04 extra
[Yuji Oshimoto]

Free pixelized fonts by Yuji Oshimoto: the 04b family. Postscript and truetype, PC and Mac. Japanese designer of Beech (psychedelic), Broccoli, Beech, Chicory, Carrot, Sixgun (dot font) and Horseradish. Alternate URL. Alternate URL. Another URL.

Dafont link, Abstract Fonts link. [Google] [More]  ⦿

05cube

05cube made the free alphading font fig01. [Google] [More]  ⦿

066.FONT
[Piotr Wozniak]

066.FONT is Piotr Wozniak's Polish foundry based in Konskie with some commercial fonts (Linotype Kropki (1997), Dr066, Kfontz) and some free fonts (DNA, Zawijasy, Mieszkanie9 (a halftone curly hand), Plaq, Plaq 108). Kfontz and Dr066 are old typewriter fonts, and Kropki is a dot matrix font. The free fonts are for handwriting. Some fonts at MyFonts.com, such as Pokrak (2009, grunge family), Longinus Pro (2008, a 9-style family of medieval roughly outlined alphabets), Old Stefan (2008, five styles of grungy typewriter), Kra Kra (2008, grunge), Poldi (2007, 3d hand-printed), Poldi No 2 (2008), Bloor (2008), Crazy David No 1 and 2 (2006, grunge), Karacan Pro (2005, eroded look), Polish Dirty News (2005, grunge), Nieanana (2005), Jackcake (2005), Mada693, Nonpress (2006, grunge), Plaq (2005, halftone simulation face), Dr066, KfontZ, Zawijasy (1997, a curly hand, now commercial), Punx (2006, grunge), 066 Army (2006, grunge), Kulfonus No. 1 and 2 (2007, grunge), Duck Duck (2006), Finito (2008, grunge script), Wopi Script (2005), Pimpus (2009, grungy script) and Wopi Script No. 2 (2005) and No. 3 (2007).

The designer is Piotr Wozniak in Krakow (b. Konskie, Poland, 1980).

Typefaces at MyFonts: 066 Army (066.FONT), Bloor (066.FONT), Chigliak (066.FONT), Crazy David No 1 (066.FONT), Crazy David No 2 (066.FONT), Dr066 (066.FONT), Duck Duck (066.FONT), Finito (066.FONT), Jackcake (066.FONT), Karacan Pro (066.FONT), KfontZ (066.FONT), Kra Kra (066.FONT), Kulfonus No 1 (066.FONT), Kulfonus No 2 (066.FONT), Linotype Kropki (Linotype), Longinus Pro (066.FONT), Mada693 (066.FONT), Nieanana (066.FONT), Nonpress (066.FONT), Old Stefan (066.FONT), Pimpus (066.FONT), Plaq (066.FONT), Pokrak (066.FONT), Poldi No 2 (066.FONT), Poldi (066.FONT), Polish Dirty News (066.FONT), Punx (066.FONT), Vladicek (2022: grungy; emulating wall writing), Wopi Script No 2 (066.FONT), Wopi Script No 3 (066.FONT), Wopi Script (066.FONT), Zawijasy (066.FONT).

Polish link. Dafont link. Linotype page. FontShop link. Klingspor link. [Google] [MyFonts] [More]  ⦿

07SEVENSECTION

Original Mac fonts: Caterpillar, FLATS, MERU-500, OVALES, PICKS, Square, TE-700.2. [Google] [More]  ⦿

1001freefonts
[Jason Nolan]

Good-sized archive by Jason Nolan. Lots of bells and whistles. It gets hairy when he asks 10USD for a 2000-font download, and 20 USD for a 10,000-font download, charging for freeware and shareware fonts made by others. He writes in 2011: 1001 Free Fonts first opened its doors in December 1998 and has since grown to become the most popular free fonts archive online. We receive more than 50,000 visitors daily and have received 150,000,000 visitors since 1998. Over 3,000,000,000 free fonts have been downloaded since 1998.

Creator of Pray for Paris (2015), Aerobus Dotty (2014, a halftone texture font), Dirty Old Town (2014), Ghost of the Wild West (2014), Fresco Stamp (2014), My type Of Font (2009, typewriter) and Emma Sophia (2009, hand-printed). Dafont link. It is interesting, but not surprising, that Monotype (+ITC) is a "partner site". [Google] [More]  ⦿

10four design
[Matt Heximer]

10four design group was founded in 2002 by Sue Lepard and Matt Heximer in Vancouver. Matt Heximer and Sue both graduated from The Emily Carr Institute of Art and Design in 1994. Matt has held senior design and freelance positions in several Vancouver design firms.

Designer of ElDiabloRegular, TechnoOrganic (1996), Swashbuckler-Script (1996), BitchinCamero (1996) at Garagefonts. He also created Halqemeylem Serif (1997) for the Stolo Nation, based on Majoor's Scala. The fonts at 10four design include Adanac (free, clean sans), Bitchin' Camaro (scratchy writing font), Devicq (based on the handwriting of actress Paula Devicq), Downsize, El Diablo (gothic), Lonely Cowboy, Lonely Cowpoke (2010), Mia Pets (dingbats), Swashbuckler, Techno Organic.

In 2007, Matt published the free icon typeface Adanac that contains 62 Canadiana symbols.

In 2014, Heximer created Sonovovitch, a unicase display typeface inspired by the Russian Constructivist movement and Soviet Cold War era propaganda. Although a faux Russian font, Sonovovitch has language support for the true Cyrillic alphabet.

In 2016, Matt published the angular Preissig-style Millwright and explains that it is inspired by spunky DIY attitude and Industrial era hardware---an exercise in rendering glyphs with a rudimentary, hand-cut flavour. Behance link. FontShop link. Creative Market link. Klingspor link. [Google] [MyFonts] [More]  ⦿

11-D Productions (was: JW's Art)
[Johan Waldenström]

Based in Stockholm, Johan Waldenström was born in Sweden in 1984. At 11-D Productions (or: JW's Art), we find mostly graffiti annd grunge typefaces. His typefaces: Joker (2019), Chronic (2019), Whoa2 (2019: a graffiti font), Gringo (2019: a wild brush font), Insane (2019: a neurotic typeface), Royal (2010, old typewriter face), Whoa (2008: free), type designs: Cigar (2007), Bands&Artists (2006), the graffiti fonts Konfect (2005), Cancontrol (2004), Writers3 (2004), B-Boy (2002), Subway (2001), Homeboy (2004), 08Underground (2004: free), Vinterstad (2004), Writers, Writers2 (2001), Cyber (2002), Writers Fat (2001), 5Cent (2000, graffiti font), and the dingbat font Somepics.

Alternate URL. Some of his fonts at Typearound. Alternate URL. Dafont link. Fontspace link. [Google] [More]  ⦿

14rockfire

Creator of the free script font Taylor Script (2013). [Google] [More]  ⦿

160 Studio
[Supar Wanto]

Omar Ichigo, aka Supar Wanto, operates as 160 Studio out of Cirebon, Indonesia, since 2011. In 2017, he designed the ball terminal typeface Andalas and in 2018 the decorative Victorian typeface Kodia, the brush font Modaro, and the script typefaces Santigold, Rochefort (a signature script and accompanying sans), Anastasiya (a signature script), Browzko, The Smithey, Sartono and OgyiGo. Typefaces from 2019: Baltore (a heavy display sans), Chardy (Script, Sans), Fun Story (a fat finger font), Berson (a vintage font), Fischel (a decorative organic sans), Dead Slime (a Halloween font), Madjoe (a brush script), Darkflow (a horror font), Zolda (a rounded sans), Zolda Script, Anger Bae (a horror brush font), Deadclub (a monster font), Cemanley, Swaylea.

Typefaces from 2020: Medona, Baxoe, Bakrie, Bilage.

Typefaces from 2021: Agola Sans (a soft rounded sans), Anger Bae (an angry brush font), Bageo (a geometric sans), Blont (a wide monolinear circle-based sans), Leandro (Sans and Script), Mallesi (a wide monolinear sans), Promus (an all caps headline sans), Rakote (a cartoon font), Rastey (a wide monolinear sans). [Google] [MyFonts] [More]  ⦿

18:18

Creator of the hand-printed typeface Meet Me In Montauk (2012). Fontspace link. [Google] [More]  ⦿

1871 Project
[Alex Joganic]

Alex Joganic (1871 Project) is the Birmingham, AL-based designer of Matches (2016, an octagonal typeface), Ciclista (2016, a casual monoline typeface), Superior (2016, a handcrafted sans), The Victor (2016, handcrafted), Zara Elyse (2016: script), Fernweh (2016, a handcrafted typeface with a vintage wood type look) and Xander (2016, in Sans and Serif: 19th century all caps typeface family with a wood type look).

Typefaces from 2017: Garment District (a free monoline script designed together with Jeremy Vessey), Crafter (a free vintage metal sign emulation font), Grandfather (brush script).

Typefaces from 2018: Forward, America (a free brush script), Tradesmith (free), Grit & Caliber (vintage set), Nature Spirit, Messenger (a free vintage font).

Typefaces from 2019: Kinder (a heavy fashion mag titling typeface), Moral Varnish (a vintage stencil typeface), Noble Company (a monoline script), Rowan Royal (+Brush: a free blackletter).

Typefaces from 2020: Understock (vintage).

Typefaces from 2021: Doric (a display typeface by Alex and Emma Joganic), Darker, Clever (a sharp-edged display typeface with negative angle and the coathanger lower case f that is de rigueur in 2021), Sonder (a decorative serif with diagonal stress).

Typefaces from 2022: Roslyn Leigh (combining art nouveau with hipsterism). [Google] [MyFonts] [More]  ⦿

1919 Type Foundry
[Scott Sullivan]

1919 Type Foundry presents the typographic work of Scott Sullivan, who is currently a graphic design major at Ohio University in Athens, Ohio, scheduled to graduate in 2009. About the name: The year 1919 was the year that the Bauhaus school opened in Weimar, Germany. It was roughly the year 1919 when Modernism and Constructivism were born in Germany and the U.S.S.R., respectively. All fonts are heavily based in geometry, therefore: Dosim OKT, Geovlad (2009, constructivist, based on the posters of Georgii and Vladimir Stenberg), 44X34X (2009, futuristic, free). The Triflig Paradigm is another project of his. There he is developing some fonts such as Moon Man, and one can download Gnashraw-Spaced (2009) and two of his FontStruct (pixel) fonts, pgdm001 and pgdm002 (2009). Designmoo link. [Google] [More]  ⦿

2 of 1 kind

Creator of the scratchy typeface Ghost Chase (2013). [Google] [More]  ⦿

2 Stroke Whitemagic
[Takatoshi Takker Katoh]

Takatoshi Takker Katoh's original techno fonts: TR-909, hyper2000, Motard, MechanicalWorks, Electron8f, Toilet. Dead link?

Dafont link. [Google] [More]  ⦿

2000 Pyro

Makers of the Tomb Raider movie fonts in 2000: TRHeavy, TRIcon (dingbats), TRNormal. [Google] [More]  ⦿

2000clipart

Ten clipart fonts for 25USD. One free clipart font. By the religious group Les Chemins D'En Haut. [Google] [More]  ⦿

21 Lab
[Rodrigo Alberto Cavazos Rodriguez]

Design studio in Monterrey, Mexico, run by Rodrigo Alberto Cavazos Rodríguez.

It offers Nieu Font (2012, organic), Free Font 21 (2010, a free paperclip face) and the counterless gometric alphabet Navia (2012).

Clasia (2013) is an interesting experimental sans typeface. It looks geometric, but has original stroke cuts meant for legibility. In its presentation, the designer works with subtly shaded parts where strokes join---I guess that is also for enhanced legibility.

Fontspace link. Behance link. [Google] [More]  ⦿

212 Fonts (or: Twentythree Stars)

Oregon-based designer in 2019 of 212 Dreamery Sans, 212 Boys Stuff (dingbats), 212 Phoenix Sans, the upright brushy script typefaces Moon Child, Warmheart (+Serif) and Queenie (+Sans, +Serif), and of 212 Keyboard.

Typefaces from 2020: 212 Orion Sans, 212 Leahlee Sans. [Google] [More]  ⦿

21stbistro

Caitie is is the American designer of the free sketch font Bistro Sketch (2012), Bistro Hand (2012), Bistro Wine (2012) and Bistro Block (2012).

Fontspace link. [Google] [More]  ⦿

23SE
[Jorgen Dahlqvist]

Swedish foundry. It used to have free fonts designed by Jorgen Dahlqvist in the late 1990s: the gorgeous CD cover font Retaliation (2000), Superbal (2000), Space Bowl (2000) and The Great Berserker (2000). [Google] [More]  ⦿

24Design Studio
[Nur Cholis Majid]

Known as Holis Majid and Nur Cholis Majid. Jakarta, Indonesia-based designer (b. 1991) of Prodush (2018), The Circous (2018: a circus font), Northden (2018: a vintage typeface), Rockinsoda (2018), Light City Sans (2018), Glowria (2018), Huvet Rough (2018: a free weathered typeface), Millicious Script (2018: a free brush font), Restorans (2018: hand-printed), Blank City Script (2018), the signature font Ashyta (2018), Blue Captain (2018), the script typefaces Jenifa (2018), Pretty Girl Monoline (2018), Chicken Noodle (2018), Grinty (2018), Ristica Script (2018), Underbridge (2018: brush), Granshey (2018), Naycila Script (2018), Night Work (2018), Little Spring (2018), Basfar (2018) and Troficanos (2018), the free art deco font Palm Tree (2018), the dry brush script Wild Horse (2018), the condensed Epicologic (2018), the octagonal font Avriella (2018), and the techno font Effort (2018), and the squarish typeface Bedebah (2018).

Typefaces from 2019: Madali, Lumiera, Mantra, American Label, Kida Main, Besty (font duo), Mellonia, Refaline Script, Eliotica, Chance, Lemonace (font duo), Reyonha Script, Mideltone, Prodush, Trushme Script, Wakeup, Sugarly, Rushely Script (retro signage script), Cromana, Arigatho (brush).

Typefaces from 2020: Mideltone (textured), Maghnoyha (a monoline script), Wild Brush, Hotelio (a monoline sans), Roadkey Line (an inline all caps typeface), Sercerez (brush font), Collectials, Avekins, Cread, Gardenia, Glowria, Jenifa, Larrisan (a decorative serif), Light City, Millicious, Mindate, Mordova, Murner, Nobstars, Pittania, Rockside.

Typefaces from 2021: Artmosfear, American Label (a Victorian label font), Asiatic (an inky script), Ballocs, Benhard (a vintage display font), Biorka Serif, Brith Brish, Chance (a squarish sans), Clowsh Esport, Catherina Script, Confillia (a clean sans), Focger Serif, Ganirus, Grimson (a signage script), Madtone, Monstario Serif (in the plump serif genre), Muve Serif (incised caps), Pancrack (a font for children), Redsans, Subaraya Retro Script. [Google] [MyFonts] [More]  ⦿

256DESIGNs
[Fumiaki Kawano]

Fumiaki Kawano (256DESIGNs) is the Tokyo-based designer of the squarish font 256 ver1.1 (2003) and of 256LED. Useful for FAX and telephone, with some dingbats. Alternate URL. [Google] [More]  ⦿

256tf
[Thomas Huot-Marchand]

256tm is the foundry of Besançon, France-based designer Thomas Huot-Marchand (b. Dole, France, 1977). He studied under Peter Keller at the ANRT in Nancy, and teaches at the École d'Art de Besançon. He has been Director the Atelier national de recherche typographique (ANRT) in Nancy since 2012.

His typefaces are distributed by 205tf (was: 205 Corp, or 256tm):

• The 72-weight Garaje (from Garaje 55 to Garaje 100; Garaje 53 Unicase Black is free).
• Minuscule. A ten style family for small print, which won an award at the TDC2 2005 type competition. In Comedia he writes about legibility and the creation of Miniscule, which was optimized to be read at 2 to 6 points. His research for this at the ANRT was based on the theory of "compact typography" put forth by Emile Javal, a French ophtalmologist who explained his ideas in "Physiologie de la lecture et de l'écriture" (1905). For examples, see here and here.
• The experimental typeface Minerale (2017). Minerale won an award at the Type Directors Club's Type Design Competition 2019.
• In 2021, he released Album Sans and Album Slab. These fonts were based on designs by Walbaum. He explains: Justus Erich Walbaum (1768-1837), a confectioner by trade, carved his own cake molds. Quite gifted, he became a specialist, developing an activity as a punch-cutter, and eventually bought Ernst Wilhelm Kirschner’s type foundry. Considered to be one of the foremost creators of his time, he engraved gothic letters and Antiqua type, similar to those of Didot and Bodoni. But his romans had a different flavor, and for some, they contain the origins of the Grotesques that followed. In 2010, Thomas Huot-Marchand and SPMillot were asked to develop the typographic identity of the Musée d'Orsay that had been based on Berthold Walbaum since its very beginnings. They proposed adding distant cousins in later typographic styles: a bold grotesque and a thin slab serif, but these typefaces would ultimately remain unused. In 2020, Thomas Huot-Marchand decided to redesign them while developing an extended family. Album is a subtraction of Walbaum: with no serifs for Album Sans and with no contrast for Album Slab. Its silhouette retains some memory of the particular proportions and slightly flattened curves of Walbaum. Album Sans proposes a new reading of grotesques with an extended range of weights: the horizontal terminations of the R and the a, the binocular g, the junction of the k along with the singular design of the numbers, distinguish it from usual forms. The duplexed italics have a reduced slant.

Abstract Fonts link. Home page. [Google] [MyFonts] [More]  ⦿

27th Studios
[Anne Bradt]

Designer of the free paperclip typeface Wireplay (2012).

Dafont link. [Google] [More]  ⦿

28fonts

Designer of grungy or hand-printed typefaces in 2014: Pepperoni Pizza, French Fries Apocalypse, Motherland (a grungy Cyrillic simulation typeface), Silent Broadcast (grunge), Undertaker, Soldier of the Dark, Oh My Oh La La yeah, One Two Mustard, Destroy the Enemy.

In 2015, he made Against Modern Football, Walter Goes to America, The Day is My Enemy (tape font), Bring Me The Gummy Bears (ransom note font).

In 2017, he/she designed Naughty Scratch.

Home page. Dafont link. [Google] [More]  ⦿

2apes.com
[Taishi Yokoyama]

Original katakana fonts and dot fonts by Taishi Yokoyama. Mac and PC: ApeliumK (1999) and Receipt43 families. [Google] [More]  ⦿

2theleft

Original typefaces made in 2001: 2TheLeftDingbats, 3t (pixel font), DepthChargeSemiPhat, HKIMetropol, HKINightlife, LeftOvers, LeftOvers2, LeftOvers3, LeftOvers4, LeftOvers5, LeftOvers6, LeftOversII2, MrQuicke (nice futuristic font), Optimal (like Bank Gothic), Switzerland, YUMYUM, LeftOversII, LeftOversII31, Punavuori (2001). [Google] [More]  ⦿

33third
[Molotow Belton]

This American company is called 33 Third, MTN, Molotow Belton, Graffiti & Arts Supplies, and Montana Paint. I assume (wrongly?) that Molotow Belton is the name of the designer (b. 1977).

Dafont link.

Creator of Sprayvetica (2012). [Google] [More]  ⦿

38 Lineart Studio (or: Grayscale, or: Fontsources)
[Muhammad Ridha Agusni]

Architect and designer in Banda Aceh, Indonesia, b. 1980, who set up Grayscale, then 38 Lineart, and finally Fontsources.

In 2018, he released the hexagonally-patterned color font Space, the nervous monoline display typeface Barcelona, the monoline script Brandy, the tattoo and metal band blackletter font Amstha, Twinkle (hexagonal texture), Premium Quality, Hightide (signage script), Ashley Pages, Bold Grunge (a wood style Western font), Rabbit House, Strongbold (brush style), Onthel (a rhythmic signage script), Cafeine, Seulanga (calligraphic), Sweet Bubble, Downhill, Architecture (technical writing font), Wisethink (rough brush), Emerald, Ghotic, Oakland (signage script), Parthenon (signage script), Strawberry Night (script), the formal calligraphic font Beauty Athena, the inline font Epicentrum, and the signature font Attitude in 2018.

Typefaces from 2019: Ghoust (a marker font done at Cititype), Diamant Handwriting (a signature font), Utrecht (with Siti Saribanon Nurjannah), Exhibitionist (a fine rhythmic script), Holimount, Prague Metronome (a thin signature script), Allegroost (a brush typeface), Anisha (script), Kyoto Northern, ChiQuel (a Victorian display typeface that can be layered), Hillstone (a dry brush script), Malique, Ginchiest (a retro signage script), Kid Knowledge, Haghia, Khatija Calligraphy, Bernound, Graffity, Brandy Script (monoline), Downhill, Concept (sketched, blueprint font), Konya (signature script), Blacksmith, Curve Calibration (condensed sans).

Typefaces from 2020: The Pallace (a great natural inky signature script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Chipen (inline, all caps), Jakarta (a flowing inky script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Rhode White (a great signature script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Bailamore (a creamy signage script), Vogie (a sporty / techno sans family of 72 fonts, plus a variable font), Rollingtime (a brush script jointly designed by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Piedmont (a heavy connected handwriting script advertized as a masculine signature font), Whiplash (an all caps dry brush font), Aceh (a 36-style geometric sans), Youthink, Sacred Letter (a vintage weathered script), Serif Sketch (by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Corinthiago, Smart Chameleon (a handcrafted typewriter font by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Hiroshima Gyoshi (a brush font inspired by Japanese calligraphy), Roughmarker (dry marker font), Brotherhood, Blugie (a fat finger font), Rome Ionic (an all caps roman typeface), Black Orchestra (a great horror or black metal font), Black Orchestra (a horror font).

Typefaces from 2021: Magreb (an 8-style renaissance serif typeface), Toxide (calligraphic; Celtic; uncial), Redtone (a 14-style geometric sans), Moula (an 18-style geometric sans for Latin, Greek and Cyrillic), Zouk (blackletter), Zagreb (an inky signature script by Muhammad Ridha Agusni and Siti Saribanon Nurjannah), Alsace (Victorian), Backbone (a black metal blackletter typeface), Roundkey (a 24-style condensed, but not round, sans), Wordwalker (a marker pen font by Muhammad Ridha Agusni and Siti Saribanon Nurjannah for Cititype), Sweet Bubble (a bubblicious font), Souljah (an elegant inky calligraphic script).

Creative Fabrica link. Another Fontbundles link. [Google] [MyFonts] [More]  ⦿

3D Mild

DEAD LINK. Four free fonts, all called Mild, at this Japanese site. Three of the fonts are katakana. One is a grunge Latin font. [Google] [More]  ⦿

3rieart
[Bagas Setriawan]

Malang, Indonesia-based designer, b. 1988, of the paperclip typeface Melankola (2018), the script typefaces Leonie (2018) and Highbury (2018), and the thin connected script typefaces Saitama (2018) and Cherissa (2018).

Typefaces from 2019: Scarlette, Burdette (script), Blaster (brush script), Rationale (signature script).

Typefaces from 2020: Violla. [Google] [More]  ⦿

440EMU

Creator of the free dot matrix font Teleindicadores 1 (2013). This font covers Latin, Greek and Cyrillic. [Google] [More]  ⦿

440EMU

Spanish designer of the dot matrix typeface Teleindicadores (2013, OFL). [Google] [More]  ⦿

47Boo
[Bu Eiras]

Designer of the boxed decorative caps typeface Gotico Suave (2020). [Google] [More]  ⦿

4th February
[Sergiy Tkachenko]

Sergiy Tkachenko (b. 1979, Khrystynivka, Cherkasy region, Ukraine) lives in Kremenchuk, Ukraine, and has been a prolific type designer since 2008. Sergiy graduated from Kremenchuk State Polytechnic University in computer systems and networks in 2007. Various other URLs: Microsoft link, Identifont, 4th February, Behance, Klingspor link, Revision Ru, Russian creators, CPLUV Fontspace, Twitter. Kernest link. Sergey Tkachenko's typefaces:

• 2008: the techno typefaces Bladi One 4F, Bladi One Slab 4F, Bladi Two 4F, Abia Wide 4F Thin.
• 2009: Wrongo 4F, Zantiqa (an über-serif), Serifiqo (a (free) thin didone fashion mag display face), Codename Coder 4F (monospace programming font), Droporado 4F (using circles only), Tovstun (futuristic, ultra-fat and rounded), Perfocard 4F, Modularico (five modular typefaces based on a logo from Master Kremenchug a company for which Sergiy worked for 4 years), Boldesqo Serif 4F (a splendid informal fat didone, now with Greek support), Tkachenko Sketch, Unicase Slab (a techno slab), Laftatic, Logofontik 4F (techno), PC.DE Stencil (+Italic; custom stencil font), Stenciliqo 4F, Tiap Liap 4F (handwriting), Nut Kit 4F, Rezzzistor 4F, the inline modular face Grand Hotel, and Bijou 4F.
• 2010: Roboo 4F (a bubblegum typeface family), PädIn (a custom typeface for Pädagogische Initiative e.V.: rounded fat informal face), Fat Quad (in the fatty trend), Veselka (a free multiline face), Smeshariki Black (+ Gleams: a bubble gum font made for an animation company), Republica 4F (a fat family), Rodeqa Slab 4F, ComFi (semi-octagonal), Grotesqa 4F, Nowy Geroy 4F, Fabryka 4F (a monospaced typewriter family), Placarto4F-Italic (an ultra fat art deco), Lavina 4F (a hairline sans with lachrymal terminals).
• 2011: Squartica (octagonal), Decomart (free), Model 4F Unicase (a unicase fat didone released in 2013 only), Fontatigo 4F, Kylie 4F (bilined and geometric), Waldemar 4F (a large didone style fat typeface family), Dinesqo (2011, a monoline sans of utter simplicity), Qargotesk (+Cyrillic) [images: i, ii, iii, iv], Neultica 4F (black unicase family), Squartiqa 4F (2011, constructivist), Clarenta 4F Black (after Clarendon---a great family), Designosaur (free sans), Perfopunto (based on perforated circles and squares), OlaScript 4F, Bayadera 4F (a tamed upright monoline script), Febrotesk4FUnicase (squarish unicase family).
• 2012: Targo 4F (rounded typeface with stencil and non-stencil styles), Myra (free font), Myra 4F Caps (free), Cedra (wide monolined sans face), Fontatica 4F (rounded techno grotesk), Akzentica 4F, Ukraintica 4F Wide (a monoline wide-bowled sans family), Laventa 4F, Sports World (free athletic lettering font), Web Serveroff (free computer geek font), Octin Spraypaint Cyrillic (a rough stencil done exclusively for Ninja Theory).
• 2013: Condesqa (modular sans), Esqadero (an uncomplicated monoline sans), Vanyla 4F Unicase (monoline), Esqadero FF CY (a free wide sans, Cyrillic), Bond (a confident no-frills sans), Attentica (free sans font for Latin and Cyrillic), Cedra 4F Wide Thin.
• Cyrillizations: several typefaces such as Lavoisier (by Alec Julien), Budmo Jiggler (Ray Larabie) and JoAnne Display (Sandy Cerovich), Gnuolane (of a Ray Larabie font), Paranoid Cyrillic (based on Kevin Lo's Paranoid), Movavi Grotesque Black (+Cyrillic; image; numerals), Azoft Sans (made for Azoft, and free here and here).
• Custom fonts: Blue Pill, Sansus Webissimo (since 2011 free at Open Font Library), Minaeff ECT (2011, a free legible family for Latin and Cyrillic, custom-made for and downloadable from WebhostingRating.com), Webhostinggeeks.Com (2011), Web Serveroff, OnlinePharmacyCheck.Com (2011), 1800Flowers.com (2011), DesignStudio.com (2011, free), ArchyStudio.Com (2011, free download, Movavi Grotesque (2011, free), Azoft Sans, PÄd In, Smeshariki, Fat Cow (2010: free condensed sans), ComFi (2010, free), PC.de (2009: free techno family, including a stencil face), League Gothic (2009-2011, The League of Movable Type) Cyrillic, Paranoid Cyrillic, 28 Days Later Cyrillic, Acid Label Cyrillic, Dead Secretary Cyrillic, Rezland Cyrillic, Sweet Leaf Cyrillic, Droid Cyrillic, Jo Anne Display Cyrillic, Gnuolane Free Cyrillic, Bosox Cyrillic, Budmo Jiggler Cyrillic.
• Typefaces from 2014: Laqonic 4F (unicase sans), Cubynets 4F, Blogger Sans (free rounded organic sans), Boncegro (free Western typeface, briefly called Vaquero before a name change), Motor 4F (based on Russian car license plates), Monitorica (a futuristic typeface made for ipHostMonitor.com, free at OFL), Areqo (condensed titling sans), Architect's Daughter Cyrillic (architectural lettering), GetVoIP Grotesque (a free typeface commissioned by GetVoIP), Meeneralca (unicase sans inspired by the logo of the mineral water Borjomi from Georgia), Glasoor (free oil spill or jelly bean font), Robotesqa.
• Typefaces from 2015: Croogla (a circle-based informal sans), Blackentina 4F (free ultra-black squarish typeface), Dart 4F (neo-grotesque), Kent 4F (a layered family for letterpress emulation).
• Typefaces from 2016: Brent 4F (original design going back to 2013), a custom typeface for the labels used in the Ukrainian Armed Forces, Economica Cyrillic Pro (with Vicente Lamonaca).
• Typefaces from 2018: Indi Kazka 4F (Indic simulation).

Abstract Fonts link. Dafont link. Creative Market link. Behance link. Hellofont link. Open Font Library link.

View Sergiy Tkachenko's fonts. [Google] [MyFonts] [More]  ⦿

4YEO (For your eyes only)
[Monica Di Leandro]

Monica Di Leandro creates some original dingbat fonts: 4YEOHEARTS, 4YEOIN, 4YEOOUT, 4YEOSPORT, 4YEOTHANKS, 4YEOVAL, 4YEOXMAS, 4YEOgarden, 4YEOhalloween, 4YEOschool, 4YEOstamp, 4YEOsummer, 4YEO Monstrum (see also here).

Dafont link. [Google] [More]  ⦿

510 Ink

Free and commercial fonts by Andrew Galara (Miami, FL). Free fonts: FaneSerane (Andrew Galarza, 2001), IJ19 (Milan Zrnic, 2000), LikeWindInTheSummer (Andrew Galarza, 2000), Superchalmers (Andrew Galarza, 2001), TransitBullets9mmHollowedShells (Andrew Galarza, 2000). Commercial: 710 west 02, Bohemian Transit, Reset, Time Gate, Western Eyes. [Google] [More]  ⦿

538Fonts
[Dan P. Lyons]

Or Daniel Lyons. American founder of Story Choice 102. Creator of the series The Rodfellows and Tequila and Cider, and the three family movies Greeny Phatom ABC's, The Rodfellows Marathon Movie, and Tequila and Cider 20-Episode Marathon. As a type designer active at FontStruct between 2014 and 2021. His typefaces there include DLEFS Lowblock (a squarish family), DLEFS Boulder, DLEFS Boxing (stencil), DLEFS Three Dee, DLEFS Initials (+Solid), DLEFS Mobile Gap (mosaic), DLEFS Shine, Corefont (Solid, Outlined) and Font (a kitchen tile font).

At Fontspace, he showed 280 free fonts at the end of 2021, most of whgich were made around 2016: 4Music, 5-Text-Uppercase, 538EurofanEurovision, 538LyonsFont, 538LyonsLogoText, 538LyonsRounded, 6061, AFLD, AcerSupplement, AdigianaExtreme, AdigianaToybox, AdigianaUltra, AfricanCulture, Akalai, Anodyne, Armegoe, ArtificialBox, AutoToyfont, AverageCustomLevel2, AverageCustom, Azbuka-Lowers-538Lyons, Azbuka, BRFCaps, BSBTextClassic, BTTelecom, Backflash, Backstreet, BeachResort, BigOrangeCyrillic, Bloq, Blurry, Bubblewump, Burger-Queen, Busch-Three, CCColon, Cheese, Chevelure, Chicken-Butt, ChildsSans, Chompy, Circle-Outline, Cloud-World, Comial4448, ComialUnicode, Comial, ComicStrip, Condension-Pro, ConstructiveBuddy, Coolwonder, CountandSpell, Crayawn, CustomHandwriting#1, DLEDigital, DLE-Futuristic, DLEGeometWeb, DLEGeomet, Dan'sDisneyUI, DansDisney, Daniel'sHandwriting-BoldItalic, Daniel'sHandwriting-Bold, Daniel'sHandwriting-Italic, Daniel'sHandwriting, DanielDeluxe, DeejayDisco, DennorLight, Dennor, Dinamight, DobotoBlackItalic, DobotoBlack, DobotoBoldItalic, DobotoBold, DobotoItalic, DobotoLightItalic, DobotoLight, DobotoThinItalic, DobotoThin, Doboto, DokiLowercase, Doki, DooperWhooper, DressedlessProRegular, DressedlessRegular, Dressedless-Three, DuoCircle, E4ASCII, E4Craze, E4-Digital-(Lowercases), E4-Digital-Arcade-V2, E4DigitalCondensed, E4DigitalExtended, e4digitalv2, e4digitalv2, E4DigitalV2Hollow-Italic, e4digitalv2hollow, E4DigitalV2-Italic, E4-Digital-V2-Light-Italic, e4digitalv2light, e4digitalv2, EMEN-Text, EOne, EarlyHalloweenAdventures, EasterABCEggTwo, EatFreshLowercase, EatFresh, EgNew-Thick2, EgNew-Thick, EggsFor3Yrs, EgmontText-BoldItalic, EgmontText-Bold, EgmontText-Italic, EgmontTextLight, EgmontText, ElPerroYElGatoWords, ElPerroYElGatoWords, Election2016, E4DigitalFinal, Eurotype2016, EurovisionChoir2017, EurovisionSongContest2015V2, EurovisionVienna2015, Every-Movie-Every-Night, FS-Serif-Condensed, Familex, Fintaro, FlashingLights, Florid, Florid, FontCreatorProgram4-1, FreebrushScript, Fridays, Funhana (a wide sans from 2016), FunZone3Pro, FunZoneThree, FunZoneTwoAlternates, FunZone-Two-Bold-Italic, FunZoneTwo, FunZoneTwoCondensed, FunZoneTwoEPYEG, FunZoneTwoHelv, FunZoneTwo-Italic, FunZoneTwoLight, FunZoneTwo, FunZoneTwoProCondensed, FunZoneTwoProExtended, FunZoneTwoProRegular, FunZoneTwoSerifBold, FunZoneTwoSerifCondensed, FunZoneTwoSerifWide, FunZoneTwoSerif, FunZoneTwoWide, FunZoneTwo, Garde, Garinty, GarintySkew, HBOFamily, HalloweenTime, Handpower, Hargroty, Hearts, Hemico-Greek, High-Five-Techno, Highstruct, Hisel, History-Lowercase, Homestile, Hopscotch, Hotpepper, InsideOutLowercase, InsideOut, Into-the-Future, Irresistible-Hollywood, JonesCombo, JonesOutline, Jones, Kazuke, KidZonePro, KidZone, KidsClub, Kon-System, LateNite, Lecid, LegibSqueeze, Legibility, LifeIsARightTime, LifelogoEasy, LifelogoHard, Light-Your-Fire, Littoral, LivedMasNEW!WithNumbers, LyonsPrint, 629Supplement-V2, LyonsSecondaryBold, LyonsSecondaryLight, LyonsSecondaryRegular, LyonsSerifBlack, LyonsSerifBold, LyonsSerif-Italic, LyonsSerif, Lyons, MTVLowercase1, MTVLowercase2, Made-with-Paint, MandarianFood, Meerken, MemoriesAngular, MemoriesRoundBold, MemoriesRoundExtraBold, MemoriesRoundLight, MemoriesRound, Memories, Mentabrush, MicEdge, Mickorama, Mixmatch, MockLatin, More4-Logo, MoreFour-v2, MotivotaCombo, Motivota, MovieBill, Mraz, Musieer, MyShapes, NES-Lowercase, NES2, NeonFeel, NewFlourinaFontfor2014, New-LiteBulb, New-Walt-Disney-Font, NewWaltDisneyUI, Nine-Network-logo-font, Nine-Network-logo-font-v2, NiseBuschGardens2, NiseBuschGardens, NoUndo, Oilpainter, OrderPizza, OutofCn'R, POEFoo, POEGalaxy, POEHeadlineBold, POEHeadline-Italic, POEHeadlineOutline, POEHeadline, POEMonospace, POENewUnicaseMedium, POERedcoatNewBold, POERedcoatNew, POESansDemo, POESansDemo, POESansNewBlackItalic, POESansNewBlack, POESansNew-BoldItalic, POESansNew, POESansNew-Italic, POESansNew, POESansPro-BoldItalic, POE-Sans-Pro-Bold, POE-Sans-Pro-Condensed-Bold-Italic, POE-Sans-Pro-Condensed-Bold, POESansProCondensedItalic, POESansProCondensed, POE-Sans-Pro-ExpandedBoldItalic, POE-Sans-Pro-ExpandedBold, POESansProExpanded-Heavy-Italic, POESansProExpanded-Heavy, POESansProExpandedItalic, POESansProExpanded, POESansPro-Extra-Light-Italic, POESansProExtraLight, POESansPro-HeavyItalic, POESansProHeavy, POESansPro-Italic, POESansPro-Light-Italic, POESansProLight, POESansPro-MediumItalic, POESansPro-Medium, POESansPro-Semi-boldItalic, POESansPro-Semi-bold, POESansPro-ThinItalic, POESansPro-Thin, POE-Sans-Pro-Ultra-Condensed-Bold-Italic, POE-Sans-Pro-Ultra-Condensed-Bold, POESansProUltra-Condensed-Italic, POESansProUltra-Condensed, POESansPro, POEText, POEUnicaseCondensed, POEUnicaseToo, POEUnicase, POEVeticaMonospaceBold, POEVeticaMonospace, POEVeticaNewReincarnatedBoldItalic, POEVeticaNewReincarnatedBold, POEVeticaNewReincarnatedCondensedBold, POEVeticaNewCondensed, POEVeticaNew-Italic, POEVeticaNew-LightItalic, POEVeticaNewLightReincarnated, POEVeticaNewMediumItalicReincarnated, POEVeticaNewMediumReincarnated, POEVeticaNewMono, POEVeticaNewThinItalicReincarnated, POEVeticaNewThinReincarnated, POEVeticaNewReincarnated, POEVeticaUI, Paintbrush, Paramountain, Paris-France, Paul, Pelham, PennyPinch, PersonalFontMix, PlayoffsSerif, Playoffs, PoorLittlePeppina, PowerhouseSansBold, Powerhouse-Sans, PresarioText, Presario, Proudance, Radeon, RaiText1983Lowercase, RaiLowercaseRegular, Remedy, Retrahaus, RodfellowsWacky, RodscriptTwo, Rodscript, RollerCoaster, RollyOlly, RollySqueeze, RoundFitLowercaseExtended, Roundling, SM-Grid-Text-Rounded, ScriptME3, ScriptMENew-Bold, ScriptMENew, Scroller, Seez, Serioucity-3, Serioucity, Seuss, Sigg, SillyDilly, Simplicity, Simplicity, Smear, SomethingRandom, Spikes, Splotch, Starzy3, StarzyDarzylowercaseletters, StarzyDarzy, StoryChoiceSansSerif-BoldItalic, StoryChoiceSansSerif-Bold, StoryChoiceSansSerifHeavy-Italic, StoryChoiceSansSerifHeavy, StoryChoiceSansSerif-Italic, StoryChoiceSansSerifLight-Italic, StoryChoiceSansSerifLight, StoryChoiceSansSerif, StoryStrip, SuperMario286, TUBAn, TWOHeadline, TY, Technomite, Teereks, TeknoBeat, TeletoonLowercaseV2, TeletoonLowercase, TertiaryWriting, Thanksgiving2016, TheCheddarCakeFactory, TheRealWoman, TickleToesInfanity, TightMan, Tootall, ToySans, Trans-AtlanticFilm, Triangleshape, Tricrown, Turbo, Turkishye, Ursula, VertaboyAmore, Vertaboy, Weaselic, Wilde, Wood, WoodyDLE, Work-of-Fortress, World'sHeaviestFontEver, YG-Lowercase, YTV2000, YTVPresent, ZiricIsComing, dvcc, E4DigitalFinal, Vivendi-caps. [Google] [More]  ⦿

5ive
[Fabrice Bats]

5ive is the design studio of Fabrice Bats, a Parisian who has moved to Oslo. His lettering includes a couple of alphabets called Kinky (2010). Dafont link. Devian Tart link. [Google] [More]  ⦿

611 Studio
[Rijal Muttaqin]

Surabaya, Indonesia-based designer (b. 1985) of Gojet (2020: a six-style rounded warm Peignotian sans), Cute Aurora (2020), Bertina (2020), Hapsa Marker (2020) and Anjara (2020).

Typefaces from 2021: Anjara (a 9-style minimalist sans). [Google] [MyFonts] [More]  ⦿

6634

Free fonts made by Tekka. [Google] [More]  ⦿

6t6kix Font Factory

New York-based donationware font foundry. Site under construction. [Google] [More]  ⦿

76type (was: electric type foundry)
[Steve Michael Palmer]

Free original fonts by Steve Palmer from Carleton University in Ottawa: Printer, Fabulous, Licorice, Electric Toaster, SaneSerif, Digitol and Crackpot. All in Windows TrueType format. Electric Type Foundry. Fontspace link. Dafont link. [Google] [More]  ⦿

7N Types
[Situjuh Nazara]

Indonesian creator in Jakarta (b. 1985). 7NTypes includes several designers, including Keithzo, but Situjuh Nazara is the founder and main contributor. Creator of The Amazing Grace (2012), Twofold Uncomplete Design (2012), Alighty Nesia (2012, an open geometric sans family), Gratis (2012, free headline sans), C7Nazara (2012) and Situjuh Hand (2012, a curly typeface).

Typefaces from 2013: Hurufo+Numero (sans family), Yaahowu (a rounded sans family), Gobold, Bryana Aningsih Shara (upright script), Gpkn (circle-based monoline sans).

Typefaces from 2014: Smoolthan (monoline organic sans), Remponk (multilined), Playsir (comic book typeface), Defonarts, Tulisan Tangan 74, Fortheenas_01, Evogria (bold and mechanical), Anysome, Blackplotan, Dotcirful (dot matrix typeface), Handgley, Brokeren (techno sans), Headsome&Modif.

Typefaces from 2015: Manophiser (sans), Theodista Decally (upright connected script), Upbolters (a macho sans caps typeface).

Typefaces from 2016: Cutrims (a polygonal typeface), Xacose.

Typefaces from 2017: Blessing in Disguise, Chirota (handcrafted), Hastoler, Merysha-Italic, Merysha (serif), SHAOutline, ShareHappinessAround (rounded sans), SomethingLooksNatural, Tentram-Italic, Tentram, Reitam (sans), Myfrida, Ribeat (smooth brush), Etchas, Goeslim, JulySeventh, Justtellmewhat, Offerings, Prohandy, Reprineato, Steagisler, Stea, Miss Nealy, Hastro, Dialoegue, Kisah Ceritra, Chesan, Boxise, Creword, Breetty, Anydore (calligraphic), Brushaff, Budiyaya (brush), Brotherina (connected script), Chosence (sans family), Handycheera, Aulyars (calligraphic script), Molleat.

Typefaces from 2018: Freshness, Christed, Xyling, Youthing October Fourteen, Kayskew October Eleven, Hoty, Friday October Twelve, Codian October Nine (art deco), Caboge, Stripe October Seven, Nesdate October Ten, Codian October Eight, Odian October Nine, Stripe Shadow October Seven, Clambake October Six, Lovina October Five, Grande October Four, Grande October Three, The October Two, The October One, Favoner One, Homade McRacken, Besta Baru, Srows, Sanson, Bestar, Kathen, Byby, Charilla, CuteBeSpecial, FriendlySchoolmates-Italic, FriendlySchoolmates, GirlsMarks, HeartWarming, HeartWarmingExtra, Kaylonick, LearnShareColaborate-Bold, Mergic, MOGrhythm, OpenMinded, OpenMindedInside, PassiontoAction, PassiontoActionSlant, TeamWork-Italic, TeamWork, Yessy, Feltarigo, Motira, Adelio Darmanto, Troche, Nicolera, Mantul, Yukikato, Gebrina, Veni, Onadio, Aliena, Gabelisa, Still Loving, Shink, Sottee, Milyone, Kelidya, Yuliya, Hestina, Masbro, Goday, Milgun, Togetha, Thisay, Dhitha, Charline, Briany, Candire, Arinda, Anglena, Abilya, Story of Super Boys, Richela Kids, Seelyn, Pulen, Podo Moro, Sri Muliyo, Neigfriste, Hardino (monoline script), Purple River, Yoshephin, Theola Kids, All Season, All Season Ornaments, Hello Teman, Attracted Monday, Cirquesa, Hopeitissed (signage script), Hettas, Certhas, Fattana, Qeiza, Having Fun, Flotta, Soe, Misses, Siry, Mommy's Kitchen, Thany, Mother's Touches, Create Something Today, Well Bred, Cheria, Beatific Margella, Hidea, Gobold Blocky, Riztteen, Stika, Bintar, Ginta, Menscho, Hilona, Dehasta Momentos, Mungkin, Shartoll Light, Robaga Rounded, Ingat, Ascota, Klapjo.

Typefaces from 2019: Homazing, Pre (script), Millythea, Rough Rough, The Friday Stroke (brush script), Anu, Dearly Loved One, Khalifa, Vesetia, Blending Attraction, Lova Valove, Quotable, The Simple One, Matchinger, Touch Over Next, Waiting For, Being Love, Lova Valove Serif, Clawster, Hopia, Sanson, Being Love Sans, Back To Ancient Time, Protector, Mystag, Oreta, Dearly Loved Slab One, Yep, Nuaz (a stitching font), Bronice, Nesdate October Ten.

Typefaces from 2020: Sheroo (beatnik style), Thank You So Much, Styla, Racy Mango, Josy Wine (spurred), Lonely Melody, Alegra, Alenor, Conformable, Sweet Hansan, River Script, Kevin Aprilio, Jorby, Maines, Say Yes, Fish Grill, Flash on Saturday Night, Literally Natural, Lady Nature, Joyful Story, Brush Hours, Daily Walker, Free Monday, Mila Bright, Marchone, Githo Love, Fondacy, Jumat, Brastagi, Christiany, Feltarigo, Gabelisa, Gibran, Baligle, Do It With Love (a Valentine's Day font), Vecoly, Delightious, Ataro, Anticed, Cherrythea, Merrycle, Twolank, Atozimple (a monoline sans), Bikito (a curly script), Tyfanie, Hilya, Lonnie.

Dafont link. Web site. Creative Market link. Creative Fabrica link. Another Creative Fabrica link. And another Creative Fabrica link. [Google] [More]  ⦿

811 Studio
[Hamdani Asril]

Riau / Pekanbaru, Indonesia-based designer of the squarish monolinear typefaces Kimaris (2019) and Widges (2019). Behance link for Hamdani Asril. [Google] [More]  ⦿

8chon

Designer of the free hand-drawn poster font Rossetti Caps (2014). [Google] [More]  ⦿

93freesh

Designer of the obese typeface Singularity (2019). [Google] [More]  ⦿

9-5:font design:voltage
[Andrea Jenkins]

Andrea Jenkins' font Voltage. [Google] [More]  ⦿

A. Amirawan
[freefontsfamily]

[More]  ⦿

A collective

A group of designers at Velvetyne who published some free fonts. These include:

• Resistance (2015). A brutalist sans typeface by these students at ENSAD Paris: Pauline Cormault, Esther Michaud, Claire Mucchieli, Merlin Andreae, Raphaël Maman, Pedro Gomes-Cardoso, Juliette Nier, Gabrielle Meistretty, Damien Bauza.
• Saintjean (2017). A font created from ampersands received during a workshop from about one hundred participants.

A. Doyle
[Square Type (or: Johnny Bluejeans)]

[More]  ⦿

a Falange Studio
[Elvis H. Martuchelli]

Sao Paulo, Brazil-based Elvis H. Martuchelli (b. 1978) designed the Ingrate condensed sans family in 2005. It can be downloaded here. [Google] [More]  ⦿

A. Gwyneira
[Gwyneira]

[More]  ⦿

A. J. Sedlak
[Zebra Type]

[More]  ⦿

A. M.

German designer of the free typewriter font AM Type 1 (2016) and the ornamental caps typeface AM Intex (2016). [Google] [More]  ⦿

A. Naruchad

Designer of the free script typeface Brushnaruki (2018). [Google] [More]  ⦿

A. Rohrboeck
[Andrew Der]

[More]  ⦿

A Spoonful of Sugar
[Yasutaka Sato]

Yasutaka Sato's free techno and/or pixel fonts made between 2000 and 2002 include Asos19101357, Asos19101357BoldItalic, Asosbeats01, Curvic, CurvicOblique, HDF, Lignor, Linernix, and Thundercity.

Fontspace link. Klingspor link. [Google] [More]  ⦿

A.A. Downie

Creator of the free medieval lettering typeface Serenity (2012). [Google] [More]  ⦿

A&A Productions Inc
[Stin Hilly]

Stin Hilly (A&A Productions Inc) made Austin Hillyard (2011, hand-printed), Pig Pen Cipher (2011, huh?), and Mixed Alpha (2011). [Google] [More]  ⦿

AAA Font
[Prachid Tinnabutr]

Assistant Professor at the Fine and Applied Arts Division, Chandrakasem Rajabhat University. Prachid also owns Witty Computer Co in Nonthaburi, Thailand. Creator of the free typefaces AAA Prachid Hand Written (2012) and AAA Watin Bold 3D Italic (2012). [Google] [More]  ⦿

aalmop

Designer of the free text typeface Arrow Serif (2018). [Google] [More]  ⦿

Aan Kurniawan
[AK Desain (or: Bangun Studio)]

[More]  ⦿

Aaron Beck
[Aaron W. Beck Co. (Recordkeeper Software; or Audio-Electric Systems)]

[More]  ⦿

Aaron Bell
[Saja TypeWorks]

[MyFonts] [More]  ⦿

Aaron Bradley

UK-based designer, b. 1999, of the modular typeface Loncazt (2019) and the squarish typeface family Gipfel (2019). [Google] [More]  ⦿

Aaron Glass

Aaron Glass was raised in Hamilton, NJ. Creator of the free hand-printed typeface Glass Hand (2014). Dafont link. [Google] [More]  ⦿

Aaron Hooker

Designer of the free squarish typeface Legacy (2016). [Google] [More]  ⦿

Aaron Johnson
[Fontastic! 2]

[More]  ⦿

Aaron Kandia
[Aaron Muiru]

[More]  ⦿

Aaron May
[Durham Brand & Co]

[More]  ⦿

Aaron Muiru
[Aaron Kandia]

Nairobi, Kenya-based designer, known as Aaron Kandia and Aaron Muiru. In 2018, he created the free art deco typeface family Tao Mbao. In 2019, he added the technical drawing typeface Node. [Google] [More]  ⦿

Aaron Smith
[CoinToss Productions]

[More]  ⦿

Aaron Troglia

Frontenac, KS-based designer of the free handcrafted typeface The Friendly Ghost (2016). In 2017, he designed the free font Piedmont.

In 2019, he released the free typefaces Aaro Sans and Aaro Sans Hairline. [Google] [More]  ⦿

Aaron Varga

Erdliget, Hungary-based designer (b. 1995) of Blobb (2017) and the techno typeface Undefeated (2017). Home page. Dafont link. [Google] [More]  ⦿

Aaron W. Beck Co. (Recordkeeper Software; or Audio-Electric Systems)
[Aaron Beck]

Aaron Beck started making fonts in the 1990s under the labels Recordkeeper Software, Audio Electric Systems, and Aaron W. Beck Co. These include Beckett (textura, 1994), Cupertino (sci-fi face), Graveyard, Headstone, Pirate Bones, StoneCutter, Tombstone and Warlock. Fontspace link for RecordKeeper Software. Fontspace link for Aaron W. Beck Co. Dafont link. [Google] [More]  ⦿

AArrgghh! Typefaces
[Jonathan Smith]

AArrgghh! Typefaces used to offer shareware fonts by Jonathan Smith (Cleveland, OH) of Rhode Island Soft Systems: New Land Contour, All-Hearts, Bunny-Lips, Confetti, El-RioLobo (1993, Mexican simulation face), Elbjorg-Script, Essential-Times, Firey, Glifik, Gyptienne (hieroglyphics), Hero-Outline, Hirosh (oriental simulation face; an exact copy of Sukiyaki, made in 1968 by Gene Eidy for Lettergraphics International), Ice-CreamSandwich, Ice-Snow, Made-InTheUSA, New-LandContour, New-LandInline, New-LandOutline, New-LandSport, Ol'54, Planetz, Porter-Lil'Kaps (gorgeous late night show display font), Religious, RockArt, Spider-WebBlock, The-Score, Wet-Paint.

Fontspace link. [Google] [More]  ⦿

Aarti Shinde

Mumbai, India-based designer of the free thin decorative sans typeface Nune (2017). [Google] [More]  ⦿

Aayush Mayank

Freelance graphic designer in Pune, India. In 2020, he released the free seven-style inktrapped sans family Trap. [Google] [More]  ⦿

abarenbo

Free Mac fonts, A-Kagen (handwriting) and Tenuki Gothic. [Google] [More]  ⦿

Abattis
[Dave Crossland]

Abattis is a free software type foundry launched in 2009 by Dave Crossland. Auto-description on his wiki: I'm a designer and nerd in Bournemouth, UK, and I do systems and network consultancy for a living. I completed a BA (Hons) Interaction Design degree at Ravensbourne College in 2006, and am currently on the MA Typeface Design course at Reading, from October 2007 to July 2009. My design philosophy centers around the parameterisation and automation of design to improve the design process, and some of my old ideas are published at designprocess.com. He is a proponent of open source code and of free fonts, and involves himself with dedication in the Open Font Library project. He defines Free fonts as follows: Free Fonts are about freedom, not price. They are fonts you are free to use for any purpose, fonts whose internals you are free to study, fonts you are free to improve, fonts you are free to redistribute, and fonts you are free to redistribute improved versions of which means - in the specific context of font software - fonts you are explicitly free to embedded, subset, bundle and derive from to create any kind of artwork. To be truly Free they must allow commercial use and even to be sold by anyone - as it is about freedom, not price.

Dave dreams of a free culture of visual communication around the world, so he decided to free fonts. His Masters Thesis written in 2008 at the University of Reading is entitled The Free Font Movement.

In 2009, for his MA work at Reading, he designed Cantarell, a free humanist sans family, done together with Jakub Steiner, free at CTAN, Github and Open Font Library. OFL page. Cantarell was there at the launch of Google Fonts and has become widespread. In 2010 it was selected as the default User Interface font for GNOME 3. Petra Sans (2017) is a further development of Cantarell by Cristiano Sobral. Irene Vlachou added Greek support for Cantarell in 2018. The current state of Cantarell as reported on Github: After the GNOME project adopted the typeface in November 2010, minor modifications and slight expansions were made to it over the years. Pooja Saxena initially worked on the typeface as a participant of the GNOME outreach program and later developed her own Devanagari typeface Cambay, which included a redesigned Latin version of Cantarell. It was backported to the GNOME branch of Cantarell by Nikolaus Waxweiler, who also performed other janitorial tasks on it. The overall quality of the design was however far from good, given that the regular and bold face were worked on seperately and without consistency and had low quality outlines, and the oblique variants were simply slanted uprights without much correction. The GNOME design team also requested lighter weights. Up to this point, the work on Cantarell was mainly done with libre tools such as FontForge. Given the decaying state of FontForge (arcane user interface, heaps of quirky and buggy behavior) and the very early development status of alternatives such as TruFont, Nikolaus Waxweiler started redrawing Cantarell in the proprietary and Mac-only Glyphs.app under mentorship from Jacques Le Bailly ("Baron von Fonthausen"). Later, Alexei Vanyashin and Eben Sorkin reviewed the design.

Finally, in 2009 or 2010, he started work on the Google Font Directory. Dave works as a typographic consultant to the Google Fonts project and gives financial support to libre type projects including FontForge, Glyphr Studio and Metapolator.

Klingspor link. Kernest link. Google Plus link. Font Squirrel link.. [Google] [More]  ⦿

Abbas Type

Designer of the connected typeface Kerling Script (2018). [Google] [More]  ⦿

Abbi Roberts

Or Abigail Roberts. Designer of the free pixelish typeface Nykel Ord Sans (2017). [Google] [More]  ⦿

Abby Manuel

The Philippines-based designer of the free curly vampire script typeface Sabrina (2014). [Google] [More]  ⦿

ABCtec

Designers of Radius (1997). [Google] [More]  ⦿

Abd-Elrahman Ammar
[Abody Ammar]

Aka Abody Ammar. Damanhar, Egypt-based designer. Co-designer with Yousuf Gamal of the fun fluid Arabic typeface Marshmallow (2017). Free download for personal use.

In 2017, Abd Al Raoof (design) and Abd-Elrahman Ammar (development) published the free Arabic font family Raoof. Still in 2017, Yousuf Gamal (design) and Abd-Elrahman Ammar (development) published the free Arabic font family Caramel.

In 2018, he designed the free Arabic / Urdu / Farsi font Oya together with Avd Al Raoof (Abdoaroof Aburzizh). [Google] [More]  ⦿

Abdelrahman Farahat
[Farahat Design]

[MyFonts] [More]  ⦿

Abdillah Abdi
[Dilbadil]

[MyFonts] [More]  ⦿

Abdoaroof Aburzizh

Tripoli, Libya-based designer, with Abd-Elrahman Ammar (development), of the free Arabic font family Raoof. [Google] [More]  ⦿

Abduhan Fikhri
[Doehantz Studio]

[MyFonts] [More]  ⦿

Abdul Aziz
[Bringtype Studio]

[More]  ⦿

Abdul Basit

Mataram West Nusa Tenggara, Indonesia-based designer (b. 1987) of the brush font Examplle (sic) (2019), the script typefaces Samantha (2019: for signatures) and Amanda (2019), and the rounded informal sans typeface The Book (2019). [Google] [More]  ⦿

Abdul Hafidz

Designer of the techno font Zif-Ha2. [Google] [More]  ⦿

Abdul Hapiz Hilman
[Fizzetica Type foundry]

[More]  ⦿

Abdul Malik Wisnu
[Almarkha Type]

[MyFonts] [More]  ⦿

Abdul Manan
[Belove Studio (or: Takiy)]

[More]  ⦿

Abdul Muein

Bandar Seri Begawan, Brunei-based student-designer of the free electrical plug-themed typeface Caperial (2015). [Google] [More]  ⦿

Abdul Rohman
[Gravisio]

[More]  ⦿

Abdullah Al-Khafaji
[Fonts Bomb]

[More]  ⦿

Abdullah Arif

Designer of the monospaced Arabic typeface Kawkab Mono (2015), which is available from Open Font Library. It is paired with Source Code Pro for the non-Arabic glyphs. [Google] [More]  ⦿

Abdurrahman Hanif
[Monocotype Studio (or: Monoco Type, or: Awal Studio)]

[MyFonts] [More]  ⦿

Abdusselam Ondin

Istanbul-based designer of the free organic sans typeface Lamon (2018). [Google] [More]  ⦿

Abecé Festival Tipografico
[Vladimir Ramos]

This festival or happening in 2011 in El Salvador led to 66 freely downloadable experimental typefaces. A list:

• Sequence Light, Cubic Bold and Structure Wave by Judith Sales.
• LLyang2001, Color Code 2002 and CKT-ECA2004 by William M. López
• Tridens, Black Model and Modern Curve by Francisco Matute.
• Glifos, Lanzas and Máscaras by Claudia Urbina.
• Cartoon 80, Macbeth and Water by Edwing G. Ramos.
• Clip, Paralela and Circular by Maya Siliezar.
• Sideral, Styckpo and Bub by Jorge L. Cordón.
• Splash, Boom and Palillo by Marjorie Hernández.
• Kebra-Jc, Splahs-Apple and Fonteye by Juan C. Arévalo.
• Staind, Cube and Stilo by Mario Arias.
• Anubis, Trident Field and Boomerang Brand by René Ruiz.
• Crescent, Anglex and Brick Collapse by Mauricio D. Canales.
• Woodlife, Abduction and Goosehell by Renato Romero.
• Vector-3, Middle Bold and Regulus Cubiculus by Felipe Ronquillo.
• Square-Hook, String line and Half Curve by G. Rodriguez.
• The grudge, Tiny Curly and Rama by Diaz.
• Fattycurve, Squaretype and Triangle type by Granados.
• Happy clown, Cosmo Boo and Jumpy by Silvia Mejía.
• Kenjix, Bunbabun and Soplodetinta by Vladimir Ramos.
• Lines, Granede and Fam by Tanya Escalante.
• Elemento, Indiferente and Space by Bernardo Osegueda.
• Benklin Lite, Sound Test and Liken Regular by Benjamin Solano.

As a fine representaive in this list, Vladimir Ramos from San Salvador designed Soplodetinta, an ink splatter typeface. [Google] [More]  ⦿

Abel Oroz

Designer of the free blackletter typeface Catafalque (2018, FontStruct). [Google] [More]  ⦿

Abel Perez Delgado
[Ovalum]

[More]  ⦿

Abelardo Gonzalez

New Hampshire or Spain-based dyslexic creator of Open Dyslexic (2011), a free font specially designed for dyslexia, developed on the basis of Bitstream Vera Sans.

Leo Kelion writes for the BBC: The OpenDyslexic font is designed to give "gravity" to letters to prevent the characters rotating in readers' minds.

Other type designs by Gonzalez include Eulexia and Alpha Symbolic (a "dyslexic notation" typeface that uses symmetric symbols to reduce confusion in the alphabet).

Dafont link. Open Font Library link. Github link. Open Dyslexic link. Free download of Open Dyslexic. [Google] [More]  ⦿

ABF Font Repository
[Karl LaRocca]

Fonts by Karl LaRocca: Ninepin, Archway, Fon-Goo and Tiltie are derived from various old low resolution bitmap fonts. TrueType and Type 1, PC. [Google] [More]  ⦿

ABF picks

Fonts by some designers without a home, as grabbed from alt.binaries.fonts by CybaPee. [Google] [More]  ⦿

abfonts

Free service by some font enthusiasts: free fonts posted by occasional type designers on alt.binaries.fonts are collected here for easy download, and for historical reference. [Google] [More]  ⦿

ABFonts Santos FC 2012 Numerals

ABFonts Santos FC 2012 Numerals (2012) is an orphaned athletic lettering font. We read at ABFonts (where the font can be downloaded): ABFonts Santos FC 2012 Numerals is based on the numbers used on the jersey of Brazilian football club, Santos FC, which is outfitted by Nike. The font was created on request and the image that was provided only showed the jersey numbers of Santos FC. Based on photographs, the player's name is not shown on the jersey explaining the absence of letters in the font. It appears that the source image was created by Cleiton Fabiano of www.futbr.com. [Google] [More]  ⦿

Abhishek Junghare
[One Seven Point Five]

[MyFonts] [More]  ⦿

Abhishek Malhotra

Indian designer of the free font Together (2018). [Google] [More]  ⦿

Abhole008

Designer of Engeepee Outline (2020). [Google] [More]  ⦿

Ablaze Studio
[James Cianciaruso]

James Cianciaruso (Ablaze Studio) (b. 1967) lives in the UK. Dafont link. He created these fonts: Chaos Times (2007, grunge), Arkham (2007, Arabic simulation face), Leicester (2007, old typewriter face), and Veggi terra (2007, fruit and veggie dingbats). [Google] [More]  ⦿

Abneurone Typografix (or: Abneurone Trauma Types, or: Neurone Error, or: Abneurone Fluid Types, or: Cirque Traumaccord)

French foundry on the margins of type society, obsessed with psychotherapeutic experiments, hyper-experimental, and indeed mental, typefaces. This outfit goes under various names. At FontStruct, where most of its fonts are produced, it is known as Neurone Error. At Dafont, it is known as Abneurone Fluid Types. Its commercial branch at MyFonts is called Abneurone Typografix or Abneurone Trauma Types.

Their first commercial fonts are ATT49 Fanfare, ATT48 Thrax, ATT47 Candies, ATT46 Exlixir, ATT45 Transfix, ATT44 X-Cute, ATT43 Small Proteus, ATT42 Childhook, ATT41 Arcane, ATT40 Lysergic4a, ATT39 Liquor, ATT38 Once Upon A Damned, ATT37 Innocence, ATT36 Kidding, ATT35 Bestiaire (2011), ATT34 Lysergic 2a (2011), ATT33 Koan (2011), ATT32 Faun Call (2011), ATT31 Paraphilia (2011), ATT30 Lysergic 1b (2011), ATT29 Mad Hatter (2011), ATT28 Minimori (2011), ATT27 Tripton (2011), ATT26 Lysrergic3a (2011), ATT25 Multicoloured Rythm (2011), ATT24 Swallow (2011), ATT23 Artlien (2011), ATT22 Dopamine (2011), ATT21 ABTOY (2011), ATT20 Rankle (2011), ATT19 Ink Lust (2011), ATT18 Overabundance (2011), ATT17 Ink Circus (2011), ATT16 The Orgians (2011), ATT15 For Whom The Bell Tolls (2011), ATT10 Stereo (2011), ATT11 Heterodoxa (2011), ATT12 Psilocybine (2011), ATT13 Sync (2011), ATT14 Prehisto (2011), ATT8 Human Decay (2011), ATT9 Eroded Eclosion (2011), AT4 Parallax (2011), ATT7 Medieval Sweet Shop (2011), ATT6 Detected Future (2011), ATT5 Hard Sync (2011), ATT4 Chalice (2011), ATT3 Outer Christ (2011), ATT2 Macpanic (2011), ATT1 Nimal Nimoy (2011), AT54 Intermezzo (2011), AT26 Metamorph Candies (2011), AT29 Dystrogonyx (2011), AG2 Placenta (2011), AT17 Farandole (2011), AT27 Innocence (2011), AT3 Nuclear Project (2011), AT38 Nanogonyx (2011), AT49 Neuromicr (2011), AT16 Faun Call (2011), AG1 Neuroticons (2011), AT55 Neo Geo (2011), AT36 Mad Hatter (2011), AT51 Pharmaceutic (2011) and AT5 Childhook (2011).

The FontStruct production in 2011: 00dot 5 TRANSFIX, 00dot 15 DYSTROPHIE POLYGONALE, 00dot 20 CURSED, 00dot 13 PARALLAX, 00dot 12 NUCLEAR TARGET, 00dot_7_nimal_nimoy, 00dot 17 SYNDROME F.K., 00dot 9 NEW TO, 00dot 6 DECLINE AND CODE, 00dot 3 ROBOX, 00dot 2 MINIDECO, 0dot 26 INKSECTS, 00dot 32 STEREO, 00dot 10 SMART PLAYGROUND, 00dot 33 FUTURE NOW, 00dot 23 BLING STREET, 00dot 4 TOXINE, 00dot 31 FAUN CALL, 00dot 19 ELIXIR, 00dot 30 DWARF LOGIC, 00dot 8 THRAX, 00dot 14 A NEW FORM OF BEAUTY, 00dot 22 HETERODOXA, 00dot 27 KIDDING, 00dot 21 INNOCENCE, 00dot 34 PICTORIAL ABUSE, 00ne Stretched Empty Cow (2011, a piano key stencil face), 00ne Empty Cow (2011), 00ne Medication (2011), 00ne Pills, 00ne Minipills, 00ne Stency, 00ne Neurelm, 000tag6 LYSERGIC, 000tag4 ROBOX, 000tag NUCLEAR WARFARE, 00ne dat / dot, 00ne Bat Kidding (+Stencil, +Stencil Quadrillé), 00ne Stencirc, 00ne Neurocirc Neue Deco, 00ne Neurocirc, 00ne Neurologo, 00ne Nutech, 00ne Nutech Black, 00ne Top Pix (+Clean), 00ne Not So Atroce Pixels (+Black), 00ne Videotech, 00ne Videotech Tamagochi, 0One Bad Video, 0One Exagg Superstrong, 00ne Blockollida, 00ne Minicut, 00ne Neuromoog, 00ne Exagg, 00ne XChurch, 00ne NeuroNeoq, 00ne Imprimante Matricielle, 00ne C64 NeurOOpart2, 00ne Heterodoxa, 00neZnorg, 00ne Znorg Heads, 00ne Zwrappearing (dotted and textured), 00neVideotech, A Present for Intaglio (2011, cloned from Intaglio's Wallachia), Inicial 1 (2010, an improvement of a typeface by Infotipografia), Neo Geo (2011), NE XS, NE 4x4 Technirement, NE Religious Migraine, NE Abtechre. NE Churching, NE Strange Light Pax Pact, NE Cellphone Cutie Punched Cards, NE Cellphone Cutie, NE Obl. NE Pax Pact, NE Pictorial Abuse, NE Charlie Chaplin Cybernetic Brains, NE Chaplin Cyborg, NE Unknown Remix, NE Neurofat, NE Neurocompressor, NE Neurocompressed Pictograms, NE Alien Orders, NE Filament Techneriment, NE Strange Light Pax Pact, NE The Eye, NE Moving Parallels, NE Alien Orders, NE Reordered Alien Orders, the NE New Newbix family, Parallax (2011).

Typefaces made in 2012 at FontStruct: AFT1 Heterodoxa, AFT2 Forbidden Apple, AFT3 Kidding, AFT4 Spacelab Parallax, AFT5 Detected Future, AFT6 Lysergic 2b, AFT7 Lysergic 2a, AFT8 Transfix, AFT8 Smart Kids, AFT10 Candies, AFT12 Neo Geo, AFT13 Arcane, AFT15 Hard Sync, AFT17 Cortech Hallucination, AFT18 Lysergic1b, AFT20 Abtech, AFT21 Bling Chief Story, AFT22 Ink Lust, AFT23 Faun Call, AFT24 Toying, AFT27 Fluffy Clown, AFT30 Koan, AFT31 Innocence, AFT33 ETPheuneHeume, AFT34 Neuromicr, AFT35 Tripton, AFT36 Intermezzo, AFT37 Rankle, AFT38 Dark Rankle, AFT39 Rankle Distone, AFT40 Smart Kids, AFT41 Smart Playground, AFT42 Lysergic 4a, AFT43 Small Proteus, AFT44 Lysergic 3a, AFT45 New Forgee, AFT46 Space Connect, AFT47 Mondrian Drone, AFT48 Bark At The Code, AFT49 Stereo, AFT50 Artlien, AFT51 Liquor, AFT52 Neuromecha, AFT53 Lysergic 1a, AFT54 Dinoxyde, AFT55 Human Decay, AFT56 Eroded Eclosion, AFT57 Outer Christ, AFT58 Boing Code, AFT59 Nimal Nimoy, AFT60 X-Church, AFT61 Macpanic, AFT62 Lovely Breeze, AFT63 Mad Hatter, AFT64 The Orgians, AFT65 Chalice, AFT66 Ssaammothrax, AFT67 Panthrax, AFT68 Less Is More Neuromicr 2, AFT69 Paraphilia, AFT70 Psilocybine, AFT71 Childhook, AFT72 Once Upon A Damned, AFT73 For Whom The Bell Tolls, AFT74 Medieval sweetshop, AFT75 Nanoprehistoryx, AFT76 Pictorial Abuse, AFT77 Bestiaire, AFT78 Fanfare From Outer Space, AFT79 X-Cute, AFT80 Medication, AFT81 Wrong DNA, AFT82 Wrong DNA, AFT83 Minimal Disto, AFT84 Abacadabra, AFT85 Pharmaceutical, AFT86 Code Flu, AFT89 High-Diving Blindness, AFT90 Nopix, AFT91 Floppy Disk O, AFT100 Farewell dawn, AFT104 Locked-in Glow, AFT105 Vivant, AFT106 Sharp Gloss, AFT107 Madame Guillotine, AFT108 Newbic, AFT109 Ataxie, AFT110 Strenuous MICR, AFT111 Effaceur, AFT113 Zeppelin Legacy, AFT1010 Jabbering, AFTN1, BUT1 Quarx, BUT2 Newbix, BUT3 Disto Matricielle, BUT4 Tomono, BUT5 Blurred Clown, BUT7 Religious Pill, BUT8 Nopix (octagonal), BUT9 Tipi Video, BUT10 Slanxic Acid, BUT11 Metamphetamental, BUT12 Znorgs, BUT13 Soyokaze, BUT15 Stick Tech, BUT16 Uninteresting Tech.

In the Testament series from 2012 until 2013, we mention Testament 132 New Indication, Testament 131 The New Orgians, Testament 128 Camphre, Testament 126 Neuromoog, Testament 122 Dissecting Geometry, Testament 115 Placenta Numérique, Testament 116 Abnormal Fairy, Testament 109 Madame Guillotine, Testament 85 Axone, Testament 84 Keen, Testament 83 Minimixture, Testament 52 Neuromecha, Testament 51 Liquor, Testament 50 Artlien, Testament 49 Stereo, Testament 48 Bark At The Code, Testament 56 Eroded Eclosion, Testament 55 Lysergic 1a, Testament 54 Inflated, Testament 59 Nimal Nimoy, Testament 60 X-Church, Testament 64 The Orgians, Testament 67 Panthrax, Testament 66 Human Decay, Testament 69 Chalice, Testament 47 Mondrian Drone, Testament 44 Lysergic3a, Testament 42 Lysergic 4a, Testament 27 Arcane, Testament 11 Minimori, Testament 8 Transfix, Testament 7 Lysergic2a, Testament 6 Lysergic 2b [The Lysergic series is about very large (around 200 cases high) grid pixel fonts with a severe inclination to psychedelism], Testament B Formaldehyde, Testament C Neuroticons, Testament Artefact, Testament Back Home, Testament 1 Heterodoxa, and Testament 12 Neo Geo. He also created an Archive series in 2012, which features an ornamental caps typeface called Archive 10, a geometric typeface called Archive 5, TEST PPain, and a textured typeface called Archive 8. He has a Trauma series that features Trauma 145 Razzmatazz Architect, Trauma 126 Lysergeek Boy, Trauma 127 Lysergeek Girl.

Typefaces from 2014: Trauma 155 Overly, Trauma 151 Migraine Bit.

In 2017, Abneurone allowed me to host his 120-strong Abtox series, which grew out of the FontStruct collection between 2014 and 2016. Download directory. All fonts in one zip file. The complete list: Abtox 1 ATAXIE, Abtox 10 GRIEF, Abtox 100 CORRODED SPACESHIP_0, Abtox 101 LYSERGIC GAMMA_1, Abtox 102 TOXIC DATA, Abtox 103 NEUROTIC CHURCH_3, Abtox 104 SCHIZOPHRENIA TYPE_1, Abtox 105 TWO STAGES OF CONTAMINATION_2, Abtox 106 DINOXYDE_1, Abtox 107 FAUN CALL_0, Abtox 108 SMART KIDS_9, Abtox 109 FORBIDDEN APPLE_1, Abtox 11 SANTA CLAWS, Abtox 110 DYSTOPIAN GEOMETRY_0, Abtox 111 CHEMICAL ABERRATION_1, Abtox 112 DOUBLE-DEALING_3, Abtox 113 FORBIDDEN PLANET_4, Abtox 114 KARMIC_4, Abtox 115 DIZZY MOLECULES, Abtox 116 COMPUTING ELSEWHERE_0, Abtox 117 DEEP LOW_2, Abtox 118 MODULOTNIK, Abtox 119 DATACIDE_3, Abtox 12 CLOUD BLOOD, Abtox 120 CLOSE ENCOUNTERS_7, Abtox 13 CHILDHOOK_C, Abtox 14 BACTERIA_0, Abtox 15 ALCESTE_3, Abtox 16 PSILOCYBINE_1, Abtox 17 AXONE_1E, Abtox 18 GALACTIC ORGAN_0, Abtox 19 NEUROMOOG_1, Abtox 2 TANTRISME_1, Abtox 20 UFOLOGY, Abtox 21 PAIN PDJ_4, Abtox 22 MY VALENTINE_0, Abtox 23 SUCROKID, Abtox 24 FLOPPY DISK CODE, Abtox 25 VERKIDGO, Abtox 26 NEO GEO_1, Abtox 27 MANDRAGORE_F, Abtox 28 HORNS TO COME_1, Abtox 29 NITROX BEAT_7, Abtox 3 DECORATORIO, Abtox 30 FLYBUTTER_1, Abtox 31 MATRIX YELL_0, Abtox 32 BUBBLE GUMMY_A, Abtox 33 SPAWN_2, Abtox 34 SQUARRY_0, Abtox 35 BUBONIC AK47_0, Abtox 36 VINAIGRE GOTHIQUE_3, Abtox 37 NEO POMPOUS, Abtox 38 EFFACEUR GLUED_1, Abtox 39 EFFACEUR BAROQUE_8, Abtox 4 OVERLY_6, Abtox 40 EFFACEUR SOLID_3, Abtox 41 EFFACEUR CODA_5, Abtox 42 DARK ATROXID_1, Abtox 43 LUMINOUS ATROXID_9, Abtox 44 DRUGGED UP ATROXID_0, Abtox 45 NEUROMECHANIC, Abtox 46 CAMPHRE_4, Abtox 47 FEAST OF UNIQUE RITES, Abtox 48 CHALICE, Abtox 49 SPACE DRUG_0, Abtox 5 NEW PUPPY_0, Abtox 50 TRONIXHALLEY_1, Abtox 51 NO DUMMY, Abtox 52 LOST CHILDHOOD_1, Abtox 53 TRAUMATOLOGY_0, Abtox 54 THE NEW ORGIANS_7, Abtox 55 AMOEBA PUNK_2, Abtox 56 MEDICATION, Abtox 57 SIDE EFFECTS_3, Abtox 58 RE-VOLT_1, Abtox 59 CYBERNODE_1, Abtox 6 RAZZMATAZZ ARCHITECT_1, Abtox 60 OUTER CHRIST, Abtox 61 NEW CIRCUS_0, Abtox 62 ART DRONE, Abtox 63 COAXIAL_2, Abtox 64 PONG !_2, Abtox 65 LYSERGEEK GIRL_0, Abtox 66 NEWBIC_1, Abtox 67 BRAIN SURGERY_4, Abtox 68 RETROFUTURE PRECIOUS_0, Abtox 69 TRIPTONITE_2, Abtox 7 LOG_3, Abtox 70 NEUROMICR_8, Abtox 71 HUMAN DECAY, Abtox 72 INK LUST_0, Abtox 73 PANTHEIST_2, Abtox 74 X-CUTE_6, Abtox 75 DATAXY_4, Abtox 76 FRAGRANCE_0, Abtox 77 TOOTH AXIS_2, Abtox 78 MADAME GUILLOTINE_0, Abtox 79 NARCO_2, Abtox 8 KOAN, Abtox 80 GENOMETRY_1, Abtox 81 SAFE TRAIN_4, Abtox 82 NO ISLAND, Abtox 83 LOCKED-IN GLOW_5, Abtox 84 ABNORMAL FAIRY_A, Abtox 85 ACME_0, Abtox 86 GLITCHY ELIXIR_1, Abtox 87 BLACK ELIXIR, Abtox 88 NEW INDUCTION_0, Abtox 89 MECAMYTHIC_3, Abtox 9 ABSTEREO_4, Abtox 90 MEDIEVAL SWEETSHOP, Abtox 91 PARAPHILIA_0, Abtox 92 HARD SYNC_3, Abtox 93 SECT TOY_1, Abtox 94 ARTEFACT_2, Abtox 95 SPACE LAB, Abtox 96 WAX, Abtox 97 E.T. PHEUNE HEUME_C, Abtox 98 COLD FLOWERS_2, Abtox 99 INJECTING DOPAMINE_0, Abtox ALIEN TOYS_14, Abtox NEUROTICONS_13, Abtox X-HEADZ_37.

Dafont link. [Google] [MyFonts] [More]  ⦿

Abo Daniel Studio (or: Abodnyl Studio)
[Panggah Laksono]

Cilacap, Indonesia-based designer, b. 1992. In 2018, he published the crayon font Crayone, the script fonts Shafeer, Shafeer Descript and Zhafire, the display typeface Alienatore, and the signature font Sundiary Script.

In 2019, he released Cuties Magenta, Marlita, Lemons Bright, La Storia (a monoline script), Fruitz (a cartoon font and accompanying doodles), Little Clusters (a layered marker pen font for comic books or children's texts), Brushlie (a dry brush font), Fathir Script, Mrs. Santhi, Kashima Brush (a great oriental brush typeface), Blackcode, Onelove and the wonderful calligraphic script Romantically.

Typefaces from 2020: Sketchy in Snow, Sweet doughnut, Winter Pen (a signature script), Curious Monkey (a quirky inline font), Humble Boys, Lovely Purple, Under Summer (a wild script), Cuteness Persimmon, Adventuros (an all caps dry brush font), Greatest Holiday (a crayon font), Sadio (an extended signature script), Chester Network (a cartoon font), Joyce Kitchen, Milky Rainbow (a fat finger font), Doodlez Forever, Bravo Charlie, Joyce Kitchen, Krusty Craft, Cupcake Pastry, Dienilla, Sweet Garlic (a heavy monoline script), Muthiara (script), Sibertha (script), Modern Leave (a beatnik font), Pictagram, My Status, Sibertha Serif, Chelistine Script (dry brush), Vintages Matches, Caristha, Romantic Stories, Antariksa (a wild script), Shintaku, Letterink, Hey Milenia (brush script).

Typefaces from 2021: Snowember (a starry Christmas script), Lemonade Fabrica (script), Portsmooth (a monoline script), Krusty Craft (a scrapbook font), Crafty Beach (a scrapbook font), Maestic B, Mango Juicy, Gesya Crafty, Dancing Moon Slab, Dancing Moon Script, Jelly July Shiny (a bubblegum font), Cheerful Girl, Soredona, Adinda Sayang, Rhosela, Gesya Monogram, Dienilla (a signature script), Bravo Charlie Script, Muthiara, Hotel Lorint, Fostella. [Google] [MyFonts] [More]  ⦿

Abody Ammar
[Abd-Elrahman Ammar]

[More]  ⦿

Aboe Zart Studio

Bandar Lampung, Indonesia-based designer (b. 1995) of the script typeface Blink Pink (2019). [Google] [More]  ⦿

About Letters
[Darim Kim]

Floridian American graphic designer and painter Darim Kim (DK), who runs About Letters, made the geometric sans typefaces Nemade (2011) and avant-garde face Quadranta (2010). She also made My Fair Cody (2010).

Dafont page. Klingspor link. Abstract Fonts link. [Google] [More]  ⦿

Abraham Beltran
[Bran (or: Fractal Eye)]

[More]  ⦿

Abraham PlaPi

Designer (b. Spain, 1994) of the sans typefaces Lugos (2017), Mousse (2017), Vintage Avalanche (2016), Sufficit (2016) and Calculative (2016). [Google] [More]  ⦿

Abraham Quantosch de Nostre

Graduate of the University of Münster, Germany, who is based in Hildesheim. Designer of the free ultra-black typeface Klotz (2015). Behance link. [Google] [More]  ⦿

Abraham Type

Indonesian designer of the stencil typeface Stenciland (2019), the brush typefaces Blackball (2019) and Baleria (2019), and the script typefaces Landmark (2019), Painted (2019), Vonday (2019), Evallia (2019), South Walles (2019), Better Caller (2019) and Wanted Signature (2019). [Google] [More]  ⦿

Abraham Vivas

Art director in Madrid, Spain, who created the free TIF format display typeface Cardboard (2016). Behance link. [Google] [More]  ⦿

ABs

Designer of the deconstructed typeface Black Dogma (2019) and the fat finger font Ribchess (2020). [Google] [More]  ⦿

Absonstype (was: Haksen Graphic, or: Haksen Letters, or: Haksen Studio)
[Sarwo Edhi Prayitno]

Edhi Sarwo or Sarwo Edhi Prayitno or Edhi Prayitno. Magelang, Indonesia-based designer, b. 1982, who set up Haksen in 2017 and Absonstype in 2021. He designed Ballete (2018), Metteora (an irregular script) (2018), Philbrook (2018: a tall sans), Romantic (2018: a connected monoline script), Anonim (2018), Rumetes (2018), Polythem (an upright script) (2018), Brooklyn (2018, a dry brush font), Amellia (2018: a swashy script), The Immortal (2018), Arpeggio (2018), Saint Petersburg2 (2018), British Columbia Serif (2018), Balutteli (2018), Balutteli Serif (2018), Belleson (2018), Hello Pretty (2018), The King (2018), Angry+Hungry, (2018), Busset City (2018: a monolinear rabbit ear script), Muttung (2018: a rustic script), Saint Petersburg (2018), Niken (2018: script), The Chocolate (2018), Delicious (2018), Adellina (2018), Antique Balutteli (2018: Serif and Script), Sweet Girls (2018: curly script), Katty Pretty (2018), The Wormies (2018), Mellisa (2018), Stylistic Sign (2018), Bestalia (2018), Lincoln (2018), the upright script Paulo Pacito (2018) and the italic script Willona (2018).

Typefaces from 2019: Please (roman caps), Hamburg (a rabbit ear calligraphic script), Angellyne (script), Big Bang (script), Ballado (an extended sans), Bello (a calligraphic script), Roberts (a bold brush signage script), Babyhome, Hellena, Mottion, Albero (an all caps vintage sans), Alberobello, Cnossus, High Dreaming, Dreaming, Blame (all caps; sans and serif), Great Authorized (a vernacular script), Ambyar, Sikatch, Berash, Romeo Fans (a dry brush script), Right Female, Attention (font duo), Babylon, Soulmate (calligraphic), World Pressure, Senada, Rothena, Masha, Blade, The Brandy, Arkana, Southeast (a dry brush typeface), Angela Aiglory (a rabbit ear script), Beauty, Love Heart (a Valentine's day font), Anyone, Stones, Dragon, Karyland, Radiga, Rumero, Mylord, Pinnocio, Black Cat, Melburn, Bumblebee, Black Forest (font duo), Saturday, Biscuit, Amuba, Angela, Amy, Washington, Hasella, Grusel (dry brush).

Typefaces from 2020: Lamborte (techno), Tobelord (a flared all caps display sans), Challenge (inky script), Elmore, Twice Spoiler (a dry brush script), Effingham (wild script), Billystory, Mangosteen, Morning Girls, Millenial Script, Tittowest (described as a futuristic serif), Millestones (brush), Monsterio (futuristic, slab serif), Oldbrothers, Thunderboss (an octagonal sports font), Father's Entreaty, Bunny Story, Coding Sign, Botanical Flourish, Soulwave, Hello Crafter, Pretty Night, Megatura (a decorative serif), Into Paradise, Netherland Cracker, Mango Salsa, Beauty Mermaid, Secret Admire, Standing Classy, Athena, Retanglez, Heartbright (a script), Bunny Story, Withyou, Alligattory, Anandya, Coding Sign, Jasmine Sheffield (a wild script), Millenial Script, Morning Girls, Secret Admire, Netherland Cracker, Mango Salsa, Eiffel Shine, Sweety, Big Stomach, Piano Teacher, Romantic Chicago, Donkey Casting, Falling Love, California Dolphin, Meritoriously (a scrapbook font), Honey Moon, Really Distinct, Sandblast, Ferments (a scrapbook script), Lovely Unicorn, Austria Memories, Birama (a dry brush script), High Billion, Believe (a clean wide sans), Consistance (an inky signature script), Matrixoid (in the Saul Bass style), Paris Helen (a romantic script), Mostly Bonny (script), Westony (a wild inky script), The Fresh of Onion (a fat finger font).

Typefaces from 2021 at Haksen: Really Distinct (script), Sandblast (a brush script), Big Stomach (a scrapbook font), California Dolphin (a scrapbook script), Falling Love (a scrapbook script), Piano Teacher (script), Donkey Casting (a scrapbook font), Nostrud, Austria Memories (script), High Billion (a font duo), Honeymoon (a dry brush script), Romantic Chicago (a brush script), Elmore (script), Mostly Bonny (script), Alberobello Serif (a display serif), Big Bang (script), Antagonist (bold and flared), Megatura (a decorative serif), Thunderboss (techno), Santa Fe Spring (script), Funboldies, Hastag (a rabbit ear script), Mattiass (a dry brush script), Mottion, Beby Asia (a wild script), Angellyne, Babyhome, Feeling, Senada, Hellena, Rothena.

Typefaces from 2021 at Absontype: Greatelo (a free techno font), Beillonei (a display typeface), Rottering (a thin fashion mag serif), Andromeda, Restore, Barcelona (a monolinear display sans), Alteron (a bold display sans), Rescueto (spurred), Avemon (a display serif), Kagestone (a display serif), Rectoba (a squarish display typeface), Teritone (a squarish typeface), Demora (a 6-style squarish sans).

Typefaces from 2022: Efiles (a display typeface given the psychedelic treatment), Netherland Cracker (a bold upright scrapbook script). Creative Fabrica link. [Google] [MyFonts] [More]  ⦿

Abstract Fonts
[Alex Chumak]

Growing 13000+ font archive maintained by Alex Chumak from Mississauga, ON. Chumak himself designed these fonts: AF Pepsi, AF Champion, AF Tommy Hilfiger. List of designers. New fonts.

Fontspace link. Dafont link. [Google] [More]  ⦿

Abstract Type Design
[Patrick Durr]

Free TrueType fonts by Patrick Durr: Bird, Dill, Confused Root (1998), China Town, Fart Bubble (bubbles spilling from letters), Grubby, Irish Jig, Crazy Cock, Grudge, Smog, YardSale, Punker, kcirtap.

Patrick makes (made?) your handwriting font and any doodlefont of your choice for 10 USD. Send him a zipped scan of your handwriting by email.

The original page seems to have disappeared but the fonts are available at TypOasis. Some fonts downloadable at the FontFreak archive. . [Google] [More]  ⦿

Abto Creative
[Tommy Suhartomo]

Bandung, Indonesia-based designer of the glitchy futuristic typeface Hyperizo (2020) and the free connected outline typeface Fortrack (2015). [Google] [MyFonts] [More]  ⦿

Aburayyan
[JR Letter]

[More]  ⦿

Abyss Type Company
[Mirko Velimirovic]

Or Mirko Velimirovic Iverson. Font engineer located in the greater New York City area, who has a BFA from Columbia College Chicago (class of 2013) and a type design diploma from The Cooper Union (class of 2017). From 2019 until 2021, he was the New York City chapter lead for Type thursday. In 2019, he set up Abyss Type Company. His typefaces:

• In 2020, Mirko Velimirovic converted Spartan MB to a variable font downloadable at Google Fonts. Spartan is Matt Bailey's open-source typeface based on early 20th century American geometric sans serifs.
• In 2021, Eben Sorkin (Sorkin Type) and Mirko Velimirovic designed the 5-style (+variable) Spline Sans (free at Google Fonts). They write: Spline Sans is a grotesque sans serif typeface family, purpose-built for UI interfaces, checkout processes, and paragraphs of text. Space efficiency is accomplished by condensing traditional grotesque proportions. This typeface oroginated from Spline Design. Github link.

Linkedin link. Home page. [Google] [More]  ⦿

AC Fonts
[Herman S.]

Indonesia-based designer of the free headline sans font Harbinger Caps (2020). [Google] [More]  ⦿

Ace Fonts
[Ray Dittmeier]

Defunct Duluth, MN-based foundry, specializing in grunge, display and handwriting typefaces. Fonts made in 2000 by Ray Dittmeier: Analgesics (handwriting), NoProblem, ReadyForMyCloseUp, 01-01-00, After-Hours, De-Futura, I-Did-This!, Hacknslash, Illumination, Scottie-and-Judy, Ugly-Rumor, Persona, Fat-Free, Fat-Free-Solid, Filthy-Habits, Flip-the-Switch, The-Forbidden-Font-of-Death, Later-On, Mac-and-Sidney, Red-Lightning, Sad-Jane, Sheer-Terror, Thud, Trust-Us, Analgesics, Dr.Nerve, Rivalry, Runoff. All is archived by CybaPee at Typoasis. Dafont link. Fontspace link. [Google] [More]  ⦿

Ace Heartz
[Aliff Roslan]

Indonesia-based designer of the mecano typeface Blocks n Bolts (2020). [Google] [More]  ⦿

Ace Productionz
[Asa Childress]

Asa Childress (Ace Productionz) created the experimental poster typeface Vision Division (2010). Fontspace link. Fontspace link to Ace Official, or Asa Childress. [Google] [More]  ⦿

Ace Volkov

Wellington, New Zealand-based designer of the free handwriting font EYFA Kurtrussellstan (2017), the free wavy typeface EYFA Saino West (2017), and the free display typeface family EYFA Tokva (2017). [Google] [More]  ⦿

Aceler Chua

Raised in Hong Kong and a resident of The Philippines, Aceler Chua designed the Farro sans typeface family in 2017 for his company, Grayscale. Link at Typedrawers.

In 2019, he released the free Google web font Farro. Github link. He writes: Farro is an artsy, four-weighted, display typeface that has a peculiar personality flowing through its European humanist silhouette. Fontown link. [Google] [More]  ⦿

Ach Syafii
[Syafii Ahmad]

Yogyakarta, Indonesia-based designer (b. 1988) of the monoline script Sarmilla (2019), the dry brush typeface Sandora (2019) and the fat finger font Gempita (2019). [Google] [More]  ⦿

Achmad Yani

Kota Malang, Indonesia-based designer (b. 1995) of the monoline script Rocklen Script (2020). [Google] [More]  ⦿

Acitya Adyana
[Adyana]

[More]  ⦿

Ackadia Fonts
[Paul Ackerley]

Fonts made by Paul Ackerley include Ackadia (1999, 3D simulation font). [Google] [More]  ⦿

Acrobat Reader Fonts

Old versions of Acrobat Reader come with certain type 1 fonts, including Helvetica, Symbol, ZapfDingbats, AdobeSans, and AdobeSerif in Acrobat Reader 3, for example. The latter two are multiple masters. The old Acrobat Reader versions (3 or below) are also much better for extracting fonts from PDF files. [Google] [More]  ⦿

Acrylnimbus
[Tot Mischstab]

Acrylnimbus offers the free fonts made by Tot Mischstab in 1998-1999: MischstabApfelsaft, MischstabAvocadoTrauma, MischstabDecibelRepulse, MischstabOblivion, MischstabOpiumRiver, MischstabPopanz, MischstabPortionControl, MischstabSugarSweet, MischstabThirdEcho, MischstabUmbrellaPatina, MischstabZahnschwein. Alternate URL. [Google] [More]  ⦿

Act Select (Segasonic)

Major Japanese free font foundry with techno, katakana, hiragana, comic book Latin, techno and game fonts. List: NiseAirTrix, NiseAlienFront, NiseAstroCity, NiseChuChu, NiseColumns, NiseEnduroRacer, NiseEswat, NiseGalaxyForce, NiseGameGear, NiseGenesis, NiseGreatestNine02, NiseGunstarHeroes, NiseHangOn, NiseHornet1994, NiseHornet1997, NiseIchidantRK, NiseIsao, NiseJSRF, NiseJoypolis, NiseKidChameleon, NiseKnuckles, NiseMarkIII, NiseMegaDriveEU, NiseMegaDriveK, NiseOverWorks, NisePico, NiseR360, NiseRoboPitcherK, NiseSG1000, NiseSGGG, NiseSega, NiseSegaK, NiseSegaKara, NiseSegaKn, NiseSegaNet, NiseSegaRosso, NiseSegaSaturn, NiseSegaSports, NiseSegaSports2k, NiseSegaSports2k1, NiseSegaSports2k2, NiseSegaSports2k3, NiseShiningD, NiseShinobi1987, NiseSonic, NiseSonicBattle, NiseSonicIcon, NiseSonicK, NiseSonicKb, NiseSonicShuffle, NiseSpaceHarrier, NiseSuperHangOn, NiseTantRK, NiseTera, NiseTheDead, NiseThunderBlade, NiseUfoCatcher, NiseVFkids, NiseWonderMega, NiseZaxxon, NiseZillion, NiseHotRod, NiseMajorLeague, NiseMegaDriveBR, NiseSegaSonic. [Google] [More]  ⦿

Active Depth
[C.C. Marshall]

C.C. Marshall (b. 1985, Richland Center, WI) is a type designer in Madison, WI. He graduated from Minneapolis College of Art and Design, and founded the multimedia shop and font foundry Active Depth in 2000. Designer of Catenary (2010, an organic sans family). This family includes a Stencil style and a grungy Guerrilla style. At Dafont, one can download the grungy Catenary Stamp (2011).

In 2018, he designed Blackscript. [Google] [MyFonts] [More]  ⦿

Active Dogz
[Cinnamon Hanna Roberts]

Cinnamon Hanna Roberts (aka Active Dogz) is the designer of Wallflower (2013, hand-printed), Freshman (2013), Easter Yolk (2013), Sophomore (2013) and Cinnamons Font (2013, free children's script font).

Dafont link. Fontspace link. [Google] [More]  ⦿

Active Girl (or: Cat House)

Japanese designers of the free fonts Momo, Inapple, Flower Bold, Candy Bold and Mika Hiragana. [Google] [More]  ⦿

Activitype Foundry

Indonesian designer of the script typeface Bonesly (2019). [Google] [More]  ⦿

Acufonts (or: George's Music)

Pages no longer found. Signature/logo font service (70 USD per font). Download a free Halloween font and some free music fonts (George's Music): bagpipe, tin whistle, tablature. Based in Prince George, British Columbia. The fonts Recorder and Whistle can be found here. [Google] [More]  ⦿

Adalbero Neto
[Adalberto Barbosa]

Brazilian designer (b. 1997) based in Bairro Manoel Satiro. As an architecture student at Universidade de Fortaleza, he created the blueprint / architectural drawing font Adalbs (2021). [Google] [More]  ⦿

Adalberto Barbosa
[Adalbero Neto]

[More]  ⦿

Adam Borowski

During his studies in warsaw, Poland, Adam Borowski created the free display typeface Brekol (2014). Aka Adam Boro. [Google] [More]  ⦿

Adam Charlton

Cofounder with Gregor Vand in 2015 of Brand Craft. Hong Kong-based designer of the free beveled vector format typeface Brighton Sans (2018). [Google] [More]  ⦿

Adam Csider

During his studies at the Visual Arts Institute, of Eszterhazy Karoly University in Eger, Hungary, Adam Csider designed Sad Samurai (2019: free) and Signum (2019, an experimental variable font). [Google] [More]  ⦿

Adam Elwell

Designer in Kansas City, MO, who created the ink-trapped sab serif typeface Concordia in 2014. Free download.

Behance link. Creative Market link. [Google] [More]  ⦿

Adam Ericsson

Designer of the free hairline sans typeface Adam (2016) and the fat all caps sans typeface Bold (2019). [Google] [More]  ⦿

Adam Fathony
[AF Studio]

[MyFonts] [More]  ⦿

Adam Gorzsony

Eger, Hungary-based designer of Kann17 (2020) and Heming (2021: a free variable sans). [Google] [More]  ⦿

Adam Jedrzejewski

British designer of the free cartoon font Nathaniel Covid19 (2020). [Google] [More]  ⦿

Adam Josefus
[Tungus Studio]

[More]  ⦿

Adam Lane

Amsterdam, The Netherlands-based designer of the outlined caps typeface Batavia (2016). It is an all caps typeface inspired by the gilded lettering on an old Amsterdam trading post built in 1920. He also designed the free Hex Font (2016). Home page. Open Font Library link. [Google] [More]  ⦿

Adam McIntyre

Chiang Mai, Thailand-based designer of the marker font Sphynx (2019). [Google] [More]  ⦿

Adam Nerland
[Insanitytype!]

[More]  ⦿

Adam Robinson

During his studies in Manchester, UK, Adam Robinson created the free crop circle font UFO Nest (2015) and the thin squarish sans typeface Elppa (2015). Behance link. Dafont link. [Google] [More]  ⦿

Adam Rolfson

Designer of the all-caps techno typeface darthchowder (2020). [Google] [More]  ⦿

Adam Rucki

Wroclaw, Poland-based designer (b. 1980) of SU-30SM (2019), Animoto-Bubbly, Babymoto (2009-2019), Latikana (2019), Militech-Outlined, Militech (2019), Octane (2019), Surgeon (2004-2019), Wrocislaw-Light, Wrocislaw, Wrocislaw-Bold (2019), Zefir-Light, Zefir, and Zefir-Bold (2009-2019). [Google] [More]  ⦿

Adam Temsi

Bulgarian designer of the free decorative typeface Kingsley Common Modern (2017). [Google] [More]  ⦿

Adam Twardoch
[Silesian Letters]

[More]  ⦿

Adam Twardoch

Adam Twardoch (b. 1975) was raised in Tychy, Poland, and graduated from the University of Frankfurt/Oder, Germany. He worked at for Agentur GmbH, a Frankfurt/Oder-based design firm. Since 1991, Adam has advised numerous type designers on Central European extensions of their typefaces and has created localized versions of over fifty fonts. He frequently writes on type-related matters, and is the founder of Font.org, a (now defunct) website featuring articles about typography in English and Polish. Adam Twardoch is Director of Products of FontLab (since 2004), and is typographic consultant at Linotype (since 2002) and Tiro Typeworks (since 2001), and general font specialist at MyFonts (2000-2012). Since 2012 he is based in Berlin.

Adam Twardoch is working in the field of font technology, multilingual typography, CSS webfonts, Unicode and OpenType.

His typefaces:

• Andromeda SL (1997-2006). The unicase Andromeda SL font was inspired by a 1970's-like logo design for the "Andromeda" cinema in Tychy, Poland.
• Nadyezhda SL One (2007). Intended for testing of OpenType Layout features support in an application, this font is an extension of the Bitstream Vera Mono font, originally designed by Jim Lyles.
• In 2016, a team of designers at Lettersoup that includes Ani Petrova, Botio Nikoltchev, Adam Twardoch and Andreas Eigendorf designed an 8-style Latin / Greek / Cyrillic stencil typeface, Milka, which is based on an original stencil alphabet from 1979 by Bulgarian artist Milka Peikova.
• In 2017, Adam released the free 163-font collection Schticks, which is based on STIX Two.
• In 2019, Adam Twardoch published the free Robert Sans typeface family at Open Font Library. Robert Sans is a fork off Christian Robertson's Roboto font. It was further developed by Cristiano Sobral in Bert Sans (2020).

Speaker at ATypI 2013 in Amsterdam. Speaker at ATypI 2016 in Warsaw and at ATypI 2018 in Antwerp. [Google] [MyFonts] [More]  ⦿

Adam Vandenberg
[Flangy Fonts (was: POST Micrographics)]

[More]  ⦿

Adam Wunn
[Wunn-Way Fonts]

[More]  ⦿

AdamAnt VectorWorx (was: Toniofonts)
[Antonio Bucu]

Antonio Bucu [AdamAnt VectorWorx, or AdamAnt Designs, The Philippines] designed EQUINOX, GraphicAttitudeMono (1999, white on black lettering), INDIOSBRAVOSTITLING (great thick lettering), MachaCow (1999, fat display face), Maharlika (1998, elegant art deco display type), Smokey, Tonio (comic book font), TONIO2, WaChaKa (1999), WASTED (hand-printed).

Working on Jetstream, Multo, Buchikick, Renaissance (an OCR font). Fontspace link. Dafont link. [Google] [More]  ⦿

Adarsh Somankutty

Pathanamthitta, Kerala-based designer of the organic monolinear sans typeface Adarsh Sans (2021). [Google] [More]  ⦿

Aday Falcón
[Art Platanao]

[More]  ⦿

ADB Studio
[Antonio Del Bino]

Florence, Italy-based designer of the free calligraphic typeface Perale (2016) and the fun Peignotian typefaces LH Stan and LH Ollie (2017), where LH stands for Laurel and Hardy.

In 2017, he published the text typeface family Audrey H. Behance link. Creative Market link. [Google] [More]  ⦿

Adbusters

The mag offers a free font, "McFont" (2001), based on an extension of the letter M made famous by McDonald's golden arches. [Google] [More]  ⦿

Add (Aoki Digital Design)
[Atsushi Aoki]

Geometrically strong fonts by Atsushi Aoki: AddFatMan, Shade, Speedy, Round, Steel, Line, Rusty, Loops, Shark (not free), WASP (not free), Jazz, IronPoint7, StandardBitmapPoint9. Mac type 1 and Windows truetype. Font names: AddCityboyNormal, AddElectricCity, AddFatMan, AddJazz, AddLGBitmap09, AddLine, AddLoopsNormal, AddMBitmap06, AddRusty, AddShade, AddSniperNormal, AddSpeedy, AddStandardBitmap (2011), AddStarSugarNormal, AddStarSugarOblique, AddSteel, AddWBitmap09, Addround. Font Pavilion sells AddWasp (1999). He designed PointN (1999) at Digitalogue in their DPI72 series. Alternate URL. Dafont link. [Google] [More]  ⦿

Addax Designs
[Gurucho]

Japanese foundry with a nice web presence. Free original fonts made in 2000 and 2001 by "Gurucho": Spiral-Bitmap, TeaPot, XSquare, XSquare-Katakana, XSquare-Lite. Most of these fonts are either pixel fonts or inspired by the pixel movement. Teapot (2001-2006) is an informal sans. Hosobiki (2005) is a paperclip font. N.E.L. (2007) is a sans face. [Google] [More]  ⦿

Addy Sukma Bharata
[Suke Toejoeh (or: Pollux of Geminorum)]

[More]  ⦿

Ade Meiada
[Fontsgood]

[MyFonts] [More]  ⦿

Ade Santani
[Sancrea Studio]

[MyFonts] [More]  ⦿

Adebowale Adegoke

Lagos, Nigeria-based designer in 2020 of Business Icons and Masegfo (a free squarish typeface). [Google] [More]  ⦿

Adefa Studio
[Symon Adam Abdullah]

Pekanbaru, Riau, Indonesia-based designer of these script and calligraphic typefaces in 2019: Shabira Bloom, Adinda Script, Script Mothers, Ramadhan Kareem, Rosenesya, Mother Love, Bointang Cifoy, Sambilan, The Playing, Eisha Script, Sugartina Font Signature, Romantina Font Script, Herawati Signature Font, Bintang, Hand Boys, Betania, Blangku, Mangifera, Happy Berry, Beatrice, Almaida, Elmaira. [Google] [More]  ⦿

Adèle Houssin

Creator of One (2012, dot matrix face), Dekale (2012, grunge face), Beton (2012) and Cerclip (2012, an arc-of-circle-based typeface). Other typefaces by her include Interbox. Home page. [Google] [More]  ⦿

Adel Evin

Chisinau, Moldova-based designer of the free font Moldova Ethnic (2019), which is based on ancient Moldavian motifs. [Google] [More]  ⦿

Adelmo Cabello

San Diego, CA-based designer of the free all caps art deco sans typeface Brooks Type (2016). [Google] [More]  ⦿

Adem Tas

Konya, Turkey-based designer of the pixelish typefaces Admtas (2017) and Incomplete (2017), and the water or gas pipe typeface Pipe (2017). [Google] [More]  ⦿

Ader Ader
[Reda Adi Pratama]

Jakarta, Indonesia-based designer of the free monoline connected script typeface LetterLove (2017). [Google] [More]  ⦿

Adevio Studio
[Hendra Adevio]

Jakarta, Indonesia-based designer of the children's book or ecological studies font Bornywale (2021), which has a free set of aquatic dingbats. Typefaces from 2020: Gwynothe (an SVG brush font), Donald Dickies (a handcrafted casual text typeface family) and Silky Watery (handcrafted). [Google] [MyFonts] [More]  ⦿

ADGY
[Maximilian Hesse]

Design studio of Maximilian Hesse and Marina Kraus in München, Germany. Creators of the organic sans typeface Grey (2013), which is advertized as a free typeface, but there are no download buttons. In 2013, ADGY also designed the stencil typeface Monor and the ultra-fat display typeface Meat.

Typefaces from 2014: Nova, Linea, PX (pixel face). The condensed organic sans typeface Schwabing Sans was published in 2015.

Behance link. [Google] [More]  ⦿

Adhi Abel

During his studies in Jakarta, Indonesia, Adhi Abel designed the sans typeface Belanusa (2014-2015). Behance link. Home page. Dafont link. Cargo Collective link. [Google] [More]  ⦿

Adhi Nugraha Sapto Aji
[Superkij]

[More]  ⦿

Adhitya Dwi Cahyo

Salatiga, Indonesia-based designer (b. 1999) of the squrish typeface Young Agency (2019). [Google] [More]  ⦿

Adhitya Nugroho
[Tastype (or: Goodware Std)]

[More]  ⦿

Adi Ben-Hur

New York-based designer of the fat comic book font The Dood (2019). It was designed to accompany his pen drawings. [Google] [More]  ⦿

Adi Handoko
[Letterday Studio]

[More]  ⦿

Adi Handoko
[Handles Creative]

[More]  ⦿

Adi Marwah
[BBA Key (or: Marwah Store, or Arwah Studio, or Art Design)]

[MyFonts] [More]  ⦿

Adi Widyantoro
[Zums Graphic]

[More]  ⦿

Adianto Nuri Fahrezy
[Adinuritype]

[More]  ⦿

Adie Stevson

Or Adrienne Stevson. Type designer, b. 1991, who created the antiqued typeface Bones of Garamond (2015). Dafont link. [Google] [More]  ⦿

Adien Gunarta

Adien Gunarta is an Indonesian type designer (b. 1995) who is based in Probolinggo, East Java, and who is studying at Airlangga University, Surabaya, class of 2014. His typefaces can be found under his name or under Teras Grafika (set up in 2015) and Fontastic Indonesia. Adien Gunarta's typefaces are brimming with Indonesian cultural heritage symbols and shapes.

Typefaces from 2010, mostly made with FontStruct: the pixel typeface Benci Malaysia, the hand-printed Nyonya Gendut, the squarish typeface Hutan and the irrgularly sized Madura Regular. He also made the texture / knitting typeface Batik, FoOleD bY GaYUs, Probolinggo (organic), Smasasinema (display face), the texture typeface Serangkaian Pattern, Indo-Malay Confrontation (pixelish), Koruptor and the Bitches (gothic), Qurban Feast, and the curly native pattern typeface Mlungker.

In 2011, he made Kabupaten (a sketch font), Social Monster, Buka Pusa Bersama, Ceria Lebaran, Pajarakan Studs, Batik Gangster, Maharani (hand-printed), Lovely Eunike Hans (hand-printed), the texture typeface Kawung Textile, Wildan Izzur Gunarta, Genius Jempolan Royal (scanbats), Pray For Japan, Quantum of Bali, X-Code from East (Javanese script), Hangeul (Korean simulation face), Halidians Blockserif, Moanday Earn Bored, the paper cut typeface Malingsia, Awesome Java, Mesin Hitung (an LCD face), Eenvoudige Batik (stitching face), Antique Paleoindonesia (patterned face), Kebencian (scratchy face), Kemasyuran Jawa (a display face with an Indonesian look), Probolinggo Sans, Londo Chino, Urban (paper cut face), Bikang Struck, Chana Remedy, Indonesian Woman (pixel dings), People Diverse (pixel dings), DBA Muslim (pixel dings), Turk and Nusa (ball terminal face), Jakarta Recycle (paper fold octagonal face), Halida Sans (a swirly version of Ubuntu), Buka Puasa Bersama (Arabic simulation face), Social Monster (grunge), Ceria Lebaran Normal (lava lamp typeface), Dukungan, Dukungan, Sanjaya Epoch, and Jakarta Sunken (angular face).

In 2012, he created Halidians Blockserif, Penakut, Agoestoesan, Siti Maesaroh (Arabic simulation face), Turk and Nusa, Rest in Phuket (Thai simulation typeface), Chana Remedy, Bunaken Underwater, New Madura, Moro Seneng, Endutt Normal, Antibalon, Hayyu Kaget, Damai Kpk Polri, Damai Pelajar, Jangan Bersedih (hand-printed), Ikan Besar, Senyum (hand-printed), Catatan Perjalanan (fat finger face), Wizzta, and Quick Argani.

Typefaces from 2013: Emilio 19 (athletic lettering font), Bangkit, Faishal Bakeries, Soerjaputera (avant-garde), Soerjaputera Doea (art deco), Sang Fatchurrohmah (lava lamp face), Aceh Darusalam (Arabic simulation face), Revolusi Timur Tengah (Arabic simulation face), Nurkholis (Arabic simulation), Kopleng (alchemic), Menjelajah Halmahera (a ronde font), Jakarta Highends, Smasasinema, Sanjaya Epoch, Mlungker, Dukungan, Thohir Ke Badreah (all caps sans face), Serangkaian Pattern, Endutt (fat finger face), Boutiques of Merauke (a curly typeface), Balinese Family, Zamrud & Khatulistiwa (curly font), Awesome South Korea (great oriental-look font), Freeport Go Away (poster font), Senang Banyol, Don Aquarel, Jawadwipa Adisastra, Si Kancil (fat finger font), Wortellina, Don Butique (hand-printed), Did You See That, Bimasakti.

Typefaces from 2014: Rampung, Prabowo, Larasukma (an abstract shape font), Tafakur (Arabic simulation typeface), Syawal Khidmat (Arabic simulation face), Kurnia (curly script), Kota Surabaya (dingbats of buildings), Hutan Lestari, Kobarapi (spurred typeface), Mukadimah (Arabic simulation, based on ae Cortoba by Arabeyes), Huruf Maranti (upright connected script), Emilio 20 (athletic lettering).

Typefaces from 2015: Gurindam (Dutch art deco), Upakarti, Tyree Friendly Face (rounded sans), Berantas Korupsi, Kanisah (Hebrew simulation font).

Typefaces from 2016: Belacu, Cemong, Bungasai, Semringah, Binarung (masks), Surabanglus (beatnik style).

Typefaces from 2019: Kembang (dingbats).

Fontspace link. Home page at Fontastic Indonesia. Devian Tart link. Klingspor link. Dafont link. Behance link. [Google] [More]  ⦿

Adil Siddiqui

Mumbai-based designer of the free modular typeface Phantasm (2014). Behance link. [Google] [More]  ⦿

Adilson Gonzales de Oliveira
[Agonz]

[More]  ⦿

Adina Ochea

Romanian designer in Amsterdam who created the free typeface Soul Puddle (2014). Dafont link. [Google] [More]  ⦿

Adinuritype
[Adianto Nuri Fahrezy]

Indonesian designer (b. 1998) of the script typefaces Symphony (2019) and Kalulla (2019: bold retro signage). [Google] [More]  ⦿

Adiraphabet
[Septo Adi Wicaksono]

Mojokerto City, Indonesia-based designer (b. 1993) of the scrapbook font Brambank (2021) and the bold cartoon font Zakids (2021). [Google] [More]  ⦿

Adit Saputra
[Alter Deco Type foundry]

[More]  ⦿

Aditya Rezki Apriyadi
[Embun Studio (or: Embuntype)]

[MyFonts] [More]  ⦿

Admix Designs
[Joe Prince]

Joe Prince (Admix Designs) was a student at Academy of the Canyons near LA, 2007-2011. His typefaces:

• Maven Pro (2010) is a sans characterized by constant curvature and vertical cuts. It was created by Joe Prince, courtesy of Vissol Ltd.. It is an extensive free typeface, and in fact, it is more than free: visitors can request that a new glyph be added. Vissol is a British web design company.
• Valencia (2011). A condensed art deco family in five weights that is free at Lost Type). Image by Ryan Kiley.
• Varela (2011). A sans serif face. Followed by Varela Round.
• Questrial (2011). Influenced by Helvetica.
• Geostar (2011). A blackboard bold face. Followed by Geostar Fill (2011).
• Handlee (2011). Free Google Web Font.
• Squada One (2011). Free at Google Web Fonts, it is a squarish Impact-like family.
• Bemio (2012). Published by Lost Type, it is an ultra bold sans.
• Klinic Slab (2012).
• Venera (2012, Lost Type).
• Majesti Banner (2015, Lost Type). A decorative didone.

Google Font Directory link. Additional Google link. Klingspor link. Devian Tart link. Cargo collective link. [Google] [More]  ⦿

Adobe ATM fonts

The standard type 1 fonts that come bundled with ATM. Free. Check also here and here. [Google] [More]  ⦿

Adobe Edge Web Fonts

Adobe offers a free web font service in partnership with Google. Initially, there are about 500 fonts to choose from. They appear to coincide largely with the Google Web Fonts. Adobe's contributions consist of Source Sans Pro (2012), Source Serif (2014, see also here, and at CTAN), and Source Code Pro. They can also be downloaded from CTAN. In 2021, Frank Griesshammer updated Source Serif. This new version of Source Serif supports six weights and five optical sizes, both in static and variable formats. Design changes were made from the original Source Serif Pro.

They write: Adobe will be applying its considerable font expertise to improving and optimizing a number of the open source fonts that are available in both Google Web Fonts and Edge Web Fonts. The teams from Typekit, Adobe Type, and Google Web Fonts are working to identify which fonts will benefit the most from our attention, and how we can best approach improving their rendering and performance. Efforts will include hinting some fonts for better rendering at smaller sizes, plus a number of other optimizations. All of these contributions will themselves remain open source.

Since the Adobe font preview is anemic, Yvo Schaap published this font preview. Peter Chon has another preview. And here is Tony Stuck's preview.

Github download site. CTAN archive link. Source Serif Pro at Google Web Fonts. Source Serif at Github. Source Sans Pro at Google Web Fonts. Source Sans Pro for the TeX crowd. Source Serif Pro for the TeX people. [Google] [More]  ⦿

Adobe PostScript 3 printer fonts

This site has the 117 PostScript fonts and 19 TrueType fonts which are standard on PostScript 3 printers. The TrueType fonts contain both regular Win-ANSI characters and the Central European (CE) character set, and so are 37 of the PostScript fonts. The list: [Google] [More]  ⦿

Adobe's PostScript 3 Font Set

From the readme file: "The typefaces in this package are the 117 PostScript fonts and 19 TrueType fonts which are standard on PostScript 3 printers. The TrueType fonts contain both regular Win-ANSI characters and the Central European (CE) character set. The CE characters are accessible under Windows NT, or under Windows 95 when configured with appropriate language and keyboard settings. The 117 PostScript fonts are regular Win-ANSI fonts, but there are also 37 PostScript fonts with the CE character set. Copyright 1998 Adobe Systems Incorporated." The truetype fonts are Apple-Chancery, Arial-BoldItalicMT, Arial-BoldMT, Arial-ItalicMT, ArialMT, Chicago, Geneva, HoeflerText-Black, HoeflerText-BlackItalic, HoeflerText-Italic, HoeflerText-Ornaments, HoeflerText-Regular, Monaco, NewYork, TimesNewRomanPS-BoldItalicMT, TimesNewRomanPS-BoldMT, TimesNewRomanPS-ItalicMT, TimesNewRomanPSMT, Wingdings-Regular. [Google] [More]  ⦿

Adolfo Rojas

Classical musician, b. 1974, who lives in San Juan del Rio in Mexico. Adolfo created Adolphus (2008, a Peignotian typeface), Adolphus Serif (2014) and Alanus (2014, a condensed rounded sans first called Alanya). In 2015, he made Kosova.

Fontspace link. Home page. Klingspor link. Dafont link. [Google] [More]  ⦿

Adreson Vilson Vita de Sá
[Estranho Tipo (was: Adreson 74)]

[MyFonts] [More]  ⦿

Adri Valls

While studying in Barcelona, Adri Valls designed the squarish typeface New Trink (2013) and a modular typeface called Moludar (sic) (2013) and Moludar Neue (2013). In 2018, he published the free blackletter typeface Ludwig, which was inspired by Koch Script. [Google] [More]  ⦿

Adria Romana

At EASD Serra i Abella (ESDAP) in L'Hospitalet del Llobregat, Mataro, Catalunya-based Adria Romana designed the free vector format Escher-inspired set of numbers called Imponumbers (2016). In 2017, she designed the piano key typeface Ona, the free Western font Sheriff and the free rounded sans typeface Rosmi. [Google] [More]  ⦿

Adriá Gómez

Graphic designer in Barcelona, b. 1990. Creator of these typefaces:

• The free modular typeface Johanna (2012).
• The 10-style organic elliptical sans typeface family Wake (2013).
• Luthier (2014). A free transitional typeface family with wedge serifs.
• Margot (2014). Free download.

Adrià Grandia

Catalan designer of the scratchy font Diatriba, of the corroded font Dead End, and of the ancient caps font Ot. [Google] [More]  ⦿

Adrian Candela

Valencia, Spain-based creator of the Bauhaus-inspired monoline geometric rounded sans typeface Bowhouse (2013, free), the retro futuristic typeface AC Brodie (2013, free), the free art deco typeface AC Mountain (2013), the 3d typeface AC Framed (2013), the film strip typeface AC Filmstrip (2013, free), Comic Runes (2013, rune simulation), Scribbled (2013), and the hexagonal typeface Bee Type (2013, +Filled, +outline).

Newsense (2013) is an art deco typeface that extends Milton Glaser's Film Sense (1968).

Romaji Mincho (2013) is a free Asian simulation font based on the style of the Mincho typeface. Rhyder (2013) is a great (free) geometric 1930s style sans typeface. Martell (2013) is a free general purpose slab serif family.

AC Big Serif (2013) is a free rounded wedge serif typeface. AC Thermes (2013) is a sans display typeface.

Typefaces from 2014: AC Wanita (hand-drawn).

Typefaces from 2019: AC Guanche (a font based on the ancient scripts used by the Guanches, the aboriginal inhabitants of the Canary Islands). [Google] [More]  ⦿

Adrian Carballo Rojo

Barcelona-based designer of the piano key typeface Yaka (2017) and the free geometric sans typeface Adca (2017). [Google] [More]  ⦿

Adrian Doe

Designer in Berlin, Germany. In 2017, Justin Vin and Adrian Doe co-designed the free fluffy puffy Softa typeface. [Google] [More]  ⦿

Adrian Ortiz
[Manchaware]

[More]  ⦿

Adrian Ritchie

Download a copy of Monaco (1990-1997, Apple Computer) from Ritchie's site. [Google] [More]  ⦿

Adrian Yanes Marquez

Cuban designer, b. 1985, who lives in Jerez, Spain. Creator of the 3-style sans typeface family Colonial Havana (2016) and the text and poster typeface family Walina (2016). [Google] [More]  ⦿

Adriana Camacho

Designer of the shaded 3d typeface Teen (2015). [Google] [More]  ⦿

Adriana Mazurek

Spanish designer of the paper cutout typeface Malenka (2020). [Google] [More]  ⦿

Adriansyah
[Rivo Dwi Adriansyah]

Bengkulu, Indonesia-based designer (b. 1996) of these typefaces in 2019: Ophelie (script), Piedmont Hill (modular sans), Romerio (a sharp-edged text typeface), Black Roasters (monoline script), Maryland, Golden Gate (a font duo), Braceline, Custer Sans & Serif, Rafflesian Poem.

Typefaces from 2021: Phenorush (a dry brush script). [Google] [MyFonts] [More]  ⦿

Adrien Coquet

Web designer in Lille, France, who, despite the nearness of Belgium, managed to design a beautiful display sans typeface, Farray (2014), and the great free triangulated typeface Polya (2014), and its predecessor, Low Poly (2014). In 2015, he published the free handcrafted typeface Cabana and the rounded monoline display sans semicircle-patterned typeface Slot (free, with Hugo Dath). Cabana was adjusted in 2016.

In 2015, he created the commercial sans display typeface Panama.

Behance link. Another Behance link. Creative Market link. [Google] [More]  ⦿

Adrien Kerros

Adrien Kerros (Sokrea, Paris) created the free circle-based typeface Ablax in 2015. Behance link. Dafont link. [Google] [More]  ⦿

Adrien Midzic

Fatnobrain was Adrien Midzic's design studio in Paris. Born in 1982, he co-founded Pizza Typefaces with Luc Borho in 2018. Midzic designed these typefaces or type families: Fine (lineal), Blokus (free pixel font, 2009), Cimen (strong sans, designed for Smacl Entraide), Mesquine (lineal), Blitz, Cucha, Stencil Reverse, Huit (2009, a gorgeous didone headline face), Stenha (stencil).

Fonts made in 2010: The ETH family (art deco sans).

Custom typefaces by Midzic: Aquitaine (2013, for Région Aquitaine), Nilka (2013, for his personal identity), No End (2013, a fat didone), Ethon Serif (2013, a perked up serif typeface for Penguin Books), Kasai Est (2011, for the Congo-based Kasai Est Magazine), Festival De Film Documentaire (2011), Nevenka (2011, condensed sans).

In 2014, Adrien Midzic, Jason Vandenberg, Jérémie Hornus, Julien Priez and Alisa Nowak co-designed the creamy script Vanilla FY. It was renamed Vanille FY after a few days. Still in 2014, Adrien Midzic, Jérémie Hornus and Alisa Nowak co-designed the very humanist sans family Saya FY and Saya Semisans FY. Adrien Midzic and Joana Correia co-designed Saya Serif FY (2015).

At the free font cooperative Velvetyne, he published the sans typeface Lack (2014).

In 2015, he made the 3-style sans typeface Suber for an art fair in Paris. The roman transitional typeface Bota Serif (2015), which was inspired by Cochin (designed by Charles Peignot in 1912) is a custom font designed for Hotel des ventes de Poitiers. In 2017, it was finally released for retail.

In 2016, Adrien designed the bold titling typeface Debeo and the modern condensed Latin/Arabic typeface 29LT Adir (with Naji El Mir; at 29 Letters).

In 2017, he published the piano key typeface Mixal, which became a large experiment on variable fonts and is free for everyone.

Typefaces from 2018: Kern, Kern Office (a sans with some Futura features), Forno (sans), VTF Lack (a free single weight monoline geometric sans for Latin, Greek and Cyrillic, published by Velvetyne), Metal (an all caps multi-width variable font originally designed for marché Dauphine), Orelo (a 120-style high-contrast fashion mag font family; +Orelo Hangul, 2020).

Typefaces from 2019: Ultra Solar (experimental), 1871 Mane (a custom sans typeface), Wasa (a tense sans in seven styles), Shrill, Gangster Grotesk (free), Stupid (a hacker / hipster font), Kern (geometric sans).

Typefaces from 2020: Shreck Issue (very tall and ultra-condensed), Metal (brutalist), Version ACT (a two-axis variable font), Debeo (a heavy sans), Dozza (a hybrid family named after ITC Mendoza by Jose Mendoza Almeida), XMX (experimental).

Typefaces from 2021: Campingo (a roundish informal typeface inspired by camping and outdoor life), Bota (with Ines Davodeau: first designed for Boissnot&Tailliez, Bota is a modern interpretation of Georges Peignot's Cochin (2012)), Pleasure (hipsterism pushed to the fringe of addiction), Model Standard (ModelStandard Mono, ModelStandard SemiMono, ModelStandard Sans).

Dafont link. Klingspor link. Behance link. Another Behance link. Hellofont link. Velvetyne link. [Google] [MyFonts] [More]  ⦿

Adrienne Cruz

Designer of the handcrafted typeface Adrienne (2020). [Google] [More]  ⦿

Adriyawan Dxsign

Indonesia-based designer (b. 1998) of these typefaces in 2020: Michaela (didone caps), Sizela (a stone cut font), Magnolla. [Google] [More]  ⦿

adroitwhiz

Designer of the comic book font Polsyh (2018), which is based on Neil Hyslop's lettering of the English editions of the Tintin comic series. I was forced by Hyslop's estate to remove any images of Polsyh. For such images, please go to the Dafont site. It is interesting that the Hyslop mafia did not manage to remove Polsyh from that site. [Google] [More]  ⦿

Adryano Maciel

Aka Adryan Mac and Adr Raz. Graphic designer in Aracaju, Brazil, who created the free typeface Prima HC in 2016. Behance link. [Google] [More]  ⦿

Adult Human Male
[Alex Hy]

Adult Human Male is the type foundry of Malaysian designer Alex Hy, who is located in Berlin or Ireland. His Twitter account says that he is New York, Paris and Coolock. His Dafont account calls him Irish. Whatever. Alex has two aspects, a commercial one, expressed in his commercial foundry Adult Human Male, and a free one via his Squack site on Dafont.

The commercial Alex created the grunge stencil typeface Butterworth (2011), the hand-drawn Teksi (2011), the monoline squarish family Ebdus (2011), Valis (2011, futuristic), and the thin avant garde monoline typeface New Slang (2011). Gordito (2011) is a graffiti style bubble font that says Smurf.

In 2012, Alex published the poster caps typeface Areaman, Stink Lines (multilined typeface) and Penang (art deco signage typeface seen on Penang by the creator). Straights Light is a beautiful pair of bilined all caps typefaces. Dale Kids is a children's book typeface. Hokkien (2012) is an art deco typeface with Chinese influences. Mister Mustard is a chubby rounded art deco typeface. Barkley (2012) is a textured caps typeface with a chalk board feel. Liner Notes (2012) is a bilined hand-drawn typeface. Bartleby (2012) is a hand-drawn all caps display font.

The free font foundry Squack has the hand-printed typefaces Barker Allcaps (2012), Scrapist (2012, sketched), Billy Boy (2011, 3d), Quito Chicken (2011, 3d), Fred Wild West (2011, a grungy western face), Coolock Black (2011), Zapftig (2011), Ringworm (2011), Suicide Draft (2011), National Granite (2011, a 3d stone chisel face), Whiskey Fingers (2010), Wank Hands (2010) and Middle Man (2010), and the irregular typefaces Zapftig (2011), Shock Corridor, Pollo Asado, Middle Woman, Ghost Words, Late Puberty, Parrannoyed (2010, ransom note face), the hairline typeface Rexic (2011), Black Grapes (2012), Chump (2012, hand-printed capitals), Areman OT (2012), and the grungy Skidmarks (2012).

Typefaces from 2013: Salas (a chunky cartoon face), Rabid (a crayon font), Strokin (a great brush face---part charcoal part paint strokes), Bevel Hands, Bunk (a layered beveled type system absed on a monoline fat rounded sans, Bunk Base 2), Spengler (inline face), Vastra (Bauhaus style, organic), Swingers (curly and cartoonish), Chump Change, Treves Sans (crayon face), Quincey (2017).

We read that the fonts are designed by EircomTest. Aka Squack, MiddleMan and Alex H.

Dafont link. Creative Market link. Twitter link.

Behance link. [Google] [MyFonts] [More]  ⦿

Adult Ramblings
[Anastacia E. Zittel]

This used to have alphadings and dingbats by Anastacia E. Zittel (b. 1976) from Douglas, Massachusetts, all made between 1990 and 2002: AEZ-American-Woman, AEZ-Americana, AEZ-April-Fool's-Day-dings, AEZ-I-saw-the-Sign, AEZ-Jon's-Handwriting, AEZ-Kate's-Handwriting, AEZ-Lacy-Hearts, AEZ-Native-American-Turtle, AEZ-Owls-for-Traci>, AEZ-Traci's-Handwriting, AEZ-Transportation-2005, AEZ-Vanity, AEZ-Where's-Harry?, AEZ-another-turtle-font, AEZ-batty, AEZ-beep-beep!, AEZ-black-cat, AEZ-blocky, AEZ-boats, AEZ-bunnies, AEZ-buzz-buzz, AEZ-camping, AEZ-celebrate, AEZ-chalkboard, AEZ-clothes, AEZ-curly-Q, AEZ-deco-dings, AEZ-ducks, AEZ-executive-hearts, AEZ-eyes-have-it, AEZ-fishie-fishie, AEZ-giraffes, AEZ-goldfish, AEZ-halloween-dingbats, AEZ-here-ducky,-ducky, AEZ-medieval-dings, AEZ-mother-daughter-ducks, AEZ-my-pet-fish, AEZ-no-name, AEZ-not-your-mom's-ariel-font, AEZ-outlinevertical, AEZ-owlness, AEZ-puppy-dog, AEZ-ruff,-ruff, AEZ-scrapbooking-dings, AEZ-scripty-2, AEZ-scripty, AEZ-seascape, AEZ-snowman, AEZ-spooky, AEZ-steeple, AEZ-sunflower-letters, AEZ-swim-away, AEZ-toy-dolls, AEZ-wedding-dings, AEZAnastacia's-Dings, AEZAnastaciaHW, AEZJanuary-1, AEZJanuarybold-1, AEZLeighHW, AEZSTPatricksDay, AEZanotherfont, AEZbasic-font, AEZbears, AEZbighearts, AEZblot-by-Jon-Zittel, AEZcircles, AEZclassicaltoys, AEZcrazycats, AEZcrimsonandclover, AEZcrochet, AEZdaisy, AEZdazzleme, AEZdollz, AEZdots, AEZfairies, AEZhearts, AEZholidaybears, AEZinsects, AEZlemonade, AEZmedievaldings2, AEZmmmcaffeine, AEZmonster, AEZmoonbeam, AEZoutlinefrenzy-1, AEZsegar, AEZsunflowers, AEZsweethearts, AEZturtle, AEZzipedity.

Alternate URL. There are also free handwriting fonts: AEZ-American-Woman, AEZ-country-girl, AEZLeighHW, AEZ-Traci's-Handwriting, AEZ-Jon's-Handwriting. Fontmaking tutorial [dead link]. The font pages seem to have disappeared.

Dafont link. Klingspor link. [Google] [More]  ⦿

Ady Majurinah

Bandar Seri Begawan, Brunei-based student-designer of the free curly flowery handcrafted typeface Light Daisy (2015). [Google] [More]  ⦿

Adyana
[Acitya Adyana]

Designer of the script typeface Adyana (2019), which is advertised as a modern dancing font. Adyana also designed Vougoat (2019). [Google] [More]  ⦿

Aeletter (or: LetterPro)

Designer of the script typefaces Rosita (2019) and Mysha Script (2019). [Google] [More]  ⦿

Aenigmate
[Warren Woodhouse]

British designer of some fonts such as the angry angular typeface WP (2014) and To Sharp Lingo (2014). Woodhouse acquired Aenigmate in 2009, and is the owner of Bajo la Luna, Baja la Luna, Norfok, Norfolk, BRK, Disney Fonts and Mickey Avenue Fonts since 2009. Warren is based in Newcastle upon Tyne.

As of 2021, the free or donationware fonts:

• 08 Underground (2004). A fat finger font by Johan Waldenström.
• 50 Cent.
• 798 (2008). The name Arial Narrow is still in the font.
• Abduction (2001), in three styles. By Richard Gast (GreyWolf WebWorks).
• Absolutist.
• Aftermath. By Aenigma.
• Alone In The Dark (2009). Based on the game logo for Alone In The Dark by Atari. By Aenigmate.
• Alphabeta (2011). A pixel font by Aenigma.
• Alternative. By Boris Moser, unknown year.
• BackSlash (2004-2005). By Luis Huacuja.
• Bebo (2008). A modification of Dubina Nikolay's DS Podd Cyr Light (1998).
• Blogger (2006). A grungy typeface based on Brendel Informatik's Mercedes (1995).
• Brawl (2005). By Luis Huacuja.
• Daft Freak.
• Daft TV. This looks like Impact (1965, Geoffrey Lee).
• Darkness in Room 943 (2011). By Warren Kris Woodhouse Corporation.
• DJXB42CREWBOY. The name Arial Narrow is still in the font.
• Dreaming of Lilian (2005). By Luis Huacuja.
• SL Drops of Moonlight (2005). By Luis Huacuja.
• Emophonic (2005). A sci-fi font by Aenigmate.
• FeedMaker. A renaming of Harold Lohner's Wireframe (2000), which in turn was inspired by Letraset's Bombere.
• Google. Inside this font, it says "Georgia".
• Grace Webster. A childish handwriting font based on CatholicSchoolGirls BB (2004, Nate Piekos).
• Gran Turismo. A grungy typeface by Aenigmate.
• iSAFE. Created by Warren Woodhouse.
• Narnia (2006). A spurred all caps typeface by Luis Huacuja.
• Panzer Kardinal (2005). A sci-fi font by Luis Huacuja.
• Party Ninja.
• Piczo.
• Runaway Girl (2005). A script typeface by Luis Huacuja.
• Thank you for the Venom (2005). By Luis Huacuja.
• TRON and TRON Legacy. By Disney Fonts.
• To Sharp Lingo. A straight-edged typeface by Warren Woodhouse.
• Warren Language (2008). By Warren Woodhouse.
• Warren Woodhouse. By Warren Woodhouse.
• Warren Woodhouse Logo. By Warren Woodhouse.
• Woodhouse Productions. By Warren Woodhouse.
• WordPress (2007). A renaming of Microsoft's Georgia?

Twitter link. Fonts prior to the acquisition in 2009 were published by Luis Huacuja at Dafont. The other fonts, still free, are avialble vi GitHub, FontMeme and Warren Woodhouse's website. [Google] [More]  ⦿

AEP (or: An Elektrum Press)
[Ashley Evan Pond]

Now located in Seattle, WA, and before that in El Prado, NM, Pond is a freelance software specialist who did some great work at Amazon.com. Ashley Evan Pond (who also used the company names AEP and An Elektrum Press) designed the IBM logo imitation typeface Element (1996), as well as Vampire Winter, Kismet Demibold, Atrium Initials, Atrium Deco, Abraxis, Seraphim Freaky, Acrylic, Aradia Heavy, Blocks, Evil Egg (based on psychedelic lettering by Chipper Thompson), International, Zebra, Daisy, Inverno, American Light, Santa Fe, Karma, Romanette, and American.

Dafont link. Home page. [Google] [More]  ⦿

Aeryn's Foundry (or: Draftlight)

Designers of Barbaric (2005, a brabed wire font), Evanescence (2003) and Gothika (2004, eerie handwriting). Fontspace link. Dafont link. [Google] [More]  ⦿

Aesthetix Font Company
[Erik Millsap]

Erik Millsap at EEN has created the Numbaaz EEN font (free truetype for PC), consisting of white letters on black circles, with Font Creator. His second font is Crudmunch. [Google] [More]  ⦿

AF Studio
[Adam Fathony]

Adam Fathony (or Adam Fathoni Haris; AF Studio, Bandung, Indonesia) created the vintage typeface Grandesa (2014), the signage typeface Magnifika (2014) and the Victorian typeface Marema (2014).

In 2015, he published the connected swashy script typeface Octavia Script, the brush scripts Carbonera and Shallom, the hand-lettered Vanilla Daisy Script and Mightype, the watercolor script Hollycakes, and the connected Brayden Script (and Sans).

Typefaces from 2016: Drustic Daily, Karlberg Script, Ecosmith Script, Halosense Script (calligraphic), Lunar Cone (connected layered script), Clarkson Script, Salvador Script, Salvador Serif, Salvador Condensed, La Venice Script (retro signage lettering).

Typefaces from 2017: Clarkson Script (brush lettering), Bignord Vintage (with Fauzan Rafhy), Douglas Collection (12 fonts: Aaronade Script, Ancaster Script, Burlington, Calgury, Montreal Rounded, Morphic 60s, Norwood Old, Ogdensburgh, Palmeira, Rutland Extended, Wolves Sans, Wolves Serif), Almost Lover, Rhythmic Dances (rough script), Sevastian (layered font set), Rustling Trees (dry brush), Little Karla Script.

Typefaces from 2018: Figuera Variable (a late Victorian, early art nouveau typeface family; variable font format), Brignola (a calligraphic penmanship script), Eastside Brush (a brush signage script done with Angga Kristiandri), Marshfield (a retro cursive typeface by Adam Fathoni Haris and Renov Olivian), C'est La Vie (font duo), Chivels (a vintage typeface done with Angga Kristiandri at Abbassy Studio), Sevastian (a layered font family), Drustic Dialy (weathered; with Angga Kristiandri), Elli Bellie (calligraphic).

Typefaces from 2019: Scottsdale Serif (at Typeverything), Scottsdale Desert (an opentype feature-laden display serif), Norfolk (Narrow, serif), Tiverton (Sans, Serif, Script: by Adam Fathony Haris and Angga Kristiandri), Havard (a layerable athletic lettering set of 12 fonts), Gorga Grotesque.

Typefaces from 2020: Auvelle (a hairline sans), Windsore (a font trio), Howli (layerable, rounded; sans, serif and script), Genty (a creamy retro signage script typeface by Ilham Herry and Adam Fathoni Haris), Burnest (a vintage typeface by Adam Fathoni Haris and Renov Olivian), Glaw (a psychedelic font by Ilham Herry and Adam Fathoni Haris), Oliviar Sans (28 styles and a variable font), Budge (a layerable retro signage script by Ilham Herry and Adam Fathoni Haris), Stanlow, Muray House (a bold swashy bathroom towel typeface by Ilham Herry and Adam Fathoni Haris), Esteric (a playful tapered font by Ilham Herry and Adam Fathony).

Typefaces from 2021: Alstera (an oblique serif), Monvar (a layerable Cooper Black style typeface by Ilham Herry and Adam Fathoni Haris), Rische (a 6-style display serif with huge counters and an enormous x-height; by Ilham Herry and Adam Fathoni Haris), Ottenthic (script and serif), Mionic (a reverse contrast slab serif by Adam Fathoni Haris and Angga Kristiandri), Matchbox Font Collections (a set of vintage fonts based on lettering on matchboxes; it includes substyles called Linea, Lettre, Deco, Scriptura, Ornato, and Graso).

Typefaces from 2022: Balide (a 70s style display typeface), Norsy (a 21-style and variable flared font family). [Google] [MyFonts] [More]  ⦿

Affenprinz Belmondo
[Büro Sequenz]

[More]  ⦿

AF-FLUX

French outfit that designed the bullets/pixel dingbat font Signotek (free) in 2000. [Google] [More]  ⦿

Afif Mrfive

Lamongan, Indonesia-based designer (b. 1990) of the shaky typeface Perls (2020). [Google] [More]  ⦿

Afif Rosadi

Pringsewu, Indonesia-based designer, b. 1994, of the handcrafted typefaces Hand Creation (2019) and Brandall (2019). [Google] [More]  ⦿

Afiq Anggriawan

Kediri, Indonesia-based designer (b. 1989) of the rounded squarish typeface Dixietal Basic (2018) and the straight-edged typeface Wkwkwk Land (2018). In 2019, Afiq published the children's handwriting fonts Jack No Fruit and My Scrawl.

Typefaces from 2020: Skinny Buttom, Kediriku Bagus, Dagelan Malam (counterless), Pemburu Sinja (a children's hand), Al Faragh (Arabic emulation) and Al Ghazali (Arabic emulation). [Google] [More]  ⦿

Afista Kosong Tujuh
[Micro Andi]

[More]  ⦿

Afiszuj Sie! Free fonts & illustrations

"Flaunt yourself!" is a Polish website devoted to the history of interwar Polish advertising, which appeared mainly in printed form---a project by Sonia Jaszczynska and Ania Wielunska. The site has three parts:

• In the gallery, there are over 250 advertisement posters, leaflets and illustrations.
• In the study section, we find three texts. Aleksandra Maria Lewandowska-Ferenc writes about various forms of advertising. Andrzej Tomaszewski deals with typography and printing methods. Lastly, Michal Warda writes about an advertising poster of the interwar period.
• One can download three typefaces digitized in 2020 on the basis of interwar posters---Kolombia, Renaissance and Makkabi. Included are also illustrations from classified ads, instructions for creating an advertising poster, sample posters and graphic elements from posters by Igor Kubik. Everything is available under an open license, absolutely free.

Borys Kosmynka and Ania Wielunska designed Kolumbia and Renesans, while Filip Tofil created Makkabi. Kolumbia is based on E.J. Kitson's Post Oldstyle Roman (aka Columbia. Buffalo, and Kolonel), while Renesans is a revival based on Jan Idzkowski's version of Berthold's Secession typeface. [Google] [More]  ⦿

Afkari Studio (or: Kanatype, or: Musthafanet)
[Musthafa Kamal Emje]

Banda Aceh, Indonesia-based designer (b. 1985) in 2020 of Atakana Script, Bandar (a 5-style rounded monoline sans), Brullos (a free brush script), Gasing, Hollgati Sans, Klenik Slab, Majanan, Richest Sans, Vemina (a monoline script). Several of these fonts can also be found at Jarnawi Saja's Grontype foundry.

Typefaces from 2021: By Note (a notebook script), The Prada (a tuxedoed sans with stiff cufflinks), Vemina (a scrapbook script), The Lingke (a tall condensed vintage display typeface), A Note (a notebook / marker pen font), Hokaplay (unicase, playful), Godan (a 10-style wide slab serif with a slightly futuristic twist), Nalom (an 8-style elliptical sans), Kalela Slab (a slab serif family with a silent movie feel), Beuna Line (multilinear), Alehna (a 5-style comic book sans), Grah (a marker font), Medan Slab.

Typefaces from 2022: Sagobi (hand-crafted, for children's books), Amiline (script), Fungka City (a tall condensed sans). [Google] [MyFonts] [More]  ⦿

Afotey Clement Nii Odai
[Vikers Junior (or: VType, or: Rerd Systems)]

[MyFonts] [More]  ⦿

Africaan

Russian designer of the decorative hacker font Cabra (2016). Dafont link. [Google] [More]  ⦿

Afridah Ciputra
[Etig Letters (or: Beauty Beth)]

[More]  ⦿

Afrizal Hidayat
[Ejhaa]

[MyFonts] [More]  ⦿

Afrojet Type Foundry
[John Skelton]

John Skelton is a type designer from St. Paul, MN, b. 1973. He is currently based in Portland, OR. He started out in 2008 as afrojet on FontStruct, making many free fonts there. Late in 2009, he set up Afrojet Type Foundry at MyFonts.

FontStructions in 2008: Playtime (an original stencil family), Playtime Pattern Motifs (dings), Playtime Rounded (+Bold), Playtime Cutouts, Mango Solid (ultra fat, rounded), Mooch (experimental), Mooch Squared, Zombies Are The New Black, Jettison Stencil, Micromoog, hewett, hewett_bold, hewett_extended, Mikey (a Mickey Mouse font). Other creations there include Summer Grillz (about which he writes More gangster than Gill with more gold than Garamond, Summer Grillz is type jewelry for your mouth. All letterforms are diamond-kut using the finest type constructing software on the market today. Customize your grill with different fills., Lovestruc, Konstruct (multiline face), Steeplechase, Sawhorse, Sawhorse Braumarks (dingbats of a brewery), Alfred, Chesterfield, Hydroplane, Jettison-Stencil, Pop-Drops (kitchen tile face), Starstruc, Lovestruc, Chesterfield Prince, Chesterfield King, Chesterfield Queen (piano key font), Brainfreeze (ultra fat).

Fontstructions in 2009: the Sans Serious family (a tribute to Dutch Bauhaus designer Jurriaan Schrofer), Factory (stencil), Hunstrüct (blackletter), Slug, Micromoog Remix, Get To The Falcon, Jetstream and Perforate (octagonal, loosely based on several styles of letter and numeral forms observed on various aircrafts at the Evergreen Aviation&Space Museum in McMinnville, Oregon), Get To The Falcon (multiline face), StacheStruct (moustache font), Factory (stencil), Playtime Bolda, Thunderball, Gaga, Gaga Stencil, Pinpression, Sessions (a take on type by Josef Albers; he writes: Having previously played around in Fontstruct with Anni Albers' textile patterns, I thought it time to turn my attention to her husband Josef's work. Josef Albers' constructivist typographic experiments are a perfect match for Fontstruct. Other Fontstructors have done great work with Alber's ideas. Most notably, Saberrider's fontsract and Stewf's Leaflet family. Using Josef Albers' Kombinationsschrift alphabet (1928-1931) as my foundation, I've been having a lot of fun remixing and experimenting with his letters.).

Fonts made in 2010: Whoopee (piano key face), Prog.

Commercial fonts: Sessions (2009, modular).

The commercial fonts by Afrojet type foundry include Sessions, Playtime, Hydroplane, Lovestruc, Dansa, Pinpressions, Micromoog, Widjiwagen, Mooch, Hunstrüct, Slug, and Brutal Exchange.

Cargocollective link. Behance link. Home page. Dafont link. [Google] [MyFonts] [More]  ⦿

Afronsu Afronsu
[Rabisco (was: AfroBreak)]

[More]  ⦿

Afsor Noor
[Andtype]

[More]  ⦿

After The Flood
[Max Gadney]

Mike Gallagher and Max Gadney founded After The Flood, a design consultancy based in London. Github link.

Designers of the free 15-font family AtF Sparks (2017-2019). They write: Data can be hard to grasp however visualising it can make comprehension faster. Sparklines (tiny charts in text, like this: 123{10,20,30,40,50,60,70,80,90,100}789) are a useful tool, but creating them for the web has always required code and using them in word documents was previously impossible. Sparks, now in its second release, is a family of 15 fonts (three variants in five weights each) that allows for the easy combination of text and visual data by removing the need for any technical know-how. By installing the Spark font you can use them immediately without the need for custom code. Sparklines were first conceptualised by Edward Tufte as a way of placing data evidence as close as possible to the idea(s) it supports. Spark makes clever use of the OpenType calt table. CTAN link for TeX support by Herbert Voss. [Google] [More]  ⦿

afterglowtype
[Peter Smith]

About five original fonts are available here. The designer is Peter Smith. Names: Fuck, Schleterian, Birdhaus (great!!!), Sooper, Elmico and Erika, mostly handwriting.

Foundry disappeared but is revived at typOasis. Alternate site. Jennifur (1998) is here. Fontspace link. [Google] [More]  ⦿

Aftertime Studio

Kediri, Timur, Indonesia-based designer (b. 1995) of the squarish sans typeface Rushtone (2021) and the fat finger script Amterina (2021). [Google] [More]  ⦿

Aga Magdziak

Warsaw, Poland-based designer of magnificent experimental typefaces in various vector formats. These include:

• The free AI-format experimental slinky font family Scribble (2018).
• The free color font Balloon (2018) and the free PSD-format font Balloon (2018).
• The free textured font Neon (2017-2018).
• The free experimental color font Splash Letters (2018).
• The free vector typeface Brush (2017).

Aga Silva

Aga Silva (aka Mme. Ping) is an ex-architect/urban designer, who now lives in Krakow, Poland. Creator of the Glitter family (kaleidoscopic, star-shaped, and possibly of use as snow fonts), Stars Promo (2012), Ivy Tiles (2012), Lillius (2012, floral and froggy dingbats), Maya Tiles (2012), Ballpen (2012, hand-printed), Mickey Script (2012), and Nillie's Love Letters (2012).

In 2011, she designed Grand Duchess (script face), Rosette110621 (kaleidoscopic dingbats), Brasserie (connected script), Marker Script, Skarpa LT (an avant-garde hairline face), Skarpa Regular, Skarpa Bold, Auld Magick (blackletter), Two Am, and Fantasy Dingbats.

Typefaces from 2013: Monmica (an upright copperplate script), Skarpa 2.0, Trufla (English round hand, copperplate script), Trufla Words (calligraphic), Calissa (copperplate script), Calissa Words.

Typefaces from 2014: Mavblis, Lavenda (a connected copperplate script), Roicamonta (connected script).

Typefaces from 2015: Skarpa Round, Nistiver (calligraphic script), Lavenda (calligraphic script).

Typefaces from 2016: Lidaxid (connected script), Hinzatis (calligraphic script), Roicamonta Basic (an upright connected calligraphic script), Monmica Fancy, Bisalir (heavy script), Piambis (thick signage script), Piambis Round, Piambis Sharp.

Typefaces from 2020: Skarpa (a revised version of her 2011 typeface), Skarpa Condensed.

Typefaces from 2021: Timernis (a 9-style humanist sans based on 1940 stone engraving commemorative plaque). [Google] [MyFonts] [More]  ⦿

Agam Rahmadan
[Letteragam (was: Viswell)]

[MyFonts] [More]  ⦿

Agaric Type
[B. Agaric]

Designer of the Agave font between 2013 and 2019. He writes: Agave was an attempt at making a small, monospaced, outline font that would be geometrically regular and simple. The endeavor was motivated by a deep adoration of old-school console bitmap fonts, of Consolas, of Pragmata Pro, as well as a novice's curiosity for typographical design. When it came to establishing a "simple" design scheme, the natural inclination was to separate the glyph design concerns into that of "frame" and "trait". By frame, we refer to the naive geometric extent of a glyph and its parts. And by trait, we mean, for example, the "way" in which a stroke curves, or the relationship between one part of a glyph and another. Adhering to personal tastes, bone-deep laziness, and the quirky spirit of old computer terminal fonts, the delineations of frame and trait amounted to two mathematical patterns: the power of two and the golden ratio. That is of course an understatement. This wonderful font has almost 5000 glyphs, half of them useful icons. To be sure, many of these glyphs were added by Ryan McIntyre in his Nerd Fonts version of Agave in 2020.

Earlier (pixel) fonts by Agaric include Autonoe [autonoe is a fixed-width, 7x14, bold-only, unicode, bitmap typeface] and Ino.

Github link. [Google] [More]  ⦿

Agathe Challeton

During her studies, Agathe Challeton designed the free typeface Wisigotik (2020). [Google] [More]  ⦿

Agathe Richard
[Lettres Vagabondes (or: Fonts by Holyrose)]

[More]  ⦿

Ageless Type (was: Crop Studio, or: Juniors 94)
[Rahmat Syaputra]

Or Rahmat Syahputra. Ingin Jaya, Kabupaten Aceh Besar, Aceh-based designer, b. 1994, of these brushy calligraphic typefaces in 2017: Gerhana, Bintanghu, Geulayang (upright ronde script), Syalty, Kookaburra, Pugter, Flalkner, Iolana, Aneishie.

Creator of the monoline script typeface Nagata (2018), the upright script typeface Berkarya (2018), the signage script typeface Hunkydory (2018), and the calligraphic script typefaces Rughetta (2018), Oliverra (2018), Kenshington (2018), Robertortiz (2018), Rodanthe (2018), Kristopher (2018), Serendipity (2018), Whitening (2018) and Matthew (2018).

Typefaces from 2019: Fantastic (script), Armadilla (upright script), Aurelia (curly script), Firgia Gia (calligraphic). [Google] [More]  ⦿

Agent 24
[David Hofmann]

David Hofmann made Lexip (2001, a pixel font) and SayNo. Alternate URL. [Google] [More]  ⦿

Agent J
[Lisa D. Jenkins]

Lisa D. Jenkins designed some beautiful fonts, such as Xanadu, Laser Systems (1998) and Kitchen Tiles. Explanation provided by her the gorgeous Kitchen Tiles: "This font was originally designed by Boris Mahovac of Abeceda dizajn. I liked the look of it, and thought it should be a fairly easy font to re-create in order to test out the Softy software. I changed a great number of the characters from his original design mostly for readability reasons. This font includes pretty much all the international characters so that everyone can enjoy it." The free stuff is only a sample of the full families. She also made Cat Silhouettes. All of Lisa's fonts are first rate and beautiful, so please support her. On February 9, 1999, she removed Kitchen Tiles. Go here for the story. She also runs AJ's Catz, a cat font archive. [Google] [More]  ⦿

AgenturBM
[Björn Kohl]

Aschaffenburg, Germany-based designer of the modular typefaces Butch (2018), Chiron (2018) and Anthony (2018). [Google] [More]  ⦿

Ages5&Up
[Katsuya Nakamura]

Japanese site with one original free font each week. Some fonts are great, such as 5&up-Namco, 5&up-Airport, 5&up-KC, 5&up-Peanuts, and 5&up-Sega. There are also hiragana fonts for free. Designer: Katsuya Nakamura. Dead link! [Google] [More]  ⦿

Agik Purnomo Aji

Bekasi, Indonesia-based Agik Purnomo Aji designed the free grid-based typeface Daul (2017). [Google] [More]  ⦿

Aglap (was: awaan)

Designer of the script typefaces Debum (2019) and Manoe (2019). [Google] [More]  ⦿

Agnes Bertothy

Hungarian designer of the multiline display typeface Finity (2014). Dafont link. [Google] [More]  ⦿

Agnese Pagliano
[Little Asshole]

[More]  ⦿

Agni Ardi Rein Prasetyo
[Agniardi]

[MyFonts] [More]  ⦿

Agniardi
[Agni Ardi Rein Prasetyo]

Yogyakarta, Sumedang and/or Bandung, Indonesia-based student-designer (b. 1998) of the free handcrafted typefaces Natural Signature (2019), Rollingdore (2019), Aesthetic Gelatinate (2019), Weslona (2018), Bradles (2019), Argopuro (2019), Callista Oliander (2019) and Stay Ontheway (2019).

In 2020, he published the script typefaces Blushing, Charlotte Smoothy, Familiar, Bakira, August Cameron, Askana, Hanah Montana, Yellow Playlist, Jartifisa (a wild calligraphic script), Wreckout (a brush font; with StringLabs), Millatyna (a playful font; with Analogous), Cydonia (a blackletter font; with Typotopia), Happyland, Double Chocolate, Katrina Signature, Mellorine, Chillout, Galatik and Delilah.

Typefaces from 2021: Childish. [Google] [MyFonts] [More]  ⦿

agnuaspflibko
[TarmSaft font factory]

[More]  ⦿

Agony

Designer of the horror movie typeface Eisregen (2007). Alternate URL. [Google] [More]  ⦿

Agonz
[Adilson Gonzales de Oliveira]

Adilson Gonzales de Oliveira Junior, or just Agonz, is a Brazilian designer who graduated from UNESP Design University in Sao Paulo. He is currently based in Bauru, Brazil. Inspired by aircraft models from the 1940s, Agonz created the free condensed sans typeface Ailerons (2015) and Skyer (2017). Behance link. [Google] [More]  ⦿

Agung Aris

R. Agung Aries Triyanto is the Indonesian designer (b. 1975) of the brush script typeface Destain (2016), the Broadway style deco typeface Broad (2015: originally called Broadway, it as renamen Broad in 2016), and the Victorian typeface Brandals (2016).

In 2017, he created the connected script typeface Molluca, the signage typeface Cheese Latte, the heavy brush typeface Breed and the avant garde sans typeface Moody Rock (+the shadow version called Moody Rock Extrude).

In 2018, he designed the handcrafted typeface Cuties Caps. The mini-slabbed Bounaville was added in 2019. [Google] [More]  ⦿

Agung Harto

Pasuruan, Indonesia-based designer, b. 1979, of the script typefaces Forward, Carpenter, Forest Dream, Bright Light, Hudson, Victoria and Deep Blue in 2019, and Deep Forest, Good Vibe and Beauty Forest in 2018. Aka wonoayu79. [Google] [More]  ⦿

Agung Maskund
[Decade Type foundry]

[MyFonts] [More]  ⦿

Agung Mr Big

Semarang, Indonesia-based designer (b. 1980) of the rounded monolinear techno typeface Typoline (2020). [Google] [More]  ⦿

Agung Saputra
[Arsy Creative]

[More]  ⦿

Agung Triyanto
[Cempluk Studio]

[More]  ⦿

Agus Alfian

Bogor, Indonesia-based designer, b. 1985. Creator of the Arabic emulation typeface Arab Emang (2019). Typefaces from 2020: Some Brush, The Buzz (grungy), Sportypo, The Secret Love, and the pixel typeface Play Me Games. [Google] [More]  ⦿

Agus Armanto
[Faris Graphic Art]

[More]  ⦿

Agus Riyanto
[Dlvastf Typesupply]

[More]  ⦿

Agus Setyawan
[Angoes Tweentyfive (was: Angoes Abufira)]

[More]  ⦿

Agus Zamroni
[Jroh Creative (was: JROH Communications)]

[More]  ⦿

Agustin Laitan

Santiago del Estero, Argentina-based designer (b. 1976) of the stylish typeface Bruto (2015). [Google] [More]  ⦿

Agustin Senatore

Argentinian designer (b. 1989) of the free blackletter typeface Modern Goth (2018) and the heavy text typeface Meridies Antiqua (2018). Creative Fabrica link. [Google] [More]  ⦿

Agustina Lonetti
[AL]

[More]  ⦿

Agustina Mingote

Creator of Gudea (2012), a free font published at Google Web Fonts. Gudea is a readable, clear and functional sans typeface family, that was inspired by engineering documentation. XCTAN TeX support for Gudea.

1001fonts link. [Google] [More]  ⦿

Ahmad Adib

Indonesian designer, b. 1981, of the modular typeface Therover (2019) and the script typeface Elabor (2019). [Google] [More]  ⦿

Ahmad Aswin
[Angin Studio (or: David Novrian)]

[MyFonts] [More]  ⦿

Ahmad Dindin

Or Ahmad Dienz. Designer, b. 1984, of Komikaze (2019), Bersama (2019: a signature script), Joshbrush (2019), Com Com (2019: a fat finger font), Bauman (2019: a display type with photographic lens aperture-style cuts) and Raymond (2019: a connected upright script).

Typefaces from 2020: Bangpen. [Google] [More]  ⦿

Ahmad Faishol Hadi
[King Ahmad]

[More]  ⦿

Ahmad Faizin
[Skillyas Studio]

[More]  ⦿

Ahmad Fashihullisan
[Linafis Studio]

[More]  ⦿

Ahmad Fatkhul Munib
[Hallotudio]

[More]  ⦿

Ahmad Ghazali

Designer of the angry rhythmic straight-edged display typeface Sarkle (2020). [Google] [More]  ⦿

Ahmad Havij
[Mad Havey]

[More]  ⦿

Ahmad Ihsan
[Creative Insomniac]

[More]  ⦿

Ahmad Khaidir

Banjarmasin (or: Landasan Ulin, or: Surabaya), Indonesia-based designer (b. 2000) of script typefaces. His creations include Lantima Lexa (Script+Serif: 2019), Atlantic Time (2019: a rhythmic script), High Amelliya (2019), Calingham (2019: a retro script font), Emmaverp (2019), Sebastian Signature (2019), Aintonio (2019), Aintilkat (2019), Cattclay (2019), Haklam (2019), Ayustina (2018), Santiago Pro (2018), Austin Pen (2018), Valetta Man (2018), Drop Stay (2018: signature font), Herupzor (2018: free), Nebbulla (sic) (2018: font duo), Doupple Signature (2018) and Snowman The Woppie (2018: font duo).

Typefaces from 2020: Oustend (a signature font), Salmah Script. [Google] [MyFonts] [More]  ⦿

Ahmad Lutfi Fauzi
[Projectype]

[More]  ⦿

Ahmad Majujaya
[Gobel007]

[More]  ⦿

Ahmad Muslimin
[Koplexs Studio]

[More]  ⦿

Ahmad Muzayyin

Makassar, Indonesia-based designer (b. 1991) of the rounded script typefaces Esther Morgan (2020) and Clumsy White (2020). [Google] [More]  ⦿

Ahmad N
[MaxnorType Studio]

[MyFonts] [More]  ⦿

Ahmad Puji
[Starfont]

[More]  ⦿

Ahmad Ramzi Fahruddin
[Arterfak Project]

[MyFonts] [More]  ⦿

Ahmad Rifal Fahrudin
[LetterFall Studios]

[More]  ⦿

Ahmad Rofingi
[Kokok Studio]

[More]  ⦿

Ahmad Sekhudin

Indonesia-based designer of the free spurred display typeface Wacaban (2020). [Google] [More]  ⦿

Ahmad Syarif Afandi
[Letterafandi Studio (was: Letterafa Studio, Peterdraw, Delapan Studio)]

[MyFonts] [More]  ⦿

Ahmad Wakhid
[Eko Zero]

[More]  ⦿

Ahmad Yousef

Riyadh, Saudi Arabia-based designer of the free monoline sans typeface Ahmad First (2016). Behance link. [Google] [More]  ⦿

Ahmad Yusuf Tri Prayogo
[Tri Studio]

[More]  ⦿

Ahmad Zakiy
[DoubleZ Studio (or: Ode Arts)]

[MyFonts] [More]  ⦿

Ahmad Zamzami
[Zamjump]

[MyFonts] [More]  ⦿

Ahmad Zulfikar Ali
[Zet Design (or: Afredo.fk, or: Seventype)]

[MyFonts] [More]  ⦿

Ahmed Adel Fayz

Damanhur, Egypt-based designer of the free circle-based Latin typeface Marimoo (2016) and the sturdy sans typeface Stern (2015). [Google] [More]  ⦿

Ahmed Barakat

Cairo, Egypt-based creator of the free 16-style hand-drawn typeface family Noni (2014). [Google] [More]  ⦿

Ahmed Camel

Designer of the fat display typeface Iqbal Camel (2019). [Google] [More]  ⦿

Ahmed Crvst

Indonesian designer of the sci-fi fonts Lurix (2018) and Crvst (2018). [Google] [More]  ⦿

Ahmed Noor
[Anixel Studio]

[More]  ⦿

Ahmet Prosic
[Pro Studio]

[More]  ⦿

Ahoj

A free all caps layered typeface family made in 2015 by the crew at Type Together, namely, Veronika Burian, Jose Scaglione, Sonja Stange, Elena Veguillas and Irene Vlachou. Ahoj is a bold display sans serif inspired by images of old signs and lettering found in different cities. The typeface family was produced in a four-day workshop in Prague. Voluntary contributions will be used to help the victims of the 2015 quake in Nepal. [Google] [More]  ⦿

Ahsancomp Studio
[Sukoco Sukoco]

Solo, Indonesia-based designer (b. 1984) of the free typefaces Saqorie (2018), Estherilla (2018) and Bripokus Stencil (2018). [Google] [More]  ⦿

Ahsya

Banda Aceh, Indonesia-based designer of Rollason (2017: script), Pilattez (2017: handwriting script), Rolly Wave Script (2016), Verbalio (2016, an art nouveau typeface), Verbalio Sans (2016), Sweetlove Script (2016), Aheads Brush Script (2016), Mahakam Script (2016), the free handcrafted psychedelic typeface Verona (2016) and the free script typeface Markona Script (2016).

Typefaces from 2017: Hideline (a futuristic brush). Creative Market link. [Google] [More]  ⦿

Ahwe Project
[Dida Ahluddin]

Tasikmalaya, Indonesia-based designer (b. 1997) of the upright script typeface Charganolton (2019) and the modular typeface Mitsuha (2019). In 2020, he released the script typefaces Raleigh Modesto, Sweenline, The Disnathos, and Dhelman.

Typefaces from 2021: Mechaniclove (a stocky bold upright script), Anboug (a retro signage script), Angela Heart, Anghora, Backstone, Bloadrish, Boendalove, Bootterfly, Brush Curly, Cheerful Dynamite, Christmas Halcyon, Christmas Holland, Elizafat, Fallind, Hand of King, Hatimune, Higher Monday, Hittany (a monoline script), Holiday Sweet Lovely, Hypherin (a bold signage script), Kandel, Kashiwa, Kawula Moeda, Kidszonia, Kralken (a display serif), Rosemarine (a delicate flared serif), Signatype, Skyzone, Soulness, Sweenline, The Mainstay.

Typefaces from 2022: Findastone (script), Balnuettes (a bold signage script). [Google] [MyFonts] [More]  ⦿

Ahyrton Velasquez Aranda

Australian designer (b. 1998) of the Mexican party font Las Locuras del Emperador (2017). [Google] [More]  ⦿

a.i

Japanese designer of Fluent Sans (2014). Dafont link. [Google] [More]  ⦿

Aida Ruzana Bungsu

Brunei-based designer of the free display typeface Booster (2018). [Google] [More]  ⦿

Aidan Fox-Tierney

Designer of the MICR-style typeface Printable (2019), which was is intended for use with 3d printers. [Google] [More]  ⦿

Aidfonts (was: Antropos)
[Lutz Baar]

Lutz Baar (b. Berlin, 1946) ran Antropos. He is a calligrapher/type designer who runs a design studio called Miraculus Artwork in Gothenburg, Sweden. At the now defunct Antropos site, he used to offer Antropos (2002), a free prehistoric-lettering font. He is a contributor to the anthroposophic style of thinking and creating.

Baar published these typefaces with Linotype: Atlantis, Linotype Kaliber, Linotype Balder (1994), Linotype Ordinar (2000), Linotype Pisa (1997), Feltpen, Nordica (chiseled typeface).

Nice fonts at old Antropos site included: Aristoteles, Platonia, Andromeda, Zeitgeist, Artemis, Andromeda Engschrift, BaarAntropos, BaarAntroposAidfont, BaarAntroposBold, BaarAntroposBoldItalic, BaarAntroposCaps, BaarAntroposDisplay, BaarAntroposEngschrift, BaarAntroposItalic, BaarGoetheanis (2002), BaarLemuria (2002), BaarMetanoia (2002), BaarMetanoiaBold, BaarMetanoiaBoldItalic, BaarMetanoiaItalic, BaarPhilos, BaarPhilosBold, BaarPhilosBoldItalic, BaarPhilosItalic, BaarSophia (2002), BaarSophiaBold, BaarSophiaBoldItalic, BaarSophiaItalic, BaarZeitgeist.

He founded Menschengeist and Aidfonts (2005), where one can download his Sophia, Metanoia and Philos families.

Dafont link. Linotype link. FontShop link/ Klingspor link. Fontspace link.

Catalog of Lutz Baar's commercial typefaces. See also here. [Google] [MyFonts] [More]  ⦿

AIGA Minnesota's Design Camp

Chank organized a 50-person design camp in 2003 in which the participants created three free fonts based on sticks, stones and twigs. The fonts, dated 2004, are

• Mister Twiggy (named after Mr. Frisky), by Rob B, Harlan Bloomer, Kevin Burg, Theresa Marie Carlson, William D. Cavill, Lisa Christiansen, Chank Diesel, Leslie Dimond, Andrea Douglas, Dawn Ekern, Jarilyn Fahvendorff, Dawn Fraser, Angi Gahler, Mike Gobelli, Sarah Goldschadt, Brenda Halvorson, Jenny Holloway, Charlie Hyde, Dawn Koranda, Steve Kulp, Ida Kumoji, Rebecca Loutsh, Rebecca Lysen, Sally Masterton, Barry McCullough, Garrett Moon, Nicole Nowakowski, Bret Petersen, Reedzilla, John Samels, Karl Schweikart, Sharon Soder, Lisa Voigt and Rochelle Whitchelo. Photoshopped and fontified by Brenda Halvorson.
• Twigdancer (after Swingdancer), by Brad Clemson, Jason Clewell, Phil Davidson, Michael Dear, Chank Diesel, Barb Filzen, Stuart Flake, Nora Franey, Jaime Griggs, Nancy Harriss, Beth Harvey, Mark Kaufman, Heather Kindseth, Janelle Kistner, Fiona Lamont, Caroline Lownds, Robin Meadows, Nichole McKay, Miranda Moss, Becky Nelson, Doug Rea, Jennie Rogers, Lizz Sable, Jessica St. Aoro, Bryan Stanning, Jocie Suess, Keiko Takahashi, Alan Tse, Yvonne Rieger Westrum and Andy Wood. Photoshopped and fontified by Andy Wood.
• Sauertwiggo (after Sauerkrauto (2000)), by Sarah Bloesch, Renita Breitenbucher, Martin Fredrikson Core (the Sauerkrauto designer), Chank Diesel, Curtis Dorschner, Anna Fonnier, K. Amelia Fredenberg, Ryan Gravito, Ted Halbur, Samantha Hollerman, Jeff Jensen, Peter Kowler, Ariana Louks, Tricia A. Martin, Jim Mathis, Rocky Mjos, Morgan Philippi, Laurie Phillips, Carolyn Porter, Camryn Schulte, Josh Wallace, Karri Wells, Kim Welter, Doug White, Nancy Whittlesey and Chad Zuleger. Photoshopped and fontified by Bret Petersen.

Aika

Chinese designer of the free compass-and-ruler sans typeface Term (2017). [Google] [More]  ⦿

Aiko Mizuno
[Classy Chicks]

[More]  ⦿

Aileen Lau
[StimulEye Fonts]

[More]  ⦿

Aim Creative

Indonesian designer of British (2019) and Rotterdam (2020: a signature font). [Google] [More]  ⦿

Aiman Azman

Designer of the geometric solid font Geomet (2020). [Google] [More]  ⦿

Ainezunouzu
[Akira Hayashi]

Akira Hayashi (Ainezunouzu) is the Japanese designer of the experimental Latin fonts UzuAutotwo, UzuBalloonO, UzuBalloon, UzuBiscuit, UzuBmp01_06 (pixel), UzuCheeseO, UzuCheese, UzuCracker and UzuRenga. He also made the handwritten kanji fonts UzuPen, UzuPencil, UzuKaku, UzuMaru, UzuFace, UzuOfTsuchiyaB, UzuOfTsuchiya, UzuFude. [Google] [More]  ⦿

Ainsifont

French digital type foundry, est. 2007, located in Lille. The type coop includes Stéphane Meurice, Xavier Meurice, Sébastien Delobel (the three founders), as well as Jérémie Perrin and Baptiste Servais.

Commercial fonts include these made by Atelier Télescopique: Stone Heure (2007, multiline), Ader, Bepierre (pixel), Beye (pixel), Birinte (experimental), Boureuse (an elegant geometric sans), Byme, Capulco, Ciceron (dot matrix), Delory (clean sans), Dicion (dot matrix), Dixca (pixel), Fisher, Fluo (2012-2014, a stencil font by Xavier Meurice and Sébastien Delobel), Hic, Kune (sans family), Lailuya, Lienne, Mentable (dot matrix), Mento (clean sans), Merik, Miante, Micale, Mulette, Naconda, Nalfabait (dings), Natomi (techno), Nibalsmith (ultra-fat), Norak, Normal, Peindice, Rabik (paperclip face), Raoul, Rijsel (2013, sans), Rondie (kitchen tile), Rubal, Scard, Screenex, Stone Heure (prismatic), Singolo, Sphiquesy, Steroid, Stuce, Tino, Tomica, Treen, Varo, Velinge (dings), Veu, Vrette, Vure, Yoli (dings), Xatif, Zofage.

Corporate typefaces by them include the Quechua family (for the sports company Quechua in Domancy, France), which consists of four typefaces, Bionnassay (for cross-country skiing), Forclaz (mountain hiking), Arpenaz (for recreational hiking) and Capcir (for Nordic skiing).

News. [Google] [More]  ⦿

Ainsifont (was: Atelier Telescopique, or: Fonderie Nordik)
[Xavier Meurice]

Fonderie Nordik was a French type foundry in Wasquehal near Lille, which published some fonts such as Tomica (2009, a geometric sans done for Wéo Télé Nord Pas de Calais), Le Dixca, Le Cicerond, LaNormal, La Lienne. Founded in 1998 by Xavier Meurice and Sébastien Delobel, it changed its name in 2007 to Atelier Telescopique and then to Ainsifont. Stéphane Meurice and Guillaume Berry are also involved.

Font list: Font list: Scard (2000, Xavier Meurice), Stonehenge, Dixca (free pixel font), Fish, Delory, Lienne (2001, with Delobel), Bizeau, Raoul, La Cidulée, Ader (Xavier Meurice, 2002), Tex (2002, pixel font by Xavier Meurice), Normale (free), PSUS (Xavier Meurisse, 2000), Bépierre, Péro, SV01 (dings), Cicerond (free dot matrix font), Réka (2001, Meurice and Delobel), Nuk, Stéroide, Rosoir (2002, Xavier Meurice, dingbats), Equinox, Acropik, Wazemmes, Kune, Stoneheure (2001, Xavier Meurice), Sphiquesie (Xavier Meurice, 2002, an octagonal font), Nyctalope (2002).

Xavier Meurice participates in the type cooperative Ainsifont in Lille. His typefaces there include:

• The rounded sans typeface Fluo (2012, with Stéphane Delobel).
• AF Singolo (2012, with Stéphane Delobel). A stencil typeface created for Lille Design.
• Mento (2015, with Stéphane Delobel). Original from 2007.
• Playtime (2012-2018). A stackable sans typeface by Xavier Meurice and Sébastien Delobel.
• Raoul (2007, with Stéphane Delobel). Original created for the Kursaal in Dunkirk, and named in honor of Lille-based singer Raoul de Godewarsvelde.
• Rubal (2011).
• Screenex.
• Stone Heure (2011). A prismatic typeface.

Ainur Fariz

Gresik, Indonesia-based designer (b. 1989) of the monolinear script typeface Amsterdam (2020) and the medium-contrast script Angelina (2020). [Google] [More]  ⦿

Aioku Fonts (was: Kung-Fu fonts, or: Superfunk.com)
[Mike Lecky]

Free fonts for PC and Mac made by Mike Lecky from Charlottetown, PEI, Canada. Mike Lecky's (mostly grunge) fonts: ATeam, Brad (glaz krak face), Bruce, BuddySystem, Class_of_74 (pixel font), Desi, DickSoup, EverCrash (extra thin LED font), Font, Funboy, Fruitsalad (pixel face), Jobats, Leck, Jet_Plane, Kevin Seconds, Losers, Mike_s_BigDay, Misfit, Rusty, WatchBreaker, Mark, Decline of the Western Civilization, Roadkill, x5, Brody (geometric font by Guilherme Capile!), Mark (grunge), Lou (handwriting), Kevin (handwriting).

Another URL.

Dafont link. [Google] [More]  ⦿

Aiokutype

A Japanese foundry? I have no clue. [Google] [More]  ⦿

Airbus: B612

B612 is a free Google font published in 2018 by a team of designers. They explain: B612 is a highly legible open source font family, designed and tested to be used on aircraft cockpit screens. Its design makes it particularly suitable for degraded contexts (ensuring legibility and readability of data), with a positive effect on reducing visual fatigue and cognitive load. Particular attention was given to the uniformity of the typeface, whether being used for isolated terms, reading information on a map, mixing capital letters and numbers, waypoint lists, long or abbreviated texts, specific terms and data in the aeronautical field. In 2010, Airbus initiated a research collaboration with ENAC and Université de Toulouse III on a prospective study to define and validate an aeronautical font: the challenge was to improve the display of textual data information on all cockpit screens, concerning more specifically legibility, readability and reading comfort, and to enhance the overall cockpit consistency. The typographical research was conducted through iterations from experimentation to design. Two years later, Airbus came to Intactile DESIGN in order to design and develop the eight variants of the font. Baptized B612 in reference to the imaginary asteroid of the aviator Antoine de Saint-Exupéry, the font has been optimised following a calligraphic approach, in order to preserve the readable qualities of humanist typefaces like réales and incises, but also the technical and functional image of sans serif or bitmap. B612 is a two-weight font family including roman and italic styles but also a monospaced variation, B612 Mono. It was designed in 2012 by Nicolas Chauveau, Thomas Paillot and Jonathan Favre-Lamarine from the design agency Intactile DESIGN, and Jean-Luc Vinot from ENAC (French National University of Civil Aviation) Interactive Informatics Team for Laurent Spaggiari from the Airbus Human Factors department---prior research by Jean-Luc Vinot (DGAC/DSNA) and Sylvie Athènes (Université de Toulouse III). In 2017, Airbus agreed to publish the font with an open source license (Eclipse Public License) within the Polarsys project, an industry-oriented project hosted by the Eclipse foundation. B612 project was awarded the Observeur du Design: Industry Star in 2018.

Github link for B612. Google Fonts link for B612 Mono. [Google] [More]  ⦿

Airotype Design

Bojonegoro, Indonesia-based designer (b. 1991) of Maretha Chellia (2019: calligraphic), Melly Thoughtie (2019), Kalimera (2019: a monoline script), The Chief (2019), Blackboard School (2019, +Awesome), Starglass (2019), Rosaline (2019), Lafentha (2019), Kilimanjaro (2019: a monoline script), Mephistica (2019), Sweet Corn (2019), Humming Affection (2019), Tetris Hollow (2019), Gabriello (2019: script) and Affection (2019: a fat finger font).

Typefaces from 2020: Sabanita, Lakeisha, Coffee Milkshake, Mylea, All Alyssa (an upright script). [Google] [More]  ⦿

Aiseft

Designers of the original typefaces Ancients (almost runic), Forixx (similar) and Cruxxed (with a bit of a Rennnie Mackintosh influence), all at FontStruct in 2008. [Google] [More]  ⦿

AisleOne
[Antonio Carusone]

Interesting graphic design and typography news and blog site by Antonio Carusone. His CV in his own words: Born in Queens, NY into a colorful Italian family, Antonio Carusone has been in the creative arts since he was a child. His early artistic talents led him to NYCs esteemed, High School of Art and Design, where he graduated in 1997. He then attended Pratt Institute in Brooklyn, NY and The Academy of Art College in San Francisco, where he studied Computer Animation. Currently Antonio resides in NYC, where he is a Senior Art Director at Ogilvy. Prior to Ogilvy he was an Art Director at Atmosphere BBDO where he worked on projects which have included Lays, Dial, Red Stripe, AOL, NFL, Gillette, Cingular, Audi, Verizon, and Bank of America. Type subpage. Commercial typefaces: Enotmik (2008, a monocase display typeface available in two weights, Light and Bold. Designed on a grid, Enotmik (2008) is made up of 90 and 45 degree angles). See also here. [Google] [More]  ⦿

A.J. Dimarucot

T-shirt artist in Pasig, Philippines. His typefaces:

• Maroons Type. A free octagonal sports font family developed over the years for the Fighting Maroons at the University of the Philippines by AJ Dimarucot, Joanna Malinis of Plus63 Design Co., and Dan Matutina of Plus63 Design Co. The most recent update was in 2019.
• In 2021, he published the free blackletter typeface Panata, which was inspired by a local religious movement.

A.J. Palmer
[A.J. Palmer fonts]

[More]  ⦿

A.J. Palmer fonts
[A.J. Palmer]

A.J. Palmer gives away his own TrueType font creations: Bookworm, Casual, Casual Tossed, Goofball, Pretzel, Roughage, Wacko, Yoinks. My favorites are Roughage (each character is bold hand-printed by repeating the strokes many times with a thin lead pencil), and the tipsy turvy Wacko. Alternate URL.

Fontspace link. Dafont link. [Google] [More]  ⦿

A.J. Trivino

During her studies at Mapua Institute of Techology in Manila, The Philippines, A.J. Trivino created the free sans typefaces Overgrow (2014) and Overgrow Thin (2014). [Google] [More]  ⦿

ajir

Designer of Riweuk (2010). [Google] [More]  ⦿

AJPT
[Alan Jay Prescott]

Pottstown (Philadelphia)-based designer and PostScript font hacker who ran Prescott Design and now Alan Jay Prescott Typography, but was also involved in other ventures such as the Black Walnut Winery. Originally from Greenfield, MA, he graduated from Saddleback College, and worked for some time as a typesetter in New York. He advertizes himself as a leader in PostScript Open Type Font development specializing in the revival of print-only letterforms into digital typographic materials. He operates as APT and more recently as AJPT. In 2019, he announced that he would stop making typefaces altogether. His work can be partitioned into time periods. For this reason, Prescott's oeuvre is split over several pages:

• His late period (2017-2019). In these three years, he showcased his work on Facebook, and was mainly involved in reving 19th century typefaces, about half of which were from the Victorian era. The annotations in the list below are quoted from Prescott's pages.
  • Absolution Cursive (2017). When I was a typesetter in New York City, I had one of the largest collections of typefaces from CompuGraphic's library available for setting. One of the faces I never used in two decades of work was a rather ungainly decorative font called Abel Cursive. Apparently it was designed by Bernie Abel (perhaps one of CompuGraphic's employees) and I'm not sure it got much use, since I don't recall seeing it anywhere except my type catalog. Before I sold my equipment and closed my business for good, I made a scan of every typeface at 72-point size that I owned for future development, if there ever came a time to work on something crazy like that. Most of those 2,000 scans were lost when I changed computers a long time ago, but Abel Cursive survived and I made a down-and-dirty mow-and-blow font back then. I have recently worked on it extensively to make it usable as a multilingual slightly redesigned font in OTF format. I would classify it is as neo-Victorian medium-contrast decorative italic. It is definitely an oddball and may never see use.
  • Algol (2017). Based on a scan from Dan X. Solo, Algol is a vastly expanded character set for Algernon, a typeface that clearly presages Machine and other "octics." I don't have any source material for the original design, but it may have been a Dan Solo original.
  • Aloysius and Aloysius Ornamented (2017). This is a digital revival of the original Algonquin, cut by J.F. Cumming in the late 1880s for the Dickinson Type Foundry in Boston. While this was not my most challenging project, it was a doozy.
  • Alpenhorn Roman (2017). Another oddball typeface is revived here, renamed from the design called Alpine by Henry Schuenemann for the Cleveland Type Foundry in the 1880s. Buried in the "gingerbread" of this weird face is technically a Latin serif, but otherwise it is an entirely unique letterform for which I had a heart soft enough to revive here in digital form.
  • Androgen Roman (2017). I know next to nothing about this ultra-geometric blackletter called Anderson that I found displayed in a Dan X. Solo catalog, but it is another oddball that is attractive and very simple to revive in digital format. It is one of those projects I would recommend to a beginning revivalist who wanted to cut his or her teeth on a moderate challenge after mastering some basic tools in font development software.
  • Angolan Text (2017). I found Angular Text in a Solo catalog and revived it as a digital font with diacritics and other characters for expanded typesetting possibilities. It was designed by Herman Ihlenburg in 1884 for MacKellar, Smiths & Jordan, which information I found in a link from Tom Cruz for a fellow named Toto who revived the font as well; he has several glyphs I do not have and I like his showing better. Interesting to see what others have done with the exact same typeface and scan and some research for tantalizing missing glyphs...kudos.
  • Antiochia Series (2017). This collection of typefaces represents a revival of several bold slab-serif wood types with the name Antique that are related. Their individual histories will follow at another time, but note that several here are useful derivatives that add to the variety of this letterform's impact.
  • Azurine Roman (2017). Azurine is a digital revival of a typeface known as Aztec, drawn by an unknown designer for the Union Type Foundry before 1889.
  • Beltane Roman (2017). The very complicated story behind the work on this revival is too long for this space (and perhaps too boring to most), but suffice it to say that this letterform started out in 1886 as drawn by the great Herman Ihlenburg as Artistic and assigned to MacKellar Smiths & Jordan. Dan Solo called this face Belmont but only showed caps and was suspect anyway. I was able to find specimens elsewhere and a motherlode of other interesting things in the Inland Printer. I developed my first full-featured OTF using this typeface and designed Greek and Cyrillic glyphs as well. I also fitted it out with a set of small caps to make a font that now has 4,000 glyphs for nearly every non-Asian language. To top it off, Robert Donona revived the decorative caps for this typeface, an excruciating task that I once considered for myself but was lucky enough to have this other crazy person take up. The number of hours dedicated between Robert and myself in reviving this complete series digitally is probably unprecedented.
  • Bernhard Swirl (2019). This is a digital revival of the letterform of the same name. It is equipped only with the upper case, an ampersand, a spacer dingbat and the numerals. The numerals are quirky, not only in design, but the fact that they seem to have been intended as old-style figures with the exception for the 4 and 7. Lucian Bernhard is either the designer of this limited-use typeface or inspired a reworking of his "wobbly" poster typefaces for which he is known as an innovator. I have reworked the scanned samples I had used as templates and drew them with a little more consistency than the originals to improve color on the page.
  • Bireme Roman (2017). Below is a digital revival of a typeface called Bijou. As I have come to understand, several people have revived this face already. It is similar to Flirt in many respects. I will update information as I come across it, but I wanted to post my version here for your appreciation.
  • Blackguard (2018). This is a digital revival of a typeface known as Black Cap. William E. Loy writes that Black Cap was designed and cut by Charles H. Beeler Jr. for MacKellar, Smiths & Jordan. The earliest-known commercial specimen was advertised in the January 1891 edition of The Inland Printer, so he probably created it in 1890.
  • Blackminster (2017). One of the more interesting treatments of blackletter forms in the 19th century is this beauty called Black No. 544 designed by Henry Brehmer in 1889, who assigned the rights to Bruce Type Foundry. Originally I was unable to locate certain key glyphs in this font, but they were graciously supplied by others in our crazy network of type geeks. More information on the people behind these projects will follow in other articles.
  • Bleak (2017). Bleak is a series based closely on a typeface called Stark. As with nearly all typeface names, there are several unrelated fonts developed in recent years that bear no resemblance to this gorgeous sans serif.
  • Brotherly Roman (2017). Among many "antiqued" letterforms developed in the late 19th century, Ben Franklin was offered by Keystone Type Foundry in Philadelphia. Several glyphs were missing from my best showing of the font, but I was luckily able to find them, as well as logotypes, two ornaments, several alternate characters and some punctuation. There had already been a digital revival of this typeface kicking around as shareware in the 1990s, but it was very poorly drawn and incomplete. I believe it has been rendered nicely and consistently here for posterity.
  • Busker Contour (2017). Burlesque was the name given by Solo to a typeface originating through Caslon or Figgins around 1843 and shown in German specimens a couple of years later.
  • Cane Gothic (2018). Cane Gothic was designed and cut by Edwin C. Ruthven c.1886; he patented it in March–April 1886 and assigned the rights to David Wolfe Bruce (son of George Bruce, holder of the first design patent in US history). The Bruce catalog number is unknown. The tradename Cane Gothic, an apt description of the caning patterned background, may have been assigned by Dan X. Solo, who had revived the face for his photo-lettering service, but it has previously been considered impossible for digitizing. Although the average character in this font contains something like 3,000 Bézier control points, it turned out to be doable once I figured out the original mathematics that Ruthven must have used to guide his design objectively. It is digitized for posterity and I thank Anna Allen once again for the patent specimen (No. 16,643) indicating, if extremely faintly, five missing glyphs from my otherwise excellent scan. Thus I've generated the border glyphs and a pound Sterling symbol to augment this letterform. As far as I can determine, this character set is complete, and I have generated three fonts in order to accommodate chromatic typesetting with very little effort.
  • Cantini Casual (2019). This is a digital revival of the typeface of the same name (or at least that is the name Solo gave it in the type specimen book from which it was scanned). It is a great example of the exuberant fancy characters that came to ascendance during the 1960s and 1970s. It is a medium-weight Latin italic with unusual decorative details in addition to crazy swash choices. I do not have any information on the history of this trippy face, but it is likely it was revived at some time in the recent past. It includes a large number of alternate glyphs as well.
  • Capulet (2017). This is a revival of a typeface called Caprice that was patented in 1888 by Arthur M. Barnhart and assigned to Barnhart Bros. & Spindler of Chicago. This letterform is a prime example of the explosion in design ideas occurring before the turn of the century, hundreds of which remain to be translated into digital format.
  • Carmenite Roman (2017). This beautiful digital revival covers a letterform drawn by the Bauer Type Foundry of Stuttgart, Germany sometime before 1896. It was originally called Carmen and has been referred to as Carmencita in the Solo books.
  • Centrum Text (2017). This is my digital revival of one of the more complex decorated blackletters, among my favorite and most difficult projects to work on and just finished today. It is identified as Celebration Text on p. 18 of Solo's "Gothic and Old English Alphabets." The lowercase for this letterform is also presented for two other typefaces, Testimonial Text and Innsbruck in his larger catalog, presenting some confusion. But I believe all three were drawn by the same designer, although I have no idea how old they are. The lowercase may simply have been used for all three decorated capitals, since they are a very good match. Intentional, who knows? It is a real beauty and I'm going to perhaps revive the other two in this triplet of great examples of decorated capitals.
  • Chapterhouse Roman (2017). This is an interesting typeface known as Ecclesiastic from Caslon around 1870. It was also known as Albion and Chapel Text No. 30. Most of those names were applied to completely unrelated designs, adding to the confusion that permeates typographic development and history to this day (and only gets worse over time). There are probably more alternate characters out there, but this is the best showing I could make with the resources I have and it is now available from me as a digital font.
  • Chapterhouse Roman (2017). This is an interesting typeface known as Ecclesiastic from Caslon around 1870. It was also known as Albion and Chapel Text No. 30. Most of those names were applied to completely unrelated designs, adding to the confusion that permeates typographic development and history to this day (and only gets worse over time). There are probably more alternate characters out there, but this is the best showing I could make with the resources I have and it is now available from me as a digital font.
  • Clarence Roman and Dotted (2017). Clarence Roman is a revival of Clown Alley and Clarence Dotted that of Cooktent (also called No. 515). Wood typeface Cooktent comes from W.H. Page before 1890 and the other looks to be a back-formation from it.
  • Commissioner Script (2017). The typeface known as Commercial Script was designed by Morris Fuller Benton in the early twentieth century and enjoyed widespread use for decades. There have been many variations from other foundries, varying mostly in contrast; but as far as I know there was ever only one rather bold weight produced. I have redesigned the letterforms for consistency on the way to producing the ten weights shown here. It is interesting to see the font in lighter weights that accentuate the beauty lurking in this standard, and the heavier weights to see that the design still holds up under even heavier lifting.
  • Courtesan Roman (2017). Among the dozens of wood types I have revived digitally is Courier, here called Courtesan. Many of these letterforms have been revived by others, all slightly different in their interpretations. More information on wood types will follow in articles I plan to write in the future on various areas of interest in the field of revival in particular and typography in general.
  • Cranston Ornamented (2017). This is one of the most difficult digital revivals I have worked on. It started as Crayon, another masterful design from the prolific Ihlenburg, available at MSJ in 1885. There are sister fonts in an Open and a Solid that differ slightly in design and will be available from me at some point in the future.
  • Creekside Playful and Calligrapic (2018). These are two digital casual scripts of my own creation based loosely on hand-drawn types from the 1950's. One is a calligraphic interpretation and the other is a more mono weight design that is a bit more slanted, both available for multi-language setting.
  • Criticism (2017). This is a digital revival of Critic, a typeface designed by William F. Capitain in the mid-1880s with rights assigned to Marder, Luse & Co. Several logotypes had been designed for this letterform and many alternate glyphs. I added a few of my own, as well as diacritic marks, for balance to this surprisingly modern face that can be rendered multilingually as well.
  • Crosby Roman (2017). This is a digital revival of the typeface known as University Text, designed in 1862 and shown by MacKellar, Smiths & Jordan in 1869 as Crosier. It was also known much later as Morningside. It is a stylized Latin with great charm.
  • Crossan Roman (2017). This is digital multilingual OTF revival of a typeface called Cross Gothic, another one of those unique, nearly unusable letterforms I adore. I got a million of 'em.
  • Cullane Roman (2017). Cullane is a digital revival of Herman Ihlenburg's Culdee, patented in 1885 and offered through MSJ. Others helped me scour the literature for missing glyphs and no one is sure we've got them all, but this is a wonderful showing of what we think is available until something randomly shows up in the future.
  • Currier (2018). J.B. Lieberman, Ph.D. identifies it as Deberny & Peignot Lettres Ombrés Ornés (ornamented shaded letters) and adds that it was originally cut by Gillé in 1820, thus making it one of the oldest typefaces I have revived digitally. It is an exuberantly decorated engraved shadowed heavy-weight Egyptian.
  • Danuvius (2017). Danube is the original name for this letterform, again found in a Solo catalog, and its links with medieval letterforms is obvious despite the trends toward modernization at the time it was first produced. I otherwise have no information on this face.
  • Devonian Roman (2017). This is a digital revival of a wood typeface known as DeVinne. More information updated later.
  • Dorothy Series (2017). The original Doric Chromatic was designed as a wood typeface and made its appearance in the United States in the 1850s, though it probably got its start in France in the 1840s according to Rob Roy Kelly.
  • Doughboy Roman (2017). This series of decorative caps is shown as Dodge City in Solo. I am not sure it is very old; it may very well have been a photographically slanted version of an older wood typeface in the Thunderbird category with flourishes added on at the same time. This has been revived before because of its simplicity, but I made my own version a little more consistent and they make attractive drop caps.
  • Enclave Roman and Expanded (2017). These two related digital revivals represent Enchorial in two versions. The roman came out of the Caslon Type Foundry in 1884 and was extremely popular (sometimes known as London). Petzendorfer showed the expanded Enchorial around 1903.
  • Esteban (2017). Esteban is an original design I developed around 2010, named after the recently deceased Esteban Arriaga, a leading seascape painter in the area of Málaga in Spain. It is a medium-contrast sans serif produced in nine weights plus italics. Currently it is available only for the Macintosh OS, but an OTF cross-platform font is anticipated.
  • Euclid, Euclid Initials,Euclastic, Elberon, Astral, and Auroral (2018). Elberon existed by November 1886 from Cleveland Type Foundry in The Inland Printer. Euclid (a lighter version of Elberon with a few different glyphs) is an obvious derivative from Illinois Type Founding Co. in Chicago in August 1890. Euclid appears with several Euclid Initials, a full sample of which appears as "Grant Iniitials" from Minnesota Typographic Co. Auroral (basically a shaded form of Elberon) appears in January 1887 from Central type foundry. Astral, also from Central type foundry, (the almost exact shading concept) whose base form is a condensed, heavier form than Euclid) appears in December 1886. Euclastic is my name for a complete set of weights, from a Hairline at the extreme end of lightness, through Black at the other extreme, using redesigned examples of Euclid and Elberon.
  • Farmerboy and Farmergirl (2017). Although these two typefaces have both been called Fargo in the past, they are distinctly not the same letterform despite sharing some characteristics. They are both probably late 1850s, early 1860s and some sources say they are German. In any case, two interesting oddballs with no usage in the last century-and-a-half are revived digitally by AJPT.
  • Fastidious Series (2017). The typeface known as Fashion started out in 1876 and was patented by Andrew Little for A.D. Farmer & Son. There are a total of five related typefaces in the same design: the prototype, condensed, ornamented, antique and extra-condensed. It turned out that the samples I had available when I originally revived these two were rather suspect and I have to consider going back to these and try to figure out what the "real" glyphs are. I believe that the Solo ornamental showing was rather a hatchet job on the base font, so I consider these two on hold pending further research, but they are interesting to view how they are so far.
  • Flare Serif Striped (2018). This is a digital revival of a face called Ornamented 1,079. This over-the-top candy-cane-with-curls design was created by Henry Brehmer, who patented it in December 1884–January 1885. The application was submitted and approved on the same days as Ornamented No. 1,077 (Hermann Ihlenburg), and the rights to both were assigned to David W. Bruce of the Bruce TF (New York) [USPTO D15748]. It was advertised in The Inland Printer of October 1885. Thanks again to Anna Allen Conroy for the background on Ornamented 1,079 and for the patent samples giving a good idea of the design of glyphs missing from the catalogs. I have produced AE and OE ligatures as well as a decent set of diacritical marks for setting in a few important languages, but it is not at OTF font at the moment and exists only as PostScript for Mac only.
  • Flippant Roman (2017). This fun font is a revival of a typeface known as Flirt. Although it has that 1960s feel, like many fonts popular then, I believe it has a much older pedigree. I will supply more information as I come across it. (There is currently an unrelated script font called Flirt on the market now, designed in 2009.)
  • Fusion (2017). i developed three weights (including small caps) for the popular typeface Futura, all of them lighter than the Futura Light that is widely available. You can never be too thin.
  • Gallantry Roman (2017). The earliest known specimen of the original Gazelle is found in the 1893 catalog of ATF in Cleveland and designed by Henry Schuenemann. This digital revival has multilingual capabilities and is quite unusual, demonstrating again the almost limitless possibilities of type design over the centuries.
  • Gamut (2017). The Gamut series of very condensed sans serifs is based on a wide range of typefaces that all began with the letter "G": Galaxy, Gable, Garfield, Giant, Gamma, etc. (Their italics began with the letter "E", perhaps to come at a later time). I produced these typefaces under the same name to keep them all in one place, all ten weights that are floating around somewhere undigitized until now. They are currently available from me as Mac-only fonts, but OTF may be developed over time. They are members of the large "family" of typefaces whose members can be difficult to separate, such as the Helveticas, Trade Gothics, Standard Gothics, etc. I believe this was a well-designed condensed face that has nice nuances.
  • Gironde and Gironde Extended (2017). Giraffe is the original name for this digital revival. It has been difficult to find a complete character set for this typeface, as I'm sure whatever existed in the roman also existed for the extended version. I revived what I could find, but it is a rather simple design and other characters can be imagined that are congruent with what is seen here. I'm not sure how much use these two oddball typefaces got in their time, but they were designed by Charles Beeler, Jr. in 1891for MacKellar , Smiths & Jordan.
  • Gothic Decorated (2018). This is my temporary name for the digital revival of a typeface once called Ornamented 1,078. In the past couple of weeks, I have revived the "ornamenteds" on either side of this number. I have no information on this other than that it appears in the Inland Printer of October 1885 from George Bruce's Son & Co. TF in New York City.
  • Goudy Flare Extra Bold (2019). This is a digital revival of another typeface in the Goudy superfamily, titled originally as simply Goudy Flare. I don't know the provenance of this particular letterform, but it was found in a Solo publication and could very well be one of his own creations, since I have never seen it used in print. It turns out that this is a modification of Goudy Old Style Extra Bold, and so I was able to find a suitable digitized version that matched the base forms very closely and modified the existing characters to accommodate these rather simple swashes. A reader added: "Goudy Flair was created by Mr. Phil Martin of Alphabet Innovations, that is he took Goudy Extra Bold and added swashes to this."
  • Goudy Long Fancy (2019). This is a digital revival of the typeface of the same name, again another addition to the large Goudy family. There is a tremendous selection of swashes and alternate characters in this font, especially the upper case. It is an extra bold italic Goudy whose slant is less steep than normal for this family. There are no figures or punctuation provided for this letterform; those provided in the scan from which I worked were incorrect, and possibly back-formations from a different Goudy, so they were not produced for this version.
  • Goudy Swash Heavy Italic (2019). This is a digital revival of the typeface of the same name. There are literally hundreds of revivals of letterforms in the Goudy "family" of typefaces. Nearly every foundry has produced its own version of this popular form, with many nuances between them. There are many weights, italics, various alternate characters and swashes galore, but I haven't seen a revival of this particular set of gorgeous swashes and alternates. Thus, I worked on very good printed samples, perhaps from a photolettering catalog half a century ago.
  • Goudytype Antique (2019). This is digital revival of a typeface designated as Goudytype in a Solo catalog, with a slight twist. There is no punctuation for this font, but several nice swash alternates, a dollar sign and an ampersand. I decided to draw this as an "antique," because the ink spread in the original lent itself to this sort of treatment. Although a bit tedious, it can be used in the same way as other faces, such as Packard, Benjamin Franklin, Caslon Antique, Papyrus (heaven forbid) and others. Although one would assume this is in the Goudy superfamily, there are some characteristics that set it apart. The stresses and some other features are rather reminiscent of Palatino. And the slant is so slight as to make it unlike both typefaces' italics.
  • Gracile (2019). Gracile is based closely on Greyhound Script, but has been expanded and standardized to include weights on either side of the two available in Solo. It is a semi script, since not all characters can be joined, and thus has a more casual feel. It is a strictly monoweight letterform in all six stroke thicknesses, with several alternate glyphs. There are digital versions in two medium strokes available from others, but those I was able to locate are rather poorly realized despite having diacritical marks for foreign languages. They can readily be designed and added to my interpretations, but I have chosen to do this later if anyone requires them.
  • Griego Wood Series (2017). Several typefaces classified as Grecian were produced in wood for large sizes. Here I show Full Faced (William Page, 1859); Condensed and X Condensed (Wells & Webb/L. Johnson, 1846); X Condensed Bold (probably handmade, Nebraska, before 1885), and XX Condensed (John Cooley, 1859). I had revived some of these digitally years ago, but I revisited them recently and gave them a real facelift. They have undoubtedly been revived before because of their relative simplicity.
  • Grosgrain (2017). This is a revival of a typeface called Grotesque No. 120. The lineage of the most famous typeface in the world, Helvetica (and, sort of, Arial) is evident in the early "grotesques." Although there are distinct differences in many of the characters of this very light typeface designed for mostly display use with alternate flourished glyphs, its resemblance to the later sans serifs of the twentieth century is striking. Marder, Luse & Co. of Chicago shows this face in 1885. Another similar typeface from around the same time called Circular Gothic is even closer to the Helveticas and derivatives of today. The alternate characters are revived from the sister font called Grotesque Fancy.
  • Grounded Series (2017). I have revived Abramesque again, this time in congruence with the series from which it originated, thus it is called Grounded Ornamented. The original types started with Gothic Rounded. There was a Roman, an Outline, an Open and an Ornamented. The story behind these beauties is (as usual) too long, but briefly, information from Anna Allen: Old Bowery and Abramesque were originally called Rounded Open and Rounded Ornamented and have led interesting lives. Nicolette Gray identifies them with Caslon c1844. As a teenager, Rounded Open visited the Bruce TF (c1854), where she was called Ornamented No. 1007. After a suspected Bruce facelift as Gothic Round Shaded (≤1869), she was reintroduced by ATF as Old Bowery in 1933. McGrew writes, “Old Bowery is an ATF revival, in 1933 and again in 1949, of Round Shade No. 2, originated by Bruce , one of its predecessor companies, about 1854, as Ornamented No. 1007.“ Only an ornamented version, different from Abramesque and not illustrated by Gray, is shown in Bruce 1856. At a recent Oak Knoll event, Nick Sherman shot a photo of the page in Caslon's 1844 catalog showing Rounded, the solid prototype of these faces (not documented by Gray) and shared it at flickr.com. Albert-Jan Pool (designer of DIN and keen historian of sans-serif faces) observed that the footer is dated “September 1836,” so it was reprinted (probably as a stereotyped page) from an earlier Caslon publication. Until then, the earliest specimen examined by THP is shown in Caslon 1841. All agree that, so far, it is the earliest-known rounded sans-serif face in history—and this pleasingly plump family of three is as appealing today as ever! Of a very similar wood-type face tradenamed Gothic Round, Kelly reports: “First shown by George Nesbitt in his 1838 specimens. … The Nesbitt design was an Outlined or Rimmed Gothic Round. The Caslon Foundry issued several Gothic Round designs, of which an ornamented one (Abramesque), in particular, came into general usage in America around mid-century.” George Nesbittt, a New York printer, distributed wood types produced by Edwin Allen (Windham, CT ). Sherman adds that “Miguel Sousa at Adobe is in the process of making a digital revival of this face (Gothic Round|Old Bowery) for the Hamilton Wood Type Foundry.”
  • Heraldry Roman (2017). This is a digital revival of a typeface called Heraldic, patented by John K. Rogers in 1880, an agent of the Boston Type Foundry.
  • Hinterland (2017). Attached is a revival of an exuberant, heavy sans serif called Hibernian in Solo's catalogs. I've included alternate glyphs that I know of, but there may be some floating out there somewhere. The origin of this typeface is obscure, but there is some evidence it may have been from Genzsch & Heyse around 1893 according to one knowledgeable source.
  • Hopscotch Roman (2017). Hopscotch is a revival of a wood typeface known as Hopkins.
  • Jackdaw (+Open) (2017). This is a revival of a wood typeface known as Jackpot in Solo's catalogs, but was originally named Tuscan Shade No. 1. I have also produced a derivative called Jackdaw Open. Otherwise, I have little information on this bizarre beauty.
  • Jeffers Contour (2017). Another decorative cap discovered as Jeffrey in a Solo catalog has been digitally revived here.
  • Jeremiad (2018). A digital revival of Jenson Old Style, a typeface cut by Hamilton with the permission of American Type Founders in 1906. It has undoubtedly been revived before, as many wood types already have, but this is my interpretation and has been given a measure of consistency without losing its charm. I post this now, but it was produced a couple of years ago and I overlooked posting
  • Joshua Contour (2017). I found a rather odd display typeface called Joseph in a Solo catalog, and it seems not to have a history longer than that, so who knows?
  • Juvenilia Roman (2018). Juvenilia is a revival of a semiserif medium-weight typeface called Jumbo. Anna Allen's description follows: This slick stylized sans serif was designed and patented by Ernst Lauschke in 1887; he assigned the rights to Arthur M. and Alson E.Barnhart. This letterform is very unusual in having the tops of the characters generally devoid of the expected serif. Overall the design has medium contrast, which would be expected of a serif face. Several characters reflect missal-style influences (e.g. T, M), which was common for the time, but they are sprinkled in with standard types. The ampersand is influenced by wood types of the era. It is a distinctly odd species, another Lauschke innovation and unique.
  • Katy Beth (2017). I discovered in the Inland Printer typefaces called Katherine and Elizabeth that were identical to each other and I was able to piece together a complete set of glyphs between the two to make a full digital revival.
  • Kodiak (2017). Kodiak is a revival of Komet, an exuberant calligraphic sans serif produced by Roos & Junge Type Foundry around 1902
  • Latchkey Roman (2018). This is a digital revival of Lattice, a face designed by Carl/Charles E.Heyer (1841 Berlin–1897 Chicago). He patented it in October–December 1883 and assigned the rights to Arthur M. and Alson E. Barnhart by name (the firm was not yet incorporated). Among other things, his unique hooked C was probably inspired by the hint of a hook in Copley (a sign-painter face dated before or in 1877 and cut by J.F. Cumming in 1881-1884). As Heyer's talent flourished at BBS (Chicago, 1868–1929), he led his new employer from one loathed by traditional TFs for bartering stolen designs for newspaper advertising space to one at the forefront of truly innovative display types. In the history of this TF historically regarded as great, he conceived at least 50% of their designs. Thanks to Anna Allen for the background on Lattice. Thanks to Dan X. Solo for the complete specimen, which although inconsistent and ink-heavy for some characters, was complete as far as I know. I have substantially reworked this typeface to bring a consistency for modern-day typesetting, but it is entirely faithful to the original cutting. Several of the characters are adventurous for their time (the C and ampersand, for example).
  • Latin Fancy (2018). The Latin Fancy Engraved Shade version of these three fonts (the two others are derivatives) started life as Ornamented No. 1,077. Thanks again to Anna for the research that follows and for a patent specimen that gave a very rough idea of glyphs that did not appear in the catalog showings. It has ben digitally revived for posterity and is available for now as Mac-only. It appeared in October 1885 in the Inland Printer. Herman Ihlenburg, usually associated with MacKellar, Smiths & Jordan (Philadelphia), designed and cut this sizzling all-caps Latin face for the Bruce TF (New York). The patent application, submitted and approved on the same days as the one for Ornamented No. 1,079 (Brehmer), was likewise assigned to David W. Bruce (New York) [USPTO D15752]. A caveat for purists out there: The "A" has been drawn to compensate for a cutting or design error that appears in all examined versions of the typeface. No alternate has been provided for the misdrawn A.
  • Lipo Caps Series (2017). Lipo Caps is a typeface series whose members are related in the sense that they have never existed as digital fonts (as far as I know), they are hand-lettered (probably by the same person), they were unlikely ever to have been developed as typefaces at the time they were drawn, and they were found in the same publication of bizarre letterforms. I have given them consistency without sacrificing the hand-drawn qualities and produced two versions of each one that I found, five fonts altogether (with "undecorated" versions as the lower-case keystrokes in each case). It is interesting to see great drawing technique that nevertheless never resulted into typography until now.
  • Livornese Roman (2018). This is a digital revival of Livonia, an art nouveau-inspired typeface for which I have no information. There is a full set of alphanumerics, but no punctuation. It is a monoweight bold condensed sans serif with minimal descenders and an x-height that is at the maximum allowed visual percentage of cap height. This is another example of a face I revived in the 1990s but has been tightened up considerably for consistency and professional typesetting.
  • Lubricious (2018). This strictly monoweight rounded sans serif typeface was referred to as Lute Medium in a Dan X. Solo publication, but I otherwise have no information on this letterform. It is influenced by the Art Nouveau movement and I have drawn a plausible Light and Bold as well; it seems that either one or both must have existed if it was referred to as a medium and I have made a rough guess as to the stroke weight. I think this face is quite pretty and has several innovations that are not over the top.
  • Luring Series (2017). Luring is a faithful rendition of MacKellar , Smiths & Jordan's Luray and patented by Charles H. Beeler around the mid-1880s. Because the lining work in each was different depending on the point size of the metal type used (in order to achieve the same visual "grayness" when printed), I have developed each of these in such a way that when the same size is selected for each font, the optimal relative size is actually produced. The same technique was used for the equally challenging typeface called Tinted.
  • Luscious (2017). This is a revival of a typeface called Lulubelle found in Solo's catalogs. It has been rendered in 7 weights, several of which correspond to known weights of this interesting sans serif condensed Art Deco-influenced letterform.
  • Maggie Tried (2018). This is my digital revival (there have been others) of a typeface called Margit. According to sources I believe to be reliable, it was designed in 1969 by Phil Martin. An inquiry from a follower of this page generated a look back at a face I had once revived in the 1990s, but it was not as well-rendered as it could have been. I started from scratch and brought it back to life in a way more congruent with my current skills. It is a lovely example of letterforms developed in the late 1960s and early 1970s.
  • Maltic (2018). In the six original sizes advertised and an additional three sizes to fill the gaps: This is a revival of the typeface by the same name, since it may not have been patented or trademarked by anyone until further notice. This typeface may never have been used and certainly is rather odd, but it can be seen that it must be one of the oldest forerunners of typefaces that were built from discrete "pieces" into a dot pattern, presaging the use of pixelation on monitors a hundred years later, as well as many other examples of typefaces built from pixels, dots, rectangles, stars and numerous other doodads and dingbats. In this case, the strict grid is violated for diagonals and many other interesting work-arounds; there are actually three different shapes used to build this geometric sans serif letterform. Information by Anna Allen: "Maltic is an interesting sans-serif face built from geometric motifs, was shown by the Illinois Type Foundry in The Inland Printer edition of December 1886. The specimen is marked patented, but extensive THP research finds no verification of this claim. This typeface is a complete mystery to me, as is the Illinois TF [Chicago, 1872–1892]… Annenberg (who bewails the lack of history details) reports that it was originally a distributor for the BruceTF (New York) and no record exists of any types that were originated by the Illinois Type Foundry. A showing of ornamental borders in the August 1890 edition of The Inland Printer advertises that they were Western Agents for Conner (New York) types as well."
  • Margarethe (2017). It is hard to believe, but the original typeface was shown by Eduard Haenel (Berlin) in 1847 and was later adopted by American type houses. Eventually it was called Marble Heart, but most samples show only the upper case. Eventually I was ably to put together a large character set for multilingual setting after a rare, complete lower case specimen was discovered. This digital revival also covers typefaces variously known as Ornamented No. 11, 13 and 33. It is an early forerunner of faces known as grotesques (sans serifs that resemble Helvetica, Standard Gothic, etc.) This is another very difficult drawing exercise, but made all the more enjoyable after valuable sleuthing for missing glyphs by Anna at Type Heritage Project.
  • Minster (2018). Minster was yet another style ground-breaker by Herman Ihlenburg, who patented the design in May–June, 1878 with assignment to MacKellar, Smiths & Jordan. This rimmed dual-case ornamented Latin beauty was consistently shown by MSJ and by ATF as late as 1897. It was also distributed by the Franklin TF (Cincinnati) [aka Allison & Smith]. Charles H. Smith, foreman, was the son of Lawrence Johnson's former partner (Johnson & Smith, 1833–1843). It has been digitally revived for posterity and took about two weeks to produce the full set of glyphs. Thanks to J. Choi and Anna Allen for very good specimens of printed materials.
  • Molto (Fiorito, Ombreggiato and Nero) (2018). Molto Fiorito is a digital revival of MoléFoliate, whose history below has been researched by Anna Allen. Ombreggiato is a derivative with just the shadow, and Nero is the central characters adapted for separate setting, Bodoni or Didone letterform with high contrast and thin slab serifs. It has been produced in multiple sub-fonts for a wide variety of pin-register multicolor setting. Researching the topic on Fonderie Générale (Paris, 1834–1912) raised some perplexing questions about the history of this famous ornamented Didone. Twentieth-century historians attribute the design to Joseph Moléin c1819. Indeed, the conservative styling is compatible with fonts intended for title pages of scholarly and literary books, mainstay of the publishing industry during this period. The 1835 catalog issued by Tarbé (Molés successor) states that text, titling and display faces are offered therein. Even so, none resembling MoléFoliate is shown by any Molésuccessor in five digital specimen books dated 1835–1896. On the contrary, surface ornamentation is limited almost exclusively to Tuscans and Egyptians. Jaspert et al. (2001) note the then-current letterpress font source as Stephenson Blake & Co. Ltd. (Sheffield). Millington explains that the face was "redrawn by S.L. Hartz from a design by the Parisian typefounder Molé". Sem L. Hartz was associated with the Enschedé TF (Haarlem). SB introduced it in 1958 as "An Exotic Display Type". Did Molétransfer rights to this design before Tarbé's acquisition in 1835? If so: to SB? Enschedé? Another TF in existence at the time? Did Moléhimself design the leafy ornamentation attributed to him today? Or… Did Hartz superimpose his own concept on the surface of a MoléDidone roman? An anonymous developer digitized free revivals of this font and a matching plain one in 1997. They are difficult to find now [and are poorly executed].
  • Montrose Roman (2017). Montrose is a display typeface with many interesting features, an example of numerous "banner style" letterforms produced at the time, such as Stephen Ornate and Arboret. It was called Motto (a design claimed by John P. Rogers for the Boston Type Foundry in 1879) and I understand there is still a typesetter who has the original metal matrices. Mine was produced from rather poor scans, so some interpretation was necessary. It came out quite nicely, but not quite exacting enough for some standards. It is definitely of historical interest.
  • Moocher Roman and Moocher Open (2018). These digital revivals are based on Moorish and Moorish Open as described below: Moorish was designed, cut and patented by German immigrants Julius Schmohl and Ernst Lauschke, who assigned the rights to Barnhart Brothers & Spindler in April–May 1891. Commercial specimens consistently showed Moorish Open on the same page or in a spread. As advertised, this handsome stylized Latin was meant for multi-color effects.
  • Morton Roman (2017). It is plausible for reasons too long to explain here that Ludwig S. Ipsen of Boston designed the typeface known as Mother Hubbard sometime before 1886 when it was offered by Dickinson Type Foundry. There were numerous swashes and alternate characters for this typeface, and I'm certain some will never be discovered. (The unadorned caps of this font bear a close resemblance to Monopol from Petzendorfer in 1903 and I have heard a rumor that a lower case alphabet was designed in modern times. As with many typefaces, the stories behind the letters are sometimes fascinating to those who are interested to know more.)
  • Muralla Text (2017). This is a digital revival of Music Hall text. I have no information about it except that it appears in one of Dan X. Solo's publications, but it is quite pretty. Robert Donona added: "This was called Teuton Text, shown in MacKellar, Smiths & Jordan type specimen books, it is also shown in the 1898 book entitled Shriftatlas by Ludwig Pfetzendorfer of German and also shown in some German Printing periodicals entitled Archiv für Buchdruckerkunst by Alexander Waldow, this publication ran from 1864 to the early 20th century."
  • Mystica (2019). Mystica was found in a Dan Solo publication on swash alphabets. It consists of the upper and lower case only, but is a very pretty example of a slightly quirky calligraphic letterform that appears to have been hand-drawn. There are several features that I retained when digitizing, and there are others I standardized without sacrificing the overall feel. I'm not sure whether this was ever really a typeface; until now it probably would have been classified as ephemera.
  • National Pride (2018). This is a digital revival of a typeface known as National or National Gothic that is surprisingly old, and more surprisingly, not digitized until now despite being a rather obvious project. It was completed a few weeks ago, but it required a little massaging to get a few parameters more in line with afterthoughts I had. Thanks to Anna again for research and some good specimens to go with mine. In his correspondence with William E. Lo , German immigrant Julius Herriet Sr. (then in his 80s, with a life-long career in type design/cutting) recalled producing this face during the few years he worked in Philadelphia. As was customary at the time, his boss, the "hyper-active" Lawrence Johnson, patented it in 1856 [USPTO D760]. Johnson's patent affidavit explains that the design was geared to chromatic separations for printing with blue and red inks with white paper as the third color. What a great idea 150+ years later! Incidentally… It is said that Mr. Johnson [1801-1860] "worked himself to death." In the process, he promoted three of his employees to partners and groomed them to succeed him: Thomas MacKellar, John F. Smith and Richard Smith (sons of his first partner, Johnson & Smith). Together with Peter A. Jordan (the CFO of his time), these men built on Johnson's foundation to become the "largest and most celebrated type foundry in the world."
  • New Orange (2017). New Orange is a revival of a typeface called New Orleans but originally called Romantiques No. 3 in catalogs from the 19th century. The Decorated is the original design and the roman is one I created for special interest. Like many of these decorative typefaces from the 19th century, they can be produced as dual fonts for chromatic separations on special request.
  • Nile (2017). Nile is an original work based loosely on typefaces called Egyptians, particularly that of VGC. I've greatly expanded the possibilities of this letterform by generating 8 weights with accompanying italics and small caps, suitable for a wide range of languages as well as English, both text and display.
  • Nova Sandra Script (2017). Novelty Script has been revived as Nova Sandra. I've produced the typeface as an Extra Light, Light, Roman, Medium, Bold, Extra Bold and Black. (The Bold is a revival of the Novelty Script available from specimens.) The six other weights were added as an extra-special challenge. It is a beautiful connected script that has many unusual quirks unique to this design. There are several alternate characters and I have supplied a full set of “beginning forms” as well. I have also created a reasonable set of punctuation that did not exist in the original. It is a connected script, and therefore, one of the most difficult projects to undertake.
  • Octic Latin Drop Shade (2018). This is my digital revival of a typeface that started out life around 1884 at Illinois Type-Founding as Octagon Shaded. Several typefaces over the years have had "Octagon" somewhere in their name, but this is really an octic Latin with distinctive features such as a certain curviness where one would expect linearity, so not a true octagon type, and it in any case has a Latin serif, which was itself applied differently in later Latin designs. It has a wonderful drop shade that gives it great depth. There is no known lowercase for this font and the showing in Inland Printer was nearly complete.
  • Octuple (2017). This is a digital revival of a very old wood typeface called Octagon, which seems to have been first shown by George Nesbitt in specimens from 1838, believed to have its origins in France.
  • Partisan Ornamented (2017). One of the most challenging projects I've undertaken in the digital preservation of antique letterforms is this remarkable typeface that started off as a reference to "French 1838" and what Figgins showed as Parisian in 1843. Johnson & Smith showed it as Ornamented in 1841, but it was also known elsewhere as Dandy and Ornate No. 6. The principal trouble (beyond the sheer work involved in reviving this monster) lies in assembling anything like a complete character set. Showings in catalogs for nearly all typefaces have been several letters and perhaps a figure or two, but it is often impossible to get enough glyphs from even a dozen showings; Q, X, Z, J are commonly not shown. I revived the letter N to see whether it was even feasible to start the project and estimated it would take two months to complete, even if the missing letters could be found. Beyond my wildest dreams, several people were able to track down every missing letter and even the numerals and the AE and OE ligatures, in varying degrees of resolution from ancient catalogs. I was able to generate this type over many enjoyable, hellish hours.
  • Pattycake Condensed (2017). Attached is a digital revival of a lovely monoweight casual serif font called Pastel Condensed. I have seen revivals of this typeface, but I believe mine is a more complete and consistent version, and includes diacritical characters for setting in a wide variety of languages.
  • Paymaster Roman (2017). This wood typeface was called Painter's Roman and cut by both Page and Wells, being made available in the 1870s. It was revived a while ago by a major font developer with many glyphs added, but my cut retains some of the quirkiness of the sample I had available from Rob Roy Kelly's masterpiece, American Wood Type 1828–1900. Its numerous specimens are the source of many of my wood type digitizations.
  • Pencilings (2018). Pencilings has been digitally revived in three versions known to exist. Pencilings One was originally shown as Paragon Pencilings. Pencilings Two was originally shown as Paragon Pencilings No. 2 and uses the same caps as Pencilings with the lower case characters at 75% the size of No. 1 and with different cuts; both showings have several ligatures and alternates. Pencilings Three is a rendition of Solo's version, which was much heavier and was shown in "Grunge Alphabets" on page 65. The alphabet I scanned for One and Two is shown by Marder, Luse & Co., January 1885 in The Inland Printer. This is a lovely if somewhat inconsistent example of early explorations of typefaces that mimicked handwriting, particularly printing as opposed to calligraphy or penmanship. As such, these irregular examples are sometimes called casuals, a large group that includes brushes and bounces.
  • Pisa Semiscript (2017). A seldom-used font available from Bitstream, Piranesi Italic is nevertheless a lovely letterform whose designer I do not know. I have discovered that there was also a bolder version at some time in the past, but have never seen it except in type catalogs existing before digital typography, so quite rare. Despite its being called an italic, there never was a "Piranesi Roman." I have produced nine weights, both lighter and heavier than the original, completely redrawn for consistency and available in OpenType PostScript multilingual cross-platform fonts.
  • Precocious (2017). Preciosa was the original name for this little gem and it dates from around 1898 from Bauer & Co. in Stuttgart. It has been fonted before as freeware from Klaus Johansen of Svendborg, Denmark, but did not include lowercase. I'm not quite sure the lowercase I came across is the one designed for that face, as it comes from a Solo catalog, and occasionally he used lowercase alphabets from other faces to accompany his perhaps all-caps blackletter fonts, so who knows? More on that subject later as I revive a couple other drop-cap Gothic beauties whose lowercase characters are the same.
  • Protagonist (2018). This series is a digital revival of a face known as Program. Thanks to Anna Allen for the following research as well as a few critical scans from materials I didn't have in my possession: According to William E. Loy, this typewriter-like Egyptian was designed and cut by William F. Capitain [1851–1915]. Carl Müler, an executive of Marder, Luse & Co. (Capitain's employer since November 1874), patented the design in November 1881–April 1882 and assigned the rights to [USPTO D13862]. Contrary to USPTO regulations effective in 1874, he got away with identifying the intended commercial tradename. It was advertised in The Inland Printer of April 1885. In February–May 1885, Capitain himself patented Inclined Program, a dual-case back-slant derivative [USPTO D161054]. Like Program, it was shown in the Marder, Luse catalogs issued in 1889 and 1890. Unlike Müler, he retained the rights.
  • Rochelle (2017). This series is intended as an extension of Herb Lubalin's 1970 creation, Ronda. It has always been available in several weights, but I extended the utility of this face to some lighter forms as well as the inclusion of small caps (except in the bold).
  • Rose Madder (2017). This is another example of reviving a letterform that may never have been a typeface. It was found unnamed in Carol Belanger Grafton's "Bizarre & Ornamental Alphabets" on pp. 96–97.
  • Rosemary Series (2017). Rosemary is a revival of various Roman woods found in "100 Wood Type Alphabets," by Rob Roy Kelly. Ornamented (p. 230) first shown by George F. Nesbitt in 1838 specimens (Shadow and Expanded are derivatives); X Condensed (p. 234) same Nesbitt; Condensed (p. 233) same; Extended (p. 231) same; Roman (p. 232) first shown by Darius Wells 1828.
  • Ruinous Titling (2018). This is a digital revival of a face called Parable that appears in one of Dan X. Solo's publications. It would be strange if no one has revived this face, and I do so solely as a demonstration of how it is that people get into doing the sort of work I do, even as an occasional hobby and nothing more. With the right software and a little determination to learn something new, the average person can produce a typeface in a few hours, albeit one this simple and lacking anything more than the capital letters. It whets a lot of folks' appetites for something more challenging, but rarely ending up where I am at a level of astonishing self-inflicted pain! The typeface was less than two hours from turning on the scanner, through drawing and spacing to a usable font.
  • Rye Roman (2017). This is a digital revival of a typeface identified as Ryan Jackson on p. 85 of Solo's "Victorian Display Alphabets," but I have found no other reference so far as to its origins before that publication. Technically, it is a moderately decorated low-contrast Latin.
  • Saluzzo font (2017)> Giambattista Bodoni, one of the first rockstars of typography and printing, flourished in the latter half of the eighteenth century in Parma, Italy. His fans included Benjamin Franklin, Napoleon and Pope Pius VII. The typeface we know as Bodoni has been developed by numerous foundries, particularly in the late twentieth century, no two of which are identical. It has generally been drawn as a high-contrast serif and was itself based on some of the transitional forms originating in Baskerville's studios at the time Bodoni ran his printing business. I have developed a unique Bodoni myself, slightly lower in contrast to render it more readable at smaller sizes. I have produced the letterform in Open Type PostScript format for cross-platform use in eleven different weights, italics and small caps (in the roman only), for a total of 33 multilingual fonts. Saluzzo is named for Bodoni's birthplace in Italy.
  • Santa Claus (2018). This is a self-named digital revival of Santa Claus and Santa Claus Initials, both No. 1 and No. 2. This irresistible pair of fun faces was introduced by Central TF in the December 1885 edition of The Inland Printer. A patent pending notice was displayed in at least one commercial specimen; no such patent exists and none was claimed in the post-ATF catalog issued by the Central /Boston TFs in 1892. According to policies of the US Patent and Trademark Office in effect at the time, Santa Claus was positively new, novel and non-obvious and absolutely worthy of a design patent. No approved applications for design patents were filed by Central executives nor assigned by others after 1886. Apparently this notice was of the "beware of the (non-existent) dog" variety. The designer is unknown. William E. Loy does not account for Santa Claus in his biographies of Gustave F. Schroeder or Nicholas J. Werner, Central's staff type designers/punch-cutters until 1889, when they partnered an independent business. In 1891, Schroeder moved to California; he and Werner continued to contract design commissions from Central and other clients.
  • Saprophyte Roman (2018). Saprophyte is a digital revival of a typeface that started out as Ornamented No. 1060. Thanks to Anna Allen for the commentary on its provenance. This Latin gingerbread face was designed and patented by Julius Herriet, Sr. in 1878–1879. He assigned the rights to David Wolfe Bruce , the last family member involved with the Bruce TF. After the USPTO established the trademark division in 1870–1874, the Bruce TF switched from naming its new faces to numbering them. Presumably, this expedient circumvented payment of additional attorney and registration fees. The name Safari may have been dubbed by Dan X. Solo. Those comparing my version with Solo's and the patent specimen will find there to be discrepancies with Solo. The patent specimen was poor but indicated significant changes that occurred by the time Solo had samples. I went as best I could by indications from the patent application of 1878 in regards to overall form and design and had to rely on Solo for only several details. It is my creation based on the information I have available and is nevertheless stunning and unique.
  • Shifty Wide (2017). Shifty is a revival of a typeface identified as Shimmer Wide in Solo's "Victorian Display Alphabets," p. 88. I don't otherwise know the origin of this letterform, but because of its regularity I don't believe this was a wood type, or at least the version I'm seeing comes from a metal face that may have been based on a wood design. There is a resemblance to Antique Tuscan No. 1, a wood face from the 1850s.
  • Snitch Script (2017). Based squarely on one of the most familiar scripts, Snell Roundhand, my version has several major design changes. Charles Snell developed this letterform many decades ago and it was translated by Matthew Carter into phototype in the mid-1960s with a total of three weights made available. I have developed a total of 12 weights of this very difficult connected script, all the way from a Hairline to an Extra Black, beyond the ranges previously available—keeping in mind that this form has some very different glyphs in place of the originals, and quite a bit of standardizing in ways the original designer would perhaps find offensive. But I love it, so there.
  • Solomonic, Cliffhanger and Deerfield (2017). I revived Solar, Climax and Dearborn Initials consecutively, since they had been shown in many catalogs adjacent to one another and were offered by Barnhart Brothers & Spindler in the late 1880s. They are decidedly modern-looking display faces, and as I always say, all of our best ideas were stolen by designers of the past!
  • Spiral Swash (2019). This is a digital revival of the typeface of the same name, found in one of Solo's publications. Technically it is a higher-contrast extra-bold, wide, extreme flare-serif with ball swashes. It is reminiscent of the Euclids I revived last year and would work well as drop caps with the entire range of undecorated forms from that revival. It is equipped with a very nice range of alternate characters, but there is no punctuation supplied. I don't know the designer of this face or the time period, but it looks to be something that would have appeared in a photolettering catalog in the late 1960s and early 1970s.
  • Springfield Roman (2017). This is a revival of a previously undigitized typeface called Spangle in some catalogs but has been also named Uncle Sam, Carnet de Bal, Ornate No. 3, Ornamented No. 851 and Romantiques No. 1; which demonstrates with one font the tremendous problem in type identification. In any case, it's hard to believe this was designed in the 1830s by Laurent & de Berny of Paris, calling it Ornamented No. 1071.
  • Sprinkle Roman (2017). Based on the original typeface called Spring, this is a display letterform that I digitized a few years ago from one of Dan X. Solo's catalogs. It is notable for containing a huge number of alternate characters that make it a lot of fun to work with for a distinctly retro feel. Also called Bonaparte by Photo-Lettering, and Radiant Flair by OptiFont.
  • Stakeholder Roman (2017). This wood typeface was called Staccato by Solo, but was originally released as Tuscan Extended by W.H. Page before 1872. I suspect this is another letterform that has been revived by others.
  • Stengel Roman (2018). This is a digital revival of Sterling. There have been other unrelated typefaces with the same name, but the history of Sterling follows. Again, thanks to Anna Allen for the sleuthing: A far cry from ATF Sterling (Morris F. Benton, 1917), this suave stylized Latin has just the right slinky curves! The designer, Charles E. Heyer, reprises his trend-setting hooked C and extends the style to the G with a new interpretation for this stunning all-caps alphabet [with two alternates, an E and an L]. His patent application was promptly approved in September–October 1890; rights were assigned to Barnhart Brothers & Spindler, his employer since 1878. It was shown by BBS until at least 1909. A few of my own comments on this letterform follow. For its time, it is certainly a departure from standard interpretations of alphabets. To begin with, we are finding terminals in some of the characters that are unexpected, swashes where we would expect traditional terminals. The A is square with a swash crossbar, echoed in the H, and the H itself is like the M and H in being bandy-legged. The W is practically an inverted M. The J and the U are very wide. All characters are quite a bit wider than usual, in line with Clipper, which it resembles in some respects; but the question mark is super-condensed. The A, B, E, F, H, P and R have compressed upper stories, giving the face a top-heavy look, which became very popular in the Art Nouveau craze. The curves are much thicker than expected, perhaps a bit outside acceptable for good color, so a high contrast in places where you would not expect. The serif is minimal and difficult to discern in my specimens, so I interpolated somewhat. Its modern sort-of-equivalent look is like Newtext, Americana or the modern Copperplates. I worked mostly from the patent specimen, because it was quite different from all the printed materials I examined.
  • Stigmata (2018). Only rock-solid project management, determination and a tolerance for tedium will get a typographic revivalist though the gantlet in bringing back to life one of the most complex typefaces ever designed, Stipple. The history of this unique letterform is provided by Anna Allen as follows: The brilliant Herman Ihlenburg completed design of this masterpiece in 1889; in January–February 1890, he patented it and assigned the rights to MacKellar, Smiths & Jordan [USPTO D19660]. Concurrently, he patented a set of related ornaments for line finials and a semi-rectangular frame [USPTO D19659]. The earliest commercial specimen examined was shown in the June 1890 edition of The Inland Printer by Shniedewend & Lee Co., then MSJ's Chicago agent. Widely considered unvectorizable, it was thus a challenge I undertook because the number of good specimens was high enough to consider the challenge. The rest of the story of this revival is too long and technical to relate, so I will describe this is as a maximally decorated modified bold Latin banner typeface. Just one of these characters contains around 2,000 data points, close to the maximum possible to create a font that will not crash. Thanks to all and sundry for a few rare specimens and particularly the US Patent Office for its poor but complete specimen of the 48-point characters; and several others for the serendipitous discovery of a couple important 36-point characters. The bang, question, period, comma and colon were designed by me to make the font more usable. Stipple is now available for the first time in 130 years.
  • Sundog (2019). This 9-weight series is a revival of a typeface shown as Sunningdale (in three weights from Dan X. Solo). It is a slab face Egyptian italic with very nice swashes, but there is no punctuation for this letterform. It contains a large range of alternate characters. Although I don't know the origin of this typeface, it is almost certainly the same designer as Whitley Sans, revived most recently by me. The lighter weights in this series are almost strictly monoweight, but there is an increase in contrast from Light through Heavy, as in the original forms.
  • Sunnybrook Script (2019). This is a very light monoweight upright semiscript of my own design with a lot of features found in traditional scripts of 150 years ago. The exuberant swash capitals are very loosely based on Flemish Script but have been modified a great deal and standardized across several glyphs. It can be set in a wide variety of languages.
  • Superior (2018). This is a digital revival of Superior, whose first showing I have as April 1886 from Great Western Type Foundry in Chicago. It is a slightly decorated extra-light condensed Latin existing only in caps as far as I can tell. There is a full set of numerals and minor punctuation. Superior is a rather simple revival in relative terms and requires only a few hours because of that simplicity and paucity of other glyphs. It has perhaps been revived by other developers, but I am not sure.
  • Tanglewood (2017). This revival ranks in the top five of the most difficult projects I've undertaken, not only because of the sheer amount of work involved in drawing the characters but in addition because of the number of glyphs that happened to be available. The name of this face was originally offered as Conner Ornamented No. 43, patented by James M. Conner in 1881. My undying thanks must go to Robert Donona, who supplied an incredibly good specimen from Graphic Compositions, Inc.'s phototype specimen book wherein the typeface is called Tangier. Diacritical marks, superior and inferior characters and basically enough glyphs to complete a large OTF file were evident in the specimen. Specimens of such completeness are rare in the world of typography, but having them available for viewing makes the revival process a time-consuming, if satisfying, venture. It required an absolutely stupid amount of time to finish. Several people have said this is my magnum opus...so far at least!
  • Tasty Gothic (2018). This is a digital revival of typefaces variously known as Tasso, Gotham and No. 205). 1890 (Tasso, Gotham), Barnhart Bros. & Spindler; 1895 (No. 205) George Bruce's Son. Some hunting around was necessary to find missing glyphs, but my version appears to contain everything that was originally designed for this very pleasant monoweight gothic.
  • Tender Regard (2018). This is a digital revival of a graceful letterform originally known as Tendril. The design for Tendril was patented by Herman Ihlenburg [1843–1905] in 1878. Along with Camelot (Goudy-Phinney/ATF Boston 1900), his application was one of the fastest-approved in 19th-century history. Rights were awarded in less than three weeks during November and assigned to MacKellar, Smiths & Jordan [MSJ ] of Philadelphia.
  • Thursday Roman (2017). Attached is my digital revival of Thurston, a letterform appearing in one of Dan Solo's numerous type specimen books. I don't have any information on the source of this form, but like other postings here, this will be updated at some point in the future for the curious. This face is strongly reminiscent of the Peignot types, sans serifs with relatively strong contrast, but in this case with quirky ornamentation.
  • Tiberius (2017). Tiberius is a revival of a typeface called Tirolean. This is another strange letterform that has distinct Art Nouveau influences, but I'm not at all sure of the history of this face except that it was found in a Solo catalog.
  • Tinting Series (2017). Tinting is a faithful rendition of MacKellar, Smiths & Jordan's Tinted and patented by Charles H. Beeler around 1885. Because the lining work in each was different depending on the point size of the metal type used (in order to achieve the same visual "grayness" when printed), I have developed each of these in such a way that when the same size is selected for each font, the optimal relative size is actually produced. The same technique was used for the equally challenging typeface called Luray.
  • Trinitro (2018). This super-sophisticated stylized Latin (known originally as Trinal) was patented by British immigrant William F. Capitain [b1850] of Chicago in September–October 1888. The Marder Luse Type Foundry (a.k.a. Chicago Type Foundry ), his employer since 1874, advertised it in The Inland Printer edition of November 1888. It was shown by ATF until c1900. Trinal has been digitized, containing many of the variously decorated characters that make up a large font. I am not at all sure I found everything, and it took the sleuthing of several other fanatics to find anything like a final set of everything that may have been produced.
  • Tunbridge Shadow Ornamented (2017). This is a revival of Tungsten, another oddball ornamented style probably originating in the late 19th century.
  • Unitary Roman (2017). Unitary is a revival of a wood type published as Unique. I have no other information as to the provenance of this typeface except that it was taken from a Dan X. Solo publication.
  • Valor Shade and Rimmed Shade (2017). These digital revivals started out in 1847 at V & J Figgins and there were several other variants in wood type at the time. Van Horn, Zebra and Tuscan Condensed Shade were other names used over the years, but the latter best describes the letterform. This is a moderately challenging revival that can be made available for chromatic separations, as many of these complicated characters were intended originally.
  • Venetian Tulip Wood (2018). The story of this revival is unfolding, but to make it short, this was digitized from a very large point-size specimen of what purports to be wood type from Kelly's collection. But upon further investigation, it is unclear whether this sample was a drawing made from an impression (or printed specimens) or whether it is an actual impression of wood type itself. I suspect the former, but it is indeed a legitimate typeface (and an important early 19th-century face) that existed in several different decorated forms. It is unclear which came first, the metal or the wood letterform. Technically this is an exuberantly decorated drop-shadow concave Tuscan.
  • Vicarage Initials (2017). This challenging revival took many hours to complete for digital font use, but well worth it. Vatican Initials was found in a Solo publication and much has been done here to achieve consistency of color and design without sacrificing the nuances of this rare beauty.
  • Warpath (2017). Warpath is a revival of a wood typeface called Wampum in Dan Solo's publication; otherwise, I don't know the provenance of this letterform.
  • Whitestone Sans (2019). This is a digital revival of a very unusual face called Whitely Sans, found in a Solo publication. It is a medium-weight sans serif italic with very nice swashes and an interesting treatment of shading. There is a wide variety of alternate glyphs, including rare "ending forms," several of which I produced on my own to make it a little more consistent with typefaces supplied with ending forms.
  • Wood Types Numbers 154, 500, 506, 508 & 510 (2017). These are five unrelated wood types that were occasionally used in foundries setting metal type because of their availability in large sizes. No. 154 is a modified Tuscan; Nos. 508 and 510 are flared sans serifs; and Nos. 500 and 506 are Latins. Like most wood types, the character availability was usually quite limited.
• The free sans typeface families done in 2003: Clemente, Ultima, Passion Sans (a Peignotian family).
• His 19th century series, all made in 1995 or 1996: APT New Abramesque, APT New Alferata (psychedelic), APT New Armenian, APT New Belmont (Victorian), APT New Brenda, APT New Cabinet, APT New Caprice, APT New Dawson, APT New Euclid, APT New Linden, APT New Madison, APT New Moorish, APT New Mystic, APT New Rollo (Victorian), APT New Slapstick (wooden plank font), APT New Spiral, APT New Stephen Ornate, APT New Teahouse, APT New Viola, APT Novelty Script.
• The wood type collection of Alan Jay Prescott.
  • APT Antique Wood Double Outline Shaded 1995, APT Antique Wood Extended 1996
  • APT Caslon Wood w: Alts 1996
  • APT Clarendon Wood Extended 1996
  • APT Columbian Wood w: Alts 1996
  • APT Courier Wood 1997
  • APT Doric Wood 1995
  • APT Gothic Wood (+Alts) 1997
  • APT Grecian FullFaced Wood 1996
  • APT Jenson Old Style Wood 1996
  • APT Kurilian Wood w: Decorated Alts 1997
  • APT Modified Gothic Wood Cond 1997
  • APT New Venetian Wood 1996
  • APT New Woodcut Shaded Initials 1995 (Houtsneeletter)
  • APT Roman Wood 1994-1995
  • APT Tuscan Antique Wood (+Alts) 1995-1996
  • APT Tuscan Concave Wood 1996-1997
  • APT Tuscan Contour Wood 1996
  • APT Tuscan Gothic 1 Wood 1996, APT Tuscan Gothic 2 Wood Cond w: Alts 1996, APT Tuscan Gothic 3 Wood Cond w: Alts 1997, APT Tuscan Gothic Pointed Wood w: Alts 1997 (Ironwood)
  • APT Tuscan Italian Wood 1997
  • APT Unique Wood 1995
  • APT Wood 1995-1997
  • APT Wood No. 501 1996 (orig Wm.H. Page 1887), APT Wood No. 508 1997, APT Wood No. 51 1997, APT Wood No. 510 1997, APT Wood No. 515 1996
• Stencil typefaces designed in 1995 and 1996: APT Crystal Ship (1995), APT New Acapulco Light (1995; after the phototype Acapulco Light VGC), APT New Alpha Midnight (1996; after a typeface from 1969 sold by John Schaedler), APT New Beans w/ Alts (1996, after Beans by Dieter Zembsch, 1973), APT New Checkmate (1995---not a stencil type, really, but rather a modular typeface; after the film type Checkmate), APT New Zephyr (1996).
• Computer fonts designed in 1995 and 1996: APT Bugsy (1995), APT New Quote (1996: bilined).
• Art nouveau typefaces designed in 1995 and 1996: APT New Abbott (1995; after Joseph W. Phinneys' abbott Old Style, 1901), APT New Ambrosia (1995, after Peter Schnorr's 1898 Jugendstil typeface), APT New Baldur (1996; after Baldur by Schelter (1895) and Julius Klinkhardt (1903)), APT New Jagged w/ Alts (1996), APT New Jason (1996), APT New Livonia (1996), APT New Margit w/ Alts (1996), APT New Nightclub (1995), APT New Quaint (1995), APT New Quaint Open (1995).
• Decorative typefaces designed between 1995 and 1997: The Bizarre series (decorative caps), Advertisers Gothic PD (2010: a large family based on Robert Wiebking's ugly original from 1917), APT Antique, Crayon PDS (2013, a decorative Victorian family), APT Caslon 76 (1997, based on a Compugraphics original), APT Feinen Inline (1997, after Henry Mikiewicz, 1983), APT Millais (1995, unknown origin), APT New Abel Cursive (1996, a revival of Bernie Abel's Abel Cursive (Compugraphic, 1974)), APT New Artcraft (1996), APT New LSC Book (1996, after a 1970 original by Lubalin Smith Carnese), APT New Classic Rubber Stamp (1996: based on DeVinne by G.F. Schroeder, 1890; F.W. Goudy 1898), APT New Hearst (1995, based on an original from Inland Type Foundry, 1901, which was famously ripped off from Goudy; the Italic was by Carl Schraubstadter, 1904), APT New Ticonderoga (1995-1996), APT New Woolly West (1995), APT Horizon Initials (1995), APT New Gill Floriated (1995), Old Gothic Initials Plain (1995: Lombardic caps), Pfister Bible Gothic APT Cameo (1997, blackletter caps), APT Saint Nick (1995: snow-themed caps), APT Black Dog (1995), APT Blacksmith Heavy (1995), APT New Airedale (1995, after an original tattoo / poster from the 1930s), APT New Blade Display w/ Alts (1996), APT New Cugat (1995; a wedge serif letterpress emulation typeface), APT New Fieldstone (1995), APT New Static (1995), APT New Trump Gravur (1995; after Georg Trump, 1954), APT New Yagi Bold (1996), APT New Courtier Italic (1996, Vanity Fair), APT New Harlequin (1996), APT New June (1996, after Fournier le Jeune).
• Avant Garde typefaces: APT Avant Garde Alts and Display (1997), APT Lubalin Graph Alts (1997; to be used with BT Lubalin Graph, Ed Benguiat, 1974).

Local download of some of his fonts. [Google] [More]  ⦿

Ajsa Zdravkovic
[PCRF Palestine Children's Relief Fund]

[More]  ⦿

AK Desain (or: Bangun Studio)
[Aan Kurniawan]

Makassar, Indonesia-based designer of these typefaces in 2017: Gaja Hidoep, Crashand, Blank (sci-fi), Fontolo (poster sans), Teratur (trekkie font), Hallows (pointy Halloween typeface), The Future, Legend, Asman Script, Trying Brush.

Typefaces from 2018: The Shift (a modular monoline sans), Irisan, Boya (minimalist rounded sans), Lonjong, Akur, Tebal, Lhove, Bunga, Grand Pix (art deco), Balle (thin sans), Tulisan (signature font).

Typefaces from 2019: Be Signature, Rama dan Karim (an arabic emulation font). [Google] [More]  ⦿

Ak Mal
[Akrtype Studio (was: Tertia Type)]

[MyFonts] [More]  ⦿

Aka Acid (or: Cybertronical Design)
[Myrto Orfanoudaki Simic]

UI mobile and web designer in Athens, Greece. Myrto made these free pixel typefaces between 2007 and 2013: Aka-AcidGR-4B, Aka-AcidGR-4B20, Aka-AcidGR-5X5, Aka-AcidGR-ArialPixel, Aka-AcidGR-BoredRe, Aka-AcidGR-Elektr, Aka-AcidGR-Everyday, Aka-AcidGR-Kairee, Aka-AcidGR-Mazew, Aka-AcidGR-Micro, Aka-AcidGR-Necplus, Aka-AcidGR-Neustyle, Aka-AcidGR-Pixel, Aka-AcidGR-Starmap, Aka-AcidGR-Stunt, Aka-AcidGR-SystemTronical, Aka-AcidGR-SystemsAnalysis, Aka-AcidGR-Web, Aka-AcidGR-Zephyrea, Aka-AcidGRAccessN12. The pore-2007 typefaces include Aka-AcidGR-4B, Aka-AcidGR-4B20, Aka-AcidGR-ArialPixel, Aka-AcidGR-Compacta, Aka-AcidGR-Elektr, Aka-AcidGR-Everyday, Aka-AcidGR-Kairee, Aka-AcidGR-Mazew, Aka-AcidGR-Micro, Aka-AcidGR-Mutlu, Aka-AcidGR-Necplus, Aka-AcidGR-Neustyle, Aka-AcidGR-Starmap, Aka-AcidGR-SuperG, Aka-AcidGR-SystemTronical, Aka-AcidGR-SystemsAnalysis, Aka-AcidGR-Web, Aka-AcidGR-Zephyrea, Aka-AcidGRAccessN12.

The following text and script fonts and dingbats were made from 2007 until 2013: AC-Hollow_unicode, Aka-Acid-Animaux, Aka-Acid-Bots, Aka-Acid-Mockups, Aka-AcidGR-AfterDiet, Aka-AcidGR-AlmostGothic, Aka-AcidGR-AngryJoe, Aka-AcidGR-Around, Aka-AcidGR-Atomic, Aka-AcidGR-BadFont, Aka-AcidGR-BadKitty, Aka-AcidGR-BigInJapan, Aka-AcidGR-BriefEncounter, Aka-AcidGR-Calligram, Aka-AcidGR-Chubby, Aka-AcidGR-Collage, Aka-AcidGR-Compacta, Aka-AcidGR-CompactaScript, Aka-AcidGR-Composition, Aka-AcidGR-ContencedScript, Aka-AcidGR-Cord, Aka-AcidGR-Creepy, Aka-AcidGR-Curly, Aka-AcidGR-CurlyEarly, Aka-AcidGR-CuttingEdge, Aka-AcidGR-Cyberella, Aka-AcidGR-DiaryGirl, Aka-AcidGR-Dingme, Aka-AcidGR-Disturbed, Aka-AcidGR-DisturbingCookie, Aka-AcidGR-Dot, Aka-AcidGR-Dotted, Aka-AcidGR-FatCondensed, Aka-AcidGR-FatItalic, Aka-AcidGR-FatMarker, Aka-AcidGR-Fatbamboo, Aka-AcidGR-FifiTheCat, Aka-AcidGR-Fifindrel, Aka-AcidGR-FifisHand, Aka-AcidGR-Freefeel, Aka-AcidGR-FrenchToast, Aka-AcidGR-Fristgrade, Aka-AcidGR-Froglusly, Aka-AcidGR-GhostStory, Aka-AcidGR-Gorgi, Aka-AcidGR-Graduate, Aka-AcidGR-GreekPharmacist, Aka-AcidGR-Grudge, Aka-AcidGR-HappyPuppy, Aka-AcidGR-HiSchool, Aka-AcidGR-Hurry, Aka-AcidGR-ImpressingTeacher, Aka-AcidGR-Inky, Aka-AcidGR-Kiki, Aka-AcidGR-Liberate, Aka-AcidGR-Lightinjapan, Aka-AcidGR-Limbo, Aka-AcidGR-Linky, Aka-AcidGR-LivingSword, Aka-AcidGR-Loving, Aka-AcidGR-Lundi, Aka-AcidGR-Lycee, Aka-AcidGR-MC, Aka-AcidGR-MakingMonsters, Aka-AcidGR-MediumInJapan, Aka-AcidGR-Mutlu, Aka-AcidGR-Pasta, Aka-AcidGR-RealAdult, Aka-AcidGR-RomanScript, Aka-AcidGR-RoundUp, Aka-AcidGR-Safe, Aka-AcidGR-Sagging, Aka-AcidGR-Sausages, Aka-AcidGR-Schoolgirl, Aka-AcidGR-ScrachThis, Aka-AcidGR-ScriptCondenced, Aka-AcidGR-Serif, Aka-AcidGR-Slimthin, Aka-AcidGR-SocialRage, Aka-AcidGR-StretchUp, Aka-AcidGR-StrokingLines, Aka-AcidGR-SuperG, Aka-AcidGR-ThickStick, Aka-AcidGR-ThinBlackboard, Aka-AcidGR-TinyCondenced, Aka-AcidGR-TotallyPlain, Aka-AcidGR-Tremor, Aka-AcidGR-Vectroid, Aka-AcidGR-WideMe, Aka-AcidGR-Wurly, Aka-AcidGR-Xtend, Aka-AcidGR5yearsold, Aka-AcidGRBuzzed, Aka-AcidGRFatCord, Aka-AcidGRFreakedOut, Aka-AcidGROpen, Aka-AcidGRPathetic, Aka-AcidGRSpagetti, Aka-Acid_Knickknack, AkaAcidQuickPad.

Behance link. Cybertronical link. [Google] [More]  ⦿

Akaitype Studio
[Sigit Nurcholis]

Indonesian designer, b. 1996, of the signature scripts Bristya (2019) and Antigna (2019), the monoline scripts Brothen Vintage (2019), Brittley (2019), Cabello (2019) and Cactulus (2019), the font duo Marilia Vion (2019), the display typefaces Explore (2019) and The Iron Stone (2019), and the sans typeface Argapuri (2019). [Google] [More]  ⦿

Akalollip
[Loïc Sander]

Loïc Sander (Akalollip) is a Strasbourg-based graphic and type designer, b. Germany. He is associated with Production Type.

Creator of the free font family Fengardo Neue (2012, Velvetyne Type Foundry and Open Font Library), a (very) humanist sans with a Gillian lower case g.

In 2015, he designed the didone typeface family Trianon at Production Type, in Text, Grande and Caption sub-families. Benedikt Bramböck writes: Weighing in at a total number of forty-two styles spread out over four size-specific families, it is certainly not another blunt revival of a Didot typeface. Even more remarkable than the size of the type system is the stylistic scope it covers, including elaborate italics, monolinear Lights, heavily slab-serif-flavored Caption cuts, and Grande styles that verge on becoming stencils---all referencing different works from the golden era of the Didots. With this pluralism of style and character, Trianon almost commands you to use it in all the "wrong"ways, exhibiting flamboyant shapes, flexibility, and individuality. In 2016, he added the gorgeous fat didone typeface Trianon Normande, which was done with the aid of Sandra Carrera, Roxane Gataud and Yoann Minet at Production Type.

Fontsquirrel link. Loïc Sander at Velvetyne. [Google] [More]  ⦿

Akanksha Rawat

Designer of the alphading typefaces Cutie Pie (2018) and Leather (2018) and the script typeface Slayer (2018). [Google] [More]  ⦿

Akarija Studio

Indonesia-based designer of the script typeface Chiqua (2020). [Google] [More]  ⦿

Akashic Design

Japanese free font maker specializing mainly in pixel fonts, kana, kanji, Latin. A partial list of their fonts, all made in 2004: 53SeedExtended, 53Veda, 53VedaExtended, 55Kana, 55KanaExtended, 75Naga, 75NagaExtended, 76NagaBold, 76NagaBoldExtended, 88Zen. [Google] [More]  ⦿

Akatab

Akatab (2020) is a free Unicode font for rendering Tifinagh characters in the Tamahaq and Tamashek languages. Developed by SIL, Akatab ("writing") is designed to reflect a handwriting style and even the writing in sand effect. SIL writes: Historically this writing system has been written in both right-to-left and left-to-right orientations. Akatab has the necessary characters and features to write in both directions. This font uses state-of-the-art OpenType and Graphite font technologies to provide accurate typography including the formation of bi-consonant ligatures. [Google] [More]  ⦿

akaType
[James D. Milligan]

akaType is James Milligan's outfit. Fonts made by him include akaPosse (2005), akaArcade (2003, Victorian), akaDylan (2005, comic book style set of three typefaces), akaChen, akaDora (2005, script), akaFrivolity (2002), akaHoggle (2002), akaIndic (2002), akaPotsley (2002, Victorian).

1001fonts link. Another URL. Fontspace link. Dafont link. Abstract Fonts link. [Google] [More]  ⦿

Akbar Fadholi

Bogor, Indonesia-based designer of the free fluffy modularly designed typeface Artern (2017). [Google] [More]  ⦿

Akbar Muharram

Aceh, Indonesia-based designer, b. 1995, of Kungu Cartoon (2019). [Google] [More]  ⦿

Akbaru Type

Indonesia-based designer of the condensed all caps typeface Marvelos (2021). [Google] [More]  ⦿

Akcsel Tara
[AT Studio]

[More]  ⦿

Ake Thanantreesak
[Nobu Collections (or: Ake)]

[MyFonts] [More]  ⦿

Akhmad Afandhi

Magelang, Indonesia-based designer (b. 1990) of the octagonal all caps sports jersey typeface Basketball (2020) and the fat finger font Beloved Girl (2020). [Google] [More]  ⦿

Akhmad Ilham
[Endeavour Studio]

[More]  ⦿

Akhmad Mujayyid

Indonesia-based designer of Cardigan (2020: a bold monolinear sans), Bougenville (2020: script), Understanding (2020: a rounded monolinear sans), Slowly (2020), Protocol (2020: a bold sans), Brown Alexander (2020: script), Protocol (2020: a heavy sans), King Arrow (2020) and Arian Geralde (2020). [Google] [More]  ⦿

Akhmad Zaenudin

Baturraden, Indonesia-based designer of the fat finger font Aufy (2020). [Google] [More]  ⦿

Akihiro Oya
[Family Font Mart]

[More]  ⦿

Akiko Naito
[uraorange]

[More]  ⦿

Akira Hayashi
[Ainezunouzu]

[More]  ⦿

Akmal Yusar
[Picatype Studio]

[MyFonts] [More]  ⦿

Akopito

Creator of BisayaMFAku Black (2011), a con-language face. [Google] [More]  ⦿

Akos Polgárdi

Pest, Hungary-based designer of Hexa (2012, free hexagonal typeface).

In 2013, he published the beautiful free poster font Mopster.

Trefort Grotesk (2014) is a custom unicase monoline condensed sans typeface that was created for a World War II monument at Eötvös Loránd University to commemorate the university's students and professors who died during the war.

In 2016, he designed the octagonal typeface Matematica: Matematica is a rounded, unicase, mono-spaced, pseudo-bitmap typeface constructed on a 5-by-5 grid. Relying on the most basic geometric shapes, the typeface draws heavily on the work of Dutch Bauhaus typographer Jurriaan Schrofer (1926-1990).

Dafont link. Behance link. Cargo Collective link [Google] [More]  ⦿

Akrtype Studio (was: Tertia Type)
[Ak Mal]

Sigli, Indonesia-based designer (b. 1984) of the (mostly script) typefaces Enthra Centro (an upright script) (2021), Inquired (a scrapbook script) (2021), Bedposka (a rabbit ear script) (2021), Real Delight (a fat finger script) (2021), Real Delight (a fat finger font) (2021), Plandscape (a monolinear script) (2021), Kalisha Script (upright) (2021), Exotique (a display typeface) (2021), Think Road (handwriting) (2021), Wildaloney (2020), Honeymoon (2020), Steady Stream (2020), Maybrown (2020: wild calligraphy), Ghania Roses (2020), Chigland Script (2019), Soulmotion (2019), Wheelie Script (2019), Currator Script (2019), Soul Silver (2019), Girly Style (2019: monoline), Smithens Villa Script (2019) and Tallented (sic) (2018). [Google] [MyFonts] [More]  ⦿

Aksarangga Studio

Designer of the script typefaces Samanda (2018) and Talita (2018). [Google] [More]  ⦿

Aksoro 99
[Wahyu Nugroho]

Jakarta, Indonesia-based designer of the script typeface Suttan Telo (2021). Creative Fabrica link. [Google] [More]  ⦿

Aktab Studio
[Ilhamsyah Vutra]

Aktab Studio (Bandung, Indonesia) designed the signage script typeface Asiyah (2016) and the script typefaces Pamega (2016) and Allema (2016).

Typefaces from 2017: Alistair Signature (signature font), Lysandra (script), Freeday Script (monoline and connected), Freeday Sans.

In 2019, he published Angelia (font duo), Javelyne, Aufa (a text typeface), Nafisyah (+Shadow, +Outline, +Texture), Calmer (a sans), Shelly Signature, Tettingo (script), Brilout (vintage display style), Eastchaft, Fillia Script, Senella Script (a heavy monoline font). Creative Market link. Dafont link. Fontspace link. [Google] [MyFonts] [More]  ⦿

Akufadhl (was: Alternatype, or: Akutype, or: Alterna Type foundry)
[Fadhl Waliy Ul Haqq]

Cairo, Egypt-based designer, who hails from Surakarta, Indonesia, b. 1996. Akufadhl, or Fadhl Waliy Haqq, or Fadhl Waliy Ul Haqq, started Alternatype, then Akutype, then Akufadhl, and finally Eyetype.

Creator of the free brush typeface Bruss (2015), the handcrafted Talisman (2015), Labours (2015) and Summer Time (2015), the vintage sans typeface Manufactur (2015), the vintage titling typeface Kertayasa (2015), the marker typeface Halfway (2015), the watercolor brush face Hale (2015), the free display typeface Biliru (2015), the handcrafted Supreme (2015), and the spurred display typeface Travelo (2015).

Typefaces from 2016: Amarylis, Protea, Geda Brush (thick and inky), Tarquin AT (+Stencil), Macaron (elegant handcrafted style), The Falcone, Supreme (handcrafted), Rolade (rounded sans).

Typefaces from 2017: Labours (handcrafted poster font), Rolade (a rounded condensed sans), Karmilla (upright didone script), Egalite (slab serif).

Typefaces from 2018: Kruda Handcrafted Sans, Serafina (a calligraphic script, attributed to Insannita Muthiahs), Kertayasa (a layered and textured typeface family), Naratif Condensed.

Typefaces from 2019: Generisch Mono, Macaron (a playful take on the blackboard bold genre), Generisch Sans, Hailgen (a reverse contrast text typeface), Genia, Crude Sketch Sans.

Fontspace link. Creatice Market link. Behance link. YWFT link. Creative Market link for Alterna Type. [Google] [MyFonts] [More]  ⦿

AL
[Agustina Lonetti]

Buenos Aires-based designer (b. 1984) of the outlined 3d lettering font Aguzlo (2006) and the handcrafted Felixsalotto (2012). [Google] [More]  ⦿

Al Studiossa
[Rahmat al-hidayat]

Aceh, Indonesia-based designer (b. 1992) of Sellower (2019), AlhenyaScript (2019), MacrofhyllyaScript (2019), Westeros (2019) and Pichellya Script (2019). In 2020, he released the wild calligraphic typeface Revalisha. [Google] [More]  ⦿

Alain Veylit
[StringWalker]

[More]  ⦿

Alan Bauchop
[Sophteck's Jungle and Typography]

[More]  ⦿

Alan Carr

Partial list of Alan Carr's fonts, made principally between 1992 and 2004: AdLib, AdLibEx, AdLibTh, AdLibWd, Algeria, Animals, Anwik, Arcitectura, BeeBopp, BeeBoppWide, Blast, BlueCard, BusinessIndustrial, BusinessIndustrialDingbats, Busorama, Carolus, CarrAnimalDingbats, CarrArrowsfilled, CarrArrowsoutline, CarrAstroDings, CarrBalloons, CarrDingbats1, CarrDingbats2, CarrDings, CarrElecDingbats, CarrElectronicDingbats, CarrGovernment, CarrKeys, CarrSpace, CarrXmasDingbats, Carrick-Regular, CarrickCaps-Caps:001.001, CaslonAntique, CaslonAntiqueItalic, CaslonAntiqueLefty, CharlemagneBold, Choc, ChocWd, Coco, ComicBook2, Croissant, CroissantEx, CroissantLefty, CroissantWd, Desoto, Electrik-Italic, Electrik, ElectrikCn, ElectrikEx, ElectrikWd, Empire, Enviro, EnviroCapsLefty, ErasContour-Italic, ErasContour, ErasContourEx, ErasContourLeftyWide, ErasContourTh, ErasContourWd, Fletcher-Gothic (art nouveau face, made famous by the TV show Murder She Wrote), Fountainpen, Fragola, Frankfurt, FrankfurtCn, FrankfurtExtended, FrankfurtLefty, GlypicItalic, Graphik, GraphikShadow, Halt, Hobo, HoboLeftified, KabelBook, KabelLeftieBook, Keypunch, KeypunchLeftie, Leigh, Lithos, MathSymbol, MtypeCursive, NewYorker, NewYorkerEngraved, Omnibus, Paintbrush-Italic, Paintbrush, PaintbrushCn, PaintbrushLeftified, PaintbrushWd, PaperClip-Bold, PaperClip-Italic, PaperClip, PaperClipCn-Italic, PaperClipEx-Italic, PaperClipWd, PaperClipsBentToTheLeft, Quadrille, QuickSilver, Revere, Roller, Squire, States, Stop, Tatum, TestFrogRemix, UnitedStates, Uptight-Italic, Uptight, UptightCn, UptightEx, UptightLefti, UptightTh, XmasDings, YankeeEngravedNormal.

Dafont link. Fontsy link. Fontspace link. Abstract Fonts link. [Google] [More]  ⦿

Alan Cheetham
[A-Studio]

[More]  ⦿

Alan Cloiseau

Paris-based designer of the free comic book typeface ACL (2020) and the commissioned typeface Club Med Pictograms (2017). [Google] [More]  ⦿

Alan Dague-Greene

Type designer (formerly Alan Greene) who is presently at MvB Design in charge of font production. Before that, he was head of custom font creation at FontShop San Francisco, and was also briefly at T26.

His typefaces:

• The huge serifed family FF Atma (2001).
• Indispose (T26).
• MVB Peccadillo (2002, MVB). Done with Holly Goldsmith.
• MVB Sirenne family (2002). Done with Mark van Bronkhorst, this large family is based on an 18th century design, with optical sizes.
• The free font family Courier Prime (2013), created for John August and Quote Unquote Apps, made for screenwriters: Courier Prime is optimized for 12 point size, and matches the metrics of Courier and Courier Final Draft, so you can often swap it out one-for-one. Other Couriers just slant the letters to create faux italics. We give you a whole new typeface [with true italics], modeled off the script of vintage typewriters. The competition was Mac Courier [the 1990 Apple system font made by Bitstream] and Courier Final Draft [used in the Final Drafdt screenwriter software]. At Open Font Library, we find Courier Prime Code (for programmers) and Courier Prime Sans, both designed in 2015. Finally Courier Prime was added to Courier Prime in 2019. Github link.
• Codesigner at American Type Founders Collection of ATF Alternate Gothic (2015, Mark van Bronkhorst, Alan Dague-Greene, David Sudweeks, Igino Marini, & Ben Kiel). ATF Alternate Gothic is a new, significant digital expansion to 40 fonts of Morris Fuller Benton's classic 1903 design.
• MVB Salis. A 16-style corporate sans family.

Alan Hayward

In 2016, Alan Hayward (Lausanne, Switzerland; b. 1993) designed Mebinac, a text typeface based on Thomas James Cobden-Sanderson's Doves (1900). In 2017, he published the ultra-condensed sans typeface Salopiot.

Dafont link. [Google] [More]  ⦿

Alan Jay Prescott
[AJPT]

[More]  ⦿

Alan Kaminski

Warsaw, Poland-based graphic designer. Creator of the free cybernetic display typeface Cykor (2020, with Kacper Janusiak). The commercial version of Cykor is here. [Google] [More]  ⦿

Alan Museljich

Aka Uloga. designer of the free social icon font dcSocial (2018). [Google] [More]  ⦿

Alan Parker
[Parker Creative]

[MyFonts] [More]  ⦿

Alan Parley

Aka Alan Alan and as I Like Fonts. Edinburgh, Scotland-based designer of the freeware fonts Meat Raffle (2016), Milk (2002), Jobby (2002, grunge), Matchbox (2002), Dirty Fox (2012, nice grungy caps), Laundry Day (2011), Gorestep (2011, dripping paint font), Stylo (2011), Cable Guy (2011), Bodypump (2002), Aztec Hipster (2012, Mexican simulation typeface), Afro House (2012, tribal), Mashed (2012: a grungy stencil take on the Mash logo), Original Junglist (2012: white on black poster face), Tower Blocks (2013), and AP Digibats (2002). Many of these fonts have no punctuation.

Dafont link. [Google] [More]  ⦿

Alan Studio

Designer of the fat finger font Butter Donat (2021). [Google] [More]  ⦿

Alan Tinsley
[Al's Font Booth]

[More]  ⦿

Alan Yoshimura Pires

Bournemouth, UK-based designer of the free handcrafted typeface Magaya (2017), the free handcrafted blackboard bold typeface Eva Cute (2017) and the free free hand-drawn typeface Woodbone (2017). Behance link. Dafont link. [Google] [More]  ⦿

Alana Littman

Saint Augustine, FL-based designer of the modular typeface Native Dancer (2014). Dafont link. Behance link. [Google] [More]  ⦿

Alanah Dowling

Canadian designer of Paper Clip (2015). [Google] [More]  ⦿

Albab Ilham

Designer of the free Japanese emulation typeface Ryomen (2021). Dribble link. [Google] [More]  ⦿

Albatross (or: Font Deals)
[Jay Hilgert]

Albatross is Jay Hilgert's foundry in Oklahoma City, OK, est. 2008. Before Albatross, Jay Hilgert ran Bittbox (or: BB Free Fonts), a site dedicated to free clipart and vector art.

Typefaces from 2008 include the informal outline typeface Tire Shop, the informal 3d shadow typeface Blox (2008), the 3-d wood typeface Baja California, the stunning four-style family called BB Petie Boy (which includes an ornamental caps style, a grunge style, a blackboard style and a sketch style), Fusty Saddle, 23rd Street (a graffiti font) and Whiteboard Modern.

In 2009, he followed up with Oil Change (3d, hand-drawn).

In 2011, he created the futuristic family Naughty Astronaut (+Cowboy), the Western typeface ABTS Gunsmoke, the connected retro script typeface ABTS Milk, ABTS Feather Pen, ABTS Oklahoma (retro deco), ABTS Aviator (2011, art deco caps face), and ABTS Day of the Dead (ornamental skulls, Mexican style), ABTS Crestwing (an inline caps face), Helios Pro.

Typefaces from 2013 include Boom (a comic book typeface family, with hand-drawn Boom Symbols).

Typefaces from 2014: Signyard (a retro overlay font family that evokes motel signage), Microbrew (letterpress emulation in many increasingly grungy styles, accompanied by Ornaments and Banners), Sparhawk (a 3d layered display font), Castor One (wood and letterpress style), Altus (a hand-drawn elliptical sans, +Altus Extras: ornaments).

Typefaces from 2015: Corinth Ornaments, Auburn (brush script), Microbrew Unicase, Corinth (hand-drawn geometric sans with letterpress influences).

Typefaces from 2016: Moraine (a weathered letterpress emulation typeface family), Microbrew Soft.

Typefaces from 2019: Blakstone (a letterpress emulation family), Hanscum (vintage, handcrafted and letterpress-inspired).

Creative Market link. Dafont link. Creative Market link. In 2011, he started Font Deals. [Google] [MyFonts] [More]  ⦿

Albedo Fonts
[Hubert Bartels]

Hubert Bartels' Albedo fonts in truetype and type 1, 1996. "This is the font used in Steven Gallacci's Albedo Universe. Sean Malloy created a Postscript version in 1992; I based my font on that version, modifying many of the characters and adding punctuation." [Google] [More]  ⦿

Albert Filatov
[Alfi Design]

[More]  ⦿

Albert J. Kim
[Reference Type Foundry]

[More]  ⦿

Albert Marti

Granada, Spain-based designer of the free techno typeface Arcade Fractured (2018), during his studies at Escuela Arte Granada. [Google] [More]  ⦿

Albert Samreth

Creator of Los Angeleno Sans (2015). [Google] [More]  ⦿

Albertine Nerevan
[Albertine's Fonts]

[More]  ⦿

Albertine's Fonts
[Albertine Nerevan]

Albertine Nerevan is a Quebec-based designer, b. 1973. Blog. Creator of the old-fashioned handwriting typefaces Holiday Home (2009), Lapointe's Road (2009, connected script), Les oeufs de Cassowary (2009), Edward's Wedding (2009), Flowers Cube (2009), and Philomène&Ephrem (2009).

Devian tart link. Fontsy link. Klingspor link. Dafont link. Abstract Fonts link. [Google] [More]  ⦿

Alberto Casagrande

Italian lettering artist, illustrator and calligrapher. As a member of the Italian open source font cooperative Collletttivo, Alberto Casagrande designed the decorative typeface Mazius Review (2019).

The 24-font Casagrande was designed in 2020 by the Italiantype Team (Manuel Alvaro, Valentino Coppi and Mario De Libero), working in close collaboration with Alberto Casagrande, and with help from the Zetafonts Team (Francesco Canovaro, Andrea Tartarelli and Cosimo Lorenzo Pancini). The final product has six display families with styles varying from the thirties-inspired Antifascista and Deco, to the modernist Casabau, to the geometric Grind, to the vintage script families Reclame and Casatiello. The collection is complemented by a two-color icon set font, Casagrande Ornaments. [Google] [More]  ⦿

Alberto Corazon

Painter, sculptor and graphic designer, b. Madrid, 1942. He was commissioned in 2000 by the city of Bilbao to design a font with a Basque look. The result was Alfabeto Bilbao. Alternate URL with some of his paintings. Alfabeto Bilbao is free at Yo de Bilbao. [Google] [More]  ⦿

Alberto de la Cruz

Creator of the squarish free font family Golden Dragon (2020), which is based on the classic poster from Enter the Dragon (in three styles: Solid, Outline and Shadow). [Google] [More]  ⦿

Alberto Deltio
[Deseo Grafico]

[More]  ⦿

Alberto Diaz Tormo

Graphic and industrial designer, post-producer and writer born in Alicante, Spain. He created a number of free typefaces in 2011 that are available via Devian Tart and Open Font Library: Berly, Octagon, Bubbles, EcoLive, Industrial, Filler.

Devian tart link. Behance link. Open Font Library link. [Google] [More]  ⦿

Alberto Gomez Gomez

His typefaces were made in 2006 and 2007: Recorder Face, Recorder Eye, Recorder Eyes, Sabaean GG, Ugaritic GG. Little School (2001) is an large school script font family that looks a bit like Little Days (2001, West Wind Fonts) but with rulers and lines thrown in. And Little Days in turn is genetically linked to Memimas. [Google] [More]  ⦿

Alberto Rodríguez Diaz
[Stereoplastika]

[More]  ⦿

Alberto Terribile

Rome, Italy-based designer of the free Tuscan spaghetti Western font New Mexico Bold (2015). [Google] [More]  ⦿

Alberto Varela Ferreiro

Designer of the heavy monoline sans typeface A Galega (2016). [Google] [More]  ⦿

Alberto Varela Ferreiro
[Fontes galegas]

[More]  ⦿

Alcir Heidemann

Alcir Heidemann designed the free outlined and bilined typeface Athena during his studies in Savannah, GA, in 2015. [Google] [More]  ⦿

Alcode
[Sukjana Almunandar]

Banda Aceh, Indonesia-based designer (b. 1993) who specializes and excels in formal calligraphic typefaces. Creator of the thin calligraphic typefaces Yesterday (2017: upright) and Jazzi Script (2017), and the swashy formal calligraphic typefaces Peaches (2017), and Sinday College (2017).

Typefaces from 2018: Malikon, The Duality, Karmila Script (a signature font), William Duke (a great formal calligraphic script), Differenlight (Spencerian calligraphic), Stipa Willington (formal calligraphic), Gatlik Saphir (formal calligraphic), Lile Dahliya (formal penmanship calligraphy), Bulgattie (copperplate calligraphy).

Typefaces from 2019: Laront Monoline, Claristy, Graceful (a thin Spencerian script), Beduga (a signature script), Desirable Calligraphy (Spencerian), Fantera (a baseball script).

Typefaces from 2020: Colfige (a fashion mag typeface), Claristy, Dalgond Script (formal calligraphic), The Duality (a formal calligraphic script), Peaches (a penmanship script), Imagine (calligraphic), Willmaster Calligraphia (a Spencerian penmanship script), Quntas Script (a hairline calligraphic font), Kota Datoma (wild calligraphy).

Typefaces from 2021: Betting Soker (a brush script), Tugafy (fashion mag font), Mole Display (a distorted font), Avole (a hipster fashion mag font), Qanthorely Castigra (a wild Tree Frog genre script), Bolgifam (a triptych of stylish typefaces including a formal copperplate calligraphic style), Matilost Wikly (script), Silta The Farming (a brush script), The Kaluge (a feminine display typeface), Silta The Farming (a brush script), Tylaco (an art nouveau typeface), Dofta (a high-contrast decorative typeface), Dofta (a high-contrast decorative typeface), Batick Rodist (a wild script in a font duo), Blosta (a fashion serif and a copperplate calligraphic script), Piguet Script, Migueto (a fashion mag typeface), AvOle Serif (a fashion mag typeface; identical to Migueto).

Typefaces from 2022: Roti Brown (an elegant wild script). [Google] [MyFonts] [More]  ⦿

ALD Sprache

A bunch of truetype fonts with many accents, probably for some German dialect: ALDlight, ALD1Italic, ALD2Italic, ALD3Italic, ALD4Italic, ALD5Italic, ALD6Italic, ALD7Italic, ArialMT, Arial-Black. [Google] [More]  ⦿

Alde Design
[Alde Saputro]

Yogyakarta, Indonesia-based designer of Faradilla (2018: calligraphic), Travel Soulmates (2018, +Weight, +Signature), Everything (2018: calligraphic), Beckman Demons (2018: signature script), Dialova (2018), The Attention (2018), Billortte Two (2018), Billortte One (2018), American (2018: a signature script), Iwanbanaran Weight (2018), Gulya Script (2018), Letternisa (2018, a calligraphic script), Khatmadu (2018: calligraphic), Via Vallen (2018: calligraphic), Jean Jingga (2018, monoline script), Georgia (2018), Middletown (2018), Jonas Beckman (2018: a signature font), Srikonitta Script (2018: smooth brush), Asgar (2018), Banggar (2018: a great signature font), Ectomorph (2018), Brainlove (2018), Vanilla Mermaid (2018), Charlotte Calligraphy (2018), Annisa Script (2018), Ubur Ubur (2018), Good Egg (2018), Pink Script (2018) and Ma Fille (2018).

Typefaces from 2019: Melamar (script), Brattica (script), Magic Anomali, Beauty Boutique, Danke Linda, Anything Script, Raregold Script, Anything Okay, Wisdom Merry, Bendina Sambat, Malibbie, Birmingham Signature, Dinila Script, Potter Alaska (a heavy script), Random But Perfect (script), England Reality, North Blue, Mattosa Script, Barista Script, Anthem of Narasi (fat script), Arellia, Maharlotte (script), Anggelica Merona, Butter Mellow, Mollaroid Signature, Refillia Calligraphy, Diamante Signature, Everything Calligraphy, Latter Slant, Darling Suttine, Baropetha Signature, Behavior Indihome, Enthusiast Behavior, Eden Hazard, Farrina, The Capone Gang Bege, Ninja Julietta, Black Mamba, Charlotte Paraline, Babes & Bridal, Fantasy Hollow, Yussan, Marrisa, Riding Monday, Landing Surely, Elyn Alina, Choco & Chips, Singapore Landscape, Almond Latte, Blueno Chocolate, Chocolatte, Insta Story.

Typefaces from 2020: Anggie Maggie, Arrafah (a monoline script), Anggelica Merona (a brush script), Kimilove, Millea Leonee, Aughlesia.

Typefaces from 2021: Final Destination (a calligraphic script), Archipelago International (a wild calligrapic script), Braderia (calligraphic), Winterante (a calligraphic script), Premiere Christmas (a calligraphic script), Stigma Halloween, Cardigan Christmas (calligraphic), Higher Wevil, Spooky Strikes (a pixel font with a spooky texture), Thug Life (a pixel font), Higher Wevil (a pixelish textured Halloween font), Beauty Dina (a fat finger script), Break Walkout (script), Butter Mellow (script), Chapter Eight (a monoline script).

Typefaces from 2022: Hidup Tenang, Anti Valentines Day (script), Flawless Valentines (a calligraphic script). [Google] [MyFonts] [More]  ⦿

Alde Saputro
[Alde Design]

[MyFonts] [More]  ⦿

Aldi Hendarto

East Java, Indonesia-based designer, b. 1993, of the spurred sans typeface SMBRN (2019) which is available from Swistblnk. [Google] [More]  ⦿

Aldiraya Pradipta
[Graphix Line Studio]

[More]  ⦿

Aldo Alvarez
[Turbo Fonts]

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Aldrian Firmansyah

Jakarta, Indonesia-based designer of the free typeface Mountain Shape (2016). [Google] [More]  ⦿

Aldus Type Studio

Mysterious outfit that used to be located at 731 S La Brea Avenue in Los Angeles, CA 90036. It set type primarily for advertising agencies. Between 1997 and 2000, Art Paquette modified and improved some existing fonts. There is also an Aldus company related to Mark Myers in San Diego that used to bundle its fonts with TypeTwister---this was a different company not connected to Aldus Type Studio. The San Diego company changed its name to Aldus Digital Graphics, was bought by Supreme Graphics in 2011, and is no longer in business.

Fonts from Aldus that are traveling the internet include AestheticPlain, AllegroSwashes, Angel, Angel, AssayExtraExtended, AssayRimmed, Cardinal, Cruickshank, Dainty, Dominican, FantasiaCaps (based on Fantasia from the Aridi Initial Caps Vol. III), GothicCaps (based on Gothic from the Aridi Initial Caps Vol. I), Lettresombrees, LubnaCaps (based on Lubna from the Aridi Initial Caps Vol. II), Nabel (based on Nabel from the Aridi Initial Caps Vol. I), Napoli (based on Napoli from the Aridi Initial Caps Vol. II), Penelope, Regal (based on Regal from the Aridi Initial Caps Vol. I), Romant (based on Romant from the Aridi Initial Caps Vol. III), Royal (based on Royal from the Aridi Initial Caps Vol. II), Spire, SpireAlt, SpireExtraLight, SpireExtraLightAlt, SpireShaded, WahingtonAntiqueOpen. [Google] [More]  ⦿

Aldy Sidik
[Epiclinez (was: Studio Epiclines, or: Letterbaja)]

[MyFonts] [More]  ⦿

Alec Julien
[Haiku Monkey]

[MyFonts] [More]  ⦿

Alec McAllister
[University of Leeds]

[More]  ⦿

Aleezay Ajmal

Creator of the free sharp-edged typeface Edges (2013). [Google] [More]  ⦿

Alejandra Minjarez Luna

Mexican designer of the free children's book typeface Orikids (2018). [Google] [More]  ⦿

Alejandra Rodriguez

Bogota, Colombia-based creator of Montaga (2012), a free font published at Google Web Fonts. Montaga is a roman font in the Trajan style, with a lower case added.

In 2014, she designed the grid-and-circle-based typeface Risk.

Old Behance link. [Google] [More]  ⦿

Alejandro Bastardo

Anaco, Venezuela-based designer of the Halloween font Longly Ghost (2021; or Lonely Ghost), the minimalist geometric sans Linarc (2021), and the octagonal typeface Quadrilateral (2021). Typefaces from 2022, mostly with free versions: Sweet Choco (retro slab serif), Wavystem (a display sans, perhaps with a childish charm), Round Love (plumpish, hand-drawn), [Google] [More]  ⦿

Alejandro Cabrera Avila
[Cabrera Typo]

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Alejandro Cruz

Seattle, WA-based designer (b. 1998) of the outline font Jig Saw (2020). [Google] [More]  ⦿

Alejandro Fabuel

Designer of the free handcrafted typeface Fab Craft (2015). [Google] [More]  ⦿

Alejandro Freitez

Originally from Maracay, Venezuela, Alejandro Freitez is now based in Buenos Aires, Argentina, where he releases his fonts mostly through Sudtipos. His typefaces:

• The squarish inline typeface Rectil (2013).
• The free text font Calicanto (2015), which was published by Sudtipos in 2019.
• The multistyle wood type look / Western / Victorian / reverse stress / hyper-decorative Presley Slab (2019). By Alejandro Freitez and Claire Menager, under the art directoship of Alejandro Paul.
• Ansage (2020, at Sudtipos). Ansage is a 61-style sans family (and a variable font with weight, width and italic axes) that revisits the early sans types from the 19th century, rough, raw and unsophisticated.

Alejandro Inler

Graphic designer who studied at FADU, University of Buenos Aires, from 1997 until 2005. Creator of these typefaces:

• Elsie Swash Caps (2012, with Ana Sanfelippo). Free at Google Web Fonts. The this a fashion mag display didone with plenty of additional ball terminals: Elsie is inspired by feminine energy. This new typeface was created to celebrate the world of women, glamour and fashion. It combines the strength of Bodoni with the softness of italics. Sensitive, attractive, full of personality, innovative and subtle with both classic and new design features.
• Elsie (2012, with Ana Sanfelippo). Free at Google Web Fonts. Elsie was Alejandro's graduation typeface at FADU-UBA.
• Wendy One (2012). Free at Google Web Fonts, it is loosely based on the Stabilo logotype, and shows the quirkiness of retro futurism.