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[A typical Western font is Piccadilly Circus, designed in 2010 by Alex Kaczun.]








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1001 Fonts (Western fonts)

Western font archive. [Google] [More]  ⦿

1001freefonts
[Jason Nolan]

Good-sized archive by Jason Nolan. Lots of bells and whistles. It gets hairy when he asks 10USD for a 2000-font download, and 20 USD for a 10,000-font download, charging for freeware and shareware fonts made by others. He writes in 2011: 1001 Free Fonts first opened its doors in December 1998 and has since grown to become the most popular free fonts archive online. We receive more than 50,000 visitors daily and have received 150,000,000 visitors since 1998. Over 3,000,000,000 free fonts have been downloaded since 1998.

Creator of Pray for Paris (2015), Aerobus Dotty (2014, a halftone texture font), Dirty Old Town (2014), Ghost of the Wild West (2014), Fresco Stamp (2014), My type Of Font (2009, typewriter) and Emma Sophia (2009, hand-printed). Dafont link. It is interesting, but not surprising, that Monotype (+ITC) is a "partner site". [Google] [More]  ⦿

38 Lineart Studio (or: Grayscale, or: Fontsources)
[Muhammad Ridha Agusni]

Architect and designer in Banda Aceh, Indonesia, b. 1980, who set up Grayscale, then 38 Lineart, and finally Fontsources.

In 2018, he released the hexagonally-patterned color font Space, the nervous monoline display typeface Barcelona, the monoline script Brandy, the tattoo and metal band blackletter font Amstha, Twinkle (hexagonal texture), Premium Quality, Hightide (signage script), Ashley Pages, Bold Grunge (a wood style Western font), Rabbit House, Strongbold (brush style), Onthel (a rhythmic signage script), Cafeine, Seulanga (calligraphic), Sweet Bubble, Downhill, Architecture (technical writing font), Wisethink (rough brush), Emerald, Ghotic, Oakland (signage script), Parthenon (signage script), Strawberry Night (script), the formal calligraphic font Beauty Athena, the inline font Epicentrum, and the signature font Attitude in 2018.

Typefaces from 2019: Ghoust (a marker font done at Cititype), Diamant Handwriting (a signature font), Utrecht (with Siti Saribanon Nurjannah), Exhibitionist (a fine rhythmic script), Holimount, Prague Metronome (a thin signature script), Allegroost (a brush typeface), Anisha (script), Kyoto Northern, ChiQuel (a Victorian display typeface that can be layered), Hillstone (a dry brush script), Malique, Ginchiest (a retro signage script), Kid Knowledge, Haghia, Khatija Calligraphy, Bernound, Graffity, Brandy Script (monoline), Downhill, Concept (sketched, blueprint font), Konya (signature script), Blacksmith, Curve Calibration (condensed sans).

Typefaces from 2020: The Pallace (a great natural inky signature script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Chipen (inline, all caps), Jakarta (a flowing inky script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Rhode White (a great signature script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Bailamore (a creamy signage script), Vogie (a sporty / techno sans family of 72 fonts, plus a variable font), Rollingtime (a brush script jointly designed by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Piedmont (a heavy connected handwriting script advertized as a masculine signature font), Whiplash (an all caps dry brush font), Aceh (a 36-style geometric sans), Youthink, Sacred Letter (a vintage weathered script), Serif Sketch (by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Corinthiago, Smart Chameleon (a handcrafted typewriter font by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Hiroshima Gyoshi (a brush font inspired by Japanese calligraphy), Roughmarker (dry marker font), Brotherhood, Blugie (a fat finger font), Rome Ionic (an all caps roman typeface), Black Orchestra (a great horror or black metal font), Black Orchestra (a horror font).

Typefaces from 2021: Magreb (an 8-style renaissance serif typeface), Toxide (calligraphic; Celtic; uncial), Redtone (a 14-style geometric sans), Moula (an 18-style geometric sans for Latin, Greek and Cyrillic), Zouk (blackletter), Zagreb (an inky signature script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Alsace (Victorian), Backbone (a black metal blackletter typeface), Roundkey (a 24-style condensed, but not round, sans), Wordwalker (a marker pen font by Muhammad Ridha Agusni and Siti Saribanon Nurjannah for Cititype), Sweet Bubble (a bubblicious font), Souljah (an elegant inky calligraphic script).

Creative Fabrica link. Another Fontbundles link. [Google] [MyFonts] [More]  ⦿

3MoDuDe

FontStructor who made these fonts in 2010: Reeph (wedge serif face), Theen (techno sans), Pewma (fat lettering as in the Puma logo), Clean (a gorgeous rounded elliptical sans), Ambdx (Treefrog-style hand), Twynn Open (dot matrix face), rnd0m, Arcbk-Open (stencil), Arcbk-Regular, Djeom (athletic lettering), Skwar (squarish), Bletr, Serif, Stens (white on black stencil), Strux, Outln (Regular, Shady: art deco meets athletic lettering), Kyrst, Phatt (ultra fat), Psych (a "Western", Italian face), Bloks, Twynn, Zilch, Cyrth (runic), Reimu (blackletter), Kaway (stencil), Kewte (rounded monoline), and Kurvh (dot matrix).

Typefaces made in 2011: t4le (a tall piano key face inspired by In Her Memory by Softhunterdevil), Theek, Theek Open (blackboard bold face), Tukan, Theen, Fluid, Sharp (angular).

Typefaces from 2012: Lined (stencil), amcbl. [Google] [More]  ⦿

3r1c

Designer who used FontStruct in 2008 to create the tall piano key fonts Palo Alto and Palo Alto Rounded, the pixel font Fixedsys, the filled in black geometric typeface Fiasco, and the quite original SquareDotDot. In 2009, he added SSSeriffff (Western saloon face), Pamplinas (ultra black counterless display face), Fisko, aBus (kitchen tile), 123r1c (squarish). [Google] [More]  ⦿

4th February
[Sergiy Tkachenko]

Sergiy Tkachenko (b. 1979, Khrystynivka, Cherkasy region, Ukraine) lives in Kremenchuk, Ukraine, and has been a prolific type designer since 2008. Sergiy graduated from Kremenchuk State Polytechnic University in computer systems and networks in 2007. Various other URLs: Microsoft link, Identifont, 4th February, Behance, Klingspor link, Revision Ru, Russian creators, CPLUV Fontspace, Twitter. Kernest link. Sergey Tkachenko's typefaces:

Abstract Fonts link. Dafont link. Creative Market link. Behance link. Hellofont link. Open Font Library link.

View Sergiy Tkachenko's fonts. [Google] [MyFonts] [More]  ⦿

A New Machine
[Kent Swecker]

Foundry, est. 2011, in Raleigh, NC, by Kent Swecker. A New Machine created the beautiful hairline hand-printed typeface Hair Line (2011), Sweck Sans (2011, a sans with some contrast and a large x-height), Unstable (2011, a paper cut face), the sketch typeface Crosshatch (2011), and the modular FontStruct-like typeface Model UR (2011).

In 2012, he made Quarry (an outlined hand-drawn shadow font), Holt Sans (a Peignotian family), Unstable Slab, Mitosis (using bubbly dots), Radial (prismatic), and Airwave (techno).

Typefaces from 2013: Benthic (decorative geometric caps), Tubbs (a beefy poster face), Dot To Dot (a dotted and lined pair of school fonts), Emjay (sketched blackboard bold typeface).

Typefaces from 2014: Art Party (a festive hand-drawn typeface co-designed with with Erin Solomon), Carawan (a rounded sans family), Back and Forth, Fat Nib (splatter brush face), Smoot (whimsical typeface).

Typefaces from 2015: El Guapo (a handcrafted typeface co-designed with Erin Solomon), Nervy, Current (thin connected script).

Typefaces from 2016: Etymon (Skyline style), Big Trees (Victorian, Western), Igor (a beatnik style font).

Typefaces from 2017: Down With The King (a great techno headline typeface).

Typefaces from 2018: Thickness (hand-drawn), Chisel Brush, Dot to Dot, Dot To Dot Cursive (dotted line font, perhaps for teaching children in school).

Typefaces from 2019: Artie Deco, Marie Jeanne.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Abby Leighton

Abby Leighton is from the New England town of Simsbury, Connecticut. Brooklyn, NY-based student at the Pratt Institute in 2017. Her typefaces:

  • The brain matter font Ego Sans (2017), which is created to evoke the memory of Sigmund Freud.
  • Olf Faithful (2021). A monoline script.
  • Red Sea (2021). A blocky all caps sans.
  • Rancher (2021). Inspired by ranch signage.
  • Miroa (2021). A fancy hand-lettered typeface.
[Google] [More]  ⦿

Abdul Malik Wisnu
[Almarkha Type]

[MyFonts] [More]  ⦿

Adam Cruz

Type designer associated with Delaware-based House Industries. His typefaces at House Industries include:

  • The fat slab serif face Goliath (2011), designed with Vincent Pacella and Ben Kiel based on Film No. 6206 in the PhotoLettering archive.
  • West Barnum Ultra (2011, with Ben Kiel). Based on a Plinc original by Dave West (film no. 5494 in the original Photo-Lettering archive).
  • Plinc Swiss Interlock (with Christian Schwartz). Based on originals by Photo Lettering Inc.
[Google] [MyFonts] [More]  ⦿

Adam Fathony
[AF Studio]

[MyFonts] [More]  ⦿

Adam Nienow
[Nienow Brand]

[More]  ⦿

Adam Peekay Hilborn

Toronto-based designer who runs Peekay Art Department, which serves as a multi-disciplinary studio which focuses on art direction, illustration and graphic design. Behance link. Creator of the slabby Western poster typeface Fontaine (2011) and the grotesque black caps typeface TTC (2011). [Google] [More]  ⦿

Adam Wunn
[Wunn-Way Fonts]

[More]  ⦿

Adit Saputra
[Alter Deco Type foundry]

[More]  ⦿

Adria Romana

At EASD Serra i Abella (ESDAP) in L'Hospitalet del Llobregat, Mataro, Catalunya-based Adria Romana designed the free vector format Escher-inspired set of numbers called Imponumbers (2016). In 2017, she designed the piano key typeface Ona, the free Western font Sheriff and the free rounded sans typeface Rosmi. [Google] [More]  ⦿

Adult Human Male
[Alex Hy]

Adult Human Male is the type foundry of Malaysian designer Alex Hy, who is located in Berlin or Ireland. His Twitter account says that he is New York, Paris and Coolock. His Dafont account calls him Irish. Whatever. Alex has two aspects, a commercial one, expressed in his commercial foundry Adult Human Male, and a free one via his Squack site on Dafont.

The commercial Alex created the grunge stencil typeface Butterworth (2011), the hand-drawn Teksi (2011), the monoline squarish family Ebdus (2011), Valis (2011, futuristic), and the thin avant garde monoline typeface New Slang (2011). Gordito (2011) is a graffiti style bubble font that says Smurf.

In 2012, Alex published the poster caps typeface Areaman, Stink Lines (multilined typeface) and Penang (art deco signage typeface seen on Penang by the creator). Straights Light is a beautiful pair of bilined all caps typefaces. Dale Kids is a children's book typeface. Hokkien (2012) is an art deco typeface with Chinese influences. Mister Mustard is a chubby rounded art deco typeface. Barkley (2012) is a textured caps typeface with a chalk board feel. Liner Notes (2012) is a bilined hand-drawn typeface. Bartleby (2012) is a hand-drawn all caps display font.

The free font foundry Squack has the hand-printed typefaces Barker Allcaps (2012), Scrapist (2012, sketched), Billy Boy (2011, 3d), Quito Chicken (2011, 3d), Fred Wild West (2011, a grungy western face), Coolock Black (2011), Zapftig (2011), Ringworm (2011), Suicide Draft (2011), National Granite (2011, a 3d stone chisel face), Whiskey Fingers (2010), Wank Hands (2010) and Middle Man (2010), and the irregular typefaces Zapftig (2011), Shock Corridor, Pollo Asado, Middle Woman, Ghost Words, Late Puberty, Parrannoyed (2010, ransom note face), the hairline typeface Rexic (2011), Black Grapes (2012), Chump (2012, hand-printed capitals), Areman OT (2012), and the grungy Skidmarks (2012).

Typefaces from 2013: Salas (a chunky cartoon face), Rabid (a crayon font), Strokin (a great brush face---part charcoal part paint strokes), Bevel Hands, Bunk (a layered beveled type system absed on a monoline fat rounded sans, Bunk Base 2), Spengler (inline face), Vastra (Bauhaus style, organic), Swingers (curly and cartoonish), Chump Change, Treves Sans (crayon face), Quincey (2017).

We read that the fonts are designed by EircomTest. Aka Squack, MiddleMan and Alex H.

Dafont link. Creative Market link. Twitter link.

Behance link. [Google] [MyFonts] [More]  ⦿

Aerotype
[Stephen Miggas]

Aerotype is a foundry in Camarillo, CA (formerly in Glendale, CA). It sells the typefaces of Stephen Miggas. Many types were designed around 1998, and most were rejuvenated and updated in 2005. A list of Aerotype's typefaces typefaces:

  • Pixel fonts: Airlock, AirlockWebDings, Fronteer One, Fronteer Two, Microtooth, Microtooth Web Dings, No Biggie One (+Bold), No Biggie Two (+Bold).
  • Old typewriter fonts: Obsolete (+Bold, XBold, Light, XLight).
  • Handwriting or informal scripts: Fave (2019), Arbordale (2014, calligraphic), Bountiful, BountifulBold, Khaki (2007, fun script), Khaki Alternate, Mission, Sanscripta (+Heavy), Siesta, Southbee, Stay True (2011, tattoo-inspired), Turbinado (2018), Boundless, Chillin, Angeleno, Game Street, Jumpshot.
  • Stencil typefaces: Expedition Stencil (+Heavy, +Thin), Hogwild (2010).
  • Blackletter: Octoberfest, Kingshead (+Alternate, Alternate Gothic, Alternate Light, Gothic, Light), Ladybat (+Alternate, Alternate Light, Light), Ravenwood One (+Bold, Condensed), Ravenwood Two (+Bold, Condensed), Wilhelmschrift, Ravenwood, Octoberfest (blackletter), Gothicus (2006, after Rudolf Koch's Maximilian), Dractura, Dracena.
  • Destructionist: Derailer (2016), Americanus (2016, emulating 1800s newsprint type), Dogjaw (2009), Thunderhouse (2009), Sluicebox (2008), Americanus, Conquistador Medium, Derailer (2006), Fiesta, Indigo Medium, Rebound (+Bold, Light, Super, XLight), Coldsmith, Blackstock, Boilerplate, Geoduck, Ghost train.
  • Techno: Durandal (+Black, Flat, FlatBlack, FlatLight, Light, Recycle.
  • Octagonal typefaces: Expedition (+Heavy, Thin, Super, StencilSuper), Protocol (+Alternate, Alternate Light, Alternate Bold, Bold, Light).
  • Dymo label simulation typefaces: Recycle Alternate, Recycle Alternate Reverse, Recycle Reverse, Recycle Standard), Public Works.
  • Display typefaces: Pacifico (2009), Rebound, Roughneck, Fiesta (Mexican style), Mediterano, Pitchfork, Serendipity.
  • Western style: Buckboard (2009), Bootstrap (2010, a estern wood-inspired slab serif), Planchette, Protocol, Leadville (Egyptian), Saloon After, Saloon Before, Boxwood, Caboose, Copperjack (2006, Egyptian), Silverton (Egyptian).
  • Pre 1999 typefaces that have been discontined or renamed: Clique Serif, Bevel-Broken, CliqueWedge, Vector, Corrode, Looneywood.
  • Dingbats: Antique Macabre Ornaments (2007).
  • Wood type: Coldsmith (2016), Sluicebox (2016, letterpress style), Applewood (+Alternate, 2009), Blackstock (2015).
  • Brush scripts: Zooja (2016).
  • Script typefaces: Fave (2019-2020).
  • Calligraphic typefaces: Duende (2016), Meritage (2014, a contrast-rich brush face)), Keepsake (2012, also advertised as a tattoo script typeface family), Spindrift (2012).

Creative Market link. View Stephen Miggas's typefaces. [Google] [MyFonts] [More]  ⦿

AF Studio
[Adam Fathony]

Adam Fathony (or Adam Fathoni Haris; AF Studio, Bandung, Indonesia) created the vintage typeface Grandesa (2014), the signage typeface Magnifika (2014) and the Victorian typeface Marema (2014).

In 2015, he published the connected swashy script typeface Octavia Script, the brush scripts Carbonera and Shallom, the hand-lettered Vanilla Daisy Script and Mightype, the watercolor script Hollycakes, and the connected Brayden Script (and Sans).

Typefaces from 2016: Drustic Daily, Karlberg Script, Ecosmith Script, Halosense Script (calligraphic), Lunar Cone (connected layered script), Clarkson Script, Salvador Script, Salvador Serif, Salvador Condensed, La Venice Script (retro signage lettering).

Typefaces from 2017: Clarkson Script (brush lettering), Bignord Vintage (with Fauzan Rafhy), Douglas Collection (12 fonts: Aaronade Script, Ancaster Script, Burlington, Calgury, Montreal Rounded, Morphic 60s, Norwood Old, Ogdensburgh, Palmeira, Rutland Extended, Wolves Sans, Wolves Serif), Almost Lover, Rhythmic Dances (rough script), Sevastian (layered font set), Rustling Trees (dry brush), Little Karla Script.

Typefaces from 2018: Figuera Variable (a late Victorian, early art nouveau typeface family; variable font format), Brignola (a calligraphic penmanship script), Eastside Brush (a brush signage script done with Angga Kristiandri), Marshfield (a retro cursive typeface by Adam Fathoni Haris and Renov Olivian), C'est La Vie (font duo), Chivels (a vintage typeface done with Angga Kristiandri at Abbassy Studio), Sevastian (a layered font family), Drustic Dialy (weathered; with Angga Kristiandri), Elli Bellie (calligraphic).

Typefaces from 2019: Scottsdale Serif (at Typeverything), Scottsdale Desert (an opentype feature-laden display serif), Norfolk (Narrow, serif), Tiverton (Sans, Serif, Script: by Adam Fathony Haris and Angga Kristiandri), Havard (a layerable athletic lettering set of 12 fonts), Gorga Grotesque.

Typefaces from 2020: Auvelle (a hairline sans), Windsore (a font trio), Howli (layerable, rounded; sans, serif and script), Genty (a creamy retro signage script typeface by Ilham Herry and Adam Fathoni Haris), Burnest (a vintage typeface by Adam Fathoni Haris and Renov Olivian), Glaw (a psychedelic font by Ilham Herry and Adam Fathoni Haris), Oliviar Sans (28 styles and a variable font), Budge (a layerable retro signage script by Ilham Herry and Adam Fathoni Haris), Stanlow, Muray House (a bold swashy bathroom towel typeface by Ilham Herry and Adam Fathoni Haris), Esteric (a playful tapered font by Ilham Herry and Adam Fathony).

Typefaces from 2021: Alstera (an oblique serif), Monvar (a layerable Cooper Black style typeface by Ilham Herry and Adam Fathoni Haris), Rische (a 6-style display serif with huge counters and an enormous x-height; by Ilham Herry and Adam Fathoni Haris), Ottenthic (script and serif), Mionic (a reverse contrast slab serif by Adam Fathoni Haris and Angga Kristiandri), Matchbox Font Collections (a set of vintage fonts based on lettering on matchboxes; it includes substyles called Linea, Lettre, Deco, Scriptura, Ornato, and Graso).

Typefaces from 2022: Balide (a 70s style display typeface), Norsy (a 21-style and variable flared font family). [Google] [MyFonts] [More]  ⦿

Affolter und Gschwind AG
[Werner Affolter]

Werner Affolter ran a phototype and printing company in Basel, Switzerland, called Affolter und Gschwind AG, Fotosatz&Reprotechnik. In 1981, Affolter published an extensive catalog entitled Letterama that showed over one thousand alphabets. Few of those were original, so I suspect he acted as a vendor of sorts, but at least a couple seemed original, or were claimed to be original or exclusive: Guigoz, Moby Dick. Moby Dick was revived in 2014 by Nick Curtis as Call Me Ishmael NF.

Some examples of the types shown, in alphabetical order: Antique Wood MP363 (art nouveau), Antique Wood MP 364 (oriental simulation face) [the Antique Wood series is quite extensive, and is just numbered], B+T Classic (roman), Bernhard Fett, Beton Fine Line (typewriter), Burko (avant garde family), fonts starting with G, Gaston Fett (a squarish gothic typeface also called Gipsy), Gaston Halbfett (also called Grassy), Gemini Computer, Germanic Sans (more avant garde and Lubalin-style glyphs), Hollandse Mediaeval, Hollywood (a 3d decorative family), typefaces starting with K, Lineamarca (slabby), Linear (avant garde, geometric monoline), Melen (experimental, geometric), Meola Bookman swash (decorative), Metro (art nouveau, after the Metroploitaine font), Moraine (squarish), the Old Foundry sub-collection [another mysterious numbered collection; examples include some uncials, and some more art nouveau typefaces, some Victorian ornamental typefaces (F260 through F262), more art nouveau (MP418 through MP420) and blackletter typefaces (MP421)], Pierrot (psychedelic, groovy), Phydian (one of many Western style ornamental typefaces), Ronda, Roulette, Roulette Schattiert (=Rajah) (more Western fare), Ruby (shaded caps), Runic Small (condensed), Rustic (wood log look), typefaces starting with S, Spengler Gothik, St. Clair (ornamental), Zither (calligraphic script). [Google] [More]  ⦿

Agung Maskund
[Decade Type foundry]

[MyFonts] [More]  ⦿

Agung Suwandi

Or Virgi Ghow, or I Do Not Sleep. Bandung, Indonesia-based designer of these typefaces in 2018: Elsora (vintage slab serif, Western), Asthoria (an all caps art deco sans), Jasmine, Flora SVG (a brush font), Prodigal Signature, Chathing Sans, Him Handwriting, New York (script), Bronx (sans), Theorist, Emelly, Sevilla, Saint Justin (signature font), Goliath, Alter Ego, Honey Buney (sic), Caldera, Barlan Sevilla (script), Royal Morgue, Romantic Blues, Romano, Bronx Awesome (vintage), Salomon Script (signature font), Laluna (sans).

Typefaces from 2019: Shalima, Gigs Beauty, Trending (an inky script), Butter Scotch (wild calligraphy), Polaroid, Billabong Beach (font duo), Adamantine (a rough-edged sans), Delores (a signature script), Grand Quentin, Aquatic (a didone), Hawaiian (font duo), Velocity SVG (rounded sans), Mariachi (script), Authority (dry brush script), San Andreas, Vallencia.

Typefaces from 2020: Tokyo Digs. [Google] [More]  ⦿

Agustín Luis Bou
[Bou Fonts]

[More]  ⦿

Ahmad Ramzi Fahruddin
[Arterfak Project]

[MyFonts] [More]  ⦿

AJPT
[Alan Jay Prescott]

Pottstown (Philadelphia)-based designer and PostScript font hacker who ran Prescott Design and now Alan Jay Prescott Typography, but was also involved in other ventures such as the Black Walnut Winery. Originally from Greenfield, MA, he graduated from Saddleback College, and worked for some time as a typesetter in New York. He advertizes himself as a leader in PostScript Open Type Font development specializing in the revival of print-only letterforms into digital typographic materials. He operates as APT and more recently as AJPT. In 2019, he announced that he would stop making typefaces altogether. His work can be partitioned into time periods. For this reason, Prescott's oeuvre is split over several pages:

  • His late period (2017-2019). In these three years, he showcased his work on Facebook, and was mainly involved in reving 19th century typefaces, about half of which were from the Victorian era. The annotations in the list below are quoted from Prescott's pages.
    • Absolution Cursive (2017). When I was a typesetter in New York City, I had one of the largest collections of typefaces from CompuGraphic's library available for setting. One of the faces I never used in two decades of work was a rather ungainly decorative font called Abel Cursive. Apparently it was designed by Bernie Abel (perhaps one of CompuGraphic's employees) and I'm not sure it got much use, since I don't recall seeing it anywhere except my type catalog. Before I sold my equipment and closed my business for good, I made a scan of every typeface at 72-point size that I owned for future development, if there ever came a time to work on something crazy like that. Most of those 2,000 scans were lost when I changed computers a long time ago, but Abel Cursive survived and I made a down-and-dirty mow-and-blow font back then. I have recently worked on it extensively to make it usable as a multilingual slightly redesigned font in OTF format. I would classify it is as neo-Victorian medium-contrast decorative italic. It is definitely an oddball and may never see use.
    • Algol (2017). Based on a scan from Dan X. Solo, Algol is a vastly expanded character set for Algernon, a typeface that clearly presages Machine and other "octics." I don't have any source material for the original design, but it may have been a Dan Solo original.
    • Aloysius and Aloysius Ornamented (2017). This is a digital revival of the original Algonquin, cut by J.F. Cumming in the late 1880s for the Dickinson Type Foundry in Boston. While this was not my most challenging project, it was a doozy.
    • Alpenhorn Roman (2017). Another oddball typeface is revived here, renamed from the design called Alpine by Henry Schuenemann for the Cleveland Type Foundry in the 1880s. Buried in the "gingerbread" of this weird face is technically a Latin serif, but otherwise it is an entirely unique letterform for which I had a heart soft enough to revive here in digital form.
    • Androgen Roman (2017). I know next to nothing about this ultra-geometric blackletter called Anderson that I found displayed in a Dan X. Solo catalog, but it is another oddball that is attractive and very simple to revive in digital format. It is one of those projects I would recommend to a beginning revivalist who wanted to cut his or her teeth on a moderate challenge after mastering some basic tools in font development software.
    • Angolan Text (2017). I found Angular Text in a Solo catalog and revived it as a digital font with diacritics and other characters for expanded typesetting possibilities. It was designed by Herman Ihlenburg in 1884 for MacKellar, Smiths & Jordan, which information I found in a link from Tom Cruz for a fellow named Toto who revived the font as well; he has several glyphs I do not have and I like his showing better. Interesting to see what others have done with the exact same typeface and scan and some research for tantalizing missing glyphs...kudos.
    • Antiochia Series (2017). This collection of typefaces represents a revival of several bold slab-serif wood types with the name Antique that are related. Their individual histories will follow at another time, but note that several here are useful derivatives that add to the variety of this letterform's impact.
    • Azurine Roman (2017). Azurine is a digital revival of a typeface known as Aztec, drawn by an unknown designer for the Union Type Foundry before 1889.
    • Beltane Roman (2017). The very complicated story behind the work on this revival is too long for this space (and perhaps too boring to most), but suffice it to say that this letterform started out in 1886 as drawn by the great Herman Ihlenburg as Artistic and assigned to MacKellar Smiths & Jordan. Dan Solo called this face Belmont but only showed caps and was suspect anyway. I was able to find specimens elsewhere and a motherlode of other interesting things in the Inland Printer. I developed my first full-featured OTF using this typeface and designed Greek and Cyrillic glyphs as well. I also fitted it out with a set of small caps to make a font that now has 4,000 glyphs for nearly every non-Asian language. To top it off, Robert Donona revived the decorative caps for this typeface, an excruciating task that I once considered for myself but was lucky enough to have this other crazy person take up. The number of hours dedicated between Robert and myself in reviving this complete series digitally is probably unprecedented.
    • Bernhard Swirl (2019). This is a digital revival of the letterform of the same name. It is equipped only with the upper case, an ampersand, a spacer dingbat and the numerals. The numerals are quirky, not only in design, but the fact that they seem to have been intended as old-style figures with the exception for the 4 and 7. Lucian Bernhard is either the designer of this limited-use typeface or inspired a reworking of his "wobbly" poster typefaces for which he is known as an innovator. I have reworked the scanned samples I had used as templates and drew them with a little more consistency than the originals to improve color on the page.
    • Bireme Roman (2017). Below is a digital revival of a typeface called Bijou. As I have come to understand, several people have revived this face already. It is similar to Flirt in many respects. I will update information as I come across it, but I wanted to post my version here for your appreciation.
    • Blackguard (2018). This is a digital revival of a typeface known as Black Cap. William E. Loy writes that Black Cap was designed and cut by Charles H. Beeler Jr. for MacKellar, Smiths & Jordan. The earliest-known commercial specimen was advertised in the January 1891 edition of The Inland Printer, so he probably created it in 1890.
    • Blackminster (2017). One of the more interesting treatments of blackletter forms in the 19th century is this beauty called Black No. 544 designed by Henry Brehmer in 1889, who assigned the rights to Bruce Type Foundry. Originally I was unable to locate certain key glyphs in this font, but they were graciously supplied by others in our crazy network of type geeks. More information on the people behind these projects will follow in other articles.
    • Bleak (2017). Bleak is a series based closely on a typeface called Stark. As with nearly all typeface names, there are several unrelated fonts developed in recent years that bear no resemblance to this gorgeous sans serif.
    • Brotherly Roman (2017). Among many "antiqued" letterforms developed in the late 19th century, Ben Franklin was offered by Keystone Type Foundry in Philadelphia. Several glyphs were missing from my best showing of the font, but I was luckily able to find them, as well as logotypes, two ornaments, several alternate characters and some punctuation. There had already been a digital revival of this typeface kicking around as shareware in the 1990s, but it was very poorly drawn and incomplete. I believe it has been rendered nicely and consistently here for posterity.
    • Busker Contour (2017). Burlesque was the name given by Solo to a typeface originating through Caslon or Figgins around 1843 and shown in German specimens a couple of years later.
    • Cane Gothic (2018). Cane Gothic was designed and cut by Edwin C. Ruthven c.1886; he patented it in March–April 1886 and assigned the rights to David Wolfe Bruce (son of George Bruce, holder of the first design patent in US history). The Bruce catalog number is unknown. The tradename Cane Gothic, an apt description of the caning patterned background, may have been assigned by Dan X. Solo, who had revived the face for his photo-lettering service, but it has previously been considered impossible for digitizing. Although the average character in this font contains something like 3,000 Bézier control points, it turned out to be doable once I figured out the original mathematics that Ruthven must have used to guide his design objectively. It is digitized for posterity and I thank Anna Allen once again for the patent specimen (No. 16,643) indicating, if extremely faintly, five missing glyphs from my otherwise excellent scan. Thus I've generated the border glyphs and a pound Sterling symbol to augment this letterform. As far as I can determine, this character set is complete, and I have generated three fonts in order to accommodate chromatic typesetting with very little effort.
    • Cantini Casual (2019). This is a digital revival of the typeface of the same name (or at least that is the name Solo gave it in the type specimen book from which it was scanned). It is a great example of the exuberant fancy characters that came to ascendance during the 1960s and 1970s. It is a medium-weight Latin italic with unusual decorative details in addition to crazy swash choices. I do not have any information on the history of this trippy face, but it is likely it was revived at some time in the recent past. It includes a large number of alternate glyphs as well.
    • Capulet (2017). This is a revival of a typeface called Caprice that was patented in 1888 by Arthur M. Barnhart and assigned to Barnhart Bros. & Spindler of Chicago. This letterform is a prime example of the explosion in design ideas occurring before the turn of the century, hundreds of which remain to be translated into digital format.
    • Carmenite Roman (2017). This beautiful digital revival covers a letterform drawn by the Bauer Type Foundry of Stuttgart, Germany sometime before 1896. It was originally called Carmen and has been referred to as Carmencita in the Solo books.
    • Centrum Text (2017). This is my digital revival of one of the more complex decorated blackletters, among my favorite and most difficult projects to work on and just finished today. It is identified as Celebration Text on p. 18 of Solo's "Gothic and Old English Alphabets." The lowercase for this letterform is also presented for two other typefaces, Testimonial Text and Innsbruck in his larger catalog, presenting some confusion. But I believe all three were drawn by the same designer, although I have no idea how old they are. The lowercase may simply have been used for all three decorated capitals, since they are a very good match. Intentional, who knows? It is a real beauty and I'm going to perhaps revive the other two in this triplet of great examples of decorated capitals.
    • Chapterhouse Roman (2017). This is an interesting typeface known as Ecclesiastic from Caslon around 1870. It was also known as Albion and Chapel Text No. 30. Most of those names were applied to completely unrelated designs, adding to the confusion that permeates typographic development and history to this day (and only gets worse over time). There are probably more alternate characters out there, but this is the best showing I could make with the resources I have and it is now available from me as a digital font.
    • Chapterhouse Roman (2017). This is an interesting typeface known as Ecclesiastic from Caslon around 1870. It was also known as Albion and Chapel Text No. 30. Most of those names were applied to completely unrelated designs, adding to the confusion that permeates typographic development and history to this day (and only gets worse over time). There are probably more alternate characters out there, but this is the best showing I could make with the resources I have and it is now available from me as a digital font.
    • Clarence Roman and Dotted (2017). Clarence Roman is a revival of Clown Alley and Clarence Dotted that of Cooktent (also called No. 515). Wood typeface Cooktent comes from W.H. Page before 1890 and the other looks to be a back-formation from it.
    • Commissioner Script (2017). The typeface known as Commercial Script was designed by Morris Fuller Benton in the early twentieth century and enjoyed widespread use for decades. There have been many variations from other foundries, varying mostly in contrast; but as far as I know there was ever only one rather bold weight produced. I have redesigned the letterforms for consistency on the way to producing the ten weights shown here. It is interesting to see the font in lighter weights that accentuate the beauty lurking in this standard, and the heavier weights to see that the design still holds up under even heavier lifting.
    • Courtesan Roman (2017). Among the dozens of wood types I have revived digitally is Courier, here called Courtesan. Many of these letterforms have been revived by others, all slightly different in their interpretations. More information on wood types will follow in articles I plan to write in the future on various areas of interest in the field of revival in particular and typography in general.
    • Cranston Ornamented (2017). This is one of the most difficult digital revivals I have worked on. It started as Crayon, another masterful design from the prolific Ihlenburg, available at MSJ in 1885. There are sister fonts in an Open and a Solid that differ slightly in design and will be available from me at some point in the future.
    • Creekside Playful and Calligrapic (2018). These are two digital casual scripts of my own creation based loosely on hand-drawn types from the 1950's. One is a calligraphic interpretation and the other is a more mono weight design that is a bit more slanted, both available for multi-language setting.
    • Criticism (2017). This is a digital revival of Critic, a typeface designed by William F. Capitain in the mid-1880s with rights assigned to Marder, Luse & Co. Several logotypes had been designed for this letterform and many alternate glyphs. I added a few of my own, as well as diacritic marks, for balance to this surprisingly modern face that can be rendered multilingually as well.
    • Crosby Roman (2017). This is a digital revival of the typeface known as University Text, designed in 1862 and shown by MacKellar, Smiths & Jordan in 1869 as Crosier. It was also known much later as Morningside. It is a stylized Latin with great charm.
    • Crossan Roman (2017). This is digital multilingual OTF revival of a typeface called Cross Gothic, another one of those unique, nearly unusable letterforms I adore. I got a million of 'em.
    • Cullane Roman (2017). Cullane is a digital revival of Herman Ihlenburg's Culdee, patented in 1885 and offered through MSJ. Others helped me scour the literature for missing glyphs and no one is sure we've got them all, but this is a wonderful showing of what we think is available until something randomly shows up in the future.
    • Currier (2018). J.B. Lieberman, Ph.D. identifies it as Deberny & Peignot Lettres Ombrés Ornés (ornamented shaded letters) and adds that it was originally cut by Gillé in 1820, thus making it one of the oldest typefaces I have revived digitally. It is an exuberantly decorated engraved shadowed heavy-weight Egyptian.
    • Danuvius (2017). Danube is the original name for this letterform, again found in a Solo catalog, and its links with medieval letterforms is obvious despite the trends toward modernization at the time it was first produced. I otherwise have no information on this face.
    • Devonian Roman (2017). This is a digital revival of a wood typeface known as DeVinne. More information updated later.
    • Dorothy Series (2017). The original Doric Chromatic was designed as a wood typeface and made its appearance in the United States in the 1850s, though it probably got its start in France in the 1840s according to Rob Roy Kelly.
    • Doughboy Roman (2017). This series of decorative caps is shown as Dodge City in Solo. I am not sure it is very old; it may very well have been a photographically slanted version of an older wood typeface in the Thunderbird category with flourishes added on at the same time. This has been revived before because of its simplicity, but I made my own version a little more consistent and they make attractive drop caps.
    • Enclave Roman and Expanded (2017). These two related digital revivals represent Enchorial in two versions. The roman came out of the Caslon Type Foundry in 1884 and was extremely popular (sometimes known as London). Petzendorfer showed the expanded Enchorial around 1903.
    • Esteban (2017). Esteban is an original design I developed around 2010, named after the recently deceased Esteban Arriaga, a leading seascape painter in the area of Málaga in Spain. It is a medium-contrast sans serif produced in nine weights plus italics. Currently it is available only for the Macintosh OS, but an OTF cross-platform font is anticipated.
    • Euclid, Euclid Initials,Euclastic, Elberon, Astral, and Auroral (2018). Elberon existed by November 1886 from Cleveland Type Foundry in The Inland Printer. Euclid (a lighter version of Elberon with a few different glyphs) is an obvious derivative from Illinois Type Founding Co. in Chicago in August 1890. Euclid appears with several Euclid Initials, a full sample of which appears as "Grant Iniitials" from Minnesota Typographic Co. Auroral (basically a shaded form of Elberon) appears in January 1887 from Central type foundry. Astral, also from Central type foundry, (the almost exact shading concept) whose base form is a condensed, heavier form than Euclid) appears in December 1886. Euclastic is my name for a complete set of weights, from a Hairline at the extreme end of lightness, through Black at the other extreme, using redesigned examples of Euclid and Elberon.
    • Farmerboy and Farmergirl (2017). Although these two typefaces have both been called Fargo in the past, they are distinctly not the same letterform despite sharing some characteristics. They are both probably late 1850s, early 1860s and some sources say they are German. In any case, two interesting oddballs with no usage in the last century-and-a-half are revived digitally by AJPT.
    • Fastidious Series (2017). The typeface known as Fashion started out in 1876 and was patented by Andrew Little for A.D. Farmer & Son. There are a total of five related typefaces in the same design: the prototype, condensed, ornamented, antique and extra-condensed. It turned out that the samples I had available when I originally revived these two were rather suspect and I have to consider going back to these and try to figure out what the "real" glyphs are. I believe that the Solo ornamental showing was rather a hatchet job on the base font, so I consider these two on hold pending further research, but they are interesting to view how they are so far.
    • Flare Serif Striped (2018). This is a digital revival of a face called Ornamented 1,079. This over-the-top candy-cane-with-curls design was created by Henry Brehmer, who patented it in December 1884–January 1885. The application was submitted and approved on the same days as Ornamented No. 1,077 (Hermann Ihlenburg), and the rights to both were assigned to David W. Bruce of the Bruce TF (New York) [USPTO D15748]. It was advertised in The Inland Printer of October 1885. Thanks again to Anna Allen Conroy for the background on Ornamented 1,079 and for the patent samples giving a good idea of the design of glyphs missing from the catalogs. I have produced AE and OE ligatures as well as a decent set of diacritical marks for setting in a few important languages, but it is not at OTF font at the moment and exists only as PostScript for Mac only.
    • Flippant Roman (2017). This fun font is a revival of a typeface known as Flirt. Although it has that 1960s feel, like many fonts popular then, I believe it has a much older pedigree. I will supply more information as I come across it. (There is currently an unrelated script font called Flirt on the market now, designed in 2009.)
    • Fusion (2017). i developed three weights (including small caps) for the popular typeface Futura, all of them lighter than the Futura Light that is widely available. You can never be too thin.
    • Gallantry Roman (2017). The earliest known specimen of the original Gazelle is found in the 1893 catalog of ATF in Cleveland and designed by Henry Schuenemann. This digital revival has multilingual capabilities and is quite unusual, demonstrating again the almost limitless possibilities of type design over the centuries.
    • Gamut (2017). The Gamut series of very condensed sans serifs is based on a wide range of typefaces that all began with the letter "G": Galaxy, Gable, Garfield, Giant, Gamma, etc. (Their italics began with the letter "E", perhaps to come at a later time). I produced these typefaces under the same name to keep them all in one place, all ten weights that are floating around somewhere undigitized until now. They are currently available from me as Mac-only fonts, but OTF may be developed over time. They are members of the large "family" of typefaces whose members can be difficult to separate, such as the Helveticas, Trade Gothics, Standard Gothics, etc. I believe this was a well-designed condensed face that has nice nuances.
    • Gironde and Gironde Extended (2017). Giraffe is the original name for this digital revival. It has been difficult to find a complete character set for this typeface, as I'm sure whatever existed in the roman also existed for the extended version. I revived what I could find, but it is a rather simple design and other characters can be imagined that are congruent with what is seen here. I'm not sure how much use these two oddball typefaces got in their time, but they were designed by Charles Beeler, Jr. in 1891for MacKellar , Smiths & Jordan.
    • Gothic Decorated (2018). This is my temporary name for the digital revival of a typeface once called Ornamented 1,078. In the past couple of weeks, I have revived the "ornamenteds" on either side of this number. I have no information on this other than that it appears in the Inland Printer of October 1885 from George Bruce's Son & Co. TF in New York City.
    • Goudy Flare Extra Bold (2019). This is a digital revival of another typeface in the Goudy superfamily, titled originally as simply Goudy Flare. I don't know the provenance of this particular letterform, but it was found in a Solo publication and could very well be one of his own creations, since I have never seen it used in print. It turns out that this is a modification of Goudy Old Style Extra Bold, and so I was able to find a suitable digitized version that matched the base forms very closely and modified the existing characters to accommodate these rather simple swashes. A reader added: "Goudy Flair was created by Mr. Phil Martin of Alphabet Innovations, that is he took Goudy Extra Bold and added swashes to this."
    • Goudy Long Fancy (2019). This is a digital revival of the typeface of the same name, again another addition to the large Goudy family. There is a tremendous selection of swashes and alternate characters in this font, especially the upper case. It is an extra bold italic Goudy whose slant is less steep than normal for this family. There are no figures or punctuation provided for this letterform; those provided in the scan from which I worked were incorrect, and possibly back-formations from a different Goudy, so they were not produced for this version.
    • Goudy Swash Heavy Italic (2019). This is a digital revival of the typeface of the same name. There are literally hundreds of revivals of letterforms in the Goudy "family" of typefaces. Nearly every foundry has produced its own version of this popular form, with many nuances between them. There are many weights, italics, various alternate characters and swashes galore, but I haven't seen a revival of this particular set of gorgeous swashes and alternates. Thus, I worked on very good printed samples, perhaps from a photolettering catalog half a century ago.
    • Goudytype Antique (2019). This is digital revival of a typeface designated as Goudytype in a Solo catalog, with a slight twist. There is no punctuation for this font, but several nice swash alternates, a dollar sign and an ampersand. I decided to draw this as an "antique," because the ink spread in the original lent itself to this sort of treatment. Although a bit tedious, it can be used in the same way as other faces, such as Packard, Benjamin Franklin, Caslon Antique, Papyrus (heaven forbid) and others. Although one would assume this is in the Goudy superfamily, there are some characteristics that set it apart. The stresses and some other features are rather reminiscent of Palatino. And the slant is so slight as to make it unlike both typefaces' italics.
    • Gracile (2019). Gracile is based closely on Greyhound Script, but has been expanded and standardized to include weights on either side of the two available in Solo. It is a semi script, since not all characters can be joined, and thus has a more casual feel. It is a strictly monoweight letterform in all six stroke thicknesses, with several alternate glyphs. There are digital versions in two medium strokes available from others, but those I was able to locate are rather poorly realized despite having diacritical marks for foreign languages. They can readily be designed and added to my interpretations, but I have chosen to do this later if anyone requires them.
    • Griego Wood Series (2017). Several typefaces classified as Grecian were produced in wood for large sizes. Here I show Full Faced (William Page, 1859); Condensed and X Condensed (Wells & Webb/L. Johnson, 1846); X Condensed Bold (probably handmade, Nebraska, before 1885), and XX Condensed (John Cooley, 1859). I had revived some of these digitally years ago, but I revisited them recently and gave them a real facelift. They have undoubtedly been revived before because of their relative simplicity.
    • Grosgrain (2017). This is a revival of a typeface called Grotesque No. 120. The lineage of the most famous typeface in the world, Helvetica (and, sort of, Arial) is evident in the early "grotesques." Although there are distinct differences in many of the characters of this very light typeface designed for mostly display use with alternate flourished glyphs, its resemblance to the later sans serifs of the twentieth century is striking. Marder, Luse & Co. of Chicago shows this face in 1885. Another similar typeface from around the same time called Circular Gothic is even closer to the Helveticas and derivatives of today. The alternate characters are revived from the sister font called Grotesque Fancy.
    • Grounded Series (2017). I have revived Abramesque again, this time in congruence with the series from which it originated, thus it is called Grounded Ornamented. The original types started with Gothic Rounded. There was a Roman, an Outline, an Open and an Ornamented. The story behind these beauties is (as usual) too long, but briefly, information from Anna Allen: Old Bowery and Abramesque were originally called Rounded Open and Rounded Ornamented and have led interesting lives. Nicolette Gray identifies them with Caslon c1844. As a teenager, Rounded Open visited the Bruce TF (c1854), where she was called Ornamented No. 1007. After a suspected Bruce facelift as Gothic Round Shaded (≤1869), she was reintroduced by ATF as Old Bowery in 1933. McGrew writes, “Old Bowery is an ATF revival, in 1933 and again in 1949, of Round Shade No. 2, originated by Bruce , one of its predecessor companies, about 1854, as Ornamented No. 1007.“ Only an ornamented version, different from Abramesque and not illustrated by Gray, is shown in Bruce 1856. At a recent Oak Knoll event, Nick Sherman shot a photo of the page in Caslon's 1844 catalog showing Rounded, the solid prototype of these faces (not documented by Gray) and shared it at flickr.com. Albert-Jan Pool (designer of DIN and keen historian of sans-serif faces) observed that the footer is dated “September 1836,” so it was reprinted (probably as a stereotyped page) from an earlier Caslon publication. Until then, the earliest specimen examined by THP is shown in Caslon 1841. All agree that, so far, it is the earliest-known rounded sans-serif face in history—and this pleasingly plump family of three is as appealing today as ever! Of a very similar wood-type face tradenamed Gothic Round, Kelly reports: “First shown by George Nesbitt in his 1838 specimens. … The Nesbitt design was an Outlined or Rimmed Gothic Round. The Caslon Foundry issued several Gothic Round designs, of which an ornamented one (Abramesque), in particular, came into general usage in America around mid-century.” George Nesbittt, a New York printer, distributed wood types produced by Edwin Allen (Windham, CT ). Sherman adds that “Miguel Sousa at Adobe is in the process of making a digital revival of this face (Gothic Round|Old Bowery) for the Hamilton Wood Type Foundry.”
    • Heraldry Roman (2017). This is a digital revival of a typeface called Heraldic, patented by John K. Rogers in 1880, an agent of the Boston Type Foundry.
    • Hinterland (2017). Attached is a revival of an exuberant, heavy sans serif called Hibernian in Solo's catalogs. I've included alternate glyphs that I know of, but there may be some floating out there somewhere. The origin of this typeface is obscure, but there is some evidence it may have been from Genzsch & Heyse around 1893 according to one knowledgeable source.
    • Hopscotch Roman (2017). Hopscotch is a revival of a wood typeface known as Hopkins.
    • Jackdaw (+Open) (2017). This is a revival of a wood typeface known as Jackpot in Solo's catalogs, but was originally named Tuscan Shade No. 1. I have also produced a derivative called Jackdaw Open. Otherwise, I have little information on this bizarre beauty.
    • Jeffers Contour (2017). Another decorative cap discovered as Jeffrey in a Solo catalog has been digitally revived here.
    • Jeremiad (2018). A digital revival of Jenson Old Style, a typeface cut by Hamilton with the permission of American Type Founders in 1906. It has undoubtedly been revived before, as many wood types already have, but this is my interpretation and has been given a measure of consistency without losing its charm. I post this now, but it was produced a couple of years ago and I overlooked posting
    • Joshua Contour (2017). I found a rather odd display typeface called Joseph in a Solo catalog, and it seems not to have a history longer than that, so who knows?
    • Juvenilia Roman (2018). Juvenilia is a revival of a semiserif medium-weight typeface called Jumbo. Anna Allen's description follows: This slick stylized sans serif was designed and patented by Ernst Lauschke in 1887; he assigned the rights to Arthur M. and Alson E.Barnhart. This letterform is very unusual in having the tops of the characters generally devoid of the expected serif. Overall the design has medium contrast, which would be expected of a serif face. Several characters reflect missal-style influences (e.g. T, M), which was common for the time, but they are sprinkled in with standard types. The ampersand is influenced by wood types of the era. It is a distinctly odd species, another Lauschke innovation and unique.
    • Katy Beth (2017). I discovered in the Inland Printer typefaces called Katherine and Elizabeth that were identical to each other and I was able to piece together a complete set of glyphs between the two to make a full digital revival.
    • Kodiak (2017). Kodiak is a revival of Komet, an exuberant calligraphic sans serif produced by Roos & Junge Type Foundry around 1902
    • Latchkey Roman (2018). This is a digital revival of Lattice, a face designed by Carl/Charles E.Heyer (1841 Berlin–1897 Chicago). He patented it in October–December 1883 and assigned the rights to Arthur M. and Alson E. Barnhart by name (the firm was not yet incorporated). Among other things, his unique hooked C was probably inspired by the hint of a hook in Copley (a sign-painter face dated before or in 1877 and cut by J.F. Cumming in 1881-1884). As Heyer's talent flourished at BBS (Chicago, 1868–1929), he led his new employer from one loathed by traditional TFs for bartering stolen designs for newspaper advertising space to one at the forefront of truly innovative display types. In the history of this TF historically regarded as great, he conceived at least 50% of their designs. Thanks to Anna Allen for the background on Lattice. Thanks to Dan X. Solo for the complete specimen, which although inconsistent and ink-heavy for some characters, was complete as far as I know. I have substantially reworked this typeface to bring a consistency for modern-day typesetting, but it is entirely faithful to the original cutting. Several of the characters are adventurous for their time (the C and ampersand, for example).
    • Latin Fancy (2018). The Latin Fancy Engraved Shade version of these three fonts (the two others are derivatives) started life as Ornamented No. 1,077. Thanks again to Anna for the research that follows and for a patent specimen that gave a very rough idea of glyphs that did not appear in the catalog showings. It has ben digitally revived for posterity and is available for now as Mac-only. It appeared in October 1885 in the Inland Printer. Herman Ihlenburg, usually associated with MacKellar, Smiths & Jordan (Philadelphia), designed and cut this sizzling all-caps Latin face for the Bruce TF (New York). The patent application, submitted and approved on the same days as the one for Ornamented No. 1,079 (Brehmer), was likewise assigned to David W. Bruce (New York) [USPTO D15752]. A caveat for purists out there: The "A" has been drawn to compensate for a cutting or design error that appears in all examined versions of the typeface. No alternate has been provided for the misdrawn A.
    • Lipo Caps Series (2017). Lipo Caps is a typeface series whose members are related in the sense that they have never existed as digital fonts (as far as I know), they are hand-lettered (probably by the same person), they were unlikely ever to have been developed as typefaces at the time they were drawn, and they were found in the same publication of bizarre letterforms. I have given them consistency without sacrificing the hand-drawn qualities and produced two versions of each one that I found, five fonts altogether (with "undecorated" versions as the lower-case keystrokes in each case). It is interesting to see great drawing technique that nevertheless never resulted into typography until now.
    • Livornese Roman (2018). This is a digital revival of Livonia, an art nouveau-inspired typeface for which I have no information. There is a full set of alphanumerics, but no punctuation. It is a monoweight bold condensed sans serif with minimal descenders and an x-height that is at the maximum allowed visual percentage of cap height. This is another example of a face I revived in the 1990s but has been tightened up considerably for consistency and professional typesetting.
    • Lubricious (2018). This strictly monoweight rounded sans serif typeface was referred to as Lute Medium in a Dan X. Solo publication, but I otherwise have no information on this letterform. It is influenced by the Art Nouveau movement and I have drawn a plausible Light and Bold as well; it seems that either one or both must have existed if it was referred to as a medium and I have made a rough guess as to the stroke weight. I think this face is quite pretty and has several innovations that are not over the top.
    • Luring Series (2017). Luring is a faithful rendition of MacKellar , Smiths & Jordan's Luray and patented by Charles H. Beeler around the mid-1880s. Because the lining work in each was different depending on the point size of the metal type used (in order to achieve the same visual "grayness" when printed), I have developed each of these in such a way that when the same size is selected for each font, the optimal relative size is actually produced. The same technique was used for the equally challenging typeface called Tinted.
    • Luscious (2017). This is a revival of a typeface called Lulubelle found in Solo's catalogs. It has been rendered in 7 weights, several of which correspond to known weights of this interesting sans serif condensed Art Deco-influenced letterform.
    • Maggie Tried (2018). This is my digital revival (there have been others) of a typeface called Margit. According to sources I believe to be reliable, it was designed in 1969 by Phil Martin. An inquiry from a follower of this page generated a look back at a face I had once revived in the 1990s, but it was not as well-rendered as it could have been. I started from scratch and brought it back to life in a way more congruent with my current skills. It is a lovely example of letterforms developed in the late 1960s and early 1970s.
    • Maltic (2018). In the six original sizes advertised and an additional three sizes to fill the gaps: This is a revival of the typeface by the same name, since it may not have been patented or trademarked by anyone until further notice. This typeface may never have been used and certainly is rather odd, but it can be seen that it must be one of the oldest forerunners of typefaces that were built from discrete "pieces" into a dot pattern, presaging the use of pixelation on monitors a hundred years later, as well as many other examples of typefaces built from pixels, dots, rectangles, stars and numerous other doodads and dingbats. In this case, the strict grid is violated for diagonals and many other interesting work-arounds; there are actually three different shapes used to build this geometric sans serif letterform. Information by Anna Allen: "Maltic is an interesting sans-serif face built from geometric motifs, was shown by the Illinois Type Foundry in The Inland Printer edition of December 1886. The specimen is marked patented, but extensive THP research finds no verification of this claim. This typeface is a complete mystery to me, as is the Illinois TF [Chicago, 1872–1892]… Annenberg (who bewails the lack of history details) reports that it was originally a distributor for the BruceTF (New York) and no record exists of any types that were originated by the Illinois Type Foundry. A showing of ornamental borders in the August 1890 edition of The Inland Printer advertises that they were Western Agents for Conner (New York) types as well."
    • Margarethe (2017). It is hard to believe, but the original typeface was shown by Eduard Haenel (Berlin) in 1847 and was later adopted by American type houses. Eventually it was called Marble Heart, but most samples show only the upper case. Eventually I was ably to put together a large character set for multilingual setting after a rare, complete lower case specimen was discovered. This digital revival also covers typefaces variously known as Ornamented No. 11, 13 and 33. It is an early forerunner of faces known as grotesques (sans serifs that resemble Helvetica, Standard Gothic, etc.) This is another very difficult drawing exercise, but made all the more enjoyable after valuable sleuthing for missing glyphs by Anna at Type Heritage Project.
    • Minster (2018). Minster was yet another style ground-breaker by Herman Ihlenburg, who patented the design in May–June, 1878 with assignment to MacKellar, Smiths & Jordan. This rimmed dual-case ornamented Latin beauty was consistently shown by MSJ and by ATF as late as 1897. It was also distributed by the Franklin TF (Cincinnati) [aka Allison & Smith]. Charles H. Smith, foreman, was the son of Lawrence Johnson's former partner (Johnson & Smith, 1833–1843). It has been digitally revived for posterity and took about two weeks to produce the full set of glyphs. Thanks to J. Choi and Anna Allen for very good specimens of printed materials.
    • Molto (Fiorito, Ombreggiato and Nero) (2018). Molto Fiorito is a digital revival of MoléFoliate, whose history below has been researched by Anna Allen. Ombreggiato is a derivative with just the shadow, and Nero is the central characters adapted for separate setting, Bodoni or Didone letterform with high contrast and thin slab serifs. It has been produced in multiple sub-fonts for a wide variety of pin-register multicolor setting. Researching the topic on Fonderie Générale (Paris, 1834–1912) raised some perplexing questions about the history of this famous ornamented Didone. Twentieth-century historians attribute the design to Joseph Moléin c1819. Indeed, the conservative styling is compatible with fonts intended for title pages of scholarly and literary books, mainstay of the publishing industry during this period. The 1835 catalog issued by Tarbé (Molés successor) states that text, titling and display faces are offered therein. Even so, none resembling MoléFoliate is shown by any Molésuccessor in five digital specimen books dated 1835–1896. On the contrary, surface ornamentation is limited almost exclusively to Tuscans and Egyptians. Jaspert et al. (2001) note the then-current letterpress font source as Stephenson Blake & Co. Ltd. (Sheffield). Millington explains that the face was "redrawn by S.L. Hartz from a design by the Parisian typefounder Molé". Sem L. Hartz was associated with the Enschedé TF (Haarlem). SB introduced it in 1958 as "An Exotic Display Type". Did Molétransfer rights to this design before Tarbé's acquisition in 1835? If so: to SB? Enschedé? Another TF in existence at the time? Did Moléhimself design the leafy ornamentation attributed to him today? Or… Did Hartz superimpose his own concept on the surface of a MoléDidone roman? An anonymous developer digitized free revivals of this font and a matching plain one in 1997. They are difficult to find now [and are poorly executed].
    • Montrose Roman (2017). Montrose is a display typeface with many interesting features, an example of numerous "banner style" letterforms produced at the time, such as Stephen Ornate and Arboret. It was called Motto (a design claimed by John P. Rogers for the Boston Type Foundry in 1879) and I understand there is still a typesetter who has the original metal matrices. Mine was produced from rather poor scans, so some interpretation was necessary. It came out quite nicely, but not quite exacting enough for some standards. It is definitely of historical interest.
    • Moocher Roman and Moocher Open (2018). These digital revivals are based on Moorish and Moorish Open as described below: Moorish was designed, cut and patented by German immigrants Julius Schmohl and Ernst Lauschke, who assigned the rights to Barnhart Brothers & Spindler in April–May 1891. Commercial specimens consistently showed Moorish Open on the same page or in a spread. As advertised, this handsome stylized Latin was meant for multi-color effects.
    • Morton Roman (2017). It is plausible for reasons too long to explain here that Ludwig S. Ipsen of Boston designed the typeface known as Mother Hubbard sometime before 1886 when it was offered by Dickinson Type Foundry. There were numerous swashes and alternate characters for this typeface, and I'm certain some will never be discovered. (The unadorned caps of this font bear a close resemblance to Monopol from Petzendorfer in 1903 and I have heard a rumor that a lower case alphabet was designed in modern times. As with many typefaces, the stories behind the letters are sometimes fascinating to those who are interested to know more.)
    • Muralla Text (2017). This is a digital revival of Music Hall text. I have no information about it except that it appears in one of Dan X. Solo's publications, but it is quite pretty. Robert Donona added: "This was called Teuton Text, shown in MacKellar, Smiths & Jordan type specimen books, it is also shown in the 1898 book entitled Shriftatlas by Ludwig Pfetzendorfer of German and also shown in some German Printing periodicals entitled Archiv für Buchdruckerkunst by Alexander Waldow, this publication ran from 1864 to the early 20th century."
    • Mystica (2019). Mystica was found in a Dan Solo publication on swash alphabets. It consists of the upper and lower case only, but is a very pretty example of a slightly quirky calligraphic letterform that appears to have been hand-drawn. There are several features that I retained when digitizing, and there are others I standardized without sacrificing the overall feel. I'm not sure whether this was ever really a typeface; until now it probably would have been classified as ephemera.
    • National Pride (2018). This is a digital revival of a typeface known as National or National Gothic that is surprisingly old, and more surprisingly, not digitized until now despite being a rather obvious project. It was completed a few weeks ago, but it required a little massaging to get a few parameters more in line with afterthoughts I had. Thanks to Anna again for research and some good specimens to go with mine. In his correspondence with William E. Lo , German immigrant Julius Herriet Sr. (then in his 80s, with a life-long career in type design/cutting) recalled producing this face during the few years he worked in Philadelphia. As was customary at the time, his boss, the "hyper-active" Lawrence Johnson, patented it in 1856 [USPTO D760]. Johnson's patent affidavit explains that the design was geared to chromatic separations for printing with blue and red inks with white paper as the third color. What a great idea 150+ years later! Incidentally… It is said that Mr. Johnson [1801-1860] "worked himself to death." In the process, he promoted three of his employees to partners and groomed them to succeed him: Thomas MacKellar, John F. Smith and Richard Smith (sons of his first partner, Johnson & Smith). Together with Peter A. Jordan (the CFO of his time), these men built on Johnson's foundation to become the "largest and most celebrated type foundry in the world."
    • New Orange (2017). New Orange is a revival of a typeface called New Orleans but originally called Romantiques No. 3 in catalogs from the 19th century. The Decorated is the original design and the roman is one I created for special interest. Like many of these decorative typefaces from the 19th century, they can be produced as dual fonts for chromatic separations on special request.
    • Nile (2017). Nile is an original work based loosely on typefaces called Egyptians, particularly that of VGC. I've greatly expanded the possibilities of this letterform by generating 8 weights with accompanying italics and small caps, suitable for a wide range of languages as well as English, both text and display.
    • Nova Sandra Script (2017). Novelty Script has been revived as Nova Sandra. I've produced the typeface as an Extra Light, Light, Roman, Medium, Bold, Extra Bold and Black. (The Bold is a revival of the Novelty Script available from specimens.) The six other weights were added as an extra-special challenge. It is a beautiful connected script that has many unusual quirks unique to this design. There are several alternate characters and I have supplied a full set of “beginning forms” as well. I have also created a reasonable set of punctuation that did not exist in the original. It is a connected script, and therefore, one of the most difficult projects to undertake.
    • Octic Latin Drop Shade (2018). This is my digital revival of a typeface that started out life around 1884 at Illinois Type-Founding as Octagon Shaded. Several typefaces over the years have had "Octagon" somewhere in their name, but this is really an octic Latin with distinctive features such as a certain curviness where one would expect linearity, so not a true octagon type, and it in any case has a Latin serif, which was itself applied differently in later Latin designs. It has a wonderful drop shade that gives it great depth. There is no known lowercase for this font and the showing in Inland Printer was nearly complete.
    • Octuple (2017). This is a digital revival of a very old wood typeface called Octagon, which seems to have been first shown by George Nesbitt in specimens from 1838, believed to have its origins in France.
    • Partisan Ornamented (2017). One of the most challenging projects I've undertaken in the digital preservation of antique letterforms is this remarkable typeface that started off as a reference to "French 1838" and what Figgins showed as Parisian in 1843. Johnson & Smith showed it as Ornamented in 1841, but it was also known elsewhere as Dandy and Ornate No. 6. The principal trouble (beyond the sheer work involved in reviving this monster) lies in assembling anything like a complete character set. Showings in catalogs for nearly all typefaces have been several letters and perhaps a figure or two, but it is often impossible to get enough glyphs from even a dozen showings; Q, X, Z, J are commonly not shown. I revived the letter N to see whether it was even feasible to start the project and estimated it would take two months to complete, even if the missing letters could be found. Beyond my wildest dreams, several people were able to track down every missing letter and even the numerals and the AE and OE ligatures, in varying degrees of resolution from ancient catalogs. I was able to generate this type over many enjoyable, hellish hours.
    • Pattycake Condensed (2017). Attached is a digital revival of a lovely monoweight casual serif font called Pastel Condensed. I have seen revivals of this typeface, but I believe mine is a more complete and consistent version, and includes diacritical characters for setting in a wide variety of languages.
    • Paymaster Roman (2017). This wood typeface was called Painter's Roman and cut by both Page and Wells, being made available in the 1870s. It was revived a while ago by a major font developer with many glyphs added, but my cut retains some of the quirkiness of the sample I had available from Rob Roy Kelly's masterpiece, American Wood Type 1828–1900. Its numerous specimens are the source of many of my wood type digitizations.
    • Pencilings (2018). Pencilings has been digitally revived in three versions known to exist. Pencilings One was originally shown as Paragon Pencilings. Pencilings Two was originally shown as Paragon Pencilings No. 2 and uses the same caps as Pencilings with the lower case characters at 75% the size of No. 1 and with different cuts; both showings have several ligatures and alternates. Pencilings Three is a rendition of Solo's version, which was much heavier and was shown in "Grunge Alphabets" on page 65. The alphabet I scanned for One and Two is shown by Marder, Luse & Co., January 1885 in The Inland Printer. This is a lovely if somewhat inconsistent example of early explorations of typefaces that mimicked handwriting, particularly printing as opposed to calligraphy or penmanship. As such, these irregular examples are sometimes called casuals, a large group that includes brushes and bounces.
    • Pisa Semiscript (2017). A seldom-used font available from Bitstream, Piranesi Italic is nevertheless a lovely letterform whose designer I do not know. I have discovered that there was also a bolder version at some time in the past, but have never seen it except in type catalogs existing before digital typography, so quite rare. Despite its being called an italic, there never was a "Piranesi Roman." I have produced nine weights, both lighter and heavier than the original, completely redrawn for consistency and available in OpenType PostScript multilingual cross-platform fonts.
    • Precocious (2017). Preciosa was the original name for this little gem and it dates from around 1898 from Bauer & Co. in Stuttgart. It has been fonted before as freeware from Klaus Johansen of Svendborg, Denmark, but did not include lowercase. I'm not quite sure the lowercase I came across is the one designed for that face, as it comes from a Solo catalog, and occasionally he used lowercase alphabets from other faces to accompany his perhaps all-caps blackletter fonts, so who knows? More on that subject later as I revive a couple other drop-cap Gothic beauties whose lowercase characters are the same.
    • Protagonist (2018). This series is a digital revival of a face known as Program. Thanks to Anna Allen for the following research as well as a few critical scans from materials I didn't have in my possession: According to William E. Loy, this typewriter-like Egyptian was designed and cut by William F. Capitain [1851–1915]. Carl Müler, an executive of Marder, Luse & Co. (Capitain's employer since November 1874), patented the design in November 1881–April 1882 and assigned the rights to [USPTO D13862]. Contrary to USPTO regulations effective in 1874, he got away with identifying the intended commercial tradename. It was advertised in The Inland Printer of April 1885. In February–May 1885, Capitain himself patented Inclined Program, a dual-case back-slant derivative [USPTO D161054]. Like Program, it was shown in the Marder, Luse catalogs issued in 1889 and 1890. Unlike Müler, he retained the rights.
    • Rochelle (2017). This series is intended as an extension of Herb Lubalin's 1970 creation, Ronda. It has always been available in several weights, but I extended the utility of this face to some lighter forms as well as the inclusion of small caps (except in the bold).
    • Rose Madder (2017). This is another example of reviving a letterform that may never have been a typeface. It was found unnamed in Carol Belanger Grafton's "Bizarre & Ornamental Alphabets" on pp. 96–97.
    • Rosemary Series (2017). Rosemary is a revival of various Roman woods found in "100 Wood Type Alphabets," by Rob Roy Kelly. Ornamented (p. 230) first shown by George F. Nesbitt in 1838 specimens (Shadow and Expanded are derivatives); X Condensed (p. 234) same Nesbitt; Condensed (p. 233) same; Extended (p. 231) same; Roman (p. 232) first shown by Darius Wells 1828.
    • Ruinous Titling (2018). This is a digital revival of a face called Parable that appears in one of Dan X. Solo's publications. It would be strange if no one has revived this face, and I do so solely as a demonstration of how it is that people get into doing the sort of work I do, even as an occasional hobby and nothing more. With the right software and a little determination to learn something new, the average person can produce a typeface in a few hours, albeit one this simple and lacking anything more than the capital letters. It whets a lot of folks' appetites for something more challenging, but rarely ending up where I am at a level of astonishing self-inflicted pain! The typeface was less than two hours from turning on the scanner, through drawing and spacing to a usable font.
    • Rye Roman (2017). This is a digital revival of a typeface identified as Ryan Jackson on p. 85 of Solo's "Victorian Display Alphabets," but I have found no other reference so far as to its origins before that publication. Technically, it is a moderately decorated low-contrast Latin.
    • Saluzzo font (2017)> Giambattista Bodoni, one of the first rockstars of typography and printing, flourished in the latter half of the eighteenth century in Parma, Italy. His fans included Benjamin Franklin, Napoleon and Pope Pius VII. The typeface we know as Bodoni has been developed by numerous foundries, particularly in the late twentieth century, no two of which are identical. It has generally been drawn as a high-contrast serif and was itself based on some of the transitional forms originating in Baskerville's studios at the time Bodoni ran his printing business. I have developed a unique Bodoni myself, slightly lower in contrast to render it more readable at smaller sizes. I have produced the letterform in Open Type PostScript format for cross-platform use in eleven different weights, italics and small caps (in the roman only), for a total of 33 multilingual fonts. Saluzzo is named for Bodoni's birthplace in Italy.
    • Santa Claus (2018). This is a self-named digital revival of Santa Claus and Santa Claus Initials, both No. 1 and No. 2. This irresistible pair of fun faces was introduced by Central TF in the December 1885 edition of The Inland Printer. A patent pending notice was displayed in at least one commercial specimen; no such patent exists and none was claimed in the post-ATF catalog issued by the Central /Boston TFs in 1892. According to policies of the US Patent and Trademark Office in effect at the time, Santa Claus was positively new, novel and non-obvious and absolutely worthy of a design patent. No approved applications for design patents were filed by Central executives nor assigned by others after 1886. Apparently this notice was of the "beware of the (non-existent) dog" variety. The designer is unknown. William E. Loy does not account for Santa Claus in his biographies of Gustave F. Schroeder or Nicholas J. Werner, Central's staff type designers/punch-cutters until 1889, when they partnered an independent business. In 1891, Schroeder moved to California; he and Werner continued to contract design commissions from Central and other clients.
    • Saprophyte Roman (2018). Saprophyte is a digital revival of a typeface that started out as Ornamented No. 1060. Thanks to Anna Allen for the commentary on its provenance. This Latin gingerbread face was designed and patented by Julius Herriet, Sr. in 1878–1879. He assigned the rights to David Wolfe Bruce , the last family member involved with the Bruce TF. After the USPTO established the trademark division in 1870–1874, the Bruce TF switched from naming its new faces to numbering them. Presumably, this expedient circumvented payment of additional attorney and registration fees. The name Safari may have been dubbed by Dan X. Solo. Those comparing my version with Solo's and the patent specimen will find there to be discrepancies with Solo. The patent specimen was poor but indicated significant changes that occurred by the time Solo had samples. I went as best I could by indications from the patent application of 1878 in regards to overall form and design and had to rely on Solo for only several details. It is my creation based on the information I have available and is nevertheless stunning and unique.
    • Shifty Wide (2017). Shifty is a revival of a typeface identified as Shimmer Wide in Solo's "Victorian Display Alphabets," p. 88. I don't otherwise know the origin of this letterform, but because of its regularity I don't believe this was a wood type, or at least the version I'm seeing comes from a metal face that may have been based on a wood design. There is a resemblance to Antique Tuscan No. 1, a wood face from the 1850s.
    • Snitch Script (2017). Based squarely on one of the most familiar scripts, Snell Roundhand, my version has several major design changes. Charles Snell developed this letterform many decades ago and it was translated by Matthew Carter into phototype in the mid-1960s with a total of three weights made available. I have developed a total of 12 weights of this very difficult connected script, all the way from a Hairline to an Extra Black, beyond the ranges previously available—keeping in mind that this form has some very different glyphs in place of the originals, and quite a bit of standardizing in ways the original designer would perhaps find offensive. But I love it, so there.
    • Solomonic, Cliffhanger and Deerfield (2017). I revived Solar, Climax and Dearborn Initials consecutively, since they had been shown in many catalogs adjacent to one another and were offered by Barnhart Brothers & Spindler in the late 1880s. They are decidedly modern-looking display faces, and as I always say, all of our best ideas were stolen by designers of the past!
    • Spiral Swash (2019). This is a digital revival of the typeface of the same name, found in one of Solo's publications. Technically it is a higher-contrast extra-bold, wide, extreme flare-serif with ball swashes. It is reminiscent of the Euclids I revived last year and would work well as drop caps with the entire range of undecorated forms from that revival. It is equipped with a very nice range of alternate characters, but there is no punctuation supplied. I don't know the designer of this face or the time period, but it looks to be something that would have appeared in a photolettering catalog in the late 1960s and early 1970s.
    • Springfield Roman (2017). This is a revival of a previously undigitized typeface called Spangle in some catalogs but has been also named Uncle Sam, Carnet de Bal, Ornate No. 3, Ornamented No. 851 and Romantiques No. 1; which demonstrates with one font the tremendous problem in type identification. In any case, it's hard to believe this was designed in the 1830s by Laurent & de Berny of Paris, calling it Ornamented No. 1071.
    • Sprinkle Roman (2017). Based on the original typeface called Spring, this is a display letterform that I digitized a few years ago from one of Dan X. Solo's catalogs. It is notable for containing a huge number of alternate characters that make it a lot of fun to work with for a distinctly retro feel. Also called Bonaparte by Photo-Lettering, and Radiant Flair by OptiFont.
    • Stakeholder Roman (2017). This wood typeface was called Staccato by Solo, but was originally released as Tuscan Extended by W.H. Page before 1872. I suspect this is another letterform that has been revived by others.
    • Stengel Roman (2018). This is a digital revival of Sterling. There have been other unrelated typefaces with the same name, but the history of Sterling follows. Again, thanks to Anna Allen for the sleuthing: A far cry from ATF Sterling (Morris F. Benton, 1917), this suave stylized Latin has just the right slinky curves! The designer, Charles E. Heyer, reprises his trend-setting hooked C and extends the style to the G with a new interpretation for this stunning all-caps alphabet [with two alternates, an E and an L]. His patent application was promptly approved in September–October 1890; rights were assigned to Barnhart Brothers & Spindler, his employer since 1878. It was shown by BBS until at least 1909. A few of my own comments on this letterform follow. For its time, it is certainly a departure from standard interpretations of alphabets. To begin with, we are finding terminals in some of the characters that are unexpected, swashes where we would expect traditional terminals. The A is square with a swash crossbar, echoed in the H, and the H itself is like the M and H in being bandy-legged. The W is practically an inverted M. The J and the U are very wide. All characters are quite a bit wider than usual, in line with Clipper, which it resembles in some respects; but the question mark is super-condensed. The A, B, E, F, H, P and R have compressed upper stories, giving the face a top-heavy look, which became very popular in the Art Nouveau craze. The curves are much thicker than expected, perhaps a bit outside acceptable for good color, so a high contrast in places where you would not expect. The serif is minimal and difficult to discern in my specimens, so I interpolated somewhat. Its modern sort-of-equivalent look is like Newtext, Americana or the modern Copperplates. I worked mostly from the patent specimen, because it was quite different from all the printed materials I examined.
    • Stigmata (2018). Only rock-solid project management, determination and a tolerance for tedium will get a typographic revivalist though the gantlet in bringing back to life one of the most complex typefaces ever designed, Stipple. The history of this unique letterform is provided by Anna Allen as follows: The brilliant Herman Ihlenburg completed design of this masterpiece in 1889; in January–February 1890, he patented it and assigned the rights to MacKellar, Smiths & Jordan [USPTO D19660]. Concurrently, he patented a set of related ornaments for line finials and a semi-rectangular frame [USPTO D19659]. The earliest commercial specimen examined was shown in the June 1890 edition of The Inland Printer by Shniedewend & Lee Co., then MSJ's Chicago agent. Widely considered unvectorizable, it was thus a challenge I undertook because the number of good specimens was high enough to consider the challenge. The rest of the story of this revival is too long and technical to relate, so I will describe this is as a maximally decorated modified bold Latin banner typeface. Just one of these characters contains around 2,000 data points, close to the maximum possible to create a font that will not crash. Thanks to all and sundry for a few rare specimens and particularly the US Patent Office for its poor but complete specimen of the 48-point characters; and several others for the serendipitous discovery of a couple important 36-point characters. The bang, question, period, comma and colon were designed by me to make the font more usable. Stipple is now available for the first time in 130 years.
    • Sundog (2019). This 9-weight series is a revival of a typeface shown as Sunningdale (in three weights from Dan X. Solo). It is a slab face Egyptian italic with very nice swashes, but there is no punctuation for this letterform. It contains a large range of alternate characters. Although I don't know the origin of this typeface, it is almost certainly the same designer as Whitley Sans, revived most recently by me. The lighter weights in this series are almost strictly monoweight, but there is an increase in contrast from Light through Heavy, as in the original forms.
    • Sunnybrook Script (2019). This is a very light monoweight upright semiscript of my own design with a lot of features found in traditional scripts of 150 years ago. The exuberant swash capitals are very loosely based on Flemish Script but have been modified a great deal and standardized across several glyphs. It can be set in a wide variety of languages.
    • Superior (2018). This is a digital revival of Superior, whose first showing I have as April 1886 from Great Western Type Foundry in Chicago. It is a slightly decorated extra-light condensed Latin existing only in caps as far as I can tell. There is a full set of numerals and minor punctuation. Superior is a rather simple revival in relative terms and requires only a few hours because of that simplicity and paucity of other glyphs. It has perhaps been revived by other developers, but I am not sure.
    • Tanglewood (2017). This revival ranks in the top five of the most difficult projects I've undertaken, not only because of the sheer amount of work involved in drawing the characters but in addition because of the number of glyphs that happened to be available. The name of this face was originally offered as Conner Ornamented No. 43, patented by James M. Conner in 1881. My undying thanks must go to Robert Donona, who supplied an incredibly good specimen from Graphic Compositions, Inc.'s phototype specimen book wherein the typeface is called Tangier. Diacritical marks, superior and inferior characters and basically enough glyphs to complete a large OTF file were evident in the specimen. Specimens of such completeness are rare in the world of typography, but having them available for viewing makes the revival process a time-consuming, if satisfying, venture. It required an absolutely stupid amount of time to finish. Several people have said this is my magnum opus...so far at least!
    • Tasty Gothic (2018). This is a digital revival of typefaces variously known as Tasso, Gotham and No. 205). 1890 (Tasso, Gotham), Barnhart Bros. & Spindler; 1895 (No. 205) George Bruce's Son. Some hunting around was necessary to find missing glyphs, but my version appears to contain everything that was originally designed for this very pleasant monoweight gothic.
    • Tender Regard (2018). This is a digital revival of a graceful letterform originally known as Tendril. The design for Tendril was patented by Herman Ihlenburg [1843–1905] in 1878. Along with Camelot (Goudy-Phinney/ATF Boston 1900), his application was one of the fastest-approved in 19th-century history. Rights were awarded in less than three weeks during November and assigned to MacKellar, Smiths & Jordan [MSJ ] of Philadelphia.
    • Thursday Roman (2017). Attached is my digital revival of Thurston, a letterform appearing in one of Dan Solo's numerous type specimen books. I don't have any information on the source of this form, but like other postings here, this will be updated at some point in the future for the curious. This face is strongly reminiscent of the Peignot types, sans serifs with relatively strong contrast, but in this case with quirky ornamentation.
    • Tiberius (2017). Tiberius is a revival of a typeface called Tirolean. This is another strange letterform that has distinct Art Nouveau influences, but I'm not at all sure of the history of this face except that it was found in a Solo catalog.
    • Tinting Series (2017). Tinting is a faithful rendition of MacKellar, Smiths & Jordan's Tinted and patented by Charles H. Beeler around 1885. Because the lining work in each was different depending on the point size of the metal type used (in order to achieve the same visual "grayness" when printed), I have developed each of these in such a way that when the same size is selected for each font, the optimal relative size is actually produced. The same technique was used for the equally challenging typeface called Luray.
    • Trinitro (2018). This super-sophisticated stylized Latin (known originally as Trinal) was patented by British immigrant William F. Capitain [b1850] of Chicago in September–October 1888. The Marder Luse Type Foundry (a.k.a. Chicago Type Foundry ), his employer since 1874, advertised it in The Inland Printer edition of November 1888. It was shown by ATF until c1900. Trinal has been digitized, containing many of the variously decorated characters that make up a large font. I am not at all sure I found everything, and it took the sleuthing of several other fanatics to find anything like a final set of everything that may have been produced.
    • Tunbridge Shadow Ornamented (2017). This is a revival of Tungsten, another oddball ornamented style probably originating in the late 19th century.
    • Unitary Roman (2017). Unitary is a revival of a wood type published as Unique. I have no other information as to the provenance of this typeface except that it was taken from a Dan X. Solo publication.
    • Valor Shade and Rimmed Shade (2017). These digital revivals started out in 1847 at V & J Figgins and there were several other variants in wood type at the time. Van Horn, Zebra and Tuscan Condensed Shade were other names used over the years, but the latter best describes the letterform. This is a moderately challenging revival that can be made available for chromatic separations, as many of these complicated characters were intended originally.
    • Venetian Tulip Wood (2018). The story of this revival is unfolding, but to make it short, this was digitized from a very large point-size specimen of what purports to be wood type from Kelly's collection. But upon further investigation, it is unclear whether this sample was a drawing made from an impression (or printed specimens) or whether it is an actual impression of wood type itself. I suspect the former, but it is indeed a legitimate typeface (and an important early 19th-century face) that existed in several different decorated forms. It is unclear which came first, the metal or the wood letterform. Technically this is an exuberantly decorated drop-shadow concave Tuscan.
    • Vicarage Initials (2017). This challenging revival took many hours to complete for digital font use, but well worth it. Vatican Initials was found in a Solo publication and much has been done here to achieve consistency of color and design without sacrificing the nuances of this rare beauty.
    • Warpath (2017). Warpath is a revival of a wood typeface called Wampum in Dan Solo's publication; otherwise, I don't know the provenance of this letterform.
    • Whitestone Sans (2019). This is a digital revival of a very unusual face called Whitely Sans, found in a Solo publication. It is a medium-weight sans serif italic with very nice swashes and an interesting treatment of shading. There is a wide variety of alternate glyphs, including rare "ending forms," several of which I produced on my own to make it a little more consistent with typefaces supplied with ending forms.
    • Wood Types Numbers 154, 500, 506, 508 & 510 (2017). These are five unrelated wood types that were occasionally used in foundries setting metal type because of their availability in large sizes. No. 154 is a modified Tuscan; Nos. 508 and 510 are flared sans serifs; and Nos. 500 and 506 are Latins. Like most wood types, the character availability was usually quite limited.
  • The free sans typeface families done in 2003: Clemente, Ultima, Passion Sans (a Peignotian family).
  • His 19th century series, all made in 1995 or 1996: APT New Abramesque, APT New Alferata (psychedelic), APT New Armenian, APT New Belmont (Victorian), APT New Brenda, APT New Cabinet, APT New Caprice, APT New Dawson, APT New Euclid, APT New Linden, APT New Madison, APT New Moorish, APT New Mystic, APT New Rollo (Victorian), APT New Slapstick (wooden plank font), APT New Spiral, APT New Stephen Ornate, APT New Teahouse, APT New Viola, APT Novelty Script.
  • The wood type collection of Alan Jay Prescott.
    • APT Antique Wood Double Outline Shaded 1995, APT Antique Wood Extended 1996
    • APT Caslon Wood w: Alts 1996
    • APT Clarendon Wood Extended 1996
    • APT Columbian Wood w: Alts 1996
    • APT Courier Wood 1997
    • APT Doric Wood 1995
    • APT Gothic Wood (+Alts) 1997
    • APT Grecian FullFaced Wood 1996
    • APT Jenson Old Style Wood 1996
    • APT Kurilian Wood w: Decorated Alts 1997
    • APT Modified Gothic Wood Cond 1997
    • APT New Venetian Wood 1996
    • APT New Woodcut Shaded Initials 1995 (Houtsneeletter)
    • APT Roman Wood 1994-1995
    • APT Tuscan Antique Wood (+Alts) 1995-1996
    • APT Tuscan Concave Wood 1996-1997
    • APT Tuscan Contour Wood 1996
    • APT Tuscan Gothic 1 Wood 1996, APT Tuscan Gothic 2 Wood Cond w: Alts 1996, APT Tuscan Gothic 3 Wood Cond w: Alts 1997, APT Tuscan Gothic Pointed Wood w: Alts 1997 (Ironwood)
    • APT Tuscan Italian Wood 1997
    • APT Unique Wood 1995
    • APT Wood 1995-1997
    • APT Wood No. 501 1996 (orig Wm.H. Page 1887), APT Wood No. 508 1997, APT Wood No. 51 1997, APT Wood No. 510 1997, APT Wood No. 515 1996
  • Stencil typefaces designed in 1995 and 1996: APT Crystal Ship (1995), APT New Acapulco Light (1995; after the phototype Acapulco Light VGC), APT New Alpha Midnight (1996; after a typeface from 1969 sold by John Schaedler), APT New Beans w/ Alts (1996, after Beans by Dieter Zembsch, 1973), APT New Checkmate (1995---not a stencil type, really, but rather a modular typeface; after the film type Checkmate), APT New Zephyr (1996).
  • Computer fonts designed in 1995 and 1996: APT Bugsy (1995), APT New Quote (1996: bilined).
  • Art nouveau typefaces designed in 1995 and 1996: APT New Abbott (1995; after Joseph W. Phinneys' abbott Old Style, 1901), APT New Ambrosia (1995, after Peter Schnorr's 1898 Jugendstil typeface), APT New Baldur (1996; after Baldur by Schelter (1895) and Julius Klinkhardt (1903)), APT New Jagged w/ Alts (1996), APT New Jason (1996), APT New Livonia (1996), APT New Margit w/ Alts (1996), APT New Nightclub (1995), APT New Quaint (1995), APT New Quaint Open (1995).
  • Decorative typefaces designed between 1995 and 1997: The Bizarre series (decorative caps), Advertisers Gothic PD (2010: a large family based on Robert Wiebking's ugly original from 1917), APT Antique, Crayon PDS (2013, a decorative Victorian family), APT Caslon 76 (1997, based on a Compugraphics original), APT Feinen Inline (1997, after Henry Mikiewicz, 1983), APT Millais (1995, unknown origin), APT New Abel Cursive (1996, a revival of Bernie Abel's Abel Cursive (Compugraphic, 1974)), APT New Artcraft (1996), APT New LSC Book (1996, after a 1970 original by Lubalin Smith Carnese), APT New Classic Rubber Stamp (1996: based on DeVinne by G.F. Schroeder, 1890; F.W. Goudy 1898), APT New Hearst (1995, based on an original from Inland Type Foundry, 1901, which was famously ripped off from Goudy; the Italic was by Carl Schraubstadter, 1904), APT New Ticonderoga (1995-1996), APT New Woolly West (1995), APT Horizon Initials (1995), APT New Gill Floriated (1995), Old Gothic Initials Plain (1995: Lombardic caps), Pfister Bible Gothic APT Cameo (1997, blackletter caps), APT Saint Nick (1995: snow-themed caps), APT Black Dog (1995), APT Blacksmith Heavy (1995), APT New Airedale (1995, after an original tattoo / poster from the 1930s), APT New Blade Display w/ Alts (1996), APT New Cugat (1995; a wedge serif letterpress emulation typeface), APT New Fieldstone (1995), APT New Static (1995), APT New Trump Gravur (1995; after Georg Trump, 1954), APT New Yagi Bold (1996), APT New Courtier Italic (1996, Vanity Fair), APT New Harlequin (1996), APT New June (1996, after Fournier le Jeune).
  • Avant Garde typefaces: APT Avant Garde Alts and Display (1997), APT Lubalin Graph Alts (1997; to be used with BT Lubalin Graph, Ed Benguiat, 1974).

Local download of some of his fonts. [Google] [More]  ⦿

akaType
[James D. Milligan]

akaType is James Milligan's outfit. Fonts made by him include akaPosse (2005), akaArcade (2003, Victorian), akaDylan (2005, comic book style set of three typefaces), akaChen, akaDora (2005, script), akaFrivolity (2002), akaHoggle (2002), akaIndic (2002), akaPotsley (2002, Victorian).

1001fonts link. Another URL. Fontspace link. Dafont link. Abstract Fonts link. [Google] [More]  ⦿

Akmal Yusar
[Picatype Studio]

[MyFonts] [More]  ⦿

Akwele Vassall

Originally from the DC / Maryland / Virginia area, Akwele Vassall designed the squarish Western typeface Blackwood in 2016 during his studies at the School of Visual Arts in New York. [Google] [More]  ⦿

Al Imelli

Author of The Book of Alphabets and Layouts, Designs, Scrolls, Panel Ends, Descriptive Matter: The Art of Metal Etching for Ornamental and Sign Purposes, Written and Illustrated by Al. Imelli (1922, Signs of the Times Publishing Co, Cincinnati, OH) and Imelli's Alphabets and Layouts (1922). Alternate link. Hathi Trust link. For a list of the alphabets in the book, scroll down and check the current page.

Some of Imelli's alpabets inspired others to create digital typefaces. Examples:

[Google] [More]  ⦿

Alan Jay Prescott
[AJPT]

[More]  ⦿

Albatross (or: Font Deals)
[Jay Hilgert]

Albatross is Jay Hilgert's foundry in Oklahoma City, OK, est. 2008. Before Albatross, Jay Hilgert ran Bittbox (or: BB Free Fonts), a site dedicated to free clipart and vector art.

Typefaces from 2008 include the informal outline typeface Tire Shop, the informal 3d shadow typeface Blox (2008), the 3-d wood typeface Baja California, the stunning four-style family called BB Petie Boy (which includes an ornamental caps style, a grunge style, a blackboard style and a sketch style), Fusty Saddle, 23rd Street (a graffiti font) and Whiteboard Modern.

In 2009, he followed up with Oil Change (3d, hand-drawn).

In 2011, he created the futuristic family Naughty Astronaut (+Cowboy), the Western typeface ABTS Gunsmoke, the connected retro script typeface ABTS Milk, ABTS Feather Pen, ABTS Oklahoma (retro deco), ABTS Aviator (2011, art deco caps face), and ABTS Day of the Dead (ornamental skulls, Mexican style), ABTS Crestwing (an inline caps face), Helios Pro.

Typefaces from 2013 include Boom (a comic book typeface family, with hand-drawn Boom Symbols).

Typefaces from 2014: Signyard (a retro overlay font family that evokes motel signage), Microbrew (letterpress emulation in many increasingly grungy styles, accompanied by Ornaments and Banners), Sparhawk (a 3d layered display font), Castor One (wood and letterpress style), Altus (a hand-drawn elliptical sans, +Altus Extras: ornaments).

Typefaces from 2015: Corinth Ornaments, Auburn (brush script), Microbrew Unicase, Corinth (hand-drawn geometric sans with letterpress influences).

Typefaces from 2016: Moraine (a weathered letterpress emulation typeface family), Microbrew Soft.

Typefaces from 2019: Blakstone (a letterpress emulation family), Hanscum (vintage, handcrafted and letterpress-inspired).

Creative Market link. Dafont link. Creative Market link. In 2011, he started Font Deals. [Google] [MyFonts] [More]  ⦿

Alberto Terribile

Rome, Italy-based designer of the free Tuscan spaghetti Western font New Mexico Bold (2015). [Google] [More]  ⦿

Aldo Novarese

Italian designer, 1920-1995, who designed most of his typefaces at Nebiolo in Turin. Until 1975, he made about 30 families at Nebiolo, and after 1975, he produced about 70 further families of fonts. With weights included, he created about 300 fonts. Biography by Sergio Polano. He was very influential, and wrote two important books, Alfa Beta: Lo Studio e il Disegno del Carattere, a study on font design and history (1964), and Il Segno Alfabetico (1971). Essay by Sergio Polano on Novarese. The list of fonts done at Nebiolo:

  • Landi Linear (1942). This was revived in digital form in 2011 by Toto as K22 Landi Linear.
  • Etruria (1940-42)
  • Express (1940-43)
  • Normandia (1946-49, with Butti, and 1952)
  • Athenaeum Initials (with A. Butti, 1945-1947)
  • Fluidum (+Bold) (1951, script). Revived by Ralph Unger as Butti (2011).
  • Fontanesi (1951-54, an all caps rococo font). Digital revivals include Fontanesi RMU (2018, Ralph M. Unger) and Fontanesi (2003, a free font by Frogii).
  • Microgramma (1952, with A. Butti; available at URW++). This was done as an alternative to Bank Gothic, and is identical to Eurostile Bold Extended.
  • Nova Augustea (1951, ITC Augustea Open)
  • Egizio (1953-57), a slab serif [see E710 Roman on the SoftMaker MegaFont XXL CD, 2002, or Egizio URW (2009, quite complete family with 5 styles) or Egizio EF (2001), or Thierry Gouttenègre's Aldogizio (2013)]. For a specimen, see here.
  • Cigno (1954). This script typeface was revived an extended as P22 Cigno (2008, Colin Kahn, P22).
  • Swan (1954), aka Cigogna (with A. Butti).
  • Juliet (1954-55). For a superb revival and extension of this copperplate script, see Canada Type's Ambassador Script (2007).
  • Ritmo (1955)
  • Rhythm (1955)
  • Garaldus (1956-ff). A garalde digitally revived in 2012 as Garaldus by Flanker.
  • Slogan (1957). Digital revival by Terry Wudenbachs in 2010 called P22 Slogan.
  • Recta (1958-1961). This is a large sans family. Canada Type published an 18-font revival in 2011, also called Recta.
  • Estro (1961). A western font now found in the Mecanorma collection.
  • Fancy (1961)
  • Exempla (1961). Published by VGC in 1966. Third Prize in the 1966 VGC National Type Face Design Competition.
  • The Eurostile family (1952: caps, with Alessandro Butti; 1962: lower case). This is carried by many foundries such as Adobe, Linotype, and URW++. Eurostile lookalikes include Aldostile (Autologic), ES (Itek), Eurasia (SoftMaker), Eurogothic, Eurostar (MGI Software), Eurostile, Eurostile Next (Akira Kobayashi), Gamma, Jura (Daniel Johnson), Microgramma, MicroSquare (SoftMaker), Microstyle (Compugraphic), NuevoSolStile (Cayo Navarro), SD Eurostile Elite (Justin Rotkowitz), Square 721 (Bitstream), Waltham. Noteworthy is Eurostile Round (2014), a rounded version of Eurostile by URW++.
  • Patrizia
  • Magister (1966)
  • Forma (1966). Alessandro Colizzi explains: From 1965, following a marketing-oriented approach focused on the user, the management set a research group of graphic designers to work on a new typeface design. Headed by Novarese, who provided the basic alphabet, the team included Franco Grignani, Giancarlo Iliprandi, Till Neuburg, Ilio Negri, Pino Tovaglia, Luigi Oriani, and Bruno Munari. The collective design process was based on an analysis of contemporary sanserif typefaces and legibility tests, to develop a more mature, humane interpretation of the Swiss sanserif trend. The process was quite laborious with monthly meetings spanning across over two years. In 1968, Forma was eventually released as lead type. As its name implies, Forma aimed at representing the ideal letterform of its time, equally appealing to designers, printers and the general public. The typeface was favourably received by the design community (it won a special mention at Compasso d'oro in 1970), but although initial sales were encouraging, it could not really compete in a market already saturated by Univers, Helvetica and the like. . A grand revival of Forma, described by Indra Kupferschmdt, was organized by Roger Black for Hong Kong Tatler (as fashion mag). The revival was executed by Font Bureau's David Jonathan Ross in 2013. See David Jonathan Ross's site.
  • Oscar (1966)
  • Lambert (Compacta lookalike)
  • Metropol (1967). This gaspipe typeface was digitized by Patrick Griffin at Canada Type in 2007 as Press Gothic. Originally, it was meant as an alternative to Geoffrey Lee's Impact at Stephenson Blake.
  • Elite (1968, a boring linear script, digitized in 2005 by Canada Type as Fontella)
  • Fenice
  • Stop (1971; available at Mecanorma, Linotype, URW++, Elsner&Flake)
  • Dattilo (1974, an Egyptian face) (1974): his last creature for Nebiolo, a typewriter type. It was considered as a slab serif companion of Forma. This typeface was revived as a variable font in 2020 by David Jonathan Ross.
His post-Nebiolo fonts:
  • Primate (1972), for AG Berthold. For a digital revival of this wedge serif, see Luca Terzo's Noctis (2020).
  • Sintex 1 (VGC, 1973). A revival and expansion of this funky nightclub typeface was done in 2008 by Patrick Griffin at Canada Type as Stretto (2008).
  • Sprint (1974). A script typeface. Digital versons: Sprint (Linotype), Sprint (2019, SoftMaker).
  • Bloc (1974, VGC)
  • Mixage (1977 Haas, a lineal font, now ITC Mixage) 1985?
  • Novarese Book (1978, now ITC Novarese Book)
  • Lapidar (1977)
  • Andromeda (1978, VGC)
  • Global (1978, VGC)
  • Fenice (1977-80; now ITC Fenice)
  • Expert or Expert Haas (1982-1983). At Haas'sche Typefoundry.
  • Floreal Haas (1983). A decorative and slightly wavy serif published by Haas'sche Schriftgiesserei.
  • Colossal (1984); see Colossalis at Berthold, a slab serif sports lettering family)
  • Stadio (1974). A reverse contrast sans that was published only as a rub-on transfer typeface. Revived in 2020 by the Zetafonts team as Stadio Now.
  • Symbol (1982-1984, now ITC Symbol)
  • Arbiter (1989, Berthold)

View Aldo Novarese's typefaces. [Google] [MyFonts] [More]  ⦿

Alejandra Riera Mora

Graduate of the Miami Ad School in Madrid who lives in Murcia, near where many spaghetti westerns were filmed. No surprise then that she created the Western look typeface Bandido and the counterless display typeface Cactus in 2012.

Architecture font is a wide techno face.

For something completely different, she turned to alchemism with the nutty Nick Minaj font (2012).

Behance link. Another Behance link. [Google] [More]  ⦿

Aleksandra Mizielińscy
[Hipopotam]

[MyFonts] [More]  ⦿

Alessandro Fulciniti

Alessandro Fulciniti (Axel or Alex Fulton) is the designer at FontStruct in 2008 of Digg (based on the Digg.Com logo), SmartShop, Triple-X, Last Brick (3d brick face), Last Brick Neon, Bubble Gum, Maxxell, Pico (pixel face), Omino (dingbats of men), jelly_fish_1, pixel_runner, red_light_district (dot matrix face), three_am. Son of Statement and Statement are heavy block fonts. Other typefaces: Acchooga (condensed), Dottic (2008, pixel face), Headshop (2008), Three AM (2008), Red Light District (2008, dot matrix face) and Fat Bit Lova (2008, pixel face), Brooklin Bros (2008, octagonal), Absurd, Dottic (pixel face), Hybrid Boost, Five AM, Futuristica (Bank Gothic-inspired), HeadShop, Americana (American flag-themed glyphs), Elevator (lightbulb signage font), Bombay (Indic simulation), Regent (octagonal, between two horizontal lines), Spaceman (pixel meets kitchen tile), Faster Baby, Fontharrt, Subpixel, Promises, Best-before-end (horizontal stripes), Weekend (fat headline face), Predator's Alphabet, Futures, Magnus (constructivist), Zeppa (great---Far West meets LED), Wide Horizon, Pixelity, Wide Horizon Rounded, Snipers' Font, Gunny (heavy metal stencil), Pinball Special 5, Gallop, Horizon Condensed, Western Zappa (Far West font), Wide Horizon Rounded, Nano Spaceman (nice fat kitchen tile style), Black Sheep, Best-before-end, Black-Sheep, Bubble-Gum, Crazy-Pixel, Faster,-baby!, Gallop, Horizon-Condensed, Last-Brick, Little-Spaceman, Magnus, Pinball-Special-5, Promises, Teenage-Mutant-Ninja-Font, Weekend, Zeppa, maxxell, pic. Born in 1975 in Northern Italy, he is a columnist for the Italian web design portal html.it since 2003, who has written extensively on CSS, javascript and web design. Web site. [Google] [More]  ⦿

Alex De la Cruz

FontStructor who made the Western wood style wanted poster font Quetzal (2012). [Google] [More]  ⦿

Alex Hy
[Adult Human Male]

[MyFonts] [More]  ⦿

Alex O. Kaczun
[Type Innovations]

[MyFonts] [More]  ⦿

Alex Rooney

London-based designer of Quaterback Western (2015), a spurred outlined typefaces inspired by American football and Western movies. Behance link. [Google] [More]  ⦿

Alex Sheldon
[Match&Kerosene]

[MyFonts] [More]  ⦿

Alexey Kuzmenko

Zaporozhchyne, Ukraine-based designer of these custom (logo) typefaces in 2016: Sage (modular), Sport (techno), Space (futuristic)Shark (techno), Get Better, Juno (multiline headline face), Impossible (sans), Vintage, Faster Stronger (techno), Sheriff (Western), Airborn. [Google] [More]  ⦿

Alexey Pushkin

Designer of Old Ranger (2017), Grunge Slab Serif (2016), Old West (2016). In 2014, he designed Military Alphabet (an EPS format military stencil) and Grunge Alphabet. In 2013, he published the bilined Retro Alphabet. [Google] [More]  ⦿

Alexis Navarro Miranda
[Sudaca Type Design Studio]

[MyFonts] [More]  ⦿

Alicia Castelo

Ciudad Obregon, Mexico-based designer of the Western typeface Rodeo (2018). [Google] [More]  ⦿

Alit Design (or: Gurita Hitam)
[Alit Suarnegara]

A graduate of Institut Seni Indonesia Denpasar Bali who is based in Denpasar, Bali, Alit Suarnegara (Gurita Hitam, b. 1986, Denpasar) created these typefaces:

  • 2022: Psychofun (psychedelic), Lhont Down (a bouncy baseline serif), Spidro Marley (a flared display serif), Bellyman (an art nouveau boutique serif), Hulahoy Typeface (a formal reverse stress script), Bulone (a display serif with curved stems and terminals), Mankey (glyphs with wavy kinks), April Blossom (a scrapbook script), Soka (a 28-style display sans), Mollyn (a 14-style casual sans), Mongek (a 13-style display serif with funky curves), Round Saetan (a ribbon typeface), Putrey (a 9-style display grotesk), Rosehot (a display serif), Maglony (a 9-style font with sharply cut edges and terminals), Nillota (a 13-style display serif), Romans Lovers (a 12-style decorative serif), Maboth Typeface (blackletter), Belong Faith (a spurred tattoo (?) blackletter), Hello Mytoys (a modernized blackletter), Belligoes (blackletter), Boiller (a 14-style Peignotian sans).
  • 2021: Mybook Again (a great swashy calligraphic script meant for romantic events), Radja Lover (a calligraphic font with hairline connectors), Brohoney (a 13-style text family), Two Race (a race car font family), Piersob (a very wide display sans reminiscent of the old Porsche logo font), Black Mild (Victoriana), Decondor (a 14-style delicate mini-serif), Gathell (a 13-style fashion mag serif), Hero Beam (spurred, Victorian), Vaclice Script, Nokarin (a bold calligraphic script), Horseboy Boots (Western, with terminals that emulate hooves), Mokgech (blackletter), Sutray (a rather formal upright script), Mister Honey (Tuscan), Nandola (a fine calligraphic script), Bungker (a layerable hand-drawn slab serif), Brolimo (a 14-style Peignotian sans), Takashimura (a Japanese emulation font), Bunker (a layerable marquee font family), Dronefly, Miloner (a 14-style fashion mag serif), Mono and Friends (handcrafted and rounded), Roby Soho (a simple flared display sans in 12 styles), Saihat (emulating Arabic calligraphy), Gofienda (a calligraphic script), Rusty Store (Victoriana), Chalk and Friend (a sketched typeface), Grunge Decade (art nouveau), Kenoky Coffekan (a 15-style decorative sans and script duo), Botaky and Botaky Script (a wavy display font), Hidrofont (vintage), Roller Alika, Mistic (a decorative serif), Burgie (14 styles: an ink-trapped swashy and inky display serif), Hand Real (a thin monolinear script), Assox (a reverse contrast Tuscan typeface), Balian (a textured typeface that is based on Balinese carvings), Handy Quomte (calligraphic), Brohillo (a display serif).
  • 2020: Karmila, Shary (a 52-style sci-fi sans font that could also be useful in sports), Brave Eighty One (techno, squarish), Mollas (a decorative serif), Crying, Milk and Balls (a 28-style display typeface with rhombic tittles, wedge serifs and razor blade edges---the connection with milk or balls will forever remain mysterious), Boiling, Mallent (brush script), Bemalla (script), Marons (a script/serif hybrid).
  • 2019: Black Quality (inline, vintage), Caibojog (watercolor brush), Bonillo, Balimoon, Mofita, Nahye, Pintgram, Subscriber, Lovina Script , Bolehdong (script), Zamrack, Melloner, Melloner Fun, Beautiful Lovina, Localghost (a signature script).
  • 2018: Controwell (a Victorian script and text collection), Raustila, Rollete Qaku (dry brush), Norffo, Nermola Scripcy Font, Braton Composer.
  • 2017: the script typefaces Rumble Brave Script (as part of the vintage typeface Rumble Brave), Mellony (2017: dry brush script), Raph Lanok (brush style), Jandys, Jandys Dua, Billy Ohio (2017: dry brush), Localghost and Valledofas, and the vintage tattoo typeface Young Heart.
  • 2016: the thin connected script typeface Mooglonk, the signage script Altoys, the decorative didone Florva, the connected script typefaces Asfrogas, Rofitaste (brush style), Qarvic (a sans), Qarvic Icon, Morva (a decorative didone), Young Heart (a free vintage typeface with spurs), and Brushgyo.
  • 2015: Bromello (brush script), Vroffloow (in script and sans styles), Godfeem, Mooglonk, Floren (a display serif), Lawasth, Mooglonk Serif, the brush typeface The Faino, the tattoo font Alitide, the watercolor brush typefaces Roomfer and Norffo, the connect-the-dots typeface Circle Line, and Kemayu.
  • 2014: the beveled typeface Piramid.
  • 2013: the spurred signage typeface Starck.

Creative Market link. Another Creative Market link. Dafont link. Graphicrier link. [Google] [MyFonts] [More]  ⦿

Alit Suarnegara
[Alit Design (or: Gurita Hitam)]

[MyFonts] [More]  ⦿

Almarkha Type
[Abdul Malik Wisnu]

Indonesian designer of the brush script Sometimes (2019), the high contrast serif typeface Quakiez (2019), the serif typeface Romerio (2019), the condensed all caps piano key typeface Romestone (2019), and the script typefaces Cherolina (2019), Photorichies (2019), Photography Script (2019), Retrochips (2019), Mountecarlo (2019: monoline), Beautinela (2019: monoline), Ophelie (2019, Script+Sans), Denalova (2019), Shelline (2019), and Mathelline (2019).

Typefaces from 2020: Banana Juice, Bella Sweety, Bubble Bobble (a bubblegum font), Dear Sunshine, Oatlander (retro baseball script), Sweet Purple, Monieta (an inky and creamy rabbit ear script), Orange Milk (a playful handcrafted typeface), Rockbitz (a children's book font), Seathera, Avocado Creamy, Bolyvina, Charlie Angela (an inky calligraphic script), Lovemy, Chadelova (an enhanced script), Grumbear, The Mezirane, Charlotte Amalie, Crash Soul (a dry brush script), Costiera (a dry brush script), Handestonie (a monoline script), Mentality (a signage script), Technovier (a monolinear squarish sans), Antiquesta (a dry brush script), Belgium Catherine, Cronisse (a display serif), Pronave (an all caps display typeface), Uniser (condensed all caps sans), Westack (a display serif), Avone (a stencil serif), The Roletta (a dry brush script), Waluxe (a fashion mag all caps sans with flared stems), Dear Sunshine, Mikalotta (poster script), Walker Knight (a vintage all caps typeface), Towards (stencil), Cronisse (a decorative serif), Avaneonz (a neon font), The Heista Killer (a dry brush horror font), Someone (a dry brush font), Vicenza (an all caps skyline font), Bristone (a wide sans in six styles; perhaps for car tire ads), Shutterlocks (a dry brush script), Romantics (a creamy script), Revoxa, Yippie Yeah, Wonderful Day (calligraphic), Girly (a girly script), Kamelitta (a wild curvy script), Roadstore (a spurred vintage all caps typeface), Springloved (a paper cutout typeface and a a fine inline poster font), Saturated, Choxr, Blackheat (a super condensed all caps sans), Retrohols, Alibabe, Lordcorps (an octagonal sports or military font; with a stencil style), Headcorps (a sports shirt or military stencil font), Pineforest (with soft spurs), Airborne 86 (a military stencil), Orchide (a dry brush script), Beneficha (wild calligraphy), Radens (a retro bold signage script), Brokenz (a heavy condensed sans), Delninoys (a playful sans), Lorenza (sans), Elcatraz (Mexican simulation font), Hubby Bunny, Rosadetta (script), Swingsnug, Chickens Lovers, Rollinkland, Grumbear, Bubble Bobble (a bubblegum font), Blackheat (a heavy ultra condensed typeface), Brokenz (a muscular display sans), Lorenza (a fashion mag sans), Belgium Catherine (a signature script), Amazed Breath (script), Rockmore (a brush script), Empirez (an octagonal slab serif sports font), Amazed Breath.

Typefaces from 2021: Neurock (pure sci-fi), The Cheelaved (spurred, Victorian), Headbears (a sports font), The Antique (a vintage typeface), Vespalogy (a vintage display font), Bestorika (a decorative serif by Abdul Malik Wisnu and Rivo Adriansyah), Quakerhack (a rough brush font), Balietta (a flowing script), Brothery (a retro signage script), Beauticella (a signature script), Glamorez (a luxurious serif), Reloaded (a military stencil font), Austragen (a bold sharp-edged display typeface), Bearetta (script), Keawneta (a display font), Racerz (a speed font), Stangith (a decorative serif co-designed with Rivo Adriansyah), Quick Letter (a wide signature script), Arcinoll (a graffiti font), Charlie Brocklin (a thin signature script), Retrolight (a multiline neon sign typeface), Mokalatte (a wild script), Thugolatz (an all caps typeface with many interlocking ligatures), Author Think (a signature script), Bionetha (calligraphic), Bouncyland (a stylish wild script), Little Knight (a scrapbook typeface), The Brushentica (a beautiful dry brush script), The Soulmate (a dry brush script), Bettawork (a dry brush script), Philips Dutcher (a signature script), Recons (a techno font), Heezpiero (futuristic), Milky Quaker (a playful supermarket font), Rostemary (a fat finger font), Therestone (a Flintstone font), The Checkmate, Chick Chack (a heavy rushed script), Retroman (an Italian Western font), Brown House (a national park font), Emeralde Chamerions (a serif and script duo), Redzein (an octagonal slab serif), Rostera (a bold script), Sketchup (a sketched font), Thealiens (a condensed all caps sans), Williesh (a meaty display serif), Amazing Sweety (a scrapbook font), Heellaaz (an all caps children's book font), Almeira, Americans Classy, The Corps 86 (a military stencil), Brexo (a techno font with solid and stencil versions), Romeline (a scrapbook font), Yippie Yeah (a rounded monolinear marker pen font), Avaneonz (a neon or paperclip font), Sangira (a stylish serif), The Blackheads (a bold script), Kandaline, Marinaga (a creamy brush script), Mochalosta (script), Morning Sweety, Rockmore (a bold script), Deloire (a 4-style all caps sans), Montelova (script), Quinger (a monolinear decorative serif), Wonderella, Wonderful Sunset, Bellachia (a scrapbook script), Choxr (a very condensed all caps sans), Keepsmile (a rounded children's book font), Lovely Sweetie (a scrapbook font), Melanista (a wild script), Rollinkland (a brush font), Bellamona (a monolinear script), Bettanesia (handwriting), Bonalisha (script), Overwave (wavy), Beautimy (a wild script), Melatie (a wild script), Memorita (a wild script), The Handnature (a Treefrog script), Heinch (a 5-style all caps sans), Sweetie Banana (a scrapbook script), Sweetie Moment (a wild calligraphic script), The Dear (a retro script), Winterline (a wild script), Young Evaline (a signature script), Salt + Pepper, Sindenetta (a signature script), Autumnilla, Bella Ciao, Rosadetta (a wild calligraphic script), Saturated (a wild calligraphic script), Wondiletta, Bubblez, Lovely Orange, Milkalotta, Luxoorea (a stylish fashion-model-skinny all caps typeface), Momotako (a paper cutout font), Neonblitz (a neon font), Unione Force (an octagonal sports or military font; with a stencil style), Westman (a Western font), Delamoore (an all caps high-contrast display serif), Delaproza (an all caps display serif), Kinglead (a cartoonish font), Modesfa (an all caps display serif), Hexore (a slab serif), Deluxes (a stylish display sans), Kenzomaru (an oriental brush font), Lumbero (wooden plank font), Pineforest (a Victorian label or sign painting font), Beneficha (a wild calligraphic script), Brokenz (a bold condensed sans), Orchide (a dry brush script), Revoxa (a 4-style sans), Romantics (script), Schein (a sans and slab serif pair), Someone (a dry brush script), Towards (a minimalist stencil font), Averox (a futuristic all caps sans), Chicken Lovers (a playful informal font), Hubby Bunny (a cute display sans), Swingsnug (an informal monolinear sans).

As Typotypea">Typotypea, he published the script typeface Manthoels (2020) and the roman all caps typeface Stinker (2020).

Typefaces from 2022: Signattimes (a signature script), Thematheka (a constructivist font published on the day Putin invaded Ukraine), Overbillions (a dry brush script), Brolachess (a stylish all caps semi-serif), Suntage (a wide vintage all caps font).

Typefaces from 2021 published by Gassstype but made by Abdul Malik Wisnu: Ruthless (a heavy dry brush font), Timeless Nature (script), Unranked (a rough mural font). Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

Alpaprana Studio

Indonesia-based designer of display, scrapbook and handcrafted typefaces. In 2021, he published these fonts: Aesthetic, Angelic Smiles, Another (architectural lettering), Asgerion (stencil), Baby Mermaid, Baby Sparkle, Barley, Bathiora, Beacon (futuristic), Beauty Hearts, Best Valentine, Bigdino Park, Blackout (futuristic), Boost Display, Claresta, Clatterson, Committing, Creamy Buttermilk, Darling, Devany, Felicity, Gelato, Getting Better, Gia Cristine, Giordan (calligraphic), Golang, Grandia, Halmera, Haster, Hazelnuts, Hello Snowy, Hello Viktoria, Hunting, Katracy, Kingham, Kingston Signature, Komon, Latterday, Life Hacks, Love&Thunder, Magderyna, Magretta, Memphis, Merkisa, Midnight Shadows, Mighty Kingdom, Modena, Momy & Marsa, Northing, Perky Dream, Pumpkin Party, Radiants, Ralynda, Rastella, Ratcliffer, Replay Time, Spider Homes, Sweet Puppy, Thom Rodger, Wakanda, Western. [Google] [More]  ⦿

Alphabet Agency Font Foundry
[Jonathan Swinn]

Aka Alphabet Agency and Alphabet Agent. Jon (or Jonathan) Swinn is based in Preston, UK. He designed these typefaces in 2014: Hellfire, Halberdier, Norseman, Order of Calatrava, Lancaster Castle, Santa Rosa (ornamental caps), Arcade, Captain Regular, Captain Shipwreck, Strobe Stencil, Gunslinger (spurred Western font), Street Stencil (+Overspray, +Grime), Abandoned Saloon Font (Western typeface).

In 2015, he made the free speed-themed sports font Top Speed, the baseball logo font Benchmark, the tattoo font Hellfire Club and the decorative caps typeface Santa Rosa.

Typefaces from 2016: Rangers (spurred), Four Potato Farm, Peacemaker (spurred family), Potato Farm, Hammer & Anvil, Mughals (Victorian), Mughals Distressed, Zero 2 Sixty (speed emulation techno font), Neodigital (free; inside the font we find the date 2012 though).

Typefaces from 2017: College Champions (a varsity font), Toronto Display (chamfered), Homeplate Font Duo, Megapowerz (all caps, cartoon or comic book style typeface), Physico (techno), Gamerica (beveled techno typeface), Monster Truck, Shift (a technical speed emulation font), Urban Tribe (grungy stencil).

Typefaces from 2018: Ice Champs, Baseball Champs, Pro Hockey Champs.

Typefaces from 2019: Cicero, Sports Headline (an octagonal sports font), Outline 99.

Typefaces from 2020: Iron Lake (a Tuscan pioneer font), Iron Lake Rough, They Live (a paint brush font), Gamebred, Glitch Esports, Doomsday, Nextgen Athletic, Nextgen Solid.

Typefaces from 2021: Cicero Series (a mechanical typeface in the style of old wood types), Benchmark2 (vintage, spurred), Pro League 2000 (a 6-style sports font), Captain Tall Ship (a Victorian typeface with concave outlines), Nexgen SLD (a 6-style mechanical industrial octagonal font family), Block Brush (a sketched SVG font), Hallowevil (a Halloween font), Preds, Resiliency (18 styles), VSB, Old Jersey (a sports font).

Hellofont link. [Google] [MyFonts] [More]  ⦿

Alphabet&Type
[Paolo Vannucci]

Paolo Vannucci (Alphabet&Type, b. 1969, Punta Marina Terme) created the curly handwritten Halloween typefaces Afterlife, Evernight (2009) and Evernight Stargazer (2009).

He also has an interest in Startrekkery because he designed the typefaces Transformers Movie (2009) and Star Trek Future (2009). All these typefaces are free at Dafont and/or Fontspace. Alternate URL.

In 2010, he did the free brush typeface Fronte del Porto, which is based on the Elia Kazan movie with Marlon Brando entitled On The Waterfront.

There is also a commercial side of Alphabet&Type: In 2010, they published the angular family Antares, the bold organic typeface Minardi (+Collage), and the curly family Vannucci Antico. Metropolis (2010) is an angular typeface based on the titling of Fritz Lang's movie Capolavoro. Sabrina (2010) is taken directly from the Best movie by Billy Wilder, with Audrey Hepburn and Humphrey Bogart. An American in Paris (2010, or: UnAmericanoAParigi) is based on the font used in the movie by Vincente Minnelly, with Gene Kelly and Leslie Caron.

Cleopatra (2011) is a chisel font with a Greek look, based on Cleopatra, the movie by Joseph L. Mankiewkz, starring Liz Taylor and Richard Burton. Il Grinta (2011) is the wedge serif titling font of True Grit, Henry Hathaway's movie starring John Wayne. The beautiful inline typeface Singapore (2011) after the titling in John Brahm's movie featuring Ava Gardner. Strade di Fuoco (2011) is based on the movie Streets of Fire by Walter Hill, with Diane Lane. Flash Gordon (2011) is based on the famous movie by Mike Hodges, starring Max Von Sydow. Amazing Spider Man (2011) is based on the Spiderman movie by Marc Web which featured Andrew Garfield. Captain America (2011) is based on the movie by Joe Johnston, with Chris Evans. Twilight New Moon (2009) is based on the Twilight movie. Electric Dreams (2011) is based on steve Barron's movie.

Tintin (2011) is a comic book typeface based on Steven Spielberg's 2011 movie. Fantastic Four (2011) is a StarTrek style family that is based on the Tim Story movie. Faelorehn (2011) is a vampire script.

Creations from 2012: Sherlock Holmes, Watson (based on Guy Ritchie's movie), Lucky Luke (after the successful Western comic book series by Morris and Goscinny), Danger Diabolik, Ghost Rider (based on the movie by Mark Steven Johnson, starring Nicolas Cage), Notorious (a brush font based on Notorious, a movie by Hitchcock starring Cary Grant and Ingrid Bergman), Cullen, Flower Header, Dorian Gray (from the movie by Oliver Parker starring Ben Barnes), Snow White (from Rupert Sanders's movie Snow White and The Huntsman).

Typefaces made in 2013: Beastly (based on the David Barnz movie featuring Vanessa Hudgens), Top Gun (an octagonal typeface based on the movie with Tom Cruise), Manhattan (from Woody Allen's movie), Assassin (based on a Ubisoft video game).

Typefaces from 2014: Dylan Dog (based on Kevin Munroe's movie starring Brandon Routh). [Google] [MyFonts] [More]  ⦿

Alter Deco Type foundry
[Adit Saputra]

Yogyakarta, Indonesia-based designer Adit Saputra set up Alter Deco Type foundry in 2013. He created the spurred Victorian typefaces The Famous Typeface (2013), Midnight Show (2013), Heister (2013), Cardiman Script (2013), Epique (2013), Holden (2013), Long March (2013), Dialog (2013), Big Lodge (2013), Jack Runner (2013, spurred), Shoutest (a Western circus font), Old Opera (2013) and AI Trashed (2013, free download).

Other typefaces: Haimdale (2013, Victorian), Hamdall (2013), Chevia (2013), Chevitz (2013, roman caps), Shakehand (2014), Harmonique (2014), Knight Guard (2014), Hydenia (2014), Monopolish (2014), Antiqueen (2014), Samathor (2014), Sea Horse (2014), Phillnesia (2014, spurred), Relative (2014: a multiline custom typeface for Addthisrock Studio), Dubster (2014: a multiline typeface), Orbital (2014: a multiline custom typeface for Addthisrock Studio), Apparecum (2014), Handster (2015), Mermaid (2015: Victorian), Roasted (2015), Run (2015, spurred), Movember (2015), Bhaltazar (2015, eroded medieval font), Arthur (2015, rounded and handcrafted), Aberden (2015), Boulden (2015, rounded spurred typeface family, including letterpress emulation styles), Mouthen (2015).

Typefaces from 2016: Strongwill (Victorian), Cyanide, Handland.

Dafont link. Creative Market link, where one can buy the fonts. Another Creative Market link. Graphic River link. Behance link. Yet another Behance link. Designs Net link. [Google] [More]  ⦿

Amtypes (was: TypeWolves, Amtypefoundry, or Try and Error)
[Angga Mahardika]

Bandung, Indonesia-based designer of the angular signage typeface Lawson (2014), the Victorian signage typeface Houden HTN (2014), the paint brush typeface Valerie (2014), and the ironwork typeface Pipeburn (2014).

In 2015, Angga made the hand-painted typeface Hellous, the handcrafted Belion, Haste, Seafool and Teaters, the brush typefaces She Lovely, Stay Bold and Rainfall, the great rough brush typeface Harvest, the calligraphic (wedding script?) Judy, the brush face Tropica Island, and the script typeface Callera.

Typefaces from 2016: Badhorse, Burtons Script, Heats, East Coast, Happy Boys, Bird House, Sailor (a vintage rounded letterpress emulation typeface in solid and rough versions), Alloha (brush script).

Typefaces from 2017: Cinamon (brush script), Blackships (Victorian), Explode (a fresh all caps sans layered typeface), Black Gate, Cup Cakes, Wildest Script, Buffalo.

Typefaces from 2018: Hellios (a signature script), Haste, Sunborn Sans, Sunborn Script, Bright, Sweet Belly, Cortez (octagonal), Silver Stone (a vintage Western font), Sumo Book.

Typefaces from 2019: Masquerouge.

Behance link. Creative Market link. Cargo Collective link. Behance link for Try and Error Studio. Creative Market link for Amtypefoundry. Creative Market link for Type Wolves. Behance link for Type Wolves. Creative Market link for Amtypes. Graphicriver link. [Google] [More]  ⦿

Amy Hood
[Hoodzpah]

[More]  ⦿

An Gri

Graphic designer in Barcelona who created these typefaces in 2014: Honolulu, Western, Arsenal, SciFi, Paperclip, Tangram. [Google] [More]  ⦿

Ana Elisa Ribeiro

Located in Recife, Brazil, Ana Elisa Ribeiro, a student at UFPE, created Brick (2012, FontStruct: a squarish face), Neon (2012, dot matrix face), Chippendale (2012, informal caps face), Continental (a spiked family based on the lettering for the aguardente by that name). [Google] [More]  ⦿

Ana Paula Filipi Putka

Brazilian designer (b. 1984) who created Vidas Secas (2008) and Vidas Secas Dingbats (2008), both desert or western style fonts. [Google] [More]  ⦿

Anang Fibriyanto
[Cornertype Studio (or: Gassstype)]

[MyFonts] [More]  ⦿

Andhika Pradana
[Ikiikowrk]

[MyFonts] [More]  ⦿

Andika Setiawan
[Dikas Studio]

[MyFonts] [More]  ⦿

Andrea Bianchi

Graduate of the European Institute of Design (IED) in Milan. Visual designer in New York and Milan, Italy, who revived the bullet hole typeface Lucky (André Pless, Mecanorma, 1973) in 2019. His version, also called Lucky, is free. [Google] [More]  ⦿

André Pless

Designer of the transfer sheet typeface Lucky (Mecanorma, 1972-1973). This Western bullet hole and semi-psychedelic style typeface was designed in 1972 by André Pless for the Mecanorma type contest, and later released by Mecanorma in their Letter-Press transfer sheets.

Lucky was digitally revived in 2019 by Andrea Bianchi as the free font Lucky. Lunatique and Lunatique Rounded (2021) are revivals and extensions by The Flying Type (Erica Jung and Ricardo Marcin). [Google] [More]  ⦿

André Zottolo
[Artist of Design]

[MyFonts] [More]  ⦿

Andreas Seidel
[astype.de (or: Astype)]

[MyFonts] [More]  ⦿

Andrei Zhitkov

Russian type designer. Agfa/Monotype designer of the Cyrillic fonts Bodoni Poster Cyrillic, Nevsky (Western style), Pskov (octagonal font), Tatlin (in the style of early Russian constructivism). [Google] [MyFonts] [More]  ⦿

Andres Lugo

Art director in San Antonio, TX (and before that, Metairie, LA), who designed a few display typefaces in 2011: Eclipse, Eclipped, Regression (octagonal), JUNKY boy (ultra-fat, counterless), Gorilla (straight-edged).

Russian propaganda poster art led to Burial (2013), Quickdraw (2013, Western), Aerial (2013) and Aerial Stencil (2013). He also made techno / sports typefaces Enforcer (2013) and Form (2013, techno sans).

Typefaces from 2016: Matter, Form (techno), Hospital, Craze (sharp-edged, free), Foray (squarish), Hospital (squarish style), Hydjakids.

Typefaces from 2017: Triton (sports font), Carson (beatnik font), Tomahawk (hipster style).

Typefaces from 2018: Pirlo (techno), Spartan (an octagonal font and military stencil), Scoreline (athletic lettering).

Typefaces from 2019: Awe Struck. [Google] [More]  ⦿

Andrew Footit
[Arkitype (was: Virtue Creative)]

[MyFonts] [More]  ⦿

Andrew Galarza
[Andrew Galarza Foundry (was: Chance Type Co, and Krayon Ink, and before that, Jedi Serpent Fonts)]

[MyFonts] [More]  ⦿

Andrew Galarza Foundry (was: Chance Type Co, and Krayon Ink, and before that, Jedi Serpent Fonts)
[Andrew Galarza]

Chance Type Co evolved out of Krayon Ink (ex- Jedi Serpent). It has commercial fonts by American designer Andrew Galarza who lives in Miami, who started making type in 2001. These used to be shareware when the place was called Jedi Serpent Fonts.

Galarza's early typefaces: Jeannette (2002), Display Swash, KY and an Urge, 65 Swash, Melfina, Redheads in Transit (beautiful handwriting), Butterfly Collection (dingbats), 5 Am Summer, Transit One, Superchalmers, Like Wind in The Summer, Delithium, Fane Serane, 5am Andrew (2005, handwriting), 5am Chance No 01, 5am Transit (handwriting), 5am Gender, Grey (2005), Melfina (2002, inspired by Emigre's Council), 5 AM Chance No. 1 (which used to be called Vespers), Vespers (2001, based on lettering for a Bjork album), NewTimesRomanHyper and CourierStrange (reworked Monotype fonts: the latter one has letters in brackets), 90Days, Blistel, Cancer, Freeware, Futura, Lode, Love-Quickie, Image Times, Stylus (modified Monotype font), Jenice, Element, Prozac Child, Codeca, Ginger, Ginger2, Boredom, Awitched, Mastillo, Mastillo2, PaperChase2blockedinside (reworked BadFilms by Ray Larabie), Screwupsuprock, Arialbullets39mmwideclear and Arialbullets4VerbRicochet (reworked Monotype Arial-Plain: letters in and on balls), Dots, VanishingBoy (modified Ray Larabie font; the best in the series I think), 1979 (fantastic avant-garde font), Agent 508 (equally great display font), Aloin, Bionic, Backspace, ChemicalTest, Click, Dragon, Eggman, Feelings, Flowery Text, Gallows, Gigayoda, Impression, Lavero, Lorent Roman, LoveJoy, Melody Metrics, Never, Noose, Numbers (hacker font), Opagan, Opus-sc, Panama, Poison Pill, Potheads, Rainy, RoamJapan, Room, Butterfly, Thinker, Veronica, Western Flick, Reterik, MisbehaviorTake23, Thinker, Paperchase2blockedinside, Children's Television Workshop (letters based on the Sesame Street TV show, 2002), KY and Urge, 65 Swash, Redheads in Transit, and I Love My Momma.

On my last visit, there were just a few shareware fonts left (in OpenType format): 5AMButtercup, 5AMButterflyCollection, 5AMDelithium, 5AMLikeWindInTheSummer, 5AMSuperchalmersItalic, 5AMSuperchalmers.

MyFonts sells some of his fonts: 5 AM Buttercup (Andrew Galarza), Grey (Andrew Galarza), 5 AM Gender (Andrew Galarza), 5 AM Chance No 01 (Andrew Galarza), 5 AM Andrew (Andrew Galarza), 5 AM Transit (Andrew Galarza), 5 AM Summer (Andrew Galarza), Melfina (Andrew Galarza), Childrens Television Workshop (Andrew Galarza), Vespers (Andrew Galarza).

Jedi Serpent evolved into 510 ink and then Krayon Ink. In 2005, Krayon Ink was renamed Chance Type Co. Home page. Old MyFonts link. [Google] [MyFonts] [More]  ⦿

Andrew Hart

Andrew Hart is a Corona-based American digital photographer (b. 1988), who runs a small free font archive. Another archive of his. Dafont link. Another URL. Yet another URL. And still another one. And another one. And one more. His later fonts refer to SickCapital.Com.

His own fonts include Gothickella (2017, blackletter), Sailorette Tattoo (2015), Elkwood (2014, sans), Snowinter (2014, sans), Rebel Pixy (2014, tattoo script), Pride of the Young (2014, hipster style), Scribblet (2014), Tall & Slim (2014, a great tall-legged poster typeface), Tribal Threat (2014), Boldenstein (2014), Fireflies (2014), Rio Frescata (2014, curly), Alpaca Scarlett (2014), Alpaca Solidify (2014), Vanity Script (2014: a vampire script), SC Gretchin and Timmy (2013), Fun In The Jungle (2013), Pixelic War (2013), A Glitch In Time (2013), Giraffe And Co (2013, an African-themed typeface), Chameleon Dreams (2013: a fantastic wacky party typeface), Angelic Serif (2012), Angelic Peace (2012), Pyrite Script (2012), Pyrite Crypt (2012), Body Piercing And Chains (2012), Love til Killed (2012), Hollywood Capital (2012), Donaldo Regrecka (2012), Deadly Black Chain (2012), Dirt2 Copperbolt (2012, grungy copperplate), Truskey (2011, grunge), Sick Capital Kingston (2011), Full Moon On (2011), Grafitik Riot (2011, graffiti face), Electric Panda (2011), Last Draft (2011, grunge typewriter), CaliforniabyDirt2 (2010), JusticebyDirt2 (2010), SC Gum Kids (2010), SC Tinas Baby Shower (2010), Little Ryan (2010, handwriting), Sick Capital Vice (2010), Star Avenue (2009), Cute Tattoo (2009), DuerTWO (2009), Dirt2Stickler (2009), Ithornët (2009, grungy blackletter), NoXWay (2009, graffiti grunge), Skulls and Splatters (2009), Hacjiuza (2009, hand-drawn blackletter; +Dirty), Popstar Autograph (2009, comic book style script), The Quickest Shift (2009, curly script), DuerTwoo (2009, bloody horror font), Malgecito (2009, grunge), Ithornët (2009, grungy medieval pirate font), Little Bliss (2009), Loyal Fame (2009, curly script), Angelic War (2009, grunge), Soulstalker (2009, grungy blackletter), Kings of Pacifica (2009, ransom note font), GanixApec (2009), GoodPeace (2009), KatyBerry (2009), OffTheDrugs (2009), ThinFranq (2009), WILDAFRICA (2009, African-theme multiline face), St. Andrew (2009, a spray type font), Hawaii Lover (2009, grunge calligraphic script), Aristotle Punk (2009, grunge), Juicy Hunt (2009, grunge), Dead Hardy (2009, Victorian), Kate Perry (2009, fifties script), Kate Berry (2009, fifties script), Vloderstone (2009, hairline slab serif), Good Peace, Off The Drugs, Thin Franq (2009, hairline), Ganix Apec (2009, sans), Jailbox1 (2009, grunge), Blast Beat (2008), Ghosttown-BC (2008, Western style), Dead Secretary (2008, grunge), DIRT2-DEATH (2008, grunge), Robot Head (2008), Alpaca 54 (2007, grunge), Hawaii Killer (2007, Coca Cola grunge), Splinter2 (2007, grunge based on Franklin Gothic), Everyday Ghost (2007, grunge), Plague Death (2006, grunge), SEXtalk69 (2007), Screamz1 (2007). [Google] [More]  ⦿

Andrew McCluskey

Independent game developer Andrew McCluskey (NAL Games, Dundee, Scotland, b. 1991) published hundreds of free typefaces before 2015 under the NAL label. In 2015, Andrew McCluskey, after becoming Allison James, joined forces with Daniel Johnston and set up Chequered Ink in bath, UK. They live in Newport, Wales. Andrew's pre-merger fonts are listed here.

Andrew McCluyskey designed the free LED-inspired Kinglify (2011), Digital Display (2012), and Princelify (2011). Manly Man (2011), Metal Arhyrthmetic (2011) and Ace Futurism (2011) are semi-octagonal. Consider Me Vexed (2011) and Pixel Flag (2011) are pixel typefaces.

In 2012, he made She Curls in the Mist, Xero's Karma, Pastcorps (army stencil), Gnome Splinters, Fought Knight, Vermin Vibes (futuristic), Vermin Vibes 1989 (pixel face), Vermin Vibes 2, Vermin Vibes 3 (2014), Vermin Vibes Diet, Vermin Vibes Redux, Dubbing Star (futuristic), Sorrier Statements, Particulator (an octagonal paper fold typeface), Coder's Crux (a pixel typeface created for programmers, FontStruct), Triggering Fanfares (octagonal), Alt West, Notalot25 (pixel face), Notalot35 (pixel face), Lord Juusai (inspired by the logo for Lord Tensai from WWE), Zephyr Jubilee (an alien language simulation typeface), Bevel Fifteen, Xero's Theorem (sci-fi), Sawchain (2012, FontStruct), Dubbing Step and Here Be Dubstep (FontStruct), Italic Bricks, Gang Wolfik (angular, +Blade), Ruaturecu, Quous Inno, Electramaniacal, Xodohtro-Nu (a black octagonal typeface), Distortion of the Brain, Berate the elementary (techno face), Not sure if weird or just regular, Opulent Fiend, Rawhide Raw 2012 (techno, inspired by the WWE Raw logo of 2012), Particulator II (octagonal), The Missing Link (trekkie), Thunderstrukk, Understrukk, Ganf Wolfik Blade (a pointy Blade style font).

Typefaces made in 2013: Call of Ops Duty, Spinebiting, Laceration, Casual Hardcore, Zany Races, Vermin Vibes 2 Nightclub, Exoskeleton, Perspire, Piston Pressure (sans), Particulator III, Liberty City Ransom (grunge), Zdyk Leo, Variety Killer (grunge), Savantism, Vermin Vision, Zdyk Sagittarius (a circle-based experimental font), Milestone One (a gaspipe sans), Comfortably Fucked, Noasarck (+Sporadico, +Quattro), Future Time Splitters, Heart Breaking Bad, Jan Hand, Erhank, Exoskeleton, The Rave Is In Your Pants, Minecraft Evenings (inspired by the Minecraft logo), FoughtKnight Victory (a video game font), Piescese, Comic Spans, Cauterise, Dead Font Walking (rough-edged poster font), Cutthroat Clawmarks, Eride (grunge), Effervescent Superbeings, Front Page News, Kill The Noise (brush script), Distort You A Lesson (grungy), Vermin Vibes 2 Black, Vermin Vibes 2 White, Vermin Vibes 2 Soft, Dubstep Cadence, Relapse Into Madness, Kings of Kings Lynn (dadaist), Smorgasbord, Scream When You'Re Ready, I Phone You Phone, Respire, Perspire, Vermin Vibes Slant, Sharp, Cursivertex, Rick Lobster (stencil face), Cursivertex, Vermin Vibes Dystopia (cyberpunk), Wabbit Sans, Calligraphy Aquiver, Agra Axera (knife-edged sci-fi face), The Keepsake Days, See You At The Movies, Xero's Proof, Vermin Vibes Out Of Ink (textured), Melancholic Roadeo, Wickermanor (a stiletto typeface), Lord Juusai Rises, Vermin Vibes Ex, Vermin Vibes Roundhouse, Just in the Firestorm, Stuntcroft (modular), Ghetto Magnetic (grunge), QA Reports (fat finger typeface), Y-Andermo (stiletto style), Dragon Slapper.

Typefaces from 2014: Man Flu (FontStruct), Zany Races, Big Quicksand, Modern Caveman, Alpha Sapphire (a Pokemon typeface), Omega Ruby (a Pokemon typeface), Schweiz, Beta (FontStruct), Jawbreaker (FontStruct), Tomorrow Wind, Embezzler, Royal, Final Gambit (grungy athletic lettering), NAL Hand, Fingbanger, Dont Waste That Napkin (squarish font), Bold Testament, Cisgender, NonchalantLove, Grelsey Kammar (sic), Valiant (stencil), Anger Management, Italipixel, Ultramarine, Nero (sci-fi font), Bamboozler, Seriffic, High Jinks, Iregula (sic), LNR Phonetic Alphabet, Primary School, Playtime (3d face), Electromagnetic Lungs, Node to Nowhere, Alienated (trekkie font), Questrian, Scars, Da Se Nei (art deco), Dance Floor (dot matrix face), Edge Cutting, Lord Juusai reigns, Superpower Synonym (fat brush), Fought Knight Die (techno), The Thrill of the Kill, Lay of the Land, Deavantgar (art deco), Confidel, Fight Night, Comeback of the Damned, Vermin Vibes Corrupto, Chandstate, Scars, Bustin Jieber (pixel typeface), A Dash of Salt, Come Rain or Fall, Xsotik, Sanseriffic (avant-garde sans), Cassius Garrod, Effortless Tattoo, Coder's Crux 2, Radaro, Overdrive Sunset (brush face), Dead CRT, Fatality's Edge, Tolerant, Coder's Crux 2 (dot matrix), Consider Me Vexed (pixel face), Diamante, Pixel Flag, Aardvark CWM Type, Enter The Grid, Vermin Vibes 2 EDM XTC, Byron, See You at the Movies 2, And Then It Ends, God Hates Westboro, Writing Without Ink, Zdyk Aquarius, Curvert, Superdie, Rocky Road, Animal Silence (constructivist), Gnaw Hard, 19th Century Renegade, Trip Trap, Freudian Slit, Digital Dismay (LED face), Zdyk Pisces (circle-based typeface), Zdyk Scorpio, Guilty Treasure (techno), Wolfganger (inspired by Wolfgang Gartner), Xero's Retreat, Sitdown (octagonal), Stencylette, No More Justice (blackletter), Masterblast (sci-fi), Kesha (sci-fi), Primal Dream, Grandma's Television, Keyboard Warrior, Foughtknight, Blissful Thinking, Positive Reinforcement, The End of Days.

Typefaces from 2015: This Sucks (pixel font), Front Page Neue, Vermin Vibes Mert, Rock Elegance, Stripes.

Typefaces from 2016: Enter The Grid, Fill In The Gaps, FoughtKnight, Grunge Tank, Alt West.

Dafont link. Most of his typefaces were made using FontStruct, where he is known as NAL or Notalot. Fontspace link. [Google] [More]  ⦿

Andrew Pixel (was: Timm Design)
[Andrew Timothy]

Estonian graphic designer who created these (mostly display sans or decorative serif style) typefaces:

  • In 2017: Heraldry (decorative caps), Spacious (sci-fi).
  • In 2019: Orlande, Mjölnir (a runic or Nordic script emulation), Ravenstar, Cyber (a mosaic font), Carmina Burana, Great Glory (brush), Galileo (serif), Galilei (script), Living Dream (font duo), Marie (sans), Curie (script), Pomino (a tall stylish serif), Chara (Sans+Serif), Moccha (Sans+Serif), Turin (Sans+Serif), Torres, Rustic Jack, Alchemy, Bushel (a spurred Tuscan typeface), Misty Meadow, Fiver (prismatic), Heleen Script, Xavier, Saint James, Vernazza (a condensed sans/serif pair), Torres (a free sans and Slab pair).
  • In 2020: Tiny Twig, Claro, Grove, Black Echo, Porto, Reval, Decora (geometric, art deco), Laura, Crasus, Cecilia Octavia, Rosalia, Boutique Serif, Flora, Magic Spell, Flare, Starglow, Sunday Sunshine.
  • In 2021: Alfa (sci-fi, stencil), Beauté.
  • In 2022: Polygon (triangulated), Verdant (a foliated font), Freco (a wedge serif), Wild Dreams.

Envato link. [Google] [More]  ⦿

Andrew Timothy
[Andrew Pixel (was: Timm Design)]

[More]  ⦿

Andy Hayes
[Hucklebuck Design Studio]

[More]  ⦿

Andy Nortik

Small archive with free Halloween, western and retro fonts: 50's-Yesterdings-JL, 60s-Chic, AEZ-halloween-dingbats, Bones, BOO, Bleeding-Freaks-Demo, Blood-Of-Dracula, Bloody-Stump-Gutted, Bloody-Stump, Brody, Bumkins, Cosmic-Age-Bold-Italic, Cosmic-Age-Bold, Cosmic-Age-Extended-Italic, Cosmic-Age-Extended, Cosmic-Age-Italic, Cosmic-Age-Outline-Italic, Cosmic-Age-Outline, Cosmic-Age, Creampuff, Creature, DANCING-DEAD, Expo, Fontdinerdotcom-Sparkly, Glamocon-RetroBats, GoldRush, GoreFont-II, Halloween-Borders, Halloween-Regular, Halloween-Spider, Helloween-2, Helloween-version-2, Hey-Kids!, KartoonKutz, KartoonKutz2, Matisse-ITC, MonsterParty, Nightmare-5, Old-Time-Ad-Dings-One, Old-Time-Ad-Dings-Two, Pinewood, Playbill, Punkinhead, Ranger-Ray's-Rocketeers-JL, Retro-Bats-One, Rope-MF, ShowBoat, SkullBearer-AOE, Thunderbird, Tricks-N-Treats, Wide-Glide, Woodcut, YeeHaw. [Google] [More]  ⦿

Angga Mahardika
[Amtypes (was: TypeWolves, Amtypefoundry, or Try and Error)]

[More]  ⦿

Anna Gerstner

Karlsruhe, Germany-based creator of the following typeface in or just before 2013: Normal, Papercut, Feltpen, Circus (spurred typeface), Be Mine, Scribble 1 and 2 (sketched typefaces). She works as a junior art director. [Google] [More]  ⦿

Annie Konst

Icon designer. Some of her icon sets in her 2021 catalog: Woodland, Picasso, Matisse, Tropical Matisse, Rural Folk, Halloween, Boho Soul, Wild West, Western, Australian Animals, Plantlovers, Orange Chill, Halcon Libre, Antique, Zodiac, Face To Face, Totemica, Flora, Mermaids, Magic Stellar Insects. [Google] [More]  ⦿

Anton Krylov

Russian designer in the South Ural. Creator of the Western font families IFC Wild Rodeo (2010), Rio Grande (2010), IFC Railroad (2010), I.F.C.LOSBANDITOS-Bold (2010, Tuscan), IFC Hotrod Type (2011, nuts and bolts face), IFC Hardball (2011), IFC Boothill (2012, Western face), and IFC Insane Rodeo (2010). IFC stands for Inked Font Customs. [Google] [More]  ⦿

Antonio J. Morata

Antonio J. Morata (Almeria, Spain, b. 1968) is a FontStructor (aka elmoyenique) who used FontStruct to make several modular typefaces starting in 2010. The typeface names start with z. We list them alphabetically:

Dafont link. [Google] [MyFonts] [More]  ⦿

Anugraha Design
[Cina Catteau]

Pokhara, Nepal-based designer whose work is characterized by bold colorful geometric patterns and constructions. Typefaces from 2017 include Roam (which Cina calls a tribal type) and the color font Beach Towel.

In 2017, she also published a wood type collection:

  • Barn Raising. A sturdy sans-serif in regular and rounded.
  • Prairie. A perfectly square geometric serif, in inline and regular.
  • Broad Sheet. A wide slab serif with 1.5:1 proportions. This one has a western flair but is simple enough to work for a variety of projects.
  • Prize. An ornate slab serif with a circus / carnival vibe.
  • Extra extra. A quirky slab serif most like 1900s printmaking letters.

Creative Market link. [Google] [More]  ⦿

aphoria

Designer at FontStruct in 2008 of Interest (dot matrix), Order (constructivist), Attica, Continuum (rounded bold), Fairway (+Slab, +Serif), Slant (techno), Cowboy (2008, Western-themed), Lights in the sky, Olymia Bold, Solida (psychedelic), Digi (pixel face), Villa (heavy slab serif) and Olympia Light. In 2009, he added Versional, Crown, Vend, Reed (Slab, Sans, both octagonal), Spaced Out (Bold, Italic, Regular), Jingle, ReMix (kitchen tile), Squire (3d face), Garage Sale (stencil), Signage, Futility (blackletter), Expearemint, Textual, Callout, tweedie, Embolden, Clipped, Economical, Emphasis, Vessel, Honest, Union (+Flat, +Sans, +New), Interest (pixel/dotted face), Venus Sans, Minanim, Diner (rounded), Lights in the Sky (De Stijl-like font), Opine, Charmer (+Inverse), Tweedle, Textual, Solida (ultra round), Slant, Slant, Villa (heavy slab serif), Versional, Vend, Union, Union Sans, Union New Sans, Union New Flat, Paperclip, Poofy, Steel (+Outline: octagonal), Crown, Diner (rounded), Solemn Bold, Solemn, reed Sans Mono (octagonal).

Fonts from 2010: Full Deck (playing card font), Scrollboard, Power Up (piano key face), Groovy Fu, Formality, Union New (+Sans, +Flat), Angle Tutorial, Aurora Light (elliptical monoline sans), Pushpins, Aurora Light, Scrawl (marker face), Evity (a grotesk face), Altipen (upright script).

Fonts from 2011: Obleak (oblique techno face), Likea (a heavy mechanical sans), Uptake (elliptical).

Fonts from 2012: Omit (a bilined stencil face).

Fonts from 2013: Emblazoned.

Typefaces from 2014: Game Over, Aurora Light, Flowidity, Oxquad (textured, octagonal). [Google] [More]  ⦿

Apostrof
[Konstantin Golovchenko]

Ukrainian type foundry founded in 2012 by Viktor Kharyk and Konstantin Golovchenko in Odessa. In 2014, they published the Latin / Cyrillic typefaces Arsena (original from 2013 by Vikto Kharyk), Caslon 1821 (Italian typeface by Viktor Kharyk and Konstantin Golovchenko), 2 Quadro (octagonal) and Surf Serif Pro (sharp-edged and modular; original from 2013 by Viktor Kharyk).

Caslon 1821 revives a typeface of Caslon & Livermore, 1821. It covers Latin, Cyrillic and Hebrew.

Kyiv (2010, Viktor Kharyk) combines elements of antiqua, Cyrillic, and carving into widely usable Latin and Cyrillic text family. Kyiv was awarded the 2nd prize in the text font category in the first Ukrainian typeface competition Ruthenia in 2010.

In 2016, Henadij Zarechnjuk and Viktor Kharyk designed Dnipro for Apostrof. The Cyrillic version of this font follows Ukrainian decorative traditions, initiaited by Georgy Narbut and Mark Kirnarsky in the 1920s and continued until the 1980s. The Latin part has an uncial character.

In 2020, Konstantin Golovchenko and Kyrylo Tkachov released the sans typeface family Rock Star at AlfaBravo.

In 2020, Viktor Kharyk, Henadij Zarechnjuk and Konstantin Golovchenko released an update and extension of Vasyl Homenko's metal Ukrainian typeface from 1963-1967, called Homenko.

A special project published in 2020: 1812 (by Viktor Kharyk and Konstantin Golovchenko). This is a 14-style revival and further development of the typeface 1812 by Lehmann Type Foundry (St. Petersburg). It was created for the centenary of the French invasion of Russia, known in Russia as the Patriotic War of 1812 along the lines of decorative engraved inscriptions and ornamented typefaces of that time, presumably by the artist Alexandre Benois. It was used mainly for the decoration of luxurious elegant publications. Later, in 1917, this typeface was used on the Russian Provisional Government banknotes. In the Soviet period of time '1812' appeared to be one of the few typefaces included in the first Soviet type standard OST 1337. It was produced for manual typesetting until the early 1990s. This typeface could be seen on Soviet letterheads, forms, posters and even air tickets. [Google] [MyFonts] [More]  ⦿

Aprian Sembada
[Griyotype]

[MyFonts] [More]  ⦿

Archive Type
[Matevz Medja]

Slovenian foundry which specializes in old typefaces found in old prints, books and samples. Typefaces are reproduced as they appeared in print. In order to preserve the original feel of typefaces, no additional characters were added to originals therefore most of fonts consist just of basic character set. Upper case letters, lower case letters, numerals and basic punctuation. It was set up in 2000 by Matevz Medja. Engraving style typefaces: Kludsky (2006), Garfield (2005), Copperplate Head (2005), Western Iron (2005), Cider (2005), French Shaded (2005), Tilt (2005). The blackletter typefaces: School Text (2005), Harlem Title (2005), Copperplate Text (2005), Black Title (2005), Chased Black (2005), Tinted (2005), Steeler (2005), Blackcap (2005). Calligraphic typefaces: Petite Script (2005), Autograph Script (2005), French Script (2005), Penman Script (2005), Magnolia Script (2005), Roundface Script (2005), Roundhand Script (2005). Other typefaces: American Shadow (2005), Lightface Extended (2005), Grotesque Shaded (2005), Gothic Ornate (2005), Antique Extra Condensed (2005), Antique Extended (2005), Ironlace (2005), Atlantique (2005), Mann (2005), Old Style Condensed (2005), Ribbon (2005), Salisbury Script (2005), Black Title Text (2005, blackletter), German Text (2005, blackletter), Archive Hands (2006, pointing fingers), Archive Woodchild (2006). Distressed typefaces: Archive Tale (2006), Archive Egipt Compressed (2006). In 2011, he published the Archive Garamond family, which is closer to the unpolished originals. The 2010 catalog has three parts:

  • The Archive 40: Archive Western Iron, Archive American Shadow, Archive Antiqua Extra Cond, Archive Antique Extended, Archive Atlantique (avant garde sans), Archive Autograph Script, Archive Black Title Text, Archive Black Title, Archive Blackcap, Archive Chased Black, Archive Cider (engraved; a vintage money font), Archive Copperplate Head, Archive Copperplate Text, Archive Egipt Compressed, Archive French Script, Archive French Shaded, Archive Garfield (2005), Archive German Text, Archive Gothic Ornate, Archive Grotesque Shaded, Archive Harlem Title, Archive Ironlace, Archive Kludsky, Archive Lightface Extended, Archive Magno Script, Archive Modern II Open, Archive Modern II, Archive Old Style Condensed, Archive Penman Script, Archive Petite Script, Archive Ribbon, Archive Roundface Script, Archive Roundhand Script, Archive Salisbury Script, Archive School Text, Archive Steeler, Archive Tale, Archive Tilt, Archive Tinted.
  • Archive Americana: Archive American Shadow, Archive Steeler, Archive Tilt, Archive Grotesque Shaded, Archive Black Title (blackletter), Archive Mann (an industrial 3d typeface), Archive Autograph Script, Archive Tinted, Archive Harlem Title (blackletter).
  • Archive Western: Archive Egipt Compressed, Archive French Shaded, Archive Western Iron, Archive Antique Extended, Archive Copperplate Head, Archive Ribbon, Archive Gothic Ornate, Archive Oldstyle Condensed, Archive Lightface Extended, Archive Ironlace.

Creative Market link.

View Archive Type / Matevz Medja's typefaces. [Google] [MyFonts] [More]  ⦿

Ari Juanda
[Line Creative (or: Line Studio)]

[MyFonts] [More]  ⦿

Aring Typeface
[Måns Grebäck]

Måns Grebäck (Aring Typeface, Örebro, Sweden) is a prolific Swedish designer (b. Lindesberg, Sweden, 1990), who lives in Borlänge, Sweden. Måns Grebäck has a bachelor's degree in graphic design from the University of Dalarna (2012). In 2010, he went commercial, and started selling fonts through MyFonts. In 2011 he started Mawns Design. In 2013, that was renamed to Aring Typeface. In 2011 he already had over seven million downloads of his fonts, which were featured at websites such as Dafont and Myfonts. He also does custom type work. His typefaces, both free and commercial:

View Mans Grebäck's typefaces.

Abstract Fonts link. Fontspace link. MyFonts link. Another URL. Dafont link. Klingspor link. Buy fonts directly from Måns Grebäck. Old URL. [Google] [MyFonts] [More]  ⦿

Arkitype (was: Virtue Creative)
[Andrew Footit]

Andrew Footit (b. 1984) runs his own type foundry in Johannesburg, South Africa. He is also known as Arkitype. Until 2014, his type studio was called Virtue Creative and before that, Virtue84. In 2017, he set up Arkitype. His typefaces:

  • The very simple monoline rounded geometric typeface Modulus (2011). Updated to Modulus Pro in 2019.
  • The stunning art deco typeface Vindeco (2011).
  • Gigafont (2011): a free bubblegum font.
  • FunFair (2012): hand-printed.
  • Virtus Sans (2012): a clean 4-style sans family.
  • the Western family Westro (2012, +Inline).
  • The free rounded sans drafting font Struct (2013).
  • The four-style vintage poster typeface The Woods (2013).
  • The spurred letterpress typeface family Roper (2014). Roper evolved into the octagonal typeface family Hudson NY (2015) and Hudson NY Pro (2020). Hudson NY Regular, Serif and Slab are athletic lettering / octagonal typeface families.
  • Bosk Hand.
  • Roves (2016). A camping style set of fonts, including several stencil typefaces.
  • Anchor Script (2016). Inspired by classic cursive connected handwriting.
  • Navigator (2016). Inspired by the early explorers.
  • Bowline Script (2016). A vintage monoline cursive script typeface.
  • Saveur Sans (2017) and Saveur Sans Round (2017). A lovely sans typeface family that is inspired by art deco and French cafes.
  • Comply Slab (2017). All caps and octagonal, with possible applications in athletic lettering.
  • 3 Stripe Type (2017) and Adidas Nemeziz (2017). Prismatic typefaces.
  • Technol (2018).
  • Statewide (2018). An all caps squarish techno display sans family.
  • ESPN Next (2018). An octagonal inline custom typeface. ESPN Heroes (2019) is a six-lined prismatic typeface.
  • Poster Compressed (2019). A piano key typeface.
  • Neumatic Compressed (2019), Neumatic Gothic Round (2020) and Neumatic Gothic (2019).
  • Protrakt Variable (2019). Nine variable width all caps fonts, of different thicknesses.
  • Coastal (2020). A twelve-style all caps sans.
  • Compose. An 18-style minimalist sans with elliptical curves and quite open counters.
  • Storica (2021). A 9-style all caps vintage serif.

Behance link. Creative Market link. Home page. View Andrew Footit's typefaces. Home page. [Google] [MyFonts] [More]  ⦿

Arterfak Project
[Ahmad Ramzi Fahruddin]

Ahmad Ramzi Fahruddin (aka Ramzehhh and as Ramz Fahruddin, b. 1993) established Arterfak Project in 2015. He is the Palembang, Indonesia-based designer of the display typefaces Aidah (2015, spurred), Temenyut (2015, spurred), Basenglah (2015, a geometric solid typeface), Local Genius (2015), Oropitem (2015, blackletter), Cakmacak (2015), Maeninaja (2015), Yagitudeh (2015, a free doodle font), Cagar (2015, free), Pletakrutuk (2015) and Beguyur (2015), the free experimental techno typeface Semravut (2015), the lava lamp typeface Cagar (2015) and the free spurred vintage typeface Outromoro (2015).

Typefaces from 2016: Anehena (a beveled ornamental typeface), Bongoknian (spurred), Sebasengan (sketched, arched, stitched, textured, eroded and embossed substyles), Sekatoon (Victorian), Bekelakar (Victorian), Sambeltigo, Wayawaya (free bilined art deco), Geroboktuo, Bedengkang, Ringam, Cindo Kato (spurred Victorian typeface), Ngopi Doken (a layered handcrafted typeface family), Bedesau (Victorian), Temenyut (spurred Victorian style), Sirugino (a spurred tattoo / blackletter type), Buyanbengak (spurred), Geradakan (dry brush type).

Typefaces from 2017: Martinez (Tuscan), Hughoney, Rockrace, Monabelia (Victorian), Philosophiya, Love Quake, Childwood, Circulat Decorative Frames, Dakmodal, Yasaman, Bsakoja, Meringam, Besigetz (Victorian), Bedempank, Ngamboel (a modern inline), Jemahok (an inline typeface), Sirunian (decorative blackletter), Belinjangan (brush style), Cerudikan, Kanjian (Victorian deco).

Typefaces from 2018: Mirandah (monoline, vintage), Subversia (Victorian), Bertha (a free display family that includes Shadow Line, Sans and Spurred substyles), Quickers, Marchelle (art deco), Lourena, Mellynda, Leophard (octagonal), Wishteria, Slashback, Katheryna, Febiolla, Tropicane, Maretha (a monoline script).

Typefaces from 2019: Requeiro (a spurred inline vintage font), Mourich (an all caps display typeface), Newston (a tall condensed news headline typeface family), The Black Sugare (blackletter-inspired), Magnies (an elegant stencil), Hermona (a spurred vintage label font), Bronzier (a sports font), Mayhena (a monoline script), Amnestia (a vintage all caps typeface), Highrush (font duo), Humeira (for children's books), Montheim (retro signage font), Hodgeson (a slab serif family), Delaroca, (a spurred black metal band font) Banda Niera, Bargers Distressed (spurred, Victorian), The Realita, Newston (a compressed skyline-style font), Ariestha Script, The Black Square, Requiem (Victorian or rococo inline caps), Invasible, Ferguson (an almost monoline slab serif family), Mirenath (a rounded vintage monoline typeface), Afolkalips (a tribal painted font inspired by the Papuan culture), Mellandry, Masterson (a slab serif western font), Marsheila (art deco), Kanjian, Belinjangan, Sirunian (a decorative spurred typeface), Quickers, Marcheile (slightly art nouveau), Marcheile, Monabelia, Nourishe (a fashion mag sans).

Typefaces from 2020: Trashbone, Burgery (a monolinear all caps children's book font), The Brande and Lotaline (a decorative serif), Rimba Andalas (a tribal font), Bronela (a decorative serif), Wonder Night (a beatnik font), Malinsha (a signage script), Marones (spurred, vintage, all caps), Katenila (a fat finger font), Meliana Script (a brush script), Romelio (sans / script pair), Bondrians (a vintage label font), Black Ravens (a dry brush font), Shinkoya (vernacular lettering), Brothership, Novante (stylish caps), Almatine Script (a flat pen calligraphic script, with perhaps a touch of Arabic script emulation), Almatine Sans, Wargate (a military stencil font family), Bragley (a cartoon font), Varino (a rounded unicase sans family), Ranille (a bold display serif), Neilvard (a vintage label font family), Nagietha, Khodijah (an Arabic emulation font), Sometimes Rough, Savaneta (a vintage all caps typeface), Valmera (a Peignotian sans), Hargalia (classic calligraphy), Cherione (a unicase font), Revans (a display sans).

Typefaces from 2021: Larantuka (an informal font with a dancing baseline), Bolandes (a weathered monoline sans), Delauney (a formal art deco typeface), Chieezy Burger (grungy, vernacular), Ranmor (a vintage slab serif), Andalia (a signage script), Insiders (a dry brush script), Granesta (a dry brush font), Abigral (a Peignotian serif), Suzanstein (a dripping blood font), Broken Console (a retro video game pixel font), Naluka (a tiki or nature park font), Lovatine (a scrapbook script), Rushen (vintage caps in curvy, regular, distressed, stencil and shadow versions), Siegra (futuristic), Komersie (a bold supermarket font), Borensa (a reverse stress font), Rashavine (a dry brush font), Blankone (a brush font), Montagna (a monolinear script), Hadnich (a heavy signage script), Sallomae (a scrapbook font), Vankours (a dry brush font), Wonderful Melanesia (a decorative serif), Albertson (a Tuscan font), Rantika (a bold brush script), Rusthack (a stylish brush typeface), Mustopha (an upright typeface in arabesque style), Marviona (a marker pen font), Marviona (a marker pen font), Niquitta Mirzani (script), Shikamaru (emulating a Japanese brush), Mortend (a 5-style expanded all caps sans), Barlock (an all caps and spurred varsity font), Northash (stencil), Motteka (a beatnik font), Sharely (a brush font), Rompies (a condensed titling sans), Beardsons (a vintage label font), Broken Crush (dry brush).

Typefaces from 2022: Bradrock (a vintage semi-Tuscan Western font), Market Written (a fat finger font), Almalik (Arabic emulation), Vanitha (a brush script), Rambors (prismatic caps with four parallel lines), The Last Shuriken (emulating Japanese), Warzone (an all caps echno / sci-fi font), Kalidony (calligraphic with heart-themed tittles), Lemands (a stocky condensed display typeface).

Dafont link. Creative Market link. Behance link. Graphicriver link. Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

Arthur Murawski

Designer of Magnet (1951, Ludwig&Mayer), based on the 19th century Italienne (Western saloon) style. Magnet was entirely redrawn and revived in 2021 by Ralph Unger as RMU Magnet. [Google] [More]  ⦿

Artist of Design
[André Zottolo]

Commercial foundry that was in Kensington and/or Moorhead, MN, but is now in Park Rapids, MN, run by André Zottolo. Most of his fonts are hand-printed, such as AZ Cut Script (2011, a script), AZ Pledge, AZ Grampa, AZ Fast Fury, AZ Hello, AZ Dude, AZ Tiki, AZ Script, AZ New Rough, AZ Imperial, AZ College (+Brushed), and AZ Vintage Tattoo, all made ca. 2010-2011.

His earliest fonts were free. They included Alpha, Barracuda, Collem, Cornelia, Declan, Funtime, Roughfart, Tiki, MessyGirl.

Typefaces from 2011: AZ Union is a Western face. AZ Text and AZ Dramamine are grungy hand-printed typefaces. AZ Sailor Tattoo is an outline tattoo face. AZ Hello Brushed is a brush typeface inspired by auto repair signs. AZ Rough Fart is a squarish mural brush face. AZ Wings is Victorian. AZ Placid is an eroded outline face.

Type designs from 2012: AZ Mavericks (based on a skateboard logo), AZ Barista (inspired by Leonetto Cappiello's poster art from the 1920s), AZ Indian (signage script), AZ Harpers July (inspired by Edward Penfield's poster art from ca. 1900), AZ Plug Italic (inspired by the poster art of Edward Penfield and Franz Hazenplug, ca. 1900), AZ Audiotape, AZ Kiss (sketched type), AZ Varsity (athletic lettering), AZ Varsity Brush (textured version), AZ Claire (fat signage script).

Typefaces from 2013: AZ Watercolor, AZ Brand (connect-the=dots script), AZ Hobie (signage script), AZ Storm (Western look), AZ Declan (scratchy typeface), AZ Clouds (spurred).

Typefaces from 2014: AZ Scorch (a worn headline font family), AZ Black (didone engraved currency font), AZ Ultra, AZ Retro, AZ Postcard 3D.

Typefaces from 2015: AZ Yoyo.

Typefaces from 2016: AZ Cruisin.

Klingspor link. Creative Market link. Fontspring link.

View the typeface library of Artist of Design. [Google] [MyFonts] [More]  ⦿

Arton Bey

Designer who used FontStruct in 2008 to create GRRRILLA (Western billboard face) and Bombs (ultra-condensed fat face). [Google] [More]  ⦿

Astigmatic One Eye
[Brian J. Bonislawsky]

Astigmatic One Eye (AOE) has lots of nice original fonts by Brian J. Bonislawsky (b. 1973, Pittsburgh, PA). Many are free, others are not. AOE joined Font Brothers Inc in 2006. Brian Bonislawsky currently lives in Las Vegas, NV.

Fontsquirrel link. Dafont link. Fontspace link.

A partial list of the AOE fonts made in 2011: Engagement (2011, a free brush script at Google Web Fonts), Fascinate (2011, an art deco typeface at Google Web Fonts; +Inline), Original Surfer (2011, a free Google Web Font inspired by a vintage advertisement for the "California Cliffs Caravan Park"), Smokum (2011, a Western / Italian face), Yellowtail (2011, signage face), Redressed (2011), Special Elite (2010, a free old typewriter face), Aclonica (2011).

Typefaces from 2008 or before: Horseplay AOE (2008, Western style), Cake and Sodomy AOE (2008), Good Eatin AOE (2008), Paradiso AOE (2008, inspired by logotype of the Paris Resort and Casino in Las Vegas), Montelago AOE (2007, a script inspired by the logotype of the Mirage Resort and Casino in Las Vegas), Jack Chain AOE (2007), Henhouse (2007), Schnitzle (2007), Luxurian AOE (2007, inspired by the logo of the Luxor Hotel&Casino in Las Vegas), Digital Disco AOE (2007), Mighty Tuxedo AOE (2007), Makeshift AOE (2007), Clarity AOE (2007, slab serif headline; + grungy version), Red Pigtails AOE (2007), Run Tron 1983 (2002), Eyeliner AOE (2006, Tekton-like), Mother Hen (2007), Gloversville (2007, comic book style), Mighty Tuxedo AOE (2007, condensed sans), Quick Handle AOE (2007), Surfing Bird (2007), Hydrogen (2004), Hardliner (2004, fifties diner style), Big Ruckus (2004), SS Antique No. 5 (2004), Europa Twin (2003), EuroMachina (2003, techno), Lord Rat (2003: papercut sans), Love Anxiety (2003), BuzzSaw (2003), Skullbearer (2003, skull dingbats), Beatnick Blue (2002), Geisha Boy (2002), Mardi Party (2002), Midcrime (2002), Ocovilla (2002), Ruthless (2002), Saltie Doggie (2002), Whiskers (2002), Royal Gothic, Family, Eggit, Jericho, Wild Monkeys (2002), 5FingeredGothSW, AlienArgonautAOE, AlphaMackAOE, AmphibiPrint, AngiomaAOE, AntiChristSuperstar, AntiChristSuperstarSW, AstigmaSolid, BigLimboAOE, BigLimbodOutAOE, BoneRollAOE, BoneRollAOEBold, BoundAOE, BrailleAOE, BulletBallsAOE, ButterflyChromosome, ButterflyChromosomeAOE, ButtonButton, ButtonButtonAOE, CType, CTypeAOE, CelticLionAOE-Bold, CelticLionAOE-BoldItalic, CelticLionAOE-Italic, CelticLionAOE, CharailleAOE, ChickenScratch, ChickenScratchAOE, ClunkerAOE, ClunkerAOE-Bold, CropBats, CropBatsAOE, CropBatsIIAOE, DarkNightAOE, DeadGrit, DeliveryMatrixAOE, DetourAOE, DigitalDiscoAOE, DigitalDiscoAOEOblique, DingleBerries, DoggyPrintAOE, DraxLumaAOE, DungeonKeeperII, DungeonKeeperIIBold, DungeonKeeperIIItalic, EggItAOE, EggitAOE-Italic, EggitOutlineAOE, ElectricHermes, ElectricHermesAOE, ElectricHermesAOECharge, FearAOE, FilthAOE, FishyPrintAOEOne, FishyPrintOneAOE, FishyPrintTwoAOE, FutharkAOE, FutharkAOEInline, FutharkAOEInline, GateKeeperAOE, Ghoulish Fright AOE (2006), GlagoliticAOE (1999, grungy glagolitic), GorgonCocoonAOE, Gotik, GreyAlienSW, HAL9000AOE, HAL9000AOEBold, HAL9000AOEBoldItalic, HAL9000AOEItalic, HandageAOE, HandageAOEBold, HauntAOE, HybridLCDAOE, IDSupernovaSW, IslanderAOE, JokerWildAOE, KillMeCraig, KillMeCraigAOE, Kinderfeld, KittyPrint, KittyPrintAOE, Kornucopia, KornucopiaAOE, LinusFace, LinusFaceAOE, LinusPlayAOE, LinusPlaySW, Lochen, LovesickAOE, Manson, MasterPlan, Mervale Script Pro (2012: a brushy script based on the 1940's Fawcett Publications Mary Marvel comic), Microbe, MooCowSW, MotherlodeLoadedAOE-Italic, MotherlodeLoadedAOE, MotherlodeStrippedAOE-Italic, MotherlodeStrippedAOE, MysterioSWTrial, NightmareAOE, OrnaMental, Pantera, PapaManoAOE, PenicillinAOE (described as a bacterial stencil typeface), PixelGantryAOE, PixelGantryAOEBold, PixelGantryAOEBoldItalic, PixelGantryAOEHeavy, PixelGantryAOEHeavyItalic, PixelGantryAOEItalic, PixelGantryHiliteAOE, PixelGantryHiliteAOEItalic, PoppyAOE, PoseidonAOE, Prick, QuiltedAOE, QuiltedAOEBlack, QuiltedTrial, RippleCrumb, RippleCrumbUltraCon, ROCKY, ROCKYAOE, RustedMachineSW, SSExpAntiqueAOE, Schizm, Schrill, SchrillAOE, SchrillAOEOblique, Scrawn, ScrawnAOE, ScrawnCyrAOE, ScrawnKOI8AOE, ScrewedAOE, ScrewedAOEOblique, ScrewedSW, SeaweedFireAOE, SenthAOE, ShampooSW, ShottyTransferTrial, SkinnerAOE, SlurCrumb, SpatCrumb, SpikeCrumbGeiger, SpikeCrumbSwizzle, SpikeCrumbSwollen, SteelcapRubbingTrial, StruckSW, StrutterAOE, SunspotsAOE, SurferComicTrial, TRANSHUMANALPHABET10, TRANSHUMANKATAKANA20, TannarinAOE, TannarinAOEOblique, TibetanBeefgardenAOE, TibetanBeefgardenAOE, TouristTrapAOE, TransponderAOE, TransponderGridAOE, UglyStickAOE, VanguardIIIAOE-Bold, VanguardIIIAOE-BoldOblique, VanguardIIIAOE-Oblique, VanguardIIIAOE, Ventilate, VentilateAOE, Y2KPopMuzikAOE, Y2KPopMuzikOutlineAOE, YoungItchAOE, ZeichensSW, ZenoPotionAOE, Zombie, BeatnikBlueAOE, BeatnikBlueFillAOE, GeishaBoyAOE, MardiPartyAOE, MindCrimeAOE, OcovillaAOE, PolynesianTouristAOE, RuthlessAOE, SaltyDoggieAOE, SpruceAOE, WhiskersAOE-Oblique, WhiskersAOE, WhiskersAltCapsAOE-Oblique, WhiskersAltCapsAOE (2002), Habitual, Automatic (techno), Bitrux, Filth (an eerie brush script), Cake&Sodomy, Gulag, Bad Comp, Detour, Alien Argonaut, Dark Night, GateKeeper (Halloween font), Gargamel Smurf, Invocation, Neuntotter, Geisha Boy, Saratoga Slim, Gobe, Stingwire, Lavatype, Tapehead, Islander, Clunker, Digelectric, Gargamel, Krulo-Tag, Krelesanta, SurferComic, Bound, Culture Vulture, Intruder, Cavalier, Anoxia, Synchrounous (IBM logo style lettering), Luna, Data Error, Lunokhod, Jericho. There are many techno and gothic fonts. Kill Me Craig is the first 26 death scene dingbat font (scenes by Craig Dowsett). KittyPrint takes the LinusFace font concept to more realistic cat head dingbats. Krelesanta (not free) is a funky font inspired by the band Kreamy Electric Santa. The free ButtonButton is useful for making buttons. Lovesick AOE is a scrawly, lovelorn typeface, i's dotted with hearts. Strutter AOE is based on the KISS logo. Senth AOR is a runic font. Charaille is one of the many dot matrix fonts. Cavalero is inspired by the logotype of the Chevy Cavalier.

At Bitstream in 2001, AOE published Cavalero, Stingwire and Tannarin. And in 2002, he published the comic book font Big Limbo, Euro Machina BT and Islander there. Bio at Bitstream.

In 2005, Bonislawsky and Sandler realeased 500 fonts, via Bitstream and MyFonts, under the label Breaking The Norm.

In 2006, Astigmatic published their typewriter collection, which includes Military Document, Bank Statement, State Evidence Small Caps, State Evidence, Urgent telegram, Library Report, Overdrawn Account, Customs Paperwork, Incoming Fax and Office Memorandum.

From the bio and various pieces of information, one is led to believe that Brian was born in Poland, and now lives in Miami, but that may be wrong.

In 2010, he placed a free font at the Google Directory, Syncopate. Along the same lines, we find the derived square serif typeface Stint Ultra Condensed (2011, Google Web Fonts) and Stint Ultra Expanded (2012).

In 2011, several other typefaces followed there, like Ultra (fat didone), Maiden Orange, Special Elite (2010, a free old typewriter face), Just Another Hand, Crushed, Luckiest Guy (comic book face), Aclonica, Redressed, Montezuma (a curly connected upright script), Devonshire (brush script), Fondamento (calligraphic lettering), Yellowatil (connected retro script), Righteous (free at Google Web Fonts: inspired by the all capitals letterforms from the deco posters of Hungarian artist Robert Berény for Modiano), Ribeye and Ribeye Marrow> (cartoon and/or tattoo style lettering---free at Google Web Fonts), Spicy Rice (2011, free festive display typeface at Google Web Fonts).

Contributions in 2012: Marcellus (2012, Trajan, flared roman, at Google Fonts and CTAN), Eagle Lake (a free calligraphic font at Google Web Fonts), Uncial Antiqua, Jim Nightshade (2012, free at Google web fonts), Dynalight (2012, a retro script inspired by a vintage luggage tag for the Southern Pacific 4449 Daylight steam locomotive), Yesteryear (a retro script loosely based on the title screen from the 1942 film The Palm Beach Story), Parisienne (Google Web Fonts: casual connected script based on a 1960s ad for bras), Shojumaru (Google Web Fonts: an oriental simulation typeface inspired by a poster for the Marlon Brando movie Sayonara), Berkshire Swash (Google Web Fonts), Audiowide (Google Web Fonts), Romanesco (Google Web Fonts: a narrow calligraphic style), Galindo (Google Web Fonts), Oregano (Google Web Fonts: based on cartoon style lettering of calligrapher and logo designer Rand Holub. This style of hand lettering adorned many retro brochures and advertisements of the late 40's through the 1960's), Peralta (Google Web Fonts: an Egyptian comic book face), Eagle Lake (Google Web Fonts: calligraphic), McLaren (Google Web Fonts: comic book style alphabet), Freckle Face, Hanalei Fill, Hanalei [Polynesian bamboo or tiki lettering], Purple Purse, Margarine, Risque, Clicker Script [image], Stalemate [a gracious script, by Jim Lyles for AOE], Mouse Memoirs, Quintessential [Google Web Fonts: chancery hand], Bigelow Rules, Englebert [Google Web Fonts: from the title screen of the 1930's film titled Der blue Engel, starring Marlene Dietrich], Sacramento [Google Web Fonts: connected script].

Typefaces from 2013: Freckle Face (grunge), Grand Hotel, Purple Purse (Purple Purse draws its inspiration from a vintage Ivory Soap ad from the 1950's. Somewhat of a cross between Bodoni and Pixie, this font finds that it never truly takes itself seriously).

Stiggy & Sands is the American type foundry of Brian Bonislawsky and Jim Lyles, est. 2013. Their first commercial typefaces, all jointly designed, are Luckiest Guy Pro (a fat comic book font based on vintage 1950s ads) and Marcellus Pro (a flared roman inscriptional typeface with both upper and lower case, originally published in 2012 by Astigmatic).

Typefaces from 2014: Franken Jr AOE Pro (inspired by the title screen from the 1966 Hanna Barbera cartoon Frankenstein Jr), Good Eatin Pro AOE (inspired by the title screen from the 1942 Warner Bros. cartoon Dog Tired), Ghostkid AOE Pro (comic letter style).

Typefaces from 2015: Shanks Antique 5 AOE (after the newspaper typeface Memorial (1865, Stevens, Shanks & Sons)), Reliquaire AOE (a somber blackletter typeface inspired by Memorial (1881, Boston Type Foundry)).

Typefaces from 2016: Mailuna Pro AOE (a gothic sans), Kentish AOE Pro (art deco). Reardon AOE (a digitization of a film typeface called Joyce Black by LetterGraphics), Berkmire AOE (1970s style robot-inspired techno font), Blackheath Pro AOE (this typeface started as a digitization of a film typeface called Roberts Square by LetterGraphics), Delaware Pro AOE (art deco), Rutland AOE (a futuristic font that is a digitization of a film typeface called Maccaro by LetterGraphics). In 2016, Brian J. Bonislawasky and Jim Lyles published the rugged octagonal mega typeface family Tradesman at Grype. In 2017, they added the art deco typeface Cowling Sans AOE (which is based on alphabet from "Lettering for Commercial Purposes" by Wm. Hugh Gordon). In 2018, they published the letterpress emulation typeface Prison Pro, Pink Sangria (50s style movie font), Manic Tambourine, Motenacity (a Martian cartoon font), the old typewriter font Office Memorandum Pro, and the Flintstone font Strongman.

Typefaces from 2021: Klutz AOE Pro (a condensed all caps beatnik font), Data Error AOE Pro (based on early dot matrix printers), Customs Paperwork AOE Pro (based on the NuMode Type No. 61 vintage typewriter), Rinzler AOE Pro (a great stencil font that revives LetterGraphics' Caren), Restraining Order AOE Pro (an old typewriter font), Brazarri AOE Pro (an Aztec emulation font based on MacKeller, Smiths and Jordan's Bizarre from 1884).

View Astigmatic's typeface library. View the typefaces made by Brian Bonislawsky.

Fontsquirrel link. Dafont link. Fontspace link. Creative Market link. [Google] [MyFonts] [More]  ⦿

astype.de (or: Astype)
[Andreas Seidel]

Astype.de is a German foundry started in 2003 by illustrator and type designer Andreas Seidel (b. 1975, bad saarow, near Berlin, Germany). He lives in Cottbus, Germany. In 1998, he obtained a Masters degree in business administration. In 2007, he and Ingo Preuss set up The German Type Foundry. In 2017, he joined the initial crew at Fust & friends. The typefaces:

  • One of his first typefaces was Crayfish (originally a URW font, but withdrawn by Seidel from URW in 2002). Crayfish is a display type originally designed for an American Football club. The Crayfish typefaces are sold as Thunder Bold and Titan Bold.
  • Check his nice weather symbols (not a font).
  • He finished Ornaments Thanksgiving and the great ASTYPEOrnaments-WineGrape A (2004).
  • He is working on 14th century initials (2003).
  • He created Sattler (2003): Joseph Kaspar Sattler, one of the great German art nouveau artists created these nice initials in 1897 for the famous royal monumental book project Die Nibelunge for the Reichsdruckerei Berlin. Only 200 exclusive signed masterpieces were printed in four years from 1900 till 1904. Joseph Sattler was the art director, type designer and designer in one person. The Reichsdruckerei showed samples of the unfinished work in 1900 at the world exhibition in Paris to advertise the high craftsmanship of the German presses.
  • He made Heraut (2003), an art nouveau lettering typeface based on a 1901 design of Hermann Hoffmann called Herold Reklameschrift.
  • He created Sveva AS Versal (2003, art nouveau).
  • About Missa Solemnis, he writes: Solemnis was designed by Günter Gerhard Lange and first cut in metal 1953 (this is the date he quotes himself, other sources mention 1950 or 1952). It seems to be one of his earliest typeface designs that he had done as a freelancer for H. Berthold AG in Berlin. [...] Missa Solemnis AS is a new, remastered and extended version of Mr Lange's typeface. The font is available in the OpenType format and comes in two styles: 1953 and 2003. The 1953 style contains all characters of the original metal type, as well as a few additions. [...] The 2003 cut is more delicate and makes extensive use of the OpenType format. It contains over 650 glyphs, covering Roman-based languages of Western and Central Europe. His Solemnis inspired Simeon AS (2003), a 650-glyph uncial style face.
  • In 2004, he created Missale Incana, an interpretation of a typeface from Herbert Thannhaueser.
  • Still in 2004, he created ASTYPE Ornaments Christmas A2 and ASTYPE Ornaments Christmas A. These were followed in 2005 by ASTYPE Ornaments Christmas B.
  • He made Missale Lunea (2004). This has astroligical symbols, moon phases and medieval characters.
  • In 2005, the exquisite calligraphic script typeface Gracia was added, consisting of Gracia No. 44, 45, 54 and 55 (graceful calligraphic script), and Gracia Solo.
  • Paola is a redesigned, new interpretation of a brush typeface from Carl Rudolf Pohl.
  • He made Adana (2005): The roots of Adana going back to the year 1930, to the Berlin-based German graphic designer Wilhelm Berg. His typeface can be interpreted as an answer to Lucian Bernhards Schönschrift. The Initials are nearly close to the original drawings but the Circular typeface was changed dramaticly. Excentric, unusual forms and loops were changed to fit todays needs. Due to the lack of a corresponding Roman letter form, the Regular version was designed including small caps, fitting the contrast and swinging shapes of Adana Circular. Both typefaces play well together in all kinds of adverts, as well with designs like Bodoni or Didot.
  • Alea AS Initials (2005) is a floral faced based on the drawings of Maria Ballé.
  • Taiko (2006). A revival of Otto Arpke's Arpke Antiqua (1928, copperplate).
  • ASTYPE Ornaments Accolades A (2007), and ASTYPE Ornaments Accolades C (2011).
  • GTF Toshna Std (2008, German Type Foundry) is a garaldic type family in three optical weights, after a 1955 family called Tschörtner-Antiqua by Hellmuth Tschörtner that was very popular in the DDR.
  • Secca (2009, German Type Foundry) is a simple sans family rooted in early German grotesque type designs. See also Secca Soft (2014) and Secca Stencil (2015).
  • Nepos (2010) is an experimental modular type kit consisting of ready-made typefaces and a set of special BUILD fonts to build your own letters and ornaments. These BUILD fonts can be used on layers with different colors and overprinting for special effects. The effects like Antiplex can be considered as kitchen tiles. There are also color inversions and stencil types.
  • Secca Saloon (2011) is a versatile ornamental Western family.
  • Popsil (2011) is a white-on-black hand-printed poster face.
  • Ademo (2011) is a classic shaded layered 3d caps face, based on two typefaces designed by Carl Albert Fahrenwaldt that were published in 1931-1932 by Schriftguss AG.
  • Wood Bonnet Antique No.7 (2012) is based on real vintage wood type blocks from Switzerland.
  • VTG Stencil US No. 4 (2012) is based on plate US No. 4 from New York Stencil Works. This revolving stencil-plate was invented by Eugene L. Tarbox and patented in 1868. The military stencil fonts VTG Stencil US No. 2 (+Ornaments), VTG Stencil US No. 51, VTG Stencil UK No. 76, VTG Stencil Germany No. 101 (2014, modeled after historic blackletter stencil plates from Bavaria), and VTG Stencil US No. 72 followed in 2014. In 2016, he added Vtg Stencil DIN.
  • VTG Stencil Germany No. 1 (2013) is a set of nicely executed didone stencil typefaces based on real models used in Germany from 1871-1918 and later. There is a Sketch style.
  • Wood Poster Eight (2015) is a free wood type slab serif.
  • Alea Initials (2017, floriated caps).
  • Wood Bonnet Grotesque No 4 (2017).
  • The Vtg Stencil France series (2017) in substyles Vtg Stencil France No1, Vtg Stencil France No3 and No. 5.
  • The expressionist typeface Alarm (2017, Fust & Friends), which is based on an old design of Heinz König also called Alarm (1928, at Trennert).
  • Presto (2017, Fust & Friends), a revival of a script by Helmut Matheis (1970).
  • Vtg Stencil Italy No2 (2018).
  • Rocaie (2018). Decorative caps base on antique rococo letters from a gilding workshop.
  • Wood Heinz No.4 (2019). Wood Heinz No.4 offers up to four printed look variations of all the Latin base letters and figures. An OpenType letter rotator is programmed into the fonts to emulate the randomness of wood type printing. Also: Wood Heinz No.2 (2019).
  • Missale Solis (2019). An uncial typeface that overhauls Missale Lunea (2004).
  • Vtg Stencil UK No2 (2019).
  • Vtg Stencil Marsh (2020). Based on one inch stencils, cut by a Marsh machine. Marsh was an American stencil machine maker in the 1920s.
  • Bonnet Grotesque Narrow (2020). A condensed grotesque family.

Behance link. Creative Market link. Fust & Friends link. Klingspor link. Home page. See also here.

View Andreas Seidel's typefaces. [Google] [MyFonts] [More]  ⦿

Attak Fonts
[Peter Korsman]

Attak is a two-headed graphic design firm formed in 2004 by Peter Korsman (b. 1982) and Casper Herselman. It is based in 's-Hertogenbosch, The Netherlands. In May 2016, Peter Korsman left Attak to start Autograph. Attak has some free and some commercial typefaces. Behance link. Their fonts, ca. 2009: AT AK-47, AT Babyfat, AT Blaser, AT Concours, AT Dienstuhr, AT Discipline, AT FFW, AT Helix, AT Hide and Seek, AT Hieronymus, AT Janus Kiep, AT Kerremus, AT Klaxon, AT Korsakopf, AT Litewriter, AT Mepper, AT Mohawk, AT Moker, AT Monoload, AT Muntel, AT Peetroleum, AT Praktikum, AT Promille, AT Ramseier, AT Riot, AT Sirca, AT Sirca alternate, AT Slyper, AT Snotnose, AT Streeep, AT Tabak, AT T'Atteljeej, AT TCB, AT Timeline, AT Trash Bold, AT Willi, AT With Machines, AT Zippora. Notable products: AK-47 simulates Cyrillic; Helix is a stencil face; Muntel and Concours are fat art deco typefaces; Practicum and Tabak are octagonal; Riot leaks blood; Sirca is based on arcs of circles; Streep is a multiline font. I presume that Peter is the main font designer in the team, as he already made fonts as early as 2003 for Burodestruct (see, e.g., BD Burner, BD El Max, BD Sirca, and BD Bardust, downloadable here).

By 2017, their catalog includes AT AK-47, AT Baballero, AT Babyfat, AT Blaser, AT Concise, AT Concours, AT De Palm, AT Dienstuhr, AT Discipline, AT El Muerte, AT Falten, AT FFW, AT Ginn, AT Helix, AT Hide and Seek, AT Hieronymus, AT Hindenburg, AT Imperiale, AT Janus Kiep, AT Kerremus, AT Klaxon, AT Korsakopf, AT Kuhn, AT Litewriter, AT Mepper, AT Mohawk, AT Moker, AT Monoload, AT Muntel, AT Peetroleum, AT Praktikum, AT Promille, AT Ramseier, AT Riot, AT Sang Noir, AT Sirca, AT Sirca alternate, AT Slyper, AT Snotnose Heavy, AT Streeep, AT Syndicate, AT Tabak, AT tAtteljeej, AT TCB, AT Timeline, AT Trash Bold, AT Willem II, AT Willi, AT With Machines, AT Zippora, BD Bardust, BD Burner, BD El Max, BD Sirca.

A more detailed breakdown per designer:

  • Tim van de Kimmenade: AT AK-47 (2005), AT Helix (2004), AT Trash Bold (2003).
  • Peter Korsman: AT Babyfat (2006), AT Concours (2005), AT Korsakopf (2004), AT Ramseier (2004), AT Streeep (2005), AT TCB (2005), AT With Machines (2004).
  • Casper Herselman: AT Blaser (2005), AT FFW (2004), AT FFW Stencil (2004), AT Mepper (2005, old typewriter font), AT Mohawk (2006), AT Praktikum (2004), AT Promille (2005), AT Riot (2004, blood drip font), AT T'Atteljeej (2008).
  • Rutger Paulusse: AT Discipline (2008).
  • Rens vanden Berge: AT Hide and Seek (2006, a great poster font).
Typefaces not listed here include AT Baballero (2013, Western), AT De Palm (2012, logo font for Café De Palm), AT Dienstuhr (2010), AT Ginn (2012), AT Imperiale (2012, a hipster font), AT Timeline (2010, Trajan) AT Sirca (2005), AT Sang Noir (2012, blackletter), AT Muntel (2005, Dutch art deco), AT Snotnose (2010, ink splatter script). [Google] [More]  ⦿

Auburn Forest
[Zakaria Chowdhury]

American designer of the Wild West font Westo (2019). [Google] [MyFonts] [More]  ⦿

Australian Type Foundry (ATF)
[Wayne Thompson]

The Australian Type Foundry was launched in January 2002 by Wayne Thompson (b. 1967), who is art director at an ad agency in Newcastle, NSW, and is located in Merewether. He holds a Masters of Type Design from the University of Reading, UK.

Commercial fonts at this ex-signpainter's site include Arum Sans (2009, an elegant humanst sans family), Halvorsen (2006), Fuse Box (2005), Architect (handprinting, now at T-26), Axiom, ATF Bosin (2003, casual hand script; see also Bosin Nova, 2021), Barkpipe, ATF Iperion (2003), McNeilBlok (2003), Not Sassure, Spud (handprinting), Wobbly Boot (2007, boozy script), Zoobie (2007, handprinting), Virus, Otis and Otis Condensed (since 2007 at T-26), Ogre, Fresh, ATF Euron (2003).

ITC fonts by Wayne Thompson: ITC Panic (grunge), ITC Dont Panic (2000, grunge font), ITC Django (handprinting).

[T-26] fonts by him include many of the above, plus also DallasPlain (1998, handwriting).

Free font page: pick up a free font (was Spud Italic, currently is the grunge font Virus). Another free font by them is Mallee Wooden (Western typeface).

Interview.

At Phat Phonts, Wayne Thompson created Jungle Bones (2005) and Ratbag (2005). Stuart Brown designed the Neutraliser family, a versatile collection of geometric-based fonts with 24 styles. Artist Paul McNeil has designed the McNeil family of blocky display typefaces. He has previously produced designs for Mambo and currently works in Sydney. Another designer working for them, out of Indonesia, is Mendiola B. Wiryawan.

Custom typefaces by ATF include Django Modified, Honda Prototype (2012), OBrien Glass (2012), Travel Bats (for Sensis) and JWT Vodafone (grunge).

The retail fonts at the start of 2012: ArumSans, Halvorsen Pro, ITC Django, Grimsby Hand, Bosin, Carbon Credit, Carbon Tax, Chowdahead, Decon, Demented Avenger, ITC Don't Panic, Equaliser, Equaliser Stencil, Euron, Fresh, Fuse Box, Guttersnipe, Iperion, Barkpipe, ITC Panic, Not Sassure, Ogre, Otis Condensed, Pontoon, Ratbag, Spud, Stakeout, Tully, Virus, Wobbly Boot, Zoobie.

In 2013, Thompson created the custom sans typeface Tonsley and participated in the Canberra Centennial Typeface Competition.

In 2014, he designed the brush script typeface Quencher, and the custom sans typeface O'Brien Glass.

In 2015, ATF created Maccas (+Inline) for McDonalds Australia, via their agency DDB Sydney, by modifying, with permission, Cindy Kinash's True North typeface family. For a South East Asian nation's law enforcement agency, he custom-designed Personaliyty (2015).

He designed ABC Sans (2016-2018) for Australia's media conglomerate.

Typefaces from 2020: Deka (a logical rounded sans family).

Typefaces from 2021: Lurline (a reverse stress display typeface), Mandy Hand.

Behance link. I Love Typography link. MyFonts site. Linotype link.

View Wayne Thompson's typefaces. View the typefaces made by the Australian Type Foundry. [Google] [MyFonts] [More]  ⦿

Avel Barraza

Avel Barraza (Tijuana, Mexico) designed the Tuscan typeface Mariachi in 2013. [Google] [More]  ⦿

Awkwerd
[Dave Chau]

Designer of the 8-weight slab serif bitmap font family Fignuts (2002), the 9-weight bitmap family Dopcon (2002), the bitmap family Sesquipedalianism (2002) and the Western-style bitmap fonts Tucson Lanky and Tucson Squat (2002). Site requires Flash 6. Runs Awkwerd, where you can also find the fonts Awkwerd, Bylas, Fitsnug and Richness (no downloads). [Google] [More]  ⦿

Aymie Spitzer

Aymie Spitzer created a Western typeface called Dumbo while studying type design at the Cooper Union in 2012: While studying typeface design at Cooper Union, I attempted to revive a French Clarendon. This design has always had a soft spot in my heart so I thought it was a perfect opportunity to make something fun for my first typeface. Taken from ATF's P.T. Barnum, I digitized this revival in about 2 months. [Google] [More]  ⦿

Azmi Kamarullah

Indonesian designer in Bandung (b. 1991) who created the Indonesian-themed ornamental typefaces Seselendangan (2010) and Loveleaves (2010). In 2012, he added Absurd Sans, a typeface with missing pieces. In 2014, he designed the spurred Western typeface Texas Troupe. Autumn Rats (an all-caps cartoon / poster typeface), Newside FP, Zigzagzug, Raw District, Lugina FP (rounded sans), Crissco (a dot matrix typeface) and Pocket Thrilled followed in 2015. In 2016, he made Kelpotico (textured).

Home page. Another URL. Behance link. Dafont link. Tumblr link. Old home page. Another Tumblr link. Society6 link. Another Behance link. Yet another Behance link. Aka Ask me and as Carrot Rope. [Google] [More]  ⦿

BA Graphics
[Robert Alonso]

Bob Alonso (b. Bronx, NY, 1946, d.2007), the founder of BA Graphics in 1994, was a prolific American type designer. With 33 years of experience at NewYork's Photo Lettering, he specialized in calligraphic script typefaces, but not exclusively so. BA Graphics was located in Chester, NY, and later in Toms River, NJ, and now sells its fonts through MyFonts. Many of its fonts published after Alonso's death in 2007 were completed by John Bomparte.

John Bomparte wrote this obituary: Throughout his career at the legendary Photo-Lettering, Inc. (one that spanned four decades), Bob created original typefaces and tailored type by modifying, revising and filling out families, fashioning pieces of type for hand-lettered jobs, as well as being involved with the updating of a number of well-known logotypes. Bob was blessed with natural teaching abilities; and those in social and professional circles who had the good fortune to know him considered him not just a type designer but a mentor and a friend. As one such person close to him put it, he was a graphic technician [...] back when computers were not even in site for graphic arts, he would take on any intricate&complex graphic project that others would shy away from and come up with a solution that achieved a masterpiece. I'll always remember someone saying "this can't be done" and Bob saying let me see it and a short time later, there it was---done&perfect. I would like to think that attitude rubbed off on me. Along with this gift for teaching and explaining the complex, Bob exhibited a level of professionalism that was unsurpassed. A number of years ago when the need came to make the transition from the traditional to digital way of creating fonts, he rose to the challenge admirably. Towards the last few years of Photo-Lettering, Bob played a vital role in the conversion to digital, of many of the typefaces within the collection, notably those fonts that carry the prefix PL. More recently, Bob Alonso released several fonts through ITC, Adobe and his independent foundry, BA Graphics. Bob was on the cutting edge of his best work, and in the circumstance of his untimely passing, left a measure of unfinished designs. However, the spirit of his typographic talents and his fine sense of humor lives on through the many much-loved, and popular fonts he has left us: fonts such as Cookie Dough, Equate, Elephant Bells and Pink Mouse, to name a few.

Alonso created these typefaces:

FontShop link. Klingspor link.

View Bob Alonso's typefaces. View the BA Graphics typeface collection. An alphabetic listing of Alonso's typefaces. [Google] [MyFonts] [More]  ⦿

Bálint Koczman
[Magique Fonts (was: Cpr. Sparhelt)]

[MyFonts] [More]  ⦿

Baker and Greele Type Foundry

Boston-based foundry dating from the 19th century. Nick Curtis made the Western billboard typeface New Boston WBW (2004) based on a 1826 Baker and Greele face. Baker and Greele were the first to cast some native Indian type. For example, in 1827-1829, they cast type for the Cherokee script, a syllabary composed of 85 unique glyphs, each representing a distinct phonetic component. This syllabary was invented by Sequoyah [or George Guess, or Gist, 1760-1843] in 1809. Of the characters finally used, only a few actually retain the original shape, or derivatives thereof. Those sharing Latinate forms may or may not have been suggested by the Rev. Samuel Worcester, who helped Sequoyah to improve and finally adapt the script for use as foundry type. Wm. Joseph Thomas from the Joyner Library of East Carolina University, Greenville, NC, writes; "I know that the American Board of Commissioners for Foreign Missions, which was also headquartered in Boston, arranged for the types to be cast, and they ordered a press to be sent to the Cherokee Nation. The first known printing in the syllabary was December 1827 in the Missionary Herald; the types and press were shipped to the Cherokee Nation in November 1827, according to letters between the ABCFM and the missionary in C.N. The Cherokees began printing their newspaper, the Cherokee Phoenix in February 1828." Harvard has an old type specimen book: "Specimen of printing types and metal ornaments, cast at the New England Type Foundry by Greele & Willis, Congress Street, Boston" (New England Type and Stereotype Foundry, Boston: Beals, Homer & Co., Printers, 1828). In this book, most specimens have imprint: Baker & Greele, Boston, some dated. [Google] [MyFonts] [More]  ⦿

Bangkit Tri Setiadi
[Blankids Studio]

[MyFonts] [More]  ⦿

Barbara Lind

Designer of some Western-themed typefaces at Adobe in the 1990s. These include

  • Poplar (1990, after a 19th century wood type typeface by William Leavenworth). Poplar has these digital versions made by Nick Curtis: Copper Canyon WBW Demi Bold, Copper Canyon WBW, and Copper Canyon Inline WBW.
  • Madrone (1991, a spaghetti western face---a fat typeface didone, Madrone was digitized from proofs of the wood type collection in the National Museum of American History in the Smithsonian Institution in Washington, D.C.).
  • Adobe Wood Type Ornaments (1990-1991 with Joy Redick).
  • Cottonwood (1989, with Kim Buker Chansler and Joy Redick).

Linotype link. FontShop link. Typedia link. View Barbara Lind's typefaces. Klingspor link. [Google] [MyFonts] [More]  ⦿

Barnhart Bros. Spindler Type Founders: Book of Type Specimens, 1907

Trying to fit this 1000-page book into one web page, with discussion of many types. It's impossible, but I tried it. Download link for Book of type specimens: Comprising a large variety of superior copper-mixed types, rules, borders, galleys, printing presses, electric-welded chases, paper and card cutters, wood goods, book binding machinery etc., together with valuable information to the craft. Specimen book no.9. Another download link. [Google] [More]  ⦿

Baseline Fonts
[Nathan Williams]

Foundry in Wichita, KS, founded in 1999 by Nathan Williams (b. Concordia, KS, 1973), formerly from the University of Kansas Art Museum Library. Its motto: The goal of the foundry is to provide uninterpreted revivals of type samples generated through disappearing printing methods, and create new fonts for dissemination in the type community. Order through MyFonts.Com or Union Fonts or Creative Market. FontShop link. Klingspor link.

Fonts:

  • The Rodeo family of wood type fonts: 66 Rodeo, 57 Rodeo, 58 Rodeo (2003), Rodeo Rope, Rodeo Rope Superchunk.
  • The Tuscan family: Tuscan (2003, a wild west face). To this group we can add the Tuscan typeface Circus KS (2006).
  • Egyptians: Grit Gothic (2013), Grit Sans (2013), Heirloom Artcraft (2013), Worn Gothic (2013), Stately GG (2013), Grit Egyptienne (2005, grunge Egyptian family), Rough Egyptienne (2005).
  • Grunge typefaces: Antimony (2005, grunge), Dryden (distressed handwritten face).
  • Old typewriter fonts: Slab American Regular (old typewriter), Slab American Titling, Slab American Titling Heavy (2002). Slab American has 55 styles.
  • Art nouveau typefaces: Old Paris Nouveau (2003).
  • Pixelish typefaces: Base PXL7, 80s PXL Bold.
  • Display Sans: Maxime (2004, having support for most European languages; Maxime Shadow is available at FontShop), Woodgrit Thin (based on 19th century American letterpress fonts), Woodgrit Medium, Woodgrit Heavy, Pippen (squarish).
  • Calligraphic: Roundhand Regular.
  • Victorian: Boback.
  • The Grit family: Grit History (2003-2004), Grit Primer (2003), Grit Egyptienne, Grit Typesorts (2006, free).
  • The Old Times American family (+Italic, +Titling).
  • Pia Regular.
  • Kandt: the handwriting of legendary designer and art director James Kandt; 4 styles.
  • Chitchy.
  • AVI Sans.
  • Country Fang (2003, with Brian Miller).
  • Craft Roman
  • Licious Script.
  • Luxe (2003, casual).
  • Momentum (2002).
  • George Gibson (handwriting from mid 1800s).
  • Dingbats: Megaflakes 2010 (2010) and Megaflakes 2011 (2011).
  • Sketchwriter (2011).
  • Dusty Circus (2011) is a five-layer stacking display face designed to be infinitely morphed. It is a prototypical member of that old western circus font genre.
  • Bobbi Bee (2013). A connected script.
[Google] [MyFonts] [More]  ⦿

Bauer M C

Designer at FontStruct in 2008 of the heavy display typeface Bala, and the Western saloon font Philomena. [Google] [More]  ⦿

Bel Ardila

During her studies in Buenos Aires, Bel Ardila created the Western typeface Bullet Type (2013):At first the design was a reference to the Franco-Belgian comic Lucky Luke and then its own personality emerged. [Google] [More]  ⦿

Ben Balvanz
[Fontalicious]

[MyFonts] [More]  ⦿

Ben Grib
[Black Bird Foundry]

[More]  ⦿

Ben Harman

Austin, TX-based designer of Comic Papyrus (2015, a mix of Comic Sans and Papyrus) and Ricochet Caps (2016, a spurred Western font). Creative Market link. [Google] [MyFonts] [More]  ⦿

Ben Kiel

Graduate of the type design program at the University of Reading, who joined House Industries (Wilmington, DE) in 2006 to work as a typeface designer, director, and developer. He also worked with Ken Botnick at emdash. He runs Typefounding, a typeface design and production studio in St. Louis, Missouri. He teaches at Washington University in St. Louis and the Type@Cooper certificate program at Cooper Union, and has taught at the Maryland Institute College of Art and the University of Delaware. He is a partner at XYZ Type with Jesse Ragan.

He designed Katje and Cimarron (2005, University of Reading, a serif family with support for Latin and Greek). Speaker at ATypI 2006 in Lisbon on Python scripts for FontLab and RoboFab. Image.

In 2011, Vincent Pacella, Ben Kiel and Adam Cruz created the fat slab serif face Goliath, based on Film No. 6206 in the PhotoLettering archive. West Barnum Ultra, designed by Dave West and digitized by Ben Kiel&Adam Cruz in 2011, was film no. 5494 in the original Photo-Lettering archive.

At House Industries, he redesigned the iconic Rea Irvin lettering for The New Yorker in September 2013. The typefaces are named New Yorker Irvin and New Yorker Neutraface. In 2012 at House Industries he revived the Photo Lettering Inc font Worthe Numerals, which pushed fat didone to its limits.

Still at House Industries, Christian Schwartz, Mitja Miklavcic and Ben Kiel co-developed Yorklyn Stencil.

Cortado Script (2014) was designed by Jesse Ragan and Ben Kiel. It was inspired by Swedish illustrator's Cecilia Carlstedt's hand-painted lettering. It follows one year after a similar signage script typeface, Carlstedt Script (2013), also co-designed by Jesse Ragan and Ben Kiel---it was a custom signage typeface for Aldo Shoes.

In 2015, Mark van Bronkhorst set up TypoBrand LLC in Berkeley, CA. As part of TypoBrand, he published several typefaces that are modern digital reinterpretations of ATF typefaces. The collection is published by TypoBrand LLC under the names ATF Type or American Type Founders Collection. Ben Kiel co-designed, sometimes with others, classics such as ATF Alternate Gothic (2015), ATF Brush (2015), ATF Egyptian Antique (an expansion of Schraubstadter's Rockwell Antique by Mark van Bronkhorst, Igino Marini, and Ben Kiel), ATF Railroad Gothic (2016), ATF Garamond (2015), ATF Headline Gothic (2015), ATF Livermore Script (by Mark van Bronkhorst, Igino Marini, and Ben Kiel), ATF Poster Gothic (2015) and ATF Wedding Gothic (2015).

At XYZ Type, Ben Kiel co-designed Cortado Script in 2013 with Jesse Ragan and designed the sans typeface Grep (2017).

In 2019, Ben Kiel participated in the development of ATF Franklin Gothic (Mark van Bronkhorst, Igino Marini, and Ben Kiel). A broad and multi-weight interpretation of Morris Fuller Benton's classic from 1905, Franklin Gothic, which only had bolder weights. For the lighter styles, the designers were inspired by Benton's Monotone Gothic.

Girard Sky (2019) is based on Alexander Girard's original typeface for his redesign of Braniff Airways. Working with the original drawings for the photoset typeface found in the Girard archive, the design was revived as part of the Alexander Girard collection. Followed by Girard Slab (2019).

Typefaces from 2020: Ballast (Future Fonts: a condensed slab serif). [Google] [MyFonts] [More]  ⦿

Beth Rufener
[Ornaments of Grace]

[More]  ⦿

Betterfear.us (or: XXII Fonts, Or Doubletwo Studios)
[Lecter Johnson]

Lecter Johnson (Betterfear.us) published many free fonts between 2007-2012. At Behance, we find the name John Thorn (Germany) and a mention of Hamburg, but also a reference to Greatwhite in Beirut, Lebanon.

Typefaces: XXII Sinoz DSP (2010-2011, elliptical face), XXII Gory Bastard (2011), XXII BLACKMETAL WARRIOR (2010), XXII Menga (2010, a technical sans family), XXIIARMY (2007, stencil), XXIIDECONSTRUCTION-DESTRUCTION-AREA (2007, grunge), XXIIDONT-MESS-WITH-VIKINGS-HARDCORE (2007, octagonal), XXIISTRAIGHT-ARMY, Army Dirty (grunge stencil), XXIIUltimate-Black-Metal (2007, cracked metal look), XXII Scratch (2007, scratchy face), XXII DEVILS-RIGHT-HAND (hand-printed), XXII BLACK-BLOCK (grunge), XXII MISANTHROPIA (2008, a rigid geometric sans family), XXII Arabian Onenightstand (2008: Arabic or Indic simulation face), XXII Urban Cutouts (2009, grunge), and XXII Static (2007, futuristic).

His web site has a threatening nazi sort of look, but the fonts are (were) free. Betterfear.us claims to be located in St. Pauli, Hamburg, and is also known on MyFonts, where some of its fonts can be bought, as Doubletwo Studios. These include XXII Yonia (rounded script family loaded with opentype features), XXII Goregrinder, XXII Grober Bleistift (2013, marker font), XXII Centar (a sans family with a free regular style), XXII Totenkult (2012), XXII Blackened Wood (2013), XXII Candylove (heavy signage or packaging script), XXII Centars Sans (2012), XXII Daemon Runes (2012), XXII Total Death (2012), XXII HandTypewriter (2012), XXII Daemon (2012), XXII Marker (2011), XXII BLACK BLOCK SERIFA (2008), XXII Mescaline (2009 Western style), XXII Misanthropia (2010, geometric sans), XXII Marker (2011), XXII Blasphema (2011) and XXII STREITKRAFT (2008, a stencil family with grungy versions added). Older list of fonts: Devils Right Hand (blackboard script), Black Block (grunge), Static (techno), Ultimate Blackmetal, Scratch, Don't Mess With Vikings, Army Dirty (grunge stencil), Army Straight, Black Block Eroded.

Typefaces from 2014: XXII YeahScript (signage script).

Typefaces from 2015: XXII Geom (a geometric sans typeface family), XXII Awesome Script (for signage).

Typefaces from 2016: XXII Neue Norm (techno sans), XXII Cool Script, XXII Geom (a geometric sans typeface family), XXII Grober Pinsel (brush typeface).

Typefaces from 2017: XXII Neue Norm Rounded, XXII InAshes (grungy blackletter).

Typefaces from 2018: XXII Geom Slab.

Klingspor link. Alternate URL. Behance link. Dafont link. Another Behance link. Old URL. Another Dafont link Yet another Behance link. And a final Behance link. [Google] [MyFonts] [More]  ⦿

Bill Bogusky
[Bogusky2]

[MyFonts] [More]  ⦿

Bill, Stark, and Co

In 1850, Horatio and HJeremiah Bill, who had previously worked for Edwin Allen in South Windham, CT, start a wood type manufacturing business in Lebanon, CT, and move to Willimantic, CT, the next year. A few years later, they were joined by Stark, and the company became Bill, Stark, and Co. In early 1854, it is renamed again to H. and J. Bill Co., but closes its doors later that year. Their equipment gets purchased by William Page in 1856 who will start his own successful wood type company, Page&Bassett.

Its typefaces included Bill Stark Roman Extended (a "fatface"), and Concave Tuscan Condensed (1853).

For digitizations, see, e.g., Dick Pape's AWT Bill Stark Concave Tuscan Cond (2013), AWT RIT Conc Tuscan Open Shade (2013) and AWT Vandenburgh Concave Tuscan (2013: this typeface was cut by Vanderburgh Wells but is based on an 1853 design by Bill, Stark & Co). [Google] [More]  ⦿

Billy Argel

Brazilian graphic designer and prolific creator of free typefaces, which often combine calligraphy, retro signage, and grunge.

Fonts from 2019: Talk Sing, New Garden Two (a circle-based sans), Hearts Garden, Garden Black, Adalgisa, Mellissa, Mattisse, Universal Sans, Universal Script, The Light, Campesina, Babeface, Soulstice, Movements, Love Empure, No Stress (grungy sans), Flowers (script), Magical Day, North Shore (a weathered slab serif), Theodora, Amandita, Brilhant, Alamoana, Palomita, Superworld, Black Rose, Mistical, Rocks (grungy), Marvelous, Dinasty, Magic Touch, Hot Jacket (brush script), Simplicity (beatnik face), Ibiza Crystal, Mystical Eyes, Allicia, Misterios del Amor, Sugar Kisses, Gonna Getha (weathered sans), Valentine Day, Secretss, Honey Lips, Got to be real, Afternoon in Stereo, Hotel Costes, Wall Paper,

Fonts from 2018: Children's Party, Music Magic, Awesome Season, Lavelle, Wonderful Night, Chapter One, Atmospherica, Lost Sunset, Claudina, Run To The Hills, Placid Pool, New Balance, Euphoria, Claudia, Barbecue, Salsa Parrilla, Pilsen Extra, Morphine, Love is the Law, United Forces, Smell a Daisy, Allegratta, Hamburguer, Gingerale, Anette, Marshmallow, Bunch of Flowers, Cinderela, Antonine, Sepetiba, Anastasia Script, Alliance, Mustard, Superstar, Makeup, Flowers of Summer, Honeybe, Mirella, Fantastic (signage script), Inked Skin, Girls Got Rhythm, Dirty Queen, Ipanema, Antidote, Galaxie, Moving Star, Miraflor, Beredith, Allessa, Worldwide, Andorra, Single case, Carpenters, Monster Party (eerie font), Dontchastop, Love Strong, The Hills, Romantica, Attraction, Burning Heart (monoline script), Local Motion, Summer Daisy, Pumpkins, Space Jam, Sweet Movements, California Sun, Body & Soul, Choppers, Magical Waste, Over The Seas, Vegan Yummy, Glamour Girls, Flower Power, Quick Kiss, Star Light, Costa Rica, Nuclear Boots, Amore Mio, Lovely Summer, Roses Everywhere, Love Is The Antidote, Wisdom Words, Limousines, Mysteries of Passion, Moving Pictures, Blackberry Jam, Movie Poster, Beauty Mountains, Bunch Blossoms, Flora, Inked Angels (tattoo font), Loveland, Beautiful Lovers, Belle et Belle, Cherry Blossom, Let It Be, Casual Chance, Caranda, Aromabar, Capable of Loving, Miss Daisy, Mardi Gras, Last Frontier, Nouvelle Vague, Travel Light, Mind Rescue, Bella Fashion, Amarula, Sweet Easy, Indian Strength, Everlast, Megan, Hello Beauty, Vegan Style, Andaluzia, Ambar Pearl, New Era, Candice, Hometown, Sunrise Place, Lemon Jelly, Nature Beauty, Natural Beauty, Black Pearl, Tan Pumpkins, Acid Label II, Thrasher, Inked Babes, Ribbons in the wind, Calligraphy (inky), Amsterdam, Sweet Sixteen, Sunset Beach, Star King, Countryside, Crazy Love, Little Sister, Creature, House Queen, Dr Phibes (beatnik style), Moskitoes, Nirvana (script), Iceland, The Cure, Mr. Fink (beatnik style), Sea Balance, Hot Dog, Blow Up, Blow Me (crayon font), Sunrise, Joes Burguer, Splatted, Moonbeam, Tomatoes, Beautiful People, Hamsters, Vacations in Paradise, Lover Artefacts, School Days, Traffic, Campus (weathered athletics font), Universidad (weathered athletics font), Sundance, Siberian, Rich The Barber, Aurora, Dove of Peace, Clipper, The Quick Fox, Daisy Days, Dieselpower (grungy texture), Progress, Loud and Clear, Generator, Wannabees, Ripmonsters, Shity Chats, Death Before Chocolate, Karmacoma, Clever Couple, Astrovegan, Clarification, Breakfast on the beach, Graceland (signage script), Beauty Bright, Atlantida (letterpress grunge), Cassandra, Gene Loves Jezabel (brush), Great Cities, Crackerdown, Lost Ages, Bite Chocolate (script), Sunflowers (script), Mon Cherry (script), Lovely Day (heart font), Miracle Place, Ebony Eyes, Skywalker, Zabritzkyes, Black (grungy octagonal slab serif).

Fonts from 2017: Waiting a Silver Moon, Master of Comics, Millenia, Fantastic Reason (signage script), Varukers (dry brush), Awakening (grunge), Majestic (signage script, Emotional Rescue, Misstral, Elements, Alouette, Cure of Pain (ink splash type), Farenheight (octagonal), Peacemaker (upright retro script), Altavista (creamy script), Ananda (script), Alexandra (script), Paper Rib (script with paper rib outlines), Honeymoon (script), Gotcha (heavy headline type), Christmas Day (signage script), Clarice, Orange (signage script), Indiana (baseball script), Magnificent (blackletter), Sketching Summer (signage), September Five, Cross Town (weathered), Saturday Nights (signage script), Blessed (baseball script), Blobbers (baseball script), Jam Sessions, Moon Walker (dry brush), Drawing Nature, Sketching Stars, Lone Wolf, Cubika Script, Bonneville Co, Walk (wide wood type), Rio Black (counterless), Secret Agent, Trouble (blackletter), Trouble II (blackletter), Living Colours, Crystal, Sepia (letterpress poster font), Rainbow Bridge, Black Diamonds (signage script), Candy Shop, Enthrall (sharp-edged retro signage script), Movie Makers (script), Sunshine Boulevard, Black Napkins (grungy), Brush Stroke, Carolina Mountains, South Gardens, Calling Angels, Cherry Kisses (candy script), Messenger Pigeons (script), Shine, Carolina Hills, Shave The Whales (tattoo script), Diamonde (baseball script), Yananeska, Black Ball, Miss Hanna (signage script).

Fonts from 2016: Sweet Sensations, Breeze (brush script), Christmas Time (script), Propaganda Sight, Modern Stencil, Eyes Wide Open, Bella Donna, Safira Shine, Heaven Matters, Electricity (fifties script), Maccrap Asphalt (textured), Blockhead Dude (beatnik style), Weekend Flower Hunters, Sunset Clouds (tattoo script), Bikinis, Chedelparedon (scartchy font), Dattermatter (connected script), Granada-Blues (connected script), Mistery-Curse (connected script), Walking-Stones (calligraphic), Moderata, Spring Time (calligraphic), Desert Queen, Marriage Moment (wedding script), Angel Tears Neue, Germanika (blackletter), Great Day, Sunday Morning, Texas Tango (weathered Western font), Stenciled, Casablanca Noir, Brasileirinha, Carioca, Asphaltic Grain, Asphaltic Scratch, Nova Stamp (grungy), Bananas (brush script), Enjoy, Reminiscent Drive, Bananas (signage script), Mandela Script, Altamonte (baseball script), Landscape, Landscape Land, Old Type, Sedex, Good News, IA Type, Satisfaction (heavy creamy signage script), Sebastiana (baseball script), Urgh Type (grunge), Texas Tango (spurred Western font), Factory (textured), Rio Glamour (sans), Like (Italian style Western font), Heaven Gate (connected script), Colt (Western font).

Fonts from 2014: BackStab (metal band blackletter font), Strongbox (concave Western font), Goiabada, Bonesoup, Blanc Chateau (tattoo script), Botas Sujas (grungy letterpress font), Bigbobs (cartoon face), Yukathin N Conte Smile, Sambahollyc, Cherry Jam, Cacha (grunge), Rubber Stamp, Yukafont (hand-printed), Cabriolet (brush script), Sweet Correction Roth (tattoo script).

Fonts from 2011: Tabu, Caribbean Tool (roman caps face), Pijamas (hand-printed 3d outline face), Nova Solid (Nova Regular and Bold are from 2014), Chocolate Dealer, Happy Family (dingbats), Save The Mini, Tosca Zero (grunge), Epidemia (grunge), Skt and Destroy (grunge), High on fire, Manabu, Masterplan, Thrashline (multiline), Triumph Rewind, The Dreamer, Why, Uranium Mafia, Blessed Day, Caribbean Tool (floral caps face), Lost Winner, Dove Love (curly valentine's Day font), Safe Iodine (texture face), Easy Trouble, ArgelFont, BUTECO (sketch font), DIAMONDDUST, Dropping, Ink In The Meat (tattoo font), NORMAL, Popcorn (a great grunge hand-drawn Futura Black), POPCORNSKETCHSKETCH (a sketched face), ROCKETAIR, ShitHappens-Cursive. Panhead (grunge Western face).

Fonts made in 2010: Thrashline, Dotled (a fuzzy texture face), Refurbished, PUNKBABE, CANDYINC, GreenPillow, DIRTYBAGBOLDTRIAL, LEDLIGHT, MAJORGUILTY, Network Vampires, NEWESTTRIAL (Western face), VATOS, Billy Argel Font (calligraphic), ACIDLABEL, BeyondSky-trial, HURTMOLD, TOSCAZERO, TABU (grunge), EASY TROUBLE, BOMBFONT (puffy letters), BILLYARGELFONT (calligraphic), Soap Store (grunge), ANGELTEARS (calligraphic), BUTOXQUEEN-trial, ELECTRICHANDS (cursive hand), FLOWERFLOW-trial, HAPPYFAMILY-TRIAL, HEARTQUAKE (grunge), MSKITOKILLA (grunge), NIGHTSTALKER-TRIAL (grunge), RAINFOREST (handwriting with rough edges), ROADMOVIE, ROSE TATTOO (an outlined hand-printed beauty), TWINPINES (brush), WANNABEME (sketched), WEDDINGNIGHTMAREStrial (calligraphic), BEERNOTE, GREENMIND (grunge), PORNFASHION, MASTERPLAN (grunge), SNIPERSHOT.

Fonts from 2009: COOLECTOR, BODYHUNTER-Bold (grunge), CLUBHAUS-Bold (ultra black, mechanical/octagonal), MAKEMEALPHA (grunge), NewGardenLight, TRIUMPHREWIND (grunge), Nachos and TV, Oxidisaster, Helloween, Lemon Day Semibold (a sketch font), Tosca Zero, Outlaw (Western face), Gangland (scratchy brushy face), B Side (vertical stencil).

Fonts from 2008: Plastic Pill (fat art deco face), Bedspread Assassin, A Bite (grunge), Dirty and Classic (grunge calligraphy), Gas Mask (grunge stencil), PANHEAD (grungy Western billboard font), My Turtle, Cubiculo Gallery (created for the Cubiculo Gallery in Sao Paulo), Ginga (grunge calligraphic--think award-winning grunge!!!), Wallrider, TOY_SOLDIERS-Bold (grunge), Abite (grunge), ACIDLABEL, Bulldozer, Cheap Stealer, DONOTEXIST, HANGUP (3-d bouncy letters), HYERBA (Far West font), LAZYDAY (hand-printed outline caps face), LEDLIGHT, Mon Bijoux (ornamental), MANABU (futuristic), PEIXEFRITO, Positiv-A, Killed DJ (multiline grunge), Sniper (grunge), Black Oak (smudged face), ShAnKed,

Fonts from 2007: Olho de Boi (a great scratchy handwriting font inspired by the first Brazilian postage stamp which was released on August 1, 1843), Skull TS2 (skull dingbats), REBOARD, Hurtmold (rounded octagonal face), PDRPT (grunge), the Soma family (modern stencil), Caatinga (2006, artsy display face), Santos Dumont (handwriting: free at DaFont).

Klingspor link. Dafont link. Abstract Fonts link. [Google] [More]  ⦿

BittBox (or: BB Free Fonts)
[Jay Hilgert]

Run by Oklahoma City-based Jay Hilgert, this site is dedicated to free clipart and vector art. He has made a stunning four-style family called BB Petie Boy (2008), which includes an ornamental caps style, a grunge style, a blackboard style and a sketch style. Dafont link. He also made the stunning Western display typeface Fusty Saddle (2008), the worn Tire Shop (2008), Blox (2008), and Conglomerfont (2008, based on letters solicited from designers all over the world). [Google] [More]  ⦿

B.J. Alumbaugh
[Oscillating Type Foundry (or: OSC Type Foundry)]

[MyFonts] [More]  ⦿

Black Bird Foundry
[Ben Grib]

Ben Grib (Black Bird Foundry, and Black Bird Press, South Africa) created the Western signage typefaces Excelsior and Indiana Headline in 2015. He also made the handcrafted signage typeface Deputy Serif (2015). On Behance, we read that the foundry is associated with Chris Bushey in Bongoville, Gabon. Chris made the Victorian signage typeface Fancy Pants (or Foxtrot). They also made several great sets of icons and drawing including Animalia, Le Kitchen and Fruits. [Google] [More]  ⦿

Black Lab Type
[Kenny Li]

Toronto, Canada-based designer of BLT Balfour (2019: art deco), Dozen (2019: a donut bakery font), BLT Heirloom (2019: rounded informal sans), BLT Portage (2019: a reverse stress Western font), BLT Gerhard (2019, a Victorian headline typeface) and BLT Norfolk (2019, a vintage-inspired font based on the styles found on packaging from the early 1900's). [Google] [MyFonts] [More]  ⦿

Blankids Studio
[Bangkit Tri Setiadi]

Nengtak, Bangunjiwo, Kasian, Bantul, Semarang and Yogyakarta, Indonesia-based designer (b. 1991) of Marchell (2017: copperplate calligraphic script), Bluesky (2017), Kallisa Script (2017: brush), the signage typeface Mattoa (2017, co-designed by Bangkit Tri Setiadi and Amir Subqi Setiaji), Blandes (2017: brushed signage font), Slender (2017: signature font), Sacred Bridge (2017: co-designed by Bangkit Tri Setiadi and Amir Subqi Setiaji), Wildcats (2017: vintage signage font), Alentine (2017, brush style), Black Django (2017), Rockaboy (2017, signage), Raidand (2017, brush signage script) and Conjure (2017, Victorian).

Typefaces from 2018: Flanella, Clarissa, Kallisa (dry brush), Funkies (signage script), Monthelo (a retro signage script), Chomolatte, Anthemis (a heavy signage script), Northead (a vintage display typeface), Quiska, Fresty, Old Finlander (Victorian), Black Drama (a free Victorian typeface), Blackjack (sign painter font).

Typefaces from 2019: Sagesta, Hayline, Old Finlander (a blackletter vampire font), Streamzy (a great graffiti font), Questario, Heatting, Bubble Boom (defined by graffiti and comic books), Brigherdz, Black Night (a horror font), Sporter (octagonal), Orlande (brush script), Dayland (formal calligraphy), Birallina, Stonekids (a layerable signage script for children's books), Beautiful Roses (a swashy calligraphic font duo), Butchery, Heykido, Queenline (monoline, swashy), Letter Marker, Frenda (a monoline retro signage script), Rockadelic (signage script), Bresley (a signature font), Brayles (a brush signage script), Hondurhas (a vintage typeface family by Bangkit Tri Setiadi and Amir Subqi Setiaji), Hungry Beast (a Victorian typeface by Bangkit Tri Setiadi and Amir Subqi Setiaji).

Typefaces from 2020: Anelise, Andrea Belarosa, Signatria, Happy People, Deckled, Beatney, Blezer, Bomber Squad, Lodstay (a graffiti font), Right Strongline, Westerion (spurred), Tuberosa, Lodstay (a graffiti font), Restown, Black Squad (an ominous slab serif), Graffiti Rebel, Rastelay (a brush script), Bros Rover, Hardsign, Street Hipster, Cripsy, Madelia, Paisley Cupcake, Miracle Day, Hello Valentica, Romantic Crafty, Strabela Moisty, Stay Girly, South Beast, Monstora (a playful scrapbook font), Alstoria (a decorative serif by Bangkit Tri Setiadi and Amir Subqi Setiaji), Belyard (a signage script), Barlen, Brendy-Berly, Cincha (a cartoon font), Everline (a bilined script), Feelista, Femina (a calligraphic signature script), Lemon-Squash, Lovely-Creamy, Milko-Denilo, Pretty-Yellow, Romie-Shine, Samberia, Belsmont, Bembies, Baby Monkey, Amdoly Cokie, Craptons, Danilena, Benchey, Cuty Tubby, Beirnite, Bilber Bread, Sweety Cats (a cartoon font), Andrea Bilarosa, Balgeris, Aperly, Adora Chalie, Beauty Angel.

Typefaces from 2021: Broly (a creamy blocky font that looks at first like a Hebrew emulation font), Blood Blaster (a cartoon font), Brenza (an urban mural brush font), Aloha Dance (a tiki font), Gresta (a chunky supermarket script font), Black Blast (a super-fat cartoon font), Star Blast (a fat cartoon font), Stone Ocean (beatnik vernacular lettering), Berlion, Vampire Zone (a horror font), Brockers (a graffiti font), Bomber Throw (a bubblegum font), Helsky (a playful font), Scream Zombie, Ageoline (a sign painting script), Airneo (a graffiti font), Cristone (a tattoo blackletter font), Square Spray (ultra-fat), Street Lord (inspired by murals), Rosvard (a layerable vintage all caps font by Amir Subqi Setiaji and Bangkit Tri Setiadi), Loving Kitten (a scrapbook font), Urban Rebel (a plump graffiti font), Bolgen (a sketched font), Mondeline (a signature script), Bomber Squad (a graffiti font), Algeline (a wild script), Hello Almeida (a fat finger font), Northead, Belgetha (handwritten), Hello Valentica, Romantic Heart, Street Urban (a plump graffiti font), Bondy Quirky (a scrapbook font), Slenderline (a signature script), Diamonda (handwriting), Biber Beard (an all caps children's book font), Morthena (a copperplate script), Deliosa, Almeida Script, Hello Nightmare, Rough Letterline, Wildcats (a signage script).

Typefaces from 2022: Smack Boom (a cartoon font).

Home page. [Google] [MyFonts] [More]  ⦿

Boafff

Polish designer of the reverse contrast typeface Brokat (2020). [Google] [More]  ⦿

Bob Wertz
[Sketchbook B]

[MyFonts] [More]  ⦿

Bogusky2
[Bill Bogusky]

Bill Bogusky runs the design studio Bogusky 2 in Miami, together with his brother. He created Gonzo Bruno, Gonzo Monza and Gonzo Grosso (2007), Sundial (2006, Trajan lettering), Condo (2006, condensed), Ar Deco 1, 2, 3 and Deep (2006), Technia 1 and 2 (2006, athletic lettering or MICR applications), Sport (2006, dingbats), Macarena (2005: art deco), Zanzibar (2006: decorative), 42nd Street (2005: Broadway style lettering), Boffo (2005), Bronco Rose (2005, Wild West style), Decora (2005), Switchback (2005, a computerish face), Capzule (2005, a condensed black face), Tulip (2005, a decorated stencil face), Kondor (2005), Mah Jongg (2005, with many ornaments), Metro (2005, LCD face), Squircle (2005), Zeke (2005, artsy display font), Baby Blox (2005), Kurly (2005), Pipeline (2005), Dealer's Choice (2005), Stencille (2005), Terra, GogoBig and GogoSquat (were free at FontFreak site), Nouville (2006, art deco sans), Back Fence (2005, comic book face), Gogo Latin (2005, condensed), Zandakas (2006), Ameche Pisa (2005), Gogo Serif (2005), Bolo (2005), Hyline (2005), Compado (2005), Ameche Padua (2005), Tera (2005), Xtera (2005), Tudor New (2005), Boffo (2005), Byline (2005), Quazar (2005), Grafo Graffiti (2005), Acid Bath (2005), Benz (2005), Hulk (2005). These fonts are now commercial and can be obtained at MyFonts.com. A graduate of the School of Industrial Arts in New York City, he worked as an industrial designer in New York before moving to Miami, FL, where he opened Studio Bogusky 2. Dixie Bogusky designed Esquimaux Graphics (2006). [Google] [MyFonts] [More]  ⦿

Bolt Cutter Design (or: Mahoney Fine Arts)

Creators in 2008 of a series of detailed free fonts: Eutemia (connected calligraphic script), Deborah Extra Ornaments, Prozac Buzz (grungy and neurotic), Phat Grunge Bold, Metal Macabre (scary), Kremlin-Advisor-Display-Kaps-Bold, Kremlin-Samovar-Extra-Bold, Kremlin-Samovar, KremlinAlexander-Bold, KremlinBolshevik-Bold, KremlinDuma-Bold, KremlinEmpire, KremlinGeorgianI3D, KremlinGrandDuke, KremlinKiev, KremlinOrthodoxChurch, KremlinStarets (all Cyrillic simulation typefaces), Deborah Fancy Dress (saloon font), Deborah (1880s style).

Full list, at the end of 2008: AngstRidden (angst-ridden handwriting, dated 2002 under the label Mahoney Fine Arts), Bolt-Cutter-Light, Bolt-Cutter-Nasty, Bolt-Cutter, CSAR-Italic, CSARVESTMENT (illuminated caps), Bloody Irish Bastard or Congeal (2001), Deborah (Western), DeborahCondensed, DeborahExtrasOrnaments, DeborahFancyDress, Dominatrix, EutemiaI-Italic, EutemiaII-BoldItalic, EutemiaIII-BoldItalic, EutemiaOrnaments, GeneticEngine, GideonPlexus, KREMLINMINISTRY-DemiBoldItalic, Kremlin-Advisor-Display-Kaps-Bold, Kremlin-Samovar-Extra-Bold, Kremlin-Samovar, Kremlin-Soviet-Italic, Kremlin-Tsaritsa-Italic, Kremlin, KremlinAdviser, KremlinAlexander-Bold, KremlinBolshevik-Bold, KremlinComrade, KremlinCzar, KremlinDuma-Bold, KremlinEmperor-Bold, KremlinEmpire, KremlinGeorgianI3D, KremlinGrandDuke, KremlinImperial, KremlinKiev, KremlinKommisar, KremlinKourier-II, KremlinKourierII-Bold, KremlinMenshevik-Bold, KremlinMenshevik-BoldItalic, KremlinMinister-Black, KremlinMinister-Bold, KremlinMinister, KremlinMinisterBlack3D-Bold, KremlinOrthodoxChurch, KremlinPravda-Italic, KremlinPravda, KremlinPremier, KremlinStarets, KremlinSynod, MarquisDeSade, MarquisDeSadeAlternates, MarquisDeSadeOrnaments, Kremlin Chairman, Metal-Macabre, NewSymbolFont, ODINS-SPEAR-HOLLOW (2002, runes), ODINS-SPEAR (runic), OurSacredRights-Bold, PhatGrunge-Bold, Precious (calligraphic), StarmanCrusader, TEK-HED-AGGRESIVE (the TEK (techno) series is from 2003), tEK-HED-ANGRY, TEK-HED-BOLIMIC, TEK-HED-LAZY, TekHedRegular, ThorsHammerCarved (2008, chiseled look), csar, csarparadedress. Fonts from 2009: Vlad tepes II (creepy).

Fonts from 2010: Sarcophagus.

Fonts from 2012: Baris Cerin (a bastardized Garamond caps face).

Fonts from 2013: Precious (connected formal script).

Fontspace link. Open Font Library link for Tyler Schnitzlein. [Google] [More]  ⦿

Borges Lettering (was: CBdO Fonts Foundry)
[Charles Borges de Oliveira]

The CBdO Fonts Foundry is headed by Charles Borges de Oliveira (b. New Orleans, 1971) and is located in Arlington, WA. Borges's typefaces are mostly scripts, signage typefaces and comic book style typefaces. many of them were first done at or are copublished with Letterhead Fonts.

He also sells through Font Bros and Letterhead. Klingspor link.

View the typeface library of Charles Borges. Fontspring link. Interview in 2013.

View Charles Borges's typefaces. Adobe link. [Google] [MyFonts] [More]  ⦿

Bou Fonts
[Agustín Luis Bou]

Hailing from Rosario, Argentina, this designer (b. 1992) created the free athletic lettering typefaces Bou Collegiate (2008) and Bou College (2008), the hand-printed Bou Handwriting (2009) and Handform (2009), the dot matrix typeface Score Board (2009), Squarefont (2011), Movie Letters (2011), and BOU Western (2011). [Google] [More]  ⦿

Brandon Lyon

Designer, photographer, and animator based in Southern California. He created a Tuscan display typeface in 2012. [Google] [More]  ⦿

Brave Type (was: Brave Lion Fonts)
[Leonhard Katschner]

Berlin, Germany-based designer, who is a member of a consortium called USE (or USE Mediengestaltung, or: Union Sozialer Einrichtungen GmbH). In 2019, he started his own commercial foundry, Brave Lion Fonts. His fonts include the sharp-edged all caps sans typeface Masculina (2019), the pixel typeface Block Rock (2018), Nasa 21 (2019), Reduza Infinity (2019: a minimalist monoline sans), Neue Jugend (2019: an all caps art nouveau typeface) and Versalis Ink (2019).

Typefaces from 2020: Character Sans (a 5-style sans), Flatfoot (a display mini-serif), Hybridea (a display serif with high contrast).

Typefaces from 2021: Knive (display serif), Easy Sans, Valkyrie (slab serif caps), Wayne (a Western style slab serif), Writing Icons, Travel Icons, Kosmon (an aerospace font).

Typefaces from 2022: Mash, Moony (an 8-style all caps sans). Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

Bree Marman

Designer (b. 1980) in Sonora, Mexico, who is involved in The Cowboy Fashion Journal. He created Guadalupe (2012), Luchitas (2011, a Mexican wrestling poster font), Cherito (2011, spiky Western face), Republica Mexicana (2011, map silhouette face), Yolasm (2011), the tattoo typeface Vaquerojado (2012), Bree (2011), the memo note typeface Queretarotaro (2010) and the multiline display typeface Villajuarez Son Display (2011). Aka Yon Dir.

Behance link. Abstract Fonts link. [Google] [More]  ⦿

Brethren Design Co

Designers of vintage display typefaces including many psychedelic and signpainting fonts. Their catalog in 2021 showed Beat Cop, Brotherly Love, Brush Fire, Buzzkill, Cherry Bomb, Chronic Sans, Chronic Sans, Cocktail Lounge, Courtesy Diner, Crust Punk, Dubba Hubba (bubblegum type), Fat Camp, Funk Ranch, Good Book, Killer Snakes (spurred), Lucky Charmer, Mystic Charmer (Victorian), Night Caps, Pig Roast, Royal Smokes, Soda and Poppers, Switchblade, and Xtra Funk.

Typefaces from 2022: BDC Curb Wax, Clean Freak, BDC Drugstore Cowboy (Western). [Google] [More]  ⦿

Brian Bonislawsky
[Versus Twin]

[MyFonts] [More]  ⦿

Brian Grant

Signpainter since ca. 1970. Codesigner with Charles Borges de Oliveira of the Western slab serif typeface Kodiak (2014). [Google] [MyFonts] [More]  ⦿

Brian J. Bonislawsky
[Astigmatic One Eye]

[MyFonts] [More]  ⦿

Brian Kniceley

Brian Kniceley is a sign artist at the Cedar Point amusement park in Sandusky, Ohio. At Letterhead Fonts, he designed Henderson Roman, Henderson Church Text, Strong Nouveau, Strong Italic, Strong Angle, Equinox (caps and flourishes), LHF Strong Caliope (2000: a circus font; see also p.53 of the The Solotype Catalog of 4,147 Display Typefaces by Dan X. Solo), LHF Strong Tea House (2000). Many of his fonts have a Western influence.

Brian Kniceley named all of his fonts after their creator or the books he found them in. Examples: LHF Strong Angle, LHF Strong Caliope, LHF Strong Italic, LHF Strong Nouveau, LHF Strong TeaHouse, LHF Ohnimus Florid, LHF Ohnimus Spiked, LHF Henderson Church. [Google] [More]  ⦿

Brian Prince

Designer of Enhanced Showboat (1996), a modification of the famous Western show time font Show Boat (1991, David Rakowski). [Google] [More]  ⦿

Bric à Brac

SnowWrite (1994, ImageLine) and Durango, a Western saloon font. [Google] [More]  ⦿

Bruce Type Foundry
[George Bruce]

Founded in New York in 1813, and acquired by ATF in 1901, this foundry made fonts such as Bruce Old Style (now Bitstream), Madisonian (now available from Présence Typo), Ornamented No. 1007 (Mac McGrew: Old Bowery is an ATF revival, in 1933 and again in 1949, of Round Shade No.2, originated by Bruce, one of its predecessor companies, about 1854, as Ornamented No. 1007.), and Old Style 7 (Linotype, Adobe). Also called D.&G. Bruce, George Bruce, George Bruce&Co., George Bruce's Son, George Bruce's Son&Co., and V.B. Munson. They published a 592-page specimen book in 1901: Bruce Type Foundry: Our Handy Book of Types, Borders, Brass Rule and Cuts, Printing Machinery&General Supplies.. In 1869, George Bruce (b. 1791, Edinburgh, Scotland; d. 1866, New York) published An abridged specimen book Bruce's New York Type-Foundry (1869), now available as a free Google book. Page with specimen of Great Primer Ornamented No. 5, Meridian Black Open (blackletter), Canon Teutonic Ornamented, Small Pica No. 2, Double Pica Graphotype, all taken from An Abridged Specimen of Printing Types Made at Bruce's New-York Type-Foundry (1868) and stolen from Luc Devroye's web site. Fists by the Bruce Foundry.

Revivals: Bruce Ornamented No. 6 was digitized by Iza W from Intellecta Design in 2006 as GeodecBruceOrnamented. Gold Rush (2008, FontMesa) is a family of Western style typefaces based on a Bruce type family from 1865. FontMesa also made Belgian (2008) based on a Bruce Type Foundry design from the 1860s. Bruce 532 Blackletter (2011, Paulo W, Intellecta Design) is an excessively ornamental blackletter face. Michael Hagemann's slab serif family Gold (2011) is based on Bruce's Gold Rush (1865) after removing the shadows. RMU Bowery (2019, Ralph M. Unger revives Old Bowery). [Google] [MyFonts] [More]  ⦿

Bruno Emiliano Somoza

Graphic designer in Buenos Aires who designed the free spurred Western typeface Bondilera (2012). [Google] [More]  ⦿

Burnhaus Studios
[Jason Burnhaus]

Creator of these typefaces in 2012: Monogram (octagonal), Phys Ed Dept (athletic lettering), Wild Modern (spurred Far West face), and Queens Bridge (bubblegum, psychedelic).

Jason lives in New York city. All the fonts can be downloaded from his site (Burnhaus Studios), but three of the four downloads do not work.

Behance link. Personal web site. [Google] [More]  ⦿

By Wahtung
[Vintage Font Lab]

[More]  ⦿

Caleb Bolt

Aka Sudsie and as ScrewLoose Design. Designer of the decorative Western typefaces Fistful of Font (2016, spurred) and Gentleman Clown (2016). [Google] [More]  ⦿

Calvin Kwok

Type designer from Hong Kong who graduated from the MATD program in Type Design at the University of Reading in 2016. His graduation typeface is Havil, a multiscript (Latin, Arabic and Chinese) typeface family for branding and business documents. This beautifully balanced typeface was inspired by 19th century British and French letterpress poster typefaces.

In 2016, Kwok worked with the Apple Inc. Type Team where he contributed to the design and development of Latin and East Asian scripts. In 2019, he joined Sharp Type specializing in multilingual type design, lettering, and typography.

In 2018, he published the slab serif Urushi at Future Fonts and wrote: Urushi is the first Future Fonts release aiming to support Japanese Kana and Kanji, and Chinese Hanzi. This charming and slabby, reverse contrast is inspired by old Hong Kong movie magazines.

His all caps titling typeface Mosses Serif (2018) was designed for the bookstore Mosses. Still in 2018, he was working on the Japanese typeface Tottori. [Google] [More]  ⦿

Canada Type
[Rebecca Alaccari]

Foundry in Canada, est. 2004 by Rebecca Alaccari in Toronto, and run by her and Patrick Griffin. Interview with Rebecca. Her typefaces can be bought via MyFonts: Storyville (2015, a curly script), Centennial Script (2007, a revival of an 1874-1876 high-contrast calligraphic script by Hermann Ihlenburg), Valet (2006, superb art deco face), Freco (2006, an art deco typeface loosely based on designs and letters of Fré Cohen), Silk Script (2006, based on 1956 Helmut Matheis script called Primadonna), Dominion (2006, based on an early 1970s film type called Lampoon), Johnny (2006, an art nouveau poster typeface that revives the Harem/Margit typeface by Phil Martin, 1969), Guillotine (2007), Mayfair (2006, a calligraphic typeface based on Mayfair Cursive by Middleton, 1932), Happy Birthday (2006, script), Geronimo (2005, brush style poster font), Rostrum (2005, a revival and expansion of a type called Oleander, designed in 1938 by Julius Kirn for the Genzsch&Heyse foundry in Hamburg), Apricot (2005; based on A.R. Bosco's Romany for ATF, 1934, but a major extension with many ligatures), Heathen (2005), Cougar (2004, a digital version of Martin Wilke's 1968 handwriting typeface Konzept), Puma (2004, brush typeface based on Herbert Thannhaeuser's 1954 Kurier), Big Brush (brush), Diva (connected script), Odette (a high ascender display typeface after the Morris Fuller Benton 1918 American classic, Announcement Roman), Crucifix (2004, a severe octagonal face), Fore (2004, a bullethole face), Formula, Gamer (2004), Formula (2004), Kofi, Platoon (2004, a stencil face), Verso (2004), Secret Scrypt (2004, a handwriting face), Bluebeard (2004, blackletter by Patrick Griffin), Bolero (2004), Janice (2004, psychedelic), Jimi (2004, also psychedelic), Scroll (2004), Dominique (2004, upright script), Moxie (2004, a fat display family which includes a stencil), StockA (2004), StockB (2004, a fat stencil face), Stalker (2004, a destructionist face), Scroll (2004), Jonah (2005, a hippie typeface based on an early 1970s film type from Franklin Photolettering called Urban). MyFonts page. Phil Rutter and Patrick Griffin made Coffee Script (2004), the digital version of R. Middleton's Wave design for the Ludlow foundry, circa 1962. Phil Rutter and Rebecca Alaccari designed Almanac (2004), a script typeface based on Imre Reiner's London Script (1957) (and Rebecca did a subsequent redigitization in 2007 that led to Reiner Hand), Tiger Script (2004, based on Georg Trump's wild brush script Jaguar done in 1967 for C. E. Weber), and Ali Baba (2004), an Arabic simulation typeface originally designed by Georg Trump as Palomba (1955, C.E. Weber foundry). Patrick Griffin made Leather (2005, after Imre Reiner's 1933 blackletter face), Secret Scrypt (2005), Skullbats (2005), Slang (2004, a blood scratch face), Bluebeard (2004), Expo (2004, an octagonal family), and Dancebats (2004). Simone Wilkie designed Boyscout (2004) after the handwriting of her son. Helmut Matheis' Contact (1963, flowing script/brush) was digitized by Rebecca in 2004 as Bruschetta. Rebecca also made Steiner Special (2007, a revival of Swing, a film type by Peter Steiner, 1974), Genesis (2007, a digitization and extension of Grayda, a 1939 calligraphic script of Frank H. Riley at ATF), Evolver (2006, futuristic family), Redwood (2007, a calligraphic script based on Willard T. Sniffin's Raleigh Cursive (1929, ATF)), Orotund (2005, after the 1970s typeface Eight Ball; this was extended again in 2006 in her art nouveau typeface Huckleberry, which is a revival of the 1973 typeface of Gustav Jaeger called Mark Twain), Pendulum (2005, a fantastic flowing script based on Nebiolo's Americana, 1945), Jojo (2005, a flower child typeface after Spring, by Bernard Jacquet), Mascara (2004), Gala (2004, after Neon (1935, Giulio da Milano at Nebiolo)) and Bella Donna (2004, after a script made by Alessandro Butti in 1948, called Rondine).

Typefaces made in 2005: Jazz Gothic (Patrick Griffin), Showboat, Hunter (a revival of Imre Reiner's brush script Mustang, 1956), Quanta (stencil), Quiller (a script typeface based on J.J. Sierke's 1964 typeface Privat), Rhino (revival of Mobil, a 1960 typeface by Helmut Matheis for Ludwig&Mayer), Dominique (donated to FontAid), Secret Scrypt (donated to FontAid), Jackpot (2005, Western typeface remotely based on Cooper Playbill which in turn is related to Cooper Black, but it also has hippy 1968 influences), Sincerely (handwriting typeface based on Karlgeorg Hoefer's 1968 Elegance), Fontella (a digitization of Novarese's calligraphic script Elite), Boondock (digitization of Imre Reiner's Bazaar from 1956), Gumball (digitization of Papageno, a 1958 bubblegum font by Richard Weber for Bauer), Runway, Gamer, Dominique (OpenType handwriting face), Sterling Script (2005, by Alaccari and Griffin: a 7-weight digitization and extension of Stephenson Blake's 1952 clean copperplate script Youthline Script), Vox (2007, a 24-style monoline sans family done with Patrick Griffin), Vox Round (2013, a softer version), Swan Song (2006: a calligraphic typeface based on the hand of Alexander Nesbitt. A later document states that it is based on work by British artist Rachel Yallop from 1986), Evolver (2006, a 9-style futuristic family), Ambassador Script (2007, an Alaccari-Griffin revival of the angle-reduced calligraphic script Juliet by Nebiolo, 1955).

In 2005, Philip Bouwsma joined Canada Type, and designed a great calligraphic blackletter-inspired family, Torquemada. He designed many other typefaces for Canada Type in subsequent years.

VIP (2007, Rebeca Alaccari) is a humanist sans serif uppercase (and figures) combined with a freshly redrawn revival of the classic VGC Constanze initials originally designed by Harry Brodjian in 1970, and even further back, the Constanze Initials by Joachim Romann (1954-1956, Stempel). Chopper (2007, by Rebecca Alaccari) is a revival of Venture (a 1972 typeface for VGC by Harry Villhardt). Walter (2007, Rebecca Alaccari) is a digitization of Heritage (1952, ATF, a calligraphic script by Walter H. McKay). Celebrity (2007, Rebecca Alaccari) revives and extends the retro/techno typeface Latus (Willy Wirtz, 1971). Sympathique (2008, Alaccari) is an ultra-thin and ultra-tall typeface in the mold of Bernhard Fashion and other era poster or film typefaces (they say that it is rooted in the film typefaces Hairstreak and Mossman). Mullen Hand (2008) is a revival of Repro Script (1953, Jerry Mullen, ATF).

Filmotype Giant (2011, a condensed sans) and its italic counterpart, Filmotype Escort (2011) were both co-designed with Patrick Griffin.

In 2020, they released the variable informal sans typeface Bananas: Bananas was sourced from multiple American film era faces, all from 1950s and 1960s, when the casual sans genre was at its popular peak. Headliners' Catalina and its very similar cousin, Letter Graphics' Carmel, served as initial study points.

Catalog of its typefaces.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Cape Arcona

In October 2002, Stefan Claudius and Thomas Schostok started Cape Arcona, a foundry with free and commercial fonts, based in Essen, Germany. It also carries some fonts by Raymond Brekelmans.

Catalog of their best selling typefaces. Creative Market link.

List of typefaces made before 2005: CIA, Cosmo-Pluto, Cosmo-Saturn, Elvis in Stereo, Moskow Has A Plan, Dr. No, Play-Real, Play-Roman, Play-Script, Play-Dynamic, Play-Wild, Sensuell, Viva Las Vegas. Free fonts: Address Unknown (Raymond Breukelmans), CA Traktor, CA Aircona, Aircona Shadow, Aircona Fill, No Dr. Tall, KissKissBangBang, GingerMint, Stardust, Texas Funeral, Strongman, Aires, Alternative3, AfterMidnightSaleJunk, Koenigsbrueck. In 2004, they designed CA Spy Royal (Thomas Schostok). CA Magic Hour (Stefan Claudius: a speed emulation font), CA Geheimagent (Stefan Claudius), CA Trasher (Thomas Schostok), CA No Dr. (Thomas Schostok), CA Prologue (Stefan Claudius).

In 2005, they published CA Magic Hour Shadow (free font by Stefan Claudius), and CA Zaracusa (a sans by Stefan Claudius). Still in 2005, we have new free fonts by Stefanie Koerner: CA Dater, CA Fusion, and CA Scribb. The commercial fonts of 2005 include CA BND, CA Wolkenfluff (a creamy sans with a stencil, a gloss (bubblegum), and a trash style), CA Emeralda (a script face), CA Blitzkrieg pop, CA 12C13C, CA Monodon (+Ultra), and CA Pussy Galore.

In 2006, they added CA After Midnight Sale (free, by Schostok), CA Boiled Beef (free), C.I.A. (original design from 1999 by Thomas Schostok), Dekoria (a saloon font by Stefan Claudius), CA Subbacultcha (dingbats) and CA Zaracusa (a sans family by Stefan Claudius).

In 2007, CAPartyRebel, CARebelParty (both comic book style fonts), CA BND Trash (grunge), CA Kink (Thomas Schostok), CA Uruguay (Thomas Schostok, a lettering for a revolution with huge ink traps), CA Coronado, CA Plushy (free brush script by Stefan Claudius) and CA Fragile were added.

The harvest from 2009: CA Cula, CA Cula Superfat, CA Gothique Superfat, the grunge pack (including CA Nars 1,2,3,X, CA Trasher), CA Misfit (by Stefanie Koerner).

Fonts from 2010: CA Normal (grotesque sans, Stefan Claudius), CA Sivle (Elvis backwards: a grunge look, but made based on circular and rectangular overlaid grids; free).

Fonts from 2011: CA Normal Serif (by Stefan Claudius).

Fonts from 2013: CA Postal (Stefan Claudius).

Typefaces from 2016: CA Fourty Open (blackboard bold style).

Typefaces from 2017: CA Coronado (a painted layerable all caps poster typeface with western influences), CA Negroni (a layered typeface by Stefan Claudius based on hand-drawn logotypes from the early part of the 20th century by artists such as Wilhelm Deffke (1887-1950)).

Creative Market link. [Google] [MyFonts] [More]  ⦿

Carmel Type (or: Just Lucky)
[Drew Melton]

Drew Melton (Carmel Type and Just Lucky, Los Angeles, CA) is a graphic and type designer, letterer and occasional illustrator. He has worked for a wide range of clients including McCann, Saatchi & Saatchi and Penguin Books. Many of his typefaces are exquisite.

He created the vintage shaded typeface Lastra (2014, improved in Lastra Display in 2015), Westward Numerals (2014), Steel Cut (2014, numerals), Chisel (2014, numerals), Show Stopper (2014, a signage typeface), Ballpoint Script (2014; released in 2019 at Typeverything), Awning Display (2014), Brite Script (2014, Ten Dollar Fonts), Handsome Script (2014, a calligraphic copperplate script), the signage typeface Sideshow (2014) and the Tuscan typeface Magnifique (2013, +Inline, +Shadow).

Typefaces from 2015: Numerals (Book Club, Butcher Block, Chisel, Chisel Shadow, Chisel Fill, Elegante, Elegante Fancy, Yuma), Dolcetto (a stunning swashy calligraphic copperplate script for stately occasions), Lumber Co (an Italian Western wood style font family at The Designers Foundry; together with Jason Carne), Rubber Boots (a text typeface with considerable contrast), Stockpile (numerals), Luxus Gothic (blackletter), Yuma Numerals. In 2015, Jason Carne and Drew Melton co-designed the large condensed titling typeface family Skyward and wrote: Robust, towering, and geometrically refined, Skyward is a surefire classic cocktail of equal parts utility and elegance. Stuffed Crust, bold and loud, will be a hit too. Drew writes: Big and greasy never looked so good.

Typefaces from 2016: Boulangerie (a Tuscan typeface by Drew Melton), Motor City (by Drew Melton and Jason Carne; an industrial strength slab serif; the name Motor City was already taken by Casey Cole in 2012, so we'll wait and see if there will be a name change in the works).

Creative Market link. Behance link. Ten Dollar Fonts link. Carmel Type link. [Google] [MyFonts] [More]  ⦿

Carol Twombly

Born in 1959 in Concord, Carol Twombly studied at the Rhode Island School of Design and under Charles Bigelow at Stanford, and joined the Bigelow&Holmes studio for four years. In 1988, she joined Adobe and started designing typefaces. She was featured in 5 American Type Designers by Spurius Press. In 1994, she won the Prix Charles Peignot. In 1999, she retired from type design.

Linotype link. FontShop link. Typophile link.

A book about Twombly by Nancy Stock-Allen (Oak Knoll Press, Newcastle, 2016): Carol Twombly: Her Brief But Brilliant Career in Type Design.

Her typefaces:

View the typefaces made by Carol Twombly. [Google] [MyFonts] [More]  ⦿

Casady&Greene (Fluentlaserfonts)
[Terry Kunysz]

Casady&Greene, Inc. started out as two separate little companies, CasadyWare and Greene, Inc. CasadyWare, which was founded by Robin Casady in August 1984, began producing Fluent Fonts, which were bitmapped typefaces for the Macintosh. The 1984 set of fonts have copyright lines that mention Richard A. Ware. As soon as PostScript fonts appeared, CasadyWare got hold of the first version of Fontographer and produced the first downloadable PostScript fonts, even beating Adobe, the originators of PostScript, to the punch. These were marketed as Fluent Laser Fonts (FLF) out of Carmel, CA.

The FLF series includes Abilene (Western), Alexandria (1986, slab serif family), Black Knight (1991, blackletter), Bodoni FLF (1986), BodoniUltra (1986, a fat didone), Bonnard (art nouveau), ButtonHighlight, ButtonPlain, Calligraphy (1986), Campanile (a great didone face), Checkbox, Chicago FLF (free at OFL), Collegiate (1988, sports lettering), Coventry Script (calligraphic), Cutouts FLF (1992, cargo stencil), Desperado, Dorovar Carolus (1988, Carolingian; see also D790 at Softmaker and Carolingia (1991, William Boyd)), DryGulch, Epoque (art nouveau), FattiPatti, Fletcher Gothic (1992, art nouveau), Galileo (1987, didone), Gazelle (1988, calligraphic script), Gatsby (1986, pure art deco), Giotto, Gregorian (1986, English Gothic style blackletter), Harlequin FLF (1990), Highland Gothic (1992), Jott, Kasse (1992), Kells (modern round Gaelic font, 1988), KeyCaps, La Peruta, Meath (modern round Gaelic font, 1988), Michelle (1992, art deco, marquee face), Micro, MicroExtend FLF (1986, like Microgramma), Monterey (1986, Peignotian), Moulin Rouge (1992, an art nouveau typeface by Richard A. Ware), Nouveau (1990, art nouveau), Paladin (1988, blackletter), Pendragon (1991), Phoenix Script FLF (1990), Prelude (1986, connected script), Regency Script (1986, calligraphic copperplate script), Right Bank (1986, art deco), Ritz (1986, art deco in the style of Broadway), Rocko (1992, rounded like VAG Round), SansSerif FLF (1986, a large geometric sans family), Sedona Script (1990, connected, calligraphic, semi-psychedelic), Slender Gold (1992, script), Vertigo (1992, condensed monoline sans), VertigoPlus, Zephyr Script (1986, brush script).

Many fonts were digitized by Richard Ware, and some were designed by Mike Wright. The contact was Terry Kunysz in Salinas, CA.

On July 3, 2003, Casady&Greene closed it doors permanently. However, one of its designers, Mike Wright, writes: I believe that all the fonts that were developed by the company are now in the public domain. Robin Casady and I are thinking of putting up a site with free downloads of all of the old C&G public domain fonts--mainly as a way of attracting Mac users to see iData 2.

Robin Casady in 2003: I founded Casady Company in 1984 to publish fonts for the new Macintosh. The name changed with incorporation to CasadyWare, Inc. Around this time I met Mike Greene who was looking for a software project to do after SpellsWell. I talked him into doing a program that became QuickDEX. Later CasadyWare, Inc. merged with Greene, Inc. and became Casady & Greene, Inc. Over the years, my role in management reduced as my interests in other areas developed. In the last ten years I have had no official management duties at C&G. About a year ago I removed myself from the Board of Directors.

Some fonts could be found at TypOasis [defunct link]. Fontex link. Font Squirrel link. [Google] [More]  ⦿

Cécile Legnaghi

During her type design studies at Ecole Estienne in Paris, Cecile Legnaghi created the artificial languuage font Somamica (2015). Her portfolio contains these type designs:

  • Forma Nuova Nerreta, Corsiva and Nera. With Lorenzo Mason (Tankboys studio).
  • Sultan (2017).
  • Marcel.
  • It (2017).
  • Squalo Tutto and Morso.
  • Attilio (2015). A reverse stress (Western) slab serif published by E162.
[Google] [More]  ⦿

Character
[Herbert F. Van Brink]

Prolific Woodland Hills, CA-based typophile and type designer (1937-2013) whose portfolio consisted largely of revivals and who used the alias Character for his typographic work. The Los Angeles Times posted this obituary: Herb passed away after a brief fight against esophageal cancer. He was a 42 year resident of Woodland Hills CA. Son of the late Jean and Mary Van Brink, he was born in Manhattan, graduated from Stuyvesant High School (1952) and Queens College (1956) and always considered himself a New Yorker. He had a long career in Information Technology and retired from Arco. He loved traveling, bowling, genealogy, and was a bridge Life Master among his many interests. He was a trickster and a perfectionist. He leaves his wife, Paula, his son, David Van Brink and DIL Deb Culmer of Santa Cruz CA, his daughter Qarin Van Brink and SIL James Ray of Burien WA, grandchildren Amelia and Wilhelmina Ray Van Brink, brother and sister-in-law Jeffrey and Louise Van Brink of E. Northport NY and nephews Matthew and Jordan Van Brink.

His typefaces:

  • Animal dingbat fonts: AbecedarianZoo (2003, created from an alphabet in Art Explosion 200,000), Turf&surf (2005).
  • Alphadings: Jennifer's train (2011), ABCPlay (2005), DiddleTheMouse (2005), Silly Set (2005), Stone Carving (2005), Snow Persons (2005), Alaskan Ice (2005), Peppermin Canes (2005), USStarsNStripes (2003, first called USFlags), XmasTree (2002), XmasTree II (2004), Xmas Alpha (2005).
  • Erotic alphabets: Flotner (2002, based on a scan of the human character alphabet by Peter Flötner (1534)), SilvestreBodies (2006, based on a figurative alphabet designed by Joseph Balthazar Silvestre in 1834, with engravings made by Girault), ErotiCaps Outline (2007), ErotiCaps Solid (2007), WeygelBodies (2006, adapted from Martin Weygel's 1560 interpretation of Peter Flotner's 1534 figurative alphabet).
  • Stained glass themed fonts: ModernStainedGlass (2007), ModernStainedGlass2Tone (2007).
  • Capital alphabets: Cameo Antique (2011, after Cameo Antique on page 17 of The Solotype Catalog of 4,147 Display Typefaces---a shaded outline version of the typeface called NightShade, on the same page of Dan Solo's book; the only known digitized fonts of NightShade are "Shadowed Serif" by James Fordyce (1994) and NigelSadeSH, from Soft Horizons (1993)), Modern French Capitals (2010, after a set of capitals drawn by Alphonse Mucha), Mucha French Capitals (2010, similar?), Marcel Caps (2007; based on "Crossroads" by August Will (1891)), WoodLook (2007, an improvement of 101's Wooden Alpha BlockZ), 3DAlphabet (2008, based on an alphabet coloring book designed by Jean Larcher, 1978), RomantiqueInitials (2007, based on work by Aridi), Blistered, BlisteredFramed, BlisteredReverse (2005, based on Marwan Aridi's Blister from the Initial Caps Vol I), ChiseledRound, Contemporary CH (2010), CourierInitials (2005, based on an alphabet by Johan)), Eclectica (2003, party-theme), FeathersInYourCaps (2002), FlowerSketches (2002), LACETRIM (2002), LeafyStencil (2003), QuiltedStippled (2004, based on an embroidery alphabet created by DesignsInStitches), RetroCapsBW (2004), RetroCapsWB (2004), Rope5 (2004, rope font), Rustic Black Shadow (2011. He explains: In the Solotype Catalog of 4,147 typefaces, RUSTIC is shown with a black shadow. RUSTIC WHITESHADOW has a white shadow. However, the Solotype digital font named RUSTIC has no shadow. Similar no-shadow fonts are also available as Pinewood (by Rick Mueller and one by Dieter Steffmann) and as Woody (by DincType). As of October, 2011, no digitized version of Rustic Whiteshadow is known. Character has produced a font named RusticBlackShadow, which matches the font named Rustic in the Solotype Catalog. Dick Pape had created an earlier version named Pepin Press Caps FA204, based on fonts contained in the Pepin Press book Fancy Alphabets. ), THINROPE (2002), VALENTINEHEARTS (2002), Printed Circuit (2005), SportsABC (2005), Feathered Flight (2005), Joe Clement (2007, Western pixel face), Ribbon Shadow (2007).
  • Fonts based on scans from Awesome Alphabets (Mike Artell, 1999, Good Year): SketchBoards, SketchBones, SketchClothes, SketchLogs (2005), SketchPencils, SketchPipes, SketchTools, all done in 2005.
  • Athletic lettering: Collegiate Heavy Outline (2006), Real Madrid 2011-2012 (2011, an expansion of a font by "Adriano"), The Football League (2011), Adidas Euro 2008 (2011), Puma World Cup 2010 (2010: based on Crepello, a custom-made font by Paul Barnes for Puma, that was used on the jersey of Italy, Switzerland and Uruguay during the 2010 FIFA World Cup), Adidas Unity (2010), LINKEB+Regular (2008) uses the lettering of the Geaux font used by LSU.
  • Pixel or dot matrix style fonts: Dash It All (2007, based on Cooper Black), Even Hearted (2007, an improvement of CK More Hearts), Square 9x9 (2007).
  • Brush typefaces: Skippingbrush (2006), GraffitiPaintBrush (2008).
  • Dingbats: Being Sport Pictograms (2008).
  • Scanbats: PilobusSilhouettes (2010) is based upon a human alphabet photographed by John Kane.
  • Techno: BultacoDual (2010), Dr Who 42 (2007), London MMXII (2008), ArrowheadLake (2009, +Shadows, +Sunlit; based on the nearly blackletter typeface Arrowhead from the Solotype Catalog and alphabet books).
  • Historic typefaces: Driftwood 67 (2011, Driftwood on page 67 of The Solotype Catalog of 4,147 Display Typefaces), ArrowheadLake and ArrowheadLakeShadows (2011, based on Solotype Catalog p.74), Cutin (2011, a simple rounded monoline sans called Cut-in Medium on page 163 of The Solotype Catalog of 4,147 Display Typefaces),Cutin (2011, a simple rounded monoline sans called Cut-in Medium on page 163 of The Solotype Catalog of 4,147 Display Typefaces), Pepin FA288 (2011, based on Matra, or Bifur, on page 54 of The Solotype Catalog of 4,147 Display Typefaces by Dan X. Solo), Varicka (2010, from "Decorative Condensed Alphabets", by Dan Solo, p. 94. It is similar to Red Rooster's Triple Gothic Condensed, but the Solo's font has different features), MaxfieldParrish140 (2007: From an incomplete (no "N") hand-drawn alphabet by Maxfield Parrish. See figure 140 of "Letters&Lettering" by Frank C. Brown, 1921. This is a different source than the P22 Parrish font family.), Ronde Antique (2009, based on page 110 of the Verlag Gerlach 1881 catalog).
  • Other: Scramble Mixed (2006, scrabble face), Happy Fourth, Emperor AN (2009: this semi-art nouveau typeface is Emperor on page 42 of The Solotype Catalog of 4,147 Display Typefaces---not the same as Dan Solo's Emperor at MyFonts), Wood Gothic Caps (2011, blackletter), WoodWud (2011), Gallia Two (2010, based on a font found on page 55 of The Solotype Catalog of 4,147 Display Typefaces as Gallia No. 2), Charleston (2010, based on page 46 of The Solotype Catalog of 4,147 Display Typefaces), Azteca Regular (2010: based on Azteca Condensed by Dan X. Solo, page 74 of The Solotype Catalog of 4,147 Display Typefaces), Othello Fill and Solid (2011, derived from Othello on page 155 of The Solotype Catalog of 4,147 Display Typefaces), Sharons Shadows (2010, +Bold), Masked Menace (2012, based on Bodoni Poster).

Fontspace link. Dafont link. Fontspace link. And another one. See also at abfonts. Dafont link. [Google] [More]  ⦿

Charles Borges de Oliveira
[Borges Lettering (was: CBdO Fonts Foundry)]

[MyFonts] [More]  ⦿

Charles Gibbons
[Oddsorts]

[MyFonts] [More]  ⦿

Charles Leroux
[Grype]

[MyFonts] [More]  ⦿

Charles Pailler

French type designer who started out as Hayloft". At the open source type foundry Velvetyne in Paris, he published Hemingway (2015, a compass and anchor-themed display typeface named after Ernest Hemingway in reference to The Old Man and the Sea), Kurtz (2014, rounded stencil typeface) and Boeticher (2014, rounded spurred Tuscan typeface). [Google] [More]  ⦿

Charlie Strong

Brisbane, Australia-based designer of the custom typeface Wildeb (2016), which is based on the reverse stress typeface Caslon's Italian (1821). Behance link. [Google] [More]  ⦿

CheapProfonts
[Roger S. Nelsson]

Started in 2008, this web place by Norwegian entrepreneur Roger S. Nelsson (based in Honningsvåg, Norway) sells fonts by Ray Larabie, Brian Kent, Nick Curtis, Derek Vogelpohl and Kevin King that were originally freeware fonts. Nelsson reworked them (more glyphs, more multilingual) and asks about 10 dollars per font now. He says his fonts now cover these Latin languages: Afrikaans, Albanian, Basque, Belarusian (Lacinka), Bosnian, Breton, Catalan, Chamorro, Chichewa, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino (Tagalog), Finnish, French, Frisian, Galican, German, Greenlandic, Guarani, Hungarian, Icelandic, Indonesian, Irish (Gaelic), Italian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Luxembourgian, Malagasy, Maltese, Maori, Northern Sotho, Norwegian, Occitan, Polish, Portuguese, Rhaeto-Romance, Romanian, Saami (Inari), Saami (Lule), Saami (North), Saami (South), Scots (Gaelic), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Spanish, Swedish, Tswana, Turkish, Turkmen, Ulithian, Walloon, Welsh, Yapese.

Designer at FontStruct in 2008 of cowboy_hippie and Syndrome X (DNA-look typeface inspired by Syndrome BRK by Brian Kent). Nelsson's fonts are Classic Trash BRK Pro, Dynamic BRK Pro, Galapogos BRK Pro, Genotype BRK Pro, King Cool KC Pro (kid's hand; done with Kimberly Geswein), Lamebrain BRK Pro, Matrise Pro and Matrise Text Pro (dot matrix), Phorfeit BRK Pro, Syndrome BRK Pro, Technique BRK Pro, Vigilance BRK Pro, Grapple BRK Pro. The "BRK" refers to Brian Kent, the original free font designer.

In 2009, he added a number of fonts that were done by Nick Curtis some years before that (hence the "NF"): Boogie Nights NF Pro (art deco face), Copasetic NF Pro, Coventry Garden NF Pro, Pro, Fontleroy NF Pro, Hamburger Heaven NF Pro, Monterey Popsicle NF Pro, and Wooden Nickel NF Pro. Trypewriter Pro (2009) is based on Kevin King's Trypewriter. Helldorado Pro (2009) is a Tuscan wood type style typeface based on a font by Levente Halmos.

Designer of Isbit Pro (2012, a magnificent melting ice cube-shaped superlliptical typeface family), Familiar Pro (2011, designed with the same metric as Helvetica but "better than Arial"), Bloco Pro (2010, fat counterless face), Trump Town Pro (2009, athletic lettering slab serif), Geometric Soft Pro (2009), Geometry Script Pro (2010, upright connected script), DIN Fun Pro (2011), Infantometric Pro (2012), Foobar Pro (2012) and Cheap Pro Fonts Serif (2009).

Typefaces from 2013: Adultometric Pro (narrow monoline sans).

Dafont. Fontspace link. Fontsquirrel link.

Catalog of Nelsson's bestselling typefaces. [Google] [MyFonts] [More]  ⦿

Chester Jenkins
[Constellation]

[More]  ⦿

Chirag Shah

Pune, India-based designer of Truck Font (2017), a spurred Western typeface not unlike those used to paint letters on Indian trucks. [Google] [More]  ⦿

Chris Meier

Kansas City, MO-based designer of the squarish Italian typeface Jupiter (2014). Behance link. [Google] [More]  ⦿

Chris Vile
[Font Monger]

[More]  ⦿

Christian De Luca

Graphic designer in Buenos Aires who heads the design department for fashion brand Martina di Trento.

In 2012, he created the Tuscan display ace Filete Porteño. [Google] [More]  ⦿

Christian Munk

Danish designer (b. 1991), aka CMunk, who used FontStruct to create most of his typefaces. Dafont link.

In 2008 he designed Flag Semaphore (+Smooth, Peace), Articulate, Font from NATO (military slab serif), Glockenwerk (pixel clock font), Glockenwerk Uhrzeit, Flags-and-NATO (dingbats), Font from NATO alpha, Tall, Flying-Circus (Western showtime typeface to imitate the Monty Python titling font), LCD-display, Simple (stencil font with 700 glyphs), TMNT, Tetris, sharp-pixels, Raster, Quad (nice stencil face), Inverted, Propaganda (Cyrillic font simulation), Empty Monospace, Pride, Stadium, Rounded, Dear God (script pixel face), Celtic Style.

In 2009, he added 7x12 Pixel Mono, @bcde, Abstract Letter Patterns, Music, Texture, Diagonal, Gothic, Illusio, Unispace (typewriter type), Narrow Serif, Delta, Alien Double (great!), Donut, Flags-and-NATO, Simple-Fraktur-Initial, Simple-Fraktur, Texture, Friendly Serif, (+Soft), Invisible, Sharp, Heavy Diacritics, Concentrium, Continuous Digital Display, Elves, Pixies, Space Movie (+Ligatures), Flag Semaphore (+Smooth, +Peace), Articulate, BBT Biline Twist, Biline Twist, Empty Monospace, Unfix, Infix, Pride, Tyre Stencil (like tire threads---nifty...), and Overlap.

FontStructions from 2010: Even (gridded), Brilliance, Slalom Vision, Quirky Serif, 7x12PixelMono, Ball Terminator, Gearbox, Prefix, Upside Down, Way Too Small (a minimalist pixel face), Butterfly, Ribbon Gymnastics, 2D Barcode, Horizon Stencil, Biline Twist, Blocktur, Symmetricus (alien writing?).

FontStructions in 2011: 12 dice, Monotwist (tall, monospaced), Squarific (fat octagonal), Swirl (curly), Sweet (Victorian), Easter Eggs, 50 Fifty (experimental, geometric), Squarific (+Stencilious), Spiralix (spiral-themed for Latin and Cyrillic), Bloccus, Feet (monospaced).

Creations from 2012: Düpbøl (German expressionist face), Slice, Blocktur, Alien Double, 7:12 serif (pixel face), Blick, Dry Heat (Isolates and Initials, Medials, Finals: an Arabic simulation family), FF9 Coin Slots, FF8 Untalic, FF7 w1de, FF6 Lean Mean, FF5 Bamana, FF4 Circulation, FF3 3times7, FF3 Runization, FF1 Glitchy, Squared, Puzzlish, Steep, Digitalis (octagonal), 50 Fifty (artsy and geometric), Monotwist, Infix. FF stands for Forgotten Fonts.

Typefaces made in 2013: Ribbons And Banners, Digital Rome (pixel face), Censorship, Interlock, Bouma, Glaedelig Script, Hand XL Smooth, Vascomat, Spitzschtruct (emulation of Suetterlin), Neonic, Fish Scales, 7:12 Serif, Analogly, Squarific Fraktastic, Metro Sans (pixelish).

Typefaces from 2014: Word Games, Shadows, Yuuroppuna pixel, Spines, Numbers, Tal Dansk, Zahlen Deutsch, Insular Typewriter, Nudge Nudge (dot matrix), 7:12 Serif (monospaced pixel font), Jovian, Squarafic Fraktastic, Computer Says No, Runic, Fluorescent (neon tube typeface).

Typefaces from 2015: Hexagonia, Kapow (a comic book font), Fauxreign (a Thai emulation font).

Typefaces from 2016: Ziplock (art deco), Vexillum (maritime signal flags).

Typefaces from 2019: Drop Cap (Lombardic), Fun with Cubes (3d). [Google] [More]  ⦿

Christopher Hansen
[Livin Hell (was: Webbyen.dk)]

[More]  ⦿

Christopher King
[Wing's Art Studio]

[MyFonts] [More]  ⦿

Chuck Davis
[Letterhead Fonts]

[MyFonts] [More]  ⦿

Chuck Mountain

Designer of free revival types:

  • The fat typeface Chistoso (2019). He writes: Chistoso (Spanish for amusing) is my digital revival (completely redrawn) of Majestic by Julius E. F. Gipkens (1883-1968). Its original metal type version was found in Hauptprobe in gedrängter Form der bauerschen Giesserei Frankfurt am Main. Majestic (1914) is in the tradition of Lucian Bernhard's typefaces, and Mountain's digital revival is the only one I know of to date.
  • Quentell CF (2019). He writes: Quentell is my revival---completely redrawn---of Quentell, designed by William P. Quentell in 1895 for the American Type Founders Co. The original Quentell became the basis of Taylor Gothic (1897). Taylor Gothic was morphed in Globe Gothic by Morris Fuller Benton (1905) for the ATF. A cursory perusal will easily reveal their similarities.
  • Cotrell CF (2019). Cotrell is a revival of Matthews, as seen in Inland Type Foundry's specimen book from 1902. He suppressed Cotrell's swashes and redeesigned the lower case f and g.
  • Zuecos CF (2019). A Western / Italian typeface based on an Italian in Specimen of Leavenworth's Patent Wood Type Manufactured by J.M. Debow (Allentown, New Jersey, n.d., but probably 1840s).
  • Auber CF (2019). A revival and extension of Bohemian, a metal type that can be seen in Printing Machinery and Material (Miller & Richard, 1902).
  • Dukas CF (2019). A revival, completely redrawn, of Studley, a metal typeface in Specimen Book and Catalog (Inland Type Foundry, St. Louis, 1902).
  • Massenet (2020). A revival of Old Style Grotesque Condensed as shown in Specimens of Printing Type (Miller & Richard, Edinburgh, c. 1920).
  • Chausson CF (2020). A revival, completely redrawn, of Othello (shown in Popular Designs for Artistic Printers (Central Type Foundry, St. Louis, 1892), which in turrn seems to be based on an earlier wood type design.
  • Murden CF (2020). Murden CF is a revival of Corbitt (Nicholas J. Werner in 1900 for Inland).
  • Pettingill CF (2020). A revival of the art nouveau typeface Arlington Old Style, as seen in Pettingill Type Book (Pettingill & Co., 1901).
  • Bruntsfield CF (2020), a revival of Bruntsfield, a metal typeface seen in Specimens of Printing Type (Miller & Richard, Edinburgh, (c. 1900)).

Fontsquirrel link. [Google] [More]  ⦿

Chumillart

Fontstructor who made fonts such as Modulana (2011, rounded octagonal) and Faraona Slab (2011, western slab face). [Google] [More]  ⦿

Chung-Deh Tien

American designer in Jackson Heights, NY (b. 1965), associated with the Cherokee Nation. He created the graffiti font Chase Zen Jackulator (2015), Chase Zen Jingletruck Karachi (2015), the tattoo font Chase Zen Holy Monkey (2015), the art nouveau typeface Chase Zen Paris (2014), Chase Zen Sprawl (2014), Chase Zen Blight (2014), Chase Zen Punjabi (2014), Chase Zen Basmati (2014), and Chase Zen Bangladesh (2014).

Designer in 2011-2012 of the following free Latin / Cherokee fonts: Nikwasi, Tsiquilisda, Danisvdanvsgv, Alewisdodi, Gola Unole, Nvdaasdawadidohi, Atuyasdodi, Tsi yu gunsini (a copperplate design for Unicode Cherokee, named after a Cherokee chief called Dragging Canoe), Wilma Mankiller Old (2012, also for Cherokee), Gadaquali (flared face), Gageda (Cherokee font).

Further typefaces: Grendel (2011), the tattoo fonts Maelstrom (2011) and Reign Sample (2010), the mechanical typeface Dans Hardware (2010), the graffiti typeface Stone Angel (2010), the Western typeface Mary's Cherry&Co (2010), the squarish typeface Dashboard Jesus (2010), the fat wood style typeface John Brown (2010), Dantone (2010), the fat roundish typeface Creamy (2010), Thermobaric (2011, Star trek face).

Chung-deh Tien created a few Cherokee fonts including Nikwasi San (2012), Sequoya Bold (2012), Oconosota (2012), Kanagota (2012), and Tsalagi Ameliga (2010).

Dafont link. Flickr link. Fontspace link. Another Fontspace link. [Google] [More]  ⦿

Churchward Type
[Joseph Churchward]

Joseph Churchward (b. Apia, Samoa, 1933) grew up in Samoa, and moved to New Zealand, where he founded a design studio in Wellington. He lived in Hataitai. He died in 2013 [Obituary by Jack Yan].

His early type designs were released as photolettering through Berthold. In 2000, in partnership with Chank, his fonts are finally being converted to the standard electronic formats. In 1984, he won a Silver Prize at the Morisawa Awards competition. In 2009, he was made a life member of The New Zealand Designers Institute DINZ.

MyFonts writes: Churchward Type started in 1962 as Joseph Churchward's freelance lettering service. Within six months he had generated enough work to move from his job as Senior Artist into setting up Churchward International Typefaces, which became one of the largest typesetting companies in New Zealand. In 1969 Joseph was asked to submit alphabet designs to Berthold Fototypes and saw immediate success. He later went on to sign distribution agreements with D.Stempel AG, Dr Böger Photosatz GmbH/Linotype, Mecanorma-Polyvroom B.V and Zipatone. He self-published a handful of original fonts in 1978 becoming the first and only company in New Zealand to publish original photo-lettering. Churchward International Typefaces was forced to close in June 1988 but Churchward Type lives on with a fresh set of independent releases. David Buck has taken on the role of digitisation. Joseph continues to draw alphabets and now has a stockpile of over 300 unique alphabets to his name.

Catalog of Joseph Churchward's typefaces:

Klingspor link.

View Joseph Churchward's typefaces. [Google] [MyFonts] [More]  ⦿

Cina Catteau
[Anugraha Design]

[More]  ⦿

Claire Menager

In 2019, Alejandro Freitez and Claire Menager, under the art directoship of Alejandro Paul, designed the multistyle wood type look / Western / Victorian / reverse stress / hyper-decorative Presley Slab (Sudtipos). [Google] [More]  ⦿

Clare Alyce

Wisconsin-based designer (b. 1987) of Love You Long Time, BLINGladash, Clare's-Special-Sauce, Could-Be-Infected, Got-Ballz, Retro-Stylee, Scrapbooking-Special, Sooper-Cool and stellar-handwriting, all handwriting fonts made in 2007. She also made the western look font WANTED-Dead-Or-Alive! (2007) and the script font Love You Long Time (2007). [Google] [More]  ⦿

Cliff Little

Cliff Little (Little Type House, Los Angeles) created these typefaces in 2017: Westbot (Western), Wild Things (handcrafted), Glitch. Creative Market link. [Google] [More]  ⦿

Coert De Decker
[Kustomtype]

[MyFonts] [More]  ⦿

Compania Tipografica de Chile

The Compania Tipografica de Chile is a Chilean type foundry based in Santiago de Chile set up by Raul Israel, Franco Jonas, Gaston Uribe and Ale Navarro in 2018. Their typefaces:

  • Maipo Sans (2018) in 40 styles, 826 glyphs per font, including a stencil style; by Ale Navarro: Maipo Sans is a modern typeface inspired by the mountain landscape of Cajon del Maipo, Chile. Its forms are inspired by the first sans serif European humanist fonts of the twentieth century along with a touch of reverse contrast. This typeface is specially designed for projects using extensive text blocks and striking ads..
  • Passiflora (2018) by Valentina Pino and Franco Jonas. A unicase rounded brush font inspired by facade inscriptions.
  • Hatchet (2018). A reverse stress typeface.
  • Joane Stencil (2018). By Ale Navarro.
  • Mena Grotesk (2019). By Ale Navarro.
  • LC Merken (2019). A slab serif family inspired by Vincent Figgins's slab serifs such as Egiziano (1815) and Figgins Antique.
  • LC Gianluca (2019). A flared or glyphic serif by Raul Israel.
  • LC Pukara (2021).
[Google] [MyFonts] [More]  ⦿

Conner Type Foundry

New York-based foundry, also called the United States Type Foundry, Conner&Cooke, James Conner&Son, James Conner&Sons, and James Conner's&Sons. [Google] [More]  ⦿

Constellation
[Chester Jenkins]

Constellation is a creator and publisher of contemporary typefaces and is run by its two partners, Chester Jenkins (based in New York, born in Montreal) and Tracy Jenkins. They also feature typefaces by Magnus Rakeng, Patrick Giasson, Kris Sowersby, Rick Valicenti, and Jeremy Mickel. Constellation contains the main elements of the previous Village and Thirstype foundries. Typefaces including bespoke typefaces by Chester Jenkins:

  • Aero (2011, Chester Jenkins and Jeremy Mickel). Based on Roger Excoffon's Antique Olive.
  • Apex Sans (2003), Apex Serif (2003), Apex New (2005) and Apex Rounded (2010). All by Chester Jenkins. Apex Serif and Apex Sans were co-designed with Rick Valicenti.
  • Apollo. A bespoke multiline typeface for the Apollo Theater.
  • Arbor (2010). Arbor was originally commissioned by the New York Times magazine for use in their 2008 Hollywood special issue. The source was Rob Roy Kelly's book of woodtype samples, and the D and H from Caslon's Italian of the 1820s. An original representative of this Western genre.
  • Barclays Center (2012). A bespoke athletic lettering and stencil family.
  • Brooklyn (2013, a brutalist typeface) and Brooklyn Stencil (2013, an octagonal stencil). The original was commissioned in 2007 by Michael Bierut for a sports complex.
  • The Cooper Hewitt Smithsonian Design Museum in New York City is giving away for free its bespoke house typeface, a sans designed in 2014 by Chester Jenkins. Even the original UFO files are made available.
  • Cosmica (2018).
  • Endzone Slab (+Condensed) and Endzone Sans (2017) are bespoke typeface done for the NFL.
  • Galaxie Cassiopeia (2006). A round connected upright script. By Chester Jenkins.
  • Galaxie Copernicus (2009). An interpretation of Christophe Plantin's Plantin (cut by Robert Granjon) and Frank Hinman Pierpont's Monotype revival of Plantin. By Chester Jenkins and Kris Sowersby.
  • Indestructible Language (2006, with Mary Ellen Carroll): The Precipice Alliance, a non-profit corporation collaborating with artists to direct public attention to global warming, launched with this inaugural artwork by the contemporary artist Mary Ellen Carroll. This lettering was a collaboration with Ms. Carroll to design letterforms that could be rendered 8-feet tall in neon tubing. Each neon letter was to be placed, in a 900-foot-long installation, in the window bays of all five former American Can factory buildings in Jersey City, New Jersey to be exhibited from November 2006 to April 2007. The 8-foot high, carbon neutral neon letters were clearly visible (and legible) to drivers on both the Pulaski Skyway and the New Jersey Turnpike, and by planes heading to and from Newark International Airport.
  • Maharam (ca. 2017). A bespoke Futura revival typeface for Maharam.
  • A bespoke sans titling typeface for the NYC Opera.
  • Galaxie Polaris, Galaxie Polaris Condensed (2004-2013). Two sans families by Chester Jenkins.
  • Oz (1999). A round typeface family by Patrick Giasson. Designed as an homage to Oswald Cooper (whose nickname was Oz), whose Oswald Cooper inspired the fat shapes.
  • Pink Sans, Pink Slab and Pink Outline are bespoke typefaces for Victoria's Secret Pink campaign.
  • Radio (1998). A retro script family by Magnus Rakeng.
  • Robledo Stencil. For Slanted Magazine.
  • Sharpie Script. a bespoke script typeface for the identiy of Michael Kors.
  • A revival of Frederic Goudy's lost Sherman type for Syracuse University with Michael Bierut and his team at Pentagram.
  • For Snickers, Chester designer Chiat Day.
[Google] [More]  ⦿

coonotadfoo

Designer in 2010 at FontStruct of Lolwood (art deco billboard style), Small 2 Big (dot matrix), Strech, Tower (condensed), Loss Goth (blackletter), Wild West, Linchmob, Lycept, Decaration, Quadromanticeacominafosticamer (blackletter), Hand Writing and Grand Theft Auto. [Google] [More]  ⦿

Cornertype Studio (or: Gassstype)
[Anang Fibriyanto]

Anang Fibriyanto (Ambarawa - Semarang, Indonesia) first set up Cornertype Studio and then, in 2020, Gassstype. Designer of the handcrafted typefaces Lawan (2020), Tasty Popcorn (2020), Bocah (2020), Fried Banana (2020), Alexaniri (2020) and Slacker Brush (2020), the script typeface Wish You Luck (2019), the gothic font Fear No More (2019), and the pinball or pachinko font Play This Game (2019).

Other typefaces from 2020: Acrylic Brush, Alexaniri 2.0, Alien Spaceship, Anti Toxic, Bazinga, Berbahaya, Brush in Space, Chromogene, Crush Berries, Davy Jones, Dotoria, Gorilla Warriors, Green Berry, Haberdines, Head Unit, Horror Brush, Johny the Kids, Kasar, Koolkids, Kopi Arabica, Kopi Robusta, Microfiber, Milkshake Mango, Milky Berry, Mix Berries, Raisha.

Typefaces from 2021 published by Gassstype but made by Abdul Malik Wisnu: Revoluta (a vernacular font for demonstrations), Brush In Space (a blocky dry brush script), Fearless Queen (dry brush), Kiddiess (a scrapbook brush script), Kotes (a fat finger font), Rolla Cossta (dry brush), Scramble Storm (a horror brush font), Stand Alone (a dry brush script), Winter Soda (a fat finger font), Fast Lane (hand-printed), Lost In South (a brush font), Bad Poser (an all caps dry brush font), Modern Cowboys (Western), Something Straight (hand-drawn caps), Asphalt Crack (textured), Average Issues, Dotoria Slant (a blocky brush typeface), Offstages (a brush font), Respawn (a rough brush font), Skylarr Scott (a dry brush font), Sweet Antihero (spurred, all caps), Unblessed (dry brush, eerie), Webcomic (a cartoon font), Alexaniri (a bold brush font), Amicable (a rough brush font), Breaking The Comic (a glaz krak comic book font), Bullhead (a textured brush font), Butter Press (a marker pen font), Careless Carry (a bold brush typeface), Downstairs (a marker pen font), Good Looking Karma (a rough brush font), Kostantera, Little Kisses, Lonesome (a straight brush font), Relocation, Soap Opera (a bold brush font), Steelhead (a bold cartoonish font), Travelista (a brush font), Freewill (a rough brush font), Irrational (a brush font), Fragmented (a grungy inline font), Sanstuy (handcrafted), Squabslab (a hand-crafted slab serif), Teaberry Essence (a brush script), Klisse (script), Lemonade Soda (brush), Real Enemy (brush), Teaberry Essence (brush), Worker Class (brush), Business Matter (a heavy script), Easysans (all caps, hand-crafted), Errorism (a brush font), Agression (a heavy brush font), Crossbar (a brush font), Good Explorer (glaz krak font), Kopi Arabica (a hand-crafted slab serif), Trust Issue (a handmade font for barn signage), Wakeup Today (a brushed slab serif), Ruthless (a heavy dry brush font), Timeless Nature (script), Unranked (a rough mural font).

Typefaces released in 2022: a href="https://www.myfonts.com/fonts/gassstype/bigbox/">Bigbox (cracked capitals), Recess Brush (a dry brush font), Aalama (a bold supermarket typeface), Break Parquet (cracked caps), Chratos (a black metal font), Deanicked (an all caps brush font), Revoluta (a wall paint font for starting revolutions), Anthony Writters (a scrapbook script), Murray Corn (a weathered all caps typeface), Rages, (a vernacular brush font) Residual (a bold condensed hand-crafted typeface), Timeless Notes (a fat finger script), Unfollow (a marker pen font), Alltoz (a condensed vernacular typeface), Kostaness (a graffiti font), Lazy Coffee (a bold quirky heavy slab serif), Minomisse (a bold brush script), Lonesome Zombies (a horror font with dripping blood), Quick Sketching (a scrapbook font), Raittens (a scrapbook script), Salomonstera (a scrapbook brush script), Speechless (a scrapbook font), Tenuity (a brush typeface), Bitter Kiss (a fat finger font), Havana Choice (a fat finger script), Playvictim (a brush font), Bitter Kiss (a fat finger script), Chocolate Breads (a fat finger font), Fried Cassava (a fat finger font), Stoopid Markers (a bold marker font), Stuffy (a fat finger script), Unofficial (script), Urban Pollution (graffiti), Sanes (a hand-crafted sans), Across The Street (brush font), Smooky (with a rough outline), Berani (grunge), Random Notes (a weathered vernacular font), Alokary (a Peignotian fashion sans), Rugpull (a rough brush typeface), Backstabber (a brush font), Flossy (a brush font), Hipeless Brush, Monsterian (a Halloween font), Bad Brush, Something Real (a dry brush script), Honey Mushroom (brushed caps), Resistant (a brush font), Silent Forest, Antodits (hand-drawn), Ressolles (a dry brush typeface), Sleepless (a horror font), Study Hard (a fat finger script), Beethink (dry brush), Better at Class (script), Calathos (a brush font), Haberdines (a tape font), Kartun (a cartoon font), Nutshell (dry brush), On Progress (a brush font), Sabarian. [Google] [MyFonts] [More]  ⦿

Craft Graphic (was: Thrift and Thistle)
[Matt Hull]

British free font foundry located in London run by Matt Hull (or Matt Rowan), a graphic designer, web designer and illustrator based in Surrey, UK. Behance link. Creative Market link, where Matt started selling his fonts. Matt's typefaces:

  • Acquaintance is a free rounded hand-drawn display typeface that is best used for headlines.
  • Acta (2019). A weathered label font.
  • Albium (2019). A rounded sans.
  • Aneto (2019). A rounded sans.
  • Baird Sketch Serif (2019).
  • Cavalcade is a free hand-drawn 3d face.
  • Crotched (2012).
  • Delineate is a free handwriting face.
  • Exesa (2019).
  • Flumen (2019).
  • Gaunt is a free uppercase variable-width poster face.
  • Griffonage is a free uppercase chalk/pencil/crayon typeface for a scribble or scrawl style. See also Griffon (2019).
  • Incision (2012). A paper cut out typeface.
  • Jabre (2019). A condensed sans.
  • Ottavia (2019). A simple sans.
  • Meander. Hand-printed.
  • Perplex is a heavy ink script face.
  • Piav (2019). An open single stroke sans.
  • Polpo (2019). Hand-crafted.
  • Quercia (2019). A contemporary slab serif.
  • Sampler (2012). An ornamental caps typeface based upon an original needlework sampler pattern.
  • Selva (2019).
  • Signe (2019). A condensed display typeface.
  • Viscid (2012). A brush face.
  • Winchester (2019). A script typeface.
  • Typefaces from 2013: Franq (poster typeface), Densen, Chroma (a sign painters' font), Mulligan (a hand-drawn Western / Victorian typeface).
  • Typefaces from 2014: Heiter, Viscount (Western typeface).
[Google] [More]  ⦿

Craig Butterworth

Craig Butterworth proposed the Western display font Kinky Kowgirls (2002). [Google] [More]  ⦿

Creative Toucan (was: Leo Supply Co)
[Leonard Posavec]

Cakovec, Croatia and Washington Park, WA-based designer (b. 1995) of preponderantly grunge typefaces. In 2013, he created Funny Classic, Lion Pro, Lover, War is in the Air (military stencil), Aussen (squarish), Ensione (outlined), Rangle, Gaon, Momgers, Escapea (athletic lettering), Campus A (athletic lettering), Zebraliner, The Alistaren, Goteros, Collegerion (athletic lettering face), Prestinia Pro (grungy serif face), Fast Ostrich, Funny Trip, Boro, Electric (grungy face), On The Left, Power Balloon, Heavy Bomb (grungy), Kid From Hell, Army Stamp (rough army stencil), Jump Party, Comic Type, Commy, Faster, Fati, Funny me, Hypnotize, Half Half, My Day, Totally Outline, First Day, Funny Kid, Waterline, Piranha, Fish (grunge face), Modern Sketch, Beboline (dymo label grunge), Metalic (sic), Moter (grungy outline face), Privjet, ShadowM (shaded typeface), Old Movie, Strong Boy, Russian Line, Long Leg, Cool Day, Jungle Tree, Funny Teca, End of Era, DeLeo, Buble Muble, Morris, Funky Monkey, Leonards (a scratchy typeface), Dead John (grunge), Square Baby (grunge), Handwriter, Outline Storm, Mejiko (grungy Western font), Bird Fly, Died, Close To (grungy dymo label font).

Typefaces from 2014: Dabre, Handeer, Bad Land, Thron, 806 Typography (wood style didone), Rypote.

Typefaces from 2015: Debeli Bridge (faded, grungy and gorgeous), Rustal, Madalen, Stiquez, Vallyns (grungy, stamped typeface), Falsthan (brush face), Areson, Summeron (brush script), Surpal Lovely (Victorian kitsch), Summer 2, Megeon (+Grunge), Dabre Grunge (textured caps).

Typefaces from 2016: Taramda, Endless Script, Riot Ton, Dabre (grungy stamped style), La Tequila (Western font), Originals (painted letters), Originals is out, Avenue Drift, Amoky (sketched), Bastielle Script, Ipsum Script, Baroquey Script, Pomah Type (brush script), Vrown Fox (dry brush), Time Machino (dry brush), The Gohe Go, My Boquet Script, The Sellen, Baley Sun, Brushed Traveler, Salone Strand, Aple Time (brush), Bert Loch (brush), Brushed Car, Last and Chaos (brush), Thin Zeus (brush), Top Light (fat brush typeface), Summer Soul Script, Summter (connected script), Summdraw, Planine Script, Samtak Script, Astel Script, Rostek Old, Megiline, Sally Script, Rolley, Naila Script, Amoky (textured letterpress emulation typeface family), Reeld (dry brush typeface), Stamped Navy (textured).

Typefaces from 2017: Musterion (brush script), Wolvos (rough brush), Xenos, Descolorido, Mushroom (an angulara children's book font), California Jackpot, Zondas, Codiac (rough brush), Gullias (signage script), California or California Jackpot (brush font), Rhinos Rocks (brushy), Quick Toy (inky brush script), Italiano (dry brush), Gode (thick brush), Ananas Lips, Kiwano Apple, Cup of Sea, Fly N Walk, Sign 45 (vintage grungy poster style), Jaoy, Gas Rock, Acids.

Typefaces from 2018: Storehouse (a vintage all caps copperplate family with small wedge serifs; by Nicolas Massi and Leonard Posavec; it includes a stencil style), San Francisco, Quick Pick (brush), Mick's, Jumper, Alask (brush), Royal Twins, Clas (brush script), Yolloy, Scolarship (sketched).

Typefaces from 2019: Planina, Athletica (letterpress style), Costa La Vista (font duo), Springs, Originals 2 (dry brush), Astana.

Typefaces from 2020: Myla (a display typeface).

Typefaces from 2021: Surfbars (a dry brush font for outdoors usage; also supports Cyrillic).

Fontspace link. Creative Market link. Old URL. Another Creative Market link. Dafont link. Fontplanet link. [Google] [MyFonts] [More]  ⦿

Cruzine
[Peter Olexa]

Peter Olexa (Bratislava, Slovakia, b. 1978) created the (typically retro / vintage) mostly commercial typefaces Slow SVG (2020: a brush font), Hurley (2020), Royal (2020: vintage caps), Wagoon (2020), Snow (2020: a 3d color SVG font), Venomous (2020: spurred, grungy), Behofeel (2020), Chasmophile (2020: formal calligraphy), Angelic (2019: dry brush), Boutique Paris (2019), Umbrella (2019), Cellica Bold (2019), Abigaile (2019), Ragtime (2019: a brush font), Ragtime Marker (2019), Futu (2018), Kiko (2018), Pineapple (2018), Urban (2018: inline), Plasma (2018), Evolve (2018: inline), Hallowen (sic; 2018), Phantom (2018), Palam (2018), Alter (2018), Chrome (2018), Rhino (2018), Giant (2018), Valeria (2018), Ruas (2018), Strife (2018), Giant (2018), Atari (2018), Octopus (2018), Green Light (2018), Atlantis (2018), Maroon (2018), Secure 3D (2018), Cube (2018), Billionaire (2018: art deco), Savana (2018: bejeweled), Castile (2018), Starla (2018), Brodo (2018), Nomos (2018), Brisk (2018, art deco), Tron (2018), Jewel (2018), Forest (2018), Noxa (2018), Ama Deust Inline (2018), Goliath Inline Grunge (2017), Arbatosh (2017: Victorian), Momoco (2017), Heyro Fun (2017), Calliope Fun (2017), Steampunk Gears (2017), Ponds (2017: Victorian), Zahra (2017: inline grunge), Green Light (2017: inline grunge), Jordan Bold Grunge (2017: inline), Metalic 3D (2017), Mecha Grunge (2017), Buffalo (2017), Queen (2017), Lacoste Inline (2017), Ollie (2017, sans family), Nomos (2017), Blue North (2017: spurred), Murray (2017), Atlantis (2017), Montana (2017, outlined), Speedhunter Line (2017), Star Black Inline (2017), Gatsby Inline (2017: art deco), Jibril (2016: spurred), Hallowen (sic) (2016), Kiko (2016), Sailor (2016, tattoo font), Annabel (2016), Zalora (2016), Geno (2016), Marin (2016), Starship (2016), Mozza Shadow (2016), Meravin (2016), Venomous (2016), Amora Inline Grunge (2016), Rocket Shadow (2016), Hydrant (2016), Boston Inline Grunge (2016), Skywalker (2016, art deco), Ocela (2016), Columbus (2016), Raven (2016), Nomura Grunge (2016), Stella (2016), Salada (2016), Vultron (2016), Majestic (2016), Napoleon (2016), Temu (2016), Rodeo (2016, Western style family), Brooklyn (2016), Thunder (2016, Victorian label typeface family), Murray Inline Grunge (2016), Opera (2016, Victoriana), Flamingo Shadow (2016), Blue North Inline Grunge (2016), Montana Bold Outline (2016), Monophone Fancy (2016, retro style), Marin Victorian (2016), Westwood (16-style Western font family), Mozza (2016, +Inline, +Shadow, +Grunge), Speed Hunter (2016), Metro Grunge (2016), Annabel (2016, Victorian), La Forest (2016, blackletter), Star (2016, decorative caps, with outlined and inline versions), Phoenix (2016, a spurred typeface), Gatsby (2016), Bureno (2016, a Victorian display typeface), New York (2016, letterpress emulation), Capella (2016), Almanac Italic Grunge (2015), Anabel (2016, roman caps), Regolith (2015), Chocoleta (2015, hand-printed), Sailor (2015), Turmeric (2015), Ultimatum (2015), Heyro (2015, a rough brush font), Calliope (2015, a rough brush), Glass Beads (2015), Red Paprika (2015), Greenkitchen (2015), Artistico (2015, grungy), Brush Shop (2015), Graceful (2015, irregular script), Brush Wall (2015), Nickainley (2015, connected script), Harloft (2015, a warm brush script), Detective Typewriter (2015), Not Perfect (2015), Good Vibes (2015), Cool Story (2014), Get Coffee (2014), Think Happy (2014), Say Less (2014), Let's Do This (2014), Just Be Cool (2014), Brooklyn Coffee (2014, a spurred poster typeface), Bronx Shoes (2014), Nevermind (2014), RockNRoll (2014), Bluegrass (2014), Memento (2014, spurred Victorian face), Melody (2014) and Grazioso (2014). He runs Dealjumbo.

Creative Market link. Behance link. Dafont link. [Google] [More]  ⦿

CyberGraphics
[Jan Erasmus]

Foundry, est. ca. 2009 in Johannesburg, South Africa, by Jan Erasmus. Jan currently resides in Johannesburg and taught font design for 10 years at University of Johannesburg and Stellenbosch University. His professional activities include typography, websites, brochure design, packaging, branding and type design. He also designed custom fonts for corporations of which Menyaka (for the FIFA world cup soccer 2010) and Nando's fast foods (1999; done together with Cross Colours) are the most noted.

Jan's debut display font family was Thornface (1997, a beautiful medieval font). He then released Transition, Lalibela (2009, didone), Pixeluxe and Azania (Tuscan, Western). Other fonts include Sade (a relative of Garamond), Export Unicase (1999, stencil), Mzansi (2007, an African look font), Shaftciti (2008, military stencil), Pixeluxe (2010), Giramundo (2010), Transition (2006), Ethereum (2015, a Cyrillic emulation typeface). [Google] [MyFonts] [More]  ⦿

D. Sandi Sjahputra
[Winston Type Co.]

[MyFonts] [More]  ⦿

D. White

Creator of the Western slab typeface Geronimo (2011, FontStruct). [Google] [More]  ⦿

D.A. Sanborn
[Sanborn Fire Insurance Map typography]

[More]  ⦿

Damien Gosset

Parisian designer (b. 1981) of PixArrows (2010, pixelized arrows), BeijingWigoWhat (2005, Indic simulation face), Coin Locker Datura (2005), Fucked Plate (2005, grunge typeface entirely based on old license plates), Destroyed License Plate (2005), BonesBummer (2005, scratchy handwriting), VerArmy (2005, stencil), Knife Fight (2005), Veru Serif (2005), Belgian Army (2005, no longer offered), Bnko (2005, no longer offered), Abuse (2005, handwriting) and Sweeep (2005, typewriter simulation), PoscaMadThrasherz (2009, graffiti), Rififi Serif (2010, pixel face), Sorcery 6128 (video game font) and Satan 1981 (2018).

Typefaces from 2020: Boulder Dash 6128 (a pixel font), 8Bit Arcade (a video game font), Popincourt 1981 (a condensed squarish sans), Blackletter 97, Turfu 97, Peng Chau Nights (squarish), Eighty Nine 75020, Discomobile 1972 (Western), Lavomatic 2000. Alternate URL. [Google] [More]  ⦿

Dan Gneiding

Senior graphic designer at Urban Outfitters, and a sometimes adjunct professor at Philadelphia University. His typefaces:

  • Ribbon Numerals and Ribbon (2011, Lost Type). Free display typefaces.
  • Dude (2012, Lost Type). A reverse contrast Western typeface described by Dan as follows: Whiskey drinking, train hopping, fist fighting, hard loving, prison breaking, men and women, who poured their hearts out in song. See also Dude Hank Pro (2014).
  • Lehigh (2017, Lost Type). A slab serif typeface in six weights.

Behance link. [Google] [More]  ⦿

Dan M. Zadorozny
[Iconian Fonts]

[More]  ⦿

Dan Reynolds
[TypeOff]

[MyFonts] [More]  ⦿

Dan X. Solo
[Solotype]

[MyFonts] [More]  ⦿

Daniel Amor

Stuttgart-based Danny Amor was active in the 1990s. His fonts include Jesse James (2000, Western), Future World (1999, LED simulation), New Kids (3D face), CascadeScript, the monospaced pixel typeface Topaz-8 (1994), and Sarah Bernhardt (1999).

Fontspace link. He used the company name Brainstorm at some point. [Google] [More]  ⦿

Daniel H. Evans

Assistant Professor in the Department of Art & Art History, University of Utah, in Salt lake City.

As Fugitiveglue at FontStruct, he made Allemande (2010), and Havre (2009, gridded), as well as the more experimental Luggage Lifter (2010), Root Canal (2010), Unexamined Zipper (2009) and Gawe (2010). Routeo (2010) is art nouveau, and Ampul (2010) simulates Arabic.

Perforane is a heavy mechanical/octagonal unicase typeface, while Guasco (2012) is a curly high-contrast face. Perforance became the basis of a large family of fonts, like PERF Blur (textured face), PERF Glow, PERF Solid, PERF Solid 3D, PERF Knockout 3D, PERF Punch1 3D, PERF Punch3 3D, PERF Punch1, PERF Punch2, Cuevita (2012).

Typefaces from 2013: Apocalipsis, Boot Liquor (a western face), Galactica Alphabetz, Clownstruct, Ball Chain (texture face; +Light).

Typefaces from 2014: Sunday Clothes. [Google] [More]  ⦿

Daniel Hernandez
[Hernández Type (was: Estudio de diseño Calderón)]

[MyFonts] [More]  ⦿

Daniel Herrera

Designer in Medellin, Colombia. For the Panamanian design agency Atomo, he created a connect-the-dots logotype called Atomo (2013). Vinnie Six Rounds (2013) is a Western typeface based on the movie Pulp Fiction. It was co-designed with Pedro Javier Arbelaez and Jorge Arias Flores. With Julian Betancur Mira, he co-designed the tattoo font Sailor Jerry (2013). [Google] [More]  ⦿

Darren McPherson

Designer from Chicago, IL, who is now in New York City. Home page. Creator of the Western typeface in the Italian style, called Umidità 1832 (2009), about which Darren writes: This re-interpretation of an 1832 wood cut by Caslon was created for the Spring 2009 edition of the literary-arts journal Ninth Letter.

With Will Miller, he created the structural experimental typeface Skky (2011).

Behance link. [Google] [More]  ⦿

Darren Rigby
[Darren Rigby]

Refreshing fonts created by Canadian Darren Rigby using High-Logic. The fonts come in truetype format (in 2000): Bayern (fraktur font), Beltane (2002), Brasspounder (2004), Con Jitters (2002, handwriting), Enigmatic, EnigmaticUnicodeRegular, Fitzgerald, GangueOuais (2002), HindsightUnicode (2001, with all European languages, Cyrillic, Armenian, and IPA), HindsightSmallCaps, HindsightRegular, HindsightMonospaceRegular, IntruderAlert, QuicktypeRegular, ThinDime, TorturerUpright, SilverDollar, DontWalkRun, History-Repeating (1999-2000), HistoryHappens, HistoryRepeatingH, HistoryHappens, HistoryRepeatingV, Lemon, Norse-Code (runes), OneEighty, TorturerBound, TorturerCrushed, Daybreaker, Yerevan, Seebreaze, Jareth, Tin Birdhouse, Tin Doghouse, Three-Sixty, Three-Sixty Condensed, Levity (2001, Western font), Gravity, River Avenue, Water Street, Warer Street Detour (unicase), Meridiana, Torquemada, Torquemada Starved, Torquemada Starved Unicode, Radian (2002), All Hooked Up (2002), Brasspounder (2004), Quilljoy (2004). [Google] [More]  ⦿

Darren Rigby
[Darren Rigby]

[More]  ⦿

Dathan Boardman
[Open Window]

[MyFonts] [More]  ⦿

Dave Chau
[Awkwerd]

[More]  ⦿

Dave Rowland
[Eclectotype (was: Schizotype)]

[MyFonts] [More]  ⦿

Dave Simpson
[Sign DNA]

[More]  ⦿

Dave West

Type designer of the photolettering era (1960s) whose work is slowly but surely being digitally revived by Nick Curtis, and by Photo-Lettering, the House Industries subsidiary that bought the PhotoLettering Inc type collection. FontShop link. His typefaces:

  • The slightly psychedelic typeface West Banjo. Nick Curtis's Fiddle Sticks (2007) is based on this typeface. For another digital revival, see Plinc Banjo (2017, Mitja Miklavcic at House Industries.
  • Elephant Gothic, a fat deco face. Remade by Nick Curtis as Elephunky NF (2011).
  • Nick Curtis believes that Stymie Black Flair may also be due to him, and he based his Tutti Paffuti NF (2007) on the latter face.
  • African Queen was revived by Curtis as Djibouti NF (2007), a minimalist tribal African alphabet.
  • Nickelodeon. Revived by Curtis as Lily Hilo NF (2008).
  • Barnum Block (Western face), done in 1960 at PhotoLettering Inc. This became Cg BarnumBlock at Compugraphics. The Compugraphics collection is now sold by Monotype. See also PL Barnum Block.
  • Behemoth (1960, PhotoLettering): a slab serif. This too became a Compugraphics face, Cg Behemoth Semi Condensed. See also PL Behemoth Semi Condensed.
  • Bubble Gum (late 1960s). This bubblegum / cartoon font was finally digitized in 2011 by Jess Collins for House Industries, and is now called Plinc Bubblegum (2021).
  • Futura Casual inspired Nick Curtis to draw Occidental Tourist NF (2010).
  • Walnetto Casual (Photolettering) is another psychedelic face. For a digitization, see Nick Curtis's Jackalope NF (2010). West Barnum Ultra, designed by Dave West and digitized by Ben Kiel&Adam Cruz at House Industries in 2011, was film no. 5494 in the original Photo-Lettering archive.
  • West Thud.
  • West Kerpow, a comic book typeface, late 1960s. This was digitized in 2011 by Allen Mercer at House Industries as Plinc Kerpow.
  • West Italiano, or simply Italiano. A Bodoni-style italic. In 2015, Steve Ross and Ken Barber at House Industries digitally revived this typeface as Plinc Italiano.
  • West Emperor Script. A connected didone script.
  • West Nouveau Compact (Pyschedelitype 5619 in the PLINC collection of 1968). See, e.g., Pyschedelitypes (Alphabet Directions No. 8), Photo-Lettering, Inc., 1968. In the Curvy Block Lettering style of Viennese secessionist Alfred Roller. The same face appears in Castcraft's Encyclopedia of Phototype Styles (1978) as Cetus Black.
  • West Fifth Dimension (1971), an Alfred Roller-inspired psychedelic typeface that was shown in PLINC's Alphabet Thesaurus Vol. 3 (1971).
[Google] [MyFonts] [More]  ⦿

David A. Occhino
[David Occhino Design (was: Treehouse Graphic Design)]

[More]  ⦿

David Bailey

Graduate of Drexel University, where he studied under John Langdon, and now a freelance letterer and logo designer based in Alameda, CA, and a type designer at Delve Fonts. His web site was originally called Bezier Wrangler. In 2016, he finished the post-graduate type design program at Type@Copper West. His typefaces:

    Modern Blackletter (2005) and this grotesk display font (2006).
  • Overpass (2011, Delve Withrington and Dave Bailey). Sponsored by Red Hat, and inspired by Highway Gothic, a set of sans-serif typefaces developed by the United States Federal Highway Administration and used for road signage in the USA (but also used in many other countries), and freely available from Github and Open Font Library. See also Transpass (2011-2019).
  • The layerable Western style display font Discourse (2012-2014, published by Delve Fonts).
  • Prospectus (2018, Lost Type). An angular typeface family inspired by Oldrich Menhart.
  • Summa Inline (2018). An exquisite typeface, it is unclear who did the digitization, Delve Withrington (Delve Fonts) or Dave Bailey (on whose web site the typeface is showcased).
[Google] [More]  ⦿

David Buck
[Sparky Type (or: Sparky Malarkey)]

[MyFonts] [More]  ⦿

David Charles Randolph Rakowski

Type designer and composer, born in St. Albans, VT, in 1958. He was one of the early free/shareware type designers, well-known for creating revivals of 19th century typefaces. He was the Walter W. Naumburg Professor of Composition at Brandeis University, and has previously taught at Harvard University, Columbia University, and Stanford University.

List of Rakowski's fonts: 3-DWedgie, Aarcover, AdineKirnberg-Script, Ann-Stone, Beachman, Beffle (1991, after Fry's Ornamented No. 2 from Stephenson Blake), Bizarro, BrailleFont, BunnyEars, ChristensenCaps, Crackling, DaBigKeyCaps, DavysCrappyWriting, DavysDingbats, DavysKeyCaps, DavysNewOther, DavysOtherDingbats, DavysRibbons, DeBalme Initials, DieterCaps, Diner-Fatt, Diner-Obese, Diner-Regular, Diner-Skinny, Dobkin-Script, Dragonwick, Dubiel (1991), Dupuy-Light, DupuyBALloon, Eileen, EileenCaps, EileensMediumZodiac, Elizabeth-Ann, Elzevier, EraserDust, Firecat, Gallaudet (a sign language font), Garton (1993), Gessele-Script, GriffinOne, Harting (an old typewriter font), Headhunter, Holtzschue, Horst, Ian-Bent, Jeff-Nichols, Jumble, Kinigstein, Konanur, KoshgarianLight, Kramer, Lassus (1993), LeeCaps, Lemiesz (a free version of Publicity Gothic, 1916), Lilith-Heavy, Lilith-Initals, Lilith-Light, Lintsec, Logger, LowerEastSide, McGarey-Fractured, Multiform, Nauert, NixonInChina (oriental simulation), ParisMetro, Pixie, Pointage, Polo, Rechtman-Script, ReliefDeco, ReliefInReverse, Reynolds, Rockmaker, Rothman [note: poster by Lauren Buroker], Rounded, Rudelsberg (a Munch Jugendstil style font), Salter, Shotling, Showboat, Shrapnel, Starburst, TejaratchiCaps, TenderleafCaps, ToneAndDebs, Tribeca, Uechi, UpperEastSide (1990), UpperWestSide (lettering from the New Yorker magazine), VarahCaps, Wedgie, Wharmby, WhatA-Relief, Will-Harris, Zaleski, and Zallman-Caps.

Some downloads: Uechi, Rothman, Tejaratchi, Eileen Caps and Elzevier Caps, Paris Metro, Davy's Dingbats (see also here).

With Klaus Herrmann, of Intecsas in Düsseldorf, he started updating his fonts from 1992-1999. Those fonts can be bought at Will-Harris.

Here is an interview with David.

Download 120 of his fonts here.

And finally, a text file with the names of most of his fonts.

Mark Johansson explains the history of Rakowski's fonts. Dafont link. MyFonts page. Abstract Fonts link. Font Squirrel link. Fontspace link. Klingspor link. [Google] [MyFonts] [More]  ⦿

David Fernando Espinosa Martínez
[Type Sailor]

[More]  ⦿

David Fleming Nalle
[Scriptorium (Ragnarok Press, Fontcraft)]

[MyFonts] [More]  ⦿

David Jonathan Ross
[DJR Type]

[MyFonts] [More]  ⦿

David Kerkhoff
[Hanoded]

[MyFonts] [More]  ⦿

David Lyttleton

British illustrator whose work has appeared in such publications as The Guardian, The Times, The Daily Telegraph, The Sunday Tribune, FT, The Independent, Reader's Digest, Sunday Express, The Scotsman, Time Out, NME, Future Publishing, BBC, Emap, Haymarket and Dark Horse Comics. He drew the dingbats for P22 Way Out West Critters and the characters for the Western font P22 Way Out West. [Google] [MyFonts] [More]  ⦿

David Neustadt

David Neustadt ("saberrider") is the designer who used FontStruct in 2008 to make the experimental fonts Eye Pain, Colorblind, Big Blue (like IBM's stripes), Cord, Fontsract (a nice stencil face, based on piano keys), Dice (great; based on an idea of Daniel Pelavin, 1996), Blux (liquid crystal), Blockiger (octagonal), athletica (athletic lettering), divided (two lines, octagonal), edgewalker (heavy slab serif), geomatrix (filled-in letters), olympica. Other creations include Picto People (2008, a great people figure dingbat font), Carmack (2008, octagonal), Pluto (2008, white on black), Pluto Lowercase, Arena Berlin (2008), Katja (2008), Average (2008), Unbalanced (2008), Solido (2008, based on Ata Syed's FS Minimal), Noise (2008, grungy school letters), and Diagonalis (2008, diagonally striped letters).

In 2009, he added Hexastruct, Curvy, Genero (fat face), Plagiacotti (Western saloon font, based on Manicotti, 2007, by David Jonathan Ross), Rasterman (+Bold) (gray effect fonts), Krummbein, Cohen, Mister N (handwriting), Monobono (shadow face), Letter Case, Mikado (3d-stroke font), Boulder (ultra-fat), Night Shift (semi-stencil), Tuvalua, Ripper (fat, counterless), Poff, Blackstruct (blackletter), Borders and Borders2 (outlines of countries).

Typefaces from 2010: Squeeze, Puncture (dot matrix outlined), Yobbo (condensed, counterless).

Typefaces from 2012: Thunderdome. [Google] [More]  ⦿

David Occhino Design (was: Treehouse Graphic Design)
[David A. Occhino]

Treehouse Graphic Design was David Occhino's font outlet. It is now called David Occhino Design. The Treehouse collection specialized in Startrek, futuristic, Disney and Indiana Jones style fonts, but has widened lately. Most fonts are commercial, but there are a few free ones:

  • Exclusive Designs: Tangaroa (2009, tiki font), TradeWind, Nautilus, Graviton, Voyager, Cinema, Firefly, Forest, Emblem.
  • Signage typefaces: Craftsmen (2010), Craftsmen Ornaments (2010).
  • Movie Fonts: Safari (1996, based on the famous Indiana Jones movie logo created by Mike Salisbury and David Willardson; version 2 in 2011), Venture, Astro, Galax-E, Time Travel, Iron Hero, Knight, Blade, Aeronaut (1997, avant-garde).
  • Art Deco Fonts: Aeronaut (1997; Aeronaut 2.0 in 2011), Cinema, Pan-Pacific (2010: based on the classic 1940s lettering style that was used for the signage for the famous Pan-Pacific Auditorium).
  • Theme Park Fonts: Kingdom (1996, blackletter), Mansion, Encounter, World.
  • Sci-Fi Fonts: Astro SE, Basestar, Blade, Encounter, Galax-E, Graviton, Nautilus, Time Travel, Voyager.
  • Halloween Fonts: Hocus Pocus, Nautilus, Mansion 3.0 (1996-2009), MansionCryptBats (2009, free).
  • Education Fonts: School.
  • Free Fonts: Aurebesh (for Star Wars, 1997), Forbidden Eye, Tangaroa Glyphs (Hawaiian petroglyphs, 2009), World Symbols, Big Thunder Dingbats (2009: Western dingbats).
  • Western fonts: Big Thunder (2009).
  • Fonts I can no longer find: Aurebesh, DNealianArrows, DNealianGuides, DNealianRegular, Starspeeder, StarspeederUpright, Pyramid's Venture, Victorian Mansion.

Abstract Fonts link. [Google] [More]  ⦿

David Parr
[Fontwright Design]

[MyFonts] [More]  ⦿

David Phillips
[Komet & Flicker (was: StockBucket)]

[MyFonts] [More]  ⦿

David Works

Designer of Apollo and AmericanUncial in 1992, and of the Western font Western Slant (1992). Based in Medford, OR. [Google] [More]  ⦿

Dawn Balhorn

New York, NY-based designer of the vintage railroad car and/or Far West font Cash West (2019). [Google] [More]  ⦿

Debbie Montique
[Moonlight Designs]

[More]  ⦿

Decade Type foundry
[Agung Maskund]

Decade Type foundry (Bandung, Indonesia, est. 2008) is run by Agung Maskund (Agung Gumilang Sugih), b. 1987, Bandung. It specializes in Victorian and vintage type. Creator of Authentic Labels (2013), New Black (2012, a metal band typeface) and Chicano Brush (2012, graffiti face). Note: It is possible that Chicano Brush was made by Gilang Purnama.

In 2013, they published Reckless (by Gilang Purnama: a retro car font), Fabulous Drop Cap (with a free demo font), Los Santos (graffiti style), Logotype Frenzy (brushy signage face), Insurance Maps (inspired by the Sanborn Map Company's 1909 insurance map catalog), Basingstoke (a spurred display typeface by Gilang Purnama Jaya), Hustlers Rough (Western Tuscan signage font), Lakester (another Tuscan signage font with layering), and Griba (alchemic typeface).

Another great typeface project is the National Currency Font (2013), which features spurs and an engraved look. Stay Gold Script (2013) is a vintage signage typeface. Aesthetique (2013) is a Victorian ornamental Tuscan design.

Typefaces from 2014: Stanwood (Victorian), Herschel.

Typefaces from 2015: Tervia (spurred vintage typeface), Edmond (vintage typeface), Pretty Script.

Typefaces from 2018: Versica (by Irma Asharini and Agung Gumilang Sugih).

Typefaces from 2020: Voska (a bold display serif family), Breland (a titling typeface, and decorative borders and ornaments by Agung Gumilang Sugih and Irma Asharini).

Cofounder of Image Type with Ihsan K. Lazuardi and Gilang Purnama.

Behance link. Creative Market link. Fontspace link. Behance link for Agung Maskund. Another Creative Market link. [Google] [MyFonts] [More]  ⦿

Dega Syukurilah

Dega Syukurilah (was: Dega Burn) (Bandung, Indonesia, b. 1984) created the signage typeface Overall (2016), the elegant sans titling typeface Marker (2013) and the wavy gothic typeface Underhood (2012-2013). In 2016, he designed the vintage typeface The Braschel Club, the connected signage script Parahlilla and the accompanying Parahlilla Sans, and the free Western signage typeface El Capitano.

Typefaces from 2017: Les Jeux (sans display typeface), Ujang Bedog (semi-blackletter).

Dafont link. Behance link. [Google] [More]  ⦿

Deni Dessastra
[The Sastra]

[More]  ⦿

Denis Libon

Canadian designer of the (free) shadow circus fonts Black Angel (2011), the art nouveau typeface Freshwater Classic (2011), Candle 3D (2011, +Black), and Topsquare (2011). He created the oriental simulation typeface Stick Rice (2011) and the display typeface Melted (2011).

In 2012, he created the shadow typeface ShowLetters, Pullstar (fat signage script family), Pullstar Holinight (2012), Tracker (hand-printed), Medley Script, Rose Heart, Spear Mint, Brick Wall (a texture face), Crispy, Crisp, Armand Chief (connected script), Mystic Arm, Back of Times, Back of Shadow, Fairland (blackletter), Armand Cocktail, and Thorn Heart.

In 2013, he published Jess Font and Jessy Heart.

Dafont link. [Google] [More]  ⦿

Denis Masharov

Born in Moscow in 1973, he emigrated to Israel in 1990 and has a Bachelor of Arts degree from the Bezalel Jerusalem Academy of Arts, 1996. A professional designer since 1996, he designs type and is involved in typographic projects.

At Google Font Directory, we can download his Latin/Cyrillic poster font Ruslan (or Rusland) Display (2011), the freehand lettering typeface Marck Script (2011, based on the hand of Marck Fogel), and the angular Kelly Slab (2011).

Bolster (2011) is a unicase fat Western face.

Forum (2011) is a free classical roman face. TeX support.

Ruslan Display (2011) was co-designed with Vladimir Rabdu, this decorative typeface is in the poluustav style dating from the 16th century.

In 2011, he set up the Denis Masharov foundry at MyFonts.

Free fonts published at Google Web Fonts in 2012: Ledger (Ledger was likened to Zapf's Melior by Nick Shinn, but Masharov says that it is closer to Swift), Glass Antiqua. This is a revival of the 1913 typeface Glass Antiqua by Genzsch & Heyse (original by Franz Paul Glass, 1912). Poiret (2012, free at Google Web fonts) is a Latin / Cyrillic geometric grotesque that combines art deco with avant garde. TeX support for Poiret One.

Bolster (2012) is a great Italian wood type face.

Tenor Sans (2012) is a Peignotian typeface (free at Google Web Fonts).

In 2017, Denis Masharov and Roman Shchyukin co-designed the custom squarish sans typeface Match TV for the Russian TV sports channel MachTV. Still in 2017, he designed TNT Sans for the Russian entertainment TV channel TNT (on commission for Elena Shanovich, Shandesign).

Denis did the logo and typeface for the bakery brand Volkonsky in 2017.

In 2019, he created the Elzevir style titling typeface Matilda Titling for Coronation, а historical TV seriеs by Alexei Uchil. It was inspired by typefaces from Georges Revillon's type foundry, ca. 1860.

Klingspor link. Behance link. Fontsquirrel link. Google Plus link. Fontspace link. [Google] [MyFonts] [More]  ⦿

Denise Bayers

American designer at Letterhead Fonts who specializes in vintage typefaces. Her designs:

  • LHF Durango (2014). A rustic Western typeface, inspired by the opening credits and title of the 1957 version of 3:10 to Yuma.
  • LHF Spencer (2014). In the Victorian style.
  • The 19th century (Victorian) display typeface LHF Royal Crimson (2014), which can be used for layering.
  • Euphoria (2004). A Victorian extravaganza. Followed by LHF Euphoria2 in 2015.
  • The Peignot-inspired Charlotte (2004).
  • LHF Dark Horse (2014). A blackletter tattoo font.
  • Boot Camp. A letterpress emulation.
  • Cavalero. A Victorian typeface.
  • Fat Daddy. A fat art deco poster typeface, done with Chuck Davis, based on an original by Alf Becker from the 1940s.
  • Big Daddy. Like Fat Daddy.
  • LHF Shogun (2013). A spurred Victorian typeface.
  • The retro dingbat typeface LHF Retro Ricky Doohickies (2015).
  • LHF Mercantile (2015).
  • The gorgeous compressed art deco typeface LHF Speakeasy (2016).
[Google] [MyFonts] [More]  ⦿

Dennis Ludlow
[Sharkshock]

[MyFonts] [More]  ⦿

Dennis Sopczynski

[T-26] designer of CarnavaleDelight (1997), a great party font with useful Western style caps.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Desperado's Font Gallery

Western theme font archive. Has fonts such as NewMexico, Cottonwood, and WildWest (WSI, 1993). [Google] [More]  ⦿

Diane Ehlers
[Magpie Fonts]

[More]  ⦿

Dick Pape
[Speedball Text Book]

[More]  ⦿

Dick Pape
[Dick Pape: February 2013]

[More]  ⦿

Dick Pape
[Dick Pape: Dover Pictorial Series]

[More]  ⦿

Dick Pape
[Rattlesnake Jack: Digitizations by Dick Pape]

[More]  ⦿

Dick Pape
[Dick Pape: ornamental typefaces]

[More]  ⦿

Dick Pape: Dover Pictorial Series
[Dick Pape]

The extensive Dover series by Dick Pape contains about 150 typefaces. The typefaces are numbered and carry these names:

Download here. [Google] [More]  ⦿

Dick Pape: February 2013
[Dick Pape]

In February 2013, Dick Pape published a number of typefaces grouped together here. Local download page. The typefaces:

[Google] [More]  ⦿

Dick Pape: ornamental typefaces
[Dick Pape]

Ornamental typefaces made in 2008-2010 by Dick Pape: 2 Cute 4 U (+Block), Abstract Alphabet (2009), Aged Ornaments (2009), Ancient Mortises (2008), Angel Alpha (2009), Angelica Alpha (2009), Ani-Red Jello Alpha (2009), Antique Alphabet (2009), Arabesque Design (2009), Art Deco Dingbat Images (2010), Art Deco Frames (2010), AlphabetArt, AndrewHolmesArtA, AndrewHolmesArtB, AndrewHolmesArtC, AndrewHolmesArtD, AndrewHolmesArtE, AndrewHolmesArtF, Angel Alpha, Angelica Alpha, Ani Red Jello Alpha (2009), AvonInitials, BritishAirwaysNumbers, CaFaitDur, CelticDesignDark, CelticDesigns-Light, Continnental, EckenFlowerBorders, GermanGothicManuscript, KafkaFlourishes, LaxtonCommonRevival, NiceOldAlphabet, Portent, RomanoAlphabet, Weissranken-Initialen, Babylon Initials (2009), Bird Drawings Alphabet (2008), Black Buttons (2010, +Bold), Bold Cameo (2009), Bubble Gum (2010, +Condensed, +Extended), Bultaco (2010, after the motorcycle brand), Cardio Black and White (2010, ECG-inspired), Charcoal family (2010, crayon typefaces), Checkerboard (2010), Chinese Flowers (2008), Chiswick Press (2007), Chocolate Type (2011), ChrisGreen (2010), Calligraphia Latina (2010), Dough (2011), Electronic Alphabet (2011), Elo (2010), EstupidoEspezial1, EstupidoEspezial2 (2010, based on the Hoefler Swash variant of OCR_A), TokoFont, Clip People (2010), Clothes Pin Font, Compass Rose (2008), Coptic Letters (2010), Cubes, Cups, Cute Lolo Animals, Dark Herald (2011, Celtic caps), Dave's Glyphs, Design Images, Digital Auto Sampler, Drinking Scenes, Drinking Utensils, DunHuang Art, Eating Signs, EcoLeaf, Eduardo Recife, Eggs And Milk, Eroding Alphabet Italic (2010), Extra Initials, Extra Ornaments, Fantasy Butterflies, Fantasy Dragon FX, Fantasy Monster Skulls, Far Away Places Images, Festival Books Borders, Festival Books Initials, Festival Books Ornaments, Fire Letters, Fire Letters Cameo, Fire Letters Monospaced, Fire Letters Monospaced, Floral Initials, Florentine Initials, Florentine Initials Reverse, Flower Panels, Flower Panels Outline, Flower Vines, Fresh Fish, Funky (2010), Funny Numbers, Furore Mexican (2011), Futorisugi Face, Garden Nouveau Initials, Gill Canterbury Capitals (2011), Give me a break, Gothic Metal Initials, Goudy Initials, Graph Glyphs (2010), Halbfette Egyptienne (2008), Hat Dance Alpha, Haunted Initials (2010), Hellenic Sketch (2010), Hollandisch-Gothic (2008), Holly Alpha, Hula Ribbon, Hula Ribbon 2, Hula Ribbon1, Humanistic Alphabet 106 Italic (2011), Humanistic Alphabet 108 (2011, uncial), India Designs, Irina Batkova HRG (2010, based on Giger's paintings), Japanese Design Parts, Japanese Design Templates A, Japanese Design Templates B, Jugendstil A, Jugendstil B, Kelt Ornaments 1, Kelt Ornaments 2, Kleft Bold (2011, dot matrix face), Lichte Jonisch, Madeleine Shaded (2010), Mayan Affixes A, Mayan Affixes B, Mayan Main Signs A, Mayan Main Signs B, Mayan Profiles, Mc Call's Magazine, Metal Branches (2010), Mimbres Pottery, Moderne-Zelda (2010, after a Dan X. Solo alphabet), Moderne-Zelda Black, More Drinkings Scenes, Mostly Fish, Moto Bykes, Mythological&Fantastic I, Mythological&Fantastic II, Mythological&Fantastic III, Mythological&Fantastic IV, Mythological&Fantastic V, Mythological&Fantastic VI, Mythological&Fantastic VII, Native Designs-Mexico&Peru 1, Native Designs-Mexico&Peru 2, Native Designs-Mexico&Peru 3, New Music, Objects of Nature, Old English Images, Ondawall Versal (2011, Celtic), Panels&Frames, Parapam (2010), Pinto Inline (2010, +Speckled), Random Doodles, RangeMurata, Rankin-Initialen, Really Black Alphabet (2010), Robu Bold (2010), Rons Old Patterns, Rons Old Patterns Bare, Rosart Initials, Rustic Alphabet, Sacon Inititals, Saks (2010, bilined), Schmale Jonisch, Sea Shells of Nature, Shuttershock Vector Demo, Simple Alphabet, Simple China Images, Simple Doodles, Snails&Slugs, Softsquare, Some Guitars, Soviet Founders, Soviet Life Posters I, Soviet Life Posters II, Soviet Life Posters III, Soviet Life Posters IV, Soviet Propaganda Posters, Splish-Splash (2009), Strange Black Blobs, Tauba Auerbach, The Goetia, Tribal Dividers, Tribal Flames, ViaFaceDon Black, ViaFaceDon Black Hats, ViaFaceDon Outline, ViaFaceDon Speckled, Victorine (2010, Tuscan typeface), Viking Design A, Viking Design B, White Buttons Bold (2010), Wood Type Cheltenham Bold (2010), ZEart Designs, Zelek, Zelek Black, Zelek Boldline, Zelek Shadline.

  • From 2012: French Onion.

    Download here. [Google] [More]  ⦿

  • Dicky Syafaat
    [Dicky Syafaat Fuadi]

    Magelang, Indonesia-based designer of the comic book typefaces Kapow (2019), Hot Dog (2019), Shadow (2019) and The Bomb (2019: beatnik style).

    Typefaces from 2020: Los Banditos (Sans, Serif: Western style lettering), Baltimore (art deco), Introvert (a fat finger font), Petrichor (a signature script), Conversation, Mbak Endang, Mbak Endang Love, Muffin, Victoriya Handwriting, Today's Special. [Google] [MyFonts] [More]  ⦿

    Dicky Syafaat Fuadi
    [Dicky Syafaat]

    [MyFonts] [More]  ⦿

    Dikas Studio
    [Andika Setiawan]

    Bogor, Indonesia-based designer (b. 1996) who set up Dikas Studio in 2016 and (with Muthia Fajrijannah) Ludere Studios in 2020. His early fonts at Dikas Studio include the handcrafted display typeface Hantam Mereka (2016), the letterpress emulation font Caredrock (2016, 14 styles), the vintage label font Redvolve (2016), Sunday Quotes (2016), the spurred Victorian typefaces Bohem (2016) and Sadis (2016), Besitoea (2016), a vintage Sunburst collection (2016), the spurred Caringin (2016) and Dramaga (2016) and Sherlock (2016), the sci-fi typeface Space Weel (sic) (2016), the vintage Savaro (2016), the free poster typeface Kalemun (2016), and the mix-and-match poster typeface family Bollo (2016).

    Typefaces from 2017: Stay Wildy, Oldventure, Historycal, Holiday in Monday, Chapter One (grungy), Bohem Press (spurred vintage style), Hillenberg (vintage).

    Typefaces from 2018: Rajawaley, Outistyle (brush script), Outistyle Brush, Mahoni (an attractive fat script), Wildlast, Wild Ones.

    Typefaces from 2019: Hot Sauce (a fat brush), Pine Script, Gutter (a hand-drawn all caps sans), Brotherland (vintage, weathered), Gutter Rust (free), Wildy Sign, Wildy Sans, Baby Wildy, Sherlock Press, Pine Forest, Marlies (script).

    Typefaces from 2020: Liong (a friendly Western or saloon style slab serif), The Sherloks (vintage, spurred), De Floras, Chillow.

    Typefaces from 2021: Kiti Cuties, Straightler (grungy), American Signer (a baseball script), Great Mammoth (a heavy poster typeface), LD Cherries (a scrapbook font).

    I am really at a loss here---at Behance, we read that Nuryana Fajartama designed some of these fonts like Sadis and Dramaga. Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

    Dillon James Sherman

    Dillon James Sherman is a web and graphic designer who graduated from Kansas State University (Wichita, KS) and who is now located in Dallas, TX and/or Austin, TX.

    Creator of the free steam-powered Western typeface Sedgwick Co (2012). In 2013, as Lemoine, he created the decorative blackboard bold typefaces Shelley Alive and Shelley Dead.

    Aka Hogwash Studio. Fontspace link. Fontsquirrel link. Behance link. Old URL. Creative Market link (for buying his typefaces). [Google] [More]  ⦿

    Din Studio (or: Doni, Ditatype)
    [Donis Miftahudin]

    Yogyakarta, Indonesia-based designer (b. 1990) of these script typefaces in 2018: Radicalis (script), Blacktail (layered, spurred, Western), Aniyah (formal calligraphic script), Angelina Script, White Star, Better Saturday, Volaroid, Gravity Handwritten, Wellington (Sans), Mister Froggie, Amadora (upright script), Brilliant, Portland, Adora Queen, Fox Tail, Deliciously (+Sans), Breaking Down (brush-lettered), Welcome Home.

    Typefaces from 2019: Smooth Fantasy, Le Jour (font duo), Kafina, The Stranger (dry brush), Rolling Back, Marline, Blue Rose, Better Summer, Lemonday, Rottely (a decorative serif) (by Muhammad Romzul Khoir?), Monday Vacation (a dry brush or chalk font; +Sans), Brilliant Soulmate (a signature font), Perfect Redemption (dry brush), Redemption (dry brush), Andasia, Saturday Lovers, Pondspell (a free dry brush font), Sailing Heart (dry brush script), Calling Loves Script, Just Calling, Zingakon (a brush font), Anastik, Miracle Script, Camellia, Blueberry, Lovely, Gulali (a heavy monoline script), Boga Bogi, Bigtime (script).

    Typefaces from 2020: Bright Angels, Blaster Timers, Hawken (a sharp-edged display typeface), Lemonlove (squarish and interlocking), Darknight (a dystopian typeface), Kickout (a sports font), Vintage Melody (a vintage signage script), Anyva (a formal calligraphic script), White Pigeon (a heavy retro signage script), Ayalena, Gamerock (squarish, dystopian), Marrline (an upright monoline script), Black Bones, Westlake (a bold display serif), Anzilam (a regular script with a beheaded lower case f), Among (a condensed monolinear sans), Black Indie, Blue Rose, Kanetin (a sans), Menthol Signature, The Fox Tail (a lava lamp script), Willson (all caps, slightly flared), Kasdio, Lovely, Miftah, Shall Blossom (a dry brush script), Striker (squarish, modular and characterized by square counters), Waranty (a display serif), Aiytha (formal calligraphic), Blastine (a fine inky script), Sporten (squarish; a sports font), Vantely (a one-style monolinear sans), Atteron (a refined decorative all caps typeface), Carade (a decorative serif), Esporte (constructivist), Kafina (a decorative serif), Netraly (a condensed bold organic sans), Regular Brush (a dry brush script), Jafrine, Watterline, Redkits (a dry brush script), Feel Better (a dry brush font), Maraton (a blackboard bold font), Hellomind (a monoline script), Rodwick (a sports font), Norwill (a sports font), Kaithryn (an inky script), Ventralie (blackletter), Kingroad (a blackletter or tattoo font), Hunterlife (a blackletter font), Lovera (a display serif with tall x-height), Rankfine (a formal script), Slashmine (a calligraphic blackletter font), Blackside (a blackletter or tattoo font), Fiosthic (an inky script), Calvera (squarish), Revillia (a decorative serif), Aniyah (formal calligraphy), Better Saturday, Gacor (sans), Bright Rainbow, Dellons Signature, Le Jour, Mister Jacky (brush script), Panama (brush script), Roaster Brush (a dry brush script), Speedline, Sawah (a wide techno logo font), Finest Butter, Garetha (a decorative serif), Rithem (a dry brush script), Vintage Rotter (a monoline script), Amelliyo (a dry brush script), Okinawa (a dry brush script), Rostave (futuristic), Voyntea (calligraphic), Montheylin (a formal calligraphic script), Soage (all caps, mini-serifed), Avalors (a sci-fi font), Mister Sally, Razor Bland (all caps, a heavy razor-sharp sans), Request, Halvert (layered, all caps, vintage), Jasson Gillen (script), Mertalion (a vintage all caps mini-wedge serif), Black Bones (a dry brush script), Halleyo (a dry brush script), Pitchey Bloom, Rocklay (a smooth brush script), Black Arcade (Tuscan), Blaster Timers, Batteny, Bettermind Signature, Castrade (a thin architectural sans), Brown Sunflower, Slash Signature, Chyali, Rockel (squarish, techno, cybernetic), Best Quotes (a brush script), Sweet Fig, Remind (a heavy decorative serif), Stradas (spurred, Victorian), Neon Planet (a neon or paperclip font), Neon Planet Script, Malion (a display serif), Akserant, Akserant Display, Moderrat (a 7-style wide tuxedoed sans family), Pretty Queen, Cybero (a techno / cyberpunk typeface), Sisterhood (a dry brush script), Qeskile Voyage, Breathing (a dry brush script), Fogie (a ten-style display serif), Feeling Passionate, Bella Vista (a thin monoline script), Spring Sunday, Bogota (a display serif), Marcelo (an all caps train font), Montaseli (Sans, Script), March (a display mini-serif font family), Crowded (a vintage font), Grown, Gellatio (a dry brush font), The Poisoned Heart (an art nouveau style script), Costa Rica (script), Brightwall (a dry brush script).

    Typefaces from 2021: Valiety (an 8-style display serif), Lafayette (a dry brush script), Margita (an 8-style cultured sans), Steamy Miracles, Smiling Lovely (a dry brush script), Grandift (a squarish typeface), Writable Story (an inky script), Beach Vibes (a brush font), Bigruns Brush (a horror brush font), Blimps (a dry brush script), Yellow Palette (dry brush script), Hysteria Rollers (a brush script font duo), Wild Month (a chubby flared all caps typeface), Denlia, Mirava (an 8-style geometric sans, from hairline to bold), Medyan Script (a bold retro signage script), Morning Vintage (a heavy reverse stress retro script), Misslena (a decorative serif), Boldy Vintage (a bold retro signage script), Finest Vintage (a creamy retro signage script), Reverse Vintage (a reverse stress script), Brave Gates (a dry brush font), Retro Vibes (a signage script), Angella White (a dry brush script), Carloti (a stylish all caps sans), Fitriyah (a decorative, almost painted, serif), Stay Retro (a signage script), Arthur Keith (a brush script oozing personality), Beauty Satine (script), Handoyo Signature, Lost Monday (a heavy monoline script), Vintage Round (a vintage signage script), Vintage Lander (a fat script), Sending (a dry brush script), Sweet Moments (a dry brush script), Vilane (a 7-style geometric sans), Windey Signature (calligraphic), Wonderful Branding (a dry brush script), Glory Signature (upright), Basking (a decorative serif), Billie Sight (an inky script), Finding Beauty, Antique Heritage (a rounded monolinear upright script), Fancy Matter (a monoline script), Safira March (a display serif), Beauty Swing (a decorative serif), White Space (a decorative serif), Billion Miracles (a signature script), Kickoff (a squarish font), Skater Squad (a graffiti font), Streetbomber (graffiti), Streetfire (graffiti), Streetlife (graffiti), Bomber Dreams (graffiti), Bosskids (graffiti), Bostero (a graffiti font), Urban Blocker (a fine bulky graffiti font), Bomberboy (a graffiti font), Billionary (a 7-style slab serif), Magelo (a thin-slabbed serif; seven styles), Miguel (a tuxedoed mini-serif typeface in seven styles), Chicago Makers (a fine vintage decorative serif; eight styles), Feeling Steady (a dry brush script), Flatlion (a monolinear script), Javyer (a thin script), Romely (a 7-style fashionable Peignotian typeface), Billastim (a thin and wild script), Universe (futuristic, octagonal), Wertign (a thin and wild script), Boomber Rockstar (a graffiti font), Vintage Rovery (a plumpish decorative serif), Starstone (squarish, modular), Portaly (a rounded monolinear sans), Spaceline (a sci-fi font).

    Din Studio spun off Vintage Division in 2021, where it published their vintage fonts. The initial collection in 2021: Big Flask, Black Arcade, Blacktail, Boosters, Carlingthon, Cravery, Crowded, Dracolas, Fieldstone, Finest Vintage, Lastones (art deco), Lostcowboy, Medyan Script, Mertalion, Monoline Fighter, Morning Vintage, Mostlatest, Reverse Vintage, Royale Dreams, Stay Retro, Vintage Bridge, Vintage Feeling, Vintage Lander, Vintage Melody, Vintage Rotter, Vintage Round, Vintage Rovery, Western Brother.

    Typefaces from 2022: Stainger (a 16-style display sans), Rakeny (a 7-style sharp-edged display serif), Billstone Signature. [Google] [MyFonts] [More]  ⦿

    Dinamo
    [Johannes Breyer]

    Dinamo is a Swiss type foundry in Heiden established by Johannes Breyer and Fabian Harb after graduation from schools in Zurich, Basel and Amsterdam. Johannes and Fabian were visiting teachers at the Estonian Academy of the Arts, Tallinn. Johannes is teaching type design at University of the Arts Berlin (UDK) and HfG Offenbach. Fabian is lecturing typography at the School of Design St. Gallen. Their typefaces:

    • ABC Diatype (+Mono) (2020). A Swiss sans by Elias Hanzer, Johannes Breyer and Fabian Harb.
    • Favorit (2014) and Favorit Mono (2017). A basic sans family by Johannes Breyer and Fabian Harb.
    • Grow (2013). An experimental collaborative font family. Many of the members are multilined and even prismatic.
    • The heavy sans typeface Heureka (2009-2013).
    • Laica (2020). By Alessio D'Ellena.
    • ABC Maxi (2020). A hipster typeface by Andree Praat, Johannes Breyer and Fabian Harb. They write: With an underlying skeleton referencing mid-century and post-modern Swiss designs---including Josef Müller-Brockmann's CWS word mark (1958) and Marlyse Schmid and Bernard Müller Swatch logo (1981)---ABC Maxi's forms can by altered and animated by the user, stretching from Hairline to Black to everything in-between.
    • Pareto (2016). Western style typefaces by Erkin Karamemet, Fabian Harb and Johannes Breyer.
    • Prophet (2016). Prophet is designed in 2016 by Johannes Breyer, Fabian Harb & Erkin Karamemet. Technical support and mastering by Chi-Long Trieu. It is inspired by Joseph Churchward's Georgina.
    • In 2019, Johannes Breyer, Fabian Harb and Erkin Karamemet released Whyte and Whyte Inktrap at Dinamo.
    • Custom typefaces for Kunsthalle Zurich (CH), Warp Records (UK), Elton John (US), Yale Architecture (US), Manifesta 11 (CH), Harvard Graduate School of Design (US), Universal Music (GER), IBA Thüringen (GER), Festival B:om (KR), Gagosian Gallery (US), Planet Mu/Knives (GER/UK), LayTheme (GER) or the German, Estonian and Cyprus Pavillions at the 55th and 56th Venice Biennale.

    Johannes Breyer. Fabian Harb. [Google] [More]  ⦿

    Disturbed Type
    [Matthew Austin Petty]

    Active in the glory days of grunge type, Matthew Austin Petty from Nashville, TN, designed these fonts: AmarettoSour, Chigger (handwriting), CountryHam, Damit, DevonisTrashed, Dingo, DisturbedBatsYo, Feta, Fishalicious (handwriting), Goddess (handwriting by Mary Katherine Brooks), Janis, MattfontOblique, MattfontSquishedBlack, MontezumasRevenge, Muzzle, Nashville (a Western font), Pistolgrip (2002), Regork, Rockelectric, ScumbagPornking (dedicated to Larry Flynt), Serpents, ShowgirlErin, Shrooms, SoupRunny, Spittoontaxidermistjr, Tangerine, Taxidermist, Teachers (handwriting), Tetanus (2002), Trash.

    Abstract Fonts link. [Google] [MyFonts] [More]  ⦿

    DJR Type
    [David Jonathan Ross]

    DJR Type (Conway, MA, and before that, Deerfield, MA, and before that Los Angeles, CA, and before that, Lowell, MA) stands for David Jonathan Ross Type. Originally from Los Angeles, he was a student at Hampshire College in Amherst, MA, where he studied information design and typographic tradition. In 2007, he joined Font Bureau as a junior designer and was assisting with custom projects and expanding Font Bureau's retail library. Soon after that, het set up DJR Type. In 2016, DJR Type joined Type Network and pulled all his typefaces from MyFonts. He also runs Font of the Month Club.

    In 2018, he was the tenth winner of the Charles Peignot Prize. His typefaces:

    • Manicotti (2010). An ultra reversed-stress Western saloon style typeface that won an award at Modern Cyrillic 2014. DJR Manicotti won an award at TDC2 2007. For a free lookalike, see Plagiacotti (2009, Saberrider).
    • Lavinia.
    • Climax Text (2006) is a text and display series that was designed for Hampshire's student newspaper.
    • Trilby (2009, Font Bureau). Trilby is based on a 19th century French Clarendon of wood type fame.
    • Condor (2010, Font Bureau). This is a 60-style art deco family. By 2020, it had a 3-axis (weight, width, italic) variable version.
    • Turnip (2012) is an angular and manly text face, also published at Font Bureau.
    • In 2013, Ross and Roger Blcak revived Nebiolo's Forma for the redesign of Hong Kong Tatler, a fashion mag, supervised and commissioned by Roger Black, who was then based in Hong Kong. Read about the whole process in this piece by Indra Kupferschmid. Page specially dedicated to DJR Forma. In 2021, Belgian national broadcaster VRT picked DJR Forma for all its entire range of media.
    • Bungee (2013, Google Fonts) won an award at TDC 2014. This homeless typeface, which comes in Regular, Hairline, Inline, Outline and Shade versions, is free: Bungee is a font family that celebrates urban signage. It wrangles the Latin alphabet to work vertically as well as horizontally.
    • In 2014, David Jonathan Ross created the formidable 168-style programming font family Input (Font Bureau). Input is free for private use. It won an award at Modern Cyrillic 2014 and in the TDC 2015 Type Design competition. See also the proportionally spaced typewriter family Input Sans.
    • Gimlet (2016). A 112-style Opentype family loosely based on Georg Trump's 1938 typeface, Schadow, and advertized as funky and functional. Ross writes: Gimlet is half Schadow, half imagination, and nothing else. And like its namesake beverage, Gimlet is a little tart, a little sweet, and can really pack a punch. Gimlet Variable Bold Condensed followed in 2019. Gimlet XRay (2020) is an An experimental colorized version of Gimlet that exposes what goes on under the hood of a variable font, visualizing control points, bounding boxes, kerning, etc. Amazingly, this variable color font has six axes, weight, width, oncurve point size, offcurve point size, glyph utline weight and point outline weight.
    • Fern and Fern Micro (2014, Font Bureau). A Venetian typeface designed for screen.
    • Output Sans.
    • Fit (2017, by David Jonathan Ross and Maria Doreuli). A tall black display family that runs from ultra-compressed to very wide. It screams Use me for the Oscars! Fit was first developed as a variable font. It won an award at Granshan 2017.
    • DJR Lab, or Lab Variable (2017), is a free pixelish variable font.
    • Under miscellaneous, we find an untitled French Clarendon and an untitled semi-serif.
    • Font of the Month Club fonts from 2017: Nickel, Roslindale (Roslindale is a text and display serif that takes its inspiration from De Vinne, a Victorian oldstyle typeface named for the nineteenth century printer and attributed to Gustav Schroeder and Nicholas Werner of the Central Type Foundry), Zenith (blackboard bold), Crayonette (a revival of Henry Brehmer's scriptish Crayonette, 1890), Bild (a compressed headline font based on the American gothic type styles from the 20th century; a variable font followed in 2019), Pappardelle Party (spaghetti Western style), Roslindale Text, Klooster (followed in 2021 by Klooster Thin).
    • Font of the Month Club fonts from 2018: Bradley DJR (a revival of the blackletter typeface Bradley, 1895, William H. Bradley), Extraordinaire, Rhody (slab serif), Map Roman (an all caps vintage mapmaker font), Output Sans Hairlines, Rumpus Extended, Roslindale Light, Merit Badge (a variable color font).
    • A tech type virtuoso, he charmed me with his art deco variable font Extraordinaire (2018) that was influenced by the diamond-shaped forms found in the center of the city of Sao Paulo, Brazil.
    • Typefaces from 2019: Heckendon Hairline, a condensed Clarendon.
    • Typefaces from 2020: Dattilo (a variable style revival of Aldo Novarese's slab serif Dattilo (1974)), Pomfret.
    • Typefaces from 2021: Rustique (rustic capitals), Megazoid (a chunky geometric sans), Job Clarendon (with Bethany Heck, who wrote: Job Clarendon is an homage to job printing---display-heavy designs made for posters and flyers in the heyday of letterpress printing. This style of Clarendons was wildly popular in this genre of work, and I've always been interested in how adaptable they were. The style was fattened, squished and stretched to accommodate lines of text both short and long and type foundries across the globe each found their own unique features to contribute to the Clarendon stew. Ross pulled the design to both extremes but had his work cut out as he explained: The chasm between Hairline and Black was far too wide to interpolate across effectively, so I incorporated new drawings in the Extra Light, Regular, and Bold weights to act as additional tentposts to support the design).

    Speaker at ATypI 2016 in Warsaw and at ATypI 2017 in Montreal. Klingspor link. Home page. Adobe link. [Google] [MyFonts] [More]  ⦿

    Dmitriy Sychiov

    Aka Dmitriy Sychoff. Russian designer of many Latin / Cyrillic typefaces at FontStruct. These include Fontain (2021), Kabriolet (2021), High Platform (2021), Mortido (2020), Zpheres C (2020: a Cyrillization of a font by Elmoyenique), Gruz (2020), Fat Thin Co (2018), Kuliboni (2018: a dot matrix font derived from Bodoni), Underground C (2018), Chekhova (2018), Antodot sans (2017: dot matrix style), Chrysalide Old Face (2017: dot matrix font), Zychotropic C (2016: a Western / Italian font), Kirpich (2016: a Western font), Mainz C (2016: blackletter), Dry Heat Cyrillic (2016: a Cyrillization of Christian Munk's Arabic emulation typeface Dry Heat), and Belltower C (2016: a compressed all caps text typeface). [Google] [More]  ⦿

    Don Marciano
    [Juan Miguel Castillo]

    San Salvador, El Salvador-based illustrator. Designer of the oriental simulation typeface La Oriental (2018), the casual typeface Cipote (2018), the wide sans typeface Draper (2018), the fat display typeface Hornet (2018), the free athletic lettering font Varsity Team (2018), the free all caps comic book typefaces Benja (2018) and Sivar Regular (2016), the fat rounded sans Yeyey (2016, kawaii-inspired), the rounded sans typeface Lola (2016), the display typeface Contrastes (2016), and the free cartoon font JuanMikes (2016). Typefaces from 2017 and 2018: Castillo (free blackletter), Brand Co, Galactico (a sci-fi font), Cuadra (a block font), Arqui (a blueprint font), Bootcamp (+Bootcamp Morsecode), Camar (a heavy sans poster font), Cipitillo (a horror font), Don Graffiti, Hache, Innova (a techno font).

    Typefaces from 2019: Bloody Scary (a Halloween font), Invader (a Halloween font), Kabuto (an oriental simulation font based on katakana and hiragana), Bend (bilined), E-Muse (a sports font), Slugger Monogram, Amore, Slugger (signage script), Alvaro.

    Typefaces from 2020: Edge, Play Heavy, Natalia (a vintage script), Mystico, Castillo (blackletter), Marquez (a vintage serif), Poster, Torque, Ernesto, Frida, Don Graffiti (graffiti font), Recluta Stencil (a military stencil), Carmela (a bold script), Andrea Script, Freelancer Display, Junior (a casual script), Hugo Slab, Vaglio (an all caps sans), Alambre Lowrider Thin (squarish), John West (a spurred Western font), Santa Monica.

    Typefaces from 2021: Farrah (art deco), Noticia (a news headline font), Turmeric, Comico (a cartoon font), Soria (a bold caps font), Buggy (a lumpy font), Zorro (a Western font), Puerto (a vintage titling sans), Only You (an upright script), Pupusa. [Google] [More]  ⦿

    Donis Miftahudin
    [Din Studio (or: Doni, Ditatype)]

    [MyFonts] [More]  ⦿

    Donis Miftahudin
    [Nathatype]

    [MyFonts] [More]  ⦿

    Dora Typefoundry
    [Zahratul Laila]

    Indonesian designer of Magilla (a decorative serif) (2020), Renika Slab (2020: a lively Western style slab serif), Adecion (2020: a 4-style headline sans), Respace (2020: a decorative serif), Chelvin Serif (an elegant ligature-based serif), Crayond (2020: a fashion mag sans), Gramers (2020: all caps, Peignotian), Madeira Script (2020), Mansheen (2020: a chunky bold font), Fieasto (2020: a decorative serif), Siabella Script (2020), Andalush (2020: a heavy script), Mosscave (2020: a display typeface), Tahura (2020: a bold display sans) and Maria Aishane Script (2020).

    Typefaces from 2021: Sispany (a high-waisted decorative typeface), Miegha (a decorative serif), Stiepa (a sharp-edged display serif), Braston (an elegant fashion mag serif), Religan (a thorny almost hairline serif), Qolling (an artsy fartsy sans), Astonia (a fashion mag serif), Karlotte (a fashion mag typeface), Magiona Display (a vintage display serif), Stanger (a display typeface with large x-height), Helter Slab (a reverse stress slab serif), Himalia Callisto (a stylish decorative typeface), Chemre (a display sans influenced by the hipster trend), Savinder (an all caps display serif), Allogist (a fashionable display serif), Erotick (minimalist and futuristic), De Alandia.

    Typefaces from 2022: Bellabio (a stylish experimental serif), Cholleo (a play on inscriptional typefaces), Rhiffiral (a thin fashion mag serif). [Google] [MyFonts] [More]  ⦿

    Doug Larson
    [Illustration Ink (was: Lettering Delights)]

    [MyFonts] [More]  ⦿

    Douglas Day

    Creator of Bracelet Victorian (Tuscan Ornate, Victorian) New&Old in 2001. He writes: Scanned from Tschichold's "Treasury of Alphabets and Lettering" (Norton) and painstakingly digitized. For another typeface based on the same alphabet, see Romantiques (2002, Dieter Steffmann).

    In 2013, he reappeared at Fontspace and posted these free Victorian / Western / circus style ornamental caps typefaces: Gardenia Victorian, Radiant Antique, Caliope Victorian. All three were scanned from Dan Solo's Victorian Display Alphabets in 2001.

    Fontspace link. [Google] [More]  ⦿

    Douglas Vitkauskas

    Brazilian resident who specializes in original grunge designs. His typefaces are mostly free. Some commercial typefaces are available via Creative Market.

    Typefaces from 2020: VTKS Beleza Pura (calligraphic script), Classical Hit, Lovecure, VTKS Smile (modular), VTKS Blocketo (a pixel font).

    Typefaces from 2019: VTKS Dracena (a dirty brush script), VTKS HyperBoldi (all caps, grungy), VTKS Amplexus (dancing letters), VTKS Dynamic (grunge), VTKS Unamour.

    Typefaces from 2018: Vtks Rockino v2, Vtks Bela Vista (a treefrog script), Vtks Core Reason, Vtks Hand Made, Vtks Blacqui Letter (a decorative inline blackletter), Vtks La Prensitcha, Vtks Brilhante, Vtks Beautizinea, Vtks The Dark, Vtks Lettering, Vtks Urbanizart, Vtks Textones, Vtks Autorized, Vtks BoldCool, Vtks Sportage, Vtks Relpius, Vtks Escape, Vtks Demolition (grunge), Vtks Challenge (weathered), Vtks Propriedade, Vtks Cafezito (coffee klatsch font), Vtks Propaganda (grunge), Vtks Lightness, Vtks Success.

    Typefaces from 2017: Carbo 753 (grunge), RokiyoSan, BlowUp (splashy brush), Madalena, Mural, Heavy Duty (grunge), Krueza, Azeitona, Mindfulness, Carruagem, VTKS Sal Grosso, VTKS Realm (grunge), Mercado, Dreamland 223, Dreamland 777.

    Typefaces from 2016: Vtks Colored Soul, Vtks Lombriga, Vtks Karmapolis, Vtks Katiassa, Peacemakers (art nouveau), Vtks Gran Moda (brush), Vtks Obscena (curly font), Vtks Zamioyn (childen's script), Vtks Long Time (painted letters), Vtks Solaris (hand-drawn), Vtks Zuadinha, Vtks Peace and Love, VTKS Shine (brush script), VTKS Kacilds (children's script), VTKS Friaka, VTKS MockUp, VTKS Amarelli, VTKS Perereca, VTKS Raladeira, VTKS Rough Col, VTKS Integral, VTKS Voluntario (brush script), Vtks Burning (curly and bewitched), Vtks Simplex Beauty (ornamental caps), Vtks Raladeira, VTKS Black Hair (a fun irregular brush script), VTKS Felicidade (script).

    Typefaces from 2015: VTKS Love U, VTKS Mockup, VTKS Academy, Family, Poster (grunge caps), Hunt, VTKS Articles (Treefrog-style script), VTKS Sonho (Treefrog), Lounge Set, Vacancy, Red Line, Old Mobile, Raining, Happiness Always, Good Day, Nicely, Desgaste (spurred), Basic Lines, Water Lily.

    Typefaces from 2014: VTKS Painel (brush), VTKS Motor (handcrafted), VTKS Super Funny, VTKS Tender Love (vampire script), Limpeza (signage script), Delicious, VTKS Hotel, Propolis (brushy script), VTKS Rash (irregular hand), Pedra Azul (vampire script), MRD 67 VTKS (grunge), VTKS Samanbaia (Treefrog-style script), VTKS Channels, VTKS Dreamer, VTKS Money, VTKS Belinha (inky script), VTKS University (striped typeface), VTKS Classicuda, VTKS Authentic, VTKS Burning, VTKS Modern Look, VTKS Beta, VTKS Bandoleones, VTKS Pedra Bruta (rough brush script), VTKS Recover MB 1, VTKS Simplex Beauty, VTKS Dirty Letters.

    Typefaces made in 2013: VTKS Rust, VTKS Easy Work, VTKS New One, VTKS Old Tee, VTKS Free Soul (Victorian), VTKS Have A Nice Day (grunge), VTKS University, VTKS Piscina, VTKS Divertida, VTKS Modern, VTKS Lovely, VTKS Back To Basics, VTKS Sujinha, VTKS Inked, VTKS Grungy, VTKS Thanks You, VTKS Love Is Everything (curly font), VTKS Dura 3D (showboat Western), VTKS Youth Spirit, VTKS Lightness, VTKS Premium, VTKS Authentic (a calligraphic brush script), VTKS Rafia, VTKS Have A Nice Day, VTKS Classical Hit, VTKS Lumina, VTKS Dirty 2, VTKS Good Day (Treefrog-style hand), VTKS Boutique, VTKS Storm 2 (grunge).

    Typefaces made in 2012: VTKS Street Vision (graffiti font), VTKS Show, VTKS Lounge Set, VTKS Total Flux Disturbed, VTKS Total Flex Clean, VTKS Love Love, VTKS Ballerina, VTKS Contrast, VTKS Friendly, VTKS Orbital, VTKS Exame (dirty stencil face), VTKS Future (stencil face), VTKS Fresh, VTKS Laundry, VTKS Curumin, VTKS Citrino (a spurred inline face), Vtks Squizita (grunge), Vtks Blank, VTKS Broadband, VTKS Logic (grungy texture typeface), VTKS Expert (grunge), VTKS Worker, VTKS Chalk 79 (chalk font), VTKS Vinte e Cinco, Good Vibration, VTKS Bagacao, VTKS Message, VTKS Keystorm (texture face), VTKS Scratch, VTKS Minus, VTKS Fail, VTKS Busseta (dymo label font), VTKS Assign, VTKS Carrier (grunge), VTKS Lovers Italic, VTKS Good Vibration 2, VTKS Encounter (grunge), VTKS Natural, VTKS Seven.

    Typefaces made in 2011: VTKS Message (grunge), VTKS Lovers (frilly), VTKS Carrier (grunge), VTKS Contact (texture typewriter face).

    Designs from 2010 include VTKSSIGNOFTIMES, VTKSSIGNOFTIMESbold, VTKS Unidade, VTKS Scream, VTKS Personal, VTKS Noise (texture face), VTKS Mint, VTKS Legal (Treefrog-style hand), VTKS Fresh Mint, VTKS Ink, VTKS Study (a sketch face), VTKS Morning Rain (+3D, +Bold), VTKSEMBROIDERY, VTKSLowRider, VTKSLowRiderBox, VTKSREVERSO, VTKSREVERSOOPTIONB, VTKSURBANTIME, VTKSURBANTIME3d, VTKSURBANTIMEbold, VtksBeautifulDreams, VtksVictory, vtksRudeMetalshadow, vtksarmy, vtksarmy3d, vtksshow, vtkssolution, vtkssolution3d, vtkssolutionbold, vtkssuper, vtkswhitepage3d, VTKSCOMIC, VTKSHIGHLIGHT (2010, a sketched face), VTKSHIGHLIGHT2, VTKSHIGHLIGHT3, VTKSXtra, vtkscrazytime, vtksmorningrain, vtksmorningrain3D, vtksmorningrainBOLD, VTKS Trunkset, VTKS Control, VTKSCURVE, VTKSDOWNTOWN (chalk or brush face), VTKSLOVEANDPEACE, VTKSSOLUOCRIATIVA, VTKSSOLUOCRIATIVADOIS.

    In 2009 he designed vtks Water cristals, vtksControl, vtkskeystorm, vtkstrunkset, VTKS Distress (grunge), VTKS Deja Vu, VTKS Giz, VTKS Sunny Day, VTKS Mercearia, VTKSRASURADA (grunge), VTKSSABONETE (grunge), Vtksespinhuda (grungy), and vtkssbadodechuva (grungy).

    In 2008, he created VTKSSKULLS, VTKS Focus (curly letters), vtksRascunhoErrado (hand-printed), vtksanimal2 (brush/paint), VTKSFLOWERSINOURSOUL, VtksRelaxingBlaze (double script), Quadrada e Gordinha, VTKS Velhos Tempos (great scratchy script face), Squizita, Mural, VTKS Revolt, VTKS General Use, VTKS Good Luck For You, VTKS-BEAUTY, VTKS-CHIP-SET, VTKS-CHOICE, VTKS-CORE, VTKS-No-Name, VTKS-SKULLZ-ME, VTKS-SummerLAnd, Vtks-Blank, Vtks-FININHA, Vtks-Hardness, Vtks-Noba, vtks-alcalina, vtks-caveirada, vtks-squares, vtks-syndicate, VtksCapsLoco (all caps), VtksEntulho (grunge), VtksSonho (elegant scratchy script), vtksalcalina, vtkscaveirada (grunge), vtkstrutagem (grunge), VTKS Encantar (grunge).

    In 2007, he designed VtksDesgaste, VtksWineLabel, VtksWineLabelTwo, VTKSBlackLabelNormal, VTKSBlackLabelNormalFilete, VtksBlack, VtksBlackLabel, VTKS Untitled (grunge), VTKS-News-Label, VTKS-ROCK-GARAGE-BAND, VTKS-SCRUBBED, vtks-REPORT-erRoR, VTKS Clean, VTKS Easy Way (informal outline lettering), VTKS Hardness (grunge), VTKS Mural (scratchy script), VTKS Alpes, VTKS No Name (ornamental caps), VTKS Beauty (ornamental caps), VTKS Refused (grunge), VTKS Gore, VTKS Estilosa, VTKS Bandana, VITKS Furious, VITK Colagem, VTKS36, VTKSDearLove (curly lettering), vtks38 (double-lined hand), vtksLemonDrop (comic book face).

    Fonts made in 2005 include D_OLD_MODERN, D_OLD_MODERN2, Scretch (scratchy face), Busseta, D Old Miner, Assign (handwriting), Fail (grunge) and Minus (scratchy face).

    Pay fonts include Beautiful Dreams, Black, Black Label, Bronze Age, Desgaste, Design Pencil, Embroidery, Funny Lines, Good Vibrations, Keep Your Mind Clean, Low Rider, Mixed Job, Natural Style, Number Zero, power Age, Sexy Lines, Shadow, Urban art, Victory, VTKS V2, Warrior, Wine Label, Xtra.

    FADU-UBA link. Fontspace link. Fontsy link. Dafont link. Abstract Fonts link. Old URL. Font Squirrel link. [Google] [More]  ⦿

    Down10
    [Jesse Burgheimer]

    Down10 is San Francisco-based Jesse Burgheimer, the designer of the wormy font Munificent (1997) based on the logo of the Muni (San Francisci Municipal Railway) designed by Walter Landor, of Swerve (2000, octagonal), of Jamtoaster (2000, based on the logo of Adaptec), and of McLawsuit (2000, based on McDonald's lettering for the arches). Spokes (2004) is a heavy geometric typeface based on the English IDM recording artists Plaid, from the cover of their album Spokes. The original typeface design was made in The Designers Republic for Warp Records.

    There is also a Down10---probably Jesse Burgheimer---at FontStruct, where several modular typefaces made in 2015 can be downloaded: Billing-Black, Billing-Bold, Billing-Heavy, Billing, Bitties, Changeup, Enforcement-Bold, Enforcement-Light, Enforcement, Fipi-Lele, Fipi-Lele-Shadow, Foilness (a textured halftone typeface), Grateful (Western font), MICRal (a MICR font), Munificence (an inline typeface), Ordinance-Bold, Ordinance-Light, Ordinance (stencil font), Scanlord, Stripelane, Tracking-Blur, Tracking-Outline, Tracking (pixel typeface).

    Fontspace link. Dafont link. FontStruct link. Home handwriting (or: Android Fonts) at Dafont offers Foilnes. [Google] [More]  ⦿

    Doxie Design
    [Garrett Miller]

    Cedar Rapids, MI-based designer of the art nouveau typeface Luzerne (2017) and the Western typeface Iron Range (2017). Creative Market link. [Google] [More]  ⦿

    Drew Melton
    [Carmel Type (or: Just Lucky)]

    [MyFonts] [More]  ⦿

    Dusan Jelesijevic

    Serbian graphic designer located in Gornji Milanovac, Serbia. Cofounder in 2009 with Slobodan Jelesijevic, his father, of the Serbian foundry Tour de Force. Creator of these typefaces:

    • Dusan Script (2009, Ascender: a monoline informal hand-printed script).
    • Artvod (2009, slabby and octagonal at the same time).
    • Qiltray (2009, handwriting for long texts).
    • Punkerro Crust (2009, delicious scratchy type).
    • Rough the Type (2009, blackboard style).
    • Shuma (2009, handwriting).
    • Dolina Script (2010).
    • Econs (2010, ecology dingbats).
    • Sensor (2010, an ink-trap monoline face).
    • Enforcer (2010, an elliptical headline sans).
    • Epruveta (2009).
    • Passage (2010, a great art deco family, including Initials and Borders).
    • Amanet (2011). A flared display face.
    • Osmacka azbukovica (2011). A Cyrillic font made by his kids in school.
    • The clean-cut semi-humanist sans family Centim (2011).
    • The Egyptian typefaces Saxophone Soprano and Saxophone Baritone.
    • Debelly (2011), one of the best typefaces to come out of Tour de Force. They say about this elegant fat poster face: Debelly is catchy fat typeface, with lovely geometric shapes. Inspired with contrast strokes, with square joins, Debelly gives an impression of retro style combined with contemporary trends. It is designed specially for packaging, posters, logotypes or headlines, even it can be pretty handfull in smaller sizes. Contains 375 glyphs.
    • Epitet (2011). A simple monoline family built around elegant elliptical shapes.
    • Refren (2012): A monoline script face.
    • Equator (2012): An avant-garde caps headline family.
    • Brisko Sans (2013). A straightforward sans family. Extended to Brisko Display (2012).
    • A day before Serbia was crushed by the Belgian soccer team, Dusan published the organic sans typeface Publio (2013).
    • Kamenica (2013). A display sans. Followed in 2017 by the gorgeous Kamenica Texture typeface family.
    • Nervatica (2013). A children's book font.
    • Lasta (2013) is an informal serif typeface advertized as poetic.
    • Selektor (2013). A geometrical almost techno sans family. This was followed by Selektor Slab (2013).
    • Bartender (2013). A copperplate typeface.
    • Lumier (2013). An all caps geometric sans family inspired by art deco posters from the interwar period. Followed by Lumier Texture and Lumier Rounded (2018).
    • Scholle (2014). A bouncy two-style inline family with cartoonish elements.
    • Hedon and Hedon Display (2014). A hedonistic sans that exhibits the sort of contrast one finds in inscriptional types.
    • Lumberjack (2014). A bouncy fat cartoon typeface. Not to be confused with Thiago Bellotti's Lumberjack (2013, Mushroom Type), it was renamed 24 hours after its first appearance to Lumberjacky.
    • Trampoline (2014). A funky typeface.
    • Dondolare (2014). A primitive hand-drawn typeface.
    • Balcon (2014) and Balcon Round (2014, a condensed rounded sans).
    • Scripton (2015). An urban wall brush type.
    • Manzello (2015: a workhorse text typeface).
    • Pleyo (2015). Hand-crafted, perhaps for children's books.
    • Dusan Script (2015).
    • Fartitudo (2015). Just for the name alone, this typeface deserves a medal. Fartitudo is a 3-style handcrafted all caps poster family in a genre that was kickstarted by Pintassilgo in Brazil.
    • Avram Sans (2016).
    • Dambera (2016) and Dambera Retro (2016). A connected script, perhaps suitable for children's books. Crazymond (2016). Hand-crafted semi-connected script.
    • Lunatino (2016). A poster script.
    • Plonker (2016). An all caps hand-printed typeface.
    • Fine New Bonbons (2016). A quaint candy store script.
    • Napolitanka (2016). A delicate high-fashion hifgh-contrast didone.
    • Businessland (2016). A rough handcrafted poster typeface.
    • Escondida. A high-contrast connected script.
    • Alonga (2017). A serif family with considerable contrast characterized by sharp triangular serifs.
    • Nula (2017). A 22-style humanist sans typeface family.
    • Mymoon (2017: a geometric sans in 22 styles), Mymoon Stencil, Mymoon Stencil Texture.
    • Landsick (2018). An intense script.
    • Blond (2018). A sans family that tends towards the humanist side.
    • Penfriend (2018). A script typeface.
    • Modny (2018). A fashion mag Peignotian sans family with a gorgeous inline style.
    • Stropha (2018). A compact slab serif family.
    • Hlad (2018). A distinguished 5-weight incised / lapidary typeface family.
    • Masny (2019). A no-nonsense modern sans family in 22 styles.
    • Connectica (2019). A retro connected script.
    • Dietal (2019). A condensed squarish military parade slab serif. Accompanied by Dietal Sans (2019).
    • Mondish (2019). A stylish sans family, perhaps best suited for fashionable environments.
    • Edicia (2019). A charming serifed typeface family.
    • Plaisir (2020). A serifed text family that oozes style.
    • Roanne (2020). a 44-style sans family characterized by a yawning lower case a.
    • Prego (2020). A 23-style Peignotian sans.
    • Prelom (2020). A retro wedge serif family in 15 styles.
    • Hartia (2020). A 10-style serif.
    • Silqa (2020). An art deco typeface on Novichok.
    • Finoteca (2020). A beatnik font.
    • Kondes (2020). A 20-style condensed squarish sans with variable styles.
    • Lupio (2021). In 20 styles: a variable and static geometric sans family.
    • OK Moral (2021). A Western font.
    • Ragazzi (2021). A 21-style with a didone skeleton but dwarfed serifs and sharper terminals.
    • Metropola (2021). A Victorian era sans accompanied by a variable font.
    • Stray (2021). An 18-style geometric sans for Latin and Cyrillic, with pinched connections.
    • Ancress (2021). A wide geometric sans in 14 styles.
    • Klaud (2021). A 14-style slab serif of Clarendon pedigree.
    • Fabular (2021). A twelve-style display serif.
    • Cat Fight (2021).
    • Bottled Moon (2021). A Victorian serif.
    • Povetarac (2021) and the superfamily consisting of Povetarac Didone, Povetarac Display, Povetarac Sans (2022). Each subfamily has 6 or 12 styles and contains a variable font.
    • Poruka (2022). A monolinear script.
    • King of August (2022). A retro signage script.

    Behance link. MyFonts link. His most popular typefaces showcased. Fontspring link. Klingspor link. View Dusan Jelesijevic's typefaces. [Google] [MyFonts] [More]  ⦿

    Dustin Lee
    [RetroSupply Co]

    [More]  ⦿

    Ebenezer Webb
    [Wells & Webb]

    [More]  ⦿

    Eclectotype (was: Schizotype)
    [Dave Rowland]

    Type foundry in Sheffield, UK, first called Schizotype, and in 2021 renamed Eclectotype because this is not a foundry that likes to stick to trends or expectations. Its designer, Dave Rowland (b. 1982, Chesterfield) grew up in Sheffield, UK, but was based in Japan, the Philippines, Liverpool, Surat Thani, Thailand, and Koh Samui, Thailand [where he presently lives]. MyFonts Interview.

    He created these fonts in 2009: Quesadilla (signage type, Mexican simulation face), Quesadilla Shadow, Schizotype Scrolls, Quiff, Toothpaste, Astroboy (connected script), Decolletage (art deco), Kazumi Sans, Acid Haus, Dr. Black, Dr. Eric, Soyo Gogo, BMX radical (brush), Team, Miami Hopper, and Tubularis (multiline face), Sickle, Klique (futuristic display face), Uncle Eric (a cartoon face), Praline Smooth (connected script in the style of Mistral), Kwaktur, (blackletter typeface based on the logo of Belgium's Kwak beer), Blackball (another blackletter) and Modulogue (a modular display family).

    Additions in 2010: Christmas Tuscan (a modular Tuscan), Masonic Lodge, Mook (a retro, unicase, bubble font), Toothpaste 2, Gaden Sans (organic monoline typeface that includes a hairline weight), Sizemore (all caps slab headline face), Quickscript (signage face), New Wave.

    Fonts designed in 2011: Brag Pro (like Brag, a Cooper Black alternative), Brag Stencil Pro, Chestnut (curly, hand-printed), Brag (a fat round face in Cooper Black style), Gelato Script (a connected signage face), Brag Stencil (2011), Streetscript (2011, brushy signage face).

    In 2011, he created a quaint text family, Vulpa, with quirky foxtail terminals.

    Typefaces from 2012: Margot (a rounded slab serif described as a lovechild of American Typewriter and Cooper Black), Range Serif (an angular typeface), Pastiche Brush (a brushy connected script inspired by the titles of the 1959 movie Imitation of Life (Wayne Fitzgerald)), Quayside (a bulbous baseball or signage script).

    Typefaces from 2013: Alight Slab (hairline slab), Anultra Slab (a heavy bold slab serif), Ollie (a connected baseball or signage script), Urge Text (an extensive modern text family with ample language support and plenty of mathematical symbols, and large ball terminals).

    Typefaces from 2014: Range Sans (a grotesque sans family with the quirky angular cutouts inherited from Range Serif), Samui Script (upright connected script), Streetscript Redux (signage script), Price Didone (created for setting elegant price tags).

    Typefaces from 2015: Oldskool Script (a connected signage script; one of many quite different commercial fonts with the same name), Hazel Script (a great flowing calligraphic script designed around the time of the birth of his first child, Hazel; the name may create confusion as there is a famous BB&S metal font with the same name), Mastadoni (a fat didone for headlines and fashion mags), Kake (a great creamy sign-painting font), Bali Script (creamy signage script), Flat Sans.

    Typefaces from 2016: Cinema Script (retro movie script), Chill Script (a retro non-brush signage script), Blanket (a soft cursive font, ideal for children's books), Schizotype Grotesk (a very original angry geometric grotesk, with bucketloads of pizzazz), Astrid Grotesk, Asterisk Sans Pro (a versatile humanist sans family for Latin, Greek, and Cyrillic), Strelka Ultra (a retro space age typeface), Revla Serif (beatnik style, emulating randomly positioned handlettering).

    Typefaces from 2017: Duckie (a bubblegum or creamy signage script), Tusque (a layered decorative Tuscan typeface), Ekamai (a tight non-connected creamy signage script), Quinella (seventies script), Delfino Script (retro signage script), Tchig Mono (a special, almost hipster monospace typeface family), Revla Sans (beatnik style), Revla Sans Text, Eroika Slab (a robust wedge serif family).

    Typefaces from 2018: Aziga (descrived by Dave as a high (occasionally reversed) contrast, postmodern, deconstructed-reconstructed, serifless (mostly), fashion didone), Revla Slab (bouncy, beatnik), Galix (subdue futuristic sans family), Gelato Luxe (an update of his earlier Gelato Script), Engria (an angular brush-inspired text typeface).

    Typefaces from 2019: Gelato Fresco (a warm flowing script), Amica Pro (a stocky part humanist part geometric workhorse sans), Galix Mono, Backstroke, Gigantic (an exercise in ultra-fatness).

    Typefaces from 2020: Gelica (a 14-style retro soft serif family influenced by Cooper Black, Goudy Heavyface and Ludlow Black), Capsule (a reverse-stress high-contrast rounded sans-serif), Sausage (a friendly fat rounded typeface that is is unapologetically bold and bulbous. Influenced by magnetic fridge letters, hot dogs and 70s phototype fonts, it is retro, but not cloyingly so).

    Typefaces from 2021: Revla Round (a child-friendly version of Revla Sans), Megumi (a formal hairline fashion mag script), Yink (a bulbous psychedelic experiment).

    Klingspor link. Behance link.

    Showcase of Schizotype's typefaces at MyFonts. Fontspring link. MyFonts interview. [Google] [MyFonts] [More]  ⦿

    Edi Gunawan
    [Edignwn Type (or: Fitriyawan)]

    [MyFonts] [More]  ⦿

    Edignwn Type (or: Fitriyawan)
    [Edi Gunawan]

    Magelang, Indonesia-based designer of the signage script typeface Justlyne (2017), the connected scripts Arthurdale (2018), Natalia Rosaline (2018, a font duo at Runsell Studio), Rusted Orlando (2018: monoline), Jaquilane (2018), Soulgates (2018) and Qatar Capital (2018), and the handwriting typeface Morristone (2018). He also designed the vintage typefaces Classic Arkansas (2018), Retro Chalet (2018) and Echomotors (2018).

    Typefaces from 2019: Hemispheres, Acherone, Historical (Script, Sans), Natasha, Windgard (brush signage script), Throttles, Lancaste, Northam Thorne, Josephine (script), Pacific Coast, Jessie Odelya.

    Typefaces from 2020: Rundeck (a Victorian display serif), Hallen (a decorative serif), Inlander (a vintage label font), Retroica (a vintage display sans).

    Typefaces from 2021: Homkiges (a connected italic typeface), Higakles (a 9-style family that contains slab serifs and sans versions ranging from Regular to Stamp), Martellas (a vintage font duo, +Dingbats), Duhline (chamfered vintage caps), Neoland (a fat signage script), Polands (a reverse stress western font), Retrokia (a monolinear supermarket script), Monogram Holder, Laquile (a ten-style meaty script), Brocades (vintage and grungy), Bygonest (an old typewriter font), Rustic Printed (letterpress emulation), Menalde (a vintage all caps typeface), Marline (a vintage slab serif display typeface), Hertical (an 8-style vintage caps typeface with sharp serifs), Peacher (an elegant formal script with serious contrast).

    Edi Gunawan is associated with Runsell Studio and/or Fitriyawan.

    Typefaces from 2022: Derpache (script, caps and dingbats (script, caps and dingbats)), Plastun (a weathered retro signage script). [Google] [MyFonts] [More]  ⦿

    Edmunds
    [Ray Larabie]

    Free Western look font by Ray Larabie. [Google] [More]  ⦿

    Eduardo da Floresta

    Barcelos, Portugal-based designer of the spurred typeface Monotonia (2017). [Google] [More]  ⦿

    Eduardo Souza

    Brazilian graphic designer. Creator of Muerte (2011, FontStruct). Behance link. A vernacular bar sign inspired him to create the script typeface Barbosa (2011). An old poster for aguardente de cana gave enough material for a Tuscan typeface called Sao Paulo (2011). [Google] [More]  ⦿

    Edward Benguiat

    Born in New York in 1927, Ed grew up in Brooklyn. He died in 2020. Ed was once a very prominent jazz percussionist playing in several big bands with Stan Kenton and Woody Herman, among others. He has created a large number of typefaces between 1970 and 1995. About his career, he once said: I'm really a musician, a jazz percussionist. One day I went to the musician's union to pay dues and I saw all these old people who were playing bar mitzvahs and Greek weddings. It occurred to me that one day that's going to be me, so I decided to become an illustrator. He designed more than 400 typefaces for PhotoLettering. He played a critical role in establishing The International Typeface Corporation (or ITC) in the late '60s and early '70s. Founded in 1971 by designers Herb Lubalin, Aaron Burns, and Ed Ronthaler, ITC was formed to market type to the industry. Lubalin and Burns contacted Benguiat, whose first ITC project was working on Souvenir. Ed became a partner with Lubalin in the development of U&lc, ITC's famous magazine, and the creation of new typefaces such as Tiffany, Benguiat, Benguiat Gothic, Korinna, Panache, Modern No. 216, Bookman, Caslon No. 225, Barcelona, Avant Garde Condensed, and many more. With Herb Lubalin, Ed eventually became vice-president of ITC until its sale to Esselte Ltd.

    Ed Benguiat taught at SVA in New York for more than fifty years.

    Ed is a popular keynote speaker at major type meetings, including, e.g., at TypeCon 2011, where he entertained the crowd with quotes such as I do not think of type as something that should be readable. It should be beautiful. Screw readable. His typefaces---those from PhotoLettering excepted:

    • ITC Avant Garde Gothic (1971-1977, with Andre Gurtler, Tom Carnase, Christian Mengelt, and Erich Gschwind).
    • ITC Modern No. 216 (1982: a didone text family). The Softmaker versions are called M791 Modern and Montpellier. Ed writes: It's a revival of the classic British Modern design. I tried to capture the dignity and grace of the original designs, but not make it look stuffy. Moderns were often numbered to distinguish different versions. 216 East 45th street was where I worked when I drew the ITC Modern No. 216 font.
    • Modern No. 20, after the Stephenson Blake original from 1905. [Image by Kristen Cleghorn]
    • ITC Barcelona (1981). Ed writes: I was one of the design consultants for the 1992 Olympics in Barcelona, Spain. What could be more appropriate then to design a typeface for the event? The design of the ITC Barcelona font family, with its soft triangular serifs set the mood for the soft-spoken Catalan people.
    • ITC Bauhaus (1974-1975). ITC Bauhaus was co-designed with Victor Caruso. The Softmaker versions are called R790 Sans and Dessau. The Infinitype version is Dessau. The Bitstream version is Geometric 752.
    • ITC Benguiat (1977) and ITC Benguiat Gothic (1977-1979). This eponymous comic book (or art nouveau style) typeface family appeared in the 1980s on the covers of Stephen King novels and Choose Your Own Adventure books, in the copyright notice at the beginning of all Paramount Pictures' VHS tapes and in title sequences for Quentin Tarantino's films, the Next Generation series of Star Trek films in the mid-to-late '90s, and the recent Netflix series Stranger Things. It was revived as Benjamin and Benjamin Gothic on the SoftMaker MegaFont XXL CD (2002). Softmaker also has fonts called B693 Roman and B691 Sans that are identical. Benguiat Pro ITC was published in 2008.
    • Benguiat Roman (1960s).
    • PL Bernhardt (Photo-Lettering, 1970), modeled after a 1930-1931 design by Lucian Bernhard.
    • ITC Bookman (1975). See B791 Roman on the SoftMaker MegaFont XXL CD (2002).
    • Calendar (1960s).
    • ITC Caslon 224 (1983). In 1960, he added Benguiat Caslon Swash, and in 1970, Caslon 223 followed. See C790 Roman on the SoftMaker MegaFont XXL CD (2002), and Caslon CP (2012, Claude Pelletier). Christian Schwartz and Bas Smidt at House Industries digitized Benguiat Caslon.
    • ITC Century Handtooled (1993).
    • ITC Cheltenham Handtooled (1993).
    • ITC Edwardian Script (1994).
    • ITC Garamond Handtooled.
    • ITC Korinna (1974): after a 1904 typeface called Korinna by Berthold. Michael Brady thinks it is very close to the Berthold original.
    • Laurent (1960s).
    • Lubalin Graph (1974, ITC). By Herb Lubalin, Ed Benguiat, Joe Sundwall, and Tony DiSpigna.
    • ITC Panache (1987-1988). Ed writes: I put my heart, soul, sweat and tears into the design of the ITC Panache font family. I was striving to create an easy to read, legible typeface. I know in my heart that I accomplished what I set out to do. Not only is it easy to read, it's also sophisticated.
    • Scorpio (1960s).
    • ITC Souvenir. Kent Lew: Benguiat revived Benton's Souvenir for ITC in the '70s and that was well-received for a while. On the other hand, look what happened after that. Souvenir in the ATF 1923 catalog looks really nice, IMO. Souvenir in the '70s seems cliché now. Souvenir these days would be downright dorky. Souvenir was done by Benguiat in 1967 at PhotoLettering. Morris Fuller Benton's original model was from 1914. It was described by Simon Loxley as follows: Souvenir is a typeface that is intractably rooted in style to a particular era, although one a half-century after its creation. It is a quintessential late 1960s and 1970s typeface, informal, with full rounded character shapes and rounded serifs, a laid-back Cheltenham. The Bitstream version of ITC Souvenir was called Sovran.
    • ITC Tiffany (1974), a fashion mag typeface family. Adobe says that it is a blend of Ronaldson, released in 1884 by the MacKellar Smiths&Jordan foundry, and Caxton, released in 1904 by American Type Founders.
    • PL Torino (1960, Photo-Lettering), a blackboard bold didone-inspired typeface.
    • In 2004, House Industries released five typefaces based on the lettering of Ed Benguiat: Ed Interlock (1400 ligatures---based on Ed's Interlock, Photolettering, 1960s), Ed Roman (animated bounce), Ed Script, Ed Gothic and Bengbats.
    • He did logotypes for many companies, including Esquire, New York Times, Playboy, Reader's Digesn, Sports Illustrated, Look, Estée Lauder, AT&T, A&E, Planet of the Apes, Super Fly.
    • Lesser known Photolettering typefaces include Benguiat Bounce, Benguiat Boutique, Benguiat Bravado, Benguiat Brush, Benguiat Buffalo (+Ornaments: a western wood type font), Benguiat Century, Benguiat Cinema, Benguiat Congressional, Benguiat Cooper Black, Benguiat Cracle, Benguiat Crisp, Benguiat Debbie, (Benguiat) Montage (a fat face didone revived in 2018 at House Industries by Jess Collins and Mitja Miklavic), Benguiat Roman. Scorpio, Laurent and Charisma, all done in the 1960s, are psychedelic types. In 2021, Donald Roos digitized Plinc Buffalo for House Industries.

    Links: Linotype, CV by Elisa Halperin. Daylight Fonts link (in Japanese). Catalog by Daylight, part I, part II.

    Pics harvested from the web: Portrait With Ilene Strivzer at ATypI 1999. One more with Strivzer. With Jill Bell at ATypI 1999. In action. At TypeCon 2011 with Matthew Carter and Alejandro Paul. At the same meeting with Carole Wahler and with Roger Black.

    FontShop link. Klingspor link.

    View Ed Benguiat's typefaces. Ed Benguiat's fonts. [Google] [MyFonts] [More]  ⦿

    Eko Nur Cahyo
    [Kulo Kale Studio]

    [MyFonts] [More]  ⦿

    Elio Marini

    During his studies in St. Peteravurg, FL, Elio Marini designed the Western typeface Frontier Modular (2016). [Google] [More]  ⦿

    Eller Type
    [Emerson Eller]

    Emerson Nunes Eller is a Brazilian graphic designer based in Lisbon, Portugal. He has a Masters from UEMG in Belo Horizonte, Brazil, in 2014, and his thesis there was entitled Letras do cotidiano: a tipografia vernacular na cidade de Belo Horizonte. It led to the (caps only, Tuscan, Victorian) vernacular typeface Sucata. He holds a PhD in Communication Design from the University of Lisbon. In 2019, he graduated from the Expert Class type design at the Plantin Institute of Typography, Antwerp.

    In 2017, he designed the innovative hybrid (sans / serif) typeface Sagarana.

    Typefaces from 2021: Itacolomi. He explains: Itacolomi is a result of an extensive investigation into Scottish style types produced in Brazil around 1820. A possible connection between Brazil and Scotland. In short, it preserves the qualities of the famous 19th-century Scotch Roman types while adding a personal approach with unique features from the early Brazilian models.

    In 2019, supervised by Frank E. Blokland at the Plantin Institute of Typography, he developed the (garlde) Glossa type family.

    In 2021, he released the slab serif Perva, which is accompanied by Perva Reverse (a Western font) and Perva Black (an old English blackletter). [Google] [MyFonts] [More]  ⦿

    Ellmer Stefan
    [The Pyte Foundry]

    [More]  ⦿

    Elo Marc

    San Diego-based designer of the Western typefaces Wood Print (2015), Sky High (2014) and Faroest (or Forest) (2014). Dafont link. Home page. Behance link. [Google] [More]  ⦿

    Emerson Eller
    [Eller Type]

    [MyFonts] [More]  ⦿

    Emil Karl Bertell
    [Fenotype]

    [MyFonts] [More]  ⦿

    Emily

    Eight truetype fonts, including the Western font StageCoach. [Google] [More]  ⦿

    Enric Crous-Vidal

    Type and graphic designer born in Lerida, Spain (1908), who lived and worked mostly in Paris, where he had emigrated to during the Spanish Civil War (1936-1939). He died in 1987 in Noyon. All his fonts are available from Neufville. He was the founder of the movement that is known as Grafía Latina (or La Graphie Latine), which promoted the need to create a new system of typically Latin (as opposed to cold geometric nordic) typographic structures, graphics, alphabets and decorative ornaments.

    As art director of the Fonderie Typographique Française, he designed these fonts:

    Bibliography: Enric Crous-Vidal. Un carácter en tipografía (Andreu Balius, 2008).

    View Enric Crous-Vidal's typefaces.

    Klingspor link. French wikipedia link. FontShop link. [Google] [MyFonts] [More]  ⦿

    Eriq Jaffe

    Designer of several sets of athletic lettering fonts, including NFL, NHL, NBA and MLB. Dafont link. His web site has the athletic lettering in truetype format for these teams: MLBAngels, MLBAstros, MLBBlock, MLBBlueJaysModern, MLBBlueJaysVintage, MLBBrewers, MLBCubs, MLBDiamondbacks, MLBGiants, MLBMariners, MLBNationals, MLBNationalsBevel, MLBNationalsReverseBevel, MLBPadres, MLBPhillies, MLBPirates, MLBRedSox, MLBReds2007, MLBTuscan, MLB_Tuscan_New, MLB_Tuscan_New, Mlbdia07, NBA76ers, NBABobcats, NBABucks, NBABulls, NBACavaliers, NBACeltics, NBAClippers, NBAGrizzlies, NBAHawks, NBAHeat, NBAHornets, NBAJazz, NBAKings, NBAKingsAlternate, NBAKnicks, NBALakers, NBAMagic, NBAMavericks, NBAMavericksAlternate, NBANets, NBANuggets, NBAPacers, NBAPistons, NBARaptors, NBARockets, NBASpurs, NBASuns, NBASuperSonics, NBATimberwolves, NBATrailblazers, NBAWarriors, NBAWizards, NFLBears, NFLBearsThrowback, NFLBengals, NFLBroncos, NFLCardinals, NFLChargers2007, NFLDolphins, NFLEagles, NFLFalcons, NFLJaguars, NFLOilersVintage, NFLPatriots, NFLPatriotsThrowback, NFLRams, NFLRavens, NFLRavensVintage, NFLSteelers, NFLTexans, NFLTitans, NFLVarsityBlockA, NFLVarsityBlockB, NFLVarsityBlockC, NFLVarsityBlockD, NFLVarsityBlockE, NFLVarsityBlockF, NFLVarsityBlockG, NFLVarsityBlockH, NFLVikings, NHLANA06, NHLAnaheim, NHLAtlanta, NHLBUF06, NHLBoston, NHLBuffalo, NHLCalgary, NHLCalgaryAlternate, NHLCarolina, NHLChicago, NHLColorado, NHLColumbus, NHLDallas, NHLDetroit, NHLEAna_, NHLEAtl_, NHLEBos_, NHLEBuf_, NHLECal_, NHLECar_, NHLEChi_, NHLEClb_, NHLECol_, NHLEDal_, NHLEDet_, NHLEEdm_, NHLEFlo_, NHLELak_, NHLEMinA, NHLEMinH, NHLEMon_, NHLENJD_, NHLENYI_, NHLENYRO, NHLENYR_, NHLENasO, NHLENas_, NHLEOtt_, NHLEPhi_, NHLEPho_, NHLEPit_, NHLESJ__, NHLEStL_, NHLETBL_, NHLETor_, NHLEVan_, NHLEWas_, NHLEdmonton, NHLEdmontonAlternate, NHLFlorida, NHLLosAngeles, NHLMinnesota, NHLMinnesotaAlternate, NHLMontreal, NHLNYIslandersAlternate, NHLNYRangers, NHLNYRangersOutline, NHLNashville, NHLNewJersey, NHLOttawa, NHLOttawaAlternate, NHLPhiladelphia, NHLPhoenix, NHLPittsburgh, NHLSanJose, NHLStLouis, NHLTampaBay, NHLToronto, NHLTorontoAlternate, NHLVancouver, NHLWashington, Nflcoltt, Nflcowbt, Nhlnyi__, VarsityBlockA, VarsityBlockB, VarsityBlockC, VarsityBlockD, VarsityClassicA, VarsityClassicB, VarsityClassicC, VarsityClassicD, VarsityClassicSerifA, VarsityClassicSerifB. [Google] [More]  ⦿

    Erkin Karamemet
    [Studio Karamemet]

    [More]  ⦿

    Eva Chau

    During her studies in Cedar City, UT, Eva Chau designed the Western typeface Gateway (2013).

    Behance link. [Google] [More]  ⦿

    Evan Huwa

    Creator of Ranger (2011, Lost Type), a Western typeface inspired by Colorado. [Google] [More]  ⦿

    Evgeniy Tarasenko

    Moscow, Russia-based designer who made the free piano key stencil typeface Promplate Stencil (2016), the ultra black counterless typeface Blot (2011), the Italian typeface Utug (2015), and the free constructivist art deco typeface Eleventh Square (2015, published by Typetype). He also made nice Transport pictograms (2011, FontStruct).

    Home page. Behance link. FontStruct link. [Google] [More]  ⦿

    evijay

    Designer of the spurred Western typeface Cristal (2017). [Google] [More]  ⦿

    Explogos
    [Steve Gardner]

    Suffolk, UK-based creator of many free typefaces. Designer of the free sans typefaces Smiley (2013, a hairline circle-based sans), Larke Sans (2013), Statement (2013), Formation Sans (2013) and Creativ Zoo (2013, +Serif), and the free serif typefaces Formation Serif (2013) and Edmundsbury Serif (2013), and its sans companion Edmundsbury (2013). As Cute As (2013) is a hand-drawn typeface.

    Typefaces from 2014: Larke Neue (sans family), Explogos (a free organic sans typeface, and a 778-glyph commercial extension that covers, e.g., Greek and Cyrillic besides all Latin-based European languages), Squarea (squarish), Cirqua (circle-based sans), Chapaza (transitional text typeface, +Italic), Plateia (a sans typeface for Latin, Greek and Cyrillic), Coughy Machine, Kalypsa (free sans with 2300 glyphs and coverage of Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, IPA Extensions, Spacing Modifying Letters, Combining Diacritical Marks, Greek & Coptic, Cyrillic, Cyrillic Supplement, Latin Extended Additional, Greek Extended, General Punctuation, Superscripts & Subscripts, Currency Symbols, Letterlike Symbols, Number Forms, Mathematical Operators, Coptic), As Cute as Comic, UFont Sans Medium, Bedric's Worth, Pragma Sans, Bold As Cute As, As Cute As Comic.

    Typefaces from 2015: Tretton, Baqacents (sic), Reformation Sans.

    Typefaces from 2016: Tretton Serif, Qaranta Bold.

    Typefaces from 2018: Calamity Wayne (a reverse-contrast slab serif for Latin, Greek and Cyrillic, inspired by the wild west French Clarendons and Italians of the late-1800s).

    Typefaces from 2022: Caliventa (a flared angular text typeface). [Google] [MyFonts] [More]  ⦿

    Fabian Harb

    Dinamo is a Swiss type foundry established by Johannes Breyer and Fabian Harb after graduation from schools in Zurich, Basel and Amsterdam. Johannes and Fabian are visiting teachers at the Estonian Academy of the Arts, Tallinn and regularly teach at UDK Berlin and University of Applied Sciences, St. Gallen. Their typefaces:

    • Favorit (2014). A basic sans family by Johannes Breyer and Fabian Harb. It was extended to Favorit Hangul by Mingoo Yoon in 2019.
    • Grow (2013). An experimental collaborative font family. Many of the members are multilined and even prismatic.
    • The heavy sans typeface Heureka (2009-2013).
    • Pareto (2016). Western style typefaces.
    • In 2019, Johannes Breyer, Fabian Harb and Erkin Karamemet released Whyte and Whyte Inktrap at Dinamo.
    • ABC Maxi (2020, Dinamo). An experimental hipster-inspired gemetric sans family designed by Dinamo (Johannes Breyer and Fabian Harb) and Andree Paat).
    • In 2020, Fabian Harb and Seb McLauchlan co-designed the extensive grotesque family Marfa at Dinamo. Marfa contains a monospaced subfamily, and comes with two variable fonts.
    • Custom typefaces for Kunsthalle Zurich (CH), Warp Records (UK), Elton John (US), Yale Architecture (US), Manifesta 11 (CH), Harvard Graduate School of Design (US), Universal Music (GER), IBA Thüringen (GER), Festival B:om (KR), Gagosian Gallery (US), Planet Mu/Knives (GER/UK), LayTheme (GER) or the German, Estonian and Cyprus Pavillions at the 55th and 56th Venice Biennale.
    • ABC Social done with the Dinamo team in 2021 as a retail version of a custom typeface designed by Fabian Harb and Tina Gabriel for the Australian periodical The Monthly in 2017. Harb writes: Dinamo's co-founder Fabian Harb himself first penned ABC Social as the custom display font for The Monthly, Australia's left leaning independent periodical covering politics, society, and culture. Over many years and many time zones, our super team has now extended it in all directions and for widespread release: Malte Bentzen worked on the very light styles, Fabiola Mejía on its monospaced family, Wei Huang on the regular and bold styles, Erkin Karamemet on Italics, with Rob Janes completing the mastering and production work.

    Johannes Breyer. Fabian Harb. [Google] [More]  ⦿

    Fabien Gailleul

    French designer who graduated in 2011 with a DSAA from ESDRA in Lyon. Paris-based creator of Potemkin (constructivist face), Fractions (experimental), Sex Type (fun), Frogs, Glossy Bitch (connected paint simulation face), Western Spaghetto and Face Cachée.

    In 2013, he collaborated with designers Jérémie Hornus and Alisa Nowak at FontYou on the design of the astrological simulation typeface Astral FY. The same group of three collaborated in 2014 on Naive Gothic FY.

    In 2014, fabiel Gailleul and the Fontyou team co-designed Seawave FY.

    Behance link. [Google] [MyFonts] [More]  ⦿

    Face Photosetting

    Photo era foundry set up in the 1960s by John McConnell and Chris Dubber in London. I could only find Pluto Outline, the art nouveau typeface Desdemona (a digital version was created in 1992 by David Berlow at Font Bureau and in 1994 by Richard Beatty; Letraset showed Desdemona in its 1981 and 1986 catalogs; the original is from the late 19th century by Karl Brendler&Soehne, Vienna), Stack, and Oxford (a multiline face) on-line. Steve Jackaman worked in the studio in Newman Street and Hanway Place, and recalled El Paso (a Western/Mexican simulation face) when he created El Paso Pro (2011, Red Rooster). In 2017, Steve Jacakaman (Red Rooster) designed Lodestone Pro, which is based on Marvin (1969, by Michael Chave).

    According to Wes Wilson's web site, Face Photosetting led the way by launching a number of Art Nouveau revivals which were taken from Ludwig Petzendorfer's "A Treasury of Authentic Art Nouveau Alphabets". A selection of these, which included Arnold Böcklin, Edel Gotisch and Eckmann Schrift, were made more widely available when Letraset produced them for their dry transfer product. They published a number of books and catalogs, ca. 1976-1977: Face headline catalogue [1981/82] (1977), Specimens of Delittle's wood type, Face book of typefaces, Type catalogue (1976). Some of the typefaces were Cyrillicized, such as Bullion Shadow (1970; Cyrillic version by Victor Kharyk, 1978). Bully Pulpit Plain NF (2014, Nick Curtis) is a revival of Bullion Shadow. [Google] [More]  ⦿

    Face Ronchetti
    [Michael Chave]

    Or Mick Chave. Michael Chave was director of Face Ronchetti in London. Phototypefaces by him include Aetna 1968, Alten Book 1969, Amigo 1972, Antique schmal 1975, Antique Tuscan 1975, Antique Tuscan Extended 1975, Arnold fett 1968, Bevelled 142 1975, Childs 1969, Cupid 1970, Curly Hairline 1969, Joanna 1969, Marvin 1969 (also at Face Photosetting), Matra 1971, National 1973, Pipeline 1970, Secession 1976. Digital revivals of the avant garde typeface Marvin:

    [Google] [More]  ⦿

    Fahrenno Asnawan
    [Megflags (was: HOUS Studio)]

    [More]  ⦿

    Fanny Villagomez

    Mexico City-based designer (at Universidad Iberoamericana) of the Tuscan Western typeface El Circo (2019). [Google] [More]  ⦿

    Faqih Sandri
    [Typollery (was: Dri Zy)]

    [More]  ⦿

    Farhan T. Sudiya
    [Illusletra (was: Typovecto, or: Tirta Craft)]

    [MyFonts] [More]  ⦿

    Fateh Lab
    [Wisnu Cipto Wibowo]

    Bandung, Indonesia-based designer of these typefaces in 2019: Bahama (a rounded sans font for bistrots), Babylonia (a vintage font), Valerian (an all caps sans), Madison 01 (a college sports font), Madison 01 Script, Hailen Font Duo (monoline script), Wolf Gang (weathered font).

    Typefaces from 2020: Bianca (font duo), Stribe (a supermarket signage family), Astenia, Stribe (a rounded supermarket sans), Le Brond (a heavy octagonal sports slab serif font), El Grosa (two wood type emulation typefaces and a Tuscan font, El Grosa West, Boldine (an all caps heavy sans), Qirate Mono (techno, typewriter style), Quinland (extra condensed), Quinton (extra-condensed).

    Typefaces from 2021: Hub 191 (a 4-style casual family), Thyga (a 7-style condensed sans), Hugh (a super-fat and wide poster typeface).

    Typefaces from 2022: Heliuk (an ultra-condensed sans), Heliuk Icon, Bhelt (a bold sans and dingbats), Southern Margherita (calligraphic). [Google] [MyFonts] [More]  ⦿

    Fausto Furioso

    Valencia, Spain-based designer of the hand-printed Western typeface Street Cowboys (2011) and the free brush typeface Fvriosa (2016). Dafont link. Behance link. [Google] [More]  ⦿

    Felix Braden
    [Floodfonts]

    [MyFonts] [More]  ⦿

    Fenotype
    [Emil Karl Bertell]

    Fenotype, a Finnish type foundry, has the original (often techno) designs of Emil Bertell (b. 1983, Helsinki) and his brother Erik Bertell and wife Kea Bertell. Emil has been studying graphic design at University of Art&Industrial Design in Helsinki since 2004. He designed most of his typefaces during 2001-2004, and works as a freelance illustrator. Behance link.

    Typefaces made in 2002: Disco (prismatic), Lakmus, Valimo, FUTU, Test1, Foton Torpedo, Cheaptype, Personal Computer, Copycut, Unicode 0024, HKI Metro, HKI NightLife, Digital Kauno, Fenotravels (dingbats), Tivoli, Kosmonaut, 10124, JouluFonttiFenotype, Testi, 1laitos, 1120, 0629 (2002, a kitchen tile font), 0927, 0210, FTdingsprevi, Fenotypedings#lego3, Genotype, NeoPangaia, NeoPangaia 2, Nipponblocks, Pectopah, Personalcomputer, Pouttu, Samarin (2002, athletic lettering), Unicode0024, URALphat, URALthin, URAL, URAL3d (all Latin/Cyrillic fonts with incomplete punctuation though), Automania (multiline), Copycut, Halo, 222_2003, Tantor, Letters, Rikos, Lastu, ThreeTheHardWay, Bukkake, Halo. Emil's brother Erik designed Neon (paperclip face), Mama and Mama Round (paperclip typefaces). In private email, he calls himself Carl. The foundry evolved from 2theleft.

    Fonts made in 2003: Military Dingbats, 08 02 03 Fenotype, Projectsfenotype, Rock-it.

    Fonts made in 2004: Scandinavian Titan white, Scandinavian Titan, Acid Test 2, Acid Test (texture typefaces), 080203, Letters11, Linja, Projects, Rock it, Simpletype. Commercial typefaces: Sapluuna, Shortcut, Transeuro-Express, Omega-Uros, Fenotype Dings, Military Dingbats, Nippon Noodle. Typefaces made in 2004: Kolari, Kolari Light, FTfaces, Twisted Ontogenesis. Alternate URL.

    In 2005: RoundAbout, Nihilist Philosophy, Boogie Monster, Chunky Hunk (Western), Diy Typeface (kitchen tile style), Futuretro (stencil-like), 3TheHardWayOverrun, Pedant Dilettante, FT Rosecube, FT Blockbuster, 3TheHardWayRMX, Adios Gringo (Western face), Helsingfurt (3d oil glow face), Cream Soda (liquid), Thashed Paper Bag, Big Medium.

    In 2006: Rock It Deluxe (grunge), Cassette (dingbats), Kings Garden (Japanese trees as dingbats).

    MyFonts link, opened in 2009, where one can buy 080203, 3 The Hard Way Overrun, 3 The Hard Way RMX, Adios Gringo, Depth Charge, FT Helsingfurt, FT Roundabout, FT Scandinavian Titan, FT Twisted Ontogenesis, Ice Cream Soda, Kings Garden, Kolari, Nihilist Philosophy, Old Note, Rock It, November Script, and Majestic Mishmash (ransom note caps), Digital Kauno (2002, upright script), 10.12, EB Vintage Future, Fenotype Dingbats, FT Forest, FT Funghis, FT Military Dingbats, FT Weapon of Choice, Motel Xenia, URAL, Valima.

    Additions in 2010: Linguine (connected script), FT Telegraph (slab serif), FT Brush, FT Industry Machine, FT Giorgio, Killer Elephant (signage), FT Supervisor (ultra-condensed), FT Dead Mans Diary (scribbly), FT Grandpa Script (grunge calligraphy), FT Stamper (angular lettering), FT Tantor (fat, rounded), FT Bronson (fat display typeface with mustache dings thrown in), FT Master of Poster (bi-level display typeface with many ligatures and interlocking letters), FT Hidden Forest (tree dingbats), FT Mammoth (grotesque headline face), Rikos (futuristic), Squarendon Extra Bold (2010, a Clarendon), FT Moonshine Script (a Treefrog style face), Billboard (a hand-printed rounded caps family), EB Bellissimo Display (rounded monoline sans), Malamondo (an all caps display typeface with a large number of interlocking ligatures), Linja (2002 and 2010, a rounded ultra condensed family), Punavuori (2002 and 2010: a monoline sans family), Signor (2010, a rounded all caps family), Mrs. Lolita (connected script), Funghi Mania (mushroom dingbats), Funghi Mania Script, Darlington (very open upright connected script family), Archipelago (+Caps: an upright connected script), Tower (pieces that enable one to modularly construct towers when stacked; created as a school assignment at the University of Industrial Art&Design Helsinki in 2006), Monster (just as Tower but for monsters), Verna (informal face with ball terminals), Verner (2010, a connected script version of Verna), Verner (2010, a connected script version of Verna).

    Typefaces from 2011: Pepita Script (an upright connected script with small lachrymal terminals), Pepito (its nonconnected version), Barber (upright script family), Banzai Bros (a fat caps-only signage face), Mishka (an upright connected script with tear drop terminals).

    In 2012, he created Salamander Script, Taiga (connected upright script), Mercury Script (a set of upright connected script typefaces), Slim Tony (a bubblegum retro signage face) and Mercury Ornaments.

    Typefaces from 2013: No. Seven (a successful brushy signage or baseball script), Alek and Alek Ornaments (an upright signage script), Voyage (a vintage script), Barracuda Script (brushy signage face), Bonbon (signage script), Bonbon Ornaments, Scaramouche (a playful connected script).

    Typefaces from 2014: Larry (sturdy connected script), Silver (upright connected script), Powder Script, Peaches And Cream (creamy signage or baseball script), In and Out (a connected retro signage script), The Carpenter (a script family in the style of Mercury Script).

    Typefaces from 2015: HMS Gilbert (a collection of 14 hand-crfated vintage types), Lager (a signage script family with adaptable swashes and other opentype goodies), Vanilla Shot, Journey (a smooth and elegant vintage script family of four weights and a matching ornament set, packed with alternate characters, and, in Bertell's style, perfect connections between glyphs), Tea Biscuit (signage script), Skipper, Skipper (connected script), Frost (a signage typeface that is just right, a sure award winner), Monday (sign apinting typeface).

    Typefaces from 2016: Jazz Script, Fragola (sign painting font), Syrup (sign painting font), Cosmopolitan (monoline connected script), Bluebell (copperplate calligraphic script), Inkston (vernacular brush script together with the standard handcrafted sans and text styles), Beaujolais (brush script), Black Script (a heavy signage script), Beaujolais (an organic brush script), Cold Brew (signage script), Inkheart (tattoo style).

    Typefaces from 2017: Camper (monoline script, accompanied by Camper Print), Aether Rain (thin script), Thang, Big Fish, Bolton (Bolton Script and Bolton Script, and the degraded Bolton Print pack), Vodka (Slab, Sans, Pen and Brush), Poster Brush, Fresh Press (signage style), Praktika (grotesk), Praktika Rounded, Blossoms, Kitchen (sign painting brush), Letterpress Studio, Takeaway, Aether Rain, Pitcher (baseball script), Karu (a workhorse sans), Bluebell (calligraphic), Roster (signage script), Dog Days, Catsy, Alfons (in Script, Display, Sans, Serif, Tiki, Extras and Ornaments subfamilies), Cosmopolitan (monoline script and sans pair), Snooker (retro signage script), Salty (a creamy brushed signage typeface).

    Typefaces from 2018: Aster Script, Audrey (a monoline script and sans duo), Galatea (a 48-style sans family by Erik and Emil Bertell), Double Porter (an 18-style font collection with scripts, sans, and grunge faces thrown in the mix), Matchstick, Fruitos, Corner Deli (a layerable set of fonts in script and sans styles), Bayamo (a brush script done for Monotype), Sidecar (a connected monoline neon sign script, and a matching sans), Ginger John, Brush Marker, Shirataki (monoline soft pen script), Ash (a crayon font), Breakfast Script, Dallas Print Shop (a display family by Teo Tuominen and Emil Karl Bertell), Capital (a sans and serif family by Teo Tuominen, Erik Jarl Bertell and Emil Karl Bertell). Elixir, Maestri (a classical connected scrupt by Teo Tuominen and Emil Karl Bertell), Popcorn (brush script), Cherry (signage script), Goodwater, Signature Script, Kingfisher (a beer botle signage script), Sonder (brush script).

    Typefaces from 2019: Taurus (an all caps logotype family by Emil Bertell, Erik Bertell and Teo Tuominen), Ex Libris (a high contrast flared serif titling font), Riley (a retro sign painting script), Allison Script, Milky (a sign-painting brush script), Portland (a reverse contrast typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Zeit (a transitional text typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Boardwalk Avenue Rough (a monoline script and a weathered all caps sans), Avion (a sans family by Emil Bertell, Erik Bertell and Teo Tuominen), Yes Script, Gainsborough (script), Florian (a roman typeface with crisp edges and some contrast), Vogue Sans (a haute couture all caps contrast sans), Fabrica (a decorative frilly didone by Emil Bertell, Erik Bertell and Teo Tuominen), Chai (an expressive sans / serif hybrid), Rainmaker Script (monoline), Aequitas (a stylish sharp-edged roman typeface family), Tapas (by Emil Bertell, Erik Bertell and Teo Tuominen: a Serif, Sans, Deco and Script collection), Lawrence (a stylish roman typeface), Kallio Brush (a signage brush script), Morison (a great 32-style wedge serif typeface by Erik and Emil Bertell and Teo Tuominen), Felicity Serif (a juicy bold high-contrast serif), Las Palmas (Brush, Pen, Slab, Condensed), Honey Drops, Explorer, Boardwalk Avenue (a sans/script font duo), Skye (a heavy decorative didone), Leftfield (a retro baseball script), Steak And Cheese, Agile Sans (a humanist sans by Emil Karl Bertell, Erik Jarl Bertell, and Teo Tuominen), Punk Rocker, Silverline, Perfume (Pen, Brush and Sans), Hops And Barley, Allison.

    Typefaces from 2020: Laurel (by Teo Tuominen, Emil Bertell and Erik Bertell: a 4 style sans with amnay wedge elements), Omnipop (Sans, Brush, Script), Paper Tiger (a Victorian Script accompanied by a condensed flared serif in two weights and a chunky sans serif), Resolve Sans (by Teo Tuominen, Emil Bertell and Erik Bertell: an extensive grotesk super family of 124 fonts: from compressed to extended, thin to black), Gambler (a 14-style display type collection), Rockford Sans (2020: an 8-style geometric sans with large x-height and slightly rounded corners; Emil Bertell, Erik Bertell and Teo Tuominen), Slacker (a brush script), Grand Atlantic (a vintage display package), Magnolia (Brush, Serif), Walden (a heavy rustic serif typeface by Emil Bertell, Erik Bertell and Teo Tuominen), Klik (a geometric sans family with Bauhaus influences, by the dynamic trio of Emil Bertell, Erik Bertell and Teo Tuominen), Rose Garden Deluxe (a font duo), Felicity (a heavyweight display sans).

    Typefaces from 2021: Alonzo (a 24-style Peignotian sans by Emil Bertell, Erik Bertell and Teo Tuominen), Imagist (a 12-style sharp-edged serif by Emil Bertell, Erik Bertell and Teo Tuominen), Maine (a 12-style modernized book antiqua by Emil Bertell, Erik Bertell and Teo Tuominen), Briston (a bold creamy serif in the Windsor genre), Lagom (a 16-style slab serif with some Clarendon charm; by Emil Bertell, Erik Bertell and Teo Tuominen), Skillet (a chubby Cooper Black-genre typeface full of hedonism and joie de vivre), Kings Valley (a decorative serif), Shaker Script (monolinear), Wonder (a 12-style rounded serif in the style of Windsor; by Emil Bertell, Erik Bertell and Teo Tuominen), Ellie Script (a signature script), Dirty Sundae (a casual font), Grand Cru (a refined serif family with 36 styles; by Emil Bertell, Erik Bertell and Teo Tuominen), Kiosk (a 4-style vintage headline typeface family in Script and Sans versions).

    Typefaces from 2022: Blood Orange (in the Cooper Black / Windsor / Souvenir genre), Tomato Ketchup (supermarket kitsch in the fat rounded Windsor genre).

    Dafont link. Behance link. Creative Market link. MyFonts interview.

    View the Fenotype typeface library.

    View Emil Bertell's typefaces. [Google] [MyFonts] [More]  ⦿

    Fernando Haro

    Las Palmas de Gran Canaria, Ampuero and Laredo, Spain-based designer (b. 1971) who set up deFharo. Creator of the monoline sans typeface Depez (2011), Fabada (2011), and the free monoline geometric sans typeface La Chata (2011). La chatte, in French? Maybe not.

    In 2011, he made the monoline organic sans typeface Lerótica (free at OFL).

    In 2012, he created Nabatea (stone chisel typeface), V de Vacia (a grungy outline face), Sabática (organic), the straight-edged data style typeface Gabardina, the grotesk typeface A Bebedera, the shadow typeface B de Bonita, D Puntillas, and the deconstructed Qebrada.

    In 2013, he designed Yacarena Ultra, H.H. Agallas, Nacimiento (a dymo label font), J Airplane Swash (a psychedelic typeface named after Jefferson Airplane), CA Garrutas (grunge), CA Gatintas (grunge), I Am Telefono (the largest phone dingbat and scanbat typeface on earth), Wach Op-Art (kaleidoscopic icons), K.O. Activista, I Am Hueca, X Template (stencil), H.H.Samuel (rounded sans), U2 Metalona (a beautiful white-on-black display face), M F Plexus Italic, J.M. Nexus Grotesque (an "thin inline" fat grotesque), Wachinanga, Tabaquera, Pabellona (grunge), El Pececito (video game font), the poster typeface Hobby of Night (OFL), H2O Shadow (outline version of Fabada), Zabatana Poster (a didone-inspired poster font), Oaxaquena Tall, Yacimiento (wood style wedge serif), and Rabanera.

    Typefaces from 2014: Babalusa Cut, A Cuchillada, Sabandija (a plump round display typeface), F2 Tecnocratica, F1 Secuencia Quad (pixel face), La Pejina FFP (bilined), Tabaiba Wild, Gabachita (ultra-condensed rounded sans).

    Typefaces from 2015: Tabarra Pro (Swiss style sans family for Latin, Cyrillic and Greek), A Sogra Ruth (ultra-condensed art deco), Gaban (an outline version of Tabardo), Tabardo (a heavy blocky font), Wacamoler Caps (a Tuscan typeface inspired opening credits of the Western movie Winchester '73 directed by Anthony Mann in 1950), Ubicada (condensed geometric sans), Rabiosa (neurotic font), Zacatecas (condensed shaded sans), F3 Secuencia Round, La Babaca (a powerful black condensed sans in the style of Impact), Obcecada Sans + Serif (condensed with almost disappearing descenders), Eacologica Round Slab (a nice commercial font with an incomplete set of numerals), Palim Script (curly), Vacaciones (signage face), de La Cruz.

    Typefaces from 2016: Yugoslavia (calligraphic), Love Box (stencil), Cienfuegos (connected retro script named after the Cuban her Camilo Cienfuegos), Gaitera Ball (round fat script), The Black Box (a retro banner font), Durum Kebab (shadow sans), Jolgoria In Town (script), Yerbaluisa (signage script), Escobeta One (brush script), Posteratus Rex, Bastardilla (a cursive font), Rotulona Hand, The Juke Box (retro juke box lettering), Angelique Rose (connected monoline script), Promenades, Bucanera (a swashbuckle font), Lucemita, Panama Road (a casual calligraphic font), Deslucida, Disoluta, Sucesion Slab, Tabarra Pro Round, Qebab Pro Shadow, Monserga (white on black), Indulta SemiSerif.

    Typefaces from 2017: Partizano Serif (a retro poster font; free demo), Jack Stanislav (a great condensed movie poster font), Fontanero (rounded fat sans), Yonky (fat slab serif), Zigzageo, Libertatus (manual serif fonts based on a Czech poster from 1935), Libertatus Duas (slab serif), Flamante Sans, Flamante Serif, Flamante (Round, SemiSlab, Stencil, Seca, Cairo, Roma), Seisdedos Dead (rough stencil fonts), Neo Latina (stencil), Carta Magna (blackletter), La Sonnambula (signature script), Bola Ocho (an eightball font), Clandestina (textured, layered), Acratica (signage script), Penitencia Inline, Autarquica (outlined vernacular style), Caminata One (shaded signage typeface), Sin Razon (wedge serif), Glotona Black and White (a layered tattoo style font duo), Glotona Dots (the textured versions of Glotona), 6th Aniversario, Tribal Box (squarish sans, with tattoo ornaments and a great environment for borders), Candy Pop (bubblegum font), Sargento Gorila (army stencil font), Libertinas + co (a curly calligraphic script; the free version has no numerals).

    Typefaces from 2018: Gudariak (a free color SVG font: Vicente Ballester Marco (Valencia 1887-1980) was a graphic designer and Valencian poster artist affiliated with the CNT (Confederacion Nacional del Trabajo) who created political propaganda posters of clear modernist and post-cubist influence during the Spanish Civil War. The Gudariak typeface is inspired mainly by one of the posters he made for the Government of Euskadi and also in others where the author continues to explore this particular typographic style. ), Farisea Fraktur, Octuple Max (techno), Ordeal Eroded, Panfleta Stencil, Secuela (free), Fragua Pro (condensed sans family), Getho (a geometric semi-sans), Cowboya Tuscan (a curly Tuscan circus font), Txuleta Deco (a striped art deco typeface), Coltan Gea (slab serif), Getho Semi Sans, Cowboys (a Tuscan typeface), Drystick Geo Grotesk, Diezma, Grifa Slab, Coltan Gea (slab serif family), Paloseco (geometric and grotesk), Stoica (a color SVG font), Letrera Caps (a rounded square style layered and color font that pays homage to the sans serif inline genre), Enagol Math (a condensed rounded slab serif based on carefully applied mathematical ratios), Heptal, Velocista, Octagen Condensed, Octagen Black, Sextan Serif, Sextan Cyrillic, Quickat (signage script), Octagen (condensed sand with short descenders), Wolframia Script (flowing handwriting), Pentay Slab, Pentay Sans, Pentay Book, Cuatra, Judera (Flat and Ring: monospaced, unicase and totally sqaurish), Quotus (slab serif), Tripleta Grotesk (a 16-style geometric sans family).

    Typefaces from 2019: Pervitina Dex (sci-fi), Megalito Slab, Obesum Caps, Jane Roe (sans), Icons Opentype, Felona (stencil: a variable font), Neo Fobia, Bocartes Fritos (food icons), Red Thinker (a squarish monoline sans), Pena Caldaria (blackletter).

    Typefaces from 2020: Anoxic (a squarish monoline sans).

    Typefaces from 2021: Humato (a sturdy font for weightlifters), Probeta (a squarish techno sans family in 42 styles), Speeday (a speed emulation sans).

    Creative Market link. OFL link. Behance link. Dafont link. Devian tart link. Abstract Fonts link. Fontspace link. [Google] [MyFonts] [More]  ⦿

    Ferrets N Fonts
    [Perry Mason]

    Perry Mason is the prolific ozzie creator (based in Newcastle) of Nato, a truetype font apparently made for NATO military vehicle lettering (2001). Since that first font, he has made well over 1000 fonts, mostly in 2001, but some as late as 2003. Back-up of his fonts at Just Us Now, now defunct. Alternate URL for Just Us Now (also defunct). Yet another URL. List of his fonts, by date, and alphabetical list. Perry Mason's dingbats. [Google] [More]  ⦿

    Ferry Septian
    [Uncurve]

    [MyFonts] [More]  ⦿

    Fiodor Sumkin

    Byelorussian illustrator who fled his country when he was 18 years old. He sold paintings in Moscow and now lives in Amsterdam. His drawings are straight out of the 19th century, ornamental and playful. He is also inspired by the psychedelic lettering of the 1960s. Discussion of his work by Coles. Typefaces, all made or drawn in 2006-2007: Rodopi, Fashion Condensed, Farringdon, Hopkins, Rondell (Western style face), Abramesque (ornamental caps), Mansard Trimmed (19th century emulation), Wedlock, Silverado, Shimmer Wide (cyrillic), Mona (extra-wide slab serif), Flirt Chloe (more 19th century ornamental glyphs), Jubilee (constructivist Cyrillic lettering), Big Cyrillic pixels (many great pixelized alphabets), Cuba, Gingerbread (Victorian), and St. Clair. Alternate URL. Check out his gorgeous country maps designed for the aeroflot in-flight magazine in 2008. [Google] [More]  ⦿

    Flash Graphics

    Bucharest-based designer of these vintage typefaces in 2020: Forestion, Explorium, Venatura, Westage (spurred, western), Rustica Slab, Timburns. [Google] [More]  ⦿

    Flat-It
    [Ryoichi Tsunekawa]

    Japanese foundry in Nagoya that offers free and commercial Latin fonts made by Ryoichi Tsunekawa, who also runs Bagel & Co, Dharma Type, HolidayType and Prop-A-Ganda. Most of his work was done at Flat-It. His typefaces:

    • 2021: Best Choice (a monospaced sans), Short Films (an art deco sans in twelve styles), Golden Decades (a 16-style sans that borrows from several sans genres).
    • 2019: Mid Century Sans, Tamba Sans, Rama Gothic Rounded, Bio Sans Soft.
    • 2018: Fairweather (clean sans), Kaneda Gothic (a basic severe condensed gothic), Vincente (a tall condensed display didone family).
    • 2017: Calling Code (monospaced programming font), Commuters Sans (elegant wide sans), Mighty Slab, Rigid Square (octagonal), Taro.
    • 2016: Bio Sans, Gomme Sans, Quiet Sans, Siro (sans).
    • 2014: Pero (condensed rounded organic sans), Kiro (minimalist organic sans), Graphie (modern geometric sans), Compasse (semi-condensed sans), Como (rounded sans).
    • 2013: Spoon (organic, rounded, monoline sans family), Antoinette Monogrammes (based on early 1900s embroideries by Janon Co; with frames), Clonoid (a sci-fi family that pays tribute to arcade game logos in 80s and 90s), All Round Gothic Demi (a sans based on perfect circles), Griffon (copperplate titling face), Antique Spenserian (based on Spencerian Script by Mackellar, Smiths and Jordan).
    • 2012: Geom Graphic (a retro sci-fi family that can be considered as a squarish version of Eurostile), Sheepman (modular), House of Cards, Space Colony (a lovely monoline futuristic techno family), Rama Slab (an antiqued wood-style slab serif), Rama Gothic. An antiqued sans serif family that recalls the wood type era), Diamond Ring (an art deco typeface inspired by Japanese cosmetics-packaging designs and posters from the late 19th and early 20th centuries), Controller (techno meets organic in this rounded squaris sans family), Revolution Gothic (an extended version of PAG Revolucion), 2008, which was inspired by retro propaganda posters and wallpainting in Cuba from the 60s to 80s; Revolution Gothic P followed in 2014), Diamond Ring (art deco).
    • 2011: Yummo (monoline organic sans), Sheepman (based on the wood type No. 506 of William Page), Onick (2011, an art deco neojaponist fat display face done for Wordshape), Shiva (2011, hairline sans), Mocha Mattari (2011, grunge), Dharma Slab (2011, inspired by 1800s-style wood type), Dharma Gothic (2011, +P), Rama Gothic (2011, also inspired by 1800s-style wood type), Dimensions (2011, squarish), Design System (2011, a large family based on 70s style techno typefaces), Speedometer (2011, condensed piano key face).
    • 2010: Stereo Gothic (2010: an extended all caps slightly techno sans family), Behrensmeyer Vigesimals (2010, a pixel format connected script), Civilite Vigesimals (2010, pixelized Civilite), Flat10 Arts and Crafts (2010), Flat20 Hippies, Flat10 Segments (2010), Flat10 Antique (2010), Flat20 Gothic (2010), Flat20 Streamer (2009, pixelized ribbon font), Flat10 Fraktur, Flat10 holy, Flat10 Holly, Flat10 Stencil, Flat20 Headline, Flat10 Artdeco, Word From Radio (2008-2010). Cigarette (2007, Bauhaus/Peignot-style).
    • 2009: African Elephant Trunk (2009), Concrete Script, Concrete Stencil (2009, a stencil calligraphic script), Perfect Magic (2009), HT Maison (2009, signage face), HT Farmacia (2009, connected school script), HT Espresso (2008, upright script), HT Cartoleria (2008, connected script), HT Cafe (2009), Sneaker Script (2009).
    • 2007-2008: Bistro Mono (2007, an awkward monoline face), Thousands (2007), Balaghat (2008), Garash Script (2008, a Halloween face), Woodstamp (2008), Banana (2008, brush script), Rebel Train Goes (2007, a piano key font), Rouge (2007, an elegant lipstick-on-the-bathroom-mirror pair of typefaces), Yasashii (2007, a great geometric art deco Broadway-style family, famous for being used in Damien Chazelle's La La Land, the 2017 blockbuster movie), Lily Wang (calligraphic script), Nothing (2007), Garash (2007, Arabic simulation), Moon Star Soul (2007, Western saloon font), Grandes Vacances (+ Une, Deux) (2007), Pansy Bo (calligraphic), Dremie (2007, an art deco headline typeface with Open and Fill weights), Grandes Vacances (2007, based on 19th century billboard letters), Xesy (2007, a fantastic "ronde" high-contrast upright connected script), Deluta Black (2007, a soft blackletter), Cotoris (2007, a 4-style family that takes inspiration from Koch Antiqua and the art nouveau movement).
    • 2006: Daisy Lau (calligraphic), Agedage Luxeuil (based on a monasteric script from the 8th century), Agedage Cancellaresca, Agedage Beneventan, Agedage Simple Versal (2006, Lombardic caps simplified), Amsterdam Modern (art nouveau influences), Flat10 [Holly, Holy, Stencil, Fraktur] (a set of pixel typefaces), Machiarge (a heavy connected brushed signage script), Chic Hand (connected script), Double Dagger (geometric stencil family), Fault (an art deco striped lettering face), Killernuts (headline serif typeface with brush stroke endings), Underconstructionism! (a rectangular look family with associated dingbats), Machia (decorative script), Kiwi (geometric hairline), Bagel (roundish comic book face), Jaguarundi (distressed), Boycott (distressed), Tokyotrail (futuristic techno family), Coconut (noisy outline face), Coconut Split, Fresh Tomato (LED simulation), El Piedra (letterpress emulation), Dried Tomato (LED simulation), Dutch Style, Mocha Harrar (great stencil face), 103 (experimental, Bank Gothic style), Airhead, ArealBlack, Awkward, BagelNew, BagelOld, Banbino, Bebas (2005, industrial sans), Bebas Kai (2014: free!), Bebas Neue (2010: free!), Bebas Neue Bold, Berlin89, Blackout (redesigned in 2011 as the ulta-narrow Dimensions), Boycott (grunge), Built-1970, Bunyan, Busted, Camera (2007), Canstop, Chiangmai (Thai simulation face), DBLline, Dijkstra, Dutchstyle, Fling, Graphite, Harcomaso, Hiexplosive, Hitech, Honeycomb, Junkmix, Kanatypo, KemikalHi, Machia (a calligraphic family), Meegoreng, Mikrob, Natsupopy, Overwork, Palsu, Plamo, Plasitico, REC001, REC002, REC003, Resistance, SQRT, STdigi (LED font), Shandy, Superstar, Tembaga, Tenaga, Tomodachi, Tragedia, Trucker, VRdigital, VRembroidery, Welcome2M, Workaholic, Zeebraa, plot-A, plot-K, Appendix 3, Gesso (grunge), Pusab (ultra round; one free weight), Sushitaro, Typewrong, Celtics Modern (a Celtic family of fonts). At T-26, he published CRZ (2006), Guppy, Ohana (octagonal), Picnica (2006), and Wearetrippin.

    MyFonts link. Fontsquirrel link for their free fonts such as Bebas (2005, industrial sans), Boycott, Gesso, and Pusab.

    Typefaces from 2022: Senpai Coder, Madromit (a layerable futuristic font inspired by the early computer fonts), Tokyo Olive (art deco), Poipoi (a layerable 3d or bubblegum font).

    YWFT link. Bagel & Co. link. Klingspor link. Dafont link. Dafont link.

    Interview.

    View Ryoichi Tsunekawa's typefaces. Kernest link. Adobe link. [Google] [MyFonts] [More]  ⦿

    Floodfonts
    [Felix Braden]

    Floodfonts has freeware fonts by Felix Braden (b. Koblenz, Germany, 1974, an ex-student at the Trier College of Design). In 2000 he founded the free-font site Floodfonts with Peter Hoffmann. After working for five years as an art director for Gaga-Design, Koblenz, he decided to set up his own graphic design studio in Cologne. He now lives in Cologne working as a freelance designer and as a art director for MWK Cologne. In 2016, he set up his own Felix Braden type foundry.

    His free fonts at Floodfonts included Polaris (2011), Floodicons (2003), Hydrophilia (2003. He writes: Hydrophilia family was created in 2003 by Felix Braden as a further development of Moby and comes with two fonts: The gothic typeface (liquid) is a revised version of the pixel font (iced). Hydrophilia liquid got a lot of letterforms with a diagonal axis, which reminded me of the technical fonts used on early liquid crystal displays.), Squid (2002, free), SquidCaps (2002), Ninetwist (2002), Catherine (2002), Moby (2002, a Bauhaus style corporate and headline font for the Cologne based design bureau Glashaus), Babelfish (2002), Blendfontsexperiment (2001), Incpot (1997), Hammerhead (2001: an angular constructivist typeface---free), HammerheadBlack (2001), HammerheadBold (2001), HammerheadMedium (2001), Multikultur (1997, Fraktur font), MultikulturExtraBold (2001), Orchidee (2001), Sadness (2001), Wuestling (1997). His commercial typefaces at Floodfonts include Kontiki (2018: a woodprint emulation typeface family; a grungy version of Clarendon), Capri Pro (2011-2015): an expressive constructed sans serif typeface in the tradition of Kabel and Avant Garde, partly constructivist, and partly hipster.

    Peter Hoffmann designed Alita (2001) and Lacuna (2001).

    Commercial fonts at Fountain: Grimoire (since 2015 at Floodfonts), Sadness (2001).

    In 2004, he cofounded Timetwist with Pia Kolle, where you can download Rabbits (2004, Kolle), Pirates Stoertebecker (2004, Braden at Floodfonts, a ransom note face), Pirates Drake (2004, Braden at Floodfonts), PiratesBlackbeard (2004, Braden at Floodfonts), PiratesBonney (2004, Braden at Floodfonts), Bigfish (2009, a Western billboard face).

    At Ductype, Braden published Timetwisteight (2005, a pixel face).

    At URW++, he published the Supernormale family (part techno, part pixel) in 2006.

    At Volcano, he made the rounded display face Bikini (2010).

    At Fountain, he published the original version of Capri in 2011. After Fountain's demise, it reappeared as Capri Pro at Floodfonts in 2015.

    The Orchidee project started in 1999 led to a fantastic free font. Felix: Orchidee was created as a part of the business stationary of the restaurant Orchidee located in the luxory hotel Quellenhof in Aachen, Germany. After the founding of the restaurant the hotel manager realized that there earlier was a bordello in the city with the same name, so he wanted to change the name. At the time when our agency had to presentate the logotype the name was not appointed so I created the font. The restaurant was specialized on crosscultural european-asian cuisine. Because of that I wanted to mix up some elements of traditional asian typography with european typography. The letters are designed in freehand by the repetition of just a few basic elements. To create the rough outline I used xerox-copier because I wanted to have some chaotic elements to give the font a handmade touch.

    Other free fonts: Coraline (2012), Sonar Script (2013), Rollmops (2013).

    At FontShop, he published FF Scuba (2012), as an offline companion to Verdana. It was one of the winners of the Communication Arts Typography Annual 2013.

    In 2019, he published Pulpo, a ten-style family inspired by Century Schoolbook and Clarendon.

    In 2020, he released Turbine (at Fontwerk: a 14-style neo-grotesque family), and Arpona, an 18-style lapidary flared typeface with slight wedge serifs.

    Typefaces from 2021: Capitana (an 18-style geometric sans with large counters; not as severe as Futura), Arpona Sans (a 20-style humanist sans with rhombic tittles).

    FontShop link. Klingspor link. Fontspace link. Dafont link. Behance link. Fontsquirrel link. Personal page. Another Behance link. Fountain Type link. Home page of Felix Braden. [Google] [MyFonts] [More]  ⦿

    Font Bundles

    London-based font vendor who started in 2015 or 2016, and carries mostly brush script typefaces. They are mainly pushing their own work.

    Typefaces from 2017: Treasure Script, Hastter Sontial script, Dealina (calligraphic script), Red Mist, Queen, Wishing Well, Highlights, Handy Man, Hey Betty, Polar Bear, Realtech, Golly Gosh, Magic Man, Ardina Script (by Ari Fadli), Rusty Bucket (dry brush), Dolly Script (calligraphic wedding script), Handstyles, Bouncy Hunter (spurred), Django (Western), Olivia Script, Questioned, Renegade, One Dance (calligraphic), Mammoth (script), Honey Bee, September Script (calligraphic), Amanda (calligraphic), Sandy Pro, Lilly Mae.

    Typefaces from 2018: Squishy, Squishy Extras (sea life dingbats), Billie Harley, Origami, Arkinay, Moscow (a Cyrillic emulation typeface), Bindi, Felt Tip, Christina, Park Ranger, Rembulan, Catchy Script, Champagne (brush and ink splatter), Azalea, Loft Yian (script), Love Candy, Wisdom Script, Montage (signage script), Bristol, Stephanie Jane (brush pen font), Glamorous Silhouette (font duo), Sun City (sans), Crackers, Sliders Script, Jaquilane (upright script), Gladis (formal calligraphic script), Wheatbread (monoline sans), Monstera (a stylish serif typeface), Sailor (tattoo font), Comic Boom (cartoon font), Kely Rose, Radical, Granger (brush font), New Type (prismatic), Sugar Script, Aloha Big Man, Magical Unicorn, Chocolove, Gentle, Roseland, Queensland (copperplate calligraphy), Pink Grapefruit, Jingle Boo, Old Press, Michigan (outline slab serif), Boulder Holder, Angelica (a creamy signage script), Anchor, Freshca (upright connected script), Zimbra (zebra-striped, by Alex Etewut), Adele, AlyshiaScript, BackStitch, BirthdayScript, Brat, BringHearte, CherryBlossom, Eastland, ElhammerBrush, Enyssala, Florva, GloomyDay, HappyBirthday, Heavenfield, Herbie, Junitha, Kayleigh, Mirantie, Mountiane, Nattalia, Quance, QuickBrush, Rafifi, Reebiolla, Rockets, SandyBeaches, Springer, Strangelove, TheCharlotte, Valentino, VictorianMonogram, WinterTime, Zebra.

    Typefaces from 2019: Radicals (signage script), Lovebird, Ridgeway, Lindale, Moscow, Anthem, Blackstar (blackletter), Maskoolin, Tatima, Hands Down, Monday Blues, September Script, Restuner, Mammoth, Hey Betty, Ciscopic, Hatterline, Jaiho Script, Diamonds, Indah Script, Amanda (calligraphic), Molyna, Mellow Line, Sandy, Renegade, Loveya Script, Angelina Script, Heilig, Dealicha, Allana.

    Typefaces from 2020: Sleeplesson, Nostalgia Script, Fb Super Fun, Fb Lawnmower, Fb Lovehearts, Fb Leonardo, Fb Fancycorgi, Fb Bananasandwich, Fb Doodled, Fb Mighty Spiky, Quirkle, Toasted Cinnamon, Loveya Doodle, Neon Light (a marquee font), Cliche, Zipper, Fb Mainland, Fb Strawberry, Fb Many Mondays, Fb CountryGirls, Fb Caramelong, Sausages (a chunky script). [Google] [More]  ⦿

    Font Diner (or: Stu's Font Diner)
    [Stuart Sandler]

    Stuart Sandler (Minneapolis) runs six foundries: Font Diner (est. 1996), Sideshow, Breaking The Norm, the Tart Workshop, Font Bros (est. 2006), and Filmotype (est. 2006). He runs a handful of other companies and web shops as well, including Mister Retro (est. 2004). He is passionate about retro type. DaFont link for their free fonts. Fontspace link. Interview.

    Catalog of the best selling Font Diner fonts. Images of Stuart Sandler's best-selling fonts.

    Free fonts: Rickles (2007, script), AirConditioner (2002, fifties style upright script), BahamaSlim (2004), BlackNight (2002, blackletter), BlackWidow, BubbleMan, ChannelTuning, Corrupter, CreakyFrank, DecayingKuntry, FeaturedItem, FontOnAGrain, FontOnAStick, Fontdinerdotcom (one of the earlist beatnik style digital typefaces), FontdinerdotcomHuggable, FontdinerdotcomLoungy, FontdinerdotcomSparkly, Fontdinerdotcom Jazz Dark, Fontdinerdotcom Jazz Light, Hothead, KeeponTruckinFW, Leftovers (2002), MaverickBE (stencil face), Musicals, PickAx, Rickles (2009; upright script), RocketScript (2002, retro script), Schnookums, SinsofRhonda, Spacearella (2002), StencilGothicBE, ThatsSuper, Turnpike (2009), Witless, XerkerFW.

    Commercial fonts: Continental Railway (1998, retro connected script), Anastasia, Chatty Cocktails (1998, art deco), El Nino, Guest Check, Hamburger Sandwitch (1998), Jumping Bean (1998, comic book style), Lionel Classic (1998, an art deco all caps face), Milwaukee, Motor Oil, and the greatest of them all, Coffee Shop (1998, exaggerated ascenders), a must! Other typefaces: Permanent Waves (1998, + Expanded: retro connected script), Yarn Sale (curlies), Fat Sam (not bad!), Etiquette, Taylors (1998, another great display font; co-designed with Dan Taylor), Kentucky Fried (1998, comic book / signage style), Beer Wip, Seuss, Jack Bisio and FinerDiner, Shivering, Dry Cleaners (2002), Singlesville Script (2002), Dripping Blood, Bowlorama, Action Is, Automatic, Chicken King (2002), CocktailShaker (2002, at Chank), Concurso Italian and Concurso Moderne (2003), DoggieBagScript, Johnny Lunchpail (2000, comic book style), Kitchenette (connected retro script), Lil Tipsy (2003), Milwaukee Neon (1998), Milwaukee Neon Shadow (1998), Motorcar Atlas (2000), Regulator, Stovetop (2002), Swinger (2002), WARNING (2002, rough stencil), BEBlob, BECROSS, DecayingAlternate, Decaying, EvilBrew, TheBlob, Insane Asylum, Creepy Crawly, Crossover, Fire Baaaad!, Rotten Teeth, Candy Good, EvilOfFrankenstein, HMan, HManPt2, PlasmaRain, Chicken Basket (2004), Chowderhead (2004), Cocktail Script (2004, upright), Country Store (2004, Western style), Dairyland (2004), Emblem Chief (2004, fifties diner script), Motel King (2004), Queen Rosie (2004), Sweet Rosie (2004, blackboard bold), Secret Recipe (2004), Square Meal (+Hearty) (2004), Bahama Slim (2004), Space Immortalizer, Matchbook and BE Streetwalker. Many font have a cool retro/fifties look. The InFlight Meal font set (2001) includes Al's Motor Inn, American Highway, Kiddie Cocktails, Lionel Text, Mosquito Fiesta, New York to Las Vegas, Pink Flamingo, Refreshment Stand, Starlight Hotel, Volcano King. The LasVegas font set: El Ranchero (2002), Hamburger Menu, Hamburger Menu Marquee, Holiday Ranch, International Palms, Lamplighter Marquee, Lamplighter Script, Las Vegas to Rome (stone chisel face), Leisure Script, Leisure Script Marquee, Mirage Bazaar (2002), Mirage Zanzibar (Arabic theme face), Mister Television, StarburstLanes, Starburst Lanes Twinkle, Vegas Caravan. At ITC, he published ITC Kiddie Cocktail (2003), ITC Mosquito Fiesta (2003), ITC Volcano King (2003).

    In 2006, Font Diner acquired the Filmotype collection and its trademark, Filmotype. Sandler writes: Filmotype initially manufactured a simple manual phototype machine utilizing display typeface designs on 2-inch filmstrips. Additional films were sold to start-up typesetting companies in order to increase their product selection. Font Diner will create new digital versions of the Filmotype collection, recreating it to meet todays graphic design standards. [...] We intend to release the Filmotype library in OpenType format so the original designs can be fully realized with a dynamic feature set including alternate glyph forms and automatic substitutive ligatures.

    In 2007, Font Diner started publishing digitizations of the collection: Glenlake (condensed Bank Gothic, by Mark Simonson), MacBeth (script), Alice (casual script), Zanzibar (calligraphic), La Salle (brush writing originally by Ray Baker in the 1950s, named after Chicago's LaSalle Street), Ginger (Mark Simonson; masculine headline typeface genetically linked to Futura), Austin (paintbrush), Brooklyn (hand-printed), Honey (handlettered script), Jessy (handwriting), Modern, Vanity, Filmotype Ford.

    In 2010, Stuart Sandler published a book entitled Filmotype by the Letter, in which he details the company's history.

    Free fonts on the Google Directory, dated 2010: Fontdiner, Swanky, Cherry Cream Soda, Permanent Marker, Homemade Apple, Schoolbell.

    In 2012, David Cohen and Stuart Sandler published these typefaces at Neapolitan: Irish Grover Pro (2010, a bouncy face), Satisfy Pro (2011, a connected retro script face), and Slackey Pro (2010, a paper cut out style face). At the same place, he also published Crafty Girls Pro (2010, co-designed with Crystal Kluge). With Crystal Kluge, he also co-designed the flowing connected script typeface Aya Script (2012).

    At Sideshow, he published the pen-drawn connected script Mister Brown (2013) and the retro signage script typeface Cocktail Sauce (2014).

    View Stuart Sandler's typefaces.

    Jolly Lodger (2012, Google Web Fonts) is an informal retro script.

    Typefaces from 2018: Cherry Soda, Deviliette, Fat Sam, Doggie Bag Script, Cherry Soda, Deviliette, Fat Sam, Doggie Bag Script, Black Night (an eerie blackletter), American Cheese (retro display style).

    Typefaces from 2019: Madelinette Grande (by Stuart Sandler and Crystal Kluge: created by hand with traditional pointed pen, it includes calligraphic penmanship and rustic styles).

    Typefaces from 2021: Bon Marche (a curly vernaculat script by Stuart Sandler and Crystal Kluge), Los Angelino (a script by Stuart Sandler and Crystal Kluge), La Bohemienne deLuxe (a calligraphic script by Stuart Sandler and Crystal Kluge), Epicursive Pro (a script by Stuart Sandler and Crystal Kluge). [Google] [MyFonts] [More]  ⦿

    Font Mesa
    [Michael Hagemann]

    Michael Hagemann's creations have a 1850-1920 style or at evoke the Wild West. Font Mesa was located in Naperville, IL, but is now based in Las Vegas, NV.

    Free fonts include Cactus Sandwich (Mexican simulation face), Timepiece (originally called Tax Cut), Timepiece 3D, Magic School One and Two (2004, two Harry Potter typefaces), Wild Ride, Corleone (2001: see also here), Corleone Due (2001), MightyRapids (2001: discontinued) and the Ferrari logo font FerroRosso (2002).

    Michael Hagemann's commercial fonts by year of production:

    • 2001: La Mesa (2001), Maverick's Luck (2001), Desperado (2001), Rio Mesa, Maverick's Luck (based on a bank document from 1876), La Macchina (2001, Lamborghini car lettering)
    • 2002: Brewmaster Modern (lettering of Budweiser Racing), Saddlery and Saddlery Post (Western-style caps: a revival of Minaret by Ihlenberg in 1868; Solo calls it Trocadero), FerroRosso (lettering as in the Ferrari logo), Stampede (a family based on lettering used in document from the Chicago, Indiana&Eastern Railway Co. in 1902), Main Event (a Tuscan font, based on Tuscan Ornate, or Bracelet, fonts that date from before 1860; originally called Main Strike in 2003), Red Dog Saloon, Rough Riders (great Western-style caps), Draft Beer.
    • 2003: OK Corral (revival of Caslon and Catherwood's Italian from 1821), OK Corral Lined (same as OK Corral with layers; called Italianate Barnum by Dan Solo), Gold Standard (a Tuscan font based on a few letters found on an old Gold Certificate from 1882), Rodeo Clown (based on Carnival), Taqueria, Cove.
    • 2004: Bronc Stomper, Open Range, Saloon Girl (a spurred version, Tex Mex, appeared in 2021), Gillé Classic an exquisitily detailed family based on work by Joseph Gillé, 1820's, and implemented elsewhere under the names Circus, Roma and Madame; this was originally called Home Style; some say that the original goes back to Silvestre and not to Gillé; because of this, finally renamed Maison Luxe in 2017; the condensed versions, released in 2021, are Mi Casa and Mariachi), Miss Scarlett (Gone with the Wind poster lettering), Open Range, High Noon, Draft Beer Classic (2002-2005, connected 50s script), High Country, American West, West Wind, AmericanPop (Coca-Cola font).
    • 2005: Buckhorn (a Tuscan style Western or circus font; renamed Circus Wagon in 2020), Rodeo Roundup (rope font; Solo called it Rope Initials), Algerian Mesa (32 fonts; extended to the gigantic font family Tavern in 2017, with further development in 2020 in Bay Tavern and Bayside Tavern; the original Algerian goes back to Stephenson and Blake), Conestoga (circus font), Rough Riders (a nice Western font based on the logo of the Beach Creek Railroad Company in the 1860s), Rough Riders Redux, Mesa Pointe (pointing hands, from 19th century sources), Black Pearl (an ornamental blackletter typeface based on an original from ca. 1860; it has two beautiful manicules; some say it is based on an 1860 font called Rimmed Black by West, published by Farmer&Little), Saloonkeeper (inspired by the Leinenkugels brewing label), Wanderer (inspired by the title logo of the TV show The Wild West), Lynchburg (inspired by the Jack Daniels Green Label Whiskey logo).
    • 2006: Flatrock (a revival of Inverted Shaded by Julius Herriet, done at Conner in 1886; Solo calls it Big Cat; in 2020, Flat Rock was renamed Big Cat by Hagemann), Livery Stable (revival of GlypticShaded by Ihlenburg at MS&J, 1878. See also Glyptic and Glyptic No.2, 1878), Happy Holly Day, Main Street (a Tuscan typeface that revives Soutache by Julius Herriet and Bruce, 1873).
    • 2007: Birdcage (2007, after a lettering sample in Rob Roy Kelly's American Wood Type book), Lonestar, Lonestar Western, Railhead (2007: 4 styles, a revival of an 1870s type style that was originally available from both Bruce's New York and James Conner's&Sons type foundries called English Two-Line Ornamented No.4; an earlier version was English, done in 1853 by Caslon, Austin, Woods and Sharwoods; and before that, the typeface was created by a German designer in 1849), Flying Dutchman (2007, a revival of a MacKellar, Smiths&Jordan Co Kanzlei-style font from 1876), and Western Sky (2007, a revival of a late 1800s Italian font known as Italian Slab Fancy or Dodge City: it is Italic Ornate from Smith, 1874, MS&J). Country Western (2007, 11 styles; plus versions called Country Western Script and Country Western Swing) is a revival of the classic William Page font known as Clarendon Ornamented originally designed in 1859 and again in 1877 by Vanderburgh&Wells. Abbiente (2007) is his first foray into the world of Bodoni and Didot. Buffalo Bill (2007) is a beautiful Western style font that revives a classic from James Conner's foundry from 1888 [Solo also calls it Buffalo Bill].
    • 2008: Gold Rush and Gold Spur (2008) are further Wild West style families, based on typos from the Bruce Foundry, 1865. Silverland (2008, 8 styles; a revival of Ornamented No. 1490 by Ihlenberg, 1874, Bruce) and Belgian (2008, 5 styles; a revival of Ornamented No. 1515 by Julius Herriet, 1861, Bruce) are further revivals of typefaces from the Bruce Foundry.
    • 2009: Spanish Main (revival of an old MacKellar Smiths&Jordan blackletter font named Sloping Black, 1896; others mention Witham and MS&J and give the date 1869), Spanish Rose, Black Rose (spiky blackletter based on BlackOrnamented No. 532, Ihlenberg, 1873, Bruce), Bella Rose (2009, blackletter), Broadgauge Ornate (revival of an 1869 Western poster typeface by Ihlenberg at MacKellar Smiths&Jordan). Apple Pie (2009) is some sort of Bodoni Ornate---it revives and extends a William Hagar Type Foundry face, ca. 1850 [MS&J added a lowercase in 1869]. This was followed immediately by Bodoni Ornamental. Hickory (2009) is an ornamental Western face, a revival of an old unnamed font dating back to 1852 and was sold through a few different type foundries including Bruce, MacKellar Smiths&Jordan and James Conner's Sons.
    • 2010: Gunsmoke is a Far West font, a revival of a James Conner's Sons font that has been around the block under different names such as Extended Clarendon Shaded, Original Ornamented and Galena [Solo called it Galena]. Night Train is another Far West font.
    • 2011: Gold is a multi-style slab serif font family based on the classic Gold Rush (1865, Bruce), with the shadows removed. Images: Gold Black, Gold Thin.
    • Undated: Cowboy Serenade (based on Phidian by Ihlenberg, 1870, MS&J; Solo's names: Eureka, Shaded Phidian), Gold Fever (based on Caxtonian, 1878, MS&J), Old Thunder (based on a Tuscan typeface from the 1800s).
    • 2013: Great Western, Cowboy Western, Cowboy Rodeo.
    • 2014: Magnum Sans.
    • 2015: Grillmaster (a basic sans family consisting of 128 fonts).
    • 2016: Pitmaster.
    • 2017: Ribfest (a Tuscan circus font), Texicali, Alta Mesa (Wild West wood type).
    • 2019: Marlin Geo, a large sans typeface family---a modern geometric take on Helvetica. Michael writes on Creative Market: You may have noticed a new FontMesa font released on June 17th called Geovetica, Monotype has asked me to rename the font because it's too close to their best selling product. Marlin is the new name choice for our new font with the geometric version [Marlin Geo] being released first. Marlin Geo has many opentype features and comes with italics (at a 12 degree angle) and a slanted version (at a 6 degree angle). See also Marlin Soft (2019).
    • Fried Chicken (2020). A 32-style slab serif family intended for supermarket or food product advertizing.
    • Philadelphian (2020). A Western or billboard font family based on a MacKellar, Smiths & Jordan font from 1867 by the same name.
    • Taco (2020). A multistyle Mexican party font.
    • Tortilla (2021). A 24-style Tuscan typeface, a flat-sided version of Fontmesa's Saloon Girl and Tex Mex font families.
    • Marzano (2021-2022). A 30-style blend of Futura, Helvetica and his own Marlin.

    Klingspor link. Fontspace link. Dafont link. Creative Market link. MyFonts page. View Michael Hagemann's typefaces. Abstract Fonts link, [Google] [MyFonts] [More]  ⦿

    Font Monger
    [Chris Vile]

    Chris Vile (Fontmonger, Austin, TX) is a type and graphic designer and web developer, who was briefly located in Chicago. He specializes in horror, graffiti, grunge and brush fonts.

    Creator of Cannibal (2012, scratchy hand), Die Already (grungy caps), The Dead Saloon (2012, Western caps face), the scratchy scary typeface Dead Bitch (2012), the athletic lettering typeface No Honor Roll (2012), the grungy Redux (2012), Konquer (2012), Sandy Ravage (2012), and Digital Anarchy (2012), the blood drip typefaces Spiked (2012) and XSpiked (2012), and the brushed typeface GwizsK (2012).

    In 2013, he designed The Five One Two (graffiti font), Skidmarked (graffiti font), There Be Monsters, Digital Disorder (a textured typeface), We Are Depraved, The Dead Are Coming (grunge), Barbaric, Welcome To Texas (graffiti font), Chopper City (a spurred constructivist typeface), Maya Rose (a script face), Chaos and Pain (a tattoo font), Abandon (grungy poster face), Virtual Bliss, and Pale Horse (a dagger font), Malevolentz (grungy caps), Shrapnel (grungy caps).

    In 2014, he created Turnt Up (graffiti font), Grind Mafia, No Hard Evidence (glass scratch typeface), Techno Wanker, Abduco (grunge), Blackhead, Summon The Executioner (grunge), The Grinder (eerie font), Normal Sometimes (rounded sans), November Mornings, One More Day, Waukegan Hustle, Thoughts of Her, All Cracked Out, Redux, Cook County Jailhouse, Ol Skool (graffiti font), Why So Serious (grunge), Never Speak Of, Taco Truck Militia, Reason to see evil, Reaching for heaven, Digital Firebomb, Gas Mask Warriors, Necrotype, The Deadliest Saloon, The Decompozed, Necro Monger, Self Righteousness (grunge face), Rasterized (brush face), Some Devil Faces, Flowers For You, Dirtgrub Graffiti, M Ponderosa (letterpress typeface), Dr. Toboggan, Midnite Hour.

    Typefaces from 2015: Thoughts of Her, Any Takers, Men of Nihilist, Rise Inside, Ugly Kids, Mya Papaya, The Unknown, Shun Set, Chops Chops, My Funeral, Blood Lust (dripping blood font), Middle Schooler, Hood Rich, Tequila Sunset, Hire a Cowboy, Tequila Sunrise, Cynical Hills (spurred eroded vintage typeface), Make them suffer (grungy letters), Gristled, Dark Waters, Poison Hope, Code Predators (grungy and squarish), Oak Lawn, Sovereign (grungy blackletter), Crucifixion, Sinner Script, Travis County (graffiti font), No Reverence (grunge), Barter With A Gypsy, Vance Jackson (graffiti script), Vary Sharky (brush face by Chris Vile and Roland Huse), Sons of Noah, Knife Fight Ballet, Dingle Huckleberry (grungy blackletter), The Grim Raiders, Tha Kool Kidz, Genesee St, Quaaludes, Quaalude Hulk, Kings Butcher, Gunfighter Academy (grungy and spurred), Buffalo Grove, Children Among Lions, Dedecus Putro, Dedecus.

    Typefaces from 2016: El Sancho Rancho, Hells Rider Decay (spurred style), Eternity Tomorrow, The Last Call, Our Retaliation (grungy), Zero Athletics, Filth of Icarus (grungy), Texas Slaughter, Black Dahlia, Real Horror, Means of Malice, Mechanization, Valley of Elah, Hells Rider (Tuscan), Black Jacket Boys, Outerspace Militia, Fort Death, The Lost Canyon, The Defiler, Solace for Sadist, Mind Antiks, Tattle and Tales, In Collection, Skinny Jeans (all caps sans), Born Addict, Born a Sinner, Pistol Grip Pump (spurred Western style), Under Authority (grungy), Thrash It, They Perished, Sinthetic, Epitaph (spiky tattoo font), Eternity Now (hipster style), Sniffin Paint, Poker Kings, Virtual Rot, Apex Flunkee.

    Typefaces from 2017: Urbane Cuisine (sketched), Boots And Spurs, San Antono Charros (spurred), Faxine Sky (hairline), Hooligan (graffiti face), Pack of Wolves (dry brush), Tweaky, Eatn Cake, Who Asks Satan (brush style), The Devil Net, Hallow Grave, Death To Metal, Brake Fluid (tattoo style), Boiled Denim, El Sancho.

    Typefaces from 2018: Reposed, A Glimpse, The Waiting Room (scratchy typeface), Philophobia, Medium Rare (a Western font; and its grunge version, Soiled Doves), Chased Through The Woods, Blood Thirst, Voices in my Head, The Quick Marker, Watch People Die, Blue Waffle (erasure font), Under Your Bed (all caps grunge), Eater of Children, Burn The Witch (dripping blood blackletter)Side Effects.

    Typefaces from 2019: Taken (textured), Krazy Hazy, Jackknife, Cowboy Cadaver (Western, spurred), Commanders, Mortem Throne, Among Dead Priest (brush), Smile and Wave, Impact Brutas, Rustic Man.

    Typefaces from 2020: Covid Contagion, Family Annihilator, Font to a Chainsaw, Paper Planets (squarish), Sad Szn, Bless The Galling, Marshal The Dead, Golfclub Homicide, Malignant (a Halloween font), Mustafar Reloaded, Pathogens (a rough brush font), Space Mavericks, Milwaukee Cannibal, Fit for Murder (a dripping blood font), Horror Type, Happy Face Killer.

    Typefaces from 2021: LCt50, Bandero, Nerve Agent, Disembowel, Heretic, The Riven, The Rivened, One more Day, Silly Games, Ode To Murder.

    Home page. Personal home page for Designs By Chris.

    Dafont link. Fontspace link. [Google] [More]  ⦿

    Font Studio Four
    [Paul Bokslag]

    Paul Bokslag is a Kilkenny, Ireland-based type designer.

    FontStructor (aka Four, or Font Studio Four) who made the dot matrix typeface Numbat (2012), the athletic lettering typefaces Atletica (2011) and Atletica Serif (2011), and the texture typeface Milky Way (2011).

    In 2011, he created Things That Go (car silhouette dingbat face).

    Faces from 2012: Crazy Fredericka (poster stencil face), Twisty, Remix Chinese Whispers, Toastbread (wavy, 3d) and Plywood (3d), Field Day (blackboard bold), Transfer Window (bilined), Walk in the woods (dot matrix face), Rock Paper Scissors (bilined), One Way Ticket (bilined), White Knight (outlined blackletter), Black Knight (blackletter), Shelf Life (stylish), Oystercatcher, Broken Promises (multiline typeface), Tarmac, Hibernation (German expressionist face), Glendalough (nibbed face), Tartan Permutations (multiline face), Return Flight, Orbital Flight, Quatermaster, Featherstone, Gorilla Republic, Granny's Bear Hunt (stencil), Detour Ahead (multiline face), Shanghai Express (angular), Cassiopeia, Camelopardalis.

    Creations in 2013: Solo, C Is For Cookie, Early Riser, Firelighter, Timberline (an angular script), Lupo, Polkastruct, Bridger, Six Quinces, Dompteuse, Scandalous, Lane Seven, Singel (cross stitching font), Shadowbox, Hide And Seek, Playroom, Realta 1, Glimpse, Sinistra, Crash Test Dummy, Flightpath, Close Shave, Popover, Switchboard (electrical circuit font), Black and Amber, Wavelength (prismatic), Sightline (multilined), Structurosa Outline, Sparky, Trasna (stencil), Hold Your Horses (Western), Lupo (a winner in the FontStruct Connected Script competition), Skate Park (multiline face), Circumscript, Blinker, Bobs Your Uncle, Snowcat (inline face), Cottage Industry (house silhouettes), Causeway, Springville, Longitude, Pebble Dash, Tulipano, Hitchhiker, Stretcher, Whalewatcher, Solituda, Carbonium, Railway Sleeper (shaded face), Bricklayer Sans, Candyfloss, Milvi, Bluebell Carpet, Pinball Dingo, Spinfish (blackboard bold), Pelicano (piano key typeface), Metropolaris, Glimpse.

    Typefaces from 2014: Thornbrush, Retro Pixel, Spacepixel, Level Rebel, Plutona, Blue Saloon, Seriosa, Bullwhacker, Spiegeltent, Stencilitis, Circumscript, Touchline Script, Brushland, Dordogna, Southbound, Things That Go (ar dingbats), Pacemaker Backslant, Hibernation (wood type emulation), Touchline Script, In Stitches, Stagefright, Process, Cabin Fever, Hamelin, Olingo, Black and Amber, Surftide, Move Over (stencil like Futura Black), Blackrock (rounded stencil), Windway (stencilish), Olingo (bubblegum face), a set of African-themed fonts (Bakelite, Amuletta, Spooner, Chevronel, Yellowhammer, Pinto), Rush Hour, Canario, Nova Zembla (sci-fi), Sleepless, Things That Go (vehicle dings), Cottage Industry (silhouettes of houses), Glimpse, Ticket to Ride (in the style of Tkachenko's Perfopunt), Oluna, Eyeliner, Linearo, Goldfinger, Permanent Black (fat rounded stencil), Solas (artsy dot matrix face).

    Typefaces from 2015: Structurosa Italic, Ketting, Panenka, Nook, Companero, Circularity (textured), Recap Stencil, Beach Street, Life Cycle, Waterway, Rock Paper Scissors, Microwave, The Pattern Exchange, Alphabetical Order, Bloem, Synopsis, Microwave, Marbello, Dustcloud, Timberline, Boxthorn.

    Typefaces from 2016: Proost, Blueback (a retro wood cut look).

    Typefaces from 2017: Appalachia, Chocomotion, CloseShave, CounterCulture (3d), Crocosmia (prismatic), FarewellOphelia, FromAToB, Hinterland, Madagascar (an art deco alphabet), Micrologue, PhoenixPark, PillowTalk, Roetsj, Shadowbox, Sinistra, Skatepark, Soulmates, Spacepixel, Stagefright, ThePatternExchange, Tulipano, UpsAndDowns, Velodrome.

    Typefaces from 2018: Hoek, Breach (paperclip style).

    Typefaces from 2019: Krabbel, Nollaig Shona (trilined), Night Swimming, Kwadrant, Soulpatch, Sylvestra.

    Typefaces from 2020: Bramble Pie (Western), Dialogue (prismatic), Greylock, Juggle, Tomorrow Never Comes (a great bubble font).

    Typefaces from 2021: Offstruct RGB (a color pixel font).

    Dafont link. Behance link. FontStruct link. Hellofont link. [Google] [More]  ⦿

    Fontalicious
    [Ben Balvanz]

    Original fonts by Ben Balvanz from Cedar Rapids, Iowa (b. Cedar Rapids, 1975), who now lives in South California. His original Fontalicious domain ceased in 2005 but was repurchased in 2007 with the help of Font Bros. Some fonts can be downloaded here and here. The list: Topanga (2017), Coney Island (2002), Cheeseburger (2002), Tabletron (2002, LCD font), Senor Pooglins, Plush (2001), Slide, Discotech, Galaxy, Pacfont, Rusty, PinniePoker, Geeves (tall letters--great), Moonpie Cadet, Fidelle, FontTwelve, Mister Easy, Mister Dope, Frosty, Chankenstein, Discotech, VintageVacation, Dazzler, Joinks!, Cyberwhiz, Swinkydad, Sonic Superpowers, Mikey Jax, Klink-o-mite, Caveman, Gloo Gun, Skylab 600, Cyberpop, Cyberjimmy, Smartie Capos, Jenkins, Earwax, Pimpbot 5000, Dreamy, Quinkie, Milkfresh, DateRape (great), SpaceAce, GirlieLeslie, Groovalicious Tweak, Porky's, International Chunkfunk, SuperTrooper, Chachie, Zodiastic, Great Head (dingbats), Chick (sassy!), the Eight Track family, Speedfreek, the Odyssey family, AlphaStep, Alpha Clown, dopenakedfoul, Lounge Bait, SpaceBeach, Jubie, Bean Town, Funkotronic, UndieCrust, and Poppycock, Pornhut, Robokid, Kinkie (Valentine's Day font), BorderMon (dingbat), Technicolor, Tennis (stencil), Moloky, JabbieJunior, Rave Queen, Alpha Niner, Croobie, Wednesday, Populuxe, the nice BoozeBats, Geekbats, Garage Sale, Arcade, Glamocon Retrobats, Fontalicious Thingbats, Good Head, Baby Kruffy, Kruffy, Fine-O-Mite, Disco Inferno, Jokewood, Toggle, Swinger, SurfSafari, OmegaMax, Pogo, Elvis, Trendy University (stencil), Hoedown, Fat, Atomic, Rocket, 12 Good, Moonpie Cadet Good, Dynomite, Superstar DJ (dingbat), Kravitz, Kravitz Thermal, hungrumlaut, Sporto, Sabadoo, Snappy, Chickabiddies (geek dingbats), Mandingo (1999, buncy hand-printed style), Heartbreaker, Smilage, 52 Pickup, Return of the Retrobats (wow!), Wunderland, Omega, Great Head, Air, Blackjack, BlackjackRollin, Borneo, CharlesAtlas, Cheri, CheriLiney (2001, Valentine's Day theme), DeejaySupreme, DigitCube, DigitLoFiShift, DigitLoFi, Digit, DimitriSwank, Dimitri, DiscoInferno, DunebugAlternates45MPH, DunebugAlternates, Dunebug, Dunebug45MPH, Freestyle, Garanimals, Gas, GleeClub, Jenkinsv20, Jenkinsv20Thik, JenkinsKeepinitReal (1998), KravitzExtraThermal, Moderna, MoogSchmoog, Moog, PussycatSassy, PussycatSnickers, Queer, Redensek, Sanka, Schmotto, SchmottoPlotto, Squarodynamic01 through 10 (pixel fonts), Stretch, SupervixenHoneyedOut, Digit, Digit Cube, Supervixen, TheKids (1999), TrendyUniversity, UltraSupervixenHoneyedOut, UltraSupervixen, WeLoveCorey, Manchester (great), Weltron (stencil font), Weltron Power, Mullet, Rolloglide, Planet, Gravity, Alba, BilloDream (2001), Stretch, Pasteris (based on the handwriting of Matthew Pasteris), PornStarAcademy (sports shirt lettering), Mullet, SuperStars (stars), Krupke (2002), Fresh Bionik, Stoney Billy (2001, not free), Hustle (2001, not free), Rustler (2001, Western font, not free).

    At T-26: Marshmallow (2001, rounded monoline geometric face), Superfly (2002, a Western font), Thursdoo (2002), Pacfont Good (2002), Thug (2002), Dokyo (2002, a free competitor of Futura Extra Black and Folio Extra Bold), Supreme (2002), Fresh (2002, at Chank's place), Juice (2002), Pinball (2002, not free), RunTron1983 (2002), Pixel Pirate (2002), Odysseus (2002).

    Rascal Miniatures, Wonderkid, Smilage Regular, Milk with Peanut Butter and Barnaby Candy machine are 2009 comic book style creations.

    Other 2009 fonts include Gringo Enchilada, Brute Strength, Blonk and Sparkle, Cheri Liney, Metroflex, Weltron (techno family), Sanka, Rolloglide (multiline), Pussycat, Poppycock, Pasteris, Moog Schmoog, Moog Synthesizer, Magnum, Krupke, Joinks, Jabbie, Hustle, Hungrumlat, Gravity, Fresh, FineOMite, Dunebug 45mph, Coney Island, Blackjack, Atomic, Air Regular, Shatner, Pixel Pirate, Munkeyshine, Thursdoo, Swinkydad, Surf Safari, Supreme, Stoney Billy, Speed Freaks, Bike Riding Chopper (Tuscan), Popcorn Loaded (ultra fat), Malibu Oceanside, Snafurter (Sinaloa?), Der Weiner Stentzel (stencil), Wordworth Byte, Blingo Diamond and Tiger Roams Jungle (art deco chic).

    Fonts from 2014: Blonk, Kangaroo, Giant, Jingles, Rascal, Coopman, Sinafurter (Sinaloa meets Frankfurter), Supergum (bubblegum font), Tiger, Popcorn, Der Weiner Stentzel (rounded stencil), Milk, Plague (scary font), Wonder (popart), Globitron (art deco), Death Squad (brush face), Spring Break, Tigra (stencil),Tigra (stencil), Fantastic, Parker (signage script) and the vector sets Mid Century Patterns, Banners (01, 02, 03, 05), Campus (01, 02, 03, 04: athletic lettering), Chickabiddles, Holiday 03, Jewelry, Lip Service 03, Optical Illusions, Seals, On The Radio, Viva, Hipster, Geometric Patters (+02).

    Interview. Alternate URL. Dafont link. Yet another URL. And another one. Many fonts sold since 2007 by Font Bros (see here for the announcement). URL from 2005-2007. Behance link. [Google] [MyFonts] [More]  ⦿

    Fontasmic
    [Sawyer Hume]

    Fontasmic is located in Hesperia, CA. It is run by Sawyer Hume (b. 1971, Victorville, CA), the designer of Woodchip (2008, Kafkaesque grunge), IronOn (2008, a masculine octagonal collection), Hondo (2008, a Western billboard obeso-sign typeface) and Hondo Grunge (2008). Machismo (+Titling) are display-size plump typefaces made in 2009---ideal for posters. [Google] [MyFonts] [More]  ⦿

    FontBlast
    [Jamie Place]

    Jamie Place (aka FontBlast, b. 2002) is a UK-based FontStructor, allegedly born in 2002 (?), who made these typefaces in 2012: Microstruct (gridded, kitchen tile face), FontStrukt Soft, FontSrukt Clean Soft, Kombinationsschrift, Gridder (a kitchen tile family: +Soft, +Box, +Bold), Skyber, Diabolo (piano key stencil genre), fb Catbop, Hangar Shot, Hangar (army stencil), FontStrukt (+Soft), Braille Full, fb Symbols, Imagine More FB, fb Atarian, Imagine FB, Barkode, Fontstruction No1 (+Extended), Tetraminos, Structurosa Fill, fb Karakter, Minimal Export, Barkode, fb Scoreboard (dot matrix typeface for Latin and Cyrillic), Wenlock, Small Fonts, Fat Largo, Largo, Kerr, Kerr Bold, fb Mixture Unstable, Freehand, Structurosa Refined, fb Switch, fb Mixture, Vado, NES Forever, Retrotype Dot Matrix, Avant Pixel, fb Tall, Fast Money Clean, Retrotype, Retrotype Too (pixelish), Retrotype Sliced, Braille Caps, Tiger Sans (horizontally striped), Pixelface (smilie face), Karmink (star dingbats), Cofmugg (+Gap: piano key typefaces).

    Typefaces from 2013: Slink, Tuning Fork, Dicey (dice font), Septober, Pico Pop (kitchen tile), Plano (kitchen tile), Dolphin Sans (hairline), New English (stencil), Gadget, Curvaceous Script, Avant Pixel, Barkode, Brailled, Haus (counterless), Zapadni, Curvaceous Script, Metric (a piano key Futura-like stencil face), Mocha, Mocha Book, dm FB Solidis, Tapedeck, Gridder Bold (kitchen tile face), Modulator, Turning Fork, Zapadni (Western), FontStrukt2, Metric (piano key face), Monaco (pixel face), Blackfoot (Pac-Man style), FB Catbop, Peach Condensed, Noodle, Peach Squared, Vaquero, Haus, fb Academy Sans, Peach, Rider.

    Dafont link. [Google] [More]  ⦿

    Fontry West
    [James L. Stirling]

    Fontry West is located in Tulsa, OK. At MyFonts, these Fontry West fonts can be bought: Iron, Toxcons (2008, skulls), WILD1 Firstvision, WILD1 Larra, WILD1 Nobody, WILD1 Ruts, WILD1 Toxia, WILD2 Ghixm, WILD2 Keetoowah (2008). Its type designer is James L. Stirling, who cofounded the Watts, Oklahoma-based design and lettering studio The Fontry in 1992 with Michael Gene Adkins. Born in 1964 in Oklahoma, Stirling co-designed WILD1 Firstvision (1997, techno) and Ironrider and Ironhorse (2008, blackletter typefaces based on wood types) with Adkins. In 2000, he co-designed the fonts Modern Poster and Modern Roman, based on the lettering of Alf R. Becker, a sign painter from 1932 to 1957. These fonts were published by Agfa-Monotype. Later fonts there include Steel Narrow, Steel Moderne, Chicago Modern. At The Fontry in the early 1990s, he made Klash (comic books style), Peppermint and Peppermint Openface (Southwest influences), Marbles&Strings, and Keetowah. He also made some Greek fonts at The Fontry.

    In 2009, James Stirling started a serious digitization program of the art deco fonts of Alf R. Becker (based mostly on his Signs of the Times series), and made ARB 70 Modern Poster, ARB 93 Steel Moderne, ARB 44 Chicago Modern, ARB08ExtremeRomanAUG-32CASNormal (2009; the original is from 1932), and ARB 67 Modern Roman.

    The grunge typeface JLS OverKill Grunge (2009) is free. JLS Smiles (2010) is a family of typefaces consisting of smilies / emoticons. FHA Modernized Ideal Classic (2011, with Michael Gene Adkins) is based on a demonstraton alphabet from Frank H. Atkinson's Atkinson Sign Painting (1908).

    Typefaces from 2012 include FHA Condensed French (with Michael Gene Adkins), JLS Space X1C (LED style), JLS Space X2C, JLS Space Gothic, JLS Data Gothic.

  • In 2013, James cooperated with Michael Gene Adkins on FHA Broken Gothic, a layered chiseled type system based on Frank Atkinson's Broken Poster.

    Typefaces from 2014: FHA Tuscan Roman (2014, Michael Gene Adkins, James L Stirling).

    In 2015, Stirling designed JLS Main Square Frames (corners, rules and frames for vintage ads and monograms).

    Typefaces from 2018: FTY Overkill Condensed.

    Dafont link. FontShop link. Fontspring link.

    View James Stirling's typefaces. [Google] [MyFonts] [More]  ⦿

  • Fontscafe (was: Fonts-Lab)

    Fonts Lab was an Italian free font foundry with emphasis on "free", even for commercial use. The first fonts, all made in 2011, included Fonts-lab Gift, Fonts Lab Symphony, Free For Fonts-Lab Subscribers, Lady Jane Old, Five Dollars Matter, Writing Something by Hand, Hint Retro, Hint Retro Grunge, Soul Handwriting (brushy script), Variety, Universal College Draft (2011, a sketched sports jersey alphabet), Handwriting Draft (sketch face), Around 20 (experimental), Adelfy, Old Printing Press (grunge), Frank Handwriting, Sketch Me, Retro Lined Area.

    Fonts Lab became Fontscafe, located in Milan.

    Production in 2012: Making Lettering Tall, Universal College (grungy athletic letters), Marmellata Jam (connected script), Marmellata Jar 01 and 02 (connected fat signage scripts), Henry Rodeo Circus (Western face), Scrappy-Looking, Contribute Free Version (connected fountain pen script), Basically Serif, I'm Fashionista, Sign Handwriting, Chalk Hand Lettering, Chalk Hand Lettering Shaded, Voluptate (retro connected script), Retroactive (a great connected script face).

    Around June 2012, something happened---possibly a complaint from the FontLab software people---, and the name changed from Fonts Lab to Fontscafe. In the same year, a commercial foundry was started via MyFonts.

    Typefaces from 2013: Free Sketching, Hand Printing Press [in ten styles such as Meshed, Scraped, Normal, Stencil, Stamps, and Eroded], Egregio Script (retro script), Hand Shop Typography A20 (an 8-style poster font set that includes shadow and inline typefaces), Hand Shop Typography C30, and many more in the Hand Shop Typography pack, including the frame font Hand Shop Elements.

    In 2014, we find Hand Christmas Doodle, My Valentines Love (heart dingbat font) and Bold Pressing (vintage letterpress typeface family, with ornaments).

    Typefaces from 2016: Handwriting Draft (a great sketched font that shouts Leonardo da Vinci), Universal College (a grungy athletic lettering font, updated from an earlier 2011 version).

    Typefaces from 2017: Hot Varsity Team, Hot National Team, Back To School Elements, Hot Winner Team, Ultimate College Team (athletic lettering), Display of Character.

    Typefaces from 2018: Publishing Draft Script, Publishing Script, Ottanio Pack, Advertising Master, HandPrinting Press Eroded, Making Lettering, Hot Legend Team.

    Fontspace link. Dafont link. Abstractfonts link. Behance link. [Google] [MyFonts] [More]  ⦿

    FontStruct: Circus Fonts

    Circus fonts at FontStruct include, from highest rank on down:

    • DRAFT TWO by AbbieVickress
    • Teatral by shasta
    • Gold Mine Small Caps. by gray.scale
    • Cul-de-Sac by Em42
    • Philomena by bauermc
    • Chinese Chairs by caseycastille
    • Coney Island Baby by sliveress
    • Tuscan Radar by LexKominek
    • Fodern by Milya0
    • Carnival Attraction by Loman
    • Flying Circus by CMunk
    • Sutter by jcanham
    • cirus by gelukkigindejarenzestig
    • Ringling by jimhv
    • Circus Poster by ^.^
    • Paydirt by jcanham
    • xoox by superkhy
    [Google] [More]  ⦿

    Fontwright Design
    [David Parr]

    American designer at Letterhead Fonts of Grindle (blackletter), Squeezebox (Victorian) and United Cigar (more Victorian fare). In 2014, John Studden and Dave Parr co-designed the Victorian display typeface family LHF Blackstone. Dave Parr's other typefaces at LHF and his own type foundry, Fontwright Design, include LHF Tributary (2014, a calligraphic blackletter; followed by LHF Tributary Distressed in 2016), LHF Ascribe (2014), LHF Heller's Script (with John Studden: a retro script), LHF Heller's Casual (2014), LHF Aledo (2014: a Western typeface), LHF Big Bob (2013, a sign painter's casual), Castlerock, Cedar Creek, Sanborn Thin (Victorian), FWD Egyptian Tower (2019: stackable), and Sheridan Script (fifties script).

    Typefaces from 2022: FWD Zooks (a beatnik font).

    Klingspor link. [Google] [MyFonts] [More]  ⦿

    FontZone

    Martin Holm's font archive. Martin also made these fonts: Blueberry-Foxhound, Zebra-Ztripez (1999). Fonts are also organized by theme, as in this page for Western fonts. [Google] [More]  ⦿

    Francisco López Bustamante

    Graphic designer in Guadalajara, Mexico, who works at Memela Studio. Behance link. His typefaces include the seductive multiline beauty, Miami Deco Type (2011), Haarlem (Display and Stencil), the Italian Western face El Solitario (2011), and the arts and crafts typeface Poiret (2011). Later in 2011, he promises the fashion mag typeface Marais Serif, and made the alchemic typeface Arcan.

    I am a bit confused, as most of these typefaces also show up in the portfolio of Pancho Lopez, also of Guadalajara. And to top it off, the Behance link now mentions that the designer is Frank Gutierrez from Monterrey. [Google] [More]  ⦿

    Frank H. Atkinson

    Sign painter from the art nouveau era, who lived in Chicago and worked mostly for Cadillac. His books Sign Painting (1908) and Artkinson's Sign Painting (1915) influenced hand lettering and signpainting for many years afterwards. The following digital fonts are based on his designs:

    • FHA Sign DeVinne (2015, Michael Gene Adkins, James L Stirling).
    • FHA Tuscan Roman (2014, Michael Gene Adkins, James L Stirling).
    • FHA Nicholson French (2012). An art nouveau typeface digitized by The Fontry.
    • FHA Condensed French (2012, by Michael Gene Adkins and James L. Stirling) is based on Frank H. Atkinson's examples.
    • FHA French Eccentric (2009), by Frank Smith and Michael Gene Adkins. FHA Eccentric French Normal (2008) is free at Dafont.
    • FHA Modernized Ideal Classic (2011) by Michael Gene Adkins and James L. Stirling.
    • Bulletin Stub (The Fontry).
    • Book Poster (2010). A series of fonts at The Fontry.
    • Beauvoir (1993, David Nalle).
    • French Plug (2007, HiH).
    • Payzant Pen NF (Nick Curtis) is based on an Atkinson design shown in A Show at Sho-Cards: Comprehensive, Complete, Concise (1918).
    • Atkinson Eccenteric, Atkinson Boomtown and Atkinson Egyptian, all made by David Nalle at Scriptorium.
    • Still by The Fontry: the Broken Poster family (2010). In 2013, Michael Gene Adkins and James Stirling followed this up with the layered system Broken Gothic, which is based on Book Poster as well.
    • Dick Pape created these revival fonts in 2009: ArtNouveauSigns, FHA1908ClassicPlug, FHAAdvertisersThickThinPl, FHAAntiqueBlock, FHAAntiqueRoman, FHAArtNouveau, FHAArtNouveauSigns, FHABradley, FHABulletinPlug, FHABulletinRoman, FHAChicagoTuscan, FHAClassicBlock, FHACondensedFrench, FHAEccentricFrench, FHAEccentricRoman, FHAEngrossingText, FHAExtremeFrenchBold, FHAFrenchRoman, FHAFrenchRomanLight, FHAFullClassicRoman, FHAGunningSingleStroke, FHAHalfClassicRoman, FHAModernizedIdealClassic, FHAModifiedAntiqueTuscanRom, FHAModifiedPlug, FHANewYorkRoman, FHANicholsonFrench, FHAPosterBlock, FHARoundBlockThickThin, FHARoundFullBlock, FHAShowCardFrench, FHASignPaintersPlymouth, FHASingleStrokeBlock, FHASingleStrokeTuscan, FHASpikeSpurFrench, FHAStonehouseEgyptian, FHAWesternLightTuscan, FHAWesternRoman, FHAWesternSingleStroke. Download page. [Google] [MyFonts] [More]  ⦿

    Galdino Otten

    Cartoonist from Recife, Brazil, b. 1966, whose sense of humor and artsistic prowess shine in his dingbat fonts. Dafont link. Fontsy link.

    Creator of the experimental Almost Sanskrit (2009), Zodiac Nice (2009, astrological symbols), Xilo in Zodiac (2009), Xilo-Cordel-Literature (2009, dingbats), Cordel Circo Mambembe (2010), Inside Issue (2009), Stretched Signature Flex (2009), Action of the time (2009, grunge), the dingbat typeface Ugly Cars (2010), the grunge typeface Capitão Galdino (2008), the grunge typeface Saltpeter-N-Fungus (2010), Texture Road (2010, more grunge), BSB DF 50 (2010, grunge), Fine Serif (2009), and the nice dingbat typeface Ochent Silibrina (2009).

    Fonts made in 2010: Sport 4 Ever (dingbats for Olympic Games), 60sPop (multiline face), DotSpot (dot matrix), IRON H METAL (tattoo, gothic), IngaStoneSigns (stone age glyphs), Ode2PasteUp (hand-printed), WideSquare (pixelish), ActionoftheTimeNewUL, BSBDF50, Haus-Sweet-Haus, INSIGHT-ISSUE-NEW, Movie Filmstrip, SquareChalk, Action Of The Time New (grunge), CordelValentine (dingbats), IngaStoneSigns (petroglyphs), SustainableAmazon, VeryDamaged (grunge), ParkTechCG (letters as in wired circuits), kidSWritten, Iron H MetallLight, LaceNice (knitted look), Ode2PasteUp, TextureRoad (grunge).

    Fonts from 2011: Booklet Cordel (sketched), Cordel Encarnado, Nuclear Accident (texture face), Noncircular (techno), Old Press (grunge), Old Typography (grunge).

    Fonts made in 2012: New Press (condensed sans family, +Eroded), Sketch Wall, Comic Gibi, Own Written, Comica BD (comic book shadow font), Cartoon Relief (a 3d cartoon typeface), Riscada Doodle (scratchy hand), Sketch Nice, Needlework Good (a stitching font), Biscuit Made, Just Skinny, Crazy Style, After Cheret (hand-drawn 3d shaded outline face), Spots in the mirror, TNT Xplosion, Escrita Toska (curly script), Cordel Movies (moviemaking dingbats), Fine N Tall, Cordel Groteska, From Street Art (free graffiti font), Sketch College (sketched athletic shirt font), Thin Press (grungy vernacular type), Sketch Serif, Relief BD, Maxxi Serif (very heavily slabbed serif face), Semi Cursive Gut, Sketch Coursive (sketch face), Salt Pet Non Eroded, Advanced Architecture, Very Fine Serif (a monoline Egyptian), Sketch Nothing, Freehand Nothing, Shark Attack (curly), Do Doodle, Maybe Pollock (dust texture face), Xilo Prosa (grunge), Thin Design, Amazon Palafita (hand-drawn 3d outline face), Snow Times, Snow Traces, USSR Army (rough army stencil with a Russian feel), Needlework US (stitch font), Old Scribe (Greek lapidary face), Nickel Bumpy, Soviet Style (stencil face), Top Modern (heavy slab serif), Lettering Set New, Carton East, Not Tuned TV (sketch font), Scar Bleed (scary font), Maxxi Dots (texture face, +Shadows), Dots Land Gotika (grungy blackletter), Stefanie Dots (textured letters), Karamuruh (textured caps), Broken Type (grunge: a glaz krak font), Touppeka (a Kafkaesque, tribal or painter's font), Old Dreams (grungy), Bad King (sketched typeface), False 3D (hand-printed 3d outline typeface), True2D, I Wrote All, Resistance Until The End.

    Typefaces from 2013: Serifa Comica (comic book slab), Press Style Serif (letterpress style), Press Style Large, Triatlhon In (sic: a Greek simulation face), Go 2 Old Western (grungy wood type), Old Serif Gut, Press Style (letterpress style typeface), Dust Serif, Thing Press, Thin Grotesk Serif, Before Collapse (glaz krak face), Stencil Style New (a military stencil), Damaged Serif, Press Serif Cool, Press Feeling, Sketch Toska, Link Parties, Almost Cartoon, Cartoon Toy, Toy Toy Toon, Fine Style (didone caps), Fine Sans (Peignotian), Beyond Blackboard, Forgotten Junk (grunge).

    Typefaces from 2014: Simply Rounded, Cartoon 2 Packages, Pain N Bleed, Yummy Lollipop, Hippie Movement, Rotunda Geo, Old Figaro Cursive, Cute Cartoon, Sketch Gothic School (sketched blackletter), Fine College (hatched athletic lettering face), Press Felling Eroded (letterpress emulation), School Book New (sketched), Stencil Cargo Army (military stencil), Fine Eroded, Grunge Poster, Education Is A Way, Cartoon Blocks, Cartoon Bones, Cursive Option, Odd Press (letterpress emulation), Cartoon Tunes, From Cartoon Blocks (3d), Hippie Movement, Yummy Lollipop, Needlework Perfect, Press Gutenberg (blackletter), Unic Calligraphy, Roundfed Eroded, Children's Book (outlined), Neon 2 News, Good Choice (shaded letterpress emulation), Cartoon 2 Us, O 10 Type, Dust West (grungy Western style), Comic Balloon, Caligraf 1435 (pirate era script), No Name Sans, Top Secret Stamp (grungy stencil), Fine Blackboard (blackboard bold, inline), Press Style Extra L (letterpress), Sounds Good (geometric sans), Sounds Eroded (shaded letterpress font), Cartoon Blocks Christmas, Street 2 Art (graffiti font).

    Typefaces from 2015: Snaps Taste (a grocery store or comic book font), Snaps Taste Christmas, Calligraphy Hand Made, Silly Aliens (dingbats), Sketch Match (3d, sketched), Cartoon 4 Sports (dingbats), Kids Book, Almost Japanese (oriental simulation font, +Comic, +Cartoon), Inga Stone Redesigned, Money Money Plus (engraved money font emulation), Thin Cool, Old N New Media (dingbats), Thinkers World (scanbats of famous intellectuals), Magical Cord, Quick Writing, Eroded 2 Much, Stencil Army WW I (military stencil), Stencil WW II (military stencil), D-Day Stencil (military stencil), Western Bang Bang (weathered Western font), Modern Serif, Modern Serif Eroded, Money Money (handcrafted engraved currency font), Almost Japanese Smooth (oriental simulation typeface), Write Righ, Ease Christmas (dingbats), Sketch Script Cool, Ficticcia College.

    Typefaces from 2016: Doodle Cafe Scents (dingbats), Christmas Cookies, Coffee Written, Soft Marshmallow, Niagra Faults, Sketch Toronto, Sketch Fine Serif, Sketch Handwriting, Typewriter Press, Typewriter Style, Sketch 3D, Maple 3 Cartoon (snow-covered letters).

    Typefaces from 2017: Crazy Krabs, Old Barbwire, Gregory Packaging, Ghost Army Stencil, Old Wise Sketch (sketched blackletter), Packaging Funny, Blackboard Restaurant, Kavernosa (bony typeface), Little Kid.

    Typefaces from 2018: 1927 Epoque, Cartoon Toy Turbo, Old Wise Lord (blackletter), Handmade Memories, Silly Cartoon, Old Press Original, Pet Shop, Cute Script, Dust West College (hatched), New Comic BD.

    Typefaces from 2019: Eco Bamboo (Cartoon, Fun), Karamuruh Turbo (all caps with a quilted texture), Cordel Junina, Cordel de Mangai (240 dingbats), Cordel Rustika.

    Typefaces from 2020: Beach Party Cartoon. [Google] [More]  ⦿

    Garrett Miller
    [Doxie Design]

    [More]  ⦿

    Gaspar Muñoz

    Chilean type designer, also named Gasper Muñoz. His typefaces include:

    • The rounded geometric sans typeface Sonny Gothic Vol.2 (2018), co-designer, with Salvador Rodriguez at W Foundry.
    • The yummy fat Cooper Black-inspired typeface Mamba (2020, at W Foundry).
    • Munchies (2021). A reverse stress Western typeface.
    • Herokid (2021, W Foundry). A 96-strong grotesk superfamily with weights ranging from Thin to Heavy and widths from UltraCompressed to UltraExpanded.
    • Throwup and Throwup Color (2018). A free font at W Foundry: Throwup is a display typeface inspired by Graffiti culture specifically from "Flops" or "Bombs". These are generally made with spray paint and valves (known as caps or fatcaps) made especially for this practice.
    • Cordillera (2019). An angular readable text typeface.
    • Asicom (2019-2020). A custom techno font.
    [Google] [MyFonts] [More]  ⦿

    GautFonts
    [J.F.Y. Daniel Gauthier]

    J.F.Y. Daniel Gauthier (GautFonts) was born in Montreal in 1964, and lives in Hamilton, Ontario. His fonts from 2005 and before include BarrelOfMonkeys, ChainFontOpen, ChangChang, ChangChangWoodcut, DirtyDarren, FireStarter, GriffinDucks, Jenna Myles, LollipopLettering, Lymphnodes, PooCorny, PooSmooth, Quake3ArenaBats (scanbats), SapphireSativa (2005), ZappaBats, Judas Priest (2004), Caviar Rancid (2004), BackPage (2003), BatFont (2003), MagicCatalog (2003), Samdan (2003), The One Ring (2003), The 3 Stooges (2003), Yahoo Font (2003), BikerBones, CBGBFont, Cortesia, DryGulchBlack, DryGulchOpen, FlyLegs, Frank, MissingLink, PotLand, Punk, SheCreature, SweetLeaf, ThaiPedicure, TypoNegative, VectorBlack, VoodooDollLetters, VoodooDolls, VoodooDollsPinned, ZappaBats, Griffin (2002), GriffinBold (2002), HeadHunter (2002), Montezuma (2002), MontezumaAncient (2002), MrBubbleFont (2002), PhoenixOne (2002), PhoenixTwo (2002), Spliffs (2002), SteelTown (2002), TattooLettering Black (2002), TattooLettering Open (2002), VladDraculBats (2002), Beatnik Hayseed (2002), ChangChang (2002, oriental lookalike), Crumb (2002), GearBox (2002), Happening (2002), LogFont (2002), Piranha (2002), Sardines (2002), Tilt-A-Whirl (2002), ChineseWatchShop (2002), DickVanDyke (2002), Göt (2002), KamikazeBats (2002), Springfield Tablets, AlphabetFridgeMagnets, Beethoven, BeethovenRough, BeethovenRougher, Bicycle (outlined), BicycleFancy, BoobToob, Burris (Old West font), BurrisGhostTown, BurrisShootOut, CBGB (pearly letters), Chain Font Black, CheapSign, ChickenFarm, CornFed, CrappyDan, CrappyDanLowercase, DimWitGauche, DimWitRight, Eastwood, FantasticFont, Fear, FearlessVampireKillers, FeltCrappyDan, FrootStand, GassyGaut, GauFontExposition (trilined), Gauts, GautsMotelLowerLeft, GautsMotelLowerRight, GautsMotelUpperLeft, GautsMotelUpperRight, Gearbox (geary alphading face), Göt (blackletter), HoaryGaut, Houdini, IncantationOne, IncantationTwo, IrwinAllen, JackOLantern, Jagged, JoeJack, KathleenLowercase, KathleenUppercase, KentuckyFriedFont, KentuckyFriedChickenFont (2004, signage), LeadType, LeadTypeBoldInked, MadScience, Moscoso (morphed Western titling font, psychedelic), OogieBoogie, OrganDonorGuts, OrganDonorSkin, PinkCandyPopcornFont, PooCorny, PooSmooth, Potland (marihuana alphadings), Punk, RapaNuiLetters, RapaNuiMoaiBats, RapaNuiMoaiFont, RedStar (2004, pretty handwriting based on the pen of Linda Cappel), RedStarBold, RockFont (Flintsones font?), Sasquatch, Sea Creature, Shaman, ShermlockMadstyle, ShermlockSolid, Shock, ShockThick, SpookyMagic, StagTickets, StartlingFont, TattooParlour (2004, scanbats), ToOsamaLoveGeorge, TypewriterKeys, Vector, WebPress, WebPressBold, Weird, WereWolf, ZootAllures. He has some comic book fonts, some dingbats, and several fonts around the theme of magic.

    Interview. Fontspace link. Dafont link. Klingspor link. [Google] [More]  ⦿

    Gebr. Klingspor: Schriftkartei

    In 1950, Gebr. Klingspor published a nice small booklet simply called Schriftkartei. The images below are from that book. [Google] [More]  ⦿

    GemFonts98
    [Graham Meade]

    Prolific Australian type designer who has made over 300 free fonts to date. Creations: Bonk Fatty, Worstveld Sling (2003), Quastic Kaps (2003), Quadlateral (2003), Junge Burnout (2003), Choktoff (2003), Hall Fetica (2002), Lady Ice Extra (2002), Gizmo (2002), Arggh@$*# (2002), Republika Ego (a huge family made in 2002, as an extension of the large family Republika by Apostrophe), Zillah Modern Offset Outline (2002), Feldicouth (2002, medieval lettering), GM Exp (2002), Pecot, Pecot #2 and Pecot #3 (2002), Wazoo (2002), JamesEightEleven (2002), AnalSatisfaction (2002), GenericFont (2002), PanAm (2002), Border Base Future (2002), Moondog (2001, with Apostrophe), Equine (2001), Street Corner (2001), Mister Belvedere (2001), Freebooter Script (2001), Street (2001, an 31 font sans and slab serif at the Lab), Choda (2001, with Apostrophe), Walkway (2001, see here), Castorgate (2001), Heidorn Hill (2001, a Fraktur font with Apostrophe), Labag (2001, with Apostrophe), 11S01 Black Tuesday (2001, for Life Saving Fonts), Endor (2001; a gothic font with Apostrophe), Dekon (2001), Asenine (2001), Eskargot (2001, with Apostrophe, a "tango" font), Brassier (2001, with Apostrophe), Kandide (2001, with Apostrophe), Labrit (2001, a Fraktur font done with Apostrophe), Control Freak, Gilgongo, Eskargot, LabtopGraphed, PhoenixArise, PrussianBrewSolid, YouthanasiaTexture, Dumbledor, Luciferius, Zebrra, Street, Kronika, PrimaryElector (all at Apostrophic Labs), Scaling the Dragon, Primary Elector, Blacksmith Delight, Birthday Dingbats, Halloween 2, Comicbook Smash, AcidDreamer, Arialic, AvQest, Battered Cooper, Beerglass, Berthside, Bloodgutter 99, Blown Away, Boneribbon, Boneribbon Tall, Bunny Rabbits, Callistroke, Carbonized Timber Chizzler, Deathhead KeltCaps Drummon, Family .., Effluence, Ericott, Erozion, Erthqake, Fanfold, Gemerald, GemFont One, Gorlock, Hungover, Impressed Metal, Inked Weird, Inningham, Isildur High, JaggaPoint, KeltCaps, Kharnorric, Kharnorric Royal, Knights Quest, Knights Quest Callig, Lane Humouresque (2000), Layaway, Linear Beam, Line Etch, Melted Moments, Metal Spagetti, NeoSpacial, Niew CroMagnon, Offset Plain, Old Copperfield, Old Oak, Old Virus, Ooky, Parkvane, Pee's Celtic, Pi in the SciFi, Quilted Indian, Ribbon, Ripplemere, Roughhewn, Rounheads, Rusty Sign, Rykindor, Satan Possessed, Seventy Flares, Simpleman, Skunkline, Slinked, Snail n Ink, SnottMM (multiple master), Solid Ooky, Squashed, Static Charge, StaidMM (multiple master), Steamroller, Stiltedman, Stretch, Tear, Tearoff, Textapoint, Thor version 1.5, Time Pundits (a CODEX-like face), Torcing Away, Trilayered, Ulse Freehand, Uncey, Untidy Skrawl, Vale Shadow, Waif Thin, Warpy Roundhead, Whoosit, Wonkers, Woodbrush, Wormfont, Woven Brick, Woven Outline, Yurine Overflow, Dingbats, Americanic, BirdArt, Cattart, Chyld, Culinary Art, Doggart, Doggon, Drinks - Various, EasterArt, Ein Schwein, Gembats 1, Gembats 2, Helloween, JFC, KidClipart 1, KidClipart 2, Komedy Kritters, Krazy Kritters, Luvya Babe, Moolah, Multicasion, Odds N Sods, Sportzs, Teddyber, Teddyber Too, Vehicular, Whethers, Xmas Clipart 1, Xmas Clipart 2, PenicMasturbata, Aliensatemymum, AustralianSunrise, AustralianSunset, Blockstepped, BoldlyGo, BarredOut, Blockstepped3D, BoldlyGoOut, Daemonesque, Efentine, FuzzyXmas, Gazzarelli, Jhunwest, JhunwestConcaveGM, LickcurlPetite, LupusBlight, MilleniGem, PhilteredPhont, SlicedIron, Stargit, StargitVer2, ZappedSticks, AlphaRomanieG98, BraveNewEraG98, BlobfontG98, BoxingBrophius, CacophonyLoud, ChainzG98, CulinaryArt, DarkBastion, FortuneCity, GorlockBold, HornsofDilemma, LlynfyrchFwyrrdynn, Maranallo, OptimisticPessimist, PositiveNhilism, UniversalShatter, Bonk, Bonk College, Bonk Fatty, Bonk Offset, Bonk Outercut, Bonk Undercut, ChefsSliceNovice, MeteorGM, TreasureMapDeadhand, TechnicallyInsane, Futurex (with Apostrophe), Street, Calan, Lady Copra, Thing, Dexetrine, ChizzMM (multiple master, with Apostrophe, 2001), Charrington (2001), Lady Copra (2001), Likkle (2007), Luteous (with Rich Parks, 2001), Thorazine and Thorazone (last eleven at Apostrophic Labs [dead link]).

    Interview.

    In March 2001, Graham's Charming Font (done with Andreas Höfeld) won the 2001 Friday Night Type Fights competition.

    Alternate URL. Fontfreak link.

    Other fonts: Choktoff (2003), Etched Fractals, Film Cryptic (2003), Future Sallow, Hardnsharp (2003), Jagged Dreams, Jungle Burnout, Kyiss M'ass (2003), Tall Films (2004), Meichic (2003), Nightmare Blend Revisited, ReducedEfficiency (2003), Wasted in this job, Western Taint (2003), Wytherness, Yuma Sunset (Western style font), and Zone Linear.

    Klingspor link. Fontspace link. Dafont link.

    View Graham Meade's typefaces. [Google] [MyFonts] [More]  ⦿

    Gene Buban

    Gene Buban (aka geneus1) is the creative and prolific designer at FontStruct in 2008-2009 of these typefaces:

    • Aerologica (2009): 3-d headline face.
    • Alphadings: DeTracks.
    • Altitudinus (2010).
    • Amplifica (+Carved, 2010).
    • Arkham Bloodletters (2008).
    • bay6
    • Bauhaus style: Slink (2009) is a tribute to Josef Albers---one could also call it a piano key font. Codename Bauhaus (2010).
    • Arc Brick 1:1 and 2:2 (2010).
    • Bevelicious (2009): 3d shadow face.
    • Bezziaiare (2010): an imitation of Futura.
    • Brikd is a fantastic headline face.
    • Bubble Lab EF (2008) and Bubble Lab Bang (2008): dingbat fonts.
    • Calligraphique (2010).
    • Candella (2013).
    • ChequereBoard (2008): a 3d face.
    • Christmas fonts: Kallosia Decorative (2009, blackletter), Snowflakes (2009).
    • Clone War (2008).
    • code2
    • Codename Bauhaus (2010).
    • Country Fried (Western style)
    • Crossfyre (2010).
    • Crystles (2014). He writes: In 1983, Atari released the Crystal Castles video game. You play Bentley Bear walking around castles and collecting gems. Trimetric instead of isometric. Interestingly enough, the initials of the highest scorer in the leaderboard is used to build the first castle. This font version is created using the same thin plated tiles that the player traverses through the castles.
    • Decorata (stylized art deco)
    • Didone fonts: Legality (2009, sharply serifed), Petrissage (2009).
    • Digibubble (2014: pixelish face).
    • Dingbats: DeTrayne (graffiti-clad trains), Happy Halloween (2009).
    • Egalite (2010): a blackletter face.
    • Direktype (2014: striped).
    • Elektronika (2009) and Circularities (2015). Pixelish.
    • ElSeeDee (2008, white on a black grid, inspired by the baggage claim LED scrolling message system at the Oakland Airport)
    • Effleurage (2009).
    • Eurostijl (2008)
    • Exersia, Excursia
    • Ferno (hell?)
    • Filmstryp (2008)
    • Flameon (2008) is a vertically striped athletic lettering font.
    • Fluoralei (2008) and Fluoralyte (2008) are all caps floral-themed typefaces.
    • Futuro (2008) and Futuro Extra Bold (2008).
    • Futurity Watch (2009).
    • Fragg (2014: a rounded stencil face).
    • Framestore (2008).
    • G1 Construx (2012). An arched textured typeface for "under construction" signage.
    • G1 Stenzilla (2012). A piano key stencil face. G1 Twyne (2014: Celtic knots), G12 Brayed (2014: Celtic knots), G1 Explo (2014), G1 Fasttrax (2013).
    • Gappy and Gappy LC (2010).
    • Geolateral
    • Glossierre (2009).
    • Graffikki (2010): graffiti face.
    • Hammerslab (2008) is a very thick heavy slab serif face.
    • Happy Halloween (2008): Halloween dingbats.
    • HellStruct (2008): flamed letters.
    • hollo, holloback, holloblack
    • HulkSmash has the look of cracked concrete blocks---has to be seen to be believed!
    • HyperLynk (2010).
    • Indiglo (2010).
    • Interblok Cylindrome (2011) and Interblok Stroke (2009): labyrinthine / Celtic knot / texture typefaces.
    • IronManic (2008, letters resemble armor steel plates with bolts)
    • IsoMatrix 3D (2009, an Escher deception in 3D), Bevelluzian (2010, 3d beveled checkerboard illusion).
    • Jaggs (2010): angular.
    • Karuso 68 (2009).
    • Leefer is a kitchen tile font.
    • Legere (2010, a roman face).
    • LegoManiax (2008).
    • G1 Lovelines (2016). A multiline typeface with embedded hearts that won an award in the 2016 FontStruct competition on the theme of love.
    • Lucid (2009).
    • Lush Alienne Caps (2014).
    • Microboto (2014).
    • Modulus and Modulus Black, ultra fat fonts.
    • Motternal (2011), a version of Othmar Motter's Motter Tektura.
    • Mucro Bold, a heavy metal band font
    • Multiverse Diagonality (2009).
    • Nontroppo (2010).
    • Outlier (2010).
    • Paradoxx (2011). Peignotian.
    • Periculum (2010): monoline sans.
    • pixsle
    • Pixsle (2010).
    • Predatoric ad Predatoric2 (2010).
    • Prikkle (2010): angular.
    • Ray Type Alpha (2014). A game font based on Konami's 1981 game Scramble.
    • Renovare S1 (2010) and Renovare S2 (2015). a slab serif.
    • Requiemme Decorum (Sept. 14th, 2009): blackletter. He writes: Exactly one year ago two of my cousins, Chris and Cleofe, got into a dealer-loaned Lexus for a trip after their main car was being repaired. Cleofe's husband, a CHP officer, was driving and their teen daughter was along for the ride. While on the freeway, the accelerator became stuck and they lost control of the car. As the runaway vehicle sped up to over 100 mph, all four passengers were killed in a fiery crash in the San Diego River. The loss was unquantifiably devastating. This immensely tragic event led my aunt to testify before congress with damning evidence that would initiate the recall of millions of Toyota vehicles. Requiemme Decorum was created on the way down to southern California for the funeral services. For Chris, Cleofe, Mark, and Mahala, may you all rest in peace and love.
    • Renovare (2010, +Renovare S1, S2): a slab serif.
    • Roboscript (2008): an upright connected school script.
    • Rubrix (2008): a Rubik cube dingbat font.
    • Sanserity (2013).
    • Scipio (2010).
    • Scribble Not (2010) is a texture face.
    • Sequencia (2010).
    • sedagive
    • Seriface and Seriface 2.0 (2010, a roman all-caps set).
    • Sharp-serifed almost modern typefaces: Legality, Petrissage, Effleurage, Karuso68.
    • Sinaloco (2014: in the style of Sinaloa).
    • Sirkles (2015). a dot-matrix typeface.
    • Sonorous (2010). Broadway-style art deco typeface.
    • Spartan Tech (2010): inspired by the multiplayer game Halo3.
    • Stanley Twobrick (pointy minimalist face)
    • Startrek typefaces: Transformicon (2009).
    • Stencilline (2014).
    • Streamlyne (2010, squarish, outlined).
    • Structurocca and Structurozza (2009): Horizontally stencilled black typefaces.
    • Swizelle (2015). A lava lamp typeface.
    • Tangience and Tangience Solid (2008) are fonts in which the glyphs are built up from circles glued together.
    • Tetrisyde
    • The Pax Man (2009): metallic whatever.
    • Trelief and Trelief Rounded (2010): multilined 3d beveled typefaces.
    • Tubric (2010): counterless.
    • Upriteous and Upriteous Black, condensed protestant fonts.
    • Victoriana (Victorian caps)
    • Vindicta Dualine (2011: Blackboard bold).
    • Wall-F: white squarish letters in black circles
    • Waverly, with scary pointed barbs like on German WWI helmets.
    • Weaver (Celtic knot-themed letters)
    • Xerro (2010): like Helvetica.
    • Yeomamuh, a fat look face.
    • Wypeout (2010)
    • Zorea (2014, inline font).
    [Google] [More]  ⦿

    George Bruce
    [Bruce Type Foundry]

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    George J. Becker

    Philadelphia, PA-based author of The American system of penmanship ... In ... ten numbers (1842, Uriah Hunt and Son, Philadelphia), Becker's System of Penmanship, Comprising Manual and Elementary Excercises, Business and Epistolary Writing, and Ornamental Penmanship. In Twelve Numbers. No. 10 (1856, Uriah Hunt and Son, Philadelphia), Becker's Ornamental Penmanship (1854), and Ornamental Penmanship Analytical and Finished Alphabets (1854, Uriah Hunt and Son), a lettering manual.

    In 2013, James Puckett (Dunwich Type Founders) revived five typefaces from this manual as digital typefaces in his Becker Gothics collection. They include Egyptian, Egyptian Rounded, Stencil, Tuscan and Concave. All have Western and wood type influences. In 2009, Becker's 1854 book was used by Monogram Fonts Co in the creation of Noir Monogram (2009), which was based on Becker's Pearl type.

    Downloads of his 1854 book: University of Michigan scan. For a Facsimile, see Becker's ornamental penmanship. A series of analytical and finished alphabets [FACSIMILE]. Free PDF file of the latter book.

    In 1993, Dover reprinted 23 complete alphabets in Ornamental Calligraphy [With 50 Plates] (Dover Books on Lettering, Graphic Arts & Printing). Local download of his 1854 book. [Google] [MyFonts] [More]  ⦿

    Geovanny Gavilanes

    At the Universidad de Cuenca, Ecuador Geovanny Gavilanes designed the free spurred and diamond-studded vintage typeface Caja (2016), Inglorious Basterd Icons (2015, based on Quentin Tarantino's movie) and the free SVG format Antique Weapons Icons. In 2016, he created the free orthogonal deco typeface Cortana. [Google] [More]  ⦿

    Gha Arizal
    [Invasi Studio]

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    Gilang Purnama Jaya
    [GP Type foundry]

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    Giuseppe Salerno
    [Resistenza]

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    Gleb Guralnyk

    Dnipropetrovsk, Ukraine-based designer of these typefaces in 2015: Odd Times (a vintage blackletter typeface), Brandy Label (a layered Victorian signage font), Smoking (a great Western layered poster font), Traveller, Letterhead (steampunk, vintage, Victorian), Age, Nataly Temper, Vintage Auto (a retro chrome automobile font), Golden Dust (a lava lamp font), Rusty Phoenix, Phoenix, the Victorian signage typeface Whiskey, Spirals, Biker (spurred inline font), the oily signage font Pin Up.

    In 2016, he designed Far Kingdoms (Victorian), Brass Heart (steampunk / Victorian), Big City Light (a vintage movie theater typeface), Lostamp (a weathered vintage rough stencil script), Kexman (calligraphic script), Loftype (creamy brush script), Shoelaces (monoline script), Tobacco Box (Victorian), Humblest, Whiskey Label (a great vintage Victorian headline font), Insane Fear (spurred), Falchion Edge (Victorian display typeface), Inside The Box (techno), Amber Taste (a layered Victorian beer label font; see also Amber Taste Pro (2020)), One Thin Line (a paperclip font), Bald Eagle (Victorian), Autumn Feel (brush script), Dirty Cartoon, Magic Curls, Winery, Bite Hard (beveled caps), Lovebus (psychedelic style), Column (layered Victorian), Golden Brush, Marine Fairytale (Victorian), and Old Story (handcrafted).

    Typefaces from 2017: Goodwine, Daub (EPS format brush alphabet), Rusted Bevel, Dirty Cartoon (a layerable cartoon font), Bald Eagle (vintage), La Belman (Victorian; see also La Belman Pro in 2020), Bright (creamy calligraphic), Winery, Magic Curls, Black Queen (Victorian style), Little Mess (dry brush), Lovebus (psychedelic), Bite Hard, Fiver (prismatic style), Sweet Rum (vintage), The Freaky Circus (Western circus font), Biker New (spurred), Flex Wire, Agress (graffiti style), Old Story, Rusted Brushpen (dry brush), Mosaic Pool, Ranch (vintage style with layered textures), Golden Dust, Letter Head, Limber (dry brush script), Patina, Craft Beer (a layered beer label font), Droptune (Victorian), Chimera Tail, Hardwatt (dry brush), Megawatt (signage script), Jamish (a handcrafted blackboard bold typeface), Oak Lumber, Odd Times (blackletter), Gunshot (an art nouveau display typeface), Bootleggers (a vintage label typeface), Brandy Label (vintage layered font), Smoking Typeface (vintage Western style, with layering).

    Typefaces from 2018: Shining Night (a marquee font), Scratches, Candy Shop (a multiline titling typeface), Nataly Temper (a crayon font), Anise Seeds, Lostamp (a great stamp font), Hicksons (retro signage script), Loftype (creamy script), Far Kingdoms (spurred vintage typeface), Predators Cuspid, Sweet & Fresh, Frantic (a vintage car typeface), Affair (Victorian), Falchion Edge (spurred vintage style), Lost in Space, Traveler (an interlocking vintage Tuscan display typeface), True Black, Late Frost, Inside The Box (an interesting double-width font), Magic Garden (curly style), Skater Girl (retro script).

    Typefaces from 2019: True Black (Tuscan), Nature Force, Sweettooth (script: 2018-2019), Rusted Bevel, Rusted Bevel, Fishermans Knot (a vintage label font started in 2018), Skater Girl (a heavy upright script), Cidrella, Western Shooter, Little Mess (a dry brush calligraphic script), Spirit Board (pure Victoriana), Ranch Vintage (shadowed, textured, vintage), Forged Fence (an ironwork font), Long Ride (an octagonal license plate font), Chimera Tail Rough, Patina.

    Typefaces from 2020: Sweet Ponch, Natural Heap (letters in laurels), Street Rush, Cally (a decorative Tuscan typeface), Sunny Bay, Harietta (a retro monoline script), Cheer Inside (a vintage font), Frizzy (a vintage label font), Asia Impact (simulating an oriental brush calligraphy), Exa Metline (an inline font), Hallie (a curly display typeface), No Rules, Parallax, Golden Treasure (a vintage ironwork font), Squidink, Bushman (an organic sans), Florry (a display sans), Propeller, Spirit Board (a layered circus font family), Lord Grayson (Victorian), Grayson (a tall gloomy monoline sans), Grayson Rough, Kaipara (a patterned all caps font), Classic Heritage (a Victorian or steampunk signage typeface), Anise Seeds (vintage softly spurred Tuscan caps), Candy Shop (vintage trilined caps), Plop, Practish (an experimental slab serif family), Everleigh (a stylish thin typeface), Everleigh Duo, Love Affair (vintage, perhaps art nouveau), Lost in Space (sci-fi), Sweet and Fresh.

    Typefaces from 2021: Dusky Rough (a Western or saloon font), Dusky Pub (a Western typeface with Tuscan features), Dusky Slab (a reverse stress Western font), Humblest Pro (an all caps display sans), Giftbox (a vintage label font).

    Typefaces from 2022: Simply Royal (layerable vintage caps with an engraved money look), Go Pop (pop art). [Google] [MyFonts] [More]  ⦿

    Go Faster Labs
    [Paul Howalt]

    Graduate of Arizona State University, class of 1992. Now based in Mesa, AZ, where he works as a designer and illustrator, Paul Howalt started Go Faster Labs. He created the spurred Western vintage signage typeface Clutch (2016). Behance link. Creative Market link. [Google] [More]  ⦿

    Golden Era Studios
    [Mike Jackson]

    Mike Jackson (Jackson Hole, Wyoming) at Golden Era Studios offers commercial ornaments in EPS or AI formats. Published by Letterhead Fonts, they feature a turn-of-the-century look.

    In 2014, he created LHF Saratoga Ornaments (borders and panels), LHF Centennial Banker (a money or stock certificate font), LHF State Fair (a Tuscan Western sign painting typeface family), LHF Centennial Panels 1, and LHF Henderson in that same year. LHF Henderson are in the tradition of American sign painting ca. 1900.

    Typefaces from 2021: LHF Broadway Panels 3 (36 unique panels), LHF Saratoga Panels 4, LHF Americana Ornaments (old-fashioned ornaments). [Google] [MyFonts] [More]  ⦿

    Gomarice Font (or: Goma Shin)
    [Shintarou Nakayama]

    Japanese foundry, est. in Fukuoka in 2005 by Shintarou Nakayama (Goma Shin), b. 1982. It offers these free fonts, many of which are in the grunge or techno styles: Steel Boy (2005, techno), Manzyu (2005, liquid), The Past (2004), Atama (2004, liquid), Atama Serif G (2010), BAT-MEN__G (2004), BIG-BURGER__G (2010), Ballpoint-Pen (2004), Beer-Cape__G (2006), Boro-Slim__G (2003), Boroboro (2003), Chocolate__G (2008), Coffee-&-Curry-Shop__G (2009), Edamame Western (2012), Fude-Enogu__G (2006), GOMA-STANDARD__G (2010), Gomadelic (2003), Gomanema (2007), Goth-Goma__G (2006), Kamone__G and Kamone 6 (2006-2011, heavy mechanical / octagonal face), Kamone 7 (2012, polygonal typeface), Kigasuru__G (2006), Marker__G (2004), MINI POP__G (2010), Mukasi_Mukasi__G (2003), Mukasi_Mukasi_a__G (2005), Rihapop__G (2006), Rocks__G (2004, stone face), Simple-Slum__G (2005, informal poster face), Steel-Boy__G (2005), Tomipop__G (2006), honey-bone__G (2007), kamone-2__G (2009), kamone-3__G (2010), Yaki Goma (2010), Goma Western (2010), Goma Western 2 (2012), Mousou Recode (2010, ultra fat rounded face), Hot-Chocolate__G (2011), Milk-Chocolate__G (2011), Syouwa Retro Pop G (2011), Spicy Curry Rice (2011), Sikakusimen (2011, fat and rounded), Nantoka Western (2011), Goma Cookie (2012), Sandome G (2012: a beautiful rounded sans display face), Morning Wasabi (2012, a rounded black headline face), Goma Standard 02 (fat and rounded), Doughnut Monster G (fat elliptical typeface), Kaiju Monster (2012), Fine Serif Hosomozi G (2012), Melting Ice Cream, Wasabi Gum (2013, bubblegum face), Soy Sauce Junky (2013), Cyankonabe G (2013: oriental simulation face), Kensuco Stencil G (2013), Omotenashi (2013), Old Book (2013), Rockin Record (2014), Morning Karashi (2014: a great poster typeface), Kamone 8 (2014: octagonal), Zombie Shooting (2014; for those who still believe that zombies can shoot), Goma Block (2015), Okuba Cloud (2015), Hyouzi Display (2015), The Past (2015), What's Love Konnamozi (2015), Shibuya Zero (2015, stencil), Atama Simple (2015), Game Music Love (2016, Western font), GType (2016), Game Continue 02 (2016), Marker2 (2016), Nanikano Capsule (2016), Usuazi Hosomozi (2016), Nandaka Western (2017), No Continue (2017, squarish), Kaizen Seisaku (2017), Gogono Cocoa Mochi (2018), Kirie Fu (2018), Mucha Wo Minagara Milk Tea (2018), Katamari Serif (2018: headline slab serif), Shmup in the Zone (2018: octagonal), Yatsurano Western (2018), Heysel Synthesizer (2018), Toy Block Maestro (2019: a Western font), Round Pop (2019: rounded sans), Tanomuze Cowboy (2019: Western style).

    Dafont link. [Google] [More]  ⦿

    Gonçalo Caetano

    Portuguese designer who created the Tuscan typeface Homem Morto (2012), which is named after the cult film. He also created an experimental graphical alphabet called Alfabunhas (2012). [Google] [More]  ⦿

    GP Type foundry
    [Gilang Purnama Jaya]

    Gilang Purnama Jaya (GP Type foundry) is a Bandung, Indonesia-based graphic designer, b. 1987.

    He created Nasta Sucks (2008, grunge), the grungy athletic lettering typeface Bandung Hardcore GP (2010) and the free gothic fonts The Underdog Journey (2010), Minggu Pagi (2010) and Goodbye Alena (2010). Creator of the "broken" constructivist typeface Gilang Cinta Sabrina (2010), which has only capitals.

    In 2012, he made the circus font House of Wonderland, the spurred tattoo typeface Biker from Hell, the tattoo script typeface Original Gangsta, the graffiti typeface Los Angeles Homies. The spurred tattoo script Tattoo Shop was made in 2013.

    In 2013, Decade Type foundry published Los Santos (a tattoo / graffiti font), Basingstoke (a spurred display typeface by Gilang Purnama Jaya), American Brewery (Decade Type foundry: a whiskey bottle font), American Brewery Rough, Appleton (a spurred 19th century signage typeface published by Decade Type foundry), and Vintage Badges.

    In 2014, he created the retro typeface Reckless.

    Typefaces from 2015: Wayke (poster font), Grenson (vintage spurred typeface), Outfitter Script (monoline).

    Cofounder of Image Type with Ihsan K. Lazuardi and Agung Maskund. At Imagi Type, he published Fetridge and Outfitter Script (2015, rounded monolinear) and Michigan Brush (2017, with Kiena Audri),

    Typefaces from 2018: SS Hilborn (a vintage type).

    Dafont link. Devian tart link. Fontspace link. Another Dafont link. Another Fontspace link. [Google] [MyFonts] [More]  ⦿

    Graham H. Freeman
    [Grudnuk Creations]

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    Graham Meade
    [GemFonts98]

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    Graphic Peace

    Creator of the free grungy Western style headline typeface Casino Queen (2007). [Google] [More]  ⦿

    Graphobia
    [Iswadi Basri]

    Aceh, Indonesia-based designer of the Western font Mafia (2018). [Google] [More]  ⦿

    Greater Albion Typefounders (or: GATF)
    [Paul James Lloyd]

    Paul J. Lloyd's type foundry in Western Australia, est. 2008. Lloyd (b. UK) made over 100 free truetype fonts before that. He writes: What we will offer is new designs, replete with Edwardian Fun, Victorian distinction, or any other piece of elegance we can manage.

    Edwardian creations from 2008-2010: Ark Wright (traditional shop signage), Adantine, Goldbarre, Brosse, Crewekerne, Crewekerne Magna and Crewekerne Magister (arts and crafts face), Larchmont, Brissard, Brossard (slab serif), Bonavia, Bonavia Blanc, Clementhorpe, Veneribe, Chiara Script, Howlett, Svengali Roman, Bonning and Bonnington (1920's style families with ideas from University Roman), Absinette (2009, art nouveau), Bamberforth, Tumbletype, Vertrina, Bromwich, Great Bromwich, Fleete, Helenium. Chipping emulates the Edwardian 1920s. In 2012, he added the Bolton Commercial family (late Edwardian, early art nouveau).

    Art deco typefaces: Oakland (2011, multiline typeface gleaned from a 1930s French car ad), Zenia (2010, trilined), Plebe (Plebia, 2008: a grotesk emulating the 1930s), Whitehaven (2008, an extensive art deco family with several shadow weights), Merry Fleurons (2008, Christmas ornament dingbats), Braxia (2008), Keynsia (fifties style art deco family with Peignot influences).

    Other typefaces: Haymer is a large sans family made in 2010. Clunic (2008) is a blackletter face. Tectura (2008) is a handwriting font. Eldridge is a slab serif family. Aliqua (2009), Chipperly (2009) and Syondola (2008, Tuscan) are Wild West families. Terazza Tilings (2009) and Valentine's Fleurons (2009) are dingbat typefaces. Additions in 2009 include Lowndes (soft blackletter), Christmas Fleurons, Merry Snowmen, Cherritt (described as a Victorian era Courier), DoodleBirds, Halloween Fleurons, ButtonFaces, Sabio (neither slab nor sans), Daub (brush graffiti font), Sabinard (a modern swash face), Cullions (futuristic blackletter), Coronard (blackletter / roman hybrid), Easter Fleurons, Chapter Initials, Paveline (19th century calligraphic script), Mellin Sans and Open, Gildersleeve (evoking the 1920s Arts and Crafts movement), Stannard (a 1920's advertising inspired small caps face), Slattery (a horizontally shaded fun face), Slatterine (2009, more retro futurism), Spillsbury (2010, Victorian family), Cirflex (2010, geometric display typeface based on arcs of circles), Oxonia (2010, a classic roman family) and Vectis (classic Roman elegance, another small caps face).

    Creations in 2010: Windevere, Albion's White Christmas, Paragon (a great didone display family with a wood type feel), Compton (slab serif family), Mexborough, Morover (Schwabacher family), Anavio (a classical roman family), Corvone (3d-effect font), Granville (Victorian), Corton (Victorian), Wellingborough (Victorian), Worthing (Victorian), Ark Wright (traditional shop signage), Bonaventure (art nouveau), Federal Streamliner (1950s feel techno face), Deva (classical roman), Crucis Ornaments (crosses), Bronzino (a roman with Arts and Crafts roots), Bertoni (2010, a didone family), Pardon Me Boy (train dingbats), Woodruff (Open Face fonts with a wood type look), Jonquin (based on a WWI poster; +Incised), Luscombe (1920s display family; +Parva), Movella (futuristic from the 1950s), Magdalena Sans (2010: a clear monoline sans), Endymion (2010: Tuscan), Paget (a Tuscan experimental all caps face), Portello (Victorian).

    Typefaces made in 2011: Admiral (art nouveau), Tuscaloosa (Tuscan face), Eccles (bombastic Victorian), Wolverhampton (pre-Victorian), Doncaster (Victorian family), Metropole (art nouveau family), Corsham (stone engraved lettering family), Leibix (casual), Albia Nova (an elegant futuristic organic face), Flapper (art nouveau face), Bertolessi (curly Victorian), Tulk's Victorian Banner (all caps banner face), Fitzgerald (Victorian all caps face), Cleveden (Victorian headline family), Spargo (an extensive set of early 20th century-look engraved typefaces for official d