktur typeface Incriptus (2009).

Hyperfuente link. Behance link. [Google] [More] ⦿

Jobst-Hartmut Lueddecke
[Metafont Quellen]

Jochen Hasinger
[Typeimage]

Joel Clemmer
[FrakturWeb]

Joel Maillot
[Atelier de Design Holistique]

Joel Shakespear

Dallas, TX-based creator of the Fette Fraktur-inspired blackletter typeface FF Illustrati (2011). Free after registration here.

In 2018, he designed the display typeface Merritt, a custom roman typeface, and the ribbon font Fairytale. [Google] [More] ⦿

Joern Oelsner

Jörn Oelsner (b. 1981, Flensburg, Germany) is a German type and graphic designer based first in Antwerp, Belgium, and later in Vegby, Sweden, and Ulricehamn, Sweden. He graduated at the Design Factory International in Hamburg, Germany. While studying he worked for URW++, Hamburg. After graduation he worked in several graphic design studios in Europe. His own design studio is OE Design. He mainly develops corporate typefaces, and now lives in Ulricehamn / Gothenburg, Sweden.

Some of his projects are the corporate typeface of Sport 2000 (in cooperation with URW++, Hamburg), the corporate typeface of the Andorra Telecom SOM and the corporate typeface of the National Television and Radio Spain RTVE (both in cooperation with Summa, Barcelona).

His type designs at URW++ include Ruca (2010, blackletter), Neustadt (2010, URW++: a legible elliptical monoline sans family, which was originally designed as a corporate font for Sport 2000), Stina (2012, a stitch font done for profonts), Ribera (2012, a contemporary sans) and Bloket Pro (2013: a piano key typeface).

In 2014, he created the layered typeface family Graphique Pro Next (Profonts), which is a revival and extension of the famous Graphique Pro designed in 1945 by Hermann Eidenbenz.

His main contribution in 2015 is the 20-style URW Geometric typeface family, which is modeled after the German geometric typefaces from the 1920s. In 2016, he added URW Geometric Condensed and URW Geometric Extended to that family.

Typefaces from 2018: URW Dock (a contemporary geometric type family inspired by the square sans typefaces of the 60s, and in particular Eurostile), URW Dock Condensed. In 2020, 20 Extended styles were added to URW Dock.

Typefaces from 2020: Cerco (a 12-style warm rounded geometric sans).

Typefaces from 2021: Cromlin (a stylish sans typeface at FontPeople). [Google] [MyFonts] [More] ⦿

Johan Elmehag

Graphic designer in Malmö, Sweden, who designed the display typeface Teletropica in 2017. In 2018, he designed Nada Fraktur. [Google] [MyFonts] [More] ⦿

Johann Christian Bauer

German punchcutter and typefounder, b. 1802 Hanau, d. 1867, who founded Bauersche Giesserei (Bauer) in 1837 in Frankfurt. Designer of Roman (Bauersche Giesserei, 1850), Fette Fraktur (1850, Bauersche Giesserei) and Verdi (1851, a shaded slab serif titling face). He was influential and successful. In 1839 he went to Scotland and worked as a punchcutter for the Edinburgh branch of the Wilson Foundry. He returned in 1847, running his company under the name Englische Schriftschneiderei und Gravieranstalt. Upon his death, his brother Konrad and son Alexander continued his business.

Linotype link. [Google] [MyFonts] [More] ⦿

Johann Daniel Trennert
[Johann Daniel Trennert&Sohn]

Johann Gottfried Pöetzsch

Johann Daniel Trennert&Sohn
[Johann Daniel Trennert]

Type foundry located in Altona, Germany. Typefaces issued by this extinct foundry include

Alarm (1928, Heinz König)
Chronika (1936, Walter Jakobs)
Fortuna (1930, Friedrich Bauer)
Friedrich-Bauer-Grotesk (before 1936, Friedrich Bauer). In addition to a basic art deco sans face, there were three other versions, halbfette, fette, and an in-line version, lichte. Also cast by Genzsch & Heyse, AG. For a digital revival, see FF Bauer Grotesk (2014, Thomas Ackermann and Felix Bonge for Fontfont).
Hansa Fraktur (digitally revived by Gerhard Helzel; the original metal type was also at Genzsch&Heyse, Hamburg, ca. 1915, and at Schtiftguss AG)
Potsdam (1934, Robert Golpon)
Rheingold (1936, Erich Mollowitz), in magerer and fetter weights. Later copied by Weber as Forelle and by Stephenson Blake as Mercury.
Trennert (1926-27, Friedrich Bauer). Includes a regular, an italic (with swash capitals), a semi-bold, a bold, and a bold condensed. To be more precise, we have Trennert Antiqua (1926, Friedrich Bauer), Trennert Kursiv (1927, Friedrich Bauer), Trennert Antiqua halbfett (1927, Friedrich Bauer), Trennert Antiqua fett (1929, Friedrich Bauer), Trennert Kursiv fett (1930, Friedrich Bauer), Trennert Antiqua schmalhalbfett (1929, Friedrich Bauer), Trennert Latein (1932, Friedrich Bauer).
Trennert Fraktur (1931, Friedrich Wilhelm Kleukens)
Trocadero Kursiv (1927, Albert Christoph Auspurg)
Wiking (1925, Heinz König)

[Google] [More] ⦿

Johann Friedrich Unger

German type designer, b. 1750, Berlin, d. 1804, Berlin. He had a press in Berlin, which he founded in 1780. His foundry started in 1791. His typefaces:

Unger-Fraktur (1793-1794). Revived by the following foundries: D. Stempel (1919), Julius Klinkhardt (Berthold) (1907), Otto Weisert (1927), Norddeutsche Schriftgiesserei, Schiftguss (1928), Delbanco (as DS-Unger-Fraktur), SoftMaker (2002: see J790 Blackletter on the SoftMaker MegaFont XXL CD), Berthold (as Unger Fraktur BQ), and Ralph M. Unger (Unger Fraktur (2010); includes fett and mager).
The metal font Kabinett-Fraktur (1938-1939, Johannes Wagner) is identical to Unger Fraktur. Peter Wiegel did a digital revival in 2015 called Kabinett Fraktur. Dieter Steffmann also revived Kabinett Fraktur.

He became a professor of woodcutting at the Akademie der Künste in 1800. Brief bio by Harald rösler, 1999.

Unger's publications: Etwas über den Buchhandel, Buchdruckerey und den Druck außerhalb Landes (1787), Etwas über die Holz- und Formschneidekunst, und ihren Nutzen für den Buchdrucker (1788), Einige Gedanken über das Censur-Edikt vom 29. December 1788 (1789), Vorschlag, wie Landkarten auf eine sehr wohlfeile Art können gemeinnütziger gemacht werden (1791), Probe einer neuen Art deutscher Lettern (1793), Die neue Cecilia. Letzte Blätter von Karl Philipp Moritz. Zweite Probe neu veränderter deutscher Druckschrift (1794).

Heinrich Heeger wrote in 1973 about the story of Unger Fraktur and Kabinett Fraktur. Konrad F. Bauer penned Zur Geschichte der Unger-Fraktur (1929, Bauersche Giesserei).

Klingspor link. MyFonts page. [Google] [MyFonts] [More] ⦿

Johann Gottfried Böttger

Leipzig-based typographer who had a foundry and print shop in the late 19th century, which was located in Paunsdorf, just outside Leipzig. House typefaces include Vaterländischer Zierat (1915) and Zeitungs-Fraktur No. 8. It was entirely absorbed by H. Berthold AG in 1918. [Google] [More] ⦿

Johann Gottfried Pöetzsch was a typefounder from Stötteritz near Leipzig. In 1753 he became manager of the Berling type foundry in Copenhagen. In 1755, Pöetzsch takes over the printing privileges in Denmark (from Hesse). Until his death in 1783, Pöetzsch successfully operates his type foundry. His market includes all Scandinavian countries. Elisabeth Krey, his widow then takes over the foundry, which eventually was sold to Sebastian Popp, and finally to J.P. Lindh (Stockholm) in 1814. Pöetzsch used mainly imported German matrices. Samples of the typefaces: Mittel Gammal Schwabach, Cicero Gammal Schwabach, Calender Zeigen auf Rheinlaender Kegel. [Google] [More] ⦿

Johann Gottlieb Immanuel Breitkopf

Printer, type designer and type cutter in Leipzig (b. 1719, Leipzig, d. 1794, Leipzig), who created over 400 different alphabets. Also known as Johann Gottlob Immanuel Breitkopf. Author of Ueber die Geschichte der erfindung der Buchdruckerkunst (Leipzig, 1779). Local download.

Proben der Schriften in der Breitkopfischen Schriftgießerey zu Leipzig (1787, Leipzig) shows Breitkopf's specimens. Local download.

Breitkopf designed Breitkopf Fraktur ca. 1760. Walden Font sells a version of this typeface, which was used for most of the 19th century. Dieter Steffmann's version is free. Helzel's version is sold by Fraktur.de. Breitkopf's simplified fraktur of the 1790s was revived in 1914 as Jean-Paul-Schrift, and was revived again around 2000 by Gerhard Helzel in digital form as Jean-Paul Fraktur. See also Breitkopf Fraktur Pro (2016, SoftMaker), URW Breitkopf Fraktur D by Ralph Unger, Jean Paul Fraktur (2021, Ralph Unger), and DS-Breitkopf-Fraktur (2001, Delbanco).

Breitkopf is perhaps best known for his original music characters. Metal versions of Breitkopf Fraktur are at Stempel (1912), Klinkhardt (1912), Berthold (1919) and C.F. Rühl (1912). Ben Archer writes: Breitkopf Fraktur was the preferred Fraktur of the German Baroque period. With wider proportions and a lower x-height than its predecessors, this graceful gothic type was modelled on the Neudörffer-Andreä Fraktur that had been used by Albrecht Durer in several of his works. Samples: A, B, C.

Johann Heinrich Schoensperger

Johnann or Johannes or Hans Schoensperger or Johann Schönsperger der Älte, was an early printer in Augsburg. Born ca. 1455, d. before 1521. He started his print shop in 1481 and dominated German printing in Augsburg until 1500. For Kaiser Maximilian I, he printed the beautiful Theuerdank (1517) and the blackletter Gebetbuch für den St.-Georgs-Orden. For both these books, he designed his own type. Sample page from 1517. Sample page of Gart der Gesundheit (1487).

A font named after him, FF Schoensperger, was made by Manfred Klein as part of his package, which also includes FF Carolus Magnus, FF JohannesG, and FF Koberger. SchoenspergerCaps (2004), Hans Fraktur (2003) and Hans Schoensperger Randomish (2004) can be had for free at Manfred Klein's site. Other revivals include Theuerdank Fraktur (2000) by Dieter Steffmann ans Theuerdank Fraktur Pro by Softmaker (2016).

Schoensperger's typeface for the prayer book of Maximilian I in 1514 served as example for an 1890 metal typeface at Genzsch and for the digital font Altdeutsch (2002-2006) by Hans J. Zinken.

See also Schoensperger Der Altere (2017, Shane Brandes). [Google] [More] ⦿

Johann Michael Fleischmann

Or Fleischman, with one "n". A German punchcutter (b. Nuremberg, 1701, d. Amsterdam, 1768) who lived in Amsterdam, and practiced his art at Enschedé in Haarlem, from 1743-1768. Enschedé's 1768 specimen book, Proef van Letteren shows most of his typefaces, starting as early as 1734. All his surviving punches and matrices are now in the possession of the Enschedés. His work influenced even Bodoni. His foremost typeface is the 8-point roman from 1739. That typeface has seen many metal versions, and even more digitizations. Among the metal re-cuts, one was due to Georg Belwe. There is a Fleischmann typeface at L. Wagner (1927), and a version at Typoart. Berry, Johnson and Jaspert write: His roman types are rather condensed and of a large x-height. His design is approaching the modern; the stress in some letters is vertical and the serifs are nearer the horizontal. In the upper case the long arms of the E and the squareness of the M are to be noted. In the lower case the g is conspicuous with bulbous ear and rounded link The italic rather less steeply inclined than the old face italics but still somewhat irregular The figures are still old face. Among the digitizations, we have:

At the Dutch Type Library, DTL Fleischmann (1992, Erhard Kaiser).
Fleischmann BT Pro (2002, Charles Gibbons). Heralded by the typophiles as outperforming the DTL Fleischmann.
While studying at KABK in 2012, Hrvoje Zivcic did a revival of Fleischmann's 8-point roman from 1739 entitled Slagerij.
A liberal revival called Gilly was developed by Porter Gillespie in 2015 at Type@Paris.

Fleischmann created blackletter typefaces such as Holländische Gotisch (1739-1760, digitally revived by Gerhard Helzel; Manfred Klein and Petra Heidorn made the free revival also called Holland-Gotisch, in 2005 and mention that their source was "Nederduits"; see the Fleischmann Flamande), Mediaan Duyts (1744) and Fleischmann Gotisch (ca. 1750, digitally revived by Ingo Preuss in 2004 as Fleischmann Gotisch PT, by SoftMaker in 2016 as Fleischmann Gotisch Pro, and by Alter Littera in 2012 as Nederduits).

Fleischmann was also renowned for his work on music typography. He worked for the publisher Johann Gottlob Immanuel Breitkopf, who was interested in improving the typography of musical notation. Fleischmann created a complex music notation font that proved unsuccessful in the marketplace, but was subsequently used to create many designs including the decorative edging on the first Dutch banknote called the roodborstje (robin). [Google] [MyFonts] [More] ⦿

Johann Neudörffer

German writing master, 1497-1563, aka Johann Neudörffer The Elder, who founded his writing school in Nürnberg, and printed his first plates ca. 1519. His first publication was Fundament in 1519. These prints eventually became the foundation for a new kind of writing education throughout Europe. His writing manual and teachings helped further the development of blackletter. Author of Anweijsung einer gemeiner hanndschrift. Durch Johann Neudoerffer, Burger vnd Rechenmeister zu Nurmberg geordnet und gemacht (Nürnberg, 1538). Some of his methods are still alive in contemporary type design.

Oliver Linke, an expert on Neudörffer, and Christine Sauer published Zierlich schreiben Der Schreibmeister Johann Neudörffer der Ältere und seine Nachfolger in Nürnberg (2007, Beiträge zur Geschichte und Kultur der Stadt Nürnberg 25, Typographische Gesellschaft München / Stadtbibliothek Nürnberg).

Several blackletter type families are named after him, such as Helmutt G. Bomm's Neudoerffer Fraktur (2009, Linotype), Manfred Klein's Neudoerffer (2003; the note in the font says that these codex-style initials are the unaltered original Neudoerffer Initialen from 1660, but this information could be in error) and Neudoerffer Scribble Quality (2003), and Klaus-Peter Schäffel's 1519 Neudoerffer Fraktur (2012). [Google] [More] ⦿

Johann Schelter
[J.G. Schelter&Giesecke]

Johannes Anton Hiero Rhode

German type designer, b. 1903 Nordhausen/Sachsen, d. 1954 Berlin. He made these typefaces:

Humboldt Fraktur (1938, D. Stempel). Digitized by Gerhard Helzel, Delbanco (2001, as DS Humboldt Fraktur), and Dieter Steffmann (2002, as Humboldt Fraktur and Humboldt Fraktur Zier). It was named after the German researcher Alexander von Humboldt (1769-1859).
The concave-stroked Hiero Rhode Roman (J. Wagner, 1945). The italic version of that typeface is due to Karl Hans Walter in 1958 at Johannes Wagner. Berry, Johnson and Jaspert write: Calligraphic This type, mainly intended as a book face, and designed by Hiero Rhode, is characterised by concave strokes, which give it a slightly Chinese appearance. The variation in the thickness of strokes is especially apparent in the Bold; serifs are only lightly indicated. E and F have arms which extend over the vertical stroke. The g has a very large bowl and a short tail 96 (open in the light version of the type).
Hiero Rhode Antiqua. This was revived in 2006 by Ari Rafaeli.

Johannes Hoffmann
[Johannes Hoffmann]

Düsseldorf, Germany-based creator of Vivala Media Icons (2013) and Vivala Unicase (2012).

In 2014, he made the monoline superelliptical sans family Monia and Signatia, which is inspired by Polish children's books. In 2014, he finished Vivala Line, Vivala Slab, and Vivala Coffee House Icons.

In 2015, he added Vivala Black, a mammoth weight type, Vivala G Slab, and Vivala Sans Round.

In 2016, he published the rounded sans typeface Edigna, the programming font Vivala Code and the soft-edged Vivala Milk.

Typefaces from 2017: Macella (the proportional version of the monospaced Vivala Code).

Typefaces from 2019: Vivala BL (blackletter).

Typefaces from 2020: Vivala Pix.

Typefaces from 2022: Vivala Re (an inline version). [Google] [MyFonts] [More] ⦿

Johannes Hoffmann
[Johannes Hoffmann]

Johannes Schulz

Teacher at the Landeskunstschule Hamburg am Lerchenfeld. Designer of the squarish blackletter typeface Johannes-Type (1933, Genzsch&Heyse). In 2015, Shoko Mugikura and Tim Ahrens revived Johannes Type as JAF Johannes. [Google] [MyFonts] [More] ⦿

John A. Hern
[The Happy Greyhound]

John Bieber
[Pennsylvania Dutch Fraktur gallery]

John Bomparte
[Bomparte's Fonts]

John Butler
[Eccentrifuge]

Klingspor link. FontShop link.

John Dilworth

Artist in Salt Lake City. FontStructor who specializes in geometric pattern alphabets such as Cloaked Humanity (2010) and the blackletter version of it, Fraktured Humanity (2010, based on drawings from Albrecht Durer's De Symmetria). Other typefaces from 2010: Super Elevated, Shock, Elevated Humanity. [Google] [More] ⦿

John Paul Gereaux

Tattoo artist in Florida, b. 1969, whose business is Vicious Ink. He posted 21 free fonts in 2011 at Dafont all at once. Many of these have calligraphic or Celtic influences. There are of course several blackletter and illuminated caps typefaces, as one would expect in a tattoo parlor. The fonts were all made in 2010: Pauls3-DTribal, PaulsBloodSweat&Tears, PaulsCelticFont1, PaulsCelticFont2, PaulsCelticFont3, PaulsCircusFont (Lombardic), PaulsEstherFont (tattoo style), PaulsFancyScript, PaulsGothicCurls, PaulsGraffitti, PaulsHeartlessFont, PaulsIlluminatedCelticFont, PaulsKanjiFont-Bold (oriental simulation), PaulsPoisonFont-Italic, PaulsRansomNoteFont, PaulsRealCelticRuneFont, PaulsSUPERFont, PaulsSinnerFont, PaulsSouthPacific, PaulsSwirlyGothicFont, PaulsWhimsyFont, Paul's Bloody, Paul's Weight, Paul's California (a fun script). Klingspor link. [Google] [More] ⦿

John Roshell

Designer (b. 1970, Mountain View, CA) of many (most) fonts at Comicraft, a comic book font outfit in Los Angeles, CA, a company he cofounded with Richard Starkings in 1992.

Some fonts: Altogether OOky, Addams-AltogetherOoky, Addams-Capitals, Addams-Regular, CCBithead-Bark, CCBithead-Byte, CC Bryan Talbot (2008, created for Bryan Talbot's Alice in Sunderland), CCHooky-Open, CCHooky-Solid, CCAlchemite, CCChills, CCDigitalDelivery, CCDivineRight-Regular, CCDoubleBack-Future, CCDoubleBack-Past, CCElsewhere-Regular, CCFlameOn, CCFrostbite, CCGrimlyFiendish-Regular, CCJimLee, CCJoeMadInt, CCLosVampiros, CCMeanwhile, CCMeltdown, CCMonsterMash, CCSpills, CCSplashdown, CCStormtrooper (1997), CCTheStorySoFar-Regular, CCThrills, CCToBeContinued, WildAndCrazySFX. With Richard Starkings, he designed Achtung Baby (2001), Adamantium and DoubleBack in 2001 for Agfa/Monotype. Other designs: Dave Gibbons (2006), UpUpAndAway (2005), Forked Tongue (2005), Paranoid Android (2005), Snowmany Snowmen (2005), Gibbous (2006), Astronauts in Trouble, Chatterbox, Red Star, Tough Talk, Sean Phillips, Atomic Wedgie, Pass The Port, Divine Right, Shoutout, Battle Scarred, Danger Girl, Primal Scream, PhaseSonStun, Yeah Baby, Nuff Said (2005), Trick Or Treat, MonsterMash, CarryOnScreaming, Chills, Goosebumps, CreepyCrawly, GrimlyFiendish, IncyWincySpider, Spookytooth, Meltdown and TrickOrTreat dingbats, BiffBamBoom, Spellcaster, Cheese And Crackers, FaceFont, Hedge, Meanwhile, Wildwords International, Comicrazy, Storyline (2006), Happy Holidays (2007), Foom (2007).

MyFonts sells these fonts by him: Adamantium, Alchemite, Altogether Ooky (vampire script), Area51, Aztech, Battle Cry, Bithead, Chills, Dave Gibbons, Dead Mans, Destroyer, Digital Delivery, Divine Right, Drop Case, Elsewhere, Euphoria, CC Fairy Tale (2007), Face Front, Fighting Words, Flame On, Foom, Frostbite, Gibbons Gazette (2009, Gobbledygook, Golem (2002), Grimly Fiendish, Happy Holidays, Hellshock, Hip Flask, Holier Than Thou, Hooky, Hyperdrive, Joe Kubert, Meanwhile, CCMild Mannered (2007), Monologous, Near Myth, Overbyte, Phat Boi, PhilYeh, Rough Tongue, Sanctum Sanctorum, Scott McCloud, Smash, Speeding Bullet, Spills, Splashdown, Spookytooth, Stonehenge Runes, Stormtrooper, Storyline, Thats All Folks, The Story So Far, Thingamajig, Thrills, Tim Sale, Tim Sale Brush, Timelord, Treacherous, Treasure Trove (2007), Up Up And Away, Wild And Crazy, Zzzap, Deadline (2007), Kickback (2007, with David Lloyd), Sticky Fingers (2007, scary).

Typefaces made in 2008: Ratatatat (2008), CC Mad Scientist (2008), HammerHorror (2008), EnemyLines (2008, based on WWII lettering used by the nazis), Cutthroat Lower (2008), Philyeh (2008), Doohickey Lower (2008), CC Sign Language (2008, fruit vendor lettering).

Typefaces made in 2009: SpillProof (2009), Slaphappy (2009), Hooky (2009, spraycan style), Long Underwear (2009), Digital Delivery (2009), Grande Guignol (2003, art nouveau), Bronto Burger (2009), Elsewhere (2009, art nouveau), Exterminate (2009, stone carving face), You Blockhead (2009), CC Rugged Rock (2009),

Creations in 2010: Wild Words Lower (2010), Back Beat (2010), Rick Veitch (2010, based on the lettering of comic book artist Rick Veitch), Credit Extension (2010), Shiver (2010, with Richard Starkings), Shake (2010, with Richard Starkings), Elephantmen (2008-2010, squarish family).

Contributions from 2011: Knobbly Knees, Ed McGuinness (comic book script family), Big Top, Clean Cut Kid, Dash Decent (a very round almost-bubblegum family), Fancy Pants (connected script), Goth Chic (blackletter).

Fonts from 2012: Lunar Modular, Lunar Orbiter, Lunar Rover, Geek Speak, Ancient Astronaut, Totally Awesome (comic book caps face).

Fonts from 2013: Samaritan and Samaritan Tall (with Richard Starkings), Ghost Town (a family of seven gold rush era typefaces), Colleen Doran (a comic book family: A Distant Soil is a classic bold and beautiful science fiction/fantasy comic book series by creator, writer, artist and letterer Colleen Doran. A Distant Soil is being remastered and re-released by those awfully nice chaps at Image Comics and Colleen commissioned Comicraft to create the definitive bold and beautiful Colleen Doran font, based on her original pen lettering), Mega City (an elliptical in-your-face advertising signage typeface family), Soliloquous (fat rounded hand-printed comic book family), Excalibur Stone, Excalibur Sword, Legendary Legerdemain (+Leggy), Cool Beans (beatnik font).

Fonts from 2014: Shaky Kane (based on the comic books by that name), Resistance Is Lowered (techno), Hero Sandwich Ingedients, Hero Sandwich Combos (a layered set of informal typefaces combined in many ways), Monstrosity (a ghoulish typeface), HighJinks, Onomatopedia, Killzone, Killswitch, Killjoy.

Fonts from 2014: Mike Kunkel (based on the hand of comic book artist Mike Kunkel).

In 2015, John Roshell (Comicraft) created the comic book typeface family The Sculptor based on Scott McCloud's lettering. Other fonts from 2015 include AB Flock Poster, Hypnotique, Samaritan Lower (by Richard Starkings and John Roshell), Graveyard Smash, Maladroit, Extra Extra (pen-lettered newspaper headline font family), Merry Melody, Temporal Shift and Temporal Gap (computer emulation typeface), Temporal Shift and Temporal Gap Expanded, Temporal Shift and Temporal Gap Compressed, Danger Girl Hex (with Jeffery Scott Campbell), J. Scott Campbell Lower (with Jeffery Scott Campbell).

Typefaces from 2016: Victory Speech Lower, Man Of Tomorrow, Thrills, Holy Grail, A Likely Story, Victory Speech, Questionable Things (with Richard Starkings), The Story Begins + Ends, Pixel Arcade (video game font), Schadenfreude (octagonal style), Vengeance Is Mine.

Typefaces from 2017: Right In The Kisser, Music To My Eyes">, True Believer.

Typefaces from 2018: Metcon (+a stencil version, Metcon Rx), Summer Fling, Samaritan Tall Lower (by Starkings and Roshell), Blah Blah Upper (by John Roshell and Richard Starkings), Ultimatum, Wuxtry Wuxtry (art nouveau), Single Bound (a sans), Evil Doings (by Richard Starkings and John Roshell), Prince of Darkness (a gothic layered font family), Empire State Gothic, Empire State Deco.

Typefaces from 2019 by John Roshell: Whatchamacallit (a variable cartoon sans with weight, width and italic axes), Ask For Mercy, Excelsius, Space Race, When Suddenly.

Typefaces from 2020: FX Machina (squarish, octagonal), Origin Story, Cybervox, CCQuigglesmith (a beatnik font), Ripped Bam Boom, Dynamic Duo, If This Be Doomsday, Elektrakution (a Greek simulation font family by Richard Starkings and John Roshell), Whatchamacallit, CCMighty Mouth, This Man This Monster (by John Roshell and Richard Starkings), Simply Marvelous, Meanwhile Uncial, Transylvanian (a jungle font), Shark Snack, Letterhack Sans, Letterhack Serif.

Typefaces from 2021: Ultimatum MFV (a 21-style chamfered military typeface family including several stencil fonts), Grim N Gritty, Richard Starkings Brush (a comic book typeface by Richard Starkings and John Roshell), Scoundrel (a comic book face by Richard Starkings and John Roshell), Tall Tales (a fat finger font).

Typefaces from 2022: Beyond Belief.

View John Roshjell's typefaces. [Google] [MyFonts] [More] ⦿

John Skelton
[Afrojet Type Foundry]

John Stevens

Calligrapher and letterer in Winston-Salem, North Carolina, who occasionally designs logo type and is involved in calligraphic-looking custom type. Since he started in 1983, he has published three books on the subject.

In 2011, John Stevens and Ryuichi Tateno combined forces to publish the four-font calligraphic brush series Stevens Titling at Linotype. It comprises Stevens Titling Boar Brush, Wolf Brush, Sable Brush and Badger Brush styles, all based on the Trajan style.

Cargo collective link. Behance link. [Google] [MyFonts] [More] ⦿

John Stracke

Describing himself as a techno-geek, John Stracke made these free fonts:

The 805-character medieval script typeface Isabella (2003), based on the calligraphic hand used in the Isabella Breviary, made around 1497, in Holland, for Isabella of Castille, the first queen of united Spain. Available under general GNU license here.
StayPuft (2003), a comic book face.
Rockets (2006, grunge).
Engadget (2005).
Essays 1743, another medieval font: based on the typeface used in a 1743 English translation of Montaigne's Essays.

Dafont link. Alternate URL. Alternate download. Fontspace link. Kernest link . [Google] [More] ⦿

John Sullivan
[Pixel Moshpit]

Jon Arne Berg

Norwegian graphic designer and illustrator who lives in Oslo where he started studying at the Oslo Academy of the Arts in 2009. Behance link. Creator of the beveled alphabet Metalface (2010) and the blackletter typeface Entartete Fraktur (2010).

In 2014, he created the free font Helsinkifjes (Citype). Helsinki is inspired by leters on the memorial monument for fallen German soldiers of the Finnish civil war in 1918 in Vanha Kirkkopuisto in Helsinki.

Hellofont link. [Google] [More] ⦿

Jonathan Barnbrook
[Barnbrook (was: VirusFonts, Virus Foundry, Studio 12)]

Jonathan Cuervo Cisneros
[Atypic Co (was: Argo Typo)]

Jonathan Gene Ullery-Smith

Jonathan Ford

Graphic design student at Leeds Metropolitan University, UK, in 2012. He currently lives in Chesterfield, UK. Creator of Metria (2012, an experimental prismatic typeface), Rainbow (2012, another prismatic typeface), and Erinnerung (2012, a solemn blackletter typeface).

I especially appreciate the anti-coke poster in his portfolio, which reads: For nine years the 450 workers at the Coca-Cola bottling plant in Guatemala City fought a battle for their jobs, their trade union and their lives. Three times they occupied the plant---on the last occasion for 13 months. Three General Secretaries of their union were murdered and five other workers killed.

To celebrate the Olympics in London in 2012, he created a typeface based on the Olympic rings, using a circular grid system. The typeface is called Olympia (2012).

In 2013, he created Core (an inline simple sans), Rounded Mod (geometric rounded circle-based sans), and Pixel. [Google] [More] ⦿

Midland, MI-based graphic designer. He is working on this blackletter face (2006), this simple architectural sans face (2006) and this blackletter face (2006). Home page. Another URL. [Google] [More] ⦿

Jonathan Hoefler
[Hoefler (was: Hoefler&Frere-Jones, and Hoefler Type Foundry)]

Jonny Knight

London-based designer of the modular blackletter typeface Rapscallion (2014). Behance link. [Google] [More] ⦿

Joos Lambrecht

One of the first Belgian printers and typefounders, who lived and operated in Gent, Belgium, in the early 16th century. Born in Gent in 1491, he died in Wezel (Wesel) in Germany in 1556 or 1557. Peter Van Lancker describes his contributions. In 1539, he introduced the roman letter form in Gent, and even proposed an upright italic (IT 16 in Vervliet, It57 in Machiels, according to Van Lancker) in the publication Refereynen int Vroede, int Zotte, int Amoureuze. To read about Lambrecht, besides the plentiful of information on Van Lancker's page, one can also consult the thick opus by Dr. Hendrik D.L. Vervliet, Sixtienth-Century Printing Types of the Low Countries, Menno Hertzberger&Co, Amsterdam 1968, who wrote: Son of Jan Lambrecht, he came, it would seem, from a family long established in the town, engravers of seals and of marks for authenticating the renowed Ghentish cloth. Certainly Joos was successor to Vincent Lambrecht who performed this office from 1512 until 1537-1538. During the nearly 20-year period (1536-1553) of his activity at Ghent Joos Lambrecht proved to be a many-sided man typical of the Renaissance, poet, schoolmaster, seal-engraver, printer and punchcutter. As printer he came to be known for the outstanding quality of his presswork, the best of the Netherlands of his century, Plantin was de tweede helft? nvdr), and for his numerous mint-ordinances with woodcuts of coins that were copied until late in the century, by Jan Ewoutszoon of Amsterdam and others. His capacity of punchcutter is quite firmly established by the colophons in his numerous books, where he calls himself "lettersteker, typoglyphus, tailleur de lettres", by entries in the town's taxation, where he is described from 1540 onwards as "letterstekere", by a contract of 7 April 1548 binding Lambrecht to deliver new founts of type to Cornelius Manillus, printer at Ghent. Moreover, it is known that in 1553 Lambrecht sold his printing-office and type foundry to Pieter van den Kere, the father of Hendrik van den Keere the elder (and great-grandfather of the famous Dutch map engraver Pieter van de Keere, alias Kaerius), that Ameet Tavernier learned punchcutting from him, and that in 1580 Hendrik van den Keere the younger had several sets of matrices that he described as Lambrecht's. Van Lancker discusses several sources and analyzes Lambrecht's oeuvre. Some types by Lambrecht (not all cut by himself though):

T37, "Lambrecht's Pica Textura" (after 1541). Vervliet is not sure this was done by Lambrecht.
T48, "Lambrecht's Brevier Textura" (after 1541). Same doubts in Vervliet's mind.
T25, "English-bodied French Textura" dates 1499-1500. Used by, but not cut by Lambrecht.
R12, "Lambrecht's 2-line Great Primer Lower-Case" was probably cut by Lambrecht in 1546.
R23, "Lambrecht's English Roman" (after 1543).
R25, "Lambrecht's Pica Roman" (after 1536).
R30, "Lambrecht's Roman Capitals on Bourgeois" (1545).
IT16, Lambrecht's Bourgeois Italic (after 1536). Vervliet: Lambrecht was the only printer to use this small Italic, which for its time is not without merit, and he did so from the beginning of his career in 1536. In a book of 1538 a set of narrower capitals occurs as well as the original capitals. In his well-known Refereynen of 1539 Lambrecht used this type for the passage in which he expressed his preference for Roman (and Italic) letters and his objection to the Gothic; but for this passage he used it with Gothic capitals and a few variant lower-case sorts. In the inventory of the remaining stock in Van den Keere's type foundry drawn up by Thomas de Vechter soon after 1581, there is an entry, 'An old Brevier by Joos Lambrecht', probably referring to matrices for this face. One of Lambrecht's italics inspired Laurent Bourcellier in 2009 to create Joos.

Some scans courtesy of Peter Van Lancker who researched Lambrecht's work: Bastaard Mediaan (1548), Grieks Mediaan (1536), Italiek Bourgeois (1536), Italiek Mediaan (1541), Romein Augustijn 91543), Romein Mediaan (1536), Schwabacher Augustijn 91550), Textura Augustijn (1539), Textura Bible (1541), Textura Gros Paragon (1551), Textura Gros Romain (1541), Textura Mediaan (1541), Textura Moyen Canon (1539). [Google] [More] ⦿

Jordan Davies
[Wooden Type Fonts (was: American Wood Type and, Wooden Type)]

Jordan Jelev

Graphic designer from Varna, Bulgaria. Designer of the blackletter typeface Ekrine (2007). [Google] [More] ⦿

Jordan Kabalka

Mobile, AL-based designer of the blackletter typeface Ehrich (2016). Creative Market link. [Google] [More] ⦿

Jordan Lloyd

Designer of Indoctrine (2006, blackletter). [Google] [More] ⦿

Jordan Timothy Bell

Graphic designer from Waco, TX, working in Santa Fe, NM. He started making some typefaces during his studies in 2012, but these remain unnamed and unpublished. [Google] [More] ⦿

Jordi Manero Pascual
[Woodcutter Manero]

Jorge Iván Moreno Majul
[Ivan Moreno]

Jorge Mercado
[Yock Mercado]

Jorge Paulino

Quintana Roo, Mexico-based designer (b. 1995) of Powerpuff Girls Z (2014) and Ancient (2015, a blackletter typeface). [Google] [More] ⦿

Jorge Sanchez

Spanish designer of the blackletter typeface Gothic Punk (2016). [Google] [More] ⦿

Jose Luis Perez Ramos
[Bnomio]

José Alberto Mauricio
[Alter Littera]

José Luis Cóyotl Mixcoatl

Mexican designer in Puebla who studied at the Benemerita Universidad Autonoma de Puebla (BUAP). Designer of the 4-weight semi-blackletter display family El Chamuco (2004, T-26), the pixel/modular family Zoomanic (2007, an award winner at Tipos Latinos 2010), Artico (2003, a custom family for the Spanish magazine Simbad), the script typeface Santanera (2004, consisting of Cha Cha Cha and Rhumba), the purely geometric and linear Mixcoatl (2005), the octagonal typeface Vulcana (2004), and of the pixelated typeface Pixetl (2004, T-26).

At Tiypo, we find his futuristic typeface Cachirul, the futuristic Rayos Gama, Forever, Frizz (2004, Display, Quadra: octagonal and squarish), the starry typeface Galaxia, Gen (2004), Gum Sans, Gum Organica, the squarish Ix Sans, the organic Latex, Mimetic, Monique, the techno typeface Neutron, Pancracia, Pixetl, the Broadway typeface Pocket, Super (grunge), the script typeface Santanera, and the octagonal Vulcana.

In 2012, he designed the warm serif family Maria, the angular typeface Anahuak. For the magazine Padres & Hijos, he created a custom ronde typeface in 2012.

He lives in Tlaxcalancingo, Puebla. His company is called The Coyote Lab of Design. At Tipos Latinos 2010, he won awards for Zoomanic and for Cubomatics Icons.

In 2014, he created the custom typefaces Lyons Script (anmed after Rob Lyons) and Reposè Script.

Typefaces from 2016: the handcrafted CyMx Breath, the arts-and-crafts movie credit font American Horror Story,

Klingspor link. T-26 link. Behance link. [Google] [MyFonts] [More] ⦿

José Marques
[J. Marquez]

Portuguese creator at FontStruct in 2008 of Goticula 1.3 (blackletter), Reposicao (octagonal), Frank Castle, Tomatix (rounded letters) and Tazaver (bold, rounded).

In 2009, he made Corrida (multilined; +Evolved), Drible (+Drible 2.0), Lastico (octagonal), PixelSoulScript2X, DoneBefore, Ficha Serif, Ficha Sans, Sloppy, StrikeOver, Bad Point (dotted line upright script), Osoyotoyo (octagonal), Redundant, Solstice1X (pixel script), CuttingOldEdge, KickBack, MarkMyWork, Styl=0 (dotted line font), Bad Point (dotted line font), Eyelash, Garfield, Comitto, trapish, Nullam, Minipix (pixel script), Coppa, Chunky (octagonal), Douchebag Regular (as a favor for Melissa Hunt), Foxtrot, Torsion, Serifeito (slab serif), Comitto (rounded octagonal), Torsion Alt.

In 2010, he made the dotted line typeface Redonda and the blackletter stencil BlindFold, as well as Lump (fat counterless), Taller, Dribble, Rumble, TheItalicJob SportsComp (techno), CryBaby, Crystallized (dotted), Hiatus (stencil blackletter).

In 2011, he made the grotesk typeface Geomyk, Fonstiv (polygonal), Drible 2.0, Candy, Gibberish.

Fontstructions from 2012: Lombada, Cape, Tentative, Sloppy, Cephalopod. [Google] [More] ⦿

José Miguel Carvalho Cardoso

Portuguese Fontstructor who made the blackletter typeface Escrita Gótica (2011). [Google] [More] ⦿

Josep Agüero

Barcelona-based designer of the blackletter font Gothic Proto (2019) and the circle-themed Round Proto (2019). [Google] [More] ⦿

Joseph Dennis

Brand designer in Fremantle and/or Perth, Australia, whose typefaces can be bought from Type Department.

In 2016, he designed The Skulls (a commissioned stencil font).

For Pride Sports Festival 2018, he designed the organic sans typeface PSF Bounce.

In 2020, he released the display typefaces Villanelle, Stoker (a blackletterish typeface for the West Australian Ballet) and Westralia (a free all caps typeface with varying widths). Type Department link. [Google] [More] ⦿

Josh Krämer

German typophile based in Heidelberg. Board member of Bund für die deutsche Sprache. His typefaces include:

Donnersberg (2013). Donnersberg is a gothic block-letter typeface designed for easy handwriting. It is based on forms of the gothic cursive and of other blackletter styles. Its simple letter forms are suitable for both broad-nib and pointed-nib writing. Started in 2008, it was finished in 2013.
Gorton. Josh writes: Gorton is a revival of the default typeface for the Gorton engraving machines. That typeface and typefaces derived from it have been used for a wide range of products, from aircraft instruments to computer keyboards. URW offers a digital font named Gordon that seems to be based on the Gorton typeface but it is quite different, has no lowercase letters and its quality is poor.
Grid15 (2015). A programming font.
Lenzing (2015). A Fraktur and a gothic cursive, created in cooperation with Peter Gericke.
Britannica (2018).

[Google] [More] ⦿

Joshua Feliz

Joshua Feliz founded Solarnova Designs in Jersey City, NJ, and created the blackletter typeface Constellations (2015). [Google] [More] ⦿

Joshua M. Smith
[Hydro 74]

Joshua M. Smith
[Legacy of Defeat]

Joshua Reichert

Designer of the blackletter typeface Reichert-Gotisch (1930s, Ludwig & Mayer). [Google] [More] ⦿

Jørgen Håland

Designer in Bergen, Norway, who created the free blackletter typeface Svart in 2017. Behance link. [Google] [More] ⦿

Juan Casco

Designer from from Puyo, Ecuador, b. 1991, known as Darko Juan. He made numerous free fonts.

Creator of these typefaces:

Amazonica (2009) is a curlified roman face.
Artesanias (2011).
Básica (2010, an organic octagonal sans done with FontStruct) and Básica Unicode (2010).
Black Audio (2010): gridded.
Bohemia (2010): grunge face.
Borracho (2009).
Bosque Encantado (2010).
Cabaret (2011).
Chave (2010) and Gato (2010) are hand-printed typefaces.
Colonial (2010).
Cuneiforme (2010): cuneiform simulation face.
The scary gothic typefaces La Flama y La Espina, Pasión Acústica (2009), Dark Pix (2010, FontStruct), Goth Stencil (2009, blackletter stencil), Goth Stencil Premium (2009), Ming Imperial (2009) and Ming Gothic (2009, was Chino Gotico before that). The latter two typefaces have an Asian look. Pasion Gotica (2010, FontStruct).
Fam Fuerte (2011, grungy).
Furia&Venganza (2011). A tattoo face.
Hangul Love2 (2010).
La Rosa Muerta (2010).
Lejana (2010): a curly script.
Linexter (2013). A vintage typeface.
Luismi Murder (2009).
Magical Dreams (2011).
Mobile Sans (2015).
Narn Font (2011). Inspired by The Chronicles of Narnia.
Ninja Turtles (2014) and Guardians of the Galaxy (2014). Sci-fi typefaces.
No Hubo Tiempo (2009) is a timid handwriting face.
PercanceFatal (2009).
Pixel typefaces: Code 7x5 (2015) and Code 8x8 (2016), Trium (2010), DarkPix (2009, done with FontStruct).
The blackletter typefaces Por Siempre Gótica (2011), Artesanias (2011), Fraktura (2011), Neue Goth (2011), Estilographica (2011).
The curly scribbly typefaces One Wild Line (2012), Romance Fatal 2.0 and 3.0 (2009, based on his own hand), Romance Fatal Pix (2010), Romance Fatal (2009, +Serif), Romance Fatal Goth (2009), Romance Fatal Sans (2011), Romance Fatal Serif Pro (2017).
Rounded Sans (2014).
Scars Before Christmas (2010).
Schindler's Font (2011). Inspired by the movie.
Sucker Font (2011). A metal band face.
Tatida Versal (2009), Tatida Rocking (2009).
Tattoo Sailor (2010).
A custom font for Teller Of Tales: A Fib Fit For A King, a 2011 movie by Woody Lindsey.
The Fire Regular (2011).
Tipófila (2010).
Valle Lejano (2010, FontStruct).
Verde Amazonico (2011).
Versal-Gothic (2009).
Xefora (2011). A spindly blackletter.
Schindler's Font (2011). Based on the movie sequence.
Frozen Font (2014) is also movie-inspired.
Viaje Script (2015).
The Marauders (2015). A pirate typeface.
Camomila (2015). A feminine script.
Jupiter Serif (2015). Based on the titling of the movie Jupiter Ascending.
Symphony Script (2015).
Erie Roman (2014). A roman caps typeface.
Ancient War (2015). Inspired by the movie War Craft.
Guayaba Sans (2016).
Letra Hipster (2016). A signage script.
Slim Chef (2016).
Verde Sans Neue (2017).
Legends of Tomorrow (2017) and Legends Sans (2017). Sci-fi style.
Ragnarok Serif (2017).
Ecuador Handscript (2018).
Herradura (2021).

Behance link. Devian tart link. Home page. Dafont link. Old home page. Fontspace link. Abstract Fonts link. Creative Market link. [Google] [More] ⦿

Juan Diego López Medina

Medellín, Colmobia-based designer (b. 1975) of Dawn of Mellido (2006) and of the uncial/blackletter typeface Mellogothic.

Abstract Fonts link. [Google] [More] ⦿

Juan Francisco Adriani

Graduate from FADU, University of Buenos Aires, who created the condensed blackletter typeface Wayne Bruce (2009). [Google] [More] ⦿

Juan Jeje

Aka JFK. Bogor, Indonesia-based designer of the blackletter / tattoo typefaces Kallbarus (2018) and Steam Gear (2018), the display sans typeface Avatar (2019), the graffiti fonts Wall Hunter and Wall Hunter II, the grungy octagonal typeface Kane Corso (2018), the fine deco sans Primalys (2018), and the grungy sans typeface Codex Gigas (2018). [Google] [More] ⦿

Juan Marcos Leiva Mejia

San Salvador-based designer (b. 1994) of the Treefrog-style brush typeface Relajo (2015) and of Neo Blackletter (2015). [Google] [More] ⦿

Juan Miguel Castillo
[Don Marciano]

Juan Rubio Marco

Zaragoza (and now, Barcelona), Spain-based creator (b. 1993) of the graffiti typeface Juanalzada (2013) and of the dripping blood caps typeface Terror Plate (2013). In 2015, he designed the animated hipster typeface Next. In 2016, he added the free angular blackletter-inspired typeface Rubia (2016). Behance link. [Google] [More] ⦿

Juan-José Marcos García
[Alphabetum]

Judith Gillet

Lyon, France-based creator of the modular octagonal blackletter typeface Enigma (2014), the script typeface Je (2014) and the art deco typeface Ballroom (2014). Enigma can be bought at Ten Dollar Fonts.

Typefaces from 2019: Villa Douce (art deco), Novelist (script). [Google] [More] ⦿

Judith Schalansky

Ex-student from the Fachhochschule Potsdam and the Freie Universität Berlin, b. 1980. Author of Fraktur Mon Amour (Hermann Schmidt Verlag, 2006, and Princeton Architectural Press, 2008), in which blackletter is discussed and shown at length. Interview. List of Fraktur fonts on the CD. Fraktur Mon Amour won several awards, such as the 2007 Award for Typographic Excellence of the Type Directors Club of New York, and a silver medal from the Art Directors Club Deutschland, also in 2007. [Google] [More] ⦿

Judith Sutcliffe
[Electric Typographer]

Juha Korhonen

Juha Korhonen (b. 1966, aka Junkohanhero) is a Finnish artist and type designer, who created these free fonts, mostly in the grunge genre:

In 2006: Tasapainoaisti (grunge), Type-Ra (old typewriter), 60 Sekuntia (grunge), Waving My Arms in the Air (dingbats), Cold Night for Alligators (grunge), Shangri-La (handwriting), Horros, How Can I Organize My Garage?, They're coming to take me away, Hullunkruunu (grunge), Liitu (grunge), Snakepit (dings), In My Head (grunge), FCockroach (grunge), 3-2-1 Jungbats (which includes a Deux Chevaux!), Aamunkoi (handwriting), Not now, I have a headache!, Kulminoituva, Kallot (skeleton dingbats), Ummagumma (handwriting), finitimusiungo, jungodingbats, Junkos Typewriter (almost a ransom note font), notakangaroo (handwriting), Minenookenguru, ympyroity.
In 2007: 215000E, 6000km, Gubben-I-L, Hevonen, Horros, IKHIOOGLA2, IKHIOOGLA3, IKHIOOGLAcow, IKHIOOGLAone, IKHIOOGLAwithout, Postinkantaja-Job (ransom note face), They're-coming-to-take-me-away, Jungobungo (ransom note), Nollapistet (grunge), VieraskirjanPeto (skull dingbats), Maksukehoitus (white on black), Avain (dingbats of keys), Pink Bazooka, Phorssa (ransom note), Bones (pirate font), 215000EURO (ransom note), DINGDONG (dingbats including a 2CV), CKAS (tape dingbats), JoskusEi (grunge), Puoli-ihminen, Zupagargonizer, ZupagargonizerT, Puoli Ihminen (hand-printed), Polla (a great scratchy ink stain lettering font in the style of Treefrog), Wahroonga, Tienpaalla (traffic signs), Typenoksidi (old typewriter), Pozo, Pozotwo, Pozothree, Pozofour (Kafkaesque). He also made the dingbats Avain, Tajunnan-tuolla-puolen (movie dingbats), Vieraskirjan-Peto, Payday (white on black).
In 2008: Melkein Aito Kopio (tool dingbats), Znort3000 (white on black grungy typewriter), Oravanpyörä (white on black outline face), Ellet Niin (ransom note face), Kuusinollakahdeksan (ransom note font), Jadefedga08, Jadefedgah80, Jadefedgah8002 (all ransom note fonts), Jormadorka (more ransom notes), Maaliskuu (handwriting), PajaRaja, Aikasiirtyma, Bugghet.
In 2009: Tarkistatiedot, Bugebol, Harmaa Perkele (grungy outline face), Huomenna (grunge outline), Betelgeuse (hand-printed), Merkurius (more grungy outlines), GhundZiliag, Laboratoriokoira (grunge), PolviHumppilasanoo.
In 2010: Tammikuunkolmas, Kosminentaustasateily (old typewriter), SinisenharmaaPerkele, Osasto329suljettu.
In 2011: 19000paarmaa, Tunnepinta, Vuosivuodelta (grunge).
In 2014: Adieresis, Air-Atlas, Appendix (ransom note font), Bactosaurus, Bad-Pizza-wth-Pepperoni, Bad-Pizza, Bakesaurus, Balochisaurus, Bambiraptor, Beast-Of-Burden, Bilbao (a fat rough brush face), Birds-Requiem-Svart, Birds-Requiem, Bug-Report, Burgerbuzz, Buzz-Aloha, BwheroGreeZero, Cactus-Tequila, Charlie Dont Surf, Chryse-Planitia, Culdesac, Cyberpnuk2, DSIODRER, DSIODRER2, Damsterdam, Downleft (3d typeface), Drop!, Existence, Firebug, GogolSimone&Monroe (textured), GROmagnon, Gromagroo, Handful of Nothing (grunge), Hangen-henki, Hangover, Haudankorva, Helleplus 32, Hetkea Myohemmin, Hiekkalasi, huhtikuu, Human Error, Hyeenan-haukotus, Inertia-Creeps, I Wanna Be Your Dog, Jamaica Aroma (grunge), Jazz Zebra, Jockey Full of Bourbon (white on black letters), Jupiter (children's script), Kaktuspiste, Kalmari (blackletter), Keskiyon-Lumisade, Kothika (grungy blackletter), Krakle!, Kulkeuma, Kuumotus, Lasihiekka, Lean on me, Liima,-paperi,-sakset-2 (ransom note font), Llama-Grazy, Llama-Mad, Louis Cypher, Lumenharmaa, Lumihyeena (ransom note font), Lyhyt-Lauantai (children's script), Me-and-your-mother, Mechanical-Machine (old typewriter), Metalbox, Mustasurma, Muurahaiskarhu (weathered calligraphic script), Nasty MSG, Neptunus, Nirhauma, Nopee Torstai, Noppalukemat, Onion-soup, Paltamo 88300, Persona Non Grata (grungy ransom note font), Pintaväre, Plastika-Elektronika, Pyromaani, Quark Zone, Quiet Evening (old typewriter typeface), Quiet Zoo, Red Rabbit, Rho Cassiopeiae, RGMB 6044 Str, Rottapuisto, Ruoste, Rush-Minute, Rust Never Sleeps, Sadannes, Sensory Cortex, Sensuroitu, Siamese-Twins, Singalonga, Singapore, Sitruunahyeena, Skinny Zebra (shaded face), Snapz!, Soul-Sister, Stranger-In-You, Takapiru, Takapiru2, Tempo-Minimo-Bass, Terra, Terraario, Terrieri, Territorio, Terrorisoija, Tomorrow-Comes-Today, Torstai-perjantai, Tricky-Christine (all caps Treefrog style inky script), Trolli, Tulihuuma, Tulikuume, Typetype, Typetys, Typistys, Typpea (old typewriter), Union-soap, Wallowxenon, Whisper in the Dark, White Elk, Wripetyter (old typewriter), Wrong-place-right-time, Wrong-time-right-place, Wrong-time-wrong-place, Xmas Year Zero, Yericho-Punx, ZIGZAGZOEL, Zombie Queen (grungy old typewriter).
In 2015: 49 Birthdays, A Box For, All Rights Reserved, Almost-like-the-blues, Androidi Pisa, Aurinko, Avojaloin (old typewriter), Boring, Blacklist, Blah-blah-bang, Blank Eye, Burn Out Fade Away, Beyond-These-Things, Can-you-ever-see-a-whole-circle, Children-of-the-revolution, Close-your-eyes, Cut The Crap, Dancing-in-the-dark, Dark-Dream, Dark-was-the-night, Deafening Silence, Destroy-X, Dharma Bum, Dharma Punk, Digi Ziggy, Divisible-Invisible-High, Divisible-Invisible-Low, Drenazmozgow, Dystopia, Eight Days A Week, Endrophenomeua, Ensimmäinen-kevät, Every Little Thing That You Did, Everything is possible, Feeling Babylon (shaded typeface), Fifteen Feet of Pure White Snow, Forty Six, FourFiveSixSevenEight, GalvanizeBurn, Garbage Guerilla, Glingzerminator, Good-And-Evil-Day, Good-And-Evil-Night, Green-Dream, Have-nothing-to-do-with, Hidden Zebra, Holy Cow, Humectez-La-Mouture, Hyvä voittaa pahan, Hugo Z, Ice-cream-for-crow, Ihana-Perkele-Alaston, Ihana-Perkele, I Love You, Instant Karma, Instant-Nirvana, Is That Clear, Is-there-anybody-out-there?, January Threed, Justaword, Kasuaari-kirjastossa, Keveat Sandaalit, Killing Me Softly, Kasuaari-kirjastossa, Kirjainkone (old typewriter), Kirkuvanpunainen kirsikk, Kiss Me My Darling Kiss Me (grunge), Last-living-souls-Dark, Last-living-souls-Dirty, Last-living-souls-Shadow, Last-living-souls, Lauantaiaamu-7:25, Lazy Opossum, Life is so wonderful, Lilith X, Lost in Moments, Lovely Weekend, Lower Atmosphere, Lumi-nauroit, Manamansalo (shaded handcrafted font), Mandelio di Paedre (textured), Metamorphose Requiem (blackletter), Moa, Molienda de Paedra (textured), Moons of Jupiter, Nicotine Love, Nie Zabawne Komik, Nirepnirun-atsum, Nirepnirun-oivuk, Nirepnirun-oknalb, Nollanaama, Onnenmyyra (halftone emulation), Open-your-eyes, Oranssi Hohde (textured), Paljain Jaloin (grunge), Pikku-Julmuri, Pink-T-shirt, Puolelta Toiselle, QWERTYpe (old typewriter), Quicksand-x, Radar Echoes Unclear Atmosphere, Raparperitaivas, Read between the lines, Redhair, Refuse-to-bow-down, Regurgance, Requiem-for-A (blackletter), Rhinoceros (a pretty Treefrog script), Rip-off, Road-to-nowhere, Ronttifontti, Rye Field, Safe-from-harm, Screaming Red, Sekunda, Seven Deadly Sins, Shadow Catcher, Six Feet Under, Slave-only-dreams-to-be-king, Some-Distant-Memory-Dark, Some-Distant-Memory, Something-in-the-air, Something in the Way, Sonic Barrier, Sound of Silence, Syntax Error, Syyskuu-repaleinen, TakeYourClothesOffWhenYouDance, Tango Psychedelia (old typewriter), Tell Us Pangaia, The-Beginning-Of-Memory, Thirteenth Floor 2, This-side-up, Time Goes So Slowly, Toinen Tammikuu, Too-drunk-to-fuck, Uglygoodbad, Uglygoodbaddark, Under the Influence (grungy texture), Unfinished-Sympathy, Universal Mind, Universedge, Universum Invenire, Velvet Queen, Viimeinen-syksy, Villasukat, Walk-with-me-now (letterpress emulation), Waste-of-time, Waveternity, White Elephant, White-funky-rabbit, White-light,-black-line, White Submarine, Windy Indigo, World Without End, Xsdeterminatoer (sic).
Typefaces from 2015 published in 2016: Dark Monday (ransom note font), Jinzingoer, No More Lies, Cubebroken, Cult-of-the-toucan, Doublpeopl, InvisiblerrorEdge, InvisiblerrorFast, Invisiblerror, Jugglingoose, On-the-horizon, Raccoon, Strawolverine, Wantedo, Edge, Black is not a color, Apocalypse, Disturbo, Black Owl, Spirit Ritual, Woodcut, Animals are like people, Tox Typewriter, I Believe In Life Before Death, Crab, Dieproud, In the deep dark woods, Chic Chak Zubra (Treefrog style), Non Watercolor, April-Fools'-Day-Crazy-vrs, April-Fools'-Day-Silly-vrs, April-Fools'-Day, As-long-as-I-can-hold-my-breath, Floating-tin-can, Head-like-a-hole, Here-Just-Now-Black, Here-Just-Now-Out, Here-Just-Now, Scratch-X-Black, Scratch-X, Shoemaker, Skriik!-Electro-mechanical-mach, Thin-king, Blinded-by-desire, Brake-a-leg, Deja Vu Dive, Greater-than-the-sum-of-its-par, Hell-is-round-the-corner, I-love-the-smell-of-rain, Kopio-639, March-of-the-pigs, Methods-of-escape, Overdose, People-per-square-kilometer, Right-where-it-belongs, The-universe-in-a-nutshell, This-is-nu-jazz, Torture, Trashbox (white on black), Walk-this-way, What-is-this--some-kind-of-joke (white on black), Why-do-we-blink-so-frequently (old typewriter), 2016-Bugs, 3-Times-Recycled-Old-Newspaper, 3TimesRecycledOldNewspaper, Always-Been-Right, Amateur-Dirty, Amateur-Naked, Amateur-Slash, Another-name-for, Brief-Moment-Between, Bubu-Ghost, By-the-way, Contrite-in-spirit, Crash-test-dummy, Dead-end, Dimension-Zero, Dirty-Old-Town, Dreamer-Eternal, Dreamer, Endless-heartache, Feel-the-universe, Found-my-way-out, Grapevine, Grasshopper-Z, GrasshopperZ, Hehku, Here-we-are-now,-entertain-us, Hidden-meanings-Italic, I've-seen-that-face-before, I-Did-It-My-Way, I-tell-you-all-my-secrets, IDidItMyWay, Is-there-time-in-outer-space?, Jokioinen, Kube-Vertiko, KubeVertiko, Lazarus-Oz-Kolsvart, Lazarus-Oz-Moerkt, Lazarus-Oz-Syndfri, Lazarus-Oz, Libertango, More-news-from-nowhere (white-on-black), Now-your-conscience-is-clear, Paradox-Mosaic, Paranoid Orange, Pelkistettya todellisuutta (old typewriter), Piparivahtiperhonen-Itio, Piparivahtiperhonen, Planet-Garbage, Secretly-wishing-for-rain, Send-me-a-postcard, Sun-zoom-spark, Through-the-night (old typewriter), Trash!-More-trash!, Trash-Zydego, Tremolo-Flaw, with-righteous-indignation,-aga, with-righteous-indignation, Dark-Underground, Feelings-On-Off, From-here-to-eternity-too, From-here-to-eternity, Fuga-de-cerebros, Gsubadaslowly, Hell-Finland, Hello-Finland, It-started-here,-again, It-started-here, Lost-in-the-supermarket, Muspi-Merol-Krad, Muspi-Merol-Mirg, Muspi-Merol-Thgil, Razterhunch-Burn (textured typeface), Razterhunch-Shadow, Razterhunch, Sister-Morphine, Syntinen-ihminen-on-kaunis-ihmi, Tropic-of-Cancer, Velvet-Dream, Viiden-pennin-operetti, Auribus-tenere-lupum, Big-Bubu, Completely-Nonsense, Corner-Dark-Distance, Corner-Dark-Just-X, Corner-Dark (white on black font), How-do-you-sleep?, How-low-is-low?, Karmakooma, Long-distance-call, On-aika-soittaa-sinfonia, Pink-Bunny-2, Pink-Bunny, Pink-Chaos, Right-to-remain-silent, Rough-Simple.
Typefaces from 2017: Pink Kangaroo, Punktype, Dog Foz Zebra, Mondmonkey, Quiet Horror Story, Strawobbly, Better Get Ready, Flea Market Finds, Background Noise, Rhythm Vino, Echoes, Music For Empty Apartments, Synonym Blank.
Typefaces from 2018: Blockheads (white on black), Blue Sky Blue Grass, Lievidence (a ransom note font), Quick Pangolin, Brillianthre.
Typefaces from 2020: Mugwort Maximum (grunge), Heart Jungle (textured).
Typefaces from 2021: Nothing Clean, Central European Time, Examples Of Erosion, Overconsumption, Ransom Blanco Zero, Bullfrog, Damage Red, A Good Day To Die, Everything Experience, Ring Singularity, Grey+Red, Memento Griseo Ruber, Think Harder.

Dafont link. Old URL. Additional URL. Font Squirrel link. Fontsy link. Abstract Fonts link. [Google] [More] ⦿

Jujumisur
[Jujumisur's Ficus]

Jujumisur's Ficus
[Jujumisur]

Ukrainian designer of:

The medieval blackletter-inspired typeface Prussak BC (2020). It covers Latin, Cyrillic, Old Church Slavonic (both Cyrillic and Glagolitic scripts), Proto Slavic and Ancient Greek.
Stola (2020). A script typeface.

[Google] [MyFonts] [More] ⦿

Jukebox Collection
[Jason Anthony Walcott]

This is the new foundry of Hollywood, CA-based Jason Walcott, who formerly ran JAW Fonts, Jukebox Type, and Counterpoint Type Studio. JAW Fonts ceased operation in 2003 and Jason reintroduced his collection of fonts in a revised form under the new name of Jukebox Type. Established in 2015, Jukebox Collection started out with these typefaces, which are mainly remastered and recycled typefaces from JAW Fonts and Jukebox Type with original designs going back to the period 2001-2007, roughly spaeking:

Acroterion JF (2014). A copperplate script from 2002.
Adage Script JF (2014). A vintage script from 2002.
Alpengeist JF (2014). Original design from 2001. A German beer label blackletter typeface.
Anaheim Script Pro JF (2014). A fifties script from 2007-2010.
Annabelle JF (2014). A flowing connected script originally designed in 2001.
Baileywick JF (2015). A curly Victorian script from 2001.
Baroque Text JF (2015). A decorative blackletter script from 2003.
Beignet JF (2015). A casual script from 2009.
Bookman JF Pro (2015). Based on Bookman, a design that goes back to Alexander Phemister, and more recently, Edward Benguiat. Designed by Walcott in 2005, this 2-style family has extra swashes.
Buena Park JF (2015). A festive design from 2001, loosely based on Clarendon.
Cabernet JF (2015). A heavy wedge serif didone typeface from 2004.
Corner Store JF (2015). A script from 2007.
Cousin Beth JF (2015). A psychedelic / Victorian design originally from 2009.
Cynthia June JF (2017). Copperplate calligraphy.
Dragster Script JF (2015). A fifties script with a design going back to 2010.
Eloquent JF Pro (2015). A heavy didone in the style of Pistilli first conceived in 2008.
Fenway Park JF (2015). A baseball script first designed in 2001.
Funny Bone JF (2015). A funny fifties typeface, originally conceived in 2005.
Gibson Girl JF (2008). A creamy retro signage script.
Ginger Snap JF (2015). A fresh script from 2011.
Graham Cracker JF (2011-2017). Cartoon or beatnik font.
Guedel Script JF (2015). A rough vampire script from 2008.
Hellenic Wide JF (2015). Original design from 2007.
Hooligan JF (2015). Original design from 2007.
Hucklebuck JF (2015). A brush script from 2003.
Johanna Whimsy JF (2008). A retro upright connected script.
Kitti Casual JF (2015). A casual script from 2003.
Kon Tiki JF Aloha (2015). Original design from 2002.
Kon Tiki JF Enchanted (2015). Original design from 2002.
Kugelhopf JF (2017). Blackletter calligraphy.
Lady Fair JF (2015). A unicase curly psychedelic script first conceived in 2011.
Lux Royale JF (2003). A stylish retro script.
Magic Spell JF (2015). A curly blackletter script from 2011.
Mary Helen JF (2017). A warm feminine script typeface.
Orange County JF (2015). A retro script from 2011.
Peachy Keen JF (2015). A chunky typeface from 2008.
Sansational JF Pro (2015). Original design from 2011.
Santoro Script (2018).
Scriptorama JF Tradeshow (2015). A retro brush script from 2002.
Silver Thread JF (2020). A hairline art deco sans.
Stella Ann (2004). A formal script font.
Stephanie Marie JF Pro (2015). A thin brush script developed between 2003 and 2009.
Sunset Strip JF (2015). A retro script from 2010.
Tamarillo JF (2015). A casual upright connected script from 2004.
Technobaby JF (2008).
Tin Roof (2006). Based on the 1958 hand lettered movie poster from Cat on a Hot Tin Roof.
Torino Display JF Pro (2015). Designed in 2004, this italic script is based on Alessandro Butti's Torino.
Valentina Joy JF (2015). A calligraphic connected script developed between 2001 and 2003.
Vanilla Shake JF (2015). A fat brush signage script from 2010.
Varsity Script JF (2015). Original design from 2001.
Viceroy JF (2015). A calligraphic copperplate script created between 2000 and 2003.
Walcott Gothic JF (2015). Original design from 2001.
Wesley JF (2017). A tall monoline geometric sans.

View the Jukebox Collection typeface library. [Google] [MyFonts] [More] ⦿

Jules Hénaffe

In 1675, Colbert invites the Acadé'mie des Sciences to make a grand study of all machines used in the arts. In 1696, l'abbé Jaugeon obliges with a study entitled "Etude des Arts de construire les caractères, de graver les poinçons de lettres, d'imprimer les lettres". From 1692 on, Jaugeon created a mathematical/geometric theory of letters, all inscribed in a 48 by 48 grid (for upper case) or a 16 by 48 grid (lower case). This gridding was to lead to the type style associated with Louis XIV, the Grandjean. Fast forward 200 years to Arthur Christian, director of the Imprimerie Nationale from 1895 until 1906, who wanted to prove that Jaugeon's ideas were also esthetically justified by asking Hénaffe (official punchcutter of the Imprimerie, b. Paris 1857, d. Paris 1921) to precisely reproduce Jaugeon's designs (which he did in 1904). The resulting typeface is called Jaugeon or Hénaffe. This page describes more of his work for the Imprimerie Nationale, such as a Telugu set of punches (1901), a Coptic set (called "memphitique"), a Palmyrian set (1899), a Thai set (1903), and a "gothique Christian" type (1902). [Google] [More] ⦿

Julia Kunshchykova

Kiev, Ukraine-based designer of the grungy Latin typeface Awkward (2016), the creamy Latin / Cyrillic poster typeface Klakson (2017), and many Cyrillic typefaces (2017), that include 3d, blackletter and crayon styles. [Google] [More] ⦿

Julia Loddi

Marseille, France-based designer of a reinterpretation of Lucida Blackletter in 2014. Julia is associated with Intuit Lab, Aix en Provence. [Google] [More] ⦿

Julia Petretta (Kaestle)

German designer who obtained an MA in typeface design from The University of Reading (2009), based on her typeface Creon. Before Reading, she studied at Hochschule Mannheim, and ran a design company there called MfG, for Mit freundlicher Gestaltung. Her Creon typeface contains Latin and Arabic alphabets, and was developed with hints of Greek.

Free Google Web Fonts include Kenia (2010, a stencil display font with hints of blackletter), Keania One (2012: a gentler heavy stencil face), Text Me One (2012: an organic sans face), and Kreon (2011, slab serif). Other free typefaces include Lily Script One (2012: a retro signage script, free at Google Web Fonts).

Old URL. Klingspor link. Google link. Fontspace link. [Google] [More] ⦿

Julian Kelly

American graphic designer. Creator of Juji (2009, handwriting), TheTymes (2009, blackletter), Kewl (2009, geometric), and Gothic Scratch (2008, hand-printed). Alternate URL. Was called Lorwynne Pheer. [Google] [More] ⦿

Julian Moncada Tobar

Colombian type designer based in Bogota. Graduate of the University of Reading in 2011. He also studied at ANRT in Nancy, France. In 2018 and 2019, for the past year he worked on the restoration of wood type at the Imprenta Patriotica, a government-funded printing museum in Colombia.

He writes about his lively graduation typeface Lemona (2011), which covers Latin and Greek: Lemona, an army of absurdities and monstrosities, is a subjective interpretation and exploration of the proportions and conventions of classic typography. Giving each character a secret potion containing ingredients of the freaky and deformed, the classic, and the contemporary, the serious, and the sweet. Lemona is a kind monster coming to stage stories in a rather strange, but always friendly and lively manner.

I cannot put my finger on it, but this is a bright and shiny baby, sure to be a soulful award winner in the next couple of years.

Julian Moncada, Jonathan Abbott and Jonathan Barnbrook jointly designed Doctrine Sans and Doctrine Stencil in 2013 at Virus.

Together with Jonathan Barnbrook and Ryuhei Nakadai, he designed Resolution and Resolution Blackletter (2015): A family of display typefaces that were developed as part of a creative response to the political situation in Northern Ireland.

Codesigner with Jonathan Barnbrook of Sora (2019; free at Google Fonts and Github), Bourgeois Rounded (2019) and Bourgeois Slab (2019).

Speaker at ATypI 2018 in Antwerp. [Google] [MyFonts] [More] ⦿

Julie Renee Jensen

At the School of Visual Communication in Haderslev, Denmark, Julie Renee Jensen designed a free vector format blackletter alphabet called Scarlet Letters (2017). [Google] [More] ⦿

Julien Gerardot

Aix-en-Provence-based designer of the blackletter-style Cursibve Typeface (2014) and the art deco silent movie typeface Random Type (2014). Behance link. [Google] [More] ⦿

Julien Laureau

Born in 1985, Julien Laureau studied in Grenoble, Villefontaine, Limoges, and finally Strasbourg (at the Ecole Superieure des Arts Decoratifs, class of 2011). He currently is artistic director in Paris. He designed the all caps art deco sans typeface Voyageur, which comes with an Inline version. He also created Scriptus (cursive typeface), Gothic (a blackletter), Mona (sans), Neutra (sans), and Intes (a rope font). [Google] [More] ⦿

Julien Priez

Julien Priez (b. 1986, Montreuil, France) studied typography and type design at Ecole Supérieure Estienne des Arts et des Industries Graphiques in Paris (2006, 2008). In 2010, he worked at Atelier Pierre di Sciullo in Montreuil. Recently, he was affiliated with the French type foundry FontYou. His typefaces:

Rag FY (2013). A wavy brush typeface co-designed by Julien Priez, Sofia Proisy and Charles Privé at FontYou.
Le Normandie (piano key face). Le Normandie was expanded at Fontyou in 2014 to a gorgeous display triple of fonts, Normandie FY (Modern, Gothic, Italian). Der Klaus (2011) is a blackletter version of Normandie.
Le Montreuil (2010). An experimental poster typeface family done at Estienne with the help of Michel Derre, Margaret Gray et Franck Jalleau.
Le Briqueterie (2010). Done with Pierre di Sciullo's studio: a modular pixelish family.
Le Baaf (2010). Done with Margaret Gray: an experimental titling face, based on the stained glass windows of a cathedral in Ghent, Belgium.
Le Composite (2010). An imaginary letter font made under the guidane of Michel Derre and Franck Jalleau.
Le Jimmy (2009). A typeface done to invoke the 1930 mafia. A beautiful idea executed with the help of Michel Derre, Margaret Gray and Franck Jalleau.
Typetool (2010). An ornamental caps typeface).
At Fontyou, Benjamin Lieb, Gia Tran and Julien Priez co-designed the hand-drawn typeface Brixton FY (2013). Not to be confused with two earlier typefaces called Brixton, one by Tom Chalky, and one by Luke Ferrand. Since two of the three Brixtons are commercial, I expected FontYou to change the name.
In 2014, Adrien Midzic, Jason Vandenberg, Jérémie Hornus, Julien Priez and Alisa Nowak co-designed the creamy script Vanilla FY. It was renamed Vanille FY after a few days.
The punchy poster typeface Kraaken FY (2014) was designed by the FontYou team of Bertrand Reguron, Alice Resseguier, Valentine Proust, Julien Priez, Gia Tran, Jérémie Hornus, and Alisa Nowak.
In 2014, Jeremie Hornus and Julien Priez co-designed the hairline typeface Gauthier Display FY.
Mandinor FY (2014) is a decorative didone typeface---it comes with separate Gothic (blackletter) and Italian (Western) variants, and is accompanied by Mandinor Ornaments FY. Still in 2014, Julien Priez, Hugo Dumont, Jérémie Hornus and Alisa Nowak co-designed Rowton Sans FY, a sans family patterned after Gill Sans in six weights, from Hairline to Bold---named after Arthur Eric Rowton Gill, it has the Gillian lower case g but italic lowercase is a bit too far afield for my own taste, especially the squeezed g.
Boogy Brut (2020). A pointy decorative serif with many calligraphic influences. At Bureau Brut.
Julien also drew many calligraphic alphabets, some of which will eventually become fonts.
Michel Derre and Julien Prez jointly won the Bronze Medal in the Latin category for Abelha in 2016 at the Morisawa Type Design Competition 2016.

Behance link. Julien Priez Drawing link. [Google] [MyFonts] [More] ⦿

Julien Tourdot
[Mockup Bank (was: Trappist Monk)]

Julio Claudius Giraldes Junior

Sao Paulo, Brazil-based designer of an engraved money typeface and a calligraphic Fraktur alphabet in 2017. Earlier he designed the typefaces Aline Text (2017), Gafieira and Primeira. Winner at Tipos Latinos 2018 of a type design award for Aline. [Google] [More] ⦿

Julio Tridapalli

Or Julio Cesar Tripadalli. Sorocaba, Brazil-based designer of the free blackletter font The Lazy Fancy (2019). [Google] [More] ⦿

Julius de Goede

Dutch Creative Alliance designer of Uncia (1999, uncial), Rudolph (Fraktur), Julius Primary (1999, a school font family), Amadeo (handwriting, 1999, with Fiel van der Veen) and Augusta (1999, +Cancellaresca, +Schnurkl). He published Xander (2001) at Agfa, a font based on the handwriting of the Dutch type designer Alexander Verberne. Finally, he published the calligraphic script family Gaius (2002), the calligraphic Bastarda typeface family Bernhardt Standard (2003), the Fraktur typeface family Frakto (2003), and the blackletter family Rockner (2005) at Linotype.

Linotype link. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿

Julius Edmund R. Nitsche

Designer, illustrator, painter and interior design architect, b. 1882, Breslau, Germany, d. 1965, München. He worked for the Jugend magazine in München.

Creator of Buchschmuck (1905), Akzidenz Zierat (1905), Unger Fraktur (1910, Klinkhardt; Wetzig says 1907), Waltraute (1916, a blackletter typeface done at Klinkhardt and at Berthold, Berlin) and Neudeutsche Ornamente (1911, Klinkhardt).

Among digital revivals, we note the ornamental caps typeface Unger Fraktur Zierbuchstaben by Dieter Steffmann (2002). [Google] [More] ⦿

Julius Klinkhardt
[Julius Klinkhardt Schriftgiesserei]

Showcase of Juraj Chrastina's typefaces at MyFonts. Behance link.

Julius Klinkhardt Schriftgiesserei
[Julius Klinkhardt]

Julius Klinkhardt designed typefaces such as the blackletter font Neue Schwabacher (1922, Berthold). He ran the Julius Klinkhardt Schriftgiesserei in Leipzig in the late 19th century, after having acquired the type foundry of Gustav Schelter in 1871. It was taken over by Berthold in 1920. Their typefaces include Flora Ornamente (1906), Litho graphia (1895), Secessions Schriften (1906), Baldur (1903, art nouveau; for a digital revival, see Alan Presott's New Baldur APT, 1996, and Dieter Steffmann's Baldur from 2000), Britania-Gotisch (1900, also known as Altgotish, and as Kloster Gotisch, and as Mammut Gotisch), Breitkopf Fraktur (just like versions of this typeface at C.F. Rühl (1912)), Helios Reklameschrift (revived by Ralph M. Unger in 2017 Affiche), Stempel (1912) and Berthold (1919)), Rosen Zierat (ca. 1910), Negro (1908), Elvira (1908), Cornelia Einfassung (1908), Hubertus Schmuck (1909), Filigran Ornamente (1910), Doris Ornamente (1917), Stigma Ornamente (1911), Bastard gross (a Kanzlei typeface with mager and fett versions), Werkschrift Germanisch (ca. 1880), Tango-Cursiv (1914), and Bismarck-Gotisch gross, all digitally revived by Gerhard Helzel. His TipTop (ca. 1900) was digitized under the same name by Petra Heidorn (2004). Tip Top Pro (2008, URW++) is a commercial revival of the same typeface by Ralph M. Unger.

On EBay, they were selling the specimen book: See here. Their main specimen books are Gesamt-Probe der Schriftgiesserei Julius Klinkhardt in Leipzig und Wien (1885, 690 pages) and Oktav-Probe II (1890, 452 pages). See the cover of an earlier specimen book.

Some type designers:

Richard Grimm-Sachsenberg: Grimm-Antiqua und Schmuck (1914), Neue römische Antiqua (1907), Saxonia (1907), magere römische Antiqua (1912).
Heinz König: Rundine (1913).
Hermann Delitsch: Ramses (1912, an Antiqua face), Delitsch-Kanzlei (1903), Delitsch Antiqua (1911).
Julius Nitsche: Unger Fraktur (1910; Wetzig says 1907), Neudeutsche Ornamente (1911), Buchschmuck (1905), Akzidenz-Zierat (1905).
Remarkable typefaces: Schmale Runde Grotesk (1885, a forerunner of DIN?).
Gadso Weiland: Toscana Schriften und Schmuck (1908).

Examples from their catalog from 1890: Fette Universal, Garnitur XII and XIII, Garnitur XIV, Kurrentschrift, Verzierte Merkur Kanzlei, and Neue Cursiv Zierschrift, Antika and Italia Grotesk Versalien, drawing of a boudoir, Enge Egyptienne, Fette Cursiv, Fraktur, Halbfette Fraktur, Holz Schriften (wood type), more wood type, drawing of horses, Moderne Fette Fraktur, monograms, Neue Fette Fraktur and Victoria Gotisch, Neue Fette Fraktur, Neue Schmale Fette Egyptienne, Romanische Gotisch, Rundschrift Polytypen, Schmale Antiqua, Schmale Fraktur, Schmale Halbfette Grotesk, Schwabacher, Silhouette Initialen, Stickmuster Typen, vignetten, more vignetten, Zierschriften, more Zierschriften, Zweifarben-Schriften. [Google] [More] ⦿

Jumbo Design
[Peter Olexa]

Designer of these (mostly vintage display or Victorian) typefaces:

In 2021: Almanac (spurred), Aston (spurred), Atlantis Serif (art deco), Cassanova (a hand-drawn slab serif), Halfmoon, Havana (a bold art deco typeface), Inspiron, Lavenda, Melcoinda, Monopoly, Scorpio, Vaganza.
In 2020: Wagoon.
In 2019: Construction Kit 3D, Coconut Inline Grunge, Umbrella, Roman Black, Dories.
In 2018: Stela, Balques, Futu, Amadeus Inline, Quadro, Ocean, Amadeus, Forest.
In 2017: Noxa, AmaDeust, Goliath, Arbatosh, Queen, Jewel, Savana, Tron, Starla, Brisk (multiline art deco typeface), Brodo (art deco), Castile, Billionaire (art deco), Cube, Valeria, Strife, Rhino Font (fat slab), Ruas, Maroon, Green Light, Giant, Atlantis, Octopus (spurred), Alter, Atari (Trajan caps, with grunge substyles).
In 2016: Zora, Watson, Urban, Plasma (art deco), Wagoon, Evolve, Pineapple, The Crow, Magneto, Legacy (athletic lettering style), Mocca, Jimny, Hurley (vintage style), Royal, Pirate, Amora Script, Rocket (Victorian), Hydrant, Boston, Stella (pure Victoriana), Tracker (blackletter family), Murray, Nomura (upright connected script), Salada, Vultron (spurred Victorian typeface), Flamingo (a Victorian set of fonts), Blue North (Western font), Safi (upright connected script), Phoenix, Demonius, Holiday (baseball script), Timor, spurred vintage style), Shelby, Jibril (Victorian signage typeface), Atara (grungy spurred vintage style), Atara Inline.
In 2015: Almanac (grunge style), Rolla (a grungy multiline all caps typeface), Speed Hunter, Square Space (athletic lettering font).

[Google] [More] ⦿

Juraj Chrastina

Freelance designer from Slovakia, b. 1981, Zilina. He set up shop at MyFonts in 2009. His typefaces:

2009: Stanislawski (display sans), Bonatti (simplified sans), Motyka (an octagonal family).
2010: Cassin (dingbats), Birkenmajer (blackletter and curly), Ruman (a piano key font not unlike many of the modular fonts made over at FontStruct), Komarnicki (geometric---it is largely based on arcs of a circle), Batura (ornaments), Flexi Social Icons (a set of 64 social network and media buttons), Messner (a hairline sans), Kammerlander (a high-contrast all caps Peignotian face that Juraj claims is well suited for fashion mags), Runout (a black marker face), Walker (a floral dingbat face), Trango (an unevenly spaced fun childish hand-printed face), Chogolisa (an elliptical sans family).
2011: Primitive Icons (dingbats), Manaslu (his first cartoon font), Baltoro Sans (humanist sans), Masherbrum Slab Thin (hairline slab for fashion mags), Latok (a fat keyhole-themed art deco display face), Makalu (a flower dingbat typeface inspired by the lovely drawings of the famous illustrator Zdenìk Miler), Besley Hand (hand-printed didone), Ambassador (a hairline roman capitals face, ideal for glossy fashion mags. Its high-contrast Peignotian companion is Snob), Greenhorn (a comic book face), Gamba (an elliptical typeface), Valibuk (a strong black sans headline face), Lomidrevo (a grunge stencil derived from Valibuk), Baronessa (hand-printed poster face), Baron (hand-printed poster face).
2012: Rumbarak (inspired by the titles of a few old Czech movies for children), Boudoir (a hand-printed poster face), Fimfarum (a wonderful set of hand-printed poster typefaces that can be mixed and matched for certain effects).
2013: Gentleman (a sans family from hairline to black), Amundsen (an all-caps stencil typeface), Smart Labels (badges), Lustig (an interlocking poster font), Hilton Sans and Hilton Serif (fashion mag headline typefaces kerned and spaced by Igino Marini), Handy Labels, Loco (a counterless geometric art deco face), Charmante (hand-drawn poster typeface).
2014: Fram (an uppercase stencil typeface for Latin and Cyrillic), General (neutral sans family with a very thin hairline weight).
Fonts from 2015: Vagabundo (hand-brushed), Britva (a glaz krak typeface derived from Valibuk).
Typefaces from 2016: Gerlach Sans, Gibon (a cartoon font).
Typefaces from 2017: Mysteria (hipster sans).
Typefaces from 2019: Freud (a 9-style sans).

Pic. Myfonts link. Creative Market link. Klingspor link. Fontspring link. Behance link.

View Juraj Chrastina's typefaces. Showcase of Juraj Chrastina's typefaces at MyFonts. [Google] [MyFonts] [More] ⦿

Just Another Foundry (or: JAF34)
[Tim Ahrens]

Just Another Foundry (or: JAF34) was established in 2005 by Tim Ahrens (b. 1976, Heidelberg, Germany). He studied architecture at the University of Kasrlsruhe and type design at the University of Reading (2007). He now lives in Oxford, where he works as a type designer and architect. His typefaces:

JAF Bernini Sans (2012). A winner at TDC 2013. A corporate humanist sans family consisting of tens of styles, from compressed to narrow and regular, and partitioned into a serious JAF Bernino Sans and a more playful JAF Bernina Sans. The ample choices, especially in degrees of compression, makes this a prime candidate for the 2012 Oscars.
JAF Mashine (Just Another Foundry (2005). An octagonal / mechanical family.
JAF Lapture (2004, Just Another Foundry), A redesign of Albert Kapr's (angular, calligraphic) Leipziger Antiqua of 1971.
His MA project in Reading saw the development of Herb (2007), a hookish display face. Herb was extended in 2010 into a full family, which is still genetically linked to blackletters.
Facit (2005, a sans family).
Zalamander (2006). An angular comic book family.
With Brian Jaramillo, he designed JAF Peacock from 2007-2010. It was inspired by the Flair typefaces of the 1970s and contains 1200 glyphs and alternates.
JAF Domus Titling (2011). Designed with Shoko Mugikura, this is a rounded typeface with classical Roman proportions.
In 2015, Shoko Mugikura and Tim Ahrens revived the squarish blackletter Johannes Type (Johannes Schulz at Genzsch & Heyse, 1933) as JAF Johannes.
The sans serif family Linotype Aroma (1999), followed by Linotype Aroma No. 2 (2007).

At ATypI 2008 in St. Petersburg, he spoke about Font Remix Tools and on Optical Sizes. In 2010, he started a web font service. In 2011, I found his name listed as an employee of the web font service Typekit.

Author of Size-specific Adjustments to Type Designs: An Investigation of the Principles Guiding the Design of Optical Sizes (2008, Mark Batty Publisher). Technical image from that book.

Abstract Fonts link. MyFonts page. FontShop link. Linotype page. Home page. Creative Market link. Klingspor link. View Tim Ahrens's typefaces. [Google] [MyFonts] [More] ⦿

Just van Rossum

Dutch experimental nutty (in the good sense!) and prolific type designer (b. Haarlem, 1966) who created famous fonts such as Beowolf, Brokenscript, BeoSans, Trixie, Flixel (FUSE 2), and Schulbuch. He is also a font software expert who has initiated many ideas in the areas of type software. He teaches type design and programming at the Royal Academy of Fine Arts (KABK) in Den Haag, The Netherlands, both in the bachelor graphic design program as well as in the Type and Media master course.

Just graduated in 1989 from the Royal Academy of Fine Arts (KABK), where he studied under Gerrit Noordzij. After stints at Monotype in the UK and MetaDesign in Berlin he became an independent type designer, focusing on software design for type. He collaborated with Erik van Blokland under the name LettError. It is at that time that he published FF Beowolf has been included in the permanent collection of the MoMa in New York. He co-wrote RoboFog with Petr van Blokland in the mid-nineties, which can be regarded as a forerunner of RoboFont, and has been a very influential scripting type design tool in Python. His TTX/FontTools library is a crucial building block for lots of font software. He also wrote the original version of the DrawBot application.

He designed Phaistos (1990-1991, the Font Bureau, with David Berlow), which was inspired by the flared angular designs of Rudolf Koch such as Locarno). Designer or co-designer at LettError of LettErrorRobot-Chrome (2001), FFTrixie (X-files original), FF Advert (1991, a flared sans family), FF Justlefthand, FF Schulschrift (1991; in versions A, B and C following the German school script recommendations), FF StampGothic (1992), FF Confidential (1992, grunge), FF Karton (1992, a grungy stencil face), FF Flightcase (1992, a grungy didone stencil), FF Dynamoe (1992, a dymo label font, white on black), FF Hands, FF Brokenscript (1990, blackletter), Federal, and the random font Beowolf (1990, with Erik van Blokland).

FF Schulbuch (1991-1992) is a series of fonts based on the historical textbook types used in Northern and Southern Germany, and Bavaria. The Nord (North) variant is the closest relative of Helvetica. At FUSE 11, he designed What You See/What You Get (with Erik van Blokland).

Speaker at ATypI 2016 in Warsaw on The Sound of Shapes & Shape of Sounds.

Bio at Emigre. FontShop link. Klingspor link. FontFont link.

View Just van Rossum's typefaces. [Google] [MyFonts] [More] ⦿

Justin Callaghan
[Mickey Avenue]

Justin Greene

Los Angeles-based designer of the handcrafted typefaces Chloe Lavender (2016, connected signage script), Black Coffee (2016), Wooden Atelier (2016, a weathered stencil font), Explore (2016), Caleb (2016, free) and Savannah (2016). He also designed the blackletter typeface Religion (2016).

Creative Market link. Behance link. [Google] [More] ⦿

Justsystem Corporation

Designers of Embassy JS (1994), Fraktur JS (1994), JustWabunMark (1996), JustWabunMarkG (1996). [Google] [More] ⦿

Justus Erich Walbaum

Born in 1768 in Steinlah (Braunschweig), Walbaum died in Weimar in 1839 [Jay Rutherford puts his death in 1838]. This German punchcutter and typefounder introduced the modern (i.e., didone) lettershapes. In 1796, he acquires printer Ernst Wilhem Kircher's type foundry in Goslar, and moves it to Weimar in 1803. He runs the foundry until 1836, at which point he sold it to F. A. Brockhaus in Leipzig. In 1918, H. Berthold AG in Berlin gains possession of art of the Walbaum foundry and some of its matrices. Walbaum produced Walbaum Fraktur (1800) but is best known for his didone masterpiece, the Walbaum (1804), aka Walbaum Antiqua and kursiv. Klingspor pins the date at 1800. The early modern metal versions include Walbaum 374 (1933 and 1934, Monotype), and the later ones Walbaum 674 (1957, Monotype) and the Typoart version. Versions and revivlas from the digital age:

Walbaum LT (Linotype). This family has 34 weights.
Walbaum SB and Walbaum SH (Scangraphic).
G.G. Lange's Berthold Walbaum Book is based on the 16 point size of Walbaum's 1804 typeface and has great contrast in stroke weight [see Walbaum Display on the SoftMaker MegaFont XXL CD, 2002]. Berthold released Berthold Walbaum Book in 1975. It is well-suited for body copy, particularly for formal documents that need a contemporary flair, as well as for headlines.
Khunrath's revival called Justus (2008, Open Font Library) has six styles and is free.
Walbaum Text (2002) by Frantisek Storm. Storm also released Walbaum 10 Pro (2010) and Walbaum 2010 Pro (2010), which are extensive (and gorgeous!) didone families, the latter obtained from the former by optical thinning. Storm quips: I only hope that mister Justus Erich won't pull me by the ear when we'll meet on the other side. Advertised as a poster sans family, he also offers Walbaum Grotesk Pro (2011).
Walbaum Antiqua Pro (2013, Ralph M. Unger).
In 2018, Monotype's Carl Crossgrove, Charles Nix, Juan Villanueva and Lynne Yun co-designed Walbaum, a reimagined superfamily with 69 total fonts, in five optical sizes. Monotype writes: Walbaum was meticulously crafted by Monotype's Carl Crossgrove, Charles Nix, and Juan Villanueva to bring Justus Erich Walbaum's high contrast didone style masterpiece to the 21st century. Walbaum has over 600 glyphs with OpenType typographic features like small capitals, old style and lining figures, proportional and tabular figures, fractions and ligatures. Also included in the family are three decorative and ornament fonts.

Walbaum Fraktur (ca. 1800, Berthold) is called W650 Blackletter and Walbaum Fraktur on the SoftMaker MegaFont XXL CD (2002) and DS-Walbaum Fraktur by Delbanco. Softmaker later realeased Walbaum Fraktur No. 2 Pro and Walbaum Zierfraktur Pro. URW also has a version, Walbaum Fraktur, and Linotype's is also called Walbaum Fraktur. See also Scangraphic's Walbaum Fraktur SH and Walbaum Fraktur SB, Dieter Steffmann's Walbaum Fraktur (2002), and Elsner and Flake's EF Walbaum Fraktur.

In 2010, Mallory Wiegers published a couple of insightful posters on Walbaum's modern typefaces.

Linotype link.

MyFonts listing of digitizations of his work. Kernest link. [Google] [MyFonts] [More] ⦿

Jürgen Brinckmann

German graphic designer (b. Aachen, 1960). His designs at FontFont include FF Ophelia Regular (1993, blackletter), FF Madonna Regular (1993, Celtic), FF Lukrezia Regular (1993, Celtic), FF RopsenScript (2001) and FF Humanist Regular, all calligraphic and/or old-text creations. EF Artemisia is a great OSF font at Elsner and Flake. Check also EF Carus (2003) and Justus Fraktur. EF Filzerhand and Graphis EF are ordinary hand-printed typefaces. EF Karolinger has a Celtic feel, and EF Medieva even more so. MyFonts link. [Google] [MyFonts] [More] ⦿

Jürgen F. Schopp

From the University of Tampere, Finland, Jürgen F. Schopp's list of books on typography. He also has a nice page on type classification. For "broken" typefaces (gebrochene Schriften), Schopp proposes this:

Gotisch: e.g., Cloister Black, Engravers Old English, Manuskript-Gotisch, Weiß-Gotisch, Wilhelm-Klingspor-Schrift.
Rundgotisch: e.g., Rhapsody, Weiß-Rundgotisch, Wallau.
Schwabacher: e.g., Alte Schwabacher.
Fraktur: e.g., Kanzlei fett, Neue Luther-Fraktur, Zentenar-Fraktur, Unger-Fraktur, Walbaum-Fraktur.
Frakturvarianten: e.g., American Text.

[Google] [More] ⦿

Jürgen Huber
[Type Department]

K. Anzawa
[Yabuchan]

K. Lehmann

Designer of Lehmann-Fraktur (1919-1920, Schriftguss). [Google] [More] ⦿

K. u. K. Hof-Schriftgiesserei Poppelbaum
[Hartwig Poppelbaum]

Viennese foundry acquired in 1926 by D. Stempel AG (50%) and H. Berthold AG (50%). Designers of Original-Schwabacher (before 1925) and Messe-Gotisch (before 1925). Kurt Liebing made Liebing-Fraktur, also some time before 1925. A small timeline of the company:

1858: Benjamin Krebs dies. His son-in-law Gustav Rosalino, partner in Benjamin Krebs Nachfolger) dies in 1870. That year, the Benjamin Krebs foundry opens an office in Vienna under the lead of Bernhard Alexander Poppelbaum. The firm Poppelbaum & Bossow (with Karl Bossow) is set up in Vienna with five foundry machines.
1880: Karl Bossow dies.
1890: Hartwig Poppelbaum and Karl Gsottschneider, the son and son-in-law of Hermann Poppelbaum become partners in the company.
1892: Hermann Poppelbaum dies.
1903: Compressa (an Inserat typeface family), Reform and Massiv are finished.
1903: The script typeface Ideal is finished.
1904: Publication of Ridingerschrift (a feather / copperplate script for weddings and invitations).
1905: Publication of the work horse typeface Rediviva.
1906: Biedermeier (an Inserat cursive) is finished. Frankfurter Buchschrift (designed by Paul Ed. Lautenbach) follows.
1907: Reklameschrift Komet, and Hohlweinschrift (by Ludwig Hohlwein).
1908: The book typeface Renata-Serie and the Gigantea typeface are published.
1909: Pompadour (an elegant Zirkularschrift after copperplate examples of the era of Louis XVI in France), Merian-Fraktur (after the typeface of Math. Merian used in bibles in the 19th century), the Rohrfederschrift Diavolo, the Rohrfeder-Fraktur are published.
1910: Karl Gsottschneider dies. Hartwig Poppelbaum is now the sole president. Publication of Katalog-Antiqua (a book face), Brunhilde (a Zirkularschrift), Federzug-Antiqua and Epoche.
1912: Opening of a shop in St. Petersburg where Cyrillic fonts are produced. The war brings an end to this project in 1914, and all machines and matrices are destroyed.
1923: The new leaders are Hartwig Poppelbaum Jr. and Dr. Karl Poppelbaum. New weights are added to Epoche and Merina Fraktur. New typefaces include Brentano-Fraktur, Alt-Schwabacher Werkschrift, Latina, Antiqua Firmin-Didot, Kanzlist (sans), Burokrat (sans), Konigin Luise (sans), All Right (sans), Schonbrunn (sans), Ideal-Schreibschrift III (sans), Hartwig-Schrift (by Hartwig Poppelbaum Jr: Hartwig Schrift was digitized by Petra Heidorn in 2005), Hartwig-Werkschrift (by Hartwig Poppelbaum Jr), Xylo, and Phänomen (signage script).
1926 or 1927: The foundry is acquired by D. Stempel AG (50%) and H. Berthold AG (50%).

[Google] [More] ⦿

Kadek Adi Mahardika
[Creative Media Lab]

Kaer
[Roman Korolev]

Roman Korolev (Kaer, Vologda, Russia) designed the wood stick brush typeface WoodStick in 2016.

Typefaces from 2017: OneLine Bold (rounded fat color font).

Typefaces from 2019: Antique Initials (regular and color; with a flower pattern), OneLine Overlap (a color font).

Typefaces from 2020: Pagesso (a lava lamp font), Avery (a monolinear connected sans), Sailem (an inline art deco font), Old Stamp (a fingerprint font), Silvery (a display typeface on the theme of thick and thin), Blueberry Spot, Coffee Chalk (a textured typeface), Allegro (a blueprint type), Northern Monk (beveled), Westland (blackletter), Neon Line, Bronze (art deco, +color, +texture), Shtrih (dry brush), Geoline (sketched, textured), Flowline, Foliageant (floral, curly), Northern Runes (rune emulation), Neon (color font), Parallel Lines, Bronzen Abundance (a display family with textured and color options), Sharp Stroke (a heavy brush typeface), Renaissance Initial, Celtic Spiral, Lace Line.

Typefaces from 2021: Atta Weird (a font for LSD addicts), Three Neon Lines, Dead Saint (a Halloween alphabet), Lockdown Christmas (a dot matrix font), Nordic Folk (a layerable typeface family with Scandinavian texture; plus Nordic Folk Icons), Hewy (a display typeface), Planny (a blueprint font), Sportlight (a speed font), Wesloy (a brush serif font), Carle (a 3d polygonal children's book font; +Shadow, +Colored), Absundo (a playful dual weight font), Wide Plump (a geometric solid typeface), Colton (a condensed boutique serif), Aztec Initials (+a colored version), Adrim (a thin floriated sans), Northern Monk (an inscriptional ustav-inspired typeface), Sogia (a decorative serif).

Typefaces from 2022: Asl Line (an American Sign Language font). [Google] [MyFonts] [More] ⦿

Kaiser Type
[Bertram Kaiser]

Munich, Germany-based designer of the classical antiqua typeface Equipe (2015)---think lively Didot. He also made a series of calligraphic alphabets in his Schriftfamilie project (2015).

In 2019, he released the calligrpahic blackletter font Kaiser Fraktur, which was inspired by original manuscripts of Johann Neudörffer and Leonhard Wagner.

In 2021, he published Pontina (a 6-style ball terminal didone) and the chancery script Humanista , which features a choice of calligraphic swash caps or Zapf-like italic caps (in the Pro version only).

Typefaces from 2022: Triole 21 (a rotunda). [Google] [MyFonts] [More] ⦿

Kajetan Andrzejak

Szczecin, Poland-based student-designer of the blackletter pixel typeface Pixel Gothic (2018). [Google] [More] ⦿

kame Design (was: kametype)
[Joachim Müller-Lancé]

Joachim Müller-Lancé is a German designer (born St. Wendel, Saar, 1961), who was trained in Basel and at the Cooper Union in New York. He had his own studio in Barcelona, where he taught information design at Elisava School. He was lead information designer for Barclays Global Investors in San Francisco for 3 years. Currently, he lives in Umkirch near Freiburg and/or San Francisco. Timeline of his achievements:

1993. His Lancé type family (FF Lancé) won him the coveted Morisawa award in 1993.
His typefaces Flood (brush), Ouch and Shuriken Boy are available from Adobe.
He designed the kanji/Latin typeface Shirokuro, which won two awards at the 1999 Morisawa Awards.
1996. He created an outline face.
1997. He established kametype in 1997. Emodigi site.
2001. In 2001, he started up Typebox with Mike Kohnke. His fonts there include Monodular (2003), Tiny Tim and TX Cortina (1997, an LED style face). At Bukvaraz 2001, he won awards for Nichiyou Daiku, Shuriken, Pesaro and Shirokuro.
2002. He co-designed the dingbat font TXSignal Signifort (Typebox) with eight others.
2006. At AND in 2006, he created the hand signal dingbat font H-AND-S together with Jean-Benoît Lévy, Diana Alisandra Stoen, Sylvestre Lucia and Mike Kohnke.
2011. In 2011, he published Uppercut Angle (Delve Fonts), which was originally developed for the Krav Maga training center of San Francisco. Also at Delve, he (re-)published the futuristic family Cortina in that year. With Ernesto Gonzalez Serros, he co-designed Chato.
2012. With Erik Adigard of MAD Design in Sausalito, he created the rounded octagonal monospace typeface family Oktal Mono (Delve Fonts).
2015. Owlphabet (a decorative caps font).
2015. Fleisch Wolf & Wurst: a fun German expressionist blackletter typeface.
2015. Stenciletta (Delve Fonts).

Linotype link. FontShop link. Klingspor link. Creative market link.

View Joachim Müller-Lanceé's typefaces. [Google] [MyFonts] [More] ⦿

Kampo

Great page that illustrates the various forms of medieval writing. [Google] [More] ⦿

Kanda Euatham
[Becris]

Karat Design
[Ghober Karat]

Karat Designer is either Ghober Karat or Faridh Nugraha (Subang, Indonesia). Creator of the blackletter / metal band typeface Karson (2018). [Google] [More] ⦿

Karl Adam Vollmer

Type designer, b. 1901, Rheindürkheim. He created the blackletter typeface Ulenspiegel (1939, Bauersche Giesserei). [Google] [More] ⦿

Karl Cabuguas

Designer in The Philippines who released the free blackletter font Unknown in 2021. [Google] [More] ⦿

Karl Christoph Traugott Tauchnitz
[Karl Tauchnitz]

Karl Heintzemann

Typographer [unclear when he lived]. His Heintzemann Fraktur is sold in metal form by The Happy Greyhound Type Foundry. [Google] [More] ⦿

Karl Klimsch

Type designer, born in 1867 according to some sources [this must be wrong!]. He created Flinsch-Germanisch (1876, Flinsch), a blackletter face. In 1877, he created some decorative typefaces at Klinkhardt, called Zierschriften. One of his ornamental typefaces from 1869 was revived by Paul Lloyd as the free fonts Saraband Lettering and Saraband Initials (2002). In 1878, he published Zierschriften von Karl Klimsch Band I. Dover republished two books by this author: 2,100 Victorian Monograms (1994), and Florid Victorian Ornament (1977). [Google] [More] ⦿

Karl Matthies

Sometimes written Carl Matthies, b. 1878, d. 1914, Berlin. Schrägschrift type designer: Matthies Kursiv (1912, D. Stempel). [Google] [More] ⦿

Karl May Fehsenfeld

Karl May Fehsenfeld Fraktur, 1870 (digitized by Gerhard Helzel) and Karl May Radebeul Fraktur, 1890 (also digitized by Gerhard Helzel), where named by Helzel in this manner because they were used in the Karl-May-Ausgaben, where they were nameless. [Google] [More] ⦿

Karl Rupprecht

Designer of Buchgotisch (H. Hoffmeister, 1908). We also find Buchgotisch (1908), Buchgotisch Halbfette (1909) and Buchgotisch Fette (1910) at D. Stempel AG. [Google] [More] ⦿

Karl Tauchnitz
[Karl Christoph Traugott Tauchnitz]

Leipzig-based foundry. Karl Tauchnitz (b. 1761, Grossbardau bei Grimma, Germany) set up a print shop in 1797 and a type foundry in 1800. He had studied in Leipzig. To improve the quality and reduce the costs of book production, he introdiced stereotyping in 1816, and received assistance with typefaces from punchcutter Johann Gottfried Schelter. Karl died in 1836.

His son Philipp Tauchnitz (b. 1798) continued the business but declined steadily. In 1865, the printing and typefounding company fell in the hands of Friedrich Ludwig Metzger, who had worked for Tauchnitz. Philipp Tauchnitz died in 1884. He left his considerable holdings, over 41 million marks, to the city of Leipzig.

Reference: Proben aus der Schriftgiesserei von Karl Tauchnitz in Leipzig (1825, Leipzig). [Google] [More] ⦿

Karlgeorg Hoefer

German scribe, type designer and unbelievable calligrapher, b. 1914 in Schlesisch-Drehnow, d. 2000 in Offenbach. Following schooling in Schlesien and Hamburg, he served a four-year typesetting apprenticeship from 1930-1934 in Hamburg and later at the Kunstgewerbeschule (School of Arts and Crafts) in Offenbach am Main. From 1939 until 1945 he was in active military service and became a prisoner of the Russians. After that ordeal, he became a calligraphy teacher at the Werkkunstschule in Offenbach, and developed a universal pen with novel writing and drawing techniques for the company Brause. It is at that point that Hoefer started designing types as well. From 1970 to 1979, Hoefer was a lecturer and later professor at the HfG (School of Design) in Offenbach. From 1981 to 1988, Hoefer ran summer calligraphy workshops in the USA (Los Angeles, San Francisco, Boston, New York, Washington, and other cities). In 1982, Karlgeorg Hoefer founded a calligraphy workshop in Offenbach for everyone, with evening courses and summer school, and in 1987, the registered association "Calligraphy Workshop Klingspor, Offenbach, Supporters of International Calligraphy." From 1987 to 1995, he was the chairman of the association while teaching continuing courses and summer school classes with leading foreign calligraphers. Hoefer has written two books about calligraphy: "Das alles mit einer Feder" (Brause, 1953) and "Kalligraphie, gestaltete Handschrift" (Econ, 1986). Numerous articles about Hoefer's work have appeared in calligraphy journals in Holland, France, the USA, and Japan. In 1989, the book "Schriftkunst/Letterart Karlgeorg Hoefer" was published as part of Calligraphy-Editions Herbert Maring (Die Kalligraphie Edition, Hardheim, Germany, 1989). For his activities as a calligrapher, Hoefer received the Order of Merit of the Federal Republic of Germany in 1993. His typefaces:

At Klingspor: Salto (1952), Saltino (1953), Saltarello (1954), Monsun (1954). Salto is a famous and often-copied brush script.
At D. Stempel: Prima (1957), Zebra (1963-1965, D. Stempel, a script that plays on the simulation of grey and the use of two colors; revived by Colin Kahn in 2007 as P22 Zebra).
At Ludwig&Mayer: Permanent (1962-1969, a large Grotesk family developed over many years---this was revived by Daylight in 2010 as Permanent Massiv; URW sells Permanent Headline URW D without even a word about the original designer; Softmaker has Plakette Serial and P700 sans; Castcraft has OPTI Permanent and OPTI Pinacle; Marcus Sterz published Letterpress Headline in 2009), Stereo (1963, an outline poster headline script developed between 1957 and 1968; digitally revived in 1993 as Stereo (Tobias Frere-Jones, Font Bureau)), Elegance (1964, a handwriting script, which was the basis for Sincerely (2005, Canada Type)), Big Band (1974, a fat poster script revived in 2007 by Nick Curtis as Baby Cakes NF (2007)), Big Band Terrazzo (1974, a glaz krak face), Headline (1964, a poster typeface that emanated from Permanent).
Programm-Grotesk (1970): Hoefer's first digital typeface, commissioned by JT Hellas for the Greek telephone books It was first used in the digital machine Digiset of Dr. Ing. Hell in Kiel.
From 1978 until 1980, Karlgeorg got involved in the development of a German license plate font that could withstand forgery by black marker pens. The typeface, FE Mittelschrift/Engschrift, had also input from other sources.
Lateinischen Ausgangsschrift (1974): a school script for the Linotype phototypesetter. This led later to VA Schrift (Berthold and Linotype).
At Linotype: Omnia (1990, a unicase typeface with a Celtic uncial feel), San Marco (1990, round gothic / Rundgotisch), Notre Dame (1991-1993, a full blackletter face), Dominatrix (1994), Sho (1992, an Asian brush script), Beneta (1992, a French bastarda inspired by the Littera beneventana, the script of the Benedictine scribes from the 10th to the 12th century).

Linotype page. FontShop link.

View Karlgeorg Hoefer's typefaces. [Google] [MyFonts] [More] ⦿

Karl-Johan Sanfer

During his studies at Berghs School of Communication in Stockholm, Sweden, Karl-Johan Sanfer (b. Leksand) designed the blackletter typeface Heredeno (2016), which is based on writings in 17th and 18th century mural paintings from Leksand and around the Dalecarlia county in Sweden. Behance link. [Google] [More] ⦿

Kayla Eldenburg

During her studies in San Diego, CA, Kayla Eldenburg designed a balackletter alphabet (2015), the lava lamp typeface Paisley (2015), and a silhouette font (2016). [Google] [More] ⦿

keith

15-font truetype archive. Includes mostly Fraktur and uncial fonts such as DorovarFLF-Carolus (or: Carolingia), Chaucher, ClerestorySSK, CloisterBlackBT-Regular, Diamond-Gothic, Diploma, EnglishTowne-Normal, FaustusNormal, Gothic-Straight-Faced,-16th-c., OffenbachChancery, OldGondor, Paganini, PR-UncialAltCaps, SchwabenAlt-Bold, Wellsley. [Google] [More] ⦿

Keith Bates
[K-Type]

Kelley Bates

Designer in Toronto, who created Kelmo Sans (2018) and Warehouse (2018: a futuristic blackletter). [Google] [More] ⦿

Kelsey Kub

Charlotte, NC-based designer of the brutalist semi-blackletter typeface Gurl Code (2017). Behance link. [Google] [More] ⦿

Kendrick Kidd
[GARM Company (or: Graphic Artist Resource Merchant Company)]

Ketchup n Mustard
[Jaime Van Wart]

Art director in Los Angeles, who studied at NC State University (class of 2008). Jaime Van Wart was a full-time product and visual designer for IBM's Lotus software group, and designed original typefaces and custom lettering. She created the Victorian typefaces Restoration and Vodarna in 2009. In 2018, she designed the display sans typeface Gipsy, the modulated sans Pacific, the blackletter typeface Eastwatch, and the geometric sans typeface Admiral. [Google] [More] ⦿

Kevin Hayes

Kevin Hayes from LSM Creative in Minneapolis and Chank Diesel created grunge blackletter typefaces called Newcastle (2005, free at Chank).

Kevin King
[Kingthings]

Home page of Khaled Hosny.

Kevin Richey

American designer (b. 1975) of the handwriting fonts Righter (2009), Rudiment (2009), Otto (2009), Little Boxes (2009), Scrawler (2009), Jean Sun Ho (2008), khand (2008), Charlie (2008), Toony (2008, comic book style), Like Cockatoos (2008, curly shaky hand, straight from an Agatha Christie murder novel), Absinthe (2010), Sematary (2010, grotesk), Negative Space (2008), Oh My Goth (2008), Sable (2008), Skinny Drip (2008), Spitter (2008), which can be found at Acidfonts.

Fontspace link, where one can download BrownBagLunch, Charlie, Daubmark, Diskontented, JeanSunHo, JeanSunHoBold, LikeCockatoos, LikeCockatoosBold, LikeCockatoosCondensed, LikeCockatoosItalic, Mostly Mono, NegativeSpace, OhMyGoth, RattyTatty, Righter, RobGraves, Sable, Scrawler, Snake, Spitter, Toony, TypeO, ZippitteyBold, ZippitteyItalic, ZippitteyRegular, khand.

Typefaces made in 2010: Highlight (a sketched face), Absinthe, Sematary (grotesk), West England (pixel), Dotty, Peterbuilt (script).

Another URL. Another URL. Fontsy link. [Google] [More] ⦿

Keystone Type Foundry

Philadelphia-based foundry, 1888-1917. The history of this short-lived foundry was told by James Eckmann in The Keystone Type Foundry, 1888-1917: a reprint [from] Printing&graphic arts, volume VI, number 1, February 1958 (Lunenburg, Vermont: The Stinehour Press, 1958). Their work appeared in Keystone Type Foundry, 1901 (362 pages), Abridged specimen book, type: nickel-alloy on universal line comprising a price list of types, borders, leads and slugs, brass rule, brass galleys; miscellaneous cuts and general supplies for printers (1906, 636 pages, see also here, here and here), A book of Keystone type typefaces (2nd ed., Philadelphia, ca. 1920), Catalogue and specimen book. Keystone products, consisting of type, material, furniture, complete line of miscellaneous supplies for printers and publishers, machinery and wood goods (Philadelphia, ca. 1910), See also Keystone Products Catalogue and Specimen Book, Consisting of Type, Material, Furniture, Complete Line of Miscellaneous Supplies for Printers and Publishers, Machinery and Wood Goods (1915).

Typefaces: Admiral, Ayer (Mac McGrew: Ayer was introduced by Keystone Type Foundry in 1909, which said it was "named for F. Wayland Ayer, founder of Keystone Type Foundry and the great advertising agency which bears his name." The non-kerning italic was added in 1910.), Ben Franklin, Ben Franklin Condensed, Ben Franklin Open, Bulletin, Caslon Adbold, Caslon Adbold Extended, Caslon Adbold Extra Condensed, Caslon Bold, Caslon Bold Condensed, Caslon Bold Extended, Caslon Bold Italic, Caslon Lightface, Caslon Lightface Condensed, Caslon Lightface Italic, Caslon Title Extended, Charcoal, Charter Oak (1899), Compressed Gothic, Condensed Lining Gothic, Crayonette, Elite Typewriter, Gothic Condensed No. 3, Gothic No. 102, Gothic No. 114, Harris Italic (1910), Harris Roman (1909), Herculean Gothic, Italia Condensed (1906), John Alden Decorative Initials (1906), John Hancock, John Hancock Condensed, John Hancock Extended, John Hancock Outline, Keystone Gothic, Laureate (1906: revived in 2012 by Isabel Urbina), Lining Antique [Keystone], London Gothic (1910 or earlier), New Model Remington Typewriter, Outline, Outline Condensed, Remington, Remington Typewriter, Round Gothic (1884), Skeleton Lining Gothic, Skeleton Lining Gothic No. 19, Smith Premier, Title Gothic [Title Gothic No. 9, Condensed Title Gothic No. 11], Venezia, Washington Text (1902, blackletter), Washington Text Shaded.

Digital pictures I took from the Specimen Book of Type (1903): Bulletin, Keystone Bikes, Boldface Cellini, Crayonette Open, Keystone Cyclers, Encore, Lining Antique, Lining Gothic, Outing Initials, Remington Typewriter, Remus, Ronde Initials, Salem (a wedge serif revived in 2021 by Latinotype as Osbourne), Venezia, Victoria Italic, Worcester. Catalog A-C, Catalog C-P, Catalog P-Z.

Digitizations:

Miletus Grotesk (2021, Mario Feliciano) revisits Standard Gothic (1906).
The slab serif John Hancock (ca. 1903) and condensed slab serif John Hancock Condensed (ca. 1917, Lanston Monotype) were digitized as Hancock RR (1994) and Hancock Pro (2017) by Steve Jackaman (Red Rooster).
The Remington typewriter typefaces (ca. 1905) were digitized as Secret Service Typewriter RR (2002) by Steve Jackaman (Red Rooster).
Roman TyresRR (1997) was made by Steve Jackaman (Red Rooster).
Poor Richard RR is based on a Keystone design from 1919, namely Ben Franklin, Ben Franklin Condensed, Ben Franklin Open (named after Benjamin Franklin's "Poor Richard Almanack"). There is also a free font Poor Richard (1994, Projective Solutions).
Jeff Levine's Keyden Drop Caps JNL (2021) is a set of slab serif framed capitals based on John Alden Initials, shown in the 1906 edition of the Keystone Type Foundry specimen book.
Caslon FB (1992, Font Bureau) comes with this text: Our familiar Caslon Bold headletters were invented around the turn of the twentieth century in the United States and were only loosely based on William Caslons romans. The best of the Caslon Bolds originated at the Keystone Type Foundry of Philadelphia, whose Caslon Bold Condensed appeared about 1905, probably drawn by R.F. Burfeind. Jill Pichotta revised his Bold Condensed&drew the Bold Extra Condensed.
Gibbs Mason designed the art nouveau typeface Vanden Houten (1904) at Keystone. This typeface was remade by Dan X. Solo as Dutch Treat at Solotype.
Emerge BF (2009, John Bomparte) is a flare serif typeface that was inspired by Admiral, c.1900.
Old Softy NF (2010, Nick Curtis) is a soft round typeface based on Round Gothic (1884).
Charter Oak is similar to Royal Gothic (Stevens Shanks & Sons). For a digital revival, see Gothic Grotesk JNL (2020, Jeff Levine) or OPTI Charter Oak (by Castcraft).

Comments by Mac McGrew:

On Harris Roman: Harris Roman was announced by Keystone Type Foundry in 1909. It was "named in honor of the late Joel Chandler Harris, author of Uncle Remus." It is a plain modernized roman, somewhat similar to Century Expanded. In 1910 Harris Italic was added; it was designed to be cast without kerns. Advertising claimed, "Non-kerning italics will save endless annoyances and losses resulting from broken letters, and the purchase price is the same as any other type of our make."
On Charter Oak: Charter Oak is a heavy, inclined gothic introduced by Keystone in 1899. There is a fair amount of contrast, and round letters are flat sided or nearly so. London Gothic (q.v.) was a comparable upright face, and Royal Gothic of the 1880s from another foundry is quite similar. Compare Doric Italic.
On London Gothic: London Gothic was issued by Keystone Type Foundry in 1910 or earlier, but is virtually a duplicate of Royal Gothic, shown by Marder, Luse&Co. in 1887. It is similar to the same founder's Charter Oak series, but upright. Although the italic typeface survived Keystone's acquisition by ATF in 1919. London Gothic does not appear to have done so. See Charter Oak.

[Google] [More] ⦿

Khaled Hosny
[Khaled Hosny]

Khaled Hosny is a physician in Egypt. He loves Arabic and its type, and is interested in every aspect of letter forms and typography. A hobbyist translator, programmer and font developer, he supports software freedom and is actively participating in the free software community. Sourceforge link.

Designer of Punk Nova (2010), a free OpenType implementation of Don Knuth's Punk font, based on modified Metapost sources by Taco Hoekwater and Hans Hagan, dating from 2008. Hosny writes: Punk is a dynamic font, every time a glyph is requested Matafont draws a unique instance of it. On the other hand, OpenType is static, glyph outlines are drawn once and stored in the font and the renderer can not alter those outlines. To emulate the dynamic nature of Punk, we generate several alternate shapes of each glyph and store them in the font. Alternate shapes are mapped to the base character using OpenType [Randomize] feature (rand), which tells the renderer to select glyphs randomly from the list of alternate shapes. Pick up the free Punk Nova from CTAN or Open Font Library.

XITS (2011) is a Times-like typeface for mathematical and scientific publishing, based on STIX fonts. The main mission of XITS is to provide a version of STIX fonts enriched with the OpenType MATH extension, making it suitable for high quality mathematic typesetting with OpenType MATH capable layout systems, like MS Office 2007 and the new TeX engines XeTeX and LuaTeX. This free OFL package was developed by Khaled Hosny. Inside the fonts, we read Copyright (c) 2001-2010 by the STI Pub Companies, consisting of the American Chemical Society, the American Institute of Physics, the American Mathematical Society, the American Physical Society, Elsevier, Inc., and The Institute of Electrical and Electronic Engineers, Inc. Portions copyright (c) 1998-2003 by MicroPress, Inc. Portions copyright (c) 1990 by Elsevier, Inc.

Euler OTF (2010) are OpenType Math fonts based on Hermann Zapf's Euler and implemented by Taco Hoekwater, Hans Hagen, and Khaled Hosny. Named Neo-Euler (2009-2010), it covers Latin, Greek and has a full blackletter set of glyphs. Copyright Hosny and the American Mathematical Society. Open Font Library link.

In 2010-2011, Hosny developed the free Amiri font (OFL; dedicated web page): Amiri font is an open font revival of the Arabic Naskh typeface designed and first used by Bulaq Press in Cairo (also known as Amiria Press) in the early part of the twentieth century. Amiri's uniqueness comes from its superb balance between the beauty of Naskh calligraphy and the requirements of elegant typography. Amiri is most suitable for running text and book printing. See also CTAN, Google Web Fonts, and at OFL. Dedicated web page.

In 2015, he created the free calligraphic Arabic typeface (in Ruqaa style) Aref Ruqaa. The Latin part is based on AMS Euler. Google Fonts link.

In 2015, Khaled Hosny and Santiago Orozco cooperated on the Latin / Arabic typeface Reem Kufi. Github link. Khaled, who designed the Arabic part, explains: Reem Kufi is a Fatimid-style decorative Kufic typeface, as seen in the historical mosques of Cairo. It is largely based on the Kufic designs of the late master of Arabic calligraphy, Mohammed Abdul Qadir, who revived this art in the 20th century and formalized its rules.

In 2016, Khaled Hosny designed Mada (Google Fonts), a modernist, unmodulated Arabic typeface inspired by road signage seen around Cairo, Egypt. The Latin component is a slightly modified version of Source Sans Pro, led by Paul Hunt at Adobe Type.

Khaled Hosny contributed to and maintained the free Libertinus font package between 2012 and 2020.

In 2021, Hosny released Qahiri at Google Fonts and Github. Qahiri is a Kufic ypeface based on the modernized and regularized old manuscript Kufic calligraphy style of the late master of Arabic calligraphy, Mohammad Abdul Qadir.

Github link. [Google] [More] ⦿

Khaled Hosny
[Khaled Hosny]

Khusunun Irawan
[Typotopia Studio]

Kimera Type (was: Diseño Kimera)
[Gabriel Martinez Meave]

Kimera Type (was: Diseño Kimera) is a commercial Mexican design firm founded in 1994 by Gabriel Martinez Meave (b. Mexico City, 1972), who is by far Mexico's most prolific and talented type designer. The only freebie is Presidencia at the Mexican Government site.

Meave.org deals with illustrations and other occult arts. Behance link. Speaker at ATypI 2009 in Mexico City. Interview. Some of his early typefaces were published at Tiypo. Diseño Kimera has made numerous custom fonts for Mexican clients. His typefaces:

Arcana (2000, +Manuscript) won an award at Bukvaraz in 2001. The script font Arcana was traced out with a pointed metal quill and then digitized to give it a thoroughly 19th century look. It won an award at TDC 2000.
In 2006, he made the powerful serif typeface Artifex.
Aztlan (1998) is a fun artsy slab serif.
Basilica (1999, +Rotunda) is an extra-condensed experimental font based on a modern high-contrast design. Award winner at TDC2.
Comanda (handwritten).
Darka (2005) is a roman blackletter face. This typeface won an award at TDC2 2006.
Economista is a text typeface created for the Mexican business newspaper El Economista.
Ferra Sabs, commisioned by the department stores El Palacio de Hierro.
Fulgora. Inspired by late-medieval Basarda and Civilité blackletter styles, the Kannada and Sinhala writing systems from Southern India, Celtic uncials, and diverse vernacular Mexican scripts, it includes a Black and a Negra style. Released by Sudtipos in 2019.
Indio (handwriting). Commissioned for a beer ad.
Integra: a contemporary roman sans family. It was republished by Sudtipos in 2019.
Jumex Sans (2012). Custom font for a fruit juice advertising campaign.
For Lagarto (2001) is based on the hand of Luis Lagarto, a colonial illuminator and scribe, working in Mexico City and Puebla in the late 1500s. It won an award at Bukvaraz 2011 and an Award of Excellence at the Type Directors Club of New York annual competition.
Liverpool Sans (2015). A corporate avant garde sans family of fonts for Liverpool, a Mexican chain of department stores.
Mexica (1996) is a large octagonal font family created to set text in náhuatl, the tongue of the Aztecs, but also the lingua franca of ancient Mexico. Mexica received an Award of Excellence at the Type Directors Club of New York annual competition. It was republished by Sudtipos in 2019.
Mystix is a rune font based on a secret alphabet for a Delaware Punch promotional program.
Neocodex (1996) is an organic family.
At Adobe he designed Organica (2000), a display semiserif. That typeface family was republished in 2021 by Sudtipos as Organica Pro.
Pearson Calligraphic (1999).
Presidencia (2008, free at the Mexican Government site) won an award at TDC2 2008 and at Tipos Latinos 2008 (for extensive text family). He writes about Presidencia Sans: Inspired by Toltec and Aztec architecture, the letterforms of Presidencia follow a humanist sans-serif scheme that combines Mexican character with Latin structure. This grand family was commissioned by the Mexican Federal Government, to suit its new identity program, impeccably designed by Mexican firm Ideograma. The type family comprises twenty variants, to cover a full spectrum of possibilities, from official documents to corporate signage, billboards and nation-wide campaigns in all media.
Puuc, according to Meave, was inspired by the Mayan puuc style of modular architecture.
Rondana (2002) is a rounded character family in the style of VAG Round. It was republished by Sudtipos in 2019, which writes that Rondana is a typographic tribute to the retro-futuristic aesthetics of the 1960s and 70s, as well as an exercise in purity of line.
Sol and Solida. Sol was made for a beer ad.
In 2011, he created the Telcel Sans family, which was commissioned by Mexico's main telecommunications company for use in corporate communication, advertising and printed matter, as well as billboards, television and many other visual media. It won an award at Tipos Latinos 2012.
Tlatoani Sans won an award at Tipos Latinos 2010.
Tolteca.
Wordless Script (2019, at Sudtipos). A penmanship script with weathered outlines. Sudtipos writes: Wordless Script is the font of choice for writing those things that go beyond words. Based on the connected-scripts of the late 18th-century England, this typeface preserves the irregular finish and stroke gestures of the pointed nib. It is, so to speak, a personal rendition of the English roundhand as originally executed with the bird's quill. Imbued with a rococo, neoclassic, romantic spirit, Wordless Script radiates the gallantry of a time when the celebrated douceur de vivre that Talleyrand was so fond of was still alive and well; echoes of which still haunt us in our eclectic 21st-century, that now has once again come to appreciate again these magnificent styles of old. Wordless Script [...] is meant to be read with the eyes only or to be whispered into someone's ear.

Klingspor link. Behance link. Old Kimera type link. [Google] [MyFonts] [More] ⦿

Kinema Moon Graphics
[Yuichi Nakagawa]

Kinema Moon Graphics has Yuichi Nakagawa's fonts. Some free fonts: Betulehem, Fude (2008, handwriting), Fushi, Fuu, GolgothaObliqueE, GolgothaObliqueJ, Golgotha, HOSHI, Hane, InKanji, In, Ishi, Ito, KADOkaku, KADOmaru, Kakato, KATACHI, Kodama, Koto, Looper, Mizu, Moleculemodel, Namida, OTOchouha, OTOtanpa, Sakura, Shiziku, Sinobi, Sora, Sputnik (1998), Take, TenRegularE, Tsuno (gothic), Tsuta, V2, Yoru. Commercial fonts: Toge (2007-2008, gothic), Yari (2008, a pointy blackletter), Some of its commercial fonts are sold through Font Pavilion. Check here for the very nice medieval Spanish-look font Ibara (Roman and Japanese versions). In Font Pavilion 12 (2000), we find SORA-RegularE and SORA-RegularJ. [Google] [More] ⦿

Kingthings
[Kevin King]

Keven King (Kingthings) is the British designer (born in Kent in 1959, educated at the Graphic Design College in Exeter/Devon, and based in Exeter) of these fonts, many of which have Celtic influences. His typefaces:

2002: Kingthings-Gothique (oranmental face), Kingthings-Hand, Kingthings-Hand-Light, Kingthings-Organica, Kingthings-Petrock, Kingthings-Petrock-Light, Kingthings-Xander, Kingthings-Xander-Outline.
2003: Kingthings-Calligraphica, Kingthings-Calligraphica-Italic, Kingthings-Calligraphica-Light, Kingthings-Chimaera, Kingthings Flashbang, Kingthings Flourishes (Arabic simulation face), Kingthings-Italique (blackletter), Kingthings-Kelltika---Kevin-King.-2003 (fantastic Celtic style caps face), Kingthings-Sans, Kingthings-Whizzbang, Kingthings-Xander-Outline.
2004: Kingthings Linear K, Kingthings Pique'n'meex, Kingthings-Annex (started in 1981: ornamented letters), Kingthings-Printingkit (old typewriter), Kingthings-Spike (blackletter), Kingthings-Typewriter (old typewriter), Kingthings Versalis, Kingthings Wrote, Kingthings-Xstitch. Some fonts have calligraphic/medieval or Celtic influences.
2005: Kingthings Poppalok (ornamental dot matrix face), Kingthings Embroidery, Kingthings Spikeless, a blackletter face.
2006: Kingthings Petrock, KingthingsChristmas (ornamental).
2007: Kingthings Willow (great ornamental face; a commercial Pro version exists at CheapProFonts), Kingthings Willowless, Kingthings Exeter, Kingthings Extortion (ransom note face), Kingthings Facetype, Kingthings Lupine (the Pro version was done in 2009 at CheapProFonts), Kingthings Lupineless.
2008: Kingthings Wrecktangle (piano key font), KingthingsSerifique, Kingthings Clarity, Kingthings Gutenberg, Kingthings-Conundrum (oriental simulation face: the Pro version follows in 2012), Kingthings-Eggypeg, Kingthings-Inkydinky, Kingthings-Knobson, Kingthings-Spirogyra, Kingthings Bloone, Kingthings Tendrylle, Kingthings Foundation.
2009: Kingthings Slippery Lips, Kinthings Spike Pro (blackletter, commercialized by Cheap Pro Fonts).
2010: Kingthings Lickorishe, Kingthings Scrybbledot.
2011: Kingthings Scrybbledots Pro and Kingthings Scrybble Pro (sketch typefaces).
2012: Kingthings Frontwards, Kingthings Sans, Kingthings Kurllie (curly Victorian caps).

Alternate URL. Cheap Pro Fonts catalog. Klingspor link. Fontspace link. Abstract Fonts link. [Google] [MyFonts] [More] ⦿

Kiosk Fonts
[Frank Grießhammer]

Kiosk Fonts (Berlin) was founded in 2008 by Frank Griesshammer (b. 1983, Nuremberg, Germany), a graduate of HBKsaar in Saarbrücken (2008) and of the Masters program in type design at KABK (2010). His graduation project in Den Haag involved the multi-pen typeface Quixo (2010), which seems to be have just the right flexibility for packaging and ads. Frank lived in Den Haag, but joined Adobe's type department in 2011.

His alphabets from 2008: Fleischwurst Fett (blackletter), Drückerei (grunge by Haiko Günther), Sommerfest, Rex Mundi (by Haiko Günther), PX Barok (a stitching and needle typeface), Ghana Signpainters Divine Healer (by Haiko Günther), Pappe (randomized cut-out face), Wüste Fraktale (a pixel blackletter by Haiko Günther), A4, Ghana Signpainters Safari (by Haiko Günther), Ghana Signpainters Cocktail (comic book and ad style by Haiko Günther), Format, Black Frituur (blackletter by Haiko Günther), Monaural (geometric), Steelcut (based on Woodcut; by Haiko Günther), Coswig, Roundenau (very rounded).

In 2009, he did revivals of Memphis (original by Rudolf Wolf, 1929) and Stempel Elan (original by Hans Möhring, 1936). The latter typeface was published by Linotype.

In 2013, he made HWT Tuscan Extended (Hamilton Wood Type). Hamilton Wood Type explains: It is based on the 1872 William Page & Co. version, while also bearing a very close resemblance to the Morgans & Wilcox Tuscan Extended and No. 2106 from Tubbs Manufacturing Co. It is similar to the Heber Wells Tuscan Extended. All four manufacturers were eventually acquired by Hamilton. The Hamilton designation for this design was simply No. 303. The National Printers' Material Co. of New York also offered a similar Tuscan Extended.

FontShop published his school project font Quixo as FF Quixo in 2013. Quixo won an award at TDC 2014.

In 2014, Frank designed the free Source Serif typeface family at Adobe, to accompany Paul Hunt's Source Sans Pro (2012). It is a transitional family influenced by Perre Simon Fournier's styles from 1742. Google Web Fonts download link. CTAN download. He designed the Latin, Greek, and Cyrillic glyphs that are included with Source Han Serif (2017). In 2021, Frank Griesshammer updated Source Serif. This new version of Source Serif supports six weights and five optical sizes, both in static and variable formats. Design changes were made from the original Source Serif Pro.

At Adobe, he participated in Adobe Handwriting (based on the handwriting of Frank Grießhammer, Ernest March and Tiffany de Sousa Wardle).

Speaker at ATypI 2011 in Reykjavik. Speaker at ATypI 2013 in Amsterdam where he spoke on a renewed effort at Adobe with respect to kerning.

In 2019, Colophon and Frank Griesshammer released DM Serif Display and DM Serif Text at Google Fonts. Based on Adobe Serif Pro (by Frank Griesshammer), it is a high-contrast transitional typeface with only one weight. Github link.

Klingspor link. Old URL. Old home page. [Google] [MyFonts] [More] ⦿

Kirby Lee Gosnell
[Callifonts]

Kirstin Huber

Graphic designer in Brooklyn, NY, and associate partner of Paula Scher at Pentagram. At Type Cooper 2021, she developed the playful blackletter typeface Regina. [Google] [More] ⦿

Kirthan Vasu

Indian designer of the blackletter typeface Kirthan (1991). [Google] [More] ⦿

Kix
[Christoph Windmueller]

German designer in Recklinghausen, Germany of First Strike (2008, FontStruct) and First Strike Spaced, a grid-overlay of First Strike. Other FontStruct fonts from 2008: Aria Penci Roman (sketched font), Canned Heat (dingbats), Guttermouth (slab serif), Guttermouth Spaced (dashed version), Guttermouth Bold, Bloc Party Outline Shadowed, BabyBaby (toy blocks), Possibly Winged Polepieces, Skylines, Canned Heat, Simplicity, Stadium, Brussels (inspired by the Atomium), Cardboarder (nice 3d face), Crazytown (a Western font, an hommage to Maurice de Bevere, creator of Lucky Luke, 1923-2001), Itallica, Orica*cut, Orica, Pavement, Moduli, Tinka, Tinka Filled, Moduli, Loreylane, FS United One, (gorgeous sketched letters), babybaby, bellevue, bloc-party-outline-shaded, brussels-contourized, elceedee, eurofiction, horrorhouse, plenum, scratch-me-if-you-can, simplicity, skylines, sophia---superlight (hairline), stadium, werkshalle (Ferrari lettering font?), schachmatt (stitching font).

In 2009, he added Terence Kill (blackletter), Cellophone, Amanerd (texture face), Drenama, Poster Classic, Midnight Diner, Sunburst, Signo, Multiverse (Basic, Striped, Alaska, Couch), Pointless Task, Broadway (dotted outline), Mostly, Terence Kill (blackletter), Pole Position (dot matrix), Antares 37 (Startrek font), Figure Collection Part 1 (dingbats), and College Pornmag.

In 2010, he made Motown Motel, Olympic Spirit (dot matrix outlined), Cyclobe Pro (octagonal), Gappy, Burtonesque.

In 2011, he FontStructed the gorgeous typeface Vuvuzela, Dance (dancing men), and Zapotek (elliptical face), Asgardian, Legendary (eleven movie stars).

In 2012, he created CMND (outline face) and Equinoxe.

In 2013, Christoph made the crayon font Grungarian and Histamic.

Typefaces from 2014: FS Dark Shogun, FS Galaxy Epsilon (3d font), FS Tigerwood (striped font), FS Orica Stencil, FS Moduli, FS Underworld (blackletter), FS Pointless Task (dot matrix font), FS Horrorhouse, FS Werkshalle (one of my favorite fonts in this collection), FS Brussels (connect-the-dots typeface inspired by the Atomium), FS Skylines, FS Signo, FGS Orica, FS Plenum, FSAntares37, FS Old Brewhouse, FS Commander.

Klaas van Leeuwen

Dutch artist and furniture designer, b. Harlingen, 1867, d. Bennebroek, 1935. Author of the compass-and-ruler lettering book Letterboek voor den teekenaar en ambachtsman (1907, G. Schreuders, Amsterdam). One of the alphabets in that book was digitally revived by Marlon Ilg in 2021 as Grid Fraktur. [Google] [More] ⦿

Klaus Burkhardt

All 25 Fraktur fonts here were digitized by Klaus Burkhardt. After his death, his son Klemens was distributing the fonts. The typefaces: Altenburger Gotisch, Balmung, Fette Bernhard, Behrens-Schrift, Trump Deutsch, Hupp Fraktur (1999), Hans-Sachs-Gotisch, Kleukens, Hartwig (1999), Sinkwitz Gotisch, Sinkwitz Regular, CoellnCurrent, Deutsche Kanzlei, Enge Münchner Fraktur, Grosse Gotisch, Hotterfont, Jean-Paul-Schrift (a revival of a fraktur by Breitkopf of the 1790s, done in 1999), Scherenschnitt (2003), Klaus-Fraktur, Nuernberger, Barlösius (1999), KühneSchrift (2000), Walthari, Lautenbach, Leibniz Fraktur (1912, Genzsch&Heise; revived in 2003 by Petra Heidorn, in 2012 by Ralph M. Unger and in 2016 by Softmaker as Leibniz Fraktur Pro), Lyrisch Fraktur, Eckmann, Deutsche Kursiv, Peter-Jessen-Schrift, Romantisch, Rhapsodie. Other typefaces: Funny Type, Civilité, Fette Ella Kursiv, Ginkgo Schrift, Grossmütter Schreibschrift, Regenmettel, Sütterlin (2000, after the original by Ludwig Sütterlin, 1914; see DS-Sütterlin by Delbanco), Krimhilde, Kalligraf, Boutique. There was a nice sub-page with beer capsules featuring Fraktur lettering. [Google] [More] ⦿

Klaus Johansen
[Listemageren Fontarkiv]

Klaus-Peter Schaeffel
[KPS Fonts]

KLIM (or: Klim Type Foundry)
[Kris Sowersby]

KLIM is a type and graphic design studio run by Wellington, New Zealand-based designer Kris Sowersby, now affiliated with Village. Interview. Behance link. Klingspor link. Views on engineered geometry. His creations:
Retail

Feijoa (2007, a serif family for text, Village).
National (2007, a sans serif family, Village). This type family won an award at TDC2 2008. Duncan Forbes: National is slightly mannered, which becomes more apparent in the heavier weights yet it still remains simple, subtle and serious. [...] It has a human charm that gives such warmth and learned beauty to text.
FF Meta Serif (2007, Serif counterpart of FF Meta, with Erik Spiekermann and Christian Schwartz).
Galaxie Copernicus (2009) is a large x-height serif family done at Village in cooperation with Chester Jenkins. It was inspired (from very far) by Plantin's types. Another outgrowth of Plantin is Tiempos (2018), in Fine, Headline and Text subfamilies, which has both Times New Roman and Copernicus Galaxie as its parents.
Domaine Text and Display, in 48 styles (2013). Wedge serif on a didone skeleton. The Domaine Sans Display and Domaine Sans Fine subfamilies are exquisite fashion mag typefaces.
Founders Grotesk (2010). Roughly based on Miller&Richard Grotesque (No. 4, No. 7, No. 3), from a 1912 Miller&Richard specimen book. The proportions are just right---I will place my bets on this one for several best of 2010 award lists. The Condensed and X-Condensed are from 2011, and Founders Grotesk Text was published in 2013. Founders Grotesk Mono followed in 2014.
Metric (2011). A sans family with hints of art deco in the heavier weights. It is paired with Calibre (2011). Sowersby writes: Metric&Calibre are a pair of typefaces that share a fundamental geometry yet differ in the finish of key letterforms. Metric is a geometric humanist, sired by West Berlin street signs. Calibre is a geometric neo-grotesque, inspired by the rationality of Aldo Novarese's seldom seen Recta. They were conceived as a pair but function independently of each other. In a clever twist, Metric offers vertical stroke endings and Calibre horizontal ones in a selected number of glyphs.
Tiempos Text and Tiempos Headline (2010). Named for Times New Roman, this type has influences from the Egyptian Galaxie Copernicus, which is based on Plantin, as well as from Times New Roman.
FF Unit Slab (2007, with Erik Spiekermann and Christian Schwartz).
Newzald (2007), an economical text serif based on rough lettering found in New Zealand. Review of Newzald at Typographica.

Custom

Pitch (2011). A typewriter face.
Hardys (2008), an elegant serif typeface custom designed for Australia's Constellation Wines. Hardys won an award at TDC2 2009. Hardys reviewed at Typographica.
Serrano (2008): a sans family designed for the Bank of New Zealand. It will be available for licensing starting in October 2013. In addition, it won an award at TDC2 2009.
Eliza (2003).
NZ Rugby Chisel (2006, The All Blacks Typeface).
Hokotohu (2007, a typeface for the Moriori).
Victoria Sans and Serif (2007, custom typefaces for Victoria University).
Methven Flow.
Rewards (2006). A serif family designed with Chester Jenkins for American Express.
Financier (2014). A corporate typeface done for Financial Times.
The blackletter pixel font Pixel Fraktur (2002).
The pixel script font Nobody came to class (2003).
Pixel uncial (2003).
Luca Titling (2003, an ancient roman titling typeface based on inscriptions from 1590).
Mono, Mono Pre (2003).
Kilbernie Sans (2003), Kilbirnie Serif (2004).
Klim Sans (2004).
A Slabb (2004, a slab serif), Slabb (nice slab version of Klim Sans).
Karv (2005, alternative for Trajan), Karv Sans.
National Condensed and National Compressed (2007).
Aperture (2007), a sans for small sizes.
Valencia (2007), a warm didone.
Salamanca (2005).
Sevilo (2005).
Zinc (2005).
Elegantia (2005, based on Polyphilus).
Karbon, Karbon Serif (2006: raves from the typophiles!). Karbon is an open, geometric sans serif with a contemporary spartan finish. It is an exploration of Paul Renner's reductionist Futura concept channelled through the proportions of Eric Gill's eponymous sans, with a slight nod towards Jan Tschichold's Uhertype sans-serif. Includes seven weights in roman and italic.
The Italian (negative stress) typeface Maelstrom (2018). Review by Bethany Heck.
In 2015, the custom octagonal typeface Pure Pakati was developed at Whybin TBWA Auckland for Tourism New Zealand. Its design team comprised Philip Kelly (design director), Karl Wixon (Maori design consultant), Kris Sowersby (type designer) and Rangi Kipa (Maori carver). Pure Pakati blends the traditions of wood type with the traditional indigenous carving style of Aotearoa (New Zealand) in a hand-carved and digital fonts. It won an Nga Aho Award from the Designers Institute of New Zealand and Nga Aho Inc in 2015.
Domaine Sans (2014, with Dave Foster) won an award in the TDC 2015 Type Design competition.
Stern Metric (2011).
The monospaced / typewriter typeface family Pitch Sans (2018).
Geograph (2017-2018) was designed by Kris Sowersby and engineered by Noe Blanco. Panos Haratzopoulos designed Greek versions. The Geograph fonts are currently licensed for the exclusive use of National Geographic. It is a comprehensive replacement of several typefaces that National Geographic had been using such as Verlag and Neue Haas Grotesk. Free download.
Heldane (Text, Display) (2018), designed by Kris Sowersby and engineered by Noe Blanco: Heldane is a contemporary serif family inspired by the renaissance works of Hendrik van den Keere, Claude Garamont, Robert Granjon and Simon de Colines. Rather than emulating a specific font, Heldane amalgamates the best details from these sources into a cohesive whole. The classical typographic foundations of Heldane are refined with rigorous digital drawing. I consider Heldane a third generation garalde typeface drawn from secondary sources. The first generation are 16th century works from the likes of Van den Keere, Garamont, Granjon and De Colines. The second generation are 20th century conscious metal revivals. By conscious, I mean the concerted effort to revive a specific style, whether the source was accurate---like Stempel Garamond; or not---like American Type Foundry Garamond No.3. The third generation are those made since 1955, after the re-discovery of the Plantin-Moretus archives and subsequent scholarship. These are types like Sabon, Galliard, Adobe Garamond and Renard. The designers of these faces skilfully exploit modern scholarship, disambiguation of punchcutters, and trace accurate lines to their primary sources. Heldane won an award at the Type Directors Club's Type Design Competition 2019.
The Future Mono (2018). A superb take on Futura, which Kris describes as follows: Imagine if Paul Renner moved to Japan and Kyota Sugimoto asked him to adapt Futura to a typewriter. A mono version of Futura thanks to a great plastic surgeon. the Future Mono v0.2 was released at Future Fonts in 2020.
Soehne or Söhne (2019). Superlatives fail me. This complete sans family in Normal, Mono, Schmal, and Breit subfamilies is described by Sowersby as follows: Söhne is the memory of Akzidenz-Grotesk framed through the reality of Helvetica. It captures the analogue materiality of Standard Medium used in Unimark's legendary wayfinding system for the NYC Subway.. Engineered by Noe Blanco, and with help from Dave Foster and Tim Kelleher.
Signifier (2019). A digital remake of the Fell types. Sowersby calls his own attempt brutalist. The outcome is sharp-edged and very much 21st century stuff.
Manuka (2019-2021, by Dave Foster and Noe Blanco). Award winner at 25 TDC in 2022. Compressed typefaces for large sizes. Described by Klim Type: With deviant details pilfered from Teutonic timber type, Manuka grafts a contemporary antipodean aesthetic onto 19th century German root-stock. Tight spacing, closed apertures and sharp joins make a compelling texture, like sunlight sparkling through a forest canopy.
Untitled Sans and Untitled Serif (2020). Klim writes that they are quotidian typefaces: Untitled Sans is a plain, neogrotesk sans validated by the ideas of Jasper Morrison and Naoto Fukasawa's Super Normal project. Untitled Serif is drawn from the old-style genre of typefaces: the post-Caslon, pre-Times workhorses offered by almost every metal type foundry of the time. Untitled Sans and Untitled Serif are related neither by skeleton nor a traditional aesthetic connection, but by concept only.
Epicene Text & Display (2021, by Dave Foster and Noe Blanco). Award winner at 25 TDC in 2022. These are baroque typeface families inspired by the work of 18th century masters J-F. Rosart and J.M. Fleischmann. AIGA describes the result as a baroque typeface celebrating ornamental idiosyncracy.

In 2020, he started writing the text The Art of Letters. [Google] [MyFonts] [More] ⦿

KODEKS
[Sebastian Kempgen]

KODEKS is the German slavistics server run by Professor Sebastian Kempgen from the University of Bamberg. Kempgen's fonts include

Eckige Glagolica and Runde Glagolica, both for Glagolitic.
The mediaeval Cyrillic face Preslav.
Kliment (2005). For old church slavonic, covering all of these: Altkirchenslawisch, Altrussisch, Altbulgarisch, Altserbisch, Old Russian, Old Bulgarian, OCS, Old Serbian). It can be downloaded here and here.
Kiril, RomanCyrillicStd (2003) and CampusRomanStd (2008) are free fonts designed for slavic language specialists. The latter two fonts are quite complete and unicode-compliant since 2007. RomanCyrillic Std has more than 4,400 characters as of 2020, and supports Unicode 12 (2019) and 13 (2020). It covers monotonic and polytonic Greek, Cyrillic with all historic variants, Soviet additions to the Cyrillic Alphabet (Kazakh, etc.), IPA phonetic characters and much more.
The BukyVede font (2008), which is used by the journal "Polata knigopisnaja" (Mario Capaldo and William R. Veder, eds.), published by William R. Veder&Michael Bakker, Slavisch Seminarium, Amsterdam. It is based on CyrillicaOhrid and GlagolicaBulgarian (with additions from Rumen Lazov), and adapted to Unicode 5.1, and enhanced by William R. Veder, Chicago. Final touches, additional characters and font generation by Sebastian Kempgen.
Method Std is the Unicode 5.1 version of the Method font series originally created by the author, Sebastian Kempgen, in the 1980's. The blueprint for this font is the classic printing type devised by slavists and used in learned editions of Old Church Slavonic texts.
Via MacCampus, which he seems to run, he published Breitkopf Fraktur (2008, with Sascha Selke) and Trubetzkoy (2005, a serif typeface for phonetics).

FontShop link. [Google] [More] ⦿

Koen van der Bliek

During an internship at ATTAK, a studio in 's-Hertogenbosch, The Netherlands, in 2014, Koen van der Bliek (Boxtel, The Netherlands) created the knife-edged semi-blackletter typeface AT Kuhn (free download). Koen was a student at the AKV ST Joost Art Academy in 2014.

In 2017, he designed the free dry brush scripts Paint The Sky and Sickboy. In 2018, he added the free handwriting font Reey. Fontsquirrel link. [Google] [More] ⦿

Kong Font (or: Gemes Font)
[Fatimah Dipi]

Surabaya, Indonesia-based designer of these typefaces in 2019: the plump almost bubblegum fonts Cookies Chip, Cookies Bold, Broom, Glowie, Bobba, New Cookies and Chiki, the cartoon fonts Cartoon Cookies, Dolpi, and Boebloe, the squarish (sci-fi) typefaces Klock, Mancha (+ Bold), Maxim, Blades, Kong, Forgotten, Warlock, Hi Jack (techno), Retrolab, Bagfresh and Rubrick, the oriental emulation typeface Japanola, the handcrafted typefaces Worflat Bold, Pramudya, Santuy, Ceetar, Sticky and Honnestly, the script typefaces Casofa, Claudia, Welldone, Baliday, Extendo, Peenguin, Natune, Adinda and Meraphy, the rounded monoline sans typeface Orcef, the horror blackletter font Dark Power, the brush font Must Brow, the monoline script font Chalisa Beauty, the gooey fonts Zumanie, Wildness, Histery, Halloweenkuy and Walktrought, the foliated typeface Leaf, the sports font Ancients Bold, the blackboard bold font Breader, the brush font Must Brow, the kawaii children's fonts Cookies Bold, Nino, Minnio, Kidstation and Bobba, the rounded sans fonts Wudsap Bold, Stikco, Polka, Himenz Bold and Goostt Bold, and the display typefaces Alpawolf Bold, Bagie, Incloud, Manohara and Bublo.

Typefaces from 2020: Abiyu Chan, Alloystan, Amatemora, Archimate (squarish), Baby Lovely, Battle Andy, Beckhand, Better Tomorrow, Blossom, Blue Julieta, Boogie Worth (an oily font), Brasblus, Butter Cookies, Byorg (all caps, blocky), Caitlin Angelica (wild, calligraphic), Carrie Gallerie, Chambers (a logotype), Confused, Dobbystar, Falencia, Faster Bottom, First Time, Forsegi, Hotte Brush (a dry brush script), Humingson, Nattalya, Pather Times, Petter Story, Pinkerston, Raspberry, Raynoss, Reflisatta, Sambara, Sebbastian, Snooky, Spicy, Stay High, The Texterius (a decorative serif), Varenthin, Walterson, Winne Vinne, Better Jack, Billie Bonnie, Greenleaf, Gumy Monster, Hello Olivia, Insurgence, Livermore (a speckled brush font), Lunar (a monolinear sans), Malcolm (a decorative serif), Manggala, Margo, North Coast, Red Steel, Shaeila Maker (a fat finger font), Simply Sugary, Smith Mouth, (a speckled brush font) Westie Ametta, White Systemattic Duo, White Systemattic, Zepplines (blackletter), Riverflows (a titling serif), Birawa (monoline script), Bintari (script), The Lord Night (script), La Lemonti (a display serif), Amerggedon, The Purple Love (an upright rabbit ear script), Monsterize, Wolfraid (a brush horror font), Hellowin (a display serif), Agnostic, Arcades, Armstrong, Babyface, Baimbo, Baliday, Beam Box, Blackmore (stencil), Blasteran, Bleach, Chucky buck, Classic Rock Band, Comfortune, Deathmatch (blackletter), Dolphin, Eniceplay, Fatayah Irhami (YonTypeStudio), Greatwriten, Humingson, Juicy Luicy, Lovamarte, Mustbrow, Passifille, Playbrush, Rackles, Ravenborg, Reflected, Samhock, Sevarozi, Spicy, Thenacious, Threarer, Wallrous, Wamatto, Wish Good, California Sun (blackletter), Brutals, Cartoon Cookies (a comic book font), Chalisa, Chucky-buck, Deallisa, Forgotten, Gient, Hiluck, Jacob-and-son, Mahoney, Dunford Moore, Buon Umore, Bongus, Samble Tracie, Retrow Mentho, Gilmoore, England Signature, Fleepavlop, Runcrow, Jacksilver, Backstranger, Heroes (spurred), Eastwood (Tuscan), Jellyo, Wilson Hawk (all caps, headline), Stilere, Charles, Beastic (script), Quanto (script), Benzo (modular caps), Wynfors (octagonal, inline), Masicha (script), Gottam (script), Marthinoul (a signature script), Cointa (script), Japan Rementen (oriental emulation), Tallo Stick, Cempe West (modular), Guard, Dumie, Fishtail, Horroh (a barbed wire font), Cosiris Cure, Borju, Fortman, DeBamboo, Donaldson, Winchester, Alison Finch, Kind Monster, Dr. Ziemboz, Mr. Draculle, Khilifah, Lobots, Song of Coronos (calligraphic blackletter), Aline Signature, Hooded, Limonea, Articha, The Rambler, Blackbird (grocery store script), Cooldown, Legend (spurred), Gentleman (Victorian), Mechane (octagonal), Darker, Bestbrust, Kenarock (blackletter), Spidol (script), Yellosun (script), Skelbourne, Stixuits.

Typefaces from 2021: Orange Signature, Lovelystory, Double Signature, Sunny Rommansa, Mas Karebet, Brillian, Hi Jack, Wonderfull, Ventus, Wellside, Keffie Austina, Broom, Minnio, Addison Affson, Adellicia, Adriana, Alberteen, Amongh Sein, Antoinete, Aurella, Aurely Lovely, Baby Coffee, Baby Doll, Babydoo, Bagstore, Battalion Commander, Beattrice, Black Pearl, Bobbey, Bobbi Jeffina, Boostone, Bricktown (roman capitals), Buckingham (spurred), Bunny Honey, Candywell, Charlotte Bella, Charlotte (a monoline script), Christaline, Christmas Bells, Christmas Glooves, Clutter Street, Cute Cartoon, Dakiens, Dakota Artha, Decembery, Demon Blade, Divalia, Ellanor, Envellope, Eternal Amsterdam, Extendo, Freakland, Frozzy Mosther, Gladiolus Display, Gladiolus Script, Glory Sunshine (a decorative serif), Hellilove, Hello Beloved, Heywolf, High Jersey, Hopkinson, Hoppe Dizzie, Iron Shark, Jackdean, Javassoul, Jeniffer, Jessica Mariolline, Katherinna, Katterine Rose, Kayonna, Kenthir, Kiss Boom, La Fleur, Leviathan, Lillian May, Lokey, Loving Gabriella, Luimp, Mackline, Margarett (a signature script), Margharita, Mecha (sci-fi), Miles Hunt (inline), Minigame, Mintmolly, Miss Amalia, Moonday, Morthwicks, Moulin, Mozzana, Mozzarella, Mutchin, My Happy, Nevla, Northwest Signature, Obsurd, Ocean Aubrey, Odessa, One January, Palesik (eerie), Peenguin, Pollutant, Queency, Rayanne, Ressoven, Road Light, Road Sunshine, Rodano, Rosaffina, Rosanna, Rosemary Jasmine, Rubeckia, Sabrina, Schofield, Shaffari, Sharlene, Shean Holmes, Skylark (squarish), South Forest, Stable, Sunnday, Taylorsit, The Blester, Timeline, Victoria, Wimter White, Wishleman, Youth Wright, Zanden.

Creative Fabrica link. [Google] [More] ⦿

Konrad Bednarski
[No More Faith Fonts]

Konrad Jochheim

German type designer who created the blackletter typeface Jochheim Deutsch (1933-1935, Wilhelm Woellmer). [Google] [More] ⦿

Konrad Roche

Gdansk, Poland-based designer of the calligraphic semi-blackletter typeface Grabia (2016). Behance link. [Google] [More] ⦿

Kontex International

Company in Atlanta, GA, that advertised some blackletter fonts in die deutsche Schrift in 1993, such as Traditional Fraktur (4 styles). [Google] [More] ⦿

Korrex

A mystery blackletter typeface. [Google] [More] ⦿

KPS Fonts
[Klaus-Peter Schaeffel]

Swiss calligrapher in Basel who made and sells various medieval and historically important script fonts. Dedicated page. These included the paleographic (PAL) series and the KPS series. He lives in Ühlingen--Birkendorf, Germany. His fonts are uniformly of high quality and are usefl for illustrating historical alphabets.

His early commercial collection: KPS Anglaise (calligraphic script), KPS Antiqua (+Kapitälchen), KPS Capitalis (classic Trajan caps), KPS Cicero, KPS Epona (calligraphic), KPS Fein (hand-printed), KPS Hand (calligraphic), KPS Horaz (calligraphic), KPS Iris (calligraphic), KPS Petit (calligraphic), KPS Plinius, KPS Spitzfelder, KPS Vitruv (calligraphy), PAL Bastarda, PAL Cancellaresca, PAL Carolina, PAL Gotisch, PAL Humanistica, PAL Lombarden, PAL Quadrata, PAL Rotunda, PAL Rustica, PAL Textura, PAL Uncialis, PAL Uncialis Roemisch, Weissranken Initialen, Ranken Initialen (Celtic capitals).

Since September 2013, all of his fonts are free. They were renamed and have conveniently the date of original creation in the font name. The fonts dated in the 1990s and 2000s are new typefaces or creative revivals by Klaus-Peter. The list of revivals: 0100DeBellisMacedonicis [Pre-uncial letters from the fragment "de bellis macedonicis", ca. 1st century], 0300Petros [Greek hand from the oldest surviving copies of St. Peter's epistles, dated 3th / 4th century], 0362Vitalis [Roman Minuscule Cursive from the so called Vitalis letter, written before 362 on papyrus (Strasburg)], 0480VergiliusRomanus [Capitalis Rustica from the Vergilius Romanus written in Rome, ca. 480], 0500VergiliusSangallensis [Capitalis Quadrata from the Vergil fragments in Stiftsbibliothek St.Gallen], 0512Dioskurides [Greek Uncials from the Vienna Dioskurides (about 512)], 0746Beda [from Beda Venerabilis: Historia ecclesiastica gentis Anglorum, Northumbria, dated 746], 0800Kells [Half Uncials from the Book of Kells], 0800Remedius [So called "Lombardic-Raetic Minuscule" from Codex 348 of the Stiftsbibliothek St. Gallen], 0800 Theophanes [Greek Hand after a 9th century Theophanes manuscript], 0850CarolinaTours [Carolingian Minuscule], 0850Carolinaundulata [Carolingian Minuscule from the Scriptorium of Tours], 0864Folchart [St. Gall Carolingian from the Folachart Psalter], 1012Otto [Late Carolingian Minuscule from the Perikopes of Heinrich II, written at the Reichenau, donated to the dome of Bamberg in 1012], 1258FridericusII [Gothic Rotunda from the falcon book of Emperor Friedrich II, Southern Italy 1258-1266], 1400Wenzel [Bohemian Textura from Vienna], 1450Sebastos [Humanistic Greek hand from Homer, Ilias, Vatican Library], 1455GutenbergB42 [Gothic Textura types from the 42 line Gutenberg Bible], 1458GutenbergB36 [Gothic Textura types from the 36 line Gutenberg Bible], 1470Jenson [an antiqua by Nicolas Jenson], 1475HumanisticaCursiva [Humanistic Cursive of the kind Bartolomeo Sanvito of Padua wrote, after Cod. Pal. Lat. 1508], 1480Humanistica [Humanistic Book Hand from Valerius Maximus: Facta et dicta memorabilia, ca. 1480-1485. The calligraphy is attributed to Antonio Sinibaldi from Florence and the titling capitals to Bartolomeo Sanvito from Padua], 1483Koberger [Incunabula type from the Koberger Bible, printed in Nuremberg in 1483], 1485Grueninger [Incunabula type from the Grueninger Bible, printed in Strasburg in 148], 1493SchedelRotunda [Incunabula type from the Latin edition of Hartmann Schedel's World Chronicles, printed by Koberger at Nuremberg in 1493], 1501Manutius [First printed Italic Antiqua by Aldus Manutius (Venice 1501)], 1513Gebetbuch [Fraktur from Emperor Maximilian's Prayer Book, printed in Augsburg in 1513], 1517Gilgengart [Fraktur type from Emperor Maximilian's 1517 private print "Gilgengart"], 1517Teuerdank [Fraktur type from Emperor Maximilian's "Teuerdank", printed at Augsburg in 1517], 1519NeudoerfferFraktur [Fraktur alphabet from a woodblock model in Johann Neudoerffer the Elder's Calligraphy book "Fundament", Nuremberg 1519], 1739Bickham [Copperplate or running hand after models from "The Universal Penman" by George Bickham, printed in London 1743], 1741Bickham [Bickham's round hand from Universal Penman], 1782Thurneysen [Baroque Antiqua Type of J. Jacques Thourneysen fils, Basel 1782].

Original versions by Schaeffel, with date of design in the font name: 1999Anglaise1, 1999Anglaise2, 1999Cancellaresca, 1999Carolina (Carolingian minuscule), 1999Livius, 1999LiviusBold, 1999LiviusItalic, 1999LiviusSmC, 1999LiviusTitel, 1999Ovidius, 1999Stylus, 1999Textualis, 2000Bastarda, 2000Cicero, 2000Humanistica, 2000Plinius, 2000PliniusItalic, 2000Seneca-Italic, 2000Seneca, 2000TextualisFormata, 2000Uncialis, 2001RotundaFormata, 2002Cato, 2002Horatius, 2002Vitruvius, 2003Epona, 2003Lombarden, 2004CapitalisQuadrata, 2004CapitalisRustica, 2004Iris, 2004UncialisQuadrata, 2004UncialisRomana, 2008-Noeuds-1 [for making Celtic knots], 2008-Noeuds-2, 2008-Noeuds-3, 2009Xenophon, 2010Filigrane, 2010Gouttes, 2010Labyrinthe [squarish], 2010Pointu [a calligraphic blackletter], 2010Vergilius [a great calligraphic face].

Old URL. [Google] [More] ⦿

Krakenbox Studio
[Yahdi Kumala]

Known as Yahdi Kumala and Yahdi Romelo. Pekanbaru, Indonesia-based founder of Rometheme in 2018 and Krakenbox Studio in 2021. Designer at Krakenbox Studio of Knoxx (squarish blocky caps) (2021), Mortal Claws (a gloomy or tattoo blackletter font) (2021), Square Squads (a retro display typeface) (2021), Spookyman (a horror font) (2021), Vigallse (a bold retro display serif) (2021), Grozel (2021: a beatnik font), Jump Streets (2021: based on graffiti scripts), Corogh Gorge (2021: a heavy metal blackletter font), Stay Kids (2021: an informal children's book script), Wicked Steam (2021: a dapper all caps brush font) and Bright Fairy (2021, a script typeface).

Typefaces from 2022: Redmoon (a brush font), Glorius Signature (a monolinear signature script), Absolute Kiddos (a playful font), Aquatype Signature, Aster Sphin (an inky script), Aliestar (hand-crafted), Bolsettona (a scrapbook script), Kidszones (a children's book font), Arabhella (a fat finger font), Brohemyan (a plumpish display serif), Floreste (a display serif). [Google] [MyFonts] [More] ⦿

Krieger Imperium

Archive with CloisterBlackBT-Regular, CataneoBT-Regular, Diploma (Fraktur font, 1993), KeltNormal, LyndaCursiveBold, Rothenburg-Decorative-Normal. [Google] [More] ⦿

Kris Holmes

Born in Reedly, CA, in 1950. She studied calligraphy at Reed College with Lloyd Reynolds and Robert Palladino, and she studied roman brush writing in a workshop with Fr. Edward Catich. In New York, she studied lettering with Ed Benguiat at the School of Visual Arts. Later she studied calligraphy and type design with Hermann Zapf at Rochester Institute of Technology. She received her B.A. from Harvard University and her MFA from UCLA School of Theater, Film and Television, specializing in Animation. In 2012, she was honored with the Frederic W. Goudy Award in Typography from Rochester Institute of Technology, for her achievements in the lettering and typographic arts. Kris Holmes teaches type design at the Rochester Institute of Technology.

Kris Holmes worked as a staff designer at Compugraphic Corporation in type design. She was part of the team that helped design the city fonts for Apple: Chicago, Geneva, Monaco, New York. [Kris did the truetype versions.]

She founded the Bigelow&Holmes foundry in 1976 with Charles Bigelow. Kris Holmes has created over 300 typefaces, including the scripts Isadora, Kolibri, Apple Chancery, and Apple Textile. With Charles Bigelow, she co-designed Apple Capitals.

Creator of the ubiquitous Lucida family around 1985 (with Charles Bigelow): Lucida Blackletter, Lucida Bright, Lucida Calligraphy, Lucida Casual, Lucida Console, Lucida Fax (1985), Lucida Handwriting, Lucida Math, Lucida Mono, Lucida Sans, Lucida Sans Typewriter, Lucida Typewriter (1994), Lucida. includes Greek, Cyrillic, Arabic, Hebrew, Thai, and Devanagari scripts. In addition to their popularity in computer operating systems like Macintosh OS X, Microsoft Windows, and Plan 9 from Bell Labs, Lucida typefaces have been widely used for scientific and technical publishing in Scientific American, Notes of the American Mathematical Society, and other mathematical, technical and scholarly books. Also with Bigelow, Kris designed the Lucida Icons, Stars, and Arrows fonts, which Microsoft later purchased and reassembled into Wingdings fonts. Other type designs by Holmes include ITC Isadora (1983), Sierra (1983, Hell: font now sold by Linotype), Leviathan (1979), Baskerville (revival in 1982), Caslon (revival, 1982), Galileo (1987), Apple New York (1991), Apple Monaco (1991), Apple Chancery (1994 [the Bitstream version is Cataneo]), Kolibri (1994, URW, since 2005 available as OpenType Pro with over 1200 glyphs), Wingdings (1990-1992, a dingbat font made with Charles Bigelow, now owned by Microsoft and Ascender) and AT Shannon (a simple lapidary sans family, with Janice Prescott, 1982, Agfa; now owned by Monotype Imaging).

For the Go Project, Kris Holmes and Charles Bigelow designed the free typeface families Go and Go Mono in 2016. The font family, called Go (naturally), includes proportional- and fixed-width faces in normal, bold, and italic renderings. The fonts have been tested for technical uses, particularly programming. These fonts are humanist in nature (grotesques being slightly less legible according to recent research) and have an x-height a few percentage points above that of Helvetica or Arial, again to enhance legibility. The name Go refers to the Go Programming Language. . Fontsquirrel link.

FontShop link. Klingspor link. Kernest link.

View Kris Holmes's typefaces. [Google] [MyFonts] [More] ⦿

Kris Sowersby
[KLIM (or: Klim Type Foundry)]

Krishna Kiran

Mumbai, India-based designer of the blackletter typeface Gothic Malayalam (2017). [Google] [More] ⦿

Kristian Valdez

Mexico City-based designer of the children's font Mis Amigos (2016), the angular vernacular typeface Chilanga Banda (2016) and the blackletter typeface Axolotl (2016) [Google] [More] ⦿

Kristians Sics
[Lamatas un Slazdi]

Kristofer Hoffmann Schärer

During his studies at Westerdals Oslo School of Arts Communication and Technology, Oslo, Norway-based Kristofer Hoffmann Schärer designed the Bauhaus-inspired blackletter stencil typeface Umlaut (2016). [Google] [More] ⦿

Krzysztof Stryjewski

Graphic designer in Gdansk, Poland. Creator of a structured blackletter typeface family called Circa (2012), Rincewind (2013, a school project typeface), Tablespoon Sans (2013), Obsidian (2012, blackletter), and Alfabet Picassa (2011, inspired by Picasso's work). [Google] [More] ⦿

K-Type
[Keith Bates]

K-Type is Keith Bates' (b. 1951, Liverpool) foundry in Manchester, UK, est. 2003. Keith works as an Art&Design teacher at a Salford High School. They custom design type, and sell some of their own creations.

Commercial typefaces:

Adequate (2012). A basic geometric monoline sans family.
Adventuring (2010, comic book style)
Alan Hand (2005, based on some blobby lettering, handwritten by printer and mail artist, Alan Brignall)
Alex (2002-2004)
Alright (2004, cursive script)
Anna (2002-2007).
Argot (2019). Characterized by square counters, this typeface family exhales brutalism and industrialism. See also Argot Machine (2019).
Artist Hand (2019).
Axis
Bank of England (2012, blackletter): Bank of England is loosely based on blackletter lettering from the Series F English twenty pound banknote introduced in 2007. The font also takes inspiration from German Kanzlei (Chancery) typefaces and the 17th century London calligrapher, John Ayres.
Banks & Miles (2018). Inspired by the geometric monoline lettering created for the British Post Office in 1970 by London design company Banks & Miles, a project initiated and supervised by partner John Miles, which included Double Line and Single Line alphabets. The new digital typeface is a reworking and extension of both alphabets.
Barbica (2015). A glyphic typeface.
Bricola (2020).
Brush Hand New (2013): Brush Hand New is a full font based on a copy of Flash Bold called Brush Hand marketed by WSI in the 1990s and more recently distributed through free font sites. Brush Hand was an anonymous redrawing of Flash which simplified, slightly lightened, smoothed out ragged edges, and improved the legibility of the original classic created by Edwin W. Shaar in 1939.
Building&Loan (2007, engaved face)
Bigfoot (2005, a Western font based on the slab capitals used by Victor Moscoso in his 1960s psychedelic rock posters)
Bolshy (2009)
Bolton750 (2003, a mechanical typeface done with John Washington).
Chancery Lane (2021). An italic text typeface that is based on chancery scripts.
Charles Wright (2016). A set of fonts based on the UK license plate fonts.
Chock (2009)
Circa (geometric sans)
Cloudbuster (2019). Inspired by Imre Reiner's Corvinus Skyline of 1934.
Club.
Coinage Caps (2017). Coinage Caps is a trilogy of small caps fonts based on the roman lettering used for the designs of British coinage. Coinage Caps Eric Gill is a regular weight, spur serif style drawn by Eric Gill for silver coin designs in the 1920s which were rejected by the Royal Mint. Coinage Caps Humphrey Paget is a medium weight serif based on the lettering of Thomas Humphrey Paget, designer of the Golden Hind Halfpenny first struck in 1937. This font simulates the soft, slightly rounded corners of the minted letterforms. Coinage Caps Kruger Gray is a glyphic, flare serif font typical of the bold style engraved by George Kruger Gray for numerous British and Commonwealth coins during the 1920s and 30s. This font also simulates the slightly rounded corners of the minted letterforms.
Collegiate (2009)
Component (2012). A font for lost civilizations and dungeon rituals.
Context (experimental)
Credit Card (2010, font for simulating bank cards)
Curwen Sans (2018). A monoline sans from the early 1900s originally created for in-house use at the Curwen Press in London.
Cyberscript (2006, connected squarish face)
Deansgate (2015). Deansgate and Deansgate Condensed are based on the clearest and most distinctive of the sans-serif letterforms used on Manchester street nameplates, and easily identified by a pointy Z and pointed middle vertices on M and W.
Designer
Digitalis
English
Enamela (2013). Keith writes: Enamela (rhymes with Pamela) is based on condensed sans serif lettering found on vitreous enamel signage dating from the Victorian era and widely used in Britain for road signs, Post Office signs, the plates on James Ludlow wall postboxes, railway signs, direction signs and circular Automobile Association wayfinding plaques throughout the first half of the twentieth century. The original model goes back to Victorian times, ca. 1880.
Engravia (2018). Engravia is a didone display typeface supplied in three varieties of engraving---Inline, Shaded and Sawtooth---plus a plain basic font.
Example (2017). A workhorse neo-grtesque typeface family.
Excite
Flip (2011), a western grotesk billboard face.
Flyer (2009, techno)
Frank Bellamy (2009, an all-capitals family based on the hand lettering of English artist Frank Bellamy, who is most famous for his comic art for Eagle and TV21, and his Dr Who illustrations for Radio Times)
Future Imperfect
Gill New Antique (2003)
Greetings
Helvetiquette
Hapshash (2010): an all capitals font inspired by the 1960s psychedelic posters of British designers Hapshash and the Coloured Coat (Michael English and Nigel Waymouth), in particular their 1968 poster for the First International Pop Festival in Rome. A dripping paint font.
Irish Penny (2016). An uncial typeface based on the lettering from Percy Metcalfe's influential pre-decimal coinage of Ireland, the Barnyard Collection.
Ivan Zemtsov (2009)
Kato (2007, oriental simulation face)
Keep Calm (2015). A geometric sans inspired by a British war poster from 1939.
Keith's Hand
Klee Print (2010, Klee Print is based on the handwriting of American artist Emma Klee)
Latinate (2013). A vintage wedge serif wood style typeface, and a rough version.
Lexie (an improved or "adult" version of Comic Sans) and Lexie Readable (2006, modified in 2015). Keith writes: Lexie Readable (formerly Lexia Readable) was designed with accessibility and legibility in mind, an attempt to capture the strength and clarity of Comic Sans without the comic book associations. Features like the non-symmetrical b and d, and the handwritten forms of a and g may help dyslexic readers.
Licencia (2016). A blocky typeface inspired by the tall, soft-cornered lettering on vehicle licence and registration plates world-wide.
Londinia (2016).
Matchbox
Max
Ming
Modernist Stencil (2009).
Monterey Pop (2020). A psychedelic / popart typeface based on Tom Wilkes's poster lettering for the Monterey International Pop Festival in June 1967.
Mythica (2012). A slightly condensed lapidary roman with copperplate serifs.
Modulario (2010): a contemporary sans.
New Old English (2010, blackletter)
Norton (2006)
Nowa (2004, a play on Futura)
NYC (octagonal)
Openline (2008, an art deco pair)
Oriel Chambers Liverpool: A Lombardic small caps font based on the masonry lettering on Peter Ellis's 1864 building, Oriel Chambers, on Water Street in Liverpool.
Pentangle (2008, based on album lettering from 1967)
Pixel
PixL (2002-2004)
Plasterboard (2004-2005)
Pop Cubism (2010) is a set of four texture fonts, combining elements of cubism and pop art.
Poster Sans (2006). A wood type family based on Ludlow 6 EC. See also Poster Sans Outline.
Rick Griffin (2006, more psychedelic fonts inspired by a 1960s Californian artist)
Rima (2020). A stencil typeface with heavy slabs.
Roundel (2009, white on black)
Runestone (2010, runic).
Sans Culottes (2008, grunge)
Serifina
Solid State (2008, art deco blocks)
Solus (2004, a revival of Eric Gill's 1929 typeface Solus which has never been digitized; read about it here)
Stockscript (2008, down-to-earth script based on the pen lettering of the writer, Christopher Stocks)
Susanna (2004)
Ticketing (2011): pixelish.
Total and Total Eclipse (2004, squarish display typefaces based on the four characters of Jaroslav Supek's title lettering for his 1980s mailart magazine, Total)
Transport New (2009: a redrawing of the typeface designed for British road signs. In addition to the familiar Heavy and Medium weights, Transport New extrapolates and adds a previously unreleased Light weight font originally planned for back-lit signage but never actually applied. Originally designed by Jock Kinneir and Margaret Calvert beginning in 1957, the original Transport font has subtle eccentricities which add to its distinctiveness, and drawing the New version has involved walking a tightrope between impertinently eliminating awkwardness and maintaining idiosyncrasy.)
Union Jack (octagonal)
Victor Moscoso (2008, psychedelic)
Wanda (2007, art nouveau)
Waverly
Wes Wilson (2007, psychedelic, inspired by 1960s psychedelic poster artist Wes Wilson).
3x5
Zabars (2001): a Western face.

His free fonts:

Blue Plaque (2006: a distressed font based on English heritage plaques)
Blundell Sans (2009)
Celtica (2007) has Celtic influences
Dalek (2005, stone/chisel face: Dalek is a full font based on the lettering used in the Dalek Book of 1964 and in the Dalek's strip in the TV21 comic, spin-offs from the UK science fiction TV show, Doctor Who. The font has overtones of Phoenician, Greek and Runic alphabets). See also Dalek Pinpoint (2018).
Designer Block (2006)
Flat Pack (2006)
Future Imperfect (2006, grunge)
Gommogravure (2005)
Greetings (2006), Greetings Bold (2006)
Insecurity (2005, experimental) won an award at the 2005 FUSE type competition.
International Times (2006, inspired by the masthead of the International Times underground newspaper of the 1960s and 1970s)
Keep Calm (2011). Related to London Underground.
Kindersley Sans (2017). A modernized version of David Kindersley's 1950s type used for many street name plates in Britain, about which Bates writes: Kindersley Sans is a humanist sans-serif that conserves the Gill-inspired character and some of the calligraphic qualities of Kindersley's lettering, it retains the Roman proportions and its Britishness, but traditional prettiness and intricacy are discarded in favour of a clean modernity.
Klee Capscript (2005: based on the handwriting and capitals drawn by artist Emma Klee (USA) for her Color Museum Mail Art invitation. The upper case is based on Emma's capitals and the lower case is freely adapted from her script)
Lexia and Lexia Bold (2004)
MAGraphics (2004)
Magical Mystery Tour (2005, outlined shadow face), Magical Mystery Tour Outline Shadow (2005), Magica (2015, a serifed titling typeface family).
Mailart (2004), Mailart Rubberstamp (2004), Mailart Rubberstamp Sans (2018).
Mandatory (2004, a UK number plate font based on the Charles Wright typeface used in UK vehicle registration plates).
McKnight Kauffer (2021). A retro poster font in the style of poster artist Edward McKnight Kauffer.
Motorway (2015), a companion typeface to Transport, the British road sign lettering. This is an extension of an original design by Jock Kinneir and Margaret Calvert: The Motorway alphabet was created for the route numbers on motorway signage, and is taller and narrower than the accompanying place names and distances which are printed in Transport. However, for Motorway Jock Kinneir and Margaret Calvert created only the numbers 0 to 9, the capitals A, B, E, M, N, S and W, ampersand, slash, parentheses and a comma. So, although the lettering made its first appearance on the Preston bypass in 1958, K-Type Motorway is the first complete typeface and contains all upper and lower case letters, plus a full complement of punctuation, symbols and Latin Extended-A accented characters. As with the Transport alphabet the starting point was Akzidenz Grotesk, Motorway taking inspiration from condensed versions. Changes were mainly driven by a quest for legibility, resulting in some reduced contrast between horizontal and vertical strokes, and Gill-esque straight diagonal limbs on the 6 and 9, and high vertex for the M.
Penny Lane (2014). A a sans serif derived from twentieth-century cast-iron signs displaying Liverpool street names.
Possible (2020). A 10-style mini-serif typeface.
Provincial (2014). A Victorian set of outline fonts.
Ray Johnson (2006-2008)
Roadway (2005, based on New York roadside lettering).
Romanica (2017). A humanist sans.
Sam Suliman (2020). A condensed squarish typeface which was inspired by lowercase lettering on a Sarah Vaughan album cover designed by Sam Suliman in 1962. Suliman was born in Manchester, England in 1927. After working for McCann Erikson in London, he moved to New York where he took on freelance work designing album covers, particularly celebrated are his striking minimalist designs for jazz records. He moved back to England in the early 1960s, designing many book jackets, film titles and fabrics, also working in Spain and India before settling in Oxford in the 1980s.
Savor (2011). An art nouveau family.
Sgt Peppers Lonely Hearts Club (2014).
Sinkin Sans (2014, free) and Sinkin Sans Narrow (2015, commercial). Open Font Library link.
Soft Sans (2010)
Subway Ticker (2005)
Taxicab (2016). A squarish style.
This Corrosion (2005).
Toppler (2018). A modern and full range top-heavy cartoon font family that includes a Popdots style. Bates was striving to improe on 1990s clasics such as Baby Kruffy (Ben Balvanz), Comix Heavy (WSI) and Startling (Dave Bastian).
Wildcat (2016). An athletics typeface family.
Zinc (2018). A monoline sans with diagonal nubs.
Colnage Caps Kruger Gray (2018). Coinage Caps is a trilogy of lapidary small caps fonts based on the Roman lettering used for the designs of British coinage.
Dalek Pinpoint (2018). Based on Dalek comic book lettering from the 1960s.
Icky Ticket Mono (2018). IckyTicket Mono is a monospaced font based on the coarsely printed numbering from 1960s bus tickets.
Sexbomb (2018). A psychedelic typeface family.
Mancunium (2019). A monoline sans family.
Straight Line (2020). An outlined font with chamfered corners and straight edges, possibly useful as a blackboard bold type.
We The People (a blackletter font based on the peamble of the American constitution).
Bowdon (2021). A six-style warm, Bodoni-inspired English Modern, influenced by the 1930s lettering of designer Barnett Freedman.
Oxford Street (2021). A condensed grotesque with horizontal and vertical stem terminals; it is a street a signage font that began as a redrawing of the capital letters used for street nameplates in the borough of Westminster, which in turn were designed in 1967 by the Design Research Unit using custom lettering based on Adrian Frutiger's Univers 69 Bold Ultra Condensed.

Custom / corporate typefaces: With Liverpool-based art director Liz Harry, Bates created a personalized font, loosely based on Coco Sumner's handwritten capitals, for the band I Blame Coco. Medium and Semibold weights of Gill New Antique were commissioned by LPK Design Agency. Stepping Hill Hospital and Bates created Dials, a pictorial font to help hospital managers input data about improvements. A custom font was designed for Bolton Strategic Economic Partnership.

Abstract Fonts link. View Keith Bates's typefaces. Dafont link. Yet another URL. Fontspace link. Fontsy link. Behance link. [Google] [MyFonts] [More] ⦿

Kulturë Type (or: Kulture Type)
[Leonit Gashi]

Graphic designer in Pristina, Kosovo. Creator of these typefaces:

In 2022: Apostrof Grotesk (with exaggerated ink traps), Gin & Jüs (a display sans), Perandory (a free vintage wedge serif).
In 2021: Gogoli Grotesk, Trileqe (a fat typeface in Fatt and Hybrid styles), Gin Grotesk (a free inktrapped typeface), Bllok (a typeface inspired by cement blocks), Rentgen (a typeface inspired by x-ray machines and radiation), Trafika Monospace, Retrika, Lugati Sans (a post-modernist sans based on vintage prototypes found in Kosovo's print shops), Projekt Blackbird (a free grotesque), KT Cement (a blackletter font for black metal, gangs, or tattoos), Kaotizm (a dystopian font), Ignotus (a heavy display typeface), KT Striktus (a very narrow sans inspired by dadaism), Digitopia (octagonal, dystopian), Kaotik Grotesk.
In 2020: KT Servis (an industrial sans), Tsipuna Grotesk, Haire (an experimental mixture of grotesque and humanist sans), Metalurgjia 1932 (a metallic industrial type), Haperisa (an experimental cyberpunk typeface), Kool (techno, sci-fi), Armatura (a hipster condensed sans that Gashi considers as brutalist), Kyltyre (a great free blocky display typeface).

[Google] [More] ⦿

Kummaeno

Kummaeno calls himself an art director, graphic stuntman and fontstructor. He lives in Sweden where he works at Infobahn Reklambyra. He "fontstructed" the pixel/stencil family Soft Cell (2010), and the squarish typefaces Samizdat (2010, his remix of the constructivist T-26 font "Revolution" by Douglas Carter, 1994), Gearbox (2010), FS Crude (2010, a heavy typeface inspired by 224MKSD Black by Masayuki Sato), Manifesto (2010, influenced by Donald Beekman's FF Tsunami) and Aegis (2010; think ITC Bolt Bold). Modicum (2010) is a pointy severely angled black sans. Bonfire (2011) is a semi-blackletter face. Soft Cell (2010) is an LED font. About the MICR font MegaSpacer (2010), he says: Inspired by the fantastic "MICR" font set. And the Solaris font design from the nineties by Büro Destruct (ah, those were the days). Old but good ideas brought to Fonstruct. Fun and easy as pie. Basking (2010) looks like Martin Wenzel's FF Marten. Aerostyle (2010) is a techno / Eurostile typeface inspired by Masayuki Sato&Tsuyoshi Nagae at Maniackers Design. Kuiper (2010) is a remix of the techno typeface Straker by Rian Hughes. Gamepad (2010) is an angry fat display face. Piquance (2010) and Quanted (2010) are ultra-fat decorative typefaces. Jacobine (2010) is a bellbottom face. Bitrate (2010) is a carbon copy (in his words) of Data 90 (Rian Hughes).

FontStructions from 2011: Bayonet is a high-contrast art deco display face. Arbour is a piano key face. Pugilista is a fat boxy face. Pistolera is where the West meets psychedelia. About Syncope he says: You have seen the likes before ("FF HardSoul Ultra" by Donald Beekman or "Loudine" at pintassilgoprints.com). Constructivism with extreme bulk. Ultra-fat retro letter shapes. Ubangi is a hip "remix" of Rian Hughes's Darkside. FS Space Opera is party art deco. FS Rasterbator is a dotty raster halftone exercise. [Google] [More] ⦿

KunHa Lee

Graphic designer at Graphic Gaga Studio in Seoul, Korea. He extended the blackletter typeface Wilhelm Klingspor Gotisch to Wilhelm Klingspor Gotisch Hangul (2015).

In 2015, he designed the Latin typeface Steel Cylinder. Behance link. Newer Behance link. [Google] [More] ⦿

Kurrent Kupferstich Script

Kurrent Kupferstich is a beautiful handwriting style in common use in Germany before 1941. Walden Font has a version for 25USD. [Google] [More] ⦿

Kurt Liebing

German type designer who made mostly blackletter typefaces: Liebing-Fraktur (1912, Gottfried Böttger, Berthold, Poppelbaum). He also made Liebing-Type (1909, H. Berthold, G. Böttger; aka Elite Gotisch; digitally revived as Liebing Type by Gerhard Helzel, and as TbC Liebing Type by Chiron (2014)) and Lichte Liebing-Type (1916, H. Berthold, G. Böttger), both blackletter designs.

Typefaces done at Wagner & Schmidt: Eleonore (AG für Schriftguss), Elite Gotisch, Froben Gotisch (Haas), Liebing Gotisch (Schriftguss; revived in 2016 by Peter Wiegel as CAT Liebing Gotisch). In many cases, several typefoundries sold the same type but possibly under different names. [Google] [More] ⦿

Kurt Tesnau

A democrat from Baltimore, MD, Kurt Tesnau created the tattoo typeface Baltimore Goth (2011) and the hand-printed typeface Baltimore Comic (2012).

Twitter link. [Google] [More] ⦿

Kurt Wanschura

Leipzig-based designer of Offenbacher Schwabacher (1900, Rudhardsche Gießerei). This bastarda was digitally revived by Peter Wiegel in 2014 and Delbanco in 1996 under the same name, Offenbacher Schwabacher. Klingspor link. [Google] [More] ⦿

L' Atelier
[Pierre Corbucci]

L'Atelier is run by Pierre Corbucci since 2001. He designed the free Mac fonts Fraktur, Pierre (handwriting), Meeting and Eloim.

Some of these fonts are also available at Typograsfree. Alternate URL. [Google] [More] ⦿

ladybella

FontStructor who made Back in Black (2010, blackletter). [Google] [More] ⦿

Laeticia Gracio

Santarem, Portugal-based designer of the blackletter stitching font Bordado (2018). [Google] [More] ⦿

Lagalga
[Heriberto Noguera]

Heriberto Noguera (Mostoles, Spain) designed LG Janfri (2010, bilined), LG Taladra (2010, a geometric typeface with bullet holes), Monodespaced (2010, hand-printed), JICA (2009, poster font), Tocco (2009, heavy sans), Barjola (2009, blackletter), Garjola (2009, pixelish blackletter), Nada Ultralight (2009), Mika Medium (2009), Grapafont (2007), Mika (2005, techno), Pelos (2006), FuckSans Joder (2006, pornographic symbols), Graphia (2005, script), Floja Script (2005, nice and scratchy) and Nada (2005, a futuristic face).

Home page of Heriberto. Dafont link. Behance link. [Google] [More] ⦿

Lamatas un Slazdi
[Kristians Sics]

Design studio, est. 1999 in Riga, Latvia. They are doing some type design under the guidance of Kristians Sics, aka Chris Lamatas. No sales or downloads as far as I can tell. Kristians Sics (b. 1961, Riga), who studied at the Art Academy of Latvia, now lives in Puerto Vallarta, Mexico, where he is a graphic designer and illustrator. In 2010, Sics established the commercial foundry Lamatas un Slazdi. Typefaces (from 2010 or just before 2010):

Burtnieks: comic book face. Covers Latin and Cyrillic.
Cukurgrauds: meaning Sugarcube, this typeface is for children's or comic books.
Dienasgaisma: pleasant informal face; for restaurant menus or invitations to art galleries. I guess that this became Gaisma (2010), which was advertised by Kristians as an art nouveau family. Images: Greek and Cyrillic, Greek, Latin and Greek, Latin, sample, example.
Fette Deutsche Schrift (2011). Fette Deutsche Schrift also known as Koch-Fraktur or Kochschrift was created by Rudolf Koch for Klingspor foundry between 1908 and 1910.
Frio (2011). A 15-style elliptical family with pereft balance and proportions.
Kochschrifts: after Rudolf Koch's Kochschrift (1910).
Lamatas: a mix between ransom note typefaces and informal wood types.
Liturgisch (2013): after Otto Hupp's Liturgisch (1906).
Oro y Plata (2013): The collection Oro y Plata (Gold and Silver) is a Mexican style blackletter, dedicated to the three big silver cities---Taxco, Zacatecas and Guanajuato. Taxco is more angular compared to rounded Zacatecas and elaborate Guanajuato. All three are based on vernacular types seen in these cities.
Ozollapa: a psychedelic face.
Pastkaste: an elliptical / hexagonal corporate typeface for inbox.lv.
Periodika: advertised as a typewriter face, but it isn't.
Piektdiena: informal sans. Contains Cyrillic.
Tautumeita: an all caps display face.
TradeGothicBlurred: blurred Trade Gothic Extended.
Zebiekste: inspired by an architect's hand.

Creations from 2011: Aramara Chromatic (+Base, + Engraved).

Jaquizaca (2001-2013). Originally created as a TV program titling typeface in 2001, it became a retail font in 2013. The adjectives to describe it are cartoonish, upbeat, joyful, and buoyant.

Lara Brock

New Zealand-based designer of the smoothed blackletter font Kairos (2018). [Google] [More] ⦿

Lars Bergquist
[Timberwolf Type]

Lars Manenschijn

Doetinchem, NL-based graphic designer designer (b. 1988, Hengelo) of Johanneke (2010, counterless and outlined family), Sammies Sans (2010, grunge), Chinese-troops-waiting-at-the-border (2009, graffiti), KingjolA (2009, grungy blackletter), Efontlution (2009), sleeperzzzz (2009, grunge), Jersey Stories (2009, script), Unchanged Thoughts (2009), Hey Mom Hey Dad (2009), Shutdown (2009, 3d comic book style face), Hey Boy Hey Girl (2009), Jo wrote a love song (2009, scratchy hand), False Advertising (2009, grunge), Old English Hearts (2009, grunge blackletter), Stone Era Pixels (2009), Waste of Paint (2009, grunge), Baby Eskimo Kisses (2009, outline), Opa Puk (2009, brushy), Bedtime Stories (2009, flowing script), Manenschijn 02 (2009), Create a cartoon (2009), Release Me (2009).

Fonts made in 2012: Holland Blocks (counterless fat squared glyphs).

IN 2015, he made the handcrafted typeface Retro Bagels.

Home page. Alternate URL. Fontsy link. Klingspor link. Dafont link. Abstract Fonts link. [Google] [More] ⦿

Lars Salvius

Swedish book printer, 1706-1773. Christian Axel-Nilsson says that this Cicero Mager Fraktur No. 1 at the Norstedt foundry in Stockholm can be traced back to Salvius. Scan of a 1759 publication by Salvius. [Google] [More] ⦿

Lars Törnqvist
[Cercurius (was: Lars Törnqvist Typografi)]

LaserFraktur Fonts for Windows

Commercial Fraktur font sold by A-BIT-Z. [Google] [More] ⦿

Latinotype

Latinotype was founded in 2007 by Felipe Soto and Miguel Hernández, and is based in Concepción, Chile. Catalog of their typefaces. Latinotype now also includes the work of Daniel and Enrique Hernandez, Luciano Vergara and Joaquín Contreras. Their typefaces:

Stgotic Textura and Pintana (Daniel Hernandez) are pixel font award winners at Tipos Latinos 2008.
Patagon (2011, Latinotype) is a rounded wood-inspired poster typeface done with Daniel Hernandez and Luciano Vergara.
Selaive (2011, Paula Nazal) is a geometric monoline sans with an extreme hairline weight, Selaive Light.
Sanchez (2011) is a large slab serif family. The Regular weight is free at Fontsquirrel.
In 2011, he cofounded Los Andes Type, and published the fat round typeface Fatta (2011) there.
Mija (2011). Inspired by vernacular signs.
The Google Web Font Ceviche One (2011). This is an angular yet curvy extra black expressionist sans serif type.
Sail (2012). A didone script.
Sofia (2012). An upright script, free at Fontsquirrel.
Tikal Sans (2012).
Lolita (2012, Miguel Hernandez). A playful rounded sans family.
Chela One (2012). A bold condensed brush script, free at Google Web Fonts.
Arquitecta (2014, by Daniel Hernandez ad Miguel Hernandez). A 1930s sans with small x-height, great readability and an odd g, promoted as an alternative for Futura, Kabel or Avant Garde. It was followed later in 2014 by Arquitecta Office and Arquitecta Standar.
Via Sans (2014, Daniel Peralta). A wayfinding typeface family inspired by Steile Futura and DIN 1451.
In 2014, he co-designed Uomo with Tania Chacana at Latinotype. Uomo is a contemporary typographic system that explores the geometric sans style and Italian art deco in combinations of four widths and three weights.
In 2014, Daniel and Miguel Hernandez co-designed Texta, a geometric sans for all.
In 2015, the Latinotype team developed the 60-style semiserif typeface family Corporative [Corporative was developed by Javier Quintana and Cesar Araya, under the supervision of Luciano Vergara, and Daniel Hernandez], the 64-font family Corporative Sans, the 64-style Corporative Soft [Corporative Soft was developed by Javier Quintana, Eli Hernandez and Rodrigo Fuenzalida, under the supervision of Luciano Vergara and Daniel Hernandez], the 32- style Corporative Sans Round Condensed (dated 2016; developed by Elizabeth Hernandez and Rodrigo Fuenzalida, under the supervision of Luciano Vergara and Daniel Hernandez], and the 28-style headline wood-inspired Titular.
Revista (2015, Paula Nazal Selaive, Marcelo Quiroz and Daniel Hernandez, at Latinotype) is a typographic system that brings together all the features to undertake any fashion magazine-oriented project. It has Revista Script (connected style), Revista Stencil, Revista Dingbats, Revista Inline and the didone Revista all caps set of typefaces. Revista won an award at Tipos Latinos 2016.
Lota Grotesque (2017).
Inter Sans (2017). An information design sans. In 2021, they released Inter, which was advertized as a sans Rockwell.
Letteria Pro (2021). A script/sans/slab font trio by the Latinotype team.
Rebrand (2021). A 33-style Latin sans in Text and Display versions.
Osbourne (2021). A 20-font wedge serif that revives Keystone Type Foundry's Salem.

View the Latinotype typeface library. View Miguel Hernandez's typefaces. Fontsquirrel link. [Google] [MyFonts] [More] ⦿

Laura Bosazzi

Freelance graphic designer in Zagreb, Croatia. She made the devilish blackletter typeface Black Widow (2010). [Google] [More] ⦿

Laura Correa

Madrid-based designer of a blackletter typeface simply called Gothic (2016). [Google] [More] ⦿

Laura Csocsan

During her studies at Moholy-Nagy University of Art and Design , Budapest, Hungary-based Laura Csocsan designed the experimental blackletter typeface Vitae (2017) and the modern sans display typeface Zorn (2019). At Typelab.fr, she released Ambiant Sans and Ambiant Spiky in 2020. [Google] [More] ⦿

Laura Molkenstroth

Hannover, Germany-based designer of the blackletter typeface Gargole (2016). [Google] [More] ⦿

Laura Sevennes

Toulouse, France-based creator of the rounded blackletter typeface Fraktur (2014). [Google] [More] ⦿

Lauren Thompson
[Nymfont (was: Nymphont)]

Lauren Trangmar

Honolulu, HI-based designer of the blackletter typeface Ngatahi (2016): Ngatahi's forms are influenced by the structure and shapes inherent in 19th century Gothic Revival Architecture; a style that was brought to New Zealand by the early European settlers. The pattern work and koru shaped terminals are a reflection of Maori weaving and Kowhaiwhai patterns that are commonly used in Maori art and architecture. [Google] [More] ⦿

Laurence Schall

Early 20th century designer of letters, such as this Modern Poster Alphabet with art nouveau influences, Adapted Roman (uncial), and Got hic. The Celtic style typeface Ballyhaunis NF (2005, Nick Curtis) and Inglenook Corner NF (2005, Nick Curtis) are based on his lettering. [Google] [More] ⦿

Lazar Dimitrijevic
[Posterizer KG]

Lea De Block

Paris-based designer of Captain Fraktur (2018). [Google] [More] ⦿

Lee Fasciani

Co-founder and Creative Director of Brand and Digital at Territory. London-based [T-26] designer of Paggio (2004, followed in 2015 by Paggio Nuovo), Astro (2004), Devine Town (an Indic simulation font), T-Minus (2003), Jones (2002), Duty (2002), Napier (2003), Doctarine (2002), Pescara (2001) and Fasciani Senza. The grunge family Process was made in 1997. Hydrant was created in 2011.

At Union Fonts, he published Chube, Dispose, Engage, Headroom (an octagonal almost mechanical font), Quarantine, System02 and Vlad in 2003. At The Type Trust, we find Novacane (futuristic), System02, Dispose and NeoGothic.

You Work For Them link. Klingspor link. [Google] [MyFonts] [More] ⦿

Lee Hendrix

Lee Hendrix and Thea Vignau-Wilberg wrote The Art of the Pen Calligraphy from the Court of the Emperor Rudolf II (2002, Getty Publications, Getty Museum, Los Angeles). The promotional blurb about this beautiful booklet: The court of Holy Roman Emperor Rudolf II produced nothing more amazing than the Mira colligrophioe monumenta, a flamboyant demonstration of two arts-calligraphy and miniature painting. The project began when Rudolf's predecessor commissioned the master calligrapher Georg Bocskay to create a model book of calligraphy. A preeminent scribe, Bocskay assembled a vast selection of contemporary and historic scripts. Many were intended not for practical use but for virtuosic display. Years later, at Rudolf's behest, court artist Joris Hoefnagel filled the spaces on each manuscript page with images of fruit, flowers, insects, and other natural minutiae. The combination of word and images is rare and, on its tiny scale, constitutes one of the marvels of the Central European Renaissance. The manuscript is now in the collections of the Getty Museum. Forty-eight of its pages are reproduced in this book, containing samples of classic italic hands; historical, invented, and exhibition hands; Rotunda, a classicizing humanist script based on Carolingian minuscule; classically based scripts; and Gothic blackletter and chancery. Other publications include An Abecedarium: Illuminated Alphabets From The Court Of Emperor Rudolf Ii An Abecedarium: Illuminated Alphabets From The Court Of Emperor Rudolf II (1997). [Google] [More] ⦿

Legacy of Defeat
[Joshua M. Smith]

This web site, related to Joshua Smith's Hydro 74 foundry in Orlando, FL, offers original creations, both free and commercial. They specialize in vintage signage type, display type, the Western look, scary typefaces, art nouveau, tattoo type, psychedelic and Victorian styles. The catalog as of 2011: Anarchy Script, Aphex Script, Apocalypse, Avante, Black Mail Sect, Black Mamba, Black Plague (blackletter), Burial Black, Cadaver Ink (tattoo font), Cadaver Script, Calypso, Catalyst, Cortez, Dayton Black, False Idols, Golden Age, Heresy, Hood Black, Hydro Script, Imperial Black, Iron Fist, Kremlin Ink, Kustom Style, La Calavera Catrina, La Santsima Muerte, Le Venom, Lucky's Flash, Martyr Black, Muerte Black, Napalm Vertigo, Nue Black, Nue Goth, Norway Black, Razor Black, Royal Baron, Sacred Black, Sailor Jerry, Salem Witch Hunt, Sentry Black, Spitfire, Skid Row, Thai Black, The Clique, The Thickness, Thunder Script, Tramp Stamp, Tyranny Gothic, Uber Black, Vahalla, Venice Black, Viper Black, War Machine, West Coast Soul, Wolfstien Electro, Working Class Hero, Zombie Allegiance, Zombie Attack, Slash Black, Suture Set, Corpse, Czar, Proclivity, Uber Black Caps.

Free and commercial typefaces from 2013: Pricks, Ocelot Piss, The Witches, Wizard Tit, Wizard Dick, Riverside, Dirty Sanchez, Corpus Delicti, Warlock, Ghetto Wolves, Spitfire, Cheap Deal, Shwarma (Arabic simulation), Alderaan (alchemic), Surplus (spurred), Goth Bitch (blackletter), Siberian Vodka (alchemic), Scalliwag (2015, a fat brush), Zombie Headshot (2015), Counter Strike (2015), Bitch Please, Dirty Whore (brush script), Skeleton Key (EPS), Old School (EPS), Forty Thieves (EPS; Arabic simulation), Conquest (EPS), The Sailors Creed (EPS), Achilles (constructivist), Gold Chain (EPS), Bootleggers (Western), Blood Clot (dripping blood face), Hernandez (Latino style), The Order (spurred), Kuso, Pinche Muerte, Chingon, Nomad, Major Jackov, Sinner, Mayhem, Outlaw (Western), Absinthe, Zombie Headshot, Black Diamond, Alcazar, Eastern Star, El Librador (Cuban colonial style), Monniker, Her Majesty, Kobra, Dishonor, Ghetto Hawk, Kings Wrath, Fraternal, Wizard Taint, Rinzler (inspired by TRON), Dream Weave.

Behance link. Creative Market link. [Google] [More] ⦿

Lenny Hudson

Montreuil, France-based designer of Malesuko (2015, an experimental typeface based on inline railroad station lettering used by Northern Italy's Vigezzina railway), Beluga (2015, a bold blackletter typeface), and Craignos (2015, a collection of comic book style typefaces inspired by the lettering in 1950s monster movie posters).

In 2016, during his studies at ESAD Amiens, he designed the creamy black italic typeface Makaar, which is inspired by Arabic and Hindi writing systems. [Google] [More] ⦿

Leo Colalillo

Milan, Italy-based type designer who graduated from IED in 2007 and attended the Master of Type Design program at Politecnico di Milano. He has been working in the world of visual communication since then for clients such as Chianti Classico, Moretti, Amnesty International and UAAR. In 2019, he started teaching at IED (Istituto Europeo di Design) in Rome.

His early typefaces include the hand-printed Peake, Grill Trump (2012: a typeface derived from Gill Sans together with Valentina Aufiero, Francesca Sperti, Natale Ventre and Alejandra Sepulveda at Politecnico di Milano), BetaQin, and the heavy angular display typeface Grosser (2013), which was earlier called Größe (2012). This octagonal typeface covers Greek and is loaded with opentype features.

In 2018, he designed the ultra-condensed blackletter typeface Guglia.

In 2020, he released the all caps anthroposophic / lapidary typeface Caudine. It was inspired by the Oscan alphabet used by the Samnites, an pre-roman Italic culture from south-central Italy. Home page. [Google] [MyFonts] [More] ⦿

Leo Gaullier

Graduate of the postgraduate program in type design at ESAD Amiens (France), 2019-2021. His typefaces:

Thalès (2021), his graduation typeface at ESAD Amiens, meant to be used for mathematical texts.
Erade. A set of blackletter-inspired angular typefaces.
Experimental or trial fonts: Primus, Relou Sans, Petis Fils, Modulo 4000, Manolo.

[Google] [More] ⦿

Leon Sam Hugues

British/French type and graphic designer currently who started his MFA studies in type design at Ecole Estienne in Paris in 2020. In 2018, he interned at Typofonderie (Zecraft). In 2019, he obtained a BA degree in type design from Ecole Estienne. In 2020, he joined Neil Summerour's Positype Flourish.

His typefaces:

Bill. Pixelish.
Brick
Candone. Partly inspired by Didot.
Dagobert
Dorset. A script with elements of chancery.
In 2021, Tim Vanhille, Léon Hugues and Matthieu Salvaggio co-designed the blackletter font Emeritus at Blaze Type.
Illume. Mismatched---almost a glitch font.
Jemmapes
Joly Text. A text family in the Dutch style, published by Blaze Type in 2020. Followed by Joly Display and Joly Headline. Type Network link.
Romane. Roman (Trajan) capitals.
Sigurd (2021, by Léon Hugues and Matthieu Salvaggio). A 21-strong decorative roman inspired by old German sagas and feudal armours.
Stratos (Mono, Sans). A monospaced typewriter font and a related sans typeface.
Thorn (2020). A sharp-edged text and/or display typeface family.

Home page. Type Department link. [Google] [More] ⦿

Leonardo Tavares
[Estudio Room]

Leonit Gashi
[Kulturë Type (or: Kulture Type)]

Leopold Feichtinger

Creator of this blackletter lettering sample in 1947. [Google] [More] ⦿

Letter Inc
[Miguel Angel Contreras Cruz]

Letter Inc is a Mexican design collective. One of its members, Miguel Angel Contreras Cruz, is a graduate of the Benemerita Universidad Auónoma de Puebla. Based in Puebla, he designed the bird-themed display typeface Cotorra (2015), a typeface that won an award at Tipos Latinos 2016.

In 2017, street signs inspired him to design the blackletter typeface November Fall. He also created the Tuscan Wild West font famaily Sarastrada (2017) and Mascleta (2021: a blackletter).

Member of the Bedepecus team (Laura Barron Rivera, Pedro Elias Sosa Montoya, Ulises Ricardo Ortiz Cisneros, Miguel Angel Contreras Cruz, and Jorge Ivan Moreno Majul) that took part in Torneo tipografico in 2020 with the text typeface Animal designed for screen.

At Type@Cooper in 2021, supervised by Juan Villanueva, he designed Cemita, a type family that is inspired by traditional food from Puebla---cemita poblana.

Letter Inc also publishes typefaces by other designers, such as the pixelish Kader (by Jesus Barrientos). [Google] [MyFonts] [More] ⦿

Letter Stock (was: Gumacreative)
[Guguh Gumantoro]

Bandung, Indonesia-based designer (b. 1982) of Masura (2016, brush style), Space Cake (2016, sci-fi style), Caroline Script (2016), Morning Fever (2016), Binzo (2016), Morning Cloud (2016, handcrafted), Rancha (2016: grungy style), Alkhali (2016), Gath Is A Robot (2015) and Scarlet (2015, textured typeface).

Typefaces from 2018: Vanhala (Tuscan), Orchard, Solitaire, Founder (a thin script), Elanor, Callous (signature script), Keith (script), Subsky (script), Hamburger (artsy script), Smith (monoline rounded sans).

Typefaces from 2019: Steven Mattew, Romansa (script), Pianicas, Infamous, Voltras, Faddox, Slayer Creeper (a dripping blood blackletter font), Hellioum (a balloon font), Grootten Beast (a wooden plank font), Lazarrous (beatnik), Salmounth (a clean script), Damaskush (a blackletter), Neurotic (spurred, blackletter), Maclucash, Neowave, Throoper, Maldivine, Morrisette (signage script), Descrendent (sans), Athlenstan, Hole Script, Cardigan, Lenox, Aero Space, Esentrik (over-decorated), Lethal (sans), Markwell (script), Hallmark, Fymous (signature script), Brighford (spurred), Bulb (a bubblegum font), Wavecraft.

Typefaces from 2020: Flinch (a stone cut Flintstone font), Jack Miller (a signature script), Jaguar Jugglers (squarish, constructivist), Lazarrous (beatnik style), Jane Frediction, Grindmore (a calligraphic blackletter typeface), Descendent (a monolinear rounded coffee shop sans), Oliver Queen (a fat brush script), Orangutan, Chadwick (a Halloween font), Oakleaf, Buckles, Hackwell, Susan Brooks, Jacqueline, Alistair Morrison, Gibson Walsh, Slapstick, Monkey Werch, Rooselyn, Northway (lettering for outdoor or nature trail signage), Ghotana, Apija, Rawkin Pickles, Lockdown, Linger (a curly delight), Nuttyclash (a dry brush typeface), Ghosie, Kuro (a brush script).

Typefaces from 2021: Bellamind (a decorative serif), Bingana (a playful typeface with oriental influences; appropriate for toys), Cheshire (sketched, textured), Creepycall, Croftler (a grungy athletic shirt font), Goldenwick (a vintage decorative serif), Karlburns (an ultra-decorative font by Vic Carless), Shorelly (an arts and crafts all caps serif), Walkingblue (a round vernacular slab serif), Garlicha (a great formal copperplate calligraphic font that unfortunately features a lower case r that can be confused with a lower case n), Hamingduck (copperplate calligraphy), Antucious (an ornamental serif), Monkeymod (a textured reverse srtress display font), Eightbit (a retro pixel font), Maloney West (art nouveau), Adamovick (a spurred Halloween font), Grindleaf (organic), Cronicalypse (a reverse stress elephant foot display font), Houston Palace (a monolinear retro script), Raceryouth (a weathered stencil font), Lyonade (a monolinear script based on retro motorbike posters), Alleysondust (a calligraphic script), Carlosberg (a spurred Victorian typeface), Clubeight (a trilined neon typeface that is reminiscent of Wyman's designs for the 1968 Olympics in Mexico), Slacksluger (a decorative inline typeface with medieval terminals), Beckmarine (a rough typeface inspired by retro cartoon and retro motorbike posters), Bullmars (a heavy font), Sinofluck (a stylish brush script inspired by a samurai poster), Scandlers (a dry brush script), Melvines (a thick paint brush font), Rockapolis (stencil), Lexaviers (a rune simulation font), Mylo (a dry brush typeface), Meckatler, Machiates (a vintage signage font), Fluxion (a dry brush script), Black Marilyn (blackletter), Palermosh, New Kids on the Font, Psychonaut (a reverse contrast, or even a Western, font), Black Valentine (a decorative blackletter), Buckles (a dry brush font), Smegh Mouth (a dry brush font), Armthadore, Brookland (a dry brush script), Khian Shantang (a decorative blackletter), Laekar (a hand-drawn blocky poster font), Schoutler (an ornamental fantasy font), Sonoxa (a heavy and creamy dry brush typeface), Classicloud (a decorative and festive blackletter).

Typefaces from 2022: Gavin Zoo (a vintage decorative serif), Sallam (Arabic emulation), Sururim Maudunah (emulating Arabic), Ar Rayyan (Arabic emulation), Hollybucks (a round handprinted typeface), Mack Dutch (a weathered elephant foot serif), Obidel (a squarish vernacular typeface), Pinkerton (a playful cartoonish font), Sloopy Joe (a condensed sans with some curly terminals), Xylo Macloud (a decorative serif), Hickenwitch (a decorative serif), Parkwilson (a decorative serif), Buckedtalk (an inline blackletter typeface), Buckedtalk (an inline blackletter typeface). Creative Fabrica Script. [Google] [MyFonts] [More] ⦿

Letterhead Fonts
[Chuck Davis]

Chuck Davis (Palmdale, CA) is the founder of Letterhead Fonts, which is now loacted in Reno, NV. LHF was established in 1999. They specialize in sign and logo fonts, taking inspiration from wood type and late 19th century style typefaces.

Free fonts "Letterhead Tuscan" (handlettering), Quadrex (2006, 3d effect font), and Wal-Mart People (dingbats). Early display fonts include Esoteric (1999), Wall Dog, Double Gild, Convecta, Smalts, Splash, Lisa. His Atkinson collection has a few nice lettering alphabets: Heavy Sign Script, Eccentric French, Fancy Roman and Modern 1908 Classic (now called Cafe Nouveau).

Mike Stowe designed Old Blackletter in 2001. Ken McTague made the hand-lettered style typeface Boston Truckstyle. Designed by Brian Kniceley in 2000: LHF Henderson Church, LHF Ohnimus Florid, LHF Ohnimus Spiked, LHF Strong Tea House, Strong Caliope, Strong Nouveau.

Fonts made around 2000 by Chuck Davis: LHFActionMovie LHF Bulletin Plug, LHF Classic Block, LHF Condensed French, LHF Convecta (2005, beveled face), LHF Cool Blue, LHF Crouching Tiger, LHF Def Artist, LHF Def Writer, LHF Double Gild, LHF Eccentric French Lt, LHF Esoteric, LHF Heavy French Roman, LHF Heavy Sign Script, LHF Jami (2000), LHF Letterhead Tuscan, LHF Lisa, LHF Modern 1908 Classic, LHF Quantum (2001, techno family), LHF Smalts, LHF Splash, LHF Tuscan Full Block (Western style), LHF Wall Dog, LHF Letterhead Tuscan. Fonts made in 2001 by Chuck Davis: LHF Advertisers Plug ATK, LHF Argentine Solid, LHF Boston Truckstyle, LHF Esoteric New, LHF Grants Antique, LHF Mister Kooky, LHF Mister Spooky, LHF Scriptana (2003, angular calligraphic script).

The following are all by Chuck Davis: Kung Faux (2021: oriental simulation), LHF Antique Shop, LHF Fat Cat (2011, a round informal typeface influenced by Alf Becker's rounded block letterstyle), LHF Bank Note (2007), Quadrex (2005), Menace (2004, comic book style), Michelle (2004, calligraphic script), LHF Ambrosia (2004, free), Sofia Script (2003), Stanford Script (2003), Sarah Script (2003), Fancy Full Round (2003, a Western typeface inspired by Al Imelli, ca. 1900), Matthews Thin (2003, tall caps face), New Modern Classic (2003), LHF Birgitta (2003, roman style typeface, inspired by an E.C. Matthews book), LHF Happy Fun Ball (2003, comic book style), CD Esoteric, OldSignFont, Robin, LHFDefWriter, LHFDefArtist, LHF Amarillo (2001, a spurred serif), LHFBeckerMonogramEnglish, LHFBeckerPosterScript, LHFBeckerRoundedBlock, LHFConclaveFLATreg, Cool Blue (2003), LHFConclaveFLATwide, LHFConclaveROUNDreg, LHFConclaveROUNDwide, LHFConclaveSHARPreg, LHFConclaveSHARPwide, LHFCrouchingTiger, LHFCrouchingTigerCONVEX, LHFEquinox, LHF Esoteric3 (2004), LHFMirageBOLD, LHFMirageITALIC, LHFMirageREG, LHFMonogram, LHFQuantumCONVEX, LHFQuantumREG, LHFRomanaClassico, LHFScriptana (great lettering font), LHFTimberlodge, Village, Kelly Ann, Outlaw, Hensler (2002, a cigar box face), Antique Half Block (2002, wood type), Spurred Egyptian, Wolverine, Ortlieb, Super Thick&Thin, Denise, Hensler, Charlotte, Antique Half Block (2002), Supabad (2003), Brianna (2003, techno), Happy Fun Ball (2003, comic book family), Naylorville (2004), LHF Grant's Antique (2004, caps only Victorian face), Michelle (2004), Cafe Corina (2006, a decorative 19th century style free font by Chuck Davis), LHF Ambrosia (2004, a purely Victorian free font by Chuck Davis), Lincoln (2006), No Fishin (2006), LHF Bell Boy (2004, a free art deco font, Chuck Davis), LHF Full Block (2003; free slab serif athletic number typeface by Davis), Mike's Block (free slab serif by Davis), Old Block (free athletic numbering typeface by Davis), LHF Old Stock (2007), (2007, lettering from old stock market certificates), Hick Sticks (2007, letters made from sticks), LHF Fast Slant (2007, comic book style), LHF Cartoon Cowboy (2009), LHF Big Daddy (2012, fat signage family), LHF Comic Caps 2 (2014), LHF Advertisers Square (2014, after a signage alphabet by Al Imelli, 1922), LHF Asylum (2015, scratchy brush), LHF Black Rose Script (2016), LHF Mastercraft (2017).

Typeface categories: 3D, 30's and 40's, 50's and 60's, Art Deco, Art Nouveau, Bold, Calligraphic, Cartoon, Casual, Circus, Condensed, Convex, Corners, Decorative, Distressed, Early 1900's, Extended, Fire Truck, Formal, Gothic, Graffiti, Inline, Late 1800's, Layered, Light, Modern, Old English, Ornaments, Panels, Prismatic, Racing, Railroad, Ribbons, Roman, Sanborn Map Co., Sans Serif, Scripts, Scrollwork, Shadow, Stock Certificate, Swashes, Victorian, Western, Word Art.

Designers: Arthur Vanson, Brad King, Bruce Bowers, Charles Borges, Chuck Davis, Dan Sawatzky, Dave Correll, Dave Smith, David Parr, Denise Bayers, Duncan Wilkie, Francis Lestingi, Jeff Marshall, John Davis, John Studden, Kaitlin Sims, Ken McTague, Mark Searfoss, Mike Erickson, Mike Jackson, Patrick Kalange, Rob Cooper, Steve Contreras, Tom Kennedy.

At one point, Chuck Davis was running Blu Creative Media, where he published BLU Esoteric (1999).

Interview at MyFonts. Letterhead link. Behance link. [Google] [MyFonts] [More] ⦿

Letterhend Studio (or: Magang Letterhend)
[Hendry Juanda]

Hendry Juanda runs Letterhend Studio in Yogyakarta, Indonesia. He designed the signage script typefaces Redoura (2016) and Kadisoka (2016), and the accompanying Redoura Serif (2016) and Kadisoka Monoline (2016). Hendry also designed the handcrafted typefaces Signerella Script (2016, +Sans), Motherline (2016), Motherline Sans (2016), Mukadua (2016: a beatnik serif and a script), Sakra (2016) and Sakra Script (2016).

Typefaces from 2017: Kaylar Script (formal calligraphy), Keylar Serif, Legion, Hipsterious (signage script), Megattor, Dear Jane (a signature script), Wonder Stark (a rhythmic script), Kingbirds (monoline script), Mandatory (Sans+Script), Modesta Script, Romzul Sans (a fat finger font by Muhammad Romzul Khoir), Kanuda (by Galih Prasetyo), Aamonoline (by Ageng Jatmiko), Fad Script, Ageng Sans (by Ageng Jatmiko), Anisa Sans, Morsel, The Lentigo, Quinible, Storytella, Rose Colored, Swiftone, Antone (letterpress family), Retrology (monoline script), Claytonia, Pipetton (brush Script and Sans), Marttabuck (retro), Gloriant Signature Script, Jouska, Brooklyn (dry brush), Holiday, Take Easy (dry brush), Larizo (brush script), Vanillate (monoline retro script).

Typefaces from 2018: Sabatons, Autogate (font duo), Sharon Baker, Blue Phantom Script, Dologan, Bolica, Jaceline, Youther (brush script), The Goldies, Carllosta (curly), Black Space (brush style), Anjani Script, Melania Monoline, Calasans (retro layered), Arlington (spurred, Tuscan), Pastelle (SVG brush font), Diana Webber, Caligor (a vintage headline typeface), Greatly, Belymon Script (a great signage script), Majestika Script (signage script), Nagoya (monoline script), Charlotta Script, Stronger (vintage style), Vanillate (connected monoline script), Pipetton (script), Roseville (calligraphic: by Hendry Juanda and Sarid Ezra), Rupture, Gustolle (a great watercolor brush font in OpenType SVG format), Riverside (monoline script), Bulgaria Script, The Majority (calligraphic script), Blacklite (signage script), Athalia Script, West Hood (Western), Fort Collins (font duo, by Sarid Ezra at Letterhend), Flanders Script (a signage script), Thirdlone (a monoline script), Bigstorm, Melania Script (named after the first golddigger), Motherline, Harsey (a 16-font toolbox of signage scripts and dingbats), Dearday Script, Dearday Sans, Blodders, Callonsky Script, Kulon, Quicken, Reklase, Skizzle, Storytella, Brighter.

Typefaces from 2019: Shockbar (a Halloween font), Chanide Script, Girly Moods, Padlock (a great retro script), The Rouged (monoline script), Karatone, Kingdrops, William Letter Signature, Billskates, Dorothy Clark, Chord Brights (a Victorian typeface), Sequents, LS Olive 01 Script, Bargitta (an SVG brush script font by Hendry Juanda and Sarid Ezra), Hellone Script, Sharon Baker (by Hendry Juanda and Sarid Ezra), Daniella Evans (a display serif by Hendry Juanda and Sarid Ezra), Leafstar, Righton (a signage script by Hendry Juanda and Sarid Ezra), Lotustail (by Henry Juanda and Sarid Ezra), Radicals, Seriously (a display sans), Rupture, North Avellion, Majestika Script, Palmbell (a signature font by Hendry Juanda and Sarid Ezra), Fokers (Victorian), Frankest (Script, Serif; with a Victorian feel), Danielle Harris, Callonsky Script, Murphy Script, Lanoline Script, Bittergrace Script (by Hendry Juanda and Sarid Ezra), Bordemile (a copperplate calligraphic script by Henry Juanda and Sarid Ezra), Daybird Script, Amerta Misty, Wonderstory, Kingbirds Rough (monoline), Rupture Stamp (for signage), Gorgone (a one-style didone by Henry Juanda and Sarid Ezra), Stomper, Caligor, Asterone (a wide all caps sans), Venettica Script (a signature script), Hougbon Script, Philomena Script, Cephalonia, Birmingham Script (calligraphic), Hillstown (Sans and Script).

Typefaces from 2020: Billrocks (a condensed all caps sans), Greybridge (a fine retro script), Lava Cookies, Just Because, Moraline Script (a baseball signage script), Lemonade Peach, Mayburn (a retro signage script), Fillerglad (a signature script), Breadfast, Della Brian (script), Sailritme (wild, calligraphic), Stacylia, Stacylia, Salty Unicorn (a monolinear marker pen font), Super Giants, Gingerly, Creeplens, Donthank (a fat finger font), The Viperion, Blantika, Maritosca (wild, calligraphic), Thirtylane Script, Winland (a brush script), Ballmarks (wild, calligraphic), Mellodate, Braleno (a shaky font), Siregar, Camie (a wedge serif), Hugiller (a high contrast ball terminal fashion mag serif), Mildistance (a tall calligraphic script), Midgeto (a casual all caps typeface), Crimson Black (a brush typeface), Duke Charming (a decorative serif), Lucky Spark, Blue Jones, Sunshine Valley, Hello Christine (a rough-edged script), Revalina (a wild calligraphic script), Ranshell (a chalky script), Malliandra Script (a wild calligraphic script), Vistaria Notes (a wide flowing calligraphic script), Achiever, Bullgine (blackletter), Billion Reach (a signature script), The Randi (a monoline script), Yorkson (a signage script), Laverty Castaroza (all caps, art nouveau), Kandani (a creamy signage script), Fragtude (a creamy script), Quick Counters, Kaeliwritten, Heaven Wanders (a lively vintage hand-printed typeface), Chillday Script, Redberries, Foretelling Script, The Stegris (a decorative serif), Bayland (a signage script), Darthon, Caligonia, Deluge (a heavy script), Laterlocks (a display typeface), Baille Simpson (a dry brush script), Kanote (an all caps cartoon font), Black Ground, Franceur, The Wanters, Alburgone (an all caps quaint shop front lettering typeface), Annette Bradford, Winstreak (a brush font), Madegra (a decorative serif), Samrose (a dry brush font), Dehors (a Tuscan circus font), Compania (a wild script), Neography (a formal script), Shakuro Brush (oriental brush), Rascals, Wednesdom, Chirpy, Altia (Script, Sans, Slab Serif, Signature, Hand, Brush, Dingbats), Stargation, Buttoni, Radgrows, Linkgray, Monday Bay, Brown Chunkers (a vintage label font), Squiborn (a hand-drawn athletics font), Brilliantly, Holystone, Detroit (a handcrafted slab serif), Spring Note, Bigtown (a heavy hand-lettered slab serif), Naville (a 6-style all caps sans family), The Proactive (script), Wardrum Pro (a wide sans) and Wardrum, Kinderline Script (monoline), Kingdrops, The Kogles Script (retro), Conseration (a condensed sans). Hopkins Angela, Blue Phantom, Gladiolus Script, Calvous (spurred and weatheed), Fort Smith (penmanship calligraphy), Ramdone (a creamy signage script), Devilion (a signage script), Cortair (a vintage typeface), Kingbirds (a monoline script), Purefell Script, Rangkings (serif), The Holloway (Victorian), Roquen (a rustic typeface), Gloriant.

Typefaces from 2021: The Riskeys (a tall stylish serif), Brandice (blackletter), Carllosta (a Victorian font), Dountyland (a monoline script), Garten House (Victoriana), Hello Sierra Sans (a child's hand), Marla Griselda (a formal script), Nachinta (script), Winter Rosetta (a curly script), Distoniare (a thin calligraphic script), The Moon Milter (a vintage all caps display font), Asper Crown (a nature park display font), Delgian (script), Astropicks (a marker bpen font), Cerlistine (a fat finger script), Fintbar (a fat all caps display font with an oversized chin), Madre Rose (a stylish unicase typeface), Norvin (vintage caps), Roundkind, Sentra (a wide hand-crafted display font), Stone Masher (script), Beast Party (a Halloween font), Hollow House (a Halloween font), Blowsters (a dry brush mural font), Rumble Born (a bean font), Stano Sans (rounded), Amillia Rochete (a delicate signature script), Shopie Minclair (a fine pencil script), Sign Paintoh (a sign painter's font), Wednesday Island (script), Sinister Mind (a horror font), Divine Stone (a brush font), Pinsmalle (a signage script), Radnick (a plumpish retro font), Wackets, The Royal Chambers (decorative caps, with a hint of art nouveau), Shopie Minclair (a refined script), The Morshine (Victorian), Beauty Culture (an angled calligraphic script), Allarmante (a horror font), Billanta (a retro signage script), Galpike (a 9-style sans with modulated stems), Magnitude (a stylish display sans with large x-height), Romans Story (stylish caps), Stay Strong (a dry brush script), Cardila (a monoline retro signage script), Explore Magic (hand-printed), Kingslayer (a graffiti font), Marina Bullock (a flowing rabbit ear script), Dustland (a retro signage script), Haystack (script), Sakura Town (Japanese brush emulation), Boldistrike (a retro signage script), Maleryan (a delicate formal calligraphic script), Sellina Word (a calligraphic script with irregular line thickness), Servegin (a display serif), Shelbie Roger (Victorian), Stumble (a signage script), Foresight (a vintage script), Cordoba Sans (vintage caps), Badgear (a monoline script), Edellyn Script (tall and elegant), Glorify Sans (an 8-style decorative sans), Wellytonia Package (a scrapbook script), Turesco (a creamy caps typeface), Black Space (a horror brush SVG font), Slime Yogurt (a fat finger font), Black Hymned Script, Pompano (a lively almost vernacular headline sans), California Quotes (brush script), Rosterine (a vintage condensded display font), Between Days (a display serif), Crescent Slim (a stylish display serif), Captivate (script), Flumbery White (a thin tilted script), Modern Prestige, Olive Vine (a lively brush script), Graystera (an elegant script), Morning Glints (a marker pen font), Native Roast (a vintage layered typeface), Menleader (script), Neophyte (a flared vintage typeface), Dankfield (condensed, squarish), Sogate (a bold script), Hollow Sky (a thin script), Boosley (a condensed supermarket script), Killviners (blackletter), Chenile Deluxe (a vernacular supermarket font) Silvestern (a vintage display font), Arnette Script (a calligraphic script), Margoline (an elegant formal calligraphic script), Pinmold (a geometric stencil font), Eligated (all caps, vintage), Garmouth Display (a Victorian era advertizing font), Bugheds (blackletter), Candleton, Riotous, Baverley Astone (script), Belmistate (a fine rhythmic brush script), Hulberk (an all caps slab serif), Mogaster (a monolinear script), Black Rockets (a dry brush script), Glady Script (a bold signage script), Yesternight (a bottom heavy script), Welroseltone (a stylish calligraphic font), Bold Garage (an inky unusually elegant typefacre), Bright Clones (hand-printed) Grand Wilson (a font duo), Merodine (calligraphic), Appears (a decorative serif), Mounties (tall caps with flared terminals), Quatro, Ground Castle (a display serif), Linestay (a signage script), Alessia Harvey (a signature font), Caramel Chestnut, Londers (an upright bold script), Hubstone (a brush font), Oversouth (vintage, hand-drawn), Bright Gesture (a lachrymal font), Center Voyage (an all caps display typeface), Asteria Royalty, Georude (hand-printed), Raksana (a bold upright script), Aesthetic Notes, Broadley (a vintage font duo), Chopader (a vintage font duo), Wimp Stars (a beatnik font), Brown Holmes, Mortina (a vintage font duo), Dustown (a rounded handcrafted sans), Holymore, Lamberds (a rhythmic script), North Mountain (a decorative flared typeface), Butter Slices, Portalica (an all caps italic font with plenty of ball terminals), Evening River (an optimistic and playful script), La Graziela (formal copperplate calligraphy), Metro Capitals, Davenvale, Earthgate (a vintage penmanship font), Vindale (a retro reverse stress script), Better Hobby (a layerable cutout font), Bouldster (a bottom-heavy psychedelic script), Melorist (a display sans), Benorante, Millgrove (a condensed spurred typeface), Asterluck (a fat finger font), Boinger (wide, octagonal), Rimeland (calligraphic), Ansylia, Mantaray.

Typefaces from 2022: Arturico (a frivolous art deco font), Calmine Font Duo (a bold vintage script), Foresight, Penster Bross, Mayhome (script), Rivervale (flared hand-crafted caps), Rontage (a late 19th century-style display typeface), Bert Watson (a tall thin upright script), Honnie (Greek emulation), Livemono (6 styles), Caldeisa (a creamy script), Coral Candy Regular Slant (a blocky plump unicase typeface), Hanstone (script), Hintown Slant (arts and crafts era caps), Liviatica (a wavy display serif), Rosie Brown (a font duo), Growline (an all caps display sans), Lion Parade (a vintage apothecary script), Praysire (a sharp-edged display serif), Bashiton (a monolinear script), Crainzel (notched caps), Garetra (a stylish serif), Moon Slayer (a scrapbook brush font), Growlies (a fat finger script), Ridge Cliff (a massive slab srif), The Bristers Sans (a font duo), Augify (a hipsterish display serif), Dustyland (a monoline script), Primore Castle (hand-crafted), Merry Brook (script), Monstroux (a brush font), Blue Carousel (an informal brush script), Bastinson (a thin monoline script), Happy Sparkle (an inky treefrog script), Arinkoln, Backdown (script), Krostenia (a monoline script), The Bardian (script), Black Rocket (hand-printed), Kaglia (script), Cyberion (sci-fi), Groovy Friends (hand-printed), Calfine (a bold condensed poster typeface with small wedge serifs), Fountencil (a blackletter stencil), Logirent (a minimalist logo font), Logirent, Hermush (art nouveau caps).

Aka Magang Letterhend. Behance link. Dafont link. Graphicriver link. Dafont link. Creative Market link. Fontesk link. [Google] [MyFonts] [More] ⦿

Letterhythm Studio
[Dhiya Roslan]

Malaysian type foundry, est. 2020. In 2020, Roslan released the urban street blacletter font Letterhythm. [Google] [MyFonts] [More] ⦿

Lettermin Type Foundry (was: Ermin Design)
[Ermin Mededovic]

Croatian designer who lives in Ljubljana. He is owner and type designer at Lettermin (since 2012) and design director at Delo Publishing House. Creator of fonts such as Board, Counter (dot matrix), DeeDot, Dirty Karlson, Dope, EnfontTerrible (grunge), Exer, Fractual (Fraktur), Frizider (connected 50s style lettering), Gliberto, Jogurt Pi, Kelih, Latirilica, Malomorgen (Fraktur), Manifestina, Ministry of Defense, NoBodyType, Omar Sans and Omar Sans Plus (1999, Typohteque), Pope-Regular, PopeInline, Siscia, Sugestica, Tune, Telekom Pi, Video-Flat.

At Plazm he published Centrifuga (1996), Board (1995). In 2005, he finished the design of a 40-style a typeface family for Delo, one of the leading Slovenian daily newspapers.

In 2014, he created Lipa Agate (Type Together), a workhorse sans serif for use in very small type sizes. Similarly, Ingra (2015) is a 30-style sans family designed for use in magazines, with weights ranging from hairline to extra bold.

In 2016, Ermin published Fino, Fino Sans and Fino Stencil at Type Together, which advertizes is as a dramatic, contemporary family that scales beyond the world of looks by tapping into archetypes. It amplifies the most theatrical aspects of the Didone, while bringing an uncommon flexibility of style and variation to any type palette. Tall and stately, this is a caps-only typeface system.

In 2019, Omar sans was retired by Typotheque and Mededovic rejuvenated this octagonal design as Edge Sans. In 2021, he added Edge Slab. [Google] [MyFonts] [More] ⦿

Letters en Plaatjes
[Thijs Mertens]

Thijs Mertens is a Dutch designer in Arnhem who runs the design studio Letters en Plaatjes since 2009. He used FontStruct in 2009 to create ThM PurSans, ThM BlackBox (stencil), ThM For Minimal, ThM Papercut, ThM Concept, ThM Monomode, ThM Firefly, and ThM Freaktur (sic).

In 2011, he made ThM Trade Stencil, ThM Tomahawk, ThM Thin (thin and octagonal).

In 2012, he added ThM Toronto, ThM SPQR (athletic lettering), ThM Bone, ThM Tibetan (blackletter), ThM Trade (slabby), ThM Tulipe, ThM Mini, ThM LCD.

Typefaces from 2013: ThM Liga, ThM Architype Albers, ThM Marksman (stencil face).

Lettres Vagabondes (or: Fonts by Holyrose)
[Agathe Richard]

Agathe Richard (Lettres Vagabondes) is a French calligrapher from Lyon (b. 1986) who made Holyrose Sale (2005, painted letters) and who has a gallery with breathtaking calligraphy. Alternate URL. Yet another URL. Direct link to her fonts: Midnight Tea (2006, blackletter), Bonbon Gothique (2005, blackletter), holyrose-font-midnightea (2006), Script Gribouillon (2005), BonbonBleu (2006, calligraphic gothic face). Under "grenier" (attic), check out her illuminated caps. [Google] [More] ⦿

Lewis Bullock

Bournemouth, UK-based designer of Ina Segsby (2011, a blackletter pixel face). [Google] [More] ⦿

Lewis Foreman Day

Lettering artist and author, 1845-1910. His books include Alphabets Old and New: Containing Over One Hundred and Fifty Complete (1902, B.T. Batsford), which has a large number of historic alphabets, initials, blackletter examples, and new alphabets by the author himself. Other books: Alphabets Old And New For The Use Of Craftsmen (1910, B.T. Batsford, London), Lettering in ornament (B.T. Batsford, 1902), The anatomy of pattern (B.T. Batsford, 1895), Penmanship of the XVI, XVII&XVIIIth centuries (1911, B.T. Batsford, London: Local download), and Nature and Ornament (B.T. Batsford, Charles Scribner's Sons, 1892).

He created numerous pen-drawn alphabets. I am using the descriptive names he used in his own book, Alphabets Old and New: Modern Brush Letters, Blunt Brushwork, Blunt Twisted Brushwork, Japanese Brushwork, Modern Capitals for engraving on metal, Modern Capitals, more Modern Capitals, and yet more Modern Capitals, Modern early Gothic Capitals for engraving on metal, Modern Early Spanish Letters, Modern Foliated Capitals, Modern Gothic Capitals, Modern Minuscule Gothic, Modern Roman Capitals, Modern Roman Italics, Modern Twisted Letters, Numerals (set 1), Numerals (set 2), and Numerals (set 3).

In 2012, Dick Pape created a number of typefaces based on alphabets found in Alphabets Old And New For The Use Of Craftsmen (1910). These include LFD14thCItalian75 (drawn by J. Vinycomb), LFD15thCFrenchRelief91, LFDAlphabetUndOrnamente216 (after roman capitals by Otto Hupp), LFDAsianStencilling205 (an art nouveau stencil based on an original by E. Grasset and M. Verneil), LFDBlockCapitals213 (based an alphabet by Walter John Pearce), LFDEngravingonSilver196 (a Foreman Day original designed for engraving on silver), LFDFreehand170 (based on an alphabet by Bailey Scott Murphy, architect), LFDFrenchPrintedType189 (based on a type by E. Grasset), LFDFrenchType209 (a caps typeface by Lewis Foreman Day), LFDIncisedinWood114 (a Foreman Day original Elizabethan lettering aklphabet based on an inscription incised in wood at North Walsham, Norfolk), LFDMetalEngraving187 (another original by Foreman Day, for engraving on metal), LFDModernCaps210 (an original), LFDPainted148 (a sketched typeface that was painted in 1727 on the wooden drug-drawers of an old apothecary's shop and kept in the Germanisches Museum, Nuremberg), LFDPenAlphabet222 (an art nouveau alphabet by Foreman Day), LFDPenwork160 (after an original monstrosity by Walter Crane), LFDPenwork181 (based on an alphabet of Roland W. Paul), LFDPenwork206 (based on lettering by Franz Stuck), LFDQuasiJapanese203 (an oriental art nouveau design by Foreman Day), LFDRomanCapitals224 (based on lettering by Franz Stuck), LFDScriptStencil219 (an oriental art nouveau design by Foreman Day), LFDSquareCut202 (an original pixelish typeface by Foreman Day), LFDThinFrench208 (based on an alphabet by John Vinycomb). [Google] [More] ⦿

Lex Kominek

Calgary-based designer of Naranja (2005), an experimental typeface built up of quarter circles and L-brackets. Its dingbats are inspired by Clockwork Orange. Faces made with FontStruct in 2008: Robot Builder (Solid, Shaded and Open: squarish typefaces), Polygonal Lasso (Far West type: 938 glyphs for Latin, Latin Extended A & B, Greek, Cyrillic, and Katakana), Marshmallow Script (based on Einhorn, Eclat, Deftone Stylus, and Magneto, all connected diner scripts), Crazy Eights (deck of cards), Ficus Stencil (+Compressed, +Condensed, +Extended, +Regular, +Zebra, +StencilOpen), Big Fat (+Vibrate, +Solid, +Shaded), Negatron (Regular, Solid and Fill), Tuscan Radar, Nuclear Depot Americum (495 glyphs consisting of stars), Nuclear Depot (Radioum, Neptunium, Plutonium, Uranium: a futuristic family that covers Cyrillic), Am I see are you pee see, eh? (a font that combines MICR with UPC-A). The links: big_fat_shaded, crazy_eights, ficus_stencil_compressed, ficus_stencil_condensed, marshmallow_script, negatron_fill, negatron_regular, negatron_solid, serpent_like_bold, tuscan_radar.

2009 creations: Haemophobe (pixel), Star Wreck, Mouthcaster (a bilined typeface based on the lettering on the front of the 1978 edition of the Scoutmaster's Handbook), Pasta (white on black), Medical Station Alpha (techno), Disco Stud (Chrome, Solid, Chrome Oblique, Solid Oblique), Affix, Infix (experimental and minimalist), Pinball Blizzard, Tears in Rain (a simplistic textura), Five Minute Hair Colour (slab serif), Seg Sixteen (LED face), Trajedy (pixel), Nobody 8 Italic (pixel), Home Sweet Home (a cross-stitch font), Wotan, Tiki Deaky, Writetyper, Chromatose (shadow family), Chocobot (an octagonal family containing Dark, Stacked (multilined), Milk, White), Big Fat (Shaded, Vibrate, Solid).

2010 creations: Fungal Sharp, Fungal Rounded (described by himself as a unicase stovepipe sans), Elliptical Lasso (Western ornamental caps), Astral Projection (a dot matrix typeface that updates Astra, a Letraset font designed by François Robert and Natacha Falda in 1973), Brick-block tops (3d effect), Knots, Spacerock (an extensive arc-based geometric family), Telephone (counterless), Pixular, StarWreck the Next Generation, Hockey Club, Brick-Block Tops, Bubblemania, Ziabelle Remix (outline, 3d, shaded), Hextone, Falcone (robotic face), but I didn't Trap the Deputy (Egyptian), Dinosaur Gothic.

Fonts from 2011: Apé'ritif (bilined), Csillagok (a futuristic face based on a Hungarian Star Wars poster), Valhalla (faux runic), Birodalom, Haboruja, Piezo, Felix (black art deco face).

Typefaces from 2013: Portafina, Portofino.

Typefaces from 2014: Hanz and Franz, McRasky (a MICR font), Apricpt, Classic Spacerock, Five Minute Hair Colour.

Typefaces from 2015: Big Fat Shaded Neue, Rampy, Managrom (monogram font), Spagett (connected cursive script). [Google] [More] ⦿

LFCF (was: El Serif de Chocolate)
[Luis Fernando Carvente Flores]

Luis Fernando Carvente Flores is a type designer and illustrator in Pueblo de Zaragoza, Mexico. Initially, he made free fonts published via Dafont, and using the foundry name El Serif de Chocolate.

Creator of Spatha Serif (2010), Spatha Sans, Musa Ornata (2008, fat round signage face), Knema (2010), Musa (2009), Bascula (2009, athletic lettering and Egyptian typeface; +College), Toeris (2009, a western heavy slab serif face), Golondrina (2010, in Africana and Europea styles, all blackletter), and Memela Fraktur (2009, blackletter).

In 2010, he turned commercial and set up LFCF.

In 2011, he published the free blackletter typeface Carmilia and the tropical typeface Babalu.

In 2012, he added the (free) thin ornamental typeface Ferrica Light and the bouncy Tuscan typeface Festiva (free).

Typefaces from 2013: Paky (a brush typeface for a packaging project with Mario Tapia), Vinilo Ultra (curvy stencil, tweetware).

Typerfaces from 2018: Agustina.

Home page with a typography blog and a calligraphy blog in Spanish. . Home page. Blog. [Google] [MyFonts] [More] ⦿

Liam Lawlor

Toronto-based designer of the blackletter typeface Deutsch Kino (2016). Behance link. [Google] [More] ⦿

Libbie Bischoff
[Type du Nord]

Libor Sztemon

Czech site with helpful tables of all Latin and Slavic alphabets. Downloadable fonts made by Libor Sztemon in 2001 for his software, Liborsoft, include Cieszyn, Great Moravia, Zamane e Euransi e Nauromenis (an old version of Times NR Basque), CNR-Solca, Casy-EA-Bold (a didone), Casy-EA, Darseni-e-Afshenasi, Dee-Sathairn, Euransi-e-Nauromane, FZDHTJW--GB1-0, FZHLJW--GB1-0, GaramondWLHalbfett, Havirov, Johaansi-ye-Peyravi (blackletter), Khorshide_Iran, LiborsoftInternational, LinguaLatina, Masnavi-e-Nauromane, OldMoravianGlagolitic, Ostrava (a copy of Flyer), PrydEuro-Cymraeg, Shahanshah-e-Xatt, TNRLiboriusVII, TempsEuro-Catalan, Times-NR-Czech, Times-NR-Greenlandic, Times-of-EuransiLS, Times-of-SlaviskPSMT, Times-of-Slavs, Times-of-the-West, TimesNewRomanHungarian, Velehrad, VelehradBold, Zemanho-ye-Darseni, Ardashir-e-Urofarsi, Daftar-e-Urofarsi, Gam-e-Urofarsi, Jahan-e-Urofarsi, BohemiaLS, BohemiaPS-BoldLS, BohemiaPS-BoldItalicLS, BohemiaPS-ItalicLS, LiborsoftCzechia, MoraviaLS, Moravia-BoldLS, Moravia-BoldItalicLS, Moravia-ItalicLS, SilesiaLS, SilesiaPS-BoldLS, SilesiaPS-BoldItalicLS, LiborsoftSilesiaPS-ItalicLS, Miyane-ye-Urofarsi (Liborsoft), Name-ye-Urofarsi, Parvane-ye-Urofarsi, Peyk-e-Urofarsi, Sadsale-ye-Urofarsi, ahpur-e-Urofarsi, Setare-ye-Urofarsi, Siyah-e-Urofarsi, Times of Tajiki, Tarik-e-Urofarsi, Zeman-e-Darseni, Zaman-e-Urofarsi, TimesNREuskaraEuransiEsperanto, Friulan Nazzi-Faggin (2001, a didone). Additional fonts include Avestin e Euransi, Euransi (old standard charset), Eurasian Times, Liborsoft Slavonia, Pravda, and Times of Hebrew. Another directory. [Google] [More] ⦿

Libro di M. Giovambattista Palatino cittadino romano
[Giovambattista Palatino]

This jewel of a book was published in 1550 by Antonio Blado asolano in Rome. It is now available on the web and contains of complete alphabets, from chancery scripts, to blackletter and roman. There are also Greek, Hebrew, Cyrillic, Syrian, Arabic and other alphabets. Selected pics to make you drool. [Google] [More] ⦿

Ligaturix

Free software for writing Fraktur with "Word", created by Hans-Georg Soldat (b. 1935), who is based in Berlin. It makes sure that essential ligatures such as ch, ck, ff, fi, fl, ft, ll sch, si, (sl), ss, st, tt, and tz are properly taken care of. Ligaturix is especially adapted to deal with the family of Fraktur typefaces produced by Delbanco. [Google] [More] ⦿

Lilla Bölecz

Graphic designer and illustrator in Budapest. During her studies there at the KREA Contemporary art Institute, she took a very original modern view of blackletter in her design of the Aladdin Prince Ali typeface family (2013). She created funky typefaces for several projects, including Lance Armstrong Identity (2012). [Google] [More] ⦿

Lindsay Mannix

Codesigner, at Polygraph in Falls Church, DC, with Jason Mannix of the blackletter face Enzian (2011), which was awarded at TDC2 2011. The blurb about Enzian at TDC: Enzian is the product of a German research fellowship sponsored by the Alexander von Humboldt Foundation. We set out with two goals: to better understand the technical nuance and complicated history of German Blackletter and produce an original typeface inspired by our findings. Klingspor link. [Google] [MyFonts] [More] ⦿

Lindsay Muir

During her studies, Lindsay Muir (New Paltz, NY) created the decorative outlined blackletter typeface Smackletter (2015). Behance link. [Google] [More] ⦿

LingDong Huang

Designer of the blackletter pixel font Gothic Pixels (2014) and the pixel dingbat font Firearm Encyclope (2016). [Google] [More] ⦿

Linotype Textur

Linotype sells Textur Lombardisch and Textur Gotisch DFR without providing any information about its sources. Furthermore, for those thinking that they are buying two different fonts, be warned that the lowercases are identical. [Google] [More] ⦿

Lisa Najewitz

Wismar, Germany-based designer of the beautiful didone fashion mag typeface Giorgio (2015), which was part of a school project supervised by Andreas Froloff. All her pther work is equally outstanding---winess the calligraphic blackletter lettering piece called Affenzirkus (2015). [Google] [More] ⦿

Listemageren Fontarkiv
[Klaus Johansen]

In the late 1990s, Klaus Johansen from Odense made gorgeous (free) dingbat typefaces such as Fabeldyr, Ancient Heads, Art Nouveau Headers, Art Nouveau Women, Atleter, Border DingCats, Devils and Dragons, Dutchmen Dingbats, Dingbat Cats, Engleknapper, Fandom Dingbats, Gabriel's Angels, Great Detectives, NY Dingbats, Malacates, Masonic Symbols, Mayan Dingbats, Mexican Ornaments, Mythago Wood, New Dingcats (1997), Ornamenter 1 through 5, Panda, Relieffer, Spirits, Square Ornaments, Statuer, Zodiac Signs, Zodiac02 (1998), Traesnit, Traesnit2, Woodcut1, Woodcut2 and Aeroplanes. Listemageren fonts also include Hans Christian Andersen Papercuttings, and the following alphabet fonts: Carmencita (ornamental Victorian), Preciosa (Victorian), Tropicana (almost like caps), Domino-samlingen, 1998 A, 1998 B, 1998 experimenter..., Fantomet, Karen Helenes Haandskrift, Klaus Johansens Haandskrift, Lewis F. Day No. 191, Lisbjerg, William J. Pearce No. 213 [note: this is named after an alphabet by Walter John Pearce...], Takker. All postcardware! More complex designs: Children, WW1-A (bicycles), WW1-B, WW1-C, WW1-Planes.

Lita Faolina
[Product Type]

Liudmila Riumina
[Imperator Kot]

Logan Kruger

Creator of the blackletter typefaces Oh My Goth (2008) and Sable (2008). [Google] [More] ⦿

Lo-ol Type foundry
[Loris Olivier]

Talented type and graphic designer based in Morgin and/or Grand-Lancy, Switzerland. After obtaining a BFA from the Academy of Art University of San Francisco, he started a Masters in the TypeMedia program at KABK in Den Haag, graduating in 2015. After the KABK, he started working from Geneva on editorial identity, branding, editorial, graphic and type design. His spouse, Noheul Lee, is also a type designer. Loris's typefaces:

Animax (2016). A lineale geometric consisting of text and display.
Aragon (2014). A transitional serif for display.
Arancia (2016). A lineale geometric consisting of text and display.
Bachus (2016). A heavy brush script.
Brienz (2019).
Chablaix (2015). A neo-textura.
Civilitate (2016-2018). A blackletter with roots in Robert Granjon's Civilité..
Cozette (2016). A didone.
Fanny (2014). An exquisite display family.
Fournier (2014). A revival.
Gloubi (2019). A psychedelic font.
Groo (2013). A lineale neo-grotesk for text and display.
Kartel (2014). A lineale neo-grotesk for text.
Katchka (2014). An all caps typeface for Latin and Cyrillic.
Lemanic (2015). His graduation typeface at KABK. This large transitional text typeface family Lemanic is accompanied by a decorative blackletter typeface. Loris writes: The different weights and styles are made for magazine or newspaper environements. The entire family is constructed in order to decrease the usage of images next to the text. The shapes of the book weights and its inspiration are taken from the fluidity and the rhythm of the work of Fournier and certain shapes of the Romain du Roi.
McQueen Superfamily (2020). A 20-style sans family in Display and Grotesque subfamilies by Loris Olivier, Noheul Lee and Katja Schimmel, realeased by Fontwerk.
Medley (2015). A transitional serif for display.
Merle (2016). A slab serif.
Milwaukee (2014). A text typeface, + Stencil Bold.
Misc (2013). A serif, sans and script trio.
Moritz (2015). A slab serif.
Orniere (2016). A lineale humanist sans, slightly flared and lapidary, for text and display.
Phantom (2016). A transitional monospace serif (text and display).
Phily (2015). A lineale geometric consisting of headline and display.
Rouka (2015). A lineale neo-grotesk stencil typeface.
Saudade (2013). A transitional serif in text and display versions.
Scarpelli (2012). An étude in ball terminals.
Soprana (2014). A transitional serif in text and display versions.
Susanfe (2016). A sans typeface.
Tuilots (2014). A gorgeous calligraphic text typeface.
Tweelo (2014). A garalde.
Volpe (2015). A transitional serif for display.
Wicht (2016). A humanist serif.

Home page. Future Fonts link. Fontwerk link. [Google] [More] ⦿

Lord Kyl's Medieval and Fantasy Fonts
[Robert D. Anderson]

Old URL. Another old URL. This was of the greatest archives, loaded with medieval and fantasy fonts, including many dingbats. Robert D. Anderson (aka Lord Kyl MacKay) scanned in many alphabets from "Medieval and Renaissance Alphabets" and created tens of beautiful historical fonts, and made them available free of charge: Anglo-Saxon 8th c, Battel Abbey 8th C, British Block Flourish 10th c, British Museum 14th c, British Outline Majuscules 10th c., Celtic Knot, Curved Majuscules 17th c., Decorated Majuscules 14th c., English Gothic 17th c, Floral Majuscules 11th c, German Blackletters 15th c, Gothic Leaf, Gothic Straight-Faced 18th c., Italian Cursive 16th c (GREAT!), Library of Minerva 9th c., Spanish Round Bookhand 16th c., Traditional Gothic 17th c, Vatican Rough Letters 8th c, Celtic Knot (caps), Gothic Leaf (caps font), Medieval Dingbats.

Alternate URL at TypOasis. Other archive categories: runic fonts, gothic, versals (initial caps), uncial, roman era, anglo-saxon.

Old URL. Dafont link. Fontspace link. [Google] [More] ⦿

Lorenz
[Gustav Lorenz]

A German type foundry, est. 1834 in München by Johann David Lorenz. He designed a two-style typeface for the Codex zu Upsala. In Meyer's Gutenbergs-Album from 1840, it is called Mösogotisch. It served, in fact, as a prototype for Peter Behrens's Behrens Antiqua in 1902. In 1848, the foundry was led by Gustav Lorenz, a punchcutter, who specialized in Altdeutsche Kirchenschriften and blackletter scripts. Lorenz published a specimen book in 1855. In 1872, the foundry was sold to Josef Thoma.

Gerhard Helzel's Alte Münchner Fraktur is modeled after a typeface by Gustav Lorenz from 1850. [Google] [More] ⦿

Lorenz Goldnagl
[GF Fonts]

Lorenz Reinhard Spitzenpfeil

Blackletter type designer at Ludwig&Mayer, b. 1874 Michelau, d. 1945 (by suicide), who lived most of his life in Kulmbach, and is often called the forgotten designer. His typefaces:

Welt-Fraktur (Magere and Halbfette) (1908-1910). Also called Spitzenpfeil Fraktur.
Werk-Fraktur (1918; the mager is from 1913). Revived by Gerhard Helzel.
Kulmbacher Fraktur. Unpublished.
Kulmbacher Schwabacher (1935).
Fränkisch Spitze Buchkursive (or just Fränkisch) (1906, Genzsch & Heyse; Seemann and Wetzig both mention 1910). Revived by Dieter Steffmann in 2002.
Spitzenpfeil Splendid (Ludwig&Mayer).

His life story was told in 1983 by Hermann Stettner and others in the magazine of the Bund für die deutsche Schrift, volume 69: Page 1, Page 2, Page 3, Page 4, Page 5, Page 6, Page 7, Page 8, Page 9. See alo Kurt Muhlhausser's article Lorenz Reinhard Spitzenpfeil. Ein Lebensbild des oberfränkischen Künstlers und Forschers (in: Geschichte am Obermain, Bd. 17, 1989-1990).

Author of Die Behandlung der Schrift in Kunst und Gewerbe. Eine Einführung in die Schriftbildung, Schrifttechnik und Schriftanwendung (Nürnberg, 1911), Die Grundformen neuzeitlicher Druckschriften (Leipzig, 1912) and Der Schriftkünstler. Anleitung zur Kunstschrift (Hannover/Wien, 1912). [Google] [More] ⦿

Loris Olivier
[Lo-ol Type foundry]

Lorvad (or: Printers Devil)

Free font outfit, active from 1991 until 2008. They made Bellbottom Laser (1991, from the hippie days), Spatz (1993, Tuscan), Medusa (1991, like Arnold Boecklin), Bodidly Bold (2008), CartWright (1991, Western face), Judas Caps (spiky letters), OxNard, Black Forest (blackletter), Oswald Black, Albatross, Get A Grip, Down Wind, Inka Bod, and Loop de Loop. [Google] [More] ⦿

Luan Oliveira

Luan Gonçalves de Oliveira created the blackletter typeface Text in Gothic (2012) during his studies at Unoesc Xanxere in the south of Brazil. [Google] [More] ⦿

Luca Barcellona

Celebrated Milan-based calligrapher, letterer and illustrator. Examples of his lettering include this shoe (2010), this octopus (2010) and this tiger. Enhanced graffiti lettering. Lettering video on Vimeo. Logos and designs for Carhart in 2010. MySpace link. Flickr page. Another Flickr page. Another URL.

He has shown some complete, mostly calligraphic, alphabets that I suspect have never been fonted. These include the calligraphic brush set ABC Narrow (2008), a blackletter demo, and Dry Brush Fraktur (2010). Pic. [Google] [More] ⦿

Luca Basilio Ricossa

Geneva-based professor of Gregorian chants. Home page. He placed two of his medieval blackletter fonts on the web, for free: Dufay (2006), and Oldprint (2006). [Google] [More] ⦿

Luca Ferrario

Located in Milan, Luca Ferrario designed the fat finger typeface Supergrass (2013) which is based on the Supergrass Festival logotype. Free download. Patricia Fraktur (2013) is based on the logo of the Uruguayan Patricia beer.

Behance link. Hellofont link. [Google] [More] ⦿

Lucas Benjamin Sharp
[Sharp Type]

Lucas Descroix
[Bonjour Monde]

Lucia Ott

German designer of the handcrafted blackletter typeface Francesca (2018), which is named after Francesca Woodman. [Google] [More] ⦿

Lucía Ladreche

Graduate from FADU, University of Buenos Aires, who created the condensed and spiky Fraktur typeface Buffóntica (2009), named in honor of Berlusconi. [Google] [More] ⦿

Lucía Ramallo Sarlo

Graduate from FADU, University of Buenos Aires, who created the blackletter typeface Celeni (2009). [Google] [More] ⦿

Lucía Szych

Graduate from FADU, University of Buenos Aires, who created the Fraktur typeface Ema Zunz (2009). [Google] [More] ⦿

Lucian Bernhard

Vienna-born type designer who lived from 1883-1972, and whose real name was Emil Kahn. He died in New York, where he lived most of his life. He studied at the Munich Academy, which became a center of poster design. In 1910 he co-founded the magazine Das Plakat. During WWI he designed posters for the German War effort. In 1920 he was appointed as the first professor of poster design at The Akedemie der Kunst, Berlin. He moved to New York in 1923 and continued his poster work. He also continued his teaching at the Art Students League and at New York University. Short biography of Lucian Bernhard. Biography. MyFonts link. His typefaces:

Bernhard and especially Bernhard Modern (1937) are gorgeous high-legged typefaces. Bernhard Modern is used in classy magazines for ads, and adds a touch of style to many documents or presentations.
Aigrette (1939).
Lucian (1925, Bauersche Giesserei). I have also seen the date 1932. See also the digital version by Tilde, 1990. Lucian is very close in spirit to Bernhard Modern. As far as digital versions go, one can check out the Font Bureau contribution from 1990 by Kelly Ehrgott Milligan and David Berlow called Belucian, which comes in several weights, including Demi and Ultra. There are many other ones as well, such as Bernhard Modern FS (2011, Sean Cavanaugh).
Lilith [or Lilli] (1930, Bauersche Giesserei).
Bernhard Antiqua (1912, Flinsch). This is the titling typeface on my own web site! For a handcrafted revival in 2016 by Pintassilgo Prints, see Botanique.
Bernhard Brush Script (Bauersche Giesserei, 1926).
Madonna Ronde (1925: this is the Stephenson Blake name, after it acquired this typeface from Bauersche Giesserei).
Bernhard Cursive (Bauersche Giesserei, 1925). Didgeree Doodle NF (2006, Nick Curtis) is a curly cursive originally released as Bernhard Heavy Antique Cursive by the Bauersche Giesserei.
Bernhard Fraktur (+Extrafette; +Initialen) (1912, Flinsch; 1922, Bauersche Giesserei). The sublist of typefaces and dates: Bernhard Fraktur schmalfett, Bernhard Fraktur fett, Bernhard Fraktur extrafett (1921), Bernhard Kursiv extrafett (1927), Bernhard Antiqua extrafett (1924), Bernhard Antiqua zart (1925), Bernhard Antiqua Kursiv zart, Bernhard Handschrift (1928), Bernhard Schönschrift (1925), Bernhard Schönschrift kräftig (1928). Extrafette Bernhard Fraktur was revived in 2013 by Christoph Schwedhelm and in 2016 by Ralph M. Unger as Bernhard Blackletter.
Bernhard Privat (also called Flinsch-Privat, 1919; Flinsch, Bauersche Giesserei).
The Reklameschrift Bernhard Block.
Bernhard Schönschrift (1925; see EF Bernhard Schonschrift). A free interpretation is Reliant (2010, Iza W and Dmitrij Greshnev).
Bernhard Fashion (1929). This has been digitized by many, including SoftMaker (as Bernhard Fashion, in 2010), Peter Wiegel (as the free font family Bernardo Moda (2014)), by Infinitype, and by Bitstream (as Bernhard Fashion BT in 1990). It has been extended and played with, like for example, in Nick Curtis's Quoi Chou NF (2006) and in Peter Wiegel's Bernardo Moda Contrast (2014). Poster by Merle Perle.
Bernhard Gothic (1929, ATF; see Bernhard Gothic SG by Spiece Graphics, Bernhard Gothic Medium (2017, Jordan Davies), or Samosata NF by Nick Curtis in 2009). Mac McGrew writes: Bernhard Gothic was one of the first contemporary American sans-serifs, designed in 1929-30 by Lucian Bernhard for ATF to counter the importation of the new European designs such as Futura and Kabel. It features long ascenders and a number of unusual design details, which perhaps prevented it from achieving the popularity of other such typefaces. Capitals are low-waisted, with the crossbars or arms of E, F, and H being below center. M is widely splayed in some weights. Lowercase a is roman in design, and the cross-stroke of t is wide and below the mean line. All but the Title versions have a number of alternate characters, later discontinued. The comma, semicolon and apostrophe, usually comparable, have three different forms. Bernhard Gothic was made only by ATF, but some weights could be simulated with special characters of Monotype Sans-Serif and Ludlow Tempo. The Title versions, several sizes of caps on each body in the manner of Copperplate Gothics, were added in 1936, and copied by Intertype as Greeting Gothic. Around 1938 Bernhard Gothic Medium Condensed was added.
Bernhard Tango (1933, ATF). Bernhard Tango was imitated by Corel (Ballroom Tango), SSi (Petticoat), Greenstreet (Felicita) and Agfa (Carmine Tango).
He also did a Magnetype font series that has been left untouched. Jonahfonts is the first to start reviving this series. In 2010, Bernhard's Community Low and Community Condensed started their digital life as Harpsichord (Jonah Fonts).
According to Font Bureau, Bernhard also did an art deco display sans series in the 1930s, which David Berlow and Jonathan Corum at Font Bureau revived as Eagle from 1989-1994.
Lucian lettered a concert program in the 1920, which was used by Jim Spiece in 2002 to create the elegant rounded sans display typeface Concerto Rounded.
Lucian Bernhard's award-winning poster, Priester (1906), had angular lettering. Jonahfonts did LB Priester in 2009 based on it. In 2018, Ivan Moreno published anotherr extension, Presta.
In the Bitstream collection, we find Bernhard Bold, with unknown origins. However, I have this rare 2002 public statement by John Warnock, Adobe's founder, in reaction to a question by M. Johansson (What happened to the Lo-Type font in Adobe Font Folio? It was included with Font Folio 8 but it's not in Font Folio 9. In Font Folio 9 there's Bernhard Bold Condensed, which is a reasonable replacement. I'm just wondering if anyone knows why Lo-Type was dropped; I prefer it myself.): Cuz LoType is a Berthold Type font and Adobe and Berthold had a lovers quarrel. A ton of Bertie's in FF8, no Bertie typefaces at all on FF9. Bye-bye Bertie. Love, J. Warnock.
Lucian's small two-tiered logo with the letters BERN HARD led John Nahmias to extend it to Bernhard Signature (2019).

Posters by Bernhard: An advertising exhibition in 1929 (with Fritz Rosen), Manoli Cigarettes (1912).

Linotype link. FontShop link. Klingspor link.

View Lucian Bernhard's typefaces. Showcasing the digital legacy of Lucian Bernhard. [Google] [MyFonts] [More] ⦿

Lucie Baratte

Lille, France-based designer of the pixel blackletter font Methazoa (2013). Crapotine (2013) is an experimental diamond- or rhomboid-inspired ornamental caps typeface.

View a list of digital typefaces derived from the metal typefaces at Ludlow.

Ludlow
[Robert Hunter Middleton]

Foundry in Chicago run by Robert Hunter Middleton. Myfonts.com writes that its type library was largely derivative, with some original scripts. After Middleton's death, and Ludlow's demise, most of the typefaces from the Ludlow library were licensed exclusively to International TypeFounders, Inc., (ITF) and are part of the Red Rooster collection. Fonts by Middleton at Ludlow include Bodoni Campanile, Bodoni (see Bodoni D Black by URW, and Bodoni Campanile Pro (2017) by Steve Jackaman), Coronet, Mandate, Lafayette (now sold by Font Bureau), Tempo (see Tempo by Monotype), and Umbra (now sold by Bitstream and Monotype).

Ludlow house typefaces revived by Steve Jackaman include Caslon RR Extra Condensed, Chamfer Gothic (the original being from ca. 1898), and Gothic Medium Condensed.

A renewed Ludlow was established in 2001 and is run from the UK. Current (2002) catalog: Admiral Script (Robert H. Middleton's formal script, 1953: see the digital revival by Ralph Unger in 2005), Adrian VGC (2003), Annonce Grotesque (Wagner&Schmidt, 1914), Delphian Open Title (Robert H. Middleton), Flair (connected writing, 40-50s style), Franklin Gothic ExCnd Title, Founders Garamond (based on the Berner type specimen of 1592), Lotther Text (blackletter based on an alphabet of Melchior Lotther, 1535), Ludlow Ornaments (2001), Ludlow Stygian (art deco, which inspired Nick Curtis' 2009 font Kharon Ultra NF), Maxim (Peter Schneidler, hand-printed font from 1955), Orplid (Hans Bohn), Samson (Robert H. Middleton), Speedball Roman, Ludlow Stencil (1937, Robert H. Middleton; a digital revival includes Jeff Levine's Favorite Stencil JNL (2015)), Tempo MedCond (Robert H. Middleton), Theda Bara (great titling type), Vulcan Shaded (based on the design of the Richard Gans Foundry in Madrid), Karnak Black (Egyptian slab serif originally designed by Robert Hunter Middleton in 1930), Oriana (blackletter font based on a design of the Imprimerie Nationale, Paris), Ludlow Square Gothic (revival/modernization of a 1920s font by Robert Wiebking for Ludlow), The Hardy Arcade (like Umbra), Ogre, Vulcan Bold (a display font inspired by a 1925 design of the Richard Gans Foundry, Madrid), Walbaum. Crestwood (2006, Ascender) is an updated version of an elegant semi-formal script typeface originally released by the Ludlow Type Foundry in 1937.

References: Ludlow Typefaces A Supplement, November 1933, Ludlow Typefaces Typefaces Recently Produced, April 1936, Ludlow Typefaces [Edition D] (between 1940 and 1956).

Ludlow Foundry: List of some digital fonts. [Google] [MyFonts] [More] ⦿

Ludmila Lara

Graduate from FADU, University of Buenos Aires, who created the blackletter typeface Fits Neo Gotik (2008). [Google] [More] ⦿

Ludwig von Hohlwein

Designer (b. 1874, Wiesbaden, d. 1949, Berchtesgaden) at the Benjamin Krebs foundry who made Hohlweinschrift (1907). He worked mostly in München. Hohlwein was a poster artist ("Plakatmeister"). His posters inspired Nick Curtis to create several digital fonts. Alles trinkt Teutonenbrau (a beer poster from 1926) led to WurstwagenNF. Engelhorns Romanbibliothek (ca. 1912) yielded Chalk and Cheese NF (2004). Riquet Pralinen (1920) was used to develop Picayune Intelligence BT Roman. Richard Lipton created Bremen Black (1992, Font Bureau) after the lettering on a 1922 poster by von Hohlwein.

Arnie Presiado (Inkfonts) designed Bierstedt (2017) and Porterhouse (2017) based ion Hohlwein's lettering. FontShop link.

Posters: Casanova Cigaretten, Frühling in Wiesbaden (ca. 1925), Grönland Eiskrem (ca. 1925), Herkules Beer (1920s), Kraft Omnibusse (ca. 1925), Mercedes (ca. 1925), Riquetta (ca. 1910), Sudana Schokolade (ca. 1910), das kleine Huebchen, Marco Polo Tea (1920), Zeiss. Pic. [Google] [More] ⦿

Luis Fernando Carvente Flores
[LFCF (was: El Serif de Chocolate)]

Lukas Klimmek

Berlin-based designer who created these typefaces:

The geometric rounded typeface family Konvex was created by Lukas Klimmek in 2013 at Design Akademie Berlin under the direction of Sebastian Bissinger from Bank Graphic Design Today.
Fette Fabel (2013). A great fat blackletter with elements of German expressionism.

[Google] [More] ⦿

Lukas Schiltknecht

Lukas Schiltknecht (was: Lucas Gardener) is a designer from St. Gallen, Switzerland, b. 1982. He created the blackletter typeface Helvedding (2009), the graffiti typeface Hinterwelt (2011), Goodwill (2011), Malice (2011, more graffiti style), and the sans typeface Phat Otto (2010). Until 2011, his typefaces were free.

In 2013, he set up his own commercial type foundry in Luzern: Lukas Schiltknecht. His first typeface was a basic sans, Shinokai (2013), which was inspired by FF DIN and ITC Officina.

In 2020, he released Maren, a calligraphic font made with a broad-nibbed pen. [Google] [MyFonts] [More] ⦿

Lukman Hidayat
[Viaction Design (or: Viaction Type)]

Luthersche Fraktur
[Erasmus Luther]

Luthersche Fraktur was designed by Erasmus Luther in 1708. Among Fraktur fonts, it is legible and fresh. The Luther Fraktur forms a link between the earlier Gebetbuch Fraktur and the later Breitkopf Fraktur types. Versions:

Walden Font.
Dieter Steffmann (free).
Linotype Luthersche Fraktur: Cleaner and lighter, but not true to the original. The numerals are totally out of place (not old style), the k and x are wrong. Linotype Luthersche Fraktur DFR.
Neue Luthersche Fraktur by Volker Küster for Elsner&Flake (1983-1985).
JubiläumsFraktur by Gerhard Helzel.
Fraktur BT (originally called Blackletter 581), by Bitstream, 1990-1993. Part of the grand theft / heist of most Linotype fonts by by Bitstream.

[Google] [More] ⦿

Luthersche Schriftgiesserei
[Paulus John Christian Egenolff]

One of the oldest type foundries, founded by Paulus John Christian Egenolff (1502-1555), who was a printer in Strasbourg (1528-1530) and later in Frankfurt, where he was the first book printer. After his death, until 1572, his foundry was headed by family members, Magdalena, Barbara and Maria Egenolff. In 1572, punchcutter Jacob Sabon (d. 1580) took over after marrying Judith Egenolff, Christian's only daughter, in 1571. The widow remarries with Konrad Berner, a typefounder. Upon his death in 1606, the foundry is left to his son Hans Berner who dies in 1626. His daughter Katharina Berner takes over and marries Johann Luther in 1629, son of Friedrich Luther and family of Martin Luther. Out of this marriage was born Johann Erasmus Luther (1642-1683), who marries Anna Katharina Hoffmann. Their son is Johann Nikolaus Luther (1662-1740), a lawyer. His son is a doctor in law, Heinrich Ehrenfried Luther (1700-1770), and the latter's son is also a doctor in law, Johann Nikolaus Luther (1732-1805).

The foundry was heavily involved at first in Schwabacher typefaces, such as the Egenolffschen Schwabacher (1500s). Among the Schwabacher typefaces, Johan Enschedé's catalogue mentions Garamond Luther (1678), Gross Petit Luther (1718), Mittel Luther (1678), Cicero Luther (1718), Tertia Luther (1678), Gross Mittel Luther (1718), as well as the Fraktur typefaces Petit Luther (1678), Colonel Luther (1718), Luther (1718), Cicero Luther (1678 and 1718), Gross Cicero Luther (1678 and 1718).

Digitizations include Coelnische Current Fraktur by Dieter Steffmann, Coelnische Current Pro (2016, SoftMaker), and JubiläumsFraktur by Gerhard Helzel. [Google] [More] ⦿

Lutz Schweizer

Lutz Schweizer (b. 1931, near the black forest) lives in Alling, near Munich. On his page, Von ASCII zu Unicode, he discusses many kinds of code pages, and laments the lack of ligatures in Unicode for Fraktur. He also has many links on Fraktur and some historical remarks. [Google] [More] ⦿

Lyons Type
[Daniel Lyons]

American type designer, b. 2000, who created the multi-style basic sans typeface family LT Reponse, the calligraphic blackletter typeface Blacklet, and the sans typeface family Avancement 2020 in 2020. The latter typeface supports Latin, Greek and Cyrillic.

Typefaces from 2021: Shortcake, Queen, Fillet, Carpet, Vehicle, Drink, Leap, Coffee, Broadway, Classics, Victoire, Museum, Wave, Notable, Energy, Woodchuck, Asus+Companions (an 8-style geometric sans), Skyscraper, Colored Pencil, Sunrise, Remark, Indoor, Candidate, Journal, Amber, Expo, LT Marathon (a humanist and modulated sans family), LT Emphasis (modeled after Eurostile), LT Bulletin (sans), LT Feelgood (script), LT Crafted (a cartoon font), LT Internet. [Google] [More] ⦿

M. Beck

Designer of Elfen-Fraktur (1919, Hoffmeister, Leipzig). For a digital revival, see Ralf Herrmann's Elfen Fraktur (2015, +Elfen Schmuck). [Google] [MyFonts] [More] ⦿

M. Glason

Designer at Mecanorma of the blackletter typeface Caligra (or Calligra according to URW) (1991), which can be bought from URW. Could also be N. Glason. [Google] [More] ⦿

M. Moullet

Author of 100 Alphabets Publicitaires Dessinés par M. Moullet (1946, Editions Caboni, Bruxelles). Alphabets from that book include Letters in relief, Fancy Character, Ornamental Antique (art deco), Fancy Antique (multiline art deco), Fancy Antique 2 (a different style altogether), Pochoir (stenciled).

Some of Moullet's fonts were digitized by Dick Pape in 2011 and 2012 and can be downloaded here. Pape's fonts: FAA3DLettresEnRelief, FAAAllongees, FAAAllongeesBold, FAAAntiqueAllongee, FAAAntiqueGrasse, FAAAntiques, FAAAntiquesGrasses, FAABaroque3DInitiales, FAABlockLettresEnRelief, FAACameoHollow, FAACaracteresdeFantaisie, FAAChevauchantes, FAACubiques, FAAEcossaises, FAAEcritureGrasseEmoussee, FAAEgyptienneGrasse, FAAEgyptiennesEmoussees, FAAFantaisie, FAAFantaisieBlaireau, FAAFantaisieHardi, FAAFantaisieHaut, FAAFantasio, FAAFloralGothiqueInitiales, FAAFrenchMecane, FAAItalianHeavySlab, FAALettresAuCrayonItalic, FAALiberty, FAANormandes, FAANormandesAllongees, FAAOmbreeEnRelief, FAAOnciale, FAAOrientales, FAAPochoir, FAARomainClassique, FAARomainTypographique, FAScenesPaysannes, FAASerifEgyptienne, FAAVetteFantasieAntieke. Download page.

Jeff Levine revived some of Moullet's typefaces: Silly Behavior (2019), Old Sport JNL (2018), Relaxation JNL (2017), Peppermill JNL (2017), Script Spot Initials JNL (2017), French Lettering JNL (2017), Martial Arts JNL (2017, an oriental simulation font), Relaxation JNL (2017). [Google] [More] ⦿

M. Schmid

Designer of Schmid-Fraktur (Österreichische Staatsdruckerei, Wien). [Google] [More] ⦿

MacFrakturix

Commercial software for writing Fraktur on the Mac, by Rüdiger Jung. [Google] [More] ⦿

Maciej Swierczek

Polish graphic designer, b. 1986, based in Nisza and Gliwice, Poland, aka Rym do\0Swierczek. Creator of the free fonts Technical Forest (2009, techno), Sergeant TechnicFont 2 (2007), Triballaka (2009) and the handwriting fonts Sergeant Porfolio (2006) and Triballaka (2004).

In 2013, he made Brandiegames Icons.

In 2014, he started his own commercial type foundry. Primiterus (2014) is a hipster typeface. Teutura (2015) is an expressionist blackletter typeface.

Devian tart link. Fontspace link. Behance link. Aka Sergeant Swierq. Old URL. Old link. [Google] [MyFonts] [More] ⦿

MacKellar, Smiths and Jordan
[Thomas MacKellar]

Philadelphia-based foundry, which evolved in 1860 from the Johnson Type Foundry (upon Lawrence Johnson's death that year), which in turn evolved from Binny&Ronaldson (est. 1796). The proprietors were Thomas MacKellar (1812-1899), John F. Smith, Richard Smith, and Peter A. Jordan. MacKellar became the top exporter and producer of type in the 1870s. It united with 22 competitors in 1892 to become ATF (American Type Founders Co). Faces cut by them include the garalde Ronaldson Old Style (1884), named after James Ronaldson, one of its founders, and Campanile (1879). Monotype issued its own version of this typeface in 1903 with short ascenders and capitals the size of these ascenders. Jim Spiece did a revival of a classic Victorian typeface and calls it Zinc Italian SG (2002). The Victorian decorative typeface Ornamented No.5 (1888) was digitized and extended in 2007 by Nick Curtis as Vidalia Sunshine NF. Hermann Ihlenburg was one of their main punch cutters and type designers. Michael Hagemann made a blackletter typeface Spanish Main (2009) after an 1896 typeface called Sloping Black. The 1882 blackletter typeface Borussian was digitized by Nick Curtis and is called McKellar Borussian NF (2009). Hickory (2009, Michael Hagemann) is a revival of an unnamed ornamental Western font dating back to 1852 and was sold through a few different type foundries including Bruce, MacKellar Smiths&Jordan and James Conner's Sons. Monastic (see the1892 book Compact Specimen Book, page 280) was digitized by Toto as K22 Monastic (2010). Brazarri AOE Pro (2021, Astigmatic One Eye) is a revival of the Aztec emulation font Bizarre from 1884.

Lining Gothic in their 1892 catalog inspired Jeff Levine's Order Form JNL (2021). An extra condensed serif typeface from that same 1892 catalog was revived by Jef Levine as Catalog Sheet JNL (2022).

Specimen books include Specimens of original printing types cast by the patentees MacKellar, Smiths&Jordan co (ca. 1890), Specimens of printing types: ornaments, borders, corners, rules, emblems, initials, &c (1892, Philadelphia), Specimens of Printing Types (1890), 20th edition of the Compact Specimen Book (1892), Specimens of printing types, borders, cuts, rules, &c. MacKellar, Smiths&Jordan (1868), Specimens of printing types ornaments, borders, corners, rules, emblems, initials, &c. (1892), and Specimens of printing types made by the MacKellar, Smiths&Jordan co., type founders and electrotypers (1889). Also worthy of exploration is 1796-1896: One hundred years, Mackellar, Smiths and Jordan foundry (1896).

Study and listing of their typefaces by yours truly. [Google] [MyFonts] [More] ⦿

Mactatus

Two Fraktur fonts in truetype: Offenbach Chancery (1997), EFN Germanik (EuroFONT, 1998). [Google] [More] ⦿

Maelle Keita
[Thomas Boucherie]

Maelle Keita is the second identity of Thomas Boucherie (Montpellier, France, b. 1977). The Maelle persona is a prolific Swiss creator of many free fonts, which are mainly calligraphic or connected scripts.

Typefaces from 2017: Adventure of the Old Giant, The Curious Incident, The Fabulous Orchestra, The Butcher factory, Dancing in the Moonlight.

Typefaces from 2016: La Bataille du Sanctuaire, The Quest of Discoveries, Sentimental Beach, October Quotes, Hercule vs Goliath, Band of Reality, Street Gathering, Alicia on the Enchanted Highlands, Adventures on the Mountains, League of Giant, Richard True Crime, Dragons and Chickens, The Elves And The Secret Garden, Pokerface, Gentleman on the Rainbow, La Pantoufle en Or (tattoo font), Bulles de Chocolats, Atlantide Starlight, The Golden Flower, Mr Fisherman and the Shoemaker, Catherine de Beaumont.

In 2015, Maelle made Gravity of Love (white on black letters), Incredible Angel (beatnik style), The Red Horse, The Spaghetti Movie (Western font), The Hundred King, The King of Lost Towel, les Soeurs Samurai, Mr. Jackson Rankenstein, Mathilde Castleland (calligraphic script), Question and Love (calligraphic script), Chateaux des Olives (calligraphic script), Le Cachalot du Grand Nord (a hilarious funky font), Le Grimoire du Bonheur, The Constellation of Heracles, The Citizens, Secret of the Octopus, Fabulous Vikings, King Arthur (ribbon font), Mademoiselle Catherine, Alfred La Moule, Jackie Talks to You, Les Carottes Sont Fraiches, Claudette aime le Chocolat (connected dessert script), LA-CHAMBRE-77, LACHAMBRE67, LE BAL DES COCHONNES, LE BAL DES COCHONS, LE CABARET DES FOUS, LE SILENCE DES CAFARDS, La Tortue, Le-Jardin-de-Calista (strong brush typeface), ONLY IN THIS CASE, Stink on the Death (signage script).

Before 2015, Maelle designed Black December (2014), Une Grenouille Le Soir (2014), La Kame A Leon (2014, heavy brush), The Best Things In Life Are Free (2014), Caviar De Lapin Blanc (2014), La Truite à Papa (2014), Mougatine (2014, a needle thread script), Chicken Chorizo (2014), Ventilla Stone (2014), Mademoiselle Camille (2014, swashy), Authentic Hilton (2014), Olympic Branding (2014), Le Laboratoire du Docteur Steak (2014), The Chicken Love Story (2014), Les Sorcières de la Lune Noire (2014), La Compagnie des Ombres (2014), Les Sensations de Cerise (2014), La Chatte à Maman (2014, a creamy script), Aligot de Mirabelle (2014, a great delicate calligraphic script), L'Antre du Corniche (2014, thin script), Caviar de Diane (2014, thin script), Karine Aime Les Chocolats (2014: a connected script), Death in the Shadow (2014: brush script), Akhenaton (2014: brush script), Mayumi Gumi (2014), Font For Children Indo (2014: dingbats), Anabelle Script (2014, a heavy brush script), Mademoiselle K (2014, a cursive typeface), Anacondas (2014, an upright connected script), Walker on the Moon (2014, connected script), Angelique ma douce Colombe (2014), Pomerole (2014), Paper For Your Ass (2014), Paper Towel (2014), Wolf in the City (2014), Dragon is Coming (2014), J'aime bien le dimanche (2014), Camelia (2014, grungy signage script), Kosmo Cat (2014, a stone age script), Ophelia Script (2014), Monkey Snake (2014), Ventilla Script (2014), Slow Motion (2014), Ail et Fines Herbes (2014: hairline script), Mister Fish : upright curly script (2014), Elephant (2014), Nemo One (2014), Royal Chicken (2014, signage script), Nenuphar of Venus (2013), There Can Only Be One Breaver Im It (2013: flourishes), Ruskof (2013, grunbgy Cyrillic simulation face), Kawaii Food Font (2013, dingbats), Chouette Alors (2013, owls), Eglantine (2013, upright script), Zentai Itacha (2013), Magnolia (2013), God Bless America (2013), Jack And The Beanstalk (2013, upright connected script), Halloween Trick (2013, dingbats), Noyeux Joel (2013, Christmas dings), Angel of Blood (2013), Matriochkas (2013), My Princess Likes A Frog (2013), Skate or Die (2013, dingbats), Chouette Alors (2013, owls), Sleep on the moon (2013), Animox (2013, teddy bear dingbats), It Was A Good Day (2013, ornaments and filets), Ordre de Depart (dot matrix face), Diane de France (2013, calligraphic), Serval (2013, script), Chicago Eskimo (2013, fat outlined signage face), Quality Street (2013, vintage signage script), From The Moment (2013, frames), Arabia (2013, upright connected script), Hector Le Dragon (2013), Fantom Better (2013), Mont Royal, Coccinelle, Ponctuation, Miel & Abeille, La Petite Puce, Yo te amo pero en secreto, Conjecture (a sketch font), Coloscobik (2013, a marquee face), Ejaculator, This Is Not A Font, Tell Me A Secret (2013), Chocolate Cake (2013, plump outline face), Eglantine (2013), Ornamind (2013, floral dingbats), La Grosse Cochonne (2013), Toyzareux (2013, bubblegum font), Oliver Tue Les Fourmis (2013), Two Fingers King (2013, an ornamental blackletter), Piragniac (2013), Marguerite (upright connected script), Gulliver, Arakphobia (2013, a spiderweb font), Gelatina Elemente (connected script), Zenzai Itacha (oriental simulation), Atlas Eternal 78 (2013), Serial MKV 1 (2013), The Black Manba (2013), Gang Bang Crime (2013, a dripping paint font), La Grenouille Verte Qui Devient Toute Rouge (2013), Aracme Waround (2013), Zoa Elephantesque (2013), Estrela Fulguria 1748 (2013, calligraphic), Cirus Quantum Solace (2013), Paint All Time (2013), Jumbo Burn (2013), Allo t'as pas de shampoing, Helene Queen K (2013, script), Not Only The Quake (2013, script), One Day Before Rain (2013), Bullet Campus (2013), Eternal Call (2013, swashy calligraphic font), Kill The Panda (2013, a textured blackletter face), Trash Butterfly (2013, ornamental caps) and In Secret I Love You (2013, hand-printed), A Sweet Melody My Lady (a circular font), Lady Solarus Queen 1789.

Maenner v Morgenstern

Small blackletter font archive: AugsburgInitials (Font Bureau, 1992), FaustusNormal (blackletter font by Francis X. (Butch) Mahoney), KellyAnnGothic, Old-Cologne-Regular (blackletter font by Scanmasters Revenge, 1997), Rothenburg-Decorative-Normal (Alex Winterbottom), Ruritania (P.J. Lloyd), SchwabenAlt-Bold, Suetterlin, Gutenberg (blackletter font by C.H. Wunderlich, 1996). [Google] [More] ⦿

Maeva Chaline

Montauban, France-based designer of the Mr Jack modular blackletter typeface (2014) during a workshop led by Malou Verlomme. [Google] [More] ⦿

Magda Dzielinska

At the Academy of Fine Arts in Warsaw, Magda Dzielinska designed the blackletter typeface Breslau Black (2018). [Google] [More] ⦿

Magdalini Stefanatou

Greek-German designer in Athens who created the condensed blackletter typeface Dürer in 2017. [Google] [More] ⦿

Maghrib Lab
[Rizky Satyaludin]

Rizky Satyaludin (Maghrib Lab) is the Bandung, Indonesia-based creator (b. 1990) of Botanica (2018, SVG), Mixing (2018: Open SVG format), Crude (2017: an OpenSVG font), Born Losers (2017), Baling Ink (2017, brush script), Siberia Rough (2016, brush style), Holihood Script (2016), Slav Rough (2016, an all caps brush typeface), Slav Clean (2016), Storing Brush (2016), Chamberline (2016, brushy typeface), The Rupture (2016), Voltunes (2016), Pantel Rough (2016, a rough brush script), Society (2016, a connected hand-painted typeface), Good Vibes (2016), Himalaya Script (2016), Quite Hustle (2015, brush type), Addic Type (2015, dry brush script), Rusty Cola Pen (brush script, 2015), Asmara (2015), Siren (2015: blackletter), Natalia Script (2015), Author Type (2015, signage typeface), Messy Script (2015, a rough brush font), Dream Big (2015), Bold Face (2015), Southern California (2015, retro spurred tattoo script also made by Reza Rahman), Delight (2015), Austin Type (2015), Sunoise (2015), Road Culture (2015, biker gang blackletter), Rise & Shine (2015, brush typeface), the brush typeface Mallow (2015), the Victorian or pre-art nouveau typefaces Ginusto (2014), MGH Vinolian Hand (2014). MGH Divergent (2014, a Victorian display typeface), Mira Script (2015), Bladekade (2014, a stencil script), Rude Cookie (2014, a layered hand-drawn font), Stooges Races (2014), Alpha Rough (2014, hand-drawn signage face), the ball terminal typeface Mucilage Type (2013), the fat brush typefaces Beats (2014) and Baurbon (2014), and the spurred typeface Brave (2013).

Aka ngulik, as Satyaludin, and as Yuyun Miranur. Possibly also the same as Reza Rahman. Creative Market link. Behance link. Dafont link. Fontspace link. A second Behance link. Home page. [Google] [More] ⦿

Magique Fonts (was: Cpr. Sparhelt)
[Bálint Koczman]

Bálint Koczman (aka Cpr. Sparhelt, and Magique Fonts) is the Hungarian designer (b. 1992) of free fonts (from 2008 onwards, as Cpr. Sparhelt, or as Magique Fonts) and commercial fonts (from 2012 onwards), and he is located in Puspokhatvan, Hungary:

Capture Smallz (2014). A stencil family.
Thrownup (2014).
Take Cover (2013). Grungy white-on-black caps.
Selya (2013). A calligraphic script.
Dolen Taith (2012).
Teitheas (2012: tattoo font). A gothic blackletter pair of typefaces.
Gotique (2012).
Razalgur (2011), Font GF (2011, hand-printed), One Dance (2011, the engraved American dollar bill face), Sweet Lady (2011, cursive script), Clean Work (2011, stencil), Ancient God.
Future West (2010, Western face), Hexatus (2010, hexagonal).
Old Stamper (2009, grungy stencil), Top Secret (2009, army stencil), Floral Dawn (2009), Origicide (2009), Splincide (2009), This is Electronik (2009), Infinity Media (2009), Capture It (2009, grunge), Younger Than Me (2009, grunge), New York City (2009, skyline-themed letters), Electroinsanity (2009), Need for Font (2009, futuristic), Duplexide (2009), Veteran Typewriter (2009).
Niiiii-trous (2008, heavy square font), Urban&Slick (2008, graffiti lettering), District (2008, grunge), Times New Halftone, Times Old Attic (2008), Jigga Jigga (2008), and Most Wasted (2008, graffiti).

Catalog as of 2011: i, ii, iii.

Dafont link for Magique Fonts. Klingspor link. Abstract Fonts link. [Google] [MyFonts] [More] ⦿

Malcolm Wooden
[DTP Types Limited]

Mandarin
[Marin Damian]

Moldovan designer of Athletic Condensed (2019) and Basic Pixel (2019).

In 2020, he designed the blackletter typeface Spoke. [Google] [MyFonts] [More] ⦿

Mandy Levine
[Nihilschiz Fonts]

Manfred Klein
[Manfred Klein's Fonteria]

Manfred Klein
[TypOasis 2007]

Manfred Klein
[Manfred Klein: Blackletter, Fraktur, Rotunda]

Manfred Klein: Font Hosting

Manfred Klein: Blackletter, Fraktur, Rotunda
[Manfred Klein]

Manfred's fascination with blackletter and its German roots is apparent from the tens of typefaces he designed that are either revivals of historic typefaces or playful and not so playful extensions. Here we go:

ArthritishSpringtime
BarlosRandom, BarlosRandomRings
BarlosiusEdged (2007)
Bastarda-K, BastardaButtonsBeta, BastardaMajuskel1300, BastardusSans
BauernFraktur (2004, after the 1911 original by Bauersche)
BayreuthFraktur, Bayreuther-BlaXXL (2005, a variation of Schneidler's Bayreuth)
BigBroken, BigBrokenTwo
BigElla
Brahms-Gotisch (2005, with Petra Heidorn: a revival of Heinz Beck's 1937 typeface at Genzsch&Heyse)
BrokenAlphabetTradition, BrokenBrainsFrax, BrokenCapsJumperB, BrokenHand-Bold, BrokenHand, BrokenHandLight, BrokenRoman-Bold, BrokenSansCaps, BrokenSansCapsJumper, BrokenWoodtypes, BrokentTraditionRound
BruchRund
BruchschriftMK
Burte-Fraktur
Burtine (2003: handwritten freestyle version of Burte Fraktur, 1928), Burte-Fraktur, Burtinomatic, Burtinomatic-DemiBold
Burtinomatic-DemiBold, Burtinomatic
CancellerescA
CantaraGotica
Cantzley Inverse Caps (2007), CantzleyAD1600 (2005)
CaslonishFraxx
ClaudiusImperator
Clausewitz-Fraktur (2005). Designed in memory of Klaus Burkhardt.
CaslonishFraxx
ClaudiusImperator
CowboyCaxton
Cuxhaven Initials Round (2006), CuxhavenFraktur (2006), CuxhavenInitials (2006), CuxhavenTimes (2002). All named in honor of Petra Heidorn, who is from Cuxhaven.
DecadentaFrax (2007)
DirtyThinkwitz (2003). In honor of his good friend Klaus Burkhardt.
DizzyBrokenWritten
DolbyFraxCaps (2005)
DornspitzGrotesk
DoubleBrokenTextura
Druckschrift-Initialen
DrunkenSailor (2006)
DuerersMinuskeln
ElectrUnciale (2005)
ElephantaBlack (2006)
FatFreeFrax
FlyingHollander (2005)
FracturiaSketched, FracturiaSketchedCaps
FraktKonstruct, FraktSketch, FraktSketchFS, FraktalConPablos, FrakturInRings (2007), FrakturInitials07 (2007), FrakturNitials (2006), FrakturaFonteria, FrakturaFonteriaSlim (2006)
FrakturCondensedHeadline, FrakturCondensedHeadlineExtra
FraxBoxes, FraxBricKs, FraxBrix, FraxHandwritten-RoundCaps, FraxHandwritten, FraxHandwrittenXtrem-Medium, FraxInCage, FraxInCageLeftOblique, FraxInCageRightOblique, FraxInitials, FraxMouseSketches, FraxxSketchQuill
FrungturaFS
GGothiqueMK
GermanFatman (2006)
GingkoFraktur (2006)
GoldenSwing
GotenborgFraktur (2007)
GothicLetters (2007)
Gotic Caps (2006), GoticaBastard, GotischeMajuskel, GothicMajuscles
GotikaButtons (2005, after Imre Reiner's Gotika from 1933)
GutenbergsGhostypes, GutenbergsTraces
HamletOrNot, HamletTobeornot
HansFraktur
HansSachsCaps (2007)
HansSchoenspergerRandomish
HappyFrax (2006)
Haunted-Normal, HauntedBricks
Heimat
Holland Gotisch (with Petra Heidorn; a revival of Nederduits by Johann Michael Fleischmann, ca. 1750)
ImresFraktur, ImresFraxCaps (2007)
Incunitials
IronFraktur
JessicaPlus
JoeCaxton
JohannesBricks, JohannesButtons-02, JohannesGDiamonds, JohannesGLastTraces (2007), JohannesTraces
Jugendstil (2006)
KaiserRotbartCaps (2007)
KL1CiviliteEdges
Kl1RheumaticFraktur
KleinSchwabach (2005)
KleinsBrokenGotik (2006)
KlungerCaps (2006)
Leibniz-Regular
LombardPlattfuss, Lombardic
LookBrokenTypes
LuFraktorsoBroad
LudwigHohlwein (2006)
LufrakturBricks (2006)
LutherDuemille, LutherMousedrawn-Bold, LutherMousedrawn
MKBritishWriting
MK Broken Types (2006)
MKFraxConstr (2007)
MKImresTshirtsA
MKalligFrax, MKalligFrax-MediumItalic
MKancellerescaCaps (2005)
MKantzley (2005), MKanzleiCaps-One (2006)
MKapitalisRusticaMedium
MKaslonTextura
MoKsford, MoKsfordBold, MoKsfordDemiBold, MoKsfordExtraLight, MoKsfordLight
MonAmourCaps (2006), MonAmourFraktur-Broken (2006), MonAmourFrakturRegular
MonksWriting
MorbusParcinsonFraxx
MorscheKnochen
MountFirtree
MousefraKtur
Münchner-Fraktur (2005). A revival of Renaissance Fraktur by Heinz König, 1885, Genzsch&Heyse.
MyElectronicSchwabach
NeuGothic-Bold
Neudoerffer, NeudoerfferScribbleQuality. Both codex style typefaces are from 2003. Manfred writes that Neudoerffer is an unaltered version of the original Neudoerffer Initialen from 1660.
OKsfordBadFat, OKsfordItalic
OldTypographicSymphony-Regular, OldTypographicSymphony-Round
PopFraxFrankfurt (2007), PopFraxFrankfurtCondensed (2007)
PrinzEugen
Potsdam (2005, a revival of a 1934 typeface by Robert Golpon)
Prothesis-Black, Prothesis-Caribiqu, Prothesis-Caripix
RandomFrax
ReadableGothic
RememberReinerFS
RotundaEspagna
Schaftstiefel Kaputt (2003)
SchmaleGotischMK, SchmalfetteGotisch
SchneidlerSchwabacher, SchneidlerSolitaires, SchneidlerSolitairesRound
Schwabach, SchwabachDuemille, SchwabachScribbels, SchwabachScribbelsSecond
ScribbledFrakturX-Heavy (2006)
SketchedCassiusBroken
SmallEdgedFrax (2006)
Snoutlike (2003)
SpaceWinningFrax (2007)
TizonaDance
TshirtsForFrax
TypoasisBoldGothic (2003)
VanDoesburgBrokenFS
VeryBrokenFrax
WaldarbeiterGotisch
WeimarInline
WeissGotischRandom
Weissgotnitials (2005, based on Weiss's Lichte Initialen, 1935)
WittewittMajuscles-Flourish, WittewittMajuscles-FlourishBricks
WrittenFrax (2007)

Download page. Download all these fonts in onze zip file.
[Google] [MyFonts] [More] ⦿

In July 2017, Typoasis / Moorstation shut down. Run by Petra Heidorn out of Hamburg, Germany, it hosted her own fonts, as well as those of the popular and talented type designer and artist Manfred Klein (Frankfurt, Germany). Manfred, who was an active type designer from the late 1990s until about 2007, created over 3600 fonts in that period. Those fonts are now hosted at my site, thanks to Petra Heidorn. Manfred's oeuvre is too large to consume and analyze in one sitting or even one month.

This zip file contains all his fonts. For those interested in particular styles, please visit this web page for downloads of individual fonts, or fonts grouped by these themes: 3d, Africa, aliens, animals, architecture, arrows, astrology, birds, calligraphy, cave style, codex, Christmas, dada, decorative caps, didone style, dingbats, display style, Egypt, eyes, fists, Fraktur, handcrafted typefaces, Karla, kids, Laurens, masks, medieval styles, Mexico, monsters, native themes, ornaments, painters, peace, people, pixel fonts, runes, Sans, serif, slab, stencil, stone age, typewriter, uncial, wood and woodcuts. [Google] [More] ⦿

Manfred Klein's Fonteria
[Manfred Klein]

Frankfurt-based designer (b. 1932, d. 2018) whose creative output is so large that he deserves a separate web page. His URL at Moorstation from 2000-2007. New page on him by Florian Rochler. Font squirrel link. Dafont link. [Google] [MyFonts] [More] ⦿

Manu Delignieres
[Manu Script]

Manu Script
[Manu Delignieres]

Graphic designer in Montpellier, France, who designed the blackletter typeface Kodex in 2017. [Google] [More] ⦿

Manuel de Lignières

During his studies at Ecole Estienne (Paris), Manuel de Lignières (Montpellier, France) published Waba (2018) with Lewis McGuffie. Inspired by woodblock types and art nouveau, Waba is a bit of love letter to Estonia, the Baltics and the visual history of Eastern Europe. The free variable font Waba Border (2018) was added by Lewis McGuffie.

Earlier, in 2017, he published the blackletter font Kodex. [Google] [MyFonts] [More] ⦿

Manuel Eduardo Corradine
[Corradine Fonts]

Manuel Viergutz
[Typographic Design]

Manuscripta Mediaevalia

Many digitized medieval documents, in which many letterforms can be enjoyed and studied. A real treasure. [Google] [More] ⦿

Marc Catafal Pedragosa

Graphic designer in Barcelona, who designed the heavy blackletter typeface Wurth in 2016 for a university project supervised by Andreu Balius and Ferran Milan. [Google] [More] ⦿

Marc Coulombe

Montreal-based graphic designer. Creator of Azoumbie (2007), a typeface with blackletter roots. [Google] [More] ⦿

Marchan Christiansen

During his studies under Kenn Munk in Haderslev, Denmark, Marchan Christiansen designed Black Slab (2018). [Google] [More] ⦿

Marcio Hirosse
[Fabrika de Typos]

Marcos André Falcão Malafaia

Marco Muniz

Rio de Janeiro-based designer of the blackletter typeface Fruktura (2016), a typeface developed during his studies at ESPM-RJ. [Google] [More] ⦿

Designer of the free ornamental blackletter typeface Church Text B (2020). [Google] [More] ⦿

Marder, Luse and Company (or: Chicago Type Foundry)

Chicago-based type foundry, 1863-1892, also called Scofield, Marder, Toepfer&Co., Scofield, Marder&Co., and the Chicago Type Foundry. In the great Chicago fire of 1871, they lost all their matrices. They were part of the big number of foundries bought in 1892 to form the American Type Foundry. They are credited with inventing the American point system, in which 12 points are a pica and 72.27 points are an inch.

A list of types will follow later, but for now, I will just mention display types such as Mandarin (an oriental simulation typeface digitized by Elsner&Flake in 1985 and available here). Images of selected typefaces and ornaments: Anglo Gothic, Antique Extended, Arcadian, Card Ornamented, Carriage and Livery Cuts, Celtic Initials, Centennial Script (1876), Clarendon Ray Black, Commercial Script, Crosier, Ecclesiastics and monastics, Eureka Text, Harlem Shade, Heading Script, Mortised for Calendar, Natural History Cuts, (another image), Norman Condensed, Payson Script, (another image), Poster Roman, Rimmed Black Ornate, Round Hand Scrtipt, Sloping Black Shaded, Text Ornate and Old Style Ornamented.

Additional images: example ornament (carriage), example ornament (hippo), example ornament (zebu), Dearborn Theatre ad (1869), Newspaper subheadings.

They ran a magazine with type news, called The Chicago Specimen. I leafed through most issues at Chicago's magnificent Newberry Library and took some poor quality photographs of selected passages. The Marder&Luse sale from 1871. A logo ca. 1872. Another logo. A logo from 1871. And another one from 1871. The Marder Luse building in Chicago. The sale in 18690 to Marder Luse. The Scofield Marder Toepfer building. Gossipy news about the Conner foundry. The Chicago Specimen, October 1872. The Chicago Specimen: an ad. The Chicago Specimen, January 1869. [Google] [More] ⦿

Margarita Fray

Lettering artist in Tallinn, Estonia. In 2017, she drew an all caps decorative blackletter alphabet. [Google] [More] ⦿

Margaux Valadeau

During her graphic design studies in Paris, Margaux Valadea created a blackletter typeface (2015). Behance link. [Google] [More] ⦿

Marginal Type
[Vincent Lacombe]

Graduate of Atelier National de Recherche Typographique in Nancy, France, class of 2020. His graduation thesis was entitled Les caract®rave;res gothiques russes [Cyrillic blackletter typefaces]. During earlier graphic design studies at ECV Bordeaux (2012-2017), he created the display typeface Astek (2015) and the circle-based experimental typeface Ecotype (2016).

Now located in the Bordeaux area, he is doing some corporate graphic and type design for the local wine industry. In the context of his ANRT thesis, he designed a Latin / Cyrillic blackletter, Tamara Gothic (2018-2020) and a Latin / Cyrillic copperplate script, Sokolov 1821 (2018-2020). In 2020, he also designed the Scotch Roman typeface Album, and revived a Cyrillic didone by Moscow's S. Selivanovsky foundry (done between 1826 and 1834) as a font simply called Selivanovski (2020). [Google] [More] ⦿

Maria Lacasa Murillo

During her studies at Escuela Superior de Diseño de Aragón, Maria Lacasa Murillo (Zaragoza, Spain) designed Alfabeto Ergonomico (2017). In 2018, she published Unigotic which combines Universe and Old London. [Google] [More] ⦿

María José Benavides

María graduated from Universidad Tecnológica Metropolitana de Santiago de Chile in 2007. For the type design course there, she created the swashy blackletter typeface Gothic Lolita. Blackletter meets Victorian style. [Google] [More] ⦿

María Juana Sibolich

Graduate from FADU, University of Buenos Aires, who created the condensed blackletter typeface Juana (2009). [Google] [More] ⦿

María Teresa Beccar

Graduate from FADU, University of Buenos Aires, who created the curvaceous Fraktur typeface Dei Verbum (2009). [Google] [More] ⦿

Mariana Ortiz Gonzalez

During her studies in Monterrey, Mexico, Mariana Ortiz designed the blackletter typeface Hello (2017). [Google] [More] ⦿

Marianna Urbanska

During her studies in Poznan, Poland, Marianna Urbanska designed the blackletter typeface Brittle (2017). [Google] [More] ⦿

Marie Oever

At the Royal Academy of Arts, Marie Oever (Den Haag, The Netherlands) designed a blackletter typeface (2018). [Google] [More] ⦿

Marin Damian
[Mandarin]

Marina Martins Chaccur

Marina is a Brazilian graphic designer and teacher, who graduated from Fundação Armando Alvares Penteado FAAP. She has an MA from the London College of Communication. In 2011, she obtained a Masters in the type and media program at KABK, Den Haag. She was a designer and college tutor in Sao Paulo, Brazil, but now lives in Den Haag, The Netherlands.

She spoke at ATypI in Lisbon on vernacular Brazilian type and the current state of Brazilian type design. On her site we can find some sketchbooks, and a proposal for a blackletter face, among many other type-related goodies.

At KABK, she designed the type system Chic (2011). This family includes fashion mag styles from a roman sans to curly caps and a "chic" didone.

In 2013, she created the beveled caps typeface O Melhor de Sao Paulo, which is based in part on Jackson Cavanaugh's Alright Sans Ultra.

In 2014, Crystian Cruz and Marina Chaccur co-designed the sans custom typeface UOL for the Brazilian internet provider.

Måns Grebäck
[Aring Typeface]

Marius Roosendaal

Art director in Amersfoort, The Netherlands, who created the blackletter typeface Albrecht (2015) by superimposing rectangles and basic geometric objects. Behance link. [Google] [More] ⦿

Mariya Sych

Saint Petersburg, Russia-based designer of the blackletter-style Cyrillic font Bekar (2015). [Google] [More] ⦿

Mark Solsburg
[Group Type]

Markus Brand

Düsseldorf-based creator of the sans typeface Bonkers (2005) and the blackletter typeface Black Pearl (2005). No downloads. [Google] [More] ⦿

Markwart Lindenthal
[Fraktur.de]

Marlon Ilg
[Studio Marlon Ilg]

Mars Attacks

Creator of a free fat blackletter family called Grobe Hand (2012), which is identical to the famous Ganz Grobe Gotisch (1930, F.H.E. Schneidler), but also includes outline and stencil versions. [Google] [More] ⦿

Mars Fraktur

An in house Fraktur typeface at Mergenthaler Setzmaschinen GmbH, made in 1910. Digitized version by Gerhard Helzel. Romeo-Fraktur (house typeface at Stempel, 1910) became Mars Fraktur when Stempel turned into Linotype. Wittenberger Fraktur (1904, Monotype) is also the same face. [Google] [More] ⦿

Martha Schultz

During her graphic design studies in Vienna, Martha Schultz (Vienna, Austria) designed the uninterrupted monline blackletter typeface DeFraktur (2016). Behance link. [Google] [More] ⦿

Martín Canal

Graduate from FADU, University of Buenos Aires, who created the Fraktur typeface Marteaux (2009). [Google] [More] ⦿

Martijn Rijven
[BOLT Graphics]

Martin Desinde

French type designer at the open source type foundry Velvetyne in Paris since 2013. His creations include Blocus (2014, a blackletter typeface; Blocus can be downloaded from Open Font Library) and the sturdy wedge-serif typeface Combat (2015), which is an extension of a titling font used by an early XXth century anarchist newspaper published in Limoges, France, called Le combat social. [Google] [MyFonts] [More] ⦿

Martin Fujan

Creator of Talschrift (2010, blackletter) during TipoBrda 2010, a type design workshop held in Ljubljana, Slovenia. [Google] [More] ⦿

Martin Gerdes

German blackletter expert. [Google] [More] ⦿

Martin Guder

Martin Guder (Paperized, Berlin) was born in 1983 in Nordhausen, Germany. He studied design at TU Dresden and at HTW Berlin, before settling in Berlin. In 2012, Die Gestalten published his blackletter typeface family Lektura. [Google] [More] ⦿

Martin Jacoby-Boy

Born in Berlin in 1883, died in Buenos Aires in 1963. He was a painter, commercial artist, advertising artist, writer and costume designer. After training to become a skilled woodworker, Jacoby-Boy studied at the Académie des Beaux-Arts in Paris. From 1912 to 1926, he designed Bravour (1912, D. Stempel AG), Verzierte Bravour (1913, D. Stempel AG) and Jacobea (1928, Berthold). Beginning in 1919, he spent a decade working as a Production Designer for several German film companies, including May Films and Fritz Lang's UfA. In 1933, he emigrated to the Netherlands and then to the USA, and finally to Argentina, where he died in 1963.

In 2009, Nick Curtis designed Bravado NF based on Bravour. In 2013, Sebastain Cabaj designed Olech based on Bravour. Finally, in 2018, we find yet another revival, Bravour Meio Prata, by Douglas Reis. [Google] [MyFonts] [More] ⦿

Martin Kotulla
[SoftMaker Software GmBH (or: freefont.de)]

Martin L. Parker
[Parquillian Design]

Martin L'Allier

Martin L'Allier is a graphic design specialist in Montreal. His list of type and design links is very useful. Quebec-based designer of the experimental pixelized blackletter typefaces Ostrogoth and Wisigoth at UQAM (2003). A graphic design student at the University of Quebec in Montreal, his first typefaces can be bought at MyFonts. These include the monospaced and blocky Kg Stuttgart 1930 (2004) where Kg stands for Kunstgewerbeschule Stuttgart: it is based on a printed sample of a typeface designed in 1930 at the Stuttgart School of Applied Arts, and shown in ABZ, more alphabets and other signs (J. Rothenstein and M. Goodings). Home page. In 2005, he created the FF Karo family (blackletter pixelized, FontShop). [Google] [MyFonts] [More] ⦿

Martin Lorenz
[TwoPoints.net]

Martin Silvertant

Dutch freelance graphic, logo, type and web designer, b. 1989. He operated as MS Designs. In 2010, he made an extensive comic book / fat finger typeface called Dion which was used in a national Dutch campaign "Zonder Cash ben je nergens" (You're nowhere without Cash). Celente (a transitional typeface) is also from 2010. Modani is an unfinished didone from 2010.

He writes: I am now working on several typefaces including a modern grotesque typeface called Dagon Sans, an antique humanist/grotesque typeface called Crouton Grotesque, a sturdy transitional typeface with oldstyle elements called Icarus (+ Icarus Sans) and a modern serif called Hagel (+ Hagel Slab).

In 2011, he created Icarus (text family), Icarus Sans, Triumviraat (+Display, +Sans, a flared family), Kolibrie (humanist sans), Noorderlicht (after Gerrit Noordzij's Ruse), and Noorderlicht Sans (both were discontinued), Crouton Grotesque, Celcius (his most complete font family yet) and Dagon.

Typefaces from 2012: Dion Sans, Crouton Grotesque, Scaenarium Unus (free blackletter / metal band / tattoo font), Hagel (serif family), Hagel Slab and Hafnium (angular typeface), Aghari Sans.

In 2013, he published the text typefaces Daser and Santi.

Typefaces from 2016: Zilver (a letterpress emulation text typeface based on Fleischmann's work).

Dafont link. Deviantart link. Ba'al web site [Ba'al is the name Martin uses for projects for Metal bands]. [Google] [More] ⦿

Martin Wetzler

Fraktur artist from the 19th century. [Google] [More] ⦿

Martina Benassi

Boston, MA-based student-designer of a decorative blackletter typeface in 2015. [Google] [More] ⦿

Martina Casonato

In 2011-2012, Martina Casonato studied at Universita degli Studi di Venezia, Politecnico di Milano and the London College of Communication.

Her Hono typeface (2012) is designed for small print. It was developed in collaboration with Diego Savalli, Paola Dus, Manuel Rigo and Tommaso Vidus Rosin, under the direction of Marta Bernstein and Andrea Braccaloni at Politecnico di Milano. She works as a graphic designer in London.

In 2013 she createc a blackletter typeface called Origami.

Behance link. Cargo collective link. [Google] [More] ⦿

Martype Co (was: Tyfrography)
[Umar Farouq]

Umar Farouq or Umar Al-Farouq or Mohammed Bendoel Kazar. Yogyakarta or Sleman, Indonesia-based designer (b. 1998) of these typefaces:

In 2021: Pop Krinks (a 7-style text family that includes a variable font and a coathanger lower case f), Bropella (a meaty display typeface with with a coathanger lower case f), Callgest (a sharp-edged display serif with a trendy coathanger lower case f), Thick Thinks (a plump display typeface), Huntsville (a monoline script), Moftein Sough (+Dingbats; a tall condensed serif with hipster traits such as a coathanger lower case f), Glofters (a German expressionist blackletter typeface), Behover (octagonal), Robuck (a condensed all caps sans), Gafiton (a reverse contrast display sans), Wonkids (a chunky retro font with a bit of psychedelia), Garyford (a vintage serif typeface with a Basque capital A).
In 2020: Stanley (a signage script), Grandmaid, Micaroline (all caps, art deco), Parginer, Labroses, Melburch, Sondote.
In 2019: Brewisten.
In 2018: Houstoner Script (a formal monoline script), Bearbone Sans, Chillvornia (font duo), Fresh Meat (vernacular), Courager, Calderock, Stanley (signage script), Routen Lightning and Routen Inky (monoline script) and Barthon.
In 2017: Montharo (sans), The Dodger and Blockers.

[Google] [MyFonts] [More] ⦿

Mateo Mok
[Demonics]

Mateus Augusto

FontStructor who created the blackletter typeface Mt Gothic (2010). [Google] [More] ⦿

Mateusz Machalski
[Borutta (or: Duce Type)]

Matevz Medja
[Archive Type]

MatFonts

Slovak designer of the paper cutout typeface Nozhnitsy (2014) and the grungy blackletter typeface Kyvadlo Blues (2016). [Google] [More] ⦿

Mathias Vandenbempt

Graphic design student in Hasselt, Belgium, who was inspired by a World War I monument when he created the typeface 1948 (2012, Ten Dollar Fonts).

He designed the DIN-like corporate typeface Belgie (2012) for Kunstencentrum Belgie, which is based on Bebas. Diano (2012) is a blackletter typeface. [Google] [More] ⦿

Matias Fosco Tornielli

Graphic designer in Barcelona, who created the angular typeface Fosco (2014), which has calligraphic and blackletter influences. [Google] [More] ⦿

Matias Romero

Matias Romero was born Eduardo Alves da Silva in the city of Santos. He is a Brazilian nature photographer and multimedia artist, b. 1965. Currently, he is based in Sao Thomé das Letras, MG.

Typefaces from 2018: Marielle Franco. This typeface was politically motivated as it pays homage to Marielle Franco (b. 1979 as Marielle Francisco da Silva, d. 2018), a Brazilian politician, feminist, and human rights activist. After earning a master's degree in public administration from the Fluminense Federal University, she served as a city councillor of the Municipal Chamber of Rio de Janeiro for the Socialism and Liberty Party (PSOL) from January 2017 until her death. On 14 March 2018, while in a car after delivering a speech, Franco and her driver were shot multiple times and killed by two murderers in another vehicle, in Northern Rio de Janeiro. Franco had been an outspoken critic of police brutality and extrajudicial killings, as well as the February 2018 federal intervention by Brazilian president Michel Temer in the state of Rio de Janeiro which resulted in the deployment of the army in police operations.

Typefaces from 2016: Aleijadinho, Aiuruoca.

Typefaces from 2015: Elis (inspired by a dream about singer Elis Regina).

Typefaces made in 2014: Cassiopea, Ignoto, Minguarana (a display sans).

Typefaces from 2013: Neroli, Jailed Celts, Demodée (art deco).

Typefaces made in 2012: Endora (gothic), Nix, Sampa Midnight (a spurred typeface), Olho de Peixe, Peixes e subpeixes, Rita Mouse.

Creations from 2011: Gotham Lullaby (2011, a blackletter tattoo face), Lizard (2011), Glix (2011), Linea (2011, a squarish face), ClassIndicativa (2011), Atomium (2011), Maquina Pneumatica (2011), Futurafrica (2011), Amorphica (2011).

Typefaces made before 2011: Vieira (2010), Hobo Signs (2010), Knights Who Say Ni (2010), Antibios (2010, slab serif), Oleo (2010, wedge serif face), Jet Black Night (2009), King Pineapple (2009), Glove (2009, avant garde sans), Quanta (2009), Arcoverde (2009, display face), Wax (2009), Crazy Circles (2005, hand-printed) and Xylogravura (2009, inspired by crude woodcut typography printing practiced in northeastern Brazil).

Home page. Fontspace link. Creative allies link. Flickr pages. Devian tart link. Morguefile link. Multimedia stock page. Twitter page. [Google] [More] ⦿

Matt Hennessey

American designer of the blackletter typeface Hexed (2019). [Google] [More] ⦿

Matt Smith

San Diego, CA-based designer of Viper Fangs (2016, free), Coffin (2016, free spiked hexagonal typeface), Judas (2015, free metal band font), Demon Letter (2015, a free blackletter font), Metal Blackletter (2015) and Metal Curve (2015, free). Behance link. [Google] [More] ⦿

Matt Waymouth

Auckland, New Zealand-based creator of the blackletter typeface Poseidon (2012) for use as headings in Compendium Magazine No.1. The decorative sans typeface Onehunga (2013, Ten Dollar Fonts and The Designers Foundry) is based on signwriting from Onehunga, New Zealand. It was used in branding for Hard to Find Bookshop.

Matteo Dall'Olmo

Designer of the blackletter font Domion Gothic (2020). [Google] [More] ⦿

Matthew Aaron Desmond
[Matthew Desmond]

MADtype (est. 1996) is Matt Desmond's place in the type world. He has had a prolific career that started out with shareware fonts while Matt was at the Minneapolis Technical and Community College. His page back then said A haven for quality shareware type for the Mac. Later, Matt started mattdesmond.com, and co-founded the Test Pilot Collective (est. 1998 with Joseph Kral and Mike Cina). Many of his early typefaces were experimental and/or futuristic. In late 2003, mattdesmond.com disappeared, and MADtype, commercial now, resurfaced at the MyFonts site. Currently, Matt is based in Minnetnka, MN. He has also lived in Atlanta, GA, Fayetteville, GA, Rochester, NY, Redwood City, CA, and San Francisco, CA. His fonts can also be purchased via You Work For Them. He also does commissioned type design. Some fonts are freely available at the Google Font Directory.

Retail types as of 2011:

Abel (2011, Google Font Directory). Abel Pro was published in 2013.
Aldrich (2011). A Bank Gothic style face, free at OFL.
Amber (2000): kitchen tile face.
American Gothic (1998): squarish.
Audebaud (2010): a 19-th century style French Clarendon (wood type look). The design was inspired by the work of Constant Audebaud, an engraver of wooden type that was used for posters. Audebaud's work appeared in the 1880s in the Deux-Sèvres département of France.
Beat (1998): rounded OCR face.
Brauhaus (2004): Textura face.
Cagliostro (2011). A free font at Google Web Fonts that is based on the handlettering of Ozwald Cooper.
Curbdog (1998).
Desmond Text (1998): a roman that has features of University Roman.
Distill (2009): a De Stijl font that shouts 1920s.
Dunelm (1996): emulation of 17th century printing styles.
Dwiggins Deco (2009): This typeface was originally designed in 1930 by W.A. Dwiggins as the cover for the book "American Alphabets" by Paul Hollister. Only the 26 letters of the alphabet were included on the cover, so the rest of the numbers, punctuation, symbols, and accented characters have been crafted in a matching [art deco] style.
Findon (2007): stencil.
Futuristic category: ER9 (1999), KAH (2005, LCD style), Lunarmod (1997), Retron (1997; can be considered as a retro upright connected script as well), Shifty (1998).
Grunge category: Bulletin (1997), Gothico Antiqua (1999), Rubba (1997), Stomper (1997--a rubber stamp font), Zapatista (1998-2007).
Handwriting, handprinting category: Casino Hand (2005), Ghouliez (1996), Handegypt (2002---hand-drawn slab serif), Handy Sans (1997, hand-drawn sans), Joppa (1997), Pufficlaude BT (1998).
Hessian (2009): Tuscan style wood type.
Hydrochlorica (2004): organic.
Invoice (1997).
Ironside Crosses (2004): dingbat face.
Marble Roman (2004-2009): angular roman all caps type.
Matterhorn (2013). A 9-style sans family created with Michael Cina for Disney. Not to be confused with the many retail typefaces that are also called Matterhorn, such as Paratype's PT Matterhorn (1993) and Treacyfaces' TF Matterhorn (1990s).
Pacioli or Luca Pacioli Caps (2007: emulating a mathematically constructed caps font by Pacioli (1509) published in his treatise De divina proportione.
Pixel category: Basis (1999), Mang (1997).
Plenti (2004): ultra plump.
Quantico (2007): octagonal.
Stencil category: Bandoleer (2009, +Tracer: a couple of stencil fonts with art deco and army influences), Madison (2007, slab serif stencil), Mercado (2005; has a non-stencil Mercado Sans).
Urbandale (2018). A basic sans family.
Variable (2004-2010): a sans-serif monoline typeface that includes ultra thin weights.
Vexed (2005): sketched face.
Wolfsburg (2007): blackletter stencil.
Wooddale (1999): wood type emulation.

Free types as of 2010: Marble Roman, Environ regular, Dorkbutt, Europa, Exsect, Inthacity, Liquidy Bulbous, Lustria (2012, Google Web Fonts), Stomper.

Commissioned types: 77kids (2007, for the children's brand; the sketched typefaces were done with Justin Thomas Kay), AE Aerie (2005-206, American Eagle Outfitters), AE Newburgh (2005-206, American Eagle Outfitters), AE Summer Fonts (2007, all for American Eagle Outfitters), EEL Futura (2006, for Enjoying Everyday Life), Nike World Cup (2006), Virgin America (2006).

Typefaces from 2019: Starfire (2019, a retro geometric sans).

Orphaned types that disappeared or were planned but never executed: BrotherMan, Caprice, Convolve, HipstersDelight, Lugubrious, ModestaSmallCaps, Serifity, Skitzoid, Sliver, ThrowupSolid, Auresh (1998, futuristic; Test Pilot Collective), Kcap6 (1998, with Cina; Test Pilot Collective), Epiphany (1997; Test Pilot Collective), Testacon (with Kral and Cina; Test Pilot Collective), Civicstylecom (1999; Test Pilot Collective), Lutix (1998; Test Pilot Collective), Xerian (1997; Test Pilot Collective), Swoon, Furtive (2004, a sans), the display typeface Flathead (2004), the blackletter typeface Bahn (2004), Mesotone BT (2006, Bitstream, a monoline sans), Practical (a monoline connec script, planned in 2007 but not published), Poliphili (planned in 2007, as a revival of an Aldus/Griffo font), Wutupdo (1996, Garage Fonts), GFDesmond (Garage Fonts), Drone, Golden Times (2014, a corporate small caps typeface for the University of Minnesota), Vapiano (2014: hand-printed typeface for Vapiano International).

Behance link. View Matt Desmond's typefaces. Fontspring link. Fontsquirrel link. [Google] [MyFonts] [More] ⦿

Matthew Desmond
[Matthew Aaron Desmond]

Matthew James

Matthew James (London, and also Perth, Australia) and Petros Afshar co-designed the Japanese emulation font Okami. With Petros Afshar and Kimmy Lee, he designed the hipster font Bastion (2018, at Glyph44).

Typefaces from 2019: Bael (a sans, with Petros Afshar), Berman Bold (a blackletter font by Petros Afshar and Matthew James), Trindle (bilined). [Google] [More] ⦿

Matthew Napolitano
[Graffiti Fonts (or: Highground Industries, or: Highground Graffiti Fonts, or: Fulltime Artists)]

Matthew Stephen Stuckwisch

Spanish Lecturer and Language Lab Director at the University of Tennessee in Chattanooga, TN. During his studies in Auburn, AL, Matthew Stephen Stuckwisch (b. 1985) who was working on an extension of the Berling family of fonts for other scripts, including Homeric Greek (polytonic), Golden Age Spanish, Old Church Slavonic, Anglo-Saxon, Vietnamese, and Armenian. See here. He also made the wonderful high-ascendered lively serif family Coruna (2007) and the accompanying Coruna Fraktur (2007). [Google] [More] ⦿

Matthew Welch
[I Shot The Serif]

Matthew Weller

Matthew Weller is the American designer of these fonts:

Emily Dickinson (2008): based on samples of handwriting by the poet Emily Dickinson.
Briar Rose (2008): a typeface for a rose garden behind a haunted house.
Fraktur -- Ye Olde Grunge Font (2008): based on the lettering from an 1811 bible.

[Google] [More] ⦿

Matthias Luh

German designer Matthias Luh set up the Mathhias Luh Foundry in 2010 in Karlsruhe. His first batch of typefaces, all dated 2010, includes Electric Typewriter (a fat rounded but squarish face), Cash Point Mono (dot matrix face), Rough Bits (grunge), Matthew's Scribblings (scribbled hand), Autumn Leaves (hand-printed), Modern Curves (organic sans), Peanutz (hand-printed), Matthew's Text (hand-printed and grungy), and Mandala FX (comic book face).

Later typefaces: Typewriter BasiX (2011, old typewriter), Take Some Notes (2011, notebook face), Skribblex (2011, scribbly face), Typewriter Revo (2011), Lisa's Hand (2012), Look At Me (2012, +Outline: cartoonish), 19th Century Retro (2012, blackletter), 14 Segment LED Display (2013), Bunny Mambo (2014), Paintbrushdd (2015), Blitzeffekt (octagonal), Scratch That (a sketched 16-style font family), Zombie Apocalypse (2016), Typewriter DirtY.

View matthias Luh's typefaces. [Google] [MyFonts] [More] ⦿

Matthias Rosart

Matthias, or Matthieu, Rosart is the son of J.F. Rosart, who carried on with his father's foundry in Brussels after his death in 1777. Before that, he had a rough relationship with his father, lived for a while in Amsterdam, and even worked for a competing typefounder in Brussels, J.L. de Boubers starting in 1772. In 1789, Matthias Rosart published his specimen book, Epreuve des caractères. There he announces that he can supply all the fonts and fleurons to be found in the catalogue of his father. This seems to indicate [according to Baudin and Hoeflake] that the foundries of de Boubers and J.F. Rosart in Brussels joined. Indeed, in December 1779, we also find an Epreuve de la Fonderie de la Veuve Decellier, successeur de Jacques-François Rosart. Troisième édition augmentée. A Bruxelles, rue ditte Vinckt, près du Marché aux Grains, which reproduces all typefaces and fleurons of J.-F. Rosart. On page 12 of "Blackletter" (Peter Bain and Paul Shaw, 1998), Matthias Rosart is credited with Gros Romain Civilité (1777, Brussels), one of the most readable Fraktur fonts. [Google] [More] ⦿

Matthieu Cortat
[Nonpareille (was: Chastellun.net)]

Matthieu Salvaggio
[Blaze Type Foundry (was: Adèle Type Foundry)]

Matthijs Herzberg
[Herzberg Design]

Maulana Creative
[Gilang Maulana]

Bandung and/or Jakarta, Indonesia-based creator of Passion (2015, thick marker script), Elrotex (2015, thick brush script), Arkana Script (2015), Asia Otasi (2015, thick brush script), Wolf Reality (2015, thick brush typeface), Atorak (2015, brush script), Soulmater (2015, a calligraphic script), Zurich (2015, a heavy brush font), Chromount (2015), Constanta (2015, brush typeface), Tristan (2015, fat brush style), Rissa (2015, a fat brush script), Morracle (2015, hand-painted brush font; free), Tycho (2015, + Ornaments), Sobbers (2015, a lively connected script), Karenina (2015), Abg Centil (2015, a spindly curly script; later renamed Karenina), Benihana (2015) and Shine & Tokio (2015).

Typefaces from 2016: Astronaut (signature font), Axwell (dry brush font), Allia (calligraphic), Broke, Dounuts (a great calligraphic script), Hattes (brush script), Blesd (connected hairline script), Kalista (connected script), Arissa (rough brush), Lote Santos (marker script), Sobod (a great high-contrast creamy script), Qoobly, Supartiny (thin calligraphic script), Evadoffi Script (calligraphic), Adellove, Alissya Script (heavy brush font), Rustic Station, Wonder Sunshine, Kania Script, Rabbits Hole, Easy Brush Font, Bottle Massow Brush Script, Sottafles (brush script), Roselowe (brush script), Pratiwi (connected formal script), Zonas (breezy script), Zonas Sans, Wosser, Palm Brush, Mornin Awesome, Jarvish Blurry Brush, Morning Wishes (calligraphic script), Valdemar (bold script), However Store.

Typefaces from 2017: Klast (signature font), Santashoes Script, Raisa Script, Harris Signature, Aerials, Fturism, Contaur, Bouttiques, Gladise (signature script), Bottle Massow, Sustans (script), Otentic (signature font), Hard To Love (dry brush), Bware, Love Hewits, Glamoush, Like Father Like Son, Brostars, Kottam (dry brush), Swanish, Little Kittens (script), Afattal, Peter Jhons (signature font), Sallad (brush script), Sandia Brush, Augustia Signature, Casses, Boostpest (brush), Habbit, Without You, Vesial (brush script), Hatton, Jollie, Bom Day (signage script), Rohtwo, Rusa Hitam, Authen Brush, Walrus, Datto (brush script), Masto (brush script), Jolies, Arion Signature, Gamot, Dattsy (a signature font), Sbastian Signature Clean.

Typefaces from 2018: Puspa Script, Puspa Sans, Kaydens (Sans+Script), Uniclo (a wide sans), Crake (brush SVG font), Scottsmith (script), Justices (font duo), Seltons (a dry brush SVG font), Golte (sans), Saturasi (signature font), Hybrid (brush script), Rossa Script, Saintrop (brush script), Leibra (font duo), Ladytron, Ansterdam (a monoline signature font), Rups Script (an SVG font), Amstonia (a signature font duo), Batters (a monoline script), Sweetshy, Fractis (monoline script), Aviliator (brush script), Clodia (signature font), Hunny Straw (font duo), Rushfor (calligraphic), Strollers (script), Zeuty Script, Bikarosta, Ollister (signature font), Wowi (brush font), Something Cool, Easy Salads, Limitless, Rissa (brush script), Nordams (condensed sans), Pollistons (Sans and Script: a signature font), Sheiral, Monerd (sans), Pure Dance (brush, SVG), Owissa Story (font duo), Rattles (Signature and Serif), Serrona Script, Love Rosnita (font duo), Seirra (OpenType SVG brush font), Funtastic Youth, Osturria, Zattoya (signature font), Bertta (signature font), Athen, Birocratic, Ottodisom, Baltism (monoline script), Stantic, Hellicopters (sic) (signature font), Agrem (sans), Motters (connected script), Stampson Signature, Solevate, Smith Allison (a signature font), Asturria, Awosem, Amber Queen (a signature script).

Typefaces from 2019: Broothers (chalk SVG font), Brotthers Sans, Pillish (font duo), Osttrola, Bastille, Nubolts Rounded, Hardtrack, Mistari, Wellfare, Millton (Serif, Script), Aklay (script), Worthness (an SVG font), Artifac (script), Anthique (spurred, Victorian), Poliesster (font duo), Snowhart, Fairmont, Mollysh Script, Swootys (for signatures), Sarvati, Rossmore, Horsesse (brush type), Paulina (a signature font), Mathew Rohas (a heavy brush font), Lany Zesty (a monoline script), Bridgetts (a font duo), Cardiff, Arlobuns, Asphalt (monoline script), Sweetshore (monoline script), Borris (font duo), Rushtten (script), Dotyville, Cayttons (a monoline signature script), Polandic (dry brush script in SVG format), Weisston (a thin script), Foltta, Suarte (script), Roosevelt (dry brush), Arthemis, Frances, Argents, Schrader SVG, Bashira, Emerisa, Hogart Script, Moriarty Serif, Flohart SVG, Triester SVG, Fire Stone, Lovas (script), Mombay Brush, Amorisa (monoline script), Amberla (font duo), Thorce (a rounded sans), Cassius, Katty Lynch (font duo), Jadeline (Script, Serif), Nyquist (signature script, and sans), Pradita Script, Modura, Oliviare (sans), Goodsay (a great monoline script), Scouthels, Hello Subrim (font duo), Darto (a signature font duo), Lostfield (display sans), Brushelly SVG.

Typefaces from 2020: Hmrile Brush, Bareta (a monoline script), Carols Night (a monolinear signature font), Eastpoint (wild calligraphy), Juxtapose, Mad World (a monolinear script), Corlathans, Grunges (a brush font), Anthroops, Ameriondela (monoline script), Wooden Okadio (a fashionable display typeface), Arturia, Esok Pagi, Scottish, Soul Harder, Stereoflows, Bahud Aroyek (a blackletter), Siarons (a dry brush script), Soul Harder, Frostiest, Gastronomes, Gottar Adsset, Symptonics, Malo Aino (a graffiti brush font), Beauty Flome, Moriss Ward (a dry brush script), Atorge, Black Range (all caps, dry brush style), Sabrionte, Waykers Amor (spurred, blackletter, Victorian), Rockerby, Bestro (a dry brush script), Charoeys (a monoline script), Constaniz, Mist Sunshine Brush (a dry brush font), Clockwork (a decorative inline blackletter font), Distance (a bold upright script), Stereomantic (a monoline script), Spacetroops, Astrolove, Randirops (a fat finger font), Adicttives, Mayoritte, Torches Realistic Brush Font (a dry brush script), Oturllis, Rollo (a decorative sans), Pollyester (a blackletter), Wondar Quason (a display serif), Winchester (a vintage label typeface), Cardiolla, River Rocks (a fat finger font), Backers (a fat finger font), Riverola (a dry brush font), Mathernal, Fleurette, Gillford, Santoria, The Monster, Balleys, Bestons (a dry brush script), Karstar (a monoline script), Bestiest (a script typeface), Arsitage (dry brush script), Asterica, Heathers, Judith (monoline script), Lekcra Crubop (signage script), Diettersen, Hasta (a dry brush script), Smithgroove, The Carbs, Elanor (tall caps), Outeris, Nymburgh (a fat finger font), Acrosmyth, Windblows, Asiatropic, Hello Miassond, Brasons Risool, Castallier, Elosiam, Tumbrella Script, Alona, Monology, Margott Rooster, Theodorlane, Charmeleon, Flim Flom Graffiti, Rabbit Oaks, Dawsons Script, Arteknilo (a wild script), Jetha Crimson, Heatwave, Kavarian Serif (a display serif), Royal King (spurred, vintage, inline), Clairdelune, Hawk Eyes (dry brush, SVG format), Sunset Trips, Roschetta, Chordettes, Salmander Bentols Script, Sentilum, Viesta, Morish, Amkifuny (vintage, decorative), Victory Rose, Emma Goulding (a monoline signature font), Wallace (a display serif), Monalls Script (wild calligraphy), Rozex (blackletter), La Rosse (Serif, Sans, Script), Gilodas (a monoline script), Dalton Gardens, Sophan Calligraphy (a signature font), Trickiest, Breakloft (a signature script), Elitmog, Collabro, Alentropics, Querins (an SVG brush font), Russlock (an SVG brush font), Winter Delight (textured caps typeface), Jonathan (script), Magic Daisy, Deronic (font duo), Alentropics, Brittanstone, Blackseas, Heartales, Dillandio, Mysthics, Qurtsign, Chelsy, Polers, Sattiers, Nickollas, Artlines, Osirish, Oterdin, Astherik (Sans, Script), Stuborn (sic).

Typefaces from 2021: Bolivar Shore (a wild script), Chasterlize (a tall and somewhat wild script), Greastly (a fat finger font), Ray Harts (script), Sobiah Written (a scrapbook script), Street Walks (a dry brush script), Surfers South (a monolinear signature font), Writes Sketh (a scrapbook brush font), Anesthesa (a fat finger script), Gratelos (a straightened bold inktrapped sans), Logkey Block (an informal blocky font), Qualyters (a rabbit ear signature script), Restflaws (a fat finger script), Pluckypot (counterless), Beauty Snowy (script), Brominates (script), Colatera Soft (a bold soft sans), Garmint (a condensed bold grot), Grimblocks, Hilority (a tall signature script), Julliusy (a wild script), Katvondy (script), Nastyflashy (script), Rissyetta (script) Roxfranks (brush script), Supergravity (script), Almond Nuts (a scrapbook script), Crash Struck (a brush script), Jillstone (script), Red Bells (a signature script), Sallowness (a bold script), Converon (in the style of Saul Bass), Cool Unkle (a bean font), Crayonest, Crisp Cracks (a marker pen font), Discreates (a signature script), Elfashion (script), Gradiattes (script), Woodstark (script), Kartbones (a signature script), Drive Hearts (script), Drive Hearts, Subcultures (a creamy script), Taptalks (a hasty script), Monstafaller (a Halloween font), Neillgates (script), Guyad (a scrapbook script), Twicelights (a signature script), Hollowcoves (a heavy old school script), Shadyspeed (a scrapbook script), Qritticaly (a marker pen font), Hockleys (a monoline script), Soulections (script), Bermont (sans caps), Manford Sans, Gramary (a compressed sans), Binthrots (script), Oxyless (a signature script), Fairdate (a unicase placard font), Farloxy (a thin signature script), Fortyfresh (vernacular supermarket caps), Hybridge (a brush font), Distractiles (script), Fallen City (a rabbit ear script), Fattalsfort (a brush font), The Rebound (a graffiti font), Bravarya Sky (script), Halley Parades (handwriting), Moralstory (a fat display script), Qobryts (a signature script), Shortwaves (script), Skisterstone (a scrapbook script), Hastafloris (script), Lafoyettes (script), Chillybeans (a rhythmic swashy calligraphic script), Olgoods, Rookys, Salmonillo (a brush script), Tarboots (a bold script), Tiffanka (a tall calligraphic script), Westclock (script), Angel Rise (a monolinear script), Chillphils, Golfrush (a monolinear script), Ronny Catuss (a signature brush font), Chorest (a dry brush script), Contoursy (a signature font), Hoffmans (a signature script), Quintys (a wild calligraphic script), Zapatos (a thin signature script), Avextur SVG, Roxtowns, Orbitens (signature script), Goversy, Sellyamor (signature script), Kartbones (signature script), Zapatos (siagnature script), Castury (signature script), Citadels (script), Elfashion (script), Chorest (an SVG brush font), McTellyus (a monoline script), Golfrush, Angel Rise, Tarboots (a fat finger script), Hoffmans (signature script), Contoursy (a signature font), Cillphils, Ronny Catuss, Risella fruits, Nuttelos, The Impostor (a fat finger script), Foxity, Infamous Rush, Alaskano (a plump display typeface), Brickston (script), Gutreks (script), La Roux (a bold monoline script), Overtis Signature, Younglines (script), Blackbirdy (a bold script), Clifttons (script), Mc Havoks (a script), Plotwist (a bold script), Belltons (an SVG format brush script font), Canthonys (script), Eureka Springs (script), Kollhers (a sloppy script), Lovesmilly (script), Quiltyks (script), Feeltrips (a marker pen font), Ginloops (script), Jollynorly (script), Soulsteps (script), Blacksharks (script), Fishercat (handcrafted), Honestbeat (a bean font for scrapbooks), Milkista (a heavy signage script), Railstone (a bold brush script), Silvia Norlin (script), Arttelost (script), Blisstrapy (a fat finger font), Blufcrowds (a monoline script), Callways (a creamy script), Hartsinger (a prototypical fat finger font), Mottel Laguna (an upright script), Sunsetstill (a fat finger script), Aurellia (a scrapbook font), Blakecats (a bean font), Franches (a bean font), Hopipolla (a plump script), Kurtistown (script), Malikis (a display font), Sailmelly (a fat script), Smithmagis (a bean font), Fujinstall (font duo), Switch Sister (script), Volatter, Hellostars (a script typeface), Hide Seek (a script font), Jeigers (an antiqued all caps font), Southavely Signature, Astavilla (script), Butterjam (a scrapbook font), Caberolla (a fat finger font), Rosestaly (script), The Junos (a handcrafted display font), Crunchyes, Fever Coaster (a handcrafted display typeface), Lottebytes (a scrapbook font), Noobys Display (beatnik caps), Cliquelly (a monoline script), Foxrights, Hillstatic (script), Howelstun (script), Jimmslofs (a brush script), Jownsey (a monolinear script), Just Hopes (a brush font), Sallymoores (a signature script), Tesselates (a wild calligraphic script), Adorefunny (a wild script), Birdflocks (a monoline script), Cheesyfloat (a fat finger script), Mustardmoster (script), Polyfonics (a handcrafted art deco typeface), Rusticform (a monolinear script), Steelkold (a brush font), Adoredly (script), Believest (script), Fortunelimes (script), Jawstone (script), Milatones Signature, Rawks Dream (script), Castella (script), Jullysinty (script), Kreatives (a wild script), Salvadores (a wild script), Amberlion (a creamy upright script), Ecaliptycus (an upright monolinear script), Nordstall (a brush script), Oplatussy (script), Sidehustle (a fat finger script), Terrakota (font duo), Tripfills (script), Anestacilla (a thin signature script), Blisslayton (a brush script), Dailytrust (script), Koolkids (script), Lovesgoods, Gilly Fleurs (a thin script), Hittoshira (script), Plastikcycle (a tall and wide signature script), Bloomshine (a script), Girlfinest (script), Owlmoons (script), Barkertraps (a wild calligraphic script), Konstanhigh (a signature script), Nickjones (an irregular script), Yourstrully Script (a wild calligraphic script), Cholasette (a tall handwriting font), Mondayslove (a wild script), Losthouse (script), Missousy (an upright signature script), Mylofist (a wild script), Affinities (script), Emitensy Script (upright), Gentlysoftly (a script), Homeytasty, Wollyroots (a handwriting script), Jollytimes (a thin script), Smorebucklys (script), Mostlovely (script), Dreamotions (a script), Hunnyflash (an upright script), Kristafly (script), Mashpoints (a scrapbook script), Heavenllys (script), Kallis Ottis (script), Nicestrips (script), Pallpitas (script), Amberlayton (a monolinear script), Chuckybits (a monoline script), Monkeystand (script), Jefferys York (a monolinear signature script), Monkeystand (script), Acronits (script), Bellmounts (a script), Mellodyst (a thin script), Wishlyttes (script), Wonkyest (script), Cashwoots (script), Kites String (script), Mylestock (an irregular signature script), Steffyray (a signature script), Ownttys (script), Greylorks (script), Vellizta (a wild script), Jilliankrots (a signature script), Allisha Croft (a wild calligraphic script), Alulla Saffia (script), Goldshift (a brush script), Goryfitts (a brushy signature script), Hotty Potty, Le Patterns, Melly Hailey, Raliscka (a wild script), Skyeeloft, Amorflavor (script), Gastank (a brush script), Ollykers (script), Mistychain (a wild script), Moonsticky (script), Collibryums (a signature script), Constatic (a signature script), Montly Cloudy (script), Straightfast (a brush script), Glofuts (a fat finger font), Northyhuny (script), Babotta (script), Blowfisher (a signature script), Hachitos (a signature script), Lillyanstar (script), Minormayor (a brush script), Sunnycyclops (a monoline script), Billijanes (a scrapbook script), Glowyts (script), Harashi (a brush typeface), Jules Otonomi, Marshlord (a monolinear script), Purplemonths (a signature script), Righttoast (script), Slowly Moment (a monoline script), Hoeflers (all caps, retro and handcrafted), Thoolloves (hand-printed), Blammingst (a monolinear script), Fallisanta (script), Aprictoos (a dry brush script), Jifstone Signature, Bllides (hand-printed), Tiffanky (a monolinear script), Xylomylo (a chunky rounded typeface), Alonnafeast (script), Alphasoil (script), Monicallisa (a wild script), Volustion (upright handwriting), Collathives (script), Holly Wings, Moffle Chee (a monoline script), Deloissta (script), Jarvitts (a signature script), Mildlight (an inky script), Sarfokats (a monoline script), Whillys (script), Ballstomer (a monoline script), MVRX Maverix (script), Great Alexa (script), Hoomanist (a handwriting font with delightful quirks), Ordionally (a signature font), Rallista (a thin signature font), Mokashin (a wild script), Roma Invicta, Buttersoy (script), Corestairs (a signature script), Echountter (script), Gotlicks (script), Potlar (script), Qallani (a monolinear script), Monnolitic (a signature font), Astoylist (a monoline script), Cariollets, Oliviars script, Sunfort, Bilanthy (script), Challum (a creamy script), Krysttal Spears, Satinwoods (a monoline script), Qojack (a signature script), Astoylist (a monoline script), Cariollets, Oliviars script, Sunfort, Astylooms, Bliss Hearts (a scrapbook script), Classyloop (a signature script), Koffiesta (a hand-printed typeface), Schwitz Signature, Millstream (brush scriupt), Chucklots, Slotheryn, Bagelorts (a monolinear script), Bathsy, Brothest (a fat finger script), Harollds (a script), Starstoles, Thefrost (script), Wascer (a signature script), House Bay, Rillies, Flinckstone (a wild script), Machinkly (a curvy display typeface), Fattoll (a signage script), Afiany (script), Asterikats, Molaka (a signature script), Zincand, Kalia (a fat finger font).

Typefaces from 2022: Brownfauks, Yellawolfs (a fat finger script), Gotslick (a fat finger script), Gromhins (reverse contrast), Olds Murray (a wild script), Romantic Purple (a wild script), Rust Crowth (a dry brush font), Wishstock (script), Hookypilots (a scrapbook script), Argenthus (brush script), Hustcroft (a bean font), Keithlar (an inky dispaly typeface), Norlandy (a wild script), Melvio Play (a bold script), Atheroll (handprinted), Bionzhe (a rock-solid sans), Cityskypes (script), Embroi Ghokib (a scrapbook font), Astomia Duslons (an inky rabbit ear script), Blastiks (a monoline script), Hearthaliso (a condensed upright script), Fourthyla (a plump elepehnat feet retro serif), Honey Rain (a fat finger script), Pacifica Tropics (a rabbit ear script), Lanchoster (a scrapbook script), Backflips (a thin script), Manor Smiths (interlocking and hand-crafted in Saul Bass's style), Munichley (script), Beautiful House (a fat finger script), Alto Bonito (a scrapbook script), Architaris (a signature script), Brad Rowland (a signature script), Feliztha (a scrapbook script), Collint Billy (a thin script), Grandetrix (a scrapbook brush script), Jamie Handwriting (10 styles), Hogla Brush, Rithmycs (script), Coopslight (a signature script), Darkbones (a heavy brush script), Madymory (a scrapbook script), Mistoms (a scrapbook script), Eggcup (a children's book font), Calstavier (a delicate display serif), Clockerts (a fat finger script), Redtrails (script), Zelmud Script, Cybertroops (a monolinear rounded stick font), Hartwick (script), Queensytrix (script), Anthem Park (a fat finger font), Hinterlands (brush script), Headskirt (a monoline marker pen script), Queen Sheila (script).

Behance link. Graphicriver link. Another Behance link. Dafont link. Creative Market link. Unsure if Graphic Assets is another identity. [Google] [More] ⦿

Mauricio Amster

Polish-Spanish designer, 1907-1980, who fled Spain in 1939 to Chile on board of the Winnipeg, and who revolutionized editorial design in Chile. He worked on the mag Zig-Zag. Examples of his sublime lettering: calligraphy, Cancellaresca, Gotica Bastarda, Romana Antigua, Romantica Humanistica, Rotunda.

Photo. Joaquin Contreras wrote a thesis at the Faculty of Architecture of the University in Chile in 2007 entitled Diseño de fuentes tipográficas, basadas en los libros integramente caligrafiados por Mauricio Amster en Chile. I quote from a talk given by Contreras in 2021: Mauricio Amster Cats is a leading Polish editorial designer who worked for 40 years in Chile as a publisher, potter, lettering artist and teacher. He published two books on graphic standards to support his classes at the school of journalism and design hundreds of books. Son of Jewish parents persecuted by the Nazi regime, as a young man he studied graphic arts in Germany. Together with his friend Mariano Rawicz he travelled to Spain to take part in the civil war. In Madrid he designed newspapers, pamphlets, posters and books, the best known being the Cartilla Escolar Antifascista, a study book for militiamen. As a refugee he travelled to Chile on the Winnipeg, a ship prepared by Pablo Neruda (Chilean poet, diplomat, winner of the Nobel Prize) where he arrived with his wife Adina, a Spanish bookbinder with whom he shared his life. In Chile he started out as an anarchist, but as time went by he became part of Chilean culture until he became probably the most important designer of the last century. [Google] [More] ⦿

Mauro Torres

Bogota, Colombia-based designer of the decorative typeface Meatype (2015), or Carnica (2016). He also created the blackletter Caligrafia Gotica No 1 (2015). Behance link. Another Behance link. [Google] [More] ⦿

Max Ayalla
[Millieangelo Design Co]

Max Bittrof

German type designer (1890, Frankfurt/Oder-1972, Frankfurt/Main), who made Element Fraktur (1933-1934, Bauerische Giesserei). Ben Archer writes: Element was Max Bittroff's rational attempt to solve a dispute raging within German typography of the middle 20th century; the rivalry of two competing orthographies - blackletter or gotisch versus roman or antiqua. While Rudolf Koch's Peter Jessen Schrift was also an attempt to provide a synthesis between blackletter and roman styles, it was intended as a private press face. Element was released as a fully commercial typeface in four weights by a larger foundry, Bauer, which had a programme of modernized blackletter typefaces, such as Tannenberg, National and Gotenberg. [Google] [More] ⦿

Max Fröhlich

The blackletter typeface Bauernschrift (1906, A. Numrich, Leipzig), also called Fritz-Reuter-Schrift, was designed by Max Fröhlich. It appeared at Bauersche Giesserei in 1911. Revivals of the Bauersche version include Bauernschrift (2004, Manfred Klein) and Bauernschrift (2004, Petra Heidorn). [Google] [More] ⦿

Max Infeld
[Xerographer Fonts]

Max Körner

Max Körner (1883-1963) was a painter and German trademark designer. From 1913 to 1921 he was a teacher of visual design and crafts at the School of Applied Arts in Stuttgart. From 1921 he held a professorship at the State School of Applied Arts in Nuremberg. His 1949 book, Das Neue Schriften Buch is a collection of bold, modernistic examples of the Germanic style. Samples all reside on Flickr either from Indra Kupferschmid or Depression Press, courtesy of Mindofone Fonts.

In 2012 and 2013, Dick Pape digitized twelve of Körner's alphabets: MaxKornerBlackMouse, MaxKornerBlackletter, MaxKornerBodenseefahrt, MaxKornerFlotteSchreibschrif, MaxKornerHaircutBlock, MaxKornerKraftigeWerbegotik, MaxKornerMachinenbau, MaxKornerModeausstellung, MaxKornerRed&BlackScript, MaxKornerSchablonen-Bold, MaxKornerSpikyAntiqua, MaxKornerStencilCaps.

Download here. [Google] [More] ⦿

Max Littledale

Mitch Hopkins is based in Vancouver, BC. In 2017, during their studies at Hochschule Darmstadt in Darmstadt, Germany, Mitch Hopkins and Max Littledale designed the donationware blackletter typeface Oettinger. [Google] [More] ⦿

Max Salzmann

German type designer. His typefaces include

Salzmann-Fraktur (normal, 1909, and kräftig, 1910, J.G. Schelter&Giesecke). For a digital version, see Salzmann Fraktur (2019, Ralph M. Unger), DS-Salzmann-Fraktur (2001, Delbanco) and TbC Salzmann Fraktur (2012, Chiron). Some say the typeface was made in 1915, and others mention 1912.
Dolmen (1921-1922, Schelter&Giesecke). An art deco face. Digitized by Nick Curtis in 2011 as Salzmann Deco NF). Zierdolmen (1922) was digitized by Nick Curtis in 2011 as Salzmann Deco Deco NF). There are also versions of Dolmen by Linotype (1987), Letraset and ITC.
Salzmannschrift (1910) and halbfette u. schmale Salzmannschrift (1907; some say 1910).
Salzmann Antiqua (1910, Schelter&Giesecke; some say 1911 and 1912) and Salzmann Antiqua Halbfette (1912, Schelter&Giesecke).
Salzmann Kursiv (1911, Schelter&Giesecke).
Kalender Vignetten (1907).

FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿

Maxim Eroshev

Russian designer of these typefaces in 2019: Vesievi, Soceri (for sports shirts), Rocari (cartoon style), Playlomer (blackletter), Emporia (monoline script), Driona, Dirjen, Clelia (monoline sans), Botote (dry brush), Aniies (a painted font).

Typefaces from 2020: Velin, Trazos, Tiret (a display typeface), Shaana, Sator, Sarim, Rumci, Icones (sans), Graves, Fogli, Encart, Dinter, Delies, Calcos, Bisel, Bayon, Arkens, Abaco. [Google] [More] ⦿

Maximilian Gotisch

A Fraktur font designed by Rudolf Koch. A version is available from Walden Font (Gutenberg Press). [Google] [More] ⦿

Maximilian Kerr

Type designer in the photo type era, who worked for Photo Lettering Inc and was based in New York. His typefaces include Bigtown Bold, Casual, Christmas (blackletter), Crayon Casual, Kerr Lightline, Madison Avenue, Kerr Stencil (+Bold) and Ultra Slim Light. [Google] [More] ⦿

Mayara Bione

Brazilian student and artist who made the pixelish typeface Synth (2011). [Google] [More] ⦿

M-B Creative
[Ben Mecke-Burford]

M-B Creative is a British type foundry in Presteigne, Pows, est. 2013 by Ben Mecke-Burford, or just Ben Berford, who has created many stunning art deco and other typeface families.

Typefaces made in 2013 include MB Noir (an art deco sans), the experimental minimalist MB Negative Space, the piano key typeface MB Sixtythree, the gorgeous art deco/avant garde titling typeface MB Deco, and the circle-based monoline typeface MB Geometrixa.

In 2014, he published MB Vintage (sic: an art deco sans family), MB Empire (a sans that goes back to Gill Sans), MB Narrow (a compressed sans family), MB Edwardsson (handwriting font) and MB Picture House (an all caps art deco typeface family).

Typefaces from 2020: Faustian (medieval, blackletterish), Nuovo Deco (an improvement of MB Deco), Loopkin (a playful fashion mag didone). [Google] [MyFonts] [More] ⦿

Mbronk Kukuh

Yogyakarta, Indonesia-based designer of the curly script typeface Yegritte (2018), the handcrafted Syareal (2018), and the blackletter typeface Silent Bob (2018). Creative Fabrica link. [Google] [More] ⦿

McJer Studio
[Abzari Jafar]

Banda Aceh, Indonesia-based designer (b. 1985) of these typefaces in 2017: Qamilla (calligraphic script), Lea Serif, Beauty Straw (dancing script), Larista Pasta (signage script), Enemell (brush script), Cavalry (blackletter), Shambles (handcrafted), Beukah (slab serif), Natural Old Script (calligraphic), Modern Script, Edelweiss (brush script).

Typefaces from 2018: Quality, Larista (signage script), Aniston.

Typefaces from 2019: Lord King (spurred), Khayali (Arabic), Bastian (script). [Google] [More] ⦿

Médan Savamhel

Claiming to be born in 1989 and hailing from Vatican City, this designer created the blackletter typeface Scaenarium Unus (2008). [Google] [More] ⦿

Mecanorma

French graphics lettering company initially involved in instant lettering (made by Trip Productions), and some original typeface designs. From 1989 until 1994, Mecanorma worked with another Dutch company Visualogik to create digital versions of their typefaces, all having MN in their names. Monotype licensed and digitized some of Mecanorma's typefaces. In 1995, Mecanorma got out of graphics and stepped into home decoration. In 1999, Trip Productions, a Dutch Company located in Lisse, purchased the Mecanorma brand and what was left of the company. In 2004, International TypeFounders from Cedars, PA, licensed the typefaces from Trip Productions and released them as the Mecanorma Collection.

Their collection includes some great fonts: Access, Artdeco, Artworld, BalloonMN, Brio, BusoramaMN, Campus, CardCamio, Carplate, CaslonAntiqueVL, ChocMN, CircusMN, ComicStripMN, DynamoMN, Galba, Globe-Gothic-Outline, Glowworm, Jackson, LibraMN, MtPlacard, Ortem, Renault, RoslynMN, Sayer, SayerScriptMN, SquashMN, Sully-Jonquieres, Watch-Outline. You can also buy through Atomic Type. Projected new URL, which I am afraid will never be activated because in 1999, the company was bough by the Dutch company Trip Productions.

MyFonts sells these typefaces: Access, American Uncial, Anatol, Arnold Bocklin (art nouveau), Artdeco, Artworld (an embossed font), Aster, Balloon (brush font), Blippo Black, Brio, British Inserat, Brush, Bulletin Typewriter, Caligra (blackletter), Campus (athletic lettering), Cardcamio, Carplate, Caslon Antique, Celtic (in the style of University Roman), Chicago (dot matrix / marquee typeface), Chinon, Choc (brush script), Circus (Western font), Classic Script (a copperplate calligraphic script), Comic Strip, Commercial Script, Contest, Cooper Black, Dubbeldik, Dynamo, Egyptienne, Estro (Western font), Eurostile, Forelle, Fumo Dropshadow MN, Galba (Trajan typeface), Globe Gothic, Glowworm (a bubblegum font), Gothique (blackletter), Hansson Stencil, Hillman, Hotel (multilined art deco), Isonorm, Jackson, Jubilee Lines (an engraved money font), Latina, Leopard, Libra (uncial), Michelina (anthroposophic), Milton, Mistral, Normalise Din, Old Style, Olive, Orator, Organda, Ortem, Polka (a brush typeface), Renault, Rondo (retro script), Roslyn, Sayer Interview (old typewriter font), Sayer Script, Sayer Spiritual, Squash, Stencil, Stop (stencil typeface), Studio, Swaak Centennial (pure art nouveau), Tzigane, Viant, Vivaldi, Voel Beat (beveled), Watch Outline (LED font), Windsor, Zambesi (African look font).

Designers include Albert Boton, J.H. Crook, Jan van Dijk, J. Dresscher, Roger Excoffon, U. Fenocchio, L. Fumarolo, William Gillies, N. Glason, Lennart Hansson, B. Jaquet, K. Kochnowicz, J. Larcher, C. Mediavilla, José Mendoza y Almeida, L. Meuffels, Aldo Novarese, Georges Renevey, F. Robert, Manfred Sayer, M. Schmidt, J.P. Thaulez, J. Werner and Bogdan Zochowski.

The Western slabby font Figaro MT (2004) is ascribed to Mecanorma.

A list culled from the web: AccessMN-Bold, AccessMN-Medium, AmericanUncialMN, AnatolMN, ArnoldBocklinMN, ArtdecoMN, ArtworldMN, AsterMN-Demi, AsterMN-Roman, BalloonMN-Bold, BalloonMN-ExtraBold, BlippoBlackMN, BrioMN, BritishInseratMN, BritishInseratMNCondensed, BrushMN, Bulletin-Typewriter, BusoramaMN-Bold, CaligraMN, CampusMN, CardcamioMN, CarplateMN, CaslonAntiqueVL, CelticMN-Bold, CelticMN-Italic, CelticMN, CenturyMNCondensed-BoldItalic, CenturyMNCondensed-Bold, CheltenhamMN-Book, CheltenhamMN-BookItalic, CheltenhamMN-Ultra, ChicagoMN, ChinonMN, ChocMN, CircusMN, ClassicScriptMN, ComicStripMN-Italic, ComicStripMN, CommercialScriptMN, ContestMN, Cooper-Black-Italic, Cooper-Black-Outline, CooperBlackMN, CushingMN-Book, CushingMN-Heavy, CushingMN-HeavyItalic, CushingMN-Medium, DubbeldikMN, DynamoMN-Bold, DynamoMN-Medium, DynamoMN-Shadow, EgyptienneMNCondensed-Bold, ElanMN-Extended, ElanMN-Light, ElanMN-Medium, EnrouteVL, ErasMN-Book, ErasMN-Demibold, ErasMN-Ultra, ErasMN, EstroMN, EurostileMN-Extended, EurostileMN-ExtendedBold, EurostileMN-Medium, FidelioMN, FolioMN-Bold, FolioMN-Extrabold, ForelleMN, FranklinGothicMN-Book, FranklinGothicMN-BookItalic, FranklinGothicMN-Heavy, FrizQuadrataMN-Bold, FrizQuadrataMN, Fumo-DropshadowMN, FuturaBlackMN, GalbaMN, Gillies-Gothic-Bold, Gillies-Gothic-Light, Gillies-Gothic-Ultra-Shadow, Gillies-Gothic-Ultra, GlobeGothicMN-Bold, GlobeGothicMNCondensed-Bold, GlobeGothicMNOutline, GlowwormMN, GlowwormMNCompressed, GorillaVL-Bold, GothiqueMN, HanssonStencilMN-Bold, HanssonStencilMN, HillmanMN, HillmanMNCondensed, HotelMN, IrishUncialVL, IsonormMN, Italia-Bold, Italia-Book, Italia-Medium, JacksonMN, JubileeLinesMN, LatinaMN, LeopardMN, LibraMN, MRunic-Condensed, MSwingBold, MachineMN-Bold, MachineMN, MichelinaMN, MiltonMN-Demibold, MistralVL, MtPlacard-Condensed, NormaliseDinMN, OklahomaState, OliveCompactMN, OliveMNBold, OliveNordMN, OratorMN, OrgandaMN-Bold, OrgandaMN, OrtemMN, PascalMN, PolkaMN-Bold, PolkaMN, PopplExquisitMN, PopplExquisitMN-Alternative, RenaultMN, RenaultMNBold, RondoMN, RoslynMN-Bold, RoslynMN-Bold, RoslynMN-Outline, RoslynMNMedium, SaphireMN, SayerMN-Interview, SayerScriptMN-Black, SayerScriptMN-Bold, SayerScriptMN-Light, SayerSpiritualMN-Italic, SayerSpiritualMN, SloganMN, SquashMN-Outline, SquashMN, StencilAntiqueMN, StencilAntiqueVL, StencilMN, StencilMNOutline, StopMN, StudioMN, SullyJonquieresMN-Bold, SullyJonquieresMN, SwaakCentennialMN, Syntax-Bold, Syntax-Roman, ToucheVL, TziganeMN, ViantMN-Bold, VivaldiMN, VoelBeatMN, WashSymbolVL-Light, WatchMN-Outline, WindsorMN, WindsorMNElongated, ZambesiMN.

MyFonts link.

View Mecanorma's typefaces. [Google] [MyFonts] [More] ⦿

Mechanismatic
[Michael W. Moss]

American creator of the futuristic typeface Airstream Futuropolis, the octagonal typeface Future Not Found (2014) and Android Insomnia (2015, a sci-fi sans).

Typefaces from 2018: Jabba The Font, Neck Romancer, Section 9 (squarish).

Typefaces from 2019: Screaming Neon, Rachel's Requiem.

Typefaces from 2020: The Devils Poetry (blackletter / tattoo font). Devian Tart link. [Google] [MyFonts] [More] ⦿

Medieval

Medieval (WSI, Fraktur font, 1992). [Google] [More] ⦿

Medieval

Small archive of medieval/gothic fonts: Alchemist (Computer Safari, 1995), AromatCapsSSK, FrankensteinPSMT, KellyAnnGothic, OldEnglishTextMT, Parchment-Regular (PhotoLettering, 1993), Ruritania. [Google] [More] ⦿

MegaFont CD

List of Fraktur fonts on the 10000 MegaFont XXL CD by Will Software. [Google] [More] ⦿

Megan Hansen

Creator of the curly blackletter typeface German Type (2014). Megan is involved in The Student Advertising Graphics Association, which is the student chapter of the American Institute of Graphic Arts, Los Angeles at CSU Northridge. It groups graphic designers and CSUN students interested in visual communication. [Google] [More] ⦿

Megan Mosehauer

During her studies at Rochester Institute of Technology under Kris Holmes, Megan Mosehauer designed the angular semi-blackletter typeface Lally (2013). [Google] [More] ⦿

Megflags (was: HOUS Studio)
[Fahrenno Asnawan]

Vintage badge designer in Yogyakarta, Indonesia, who created the weathered vintage all caps typefaxe Suhanto in 2019. By 2020, his (mostly vintage) typefaces included: Caslar, Eastwood, Giyo, Jelaga, Kisna, Kisna Stamp, Mardie, Mondrogoeno, Narto, Salam97 Stencil, Soerip, Soul Wanders, Suhanto, Vacant.

Typefaces from 2021: Wellmons (a rounded hand-drawn blackletter), Sigher, Grissed (free, vintage), Elthon (sketched), Sirie, Kranon (vintage metal sign emulation), Soerip, Tudjuh Dua (vernacular, all caps), Balero (+Stencil). [Google] [More] ⦿

MEKA
[Thibaut Désiront]

Thibaut Désiront (b. France) is an art director and illustrator in Montreal. His company is called MEKA or Chez Meka. In 2014, he created the handcrafted poster slab serif typeface Bleed, and the condensed display typeface NYC (or: New York City). In 2015, he designed the (commercial) rounded blackletter / tattoo typeface Hell Gothic. In 2018, he published the fat blocky sci-fi typeface Mech. Behance link. [Google] [More] ⦿

melbar

Small Fraktur font archive. Includes these fonts from Will Software: MA-Bastarda1 (1996), MA-GKursiv1 (1996), MA-Gotic (1996), Romand-Genealogie (1996). [Google] [More] ⦿

Melchior Lotther

16th century German printer on whose work Lotther Text (Fraktur font, Ludlow, UK) is based. [Google] [MyFonts] [More] ⦿

Melissae Elhajj

Campbell, CA-based designer of Gregothic (2017), a Latin / Arabic blackletter typeface that is influenced by Gregorian chants. [Google] [More] ⦿

Merethe Liljedahl
[House of Lime]

Mew Varissara Ophaswongse

Meritxell Casamira

Graphic designer in Barcelona who created the futuristic blackletter typeface Fraktions in 2015. [Google] [More] ⦿

Mery Pujato

During her graphic design studies in Buenos Aires, Mery Pujato created the blackletter typeface family Maui (2014). Behance link. [Google] [More] ⦿

Metafont Quellen
[Jobst-Hartmut Lueddecke]

Jobst-Hartmut Lueddecke's page has metafont sources for Suetterlin (by B. Ludewig), old Irish Uncial (by Jo Jaquinta), Italic (Cancellaresca corsiva) of Ludovico degli Arrighi, called Vicentino (Italy, early 16. century) by Willibald Kraml, yfrak, yinit, ygoth, yswab and cmfrak, Fraktur fonts by Yannis Haralambous. Also, the rune fonts bard (Celtic Bard Runes by Jobst-Hartmut Lueddecke), futhark (by Micaela Pantke and Sigrid Juckel), srune (by Jobst-Hartmut Lueddecke), the fantasy fonts cirth (dwarven runes created by J.R.R.Tolkien, by Jo Jaquinta), engwar (by Michael Urban), goblin (by Alan M. Stanier), tengwar (elven runes created by J.R.R.Tolkien, by Michael Urban), Jörg Knappen's EC fonts, hksym (a dingbat font by Hartmut Kennhöfer and Jobst-Hartmut Lueddecke), moonphases (dingbats by Stanislav Brabec, and wasy (dingbats by Roland Waldi). [Google] [More] ⦿

MetalHead
[Jason Kochis]

Jason Kochis (MetalHead, Northern Virginia) is a freelance artist who specializes in graphic design, gigposters, flyers, murals, paintings, and illustration. He is the designer of some loud/blackletter/scary/metal fonts like MHF Headbanger (2005) and MHF Gothic (2005). [Google] [MyFonts] [More] ⦿

Metis Digital Type Foundry (or: Studio Io, or: Metis Foundry; was: Volume2a)
[Simon Bent]

Simon Bent from Melbourne (Metis Foundry, or: Studio Io; was: Volume2a) designed these typefaces in 2007-2008: Epsilon, Annual (modular, architectural), Tangerine, Deccade (experimental), Hoax [more scans: i, ii, iii, iv], Babylon (another modular experiment).

In 2012, he created the geometric sans typeface Acumen, and the sans family Silence. He is working on Fragile, Terminal, Link, Recurrence (very experimental), Autonomy, Motor, Velcro, and Elevator.

In 2013, he designed the sans typeface Figure.

In 2016, he published the ultra-condensed blackletter typeface Optimum Compress in Textura style.

In 2018, he published the great condensed brutalist octagonal typeface Texel, the experimental geometric typeface Pyxis (published by The Designers Foundry), and the geometric solid typeface Geometer.

In 2019, he added the ultra-fat Dot19, the monoline experiment LXII, the modular Alexandro, the geometric sans typefaces Software and Gertrudes, and the sans font Mizzen.

Typefaces from 2020: Geometer.

Typefaces from 2021: LXII Display (a prismatic typeface). [Google] [More] ⦿

Software engineer and type designer based in San Francisco, originally from Bangkok. At Type@Cooper West, Mew Varissara Ophaswongse (who graduated there in 2018) developed the reverse stress typeface family Sandwich (2019), which contains styles called Hoagie (a cartoon font), Lettuce Italic, Lettuce Regular, Sandwich Bold, Sandwich Italic, and Sandwich Regular. Sandwich won an award at the Type Directors Club's Type Design Competition 2019.

Still at Type@Cooper West, Mew designed Fraktur Alemannia, a revival of a Ludwig & Mayer typeface from 1910.

Designer of Konstrukt (2020), which is based on the geometric solid alphabets of André Vlaanderen (1928).

She developed TypeTuner, a browser extension that allows the user to apply a local font to any web page, as well as to configure values for variable font axes. [Google] [More] ⦿

Micaela Diaz

Graduate from FADU, University of Buenos Aires, who created the spiky angular cloak-and-dagger typeface Haarp (2009). [Google] [More] ⦿

Michael Baurenfeind

German penman who published Vollkommene Wieder-Herstellung der Schreib-Kunst in Nürnberg in 1716. Pia Frauss made a blackletter typeface called Love's Labour in 2007 based on his work. [Google] [More] ⦿

Michael Bixler
[The Letterfoundry of Michael & Winifred Bixler]

Michael Bolen
[Bosil Unique Fonts]

Michael Buttler

FontStructor (aka KAMI) who made two gorgeous typefaces in 2011, Intrinsic (tall and condensed) and Mechano Feather (blackletter). [Google] [More] ⦿

Michael Cina
[You Work For Them (or YWFT; formerly Cinahaus or TrueIsTrue)]

Michael Clark
[Typerror]

Michael Gaehrken

Michael Gaehrken provides files and tools for integrating blackletter fonts into LATEX documents. He has special adaptations for Bibelschrift, Zentenar Fraktur, Wieynk Fraktur and Alte Schwabacher. [Google] [More] ⦿

Michael Gene Adkins
[The Fontry]

Michael Hagemann
[Font Mesa]

Obituary by Yves Peters, who quotes Sumner Stone: We will miss the presence of his marvelous big smile and the twinkle in his eye that went with it. That twinkle always seemed to be there above his ruddy cheeks and one quickly learned that it was a true transmission of his inner state. He was a tall leprechaun, full of laughter. He had a subtle and perennial sense of humor and just being in his presence lifted you up. He could float on the jazz piano clouds of Ellington and Strayhorn, and named typefaces after each of them. He was also a serious thinker, a scholar, and always ready to engage in a discussion of the finer points. His achievements in the lettering arts are numerous and numinous. By any measure he was prolific. He carved letters in stone and wood, drew them for hundreds of book jackets, wrote books about them, taught them to graduate students, and made them into typefaces that ranged from goofy to sublime. He was a true master in every respect.

Michael Harvey

Stonecutter and renowned carver (b. 1931, d. 2013), cyclist, and type designer. Michael was a visiting lecturer in the Department of Typography&Graphic Communication at the University of Reading, and is the author of several books on the lettering arts. CV and picture. He worked from his studio in Bridport (Dorset). At ATypI 2007 in Brighton, he analyzed the work of Frederic Goudy, Hermann Zapf, Eric Gill, Georg Trump, and Jan van Krimpen, and took the listener from analog to digital.

Klingspor link. FontShop link.

In 2001, he and Andy Benedek founded Fine Fonts, an independent digital type foundry in Cheltenham, UK.

His typefaces:

Aesop Script (Fine Fonts).
Andreas (1996), an outline font, and Moonglow , an all-caps typeface, two stone-cutting fonts published by Adobe.
- Balthasar (2002, Fine Fonts).
- Braff (2003, Agfa and later, Fine Fonts).
- Conga Brava MM, a fluid stencil font published by Adobe.
- DTL Unico. An extensive all-purpose family at the Dutch Type Library.
- Ellington (1990) and Strayhorn (1995), both at Monotype.
- Fine Gothic (blackletter).
- Frieze (Andy Benedek and Michael Harvey, Fine Fonts). The original font dates from ca. 1990. They explain: The origin of this font was a frieze in the RAF Chapel in Westminster Abbey which Michael Harvey was commissioned to design and create. It was comprised of the names of the top brass in Bomber Command, namely Dowding, Harris, Newall, Tedder, Portal and Douglas. The Brief was to cut the letters in bronze and guild them. Instead, they were cut in perspex and guilded. Some twenty years later, the missing upper-case letters were drawn together with the lower-case letters and Frieze, the font, was born.
- Marceta Uncial (Fine Fonts).
- Mentor (Fine Fonts).
- The multiple master Mezz at Adobe.
- Quirky (Fine Fonts).
- Ruskin (2008, Andy Benedek and Michael Harvey, Fine Fonts). This display serif typeface was originally created as a commission for Michael Harvey to design a signage font for the Dean Gallery in Edinburgh.
- Songlines (Fine Fonts).
- Studz (at Adobe).
- Tisdall Script (Fine Fonts).
- Victoriana (2002, Andy Benedek and Michael Harvey, Fine Fonts). A Victorian typeface named after cyclist Victoria Pendleton.
- Zephyr (at Ludlow).
[Google] [MyFonts] [More] ⦿

Michael Hübner

Creator at Volcano Type of Trigot (2010), a geometric semi-blackletter face. [Google] [More] ⦿

Michael Jason Browers

Duluth, MN-based designer (b. La Crosse, WI, 1977) of Ekkehard (2020: inspired by multiple blackletter typefaces that appeared in an 1862 printing of "The Doctrine of the Simple and the Power of the Powerless" by Hans Nielsen Hauge), Gladstone Street (2019), Jayce (2018, +Fleurons), Dulcyna Hand (2018), Bombastic (2010, grunge), Jeyran (2010, a blotchy hand-printed typeface done with Elnara Browers), Gladstone (2009, a readable blackletter), Diegeometrische (2008, a stencil for Latin and Cyrillic), Menim Elim (2007, cursive hand), Ellaroza (2007, gorgeous fleurons), Konscript (2007, old typewriter face), Geistig (2006, classical caps), Sophiazoya (2006, Victorian era ornaments), Dovshan (2007, more Victorian era ornaments), Loza (2006, curly antique face), Disjecta (2006, a shaken serif face), Formasi (2006, grunge face), Mehriban (2007, grunge), Mehriban Outline (2008), Squarefill (2008, grungy stencil), Squarefix (2008, grungy stencil), Wingbrush (2008), Somatica (2006, grunge) and Isoglyphics (2005, dingbats).

MyFonts page. Alternate URL at MyFonts. View Michael Jason Browers's typefaces. [Google] [MyFonts] [More] ⦿

Michael Lee Finney

Maintainer of the Logix font (2001-2021). It is a free mathematical symbol font based on STIX2. Finney writes: This is an OpenType font where all of the symbols (more than 4,000) other than the ASCII codepage are in the private use area. Other than many miscellaneous symbols, there are a large number of arrows, geometrical symbols, Knot drawing symbols, 64 stretchy delimiters plus a stretchy binding bar, of which 56 are fully stretchable. The remaining 8 are stretchy up to 5 times the original size. Some of the delimiters are present in Unicode, but their design in STIX2 does not work as well for logic. In particular, STIX2 delimiters tend to not extend as far below the baseline and above the baseline as would be desirable. Also, some STIX2 delimiters take more horizontal space than is necessary. There are twenty scripts, each of which (except for the two Greek scripts) have matching numeric, lower case and upper case glyphs. All symbols in this font are designed to be compatible with the STIX2 mathematical font by AMS. Some of these scripts overlap the Unicode math scripts, but are not intended to be replacements for those. [Google] [More] ⦿

Michael Montoure

A graduate of the University of Washington. He created the Victorian / Jules Verne look font called Difference Engine for Forever London. [Google] [More] ⦿

Michael Parson
[Typogama]

Michael Pieroth

Modern blackletter calligrapher in Germany. [Google] [More] ⦿

Michael Sharpe
[Boondox]

Michael Sharpe
[newtx]

Michael W. Moss
[Mechanismatic]

Michael Wallner
[The Type Fetish]

Michael Worthington

Program Director, Graphic Design program California Institute of the Arts. Designer of the Fraktur font Dominatrix (1994) and of Kookoo (1994).

In 2012, he designed the techno typeface Aviator.

Interview in 2000. [Google] [More] ⦿

Michaelangel007

FontStructor who made the blackletter caps typeface MacBeth Calligraphy (2013). In addition, he created several pixel typefaces for computer programming. [Google] [More] ⦿

Michel Bujardet
[Fontmenu.com]

Michel Derre

Typography and calligraphy teacher at The ACT (Atelier de Création Typographique) of Ecole superieure Estienne (18 boulevard Auguste-Blanqui, 75013 Paris). In 2014, with the help of the FontYou crew, he published the calligraphic rustic German expressionist blackletter style typeface Algo FY.

Michel Derre and Julien Prez jointly won the Bronze Medal in the Latin category for Abelha in 2016 at the Morisawa Type Design Competition 2016. Old URL. [Google] [MyFonts] [More] ⦿

Michel M.

German freelance artist and designer, associated with URW++, b. 1964. He graduated in 1992 from Fachhochschule für visuelle Kommunikation und Design Münster. He created Tricky (2002, stencil face), Keys (2002), Hands on Albrecht (experimental font at URW, 2005, based on Albrecht Dürer's geometrically constructed letters), TrickyTracky, MovingMouse (computer key fonts), Oranda MM and Oranda SC (for NABU Münster), LuxSansBookNumsOsF and LuxSansBookNumsTab (for Mekomnet), CometoMama and CometoDaddy (done for invers-Weihnachts-Typo-Wettbewerb), GooseBump (Farmers, Plants, Desaster, Twinkle: free download!), Playstation (free dingbat font), Radieurorund ascii (free download), Teletron (grunge family done at Volcano Type). In 2010, he set up Fontschmiede with Frank Baranowski, another (ex-)URW++ designer. His fonts there include the techno typefaces Und4 (2008) and Line44 (2009), and the hand-printed typeface Just Deine (2011).

MyFonts page. Alternate URL. Klingspor link. Volcano Type link. [Google] [MyFonts] [More] ⦿

Michel Troy
[Urban Pixel (or: UP Font Studio)]

List of fonts seen at Disney. Subpage on pirate fonts.

Michelle Batton

Illinois-based "designer" of English Gothic (2007, blackletter), which she is actually selling. She also made Johnny B (2007, handwriting), Think Pink Alphabet (2007) and Damaged Alphabet (2007). Alternate URL. Yet another URL. [Google] [More] ⦿

Michelle Widener

Designer of the blackletter typeface Blackstone Hand (2020). [Google] [More] ⦿

Mickey Avenue
[Justin Callaghan]

Movie font archive site run by James Callaghan from Florida who made the free Walt Disney Script font WDScript (2000), the exquisite display family Seized (2001), Bradley (2005, a revival of a blackletter typeface, Bradley, an 1895 typeface credited to Joseph Warren Phinney, which was based on lettering by Henry William Bradley for a Christmas cover of Harper's Bazaar magazine), Prototype, Prototype Community, Prototype Pavilion (EPCOT font, 2001), Waltograph (2000-2004; free at Open Font Library), Decotech (2001, based on designs by Daniel Pelavin and Neville Brody), SpaceAge, Ravenscroft (copyright TombSweetTomb.com, 2001), and Seized v2 (2002).

His Florida Project (2003, with Spencer Parks), is an original font family based on the logotype for Walt Disney World circa 1971-1995.

Dafont link. Alternate URL. Abstract Fonts link. [Google] [More] ⦿

Mickey Koth
[Fraktur chart]

Miguel Angel Contreras Cruz
[Letter Inc]

Miguel Angel Hernández Montoya

Miguel Hernandez is a graphic designer, type designer, illustrator and teacher in Santiago de Chile. Born in 1977 in Concepcion Chile, he studied Graphic Design at Universidad del BioBio State University in Chillan, Chile. He currently teaches Typography at Universidad Diego Portalesand and Universidad de las Americas in Santiago de Chile. Miguel contributed greatly to the early success of the Chilean type foundry Latinotype which he cofounded in 2007 with Felipe Soto in Concepción, Chile. In 2011, he cofounded Los Andes Type. Some time in or just before 2015, he broke his relationship with Latinotype. In 2015, he set up ABC Alphabets by Chileans together with Tania Chacana. In 2020, Joaquin Contreras and Miguel Hernandez Montoya set up Archetypo.xyz from their new base in Germany. His typefaces:

AA Actual Mono (2020) A monospaced typeface family in 10 styles by Joaquin Contreras and Miguel Hernandez Montoya. .
Arquitecta (2014, Latinotype), Arquitecta Standard (Latinotype), Arquitecta Office (Latinotype).
The Google Web Font Ceviche One (2011). This is an angular yet curvy extra black expressionist sans serif type.
Chela One (2012). A bold condensed brush script, free at Google Web Fonts.
Fatta (2011, Los Andes). Round and fat.
Fiancé (2011, Sudtipos). A fat signage typeface.
Paro (2021). A condensed sans with some oomph; by Miguel Hernandez and Miguel Hernandez Montoya at Frutitype.
Lolita (2012, Latinotype). A playful rounded sans family.
Mija (2011, Latinotype). Inspired by vernacular signs.
Patagon (2011, Latinotype): a rounded wood-inspired poster typeface done with Daniel Hernandez and Luciano Vergara.
Sail (2012). A didone script.
Sofia (2012). An upright script, free at Fontsquirrel.
Texta (2014, Latinotype), Texta Narrow (Latinotype). a geometric sans for everyone.
Tikal Sans (2012, Latinotype).
Uomo (2014, with Tania Chacana) is a contemporary typographic system that explores the geometric sans style and Italian art deco in combinations of four widths and three weights.

Before Latinotype, Miguel Hernandez created many pixel typefaces. The typefaces made in that period before 2007 include:

The truly perfect pixel font family Fundamental (2003).
The pixel font Sligthest.
The sans family Chile (2004), Chile Sans (2005). Chile Sans won at the Tipos Latinos 2008 competition.
The highway signage typeface Optica (2004).
The fifties diner-style screen font Detroit 45 (2002).
The bitmap display font Kuppa (2003).
The church stone engraving simulation typeface Finaita (2002).
The Western pixel font Arizona (2003, perfect!).
The bitmap handwriting font Wolfgang Bold.
The screen font Screenager (2002).
The funky bitmap font Groobit.
Minority (2002, a very small screen font).
Fundamental (2002, a very original screen font, with ligatures for "rr" and "LL", for example), which was subsequently published at tipografia.cl.
The ultimate pixel font Miguel's Three Dots (2002).
The pixel display font Circa (2002).
The pixel fonts Capitalista, Garadot (2003, a fantastic pixel version of an elegant Garamond) and Harmonica.
The script pixel fonts Anticrisp (2003) and Essential Bold.
The gray pixel typeface Sushi (2004, hiragana, katakana, Latin).
The serif font Quetzal (2003).
The bitmap family Sugar (2003).
The bitmap family Apple (2004, based on Apple's Chicago).
At Atomic Media, he released Carbona and Carbona Bold in 2002, as well as 12 bitmap fonts in 2003: Maya, Fundamental, Azteca, Tekilla, Aymara, Minority, Quadratis, Carnoa Plain&Bold, Machina Typewriter, Dotic (blackletter), Mezcal, Circa.
In 2004, he joined Ultra Pixel Fonts, where he made the pixel typefaces Orbital, Sugar, Odyssey, Solar, Voltage, Jetson.
At Latinotype, he made Picara Sans (2007, an organic sans), Cadena (2007, a rounded sans which won at Tipos Latinos 2008), Love (2007, ultra fat rounded) and Mote (2007, rounded sans display face).
Co-designer with Tania Chacana of ABC Normal (2016) which they motivate in this way: Normal is a working horse for the Modern Grotesk Canon, result of study of the models from Theinhardt, Renner, Novarese & Gerstner; avoiding to reveal a personal style. There is a 2021 version as well, ABC Normal, a 24-style modern grotesk still with large x-height, again by Miguel Hernandez Montoya, with production assistance of Tania Chacana.
Designer of the sans typeface AA Idea (2021).
Uomo (2021, Alphabets by Chileans). Created by Miguel Hernandez, Tania Chacana and Miguel Hernandez Montoya, this 27-style all caps typeface features Italian art deco elements. /UL>
MyFonts page for Miguel Hernandez Montoya. View Miguel Hernandez's typefaces. Another look at Miguel Hernandez's typefaces. [Google] [MyFonts] [More] ⦿

Miguel Ibarra
[Miguel Ibarra Design]

Miguel Ibarra Design
[Miguel Ibarra]

Miguel Ibarra (Miguel Ibarra Design, New York) created the spurred Tuscan Western typeface Urban Cowboy (2013), the scary Halloween font Rebels (2015), and the heavy blackletter typeface Schwarz (2013). [Google] [MyFonts] [More] ⦿

Miguel Reyes
[Fontaste]

Mihai Sorin

Punchform is an independent Romanian type foundry established in 2019 by graphic and type designers Mihai Sorin and Mirela Nina (although, mysteriously, Nina's name was dropped from all Punchform blurbs in 2021). It is located in Bucharest. In 2020, they co-designed the modern blackletter typeface Mavros.

In 2020, Mihai Sorin released Evander (an 18-style humanist sans for Latin, Greek and Cyrillic).

In 2021, Mihai Sorin designed Sublima (a 20-style neo-grotesk), and Turis (an 18-style humanist sans), Silurum (an 18-style humanist sans) and Ouhta (a 26-style neo-grotesque typeface from Hairline to Black).

Typefaces from 2022: Primeform Pro (an 18-style geometric sans with 19 stylistic sets to create a versatile family). [Google] [MyFonts] [More] ⦿

Mihail JP

Creator at Open Font Library (OFL) of the free blackletter typeface Deutsche Altdruckschrift (2009) and the large free Textura family Textura Libera (2014). This font is based on Unicode Symbols, which in turn is due to George Doulos under a free software license.

In 2015, he published Inconsolata LGC, a Cyrillization and Hellenization of Raph Levien's programming font, Inconsolata. [Google] [More] ⦿

Mike Allard
[De Nada Industries]

Mike Larsson
[Mr. Fisk (or: MR.FISK's FONTEX 2000mg)]

Mike Stowe

Mike Stowe is a graphic/sign artist&owner of Signs Unlimited in Granger, Indiana. At Letterhead Fonts, he designed Old Blackletter (25 USD) and Argentine. [Google] [More] ⦿

Mikhail Beloglazov

Moscow-based designer of the blackletter typeface Why Tiger Gothic (2017). [Google] [More] ⦿

Mikihiro Yamashita
[Mikitype]

Mikitype
[Mikihiro Yamashita]

Mikitype is Mikihiro Yamashita, a student at Musashino Art University in Tokyo. In 2014, he created the Latin text typeface Mesut, the sans typeface Diaby, and the blackletter typeface Rukas. Behance link. [Google] [More] ⦿

Mikolaj Grabowski
[Font Bud]

Milan P. Longo

Paris-based designer of the free modular blackletter typeface Aggressif 45 (2017, FontStruct). Behance link. [Google] [More] ⦿

Miles Newlyn
[Newlyn (was: TextPref, x&y)]

Millieangelo Design Co
[Max Ayalla]

Mission, KS-based designer of the spurred Victorian display typeface Legendary (2013).

In 2016, now located in Kansas City, MO, he designed the rough stencil typeface Surplus Pro.

Typefaces from 2017: Sumner (soft edge sans), Union Made (a vintage typeface family: It offers that bit of that masculine, whiskey drinking, machine using, denim wearing, ass-kicking touch to any design or logo), Argentine (a great roughened poster font), Kansas City, Pueblo Blackletter (tattoo font), Sylvester (headline sans), Soft Block (vintage octagonal typeface).

Typefaces from 2018: Homestead, MDC Uptown, Vintage Athletic, Venice Gothic, Bevel Block.

Behance link. Creative Market link. Old URL. [Google] [More] ⦿

Milo Dominik Ivir
[Milo Typografik]

Milo Typografik
[Milo Dominik Ivir]

Milo Dominik Ivir is a Croation graphic designer and type designer, born in Zagreb in 1968. He worked at the Institute of Print Technology and Planning in Berlin, and started Milo Typografik. Check his essay "Schrifttechnologien und Bildschirmtypografie". His typefaces: Agram (2000), Aramaica (1997), AvantHighBook (1997), Bonbon (1998), CorinnaHand (1999), Delirious (1998), GirlsAndBoys (1997), Gotharda (1997, a blackletterish headline face), Kaptol (1997), LexikaBold, Pianissimo (1998), Poster-Inline (1997), Poster-Outline (1997), Samantha (1997), StariGrad (1998), StephenHand (1997), Zagreb. His families: Factory (1997), FactoryBroken (1997), Klavir (1997), KlavirCaps (1997), Milo-Inline, Milo-Outline, Screen14 (1998), Screen14Bold (1998).

He joined Linotype in 1999 where he had already published his blackletter font Linotype Gotharda (1997). FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿

Milos Kunst

Czech creator of the old typewriter font Psacstroj (2011), Rifle 1 (2012, a wooden plank typeface), Willy 2 (2011, hand-printed), Ozzy 2 (2011, grunge blackletter face), and Mucha (2011, art nouveau).

In 2013, the dot matrix typeface family PlDvl was created.

Abstract Fonts link. Fontspace link. [Google] [More] ⦿

minidonut

FontStructor who made Greyscale Road (2014), Tealquoise Ultra (2014), Chess of Clans (2014), Try Again (2014, a gaming pixel font), Plumber's Favorite World (2014), FB Initiatis (2014), iFB Kerblampf (2014, cartoon face), FB Semper (2014), FB Mega Maze (2014), Binary00 (2014), Calculetter (2014), fb Floralis (2014, +Cyrillic), Minisular (2014), Parallelle (2014), Monokube (2014, 3d and pixelish), Kerblam (2014), En Ligne (2014), Gribouillé (2014, textured font), Musician (2014), Aerobat Regular (pixelized art deco face), Blackmono New (2014: pixelized blackletter), Coffee (2014), Nonogram Alpha (2014), Typewritten (2014, grungy pixel face), Typura (2014), Blackmono (2013, pixel face), Stripe (2013), Stream (2013), April Fools (2013), Sideview (2013), Defontstructed (2013), Written Hand (2013), Connect (2013), Bullseye (2013, a labyrithine typeface), 2x7 Steelstone (2013), Script O Flip (2013, white on black pixel script), Fontcity (2013, pixelish dingbats), fs Fusilli (2013), fs Spaghetti (2013, a monopixel font), fs Antistencil (2013), fs Threedee (2013), fs Typewriter (2013), fs Handy 2.0 (2013), fs Fins (2012), Lines and Dots (2012), Chart (2012), Glossy (2012, texture face), Shadows (2012), Digittal (2012, digital clock numerals), Tall (2011, ultra condensed face), Anti Alias (2012), Default Pixel (2011), and a few other pixel typefaces such as Crazy Pixel Extended Extended (2012). [Google] [More] ⦿

MinSung Noh

Seoul, Korea-based designer of the blackletter typeface Godwin (2018), the poster sans typeface 1987 (2015) and the inline typeface Mad (2015). [Google] [More] ⦿

Miquel Cendros

Graduate of CIC Elisava. Barcelona-based designer of a variable font in 2019. Still in 2019, he drew Gothic Alphabet. [Google] [More] ⦿

Mirco Zett
[Mirco Zuchowski]

Mirco Zuchowski is a German graphic and type designer, who started the commercial foundry Mirco Zett in 2012 in Aschaffenburg.

Creator of the grunge blackletter typeface Lazy Monk (2012, free demo), Shodo Gothic (2012, an oriental brushy take on blackletter), and the dark gothic fonts Vertigo Death (2012), Black Edge (2012, a stylized blackletter), and Cinematic English (2012).

In 2013, he created Vertigo Death.

Fonts from 2015: Heftiga (watercolor brush), Lovely Madness (rough calligraphic script).

Typefaces from 2016: Gory Madness, Paunchy (brush font).

Typefaces from 2017: Black Madness (blackletter), Uncut Madness (horror genre).

Dafont link. Creative Market link. Behance link. Another Behance link. [Google] [MyFonts] [More] ⦿

Mirco Zuchowski
[Mirco Zett]

Mirela Nina

Punchform is an independent Romanian type foundry established in 2019 by graphic and type designers Mihai Sorin and Mirela Nina (although, mysteriously, Nina's name was dropped from all Punchform blurbs in 2021). In 2020, they co-designed the modern blackletter typefaces Englika and Mavros. [Google] [MyFonts] [More] ⦿

Miriam Horn

Art director at Formlos, Berlin, who created Flittchen (2013, a blackletter typeface), Gridio (2013, a poster typeface) and a set of museum icons (2013).

Misha Vlasov

Or Mikhail Vlasov. Verona, Italy-based designer of these typefaces:

From 2017: Fast Gothic, Gothic Ornamental, Minimum Sharpness, Modern Stencil, Fast Left Hand Script, Ordine and Textura Nouveau.
From 2021: Goratrix (a death metal blackletter font), Vedrana (a stylish sans), Ondina (a display italic), B Sign (an industrial stencil font for Latin and Cyrillic), Arina (a display serif for Latin and Cyrillic inspired by the (Slavic) ustav style).
From 2022: Rotunda Divina (a rotunda blackletter), Braleyhlex (a medieval / Lombardic font inspired by a Verdun altarpiece in Klosterneuburg), Kelsi (a bubble graffiti font).

[Google] [More] ⦿

Mister Chek
[Andrey Chernevich]

Russian designer in St. Petersburg, aka Mister Chek, b. 1983. Dafont carries his free demos. He sells his typefaces here: Horizons, Trueper (tattoo face), Black Queen (metal band face), King Arthur (blackletter).

He created the free typefaces MCF Revolution Ink (2012, a Treefrog-style handwriting all-caps face), MCF Zelfis (2011, a tattoo font), MCF Bad Manners WW (2009, blackletter), MCF Star Worms (2012, blackletter / tattoo face), and MCF Funera (2010).

Typefaces from 2016: Legion of Darwin, Galler, Petarda (tattoo font), Geroin (a rough brush), MCF Empire Cave, MCF Perun, Tawer, Barklay, Krechet (tattoo style), G Style, Amega Star, Pobeda, Brather Script, MCF Iraida Script.

Typefaces from 2017: Black Fox (blackletter), Stone Head (Victorian), Alien Delon (hipster and trekkie styles).

Typefaces from 2019: MCF Joker, MCF Mudster (inky).

Dafont link. Devian Tart link. Abstract Fonts link. Creative Market link. [Google] [More] ⦿

Mitch Hopkins

Mitch Hopkins is based in Burnaby, BC where he is participating in the IDEA progra, at Capilano University. In 2017, during their studies at Hochschule Darmstadt in Darmstadt, Germany, Mitch Hopkins and Max Littledale designed the donationware blackletter typeface Oettinger. [Google] [More] ⦿

Mlk Joufi

Riyadh, Saudi Arabia-based designer of the blackletter Arabic / Latin font Arabic Royal (2015). [Google] [More] ⦿

Mockup Bank (was: Trappist Monk)
[Julien Tourdot]

Juart aka Juart Little aka Trappist Monk aka Mockup Bank aka Beardman aka Julien Tourdot is a graphic designer living and working in Paris (France). He also calls himself the Digital Blue Collar Worker. His typefaces: JAH (2012, a strong uppercase headline face), Someothaship (2012, a script face), Vador (2012, an octagonal typeface), and Juart (2012, a tattoo typeface).

Typefaces from 2014: Deter (graffiti style), Noire (spurred), Occvlte.

Typefaces from 2016: Mexica Gothic (free), Droid, Sicko (pixacao graffiti-inspired), Catacombes, ACAB (blackletter font), B.O.M.B. Blood On My Blade (a decorative blackletter typeface).

Typefaces from 2017: Children Of The Grave.

Behance link. YWFT link. Behance link for Trappist Monk. Graphicriver link. [Google] [More] ⦿

Monica Munguia

Monica Munguia (Mexico City) studied graphic design at Universidad del Pedregal and has a Masters in typeography from Centro de Estudios Gestalt in Veracruz, Mexico. She was associated with FontYou in France. In 2014, she co-designed the blackletter typeface Blackmoon FY with Alisa Nowak and Jérémie Hornus. Blackmoon FY won an award at Tipos Latinos 2014.

In 2016, Monica Munguia and Jorge Martinez co-designed the elliptical display typeface Maciza.

In 2017, she co-founded Tipas Type together with Dafne Martinez and Sandra Garcia, but left Tipas Type by 2020.

In 2018, she designed the plump brush pen font Bunny and the neutral sans typeface Porcelanite. In 2019, Dafne Martinez, Monica Munguia, and Sandra Garcia finally released the roundish informal children's book typeface Xantolo and the wood type / slab serif typeface Xihtli. [Google] [MyFonts] [More] ⦿

Monochrom (and--or Pheist)
[Stefanie Koerner]

Monochrom is Stefanie Koerner's place. She works at the Academy of Fine Arts in Hamburg, and has designed fonts such as Baltic Interface Net (2000, pixel font), ReconstructDing (2005), FastenYourSeatbelt (2002, dingbats; Clean and Textured), BIN-Outline and BIN (2000, pixel font family). At Cape Arcona, she made the free fonts CA Dater (2005, grunge), CA Fusion (2005, outline), CA Misfit (2009, grunge) and CA Scribb (2005). Pheist in Hamburg is another site of hers. Here she has all the fonts mentioned above, plus the freeware or shareware fonts pxlpack (2005), TXTRS (2005), DPX (2005), Mink (2012), Paper Johnny (2006, a dada typeface), Rodeo King (2007, hand-printed), Fipps (2007, outline pixel face), HeinzHeinrich (2008, blackletter pixel face), PlakkenWalls (2003, scanbats), Plakken (2003, grunge), Phatone (2007, pixel face), Commo (2008, pixel face), wide9serif, wide9, wide8, and narrow8.

View the typefaces made by Brian Bonislawsky.

Monofonts
[Valentino Coppi]

Monofonts was founded by Katiuscia Mari, Andrea Cerboneschi and Marco Ugolini. Monofonts is the Font Foundry related to Monocromo Creative Digital Agency based in Florence, Italy. Valentino Coppi is the Italian designer (b. Firenze) of the free typeface family Aron Grotesque (2016, Monocromo), which is named after French intellectual Raymond Aron.

Typefaces from 2017: Joe Stamp (monospaced roundish children's book type), Abuse (a blackletter font in the calligraffiti style), Sweetheart Script.

Creative Market link. Behance link. Dafont link. Behance link. Behance link for Monofonts. [Google] [More] ⦿

Monogram Fonts Co
[Brian J. Bonislawsky]

Commercial foundry, est. 2009 by Brian J. Bonislawsky (Las Vegas, NV), known for his participation in the Astigmatic One Eye Typographic Institute, the Breaking the Norm Font Library, VersusTwin Type Foundry, and Foundry-X. Most of the fonts done after 2013 were in cooperation with Jim Lyles. Fonts made in 2009 include MFC Franklin Corners (based on Metal Corners from the 1889 "Convenient Book of Specimens" from Franklin Type Foundry in Cincinnati), MFC Manoir Monogram (2009, Victorian initials), MFC Bijou Monogram, MFC Escutcheon Monogram, MFC Pantomime Monogram, MFC Peony Monogram (2009), MFC Vice Monogram (an Art Deco letterset (capitals only) from a 1915 publication by Cartier-Bresson of Paris), MFC Viper Monogram (based on Hollywood Combination Initials, found in a 1934 ATF book), MFC Carson Monogram (from Art Monogram and Lettering by J.M. Bergling, Vol. 1, Fifth Edition, 1912), MFC Semicirculus Monogram, MFC Royaume Monogram (after lettering from the 1884 Ames' Guide to Self Instruction in Practical and Artistic Penmanship by Daniel T. Ames), MFC Bindi Monogram (after a 1915 publication by Cartier-Bresson of Paris), Carson Monogram (a letter set from the book Art Monogram and Lettering by J.M. Bergling, Vol. 1, Fifth Edition published in 1912, where it was simply labeled New Antique 53), Noir Monogram (after the "Pearl" letterset from the 1854 Becker's Ornamental Penmanship and Draughtsman's Letter Book by George J. Becker), Distinto Borders (after the Black&White and Running Borders from the 1906 Abridged Keystone Type Foundry Specimen Book), Tagliato Monogram (after a decorative letterset (capitals only) from the 1899-1900 Treatise on Embroidery, Crochet and Knitting booklet by M. Hemingway&Sons Silk Co), Mouchoir Monogram, Memoriam Initials (based on University Initials in the 1934 Book of American Types by ATF), Moissanite Monogram (based on Diamond Combination Monograms from the same book), MFC Monarchy Initials (based on Diamond Combination Monograms from the same book), Morningside Monogram and Neuport Monogram (both based on letters found in the 1934 Book of American Types by American Type Founders), Diamant Monogram, Distinto Borders (based on borders found in the 1906 Abridged Keystone Type Foundry Specimen Book), Ruse Monogram (an all caps typeface based on DeRoos Inline), MFC Tagliato Monogram (from the 1899-1900 Treatise on Embroidery, Crochet and Knitting booklet by M. Hemingway&Sons Silk Co), and Tryst Monogram. MFC Franklin Corners (2009) is a series of three border dingbat fonts.

MFC Hills Medieval (2010) was developed from an overly ornamental blackletter type specimen found in the 1882 Hills Manual of Social and Business Forms. The interesting Victorian outline family Sappho Monogram (2010) was inspired by an alphabet set from the book, Monograms and Alphabets for Combination by Dollfus Mieg&Cie, first published in the 1890s.

Typefaces from 2012: MFC Bruce Corners.

Typefaces from 2013, all done with Jim Lyles: MFC Baelon Monogram (an 800-character monster font with outlined spurred letters from Dollfus Mieg's book, ca. 1890), MFC Bontebok Monogram, MFC Carnivale Monogram (known as Romantiques No. 3 and Ornate No. 2), MFC Thornwright Monogram (from the Manuel de Broderies No. 179 by N. Alexandre & Cie. from the late 1800s), MFC Zulu Monogram (an African-themed font inspired by Bibliothèque D.M.C: Alphabets et Monogrammes 2nd Series), MFC Jewelers Monogram (based on a decorative alphabet designed in 1901 by Marcus Goldsmith, an inventor of elegant accessories), MFC Verre Monogram, MFC Triangulus Monogram (based on a vintage publication called "Bibliotheque D.M.C: Alphabets et Monogrammes 2nd Series"), MFC Chaoxiang Monogram, MFC Fantasie Monogram, MFC Mastaba Monogram, MFC Voyeur Monogram (based on Broadway Monogram Initials in Book of American Types (1893, ATF)), MFC Haute Monde Monogram, based on Elite Monogram Initials in Book of American Types (1893, ATF)), MFC Budding Monogram, MFC Hardwood Monogram, MFC Almond Monogram, MFC Brass Rules Petit (based on filets from the Franklin Type Foundry), MFC Damask and MFC Damask Flourish (by Brian J. Bonislawsky and Jim Lyles, a Victorian capitals and floriated caps pair of typefaces based on Oxford No. 2 from the 1893 catalog of the Cleveland Type Foundry).

Typefaces from 2014: MFC Medieval Monogram (a Lombradic caps typeface based on Book of American Types (1934, American Type Founders)), MFC Chaplet Monogram (from Dessins de Broderies---Album No. 486 (Sajou, late 1800s)), MFC Capulet Monogram (based on Monograms and Alphabets for Combination (Dollfus Mieg & Cie, 1890s)), MFC Klaver Monogram, MFC Billow Monogram (from Manuel de Broderies No. 179 by N. Alexandre & Cie. from the late 1800's), MFC Aldercott Monogram (by Brian J. Bonislawsky and Jim Lyles, after a 1901 alphabet by Marcus Goldsmith, an inventor of elegant accessories of personal nature).

Typefaces from 2015: MFC Tattersaw Monogram, MFC Livermore Monogram (based on Victorian alphabets shown in Charles J. Strong's The Art of Show Card Writing, 1907), MFC Ringold Monogram (based on Strong's Book of Designs, 1917), MFC Petworth Monogram, MFC Piege Monogram, MFC Gilchrist Initials, MFC Gilchrist Monogram, MFC Arteaga Borders One, MFC Arteaga Borders Two, MFC Arteaga Borders Three, MFC Brass Rules Grand (based on Franklin Type Foundry's brass rules in Convenient Book of Specimens, 1889).

Typefaces from 2016: MFC Diresworth Monogram (based on an alphabet set from the book, Monograms and Alphabets for Combination by Dollfus Mieg & Cie, first published in the 1890's), MFC Spindler Borders, MFC Imperator Monogram (based on Monograms and Alphabets for Combination by Dollfus Mieg & Cie, 1890s), MFC Mercer (an initials set from the book Monograms and Alphabets for Combination by Dollfus, Mieg & Cie, first published in the 1880s), MFC Botanical Borders (based on a collection of border treatments from the 1886 Spécimens de caractères d'imprimerie by E. Houpied a Paris), MFC Diamondside Monogram, MFC Redding Monogram (a highly ornate lettering style from Letters and Lettering by Carlyle & Oring), MFC Rodizio (a layered chromatic typeface family inspired by wood types by William H. Page), MFC Falconer Monogram, MFC Glencullen Monogram, MFC Bruce's Corners Two (based on Metal Corners found in Specimens of Printed Types (1882, Bruce Type Foundry)), MFC Westport Monogram, MFC Arkena Monogram (art nouveau font based on Strong's Book of Designs (1917)).

Typefaces from 2017: MFC Enschede Borders (based on floral borders in the 1904 Ornamenten Hoofdlijsten en Sluitstukken book by Joh. Enschedé & Zonen, Haarlem), MFC Keating Monogram (based on Monograms and Alphabets for Combination (1890s, Dollfus, Mieg & Cie)).

Typefaces from 2018: MFC Stencil Borders Six, MFC Elmstead Monogram and MFC Endeavor Monogram (both based on Dollfus, Mieg & Cie, 1890s), MFC Blossom Monogram (a chromatic layering font), MFC Buttergin Monogram (based on Tuscan typeface shown in Letters and Lettering by Carlyle & Oring), MFC Stencil Borders Five, MFC Stencil Borders Four, MFC Stencil Borders Three, MFC Stencil Borders Two, MFC Stencil Borders One (all by Brian Bonislawsky), MFC Diamondstack Monogram, MFC Sansome Monogram (an art nouveau typeface based on John F. Irwin's Rustic Roman from 1906).

Typefaces from 2019: MFC Joliet Monogram (2019: based on a vintage McCalls Kaumagraph Transfer), MFC French Roman (an all caps typeface based on French Roman Light in an 1899 lettering publication by International Correspondence Schools), MFC Diamerrick Monogram (diamond-shaped monograms), MFC Ambeau Monogram (2019, based on the decorative art nouveau alphabet called American Beauty in J.M. Bergling's Art Alphabets and Lettering, 1914), MFC Diamas Monogram (diamond-shaped monograms), MFC Nadall Medieval (an uncial/blackletter font based on Bernd Nadall's Faust from 1898).

Typefaces from 2020: MFC Patisserie Monogram (from Letters and Lettering by Carlyle & Oring), MFC Decatur Monogram (after an alphabet seen in J.M. Bergling's book Monograms and Engraving Alphabets).

Typefaces from 2021: MFC Deco Diamond Monogram.

Typefaces from 2022: MFC Heathcliff Monogram (2022: rhombic monograms). Creative Market link. [Google] [MyFonts] [More] ⦿

Monotype blackletter typefaces

Old metal era blackletter typefaces at Monotype: Armin-Fraktur (1904), Helen-Fraktur (Robert Haas), Halbfett Kasseler Fraktur, Wittenberger Fraktur (or Mars-Fraktur) (1904), Würzburger Fraktur. Their digital blackletter typefaces include LucidaBlackLetter, ClementeRotunda, Cresci Rotunda, Gothique, OldEnglish, Old English Text, Rudolph, Wedding Text, Engravers Old English, Goudy Text.

View Monotype's blackletter typefaces. [Google] [More] ⦿

Moretype Studio

Studio based in Singapore. Creator of Forgoth (2021), an inline blackletter typeface. The designer supports law-and-order: This font is copyrighted and protected by the law. Usage of this font on any work without proper license is deemed as illegal. You might get fined for at least USD 3000 for this act. Please do understand that we have our own system for tracking the usage of our works on internet. The only problem is, in most places, copyright does not apply to fonts. [Google] [More] ⦿

Morganismi
[Heikki Morgan Hämäläinen]

Morgan (whose real name is Heikki Juhani Hämäläinen) is an artist and gardener in Finland who was born in 1963 in Pälkäne.

In 2010, he founded Morganismi (in Finland's Sysmä), and created the children's hand Morganshand, the petroglyph font Rock Painting, the retro futuristic typeface 2010 Outta Space (2010), and the insult-inspired dingbat typeface 1HarshLanguage. Morganismi (2010) is a primitive human alphabet. Kauhaatos (2010) is a scary gothic face. Fraught (+Icons, which includes some fists) (2010) is a rough hand-printed stencil face. Curser (2010) is an old typewriter face.

Morgothick (2011) is described as follows: Morgothick is an ugly not-so-decorative blackletter font, hand-drawn like straight from the dark Middle Ages of drunk monks and dim chambers.

Riipale (2012) is a font family with two sets of hand-drawn characters.

Typefaces from 2013: However (ransom note font), Alph Deco (art deco outline font), Seriffi Morgan (an antiqued roman typeface).

Typefaces from 2014: Snow Now.

In 2015, Morganismi published the handcrafted typeface Nippon.

Typefaces from 2016: Circus Minimus Pulex (+Icons).

Typefaces from 2017: Sulawesi (an adventurous font imitating old map styles), Sulawesi Kuwa (dingbats).

Typefaces from 2018: Ruutu (a funny faces font).

Typefaces from 2021: Pandemizing (a COVID-themed alphabet).

Typefaces from 2022: Alternasci (emulating medieval manuscript text, +Alchemia, +Magia, +Picturae dingbats; the upper case of Magia is the so-called Theban or Witch's Alphabet).

View the typefaces made by Morganismi. [Google] [MyFonts] [More] ⦿

Möbel Type
[Imogen Ayres]

Möbel Type was founded by Imogen Ayres in Glasgow, Scotland. Their retail typefaces include Lacuna, Beach Goth (blackletter), Furniture (sans), Zetkin and Ripley (polygonal). Bespoke typefaces include Horizon (rounded stencil), Noam, Eyvin (sans), Phew, Doves Flare, Geo (a geometric art deco stencil typeface; for Paulin watches in Glasgow), and Paws N Claws. [Google] [More] ⦿

Mr. Fisk (or: MR.FISK's FONTEX 2000mg)
[Mike Larsson]

From Sweden, Mike Larsson's fonts include some dingbats, many grunge styles, some gothic fonts, and many crazy designs. These were mostly free. URL at 1001 fonts. Larsson went partially commercial in 2006. His commercial fonts include the distressed family Jackdaws and the grunge family My Big Sphinx. Devian Tart site. His Murderama site is dedicated to art and music. Dafont link.

His fonts: Happy Days (2013, an old typewriter font), Cold Coffee (2005), Terror 2005, Psych (2005), SwedeTrauma2005, Typewriter Royal 200 (2004, bold, thrashed and normal styles), A Perfect Drowning, Kraut-type-a-fuck (2004, distressed blackletter), Megalomania X (2003), Crap Music, AMobileLife, AlienCrops, Alienoid, AmateurLobotomy, Anal Probe (2012), Anarchistic (nice), Angrybitch, AreaIntruder, BadCargo, Beyond-Dingbat, Bio-septic, Bodybag, BrainDamage, BrendaSpencer, Buried, CafeAuShite, Caffeine, ColourBlind, Cypher, Damnation, DeadPostMan, DeadPostMan2004 (2004, old typewriter), DeadlyBreakfast, Dear-Theo (the Vincent Van Gogh font), Division-X, Dr. Benway, Dr.Enoksen, EdGein, Electric-Chair, Evil-Mail, FadedMovieStar, Feed-The-Enemy, Feed, FingeredFlesh, Fishcheese-Lungpeed, Fiskish-art, FlamingCorpse, ForgottenHospital, Fuckin'uglyfont, Hairofthedog (2000), HardWare, HateYouAll, HeadSurgery, ImpotentDeadFucker, InterZone-2, InterzoneCode, Jack-The-Ripper, Kontakt-Zagreb, LittleInsect, Living-End, LostPassenger(part2), LostPassenger(version3), LostPassenger, LostPassenger4, LowDown, LubricantSmell, Mr.Fisk.(hand), Mr.Fisk.-Art-2, MrFisk-Coke, MyBiopsy, NaiveFont, NoOne, Nofriend, Note-Of-Terror, NothingNet, PeepShow (white on black), Peter-Kurten, Private-Death, PrivateHell, Re-buried, Reinfeldt's Rotten Brain Font (2008, grungy stencil), Remington Riviera (Sperry rand, 2007, old typewriter), Santanas Humanum Salvator, ShittyDings, SickCoke, SixPointNine, Space-ship354, Suicide, Sweden-sucks, SwedishMeat (special), SymbolNerve (hacker font), The End (blackletter), The-Evil-Cop, TimesNewZoo-man, Under-water, Untitled, Washme,please, ZeBirdzLaMortum, DancingDead, Depressionist (2000), Areyouawake, Neo?, BadCargo2.0, BrokenPlanewing, Brother Deluxe 1350 (2012, old typewriter face), FriedAss, Handgranade, Head-injuries, German Underground (2003, smudged blackletter), Satanas Humanum Salvator (2000, a blackletter typeface with arrows for learning the curves).

Aka Murderama at Devian tart. [Google] [More] ⦿

MRI Studio (was: kdesignhous)
[Rashadul Islam Khokon]

M.R.I. Khokon (kdesignhous) is a digital artist in Dhaka, Bangladesh. Creator of the hand-printed Latin typeface Jakaro (2014), Holiday Cap (2014), Arguile (2014: cartoon font), Hellbent (2014), Shellshock (2014), Pickup Stix (2014), the brush typeface Palorensa (2014), Valentino (2014, Valentine's Day font), the sans typeface Akarius (2014), Digital End (2014, computer emulation font), Perimeter Sans (2014), and the display typefaces Flush (2014, brush face), Santa Maria (2014, Mexican party font), Ra One (2014, halftone textured typeface), Lemon Lane (2014, script face), Orenshaw (2014, sans), and Bold Towne (2014, blackletter).

Typefaces from 2015: Fashion Font, Drawvetica, Dispersion, Crystall.

Typefaces from 2016: Rong Tule, Christmas Font, Ninja Font, Brand Name Font.

Typefaces from 2017: Comb, Watercolor Alphabet (vector format), Tricky (inky brush font), Digital Sign, Crazy Marker, Leda, Torsion, Timer (LED watch font), Instigate (brush script), Sign Pen (brush typeface), Owl, Delight, Orbed, Pall.

Typefaces from 2018: Sprig, Static, Melted, Bunquet, Script Elegant.

Graphicriver link, where one can buy his fonts. Creative Market link. Home page. [Google] [More] ⦿

Muhammad Ridha Agusni
[38 Lineart Studio (or: Grayscale, or: Fontsources)]

Muhammad Rizaldi
[Getypes Studio]

MyFonts: Blackletter typefaces

MunchFonts
[Gary Munch]

Gary Munch (born 1953) is the Stamford, CT-based principal of MunchFonts. He teaches at Norwalk Community College and at the University of Bridgeport Shintaro Akatsu School of Design.. His typefaces:

GMAhuramazda (runes).
Calligraphic.
Candara (2005), a flared typeface done for Microsoft's ClearType project. Candara received a TypeArt 05 award.
GMChanceryModern.
Munch produced three new Cherokee fonts in 2011 in response to a request by Joseph Erb, of language technology and education services at the Cherokee Nation: Chancery Modern ProCherokee (a sleek sans serif semi-cursive font), Neogrotesk Cherokee (a multipurpose workhorse design), and Munch Chancery Cherokee (a calligraphic font that resembles handwriting). The Cherokee Nation is using Munch Chancery at its Cherokee Immersion School.
GMClavier.
GMDuomo.
Linotype Ergo.
The 8-weight didone font family GMFidelio is my favorite.
Finerliner (linked handwriting).
GMGlobe.
GMHieroglyphic.
GMHyperspace.
GMLondinium (1993, a blackletter face), and GM Londinium Versals (a Lombardic face).
GMMage.
GMMedallion. An architectural writing font made in 1997.
GMMeter.
GMMunchfonts.
GMMunchies.
GMNanogram.
GMPepRally.
GMPrentice.
Linotype Really (1997). An almost-didone family with Cyrillic and Greek extensions for which he received an award at the TDC2 2001 competition, and obtained third prize at the 3rd International Digital Type Design Contest by Linotype Library. It was updated to Really No2 in 1999.
GM SPQR. A Trajan type family.
UrbanScrawlButtah, UrbanScrawlChill, UrbanScrawlDown, UrbanScrawlFly.
GM Wodensday.

Klingspor link. FontShop link. Linotype link. Old home page.

Showcase of Gary Munch's fonts. [Google] [MyFonts] [More] ⦿

Muntab Art
[Satriyo Hutomo]

Malang, Indonesia-based designer of the serif typeface Lorena (2019: for fashion mags featuring skinny models), Orlando Sign (2019), Banana Caroline (2019: font duo), Salvages Bold (2019), Davinci (2019), the loud typeface Dogtown (2019), the blackletter typeface Tribal (2019), the black metal blackletter font Southside (2019), the brush script fonts Selfakia (2019) and Destroit (2019), the multi-font Good Vibes (2019), the monoline scripts Freeflow (2019) and Lemonade (2019), the curly tattoo script typeface Chicano (2019), the tattoo font Brigade (2019), the sans font Walker (2019), the spurred tattoo script Dayles Script (2019) and the script font Hanselle (2019).

Typefaces from 2020: Esteban (Tuscan), Aquatone, Oakle, Familia (a tattoo font), Gangsta (a blackletter typeface with decorative spurs), Martyr, Santiago (decorative), Mayhem, Westcoast (spurred), Mexicanos (a tattoo or cigar box font), Florida (a wavy font), Aveden (an all caps avant garde typeface), Skyload, Black Sails (brush), Hardcore (dry brush), Mood, Caithlyn (a great inky calligraphic script), Lestly (a curly text typeface).

Typefaces listed by early 2021: Aeromono (a futuristic semi-stencil), Akasara (a decorative serif), Amerald, Anomaly, Aquatone, Armora, Aveden, Balmonte, Baltre, Banana Carolline, Becko (futuristic, sci-fi), Befaro, Berlin (a sci-fi stencil typeface), Black Sails, Brigade, Caithlyn, Carl Brown (a decorative serif), Chicano Font, Chicano Vol. 02, Davinci, Dogtown, Dayles Script, Defrozo, Destroit, Eastside, Esteban, Evalter, Exposure, Familia Tattoo Lettering Font, Farware, Fenomeno (futuristic), Florida, Freeflow Monoline Script, Good Vibes, Gangsta Typeface, Glenca, Hardcore, Havox, Herlik, Herofin, Lemonade Signature Font, Leoni, Lestly Fonts, Lorena, Magna (a decorative serif), Maldito Font, Mandora, Martyr, Maverick, Mayhem, Metrolic, Mexicanos, Mijuo, Minerva, Monica, Monreal, Mood Font, Nordik (a sci-fi stencil typeface), Nova, Oakle, Orlando Sign, Phoenix, Quadron, Quincy, Rebelion, Reforma, Reviews, Roman, SALVAGES BOLD, SOUTHSIDE, Santiago, Selfakia, Skyload, Tribal Font, Valkrye, Velta, Westcoast, Wilyam, Zemora.

Typefaces added in 2021: Anabele (decorative serif), Arizona (a stylish all caps typeface), Avander (a stylish serif), Babylon (an all caps blackletter), Badgiek (decorative serif), Bandito Script (for tattoos), Bestie, Boston (retro baseball script), Bravado (decorative serif), Brescia (decorative caps), Brown Sugar (an all caps decorative serif), Calya (decorative serif), Carl Brown (a decorative serif), Carola (an art deco mini-serif), Caterina (an all caps display typeface), Cigero (a decorative all caps serif), Dectro (decorative caps), Dream Avenue (a decorative serif), Elmo (a decorative serif), Elva, Felicio (an art gallery serif), Gamero (a monolinear paperclip font), Ghania, Hexagon, Katrine (a decorative condensed serif), Le Monte (a high contrast jewelry store typeface), Lemonia (a reverse stress serif), Love Story Self Made, Lower Coast, Macron (a spurred Victorian tattoo font; why it is named after the French president beats me), Margate (a sword-serifed display typeface), Matrix (a bullet hole font), Molten (a display caps typeface), Monstar (an all caps typeface for fashion mags), Musa, Pleasure (blackletter), Qaigero (a display serif), Qureka (a glamour font), Ragesta (decorative with wavy junctions), Reno (cyberpunk), Rhapsody (a swashy penmanship script), Rioky (a lovely wedge serif display typeface with a vaguely tribal vibe), Romance (display caps), Rosalia (a fashion mag typeface), Stachy, (elephant-footed caps) Tropico Salte (art nouveau genre caps). [Google] [More] ⦿

MyFonts: Blackletter

The most popular blackletter fonts sold by MyFonts. [Google] [More] ⦿

Commercial blackletter typefaces. [Google] [More] ⦿

MyFonts: Engraved blackletter typefaces

A small collection of commercial engraved blackletter typefaces. [Google] [More] ⦿

MyFonts: Fraktur

Top-ranked Fraktur fonts at MyFonts. [Google] [More] ⦿

MyFonts: Kanzlei

A selection of Kanzlei typefaces, i.e., ornamental blackletter typefaces. See also here. [Google] [More] ⦿

MyFonts: Old English typefaces

From the MyFonts collection: Old English typefaces. [Google] [More] ⦿

MyFonts: Quadrata

The main Quadrata (blackletter) style typefaces at MyFonts. [Google] [More] ⦿

MyFonts: Textualis

Top-ranked fonts at MyFonts on the theme "Textualis". [Google] [More] ⦿

Nadia De la Cruz

Graduate from FADU, University of Buenos Aires, who created the typeface Madox (2010), a 21st century hybrid version of blackletter. [Google] [More] ⦿

Nany Ferreira

Recife, Brazil-based designer of the decorative typeface Bloco de Gia (2014), which is named after a samba carnaval group, and features frogs. In 2014, she added the blackletter typeface Organ. [Google] [More] ⦿

Natalia Belousova

Designer in Berdyansk, Ukraine, who created Lombard (2013, a blackletter typeface for Latin and Cyrillic). [Google] [More] ⦿

Natalia Moin Fanner

During her studies at FADU / UBA in Buenos Aires, Natalia Moin Fanner designed the hybrid blackletter typeface Kograf (2016). [Google] [More] ⦿

Natalia Trochowska

Poznan, Poland-based desiugner of the blackletter typeface Kaligraf (2017). [Google] [More] ⦿

Nate Piekos
[Blambot!]

Nauli Creative (or: Naulicrea Type, or: Nauli Type)

Nathatype
[Donis Miftahudin]

Nathatype (est. 2020) is one of the many foundries started by Donis Miftahudin (Gresik City, Indonesia), after Din Studio and Ditatype. Typefaces from 2020, all scripts or handcrafted: Mister Golden, Rainbow Lemonade, Hyollin, Sandy Pillow, Siriella, Stay Feeling, Beauty Miracle, Bright Winter, Coconut Candy, Dealistha.

Typefaces from 2021: Allonges (a flowing calligraphic script), Mint Smile (an elegant calligraphic script), Smooth Miracles (a flowing calligraphic script), Goldbugs, Mitters, Quaylike, Railing (a display typeface with calligraphic roots), The Marbler (a retro monoline script), Vintage Kingdom (retro signage script), White Block (a bold severe display typeface), Ballista Style (a signage script), Cagier (a very stylish display serif), Motion Taste (a scrapbook script), Blacktones (blackletter), Daily Smiles (script), Kalecius (blackletter), Milltown (blackletter), Verathrine, Northeast Oregon (script), Marteks (an 8-style simplified monolinear sans), Enjoy Doodle (an inky script), Quitos (a sharp-serifed typeface), Mirola (a fashion mag typeface with flared serifs and a stocky lower case t), Bavaria Gates (roman caps with some contrast), Cold Daylight (a creamy supermarket or signage script), Jotted Dream (a dry brush script), Fresh Roomettes (an inky script), Micfloral (a heavy upright supermarket script), Vikeys, Salt Debris (a creamy upright display typeface with possibly use in packaging), Ballon Midair (a dazzling inky script), Big Flask (a frilly display typeface), Staying Passionate (script), Embrown (all caps sans), Mostlatest (a vintage label font), Soft Cantle (a rabbit ear script), Vintage Bridge (a heavy monolinear script), Brighter Miracles (a tall rabbit ear script), Cravery (a hybrid of Victorian and art nouveau), Dracolas (Victorian), Lastones (a vintage all caps typeface), Monoline Fighter (a monolinear diner script from the 1950s), Vintage Feeling (a spurred retro script), Boosters (a spurred Victorian typeface), Western Brother (a Western font), Lost Cowboy (a spurred typeface), Bright Sunset (an inky script), Clean Fragile (a stylish serif), Real Magic (a stylish flared serif), Roashe (an all caps fashion font), Stealing Hearts (an inky script).

Typefaces from 2022: Barethelly Signature, First Marigold (font duo), Repath (a wide display serif), Bigcups (a rounded marker font), Crofelo Delight (a scrapbook script), Highpath Signature, Realistic Twilight (a scrapbook script), Walnut Cream (a scrapbook script), Castre (roman capitals), Billstone Signature, Glowing Midnight (a retro signage script), Hello Youthen (a retro signage script), Retrolife (a retro signage script), The Vintage Town (a retro signage script), Vintage Scripter (a retro signage script), Equity (a stylish serif). [Google] [MyFonts] [More] ⦿

Creator of these typefaces in 2019: Monster Squad (for Halloween), the script fonts Coquettish, Marlissa, and Fussion, the signature font Carlantans, the blackletter typeface Tendencious, the brush font Hecklers, the children's book fonts Anima, Suga Rush and Planet Love, the oriental simulation font Kyoto, and Pattrious.

In 2020, he designed Marco Valmory (2020: a psychedelic / art nuveau signage script) and Bali (2020: a display typeface). [Google] [More] ⦿

Naverhtrad

FontStructor who made Basmachi (2009): Basmachi is a Central-Asian flavoured typeface inspired by Cyrillic titling fonts in popular use in Kazakhstani public schools. In 2009 he made Brokenscript Rectangular (+Smooth, +Regular: nice blackletter font), Young Young Turkic (2009, a Cyrillic FontStruct based very loosely on the Serbian Cyrillic Bedrock typeface, designed specifically for the Kazakh and Kyrgyz alphabets), and LeanLeft (2008). [Google] [More] ⦿

Neale Davidson
[Pixel Sagas (was: Protoform Project, and Fontshack)]

Nederduitsch Fleischman

Or Nederduits. A Fraktur typeface made by Johann Fleischmann for Joh. Enschedé en Zonen, ca. 1750. For a revival, see Holland Gotisch (2005) by Petra Heidorn and Manfred Klein. [Google] [More] ⦿

Neh Nah

Graphic designer in Madrid who created the heavy blackletter-inspired typeface Babilonia (2014). Behance link. [Google] [More] ⦿

Neil Van Ess

Designer of Civitype (Fraktur) and Cake Frosting (2006). Dafont link. [Google] [More] ⦿

Nemesis Design
[Daniel Owen]

Daniel Owen (Nemesis Design, Ipswich, Suffolk, UK) is a freelance graphic designer/illustrator. He created the blackletterish typeface Reverent in 2015. Creative Market link. Dafont link. [Google] [More] ⦿

Nenad Acimovic

Designer of the first Serbina Cyrillic blackletter font, Gotica (2012). [Google] [More] ⦿

Neutura
[Alexander McCracken]

Neutura was formed in 2003 by Alexander McCracken, who is located in San Francisco. His typefaces have a large geometric component: Aerion, Aperture (slab serif family), Autobahn, Belfast (octagonal black-bowled headline face), Cerie Outline, Children (paperclip face), Circle (avant garde style), Deuce (ultrafat), Deuce Round (fat and counterless), Estrella (2011, a high-contrast fat vogue didone titling face), Frank (fat and counterless), Frank Stencil, Frank3, Gulden Draak (blackletter), Interpol (texture face), Magnum (2006, for Neo2 magazine: free), Maisalle, Neutrino (ultra-fat futuristic beauty, 2006), Neutura (clean geometric sans family), Orange (geometric hairline sans), Orange Round, Rabbit, Register (architectural sans), Royale (fat decorative didone), Sabre (octagonal), Sarcophagus (very original blackletter), Slayer Heavy, Spade (fat and counterless), SPQRExlight, Syrup (paperclip font), Vendella (2011), Wafer (ultrafat). At T-26, he published Children (2006, a paperclip font), Deuce and Sarcophagus.

Behance link. Klingspor link. Abstract Fonts link. [Google] [MyFonts] [More] ⦿

New Fonts
[Charles Nix]

New York-based foundry run by Charles Nix (b. 1967, Ohio), who studied tye design at The Cooper Union. Charles Nix is professor of Typography and Book Design at the Parsons School of Design, New York. His foundry was helped by Wong Chee (digitization) and Stefano Arcella (ornament design). Fonts: Melaka, Batak, Nani, Tuk Tuk, Christmas (a softened blackletter with Christmas ornaments), Nix Rift (serif: the official typeface of the Cooper Union), Huta Bulon, Samosir, Island Special. Batak became ITC Batak (2002).

Charles Nix digitized the Augereau family for George Abrams in 1997 and manages the Abrams Legacy Collection, which also offers Abrams Venetian.

Typefaces in the New Fonts collection are derived from a rich variety of sources---from 15th century Spain to 21st century Sumatra. The Sumatran Series of fonts is inspired by hand-painted letterforms from commercial signage in the tiny village of Tuk Tuk on the island of Samosir in Northern Sumatra. The series consists of six typefaces: Batak, Nani, Tuk Tuk, Samosir, Melaka, and Huta Bolon.

In May, 2015, Charles joined Monotype as a Senior Type Designer, and later became its Type Director. His work at Monotype:

In 2017, Charles Nix designed the free typeface family D-DIN that is based on DIN 1451. He writes: Datto uses a DIN-font as primary corporate font and commissioned Monotype to create several styles, for internal use and to be open sourced under a SIL OFL v1.1 license. Nix then went on to design these for Monotype, and thus for Datto Inc.
In 2018, he published Hope Sans (Monotype), which mixes retro sans styles with 1970s playfulness. Hope Sans won an award at the Type Directors Club's Type Design Competition 2019.
In 2018, Monotype's Carl Crossgrove, Charles Nix, Juan Villanueva and Lynne Yun co-designed Walbaum, a reimagined superfamily with 69 total fonts, in five optical sizes. Monotype writes: Walbaum was meticulously crafted by Monotype's Carl Crossgrove, Charles Nix, and Juan Villanueva to bring Justus Erich Walbaum's high contrast didone style masterpiece to the 21st century. Walbaum has over 600 glyphs with OpenType typographic features like small capitals, old style and lining figures, proportional and tabular figures, fractions and ligatures. Also included in the family are three decorative and ornament fonts.
He was part of a team at Monotype that developed Helvetica Now in 2019 at Monotype, together with Jan Hendrik Weber and others. Monotype writes: Every single glyph of Helvetica has been redrawn and redesigned for this expansive new edition which preserves the typeface's Swiss mantra of clarity, simplicity and neutrality, while updating it for the demands of contemporary design and branding. Helvetica Now comprises 48 fonts, consisting of three distinct optical sizes: Micro, Text and Display.
Ambiguity (2019, Charles Nix for Monotype). This large typeface family comes in five distinct subfamilies, Tradition, Radical, Thrift, Generous and Normate.
Helvetica Now Variable (2021). Helvetica Now Variable was designed by Max Miedinger, Charles Nix, Monotype Studio, Friedrich Althausen, Malou Verlomme, Jan Hendrik Weber and Emilios Theofanous and published by Monotype. Monotype writes: Helvetica Now Variable gives you over a million new Helvetica styles in one state-of-the-art font file (over two-and-a-half million with italics!). Use it as an extension of the Helvetica Now family or make custom-blends from its weights (Hairline to ExtraBlack), optical sizes (four point to infinity), and new Compressed and Condensed widths. It contains 144 static styles.

FontShop link. Klingspor link.

View Charles Nix's typefaces. Fontsquirrel link for D-DIN and Datto. [Google] [MyFonts] [More] ⦿

New Renaissance Fonts (was: New Fontografia, or: David's Fontografia 2006)
[David Kettlewell]

David Kettlewell (b. Edinburgh, Scotland, 1946, d. Bollstabruk, Sweden, 2011) moved to Sweden in 1984 to take the role of head of music at a college. He was soon putting his musical and linguistic talents to researching and performing early Swedish church and choral music. He was a guest lecturer at four of Sweden's universities and for a period a professor at Tartu University in Tallin, Estonia. He worked from his forest farmhouse in Bollstabruk, Northern Sweden. Kettlewell also ran Fontografia, a medieval and calligraphic type site featuring subpages on Ludovico Vicentino [degli Arrighi], Giovambattista Palatino, and Giovanniantonio Tagliente. He also told us why Fontlab is so much better than Fontographer when developing fonts from scans. Obituary.

David Kettlewell is a harper, renaissance musicologist and conductor who illuminate his work with text and type. His own work through New Renaissance Fonts is mostly with medieval and renaissance scripts, calligraphic alphabets and ornamental capitals. Direct acess. MyFonts link for New Renaissance. Klingspor link.

Free fonts: AliceScrolltipRoman, AndersFancyCapitals, AndersPlainCapitals, BickhamSwashCaps, Cartouches, CelticNoadProtoype, Chiswickblack, DagmarIlluCaps, Davies-RomantiqueCaps, DaviesIlluminatedcapitals, DaviesRoundhand, DaviesSapphire, DeBeauChesneRoman, FantasiaCaps, GothicCaps, KarinsFreeLombardyCaps (2006, with Karin Skoglund), KingRichard2Caps, Kurbits3, Lettreornee, LubnaCaps, NesbittDecoratedCaps-Medium, RicksClassicItalic, RicksDecoratedUncial-Medium, RicksFolkloreRoman, RicksRelaxedHand-Italic, Samuel, SevilliaDancingText, Sevilliastandingtext, Sevilliatiles, ShawDecoratedInitials1, ShawDecoratedInitials4-Medium, Taliente-IlluCaps, WestminsterMemorialBrasses-Medium.

Other fonts (some no longer available or shown): Soest St. Mary (2006, decorative capitals from embroidery work in a German church), Kurbits, Samuel, Celtic Noad, Dagmar IlluCaps, Lettre ornée, Phalesiodecor (medieval caps, 1998), American Uncial (adaptation of a URW font), FinalRomanfat or FatRoman50 (adaptation of an RWE font), Marshall (made from an 1822 parchment).

Some fonts are developed in conjunction with Richard Bradley. Others involved more loosely include Adam Twardoch, Karin Skoglund, Dagmar Varaksits and Anders Rosen.

MyFonts offers fonts like Chiswick Illuminated Caps (2009, Lombardic), Alice Scrolltip (2006), Albrecht Fraktur (2011), Edward's Uncial 1904 (2011, after an alphabet drawn by Edward Johnston), Davids Roundhand, Karins Lombardy Caps, Sevillia (2006, with Richard Bradley), and Soest St Mary.

View the New Renaissance Fonts library. [Google] [MyFonts] [More] ⦿

Newlyn (was: TextPref, x&y)
[Miles Newlyn]

Miles Newlyn (b. 1969) graduated from St Martins College of Art, London, in 1991. He worked with various London agencies, including Wolff Olins. x&y in London was Miles Newlyn's web site where you could buy his creations from 2002-2004. In 2004, he set up Newlyn.com. Around 2015, he founded TextPref. Many of his typefaces are retail (via, e.g., Emigre), but he speciaizes in commissioned type as well. He is well-known for his logo work (Honda, Cadillac, Saab, Land Rover, Sky, EE, two Olympics). He is based in London.

Creations:

TP Atten (2015). A rounded sans typeface named after David Attenborough. Rejuvenated as New Atten and New Atten Round in 2018.
Becker (LED font).
Bugini (1996).
Democratica (Emigre). Roman with a Greek touch, 1991.
EE Nobblee. A family of dot matrx fonts.
Ericsson Sans (2006) and Ericsson Capital.
Ferox (a blackletter face, 1995; see Umbrella Type).
FNB Sans (2010). A rounded sans typeface family. There are vey few, if any, differences with the Frank typeface family.
Frank (2010-2011). A humanist sans family done with Francesca Bolognini. Now available as TP Frank and as New Frank.
HTC Script (2009). A fat finger font for HTC Corporation.
Luvbug (a 3D font).
The curly Missionary (1992, Emigre).
Modena (2008). A corporate type family. There are also IR Modena and HMRC Modena.
Neulin 9 Roman (1994).
In 2021, Miles Newlyn, Riccardo Olocco and Krista Radoeva co-designed New Spirit, a 10-style typeface that revives the comfort food font Windsor.
Nuke Plain (1994). In the early nineties style of Democratica and Barnbrook's atheist-meets-crusader style.
Remington German and Remington Plain. Heavy typefaces made in 1994.
Rubrik (2011). A well-rounded monoline sans family reminiscent of architectural drawings. At Type Network, you can buy New Farm (2013).
Sabbath Black (1994, Emigre). A blackletter font.
Sky Text (2009). A custom sans typeface for BSkyB Ltd.
Style (2004). A painters font.
Tonnage Sans and Tonnage Serif (Emigre, 1996). An homage to David Harris's Chromium typeface.
Verona (2007). A sturdy condensed text typeface.
A set of six typefaces for David Carson to use in Raygun Magazine.
TP Hero (2015).
TP Zen (2015, rounded sans) and New Zen (2017, developed in collaboration with Elena Schneider).
TP Farm or New Farm (2015).
In 2016, Elena Schneider and Miles Newlyn co-designed the almost reverse contrast typeface family New Herman.

Bio at Emigre. Most of his typefaces can be bought from Veer and MyFonts. Klingspor link. FontShop link. [Google] [MyFonts] [More] ⦿

newtx
[Michael Sharpe]

Michael Sharpe (UCSD) created newtx, a free font package at CTAN: This package, based on txfonts, provides many fixes and enhancements to the txfonts package, splitting it into two separate packages---newtxtext and newtxmath, which may be run independently of one another. It provides scaling, improved metrics, and other options. In particular, newtxmath offers a libertine option which substitutes Linux Libertine (provided with TeXLive and MikTeX) italic and Greek letters for the default Times letters, providing a good match for the Libertine text font, which is heavier than Computer Modern but lighter than Times, and in my experience, looks very sharp and clear on the screen. Newtxtt (2014) is a typewriter font subfamily. [Google] [More] ⦿

Nicholas Gross

FontStructor who made the modular blackletter typeface Mister Pablo (2010). [Google] [More] ⦿

Nicholas Joseph Werner

Born in Belleville, IL, in 1858. He died in 1940. Typefounder, author, artist, editor and printer, all in one. Involved at some point with the Inland Type foundry and the Central Type Foundry. His typefaces:

Antique No. 6 (ca. 1883, Inland Type Foundry).
Avil (1904, Inland Type Foundry).
Becker Series (1899, Inland Type Foundry), blackletter face.
Bizarre Bold (1895, Inland Type Foundry) oe Edwards (the original name) or Inland Series. This typeface adds many Victorian or steampunk elements to a didone skeleton. McGrew says: It was renamed, most appropriately, by BB&S in 1925 after that foundry took over Inland. A companion typeface called Inland, by the same designer, was produced at the same time using some of the same characters but with even more unusual twists to others. Compare Francis. In 2010, Claude Pelletier made two digital versions, called Bizarre and Bizarrerie. Vivien Gorse (Toulouse, France) revived Inland Series in 2014-2015.
Brandon (1898, Inland Type Foundry): According to McGrew, "a thick-and-thin title face, similar to Engravers Roman, named for a printer in Nashville, Tennessee. Like a number of other such typefaces, it has no lowercase but was cast in several sizes on each of several bodies so numerous cap-and-small-cap combinations could easily be made. This style was popular for stationery and business forms. Hansen called the typeface Plate Roman. On Linotype and Intertype Bold Face No.9 is essentially the same typeface but a little narrower; typesetters not infrequently call it Engravers Roman. There was also a Brandon Gothic, cut only in two small 6-point sizes, which was similar to Combination Gothic, but with a letterspaced effect."
Bruce Title / Menu Roman / Skinner: McGrew reports that Menu Roman is the BB&S rename, for the 1925 specimen book, of Skinner, which was shown by Inland Type Foundry about 1885, and ascribed to John K. Rogers as well as to Nicholas J. Werner. Menu Title, formerly Lining Menu, was Inland's Bruce Title, by Werner. Menu Shaded was Acme, designed in 1886 or earlier. The latter has only a very general relationship to the other typefaces which are nearly monotone, with long serifs tapering to sharp points. Compare Paragon.
Caxton Bold (Marder, Luse). Codesigned with William F. Capitain.
Central Lining Antique (ca. 1892, Central Type Foundry).
Corbitt (1900, Inland): McGrew states [...] a heavy, thick-and-thin typeface with tiny serifs [...] Although still showing many of the quaint design details of nineteenth-century types, it is somewhat more mature. Condensed Corbitt was advertised by Inland in 1902 as their "latest addition." Both versions were cast by ATF after Inland merged with that foundry in 1911, but only the Condensed seems to have survived until matrices were inventoried in 1930. Digital revival by Chuck Mountain in 2020 as Murden CF.
Courts (1900, Inland): later renamed DeVinne Recut Italic.
De Vinne: McGrew writes about this: DeVinne, the display face, is credited with bringing an end to the period of overly ornate and fanciful display typefaces of the nineteenth century, and with restoring the dignity of plain roman types. It is derived from typefaces generally known as Elzevir or French Oldstyle (q.v.). DeVinne says of it, "This typeface is the outcome of correspondence (1888-90) between the senior of the De Vinne Press (meaning himself) and Mr. J. A. St. John of the Central Type Foundry of St. Louis, concerning the need of plainer types of display, to replace the profusely ornamented types in fashion, of which the printers of that time had a surfeit. The DeVinne Press suggested a return to the simplicity of the true old-style character, but with the added features of thicker lines and adjusted proportion in shapes of letters. Mr. St. John approved, but insisted on grotesques to some capital letters in the belief that they would meet a general desire for more quaintness. Mr. Werner of the Central Type Foundry was instructed to draw and cut the proposed typeface in all sizes from 6- to 72-point, which task he executed with great ability. "The name given to this typeface by Mr. St. John is purely complimentary, for no member of the DeVinne Press has any claim on the style as inventor or designer. Its merits are largely due to Mr. Werner; its few faults of uncouth capitals. ..show a desire to please eccentric tastes and to conform to old usage. The new typeface found welcome here and abroad; no advertising typeface of recent production had a greater sale. Thus De Vinne himself credits the typeface to Central Type Foundry and its design to Nicholas J. Werner, but Werner says, "To correct the general impression that Theodore L. De Vinne was the designer of the typeface named after him, I would state that it was the creation of my partner, Mr. (Gustav) Schroeder." The design was patented under Schroeder's name in 1893. Central was part of the merger that formed American Type Founders Company in 1892, but continued to operate somewhat independently for a few more years. Meanwhile, DeVinne was copied by Dickinson, BB&S, Hansen, and Keystone foundries, and perhaps others-in fact, Keystone advertised that it patented the design in 1893, Connecticut Type Foundry copied it as Saunders, and Linotype as Title No.2. Dickinson called it "a companion series to Howland" (q.v.). When Monotype developed an attachment in 1903 to cast display sizes, DeVinne was the first type shown in their first announcement. Later ATF specimens showed this typeface and several derivatives as DeVinne No.2, probably because of adjustments to conform with standard alignment. DeVinne Italic and DeVinne Condensed were drawn by Werner and produced by Central in 1892 and copied by some other sources. Howland, shown by Dickinson in 1892, is essentially the same as DeVinne Condensed No.3, later shown by Keystone. ATF introduced DeVinne Extended in 1896, while BB&S showed DeVinne Compressed, Extra Compressed, and Rold in 1898-99. Keystone's DeVinne Title is another version of bold, not as wide as that of BB&S. In 1898 Frederic W. Goudy was asked to take the famous display type and make a book typeface of it. The resulting DeVinne Roman, Goudy's second type design, was cut the following year by the Central branch of ATF. DeVinne Slope, essentially the same design but sloped rather than a true italic, was cut by the foundry about the same time, perhaps from the same patterns as the roman. DeVinne Open or Outline and Italic also originated with Central. In the roman and smaller sizes of italic only the heavy strokes are outlined; in larger sizes of italic, certain thin strokes are also outlined. Monotype cut the open typefaces in 1913. DeVinne Shaded is another form of the outline, created by Dickinson in 1893; parts of the outline are much thicker than others. DeVinne Recut and Recut Outline, shown by BB&S, are not true members of this family, but are a revival of Woodward and Woodward Outline, designed by William A. Schraubstadter for Inland Type Foundry in 1894; there were also condensed, extra condensed, and extended versions, all "original" by Inland. DeVinneRecutItalic was a rename of Courts, by Werner about 1900, also from Inland. Compare McNally. There are several modern day interpretations, such as C790 (Softamker), Columbus, Roslindale (2018, David Jonathan Ross) and ITC Bernase (1970, Thomas Paul Carnase).
Edwards (1895, Inland Type Foundry). Revived and interpreted in digital version by Nick Curtis as Inland Edwards NF.
Era Condensed No. 5 (with Gustav F. Schroeder) (1891, Barnhart Bros & Spindler).
Flemish Condensed (1905), a typeface bought by Stephenson Blake from the Inland Type Foundry. Flemish Expanded (1890, Stephenson Blake; co-designed with Eleisha Pechev).
Gothic No. 8 (1890, Inland Type Foundry).
Hermes (1887, Central Type Foundry). This pure art nouveau typeface was co-designed with Gustav F. Schroeder.
Inland (1895, Inland Type Foundry).
Johnston Gothic (1892, Central Type Foundry). A pre-art nouveau typeface codeveloped with Gustav F. Schroeder.
Mid-Gothic (1892, Central Type Foundry): According to McGrew, Mid Gothic was designed by Nicholas J. Werner for Central Type Foundry, probably just before that St. Louis foundry joined the merger that formed American Type Founder s in 1892. It is an undistinguished gothic of nineteenth-century style, but is an intere sting example of the way many of the earlier types were modified for Monotype. The original copy of this typeface for machine typesetting (6- to 12-point) was necessarily reproport ioned to meet mechanical requirements; the same patterns were then used for display size s and the result is series 176. Later the foundry design was copied much more exactly, w ith little or no modification, as series 276. Both versions have been shown in Monotype literature as Lining Gothic, Mid-Gothic, or Mid-Gothic No.2 at various times. The No.2 designation was applied to many foundry typefaces around the turn of the century when they were adapted to standard alignment or when other slight changes were made. Hansen copied this typeface as Medium Gothic No. 7, and made an inline version as Boston Gothic (q.v.).
Multiform No. 1 through No. 4, with Gustav F. Schroeder (1892, Central Type Foundry).
Novelty Script (ca. 1891, Central Type Foundry). An Arabic simulation typeface co-designed with Gustav F. Schroeder.
Pastel series: according to McGrew, "Pastel began as Era, designed for BB&S about 1892 by Nicholas J. Werner and Gustav Schroeder. Lightface Era and Era Open were added about 1895, and Era Condensed about 1898. Around the turn of the century the name was changed to Pastel, perhaps when Pastel Bold was added in 1903. Era and Pastel are identical, except that Era had only the characters with extended strokes, shown as Auxiliaries with Pastel, where they were replaced with more conventional characters in regular fonts. Pastel is virtually a monotone design, with tiny, pointed serifs. There are several unusual characters, including the splayed M and the N with the curved diagonal. Pastel was quite popular for subtitles in motion pictures, before the advent of sound. It was recast by ATF in 1954. Intertype's cutting of Pastel is essentially the same as the foundry's Pastel Lightface. Intertype also cut a sloped version as Pastel Italic."
Quentell (1894, Central Type Foundry): Quentell was drawn for ATF's Central Type Foundry branch in St. Louis; it has been ascribed to N. J. Werner, but a design patent was issued in 1895 to William S. Quentell, advertising manager of Armour&Company of Chicago, for whom the typeface was made. Two years later it was redrawn as Taylor Gothic by Joseph W. Phinney for ATF, and later redesigned as Globe Gothic (q.v.). Meanwhile, the original Quentell was slightly modified as Quentell No.2, and in that form continued to be shown in specimens along with its altered forms. See Pontiac. (McGrew)
Skinner (1896, Inland Type Foundry).
Victoria Italic (1891, Central Type Foundry). With Gustav F. Schroeder. Mac McGrew: Victoria Italic is a nineteenth-century design that retained its popularity for many years, and has been made under several names by a number of sources. ATF's Central Type Foundry branch showed it as early as 1893, in usual form without lowercase, but with several sizes on each of several bodies in the manner of Copperplate Gothic. In 1898 the Pacific States Type Foundry in San Francisco showed the typeface with lowercase as Pacific Victoria Italic, and about the same time ATF showed Regal Italic with essentially the same lowercase. Victoria Italic without lowercase has also been shown by Keystone and Hansen, as well as Monotype and Ludlow. It is a wide, monotone design with thin, pointed serifs, and was popular for a time for business forms and stationery as well as general printing. Compare Paragon Plate Italic. Keystone also had Keystone Victoria, a similar upright design, without lowercase.
Woodward Condensed and Extended (1894) and Woodward Extra Condensed (1901), all published by Inland Type Foundry.

Read about Werner in The Inland Printer in 1898-1899, in an article by William E. Loy entitled Designers and Engravers of Type. No. XIX, Nicholas Joseph Werner. [Google] [More] ⦿

Nick Curtis

Nick Curtis (b. Chicago, 1948) lived in Texas from 1952-1997, and lives since 1997 in Gaithersburg, MD and Alexandria, MD. From ca. 1990 onwards, he has been designing fonts, first for free, and then commercially. He had a great reputation as a "revivalist" type designer, with a particular interest in retro fonts and art deco types. In 2003, his site had become too popular and too expensive to maintain, and thus he went commercial as Nick's Fonts. In 2013, he stopped making fonts, and donated his collection of rare books and type material to the University of Virginia. Interview. Complete list of names and other info, maintained by Sander de Voogt. Interview in which we learn about his fondness for Corel Draw as a type design tool.

Near the end of 2012, he posted this comment on his web site: Fifteen years ago, I embarked on a wonderful voyage of discovery, when I created my very first font with Fontographer 3.15. My maiden voyages were, frankly, rather clunky and amateurish, but I have been told that they showed promise. Well, sure enough, thanks to the diligent (and patient) efforts of Ilene Strizver, I polished up my craft enough to sell my humble efforts---first as a sideline business and, since 2006, as my full-time job. In total, I have produced over eleven hundred fonts---almost five hundred of them freeware fonts, which I conservatively estimate have been downloaded and enjoyed by over three million people worldwide. Unfortunately, this past year has brought a series of unanticipated setbacks, culminating in the loss of my wife's beautiful mind and soul to the scourge of alcoholism. In an effort to generate extra income to cover the expenses for her long-term care, I have proposed a number of, I believe, innovative ways to revamp the online font business; unfortunately, those efforts have fallen flat, primarily due to the professional font community's abject fear of crossing the $165 million Elephant in the Room. I even offered a special discount rate of 75% off retail price for full-time students of Typohile Forum. To date, there have been zero takers. Hell: even the webfont kit of one of my own fonts which I purchased from myfonts.com turned out to be an empty folder. Talk about a run of bad luck. Which leaves my with you, dear readers. If you or someone you know has had fun or made a buck from my humble efforts throughout the years, please donate whatever you can---even a lousy dollar would help---to help me out. I would greatly appreciate it.

Home page. Dafont link. FontShop link. Klingspor link. Abstract Fonts link.

View the typefaces designed by Nick Curtis. [Google] [MyFonts] [More] ⦿

Nick Curtis
[Nick Curtis: blackletter typefaces]

Nick Curtis
[Nick Curtis: Commercial typefaces]

Nick Curtis: blackletter typefaces
[Nick Curtis]

Among the few blackletter typefaces in Nick Curtis's repertoire, we find

Boston Blackie NF (2004). A blackletter typeface from the 1832 catalog of the Boston Type Foundry.
Fordor Incised NF (2005). An enhancement of the blackletter typeface Tudor Black.
Fyne Fish NF (2009). A blackletter typeface based on a cover done by Will Bradley in 1894 for Inland Printer.
HerzogVonGraf (free).
Kynges X NF (2004). A a blackletter face inspired by the 1938 classic, Letters and Lettering by Paul Carlyle and Guy Oring.
MaterhornNF (free).
McKellar Borussian NF (2009). A blackletter based on Borussian, McKellar, Smiths and Jordan, 1882.
Posh Soiree NF (2006). A blackletter from the 1923 ATF specimen book, where it is called Engravers Text.
Tulpe Fraktur NF (2006). A wonderful blackletter found by Curtis in a 1927 German sign painter mag.
Xanthippe NF (2006). An "exuberant" blackletter typeface based on a design by Ross George in his Speedball Text Book.

[Google] [MyFonts] [More] ⦿

Nick Curtis: Commercial typefaces
[Nick Curtis]

Nick Curtis (b. Chicago, 1948) lived in Texas from 1952-1997. Since 1997, he is in Gaithersburg, MD and Alexandria, MD. Since the 1990s, he has been designing fonts, first for free, and then commercially. He had a great reputation as a "revivalist" type designer, with a particular interest in retro fonts and art deco types. In 2003, his site had become too popular and too expensive to maintain, and thus he went commercial as Nick's Fonts. Interview. Free downloads at TypOasis. Complete list of names and other info, maintained by Sander de Voogt. Interview in which we learn about his fondness for Corel Draw as a type design tool. Home page. His free fonts are listed elsewhere.

On MyFonts, he says this about himself: Nick's Fonts is a modest little foundry dedicated to the preservation of our rich typographic heritage. Most of the foundry's designs are based on authentic historical sources, gleaned from the massive collections of the Library of Congress. If you are looking for a font that captures the essence of the Wild West, the Gay Nineties or the Jazz Age, look here first: if it is not in the catalog, it will be soon. [Google] [MyFonts] [More] ⦿

Nick Edward Matavka

Creator of the classic Germanic blackletter hand simply called Blackletter Hand (2014). It has elements of Suetterlin.

Creator of Cyanotype (2014) and EngineerHand (2014), both engineering or architect draftsman scripts.

In 2014, he created an irregular handwriting font, Saucy Jack, and wrote: A true Victorian handwriting font. Don't use the Jane Austen font to emulate Victorian or later handwriting; by the Victorian era, the pen had been invented and people no longer used quills like Miss Austen did. This was very obviously written with an actual pen rather than with a dipper, quill or biro; it comes from a letter purportedly written by the famous Englishman, Mr John D. Rypper. It is suited to any period ranging from the invention of the pen (1830) to the popularity of the biro (1965). Ron's Font (2014, in a style not unlike hat of Jack Kerouac or Hunter Thompson) and Nick's Font (2014) emulate irregular handwriting as well.

Station (2014) is an all-caps sans typeface based on the font used in Toronto's subway stations.

DN Titling (2014) is an ultra-compressed font based on the titling used in the pop-psychology textbook Dianetics: The Modern Science of Mental Health.

He designed the following Greek / Coptic fonts in 2014: Antonios-B, Antonios-D, Athanasius-B, Athanasius-D, Copt-A, Copt-B, Copt-D, Coptic-A, Coptic-B, Mina-A, Mina-B, Shenouda-A, Shenouda-D.

In 2015, he published Draughtsman, an internationally standardized typeface for Latin, Greek and Curillic for labelling architectural and engineering blueprints, as found in the GOST standard 2.304-81.

Open Font Library link. Fontspace link. Open Font Library link. [Google] [More] ⦿

Nickolay Boltachev

Kirov, Russia-based type and graphic designer. Creator in 2008 of BeckettGothic (blackletter), Veloprofy (bike chain-inspired glyphs), Podval (type in the form of pressure meters), a few Cyrillc sans typefaces, and Slash (an oriental simulation typeface in Cyrillic). Behance link. [Google] [More] ⦿

Nico Garassino

Art director at Borgonovo Publicidad in Rosario, Argentia. With Omnibus Type he created the 4-style typeface family SC Sans (2013) that is used for the new visual identity of the University of San Cristobal, Argentina. SC Sans was designed within the Omnibus Type Foundry.

Creator of blackletter typeface Neughotica (2015) and the supermodular experimental typeface Croto (2019). [Google] [More] ⦿

Nicolai Boye Brodersen

During his studies at Skolen for Visuel Kommunikation in Haderslev, Nicolai Boye Brodersen (Odense, Denmark) designed the blackletter typeface Cultype (2014). [Google] [More] ⦿

Nicolas Barré

French graphic designer who created the free blackletter font Edelweiss in 2014 (FontStruct).

Dafont link. Aka lakoni313. [Google] [More] ⦿

Night Owl

Twenty truetype fonts, as well as MySignature (PC executable to create a truetype font from your signature). Includes this collection from Gerard E. Bernor (1992-1995): Architech, Bankrupt, Blackwoods (Fraktur), BoltedBold, CloisterBlack (Fraktur), DoubleTrouble, TQFFruitfulBlack, TQFMachine, TQFPCMedium. [Google] [More] ⦿

Nihilschiz Fonts
[Mandy Levine]

Mandy Levine (Nihilschiz Fonts, or Nihilist Schizoid Fonts) is the American designer (b. 1988) of the blood-dripping font HoMicIDE EFfeCt (2006) and Nihilschiz Handwriting (2006). She also created Ganz Egal (2007, rubbed out Times), Faith Collapsing (2007, grungy blackletter), Raubtier (2007, blackletter), Voodoo Needles (2007, hand-printed), Homicide Effect (2006, gory font), Staubiges Vergnügen (2006), Thirsty-for-Souls (2006, grunge), AABK (which stands for Aggressive Angry Baby Killer, 2006, grunge), Pyramidhead (2004, destructive face). Home page (which makes my browser crash). Alternate URL. Yet another URL. And another URL. Fontspace link. [Google] [More] ⦿

Nihilum Fonts

Archives for blackletter, decorative, esoteric and dingbat categories. [Google] [More] ⦿

Nimrod Dado

Together, Nitzan Gelbard and Nimrod Dado designed Iyyov (2013), a Hebrew blackletter typeface, as part of a school project at the Wizo Academy of Design in Haifa, Israel. [Google] [More] ⦿

Niña Rasmusera

Chilean designer from Valdivia (b. 1992) who created the grungy blackletter typeface Rasmus (2009). [Google] [More] ⦿

Nippa Downey

Nippa Downey (DJ Nippa) is the creator in 2008 at FontStruct of these typefaces: NCD Paperclip (2008), NCD Paperclip Closed, the NCD Black Square family (2008, he writes: The Black Square of Kazimir Malevich is one of the most famous creations of Russian art in the last century. The first Black Square was painted in 1915 to become the turning point in the development of Russian avant-garde.), Snake, Snake Rebel, Mooch Rounded II and Mooch Squared II.

Additions in 2009: The NCD Dot Matrix family (many styles), NCD Grand Theft Autostruct (based on the logo for the Playstation/Xbox computer game "Grand Theft Auto"), NCD Dorky Corners Sans, NCD Amphibian (+Stencil), NCD Blagger (+Stencil), NCD Gigantica2, NCD Gigantica, NCD Brick Stacker, NCD Amoeba family (dot matrix), NCD Deejayon (nice), NCD Blagger (+Stencil), NCD Phusion Bold (octagonaal), NCD PS Magazine (+2) (octagonal), NCD Fabrica 50 (vertical stripes), NCD Scansion, NCD Octangle 20, NCD Neopolicia Harlequin, NCD Reinforcia (piano key, stencilized), NCD White Picket Fence, NCD Autonium Small Caps (not free...).

In 2010, he created the NCD Chromica family (athletic lettering typefaces) and NCD Bezica 10 (elliptical), NCD Nu Arc Stencil Linked, NCD Nu Arc Linked Stencil, NCD Edding 5.0 (brush), NCD Patchwork (texture face), NCD Embroidery (+Comp Size), NCD Snippa Sharp (2011), NCD Nufraktura Gothic (2009), NCD Autonium Small Caps.

Typefaces from 2012: NCD Black Square, NCD Black Square II.

Typefaces from 2013: NCD Neopolicia (+Drop Serif, +Harlequin, +Jump Drop), NCD Grand Theft Autostruct (based on the logo for the Playstation/Xbox computer game "Grand Theft Auto"), NCD Isometrica Horizontal 1 (3d block face), NCD Mooch Squared, NCD Mooch Rounded II.

In 2014, his striped octagonal art deco typeface NCD Deconium SC Black Serif Inlines won an award at the FontStruct Inline Font Competition. Other typefaces from 2014 include NCD Reinforcia and NCD Dottica Serif 60.

Klingspor link. Abstract Fonts link. [Google] [More] ⦿

Nitemare Productionz

Original fonts: SpookShowUndead (1998, handwriting), DragonSpikesBlack (1998, blackletter), NoteFromHomeMedium (1998, handwriting), UnitySemiBold (1998), WormTrailsinaCoffinLidXtraDead (1998, handwriting).

Nitzan Gelbard

Together, Nitzan Gelbard and Nimrod Dado designed Iyyov (2013), a Hebrew blackletter typeface, as part of a school project at the Wizo Academy of Design in Haifa, Israel. [Google] [More] ⦿

No More Faith Fonts
[Konrad Bednarski]

Graduate of the London College of Communication who works in Paris, where he set up No More Faith Fonts. He is presently based in Dubai. His list of typefaces:

The free fat geometric counterless typeface Warsaw Bold (2011).
The paperclip typeface Mars Regular (2011). Free download. See also Mars Regular Second Edition (2012).
Neo Gotik (2011).
Sleepy Bubbles (2011). A free vector custom typeface inspired by graffiti bubble letters.
The fun free display face Odyssey. This font became commercial a bit later via Ten Dollar Fonts.
Sherif 3000 (2012). This athletic lettering typeface is a serif, bold, display typeface inspired by Teddy jackets we can see in old American movies or TV.
Brainwash (2012) is a free dripping soap typeface in EPS format.
Aequitas (2012) is a constructivist family.
Fatalism (2012) is a free alchemic typeface.
Pixa (2012) is based on Brazilian graffiti.
Memories (2012) is a pixel font inspired by video games.
The free comic book typeface DHD Cool (2012).
The alchemic typeface Believe (2012) is free.
The free art deco typeface Rispa (2013). This was followed in 2014 by the free family Rispa X DHD.
Mazed (2013) is a free straight-edged AI format font.
Scratched (2013) is a free typeface inspired by urban metal scratching.
NMF Dare (2015). A thin sans designed for a young design agency based in Brussels.
NMF Display (2016). A free dot matrix typeface.
NMF Burner (2017). A great Hellofont link. Behance link. [Google] [More] ⦿

Noah Kinard

Red Lion, PA-based designer of a free set of vector format icons called Softee Icons (2013), and the commercial typefaces Avante (2014), Reeler (2014, with Mans Grebäck at Aring Type), Willow (2014, multiline neon tube font), Koil (2014), Nello (2014), Wear (2014), Chili (2014), Oil Field (2014, rounded sans), Stout (2014), Ale (2014), Indie (2014, outlined face), and Ale Pro (2014).

Typefaces from 2015: Urethane, Hijinx (rounded handcrafted sans caps typefaces), Mortyr Black (blackletter).

Typefaces from 2016 in his Tradesman series include Driver, Goblet (blackletter), Gallows (blackboard bold), Deere and Cordial. Together with Mans Grebäck at Aring Type, he designed the calligraphic typeface Melay Script (2016). Still in 2016, he designed the all caps sans typefaces Himalayan (pixelish), Makers Sans, Ale Ligs, Driver, Ranchero (modular), Golden Nugget, Frank, Frankie, Franklin and Graver, the rounded poster typefaces Creature, Cordial and Mill Smith, the connected script typeface Vivien, and the blackletter typeface Sandoval.

Typefaces from 2017: Starlite, Slab Sans, Slab Sans Stencil, Ironire (occult blackletter), Charter Sans, Blueberry Script (with Mans Grebäck), Dockhouse (rounded all caps sans).

Typefaces from 2018: Misty Forest (pixel font), Roses (8-bit pixel font).

Behance link. Creative Market link. [Google] [MyFonts] [More] ⦿

Noëlie Maignan

French graphic designer who lives in Chateaubriant. Devian Tart link. Her typefaces (ca. 2011) include Heimiotas, Arabno (Arabic, to match Univers), Gantoise, Laborine (text face), Mécatique (angular, almost blackletter). [Google] [More] ⦿

Nonpareille (was: Chastellun.net)
[Matthieu Cortat]

Matthieu Cortat was born in Délémont (Switzerland) in 1982, and became a French citizen later. After a degree in graphic design in 2005, at the University of Art&Design Lausanne (Ecal), he obtained a Masters at the Atelier National de Recherche Typographie in Nancy (France). Cortat heads the Master Type design program at the École d'art de Lausanne (ECAL). He lives in Lyon where he is advisor to the collections of the museum of Printing and Graphic communication. He created the French typographical corpus, which brings together the typefaces in France between 1850 and today. He set up Nonpareille. Most of his typefaces can be bought at 205 Corp.

His typefaces:

Bentham (transitional).
Bonesana (2009, Gestalten, an elegant text family straight out of the 18th century).
Brett (2004). A rounded pixel face.
Chastelmail (a modification of ITC Officina).
Goupil (2008, by Regis Tosetti).
Ecstrat (2009, ornamental 18th century type in the style of Fournier or Rosart).
Fairplay (transitional newspaper face).
Glovis (2007, a monospaced typewriter typeface with ball terminals; with Régis Tosetti).
Liberté.
Tartan.
Monolith.
Stockmar (2007, Optimo: a 12-style baroque family inspired by by Johann Rudolf Genath II (1679-1740)).
Stuart Pro and Stuart Standard (Nonpareille, 2008). These almost Venetian low-contrast text type families come in 18 styles each, and have three optical choices for the ranges below 8pt, 8-12 pt and above 12pt.
Ecstrat.
Glovis.
Louize (2013). This is a contemporary revival of the Augustaux designed by Louis Perrin between 1846 and 1855. It mixes roman square capitals with a set of transitional / old style / incised lower case. In 2021, he added Louize Display Condensed. He explians: In 1846, Lyonnese printer, Louis Perrin commissioned founder Francisque Rey to cut a series of capitals inspired by monumental roman inscriptions. They have been used to compose "Les Inscriptions antiques de Lyon", a book by Alphonse de Boissieu. In 1855, the typeface was completed by a series of lowercase, some coming from the printshop of Rey, others designed by Perrin himself. His Augustaux, one of the first revivals in the history of typography, became rapidly successful, launching the Renouveau Elzévirien" movement. With the Louize Family, Matthieu Cortat provides a contemporary reinterpretation of the Augustaux. It retains a wise and serene tone, a clear grey of text, the soft roundness of the curves. Louize is discreet, calm, harmonious.
Chrysaora (2013). An all caps art deco typeface family based on the engraved letters on the Palais de la Porte Dorée in Paris.
Ebnor (2013). A digital version of the Écriture Bâton Normalisée (standardized sans serif) presented by M. Brun in a self-published booklet of 1959. The shape of letters respects the standard E-04-105 of the French Association for Standardization (AFNOR) which sets norms for industry, engineering and architecture. All letters are monolined and warmly rounded.
Svafa (2013). This is a rune simulation typeface that revives lettering designed by Eugène Grasset in 1893, on a poster for Richard Wagner's opera, Valkyrie.
Petit Serif (2013): Petit Serif is a caps typeface with copperplate endings, described as an interpretation (with Latin, Greek and Cyrillic versions) based on the lettering done at 55 Broadway, S.W.1, London, by Percy J. Delf Smith. It is a sans serif presenting the classic proportions of the Roman Square Capitals, yet it does show tiny serifs due to the use of a brush.
Mecano Sans and Mecano Serif (2013). A revival of a condensed geometric Nebiolo family.
Henry (2013). They write: Henry is a personal reinterpretation of the Garamond cut for the Deberny & Peignot type foundry between 1914 and 1926 by Henri Parmentier, under the management of Georges Peignot, who owned the foundry. Their purpose was to recreate the gracefulness of Claude Garamont's type typeface while allowing for the development of modern paper making, with its wood pulp paper, as opposed to 16th century rag paper. This elegant and smooth text family has its own mind: Henry is based on the text sizes (9 to 14) of the Garamond Peignot. It is a light and fluid Garald, rather skinny and narrow, with a slender grace. There is an art nouveau spirit in its z leaning on the left, its serpentine a and J, the roundish lower bowl of its t, the wide tail of its Q.
Hans (2013). A dark Koch-style textura blackletter.
Battling (2013). This is quite an interesting sans family, in the geometric style of 1930s Europe. The original rough model was a typeface family called Universelles by the Dutreix foundry in Limoges, first produced in the 1930s. The heavier weights are characterized by small cactus spurs. Apparently, Universelles is a renamed version of Hans Moehring's Elegant Grotesk (1928-1929).
Anacharsis (2012). An experimental geometric sans family.
Basetica Pro (2013). Even though only offered in two styles, the announcement says that Basetica aims to be the Helvetica for 2013.
Helvetius (2016). A reinterpretation of a Fournier-style font used in a 1178 edition of De L'Homme by French philosopher Claude-Adrien Helvetius.
Cosimo (2017, Bureau 205). A humanist sans.
Yorick (2018). Yorick is based on a monospace typewriter font (model 3402U) found in the Campionario caratteri e fregi tipografici of the Nebiolo type foundry, dated 1920, but the font might probably be older. The source is a slab serif form very common in typewriter fonts (Pica, according to Olivetti naming system) with a little touch of classical flavour from the Imperial style (i.e. with thick and thin contrasts).
Molitor (2019, 205TF). A great art deco-inspired sans typeface that looks great even for text on a screen.
Muoto (2021), a variable sans serif font designed by Matthieu Cortat, Anthony Franklin and Sander Vermeulen (Base Design). They write: Muoto is the synthesis of a sensitive and human approach to modernist design. This font combines full curves and solid stems, showing that functionalism can actually be warm and softly effective. With its robust structure and subdued proportions, it evokes organic forms dear to Finnish architect Alvar Aalto, who in 1957 wrote: "We should work for simple, good, undecorated things, but things which are in harmony with the human being and organically suited to the little man in the street".

Speaker at ATypI 2017 Montreal.

Norddeutsche Schriftgießerei

View Matthieu Cortat's typefaces. View Nonpareille's font library. [Google] [MyFonts] [More] ⦿

Berlin-based foundry established in 1921 by Johannes Wagner together with his brother Ludwig and his brother-in-law Willy Jahr. That business moves to Ingolstadt in 1949. Their metal types included Krystal-Grotesk, Grotesk Pfeiler (1927: a tall radio font), Reporter (Carlos Winkow, 1938), Kurmark (1934, blackletter; revived by Gerhard Helzel; it was also published originally with Wagner & Schmidt) and Kabinett-Fraktur (1938, also called Unger-Fraktur as it is based on work of Johan Friedrich Unger; Unger-Fraktur also made it to Berthold, ca. 1925), and Sütterlin-Schreibschrift (1939). [Google] [More] ⦿

Novi Ananda
[Novi Souldado]

Novi Souldado
[Novi Ananda]

Yogyakarta, Indonesia-based designer (b. 1989) of the copperplate calligraphic typeface NS Champtone (2019), the spurred Victorian Americana typeface NS Emhericans Vintage (2019).

Typefaces from 2020: NS Bullsmith (a Victorian typeface), NS Mudolf (a script/sans/serif vintage type package).

Typefaces from 2021: NS Gibswing (a spurred Victorian extravaganza, with a dingbat font that contains Victorian panels and flowers), NS Blackbooks Victorian, NS Lasttown (a penmanship script, and vintage capital and serif styles).

Typefaces from 2022: NS Deckpress (a layerable Victorian label font). [Google] [MyFonts] [More] ⦿

NREY
[Andriy Dykun]

Makeevka, Donetsk, Ukraine-based designer of these typefaces in 2017: Vector Waves, Quasimodo (a free spurred and curvy decorative display typeface), Courtney (monoline script), Lumberjack (blackletter; see also Lumberjack Zombie in 2019), Marvin (a 10-font Marvin Heemeyer-inspired bulldozer and wrench font family with a free heavy slab serif), Awakening (signage script), Bang Bang, Round Compound, Rot Shield (blackletter), Rust (spurred), Furious, Dry Brush, Balalaika (Cyrillic emulation typeface), Moustache, Barbara (script), Arigato, The Pontifice (blackletter), Amsterdam, Megapolis (inline), Megapolis Black Bold (free, for Latin and Cyrillic), Phoenix Gothic, Brush Pen, Nround (rounded sans), DieCunst (free connected script).

Typefaces from 2018: Fontuna (+stencil), Sansterdam (a geometric condensed grotesk with a few deco styles), Ethna (a fashion mag sans typeface family), Voguer Sans (a free Latin / Cyrillic display typeface with fashion applications in mind), Ravenholm (an expressionist blackletter), Jorick (vintage, Latin and Cyrillic), Ultravog and Ultravog Glitch Black (extreme contrast stencil styles: free), Walpurgis Night, Voguer (a high-contrast fashion mag font), Voguer II (didone-inspired, accompanied by a script typeface).

Typefaces from 2019: Anicon Sans, Anicon Slab, Thephir (a variable cursive typeface), Oblique Rain (monoline script), Skiff (a quaint almost painted sans), Cadency (a monoline script), Waymar (Serif and Script font duo; include the textured caps typeface Waymar Ornate and the blackboard bold style Waymar Outline), Phagoth (blackletter), Gunhill (a vintage font family that includes blackboard bold styles), Heartland (Script & Sans), Marvin Slab.

Typefaces from 2020: Calmius, Calmius Sans. Calmius Sans has Oppo (reverse contrast), Low and High (Peignotian) subfamilies, all experiments on contrast.

Typefaces from 2021: Quartell Round (a squarish typeface), Asterlight (a steampunk font), Barosa (inspired by the slavonic style, all glyphs in this typeface have the same height).

Graphicriver link. Behance link. Newest Behance link. Dafont link. [Google] [MyFonts] [More] ⦿

nrlmstf

Pati, Indonesia-based designer (b. 1992) of the rounded monoline sans Fatjisti (2019), the script typeface Cassanova (2019) and the blackletterish font Rakitikar (2019). [Google] [More] ⦿

Nymfont (was: Nymphont)
[Lauren Thompson]

Lauren Thompson (Nymfont, or Nymphont) is a designer from Las Vegas (b. 1982). She created the elegant sans typeface LT Oksana (2008), the grungy Frail 7 bedazzled (2008) and the classical ornament typeface Nymphette (2008). Her LT Nutshell Library (2008, an ornamental titling font and a display text font) was inspired by the "Nutshell Library," a book series by Maurice Sendak. LT Chickenhawk (2008) is a hand-printed outline font.

Nymph's handwriting (2009) followed a bit later. LT White Fang (2009) is an outline blackletter face. LT Sweet Nothings (+ Dingbats), Cupi de Locke and Damask Dings were added in 2009. Champagne&Limousine (2009) is an elegant geometric sans family. Caviar Dreams (2009) and LT Anomaly (2009) are sans families. Happy Phantom (2009, +Demi) is a typewriter-style slab serif.

Pinstripe Limo (2010) is bilined. Sachiko (2010) is an upright connected script. Jolly (2010) is a monoline sans family with four weights.

Lemondrop (2012) is an art deco family. Tellural (2012) is a monoline sans typeface family. The 4-style serif typeface Aver (2012) is quite useful.

In 2013, she published Merveille (a ronde script), Xiomara (connected curly script), Connie (a late Victorian or early art nouveau typeface), Whipsmart (a clean flared sans), the classic ornamental font Dingleberries, Margot (a quaint almost art nouveau alphabet), and the informal Tuscan typeface Robinne Truecase.

Typefaces from 2016: Rolande (handcrafted), Knud (yummy script).

Devian Tart link. Abstract Fonts link. Fontspace link. Nymfont home page, which has a type design blog. Klingspor link. [Google] [More] ⦿

Oathwind

Designer of Gothic (2011), a blackletter face. [Google] [More] ⦿

OCD: Original Champions of Design
[Jennifer Kinon]

Branding and design agency in New York City. Subpage for the free labyrinthine typeface Free (2013) that won an award at TDC 2014. Free was co-designed by Matt Kay, Jennifer Kinon and Bobby C. Martin.

Times Premier (for The New York Times) is a masthead blackletter done by Jennifer Kinon, Bobby C. Martin Jr, Matt Kay, Jonathan Lee and Michael McCaughley based on lettering by Matthew Carter.

For the Museum of African Art, Jesse Ragan created the Afri Sans typeface family.

In 2018, they created the custom branding and logo typeface Dartmouth Ruzicka for Dartmouth University, based on type on a bicentennial seal and plaque designed by Rudolph Ruzicka, a typeface designer who retired in Hanover, NH. [Google] [More] ⦿

Officina Serpentis
[Eduard Wilhelm Tieffenbach]

Eduard Wilhelm Tieffenbach was born in Königsberg (1883) and died in Berlin (1948). He ran a private letterpress in Berlin around 1900 called Officina Serpentis. His typeface (now dubbed) Officina Serpentis (1913, digitized by Petra Heidorn under the name SerpentisBlack in 2004; also, see the extension Serpentina (2004) by Manfred Klein) is a gotico-antiqua type reminiscent of the 15th century types. It is in fact based on typeforms by Peter Schoeffer (Mainz, 1462) which in turn were refined a few years later by Creussner and Koberger. [Google] [More] ⦿

Oh No Type
[James T. Edmondson]

Oakland, CA-based designer, whose company is called Oh No Type. In 2011, he was a student at California College of the Arts in San Francisco. Graduate of the Type & Media program at KABK in Den Haag in 2014. Before that, he was based in Leeds, UK. James teaches Type at Cooper West. In 2018, James co-founded Future Fonts, a platform for distributing fonts in-progress. Typefaces:

2008: at FontStruct of the blackletter typeface Eclyptico and of Mopper.
2010: Edmondson, Dode (script).
2011: Edmond Serif (in progress) is being designed in Rod Cavasos Type Design class at CCA. Edmond Sans (2011) is a headline all caps sans face. Duke (Lost Type) is a beveled typeface based on the signage for the Cup and Saucer Luncheonette in New York. Wisdom Script (Lost Type) was originally designed for Woods of Wisdom, a 50 part poster series on bad advice. Working on a roman caps version in Ed Interlock style. Lavanderia (2011, free at Lost Type) is a signage script family inspired by fancy laundromat lettering in San Francisco's Mission District.
2012: Edmond Sans (Lost Type).
Mission Script (2012) is a connected signage script, also inspired by lettering in San Francisco's Mission District.
2013: Mission Gothic. Influenced by wood types, this sans was co-designed with Trevor Baum.
2014: Covik, his graduation typeface at KABK. He writes: Covik was designed with the goal of creating a small text family with complimentary display typefaces which work together to create a rich typographic palette. How divergent could a style be while remaining kindred? In what ways could weight, width, proportion, and construction be played with in order to create a varied family? See also Covik Sans Mono.
2015: Hobeaux (a take on Morris Fuller Benton's art nouveau typeface Hobo), Viktor Script (a retro script done with Erik Marinovich). Accompanied by Hobeaux Rococeaux (2016).
2016: Vulf Mono (Vulf Mono is the official typeface of Vulfpeck, a funky four-piece rhythm section from Ann Arbor, Michigan. The typeface draws main inspiration from 12 point Light Italic, a font for the IBM Selectric typewriter.)
Year unknown: Bordeaux Script.
2018: Obviously, Eckmann Psych (a psychedelic take on Otto Eckmann's art nouveau type), Ohno Blazeface, Cheee (a variable font).
2019: Nonplus (counterless script), Primarily Script (a children's book font), Coniferous (based on signage at American National Forests).
2020: Degular (sans, variable with three axes), Compadre (an all caps sans typeface), Ohno Fatface (in the true didone fat face tradition, with delicious conniving outlines; and a 2-axis variable font along width and optical size), Swear (an experimental serif with rotated pen angle; +a variable style).
2021: Irregardless (experimental; with plenty of effects and container shapes).

Author of Some Tips on Drawing Type (2021). Klingspor link. Behance link. Dribble link. Old home page. Future Fonts link. Adobe link. [Google] [More] ⦿

Ok Kyung Yoon

Ok Kyung Yoon (b. 1975, South Korea) works and lives in Paris. After studying at the Fine Art School in Mulhouse, she started as a freelance graphic designer and works in parallel with her studies at the EnsadLab, notably with the institutions of contemporary art like the Fonds Régional d'Art Contemporain/FRAC Nord-Pas de Calais in France or La Fundación ArtAids, Barcelona. Speaker at ATypI 2010 in Dublin. In 2009-2010, with fellow ENSAD students Anthony Dathy, Perrine Saint Martin and Timm Borg, she developed a complete family of fonts that extend blackletter and roman typefaces by Ulrich Gering that go back to the 1470s. [Google] [More] ⦿

Olcar Alcaide
[Eurotypo]

Old English: Selection by zeno333

Old English alphabet

Example of an Old English alphabet, from the tomb of Richard II, Westminster Abbey, about 1400. [Google] [More] ⦿

Blackletter fonts in the Old English style, suggested by typophile "zeno333": Engravers Old English, Linotext, Olde English, AT Old English, Rochester, Gregorian FLF, Cloister Black, Blackletter 686 BT. [Google] [More] ⦿

Old English Text

A Monotype blackletter font from 1990-1992, based on the 1901 original of Morris Fuller Benton. See here or here. [Google] [More] ⦿

Old German alphabet

Example of an Old German alphabet, 1467. [Google] [More] ⦿

Old German handwritten scripts

Samples of old German handwriting fonts, links to Fraktur fonts, lists of related books. [Google] [More] ⦿

Old Gondor

Old Gondor is a free blackletter typeface made or converted by "Mike". Orphaned. [Google] [More] ⦿

Oldrich Menhart: Classification of blackletter types

Oldrich Menhart compares and classifies various blackletter typefaces in his book Nauka o Pismu (1954). He also compares Quadrata and Rustica in the uncial genre. [Google] [More] ⦿

Ole Erik Sandbakken

While studying at NKF, Ole Erik Sandbakken designed the artsy Sand Font (2011), a piano key pair of typefaces with gothic roots. Ole lives in Trondheim, Norway. [Google] [More] ⦿

Ole T. Ystenes
[Fabritius]

Oleg Voznyy
[Vozzy (was: Oleg Vozny)]

Olena Reshetnikova

Lviv, Ukraine-based designer of the painted Cyrillic blackletter typeface Kajattja (2018). [Google] [More] ⦿

Oliveira37
[Jackson Tadeu Amaral]

Known as Jack Tadeu, Jackson Tadeu, Jackson Amaral, and Jackson Tadeu Amaral. Belo Horizonte, Brazil-based designer of Allure, Amaral Serif (2017: a warm classical text typeface in four styles), Franzserif, Levez, and the free fonts Febre (2020: stencil), Treefingers (2020: bilined), Monk Gothic (2010: blackletter) and Heft Black (2020: squarish). Other fonts from 2020 include Gusther (a super-plump titling display font), the free Gothic cathedral-inspired black metal typeface Goat, Atairu (a font with many interlocking pairs) and Gourds (an organic monolinear sans).

Typefaces from 2021: Chocco (a fun family of six chunky fonts).

Old home page. [Google] [MyFonts] [More] ⦿

Oliver Weiss
[Walden Font]

Olivia Theresa
[Caoca Studio (or: Heroglyphs)]

Omega Type Foundry
[Toshi Omagari]

Toshi Omagari is a Japanese type designer who grew up in Fukuoka and studied typography and type design at Musashino Art University in Tokyo. After graduating in 2008, Toshi taught graphic design in Fukuoka. He joined the University of Reading in the summer of 2010 and graduated in 2011. He is a type designer at Monotype.

His graduation typeface Marco (<2011), which is named after Marco Polo, covers Latin, Mongolian, Greek, and Cyrillic, and has sans and serif versions. Inspiration for Marco goes back to Italian humanist typography such as those of Nicholas Jenson or Aldus Manutius, and general influences from calligraphy. Marco is a true superfamily, with wide utility and superb legibility---not surprisingly, it won an award at Modern Cyrillic 2014. The text styles were professionally produced in 2015 by Type Together in 2015---each style has over 1900 glyphs.

His chancery hand typeface Tangerine (2010) is part of the Google font directory (for free web fonts).

Typefaces from 2013: Metro Nova (Linotype: a sans family with a strangely circumcised lower case f). Metro Nova won an award at TDC 2014.

Typefaces from 2014: Neue Haas Unica and Neue Haas Unica Pan European. A digital update of the Helvetica alternative Haas Unica, which was originally released in 1980 by the Haas Type Foundry for phototypesetting.

In 2015, he made Cowhand (Monotype: a Western typeface). All words typed in Cowhand are of equal width, whether they contain one character or twenty (the maximum the font allows).

For Monotype, he made the custom typeface Quentin Blake (2016) that emulates the irregular handwriting of Sir Quentin Blake, acclaimed illustrator of Roald Dahl's novels.

In 2017, Toshi Omagari designed the Wolpe Collection for Monotype, all based on Berthold Wolpe's distinctive typefaces: Wolpe Pegasus, Wolpe Tempest, Wolpe Fanfare, Sachsenwald (blackletter: a revival of Berthold Wolpe's Sachsenwald from 1936), Albertus Nova.

In 2018, Linda Hintz and Toshi Omagari published the large geometric sans typeface family Neue Plak that revives and extends Paul Renner's Plak (1928).

Nadine Chahine and Toshi Omagari collaborated with Akira Kobayashi and Monotype Studio on Avenir Next Arabic (2021).

At his own foundry, Omega Type, he released these typefaces in 2021: Klaket (a bold and monolinear Arabic display typeface that was inspired by classic Egyptian film posters in a free form Ruqah style), Platia (a modern revival of the 19th century font Hellenic Wide).

At ATypI 2011 in Reykjavik, he spoke about Mongolian scripts. At ATypI 2015 in Sao Paulo, he revealed his research on the Siddham (post-Brahmian). Speaker at ATypI 2016 in Warsaw on BubbleKern (a new kerning algorithm). Speaker at ATypI 2017 Montreal on Sini: Arabic calligraphic styles from the Far East.

Fontsquirrel link. Dafont link. Klingspor link. I Love Typography link. Google Plus link. Interview by MyFonts in 2022. [Google] [MyFonts] [More] ⦿

Omine Type
[Eduardo Omine]

Eduardo Omine (b. 1981, Sao Paulo, Brazil) graduated from the School of Architecture and Urbanism, Sao Paulo University (FAUUSP) in 2002, where he was taught by Vicente Gil and Priscila Farias. An architect/designer, he founded Omine Type in 2004.

He designed Literal Sans, Literal Bitmap, Lira Bitmap (2003), Lira Sans (2002, 4 weights), Prompt (pixel font), Gotische (2004, blackletter), and the display font Maest (2003; see also here).

Beret (2003, a sans family with some flares, published at Linotype) won an award at the Linotype International Type Design Contest 2003.

The following typefaces can now be bought at MyFonts: Bunker (stencil), Gotica Lumina (2005, blackletter), Beret (2004), Ultra Gotica (2006, fat blackletter), Maest (a straight-lined script face), Nabuco (2006). Epistle and Lalo are in progress.

Linotype page.

View Eduardo Omine's typefaces. [Google] [MyFonts] [More] ⦿

Omotu
[Ibnu Utomo]

Kota Bekasi, Indonesia-based designer (b. 1983) of the handcrafted typeface Mr Kebab (2018) and the script typefaces Tracer Script (2018) and Beautype (2018).

In 2019, he published Chips Snack, Gondess (script), Hallimah (script), Black+Blue, Fresh Hot (brush style), Salim (a dry brush script), Hibrush, Hijrah (a spurred Victrian typeface), Black & Blue (an urban brush font), Huge, Retroville (monoline script), Guthers (a textured monoline script), Canting (a decorative serif font), Crown, Sweet Candy (a marker pen font), Alitta and Sattay.

Typefaces from 2020: Collins Butter (a display sans), Gutters Butter, Optimust (dry brush), Billy Signature, Ceria (a dry brush script), Sabilla Solid (a dry brush script), Broneo, Manees, Matross, Tropical Thunder, Happiness (a dry brush script), Sore (all caps, dry brush), New Crown, Finch (a monoline script), Genesiss, Olive, Alisa, Beautifully, Naura, Namira, Bonitto (a dry brush font), Fresh Milk, Rhodeport (brush), Samuell (brush script).

Typefaces from 2021: Thalib (a creamy signage script), Midtown Black (a blackletter), Marhaban Ramadhan (Arabic emulation), Wardah (a monoline script), Better Faster (an all caps rough brush typeface), Otista (a bold script).

Typefaces from 2022: Sephiro (a dry brush script with some pizzazz). [Google] [MyFonts] [More] ⦿

Onrepeat Studio
[Joao Oliveira]

Onrepeat is the type foundry established by Joao Oliveira (b. 1986) in 2011. Oliveira is (was?) a communication design student at Escola Superior de Artes e Design (ESAD) in Matosinhos, Portugal. 1986. He also freelanced as a designer in Porto before moving to London. His typefaces:

Gothular (2011).
The 12-style artistic piano key display sans family Bohema (2011).
The super-high-contrast didone fashion mag typeface system Port (2013). Port was revisited in 2014 and led to the exquisite 10-style experimental didone typeface Port Vintage.
Nympha (2020). In his own words, it is a luxuriously exuberant serif typeface, exuding femininity and glamour.

[Google] [MyFonts] [More] ⦿

Open City Design
[Phil MacIsaac]

Charlottetown, Prince Edward Island-based designer of the free rounded retro typeface Narwhal (2018), the expressionist blackletter typeface Krautrock (2018), the free blackletter typeface Scotland (2018) and the free handcrafted typeface Soviet League (2018).

Free typefaces from 2019: Norilsk, Chernobyl (Cyrillic simulation), Kaiser (a rounded blackletter), Campaign, Revolucion (constructivist), Oligarchy, Contraband (a free monoline script), Viking, Myrkvior (rune emulation), Vintage74, Art Nuvo (psychedelic, art nouveau).

Typefaces from 2020: Vanity (a free German expressionist typeface), Nordic Club (a national park typeface), Shogun (a gaspipe font), Contraband (a monolinear font duo), Pariah (a rounded heavy blackletter). Dribble link. Open City Design link. [Google] [More] ⦿

Openrev

FontStructor who designed the pointy gothic semi-blackletter typeface Pindome (2010). [Google] [More] ⦿

opipik

Pixel font specialist who created these pixel typefaces using FontStruct in 2013: fs Inspira 2 (pixel face), fs Mikibit, FS Tacticalreminds, FS Terc.butyl (slab serif), Fin Competition, Opipik's Caps, Stencil, Cond, Alter Ego, Anakin, Nonsense Remix, Simple, Fluid PX (pixelish), Fluid, Shamewriting (wide techno face), The FS Ion (stencil), Opirus Semi-Serif, Launching a similar one, F Serif Q, Opirus OPIK, Sans Tai Na, Leftleaning, FSPx Kayah D70, 1234 Font, Random Regular.

Other typefaces made in 2013 include fs Logo, fs Mansion, fs Kismet, LASO Serif, fs Ad, fs Groszak's Dreams, fs Road Sans, fs Connet (retro automotive script), fs Large, fs Mico, fs Use, fs By, fs Part, fs Strongness, fs Permutoo 1 through 7 (op-art), fs Ethstruct, fs Ais (wood type simulation), fs Eng (like fs Ais), fs 01, fs Jim Jam (sencil), fs Sor, fs Nothing (blackletter), Anakin Mono (a sci-fi face), Shaak Sans, LASO Serif, 42 Stencil, 42 Sten Grid (kitchen tile face), 42 Bold (piano key face), 42 Sten Vert, Sten Bold Vert, 42 Light Vert, 42 Bold Vert, 42 Light Grid, 42 Cond, 42 Light, 42 Black, Iont Slab (monospaced), Experiment Elongated Ears, Pixel Old English, Check It, Trifolium Stencil (like a Bauhaus stencil), Avatars New, Shaakmono, and Better Sans.

Typefaces from 2014 include fs Pixalic (a great textured typeface), fs Weighted, fs Monital, fs Pixnod Serif, fs Gaelpix, fs Jenson 1 (+Italic), fs Hand2, fs Wood Type 1, fs135 Opinno Serif, fs135 Inno Huge, fs Dotnudge Biggerterm, fs Nudgershoots, fx 8x6, fs Eng, fs Streetsign, fs Fassyrian, fs Apjop, fs Jenson 1, fs Stenserife, fs Recover, fs Lapa 1 Bold, fs Dotital, fs Lapa 1, fs Hikinspot, fs Geofut, fs Samil, fs Pxalic, fs Stdb Regular, fs Papeda, fs Greekpix, fs Stylized Arpeggios, fs Teimodern, fs My Take on Parsifal 1, fs Samil, fs Eco, fs Dotmatrix Serif Mono, fs Dotmatrix Sans, fs Uahkoch, fs Fluffy, fs Computer Says No Mild Italic, fs Paseky Ideograms, fs Eatit Bold, fs Mind, fs Switch, fs Dotty Serif, fs Smallmicro, FSerifQ, fs Afterline, fs FontstrFillersMono, fs Four Ideas.

Typefaces from 2-15: fs Konhex.

Oruam Graphiks

Portugal-born Mauro Santos (Oruam Graphiks, Zielona Gora, Poland) designed an unnamed blackletter typeface in 2013 during his studies in Poland. His home base is in Sines (and/or Santo André), Portugal. Squeezer (2013) is a graffiti face. [Google] [More] ⦿

OSTYPE
[Yury Ostromentsky]

Yuri Ostromentsky is a type and graphic designer. He is a graduate of the Moscow State University of the Printing Arts (2002), where his graduation project was done under the supervision of Alexander Tarbeev. He has worked as a designer and art director for publishers and design studios. From 2004 to 2012, he served as art director of the magazine Bolshoi Gorod (Big City), for which he created several display typefaces as well as several original typefaces and Cyrillic versions of Latin fonts in collaboration with Ilya Ruderman. His typefaces were honored at the Contemporary Cyrillic 2009 and 2014 competitions. In 2004 he and Ruderman, Dmitri Yakovlev and Darya Yarzhambek created DailyType, a website.

Yuri ran OSTYPE as part of KunstGroup.ru. His typefaces include PrinsenGracht [Text (+Caps, +Italic), Display (+Caps, +Italic)], Poza, SSN Antique, Pilar, and Gegangen. His type system Best Life Serif (codesigned with Ilya Ruderman) won an award at Paratype K2009.

He became associated with Custom Fonts, and designed RIA in 2013. RIA won an award at Modern Cyrillic 2014.

In 2014, Ilya Ruderman and Yury Ostromentsky founded CSTM. In 2015, Ilya and Yury published Kazimir, a didone typeface family for Latin and Cyrillic, taking as a model the typeface used in The History of Russian Philology by P. N. Polevoy (1900, A. F. Marx Publishing House).

Typefaces from 2017: Stratos Cyrillic (at Production Type, with Ilya Ruderman; a Cyrillic version of Yoann Minet's 2016 geometric grotesque typeface Stratos: it received a Type Directors Club New York Certificate of Excellence 2017), Pseudo Russian.

Co-designer with Nikita Kanarev and Ilya Ruderman at CSTM Fonts of the 18-style exprimental typeface family Lurk (2020). It is based on an earlier version that was specially designed for the Russian youtuber Yury Dud.

Typefaces from 2021: CSTM Xprmnntl 03 (in uncial Cyrillic, gothic blackletter and inbetween styles). In 2021, CSTM Fonts released the 42-style sans family Loos (Latin, Cyrillic, Georgian), a typeface designed by Yury Ostromentsky, Ilya Ruderman, and Daria Zorkina. Advisers on Georgian included Alexander Sukiasov and Lasha Giorgadze. At the end of 2021, Ostromentsky designed and published the 20-style (+variable font) Elzevir-inspired Maregraphe at CSTM / Type Today wth the help of Mikhail Strukov and Ilya Ruderman.

Typefaces from 2022: Zhivov (an experimental Latin / Cyrillic typeface based on early Cyrillic graphics). [Google] [MyFonts] [More] ⦿

Ottaviano Scoto

Ottaviano Scoto of Monza (or Ottaviano Scotus) headed a distinguished family of Venetian printers. Born of a noble family of Monza, he went to Venice at the age of 35 and operated a press there between 1479 and 1484. He continued as an editor until 1499 whereupon his heirs, including his brothers and nephews, undertook their own activity (1499-1532). His blackletter types were in the style of Anton Koberger's. Based on his etters, Paulo W made the typefaces ScotoKobergerFrakturN11 (2007) and ScotoKobergerFrakturN9 (2007). [Google] [MyFonts] [More] ⦿

Otto Fritzhammer
[Fonto Machina]

Otto Hupp

German type designer, painter, Gutenberg researcher and heraldy specialist, b. Düsseldorf 1859, d. 1947, Oberschleissheim. Mainly specializing in blackletter. His typefaces:

At Genzsch&Heyse (Hamburg, München), he did Heraldisch (1910), Hupp-Neudeutsch or Neudeutsche Schrift (1899-1900, see revivals by Gerhard Helzel and Petra Heidorn (2004)), Baltisch (1903, extension of Hupp-Neudeutsch), Numismatisch (1900; revived (?) by P22 as P22 Numismatic), Liturgisch (1906, Klingspor, revived by Dieter Steffmann in 2002, Kristian Sics in 2013, Eugen Kaelin in 1988, as well as by Gerhard Helzel), and Hupp-Gotisch.
At Rudhardsche Giesserei, Offenbach am Main, which in 1906 became Gebr. Klingspor, he made more blackletter typefaces, such as Hupp-Fraktur (1906-1911), Hupp Fraktur Fett (1910), Hupp Unziale (1909), Heraldisch (1910), Hupp Antiqua (1909: this is a delightful display typeface with religious undertones), Hupp Antiqua Fett (1910), Hupp Schrägschrift (1922; others give the date 1927), and the display fonts Lichte und volle Tam-Tan, Keilschrift and Kegelschrift.

Noteworthy among modern digitizations are Hupp Fraktur (2016, Ralph M. Unger), Hupp Antiqua NF (2006, Nick Curtis) and DXS Otto Hupp Initials (2010, Dick Pape). In 2012, Dick Pape created LFD Alphabet Und Ornamente 216 which is based on Hupp's Modern German version of roman capitals, as seen in Alphabete und Ornamente (Frau Bassermann Nachfolger, Munich).

German biography by Wolfgang Hendlmeier from 1985: A, B, C. Scans of his blackletter alphabets: I, II, III, IV, V.

Otto Maurer
[Otto Maurer (was: Tattoofont)]

Alternate URL. Previews at MyFonts. Klingspor link.

Otto Maurer (was: Tattoofont)
[Otto Maurer]

Tattoo artist and graphic designer from Dinslaken (Duisburg), Germany, b. 1968, Duisburg. Klingspor link.

Otto Maurer (Tattoofont) created Ipoint (2008, a 15-style fun-filled Bauhaus-inspired family), Black and Beauty (2007, blackletter family), Big Rain (2007), Blood (2007, dripping blood type), Preussen (2007, a 4-style blackletter family), Otto Bismarck Italic (2007), an italic blackletter face, and its parent, Otto Bismarck (2007). Designer of the free curly font Corps Script (2006) and Corps Script Shadow (2006). Creator with Sabrina of the free handwriting fonts Sabsis Handwriting Version 3 (2007) and Sabsis Handwriting (2007). Home page. Dafont link. Yet another URL.

In 2007, he went partially commercial and set up shop at MyFonts. His fonts there include the artsy Sailors Tattoo (2006), SailorsTattoo-waves (2007), Sailors Tattoo Pro Xmas (2007), Sick Skull (2007, scary), Tribal Maori (2007), MauBo Flatline (2007, experimental), Tribal Dingbats (2007), Tribaltypo (2007: quite interesting), MauBo (2007, mechanical look), Hotrod (2007), Blood (2007, scary), MauBo Flatline (2007, white on black) and Corpse Fairy (2007), Mrs. Sabo (2007, calligraphic and grunge hand), Tribal King (2007), Pierced (2007), Big Rain (2007), Detective Maurice (2007, a typeface with fingerprints on the alphabet), Cutdown Maurice (2007), Digital Maurice (2007), Good Old Fifties (2007, 11 styles), Tribal Dingbats II (2008, a tattoo font), Tribal tattoos III (2010), Hot Flames (2008), Drago (2008, a blackletter and alphading family), Party Night (2009), Tattoo Girl (2008).

Typefaces from 2009: Yuma (2009, Western saloon font), Freiheit (2009, blackletter), Lycaner (2009, blackletter), Sud France (2009, script), Psychbilly (2009, fat brush), Love Mom (2009), Vampire (2009), Animal Zoo (2009), Tur tle (2009), Grunge (2009, cracked marble family), Crate (2009).

Typefaces from 2010: Big Mom (2010, a family that includes a blackboard bold style), Haike (2010).

Typefaces from 2011: Tinka Babe (2011, a gangster or tattoo script), Poisoni Pro (2011, tall art nouveau style brush face, with Shadow and College sub-styles), Lanzelott (2011, a very elegant retro display family, followed in 2017 by New Lanzelott), Stencilla (2011, a heavy stencil face), Guilin (2007, brushy), Darkwood (2011), Rock n Roll Typo (2011), Loreen (2011: an elegant display family that includes a hairline and a shadow style).

In 2012, he made the pointy Psychomonster typeface.

In 2013, Otto Maurer published the gangster tattoo font Bibiana as a companion for Tinka Babe.

Typefaces from 2014: Cupcakes Winterwonder (snowy font), Soul Winterwonder, Loreen Hollywood (art deco), Soul Material Design Dingbatz, Soul Love (Valentine's Day font), AZ Cupcakes, Soul (a sans family with some flaring), Christe Wagner (a great set of curly Victorian music sheet-inspired typefaces), Spider Type, Marie Lyn, Mariedean (a Victorian titling set, including decorative caps), Peachy (+ Shadow: a slab serif).

Typefaces from 2015: Maori New Zeeland, Chika Tattoo (12-style tattoo script), Chino Tattoo, Big Yukon (Wild West font), Bonecracker, Freibeuter NR (Western Tuscan family), Sailor Marie (tattoo font family), Baby Lyns ABC (children's book alphabet).

Typefaces from 2017: Anchorage (a sailor's tattoo font), Friedrichsfeld (blackletter).

Typefaces from 2018: Lettre Damour (handwriting font), Cryptolucre (started in 2014, Cryptolucre is a font specifically for all crypto currencies like Bitcoins, Litecoins, Ethereum, Ark, Siacoin and Golem--the icon version includes some existing currency logos and newly invented currency logos), Haike, Soul Leo (textured), Soul Skull, Tattooflash Fingers, Tattooflash Marie.

Typefaces from 2019: Stencilla.

Showcase of Otto Maurer's fonts. View the typefaces made by Otto Maurer. [Google] [MyFonts] [More] ⦿

Otto Weisert

Typefounder who ran the Schriftgiesserei Otto Weisert in Stuttgart. Designer of the prototypical Jugendstil font Arnold Boecklin in 1904, a typeface named after the Swis symbolist painter Arnold Böcklin. Arnold Boecklin is available at URW, Linotype, Adobe, Scangraphic, Mecanorma, and Softmaker [where it is known as Jugendstil]. A monolinear version was done in 2020 by Mario Feliciano, called Korrodi.

Otto Weisert also designed the blackletter typefaces Moderne Fette Schwabacher and Brabanter Gotisch (1905). He also made the great-looking art nouveau style Kalligraphia (digital revivals at Linotype, URW, Scangraphic and Elsner&Flake). For recent revivals of Kalligraphia, see Kalligraphia (2012, SoftMaker) and Karin Pro (2019, SoftMaker).

His 1890 catalog has an extensive series of caps typefaces.

A catalog of digital typefaces that descend from Otto Weisert's work. See also here. And another one. FontShop link.

View some digital implementations of Arnold Boecklin. [Google] [MyFonts] [More] ⦿

Oussama Choudane

Marrakesh, Morocco-based designer of a calligraphoc blackletter typeface in 2018. [Google] [More] ⦿

Oz Montania

Illustrator and designer from Paraguay, who made two blackletter fonts, Totentanz (2009, a stencil blackletter; with Adriana Peralta), and Linea27 (2009, with Solano Torres). [Google] [More] ⦿

Ozzy

A gothic blackletter typeface made in 2008 by an unknown designer. [Google] [More] ⦿

P22 Type Foundry
[Richard Kegler]

Richard Kegler's fun Buffalo-based foundry, which he founded in 1995 together with his wife, Carima El-Behairy. Currently, on staff, we find type designers James Grieshaber and Christina Torre. In 2004, it acquired Lanston Type. P22 has some great unusual, often artsy, fonts.

The fonts are: Industrial Design (an industrial look font based on letters drawn by Joseph Sinel in the 1920s---this font is free!), LTC Jefferson Gothic Obliquie (2005, free), Sinel (free), P22Snowflakes (free in 2003 and P22 Snowflakes (retail) in 2020, finishedd by Richard Kegler and Terry Wüdenbachs), Acropolis Now (1995, a Greek simulation typeface done with Michael Want), P22 Albers (1995; based on alphabets of Josef Albers made between 1920 and 1933 in the Bauhaus mold), Arts and Crafts (based on lettering of Dard Hunter, early 1900s, as it appeared in Roycroft books), Ambient, Aries (2004, based on Goudy's Aries), Arts and Crafts ornaments, Atomica, Bagaglio (Flat, 3D; in the style of Il Futurismo), P22 Basel Roman (2020, Richard Kegler: an update of a 2015 typeface, P22 Basel, based on a garalde font used by Johannes Herbst (aka Ioannes Oporinus) in 1543 to publish Andreas Vesalius' On the Fabric of the Human Body (De humani corporis fabrica) in Basel), Bauhaus (Bauhaus fonts based on the lettering of Herbert Bayer), Bifur (2004, Richard Kegler, after the 1929 original by Cassandre), Blackout, P22 Brass Script Pro (2009, Richard Kegler; based on an incomplete script fond in a booklet from Dornemann&Co. of Magdeburg Germany, ca. 1910 entitled Messingschriften für Handvergoldung; for years, P22 and MyFonts claimed that Michael Clark co-designed this, but Michael does not want any credit, as he did only about 20 letters), Cage (based on handwriting and sketches of the American experimental composer John Cage), P22 Casual Script (2011, Richard Kegler, a digitization of letters by sign painter B. Boley, shown in Sign of the Times Magazine), Cezanne (Paul Cezanne's handwriting, and some imagery; made for the Philadelphia Museum of Art), Child's Play, Child's Play Animals, Child's Play Blocks, Constructivist (Soviet style lettering emulating the work of Rodchenko and Popova), Constructivist extras, Czech Modernist (based on the design work of Czech artist Vojtech Preissig in the 20s and 30s), Daddy-o (Daddy-o Beatsville was done in 1998 with Peter Reiling), Daddy-o junkie, Da Vinci, Destijl (1995, after the Dutch DeStijl movement, 1917-1931, with Piet Mondrian inspired dingbats; weights include Extras, P22 Monet Impressionist (1999), Regular and Tall), Dinosaur, Eaglefeather, Escher (based on the lettering and artwork of M.C. Escher), P22 FLW Exhibition, P22 FLW Terracotta, Folk Art (based on the work of German settlers in Pennsylvania), Il futurismo (after Italian Futurism, 1908-1943), Woodtype (two Tuscan fonts and two dingbats, 2004), P22 Woodcut (1996, Richard Kegler: based on the lettering carved out in wood by German expressionists such as Heckel and Kirchner), Garamouche (2004, +P22 Garamouche Ornaments; all co-designed with James Grieshaber), GD&T, Hieroglyphic, P22 Infestia (1995), Insectile, Kane, Kells (1996, a totally Celtic family, based on the Book of Kells, 9th century; the P22 Kells Round was designed with David Setlik), Koch Signs (astrological, Christian, medieval and runic iconography from Rudolf Koch's The Book of Signs), P22 Koch Nueland (2000), Larkin (2005, Richard Kegler, 1900-style semi-blackletter), London Underground (Edward Johnston's 1916 typeface, produced in an exclusive arrangement with the London Transport Museum; digitized by Kegler in 1997, and extended to 21 styles in 2007 by Paul D. Hunt as P22 Underground Pro, which includes Cyrillic and Greek and hairline weights), Pan-Am, Parrish, Platten (Richard Kegler; revised in 2008 by Colin Kahn as P22 Platten Neu; based on lettering found in German fountain pen practice books from the 1920s), P22 Preissig (and P22 Preissig Calligraphic, 2019), Prehistoric Pals, Petroglyphs, Rodin / Michelangelo, Stanyan Eros (2003, Richard Kegler), Stanyan Autumn (2004, based on a casual hand lettering text created by Anthony Goldschmidt for the deluxe 1969 edition of the book "...and autumn came" by Rod McKuen; typeface by Richard Kegler), Vienna, Vienna Round, Vincent (based on the work of Vincent Van Gogh), Way out West. Now also Art Nouveau Bistro, Art Nouveau Cafe and the beautiful ornamental font Art Nouveau Extras (all three by Christina Torre, 2001), the handwriting family Hopper (Edward, Josephine, Sketches, based on the handwriting styles of quintessential American artist Edward Hopper and his wife, Josephine Nivison Hopper, and was produced in conjunction with the Whitney Museum of American Art), Basala (by Hajime Kawakami), Cusp (by James Grieshaber), P22 Dearest (calligraphic, by Christina Torre and Miranda Roth), Dwiggins (by Richard Kegler), Dyrynk Roman and Italic (2004, Richard Kegler, after work by Czech book artist Karel Dyrynk), Gothic Gothic (by James Grieshaber), La Danse (by Gábor Kóthay;), Mucha (by Christina Torre), Preissig Lino (by Richard Kegler), P22Typewriter (2001, Richard Kegler, a distressed typewriter font), the William Morris set (Morris Troy, Morris Golden, Morris Ornaments, based up the type used by William Morris in his Kelmscott Press; 2002), Art Deco Extras (2002, Richard Kegler, James Grieshaber and Carima El Behairy), Art Deco Display, the Benjamin Franklin revival font Franklin's Caslon (2006), Dada (2006) and the Art Nouveau font Salon (bu Christina Torre).

In 2006, Kegler added Declaration, a font set consisting of a script (after the 1776 declaration of independence), a blackletter, and 56 signatures. Many of the fonts were designed or co-designed by Richard Kegler. International House of Fonts subpage. Lanston subpage (offerings as of 2005: Bodoni Bold, Deepdene, Flash, Fleurons Granjon, Fleurons Garamont, Garamont, Goudy Thirty, Jacobean Initials, Pabst, Spire).

Bio and photo.

In-house fonts made in 2008 include Circled Caps, the Yule family (Regular, Klein Regular, Light Flurries, Heavy, Klein heavy, Heavy Snow, Inline; all have Neuland influences). Kegler / P22 created a 25-set P22 Civilité family in 2009 based on a 1908 publication from Enshedé, the 1978 English translation by Harry Carter, and a 1926 specimen also from Enshedé.

P22 Declaration (Script, Signatures, Blackletter, 2009) is based on the lettering used in the 1776 Declaration of Independence.

At ATypI 2004 in Prague, Richard spoke about Vojtech Preissig. Speaker at ATypI 2010 in Dublin, where he presented Making Faces: Metal Type in the 21st Century about which he writes: This film has the dual aim of documenting the almost-lost skill of creating metal fonts and of capturing the personality and work process of the late Canadian graphic artist Jim Rimmer (1931-2010). P22 type foundry commissioned Mr. Rimmer to create a new type design (Stern) that became the first-ever simultaneous release of a digital font and hand-set metal font in 2008. At ATypI 2011 in Reykjavik, he showed Making Faces.

Typefaces from 2014: LTC Archive Ornaments (Richard Kegler and Miranda Roth).

Typefaces from 2020: Showcard Script (by Terry Wüdenbachs, based on an original of Beaufont at the Hamilton Wood Type Museum, custom designed by the Morgan Sign Machine Company of Chicago).

Typefaces from 2021: P22 Glaser Houdini (a layerable family, after Glaser's Houdini from 1964), P22 Glaser Babyteeth. Kegler writes: In 2019, P22 Type Foundry met with Milton Glaser (1929-2020) to initiate the official digital series of typefaces designed by Glaser in the 1960s and 70s. P22 Glaser Babyteeth is the first family released in the series. Milton Glaser's inspiration for his Babyteeth typeface came from a hand painted advertisement for a tailor he saw in Mexico City. He was inspired by that E drawn as only someone unfimilar with the alphabet could have concieved. So he set about inventing a completelly ledgible alphabet consistant with this model. P22 Glaser Babyteeth was based on original drawings and phototype proofs from the Milton Glaser Studios archives. Over the years there have been many typefaces that borrowed heavily from the Glaser designs, but these are the only official Babyteeth fonts approved by Milton Glaser Studio and the Estate of Milton Glaser. The solid and open versions are designed to overlap for two-color font effects and can even be mixed and matched for multi layer chromatic treatments. In 2021, he published the 3d art deco shadow font P22 Glaser Kitchen which is based on Big Kitchen (1976).

MyFonts interview.

View Richard Kegler's typefaces. View the IHOF / P22 typeface library. [Google] [MyFonts] [More] ⦿

Pablo Impallari

Very prolific Argentinian type designer (b. 1976) located in Rosario. His extensive repertoire:

In 2010, he embarked upon an open source font project about a connected retro / signage script Lobster, which features carefully crafted opentype ligatures. In 2011, he added the upright script family Lobster Two. Alexei Vanyashin and Gayaneh Bagdasaryan added support for Russian, Ukrainian, Belarusian, Macedonian, Moldovan, and Serbian languages. Open Font Library link for Lobster.
At the end of 2010, together with Edgar Tolentino (Mexico), he started a commercial font project about Terminal Dosis [or simply Dosis], a monoline basic and simple sans, now available at Google Web Fonts.
Cabin (2010) is a free humanist sans face in the style of Gill. It was followed by Cabin Sketch (+Bold) in 2011. Open Font Library link for Cabin. For TeX support, see here.
Dancing Script (2011) is an informal script in the spirit of Murray Hill or Mistral.
Quattrocento (2011) is a classic roman titling face. Quattrocento Sans (2011) is a monoline sans. Quattrocento has been suggested by some as a free replacement of Friz Quadrata. CTAN link. Open Font Library link.
Miltonian and Miltonian Tattoo (2011) are fun hand-printed typefaces.
Creations from 2012: Poetsen One (signage face), Domine (Google Web Fonts; he says that It's is friendly in appearance because it combines the classic elements of familiar typefaces that have been in use from more than 100 years like Clarendon, Century, Cheltenham and Clearface), New Rocker (Google Web Fonts: blackletter tattoo font), Monda (Google Web Fonts and GitHub, a free sans family), Milonga (Google Web Fonts: a Victorian font inspired by the art of the tangueros), Ranchers (retro poster typeface at Google Web Fonts and Open Font Library, co-designed with Brenda Gallo), Petit Formal Script (Google Web Fonts), Cantora (Google Web Fonts: a friendly semi formal, semi condensed, semi sans serif; see also the Open Font Library), Kaushan Script (a readable brush script that is free at Google Web Fonts), Racing Sans (a techno typeface that conjures up speed; co-designed with Rodrigo Fuenzalida, it is free at Google Web Fonts and Open Font Library), Life Savers (Google Web Fonts).
Libre Baskerville (2012, Google Web Fonts and CTAN) was developed together with Rodrigo Fuenzalida. It is based on 1941 ATF specimens, but it has a taller x height, wider counters and minor contrast that allows it to work on small sizes in any screen.
Pablo Impallari and Rodrigo Fuenzalida extended McInerney's Raleway. Download here and at Open Font Library.
Libre Caslon (2012) in four styles. See also the TeX support files for this free typeface. Co-developed by Rodrigo Fuenzalida and Pablo Impallari.
Clement Numbers (2013). A commercial didone set of numbers from a 1838 specimen book by Fonderie Clément.
The 45-font typeface family Encode Sans (2014, with Andres Torresi), its 5x9 matrix ranging from Compressed to Wide, and Thin to Black. Extended in 2019 to Plata Sans.
Libre Bodoni (2014) was developed by Pablo Impallari and Rodrigo Fuenzalida based on Morris Fuller Benton's Bodoni types---they optimized the glyphs for use on the web. Github link. Google Fonts link.
Caveat (2015, free handcrafted Google Font), Caveat Brush.
Libre Clarendon is being planned.
Amiko (2015). A Latin / Devanagari sans / screen typeface by Pablo Impallari, Rodrigo Fuenzalida and Andres Torresi. Github link.
In 2016, Google Fonts published the free Latin / Bengali signage font Galada (2015). It is based on Pablo Impallari's Lobster (for Latin). The Bengali was developed as a studio collaboration by Jeremie Hornus, Yoann Minet, and Juan Bruce at Black Foundry in France. Github link.
Libre Franklin (2016, Google Fonts). A large free typeface family that revives Morris Fuller Benton's Franklin Gothic (1912). Github link.

Dafont link. Fontspace link. Google font directory link. Klingspor link. Abstract Fonts link. Fontsquirrel link. Google Plus link. On Snot and Fonts link. Another Google Plus link. Creative Market link Behance link. Blog. Home page. [Google] [More] ⦿

Page Studio Graphics (or: Pixymbols)
[Roger Vershen]

Page Studio Graphics is Roger Vershen's Oro Valley, AZ-based company specializing in symbols and symbol fonts, founded by him in 1986. Roger Vershen died in Tucson, AZ, in 2003.

The fonts (grouped under the name PIXymbols) include ADA symbols v.2.0, Africa, Alphabox, Alphacircle, Ameslan (ASL), Antorff (blackletter), Antorff Fractions, Apothecary, Arrows, Astrology, Backstitch, Boxkey, BoxNLines, Braille grade 2, Casual, Chalk Casual, PIXymbols Chess, Command Key, Courex (typewriter family), Crossword, PIXymbols Deco Glass (2001), Digit&Clocks (+LED symbols), Dingbats&Online, DOSScreen, Fabric Care, FARmarks (Federal Aviation Regulations lettering), Flagman (semaphore), Fractions, Gridmaker, Highway Gothic (U.S. Department of Transportation's Standard Alphabets for Highway Signs), PIXymbols Highway Gothic 2002, Highway Signs (U.S. Department of Transportation), Hospital&Safety, LCD, Linea (2002, prismatic), Luna, Malkoff (calligraphic font), Marina, Meeting, Mejicana (2001, a Mexican party font), Menufonts, Morse, Musica (instruments), Newsdots, Orchestra, Passkey, Patchwork, PCx, Phone, PIXymbolsMusica, Prescott (2001, Western), Penman (2001, connected script), PrimerD (letters with lines), Recycle, Roadsigns, Shadowkey, Signet (family), Signet Shadow, Squared, Strings, Stylekey, Tolerances&Datum, Travel&Hotel, TV List, Unikey, US Map, Vershen (2001), Xcharting, Xstitch. They also sell EPS files of all Arms of Swiss cantons, and many nice initial caps. Look also for Faux Hebrew (simulated Hebrew), as part of the Faux package that also includes Faux Sanskrit, Faux Runic, Faux Hebrew, Faux Japanese, Faux Arabic, Faux Chinese and Faux Chinese Sans.

View the Page Studio Graphics typeface library. [Google] [MyFonts] [More] ⦿

Parkinson Type Design
[Jim Parkinson]

Jim Parkinson's Parkinson Type Design is based in Oakland, CA. This prolific type designer was born in 1941 in Richmond, CA, and lives in Oakland, CA. Originally, a letterer, he went digital in 1990. His Keester and Azuza typefaces won awards at the TDC2 Type Directors Club's Type Design Competition 2002. MyFonts on Jim Parkinson and on his Parkinson Foundry. His impressive output:

Typefaces at the Parkinson Foundry: Fresno (2001, inline gothic), Hotel (2001, inline caps), Azuza (2001, a Latin serif family designed for newsprint; some italics were based on Dwiggins' Electra), Amboy (2001, inline like for signpainting), Chuck (2004, a display titling face), Richmond (2003, a geometric sans family in the spirit of Dwiggins' Metro, Erbar by Jakob Erbar and the Underground type of Edward Johnston), Modesto (2001, strikingly similar to John Downer's Panatela, even though both admit that this an unbelievable coincidence; Parkinson's copperplate gothic evolved from Parkinson's lettering on the famous Ringling Bros. and Barnum&Bailey Circus logo), Balboa (2001, a 19th century style condensed sans; extended to a wonderful chromatic layering typeface family in 2015 as Balboa Plus), Sutro (2003, a 19-style slab serif family), Wigwag (2003, a display family inspired by the mid-twentieth century Speedball lettering of Ross George and the work of Samuel Welo and Cecil Wade), Amador (2004, blackletter), Cabazon (2005, blackletter), Avebury (2005, blackletter based on types from the Caslon Foundry), and the lovely Benicia (2003, influenced by GoldenType). He writes about Azuza: In the 1990s I drew a text face for the San Francisco Chronicle. It was based on W. A. Dwiggins's Electra and incorporated many features of the Linotype Legibility Series: More compact, with a taller lowercase X-height, etc. That type was called Electric and it was the Chronicle's text face for nearly a decade, surviving several redesigns. From that, I made Azuza, a more detailed and sensitive style.
At ITC (now Linotype), he designed ITC Bodoni, ITC Bodoni Twelve, ITC Bodoni Seventy Two, ITC Roswell Two, ITC Roswell Four (1998) and ITC Roswell Three (1998).
His typefaces at Font Bureau include Antique Condensed Two, Buster, Comrade (1998, nice poster font, after the constructivist lettering by Belgian artist Jozef Peeters), El Grande (1991, fat display face), Parkinson (1994), Poster Black (1993), Showcard Gothic (1997), Showcard Moderne.
At the Agfa Creative Alliance, he published Showcard Moderne, Antique Condensed Two, Bonita, Commerce Gothic (1998), Diablo (1996), Dreamland (1999, retro-futuristic), Fancy Stuff (1999), Generica Condensed (1994, grotesk), Industrial Gothic (1997), Mojo (1996; psychedelic, in the lettering style that was popularized by 1960s San Francisco artists Wes Wilson and Rick Griffin), Pueblo (1998).
At Adobe, one can find Montara, his striking and psychedelic Mojo, and the gorgeous Jimbo.
At FontFont, we have the FF Moderne Gothics series [FF Motel Gothic (1996), FF Matinee Gothic (1996), FF Goldengate Gothic (1996)] and FF Catch Words (1996).
At Chank, he created Keester (2001).
He designed the 4-weight family Electric for the San Francisco Chronicle (it was close to Dwiggins' Electra), but the Chronicle is no longer using it.
Parkinson Electra (also based on Dwiggins's type) was published by Linotype in 2010.
Typefaces from 2012: Meatball (fat lettering-style typeface), Hoosier Daddy (Western font).
The list of newspapers and magazines using his fonts: Activa, Atlanta Journal, Birkenstock, Boston, Brownsville Herald, The Daily Cardinal, Charlotte Observer, Charleston Post&Courier, Chicago Tribune, The Citizen, Journal of Comm, Cromos, Daily Californian, Dallas Morning News, Rochester D&C, Financial Morgen, Design Magazine, Detroit Free Press, Editor&Publisher, El Graphico, National Enquirer, Entrepreneur, Esquire, SF Examiner, The New Examiner, Fast Company, New Fast Company, Montreal Gazette, Hamilton Spectator, Herman Miller, Ilta=Sanomat, InStyle, Kathemerini, Las Vegas Life, Newsweek.
Typefaces from 2014: Sutro Deluxe (a layered chromatic wood type emulation font family that extends his 2003 font, Sutro).
Typefaces from 2017: Sutro Initials (a chromatic layered pair of fonts), Aluminia (a revival of Dwiggins's Electra) designed exclusively for use in Bruce Kennett's book on W.A. Dwiggins.

MyFonts interview. FontShop link. More FontShop material on him. Klingspor link.

View Jim Parkinson's typefaces. [Google] [MyFonts] [More] ⦿

Parquillian Design
[Martin L. Parker]

Parquillian Design (Washington, DC) is the foundry (est. 2010) of Philadelphia-born graphic and web designer Martin Parker, who specializes in typography, calligraphy, and world languages. He created Parquillian (2011, a rounded blackletter face) and the Cambodian simulation typeface Anglo Angkor (2012).

Futurum Parqez (2014) is the first collaborative font for Parquillian Design. Jose V. Lopez conceived the idea ca. 1975, and collaborated almost 40 years later with Parquillian to implement it into a digital typeface. It is a square-shaped frame out of which the letters are cut using the fewest strokes possible while maintaining legibility.

Klingspor link. Behance link. [Google] [MyFonts] [More] ⦿

Pat Mehbrei

Editorial and graphic designer in Adelaide. He is into custom typography: he made Blackletter New (2010), Thick and Thin (2009), and Neuhausstraße (2010), but my favorite is Impossible (2009), a typeface in which Escher-style improbable 3d contradictions occur. Behance link. [Google] [More] ⦿

Patria Ari (was: Patria Std)
[Patria Ari Wijonarko]

Temanggung, Indonesia-based designer who graduated from Yogyakarta State University in 2015. Creator of the display typefaces Meizda (2020), Round Page, Zebudabi (2020), Ballsquash (a plumpish script) (2020), Bundhers (an informal brush font) (2020), Sabinka (a monolinear condensed children's book font) (2020), Plutonian (an aerospace font) (2020), Playcute (inline) (2020), Raccosetta (a modulated fashion mag sans) (2020), Rhiccus (a chunky display sans in nine styles) (2020), Slenco (a ten-style headline sans), Zaptron (2020: futuristic), Solander (2020), Rolhausen (2020: an automotive industry sans), Willynta (2020), Strandall (2020), Boldatin (2020: stylish, all caps), Bulluck (2020), Morington (2020) and Jalompo (2020), Malegroth (2020: blackletter), the monolinear playful children's book sans typeface Sundylle (2020), the signage script typeface Blankeny (2020), and the cursive typeface Chunky Wally (2020).

Typefaces from 2021: Hundred Ligature (an all caps sans with many ligatures), Space Captain (a trekkie font), Zebudabi (hand-printed), Gampolins (a bubblegum font), Calinastiya (an upright rabbit ear script), Chunky Wally (a heavy cursive font), Wavy Lines, Shearlight, Chantego, Ringtrack, Chillgangs (a fat finger font), Jelantik (an upright script), Noyram (a fat dry brush script). [Google] [MyFonts] [More] ⦿

Patria Ari Wijonarko
[Patria Ari (was: Patria Std)]

Patrick Griffin

Type designer at Canada Type. Wikipedia tells us that Patrick Griffin had been locked away in a mental institution by Carter and Barbara, after he walked in on his mother performing oral sex on Jackie Gleason. He had a nervous breakdown and was sent to a mental hospital, where he came to the conclusion that Gleason was evil because he was fat, leading him to hate fat people. However, that is a different Patrick Griffin. The real Patrick Griffin, a graduate of York University, lives and works in Toronto, where he founded Canada Type and made it the most successful Canadian type foundry. His work is summarized in this 2009 interview by MyFonts. It includes lots of custom work for banks, TV stations, and companies/groups like New York Times, Pixar, Jacquin's, University of Toronto, and the Montreal Airport. His retail fonts include the following.

Ambassador Script (2007): a digital version of Juliet, Aldo Novarese's 1955 almost upright calligraphic (copperplate style) connected script, with hundreds of alternates, swashes, ends, and so forth. Done with Rebecca Alaccari.
Autobats (2005).
Ballantines Twelve (2014). A custom typeface for Allied Domecq Spirits & Wine Limited, the brand owner of Ballantine's Scotch Whisky.
Bananas (2020). An 18-style informal sans.
P22 Barabajagal (2018): P22 Barabajagal is a unique take on the display fat face by way of doodling fun. Somewhat informed by the shapes of an uncredited 1960s film type called Kap Antiqua Bold, this font's aesthetic is the stuff of boundless energy and light humour. This is the kind of font that makes you wonder whether it was drawn with rulers, protractors and compasses, or just by a mad doodler's crazy-good free hand.
Bigfoot (2008), the fattest font ever made (sic).
Blackhaus (2005), an extension of Kursachsen Auszeichnung, a blackletter typeface designed in 1937 by Peterpaul Weiß for the Schriftguss foundry in Dresden.
Blanchard (2009): a revival and elaborate extension of Muriel, a 1950 metal script typeface made by Joan Trochut-Blanchard for the Fonderie Typographique Française, that was published simultaneously by the Spanish Gans foundry under the name Juventud.
Bluebeard (2004), a blackletter face.
Book Jacket (2010): this is a digital extension of the film type font Book Jacket by Ursula Suess, published in 1972.
Boondock (2005): a revival of Imre Reiner's brush script typeface Bazaar from 1956.
Borax (2011-2021). An ode to the typography scene of New York City and Chicago in the late 1970s.
Broken (2006): grunge.
Bunyan Pro (2016, Patrick Griffin and Bill Troop). Bunyan Pro is the synthesis of Bunyan, the last face Eric Gill designed for hand setting in 1934 and Pilgrim, the machine face based on it, issued by British Linotype in the early 1950s---the most popular Gill text face in Britain from its release until well into the 1980s.
Chalice (2006). Religious and Cyrillic influences.
Chapter 11 (2009): an old typewriter face.
Chikita (2008): an upright ronde script done with Rebecca Alaccari, and rooted in the work of 1930s Dutch lettering artist Martin Meijer.
Clarendon Text (2007). A 20-style slab serif that uses inspiration from 1953 typefaces by Hoffmann and Eidenbenz and the 1995 font Egizio by Novarese.
Classic Comic (2010).
Coconut and Coconut Shadow (2006). Great techno pop typefaces.
Coffee Script (2004): the digital version of R. Middleton's Wave design for the Ludlow foundry, circa 1962. Designed with Phil Rutter.
Colville (2017). A set of sans headline typefaces based on letters used by Canadian painter Alex Colville.
Comic book typefaces: Caper or Caper Comic (2008), Captain Comic (2007), Classic Comic (2010), Collector Comic (2006, a comic balloon lettering family), Common Comic (2013).
Counter (2008): A futuristic beauty with a double-lined cursive thrown in. Available exclusively from P22. This typeface was based on the idea for an uncredited film typeface called Whitley, published by a little known English typesetting house in the early 1970s.
Cryptozoo (2009): Late director of design for VANOC, the Vancouver 2010 Olympic Committee, Leo Ostbaum, commissioned Canada Type to make a typeface for the Vancouver Winter Olympics. Patrick Griffin came up with a rounded signage font called Cryptozoo, whose Notice reads Concept and design by Leo Obstbaum, VANOC Brand & Creative Services. Additional character data and technical production by Canada Type. Copyright 2007 VANOC Brand&Creative Services.
Dads Handwriting (2014, custom typeface).
Dancebats (2004).
Davis (2016, a slab serif) and Davis Sans (2016). Typeface families designed for precision-engineered corporate use. All proceeds will go towards higher education expenses of design graduates.
Dokument Pro (2014). This is a reworking of a typeface made in 2005 by the late Jim Rimmer: Jim Rimmer aptly described his Dokument family as a sans serif in the vein of New Gothic that takes nothing from News Gothic. Dokument Pro is thoroughly reworked and expanded, with different widths still in the pipeline.
Dominion (2006). Based on an early 1970s film type called Lampoon. Dominions severely geometric shapes are a strange cross between early Bauhaus minimalism and later sharp square typefaces used for instance in Soviet propaganda posters.
Doobie (2006). 60s psychedelic style.
Driver Gothic (2008): based on the typeface used for Ontario license plates. Although unique among Canadian provincial license plates, this typeface is very similar to, if not outright identical with, the typeface used on car plates in 22 American states: Arizona, California, Connecticut, Florida, Illinois, Iowa, Kentucky, Louisiana, Maine, Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Mexico, Ohio, Oklahoma, Vermont, Washington, and West Virginia. Ideal for license plate forgers.
Expo (2004): an octagonal family.
Fab (2007). A tube-design family reminiscent of the 1980s. Ricardo Cordoba writes: Fab reminds me of leafing through my first Letraset catalog in the mid-1980s all those decorative typefaces with rounded ends and tubular shapes, trying to imitate the look of neon signage. But Fab, with its contemporary twist on that aesthetic, and its unicase characters, manages to look like a cross between Cholla Bold and Frankfurter Highlight. Its handtooled, narrow shapes are perfectly suited to pop subject matter and bright colors. Fab Trio can be used to create layered chromatic effects, but its components can stand alone, too. The Seventies sure aint drab in Patrick Griffin's hands.
Fantini (2006). An update of the curly art nouveau typeface Fantan, a film type from 1970 by Custom Headings International.
Feather Script (2012). A revival of an old Lettering Inc font from the 1940s, known then as Flamenco.
Fido (2009) is the official font of dog owners everywhere. Has Saul Bass influences.
Filmotype fonts: Filmotype Ace (2015; based on a Filmotype script from 1953), Alice (2008, a casual hand-printed design based on a 1958 alphabet by Filmotype), Filmotype Arthur (2015; based on a Filmotype script from 1953), Athens (2014), Filmotype Brooklyn (2009, a casual script based on a 1958 Filmotype font), Filmotype Candy (2012), Filmotype Carmen (2012), Filmotype Hemlock (2013, a retro signage script), Hickory (2014), Filmotype Homer (2014, a brush signage script), Filmotype Hudson (1955, based on a 1955 original), Filmotype Jessy (2009, a flowing upright connected script based on a 1958 design by Filmotype), Filmotype Jupiter (2015; based on a Filmotype brush script from 1958), Filmotype Kellog (2013), Filmotype Lakeside (2013, a retro signage typeface), Filmotype Leader (2013), Filmotype Liberty (2015; based on a Filmotype brush script from 1955), Filmotype Giant (2011, a condensed sans done with Rebecca Alaccari) and its italic counterpart, Filmotype Escort (2011, done with Rebecca Alaccari), Filmotype Keynote (2013, a connected bold advertising script), Filmotype Lacrosse (2013, a retro script from the 1950s sometimes used in department store catalogs of that era), Filmotype LaSalle (2008, based on a 1952 retro script by Ray Baker for Filmotype), Filmotype Harmony (2011, original from 1950 by Ray Baker), Filmotype Kentucky (a 1955 original by Ray Baker), Filmotype Kingston (a 1953 original by Ray Baker), Filmotype Lucky (2012, based on a font by Ray Baker), Filmotype Hamlet (a 1955 original by Ray Baker), Filmotype Panama (2012, a flared casual serif typeface based on a 1958 original), Filmotype Prima (2011, with Rebecca Alaccari), Filmotype Quiet (2010, based on a 1954 military stencil typeface by Filmotype), Filmotype Yale (2012, a wedding invitation script based on a 1964 original by Filmotype), Filmotype York (2014).
Flirt (2005). Based on an art deco typeface found in a Dover specimen book.
P22 Folkwang Pro (2017, at P22). A revival of Hermann Schardt's Folkwang (1949-1955, Klingspor).
Fuckbats (2007).
Fury (2008): an angry techno family.
Gala (2005, expanded in 2017). By Griffin and Alaccari. Gala is the digitization of the one of the most important Italian typefaces of the twentieth century: G. da Milanos 1935 Neon design for the Nebiolo foundry. This designs importance is in being the predecessor - and perhaps direct ancestor - of Aldo Novareses Microgramma (and later Eurostile), which paved the worlds way to the gentle transitional, futuristic look we now know and see everywhere. It is also one of the very first designs made under the direction of Alessandro Butti, a very important figure in Italian design.
Gallery (2004): art deco.
Gamer (2004-2006), by Griffin and Alaccari: modeled after a few 1972 magazine advertisement letters, the origin of which was later identified as a common film type called Checkmate.
Gaslon (2005): a modification of A. Bihari's Corvina Black from 1973.
Gator (2007). A digital version of Friedrich Poppl's Poppl Heavy (1972), which in turn was one of the many responses by type designers to Cooper Black.
Genie (2006): a psychedelic typeface based on a 1970s film type called Jefferson Aeroplane.
Gibson (2011, with Kevin King and Rod McDonald). This 8-style humanist sans family is a revival of McDonald's own Monotype face, Slate. It was named to honour John Gibson FGDC (1928-2011), Rod's long-time friend and one of the original founders of the Society of Graphic Designers of Canada. All the revenues from its sale will be donated by Canada Type to the GDC, where they will be allocated to a variety of programs aiming to improve the creative arts and elevate design education in Canada.
Go (2005): a techno face.
Goudy Two Shoes (2006): a digitization and expansion of a 1970s type called Goudy Fancy, which originated with Lettergraphics as a film type.
Gumball (2005). A bubblegum font modeled after Richard Weber's 1958 font, Papageno.
Hamlet (2006): medieval. Based on an old type called Kitterland.
Happy (2005). Happy is the digital version of one the most whimsical takes on typewriters ever made, an early 1970s Tony Stan film type called Ap-Ap. Some of the original characters were replaced with more fitting ones, but the original ones are still accessible as alternates within the font. We also made italics and bolds to make you Happy-er.
Heathen (2005). A grunge calligraphic script: The original Heathen was made by redrawing Phil Martin's Polonaise majuscules and superposing them over the majuscules of Scroll, another Canada Type font. The lowercase is a superposition of Scrolls lowercase atop a pre-release version of Sterling Script, yet another Canada Type font.
Hortensia (2009): a semi-script Victorian typeface modeled after Emil Gursch's Hortensia (1900). Codesigned with Rebecca Alaccari.
Hunter (2005). A revival of a brush script by Imre Reiner called Mustang (1956).
Hydrogen (2007, a rounded geometric unicase family.
Informa (2009): a comprehensive 36-style sans serif text family based on traditional lettering. He says: While some typefaces classified as such exhibit too much calligraphy (like Gill Sans, Syntax and Optima), and others tend to favor geometric principles in rhythm and proportion (like Agenda, Frutiger and Myriad), Informa stays true to the humanist ideology by maintaining the proper equilibrium between the two influences that drive the genre, and keeping the humanist traits where they make better visual sense.
Jackpot (2005): The idea for Jackpot came from a photo type called Cooper Playbill, which as the name implies was simply a westernized version of Cooper Black. The recipe was simple: Follow Mr. Coopers big fat hippy idea, cowboy it with heavy slabs, give it true italics, then swash away at both for beautiful mixture. And there you have the bridge between groovy and all-American. There you have the country lover shaking hands with the rock and roll enthusiast. There you have your perfect substitute for the very overused Cooper Black.
Jazz Gothic (2005): an expansion of an early 1970s film type from Franklin Photolettering called Pinto Flare. Image.
Jezebel (2007).
The psychedelic typeface Jingo (2014, with Kevin Allan King): This is the digital makeover and major expansion of a one-of-a-kind melting pot experiment done by VGC and released under the name Mardi Gras in the early 1960s. It is an unexpected jambalaya of Art Nouveau, Tuscan, wedge serifs, curlycues, ball endings, wood type spurs and swashes, geometry and ornamental elements that on the surface seem to be completely unrelated.
Johnny (2006): with Rebecca Alaccari; based on Phil Martin's Harem or Margit fonts from 1969.
Jupiter (2007): based on Roman lettering.
P22 Klauss Kursiv (2018). A revival, at P22, of Karl Klauss's crisp fifties script typeface Klauss Kuriv (1956-1958, Genzsch & Heyse).
Latex (2015). A layered all caps decal typeface.
Leather (2005): an expansion of Imre Reiner's blackletter typeface Gotika (1933).
Libertine (2011). Libertine (done with Kevin Allan King) is an angular calligraphic script inspired by the work of Dutchman Martin Meijer (1930s): This is the rebel yell, the adrenaline of scripts.
Lionheart (2006). A digitization and extension of Friedrich Poppl's neo-gothic typeface Saladin.
Lipstick (2006): handwriting. Plus Lipstick Extras.
Louis (2012). A faithful digital rendition and expansion of a design called Fanfare, originally drawn by Louis Oppenheim in 1927, and redrawn in 1993 by Rod McDonald as Stylu.
Maestro (2009) is a 40 style chancery family, in 2 weights each, with 3350 characters per font, co-designed with calligrapher Philip Bouwsma. This has to be the largest chancery/calligraphy family on earth.
Magellan (2014). A custom stencil typeface.
Martie (2006). Done with Rebecca Alaccari. Based on the handwriting of Martie S. Byrd.
Marvin (2010): a fat cartoon typeface that recalls older Looney Tunes and Merrie Melodies lettering.
In 2013, Kevin Allan King and Patrick Griffin revived Georg Trump's transitional typeface Mauritius (1967, Weber).
Memoriam (2009): An extreme-contrast vogue display script which was commissioned by art director Nancy Harris for the cover of the 2008 commemorative issue of the New York Times magazine. He also did the typography and fonts for the 2010 issue. This became an unbelievably successful family, and was extended in 2011 with headline, Outline and Iline variants.
Merc (2007). Based on an all-cap rough-brush metal typeface called Agitator, designed by Wolfgang Eickhoff and published by Typoart in 1960.
Messenger (2010), a calligraphic script. Patrick Griffin writes about Messenger (2010, Canada Type): Messenger is a redux of two mid-1970s Markus Low designs: Markus Roman, an upright calligraphic face, and Ingrid, a popular typositor-era script. Through the original film typefaces were a couple of years apart and carried different names, they essentially had the same kind of Roman/Italic relationship two members of the same typeface family would have. The forms of both typefaces were reworked and updated to fit in the Ingrid mold, which is the truer-to-calligraphy one.
Middleton Brush (2010): a redigitization of R.H. Middleton's connected brush typeface Wave, ca. 1962; see also an early Canada Type face, Coffee Script.
Miedinger (2007). Created after Max Miedinger's 1964 face, Horizontal. Canada Type writes: The original film typeface was a simple set of bold, panoramically wide caps and figures that give off a first impression of being an ultra wide Gothic incarnation of Microgramma. Upon a second look, they are clearly more than that. This typeface is a quirky, very non-Akzidental take on the vernacular, mostly an exercise in geometric modularity, but also includes some unconventional solutions to typical problems (like thinning the midline strokes across the board to minimize clogging in three-storey forms). This digital version introduces a new lighter weight alongside the bold original..
Militia (2007). An octagonal and threatening stencil.
Militia Sans (2007).
Monte Cristo (2012, with Kevin Allan King) is a grand type family with five styles and 1630 characters with many swashes and ways of connecting the calligraphic glyphs---it is the ultimate wedding font.
Neil Bold (2010): an extension of the fat typeface Neil Bold (1966, Wayne J. Stettler).
Nightlife (2005): inspired by a pre-desktop publishing grid design by L. Meuffels.
Nuke (2005): a fat stencil grunge weith pizzazz.
In 2011, he and Kevin Allan King published the refined Orpheus Pro family, which was based on the elegant Orpheus by Walter Tiemann (1926-1928, Klingspor), and its Italic which was called Euphorion (Walter Tiemann, 1936). Their enthusiastic description: The Orpheus Pro fonts started out as a straightforward revival of Tiemann's Orpheus and Euphorion. It was as simple as a work brief can be. But did we ever get carried away, and what should have been finished in a few weeks ended up consuming the best part of a year, countless jugs of coffee, and the merciless scrutiny of too many pairs of eyeballs. The great roman caps just screamed for plenty of extensions, alternates, swashes, ligatures, fusions from different times, and of course small caps. The roman lowercase wanted additional alternates and even a few ligatures. The italic needed to get the same treatment for its lowercase that Tiemann envisioned for the uppercase. So the lowercase went overboard plenty alternates and swashes and ligatures. Even the italic uppercase was augmented by maybe too many extra letters. Orpheus Pro has been a real ride. Images of Orpheus: i, ii, iii, iv, v.
Outcast (2010): a grunge family.
Oxygen (2006): a great grid-based design.
Paganini (2011,(with Kevin Allan King) is another jewel in Canada Type's drawers: Designed in 1928 by Alessandro Butti under the direction of Raffaello Bertieri for the Nebiolo foundry, Paganini defies standard categorization. While it definitely is a classic foundry text typeface with obvious roots in the oldstyle of the Italian renaissance, its contrast reveals a clear underlying modern influence.
The last joint project of King and Griffin in 2012 was Pipa, a pseudo-psychedelic groovy bellydancing font: Originally made for a health food store chain we cannot name, Pipa is the embodiment of organic display typography.
Player (2007). An 11-style athletic lettering family.
Plywood (2007): a retro typeface based on Franklin Typefounders's Barker Flare from the early 1970s.
Press Gothic (2007). A revival of Aldo Novarese's Metropol typeface, released by Nebiolo in 1967 as a competitor to Stephenson Blakes Impact.
Quanta (2005, stencil). Two weights, East and West.
In 2011, Kevin Allan King and Patrick Griffin completed work on an exceptionally beautiful revival, Ratio Modern (the original by F.W. Kleukens is from 1923). This is a didone family with a refined humanist trait.
Rawhide (2006): a bouncy Western saloon font based on cover page lettering of the Belgian comic book series Lucky Luke.
Recta (2011, with Kevin King). This is eighteen-stye sans family that extends Novarese's Recta.
Rhino (2005): a revival of the informal typeface Mobil (1960, Helmut Matheis, Ludwig&Mayer).
Normandia (2021, by Patrick Griffin and Hans van Maanen). A digital revival of the fatface typeface Normandia by Alessandro Butti at Nebiolo (1946-1949).
Noteworthy (2009). A font commissioned for the Apple iPad. It is based on Griffin's earlier revival typeface Filmotype Brooklyn.
Ronaldson Regular (2008, with Rebecca Alaccari), a 17-style oldstyle family based on the 1884 classic by Alexander Kay, Ronaldson Old style (MacKellar, Smith&Jordan). Griffin reconstructed this family from the metal typeface and from many scans from rare documents provided by Stephen O. Saxe, Philippe Chaurize and Rebecca Davis.
Roos (2009): A 10-style revival of Sjoerd Hendrik de Roos's De Roos Romein (1948), created in cooperation with Hans van Maanen.
Robur (2010): Done with Kevin King, this set of two fonts revives Georges Auriol's Robur Noir from 1909.
Runway (2004): racetrack lettering.
Rush (2005): futuristic.
Sailor (2005): digital rendition of West Futura Casual (late 1970s film type).
Salden (2019, by Hans van Maanen and Patrick Griffin). A grand effort to collect the lettering of Dutch book and book cover designer Helmut Salden in a series of typefaces.
Salome (2008). Done with Rebecca Alaccari, this is a revival and expansion of a photolettering era typeface called Cantini (1972, Letter Graphics).
Santini (2004): Bauhaus-inspired architectural lettering.
One of Heinz Schumann's unpublished typefaces from the early 1960s was revived in 2017 by Patrick Griffin and Richard Kegler at P22 as P22 Schumann Pro.
Screener (2006): an extensive octagonal family, including Screener Symbols.
Sears Social (2014). A custom typeface family that includes Sears Social Monocase.
Secret Scrypt (2004): four shaky script styles done for a New York restaurant. With Alaccari.
Semplicita Pro (2011). A grand revival of Alessandro Butti's Futura-like Semplicità, executed between 2009 and 2011 by Patrick Griffin and Bill Troop. Image of the Medium weight.
Shred (2010): an octagonal heavy metal face.
Siren Script (2009-2010): Done with Rebecca Alaccari, this six-style script family is based on the metal typeface Stationers Semiscript (BBS, 1899).
Skullbats (2005).
Serial Killer (2005): bloody.
Slang (2004): a blood scratch face.
Slinger (2010): a flared art nouveau face.
Social Gothic (2007). After Tom Hollingsworth's Informal Gothic, a squarish unicase grotesk done in 1965. Followed by Social Stencil (2011-2012) and Social Gothic 2 (2014).
Soft Press (2012). A rounded version of Canada Type's Press Gothic.
Sol Pro (2010): a 20-style revival and extension of the monoline sans typeface Sol by Marty Goldstein and C.B. Smith (1973, VGC), done with Kevin Allan King. Griffin writes: This is not your grandfather's Eurostile. This is your offspring's global hope, optimism, and total awareness.
Spade (2012). A super-heavy slab face, done with Kevin King.
Spadina (2010): a psychedelic / art nouveau revival with Kevin Allan King of Karlo Wagner's Fortunata (1971, Berthold).
Sterling Script (2005): done with Rebecca Alaccari. Sterling Script was initially meant to a be digitization/reinterpretation of a copperplate script widely used during what effectively became the last decade of metal type: Stephenson Blake's Youthline, from 1952. Many alternates were added, so this is a virtually new type family.
Sultan: a Celtic-Arabic simulation typeface after "Mosaik" (1954) by Martin Kausche.
Stretto (2008) is a revival and expansion of the reverse stress font Sintex 1 (Aldo Novarese, Nebiolo and VGC, 1973), a funky nightclub face. It was used as the basis of Cowboy Hippie (2010, CheapProFonts). Similar typefaces include ITC Zipper (1970) and Berthold Beat Star (1972).
Symposium Pro (2011). This Carolingian family was drawn by Philip Bouwsma. Patrick helped with the production.
Tabarnak (2012) and its shaded version, Tabarnouche (2012). Lovingly named to attract business from Quebec, this is a packaging or signage pair of fonts.
Taboo (2009) is a geometric display typeface that was inspired by lettering by Armenian artist Fred Africkian in 1984.
Testament (2010): a calligraphic uncial family done with Philip Bouwsma.
Tomato (2005): done with Rebecca Alaccari, this is the digitization and quite elaborate expansion of an early 1970s Franklin Photolettering film type called Viola Flare.
Treasury (2006): a huge type family based on a calligraphic script by Hermann Ihlenburg from the late 19th century. Canada Type writes: The Treasury script waited over 130 years to be digitized, and the Canada Type crew is very proud to have done the honors. And then some. After seven months of meticulous work on some of the most fascinating letter forms ever made, we can easily say that Treasury is the most ambitious, educational and enjoyable type journey we've embarked upon, and we're certain you will be quite happy with the results. Treasury goes beyond being a mere revival of a typeface. Though the original Treasury script is quite breathtaking in its own right, we decided to bring it into the computer age with much more style and functionality than just another lost script becoming digital. The Treasury System is an intuitive set of fonts that takes advantage of the most commonly used feature of todays design software: Layering.
Trump Gothic (2005): a revival and expansion of two different takes on Signum (1955, Weber), Georg Trumps popular mid-twentieth-century condensed gothic: Less than one year after Signum, the Czech foundry Grafotechna released Stanislav Marso's Kamene, a reinterpretation of Signum. The differences between the two were quite subtle in most forms, but functionally proved to offer different levels of visual flexibility. Marso changed a few letters, most notably the wonderful a and g he added, and also made a bold weight. Trump Gothic West is a revival of Trump's original Signum, but in three weights and italics for each. Trump Gothic East is a revival of Marso's Kamene, but also in three weights and corresponding italics.. In 2013, Patrick Griffin redrew and optimized these condensed and ultra-economical typefaces in his Trump Gothic Pro and the rounded version, Trump Soft Pro.
Trump Script (2010) revives the African look script by Georg Trump called Jaguar (1962). An improvement on an earlier Canada type family called Tiger Script.
Tuba (2010).
Valet (2006): inspired by an uncredited early 1970s all-cap film type called Expression.
Veronica Polly (2005).
Vintage Deco (2017).
Vox (2007): a 24-style monoline sans family done with Rebecca Alaccari. This was followed in 2013 by a softer version, Vox Round.
Wagner Grotesk (2010): a sturdy grotesk, after a typeface from the Johannes Wagner foundry. Kevin King is also credited.
Wagner Script Pro (2011). Done together with Kevin King, this is a revival of Troubadour (1926, Wagner&Schmidt).
King and Patrick Griffin published Wonder Brush in 2012. This is partly based on a signage brush script called Poppl Stretto (1969) by Friedrich Poppl.
Opentype programming help for several fonts by Michael Doret, such as Deliscript (2009), Dynascript (2011) and Steinweiss Script (2010). Deliscript (a winner at TDC2 2010) is an upright connected script with accompanying slanted version. Steinweiss Script is a 2200-glyph curly script typeface called Steinweiss Script (2010), which captures a lot of the spirit of Steinweiss's album covers from the late 1930s and 1940s.
HWT Tangent (2021, at P22). This revives a Morgans & Wilcox wood typeface known as Tangent in the Hamilton Manufacturing collection (after Hamilton took over Morgans & Wilcox).
Patrick Griffin did the final mastering in 2021 for P22 Underground Pro, which was developed over the years by Richard Kegler (1997), Paul D. Hunt (2007) and finally, Dave Farey (2021) and James Todd (2021). This comes close to being thee ultimate implementation of Johnston's Underground.
Filmotype Andrew (2021). A bold and wide extension of the retro casual script font Filmotype Athens.
Ronaldson Pro (2021). A revision and extension of Griffin's 2006 font, Ronaldson Old Style. It now has four weights and two variable fonts.

Patrick Hubbuch

Born in 1986 in Bruchsal, Germany, and a graduate in 2009 in visual communication from HS Pforzheim Fakultät für Gestaltung. Designer in 2008 at the German foundry Volcano of Machtwerk Slanted, a gloomy angular type family. Still at Volcano, he added the hand-printed families Handjob and Handsome in 2009. This was followed by Drei D, TT Youth, Vier Module, Zwoelf Ton, and Zwoelf Ton B (octagonal).

In 2010, he made the blackletter family Die Fette Hubbuch (at Volcano).

In 2011, he added Die Monospaced Hubbuch typeface family (Volcano).

Volcano Type link. Klingspor link. [Google] [MyFonts] [More] ⦿

Pau Gomas
[Pau Gomas Studio]

Pau Gomas Studio
[Pau Gomas]

Graphic designer in Barcelona. Designer of the blacklteerr-inspired typeface Modern Gothic (2021). [Google] [MyFonts] [More] ⦿

Pau Pineiro

Designer of the blackletter font Pau the 1st (2019). [Google] [More] ⦿

Paul Bokslag
[Font Studio Four]

Paul Carlyle

Coauthor with Guy Oring of Letters and Lettering (1938), Layouts and Letterheads (1938) and Learning to Letter (1939). The former book was a big source of inspiration for Nick Curtis and many other type designers. Typefaces based on designs by Carlyle and Oring:

Nick Curtis: Shishka Bob NF (2005), TaraBulbous NF (2008: is a fat-lettered font), Guinness Extra Stout NF (1999), Kynges X NF (2004: a blackletter semi-Lombardic face), Astoria Titling.
Dathan Boardman: Afternoon Tea (2010: art deco).
Anton Scholtz: Nocturne (2012: art deco).
Monogram Fonts (Jim Lyles, Brian Bonislawsky): MFC Redding Monogram (2016), MFC Buttergin Monogram (2018: Tuscan).
Grype (Jim Lyles, Brian Bonislawsky): Decade (2019).
PhotoLettering / House Industries: Quaint or Carlyle Quaint.

Paul Davy

Aka Pilaster Davy, b. 1964. UK-based designer of Whitby Brewers (2015: inspired by the hand lettering on a reverse glass painted Victorian advertising mirror, found in the Beck Isle Museum in Pickering, North Yorkshire), Castle Press No 1 (2015, after original wood type from Castle Press, est. 1860), Medhurst (2015, a high-contrast display typeface), Providence (2015, tattoo typeface), Allegheny (2015, a spurred typeface), York Whiteletter (2015, white-on-black ribbon font inspired by a Delittle design called Eboracum No3 Improved White Letter Type and late 18th century woodtype), Spartanburg (2015, inspired by the 1923 Sanborn Insurance Map cover for Spartanburg, South Carolina; a tattoo typeface) and Galveston (2015, a tattoo typeface): GalvestonTX is derived from a Sanborn Insurance Map cover published in 1912 for the city of Galveston, Texas.

In 2015, he also created Eboracum (based on a wood type from a 1972 wood type sample book by Delittle found at the Castle Press), Catle Press No 2 (a condensed gothic font, after original wood type from Castle Press, est. 1860), Philadelphian Gothic (a revival of a 19th century type called Philadelphia Lining Gothic), Archaic 1897 (a revival of a Victorian typeface from ATF), Metropolian (a revival of Metropolis (1897, American Type Founders)), Austin Nichols (Victorian: inspired by the hand lettering from an Austin, Nichols & Company advertising cover), and Hex (a hexagonal typeface).

Typefaces from 2016: York Baile Hill, The Novice (blackletter), LF Clipped (fifties script: a faithful revival of Clipper by Louis Ferrand, Fonderie Typo. Française, 1952), Queens Square (inspired by a 1911 Sanborn map cover).

Typefaces from 2017: Crepitus (monogram font). [Google] [More] ⦿

Paul Eduard Lautenbach

German type designer (b. 1875, d. 1954, Berlin [note: Schnelle mentions that he died in 1926 in Berlin, and Klingspor puts the date as 1927]) who designed these typefaces:

The heavy German script typeface Prägefest (Ludwig&Mayer, 1926).
Lautenbach-Gotisch and Zierversalien (1912, Ludwig & Mayer). Klingspor mentions 1914. A free revival by Dieter Steffmann simply as Lautenbach. Klaus Burkhardt and Dan X. Solo also have revivals called Lautenbach. see also Ernst H. Wulfert's Lautenbach.
Frankfurter Buchschrift I and II (1906, Benjamin and Krebs).
Eskorial (1909) and Eskorial halbfett (1908), both published at Emil Gursch in Berlin.
Epoche and Epoche Schmuck (1912, Benjamin and Krebs).
Lautenbach Kursiv (1926, Ludwig & Mayer).
Markant (1909, Ludwig & Mayer).
Ohio Kraft (1922, Schriftguss AG). Oliver Weiss has a 3-style revival. WF Neue Ohio Schrift is described by him as follows: The Brüder Butter foundry in Dresden had a good working relationship with ATF, and thus several American typefaces found their way into the Butter catalog. Among them was Pabst Oldstyle, designed in 1902. Brüder Butter changed the erect peak of Pabst's A to a flaccid one, and distributed the result as Ohio Schrift, starting about 1913. Throughout the 1920s, Brüder Butter marketed the Ohio family through a series of leaflets that put the typeface through its paces in innovative ways. WF Neue Ohio Kursiv is the Italian companion. In 1922, Brüder Butter added a bold typeface to the Ohio family. This was not an ATF transplant, but a new design by Eduard Lautenbach. It was available with a set of swash capitals, and several curly-cued, lowercase alternates, ideally suited for children's books. Weiss's revival of the latter typeface is WF Neue Ohio Kraft.
Walgunde mit Zieraten (1908, Schelter & Giesecke). Klingspor writes that the date is 1906.

[Google] [More] ⦿

Paul Hayden Duensing
[The Private Press and Type foundry]

Paul Hornoff

Designer (aka "Zini") who used FontStruct in 2009 to create the ink effect typefaces Punkt 1451 (+Bold, +Light), the stencil typeface Zini Two, and the octagonal typeface Zini Drei. In addition, we find the stitching fonts Kreuzstich and Kreuzstich Fraktur, and the dotted line family Konstrukteur (Serif, Sans). Additions in 2010: Schwarzmaler, Urvater's Pixel (grayish family), Fuenfer Uni Soft. [Google] [More] ⦿

Paul James Lloyd

About 100 free TrueType fonts by University of Western Australia lecturer Paul Lloyd (b. UK), many of them elaborate caps fonts: Larkin Capitals (2004), QuaNauticale Initials (2004, with Manfred Klein), Blavicke Capitals (2002), FoliarInitials (2002, Caps), Halftone (2003, blackletter), UltraBlack (2003, blackletter), Saraband (2002, an ornamental ribbon font after Karl Klimsch, 1869), Infula (2002, Caps), Strelsau (2002, Fraktur), Dampfplatz-DemiBold (2002, Fraktur), DampfplatzShadow-Black (2002, Fraktur), DampfplatzSolid-Black (2002, Fraktur), GenzschEtHeyse (2002, Fraktur), GenzschEtHeyseAlternate (2002, Fraktur), Moderna (2002, Fraktur), Lightfoot (2002), Nuffield Initials (2002), Cantebriggia (2002, Fraktur), Charterwell (2002, Fraktur), Portcullion (2002, blackletter), Portculliard Initials (2003, blackletter), Proclamate (2002, blackletter), Zenda (2002, blackletter), Teutonic (2002, blackletter), Medieval Victoriana (2002, caps), Portland Roman (2002), Wolnough (2002, caps), Landsdowne (2002, + Shadow: Victorian typefaces), Grimeswade (2002, caps), Orotund-Heavy, OrotundCapitals-Heavy (2002), Minster (2002, a 6-font Fraktur family), Killigrew (2002, Fraktur), Minim (2002, Fraktur), Coltaine (2002), Emporium Capitals (2002), Penshurst (2002), Cherubim Initials (2002), Pompadour Initials (2002), Casua (2002), Wadsworth's Industria (2002), Radaern Script (2002), Queen Empress (2002), Lisburne Initials (2002), Dundalk (2002), Claritty (2002, handprinting), Mysterious Voyage (2002), Arborial (2002), Deepwoods (2002), Florana (2002), Springtime (2002), Topiary (2002), Woodland (2002), Bertham, Camelot Initials, Chocolate Box (2002), Altea, Mosaic (2002, caps), Burgoyne (2002, caps), Hentzau Initials (2002), Engravier (2002, caps), Rustick Capitals (2002), Louvaine (2002), Chipperfield&Bailey (2002), Boister Black (2002, blackletter; the commercial Boister Black Pro was done in 2009 at CheapProFonts), Quill (2002), Erasmus (2002), Birmingham, Bolton, Brassett (2001), Chancera, Glastonbury, Grantham, E-Caps, CleaversJuvena, CoronationScot, Chronos, Brodgnorth, Draughtsman (2002), Duvall, Helena, Hominis (1997), Imperator, Lewisham, Newstyle, Noir-et-Blanc, Peake, Priory, Ruritania, Shrewsbury, Simplicity, Sylph, Ubiqita_Europa, Woodcut Capitals, Watson, Wrenn, Imperator, Trefoil Capitals (2002), TinplateTitling, Freame, Graphis, Dutch I, Festival, Festival Flourish, d'Spenser, Sylvan-Capitals, Helena, Bridgnorth and Paladin Caps. In his Black Jewels series (as in "blackletter"), he published Black (2002), Germanica (2002), and is working on Minim and Killigrew. Most typefaces come in many weights, and are carefully manicured products. Other Lloyd creations may be found here, here, here, here, or here in Russia. In 2008, he started a commercial foundry, Greater Albion Typefounders. Font Squirrel link. Behance link. [Google] [MyFonts] [More] ⦿

Paul James Lloyd
[Greater Albion Typefounders (or: GATF)]

Klingspor link. FontShop link.

Paul Renner

German type designer, architect and Bauhaus-style designer, b. 1878, Wernigerode, d. 1956, Hödingen. He designed the famous and popular Futura between 1924 and 1936 at Bauer. He had a strict Protestant upbringing, being educated in a 19th-century Gymnasium. He was eductaed with a traditional German sense of leadership, duty and responsibility. Despite the fact that Futura came to symbolize abstract ideas, but also modernism and jazz, Renner disliked abstract art and many forms of modern culture, such as jazz, cinema, and dancing.

Later weights include the headline stencil typeface Futura Black. Deberny&Peignot issued the Futura family under the name Europe. Spartan (American Typefounders and Mergenthaler Linotype) is similar but not identical. Intertype Futura Extra Bold was designed by Edwin W. Shaar (roman in 1952; italic in 1955 with Tommy Thompson). Neufville published a revival of his Futura fonts. This 50+ family, Futura ND (1999), has Small Caps, Old Style Figures, Display and Black (stencil), and was digitized by Marie-Therésè Koreman. The typophiles generally agree that this version of Futura is the best digital implementation around. Nick Curtis's Airport Tourist (2009) is modeled after Futura. In 2013, URW++ published Futura Round. Tens of other typefaces are also descendants of Futura.

Renner's typeface "Topic" is also known as Steile Futura (1952) [check also Bauer Topic (The Font Company), Tasse (1994, Guy Jeffrey Nelson at Font Bureau) and URW Topic for digitizations]. Renner also designed the Fraktur font Ballade (1937, Berthold; revived by Dieter Steffmann in 2002), the geometric sans family Plak (1928), Futura Schlagzeile (1932), and Renner Antiqua (1939, D. Stempel). Plak was revived in 2018 by Linda Hintz and Toshi Omagari at Monotype as Neue Plak.

Renner, who was a prominent member of the Deutscher Werkbund (German Work Federation), wrote Typografie als Kunst (Typography as Art) and Die Kunst der Typographie (The Art of Typography).

Bibliography: Christopher Burke wrote "Paul Renner: the art of typography", Hyphen Press, 1999. U&LC review. Bio by Nicholas Fabian. In 2007, Nathalie Wegener wrote a graduation thesis on Renner entitled Paul Renner. Au-delà du Futura.

Showcase of Paul Renner's fonts. View digital typefaces based on Futura. [Google] [MyFonts] [More] ⦿

Paul Shaw

Paul Shaw (b. Ann Arbor, MI, 1954) is a calligrapher, type historian, writer and typographer working in New York City, where he runs Paul Shaw/Letter Design, and teaches calligraphy and typography at Parsons School of Design; and history of graphic design and history of type at the School of Visual Arts. He has created custom lettering and logos for many companies, including Avon, Lord&Taylor, Rolex, Clairol and Estée Lauder. In 2012 Shaw was appointed editor in chief of Codex magazine.

On Ocober 15, 2018, he was attacked in New York City and severly injured. There is a GoFundMe site to help him pay his extensive medical bills.

Designer of the Kolo LP art nouveau family (with Garrett Boge) in 1996 at Letterperfect Design. He was inspired by the lettering of Koloman Moser, Gustav Klimt, Alfred Roller, and other members of the Secession, Vienna's turn-of-the-century Art Nouveau movement, in the design of Kolo. Garrett Boge and Paul Shaw made the fun handwriting font Bermuda LP in 1996. At LetterPerfect (which he started with Garrett Boge in 1996), he co-designed Kolo (1996), Tomboy, Beata, Donatello, Ghiberti, Pietra, Pontif (roman capitals), Cresci (roman capitals), Old Claude LP and Uppsala LP (1998) with Garrett Boge. At Agfa/Monotype, you can buy his calligraphic fonts Göteborg LP (1998), Stockholm LP (1998, with Garrett Boge), and Uppsala.

His books:

Coauthor with Peter Bain of Blackletter: Type and National Identity (1998).
Editor of The Eternal Letter Two Millennia of the Classical Roman Capital (2015, MIT Press, Cambridge, MA).
A Black Letter Primer (1981).
Letterforms (1986).
The Calligraphic Tradition in Blackletter Type (2001).
Helvetica and the New York City Subway System (2009).

At ATypI in Rome in 2002, he spoke about the revival of the roman capital in the 15th century, and lettering in fascist Italy. At ATypI 2017 in Montreal, he spoke on the evolution of Dwiggins's Electra. Paul Shaw has been honored with the 2019 SOTA Typography Award.

Paul Sheetz

Resident of South Padre Island, TX, who made the Western display typefaces Eminent (2010) and Round Up (2009, Fontcapture) and the sketched blackletter typeface Twenty 12 (2012). [Google] [More] ⦿

Paul Sinkwitz

Designer and painter, b. 1899, Ebersbach, d. 1981 Arzbach (MyFonts claims he died in Bad Tölz). Sinkwitz studied at Kunst- gewerbeakademie Dresden in former East Germany. He settled in 1922 in Hellerau and moved to Stuttgart in 1955 where he was an art professor. His typefaces include the semi-calligraphic semi-blackletter typefaces Sinkwitz Gotisch and Versalien in 1942 at Schelter & Giesecke. These became part of the Typoart collection in 1950.

In 2007, Ingo Preuss revived Sinkwitz Gotisch and added Sinkwitz Bastard to accompany the blackletter.

Paul Voigt

Designer of Voigtsche Gotisch (1899-1900, Reichsdruckerei, Berlin). [Google] [More] ⦿

Paula Gallardo

Designer from Barcelona who made the fat poster typeface Pencuadra (2011). [Google] [More] ⦿

Pauline Fourest
[Spaghetype]

Paul-Nicolas Mau

Artistic director who runs Polmo Corp in Paris. Creator of these typefaces: Raja (2016: an exclusive stencil typeface designed for RAJA, a large packaging supplier, and based on the company's logotype), Polmo Corp (Bold Serif, Regular Sans Serif), My Handwriting (Regular, Alternate), Thin Square, Round Square, Black Dog (blackletter), MyPixel, Propaganda (constructivist), Room 314 (lava lamp font), Deco, XTrem (trekkie font), The First One, Circuit.

In 2013, he published La Belle Vie, and the custom typeface Raspoutine.

Paulo Goode

English designer in West Cork, Ireland. In 2014, he designed the classical roman caps typeface Carrig---not Trajan, but still influenced by stone carving. He also created the similar typefaces Carrig Roman (2015), Carrig Italic (2015), Carrig Refined (2015), Carrig Rough (2016), Carrigeen (2014), and Carrig Pro (2017). Woodford Bourne (2015, 8 weights for 16 fonts in all, from Hairline to Black) is a 19th century grotesque typeface that pays homage to the historic stone cast type in the building façades of the former Woodford, Bourne & Co. in Cork City, Ireland. It was imprioved and extended in 2016 as Woodford Bourne Pro. Arundel (2015) is a beveled medieval typeface.

Typefaces from 2016: Didonesque (didone headline typeface characterized by a large x-height and slightly curved v, w and y), Fnord (a serif family designed with a mischievous streak), Fnord Display (in Engraved, Inline and Woodcut styles), Eponymous (an experiment with chunky serifs), Pseudonym (a subtly falred sans with interlocking and unicase features).

Typefaces from 2017: Didonesque Ghost (a stylish very contrasted didone typeface family), Banjax (humanist sans, followed in 2018 by Banjax Notched), Faded Grandeur (inspired by stone engravings that have withered and decayed over time), Torus (a rounded monoline organic sans; see also Torus Variations (2018): Torus Notched, Torus Inline, Torus Outline and Torus Biline), Meccanica (an intoxicating nuts and bolts-style engineering typeface).

Typefaces from 2018: Eurocine (this is in the wide elliptical sans genre: This typeface attempts to capture the mood of movie credits from European Cinema in the 1970s, with a focus on Giallo films in particular. In terms of style, Eurocine sits somewhere between Walter Baum and Konrad Friedrich Bauer's Folio, and Aldo Novarese's Eurostile), Polyphonic (a 60-font slab serif family), Majesty (flared, incised), Verbatim (a 60-font sans family that was inspired by the best (and worst) of 1970s science fiction TV shows and movies, and aims to extract the essence of futuristic type from that era).

Typefaces from 2019: Didonesque Script, Modica (an 18-style geometric sans that came from Technica), Technica (a more conservative rounded geometric sans / techno family than his earlier Meccanica), Rhetoric (a semi-cursive typeface), Quorthon (blackletter, in Black, Dark and Grey substyles), Yolk (a sans family based on the shape of an egg yolk), Transcend (an all caps titling typeface), Ergonomique (a humanist sans in 18 styles), Eloquence (a renaissance font family), Didonesque Stencil.

Typefaces from 2020: Rodia (an 18-style oddball (sic) geometric typeface inspired by the iconic RADIO signage that was once in place at 5041, Pico Boulevard, Los Angeles in 1985), Arise (an 18-style text typeface family characterized by hooked terminals), Slabber (a slab serif inspired by 19th century wood type), Audacious (a 20-style decorative serif), Cream (a warm text family, with the heavier weights leaning towards Cooper Black), Sqwared, Logik (sci-fi).

Typefaces from 2021: Evoque (a 36-style contrast-rich text typeface; followed in 2022 by the 16-style family Evoque Text which includes two variable fonts), Sienna (14 styles and two variable fonts; a warm soft serif with some angular design elements that make it a great choice as a text typeface), Torus Pro, Harmonique (a 32-style incised serif).

Creative Market link. MyFonts link. Fontsquirrel link. [Google] [MyFonts] [More] ⦿

Paulo Pires

Graphic designer in Limeira, Brazil, who created the calligraphic / blackletter font family Gothyres (2014). One of its styles, Gothyres Capitular Musicalm, is designed for music event posters. [Google] [More] ⦿

Paulo W
[Intellecta Design (or: Monocracy Types)]

Paulus Franck

Designer of a set of curly baroque initials in Nürnberg in 1601, published in Schatzkammer. Allerhand Versalien. The original book was scanned in at the BSB (Bayerische Staats Bibliothek and can be downloaded.

Joseph Kiermeier-Debre and Fritz Franz Vogel published a facsimile that can be seen at Google Books and at Amazon (Ravensburger Buchverlag, 1998).

A penmanship book due to Paulus (or Paul) Franck from 1655 under the title Kunstrichtige Schreibart: allerhand Versalien oder AnfangsBuchstaben der teütschen, lateinischen und italianischen Schrifften aus unterschiedlichen Meistern der edlen Schreibkunst zusammen getragen was published in 1655 in Nürnberg by Paul Fürst (ca. 1605-1666) and printed by Christoph Gerhard (1624-1681). This text, of which some pictures can be viewed here, consists largely of hyper-ornamental blackletter initials.

Franck's über-ornamental decorative caps were revived digitally in several typefaces:

PaulusFranckInitialen (2002) was created by Dieter Steffmann based on those initials, but they are apparently incomplete.
Paulo W (Intellecta Design) created the font Paulus Franck 1602 (2006).

Open Library link. [Google] [More] ⦿

Paulus John Christian Egenolff
[Luthersche Schriftgiesserei]

Pavel Korzhenko
[Vintage Voyage Design]

Pedro Gomes

Pedro Gomes is based in Porto, Portugal. He created the creamy logotype typeface Rip Curl and a Gothic Style Alphabet in 2013 during his studies at ESAD. [Google] [More] ⦿

Pedro González Jorquera
[PeGGO]

Pedro Pan
[Ipsum Planet]

Pedro Vitale

Brazilian designer in Sao Paulo, b. 1989, who created Octopustype (2011, angular---almost blacklettered), and Ginga Inter or Ginga PV (2010, octagonal). [Google] [More] ⦿

PeGGO
[Pedro González Jorquera]

Type designer graphic designer, calligrapher and illustrator from Chile, who graduated in graphic design in 2005 from the Universidad del Bío-Bío., b. 1977, Santiago de Chile. Aka PeGGO, a foundry established in 2002. MyFonts link. PeGGO designed some commercial fonts, such as:

Farola (2008, a curly Victorian face; +Farola Simple, without curls).
PAI Fashion Font (2011).
Legan (2008, a mini-serifed Trajan face).
Thörtl (an angular display face).
Gothric (gothic).
Claramaria (sans).
Claramaria Mega Black, Claramaria Extra Light (hairline version).
Fonton (a fat elliptical face; images i, ii, iii, iv, v, vi, vii, viii, ix, x). I can't understand why Fonton has not won any major awards. Even in this popular genre, it stands on a pedestal all by itself.
Cuadrada (2010, angular).
Lighton Extra Light (2011). An elliptical hairline sans.
Trianglery (2010, calligraphic).
Politic (+ExtraLight, +ExtraBlack: a slabbed family).
Bolta.
Minesmall (hand-printed).
SP-Font (squarish).
Halcön (2008, blackletter).
Krämfark (2008, blackletter).
Milica (2013). A squarish severe poster typeface family.
Hexaround (2013) is a dotted hexagonal matrix font.
Latinisiert Hebraica Schrift (2014). A Hebrew simulation typeface.
Double Trase Latinsiert Fraktur Schrift (2014) is a calligraphic blackletter alphabet.
Limonada (2015). An organic semi-serif typeface.
Ironbrick (2015). Pure techno futurism.
Sharka (2015). A mechanical high impact display typeface family ranging from Normal to Compressed widths.
Globa (2016). Globa is a low contrast round sans typeface family.
Niva (2016). A 60-style display sans typeface family advertized for use in scientific documents.
Primaria (2018). A great school script and print typeface family.
The commissioned decorative typeface family Roijer (2016), and Roijer Ornaments, Roijer Dingbats, and Roijer II (2017). This absolutely stunning display typeface family evolved from a branding exercise in which each letter was developed as typographic jewelry, a bond between classical and creative freedom concepts with Lombardic and art nouveau touches, Röijer puts a dual capital model in your hands---a classic Roman and a contemporary alternative.
LeBrush (2016). A contemporary humanist serif Roman typeface based on real brush lettering, in ten styles ranging from Thin to Extra Dark, inspired by the classical Roman proportions of the Capitalis Monumentalis of the Trajan Column. It comes with several dingbat fonts and a set of ornaments. The family could be appropriate for movie titling.
Animals LeBrush Extras (2016): a set of hand drawings of wild mountain and sea animals done for book covers, magazines and posters.
Geometrica (2017, Latinotype). Geometrica is a low contrast rounded geometric Sans with a mid 19th/early 20th century simplicity air yet it remains modern and minimalist. Geometrica has ten weights.
Caprina (2017). A geometric sans family with the flat squarish tops that characterize the original Futura and the work of Max Bill.
In 2018, Pedro Gonzalez and Marcela Aguilera co-designed Orqquidea and Orqquidea Garden (dingbats).
Rationell (2020). Classifying it as neo-grotesk, Pedro writes: Rationell is a functional multipurpose corporate typeface, based on classic 1950's Swiss rationalism, subtly tuned on a XIX century didonesque modernist structure, a contemporary interpretation with the eyes of the Latin idiosyncrasy. Rationell's great weight range stretches from hairline to extra black, with rounding in the heavier weights.
Geometrica (2019). A low contrast geometric sans family.
PGF Now (2020). A 22-style Latin American humanist sans family.
PGF Strange (2021). A thorny layerable display serif family in eight styles.
PGF Caprina Pro (2021). An audacious geometric sans in 20 styles with some of Renner's early ideas of surprising squarish glyphs.
PGF Americas (2021). A 15-style family inspired by Rudolf Koch's carved lettering; this family includes ornaments, dingbats, boxed initials, inline styles, and an array of sans display typefaces.

Calligraphic works include L'Ecole d'Fine Arts (2009), Latinisiert Fraktur Neue (2014), Paradise Duck, Eclesiastes (based on "La Rueda" of Sheila Waters, 1981).
Creative Market link. Behance link. MyFonts foundry link. Klingspor link. [Google] [MyFonts] [More] ⦿

Peggy Seelenmeyer

During her studies at University of Applied Sciences in Potsdam near Berlin, Peggy Seelenmeyer (b. 1987, Berlin) created the geometric blackletter typeface Kottifraktur (2014). Behance link. [Google] [More] ⦿

Penelope Jordan

During her studies at Plymouth University in the UK, Penelope Jordan created the blackletter typeface Braggarts (2014). [Google] [More] ⦿

Pennsylvania Dutch Fraktur gallery
[John Bieber]

John Bieber shows some Fraktur examples (for birth certificates and other official documents.mostly hand-drawn) used by Pennsylvanian Germans [Google] [More] ⦿

Pepe Tzintzun

Mexico City-based designer of the typeface family Doit Slab (2013), in which all glyphs have stab wounds. He also created the thin modular typeface Line (2013-2014). In 2016, he designed the handcrafted typeface Fernanda and the textura typeface Cacastrofica Textere. The latter typeface gets the Mon Pote award for 2016 (Mon Pote stands for Most Original Name Prize Of the Trump Era, and is awarded annually starting in 2016 by the office of Luc Devroye). In 2018, he published Dania Stencil.

In 2019, Pepe released the gorgeous brush script font Mateo Caramelo.

Pepe allowed me to host his font Line. Download Line. [Google] [More] ⦿

Perrine Saint Martin

Perrine Saint Martin was born in France in 1980 and lives and works in Paris. After graduating from the Fine Art School of Toulouse, she has worked in graphic design, more particularly in the field of book design with a special interest in typographical layout. Speaker at ATypI 2010 in Dublin. In 2009-2010, with fellow ENSAD students Anthony Dathy, Timm Borg and Ok Kyung Yoon, she developed a complete family of fonts that extend blackletter and roman typefaces by Ulrich Gering that go back to the 1470s. [Google] [More] ⦿

Perry Mason
[Ferrets N Fonts]

Peter Bain
[Peter Bain Design (was: Incipit)]

Peter Bain Design (was: Incipit)
[Peter Bain]

Incipit, or Peter Bain Design, was Peter Bain's type and graphic design studio in Brooklyn, New York. It closed down gradually between 2007 and 2010.

Peter Bain received his M.F.A. in Design: Visual Communications from Virginia Commonwealth University. He was type director at Saatchi&Saatchi Advertising in New York, and taught at Parsons/The New School for Design and Pratt Institute in New York. After Saatchi, and before Incipit, he was freelancing. After Incipit, he relacted briefly to Virginia to attend VCU and then went on to Mississippi, where he was Assistant Professor of Art, Graphic Design at Mississippi State University. He lived then in nearby Starkville, MS. He is currently located in Birmingham, AL.

He is best known for his wonderful book Blackletter: Type and National Identity (1998, with Paul Shaw).

His photocomposition display typefaces were reedited and available in reproduction proofs (for a short time). The photocomposition display typefaces are in two-inch film format, as formerly used on machines such as the Typositor and Filmotype. They are being held in storage, and are no longer listed for that reason. PDF format list. Text format of Bain's file. Bain says he built this from the Typositor type libraries formerly offered by Techni-Process Lettering and Pastore DePamphilis Rampone, which he bought at an auction. Report on his talk in London on blackletter type (2003). MyFonts sells the 4-weight Josef Albers-inspired stencil family Gridiot (2003-2011). His thoughts about the art of Albers: Remember, any idiot can design a typeface on a grid: Gridiot.

Speaker at ATypI 2006 in Lisbon. Speaker at ATypI 2013 in Amsterdam. MyFonts link. Behance link. Peter Bain Design. [Google] [MyFonts] [More] ⦿

Peter Behrens

Hamburg-born type designer, painter and architect, 1868-1940 (Berlin). From 1900 until 1903, he was part of the Darmstädter Künstlerkolonie, at the apex of the art nouveau era. From 1903 until 1907, he was director of the Duesseldorfer Kunstgewerbeschule. From 1903 until 1914, he was artistic director at AEG and designed their corporate identity. He was the cofounder of the Deutsche Werkbund in 1913, became a professor at the Wiener Akademie in 1922, and the head of the Prussian Academy of Art in Berlin in 1936. CV. MyFonts page. Typefaces:

Behrens Roman (1900, a rather useless and ugly pen-drawn roman; Klingspor)
Behrens Schrift (1901-1902, Jugendstil font at the Rudhardsche foundry in Offenbach. This typeface served, for example, as the official German type for the world expositions in 1904 and 1910. Digital revivals or interpretations:
- Behrensschrift iF Plus (2021, Ingo Zimmermann). This revival has for styles: Dekor, Normal, Licht, Schmuck (ornaments). An earlier revival by Ingo Zimmermann was simply called Behrens Schrift (2008).
- By Ralph Unger as Behrensschrift D (2007, at URW++).
- By Dan X. Solo (as Behrens Schrift).
- By Intecsas (as Sprecher Gothic).
- By Dieter Steffmann as Behrens-Schrift (2002).
- By Klaus Burkhardt).
- By Elisa Rastello (2018).
Behrens-Kursiv (1906, Klingspor), aka Behrensschrift Kursiv (1907). For a digital version, see Behrens Kursiv (2013, Ralph M. Unger).
Behrens Antiqua (1907; digitized by Dan X. Solo). The halbfett is from 1909. Behrens Antiqua Initialen was revived in 2015 by Typograf in a free font.
Behrens Mediäval (1914)
Behrens Initialen. Digitally revived as Sprecher Initials at Intecsas, and as Ar Tarumian Behrens Initialen (by Ruben Tarumian).
Behrens Schmuck (ornaments). Faithfully revived based on a 1914 catalog by Andreas Stötzner in 2014 as Behrens Ornaments.
AEG logotype

Complink. MyFonts page. Klingspor link.

View typefaces. [Google] [MyFonts] [More] ⦿

Peter Bezdek
[Rudolf Koch]

Peter Doerling
[Die Entwicklung unserer Schrift]

Peter Donahue

American creator of the comic book typeface Donacomix (2011) and the blackletter typeface Donafrak (2011). Formerly known as Pear Pear. [Google] [More] ⦿

Peter Gericke

A true artist, designing wonderful Caps and initials in München. I really like the erotic initials. None of these seem to have been made into fonts though. Author of Typografische Magazin (1995), a book showing full character sets for 94 Fraktur typefaces. [Google] [More] ⦿

Peter Jensen

In 1991, Peter Jensen designed Ashley (hand-printed), Boroway Bold, Caraway Bold, SchwarzWald and LC. [Google] [More] ⦿

Peter Olexa
[Jumbo Design]

Peter Olexa
[Cruzine]

Peter R. Wilson
[Bookhands]

Peter Schoeffer the Younger

Peter Schnorr

German artist and illustrator in the art nouveau (Jugendstil) period. He collaborated at some point with Bruce Rogers on book design, e.g., for Houghton Mifflin. Designer of the blackletter typeface Augsburger Schrift (+Halbfette) (+Augsburger Initialen) (1901, Berthold AG; Seemann and Wetzig state 1903) and of the art nouveau display typeface Gezeichnete Schrift.

Digital revivals:

HiH published the blackletter typefaces Schnorr Dekorativ, Demi Bold and Initialen (2007), as well as Schnorr Gestreckt (2006), an art nouveau typeface initially done in 1898 by Peter Schnorr. See also Tom Wallace's Augsburger Schrift.
Jason Castle's Samira (2008) also revives Schnorr Gestreckt.
The art nouveau typeface Schnorr Gestreckt was also the basis of Gert Wiescher's Modernista (2008). Gert himself added two weights to the original.
Alan Jay Prescott's New Ambrosia APT (1996) is also based on Schnorr Gestreckt.
Ralph M. Unger revived Augsburger Initialen in his Initials RMU Two (2012).
Scriptorium: Maginot (1993, David Nalle) is also strongly based on Schnorr Gestreckt.

[Google] [MyFonts] [More] ⦿

Son of Peter Schoeffer, Peter Schoeffer the Younger was a type cutter in Mainz. A blackletter type he cut ca. 1509-1520, and also known as Typ.7:146/148G and as Gesellschaft für Typenkunde plate no. 258, was digitized and extended from 80 to 900 characters by Shane Brandes as Schoeffer (2011). [Google] [MyFonts] [More] ⦿

Peter Vajda
[Typeflash (or: Type+Play)]

Peter von Zezschwitz
[Zetafonts (Tangram Studio)]

Peter Wiegel
[CAT Design Wolgast]

Peterpaul Weiß

German type designer, 1905-1977. He created the blackletter typeface Kursachen (1937, Schriftguss). Digitized and extended by Patrick Griffin at Canada Type as Blackhaus (2005).

Petra Heidorn
[CybaPeeCreations (or: Typoasis)]

Petra Ojala

Designer of Fag Hag Black (2011, Fraktur). [Google] [More] ⦿

Petra Rueth

Petra Rueth is a graphic and type designer who is studying at HGB Leipzig under Fred Smeijers in 2018. More specifically, she researches the relationship between the Fraktur, Kanzlei, and Kurrent scripts. At ATypI 2018 in Antwerp, Petra Rueth introduced the work of C.G. Roßberg in 1793: In the late 18th century, C.G. Roßberg, a German clerk, worked on a stunning project: he envisioned a system of scripts which would harmonize together. Following the Renaissance approach, where science and art were intermingled, his aim was to encapsulate the beauty of letters in a mathematical system. [Google] [More] ⦿

Petros Afshar
[Glyph44 (or: Swash Hub)]

Phantazm

FontStructor who made the blackletter typeface Wickedy (2009). [Google] [More] ⦿

Phantom Foundry
[Jean-Baptiste Morizot]

Type designer at the open source type foundry Velvetyne in Paris. His creations there include Trickster (2017: blackletter), Bluu Next (2014, a free wedge serif typeface) and Steps Mono (with Raphael Bastide).

In 2015, he switched to the commmercial camp, and cooperated with the Fontyou team in the production of the didone typeface family Télémaque FY, which brings Didot in its most rigid and tuxedoed manner, for the black-and-white fashion mags showing James Bond with a black bowtie and spotless high-contrast shirt.

In 2016, Alisa Nowak, Julie Soudanne and Jean-Baptiste Morizot co-designed Graphico (Indian Type Foundry): Its letterforms are industrial and square-sided. The typeface looks like the product of precision mechanics: it should be featured together with tech---either old tech like appliances or watches, or new tech like apps and laptop stands. Still for Indian Type Foundry in 2016, he designed the hipster sans typeface family Bobo---perhaps one of the greatest hipster typefaces of all times. Bobo stands for bourgeois Bohemian---I am not sure it is identical to gauche caviar, but that is the societal class the author of this typographic encyclopedia belongs to.

In 2016, Morizot designed the high contrast wedge serif newspaper typeface families Editor and Editor Condensed, the 6-style techno font Technor (free at Fontshare; squarish with inflated horizontal strokes), and the car license plate font License at Indian Type Foundry.

In 2017, as part of the new Black Foundry, he extended his free font Bluu and even added a variable font to the set, as well as a collection of emojis. The new name is Bluusuuperstar: Bluu Suuperstar is a brutalist serif typeface featuring very prominent triangular-wedges for serifs and terminals. Bluu Suuperstar's letters have a tall x-height, and the diamond dots are a chief characteristic of the design. Notches like these [diamonds] are found in several blackletter designs; but most-famously in the romain du roi created for Louis XIV. Nothing in Bluu Suuperstar is soft or cuddly; this is a sharp typeface, and you could cut yourself on its letters. The separate emoji font, designed by Gaëtan Baehr, is wittily named Bluumoji, and it includes 73 glyphs.

In 2018, Morizot set up Phantom Foundry, where he published Super Fat Bob (2018) and Phantom Sans (2018: trying to bring some warmth to the geometric sans genre, and now also a variable typeface).

Typefaces from 2019: Cosmetic (Indian Type Foundry: a high-contrast fashion mag sans family), TXT25 (an unconventional extreme-axis (variable) text typeface).

Typefaces from 2020: Karrik (a free britalist font designed with Lucas Le Bihan), Token (at Future Fonts---on purpose, Morizot mixes discordant styles to create a Frankenstein monster of a typeface; he added Token Bebop in 2021), Kola (a molecular rounded stencil typeface published at Indian Type Foundry; free at Fontshare)

Typefaces from 2021: Pally (at Fontshare; a 3-style asymmetric rounded sans with a playful children's book or comic strip rhythm), Zodiak (2021, Jérémie Hornus, Gaetan Baehr, Jean-Baptiste Morizot, Alisa Nowak, and Théo Guillard at Fontshare; a free 24-style text family with Century-like newspaper roots and sturdy bracketed slab serifs that was originally named Claire (2020)), NaN Tragedy (an 8-style serif with display and Text subfamilies, and a variable font option; Tragedy is classical and sturdy, yet mischievous and unconventional).

Fontshop link. Future Fonts link. Home page. Fontsquirrel link. Jean-Baptiste Morizot at Velvetyne. [Google] [MyFonts] [More] ⦿

Phantomhive

Designers in 2010-2011 of the free hand-printed typefaces 1925 (very grungy), The Laboratory, Feebleminded, Of Mr Valent, What Planet Are You From, Speckled with stars, I am more bored than you, Eroded Strikethrough, All Hearts (dings), MiniCapitals, I Have No Insides, Bygbv, And You Say You're Lazy, Fluffy Clouds, Heart Attack, Winged, Messed-up Bubble, Blood-Scratch, Burnt-Scratches, Creative-A's, Dots-to-Write, Messed-Up-Bubble, My-awesomness-handwriting, I am an actual train, Just For Fun, Is Life Really That Complicated, Because I Say So, Apple Crumble and Custard, Sandwiches Fall From The Sky, Yet Again, Fat Squiggles, Six year Old Rushed, Drawn Old English (hand-drawn blackletter), Ciel Phantomhive loves you, Kind of bitmap font, Let loose or else, Neatly Tubby, We dance to a different disco, One more week of school, Floating in the sky, Written during an exam, Left handed writing looks weird, The power on my laptop's about, SASUnaru, Meltdown, A plainer font, You are my princess (scratchy), Rachel Rabbit's Lawn, A Skeleton In Your Closet (skeletal glyphs), I Have Gone Crazy, Cobwebbed, If Only Life Was Simple (hand-printed), LJPTihain, Still 6 but almost 7, Orange Juice, The Octopus (grunge). [Google] [More] ⦿

Phil MacIsaac
[Open City Design]

Philip Bouwsma

Type designer born in Boston in 1948 who created many exquisite designs such as Alexia (1992), Sallando Italic, Dorothea or Cresci Rotunda. His work shows the influence of masters such as Arthur Baker.

A list of typefaces done for Agfa (which became Monotype): Alligators (dingbats), Aureus Uncial, Bollatica (a blackletter script), Carmela, Connach (a Gaelic font), Corvallis (1995), Cresci Rotunda (a rotunda), Dorothea, Francesca (1994), Hrabanus (1994, Monotype: Based on the lettering of Hrabanus Maurus, c. 776-856, archbishop of Mainz and author of many commentaries on the scriptures), Lexie's Animals, Ludovico, LudovicoWoodcut, Makondo (tribal glyphs), Mantegna (named after the renaissance era engraver Andrea Mantegna), Mariposa, Mariposa Sans, Mexican Birds, Borders&Symbols, Monmouth (1994, a Lombardic / blackletter face), Neuhengen, Ophelia Italic, Palatino Rotundo, Percival, Poggio Bookhand, Pompeii Capitals, Ramsey (1997, Lombardic face), Sallando Italic, Southwest (dingbats), Synthetica (1996), Thalia Italic, Trieste, van der Hoef Capitals (Monotype, an art deco typeface after 1920 lettering by Dutch artist Christian van der Hoef), and Wolfdance.
At Alphabets Inc: Alexia (1992; a broad nib font), Benedict Uncial, BouwsmaScript, Juliana and Weissenau.
A complete list of all Philip Bouwsma fonts on the Creative Alliance v9.0 CD: Alligators (1994, letters made up from alligators), Aqua Life (2005), Carmela, Clemente Rotunda, Corvallis (1995), Corvallis Oblique, Corvallis Sans, Corvallis Sans Oblique, Dorothea, Fransesca Gothic (1996, Lombardic / blackletter style), Hrabanus, Lexie's Animals, Lombardic Capitals (1994, Monotype), Ludovico Smooth, Ludovico Smooth Flourishes, Mariposa, Mariposa Bold, Mariposa Book, Mariposa BookItalic, Mariposa Black, Mariposa Medium, Mariposa Sans, Mariposa Sans Bold, Mariposa Sans Book, Mariposa Sans BookItalic, Mariposa Sans Black, Mariposa Sans Medium, Mexican Birds, Polenta Black Italic, Polenta Italic, Ter Gast, Ter Gast Alternates, Wolfdance, Wolftrack, Schildersblad Capitals (Dutch deco, at Monotype), Tresillian Roman, Tresillian Script (1999: a calligraphic script).
From 2005 on, he started publishing his typefaces at Canada Type. There he published a fantastic calligraphic blackletter-inspired family, Torquemada, and Bouwsma Script (2006), an extension of his 1994 handwriting face. Still at Canada Type, he updated Alexia in 2006, and added Luminari in 2008, a Lombardic / uncial font influenced by the prolific humanist Poggio Bracciolini from the early fifteenth century (+Greek, +Cyrillic, +Celtic). The 8-style Bouwsma Text (2008, Canada Type) is a full-bodied truly "roman" family well worth visiting. The 5-style calligraphic script family Mirabel (2008, Canada Type) is based on the handwriting of Beverly Bouwsma (Philip's mother), which she developed in the 1930s. Styx (2008, Canada Type) is a 4-font connected calligraphic script family with rough and smooth variations. But his grandest achievement at Canada Type is perhaps Maestro (2009), a 40 style chancery family, in 2 weights each, with 3350 characters per font, co-designed with Patrick Griffin. Still in 2009, he designed the 6-style calligraphic Tupelo family. In 2010, his main contribution, with Patrick Griffin, is the calligraphic uncial Testament II. His Lorenzo family (2010, Canada Type) is has both chancery and calligraphic styles. In 2011, he published the Carolingian script family Symposium Pro, with the help of Patrick Griffin.
In 2015, Bouwsma published te calligraphic typeface Lyra, an Italian Renaissance script somewhere between the humanist bookhand and the chancery cursive.

View Philip Bouwsma's typefaces. [Google] [MyFonts] [More] ⦿

Philipp Herrmann

Creator (b. Münich, Germany) of a great blackletter typeface called Diek while he was studying at the Hochshshule für Gestaltung und Kunst in Zürich.

Designer at Optimo of the playing cards slab serif font Piek (2006).

In 2013, Philipp Herrmann set up the Out of the Dark foundry in Zurich. [Google] [More] ⦿

Philipp Luidl

Author of Die Schwabacher (2004), and Ornaments. Philipp Luidl and Günter Gerhard Lange coauthored Paul Renner (1978, Typografische Gesellschaft München). Philipp Luidl and Helmut Huber wrote Typographical ornaments (Poole, Dorset: Blandford Press; New York, N.Y.: Distributed in the U.S. by Sterling Pub. Co., 1985), a 368-page in-depth treatise on the subject. Cover page and selected images such as this end piece with tendril decorations, 17th century, this cast unit piece assembled from various elements, these great ornamented caps, and this vignette from the Academicism period. They divide type ornaments up by historical periods:

Gothic period (1150-1500): Abstract leaves, trefoil, quatrefoil, sixlobe tracery, paisley, interlace and plant motifs.
Renaissance (1500-1600): Fabulous creatures instead of animals, weapons, music instruments, hop, fig leaf and symmetry everywhere. In the early renaissance (1520-1570), we find grotesque (symmetry, leaves and creatures), mauresque (lines and forms only--no humans or animals!), and basketwork (geometrical designs made up from lines and bands). The late renaissance sees scrollwork (border ornament) and strapwork (wrought-iron).
Baroque period (1600-1730): Ornate, exaggerated, swepping curves, no corners. In the high baroque (1680-1715), straight curves are not tolerated, and curlicues appear in lettering.
Rococo period (1720-1780): From "rocaille" (shellwork), form is secondary to decoration. Shell shapes, flame shapes, some Asian patterns.
Neoclassicism (1770-1830): Sobriety, a nostalgic return to antiquity. Urns and garlands, running dogs, oval cartouches. The Empire style refers to Napoleon times, with laurels, lotuses, sphinxes, and pyramids dominating. Another substyle is Romanticism or Biedermeier, with domestic tranquility.
Academicism (1850-1900): Revival of Gothic, Baroque and Renaissance elements during this industrial growth period.
Art Nouveau (1895-1914): Based on Asiatic or folkloric plant and animal motifs, asymmetrical, planar, and reactionary. A truly new style.
Modernism: The geometrical patterns of the Art Deco movement (1920-1940), and other ornamental styles, often austere, reactionary, or experimental.

[Google] [More] ⦿

Philippe Nicolas

French graphic designer who lived in Perugia, Italy, and is now in Nantes, France. I would call him an experimental typographer. He likes experimenting, for example, with modular typeforms, as is apparent from his typefaces called Tubular Type, Type Lover, and Fold Type (2009). His Electro (2009) is supposed to look like your hair when you plug your fingers into the socket. Bang Bang type (2009, Western meets organic) and Fr ak type Abigaëlle (modular blackletter, 2009) and All Slab Western (2009) are further experimental typefaces.

In 2014, he designed the beveled typefaces Vernacolare, Prism Rounded, Prism, and Old Prism, and the circle-based display typeface Neo Quadrata. Terzo (2014-2017) is a delightfully excentric compass-and-ruler typeface. Modula (2014) is a minimalist modular typeface.

Behance link. Flickr page, where one can find more experimental types, like AbstractMin (2010), AbstractStruct (2010). Home page. [Google] [More] ⦿

Phillip Andrade
[Dry Heaves Fonts (was: Phil Fonts)]

Phillipe Burgos

Graphic designer who studied at UFPE in Recife, Brazil. During his studies, he created the blackletter typeface Wyskana (2014). [Google] [More] ⦿

Phospho
[Roland Hörmann]

Austrian foundry (est. 2008) located in Vienna, and run by Roland Hörmann (b. 1976, Krems, Austria), who did some pixel fonts in the nineties for the Commodore64, and is presently art director and graphic designer.

In 2007, he created Eltaus, an art nouveau font. Hörmann created the free brushy blackletter grunge typeface Adhesive Nr. Seven (2008), and the connected fifties style script typeface Luxus Brut (2009), and the simple handwriting family Neonoir (2010).

In 2011, he published the graffiti typeface Whatka.

In 2012, Roland Hörmann and Felix Auer co-designed the refined didone fashion mag display typeface Aquus (+the outline version, Aquus Linearis).

In 2014, Roland completely reworked Luxus Brut and published Luxus Brut Sparkling, a luxurious high-contrast calligraphic script typeface.

In 2015, he continued in the tradition of outstanding and striking display types by publishing Gloss Drop in the Treefrog genre. He writes: This is not a Barbie Script dolled up for the next beauty contest. It is imperfection and naivety dripping from every letter that makes this font stand out. An enviable choice for magazine headers, book covers or record covers. Works also well as a companion to hand-drawn or painted illustrations. Gloss Drop can even rock your wedding designs if they are seeking for something that makes a difference.

Typefaces from 2018: Antipol (a reverse stress sans typeface family). [Google] [MyFonts] [More] ⦿

Photo-Lettering Inc

A subsidiary/part of House Industries in Yorklyn, DE. I quote: Photo-Lettering was a mainstay of the advertising and design industry in New York City from 1936 to 1997. PLINC, as it was affectionately known to art directors, was one of the earliest and most successful type houses to utilize photo technology in the production of commercial typography and lettering. It employed such design luminaries as Ed Benguiat and sold type drawn by the likes of Herb Lubalin, Milton Glaser and Seymour Chwast as well as countless other unsung lettering greats. The company is best known by most of today's graphic designers for its ubiquitous type catalogs. Physically, the collection takes up about 1500 cubic ft (42 cubic meters) of space and consists of film negatives and positives of most of the 6500 fonts produced in the company's 55 years. There are also countless patterns, cartouches, borders and dingbats, all of which have been preserved in film negative form. Each negative is approximately 28 in (71 cm) by 5 in (13 cm) high. House Industries, a Yorklyn, Delaware-based independent type foundry, purchased the entire physical assets of Photo-Lettering in April of 2003. Through a partnership with Ken Barber, Christian Schwartz and Erik van Blokland, House Industries is carefully digitizing select alphabets from the collection and plans to offer them through a modern web-based interface. The Photo-Lettering interface has allowed us to reach beyond the rigid confines of typography to offer extended features such as layering, color control and multiple master interpolation over six axes. With some of the most talented minds in display typography behind this new display lettering system, users of the system will enjoy the same refined typography as the original Photo-Lettering customers.

A snapshot of their production, as of mid 2012, in alphabetical order:

Atrax. A Mexican simulation typeface.
Aztec. A videogame typeface.
Banjo Playbill. A tear drop typeface.
PL Barclay Outline.
BenguiatBuffalo. By Ed Benguiat.
BenguiatCaslon, BenguiatCaslonOutline, BenguiatCaslonPlain. By Ed Benguiat.
BillSeeWhimsy.
PL Brazilia (sans).
Brickhouse.
PL Britannia.
Brixen.
BrodovitchAlbro.
Bubblegum, Bubblegum Drop.
Carlyle Eventide. A 3d titling face.
CarusoRoxy.
Chicamakomiko.
CopelandMilo. A connected script by L.H. Copeland.
CopelandTrilliumFills, CopelandTrilliumOutline. A beveled prismatic typeface by L.H. Copeland.
DARegatta. A flared didone.
DAmicoGothic. A casual flared typeface.
DavisonBaroque. A Western / Tuscan typeface.
ExotiqueJSplit.
FederalReserve.
FederalTwelveDiagonal, FederalTwelveHorizontal. These are engraved copperplate typefaces.
PL Fiorello (squarish sans).
Galaxy Didot (based on a didone typeface by C.E. Coryn).
Goliath. A fat Egyptian typeface with a wood style flavor.
HanoverBold. A nice Fraktur typeface.
HaslerCircus. A Tuscan circus font.
HenrionBA. A beveled typeface with several layers.
HouseGothicWide. A shaded unicase typeface.
Housebroken. A two-layer stencil caps face.
PL Latin.
Mierop Inline. A bilined art deco typeface.
Millstein Flourish. A beautiful tall-descender typeface.
PL Modern Heavy Condensed.
Neutra Inline, Neutra Thin. Neutra Thin is a phenomenal geometric hairline sans.
Norton Slapstick. A wood simulation typeface by S.E. Norton.
Norton Tape. A stencil paper-fold typeface by S.E. Norton.
Quaint. After an ornamental typeface from 1938 by Paul Carlyle and Guy Oring.
Quicksilver.
Quintet. A calligraphic connected script
Raymund Circus (+Inline, +Outlined).
Smidgen. A signage face.
Sodachrome.
StanSlope.
SuperstarScript. A bubblegum typeface.
SwissInterlock.
SwissTwoTone. A display sans with two layers.
Tiki Palms.
TimesSquare. A dot matrix typeface.
Tuggle. An oil slick typeface.
Voodoo House.
PL Westerveldt. A sans revived by Monotype.
WestBarnumUltra, WestBarnumUltraDrop. A fat Egyptian typeface by Dave West.
WestBehemoth, WestBehemothItalic. Egyptian typefaces by Dave West.
WestEmperorScript. A fat didone by Dave West.
WestThud. A fat signage typeface by Dave West.
West Elephant. By Dave West.
West Italiano. A didone by Dave West.
West Kerpow. A comic book typeface by Dave West, late 1960s. This was digitized in 2011 by Allen Mercer at House Industries as Plinc Kerpow.
Worthe Numerals. Fat didone numerals revived by Ben Kiel at House Industries in 2012.

[Google] [More] ⦿

phud

Blackletter and related truetype fonts such as Algerian, AugsburgInitials, FrenchScriptMT, LucidaBlackletter, MonotypeCorsiva, OldEnglishTextMT. [Google] [More] ⦿

Pi Luo

Creator of Misu Kim (2005), Earth Kid (2005, grunge), and the handwriting fonts Asian Guy (2005, oriental simulation face), Asian Girl (2008) and Alien Strawberry (2008, double strokes) and the ransom note typeface Black Casper (2009). In 2009, he created the paint drop typeface Clarisse, the outlined grunge typeface University High, and the grungy typefaces Make Juice, James Han and Northwood High. Celeste Hand (2009) is a handwriting face, while Gordon Heights (2009) is a soft sans. SCRATCH (2009), Irvine High (2010), Lexington High (2010) and INFECTED (2009) are grungy. Gothical (2009) is a grunge version of Fette Fraktur. White Tie Affair and Valerie Hand date from 2005. Creations from 2010: Rocketshop Town (eroded futuristic face), Lemons Can Fly (children's hand). In 2012, he started work on a didone called Serina.

Devian Tart link. Font Squirrel link. Another link. [Google] [More] ⦿

Pia Frauss

German designer (whose real name is Marianne Steinbauer) of these beauuuuuuutiful (free) fonts:

Francisco Lucas Llana Regular (2003, chancery hand). Pia writes: Written in Madrid in 1570, by a man called Francisco Lucas. He classified it as a Bastarda; but actually, it is a humanist cursive -- the type of writing that is mostly known under the name of Chancery.
Francisco Lucas Brioso Regular (2003, medieval hand). Also based on Francisco Lucas.
WirWenzlawRough (2003). Pia writes: This is a genuine Bastarda, written at Prague in the year 1400, at the chancery of one Wenzlaw who was king of Bohemia and Roman king. His elixir of life was booze, his first occupation fighting off a brother who tried and retried to have him dethroned for insanity, his favourite pasttime having people drowned in the Moldava, and his only claim at immortality causing thereby the death of a court clerk called John of Pomuk, who afterwards became renowned as a saint.
XenippaRegular (2003). Absolutely original Rotunda capitals mixed in with French Bastarda.
XirwenaRegular (2003). A swash font invented by Pia.
Dei Gratia (2005): This font is rather closely based on a charter issued in 1275 by Rudolf of Hapsburg (the first of his house to make it on the German throne).
JaneAusten (2005): handwriting based on Jane Austen's hand.
Tagettes and Tagettes Plus (2005): Pia writes Tagettes&TagettesPlus are the type of Italian chancery cursive of the 16th and 17th century that is mostly called Cancellaresca. Swashes galore!
Xiparos (2005): an extract of some German charters issued nine hundred years ago by Henry, the last of the Salic kings. This medieval typeface was followed by Xiparos Lombard (2005).
XiBeronne (2005): "XiBeronne is, of course, plain Black Letter -- at least as far as the lower case glyphs are concerned. They were inspired by a very beautiful and very celebrated French manuscript written at the beginning of the 15th century, containing -- and splendidly illustrating -- Gaston Phoebus' Book of the Hunt."
EtBoemieRex (2007): a 14-th century blackletter face. Boemie means Bohemia...
Tycho's Recipe: based on the Antiqua used by Peter Payngk (Denmark, 1575-1645) or his helpers in copying astronomer Tycho Brahe's recipe against the plague, ca. 1610.
Love's Labour (2007): a blackletter based on a sample that Pia Frauss suspects is due to Michael Baurenfeind, ca. 1716.
aeiou (2007): a blackletter based on the chancery used by the Hapspurg's who reigned from 1440 to 1493.
XalTerion (2007): another blackletter.
Mala Testa (2012). A chancery hand based on a writing sample titled Lettere piacevolle taken from A booke containing divers sortes of hands, published by J. de Beauchesne and J. Baildon, in 1571.
Mitre Square (2012). A script typeface based on a handwriting dsample from the files of the Jack The Ripper case in 1888.
Son of Time (2012). Based on the handwriting of Giovanni Borgia (Joan Borja), duke of Gandia, who was the son of a pope and the grandfather of a saint.
Tycho's Elegy (2012). Based on the chancery hand of Tycho Brahe (1597, Denmark).

Dafont link. Yet another URL. Klingspor link. Abstract Fonts link. [Google] [More] ⦿

Pierre Corbucci
[L' Atelier]

Typefaces from 2022: Montgrove (a luxury serif), Rigero (a reverse contrast display typeface), Patheos (a sharp-edged decorative serif). [Google] [More] ⦿

Pillcrow

Wroclaw, Poland-based design group consisting of Maciej Kodzis, Grzegorz Owczarek, Ewa (Dominika) Sadowska, Marta Moskwa, and Michal Pawlowski. Together, they designed the free typeface family Pischinger (2016), which consists of PischingerFraktur-Basic, PischingerFraktur-InlineGlow, PischingerFraktur-NeonInline, PischingerFraktur-NeonOutline, PischingerFraktur-OutlineNeon, PischingerGrotesk-Basic, PischingerGrotesk-Fontex, PischingerGrotesk-Fontpol, PischingerGrotesk-InlineGlow, PischingerGrotesk-NeonInline, PischingerGrotesk-NeonOutline, PischingerGrotesk-OutlineGlow, and PischingerGrotesk-Shadow. Designed for Katowice City, the project was supervised by Verena Gerlach.

They also made the vintage factory signage typeface Nadodrze (2016). Behance link. [Google] [More] ⦿

Pixel Moshpit
[John Sullivan]

Floridian designer of the modern Tuscan typeface Monoslam (2016), which is inspired by The old Boston Redsox's Circus style serif font as well as Luis Hernandez's work.

Typefaces from 2017: Gutterpunk (spiky brush), Soudern (Tuscan style), Ole Ingrish (blackletter), Scurd (dripping blood font), Ironpunch, Nostalgik (inky script), Xign Painter.

Typefaces from 2018: Night Wryter, Meduza (blackletter). [Google] [More] ⦿

Pixel Sagas (was: Protoform Project, and Fontshack)
[Neale Davidson]

Free original designs, often with a science fiction feel, by Neale Davidson (b. 1971). Does some custom font work. Adventure.

Neale Davidson's typefaces:

4E Dings (based on those used in WotC's 4E Dungeons and Dragons game).
AdventureNormal (1998), AdventureSubtitlesNormal, Alpha Mutation (2012, based on the title logo to the 2011 version of "Gammaworld"), Algol (2013, based on the logo for R Talsorian's "Mekton Zero" role-playing game), Alternity, Amuro (2013, +Condensed: an ocragonal typeface), Anayanka (2013, Cyrillic simulation font), Ancient Thorass (2013), Angel Arms (2012, a shothole font), Anglo Celestial (2014, connect-the-dots typeface), Anglorunic (2011), AngloYsgarth (2014), Angolmois (2013, based on the Hasbro 'Dark Energon' exclusive toy line), Armorhide (2013, sci-fi face), Arneson (2013), Artifact (2011; became Ravenwood), Aurebesh (2013, based on the WEG version of Star Wars Imperial Writing).
Bantorain (2013, spurred), Barazhad (2014, flourished, runic typeface based on the demonic and occult and necrotic languages from Wizards of the Coast's Dungeons and Dragons game), BattleBeasts (2000), Bayformance (2014), Beastformer (2011, based on the long-ago logo of Hasbro's "Battle Beasts"), Bayformance (2014), Beast Wars (2011, based on the logo of the show of the same name), Betazed (2013, for Star Trek betazoids), Bidan (2013, constructivist), Bienvenu (2011, pixel face), Blitzwing (2013, octagonal family), Blofeld (2013, a distressed font based on the title logo of Exile's cult-classic "Evil Genius"), Bloomingworth (2013), Braddington (2013, art deco), Britannian (2014, runes), Broadmoor (2012, art deco).
Callie Mae (2013: a rounded organic sans), Cardosan (2013, runic script), Carlton (2012), Celestial, Chapleau (2012, art deco), Chinyen (2005, oriental simulation), Clark (2013), Classic Robot (2011), Coburn (2013: military stencil), Colony Wars (replaced by Gallonigher), Comic Book, Constitution Class Hull, Convoy (2011, based on the logo for "Armada" and "Robots in Disguise"), Counterfire (2014, stencil), Crichton (2013, an avant-garde font based on the title logo from the "Farscape" television series), 2015 Cruiser (2013, based on the police-car lettering used in the move "Back to the Future II"), Crystal Deco (2008, based on the logo for much of the merchandising for "Indiana Jones and the Crystal Skull"), CuniformEnglishNormal, Cyberfall (2013, octagonal / mechanical typeface based on the logo of the console game "Fall of Cybertron"), Cybertron Generations (dingbats, now replaced by Transdings), Cybertron Metals, Cybertron OpCode (2014), Coulson (2014, stencil), Cyberverse (2011, futuristic), Cyrodiil (2014).
Daedra (2012: based on the Elder Scrolls series of games), Dai Atlas (2013, based on the original Transformers logo from Hasbro), DalelandsNormal (a Celtic typeface based on the lettering used in early TSR Dungeons and Dragons products), Datacron (2013: based on the Fall of Cybertron toyline), Davek (2014, based on the dwarven and "under-mountain" runic scripts found in Wizards of the Coast's Dungeons and Dragons fourth edition role-playing game), Decahedron (2012), Destronic Graffiti (2013), Dethek Stone (2011, runes), DiamondFantasyNormal, Dinobots (based on the Dinobots logo from Hasbro's Beast Machines line), Dodecahedron (2012), Downlink (2013, techno), Dragonmaster, Droid (2015), Dunkin and Dunkin Sans (2012, based on the rounded fat letters of the Dunkin Donuts logo), Dovahkiin (2013), dPoly (2013, polyhedra and game dingbats), Duodecahedron (2012), Dwemer (2013), Dynotherm (2013, a heavy octagonal face).
Eladrin (2011, based on the third edition version of the Elven font used in Dungeons and Dragons), Electrorocket (2012, art deco), Elminster, Emotion Engine (2012, based on the Playstation 2 logo from Sony), Empanada (2013), Emulator (based on the old Nintendo game font), Energon (2011), Equestria (2012: based on the My Little Pony Line), Erte (2013), Espruar (2011, based on the Elvish script found within TSR's "2nd Edition: Dungeons and Dragons" Forgotten Realms Elvish script), Eurocorp (2012, based on the logo and menus within the classic "Syndicate Wars" game from Bullfrog Entertainment), Exodite Distressed (2013, a custom design for LPJ's "Neo-Exodus" Pathfinder campaign world), Explorien (2014), Eyvindr (2014, rune simulation font).
Falmer (2013), Fhokki (2014), Flipbash (2012, an octagonal typeface that is based on the logo of Hasbro's Bot Shots), Flynn (2011, futuristic stencil face), Fontana (2011, techno-futuristic), Fractyl (2013, used for the Predacons' speaking bubbles in the BotCon "Ground Zero" comic in 1997), Furmanite (2011).
Gaiking (2012: Based on the logo of Mattel's Giant Robot toyline, Shogun Warriors), Galaxy Force (2011, based on Hasbro's Transformers: Cybertron logo), Gallonigher (was Colony Wars), Gamedings, Gargish (2013), Gargoyles, Garriott (2013, runic), Geddes (2011, art deco sans related to Futura), Gemcut (2013), Generation Two, GIColton (2014), GiediAncientAutobot (2014), GiediDecepticonGraffiti, GiediGoldenDisk, GiediMaximal, GiediPredacon, Gin Rai (2011, based on the logo of Hasbro's latter-era "Generation One" Transformers series), Gold Box (2012, a pixel typeface based on the in-game lettering from the classic SSI "Gold Box" game collection, featuring Dungeons and Dragons: Pool of Radiance, Curse of the Azure Bonds, and so on), Gosub (2011, a pixel typeface similar to the on-screen lettering of the Timex Sinclair), Gotham Nights (2011, based on the lettering used in "Batman: The Animated Series"), Green Martian (2013), Gutcruncher (2011, based on the logo from the famous Blood Bowl game), Graalen (2013: an alien-glyph typeface based on the Andorian writing found in Last Unicorn Games' Among the Clans supplement for their Star Trek: Roleplaying Game).
Harker (2013), Harpers (runes), Hauser (octagonal, futuristic; Former "Action Force", based on the logo of GI Joe), Hellpoint (2013, based on some of the plate markings founds in IDW's "Transformers" comic series), Hetfield (2013: a spurred typeface), Hexahedron (2012: dice), Hexahedron Rounded (2013), Hyperspace (2012, thin monoline octagonal, based on the original Atari vector font from Battlezone, and on Asteroids).
Imaki (2011, futuristic; was Cybertron Metals; based on the logo of the Japanese Beast Wars Metals series), Indiana (2012, from the titling for the Indiana Jones movies and comics), Instruction (2012, monospaced and monoline caps typeface for engineering applications), Interceptor (2014, sci-fi), Invaders (2012, based on posters for the 1960s movie), Iokharik (2014, a Mandarin-stylized runic typeface based on the language described in Wizards of the Coast's Dungeons and Dragons), Iori (2013, octagonal stencil family).
Jedi (2012: Star Wars logo font), JediHollowNormal, JediSolidNormal, Jefferies (former Constitution Class Hull, based on the original Star Trek Enterprise lettering), Jhiaxus (2011, based on the logo of "Transformers: Generation Two"), Joystick (2011, based on the lettering used from Sears' Tele-Games cartridges), Jumpman (2012, based on the logo of the original Donkey Kong game from Nintendo).
Kanno (a geometric sans formerly called Sharon Apple), Kargi (2014), Kentaurus (2013, Greek simulation typeface; he writes: This 'microgramma-like' font is based on the "Kentaurus" writing found within Franz Joseph's "Star Trek: Technical Manual"), Ketchum (2011, a comic book typeface based on the logo of the popular Pokemon franchise), Kehdrai (2014), Kreon (2011, a round techno typeface based on the logo of Hasbro's Kre-O line).
LaBoeuf (2011, techno: based on Indiana Jones subtitles), Laser Rod (2011, based on the Transformers line), Lassiter (2012, a spurred Western typeface), Lorre (art deco).
Mage Script (2013), Majel (2013, an avant-garde typeface), Majoram (2012, a hairline avant garde typeface), Majoram Serif (2012), Manga (2011, oriental simulation), Mara's Eye (2013, based on the lettering used on Disneyland's Indiana Jones "Forbidden Eye" ride), Marston (2013, on the title logos of numerous Spaghetti westerns), Masterforce, MasterforceHollow, MasterforceSolid, MaximalBeasts, Maximus, Mechalock (2013, based on the "Combiners" subline logo from Hasbro's "Robots in Disguise" Transformers series), Mech Tech (2013, based on Hasbro's "Transformers: Dark of the Moon's" toys' "Mech Tech" logo), Medabots (based on the Hasbro toy line), Megatron (2011, based on the logo of the live-action Transformers movies), Microgramma Extended (later replaced by Probert), Minerva (2012: based on the logos used for Shout's releases of Transformers: Headmasters, Masterforce, and Victory), Mission GT-R (2013, based on Takara's "Transformers: GT-R"), Mode X (2012, based on lettering from classic "Mode X" games of the early 1990s), Modern Cybertronic (2013: an alien-dings font based on Jim Sorenson's "Ancient Autobot" script), Modern Destronic (2013: based on Jim Sorensen's "Ancient Decepticon" script), Modern Iaconic (2014: based on the 'runic' letting found in Transformers: Legacy), Mons Olympia (2014, sci-fi), Montalban (2011, based on the title credits of Star Trek II: The Wrath of Khan), Moria (runes), Morse Tech, MysticEtchingsNormal.
Nakadai (2011, a unicase techno font based on Hasbro's Transformers: Prime figures), Neo Gen (2011, based on the logo for the SD Gundam series of games), Neostar (2012, sci-fi), Neverwinter (2011, based on the logo of the popular "Neverwinter Nights" computer game from Bioware) (see also here), Night Warrior, Nippon Tech (faux oriental), Nite Club (2011, dot matrix), Nyctographic (2014).
Octohedron (2012), Okuda (formerly Okudagrams; based on the LCARS characters from Star Trek: The Next Generation), Omnicron, Ophidian, Optic (2011), Optimus (2011, based on the original Transformers logo from Hasbro), Orion (2012, a techno-style font based on the "Robots in Disguise" logo from Hasbro's 2012 Transformers toyline), Overseer (2011).
Pacmania (2013), Palisoc (2013), Pcap Terminal (2014, sci-fi face), Phoenixians (2012: based on the logo of Centuri's Phoenix arcade game), Pixel Cowboy (2015), Pixel Musketeer (2013, based on Sony's Wild Arms and Wild Arms 2 games for the Playstation), Pixel Azure Bonds (2015), Pixel Combat (2015), Pixel NES (2013: based on screen fonts of Colecovision, Timex Sinclar, Nintendo, SimTech's ModeX VGA, Tandy Color), Planewalker (formerly called Magic Cards. Based on the text used in older Magic: The Gathering cards), PlanewalkerDings (2014), Plavsky (2013), Pokemon, Politik (2014, constructivist), Powerpuff (based on the logo of "The Powerpuff Girls" from Cartoon Network), PredaconBeasts, Probert (replaces Microgramma Extended), Protoculture (2012, based on the franchise logo of Robotech).
Qijomi (2013), Quintanar (2011), Quantum (2013: based on the title credits of the James Bond movie "Quantum of Solace").
Rapier Zero (2013), Ravenwood (2011), Razorclaw (2013: based on the logo of the Beast Hunters Transformers line), Reanaarian (2014), Reconstruct (2013), Red World (2014), Regen (2012: a science-fiction font based on the logo used on the cover of the Transformers: Regeneration One comics), Rellanic (2014), Renegade (2013, techno stencil, based on FASA's "Renegade Legions" gaming line), Resavy (2012, a Broadway style art deco beauty), Rio Oro (2012, a Far West Tuscan marquee font), Robot Masters (now called Takara), Roddenberry (2011, based on the StarTrek logo), Roughknight (formerly Materia Arms. Based on the Wild Arms 5 video game logo---it simulates wood type and is Western in concept), RubCaps (2013), RunicEnglishNormal.
SandsofFireNormal, Schnaubelt (2011, rounded technical caps face), Semphari (2014), SharpAvienne (2014), Sierra Madre (2012: an avant-garde typeface based on the Sierra Madre casino's logo from Fallout: New Vegas: Dead Money), Silverball Oblique (2012, LED font), Simple Runes, Sinescript (2013), SkeksisNormal, Skir, Sorenson (2013, a stencil typeface), StarburstPips (2014), StarcraftNormal, Starfleet (2004), Stark (2012: based on the title logo of the Iron Man and Iron Man 2 movies), Steamcog Caps (2013), Steampuff (2012), Steamwreck (2012), Steiner (2014), Sternbach (2011), Straczynski (2011, based on the opening credits for the classic television series "Babylon 5"), Strongarm (2014, based on the title logo of Hasbro's Transformers: Robots in Disguise (2015) line), Suchet (2013: a nice art deco typeface inspired by the material of BBC Production's legendary "Poirot" series starring David Suchet), Symtext (2012, a faux 5x5 bitmap font based on the lettering used in early VGA games, such as Syndicate).
Taibaijan (faux Arabic), Takara (former Robot Masters; based on the "Robot Masters" logo from Takara's Transformers), Tandysoft (2011, based on the old typeface of the MC-10 computer), Tellarite (2013: based on the canonical glyphs of the "Tellarite" language from Paramount's Star Trek franchise), Tetrahedron (2012), Thorass (runes), Thundara (the old name was Thundercats), Tirolese (2013, an alien glyph font), Tonopah (2012, western font), Toril (2011), Transdings (replaces Cybertron Generations: based on Transformers logos from Hasbro), Transformers, TransformersHollowNormal, TransformersSolidNormal, Transmaidens, Transmetals (based on Hasbro Inc's, "Beast Wars: Transmetals" logo), Trek Arrowheads (2013), Trek Arrowcaps (2013), Tsa Script (2011, based on logos used within TSR's classic "Dragon Magazine"), Turok (2011, based on the logo of the "Turok" video game), Turtles (2011, based on the popular classic "Teenage Mutant Ninja Turtles" logo; for an extension, see Dieter Steffmann's Turtles), Twobit (2013, LCD font).
Vector Sigma (2011, based on the secondary "Beast Machines" logo), Vecna (2014), Videopac (2013, a stencil typeface based on a Philips gamme from the 1970s), Virtucorp (2014), Visionaries, Visitor Script (2013), Volkoff (2013, a Russian style tencil face).
Warlords (2011, based on the logo of the game series), Whitestone (2014, octagonal), Whittle (2013, octagonal), Winslett (2012, Far West face), Wreckers (2013, octagonal).
XBall (2013, loosely based on several title logos from Electronic Arts's (EA's) sports gaming titles).
YsgarthEnglishNormal (2011, almost blackletter).
Zarathos (2012, based on the titles for the Ghost Rider movie series), Zebulon (2013, sci-fi typeface based on the title logo of TSR's classic "Star Frontiers" game series), Zentran (2013, based on the Zentraedi glyphs found in Harmony Gold's "Robotech" franchise).
Typefaces from 2014: Rebellion, Politik (squarish).
Typefaces from 2015: Diner Bold, RPM, Pixel Calculon, Pixel Intv, Pixel Digivolve (based loosely on the title logo from the classic Digimon), Mechfire (military stencil and octagonal styles), Aurabesh Cantina (Star Wars font), Huggy Bear, Sigma Five, dPoly Block Dice, dPoly Imperial, dPoly Steampips (steampunk genre), Pixel Gosub, Pixel Symtext, Strongarm (circled glyphs), Chromia, Pixel Countdown, Pixel Tactical, Pixel Azure Bonds, Pixel Combat, Pixel Cowboy, IDroid.
Typefaces from 2016: Hastings (art deco), Timepiece, Norfolk (octagonal; based on US Navy ship lettering), Nuffle (slab serif), Nuffle Dice, Outland (octagonal), Subspace (based on the early logo for CBS/Paramount's 2017 Star Trek television series), Spellweaver Nodes (a simple runic connect-the-dots font based on Dragon Magazine's fantasy hieroglyphics), Gobotronic (based on a design from Jim Sorenson, Gobotronic is a symbolic interpretation of the language of Hanna-Barbera's own take on robots in disguise), Kaplah (angular sans), Brainstorm, Manhattan Tower, Persis, Exostencil, Phelps (based on the Mission Impossible series), Inquisitor (insipired by the Dark Heresy sub-titles from Fantasy Flight Games), Steamwheel (steampunk style), Horizon, Thirty-Seven (art deco), Draconis (loosely on the title logos of Wizards of the Coast's Dungeons and Dragons: Fifth Edition game line).

Dafont link. See also here and here, here, and here. Klingspor link. Abstract Fonts link. Devian Tart link. Fontspace link. [Google] [More] ⦿

Pixel Surplus
[Jeremy Vessey]

Jeremy Vessey set up Hustle Supply Co in 2014. In 2016, he founded Pixel Surplus in Montreal. His first fonts there are Wild Youth (brush script), St. Jacques (a free avant-garde font), Buffalo (connected script font), Old Growth, Ambarella (free script), Greenstone (connected script), Summer Hearts (brush), Wayward, Wayward Sans (free), Gutenberg (a free soft blackletter typeface), Pilsner (also free, all caps and almost art deco), Westfalia (free, handcrafted), Cast Iron and Halogen (a free squarish industrial sans typeface).

Typefaces from 2017: Harvester (script), Particle Regular (all caps sans), Hunter River (signature script), Garment District (a free monoline script designed together with Alex Joganic), Ciderhouse (free all caps sans), The Woodlands (a free brush script), Rustico (a free dry brush font), Chisel Mark (free, by Savanas Design), Ocean Six (free brush typeface), Terrain (condensed sans), Gritstone Script Bold, The Brewers Collection, The Woodblock Collection, Bourbon Grotesque (free).

Typefaces from 2018: Schoolhouse (a free chalkboard SVG font), Rock N Roll (a free dry brush script), Calibre Super Condensed (free), Blackstone Script.

Typefaces from 2019: JV Signature SVG, Bellanche, (a free curly calligraphic typeface), Lightshow (dry brush), Carlanta (by Faras Dina), Highfield (a free Peignotian sans), Heavy MFG, The Woodlands (brush script), Gallagher (a vintage font family), Whiskey Sour (font duo), Rose Blush (SVG opentype brush font), Emily Smiles (brush script), Rhythmic (a dry brush SVG font), Ashfort (dry brush), Flintstock.

Typefaces from 2020: PS Botanical, Montero (script), Aelyn (a free art nouveau font), Paradizo (a didone-inspired typeface), Athletic Dept, Skream (a free horror dry brush font), Traverse (a painted SVG font), Blackshore (a painted SVG font), Morning Brew (grungy letters), Halden (SVG brush font), Strive (a dry brush SVG font).

Typefaces from 2021: Hatfield Park (a baseball script), Avondale (a monoline script), Drag Race SVG (brush), Portside (an old map font), Wild Youth (script), Melrose (a rough-edged script), PS Ambiance (a signature script), Drag Race SVG (dry brush), Strive (dry brush, SVG), Underground Ink SVG (painted), Earthtone (dry brush), Kinlock (a stencil serif), Presque, Haute (a decorative serif), Le Grand Amour (a wild calligraphic script), Adventurist (a free SVG format dry brush script), Game Day (dry brush).

Pixel und Punkte
[Andreas Brietzke]

Andreas Brietzke (Pixel und Punkte) is the Berlin-based designer of the pixel fraktur typefaces New Hildegard and Erka Mono Fraktur. Both are on the CD that comes with Fraktur Mon Amour (Hermann Schmidt Verlag, 2006). [Google] [More] ⦿

PJKC

Designer who used FontStruct in 2009 to make Frakture, a modular blackletter face. [Google] [More] ⦿

Plusminus Type
[Tomas Clarkson]

Tomas Clarkson is the Berlin and London-based designer of the free all caps monoline sans typefaces Neukölln and Neukölln Mono (2016). This font was developed during his studies at London College of Communication. He also designed the free condensed typeface Friedrichshain (2016).

Armel Bellec and Tomas Clarkson together run Plusminus Type / Plusminus Studio in London. Tomas is also associated with Bureau Mario Lombardo in Berlin.

Typefaces from 2017: Lowlands Display (free), Rubinstein (free: a typeface for acid techno), Ostkreuz Fraktur (free).

Typefaces from 2018: Archiv Grotesk (Plusminus Type: a sans serif typeface inspired by various visits to the Stanley Kubrick archives at the London College of Communication), Waxwing (a free high-contrast all caps typeface). [Google] [More] ⦿

Poem Editions (or: Atelier Jerome Knebusch)
[Jérôme Knebusch]

Poem is an independent publishing initiative related to text, type and typography directed by Jérôme Knebusch and located in Frankfurt am Main. Knebusch, who also runs Atelier Jerome Knebusch, is a French type designer who graduated from l'École nationale supérieure d'art de Nancy and from l'Atelier national de recherche typographique. In 2008, he started teaching graphic and type design at ESAL (Ecole Supérieure d'Art de Lorraine) in Metz. He also taught at National Institute for Typographic Research, Nancy, France.

In 2012, he designed the sans family Instant, which could be bought from BAT Foundry, and, since 2014, directly from his own foundry, Knebusch. In Instant, each style corresponds to a speed or style of writing.

After setting up Poem Editions, he designed Almost Roman and Almost Gothic (2012-2019). Almost sails between gothic and roman. All fonts take their inspiration from the period of 1459-1482 with Gotico-Antiqua typefaces like the Durandus (of Fust & Schöffer), the first type to present a humanistic tendency, probably based on the hand of Petrarch. A few years later Sweynheim & Pannartz used a type in Subiaco which some consider to be the first roman although gothic influences remain clearly visible. Roman type was finally defined in 1469-1470 in Venice by the de Spira brothers and Nicolas Jenson. Almost was awarded with the Certificate of Typographic Excellence in 2020 by the Type Directors Club.

If (2017-2020) was developed by Jerome Knebusch and Constantin Pfeiffer. They write: Based on Futura Fett, released by the Bauer Foundry in Frankfurt in 1928, the type was pushed to extreme blackness without loosing its historical reference nor becoming a caricature. Decisions Paul Renner took to achieve maximum boldness like opening the counters of some letters were taken even further. The typeface, designed by Constantin Pfeiffer & Jérôme Knebush, was initially created during a workshop at the Gutenberg Museum Mainz on the occasion of the "Futura. Die Schrift" exhibition in 2017.

Editor of Gotico-Antiqua, proto-roman, hybrid, 15th-century types between gothic and roman (2021, Atelier National de Recherche Typographique). This text has papers by Olivier Deloignon, Riccardo Olocco, Martina Meier, Nikolaus Weichselbaumer & Mathias Seuret, Dan Reynolds, Christopher Burke, Ferdinand Ulrich, Rafael Ribas & Alexis Faudot, and Jérôme Knebusch, and a foreword by Christelle Kirchstetter and Thomas Huot-Marchand. Knebusch writes about it: The book brings together researchers from the fields of typography, palaeography and incunabula studies, with a particular focus on type and letterforms. The relatively understudied period---after Gutenberg and before the consolidation of Jenson's model---extends from the earliest traces of humanistic tendencies to pure roman type, including many cases of uncertain or experimental design, voluntary hybridisation and proto- or archaic roman. In 1459 in Mainz, Johann Fust and Peter Schöffer printed the Rationale Divinorum Officiorum by Guillaume Durand, using a typeface (now known as Durandus) that looked like no other before. From that point, we can follow a wide variety of developments, partly related to the travels of early printers from the Rhine area to Italy and France. By extension, the private press movement initiated by William Morris and Emery Walker at the end of the nineteenth century in England, revived some of those typefaces before they were once more largely forgotten.

Speaker at ATypI 2017 Montreal: Halbgotische, Gotico-Antiqua, Fere-Humanistica.

Link for Atelier Jerome Knebusch. [Google] [MyFonts] [More] ⦿

Polina Proday

Moscow-based designer of a blackletter typeface in 2016. [Google] [More] ⦿

Pollo Perdomo

During his studies in Montevideo, Pollo Perdomo (Montevideo, Uruguay) designed the blackletter typeface Minimum (2017). [Google] [More] ⦿

Polygraph
[Jason Mannix]

Jason Mannix is a graphic designer from New York, who lives in Washington, DC. He is a German Chancellor Fellow, currently working on a new typeface at the Typographische Gesellschaft München e. V. (Munich Typographic Society). An article by Jason on blackletter in Germany, in which he recalls that Otto von Bismarck, Chancellor of the German Empire in the 19th century, who, upon receiving a book set in Latin as a gift, would always return it with a note, I don't read German books set in Latin letters. With Lindsay Mannix, he created the blackletter face Enzian (2011), which was awarded at TDC2 2011. The blurb about Enzian at TDC: Enzian is the product of a German research fellowship sponsored by the Alexander von Humboldt Foundation. We set out with two goals: to better understand the technical nuance and complicated history of German Blackletter and produce an original typeface inspired by our findings. Polygraph (Falls Church, VA) is run by Jason Mannix. Link to Lindsay Mannix. [Google] [MyFonts] [More] ⦿

Polymorph
[Amélie Dumont]

Polymorph is a Brussels-based outfit that groups designers who use free programming tools for artistic expression. It is run by Amélie Dumont and François Zajega. Dumont designed some fonts through programming with Metapost, Javascript, FreeCad and other tools. By 2021, she finished Chemins (2021: polygonal), Ductus (2020: +Mono), Fablab (2020: made with freeCad), MetaAccanthis (2020), Fraktur Meta (2019), Metatextura Linear (2018) and Metafraktur Linear (2018). Gitlab link. [Google] [More] ⦿

Polynesian Laser

From Coconut Info, some commercial fonts with the Hawaiian diacritics: Polynesian Laser, Polynesian Old Style, AKelamonaCI-Bold, Palapala (picture this: a Hawaiian Fraktur font!), ManakoISO. [Google] [More] ⦿

Pontifial de Metz

Nice pages (in French) on the history of letterforms, and in particular, Fraktur and uncial types. [Google] [More] ⦿

Popkern
[Anna Seslavinskaya]

Letterer, open source supporter, and visual designer from Russia (b. 1988) who is based in San Francisco. Graduate of BHSAD (the British Higher School of Art and Design) in Moscow, class of 2013. She founded Popkern. Her typefaces:

The hexagonal (student project) display typeface Sanity (2013). Free download.
The oriental simulation typeface Sangha (2014). free download. see also here. Extended to the free Sangha Kali in 2018. Both Sanity and Sangha cover Latin and Cyrillic.
The hipster typeface La Revolution Française (2015).
At Popkern, she published the oblique all caps sans typeface Twelkmeyer (2017). It was inspired by the pathos of the late revolutionary asceticism and architectural projects of V.F. Twelkmeyer. Dedicated site for Twelkmeyer.
Luftayah (2018).
The free blackletter typeface Health Goth. For a retail, version, see Type Tomorrow.

Github link. Type Tomorrow link. [Google] [MyFonts] [More] ⦿

Portfolio of Ornate Penmanship
[Austin Norman Palmer]

Penmanship book by the Austin N. Palmer Company in Cedar Rapids, IA, probably published in 1896, and edited by Austin N. Palmer. It contains numerous hand-drawn alphabets. Contributors include F.A. Curtis of Hartford, CT (blackletter faces and a marking alphabet), F.B. Courtney (swashy capi tals), F.W. Martin of Boston (several blackletter alphabets, one of which is called Rapid German Text, and another is is for diploma filling), W.E. Dennis of Brooklyn, NY (a bird, his signature, Austin N. Palmer's name hand-printed), E.L. Brown of Rockland, ME (a bird, several calligraphic alphabets, a woody caps face, and several blackletter alphabets), G.N. Bretscher of New York (several blackletters, one of which is called Western Penman), G.W. Wallace (Normandie Script), W.C. Henning of Cedar Rapids, IA (swashy caps and a blackletter face). [Google] [More] ⦿

Posterizer KG
[Lazar Dimitrijevic]

Lazar Dimitrijevic, who set up the foundry Posterizer KG, was born in 1981 in Bajina Basta, Serbia, and lives in Kragujevac, Serbia. He obtained a Master of Graphic Design from the Department of Graphic Design, FILUM Kragujevac, Serbia. Presently, he is art director at Design Studio BOX.

His first font, Art Decor (2009), is a brush typeface in the style of Treefrog. Koma Latin (2009) is a roughly outlined script face. Bajka (2010) is a wonderfully entertaining Baskerville family (Latin, Cyrillic, dingbats, ornamental caps) made for children's fairy tale books. Scarface (2010) is a sublime scratchy hand ideal for torture movies. Kaligraf Latin (2010) is a rough-edged calligraphic face.

In 2012, he published Collage BB (hand-drawn didone), the heavy Egyptian typeface Posterizer KG at DizajnDesign. This font was created for Celebration of 5 years anniversary of Design Studio Box from the city of Kragujevac (KG), the industrial city of Serbia. Posterizer KG (+Rounded) contains all the Latin and Cyrillic glyphs. Posterizer KG Inline and Posterizer KG Rough (a letterpress emulation version) were added in 2013. Posterizer KG Sketch followed in 2015.

Still in 2012, he designed the ink splatter typeface Oops, and the calligraphic typefaces Cal Humanistic Cursive (a renaming of Cal Humanist Corsiva, posibly under pressure from Monotype), Cal Humanist Minuscule and Cal Humanist Corsiva.

He also creates stunning calligraphic works.

Cal Roman Capitals (2012) is a Trajan typeface. In the same calligraphic series, we find Cal Rustic Capitals (2012), Cal Square Capitals (2012), and Cal Uncial (2012).

Typefaces from 2013: Posterizer KG Sketch, Cal Expressive, Cal Bakerly (calligraphic script in the style of Arthur Baker), Cal Cursive Roman, Cal Rustic Black, Cal Neuland Bold (after the German expressionist typeface Neuland by Rudolf Koch), Cal Gothic Bastard, Cal Gothic Fraktur, Cal Fraktur Modern, Cal Rotunda, Cal Gothic Textura, Cal Carolingian Minuscule, Cal Carolingian Gothic, Cal Insular Minuscule, Cal Insular Majuscule, Cal Beneventan Minuscule.

Typefaces from 2014: Cal Neuland Shadow, Mozzart Sketch (a decorative hand-sketched version of Mozzart Sans, a slightly rounded, neo-Grotesque corporate font, that was originally created for the Belgrade-based company Mozzart DDO; followed in 2015 by Mozzart Rough).

In 2015, he designed Drina (brush typeface), My Way (a TreeFrog style handwritten face).

Typefaces from 2016: Bali Beach (brush script), Omorika (a rustic handcrafted sketched serif typeface).

Typefaces from 2017: Workshop Brush (dry brush), Workshop Marker, Workshop Pencil.

Typefaces from 2018: Miro (after the lettering in Joan Miro's art), Ernest (based on the hand of Ernest Hemingway), Natron (rounded condensed sans; +Pictograms).

Typefaces from 2019: My Tara (a thick brush script), Natron Rough, Kalli Hand, Kalli Sketch.

Typefaces from 2020: Panorama KG (based on the principle nothing below the baseline), Hubble (a rhythmic display typeface with thorny serifs), Liceum (a rhythmic calligraphic script for Latin and Cyrillic), Cal Fraktur Brush, Cal Roman Black, Cal Roman Modern, Cal Uncial Rough.

Typefaces from 2021: PKG Roman Capitals (Trajan capitals with a hand-drawn finish, for Latin and Cyrillic), Monodia (a slab serif and its glitched version). [Google] [MyFonts] [More] ⦿

preussTYPE
[Ingo Preuss]

Ingo Preuss studied art at HBK Dresden (1976-1980) and graphic design from 1984-1989. In 1989, Ingo Preuss launched Cubus, a graphic design studio. Since then he also does freelance type design and illustration. Preusstype (est. 2003 in Dossenheim, and now Ladenburg, Germany) is his present foundry. In 2007, he also started an affiliation with The German Type Foundry.

Adora (2010-2015). An information design superfamily that consists of Adora Compact PRO, Adora Normal PRO, Adora Compressed PRO, and Adora Condensed PRO.
Amita. A contemporary sharp serif.
Anthea (2014). A transitional text typeface family.
Arventa (2010): Arventa Sans Pro was the basis for the system, but the Slab is not just a Sans with sticking Serifs. Arventa Slab Pro is delicately crafted form the outlines of the Sans.
Athanasius (2017-2018). a baroque font family.
Aureata (2015). A vintage text typeface family (+Inline) that reminds me of the style of Lucian Bernhard in the early part of the 20th century.
Babine (2003). Children's handwriting.
Badgirls (2003). Hhandwriting.
Barocco (2017). In Text and Display subfamilies. A traditional book font.
Baroque Borders A and Baroque Borders B (2004).
Battista (2005). A fat Bodoni family in Regular, Italic, Open, Stroke&Ornate.
Care Instructions Pi (2005). With US and EU symbologies.
Colombo (Normal, Outline). A revival of Columbian (1891, Hermann Ihlenburg).
Daphne (2004). After a calligraphic script by Hildegard Korger.
Daring. A revival of Hermann Ihlenburg's art nouveau font Childs (1892).
Compressa (2006). A strong condensed grotesk.
Floridana. A digital version of Hildegard Korger's handwriting font from 1965.
Ebura (2004).
Elara Sans and Elara Round.
Fleischmann Gotisch PT (2004). A digital revival of Fleischmann's gorgeous Fraktur typeface Groote Canon Duyts (1744).
Gekko (2003). In the style of Treefrog.
Instance (2014-2016). A high-contrast almost Peignotian sans family characterized by a karate chop k.
Korger Hand (2004). After the 1965 calligraphy of Hildegard Korger.
Language Code.
Lavina Sans. A humanistic sans.
Linotype Scrap (1997) and Linotype Funny Bones (1997).
Moto Guzzi Logo (2020). A logo font.
Neue Steinschrift (2006). A 6-style condensed geometric sans. The Pro version contains 814 glyphs.
Phoenica Std (2007, +Mono (for programming), +Hairline). A 12-style
PicNic (2003). Handwriting.
Placebo (2003).
Prillwitz (2005). A didone typeface of 1790, cut by Johann Carl Ludwig Prillwitz well before the first Walbaum. Prillwitz Pro was published in 2015.
Rosalia (2004). Based on the 1964 brush typeface Stentor by Heinz Schumann.
Scooter (2003).
Scootting.
Scribana. An Italian renaissance script.
Sebaldus. A heavy blackletter typeface, after Sebaldus Gotisch (1926, H. Berthold).
Sinkwitz Gotisch (2007). A revival of a 1942 typeface by Paul Sinkwitz.
Sipora (2016). A classic grotesque.
Spitting Image (2003).

FontShop link. View Ingo Preuss's typeface library. [Google] [MyFonts] [More] ⦿

Preußisches Bleisatz-Magazin
[Georg Kraus]

Substantial German web site about metal type run by Georg Kraus (Ratingen, Rheinland). It has a fantastic collection of JPG samples of old metal specimen, all precisely dated and attributed, an invaluable historic record for those who do not have access to the old specimen books. Unfortunately, Kraus passed away at the young age of 55, as reported by Rainer Zerenko, his Austrian friend: One of our typophiles, Georg Kraus, has passed away on July 22nd 2010. He was a man with character, who didn't refuse to tell his own opinion, especially if it is against the mainstream. He was a keeper of lost typefaces, a provider of vintage typespecimen; a fighter for the black art, for mankind, for his home country. He lost his last fight this July. I will always remember you, Georg. Gott grüß die Kunst. Martin Z. Schröder's obituary of Kraus. Pic. [Google] [More] ⦿

Prince of Luksemburk

Polish Fontstructor who made the broken typeface Gilotyna (2011). [Google] [More] ⦿

Prio Nurokhim Aji
[Prioritype]

Prioritype
[Prio Nurokhim Aji]

Kebumen, Indonesia-based designer (b. 1997) of these typefaces in 2020: Arkaedos (a creamy script), Amtera (a fat finger font), Takidos (children's letters), Merilland, Tamword, Terasu Brush (a dry brush script), Chalk Perio (a chalk font), Diltoon (a cartoon font), , Savattera, Pecattes (a very dry brush script), Dhecalovia (a fat finger font), Launsela (a fat finger font), Super Love Christmas, Bevalonia, Butter Spoky, Super Love Christmas, Merilland, The Bonbon, Annila Script, Kagatsun, Frangstton, Sophomore, Reacter, Oliotton, Many Cheeks, Keyrannha (monoline script), Chatalisa, Dhecca House (a monoline script), Ligotra (all caps, Victoriana), Fagetone (a retro signage script), Gangsoka (an angry serif), the script font Meltinghones and the monoline script typefaces Caligendings and Frangstton.

Typefaces from 2021: Flower Glory (a counterless kindergarten font), Delichan (a calligraphic script), Smile Darling (a decorative stencil), Fondest (a Peignotian sans with a hipster f), Mintage (a retro serif), Klender (a descendant of Cooper Black), Charming Smile (a plump painted font), Hey Tiny (a fat finger font that emulates a child's hand), Central Display, Street Ruins (a graffiti font), Bruskest (a bold dry brush script), Klemer Display (a flat top display typeface), Nectarine (a plump almost psychedelic font), The Burcey (a casual cutout typeface), Relation De Luxe (a rounded all caps sans characterized by many interlocking pairs), Qochy (a display font with elephant feet serifs), Urban Starblues (a graffiti font duo), Urban Java (a reverse stress Western font), Brugty (a bold display typeface in the Cooper Black / Windsor genre), Organic Peach (a fat finger font), Kosans (all caps), Magilio (in the trendy Windsor / Cooper Black style), Elkoga (an 8-style rounded wedge serif), Onedrips (a dripping paint font), Bilground (script), Dassie (an all caps display font), Sugar Smile, Roti Bakar (a sans with swirls), Dripping Drops (a dripping paint font), Apple Slices (a font duo), Dialog Anila, Goodwin Geraldine, Tropical Blooming (a scrapbook script), Bomb Da Gone (graffiti lettering), Fillings Urban (a plumpish graffiti font), Tratags (graffiti), Johny Palkons (letterpress emulation), Kickcore (a brush font), Lonely Girl (a fat finger font), Malistiona, Bittermoon (a fat finger script), Demilton (a heavy script).

Typefaces from 2022: Amila Cuties, Cansetras (a tattoo blackletter), Codigra (a liquid serif), Distant Neighbors, Employed, Favorite Notification (a hipster serif), Getrok, Glemor (font duo), Niblick, Olasthy Script (a loopy script), Peach More, Pink Punk (a death metal font), Red Royale (blackletter), Shining Youth (ornamental caps with flowery texture), Sunday Bloom (a hand-drawn serif), Ditsa Calista (script), Brume Matinale (a sharp-edged display serif). [Google] [MyFonts] [More] ⦿

Product Type
[Lita Faolina]

Indonesian designer of Rawuh (2022: a devil-themed blackletter font), Noytur (2022: an Arabic emulation font), Reywak (2022: an Arabic emulation font), Genia (2022: an 18-style display sans). [Google] [MyFonts] [More] ⦿

Progothics

Fraktur site run by Petra Heidorn and Dieter Steffmann (in German). Books on Fraktur. Tons of history. The fonts:

Fontsmith et.al.: Crusades Alternate
Petra Heidorn: Semper Idem (2001)
James Fordyce: Deutsch Gothic
Richard Gast: LeeBee Schwarz, Swedie Cruel
Iconian Fonts: Uberhölme
Manfred Klein: Broken Brains, Frax Initials, MKaslon Textura, Civilité Edges, Very Broken Frax, Fraxx Sketch Quill (2001, inspired by the work of Imre Reiner), Cowboy Caxton (2001), TShirts for Frax.
Graham Meade: Heidorn Hill, Labrit
Darren Rigby: Bayern
Mickey Rossi: Bongo Fraktur
Dieter Steffmann: Lautenbach
Tepid Monkey: Benegraphic
Derek Vogelpohl: Gothican, Iron Gothic, Ironsides
Matthew Welch: Fraktur Modern
Sara: Hilda Sonnenschein (2001)

[Google] [More] ⦿

Proportional Lime
[Shane Brandes]

Oberlin, OH-based foundry of Shane Brandes (b. Lakefield, MN, 1974), who made the historic semi-blackletter revival Augsburger2009 (2009), which was inspired by one of Ernhardt Ratdolt's (1442-1528) many beautiful typefaces. Ratdolt was a printer from Augsburg, hence the name. River Liffey (2009) is based on a typeface used by James Williams an Irish printer active in Dublin during the late 18th century. Rising Sun (2009, blackletter) was inspired by Gering and Remboldt's work during the late 1490s in Paris.

Charlemagne (2010) is an imaginary medieval script. Fleurious (2010) are ornaments. Sweynheym Pannartz (2010) is modeled after an example Conrad Sweynheym and Arnold Pannartz used in their early printing venture in Subiaco, Italy which began around 1465. Ballard (2010) was inspired by a font used by Henrie Ballard, who operated on Fleet Street at the Signe of the Bear in London from ca. 1597-1608. White Now (2010) is a music note font. Enn'agrammaton (2010) is a cryptographic font. Pluton (2010) is a fixed width font with over 1400 glyphs. Old Venexia (2010) simulates an irregular medieval type. Black Tie (2010) is a simple monoline sans family. Azabercna (2010) is based on gothic principles. Alchimistes (2010) is a medieval symbol face, while Florati (2010) provides a set of ornamental caps. Wappenstein (2010) is an angular stone-carved face: The font Wappenstein was inspired by the carving on a memorial stone located in Paderborn, Germany. The stone was a Epitaph of the Brenkener family, and the carver is known as the Meister des Brenkener Familienepitaphs. The carving, dating to 1562, currently is curated by the Erzbischöfliches Diözesanmuseum in the city of Paderborn and was originally in the Brenkener Pfarr Kirche. Boston 1851 (2010) is based on a stereotype used by Wier and White, Printers of Boston, that was created by the New England Stereoype Foundry under the auspices of Hobart and Robbins, also of Boston. Cruxially (2010) is a 500-glyph dingbat font with crosses.

Gaspardo (2011) is an art deco display face. Anguillette (2011) is a quaint grungy face. Ernst (2011) is a very simple but large hand-printed face. The blackletter typeface Schoeffer (2011) is based on Typ.7:146/148G also known as Gesellschaft für Typenkunde plate no. 258, by Peter the Younger (son of Peter Schoeffer), cut ca. 1509-1520. Printers in Marks is a printer mark dingbat typeface created in 2011. Cat E Poultry (2011) is a scanbat typeface of cats. Lucas Brandis (2011) is based on section headings used by printer Lucas Brandis, the first printer to operate in the city of Lübeck around 1473.

Creations in 2012: Vine Street, Nicolaus Kesler (a blackletter type based on one of the typefaces of Basel-based Nicolaus Kessler, 15th century), Modality Antiqua (straight-edged and mechanical), Martin Crantz (2012: Martin Crantz (or sometimes Krantz) of the three, including Ulrich Gering and Michael Friburger, that set up a press at the Sorbonne in 1470 was likely the fellow who had the technical know how how to cast the type itself, hence the name of this new typeface that is based on his work.). Modality Antiqua and Modality Novus are explorations of the octagonal principle. Zainer is a rough-edges renaissance era typeface named after Augsburg-based printer Günther Zainer who was active from 1468 until 1478. Swine And Roses is based on a Free Mason script. Ammurapi is a Ugaritic script face.

Typefaces from 2013: Michael Wenssler (an incunabula / blackletter typeface based on Michael wenssler typeface from 1482), Andreae (a Fraktur based on a 16th century font by Hieronymus Andreae, who first worked as woodblock cutter and then became a publisher in the city of Nuremberg until his death in 1565), Dropsomaniacal (Lombardic), Therhoernen (grungy medieval script after a Cologne-based printer Arnold Therhoernen, active from 1470 until 1483), Rusch (a 1000-glyph revival of a late 15th century antiqua by Adolf Rusch von Ingweiler, who was active in Strasbourg from 1460 until 1489), Gutknecht (a Schwabacher based on a font used by Jobst Gutknecht, a printer in Nuremburg from 1514 until 1542). The rough blackletter typeface Kachelofen and Konrad Kachelofen are named after Konrad Kachelhofen, a printer in Leipzig active from 1482 until 1529. Albrecht Pfister (2013) is a textura typeface based on Biblia Paperum, which was printed by Pfister in Bamberg, ca. 1460. Amerbach 883 (2013) is a rotunda typeface based on a typeface by Basel-based printer and typefounder Johann von Amerbach, who was active from 1477 until 1513.

Typefaces from 2014: Willie Caxton (a blackletter used by William Caxton in his 1476 edition of Chaucer's Canterbury Tales), Azabercna, Lion of Antwerp (an incunabula typeface: Gerard Leeu met his untimely end in a work-related altercation in 1492. He was a notable printer in both the cities of Gouda and Antwerp. This font typeface is based on the "Die gesten of gheschienisse van romen" typeface, ca. 1481.), Hildegardis (an alphabetic cipher that was invented in the 12th century by Hildegard von Bingen to obscure a language called Lingua Ignota. The exemplar was found in the Riesencodex), Lady Vittoria (vampire script based on a German cross stitch pattern from the 1870s), Trowel.

Typefaces from 2016: Holle There (a re-cut of a typeface that Lienhart Holle used in his epic edition of Ptolemy's Cosmographia that dates to the early 1480's, even predating italics).

Typefaces from 2017: Archbishop (based on the legal documents of Archbishop Arnold von Selenhofen, who granted Hildegard von Bingen and her nuns rooms at the Rupertsberg Monastery in the year 1150), Schoensperger Der Altere (after a blackletter font used by the first female printer, Anna Ruuml;gerin, who was Johann Schönsperger der Altere's sister; Johann was a famous printer in Augsburg, Germany, during the last 20 years of the 15th century).

Typefaces from 2018: Zell (a rough blackletter based on 15th century German typeface by Ulrich Zell), Captain Cookie (based on the original font used to print a short history of Captain Cook's exploits around the world), Adelheid (a great curly blackletter based on a 16th century Swiss publication), Feodorov (named after Russia's first printer, Ivan Feodorov).

Creative Market link. Klingspor link. [Google] [MyFonts] [More] ⦿

Protimient.com
[Ben Jones]

Ben Jones (b. 1980, Buckinhamshire, UK) was a student of typography and graphic communication in Reading (2000-2004). He got his Masters in Typeface Design from the University of Reading in 2011. MyFonts link for Protimient.

His typefaces:

Billingsley (2005, Protimient: a script based mainly on a writing specimen of the penman Martin Billingsley, originally published in 1618).
Buxus (2005, T26: a shaded display family).
Cale (2004).
Caligne (2004), Caligne Sans (2004).
Clarence (2007) is a sturdy 2-style serif family.
Eksja (2009) is a humanist slab serif family which to me feels a lot like a sans family---the slabs added as an afterthought.
Emrys (2011) is his graduation typeface at Reading: Emrys is a modulated sans typeface for scripts including Latin, Greek, Armenian, Arabic and Cyrillic. Emrys won Third Prize at Granshan 2011. Emrys morphed into Amrys, which was published in 2019 by Monotype.
Gilibert (2005, T-26, a decorative didone face).
Greenwood (2006, Protimient: a monospaced, cursive typewriter script, based on a typewritten letter from a Mr J. G. Greenwood Esq. to a branch of the National Westminster bank in Oxfordshire, Great Britain, dated 6th June 1904).
Joanna Nova (2015, Monotype). A great 18-font update of Gill's original slab serif, Joanna. There is coverage now of Greek and Cyrillic.
Lightbox (2004, Protimient). A legible monoline sans family. See also the different later design Lightbox 21 (2021: an 18-style rather pure geometric sans family that runs the range from hairline to very black).
ModernModern (2004, Protimient: a squarish didone).
Nosta (2006, a nice modern text family).
NotanuthaSerif1 (2005, text face; see also here).
Pasquinade (2005, blackletter).
Stobart (2006) is a script font based on the characters written in a letter by Henry Stobart, dated 1899. It is an Opentype handwriting typeface with 1200 glyphs with heavy character substitution.
Travis (2005, Protimient: a legible sans family).

View Ben Jones's typefaces. [Google] [MyFonts] [More] ⦿

Protofonts (and Loosy Design)
[Fabian Pfeifhofer]

Fabian Pfeifhofer is an Italian/Tirolian designer, b. 1984. Creator of Ugloosy (2007, grunge), Loosydings Extended (2008), Karmoofel (2007, experimental; see also here), Freestyle Silouet, Funnighosts (2007, a Halloween font), Funghosts (2007), Tramyad (2007, grunge; see also here), Trashco (2007, grunge), Helvari (2007, a Helvetica-style family), Fracta (2007, a blackletter family).

Free fonts from 2006 until 2007: Blabloosy (grunge), bubbles bubbles (grunge), Loosydings, LoosydingsExpert, UntitledRegular, Freestyle-pictos, loosy-Italic, loosy-regular, mashen-Semi-expanded-Bold, ruculus-Semi-expanded-ExtraBold, ruculus (rounded futuristic face), Skirules-Sans2 (grunge), skirules-Sans-Expanded-Medium (grunge), skirules-Sans-Expanded-Medium, spikes, staccato, wing.

Typefaces from 2008: the grungy Dinstik. As Loosy Design, he also made the grunge typeface Malle (2007), Ambo Thin (2012: a monoline hipster script), loosydings-extended (2008) and the pixel typeface Blockline (2008). Creations in 2009: Slutotronic (dripping paint font), Illoosy (grunge), Training (dingbats), Camera (dings), Haloa-Heavy, Minuscula (uncial).

Dafont link. Another URL. Link at Devian Tart. Loosy Design link. [Google] [More] ⦿

Punchform

Punchform is an independent Romanian type foundry established in 2019 by graphic and type designers Mihai Sorin and Mirela Nina (although, mysteriously, Nina's name was dropped from all Punchform blurbs in 2021). In 2020, they co-designed the modern blackletter typeface Mavros.

In 2021, Mihai Sorin designed Ouhta (a 26-style neo-grotesque typeface), Sublima (a 20-style neo-grotesk) and Turis (an 18-style humanist sans).

Typefaces from 2022: Primeform Pro (an 18-style geometric sans with 19 stylistic sets to create a versatile family; by Mihai Sorin). [Google] [MyFonts] [More] ⦿

Putra Cetol Studio
[Putra Novembria Candra Kusuma]

Karanganyar, Indonesia-based designer, b. 1989, of these typefaces in 2018:

Oriental simulation fonts: Japanese Emperor (2022: emulating Japanese).
The spurred typeface Darkrise.
The circus font The Circus Show.
The futuristic typeface Digitechno.
The curly script typeface Valentijn.
The monoline poster typeface Revalate.
The monoline cursive script typefaces Simplyline, Cinta Cantik, Antiqueline, The Beautyline, Aiushtya, Skywave, Simbok Pudjie and Yesie.
The vintage typeface Nuri.
The retro signage script typeface Vintage Party.
The tall octagonal typeface Armor.
The display typefaces Ratigk, Deco Tech, Horstail and Murai.
Playlines.
The tiki font Tikiland.
The script typefaces Jofi, Beauty Love, Bigfun, and Rhonde (a free swashy calligraphic typeface).
The upright scripts Shathika, Sweetyhearts and Shaquilla.
The brush typefacesAuthorfun and Pax Suyud.
The weathered condensed Therlalu.
The color fonts Garis Lengkung and Circuitra.
The textured typeface Quiltrix.
The poster typeface Audrey.

Typefaces from 2019, mainly calligraphic except if specified otherwise: Attaira (art deco and script), Arshaka (a great vampire blackletter font), Honey Berry, Vanetta, Safiar (font duo), Havina, Eurolite (a modular sans), Florita (font duo), Silky Candy, Ultimate Slayer (brush), Zahiya (a ronde), Networld (a mesh font), Stranger Creature, Amella, Grimscy, Visaka (a tall spurred wedge serif), Micayla, Rougher (brush), Slatter, Rygid (a straightened script), Mixy Missy (an oily script), Qunky (a formal script), Marceila (upright script), Glamoury (calligraphic), Thicxer, Madhen (script), Secret Darling, Keshia, Mahaputra (a spurred swashy Victorian typeface), Busther (brush style), Sherley, Shanela, Rotters (script), Sweety Lovers (script), Aliyah, Laureta, Tashia, Smash Wall (a glaz krak typeface), Delacruz (techno), Elvino (techno), Crava (a vintage display typeface), Bornena (curly script), Vintage Queens (for vintage signage), Kanaya, Yuanita, Daysha, Thickline, Maze Line (labyrinthine), The Doctor (a signature font), West Kingdom (fat signage script), Pixel Bit, Barstrip, Arjunka, Waffle Latte (monoline and connected), Strip Deco (Broadway style), Corlita Script, Fathur (signature script), Royal King (inline, vintage), Boldest (an oily fat font), High Mount (titling sans), Stasya, Ultimate Class (a thin monline script), Hai Eisya (geometric sans), Dirty Rock (grunge), Hello Eisya, Boldline, Dvorak (dry brush), Ayana, Bigdot, Ghaya, Scary Night, Keytip (Victorian), Melodious Script, Lusya, Nachelle.

Typefaces from 2020: Techno Board (a circuit font), Happy Christmas Party, Roadstone (a signage script), Cavilay Script (wild calligraphy), Urban Sketart (a fine mural art font), Shecarea, Rose Thorns, Retroparty (a bold script), Lovely Couple, Macrosty (a bold script), Amarithe, The Bold Street (a fat graffiti font), Rahaely (script), Nightcrow (a fiery font), Vintage King (a grungy vintage signage script), Vintage Party (a signage script), Gayesha, Water Splash, Clarinta (a wide hairline calligraphic script), Kinghawk, Audrena (a monoline script), Royal Queen, Headbrush, Coldcoast (script), Mahacara, Goldenlife (an upright signage script), Lyodra (a monoline script), Mayla (wild inky calligraphy), Faylake (a fat finger font), Grandmora (monoline script), Qonitya, Clowney (an inky script), Shafiqa (a rabbit ear script), Spirly (curly, Victorian), Quentara, Roxer, The Excited (signature script), Street Road (modular), Rasputia (a calligraphic script), Retroking.

Typefaces from 2021: Antique Vignette (a stylish script with extreme contrast), Love Paradise (a scrapbook font), Vintage Reclame (an upright retro advertizing script), Bulky Book (in the piano key genre), Scarf Bandana, Double Pineapple, Lychee Farmland, Single Tangelo (a cuddly casual typeface), Grandtown (a bold retro script), Dizzy Fence (a beatnik font), Cheesy Bread (a bold supermarket font), Roughpen, The Night Lamp (a horror brush font), Monokind Script (a monoline script), Cristaloak (a script with a weathered outline), Cute Love Story (a scrapbook font), My Love Letter (a monoline scrapbook script), Feldberg (a dynamic display typeface), Morrello (a rounded wide display serif), Quaker Ladies (Victorian), Spooky Monsta, Abstract Style (a geometric solid typeface), Ballsye (a fat finger font), Burning Hammer (a font with flaming letters), Falsetto Signature, Kharinniswa (a bold and wide serif typeface), Roshmary (a condensed monolinear sans), Unpredictable (a condensed display sans), Surprise Spring (script), Handaru (a wide script), Queen Veronica (a monolinear script), Strong Grandpa (a bold retro signage font), Rahardian (a signage script), Candrika (a vintage spurred typeface), Euphoria Party (a psychedelic font), Spookies Identity (this is what a font infected with pestilence or leprosy would look like), Alvarisky, Springate (script), The Knight (script), Hello Audrey (an upright script), Winslet (a bold script), Hello Audrey (an upright script), Winslet (a bold script), My Beautiful Story (an inky script), Romantic Dates (calligraphic), Blossom Heart (script), Happy New Year Party.

Typefaces from 2022: Japanese Emperor (emulating Japanese), Binlay (script), Child Krafter, Fresh Spring (a scrapbook script), Our Infinity Love (a wonderful connected script with a warm rhythm), East Aurora (a bold slab serif), Heathfield (a bold vintage serif). Creative Fabrica link. [Google] [MyFonts] [More] ⦿

Putra Novembria Candra Kusuma
[Putra Cetol Studio]

Putu Eka Hermawan
[Ekahermawan]

R. H. Munsch

Author of Recueil d' Alphabets à Dessiner (1951, Eyrolles, Paris). [Google] [More] ⦿

R. Kneip
[R. Kneip: The main German blackletters]

R. Kneip: The main German blackletters
[R. Kneip]

Kneip's list of the main German blackletter typefaces. Made in 1979:

1899 Neudeutsch (Hupp)
1906 Liturgisch (Hupp)
1909 weiss-Fraktur (Weiss)
1910 Koch-Schrift
1911 Hupp-Fraktur
1912 König-Type (König)
1913 Frühling (Koch)
1914 Maximilian (Koch)
1923 Jessen-Schrift (Koch)
1924 Tiemann-Gotisch (Tiemann)
1925 Wilhelm-klingspor-Schrift (Koch)
1927 Koch-Kurrent
1928 Kleist-Fraktur (Tiemann)
1930 Wallau (a rotunda by Koch)
1935 Post-Fraktur (Post) and Fichte-Fraktur (Tiemann)
1936 Trump-Deutsch (Trump) and Weiss-Gotisch (Weiss)
1937 Claudius (Koch), Weiss-Rundgotisch and Zentenar-Fraktur (Schneidler)
1938 Hölderlin (Eugen Weiss) and Humboldt-Fraktur (Hiero Rhode)
1939 Gilgenart (Zapf)
1941 Andreas-Schrift (Hans Kühne)
1951 Rhapsodie (Ilse Schüle)

[Google] [More] ⦿

Rachel Drice

Spring Valley, NY-based designer of 16th Century Gothic Capitals (2016). [Google] [More] ⦿

Rachel Dugan

As a student at Liberty University in Lynchburg, VA, Rachel Dugan designed the blackletter-inspired typeface Cathedral Gothic Text (2016). [Google] [More] ⦿

Radinal Riki
[ATK Studio]

Rafael Ferran i Peralta

Catalan creator, b. 1964, of these typefaces:

Gamaliel (2010, Open Font Library), a blackletter face. This was part of his project at the Universitat Oberta de Catalunya. The type is based on the gothic letters used by the Barcelonese printer Joan Rosembach in 1496.
Costa Rica (2015). A squarish typeface.
The condensed typeface Ducados (2015). Ducados is based on the old label of "Ducados", a spanish dark tobacco which Rafael used to smoke. Free at Open Font Library.
PDW (2017). A crazy mix of letters for maximal impact on posters. Well done!
Auca (2018). A hand-drawn old serif typeface.
MiTica (2020). An informal font based Central Type Foundry's Quaint Roman.

Open Font Library link. [Google] [More] ⦿

Rafael Jordán/0Oliver

Rafael Jordan Oliver, aka Barry Bianco, is a graphic designer and calligrapher in Valencia, Spain, b. 1983, Alzira. Graduate of EASD in Valencia, class of 2013. His typefaces:

A geometric Futura / Bauhaus style typeface family called Geometric Obsession (2012).
The curly all-caps typeface Nord Type, which is based on the modern letters of Gregorio Muñoz at Valencia's train station L'Estació del Nord. It was his graduation project at EASD.
The commercial didone typeface Didac (2014). The Italic followed in 2015-2016. Buy it here.
At Type@Paris in 2015, he designed Carmen Maria (named after his wife), a sharp-serifed fashion mag typeface rooted in Carolingian calligraphy.
Las Naves Condensed (2017). A grotesque typeface designed under the art direction of Sebastian Alos for "Las Naves" foundation.
Bantha Sans and Bantha Serif (2017). Sturdy multi-purpose typefaces.
Bianco Slab (2017, Fontstore).
Brava Slab (2018). Almost monolinear, with Latin curves in the italics. Followed in 2019 by Brava Sans.
Ostium (2019). An inline unicase font with proportions close to classical romans.
Carmensin (2020). A humanist text family characterized by smooth curves, a large x-height and open counters. It includes a Display subfamily and some stencil styles.
Redoneta (2020). A 12-style geometric sans. Followed in 2022 by Redoneta Rounded (12 styles).
Tannen (2021). A layerable blackletter family, and an interpretation of Erich Meyer's Tannenberg (1933-1935).
Tannen (2021). A layerable German expressionist blackletter family, and an interpretation of Erich Meyer's Tannenberg (1933-1935).

[Google] [MyFonts] [More] ⦿

Rafal Brzezinski
[Antraxja Fonts (or: Atrax)]

Rahmad Mulyadi
[Baron WNM]

Rainer Will
[Will Software]

Rakkamon Sanguansri

At the University of Adelaide, Australia, Rakkamon Sanguansri designed the blackletter typeface RKMS Gothic (2017). [Google] [More] ⦿

Ralf Herrmann
[FDI Type Foundry]

Ralf Herrmann: The 10 best fonts from the Google Webfonts Directory

Ralph Herrmann's top ten fonts at the Google Font Directory at the end of 2011:

Abril Fatface: a fat didone display typeface by Type Together.
Hammersmith One: Nicole Fally's low-contrast typeface inspired by the Johnston UK lettering tradition.
Droid Sans, Droid Sans Mono&Droid Serif by Steve Matteson / Ascender. I disagree.
Lato: a sans family by Lukasz Dziedzic.
Vollkorn: a workhorse family by Friedrich Althausen.
Ubuntu: an 8-style sans family by Dalton Maag.
Playfair Display: a Baskerville-era style by Claus Eggers Sorensen.
UnifrakturMaguntia (2010): a blackletter typeface by J. Mach Wust that is based on Berthold's Mainzer Fraktur which is in turn based on a 1901 typeface by Carl Albert Fahrenwaldt.

[Google] [More] ⦿

Ralph Michael Unger
[RMU (Ralph Michael Unger Typedesign)]

Rami Rikka

Beirut, Lebanon-based designer of the blackletter ink splatter graffiti font Calligra (2016). [Google] [More] ⦿

Ramiro Bartolome

General Pacheco, Argentina-based designer of the blackletter typeface Ramirus (2016), which was done for a project at FADU / UBA. He also designed Benighted (2018). [Google] [More] ⦿

Randi Ilhamsyah
[VZ Type (was: Vasgaz Creative)]

Randy Caldwell
[Fonts For Flash]

Rantau Type
[Yudi Pratama Chandra]

Labuhan Batu, Indonesia-based designer (b. 1995) of the script and handcrafted typefaces Saint Hilton (2019), Seven day Signature (2019), Qalistha (2019), Something Well (2019), Cothelina (2019), Golden Mind (2019), Warsini (2019), Hilliana (2019: a signature script), Priscilla (2019), Brielle (20919), Snobi (2019), Just Blossom (2019), Synthia (2019), Northrow (2019) and Doubtless (2019: brush script).

Typefaces from 2020: Alayna Hughes, Antha, Astriany, Atalla, Best Stories, Betterway, Black Brutal, Brittney Queen, Doolan, Entahlah, Findream, Kaharsa (a cartoon font), Kuvas (a techno font), LongWish, Novintha (a decorative high-contrast sans), Pricillia, Rainbow Land, Rietha, Rosther, Sofia More, The Riola, The Roar, Thea Amelia (a monoline script), Viollet Signatture, Writterose, Young Rich.

Typefaces from 2021: Mandhor (dry brush), Hendrickson (an upright script). [Google] [More] ⦿

Rashadul Islam Khokon
[MRI Studio (was: kdesignhous)]

Rasselbock

During his studies in Trier, Germany, Rasselbock created FK Hoc (2015), FK Cut (2012, a cut paper dada typeface), FK Zeugma 2012, (an irregular eerie sans inspired by bad movie titling fonts from the 1930s), FK Futhark (2012, Germanic runes), FK Epiphany (2013, blackletter), FK Permutata (2013, an angular octagonal corporate typeface) and FK Neoz (2012, a smooth sans display family). In 2011, he designed FK Beo. [Google] [More] ⦿

Raul Di Bert

Raul Di Bert (RDB Studios, Gonars or Udine, Italy) created these display typefaces in 2015: Redistributed, Symptoms, Bocelli, Overmuch, Momentum, Cocktails, Reykjavik, Pentecost, OptionAlt (techno), XYZ, Equalfork, Imbalance, Quattuor, Foreign (blackletter), Umbrellaman.

Typefaces from 2017: Arab, Equalfork, Milky way (counterless), Frost (blackletter), Freshaw (blackletter), Black Sheep (blackletter), the US presidential series (Wilson, Fillmore, Nixon, Lincoln), Fresh Script, Super Nova (headline sans), Nemo, Gladio (inline, beveled).

Typefaces from 2018: Super Nova 2.0.

Typefaces from 2019: Fimbulwinter (blackletter). [Google] [More] ⦿

RAWTYPE
[Gatis Cirulis]

Gatis Cirulis (Rawtype, Latvia) is a graphic designer and illustrator who does projects for individuals and companies in Central Europe and the USA. He specializes in logos, identity, illustration, publication, drawing, painting, lettering, book arts web design. He was art director at McCann Latvia but is now located in Bloomington, IN, where he was Letterpress Type Shop Graduate Assistant at Indiana University Bloomington. He currently lives in Las Cruces, NM. His typefaces:

The BDSM-inspired all caps alphabet Bound (2009). Example glyphs: A, B, BDSM, C, C, PS. Poster.
Aker (2010). An erotic all caps alphabet.
Karo (2010). A free geometric font.
Frank (2010). A blackletter face.
Ray Five (2010). A font based on letters that were projected onto the walls of a dark room.

[Google] [More] ⦿

Ray Larabie
[Typodermic]

Ray Meadows

Aka p2pnut, b. Wales, 1943, who started making fonts in 2009 at FontStruct. Alternate URL. Dafont link. Klingspor link. In 2010, Ray Meadows set up shop at MyFonts.

Prolific creator at FontStruct in 2009 of the 3d typefaces Alphabox, Alphabox Reverse, Alphabox Lite, Alphabox Lite Complete, Alphabox Shadow and Alphabox Basic. He also made RM Playtime (outlined 3d family), Art DECOrated, Single DECOr, Romantic (+Carved, +Carved Shadow), TripleDECOr, New Romantic, SOFA, Mondrianish, Eye Test, Meltdown (grunge), Ameslan (American Sign Language), DECO Noir, DECOction, DECOserif (+Bold), DECOoction (+Bold Open), DEChrome, DECOpix, DECOr (a pure art deco typeface like Levine's Art Lover JNL), DECOThin (+Medium), Scrapheap, Westward (Far West font), Cheese Fondue, Alphabox Reverse (shadow font), AlphaRune, Spaced, Gothicky, Grand Prix, Entrees (alphadings), Compround, Phatzzo (nice!), DECOr8, Gothicky, Gothicky Grey, RM Ginger, RM Albion (blackletter), and Opening (outline face). RM Squarial (2009) is a hairline sans. Its 3d version is RM Squarial 3D. RM Typewriter (2009, +Medium, +Bold, +Old) is an old typewriter face. RM Serifangle (outline art nouveau face, +3D, +Chrome, +3DChrome) and RM Corrugation (postage stamp, white on black style) are both interesting. RM DECO Serif (2009) is in the RM Typewriter style series. RM Bowie Basic is a futuristic typeface based on the typeface used on Mars in "The Waters of Mars" (2009). RM Playtime Stencil (2009) is a rounded stencil typeface based on RM Playtime Solid. There are more styles such as RM Playtime 3D.

Additions in 2010: RM New Albion (blackletter), RM Lined, RM Serifancy (Western face), RM Almanack (+Old), RM Tubeway (+Chrome), RM Thinny, RN White Letter, RM Blacklet, RM Squarial (+Ribbon, +3d), RM Typewriter Old, RM 7even, RM SideSlip, RM Teeny, RM Teeny 1.5, RM Narrowboat (+3D) (athletic lettering).

His typefaces at MyFonts include RM Victoriana (2010, caps only Victorian face), RM Whiteletter (2010), RM Signwriter (athletic lettering), RM Deco (pure Broadway art deco), RM True to Type (typewriter face), RM Scrapheap, RM Elegance (condensed, with high ascenders), RM Playtime, Graphite

Creations in 2011: RM Celtic, RM Uncialic (+RMWL Uncialic: Carolingian), RM Opensans, RM A Sign of the Times, RM Sans, RM Oliver (bold rounded sans), RM Soft Sans (wonderfully round sans), RM True To Old Type (old typewriter), RM True to Type (new typewriter), RM Middy, RM Phatso (textured), RM Phatso 2.0, RM Phatso 2.0 Solid (texture typefaces).

Creations in 2012: RM Luceat (a bullethole typeface), RM Jazz Age, RM Basic Serif (roman face), Alphabox (a 3d family: +Reverse, +Lite, +Reverse Stencil), RM Slab, RM Slabb, RM Tubes (3d typeface), RM Smoothsans (rounded sans), RM Romantic Carved (+Shadow: a beautiful set of beveled typefaces), RM Westward, RM Typerighter, RM Uncorrugated, RM Snowtime, RM Smooth Jazz, RM Smooth Age, RM Nova Albion (blackletter), RM Tubes Chrome, RM Squarial FS10, RM Basic Serif.

Typefaces from 2013: RM Bloc, RM Greek, RM Victoriana, All Bricks, RM Deco, RM Random Outline, RM Random 3D, RM Random (cartoon face), RM Celtic Condensed, RM Westus Condensed, RM Westus (Western, spurred), RM Hunky (chunky and modular), RM Thunk (piano key face, thick and chunky), Westward Ho (spurred Western face), RM Hangle (chuunky and elliptical).

Typefaces from 2014: RM Firmstone (+Outline, +Condensed, +Outline Condensed), RM Ebdon Outline, RM Imber Outline, RM Moss Outline, RM Imber, RM Art Decorated, RM Celtic Inline.

Typefaces from 2015: RM Deco, RM Stoney, RM Mondrianish, RM Stoney Shaded, RM Middy, All Bricks, RM Shepherds.

Abstract Fonts link. Dafont link. [Google] [MyFonts] [More] ⦿

Razor Graphix

Designers of Phalyn. [Google] [More] ⦿

Rémi Bordet

Montpellier, France-based designer of these display typefaces in 2019: Orpheus, Arkham, Auriga, Neo Sapiens, Hydra, Zephyr, Leviathan, Mythologics, Scarab, Scythe, Heretics.

In 2021, he designed Fleshy (a blocky ultra-fat font inspired by graffiti writing) and Transylvania (an experimental display font inspired by old school gothic Fraktur). [Google] [More] ⦿

Rebecca Alaccari
[Canada Type]

Rebecca Luppi

Lausanne, Switzerland-based designer of the blackletter typeface Stella Nera (2016). [Google] [More] ⦿

Rebecca Simpson

Rebecca Simpson ("Becky S") is a British designer. She created Fancy Card Text (2012, blackletter), Wobbly Bob (2011, sketch face), Old Rubber Stamp (2009) and Jolotte (2011, grungy). [Google] [More] ⦿

Rebus One

London, UK-based sign painter. Designer of the ornamental blackletter font Serpent Sans (2015). [Google] [More] ⦿

Red Ink
[Iryna Trigubova]

Or Ira Trigubova. Kiev, Ukraine-based designer of these typefaces in 2017: the informal typeface School, Königreich (medieval blackletter calligraphic script), Sweetheart (a cutesy children's or Valentine's Day font), Coral Waves, Winter Story (handcrafted), Little Bee (+Sans: letters with bees buzzing around), Schönheit (connected script), Aisling (a monoline script), Rhapsody (connected script), Amanita, Star Dust (handcrafted), Urbano (dry brush), Tulip Garden, Meraki (a dotted ornamental sans).

Typefaces from 2018: Paper Snow (a paper cutout font), Hunter House, Pop Art (including SVG fonts), Rivendell (uncial), Morning Tea, First Kisses (crayon SVG font), First Kiss (display sans), Summer Jelly (font duo), Fiesta (font duo: Script and Serif), Solomiya (tribal script for Latin and Cyrillic), Friday Feelings (font duo), Nightingale (calligraphy), Monogram (a set of five decorative caps fonts), Red Tomato (script), Alter Ego, Beloved.

Typefaces from 2019: White Feather, English Channel (an elegant calligraphic font duo), Letter Home, Lettering Box, Rain Soul (SVG style), Rose Petals, Miracles (font duo), Tahiti Sand (a painted brush font in SVG format), Good Feeling, Little Girl, Stonehill, Broadway Lights (font duo), Love is Love (font duo), Summer Cat, Aztec Soul (a tribal / Aztec font).

Typefaces from 2020: Just Imagine (blackletter). Creative Fabrica link. YWFT link. [Google] [More] ⦿

Reinhard Minkewitz

Designer of Holz-Fraktur-Schrift. [Google] [More] ⦿

Ren Kiryu
[Das Nest der Qualle]

Renan Gil Laurindo

Brazilian creator (b. 1991) of Guill (2011, text face), Drama Type (2011, blackletter).

Renata Caballin

Graduate from FADU, University of Buenos Aires, who created the Fraktur typeface Neo Scriptum (2009). [Google] [More] ⦿

Renata Polastri

Brazilian type designer. Winner at Tipos Latinos 2018 of a type design award for Grenze (2017, free at Omnibus Type), an angular 18-style typeface family that grew out of her project Cuatro at FADU UBA.

In 2020, she published the blackletter typeface family Grenze Gotisch at Github / Omnibus Type, and Google Fonts. [Google] [More] ⦿

Resistenza
[Giuseppe Salerno]

Giuseppe Salerno (aka Resistenza.es) is an Italian graphic designer, specializing in web design. He lived in Torino, Amsterdam, Madrid, and Valencia, and currently works in Valencia, Berlin and Turin. Studio Resistenza was cofounded by Giuseppe Salerno and Paco Gonzales.

In 2010, he made the circular multiline face Afrobeat (+Light), the fat counterless typeface Vito Sans (2010), Wonderwall (2010, like a skeletal construction), the high-contrast art deco typeface Zaza (2010), and the pure Italian vintage art deco face Luxx (futurism).

Other work: an art deco poster.

Direct links to his fonts: Zaza, Afrobeat, Vito Sans, Luxx, Wonder Wall, Afrobeat Light.

Creations from 2011: Ratatan, Bodoni At Home (a handpainted Bodoni), Arcanotype (2011, delicate caps, individually drawn using Chinese ink on Japanese calligraphy paper), Babushka (2011), Dolce Caffe (2011), Adelaida (hand-printed poster face), Monella (octagonal).

Production in 2012: Ampersanders (a font with many ampersands), BLAQ (an ornamental blackletter caps typeface inspired by Henry W. Troy), The Bay (hand-printed all caps poster face), Bratislove (an artsy hand-drawn typeface), Modernissimo (decorative modern art-inspired caps), Clementina (hand-printed caps), Afrobeat Gothic (angular multiline face).

Typefaces from 2013: Glob (bubblegum face), Archivio (slab serif family with very open counters), Mina (connected script), Monster Hand (brush script), Berliner Fraktur (a flat brush fraktur inspired by Rudolf Koch), The Luxx (a redesign of the 2010 art deco sans typeface Luxx---a comparable typeface is Mostra Nuova by Mark Simonson), Starburst (calligraphic gestural light script), Caramello Script, Copperlove (copperplate script), Yma Italic (retro script), Sonica Brush.

Typefaces from 2014: Stencil Creek, Elastica (handcrafted typeface family), Elastica (hand-drawn poster family), Nautica (copperplate script, extended in 2018 to Nautica Sottile and the monoline version Nautica Line), Ingles (copperplate script), Peperoncino Sans (a decorative sans serif font system designed with a marker), Attica RSZ (inspired by Caslon Italian and Novarese's Estro), Montana (poster family, +Icona), Superb (a yummy creamy script, co-designed with Paco Gonzalez), Dolce Caffe 3D, Coming Home (a hairline curly script based on a childish handwriting), Rachele (a monoline connected script with a large x-height), The Crashed Fonts (a glaz krak family), Newland (inspired by Rudolf Koch's Neuland), Two Fingers (a funky hand-drawn family that includes, e.g., Two Fingers Bodoni, Two Fingers Courier, Two Fingers Poster [blackboard bold] and Two Fingers Script).

Typefaces from 2015: Modern Love (brush script), Mela (a gorgeous pointed brush / walnut ink typeface), Turquoise (a calligraphic serif type influenced by capitalis romana; not to be confused with Ahmet Altun's Turquoise typeface from 2011; co-designed with Paco Gonzalez, it was extended in 2019 in Turquoise Inline, and a new version was added in 2021, Turquoise Tuscan), Mina Chic (a wide connected calligraphic fashion mag script), Natura (connected fountain pen script, with accompanying Notebook, Icons and Stamps (initial caps) styles), Stencil Creek (inspired by Akzidenz Grotesk and influenced by street signs of the North West Pacific), Quaderno (monoline upright signage script).

Typefaces from 2016: Xmas Wishes, Gianduja (2016, a chocolate box script typeface family co-designed with Andrea Tardivo and Paco Gonzalez). Apero (a handcrafted emulation of sans and slab styles; the sans serif was inspired by vintage local liquor labels), Respect (a brush script sign painting typeface), Mentha (a calligraphic connected script typeface).

Typefaces from 2017: Peperoncino Vintage, Shabby Chic (wide signature script), Merendina (rounded sans family), Adore You (dry brush script), Quaderno Slanted (monolinear connected script), Love Wins (a collection of signage type phrases), Beach Please (watercolor brush), Timberline (dry brush script), Orbita (stencil shadow), Modern Love Slanted (brush style), Gessetto (a chalk lettering family).

Typefaces from 2018: Pesto Fresco (a wonderful 28-font layerable font family for use in hand-lettered posters), Instamood (a casual script), Auster (an unconventional flared and reverse contrast sans; followed in 2019 by Auster Rounded by Paco Gonzalez and Giuseppe Salerno, and in 2020 by Auster Variable), Smoothy (brush script), Voguing (a multiline typeface inspired by the movement and glamour of the 80�s and New York ballrooms scene), Beach Please Vintage, La Bodeguita (calligraphic), Contigo (with Paco Gonzalez; see also Contigo Vintage ), Story Tales (folklore style, with many choices of textures and possibility of layering), DreamTeam (multilined).

Typefaces from 2019 co-designed by Paco Gonzalez and Giuseppe Salerno: the brush typefaces Pando Script and Parkour, the Tuscan family Royale, the chalk font Dolce Caffe Chalk, the brush script Batticuore, the bry brush script typeface Blue Jeans, the layered handcrafted sans typeface Dolcissimo, and the font duo Sunday Morning.

Typefaces from 2019 by Giuseppe Salerno: SmoothyPro (with Paco Gonzalez), Auster Slab (a reverse stress slab).

Typefaces from 2020: Vermouth (a layerable font based on Italian signs from the 1960s), Big Mamma (a hand-printed slab serif by Giuseppe Salerno and Paco Gonzalez), Suerte (a reverse contrast display type, inspired by Aldo Novarese's Estro; with Paco Gonzalez), Norman (a fashion mag typeface by Paco Gonzalez and Giuseppe Salerno), Royale Italic (Tuscan; with Paco Gonzalez), Groupie (a psychedelic delight), Hello Fresh (with Paco Gonzalez), Nostalgia and Nostalgia Flowers (with Paco Gonzalez), Tresor (a romantic flared sans; with Paco Gonzalez), Pesto Fresco Italic (with Paco Gonzalez).

Typefaces from 2021: Industria Serif (54 styles; by Giuseppe Salerno and Paco Gonzalez), Guess What (hand-printed), Little Boxes (a fat finger font), Notes (a notebook script family), Annuario (an 48-style sans initially created for a calendar), Norman Stencil, Norman Variable, Videomusic (script), Norman Fat (a decorative high-contrast razor-sharp serif).

Typefaces from 2022: Oddity (a stylish calligraphic script).

His type blog is called It's Not My Type. Behance link. Creative Market link. Klingspor link. Creattica link. [Google] [MyFonts] [More] ⦿

RetroSupply Co
[Dustin Lee]

Dustin Lee (RetroSupply Co, Portland, OR, and before that, Palo Alto, CA) sells RetroType, an add-on for Illustrator to make text appear retro. After setting up RetroSupply in 2013, he made the handcrafted poster fonts Roaster (2015) and Wild Fire (2015), the bold octagonal typeface Authority (2015, in standard, rounded and distressed sub-styles; inspired by public transport typefaces from the 1970s; with Scott Fuller), the monoline connected script typeface Palm Canyon Drive (2015: inspired by California in the 1940s and 1950s), the cartoon font Nincompoop (2015; we find this note: Nincompoop was designed by award-winning illustrator, designer, teacher and author Von Glitschka. Until now, this font was part of Von's personal collection of resources. Now you can have this hand crafted typeface for your personal arsenal), the multiline logo font family Solid 70 (2015), and the semi-blackletter typeface Unlucky (2015).

Typefaces from 2016: Night Hawk (art deco), Over Easy (art deco), Leutner (multilined: the text is unclear whether Dustin designed this himself, or whether Aaron Sechrest is the designer), Transistor (super-condensed, retro), Komrade (a layered constructivist font), Firebox (a western typeface co-designed with Scott Fuller).

Typefaces from 2017: Blockprint, Machine Shop.

Typefaces from 2021: Lovestruck (psychedelic).

Behance link. Creative Market link for Dustin Lee. [Google] [More] ⦿

Reza Rahman

Bandung Barat, Indonesia-based designer of the retro signage script font Southern California (2015), which is also published by Maghrib Lab, which is also located in Bandung, Indonesia. Same story for the blackletter typeface Siren (2015).

In 2016, he designed the rock music-inspired (tattoo?) font Rockstar, and the brush font Firca.

Typefaces from 2017: Vianda (brush script), Quila (a monoline marker or comic book font). Behance link. [Google] [More] ⦿

Rhama Gothic

Free orphaned decorative blackletter typeface made in 2017. [Google] [More] ⦿

Ricardo Letters
[Ricardo Patiño]

Colombian graphic designer, calligrapher, type designer and lettering artist. In 2021, he released the blackletter font Frakturata. [Google] [MyFonts] [More] ⦿

Ricardo Patiño
[Ricardo Letters]

Ricardo Saul Castellanos Pabello
[Storm Design (or: Richie Mx)]

Riccardo Sartori

Designer at FontStruct, aka Riccard0. Creator in 2009 of Noptical (+Short, +Narrow, +Compact, +Elder, +Round, +Wide, +Tall), Rough Vut (outline face), Semiserio Linea, Snake's Tongue (Tuscan), Angul (runic), Elegance (+Serif), Black Agate, Black Diamond, Maccheroni.

In 2010, he added Linea Chiara (white on black), Amanuensis (blackletter) and Claredont (like Clarendon) and Claredont Stencil (2011).

In 2011, he did the Yin Yang typeface Taiji, Noptical (+2x2), Genjimon, Festive, and the stencil typeface Vertical Basic.

FontStructions from 2012: Belltower (a narrow didone), Stark (inspired by the Iron Man movie logo).

Typefaces from 2019: Calzoleria. [Google] [More] ⦿

Rich Gast
[GreyWolf WebWorks (was DarkSide Productions)]

Richard Beatty

Richard Beatty (Colorado) died on May 14, 2018. He made beautiful fonts, often revivals and interpretations of old typefaces and calligraphic designs, and was influenced by Frederic Goudy. In the 1990s, he operated as Richard Beatty Designs, making over 500 typefaces. Most were only for private or corporate use. Richard's typefaces:

Baxter New Style (1988), Baxter Old Style (1988)
Beatty Victoriana (1991): a set of five Victorian era fonts---Wanted, Spiral, Recherché, Hermosa and Childs (1985). Hermosa and Childs are nearly art nouveau. Childs is a revival of an 1892 typeface by Hermann Ihlenburg. Puzzling note: the Linotype catalogue says that Kismet was designed in 1879 by John F. Cumming. When you look at Spiral by Richard Beatty, you find a close copy of Kismet; Beatty says it's an "edited version of Kismet", but he holds the copyright. Is this another case of legal cloning? Finally, Wanted is based on an ATF typeface, Fantail, that was already shown in 1889 by the Franklin Type Foundry.
Benjamin (2002, BeattyType): from sketches by Ed Benguiat.
BernardsHand (beautiful medieval hand)
Borders (1990, some designed by R. Mitchell and R. Beatty)
Calligraph Initials (1997): a Lombardic face.
Childs. After a design from 1893 by Hermann Ihlenburg.
Civilite
Cooper
Desdemona (1994, +Black): art nouveau
Doric
Doves Type (2006). After the famous Venetian typeface designed by Emery Walker and T.J. Cobden-Sanderson, 1900.
Duchy Blackletter, Duchy Initials (2002): A blackletter typeface based on a sketch by Ed Benguiat of Benton's Dutch Initials.
Elizabeth RB. After Frederic Goudy, 1900.
Elizabeth (1994, BeattyType): An all caps almost uncial face.
Fanny Mitchell, Fanny Mitchell Initials (2005).
GeneralMenou
Goodhue (2005).
Goudy Claremont (1993: based on Scripps College Old Style, 1941).
Goudy Italian Old Style (1992).
Goudy Mediaeval (1992).
Goudy Saks (1990: based on a typeface designed in 1934 by Goudy for Saks Fifth Avenue in New York).
Hermosa (1991). a Victorian typeface.
Kennerley Old Style (1986, after Goudy's 1911 design)
Jensen Eusebius, Jensen Eusebius New Style (1989). A Venetian typeface.
11LivingstonJCL
Lucianard
Mediaeval Calligraphy
Ornaments (based on 1928 figures drawn by E. Adler)
Overdressed (2002): based on a sketch by Edward Benguiat for his Phototype Company.
Prairie Poster (Plain, Fancy): arts and crafts face.
Quillsong (calligraphic)
Recherché (1991). A curly Victorian typeface.
Rene Louis (1992)
Rolls Royce.
Spiral (1991). Revival of John F. Cumming's Victorian typeface.
Troyer
University Old Style. After Frederic Goudy, 1938.
Velda (2005, connected hand): the handwriting of Velda Burgess Will, classmate of the designer.
Wanted RB (1991). A western font.
White Tie, White Tie Relaxed (2005): roman lettering.

[Google] [More] ⦿

Richard Demeter
[Richarts]

Richard Kegler
[P22 Type Foundry]

Richard Khuptong

Designer (b. 1992) based in New Delhi. In 2018, he published the free dry brush typeface The Dolbak Brush at Pixel Surplus.

Typefaces from 2019: Zawlbuk (blackletter).

Typefaces from 2021: Bembem (a 6-style rounded sans). [Google] [MyFonts] [More] ⦿

Richard Ludwig

Son of typefounder Carl Jacob Ludwig. Born in 1877, he created Antiqua Augenheil (+Kursiv) (Ludwig&Mayer, 1907-1908), Deutsche Kursiv (1909, Ludwig&Mayer) and Linear Antiqua (1911, Ludwig&Mayer). Deutsche Kursiv was revived by Delbanco as DS-Deutsche-Kursiv. [Google] [More] ⦿

Richard M. Coda

Designer of the freeware font Roman 38. Also designed the blackletter EnglishTowne-Normal family. See also here. [Google] [More] ⦿

Richard William Mueller

Designer from Elkader, IA (or is he from Garnavillo, IA?), b. 1956. No web page, but the fonts, mostly made in the early 1990s, were collected by CybaPee at TypOasis for your downloading pleasure. His typefaces:

AdvertMF, AdvertMFItalic. Ultra-heavy brush lettering.
AkashiMF (1993). Oriental simulation font.
AltenglischMF
AmbrosiaMF (1995). Art nouveau.
AndreasPenMF, AndreasPenMFBold
AnglesMF. Beveled letters.
ApolloMF-Shadow, ApolloMF (1994-1997). Victoriana.
ArgosMF
AtlantisMF
BaileyMF (1997).
BlackCastleMF. A rounded blackletter.
BodieMFFlag, BodieMFHolly (1995). An American flag font.
BolideMF. A brush font.
BrandyMFScript (1993).
BravoMF (1994). A script typeface inspired by a 1945 font by E.A. Neukomm.
BurntMF. Halftone textured letters.
CamelotMF, CamelotMFBold (1995).
CarnivalMFOpen, CarnivalMFOpenShadow, CarnivalMFRimmed
Casual-Regular, CasualContactMF, CasualMarkerMF (1994). Marker pen fonts.
CignoMF. A delicate script.
Cinema-Regular
ClubMF
CoffeeTinMFInitials. Western circus font.
CreditCards. Dingbats.
GFCristateMF (1997). Borders and dingbats, published by Garagefonts.
DaisyMF
DipperMF, DipperMFDemiBold
DirectionsMF (1995).
DragonflyMF
EarthquakeMF. Broken letters.
EddaMF. Art nouveau.
EdisonMF (1995). Pure Victoriana.
ElectMF (1997).
FanfareMFFancy. Art nouveau.
FantasticMFInitials, FantasticMFModern
FarleyMF (1994).
FlamesMF
FleetingMF
FranconiaMF (1994).
GingerMF (1997). Late Victorian, early art nouveau.
GrangeMF
GreetingsMF
GuttenbergMF (1995). Victorian.
HayStackMFWide
HeeHawMF
HoffmanMF
InkHighlight
Knockout-Regular, KnockoutMFInitials
KompaktMF
LavaMF (1994).
LegrandMF
LongEarsMF
MaizeMF
MamaMF
MantelMF
MeltdownMF
MercuriusMF
NewDayMFScript
OceanViewMFInitials
OmegaMF-Bold, OmegaMF (1994).
PaintPeelMFInitials
ParchmentMF
PenMarkMFBold (1995).
PinewoodMF
PlymouthMF
PollockMF (1995). Marble-filled artsy display letters.
PoloBrushMF (1993).
PosturesMFInitials
Primitive
ProtestSignMF (1995).
QuaintMF
RaggedMF (1996).
ReefMF (1994).
SantaMonciaMF
Sexy-MF
SixtiesMF (1993). A psychedelic font.
SophieMF (1995). Art nouveau.
SpeedlineMF
SpiritsMF
StarshineMF
StereoMF
SteveMF (1997).
StowawayMF
SwingtimeMF (1995).
TamboScriptMF
TarantellaMF. An insect-themed decorative typeface.
TitaniaMF
TolkienUncialMF
TomahawkMF (1995).
TradingPostMFBold
TumbleweedMF
TuscanMFNarrow
UncleBobMF-Shadow, UncleBobMF (1993).
VassarMF
VeronaScriptMF
WaverlyMF
WetPaintMF (1996).
WindsweptMF
WishMF (1997). Art nouveau.
WizardryMF-Contour, WizardryMF (1997). Art nouveau.

Abstract Fonts link. Klingspor link. Dafont link. Fontspace link. [Google] [More] ⦿

Richard Yeend

British cartoon designer and type designer (b. London, 1945), who lives in Fourqueux, France. He has redesigned the The Boston Herald American, the International Herald Tribune and Die Welt. In addition, he has been Art Director for The New York Times and the European edition of The Wall Street Journal. Images of some of Richard Yeend's typefaces. Agfa/Monotype designer of Abbot Uncial, Acorn, Bangor, Broad Street, Comix, Honerswerda (Fraktur), Saxony Script, Ski Gothic (Fraktur), Xmas and Maidenhead (2001). At Linotype, he made Plantagenet, Achispado, Bandolero, Linotype Buckingham Fraktur (2002, part of TakeType 4), Linotype Richmond Fraktur, Hoyerswerda Fraktur (Agfa) and Linotype Richmond Zierschrift (2002). In 2003, as part of Linotype's Taketype 5 collection, he published Achispado LT, AmherstFraktur LT Std Bold, AmherstFraktur LT Std Heavy, AmherstFraktur LT Std Regular, AmherstGothicSplit LT Std It, AmherstGothicSplit LT Std Rg, AmherstGothicSplit LT Std RgAlt, Anasdair LT Std Bold, Anasdair LT Std BoldAlt, Anasdair LT Std Regular, Anasdair LT Std RegularAlt (2003), Bandalero LT Std, BurgstaedtAntiqua LT (Regular, Italic: with deformed letters, this is in the necrocock style), Hawkhurst LT Std Bold (2003, after a typeface by Albert Kapr), Hawkhurst LT Std BoldItalic, Hawkhurst LT Std Italic, Hawkhurst LT Std Regular, Hawkhurst LT Std RegularAlt, Hawkhurst LT Std RegularSC, Italienne LT Std (a true Western face), NeuseidlerAntiqua LT Std Bd, NeuseidlerAntiqua LT Std BdAlt, NeuseidlerAntiqua LT Std Hv, NeuseidlerAntiqua LT Std HvAlt, NeuseidlerAntiqua LT Std Rg, NeuseidlerAntiqua LT Std RgAlt. The Neuseidler family has art nouveau influences.

View Richard Yeend's typefaces. Klingspor link. FontShop link. Linotype link. [Google] [MyFonts] [More] ⦿

Richarts
[Richard Demeter]

Bradford, UK-based designer of these typefaces in 2019: Amberday (a fashion-conscious font based on Didot with design details that were also used earlier by Porchez in his Ambroise), Aberneth (blackletter), 10 Linea, Gotlib (blackletter), Blackdays (blackletter), Flamingosans, Geom (geometric solid), Metropolitan (script), Eleanor, South Wind (script), Kosmos (script).

In 2020, he released Lineam (an ocatgonal typeface). [Google] [MyFonts] [More] ⦿

Ridtype (was: Ridwanfil, or: Fontype Studio)
[Ridwan Fadilah]

Bogor, Indonesia-based designer, b. 1997, of the fat finger font Created (2019), the monoline script typeface Tanda Tangan (2019), the LED emulation typeface Ebrasie (2019), the Cyrillic emulation typeface Jantung (2019) and the decorative display typeface Zabur (2019).

Typefaces frm 2020: Deluxe, Fontype Hand, Lorean, Setander, Turbiedity (a glitch font).

Typefaces from 2022: Guminert (a 12-style geometric sans with a tall x-height). Creative Fabrica link. [Google] [MyFonts] [More] ⦿

Ridwan Fadilah
[Ridtype (was: Ridwanfil, or: Fontype Studio)]

Riegerl, Weißenborn&Co

Creators of the blackletter typefaces Lipsia Fraktur (1906, H. Berthold), Halbfette Lipsia Fraktur (1907, H. Berthold) and Fette Lipsia Fraktur (1908, H. Berthold) [Google] [More] ⦿

Rip Type

Rip Type was set up in 2019 by Nick Losacco (who is based in Montreal) and Ciaran Brandin (Brooklyn, NY). Their typefaces:

Generator (2021, Nick Losacco). A 9-style utilitarian workhorse. Includes a variable font.
Klostro (2020-2022, Ciaran Brandin). A blackletter typeface.

[Google] [More] ⦿

Risman Ginarwan
[Garisman Studio]

Rizaldi Wandani
[Wandani Creative (or: Lhotive Studio)]

Rizky Satyaludin
[Maghrib Lab]

R.K. Cowtan

Letterer from the last part of the 19th century. Examples of his alphabets include Modern Gothic Capitals, Modern Italic Penwork, Modern Penwork. These pictures appeared in the 1910 book by Lewis Foreman Day entitled Alphabets Old and New. [Google] [More] ⦿

RMU (Ralph Michael Unger Typedesign)
[Ralph Michael Unger]

Ralph M. Unger (b. 1953, Thuringia, East Germany) says this about himself at MyFonts: Typesetter from the composing stick via Linotype setting machines to the Mac. Jobs in various Thuringian printeries. Barred further education by Communist authorities due to political reasons. Imprisoned in East Germany. Since 1988 in the state of Baden-Wuerttemberg, former West Germany. Jobs in several newspaper printing houses as advertisement compositor. Own office since 1995, in Aalen, Baden-Wuerttemberg. He lives in Schwaebisch Gmuend, and was a freelance type designer for Profonts and URW++, where he contributed frequently to their libraries between 2002 and 2009. In 2009, he founded RMU. MyFonts link. I split his contributions into two groups, the URW / Profonts group, and the RMU group. The prefix FontForum refers to a subseries of URW++ fonts. Unless specifically mentioned, all the following fonts are at URW++ and/or Profonts:

FontForum Admiral Script (2005): revival of Middleton's Admiral script from 1953.
Amitié (2009): a garalde family.
Arabella Pro (2006): after the script by Arnold Drescher from 1936, published at Joh. Wagner.
Fontforum Atrament (2006): architectural lettering. Do not confuse with a Suitcase Type Foundry font from 2003 by the same name.
Atze (2010): a comic book family.
Behrensschrift D (2007): after the jugendstil typeface Behrens Schrift, 1902, by Peter Behrens.
FontForum Bernhard Script (2005): after Bernhard Script from the 1920s.
Bradley (2005): blackletter, after the original by William H. Bradley.
Breite Kanzlei (2007).
Breitkopf Fraktur (2003): after the original by Johann Gottlob Immanuel Breitkopf, done in 1793.
Brocken (2011) is a signage typeface inspired by a design of Volker Küster (1960s).
Profonts Bureau (2010, Profonts): a minimalist rounded sans family.
FontForum Calypso (2005): a revival of Roger Excoffon's Calypso (1958).
Card Pro (2006): a decorative display based on Ella Cursief (1916, Sjoerd Hendrik de Roos, Lettergieterij Amsterdam).
Chaweng (2006, Profonts): an oriental all caps simulation face.
Civilite URW (2005).
Compliment (2004, casual script). Based on a 1965 script by Helmu Matheis for Ludwig & Mayer.
Cranach (2007): a blackletter typeface modeled after Kuenstler Gotisch from the Krebs Foundry.
Dominante (2007): a serif family based on Johannes Schweitzer's font by that name, 1959.
Dominique (2010, profonts): an informal typeface.
FontForum URW Ecsetiras (2005): revival of Ecsetirás (Zoltan Nagy, 1967, a brush face).
Edda Pro (2008). An art nouveau typeface that revives a Heinrich Heinz Keune typeface from 1900.
Energia Pro (2008, Profonts): connected monowidth script, based on Arno Drescher's Energos from 1932.
Estro (2003, Western lettering). Seems close to Nebiolo's Estro from the 60s.
Eurobrush Pro (2007, Profonts): handwriting.
EuroSans (2008).
Euroscript Pro (2006, Profonts): school script typeface based on his own handwriting.
Flashes (2007): a revival of Crous-Vidal's Flash, 1953.
Fox (2007): a brush script based on W. Rebhuhn's original from the 1950s.
Gamundia (2010): a calligraphic copperplate script inspired by Excoffon's Diane.
Ganz Grobe Gotisch (2006): a fat blackletter modeled after the original by F.H.E. Schneidler.
Gmuender Elan Pro (2011) is a 1950s style script face.
Gradl Nr 1 (2008): based on hand-drawn art nouveau upper case characters by M. J. Gradl, ca. 1900.
Graphique Pro (2008): shaded caps face, based on Graphique, which was originally created by Swiss designer Hermann Eidenbenz in 1945, and issued as hot metal font by Haas'sche Schriftgießerei. See also New Graphique Pro (2011).
Handel Slab (2009): a 6-style extension of Trogram's 1980 typeface Handel Gothic.
Hanseat (2010): a grotesque family done at Profonts. It was heavily inspired by Germany's official DIN 1451 Engschrift.
Iova Nova (2007): based on Jowa Script, designed by J. Wagner in 1967.
Profonts>Impression (2008): art deco.
Jessen Schrift (2004): after the Rudolf Koch blackletter typeface by that name.
FontForum URW Konzept Pro (2005): revival of Konzept (1968, Martin Wilke's handprinting face).
Legende (2002): a script typeface based on the original typeface of Friedrich Hermann Ernst Schneidler (1937).
Leipziger Antiqua. The original Leipziger Antiqua by Alfred Kapr at Typoart dates from 1971 until 1973. The digital version of Leipziger Antiqua was developed by Ralph M. Unger in 2005.
Manuskript Antiqua (2005): after Oldrich Meinhart's Manuskript Antiqua.
The Maszynysta family of heavy industrial sans typefaces (2010) have a textured style (Struktura), a Shadow, and a plain Roman.
Maxim (2003, Profonts): The heavy brush typeface Maxim was originally designed by Peter Schneidler in 1956 for the Bauer foundry.
New Bayreuth (2008): after Friedrich Hermann Ernst Schneidler's Bayreuth from 1932.
Old Borders and Lines (2010). A free font.
Ornella (2008): Jugendstil.
Peter Schlemihl (2008, Profonts): a revival of a blackletter by Walter Tiemann.
Pedell (2009): a casual script.
Polo (2002): a brush face modeled after Carl Rudolph Pohl's Polo (1960).
In 2012, Ivana Koudelkova co-designed the grungy headline typeface Retroactive Pro with Ralph M. Unger at Profonts.
Fontforum Rhapsody (2006): a revival of Ilse Schüle's rotunda face.
Roberta (2003): art nouveau typeface after obert Trogman's typeface for FotoStar.
FontForum Signs and Symbols (2006).
Splendor (2009): a revival of a brush script typeface by Wilhelm Berg, Schriftguss, 1930. See also Splendor Pro (2014).
Sportowy (2009): an outline face.
Stanford (2011). A sports lettering face.
Stiletto (2006): a medieval script.
Fontforum Stripes (2007): a multistripe op art display typeface based on a Letraset font from 1973 by the same name.
Fontforum Thalia (2006): retro font.
Tintoretto (2006): shadow display face based on an origonal by Schelter & Giesecke.
Tip Top Pro (2008): a Julius Klinkhardt art nouveau typeface revival.
FontForum Unciala (2005): a revival of Oldrich Menhart's typeface Unciala (1953, Grafotechna).
Unger Chancery (2005).
Unger Script (2003): based on H. Matheis' Slogan typeface designed for Ludwig&Mayer in 1957.
Veltro (2007): after a 1931 original by G. da Milano at Nebiolo.
Profonts Woodpecker (2008).

The list of RMU fonts:

Affiche (2017). A revival of Helios Reklameschrift of the Klinkhardt foundry.
Aldo Manuzio (2017). After a house typeface from 1897 by Schelter&Giesecke.
Amati Pro (2010): after Georg Trump's condensed didone face, Amati, 1951.
Antiqua Florenz (2021). A revival and extension of Paul Zimmermann's Antiqua Florenz (1960, Ludwig & Mayer), which is based on Venetian romans.
Avus Pro (2012). A sans family that extends Gert Wunderlich's Maxima (1970).
Baroque Pearl (2016). A pearly typeface that revives Peter A. Demeter's Fournier Geperlt (1922, Schriftguss).
Behrens Kursiv (2013). After a 1906 original by Peter Behrens.
RMU Belvedere (2020). A revival of Heinrich Wieynck's art nouveau / fin-de-siècle typeface Belvedere (1906, Bauer).
RMU Bison (2020). A revival of Julius Kirn's brush script Bison (1935-1938, C.E. Weber).
Bernhard Blackletter (2016). After Lucian Bernhard's extrafette Bernhard Fraktur (1921).
Bernhard Cursive Extra Bold (2010).
Borghese (2015). An art nouveau font after a Schelter & Giesecke original from 1904.
Borgis Pro (2012). A Clarendon-style text family.
Boulette (2015, a fat creamy script).
RMU Bowery (2019) A revival of Old Bowery (1933, ATF)).
Bravura Pro (2013). After G.G. Lange's Publica.
Bricklayers (2012). An original fat slab display face.
Brillant (2009): art nouveau and ultra heavy.
Butti (2011). A script family paterned after Fluidum (1951, Alessandro Butti, Nebiolo).
Cable Condensed (2014). Based on Koch's Kabel.
Caesar Pro (2011). A flared sans typeface after Caesar Schrift (1913, Georg Schiller, C.F. Rühl).
Capitol Pro (2012). An art deco typeface based on Capitol (Karl Hermann Schaefer for Schriftguss, 1931).
Carina Pro (2017). A calligraphic script typeface based on Rautendelein (1929, Schriftguss).
Carla Pro (2013). A broad-nibbed script modeled after Ballantines Script (Elsner & Flake, 1974; see also Ballantines Serial by SoftMaker).
Carlsbad (2018). A couple of art nouveau typefaces based on originals from 1895 by H. Berhold called Regina Cursiv and Hansa Cursiv.
Caslon Gotisch (2009): after the original by William Caslon from 1763.
Celebration (2009): blackletter.
Circensis (2016). A Western circus font based on a concept of Fritz Richter.
Claudius (2010): after a 1937 blackletter font at Klingspor.
Constanze Pro (2012). A light cursive typeface based on Constanze (1954, Joachim Romann, Klingspor).
Contact Pro (2010): after Contact, a 1963 font by Helmut Matheis.
Dante Alighieri (2018). Based on a Schelter & Giesecke original.
Daphnis (2016). A revival of Daphnis (1929, Walter Tiemann).
Deutschmeister (2017). A textura blackletter typeface after Deutschmeister by Berthold Wolpe for Ludwig Wagner in 1934. (Some dispute that Wolpe made this font.)
Diamant Pro (2012). A transitional serif face.
Emilia (2016). Based on Weiss Antiqua (1928) by Emil Rudolf Weiss.
Neue Echo (2016). Based on Echo for Schriftguss.
Elbflorenz (2020). A revival of Albert Auspurg's display typeface Miami (1934, Schriftguss).
Emilia Gotisch (2016). After Weiss Gotisch (1936) by Emil Rudolf Weiss.
Emilia Fraktur (2021). A revival of Emil Rudolf Weiss's Weiss Fraktur (1913).
Erler Titling (2015). After Erler Versalien (1953, Herbert Thannhaeuser for Typoart).
Eurotech Pro (2011): a slabby techno family.
Faulkner Pro (2011): a connected heavy signage script based on Alan Meeks's Kestrel.
Fette Kanzlei (2019).
Fette Unger Fraktur (2010).
Fichte Fraktur (2020). After Walter Tiemann's Fichte Fraktur (1934).
Fontanesi RMU. An ornamental caps typeface that revives Aldo Novarese's Fontanesi (2018).
Forelle Pro (2010): after the original Forelle script typeface by Erich Mollowitz, 1936.
Frankenberg Pro (2012). An antique script face.
Gabor Pro (2014). A connected copperplate script.
Gaby Pro (2017). A revival of Hans Möhring's script typeface Gabriele (1938 or 1947, C.E. Weber).
Garamond Antiqua Pro (2015).
RMU Gilgengart (2020). A revival of Hermann Zapf's Fraktur font Gilgengart (1938).
Gillray Pro (2015). A copperplate script after Hogarth Script (by Harald Bröder for Typoart).
RMU Gloria (2019). After Gloria (1898, Emil Gursch).
RMU Gong (2020). Based on Arno Drescher's Super Grotesk Schmalfett first released in 1933 at Schriftguss.
Gmuender Gravur (2011). A 3d shadow face. Gmuender Antiqua Pro (2015) is influenced by the metal font Imprimatur (1952-1955, Konrad F. Bauer and Walter Baum). Gmuender Kanzlei (2018) is a blackletter typeface.
Goethe Fraktur (2022). A revival of a blackletter typeface by Wilhelm Woellmer (1905).
Gravira (2021). A revival of Herbert Thannhaeuser's Gravira, released by Schelter & Giesecke in 1935 .
Haenel Antiqua (2020, based on a 19th century antiqua by Eduard Haenel) and Haenel Fraktur (2011, after Haenel Fraktur, ca. 1840).
Hanse Textura (2020). A revival of a textura by Hermann Zapf.
RMU Helion (2020). A revival of the 3d titling typeface Helion (1935, Arno Drescher for Schriftguss Dresden).
RMU Herkules (2019). After a late 19th century font by Bauer and Berthold called Reklameschrift Herkules.
Hoelderlin (2018). After Eugen Weiss's Hoelderlin blackletter font (1937).
Hoyer Script (2017). After Hanns Thaddeus Hoyer's Hoyer Schoenschrift (1939, Stempel).
Hupp Fraktur (2016). After Otto Hupp, 1911.
Impuls (2010): a brushy typeface based on Paul Zimmermann's Impuls (1945).
Initials RMU One (2012) consists of revivals of Rudhardsche Initialen (Otto Eckmann, ca. 1900) and Walthari Initials (ca. 1900, Rudhardsche Giesserei). Initials RMU Two (2012) consists of revivals of Jubilaeumsinitialen (by Bauersche) and Augsburger Initialen (by Peter Schnorr, 1901).
Jean Paul Fraktur (2021). A revival of Breitkopf's Fraktur font Jean-Paul-Schrift (1798).
Jobs Gravure (2011). It had to happen---a few days after Steve Jobs' death, Unger released the beveled engraved typeface Jobs Gravure, which is an extension of Trump Gravur (1954, Weber).
Jolly Polly (2012): a curly non-connected script face.
Kis Antiqua Pro (2018). A revival of Hildegard Korger's Kis Antiqua at Typoart.
Kleist Fraktur (2010): after Walter Tiemann's original.
Kompress Pro (2013). Two compressed sans typefaces.
RMU Kontrast (2021). An art deco typeface that revives Kontrast (1930, F.H.E. Schneidler at Weber).
Koralle RMU (2018). A revival of Schelter and Giesecke's Koralle (1915).
Korpus Pro (2014). A text typeface family. Followed later in 2014 by Korpus Sans Pro.
Korpus Serif Pro (2021). A revival and extension of Timeless (Typoart) that covers Greek, Latin and Cyrillic.
Leibniz Fraktur (2012) is modeled after the famous Genzsch & Heyse blackletter font.
Lenbach (2021). Inspired by a German font from the Victorian era.
Liliom Pro (2012). A beautiful fat didone typeface based on an original from the Fonderie Française.
Lipsia Pro (2011). An angular serif family.
Literatura Pro Book (2012).
Litfass (2021). A revival of an art nouveau font by Flisch.
Lutetia Nova (2014). A fresh two-style take on Jan van Krimpen's Lutetia (1924).
RMU Luchs (2021). A redesign of Jakob Erbar's inline all caps art deco font Lux (Ludwig & Mayer, 1929).
Luxor Pro (2010): a Victorian/Western display face.
Lyrica (2014). A revival of the informal blackletter typeface Lyrisch (1907, Georg Schiller).
RMU Magnet (2021). A redesign and revival of Magnet (1951, Arthur Murawski at Ludwig & Mayer).
RMU Manolo (2019). Based on the art nouveau typeface Manolo (Ludwig & Mayer).
Manutius Pro (2012).
Meister Antiqua (2011, +Bold, +Book). A Typoart original from 1951 in the tall flared ascender serif genre, revived and extended.
Mitropaschrift (2016). An octagonal original.
Mobil Pro (2011). A semi-script typeface in the fifties style of Matheis.
Monument (2010): a 3d shadow roman caps face created after Oldrich Menhart's Monument.
Narziss (2018). A revival of Walter Tiemann's Narziss from 1921.
RMU Neptun (2021). A revival and extension of the art nouveau typeface Neptun by Aktiengesellschaft fuer Schriftgiesserei und Maschinenbau, Offenbach.
Neue Kurier (2011). Typoart's popular signage script font in a new, completely remastered version.
Neue Muenchner Fraktur (2010).
Neue Schwabacher (2021). After Albert Anklam's Neue Schwabacher (Genzsch & Heyse, 1876).
Neue Thannhaeuser (2011).
Old Towne Pro (2010): a Western font.
RMU Omega (2020). After Omega, an art deco typeface by Friedrich Kleukens at Stempel in 1926.
Orbis Pro (2016). A revival of Walter Brudi's shadow typeface Orbis (1953, Stempel).
Orplid Pro (2019). a layerable typeface that revives and extends Hans Bohn's all caps Bauhaus era typeface Orplid (1929).
Parcival Antiqua (2016). A revival of Parcival Antiqua (1926, Herbert Thannhaeuser).
Parfum (2013). A low x-height script that was inspired by Howard Allen Trafton's Quick (1933, bauer).
Parler Fraktur (2018). A revival of Friedrich Poppl's Poppl Fraktur.
Parler Gotisch (2011). A blackletter face.
RMU Pittoreske (2019). A decorative Victorian typeface.
Plastica Pro (2015, a chiseled typeface inspired by a J. Lehmann design).
RMU Pergola (2021). A vintage shadow typeface inspired by a late-19th century font of Georg Giesecke.
Post Fraktur (2014) and Postillon (2014). After Herbert Post, 1933-1937.
Primana Pro (2012). A seductive geometric grotesk family.
Prinzess Gravur (2010): a blackletter typeface modeled after Prinzeß Kupferstichschrift (1905, Berthold).
Prisma Pro (2011). Revival and extension of Rudolf Koch's multiline typeface Prisma (1931).
Reklame Fraktur (2016). After Reklame Fraktur by Albert Christoph Auspurg, 1914.
Reflex Pro (2018). All caps, with an inline style.
Reznicek Pro (2011) is a post-Victorian pre-art nouveau typeface named after Ferdinand von Reznicek (1868-1909), one of the leading artists and illustrators of those times.
Rekord Antiqua (2020). A revival of the art nouveau era text typeface Rekord Antiqua (1911, Wagner & Schmidt).
Rhythmus Pro (2016). After a Schriftguss AG and Schelter&Giesecke original grotesk, and extended to cover Cyrillic.
Ridinger Std (2012). Based on Riedingerschrift (Franz Riedinger, 1906, for Benjamin Krebs Succ.).
Ronde Pro (2011): roundhand script.
Royal Grotesque (2021). A revival of Wotan by Wagner & Schmidt, 1914. Did this typeface become RMU Royal Sans (2022)?
Salzmann Fraktur (2019). A revival of Max Salzmann's blackletter font released by Schelter & Giesecke in 1912.
Saskia Pro (2016). Revival of Jan Tschichold's Saskia (1931, Schelter & Giesecke).
Schmale Anzeigenfraktur (2009): based on Koch's Schmale Deutsche Anzeigenschrift, 1923, Klingspor.
Schmale Mediaeval (2020). Based on Schelter & Giesecke's Schmale Mediäval (1840).
Schmuckinitialen (2009): an ornamental caps typeface in the art nouveau style based on Walthari Initials [Walthari (1899, Heinz König for the Rudhard'sche Giesserei) in the upper case and Eckmann Initials (ca. 1900, by Otto Eckmann, Germany's chief art nouveau type designer) in the lower case].
Schreibmeister (2021). Ralph's interpretation of Arno Drescher's formal cursive typeface for Ludwig Wagner (1958, Leipzig).
Schwabacher Book (2013).
Sebaldus (2019). A heavy blackletter typeface, after Sebaldus Gotisch (1926, H. Berthold).
Senatsfraktur (2020). After Friedrich Bauer's Senats Fraktur done in 1907 for Genzsch & Heyse.
Concordia (2020). A revival of Sensation Schmalfett (1914, Heinrich Hoffmeister).
Siegfried Pro (2017). A revival of the art nouveau typeface Siegfried (1900, Wilhelm Woellmer).
RMU Skizze (2021). This revives Walter Höhnisch's script typeface Skizze (1935, Ludwig&Mayer).
Staxx Pro (2013). A prismatic typeface.
Staufer Gotisch (2015). An engraved blackletter typeface modeled after Herbert Thannhaeuser's Hermann Gotisch (Schriftguss, 1934).
Steinschrift Pro (2015). A single style condensed sans serif.
Sylphe Pro (2019). A vintage script font that revives Schelter & Giesecke's Isabel (not Sylphide, as claimed by him).
Tablica (2017). After Karl-Heinz Lange's DDR telephone directory font Minima (1984).
Thannhaeuser Fraktur (2013) is a redesign of Typoart's Thannhaeuser Fraktur.
Thomasschrift (2014). A rustic typeface that revives and extends Thomas-Schrift by Friedel Thomas (1957-1958, Typoart).
Titanschrift (2011). A yummy soft and fat display face.
Tombola (2018). After an alphabet from the 1920s by Otto Heim.
RMU Trianon, renamed RMU Trifels (2020). After Heinrich Wieynck's Trianon (1905, Bauersche Giesserei).
Trocadero Pro (2010): an extension and revival of Trocadero Kursiv, 1927, Albert Auspurg, Trennert.
Troubadour Pro (2010): In Medium and Engraved styles.
Trump Deutsch (2011): a blackletter face, after the 1935 original by Georg Trump.
Trybuna (2013). Based on Herbert Thannhaeuser's Liberta Antiqua (1958), but completely redrawn.
Turnier (2019). A revival of G.G. Lange's derby (1952-1953).
Tyton Pro (2013). A brush script after Heinz Schumann's famous 1964 Stentor.
Typoskript Pro (2010): a revival of Hildegard Korger's Typoskript, first done at TypoArt in 1968.
Unger Fraktur (2010): after a 1793 design by Johann Friedrich Unger; includes fett and mager.
Walbaum Antiqua Pro (2013). A revival of Justs Erich Walbaum's didone classic.
RMU Wallau (2019). After Rudolf Koch's rotunda typeface Wallau (1926-1934).
Werbedeutsch (2021). A revival of the blackletter typeface Buchdeutsch (Ernst Schneidler, 1926).
Wieynck Fraktur (2019). after Heinrich Wieynck's Wieynck Fraktur (1912).
Wieynck Gotisch (2018). After Wieynck Gotisch (1926, Heinrich Wieynck).
Zentenar Fraktur (2010): mager and halbfett; after the 1937 workhorse by Ernst Schneidler at Bauer.
Zierfraktur (2010): after Deutsche Zierschrift, an engraved blackletter font that was cut by Rudolf Koch between 1919 and 1921 for Klingspor.

Ralph made some typefaces outside URW/Profonts and RMU, such as Stripes (2014, a prismatic typeface puvlished by Thinkdust).

View Ralph M. Unger's typefaces. [Google] [MyFonts] [More] ⦿

Rob Kandefer

Aka Maker21. Los Angeles-based designer (b. 1975) at T-26 of the 6-weight octagonal family Nightjar Text (2006) and its 7-weight curly/blackletter sister family Nightjar (2006).

Alternate URL. Klingspor link. [Google] [MyFonts] [More] ⦿

Robert D. Anderson
[Lord Kyl's Medieval and Fantasy Fonts]

Robert Golpon

Blackletter type designer who created Potsdam (1934, J.D. Trennert&Sohn). This typeface was revived in 2005 by Manfred Klein. [Google] [More] ⦿

Robert Haas

Robert Haas (b. 1898, Vienna, d. 1997, Valhalla, NY) studied at the Technischen Hochschule Wien and, under Rudolf Larisch, at the Wiener Kunstgewerbeschule. He started his private press Officina Vindobonensis in 1925 and emigrated to the USA in 1938, where he set up Ram Press in New York. Designer of the blackletter typeface Helen Fraktur (Monotype Serie Nr 308). [Google] [More] ⦿

Robert Hunter Middleton
[Ludlow]

Robert Schenk
[Ingrimayne Type (was: The Bovine Rebellion)]

Robert Stefanic

Designer of the blackletter font Henche (Varityper, 1984), named after the Varityper dealer in Spain. [Google] [More] ⦿

Roberto Osses
[Andez]

Roberto Osses
[Esos tipos de la UTEM]

Robin Bugdahn

Stockholm-based designer of the modern textura typeface Frid (2018). [Google] [More] ⦿

Rockboys Studio (or: Rockboy Studio)
[Hayinah Hayinah]

Graphic designer in Jambi, Indonesia, who says that most of his clients are tattoo craftsmen. Creator of Angelissa (2020: a formal calligraphic font), Hayes Preston (2020: a signage script) and Huntly, (2020: a decorative blackletter font that has interesting options for adding frills and swashes).

Typefaces from 2021: Rosica, Andina Janelia (a heavy monoline script), Geotrica (a 4-style geometric sans), Jack Mason (a script with a large x-height), Kinghood (serif), Reymond (a sturdy brush script), Beauty Festival (script), Buffallo (a scrapbook script), Hellowhiten (a signature script), Linguista (a monoline upright script), Santarino (a dry brush script), Autosmash (a dry brush script), Avengeline (script), Delphanium (calligraphic script), Reskova (a dry brush script), Alphayouth (a dry brush script), Brostone (a dry brush script), Geostar (dry brush caps), Stargold (script), Castonvilla (a creamy script), Shutdown Brush (a dry brush script), Anabelia (an upright monoline script), Hugio (a decorative serif), Belliza (a dry brush script), Priscilla (a scrapbook script), Bottania (a scrapbook script), Brettisa (script), Alovetha (script), Warmtone (script), Westerna (script) Shootballs (a fat finger script), Boldetton (a scrapbook script), Roselitta (a wild calligraphic script), Aghitta (brush script), Rustcyber (a dry brush script), Brushtter (a dry brush font), Slatteros (a brush script), Finesolla (a dry brush script), Strike Brush, Thunder (a bold brush script), Deska Magosta (a swashy display serif), Mogenta Signature, Darkness Brush, Blackshot (an exaggerated Victorian typeface), Battle Skill (a dry brush font), Bellazio (a tall and effective dry brush script), Astallya Script (monolinear), The Classic Signature, Zero Master (a techno stencil for cyber-starved geeks), Roxelane (hyper-ornamental and Victorian, perhaps useful for tattoos), Ludovica (a formal calligraphic script).

Typefaces from 2022: Contagia (a meaty decorative serif), Vessagio (a tuxedoed sans). [Google] [MyFonts] [More] ⦿

Rod Graves

Vancouver, Canada-based graphic design student, who created Archura (2004, a blackletter face: the name stands for Arched Textura). [Google] [More] ⦿

Rodrigo Araya Salas
[Rodrigo Typo (was: RAS Design)]

Rodrigo Diaz de Vivar

The great medieval font Tizona Dance by Rodrigo Diaz de Vivar (2001). Well, that was the real name of El Cid, aka El Campeador. El Cid was a blackletter font by Classic Fonts, and it was reworked by Manfred Klein and Petra Heidorn in 2001 under the alias Rodrigo Diaz de Vivar. [Google] [More] ⦿

Rodrigo Navarro Bolado

Designer in Tampico, Mexico, b. 1986, who created the tattoo font Garbancera (2011), the clawed overlay font family Nahual or Nahual Claw (2011), the informal sans typeface Carnala (2010), and the blackletter typeface Vestigia (2011). Kimiko Demi Bold (2011) is an elegant fat poster face. Guadalupe FF (2011) is a display sans. In 2020, he released the labyrinthine typeface Laberintia. [Google] [MyFonts] [More] ⦿

Rodrigo Typo (was: RAS Design)
[Rodrigo Araya Salas]

RAS Design is Rodrigo German or Rodrigo Araya Salas, a designer from Santiago, Chile, b. 1987.

Rodrigo Typo link. RAS Design link. Dafont link. Dafont linkNewer Dafont link. Behance link. Fontspace link. Fontsy link. Abstract Fonts link. Old URL.

Creator of many hand-drawn free fonts.

His typefaces from 2008 and 2009: Super (2009, for signage), Snow (2009), Mari (2009), El Cubano (2009, dingbats of typefaces), Mental Freak (2009, outline), Freak Animals (2009), Brigada Ramona Parra (2009, dingbats), Happie (2009, dingbats), Santiago Icono (2009), Icono Skate Dingbat (2009), 78 Skate (2009), The Sorden (2009), Estilo Urbano (2009, stencil), Tetris (2009), Techno (2009), Kona (2009, childish hand), Parody Logoskate (2009, dingbats), Fat Love (2009), La Rata Bizarra (2008), Tabla (2008), A Mano Alza (2009), Maribel (2009, handwriting), Stencil (2009), Rayando (2008, chalky writing), Klam, Loco TV, Monos Frekis (2008, funny dingbats), Tabla (2008), Happie (2009, more funny dingbats), Funny Icons (2009), Kiltro (2008, dog dingbats), Pokemona (dingbats), Maniatico (scratchy outlined hand), Bizarro 1 (outline hand), Chile (dingbats), Freaky (2008, dingbats), Esquiso (outlined handwriting), Crazy Ras (outlined and hand-printed), Skatelove (2008, dingbats), Los de Abajo (2008, dingbats), Logoskate (2008), David (2008, flowing ultra fat face), Destruccion (2008, grungy), Skateboarding (2008, ransom note face), Mike Valley (2008, skateboard dingbats), Rodney Mullen King (2009, skateboard dingbats), El Chavo del 8 (2008, scanbats), Grande Maradona (2008, scanbats), Saintfont (2009, hand-printed), New Tetris (2009), September 11 Icon (2009, a powerful set of dingbats), Icono BMX (2009, bike dingbats).

Typefaces from 2010: Commando X (2010, a pixel dingbat typeface for computer games), Raya Irregular, Mari+David, Depressive Icon, Esquiso, Ego (2010), El Cubano (dingbats with typefaces), Barras Bravas (almost graffiti face), Globe Face (award winner at Tipos Latinos 2010).

Fonts done in 2011: Logo Font, Buen Dia (ransom note face), Drugstore (blackletter), Condorita (dingbats), KingKöng (a nice fat letter comic book face), Rolo (fat letter face), Logo, Comando X (a pixelized dingbat typeface based on video games), Catbox (2011, fat and rounded), Joia (a thin octagonal face), Plop (a "hip hop font").

Typefaces from 2012: Designio (rounded sans family), Nollie, Rocka (triangulated), Mosku (paint or blood drip face), Gigio Italia Bizarre (dingbats), Conny Rocket, Retro Hand Type (stitched), Wood (wood type simulation), Tritona, Nollie, Zdravo Maria (children's hand), Bordados (stitched typeface).

Typefaces from 2013: Mexe, Polly, Pintanina (+Pro) (comic book caps face; the Pro version appeared in 2015), Giger Free (inspired by the paintings of H.R. Giger), Rango (fat hand-printed face), Smile (fat signage face), Pequena (a fat finger typeface for children's books; in Latin, Greek and Cyrillic), Children One, Lollapalooza, BRP (dingbats), Koni Black, Cusco, Rorschach, Children One (poster font), Varial Hellflip, Marty (hand-drawn poster font for Latin and Cyrillic), Barricada [not to be confused with the Barricada font by Sudtipos].

Typefaces from 2014: Marty Spring, Munky Negra (a creamy signage typeface by Rodrigo Araya Salas and Raphael Rodriguez), Tobogan (ultra-black poster face), Lilirun, Peral, Zurita (brush face), Ruba, Street Animals (dingbats), NegritaPro (funky), Ruda (brush face), Muro (thick brush type), Cucho (signage typeface), BRC (hand-printed), Konga (a chocolaty creamy signage script originally from 2012), Pony, Guakala, Alboroto, Loyola (a cartoon script started in 2013, which won an award at Tipos Latinos 2018), Froh (an informal fat stencil), Paihuen Pro (Mapuche-inspired letters), Helenita (perhaps useful for children's books; see also Helenita Dos in 2017), Macabro (a great hand-lettered and weathered typeface family), Box10, Ria, Bototo.

Typefaces from 2015: Mari+David, Good Friend (a primitive script), Galpon (a great vernacular signage and/or comic book typeface for Latin, Greek and Cyrillic; extended in 2020, with Bruno Jara Ahumada, to Galpon Pro), Smile Pro (a fat multi-style handcrafted poster family of exceptional beauty; together with Andrey Kudryavtsev), Ardilla Small (a rounded organic sans by Rodrigo Araya and Andrey Kudryavtsev), Konga Pro (based on his own creamy script, Konga, from 2012), Mari & David (poster typeface), Forest Puyehue, Skatista (handcrafted script and skateboard dingbats), Ruba Style, Janmeid, Forma (experimental, robotic), Australia Skate (vernacular type), Tobi Black (for comic books and children's books, +Greek, +Cyrillic), Tobi Dirt, Basural (experimental).

Typefaces from 2016: Bowl, Aliengo (a fun Martian font family done with Andrey Kudryavtsev), Marty Two (a lovely handcrafted typeface, ideal for children's books), Minnie Play (a children's book typeface by Rodrigo Araya and Andrey Kudryavtsev), Camo (a layered typeface family by Rodrigo Araya and Andrey Kudryavtsev), Camo Dirt, Clarence World (with Andrey Kudryavtsev: a rounded cartoon font inspired by the logo of the Cartoon Network series Clarence; followed in 2017 by Clarence Two), Pequena Pro (+Cyrillic) (with Andrey Kudryavtsev), La Mona Kids, Konga Rock, Movskate (a skateboarding culture font by Rodrigo Araya, Juan Sepulveda and Patricio Gonzalez), La Mona Pro (72 styles: A feast of textures!).

Typefaces from 2017: Hatter Display (a Halloween font), Hatter Display Pro (+extensive dingbats), Hatter Cyrillic Display, Macabro Danger (wall paint style), Checkin Script (with four sets of travel dingbats), Caleuche (a bold weathered typeface, with Andrey Kudryavtsev; but that coauthorship was altered in 2021 to Franco Jonas Hernandez), Pequena Neo, Bike Park, Bike Park Two, Kawaii RT, Clarence Two, Portena, Mi Cocina (restaurant icons and dingbats), Big Foot Forest, Clarence Cyrillic (by Rodrigo Araya and Andrey Kudryavtsev), Galpon Spring, Spike Bot (by Rodrigo Araya and Andrey Kudryavtsev), Forest Two.

In 2018, Rodrigo Typo published these typefaces: Ding (a great fattish cartoon font, co-designed with Andrey Kudryavtsev and Franco Jonas; see also its extensions, Ding Pro (2019) and Ding Extra (2019)), Squick (a comic book / children's font family by Franco Jonas, Andrey Kudryavtsev and Rodrigo Araya), La Pica Pro (by Rodrigo Araya and Andrey Kudryavtsev), Catshape (dingbats by Rodrigo Araya), Tobi Pro (by Franco Jonas, Rodrigo Araya Salas, and Andrey Kudryavtsev), Spiro (a retro almost psychedelic lettering font based on the series The Boatniks; by Rodrigo Araya Salas and Andrey Kudryavtsev), La KonyBlack (by Rodrigo Araya and Andrey Kudryavtsev), Ruda Two, Nuby (Franco Jonas, Rodrigo Araya Salas and Andrey Kudryavtsev), Garita, Alquitran (based on pixacao), Alquitran Stencil and Alquitran Rust (by Francisco Paez, Rodrigo Araya Salas and Andrey Kudryavtsev), Rague Pro (a stone-cut font by Rodrigo Araya Salas and Andrey Kudryavtsev, which won an award at Tipos Latinos 2018).

Typefaces from 2019: Hatter Halloween, Clarence Alt (a an almost bubblegum children's book sans by Franco Jonas, Rodrigo Araya Salas and Andrey Kudryavtsev), Nacho Rough, Naguel, Lolapeluza Two, Nacho (a Mexican party font by Rodrigo Araya and Franco Jonas).

Typefaces from 2020: Minado Rough, Toretto, Diablito One (a two-font and four dingbat-font package by Rodrigo Araya Salas and Bruno Jara Ahumada), Clarence Inline (a plump informal typeface family by Rodrigo Araya Salas and Franco Jonas Hernandez), La Pica Bonus (a vernacular or supermarket style font and dingbat family by Andrey Kudryavtsev and Rodrigo Araya Salas), Ancoa Slanted (an angular display family in 15 styles; by Andrey Kudryavtsev, Rodrigo Araya Salas and Franco Jonas Hernandez), Ruina One (rough, distressed), fj Trance (a reverse contrast Egyptian by Rodrigo Araya Salas, Franco Jonas, Valentina Faundes and Jorge Morales Salas), Tunning (an all caps speed font), Skippie (a comic book family by Andrey Kudryavtsev, Rodrigo Araya Salas, Bruno Jara Ahumada and Franco Jonas, and four sets of dingbats including Skippie Monster Lucha Libre and Skippie Monster Halloween), Ancoa (an angular 19-style layerable typeface by Andrey Kudryavtsev, Rodrigo Araya Salas and Franco Jonas Hernandez).

Typefaces from 2021: Rinno (a rounded geometric display family by Rodrigo Araya Salas and Franco Jonas Hernandez), Ripster, Elah (a children's book or supermarket font; with Andrey Kudryavtsev), Loyola Next (a 14-style sans by Rodrigo Araya Salas and Bruno Jara Ahumada), Clarence Pro (a vernacular supermarket font by Rodrigo Araya Salas and Franco Jonas Hernandez), Meche Pro (a 12-style ligature-rich poster typeface), Rambi, Willner (a 5-style display sans by Rodrigo Araya and Franco Jonas), Picaflor (a titling or children's book typeface by Rodrigo Araya Salas and Bruno Jara Ahumada), Picaflor Hand (by Rodrigo Araya), Picaflor Soft (a fine national park or children's book family of organic sans fonts by Rodrigo Araya Salas and Bruno Jara Ahumada).

Vectorlove won an award at Tipos Latinos 2012. Mona won an award at Tipos Latinos 2014. View Rodrigo Typo's typefaces. [Google] [MyFonts] [More] ⦿

Rodrigo Valenzuela

Chilean type designer who graduated from Universidad Tecnológica Metropolitana de Santiago de Chile. Award winner at Tipos Latinos 2010 for his experimental typeface Maipo (2009, a precolombian native face). At Esos tipos de la UTEM, one can download both Maipo and La Vega Fraktur (2008). [Google] [More] ⦿

Roettinger Blasmusik

Small archive: FetteFraD (URW, 1994) and the handwriting font PyxidiumQuick (WSI, 1994). [Google] [More] ⦿

Roger Hartley
[Silver Graphics]

Roger Pujol Nerin

London, UK-based designer of the blackletter typeface Gothic Poligonal (2017). [Google] [More] ⦿

Roger Vershen
[Page Studio Graphics (or: Pixymbols)]

Roger White

Type designer from Staffs, UK. His 114 free creations, all done between 1992-1998, include AmertonOutline, AmertonOutlineItalic, Cambridge (a copy of University Roman), Cardiff, CardiffBold, CardiffBoldItalic, CardiffItalic, Carolus, CarolusItalic, Circled, Colton, ColtonSmallCapitals, Curborough, CurboroughBold, CurboroughBoldItalic, CurboroughItalic, Derrington, Dresden, Dublin, DublinBold, DublinHollow, Dunstall (art nouveau), Fradley, FradleyBlack, FradleyBold, FradleyBoldItalic, FradleyExtended, FradleyExtendedItalic, FradleyItalic, FradleyNarrow, FradleyNarrowItalic, FrysOrnamented, GloucesterOpenFace, Gresham, Hanch, HanchBold, HanchBoldItalic, HanchItalic, HanfordScript, Jana, Jarrow (uncial), KeeleDecorated, Lancaster (blackletter), Libra, LongdonDecorative, Loxley, Lydian, Milford, MilfordBlack, MilfordBold, MilfordBoldItalic, MilfordCondensed, MilfordCondensedBold, MilfordCondensedBoldItalic, MilfordCondensedItalic, MilfordHollow, MilfordItalic, MilfordLight, MilfordLightItalic, Milwich (Lombardic), NationalFirstFont, NationalFirstFontDotted, NationalPrimary, NationalPrimaryDotted, Newborough, NewportGothic, NewportGothicItalic, Newtown, NewtownBold, NewtownBoldItalic, NewtownItalic, Orgreave, OrgreaveBold, OrgreaveBoldItalic, OrgreaveExtendedBold, OrgreaveExtendedBoldItalic, OrgreaveExtendedItalic, OrgreaveExtendedNormal, OrgreaveItalic, Oxford, Plymouth, QueensPark, QueensParkBold, QueensParkBoldItalic, QueensParkItalic, Rochester, Rosart, StoweOpenFace, StoweTitling, StoweTitlingItalic, SudburyBook, SudburyBookBold, SudburyBookBoldItalic, SudburyBookItalic, SudburyLight, SudburyLightItalic, Swansea, SwanseaBold, SwanseaBoldItalic, SwanseaItalic, TamworthGothic, Telford, TelfordHollow, TelfordHollowItalic, TelfordItalic, Tiverton, TrajanusRoman, Tutbury (blackletter), TutburyBold, TutburyBoldItalic, TutburyItalic, Typewriter, TypewriterBold, WrexhamScript, WrexhamScriptLight, Yoxall, YoxallBold, YoxallBoldItalic, YoxallItalic.

Many of these are text families, both sans (like Milford) and serif (like Fradley). The collection is largely a revival or an extension of historic typefaces. Specialty styles covered by him include blackletter (Derrington, Lancaster, Rochester), ornamental caps (Dresden), calligraphic scripts (Hanford Script, Wrexham Script), uncial (Libra) and medieval (Milwich).

Fontspace link. Dafont link. Abstract Fonts link. [Google] [More] ⦿

Rola El Ayoubi

During her studies at NDU (Notre Dame University, Louaize), Tripoli, Lebanon-based Roya El Ayoubi created the folded paper blackletter font Gothigami (2015). [Google] [More] ⦿

Roland Hörmann
[Phospho]

Rollo Belshave
[Spectrum Supply]

Roman Korolev
[Kaer]

Roman Postovoy
[Supremat]

Ron Marshall

Creator of Gutenburg Bible (2006). He writes: This font was designed by taking letters from the Gutenberg Bible cleaning them up in Corel Paint 10 and using Font Creator 5.0 to produce the font. [Google] [More] ⦿

Ron Ruedisueli
[Sed4 Type Foundry (or: Sed4tives)]

Ronin Design

Malang, Indonesia-based designer of Origin Tech (2020: a techno or circuit font), Radio Classic (a signage script) (2020), the upright script Lily Liana (2020), the glitch font Split On (2020), the monoline script typeface Sefiyah (2020) and the squarish De Stijl-like stencil typeface New System (2020).

Typefaces from 2021: Encrypto (labyrinthine), Jeztec Empire (blackletter), Anticode (a marquee font), The Beast (all caps, chamfered), Moonllys (display serif), Wrecked Ship (an eroded font), Talidia (a squarish sans), Night Hunt (an eerie font), Beatles (an upright rabbit ear calligraphic script). [Google] [MyFonts] [More] ⦿

Roos&Junge

German foundry established in 1886 and located in Offenbach. Acquired by D. Stempel in 1915. Typefaces include Teutonia (scan) and Offenbacher Reform (blackletter, ca. 1900). Offenbacher Reform was revived by Peter Wiegel in 2015. Teutonia is being reworked by Dan Reynolds as Teutonia Serif (2005) and/or Mountain. HiH made another revival in 2007, also called Teutonia. One of their art nouveau / Victorian typefaces, Mira, was digitized as Mira (2009, Tom Wallace). Komet is another art nouveau face, and Romanische Initialen is a decorative caps face. [Google] [More] ⦿

Rosetta Lake Mills

During a study semester at FH Mainz, Rosetta Lake Mills designed a futuristic Fraktur font called Fabrik (2012). The font is based on an octagonal grid. [Google] [More] ⦿

Ross F. George
[Ross F. George: Speedball 10 (1927)]

Ross F. George

Inventor and patent holder (with W.H. Gordon) of the speedball pen. Lettering artist from Seattle, influenced by W.H. Gordon. W.H. Gordon and Ross F. George wrote Presenting The Speedball Pen With Alphabets, Drawings and Designs Produced With This Wizard of Lettercraft (1915, Seattle, WA; local download). George's alphabets appeared in the Speedball Lettering catalogues, published between 1935 and 1948. The Speedball Text Book series's 8th through 17th editions were published at regular intervals from 1925 until 1956, and have many of his alphabets. Some dates: 8th (1925), 10th (1927), 11th (1929), 12th (1935), 13th (1938). Link related to his art deco alphabets. Some of the alphabets in Speedball Lettering have been digitized. To name a few:

Toto's K22 TriLine Gothic (2011) is a free multiline font based on Ross F. George's TriLine Gothic from 1956.
Jim Parkinson created Wigwag (2003, a display family inspired by Ross George as well as the work of Samuel Welo and Cecil Wade).
Jason Walcott made Baroque Text JF (2003, a great Fraktur font based on a hand-lettered alphabet drawn by Ross George).
Nick Curtis added Xanthippe NF (2006, an "exuberant" blackletter face) and Big D NF (2014).
Garrett Boge revived Free Roman.
Nick Curtis designed Catty Wumpas NF (2004).
Nick Curtis created Gnarly Dude NF (2005).
Nick Curtis created Hacky Sack NF (2009), after Ross George's Stunt Roman.
Harold Lohner published Milky Way (2001) and MilkyWayTwo (2001).
Michael Stacey created the brushy typeface ITC Wisteria (1995), an almost exact reproduction of one of George's brush typefaces which appeared in many publications from 1938 until 1952 (see here).
Heller and Fili give him credit for Chop Suey (1935), an oriental simulation typeface which has found its way into the free font world under several guises.
Jim Spiece (Spiece Graphics) created the Wild West family Cactus Flower SG.
Paulo W created Speedball Western Letters (2009), Speedball Metropolitan Caps (2010) and Speedball Metropolitan Poster (2010). Sunamy (2007, Iza W) is a ninja font made after an example of Ross George.
Nick Curtis made the monoline script typeface Nellie Kay NF (2011).
The art deco typeface Blue Jay Way NF (2011, Nick Curtis) was also inspired by Ross F. George.
Big George NF (2011, Nick Curtis) is a fat comic book style typeface that revives another of George's creations from Speedball Text Book.
Split Caps by George was revived by Nick Curtis as Spread Out NF (2011).
Nick Curtis's revivals from 2014 include Trading Hoss NF (after D-nib Display) and Twinkletoes NF.
Dick Pape created these typefaces based on the 17th Edition: Speedball America, Speedball Architects Italic, Speedball Architects, Speedball Block, Speedball Brush Bold Italic, Speedball Built Up Style, Speedball Bulletin Dusted, Speedball Bulletin Heavy, Speedball Bulletin Plain, Speedball Bulletin Squiggley, Speedball Carnival, Speedball Carved Caps, Speedball Cond Bold Italic, Speedball Cond Poster Gothic Bold, Speedball Decorative Initials, Speedball Decorative Ransom, Speedball Draftsman's Art, Speedball Formal Roman, Speedball Free Roman, Speedball Gay Nineties A, Speedball Gay Nineties B, Speedball Line Gothic, Speedball Metropolitan Poster, Speedball Power, Speedball Roman Italic, Speedball Rough, Speedball Slant Script, Speedball Speed D Italics, Speedball Squeezed Headline, Speedball Stencil Italic, Speedball Variation. Download here.
In 2016, Cosimo Lorenzo Pancini, Andrea Tartarelli, Giulia Ursenna Dorati and Andrea Gaspari co-designed the 1940s vintage brush script typeface Banana Yeti, which is based on an example by Ross George shown in George's Speedball 1947 Textbook Manual.
Steve Harrison's free fonts: Doolally (2020; Ross F. George, 1938), Dawdling (2020; Ross F. George, 1935), Dawdling Snowflake (2020; Ross F. George, 1935), Bogeyed (2021), Faffinabout (2021).

Examples of his Speedball Text Book alphabets: Speedball Title Display 1 (1927), SpeedballTitle Display 2 (1927), Easter Suggestion (1935), Speedball Title 1 (1938), Speedball Title 2 (1938), untitled lettering (1941), Poster Gothic 5 (1935), Postrie Caps (1938), Roman 2 (1935), Roman 3 (1935), Roman 4 (1935), Roman 7 (1935), Roman 7 (1938), Symphony 1 (1935), Symphony 1 (1952), Symphony 2 (1938), Symphony 2 (1948), Modern 1 (1938), Modern 2 (1941), Modern 2 (1948), Line Gothic (1938), Tri-Line Gothic (1956). [Google] [MyFonts] [More] ⦿

Ross F. George: Speedball 10 (1927)
[Ross F. George]

Ross F. George's book Speedball 10, published by C. Howard Hunt Pen Co. in Camden, NJ in 1927, was scanned in 2014 by Lee Littlewood, a signpainter in Portland, OR, who runs Lee's Better Letters [2915 NE 21st A, Portland, OR 97212]. The PDF file [59 MB] is made available with his permission. I extracted some useful images from that file. For further information on Ross F. George, see here. [Google] [More] ⦿

Ross Mills
[STIX Fonts]

Roxanne Zalloum

Graphic designer in London, who created the blackletter typeface Schrift (2013), which has ball terminals on some glyphs. She also made Eyeless (2013) and Shourook (2013, an Arabic typeface). [Google] [More] ⦿

R-Type (or: Rui Abreu)
[Rui Abreu]

R-Type was founded by Rui Abreu in 2008. Rui graduated from FBAUP (Faculdade de Belas Artes da Universidade do Porto) in 2003. He has been working as an interactive media designer in different design agencies, and he has been designing typefaces. Based in Porto, he created Tirana (2006, sans family at T26), Catacumba (2007, a gorgeous bold didone titling face, T26; in 2009 at Fountain/PsyOps), Cifra (2006, a lovely ten weight sans family, T26), Nomada (2007, a monoline slab serif), Salto Alto (2006, avant garde sans family, with octagonal influences), Foral (2008, monoline slab serif; published by Fountain in 2010), and Forma (2006, stencil family, T26).

In 2008, he published Orbe (Fountain), an exotic all-caps blackletter inspired by Portuguese and Lombardic calligraphy [it deservedly won an award at TDC2 2009; Orbe Pro at MyFonts], Gesta (2008, sans family), Gesta Condensed (2012), Gesta Semi Condensed (2012), Gira Sans (2012, a grotesque family), Foral Pro (2011, an elliptical slab serif), Catacumba (2011, a high-contrast ball terminal wedge serif family), Aria Pro (2011, a delicate high-contrast transitional serif family), Forma Solid (T26).

In 2013, Rui published Aria Text (a rational (transitional) toned-down version of Aria that comes in three sets of optical sizes, G1, G2, and G3), the geometric sans family Azo Sans and Azo Sans Uber, a geometric sans with a humanist element. Grafolita Script (2013) is a connected typeface family that borrows ideas from signage scripts.

Typefaces from 2014: Litania (medieval-style typeface with roman capitals, Lombardic capitals, and Carolingian minuscules; nice fists accompany the type), Signo (a dynamic sans serif with reverse contrast, designed for editorial and branding). Signo won an award in the TDC 2015 Type Design competition.

Typefaces from 2015: Montblanc (a custom sans for the Montblanc company that won the IF Design award in 2015), Usual (a neutral sans with large x-height). In 2010, Peter Bruhn started a typeface but he died before it was finished. In 2015, Rui Abrey and Göran Söderström finished it as Bruhn Sans (Fountain Type). In 2010 Peter was commissioned to design a wordmark for the documentary Harbour of Hope. The type was to ellicit Malmö's harbor, and Peter found inspiration from the painted type of industrial tankers docked in his hometown.

Typefaces from 2016: Grifo, Symbio and Symbio Arabic (at Typotheque; prize winner at Granshan 2016), Sul Sans (a geometriclly constructed sans with features frequently seen on signs and buildings in Portugal).

Typefaces from 2017: Sul Mono (a typewriter style), Grifito, Grifinito (condensed versions of the sharp-edged display typeface Grifo), Aquino (by Rui Abreu and Ricardo Santos; a display calligraphic stencil typeface inspired by a liturgic book made by Portuguese friar Tomas Aquino in 1735).

Typefaces from 2018: Gliko Modern (an award winner at the Type Directors Club's Type Design Competition 2019).

Typefaces from 2019: Flecha (a sharp and streamlined old-style typeface made for editorial design that won an award at 23TDC in 2020), Staff (a neo-grotesk from X Wide to XXX Condensed).

Typefaces from 2020: Flecha Bronzea (M, L: the condensed version of Flecha).

Typefaces from 2021: Azo Super (a heavy display font), Staff Grotesk (a low key sans family derived from Abreu's 2019 font, Staff), Gineto (a grotesque developed from the brevier size of Gothic no. 4, a nineteen century design by the New York type foundry Farmer, Little & Co), Chassi (in three optical sizes, S, M and L: a revival of Garamond as a genre, slightly reinterpreted for our times; I duisagree though with the word "slightly").

MyFonts interview in August 2013. MyFonts page. T-26 page. Old home page. Klingspor link. Fountain Type link.

View Rui Abreu's typefaces. [Google] [MyFonts] [More] ⦿

Rudhardsche Gießerei

German foundry established in 1842 by Johann Peter Nees, Phillip Rudhard and Johann Michael Huck, that was located in Offenbach am Main. Carl Klingspor (1839-1903), the father, bought the Rudhardsche Gießerei in 1892. It was renamed Gebr. Klingspor in 1906. Scans of some of its typefaces:

By Peter Behrens: Behrens Schrift (1901-1902), a Jugendstil font. It was digitized by Intecsas (as Sprecher Gothic), Dan X. Solo, Ralph M. Unger for URW++ (2007, as Behrensschrift D), Ingo Zimmermann (2008, as Behrens Schrift), and Klaus Burkhardt)
Eckmann Schrift: the prototypical art nouveau typeface by Otto Eckmann. This Munch Jugendstil style typeface from 1900-1901 is often simply called Eckmann or Eckmann Schrift, Rudhardsche Initialen, or Fette Eckmann (1902). Digital versions of it exist at Linotype, Delbanco, Ralph Unger (Schmuckinitialen, 2009, and Initials RMU One, 2012), Bitstream (where it is called Freeform 710), Elsner&Flake (Eckmann EF), URW, Brendel/Softmaker, and Dieter Steffmann (an excellent free font called Rudelsberg; Steffmann has an accompanying Jugendstil Ornamente).
Offenbacher Schwabacher (1900) by Kurt Wanschura. The idea for this type came from Gustav Ruprecht. Revivals at Delbanco (as DS-Offenbacher-Schwabacher) in 1996.
Walthari, a mix between art nouveau and blackletter, designed in 1899 by Heinz König. Walthari Initialen.
Behrens Initialen. Also by Peter Behrens.
Schwabacher Initialen.

[Google] [More] ⦿

Rudi Syam
[Erde Graphic Design (or: Erde Studio)]

Rudolf Koch - Ein virtuelles Denkmal

Rudolf Engelhardt

German type designer, b. 1886, d. 1968. His typefaces include Deutsche Laufschrift (1911, Schrägschrift done with Heinrich Hoffmeister, and published at D. Stempel), Leipziger Neugotisch (1913, Ludwig Wagner), Journal-Kursiv (1913, blackletter at Ludwig Wagner). Seemann spells his name Engel-Hardt.

Digital revivals include TbC Leipziger Neugotisch (2012, Chiron). [Google] [More] ⦿

Rudolf Junk

Rudolf Junk (b. 1980, Vienna, d. Rakawinkel, Austria, 1943) studied at the University of Vienna and the Akademie der bildenden Künste in Vienna. In 1909, he joined the Österreichische Staatsdruckerei as graphic designer. From 1924 until 1943, he was director of the Graphischen Lehr- und Versuchsanstalt in Vienna. Designer of Junk-Fraktur (1914, Österreichische Staatsdruckerei, Wien) and of Junk Antiqua.

In 2008, Alice Proché wrote ta diploma thesis at the University of Vienna entitled Das malerische Werk von Rudolf Junk. [Google] [More] ⦿

Rudolf Koch
[Peter Bezdek]

Peter Bezdek writes about Rudolf Koch in Die deutsche Schrift in 1984, fifty years after Koch's death. [Google] [More] ⦿

Rudolf Koch
[Georg B. Allmacher]

Georg B. Allmacher's site about the work and life of Rudolf Koch (1876-1934). [Google] [More] ⦿

Rudolf Koch

Great German type designer (b. Nürnberg, 1876; d. Frankfurt, 1934) who worked mainly at the Klingspor foundry. He founded the Offenbach Werkstatt in 1921.

Many of his typefaces can be classified as German expressionist. These include Kabel (a sans), and Neuland (an angular poster face). An early Nazi sympathizer and supporter, Koch's fonts were heavily used by the Nazi regime.

This page lists 158 royalty-free Christian symbols drawn by Rudolf Koch, a religious Lutheran, with the collaboration of Fritz Kredel (1900-1973) (see also here).

His typefaces, with notes on digitizations:

Claudius (1931-1934, 1937, D. Stempel AG). His son Paul Koch followed Rudolf's instructions to make one weight in 1931-1934. Klingspor completed it in 1937. Delbanco (as DS-Claudius) and Klaus Burkhardt (1991) digitized it. Based on the latter, Manfred Klein made ClaudiusImperator (2001). Dieter Steffmann made Claudius, ClaudiusAlternate, and ClaudiusHeadline in 2003. Ralph M. Unger published Claudius in 2010.
Deutsche Anzeigenschrift (1913-1914), Deutsche Anzeigenschrift schmal (1916-1923, D. Stempel AG). revivals include SchmaleAnzeigenschrift (2002) and SchmaleAnzeigenschriftZier (2002) by Dieter Steffmann, and Schmale Anzeigenfraktur (2009) by Ralph Unger. Later weights by Koch: Deutsche Anzeigenschrift eng (1923) , Deutsche Anzeigenschrift breit (1923, D. Stempel AG) , Deutsche Anzeigen. schmalhf. (1934, D. Stempel AG).
Deutsche Schrift (1908-1921), consisting of Deutsche Schrift schmal (1913, Gebr. Klingspor), Deutsche Schrift fett (1910, Gebr. Klingspor), Deutsche Schrift mager (1918, Gebr. Klingspor) and Deutsche Schrift halbfett (1912, Gebr. Klingspor). Also known as Koch Fraktur. Revived by Gerhard Helzel as KochFrakturSchmaleHalbfette (2000), by Christian Richter as Rudolf Koch (2003), and by Delbanco as DS Koch Fraktur. It was a popular family, known in England as Oxford. For comparison, here is a phototype version. Deutsche Schrift fett, aka Fette Deutsche Schrift, was revived by Dieter Steffmann in 2002 (as Fette Deutsche Schrift) and by Alter Littera in 2012 as Deutsche Schrift.
Deutsche Schrägschrift (1912, Gebr. Klingspor).
Deutsche Werkschrift (1934, D. Stempel AG) and Deutsche Werkschrift hablfett (1934, D. Stempel AG): This is really the "mager" version of Deutsche Anzeigenschrift. Delbanco revived it digitally as DS Deutsche Werkschrift.
Deutsche Zierschrift (1919-1921, Gebr. Klingspor). Revived as Dutesche Zierschrift (2002) and Zierinitialen> (2002) by Dieter Steffmann. See also Delbanco's DS Deutsche Zierschrift.
Frühling (1913-1917, Gebr. Klingspor). A blackletter that seems to have been executed with a shaky hand---it is definitely one of Koch's weakest and ugliest designs. Incredibly, the revival gang was still eager to spring into action: it was revived and interpreted by Frantisek Storm in Monarchia. See also Delbanco's DS Frühling. For another revival, see Next Stringtime by Manfred Klein (2003). Frühling is sometimes called Kartenschrift.
Geschriebene Initialen zur Grotesk (1930, Gebr. Klingspor).
Grotesk Initialen (1933, Gebr. Klingspor). Paul Hayden Duensing made Koch Initials (metal).
Holla (1932, Gebr. Klingspor). Digitized by Dieter Steffmann in 2001.
Jessen Schrift (1924-1930) is a hybrid of gothic (blackletter) minuscules and roman capitals (including the characteristic Basque capital A) designed and cut without preliminary drawings in Offenbach am Main by Rudolf Koch for The Four Gospels, which was printed at the Klingspor press in 1926 and published by Koch himself. Formerly named Bibel-Gotisch, the type was developed between 1924 and 1929 as Peter Jessen Schrift and released as Jessen in several sizes by the Klingspor foundry in 1930. See DS-Jessen-Schrift (1998, Christian Spremberg), Peter Jessen Schrift (Delbanco), Jessica Plus (2002) and JessicaSerif (2003) by Manfred Klein, Peter Jessen Schrift Pro (Softmaker, 2016), and Jessen Schrift (2004, Ralph M. Unger). Jessen Mittel 14 and Jessen Cicero 12 were developed by Alexis Faudot and Rafael Ribas in 2016 during an ANRT workshop in Valence, France.
Kabel (1927, Gebr. Klingspor), Klingspor's competing design for Paul Renner's Futura. The most famous digitization of this Koch Sans family is by Victor Caruso in ITC Kabel (1976), and with its exaggerated x-height, much larger than the original, it is a poor bastard. The modern Bitstream version is called Geometric 231. Softmaker calls it Koblenz. Poster by Jorge Martinez. At Linotype, Marc Schütz designed the large family Neue Kabel (2016) that revives Kabel by making it more consistent. This version overshadows all previous digital versions or extensions of Kabel. Dates of the various weights: Kabel Kursiv (1929, Gebr. Klingspor), Kabel groß (1928, Gebr. Klingspor), Kabel Kursiv groß (1930, Gebr. Klingspor), Norm Kabel (1930, Gebr. Klingspor): LinotypeLibrary, Kabel fett (1929, Gebr. Klingspor): LinotypeLibrary, Kabel schmal (1930, Gebr. Klingspor), Kabel schmalhalbfett (1929, Gebr. Klingspor).
Koch Antiqua (or: Locarno) (1920-1922, Gebr. Klingspor). It was sold by Continental Type in the United States as Eve. This gorgeous tall-legged and flared typeface was designed in 1917, but cut in 1922. Koch Kursiv (1923, Gebr. Klingspor) is the Kursiv version of Koch Antiqua. See also Koch Kursiv groß (1929, Gebr. Klingspor) and Koch Antiqua fett (1926, Gebr. Klingspor: some give the date 1923-1924). Rivoli is a similar metal typeface. Digital versions include Rudolf Antiqua (2018, Now Type), Eva Antiqua, Eva SG (Spiece Graphics), Eva (Monotype), AIKochAntiqua (a multiple master font by Randall Jones for Alphabets Inc), Astaire Pro (2004, Bergslund Design, or Hackberry), Koch Altschrift (2004, Moorstation crew), Locarno (1985, Alan Meeks for Letraset), Kuenstler 165 (Bitstream), Koch Antiqua (Adobe, Linotype), Evadare (David Nalle), Hellen (2019, Genilson Lima Santos).
Koch Kurrent (1933, Gebr. Klingspor). This is Koch's version of school scripts, a variant of his earlier proposal, Offenbacher Schrift (1927). It was only cut in 1935. See Rudolf Koch Kurrent at Delbanco .
Koch Schrift (1909) is a Schwabacher first known as Neudeutsch and later as Koch Schrift. It was used by the Deutsche Reichsbahn, ca. 1930. For a digital revival, see, e.g., Koch Schrift (1998-2021) by Ingo Zimmermann.
Marathon (1930-1938, Gebr. Klingspor). Digitized by Linotype in 2003 as Marathon LT (by Ute Harder, aka Frau Jenson), and by Softmaker a bit earlier. The best digital version is by the Koch Memorial team of Petra Heidorn under the name Romantha (a permutation of the letters) in 2003 (it preserves the original x-height better, for example).
Maximilian Antiqua (1913-1917, Gebr. Klingspor). Digitization by Manfred Klein, who made Maximilian Antiqua (2003) and MaximilianAntiquaSmallCaps (2003). For an initial caps extension, see Typograf's Maximilian Antiqua Initialen (2015).
Maximilian (Gotisch) (1914-1917, Gebr. Klingspor). Walden Font has a revival. See also Maximilian at Delbanco. Castletype made MaximilianCS. In 1995, Doug Olena revived it as Maximilian. Dieter Steffmann made Maximilian (2002) and Maximilian Zier (2002). Maximilian (2012) is due to Alter Littera. Drawings for Maximilian-Gotisch. Gerhard Helzel's revival from 1995. Stephen Miggas's revival is called Gothicus (2006).
Neu Fraktur (1933-1934, Gebr. Klingspor): Koch's last Fraktur.
Neuland (1923, Gebr. Klingspor) and Neuland licht (1928, Gebr. Klingspor), an outline version of Neuland. Neuland is all caps German expressionist typeface chiseled directly by Koch from metal. Copied by Monotype in 1929 as OthelloMT. Digitized by Linotype Library. Also digitized as Newland Black by Andrey Mel'man. In 1995, Doug Olena (Keystrokes) revived it as FFD Neuland (1995). A lower case and hair-serifed extension was created by Manfred Klein as On Kochs Roots (2002) and KochNeu-ExtraBlack (2003). Nick Curtis made Jungle Fever and Jungle Fever Shaded (2008) after Neuland. In 2010, Ian Lynam published yet another update, Neuerland. In 2013, Lazar Dimitrijevic created Cal Neuland Bold.
Offenbach (1928-1934, Gebr. Klingspor). Made for display in church windows, Koch designed the "mager" weight (1931) and an uncial version. His student Hans Kühne finished the "halbfett" and the gothic after his death.
Prisma (1928-1931, Gebr. Klingspor): A four-lined art deco face. Revived by Dieter Steffmann (2003-2004) as Prisma, and by Ralph Unger as Prisma Pro (2011). See also the 10-style typeface family LL Prismaset at Lineto (2003-2017, Mauro Paolozzi, James Goggin, Alex Rich, Arve Båtevik, and Raphael Koch).
Stahl (1933-1939): Done with H. Kühne. Revived by J.F.Y.Daniel Gauthier (GautFonts) as StahlSteel (2003) and StahlSteelRiveted (2003).
Wallau (1924-1932, Gebr. Klingspor), Wallau halbfett (1930, Gebr. Klingspor), Wallau fett (1935, Gebr. Klingspor), Wallau schmal (1934, Gebr. Klingspor). See Wallaby on the SoftMaker MegaFont XXL CD, 2002, or Wallau by Fraktur.de or DS Wallau by Delbanco, or Wallau (2012) by Alter Littera. Pictures by Dan Reynolds about Klingspor's Wallau speciman book (1939). Wallau, which comes in rotunda (Rundgotisch) and uncial, was named after Heinrich Wallau (1852-1925), a printer from Mainz. Originally, the typeface was going to be called Missale. Also revived by Dieter Steffmann (as WallauDeutsch-Bold (2002), Wallau Rundgotisch Heavy (2002), Wallau Rundgotisch OsF Heavy (2002), WallauUnzial-Bold (2002) and WallauZierBold (2002)) iand by PrimaFont.
Wilhelm-Kli ng spor-Schr ift. (1920-1926, Gebr. Klingspor): This was originally called Missal. To commemorate Wilhelm Klingspor, who died in 1925 from a war injury, it was renamed Wilhelm-Klingspor-Gotisch. Paul Hayden Duensing made a metal version under the latter name. Digitizations by Fraktur.de and Delbanco. See also Wilhelm-Klingspor-Schrift at LinotypeLibary, Wilhelm Klingspor Schrift (2012) by Alter Littera, Wilhelmschrift (2006) by Stephen Miggas, and Missal by Dieter Steffmann (2003). Matching decorative caps were made in 2004 by Paul Lloyd under the name Holzschnitt-Initialen.
Zeppelin (1929, Gebr. Klingspor). This is a decorative (inline) version of Kabel. Revived as Zeppelin (2003, Dieter Steffmann) and Evadare (1993, David Nalle).

In 1984, Wolfgang Hendlmeier discussed the blackletter typefaces in Koch's oeuvre: A, B, C, D, E, F, G. Brief bio by Wolfgang Hindlmeier (1984).

Koch's involvement in handwriting education in Germany led to these Schreibschrift examples from 1930 (also called Deutsche Verkehrsschrift), and to the development by Martin Hermersdorf of the Deutsche Schreibschrift for fourth graders in Bavaria in 1950.

Wood engraving of Koch by Bernard Brussel-Smith.

Publications by Rudolf Koch:

Die Schriftgießerei im Schattenbild, Offenbach 1918.
Das Schreiben als Kunstfertigkeit, Leipzig 1921.
Das ABC-Büchlein, Leipzig 1934.
Das Schreibbüchlein, Kassel 1939.
Klassiche Schriften.
Das Zeichenbuch. This book contains 493 old-world symbols, monograms and runes and was reprinted in 1955 in the Dover Pictorial Archive Series as The Book of Signs.
Das Blumenbuch.

References:

Gerald Cinamon: Rudolf Koch: Letterer, Type Designer, Teacher (2000, Oak Knoll Press and The British Library).
Georg Haupt: Rudolf Koch der Schreiber, Leipzig 1936.
Wilhelm H. Lange: Rudolf Koch, ein deutscher Schreibmeister, Berlin, Leipzig 1938.
Oskar Beyer: Rudolf Koch. Mensch, Schriftgestalter und Erneuerer des Handwerks, Berlin 1949.
Friedrich Friedl, Nicolaus Ott (Editor), Bernard Stein: Typography An Encyclopedic Survey of Type Design and Techniques Throughout History, Könemann Verlagsgesellschaft mbH.

Rudolf Koch's carved lettering inspired spin-offs like PGF Americas (2021, Pedro Gonzalez).

FontShop link. Klingspor link. Biography by Nicholas Fabian. Bio at Linotype. Bio in German. The Koch Memorial page [now defunct] offered historical notes and many free revivals of his typefaces.

View digital typefaces based on Rudolf Koch's work. [Google] [MyFonts] [More] ⦿

Dead link. Extraordinary pages by Petra Heidorn and her group of type designers (Manfred Klein, Dieter Steffmann, Daniel Gauthier, Paul Lloyd, Graham Meade and Harold Lohner) to commemorate the 70th year of Koch's death (1876-1934). The free fonts, revivals and interpretations include, by designer:

Dieter Steffmann: Claudius, ClaudiusAlternate, ClaudiusHeadline (2003), DeutscheZierschrift (2002), FettedeutscheSchrift (2002), Holla (2001), KochAltschrift-Bold, KochAltschrift, KochAltschriftAlt, KochAltschriftInitialen, KochAltschriftKursiv-Bold, KochAltschriftKursiv (2003), Maximilian (2002), MaximilianZier (2002), Missal (2003), Prisma (2003), SchmaleAnzeigenschrift, SchmaleAnzeigenschriftZier (2002), WallauDeutsch-Bold, WallauRundgotisch-Heavy, WallauRundgotischOsF-Heavy, WallauUnzial-Bold, WallauZierBold (2002), Zeppelin (2003).
Manfred Klein: ClaudiusImperator (2001), JessicaPlus, JessicaSerif (2003), KochNeu-ExtraBlack (2003), KochWoodcut (2003), Kochfragments (2003), KochsBricksInvers (2004), KochsGries (2003), Kochwood-Light (2003), KochwoodQuill (2003), MaximilianAntiquaSmallCaps (2003), NextSpringtime (2003), OnKochsRoots (2002), RootsKochThree (2001), SacredOldSymbols (2003).
Paul Lloyd: Holzschnitt-Initialen (2004).
Daniel Gauthier: StahlSteel, StahlSteelRiveted (2003).
Graham Meade: Rudolphin (2004), Rudolphin Oblique (2004).
Graham Meade and Manfred Klein: ABC-LongLegs (2004).
Harold Lohner: KochRivoli (2000).
The entire team: Koch-Defrag (2003), Romantha (2003).

[Google] [More] ⦿

Rudolf Ludwig Decker
[Deckersche Schriftgießerei]

Rudolf Schiffner

Graveur, punchcutter who co-designed Möricke-Fraktur with Ernst Engel in 1922 (Klingspor, Ernst Engel Privatpresse). [Google] [More] ⦿

Rudolf Wallenberg

Or Ropdolfo Wallenberg. Type designer at Photo Lettering, Inc. in New York, whose typefaces include Contrast, Documentary (a blackletter) and Scribe. [Google] [More] ⦿

Rudolf Wolf

German type designer (b. Hechingen, 1895, d. Frankfurt/Main, 1942). He undertook doctoral studies at the University of Frankfurt am Main. From 1922 until 1942, he was responsible for type design at D. Stempel AG in Frankfurt am Main. Author of Fraktur und Antiqua (1934, Frankfurt am Main). His typefaces:

Codesigner with Chauncey H. Griffith in 1929-1930 of the well-known Egyptian typeface Memphis (Stempel). Digital versions of Memphis are everywhere, including at Linotype and Adobe, as well as on the SoftMaker MegaFont XXL CD, 2002, under the name Missouri. Metal versions of Memphis, at Stempel: Memphis halbfett 1929, Memphis zart 1930, Memphis mager 1932, Memphis licht 1932, Memphis schmalfett 1932, Memphis Buchschrift 1932, Memphis Buchschrift halbfett 1932, Memphis for Linotype 1931/32, Memphis fett 1933, Memphis Universal mager 1938, Memphis Universal halbfett 1938, Memphis Luna 1938, Memphis Universal fett 1943. Descendants of Memphis include Memphis Magro and Memphis Meio Preto (1960s, Brazilian foundry Funtimod), Missouri (Softmaker, digital), Geometric Slabserif 703 (Bitstream, digital).
Görres Fraktur (1939, Stempel).
Artemis (1932, Stempel). Unpublished.
Garamond Antiqua (1925), Garamond Kursiv (1926), Garamond Antiqua Halbfett (1927), Garamond Kursiv Halbfett (1932). All done at Stempel, this has become known as Stempel Garamond.
Paracelsus Antiqua and Kursiv (1942, Linotype).
Welt-Antiqua (Ludwig&Mayer, 1931ff).
Cairo (Intertype, 1933ff).
Nil (Jan Idzkowski Giesserei in Warschau, 1934ff).
Nofretete (Genzsch&Heyse, 1938ff).
Versalien Licht (1935, Stempel). Unpublished.

View Rudolf Wolf's typefaces. View a list of digital typefaces related to Memphis. Linotype link. [Google] [MyFonts] [More] ⦿

Rui Abreu
[R-Type (or: Rui Abreu)]

Run Victor

Designer of the grunge gothic/blackletter font Gartentika (2006). Dafont link. [Google] [More] ⦿

runesmithy

FontStructor who made the blackletter rune font Swortstaefs (2012). [Google] [More] ⦿

Ruslan Abasov

Ruslan Abasov is a freelance graphic designer working on projects within the range of booklets, posters, type design, illustrations, animations and visual identities. In 2020 and 2021 he designed Tannhäuser, a decorative blackletter typeface with large contrast that was inspired by Richard Wagner's romantic opera of the same name. [Google] [More] ⦿

Russell Hombo

Designer at iFontmaker of two great blackletter fonts in 2017: Russell's Gothic, Russell's Fraktur. [Google] [More] ⦿

Rvq Type Foundry (was: Hey Bing Type Foundry)
[Bing Febby Aldiansyah]

Bing F. Aldiansyah (Hey Bing Type Foundry or Heybing Supply Co, Bandung, Indonesia; b. 1988, Bandung) designed the sans titling typeface Confession (2015, +Serif), the retro brush script Anastasia (2015), the brush signage script Northshire Script (2015, with ink splatters), Glorious Sunday (2015, brush script), Hepburns Type (2015), the retro font Violina (2015), the blackletter typeface The Mariam Story (2015), the pure Victoriana fonts Burton Slab (2015, Tuscan) and Briliants (2015), Hours (2015), the poster typeface Brawls (2015), the Victorian typefaces Dacota (2015, a great layered vintage circus font, with dingbats) and Aseina (2015), the brush scripts Washington (2015) and Hazelnut (2015), the Victorian typefaces Hours (2015) and Warden (2015), the spurred Victorian typefaces Riotic (2015) and Harsh (2015), and the vampire type Furach (2015).

Typefaces from 2016: Monolith, Ashtone (signage script), Black Vision (Victorian), The Minier, Bellarious, The Sectione Bright Script (heavy brush), Capricorn (decorative blackletter), Blings (signage type), Weinston (vintage signage typeface), Weinston Sans, Hours, Quinte, Monttier Script, Shine (signage script), Holywants (brush script), Choconut.

Typefaces from 2017: Skylight Graffiti, The Wednesday (swashy blackletter), Java Heritages (a fine layered vintage signage typeface).

Typefaces from 2018: Amstrong (tattoo or black metal blackletter),

Typefaces from 2019: Hustle Times (a neon font), Giver (dry brush), Hunting Season (brush script), California (a swashy blackletter).

Typefaces from 2021: Diamond History (a graffiti font).

Typefaces from 2021: Northen (a horror font), Nightmare Gothic.

On Behance, we find the name Rifqi Triana (b. 1989, Bandung). Creative Market link. Behance link. Alternate URL. Graphicriver link. [Google] [MyFonts] [More] ⦿

Ryan Brotherston

PC Beach, FL-based designer (b. 1993) of Twitch (2012, FontStruct). Other fontstructions from 2012 include Cinematix RC (art deco), Isaac RC, Coden (pixel face), 8Fraktura RC, Fontstruct RC, Diner RC, Binder RC, Operation Uno (stencil), Pialatzo, Eine Nette Schriftart, A La Difference, Dr. Pepper, If Cinemas Werent Invented, Atarian Age, Pine RC (octagonal), Ralda RC, National Educational Television.

In 2015, he made the Western style slab serif typeface Bottoms.

In 2017, he designed Grunge and explains: Grunge Bold is based on the distorted font used by MTV (mainly on 120 Minutes) from approximately 1993-1995. I've spent a long time piecing together multiple sources (recordings of 120 Minutes, etc.) in order to achieve the most accurate effect..

Ryan Splint

Australian designer of the "pirate" font Rapscallion (2003), free at Chank's place. See also here. He also designed Amped for Evil (2003), inspired by the Australian band Dystempa. Finally, he made Tattoo Ink.

Fontspace link. Font Squirrel link. Dafont link. [Google] [More] ⦿

Ryan Welch
[Fresh Pressed Fonts]

Ryoichi Tsunekawa
[Flat-It]

Ryuhei Nakadai

Designer in 2015, with Jonathan Barnbrook and Julian Moncada, of Resolution and Resolution Blackletter (2015): A family of display typefaces that were developed as part of a creative response to the political situation in Northern Ireland. [Google] [More] ⦿

S. M. Weatherly

McGrew writes about this turn of the century American designer who made the blackletter typeface Washington Text: Washington Text was patented in 1904 by S. M. Weatherly, probably the designer, and introduced by Keystone Type Foundry in 1905. It is distinguished by the long starting strokes on many of the capitals, described by Theodore L. De Vinne as graceful as an ox of one horn. The Monotype adaptation in keyboard sizes, up to 12-point, shortens the opening strokes considerably to fit predetermined character widths and changes other proportions. The lowercase is a round modification of Old English, and is said to have been influenced by Bradley (q.v). The typeface is named for George Washington, at a time of heightened interest in historic persons. In Washington Text Shaded, shown about 1908, the lowercase is essentially the same, but some caps are substantially different and none except A have the exaggerated opening strokes of the solid version. The California private press operator who furnished this shaded specimen, Gordon L. Sullivan, says that about half the caseful of type has the Keystone foundry pinmark, but the other half has no pinmark; while the two lots have different nicks, although the typeface appears to be identical. This is not unusual, as Keystone was taken over by ATF in 1919. Some Keystone typefaces were continued in production, using the same matrices but quite likely with different molds on different casting machines. Gordon also comments that the proof was difficult because the type is used-some very much. This is typical of how specimens of a number of the rarer typefaces in this book were obtained, and this is a particularly delicate face, so the difficulty is not surprising. [Google] [More] ⦿

Sabrina Ekecik

During her studies at Ecole Estienne in Paris, Sabrina Ekecik created the experimental typeface Burlesque Figures (2013). She also designed an original octagonal bespoke typeface for Europalia India (2013).

In 2014, she developed a fat didone typeface characterized by a Q with a ball terminal tail, and a handwriting typeface, Blanchard, that is based on manuscipts by typographer Gérard Blanchard (1927-1998). Still in 2014, Sabrina designed the manicured sans typeface family Helado (with Simon Becker and Benjamin Campana) and the free VAG Rounded-Fette Fraktur hybrid called Vagtur (with Simon Becker).

Typefaces from 2015: Paco (a falred display type), Bagnino (an elongated typeface family created for the Bains Douches municipaux de Paris), Berliner (blackletter).

https://www.behance.net/Ekeciksabrina">Behance link. Home page. [Google] [More] ⦿

Sae 23

German based illustrator. Designer of Schwabacher 23z (2006). [Google] [More] ⦿

Saiful Anwar
[Sealoung (was: Masay Letter)]

Sam Parrett
[Set Sail Studios]

Sam Rummel

Designer and illustrator in Portland, OR, who created Dethletica (2012), a gothic semi-blackletter typeface that can be bought at House Industries. Spaceman (2012) is a squarish techno typeface. [Google] [More] ⦿

Samaa AlHazzaa

Jeddah, Saudi Arabia-based designer of an Arabic blackletter typeface in 2017 that matches the blackletter style of the heade of The New York Times. [Google] [More] ⦿

Sami Kortemaki

Finnish designer in Helsinki (b. Kerava, 1975) who cofounded Underware with Akiem Helmling and Bas Jacobs in The Hague and has recently worked with DTL (Dutch Type Library). He studied at the Lahti Polytechnic/Institute of Design (1995-2001).

Designer of FF Nelio (2001, a stitching family in 14 styles), who lives in Helsinki, where he works as a graphic and typographic designer. He co-designed all Underware fonts: Dolly, Bello, Sauna (1999-2002), Liza (2009), Auto (1, 2 and 3) (2004-2014), 2 and 3), Unibody 8 (free) and Fakir (a blackletter typeface). In 2015, Bas Jacobs, Akiem Helmling and Sami Kortemäki published the stencil family Tripper Pro.

Brief CV. FontShop link. MyFonts link. FontShop link. [Google] [MyFonts] [More] ⦿

Sanchit Sawaria

Graphic design graduate of the National Institute of Design, Ahmedabad, who is from New Delhi. In 2012, during his studies, he created Kathan Devanagari and Akhand Devanagari, which can be bought at the Indian Type Foundry. In 2013, Akhand was extended to cover Bengali, Malayalam and Tamil as well. In 2015, Akhand appeared at MyFonts, where we learn that Satya Rajpurohit is the designer, so it is unclear who did what. As of 2018, Akhand covers all of India's 11 writing systems.

In 2013, Sanchit outperformed the Germans in their own craft when he developed the ornamental blackletter typeface Black Diamond. Darkstone (2014) is a hybrid blackletter display font that combines Fraktur and Old English.

In 2014, Sanchit Sawaria and Jyotish Sonowal finished the free Google Web Font Khand, an 8-style family of compact mono-linear fonts with very open counter forms. Developed for display typography, the family is primarily intended for headline usage. Its Latin is from Satya Rajpurohit, and Khnad carries the Indian Type Foundry label.

Sandra Garcia

Sandra Garcia (b. Bogota, Colombia) first studied at the Universidad del Area Andina, Bogota and then obtained a Masters in typography from Centro de Estudios Gestalt in Veracruz, Mexico. Freelance designer and teacher at Universidad de la Comunicacion, in Mexico City.

Sandra created the wayfinding sans typeface Colectiva in 2017 together with Tipas Type, a type foundry she co-founded. Colectiva was originally designed for Mexico City's subway system.

In 2019, she published Emperatriz at Latinotype.

She collaborated on the design of the typographic family Woun Iek for the native Wounaan Colombian language.

In 2017, she received the Clap international award for the project Xantolo, a font for children's publications. Xantolo was part of Tipas Type, a space created by women to promote female work in the typographic field.

For a Mexican beer brand, Sandra Garcia and Tipas Type designed the splendid blackletter typeface Corona (2018) and the copperplate calligraphic typeface Especial (2019).

In 2019, Dafne Martinez, Monica Munguia, and Sandra Garcia finally released the roundish informal children's book typeface Xantolo and the wood type / slab serif typeface Xihtli. In 2019, Dafne Martinez and Sandra Garcia designed the copperplate calligraphic typeface Especial for a common Mexican beer brand

In 2021, Dafne Martinez and Sandra Garcia published Achtli (Book, Didactic), a rounded sans typeface for early readers.

In 2022, Sandra Garcia released the ultra-condensed reverse stress Western typefaces Extra C and Extra C Variable at Tipastype.

Speaker at ATypI 2019 in Tokyo. Co-author of the book Elementype, a practical guide to typographic use. [Google] [MyFonts] [More] ⦿

Sandro Laliashvili

Tbilisi, Georgia-based designer of the extra light minimalist Latin sans typeface Whistle (2016) and an untitled blackletter typeface (2016). Behance link. [Google] [More] ⦿

Sanguinus Curae
[Belladonna]

A few archived fonts at this gothic font site. Includes some original fonts by "Belladonna": Flatley, Gothic Love Letters (semi-blackletter), Aelfa (calligraphic). Dafont link. Fontspace link. [Google] [More] ⦿

Sara
[Sara Arts]

Sara Arts
[Sara]

Sara at Sara Arts designed a beautiful Fraktur font, Hilda Sonnenschein at Progothics in 2001. Other fonts: Futurex Swish, Summertime (Victorian), JR. Her confession I am a font whore is magnificent.

Sarah Parsons

Designer at Die Gestalten of the blackletter typeface Albula (2007). [Google] [More] ⦿

Sarah Schott

Mainz, Germany-based designer of the blackletter typeface Fracc (2015). Behance link. [Google] [More] ⦿

Sasa Petricic

[T-26] designer of the headline slightly blackletterish crusader typeface Archangel and the accompanying heraldic dingbat font Archangel Icon (1998), as well as the retro futuristic typeface ITC Astro (2004).

Sascha Selke

Designer of the Fraktur font Breitkopf Fraktur (2008, with Sebastian Kempgen). [Google] [More] ⦿

Satriyo Hutomo
[Muntab Art]

Satwinder Sehmi

Kenyan-born England-based calligrapher and designer of these typefaces:

ITC Simran (1998). An Indic simulation face.
With Colin Brignall, he co-designed the angular blackletter family ITC Werkstatt (1999).
Independence Script (2018). A cursive script loosely based on the Declaration of Independence. Co-designed with Alan Meeks.
FS Sammy (Satwinder Sehmi and Jason Smith). A script typeface.

The author of Calligraphy--The Rhythm of Writing, he often lectures on on-screen calligraphy, and calligraphy in general. FontShop link. [Google] [MyFonts] [More] ⦿

Scangraphic

This company evolved in 1983 from Dr Boeger Photosatz GmbH (est. ca. 1934). The timeline:

1934: Marius Böger founded the first company to manufacture and market photocopying machines and reprographic devices.
1950: Dr. Böger Duplomat Apparate GmbH was founded. Its objective is the production of diazo (blue-printing) machines, equipment for diffusion transfer processing and photographic reproduction.
1955: One of the company's first innovative products comes onto the market, the first vertical reproduction camera.
1958: Intercop, a Dr. Böger subsidiary, started marketing a range of rapid processing machines, vertical repro cameras and processors for proofs and offset plates.
1969: Dr. Böger Photosatz was founded.
1976-81: Dr. Böger Photosatz develops its Copytronic phototypesetter. This machine worked on the basis of an opto-mechanical principle, and was set out to compete with Berthold's Diatronic. Hundreds of fonts from the headline library were reworked to meet the needs of the new machines. Although a small number of around 10 machines could be built and sold in Germany and Switzerland, many technical problems with the new equipment drained the financial resources. Thus the Copytronic machine is withdrawn from the market. The company survives by producing its succesful reproduction cameras for Agfa Gevaert. After a few difficult years, Dr. Böger Photosatz sets out to develop its digital typesetting system called Scantext. The output device is a CRT-machine with a resolution of 1000 lines per cm. The Copytronic type library is digitized using a video camera with a typical resolution of 512 x 512 pixels to the em quad. Bernd Holthusen proudly describes it as the fastest type digitizing system in the world. From 1971 until the mid 1980s, it designed and manufactured a family of photolettering machines for headline typesetting and offered a library of more that 1000 film fonts for that application. These were popular under the brand name VISUTEK in the UK (In the rest of Europe they were labelled and sold as Copytype, a trademark by Dr. Böger Photosatz GmbH). Additionally they were the creators and makers of a wide range of process cameras and film processing systems marketed worldwide under the Agfa brand
1981: The company produces the phototypesetting system Scantext 1000. By the beginning of 1985 around 750 Bodytypes were available for the Scantext system.
1983: The company evolves into Scangraphic. More than 2000 fonts were digitised by the Scangraphic company under the personal supervision of Bernd Holthusen, principally by Volker Küster (1984-1989), Jelle Bosma (1988-1991) and Albert-Jan Pool (1987-1991). These fonts were produced originally for the proprietary "Scantext" CRT digital output device and subsequently for the Scangraphic family of laser imagesetters. Quoting Pool: By the time we had completed the Ikarus Database in order to be able to convert our headline fonts to Postscript, URW had finished its Type1 converter. Our first PostScript product was a Macintosh-CD Rom with the complete library of headline fonts (those with Sh in the name) on it. The fonts were released in Type1 format for the Macintosh environment starting in 1991.
1984: Scangraphic starts working on its library of headline fonts, using a proprietary high resulution short vector format which enables output sizes up to 90 mm cap height. After developing its own digital outline font format, Scangraphic starts making use of URW's Ikarus technology to produce a library of headline fonts. As from 1989, Ikarus outlines were made to fit the metrics of the Scangraphic library of bodytype fonts in order to replace the proprietary pixel based font format by digital outlines. Thus the basis was laid for converting the complete library of headline and bodytype fonts into the PostScript Type1 format.
1989: The owner/partners sold the business to the large German company Mannesmann AG (and the font collection is sometimes referred to as the Mannesmann-Scangraphic collection), becoming Mannesmann Scangraphic GmbH in Wedel near Hamburg.
1994: Mannesmann breaks the umbilical chord and the company becomes Scangraphic Prepress Technology GmbH.
2004: the company moves from Wedel/Hamburg to Seligenstadt, Germany. The company still operates on the European mainland making and selling high resolution film and plate imaging systems. The font department is no longer in operation.
End of 2004: Elsner&Flake buy the font collection, and start selling the fonts under the Elsner&Flake umbrella. The 2500-strong font collection has names that either have a suffix SB (for body types) or SH (for headline types, also called supertypes). Among the tens of examples, we find classics such as Jakob Erbar's Koloss SB.
2006: Ulrich Stiehl publishes a document in which he discusses the collection of fonts. He reports clear correspondences with known font families, examples including Ad Grotesk (=Akzidenz-Grotesk by Berthold), Artscript No 1 (=Künstlerschreibschrift fett by Stempel/Linotype), Black (=Block by Berthold), Chinchilla (=Concorde by Berthold), Cyklop (=City by Berthold), Esquire (=Excelsior by Linotype), Europa Grotesk (=Helvetica by Linotype), Europa Grotesk No. 2 (=Neue Helvetica by Linotype), Flash (=Okay by Berthold), Freeborn (=Frutiger by Linotype), Gentleman (=Glypha by Linotype), Grotesk S (=Neuzeit Buch by Stempel), Madame (=Madison by Stempel), Matrix (=Melior by Linotype), October (=Optima by Linotype), Parlament (=Palatino by Linotype), Paxim (=Palatino by Linotype), September (=Sabon by Linotype), Synchron (=Syntax by Stempel), Vega (=Volkswagen VAG Rundschrift). There are also originals like Volker Küster's Today Sans Serif and Neue Luthersche Fraktur, Zapf Renaissance by Hermann Zapf, and Forlane by Jelle Bosma. Küster, Pool, Zapf and Bosma have nothing to do with the non-original fonts in the collection. The typophile community shrugs Stiehl's complaints off.
2008: The Scangraphic collection can be bought at Elsner&Flake.

Examples of Scangraphic fonts: Pi Travel+Transportation, Pi Greek Maths, Pi Communication, Pi Signs+Symbols, Futura Round SB, Futura Round SH.

A technical discussion by Yves Peeters. MyFonts link. Link to Scangraphic PrePress Technology GmbH in Seligenstadt. Elsner&Flake shop. Home page.

View the Scangraphic typeface library. Another link to the Scangraphic typeface library. [Google] [MyFonts] [More] ⦿

Schaftstiefelgrotesk

Literally, jackboot grotesk. A style of blackletter from the first half of the twentieth century that sits mid-way between the heavy industrial grotesques popular in the West (such as Akzidenz Grotesk) and the classical blackletter style that was often seen in the German-speaking universe. Hitler was one of its chief supporters, which became explicitly identified with Nazi ideas of German nationalism, and the types had names such as Deutschland, National and Tannenberg. The Schaftstiefelgrotesk is a simplified and sturdy form of the classical blackletter. In a very loose sense, Koch's Neuland could be considered in this genre---unrefined but sufficiently angular and certainly sturdy not to be ignored.

Modern examples include Enzian (Jason Mannix, 2011), Germania One (John Vargas Beltran, 2012), Dez Sans Script (Chris Lozos).

Modern examples include Enzian (Jason Mannix, 2011), Germania One (John Vargas Beltran, 2012), Dez Sans Script (Chris Lozos), Schadtstiefel Kaputt (Manfred Klein, 2003), Linotype Gotharda (Milo Dominik Ivir, 1997).

Typophile link on this subject. [Google] [More] ⦿

SchickFonts
[Florian Schick]

Florian Schick (b. 1982) is a German graphic and type designer who lives in Den Haag. He studied communication design at the Royal Academy of Art Den Haag and the University of Applied Sciences and Arts Hannover. He finished the Typemedia program at KABK in 2011.

Since 2006 he has been working as a freelance designer and founded his type foundry Schickfonts in 2008. He works for his own clients as well as for graphic design studios like Bold Monday, Treibwerk or Die Typonauten. His focus is on the fields of typedesign, corporate and editorial design. SchickFonts, operated out of Hildesheim, Germany, and is now located in The Hague.

Codesigner at The Typonauten (based in Bremen) of the brush font series B-Movie Retro (2007, with Ingo Krepinsky and Stefan Kroemer).

At SchickFonts, he made the blackletter family Authentic Ink (2008), as well as B-Movie Retro and B-Movie Splatter.

At KABK, he created the Mag Grotesque type family, which features 15 styles from Bold Extended to Thin Condensed. In 2012, he started the design studio Schick Toikka in Berlin with Lauri Toikka.

At Bold Monday, he published the rounded sans typeface family Trio Grotesk (2011-2012, Bold Monday). He writes: Trio Grotesk is Florian Schick's personal interpretation of Kaart Antieke---an early 20th century sans serif [1909, to be more precise] used by Piet Zwart in his famous, yet never officially published essay about modern typography called "Van oude tot nieuwe typografie".

Schraffierte Gotisch Stella

An in house Fraktur typeface at Bauersche Giesserei, made in 1900. Digital version by Gerhard Helzel. [Google] [More] ⦿

Schreibbuechlein

Images of two Schreibbuechlein, one by Urban Wyss (Basel, 1549) showing an antiqua versal alphabet, and one by Wolfgang Fuggers (Nuernberg, 1553) that shows a paragraph of blacklettered text. [Google] [More] ⦿

Schreibtipp Fraktur

Fritz Jörn's great page on Fraktur (in German), complete with links and an interesting discussion. [Google] [More] ⦿

Schriftarten

Horst Enzensberger's pages on German ways of writing, and type forms. He deals briefly with these type forms: Antiqua; Bastarda; Beneventana; Buchschrift; Capitalis; Fraktur; gotische Minuskel; Halbkursive; Halbunziale; Kalligraphie; Kanzleischrift; karolingische Minuskel; Kurrentschrift; Kursive; Lateinschrift; Ligatur; Nationalschriften; Rotunda; Textura; Unziale; Urkundenschrift. [Google] [More] ⦿

Schriftgeschichte

Bernhard Schnelle gives a splendid historical view of the European scripts, leading up to the scripts used in Germany. [Google] [More] ⦿

Schriftgestaltung
[Georg Seifert]

Georg Seifert (Schriftgestaltung) is a Bitterfeld-Wolfen and/or Jena, Germany-based designer, born in Halle in 1978. He was a student at the Bauhaus University Weimar and runs Schriftgestaltung.de. He is best known for the free font editor Glyphs, released in 2011. Seifert lives and works in Berlin. His typefaces include

Olive Green Mono (2008). A monospaced typeface designed for his own use in email and programming code. Covers Greek and Cyrillic. Published by Schriftgestaltung.
Rosa Stencil (2008). A calligraphic stencil typeface. Published by Schriftgestaltung.
Azuro (2011). A 4-style screen family developed by Georg Seifert and fine-tuned by Jens Kutilek.
Graublau Sans (2005), GrauBlau Sans Kursiv. Has a Cyrillic style. The design of Graublau Sans Pro (20 styles with over 1000 glyphs each) took Georg Seifert over 5 years. Graublau Sans Web is free. Retail versions at MyFonts: Graublau Sans Pro (2008, FDI), Graublau Slab Pro (2012, FDI).
Pen (2006). A handwriting font.

At ATypI 2009 in Mexico City, he introduced his (free) font editor Glyphs to the world. Speaker at ATypI 2013 in Amsterdam. Speaker at ATypI 2016 in Warsaw.

Klingspor link. Behance link. Older German URL. [Google] [MyFonts] [More] ⦿

Schriftgiesserei A. Numrich & Co
[Adam Numrich]

Leipzig-based type foundry, est. 1885 by Adam Numrich (who was employed by C. Kloberg at the time), taken over by Bauersche Giesserei in 1912 (or 1927?). Its first manager was Emil Moll, who was later joined by Bruno Diesel in that role. In its book Leipziger Fraktur (1906), a nice readable Leipziger Fraktur is shown in 13 weights, accompanied by four sets of Initialen. Numrich's typefaces include several sets of music notation symbols, Leipziger Fraktur (1906; see also Bauersche Giesserei, 1909), Breite Leipziger Fraktur, Universitäts-Antiqua, Romana Initialen, Chic (ca. 1909), and International (1902, blackletter).

Bauernschrift (1906, also called Fritz-Reuter-Schrift) was designed by Max Fröhlich. It appeared at Bauersche Giesserei in 1911. [Google] [More] ⦿

Schriftgiesserei Eduard Haenel
[Eduard Gustav Haenel]

Schriftgiesserei Eduard Haenel is a Berlin-based foundry operational in the 1840s, run by Eduard Haenel (b. 1804, Magdeburg, d. 1856, Berlin), who was a type founder and book printer. His life's story. His father Christian Jacob Haenel had a printing shop since 1798 in Magdeburg, the Hänelsche Hofbuchdruckere, which Eduard took over in 1824 after his father's death. In 1830, he started also some typefounding, and slowly started operating in Berlin as well. He let his staff cut many vignettes, ornaments, ornamental typefaces and typefaces, and imported many English and French types. The Magdeburg office burnt down, and Eduard moved completely to Berlin, where he worked until selling the business in 1852 to Carl David. The Magdeburg Druckerei continued with Eduard's brother and his sons until 1945 as the Magdeburger Qualitätsdruckereien. Eduard made the so-called Fette Haenel-Fraktur (ca. 1840), specially designed for headlines. He also cut Haenel Antiqua.

Haenel-Fraktur was digitized by many, including Ralph Unger (who made Haenel-Fraktur in 2011), Walden Font (with Fette Haenel Fraktur), and Dieter Steffmann (2000; as Fette Haenel Fraktur). Haenel Antiqua was revived by Gerhard Helzel and separately, in 2020, by Ralph Unger.

In 2017, Pierre Pané-Farré (Forgotten Shapes) set out to revive some poster typefaces by Eduard Haenel. These include:

Breite-Fette Antiqua FSL (2017): Breite-Fette Antiqua FSL is the digital re-issue of an unidentified display typeface which---from ca. 1850 onwards---was part of the type case in the printing workshop of Oskar Leiner in Leipzig. It can not be said whether it was a custom-made design or if the typeface was distributed commercially by a foundry.
Doppel-Mittel Egyptienne FSL (2017): Doppel-Mittel Egyptienne FSL is the digital re-issue of Doppel-Mittel Egyptienne by Eduard Haenel, Magdeburg. It was advertised 1833 in "Schrift- und Polytypen-Probe. Zweite Lieferung. Blatt 25-72." and again 1834 in "Neueste Lettern", a supplement to the "Journal fuer Buchdruckerkunst." Doppel-Mittel Egyptienne itself was a re-casting of Two-Line English Egyptian No. 1 originally shown in 1821 by William Thorowgood, London.
Schmale Egyptienne N.12 FSL (2017). By Pierre Pané-Farré: Schmale Egyptienne N.12 FSL is the digital re-issue of Schmale Egyptienne No. 12, 28 Cicero Kegel advertised in 1841 in "Proben der Affichen-Schriften von Eduard Haenel. Berlin."

References: Schriftgiesserei, Schriftschneiderei und Graviranstalt (1847, Eduard Haenel), a 490-page book of type specimens. [Google] [More] ⦿

Schriftgiesserei Flinsch
[Heinrich Flinsch]

Foundry in Frankfurt am Main. House typefaces include Enge Antiqua (1859), Renaissance Kanzlei (also known as Antike Kanzlei), Verzierte Musirte Gotisch (ca. 1870, digitally revived by Gerhard Henzel), Flinsch-Germanisch (1876, blackletter by Karl Klimsch), Magere Kloster-Gotisch (ca. 1900), Neugotisch (1907), Universal-Gotisch (ca. 1900), Bernhard-Fraktur (1913, plus Extrafette), Dürer-Gotisch (ca. 1900), Flinsch-Fraktur, aka Frankfurter Fraktur (1911), Tages Antiqua (1915), Flinsch-Privat (1919, by Lucian Bernhard), Halbfette Schwabacher-Flinsch (which was used for titling in the Fehsenfeld editions of the Karl-May books; a digital revival at Gerhard Helzel's place), Breite halbfette Roemisch, Elzevier Initialen, Fette Mikado, Franconia, Jenson, Langschrift, Patent reclame, Reclame, Samson, and Victoria.

For digital revivals, see Edna Text (Reymund Schroeder, 2017) and Litfass (2021, Ralph M. Unger).

Their Book of Type Specimens (1904) has 719 pages. An earlier book from 1899, Einundzwanzigstes Fortsetzungs-Heft 1899 has just 70 pages. [Google] [More] ⦿

Schriftguss AG

German foundry that was located in Dresden. Designers include

Otto Arpke: Designer of the fat display typeface Arpke Antiqua (Schriftguss, 1928).
Carl Albert Fahrenwaldt, who made the Minister family in 1929 based on garalde types (Adobe and Linotype have their own versions). He also made Edelweiß (1937), Prominent (1936), and Symbol (1933).
Heinrich Wieynck made Wieynck-Werkschrift (1930) and WieynckGotischLicht (1926).
Peter Schneidler made the handwriting Mistral-like typeface Maxim in 1955 (Ludlow's version).
Peter A. Demeter: the shaded roman capital typeface Holländisch (1922-1926), which also comes with Bold and Extended weights.
Fritz Müller: Armin-Gotisch (1933).
Martin Wilke: Burgund (script face).
Willy Schumann: Butterfly (1927, script), Butterfly Halbfette (1928), Troubadour Magere (1927).
Walter Schnippering: Pentape (1935, script).
K. H. Schaefer: Orchidea (1937, script), Schaefer Versalien (1927, lineale titling font on a shaded background), Capitol (1931, a lineale with an extra vertical stroke on the left of each glyph typical of art deco; for a revival, see Capitol Pro (2012, Ralph M. Unger).
A. Auspurg: Lido (1936, script).
Arnold Drescher: Energos (1932, script).
W. Berg: Divina (1930, script), Splendor (1937, script).
Peterpaul Weiß: Kursachen (1937, blackletter). Digitized and extended by Patrick Griffin at Canada Type in 2005 as Blackhaus.
Paul Sinkwitz: Sinkwitz-Gotisch (1942).
Gerhardt Marggraff: the blackletter typeface Marggraff-Deutsch (Halbfette and Fette in 1939, Leichte in 1940), Marggraff Light Italic (1929).
H.-R. Müller: Fao (1938). Nick Curtis used this as the basis for his Fargo Faro (2007).
K. Lehmann: Lehmann-Fraktur (1919).
J. Lehmann: Diamant (1937).

House typefaces include Gilden-Fraktur (1937), Jasmin (1929, blackletter), Jean-Paul-Schrift (1798), Härtel Roman (1928, a didone family) and the Plakatstil font Ohio in 1924, on which Nick Curtis based his ITC Zinzinnati (2001). One of their catalogs was published in Dresden around 1930. A 1925 catalog in Spanish includes Cursiva Minosa, Versaes Schaefer, Cursiva Saxonia Preta, Wieynk Gothic, Rembrandt Meia Preta, Grotesca VI Mercur, Hollandeza Larga, Versaes Kress, Romana Hamburguesa, Typo Klinger, vignettes, tipos de cartel, and other typefaces.

Samples of their work: Aldine Schmalfett, Ambassador, Mimosa, Maximum, Appell (1934), Artista, Belwe Antiqua Licht Versalien, Bodoni, Cooper, Druckhaus, Echo, Helion, Diamant, Duplex, Milo, Fette Copra Kursiv, Fette Gotisch, Gladiator, Aktuell, Energos, Burgund, ElegantKursiv, Grossmuetterchen, Grotesk, Grotesk Breite, Junior, Kurier, Fanal, Flamme, (a logo), Marko, Milo, Faro, Luxor, Admira (1940: revived in 2019 by Coen Hofmann), Ramona, Parlament, Patria, Pfeil, (a poster Plakattype), Rautendelein [a calligraphic typeface revived by Ralph M. Unger in 2017 as Carina Pro], Rhythmus [revived in digital form by Ralph M. Unger as Rhythmus Pro in 2016 and by Peter Wiegel in 2015 as CAT Rhythmus], Romantisch, Saskia, Schreibmaschinenschrift 512, Steinschrift, Super-Grotesk, Super-Kursiv, Super-Grotesk, Super Blickfang Initialen, SupremoVersalien, Tausendschoen, Unger Fraktur. [Google] [More] ⦿

Schwabacher Judenletter

German page that explains the false myths about Fraktur and the Nazi regime. In fact, on January 3, 1941, the Nazis decreed to abort the use of Fraktur letters for all official purposes and in the media. The page also has these truetype fonts: FrakturBT-Regular, Germen-Type, SchwabenAlt-Bold. [Google] [More] ⦿

Scot Jenkins
[The Fontsmith]

Scott Biersack
[Continental Type]

Scratch Bali Design (or: Scratch Store, or: Scratch Design)
[Gitayogi Irhandi]

Known as Gitayogi Irhandi and Made Arini Hanindharputri. Bali, Indonesia-based designer (b. 1984) of these script typefaces in 2019: Da Maria, Elvian Andreani, Valeri, Shavnaz, Hideas, Girisenna, Karmany, Quiky, Suiren, Alauna, Vallato, Tequilove, Balibong, Hey Benito, Quilky, Ayrton, Rizen, Rheydo, Griselda, The Beelly.

Typefaces from 2020: Saint Mighuel (a rough script), Milleak (a chubby script), Minako (a fat finger font), Pink Chicken, Barela, Quachita (a brush font), Helomade, Aryzena (brush script), Mybela.

Typefaces from 2021: Blackguard (a brush script), Boavista (a refreshing script), Dreambeach (a signature script), Inkarus (an informal slab serif), Luckylove (script), Scarecrow (an all caps dry brush font), Blackseed (a handcrafted blackletter), Spanish Signature, Dakota Magic, Gorilazy (a fat finger font), Lemon Grapes (hand-printed), Silverhawk (script), Vallato (handcrafted), Rose Marie (a fat finger font), Candidasa, Yummy Foodies (a fat finger font).

Typefaces from 2022: Frogie (a children's book font), Backhand (dry brush script), Simply Bites (a scrapbook font), Katherina Signature. Fontdaily link. [Google] [MyFonts] [More] ⦿

Scribeworx

About 8 calligraphic fonts in this archive, including VampyresGarden (1997, by "Sean"), a caps font, and Old English (Fraktur font by Elfring Soft Fonts, 1997). [Google] [More] ⦿

Scriptor

Free software for writing Fraktur under Windows. [Google] [More] ⦿

Scriptorium (Ragnarok Press, Fontcraft)
[David Fleming Nalle]

Dave Nalle was born in Beirut in 1959, but lives and works in Texas. He is currently in Manor, TX. From his wiki page: Dave Nalle is a political writer, game author and font designer who was active in the early history of the development of the internet. He is Chairman of the Republican Liberty Caucus, a group that promotes libertarianism within the Republican Party and is Senior Politics Editor at Blogcritics online magazine and is the CEO of Scriptorium Fonts. A creative and prolific designer, he has made hundreds of beautiful (often historic) fonts. His outfit, Scriptorium (based near Austin, TX, est. 1989), also does custom font and logo design. At some points, Scriptorium was also known as Ragnarok Press and Fontcraft. It specializes in artsy and ancient typefaces. Some subset of the fonts is made by Michael Scarpitti. Free font demos.

Images of his best selling fonts. Special subpages:

Three free fonts: Onuava (a mini-serifed hybrid fixed-width font), Divona (sans), Sirona (based on Lombardic calligraphy).
Lombardic: Aneirin, Benevento (8th century Lombardic), Cymbeline, Fabliaux, Formidable, Locksley.
Decorative initials such as the 20th century sign lettering initials set Pencraft Initials (2009), New Saxon Initials (2016, based on work by F.G. Delamotte), Delamotte Initials One (2016), Delamotte Initials Two (2016), Holly Initials (2010, based on Real PenWork (1880s, Knowles and Maxim), Vyones (2010), Vergennes (2001), Cascade (2009), Bergling (2010; based on initials by John M. Bergling).
Steampunk typefaces: Clockwork, Gearhead, Gears, Verne, Draughtwork, Belgravia, Boetia, Blackthorn, Linthicum, Good-fellow, Necromantic, Mephisto.
Wild West fonts: Academy, Alcalde, Atkinson Boomtown (2009, after the lettering of Frank Atkinson), Atkinson Eccentric (2009), BigIron, Cibola, Del Norte, Lachesis, Perdido, Plowright, Primer, Riudoso, Niederwald, San Lorenzo (2011, with a Mexican and Tuscan look), Stonehouse, Manquo, Rochambeau, Purcell, Vaquero.
Arabic simulation fonts: Samaritan is based on the poster lettering of Alphons Mucha from his poster for the play La Samaritan. Serendib and Waziri are based on the hand lettering of René Bull from his edition of the Arabian Nights. Caliph (1993) is derived from Ernst Schneidler's classic Legende font, with variant characters based on his original lettering. Also: Satampra, Jerash, Samarkand, Isfahan.
Celtic fonts: the fonts include Constance, Durrow (1993, traditional rendering of Insular Minuscule calligraphy), Malvern, Glendower (based on the most common lettering in the Book of Kells), Knotwork (caps based on Celtic knots), Alba Text (modernized text font based on Celtic uncial lettering), Lindisfarne (based on a square uncial style), Stonecross (1997, derived from Celtic cross and gravestone inscriptions), Celtic Spirals (dingbats), Celtic Borders font (lets you combine key strokes to form decorative borders; many frames and borders are original Celtic designs by Arts&Crafts period artists like Evelyn Paul and Louis Rhead), Spiral Initials, Brigida (based on Rudolph Koch's interpretation of a squared uncial), Macteris Uncial, Coverack (heavy non-traditional uncial), Dahaut (modernized uncial), Dunsany, Glendower, Morgow (1999, spiral uncial), Teyrnon (elaborate spurred uncial), Padstow (heavy uncial), Vafthrudnir (2011, uncial), Sualtim and Columba (decorative initials based on characters found in the Book of Kells), Albemarle (2001).
Oriental simulation fonts: Yoshitoshi (2003, based on the 1900-style writing by Yoshi Toshi.
Gothic fonts, including Alt Gothic, Koch Gothic, Barnabas (2011), Sternhagen (2014), Montgisard (2010, roman capitals with blackletter lower case), Serenissima, Gelderland, Alcuin, Monumental, Goldwork, Waldeck, Roncesvalles, Montressor (2010, ornamental blackletter capitals), T4C Beaulieux (1998, a free copy here), Bastarda (2011), Burgundian, Cadeaulx, Collins Old English, Courtrai, Descant, Ereshkigal, Faustus, Franconian (1993, a Schwabacher), Froissart (2000), Ghost Gothic, Katisha, Koch Gothic, Ligeia, Magdeburg, Magdelena, Melusine, Pyle Gothic, Rheingold, Sanctum, Stuttgart Gothic (2010), Textura, Theodoric, Yngling (2002).
German expressionist: Dromon.
Renaissance fonts: Monumental Gothic, Caswallon (a Caslon family), humanist cursive (Palmieri, Castiglione and Hanes Italic), quirky Italian cursives (Fiorenza and Alleghieri), a Roman style hand-lettered font (Rudolfo and Rudolfo Swash), a Trajan-style Roman lettering (Hadrianus), a classic flourished cursive (Trinculo) and a set of floral intials from the Quattrocento (Fraticelli).
Modern poster fonts: Ascelon, Bilitis, Cosmic Dude, Dromon, Ducatus Rough, Eglantine (after Central Type Foundry's Quaint Roman), Ekberg (2002, based on Samuel Welo's posters), Fortinbras, Hamilton, Jambon, Oblivion, Posada (2008, based on the poster lettering of Mexican artist José Guadalupe Posada), Squiffy, Suspicion, Magnin (2003).
Mapmaker fonts: building elements are available in Basilica; Ortelius is a map dingbat font; Queensland (based on lettering by artist and calligrapher Eric Sloane), is bold, hand-drawn and reminiscent of medieval writing on maps. There are also Brandywine, Daresiel, Hesperides, Longhorne, Windlass (1996), and Cityscape. Orford (2008) is based on samples of hand lettering from a 1693 manuscript collected by Lewis Day in his classic book on historical paleography, Alphabets Old and New.
Calligraphic fonts: Albemarle (2001), Azariel, Moncrief (2011, based on the calligraphy of J.M. Bergling), Pavane, Rasael (2009), Abdiel (2005), Roncesvalles, Gazardiel (2003, connected script), Spoonbill (2003, arts and crafts), Macteris (Roman uncial font), Antioch Uncial (Roman uncial font), Burgundian (Classic black letter font), Franconian (993, a classic black letter font), Castiglione (Attractive Renaissance lettering), Cicero (Roman Rustica font), Formidable (1993, very bold late medieval / Lombardic style), Collins Old English (Classic Old English style gothic), Corbei Uncial (Roman uncial font), Cymbeline (late medieval lettering), Durrow (Standard insular minuscule uncial font), Theodoric (Classic black letter font), Gazardiel, Ghost Gothic (Unusual gothic font), Glendower (Uncial font based on Book of Kells), Gloriana (Interesting hand lettering style), Folkard (from the hand-lettering of Charles Folkard), Offenbach Chancery, Ranegund Merovingian Courthand, Benevento (8th century Lombardic), Hesperides.
Art deco typefaces: Imperatore (2018: based on a hand lettered design from California art deco master designer Pedro de Lemos in the 1920s), Speakeasy (2018), Gates of the West (2018), Lyceum (2014), Borealis (2009), Criterion (2011), Illuminata, Madding (2009, a bold poster font that grew out of Aventine), Alexandrine (2009), art Deco Stencil (2009, based on samples of Art Deco stencil lettering by Pedro Lemos), Falmouth.
Art nouveau typefaces: Acadian, Agravain (2009), Amphitryon (2009), Ariosto, Asphodel, Averoigne, Beaumains (2011, based on J.M. Bergling's lettering), Beauvoir, Belgravia (based on J.M. Bergling), Bernhardt (based upon the lettering of the Czech art-nouveau artist Alphonse Mucha), Bentham, Berenicia, Boetia (2003, based on J.M. Bergling's lettering), Bruges, Bucephalus (1993), Burd Ellen (2009), Butterfield (1993; in Alfred Roller's style), Cafe Society (2018), Curetana, Damariscotta, Elsene (2011, based on lettering by early 20th century illustrator Clara Elsene Peck), Elysian, Exotique, Flaubert, Gaheris, Ganelon, Gehenna, Goodfellow, Grammophon (2019: a bold Jugendstil poster font), Harbinger, Huyot (2016, after Georges Auriol's types), Jugendstil Kunsthand (2003), Lysander, Maginot (1993; after Peter Schnorr, 1898), Munich (after the Munchner Jugend magazine), Norumbega, Odeon, Ormandine (2010), Pantagruel, Phaeton, Reggio, Rochmbeau, Rockne (2009), Rudolfo, Setebos, Sprite, Summerisle, Sylphide (2005), Undine, Valentin (2008), Vambrace (2010), Walhal, Wendingen (2016), Wormwood (2018), Zeitschrift (2016, based on the Ver Sacrum magazine).
Modern poster fonts: Field Day (2003), Ascelon, Bilitis, Cosmic Dude, Dromon, Ducatus Rough, Eglantine (after Central Type Foundry's Quaint Roman), Ekberg (2002, based on Samuel Welo's posters), Fortinbras, Hamilton, Jambon, Oblivion, Squiffy.
Constructivist fonts: Krasny Mir (2009), Vrubel, Structura (1997).
Futuristic fonts: Alecto, Angelus, Circuit, Culdrose, Gearhead, Ironclaw, Parika, Sanhedrin, Semiramis (1997), Slither, Structuro, Yazata, Adastra (dings).
Borders and ornaments. These include New Arets and Crafts Borders (20912, based on The Calendar of Golden Thoughts (Barse and Hopkins Publ, 1911).
Boneyard fonts: Undertaker (2014), Antrobus (2010), Sepultura (2002), Halloweenies, Dementia, Boneyard, Skull and Bones, Malagua (1999-2013), Paleos (2002, from titling of B movies in the cave girl genre), Carmilla, Abaddon, Black Cow (1998), Valdemar, Cuede, Ligeia, Mayhem, Mephisto, Golgotha, Sanguinary, Ironworks, Moravia, Gehenna, Nosegrind (2005, graffiti), Corpus, Ghostly.
School fonts: Schoolhand (2010).
Arts and Crafts movement (late Victorian period, 19th century), based on work and lettering by Walter Crane, William Morris, Charles Rennie Mackintosh and Elbert Hubbard. The Arts&Crafts movement was enormously influential on the works of designers, artists and architects of the 20th century, and inspired the Art Nouveau and Art Deco movements. Fonts include William Morris' Kelmscott (based on Morris' Troy type), and True Golden, fonts from the Glasgow branch of the movement like Chelsea Studio (1997), which is based on Charles Rennie Mackintosh's lettering, fonts from the Roycrofters of New York like Semiramis and Ganelon, fonts based on Walter Crane's work such as Crane Gothic, Pencraft Initials (2009) and Walter Crane, and even fonts from the California Arts&Crafts period of the early 1900s like Coloma. Other typefaces: Jesse M. King (refreshed in 2015, and based on hand lettering from a frontispiece design by Glasgow-based Jessie King who was known for her lavish book covers), Aylward, Palmyra (based on work by the Roycrofters, a design community founded by Elbert Hubbard), Aylward (2010, Victorian), Hyacinth Initials, Spoonbill, Adresack (1996: inspired by the arts and crafts lettering styles of designers like Charles Rennie MacKintosh and Jessie M. King), Brandywine, Changeling (2009, based on lettering by fairy artist Fanny Railton), Goddard, and Advertising Gothic (2003), Valentin, Gaheris, Agravain (2009). Delaguerra (2001-2009) is based on a lettering style originating in the California Arts&Crafts period commonly associated with Mission Style. It is still in common usage in signage at historical sites in California.
Victorian: Beaumarchais, Berenicia, Bilibin, Brandywine, Brigidis, Curetana, Durendal, Elphinstone, Flaubert, Folkard, Gjallarhorn, Gloriana, Hermia, Ironclaw, Magnus.
Typewriter: Fontcraft Courier.
Anthroposophic: Ekberg (2002, based on a sample of poster lettering by Samuel Welo).
Medieval fonts of Scriptorium, critiqued by Marc Smith, page 65: Batwynge is based on lettre gffe by Geofroy Tory (1529), and not on an illuminated manuscript of the tenth century as claimed by Scriptorium. Perigord (1993) is based on a Carolingian alphabet drawn by Ernst Bentele in 1952. Allencon is a calligraphic font based on an interpretation of 6th century Ostrogothic Italian calligraphy.

Some selected fonts: Finchley (psychedelic), Captain Kidd (2012, an original font design based on the title lettering from the classic pirate movie starring Charles Laughton), Aerobrush (2011), Fondry Ornament (2009), Atkinson Egyptian (2008, after the lettering of Frank Atkinson), Verne (2008: remade in 2020 into Covid19), Goldwork (almost blackletter), BigBlok (2010), LetterpressGothic (2010), Plymouth (2010, in the style of Cooper Bold), Broadley (2008, an architecturally inspired script based on lettering by British architect and designer C.F.A. Voysey), Locksley (2004, medieval lettering), Tuscarora (curly lettering), Fiorenza (Renaissance calligraphy), Hesperides (old colonial calligraphic script), Angelus (beautifully printed monospaced script), Esperanza (1996, connected medieval handwriting), Ithuriel (2002), Alleghieri (2002), Hamilton (2002), Spiral Initials, Zothique (great font, based on hand lettering from a map of Clark Ashton Smith's fantasy world of Zothique), Reynard (semi-Celtic), Daresiel (elegant script), Caliph (1992, Arabic simulation), Bassackwards, Rosalinde (1999, handwriting), Arakne (2000, connected handwriting), Falconis (by Michael Scarpitti), Asrafel (semi-Celtic), Swithin (2004), Tyrfing (Art Nouveau/Fraktur, 1999), Waldeck (2008, blackletter), Woburn Initials, Stampwork, Draughtwork, Roughwork (a codex font derived from Nalle's own True Golden which is based on a=n earlier typeface by arts and crafts master William Morris), Melusine (gothic calligraphy), Corbei (uncial), Niederwald (hand lettering), Gjallarhorn (great uncial), Gaiseric (early medieval uncial), Taranis (1987, an uncial first drawn as a font for the cover of the old Ysgarth roleplaying system), De Bellis (roman era, by Michael Scarpitti), Engravers Gothic, Monimental Initials, Sanhedrin (Enemy of the State font), Vespasiano (roman capitals, by Michael Scarpitti), Bilitis, Hendrix (2002), Collins OE (old English), Samedi, Praitor, Evadare (1993, based on a character set which was hand calligraphed by Rudolf Koch), Koch Fantasie (1993), Black Cow (1998). Zothique, Ruritania, Mariner (2004, based on hand lettering originally done by Willy Pogany), Trinculo (a swinging cursive font), Texas Star (2002), Octavian (antique demi-serif font), Ruffian (antique type font), Ascelon (thin sans serif font), Munich (title lettering from Munchner Jugend magazine), Necromantic (bizarre bold titling font), Titania (romantic decorative lettering font), Oberon (bold romantic font), Knotwork, Guede (1993), Pullman, Purcell (Victorian circus poster style font), Allegheny, Carmilla, Malagua (1999-2013), Ardenwood, Platthand, Buccaneer, Cochin Archaic (2010), Boswell (1994), Guilford (based on lettering by artist and calligrapher Eric Sloane), Death Ray (2012, constructivist), Alecto (futuristic), Candlemas (2003), Bridgeport (2003, based on lettering by artist and calligrapher Eric Sloane), Medieval Tiles (2003), Linthicum (2003), Draughtwork (2003), Yngling (Fraktur, 2003), Rheingold (elaborate Fraktur: Music Hall Text elsewhere; see also Teuton Text, Cincinnati Type Foundry, 1877), Kidd (2003), Belgravia (2004), Peck Shields (2004), Scrawlies (2000, handcrafted), Albrecht Durer Gothic (2004), Orpheus (2004), InduXtrial (2004, a grunge face), Yoshitoshi (2003), Veronique (2004), Veneto (2006), Vidilex (1993, monospaced), Abelarde (2006), John Speed (1993: a mapmaker font), Furbelow (2006), Estoril (2006), Tangle, Aventine (sans), Texas Star (2002), Groningen (Bauhaus design), Nevins Hand, Scrapple (2011, Victorian, ornamental), Leodegar (2011, based on samples of 7th century Frankish hand lettering), Candlemass (2012).

Fonts from 2013: Doge (a Venetian font based on a J.M. Bergling revival), Original Django (after the titling font in Quentin Tarantino's movie Django Unchained).

Fonts from 2014: Highball, Carillon (based on a typeface by Samuel Welo), Edifice (based on lettering by J.M. Bergling).

Fonts from 2015: Gods of Mars (an inline sci-fi typeface), Rykov (based on a 1930s Ukrainian constructivist style; Latin and Cyrillic), Vie Moderne (French art deco), Dahlgren, Grand Concours (art deco), Tantalus, Power Tie (art deco), Marquis Greeking.

Fonts from 2016: Ekberg Modern (based on lettering samples by Samuel Welo from poster designs of the 1920s), Knuckleduster, Tzaphkiel, Sarandiel, Primrose Initials, Elizabethan Script (chancery style), Zeitschrift (an art nouveau font based on the Ver Sacrum magazine), Wendingen (Dutch deco), Memento Mori (Tuscan), Rounders (art deco).

Fonts from 2017: Buzzmill (wooden plank font), Pumpkin Patch Initials, Talinn, Reliquary, Nopalito, Scattershot (script).

Typefaces from 2018: Marionettas (a Mexican horror movie poster font), Fascination, Architextura, Santa Sangre, Glyphos.

Typefaces from 2019: Cafe Corso (art nouveau), Comic Classix.

Fnts released in 2020: Epigramatic (based on lettering by Dard Hunter for the Roycroft Press in the early 1900s), Cryptos (graffiti).

Klingspor link. Abstract Fonts link. Dafont link.

View David Nalle's typefaces. Scriptorrium's library. [Google] [MyFonts] [More] ⦿

Sealoung (was: Masay Letter)
[Saiful Anwar]

Mojokerto, Indonesia-based designer (b. 1986) of these typefaces in 2020: Abimoty, Agoxes Game (octagonal), Amellya (wild calligraphic), Arahma, Asgore (a horror font), Assiaam, Aulidah, Battom Glory (a curly blackletter), Blapuhy (a dry brush script), Blondie, Bodihel, Brithny (a plumpish upright script), Busero (a speed emulating sports font), Christmas (a signage script), Deuglas (a wide monolinear sans), Domino, Duralit, Endellia (dry brush), Fastrace (a race car font), Gladish, Gondes, Hello Father (a heavy upright script), Kafenot, Kehraut, Killega (a decorative serif), Kris Kringle (Christmas-themed caps), Little Aliens, Love Money (an upright script), Merry Santa, Miss Mince, Moody, Queen, Rayhed, Sadish (a spurred decorative blackletter all caps typeface), Challiren (a Valentine's day script), Sakurata (oriental simulation), Santomyse Eridupes (a heavy rabbit ear script), Stiffeny Maritta (a rhythmic script), Tehisa, The Backro, Time Christmas (a retro signage script), Wuudy Cow, Yogurt Luber (a dripping paint font).

Typefaces from 2021: Saevul (an elegant inline typeface), Maferic (a display serif and script), Liferdas (an 18-style transitional serif), Adeston (a fashion mag serif), Edhan Martine (luxury serif), Abygaer (a refined display serif), Asbigan (a ligature serif), Maguire (a display sans), Angela (a swashy display serif), Nergisha (a trendy fashionable serif typeface), Weatsyam (a stylish signature script), Weatsyam (a stylish signature script), Mansdefia (a formal calligraphic script), Romantic (a script with personality), Bandes (an upright supermarket script), Love Rysma (a scrapbook font), Adaniya (a calligraphic signage script), Alyesina (calligraphic), Hay Monster (a scrapbook font), Balloon Duwoor (a scrapbook font), Crazy Robot (a blocky all caps typeface), Belyna (an upright script), Lovelys (a textured script), Sanderyna (a signature script), Magemin (a decorative serif), Hello Bucin, Founder Christmas, Amania (a bold signature script).

Typefaces from 2022: Sugela (a display serif), Ramadhan Amazing (Aarabic emulation), Algoria (a 36-style sans), Sageyl (a spider web serif). [Google] [MyFonts] [More] ⦿

Sean Bucknam

Portland, OR-based designer of Chromakoda (2012, a 3d typeface) and Prost (2013, a blackletter typeface inspired by German beer packaging). [Google] [More] ⦿

Sean Coady
[Vintage Type Co]

Sebastián Barraud

Graduate from FADU, University of Buenos Aires, who created the semi-blackletter typeface Blackheart Inertia (2009).

Sebastián Fucks

Graduate from FADU, University of Buenos Aires, who created the blackletter typeface FedDartype (2009). Yes, that is his real name. [Google] [More] ⦿

Sebastián Gagin

Graphic designer and illustrator in Buenos Aires (b. 1985, Buenos Aires). In 2009, he experimented with mechanical letters in Mech Type.

In 2011, he made the nearly-blackletter typeface Güten Tag (which was started in 2006), and the rounded sans typeface Seattle.

At Tipos Latinos 2012, Sebastián Gagin won an award in the display type category for Kiwi Extendida, which was inspired by the blackboard signs found in grocery stores around Buenos Aires.

In 2012, he created the connected upright Lara Script, and the beautiful monoline rounded sans typeface Seattle (which was inspired by Bauhaus). He created a number of vernacular typefaces for the Masticar food fair in Buenos Aires in 2012.

In 2017, he designed the stencil typeface Faena Art for the Faena Art foundation, which has chapters in Buenos Aires and Miami Beach.

Behance link. Another Behance link. [Google] [More] ⦿

Sebastian Fermin

Graphic designer and illustrator in Punto Fijo, Venezuela. In 2017, during his studies at Universidad Simon Bolivar, he created the free blackletter typeface Ozymandias, the free sans typeface Romero, and the sharp-edged sans display typeface Ohm. In 2018, he published the sharp-serifed Zuijin. [Google] [More] ⦿

Sebastian Kempgen
[KODEKS]

Sed4 Type Foundry (or: Sed4tives)
[Ron Ruedisueli]

Dutch professional music producer and audio engineer who founded his own record label. He also makes (mostly free) fonts. His work:

A FontStruct series called STF Letters op Maat, which attempts to recreate all alphabets designed by Dutch Bauhaus designer Jurriaan Schrofer (1926-1990). That list: STF Cutout 1985 (+Solid), STF JS Bevel (+Fill), STF Grafisch, STF Etage Aanduiding (17x17-Inline 1, 17x17-Inline 2, 17x17-Medium Fill, 17x17-Multiline, 17x17-Full Fill, 5x5 Matrix, Hi-res) [op-art, prismatic], STF Gemeentereiniging, STF Berlage (after the letters Schrofer originally designed for The "Beurs Van Berlage", a commodity market building located in the centre of Amsterdam. Later it was also digitalized and used to for the Dutch passport), STF Elevated (3d shadow typeface), STF Semiotica (Incised Outline, Incised, Book, Regular, Title), STF Sater, STF Sans Severe (Light, Heavy, Outlined, Multilines), STF Sans Rounded, STF Avant-Garde i10, STF Schrofer Modular Blocks, STF Social Human Trends (Outlined, Solid, Fill Isolated, Outined Isolated), STF Girokantoor, STF Marx (Solid, Striped), STF Squared Sans, STF Onleesbaar Alfabet (Stroke, Solid, Outlined), STF Bols Jaarverslag, STF Bredero (for the Bredero Bouwbedrijf), STF A.S.C. Communications, STF Connaissance et Langage, STF Paspoort, STF Last Warning (v1), STF Connected Squares (+Fill, +v2 Headline, +v2 Fill, +v2 Outline).
Other FontStruct typefaces, now over 180 in all, made in 2017-2018. Included are STF Down Vote, STF Slab Inn (a Western font), STF Polygon Window (hexagonal), STF Kalender (based on a 1976 calendar with octagonal letters by Wim Crouwel), STF See You in 2019 (a tiled font), STF Uni (a varsity font), STF Geo Gothique, STF Tegel (a kitchen tile font), STF Don't Count on Me, STF Hyster (a modernist stencil), STF Der Zyklus, STF Scriptorium (blackletter), STF Paradox, STF Sutoraipu Origami Multiline, STF Sutoraipu Origami Filled Stencil, STF Futureline, STF Frescher (Escher-inspired), STF Whiskey-A-Go Go, STF Labrat (op-art, prismatic), STF Tranziztor, STF Otto Font Schirach (mosaic lettering), STF BFG (condensed piano key style), STF Ace of Maze, STF Amsterdam School, STF Neon Flux, STF Wendingen 1922 (based on a old brochure by Wendingen for the Internationale Theater Tentoonstelling Amsterdam 1922; letters designed by Hendricus Theodorus Wijdeveld (1885-1987)), STF Van Nelle (based on an early 1900's poster ad for Van Nelle coffee), STF Purple Maze, STF Militia Stencil, STF Idiocracy (stencil), STF Rode Draad, STF Praesens (based on the lettering found in the second issue of Polish avant garde architectural magazine Praesens), STF Fabricon (a De Stijl stencil; +Outline, +CrossSection), STF Defrag, STF Trilineae, STF Bolsjewie (constructivist), STF Kraftwerk (a tiled typeface; after a 2015 poster by Chuck Sperry for Kraftwerk), STF De Stijl, STF Portfolio Peeters (a tribute to Belgian modernist artist Jozef Peeters (Antwerp, 1895-1960), based on the folder art for his 1921 linocut portofolio), STF Sector 7 (military stencil).
Pax Romana. Based on the capitalis monumentalis seen at the base of Trajan's Column.
STF Espionaje. Inspired by the lettering found on a vintage sheet music cover art for "La Java bousculée" (1924).
STF Oudvreugde's Ontwaken. Based on the Dutch deco lettering of Dutch graphic designer Frederika Sophia (Fré) Cohen (1903-1943). The letters were taken from a book cover design for the "Arbeiders-jeugdcentrale Amsterdam" which was published in 1924.
Typefaces from 2019: STF Blauhaus (Bauhaus-inspired), STF Type O Negative, STF Bodidone, STF Textualis Batavicum (blackletter), STF Alhambra Blvd, STF Type O Negative, STF Ein Berliner, STF Geo Grotesque (in the style of TT Norms and LL Circular), STF Innercity (art deco), STF Photonia (futuristic), STF Square Grylls, STF Mizollen (labyrinthine), STF Mr Bob Doubalina, STF Plateau Disco (groovy), STF Uncialis Modularis (uncial).
Typefaces from 2020: STF Schlanke Schöne, STF Care Sensitive.

Setzmaschinenfarik Typograph

Selina Huber

Marina aka Selina Huber grew up near Pula in Croatia, and applied graffiti on cows and sheep as a youngster. She is now based in Zagreb and Amsterdam. Behance link.

She designed the Kanzlei typeface Son of Bach (2012), which permits layering. [Google] [More] ⦿

Senzana (was: Inksun Aksara, or: Inksun Mildertype)
[Gilang Senzana]

Inksun Aksara (est. 2014) and Inksun Mildertype are aliases of Indonesian designer Gilang Senzana. As Inksun Aksara, he sells Victorian signage typefaces such as Brington (2014), Death Cross (2014), Zimat (2014), Amora (2014), Sang Jawara (2014) and Ophelos (2014). He also designed the tattoo script Tirtayani (2014) and the hand-lettered signage typeface Goodbye November (2014).

In 2015, he created Anemone Script, Marbelia Evolutions (baseball script), Good Luck My Way, Archer (spurred, Victorian), Crishper, The Brodze (vintage, lettered), Narson (signage script), Holland (connected script), Marbelia (connected signage script), The Beauties Melody, Black Oval, Dream Sketcher, Sribaduga (a blackletter) and Jhonny (a script typeface).

Typefaces from 2016: Archemy, Almost Hardcore (Victorian), Feuille Rosemary, Marbella Evolutions (signage script), Almost Hardcore (tattoo font), Queen (Victorian style), New Brington (Victorian), Blackbird (blackletter), Thoorma (Victorian), Winterfall (brush script).

Typefaces from 2017: Brighter, Shinta Brush, Harvest, Laventy Script.

Typefaces from 2018: Death Crow (heavy metal style), Goldenrisk (Victorian), Stay High.

Typefaces from 2019: Hastline Script, Murghen Script, Northern Freedom (signage script).

Typefaces from 2020: Lettown Hills (a decorative didone), Walford (script), Little Birds Script, Rightion (script), Goldbless (Victorian, spurred), Classical Authentic (display serif).

Typefaces from 2021: Stone Orgonite, Glift (a ligature-rich display serif), The Last Reaverock (a spurred tattoo font).

Creative Market link. Fontspace link. Dafont link. Behance link. Creative Market link for Inksun Mildertype. [Google] [MyFonts] [More] ⦿

Sergey Mironov

Moscow, Russia-based professional photographer. Designer of the blackletter fonts Manuscript (2015) and Modern Gothic Blackletter (2015). In 2016, he designed the fat typeface Brush (2016).

Typefaces from 2018: New Blackletter. [Google] [More] ⦿

Sergio Berkenbrock

Graphic design student in Brazil. Designer at FontStruct of these fonts in 2009: Dead or Alive (Western font), Gold Mine (Tuscan), Safehouse Sessions (piano key stencil), Rose, and Nu Jazz (counterless, experimental), Black Rounded Stencil, Sessions Cover. In 2010, he added Burgos, a gothic script. Aka El Huesudo II. [Google] [More] ⦿

Sergio Gomes

During his studies at Faculdade de Belas Artes da Universidade in Porto, Portugal, Sergio Gomes created Locked Type (2014: decorative caps) and Clean Type (2014: like blackletter). [Google] [More] ⦿

Sergiu Artkeetekt

Chisinau, Moldova-based designer of the decorative blackletter typeface Neogothic (2015). [Google] [More] ⦿

Set Sail Studios
[Sam Parrett]

Bristol, UK-based creative design agency that consists of Sam Parrett, Steven Prebble, Warren Glass and Alex Bailey. Sam Parrett seems to be the main type designer in this team. In 2014, they published the brushy bold marker typeface Sickamore, Dope Script, and the Halloween font Deathgrin. In 2015, Set Sail created the typefaces Sweet Sucker Punch (comic book font in loud caps), Ghost Type (fat signage script), Madina Script (brush script), Spirited (+Sans, Serif, Script), The Treasured Years (brush script), Imogen Agnes (a flowing brush script), Have Heart (brush typeface), Brother Nature (fat brush script), Faith And Glory, Fresh Script, Last Paradise (brush face), Violent Desire and Lord Zero (a fear-inspiring slasher typeface).

Typefaces from 2016: Bayshore, Tooth + Nail (dry brush), Echo Soul, Northwell (brush script; followed in 2020 by Northwell Clean), Hyper Drive (thick brush type), November Starlight, Blackhawk (brush type), Violetta, Black Diamond, Totally Terrific, Crystal Sky (monoline script), Violent Desire, Uberfriends (free), Lunar Blossom (brush script).

Typefaces from 2017: Spirited Script, Golden Youth Font Duo, Avallon (an SVG dry brush font), Super Sabretooth (brush), Silverwood (free), Stay Bold, Backlash, The Wayfaring Font, Hyperwave (marker font), Superfly Brush, Scrumptious, Misguided (brush), Candyhouse, Wild Spirit (brush), Better Times (brush script).

Typefaces from 2018: The Amoret Collection (font duo), Starlit Drive, Bird + Thorn, Stay Dreaming SVG, Crush SVG (dry brush), Havana Sunset (an SVG font), Opulent (an SVG OpenType brush font), Ivory Heart (a free SVG OpenType brush font), Distinct Style (font duo), Silver South (script and serif).

Typefaces from 2019: La Luxes, Checkpoint, Boston Skyline (a dry brush script), Checkmark (a wild script), Coral Blush (font duo), South Coast (brush), Portfield, Medina Script, Hot Mess (an SVG brush font), Ultra System (Script, Sans), Sebastian Bobby (handwriting).

Typefaces from 2020: September Spirit, Two Sugars (a monoline script), Mellow Morning, Glory Culture (an SVG format brush script), Resplendent, Wicked Hearts, Hot Rush, Goldney.

Typefaces from 2021: Fallen Angels (a swashy condensed all caps typeface), Rose Avenue (a serif in the Windsor and Cooper Black genre), Lovebright (script), Wild Star (a blackletter font), Primed (a fat finger script), Lacuna, Foxglove (a brush font), Simple Serenity (a decorative all caps serif).

Typefaces from 2022: Little Delights (a fat finger script), Neo Retro (a graffiti font), Hot Mess (a brush font), The Acres (a wide railroad car serif and Sans pair). [Google] [MyFonts] [More] ⦿

Creators of typefaces such Teutoburg (1935, blackletter). [Google] [More] ⦿

Seventh Imperium
[Cucu Supriyadi]

Bandung, Indonesia-based type foundry est. 2015, showcasing typefaces designed by Cucu Supriyadi. Cucu left Seventh Imperium in 2020 to set up a new type foundry, Thirtype. His initial work is largely Victorian, characterized by spurious curls or spurs:

Agneya (2015). A calligraphic brush script with an urban street art vibe.
Screter (2015). A spurred tattoo font with a blackletter feel.
Artonic (2015). A tattoo script.
Bellico (2015). A signage script.
Black Future (2015). A blackletter / tattoo /metal band font.
Bolyar (2015). An all caps display typeface. Almost an exact copy of FM Bolyar Pro (2013, Vasil Kateliev and Jordan Jelev).
Clarize (2018). A high-contrast didone family. Followed by Clarize Display (2019), which has a great Engraved style.
Egory Castle (2015).
Goldana (2017). A great layered font family that emulates chromatic type.
Heiders (2018, a 72-style script and sans typeface family).
Kyouking (2015).
Lockon Velline (2015).
Lunair (2019). A layerable script family.
Midnight Coffee (2015).
Monstice (2018). A stylish vintage typeface family with textured and inline styles.
Revorioum (2015).
Swiftel (2015). A layered creamy signage script font.
Gratinoli (2019).
Truens (2019). A vintage font collection.
Exorts Compressed (2020). A great compressed ultra black octagonal typeface family.
Autherical (2020). A Fraktura font.

Creative Market link. Another Creative Market link. [Google] [MyFonts] [More] ⦿

Shamfonts (was: Shamrocking.com)
[Jeroen Klaver]

Shamfonts (was: Shamrocking and before that, Kingotype) is a Dutch outfit with some shareware fonts (Shamcil 002, 003 and 004 (a stencil font family), Shambell Raster, Shamlock, Fruit For Ears, Franklin Euro, Shample01, Square Roque, BG Pi, Gothic Ball Crap (blackletter), Heineken, Putain, Shamhand01, Digi, Judas, Communist (1993), Kijkwijzer, BG-Pi, BigTop (Tuscan), Woody, Shamrod, Shamools (funny typefaces)) and some commercial fonts (KissinCousins, Spinout, Spinoff, GIBlues, KingCreole, Kingu-San, HarumScarum, Firsty). The designer is Jeroen Klaver.

Alternate URL. Kernest link. Font Squirrel link. Dafont link. Old URL. [Google] [More] ⦿

Shane Brandes
[Proportional Lime]

Sharkshock
[Dennis Ludlow]

Dennis Ludlow (Sharkshock Productions, Raleigh, NC) started making mostly free fonts in 1999. On August 28, 2001, Dennis announced that he would stop producing fonts, forever. To prove himself wrong, he became more prolific trhan ever, and ultimately started designing retail fonts as well.

His early typefaces include Hot Pizza (2001), Hawaiian Punk, Royal Acidbath, Little Caesar, Subway, Holiday India, Mobsters, Dallas Cowboys (Western look, 2004), Dark Crystal, Queen of Camelot (2015), Green Eggs and Spam (2015), Ludlow Strong Ale (2015, German beer label font), Space Angel (2014), Electrox, Cowboys, Dolphins, Viking Stencil, Lexust (2002), Padaloma (2002), Fujita Ray (2002), Willy Wonka, Hursheys, Grinched (a Halloween or beatnik font), Honda, Busch Gardenz, Holiday India (2000), Simpsons, Blockbusted, IHOP, Chicken Fool A, Playtoy (2000: like the masthead of Playboy), Cowboys (2001), Dreamscar (2001, has a Cyrillic version), Mr. Goodbaur, Dr. Peppers, Oreos, Air Millhouse, Fruitopia, Raiders, TGI Friday, Jolly-Raunchy, Mouser, Pirate-Keg, Fujita Ray (2015), Modeccio (2015, art deco), Wendyville (2015, Western), Vonique 64 (2015, avant-garde style), Your Royal Majesty (2015, a unique blackletter-inspired vampire script), Hackney Block (2015), Thunder Lord (2015, an outlined variant of Raiderfont), Republica Minor (2015), News of the World (2015: a news headline font), TH3 Machine (2015), Funkrocker (2015, inky, grungy), Tiki Tropic (2015: a tiki font), TypoGraphica (2015, a strong geometric sans), Vonique 92 (2015, circle-based fashion sans), Reisenberg (2015, a black titling sans; v2.0 dates from 2018). There is also a medium-sized categorized archive, with subsections such as cartoon fonts and movie fonts.

Typefaces from 2016: Twiddlestix, Konigsberg (rounded sans), Wicked Mouse (looney tunes typeface), Heathergreen (a tall condensed sans), Wonderbar (psychedelic), College Block (athletic lettering), Death Star, Ring of Kerry (uncial style), Blockletter (octagonal), Café Françoise, Cronus (round monoline sans), Suissnord (a wide sans display typeface), Grinched 2.0 (an update of Grinched), Red Seven (futuristic), Enchanted Land (derived from the blackletter genre), Freakshow (ornamental ransom note font), Deutschlander (a condensed sans for movie credits and similar applications).

Typefaces from 2017: Lemonade Stand, Dark & Black, Hennigar (a heavy compact sans in the spirit of Impact), Durango Western, Banbury (a heavy display didone), United Kingdom (techno), Goldoni, Kingsmen.

Typefaces from 2018: Bloomsburg (a 6-style organic sans; +Cyrillic), Stupid Meeting (an all caps display typeface), Medusa Gothic, Carson (tall grotesque), Collegeblock 2 (an octagonal varsity font), Medusa Gothic, Royal Crescent (sans), Praetoria, Papaya Sunrise, Helmswald Post (blackletter).

Typefaces from 2019: Deutschlander 2.0 (an organic monoline sans, with coverage of Cyrillic and Greek), Zanzabar (a genie lamp or Arabic emulation typeface), Vonique 43 (an organic fashion mag sans), Delacorso Outlines (tall decorative caps), Kwixter Sketch (for Latin and Cyrillic).

Typefaces from 2020: Stupid Meeting (an all caps sans with a comic book feel, appropriately named to describe most COVID era Zoom work sessions), Toyster (a plumpish typeface), Wonderbar 2 (psychedelic, all caps), Boldstrom (a tightly spaced heavy industrial sans), Reisenberg, Snicker Snack, Crosshatcher (a sketched font), Czesko (a skyline font), Storybook Ending (a mix of uncial and Tuscan), Toyster (a bubblegum font).

Typefaces from 2021: Kamryn (a display serif), Mouser (an organic geometric sans in six styles), Dottingham (a Victorian typeface), Tempestua (a sharp bold display sans), Lemonade Stand, Brontoburger (a vernacular typeface).

Typefaces from 2022: Jumbalo (a bubblegum font).

Abstract Fonts link. Creative Fabrica link. [Google] [MyFonts] [More] ⦿

Sharp Type
[Lucas Benjamin Sharp]

Lucas Sharp is a designer (b. 1986, San Francisco) set up Sharp Type in Brooklyn, NY, and later in New York City proper. Before that, Lucas Sharp was involved with Typeslashcode in New York. In 2011, he and Juan Carlos Pagan set up Pagan&Sharp in Brooklyn, NY, but they split a few years later. In 2015, Lucas Sharp and Chantra Malee [at Sharp Type, Malee handles business, brand management, marketing, graphic design and sales] started Sharp Type in New York City. In 2020, the collaborators and type designers included Josh Finklea, Connor Davenport, Marc Rouault, My-Lan Thuong, Calvin Kwok, and Justin Sloane. Lucas Sharp's typefaces:

Happy Stache (2010). A blackletter.
Hera (2010). A ball terminal-laden ornate didone done for his thesis at Parsons. His talent shines through his award-quality ornamental didone family, Hera Big (2010), which is an extension of his earlier thesis work.
Designer Sucks (2010). An ultra-fat and counterless typeface.
The free fat counterless typeface Doughboy (2010). In 2014, Greg Gazdowicz and Lucas Sharp co-designed Doughboy Pro, a bubble bath typeface.
Lucas Sharp does penmanship drawings such as Go Big Or Go Home (2010) and We're on a roll (2010).
Together, Pagan and Sharp published Malleable Grotesque Regular (2011).
Sharp Sans (2013, Incubator subfoundry of Village). Sharp Sans is a geometric sans with a non-geometric semi-curvy italic. Sharp Sans No. 2 (2015) is more geometric. It has Bayer / Bauhaus alternates, Lubalin avant garde style interlocking capitals, and pays tribute to those styles. Sharp Sans No. 2 (2015, Incubator): While Sharp Sans No. 1 ends its round monolines with diagonally sheared terminals, Sharp Sans No. 2 shears those terminals on a 90 degree angle.
Ogg (2013) is a fashion mag typeface inspired by the hand lettering of 20th century book designer and calligrapher Oscar Ogg. Ogg won an award at TDC 2014. Review by Bethany Heck.
Frauen [Roman, Script] (2015, Incubator). A calligraphic pair. The Roman is partially based on the calligraphy of Friedrich Neugebauer [on the cover of an almanac of Berlin debutantes published in 1945 titled, Die schönsten Frauen der Welt], and partly Lucas's own creation. Production assistance from Wei Huang.
Sharp Sans was modified in 2016 for Hillary Clinton's campaign, on commission for Michael Bierut of Pentagram. They write: The newest iteration of Sharp Sans was conceived for the Hillary Clinton 2016 campaign. Michael Bierut and the Pentagram team chose Sharp Sans Display No.1 as the main typeface of the campaign identity, but such a monumental project required a sturdier and more utilitarian typeface. The new Sharp Sans is completely redrawn and shaped by the rigorous typographic demands of modern visual communications. What sets the new Sharp Sans apart is a raised x-height, and newly opened counters that make it optimal for both text and display layouts; a new, more versatile approach, of which the two Display versions were not previously designed for. The set has Slab and Stencil styles as well.
In 2016, Sharp designed a custom Trajan-inspired typeface for Anthonly Lent, the jeweler.
Sharp Grotesk (2017), 259 fonts strong and several years in the making. Village writes: Sharp Grotesk sits at the intersection of mid-century modernist rigor and Victorian hand-hewn vernacular. Lucas considered Adrian Frutiger's monumental Univers suite of fonts, with its grid of multiple weights and widths, applying this underlying construction principle to letterforms echoing the forms of American and northern European wood types. Sharp Grotesk won sixth prize in the TDC Typeface Design competition in 2017.
Lucas Sharp and Connor Davenport finished the Dutch oldstyle typeface Eros Text in 2017. Eros Text was influenced By Jan van Krimpen's Sheldon and Bram de Does's Lexicon. Eros Text B has longer ascenders than Eros Text A.
Halyard (2017). An information design sans typeface family by Joshua Darden, Lucas Sharp and Eben Sorkin.
Respira Black (2017). A contemporary blackletter inspired by Spanish and English models from the 15th and 16th centuries.
Sharp Slab (2018).
Beatrice and Beatrice Display (2018) by Lucas Sharp assisted by Connor Davenport and Kia Tasbihgou: Beatrice is a new kind of typeface. The family is an exploration of contrast methodologies, combining various aspects from the canon expansionist systems, inverted contrast, and the contrast behavior of standard sans-serif grotesks. These methodologies were dissected and used as cornerstones in building our own system, with the final result landing largely in unexplored territory. Built on the foundation of a traditional American Gothic but with tight-as-can-be spacing, the superfamily spans a robust set of weights and includes 2 optical sizes: a super high-contrast, tightly packed Display cut, as well as a standard low-contrast cut, designed to function beautifully in a wide range of optical sizes.
In 2019, Lucas Sharp and Marc Rouault wrapped up Doyle at Sharp Type. The chubby Doyle interpolates between Cooper Black and ITC American Typewriter.
In 2021, Lucas Sharp and My-Lan Thuong, assisted by Wei Huang and Marc Rouault, designed Salter. Slater Roman is based on calligraphic book jackets by Georg(e) Salter from 1941, and Salter Italic is inspired by two of Oscar Ogg's book jacket alphabets from 1942.

Type catalog, 2010. [Google] [MyFonts] [More] ⦿

Sharzhad

FontStructor who made the blackletter typeface Blkltr (2010). [Google] [More] ⦿

Shoko Mugikura

Shoko Mugikura is a Japanese type and graphic designer currently based in Berlin. Since 2010, she has been jointly running the type design studio Just Another Foundry with Tim Ahrens, while she continues to work on her own projects. Together, they designed JAF Domus Titling (2011), a rounded typeface with classical Roman proportions, and JAF Garamond (unreleased). In 2015, Shoko Mugikura and Tim Ahrens revived the squarish blackletter Johannes Type (Johannes Schulz at Genzsch & Heyse, 1933) as JAF Johannes. [Google] [MyFonts] [More] ⦿

SIAS (or: Signographical Institute Andreas Stötzner)
[Andreas Stötzner]

Andreas Stötzner (b. 1965, Leipzig) is a type designer who lives in Pegau, Saxony. Graduate from the Hochschule für Grafik und Buchkunst Leipzig and the Royal College of Art in London (1994). Since then, free-lance. Started making typefaces in 1997. He edits the sign and symbol magazine Signa. He spoke at Typo Berlin 2004 and at ATypI 2005 in Helsinki where his talk was entitled On the edges of the alphabet. Coauthor with Tilo Richter of Signographie : Entwurf einer Lehre des graphischen Zeichens. He set up SIAS in 2006-2007 and started selling fonts through MyFonts.

He created Andron Scriptor (2004, free), with original ideas for Greek and Cyrillic alphabets. The Andron project intends to extend this Venetian text typeface in many directions: right now, it covers Latin, Greek, Coptic, Gothic, runes, Cyrillic, Etruscan and Irish scripts, musical symbols, astronomical and meteorological symbols, and many dingbats. The Andron MC Corpus series (2012) contains Uncial, Mediaeval and Capital styles. He also created Andron 1 Monetary (2014), Andron 1 Alchemical and Andron 2 ABC (2014, for children's literature).

On or before 2006, he created a few typefaces for Elsner & Flake. These include EF Beautilities, EF Ornamental Rules, EF Squares, EF Topographicals, EF Typoflorals, EF Typographicals, EF Typomix, EF Typosigns, EF Typospecs, EF Typostuff.

Fonts from 2007-2010: Gramma (2007, three dingbats with basic geometric forms), Andron Corpus Publix (2007, dingbats including one called Transport), SIAS Freefont (2007, more dingbats), SIAS Lineaturen (2007, geometric dingbats) SIAS Symbols (2009), Andron Freefont (2009, text font), Andron 1 Latin Corpus (2009), Andron 1 Greek Corpus (2009), Andron Kyrillisch (2009, consisting of Andron 1 CYR, Andron 2 CYR and Andron 2 SRB where SRB stands for Serbian), Andron 2 English Corpus (2010, blackletter-inspired alphabet), Andron 2 Deutsch Corpus (2010), Andron Ornamente (2012), Rein staedt (2009, blackletter family), Cri sis (2009, economic sans).

Lapidaria (2010) is an elegant art deco sans family that includes an uncial style and covers Greek. Hibernica (2010) is a Celtic variant of Lapidaria. Symbojet Bold (2010) is a combination of a Latin and Greek sans typeface with 400 pictograms.

Rosenbaum (2012) is a festive blackletter face, obtained by mixing in didone elements.

In 2013, he published Arthur Cabinet, a six-style inline art deco caps collection of typefaces, with accompanying Arthur Ornaments and Arthur Sans. Meanwhile, Andron Mega grew to 14,700 unicode glyphs in 2013.

Typefaces from 2014: Behrens Ornaments (art nouveau ornaments based on Behrens Schuck by Peter Behrens, 1914), Fehlian (an open capitals typeface family with Plain, Gravur and Precious styles), Happy Maggie (a hand-drawn script based on Maggie's sketches when she was 13 years old), Abendschroth (for lullabies, girl's literature, murder poems, short stories and Christmas gift books), Abendschroth Scriptive, Albyona English No. 1 (as Andreas writes, suitable for children's books, fantasy literature, crime novels, natural food packaging and poison labeling, for infancy memories, vanitas kitsch items, dungeon museum bar menu cards, introductions to herbalism and witchcraft manuals), Lindau (a Venetian Jensonian typeface with considerable flaring in the ascenders), Grund (based on the 1924 art deco signage in Leipzig's Untergrundmesshalle Markt whose architect was Otto Droge), Leipziger Ornamente (based on variopus buildings in Gohlis, Leipzig, dating from the 1920s-1950s), Kaukasia Albanisch (ancient writing system of the Caucasus region, allegedly created by Mesrop Mashtots who also invented the Armenian alphabet in 405).

Commissioned fonts include Runes (commission by Ludwig Maximilian University Munich), Lapidaria Menotec, Old Albanian, Dania (a special notation for Danish dialectology. Font extension of Latin Modern Italic (Open source), commissioned by the Arnamagnanean Institute, Copenhagen Universit).

Typefaces from 2015: Andron 2 EIR Corpus (uncial, Gaeli), Artemis Sans (Greek version of Arthur Sans), Ardagh (a Gaelic / Irish version of Arthur Sans). Don Sans (a sturdy sans).

Typefaces from 2016: Popelka (an uncial fairy tale font modeled after the opening sequence of the 1973 movie Drei Haselnüsse für Aschenbrödel).

MyFonts. Behance link. Abstract Fonts link. Klingspor link.

Showcase of Andreas Stötzner's typefaces at MyFonts. View the SIAS typeface library. [Google] [MyFonts] [More] ⦿

Sidney Clyde Gaunt

Artist and type designer at Barnhart Brothers&Spindler, 1874-1932, who lived in Chicago. Creator of many typefaces:

Adstyle&Italic (plus Condensed, Extra Condensed&Headletter, Wide, Lightface, Black, Black Outline, Shaded: 1906-1920, BB&S).
Authors Oldstyle&Italic, Authors Oldstyle Bold, Authors Roman&Italic (plus Condensed, Wide, Bold, Bold Condensed). Mac McGrew writes: Authors Roman Italic, and Authors Roman Wide were designed by Sidney Gaunt for BB&S in 1902, with other versions added in 1909 to 1915. It is a legible but generally undistinguished face, perhaps best in the Wide version. The italic includes a number of quaint swash characters. and was one of the first BB&S italics to be cast on its offset body, described elsewhere (see "The Third Dimension of Type" in the Introduction); the bold typefaces provide restrained complementary display for headlines. Authors Oldstyle, shown by BB&S in 1912, bears little resemblance to Authors Roman.
Barnhart Oldstyle&Italic (and a No. 2 version). Mac McGrew writes: Barnhart Oldstyle was designed in 1906 by Sidney Gaunt for BB&S, followed by the italic and Barnhart Oldstyle No.2 the next year. The latter appears to have the same caps as the first typeface but larger lowercase with shorter ascenders. There is also Barnhart Lightface, advertised in 1914 but perhaps designed earlier. This series seems undistinguished, but the original roman and italic were popular enough to be shown as much as twenty years later. Ascenders are long, and some characters have a bit of the irregularity that was popular at that time. The italic apparently was one of the first typefaces cast by BB&S on its offset body, which provided mortises to avoid overhanging kerns in italic designs.
Barnhart Lightface.
Cardstyle. Mac McGrew writes: Cardstyle is an unusual typeface designed in 1914 by Sidney Gaunt for BB&S. It is a medium weight monotone, rather narrow, with tiny serifs, and was intended for use on announcements. There is no lowercase, but caps are cast in several sizes on each of three bodies, for cap-and-small-cap combinations. Notice the logotypes, which were more common around the turn of the century.
Chester Text (1914, blackletter). Mac McGrew writes: Chester Text is a fancy shaded letter designed by Sidney Gaunt in 1914 for BB&S. It features caps and small caps, and is intended for stationery and social work, but is hard to read and not suited to anything but a few simple names or words.
Engravers Old Black, Engravers Roman Shaded (1914, BBS, formerly Chester Title).
French Plate Script. Mac McGrew writes: French Plate Script (or French Plate) was designed by Sidney Gaunt for BB&S in 1904. It is an upright script, otherwise similar to the same founder's Wedding Plate Script, both derived from types cut by Mayeur of Paris which were based on eighteenth-century engraving. Both are connecting scripts, the former being similar to Typo Upright (q.v.). Inland Type Foundry showed a similar French Script in 1905, patented by William Schraubstadter, and later listed by ATF. Douglas C. McMurtrie, in his book Type Designs, calls this "one of the finest script types ever produced."
Mission. Mac McGrew writes: Mission was designed for BB&S by Sidney Gaunt in 1905, but patented by George Oswald Ottley. It is a rather novel face, with long ascenders and short ascenders. Serifs are triangular, like some members of the Latin series. Most noticeable is the way some strokes in the capital letters are joined with curves, especially in the B. Compare Viking.
Old Roman Condensed (plus Bold, Bold Condensed, Black&Italic, Semitone).
Parsons Swash Initials.
Pencraft Oldstyle&Italic (1914, plus Bold, Shaded), Pencraft Text (1916, blackletter). Pencraft Oldstyle and its ornamental version (Pencraft Specials), as printed in the 1922 BBS catalog, inspired the lowercase of Pencraft (2010, Chyrllene K, Intellecta Design). Mac McGrew writes: Pencraft Text was designed by Sidney Gaunt for BB&S in 1916. It has somewhat the character of Pencraft Oldstyle, by the same artist at about the same time, but it can hardly be considered a part of that family. It has just a suggestion of the angularity of Text or Old English typefaces, but retains more of the character of simple hand-lettering. Mac McGrew writes: Pencraft Old Style and Pencraft Italic were designed by Sidney Gaunt for BB&S in 1914, with the bold and shaded versions following over the next two years. The Oldstyle is a rather charming interpretation of lettering styles popular at that time, but the other versions are not as impres- sive. Pencraft Oldstyle is notable for the large number of Auxiliary charac- ters, some of which were commonly included with other similar typefaces, and the unique Pencraft Specials, which consisted of a variety of swash strokes to be used to extend the special ascending and descending letters. Pencraft Italic included several swash caps among its Auxiliaries, and Pencraft Bold had Auxiliaries comparable to the roman, but without the flourishes or Specials. Compare the long ascenders and descenders of Parsons and Stymie.
Publicity Gothic (1916). Free versions called Lemiesz by David Rakowski and Dieter Steffmann. Publicity Gothic was digitally extended to a commercial all-caps face, Publicity Headline, in 2006 by Tom Wallace (HiH). See also the revival in 1995 by Image Club Graphics: Publicity Gothic ICG Out and Solid. Holy Ravioli NF (Nick Curtis) is also based on Publicity Gothic. Library Book Initials JNL (2018, Jeff Levine) was modeled after examples of Sidney Gaunt's Publicity Initials, which was originally sold in metal type by Barnhart Brothers and Spindler as a companion to the Publicity Gothic typeface. Other digital versions: OPTI Publicity Gothic (Castcraft), Publicity Gothic (by SoftMaker). Mac McGrew writes: Publicity Gothic was designed by Sidney Gaunt in 1916 for BB&S. It is basically a bold gothic, but with many deep irregularities designed into the edges of strokes, which are the same in all sizes. There are no descenders. characters which normally have descenders being designed within the x- height. Caps and ascenders are nearly the full body size, making the typeface considerably oversize by usual standards. Lowercase q has a capital form and is made only in combination with u. The colon and semicolon are full cap height, and there are a number of special characters as shown. ATF revived it for a short time about 1933. Compare Advertisers Gothic.
Stationers Semiscript. McGrew: Stationers Semiscript as offered by BB&S was a renaming of Palmer Series, introduced by Inland Type Foundry in 1899. It has been ascribed to Sidney Gaunt. It is similar to the BB&S Wedding Plate Script in slope, proportions, and general appearance, but characters do not join. This typeface was revived and extended by Canada Type in 2010 as Siren Script.
Talisman&Italic. Patented in 1903 and 1904 resopectively.
Wedding Plate Script. Mac McGrew writes: Wedding Plate Script was designed by Sidney Gaunt for BB&S in 1904. It is much like the same founder's French Plate Script, but sloped, and similar to Typo Slope, produced the following year by ATF.

Images of some of his typefaces when they were patented by BBS: 1908, 1908, 1908, 1906. Klingspor link. [Google] [MyFonts] [More] ⦿

Sigit Nur Wicaksono
[Gittype]

Silver Graphics
[Roger Hartley]

Company run by Roger Hartley, Pennington Gap, VA. The link went dead--its parent is The Design Center / DT&G. Some of the fonts are shown here: the Western fonts Hoedown and Laredo, the blackletter fonts Showcard, Water Lily, the caps font Penelope, the medieval script font Hemingway, the athletic lettering font Yorktown, and display typefaces Wellington (round hand calligraphy), Rumrunner, Rathskeller, Norseman, Almanac, Apothecary, Applegate, Archer, Archer Shadow, Carrie Lane, Dutch Master, Emporia, Flavius, Gigabyte and Hapsburg. All these are on their 60 USD CD called "The Great American Font Works", which has (had!) 132 nice decorative display fonts in all. In the old days, the font Jaclyn could be downloaded for free.

The list of fonts, all made in the period 1992-1995: AceReporter-Bold, AceReporter-BoldItalic, AceReporter-Italic, AceReporter-Normal, Alchemy-Black, Alchemy-Bold, Alchemy-Light, Alchemy-Normal, Almanac, Antigone, Apothecary, Applegate, Archer, ArcherShadow, Aztek, Bandit, BaroniPoster, Bastion-Bold, Bastion-BoldItalic, Bastion-Italic, Bastion-Normal, Bebop, BerniesJukeJoint, BrightSky, CarrieLane, Chiaroscuro, Compute, Delphi, Derby, Duffy, DuffyInline, Durham, DutchMaster, Emporia, Entendre, Enterprise, EuroBold, Fairlane, Fatso, Figment, Flavius-Wide, Flynn, FlynnHollow, FriarTuck, Galaxy, Gigabyte, Gorky, GravureText, GuildSans-Bold, GuildSans-BoldItalic, GuildSans-Italic, GuildSans-Normal, Hapsburg, Hemingway, Hoedown, IBeam-Extruded, Inagodda, Ivanna-Mediaeval-Bold, Ivanna-Mediaeval-BoldItalic, Ivanna-Mediaeval-Italic, Ivanna-Mediaeval, Jaclyn, Jalopy, Jamaica, Jitterbug-Bold, Jitterbug-BoldItalic, Jitterbug-Italic, Jitterbug-Normal, Jitterbug, JitterbugB, JitterbugBO, JitterbugO, Kapanti, Kashmir, Kasparov, KeyWest, Keyclick, Krypton3, LED, Laredo, Layla, MardiGras, Marilyn, Matinee (their name for Busorama), Metro, Monica, NewWorldText, Norseman, Obsidian, Parade, Peacenik, Penelope, Phoebe, Pompeii, PompeiiB, PompeiiBold, Projectile, Publisher, Quasar, Radical, Rathskellar, Rathskeller, Recycler, RibaldEncounter-Bold, RibaldEncounter-Normal, Roundup, Rumrunner, Sailing-Freehand, Sanford, Satchmo, Scratch, Secret, Serenade, ShowBiz, Showcard, Sigmond, SilverDollar, SkinnyDip, Sophocles (Greekish stone-cut writing), Sport, StCroix, Sunshine-Bold, Sunshine, SunshineB, Superbowl, Taiwan, ThisEndUp, Toons, Tophat, TophatEngraved, TraciJo, TwinTubes, Twizzler, VanRose, WaterLily, Wellington, Westchester, Westside, Yorktown. [Google] [More] ⦿

Simeon out West Foundry
[Brett T. Johnson]

Brett T. Johnson (b. Loveland, CO, 1972) runs Simeon out West Foundry in Englewood, CO. He sells fonts based on ideas from Byzantine, Ge'ez and old slavonic scripts, and Eastern Orthodox manuscripts. Brett Johnson was born in Loveland, CO, in 1972. The creations: Typewriter Olympia SM8 (2016, based on old Olympia SM and SF typewriters fromthe 50s and 60s), Radonezh (2016, old Slavonic simulation font family), Simeon's Handwritten Blackletter (2008), Pseudo-Hellenic (2008, a Greek and Latin didone pair), Tiblisi (2008, a Georgian simulation face), Pentopolis (2008, based on an ancient Coptic script), Svati Sava (2008, a Serb-look font), Muscovite Manuscript (2005), Pravoslavnie (2005), Alexandria (2005), Alaskaya (2006), Svati Nikolai (2005), Thebes (2005), Suzdal (2005), Kniga Molitva (2005), Vladimir (2005), Scetis (2005), Adis Ababa (2008). Colonial Press (+Italic) (2008) is based on work by William Caslon I (1692-1766). Klingspor link. [Google] [MyFonts] [More] ⦿

Simon Becker
[B2302]

Simon Bent
[Metis Digital Type Foundry (or: Studio Io, or: Metis Foundry; was: Volume2a)]

Softmaker: Blackletter fonts

Simon Pearce

Adelaide, Australia-based designer of the blackletter typeface Sinner (2017). Behance link. [Google] [More] ⦿

Simon Plumecocq

Tours, France-based designer, as a student at ECV Atlantique, of the blackletter alphabet Gothic (2017). Behance link. [Google] [More] ⦿

Simona Vaskovicova

Zlin, Czechia-based designer of diacritics for Fette Gotisch (2016). She also created a set of icons for the disabled. [Google] [More] ⦿

Simone Baker

Sydney, Australia-based designer of some blackletter type stamps in 2014. [Google] [More] ⦿

Sirkka Hammer

German designer (b. 1975) at Volcano Type in Karlsruhe of the blackletter-inspired font Frakzidenz (2006), which was part of her thesis in 2005-2006 at the Hochschule für Gestaltung Pforzheim, Germany. It seems to be called Black Sirkka now. It can be bought at MyFonts.

Since 2007, she works as a graphic designer in Hong Kong at Philips Design Communication.

Volcano Type link. [Google] [MyFonts] [More] ⦿

Slovolitni de Grande Tartaria
[Dima Pole]

Dima Pole (Slovolitni de Grande Tartaria, Yalta, Russia) is a Russian type designer [as a joke, he claimed on Behance to be from Russellstown, Ireland and on Hellofont he said that he was in Berjozovskii, Iceland].

Designer of the clean sans typeface Hinton (2016), the lapidary typeface Gor (2016), and the handcrafted typefaces Pocherk 26, Zelo (calligraphic), Rusich, Etruria (based on Etruscan inscriptions, this handcrafted font tries to accurately simulate the writing of the Etruscans; published in 2018), Hors, Fufluns, and Fufluns Luna. Most of his fonts cover both Latin and Cyrillic.

In 2017, he designed Garuspik (ultra-condensed; in Krug, Original and Kvadrat styles), Konung, which is a mixture of various medieval central European styles for Latin and Cyrillic. He also designed the contrast-rich typeface Retra, the blackletter typeface Getman, the eroded typeface family Hors, the Celtic typeface Keltichi, and the angst-ridden Dubrove (which was inspired by Moravian angular type design of 1930-50s) in 2017.

Typefaces from 2018: Tartaria, Osovec (a wedge serif text typeface in one style), Maribor, Vinneta (a Latin / Cyrillic italic).

Typefaces from 2019: Arkaim (East Slavic simulation style). [Google] [MyFonts] [More] ⦿

SMeltery Fonts
[Jack Usine]

SMeltery is the French foundry of Jack Usine, based in Castillon-la-Bataille. Free fonts: Papier Sans (2010), Megalopolis Extra (2008), Vidange Pro (2008-2009, a sans at PsyOps; in 2010, a commercial version appeared), Geronto Bis (2008), Telerysm Mono 2 (2008), Trottoir (2007, inspired by the writing on the sewer covers of Pont-à-Mousson), Stigmate (2007), Sans Merci (2006), Jules Vernacular (2006, upright script), Alusine (2005), Geronto (2005, wow!), Justice (2004-2018, by Jack Usine and Fanny Garcia), Megalopolis (2004), Mon Nom (2004, mono), Oh My God (2004, experimental), Telerysm (2004), Telerysm Mono 2, Heretica (2004, gothic), Consume More (2004), Est-ce que (2004), Bankrutt (2004, blackletter stencil), Audimat (2003: a DIN-like family based on vernacular signage found in France), Audimat Mono (2005), Patronne (2003, octagonal), Enfer (2003), Redevance (2003, fifties diner font), Outil (2003), Work (2003), Watch TV (2003, stencil), Kebab (2003), Consume (2003, dingbats), Gazole (2003), Icone (2003), Ax&Swar (2003, artsy), TwentyOne (2003), Phylloxera (2002), Jack Usine (2002, great techno face), Charles (2002), Fat (2002). No longer supplied: Laplakett, Bogota, Lamemoire, Lafacture, Hustla, Goody, UseIn, CPUX, Daplakijtt, Zero. Commercial fonts: Vidange Pro (2008, PsyOps), Rouge Sans (2007), Sans Merci (2006), Vernissage (2006, stencil), Manifest Destiny (T26, 2006).

In 2006, Usine and Fanny Garcia published Soupirs A through E, nifty ornaments based on the soupiraux found in Bordeaux). Experiments: Toypography (2004), TypoClock (2003).

In 2013, Fanny Garcia and Jack Usine co-designed Excursion, which was inspired by designs seen during a walk through the streets of Marseille. They write: Excursion is a real bouillabaisse of decorative all capitalized typefaces. Among these, we find the art deco typeface Excursion Poste and the dingbat font Excursion Fadabats.

Alternate URL. MyFonts page. Klingspor link. View Jack Usine's typefaces. [Google] [MyFonts] [More] ⦿

The blackletter fonts sold by Softmaker (which are based on hand-digitizations of Berthold's and and other collections by URW and Primafont):

Alte Schwabacher
E780 Blackletter: This is Engravers Old English (1902, Morris Fuller Benton, ATF).
F692 Blackletter: This is Fette Fraktur, or simply Fraktur.
Fraktur-Regular: A 1875 typeface by Wagner, see also F692 Blackletter. Elsewhere: Frankenstein.
G820 Blackletter: This is also known as Gregorian elsewhere.
Headlight: Made by URW in 1994. Another name: Blacklight.
J790 Blackletter: This is Unger Fraktur (1800, Berthold).
Marriage: This is Mariage or Wedding Text (1901, Morris Fuller Benton, 1901).
Old Blackletter: Also known as Old English, Ottoman.
Ottoman: Also known as Old English, Old Blackletter.
P650 Blackletter: This is Paladin. Elsewhere known as Excalibur.
P790 Blackletter: This is Poppl Fraktur (1986, Friedrich Poppl, Berthold).
Walbaum Fraktur
W650 Blackletter: This is Walbaum Fraktur (1800, J.E. Walbaum).
Z690 Blackletter: This is Zentenar Fraktur (1937, F. H. Ernst Schneidler, Neufville).

Later, the Elegant Blackletter collection was published in which the fonts were renamed, and new ones added: The blackletter collection published in 2016 by SoftMaker includes these typefaces: Albrecht Duerer Fraktur Pro, Barock 1720, Breitkopf Fraktur Pro, Coburg No1, Coburg No2, Coelnische Current Pro, Diamant Gotisch Pro, Fleischmann Gotisch Pro, Fraktur No2 Pro, Fraktur No3 Pro, Alte Schwabacher No1 Pro, Alte Schwabacher No2 Pro, Fraktur Pro (+ Arrow,Broken Glass, Broken Glass No2, Directions, Falling, Falling No2, Flash, Flash No2, Glass, Glass Nop2, Gradient, Gradient No2, Inkjet, Inkjet No2, Plant, Rising, Rising No2, Sawmill, Sawmill No2, Squiggle, Squiggle No2, Stars, Stars No 2, Strings, Stripes, Stripes No3, Strokes, Teensy No2, Winding, Winding No2), Fraktur No4, Gothic Pro, Gotisch Pro, Grail Fraktur Pro, Gravure Pro, Bold;Gravure Pro Bold;Gravure Pro-Bold, Gutenberg Textura Pro, Hans Fraktur Pro, Hohenstein Gotisch Pro, Hungarian Fraktur Pro, Innsbruck Initials, Leibniz Fraktur Pro (after Genzsch & Heyse, 1912), Light Text Pro, Lincoln Text Pro, Marriage Pro, Offenbacher Kanzlei Pro, Old Londontown Pro, Ottoman Pro, Peter Jessen Schrift Pro (after Rudolf Koch's Peter Jessen schrift, 1930), Poem Fraktur Pro, Renaissance Fraktur Pro (after Heinz Koenig's Renaissance Fraktur, 1885), Rundgotisch No1 Pro, Rundgotisch No2 Pro, Schwarzwald Pro, Schwere Fraktur Pro, Theuerdank Fraktur Pro, Walbaum Fraktur No1 Pro, Walbaum Fraktur No2 Pro, Walbaum Zierfraktur Pro, Wallau No1 Pro, Wallau No2 Pro, Wilde Fraktur Pro, Wilhelm Gotisch Pro, Zentenar Fraktur Pro (after Friedrich Hermann Ernst Schneidler, 1937-1938), Zwickau Fraktur Pro. [Google] [MyFonts] [More] ⦿

SoftMaker Software GmBH (or: freefont.de)
[Martin Kotulla]

SoftMaker, Martin Kotulla's German foundry in Nürnberg, is selling the 10,000-TrueType font Megafont XXL CD (50 USD, www.megafont.de). Every month, a different font or font family (TT and T1) is given away for free. The MegaFont XXL has most standard Monotype/Adobe/Linotype families (up to 1995/1996). They say that most fonts are licensed from URW++ and Brendel Informatik (Cologne). Contents of MegaFont XXL's predecessor, MegaFont Profi CD, here. Since early 2001, you can download one font family from the CD MegaFont XXL here. Martin Kotulla also started infiniType, a collection of 5050 fonts at a good price (Mac and PC). That collection grew to 7444 fonts in InfiniType 4 in 2016. The XXL series has character sets for Western and Central European languages, Turkish, and Celtic, and comes with many expert sets. For historical accuracy: older packages by Softmaker include the 3333-font (TT and T1) MegaFont Profi CD-2.0 (99DM), the 5000-font MegaFont Euro (50 Euro), the Truepack Profi-CD and the 500-font TypeMaker 5.0 Profi-Pack (10DM).

Their early fonts were renamed and had the attribute Serial in the name. Samples of some of these fonts/families: Adelon Serial (1996, after Albertus MT), Melbourne Serial, Nashville Serial (+Heavy), Nevada Serial, On Stage Serial, Ornitons Serial, Penthouse Serial, Plakette Serial, Priamos Serial, Quadrat Serial, Quebec Serial, Riccione Serial, Rochester Serial, Salzburg Serial, Stafford Serial, Sunset Serial, Sydney Serial, Thames Serial, Toledo Serial, Valencia Serial (Heavy), Valencia Serial (Xlight), Verona Serial, Volkswagen Serial, Wichita Serial.

In 2008, SoftMaker started selling fonts on MyFonts: fonts there include the 28-style Suetterlin family (2008), based on the handwriting taught in German schools in the first half of the 20th century, Harald Handwriting (2009), Agilo Handwriting (2009), Wally Handwriting (2009), Vittorio Handwriting (2009), Turandot Handwriting (2009), Tommi Handwriting (2009), Veneto Handwriting (2009), Tolomeo Handwriting (2009), Sarx Handwriting (2009), Salew Handwriting (2009), Roxana Handwriting (2009), Renate Handwriting (2009), PizPaz Handwriting (2009, Mexican style), Schneid Handwriting (2009), Pietro Handwriting, Phil Handwriting, Nadine Handwriting, Kuno Handwriting, Larissa Handwriting, Lizzy Handwriting, Juri Handwriting, Jeff Handwriting (2009), Josh Handwriting (2009), Jelena Handwriting (2009), Jaro Handwriting (2009), Jacques Handwriting (2009), Hilly Handwriting (2009), Harico Handwriting (2009), Hakon Handwriting (2009), Stone Handwriting (2009), Federico Handwriting (2009), Fabio Handwriting (2009), Emmi Handwriting (2009), Davio Handwriting (2009), Alec Handwriting (2009), Brian Handwriting (2009), Armand Handwriting (2009), Claude Handwriting (2010), Cathy Handwriting (2010), Clay Handwriting (2010), Danielle Handwriting (2010), Feliks Handwriting (2010), Foster Handwriting (2010), Giorgio Handwriting (2010), Giovanna Handwriting (2010), Guga Handwriting (2010), Giuliano Hanriting (2010), Carlo Handwriting (2009), Brouet Handwriting (2010), Bjarne Handwriting (2009), Fuego (2015: a retro script, after Letraset's Flamenco), Agnieszka Handwriting (2009) and Thery Handwriting (2009).

Additions in 2010: Tabasco (a geometric based on the phototype font by John Schaedler), Tabasco Twin (a bilined typeface after John Schaedler's Paprika), Advertisers Gothic (a revival of a 1917 typeface by Robert Wiebking), Ad Lib (a revival of a quirky 1961 typeface by Freeman Craw for ATF), Accent (brush face), Flagstaff (oblique techno face), Cornered (with angular pieces), Abilene (Western; caps only), Comix, Cathedral Open (nice open face), Boa Script (2010), Bryce (2010, brush script), Brush Script (2010, after the original ATF font by Robert E. Smith from 1942), Bernhard Fashion (2010), Abbott Old Style (2010, after a 1901 semi-Victorian font by Joseph W. Phinney), Artistic (2010, after Ariston, a 1933 typeface by Martin Wilke), Elegant Script (2010, a revival of Berthold's Englische Schreibschrift), Garamond Serial (2011), the Suetterlin family.

The typefaces remastered in 2012 include Chandler Pro (this is Rofer Excoffon's 1955 brush typeface Choc; see also Staccato 555 by Bitstream and Chalk by Corel), Cheltenham Pro, Cleargothic Pro (after Morris Fuller Benton's flared version of Clearface, Clearface Gothic, 1907), Cooper Black Pro (+Stencil), Bristol Pro, Tioga Script Pro (after Georg Trump's 1956 script by that name, but aka Time Script).

Free download: Huntington-Bold [-> Handel Gothic], Huntington-Light, ImperialStd-Bold [-> URW Imperial] ImperialStd-BoldItalic, ImperialStd-Heavy, ImperialStd-HeavyItalic, ImperialStd-Italic, ImperialStd-Medium, ImperialStd-MediumItalic, ImperialStd-Regular, ImperialStd-Xbold, ImperialStd-XboldItalic, KremlinScript-Bold [-> Kuenstler Script], RaleighSerial-Bold, RaleighSerial-Heavy, RaleighSerial-Regular, Scott [-> Stop], TiogaScript-Bold [-> Time Script], TiogaScript-Light, TiogaScript-Medium.

Handwriting fonts shown at MyFonts in 2013: Allan Handwriting, Andrew Handwriting, Eleanor Handwriting, Enrico Handwriting, Estelle Handwriting, Jay Handwriting, Jaz Handwriting, Jesco Handwriting, Justine Handwriting, Kris Handwriting, Laszlo Handwriting, Lennart Handwriting, Luitpold Handwriting, Manolo Handwriting, Marbo Handwriting, Marcello Handwriting, Murielle Handwriting, Pablo Handwriting, Paolo Handwriting, Pascal Handwriting, Picto Handwriting, Rainer Handwriting, Reyno Handwriting, Ronaldo Handwriting, Teje Handwriting, Theo Handwriting, Valerian Handwriting, Vincent Handwriting, Vogel Handwriting, Volker Handwriting, Wilma Handwriting.

The blackletter collection published in 2016 by SoftMaker includes these typefaces: Albrecht Duerer Fraktur Pro, Barock 1720, Breitkopf Fraktur Pro, Coburg No1, Coburg No2, Coelnische Current Pro, Diamant Gotisch Pro, Fleischmann Gotisch Pro, Fraktur No2 Pro, Fraktur No3 Pro.

Later in 2016, SoftMaker published its revival collection, which includes Alternate Gothic Pro, Amsterdamer Garamont Pro, Antiqua Pro, Balloon Pro (brush), Caslon Antique Pro, Century Old Style Pro, Elmore Pro (architectural hand), Falcon Pro (retro brush), Cheltenham ExtraCondensed Pro Bold, Casual Pro (a copy of Thomas Nevison's Casual Pro from 1935), Garamond Nova Pro, Giulio Pro (a copy of Gillies Gothic), Josephs Brush Pro (a copy of Joseph Churchward's Churchward Brush), Malaga Pro (a copy of Roger Excoffon's Mistral), Melville Pro (after Murray Hill), Pedro Pro (a revival of the brush script Dom Casual by Peter Dombrezian, 1950-1953, at ATF), Salmon Pro (a revival of François Boltana's Stilla from 1973), Soledad Pro (based on Helmut Matheis's Slogan (1959, Ludwig & Mayer)), Somerset Pro (a revival of the Letraset font Shamrock designed in 1978 by Alan Withers), Sterling Pro (based on Stentor, designed in 1964 by Heinz Schumann at Typoart), Violin Script Pro (based on Vladimir Script by Vladimir Andrich, 1978).

Typefaces from 2019: American Text (after an original condensed textura by Morris Fuller Benton), Angelo (after a Victorian typeface called Anglo by Barnhart Brothers ans Spindler, ca. 1895), Balloon No2 (just like SoftMaker's Balloon, based on Max Kaufmann's Balloon from 1939 at ATF), Balzac (after Johannes Boehland's Balzac from 1951), Amber (after Amelia by Stanley Davis, 1964), Karin Pro (a revival of OttoWeisert's art nouveau script Kalligraphia), Beale Charming (2019, after an art deco typeface by Collis Clements, ca. 1974), Bernhard Condensed No2, Bluff No2 (2012-2019, after Julius Kirn's brush script Bison, 1938), Boss (2012, after the sci-fi typeface ITC Bolt (1970, Tom Carnase and Ronne Bonder)), Broadway No2 (2012), Cavalier (2012), Century Schoolbook Pro (2019: after Morris Fuller Benton's typeface from 1919), Century PS Pro (2019: after New Century Schoolbook), Commercial Script No2 (2012, after Morris Fuller Benton's Spencerian script), Cristoforo (2012: after Columbus, a Victorian typeface by Hermann Ihlenburg), Dillon No2 (2012, after Jan Van Dijk's Demian), Disco (2012), Dom (2012; after Peter Dombrezian's Dom, 1952), Durango No2 (2012; after K. Sommer's Dynamo, 1930), Egyptian Wide (2012, after walter H. McKay's Egyptienne from 1952), Eller Initials (2012), Entebbe (2012: after F. Scott Garland's Enviro, 1982), Estelle (2012, based on Vince Whitlock's Equinox from 1988), Florentine (2012, after Ludvig S. Ipsen's ATF Florentine Old Style (1896)), Fraktur No2 (2012, after Johann Christian Bauer's Fette Fraktur, 1850), Frenzy (2012), Giulio No2 (2012, after William S. Gillies's Gillies Gothic, 1935), Greyhound (2012), Harlekin (2012, after Colin Brignall's retro script Harlow Solid (1977)), Hobo No2 (2012, after Morris Fuller Benton's Hobo, 1910), Hubert (2012, after Jan van Dijk's Van Dijk from 1982), Hudson (2012, a brush script), Ingrid (2012), Inverserif (2012), Japanette (2012, an oriental simulation face modeled after Barnhart Brothers and Spindler's 1893 font, Wedge Gothic ML, aka Japanet), Kalligraphia (2012, after Otto Weisert's art nouveau script, Kalligraphia, from 1902), Legend Script (2012, after F.H. Ernst Schneidler's faux Arabic simulation font Legende from 1937), Looking Glass (2012, after Phil Martin's Introspect, 1971), Messing (2012, after W. Schwerdtner's Metropolis from 1928), Metallic Sky (2012, after Mekanik, a Letraset typeface from 1988 by David Quay), Mister Big (2012, after Juergen Riebling's Mr. Big from 1972), Openface No2 (2012, after Augustea Open done in 1951 by Alessandro Butti and Aldo Novarese), Organ Grinder (2019, based on Franz Heigemeir's Organda from 1972), Paladin (2012, a blackletter, also called P650 Blackletter and Excalibur), Pergamon (2012, a deco hairline sans modeled after Premier Lightline (1969, Colin Brignall for Letraset)), Pinocchio (2012, based on a psychedelic typeface by Gustav Jaeger from 1973; earlier called P732 Deco by SoftMaker), Pretoria (2012, earlier called P820 deco by SoftMaker; a revival of the Edwardian typeface Pretorian by P.M. Shanks and Sons, ca. 1880s), Publicity Gothic (2012, based on Sidney Gaun's 1916 typeface for BBS), Quartz (2012, after Alan Birch's LCD from 1981), Reflex (2012, based on Refracta, made in 1988 by Martin Wait), Regency Script (2012: was R690 Script), Rosa (2019, after Herb Lubalin's ITC Ronda, 1970), Rough Script (2012, based on Imre Reiner's Reiner Black, 1955), Rovinj (2012, after a font by Phil Martin), Shotgun (2019, based on a film font from 972 by J. Looney for VGC), Siegfried (2012, art nouveau style), Slager (2012, based on Flash by Edwin Shaar, 1937), Sprint (2012, after Aldo Novarese's Sprint from 1974), Station Script (2012, after a 1946 typeface pair, Studio and Flambard, by Adolf Overbeek), Status (2012, after Michael Neugebauer's Squire from 1980-1987), Tico (2019), Unziale (2012), Yorkshire (2019, formal calligraphy), Zanzibar (2019, after a 1950s Filmotype font), Zephyr (2019; after Rofger Excoffon's Mistral, 1953).

View the Softmaker library of typefaces. See also here. [Google] [MyFonts] [More] ⦿

Solano Torres

Paraguayan codesigner with Oz Montania of Linea27 (2009), a blackletter font. [Google] [More] ⦿

Solotype
[Dan X. Solo]

Dover Press sold Oakland's Dan X. Solo's digitizations. Dan Solo (b. 1928, d. 2012) has collected over 13,000 sets of metal fonts, starting when he was 9 years old and growing up in Oakland, CA. Finally, in 2002, he stopped doing that and began converting all of his fonts to computer type. Solotype, his company, was established in Alameda, CA. He printed 30 books on fonts (with Dover), including The Solotype catalog of 4,147 display typefaces, and created hundreds of fonts. In 2007, Dan Solo retired from the font business. He died in 2012.

Robert Trogman writes: I know Dan X. Solo personally. He ran a typographic studio in Berkeley for over 30 years. He had a large collection of film fonts, including some of my own. He created thousands of fonts and is now retired and is an avocational prestigitator. Copyrights have run out on most of his fonts. He also protected himself by creating pseudonyms on the questionable font names. Stuart Sandler confirms that many of the fonts in Solo's Dover books are in fact from the Filmotype collection, which Stuart is digitizing right now.

Gene Gable writes: Dan Solo of Solotype in Berkeley was experimenting with photo type as early as 1945 and started doing optical special effects in the early '60s. And a number of the larger display-type shops developed their own techniques. But in terms of opening up new markets for display type (and giving designers more control over type setting), Visual Graphics and Letraset lead the way. These companies were proud of, and promoted, the fact that that their products could be used by non-typesetters with little training.

Bio. He wrote about himself: Dan X. Solo The Solotype Archive was begun in 1942 when I was 14. I was a kid printer for several years before that. At 16, after a quick three months of training, I dropped out of school and went to work full time as a radio actor and announcer in San Francisco. (Easy to get jobs in those days, due to the war-induced manpower shortage.) In 1949 and 1950, I created a magic show which played West Coast theatres with some success. After that, back to broadcasting. By 1962, I was completely burned out on radio, so I decided to see if I could make a living with my collection of antique types, which numbered about a thousand fonts at that time. In 1962, I sent out 4,000 catalogs showing the type to ad agencies all over the U.S. The timing was perfect (no thanks to me) because there was developing at that time a renewed interest in the old types. Business took off immediately. The Solotype collection was one of four commercial collections at the time, but I seemed to have been more aggressive in marketing than the other chaps. (Well, Morgan Press certainly knew how to market.) Two years into the business, I began to collect alphabets on paper for conversion to photo lettering, which was just becoming mainstream in the type business. We closed the shop for a month every year and went on a type hunt, mostly in Europe where there didn't seem to be much competition among collectors. Other typographers couldn't understand how we could do this, but I believe it made people appreciate the resource we offered even more. Over the years, the collection became quite large. When I closed Solotype a couple of years ago, I got rid of about half the archive (because the fonts were dull, or already digitized, or for a variety of other reasons) leaving me with about 6,000 fonts on paper or film. In 1974, I began to supply Dover Publications with mechanicals for books of 100 alphabets on a particular theme. I did 30 of these books over the years, and 30 more of printers' ornaments, borders, and so forth. Sometime in the 1990s, Dover asked me to digitize books of 24 fonts each, to be sold with a disk in the back. I did 12 of these. The Dover relationship came to an end when Hayward Cirker, the owner and my special friend, died and the company was sold to another publisher. Dover felt that they had covered the type field thoroughly. Now in my old age, my wife and I have a mindreading act that is great fun and good for the ego. Even so, when not traveling, I digitize type for relaxation and enjoyment, but have made no effort to sell it. Until now.

Solo's wood type/Western/ headline/ Victorian collection includes Acantha, Bindweed, Dime Museum (2004, a French Clarendon revived by ATF in 1933 under the name P.T. Barnum), Egyptian Oldstyle, Excelsis, Extravaganza, Rigney, Assay, Baraboo Banner, Beijing, Brevet (after a Victorian typeface from 1887 by Ernst Lauschke), Brussels, Cathedral, Cleopatra, Cognac, Crossroads, Dainty Lady, Dangerfield, Diablo, Dutch Treat, Grecian, Lord Mayor, Malibu, Minnesota, Moulin Rouge, Penny Arcade (1992, a Victorian face after an 1890 original called Mural by Boston Type Foundry), Trixie, Valerie, Valjean, and Zorro. Alaska is based on an 1890 design of Marder, Luse and co. Arcade imitates an 1888 design of Barnhart Brothers&Spindler. Bamboo (oriental simulation face) is based on a 1889 creation of Barnhart Brothers&Spindler. Behrens Antiqua and Behrens schrift are revival of early 20th century typefaces by Peter Behrens. Eccentric is a digitization of a 1898 arts and crafts typeface by Kingsley/ATF. Hansard is a revival of a display type published in 1887 by MacKellar, Smiths,&Jordan. Pekin is a digitization of a face, first designed by Ernst Lauschke in 1888 and issued by Barnhart Bros.&Spindler foundry in Chicago under the name Dormer, and revived by them in 1923 under the name Pekin. Charles Henry Beeler made a condensed sans serif issued by Mackellar, Smiths&Jordan foundry in 1887: it was digitally revived as Roundhead. Monument is a revival of a 1893 typeface by the Boston Type Foundry, but was also cast at the Central Type Foundry. Vienna Light is a delicate early 1900s type originally created by the German foundry of Schelter&Gieseke. Other designs: Bareback, Campaign (ca. 1970), Cigar Label (1997), Estienne, Farringdon (a western face), Goodfellow (digitization of wood type from 1895 found at Hamilton and probably due to W.H. Page), Harlem Text (blackletter), Houdini (ca. 1992), Memorial, Quadrille 2 (a simplified Tuscan face), Sparticus, Vanities (a Victorian type), Whirligig.

In 2005, MyFonts added Seminary (after a Victorian font from 1885 by Bruce Type Foundry), Margie (formal script based on Marggraff Bold Script by the Dresden foundry vormalig Brüder Butter, 1920s), Fancy Dan, Bamberg (2005, after a condensed wood type from ca. 1850), Fat Face No. 20, French Ionic (quite ugly--based on an 1870 Clarendon derivative by the Cincinnati Type Foundry), Hearst Italic (based on a 1904 typeface by Carl Schraubstadter of the Inland Type Foundry), Hearst Roman (based on a typeface from the Inland Type Foundry allegedly stolen from a hand lettering job done by Goudy, acccording to Goudy himself), Tally Text (early photolettering type of the comic book style), Welcome 1 (based on Van Loey-Nouri's art nouveau typeface from 1900). A list of some digitized fonts:

Art Deco: Advertisers Gothic Light, Alex, Beverly Hills, Boul Mich, Capone Light, Chic (after Morris Fuller Benton's Chic, 1927), Clyde, Eagle Bold, Eagle Narrow, Eden Bold, Eden Light, French Flash, Gallia, Graybar Book, Grock, Matra, Modernique (art deco), Parasol, Parisian, Phoenix American, Plaza Suite, Publicity Gothic, Salut, Stymie Obelisk, Zeppelin.
Victorian: Anglo, Arboret, Campanile, Chorus Girl, Fancy Celtic, Ferdinand, Floral Latin, Glorietta, Grant Antique, Gutenberg, Hogarth, Jagged, Katherine Bold, Lafayette, Meisteringer, Olympian, Phidian, Ringlet (1998, a Victorian typeface after an 1882 original by Hermann Ihlenburg), Romanesque, Rubens, Stereopticon, Templar, Wedlock, Zinco.
Script/Cursive: Amapola, Artists Script, Carpenters Script, Certificate Script, Commercial Script, Conway (an architectural script), Elegance, Engrossing Script, Figaro, Flare, Gloria Script, Hanover, Helvetica Cursive, Holly, Kunsteler Bold, Liberty, Manuscript, Orion Script, Pantagraph Script (+No2, +No3), Park Avenue, Romany Script, Trafton Script, Typo Upright, University Script, Virginia Antique.
Art Nouveau: Ambrosia, Argus, Artistik, Auriol, Baldur, Bocklin, Cabaret (2003, as in Murder She Wrote), Carmen, Childs, Edda Black, Excelsior, Francomia, Giraldon, Harrington, Isadora, Metropolitan, Murillo, Oceana, Odessa, Orbit Antique, Palmetto (2005; an art nouveau typeface based on a 1887 typeface called Palm from the A.D. Farmer Foundry), Siegfried, Skjald, Spartana, Titania.
Gothic/Medieval: Academy Text, American Uncial, Antique Black, Becker Bold, Bradley, Castlemar, Celebration Text Fancy, Church Text, Engravers Old English, Frederick Text, Freehand, Hingham Text, Initials-Bradley and Caxton, Kanzlei Light, Lautenbach, Lautenbach Fancy Caps, Libra, Morris Black, Nicholini Broadpen, Rhapsodie Swash Caps, Scottford Uncial, Solemnis, Washington Text, Wedding Text.
Celtic: Anglo Text, Camden Text, Chappel Text, Cimbrian, Colchester Black, Durer Gothic, Durwent, Fenwick, Genzsch Initials, Gloucester Initials, Gutenberg Gothic, Hansa Gothic, Harrowgate, Kaiser Gothic, Kings Cross, Konisburg, Malvern, Medici Text, Middlesex, Progressive Text, Tudor Text, Warwick, Westminster Gothic, Yonkers.
Special-Effects Display Fonts: Azteca Condensed, Buddha (oriental simulation face, after a Schelter&Giesecke type), Burst, Campaign (1970), Chinatown (oriental simulation), Cigar Label (1997-2002), Colonial Dame, Contract Banner (2004, a take on Mezzotint from 1880), Direction, Fillet, Filmstar (1999), Firebug, Headhunter, Hollywood Lights, Igloo Solid, Import, Lariat, Needlepoint, Old Glory, Protest, Rustic, Scimitar (Arabic simulation face), Scoreboard, Skyline, Starburst, Sundown Shadow, Tableau, Tonight, Xerxes.
Other: Acantha, Assay, Baraboo Banner, Beijing, Bindweed, Brevet (after a Victorian original by Ernst Laushke, 1887), Brussels (positioned inbetween Stephenson Blake's Flemish Expanded and Flemish Condensed), Cathedral, Cleopatra, Cognac, Crossroads, Dainty Lady, Dangerfield, Diablo, Dime Museum, Dutch Treat, Egyptian Oldstyle, Excelsis, Extravaganza, Grecian, Lord Mayor, Malibu, Minnesota, Moulin Rouge, Penny Arcade, Rigney, Trixie, Valerie, Zorro.

Images of selected typefaces: Agency Gothic, Alpha Midnight, Alpha Twilight, Anita Lightface (1977), Art Deco Display Alphabets, Ashley Crawford, Ashley Inline, Astur, Bamberg, Banco, Beans, Blackline, Bobo Bold, Braggadocio, Broadway Engraved, Busorama Bold, Busorama Light, Bust, Charger, Checkmate, Colonel Hoople, Corral, Dudley P Narrow, Dynamo, Earth (a futuristic / prismatic typeface revived by nick Curtis in 2015 as Terranova NF), Eclipse, Empire, Ewie, Fat Cat, Fatso, Festival, Futura Black, Futura Inline, Gillies Gothic Bold, Greeting Monotone, Grooviest Gothic, Hess Neobold, Hotline, Huxley Vertical, Inkwell Black, Joanna Solotype, Joyce Black, Koloss, Lampoon, Mania, Mania Contour A, Mania Contour B, Margit, Mindy Highlight, Modernistic, Monograms Stencil, Mossman, Neon, Neuland (+Inline), Phosphor, Piccadilly, Pickfair, Polly, Prismania P, Quote, Rhythm Bold, Shady Deal, Sheet Steel, Sinaloa.

The Solotype Catalog is a file with information on Dan Solo's typefaces, annotated with remarks about name equivalences and digitizations. The original file was due to Thibaudeau, but typophiles on alt.binaries.fonts have added to it in 2010. PDF version. Excel version. Text version. See also here.

View Dan Solo's typefaces. Another page on Solotype. Dan Solo's typefaces listed in decreasing order of popularity. View Dan Solo's typefaces. View Dan Solo's typefaces. [Google] [MyFonts] [More] ⦿

Sonja Steiner-Welz

Author of Von der Schrift und den Schriftarten (Reinhard Welz Vermittler Verlag, Mannheim). These have a history of type and lettering, instructions on lettering (e.g., stroke guide for Antiqua Majuskeln, Lombardische Versalien, and Gotische Majuskeln), some type specimen (mainly German, from the early part of the 20th century), some alphabets, drawn by her, information on the German school scripts, and a German type and lettering glossary: i, ii, iii, iv. It was probably published between 1956 and 1959.

In 2010-2012, Dick Pape created a number of (mostly caps-only) typefaces based on that book. These include SSWAntiquaPionsel, SSWAntiquaVersalien (a caps set based on Ludovico Vicentino, 1523), SSWCelticAntiquaOutline, SSWFederAntiqua, SSWHollowScript, SSWHolz (Lombardic caps), SSWJensonsAntiqua, SSWLeopoldAntiqua, SSWLombardischeVersalien, SSWMannheimOrnament, SSWPlakatschrift (a useful outline alphabet), SSWRoundPrinting, SSWRusticAlphabet, SSWRusticScript, SSWSchablonenschrift (Bauhaus-style stencil face), SSWUrbanAntiqua-Versal, SSWWoodcuts.

Download Pape's fonts here. [Google] [More] ⦿

Spaghetype
[Pauline Fourest]

Paris-based type designer who graduated from ESAD Amiens in 2017 with a blackletter / roman / italic typeface family, Pandore. She writes: The typeface is a combination of fraktur, roman and italic, all based on the same x height. It has three weights, totaling a range of nine different typographic colors. These three styles are a free, minimal and contemporary interpretation of three historical examples. First a fraktur blackletter from work by Rudolf Koch (c. 1910-1920). Then a roman from the alphabet designed by Eric Gill as a guide for sign-writers (1905). Finally, an italic from the cancellaresca model and Robert Granjon's Galliard, along with its revival by Mathew Carter (1978).

At Future Fonts, she released the incised typeface Giboula (2018) and the rounded supermarket sans Mayonnaise (2021) which was inspired by the 1914 book Specimen de caractères pour affiches Olliere & Cie.

Personal home page. Future Fonts link. [Google] [More] ⦿

Spectrum Supply
[Rollo Belshave]

Scandinavian designer of the handcrafted Halloween typeface Mischano (2018)a, the textured typeface Atribalize (2018), the blackletter tattoo font Skandinav (2018), and the old typewriter font duo Versaint (2018). His typefaces often come with great sets of icons or extras. [Google] [More] ⦿

Spencer & Sons
[Gilang Purnama Jaya]

Spencer & Sons was set up in 2016 by Gilang Purnama Jaya (Bandung, Indonesia) and Cahya Sofyan. Gilang Purnama has been designing type since 2010 at his earlier companies, including Decade Type foundry, GP Type foundry and Imagi Type.

Typefaces from 2017: S+S Amberosa (decorative Victorian), S&S Nickson (a 15-style copperplate display typeface).

Typefaces from 2018: SS American Brewery, SS Greyhood (blackletter, tattoo font), SS Metroviation (retro style).

Typefaces from 2019: S+S Baldwins (Vicorian, by Gilang Purnama), SS National Currency.

Typefaces from 2021: Ephemera Nickson Pro One (a condensed headline typeface). [Google] [MyFonts] [More] ⦿

Spiece Graphics
[Jim Spiece]

James R. Spiece (b. 1946, Wabash, IN) attended Culver Military Academy and graduated from Wabash High School in 1964. Jim attended Indiana University and graduated with a B.S. in 1969 after serving two years in the US Army stationed in Germany. Based in Fort Wayne, IN, he liked to revive old type designs. Ji died in 2021 in Green Valley, AZ. Obituary.

The typefaces made Jim Spiece:

Adonis Old Style SG (2004): a connected upright script modeled after a little stationery and greeting card typeface developed for American Type Founders in 1930 by Willard T. Sniffin.
Anthology SG (2005).
Arched Gothic Condensed: another Victorian type, developed around 1885 by the James Conners&Son Foundry (New York).
Ark Monogram SG: Ark is a combination monogram set based on the ATF Virkotype designi from the 1930s.
Asteroid Primo SG (2009).
Astoria Antique (2003): 19th century style ornamental face.
Aviator SG (1995), aka Ventura Slim, based on an old 1930s lettering style popularized by Carl Holmes in his book.
Bernhard Brushscript SG: based on an extremely heavy informal script was created in the early 1920s by Lucian Bernhard.
Bernhard Gothic SG
Beverly Shores Script SG (2004).
Birdlegs SG (1991).
Cactus Flower SG (2006): a Wild West family based on lettering by Ross F. George.
California Poster SG (1996).
Centric Geo SG (1996) and Centric Serif SG (1996). These are squarish slab typefaces.
Concerto Rounded SG: revival of some 1920s Lucian Bernhard lettering.
Edison Swirl: A frilly Victorian blackletter typeface based on a design by Hermann Ihlenburg from ca. 1900.
El Castillo SG (2008): an old style newsprint family.
Epicerie One&Two SG (2008): a signage family.
Eva SG. Eva Antiqua SG is an exquisite family based on the 1922 Klingspor model by German designer Rudolf Koch (known as Koch Antiqua or Locarno). It also includes Eva Paramount SG, which is a revival of a 1928 typeface, also flared, by Morris Fuller Benton called ATF Paramount. The Castcraft incarnation is called OPTI Eve.
Frisco Antique Display SG (2004): based on a woodtype display typeface from the 1880s by Bruce Type Foundry.
Gable Antique Condensed (2002): based on a Bauer Type Foundry art nouveau face.
Gambit Nouveau SG (2004): art nouveau.(2004): art nouveau.
Grand Slam SG (2002): based on an old cardwriting style known as Poster Gothic.
Headline Helpers One SG and Headline Helpers Two SG (2009). Followed by Headline Helpers Three SG (2017), Headline Helpers Four SG (2017), Headline Helpers Five SG (2017).
Hollywood Deco SG (1994): based on a Willard T. Sniffin deco-inspired original from 1932.
ITC Blair (1997). Blair has its roots in the Inland Type Foundry, ca. 1900.
ITC Deli Deluxe and ITC Deli Supreme (1999)
ITC New Winchester
Ironman SG (2002): art deco poster font.
Kingsbury Condensed SG (1992): 1930s style art deco face.
Kolinsky Sable SG (2004): a brush display typeface due to Charles P. Bluemlein, 1944.
Little Brown Frog SG (2007).
Melrose Modern SG (2005): art deco family.
Memorandum SG (1992): a sans text family.
Metropolis SG: revival of a long-legged 1932 classic design by W. Schwerdtner for the Stempel Foundry.
In 1895, Julius Schmohl and Max Rosenow published an upright script with BBS. This ronde typeface was originally known as Oliphant and renamed Advertisers Upright Script in 1925. In 2014, Spiece Graphics created a digital version of it, Milroy Upright SG.
Mingo Gothic SG (1991-1992).
Narcissus SG (Open and Solid): Narcissus Open is a heavy typeface designed by Walter Tiemann in 1921 for the Klingspor Foundry in Germany.
Newport Classic Basic SG and Newport Classic SG: based on an extra condensed art deco typeface designed by Willard T. Sniffin for American Type Founders in 1932.
Nicolas Jenson SG: a large text family about which Spiece writes: It was the original work of fifteenth century designer Nicolas Jenson that formed the basis for this roman serif style developed by Ernst Detterer in 1923. Similar in spirit to other early twentieth century revivals such as Centaur, Cloister Old Style, and Italian Old Style, Nicolas Jenson is distinguished by its pristine and delicate nature. A gifted young apprentice to Detterer, Robert Hunter Middleton, greatly expanded the family. And by 1929, bold, italic, and open were part of the Ludlow Foundry's beautiful Nicolas Jenson Series. It was reintroduced under a new name, Eusebius, in 1941.
Nova Script Recut One SG (2011): based on Nova Script (1937, George F. Trenholm).
Pacific Clipper SG (1991): a mix between Koch's kabel and ATF's Novel Gothic (1929, Morris Fuller Benton and Charles H. Becker).
Panorama SG (1995): art deco family, based on an old 1930s lettering style popularized by Carl Holmes is his wonderful book on the subject.
Quaint Gothic: Arts&Crafts face.
Replica Rough SG (2018). A grungy typeface.
Samson Classic SG: a heavy display typeface based on a 1940 design by Robert Hunter Middleton for the Ludlow Foundry.
San Remo Casual SG: a fifties style connected script.
Sheridan Gothic SG: an art nouveayu face, ca. 1910, known as Grant Antique.
Speedway SG (1992-1993): connected upright 1950s diner script.
Stellar Classic SG (1997): Stellar was originally designed by by Robert Hunter Middleton in 1929 as a serifless roman well before Hermann Zapf's Optima, released in 1958.
Stratosphere SG (1993).
Telepod SG (2002): based on an old Speedball lettering style and has a very retro look.
Thumbnail Text SG (2005).
Travel Kit SG (2004): art deco.
Tribunus SG: roman Trajanus style family, originally designed in 1939 by Warren Chappell for Stempel.
Tweed SG (1992): handlettering.
Ultramodern Classic SG: a marquee lettering font family in the style of Broadway. Based on a 1928 design by Douglas C. McMurtrie, Aaron Borad, and Leslie Sprunger.
Valentina SG (1991-1992): a plump comic book style script.
Veranda Poster SG: derived from a European art supply manufacturer's logotype done in the Vienna (Wien) Austria style, which was used by artists such as Julius Klinger and Willy Willrab in the 1920s.
Wellsbrook Initials SG: based on the 1920s work at Bauer of the German graphic designer Emil Rudolf Weiss.
Zinc Italian SG (2002): 19th century style curly ornamental face, aka Zinco in the Victorian era. Based on Zinco (1891, Hermann Ihlenburg for Mackellar, Smith & Jordan).

MyFonts link. Klingspor link. View Jim Spiece's typefaces. Listing of Jim Spiece's fonts. [Google] [MyFonts] [More] ⦿

SSi blackletter

The SSi foundry has blackletter fonts such as Bauble SSi and Clestory SSi. See here. [Google] [More] ⦿

Staffan Vilcans

Stockholm-based programmer, b. 1970. Creator of Dark Jubilee (2014, octagonal typeface), The Art of Illuminating (2005, blackletter; based on an image scanned from The Art of Illuminating As Practised in Europe from the Earliest Times by W. R. Symms, with an Essay and Instructions by M. D. Wyatt, Architect. London. Published April 2nd 1860 by Day and Son, Lithographers to the Queen), Blöjbytesdepå (2005), Rat Paws (2000), Angular (2005), Hopfer Hornbook (2005, after lettering by Daniel Hopfer (circa 1470-1536)), Tuer's Cardboard font (2005, design taken from a cardboard battledore in Tuer's History of the Horn-Book, 1896) and Inero (2005, futuristic typeface).

Dafont link. OFL link. [Google] [More] ⦿

Starinkbrush
[Fenny Wiryani]

The connection with Cove703 is unclear. Denpasar, Bali-based designer, b. 1979, of the script typefaces Black Window (2019: with blackletter influence), Bryan Khostang (2019), Ruth Calligraph (2019), Bemboza script (2019), High Sylvester (2019), Cleopharta (2019), Daddy Rewind (2019), Rhodyn Chalk (2019), Darty Zhedant (2019), Kashie Mercy (2019), Short Baby (2019), Believe It (2019), Raybent Mango (2019), Ariana Violeta (2019), Humble Cafe (2019: upright script), Florencia Blonde (2019), Really Petshop (2019), Mariane Lusia (2019), Hello Vintage (2019), Sunday Cream (2018), Julia Lauren (2019), Sexy Beauty (2019), Garlix Brown (2019) and Sharon Queen (2019). Fenny also designed Chalky Bronson (2019), the rough brush typefaces Wild Black (2019), Randy Bistroke (2019) and Xangda Shiny (2019), and the fat rounded typefaces Thomas Elegant (2019) and Gecko Lunch (2019). [Google] [More] ⦿

steefterror

FontStructor who made the blackletter typeface Start Gothic (2013). [Google] [More] ⦿

Stefan Cristian Cioroianu

Romanian designer of these free fonts in 2007: Antique roman (2 styles), Artistic swash, Caslon Swash, Cioroianu font (handwriting), Collage anonymous (ransom note), Fraktur, Human letters (scanbat face: an old erotic capitals face), Lapidary roman, Title page 1600 (scanbats). In 2008, he made the "aged" didone typeface 1600 and Century Modern Italic. In 2010, he created Century Modern TT Regular, Century Modern Shadow, and Ornament Borders.

Another Fontspace link. A third Fontspace link. [Google] [More] ⦿

Stefan Lundhem
[Fyrisfonts]

Stefanie Koerner
[Monochrom (and--or Pheist)]

Stempel blackletter fonts

Andreas Seidel lists the blackletter typefaces in D. Stempel's Probe No. 100 specimen book from the early 1940s. Verbatim, with some missing dates and designers filled in:

Fraktur designs
Amts Fraktur 1906-11 Heinrich Hoffmeister
Balmung
Breitkopf Fraktur 1912
Buhe Fraktur 1915-22-35 Prof. Walter Buhe
Büxenstein Fraktur (1912)
Deutsche Anzeigen-Schrift (1923-34, Rudolf Koch)
Deutsche Werkschrift (1934, Rudolf Koch)
Deutsche Zeirschrift
Ehmcke Fraktur (1912, F. H. Ehmcke)
Ekkehard Fraktur 1912 (1917? by Heinrich Hoffmeister)
Elfen Fraktur (1919, M. Beck)
Faust Fraktur (1910, E. Brox)
Fette Fraktur
Frühling (1914, Rudolf Koch: Klingspor?)
Halbfette Fraktur
Heinz König Setzmaschienen Fraktur (1913, Heinz König)
Humboldt Fraktur (1938, Hiero Rhode)
Kleukens Fraktur (1911, F.W. Kleukens
Luthersche Fraktur (1919, acquired from Drugulin, and revived)
Matthies Kursiv (1912, Karl Matthies)
Neuzeit Fraktur
Reform Fraktur (1903, Heinrich Hoffmeister)
Schumacherische Fraktur
Stempel Fraktur (1914, Heinrich Hoffmeister)
Unger Fraktur 1794 Joh. Friedrich Unger (revival in 1919)
Schwabacher designs
Alte Schwabacher (1919, acquired from Drugulin and revived)
Ehmcke Schwabacher 1920 Prof. F. H. Ehmcke
Nürnberger Schwabacher
Offenbacher Schwabacher
Schwabacher (1906)
Gotische&Kanzlei designs
Aristokrat
Caslon Gotisch
Elegant
Elite Kanzlei
Gotenburg Garnitur A&B 1935-37 Friedrich Heinrichsen
Jaecker Schrift 1912 Wilhelm Jaecker
Lithurgisch
Tannenberg 1933-35 Emil Meyer
Victoria Kanzlei
Wieynck Kanzlei 1926 Prof. Heinrich Wieynck

He goes on to say: In a newer specimen book "Gesamtprobe der lieferbaren Schriften D. Stempel AG from 1962 you will find also:

Claudius original Klingspor design
Jessen original Klingspor design
Fette Gotisch

To which I should add

Achilles Fraktur (1910)
Ariadne Fraktur (1910)
Arminius Fraktur (1905). Also called Rheinische Fraktur. Revival by Dieter Steffmann in 1999 as Rheinische Fraktur.
Caslon Gotisch (1926, revival)
Ceres Fraktur (1903)
Danziger Fraktur (1905, Cohn Stempel)
Deutsche Laufschrift (1911, Rudolf Engelhardt, Heinrich Hoffmeister)
Egmont Fraktur (1909)
Fraktur (1908)
Fenella Fraktur (1911)
Frankfurt (1906, F. Schweimanns)
Frankfurter Schwabacher (1912)
Fröbel Fraktur (1910)
Gilgengart (1941, Hermann Zapf---some say 1952)
Gutenberg Fraktur (1900)
Gutenberg Juniläums Fraktur (1900)
Marius Fraktur (1910)
Moderne Schwabacher (1926)
Moderne Setzmachinen Schwabacher (1908)
Neue Fraktur (1913)
Neue Luthersche Fraktur (1934, revival)
Normal Fraktur (1908, Roos&Junge)
Normannia (1905, mager, halbfett). Digitizations in 1995 by Gerhard Helzel. This Hausschrift of Stempel was also adopted by linotype, where it became Germanen-Fraktur.
Reform/Offenbacher (1916, Roos&Junge)
Romeo Fraktur (1910)
Rheinische Fraktur (1905). Same as Arminius Fraktur.
Romulus Fraktur (1910)

[Google] [More] ⦿

Stephanie Krystina Hindley

Student at UWE in Bristol. During her studies at UWE, she used FontStruct to create the blackletter caps typeface Ecclesiastical Lettering (2012). [Google] [More] ⦿

Stephen James Hoefer

Graphic designer in Rochester, NY, who studied under Kris Holmes at RIT. Creator of a set of animal icons and of Hoefer Blackletter in 2013. [Google] [More] ⦿

Stephen McBride

Stephen McBride (b. 1967) is based in Kansas City, MO, and before that in Edwardsville, KS and Earle, AR. He is the man behind the SWMCA Catalogs (est. 2012). An ex-signpainter, he is now turning his typefaces into digital fonts.

Creator of the free hand-printed font Tribal (2012). The explanation is interesting: Tribal was first drawn in 1979 as Indian. For many years it was one of the most popular SWMCA fonts. Shortly there after there was a heavy movement among Native American tribes about being called "Indians". They'd constantly complain that they weren't from India or an Arabic nation. In response, SWMCA changed the name to Typeface (later Typefont) of Native American Honor. It was redrawn in 2012 and sent to Font Panda to be digitalized and came back more "liquidity" and much more playful than the original. Tribal was followed by Tribal Schoolhouse (2012).

In 2013, he designed the hand-printed typeface families Fun Euro Schoolhouse, 2013 SWMCA Demo, Watermelon Stand, 2013 Demo of Cadaver's Script (eerie), Midtown Roman, Hexagonal Delight (angular script), Ol West Rustik, Disco Grudge and 12 Steps.

Typefaces from 2014: Pupil Light, Kansas City Gothic Caps (blackletter), Kabbalah, Area 51 UFO (+Apocalypse, a glazkrak typeface).

In 2015, he designed the free brush typeface 99% Occupy in support of the Occupy Movement.

Dafont link. Home page. Dafont link. Fontspace link. [Google] [More] ⦿

Stephen Miggas
[Aerotype]

Alternate URL. Myfonts write-up.

Stereotype (was: Zone Erogene, or Dasklem)
[Clément Nicolle]

Stereotype is Clément Nicolle's web outfit. He designed these (free) fonts between 2004-2006: 3grammes5, BagpackDemo (grunge), Base02 and Base05 (grunge; this one dates from 2009 though), FrakturikaDemo, Fleur Aux Dents (happy dingbats, by Damien Raymond), Barrio 30 (degraded stencil face), Heroin07 (2008, grunge), Base 05 (stitching font), Madredeus, MarcelleScript, MarcelleSwashes, MigraineSans, MigraineSerif, Perestroika (Cyrillic font simulation), Petiote, Phonetica, Reclame, Sodium'76. Fleur aux Dents was designed by Damien Raymond. Today (2008) is a connected diner style script. Morgenstern (2008) is a wiry font.

Dasklem (Zone Erogene) was a French foundry (est. 2002) in Nancy also founded by Clément Nicolle. At Dasklem, he created nice typefaces (with repetitions from the list already mentioned above) such as Frakturika (2004), Phonetica (2003, a semi-phonetic unicase face), C'dans l'air, Irreversible, Migraine Sans (2002), Migraine Serif (2002, unicase), Fleur aux Dents (dingbats by Damien Raymond), 3 Grammes 5 (2002), Arriere Garde (2002), Base 02 (2002), Perestroika (Russian simulation face), Petiote (2003, pixel face), Marcelle (2004, fifties style baseball script), Madredeus, ReclameDingbats, Bagpack (grunge), Barrio 30 (grunge), Morgenstern (electrical circuit font), Today (2008, signage script), Heroin 07 (2008, grunge), Base 05 (2009, grunge).

The most recent typefaces: Bugeater (2013, textured typeface), Docktrin (2014, a spurred letterpress-style typeface), Huntress (2015, grungy letterpress style), Wasted (2015, a connected retro script), Bakery (2015, curly script), Bernadette (2016, signage script), Master of Break (2016, free signage script), Magnolia Sky (2016, a wonderfully irregular curly script), Marguerite (2016, signage script), Beyond The Mountains (2016), Mark My Words (2016), Thinking of Betty (2016, retro signage script), Bernadette (2016), Thinking Of Betty (2016, a retro signage script), Bernadette Rough (2017), Work In Progress (2017), Mustardo (2017, signage script), Gloss And Bloom (2017, dry brush), La Guapita (calligraphic), Rose of Baltimore (calligraphic), Broadcast Matter (2017, dry brush script), Mocking Bird (2017, signage script), Hotel de Paris (2017, beveled), Julietta (2017, script based on the lettering of Stéphane Lopes), Meat Buckets (2017, a nervous signage script), Strawberry Blossom (2018: script), Jasmine and Greentea (2018: script), Grand Adventure (2018: script), Silver Charm (2018: script), The Breakdown (2018: script), Rosetta Black (2018: brush style), Rosetta Color (2018: SVG color font), The Perfect Christmas (2018: a starry font), Strawberry Blossom (2019: watercolor brush), Madame (2019: signage script), Mollywood (2019), Badass Moon (2019), Rotten Mangos (2019: made from a fudenosuke brush pen; a renaming of Badass Moon?), Snowballs (2019: Magnolia Sky with snowflakes), Mondaine.

Typefaces from 2020: Yellowstone (an inky script), Holly and Berries (a Christmas font), Halloweek (a dripping blood font).

Typefaces from 2021: Bergamote (script), Leaves&Ground.

Older (dead) URL. Dafont link. The foundry survives as Stereo Type (since about 2005). Another Dafont link. Yet another link. Klingspor link. Abstract Fonts link. Creative Market link. [Google] [MyFonts] [More] ⦿

Steve Cloutier

Quebec-based designer (b. 1971) in 2010 of the outline face Elégante and of the grunge typefaces Apocalypse Regular, Arbre, Autodestruction, Papineau (hand-printed), de Lorimier, Gardien d'herbe, Elusion (organic), Cataclysme (grunge), Wolfred Nelson (rubber stamp caps), Chénier (grunge), Crack and Bold, Fleur de Lys (dingbats that are useful pour mon pays), Manuscrit, Ancien (grungy inline face), Confusion, Patriote 1837 Regular, Arbre (hand-printed) and Cloutier Script (hand-printed).

Typefaces created in 2011: Sioux Caps (ornamental caps: a scanbat face), Flower Cap (floriated caps), Damned (a grungy horror movie typeface), Sketch Me (a sketched face).

Typefaces from 2012: Dill Francis, I Hate Futur, Fabrics (stitch font), Stucco, Children, Hacking Trashed, Flower (floriated caps), Arbre, Patriotes 1837, Damned Deluxe, Trashed Light (grunge), Leather (ornamental caps), Punk Rock Show, Crack And Bold, Ana Eve (grunge), British Museum 1490 (ornamental caps), Nature Font (grungy caps), Chenier (grunge), Mosaique (a textured typeface), Motor Pieces (commercial), Mixtec Codice (Maya, Aztec or Inca dingbats), Parkinson (grungy outlines), Ludger Duvernay, Monster, Sponge, Napoleon (a nice fat poster face), Negative Film, Nelson Old Newspaper, Fuck Autority (sic), Rene Levesque (hand-printed), First Nation (an Indian scanbat face), Pustule, Emilie (hand-printed caps), Papineau (hand-printed), Sixties, Dali, Midnight (brush face), Fairy Tale (ornamental caps), Tiger Balloon (African-themed), Rafael (fat poster face), Sacred Place (heavy poster family), Pistache Regular (unicase Plakat font), Morning Stress, Hippie Gypsy (ornamental caps), FBI Old Report (old typewriter face), Mitsouskos, Ten O Clock (a multiline hand-printed face), Strawbwrry, Jewels, CF Night of the Damned, CF One Two Trees (tree-themed), Hagadou (bejeweled letters), CF Punk Forever (white on black grunge), CF Anabelle (curly script), CF Samurai Bob, CF Marie-Eve, CF Christmas Shit, CF Pinceau (fat brush face), CF Deco 1492, CF Cracked Stone, CF Metropolis Serif, CF Punky, CF Snowball (snow-capped glyphs), CF Tuques, CF Revolution, CF Fashion, CF Tissus, CF Christmas Letters, CF Diamond (diamond-studded letters), CF Stencil Orama, CF Dallas Stars (stars and stripes face), CF Old Photograph Credit Font, CF Christmas Letters.

Typefaces from 2013: CF National Stitches, CF Spaceship, Historia (sans caps), CF WireFrame, CF NaVia, CF Sortilege, CF Spirality, CF Charlie, CF Fredo Style, CF Little Monsters (alphadings), CF Tissus, CF I Love Montreal (fat finger face), CF Jungle, CF Paris (art deco caps), CF Marie Eve Cartoons, CF Circuit Electrique, CF Jack Story, CF Punk Attitude, CF Billabong, CF I Want To Believe Comp (grunge), CF Zombie Party (crayon or lipstick font), CF Life Is Beautiful (paint font), CF Gothika (grungy blackletter), CF Manifesto (painted letters), CF Rise of Nations, CF The Lost Batallion, CF Armageddon, CF Electronic Board, CF Old Typography (letterpress font), CF Modern 165, CF Hockey Players (dingbats published on the day the Montreal Canadians were humiliated, 6-1, by the Ottawa Senators in the Stanley Cup playoffs), CF Nelson Old Caracters (sic), Peru Adventure, CF Montreal High School (athletic lettering), Urban Life (textured font), CF Same Old Story (grunge), CF Plants And Flowers, CF Cant Change The World (clean, hand-printed), CF Jeanne Mance, CF Jeans Collection (textured), CF Alien Abduction, CF Rebelle (brush font), CF Jungle Adventure, CF Never Trust A Hippy, CF Anarchy (ransom note font), CF Life Is A Dream (grunge), CF Farwest, CF Typocraft, CF Politicians Killers (blood drip face), CF Technomania, CF Technorama, CF I Love Ugly Fonts, CF Ribbon, CF Tree Of Life, CF Revenge, CF Back to School, CF Nut And Bolts, CF Final Conflict (brush script), CF Nostalgia (brush face), CF Industrial Fabrics (textured face), CF Font Shading, CF Rock Age, CF Nouvelle France (antiqued alphabet), CF My Bloody Valentine, CF Ceinture Flechee (multilined typeface), CF Disappointed, CF Atlantide, CF Bucherons (texture face), CF Simon Marchessault (hand-printed), CF Haunted House (brush face), Gray Texture, CF Space Cowboy (textured typeface), CF Louis Cyr.

Typefaces from 2014: CF Goliath, CF Alone on Earth, Stencil of Rama, Bad News (textured face), CF Xerography, CF Milk, CF Springtime, CF Crayons, CF Dwarf, CF Asshole Politicians, CF Old Milwaukee (spurred typeface), CF Paris Old Style (grungy Peignotian typeface), Creature of Darkness (textured typeface), Quebec Stamp (grungy stencil), Schizophrenia (neurotic typeface), La Belle Helene, CF William Wallace, CF Dots 521, CF LCD 521, CF America, CF Left Behind, CF Jacques Cartier, CF My Best Friend, Flowers of Destiny.

Typefaces from 2015: CF Rise of Nation (bold poster typeface), CF Punk (grungy capitals), Baron Rouge, General Tao (oriental simulation font), CF Mother Board (circuit font), CF John Doe (sketched), CF Crayons de Plomb, CF US Army (textured type), CF White Trash (Treefrog style), CF Punk Rock Show, CF Denim Jeans, CF School Handwriting, CF Nuclear War (very grungy caps face), CF Jack Story, CF Civilisation Maya (textured typeface), CF Punk Is Not Dead, CF Calligraphia, CF Life Is A Dream (grungy textured font), CF Blueprint, CF Far West Regular, CF Samuel de Champlain, CF Azteques (Mexican decorative font)., CF Fleurs de Lys (dingbats), CF Chevalier de Lorimier (connected script), CF Bonaparte, CF Expedition, CF Boston Regular (casual script), CF Jacques Parizeau (a grungy font named after a racist and pompous former political figure in Quebec), CF Trash Zone (grungy stencil), CF I Dont Want To Grow Up, CF Metro Parisien (art deco), CF Craig Robinson, CF Paradise City, CF Great Destiny, CF Robert Nelson, CF Grand Nord (a snow-capped design), CF Green Monster (slab serif).

Typefaces from 2016: CF Showbizz, CF Halloween (dripping blood font), CF La Sorciere Noire (vampire script), CF Green Corn (white on black), CF Engraved, CF Ghost Stories, CF Legends of the Fall, CF Bad Cops, CF Cherokee (wood block printing emulation), CF School Zone (crayon font), CF Snowboard Project (grunge), CF Oak Island, CF Peterson.

Typefaces from 2017: I Robot, Christmas Stitch, Nightmare (dripping blood font), Tangerine (inline typeface), CF Klondike (spurred Western font), CF Letterpress Type, CF Brothers in Arms, CF Etoffe du Pays (a dusty typeface), CF Second Son, CF The Rock (textured), CF Old School, CF Pretty Trees.

Typefaces from 2018: CF Le Dernier Empereur (oriental emulation), CF Sacred Planet, CF Glitch City, CF Remington Typewriter, CF Cyborg, CF Punk vs Cyborg, CF The Ocean Song (monoline connected script), CF Wild West (Tuscan), CF Three Dimensions, CF Mexicana.

Typefaces from 2019: CF Le Grand Cirque (a circus font), CF Saturn 21, CF World at War (an old typewriter font), CF Night of Terror (a dripping blood font), CF Blackboard (a chlak font), CF Punk Fashion, CF Punk Songwriter.

Typefaces from 2020: CF Punk Posters (a ransom note font), CF University of Nowhere (a grungy varsity font), CF Letterpress Type Two, CF Band of Brothers. [Google] [More] ⦿

Steve Contreras

Designer at Art&Sign Studio (Signfonts) of the script typefaces California Plug (2002), Black Swan (2002) and Blaze (2002). In 2015, he published the decorative blackletter typeface LHF Old Iron at Letterhead Fonts (Reno, NV). [Google] [More] ⦿

Steven Bonner

Graphic designer in Stirling, Scotland. He created some fonts and designed some letters for GQ Magazine in 2011. He also made the modular typeface Build (2011).

In 2012, he created the stencil typeface Muirside, and published a modular compose-as-you-go blackletter type system called Granimator or Blackpack.

Together with Gary Greenall (XLN Telecom), he created the headline sans typeface Langdon (2013). He has produced a few interesting type posters.

Behance link. HypeForType link. [Google] [More] ⦿

Steven Janson

Designer in Eindhoven, The Netherlands. Behance link. He drew several experimental alphabets in 2011. [Google] [More] ⦿

STIX Fonts
[Ross Mills]

Non-profit free font project, which started in 2001. The (free) fonts were released in May 2010. The designer is Ross Mills, Tiro Typeworks Ltd, with portions copyright of MicroPress Inc., and with final additions and corrections provided by Coen Hoffman, Elsevier (retired). From the web page: The mission of the Scientific and Technical Information Exchange (STIX) font creation project is the preparation of a comprehensive set of fonts that serve the scientific and engineering community in the process from manuscript creation through final publication, both in electronic and print formats. Toward this purpose, the STIX fonts will be made available, under royalty-free license, to anyone, including publishers, software developers, scientists, students, and the general public.

The project is supported by six publishers, the American Chemical Society (ACS), the American Institute of Physics (AIP), the American Mathematical Society (AMS), the American Physical Society (APS), Elsevier Science, and the Institute of Electrical and Electronic Engineers (IEEE).

The fonts are unicode-compatible. They are designed to be useful for mathematical documents in XML pages on all browsers. They say that they have awarded the font development contract to a respected font development company. Press release. Chairman: T.C. Ingoldsby, American Institute of Physics, Melville, NY. AMS page on STIX. CTAN page on Stix.

In 2016, STIX Two, a major update, became available at CTAN. The letterspacing and kerning of the text fonts have been significantly improved. True small capital variants (Latin, Cyrillic, and Greek), accessible via the OpenType font feature smcp, have been added for all text fonts. Text (lowercase or oldstyle) numerals, available via the font features pnum and onum, have been added, in addition to natural-spacing figures. Alphabetic superscripts and numeric sub- and superscripts, accessible via the subs and sups font features, have been added. Fractions are available via the frac feature, as well as numerators (numr) and denominators (dnom). The STIX Two fonts consist of one Math font, two variable text fonts (STIXTwoTextVF-Roman and STIXTwoTextVF-Italic), and eight static text fonts (Regular, Italic, Medium, Medium Italic, SemiBold, SemiBold Italic, Bold, and Bold Italic) derived from the variable fonts.

Truetype versions of the family (2007) by Oleguer Huguet Ibars: STIXGeneral-Bold, STIXGeneral-BoldItalic, STIXGeneral-Italic, STIXGeneral, STIXIntegralsDisplay-Bold, STIXIntegralsDisplay, STIXIntegralsSmall-Bold, STIXIntegralsSmall, STIXIntegralsUp-Bold, STIXIntegralsUp, STIXIntegralsUpDisplay-Bold, STIXIntegralsUpDisplay, STIXIntegralsUpSmall-Bold, STIXIntegralsUpSmall, STIXNonUnicode-Bold, STIXNonUnicode-BoldItalic, STIXNonUnicode-Italic, STIXNonUnicode, STIXSize1Symbols-Bold, STIXSize1Symbols, STIXSize2Symbols-Bold, STIXSize2Symbols, STIXSize3Symbols-Bold, STIXSize3Symbols, STIXSize4Symbols-Bold, STIXSize4Symbols, STIXSize5Symbols, STIXVariants-Bold, STIXVariants.

OpenType versions at the official site: STIXGeneral-Regular, STIXGeneral-Bold, STIXGeneral-BoldItalic, STIXGeneral-Italic, STIXIntegralsD-Bold, STIXIntegralsD-Regular, STIXIntegralsSm-Bold, STIXIntegralsSm-Regular, STIXIntegralsUp-Bold, STIXIntegralsUpD-Bold, STIXIntegralsUpD-Regular, STIXIntegralsUp-Regular, STIXIntegralsUpSm-Bold, STIXIntegralsUpSm-Regular, STIXNonUnicode-Regular, STIXNonUnicode-Bold, STIXNonUnicode-BoldItalic, STIXNonUnicode-Italic, STIXSizeFiveSym-Regular, STIXSizeFourSym-Bold, STIXSizeFourSym-Regular, STIXSizeOneSym-Bold, STIXSizeOneSym-Regular, STIXSizeThreeSym-Bold, STIXSizeThreeSym-Regular, STIXSizeTwoSym-Bold, STIXSizeTwoSym-Regular, STIXVariants-Regular, STIXVariants-Bold. Not all unicode ranges are covered, but math symbols, Greek and Cyrillic are. There are also monospace, blackletter, calligraphic scipt, informal script, and sans styles. But small caps are still missing. The general look is that of a Times font. The fact that any publisher can use these fonts free of charge (after signing a license though) is positive. The main negative is that the style chosen is slightly boring, but that is not unexpected for scientific publications.

In 2018, Paul Hanslow, Ross Mills and John Hudson co-designed the free STIX Two family, which is based on Times Roman.

At this CTAN site, one can download the entire STIX collection. Designer URL: MicroPress Inc. STIX Two (type 1) at the CTAN site. STIX Two (OpenType) at the CTAN site.

Also worth pointing out is the free 163-font collection Schticks (2017) by Adam Twardoch, which is based on STIX Two.

Google Fonts link for STIX Two Math. Github link for the STIX fonts. [Google] [More] ⦿

Stolat Studio
[Ania Wielunska]

Stolat Studio is a Warsaw-based creative agency founded by Michal Janica, Igor Kubik and Ania WielunDska. Irt specializes in branding, communication design, strategy and typography. Type designer Anna Wielunska (b. 1992) is based in Warsaw, and studied at the Warsaw Academy of Fine Arts. She created Musso (2016), a remarkable brushy vernacular script typeface that is loaded with alternates to emulate real handwriting. Since about 2010, there has been an explosion of brushy typefaces, but even in this crowded field, Musso stands out. Later in 2016, Ania Wielunska and Mateusz Machalski co-designed the weathered typeface family Gangrena. Her last typeface from 2016 was the connected school script Koszyki, also co-designed with Mateusz Machalski.

In 2016, as part of Warsaw Types, she designed the (free) elegant artsy typeface Lombard, which is loaded with ball terminals and slightly inclined. She writes: Lombard is a combination of an expressive script inspired by traditional Warsaw neon lettering and block letters typical for local craftsmen signage. The design was influenced by the Jubiler neon sign. This combination resulted in a font that is decorative and yet modular.

In 2017, she designed the 18-style typeface Gelato Sans (Borutta). That typeface was republished in 2020 at Stolat Studio.

In 2017, she participated in the Bona project, which set out to revive and extend Andrzej Heidrich's old typeface Bona. Mateusz Machalski contacted him for advice on the revival project. The resulting typeface families were published by and are available from Capitalics. The centerpiece is the warm and wonderful text typeface Bona Nova. It is supplemented by the extreme contrast typeface family Bona Title and the inline typeface family Bona Sforza. Participants in the project also include Leszek Bielski, Ania Wielunska and Michal Jarocinski. Google Fonts link for Bona Nova. Github link for Bona Nova.

In 2018, Ania Wielunska designed Lazarus (Regular, Italic, Upright Italic, Fraktur). Dedicated web site. A revival of the New Polish Karakter from 1594 by Jan Januszowski, Jan Kochanowski and Lukasz Gornicki.

Typefaces from 2020: Gangrena (a weathered black typeface originally done in 2016). In 2020, the team at Capitalics in Warsaw, namely Mateusz Machalski, Borys Kosmynka and Ania Wielunska, revived Adam Poltawski's Antykwa Poltawskiego (1928-1931) as Poltawski Nowy (2020). [Google] [MyFonts] [More] ⦿

Stoned Twins Fuzzy

Indonesian designer of the blackletter typeface Fraktusk (2017). [Google] [More] ⦿

Storm Design (or: Richie Mx)
[Ricardo Saul Castellanos Pabello]

Aka RS Design, Richie Mx, and Riders of the Storm Design. Mexican graphic designer, b. 1995, based in Los Cabos, Baja California Sur. Creator of Riders Font (2012) and of Barrio Rifa (2012). Storm (2013) is a metal rock or bike gang font. Strange Days (2013) and Fucking Hostile (2014) are a tattooish script fonts.

In 2018, he designed the graffiti fonts Califas and Cholo Letters, the squarish typeface Hustlaz, the tattoo and cholo gang lettering font Mexside, and the tattoo script font Memento Mori.

Typefaces from 2019: Hand of Doom (blackletter), Punisher (a tattoo or gang font), Con Safos, Love Letters (a script font), Street Life (graffiti).

Typefaces from 2020: Gangsta, Deadline, Malandro (a graffiti font). [Google] [More] ⦿

Storm Type Foundry
[Frantisek Storm]

Storm Type is a major Czech foundry that offers the inspiring work of Frantisek Storm (b. 1966, Prague). Most typefaces are made by Storm himself. The typefaces:

Aaahoj: a ransom note font.
Abald (2005): Abald adds to the number of "bad-taste" alphabets as seen on faded commercial inscriptions painted on neglected old houses.
Academica: Josef Týfa first published Academia in 1967-68. It was the winning design in a competition for scientific typefaces, announced by Grafotechna. It was cut and cast in metal in 1968 in 8 and 10 point sizes in plain, italic and semi-bold designs. In 2003 Josef Týfa and Frantisek Storm began to work on its digital version. The new name Academica distinguishes the digital execution (and modifications) from the original Academia. In 2021, Frantisek Storm added Academica Sans.
Aichel: originally designed for use in architecture (in this particular case for a UNESCO memorial plaque for a church built by Jan Santini-Aichel on Zelenà Hora). It has a stone-chiseled look.
Alcoholica
Alebrije (2015). A 42-cut exaggerated cocaine-driven typeface family with instantly recognizable v and w that have slabs on their baselines.
Amor Sans and Amor Serif (2005).
Amphibia (2016). A lapidary typeface family.
Andulka (2004): 24 weights for use in books, mags and newspapers. Extended in 2011 to Andulka Sans.
Antique Ancienne, Moderne&Regent (2000): Baroque typefaces.
Anselm Sans and Serif (2007): 20 styles about which Storm writes The ancestry of Anselm goes back to Jannon, a slightly modified Old Style Roman. I drew Serapion back in 1997, so its spirit is youthful, a bit frisky, and it is charmed by romantic, playful details. Anselm succeeds it after ten years of evolution, it is a sober, reliable laborer, immune to all eccentricities. It won an award for superfamily at TDC2 2008. It covers Greek as well.
Areplos (2005): Based on Jan Solpera's 1982 typeface with serifs on top and serifless at the bottom.
Bahnhof: poster typeface from the 1930s.
Baskerville Original Pro (2010) comprising Baskerville 10 Pro, Baskerville 10 Cyr, JBaskerville, and JBaskerville Text. This is an important and thoroughly studied execution starting from photographs of prints from Baskerville's printing office, ca. 1760.
Beletrio and Beletria (2018). Beletria (26 styles) is intended as a modern book type. Beletrio is a peaceful accompanying sans.
Bhang (2011) is a flat brush signage family of exceptional balance.
Biblon (2000; note: ITC Biblon is a watered down version of Biblon, so please go for the original, not the ITC version). Biblon Pro (2006) is even better; 6 weights.
Briefmarken (2008): letters that look dented like postage stamps.
The 64-style Carot type system (2020), which consists of Carot Sans, Carot Display, Carot Slab and Carot Text.
Clara Sans and Clara Serif (2014). Based on sketches by Rotislav Vanek, and published at Signature Type Foundry.
Clichee
Cobra (2001)
Comenia Script (Radana Lencov&acaute;), an upright script with a handwritten look for teaching writing.
Comenia Text (2006): a serif family for school books. Also called Comenia Pro Serif.
Compur (2000).
Coroner (2018). A blackletter first sketched in 1988.
Defender (2008): a heavy slab family.
Digita (2004)
Dracula (2017). A great blackletter family.
Dynamo Grotesk (1995): Storm's 60-weight sans family going back to the early sans traditions. In 2009, this was updated to Dyna Grotesk Pro.
Enamelplate (2011).
Etelka (2005, 42 styles): a corporate identity sans family, which became commercial in 2006. Four Etelka Monospace styles were added in 2008. Etelka Sans and Etelka Slab were released in 2019.
Evil
Excelsior Script (1995-1996), perhaps renamed Excelsor Script around 2000.
Farao (a great Egyptienne font in 3 weights)
Friedhof (2011). A family based on tombstone lettering from ca. 1900. It contains handtooled and shaded (Geist + Deko) variations.
Gallus Konzept (2007, in many weights):
Carolingian-Roman-Gaelic-Uncial script, or an exploration into how the Latin alphabet could look were the evolution of the Carolingian Minuscule to stop in the 8th century AD in Sankt Gallen.
Genre: a modern face.
Fenix 21 through 23 (2010): An elliptical sans family that includes a hairline (21).
Header (2009): a magazine headline family.
Hercules (2001). A didone family originally influenced by Monotype's fat face Falstaff (1935).
Hexenrunen (2006, + Reverb): a runic simulation face.
Ideal Gothic
Inicia (2018). A sans originally drawn in the 1980s.
Jannon (this is a formidable Garalde family). Jannon Pro appeared on MyFonts in 2010.
Jannon Sans (20 11).
Jannon Text Moderne (2001): thicker hairlines and smaller x-height than Jannon Text, thus more generally useful
Jasan (2017). A 36-strong sans family with lots of wide styles.
JohnBaskerville (2000)
JohnSans (2001, a 72-weight sans version of Baskerville)
Josef Sans (2013, with Jan Solpera). A humanist sans family related to Josef Tyfa's Tyfa Roman (Tyfa Antikva).
Juvenis (2003)
Kompressor: techno typeface
Lexicon Gothic: newspaper and magazine type family, created in 2000. Renamed Lexon Gothic.
Libcziowes: based on the oldest lettering found in Bohemia, on a gravestone in Libceves dating from 1591
LidoSTF (2001, free): a redrawn Times with lots of individuality, yet still a newspaper typeface
Lokal Script (2009): a large hand-printed letter family.
ITC Malstock (1996-1997), a condensed film poster face.
Mediaeval
Metron (2004, a digital version by F. Storm and Marek Pistora after a huge sans design from 1973 by Jiri Rathousky, which was commissioned by the Transport Company of the Capital City of Prague in 1970 to be used in the information system of the Prague Metro. In 1986, the metro started using Helvetica): this typeface is eminently readable!
Modell: techno
Monarchia [The Monarchia family, consisting of three designs, is a transcription of "Frühling" of the German type designer Rudolf Koch, enriched by a bold and text design]
Moyenage (2008): a 25-style blackletter family for Latin and Cyrillic, almost an experiment in blackletter design and flexibility. Winning entry at Paratype K2009.
Mramor (1988-2013). A roman caps typeface with lower case added. Storm: The text designs are discontinued since they were replaced by the related Amor Serif family (along with its -sans version). Even so, ten display styles are left.
Negro
Ohrada: condensed upper case
Ornaments 1+2
Ozdoby 1+2 (great dingbats): The set includes heraldic figures, leaves, decorative endings, various skull forms, weather signs, borders and many more.
Patzcuaro
Pentagramme
Pentagraf: a slab serif
Pepone and Pepone Stencil. Designed for setting belles-lettres, this serifed family defies classification.
Pivo (2006), a connected diner script inspired by Bohemian beer labels.
Plagwitz (2000, blackletter). Plagwitz poster by Lissa Simon (2012).
Politic (2004): a clunky fat octagonal family made for billboards, flyers, posters, teabags, and matches for the green Party in the 2004 Czech elections. Caps only.
Preissig Antikva + Ornaments: a 1998 digitization and interpretation of Preisig's polygonal type from 1925. The Pro version is from 2012.
Preissig 1918: a typeface by Vojtech Preissig cut in linoleum
Preissig Ozdoby
Regent Pro (2015): a rustic Baroque typeface that oozes energy out of its semi-transitional semi-didone orifices.
Quercus Whiteline, Quercus 10, Quercus Serif, and Quercus Sans (2015). Four large families, created for informational and magazine design, corporate identity and branding. The sans has a Gill flavor.
Regula Text and Regula Old Face. Regula is named after the secular monastic order Regula Pragensis. Initially, the digitized font (regular old Face, which is now free) had jagged edges and a rather narrow range of applications until the summer of 2009, when Storm added text cuts. Regula was a baroque alphabet faithfully taken over from a historical model including its inaccuracies and uneven letter edges.
Rondka (2001)
Sebastian (2003, a sans with a funky italic), about which he writes: Sans-serif typefaces compensate for their basic handicap---an absence of serifs---with a softening modulation typical of roman typefaces. Grotesques often inherit a hypertrophy of the x-height, which is very efficient, but not very beautiful. They are like dogs with fat bodies and short legs. More# Why do we love old Garamonds? Beside beautifully modeled details, they possess aspect-ratios of parts within characters that timelessly and beauteously parallel the anatomy of the human body. Proportions of thighs, arms or legs have their universal rules, but cannot be measured by pixels and millimeters. These sometimes produce almost unnoticeable inner tensions, perceptible only very slowly, after a period of living with the type. Serifed typefaces are open to many possibilities in this regard; when a character is mounted on its edges with serifs, what is happening in between is more freely up to the designer. In the case of grotesques, everything is visible; the shape of the letter must exist in absolute nakedness and total simplicity, and must somehow also be spirited and original.
Serapion (a Renaissance-Baroque Roman typeface with more contrast than Jannon)
SerapionII (2002-2003): early Baroque
Solpera (digitization of a type of Jan Solpera, 2000)
SplendidOrnamenty (1998, a formal script font)
Splendid Quartett: an Antiqua, a sans, a bold and a script. Stor writes: The script was freely transcribed from the pattern-book of the New York Type Foundry from 1882, paying regard to numerous other sources of that period.
St Croce (2014). Based on worn-out lettering on tombstones in the St. Croce Basilica in Florence, this is a flared lightly stenciled typeface family.
Technomat (2006): this typeface takes inspiration from matrix or thermal dot printers.
Tenebra: a combination of the Baroque inscriptional majuscule with decorative calligraphic elements and alchemistic symbols
Teuton (2001): a severe sans family inspired by an inscription on one German tomb in the Sudetenland
Traktoretka
Trivia Sans (2012), Trivia Serif (2012, a didone), Trivia Serif 10 (2012), Trivia Grotesk (2012, 48 cuts), Trivia Gothic (2013), Trivia Slab (2012), and Trivia Humanist (2013, a strong wedge serif family: I wanted a clear and majestic typeface for book jackets, LP cover designs, posters, exhibition catalogues and shorter texts).
Tusar (2004): a digitization of a type family by Slavoboj Tusar from 1926
Tyfa ITC + Tyfa Text: Designed by Josef Týfa in 1959, digitized by F. Storm in 1996.
Vida Pro (2005), a big sans family designed for TV screens. Vida Stencil Demo is free.
Walbaum Text (2002). Walbaum 10 Pro (2010) and Walbaum 120 Pro (2010) are extensive (and gorgeous!) didone families, the latter obtained from the former by optical thinning. Storm quips: I only hope that mister Justus Erich won't pull me by the ear when we'll meet on the other side. Advertised as a poster sans family, he offers Walbaum Grotesk Pro (2011).
Wittingau (2016). A wonderful decorative blackletter typeface family, with a great set of Wittingau Symbols.
Zeppelin (2000): a display grotesk

This foundry cooperates in its revivals with experienced Czech designers Ottokar Karlas, Jan Solpera and Josef Týfa.

At ATypI 2004 in Prague, he spoke about his own Czech typefaces, on his Czech Typeface Project, and on the life of Josef Týfa.

Linotype link. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿

Strappado

Strappado, or Daily Atheist, is the Norwegian designer of the blackletter brush typeface Fundamentalist (2010). [Google] [More] ⦿

Straßburg

An in house Fraktur typeface at H. Berthold AG, made in 1936, and later digitized by Delbanco. [Google] [More] ⦿

String Labs Creative Studio
[Virgiawan Listanto]

Serang, Indonesia-based designer (b. 1993) of handcrafted and script typefaces: Weatpoint (2019), Oaklash (2019), Marelan (2019), Blackway Brush (2019: a dry rough brush), Wreckout (2019: a wooden plank typeface), Charlotte (2019), Hallywood (2019: monoline), Hollywise (2019), Williamson (2019), Hillbear (2019), Northgate (2019), Geovanice (2019), Caramelia (2019), Gabrielle (2019), Karltown (2019), Andovine (2019: brush style), Calledliner (2019: monoline), Russeline (brush script), Blood Bold (2019: a dripping blood Halloween font), Mayestica (2019: font duo), Chellyne (2019: a clean brush script), Flavellya (2019), Southiya (2019), Gotten (2019).

Typefaces from 2020: Aerillyo, After Breaking, Agenda King, Agies Fresh (a signage script), Aginoe Sans (a geometric sans), Agise Rujdi (blackletter), Aisbum Slashey, Ajuslly, Allise (a signature script), Alvens, Amazing Kids (a cartoon font), Amellis Path, Amelliz, Anasite Malela, Andy Tusvah, Angel Rhapsody (blackletter), Angelicy, Angeliny, Angelwine, Angel Wish, Angika Jaya, Anhattan (a fat script), Anjelica, Ansagia Metta, Anttariksa, Anythings, Aquilla, Arionna, Austhind, Avenus Type, Awely Shiny, Azingdar, Baby World, Bagus Stanlley, Bahisey, Balhgi Rizetons, Baliung, Ballerina, Banyu Langits, Baster Monky, Basuhed, Beautiful Vibes, Beauty Heart, Belinday, Bellamy Signature, Bethan White, Betty Finty, Binttang Selfianto, Black Ink (a dripping paint font), Black Rose, Brightly Crush, Brightside, Brittany Angella, Brogads, Bulgaria, Butterfly, Calvin Fallen, Cameliya, Candy Qelling, Candy Yefumy, Carmelia, Catthy Wellingten, Chalkboard, Chaybree, Chellyne, Chivel Mind (spurred), Cinthya Einzberg, Comic Boys, Comic Dylans, Daisuky Fancy, Dark Phoenix, Dattge Hurty (a monoline script), Dianora, Dilan Whemsy, Dirly Belly, Dulan Anzelica, Emixvade, Fatin Gengky, Fendysa, Feri Candi, Firsta (dry brush), Fortunate, Frangklin, Freedam Theory (a retro signage script), Funcy Kids, Fun Games, Geng Rimba, Girdens, Gweneth (supermarket script), Haredang, Hey Kidos, Hey Sweety, Holland Gateway, Honuzima (brush script), Hunthers Dwayne, Hysteria (dry brush), I Am Cool, Ingkar Janji, Islamic Romance (Arabic emulation), Jacmax (a horror font), Jacyking (a curly script), Jangkids, Janji Cinta, Janyss Brush, Jarida, Jasmine Daily, Jelly Belty, Jerhiyof, Jodaguz, Justhin, Kangtoni, Karltown, Kinder Boys, Lazyday, Lazy Monday, Livingstone (blackletter), Lovely-Kids, Mady Risaw, Magic Wand, Manthesy, Marelan, Marvelous Photograph, Mashiya, Mathulesy, Megahunt, Melvina Wayne, Mentari, Milky Nice, Miny Fellas, Miya Wayne, Montages (retro script), Mortal Wave, Mystic Darling, Mystique, Osake, Oyange, Pagi Senja, Pejuang-Cinta, Phoenix Squad, Playkidos, Pomthing (a dry brush script), Rachelyne, Rademos, Ratih Hyun (script), Rantliyer, Rantting Tjinta, Rathury (a curly script), Ratih Hyun, Rattnugidari, Rattu Aqilla, Rayhue, Recollect (retro script), Regalhisa, Reinstay, Renitah, Restu Bundah (a retro brush script), Revij Anovik, Rhieknuza (a cartoon or graffiti font), Rindu Alam, Roguedash, Romantika Hidup, Russel Dexter (vintage), Sabina Angellica, Sang Dewi, Sangkury, Santy-Ehisa, Sany Cimahen, Seindah Cinttya, Sellviny, Sellviny Queen, Shanta Creny, Shiny-Aisyah, Sportive (an Escher font), Stilda Script, Sugih Janji, Super Kids, Super Maizen, Taniya Relly (a signature script), The Angellica, The Anthelope, The Antique, The Austin, The Banten, The Bugatten, The Comic Struve, The Frangklin, The Gallery, The Lastring, The Saily (a monoline script), Tukiyem (a fine wild script), Twenty Senja, Vagnotie, Vezthisory, Ving Smith, Vires Gollem, Virgi Ella, Virgiluna, Vivy Aquilla, Vuttaline, Walentiny, Walytime, Weatpoint, Welingtom (bilined), Wenykidos, White Mellow, Wilson Wells (blackletter), Winsthen, Wreckout, Wynter Sandy, Zenghief. Creative Fabrica link. [Google] [More] ⦿

Stuart Sandler
[Font Diner (or: Stu's Font Diner)]

Studies in Pen Art
[William E. Dennis]

A PDF file of the book Studies in Pen Art (by Brooklyn, NY-based penman William E. Dennis, 1914, A.N. Palmer Co). This 95-page booklet has beautiful specimens of alphabets, from display typefaces to calligraphic scripts, blackletter types and ornamental types. There are also reproductions of flowery ornaments such as the acanthus ornaments popular in the early 20th century. He created Sickels alphabet, ca. 1899.

Additional link. Another PDF file. Examples of Dennis's hand: a bird (1896), his signature (1896), Austin N. Palmer's name hand-printed (1896). [Google] [More] ⦿

Studio FM Milano

Studio FM Milano (Barbara Forni, Cristiano Bottino and Sergio Menichelli) designed the blackletter typeface Giano Display (2013). In a project called 60 typefaces, they published several funny type typefaces (2013).

Studio Marlon Ilg
[Marlon Ilg]

Marlon Ilg runs his own graphic design studio in Zurich, Switzerland. His typefaces include

A corporate stencil typeface for Salta Art Foundation.
A fraktur typeface on an embedded grid background called Grid Fraktur (2021). This typeface is based on a design by Dutch artist and furniture designer Klaas van Leeuwen as shown in Letterboek voor den teekenaar en ambachtsman (1907, G. Schreuders, Amsterdam), a book that shows many compass-and-ruler alphabets. Marlon explains: Lettering of this kind can still be found on architecture from 1900-1920, notably by Dutch architects like K.P.C. de Bazel and J.L.M. Lauweriks (who were friends with Van Leeuwen). The grid in the background of Grid Fraktur helps letterers in the application of the font to different materials and buildings.

[Google] [More] ⦿

Studio Ro

Design studio in Montpellier, France. Behance link. Creators of the heavy metal / tattoo blackletter typeface Blackwars (2010). [Google] [More] ⦿

Studio Weidemüller

Kaohsiung City, Taiwan and/or Berlin-based designer of the blackletter typeface Blak (2016, +Blak Extra). Behance link. [Google] [More] ⦿

Su Lucas
[Su Lucas Fonts]

Su Lucas Fonts
[Su Lucas]

Su Lucas is a South African designer who joined Apostrophic Labs [dead link] in March 2001. She published the barbed wire typeface Barbarello there in 2001.

Her oeuvre includes SL Christmas Silhouettes (2000), JunariClaws (2002, with Bella Morte), JunariClawsItalic, SLBookArts (2003, book dingbats), SLDividers (2003, used to be called filets), SLForknFont (2000), SLSignLanguage (2001), SLSquareOrnaments (2003), SLZodiacIcons (2002), Boere Tudor (2002, a medieval font), SL Wash, SL Star of David, SL Squiggles, SL Zodiac Stencils, SL Woodcut Faeries, SL Kid's Alphabet, SL Safety, SL Mythological Silhouettes, Back to the Futurex, and Rock Art in South Africa dingbats (2000). About that last dingbat font, she writes: ...This font was made from photographs and drawings of the rock art in South Africa....The Bushmen (San) were the most prolific painters....A lot of the male figures are shown with a semi-erection, as can be seen in q, e, r, and p. This is a physical trait peculiar to the San, called "penis rectus". This characteristic helped with cooling and heat dissipation in the very hot summers experienced in South Africa. A recurrent image is that of one or more crossbars across the penis. The meaning of this is unclear, but it is theorised that the foreskin was adorned with ornaments like pieces of bone and feathers.

sublime

70-font archive specializing in Fraktur and medieval fonts. Bad link? [Google] [More] ⦿

Subversive Type (was: Meztone Design)
[James Stone]

Graduate of the Arts University at Bournemouth. James Stone (b. 1987, UK; was Meztone Design, but later Subversive Type, Taunton, Ilminster and Birmingham, UK) created the scary blackletter typeface Guttural (2007, metal band face) and the grungy typefaces Glitch (2013) and Disordered Bold (2009).

Murder Face (2012) is a commercial font.

Phantom Lord (2012) is a thrash metal band font.

Duel (2012) is a blend of Celtic and blackletter.

In 2013, he designed the display typeface Lightbringer. In 2014, he created the stencil typeface Panopticon.

In 2016, he designed the rounded circular sans typeface Pano.

Fontspace link. Dafont link. Devian tart link for Meztone Design. Creative market link, Behance link. Dafont link. Another Behance link. Home page. [Google] [MyFonts] [More] ⦿

Suomi Type Foundry
[Tomi Haaparanta]

Tomi Haaparanta (b. Vaasa, Finland, 1967) is a Finnish type designer and art director. He created many great fonts, and founded Suomi Type Foundry in 2005. Speaker at ATypI 2005 in Helsinki. MyFonts link. FontShop link. Klingspor link. His typefaces, suboptimally grouped:

Typefaces from 2016: Suomi Hand Script.
Typefaces from 2015: Tool (a classic, narrow and clean sans serif family with seven weights), Triangle (wedge serif typeface), Tip (a modulated sans).
Typefaces from 2013: Abandon (a basic sans family), This (a rounded family), Abiding (slab serif).
Typefaces from 2012: SciFly (a free rounded sans commissioned by Flyerzone).
Typefaces from 2011: Tow (a headline font family), Grumpy Black (Black 24 is based on the headline typeface ITC Grouch (1970, Ronne Bonder and Tom Carnase), and the other styles are increasingly of higher contrast).
Creations in 2010: Tenner (very plump and round, good for signage), Tart Heavy (fat slabs to drool over), That (a display family, +Open, +Irregular, +Bold), Thud (an industrial belt octagonal/mechanical family), Steelworks (a sturdy mechanical sans), Taste This (sans family), Telltale, Titillation (rounded), Tide (connected script emulating ink flow), Taffee (narrow sans), Televisio, Tournedot (a very cute and lively semi-serif headline face), Tem pest, Tristan (hand-printed), Cider Script, Toffee Script (after an art nouveau typeface called Regina Cursive, which was published by H. Berthold Messinglinienfabrik und Schriftgiesserei around 1895). Tonsure Script (a high-contrast connected script), Ticketbook (for movie posters), Suomi Sans (a family with special counters).
Creations in 2009: Tar (rounded sans family), Marimekko (a slab family for a Finnish clothing company, adapted from its 1954 Olivetti typewriter roots), Vektori (monoline octagonal), Kaapeli (Tomi's take on Kabel), Suomi Slab Serif (related to American Typewriter), Marimekko Sans, Tee Franklin (gothic sans family, made for The British Vogue---check out the light weight; done with Brian Kaszonyi), Tobacco (octagonal, based on drawing program emulation), Pannartz (based on a scan of a 1476 text by Sweynheim&Pannartz), Suomi Hand (FontShop), That (4-weight serif family), Talbot (connected script patterned after the Talbot car logo), Taint (modular ink trap face), Tailor (slab serif), Tink, Tale 40, Tale 20, Story 40, Story 20 (all pixel fonts), Tictac (a 3D face), Giro (done on purpose to mimic the ugly Giro d'Italia geometric logo font), Tame (rounded sans), Suomi Script, Explosion (grunge).
Creations in 2007: Caxton Script (blackletter).
At ITC: ITC Tetra (2005, squarish face), ITC Tomism (2005, modeled after Church Slavonic), ITC Tyke (2004, a take on Cooper Black).
At Psy-Ops: Temporal, Torus.
At T-26: Talmud (1998, faux Hebrew), TyrantRoman (1998, an Exocet-style face, T-26), Tumbler, Torino-Book, Tonic, Terylene, Tension, Teebone, Task-Toobig, Target (2004), Tantalus, Aged (1999), and Taper (2009, slab serif), the experimental sans families Target Recut (2004).
At FUSE: FutuRoman (FUSE95).
Tang (2004, an anti-inkbleed sans family done for very small point sizes).
At Agfa Creative Alliance: Tangerine, Teethreedee, Twinkle.
With Klaus Haapaniemi and Brian Kaszonyi: the 15-font War family in 1999-2000.
At Linotype: TeebrushPaint LT Std (2003).
Game (family).
Tubby.

Dafont link.

View Tomi Haaparanta's typefaces. [Google] [MyFonts] [More] ⦿

superlow.com

Norwegian design and type magazine edited by Norwegian designer Halvor Bodin. On-line, handy PDF files. Discussion papers include an essay on blackletter type. [Google] [More] ⦿

Supremat
[Roman Postovoy]

Roman Postovoy is a web and graphic designer based in Dedovsk, Russia. His typefaces mostly return to the Bauhaus period and the era of Swiss typography. In 2020, he published the 5-style wide geometric headline sans Benzin, the all caps Bauhaus typeface Weimar for Latin and Cyrillic, and the extra wide and heavy Hitchcockian typeface Anker.

Still in 2020, he released Rigel, an all caps blackletter typeface which was inspired by a 1936 poster by American artist and illustrator Katherine Milhous for the Ephrata Cloister.

Typefaces from 2021: Nucliometer (a piano key font), Lifeform (experimental), Uranus (a Latin // Hangul sci-fi typeface). [Google] [MyFonts] [More] ⦿

Susuanne Ulmke
[Alte Schriften]

Sutrisno Al Rasyid
[Chococreator (or: Missingfont)]

Suzanne Fleischauer

Aka Fleisch. Graduate of Johns Hopkins University. Codesigner, with Apostrophe at Apostrophic Laboratory, of Colwell and Hadley (2000), based on 1916 hand lettering by Ned Hadley. She also made Heraldic Crests, Heraldic Shields, Landes Fraktur, Blocky Sideways, High Hat (a pixel font), Wood Relief (2000), Sample (2007: a pixel font) and Woodcut Resawn (2009, at FontStruct). [Google] [More] ⦿

Sweet & Salty

Denpasar, Bali-based designer, b. 1990, of the script typeface Bright Salkiy (2019). Typefaces from 2020: Elesty, Gosling Qijon (a decorative serif), Blowiz (blackletter), Eosland. [Google] [More] ⦿

Sydney Morning Herald

An example from 1970 of the hundreds of newspaper titles set in blackletter. [Google] [More] ⦿

Sylvain Mazas

Born in 1980 in Chambéry, France, he studied at the Kunsthochschule Berlin-Weißensee in 2007, and has been working in Berlin since then, first for seven years as a type designer at LucasFonts, where he specialized in Arabic type, and then as a graphic designer at the Mückenschwein Publishing House, and as a freelance graphic designer and illustrator. Personal site.

His typefaces: Ostbahnhof (2016, a blackletter-inspired headline font), Paula (2016, based on the hand of comic book artist Paula Bulling), Bikini (2010, fatty poster face), Skizzenfont (2009), Palast Black (2008, ultra fat), Pestorino (2008). He also did a great typographic job in his Foch Flyer (2010) and Mückenschwein logo (2008).

Arapix12 (2012) is a Latin-Arabic pixel font with very special capabilities: every Latin and Arabic glyphs are designed within just 12 pixels, which is especially reduced for fitting Arabic extended ascenders and descenders. Retails as 29LT Arapix.

At his own tyefoundry, simply called Sylvain Mazas (est. 2018), he published the German expressionist typeface Ostbahnhof (2018). [Google] [MyFonts] [More] ⦿

Talavera Type Workshop
[Jesús Eladio Barrientos Mora]

Talavera Type Workshop is Jesus Barrientos's type foundry in Puebla, Mexico. He has a Masters in Type Design from Estudio Gestalt in Veracruz, class of 2013. Presently he is a professor at Benemerita Universidad Autonoma de Puebla, Mexico.

Barrientos designed Vecchia Romana (2008), a winner in the Tipos Latinos 2008 competition for best text family.

At Tipos Latinos 2012, he won awards in the display type category for Agony, and Ecstasy. Speaker at ATypI 2014 in Barcelona. Speaker at ATypI 2016 in Warsaw. Graduate of the TDi program in 2018 at the University of Reading.

In 2012, these commercial fonts were offered via MyFonts: Vecchia (Venetian), Ochenteros (counterless geometric face), Escuadra (squarish), Signorina, Ecstasy (blackletter), Agony (a script).

Kyrenia TTW (2014) is a calligraphic script family.

In 2014, after heaving studied Elzevir in depth, Jesus published his Leidener typeface family. The actual letters were developed from those found in Constantini Imperiatoris (1611) and Exercitationum Mathematicarum (1657), which were printed by Louis and John Elzevir in their workshop in Leiden.

In 2017, he published the pixelish typeface Kader at Letter Inc.

In 2018, he designed Malaguenya and the grungy Rapenburg.

Typefaces from 2020: Nimbo TTW (kaleidoscopic mandalas).

Typefaces from 2021: Keizer (a superb 5-style display serif with Titling, Inline, Openface, Initials and Outline options; Keizer has its roots in early XXth century cartography), Blacken (a blackletter inspired by the gothic-cholo style, Mexican sign painting and some delicious Belgian beer).

IT FADU link. Fontown link.

View Talavera's typefaces. [Google] [MyFonts] [More] ⦿

Tanja Oppel

German designer Tanja Oppel combined blackletter and grotesk to get Fratesk (2012). In an interesting experiment, Tanja averaged 13 versions of Garamond: Adobe Garamond Oldstyle Figures, Garamond Classico, Garamond, ITC Garamond, Stempel Garamond, Adobe Garamond LT, Stempel Garamond Oldstyle Figures, ITC Garamond LT, Garamond 3, Garamond Premier Pro, Simoncini Garamond LT, Adobe Garamond Pro, Garamond Three LT.

Behance link. Yet another URL. [Google] [More] ⦿

Tao Chen

Tao Chen, or just Tao, is the Parisian designer of Chinese Gothic (2012), a Chinese language blackletter typeface. Depot (2012) is a 3d Latin typeface. At FontStruct, a (the same?) Tao Chen made Crunchy (2011).

Tatang Iskandar
[Typeting Studio]

Taufiqurrohman Nadri
[Blackerning Studio]

Ted Staunton

Born in Lincoln, UK, in 1942, Ted Staunton lives in Surrey, BC, and designs type. After serving a five-year apprenticeship as a hand compositor (1958-1963) with the Lincolnshire Publishing Co., he spent three years (1963-1966) at Leicester College of Art&Design, graduating in type design. After spending some time in London working for Penguin, Hamlyn and other book publishing houses, he emigrated to Canada in 1970, working for Mitchell Press and Hemlock Printers in Vancouver before opening his own design business and letterpress printing shop, Sherwood Graphics, in 1984. In 1991 he published a private press book, The Lincolnshire Poacher, illustrated with his own wood-engravings. Some of his fonts were used privately on transfer lettering sheets and cast in metal for hand typesetting at his private press, Sherwood Letterpress. His typefaces are mostly published bi P22:

In 2003, P22 launched Staunton's Sherwood Type Collection, a beautiful ensemble of revivals: Afton (2003), Albemarle (2008: connected script), Albion (2003), Albion Italic, Amelia (2003: ornamental caps in the style of William Morris), Aragon (2003: Victorian), Avocet Light (1985: chancery script originally named Avoca), Canterbury (2006, +Caps A, Caps B, Caps C, Pro), Elven (2003), Floriat (2003: floriated ornaments), Founders (2003), Freely (2002), Kaz (2008, between architecture and Comic Sans), Kaz Thin, P22 Kelly Pro (2009, Celtic style uncial), Latimer (2002), Lindum (2000; based on his Lindum Titling from 1967), Mayflower (2002: medieval lettering), Mayflower Italic, Mayflower Smooth (2009), Mercian (2003), Plymouth (2001), Roanoke Script (2002, a rough texture typeface; Albemarle is the smooth version), 1722 roman (2002), 1722 italic, Sherwood (2002), Sparrow (2001), Symphony (1987), Tyndale (2002), and Tyndale Xtras (2002: Arabesque ornaments).
Typefaces from 2004: Merton, P22 Ruffcut and P22 Spooky (blackletter).
Typefaces from 2005: the Staunton Script (package P22), which includes handwritten style typefaces that simulate the period spanning between the English Civil War (1640s) and the Victorian Era (1839-1901): Virginian, Royalist, Grosvenor, Grenville, Elizabethan, Broadwindsor, Chatham. Staunton Script was first drawn in 1981.
Typefaces from 2006: P22 Phantasmagoria (a wedge serif inspired by Viking runes), P22 Regina (calligraphic).
Typefaces from 2011: Bix, Brigid.
Typefaces from 2013: the spurred typeface Ridley, which is based on his Avalon Text (2002).
Typefaces from 2014: P22 Amelia Jayne (which has a classical roman, with several sets of initial caps).
Typefaces from 2015: P22 Clementine (sans, curly: pure Victoriana), P22 Ringwell (Victorian).
Typefaces from 2019: P22 Kingsclere. Inspired by a 17th century tombstone inscription in the town of Remedios, Cuba.
Typefaces from 2020: P22 Ridley (a spurred medieval typeface, named for Nicholas Ridley and similar in style to Staunton's Latimer font), P22 Tuscaloosa (P22: a hybrid Tuscan typeface).
Typefaces from 2021: P22 Araminta (a Tuscan Victorian font).
Undated roman: Bentley.
Undated sans: Witham Light.
Undated initial caps: Arabella Initials, Florabunda (floriated Lombardic caps).
Undated blackletter: Luther, Yeoman.
Undated Victorian typefaces: Arabella.
Undated scripts: Guildford, Hykeham Swash, Nadine, Saluki.
Undated text typeface: Crossroad.

Klingspor link. P22 link.

View Ted Staunton's typefaces. [Google] [MyFonts] [More] ⦿

TeGeType
[Thierry Gouttenègre]

Thierry Gouttenègre is a Belgian designer (b. 1961), who is located in Tullins-Fures, France. After a stint as type director of Alfac-Decadry in Belgium, Thierry Gouttenègre moved to the south of France and started his own Design Studio in the mid 90s. In 2007, he set up TeGeType. He is one of my favorite type designers. His fonts:

Aldogizio (2013). The name gives the font away, an amalgamation of Aldo Novarese and Egizio---this is a slab serif fest.
Batarde Bourguignonne: a medieval blackletter.
Carcel (2009): striped letters.
Cinio (2009): used for signage by several French cities. For use on screen, he slightly rounded the corners and released the result as Cinio Text in 2019.
David Aubert (1992, Alfac): a bastarda (bâtarde bourguignonne) named after David Aubert, the calligrapher of Philippe Le Bon and Charles Le téméraire, both dukes of Burgundy who worked and lived in Brussels in the 1500s.
Dickens (1995, Fonderie Barthélémy).
Dilectus (2019). Originally intended for musea, this lapidary typeface takes inspiration from paleochristian engravings.
Falace (2008): a contemporary interpretation of the Didone typefaces.
Firmin Didot (1989, Alfac).
Fournier (1990, Alfac).
Fraktur (1990, Alfac).
Grégoire (1994, Fonderie Barthélémy).
Alipe Script (2014). A calligraphic connected (wedding, chancery, greeting card, divrce) script.
Hugo (1995, Fonderie Barthélémy).
Kafka (1994, Fonderie Barthélémy).
Limine (2008), a 3D beveled typeface family in styles called Creux and Relief.
LouisJou (2000).
Majuscule (1991, Alfac).
Neutre (1997, Fonderie Barthélémy). A sans family specially designed for signposting applications. This type family is used by several cities in France.
Oculi Magni (2020). Specially designed for small and tight texts, the glyphs have maximal x-height.
Otsu Sans (2011) and Otsu Slab (2013).
Poltrone (2010), a great titling family inspired by 19-th century public inscriptions.
Rome (1995, Fonderie Barthélémy).
Rosart (1991, Alfac), named after the 18th century Belgian typefounder, J.-F. Rosart.
Sand (1996, Fonderie Barthélémy).
Sursum (2009): a roman almost-typewriter family.
Tolstoï (1994, Fonderie Barthélémy).
Varvara (2017: a weathered all caps constructivist typeface created as a tribute to Barbara Stepanova (1894-1958)).
Vizille (1998-2009): a phenomenal Fournier text family made for the Musée de la Revolution Française in Vizille.
WebType (2002): a techno family.

View Thierry Gouttenègre's typefaces. [Google] [MyFonts] [More] ⦿

Teknike
[Thoma Kikis]

Thoma Kikis is a New York City-based graphic designer, photographer, filmmaker and entrepreneur.

Typefaces from 2016: Ithaka (script).

Publisher of these handcrafted typefaces in 2017: Anamorphic, Evangelos, Passagem, Privé, Qipao (momospaced felt marker pen font). Teknike also created Nautis (sans), Cycladic (sans), Vantagram (blackletter), Uny (slab serif perhaps for athletic lettering), Fugues (star-studded textured style inspired by organic geometry as apparent in the work of Antoni Gaudi; started in 2015), Jadeite (sans) and Designator (a squarish modular monospace font).

Typefaces from 2019: Omoshiroi (a handcrafted monospace typeface), Cote (a hand-lettered monospace font), Penzance (a monospaced handcrafted typeface), Monadic (a monospaced textured typeface), Chartreux (a geometric monospaced display sans typeface), Originator (a squarish monospaced font family), Quantour, Prive (a display handwriting font).

Typefaces from 2020: Receptor (a monospaced squarish typeface), Departe (a dot matrix font), Eleusis (monospace, all caps), UNY (slab serif). All his fonts cover Latin and Greek. Some cover Cyrillic and Hebrew too.

Typefaces from 2021: Ermou (a Greek emulation typeface). [Google] [MyFonts] [More] ⦿

Telmo Moura

Communication designer in Lausanne, Switzerland. Designer of the rounded sans typeface Circles Regular (2014) and the blackletter typeface Hendricks (2014). [Google] [More] ⦿

Tepid Monkey Fonts
[Brandon Schoepf]

Free original fonts by Brandon Schoepf at Tepid Monkey. The foundry closed its doors in July 2002, to be continued by The Typover Foundry, starting July 15, 2002. That site too seemed to have problems, so Typoasis took over in 2005.

The list of typefaces: Abscissa, AbscissaBold, AbscissaBoldItalic, AbscissaItalic, AccidentalPresidency, Bedizen, Benegraphic (a handwritten Fraktur, 2001), CadmiumEgg, Caduceus, Charybdis, Dadhand, Discognate, DiscognateLight, Dotimatrix3, Dotimatrix5, Dotimatrix7, Dulethia (Greek simulation face), EagerNaturalist, EightyPercent, EightyPercentCaps, EightyPercentCapsOutline, EightyPercentOutline, ElectedOffice, ElectedOfficeOutline, ElectedOfficeOutline18118, FifteenOkay, FifteenOkaySlanted, Galaxy Monkey, Hipchick, Hoffmanhand, Jrhand, KetchupSpaghetti, LockedWindow, Medrano, Monoglyceride, MonoglycerideBold, MonoglycerideDemiBold, MonoglycerideExtraBold, Nauvoo, NegativeTuning, November (2001, pixel font), Opossum, Origami Mommy (2002, square outline font), Ponderosa, Ptarmigan, PtarmiganCondensed, PtarmiganCondensedItalic, PtarmiganItalic, Qhytsdakx (2001), RationalInteger (checkbook font), RepetitionScrolling, Scott, Stockstill (stencil font), Sujeta, Sujeta3D, SujetaBold, SujetaBoldItalic, SujetaItalic, SujetaOutline, Survivant, Transuranium (2001), Updike, VerticalTuning, Zig.

Dafont link. Kernest mentions the name Brandon Schoech. [Google] [More] ⦿

Teresa Vasconcelos

Porto, Portugal-based designer of New Fraktur Stencil (2014). [Google] [More] ⦿

Terrazzo Prosecco

An example of blackletter on the label of a Prosecco bottle. [Google] [More] ⦿

Terry Kunysz
[Casady&Greene (Fluentlaserfonts)]

Terry Lee
[Veil of Perception]

Terry Sampson

Designer of these typefaces at FontStruct in 2008: Upson Downs, Big Block Sans, Serabunde (outline face), Sampson Mono Sans, Spandantic, Decal (athletic lettering face), Collegiate Solid, Iconic Louvre, Ma Bennett, Collegiate Outline, Blockhead, Zataganges, Micro G (based on Microgramma), This Way Up, Fraktured Bubbles, Movie Clip Reversed, Domtext (blackletter), Guido (flowery caps face), Guido Light, Misery (pixel face), T-Squared, Whisper, Samus, Rybald, Easter Island, Rybald Normal, Hairy Bugger II Clone, Texture Fancy and Texture Graph paper (both based on Wolfkrim's blackletter typeface Texture), Sausage Factory, Klingon Blade II Heavy, New Gotham, Whipstitch (stitching face). Additions in 2010: Sectarian, Sectarian Outline. [Google] [More] ⦿

TexType

Type designer and artist at Lettering Delights who made these fonts: TXT Abrasive font, TXT Altius font, TXT Annesia font, TXT Antique Italic font, TXT Antique Poster font, TXT Brush Script font, TXT Delicate Script font, TXT Fancy Caps font, TXT Fat Hatch font, TXT Groovy Smooth font, TXT Hoopla font, TXT Hunkaspunk font, TXT Jubulation font, TXT Long Hand font, TXT Menu Item font, TXT Monique font, TXT Monkeyshine font, TXT Nuptials font, TXT Old English font, TXT Personality font, TXT Romanesque font, TXT Rough Button font, TXT SantaFont font, TXT Scribbletti font, TXT Seasonal font, TXT Sloppy Script font, TXT Small World font, TXT Soda Shoppe font, TXT Stonewashed font, TXT Tough Love font. Most of these are hand-drawn or grungy. [Google] [More] ⦿

Thaddeus Ted Szumilas
[Thaddeus Typographic Center]

Thaddeus Typographic Center
[Thaddeus Ted Szumilas]

Thaddeus "Ted" Szumilas was born in Poland in 1951. In 1966 he emigrated to the United States where he attended Haaren H.S. and Parsons School of Design, majoring in Graphic Design. Practical experiences at Lubalin, Smith&Carnase Design Studio and with John Pistilli at Sudler&Hennessey ad agency prepared him for the real world of typographic design. He did book jackets, packaging, corporate identity, entertainment and TV. Here is one of his early typefaces. Thaddeus has been teaching the curriculum of basic and advanced typography at Pratt Institute in Brooklyn, New York, from 1998-2008. Designer of the swashbuckler / medieval script family Ovidius Script (2001, FontHaus; in Light, Demi and Bold weights; also known as TS Ovidius), Sans Original, On The Line (2008, great calligraphic grunge), Singles Bar (2008, display sans), Wind Factor (more calligraphic grunge), Agitas Gallery (2008, blackletter), Big New Sign (2008), Breslau City (2008), Daily Fix (2008), Deltona (2008), Nigerian King (2008, avant garde face), Stigmal (2008, African theme), Amerigraf (2009), Election (2009, medieval with a rough outline), Gillateg (2009, grungy outline), Wackoface (grungy like Treefrog), Taliography (2009, another script with a rough outline).

Typefaces made by Fontry West. Typefaces by Mike Adkins.

Thais Mendes

During her design studies at FAAUSP in Sao Paulo, Brazil, Thais Mendes an untitled hexagonal gothic typeface in 2015, together with Filipe Ferreira. Behance link. [Google] [More] ⦿

Thalyson Souza

Brasilia, Brazil-based designer of the caps only blackletter typeface Fraktur TS (2016). Behance link. [Google] [More] ⦿

That That Creative (or: Utah Type Foundry)
[Harbor Bickmore]

Graduate of SVA in New York who works as a graphic designer in New York. He made these commercial typefaces at his foundry, That That Creative (est. 2020, based in Utah):

Drama Queen Display (2020). A fatface.
Agharti (2021). Super-condensed.
Comba (2021). An all caps monolinear sans with mental disabilities.
Vows (2020). A condensed display typeface.
Tickerbit (2021). A pixel font.
Airif (2020). A garalde.
Mostest Mono Bold (2021).
Ye (2021). A decorative serif.
Kish (2021). A reverse stress display typeface.
Baou (2021). A wide monolinear sans with elliptical contours ideally suited to adorn sleek modern machines such as the Tesla Model S, Porsche Panamera, Volvo Polestar Precept, Audi GT ETron or Mercedes AMG CLS 53.
Cesso (2021). A ligature-rich flat-serifed display typeface with gothic star alternates.
Gunter (2021). A hipsterish display font.
Fayte (2021). A blackletter.
Tumb (2021). A wonderful inktrapped display typeface.
Wetris Liquid (2021). An intestinal typeface.
Hanno (2021). A 1950s style sans.
Neuething Sans (2021). A 6-style geometric sans.
Hideaki (2021). A sturdy serif.
Okie Doko (2022). A reverse stress typeface with a Western vibe.

Type Department link. [Google] [MyFonts] [More] ⦿

The Fontry
[Michael Gene Adkins]

The Fontry is a Watts, OK, based outfit, est. 1992 by Michael Gene Adkins (b. 1965, OK) and James L. Stirling (b. 1964, OK): Digital type for computer-aided signmaking, with fonts designed for signmakers by signmakers.

Since 2009, they have been producing various digitizations of alphabets designed by Alf R. Becker in the 1930s and 1940s. Gene Adkins designed ARB-187 Moderne Caps AUG-47 (2013, didone), ARB 85 Modern Poster JAN-39 (2011, after Modern Poster Script, 1939), ARB-70 (1995), ARB-67 (1998), ARB-66 Neon (2010, +Block, +Line), ARB-44 (1995), ARB-96 Jitter Display DEC-39 (1999), SCRIPT1 ARB-85 Poster Script Normal (2000), ARB-66 Neonline Block, ARB114 Hillbilly Roman JUN-41 Normal (1999), ARB-187 Moderne Caps AUG-47 CAS family (2009, a beautiful didone display face), the ARB 08 Extreme Roman AUG-32 CAS family (2009), ARB-218 Big Blunt (2010), ARB-218 Neon Blunt.

Another product is the Wild Bunch Pak #3: Danthr Skal, Kastaka, Gas Bumps, Skrawl 613, Sharrpe Gothik, Levo Fraz, Kommerce, Stellar Spice, Infected Hurt.

Wild Bunch Pak #2 (50 USD) has Marbles&Strings, Keetoowah, Peppermint, Ghixm (2008: a retrospective of the horror comics and movie posters of the 1960s and the 1970s), Klash, all outline fonts. In Wild Bunch Pak #1, look for Toxia. Race Pak #1 contains 5 chiseled fonts, including ARB67, Brannt Chiseled, Excursions, JLS Ultra, and Race Checkers. 50 USD. There are also Greek Pak #1 (12 Greek fonts for 25 USD, including GRK Orbit, GRK Universe City, GRK Albert, and GREK Bodnaut) and Signfaces Narrow Pak #1. At Garagefonts, Wild Larra, Wild Ruts, Wild Toxia, Wild Nobody families (1999), Jackport (2014, athletic lettering and Western typeface family).

Adkins also designed the commercial font First Vision at GarageFonts in 1998. Review at &Type. List of the fonts on his CD.

MyFonts sells FTY Garishing Worse (2011---there is a free version at Dafont), SCRIPT1 Team (2010), SCRIPT1 Toon (2010), SCRIPT1 Voodoo Script (1999-2009, signage script), What Sound Pounds (2009), WILD3InfectedHurtNormal (2010), WILD1 Firstvision (1997), WILD1 Larra (1997, grunge), WILD1 Nobod (1997, grunge), WILD1 Ruts (1997), WILD1 Toxia (1997) and the blackletter typefaces Ironhorse and Ironrider (2007), revivals of classic wood type typefaces. FontShop link.

Some fonts are inspired by sign painter Frank H. Atkinson. These include the Broken Poster series done in 2010, FHA Modernized Ideal Classic (2011), and FHA Nicholson French (1999-2014: art nouveau).

In 2008, The Fontry published the Greek Font Set, Copper Penny DTP (after Copperplate Gothic, but with lower case included), Droeming (an eerie family) and Earth A.D. (more eerie stuff, metallic, and with sharp serifs). It then generated a break-away subfoundry that carries fonts solely designed by James Stirling, Fontry West. Fontry West is located in Tulsa, OK. At MyFonts, these Fontry West fonts can be bought: Iron, WILD1 Firstvision, WILD1 Larra, WILD1 Nobody, WILD1 Ruts, WILD1 Toxia, WILD2 Ghixm, Greek Font Sets 1 and 2 (not Greek, only Geek-ish, made for fraternity use), and a large Comic Fanboy set which includes glyphs painted with stars and stripes (CFB1 American Patriot, CFB1 Captain Narrow, CFB1 Shielded Avenger, all made by Adkins). The CFB1AmericanPatriot family (2009), and the SCRIPT1 Rager Hevvy family (2009) are free here. JLS Overkill (2009, Bloque, Stencil, Grunge, Champion [athletic lettering], Hammer) is a sturdy family covering everything from SUV-strength stencils to grunge stencils and macho slab serif headline typefaces. After Disaster (2008), FHA Eccentric French Normal (2008, wood type after an alphabet created by Frank H. Atkinson in 1908), WHATSOUNDPOUNDS?Normal (2009) are free at Dafont. Sinder (2010) is a grunge face. FTY Konkrete (2010) is constructivist, and has a beveled weight. FTY Strategycide (2010-2018) is a similar severe headline sans family. Sinder (2010) and Demon Sker (2011) are free grunge typefaces. American Purpose (2011) is a grotesk family. American Purpose Casual and American Purpose Stripe (2011) are follow-ups. Garishing Worse (2011) is a casual bold face. Sharpe Gothik (2011) is hand-drawn. American Captain (2011, a manly retro squarish propaganda headline face; see also American Captain Patrius 02 FRE). Deathe Maach (2012) is a sturdy 6-style display family. Avengeance (2012) is a techno typeface. FHA Condensed French (2012, by Michael Gene Adkins and James L. Stirling) and FHA Nicholson French (1999-2014, art nouveau) are based on Frank H. Atkinson's examples.

Typefaces from 2013: FHA Broken Gothic (a layered chiseled family done with James Stirling, based on Broken Poster by Frank H. Atkinson), FTY SKRADJHUWN (a flared family), Iron Man of War (with layering effects, +001Rivet), Iron Man of War 2 NCV, RACE1 Brannt (prismatic, beveled, art deco), FTY Skorzhen (mini-spurred), FTY Speedy Casual, FTY Skradjhuwn NCV (comic book family).

Typefaces from 2014: FHA Tuscan Roman (2014, Michael Gene Adkins, James L Stirling), FTY Varoge Saro Noest.

Typefaces from 2015: FHA Sign DeVinne (after a popular sign painting design by Frank H. Atkinson named after DeVinne).

Typefaces from 2016: FTY Delirium (+Neon), Delirium NCV.

Typefaces from 2017: FTY Galactic VanGuardian.

Typefaces from 2021: Fty Old Sport (a slab serif athletic lettering font family, one of the best in this genre).

Fontspace link. Klingspor link. Dafont link. Abstract Fonts link. Creative Market link. [Google] [MyFonts] [More] ⦿

The Fontsmith
[Scot Jenkins]

Scot Jenkins from Gillette, WY, was called the Fontsmith. He made original fonts such as Crusades (grungy blackletter).

Biography by Nicholas Fabian. Bio at Britannica. Bio at Infoplease.

The Golden Black

Commercial display type foundry in Saint Petersburg, Florida, est. 2009. Their selection includes Orthodox (2011, a spiked display face), Golden Blackletter, Catalyst Black (Lined, Solid; by Hydro74), Iron King (2011, inspired by cigar box labels), Chief (monoline octagonal face), Fearless Script (2011, tattoo script), Inked Script (copperplate calligraphic (tattoo) script), Muerte Black (by Hydro74), Black Mamba (by Hydro74), Viper Black (by Hydro74), West Coast Soul (by Hydro74), Bushido Ink, Iron Fist, Blackmail Sect, Golden Age, Tyranny Gothic. Infamous (2011, +Shaded) is a custom display font based on typography by the Sanborn Company designs issued in the 1800s. Perfecta (2011) and Fantasma (2011, spurred, all caps) are art nouveau fonts.

Golden Bones (2011) is free.

Typefaces from 2013: GB Shinto (oriental simulation), Berzerk (angular and spurred).

Behance link. Dafont link. Another Behance link. [Google] [More] ⦿

The Happy Greyhound
[John A. Hern]

The Happy Greyhound is John Hern's metal type foundry in Coeur d'Alene, Idaho. It sells and ships metal type, including an interesting-looking Heintzemann Fraktur [after Karl Heintzemann], and nice sets of initials such as the John Alden Initials, Ben Franklin Initials, Lombardic Initials, and Massey Initials, as well as several great border sets. [Google] [More] ⦿

The Letterfoundry of Michael & Winifred Bixler
[Michael Bixler]

The Letterfoundry of Michael & Winifred Bixler in Skaneateles, NY has been devoted to the book arts, particularly the craft of fine letterpress printing, metal type founding, and traditional book typography, since 1965. Michael Bixler studiede at Rochester Institute of Technology. The Bixlers are known for their quality and ongoing preservation of the craft of typecasting. Some of its types are listed here.

Their catalog of metal typefaces as of 2007: Albertus (+Titling), Baskerville, Bell, Bembo (+Bold, +Titling), Blado, Castellar, Centaur & Arrighi, Dante (+Titling), Ehrhardt, Fairbank Bembo Italic Condensed, Fournier, Garamond, Gill Sans, Joanna, Lombardic Capitals, Lutetia, Octavian, Old English, Perpetua (+Titling), Plantin, Poliphilus (+Titling), Spectrum, Sachsenwald, Univers, Van Dijck, Walbaum.

Michael Bixler designed the metal typeface Bixler Roman in 1968. Matrices were cut in Japan and the typeface was cast privately.

Bixler issued the blackletter metal typeface family Sachsenwald which is modeled after Berthold Wolpe's Sachsenwald (1936-1937; formerly known as Bismarck Script).

In 2020, the Bixlers and P22 jointly published the ornamental typeface LTC Bixler Ornaments, and in 2021, they added LTC Bixler Ornaments Two. The digital versions are due to Terry Wüdenbachs. [Google] [More] ⦿

The Private Press and Type foundry
[Paul Hayden Duensing]

Paul Hayden Duensing (1928-2006) was a typographer and type designer who ran The Private Press and Type foundry, in Vicksburg, MI. Designer of Sans Descender, Chancery Italic (1966), Rustica Sixteenth Century Roman, Quadrata II, Janson Open (experimental), Van Krimpen Open Capitals (numerals only; designed by Will Reuter and cut by Duensing), Octavian Caps, Unciala, and Dartmouth (designed by Will Carter, cut by Duensing). In 1990, he published a gorgeously hand-set booklet entitled "Deutsche Druckschriften", in which he says: "The present portfolio attempts no campaign for Fraktur; rather it makes only a quiet appeal for consideration of a great, if neglected, calligraphic typeface." The blackletter types shown there are, I presume, made by him: Heinzemann No99M, Heinzemann No100M, Dürer No.256, Wallau, Jessen, Kasseler No. 40 Teutonic Text, Theuerdank No. 392, Wilhelm-Klingspor-Schrift, Blücher No. 387 and Koch Initials. He was a generous man, who in the last year of his life donated his typefounding machines, matrices and effects to young people.

Mac McGrew explains Andromaque's genesis: Andromaque is a cursive form of uncial letter, mixing Greek forms of aeklmnstz with Roman forms of the other letters, yet retaining legibility and harmony. The original size was cut by Victor Hammer and cast in France. The 14-point size was begun by Hammer, but left unfinished at his death. The font was completed by his long-time friend, R. Hunter Middleton, in the early 1980s, and cast by Paul H. Duensing. Paul Baker did a digital version of Andromaque in 1995.

Duensing died on November 9, 2006. [Google] [More] ⦿

The Sastra
[Deni Dessastra]

Singkawang, Indonesian Borneo-based designer, b. 1983. Creator of the decorative Victorian typefaces Noir (2015) and Dwiss (2015), which are intended for tattoos. He also made Crypton (2015), Steampunk Ornaments (2015), and Rosewell (2015, Western decorative caps typeface).

Typefaces from 2016: Lawless (biker style blackletter), Union.

Typefaces from 2017: Volcano (script).

Typefaces from 2018: Wolfgang (a vintage tattoo font).

Typefaces from 2019: Vanderink (tattoo type), Monteradoo, Temadjo (a biker gang font), Khatulistiwa (spurred tattoo type), Jhoony Richmond (art deco; caps only), Black Borneo (vintage, spurred), Blackphanters (vintage), Noise Storm. [Google] [More] ⦿

The Type Fetish
[Michael Wallner]

Born in Minneapolis, MN, in 1967, Michael J. Wallner (now in St. Paul, MN) graduated from the College of Visual Arts. In 2001, he set up The Type Fetish.

His typefaces include Pushki Pro (2011, a slabby poster typeface based on some hand lettering found on a Russian poster), Lard Pro (2011, very fat and high-contrast typeface; +Greek, +Cyrillic), Brogue (2009), Casualties Pro (2009, grunge), Kari Sans (alyered typeface family), Fabricate (2007, fururistic), Idiot Boy (2010, grunge), Numbskul (2007, grunge), Parcel (2007, grunge), Reverend Jim (2007, handwriting; with Jim Laitinen), Recreant (1998, grunge), Used (2002, grunge), Calligraphy-Unicase (2007), Commuter (2008, gridded letters), Fabricate-Inline, Fabricate-Regular, Fabricate-Thin (2009, techno family), Grimm (2008, a German expressionist blackletter), Fucsimile (2009---no idea what this is), S4QUFX (2009, dot matrix face), Amrep 026, Borough Pro (2010, random width squarish sans set), Broken Vows, Casualties, Cheapo, Cubage, Dimentia, Discharge (grunge), DIY-One (2002), DIY-Two (2002), Dimerit, Filth, Fucsimile (degraded fax or old typewriter), Insurgent (2009, grunge), Kaaos (2005, eroded stencil), Maim, Nascent, Quadrate, Refuse (2009, grunge), Sabotage, Squarish, Straphanger (2009, dot matrix face), The Crew (stencil font), Universally Corrupt, Whore, Xiphoid and Zen Arcade.

Michael did not publish any fonts between 2011 and 2018. In 2018, he returned with a mammoth 50-font layerable typeface family, Apnea, which are based on old painted signs.

MyFonts.Com is selling the fonts. The free font Sabotage (2002) can be downloaded here.

Dafont link. Klingspor link. Behance link. Hellofont link. Home page. [Google] [MyFonts] [More] ⦿

Theodore Low De Vinne

American printer (b. Stamford, CT, 1828, d. New York, 1914). In 1848, he entered the shop of Francis Hart in New York City, where he became owner after Hart's death in 1877. It continued as Theo. L. De Vinne&Company until 1908, when it was incorporated as the De Vinne Press. De Vinne was the best-known American printer of his day. He was neither a type designer nor a type cutter. His books include

The Invention of Printing (1876)
Specimens of black-letter in stock at the De Vinne Press, no. 12 Lafayette Place, New-York City (1887).
The Roman and Italic Printing Types in the Printing House of Theodore L. De Vinne&Co. New-York (De Vinne Press, 1891). Archive link. PDF.
Plain Printing Types (New York: Century, 1900).
The practice of typography: a treatise on the processes of type-making, the point system, the names, sizes, styles and prices of plain printing types (4 vol., 1900-1904, Century Co., New York). Amazon link. The Third Edition of that book from 1910. PDF.
Types of the De Vinne Press. Specimens for the Use of Compositors, Proofreaders and Publishers (NY: De Vinne Press, 1907). Archive link. PDF.
Notable Printers of Italy during the Fifteenth Century (1910).

His type styles were revived in 2010 by Jeff Levine as Publication JNL.

Typophile Chapbook: Theodore Low De Vinne; was published by Carl Purington Rollins.

View digital typefaces based on De Vinne's work. [Google] [MyFonts] [More] ⦿

Theyann PentaGram (or: Full Moon Design House)

Born in Serbia in 1988, "Theyann PentaGram" made the free blackletter typefaces PentaGram's Gothika (2005) and PentaGram's Callygraphy (2013), the text typeface PentaGram's Ghost Whisperers (2013---inside the font we find a copyright string that points to Requienm Text by Hoefler and Frere-Jones---ahem, clearing my throat), the medieval typeface Malefissent (2013), the grungy typeface Pentagram's Stregherria (2013), and the medieval script typeface PentaGram's Aurra (2013). Further typefaces from 2013 include PentaGram's Neffylim [which, oddly, is copyright of Coppelia], and PentaGram's Crafth [this one is the copyright of Traci "Ulario" Vermeesch-Vezina, 2012].

In 2014, he made Pentagramn's Salemica (or: Salem by Theyann).

Thiago Scatolin Barbosa
[Blackletter: classification]

Thibault Dietlin
[Thibault Dietlin]

Alien Foundery used to be called Bsillkrieg. Thibault Dietlin (b. 1987, Besançon) who runs it is located in Annecy (before that, in Besançon). He makes these fonts freely available via Dafont in 2008: Zfonts (grunge), Pee On Face (grunge), Hardcore Pen (graffiti), La Fraktouille (sketched blackletter face), Crustype crust (grunge), Crust Clean (grunge), My Goth Is Better, city burn night after night and we spraypaint the walls 1.0.

Additions in 2009: Black Spoon (minimalist sans with exaggerated x-height), Hurray (clean sans), Tes (sans), Urbana (grungy stencil), Boa, The City Burn(grunge), Riot AF (a crayon stencil font), Blind (Braille font). [Google] [MyFonts] [More] ⦿

Thibault Dietlin
[Thibault Dietlin]

Thibaut Désiront
[MEKA]

Thierry Fétiveau

French freelance graphic and type designer who started his own commercial type foundry in 2014. Now based in Nantes, Thierry was educated in Nantes and studied Typography & Language at ESAD in Amiens, France, class of 2014. His typefaces:

Andersen. His graduation project from Nantes.
Batutah (2013-2014). A Latin / Arabic bicephalic typeface family for his graduation project at ESAD. "Batutah" refers to the Arab pilgrim Ibn Batutah who traveled from Spain to China in the thirteenth century. This Latin / Arabic typeface is intended primarily for magazines.
Futago (2013). A fashion mag hiragana and katakana didone. Thierry: Futago is a Japanese typeface of 141 glyphs intended to go with Latin typefaces from Didot family. Its name, which means twin, expresses clearly its objective: to be used in bilingual texts in order to create a graphic unity. This typeface has been selected by the website Typography Served in 2013.
Wilson (2013). A visit by Laura Mesaguer led Thierry to the development of a 3-style Tuscan stencil typeface called Wilson (2013).
Dark Times (2013). An extra-light revival of a gothic textura.
Lewis (2014). A Tuscan stencil typeface.
For the comic book artist Milena Picard, he custom-designed the comic book typeface family Anelim (2017).
The art deco all caps Utopiales (2018): This typeface has been tailor-made for the Utopiales, an international science-fiction festival at the Cité des Congrès in Nantes. The Cité des Congrès in Nantes asked me to create a new titling typeface only in capitals following their art deco inspirations. I based it on the letters of this period found in the streets of Nantes that are part of the history and identity of the city.
In 2019 he made a typeface, Bouclard, on commission for the publishing house Bouclard in Nantes.

Creative Market link. Behance link. [Google] [MyFonts] [More] ⦿

Thierry Gouttenègre
[TeGeType]

Thijs Mertens
[Letters en Plaatjes]

Thoma Kikis
[Teknike]

Thomas Boucherie
[Maelle Keita]

Thomas Ewing French

Scientific lettering expert, 1871-1944. His book The Essentials of Lettering (1912, McGraw-Hill, New York), coauthored with Robert Meiklejohn, has many historical examples and takes the reader on a grand tour of lettering. The tease. Local download.

For a digital revival of some alphabets, see Jeff Levine's New Thin Roman JNL (2019) and Drafting Class JNL (2021). [Google] [More] ⦿

Thomas MacKellar
[MacKellar, Smiths and Jordan]

Behance link. Devian tart link.

Thomas Ramey

Thomas Ramey, a graphic designer from Austin, TX, who grew up in Pasadena, TX, and was located in San Francisco and Nashville, TN, now operates out of Seattle, WA. He created the hybrid font Black Sans (2011) by combining DIN with the blackletter typeface Linotext.

In 2012, he designed the (free) curly upright typeface family Mocha Script.

In 2013, he designed the blood splatter font Sin.

In 2014, he created the layered cartoonish font Storyland, the ink splatter typeface Isaiah 53, the wide typeface Lightyear, the blackletter typeface Easy Company, and the roundish typeface Thunder Pants (extended in 2016: see further on).

Typefaces from 2015: Aventuras Stencil, Stella Grace (children's script), Sunshine Sans (+Spurred, +Stencil, +Rounded), Sugarfoot (Western), Country Bluegrass (Western), Baker Street Script, Yellowstone.

Typefaces from 2016: Thunder Pants (handcrafted collection that includes the Halloween font Scaredy Pants, Narly Pants, Touchdown Pants, and Spangled Pants), Blacklisted (Peignotian sans), Old Glory, Survivor Wood (a wooden plank font modeled after the Survivor TV series), Survivor Display (cleaned-up version with several inline styles).

Behance link. Creative Market link. Newer Creative Market link. [Google] [More] ⦿

Thomas Schmelz

EDV-Beratung Thomas Schmelz (Bahnofstrasse 130g, D-61267 Neu-Anspach) designs some Fraktur fonts. Address found at the Bund für Deutsche Schrift und Sprache. [Google] [More] ⦿

Thomas Thiemich

German type designer who graduated from the Hochschule für Grafik und Buchkunst in Leipzig. He is currently based in Antwerp, Belgium. First working under the pseudonym Ixel, he used FontStruct in 2008 to create Dolores Alpha (chunky blackletter), Pulgo 2.0 (fat stencil), Blone (octagonal stencil), Rimski (fat hexadecimal face), Figaro (artsy octagonal stencil), AGRAR Unicase (+Black), an elegant ultra-fat type family. He also made the techno typeface Ixelator 0.1. Alternate download.

His commercial work was published by OurType and transferred later to Type By when fred Smeijers quit OurType. His typefaces there:

Alto (2008), a humanist sans.
Fakt (2010). A large grotesk superfamily that was followed by Fakt Slab, Fakt Mono (2019), Fakt Sencil (2019) and Fakt Soft.
Remo (2012), Remo Stencil and Remo Slab.
Rosalinde (2019). A playful almost monolinear rounded slab serif.
Gustella (2018) in Solid, Stripes, Inline and Boxed styles. Gustella won an award at the Type Directors Club's Type Design Competition 2019.
Cobertura (2019). A large distinguished almost modular sans family with a good choice of widths from compressed to wide.

Thomas Thiemich has also made some custom typefaces. These include Weinviertel (2009, with Maurice Goeldner), a handwriting typeface designed for a wine distributor in Vienna.

Klingspor link. Ourtype link. [Google] [More] ⦿

Thomas Vree

Dutch type designer, b. 1967, Amsterdam, who now works in Dundas Valley, Ontario, Canada, in pre-press and the print trade. He has had wonderous encounters with other type designers. He made 47 digital typefaces. As far as I can tell, no sales, and no downloads. Behance link. A partial list:

Amazon (1996). Most letters are didone, but some serifs are Bodoniesque.
Amsterdam: A compendium of experimental typefaces done starting in 1988. He writes: My initial forays into type consisted of hacking Letraset, distorting it on photocopiers, playing around with it on stat cameras, then adding to that with tech pens, etc. Then in early 88 I started drawing type on the computer. I was doing fanzines, gig posters, logos, tape covers, etc. and I knew instinctively that I wanted to use typefaces other than the ones I had at my disposal. My choices at the time were very limited, and nothing I had access to accurately conveyed the look I thought would be appropriate for say an experimental electronic combo. So I started drawing my own typefaces.
Bass Bin (1997). A first hint of grunge.
Boloni (1996). A Bodoni face.
Cosmodrome (1992).
Cryptonym (1995). A mishmash of fonts reconstructed to give something magical.
Dirigible (1993). A slightly convex display face.
Dread (1991). In the style of Kisman's Fudoni and Makela's Dead History.
Engravers Initials 2 and 3 (2011). These are Victorian über-ornamental semi-blackletter typefaces based on designs found in Dan X. Solo's Gothic and Old English Alphabets from Dover Publications.
Faith. Thomas writes: Back in 94, 95 Paul Sych of Faith asked me to do the production work on a typeface package he was going to release through Thirstype. I created the analphabetic, accented characters, set up the kerning tables, and in some cases, created variants (italic, bold, outline, etc.) One of the typefaces was Wit, which was inspired by the experimental typography of Kurt Schwitters. The set of typefaces Thomas did included Wit, Fix Plain Mix, Fix Sin Mix, Fix Ram Hog Mix, and USeh.
Freddy. A digital version of an art nouveau typeface that Morgan Press had been using in the 1960s [those psych typefaces were mostly inspited by art nouveau].
Gyrosol (1997).
Jarkko. Based on old sign painter lettering.
Lucas: a sans family.
Lucifah: comic book lettering.
Mau Gothic: a bold weight of W.A. Dwiggins's Gothic, on commission for Bruce Mau Design.
Nephilim (1996).
Penetralia (1990). An ultra-condensed face.
Percolator. An organic face.
Poser (1995): A comic book face.
Puffage (2010): a typeface made up of pot leaf elements.
Ray Gun: a type done for a Ray Gun flyer.
Reklame. With hints of Avant Garde.
Snug Industries Font (a logotype done with Tony Elston).
SubRosa (1992). A squarish condensed face.
Thornaments. A set of symmetric ornamental symbols.

Behance link. [Google] [More] ⦿

Thomas Wood Stevens

Early 20th century designer of letters, who was associated with the Carnegie Institute of Technology, Pittsburgh. Author of Lettering (1916, The Prang Company, New York).

Alphabets from his 1916 book include Art Nouveau Capitals, Italic Capitals, Italic Lowercase, Modern Script Italics, Modern German Italic Capitals, Modern Round Gothic, Uncial (based on a 14th century manuscript), Venetian Modern Capitals, Roman Lowercase, Modern German.

PDF file of his 1916 book.

Digital remakes include Wood Stevens (2012, Intellecta).

In 2012 and 2013, Dick Pape digitized many of the typefaces discussed in Lettering (1916). They are freely downloadable from this site. The typefaces in Dick's collection are attributed as follows:

No artist: TWS Brush Caps 31, TWS Capitals from Coins 15,
Harry Lawrence Gage: TWS Heavy Capitals 49, TWS Italian Gothic Caps 80, TWS Renaissance Alphabet 39, TWS Robinson Caps 23, TWS Roman Caps 13, TWS Slab Capitals 22, TWS The Japanese 32 [note: see also Yoshi Toshi, 2003, by Da ABF Mafia, and Yoshitoshi, 2003, by David Nalle].
Norman P. Hall: TWS Heavy Modern 30.
Oswald Cooper: TWS Long Ascenders 36.
Ned Hadley: TWS Modern Caps 24, TWS Modern French 25.
Helen E. Hartford: TWS Modern German Capitals 28.
Charles H. Barnard: TWS Modern Roman 05.
F. G. Cooper: TWS Modern Roman Bold 37.
William A. Dwiggins: TWS Modern Roman Caps 32, TWS Variation on Georgian.
Guido Rosa: TWS Outline Caps 21.
George W. Koch: TWS Roman Wide Pen 33.

Commercial revivals include he slab serif Nouveau Lettering JNL (2019, Jeff Levine). [Google] [More] ⦿

Thumbnail Designs
[Andrew Martin]

Andrew Martin (Thumbnail Designs) is a Manchester, UK-based type and graphic designer. He will do custom type design, including signatures. His fonts, dated ca. 2008: Black Swirl (2007-2009, blackletter), Blade (techno/octagonal), Diablo (2007-2010, gothic), Ornate (scratchy), Quantum Leap (futuristic), Serif Regular (constipated and condensed), Script (a calligraphic typeface "ripped off" from Feel Script by Sudtipos, and because of that, discontinued), and Wolverine (faux oriental). Beloved Script (2009) is an elegant upright connected script face. No downloads or sales.

Dafont link. Aka Smudge and Scribble. [Google] [More] ⦿

Tia Evans

Brisbane, Australia-based student-designer (at Griffith University) of the blackletter typeface Black Metal (2019). [Google] [More] ⦿

Tiago A. Oliveira

For the class of Joana Correia at ESAD in Porto, Portugal, Tiago A. Oliveira created the text typeface Prodiga (2013) and the outline typeface Oliver Gothic (2013). [Google] [More] ⦿

Tibor Lantos

Budapest-based creator (aka Frodo 7) in 2009 at FontStruct of FontMoot 01 (pixel face), Brego, Magor (minimalist, De Stijl typeface), Andromeda Strain, Elrond (Tengwar font), Oil Stencil, Optill 2A and 2B and 3A and 3B (optical illusion fonts), Rivendell (Celtic weaving), Cubeology (patterned cubes), The Two Towers, Mike Wazowski (emoticon face), Edoras Stencil, Elessar, Earendil, LE Meta (dot matrix), Coccinella (dot matrix), +Two, +TwoB, Picosec, Picosec Rounded (ultra fat retro), Palindrome, Valimar, Fundin Eco, Fundin Regular, Lost Entropy (series of rectangular fonts), Bombs and Men (2009, modular and blocky), Eärendil, Chromosomes, Denethor-Sans (octagonal), Edoras-, Elspeth-, Elspeth-Grey, FontMoot-01 (pixel face), French-Defence-v2 (chess font), French-Defence (chess font), Gilgalad-v2, Gilgalad (octagonal), Hommage-a-Escher-LC1, Hommage-a-Escher-LC2, Legolas-Codex-Stencil, Legolas-Codex (blackletter family), Legolas-Stencil (+v2; art nouveau style), Mirkwood-Regular and Mirkwood Outline (pixel typefaces), Nimrodel-FS, Faramir (gridded), Faramir Black (octagonal, mechanical), Elessar, Vertebrae, Etudes Pour Noir et Blanc (01, 02, 02 Vertebrae), Eomer FS, Karyotype (horizontal stripes), Snooker Ball, Aragorn, Mirkwood Nano (pixel face), Mirkwood Second Iteration, Mirkwood First Iteration, Haldir (pixel face).

Creations in 2010: Hasta Siempre (military stencil), Hasta Siempre Supplement (Fontstruct rendering of the iconic photograph of Che Guevara by Alberto Korda), Belfalas, Fractal Font, Sierpinski White, Sierpinski Black, Sierpinski Dalmatian, Remolino Stencil, Boikot Stencil, Legolas Pixel, Brego, Vortices (dings), Gamling, Coccinella Two (+B), Cyrillic 02, Waves, Hommage à Escher v2 extLat.

Creations in 2011: Midori Dot (2011, a dotted kana face), Sierpinski Black Initials (a stunning decorative caps typeface based on Sierpinski triangles), Fontstructivism (constructivist Latin/Cyrillic face), Sierpinski White Initials, Vasarely Squares (experimental---letters based on Victor Vasarely's work), Hurin (counterless, created after Nagasaki by Tom Muller), Strider (an optical illusion 3d multilined face), Dot Dot White (texture face), Dot Dot Black (texture face), Garamond Italic SP (a pixelized version of Garamond Italic), Rohan (+NE01, +NE03: a textured lined 3d logotype family, +NE04, +NE10), Gray Scale (a very interesting texture experiment in which gray scales are "simulated" by simple font mechanisms).

Fonts made in 2012: Font Neuf, Khazad (stencil font), Oktogon Stencil, Oktogon Outline, Thorin Stencil (army stencil), Deagol Stencil.

Typefaces from 2013: the Voxelstorm family (3d, Escher-style), Elendil (3d face), Denethor Sans (strong mechanical sans), Mirkwood Nano (pixel face), Waves (op art).

Typefaces from 2014: Wrath of Mordor (video game font), Gray Scale, Luthien Pixel (blackletter pixel), Gimli (Bevel Black, Inline Shadow, Inline, Bevel Shadow, Shadow), Zebroid, Hunor, Denethor Sans v2, Vasarely Squares (op-art), Waves (op-art), Ecthelion, Hast Siempre (octagonal stencil).

Tiffany Look

As a student at the New Hampshire Institute of Art, Tiffany Look (Manchester, NH) created the blackletter typeface Straight Black (2013). [Google] [More] ⦿

Tiffany Major
[Gate & Lock Co.]

Tim Ahrens
[Just Another Foundry (or: JAF34)]

Tim Larson
[Dieter Steffmann's blackletter typefaces]

Tim Larson
[Christ Trek Fonts]

Tim Vanhille

Graphic designer in Marseille, France, who studied at ECV, class of 2022. In 2021, Tim Vanhille, Léon Hugues and Matthieu Salvaggio co-designed the blackletter font Emeritus at Blaze Type. [Google] [More] ⦿

Timberwolf Type
[Lars Bergquist]

Lars Bergquist is the Swedish type designer (b. 1936) who runs Timberwolf Type in Sollentuna, just outside Stockholm. Bergquist designed numerous successful text families and display typefaces, including the free Beryll typeface. In 2016, the collection moved over to (was bought by?) 3IP. Some offerings:

Old Style romans: Sarabande (1998; based on Jean Jannon's famous "Garamond" of 1621), Pavane (1998, based on a text typeface by Rudolf Koch), Philomela (2000, also at PsyOps), Montrachet (2002, Fountain: a garalde family), Monteverdi (Fountain: with Granjon's Plantin Ascendonica italic).
Baroque/transitional: Leyden, Leyden News (PsyOps, 2000), Baskerville 1757 and Baskerville Caps (1998; winner of a Bukvaraz award in 2001, available at Type Quarry).
New Style Romans: Millennium, Eleonora (1999), Prospero (1998, a didone family), Waldstein (2003, Fountain: a Scotch typeface).
Sans typefaces: Millennium, Millennium Sans, Millennium Linear, New Millennium, New Millennium Sans and New Millennium Linear (2000).
Display typefaces: Diorite (2005, a calligraphic angular family), Corsiva Italica (2003), Paracelsus (2003, Fountain: a modern version of Schwabach), Foliant Blackletter (German 15th C Textur), Zeppelin Bauhaus Gothic, Berserk Scandinavian runes, Escorial (at PsyOps), Paestum (2001, a Greek simulation family), Sekhmet (2000), Praetorian, Pressroom (2003), Proconsular, Palaestra (the latter three are inspired by informal, painted Roman wall writing), Triumphalis Caps (also inspired by Roman imperial inscriptions), Bucintoro (1999, a modern version of the rotunda blackletter), Midnight (2000; a neon light/ blackboard bold family), Karolin Fraktur (at Psy/Ops: Fraktur modeled after the Bible of King Charles XII, printed in Stockholm in 1703), Rococo Titling (2001, ornate titling caps based on work done by Jacques-François Rosart (1714-1777) and Pierre Simon Fournier (1712-1768), and the Renaissance family Ronsard (at PsyOps, 2000).

Some fonts are available at Fountain, Psy/Ops and Type Quarry. Bukvaraz gave him an award for Absolut Type, a classic Renaissance family, so I wonder if that is not the same as Baskerville 1757. Lars says that Absolute Vodka complained, so the type is sold by Psy/Ops as Aalborg (2002). He published Whitenights at Linotype in 2003. FontShop link. Klingspor link. [Google] [MyFonts] [More] ⦿

Timm Borg

Born in Sète, France, in 1983, Timm Borg is a graduate type design student at ENSAD, Paris. Speaker at ATypI 2010 in Dublin. In 2009-2010, with fellow ENSAD students Anthony Dathy, Perrine Saint Martin and Ok Kyung Yoon, he developed a complete family of fonts that extend blackletter and roman typefaces by Ulrich Gering that go back to the 1470s. [Google] [More] ⦿

Tina Mårtensson

Blackletter and script font archive kept by Tina Mårtensson. Has MirkwoodGothicBroad, Schwarzwald, SheerBeauty, SheerElegance, SheerGrace, BrockScript, all from the WSI collection. [Google] [More] ⦿

Tipas Type

Type foundry in Mexico City run by Dafne Martinez, Monica Munguia (until 2020), and Sandra Garcia. Together, they designed the wayfinding sans typeface Colectiva in 2017. This typeface was originally designed for Mexico City's subway system. For a Mexican beer brand, Sandra Garcia and Tipas Type designed the splendid blackletter typeface Corona (2018) and the copperplate calligraphic typeface Especial (2019).

In 2019, the three founders finally released the roundish informal children's book typeface Xantolo and the wood type / slab serif typeface Xihtli. [Google] [More] ⦿

Tipos del Oeste
[Alfonso García]

Tipos del Oeste is a foundry in San Juan de la Frontera, Argentina, run by Alfonso García. Their initial fonts: Tectura (blackletter), Iris (a serif face), Fonzo Sans (2010), Arida (2010: a text typeface whose sharpness refers to the cacti in the arid Argentinian region of Cuyo). Mate Amargo is by Sebastián Regalado López. Dom has gothic cathedral themes and curves, and was designed by "Panda".

At Tipos Latinos 2012, Alfonso García and Deiverson Ribeiro won an award for their text typeface Bueh Medium.

In 2013, he published his book typeface Faustino, which is based on his graduation project.

In 2015, Alfonso García created the text typeface family Faustina (Omnibus Type), which won an award at Tipos Latinos 2016. Google Fonts link for Faustina.

In 2016, Alfonso García and Latinotype published the rounded 14-style typeface Branding.

In 2016, Bruno Jara Ahumada, Alfonso Garcia, Luciano Vergara, Daniel Hernandez and the Latinotype Team designed the roman square capital headline typeface family Assemblage.

In 2017, Alfonso Garcia and the Latinotype team designed Rawson (a bit of Johnston, a bit of Gill and a lot of Latinotype).

In 2018, he published Multiple at Latinotype. Partly geometric and partly humanist, it has Sans and Slab subfamilies.

In 2019, Alfonso Garcia and Rodrigo Fuenzalida released Utily Sans at Latinotype. Utily Sans is a slightly humanist take on Futura.

In 2019, Luciano Vergara and Alfonso Garcia co-designed Moderna Sans at Latinotype. It is an interpretation of American gothics like Alternate Gothic.

Together with Cesar Araya, Alfonso Garcia designed the spurless sans family Branding SF (2019, Latinotype).

Near the end of 2019, Latinotype released Alfonso's Olivetta, which is named after but not entirely modeled by Antique Olive.

Typefaces from 2020: Apparel (a 20-font display serif family inspired by the MacFarland series in the 1912 ATF catalog, which in turn was based on Heinz Koenig's Roemische Antiqua (1888, Genzsch&Heyse); by Daniel Hernandez and Alfonso Garcia), Aestetico (Luciano Vergara, Daniel Hernandez and Alfonso Garcia: a 54-style sans family having Formal and Informal subsets of fonts so that the family covers several sans genres), Spirits (based on Hermann Ihlenburg's Schoeffer Old Style from 1897).

Typefaces from 2021: Inter (an 18-style sans family obtained by removing the slabs from Rockwell).

Behance link. Another Behance link. [Google] [MyFonts] [More] ⦿

Tjarda Koster
[Jelloween Font Foundry]

TNAIA
[Alan N. Po]

Dr. Alan N. Po (TNAIA) made some Cyrillic/Latin fonts, such as DrPoGothicRu (1998), a Fraktur font, and DrPoDecorRu (1989). [Google] [More] ⦿

Tobias Sommer

Tobias Sommer ("Shasta") is the Geneva, Switzerland-based designer (b. 1986) at FontStruct in 2008 of Great Depression (influenced by headline fonts from 1929), Brutto (headline slab serif), Lame Dude (dripping paint), Toytype (an interesting Indic simulation typeface based on an earlier block font by him called Block On), Teatral and Teatral Fill (gorgeous Western circus style decorative typefaces), Fickle Mickle, Hard Light (shadow face), Tangram, Tangram Grid, Tangram Grid Rounded (kitchen tile), and Tangram Rounded (octagonal/kitchen tile). In 2009, he added Stylita, Vasyugan, Block On, Cupra, Disparador (mechanical octagonal: +Stencil, +Filled), Exempla Slab Serif, Exempla Sans (Strict, Medium, Ultra Light, Stencil: octagonal family), Stitched Outline, Escheresk (impossible outlines), Capitalia (+Rounded), Vjatka (constructivist), Punched Out (+Fill: pixelish), Cupra.

Additions in 2010: Punchline Filled (athletic lettering), High Voltage, Punchline (ultra heavy octagonal slab; +Filled), Nicotiana (slab serif), Exempla Slab Medium, Punched Out, Exempla Sans Medium (fat octagonal), Pixel Pandemonium, Tradita, Frostletter (blackletter), Scrambled Script (blackletter), Circle Cult (circle-themed sans).

Typefaces made in 2012: Apodosa (octagonal).

Dafont link. Fontspace link. Blogspot link. Klingspor link. Abstract Fonts link. [Google] [More] ⦿

Todd Childers

Todd Childers (b. 1964) is an Associate Professor at the Bowling Green State University School of Art (Graphic Design, 1995-present), who lives in Toledo, OH. He designed the Usher family (1999) at Garagefonts. Usonian is a concrete block font. Fraktura is a marriage between Futura and Fraktur. And Burnout-2000 (2000, Garagefonts) is a grunge font done when those were popular.

CV. Speaker at ATypI 2010 in Dublin: All type is dimensional. FontShop link. [Google] [More] ⦿

Tofutype
[Tzu-yuan "Erik" Yin]

Erik Yin (b. 1988) lives in Kaohsiung City, Taiwan. Creator of the gridded rhombic typeface Prism (2013) and the sans headline typeface ERKN (2013). ERKN covers Latin, Greek, Cyrillic, Hebrew, Armenian and Georgian. In 2014, he created the Latin typeface Coward. In 2015, he created the free thin sans typeface Jonah.

In 2018, he addded the calligraphic oriental emulation font Goalthink and the modular typeface CubeFarm Latin (to accompany his Chinese font CubeFarm).

Typefaces from 2019: Typori (a rounded sans).

Dafont link. Behance link. Home page. [Google] [More] ⦿

Tom Kolter

Designer (b. 1972) who lives in Le Sueur, Minnesota. Creator of Minnesota Winter (2013, blackletter), Screen Door (2013, textured typeface), White Vinegar (2013, a Tuscan wood type revival), Return To Sender (2011, sketched face), 1873 Winchester (2011), Psychotic Robots (2010, exaggerated constructivist face), Tuscan Flies (2010), Whiskey Town (2008, +Buzzed, +Sober, +Drunk, a Western family), free at Dafont. Honest Merchant (2010) is a condensed wood type typeface based on an early 20th century sample.

In 2019, he released the brushed blackletter typeface Fuzzy Franklin. [Google] [More] ⦿

Tom Wallace
[HiH (Hand in Hand)]

Tom Wysocki

Stockholm, Sweden-based designer of a blackletter typeface in 2020. [Google] [More] ⦿

Tomas Clarkson
[Plusminus Type]

Tomi Haaparanta
[Suomi Type Foundry]

Tommaso Gonzalez

Milan, Italy-based designer of several beveled 3d typefaces in 2014. For his thesis project, he created five gothic / blackletter typefaces, including Voelkisch XXI (2015, with Davide Zomer). In 2014, he designed the display typefaces Joys Verso, Ferro, Otaris (hipster style), Maroquein Grand Prix (spurred vintage style), Blandus, A, H, Ghost, Gang (octagonal and spurred), MNL Party (multilined), Mexican Muffia, Monogram Basic, Blegius, S (constructivist), Sans Squared, Manolino, Bandelo, Manolo Condensed, SS, SuperBold, Blandolen Wald, Modern Matusalem, Marielo Sans Modern, Wild West, Bandolo Sans, Basic Rounded, Manolo, AG, RS. [Google] [More] ⦿

Tommi Syrjänen

Finnish designer of the free typeface Missaali (2016). Missaali (CTAN link) is a package that contains the free OpenType/PS Textura font Missaali and a style file for using it with XeLaTeX. He explains: Textura is based on the textus quadratus form of the textualis formata that late medieval scribes used for the most valuable manuscripts. The font Missaali is based on Textura that Bartholomew Ghotan used to print missals and psalters in the 1480s. The letters were scanned and recreated from a facsimile reprint of Missale Aboense that Ghotan printed for the Turku diocese in 1488. The font has two intended use cases: (i) as a Gothic display font; and (ii) for emulating late-medieval manuscripts.

In 2021, he designed the free medieval revival typeface Aboensis, which contains over 500 glyphs, including Lombardic capitals in one and two colors. He writes: Aboensis is a free unicode OpenType font that is intended for emulating late-medieval documents. The font is an example of a 15th century book cursive hand that was used in the Scandinavian countries. The main source for the glyphs is Codex Aboensis, a richly-illustrated law book written in the 1430s. The font also includes a number of glyphs taken from other roughly contemporary manuscripts. The largest group of them are cursive initials taken from The Black Book of Abo Cathedral that was compiled around the end of the 15th century. As medieval cursive is very difficult to read for modern readers, this font is not really suitable for any normal practical purposes. Instead, it is aimed for users who want to recreate medieval-looking documents with a computer. The font has two sets of initials. The rst ones are in the Lombardic style and are taken from Codex Aboensis. [Google] [More] ⦿

Tomomi Maezawa

Tomomi has a BA in Design Informatics at Musashino Art University, Tokyo. For his Assembly Type, Tomomi Maezawa (Liverpool, UK, and before that, London, UK) took four basic parts and and one screw and mafe an entire alphabet that can be hanged as signage or printed as a typeface. His Mecha Type (2013) is similarly composed of mechanical parts. Both projects were done while Tomomi was studying at Central Saint Martins in London towards an MA in Communication Design.

In 2015, he designed a blackletter typeface. In 2018, he published the modular tubular 3d typeface Poinacr&eacite;. [Google] [More] ⦿

Torbjørn Eng
[Torbjørn Engs typografisider]

Torbjørn Engs typografisider
[Torbjørn Eng]

Pages on Norwegian typography maintained by Torbjørn Eng. He designed Frisianus (1994-1995), a gorgeous script font based on lettering of Gerhard Munthe (1904), which has some Lombardic influences in the capitals, and a totally blackletter set of minuscules. There is also an absolutely gorgeous fat display typeface called Norges Alphabet (1990), which may or may not be available to the general public. It is supposed to represent all that is good about Norwegian values; quality, minimalism, contrast, originality. Eng discusses fonts that are appropriate for Norwegian [article from 1993]. [Google] [More] ⦿

Torsten Bronger

Torsten Bronger converted the metafont Fraktur fonts of Yannis Haralambous (yfrak, yswab, yinit and ygoth) to type 1. Type 1 versions generated by Torsten Bronger. See also here. [Google] [More] ⦿

Tory Text

A blackletter typeface by Frederic Goudy, designed in 1935, and modeled after the lettre batarde used by Geoffroy Tory in his Champs Fleury. Mac McGrew: Tory Text was a frankly archaic type designed and produced by Frederic W. Goudy in 1935. For a small edition of a twelfth-century story which he intended to print, Goudy chose a sixteenth-century type design to express the qualities he had in mind. This was redrawn in an attempt to make it more legible for modern readers while retaining the ancient spirit. Goudy describes Tory Text as one of his favorite types, and says that he enjoyed every minute of its making. See Village Text.

For a digital revival, we refer to Steve Matteson's Tory (2018). [Google] [More] ⦿

Toshi Omagari
[Omega Type Foundry]

Tower of Babel
[Eric Stevens]

Eric Scott Stevens has a BFA in graphic design from Winthrop University, Rock Hill, SC. Eric Scott specializes in display fonts that have a unique character. He is presently based in Tacoma, WA, where he set up the type foundry tower of Babel.

Designer of the following typefaces:

Baker Script (2000, T-26).
Goitre (T-26). An inky Treefrog script.
Miscreant (T-26).
Slappy (T-26).
Tree (T-26: in substyles called Tree-Boxelder, Tree-MonkeyPuzzle and Tree-Persimmon).
ITC Tapioca (ITC).
ITC Kumquat (1998, ITC). An artsy typeface with rough outlines.
ITC Lintball (ITC).
ITC Pious Henry (ITC).
Ardenson (2021, Tower of Babel). A retro font inspired by apartment signage in the 1950s and 1960s.
Byzantus (2021). A hexagonal blackletter typeface (with the lower case z as the only letter that is not tilted in one of the six directions of the hexagon).
Curmudgeon (2021). A whimsical children's book font.
Electrum (2021). An all caps layered font inspired by hand-lettering from the 1950s and 1960s.

Linotype link. Fontshop link.

View the typefaces of Eric Stevens. [Google] [MyFonts] [More] ⦿

Trafotype
[Daniel Kulacz]

Polish designer of the blackletter typeface De Ruyter (2019). [Google] [MyFonts] [More] ⦿

Traistaru Sorin

Bucharest, Romania-based designer of the heavy typeface Katana Cut (2012) and of the tattoo / blackletter typeface Goth Fox (2012). [Google] [More] ⦿

Tram Ban King

Designer of the ornamental blackletter typeface Hang Kieu Aero (2010) and the calligraphic brush typeface Calligraphy (2010). Both are pay fonts. [Google] [More] ⦿

Travis Price

Australian illustrator. His typefaces as of 2021 included New Jack (a blackletter), Gragster (a retro display font inspired by old motor racing signage and numerals) and Right Price (a supermarket font family). [Google] [More] ⦿

Tribby Type

Jeremy Tribby is a multi-disciplinary designer from California. He studied art and art history at UC Berkeley and is a graduate of Type West in San Francisco, class of 2020. Tribby Type (San Francisco) is a custom typography, design, and engineering shop run by Jeremy Tribby. He has worked with large brands like Google and NBC, non-profits like EFF and Edupath, agencies like Instrument and Character, and startups like Chefs Feed and Shift. Github link. His typefaces:

The free variable font Barlow (2017, Google Fonts). He writes: Barlow is a slightly rounded, low-contrast, grotesk type family designed by Jeremy Tribby. Drawing from the visual style of the California public, Barlow shares qualities with the state's car plates, highway signs, busses, and trains. The family includes 54 manually-hinted styles in three widths and nine weights, as well as obliques, suitable for large and small digital and print use. Customizable weights and widths are available via the included variable font (GX) file. Barlow is named after internet pioneer, EFF co-founder, songwriter, and activist John Perry Barlow, in tribute to his lasting impact on the information superhighway. The original motivation was to replace the DIN Engschrift font currently used by the Eletronic Frontier Foundation by an open source font that does not look too different. Github link for Barlow. Google Font links for Barlow, Barlow Condensed and Barlow Semi Condensed. Additional free download. Typedrawers link. His Arthouse family of typefaces for NBC, which was based on Barlow.
Tribby Grotesk.
Galiano.
Kinzig (2020). A blackletter developed during his studies at Type West.

[Google] [More] ⦿

Trine Gjerde

Designer of Bergteken during a workshop at Type Paris 2019. The skeleton of the Bergteken family combines blackletter with humanistic elements. Narrow, angular strokes from blackletters are used alongside round shapes and sturdy serifs from roman letters. The result is a fluid family that is less strict than its historic references from the 14th and 15th centuries and reminds us a bit of Oldrich Menhart's typefaces. [Google] [More] ⦿

Triumph Adler

Typewriter company. Classic 216 was a typewriter typeface for blackletter. [Google] [More] ⦿

Tural Alisoy
[Tural Aliyev]

Baku, Azerbaijan-based designer (b. 1988) of these typefaces:

In 2017: The Latin / Cyrillic sans typefaces Lokbatan, Khojasan and Balakhani.
In 2018: Father Script.
In 2019: Film Fiction Sans, La Route (a wide fashion mag typeface), Modern Times (for Latin, Greek, Cyrillic, and many other langauges) and the semi-blackletter typeface Neo Paralletter.
In 2020: Typefire (an 8-style display serif family), Tatype (a ten-style grotesk), Tappatarap (a display sans with flared stems; for Latin and Cyrillic), Film Fiction Semi Expanded.
In 2021: TA Moderustic (a 6-style part geometric part grotesque typeface for Latin, Greek and Cyrillic), TA Father 60 (handwriting).
In 2022: TA Bankslab Art Nouveau (a slab serif for Latin and Cyrillic), TA Bankslab Shadow, TA Bankslab (a 10-style slab serif based upon the signs on the art nouveau building of the Northern Bank of St. Petersburg's Baku branch, built in 1903-1905; for Latin and Cyrillic).
TA Charged (2022). A display serif with wiggles, notches, the works.

Facebook link. Home page. [Google] [MyFonts] [More] ⦿

Tural Aliyev
[Tural Alisoy]

Typedia: Typeface classification

TwoPoints.net
[Martin Lorenz]

Design bureau in Barcelona, Hamburg and Berlin, est. 2007, with fonts that are mainly due to German type designer Martin Lorenz. The list of typefaces:

TpFloral (2006) is a modular typeface inspired by Kombinationsschrift (1926, Josef Albers). It is based upon two basic elements, a quarter circle and a square.
TpStretch (2002).
TpKurier Sans and Serif (2006). A redesign of Courier. Followed by TpKurier-Contrast (2008), TpKurier-Filled (2009) and TpKurier-Calligraphic (2010). In 2013, Vette Letters published VLNL Tp Kurier (2013, a monospaced typewriter face; + Serif, + Callig Regular).
TpMartini (2008) is a didone family that was used for the identity of Bambi Mint. It was published in 2013 by Vette Letters as VLNL Tp Martini.
TpLlum (2008) is a typeface that was designed for the festival Montjuïc de Nit. It was published in 2012 by Vette Letters.
TpDuro (2010) is a blackletter typeface.
In 2017, TwoPoints was commissioned to design a typeface for ESPN The Magazine's NBA Preview issue.
At Vette Letters, he published VLNL TpDuro (2019: a blackletter inspired by an Albrecht Dürer design from 1525; with Juanra Pastor).
VLNL Tp Bar Paco (2014, inspired by the vernacular type found in traditional Spanish bars in Barcelona).
Tp Rawkost (2019), Tp Marte (2019), Tp Luna (2019).
In 2019, they were commissioned by ESPN to make a special display font, ESPN Next. In 2018, they designed the arc-and-circle typeface Gold Rush for an ESPN Magazine issue about the female athletes participating in the Winter Olympics in Pyeong Yang.

In 2019, TwoPoints published On The Road To Variable (Victionary). [Google] [MyFonts] [More] ⦿

Tyler Dean

Graphic designer in Mississauga, Ontario, Canada, who created the bilined typeface Malefic in 2015. Inspiration for the typeface came from Didot and the blackletter style. Behance link. [Google] [More] ⦿

Type Department
[Jürgen Huber]

The Type Department was founded in 2010 by Jürgen Huber (Berlin, b. 1967) and Malte Herok. In 2011 Martin Wenzel joined as a friend of the Type Department. Much of the work is typographic and centers on logo, retail and custom type design. Jürgen Huber, who studied at Folkwang Academy in Essen and is now a professor of typography at FHTW in Berlin, a city he moved to in 1997, designed FF Plus Sans (2003, a sans family), FF Ginger (2002, includes Ginger-Icons, and FF Ginger Flamboyant, 2014), FF Angst (1997, grunge) and Hothouse (which netted him a Bukvaraz 2001 award). His typeface Scheck (Meta Design, made for Sport Scheck GmbH) won an award at the TDC2 2005 type competition.

Jürgen Huber originally designed Crocodile Brokenscript (2013, blackletter) for a small brewery in München where it is used alongside with its sanserif counterpart.

FontShop link. Most of Huber's typefaces are published vi FontShop / FontFont due to his spell as type director at Meta Design.

Typefaces from 2014 by Huber include TD Lemon Sans, TD Lemon Sans Rounded (released in 2015), TD Lemon Serif (a low contrast very readable text typeface; +Unicase; see also here), TD Hothouse---that font was started in 2001 as a corporate typeface for the Glasgow School of Art, and took inspiration in the arts and crafts lettering of Charles R. Mackintosh.

Typefaces from 2016: Scarlet, Scarlet Wood, and Scarlet Script.

In 2019, he released the free Google web font Blinker. He writes: Blinker is a low contrast sans serif typeface with a squircle as its basic shape, think squarish curves, or Eurostile's flamboyant cousin. It's best used for medium to large text, rather than a long copy. To do its claim justice Blinker also comes with a headline weight with an extra large x-height, tight spacing, and glyphs drawn more narrowly. Github link. [Google] [MyFonts] [More] ⦿

Type Dish
[Eko Bimantara]

Jakarta, Indonesia-based designer of the free typeface Kalem Light (2016) and the free headline sans typeface Saff (2016).

In 2017 he published the calligraphic typeface Anther, the clean legible sans typeface family Syabil, which features a free weight, Syabil Book. Kecap (2017) is a creamy upright script. Musk (a modulated sans) and Musk Script (a signature font) followed at the end of 2017.

Typefaces from 2018: Urbax (a signage script), Anakoala (serif), Mulka (sans), Fexa (rounded hexagonal).

Typefaces from 2019: Hornbill (a supermarket serif family), Rossanova (a 36-style semi-serif family with some flared strokes), Clab (a slab serif family), Mollen (an information design sans with 48 styles), Anko (text or newspaper type), Malvie (free demo), the free font Remove, Dear Pony (a great text typeface which Eko describes as sweet, warm, kinky, classy), Ageo (a 16-style geometric sans family).

Typefaces from 2020: Blogh (a heavy inktrapped display typeface), Dunley (a creamy script), Amio (a mix between script and sans; in six styles), EB Mensch (a 32-style family consisting of sturdy legible humanist sans and slab serif sets; features include large x height, low caps, spacious counters and apertures, and diagonal and sunken stroke ends), Florania (a decorative serif), Stannum, Bovino (an 18-style display serif), Modeco (a fashion-friendly 18-style geometric art deco sans characterized by an earring lower case g), EB Corp (a simple 18-style corporate sans family), Slippery (an oldstyle text typeface family), Hando (neo-grotesk).

Typefaces from 2021: Manju (a soft supermarket typeface in ten styles with two additional variable fonts), Shallot (a well-balanced 10-style serif with pointy terminals), Kutai (an ethnic typeface family), Capuche (a gorgeous eccentric bloated display font), Kimaus (a reverse contrast music note emulation font), Sandor (a striking blackletter / medieval typeface), Bizmo (an 18-style headline sans family; includes two variable fonts), Homade (a 12-style display sans), Svelte (a condensed serif), Altone (an 18-style geometric sans), Highman (a tall bold condensed all caps titling sans), Vanio (a 12-style wedge serif family). [Google] [MyFonts] [More] ⦿

Type du Nord
[Libbie Bischoff]

TDN (Type du Nord) is a San Francisco (was: Minneapolis)-based foundry that produces funky fonts for designers who like to keep it friggity fresh. Typefaces designed by Libbie Bischoff, who finished the Type West program in San Francisco in 2020:

Designer Dingbats (2020).
Doris (2017): Doris is a typeface that combines classic serif forms with those found in Celtic manuscripts which is characterized by sharp angles and open counters. The typeface is inspired by and dedicated to Doris Bischoff, a classic American woman, the daughter of Irish immigrants, and a world traveler.
Guster (2018). A chunky serif.
Mort (2017), described as a chunky personality-filled display font.
Mercredi (2020). A text typeface.

In 2021, Libbie started a font-a-week program for 52 consecutive weeks, in the spirit of The Pyte Foundry: Frostie, Fan Gurl, Mercredi (a text typeface), Buds (an alphading font), Stockinette (a knitting magazine script), Spook City, Drench, Drench II, Cruz Control, Squiggees (doodles), Backflip (a slab serif), Backflip2, Backflip Mono, Byffy (blackletter), Rogier (an italic caps font with vampire serifs), Pattern Dingbats (including kitchen tile numbers), Shellphone (a Tuscan Western typeface with mermaid curves), Stilt House (numbers only), Stilt House II, Mort (Dutch deco), Mort Variable (with a rotation axis), Trimmies (borders), Rhub, Roundy Road, Yolker (inspired by egg yolks), Knotical, Knotical II, Mr. Rightside, Piecees (a dingbat font), Scraps2, Dazzle Razzle, Dazzle Razzle II, Mrs. Barb, Alexander The Babe, Scraps.

Continuing that list in 2022: BudsII, Designer Dingbats (Sunbursts and Squiggles; Shapes), 414 (beveled numbers), Pulp, Socko, Ms Sherwood (a monospaced script), Clay Class, Lavandula (her graduation typeface at Type West in 2020), Backflip3, Backflip4, Pointees (an arrow font), Maede.

Home page of Libbie Bischoff. [Google] [More] ⦿

Type Factory
[Hilmius Akbar]

Bandung, Indonesia-based designer of these fonts in 2020: Antonie, Black House, Black Passion (a dry brush script), Brentley, Charmelya, Galguna, Hackbot (a pixel font), Hailey, Hello Madelyne, Hi Rolley, Hollowtown (graffiti), How Dare You, Life Of Apple, Monkey Geek, Punkiss, Randhu, Reviola, Sendha, Seymore, Silver Flower, Someday, Sounding, Speedkings, The Speciment, Thundra.

Typefaces from 2021: How Dare You (grungy vintage caps), Mystic Forest (a chalk font), Hello Jones (a vintage shadow font), My Home (a fat finger font), Honey Jar (handprinted), My Fox (a scrapbook font), Beachfly (a decorative serif), Hardinge (a hand-drawn blackletter), Chalkboy (sketched).

Their catalog in 2022 showed 250 fonts: Abilane, Abrock, Acetone, Aestetic, Allista, Amal Baik, Aquarex, Archking, Aslah, Authentique, Avena, Avoda (a fashion mag sans), Baker's Dozen, Bakery Home, Baleho, Baloba, Bancak, Bangke, Barnies, Bayleigh, Beach Hits, Beachfly, Big Heroes, Big Jelly, Big Tales, Black Passion, Blackold, Bloody Camp, Bluffton, Bodor, Bratton (spurred), Bricius, Brickrow, Brickson, Brutaly, Bunaken, Came Back, Candola, Candyful, Carisyn, Chalkboy, Charmelya, Cider Lime, Classy, Coconutz, Cold Army, Combust, Coming Sans, Cordion, Cosmogen, Crabug, Crow Bait, Cutenest, Cybersky, Daewon, Dandely, Dark Magic, Day n Nite, Daya Sans, Death World, Debug, Delta Force, Destro (stencil), Dirty Drags, Dutch Brigade, El Mayor, Elecstrom, Exton, Fall Season, Fall Story, Fire Ace, Fronzy, Fun Show, Galguna, Garden Bloom, Gludak, God Doll, Golday, Grane, Grateful Life, Gummies, Gunji (Japanese emulation), Hackbot, Hacklife, Hadest, Hadeya, Hailey, Hakan, Hakio, Hakubo (Japanese emulation), Haloha, Happy Gnome, Hara, Hardinge, Harvest Day, Harvest Time, Hastag, Hazeland, Hello Jones, Hello Madelyne (a calligraphic script), Hellow, Helsinky, Hey Jack, Hey Jane, Hiccup, Hollowtown, Home to Rome, Honey Belly, Horrific (a horror font), How Dare You, Howling Nightmare, Jackal Band, Javanica (a vintage label typeface), Jonks, Jungle Hope, Just For You, Just Ruth, Kahlil, Kana & Hana, Kanatala, Kastil, Kesal, Killing Me, King Castle, King Malik, Klassiek (a crayon font), Kohatu, Kulo, Kurayami (Japanese emulation), Last Mission, Legendary Runes, Life Rolling, Life of Apples, Lubang Hitam, Madsense, Madtune, Maluku, Marsea, Marsela, Marshed, Mauricio, Melon, Mexican City (a Western slab serif), Miami Beat (a multiline font), Mighty Star, Mika Story, Mister Hipster, Mistery, Mistis (spooky), Mocktail Blues, Modeon (a wonderful layered all caps sans), Moeloek, Monde, Monkey Geek, My Fox, My Home, Mystic Forest, Night Vibes, Nightscary, On My Way, Orchard Song, Ovalie, Panikos, Parylicious, Poked, Princess Star, Punkiss, Qabil, Quirky Bay, Rabiul, Racula, Randhu, Rebutan, Reclaim Glory, Rekan, Remily, Renji, Retro Sick, Reviola Bold Script, Risky Venture, Romeda (a vintage serif), Runboy, Salacia, Saluyu Script, Sandatory, Savilla, Savon Burg, School Kids, Scribery, Secret Mansion, Seledina, Semur, Sendha, Senja, Sensai, Serkan (a Celtic font), Seymore, Shade June, Shayan, She Dance, Shocked Up, Show Up!, Shufen, Shutter Speed, Sketchup (a sketched font), Skullbone, Sneak Peak, Snooby, Soda Land, Someday, Sorreal, Sounding, Space Corner, Speedkings, Spirit Freak, Steak House, Sticky Web, Stitch Boy, Story of Alundra, Summer Blaze, Summer Blues, Summer Creamy, Sundae Bite, Sunday Coffee, Sunkiss Bliss, Sweet Beans, Sweet Cherry, Tangisan, The End Story, The Millers, The Speciment, Thundra, Ugly Byte, Uncracked, Urbanded, Vintage Wheel (a retro signage script), Voltec, Wake Snake, Walers, Walk Away, Wavemax, Weloved, West Yard, Wicked, Wild Justice, Winola, Wonder Magic, Wonder Soul, Wrecked Works.

Envato link. [Google] [MyFonts] [More] ⦿

Type Juice

Canadian cooperative type foundry, est. 2019. Their designers include Matthew Massiha (who made the wide display sans Joyride in 2020). At Creative Market, the company is placed in London, UK.

Typefaces from 2020: Merchant, Joyride (by Matthew Messiha), Hype SVG (a glitch font), Durham (blackletter), Mercantile (16 styles; all caps sans).

Typefaces from 2021: Merchanto (an 8-style all caps display sans), Presta (a 12-style variable width family by Matthew Messiha), Unison Pro (16 squarish fonts), Machete (a 16-style squarish sans by Matthew Messiha), Presto (a 24-style grotesque). [Google] [MyFonts] [More] ⦿

Type Republic
[Andreu Balius Planelles]

Catalan foundry headed by Andreu Balius (b. 1962), who is based in Barcelona and Son (Alt Aneu), Lleida. Balius holds a PhD in Design from the University of Southampton (UK) and teaches typography and type design at EINA, University School of Design and Art, in Barcelona.

Balius set up Garcia Fonts in 1989. He co-founded Typerware in 1996 (which existed until 2001), where he managed type-related projects for La Vanguardia newspaper, La Fura dels Baus and Primavera Sound Festival. In 2003, he launched Type Republic, catering to clients such as SEAT/Wolkswagen group, Victoria's Secret, Acciona, Ferrovial, and designed text typefaces for newspapers such as La Gaceta, Tribuna (Salamanca, Spain) and La Discusion (Chile).

Some fonts sold through MyFonts:

Pradell (2003). This is a Latin text family based on original Spanish 18th century type specimens cut by Catalan punchcutter Eudald Pradell (1721-1788). Balius won a Bukvaraz 2001 award for Pradell. Pradell also won an award at the TDC2 Type Directors Club's Type Design Competition 2002. He added Pradell Arabic some time later.
In 2008, Balius designed the curly dance-fest themed Carmen for the new edition of Prosper Merimée's drama. In 2012, Type Republic designed the fashion didone typeface Carmen Fine Display for Victoria's Secret.
Mecano (2007, geometric sans).
Taüll (2007, Basque meets blackletter).
Czeska (after woodcuts by Vojtech Preissig).
Super Veloz (2005, with Alex Trochut). This fantastic layered type system is based on Joan Trochut-Blanchard's modular typeface. SV Marfil (2004) and SV Fauno were created from Superveloz modules. In 2020, Andreu Balius and Ricard Garcia released The Superveloz Centenary Collection at Type Republic to honor Joan Trochut's 1942 masterpiece. It consists of SV Mambo, SV Jazz, SV Bebop, SV Bolero, SV Swing and SV Twist. In 2021, Ricard Garcia and Andreu Balius added the large family SuperVeloz Caps which consists of SV Caps Bebop SV Caps Bolero SV Caps Jazz SV Caps Mambo SV Caps Swing and SV Caps Twist.
Barna (2011), a slightly humanist textbook sans, and Barna Stencil (2011).
Trochut.
Matilde (connected pixel script).
Proximus (2014). A corporate typeface for the Belgian communication company.
Patufet (2018-2019). By Andreu Balius and Ricard Garcia. A warm text family inspired by Catalan folk tales. For hairlines, one can't go thinner than Patufet Finet. In 2020, they added Patufet Mono.
Poblet (2018: Solid, Diamond, Bevel). By Andreu Balius and Ricard Garcia. A stylish titling or display typeface that includes a vintage inline style.
Rioja (2014-2015). This sans typeface family was first designed for the identity of University of La Rioja, in Logroño, and it was further developed in 2014 for commercial distribution.
Tuqbal Pro (2015-2019, by Andreu Balius and Juan Luis Blanco). Tubqal Pro is a tri-script type family based on its previous Tubqal typeface commissioned by the Khatt Foundation as part of the Typographic Matchmaking in the Maghrib 3.0, the 3rd edition of the multi-script typographic research project of the Khatt Foundation. It includes Latin, Arabic (+Farsi) and Tifinagh (for the Tifinagh based languages: Tamazight (Central Atlas), Kabyle, Tamazight (Standard Moroccan), Tachawit, Tachelhit, Tagdal, Tamahaq, Tahaggart, Tamasheq, Tarifit, Tamajaq, Tawallammat, Tamajeq, Tayart, Tumzabt, Zenaga).
Aloma (2017-2020). A delicate fashion mag typeface best suited for titling, Aloma is inspired by Aloma, a novel written in 1938 by Catalan writer Mercè Rodoreda. The typeface refers slightly to art deco headlines and to the Catalan Noucentisme movement.
Groundbeat (2020). A stencil family by Andreu Balius and Ricard Garcia.

Custom / bespoke typefaces include Carmen VS (for Victoria's Secret, New York), Ferrovial, Dsignes (a wayfinding sans), VLC (for Valencia Tourism Bureau), Lladro (sans), Forum.

Behance link. Old URL. [Google] [MyFonts] [More] ⦿

Type Sailor
[David Fernando Espinosa Martínez]

Type Sailor is David Espinosa (born in 1986) who lives in Bogotá. He graduated from the Universidad de Bogotá Jorge Tadeo Lozano as graphic designer and advertiser. He is a descendant of Antonio Espinosa de los Monteros, first royal printer of the viceroyalty of Nueva Granada.

He designed these typefaces:

In 2021: Chapinero (blackletter, serif and sans system).
In 2020: AmaLita (handcrafted), Font Negra (a spurred blackletter typeface done for a client, Mao Fonnegra).
In 2019: Monteros (text typeface), TS Chapinero (blackletter).
In 2017: Monteros (a revival of an old style typeface by Antonio Espinosa de los Monteros), Gautama (an organic sans).
In 2014: Internerd, Old Providence New Roots (a poster typeface co-designed with Mateo Rivano), Santander (a great didone family).
In 2013: Vercingetorix (monoline informal sans), Persifal (calligraphic typeface), Ygraine, Urania, Zephiroth (a semi-connected script), X-Classified (very grungy typewriter typeface), Salme (Treefrog-style script), Joyeux, Fugitiva (an ornamental Western saloon or circus font), Tomsk.
In 2012: Pelida, Valpuesta, Walkiria (an informal blackletter), Quattro (a techno family), Olimpia, Luisa, Merlot (like caps in the style of William Morris), Bizancia (Arab simulation face), Imelda, Epifanía, Nero d'Avola (a great calligraphic script), Round, Avanti (calligraphic), Street Dork (stencil face).
In 2011: Daniela (hairline sans), Glamourousse (sans), Caro (pixel), Carolina (sans), Kermesse (an octagonal font).
In 2010: Davidcito (handwriting) and Hug Femmes (sans).

He says that his inspiration comes from the female form, which always has been associated with classic typography.

Dafont link. Iphoneruler link. FontM link. Facebook link. Issuu link. Behance link. [Google] [More] ⦿

Typearture Type Foundry
[Arthur Reinders Folmer]

Arthur Reinders Folmer (or Arthus) is from Haarlem, The Netherlands. Future Fonts link. He created the free ornamental all-caps typeface Magical Unicorn (2011), Elerium (2012, an upright italic), and the tringaulated Crystalline (2012). It has been a long wait, but finally someone had the courage to create a typeface with the name Obesitas: Obesitas Sans (2012), advertised as the mother of all fat typefaces. Pylon (2012) was inspired by electricity pylons.

In 2013, he designed Angellocks, a semi-blackletter typeface.

In 2016, he designed Utopia Initials and the ABC of Bad Events.

Typefaces from 2017: The Disclosure Dingbats, Fabel, Pegacorn Initials.

Typefaces from 2019: Schijn Variable (a gemstone-styled variable font, with layering and outlines). Schijn won an award at 23TDC.

Typefaces from 2020: Gimme (experimental color fonts including Constructo and Battleships; +a variable font).

Typefaces from 2021: Sugarshop. Future Fonts link. [Google] [MyFonts] [More] ⦿

Typeclusive

Indonesian vendor of these handcrafted typefaces, all made in 2016: NouVelle (brush font), Elekthrill, Aragorn, Richardine (script), Pine Brick (dry brush font), Blanchefleur (connected script), Tagliatelle, Amecas, Artur (brush font), Astrad Jingga (free), Torunn, Gothica (heavy blackletter), Scratchbook, The An Omali. [Google] [More] ⦿

Typeco
[James Grieshaber]

James Grieshaber earned a BFA in Graphic Design from Rochester Institute of Technology. Based first in Rochester, NY, and then in Chicago, IL, and then again in Rochester, Grieshaber ran Typeco, a typographic services and solutions company established in 2002. James Grieshaber (b. Detroit, 1967) most recently was on staff of P22 Type Foundry, where he designed many type families and helped establish International House of Fonts. He has been honoured with an award of Excellence in Type Design from Association Typographique International (ATypI) for his Gothic Gothic (2004, blend of blackletter and English style), and by TypeArt'05 (for Operina Cyrillic). Designer and Co-editor of the Indie Fonts book series, Grieshaber now teaches typography at RIT and runs Typeco. MyFonts sells his fonts now. YouWorkForThem sells the Super Duty family (stencil), Glyphic Neue, the Trapper families, Chunk Feeder, Gothic Gothic and Cusp. Identifont page. FontShop link. Behance link. Details on some of his typefaces:

Gothic Gothic (2001), an extended blackletter co-designed with Christina Torre. In 2004, he received an award of Excellence in Type Design from Association Typographique International (ATypI) for his Gothic Gothic type design.
The Glyphic Neue display family was inspired by the Op Art style of lettering in the United States that ran rampant in many photo type houses in the 1960's and 1970's---I like to call it the "piano key style".
Chunkfeeder (2002) is a beautiful monospaced octagonal OCR-like family.
Cypher (2003, an LED/LCD family) has 24 weights. Of these, Cypher7 is free.
Duty (2002) is a sans typeface co-designed at T26 with Lee Fasciani.
The stencil family Super Duty (2004) has 8 variations. There are also techno variant called Superduty Condensed, Superduty Regular, Superduty Narrow and Superduty Text.
Cusp (2001-2005): a techno display family with 18 weights, including an LED style, art deco styles and Cusp De Stijl.
Trapper (2004) is an 8-weight exaggerated ink trap font family which comes in Trapper Round and Trapper Sharp versions.
Zaftig (2008, Typeco) is a super-fat face.
P22 Operina (2003, in Romano, Corsivo and Fiore versions) is based on Vicentino Ludovico degli Arrighi's calligraphy used in his 1522 instructional lettering book La Operina da Imparare di scrivere littera Cancellarescha. This book contains what is considered to be the earliest printed examples of Chancery Cursive. P22 Operina won an award at TypeArt 05. Operina Pro contains over 1200 glyphs. In 2010, Paulo Heitlinger compared P22 Operina favorably to another digital chancery font, Poetica (by Robert Slimbach, Adobe), which, according to him [and I agree], lacks vigor and dynamism.
P22 Posada (2003, with Richard Kegler): based on lettering of Mexican printmaker José Guadalupe Posada (1851-1913) that was used for some of his posters and broadsides.
P22 Arts and Crafts Tall (1995, art nouveau), P22 Arts and Crafts Hunter (1995). Both based on alphabets by Dard Hunter, 1908-1910.
P22 Art Deco Chic (2002), based on the Art Deco hand lettering of Samuel Welo, ca. 1930. P22 Art Deco Display (2002) is a Broadway style face.
Churchy (2002).
He offered (offers?) a handwriting font service for 100 USD. Free trial typeface Reenie Beanie (2002). Signature font service for 50 USD. Reenie Beanie (2002) is now offered (as a joke, I assume) as part of the Google open font directory (for free web fonts).
P22 Garamouche (2004, with Richard Kegler). Comes with Garamouche Ornaments (2004).
Segoe Print (2006, Monotype Imaging). [Isn't this Googlee's competition?] This is an informally hand-printed typeface co-designed with Brian Allen, Carl Crossgrove, James Grieshaber and Karl Leuthold at Ascender.
P22 Cezanne Pro (2006). Has over 1,200 glyphs.
P22 Yule (2005; Heavy, Inline): a stone chisel family with a hint of Neuland.
P22 Numismatic (2005): originally offered by the Devinne Press, and based on ornaments and letters used by 15th and 16th century engravers of seals and coins; however it looks very much like Otto Hupp's Numismatisch (1900, Genzsch&Heyse).
Black Ops One (2011) is a military stencil face, available at the Google Font Directory.
Short Stack (2011) is Grieshaber's free contribution to the Comic Sans genre. It was published by Sorkin Type and can be downloaded from Dafont.
Atomic Age (2011) is a free font at Google Font Directory. It was inspired by 1950s era connected scripts seen on nameplates of American cars.
Sarina (2011). A connected script published by Sorkin Type.
Supermercado One (2011, Google Font Directory) is a low contrast semi geometric typeface inspired by naive industrial letters. More a signage typeface than a web font.
Typeco Grecian (2012, FontStruct) is loosely based on a Wells & Webb Grecian style woodtype circa 1846.
Typeco De Stijl (2012, FontStruct) is based on Van Doesburg's De Stijl magazine's name plate in 1923. Typeco Topaz Serif Tall (2012, FontStruct) is a pixel typeface. Typeco New Wave (2012, FontStruct) is an op art party font.
Metamorphous (2012, Sorkin Type) borrows its arches from Gothic cathedrals---it was inspired by Jonathan Barnbrook and by the free font Morpheus. Google font download.
HWT Geometric (2013, Hamilton Wood Type Foundry) is a squarish wood type family: Geometric began its life as a metal typeface from the Central Type Foundry, circa 1884. Soon after, this design was officially licensed to Morgans & Wilcox and was shown in their 1890 catalog in Regular, Light and Condensed Light variations. After acquiring Morgans & Wilcox, Hamilton Manufacturing offered Geometric Light Face Condensed as their own No 3020 and the Geometric Light Face as No 3021. HWT Geometric has been expanded digitally to include a Regular Condensed version.
Trattatello (2014). An Apple system font.
HWT Archimedes (2017, P22). A revival of the Page No. 122 wood type called Mansard Ornamented, done together with Richard Kegler (P22) and Virgin Wood Type. They write: This new digital version is a simultaneous release with Virgin Wood Type and features a variety of styles including the standard screw head option plus a Phillips head, hex/Allen wrench head, and even the vexing Apple pentalobe tamper resistant star screw. As a bonus, the screwheads themselves are accessible via a glyph palette, so you can put the screws to Comic Sans, or any other font, if you so desire.

Klingspor link. Google Plus link. Behance link. Fontsquirrel link. [Google] [MyFonts] [More] ⦿

The classification from the Typedia community:

Blackletter
- Fraktur: A German form of Blackletter with broken strokes. Classic example: Fraktur.
- Old English: The English blackletter style. Classic example: Cloister Black.
- Rotunda: A Blackletter style featuring wider lowercase with more rounded strokes.
- Schwabacher: A German form of Blackletter with simplified, rounded strokes.
- Textura: A Blackletter style featuring tall, narrow lowercase made mostly of straight strokes.
Calligraphic
- Chancery: A script style of calligraphy made with a broad-point pen with slightly sloping, narrow letters that are the basis for italics in serif typefaces. Capitals may or may not have flourishes. Originated during the Renaissance. Classic example: Zapf Chancery.
- Etruscan: An early Roman form of calligraphy drawn with a flat brush held at a steep angle. Caps only, as lowercase had not been invented yet. Classic example: Adobe Pompeii.
- Uncial: A Celtic style of calligraphic script with forms created by a broad-nibbed pen at an almost horizontal angle, but sometimes more tilted in later variants. Roman lowercase is derived from Uncial forms. There is only one case in pure Uncial designs. Used during the middle ages. Classic example: American Uncial.
Inscriptional---Roman Inscriptional: Stone-cut serif style from the late Roman Empire. The basis of modern roman capitals. Classic example: Trajan.
Non-alphanumeric
- Dingbats
- Ornaments
- Pictorial
Ornamented, Novelty
- Art Deco: A geometric display typeface style popular in the 1920s and 1930s. Classic example: Broadway.
- Art Nouveau: Display typefaces with a flowing, organic style popular in the early 20th Century. Classic example: Arnold Bocklin.
- Comic Strip Lettering: A style meant to look like the hand-drawn letters associated with comics or cartoons. This style is usually san serif, often having a loose, informal structure and is sometimes based on brush lettering. Classic example: Balloon.
- Dot Matrix: A style whose characters are composed of a pattern of dots used mainly for low-resolution impact printers, or to simulate the look of the output of such printers. Classic example: FF Dot Matrix.
- Futuristic: A style meant to suggest a futuristic theme. Often cold, brutal and geometric with a machine aesthetic and simplified construction. Classic example: Stop.
- Machine Readable: A style designed to be read by machine. These fonts are usually san serif and often feature unusual character shapes to make them more distinguishable from one another. Classic example: OCR-B.
- Pixel: A style whose characters are composed of pixels (usually represented as squares) used mainly for low-resolution computer display. Outline fonts are sometimes made to look like Pixel Fonts. Classic example: Silkscreen.
- Pseudo Foreign Script: A style intended to mimic non-Western letters. For example, a font that looks like Chinese, but is actually composed of Latin characters. Faux Chinese/Arabic/Hebrew. Classic example: Bruce Makita.
- Victorian: A whimsical, eclectic display style popular in the late 19th Century. Classic example: Skjald.
Sans Serif
- Gothic: A sans serif style with moderate stroke contrast and modern proportions particular to the U.S. Usually features a two-story lowercase g, angled strokes on C and S, and a sloped, non-cursive italic. Classic example: Franklin Gothic.
- Grotesque: A sans serif style with moderate stroke contrast and modern proportions particular to the U.K. Usually features a two-story lowercase g, closed strokes (usually curving in slightly) on C and S, and a sloped, non-cursive italic. Classic example: Bureau Grot.
- Geometric Sans: A sans serif style made with rigidly geometric forms and little to no stroke contrast. Classic example: Futura.
- Grotesk: A sans serif style with low stroke contrast and modern proportions. Usually features a one-story lowercase g, closed or angled strokes on C and S, and a sloped, non-cursive italic. Classic examples: Akzidenz Grotesk, Helvetica.
- Humanist Sans: A sans serif style with proportions modeled on old-style typefaces. Characterized by open strokes on characters like C and S. Italics of this style often are more cursive in appearance, rather than a simple slanted version of the roman. Often has more slightly stroke contrast than other sans serifs. Classic examples: Gill Sans, Frutiger.
- Square Gothic: A sans serif style composed mainly of straight or nearly straight lines and (often) curved corners. Stroke contrast is usually low. Classic example: Bank Gothic.
- Swiss Gothic: A sans serif style with noticeable stroke contrast, straight sides on round characters, modern proportions, and large x-height. Usually features a one-story lowercase g and closed strokes on C and S. Classic example: Jay Gothic.
Script
- Brush Script: Typefaces modeled after lettering made with a brush. Strongly associated with advertising in the mid-20th Century on. Classic example: Brush Script.
- Casual Script: Typefaces based on a style of lettering characterized by informal appearance, somewhat like handwriting, but more refined. Similar to Brush Script or Sans Serif. Classic example: Murray Hill.
- English Roundhand: A connecting-script style of calligraphy made with a flexible tipped pen. The characters are usually steeply sloped and capitals are often very elaborate. Popular in the 18th and 19th Century. Sometimes called Copperplate Script. Classic example: Bickham Script.
- French Roundhand: A connected-script style of calligraphy, sometimes with upright characters, a high stroke contrast and decorative capitals. Used in France in the 17th through 19th Century. Also called Civilité. Classic example: Typo Upright.
- Handwriting: A script style based on ordinary handwriting. Characters may or may not be connected. Classic example: Felt Tip Roman.
- Rationalized Script: A script style with sans serif qualities, low stroke contrast, and a formal appearance. Characters may or may not connect. Associated with 20th Century commercial design. Classic example: Gillies Gothic.
Serif
- Grecian: A typically heavy display typeface with octagonal shapes where curves are normally used. Also known as Chamfered or Beveled. Popular in the 19th Century for wood types. Classic example: Acropolis.
- Latin: A serif style with large triangular or wedge-shaped serifs. Stroke contrast is medium to low. Popular in the 19th Century for wood types. Classic example: Latin.
- Modern: A serif style with high stroke contrast and vertical stress. Classic example: Modern No. 20.
- Didone: A serif style with high stroke contrast and vertical stress. Serifs are usually unbracketed. Classic examples: Bodoni (Italian), Didot (French).
- Scotch Modern: A serif style with medium to high stroke contrast and vertical stress, known for large serifs and tiny aperture. Serifs are usually bracketed. Classic examples: Modern No. 20, Scotch Modern.
- Old Style: A serif typeface with relatively low stroke contrast, angled stress, angled serifs. Classic example: Bembo.
- Antique: A serif style with moderate stroke contrast, bracketed serifs and usually vertical stress. Serifs are angled as in Old Style. Popular in the 19th Century. Classic example: Bookman.
- Dutch Old Style: A serif style with somewhat angled stress, bracketed serifs, and medium to high stroke contrast. Characteristic of Dutch and English types of the 18th Century. Classic examples: Caslon, Plantin, Times Roman.
- French Old Style: A serif style with angled stress on rounds; usually features a small eye on the lowercase e; soft, bracketed serifs and moderate stroke contrast. Classic example: Garamond.
- Spanish Old Style: A serif style with soft, bracketed serifs, medium to high stroke contrast, and often highly angled stress. Classic example: Rongel.
- Venetian Old Style: A serif style with angled stress on rounds; usually a tilted crossbar on the lowercase e; usually has somewhat low stroke contrast. Serifs are sometimes unbracketed. This style is associated with very early printing (Incunabula) in the West. Classic example: Jenson.
- Slab Serif: A serif style with serifs equal to or nearly the same thickness of the main strokes. Main strokes usually have low contrast. Classic example: Rockwell.
- Clarendon: A slab serif style with heavy, bracketed serifs, modern proportions and construction, low stroke contrast. Classic example: Clarendon.
- Egyptian: A serif style with heavy, unbracketed serifs, modern proportions, low stroke contrast. Basic construction is similar to Modern, but with low stroke contrast. Sometimes called Antique. Classic example: Egiziano.
- French Clarendon: A serif style with reverse stress (horizontal strokes thicker than vertical strokes) and slab serifs, sometimes bracketed, usually condensed. Popular in the 19th Century. Classic example: Playbill.
- Geometric Serif: A serif style made with rigidly geometric forms. Usually features slab serifs. Classic example: Stymie.
- Spur Serif: A serif style with very small serifs. Usually similar in design to san serif typefaces, except for the serifs. Usually very little stroke contrast. Classic example: Copperplate.
- Transitional: A serif style which, historically, bridges the gap between Old Style and Modern. Stroke contrast is stronger than old style, but less than modern. Bracketed serifs. Stress is mainly vertical. Characteristic mainly of English types around 1800. Classic example: Baskerville.
- Scotch Roman: A serif style with medium contrast and vertical stress, medium-sized bracketed serifs. Classic examples: Miller, Caledonia.
- Tuscan: A serif style with splayed or ornate serifs. Classic example: Thunderbird.

[Google] [More] ⦿

Typeflash (or: Type+Play)
[Peter Vajda]

Type examples in Flash, by Budapest, Hungary-based Peter Vajda. Examples from 2015-2016 include a Hebrew simulation alphabet and an experimental blackletter alphabet. The names: Hungarian, Greek, German, English, Zion, Arabic, Typeflash Sex. Still in 2016, he designed the pixelish Modul and Typeflash Digital, the 3d Typeflash Cube, the blackletter typefaces Box and Gothic, the experimental Loop, the arrowed typeface Sex, and the dot matrix typeface Chain.

Typefaces from 2017: Figyelem (pixel typeface), Line (octagonal), Dot. [Google] [More] ⦿

Typehand Studio
[Yanuar Adi]

Semarang, Indonesia-based type designer, b. 1992. His typefaces from 2020: the script typeface Moonlight Sonata, Happy Lucky, Mirabelle (script), Den Basuky (a dry brush script), Musashi (squarish and interlocking), Bratterly (a monoline script), Anastasya (a signature script), Signaline (a font duo), Camilla (a thick poster brush script), Ravenda (a unicase piano key font), Rosseville (a flowing script).

Typefaces from 2021: Eksellena (a weathered blackletter), Etheryna (script), Anderlacht (a vintage all caps font with antiqued outlines), Puertofino (script), Rhinestone (an expressive hand-printed font), Alleyosha (a Treefrog style brush script), Hayabusha (a squarish typeface with interlocking letters), Sancho, Cornetta, Lucky Sunshine (calligraphic), Kintapani (a brush script), Sendang Mulyo (brush script), Manokwary (script).

Typefaces from 2022: Mariska (emulating Japanese), Sophia Laluna (a display serif with an astrological vibe). [Google] [MyFonts] [More] ⦿

Typeimage
[Jochen Hasinger]

Jochen Hasinger (b. 1964, München) lives in Frankfurt am Main, Germany. From 1992 until 1994, he studied typography with Wolfgang Weingart and André Guertler at the Schule für Gestaltung in Basel, and studied in Stuttgart before that, rom 1985-1988. He became art director at various ad agencies in Frankfurt and Hamburg. He founded Typeimage in 2003. Klingspor link.

Typefaces designed by Jochen Hasinger:

Covent BT (2003, a display sans family, Bitstream). Covent Nano (2006, a narrow version of Covent).
TIPS (2004, Linotype). This family consists of six logo and image fonts: BComTIPS, ThisWayTIPS, TravelTIPS, ActiveTIPS, AstroTIPS, CountTIPS. Linotype page where TIPS is discussed: Tips (which stands for Type-Image-Piktogramm-Schrift in German, or type-image-pictogram-font in English) contains six different fonts of pictograms and stylized icons. Tips Active is a font filled with characters reminiscent of Otl Aicher's sports pictograms from the 1972 Olympic Games. Tips Astro contains astrological signs. Tips Bcom depicts icons for use in business communication or web page design. Tips Count is a font featuring numbers inside of various circles. Tips This Way and Tips Travel are both collections of pictograms for use in navigation and other signage systems.
Sabin (2006).
Architextura (2001).
Botta (1989, modern).
DryGin (1979, headline face).

[Google] [MyFonts] [More] ⦿

TypeOff
[Dan Reynolds]

Typeoff was an Offenbach-based German type collective, est. 2004 by Daniel John Andrew Reynolds (b. 1979, Baltimore, MD), who blogs happily and frequently. Dan grew up in various cities in the USA, received a BFA in graphic design from the Rhode Island School of Design (RISD) in 2002, and moved to Germany in 2003 to study typography with Professor Fritz Friedl at Hochschule für Gestaltung in Offenbach. Dan was an intern at Linotype, and is still affiliated with Linotype. In 2004, he founded Typeoff.de. In 2007 he moved to the University of Reading for an MA in typeface design. Afterwards, he returned to Germany where he is based in Berlin and, for some time. In 2017, he helped Jan Middendorp set up the new foundry Fust & Friends. In 2018, he submitted his type history PhD dissertation at the University of Braunschweig, Germany, and joined LucasFonts in Berlin.

Typefaces created by the collective include Argos, AT Stencil, Disco 3000, Ignaz Text, Ignaz Titling, India Gothic, Janus, Jeans, Pater Noster, Proportia, Sweet Pea, Teppic, Used to Love Her. The designers include the founder Dan Reynolds, and his collaborators David Borchers, Lara Glück, Till Hopstock, and Lukas Schneider.

Dan's own typefaces at TypeOff include Ignaz Text (2004, originally called Ignaz Textura, and based on letters he found on a sepulchral memorial outside of St. Ignaz church in Mainz (Germany)), Ignaz Lombard Caps (2004), Ignaz Titling (2004), Janus (2004, a pixel face), Pater Noster (2004-2009, an uncial), Proportia (2004, a geometric sans), Sweet Pea (2004, an octagonal face), and Used to Love Her (2004, experimental). He is working on a Lombard Capitals face (2004), Teutonia Serif (2005, based on Teutonia, a geometric display typeface that was cut in Offenbach by the Roos & Junge type foundry in 1902; this squarish family is released under the name Mountain at Volcano Type in 2006) and Farewell Street (2004, sans family). Working on this condensed didone (2007).

In 2007, he worked with Kobayashi at Linotype to produce a revival and extension of a 1930 sans family of Morris Fuller Benton, and named it Morris Sans (+Small Caps), which could be viewed as an organic version of Bank Gothic. Morris Sans was published in 2008 by Linotype.

In 2008, he designed the serif family Martel in partial fulfilment of the requirements for the MA in typeface design at the University of Reading---it covers Latin and Devanagari. Martel Sans was published in the (free) Google Fonts collection in 2015. It was finished in 2014 in cooperation with mathieu Réguer. Github link.

He is working on a Condensed Serif.

Malabar (2008) won an award at TDC2 2009. Malabar also won the German Design Prize in Gold 2010. See the Linotype version Malabar Etext (2013).

In 2013, Dan did a digital revival of Harold Horman's Western reverse stress typeface Carnival at House Industries. The original dates back to the 1940s when Horman co-founded PhotoLettering Inc.

Codesigner with Matthew Carter in 2010 of Carter Sans (ITC), a flared lapidary typeface family.

With Mathieu Réguer, he created the libre a monolinear, geometric sans typeface family Biryani (2015, Google Web Fonts) for Latin and Devanagari.

In 2017, he published Rustic.

In 2020, Eben Sorkin, Pria Ravichandran, Inga Ploennigs and Dan Reynolds co-designed the sans family Karow at URW.

Type events of 2008 reviewed by Dan. Volcano Type link. Speaker at ATypI 2010 in Dublin and at ATypI 2011 in Reykjavik. Klingspor link. Speaker at ATypI 2013 in Amsterdam and at ATypI 2014 in Barcelona. Speaker at ATypI 2016 in Warsaw on Did photography kill punchcutting?. Speaker at ATypI 2018 in Antwerp on the topic of Jean Midolle's typeface Midolline. Volcano Type link. [Google] [MyFonts] [More] ⦿

Typeoff: Blackletter Type Resources

Dan Reynolds' jump page for blackletter type. [Google] [More] ⦿

Typerror
[Michael Clark]

Michael Clark (b. 1952) set up Typerror in 2011. His calligraphy is showcased at Michael Clark Design. Richmond, VA-based Clark does book covers, CD covers and greeting cards. His typefaces:

At Typerror: Lucilee (2011, connected script).
At Font Bureau: Pouty (2001, calligraphic). It was reintroduced at P22 in 2017 as P22 Pouty Pro.
At P22, where he did and does most of his work: P22 Sting (2005, a blackletter with roman capitals), Peanut (2006, a bouncy rough-edged display typeface that won an award for display type at TDC2 2007), P22 Peanut Sans, P22 Sweepy (2005, connected script which won an award at TDC2 2006), P22 Pooper Black (2003, connected script), P22 Frenzy-Marks (2003), P22 Frenzy-Regular (2003), P22 Frenzy-Sans (2003), P22 Shibumi (2003, brush face), P22 Monumental Titling (2005), P22 Sneaky (2008, the connected version of Pooper Black), P22 Lucilee (2011), P22 Lucilee Pro (2017), P22 FleurCross (2020: 76 stylized crosses).
At Stereo Typehaus: the condensed font Paris.
At Letraset: Katytude.
Proprietary: Colonial Williamsburg Script (calligraphic, connected), Icons Sisters of St. Clare (crosses and religious symbols), Michael Podesta Design.

Gofundme page in 2021 to help Michael with his medical bill to treat his Parkinson's disease.

More examples of his work. MyFonts page. An old URL. Klingspor link. FontShop link. [Google] [MyFonts] [More] ⦿

Typesgal

Hungarian designer of commercial fonts (from 2012 onwards, as Typesgal), located in Puspokhatvan, Hungary:

Bar D (2012). A geometric sans serif.
BarQ (2012). A geometric sans family.
Yerninde (2012), a softened blackletter, and its grunge version, Varaninde (2012).
Dirnaith (2012, grungy army stencil), Roth Dirnaith (2012), and Laden Dirnaith (army stencil). Awery (2012) is a more civil stencil face.
Blood and Blade (2012). A gothic blackletter pair of typefaces.
Carannorov (2012). Followed by the spurred version called Sigil (2012).
Miog (2012). A hand-printed typeface.
Coire Italic (2012). A cursive script.
Lissain (2013). A decorative pair of Bodoni typefaces.
Selya (2013). A calligraphic script.
Ganton (2013). A fat didone.
Carten (2013). A retro signage script.
Ranyeski (2014, Cyrillic simulation).
Trumpit (2014).
Litoland (2014). Based on texts of old American litographic maps from the 1920s.
Arellion (2015). A pearly script typeface.
Elley (2015). A signage script.
Doriel (2016).
Sewstain (2018).

Dafont link for Typesgal. Facebook link. [Google] [More] ⦿

Typeting Studio
[Tatang Iskandar]

Bandung, Indonesia-based designer, b. 1980, of The Brandalins (2018: a graffiti script), Holiday (2018), Trigme (2018), Jealousy (2018: a signature font), Slosure (2018), Batagore (2018), Sleeper (2018: a script typeface) and Horde (2018: a blackletter type).

Typefaces from 2019: Evergreen, Moonlighting, Binangkit, Gunslinger, The Other Side (a stick font), Wanoja, Queensword, Gemuruh, Halimpu, Allona Smile. [Google] [More] ⦿

TypeType
[Dirk Uhlenbrock]

Foundry with free and commercial fonts, started in June 2002 by Dirk Uhlenbrock.

Partial font list: Leni, Kazoo, Dandruff, Webmap (2001, dingbats for making a web map), Rung, Dole, ViceVersa, Perform, Girl, CellPics (icon font), Sauerkraut (gothic / blackletter), Hamburgotische (more octagonal than blackletter), Neutrum (futuristic octagonal), Laurel and Hardy, Trans (futuristic), Cyanide, Diet, Race (squarish), Girl, Lollop.

Originally called Hellvetica, it lasted a few days before Linotype complained about its name. It is now known as Typetype. Part of Signalgrau Designbureau in Essen, Germany.

Personal home page of Jay Rutherford. MyFonts link.

Typeverything
[Andrei Robu]

Andrei Robu is a super-artist, award-winning photographer, art director, illustrator, type designer and rising star based in Barcelona. Andrei started freelancing ca. 2002 shortly landing clients like Sprite and Coca-Cola. In 2006 he became Chief Graphic Designer at Leo Burnett, Bucharest, Romania. In 2008 he joined Acme as a managing partner and design director. After three and a half years he left Acme and started his own practice. In 2014 he relocated to Barcelona where he works together with his partner Andreea Robescu. During his career he founded a few platforms for promoting other talents: Designers Go To Heaven (2009-2017), Calligraphica (2012-2017), Typeverything (2011).

Andrei creates key visuals for branding, packaging, events and artist collections. He has worked with clients such as Adobe, Apple, Bloomberg, Nike, Jordan Brand, Stella Artois, Dailies, Fenwick London, Mastercard, Vodafone, VISA Epos, Coca-Cola, ESPN Magazine, Billboard, Wired, The Golden Globes, Exxon, Toyota, Hiscox.

In 2011, he set up Typeverything in Barcelona. Typeverything features Andrei Robu's typefaces as well as those of other type designers such as Cahya Sofyan, Felipe Calderon, Natanael Gama, Adam Fathony, Matteo Broillet, Simon Walker, Drew Melton, Jason Carne, Lewis McGuffie, and Fer Cozzi.

In his early type designs, we find extraordinary colored geometric experimental typefaces made in 2007 such as Idea, Trick Fun, Trick Squared, Trick (wow!).

In 2009, he made Bs, Merci, Metropolis, Origami, and Think. In 2011, this was followed by Funky. These early typefaces are not featured in his foundry, Typeverything.

His commercial typefaces:

Berry (2022). A seven-style+variable font family that oozes mischief and flexes its muscles.
Boldoni (2021). A fat face family.
Bourbon St (2020). A flashy experimental Marilyn-Monroe-just-walked-into-the-room kinda typeface.
Brule (2020). A throwback to the larger-is-better 1970s.
Champ (2021, by Cristi Bordeianu and Andrei Robu). A starkly incised display typeface family ranging from fashionable ultra-heavy to a flared thin. It includes a variable font as well.
Choco or Robu Choco Script (2017). An upright signage script.
Cottonhouse (2019). A Victorian typeface Cottonhouse by Andrei Robu, Kevin Cantrell and Arlo Vance.
Deia (2021). Advertized as a 7-weights bracketed serif that will do wonders on packaging projects.
Faroe (2022). A 7-style+variable font: a contemporary take on the art-nouveau period.
Fat Stencil Numerals (2016).
Fitzroy Display (2014). This art deco typeface was co-designed with Kevin Cantrell for the Fitzroy Condos in New York.
Flako Stencil.
Friseur. A supermarket script based on the 18th-century English roundhand.
Graf (2021). A very bold display and poster typeface that livens up the show with strategic ink traps.
Kitsune (2015). A thin connected script typeface published at The Designers Foundry. Re-released in 2019 by Typeverything.
Loggia (2020). A fashion mag typeface.
Loto Sans (2021). A geometric sans family.
Marques (2020). A luxurious display font.
Misfits (2018). A blackletter typeface.
Mochi (2021). An 8-style display sans with pointy terminals.
Motorino (2016). A connected retro script typeface.
Mr. Banks (2019) and Mr. Banks Serif (2020). Mr Banks is a stencil font.
Palace (2022). Based on vintage luggage labels from The Belle Époque (1890-1910).
Raval. A blackletter.
Roa Display. An angular and angry wedge serif.
Robu Bold. A retro signage script typeface originally created in 2010. Released in 2015 at The Designers Foundry. Re-released in 2019 at Typeverything.
Robu Grotesk (2017).
Robu Display (2017). In the fat didone genre.
Robu Stencil (2017).
Sharpie Pro (2020). A vernacular marker pen font.
Sports Numerals or Robu Sports Numerals (2017).
Vance Serif (2018). With Kevin Cantrell. They write: Vance Serif began as a proprietary typeface for Clayton Vance Architecture. Inspired by classical Roman architecture and proportions, Vance burgeoned from geometric angles and slants to decorative swashes and serifs to give life and nuance; architecture vivified by the human persona.
Writer (2022). A graffiti font.
Zufo (2017). A great children's book or comic strip typeface family.

Subpage with more experimental type. Flickr page. Behance link. Behance link for Typeverything. Old web site. Typeverything link. [Google] [MyFonts] [More] ⦿

Typoart GmbH (or: VEB Typoart)
[Jay Rutherford]

Dresden (East Germany)-based font studio that evolved from the former East German centralized press, VEB Typoart. VEB Typoart operated from 1948 until 1989, when it was renamed Typoart GmbH. Typoart GmbH dissolved mysteriously in 1995, perhaps due to bankrupcy.

MyFonts catalog of digitizations. Timeline as provided by Typoart-Freunde, a project of Jay Rutherford at the Bauhaus University in Weimar (and published in 2007 in a book by the same title, Heinz Wohlers Verlag, Harrlach):

1945: Schriftguß KG (before that, Gebr. Butter) produces type again.
1946: Schelter&Giesecke in Leipzig becomes VEB Druckmaschinenwerk Leipzig.
1948: Schriftguß KG becomes VEB Schriftguß Dresden. This is the true start of Typoart.
1951: the foundry section of VEB Druckmaschinenwerk Leipzig is absorbed by the VEB Schriftguß Dresden. Herbert Thannhaeuser becomes art director. We see the name Typoart.
1952: Herbert Thannhaeuser publishes Papier und Druck, and creates Meister-Antiqua and Technotype.
1957: Typoart is in full production now. An eyecatcher is Albert Kapr's Leipziger Antiqua.
1958: Thannhaeuser publishes his Liberta Antiqua and Garamond Antiqua. The Party decides that all private industrial property now belongs to the state.
1961: Typoart absorbs Ludwig Wagner KG in Leipzig and Norddeutsche Schriftgießerei Berlin. The Berlin wall is built.
1962: There is some negative press about Typoart's domination by Thannhaeuser's designs. VEB Typoart is absorbed by Vereinigung Volkseigener Betrieb (VVB) Polygrafische Industrie.
1963: Thannhaeuser dies. Albert Kapr becomes art director.
1965: The annual production reaches 4,5 million matrices. Purchase of the Digiset machine, built by Firma hell in Kiel, which is the first machine for electronic typesetting.
1967: Sabon Antiqua appears.
1970: Typoart is now owned by SED. In the DDR, all phototype printing is now done in Berlin, Leipzig and Dresden.
1971: Typoart is now producing its own phototype for the Linotron 505. Their prime productions include Maxima (by Karl-Heinz Lange; based on Gert Wunderlich's Linear-Antiqua) and Prillwitz-Antiqua (Albert Kapr).
1973: Albert Kapr publishes Typoart-Typenkunst, in which 19 typefaces are showcased.
1976: Phototype fonts are developed for Diatype, Diacomp (such as Maxima, Liberta, Garamond-Antiqua, Tschörtner-Antiqua, Leipziger-Antiqua), and 2NFA (Russian). Detlef Schäfer becomes head of research and development.
1977: To help with the digital transition, Norbert du Vinage joins Typoart.
1980: New types include Kleopatra, Biga, Zyklop, Quadro and Molli.
1987: Albert Kapr hands the art directorship to Norbert du Vinage. Publication of the first phototype catalog by Typoart.
1989: Publication of Fotosatzschriften, Typoart's typeface program. Typoart folds.
1990: VEB Typoart is changed into a GmbH with 230 employees.
1991: Eckehart Schumacher Gebler acquires all of Typoart's matrices. This collection is kept in the Werkstätten und Museum für Druckkunst Leipzig GmbH. Typoart GmbH and HL Computer (Karl Holzer's company) are joined.
1995: Typoart GmbH still has 100 employees. It offers typefaces in truetype and postscript formats. Albert Kapr dies in Leipzig. The demise of Typoart is mysterious, and not much is known about who owes what to whom. The copyright status of its typefaces remained uncertain. This page mentions the present situation. Andreas Seidel explains that Typoart has digitized lots of its type typefaces using Ikarus, and that the rights are held by Mr. Holzer, who may be in some financial trouble. He says that no living Typoart designers have received any royalties or public recognition.

Typoart Freunde and Typowiki have partial lists of typefaces. Here is my own:

Agitator (1960). By Wolfgang Eickhoff. This rough-brush typeface was digitally revived in 2007 by Patrick Griffin at Canada Type as Merc.
Alte Schwabacher: blackletter by Herbert Lemme.
Antiqua (fett, kursiv fett and schmalfett) by Barbara Cain. A didone family.
Baskerville (1982) by Volker Küster and Peter Greinke.
Bembo: Typoart's version is by Erhard Kaiser.
Biga: a shaded headline typeface made by Fritz Richter in 1985.
Caslon-Gotisch: a blackletter typeface originally created by William Caslon in 1760, it was brought to Leipzig from England in 1904 by Carl Ernst Pöschel.
Eckmann: a soft blackletter, dating from 1900.
Egyptienne. By Hans-Peter Greinke.
Erler Versalien (1953, Herbert Thannhaeuser). Digital versions: Erler Titling (2015, Ralph M. Unger), Missale Incana (2004, Andreas Seidel).
Garamond (1955): the metal Typoart version is by Herbert Thannhaeuser. The digital version is Garamond No.5 at Elsner&Flake. See also here. URW published a different digital version, Garamond No. 4. And Infinitype / SoftMaker says that its German Garamond is based on TypoArt's.
Fleischmann: a serif based on Fleischmann's historical face. An original cursive by Harald Brödel was added.
Halbfette Baskerville: an interpretation of Baskerville by Volker Küster.
Hogarth Script: an elegant script based on 18th century copperplate originals by William Hogarth. Font by Harald Brödel. Digital versions at URW, Softmaker (as Hobson), Alexandra Gophmann (Cyrillic version, 2005), Ralph M. Unger (as Gillray Pro, 2015), Castcraft (as OPTI Historic Script), Linotype and Elsner&Flake. Incredibly, Linotype owns the Hogarth Script trademark.
Kis Antiqua: Hildegard Korger's interpretation of this classic Dutch Antiqua by Nikolaus Kis. For a digital revival, see Ralph Unger's Kis Antiqua Pro (2018).
Kleopatra: a double-line decorative typeface by Erhard Kaiser (1985), digitized in 1989.
Leipziger Antiqua: a very legible Antiqua designed by Albert Kapr in 1959, developed for phototypesetting by Hans-Peter Greinke, and further developed in digital form by Tim Ahrens in 2002 as Lapture.
Liberta Antiqua and Kursiv: a robust house typeface from 1958 made by Herbert Thannhaeuser. Klingspor gives the date 1956.
Lotto (1955). By Herbert Thannhaeuser.
Luthersche Fraktur: a blackletter by Volker Küster and Herbert Lemme, digitized in 1989.
Magna: a DDR magazine text typeface from 1968, by Herbert Thannhaeuser. In 1975, Albert Kapr added Cyrillic letters. Karl-Heinz Lange developed the phototype. URW, Linotype and Elsner&Flake (who owns the trademark) have a digital version.
Maxima: a sans family by Gert Wunderlich (1970). Elsner&Flake (who owns the trademark), Linotype and URW have a digital version.
Minima: Karl-Heinz Lange's narrow sans designed for the DDR's telephone directory in 1984. Revived by Ralph M. Unger in 2017 as Tablica.
Molli: a comic book typeface by Harald Brödel.
Neutra (1968): A variant of Clarendon, rendered more legible by Albert Kapr. Used in the DDR for advertising.
Nidor: a slab serif by Harald Brödel.
Norma-Steinschrift: a house sans.
Prillwitz (1971-1987): a didone by Albert Kapr and Werner Schulze based on the original from 1790 by Johann Carl Ludwig Prillwitz. Elsner&Flake have a digital version. See also the 2015 revival by Ingo Preuss called Prillwitz Pro.
Polo by Carl Pohl. URW++ has a digital version.
Primus: a 1962 workhorse family (with Magna and Timeless) for the magazines in the DDR. Conceived in 1962, it was later adapted in Phototype by Karl-Heinz Lange. However, the Berthold Phototypes book of 1982 and Klingspor Museum put the date of creation at 1950.
Publika: a sans typeface developed between 1981 and 1983 by Karl-Heinz Lange. Sometimes spelled Publica.
Quadro: a four-line showstopper typeface by Erhard Kaiser.
Roesner Versalien (1960). By Wolfgang Roesner.
Schwabacher T09, T20 and T48. By Herbert Lemme.
Sinkwitz Gotisch and Versalien (1950). By Paul Sinkwitz.
Stentor: a brush script by Heinz Schumann (1964). Digital versions by Scangraphic, Ralph M. Unger (2013, as Tyton Pro), Elsner&Flake and URW. Rosalia (2004, Ingo Preuss) is based on Stentor.
Super Grotesk: a legible sans by Arno Drescher (1930, Schriftguss). Super Grotesk Buchtype (kursiv and halbfett) are placed in 1951. For a digital version, see FF Super Grotesk (1999, Svend Smital).
Technotyp (1951). By Herbert Thannhaeuser.
Thomas Schrift (1956). By F. Thomas.
Timeless (1982). See also Elsner&Flake and URW. In 2021, Ralph Unger revived and extended Timeless, calling it Korpus Serif Pro.
Tschörtner Antiqua and Kursiv (1955). By Helmut Tschörtner.
Typo Skript (1968). By Hildegrad Korger.
Typoart Didot (antiqua, kursiv and halbfett). Added in 1958 by Herbert Thannhaeuser.
Typoart Garamond (1955). By Herbert Thannhaeuser.
Walbaum (1984): a didone by Hans-Peter Greinke based on Walbaum's originals.
Zyklop: an art nouveau/Jugendstil face by Fritz Kossack.

References on Typoart:

Walter Begner: 25 Jahre Typoart Dresden In: Papier und Druck, Leipzig 6/1973.
Walter Begner: Entwurf und Herstellung von Schrifttypen in Ostdeutschland. In: Leipziger Jahrbuch zur Buchgeschichte. Jahrgang 6 (1996), pages 405-436.
Albert Kapr and Hans Fischer: Typoart Typenkunst. Leipzig, 1973.
Albert Kapr and Detlef Schäfer: Fotosatzschriften, Itzehoe, 1989.
Detlef Schäfer: Fotosatzschriften Type-Design+Schrifthersteller, VEB Fachbuchverlag Leipzig, 1989.
Norbert du Vinage (as artistic director of Typoart): 40 Jahre Typoart---vier Jahrzehnte intensives Bemühen um niveauvolle Schriften. In: Papier und Druck, Leipzig 11/1988.

View Typoart's typefaces. [Google] [MyFonts] [More] ⦿

TypOasis 2007
[Manfred Klein]

Fonts published in 2007: Bloxxy, DodgesCaps, DrawingWithTypefaces, MKaputtExpanded, SuprematismK, CrossesCirclesEtc, FewYearsLater, Humunkuli, PictoGramma-Sketches, JustOldFashionedCond, TechnicalAlphabetExtraBlack, CurvedBeings, RememberWinter, VIP, DeconstructionCaps, Kater Rino, KeilschriftOblique, ZierCaps, DecadentaFrax, Lifestyle, Barnard, HandmadeTypewriter, MonaKo, BeforeAlphabetsGallery, BrailleHeadline, CaveMeetings, ClassicaCaps, CrazyDingdingsOne, FloraliaCaps, JugendstilCaps, MicroTypes, NonSense, Schraffura, WoodPecker, Serena, TokayOSeven, GotenborgFraktur, EasterIslandsPopart, EgyptIconsToday, KLArtifacts, LogosExercises, Mayakowski, NativeDesigns, OldAmericanSymbols, SomeArrows, TechnicFreaks, JonasLight, JonasMajuscles, JonasMinuscles, WrittenFrax, Actions, ArtsBeforeComputer, ButterflyAndCo, DadasStoneage02, MAnimalsK, MythologicalFantasy, NativeAmericans, NextOnEarth, Petroglyphs07, Silhous1900, Symbolica, TrafficTransportations, WebWoodcuts, DeconStruct-LightOblique, AdonisGreekSquares, ArtNoveauDecadente, BigCats, BirdSymbols, Books, Dadada, DeconStruct-Black, DeconStruct-BlackOblique, DinkPatz, ImprovisatedBats, MsKetches, NewCaveDrawingsDrei, OldNewspaperTypes, OrnamElements, QuickKleinSketches, RunishQuill-BlackSquares, Sansumi-Bold, Sansumi-ExtraBold, SpaceWinningFra, AnglosaxOblique, AstrologyBatsOne, CaveStars, EyesAndSoOn, FlyingCarpetsOSeven, GesturesMK, PixelsDream-DemiBold, SymbolicaThree, VectorizedSignets, Ballerinas, BirdsBirds, Butterfly, EgyptSilhous, Insects, JeffsLittleHelpers, LinolCuts, MythosChina, TypoSignals, FrakturInRings, ImresFraxCaps, SpaceEggs, CarolusKlein, DesignElementsTwo, HandsUpHandsDown, MinidomInvers, SignalsTypoTwo, GothicLetters, JohannesGLastTraces, MKFraktConstruct, MatisseTraces2007, Minidom-07, MouseAlphabets, MyRobots, OpArtCarpets, ReinersImOval, Swimming, AnarchoSquares, BradburySans-Light, CantzleyInverseCaps, FamousPix-Circles, FamousPix, HeadsCallSketches, HeadsHandsSketches, MaritimeSquares, MasqueradesK, MouseScribblesKTwo, ScherenschnittOSeven, ScissorCuts, SketchesSelection, BradburysSquares, DevilsAlphabets, HeidEcker, HybrideBetween, KL1MonoSansInvers, LombardInitials, MonoAlphabetMultiSized, Nonsensiqua, WalNussCaps, StrangeBlackletter, ArtesBats, ArtElements, ElectronicPoetry, EyeEyeOnBlack, FabCreaturesInverted, FlyingOparts, Humans (Silhous), Improvisations01, ModernArtBats, NewAliens, Perform02, SimplyDrawings, Sportive01, UpUpAndAway, VectorAnimals, VectorImprovisations, VectorImprovK1, VectoryStarFrames, WappneDichNow, Deconstruct2007, ClassicapsC, ComicNumerals, GearingZahnradABC, JuliusCaesarDisks, KlillMonograms, Pixfabet, QuasiModoButtons, RoundAbout, SilhouOtto, KaiserRotbartCaps, PopFraxFrankfurt, PopFraxFrankfurtCondensed, AnimalishMK, ArteFacte2007, FlagsMaritime, HistoricPeople, Humorix, KarlasNrThree, Kopffüßler, MathEmoticons, MedicalCasesFirst, MKartoons, Mouseworx, NextGeneration, PoesieConcrete, SimpleSilhouettes, Vectorism, Waxworks, CalligImprovis, CorrodetClassicapsBlack, HansSachsCaps, NipponLatin-Bold, OlderTypoTraces, Pompeji, Primeval, RememberZwart, RococoCoquete, SatanicAlphabet, TwilightCaps, Wacomiqua, Ancestors07, Bewitched, Birds+Friends, BirdsSinging, BlackBats, GoodOldTimes, HumanMirror, KleinsMousetraps, Musicians, MythsK, NewYork, OlympicToys, Panique, PeopleAndOthers, Pharaonica, Prehistoric, Pueblo, RememberStoneage, Scherenschnitte, Sculptures, SilhouettesABZ, SilhousKette, Traffic, Woodcuts2007, YoungMusicians, FrakturInitials07, AmericanBeforeColumbus, ArteCave, Aztecish, BeautyWorks, Birds07, BorderElements, CatDogHorse, ChaoticHeads, Education, Figures, Forbidden, FromOldArtists, HandsUp, InGarden, Insects07, KidsArt, Kringel, MedicalBats, ModernGarbage, Mythological, OldAdPosters, Planets, SilhouPeopleTwo, SketchAsScatchCan, SunAndFriends, TravelEtc, Tribalism, TypoBackgrounds, TypographicEdges, TypogrBanners, TypoSigns, VeryOldBirds, AroundTheClock, ArrowsOSeven, BarlosiusEdged, BrokenSansCaps, CaveOSeven, CavePaintings, DingsbumsPlus, EgyptHieros, FraxHandwritten-RoundCaps, GreeceArtDesign, HandsOnly, HumanDrawingsA, HumanLandscapes, KidsKids, Moneymoney, MouseImprovisations, MusicInstruments, MusiciansTwo, MyFreudsWorld, Mythical, NipponBats, OldTribalSymbols, PhaistosToday, PlantenNBlomen, RememberBauhausFaces, Swinging, TribalFigTwo, TribalisticaFigures, TypoAlphabetReaders, VariousPeople, WildHeads, JahnsCaps, Kletteralphabet, StencilBricks97, TypomaniacsSpecial, Zwiebelfisch, AstrologishSymbols, AufmBau, BeachWater, CavePeopleTraces, EarlyAmericans, EasterAnimals, Farmers, Frames, FreudsFreeWorld, HappyNewYear, HouseWorks, Humorica, KleinsElectronicJokes, LandAndTownscapes, OldTypoElements, OtherEyes, Pifont, RatsFatzBats, ReligSymbols, Sasurium, SpaceCommedians, TwoToTeaBlues, WaterfrontFriends, Weddings, Yogaism, TypewriterScribbled. [Google] [MyFonts] [More] ⦿

Typodermic
[Ray Larabie]

Ray Larabie (b. 1970, Ottawa, Canada) ran Typodermic in Mississauga, ON, which opened in the Fall of 2001. In 2006, it moved to Vancouver, BC, and in 2009 it moved on to Nagoya, Japan. Dafont page. Ray Larabie has been making fonts since 1996, but those early fonts were freeware. His pre 2001 fonts are grouped under the label Larabie Fonts. In 2001, he set up Typodermic. Latest additions.

The Typodermic fonts:

2022: Biphoton (a monospaced sans with the same proporions as Letter Gothic 12), Valve (an industrial muffler shop font), Deception (a sub-pixel typeface with ten captivating effects---Deception Array (wide blocks), Deception Bars (text viewed through lenticular glass), Deception Blocks (as in heavy JPEG degradation), Deception Diamonds, Deception Lines (for a grayscale effect), Deception Particles, Deception Plusses, Deception Process (simulates grayscale LCD text or a thermal printer on the fritz), Deception Scanline (television picture tube text rendering), Deception System (1-bit dithering gone haywire)), Monofonto (a monospaced sans), Encercle Draft (permitting users to create numbers in borders), Encercle Sans, Heavy Heap (a groovy psychedelic typeface with a scorching look, reminiscent of 1960s hot-rod culture and die-cast toy vehicles), Ggx89 (a 48-style tightly spaced Swiss style sans family).
2021: Quadrillion (a 12-style rounded monoline sci-fi family), Mochon (a wall writing or chalk font based on the lettering of Donald Mochon, dean of the RPI School of Architecture until 1966; the Mochon samples were provided by an ex-student of Mochon, Karl A. Petersen), Steelfish Hammer (a subtly rustic version of Larabie's most popular typeface, Steelfish), Wavetable (sci-fi), Xyzai (an LED emulation font, described by Ray Larabie as a hardcore, Y2K-style techno typeface), Geoparody (a 12-style squarish typeface inspired by a late 1960s font called Anonymous), Typewriter Spool (122 fonts, modeled after the Underwood No. 5 typewriter font).
2020: Gravtrac (a 56-style condensed to crushed slab serif family inspired by mid-twentieth century classics like Univers 59 Ultra-Condensed, Helvetica Inserat and Compacta; +Greek, +Cyrillic), Vinque Antique (a rustic handcrafted blackletter in eight styles).
2019: Dealerplate (17 license plate styles for various states and provinces in the USA and Canada, current as of 2019; included are California, New York, New Jersey, Ohio, Illinois, Pennsylvania, Florida, Maryland, Michigan, Wisconsin, Massachusetts, Missouri, Washington, North Carolina, Virginia, Quebec, and Ontario), Kenyan Coffee Stencil, Good Timing, Steelfish Rounded, Bitcrusher (a consumer electronics / techno font), Galderglynn 1884 (a nineteenth-century style sans-serif typeface that exp[ands his Galderglynn Esquire).
2018: Cybermontage, Crack Man (a pac man font), Propaniac (a 1980s-style postmodern typeface inspired by a Pointer Sisters record sleeve which was designed by Shoot That Tiger Creative Services), Zelega Zenega, Spectrashell.
2017: Minicomputer (MICR style), Squirty, PCTL9600, PCTL4800 (retro techno), Ultraproxi (semi-monospaced and influenced by the high speed computer printers from the 1950s to 1970s), Toxigenesis (techno sans), Venus Rising, Vanchrome (a compact sans-serif headliner with chromatic layers), Krait (a layered geometric typeface designed for architectural display), Xylito (a layered font for chromatic or 3d effects).
2016: Refuel (octagonal, based on military aircraft markings), Expressway Soft (a sans-serif font family inspired by the U.S. Department of Transportation's FHWA Series of Standard Alphabets, also known as Highway Gothic), Conthrax (squarish, techno), Cornpile (cartoonish), Electric, Evensong (art deco), Fledgling (a very tall typeface), Gymkhana (sans), Remissis (sans), Sunday Evening (a reverse contrast typeface), Meloche (Meloche is a unique grotesque sans-serif typeface influenced by hand-painted French signs of the late nineteenth century. It's available in 7 weights and obliques).
2015: Canada 150 (a custom font for the Canadian government; see here, here, this coverage regarding the Inuktitut part of the font, and this reaction by the curmudgeons in Toronto who complain that Ray did this work for free), Autoradiographic (sans family), Built Titling (for compact headlines), Chickweed Titling (cartoon titling font), Cardigan Titling (flared headline face), Bench Grinder Titling, Kleptocracy Titling, Palamecia Titling (rounded black comic book typeface), Quasix Titling, Galderglynn Titling (all caps sans family from hairline to black), Mixolydian Titling, Stormfaze (a sci-fi font started in 1996 and finished in 2015), NK57 Monospace (a 60-style programmer typeface), Gargle, Athabasca (a sans family designed for the rugged Canadian oil patch).
2014: Mesmerize (a large free sans family), Kingsbridge (a large slab serif family with sharp points on the A, M, N, V and W), Manbow (a layered geometric art deco display font which includes solid, clear, stripe, polka-dot and screen patterns), Breamcatcher (an all caps art deco font inspired by the piano sheet music for With Every Breath I Take which was featured in the Bing Crosby/Kitty Carlisle musical comedy film, Here is my Heart), Kilsonburg (Dutch deco based on an old Vogue magazine cover), Uchiyama (poster typeface), Goldsaber (art deco design), Vexler Slip (unicase), Rakesly, Dacquoise, Pretender, Rimouski (a rounded geometric font family), Nulshock (techno), Recharge (techno/industrial font), Interrogator Stencil, Strange Alphabets (arts and cratfs font), Angerpoise Lampshade (free).
2013: Numbers With Rings, Shookup (funky cartoon font), Pastrami on Rye (cutout comic book style), Chickweed, Built (a condensed headline sans), Fluctuation (a softly rounded elliptical sans family), Astrochemistry (sci-fi, techno with rounded edges), Snasm (sci-fi).
2012: Engebrechtre (2000-2012), Die Nasty (1999-2012: free), Strasua (1999-2012), Planet Benson (1997-2012), Husky Stash (1998-2012), Barbatrick (1999-2012: a speed emulation font), Zero Hour (1997-2012), Urkelian (1998-2012: very condensed), Zolasixx (inspired by the video game Zaxxon), Ampacity (neon font), Chromakey (a space deco headline font inspired by box art classic video games including Matrix Marauders and Magical Chase), Disassembler (1980s style bitmap font), Zerbydoo (a dot matrix family), Superego (a geometric-techno font inspired by the cabinet graphics for the 1981 Stargate arcade game), Rukyltronic (a set of dot matrix typefaces), Nerdropol (pixel family), Gulkave (rounded pixel font), Cyclopentane, Palamecia (a fat finger poster face), Gameness (a 1990 retro industrial deco font), Camulogen (headline face), Color Basic (a pixel typeface inspired the by TRS-80 Color Computer), Triac Seventy One (a funky face), Acroyear (retro all-caps headline font), Troll Bait, Strenuous (unicase), Permanence (a retro=futuristic font based on Alvin Toffler's cover of Future Shok, 1970), Clockpunk (octagonal and quaint), Battlemaze (trekkie face), Mixolydian (industrial sans).
2011: Ugocranis (a brutalist typeface), Clipwave, Wheaton (MICR-inspired), Mango Scribble, TRS Million (dot matrix face), Ugogranis (constructivist), Gomoku (paper cut face), From The Internet.
2010: Cranberry Gin (2010, octagonal), Restore (all caps, geometric sans), From The Stars (an elliptical techno family done with Chikako Larabie), Thrusters (space age face), Dream Orphanage, Dream Orphans (2000-2012), Kengwin (rounded slab serif), Gleaming The Cube (Greek simulation face), Vectipede (a slab serif family), Great Escape (an elliptical sans family), Subrocs (connected script), Hackensack (with Chikako Larabie), Polarband (bilined stackable headline face), Naked Power, Special Forces (a great macho slab serif headline face---watch for awards to roll in), Warugaki (handpainted), Warmer, Honfleur (art deco; with Chikako Larabi), Voivode (a headline typeface done with Chikako Larabie), Hachimitsu (Asian look face, done with Chikako Larabie), Kadeworth (rounded retro look sans, done with Chikako Larabie), Gnuolane Jump (2010, with Chikako Larabie), Markerfield (brush), Board of Directors (Bank Gothic style family, done with Chikako Larabie), GGX88 (a Swiss sans family), Body Goat, Reversal, Gord (techno), Computechnodigitronic (LED, LCD geek-look font), Bench Grinder, Inklea (a bubbly face), Skygirls (retro brush script), Gloss (a paint brush typeface based on Champion, 1957, G.G. Lange), Galderglynn Esquire.
2009: Maqui (an industrial headline sans family), Zingende (art deco family: caps only), Misadventures, Gaz (large retro sans family), Acrylic Brush, Enamel Brush (a digitization of Catalina, 1955, Emil J. Klumpp), DDT (neutral sans), Thump (fat, casual), Desperate Glamour, Pricedown (an update of his free 1990s font, patterned after the lettering on The Price Is Right show), Mitigate (monoline and slabbed; has some typewriter styles), Catwing, Walken (slab serif stencil), Silicone (soft rounded sans family), Movatif (sans), Gunplay (a stencil family inspired by the poster for the 1972 Steve McQueen/Ali MacGraw film The Getaway), Fragile Bombers (octagonal), Forgotten Futurist (techno sans, 19 styles), Bullpen (slab serif), Coolvetica (35 styles), Duality, Good Times, Strenuous, Shlop (paint-drip style), Dirty Baker's Dozen (stencil), Junequil (VAG Rounded style), Owned (graffiti), Domyouji, Threefourtysixbvarrel (stencil), Enacti, Uniwars (futuristic, 16 styles).
2008: Madawaska (a rugged slab serif), Ebenezer (grunge), Gnuolane Stencil, Raincoat, Report School (avant garde sans), Jesaya, Carouselambra (art nouveau), Debusen (rounded), Barge (military font), Renju (2008, potato or rubber stamp print face), Otoboke (handlettered), Hit (informal hand), R6 D8 (futuristic sans family), Rexlia (an octagonal machinistic family), Hybrea (a display sans with TV screen rounding), Sweater School, Tussilago (2008, a neutral sans family), Presicav (extended sans), Hover Unit, Addlethorpe (grunge), Scheme (rounded sans), Usurp (bouncy poster lettering), Negotiate (technical sans family), Divulge, Sewn, Gnoulane (condensed sans), Moja, Teeshirt (old typewriter face), Pound (art deco marries grunge), Graveblade (heavy metal font), Synthemesc (psychedelic anti-Starbucks font), Chysotile (white on black grunge), Cardigan (sans), Gurkner (balloon style), Reagan (grunge).
2007: Tight (a copy of Dean Morris's 1976 Letraset chrome font Quicksilver), Headlight, Meloche (a 3-style grotesk), Octin Spraypaint (grunge stencil), Octin Vintage (grunge), Bouffant (script), Octin Prison (stencil), Octin Sports (octagonal), Octin College (octagonal, for sports jerseys), Octin Stencil (free octagonal font family), Burnaby Stencil (stencil), Superclarendon, Conceal, Ohitashi, Stud (grunge), Bristles (grunge), Skirt, Cotton (grunge), Kelvingrove (a bit of copperplate gothic, rounded and shaved), Augustine, Containment, Snowa, Veriox, Scrubby, Transmute, Sheaff, Injekuta (techno), Rinse (grunge), Polyflec, Domyouji (square sans), Winthorpe (old style), Cutiful (script), Flyswim (grunge), Dirtstorm (spray-painted stencil), Shnixgun (grunge), Neuzon (grunge), Oxeran (old typewriter), PRINTF (grunge all caps monospaced), Akazan (sans), Nyxali (a metal tag face), Nesobrite (25 styles of Bank Gothic lookalikes), Meloriac (a heavy headline sans inspired by Futura), Walnut (graffiti face), Gnuolane (a narrow superelliptical sans), Edifact (a damaged computer font), Darkheart, Stampoo (squarish), Raymond (rough script), Hayate (oriental look), Telephoto. The entire Octin series is free at DaFont.
2006: Octynaz (grunge), Paltime (ornamented), Jolie Ecriture Desard (children's hand), Mango (comic book face), Desard (child's hand), Bulltoad, Lerku (eroded serif), Charbroiled (also eroded), Ceroxa (eroded stencil), Nagomi (a chiseled-look Asian font based on calligraphy of Chikako Suzuki from Nagoya), Whiterock, Yellande, Chilopod (a futuristic typeface inspired by the logo from the 1980s videogame, Atari Centipede), Order, Goldburg (based on a typeface by George Bowditch, 1957), Laserjerks (2006, brutalist), Milibus (futuristic), Bonobo (serifed), Ohitashi, Sarasori (TV-tube shaped typeface in the style of Oban), Structia (an octagonal family), Betaphid (octagonal), Gendouki (futuristic stencil), Slugger (athletic lettering), Marianas (a gorgeous art deco face), Lineavec (octagonal), Corzinair (serif family), Buxotic (a great caps face), Cinecav X (for closed caption TV and DVD), Salsbury (comic book face), Lonsdale (loosely based on a font called Parkway Script, which was designed by Emil Hirt in 1964), Alepholon (futuristic), Kwokwi, Mikadan (a tribute to Stephenson Blake's Verona from 1948, which was in turn based on William Dana Orcutt's Humanistic from 1904), Marion (2012: a beautiful transitional family adopted as a standard Mac OS X font), Quasix (hookish), Skraype (grunge stencil), Bleeker (casual lettering), Linefeed (monospaced line printer font), Draculon (a casual typeface inspired by the letterforms of William Orcutt's humanist font from 1904 which was in turn based on an Italian manuscript from 1485), Mahavishnu (a mix between 1970s psychedelics and art nouveau), Doradani (a corporate identity sans family), Korotaki (futuristic).
2005: Beat My Guest, Kadonk (a Halloween face), Report (a VAG-Rounded style face), Croteau (a poster face), Heroid (ook face), Barrista (informal script), Wyvern (sans serif), Wubble (like puddles of water), Caryn (casual script), Folder (a rigid sans family), Venacti (a futuristic family), Xenara (a keyboard lettering family), Emory (a destructionist sans family), Ligurino (neat sans&serif family), Biondi (update of Copperplate Gothic; followed in 2010 by Biondi Sans; these copperplate style typefaces are in the style of AT Sackers), Byington (Trajan column lettering), Sayso Chic, Expressway (28 weights, a highway signage family), Algol (pixel type), Meposa (fat display face), Tandelle (condensed), Vigo, Maychurch, Mecheria, Vactic (dot matrix), Zosma, Topstitch, Windpower, Llandru, Soap (a creative extension of Cooper Black, with dingbats), Kleptocracy (1999-2005), Owned, Rimouski (sans), Burnstown Dam (2005, a wooden plank font), Sinzano (sans with opentype ligatures galore; compare, e.g., House Ed Interlock), Zamora.
2004: Affluent, Threefortysixbarrel (stencil face), Tank, Telidon (dot matrix face), Funboy, Neuropol X, Neuropol Nova, Mufferaw (comic book face), Larabiefont, Zekton (techno), Strenuous 3D, Silentina (advertised as "a silent movie font"), Amienne (brush script), Fenwick Outline (free), Betsy Flanagan (1998, a keyboard face), Boopee (children's handwriting), Pirulen (in the general Bank Gothic style), Zalderdash.
2003: Zupiter, Blue Highway.
Before 2002: the dot matrix family Telidon, Telidon Ink, Butter Belly, Almonte (1999), the architectural font Jillican (octagonal), Snowgoose, Bomr, Pakenham, Neuropol, Nasalization, Fenwick, Kleptocracy DLX, Sui Generis, Dirty Bakers Dozen (faded stencil), Minya Nouvelle, Asterisp, Chinese Rocks, Jillsville (great artsy Courier), Ulian, Wevli (including Wevli Dingbats), Sappy Mugs (funny mugshots), Sofachrome (1999, inspired by Pontiac car emblems), Eden Mills (1999).

MyFonts interview. Fontspace link. Fontspring link. Catalog of the typefaces in the Larabie Fonts collection. Klingspor link.

Catalog of the Typodermic library in decreasing order of popularity. Extensive (large page warning) Typodermic catalog. Font Squirrel link. Creative Fabrica link. Fontsquirrel link. Fontdaily link. [Google] [MyFonts] [More] ⦿

Typogama
[Michael Parson]

Typogama is the personal foundry of Swiss designer Michael Parson (b. Geneva, Switzerland, 1979), who published these fonts in 2003 as part of Linotype's Taketype 5 collection: Anlinear LT Std Bold, Anlinear LT Std Light, Anlinear LT Std Regular, Arabdream LT Std (Arabic simulation face), ClassicusTitulus LT Std, Hexatype LT Std Bold, Morocco LT Std, Jan LT Std, Ned LT Std, Pargrid LT Std Cross, Pargrid LT Std Regular, Pargrid LT Std Trash, Piercing LT Std Bold, Piercing LT Std Code, Piercing LT Std Regular, Raclette LT Std.

Most of Parson's fonts cover both Latin and Cyrillic.

In 2004, he made Clans (T-26, blackletter) and Boulas (T-26).

In 2006, he released these at T-26: Boutan (Indic simulation face), Heraldry (dingbats), Palm Icons (dingbats for golf), Wingbat (aircraft dingbats).

In 2007, still at T-26: Heraldry, Thunderbolt 73 through 76 (from techno stencil to techno sans).

In 2008, at T26: Ealing (geometric sans family, with a hairline), Bauhau (6 weights), Jane (a rounded sans in 12 weights), Quean, Halja (a modular sharp-edged blackletter with illuminated capitals), Faddish (a high-contrast vogue family), Big Boy (11 styles, a slab family from grunge to regular, accompanied by BigSigns, a hand sign font).

Fonts from 2010: Tinsel (condensed), Rusty (Latin / Cyrillic constructivist typeface inspired by snowboarding), Vindaloo (+Outline, T26), Kimbo (octagonal slabby family), Cyrus (for Latin, Greek and Cyrillic), Calvin (a monoline sans family, +Hairline), Checkpoint (rounded display sans that won an award at Modern Cyrillic 2014), Fuera (2011: a bilined typeface, T26).

In 2013, he published Selecta (an organic rounded sans, T26), Thunderbolt (an octagonal army style typeface family with a military stencil, T-26), Xcetera (2011), Ignorance (an American 19th century style penmanship font), Psalta (an octagonal blackletter typeface), Nadsat (a geometric display sans with some interlocking letters), Cobono (organic sans), Prox (sans face), Zurika (a wonderful crazy script face), Faddish (T26: a fashion mag typeface), Heraldry (T26), Cedi (YWFT: a hand-printed typeface family with huge multi-character ligature set to simulate real handwriting), Tcho (T26: a soft rounded sans family that covers Latin, Thai, Arabic, Greek and other scripts), Dejecta (a striking scratched titling face, T26), Nedo (2011, a bold prismatic display typeface inspired by the work of Nedo Mion Ferrario in Venezuela), Quam (2012, an elliptical sans family), Pictypo (2012, a useful icon typeface).

In 2014, he updated the interlocking poster display typeface Tinsel (T26---original from 2010) and published the fantastic cartoon / comic book typeface family Bangbang. Siggy (2014) is a funky typeface. Lale (2014), which won an award in the TDC 2015 Type Design competition, uses the opentype features to set up a font system for flowers. Jane (2014) is a rounded sans typeface family. Vulgat (2014) is a vibrant display typeface based on uncial letterforms. Elsuave is a free rounded piano key typeface.

Typefaces from 2015: Chickenz, Framez, Jackazz, Raubam (free), Martinaz (signage script).

Typefaces from 2016: Auro (rounded sans), Dejecta (rough and ragged), Apollonius (a swashy didone), Rosengarten (vintage type influenced by Lucian Barnhard), Deleplace (influenced by didones), Furius (Tuscan style).

Typefaces from 2017: Kurstiva (an informal sans family), Banja (a plump signage script), Bignoy (Wild West, modernized), Kimbo (octagonal), Mensrea (organic sans with beveled, inline, and various layered and graffiti styles), Nibbles (a food truck-inspired dingbat typeface), Huggy (an art nouveau typeface influenced by the work of Heinrich Heinz).

Typefaces from 2018: Brinnan (a wide sans), Zoltana (a floriated, abll terminal-laden fancy titling typeface), Genesa, Kufin (a free Kufic emulation typeface), Madden (an angry dry brush poster typeface).

Typefaces from 2019: Ahsing (oriental look font), Convexion (a creamy display typeface), Vidocq (based on 19th century woodcut styles).

Typefaces from 2020: Fiducia (inspired by the first Swiss banknotes), Gorgonzo (a creamy bold typeface designed for attention grabbing headlines), Thrifty (a clean minimalist sans family).

Typefaces from 2021: Oildale (an oily and creamy display typeface), Conica (a fine extra bold condensed poster typeface).

Typefaces from 2022: Xotor (a double-inline or prismatic font with octagonal outlines).

Behance link. Klingspor link. Hellofont link. MyFonts link.

View Michael Parson's typefaces. [Google] [MyFonts] [More] ⦿

Typograf

Moldovan creator of these free fonts:

Berry Rotunda (2016).
Excalibur Nouveau (2015). Pure art nouveau.
Dyer Arts and Crafts (2015).
Behrens Antiqua Initialen (2015, after Peter Behrens, 1907). A revival font.
Morris Jenson Initialen (2015). Contains many of William Morris's art nouveau initial letters done for Kelmscott Press. A revival font.
Feinsliebchen Barock (2015). Also known as Kanzlei Initialen, an excessively ornate set of blackletter initials.
Maximilian Antiqua Initialen (2015). An initial caps version of Rudolf Koch's Maximilian Antiqua.
Blumenstrauss Caps (2018).

[Google] [More] ⦿

Typografische (was: Hardal Studio)
[Fatih Hardal]

Istanbul, Turkey-based founder of Hardal Studiuo, and later Typografische. His typefaces include Hardal Serif (2018), the free experimental font Cylinder (2018), and the free experimental typeface Nisantasi (2018, a gothic fraktur).

In 2018, Fatih Hardal and Mustafa Akülker co-designed the hipster sans typeface Unshaped. At Marmara University, he designed the commercial typeface Hardal Serif (2018).

In 2018, Fatih Hardal and Muhittin Gunes set up Bold Type Istanbul. Their joint typefaces at Bold Type include the sans typeface families Bold Type Modern (2018) and Bold Type Grotesk (2018).

One of his most remarkable typefaces is the Bauhaus-style fat font Quad (2018).

Typefaces from 2019: FH Giselle, FH Fraktur.

Typefaces from 2020: FH Cordelia Display (with Japanese brush stroke terminals), FH Oscar (a grotesque family inspired by Breite Grotesk, Akzidenz Grotesk and Monotype Grotesque; some alternate letters follow the hipster trend), FH Phemister (inspired by Phemister Old Style by Alexander Phemister), FH 1089 Display (a severe contrast fashion mag typefaces with a stunning negative 40 degree axis), FH Ronaldson (a sharp-edged typeface family; like FH Phemister, it is inspired by Ronaldson Old Style).

Typefaces from 2022: FH Alpha (two styles, loosely based on Hermann Zapf's Optima), FH Ampersand (42 styles, inspired by Elzevir Gothic, 1897, ATF). [Google] [More] ⦿

Typografisches Cabinet
[Christian-Heinrich Wunderlich]

From Christian-Heinrich Wunderlich's announcement: I have a gift for all non-commercial users: 4 good fonts : a) Dada.ttf: A very basic type, like Helvetica b) gutenberg.ttf: The original Types of Gutenbergs Bible c) Rhenania.ttf: A decorative font from the Rhineland d) Arabica.ttf : Looks like Arabian, but it is Latin. Gutenberg Bibelschrift (1996, Fraktur) is also here. [Google] [More] ⦿

Typographic Design
[Manuel Viergutz]

Berlin-based FontStruct artist from Stuttgart (b. 1986, Esslingen) who studied at Johannes-Gutenberg-Schule Stuttgart (class of 2007) and studied in 2008 in Esslingen at the European School of Film and Design. He set up Typographic Design. The theme of most of his typefaces is erosion, deconstruction and grunge.

He made the striped techno fonts heavyLOUDedge, heavyLOUDedge_lineH, heavyLOUDedge_lineV, heavyLOUDedge_quad, heavyLOUDedge_raw in 2009. He also made Fat Cowboy (2009, FontStruct), QRcodeX (2009, like those airline ticket codes), Low Down Cut (2009), WebPixel (2009), ScrFibble (2009), ScriptSERIF (ransom note face), and Back To Heavy Coat Fat Ground (white on black family) in 2009.

Typefaces done between 2010 and 2013: SKATEBOaRDbraNds (2010, ransom note face), Gothic Hand Dirty (2010), SansLigraphy, Slice n Dice (2009), Riptape, Riptrash (2010, grunge), BackToHeavyCoatFatGround, Curly Lava Bubble (2010, dotted family), Hand Times (2010, a sketched Times Roman), BlockHead (2010), kiddySans (2010), webpixelbitmap (2010), dirtyDeoHandInk (2011), Modern Hand Fraktur (2011), Elegant Hand Script (2011), Wear Fat T Shirt (2011, squarish), Giraffenhals (2011, hand-printed), Phone Scan (2011), Slanted Italic Shift (2011), Neon Club Music (2011), Raw Delta Hand Street (graffiti), India Snake Pixel Labyrinth Game (2012, labyrinthine).

Typefaces from 2013: Hand Retro Sketch Times (layered poster headline family), Dirty Bubble Gum Grunge, Hand Skribble Sketch Rock, Hells Kitchen Devil God, Hand Scribble Sketch Times, Shaky Hand Some Comic, RawStreetWall (Volcano Type: grunge), Tag Hand Graffiti Trash, Viktors Littl Creepy Horror. Still in 2013, these commercial typefaces were published: Rip TRASH, Dirty Deo Hand Ink, Elegant Hand Script, Gothic Hand Dirty, Rip TAPE, MODERN Hand Fraktur, Giraffenhals, Raw Delta Hand Street, WEAR FAT SHIRT, HeavyLOUDedge, Soul Lotion, Webpixel Bitmap, India Snake Pixel Labyrinth Game, Kiddy Sans, MEGA SLANT LINE, NEON CLUB MUSIC, Slanted ITALIC Shift, Block Head, Happy Brain Creepy Thalamus.

Typefaces from 2014: Konstructa Humana Stencil, Hand Stamp Play Rough Serif.

Typefaces from 2015: Hand Sketch Rough Poster, Hand Stamp Swiss Rough Sans.

Typefaces from 2016: Hand Stamp Gothic Rough, Raw Street Wall (Volcano type).

Typefaces from 2017: Brush Poster Grotesk (2017, a fun semi grungy typeface designed for the children's exhibition 1,2,3 Kultummel from Labyrinth Kindermuseum Berlin by xplicit, Berlin (Annette Wüsthoff, Alexander Branczyk and Mascha Wansart) and Manuel Viergutz; loaded with glyphs and decorative extras like arrows, dingbats, emojis, symbols, geometric shapes, catchwords and decorative ligatures), Netherlands Dirty Numbers (a hacker style font), Mallorca Dirty Numbers (another hacker font), Hand Stamp Slab Serif Rough.

Typefaces from 2018: Hand Print Stamp Rough, Typewriter 1950 Tech Mono (a great old typewriter font family).

Typefaces from 2019: Icons Dingbats Symbols Set, Czykago Rough (with Alexander Branczyk).

Typefaces from 2020: One United Font (+icons), Hand Stamp Wood, Klein Rough Gemein (with Inga Luft: a font family that includes an icon set and several styles that emulate old German rubber stamps), LED pixel (65 styles), Boom Pang Pow (a cartoon font), TWIGS 4 kids (2020: designed for a garden exhibition for children by Daniela Costa, Julia Stanossek, Alexander Branczyk and Manuel Viergutz), DIY Fantasy Stamp, Euro Icon Kit, Brush Hand Marker, Chalk Hand Marker.

Typefaces from 2021: Wood Sans (a 12-style vintage wood type and letterpress emulation family), Pixel Pattern (a 9-style pixel font family), Hand Writing of Janina, Face Type, Hand of Hannah (a fat finger script), Plakat Wood (wood type emulation), Drunken Pixel, GDR Traffic Symbols, Hearts Love Smile (amorous dingbats), Open Tech Neue (Sans Serif, Invert, Outline, Slab Serif, Stretch, Box Puzzle and Icons). Cat Finger (a rough brush font), Kloetzchen (a set of blocky display types based on a 3d (physical) wood type by Peter Eckartz).

Dafont link. Alternate URL. MyFonts link for his commercial fonts. Klingspor link. Behance link. Blogspot link. Old MyFonts foundry link. Abstract Fonts link. Volcano Type link.

View Manuel Viergutz's typefaces. [Google] [MyFonts] [More] ⦿

Typonet
[Geoffroi Duchambon]

By French font maker Geoffroi Duchambon: 10 commercial display fonts (with accents!) for 35 dollars. A few free dingbat fonts: Smaragdings, Ptitdej font, Baby's world and Music for a while. The font names: Smaragdings, PtitDéj, Baby's World, Bab-El-Web, Junky Mail, Net Censor, Ebone Fraktur, Beauty Spot, Push Data Irregular, Antiquity, Virusty Jam. Firewall Fever is ugly and costs 50USD. Recently, the site offers free downloads of trial versions, such as FlowerShow, Amazing Dingbats, and so forth. Link went dead. [Google] [More] ⦿

Typophile

The special interest group on blackletter design at Typophile is headed by John Butler. [Google] [More] ⦿

Typopixo

Typopixo is a boutique type foundry specialized in multi-color webfonts, possibly run [my guess] by Mark van Wageningen. It was launched in January 2014. Based in Amsterdam, Typopixo collaborates with skilled typedesigners, lettering artists, Javascript developers and HTML experts. The site accepts submissions. Techncally, to use their fonts, one needs to do four things: include a JQuery javascript file (in the web page), include the Typopixo library, include the font PNG file (purchased from them), and include the font .js file (comes with the purchase). From that point on, the fonts work precisely as normal fonts. At launch time, these were the designers:

Barbara Bigosinska: Wilda.
Rianne Hulshof: Gluon.
Hubert Jocham: Neoparts.
Novo Typo: Fall, Guru, Lily, Pure, Zita, Lola
Diana Ovezea: Flipster
Daniel Pelavin: Forgia
Giuseppe Salerno: Pink Fraktur, Afrobeat
Kim Slagter: Hi Honey
Teja Smrekar: Klobasa

My initial reaction is disappointment---I thought that color fonts were going to be real fonts that incorporate fancy code in opentype or truetype font tables, with freedom to access all colors in the color cube. But these are just images with colors chosen by the designers and image sizes set to two choices. It is a valid effort, but the ultimate step has to be full inclusion in a standard font format, fully scalable and color-controllable. [Google] [More] ⦿

Typotopia Studio
[Khusunun Irawan]

Indonesian designer in 2019 of the script typefaces North Grenada (a signature script), Gendry, Beric, Arya, Brandon, Robb, Sansa, Clegane, Theon (monoline), Rickon (creamy), Dakota (a spurred Western font), Malabo (an eerie brush font), Devilish and Sandorian (Victorian, layerable).

Typefaces from 2020: Butterfree, De Solidia, Jupiter, Hamburg (Victorian), Circusia (Victorian, Tuscan), Chesnut (brush script), Candelia, Butterskull, Sugarly, Buttermill (script), Beleriand (script), Brianne, Astaroth, Barcely (script), Artline, Averoos (blackletter), Losdol, Antheme, Odenson (a heavy script), Seville (a fat finger script), Volantis (blackletter), Robusta (Victorian), Oregon (spurred, Victorian), Swit Pruit (a monoline script), Sembilu (script), Preteoria (script). Typefaces from 2021: Aquila, Arthur (blackletter), Barbatos (blackletter), Bellerin, Bewear, Bigmom, Devilish, Dudley, Edinburg Script, Haunter, Helloria, Honeybae, Kinderjoe, La Nantes, Lantenia, Mahalo, Maleficient, Megalhaes, Munich, Northline, Osgiliath (blackletter), Parsley, Polaria, Rouweth, Sandorian, Skandis, Skyline, Summeria, The Osgiliath, Weathertop. [Google] [More] ⦿

Tzu-yuan "Erik" Yin
[Tofutype]

Uber Argemiro

Envigado, Colombia-based designer of ABC Recto (2017) and ABC Loma (2017), two blackletter-inspired typefaces. [Google] [More] ⦿

Ullstein-Fraktur

A blackletter type at Monotype. Image below courtesy of Bernhard Schnelle. [Google] [More] ⦿

Ulmer-Fraktur

A blackletter type at Monotype. [Google] [More] ⦿

Ulrich Gering

He is generally thought to have made the first typeface in France in the 1470s. Quoting the wiki page with more biographical details of this French printer: Ulrich Gering (active as a printer in Paris from c. 1470 to 1508; died 23 August 1510) came from Beromünster in the diocese of Constance. He was one of three partners to establish the first printing press in France. Invited to Paris in 1469 by the Rector of the Sorbonne, Johann Heynlin, and his colleague Guillaume Fichet, Gering together with Michael Friburger and Martin Crantz set up a printing press within the Sorbonne to produce texts selected and edited by his patrons. The press produced 22 works between 1470 and 1472. By the end of 1472 this subsidised venture came to a close and the three printers left the Sorbonne to set up on their own at the sign of the Soleil d'Or on the rue Saint Jacques in Paris. The partnership came to an end in 1477, after which Gering continued to print on his own, moving in 1483 to the rue de Sorbonne at the same sign. Between 1484 and 1494 books printed at the Soleil d'Or carry the names of Jean Higman (1484-1489) and George Wolf (1490-1492). Gering is found there again in partnership with Berthold Rembolt from 1494 to 1508, after which Rembolt worked alone.

At ENSAD in Paris in 2007, Émilie Rigaud started work under the guidance of Alejandro Lo Celso and Philippe Millot on a revival of the first type printed in France, at the Sorbonne, by Ulrich Gering. This work is based on a 1478 edition of Virgilius. Another project at ENSAD, this time headed by André Baldinger and Philippe Millot, in 2009-2010, led to complete revivals of Gering's blackletter and roman typefaces. The graduate students involved in the latter project are Timm Borg, Anthony Dathy, Perrine Saint Martin and Ok Kyung Yoon. They have thoroughly reworked the letterforms found in the extant incunabula available in the Bibliothèque Nationale, complementing the original characters with italics, small caps, and supplementary weights, as well as all of the glyphs necessary in a 21st century font.

This Portuguese language site has examples of some types used by Gering. [Google] [More] ⦿

Ulrich Zell

German printer, based in Köln, active from ca. 1463 until 1502. He studied under Johann Fust and Peter Schoeffer prior to 1462. In 2018, Shane Brandes named a rough blackletter typeface after him, Zell. [Google] [More] ⦿

Ultra Kühl
[Jan Weidemüller]

Designer in Berlin, Germany, who created these typefaces:

The octagonal / blackletter typeface Blak (2016-2017, The Designers Foundry).
The ornamental didone family typeface Koor (2017).
The fun reverse stress display typeface family Guzi Warp (2018, at Ultra Kühl). Has a variable font version.
The crisp typeface family Para Supreme (at Ultra Kühl and The Designers Foundry). Has a variable font version.
The sans typeface family Siaga (2019). Siaga was initially designed in 2015 as part of the Studio Weidemüler identity.
Gram (2019). This typeface family fuses the functionality of classic mid-twenties century German sans-serif typefaces with the precise qualities of Swiss typefaces.

[Google] [More] ⦿

Ultra Types
[Joan Ramon Pastor Rovira]

Wete, or Wete Cacahuete, or Joan Ramon Pastor Rovira, or Juanra Pastor, or Juanra Wete Pastor, is a Barcelona-based graphic and type designer, b. 1984. He set up Ultra Types in 2012.

Typefaces created by him include the useless monstrosity called Combo (2009), the hand-printed Deibi (2009, free), the text typeface Alba Serif (2010), and the fantastic geometric/mathematical caps face Roke 1984 (2010).

TP Duro (2011) is a blackletter typeface inspired by an Albrecht Dürer design from 1525. It was published in 2019 at Vette Letters in cooperation with Martin Lorenz: VLNL TpDuro. Favela (2011) is a free tattoo face.

In 2012, he designed an experimental / futuristic set of numbers for a Yorokobu magazine section called Numerografia. Still in 2012, he created the Alexander Grotesk typeface family (which can be bought at Ten Dollar Fonts), and Ut One (modular, arc-based).

In 2013, he designed the sans typeface Reefont Condensed on commission for Reebok [under the creative direction of Manuel Lemus]. 4YFN (4 Years Fro Now, 2013) is a minimilaist custom typeface created for an event organized by Mobile World Congress. He also designed Stela UT (a layered stencil font) in 2013. Cairo Slab UT (2013) is based on an alphabet found in 100 alphabets publicitaires (1946).

In 2014, he made an experimental connect-the-dots typeface with Drawbot. Intangibles is a custom-designed didone titling face. UT Rounded is free.

In 2015, Wete made the angular brutalist display typeface UT Nickel.

In 2018, Oscar Cobo and Wete co-designed the piano key variable font UT Morph, which was inspired by Wim Crouwel's Nagasaki poster.

In 2019, Wete designed the logotype for TCM (Turner Classic Movies) and the identity and wayfinding symbols for Hotel El Call.

Typefaces from 2021: UT Barrel (a fat face with serious ink traps).

Behance link. Dafont link. Abstract Fonts link. Personal home page. Klingspor link. [Google] [MyFonts] [More] ⦿

Umar Farouq
[Martype Co (was: Tyfrography)]

Umgang mit gebrochenen Schriften

Umbreon 126

Tamagotchi, or Umbreon 126, made several fonts with the aid of FontStruct in 2012 and 2013. These include pixel typefaces (FS Rebellion, FS Rept, FS Comic Mono, FS Flower Shop, FS 126 Serif), but also truly large workhorse typefaces. For example, FS 126 Sans (a pixel sans face) has 4871 characters and covers Nko, Lisu, Armenian, Tai Le, Ogham, Thaana, Georgian, Coptic, Kayah Li, Tifinagh, Samaritan, and Lao. The 3114 glyph pixel typeface FS Semioriginal covers Hiragana, Katakana, Arabic, Armenian, Hebrew, Bopomofo, Georgian, Greek, and Cyrillic. The 2000+ glyph pixel typeface FS Unoriginal covers Hiragana, Katakana, Arabic, Armenian, Hebrew, Bopomofo and Tifinagh. Other typefaces include FS Fat Piano, FS Typ Stencil (piano key face), FS Frakletter (blackletter) and FS Stupid Me (white on black typeface). [Google] [More] ⦿

PDF file with instructions on the use of Fraktur type, by Harald Rösler of the Bund für Deutsche Schrift und Sprache. In German. [Google] [More] ⦿

Underware

Underware is a (typo)graphic design-studio which is specialized in designing and producing typefaces. These are published for retail sale or are specially tailor-made. The company was founded in 1999 by Akiem Helmling, Bas Jacobs and Sami Kortemäki. Since 2002 Hugo Cavalheiro d'Alte is also part of the studio. They are based in Den Haag, Helsinki and Amsterdam. In 2017, they joined Type Network.

Bas Jacobs and Akiem Helmling designed Dolly (2001), a 4-font book typeface with flourishes, brushy, sturdy, Dutch. They created Sofa, a precursor of Sauna (2002; +Sauna Mono Pro), which won an award at the TDC2 2003 competition. In 2002, they made Stool for a Finnish printing house, Salpausselän Kirjapaino Ltd. Ulrika is a custom display typeface designed for Proidea Oy (a Finnish film and video production company).

Unibody 8 and 10 (2003) is a free OpenType pixel font optimized for FlashMX.

In 2004, they created Auto, about which they write: Auto is a sans serif typeface which has three different models of italics, each with its own flavour. The font family consists of 3 x 24 fonts. With its three italics, Auto creates a new typographic palette, allowing the user to drive through unknown typographic and linguistic possibilities. Auto is fully loaded with both full Western and Eastern European character sets. Auto won an award at the TDC2 2005 type competition.

Additional material on the web page: a wonderful intro to type basics, and an intro to OpenType.

In 2004, they published the comic book / signage family Bello, which won an award at the TDC2 2005 type competition.

In 2005, Underware joined the type coop Village.

In 2006, they published Fakir, a blackletter family with Hindi inspirations. Fakir won an award at TDC2 2007.

Interview in 2008.

In 2009, they published the connected script brush typeface Liza (+Text, Display, Caps, Ornaments), which has several versions for each letter.

In 2015, Bas Jacobs, Akiem Helmling and Sami Kortemäki published the stencil family Tripper Pro.

Zeitung Pro (2016) is a substantial sans family, designed for micro and macro use, with optical sizes, and a Zeitung Flex variable Opentype font to boot.

Custom types: Stockmann Sans (2012, with Kokoro & Moi: for the Scandinavian department store), Kone (2012: for the elevator company), Mr. Porter (script with a dozen alternatives for each glyph to better simulate real handwriting; it was awarded at TDC 2012 and at Tokyo TDC 2012), Stool (Headline, Thin, Grand), Sauna Mono (for the Danish Jyske Bank), Fated (fat), Ulrika (rounded and informal, slightly plump: for Proidea Ltd, a Finnish video production company), Suunto (2012; for sports watches, i.e., Suunto's Cobra2, Vyper2 and Elementum).

Underware received a prize in the TDC Tokyo Type Directorts Club 2020 awards for Grammato, a contribution in the area of animated and automated typography. Their typeface Y (2020) is an OpenType Variable Display typeface, based on higher order interpolation. It won an award at 23TDC.

In 2021, Underware released Plakato Pro, a stencil family that expanded into the neon, outline, inline, video game, grunge, kitchen tile and prismatic versions.

MyFonts interview. Type Network link.

View Underware's typeface library. Speaker(s) at ATypI 2019 in Tokyo, where they introduce the notion of grammatography: writing with letters that are not prefabricated, but that react to the user and reader---grammatos. [Google] [MyFonts] [More] ⦿

Unholy Empire

Medium-sized archive with many gothic and rune fonts: ACharmingFont, ACharmingFontExpanded, ACharmingFontItalic, ACharmingFontLeftleaning, ACharmingFontOutline, ACharmingFontSuperexpanded, Abaddon, Anglican, Anglo-Saxon-Caps, AngloSaxonRunes, AngloSaxonRunes1, AngloSaxonRunes2, Barock, BarronRegularSWFTE, Beckett, Belphebe, Beowulf1, Beowulf1Alt, BlackNight, BloodOfDracula, Buffied, Cadeaulx, CasablancaAntiquePlain, CheshireInitials, CloisterBlackBT-Regular, Dearest, DearestOpen, DearestOutline, DemonNight, Deutsch-Gothic, Diamond-Gothic, Die-Nasty, DingMaps, Distress, DropCaps, DwarfRunes, DwarfRunes1, DwarfRunes2, EddieTrial, EngraversOldEnglishBT-Regular, EtTuBrute, ExocetHeavy, ExocetLight, Florana_Initials, FutharkAOE, FutharkInlineAOE, GF-Gesetz, GargoyleSSi, GermanicRunes, GermanicRunes1, GermanicRunes2, Goethe, GoreFontII, GothicHijinx, GothicHijinxHollow, GothicHijinxRough, Gothic_Love_Letters, Gothicum, GoudyMedieval, Helloween, HieroglyphRL, IRONGATE, IcedEarth, InvisibleKiller, Iron-Maiden, Junius-Rough, Junius, JuniusBold, JuniusBoldItalic, JuniusItalic, JuniusModern, JuniusModernBold, JuniusModernBoldItalic, JuniusModernItalic, JuniusSmallCaps, JuniusStandard, JuniusStandardBold, JuniusStandardBoldItalic, JuniusStandardItalic, Karloff, LinguineLinguist, LogosCorporate-VOL1A, Magdeburg, ManuscriptRegularSWFTE, MegadethCryptic, Minster6, MinsterNo1, MinsterNo2, MinsterNo3, MinsterNo4, MinsterNo5, Morpheus, Mortbats, Ogilvie, OldEnglish, Pastor-ofMuppets, PrinceNormal, RK-Meroitic-(Hieroglyphics), RammsteinRemix, RingbearerMedium, Riot-Act, RoadSign, Ruritania, Shlop, Shredded, Slayer, SolsticeOfSuffering, Squealer, TengwarCursive, TengwarGandalfMedium, TfuTfu, Times-OldEnglishItalic, Times-OldEnglishRegular, TrollOathbound, TudorSSi, TudorScriptSSi, Uechi-Regular, VikingMedium, deicide, gothic-1, naked-monk. [Google] [More] ⦿

Unicode Fonts for Ancient Scripts
[George Douros]

This is a fantastic source of free high-quality fonts for scripts of the greater Aegean vicinity, Egyptian Hieroglyphs, Meroitic, Sumero-Akkadian Cuneiform, Musical Symbols and all Symbol Blocks in the Unicode Standard. George Douros is their Greek font designer. His free fonts come with this exemplary footnote: In lieu of a licence: Fonts in this site are offered free for any use; they may be opened, edited, modified, regenerated, posted, packaged and redistributed. Many of his fonts contributed to important section in the GNU Freefont project. Here is the list:

Abidos (2018). An attempt to catalogue about 8000 Egyptian hieroglyps. His Nilus font (2018) catalogues the Gardiner hieroglyphs.
Aegean (2007-2012). Covers Basic Latin, Greek and Coptic, Greek Extended, some Punctuation and other Symbols, Linear B Syllabary, Linear B Ideograms, Aegean Numbers, Ancient Greek Numbers, Ancient Symbols, Phaistos Disc, Lycian, Carian, Old Italic, Ugaritic, Old Persian, Cypriot Syllabary, Phoenician, Lydian, Archaic Greek Musical Notation. Other things in it: Linear A, Cretan Hieroglyphs, Cypro-Minoan, Ancient Greek Alphabets, Phrygian, Old Italic Alphabets (Cumaean, Archaic Etruscan, Neo Etruscan, Ancient Latin, Lugano, Faliscan, Marsiliana, Messapic, Middle Adriatic South Picene, North Picene, Oscan, Umbrian), the Arkalochori Axe and Anatolian Hieroglyphs.
Aegyptus (2007-2020) and Gardiner. Over 7000 hieroglyphs. In addition, we have Basic Latin, Greek and Coptic, Egyptian Transliteration characters, some punctuation and other symbols.
Akkadian (2007). Basic Latin, Greek and Coptic, some Punctuation and other Symbols, Ugaritic, Cuneiform, Cuneiform Numbers and Punctuation.
Alexander (2007, text typeface built around the Greek letters originally designed by Alexander Wilson in 1744; compare with Wilson Greek (1996, Matthew Carter) and Junicode (2006, Peter S. Baker)). The Latin and Cyrillic parts are based on Garamond.
Alfios. Lowercase upright Greek were designed in 1805 by Firmin Didot (1764-1836) and cut by Walfard and Vibert. The typeface, together with a complete printing house, was donated in 1821 to the new Greek state by Didot's son, Ambroise Firmin Didot (1790-1876). Lowercase italic Greek were designed in 1802 by Richard Porson (1757-1808) and cut by Richard Austin. They were first used by Cambridge University Press in 1810. Capitals, Latin and Cyrillic, as well as the complete bold weights, have been designed in an attempt to create a well-balanced font. The font covers the Windows Glyph List, Greek Extended, various typographic extras and some Open Type features (Numerators, Denominators, Fractions, Old Style Figures, Historical Forms, Stylistic Alternates, Ligatures); it is available in regular, italic, bold and bold italic.
Anaktoria. Douros: Grecs du roi was designed by Claude Garamond (1480-1561) between 1541 and 1544, commissioned by king Francis I of France, for the exclusive use by the Imprimerie Nationale in Paris. Greek in Akaktoria is based on a modern version of Grecs du roi prepared by Mindaugas Strockis in 2001. Lowercase Latin stems from the titles in the 1623 First Folio Edition of Shakespeare. Scott Mann & Peter Guither prepared a modern version for The Illinois Shakespeare Festival in 1995. Cyrillic has been designed to match the above Greek and Latin.
Analecta (2007, Byzantine style). An ecclesiastic scripts font, in Byzantine uncial style, covering Basic Latin, Greek and Coptic, some Punctuation and other Symbols, Coptic, typographica varia, Specials, Gothic and Deseret.
Anatolian
Aroania: In 1927, Victor Julius Scholderer (1880-1971), on behalf of the Society for the Promotion of Greek Studies, got involved in choosing and consulting the design and production of a Greek type called New Hellenic cut by the Lanston Monotype Corporation. He chose the revival of a round, and almost monoline type which had first appeared in 1492 in the edition of Macrobius, ascribable to the printing shop of Giovanni Rosso (Joannes Rubeus) in Venice. Aroania is a modern recast of Victor Scholderer's New Hellenic font, on the basis of Verdana.
Asea (2020, Latin-Greek-Cyrillic). A modern font based on Firmin Didot's Greek type.
Assyrian.
Atavyros. Douros writes: Robert Granjon (1513-1589) produced his Parangonne Greque typeface (garmond size) at the instigation of Christophe Plantin as a counterpart to Garamond's Grec du roi, in Antwerp Holland, between 1560--1565. It was used in Plantin's multilingual Bible of 1572. Versions of Granjon's type were used for the 1692 edition of Diogenes Laertius and for the Greek-Dutch edition of the New Testament in 1698, both published by Henric Wetstenium in Amsterdam. A digital revival was prepared by Ralph P. Hancock for his Vusillus font in 1999. Latin and Cyrillic are based on a Goudy typeface.
Avdira. Douros: Upright is based on the lowercase Greek letters in the typeface used by Demetrios Damilas for the edition of Isocrates, published in Milan in 1493. A digital revival was prepared by Ralph P. Hancock for his Milan (Mediolanum) font in 2000. Italic Greek were designed in 1802 by Richard Porson (1757-1808) and cut by Richard Austin. They were first used by Cambridge University Press in 1810.
Maya. Maya covers the glyphs in J. Eric S. Thompson's A Catalog of Maya Hieroglyphs (1962, University of Oklahoma Press).
MusicalSymbols (2007) or Musica (2013). Basic Latin, Greek and Coptic, some Punctuation and other Symbols, Byzantine Musical Symbols, (Western) Musical Symbols, Archaic Greek Musical Notation. There is also the Greek musical notation font EE Music (2018) for Hellenic ecclesiastic music.
UnicodeSymbols (2007, in the Computer Modern style) and UniDings (2013). It has every imaginable symbol: Basic Latin, Latin-1 Supplement, Latin Extended-A, IPA Extensions, Greek, Cyrillic, Cyrillic Supplementary, General Punctuation, Superscripts and Subscripts, Combining Diacritical Marks for Symbols, Letterlike Symbols, Number Forms, Arrows, Mathematical Operators, Miscellaneous Technical, Control Pictures, Optical Character Recognition, Box Drawing, Block Elements, Geometric Shapes, Miscellaneous Symbols, Dingbats, Miscellaneous Mathematical Symbols-A, Supplemental Arrows-A, Supplemental Arrows-B, Miscellaneous Mathematical Symbols-B, Supplemental Mathematical Operators, Miscellaneous Symbols and Arrows, CJK Symbols and Punctuation, Yijing Hexagram Symbols, Vertical Forms, Combining Half Marks, CJK Compatibility Forms, Specials, Tai Xuan Jing Symbols, Counting Rod Numerals, Mathematical Alphanumeric Symbols, Mahjong Tile Symbols, Domino Tile Symbols.
Symbola (2013) is an unbelievably rich font. It contains Basic Latin, IPA Extensions, Spacing Modifier Letters, Combining Diacritical Marks, Greek and Coptic, Cyrillic, Cyrillic Supplement, General Punctuation, Superscripts and Subscripts, Currency Symbols, Combining Diacritical Marks for Symbols, Letterlike Symbols, Number Forms, Arrows, Mathematical Operators, Miscellaneous Technical, Control Pictures, Optical Character Recognition, Box Drawing, Block Elements, Geometric Shapes, Miscellaneous Symbols, Dingbats, Miscellaneous Mathematical Symbols-A, Supplemental Arrows-A, Braille Patterns, Supplemental Arrows-B, Miscellaneous Mathematical Symbols-B, Supplemental Mathematical Operators, Miscellaneous Symbols and Arrows, Supplemental Punctuation, Yijing Hexagram Symbols, Combining Half Marks, Specials, Byzantine Musical Symbols, Musical Symbols, Ancient Greek Musical Notation, Tai Xuan Jing Symbols, Counting Rod Numerals, Mathematical Alphanumeric Symbols, Mahjong Tiles, Domino Tiles, Playing Cards, Miscellaneous Symbols And Pictographs, Emoticons, Ornamental Dingbats, Transport And Map Symbols, Alchemical Symbols, Geometric Shapes Extended, Supplemental Arrows, and Symbols of occasional mathematical interest. It is one of a hanful fonts that dares to have a glyph that shows the middle finger. Github link for free download. see also Symbola Goomoji (2013).
Unidings. Various glyphs and icons.

Since George permits redistribution, I am offering his work for download here. [Google] [More] ⦿

United States Declaration of Independence

Study the blackletter and script styles used in this important document dated July 4, 1776. [Google] [More] ⦿

Urban Pixel (or: UP Font Studio)
[Michel Troy]

Foundry in Montreal, est. 2008 by Michel Troy (b. 1969).

Behance link. Dafont link. Klingspor link. Their fonts:

Their pixel or dot matrix fonts, which can be had from MyFonts, include Urbix (2008, a large family), Urbix Nu (2009), Urbox (2008, a great dot matrix family), Urbox Nu (2009), Javelist Head (2008), Javelist Arm (2008), Thyme Nu (2009), Stock Board (2008), Scratch Up (2008), Melko (2010, a dot matrix family), and Kolly (2011).
The free pixel typeface UP Tiny LCD Four 8 (2008).
At FontStruct, Michael Troy (a.k.a Upixel) made the gridded monospace family Kyra (2010), Kabog (2010), the constructivist Upixel, the pointy ghouly Barko (2010), the ultra-fat Fatex (2010), the narrow display typeface Lingo (2010), the constructivist Akroy (2010, pixelish), Nuebrick (2010, white on black), Karbo 1986 (2010, honeycomb techno), Mobivus (2010, bold sans), Melko (2010), Kolly (texture face), En Sans New (2010), and the slanted Blax (2010).
In 2011, he created Quino (slabby, FontStruct), Gothic XS Hand, Blax Slab (textured alphabet, a slab version of Blax), MIKA (very fat), Melko Rip (2012, dot matrix), Kilix (2012), Grecian 1896 (2012, wood-style slab face).
Typefaces from 2012 include the ultra condensed typeface Manygo Serif (+Semi Serif). This American magazine style belongs to the category of skyline fonts.
Typefaces from 2013: Stiff Script (a winner in the FontStruct Connected Script Competition in the Suetterlin style of school scripts).
Typefaces from 2014: Fraline (this inline blackletter typeface was a winner in the FontStruct Inline Font Competition in February 2014).
Typefaces from 2015: Gothic Ax Hand (shadow typeface).
Gothic AX Hand (a hand-drawn gothic shadow font).

[Google] [MyFonts] [More] ⦿

Ute Harder

Born in Glückstadt a.d. Elbe, Germany in 1972, Ute Harder (known as Frau Jenson at P22) studied Illustration and Communication design at the University of Applied Science in Hamburg under Jovica Veljovic. Since 2002, she works as a freelance graphic designer, collaborating on diverse projects for Linotype and developing her own fonts. She lives in Hamburg.

At P22, she published Alpha Initials (2004), Alpha Roman (2006, described by her as a playful calligraphic display face), Cilati (2004, calligraphic script; +Swash caps), Frau Jenson People (2004, pictograms), Bastyan Pro (2006, a bastarda based on the Carolingian minuscules), and Tulda (2004, letters done for a calendar), which includes Tulda Symbols.

At Linotype, she designed Marathon LT Display and Book (1999, after the famous 1931 font by Rudolf Koch). Other fonts by her include My People, Some Indiduals, Initials, Out Now, Pixi Bilderbuch and Pixi Outline, as well as the Gracy, Grocy and Groby families.

Close-up look at her work.

FontShop link. Klingspor link. P22 link.

View Ute Harder's typefaces. [Google] [MyFonts] [More] ⦿

Utku Kurt

Utku Kurt (Istanbul, Turkey) created the free blackletter typeface Blackrom (2014), which was inspired by Fette Fraktur. Behance link. [Google] [More] ⦿

Uyen Vo

During her studies in Brisbane, Australia, Uyen Vo designed the blackletter typeface Ventana (2018). [Google] [More] ⦿

V. Sarela
[Yautja]

Valentino Coppi
[Monofonts]

Verzierte Musierte Gotisch

Valerii Ponomarenko

Rzeszow, Poland-based designer of a display typeface in 2018. In 2019, she published the ultra blocky Pona Font, and Blackletter Fraktur. [Google] [More] ⦿

Vasudha Thakur

Creator of Extrude (2013, a 3d pixel font), Pixel Fraktur (2013), and Digito (2013, a pixelish typeface). [Google] [More] ⦿

Vedran Vaskovic

Art director at McCann. Montreal-based designer of the free didone stencil typeface Saint George (2018) which is loosely based on Carter's Georgia.

In 2015, he made the free blackletter typeface Blackberg. In 2019, he released the free beveled typeface Supremacy. [Google] [More] ⦿

Veil of Perception
[Terry Lee]

Terry Lee is a graduate of the University of Kansas. He worked for Hallmark Cards in Kansas for some time. His typefaces there include Runyan, which is based on lettering by Terry Runyan, Write Typer (typewriter emulation), and Ultra Jason, which is based on lettering by Amber Goodvin.

In 2015, he set up his own type foundry, Veil of Perception. His typefaces at his own foundry include Feverish (2017; well, this one is made by Bill LaFever for Veil of Perception), Tragicomic (2016: a comic book typeface), Occam (2016: an informal calligraphic script face) and Hadron (2016, a gothic calligraphic typeface family). [Google] [MyFonts] [More] ⦿

Velvetyne Type Foundry (or: VTF)
[Frank Adebiaye]

Velvetyne Type Foundry (or VTF) is the French foundry of Parisian Frank Adebiaye (b. 1982, Versailles). It used to be called Velvetyne TypeForgery because he uses FontForge to design all his free fonts, which come complete with FontForge sources. Originally, it had many free fonts by Frank Adebiaye himself. At some point, it became more of a coop, and started publishing experimental typefaces by several contributors and collaborators. These fonts are reported elsewhere on my pages under the names of their designers.

Creator of some free (often experimental) fonts in 2010-2011. Cooperators include Sylvain Henri, Jérémy Landes-Nones, and Sébastien Hayez. Frank's typefaces:

Ajonc.
Babacar (2012). He calls it an African fractur.
Babbage.
Backout (2012). He writes about this flared poster all-caps typeface: BackOut is what an African Albertus could be.
Barjavel and Barjavel Mono.
Basteljau.
Bi-lined typefaces: Eighteen, Bachibouzouk.
Bluff, Bold, Boxer, Cardinal, Grotesk, Jimmy: geometric experiments.
Chaumont: ransom note family.
Chedid.
Combat (2015). A wedge serif based on the title of an early 20th century anarchist newspaper published in Limoges, France, called Le combat social.
Compute, Elektron: computer-inspired typefaces.
Coqnegre Perspective: angular face.
Coqnegre Turismo, Stencil: art deco stencil typefaces.
Experimental typefaces: Blanka, Courrrier (sic), Faber, Firenze, Five, Georges, Ink, Jake, Lenny, Normant.
Fabuliste: an experimental modern face.
Fersen.
Forward (2021). A commercial futuristic font at Future Fonts, co-designed with Studio Triple.
Frank: monospaced techno blackletter face.
Geek, Inky, Marcelle, Ping: playful typefaces.
Gegenwart.
Gorki and Gorki Block: a pixel typeface and a constructivist brother.
VTF Grotesk (2010).
Format 1452: a DIN style typeface.
Hangul: A Korean simulation font.
Konzern: a texture font.
Kravitz.
Leyde.
Lineal: clean sans.
Lment.
Mandeville.
Mainz: Ornaments based on sewer plate designs in Mayence.
Manset: a geometric sans.
Meginhart.
Mercandieu: grotesk.
Metropolis.
Mono (2011). A monoline sans.
Mont Chauve: experimental.
Mourier. Based on a geometric alphabet created in 1973 by Danish graphic designer Eric Mourier. The font uses square of 7 x 7 units and consists of unclosed lines. The first and only use was in the booklet The Myth about Bird B by Knud Holten. Sébastien Hayez was the first to digitize the typeface (in 2002). Published by Velvetyne in 2011.
Murat.
Mutations.
New Wave: avant-garde.
Nkm.
Pierrafeu. A brush face.
Pompidou.
Prospective, Robusto Mechanica, Grey Charles: more geometric experiments.
Radikal.
Resistance (2016). A geometric sans serif created using Glyphr Studio by the students of ENSAD Paris at La Gééale.
Rhinox.
Rnic. A runic simulation typeface.
Sagittaire.
Slang.
Stencil typefaces: Free Jazz, Rogue Leader, Rogue Two, Stencil.
Steps Mono Mono (2015). An octagonal monospaced typeface created for the magazine Étapes.
Therow.
Thiefaine.
Vielfalt: dingbats.
Waltenberg.
Wozniak.
Zukunft (+Oblique): a geometric sans family.

Author of a book on the life and work of Fran+çois Boltana (2012, with Suzanne Cardinal).

Behance link. Open Font Library link. Klingspor link. Home page. Future Fonts link. [Google] [More] ⦿

Verena Manyet

Austrian graphic designer in Vienna who created the modular blackletter typeface Fraktil (2011). Creator of Chic (2011, a soft monoline rounded sans face), developed at the tipoRenesansa 3rd international type design workshop in Ljubljana, Slovenia. Bastard (2011) was designed at tipoRenesansa, 2nd international type design workshop.

At tipoRenesansa, 4th international type design workshop (2012), she created Pandora Titling (Ritmo and Body). That work was continued in 2012 at TypeClinic 5, where she worked on art nouveau, Bauhaus and avant-garde style capital letters. Further work was done on Pandora at Typeclinic 6, Typeclinic 7 in 2013, and the 15th Typeclinic, held in 2017. [Google] [More] ⦿

Veronika Chelyapina

Ramenskoye, Russia-based student-designer of the blackletter Latin / Cyrillic typeface Hedgehog (2015, FontStruct). [Google] [More] ⦿

Verraten

Designer who used FontStruct in 2008 to create the blackletter note font Verraten. [Google] [More] ⦿

Verzeichnis von Bleisatzschriften der Gruppe X nach DIN 16 518
[Bernhard Schnelle]

Bernhard Schnelle's list of blackletter typefaces dated around 1900. More than 220 specimens of historical metal typefaces. [Google] [More] ⦿

An in house Fraktur typeface at Schriftgiesserei Flinsch, made in 1870, revived by Gerhard Helzel. [Google] [More] ⦿

Viaction Design (or: Viaction Type)
[Lukman Hidayat]

Yogyakarta, Indonesia-based designer (b. 1990) of the layered vintage typeface Barra (2017), the rounded sans typeface Chalif (2017), the rounded monoline script Saffa Recordminded (2017), and Afifah Script (2017).

Typefaces from 2018: Stengkol (an all caps slab serif inspired by the Western era), Hiyagh Ahey (a monoline script), Contender (a stamp font with weathered texture), Routerline (monoline script), Routerline Rough, Morella, Beauty Rains (creamy connected script), Believer (a connected heavy monoline script), Saffa Script Monoline, Rosella Script, Rosella Sans, Bricklane.

Typefaces from 2019: Matrole (an all caps display family), Sunmore, Velcro (brush lettering), Basaro, Hansel (letterpress emulation, +Rough), Kindson, Talesian (a signature font), Raventame, Staincool (Tuscan, layered).

Typefaces from 2020: Medin (a decorative serif), Medina (a display serif), Epicgant (a bold display serif), Baskar Stencil.

Typefaces from 2021: Megar (a flared display typeface), Garlich Grow (a vintage decorative serif), Datons (blackletter), Garlich Grow (a display serif), Antobe (a display serif).

Typefaces ftrom 2022: Chiffone (a display serif). Creative Fabrica link. [Google] [MyFonts] [More] ⦿

Vicente Lamónaca

This Montevideo-based designer (b. 1967, Mexico City) has a degree in Graphic Design from the University ORT Uruguay. He lives in Montevideo since 1985. Since 2000, he teaches in the area of publishing in the Faculty of Communication and Design at University ORT in Montevideo, in the Faculty of Communication and Design. Since 2005 he is also teaching Typography II. He is a partner of the design studio Taller de Comunicación. Economica is said to be the first digital typeface made in Uruguay. Lamonaca is Director of Tipografia-Montevideo, Uruguay's first site dedicated entirely to typography. In 2011, he started his own blog, type portal and foundry, called Fábrica de tipos. Many of his recent typefaces are published with TipoType.

Lamonaca created the experimental typefaces Quetzal and Equis Normal. He also made Chau Trouville (2010, a slab serif), Chau Philomène (2010, Google Web Fonts), Chau La Madeleine (2010, slightly elliptical), and Chau Marbella.

Other typefaces: Muzarela (2011), Económica Sans Serif (2007, see also MyFonts or Google Web Fonts), Economica Cyrillic Pro (2016, with Sergiy Tkachenko), Economica Next (2017, with José Perdomo), Wurz and Wurz Display (2013), St Patrick (2013, TipoType---the oblique version of San Benito), Korn (2013, grunge), Arya (2013, a solid, bilined or trilined all caps sans family, Tipotype; extended in 2017 to Arya Rounded), Prevya (2013, inspired by the metalwork of the early twentieth century), Yapa (2013, a display titling typeface followed by Yapa Rough in 2014), and San Benito (2012, bold blackletter style).

Editor of Tipografía Latnoamericana (2013, Wolkowicz Publishers), a book with contributions by Zalma Jalluf, Ewan Clayton, Julio Ferro, Eduardo Rodríguez Tunni, Fernando Díaz, Lautaro Hourcade, Viviana Monsalve, Patricia Benítez, Fabio Ares, María Laura Fernández, Miguel Catopodis, Alejandro Valdez, Juan Heilborn, César Puertas, Ignacio Martínez-Villalba, Felipe Cáceres, Francisco Calles, Crist&ocute;bal Henestrosa, María Teresa Bruno, Juan Pablo del Peral, Fábio Lopez, Fábio Haag, Tony de Marco, Francisco Gálvez, Marcela Romero, Aldo de Losa, Henrique Nardi, Gustavo Wojciechowski, Marina Chaccur, Juan Carlos Darias, Víctor García, Marina Garone Gravier, Juan Pablo de Gregorio, Cláudio Rocha, Cecilia Consolo, Pablo Cosgaya, Alejandro Paul, Rubén Fontana, Diego Vainesman, Oscar Yáñez, Dave Crossland.

In 2017, Tipotype published Vicente Lamoncaca's 48-font family Arazati which was inspired by Edward Johnston's (humanistic sans) typefaces, although its design is not based on a literal reconstruction. Two monospaced variants called Arazati Codex are free. Arazati is the name of the place in Uruguay where Johnston was born in 1872. Arazati moved over to Underground in 2019.

In 2018, he published the exclusive angular text typeface Alacena---only 220 licenses will be sold.

Bio. Google Plus link. Klingspor link.

View Vicente Lamonaca's typefaces. [Google] [MyFonts] [More] ⦿

Viktoria Vass

London-based graphic designer with a special interest in information design and typography, who graduated from reading in 2010. At Reading in 2008, she created a blackletter typeface using FontStruct. In 2010, she created a semi-blackletter typeface for her graduation at Reading. [Google] [More] ⦿

Vincent Lacombe
[Marginal Type]

Vintage Type Co
[Sean Coady]

Graphic designer from Summerside and/or Charlottetown, Prince Edward Island, Canada, who was located first in Edmonton, Alberta, and then in Moncton, NB, then in Toronto, and finally in halifax, Nova Scotia. He runs SRC Designs and founded Vintage Type Co in 2015 (not to be confused with Susan Townsend's Vintage Type, a company set up in the 1990s). Creator of the free sans titling typeface family Municipal (2013) and of the hand-printed typeface Fruit Sale (2013).

In 2014, he created Shifty Sailor (spurred), Hofmann (psychedelic typeface), Kalopsia Slab (a condensed slab serif family with an arts-and-crafts flair). One weight is free---the others can be bought here. He also created free User Interface Icons in 2014.

Typefaces from 2015: Jackal Display, Anaheim Gothic, Alehouse (vintage connected script), Dorchester Display (vintage Victorian typeface), Huxley (brush script), Drone Ranger (octagonal dystopian type), Authentico (vintage poster typeface in eight styles), Firefly (free poster font), Highbinder (an eroded vintage typeface), Adventurous Script (watercolor brush), Nomad Icon Font, Arctic Express (handcrafted capitals).

Typefaces from 2016: VTC Numeric (free), Grindstone (vintage), Grindstone Script, Grindstone Sans, Midnight Owl, Southbank (free), Planet Rouge, Life Is Jazz Script, Mystery Tour (+Sans) (a layered Americana or circus font), Sugar Boats, Navy Queen (a nice free font influenced by vintage nautical posters).

Typefaces from 2017: Virgo Antique, Virgo Display, PressBox (letterpress and Americana emulation), Merchant Street Sans (eight stackable fonts), Old Spirits (spurred Victorian style), Prizefighter (art deco sans), Andre's Diner, Artisans Script (signature script), Milton Grotesque (a free all caps American grotesque), Queen Street (a layerable family).

Typefaces from 2018: Grindhaus Sans (geometric), Drone Ranger Pro (octagonal).

Typefaces frm 2019: VTC Bloke (a revival of Miller&Richard's Egyptian Expanded, a wide typeface reminiscent of the Egyptian wood types), VTC Horoscope.

Typefaces from 2020: VTC Elmwood (a modernized blackletter font family), Fellbaum Grotesk, VTC Fellbaum Grotesk.

Typefaces from 2021: Chocolate Chipped (a condensed woodblock emulation typeface family).

Vintage Type Co. Dafont link. Behance link. Another Behance link. Creative Market link. Home page. Creative Market link for Vintage Type Co. [Google] [MyFonts] [More] ⦿

Vintage Voyage Design
[Pavel Korzhenko]

Aka P. Rudakov and Pasha Korzhenko, and operating as Vintage Voyage Design. Perm, Russia-based designer of the vintage handcrafted typefaces West End (2015, spurred Western typeface family), Winter Holidays (2015), The Sugar Cane (2015, eroded signage script), Montana (2015), Canyons (2015), Forest Tramp (2015), Heart of Gold (2015, a think inky brush), La Fa Salt (2015, a connected monoline script), Robinson (2015, handcrafted), Rise (2015, rough brush), Stout (2015, +Stout Roughen), Jack's Guitar (2015) and Bough (2015).

Typefaces from 2016: Chameleon (rough brush), Les Paul (beatnik style), 1994 Fancy, The First Division (an elegant handcrafted Peignotian typeface family), The Aviator, Ocean Beach (weathered athletic lettering font), Fenway Script (baseball script), Fenway Sans, Octanis (display family in Sans, Slab, Serif, and Rounded Sans sub-styles), Compare (a vintage wedge serif typeface inspired by the mafia), Unchained (Western typeface), The Selvedger (signage script), Driver (a retro speed emulation typeface family), Pasternak Script.

Typefaces from 2017: The Bartender (a 14-font vintage typeface family with some letterpress styles), Easy Rider (a layered road movie brush script font), The New America (penmanship script), Ace of Spades (grungy), Cavalcade (a layered serif typeface inspired by American and European typography of early 20th century, from movie posters to design of alcohol bottles like Martini, Cinzano and Campari), Old Standard (sans, script), Season Times (Sans+Script), Roadstar (a vintage speed emulation techno font).

Typefaces from 2018: VVDS Pacifica (a hand-lettered bold signage script inspired by American branding typography from the end of the 20th century), Le Bonjour (a retro sans), The Voyage Culture (font duo), Afterglow (a didone), VVDS The Bimbo (circus fonts), Two Letter Monogram, Diamond Monogram, Circle Monogram, Circle Frames, Harbour (a free decorative blackletter, +Harbour Decor: 2017-2018), Sandwich (a large 3d beveled typeface family), The Telegraph (transitional newspaper type), Golden Horn (a layered vintage typeface).

Typefaces from 2019: VVDS Organum (a decorative typeface for operas and phantasms), The Pretender (a package inspired by vintage American sign painting), VVDS Praliner (an all caps sans for display), Le Bonjour (Peignotian), Kristopher (a fancy serif), Nurnberg (an expressionist, modernized blacletter), The British Telegraph (based on vintage British headline type), Halau (a tiki font), Halau Serif, Sign Painter (a monoline Script, a layerable Sans, and two Decor ornamental styles, all based on Victorian era signs).

Typefaces from 2020: The Ruby (a 56-font and icon collection), VVDS Minorica (a handrwritten collection in ten styles), VVDS Rashfield (in the soft serif genre), VVDS London Oatmeal (Sans, Script), VVDS Sunshine Bridge (a creamy brush script), VVDS Benigne Sans (a wide geometric sans), VVDS La Truffe (a bold decorative didone), VVDS Big Tickle (a handcrafted retro family).

Typefaces from 2021: VVDS Clementia (a stylish condensed serif), Urbanchrome (an SVG letterpress emulation font), VV Neonica (a 12-style neon font family), Grodsky (a stylish 4-style antiqua), The Country Blues (a throwback to the fifties), Surfbird (a 30-style western family), VVS Nobleman (a stylish serif in four styles).

Behance link. Creative Market link. Vintage Voyage Design. You Work For Them link. [Google] [MyFonts] [More] ⦿

Virgiawan Listanto
[String Labs Creative Studio]

Vitaly Glyph

Moscow-based designer of Latin and Cyrillic, or purely Cyrillic, fonts. There is a list of Cyrillizations of existing fonts: Atreyu, LHF Bounce Script, Modeka, Turnpike, PL Barnum, Good Times Regular, Playful JNL (Jeff Levine), Armageda, Showcard Gothic, SF Comic Script, Jolly Good Sans Basic, Enemy (Shaivanalla Perumal), House Slant (House Industries), House Brush (House Industries), Komika Axis (Apostrophic Labs), Snickers (Mark Simonson), Grand Hotel (AOETI), Wisdom Script (Lost Type), Mission Script (Lost Type), Cylburn (Lost Type), House Script (House Industries), House Holiday Gothic (House Industries), LHF Branding Iron (Letterheadfonts), LHF Fancy Full (Letterheadfonts), LHF Firehouse (Letterheadfonts), American West (FontMesa), Champ Ultra (BA Graphics), PL Davison Americana (Monotype), Blenny (Dalton Maag), Bigfish (Floodfonts), Same Same, But Different (Hanoded), Enemy (Lost Type), Special Forces (Typodermic), Serpentine (URW++), Ritts Cursive (Eurotypo), Voga Medium (CD Type), Hermes 1943 (Lukas Krakora), Brand (Lian Types), Tasty (Hubert Jocham), Bullet Regular (House Industries), Filmotype Athens (Filmotype), Signika (Anna Giedrys), Art Department (Jeff Levine), Borg (David Sum, aka titusprod).

Original fonts made ca. 2015: GF Deathmatch (a super-macho typeface), GF Ram (pixel font), GF Mario (video game font), GF Mario Two, GF Oversize, GF Magnifica, Deadpool, GF Enroll (letterpress emulation), GF Happy Elephant (comic book style), GF Standout (compressed titling sans), Snickers Super (after the logo for Snickers), GF Bitrika (condensed display sans), Skazka (cartoon font), Minnesota (digitized Hamilton wood type), Alumnus (soft blackletter), Terminator Genisys, Comanchero (+Bevel (beveling using four layers)), Viko, Police (octagonal, athletic lettering), Terminator (after the movie), Old Poster font family, Lic Plate RUS, Lic Plate CT, Taurus Gothic, Slant GP (like Zelek), Brick Game (like Tetris), System Message, System Pixel, Digital 16s (LED).

Vivien Gorse

Vivien Gorse (Toulouse, France) is a freelance designer who created these typefaces:

Inland Series (2014-2015). A revival of Inland Series (1895, Nicholas Werner, Inland Type Foundry). This typeface adds many Victorian or steampunk elements to a didone skeleton. It is also called Edwards, and Bizarre Bold (the BBS name of Edwards).
Rotury (2015). Also based on Inland Series.
Grosse Black (2014). A black slab serif typeface, ideal for poster work. Followed by the fat face Grosse in 2016.
Sèche Narrow (2015).
Beotian (2015). A German expressionist or heavy blackletter typeface.
Melville Bold (2015). A condensed grotesque titling face inspired by the work of French cinematographer Jean-Pierre Melville.
Moche (2014).
Lizard (2014).
Kanyon (2012). Experimental type.

Vladimir Vendiktorich Yefimov

Vladimir Nikolic

Belgrade, Serbia-based designer (b. 1981) of these typefaces:

The dingbat fonts Canavarlar (2020: funny men), Haircut (2020: women's hairdos), Ornament Borders (2020), Gourdy (2020: birds), Lizards (2020), Mantra (2020), All Star (2020), Speel (2020), Soavely (horses) (2020), Forma (2020), Hell Beasts (2020), Mistresses (2020), Paraiso (2020), Crow (2020), Traverser (2020: crosses), Cats (2020), Dogs (2020), Negative-Heads (2020), Otu (2020), Wakazi (2020), Risk (2020), Wurm (2020), Beard Man (2020), Hoder (2020), Damen (2018), Damen 2 (2020), Foliga (2020), Solo Drinker (2020), Congress (2020), Farmacy (2020), Elections (2020), Emergency (2020), VN Arrows (2020), Hexagonos (2020), Automobiles (2020), Cars (2020), Emoji Boom (2020), Bestia (2020), Aliens (2020), Insect (2020), Bytost (2020), Monstero (2020), Aveto (2020), Dancing Cat (2020), Atradimas (2020), Womanhood (2020), Figur (2020: an alien insect font), Halfwits (2020), Silly Donkey (2020), Crazy Monkey (2020), Round Masks (2020), The Quick Dog (2020), Flying Birds (2020), Maskid (2020), Monstra (2020), Bull Skulls (2020), War Items (2020), Public Transport (2020), Loomad (2020), Mokhabiso (2020: African patterns), Record (2020), Mulher (2020), Heroez (2020), Bulls (2020), Madarak (2020: birds), Bold People (2020), Munari (2019: a collection of drawings based on Bruno Munari's book "Artista e designer" from 1966), Screws (2019), White Mouse (2019), Schepselen (2019), Glatze (2019), Crosses (2019), Chefs (2019), Diamond Blocks (2019), Hexagons (2019), Maumbo (2019), Circles (2019), Enfeite (2019), Pigs (2019), Mythos (2019), Kreaturen (2019), Baby Alien (2019), Body Moving (2019), Various Boys (2019), Lines and Objects (2019), Mouvman (2019), Watch (2019), Credit Card (2019), Cycles (2019), Devil Emoji (2019), Fare (2019), Mund (2019), Labbra (2019), Circular Ornaments (2019), Cranium (2019), Ugok (2019), Ansigter (2019), Tsim (2019), Schmetterlinge (2019), Jungfrau Maria (2019: religious icons), Knights Helmets (2019), Kinderskizzen (2019), Wolves (2019), Various Cats (2019), Owls (2019), Spiral Object 3D (2019), Zodiac Signs (2019), Cyborg (2019), Duck (2019), Cat 3D (2019), Object 3D (2019), Circle and Line (2019), Various Girls (2019), Dulcet (2019), Erotic Symbols (2019), Frauen (2019), Pierre the Vampire (2019), Robotter (2019), Middle Finger (2019), Claudio The Cat (2019), Medusa (2019), Veggie (2019), Pablo (2019), Fishes (2019), Dream of Picasso (2019), Stam (2019), Animality (2019), Ink Drops (2019), Faces (2019), Bayan (2019), Froggy (2019), Senhoras (2019), Diamondo (2019), Skallen (2019: skulls), Swimmers (2019), Churches (2019), Easter Icons (2019), Lippen (2019), Gullar (2019), Bankwesen (2019), Creatures with Horns (2019), Vehicles (2019), Various Hands (2019), 3D Animals (2019), Abantu (2019), Herr (2019), Menge (2019), Funny Aliens (2019), Mustachos (2019), Kids Drawings (2019), Tierfarm (2019), Troep (2018), Women Heads (2018), Cats and Dogs (2018), Wanita (2018), Eyez (2018), Animales (2018), Peoples (2018), Mobile Icons (2018), Controllers (2018), Womano (2018), Lost in Space (2018), Blumen (2018: flowers), Tetriso (2018), Snowflake (2018), Meine (2018: masks), Horoscopicus (2018), Esoterica (2018), Astrologicus (2018, astrolical symbols), Abbild (2018: African masks), Being (2018: monsters), Gebell (2018), Headed (2018), Falter (2018), Filling (2018), Anichka (2018), Cyclopia (2018), Buggus (2018), Opa (2018), Messe (2017), Head of Idol (2018), Diavolo Nero (2017: funny silhouettes).
The boxed or encircled alphabets Audience Capitals (2020), Galileo (2020), Compare (2020), Compare-Light (2020), Hexagonas (2020), Select (2020), Before (2020), Before-Dark (2020), Boxes (2020), Boxes-Extravagant (2020), Boxes-Fancy (2020), Calf-Negative (2020), Capital-Relationship (2020), Pyxidas (2020), Capitalica (2020), Tundra (2020), Ordinary Capitals (2020), Broadway Capitals (2020), Browser Capitals (2020), Capitalismo (2019), Schwarzenberg Capitals (2019), Retrospective Capitals (2019), Official Capitals (2020), Impression (2020), Oriental (2020), and Letters in Circles (2018).
Shadowed caps: Cleopatra (2021), Farmers Market (2021), Erkekler (2021), Assignation (2021), Greek Tragedy (2021), Distorted (2021), Lightshow (2021), Credenza (2021), Ragusa (2021), Comunismo (2021), Scordia (2021), Gazelle (2021), Organ (2021), Strizhi (2021), Umoya (2021), Ninja Justice (2021), Unlimited (2021), Unicorns (2021), Labyrinth (2021), True Artisans (2021), Poker (2021), Donald (2021), Ferrari (2021), Booster (2021), Madness (2021), Favorita (2021), Vitamin (2021), Robot (2021), Robust (2021), Engine (2021), Whether (2021), Nucleus (2021), Trunk (2021), Ombre (2021), Viscosus (2021), Jewelry (2021), Verge (2021), Pursue (2021), Keener (2021), Visor (2021), Korvo (2021), Squash (2021), Scum (2021), Darker (2021), Education (2021), Cimice (2021), Tomb (2021), Bambola (2021), Calla (2021), Rump (2021), Complex (2021), Razor (2021), Driveller (2021), Karambol (2021), Princino (2021), Berger (2021), Adopted (2021), Bugbear (2021), Samara (2021), Talisman (2021), Waterway (2021), Megabus (2021: a marquee font), Roller (2021), Numerica (2020), Bond (2020), Gloom (2020: a marquee font), Chalkboard (2020: sketched), Unboxing (2020: techno), Antennas (2020), Secca (2020), Umfo (2020), Sabbia (2020), Squirrel (2020), Byzan (2020), Debtor (2020), Bridge (2020), Familie (2020), Lake (2020), Roma (2020), Tissue (2020), Bombay (2020), Osteology (2020), Restroom (2020), Speaker (2020), Bebika (2020), Center (2020), Gismo (2020), Fierce (2020), Gambler (2020), Afterparty (2020), Birdbrain (2020), Boner (2020), Divine (2020), Gelatin (2020), Lost (2020), Marshland (2020), Quadri (2020), Shadow (2020), Stairs (2020), Superba (2020), Techno (2020), Underman Book (2020), Wired Capitals (2020), Fineliner (2020), Fictive Kinship (2020), Exotica (2020), Ural (2020), Devianza (2020), Kultur (2020), Unmute (2020), Antiqua (2020), Chains (2020), Scheme (2020), Stumble (2020), Aroma (2020), Beans 2 (2020), Cover (2020), Cronica (2020), Fundament (2020), Horna (2020), Loce (2020), Mademoiselle (2020: art nouveau), Melodia (2020), Penny (2020), Taikun (2020), Assault (2020), Athletica (2020), Baraka (2020), Brassica (2020), Builder (2020), Chancellery (2020), Gwara (2020), Pliez (2020), Recinzione (2020), Right (2020), Rimes (2020), Seal (2020), Service (2020), Scorpions (2020), Terraces (2020: American flag font), Wedding Cabbage (2020), Wild Girl (2020), Tragedy (2020), Indos (2020), Starfish (2020), Vintage (2020), Adriatica (2020), Funeral (with American flag texture) (2020), Voleur (2020), Calzino (2020), Peshkop (2020), Metzger (2020), Asshole (2020), Puppet (2020), Broeksel (2020), Hals (2020), Escort (2020), Vortex (2020), Dades (2020), Boild Hedgehog (2020), Mermer (2020), Grower (2020), Rainbow (sketched) (2020), Baise (2020), Necklace (2020), Angels (2020), Smuggler (2020), Dommage (grungy) (2020), Squalor (2020), Fusto (2020), Course (2020), Fisheye (2020), Baiser (2020), Banda (2020), Cantaloupe (2020), Canto (2020), Begriff (2020), Trapeze (2020), Arabeska (2020), Silver (2020), Wasco (2020), Kosaken (2020), Triangle (2020), Banquet (2020), Demode Capitals (2020), Cultus Capitals (2020), Idiot Capitals (2020), Granary Capitals (2020), Liberta (2020), Montblanc (2020), Granary (2020), Blanket (2020), Tuyaux (2020), Wolf (2020), Comeback (2020), Oliba (2020), Idiot (2020), Trailer (2020), Bricks (2020), Toys (2020), Luxury (2020), Hertz (2020), Signal (2020), Serenada (2020), Kurven (2020), Schnecke (2020), Mona (2020), Sierra (2020), Search (2020), Tranchante (2020), Eccentric (2020), Fast (2020), Mosquito (2020), Speed-of-Light (2020), Thanks (2020), Album (2020), Boyhood (2020), Ending (2020), Trend (2020), Universal-Serial-Bus (2020), Fixed (2020), Kings (2020), Holiday (2020), Range (2020), Numbers (2020), Shipman (2020), Officer (2020), Video (2020), Order (2020), Route (2020), Cosa-Nostra (2020), Clowns (2020), Unique (2020), Voyeur (2020), Shape (2020), Brigadier (2020), Allora (2020), Spartacus (2020), Advisor (2020), Ambis (2020), Cables (2020), Genesa (2020), Horse (2020), Laptop (2020), Pork (2020), Mafioza (2020), Mucho (2020), Athens (2020), Audience (2020), Rotor (2020), Mundo (2020), Olympus (2020), Border (2020), Scale (2020), Survival (2020), Trouble (2020), Turnabout (2020), Catharsis (2020), Parade (2020), Discoteque (2020), Rude (2020), Fame (2020), Safran (2020), Ausweis (2020), Mechanica (2020), Moscowian-Party (2020), Beers (2020), Strengthen (2020), Tempo (2020), Unreal (2020), Poetico (2020), Bach (2020), Bach-Fat (2020), Energy (2020), Alexandra (2020), Basket (2020), Cushion (2020), Model (2020), Organiser (2020), White (2020), Anabela (2020), Cannibal (2020), Casablanca (2020), Castle (2020), Control (2020), Crazy (2020), Crazy-Gradient (2020), Emotion (2020), Honey-Bunny (2020), Knockout (2020), Linearo (2020), Murmure (2020), Polished (2020), Reon (2020), Sparrow (2020), Storms (2020), Street-Stars (2020), Franchise (2020), Pencil (2020), Ruanda (2020), Pepito (2020), Megalomania (2020), Rouleaux (2020), Frozen (2020), Together (2020), Saldo (2020), Museum (2020), Network (2020), Hunk (2020), Cultus (2020), Creator (2020), Flow (2020), Blocchi (2020), Possession (2020), Bad Germans (2020), Discounted (2020), Traversal (2020), Mangalica (2020), Murmansk (2019), Summer Candy (2019), Question (2019), Second Channel (2019), 3D Models (2019), Memory (2019), Computer (2019), Diversity (2019), Elastic Letters (2019), Businessman (2019), Kuchen (2019), Demode (2019), Objective (2019), Medication (2019), Nonsense (2019), Plagiat (2019), Toledo (2019), Tricks (2019), Common (2019: a trompe-l'oeil font), Mafia (2019), Releases (2019), Extradition (2019), Shoot To Kill (2019), Groowing (2019), Enough (2019), President (2019), Silence (2019), Dressed (2019), Already (2019), Hocus Pocus (2019), Password (2019), Ready (2018) and Messages (2017).
The ornamental caps typefaces Mahal (2021), Stamp (2021), Hell Door (2021), Tangram (2021), Custom (2021), Remake (2021), Studio (2021), Adagio (2021), Oxidizer (2021), Mondial (2021), Paraglide (2021), Tattoo (2021), Developer (2021), Dama (2021), Lobby (2021), Gabaritos (2021), Sence (2021), Ombre (2021), Cresa (2021), Anniversary (2021), Wire (2021), Triton (2021), Lamina 92021), Hangup (2021), Years (2020), Dowry (2020), Sephora (2020), Jewels (2020), Straightforward (2020), Dance (2020), Necklace (2020), Maria (2020), Taxi2 (2020), Outlaw (2020), Combat (2020), Chewed (2020), Fantasy (2020), Observation (2020), Cure (2020), Pioneer (2020), Near (2020), Kleid (2020), Unitas (2020), Tomato (2020), Blader (2020), Canal (2020), Baked Snails (2019), Alcoholic (2019), Bonjour (2019), Zylinder (2019), Phenomenal (2019), Surfaces (2019), Success (2019: as in De Stijl), Retailer (2019: multilined), Havana (2019: multilined), Mechanismo (2019) and Pencil Letters (2019).
The display typefaces Trader (2020), Oysters (2020), Furious Ride (2020), Portfolio (2019), Pontos (2019), Swordsman (2019), Regular (2019), Andrey (2019), Retrive (2019), Connected (2019), Locator (2018), Tracking (2018), Iceberg (2018: snow-capped letters), New Amsterdam (2018), Ana (2018), Enemy (2018), New Yorkers (2018), Happy Day at School (2018), Focused (2018), Modish (2018), Beholder (2018) and Principality (2017).
The alphadings Birthdays and Parties (2021), Bahanalia (2020), Icecreams (2020), Brailler (2020), Night Dreams (2020), Flower Capitals (2020), Jingle Bells (2020), Neuron Capitals (2020), Easter Time (2020), Hearts and Arrows (2018), Penguins (2018), Kitties (2018), Doggy (2018), Teddy Bears (2018), International Capitals (2018), Aafia Capitals (2018), Answer Capitals (2018), Beholder Capitals (2018).
The circuit font Simple Repairs (2021).
The 3d typefaces Sharp (2021), Edited (2021), Three Dimensions (2020), Rental (2020), Shiny Blocks (2020), Turbulence (2020), Labor (2020), Worship (2020), Fantasy-3D (2020), Zucker (2020: stacked blocks) Perfetto (2020), Rude-3D (2020), Lover (2020), Kasten (2020), 3D Models (2019), Tricks (2019) and Metallic (2019).
The multiline typefaces Yiphi (2021), Porker (2020), Formula (2020), Laguna (2020), Hypochondria (2020), Majestic (2020), Vibes (2020), Tubes (2020), Yogurt (2020), Turkish (2020), Question (2019), Pancake (2019), Remained (2017), Liquidrom (2018), Second Channel (2019), 3D Models (2019), However (2019), Confarreatio (2018) and Fudged (2018).
The textured typefaces Incompetent (2021), Autumn (2021), Sangria (2021), Studio (2021), Kino (2021), Elixir (2021), Espace (2020), Mistress (2020), Heritage (2020), Silicone (2020), Hornettio (2018), Ignorant (2018), Americans (2020: the American flag embedded into the glyphs), Pollution (2020), Jakob (2019), Diversity (2019), Townscape (2019), Patriotic (2019: American flag theme), Meshes (2018), Complained (2019), Duration (2018) and its solid counterpart, Duration Book (2018).
The Slavonic emulation typeface Russian Land (2017) and the Cyrillic emulation typefaces Monarch (2021), Cold War (2021), Beograd (2020), Ukrainian Princess (2019), Territory (2019), Kalinka (2019), Rubles (2018), Maniac (2018), Jurij (2018), Kachusha (2018), Soviet Program (2018), Armenia (2017), Fontograd (2018) and Russian Spring (2017).
The constructivist typefaces Tokarev (2017), Russiano (2018), Suggested (2018), Hungaria (2018) and Schwachsinn (2018).
Art deco typefaces: Cavalier (2021), Performer (2021), Angelica (2019), Protocol (2019), Retrospective (2019), Leculier (2018, after an alphabet in Georges Leculier's art deco lettering book from ca. 1930), Better (2018), Critical (2017).
Art deco caps: Reverse (2020), Bathroom (2019), Idiotism (2019).
The chess fonts Schach (2020) and Wisdom Chess (2020).
The weather icon font Weather Symbols (2020).
The decorative sans typefaces Shock (2021), Energia (2021), Pitviper (2021), Nemesis (2021), Addiction (2021), Nehad (2021), Chewer (2021), Nightfall (2021), Gourmet (2021), Flipside (2021), Layered Letters (2019), Imbecile (2019), Answer (2018), Hours (2018), Abandoned (2018), Sea Gardens (2017), Forvertz (2018), Yeysk (2018) and Closeness (2018).
Sans: Wollicht (2021), Ministro (2021), Lonely (2021), Noix (2021), Messina (2021), Samara (2021), Rickrack (2021), Broadcaster (2021), Catamaran (2021), Official (2019).
Comic book fonts: Reset (2021).
Artsy fonts: Hornstick (2021), Kikundi (2021), Shanghai (2021), Skewed (2021), Company (2021), China (2020).
The headline sans typefaces Finance (2020), Marija (2020), Fashion (2020), Magazine (2020), Policemen (2020), Impressum (2019), Educated Deers (2019), Hindenburg (2019) and Fixation (2018).
The rounded organic sans typefaces Hofmann (2020), Adelino (2020), Available (2018) and Biysk (2018).
The handcrafted typefaces Diana (2020), Flood In London (2019), Milord (2018), Sex and Breakfast (2018), Sweet Handwrite (2018), Industrial Revolution (2018), Oh Maria (2017), Sofija (2017) and Travelling (2017).
The bubblegum typefaces Roller (2020), Jellies (2020), Designero (2019), Bubblicious (2019) and Icecreamer (2017), and its oily companions Gummy (2018) and Liquid (2018).
The heavy deco typefaces Guest (2019), Bigger (2018), Hours (2018), Intransitive (2018: Dutch deco), Theatrical (2017) and Consequences (2017).
The beveled fonts Iron (2020), Rising (2020), Novgorod (2020), Troy (2020), Fake Hope (2019), Diamond Ring (2019), Playback (2018) and Member (2018).
The starred caps typefaces Farmers Market (2021), Donald (2021), Citizen (2021), Wizard (2021), Adrenaline (2021), Diabolo (2021).
The stencil fonts Browser (2019), Serbia (2019), Belgrado (2019), Further (2019), Generals (2018), Mayor (2018) and Olga (2018).
The semi-stencil all caps typefaces Restaurant Menu (2019), Queen Dea (2019), Latest (2019) and Large (2019).
The fat rounded sans typefaces Guest (2019) and Subscribe (2019).
The Western fonts Newlywed (2020) , Tombola (2019), Permission (2019), Alexander (2019), Retrosonic (2019), Kasplysk (2019).
The experimental typeface Typo Layer (2019).
The German expressionist outline typeface Robert (2018).
Current Moment (2019): a digitized "Zuccini" plate by Frits Jonker.
The LED fonts Remaster (2021), Ringing (2022), Gigabytes (2020), Error (2020) and Technology (2018).
The octagonal athletic lettering fonts Academy (2021), Junk (2020), Barbara (2019), Soccer (2020), and Soccer League (2018) and the outlined athletic font Onderneming (2018).
Leculier (2018). After an alphabet in Georges Leculier's art deco lettering book from ca. 1930.
The speed fonts Live News (2020) and Speed Racing (2019).
Essere (2018).
The squarish typefaces Archipelago (2021), Haine (2020), Augsburg (2020), Legionary (2020), Cyber Princess (2019), Professor (2019), Layers (2018) and Cataclysmo (2017).
Driving Around (2018).
The decorative floral caps typefaces Floral Capitals (2018) and Narcissus (2018).
Gradientico (2018). A textured didone.
The Greek simulation font Meteora (2018).
Griddy Blocks (2018) and Blocky Letters (2018).
Decorattio (2018).
Ordinary (2018) and Mina is Gone (2018).
The trilined typeface Trio (2017).
The connected handwriting typeface Eric's (2016).
The military typefaces Login (2018), Commanders (2017) and Hunt (2017, after an alphabet by the Hunt Brothers in their 1930s book Lettering of Today).
The neon typeface Bubble 3D (2017), and the neon and shadow font family Magia (2019).
Schaeffer (2017). A revival of the famous multiline typeface Fatima (1933, Karl Hermann Schaefer).
The grungy typefaces Horizont (2020), Cosmas (2020), Drunk Millionaire (2019), Leave No Fingerprints (2018), Haziness (2017) and Victorious (2017).
The molecular typeface Neuron (2019).
The inline caps typefaces Panther (2021), Africa (2021), Look (2019) and Speed (2019).
The inline typefaces Green (2020), Bernard (2020), and Games (2017).
The display serif typefaces Kandinsky (2021), Funia (2021), Army Guys (2021), Hoodie (2019).
The marquee typefaces Squad (2021), Grotto (2021), Megabus (2021), Plagiat (2019), Dropped (2019), Casino (2018) and Chicago (2018).
The layerable marquee font Rockefeller (2018).
Movie fonts: Film Letters (2018).
The outlined typeface Important (2018).
The white-on-black typeface Circusant (2019).
The didone typeface Vogue (2018).
The geometric solid typeface family Ivan (2019).
The geometric sans typeface Occupied (2017).
Rise of Kingdom (2017).
Cartoonish (2017).
Hesitation (2017). A rounded handcrafted poster font.
Leben and Leben Shadow (2018).
Braillenum (2018).
The condensed grotesks Around (2020), Heinrich (2019) and Schwarzenberg (2019).
Schreibmaschine (2017). A dusty old typewriter font.
The vintage initial caps typefaces Nautiica 3d (2018), Fantasy Capitals (2018) and Herne Capitals (2018).
The Arabic emulation typefaces Bayram (2020) and Sinbad (2018).
Herne (2018).
Passage (2018).
Knotty (2018).
The Mexican style font Mexicanera (2018), Dilemma (2018: Mexican Calavera skulls), and Mexican Tequila (2018).
The techno typefaces Flight 21 (2019), Cyber Princess (2019), Passionate Relationship (2019), Neighbor (2018), Bombardment (2018) and Leprosy (2018).
The avant-garde typeface Typolino (2018).
Regensburg (2018).
The ultra-fat typefaces Crime (2020), Owners (2018) and Housebreak (2019).
The prismatic typefaces Jumble (2020), Boogie Woogie (2019), Running (2019), Bigger Italic (2018; based on Bigger Book), Linerine (2018) and Cosmology (2018).
Failed (2018).
The codex typefaces Grille (2020), Compass (2020) and Measurements (2018).
Damages (2018).
The circle-themed fonts Sparks (2020) and Condition (2018).
The textured typefaces Mitesser (2020), Object (a meshed font) (2020), Noisy Walk (2020), Brightness (2020), Mistress (2020), Heritage (2020), Silicone (2020), Hornettio (2018) and Ignorant (2018).
The oriental simulation fonts Dasvidaniya Book (2020), Pearl Harbor (2020), Chinese Dragon (2019), Sudoku (2019), Hiroshima (2019) and Kamikaze (2018).
Monograms: Quintete (2020), Formogram (2020), Diamond Monogram (2020), Ribbon-Monogram (2020), Bulged Monogram (2020), Monogramus (2019), Blocky Monogram (2018) and Monograma (2018).
Blackletter: Bramble Princess (2021), Drunks (2021), Cosmopolite (2020).
Fists: The-Point (2020).
Scanbats: Retro-People (2020), Vladimir (2019: Putin scanbats), Portraits de Femmes (2019: scanbats), Notre Dame and Notre Dame de Paris (2019: scanbats), Hollywood Actors (2019: scanbats), European Leaders (2018: scanbats), Trumpolina (2018: Trump scanbats).
Word fonts: Black-Lives-Matter (2020).
Plank fonts: Wooden Planks (2020).
The outlined typefaces Carwash (2020), Hypno (2020), George (2020), 3D Letters (2018), Milk & Chocolate (2018: trilined), Czar (2018), Classica (2018) and Created (2018).
The glitch fonts Elderberry (2021), Sparkle (2021), Eclairages (2021), Nectar (2021), Check Your Connection (2020), Horizons (2020) and Searching For Signal (2019).
The glaz krak font Smashed (2018).
The circus font Amigo (2020).
The kitchen tile font New Message (2020).
The 3d dingbats typefaces Basic Objects (2020: geometric shapes) and Jigsaw Puzzles 3D (2018).
The modular typefaces Orenburg (2018), Broadway (2018) and Assyrian (2018).
Escher style: Illusion (2019), Vologda (2019).
Slinky typefaces: Rings (2020), Zylinder (2019), Pipes (2019).
Lombardic caps: Moher (2020), Dublin (2020), Moderno (2020).
Ransom note caps: Today (2020).
Artistic font: Meute (2020).
Halftone fonts: Tourner (2020), Cinquecento (2020), Devotion (2020), Gulliver (2020), Bamboo (2020).
Ornaments: Adornos (2020).
Antique caps: Grandes (2020), Reveler (2020: from Draughtsman's Alphabets (1877) by Hermann Esser)).
Funny faces: Isitolo (2020).
Angular caps: Milk (2020), Strike (2020), Worldwide (2020).
Tall sans caps: Bungler (2020), Shakeout (2020).
Mecano typefaces: Shakers (2020).
Titling sans: Steinberg (2020).
Titling serif: Love (2020).
Break (2020).
China (2020).

Creative Fabrica link. [Google] [More] ⦿

Vladimir Yefimov (b. Moscow, 1949, d. Moscow, 2012) was the art director and a co-founder of ParaType, Ltd., Moscow (since 1992; before that, starting in 1988, it was called ParaGraph, and he had been staff designer there since its inception). He lectured on type design at the Stroganov Higher School of Arts and Crafts, Moscow (1995-96) and the Higher Academical School of Graphic Design, Moscow (1997-98). He worked at the type department of NPO Polygraphmas (1973-1991). He is the designer of many Cyrillic typefaces, and several Indian, Greek, and Hebrew typefaces, and author on typography and type design.

His typefaces include Bitstream Kis Cyrillic, AdverGothic (1989, after Advertisers Gothic by Robert Wiebking from 1917), Futuris, Futura PT (1991, 22 styles in all, after Renner's famous 1927 design), Compact (1991, ParaGraph, based on Anons by Gennady Baryshnikov), Decor (1989, after a typeface by Gennady Baryshnikov), Zhikharev (1989, after a 1953 original by Igor Zhikharev), Arthur (1994, TypeMarket, based on Agfa Marigold by Arthur Baker, 1989), Fraktura (1987, a Latin Fraktur typeface based on Justus E. Walbaum's Walbaum Fraktur), PT Didona (1992), PT ITC True Grit (1997, a Cyrillic version of Michael Stacey's ITC True Grit from 1995), PT Octava (2000, earlier (1996) called Scriptura Russica, a family commissioned by the Russian Bible Society and based on Lectura, 1969, by Dick Dooijes and Stone Print, 1991, by Sumner Stone. Octava won the Grand Prix of the Golden Biennale in 1996), Standard Poster (1992, based on a design from 1986 at Polygraphmash, inspired in turn by the fat didone style of the Ossip Lehmann type foundry (St.Petersburg)), Mason Sans Cyrillic (2002, Paratype, extending the Mason Sans family of Barnbrook at Emigre (1992)), Petersburg (1992), PT Compact (1991), PT ITC Fat Face (1993, with the help of Gennady Baryshnikov), PT ITC Zapf Chancery (1993, with the help of Gennady Baryshnikov), PT ITC Flora (1993, with help from Emma Zakharova, an extension of Unger's 1989 font ITC Flora), PT Pragmatica (1989, with Alexander Tarbeev and later Isabella Chaeva), the Cyrillic version of ITC Avant Garde Gothic (Paratype, 1993), the Cyrillic version of ITC Charter (1999, called PT ITC Charter) and the Cyrillic version of Barnbrook's Mason. He oversaw the development of the PT Sans (Open Font Library link) and PT Serif superfamilies in 2010-2011. PT Serif was co-designed with Olga Umpeleva and Alexandra Korolkova.

In 2012, Isabella Chaeva and Vladimir Yefimov created a Cyrillic version of Roundhand BT (1966, Matthew Carter) for ParaType. The typeface was posthumously released.

Yefimov Serif (2014) is a contemporary serif face, with low contrast, squarish shapes of round glyphs and emphasized business-like nature. It is one of the last original typefaces by Vladimir Yefimov. The typeface was completed by Maria Selezeneva and released by ParaType in 2014. The companion typeface is Yefimov Sans (2015, by Alexandra Korolkova and Maria Selezeneva).

Adam Twardoch's announcement of his death: Today, the co-founder of ParaType, prolific type designer and teacher Vladimir Yefimov has died in Moscow. Both his original typefaces and his masterful Cyrillic extensions of existing Latin typefaces were truly impressive. He even attempted multi-script extensions such as that of ITC Avant Garde. Among my favorite text typefaces (or actually, serif screen typefaces) is Vladimir's Octava. Matthew Carter praised Vladimir's Cyrillic version of ITC Charter, which I think is one of the finest Cyrillic alphabets ever designed. I was also very fond of Vladimir's Cyrillic extension of Kis, which John Hudson described as "one of his favourite Cyrillic text types as well as a remarkable exercise in historic imagination." Vladimir often collaborated with other designers, many of them were his former students. One of the last projects that he participated in was the monumental PT Sans (Open Font Library link, Github link) and PT Serif project. But he was not only dedicated, skillful and artistically refined---but also kind, generous, modest, warm and funny. I first met him in 1998 at the ATypI Lyon conference, and greatly enjoyed all the subsequent occasions that I could spend some time with him. It's been a great pleasure and a true privilege knowing him (a bit).

Brief CV. At ATypI 2004 in Prague, he spoke about the origin and history of Cyrillic letters. At ATypI 2008 in St. Petersburg, he spoke about designing Latin/Cyrillic fonts.

Obituary by Maxim Zhukov.

FontShop link. Klingspor link. Paratype link. Google Plus link. [Google] [MyFonts] [More] ⦿

Vladimir Zholud
[Vladzh]

Vladzh
[Vladimir Zholud]

Vladimir Zholud (Vladzh, b. 1987, Kharkov) lives in Kharkov, Ukraine. In 2002 he began his studies at Kharkiv ART Lyceum (Ukraine), and then continued on at the Kharkiv State Academy of Design and Arts. His first font is Zholud's Modern Ghotic (2005, blackletter). [Google] [MyFonts] [More] ⦿

Volker Busse
[F25 Digital Typeface Design]

Volker Küster

Fonts of this German type designer (born in 1941) may be found at URW. He designed the Today Sans Serif family at Scangraphic from 1985-1988, as well as Neue Luthersche Fraktur (1983-1985, now available at Elsner+Flake; design based on a typeface from the Luther-Egenolffschen Schriftgiesserei, 1708). From 1984 until 1989, he was one of the main type designers at Scangraphic. Currently, he is a professor of typography at the University of Essen. In 2011, Ralph M. Unger created a signage face, Brocken, which he claims was inspired by Volker Küster's work from the 1960s. In 2015, Elsner & Flake published an update of Today Sans, Today Sans Now. [Google] [MyFonts] [More] ⦿

Votum Sanguinis

Los Angeles-based outfit with many Mexican influences. Alternate page. In 2010, they designed a number of gothic (blackletter or horror) fonts, including Fontorror, Pakalian, Posada Diablo, Llorona, Nican Mopohua Regular (grungy), Kansas Rainbow (based on the lettering in the 1939 Wizard of Oz movie), Otto Regular (in Saul Bass's movie style), and Federico Fellini Amarcord (art deco--after the movie). Infante, Pendleton Demibold, Volturi, Barathion, Schindler Active (inspired by the style of Austrian and later American architect Rudolph Schindler (1887-1953)), and Captiva were created in 2011, Nutcracker Script was designed in 2012, and Boxeo, John Carpenter Halloween Movie Font, Mimiloco (influenced by the Mexican and Korean cultures dominating the Los Angeles scene) and Cinderella Slipper Font in 2013. Personal web page. [Google] [More] ⦿

Vozzy (was: Oleg Vozny)
[Oleg Voznyy]

Aka Vozzy, Oleg Voznyy, Oleg Vozny, and Anton Antipov. Dnipro, Dnipropetrovsk (was: Nepropetrovsk), Ukraine-based designer whose company is called Trivia. His typefaces from 2015: Ghost (a spurred typeface), Whiskey Label, Barber Label (shaded vintage font), Scotch Whiskey Label Font, Gouache, Hot Coffee, Mastodon (hipster typeface), Whiskey Shine, Bourbon Whiskey (a Tuscan spurred signage font), Bandidas (a Tuscan spurred label font), Finest Whiskey, Retro Disco, Tequila (a vintage spurred bottle label font), Tortuga Hand (a spurred tattoo font), Hand Drawn Font, Steampunk, Vintage hand Drawn Font, Modern Whiskey, Marine Whiskey, Old Label, Rock On Font, Chulkboard Sketch Font, Chalk Board Hand Drawn Font and Whiskey Label (vintage typeface).

His typefaces from 2016: Samurai (layerable oriental simulation type), Old Mariner (vintage signage type), Two Shots, Curls (layerable Victorian label font), Ginger Gin Label, Old Style Label (Victorian, layered), Motorcycle Gang, Absinthe (vintage labeling font family, with layering), Mystic Label, Bourbon Strong (a whiskey label font), Aged Whiskey, Bold Craft (vintage label font family for absinthe, brandy, whiskey, rum, gin and beer), Origami, Vintage (a Victorian signage typeface), Gangster (a layered Victorian signage font), Motor (+Shadow, +Shine: a spurred motorcycle / tattoo font family), Family Hand, Absinthe Label (Victorian signage font), Old Sailor (layered vintage typeface set), Old Barrel, BadBoy (hand-printed), Nautical, Sinister (Victorian), Heavy Metal, Darkness Whiskey (Victorian).

Typefaces from 2017: Blended Whisky Label, Adventure Vintage Label, Whiskey Original Label, Doncaster Vintage Label, Bourbon Special Label, Vintage Marine Label, Marine Whiskey, Alcohol Vintage Label, Virginia Vintage Label, Old Barrel Vintage Label, Tequila Vintage Label, Bubble Vintage Label, Vintage Classic Look, Bourbon Vintage Label, Handcrafted Old Style, Vintage Classic Look, Barber Vintage Label, Walsall Vintage Label, Original Tequila, Retro Style Label, Absinthe Vintage Label, Whiskey Vintage Label, Mystic Vintage Label, Castlecary Vintage Label, Real Estate Vintage Label, Whiskey Vintage Label, Rock And Roll Vintage Label, Blackburn Vintage Label, Tavern Vintage Label, Bourbon Vintage Label, Rock Star Vintage Label, Sandford Vintage Label, Norwich Vintage Label, Whiskey Glory, WireFont Vintage Label, Midieval Vintage Label, Barbershop Vintage Label, Summer Hippie, Bradford Vintage Label, Cartoon Vintage Label, Vintage Age, Retro Label, Stone Angry Look, Retro Alphabet Label, Tattoo Parlor, Brandy Vintage Label, Striped Vintage Label, Hit The Light Vintage Label, Music Album, Irish Whiskey Vintage Label, Northwood Vintage Label, Stitch Vintage Label, Innkeeper Vintage Label, Whiskey Vintage Label, Racer Label, Malt Whiskey Vintage Label, Marine Bay Vintage Label, Alcohol Vintage Label, New York label, Tequila Vintage Label, Portsmouth Label, Sunderland Label, Moonshine Label, Tavern Vintage label, Harbor Vintage Label, Peterborough Label, Blackpool Vintage label, Fresh Cartoon Look Label, Spiced Rum Vintage Label, Old Windsor Vintage, Team Spirit Label, Northamton Vintage, Saloon Label, Gold Rush Label, Rock and Roll Label, New Castle Vintage, Authentic Whiskey Label, Birmingham Vintage Label, Cognac Label, Hipster Label, Rock Star Label, Stockport Label, Barber Label, Colchester Label, WildForest Vintage Label, Brentford Vintage Label, Premium Beer Vintage Label, Lumberjack Vintage Label, Manchester Label, Richmond Label, Old Logger Label, Norwich Label, London Label, Liverpool, Liberty Label, Lancaster, Independence, Grand Reserve, GreatShot Label, Derby, Coventry Label, Coldwater Label, Brighton Label, Bourbon Label, Carlisle Label.

Typefaces from 2018: Brewery (vintage label font), Amber Whiskey (a great spurred vintage Western typeface family).

Typefaces from 2019: Coral Reef (monoline script), Sambuca, Original Absinthe (spurred), Tattoo Master, Horror Story (a gory dry brush script), Heavy Boxing (a vintage label font), Hawaii Beach, Green Mexican, Outer Space (a vintage label font), Aviation Cocktail (vintage), Bodybuilder (14 athletic lettering fonts), Biker Whiskey, Vintage Whiskey, Wanted Denim (weathered texture), Bandidas (vintage label style), Cosmic Lager, Spicy Taste, Farm House, Pirate Bay, Smokers, Quick Or Dead (Western, layered).

Typefaces from 2020: Falange (a 5-style skeletal bone font family), Western Whiskey, Big Wave (a vintage layered font family), Eight Cylinder, Whisky Trail, Brew House (a beer bottle blackletter), Cyberpunk, Beer Time (a vintage label font family), Bobber Motorcycles (a vintage label font), Fire Sauce (layerable), Space Vacation, Metal Core (a spurred blackletter metal band font), Outdoors (a vintage label font family), Bakehouse, Roots, Asgaard (a textured vintage label font), Speedster, Mountain Expedition, Junk Food (a vintage label font family), Old Biker (a vintage spurred label font).

Typefaces from 2021: Circus Sideshow (a spurred circus font), Vida Bandida (a tattoo font), Healthy Freak (a vintage sign painting sans), Tokugawa (inspired by Japanese), Seaman (a lava lamp font), Stuntman (a font duo, +Stencil and Stencil Paint), Road Rage (Tuscan), Unfair (a squarish all caps typeface), Race To Space (a vintage marquee font), Fun Baking (a condensed organic sans), Urban Ink (a prototypical tattoo font---the last tattoo font you will ever need?), Brewing Crafters (spurred, vintage).

Typefaces from 2022: Bistro (a vintage shadowed label font), Sport Bar (a spurred vintage label font), Time To Play (a vintage gaming label font), Happy Trip (psychedelic), Barely Legal (a vintage label font).

Alternate Creative Market link. [Google] [MyFonts] [More] ⦿

Vunira Design

Indonesian designer of script, calligraphic, brush, dry brush, Halloween and children's book typefaces. Typefaces made in 2019: Alkilri, Anggita, Arzeta, Atalintar, Baladewa, Balistik, Beliau, Blackout, Blooqe Stages, Brand Hole, Braser, Delphina, Diana Rough, Doglas, Ecustic, Emerland, Enigma, Famous, Goteru, Harbala, Hastron, Helegra, Himaliya, Hollims, Jagalana, Magdalena, Monalisa, Ollson, Orlandia, Queny, Rekyoto, Reysha, River Young, Santoy, Seventy, Silloute, Staryl, State Moques, Vintage Legends, Zaskia, ZeBrush, Zillion.

Typefaces from later in 2019: Adabra, Advections, Alya, Assassin, Augustine, Autogenic, Azarita Duo, Bacar, Bedmifo, Belgia, Bigted, Britney, Certified, Dare Daling, Daytone, Dead Night, Delich, Duythy, Enofive, FireFlight, Giji, Green Walk, Growth Period, Hafala, Haned, Hargery Molly, Hello Day, Hogituey, Humble, Jocker, Jungle, Kellang Rika, Keyrey, Kronos, Laggran, Lolipop, Margaritha-Tropicana, Melage, Morisita, Onboard, Overfly, Paper Clip, Puresity Burbon, Quanty, Quiet, Quirtty, Qunanty, Qunomy, Regad, Rendezvouws, Resquro Halloween, Rose Hips, Rostter Boot, Rotter Bradly, Segoul, Silent, Silently, Snake Fangs, Sugarberry, The Baleak, Vallerya, Vanguard, Walking Dream, Wallington, Witch girls, Zigas, Zildjan.

Typefaces from 2020: Appetizer, Batone, Caledy, Callgios, Gargilla, Grandyose, Longline Quart, Mudega, Osage, Ouvality, Rafale, Soulist, SpeedBeast, Swansong, SwordFish (signage script), Waterlow, Whitefish.

Their massive collections bundle in 2020 has these 250 fonts; Abdillah, Acusted, Adabra, Adilea, Adirolies, Adisone, Advectionz, Aella, Akod, Alantis, Alkatros, Alkilri, Alrogty, Alrte, Alternation, Alya, Anadego, Anggita, Aniabellia, Antagonist, Appetizer, Arlaya, Artesy, Arzeta, Assassin, Atalintar, Augustine, Autined, Autogenic, Azala, Azarita, Bacar, Bafera, Bagide, Baladewa, Balges, Balistik, Barecy, Batone, Bedmifo, Beliau, Beligo Cary, Benetton Arenty, Bentley, Berlynda, Betnefie, Bigted, Birced, Blackout, Blackwing, Blooqe Stages, Blue Snow, Botade, Brand Hole, Braser, Brattsoon, Bright, Bright Daily, Britney, Brylion Script, Caledy, Callgios, Catline, Comye, Cursey, Daisy Rain, Dallime, Dare Daling, Daytone, Dead Night, Deglas, Delich, Dellaine, Delphina, Diana Rough, Diotam, Distrik, Doglas, Duythy, Eather, Ecustic, Ellies, Emerland, Enicye, Enigma, Enofive, Everlyne, Fabela, Famous, Fireflight, Frenchoy, Gargilla, Gasela, George, Giji, Goteru, Gotre, Grandiose, Green Walk, Growth Period, Hafala, Hafela, Hagos, Halybed, Hamble, HandyDandy, Haned, HappyFun, Harbala, Hargrey Molly, Harmonia, Hastron, Hatedo, Helegra, Hello Day, Hellow, Heritage, Hetbig, Hibes, Higlays, Hilles, Hiltobe, Himaliya, Hogituey, Hollims, Honey Moon, Humble, Huttem, Jagalana, Jocker, Jungle, Kaduta, Kalled, Kellang Rika, Keyrey, Kronos, Laggran, Legendaire (spurred), Leightonz, Lindsay, Lolipop, Longline Quartz, Magdalena, Magic Stick, Malikec, Margaritha Tropicana, Mariose, Matody, Maybelin, Melage, Mellenya, Mellisa, Moolland, Morisita, Mosem, Motibe Cebiks, Mudega, Mugle, Noifale, Onboard, Orlandia, Osage, Ouvality, Overfly, Paper Clip, Pastilec, Penleigh, Petite Romance, Plamiya, PrimeCast, Puresity Burbon, Qors, Quanty, QuickSets, Quiet, Quirtty, Qunanty, Qunomy, Qutapy, Rafale, Railway, Rawriting, Rebelia, Reffin, Regad, Rendezvouws, Resquro Halloween, Roast Type, Rolest, Rose Hips, Rosega, Rosela, Rostter Boot, Rotter Bradly, Salting, Scribbling, Segoul, Serfeb, Shout Ease, Signlia, Silent, Silently, Silfhie, Silloute, Simply Harmony, SnakeFangs, Soulist, Speed Beast, Staryl, State Moques, Strade Eqrem, Sugarberry, Sulifec, Sunniland, Sweet Serve, Swordfish, The Akrage, The Baleak, The Blog Malog, The Osage, Thrucy, Thune, Vallerya, Vanguard, Vinesday, Vintage Legends, Walking Dream, Wallington, Waterlow, Watterland, Whitefish, Wipela, Witch Girls, Zigas, Zildjan.

Typefaces from 2021: Absolute, Acude (blackletter), Adabe, Afika, Agites, Agnostic Mirossa, Allianta, Ambattur Sign, Attila, Badhie Dope, Bagela, Ballarat, Ballmind (inline), Beguns, Belanie, Bigote, Braier, Brattsoon, Butterfly, Carlinson, Carlistter, Charleigh, Cikals, Claustyn, Dagose (blackletter), Dark Glitter, Daywala, Dragon, Dreamland, Emogine, Emrand, Falose, Flynster, Giletha, Gisela, Hellington, Holife, Hypnotize, Jelita, Jissela, Joyfully, Kalvert (artsy), Leaflets (paperclip), Lilith, Lokills, Ma Lorena, Magaretha, Mellifluous, Northern Forest, Olios, Parahyang, Patterning, Ratna (signature script), Raymond, Regitta (signature script), Reliser, Relods, Richmond, Rollet (dry brush), Rusthic, Sabhar, Salmon, Seasony, Skylight, Stone Garden, Stranggi (a rabbit ear script), Sunflower, Sweetlilly, The Edensick, The Marshmallow, The Recolista, Thetian, Watterland, Welldone. [Google] [More] ⦿

VZ Type (was: Vasgaz Creative)
[Randi Ilhamsyah]

Serang, Banten, Indonesia-based designer (b. 1999) of the eerie scratchy typeface Nightmare (2018), the techno typeface Attack (2018), and the handcrafted typefaces Jouright (2018), Galunggung (2018), Janari (2018), and Carraosh (2018).

Typefaces from 2019: Sallvacia (script), Rumasa (blackletter), Kayambang (constructivist), Nozty (all caps sans), Aslina, Hanca (a piano key typeface), Harita (a condensed bold sans), Kulan (dry brush), Saggacity (dry brush), Felicia Signature, The Lovely Script, The Astanna Script, Blodeyn, Sallvacia Script, Allington (an inky script), Latecya.

Typefaces from 2020: Katampi Pisan (a wild script), Canterpids (Sans, Signature), Barudaks, Brimington (brush script), Campbell, Bridgeriden, Winear (a funky display type), Singaparna Script, Angeater (a dry brush script), Mencrang (an all caps comic book type), Aderia, Arastela, Gloverley, Rosekind (an SVG dry brush script), Mitchell Signature, Deborah (an inky script), Sacred Love, Shakies (a textured script), Atkinson Signature, Gattegher, Hello Jellita, Alejo (inline), Giovanetta Script, Spring Beauty, Benedela Signature. [Google] [MyFonts] [More] ⦿

W. Groß

Designer at the Benjamin Krebs foundry who made Künstler Gotisch (1900). This typeface was digitized by Ralph Unger in 2007 at URW++ as Cranach Pro, and by Peter Wiegel as Kuenstler Gotisch in 2014. [Google] [More] ⦿

Wagner&Schmidt

German foundry establshed in 1888 by Theodor Robert Arthur Schmidt and Ludwig Wagner in Leipzig. In 1902, Ludwig Wagner quit and joins Gundelach&Ebersbach (first founded in 1897) also in Leipzig, and then opens his own foundry, Ludwig Wagner. Schmidt stops in 1932, while Otto Schmidt takes over--the company is now called Wagner&Schmidt Nachfolger. Otto Schmidt dies in 1941, and the company is dissolved in 1942.

Wagner&Schmidt was responsible for such successful Fraktur typefaces such as Allemannia-Fraktur (see also Ludwig&Mayer, Frankfurt am Main, 1908), Deutschmeister (Berthold Wolpe; the date 1927 has been suggested), Fette Fraktur (well, their own version at least, dated 1875, with present day versions by that name at Adobe and Berthold. Imitations of Fette Fraktur: Fraktur Fett (Greenstreet), Baron&Berliner (Swfte), Bauble (SSi), Luftwaffe (WSI), F692 Blackletter (SoftMaker), Fraktur (SoftMaker)).

They also made the art nouveau era text typeface Rekord Antiqua (1911: revived in 2020 by Ralph M. Unger as Rekord Antiqua), the upright semiscript Mirabelle (1926, which was digitized and extended by Nick Curtis as Anna Nicole NF (2007)), Donatello (1935), Kurmark (see also Norddeutsche Schriftgießerei, Berlin, 1934), Annonce Grotesque (1914; see also Ludlow), Amanda Ronde (1939; see Stephenson Blake) and Senta (1904).

Under C.E. Weber in Stuttgart, we find these additional typefaces: Colonna Antiqua (1908), Druckhaus Antiqua (1919), Druckhaus Kursiv, Ekkehard (1903), Erika (1920), Margarete (before 1927), Orient Antiqua (1914), Parlements Fraktur (1908) and Progreß Reklameschrift.

In 1936-1937 the company created the Bauhaus-inspired headline sans family Kristall Grotesk, which was digitally revived in Kristall H MfD Pro (2019, Elsner & Flake). [Google] [More] ⦿

Wahnfrid-Musik

Heraldic, old German and Fraktur font archive. Has these fonts by Will Software: MA Bastarda1, MA GKursiv1, MA Gotic. Page by Mark-Oliver Konrad. [Google] [More] ⦿

Wahyu Aji Prasetyo
[WAP Type]

Wahyu Eka Prasetya
[Ikiiko Type (was: wep)]

Walden Font
[Oliver Weiss]

Walden Font (est. 1997) sells historical typefaces&clip-art by Oliver Weiss from Winchester, MA. Walden's site includes a brief history of blackletter, as summarized in the PDF document The Gutenberg Press: Five Centuries of German Fraktur (1997). Typefaces by categories:

The nice 14-font package called Civil War Press.
The free art nouveau font Jugend WF (2006).
Kraftwerk Press (2016-2017), a collection of 25 German industrial fonts emulating the era from 1920-1930:
- WFBorderBergland, WFBorderLineal, WFBorderLorbeer, WFBorderRauhreif, WFBorderRiesel, WFBorderSaftig, WFBorderSandmann, WFBorderSchnuppe, WFBorderWolkig, WFBorderZahnung, WFKraftwerkOrnamente, WFKraftwerkVignettenFett, WFKraftwerkVignettenLicht. Great borders and ornaments that were mainly revived from Neues Schmuckmaterial (Schriftguss AG, formerly Brüder Butte).
- WFFettdruck, WFHochdruck, WFNormdruck: Examples of Reklameschrift originally designed in 1908, 1926 and 1920, respectively.
- WFFetteKrause. Inspired by an advertisement for printing machinery in a 1924 issue of the Hungarian trade magazine Magyar Grafika.
- WFKaracho: Inspired by a bit of hand-lettering from a 1926 issue of the German advertising art periodical Gebrauchsgrafik.
- WFLuftpost. Based on lettering samples for sign painters.
- WFNeueOhioSchrift. Weiss writes: The Brüder Butter foundry in Dresden had a good working relationship with ATF, and thus several American typefaces found their way into the Butter catalog. Among them was Pabst Oldstyle, designed in 1902. Brüder Butter changed the erect peak of Pabst's A to a flaccid one, and distributed the result as Ohio Schrift, starting about 1913. Throughout the 1920s, Brüder Butter marketed the Ohio family through a series of leaflets that put the typeface through its paces in innovative ways. WFNeueOhioKursiv is the Italian companion. In 1922, Brüder Butter added a bold typeface to the Ohio family. This was not an ATF transplant, but a new design by Eduard Lautenbach. It was available with a set of swash capitals, and several curly-cued, lowercase alternates, ideally suited for children's books. Weiss's revival is WFNeueOhioKraft.
- WFNeueWerbeKraft. Based on Arthur Schulze's Werbkraft (1926).
- WF Paletti. Loosely based on the popular monoline silent movie script typeface Tango-Kursiv (1913, Ernst Deutsch).
- WF Vulkan. A loud all caps typeface based on an advertisement in the April 1926 issue of Gebrauchsgraphik.
Their Renaissance&Handwriting font pack has nine different handwriting fonts from 1450 to 1700.
The Minuteman Printshop set contains 18 colonial fonts: Ancient Black, Caslon Book, Caslon Book Italic, Caslon Swash Italic, Webster Italic, Webster Roman, English Hand, Rev.War Heroes, Signers of the DoI, Colonial Bullets, Daisy Border, Lily Border, Marigold Border, Needlepoint Border, Pine Cone Border, Quilt Border, Rose Border, Tulip Border.
Eighteen blackletter fonts, called the Gutenberg Press series: Alte Schwabacher, Breitkopf Fraktur, Coelnisch Current, Fette Haenel Fraktur, Ganz Grobe Gotisch, Grossvater Kurrent, Gutenberg Bibelschrift, Kurrent Kupferstich, Luthersche Fraktur, Maximilian Gotisch, Neue Schwabacher, Peter Schlemihl, Suetterlin, Theuerdank Fraktur, Unger Fraktur, W'bg. Schwabacher, Zentenar Fraktur.
Wood type, the Wild West Press series (2010, 47 fonts), and related fonts: Sawtooth WF (2002), Acanthus Border, Ashwood Condensed, Ashwood Extra Bold, Asphaltum, Aubrey Landing, Baubles Border, Bear Gulch, Brass Rules, Bullion Extra Condensed, Bullion Italic, Bullion, Cattle Brands, Chalk Bluff, Clifford Eight, Cut and Shoot, Dead Man's Hand, Faywood Extra Condensed, Faywood Italic, Faywood, Fringe Border, Garland Border, Gatlin Bold, Grid Border, Heroes and Villains, Jawbones Condensed, Lace Border, Langtry, Matchwood Bold Italic, Matchwood Bold, Matchwood Italic, Matchwood, Muleshoe, Ophir, Rawhide, Round Mountain, Royal Nonesuch, Sageland, Sawtooth, Seal Border, Shelldrake, Stockton, Thousandsticks, Thunder Mountain, Vine Border, Western Bullets, Whitecross, Wildwash.
Art nouveau revivals. His Art Nouveau Printshop Vol. 1 (2020) includes these fonts:
- WF Border Edellinien: Based on borders by Schelter & Giesecke, 1901.
- WF Border Eos.
- WF Border Flach: After a specimen seen in a 1915 specimen book at Bauersche Giesserei.
- WF Border Nimbus.
- WF Border Patriz Huber: After a Schelter & Giesecke design from 1906 called Patriz Huber Ornamente, which was named after designer, goldsmith and furniture maker Patriz Huber, 1878-1902.
- WF Border Peacock: Based on borders by Schelter & Giesecke, 1904 (or earlier).
- WF Border Seerosen.
- WF Border Ver Sacrum: Based on borders by Heinz Keune for Schelter & Giesecke, 1901 (or earlier).
- WF Dahlia: Closely based on a draft for F. Schweimann's Wodan, first issued by Stempel & Co in 1902.
- WF Fafner: After a poster typeface by Schelter & Giesecke first seen in 1905. Unknown designer.
- WF Habsburg: After an original by Heinz Keune from 1903 for Schelter & Giesecke.
- WF Jugendstil Ornaments.
- WF Liane Semibold: A condensed Plakatschrift that revives Liane Semibold (1908, Schelter & Giesecke).
- WF Maria Theresia: After Maria-Theresia-Versalien (1903, Heinz Keune for Schelter & Giesecke).
- WF Meierschrift: Based on Meierschrift (1903, C.F. Meier), which was produced by Schelter & Giesecke in 1904.
- WF Ovid: After an original by Heinz Keune from 1903 for Schelter & Giesecke.
- WF Radium: After an original white on black typeface by Schelter & Giesecke (1905).
- WF Rienzi Versalien: After Versalienschrift Rienzi (1901).
- WF Schelter Antiqua: A revival of Schelter Antiqua (1905, Schelter & Giesecke).
- WF Wallenstein: Based on an original by Heinz Keune (1904), who intended it as a heavy weight companion of Habsburg and Wittelsbach,
- WF Wittelsbach: After an original by Heinz Keune from 1903 for Schelter & Giesecke.
Gnomos is a grungified merovingian typeface [Walden Font claims that it was found in a 16th century house].
Magick: A series of 11 alchemic and medieval typefaces, including custom creations by Australian calligrapher Mark Calderwood: Astaroth, Bastarda, Batwynge, Gnomos, Luxeuil, Orgeuil, Runor, Salem 1692, Alchemy Symbols, Astrological Symbols.
Diverse Handes: Nine historically accurate script fonts from the Renaissance era: 10th Century Bookhand WF, Bastarda WF, Copperplate 1672 WF, English Hand WF, German Latin WF, James the Second WF, Spanish Court Hand WF, Uncial WF, William Shakespeare WF.
A collection of 62 American poster fonts of World War II, heavily influenced by art deco, was created in 2013: Acie WF, Almanzo WF, Balfrey WF, Bellofatto WF, Bleecker WF, Bleecker WFShaded, Bobbin WF, Bullshorn WF, Calt WF, Cassino WF, Cephus WF, Chippett WF, Cutright Bold ItalicWF, Cutright Bold WF, Cutright WF, Dickie WF, Dragoo WF, Elbie WF, Eldon WF, Elmira WF, Enlow WF, Epsom WF, Falaise WF, Fansler WF, Fustian WF, Glancy WF, Golden WF, Graveney WF, Greenlaw WF, Hackett WF, Hardwick WF, Harlie WF, Huntley WF, Irby WF, Iva WF, Jowdy WF, Kilroy WF, Kododa WF, Lacar WF, Maximino WF, Nelda WF, Nuisance WF, Odon WF, Olindo WF, Payson WF, Payson WFBold, Payson WFBold Italic, Payson WFItalic, Perlina WF, Poster Bullets WF, Remely WF, Reny WF, Sharkey WF, Sheffie WF, Telmoss WF, Tilmon WF, Toxie WF, Ula WF, Wallington WF, Wilber WF, Wylie WF, Zipnut WF.
Other fonts in the collection: 10thCenturyBookhand, AcanthusBorder, Alchemy-Symbols, Alte Schwabacher, AncientBlack, AshwoodCondensed, AshwoodExtraBold, Asphaltum, Astaroth, Astrological-Symbols, AubreyLanding, Bastarda, Batwynge, BaublesBorder, BearGulch, BrassRulesBorder, BreitkopfFraktur, Bullion, BullionExtraCondensed, BullionItalic, BullionRoman, CWP_TypeNo08, CWP_TypeNo09, CaslonBook-Italic, CaslonBook, CaslonSwashItalic, Cattle Brands, ChalkBluff, CliffordEight, CoelnischCurrentFraktur, ColonialBullets, ConfederateSignatures, Copperplate1672, Cut&Shoot, DaisyBorder, Dead Man's Hand, EnglishHand, Faywood, FaywoodExtraCond, FaywoodItalic, FetteHaenelFraktur, FinalFrontierShipside, FringeBorder, GanzGrobeGotisch, GarlandBorder, GatlinBold, GebetbuchFraktur, GermanLatin, Gnomos, GridBorder, GrossvaterKurrent, GutenbergBibelschrift, Heroes & Villains, JamesII, JawbonesCond, Jugend, KurrentKupferstich, LaceBorder, Langtry, LilyBorder, LutherscheFraktur, Luxeuil, MarigoldBorder, Matchwood, MatchwoodBold, MatchwoodBoldItalic, MatchwoodItalic, MaximilianGotisch, Muleshoe, NeedlepointBorder, NeueSchwabacher, OldStateHouse, Ophir, Orgeuil, Pangho, Panghobl, Pangolin, Pangbl, PeterSchlemihl, PineConeBorder, QuiltBorder, Rawhide, RevolutionaryWarHeroes, RoseBorder, RoundMountain, RoyalNonesuch-Bold, Runor, Sageland, Salem1692, Sawtooth, SealBorder, Shelldrake, SignersoftheDOI, SpanishCourtHand, Stockton, Sütterlin, TheuerdankFraktur, Thousandsticks, ThunderMountain, TulipBorder, TypeNo1, TypeNo2, TypeNo3, TypeNo4, TypeNo5, TypeNo6, TypeNo7, TypeNo8, TypeNo9, TypeNo10, TypeNo11, TypeNo12, TypeNo13, TypeNo14, Uncial, UngerFraktur, UnionSignatures, VineBorder, WebsterRoman, Western Bullets, Whitecross, WilliamShakespeare, WittenbergSchwabacher, ZentenarFraktur.
The New Victorian Printshop collection (56 fonts): Absalom, Adelar, Amaltea, Amilcar, Augur, Banter, Baretto Italic, Baretto Shaded, Baretto, Barettoshaded Italic, Beamish, Blaisdell, Blinov, Braham, Brinton, Brunel Script, Chatelaine, Cupboard, Devough, Dewitt, Ephinol, Gano Extended, Giglio, Gresley, Grubb Script, Hester, Hipolon, Hiram, Inigo, Isherwood, Jasper, Jophet, Klabasto, Lightburn, Medola, Monboddo, Nestor, Oldkirk Italic, Oldkirk, Ormsby, Pennyfarthing, Phectic, Pomeroy, Rebstock, Rudyard, Rungholt, Sedgwick, Steam Border Medium Aztec, Steam Border Medium Bar and Balls, Steam Border Medium Bar and Curls, Steam Border Medium Bar and Leaves, Steam Border Medium Baroque, Steam Border Medium Belgian Lace, Steam Border Medium Dish and Wire, Steam Border Medium Drainfly, Steam Border Medium Flourish, Steam Border Medium Frill, Steam Border Medium Geometric, Steam Border Medium Leaf, Steam Border Medium Loops, Steam Border Medium Picture Frame, Steam Border Medium Quatrefoil, Steam Border Medium Ribbon, Steam Border Medium Shells, Steam Border Medium Spruce, Steam Border Medium Tiles, Steam Border Medium Triangles, Steam Border Medium Woody, Steam Border Thin Brick Bar, Steam Border Thin Cordula, Steam Border Thin Double Wavy, Steam Border Thin Double, Steam Border Thin Fine Dots, Steam Border Thin Forward Wave, Steam Border Thin Oscillations, Steam Border Thin Scallop, Steam Border Thin Straight Rule, Steam Border Thin Tight Oscillations, Steam Border Thin Triple, Steam Border Thin Undulations, Steam Border Wide Arch and Vine, Steam Border Wide Argent Leaf, Steam Border Wide Bar and Acanthus, Steam Border Wide Bower, Steam Border Wide Knots and Weeds, Steam Border Wide Lattice, Steam Border Wide Mephisto, Steam Border Wide Peacock, Steam Border Wide Rebstock, Steam Border Wide Roccoco, Steam Border Wide Shield and Acanthus, Steam Border Wide Shield and Vine, Steam Border Wide Stipple, Steam Border Wide Stone Leaf, Steam Border Wide Vault, Steam Charms, Steam Flourishes, Steam Gems, Steam Logotypes, Steam News Cuts 1, Steam News Cuts 2, Steam News Cuts 3, Swartwood, Tempris, Tilson Initials, Tivadar, Trowbridge, Twiselton, Whitcomb, Whittle, Winan.

Dafont link. [Google] [MyFonts] [More] ⦿

Walter Bernard "Ben" Hunt
[Hunt Brothers]

Walter Buhe

German type designer (1882-1958) who created Buhe-Fraktur (1914, D. Stempel). For a digital revival, see Dequindre (2015, Alex Jacque). [Google] [More] ⦿

Walter Höhnisch

Type designer born in Dresden in 1906, who lives in Lehre-Flechtorf near Braunschweig. He studied under Rudolf Koch in Offenbach in 1927 and worked at the Ludwig&Mayer Type Foundry as type designer from 1930-1971. His typefaces:

Antiqua die Schlanke (1938-1939), a modern family. Has Halbfett (1936), Fett (1938), Kursiv (1939).
Candida Italic (Kursiv, Kursiv fett) (1937: an italic to accompany Erbar's Candida from 1936), Candida Schmalmager (1957). Digital versions by Bitstream, URW, Tilde, Scangraphic, Elsner&Flake, Monotype, Adobe, Paratype and Linotype.
Express (1957): a brush typeface extended to Cyrillic in 2002 by Natalya Vasilyeva).
Fette National (1934). This Schaftstiefelgrotesk or Gotische Grotesk wasmade in stages: National (1934), National schräg (1937), National Werk-Garnitur (1938), National halbfett (1934), National fett (1934), National schmalmager (1937), National schmalhalbfett (1933), National licht (1935). For a digital revival, see Christoph Schwedhelm's Fette National (2013) and Peter Wiegel's Fette National Fraktur (2015).
Hallo Kursiv (1959, Ludwig&Mayer).
National (1933-1934, Ludwig&Mayer). This Schaftstiefelgrotesk or Gotische Grotesk was made in stages: National (1934), National schräg (1937), National Werk-Garnitur (1938), National halbfett (1934), National fett (1934), National schmalmager (1937), National schmalhalbfett (1933), National licht (1935). Gotisch-National Werkschsrift (1934). For a digital revival, see Christoph Schwedhelm's Fette National (2013).
Skizze (1935; aka Sketch?): this script was done at Ludwig&Mayer. For digital revivals, see, e.g., RMU Skizze (2021, Ralph M. Unger).
Slender (1939).
Stop (1939): a fat brush face. Revived in 2017 by Peter Wiegel as Halt.
Tempo (1930).
[Deutsche] Werbeschrift (1933). A script in the style of the school scripts Sütterlin and Kurrent. Revived in 2020-2021 by Lewis McGuffie as Jooks Script.

Klingspor link. Linotype page. [Google] [MyFonts] [More] ⦿

Walter Jakobs

Type designer (b. 1891) who headed the Höheren Fachschule für das graphische Gewerbe in Stuttgart starting in 1935. Designer at C. E. Weber of the blackletter typefaces Chronika (1936, J.D. Trennert&Sohn; fett and licht followed in 1938 and 1939) and Verzierte Chronika (1937, C.E. Weber). Sometimes the last name is spelled Jacobs. [Google] [More] ⦿

Walter John Pearce

Letterer from the art nouveau era. In some fonts named after him, the name William J. Pearce seems to have crept in. Author of the art nouvea style book Painting and decorating (1898, Charles Griffin: London). Examples of his alphabets include these Modern Block Capitals and these Gothic Capitals. These pictures appeared in the 1910 book by Lewis Foreman Day entitled Alphabets Old and New, For the use of Craftsmen [other editions of this book date back to 1898].

In 2012, the former alphabet was digitized by Dick Pape as LFD Block Capitals 213. Another free digitization is W.J. Pearce No. 213 by Klaus Johansen. [Google] [More] ⦿

Walter Plata

German author of Google] [More] ⦿

Walter Tiemann

Famous German type designer, b. Delitzsch, 1876, d. Leipzig, 1951, who was active at Klingspor. He studied painting at the art academy in Leipzig. In 1898, Tiemann started working for various publishers, including S. Fischer, Reclam and Rütten&Loening. In 1903, he took up teaching at the Staatliche Akademie für Graphische Künste in Leipzig, where Jan Tschichold was one of his students [he was director of that school from 1920-1941 and from 1945-1946]. In 1907, Tiemann founded the Janus Presse with C. E. Poeschel. In 1946, he was awarded an honorary doctorate. Poster for BUGRA in 1914. Picture. Publications:

Georg Kurt Schauer Walter Tiemann. Ein Vermächtnis, Offenbach 1953.
Biography by Wolfgang Neuloh (1971, Die deutsche Schrift, volume 42): 1 2 3 4 5.
Biography by Wolfgang Neuloh (1981, Die deutsche Schrift, volume .--65): 1 2 3 4 5 6 7 8..
Biography by Harald Suess (2001, Die deutsche Schrift): 1 2 3.

Designer at Klingspor of these typefaces:

Daphnis (1929). Digital revival by Ralph M. Unger in 2016 as Daphnis.
Fichte Fraktur (1934-1939). This was originally called Hindenburg Fraktur. Revivals by Ralph M. Unger (as Fichte Fraktur, 2020), Delbanco (as DS Fichte Fraktur) and Gerhard Helzel (as Fichte Fraktur).
Kleist Fraktur (1928). Kleist Fraktur was revived by Dieter Steffmann in 2002 as Kleist Fraktur and by Delbanco as DS Kleist Fraktur. Ralph Unger's version from 2010 is simply called Kleist Fraktur.
Narziss (1921), based in part on earlier types of Pierre-Simon Fournier. The Font Bureau font Narcissus (1995) was based on this work. Further digitizations include Narziss (2018, Ralph M. Unger), and Narcissus SG (Open and Solid) (Jim Spiece).
Janus-Pressen-Schrift (with C. E. Poeschel, 1906). Note: he founded the Janus Presse with C. E. Poeschel in 1907.
Tiemann-Medieval (1909).
Mediaeval Kursiv (1911).
Tiemann Fraktur (1914).
Tiemann-Antiqua (1923-1926). Available from Linotype.
Tiemann-Gotisch (1924).
Orpheus (1926-1928, Klingspor). This refined and elegant roman family languished for many years until its grand digital revival in 2011 by Patrick Griffin and Kevin Allan King at Canada Type, called Orpheus Pro.
Euphorion (1935-1936). This was the italic of Orpheus. It too was revived digitally at Canada Type in their Orpheus Pro package.
Offizin (1952).
Peter-Schlemihl-Schrift (1914). Also called Lichte Tiemann Fraktur. Revived by Dieter Steffmann in 2002, and by Ralph M. Unger for Profonts as Peter Schlemihl in 2008.

Linotype link, FontShop link. Klingspor link.

View some digital typefaces that are based on the work of Walter Tiemann. [Google] [MyFonts] [More] ⦿

Wandani Creative (or: Lhotive Studio)
[Rizaldi Wandani]

Banda Aceh-based designer, b. 1996, of the script typefaces Jester Brush (2018), Glossy (2018), Basston Script (2018), Shelly Script (2018), Hello Sweety (2018), Mettical (2018), Yulisa Script (2018: curly), The Billow (2018), Wandani (2018), Just Sweet (2018), Oh Darling (2018) and Natasya (2018).

Typefaces from 2019: Yollandy, Abbassy Script (a thin monoline script), Syakia (calligraphic script), Hellomy (monoline), the semi-stencil typeface Calvir, Hellow Knight, Vasttag Brush, Losttimoh, Hello Grizelle Sans, Black Clover Display (blackletter, Victorian), Hello Signature, Cattoms Cute, Ashadiya, Brushnyoe, Sallim Signature, Bellasya, Hilland.

Typefaces from 2020: Bestwep (a monoline script), Samutin, Sheenline Script, Hello Grizelle Sans (a fat finger font). [Google] [More] ⦿

WAP Type
[Wahyu Aji Prasetyo]

Banjarnegara, Indonesia-based type foundry, est. 2013. Their catalog in 2021: Adventure, B Racing, Be Bold, Blade, Brick 3D, Brusaha, Cyber Rock (brush script), Escape, Futuristic, Halloween, Ink Signature, Katana, Kid Ul , Light Paint, Line Art, Logo oblong (a circle-based logo font), MX, Mango (brush script), Merden, Milk, Modern Future, Ninja (oriental emulation), Ninja Display, Noodle Monoline (script), Oblong (a rounded circular sans), Out Line, Pixel, Pro Tech, Slim Pro (a thin minimalist sans), Sport, Stencil Army, Sticky Bold, Tecno, Wild Life, Yumna (inline).

Typefaces from 2022: Hookline (an Escher style font), Barbar Shop (Victorian), Franklin Fracture (blackletter), MX Pro (a race car font), Doodle, Futuristic (a minimalist stencil typeface), Rustic (a syrupy script), Sport News (a chamfered sports font). [Google] [MyFonts] [More] ⦿

Wassim Awadallah
[BluGraphic (or: Graphic Pear)]

Wenceslaus Joannes Crabat

Waste of paper

Student at UWE in Bristol, UK. Creator of the ornamental blackletter caps typeface Apostle XIII (2011, FontStruct). [Google] [More] ⦿

Wearecolt
[Adam Greasley]

Adam Greasley (Colt Creative Design, or Wearecolt, Bradford, UK) made Bessington (2012, a hand-printed blackboard bold typeface), Giddelham (2012, a flowing italic family), Quickrest (2012, a tall poster face), Iamblock (2012, fat counterless octagonal typeface), Adams Hand (2010), the hand-drawn condensed typeface Craft Sign, and Quick Death (2012, a hand-drawn poster family).

In 2013, he published the classic curvy roman display typeface Curvesta and the hand-drawn slab serif Bowler Hand.

In 2014, Adam published the 4-style clean-shaven sans family Adget Sans.

Typefaces from 2015: Oxblood No1 (a handcrafted tattoo font).

Typefaces from 2016: Dead Meat (all caps, handcrafted).

Typefaces from 2018: Beloid Gothic (blackletter), Titch (a brush font), Pronk Clean, Deft Brush.

Typefaces from 2019: Kinship Sans (a grotesk), Stroom Script.

Typefaces from 2020: Pronk (in Clean, Rough and Outline styles).

Typefaces from 2021: Kin Grotesque, Gather Serif (a delicate serif), Codo Mono (a 12-style wide monospaced programming font, and two variable fonts), Take Note, Take Note, Something New (a sharp and edgy display serif). [Google] [MyFonts] [More] ⦿

Typefounder Vaclav Jan Krabat (1719-1805) set up his shop in the center of Prague in 1751. His first specimen book was Specimen characterum latinorum existentium in Pragensi typorum fusura (1761). This work showcases 41 Latin typefaces in roman and italic styles, 33 Fraktur and Schwabacher typefaces, and 21 Greek and Hebrew typefaces, as well as ornaments, headers, border elements, and decorative lines. Other specimen books follwowed between 1767 and 1772, and a script type was created in 1775. The foundry started declining in 1782. Crabat died in Prague in 1805. Local download of Krabat's 1761 specimen book.

Tomas Brousil's 72-style family Crabath (2021), which contains subfamilies for Text, Display, Subhead and Intials, is based on samples seen in Crabat's 1761 text. [Google] [More] ⦿

Werner Affolter
[Affolter und Gschwind AG]

Werner Brand

Blackletter type designer: Standarte (1934, J.G.Schelter&Giesecke). [Google] [More] ⦿

Weronika Dajdok

Polish designer of the textured decirative blackletter caps typeface Frankenstein Floral Font (2019). [Google] [More] ⦿

West Wind Fonts
[Jessica Slater]

Designers in 2001 of DearestFriendlite, DearestFriend, DearestOpen, DearestOutline, Dearest (the Dearest family is in the blackletter style), Exotica-Medium (ornamental caps used by Vogue Paris), HoppyRibbitday (alphadings), ShadyCharacters-Medium (3d face), WePray (2001, made in commemoration of the September 11 tragedy, alphading and blackletter), Florabet, Alphapix (alphadings), Celtic Eels (Celtic caps), Circus Train (alphadings), Billboard (2003, alphadings), Leafy (2001), Face (2001, great smilies Faceoff and Faceit), Autumn Gifts (2001), Leafyglade, Leafyshade (2001, leafy caps), LittleDaisy, Little Days (2001, connected handwriting, an interpretation of Memimas by Type-o-tones), Little Days Alt (2003), Notethis (2001), Yippy Alt (2003), Yippy Skippy (2001, handwriting), Yippy Skippy Alt (2003), Toy Train (2001), Wild West (2001), KitchenKapers (2001, alphadings), Cast Iron (2001), Santa Time (2001, letters made up of Santas), Applejuiced (2001), Ziggy Zoe (2001, handwriting).

Weston Vierregger

Designer in Seattle who created the condensed blackletter typeface Axshaft in 2012. [Google] [More] ⦿

Wiescher Design
[Gert Wiescher]

Gert Wiescher was born in Braunsbach am Kocher, Germany, in 1944. Based in München, Gerd Wiescher designed many classy and classic Bodoni families, as well as New Yorker Type (1985). All of his typefaces are carefully fine-tuned and balanced. Wiescher founded first Munich Type and then Wiescher Design and Autographis. He is known as a hard, fast and prolific worker. His exquisite typefaces can be bought at MyFonts. Catalog of his bestselling typefaces. Interview in 2008. Wikipedia page. Creative Market link. List of typefaces:

Scripts: Prima Script (2017: for menus and cookbooks), Marmelade (2015, +Fruits, a set of dingbats), Triana (2014, a thin monoline penmanship script named after a Spanish sailor on the Pinta who in 1492 was the first to see America---in this case the Bahamas), Floral Script (2014, copperplate style script), Sherlock Script (2014: this comes with Sherlock Stuff (fingerprints) and Sherlock Stuff Dots (ink stains)), Felicita (2013, a swashy copperplate script), Vividangelo (2013, after the handwriting of a real person), Dreamline (2013, connected monoline cursive wedding scripts in A, B and C styles), Fiorentina (2012, a renaissance style script with 650 characters), Excelsia Pro (2012), Delicia Pro (2012, a fat brushy signage script), Nono (2011, formal swashy calligraphic family), Dyane (2011), Penn (2011), Lettera (2011, hand-drawn formal face), Tosca (2010, a high-contrast calligraphic typeface with 730 glyphs), Grandcafe (2010), Loulou (2010, curly and of extreme contrast), Schoolblock (2010, hand-printed school font), Grandezza (2010, calligraphic family; +Xtra), Sixtra (2010, a curly didone script), English Script (2010, classic Spencerian calligraphic script), Savage Initials (2009), Morning News (2009), Revolte (2009, a brush script for demonstration signs), Estelle (2009), Scriptofino (2008, 4 calligraphic styles to give Zapfino a run for its money), Exprima (2008), Daiquiri (2008), Lisa Bella, Lisa Fiore and Lisa Piu (2008, connected and calligraphic), Tati (2008), Movie Script (2007), Cake Script (2007), Eddy (2007, grungy calligraphy), Pointino (2007), Bohemio (2007, a great oriental-brush script), Artegio (2007, two calligraphic scripts), Xylo (2006, in the tradition of the 18th-century English calligrapher George Bickham and the 19th-century American calligrapher Platt Rogers Spencer), Tamara (2005, art-deco script based on some initials for Semplicita made in the 1930s by the Nebiolo foundry), Tecon, Ellida (2005, inspired by the elaborate scripts of 18th-century English calligrapher George Bickham, with additional influences from 19th-century American calligrapher Platt Rogers Spencer), Eloise (2009, a high-contrast version of Ellida), Nadine Script (2005, an elegant script inspired by a set of initials the French designer and artist Bernard Naudin drew for Deberny&Peignot in the 1920s), Royal Classic (2005, unbelievable script based on a design that has initially been comissioned by King Ludwig I of Bavaria for in-house-use), DesignerScript, Filzer Script (1995, handwriting), Futuramano-Condensed-Bold, Futuramano-Condensed, Futuramano-Plain, Futuramano-Thin, Giambattista, Scriptissimo-Plain, Scriptissimo-Forte, Scriptissimo-Swirls, Squickt (1989), Konstantin A, B and C (2005), Konstantin Forte (2005), MyScript, GrocersScript, Swanson (2006). Scriptissimo (2004) has versions named Start, Middle and End, tweaked for their position in the word, and there are plenty of ligatures. Check also Bodoni Classic Chancery (2007) and Bodonian Script (2012).
Sans: Brute Sans (2018), Xpress (2018), Xpress Rounded (2019), Classic Sans (2017, a revival of Theinhardt Grotesk), Classic Sans Rounded (2017), Maxi (2017), Nic (2017), Azur (a large almost geometric sans famly with 1950s Roger Excoffon-style French flavours, called a Medterranean grotesk by Wiescher himself), Royal Sans (2017, after Theinhardt's Royal Grotesk---the forerunner of Akzidenz Grotesk--- from 1880), Docu (2016, a workhorse elliptical sans family), Viata (inspired by Bauhaus), Noticia (2016, in the Bauhaus tradition, with very pointy v and w, and a bipartite k; not to be confused with the 2011 Google Web Font Noticia Text by José Solé; followed in 2019 by Noticia Rounded), Avea (2015), Aramis, Nota Bene (2015: squarish, narrow, technical), Nota (2015, technical and cold: the rounded version, Nota Rounded, followed in 2019), Dylan Condensed (2014), Dylan Copperplate (2014), Supra (2013, grotesk: Supra Thin is free. See also Supra Condensed (2013), Supra Mezzo (2013, between regular and condensed), Supra Extended (2013), Supra Rounded (2015), Supra Classic (2014), and Supra Demiserif (2013, slab serif derived from Supra)), Dylan (geometric sans), Franklin Gothic Raw (2013, like Franklin Gothic but with raw, not rough, outlines, only visible at very large sizes), Blitz (2012, a flared family), Blitz Condensed (2012), Contra Sans (2011, which led to Contra Slab, Contra Condensed and Contra Flare), Vedo (2011, a Bauhaus style family that include a hairline weight), Germania (2011, a useful and beautiful monoline sans family), Geometa (2011, +Rounded, +Rounded Deco, +Deco: all based initially on Renner's Futura), Geometra Rounded (2011, a rounded family based on Futura and "much less boring than DIN"), Bombelli (2010, ultra-wide architect's hand), Bluenote Demi (2010, a grungy Franklin Gothic Condensed), Perfect Sketch (2010, sketched grotesque), Unita (2009), Antea (2009), Eterna (2009, sans with a swing), Pura (2008, an uncomplicated grotesk family), Purissima (2010, a decorated extension of Pura; +Bold), Copperplate Gothic Hand (2009, after a 1901 design by Goudy), Copperplate Alt (2011), Copperplate Wide (2011), FranklinGothicHandDemi (+Shadow), Franklin GothicHandCond (2009), Franklin Gothic Condensed Shadow Hand (2010), and Franklin Gothic Hand Light (2009, a hand-drawn version of Franklin Gothic), Papas (2005, sturdy, slightly curly), Julienne (2005, a condensed sans family; see the new versions Moanin and Julienne Piu, 2017), Cassandra (1996, an art deco style after Adolphe Mouron Cassandre), Futura Classic (2006), Cassandra Plus (2012), Ela Sans (2005, a large family), Mondial-Bold (2004), Mondial-Demi, Mondial-Light, Mondial-Medium, Mondial-Normal, Mondial-XBold, Monem-Bold, Monem-Medium, Monem-Normal, Monem-Roman.
Serif: Imperia (2011, a Trajan column caps face), Monogramma (2012, a Trajan family for monograms), Imperium (2005, a precursor of Imperia with a Relief shadow style included), Hard Times (2011), Fat Times (2011, retraced Times), Elegia (2011, slightly Victorian family), Breathless (2010, a spiky family, inspired by nouvelle vague movie posters), Bodoni Classic 1, Bodoni Classic 2, Bodoni Classic 3, BodoniClassic-Condensed, BodoniClassic-Handdrawn, BodoniClassic-Swashes, BodoniClassic-Text, Bodoni Classic Deco, Bodoni Classic Swirls (2009), Bodoni Classic Pro (2011), Bodoni Classic Inline (2012), Bodoni Classic Fleurs (2014, ornamental caps), Bodoni Comedia (2010, one of my favorites: a funny "live one day at a time" curly Bodoni cocktail), Bodoni Classic Swing (2010), Bodoni Classic Free Style (2010, curly), Bodoni Classic Ultra (2010), La Bodoni Plain (+Italic, 2008), Take Five (2005, a jazzy take on Bodoni Classic), DonnaBodoniAa, DonnaBodoniBe, and DonnaBodoniCe (three scripts named after Bodoni's wife, Margharita dell'Aglio, who published his complete works, the Manuale Tipografico, in 1818, five years after his death), Edito, Robusta. A great series, some of which were originally published at Fontshop, see, e.g., FFBodoniClassic (1994). MyFonts: When the first of Wiescher’s Bodoni Classic fonts came out in the 1993, there was nothing like it. Up to then, virtually all Bodoni revivals had been given clear-cut forms and square serifs. But Bodoni’s originals from the late 1800s were never as straight and simplistic as is often assumed: they had rounded serifs and slightly concave feet. Wiescher digitized a wide range of Bodoni letterforms, including a wonderful script-like family called Chancery and a nice series of Initials. Having accomplished his mission twelve years later, he began making personal additions to the family, such as the more decorative Bodoni Classic Swashes. Recently a useful little family was added to the clan: LaBodoni is sturdier and less optically delicate than most Bodonis, and therefore more usable as a text face. Wiescher made Metra Serif (2009), Principe (2008) and Paillas (2009). Prince (2009) is a curlified didone.
Romain du roi: In 2008, Wiescher designed the two-style Royal Romain, which is based on the Romain du Roi of Philippe Grandjean, which was completed in 1745 after Grandjean's death by Grandjean's successor Jean Alexandre and Louis Luce. Wiescher: The Romain du Roi was for the exclusive use of the Louis XIV. It was never sold or given to any other king or government. The king of Sweden tried to scrounge a set, but the king refused. This font is the basic design for such famous fonts as the Fournier and Bodoni. Just so the Romain du Roi doesn't get lost in the digital turmoil I set out to redesign it in 2004 and finished now in early 2008. I did a lot of research in France's National Library. A good excuse to visit Paris is always welcome!!!
Engravers: Dylan Copperplate (2014), Cavaliere (2010), Guilloche A (2009), Guilloche B (2013, op-art borders), CopperplateClassic-Plain, CopperplateClassic-Round, CopperplateClassic-Sans, Copperplate Classic Light Floral (2009), Cimiez-Bold, Cimiez-Roman (2004), Ela-Demiserif, Ela-Sans (2004), Eleganza (2008).
Blackletter/Fraktur: Renais (2011, renaissance initials), Flipflop (2011), Fraktura and Fraktura Plus (2008), Royal Bavarian (2004, based on a typeface commissioned by King Ludwig 1st of Bavaria about 1834), Royal Blossom (2009), Royal Bavarian Fancy (2004), Bold Bavarian (2010, a heavy version of Royal Bavarian), Monkeytails (2008), Fat Fritz (2006, rounded endings), Ayres Royal (2005, blackletter typeface based on drawings of London's calligrapher John Ayres, ca. 1700; to be used with RoyalBavarian; followed in 2010 by BoldAyres).
Slab serif: Slam Normal (2017), Slam Rounded (2017), Suez (2017: with extra tall ascenders and descenders), Egyptia (2010), Egyptia Rounded (2010).
Typewriter: Lettera (2014), Lectra (2011), QuickType-Bold, QuickType-Plain, QuickType-Sans.
Decorative: Tric (2017, art deco), Franklin Gothic Raw Semi Serif (2015), Frank Woods (2013, letterpress simulation based on Franklin Gothic Heavy), Ohio Bold (2012, a rough headline type in the tradition of Louis Oppenheim's Lo-Type from 1913), Viking Initials (2012), Cannonball (2012, a psychedelic typeface derived from a jazz record-sleeve for Cannonball Adderley), Byblos (2011, derived from the logo of St. Tropez's famous Hotel Byblos), Blockprint (2013, early 1900 German expressionist grunge face, renamed Bannertype after 24 hours), Ferrus (2010, inspired by Cassandre's Acier Noir, 1936), Petite Fleur (2009, flowery embellishments and the capitals of his redesigned Royal Romain, which in turn is based on the famous romain du roi), Glass Light (2012, a decoirative art nouveau type family based on Glass Light by Franz Paul Glass, 1912), Penstroxx (2009, 5 fonts that are based on the powerful, expressive Traits de plume (penstrokes) designed in Paris around 1930 by Alfred Latour), Liquoia A, B and C (2008, decorative scripts), Modernista (2008, an art nouveau headline face, based on an 1898 sample by Peter Schnorr), Ornata A, B, C, D, E, F and G (2008-2009: ornaments), Fleuraloha (2008), Floralissimo (2008: flowery ornaments), Frank Flowers (2011), Scrolls A (2010, penman's dingbats), Bacterio (2007), Alpha Bravo, Alpha Charlie, Alpha Echo (2006), Barracuda, Cacao (2005, fifties style), Cassandre Initials (2004, Elsner&Flake, after the 1927 original by Adolphe Mouron Cassandre), Contype, Fleurie (2005), Fleurons Two (2006), Fleurons Three (2006), Fleurons Four (2006), Fleurons Initials (2007), Fleurons Six (2008), Fleuron Labels (2008), HebrewLatino, Julius, Lunix (2006), MyHands, NewYorkerType (1985; extended in 2011 to NewYorker Plus, and in 2020 to New Yorker Type Classic and New Yorker Type Pro; after Rea Irvin's well-known typeface for The NewYorker), Venice Initials (2006, after a 15th century find, but Wiescher added about half of the caps), Ventoux, Vivian (2005), Woody.
Pixel and/or futuristic: Nexstar (2013: this octagonal typeface is also useful or athletic lettering), Alpha Fox (2007), Alpha Juliet (2010), Alpha Papa (2010), Alpha Square (2010), Alpha Jazz (2010), Alpha Papa (2010, LED meets stencil).
Stencil typefaces: Dripps (2010, handpainted, perhaps brutalist), Red Tape Plus (2014).
Comic book fonts or brush fonts: Breezy (2015), Caboom (2014).
Dingbats: Wayside Ornaments (2012), XX Century Ornaments (2012), Thistle Borders (2012), Greenaway Mignonettes (2012, after Kate Greenaway (1846-1901), author and illustrator of childrens books), Collins Florets (2012), Flourishes A (2010), Jingle Doodles (2010).
Art deco: Trix (2017), Zelda (2017, named after F. Scott Fitzgerald's wife).
Commissioned and special typefaces include a version of the logotype for the Munich's newspaper Abendzeitung, Maxi (variable width sans), NIC Grotesk, Tric (art deco), a Cyrillic version of Bodoni Classic for Vogue Moscow, a special Bodoni Classic for Ringier Publishers in Zurich, and Red Tape, a typeface that is on permanent exhibition at the German National Library in Leipzig.
Typefaces from 2019: Elita (a condensed sqaurish typeface), Artis Sans, Sigma Condensed and Sigma (simplified readable sans families), Cosma (an elegant high-contrast text family with tapered upstrokes and crossbars, but otherwise didone roots), Quincy (a bebop typeface that started from some letterutouts), Phoebe (an elliptical techno family), Phoebe Rounded, Polygon A, Polygon I, Polygon X.
Typefaces from 2020: Bullets Bannertype, Alpha One (a counterless experiment), Exec (a 14-style sans family), Exec Corners, Exec Demiserif, Penta (a grotesque family with large counters that make the ExtraLight style quite striking), Penta Rounded.

Author of many books, including Zeitschriften & Broschüren (Systhema-Verlag, München, 1990), Schriftdesign (Systhema-Verlag, München, 1991), and Blitzkurs Typografie (Systhema-Verlag, München, 1992).

The following text was excerpted from his wikipedia page: At 14 years of age, Wiescher went to Paris to study fine art. He financed his stay by doing portraits on the Place du Tertre on Montmartre. In the sixties Wiescher studied graphic design at the Berlin Academy of Fine Arts. (Since November 2001, Berlin University of the Arts.) He financed his studies by sidewalk painting and drawing portraits. While doing sidewalk paintings, he met the typeface designer Erik Spiekermann, who inspired his love of this branch of design. After two years he quit his studies, and went to Barcelona where he worked at the offices of Harnden & Bombelli, for whom he designed the OECD-Pavilion of the 1970 Osaka World Expo. In 1972 he moved on to Johannesburg working as an art director at Grey and Young advertising . In 1975, he returned to Germany, working first for DFS+R-Dorland, and then for the "Herrwerth & Partner" ad agency. At Herrworth, he was involved in introducing IKEA into the German market. In 1977 he became a creative partner in the Lauenstein & Partner ad agency, creating mainly campaigns for large German retail chains. In 1982 he started his own design office, creating work for editors (Markt & Technik, Systhema and Langen-Müller-Herbig), computer companies (House of Computers, FileNet) and he worked for Apple Computers designing their publications (Apple-Age and Apple-LIVE).

View Gert Wiescher's typefaces. Wikipedia link. [Google] [MyFonts] [More] ⦿

Wilhelm C. Pischner

German type designer, b. Offenbach, 1904, d. Offenbach, 1989. Creator of Neuzeit Grotesk (1928-1929, Stempel, 6 styles---leicht, mager, halbfett, fett, schmalhalbfett, schmalfett) while he worked at Stempel, where he was an apprentice from 1918-1922 and a full time employee from 1922-1940. See also Neuzeit Grotesk (URW++: the first four styles only), DIN Neuzeit (Linotype), Geometric 706 (Bitstream: the schmal styles), Peter Wiegel's free CAT Neuzeit (2012-2014), N692 Sans (SoftMaker), and Neutral Grotesk (2002, SoftMaker). In 2006, Akira Kobayashi produced Neuzeit Office (Linotype), modeled after the original sans serif family Neuzeit S, which was produced by D. Stempel AG and Linotype's design studio in 1966. Neuzeit S itself was a redesign of Pischner's DIN Neuzeit.

Minor typefaces by him include Barcarole (1939, Stempel, a shadow caps face) and Tory Gotisch (unpublished blackletter).

Digital versions and relatives of Neuzeit Grotesk: Neuzeit Grotesk (URW++), DIN Neuzeit Grotesk (Adobe), DIN Neuzeit Grotesk (Linotype), Neuzeit S (Linotype), Neuzeit Office (Linotype), Neuzeit S (Adobe), Heimat Display (Atlas Font Foundry), Karben 105 Stencil (Talbot Type), Heimat Mono (Atlas Font Foundry), Karben 205 (Talbot Type), Karben 105 (Talbot Type), Heimat Stencil (Atlas Font Foundry), Heimat Didone (Atlas Font Foundry), Peter (Calligrafiction), Heimat Sans (Atlas Font Foundry), Karben 105 Mono (Talbot Type), Karben 205 Mono (Talbot Type).

After the second world war, he became an independent graphic designer in Offenbach. Sometimes his name is spelled C. Wilhelm Pischiner or Wilhelm C. Pischiner.

FontShop link. Klingspor link. Linotype link.

View Wilhelm Pischner's typefaces. View digital versions of Neuzeit Grotesk. [Google] [MyFonts] [More] ⦿

Wilhelm Dreusicke and Co
[Heinz J. Kriele]

Typewriter company in Berlin. Because the IBM type ball "Olde World" for blackletter had errors in the long s and the ß, as well as in the umlauts, this company made and sold Alt Deutsch olde English in 1988. [Google] [More] ⦿

Wilhelm Gronau
[Wilhelm Gronaus Schriftgießerei]

Wilhelm Gronaus Schriftgießerei
[Wilhelm Gronau]

Wilhelm Gronau was a German typographer who ran the Wilhelm Gronaus Schriftgießerei in Berlin-Schöneberg from the mid 1800s until early in the 20th century. Typefaces at that foundry include Hohenzollernschrift (1905), Kolumbus and Kolumbus Eng (1905-1906, by Heinrich Wieynck) and Gronau Gotisch (Heinrich Ehlert, 1850). House typefaces include the blackletter typefaces Accidenz-Gotisch, Albion, Alt-English, Alt-Gotisch, Amerikanische Gotisch, Angelsächsisch, Bastard, Canzlei (breite, moderne, musirte, neueste fette, schmale, and umzogene), Deutsch-Gotisch, Diplomen-Gotisch, Moderne Gothisch, all done before 1891, as well as Schmale Zeitungs Gotisch and Universal Gotisch from the 1850-1870 period. Berolina (art nouveau), Sezessions-Initialen, Teutonia and Martagon Ornamente were done ca. 1900. Reichs-Deutsch followed ca. 1904. Specimen books include Brotschriften, Titelschriften für zeitgemässe Druckausstattung (Berlin, ca. 1902), Moderne Schriften, Einfassungen, Ornamente, Vignetten, Anwendungen (Berlin, ca. 1908), Muster-Sammlung von Wilhelm Gronau’s Buchdruckerei und Schriftgiesserei (Berlin, 1891). The foundry was acquired by Klingspor in 1915. [Google] [More] ⦿

Wilhelm Hilder

Author of Moderne Alphabete (1922, Verlag Bernhard Friedrich Voigt. Leipzig), a booklet in which Hilder shows about 40 of his hand-drawn alphabets. I scanned in most of that book for all of you. [Google] [More] ⦿

Wilhelm Jaecker

Leipzig-based book artist. Designer of the blackletter typefaces Jaecker-Schrift (1910-1912) and Enge Jaecker-Schrift (ca. 1915, Stempel). For a free revival, see Petra Heidorn's Jaecker Schrift (2005). [Google] [More] ⦿

Wilhelm Krause

Professor at the Kunstgewerbeschule in Breslau, Germany. Designer of the blackletter typeface Professor-Krause-Fraktur (1930, Ludwig Wagner). He died in 1935. [Google] [More] ⦿

Wilhelm Pfnor

Darmstadt-based foundry of Wilhelm Pfnor. Designers of the blackletter typeface Canzlei Nr. 15, ca. 1830. [Google] [More] ⦿

Wilhelm Scheffel

Designer of Rembrandt Antiqua (1913-1914, Bauersche Giesserei) and Rembrandt (1914-1915, a blackletter done at Bauersche Giesserei). [Google] [More] ⦿

Wilhelm Weimar

German type designer, illustrator, photographer and professor, b. 1857, d. 1917. Weimar worked at the Museum für Kunst und Gewerbe in Hamburg. According to Mitteilungen des Vereins für Hamburgische Geschichte, he drew at least three alphabets, Alte Schwabacher, Leibniz-Fraktur and Hamburger Druckschrift. The type foundry Genzsch & Heyse showed Weimar's alphabets Alte Schwabacher, Leibniz-Fraktur and Hamburger Druckschrift after Weimar's death. They first appeared in Die Heimat in 1917. Posthumously, via his widow, Genzsch&Heyse published the blackletter typeface Weimarschrift (ca. 1924). Klingspor credits Heimat (1927, Genzsch and Heyse) to Wilhelm Weimar---one should assume that this is a renaming of Weimarschrift.

Heimat was revived as Heimat (2005) by Petra Heidorn.

Author of Schrift. Monumental-Schriften vergangener Jahrhunderte von ca 1100--1812 an Stein-, Bronze- und Holzplatten (1898, Vienna). [Google] [More] ⦿

Wilhelm Woellmer

Wilhelm Woellmer is a German type designer who ran a foundry which published typefaces such as Deutsche Reichsschrift (1910, a Fraktur digitally revived by Gerhard Helzel). The earliest publication is from 1886, and the latest one from 1933. The Wilhelm Woellmers Schriftgießerei in Berlin ceased operations in 1938. Most matrices are now in the possession of Typoart, formerly Schriftguss KG. Designers who published at Woellmer's foundry, which was located in Berlin, include:

Wilhelm Woellmer: the Fraktur typeface Berliner Gotisch (1910) and the script typefaces Barberina (1925, advertised as Kartenschrift Barberina), Berolina (1930), Drescher Eilschrift (1934) and Attraktion (1925; Jaspert says 1930).
Heinrich Wieynck: Mercedes Antiqua, Kursiv and Antiqua Halbfett in 1904, 1905 and 1906 respectively, as well as Woellmer Antiqua (1907), Woellmer Kursiv (1907) and Woellmer Antiqua Halbfett (1908).
Lucian Zabel: the Fraktur typeface Zabel Roman (1928-1930), Fette Zabel Antiqua.
Erich Meyer: Woellmer-Fraktur (1937).
Konrad Jochheim: the Fraktur typeface Jochheim Deutsch (1933-1935).
Martin Wilke: Ambassador.
Arthur Pestner: Deutsche Reichs-Schrift (1915).

Other typefaces: Kartenschrift Feodora (1925, Wilhelm Woellmer's Schriftgiesserei: a slender sans for use on maps and drawings; designer unknown), Deutsche Reichsfraktur (before 1925), Schattierte Grotesk, Senats Antiqua (1914), Kartenschrift Gerda (1915), Breite Magere Medieval mit Zierschrift Initialen (1894), Breite magere Kolonial (1911), Empire Messing (1910s), Berliner Gotisch (1909, blackletter), Lessing Antiqua (1908), Dekor (1907), Consul Kursiv (1906), Avista Ornamente (1906), Goethe Fraktur (1905; some say 1910; digitally revived by Ralph Unger (2022) and Gerhard Helzel), Mercedes Ornamente Series 1-6 (1905), Kolonial (1904), Reiher Grotesk (1904), Mercedes Antiqua and Kursiv (1904), Halbfette Transita (1904), Consul (1903), Fette Freihand Ornamente (1903), Freihand-Ornamente (1901), Freihand-Linien (1901), Römische Initialen, Runde Buchgotisch (ca. 1900), Favorit (ca. 1900, blackletter; a reader reports having seen it in a 1889 specimaen book), Fette Globus (1898, blackletter), Reuß-Schrift, Uncial-Gotisch (ca. 1900).

Berry, Johnson and Jaspert write about Kolonial: A heavy display roman, rather like CHELTENHAM. It is somewhat condensed and has short ascenders and descenders. Serifs are thick, blunt and horizontal (except on the d). The K has a very high waist, the middle strokes of the M descend only half-way, the R has a tapering tail. The ear of the g points north-east. The arches of the h, m and n are splayed. The italic has the serifs of the roman and some swash capitals. There are also a Shaded and an Extended face. Before World War II the type was also sold as Columbia by the Amsterdam Typefoundry, and is the Buffalo of the H.C. Hansen Foundry of Boston. It belongs with Morland (Blanchard of the Inland Type Foundry) to the group of heavy display types of which many American foundries had their own version. Its similarity with Cheltenham applies particularly to the original Cheltenham drawings.

Notes on revivals of selected typefaces:

The art nouveau typeface Siegfried (ca. 1900) is also attributed to Woellmer. It was revived by Dieter Steffmann as Siegfried (2001) and by Ralph M. Unger as Siegfried Pro (2017).
Schmale Fette Renaissance (1895) was revived in 2016 as Edna by Reymund Schroeder.
Consul was revived by Stephan Müller and Reymund Schroeder.
In 2004, Dan Solo published Marshall Normal, an art nouveau typeface that he attributes to Woellmer, ca. 1900.

The main specimen book of the foundry is Muster-Sammlung von Wilhelm Woellmer's Schriftgiesserei und Messinglinienfabrik (Berlin, 1896 or 1898). [Google] [More] ⦿

Will Software
[Rainer Will]

Rainer Will Softwareentwicklung (Schöffengrund, Germany) developed many school and cursive writing fonts, ca. 1996-2005. They sell their fonts in 10 to 30-font packages, such as handwriting, Altdeutsche schrift, Barcodes, Schulschriften (school fonts). There are also East-European, Cyrillic, Greek, Thai and IPA fonts. Here, we have demos for various programs, and if you download and unzip them, you will discover these alphading fonts: FT-BruchTon, FT-HochztsGlocken, KD-Kaesweich, HB-Kegel, HB-Kegelhardt, HB-Kegelweich, KD-Pilz, KD-Singvogel, and these dingbat fonts: NW-BioBlatt (leaves, 1998), Pikto5 (1997). The caps font IN-Barock is here. Will Software made hundreds of fonts, including the handwriting fonts Jeff and HW Stone (1998), KL-Antiqua2, Old-London, Fraktur. A fuller list, by type:

Alte Schriften (blackletter): Black-For, Chevalin, Civotype, Fleisman, Fraktur, German-Script, Germen-Type, Ghiollier, Goethe, Gotik, Gudenberg, Heinrich-Kanzlei, IN-Barock, IN-Barock2, IN-Barock3, IN-Florentine, IN-Fraktur2, IN-Fraktur3, IN-Geometric, IN-Gothic, IN-Gothic1880, IN-Innsbruck, IN-Jugendstil, IN-Jugendstil1920, IN-Jugendstil3, IN-LaRose, IN-OldGothic, IN-Schwabach, IN-Silhouette, IN-Uncial1475, IN-Walbot1, IN-Woodcut, IN-Woodcut2, KL-Antiqua1, KL-Antiqua2, KL-CapitalisQuadrata, KL-Fraktur1, KL-Gotic1, KL-Gotic2, KL-HKursive1, KL-HKursive2, KL-HKursive3, KL-Karolin1, KL-MKursive1, KL-MKursive2, KL-Rotunda1, KL-Rotunda2, KL-Unziale1, KL-Unziale2, Limpach, Luthan, MA-BastardAnglicana, MA-Bastarda1, MA-Bastarda3, MA-Current, MA-FereTextura, MA-GKursiv1, MA-GKursiv2, MA-Gotbuch, MA-Gotic, MA-InsularMinuscule, MA-Kurrent1814, MA-KurrentBarock, MA-Minuskel1, MA-Minuskel2, MA-Schreibschrift1900, MA-Schreibschrift1900Bold, MA-Urkunde, Meriage, Offenbacher, Old-Germen, Old-London, Petjes, Ried, Romand-Genealogie, Schlei, Schwaben, Suetterlin-2, Theudan, Verdn17, Verdn2, Walbot, Zentar-Bold, Zentar.
Alte Schriften 2 (more blackletter fonts): AD-AlbrechtDuerer, AD-AltSchwaben, AD-Ballo, AD-Barock1720, AD-Blackpool, AD-British, AD-Burgundy, AD-CalligraphicAntiqua, AD-CalligraphicFraktur, AD-CalligraphicTextura, AD-Celtic, AD-CelticCollege, AD-Coburg1, AD-Coburg2, AD-Diagoth, AD-Dublin900, AD-Fraktur2, AD-GothQuad, AD-Gothisch, AD-Gotisch2, AD-Gotisch3, AD-GottfriedLeibniz, AD-Handschrift1, AD-Handschrift2, AD-Handschrift3, AD-Handschrift4, AD-Handschrift5, AD-Handschrift6, AD-Hans, AD-Herefordshire, AD-Hohenstein, AD-Huddersfield, AD-Italia1650, AD-Kaiser, AD-Odin, AD-Offenbach, AD-OldEire, AD-Patron, AD-Ponti, AD-Renaissance, AD-Sachsen, AD-Stebark, AD-Thingvellir, AD-Toulouse, AD-Turin, AD-University, AD-Wallgau, AD-Zierfraktur, Col-Barock, Col-Barock3, Col-Celtic, Col-Florentine, Col-Fraktur3, Col-Geometric, Col-Gothic, Col-Gothic1880, Col-Jugendstil, Col-Jugendstil1920, Col-Jugendstil3, Col-LaRose, Col-OldGothic, Col-Uncial1475, Col-Woodcut, Col-Woodcut2, Suetterlin-2, Suetterlin-4, Suetterlin.
Familienschriften (fonts for kids, alphadings, dingbats): ArGlas3, ArSchatten7, Calos-Glas1, EffOutline, FT-Amor, FT-BruchGlas, FT-BruchTon, FT-GluecksKaefer, FT-GluecksKlee, FT-GluecksSchwein, FT-HerzanHerz, FT-Herzhardt, FT-Herzkranz, FT-Herzweich, FT-HochztsGlocken, FT-HochztsHerz, FT-Karneval, FT-Klecks, FT-Osterhase, FT-Sektknall, FT-Trommler, FT-WeihnachtsBaum, FT-WeihnachtsMann, Fingprnt-1, HB-Brfmarkclassic, HB-Brfmarkhardt, HB-Dart, HB-Fackel, HB-Fechten, HB-Filmklappe, HB-FrzBlattHardt, HB-Kegel, HB-Kegelhardt, HB-Lorbeerkranz, HB-Palette, JD-Halali, JD-Kerbe, JD-Pille, JD-Popblut, JD-Pseudokinese, JD-Pseudonippon, JD-Pseudoruski, JD-Schachhardt, JD-Timur, JD-Wurm, KD-Blumehardt, KD-Esel, KD-Franja, KD-Handschrift, KD-Kaeshardt, KD-Kaesmaus, KD-Katze, KD-LKW, KD-Lamm, KD-Nacht, KD-Obstigel, KD-Schneemann, KD-Zwerg, Revont-Kraeusel1, Teje.
Festtagsschriften (holiday-themed fonts): FT-Amor, FT-Babyputte, FT-Babystorch, FT-Bethand, FT-Betkind, FT-BruchGlas, FT-BruchTon, FT-Clownslachen, FT-Cupido, FT-Eihardt, FT-Eikranz, FT-Eiweich, FT-Familienbande, FT-Getreide, FT-GluecksKaefer, FT-GluecksKlee, FT-GluecksSchwein, FT-HerzanHerz, FT-Herzbruch, FT-Herzhardt, FT-Herzkranz, FT-Herzweich, FT-HochztsGlocken, FT-HochztsHardt, FT-HochztsHerz, FT-HochztsJubilaeum, FT-HochztsKranz, FT-HochztsPaar, FT-Hufeisen, FT-Kalenderblatt, FT-Kanzel, FT-Karneval, FT-Kerze, FT-Klecks, FT-Kreuzlamm, FT-Menora, FT-Osterhase, FT-Schule, FT-Sektknall, FT-Spiegelfrau, FT-Spiegelmann, FT-Spukhaus, FT-Torte, FT-Trauerzweig, FT-Trommler, FT-Trompeter, FT-WeihnachtsBaum, FT-WeihnachtsMann, FT-ZuckrtuetHardt, FT-ZuckrtuetWeich, FTH-Fische, FTH-Jungfrau, FTH-Krebs, FTH-Loewe, FTH-Schuetze, FTH-Skorpion, FTH-Steinbock, FTH-Stier, FTH-Waage, FTH-Wassermann, FTH-Widder, FTH-Zwillinge, HB-Fackel, HB-Lorbeerkranz, HW-Handpic, KD-Blumebundt, KD-Lamm, KD-Nacht, KD-Schneemann, SP-Blume, SP-DRHH2, SP-DRHH3, SP-Face, WinterNacht.
Geheimschriften (codes or secret fonts): SP-DRBYQuadrat, SP-DRHHQuadrat, SR-Abstrakt1, SR-Abstrakt2, SR-Abstrakt3, SR-Abstrakt4, SR-Abstrakt5, SR-Abstrakt6, SR-Astro, SR-Blatt, SR-Braille, SR-Chaos, SR-ChaosBold, SR-ChaosItalic, SR-Finger, SR-Geheim0, SR-Gesicht, SR-Labyrinth, SR-LabyrinthBold, SR-Marine, SR-Morse, SR-Puzzle, SR-Radierer, SR-Rune, SR-Schatten, SR-Schiffe, SR-Schloss, SR-Schmetterling, SR-Skyline, SR-Strichmann, SR-Tiere, SR-Wabe, SR-WabeBold, SR-Wappen.
Handschriften: A1, A2, A3, Agnieszka, F1, F10, F2, F3, F4, F5, F6, F7, F9, Ghiollier, Goethe, HW-Agilo, HW-Andrew, HW-Brouet, HW-Burg, HW-Clay, HW-Emmi, HW-Feliks, HW-Foster, HW-Guga, HW-Handpic, HW-Harico, HW-Hilly, HW-Jeff, HW-Jesco1, HW-Jesco3, HW-Jesco7, HW-Josh, HW-Marbo, HW-Pablo, HW-Phil, HW-PizPaz, HW-Renate, HW-Sarx, HW-Schneid, HW-Stone, HW-Tolomeo, HW-Tommi, HW-Turandot, HW-Veneto, HW-Vincent, HW-Vogel, HW-Volker, Handwrites-CTrac, KD-Handschrift, KG-Hand, Limpach, Offenbacher, Ried, Rw2, Schlei, Teje, Uggy, Verdn17, Verdn2.
Handschriften 2: HW-Alec, HW-Allan, HW-Armand, HW-Bjarne, HW-Brian, HW-Carlo, HW-Cathy, HW-Claude, HW-Danielle, HW-Dario, HW-Eleanor, HW-Enrico, HW-Estelle, HW-Fabio, HW-Federico, HW-Giorgio, HW-Giovanna, HW-Giuliano, HW-Hakon, HW-Harald, HW-Jacques, HW-Jaro, HW-Jelena, HW-Juri, HW-Justine, HW-Kuno, HW-Larissa, HW-Laslo, HW-Lennart, HW-Lizzy, HW-Luitpold, HW-Manolo, HW-Marcello, HW-Murielle, HW-Nadine, HW-Paolo, HW-Pascal, HW-Pietro, HW-Roxana, HW-Thery, HW-Valerian, HW-Vittorio, HW-Wally, HW-Wilma.
Schulschriften (lined fonts, didactic fonts): DR-HH, DR-HH1, DR-HH1Bold, DR-HH2, DR-HH2Bold, DR-HH3, DR-HH3Bold, DR-HH4, DR-HH4Bold, DR-HHBold, DR-HHEl, DR-HHEl1, DR-HHEl1Bold, DR-HHEl2, DR-HHEl2Bold, DR-HHEl2Italic, DR-HHEl3, DR-HHEl3Bold, DR-HHEl3Italic, DR-HHEl4, DR-HHEl4Bold, DR-HHEl4Italic, DR-HHElBold, DR-HHElItalic, DR-HHOL, LA-El, LA-El1, LA-El1Bold, LA-El2, LA-El2Bold, LA-El3, LA-El3Bold, LA-El4, LA-El4Bold, LA-ElBold, LA-ElOL, MA-Schreibschrift1900, Offenbacher, SAS-1, SAS-2, SAS-2Bold, SAS-3, SAS-3Bold, SAS-4, SAS-4Bold, SAS-Bold, SAS-OL, SAS, SP-AnlEssen, SP-AnlHaus, SP-AnlTiere, SP-Anlaut1, SP-Anlaut2, SP-Anlaut8, SP-Anlaut9, SP-Bear, SP-Blume, SP-DRHH1, SP-DRHH2, SP-DRHH3, SP-DRHHKubik, SP-DRHHQuadrat, SP-Dino, SP-Face, SP-VAKubik, SP-VAQuadrat, SPAnlMensch, Suetterlin-2, Suetterlin-4, Suetterlin, VA-Ansi, VA-Pe, VA-Pe1, VA-Pe1Bold, VA-Pe2, VA-Pe2Bold, VA-Pe3, VA-Pe3Bold, VA-Pe4, VA-Pe4Bold, VA-PeA, VA-PeABold, VA-PeBold, VA-PeOL.

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William Caxton

William Caxton, the first English printer, was born in the Weald of Kent, in 1420, 1421 or 1422. In 1438, he became apprenticed to Robert Large, a leading textile merchant who became the mayor of London the following year. After Large's death in 1441, Caxton moved to Bruges, and built a successful textile business. By 1463 he became acting governor of the Merchant Adventurers in the Low Countries. Caxton was hired as an advisor to Charles the Bold's new duchess, the former Princess Margaret of York, sister of Edward IV. It was at the request of the duchess Margaret that he resumed his abandoned translation of a popular French romance, The Recuyell of the Historyes of Troye from the French of Raoul le Fèvre. After spending a year in Cologne learning the art of printing, Caxton returned to Bruges and set up a printing press, where he published his translation of The Recuyell, the first printed book in the English language, around 1474. His next publication, The Game and Play of Chess Moralised (1476), was a translation of the first major European work on chess, and was the first printed book in English to make extensive use of woodcuts.

In 1476, he returned to England and set up a printing shop at Westminster at the sign of the Red Pale. Here, Caxton published such major works as Troilus and Creseide, Morte d'Arthur, The History of Reynart the Foxe, and The Canterbury Tales. Over the course of 14 years, he printed more than 70 books.

The typefaces used by Caxton were all varieties of blackletter or gothic type. His earlier works were set in an early form of French lettre bâtarde. By 1490, he had acquired a more round and open typeface, a textura originally used by the Parisian printer Antoine Verard and later favored by Caxton's successor, Wynkyn de Worde.

He died in 1491 in Westminster. Many fonts were named after Caxton, such as the Lombardic-styled Caxton Initials (1905, Frederic Goudy, ATF, revived by Alter Littera in 2012), and the ITC Caxton Roman family.

His life's story can be found in Typophiles Chapbook: William Caxton and His Quincentenary (John Dreyfus). See also the Typographic Archives (1999). [Google] [MyFonts] [More] ⦿

William E. Dennis
[Studies in Pen Art]

William Morris's typefaces:

William H. Bradley

Book designer, poster designer and typographer, born in Boston (1868). He died in 1962. His typefaces include the following:

Abbey Text (1895, A.D. Farmer).
Bradley (ATF, 1895). This blackletter typeface was cut into a wood type by Hamilton in 1900.
A beautiful unnamed lettering for the Inland Printer (1891-1892).
He drew the Bradley Series and licensed it to American Type Founders in 1895. That blackletter design was copied and issued by the Inland Type Foundry (as "St. John") and by A.D. Farmer&Son Type Founding Co (as "Abbey Text", still 1895). Also in 1895, Hermann Ihlenburg at ATF made the Germanic-language version of the Bradley Series. Several German foundries had metal versions of his 1895 series under the names Halbfette Altgotisch, Altfettgotisch and Amerikanische Altgotisch, such as Bauersche Giesserei and Schelter & Giesecke (1903). Digital revivals: Fyne Fish NF (Nick Curtis, 2009), Bradley Pro (2005, Ralph Unger at Profonts), Bradley DJR (2018, David Jonathan Ross). Bradley was used by Disney in its Sleeping Beauty Castle.
Priory Black (ATF, 1897-1898) is said to be due to Bradley. In 1904, ATF introduced a modernized version called Cloister Black (or Cloister Text), designed by Joseph W. Phinney or Morris F. Benton.
Bradley Roman and Italic saw the light in 1901 when Bradley was writing Peter Poodle, Toymaker to the King, and these typefaces are known as the Peter Poodle types.
In 1904, he co-designed Antique Bold with J.W. Phinney and Morris Fuller Benton at ATF.
His Bewick Roman series (1904) has gorgeous ligatures (tt, ct, and so on). Mac McGrew: Bewick Roman was designed by Will Bradley in 1904 and issued by ATF the following year. It is a quaint display type with a number of unusual characteristics. Several capitals have both wide and narrow versions, although generally the typeface is rather narrow; there are also several tied charac$Gters and ornaments in the font, as was common with nineteenth-century designs. Compare Rogers, Vanden Houten.
Wayside Roman and Italic. Mac McGrew: Wayside Roman and Italic were shown by ATF in 1900, as a handsome interpretation of modern typeface similar to Scotch Roman, but without the heavier capitals of the latter face. Some sources say the designer was Will Bradley, but this is disputed by other authorities, and most likely it is a revival of an older face. It was not in regular production very many years, but special castings have been made at times. Some figures appear to be oversize---6, 7, and 9 in the specimen shown here---but this is a characteristic of the font, although not uniform from one size to another. Also compare Oxford, Bell.
In 1904, he created the beautiful Chap-Book series (Cuts, Borders, Directors (pointing fingers), Guidons (unbelievable parentheses)), as well as the Mission Toys Ornaments, all at ATF. Thereafter followed Missal Initials, Wayside Borders (1904), Wayside Ornaments (1904), Cloister Borders (1905), Cloister Initials (1905), Indian Borders (before 1908). Some of his ornaments made it to American Pi NF (2006, Nick Curtis) and to the five-font-set Bradley Dingies (by Paulo W, 2009). Mac McGrew: Missal Initials were issued by ATF in 1904; their design has been ascribed to Will Bradley. Derived from fifteenth-century sources, each letter is designed to fill a square area. Compare Caxton Initials, Lombardic Initials. For a digital version of Missal Initials, see Initials ATF Missal Caxton (2012, Alter Littera).
Bradley Initials (1934). For a degital version, see Glenda de Guzman's Bradley Intials (1994, Font Bureau).
Vanity (1921-1930) is custom type he made while he was art director.
His last group of typefaces was Bradley Combination Ornaments, made in 1952 for Steve Watts, type merchandising director of the American Type Founders Company.
Roman alphabet by Bradley.

Fontshop link.

A Booklet of Designs (1915, New York) contains many of his interesting drawings for typefaces. [Google] [MyFonts] [More] ⦿

William Leverette

FontStruct artist who in 2008 created Jaguarundi and Jaguarandi Scanline, two African look fonts. He also made the slab serif typeface Instruct Serif and its sans brother Instruct Sans, Block Bottom, and the stylish typefaces Asgard Annarr, Asgard Oldstyle, Asgard Titling Small Caps, Asgard Elongated, Asgard Small Caps, Billy Baud, Asgard, Asgard Ultra, Asgard Titling and Asgard Heavy. He also started the bulldog-jawed slab family Slabgard (+SmallCaps). His latest experiments are with the 3-d metal look, as in Cool Iron, Hot Lead and Hot Iron. His tiled typefaces Tic Tac Toast and Digital Dust are also great. He also made Structurosa Shadow, Squarely, StarStruct and the creative pixel series Med Led 1.1, Med Asylum, Med All, Med Lsd, Med Ish, Private Pixels Italic. Check also his tall piano key fonts Coltrane Compressed, Coltrane Display and Coltrane Gothic. He added a scary ghost series Medula, Medula Black and Med Yeti and variations on Structurosa called Structurosa Neo and Neo II. Leaf Ultra, Leaf Poister, and Leaf Poster Dashed use leaves to form letters. Designer in 2009 of Zingaling (kitchen tile), Slubscript, More Latin Trajedy (+Titling Capitals). Allegorica (2009) is what a medieval stencil might have looked like. Jettletter (2009) is a blackletter face. As Will I, he made these typefaces in 2009: More Latin Trajedy (pixel typefaces), Djangogh (2009, a piano key face; see also Djangogh Unpenned, 2013, and Djangogh 2x, 2011) and Starfokker.

Fonts made as Will I in 2010 include Slab, Asgard Annarr, Slubscript, Jettletter, Zingaling LC, MiniMallow, LitBit, WPA Go Thin (nice mechanical typeface cloned from Stephen Coles' WPA Gothic), Spark Bit, Fat Bit, Frosty Bit, Esau, iChip (pixel face), Allegorica 2.0b, Spark Bit, Stampede (Western face).

Creations from 2011: Sketch Bit (grunge), fs Kronos (angular), Geodoni Extra Black Condensed (in the piano key genre), Archly Gothic, Zingaling LC (art deco kitchen tile typeface cloned from Intaglio's Zingaling), W Stripes The Font (texture face), Polygonal ii (octagonal and counterless), Ohm Run Slab, fs Cogni (bike chain font), fs Cognate (similar), fs Pythagoras, fs Rondeau.

In 2012, he revised RM Uncialic (by Ray Meadows) to RMUncialic+, and added fs Light (white on black), fs Galactica and fs Isthmus (piano key stencil family in several styles).

In 2013, he published fs Floresta, fs UnStruct, fs Fermat (roman lettering), fs Alhambra, fs Radiata and 1/8ish center square (gridded). [Google] [More] ⦿

William Morris

British type designer, architect and designer (b. Walthamstow in East London, 1834, d. 1896). Defender of the medieval form, he set up Kelmscott Press in 1891, and was one of the founders of the Arts and Crafts Movement. Morris was an artist, poet, writer and designer himself, but he is probably best remembered for his fabric designs and his book designs for Kelmscott Press, such as The Kelmscott Chaucer (1896). All his punches and matrices and some types are now with Cambridge University Press.

Kelmscott Golden or Golden Type (1889-1890): a bolder re-design of the classical Jenson face, done while he ran Kelmscott Press. The punches were cut by E.P. Prince. It was based on Nicolas Jenson but darkened. ATF's copy of this was called Nicolas Jenson, just before 1900. Morris used it in many of the books in the Kelmscott Press. Ancient Roman was Keystone Type Foundry's adaptation in 1904 of the Golden type [Mac McGrew deems it comparable to Jenson Oldstyle]. All matrices, punches and some of the types are in possession of Cambridge University Press. Digital versions include GoldenType (Elsner and Flake), GoldenType ITC (ITC), Kelmscott Roman (Nick Curtis), Kelmscott (Scriptorium), True Golden (Scriptorium), URW GoldenType (URW), URW GoldenTypeITC (ITC).
Troy (1891-1892): blackletter. Called Morris Gotisch, it was published by Berthold in 1903. Multiple digital versions exist: GL Morris (2017-2018, Gutenberg Labo, a free version), P22 Morris Troy (2001, Richard Kegler), Joyeuse (1992, Scriptorium: a variation), Morris Gothic and Morris Initials (Tom Wallace), Troy3Roman (Chet Gottfried), MorrisBlack (Dan Solo), Satanick (Marty Snyder), an unnamed revival by Eliana Ferreira (2010), Kelmscott (Scriptorium), Morris Gotisch (Gerhard Helzel), MorrisBlackLetter (Scriptorium), MorrisRoman (Dieter Steffmann), Troycer (Torbjörn Olsson).
Chaucer (1892): an enlargement [in the sense of point size only!] of Troy. Wetzig mentions the date 1897. For a digital version, se Alter Littera Chaucer (2012).
Morris Romanized Black. Mac McGrew: Morris Romanized Black is an adaptation of the Troy and Chaucer types designed by William Morris for his Kelmscott Press. This adaptation first appeared under the name Tell Text about 1895, and was renamed in 1925. Troy and Chaucer were two sizes of one style, approximately 18- and 12- point respectively. William Morris had previously designed a roman type which became popular commercially as Jenson Oldstyle (q.v.); of this design he says, "After a while I felt that I must have a Gothic [in the sense of Blackletter or Old English] as well as a Roman, and herein the task I set myself was to redeem the Gothic character from the charge of unreadableness. ... Keeping my end steadily in view, I designed a blackletter type which I think I may claim to be as readable as a Roman one, and to say the truth, I prefer it to the Roman." Compare Satanick. For digital versions, refer to the digital interpretations of Troy.
Jenson Oldstyle, Morris Jensonian, Morris Old Style. Well, not really---Mac McGrew explains: Jenson Oldstyle, though a comparatively crude typeface in itself, did, much to start the late nineteenth-century move toward better types and typography. Designed by J. W. Phinney of the Dickinson Type Foundry (ATF) and cut by John F. Cumming in 1893, it was based on the Golden Type of William Morris for the Kelmscott Press in 1890; that in turn was based on the 1470-76 types of Nicolas Jenson. Morris had established standards for fine printing, in spite of the fact that he did not design really fine types. Serifs in, particular are clumsy, but the Jenson types quickly became popular. BB&S introduced Mazarin in 1895-96, as "a revival of the Golden type, redesigned by our artist." But it was a poor copy, and was replaced by Morris Jensonian. Inland's Kelmscott, shown in 1897, was acquired by BB&S and renamed Morris Jensonian in 1912; Keystone had Ancient Roman (q. v.); Crescent Type Foundry had Morris Old Style. Hansen had Hansen Old Style (q. v.); and other founders had several other typefaces, all nearly like Jenson. It is hard to realize that Jenson was inspired by the same historic type as the later and more refined Centaur, Cloister, and Eusebius. ATF spelled the name "Jensen" in some early specimens, and added "No. 2" to the series, the latter presumably when it was adapted to standard alignment or when minor changes were made in the design. Jenson Italic was introduced at the same time as the roman. ATF advertised Phinney's Jenson Heavyface in 1899 as "new and novel-should have been here long ago." Jenson Condensed and Bold Condensed were introduced in 1901.
Morris Initials: illuminated capitals in the Kelmscott edition of Chaucer's works at the Kelmscott Press. Digital versions: Morris Inits (George Williams), Chaucerian Initials (Scriptorium), Morris Initials (Scriptorium), Morrisinits (Dieter Steffmann), William Morris Initials (2018, Chafomon). The Morris Jenson Initialen font by Typograf (2015) is somehow different.

Self portrait, 1856 and picture, age 53.

William S. Peterson writes on Morris.

FontShop link. MyFonts link. Bio by Nicholas Fabian.

Reference books include Typophile Chapbook: The Kelmscott Press, 1891 to 1898 (William Morris), and The Cambridge University Press Collection of Private Press Types, Kelmscott, Ashendene, Eragny, Cranach (Thomas Balston, 1951; inscribed by Adrian Wilson to Bob&Jane Grabhorn). William Morris himself wrote The Art and Craft of Printing (1895, Kelmscott Press) in which he explains his aims in founding the Kelmscott Press. Ebook version of the latter book.

View typefaces by William Morris, and historical descendants. [Google] [MyFonts] [More] ⦿

Willy Wiegand

Type designer and typographer (b. 1884, Bremen, d. 1961, München) who founded the famous Bremer Presse in 1911 together with his school friend Ludwig Wolde. For his publishing house he designed an antiqua in 1912 and designed Bibelschrift (Latin/Roman blackletter, Greek and Liturgica). These typefaces were cut by Louis Hoell. After World War I, the Bremer Presse moved to Bad Tölz, and finally in 1921 to München.

The Bremer Presse Bibelschrift (1926, Bremer Presse) was revived by Petra Heidorn and Manfred Klein in 2004 as Bibelschrift. Some samples can be found in Die Bremer Presse, Königin der deutschen Pressen (1964, Typographische Gesellschaft München). Other typefaces, all in the 1970s Berthold collection: Wiegands Adbold (1974), Wiegands Roundhead (1974), Wiegands Baroque Normal and Kursiv (1977), Wiegands Renaissance Kursiv (1978).

Wiegand's antiqua type was faithfully revived in 2019 by Dorothée Schraudner as Bremer Presse. Kevin Barrett Kane revived it in 2022 as Bremer Antiqua. [Google] [More] ⦿

Winston Type Co.
[D. Sandi Sjahputra]

Aka Sandi Dez. Designer (b. 1985) based in Bandung, Indonesia. Creator of the free vintage spurred decorative blackletter typeface WT Bradford (2018), which includes Inline and Press styles. Winston also designed the vintage display typeface family WT Kingsbury (2018).

In 2019, Winston Type Co published the distinguished early art deco typeface WT Bellochero, the Tuscan circus font WT Scotch, and the great formal calligraphic typeface WT Hilton Script. [Google] [MyFonts] [More] ⦿

Wintertree Software
[Jean McGuire]

Programmer and gamer based in Aiken, SC. Designer of the commercial font package Arcane Alphabets and the free font Instahex. These typefaces go back to ca. 1997, but updates have been made until 2019. . Purchase fonts here:

Albrecht. An ornate blackletter based on work by the German Renaissance artist Albrecht Dürer.
Babington. The cipher famously used by Mary, Queen of Scots, when she was imprisoned by and plotting to overthrow her cousin Elizabeth I, which cost her her life.
Blaise. A collection of three cipher fonts, Blaise, Blaise Round, and Blaise Block.
Celestia.
Coelbren. Named after Coelbren y Beirdd, the purported bards' alphabet of Wales.
Cowboy. A cipher font based on authentic cattle brands from the Old West.
Crowley, a font based on Aleister Crowley's Alphabet of Daggers.
DarkCity, a font for making city skylines.
EasyHex ad InstaHex (a free font from 1997). Eighty-six hex paper fonts for gamers.
Enochian.
Etruscan.
Gold Bug. Based on the cipher used by Edgar Allan Poe in his classic story "The Gold-Bug."
Grimoire. This package consists of three fonts, two of which date to the Renaissance era and the third of which was created in a similar style specifically for gaming use. Theban is sometimes called "the alphabet of the witches" and is still in use today to keep writing safe from prying eyes. Magi is derived from the Writing of the Mages, another Renaissance-era alphabet, this one based on Hebrew, with a unique look. Magehand was designed specifically for gaming use, based on Theban and other real-world secret and magical alphabets. It has the general look and feel of the two real ones without actually being them.
Hieroglyphic Borders.
Hieroglyphica. Egyptian hieroglyphs.
Illuminati. A cipher font based on a secret alphabet supposedly used by the Illuminati.
Lycian. The Lycians were ancient residents of Anatolia, and they wrote with an alphabet which had much in common with Greek, but also differed in many ways, as their language had many different sounds.
Nug-Soth. A cipher font.
Ogham. Ogham is an ancient Irish writing system.
Oukoine: Many ancient alphabets are derived from Phoenician by way of ancient Greek. They are not, however, all from the same version of ancient Greek. Just as the language (Koine) had local dialects, the alphabet did too. Different letters were used in Athens, Crete, and other Greek city-states. Eventually the Ionian version became the common alphabet for the Greek world, from which the modern Greek k alphabet developed. Our own, however, came from the Euboean variant, which was used by the Etruscans and then, as with so much Etruscan culture and technology, the Romans. This explains, for example, the reason both the "C" and the "G" of the Roman alphabet look so little like the gamma of the Greek alphabet: it's not derived from that Greek alphabet.
Pigpen Pigpen, Pigpen Square, and Royal Arch. Cipher fonts.
PolyDice. For polyhedral dice (dFour, dSix, dEight, dTen, dTwelve, dTwenty).
Rune Borders.
Runes. Runes contains both authentic runes, derived from the Elder Futhark, and rune-style characters for the modern alphabet.
Sabaean.
Ugaritic. Ugaritic cuneiform.

[Google] [More] ⦿

Wjatscheslaw Smesnoj

Hagen, Germany-based designer (b. 1996) of the free rounded campass-and-ruler blackletter typeface Odale (2016). Dafont link. [Google] [More] ⦿

Wojciech Kalinowski

Wojciech Kalinowski was born in Wroclaw, Poland in 1969. Since 1990, he has designed and carved inscriptions and reliefs in stone, commemorative plaques, and gravestones. He also deals with computer graphics, digital typeface and logo design, and wallpapers. His typefaces are free and are available from the Open Font Library (or OFL).

He created New Shape (2012, organic sans), Medieval Sharp (2011, blackletter), which originated 15 years earlier from a stone inscription alphabet. Consola Mono (2011, OFL) is a monoline monospaced sans for Latin, Greek and Cyrillic. Classica (2011) is a classical roman family. SquareAntiqua (2011, OFL) is a wavy informal face. Cursive Sans and Cursive Serif (ca. 1997, OFL) and Modern Antiqua (1997, OFL) are also based on stone inscriptions. Klaudia and Berenika (2011) is a Celtic style family. Roundstyle (2011) is a sans display family. Modern Antiqua (2011) has a strange name for a font that is neither modern (i.e., didone) nor Antiqua---it is an organic, or liquid, typeface with the gothic flavor of Jonathan Barnbrook's types.

Kalinowski started the NovaCut typeface ca. 1986. Around that time, he developed Gothica, which served as a model for Nova Cut. Gothica was released in 2020.

The uncial typeface family Celtica was released in 2020 and can be downloaded at Open Font Library.

He created the free monospaced "programming" fonts NovaCut, NovaFlat, NovaOval, NovaRound, NovaSlim, NovaSquare, and NovaMono (2011, OFL): NovaMono is the monospace font especially created for programming, text editors and for terminal-use. NovaMono contains a large number of symbols, operators and other miscellaneous signs. NovaMono is a missing part of NovaFont Family. Nova Font is the family of six fonts. There are: NovaCut, NovaFlat, NovaOval, NovaRound, NovaSlim and NovaSquare. Now, the seventh part of the family - NovaMono. The following Unicode ranges are supported:

Controls and Basic Latin - 0000-007F (all)
Latin 1 - 0080-00FF (all)
Latin A - 0100-017F (all)
Latin B - 0192, 01C4-01CC, 01E4, 01E5, 01F1-01F3, 01FA-021B, 0237
Spacing Modifier Letters - 02C6, 02C7, 02C8, 02D8-02DD, 0308
Greek and Coptic - 0370-03FF (all)
Latin Extended Additional - 1E0C-1E0F, 1E24, 1E25, 1E36, 1E37, 1E80-1E89, 1E9E, 1EF2-1EF5, 1EF8, 1EF9
General Punctuation - 2000-206F (all)
Superscripts and Subscripts - 2070-209F (all)
Currency Symbols - 20A0-20CF (all)
Letterlike Symbols - 2100-214F (all)
Number Forms - 2150-218F (all)
Arrows - 2190-21FF (all)
Mathematical Operators - 2200-22FF (all)
Miscellaneous Technical - 2302, 2308-230B, 2310, 2319, 231C-2323, 2329, 232A, 2335, 239B-23AE, 23B0-23B7
Geometric Shapes - 25A0, 25A1, 25A3, 25AA-25CC, 25CF-25D7, 25E0-25FF
Miscellaneous Symbols and Arrows - 2B12-2B1C, 2B1F-2B28, 2B2C-2B2F, 2B53, 2B54

In 2020, he published Simply Sans.

Klingspor link. Open Font Library link. Fontspace link. [Google] [More] ⦿

Wolfgang Hendlmeier

München-based German typographer and type designer (b. 1942, Marienbad). A blackletter specialist, Wolfgang Hendlmeier wrote many interesting articles on this topic for die deutsche Schrift, a magazine that he managed in the 1990s. He created these blackletter typefaces:

Ratdolt-Rotunda (1989). Digital version DS Ratdolt-Rotunda by Delbanco (2001). Also available from Gerhard Helzel.
Wohe-Kursive (1988). Digital version DS Wohe-Kursive by Delbanco) and Wohe Kursiv by Gerhard Helzel. Wohe Textura (2010) comes in mager and halbfett. Also available from Gerhard Henzel's digital foundry since 2009.
Theodor Storm Schrift or just Storem-Schrift (1983). Hendlmeier ex plains the process.
München (1977-1978, digital version in 2010), originally called Münchner Buch-Schönschrift.
In 1980, he designed Inventory Fraktur.
In 1992, he created Classic, a blackletter typewriter font.

PDF catalog of Hendlmeier's typefaces. [Google] [More] ⦿

Wolfgang Hopyl

Hopyl (Hoppyl) was a printer in Paris (1489-1523). He made Textura typefaces (some are now called Hopyl Textura) and his work served as inspiration for many. For example, the Bauersche Giesserei published the Manuskript-Gotisch typeface (Hopyl, 1514) in 1899 (see also Stempel's version), which was digitally revived by Gerhard Helzel and Petra Heidorn (2004). [Google] [More] ⦿

Wolfgang Krimmel

Designer at FontStruct in 2008 of Texture and Texture Fancy (executed by T. Sampson based on Texture), blackletter typefaces based on lettering from 1470. This was followed by the quite amazing Tight (2008, blackletter), Tension (2009, more blackletter) and the underlined bold slab serif typeface Link. Tangram (2009) is a vertical octagonal stencil on steroids. Thorn (2009) is an upright connected script. [Google] [More] ⦿

Women's Font Collective

Dead link. These gorgeous pages had a link and/or an archive for many female type designers.

Lacey Kavanaugh: Huxley, Washi, VeryShortFuse.
CybaPee: Hasenchartbreaker, Greex (Greek simulation), Postmoderne Fraktur.
Zal: Caplines.
Layla: High Plains Drifter.
Andi Darnell: Whitemouse, OutOfInk, Myopia, Hurry Up.
Solar Sister (Isabelle Trolio): Big Mister C, Chubb, Chang And Eng, Stanky.
Leigh: LeighScratch.
Gabrielle Gaither: Renaissance Scrolls, Keagan, Hooters.
Ann Stretton: Blotto, Ann Crawlers.
Patricia Lillie: Poptics series.
Aileen Lau (of Stimuleye Fonts: Trubble, BungleCity, VanillaBoys.
Anke Arnold (of Anke Art: Butterbrotpapier, Manko (is this a Japanese word, Anke?), Tafelschrift.
Charlotte Dymock (of Blonde Fonts): Weimar, ShadyLady, Underwater, Matrix.
Annie Vega: Annifont, Alcohole, Addict, Happy.
GyrlFriday (Heather Daniels): Luftwanker, Gyrlfriday, Watertoy, Singlegyrl, Shower, Hubbly.
Jen Johnston: Twisted.
Jo the Webmistress: Dorothy Parker, Testosterone, Squaresville, FloppyDisk, ToolboxMetal.

[Google] [More] ⦿

Woodcutter Manero
[Jordi Manero Pascual]

Prolific Barcelona-based type designer. He started out by creating the counterless hand-printed typefaces Woodcutter Dripping Nightmare (2012) and Woodcutter MMXII (2012).

In 2013, he created Gothic Winter (snow-capped blackletter), Woodcutter Anonymous (ransom note font; +part2, 2014), The Shining (movie scanbats), Woodcutter Optical Army (op-art), Viking Runes Shields, Fresh Blood, Pig Rules, Pole Dance, Music+Party, Asian Food, Deers (sic), Woodcutter Amor de Madre (curly tattoo font), Tattoo Vieja Escuela 1, 2 and 3, Origami (animal dingbats), Vintage Motorcycle Club (scanbats), Vintage Christmas (dingbats), Terry Richardson World (scanbats), Woodcutter Wire Fence, Woodcutter Points (textured face), Made in Spain 4, I Love 80s (dings), Drugs (drug paraphernalia dings), Barber Shop (dingbats), Woodcutter del Reves, Adventure Time, New York New York (1 and 2), Woodcutter Dripping Classic, Woodcutter Tinta China (ink splatter font), Woodcutter Cross, Nightmare on Social Media, Breaking Bad (scanbats), Fight Club (boxing scanbats), Boligrafo (sketched font), Robots, Luxury Brands, Woodcutter Buena Lettra, Barcelona (scanbats), Devoto (religious dingbats), Joker (dingbats), Woodcutter Typewritter (sic), Banksy (scanbats), Made in Spain 1, 2 and 3 (company logos), Animal City (funny dingbats), LSD Junior (a scary alphading font), Woodcutter Army (army stencil), Woodcutter El Día De Todos Los Santos (Mexican dingbats), Woodcutter Summer Shadows, and the monster dingbat typeface Woodcutter El Dia del Juicio. Still in 2013, he designed Woodcutter Black Square, DaPunk, Woodcutter Pollita Alegre (a penis font), Woodcutter Hungry Pig, and Woodcutter Hand Light.

Typefaces from 2014: Hospital Icons, Woodcutter Rare Drawings, Headache, Irresistible (rounded sans), Doctor Garcia (textured), Violence, Hipster Icons, Saint Valentine's Day, Mister Manson, Casino (dingbats), Christian Icons, Christmas Icons, Hermes Manero, Beauty (dingbats), Art Icons & Tools, Clouds Mix, Malamadre (grunge), Offset Punk, Manos de Cerdo, Hotel Oriental, Basic Trip, Popeye (scanbats), Viva la Fiesta (flag alphadings), Street Stencil, Supermarket, Ebola Font, Vintage Halloween, Motel Imperial, Clothes, The Second World War (army stencil), Tahs On A Rope, Penis (dingbats), Regular Show (dingbats), Parkinsonism, The 70 Greatest Directors of All Time (scanbats), Smartphone (alphadings), Dripping, Chaos in Wisconsin, Saturno, Gym (dingbats), Angie, Antique Book, Black Rodeo, Gutierrez+, Matias-Font, Viejo-Oeste, Woodcutter-Prison-Tattoo, old+sailor, Italian Revolution, Kid Nightmare, Anderson (rough stencil), Manero (scratchy script), Tecno-Chaos (dot matrix font), Neverland, Martian Font, Radical Block, Woodcutter Delicada, Bon Appetit, Termica, Kandinsky, Hotel Paradiso, Seven Arts, Street Icons, Militaria (dingbats), Undergramo (poster font), Woodcutter Avispa, Fuego Fatuo, Other Space, Electrica Sals, Woodcutter Dramatica, Cocinitas (cooking dingbats), Bad Mother Fucker, Quentin Tarantino (scanbats), El Extraño, Fine Disorder, Woodcutter BCN Style (dripping blood font), Woodcutter Virus, Efectiva, Mogambo (fat brush), Duck Tape, Warriors, Cutre Glam, Woodcutter Sutill Shadow, Woodcutter Future, Rage, Woodcutter Negative, Manolo, Vegetables, Woodcutter Storm (lightning texture), Woodcutter Rare Drawings, Rustic Heavy Metal, Grass, Virgin Mary (scanbats), Laurus Nobilis (wreaths), Mister Bambu, Woodcutter Barcode, Conquest, Multimedia Icons, Preschool, Cursors, Woodcutter Kaos, Woodcutter Lines, Ukraine (constructivist), Meccano, Woodcutter Simple Font, Crux (crucifixes), Dolores (3d), Eyes, MoneyMoneyMoney, Made in Spain 5, Barcelona Mon Amour, New Society (a 3d shadow face), Federico (a hand-printed shadow typeface), Aranea (spider dings), Fifth Avenue (art deco), Beware of Pitbull, Dictators (scanbats), Woodcutter Vintage Cartoon, The American (textured face), Woodcutter Mixed Icons, Apple Japanese Keyboard, Vintage Classics Disney, Carnage College (blood splatter font), Vintage Porn (scanbats), Woodcutter Fontana (textured caps), Woodcutter Mixed Icons, Woodcutter Jet Set, Woodcutter Gothic Drama (blackletter), Woodcutter Relieve, Mixed Icons Vol. 1, Woodcutter Electric, Woodcutter Cloth, Street Style (graffiti font), Gothic Punk, Human Body Parts, Dirty Harry, Woodcutter Fine Sketch, Woodcutter Invisible, Miley Cyrus (scanbats), Old Guard, Circus and Fair, Comic Cover, Woodcutter Gigantismo, Clockwork Orange (scanbats), Dosmilcatorce, The Walking Dead (scanbats).

Typefaces from 2015: Rude High School, Imprenta Gonzales (white on black), Estrategia (textured style), Monkey Business, Venganza (dripping blood font), Woodcutter Executive, Left Hand Comic (textured), Dirty News, Gorilla BCN (a great handcrafted athletic lettering typeface), Neo Protein (bio-grunge), Barrio-Santo (graffiti style), Periodic-Table-of-Elements, TerrorToons, Vanilla-Candy, Baseball-Icons, Boots, Fine-Homage, Jesus-Christ (religious icons), Lock, Meredith (texturted typeface), Neo-Victorian, Old-Europe (soft blackletter), White-Army (military stencil), HeadWear, Oil-Icons, Pollito-Peligroso (white-on-black letters), Taxi, The-Dentist, Planeta Zero (white-on-black letters), Cronenberg, Hell Bar, Horror Poster, Big Gipsy Bro, Peccatum (bloo drip font), Tempus Fugit (grunge), Indiana State (a great shaded titling face), DJ Icons, Gentleman Icons, Dope Crisis (textured), Bad Quality, Love and Hate, Smoking (dingbats), Phantom of the Opera (dripping blood font), Video Games (dingbats), Beauty Initials, Knife, Ciudad Capital, System Error (dot matrix font), Rejilla (gridded font), Punk Survival, Watches, Barrio Chino (grungy typeface), Delayed (dot matrix font), Impertinencia, Ecology, Anchor, Comic Sandchez, Beard, Globe Icons, Jalisco Company (handcrafted 3d typeface), Summer Icons, New Art Deco (textured art nouveau typeface), Gordita Alegre, Banned World, Pixel Chaos, Dirty Grunge, Metal Curvy, Jazz Club, One Percent, Profile, Scoreboard, Sentencia, The Octopus (silhouettes of octopi), New Sailor (tattoo script), Cleaner, Bear Icons, Woodcutter Trama, Manolete (wavy font), Skully (alphadings), Big Designer, Vintage Punk (white on black), Streets of Fire (textured), Nordica, Belle Epoque (art deco), Bakery, The Worlds Best Logos, Special Unit (textured typeface), Manifesto, Shooter, Woodcutter Carnage, Black Rain (sketched), Soft Addiction, Digital Camera Symbols, Surf, Tailoring, Palo Santo, Morbida (rounded athletic letters), Fine Shadows, The Woodcutter (dings), Experimento (textured typeface), Seven Sisters, Senior Citizen (dingbats), Hotel California, Woodcutter Hand 2015, Fire Department (scanbats), Dolor de Muelas [toothache], Hamburger, Vintage Mixed Vol 1 and 2, Torremolinos, Ol Torero (bullfight scanbats), Formula 1 (scanbats), Presidents of the United States of America, Furure Blood (dripping blood typeface), Wild West Icons, Maravillosos, Territorio (textured display face), Forced Flowers, Black Hole, The Death, Extra Fat (comic book font), Cristobal, Cirilico, Fuck Off (a very useful raised middle finger font), Mexican Skull (the best Mexican skull font anywhere), Old Nuremberg, Maria Dolores, China, Street College, Rodriguez, Tourism, Community, Oklahoma (varsity font), Smartphone Icons, Science Icons, Horse, Greek Mythology, Persiana (a Venetian blind font), Alcohol, Whatsap Emoticons, Library (possibly the best library icon font today), Candelita, Remember Me, Flamenco, Universidad 2015 (athletic lettering), Sneakers, Fire, Industrial Worker, Europe, Abstemious, Police, School, Paris, Savage Empire, Nautical (dingbats), Crusader (dingbats), Woodcutter MMXV, Rats, Monster Mash, 5th Avenue Stencil, Baby Icons, New Space, City Icons, Diamonds, Punkland, Temblores, Puttana Antique, Human Anatomy (dingbats), Guerra Santa, Winter Icons, Farm, NeoWriter, Russia.

Typefaces from 2016: Woodcutter People Faces, Ear, Codociosa (grungy), Viking Hell, Simple Myopia (textured, halftone style), Bulbs, Emblem, Vegan Icons, Fleur de Lis, Pregnancy, Harley Davidson, Window, Owl, Native American Indians, The Toy Castle, Aristogramos Chernow, Mediogramo (monogram font), Yes Darling, Dilema Emocional (white on black), Original 301 (draftsman style), Emperador Oscuro (scribbly), Vespa (scanbats), Fine-Sheriff, Hard-Western, Olivia-Garcia (brush script), Woodcutter-Rude-Press (a great handcrafted poster typeface), Printing, Disabled Icons, Golf Icons, Electric Guitar Icons, Airport-Icons, Prudencia (pixel style), Rude-Basic, Stencil-Guerrilla, Tramita-club, Drone, Garden Icons, Feminine Hygiene, Psycho Dad, Intransigencia (textured), Fat Food Icons, Torrebruno, Home Appliances, La Pecosa (textured), Gyn Toons, Insect Icons, Bomb, Special Forces, Business, Irish, Female Underwear, Zombie Salad, Isometric Love, Dinastia (textured), Fireworks, Happy Birthday, Snake Mix, US Election, Spectrum, Extreme Simple, Drunk Sailor (tattoo font), Mountain (dingbats), Cafe Madrid (white on black), Celebration, Rabbit, Rude College, Words, Wingding Review, Transilvania (blood drip font), Tattoo Museum, El Arropeiro (dry brush font), TV (scanbats), Western Dead, Star Wuarras, File Types, Industrial Poison (grunge), Future War, Masacre Digital, Senor Domingo (grungy), Workout Routine (dingbats), Gipsy Bar, Finegrams (ornamental caps, monogram font), Diving (dingbats), Extupida, Dictadura, Euro Estilazo, Cul de Sac, Lions, Woodcutter Olla Barrejada, Cocaine, Monogramos, Gobierno (rounded sans), Maldita Comebolsas, Macho (spurred style), Eagle (great eagle-themed dingbats for East European coup d'etats ca. 1880), Fuck Love, Woodcutter Rocks (white on black), England (dingbats), Mechanic (garage mechanic dingbats), Rodaja (script), Le Petit Chaos, Old Deutschland (blackletter), Mister George, Cloud Candy, Ceporro, Old School Toons, Big Drama (fat poster style), Serial Font, Hotel Madriz, Lady Fiesta, Punk Army, Enfermo Rules, The Laguna, Casa Camaron, Mister Muerte (dripping blood font).

Typefaces from 2017: Sea Life, Sushi Sushi, Destruccion, The Barrio Caps (blackletter for gangs), Prehistoric Paintings, Sumo, Hot Air Balloons, Woodcutter Self-Portraits, Manero Universe (grune), Digital Dark Sister (LED font), New Watch (LED style), Free Biker (spurred tattoo font), The King, Canada, Super Hero, Target Shooting, Smokeland, Rabia Absoluta, Infringement, Gifts Icons, Sprinkled (textured), Miopia Internacional, Chupapollas, Orientalismus (oriental emulation), Technopollas, Doctor Punk (ransom note font), Global Terror, Bananas Social Club, Wedding, Coffee Icons, Archeology, Graffiti Tags, Maquina de Escribir (old typewriter font), Little Candy Shop, Madre Superiora (script), Territorial, Diogenes, Cyber Tittle, Pain Explosion, Panchito Style, Lightning Bolt, Pixeland, Club Seven Espadas, Chandelier, Computer Mouse, Restroom, Wash Care, Hell Circus, Extraterrestre, Pix Punk, Lamp, Pizza, Pirate Style, Vacaciones, Hecatombe, Fuente Manerismo, La Cucaracha (white on black), Plastic Surgery, Mafia Mix, Dirty Classic Machine (old typewriter), Woodcutter Noise, Cokelines, Simple Cream, Vintage Poison, Lighter Icons, Pacific Break, Maldito Gringo, Bazar Costa, Doctor Satan (dripping blood font), Caja Fuerte (textured stencil typeface), Saint Peter (brush script), Bela-Lisboa, Ear, Future-Socialism (constructivist), Poop, Retro-Toons, Tattoo-Pro-Icons, Victorian-Gang, Woodcutter-Justice, Writing, Amusement-Park, Linoleum, Funny Barber (shaded), Decadence, Victorian Gang, Depalma (spurred sans), Bela Lisboa.

Typefaces from 2018: La Gilda, Portugal Vintage, Call to Huesi, Wood Xmas, Black Empire (a fancy blackletter), Benedicto (a textured all caps typeface), Pixel Icons, Hysterical, Cadalso 74 (grunge), Gramitos, Negroni Chaos, Carajillo de Anis, Hail Disney, Pen Icons, Neo Spain (a glitch font), Adolfito, Anesthesia, Don Pasquale, The Imperial, Juanita Banana, Sovereignty, Bloody Winter (dripping blood font), Drunk College, Sunset Boulevard (shadow font), Miss Order (3d effect font), Burning Manero, Dirty War (a grungy military stencil), Press Division (a shadow font), Fight Team 18, Time To Dead (grunge), Woodcutter Clasica, La Nueva Vieja Escuela (a paint drip font), Woodcutter Animal Faces, Crochet (a softly spurred typeface), Marshal Manero, Nou Barris Bcn, Bad Things (a dripping blood font), Biker Vamp, Insuperable, Pain Shop, El Monstruo del Raval, Arabesque Ornaments, Fans, Tarraco City, Woodcutter Basic Viking (rune simulation), The Hurraca Company, Broken Press, Carnage 1974 (a dripping blood font), Manicomio Woodcutter (a very funny comic book style dingbat font), Amor (spurred), Rompetechos, Electric Punk, Happy Square, Bad Signal (a glitch font), Funny Death, Fresh Nieve (paint drip font), Rota en mil Pedazos (a glitch font), Perra Gorda, Goma de Mascar (a bubblegum font), Mister Love, La Deco Klan, Glitchland, Hackerchaos, Vicious Stencil, Hippie (dings), Skate (dingbats), Dinosaur Icons, Mastodontus, Alphaletras, Torito Style (a woven font), Problems in Wisconsin, Alarma Social, Rue Mademoiselle, Tree Icons, Go Go Sports, Rage Against Mom, Hell Kitchen, Black Order, Black Trident, Sale, War Times (dingbats), Ice Cream Icons, Bastardo, Titi Yayo Rules, Jailbreak, Britannia (blackletter), Venenosa (grungy letterpress), The Gallery (3d, sketched), El Puto Amo, Finolis, Lovegramos (monogram font), Smartwatch, Interferencias (glitch font), Hostage (ransom note font), Miss Antonia (grungy caps), Bocadilla de Mortelada, Bitcoin, Car Parts, Celtic Knots, Cock (rooster dingbats), Dubious Reputation, Funny Chaos, Garage Imperio (shaded, vintage), Geometriarquia (archeological stone font), Good Morning, Graphic Design (dings), Hard Core, HoldFast (spurred), MacizoCompany, Milk, New Gang (garage dingbats), Ninja and Samurai, PhayaThai (Thai emulation), Robotic Arm, Rotunda, Social Media Circled, Stone Block, Unicorn, Victorious (Victorian), Gypsyland, Modernist Chaos, Rata Negra, MMA Champ, Love Initials, Doctor Glitch, Mad College, E-Commerce (dingbats), Sheriff (dingbats), Outline Mix, Stencil Icons, Fairy Tales (dingbats), Alfabetizacion, Night Fever Again, Jodido & Noble, Woodcutter Oligarquia, Screwdriver, Baroque Explosion, Seville Kid, Huesitos, Hanging Party, Brave Grams, Tower of London (outlined, Tuscan), Quintanar de la Orden, Punk West, El Forastero, The Enemigo (ink splash font), El Camino, Finisterre (thin sans).

Typefaces from 2019: Ho Chi Minh City, Retro Team, Brushland, Stamp Empire, The Drama Army (an irregular military stencil), Space Grunge, Disturbed (a glitch font), Dead Corporation, El Tito Adolfo (textured), Dirty Deco, Mister Black, Grunge Manifesto, Dark College, Indian casino (a striped Far West font), Heil West (Tuscan), Bonesitos (a bone font), Bad Santa Company, Felipe Segundo, Vanity Garden, Rough Blacky, Rough City (textured, weathered caps), California, Canarias, Chernobyl (weathered), Beauty Bee (an inky script), Chain Style (a bike chain font), Spaniard Soldier, The Matadero (a slimey font), Lapicero, The Minima, House Icons, La Distinguida, Fuente Jalisco, Cordoba, Extreme Glitch, Simulacro, Dies Irae Saloon, El Hispano (decorative Tuscan capitals), Senorita Esmeralda (Tuscan; white on black), Easy Listening, Cool Chaos, Guarrilla, Big Dealer (a grungy poster typeface), Lord British (decorative caps), Cantina Jalisco (Tuscan), Disco Paradiso (brush font), Dark Metal Institute, Asteroide, Bloody Office (dripping blood font), Los Chapters, Home Entertainment, Witch, Cemetery King (dripping blood font), Steel Soldier (a military stencil), Estreno (a dot matrix font), Cat Faces, Gears Icons, Flower Icons, Hardcore Poster, Northern Army (a military stencil), Casimiro, Pantano Gipsy (sic), Zodiac Mix, Insane Empire, Break Summer, Wood Hell Company, Merluza Company (a grungy typeface), Metalurgia Sexual, Aztec Icons, Cemetery Picnic, Pantano Thing, Falange Punk, Jupiter Team, Breakdance, Origaminator, Gothic Gotera, Friday 14, Wifi Icons, Parque del Buen Retiro, Bato Todo El Rato (a graffiti font), Neo Nacional (a shadow font), Capitan Morgan (a Tuscan pirate font), Habitacion 37, Santa Monica (a shadow font), Casino Bar (shaded font), El Boxeador, Attack the Block, Sister Ant, Hard Tree, Another Round, Charcuteria, Thor Gonzalez, Crappy Town (grungy), European War (eroded military stencil), Rock of Times (3d), Crazy Saigon (shaded), Diamondgrams (monograms), Humanoide 2014 (a dripping blood font), Cheddar Cheese (weathered type), Alberto ha Vuelto, Sweet Cake, Cortocircuito (a glitch font), Potorro Angular, Hijo Puta Peligroso (a 3d shadow font), Constitution, Mastodonte, Street Reich, Hispania Manero, Pureta, Pandora, Spray Letters, Roca de Escama, Fat Mom Rules, Thespian, Stencil Time, Isometria Club (3d), Meteoritox, Cinema Capitol, Barna Break, Scratch Night Team, The Estampada, Afterhours, B-Team, Caballito, Ampersand, Gothic Manus, Espana (spurred, Western), Circus Manerus (Tuscan circus font), Hood Army Stencil, Negative System, Positive System, Pagan Symbols, Andy Capp, American Sign Language, Tiki Idols, Greek Column, Maze, Euro Western, Speed Grams, Tiki Tako, Burgos City (waethered caps), The Company (inline caps), Waste Money (a striped money font), Speedy Retro (a circus font), La Rapidita (a speed emulation font), Chill-out Gang, Resistance (grunge), Normandy Squad (condensed military stencil), Last Round, Tecno Extrema, Madrid Grunge, Escabetxina, Face To Sun, Sailor Gonzalez (a tattoo font), Times Now (a codex font), Sergi Tete, Orgasm Co.

Typefaces from 2020: Pocket Change, Basura Humana, Korean Icons, Construction Icons, Cowboy Manero (handcrafted, Western), National College, Big Junkie Joe, New World Order, Le Club Parisien, Hardcore Attitude (grungy), Orchestra Icons, Soccer Icons, Tennis, Billiard, Startup Icons, The Fortune, Imperator, La Ramera de Barcelona, The North Hell, Soccer Team, Traditional Punk (a ransom note font), Seismo Club (a glitch font), Ugly, Pistolas, Thailand Icons, Renderland (beveled), Traditional Tattoo Parlour, Retro Computer (halftone font), Vintage Glitch, Torquemada in da house, Louisiana Biker Shop, Le Casino Royale (vintage caps, almost Tuscan), Property of Thor, Los Angeles MMXX (a dripping blood blackletter), American Dreamer (a circus font), American Signs, Back To The Fantasy, Badass Draws, Ballooning, Barcelona Streets (a dripping paint font), Battle of Gettysburg, Bisturi Night Club (a marquee font), Born To be Strong (grungy), Bourbon Whiskey, Century Manero (blackletter), Crunch Motel, Decorative Stencil, Drunk Company, Fat Enterprise, Fellini Club, Gameboard, Gorilla Team, Grandma Rules (a stitching font), Grindcore Records (a scratchy font), Hygiene Icons, La Cebadita, Laia the Great Blondie, Latino Heart, Mass Hysteria, Neo Metropolis, Old Celtiberian (blackletter), Oscuro Club (a heavy grungy brush font), Pandemic&co, Poster Queen, Retro Killer (splattered blood font), Saint-Tropez, Sangre y Arena, Se Esta Lianado, Skate Brand (grungy), Spanish Nightmare (a glitch font), The Happy Bear, The Poster King (grungy), Trabello, Trapeze Artist, Western Samurai, City of Brussels, Daddy Ink (a dripping blood font), Conflictive, Albacete Team, Ornaments Salad, Strong Brain, Hand Shadows Icons, Hello Kitty, Bunker Lowercase (a blackletter), LSD Glitch, Rounder Dirty Team, Ole Torrero, Doctor Terror, Hello Chilly (a glitch font), Donuts Icons, Candy Icons, Holy Bible, Old Japanese, Gothic Notausgang, Adventure Magazine, Nordic Thunder, Black Metal, Franco Bros, Saigon Hotel, Piratas, English Bulldog, Mount Olympus (stone cut Greek emulation), Recreativos, Coronavirus, Dirty And Elegant (grungy), 18 Army (an army stencil), Dirty Streets (grungy), Dark Citizen (grungy), Wild Spain, Marbella, Woodcutter People Faces Vol2, Hawaiian Icons, Vietnam, Maps of USA, Comandante Glitch, Planets, Documenta (a shadow font), Ghetto Bros, Charnego (a wooden plank font), Westfalia (a blackletter), Oi!oi!oi! Party (a ransom note font), Bad Gringo (Tuscan), La Formalita, Sabandija Asquerosa, Woman Faces, Dark Tales, Model Woman Silhouettes, Super Impacto, Adolfo's Punk Restuarant, Virginia, Henry McCarty (a grungy western font), Neo Euskal Herria (a Basque font), Heartbreaking, Battery Icons, Space Rangers, Terremoto, La Distorsionada (a glitch font), New York Press (textured ultra fat caps).

Typefaces from 2021: Retro Grunge West, The Bandido (spurred), Casino Madrid, Rosita's Dinner, Mom's Gang (a grungy slab serif), Las Brigadas (a military stencil), Typewriter Grunge, Fire Safety Icons, Zodiac Killer Code, Hearts Salad, American Offset (a halftone texture font) Schizoid Personality, Happy Ending (a dripping semen font), María Magdalen, Nuevo Orden Nacional, Future Shit, Carnage Movie Poster (brush), Big Holidays (counterless), San Judas Tadeo, The King Of Wall (a ransom note font), Graffiti City, Spanish College (a sports font), Campo De La Bota, History Icons, Gothic War, Rocking Bunny, White Storm, Police Department, Rebel Hero, Graphic Lady, La Casa Del Cementerio, Picapiedra (a 3d stone font), Barcelona Scared (a dripping blood font), Nightmare On Raval Streets, High Moon, The Lord of War, La Isla Tortuga (a pirate font), Carmen Polo Superstar (script), Napolitana, New Dimension (3d), Heavy Steel, Barna Hardcore, Fine Books (Initial caps), Descompensada (a ransom note font), Rifle Casual, Espana Imperial, Big Titles, La Costa Dorada is Spain, Brasil Icons, Indonesian Icons, Los Guripas (a grungy blackletter). [Google] [More] ⦿

Wooden Type Fonts (was: American Wood Type and, Wooden Type)
[Jordan Davies]

Wooden Type Fonts (was: American Wood Type) is founded and run by Jordan Davies from South Hero, VT: Historically accurate reproductions of wood type produced in the 19th century in a variety of styles. This is a work of passion and dedication by Jordan Davies. Jordan's other passion is painting. His (digital) wood typefaces include these original designs: Bevan Condensed, Bevan Medium (based on Melior), Inline Regular, London Light, London Heavy, Neo Geo Block, Quirk, Slab Four Rounded (+Ext), Slab Four Rounded Italic, Slab Four Rounded Revised, Slab Four Rounded Super. MyFonts link. Digital revivals:

20th Century ExtraBold Extended (2017). A very wide version of Futura.
Aetna Bold.
Alpine Mtn (2021). a display sans with some stencil glyphs.
Antique 6 (based on Stevens, Shanks), Antique Condensed Bold, Antique Light, AntiqueRegular (saloon font), Antique Five, Antique Sans, Antique Shadow, Antique Six, Antique Three, Antique Tuscan 1, Antique 7 (2011), Antique Tuscan 8 (2008), Antique Tuscan Condensed, Antique Tuscan Heavy, Antique Wells Medium (2005), Antique Wells Expanded (2011, based on Wells&Webb), Antique Two (2008), Antique XX (2008).
Bernhard Gothic Medium (2017, after Lucian Bernhard).
Blobbing (2013, a fat finger typeface), Bodoni Ultra (2015, based on a Bauer Types original).
Cassjor (2011): an angular face.
Cheltenham (2019), (2019).
Churchward Ultra Bold (2018).
Clarendon Condensed, Clarendon Condensed Bold (2007, based on a 1859 design by William Hamilton Page), Clarendon Extended (2005, after W.H. Page), Clarendon Heavy, Clarendon Extra Condensed (2007), Clarendon 618 (2010), Clarendon 617 (2010), Clarendon Semi (2011), Clarendon Jordan (2015).
Columbian (2015) and Columbian Slab (2015). Heavy classical Egyptians.
Concave Tuscan X Condensed.
Craw Clarendon (2013), Craw Clarendon Extended (2015), and Craw Clarendon Bold (2014).
Davies Serif (2014): a great wide wood-inspired wedge-serifed display didone.
Devendra (2021). A counterless stencil typeface.
DeVinne Wood, DeVinne Wood Italic.
Doric Condensed, Doric Expanded.
Egyptian Bold, Egyptian Ornamented (+Bold), Egyptian Regular, Egyptian Slab (2007), Egyptian Two, Egyptian Wide (2006, based on a Miller&Richard original, ca. 1850), Egyptian Bold Expanded (2011), Egyptian Extra Bold Condensed (2011), Egyptienne75 Black (2020).
French Antique Condensed.
French Calrendon (2015) and French Clarendon Expanded (2015).
Gallatin Light (2021), Gallatin Bold (2019) and Gallatin Medium (2020). A slab serif.
Girder Heavy (2008, based on a design of W.H. Page, ca. 1900), Girder Super (2014, a slab serif based on William Hamilton Page).
Gothic Bold, Gothic Bold Extended, Gothic Extra Extended, Gothic Extended (2009), Gothic Medium, Gothic Nesbitt (2011), Gothic Leavenworth (2015), Gothic Number Sixteen (2019), Gothic Special Condensed Bold (2005), Gothic Special Condensed Medium (+Italic, 2013), Gothic Special Normal (+Italic, 2013), Gothic Special Thin, Gothic Tuscan, Gothic Tuscan 9 (+Narrow), Gothic Tuscan 8 (+Pointed), Gothic Tuscan Condensed, Gothic Tuscan Round, Gothic Tuscan Concave, Gothic Tuscan Pointed Narrow, Gothic Unique (2007).
Grecian Bold Condensed, Grecian XX Condensed, Grecian Bold Expanded (2014).
Grotesque (2010), Grotesque Bold Italic (2013).
Jensen Old Style.
Jordan Calligraphy (2015).
Kurilian (2015). After a 1879 spurred wod type design by Heber Wells.
Lettres Angulaires (2010): based on Textura.
London Heavy and London Medium (2017). A revival of Johnson Underground.
Mansard. This revives a wood type from 1878 by Heber Wells.
Martin Bold (2018), Martin Medium Regular (2018).
Masterman (2017). After a typeface by Boston's Hansen foundry.
Mementor Bold (2018) and Mementor Medium Regular (2018).
News Gothic Bold (2017) and News Gothic Light (2017). After Morris Fuller Benton's original at ATF.
Number5 Reg (2010). A variation of the William Page 500 font.
Number 154 (2006, based on a 1887 design by William Hamilton Page), Number 515 Black, Number 514 (2011).
Octagon.
Peerless (2008). Peerless 131 Bold (2012) is a wedge serif design based on William Hamilton Page.
Penny (2007, a gorgeous didone headline font based on a 1838 wood type font by George Nesbitt).
Roman X Condensed (a great didone font), Roman X Expanded, Roman Wells Bold.
Rubens Regular (2005) and Rubens Expanded Regular (2018).
Sainted Medium, Sainted Extra Bold (2018). Two slab serif typefaces.
Skeleton Antique (2005-2012). Based on a William Page original from 1865.
Slab Four Rounded (2010, +Bold, +Super).
Stymie Extra Bold (2018).
Teniers Regular.
Teutonic.
Thorowgood (2010): a relatively low-contrast Clarendon based on a wood specimen sheet. Thorowgood Wide was done in 2013.
Times Gothic (2009).
Trenton, Trenton Condensed (2005, based on an 1889 typeface by James Edward Hamilton), Trenton Ornamented.
Trooper Roman Black (2020).
Tuscan Egyptian, Tuscan Italian.
Video Black (2020).
Venusian Bold Extended (2018). The name refers perhaps to the classic Bauersche sans typeface Venus.
William Page 500, William Page 506.
Wood Regular (2005).

Showcase of his most popular fonts at MyFonts. Klingspor link. [Google] [MyFonts] [More] ⦿

Word of Fonts

Foundry about which I have little information. Some fonts are here, such as wofAchancer (2000, blackletter) and wofAmpageBold (calligraphic, 2000). [Google] [More] ⦿

Wordshape
[Ian Lynam]

Commercial fonts at this boutique type foundry and publisher operating in Tokyo, jointly run by Ian Lynam and Thien Huynh. Ian Lynam is a New Yorker who studied Graphic Design at Portland State University (B.S.) and California Institute of the Arts (M.F.A.). He is professor at Temple University Japan, as well as at Vermont College of Fine Arts. He operates the Tokyo design studio Ian Lynam Design and the hybrid publishing imprint and type foundry Wordshape. MyFonts link. Images of most of Ian Lynam's typefaces.

Cern (2013). A sans family based on Helvetica, Akzidenz Grotesk and Univers, with large x-heights.
Vaud (2013). Ian writes: Vaud is a family of 40 weights of neutral, yet formally nuanced grotesk typefaces that takes inspiration from Helvetica, Akzidenz Grotesk, Univers and the original metal types from Switzerland, yet had a slightly larger x-height for more pronounced legibility.
Plural (2013). A futuristic sans family.
Sketch Caslon Italic (2013).
Raffish (2013). This is an ornamental caps typeface based on Henk Krijger's Raffia typeface.
Entity (2012). A basic sans family with slightly rounded corners.
Okojo (2012), Okojo Slab (2012) are geometric sans and slab serif typefaces influenced by the type designs of Paul Renner and Herb Lubalin. They were followed by Okojo Slab Display (2012) and Okojo Display (2012). In 2016, he rebundled everything as Okojo Pro and Okojo Slab Pro, Okojo Pro Stack and Okojo Slab Pro Stack.
Pompeian Cursive (2010). An elegant calligraphic script based on the original drawings by Oswald Cooper for BBS in 1927.
His Cooper series. Cooper Swash Italic Traditional & Cooper Swash Italic Custom, Cooper Italic (2010, after Cooper's original from 1924), Boul Mich (2010, after Oswald Cooper's 1927 art deco typeface), Cooper Initials (2010), Cooper Old Style (2010), Cooper Capitals (2010), Cooper Text (2010), Cooper Black Condensed (2010), Cooper Black Swash (2010), Cooper Screamers (2010, oversized exclamation points), Cooper Black Italic Pro (2013), Cooper Italic Pro (2013), Cooper Fullface Italic Pro (2013).
Cruller (2010). A spidery display typeface that is based on lettering from a 1910 German lettering book.
Hanger (2004).
Rubber Vloeren. A geometric display typeface adapted from an alphabet used by Piet Zwart in the Netherlands for a series of advertisements for rubber flooring.
Ensenada is a typeface designed based on hand-cut lettering that adorns businesses throughout the city of Ensenada in Baja California in Mexico.
Clobber Grotesk (2010) is a grotesk typeface designed for readability at very small sizes. It is accompanied by a nice stencil style.
International Blackletter (2010) is a collaborative display typeface designed for fun, together with Simon Gane and Selena Hoy.
Devil's Advocate is a digital version of the heavy blackletter typeface Cathedral Text found in the 1934 ATF typeface from the American Specimen Book of Type Styles (by ATF).
Sandberg Honorarium (2003) is inspired by the work of Dutch typographer Willem Sandberg.
Inversion (2010) is an uncial face.
Designer with Eli Carrico of the heavy stencil typeface Black-Out (2010, Wordshape) and the paperclip family Interno (2004), which was based on Walter Ballmer's logo for Olivetti in 1960.
Neuerland (2010) is an update of Rudolf Koch's Neuland.
Dorsal (2011) is a splendid versal lettering typeface that cries Absinthe Overload.
Off Broadway (2011) is a casual art deco face related to Oz Cooper's Boul Mich and to Nubian (ATF).
Cinta Adhesiva (2011, done with Mexican designer One Eye) began as a typeface designed for the masthead of a graffiti fanzine called Free Copy---the monumental letters painted by L.A.-based graffiti writers Crae and Hael greatly influenced the feel of the typeface.
Maat (2011) is a modular geometric stencil piano key face. It is a loose interpretation of a handlettered alphabet by the late Dutch designer Jurrian Schrofer called Sans Serious which was included in Wim Crouwel's publication Letters of Maat. It is inflected with a bit of influence from British designer Ken Garland's similar lettering form the cover of his textbook, The Graphics Handbook.
Effete (2011) is a tall stylish typeface similar in weight and proportion to fonts like Imre Reiner's skyline typeface Corvinus.
Adora (2011) is a typeface similar to Walter Tracy's AdSans.
Kihachiro Swash Italic (2011) has garalde forms but Caslonian curved terminals and weighty serifs. Kihachiro Geometric (2011) recalls Antique Olive and Futura.
Kirimomi Swash (2011) is a pair of garalde typefaces. Kirimomi Geometric (2011) is a humanist sans.
Kommisar (2012) is Lynam's version of the Trajan capitals alphabet.
Smythe Sans (2012) is a contemporary geometric sans serif family that is quite readable on-screen and in print.
Stebl Grotesk (2012) and Stebl Slab (2012) are workhorse typefaces for sturdy jobs.
Raker (+Stencil) and Raker Display (+Stencil) is a 40-style octagonal typeface family published in 2015. It was inspired by science fiction and space travel.
Iggy (2015) is based on the lettering of Australia-based Oklahoman artist, animator and lifelong skater Darin Bendall.
Stamen (2016). A 12-style sans typeface lost in time.
Smythe Sans Pro (2016) and Smythe Soft Pro (2016).
Biwa and Biwa Display (2017). A grotesk family by Ian Lynam and James Todd.
Glot (2019). A 10-style flared terminal sans family by James Todd and Ian Lynam. See also Glot Round from 2020.

Speaker at ATypI 2019 in Tokyo on the topic of From Bijin-ga to Brutus, in which he explains the work of graphic designers Hokuu Tada (1889-1948) and Seiichi Horiuchi (1933-1987). [Google] [MyFonts] [More] ⦿

WRKSTT Graphicstudio (or: Xtoph)
[Christoph Zeugswetter]

Graphic designer in Vienna, Austria, aka xtoph and Chris Toph. His typefaces:

Altwien (2014). A blackletter typeface derived from street signs in Salzburg and Vienna.
The 30-style headline grotesque typeface family Chairdrobe (2017).
The dry brush font Rough Marker (2020).
Vienna Woodtype (2021). A font in clean and rough styles that is based on real linocut prints.
Tokio Marker (2022). A painted dry brush font in SVG format.

Old URL. Old link for WRKSTT Graphicstudio. [Google] [MyFonts] [More] ⦿

WunderMoosen

American company that used to sell fonts inspired by historical documents or texts: American Beauty (formal script), Beethoven, Beethoven SuperCaps (blackletter), Book of JKells (Celtic), Elizabeth R, English Courthand, Merchantshand, Merchantshand Alternate, Rembrandt, Renaissance, Rheims (blackletter), Rheims SuperCaps, Roundhand, Swiss Gothic, Tiffany. 5 USD a piece. Since 2006, these fonts are free. [Google] [More] ⦿

Xavier Cervelló

Tomata Taller Grafic is the Spanish outfit of calligrapher and graphic designer Xavier Cervelló Sanchez in Valencia. He created Thingbats (2010) and a monospaced typewriter sans to go with it, Thingbats Monospaced (2011).

At Ten Dollar Fonts, he published Thingbats Mono in 2012.

Still in 2012, he created two calligraphic alphabets, a brush set, and a blackletter set.

Behance link. Ten Dollar Fonts link. [Google] [More] ⦿

Xenophilius
[Ganlo R. Ithsm]

American Fontstructor who also uses Fontspace to display his work. He uses the alias Ganlo R. Ithsm, which is probably a permutation of Logan R. Smith.

Typefaces from 2010: Aztec, Barely, Braille, Digital Watch, Game Serif (+Outline), Serifial, Future Sans Tall, Future Watch Monospaced (LED face), Minimalist Everything, LegiPixel, Outlinecial, Teencial, Technically Pixels, Digital Watch, Minimal, Interest, and a few other pixelish typefaces.

Typefaces from 2011: LusumTypus (octagonal, mechanical), Italic Dotts, Stretchy (stretched pixel face), Modernistical, Pactim, Elite (constructivist), Shiny Dotts, Game Serif Italic, Garamond Pixelle, Performa (pixel face), Simpole Mono (pixel face), Slaant (angular face), Konsul Mono (pixel typeface based on Monaco), Thinnest Slats, Thin Slats, Lateral Slats, Kanureed Thys (pixel face), X Marks The Font, Habimo, A Stroke of Geneus (blackletter), Kurcive, Quasoid (kitchen tile, piano key face), Target Aims The Font (dotted), Uncialogo (kitchen tile face), xe Callig Better (blackletter), xe Dotcial (dot matrix typeface based on American Uncial), xe Dogma, xe Inktrap, xe Inktrap Bold, Koch Black (a remake of one of Koch's blackletter typefaces), xe Bard (blackletter), xe Micropolis (city dingbats).

Typefaces from 2013: XE Timey. [Google] [More] ⦿

Xerographer Fonts
[Max Infeld]

Max Infeld (b. 1981, aka Xerographer Fonts) from Chico, CA, makes free fonts and offers a free font-making service. He surged onto the font scene in 2012, and is currently located in Ojai, CA.

Creations in 2012: Perspect (3d face), Nuevo Stencil, Dingus, Dirty Serif, Skinny Serif, Batt Marber, Hollavetica (2012, grunge), Stick Tickle, Carve Your Table (2012), Stripe Fest (2012, 3d, hand-printed), Craycray For You, Feed The Bears, Yummy Nubs, Yum Nub Extended, Sleeping in Lecture (2012, informal 3d face), Zombie Checklist (2012, hand-printed), Lisas First Class (2012, hand-printed), Stick Four, Two Stick, Spacetime, Drunk Tattoo, Bantum Caps (2012, hand-printed stencil face), Funny Zebra, Sick Future (2012, grungy), Fuzzy Handcuffs, Black Spiral, Happy Caps, Come Party, Hellawood, Chronic Gothic, Ice Cream Party, Grassevent (2012, texture face), Electrical (2012, letters cracked by lightning), Rockster, Strungout, Bubbletea (2012, bubblegum font), Yumernub, Nighthour, Pointy, Simplehand, Linerstencil, Stickchop, Tapetype, Rolling Deep (2012, based on arcs of circles), Pony Rides, Bambu, Stolen Script, Secret Sauce, Eighties, Negative, Turds, Identify (2012, a fingerprint font), Another Party, Mighty Roping, Copy Stand, Cloudstorm, Teardrops, Friends Forever, Delicious Applepie (texture face), Crackvetica, Stormtime (grungified face), Therp (2012: 3d face), Spookies, Freeline (3d engraved face), Super Serious, Robot Shadow (2012: 3d face), Great Arrows, Great Shadow (2012: textured face), Alien Fur, Graffical, Bent Out, Splatish, Seamonster, Thirds Hand (2012: 3d outline face), Particle Physics, Poster Script (2012: rough script), Badazzle (2012, texture face), Serifvetica, Make Impact (2012, a 3d headline typeface), Stenciltration, Naughty Pipe, Qrurl, FunHaus, Flame Time, Steller Script, Summer Festival (2012, grungy caps), Major Earthquake (2012, grungy outline text face), Hot Sweat (2012, texture face), Metal Crime (2012, a cracked marble typeface), Summer Blacktop, Great Farmer, an angular typeface, Lucky Scratcher, Future Moon (textured face), Shatter Web (2012, a glaz krak face), Power Play (2012, another glaz krak face), Magic Crystal (2012, yet another glaz krak typeface), Rough Cut, Rock Harder (2012, texture face), Shred Hard, Clock Work, Major Veins, Paint Scratch, Break Away, Quick Comic, Summer Scriptastic, Absolute Money, Brush Sand, Playhouse, Pleasure Wash, Meat Market (dripping blood font), Paper Folder, Scratchingly, Fresh Sticks, FunTrucks, Quick Rodeo, Poster Bold, Open Bars (horizontal stripes), Outline Twelve, Spot Event (grungy outline face), Final Slash (textured typeface), Munchies, Meltasstic, Some Bubbles, French Sugar (very curly script), Cream Cone, Zap Deal, Crack Snacks, High Method, Crack Bars, Wall Fresh, Star Wonder, CurlyQue, Summer Script, Happy Lines, Just Marker, Solid Marker, Straight Hand, Wurm Fun, Rave Time (sketched face), Graff Caps, Erect Angle (outlined and hand-printed), Circle Caps, Story Time, Upper Side, Lower Side, Tech Haus (sketched), Boneyard, Status Update, Eigth Grade (sic), Table Shank, Serial Lover, Freaky Night (blood drip font), Future Girlfriend, Summer Scare, Faster Stronger, Smoking Cracks (texture face), After School, Cutting Edge, Animal Cracker, Sticky Mad, Comic Chub, Right Way, RockLess, CleanFade, Exploded Capital, Size Matters, EightBite, Extra Dimension, Cap Scratched, FanCom, Optic Nerd, Spooky Stencil, Five Dozen, Great Mix, LowCase, Swirl Insertion, Lube Splash, Organic Vines, Fall Greetings, Plant Type, Fast Brush, Hair Bows, Limo Caps, Bold Shake, Path Check, PopCap, Angle Stroke, Scratch Point, China Town (oriental simulation), Gunky Ick, Super Fade (textured), Practical Script, Delicious Outline, Fourth Dimension, College Scribble (sketch font), Dirty Western, Freeky Typewriter, Creature Builder, Bang Time (a rough brush), Fall Harvest (sketch face), EuroParty, Fire Proof, Eye Scare, Empire Caps, Pleasure Castle (a great barbed face), Scribble Time (sketched font), Star Rising (poster font), Dottline, Euro Horror, Metal Show (metal band font), Fantastic Sunset, Toxic Waste, Alien Waffle (textured face), Rewind Forward, Stitchy Times, Snug Bum, Star Fishy, Ghost Clouds, Epic Slash, Childs Persprective, Thin Fine, Metal Event (chiseled face), Tight Box, Saber Husk, Major Scare, Terminal Event, Pirates Bay, Wicked Cockney, Great Splunk, Diamond Cut, Treehause Horror, Indie hand, Sweet Revenge, Chronical Script, Peaceful Violence, Basic Header, Hand Work, Ninja Turtle, AquaColor, Furry Sack, Mad Style, Alien Dot, Dirty Feature, Wine Basement (connected script), Pen War (scratchy script), Angelina, Skate Around, Wide Thin (brush face), Frisky Vampire, SuperBling, Chronic Harvest, Fur Handcuffs, Darth Fader (textured face), House Rave, Snow Frosting, Post News, Straight Baller (white on black poster face), Heavy Weight, Angry Nerds (brush face), Future Style (hand-printed 3d face), Liner34, Tweak Diner, Frosty Holiday, Zap Control, Kids Outline, Shock Treatment, Flesh Digster, Shredding Harder (grungy scratchy typeface), Metal Chakra (barbed wire face), Childs Funtime, Super Cut, Holy Scriptacular, Tangent Print, Chung Flew, Lucky Money, Oven Bread, Soda crack, Quick Dirty, Victory Cut, College Dropout (athletic lettering), Comic Shadow, Mystery Forest (sketched), Code Danger, Slash King, Phat Rave (sketched), Tiger Tails, Major Rules, Cloud Home, Flower Header (floriated caps), Tiny Friends, Tasty Sundae, Leaking Type, Saturday Evening, Agenda Clash, Tripple Dots, Plain Handline, Cutefold, Gift Exchange, Reaganald Script, Broadway Event (marquee face), Gotfaded (textured face), Disco Rush, Some Lines, Inside Flower, Scratch This, Alien Sweater (stitch font), Fantom Bantum, Stripe Fun, Thrift Store, Legit Outline, Country Gold, Chrome Fancy, Barnyard Massacre (Treefrog style), Holiday Event, Art Times, Flesh Shop, Heart Baller, Free Kittenz, CreamPuff, Outline Around, Quivering Noodle, Rocking Lines, Tugboat, Comic Bubble, Hand Shadow, Sans College, Winter Ice, Cutout Poster, Woodblock Cutter, Handy Stencil, Dirty Cursive.

The following typefaces were designed by Matt Barber: Gateway Drug (2013), Crankdeal (2012, a hand-printed poster face), Mad Caps, Third Leg (multiline typeface), Late Nights, Sewn Tight (2012, stitch font), Black Widow (2012).

The following typefaces were co-designed with Dylan Tellesen in 2012: Dingleberry (+Solid), Threed, Brushingtons, Excellent Stencil, Handrelief, Partyline, Basic Chrome, Spot Lights, Big Spit, Code Bars, Color Blind, Skullvetica, Diamond Plate, Blambu, Hounds, Knity (texture face), Eightballer, Another Line (a basic straight-edged monoline sans), Rocking Poster, Robotic Revolution, Organic Nature, Underground Event, Surf Shack, Greater Shadow, Razor Slice, Big Print (textured face), Scripty Caps.

Typefaces made in 2013: Fresh Maker, Lucky Dogs, Quickly Write, Gourmet King (glaz krak font), Austin Lights, Pony Maker, Crystal House (grunge), Secret Event (textured face), Indian Tiger, Great Camp, Cowboy Would, Western Racing, Stripe Attack (textured font), Art Bang (grunge), Quick Scratch, Cold Brew, Fresh Twist, Nine Eight, Going Fast, Mega Riches, Taste Bomb (textured face), Brighten Days, Supergraf (a brushy graffiti face), Last Hand, Spring Ninja (brush face), Circuit City, Global Village, Yard Gnome, Lite Hand, Metal Block (Zero, Two, Three: scanbats), Indie Rock, Ancient Story, Super Drag, Slight Rocking, Over Scribble, Quickly Caps, Crack Deco, Victory Time (faded formal script), Futuristic Outline, Another Student, More Party, Brush Grunge, Zipper Fries, Diamond Lux, Splatter Funtime, Durh Shapes, Frosty Winter, Whole Space, BlockWood, Soda Water, Magic Scribble, Seaming Stitchy, Thrash Party, Line Fever, Great Bush, Right Price, Tight Carve, American Freedom, Jimbos Print, Quick Cut (faded face), Super Cracks (glaz krak face), More Party, Half Faded (textured face), Charcoal Script, Future Lines, Dot Outline, Half Tones, Shady Walk, Quick Slash, School Notes (sketched face), Block Party, Wonderful Party, Heart Stripe, Heart Beat, Heart Hole, Paint Balls, Golden Lights, Spring Party (texture face), Shockvetica (glaz krak face), Safe Paper, Sword Fighting, Camo Wear (textured face), Disco Night (art deco), Reverse Frick, Scratchy Fun (sketched), Fun Origami, Special Exit, Kid Print, an old typewriter collection (Dirty Olympia, Sterling Keys, SuperKeys, Quiet Type, Hermes Rocket, Double Studio, Light Fingers), Designer Pixels, Beauty Salon (Treefrog script), Headshot, Mega Bone, Fantastic Habits, Fridge Letters (textured), Kids Blocks (scanbats), Theater Event (grunge), Circle Pixels, Taste Bomb, Kite High, Run Away (3d) Dirty Coal (brushy), Dot Sticks, Twerk Fifty, Dance Lights (textured), Steam Rose (textured), Donkey Punch, Fold Line (origami), Tiger Nuts (textured), Fun Bear, Standard Header (letterpress, 3d), Marble Wasteland, Bender Lines, Magical Springtime, Open Hatch (hand-printed), Retro Tastic, Space Zombie (hand-printed), Mad Triangle (textured typeface), Sweaty Party (a fun sketched typeface), Freaky Manor (gothic typeface), Special Brand (texture face), Western Clown, Company Problem, Derp Icons, Pixel Hour (textured face), Basic Scratch, Indie Sellout, Next Level (textured face), Third Rail (grunge), Real Trap (athletic lettering), Bang Party, Title Solution (textured face), Special Third (textured face), Deal Maker (textured typeface), Liquor Bank (3d), Electrical Neue, Eighties Locker (grunge), Visual magnets (textured typeface), Final Relief (textured), Comic Tans, Bright Headline (hand-printed), Tiger Bawl, Cut Away (cutout letters), Kings Castle (textured face), Southern Riots (grunge), Slick Wave (textured face), Smash Break (texture face), Thin Simple, Super Rocket, Kids Game, Eighties Shades, Melt Factory, Pirate Zombie (grunge), Doktor Scratch, Mix Tape (textured face), City Tags, Gotcha (3d face), Wild Scratch (textured), Inter Fade (textured), Urban Labels (textured), Hot Tropics, Quantum Pixel (grungy), Minus Plus, Lower Scratch, Flying High, Broken Mustangs (script), Byte Shades (textured), Bolt Light (textured), Just Quick, Hotrocks, Total Event, Racing Flow, Energy Drink (textured), Inside Box (a wonderful metal-look textured typeface), Heat Wave (a wide poster face), Great Miami (arched typeface), Disco Midnight, Clean Scratch, Vegas Nights (textured and smudgy), Pirate Disco, Swift Chops, Zero Hype, Dot Tricks (grungy), Shaken (glaz krak font), Great Points (textured), High Level (textured), Break Time (textured), Circus Party, Crash Site (glaz krak face), Lower Resolution, Fifty Hours (script), For Sale (script), Broken Fixed (script), Hieroglyph Licks, Think Plan, Fancy Shadow, Forwards Backwards, High Sales, Slash Thirty (blood drip face), Universal Freaky, Event Shark, Bone King, Sharking, Magnetic, Paper Shreads, Summer Watermelon, Bubble Yums, Crazy Eyes, Danger Waffles (textured face), Early Scare, Farm Barns, Freckle Jackson, Greater Sales, Indian Summer, Mixed Thirty, Positive Warp, Reasonable Speculation, School Party, Scratching Matters, Lemonade Summer, High Style (textured face), Biology, Aweseome Style, Box Lines, Cloud Ahead, Going Around, Hot Flash, Major Stripe (sketched face), Pixel Draw, Summer Fire, SuperTack, Sure Real (Treefrog style), Totally Straight, Mega Gothic, Basic Hand, Chief Scare, Plain Slice, Sail Away, Gone Away, Chubby Muffin, Crack King, Dirty Jobs, Paris Label, Phone Home, Kids Party, Zombie Stitch, Moden Post, Rock Bait (Treefrog style script), Tent Sale (brush face), Event Maker, Quantum Ants, Cheap Horror, Extra String, Scratch Times, Snorkel Whisp, Dirty Looks, Bould, Window Crash (glaz krak face), California Harvest, Twerking Nasty, College Movie, Easy Horror, Brush Some, Autumn Two, Season Fourteen, Always Never, Fresh Bone, Scare Camp, Twinkle Fingers, Dirty Bandit, Metal Clash, Simple Folks, Sunrise Disco, Danger Zone, Swift Break, Dusty Salmon (textured face), Urban Poster, Tasty Drips (dripping paint font), HardLine (3d font), Technophilia, Zombie State, Come Inside, Popular Invite, Tough Horror, Wonderful Phonograph, Zombie Scratch, Thunder Crack, Fresh Riot, Metal Atlas, Grunge Shack, Gif Wrap, Punk Inside, Disco Break, Quantum Future, Major Black (textured), Stone Bird, Fantastic Party, Quick Money, Fast Time, Hecka Grunge, Electric Night, Tasty Swirl, Helping Stranger, Radical Llamas, Real Gold, Double Shadow, Space Cats, Space Fight, Furious Racing (textured typeface), Snow Flakes, Solid Event, First Place, Total Shock, Hairy Fun, Cats String, Dragons Breath, Stripe Disco, College Bytes, Late Club, Road Skin (textured), City Heights (textured), Easy Bricks, Insert Fun, Grunge Kids (textured), Solid Brand, Winter Decor (snow crystal font), Doctor Meow, Real Fast, Major Sketchy, Easy Romance, Globtastic, Noses, Strike King, Salty Would, First Contact, Extra Zero, Space Bang, First Avenue, Dirty Shocker, Delicious Candy, Drop Inside.

Typefaces from 2014: Divide Conquer, Mad Pic Nic (textured), American Lights (dry brush), Chromest, Absolute Invite, Fancy Sauce (simulates an oriental typeface), Fair House, Gansta Walk (graffiti typeface), Spring Away (script), Heavy Load (fat brush), Amazing Sunshine, Club House, Magic Status, Big Party, Ocean Twelve, Lost Type, Spring Harder (textured), Escape Great, Fine Things, Cut Five, House Boat (textured), Splat Matrix, We Spring (gunge), Great Band (textured), Sky Limit, Four Six, Quick Sales (textured), Vegas Neon, Xero Typique, Ink Special, Bad Luck (glaz krak face), Handing Over, Megaphilia, Late Drank, Atlas Grunge, Right Track (textured), Square Deal, Great Party, Next Wave, Doges Walk, Dirty Locals, Boulder Scare, Clean Easy, Come Around, Fresh Holiday, Half Light (a condensed brush face), Light Curls, Lower Case, Magic Beauty, Much Funky, Plain Lines, Ten Fresh, Simply Fresh, Windy Metro, Play Along, East City (textured), Bernal Heights (grunge), Metalblock Delta (textured), French Disco (textured), City Magic (textured), Thunder Head, Lucky Diamonds, Great Storm, Neon Taste (textured), Night Hawk, Trap Music (a sketched typeface), Close Race, Major Label, Fresh Track (an all-caps brush typeface), Jack Trades, Cut Blox, Metal Block Theta (textured), Fired Bread, Angry Beavers (script face), Get Real, Lost Ray, Slot Machine, Animal Planet, Very Rich, Hawt Would, Above Ground, Grave Pain, Heaven Gate, Countrry Diamonds, Master Strike, Great Ending, Dreaming Pandas, Olden Times, String Tyme, Wrecking Ball, Great Nineties (sketch face), Lightning Blaze, Club Night, Certain Times, Clean Bubbles, Disco Party, Stoned Heights (glaz krak font), Can Opener, Metal Block Tango, Disco Fresca, Static Heights, Chronic Deal, Fire Block, Capital State, Burger Hut, Chicken Waffles, Bro Hugs, Indie Hype, Smoking Pistols, Mega Play, Light Break, Fadevetica, Metal Block Serif, Dream Stencil, String Piano (grunge), Binaty Waters (textured), Soth West, Magic Pens (fat finger font), Mega Bits (dot matrix), Zebra Disco, Luxury Import, Rapid Sloths (Treefrog-style handwriting), Spring Rage, Delicious Mocha (textured), Tropic Disco, Sprung Breakers, Urban Trails, Many Times (textured), Spring Headliner (textured), Party Lights (rounded stencil), Slick Ride (grungy), Burn Side (textured), City Stencil (grungy), Love Joy (textured), Neon Disco, Witches Brew (halftone texture), North Beach (textured), Metal Black Naked, Metal Block Ultra, Wet Razors, Cat Meow (sketchy face), Dance Away, Salty Beach (textured typeface), Great Horizons, American Western, Start Menu (halftone texture typeface), Zip Down, World Peace, Super Round, Spring Fruit, Open Lounge, Magic Kids, Fresh Candy, Four Stars, Gold Ring, Fun Time, Dark Box, Major Clue, Alert Notice, Love Riot, High Boat, Real Hard, Canada Mist (textured), Flavor Maker (textured), Spring Daisy, Great Springtime, Danish Crack (glaz krak), High Rating, Awesome Play, Flash Dance, Super Awesome, Paint Night, Pixel Drip, Ready Start, High Flight, House Music, Alternative Nineties, Technologic, Beaver Scratches, Spring Bump, Fancy Animal, Graph Master, Many Lines, Quality Control, Hot Discovery, Disco Trap, Ripe Dusk, Spring Dance, Electrical Storm, Electro House, North Cowboy, BiteTyme, BubLight, ChronicSales, ColdSpring, DeliciousFrosting, FloweringBuds, FrenchDance (white on black), Frequency, GetAround, GiftCards, LargeCrayon, MadSkilz, MetalShred, PeaceFight, ProximaFour, RightPlace, RockingTimes, ShwedyBawls, ThinkLight, WildThang, Make Out (crayon font), Clean Dirty (another crayon font), Digital River, Jaged Edge (sic), Loathing Fear (a great Treefrog style typeface), Metal Spectacular, Quit Work (crayon font), Special Delivery, Big Crump, High Fence (glaz krak face), Delicious would, Neon Tech, Right Brew, After Work, Pit Stop (textured), Strong Void, Love Scratch, Maiden Voyage, News Worthy, Mint Coin, Hipster Bike, Ready Made, Ten Dimensional, New Highs, Banlieue Disco (textured face), Punk Event, Soup Kitchen, Such Money, The Pulse, Thirdly (3d face), Train Station (a great ultra-fat rounded sans), Goldfinger (script), Neurotick, Hawt Comix, Talking Louder, Mind Storm, Astral Projections, AncientSprawl, BeautifulThangs, BoulderRough, ChronicMethodMB, CleanSimpleDT, DropKickMB, EasyDoughDT, FairBanks, FaultLineDT, FiftyShadowsDT, FrenchPirates, FuelControl, FunMeatsDT, GrandCircleDT, GreatFriendsDT, GreatSails, HawtFriend, JuicyCultureDT, JustWriteDT, LearningMachine, LearningMachineItalic, Marijuana, MegaLife, RedPanda, SecretTickleMB, SlickRoadsDT, SmokingParadise, StarDancing, StringTheory, StrongEventDT, ThinkingAcademicDT, ThugLoveDT, California Delights (connected script), Super Freak (textured), Extra Highs, Slime Bawls, Metal Witch, Grape Soda, Little Spooky, Such Frosting, Monster Slash, Burn Time (textured), Quick Fade (textured), Urban Animal, Prison Escape, Super Fear (dripping blood font), Final Days, Racing Numbers, Pirate Spider, Walking Dead, Hatch (textured), Strawberry Longcake (curly), Mad Zombies, More Dimension (3d), Popular Culture, Princess Cake, Wine Tasting (vampire script), Toxic Powers, Zombie Treats (rough brush), Total Eclipse (brush), Whisky Lickers, Brain Washers, CityVetica, Turn Up, Basic Sharpie, Electronic Voyage, Swingers, Heavy Loading, Solid Waste (textured typeface), Swingers, HighLines (sketched typeface), IceCold (textured), ManyGifts, OpenStore, PlaidEvent (textured), RustyNail, SickDream, WantedPirates, BreakingNews, FantasticSeasons, FantasyMachine, FluShots (rough brush), GreatWinter, HeavenlyWings (sketched), KentuckyBourbon, LoveBombs (rough brush), MicroBrew, Slashtacular, XmasLite, Golden Dabs (grunge), Urban Paints, Making Ideas, Just Brains.

Typefaces from 2015: Extra Reaper (horror font), DigitalStream, EightyOne (sketched), GrandStencil, GrandZeroes, LightFuze, LiquidMagic, MetalReason, MiamiShades (shadow font), TakenBlack, TakenBlackItalic, TeaParty, WinterCrops, WonderInk (tattoo font), YoungRanger (connected script), Late Noise, Dark Papers (textured), College Thrash (sic), CrispyBones, DrawingMachine, JusticeWanted, KrampsHandso, PolarBears, SolutionFive, Shock Colours, Washer (textured), Dynamatics (textured font), Flowery Death, Pushing Sticks (dry brush font), Righty Marks (marker pen font), Baked Trains (graffiti font), Chronic Delivery (signage script), Intaglio Plains, Modern Reality (dry brush script), Nuevo Trenta, Rastaerize, World Shocker, Grape Blaster, Slate, Stencil Disco, Technocracy, Yarden Tawns, Flaunts (textured), Ringlead (textured), Freshly Thinking (script font), Plutonium (textured), Space (textured), Boulevard, Nuevo Disco, Stamp Ink, Educated, Krusty Signs, Quagent, Dusty Hotels, Cracked (glaz krak face), Amplitudes (techno sans), Frozen Rita, Beast Mode Suite (an avant garde family; +Disco), Epicenter (athletic lettering), Kitchen Cowboy (modular and spurred), Forest Lakes, Northern Montgomery, Biometric (techno family), Modernism, Higher Pixels, Grandious Vengeance (scratchy script), Second Avenue, Just Perforate, Grave Danger, California Designs, Natural Products, Boxing Chocolates, Beyond Space (textured), Asterisk, Katchy Markers (rough dry brush), Black Ties (sketched), Twenty Singles, Great Shake, Monster Energy (textured), Precious Moments (vampire script), Nuevo York (a vampire script), Faux Antique (another vampire script), Zero College, Fun Sized (drop shadow face), Blueberry Waffle, Stale Marker, 12 ounces, Raw Diet, Megadeal, Blklite (textured), Prison Break, More Candy, Fuel Tanks, Hot Bone, Break Point, Fresh Waters, Lower Haight, Carnal Devices, Juicy Boxes (sketched font), Special Case, Urban Life (dingbats), World Beings (dingbats), Twenty Something (textured), Many Fun, Expensive Solutions (brush), Dopeframes, Fun Lines, This Way (handcrafted arrows), Rinse Wash, Trap House (crayon font), Love Marks (dingbats), Viral Fun (scanbats), Grape Dragon (brush script), Juicy Rags, Pleasure Riot.

Typefaces from 2016: Reinebow (a color SVG font), DecoRated (art deco), Recreational (3d, outlined), Tiny Shack (3d, outlined), Sugar Cakes, Regime Change, Treasure Hunt, Taco Fiesta (Mexican simulation font), Crystal Breath, Purple Drank, Denominator, Perceptual (art deco), Realismo (futuristic), Banquetier (a monoline deco typeface), Continents, Asperian, Fonderian, DeadTasty, Distinguished, DraftHouse, FreakyTwenties (white on black poster typeface), LuckyTricks, (outlined) MajorChronic, (outlined) Moulden (outlined), OldeBarnsby, (outlined) Marquez (crayon script), Hand Typist, Fauquier, Blockchain (3d style), Zombie Story, Private Fort, Spiral, Spherism, Swaingarm Yori, Solarium (outlined techno typeface), Tracksion, Hail Stormz (grunge), Paper Scraps, BombingStencil (textured), ExtraSprinkles (textured), MagneticFriends, PerfectChisle, PrizedStudy (sketched), RealPrizesItalic (tattoo script), RealPrizesVeryItalic, SketchyBuilder, Tragic Prequel, Twisty Pixel, Movie Nite, Gaslighter, BeautyScript, BlackSmith, Education (grungy athletic lettering), Kickstop (white on black), LemonadeHustler, PrinceCharming, SurfPoint, Wickers, BigTangle (triangulated), FlavoredCrayons, FreshCandies, RedlightDistrict, SingleOrigin, SnakeBite, SpringRaces (children's script), Valencia (dry brush script), BoldDrink (textured), BrandStruck (sketched), CarteBlanche, DarkStars (sketched), FreightCarts, HipsterFactory (sketched), HugeCrunch (textured), LateVaping, Masquerade, Neturality (white on black), Playgrounds, Prescriptivism, RockSolid, SewModern, SimpleLucky, TotalFreak, Transylvania, WasteFactory, WickedSeventies, WindowMarkers, Boards (sketched), BigSmoke, BrightSigns, ClubSport, DatBox (3d, white-on-black), EasyPeople (signage script), GouldenTreatise, Invertage (white-on-black), SpaceTransit, Above Stars, Band Stand, Market Crash (glaz krak typeface), Opiated Values, Stamped Envelopes, Higher Bounties, Gothic Friends (blackletter tattoo font).

Typefaces from 2017: Abraxeous, Schwifty (outlined shadow font), Freaks (scary font), Musky Dawn, Tigerian (tiger-striped letters), Banqued (sketched), Basket of Candy, Bouquet (handcrafted blackboard bold), Percolation, Scrapbuckets, Guangzhou (oriental simulation), Budtender (outlined), Cryptographic, Moleculan (connect-the-dots style), Robustly Brewing, Wonder Age, Graphemic, Simulacre (bilined), Squanch (squarish), Wysterium (a hatched display typeface), Value Stamp, Discover Earth, Dreaming Castle, Metal Shard, Warm Showers, Ripe Apricots, Plenty of Metal, Spackler (dry brush), Falconers, Ephemerian, Brackish Pond, Lemon Shower, Delinquence, Couper Blaque, Pelanquier, Karpow, Graphisme, Martienso, Bacon Request, Corpsey, Cloudier (cloud-themed font), Draft Quick (draftsman font), Forgivable Sin, Manufactured Consent, Comedy Show (shaded), AvailableReservation, CandyDelish, ForgeMelt (textured), FreshSteaks, FunSpace (textured), Gouldage, StuckBrayers, Substrate, SunsetBreak (textured).

Typefaces from 2018: Infinity Lights, Prescribe, Huge Party, Fun Play (a 3d shadow font), Clown Shoes, Astronmica (hipster style), Bronium, Mastum, Brisquet (bilined), Mega Dose, Space Melons, Retaillistic (stencil), Algorithma (bilined), Basket Fries (crayon font), Elusive, Splasher, Midcentury, Miswak, Parabolic, Xelita.

Typefaces from 2019: Brewski, Trash Fort, Rough Path, Uncertainty, Scrizbels, Psychographia, Caustic, Zipties, Light Roast, Liquor Market, Boublies, Monolithic, Brick Roads, Blokqued, Chonkies, Brushings, Fugly Stick, Fresh Bagel, Scratchers, Fentanyl, Crypto Prices, Chonky, Mucho Fiesta, Leather Jackets (grungy), Peroxide (shattered letters), Postructure (sketched), Lubricants (brushed), Train Yard, Shipment (rough stencil), Action (halftone font), Bathing in Acid.

Aka Xerographer.

Dafont link. Github link. [Google] [More] ⦿

XPDR v 3.0 (or: Xpaider)

Spanish pixel font site, also called Xpaider. Some techno (non-pixel) fonts as well. Free fonts here: PXLB-Bold, PXLSB-UltraBold, PXLXCT, Retro-Robot-Xpaider, XPDR-DLUX, XPDR-DLUX-Black, XPDR-DLUX-Thin, Xpaider_Gothic (blackletter pixel), xpaider-doble-close, xpaider-doble-open, xpaider-navy-Bold, xpaider-navy-Normal, xpaider-pixel-explosion-01, xpaider-pixel-explosion-02, xpaider-text, xpaider-text-Bold, xpdr01, xpdr02, xpdr03, xpdr04, xpdr05, xpdr06. All fonts made between 2001 and 2003. [Google] [More] ⦿

XXI Creative
[Alfredo Callistini]

American creator of these handcrafted typefaces in 2017: Sara Script (calligraphic), Ruby's Notes (a thick brush script), Arizona, Socrates Gothic (blackletter), Spring Fling, Casual Friday (stencil), Apollo (formal art deco), Ivy League, Snap Dragon, Figura (octagonal), New Planet (circular futuristic typeface), Gargoyle (blackletter), Italian Goth (blackletter), Borders (brush script), Pencil, Casual Friday, Tetrahedron, Caffeine, Scratch, Quick Architect, Lines, Codec. Creative market link. [Google] [More] ⦿

xyz.ch
[Alexander Colby]

Alexandfer Meyer is the Zürich-based designer (b. 1977) who started publishing his typefaces at Die Gestalten. In 2008, he set up xyz.ch where he sells his own creations. Some typefaces have recently been released under the name Alexander Colby. Designer of these typefaces:

7110sms (pixel face)
Bleisatz (kitchen tile)
Coperto (2004). A vernacular grotesk typeface that as used as a corporate typeface by Théatre de Montreuil in Paris. Available from Milieu Grotesque.
Generika (monospace), Generika (proportional), done in 2008: organic typefaces, based on the old Adler typewriter typeface. Published by Die Gestalten and Milieu Grotesque.
Hell (2005)
Various sets of icons.
Lacrima Italic, Lacrima Senza, Lacrima Serif. This typewriter family was published by Die Gestalten and Milieu Grotesque in 2007.
Lacrimo
Logotic (blackletter)
Rapido ultralight (hairline octagonal)
ZYX (logo symbols)

Since 2010, partner with Timo Gaessner in Milieu Grotesque. [Google] [More] ⦿

Yabuchan
[K. Anzawa]

Yabuchan (K. Anzawa) is the designer of the Fraktur font YABU-Gothic-Font. Alternate URL. [Google] [More] ⦿

Yahdi Kumala
[Krakenbox Studio]

Yai Salinas

Graphic designer from Buenos Aires, Argentina, at some point located in Madrid, Spain, who made the free purely geometric typeface called Geometric Way in 2010.

In 2014, Yai made the free decorative caps typeface Craft (for craftsmen), the Greek-inspired caps typeface Hera and Destroy (2014: futuristic ornamental initials. Free download). In 2014, Tano Veron and Yai Salinas co-designed the free vector format colored display typeface Carioca.

In 2015, Yai Salinas created the hipster typeface Hera, the free blueprint font Craft Font, free vector font Helana (color, all caps) and the free decorative caps typeface Sea.

Typefaces from 2016: The free experimental draftsman typeface Lieben, the free textured ink-saving Arial GTI and Times GTI, the high contrast didone-inspired free fashion mag typeface Ginebra (revitalized in 2022 as GinZwei), the free decorative blackletter typeface Ethelvina, and the free thin connect-the-dots typeface Fina (which was designed for Design Hooks).

Typefaces from 2017: Gaia (floral caps), Aires (a free color font at Fontself), the free textured color typeface Electra, the free colorful all caps Ariel Black typeface.

Typefaces from 2018: Mercurio SVG (+color), Iris SVG, Russia 2018 (color fonts), Portugal, Sppain, Germany, England, France, Argentina, Flux (a nicely textured all caps color slab serif), Agatha (a free tall condensed slab serif).

Typefaces from 2019: Margo (floral initial caps), Renata (a text family), Flora (textured caps), Easter (textured caps), Antiça, Crack (decorative caps), Christmas, Itze (a colorful textured all caps typeface), Demeter, Regia (floriated caps), Venus (free).

Typefaces from 2020: Kaliope (a delicate and daring fashion mag display typeface), Acelga (a warm text typeface), Mora, Cut & Paste (a ransom note font), Nagy (Memphis-style exuberant capital letters), Block (3d), Konga (a wonderful color font).

Typefaces from 2021: Mood Font (colourful and festive), Cleo (decorative caps).

Flickr page, where she goes under the name Dopamina. Behance link. Dafont link. Creative Market link. [Google] [More] ⦿

Yan Snim
[Znakomesto]

Yanuar Adi
[Typehand Studio]

Yasunori Tada

Tokyo-based designer of the Latin didone typeface Fibonacci (2015) that is based on the golden ratio for its proportions. He also made Subway (2015), the ghoulish typeface Ghost (2014) and the blackletter typeface Square (2015).

In 2016, he designed the (Latin) modular compass-and-ruler typeface Bamboo. [Google] [More] ⦿

Yautja
[V. Sarela]

This is one of the most talented FontStructors, but also an active musician. On Behance, he/she is listed as Van Saarland from Hameenlinna, Finland, and on FontStruct since 2014 as V. Sarela, from Oulu, Finland.

Typefaces from 2011: Teotihuacan (inspired by a Mexican poster), Micra (a monospaced OCR-A font), Fast Driving, Rendez-Vous (a condensed serif font inspired by the cover of "The Essential Jean Michel Jarre"), Carat Condensed, Carat, Wolfen (a copperplate style condensed face), Futuroid (sci-fi), Instrumenta (after Neville Brody's Industria), Modern Vision (based on the opening credits from The Terminator and The Running Man), Future Earth (futuristic: based on a typeface used in The Terminator logo which is also the base for the font "Earth"), Phatprogy (+Extra Phat).

Typefaces from 2012: Modus Operandi, Ikonomi (squarish sans), Genera, Hexathrone, Liquid Crystal Serif, Wulthraesk (constructivist), Electionale, Major (a high contrast didone), Commandant (2012, like Futura Stencil), Comfutur (a beautiful stencil typeface with a bit of Futura Black), Qode (a retro-futuristic LED style typeface), Graphyto (a heavy slab face), Heavy Royale, Thiage (Thai simuation face), Bravis, Cirquetry, Solidis, Velocifero (bilined), Heavy Royale, Jet Set Groove, Reactor A1 (futuristic stencil), Polymoda (an abstract font), Lino II, Sequencer (+Condensed), Hertzace (square retro-futurist), Cifira (art deco), Saturation (monoline sans), Katana (+Bold, +Condensed), Countura (abstract and minimalist), Stripelane (horizontally striped), Vortexa (in the style of Data 70), In Nomine Matrix, Afterburner, Afterburner Phase II, High Rise (Western typeface), Sulaco, Polaroid, Tech Noir (a dot matrix typeface based on the nightclub sign from The Terminator), Slabbers II, Windician (art deco), Cryptocube, DMC 12, Ken Jp (oriental simulation typeface), PxlSQ, Scorpione, Monotronic, Advancer (dot matrix face), Avico, Discolyde, Film Sequence, Modern Vision (based on an unknown typeface which was used in the opening credits of The Terminator, The Running Man, Class of 1999, and also used on Robert A. Heinlein's book covers (there's a font called Heinlein which is similar)), Cromagnon, Gace, Midora Sans, Squarium (constructivist), Cheque Matte (octagonal; athletic lettering), Plusminus, Advancer Lite, Magnetofunk (retro-futuristic), Integrafia (piano key stencil face), Network9, Cechida, Rendez-Vous (condensed square slab face), Rendez-Vous II, Equantum, Karelian Stencil, Cryptocube, Neolexia, Ambiente, Stencilae (stencil), Linearis (horizontally striped), Contrafacia A and B (horizontally striped typefaces), Stereovision, Hypetron (based on the TRON logo), Degré (hexagonal), Typorabilis, Wunderkind (kitchen tile face), Kiova Captura, Biomehanika.

Typefaces from 2013: Starast Maxi, Starast Next, Lugar, Siquid (dot matrix face), Devico (constructivist), Meco (based on Meco's logo), Confiant A, Confiant B, Zerusta, Carat, Combonaut, Jet Set Groove, Cifira, Gace, Condensbit, Synditon, Abciria, Vulthraesk, Rendez-Vous (+II), Instrumenta (based on Neville Brody's Industria), Saturation, RndEX, Rewinder, Power Electronics (an octagonal typeface based on the Captain Power logo), Obsidian Deco (a gorgeous fat piano key typeface), Electrone, Plusminus, Connector Module, Scorpione, Perficio, XOX Design, Da Capo (bold slab serif), Gradiator, Phatprogy, Genexus, Finica Sharp Script, Power Electronics (based on the Captain power logo), Aftertouch (a wide sans), Telecharger, Vicenti, Modicea, Submachine (based on Stanley Davis's Amelia), Genera Deux (a computer font), Genexe, Network 9 (connect-the-dots), Square Earth, Future Earth (trekkie font based on an old Terminator logo), Cechida, Supernature, Siberiada (a great Russian simulation typeface with a medieval touch), Defigma (bilined), Carat, Back to the future (based on the movie logo; called Rewinder on FontStruct), Vibrion (techno face), Connector Module, Wunderkind (a tiled typeface), Yaguar, Pacific Serif (slab serif), Aerogenes (wide techno font), Windician, Commandant (a wide art deco stencil face).

Typefaces from 2014: Brigadier, Freelight (rounded stencil), Stencilae, Protocol Sans, Vicenti, Submachine, Dalecarian, Equantum, Twiphex, Waremann, Wolfen, Waltraud, Carat, Teotihuacan, Rendez-Vous (+II), Major (didone), Ambiente, Kiova Captura (based on the font used in Kiev camera manuals), Glissando, Vibrixean (sci-fi), Licoricette, Protagon (Greek simulation), Rewinder, Ardeus (futuristic, LED simulation), Techsyna (sci-fi), Rezonans (piano key style), Modern Vision, Trideko Display (multilined typeface), Xeometro (octagonal), Verbica, Megalith (a great black slab), Calibro.

Typefaces from 2015: Coffee,-Juice,-Food-2, Electric-Blue, Karakteristika (blackletter tattoo font), Memogo (horizontally-lined font), Proximitro, Stratus, Super-Eurobeat, Verdisquo, HI-NRG, Modern Vision (based on a font used in the opening credits of The Terminator, The Running Man, Class of 1999), Workflow (stencil), Blackwing.

Abstract Fonts link. Behance link. Dafont link. [Google] [More] ⦿

Yining Chen

Taiwanese designer of the blackletter typeface Lyric Poetry (2016) and the free sans typeface Arvin (2017).

In 2017, she published the monoline geometric sans typeface family Lois George Cafe. [Google] [More] ⦿

Yock Mercado
[Jorge Mercado]

Monterrey (was: Saltillo and/or Mexico City)-based designer of the spiky spurred almost Western typeface family Gandul (2017) and the octagonal Western typeface Kiner (2018). In 2019, they published the relaxed informal sans serif typeface family Ciento, the blackletter typeface Doppler, and the sans typeface family Burpee.

Typefaces from 2020: Reyes (a vintage mini-serif), Eliptik (a 6-style monolinear sans with alpha-shaped counters).

Typefaces from 2021: Tabique (a polygonal typeface). [Google] [MyFonts] [More] ⦿

YOFF (or: Your Own Font; was Font Garden)
[Ellinor Maria Rapp]

Ellinor Rapp was born in Örebro, Sweden, in 1972. She works at Örebro University Hospital at the microbiological laboratory as a biomedical scientist. Her pages had over 1400 fonts and dingbats. Alternate dingbat URL. A 20 USD handwriting font service and 5 USD signature/logo service. Her pages were initially called Font Garden, but changed in 2011 to YOFF, or Your Own Font. Ellinor Rapp herself also made some fonts, typically based on the samples sent to her. About 70 of these handwriting fonts are stored here and here.

Listing of these initial handwriting fonts: AaronFont-Hand, Addiction, AliceWachol, Amura, AmuraMusic, Amyie-Hand, AngHand, Augustin-Hand, Bonnie'sfont, BrianneHand, CRobles, Cathie'sHand, Charyn-Hand, Chelmo, Chelsea'sHandwriting, CherFont-Hand, Cheryl-Hand, Cindywrite-Hand, Crys-Hand, David-Hand, Deanna'sHand, Deanna'sHand-Music, Delany-Hand, Derek-Hand, DeseraePlain, DesereaFancy-Hand, Diana-hand, Dulce'sFont, EdithHand, Efficient, Elisha-Hand, Ellifont, Erin-Elizabeth, FG Klara (2005, Fiona-Hand, ForgetMeNot-Girl, Frederick-Hand, Gina, GraysonFont, Gunnar-Krus, Handwriting, Ivy-Hand, Jayne-hand, JaynePrint-Hand, Jeana-Script, Jeff-Hand, JenniferHand, Jenny-Handwriting, Jessy-hand, Joe, Judy-Script, Justen-Hand, KariKatziFont, Katie-Font, Keven-Hand, KollerFont-Script, Kristen Curly (1999), KristenScript, Kristenscriptalt, LN, Larina-hand, Larua-Hand, LeafQueen, LeafQueen-scripty2, LeafQueenHand, LeafQueenScript-scripty2, LockermanHand, Maria-Hand, MarioHand, Mats-Hand, Mazgiz, Melodie, Mich, Michelle (2000), Michelle-Marker, MomsFont-Hand, Nancy-Print, Natalie'sScribble, Pam'sHand, Paulette-Hand, PiaScript, Polly, QUesneLL, REW, RingbearerRegular, Rissa'sFont, SSR-Hand, Samantha-hand, Sammy, Sandy-Script, SaraElizabeth, Schaun-Hand, Shane-Hand, Shelton, Shennette-Hand, Starlet, Steve-Hand, Steven2-Hand, Stuarty-Hand, TotallyTweetie, Traci-Hand, Valorie-Hand, VirgilGS, Whitney2, Whitney2, Wolfie-Hand, Wurth-hand, c.j-Hand.

She created Claudia (2003, handwriting by Claudia Lasiter). At Dafont, one can find her typefaces Cheryl Hand (2000), Jayne Print (2000), Totally Tweetie (2001, dings) and Whitney2 (2000). A list of fonts on their site in 2006: BrianneHand, FGAaron, FGAddiction, FGAmura, FGAmuraMusic, FGAmyie, FGAngHand, FGAugustin, FGBonnie'sfont, FGBunnigrrrl'shandwriting, FGCJ, FGCRobles, FGCathie'sHand, FGCharyn, FGChelsea'sHandwriting, FGCherFont, FGCheryl, FGChris, FGChristine, FGCindywrite, FGCrys, FGDavid, FGDeanna'sHand, FGDelany, FGDerek, FGDesereaFancy, FGDiana, FGDulce'sFont, FGEdith, FGEfficient, FGElisha, FGEllifont, FGErin-Elizabeth, FGFiona, FGFrederick, FGGina, FGGraysonFont, FGGunnar, FGHandwriting, FGIvy, FGJayne, FGJaynePrint, FGJeana, FGJeff, FGJennifer, FGJenny, FGJessy, FGJoe, FGJusten, FGKariKatzi, FGKatie, FGKeven, FGKollerFont, FGKristenCurly, FGKristenScript, FGLN, FGLarina, FGLaura, FGLeafQueen1, FGLeafQueen2, FGLeafQueenHand, FGLisa, FGLisaScript, FGLockerman, FGMariaHand, FGMelodie, FGMich, FGMichelle, FGMomsFont, FGNancy, FGPam'sHand, FGPaulette, FGPiaScript, FGPolly, FGQUesneLL, FGREW, FGRingbearer, FGRissa'sFont, FGSamantha, FGSammy, FGSandy, FGSaraElizabeth, FGSchaun, FGShane, FGShelton, FGStarlet, FGSteve, FGSteven, FGStuarty, FGTotallyTweetie, FGTraci, FGValorie, FGVirgil, FGWhitney1, FGWhitney2, FGWolfie, FGWurth.

Dafont link. Font Garden at MyFonts sells FG Adam, FG April, FG Camilla, FG Carola (2006), FG Caroline, FG Elias, FG Ellinor, FG Erin, FG Jasmine, FG Jennifer (2007), FG Jordan, FG Lova, FG Matilda, FG Muriel, FG Nadja, FG Nando, FG Nina, FG Petra, FG Rakel, FG Rebecca, FG Ronja, FG Saga, FG Smilla, FG Tindra, FG Traci, FG Typical, FG Rochelle, FG Emmy. Added in 2007: FG Jacky, FG Norah. Fonts in 2008: FG Abby, FG Sharon, FG Alison, FG Jason, FG Pedro, Bethany (handwriting), FG Callie (grunge blackletter), FG Noel (child's hand). Fonts from 2009: FG Kelli (connect-the-dots face), FG Liz, FG Tiffany. Additions in 2010: FG Alex, FG Audrey, FG Kristine, FG Lina, FG Well Well, FontAddicts Halloween, FG Tonya, FG Jennie, FG Swan, FG Suzanne. Additions in 2011: Charlotta (children's hand).

As YOFF, MyFonts sells Abigail YOFF (2020), Alisha YOFF, Mazi YOFF (2011, a happy hand-printed family), Jolly, Abby, Bunnigrrrls Handwriting YOFF, Nicola YOFF (2013), Stella YOFF (2013), Roger YOFF (2013).

Klingspor link. Dafont link. [Google] [MyFonts] [More] ⦿

You Work For Them (or YWFT; formerly Cinahaus or TrueIsTrue)
[Michael Cina]

Michael Cina (Minneapolis) is the cofounder of WeWorkForThem and YouWorkForThem (in 2002), also known as YWFT. Before that, he ran TrueIsTrue, and before that was partner in Test Pilot Collective (which he left in 2001), and before that he ran Cinahaus. YWFT is located in Knoxville, TN and/or Baltimore, MD. The creative director is Michael Paul Young.

Cina's fonts include the pixel fonts YWFT Caliper (1998), YWFT Bit (1998), 6x7oct (1998) and BlackGold; the handwriting font Cinahand; Blessed (1999, techno), YWFT Cam (1998, a slab serif based on industrial lettering), CommunityService, Crossover (1998, dot matrix with stars instead of dots), Composite (1998, octagonal), Formation (1999, a big octagonal family), Jute (2004, a masculine, military, sans-serif), YWFT Maetl (1999, octagonal, angular family), YWFT Moteur (a technical, retro, machine-like design; it briefly went under the name Alloy---in the early 2000s it was heavily used in the video gaming magazine Playstation), YWFT Novum (2002: a heavy block font that draws inspiration from a typeface originally used by the Swiss graphic designer Siegfried Odermatt), Pakt, Reversion (1997, squarish), Selector, Selek (1998, pixelish), YWFT Blackgold (2000, pixelish), Service (2001-2002, an octagonal family), YWFT Signature (1998), Trisect (1999, three-lined family), Unisect (1999, organic monoline sans), YWFT Ultramagnetic (1996, a popular rounded gothic typeface family), Ultramagnetic2 (1999), YWFT Ultramagnetic Expanded (2011), YWFT Ultramagnetic Rough (1996-2017), Unfinished. Bastard (1998), Kcap6 (with Matt Desmond), Cheese (1998), Novum (2002), Overcross (2002, unfocused letters), Stem (1998), Testacon (with Kral and Desmond, 1999), Praun (2002, pixel typefaces), OneCross (2002, pixelish stitching family), Estenceler (2004, a great stencil family a bit related to Milton Glaser's Glaser Stencil), Graphium (2004, octagonal Western style family), Expos (2004, graffiti or poster face), YWFT Pixacao (2007, after the Brazilian graffiti style), Vox (2007, monoline sans), Militia Sans (2007, like a Russian constructivist stencil), Jupiter (roman), Militia (2007, heavier stencil), Merc (2007, grunge), Guild (2007), Clarendon Text (2007, a complete revival), Jezebel (2007, script), Ambassador Script (2007, a digital revival of Novarese's typeface by that name), Enam (2002, influenced by Crouwel), Enigmatic Hand (2007), Dusty (2007, a Tuscan-eared Western font), YWFT Poplock (2007, experimental), YWFT Pakt (2004, geometric sans), Sudsy (2007), Black Sabbath (2008, ultra black slab serif, by Stefan Kjartansson), YWFT Belle (2008), YWFT Agostina (2008), YWFT Bitwood (2007-2017, pixelish Western typeface), YWFT Mullino (2009, letterpress emulation), Trithart (2008, grunge by Emma Trithart), YWFT Tapscott (2008-2017, informal and nostalgic all caps family, in the style of Rennie Mackintosh), Habano (2008, script), Amorinda (signage script), Retron (2008, connected script), MD01 (medical-themed dingbats), Adelaide (script), Centennial Script (calligraphic), Alexia (calligraphic), Ultramagnetic (experimental), Nash (1997, grunge), Amber (kitchen tile), Fab (3d), 6x7 Oct (1998, pixels and dots), Wool (2009, stencil), YWFT Matter (2009, a wide bold grotesque), YWFT Merriam (2009, a Clarendon-styled slab serif), Agostina Alternate (2011, with Michael Paul Young and Taechit Jiropaskosol), Ramsey (2012), YWFT Dessau (2013, schizograms and capitals like Bauhaus on drugs), YWFT League (2014, inspired by college football jerseys), YWFT Yoke (poster typeface done with Pintassilgo), YWFT Illuminati (2015, abstract capitals).

Blog. His lovely g poster (2010).

House fonts at YWFT by unknown designers: YWFT Knit (2010: knitting patterns), YWFT Motif (2015), Ramsey Condensed (2015), YWFT Roamer (2016), YWFT Whisky (alchemic), YWFT Psychosis, YWFT Processing (2001-2010: YWFT Processing was developed in 2001 for Casey Reas, the co-creator of the Processing programming language. We created this display face to be sharp, tall, unique and interesting...much like Mr. Reas himself. The font was derived from an original logo that already existed, and we continued the idea into a fully working six-weight font family. YWFT Processing was converted to Opentype format in 2010), YWFT Filbert (2012), YWFT Nim (2012, combining the hipster style with overlays for bevel and shadow effects), Dogma (2012, alchemic), Attic (spooky poster face, in EPS format), YWFT Yoke (textured all-caps), Riblah (2003, dot matrix), YWFT Fraktur (tattoo face), YWFT Burls (2013, fat poster typeface), YWFT Coltrane (2011, handdrawn poster typeface), YWFT Symplify (2013: haute couture snowflakes), YWFT Smoothie, YWFT Chance (2016), YWFT Skipper (2016), YWFT Wheatgrass (2016), YWFT Estee (2002-2017), YWFT Watermelon (2017), YWFT Ink (2017, originally designed in 2008), YWFT QUE, YWFT Burtonian (2017, named after Tim Burton), YWFT Crew (handcrafted), YWFT Maudlin (2017), YWFT Liana (2017; perhaps plumbing dingbats, who knows?), YWFT Victoria (2010: a bonbonnerie type), YWFT Valley (2017: a Memphis movement type), YWFT Wellsworth (2017), YWFT Harmony (2008-2017, a curly calligraphic script), YWFT Edger (2017), YWFT Chateau, YWFT Gummy (2002-2018), YWFT Blender (2018), YWFT Fluctuant (2018: a variable font), YWFT Gavin (a ransom note font) (2021), Ramsey (2021: a 54-style rounded squarish typeface), YWFT Hugo (2021: a child's hand).

View Michael Cina's typefaces. Alternate URL. Behance link. Interview. [Google] [MyFonts] [More] ⦿

Young Gyun Woo

During his studies in New York City, Young Gyun Woo (b. South Korea) designed the angular typeface Chisel (2016). [Google] [More] ⦿

Yudi Pratama Chandra
[Rantau Type]

Yuichi Nakagawa
[Kinema Moon Graphics]

Yuri de Paula

Sao Paulo-based designer of the grungy blackletter typeface Belmont (2018). [Google] [More] ⦿

Yuriy Skomorokhov

During his studies in Moscow, Yuriy Skomorokhov created a blackletter and an Old Slavonic typeface. [Google] [More] ⦿

Yury Ostromentsky
[OSTYPE]