27 TTC Fonts

Nick Shinn ran an interesting project in his 2009 class at Humber College in Toronto. In the 1950s, Toronto built a subway system [which is run by the TTC, the Toronto Transit Commission], with comprehensively modernist architecture. As part of the program, a geometric, all-caps typeface was designed (anonymously), for use in signage [read Joe Clark's article about the type and its history]. Nick Shinn's course began with digitizing the original drawings, to introduce the technicalities of font production in FontLab, and then proceeded with students producing their own designs for a matching lower case. The 27 students each produced a typeface. The results are here: Alex Plociennik, Andrea Luis, Andrew Clanahan, Andrew Hodge, Chris Bacchus, Cornelius Quiring, Craig Steffan, Daniel Marcus, Dan Mitchell, Danny Wu, Darren Ray, David Spindler, Gurchan Birdi, Jackie Saik, Joe Beausoleil, Katie Short, Mag Ciemiega, Michael Cirillo, Michael Lao, Michael Neto, Nick Seeger, Nik Firka, Orlena Chan, Piotr Dymura, Scott Krysa, Tiffany Delve, Todd Haskins. [Google] [More]  ⦿

4th February
[Sergiy Tkachenko]

Sergiy Tkachenko (b. 1979, Khrystynivka, Cherkasy region, Ukraine) lives in Kremenchuk, Ukraine, and has been a prolific type designer since 2008. Sergiy graduated from Kremenchuk State Polytechnic University in computer systems and networks in 2007. Various other URLs: Microsoft link, Identifont, 4th February, Behance, Klingspor link, Revision Ru, Russian creators, CPLUV Fontspace, Twitter. Kernest link. Sergey Tkachenko's typefaces:

• 2008: the techno faces Bladi One 4F, Bladi One Slab 4F, Bladi Two 4F, Abia Wide 4F Thin.
• 2009: Zantiqa (an über-serif), Serifiqo (a (free) thin didone fashion mag display face), Codename Coder 4F (monospace programming font), Droporado 4F (using circles only), Tovstun (futuristic, ultra-fat and rounded), Perfocard 4F, Modularico (five modular faces based on a logo from Master Kremenchug a company for which Sergiy worked for 4 years), Boldesqo Serif 4F (a splendid informal fat didone, now with Greek support), Tkachenko Sketch, Unicase Slab (a techno slab), Laftatic, Logofontik 4F (techno), PC.DE Stencil (+Italic; custom stencil font), Stenciliqo 4F, Tiap Liap 4F (handwriting), Nut Kit 4F, Rezzzistor 4F, Wrongo 4F, the inline modular face Grand Hotel, and Bijou 4F.
• 2010: PädIn (a custom typeface for Pädagogische Initiative e.V.: rounded fat informal face), Fat Quad (in the fatty trend), Veselka (a free multiline face), Smeshariki Black (+ Gleams: a bubble gum font made for an animation company), Republica 4F (a fat family), Rodeqa Slab 4F, ComFi (semi-octagonal), Grotesqa 4F, Nowy Geroy 4F, Fabryka 4F (a monospaced typewriter family), Placarto4F-Italic (an ultra fat art deco), Lavina 4F (a hairline sans with lachrymal terminals).
• 2011: Model 4F Unicase (a unicase fat didone released in 2013 only), Fontatigo 4F, Kylie 4F (bilined and geometric), Waldemar 4F (a large didone style fat face family), Dinesqo (2011, a monoline sans of utter simplicity), Qargotesk (+Cyrillic) [images: i, ii, iii, iv], Neultica 4F (black unicase family), Squartiqa 4F (2011, constructivist), Clarenta 4F Black (after Clarendon---a great family), Designosaur (free sans), Perfopunto (based on perforated circles and squares), OlaScript 4F, Bayadera 4F (a tamed upright monoline script), Febrotesk4FUnicase (squarish unicase family).
• 2012: Targo 4F (rounded face with stencil and non-stencil styles), Myra (free font), Myra 4F Caps (free), Cedra (wide monolined sans face), Fontatica 4F (rounded techno grotesk), Akzentica 4F, Ukraintica 4F Wide (a monoline wide-bowled sans family), Laventa 4F, Sports World (free athletic lettering font), Web Serveroff (free computer geek font), Octin Spraypaint Cyrillic (a rough stencil done exclusively for Ninja Theory).
• 2013: Condesqa (modular sans), Esqadero (an uncomplicated monoline sans), Vanyla 4F Unicase (monoline), Esqadero FF CY (a free wide sans, Cyrillic), Bond (a confident no-frills sans), Attentica (free sans font for Latin and Cyrillic), Cedra 4F Wide Thin.
• Cyrillizations: several typefaces such as Lavoisier (by Alec Julien), Budmo Jiggler (Ray Larabie) and JoAnne Display (Sandy Cerovich), Gnuolane (of a Ray Larabie font), Paranoid Cyrillic (based on Kevin Lo's Paranoid), Movavi Grotesque Black (+Cyrillic; image; numerals), Azoft Sans (made for Azoft, and free here).
• Custom fonts: Blue Pill, Sansus Webissimo (since 2011 free at Open Font Library), Minaeff ECT (2011, a free legible family for Latin and Cyrillic, custom-made for and downloadable from WebhostingRating.com), Web Serveroff, Movavi Grotesque, Azoft Sans, PÄd In, Smeshariki, Fat Cow, Comfi, PC.de, League Gothic Cyrillic, Paranoid Cyrillic, 28 Days Later Cyrillic, Acid Label Cyrillic, Dead Secretary Cyrillic, Rezland Cyrillic, Sweet Leaf Cyrillic, Droid Cyrillic, Jo Anne Display Cyrillic, Gnuolane Free Cyrillic, Bosox Cyrillic, Budmo Jiggler Cyrillic.
• Typefaces from 2014: Glasoor (2014: free oil spill or jelly bean font), Robotesqa.

Abstract Fonts link. Dafont link. Behance link. Hellofont link.

View Sergiy Tkachenko's fonts. [Google] [MyFonts] [More]  ⦿

A2 Type
[Henrik Kubel]

A2-Type (or simply, A2) is a type foundry set up in the autumn of 2010 by the London based design studio A2/SW/HK. The designers are Henrik Kubel and Scott Williams. A2's bespoke type design is mainly the responsibility of Henrik Kubel, though every typeface is developed and approved by both partners. Kubel is self-taught, making his first typefaces while studying at Denmark's Design School from 1992-97. Their typefaces:

• 4590
• 60 Display.
• Antwerp (2011). A readable text family designed by Kubel during an Expert Type Design Class in 2011 at Plantin Genootschap in Antwerp.
• A2 Archi (2005, Henrik Kubel): an octagonal face.
• A2 Aveny-T (2000, Henrik Kubel): Poster typeface commissioned as aprt of the identity of the Aveny-T theatre in Copenhagen.
• Agriculture.
• Archi.
• Banknote.
• A2 Battersea (1999, Henrik Kubel): inspired by Meta, DIN and Transport Alphabet. Followed in 2012 by Battersea Slab.
• Bauhouse.
• A2 Beckett (2008). A condensed sans family with the masculinity of Impact.
• Boing.
• Copenhagen
• A2 CPH Tram (2009, Henrik Kubel): revival of an odd mini-serifed type found on the exterior of Danish trams, ca. 1920.
• A2 CWM (2008, Henrik Kubel): constructivist type designed for the headlines and cover of Cold War Modern Design 1945-1970.
• Dane.
• A2 Danmark (2008, Henrik Kubel): a display stencil family.
• A2 Ergonomics (2011).
• Flavin Medium.
• A2 Flowers (2005, Henrik Kubel): arrows, fists, flourishes, ornaments.
• A2 FM: slab serif family.
• A2 Grot 10 (2009, Henrik Kubel): a take on the Grot Series by Stephenson Blake.
• A2 Impacto (2005, Henrik Kubel): Impact?
• A2 Klampenborg (1997, Henrik Kubel): industrial style sans.
• Kunstuff.
• London (2010).
• Magna.
• Maximum.
• A2 Monday (2003, Henrik Kubel): based on 19th century English vernacular serif signage type.
• Naive.
• New Rail Alphabet (2009). A refreshed and expanded version of Margaret Calvert's alphabet from the 1960s which saw nationwide use with British Rail, BAA, and the NHS. Developed in cooperation with Margaret Calvert.
• New Transport (with Margaret Calvert). A digital version of Transport, the Jock Kinnear and Margaret Calvert typeface for the British road signs. New Transport will be commercially released in September 2013.
• Nosferato.
• Ole.
• Outsiders (+Outsiders Light and many other weights). A slab serif family.
• Parsons Green Medium.
• Square.
• Staton.
• Tagstyle.
• Test.
• Triumph.
• A2 Typewriter (2000, Henrik Kubel): based on Olivetti Typewriter 22.
• A2 Vogue Floral: a fashion mag modern display face in two styles.
• Vogue Paris.Granshan 09 Type Design Competition. 1st Prize, Display fonts.
• A2 Zadie (2005, Henrik Kubel): inspired by Edwardian railings surrounding the Royal Army Military College in London. Used on the cover of the Zadie Smith bestseller On Beauty (2005, Penguin Press, NY). Granshan 10 Type Design Competition. 3rd Prize, Display fontt described as an ornamental blackboard bold type.

At ATypI 2013 in Amsterdam, he speaks about New Transport.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Abdul

Lebanese designer who created Beantown (2004, an athletic lettering font), Staubach (2004, an athletic lettering face based on the lettering of the Dallas Cowboys), Wagner Modern (2011), Kroftsmann (2004, on octagonal face), Kavelry (2004, based on the Kemper Insurance logo), 4th and inches (2008, rounded octagonal; based on the proprietary font used by Russell Athletic, makers of sports apparel as used by Georgia Tech BKB, Washington State, Alabama State, Tennessee State, Mississippi Valley State, and many others in college football), and PopWarner (2004, a Bank Gothic lookalike), Wagner Zip Change (grotesque), Richardson Fancy Block. Creator of some free soccer team lettering alphabets in 2010: Louisville, Puff Script, Red Raiders, Richardson Fancy Block, Wagner Zip-Change (based on grotesque signage letters), ACMilan2009, ASRoma, ChampionsLeague, England2007, MLSUniform, RealMadrid2009. About his GeauxXPDF face (2010), he writes: I had extracted a nearly complete set on this one a few years back, except for J and Z which I created on my own. As best I can tell, it only exists as an upper case font without most punctuation, so I created that too to make it more useable. I don't know how much LSU [Louisiana State University] paid for this design, but to me it always looked like something that Larabie or Iconian would have given away. He also extracted HDRadioAlphabet from a rounded Arial face he found on HD radio. His UScoreRGK (2012) is a blocky angular font used on-screen by Fox Sports. LCD Display (2012) is a 28-segment LED font. UA Terrafont (2012) was based upon the vector art in this PDF file.

In 2013, he published the athletic lettering family High School USA and the octagonal typeface UA Cadet.

See also here. Dafont link. Fontspace link. Another URL. [Google] [More]  ⦿

Adrian Frutiger

Famous type designer born in 1928 in Unterseen, Switzerland. He closely cooperates with Linotype-Hell AG, after having been artistic director at Deberny-Peignot in Paris since 1952. He established his own studio in 1962 with André Gürtler and Bruno Pfaftli. Art director for Editions Hermann, Paris 1957 to 1967. Frutiger now lives near Bern, Switzerland, and is primarily working with woodcuts. In 2009, Heidrun Osterer and Philipp Stamm coedited Adrian Frutiger Typefaces The Complete Works (Birkhäuser Verlag), a 460-page opus based on conversations with Frutiger himself and on extensive research in France, England, Germany, and Switzerland. Quote: Helvetica is the jeans, and Univers the dinner jacket. Helvetica is here to stay. He designed over 100 fonts. Here is a partial list:

• Président (Deberny&Peignot, 1954). Digitized by Linotype in 2003.
• Delta.
• Phoebus (Deberny&Peignot, 1953).
• Element-Grotesk.
• Federduktus.
• Ondine (Deberny&Peignot, 1953-1954). The Bitstream version of this font is Formal Script 421. Adobe, Linotype and URW++ each have digital versions called Ondine. Bitstream's Calligraphic 421 is slightly different.
• Méridien (Deberny&Peignot, 1955-1957). Digitized by Adobe/Linotype in 1989.
• Caractères Lumitype.
• Univers (Deberny&Peignot, 1957). About the name, Frutiger wrote I liked the name Monde because of the simplicity of the sequence of letters. The name Europe was also discussed; but Charles Peignot had international sales plans for the typeface and had to consider the effect of the name in other languages. Monde was unsuitable for German, in which der Mond means "the moon". I suggested "Universal", whereupon Peignot decided, in all modesty, that "Univers" was the most all-embracing name!. Univers IBM Composer followed. In 2010, Linotype published Univers Next, which includes 59 Linotype Univers weights and 4 monospaced Linotype Univers Typewriter weights, and can be rented for a mere 2675 Euros.
• Egyptienne F (1955, Fonderie Deberny&Peignot; 1960, for the Photon/Lumitype machine).
• Opéra (1959-1961, Sofratype).
• Alphabet Orly (1959, Aéroport d'Orly).
• Apollo (1962-1964, Monotype): the first type designed for the new Monotype photosetting equipment.
• Alphabet Entreprise Francis Bouygues.
• Concorde (1959, Sofratype, with André Gürtler).
• Serifen-Grotesk/Gespannte Grotesk.
• Alphabet Algol.
• Serifa (1967-1968, Bauersche Giesserei). URW++ lists the serif family in its 2008 on-line catalog. Other names include OPTI Silver (Castcraft), Ares Serif 94, and Sierra. Bitstream published the digital typeface Serifa BT. But it is also sold by Adobe, Tilde, Linotype, URW++, Scangraphic, and Elsner & Flake. The slab serif is robust and is based on the letterforms of Univers.
• OCR-B (1966-1968, European Computer Manufacturers Association).
• Alphabet EDF-GDF (1959, Électricité de France, Gaz de France).
• Katalog.
• Devanagari (1967) and Tamil (1970), both done for Monotype Corporation.
• Alpha BP (1965, British Petroleum&Co.).
• Dokumenta (1969, Journal National Zeitung Suisse).
• Alphabet Facom (1971).
• Alphabet Roissy (1970, Aéroport de Roissy Charles de Gaulle).
• Alphabet Brancher (1972, Brancher).
• Iridium (1972, Stempel).
• Alphabet Métro (1973, RATP): for the subway in Paris.
• Alphabet Centre Georges Pompidou. The CGP typeface (first called Beaubourg) used in the Centre Georges Pompidou from 1976-1994 is by Hans-Jörg Hunziker and Adrian Frutiger, and was developed as part of the visual identity program of Jean Widmer. It is said that André Baldinger digitized it in 1997.
• Frutiger (1975-1976, Stempel, with Hans-Jörg Hunziker). In 1999, Frutiger Next was published by Linotype. In 2009, that was followed by Neue Frutiger (a cooperation between Frutiger and Linotype's Akira Kobayashi). In fact, Frutiger, the typeface was made for the Charles De Gaulle Airport in 1968 for signage---it was originally called Roissy, and had to be similar to Univers. It was released publically as Frutiger in 1976. The modern Bitstream version is called Humanist 777. Frutiger Next Greek (with Eva Masoura) won an award at TDC 2006. Other digital implementations of Frutiger: M690 (SoftMaker), Quebec Serial (SoftMaker), Frutus (URW), Provencale (Autologic), Frontiere (Compugraphic), Freeborn (Scangraphic), Siegfried (Varityper). Poster by Devin Lindsay.
• Glypha (1979, Stempel). See Gentleman in the Scangraphic collection).
• Icône (1980-1982, Stempel, Linotype). Digitized by Linotype in 2003.
• Breughel (1982, Stempel; 1988, Linotype).
• Dolmen.
• Tiemann.
• Versailles (1983, Stempel).
• Linotype Centennial (1986).
• Avenir (1988, Linotype). In 2004, Linotype Avenir Next was published, under the supervision of Akira Kobayashi, and with the help of a few others. Lovely poster by Ines Vital (2011).
• Westside.
• Vectora (1991, Linotype).
• Linotype Didot (1991). See also Didot eText Pro (2013, Linotype).
• Herculanum (1989, Linotype): a stone age font.
• Shiseido (1992).
• Frutiger Capitalis (2006, Linotype): a further exploration in the style of Herculanum, Pompeijana and Rusticana. Linotype trademarked that name even though at least five fonts by the name Capitalis already exist.
• Pompeijana (1993, Linotype).
• Rusticana (1993, Linotype).
• Frutiger Stones (1998, Linotype) and Frutiger Symbols.
• Frutiger Neonscript.
• Courier New, based on Howard Kettler's Courier, was one of Frutiger's projects he was involved in ca. 2000.
• AstraFrutiger (2002): a new signage face for the Swiss roads. Erich Alb comments: With a Frutiger condensed Type and illuminated signs during night it is mutch better readable.
• Nami (2008) is a chiseled-stone sans family, made with the help of Linotype's Akira Kobayashi.
• Neue Frutiger (2009, with Akira Kobayashi) has twice as many weights as the original Frutiger family.

Linotype link. FontShop link. Adrian Frutiger, sa carrière française (2008) is Adèle Houssin's graduation thesis at Estienne.

Klingspor link. Wikipedia link. View Adrian Frutiger's typefaces.

View some digital versions of Avenir. Vimeo movie on Frutiger by Christine Kopp and Christoph Frutiger entitled "Der Mann von Schwarz und weiss: Adrian Frutiger". More Vimeo movies. [Google] [MyFonts] [More]  ⦿

Adrien Midzic
[Fatnobrain]

[MyFonts] [More]  ⦿

Agence Eureka

Flickr page by Agence Eureka, which has scanned many lettering books from the art deco era and the immediate post-war era. [Google] [More]  ⦿

Agung Maskund
[Decade Typefoundry]

[MyFonts] [More]  ⦿

Aisforapple
[Emilie Rigaud]

Émilie Rigaud is a French designer who obtained an MA in typeface design from The University of Reading (2009), based on her typeface Coline, a family of seven typefaces intended for pocket books. Before Reading, at ENSAD, she made the simple monoline sans family La Miss Ulm (2006).

In 2007, she started work under the guidance of Alejandro Lo Celso and Philippe Millot on a revival of the first type printed in France, at the Sorbonne, by Ulrich Gering. This work is based on a 1478 edition of Virgilius.

Grotesque 6 (2009) is based on a typeface published in 1880 by Stephenson Blake.

In 2012, we find her fonts again at Aisforapple, including Jaakko (signage), Coline Cursive, Coline Première, Coline Extrême, Grotesque 6, and BTP (polygonally-outlined typeface).

Old URL: Mouton Sauvage. Klingspor link. Personal site. [Google] [More]  ⦿

Alan Meeks

Prolific type designer, b. London, 1951. Alan started work in 1970 for Graphic Systems as a lettering artist. In 1975, he joined Letraset as the Senior Type Designer and Studio Manager where he was responsible for all the artwork produced by the Letraset studio. During his tenure at Letraset, he designed over 40 popular typefaces, including Bramley, Candice, Bickley Script and Belwe. Most of these faces also showed up in the Scangraphic collection. Together with type director Colin Brignall, Alan contributed to the success of Letraset. All the original typographic artwork produced at Letraset was produced by hand cutting the fonts in Rubylith, a highly-skilled technique known as stencil cutting. Alan was responsible for training the entire Letraset studio in this art. Most of the original Letraset artwork has now been archived at St. Brides Printing Library, London. Today, Alan works independently, specializing in all facets of corporate identity including type design, typography, packaging, and development of logos and symbols.

His oeuvre (sold via MyFonts) includes:

• Font Factory: Chalfont (similar to Antique Olive), Brigade (classic roman), Fairway (curly sans), Copacabana (italicized roman).
• Elsner&Flake fonts: Bramley, Cabaret, Candice, Chesterfield, Einhorn (1980, Scangraphic, a revival of a 1931 face by H. Machler called Salut), Frankfurter (1978-1981, with Nick Belshaw and Bob Newman; for digital versions, see Farnham by Infinitype and F821 Deco by SoftMaker), Galadriel (1975; specimen; another specimen), Glastonbury, Knightsbridge, Plaza, Princetown (athletic lettering font done in 1981 based on Princetown by Dick Jones at Letraset), Rialto, Shelley, Tarragon (1981, art nouveau).
• ITC fonts: Algerian Condensed, Ambrose, Belwe Mono, Bertie, Bickley Script, Burlington (1985), Cabaret, Campaign (stencil), Cancellaresca Script (1982), Champers, Claude Sans, Dynamo Shadow (1977), Fashion Compressed (1986, Letraset: a fashion mag didone typeface), Flamme (1993), Follies (1991), Frankfurter (1978-1981, with Nick Belshaw), Glastonbury (1979), Inscription, Jazz, Lightnin' (1994), Limehouse Script (1986), Locarno (1986), Malibu (1992), Plaza, Ragtime, Regatta Condensed, Savoye, Shelley, Tannhauser (1988), Varga (1991), Waterloo Bold (1987).
• Letraset fonts: Aachen, Ambrose (1985), Belwe Mono (1989), Bertie (1985, a Mexican simulation face), Bickley Script, Burlington (1985), Campaign, Champers, Claude Sans (1988), Fashion Compressed, Flamme, Follies, Inscription, Jazz (1992, art deco), Lightnin, Limehouse Script, Locarno, Malibu, Ragtime, Regatta Condensed, Savoye (1992), Tannhauser, Varga, Waterloo Bold.
• Linotype fonts: Aachen, Algerian, Belwe Mono, Bertie, Bickley Script (1986), Bramley, Burlington, Cabaret (1980), Campaign, Cancellaresca Script, Candice, Champers (1991), Chesterfield, Claude Sans, Dynamo, Einhorn, Fashion, Flamme (script), Follies, Frankfurter, Galadriel, Gill Display Compressed, Glastonbury, Inscription (1994), Jazz (1992), Kestrel (a connected signage script on which Ralph Unger's 2011 face Faulkner Pro is based), Knightsbridge, Lightnin, Limehouse Script, Locarno, Malibu, Plaza (1975), Plaza, Ragtime (1987), Regatta Condensed, Rialto, Savoye, Shelley, Tannhauser, Tarragon, Varga.
• Typefaces from 2014: Falcon Script.
• URW++ revivals: Glastonbury (2009).
• Allan Meeks collection (Cedars, PA): Colosseum (2008: 8-style Trajan-style sans), Fairway (2003), Astoria (2006, miniserifed family based on Gill Sans), Brigade (2003, serif family), Chalfont (2003, sans), Copacabana (2004, based on Goudy Old Style Italic), Vatican (2005, a calligraphic face whose lower case is influenced by the lettering of Arthur Baker).
• Custom type: Benson&Hedges, Lilt, The Woolmark Company, Somerfield, Tarmac, Clearstream.

FontShop link. Linotype link.

View Alan Meeks's typefaces. Yet another page with Alan Meeks's typefaces. [Google] [MyFonts] [More]  ⦿

Albanis Ashmun Kelly

Author of Expert Sign Painter (1911). That book served as inspiration for Nick Curtis's Gasoline Alley NF (2002). [Google] [MyFonts] [More]  ⦿

Albert Pereta
[La Foneria]

[More]  ⦿

Alejandro Paul
[Sudtipos]

[MyFonts] [More]  ⦿

Alejandro Paul

Designer who lives in Buenos Aires and who teaches graphic design and typography at the Universidad de Buenos Aires. He has worked as an art director in prestigious Argentina-based studios, handling high-profile corporate brands such as Arcor, Marta Harff, Morph, SC Johnson, Danone, and Movicom. He runs Estudio Paul. Professor at Facultad de Arquitectura, Universidad de Buenos Aires. Co-creator, with Apostrophe at Apostrophic Laboratory, of Usenet (2000), FontCop I through IV (2000) and the pixel font family Cayetano. Published the dot matrix font Stardust wth T-26 in 2000. Designed the gorgeous font Elektora in 2000. He developed with Michael Lynch a 17-font Tennis set of grid-based pixel fonts. At Typeworx, he published Reflex (2002), a commercial 6-style unicase font family. Another web site by Alejandro. Cofounder of DAS, a design studio in Buenos Aires.

Cofounder of Sudtipos (2003), where he does custom work and creates new typefaces.

His work there includes Tierra (a titling face), Latinaires (originally called Latina Sans), Reflex, Downtempo (2003), Stardust and Mosaico (1999, pixel face).

Still at Sudtipos, he digitized the beautiful handwriting/calligraphic faces by Angel Koziupa called Alma (2005), Murga, Habano and Tiza, which together with his script face Argenta (2004), Oxida (2005), the medieval script face Mama Script (2004, designed with Alfredo Graziani), Divina (2004, with Alfredo Graziani), and the sans family Kautiva (2004) can be bought via Umbrella Type at Veer.

For children's orthography, he developed Estrada Hand, on commission for Editorial Estrada. He was working on the serif family Libertina (2004).

Herencia (2004, a handwriting face done with Diego Giaccone), Grover (2004, slab serif), Milk Script (2004, with Alfredo Graziani), Mama Script (2004, with Alfredo Graziani), Politica (2004, a techno face with a very thin Thin weight) are at Sudtipos.

The Bluemlein Scripts (2004-2005, Umbrella and Veer) are based on the calligraphic renderings of Charles Bluemlein, shown in a 1943 ink catalog: Miss Le Gatees, Mr Rafkin, Mr Keningbeck, Mr Lackboughs, Lady Dawn, Mrs Von Eckley, Mr Sheppards, Mr Dafoe, Mr Canfields, Mr Stalwart, Mr Sandsfort, Mr Leopolde, Mr DeHaviland, Mr Blaketon, Miss Stanfort, Miss Packgope, Miss Fajardose, Mrs Saint-Delafield, Mrs Blackfort, Mr Sopkin, Mr Sheffield, Miss Lankfort, Herr Von Muellerhoff, Dr Sugiyama, Dr Carbfred. (Note: Soft Horizon's Lainie Day (1993) is an earlier free font in the style of Lady Dawn and Mr Lackboughs). In 2011, that series was made available at Google Web Fonts.

Sudestada (2005, Sudtipos) is a handwriting script developed with Diego Giaccone. Cuisine (2005, Umbrella Type) is an informal bold script. Mousse Script (2005, Sudtipos) is based on Glenmoy, a 1932 Stephenson Blake typeface. Suave Script (2005) is a 4am jazz bar script. Ministry (2005) is related in style but less funky, Chocolate (2005) is for sales ads, and Cenizas (2005, with Angel Koziupa) is straight from an old manuscript.

Whomp (2006, Umbrella) was based on a partial sign-painting font by Alf Becker (1930s), and so was Buffet Script (2006, Sudtipos). Affair (2006, Umbrella) is swashy and calligraphic, while Candy Script (2007) and its italic version Sugar Pie (2011) are based on Argentina's market lettering. Galgo Script (2007) is a brush calligraphic font based on a design of Angel Koziupa.

Burgues Script (2007) is an ornate calligraphic script based on the lettering of calligraphy teacher Louis Madarasz (1859-1910) (PDF; award at TDC2 2008). Burgues Script, Adios Script (2008: it won an award at TDC2 2009), Feel Script and Sugar Pie all won awards at Tipos Latinos 2008.

Sinfonieta (2006) and Buffet Script are fifties style connected scripts. Feel Script (2007) is based on lettering that calligrapher and logo designer Rand Holub created in 1950 and that was subsequently captured in Intertype's face Monterey (1958). Some letterforms were redrawn from vintage American magazine ads (some by Holub himself), Cuisine (2008, food advertising script), Pronto (2008, comic book style, by Alejandro Paul and Angel Koziupa), Grover (2004, rounded sans family), Grover Slab (2004). Burgues Script, Adios Script, Feel Script and Sugar Pie all won awards at Tipos Latinos 2008. Calgary Script (2008, Umbrella) is a pure signpainting job.

Accolades from all typophiles for his calligraphic wunderkind, Compendium (2008, see also the slide show).

The 2009 haul: Sugar Pie (signage font), Bravissima Script, Theorem (upright semi-script).

Speaker at ATypI 2009 in Mexico City.

The year 2010 starts off with a bang, five awards at Tipos Latinos 2010: a grand prize for Brownstone Sans, and four standard awards, for Semilla, Kewl Script (for food packaging and store windows), Calgary Script, and for Business Penmanship.

Typefaces from 2010 include the baseball lettering face Fan Script and the tattoo script face Piel Script (piel=skin), which was influenced by Burgues Script and more remotely by showcard lettering by B. Boley (1930s, Sign of the Times Magazine). Piel Script won an award at Tipos Latinos 2012.

In 2011, he and Koziupa made the fat signage face Aventura and Viento (a grunge version of their earlier 2004 face, Brisa).

He added one retro connected signage font to the Filmotype collection in 2012, called Filmotype Kitten (original from 1955). Filmotype Zephyr (2012) is an italic roman formal script. Filmotype Yukon (2012) is inspired by the classic Palmer style of penmanship.

Storefront (2012) is a swashy signage face based on an incompletete alphabet by Alf Becker.

His signage script typeface Hipster Script won an award in the TDC 2012 competition and at Tipos Latinos 2012.

Typefaces from 2013: Rolling Pen (a connected script that recalls the business penmanship genre), Bellissima Script (based on a copperplate calligraphic alphabet from Bellezas de la Caligrafía by Ramón Stirling, 1844). [Google] [MyFonts] [More]  ⦿

Aleksandr Sukiasov

Georgian designer (b. 1988, Georgia) who runs his own foundry in Tbilisi. MyFonts link. He created the Helvetica-like Lax family (2010).

In 2012, he created the free typeface Grammatika (or Grammatica) out of Helvetica and DIN. AS Naya (2012) is a minimalist condensed sans family. AS Nerd (2012) is a sign-painting brush script.

In 2013, the following typefaces could be bought at Graphic River: AS Scripty, AS Vardo (hairline sans), AS Negal, AS Vino, AS Neo Medium, AS Amplo (a wide all caps sans), AS Neo, AS Bordo Regular, and AS Grammatika.

Klingspor link. Behance link. Link to his studio. Graphic River link. [Google] [MyFonts] [More]  ⦿

Aleksandra Samulenkova

Aleksandra studied art and design at the Latvian Art Academy, where she graduated with a BA, and at the Kunsthochschule Weissensee in Berlin. She is a multidisciplinary designer and active as an artist. Graduate of the Type and Media program at KABK, Den Haag, class of 2012. She is now working in Berlin with Luc[as] de Groot.

Her graduation typeface was Pilot (2012, angular display and signage style). [Google] [More]  ⦿

Alessandro Fulciniti

Alessandro Fulciniti (Axel or Alex Fulton) is the designer at FontStruct in 2008 of Digg (based on the Digg.Com logo), SmartShop, Triple-X, Last Brick (3d brick face), Last Brick Neon, Bubble Gum, Maxxell, Pico (pixel face), Omino (dingbats of men), jelly_fish_1, pixel_runner, red_light_district (dot matrix face), three_am. Son of Statement and Statement are heavy block fonts. Other faces: Acchooga (condensed), Dottic (2008, pixel face), Headshop (2008), Three AM (2008), Red Light District (2008, dot matrix face) and Fat Bit Lova (2008, pixel face), Brooklin Bros (2008, octagonal), Absurd, Dottic (pixel face), Hybrid Boost, Five AM, Futuristica (Bank Gothic-inspired), HeadShop, Americana (American flag-themed glyphs), Elevator (lightbulb signage font), Bombay (Indic simulation), Regent (octagonal, between two horizontal lines), Spaceman (pixel meets kitchen tile), Faster Baby, Fontharrt, Subpixel, Promises, Best-before-end (horizontal stripes), Weekend (fat headline face), Predator's Alphabet, Futures, Magnus (constructivist), Zeppa (great---Far West meets LED), Wide Horizon, Pixelity, Wide Horizon Rounded, Snipers' Font, Gunny (heavy metal stencil), Pinball Special 5, Gallop, Horizon Condensed, Western Zappa (Far West font), Wide Horizon Rounded, Nano Spaceman (nice fat kitchen tile style), Black Sheep, Best-before-end, Black-Sheep, Bubble-Gum, Crazy-Pixel, Faster,-baby!, Gallop, Horizon-Condensed, Last-Brick, Little-Spaceman, Magnus, Pinball-Special-5, Promises, Spaceman, Teenage-Mutant-Ninja-Font, Weekend, Zeppa, maxxell, pic. Born in 1975 in Northern Italy, he is a columnist for the Italian web design portal html.it since 2003, who has written extensively on CSS, javascript and web design. Web site. [Google] [More]  ⦿

Alex Liebold
[Context Foundry]

[MyFonts] [More]  ⦿

Alex Tomlinson
[Skyhaven]

[More]  ⦿

Alexandre Saumier Demers
[Coppers & Brasses]

[More]  ⦿

Alexey Frolov

Designer in St. Petersburg, Russia, b. 1992, aka Alexey Frukta. He made the free fonts Kankin (2012, a heavy display face for Latin and Cyrillic), Silverfake (2012), Tetra (2011. +Cyrillic), Pacifica (2011), Perforama (2010), Velvet Drop (2010) and Bardelin (2010), Sumkin (2010, a fat signage face for Latin and Cyrillic), SumkinfreetypeMRfrukta2010, TotShrift-BoldBold (2010), Bext (2010), the leaf-themed display face Kaori (2010, Latin and Cyrillic), Grandnover (2010), and the futuristic faces Kvadro (2009), Brava Novella (2010, heavy slab serif) and Kardon (2010), downloadable here.

Some of his fonts are commercial, including the beautiful fat display face Houston (2013).

Behance link. Klingspor link. Hellofont link. [Google] [More]  ⦿

Alice Glenane

Together with Remy Chard, Alice Glenane (Gold Coast, Australia) created the experimental typeface Shadow Line (2013) which was inspired by the architecture of The Queensland Museum. [Google] [More]  ⦿

Alice Resseguier

French type designer who contributes to FontYou. In 2014, Alice Resseguier codesigned the punchy poster typeface Kraaken FY with fellow FontYou designers Bertrand Reguron, Valentine Proust, Julien Priez, Gia Tran, Jérémie Hornus, and Alisa Nowak.

Bertrand Reguron, Alice Resseguier and Gia Tran codesigned the retro signage script typeface Coco FY (2014).

Alice Resseguier and Gia Tran codesigned the girly script typeface Lola Lola FY (2014). This typeface was forcibly renamed Chelly FY a few days after its first appearance, possibly because there already was a typeface called Lola by Laura Messeguer. [Google] [MyFonts] [More]  ⦿

Alisa Nowak

French type designer who studied at Fachhochschule Düsseldorf (2009) and at the Ecole supérieure d'art et de design d'Amiens, France. In 2012, her blackletter typeface Eskapade Fraktur was published by Type Together. The angular weights Eskapade Regular and Eskapade Italic were added in 2012.

With Sebastien Degeilh, she is a partner in Nowak & Degeilh, a French typefoundry started in 2012. At Nowak & Degeilh, she created the 3d geometric overlay font family Carton (2012).

At Fontyou, Alisa codesigned the stylish Egyptian typeface Achille FY (2012) with Gia Tran, Gregori Vincens, Valentine Proust and Bertrand Reguron. With Gia Tran, Gregori Vincens, Valentine Proust and Elvire Volk, she codesigned the monoline sans display typeface Younion FY (2013). Younion One FY is free at Dafont.

Codesigner of Kaili FY (2013: an exotic typeface with crazy ligatures, inspired by Indian scripts, by Gregori Vincens, Bertrand Reguron, Gia Tran and Alisa Nowak) at Fontyou.

The EPS format display typeface Alice FY (2013) was codesigned by Alisa Nowak, Micaela Neustadt, Gia Tran, Bertrand Reguron and Valentine Proust at Fontyou. It was inspired by Adrien Genevard's lettering. Sub-themes are Alice in Wonderland and playing cards.

The EPS format frilly script typeface Lullaby FY (2013) was codesigned by Alisa Nowak, Micaela Neustadt, Gia Tran, Bertrand Reguron and Valentine Proust at Fontyou. It too was inspired by Adrien Genevard's lettering. Exquise FY (2013) is a fashion mag didone codesigned by Bertrand Reguron, Alisa Nowak, Valentine Proust, Elvire Volk and Gia Tran at Fontyou. Gia Tran, Alisa Novak, Micaela Neustadt, Bertrand Reguron and Grégori Vincens codesigned the curvy stressed elliptical sans typeface Bruum FY (2013).

Towards the end of 2013, she published four typefaces with Luis Gomes and Jeremie Hornus: Booster FY (a rounded sans), Gauthier FY (a transitional typeface family), Lean-O FY (a slab serif with leaning asymmetrical brackets; see also LeanO Sans in 2014), Marianina FY (a contemporary condensed 24-style headline sans family with simple strokes. Characterized by kinks in the ascenders).

Gregori Vincens, Gia Tran, J&eacxute;rémie Hornus and Alisa Nowak codesigned the humanist sans typeface Klaus FY (2013).

The slender display typeface Sérafine FY (2013) was codesigned by Jason Vandenberg, Jérémie Hornus and Alisa Nowak.

Codesigner with Mr. Zyan of the alchemic hipster font Pyrenees FY (2013).

In 2013, she collaborated with Jérémie Hornus and Fabien Gailleul at FontYou on the design of the astrological simulation typeface Astral FY. The same group of three collaborated in 2014 on Naive Gothic FY.

In 2014, Adrien Midzic, Jason Vandenberg, Jérémie Hornus, Julien Priez and Alisa Nowak codesigned the creamy script Vanilla FY. It was renamed Vanille FY after a few days. Still in 2014, Adrien Midzic, Jérémie Hornus and Alisa Nowak codesigned the very humanist sans family Saya FY and Saya Semisans FY. Luis Gomes, Jérémie Hornus and Alisa Nowak codesigned the rounded sans typeface family Booster Next FY in 2014. Joao Costa codesigned the thin lachrymal typeface Zitrone FY in 2014 at FontYou with Jérémie Hornus and Alisa Nowak. In 2014, Monica Munguia, Alisa Nowak and Jérémie Hornus codesigned the blackletter typeface Blackmoon FY. In 2014, Matthieu Meyer, Alisa Nowak and Jérémie Hornus codesigned the wedge serif typeface Ennio FY at FontYou. The punchy poster typeface Kraaken FY (2014) was designed by the FontYou team of Bertrand Reguron, Alice Resseguier, Valentine Proust, Julien Priez, Gia Tran, Jérémie Hornus, and Alisa Nowak. In 2014, Joachim Vu, Jérémie Hornus and Alisa Nowak codesigned the classical copperplate script typeface Vicomte FY. [Google] [MyFonts] [More]  ⦿

Alison Argento
[Dear Alison]

[MyFonts] [More]  ⦿

Alphabet Soup (or: Michael Doret)
[Michael Doret]

Michael Doret is a commercial hand lettering artist in Hollywood, CA, but born in New York in 1946. A graduate of The Cooper Union, he was interviewed by MyFonts in 2011. He worked at PhotoLettering as an assistant of Ed Benguiat. Klingspor link. Behance link. Veer writes: A graduate of the Cooper Union, Michael has run his own design studio for many years - first in New York City - and currently in Hollywood. An eight-time winner of the New York Art Directors Club Silver Award, Michael is a specialist in logos and letterforms. His unique typographic vision blends elements of lettering, illustration and graphic design. The inspiration for his work has come from such diverse sources as matchbook covers, theater marquees, enamel signs, early and mid-20th century packaging, and various other artifacts of this great land of ours. Although for much of his career he executed his work in traditional media, he now works almost exclusively in a digital format. In 2006, he set up his own foundry, Alphabet Soup.

Fonts sold by MyFonts. Behance link. FontShop link.

His typefaces:

• Dark Angel (2013). A gloomy black blackletter hybrid.
• Deliscript (2009): an upright connected script with accompanying slanted version. It was inspired by neon signs in from of Canter's restaurant in Hollywood. Winner at TDC2 2010. And a winner in the Type Design category, CA Magazine's Award of Excellence in their 2011 Typography issue.
• Deluxe Gothic (2010), a Bank Gothic style face. DeLuxe Gothic was also the name that Intertype used for their version of Bank Gothic. Images: i, ii), iii.
• Dynascript (2011). Patrick Griffin did the Opentype programming. Dynatype (2012) is the upright, slightly more formal cousin of Dynascript.
• Grafika (2009): a gorgeous 1930s art deco face originally designed for the credits of the movie Savages.
• Metroscript (2006, Alphabet Soup): a connected retro script.
• Orion (2003): an upright, linear script, based on an enameled sign (probably of 1930s vintage) that designer Michael Doret picked up at a Paris flea market.
• Power Station (2006): a 3-d athletic lettering family, with styles such as Block, Wedge, Block Low, Block High.
• Steinweiss Script (2010): a 2200-glyph curly script face called Steinweiss Script (2010), which captures a lot of the spirit of Steinweiss's album covers from the late 1930s and 1940s. (Opentype programming help by Patrick Griffin).

View Michael Doret's typefaces. The typeface libray at Alphabet Soup. [Google] [MyFonts] [More]  ⦿

Andinistas
[Carlos Fabián Camargo Guerrero]

Bogotá-based Colombian graphic design studio and type foundry Andinistas was founded in 1998 by Carlos Fabián Camargo Guerrero, Lennyn Salinas, Mariangeles Valero, Juan Carlos Valero, Jorge Alexander Camargo Guerrero, Rafael Rincón, and Jordi Teres. It was first located in Caracas, Venezuela, but moved in 2003 to Bogotá, Colombia. New names in its organization include Alexander Moreno. Many of its designers are Venezuelan.

Among their typefaces: Nikona, Magola (2008, puffy script), Angelita, Pepelepu, Zerotipo, Skuke, Retro, Radio Bemba, Pumarosa, Pr1, Oficia, Nativa, Mongol (free), Lirrot, Leroy (1999-2008, computer screen stripes), Leroy Dingbats (1998-2008), Hiroformica, Hibrida, Guerilla, Guerilla Outline, Gruada, Gancho Petare, Escuedra, Esbelta, DSNett, dia-D, Download, Denego, Cristal, Codiga, Codiga Icon, Codiga Destroy, Codiga Codec, Chacao Petare, Cazon Gothic, Boa, Biol, Ave-cedario, Anaira.

Cazon (2007, Camargo Guerrero) is a family of calligraphic origin consisting of 7 styles: Gris, Negra, Uno, Dos, Tres, Dingbats A and B and is based on the paintbrush letters found in the popular markets of La Guaira, Caracas. This family won an award in the experimental typeface category at Tipos Latinos 2008. Lirrot (2007) is a 6-style grunge handwriting face bordering on the psychotic, and comes with Lirrot Dingbats. It too won an award at Tipos Latinos 2008.

PP Lepu (1998-2008) is pixel grunge. Josefina (+Dingbats1) is a curly script also made in 2008. Navaja (2008) and Diad are collections of grunge fonts with grungy dingbats. Lucrecia 1 through 3 (2008) is a fat connected script family ranging from clean to splattered.

Telesforo (2008) radiates anger from its brushy grungy limbs. Telesforo Black won an award at Tiupos Latinos 2012. Ninja 1 and Ninja 2 (2008) are script fonts, and are accompanied by Ninja Dingbats (2008). Dsnet (2008) is a 6-style bare-bones rounded squarish family. Flaminia and Flaminia Dingbats (2008) are useful for food-related signage. Modelia (2008) is thick, informal, and looks like it was brushdrawn. Modelia won an award at Tipos Latinos 2010. Filomena (2008) is a brush family with a goth theme and an accompanying goth dingbats. Obdulia (2008) and Floro (2008) are extreme mural grunge fonts. Marimonda (2009) is grunge calligraphy.

Typefaces from 2012: Demetria (a hellish script), Ciclope (army stencil), Meteora (a sturdy weathered family), Kamuy (a grunge typeface, with dingbats, that links to Asian comic style lettering, and Japan in the Pacific War), Naturalia (an informal sans family).

In 2013, he made Gluten (a poster typeface family), Bengala Script (a distant relative of Mistral), Chef Script (a large signage script influenced by Ross F. George's Speedball lettering manual (1957)), Chef Script Dingbats (hilarious restaurant dings and fists), Sumergible Script.

Typefaces from 2014: Acustica (a calligraphic Acustica Script, with didone Acustica Caps, and a decorative Acustica Dingbats).

Sonora won an award at Tipos Latinos 2014.

View the typefaces designed by Andinistas.

Klingspor link. Dafont link. Behance link. [Google] [MyFonts] [More]  ⦿

André Zottolo
[Artist of Design]

[MyFonts] [More]  ⦿

Andrew Lines Graphic Arts (or: Drewfont Foundry)
[Andrew Patrick Lines]

Andrew Lines (b. Lowestoft, Suffolk, UK, 1958) is a signage and logo specialist in Norfolk, UK. His fonts are sold through MyFonts. He started Drewfont Foundry (Great Yarmouth, UK) in August 2001 as part of Andrew Lines Graphic Arts. Fonts include Gotheau (2001, blackletter), Starman (2002), Spaceboy (2001), Jester (2001, bouncy), Celt (2001), and The Castles (2001, an Arnold Boecklin remake?), Histry (2004), Seahorse (2004), Nondy (2004). [Google] [MyFonts] [More]  ⦿

Andrew Patrick Lines
[Andrew Lines Graphic Arts (or: Drewfont Foundry)]

[MyFonts] [More]  ⦿

Andrey Kudryavtsev
[Andrey Kudryavtsev Type Foundry (or: AKTF)]

[MyFonts] [More]  ⦿

Andrey Kudryavtsev Type Foundry (or: AKTF)
[Andrey Kudryavtsev]

Foundry in Irkutsk in Siberia.

Andrey Kudryavtsev designed Spacexplorer (2012), Necromant (2012), Flexy Sans (2011), Otrada (2011, signage script), Micronica (2008), a font shaped like old TV screens, Karlson (2009), Imperator (2010, a Trajan face), Alter (2010), Sommelier (2011), Alebarda (2009), Rubicon (2009) and Flexy Sans (2009).

Typefaces made in 2012 include the macho slightly flared Antey (Latin and Cyrillic) and the strong display sans face Tambov.

In 2013, AKTF published Softipen Script.

Behance link. Myfonts link. Klingspor link.

View the typefaces made by AKTF. [Google] [MyFonts] [More]  ⦿

Angel Koziupa

Argentinian lettering artist who worked for 35 years for McCann Erikson and has produced freelance works for other major agencies like Interbrand, Futurebrand, and others. Veer writes: The talented Angel Koziupa has been lettering, creating type and designing logos for the past 40 years. His handiwork is behind nearly every important packaging logotype in Argentina. He worked 35 years for McCann Erikson and has produced freelance works for other major agencies like Interbrand, Futurebrand, and others.

Koziupa designed a number of alphabets in cooperation with Alejandro Paul of Sudtipos, who created digital typefaces out of them.

His typefaces include Avellana Pro (2012), Bayoneta Pro (2012, an angular typeface), Machete Pro (2012, related to Bayoneta Pro), Aventura (2011), Coche (2011, a signage face), Aguafina Script (2009, free at Google Web Fonts and at OFL), Primavera (2008, a signage face), Angelus (2008), Felipe (2009), Amarinda (2004, Sudtipos), Argenta (2004), Biographer (2009, an upright almost connected script), Bravissima Script (2009), Bubblegum Sans Pro (2011), Cenizas (2008), Chocolate (2008, a market sign family in weights called Amargo, Caliente and Dulce), Condiment (free at Google Web Fonts), Cupcake (2010, a food signage face), Murga (2003), Tiza (2003), Galgo Script (2007, rough-edged calligraphic script), Kilo (2010, signage face), Koziupack (2008), Kozmetica Script (2011, a delicate wedding script or make-up brand script), HabanoST (2003), Argenta (2003), Malbeck (2003), Alma (2005), MobleySans (2003), Malambo, Oxida (2005), Inoxida (2009), Piedra (2010, grunge; free at Google Web Fonts), Pinguino (2005, condensed brush face), Platinus Script Pro (2012, a wedding font), Ricotta Script (2011, a true signage face), Romy (2007, graffiti script), Voyeur (2011), Almond Script (2007), Candombe (2007, a brushy script with an African theme---the Pro version is from 2013), Amorinda (2007), Cafelatte (2006, signage face), Matogrosso Script (2009), Uplink (2009, upright connected script), Aladin (2009, an art nouveau-meets-Arabic face; free at Google Web Fonts and at OFL), Delight Script (2011: a 1950s signage face, which won an award at Tipos Latinos 2012), Diplomatic (2009) and MobleySerif (2003) were created by Alejandro Paul based on his letters. They can be purchased as Umbrella Type at Veer. Also at Umbrella, Paul and Koziupa made the casual script face Brisa (2004; its grungified version is Viento, 2011), and the script faces Chocolate Caliente, Amargo and Dulce (2005), Felipe (2005), Cooked (2006, rough-edged), Chicle ST (2007, bubble gum wrapper type, free at Google Web Fonts), Lombriz (2005), Bakery Script (2006, for signs in stores), and the frizzy Cenizas (2005).

Bilined deco scripts such as Festival Script Pro (2013: a winner at Tipos Latinos 2014), Tanguera (2007), Aranjuez (2012), Bellas Artes (2007, doubly-lined script), Heraldica Script (2013), and Evergreen (2014, a leafy script).

Klingspor link. [Google] [MyFonts] [More]  ⦿

Ania Kruk

Ania Kruk (b. 1987, Poznan, Poland) is a designer in Barcelona. She has studied towards an MA in design at the University of Aerts in Poznan, 2005-2011 and obtained a Masters in Advanced Typography and Editorial Design in 2010 at Eina (Escola de Disseny i Art, Barcelona).

She created the text face Arnie (2011). She writes: Arnie is a text typeface designed for books and poetry. Due to calligraphic origin, rather classical proportions and flat curves, it seems solid and stable. While big counters and varying line weight make it look light and airy in long texts. She also created the signage script face Cookie (2011), which is free at Google Web Fonts. Panna Kotta (2010) is an upright italic. Ladaco (2008) is inspired in Polish folkloric cut-outs.

Krotta One (2012, Google Web Fonts) is an italic typeface. It was renamed Kotta a few days later.

Behance link. Google Web Fonts link. [Google] [More]  ⦿

Anna Giedrys

Anna Giedrys, who is based in Lidzbark Warminski, Poland, and in Czechia, works as a graphic designer focusing on visual identities, illustrations, and typeface design. She obtained an MA in graphic design and visual communication from the University of Fine Arts in Poznan (Sign and Typography Studio) and graduated as a Master of Arts. During her exchange studies of graphic and fashion design at Vilnius Fine Arts Academy (Lithuania), she fell in love with calligraphy, lettering, and pattern design. Currently, she runs her own studio Ancymonic and collaborates with Rosetta Type Foundry. Google Plus link.

Her typefaces:

• Signika (2011) and Signika Negative (2011). A free sans family at Google Web Fonts, it was designed for pedestrian signage.

Fontsquirrel link. Behance link. [Google] [More]  ⦿

Anton Marcos Kammerer

Sao Paulo-based designer of the grungy poster face Sijunho (2014), It Began in Africa (2013), the titling typeface Planalto (2013), the rounded sans signage face Street Market (2013), the sans headline face Kuatia (2013), the paintbrush font Ink Revolution (2013), and the warm serif typeface Serifado (2013).

Behance link. [Google] [More]  ⦿

Antonio Muñoz

Chilean designer who created the rounded signage face Panadería in 2009 at Tipos de Cartagua while studying at the University of Chile. [Google] [More]  ⦿

aphoria

Designer at FontStruct in 2008 of Interest (dot matrix), Order (constructivist), Attica, Continuum (rounded bold), Fairway (+Slab, +Serif), Slant (techno), Cowboy (2008, Western-themed), Lights in the sky, Olymia Bold, Solida (psychedelic), Digi (pixel face), Villa (heavy slab serif) and Olympia Light. In 2009, he added Versional, Crown, Vend, Reed (Slab, Sans, both octagonal), Spaced Out (Bold, Italic, Regular), Jingle, ReMix (kitchen tile), Squire (3d face), Garage Sale (stencil), Signage, Futility (blackletter), Expearemint, Textual, Callout, tweedie, Embolden, Clipped, Economical, Emphasis, Vessel, Honest, Union (+Flat, +Sans, +New), Interest (pixel/dotted face), Venus Sans, Minanim, Diner (rounded), Lights in the Sky (De Stijl-like font), Opine, Charmer (+Inverse), Tweedle, Textual, Solida (ultra round), Slant, Slant, Villa (heavy slab serif), Versional, Vend, Union, Union Sans, Union New Sans, Union New Flat, Paperclip, Poofy, Steel (+Outline: octagonal), Crown, Diner (rounded), Solemn Bold, Solemn, reed Sans Mono (octagonal).

Fonts from 2010: Full Deck (playing card font), Scrollboard, Power Up (piano key face), Groovy Fu, Formality, Union New (+Sans, +Flat), Angle Tutorial, Aurora Light (elliptical monoline sans), Pushpins, Aurora Light, Scrawl (marker face), Evity (a grotesk face), Altipen (upright script).

Fonts from 2011: Obleak (oblique techno face), Likea (a heavy mechanical sans), Uptake (elliptical).

Fonts from 2012: Omit (a bilined stencil face).

Fonts from 2013: Emblazoned.

Typefaces from 2014: Oxquad (textured, octagonal). [Google] [More]  ⦿

Aring Typeface
[Måns Grebäck]

Måns Grebäck (Aring Typeface, Örebro, Sweden) is a prolific Swedish designer (b. Lindesberg, Sweden, 1990), who lives in Borlänge, Sweden. Måns Grebäck has a bachelor's degree in graphic design from the University of Dalarna (2012). In 2010, he went commercial, and started selling fonts through MyFonts. In 2011 he started Mawns Design. In 2013, that was renamed to Aring Typeface. In 2011 he already had over seven million downloads of his fonts, which were featured at websites such as Dafont and Myfonts. He also does custom type work. His typefaces, both free and commercial:

• Amplify (2013). A signage script.
• Angilla Tattoo (2013). a connected spurred tattoo typeface.
• Antlers (2012). A calligraphic script.
• Arachnids (2011, graffiti face)
• Barkants (2011, elegantly hand-printed family)
• Beautiful Trouble (2012). A rabbit-eared upright connected script.
• Beaked Tyrant (2014). A copperplate calligraphic script.
• Beckasin (2011, signage face)
• Before The Rain (2011, calligraphic).
• Billion Stars (2013). A tattoo script font.
• Bira (2012). A retro connected brush / signage script.
• Black Fox (2014). A sirupy brush face.
• Blockography (2011)
• Block Talk (2011, with Zaydek Michels-Gualtieri)
• Blods (2011, a great blotty brush face)
• Botanink (2011)
• Brannboll (2011, baseball signage face; Brannboll Ny was done in 2013), Brannboll NY (2013).
• Bready (2011). A retro signage script with art nouveau aroma.
• Brother Tattoo (2012).
• Bumblebees (2012). A plump curvy script.
• Calendary Hands (2012).
• Caneletter Sans and Script (2013). Upright unconnected and connected scripts.
• Castro Script (2012).
• Celebrater (sic) (2012). An oily font.
• Cellos Script (2013).
• Centeria Script (2012).
• Channel (2011, connected upright script)
• Characteristic (2011). Additional image.
• Chavenir (2011).
• Clear Line (2012). A fat finger / signage typeface.
• Clipper Script (2011).
• Coneria Script (2012). A connected script.
• Crackin (2011)
• CutScript (2011, connected script)
• Echinos Park Script (2012).
• Ekologie Hand (2012).
• Enlighten (2011)
• Delinquente (2012).
• Denigan (2011, hairline)
• Equal Sans (2012).
• Espesor Olas (2011, fine handprinted calligraphic family)
• Europe Underground (2010, geometric sans with a hairline weight)
• Faltura (2011, constructivist), Faltura Alien (grunge), Faltura Guerra (grunge)
• Faltura Animals (2011)
• Feathergraphy Decoration (2011, calligraphic).
• Dollie Script (2013).
• Feathergraphy Clean (2011).
• Fibography (2013). A caps face composed of fibers.
• Filbert Brush (2012), Filbert Color (2013, a soft brush font).
• First Lyrics (2011)
• Frankentype (2013). An all-caps brush face for signage.
• Funkygraphy (2011, fat and counterless)
• Ghang (2011, graffiti family).
• Greback Grotesque (2012). The Thin is very very thin.
• Gretoon (2011, cartoon family)
• Handtalk (2010, silhouettes)
• Harbell (2013).
• Hard Block (2011, Western slab face)
• Hemmet (2013). A signage script.
• Hitalica (2011), Housegrind (2013, connected script).
• Impregnable (2013). A connected script.
• Intrique Script (2013). A baseball script.
• Jacked Eleven (2011), Jacked Eleven Highlight (2011), January Script (2013).
• Kerater (2011, sans)
• Lace 2.0 (2012). A thin connected script codesigned with Matteo Milazzo.
• Lakesight (2014). A connected script.
• Las Enter (2013). A neon light script.
• Let Me Ride (2011)
• Levitee (2011, a lively connected script).
• Lighthouse (2013). A bold high-contrast script face.
• Lina Script (2012). A tattoo script done with Vicky Mardian.
• Lyrics Movement (2011, tall-ascendered hand).
• Masteries (2013). A connected formal script.
• Milkyway Hotel (art deco sans).
• Monsta Tag (2013): a graffiti font.
• Motion Picture (2013). A heavy connected retro script.
• Mount (2012).
• MAWNS Graffiti (2010) and MAWNS Serif (2010)
• MAWNS Handwriting (2010).
• Made With B (2011, sketched face).
• Mardian (2012). A calligraphic tattoo script done with Vicky Mardian.
• Markera (2011, marker pen family)
• Many Weatz (2011)
• Mawns Rock (2011)
• Monoment (2011). A fat upright connected script.
• Notera (2014). A connected handwriting font.
• Optien (2011, techno face)
• Ordinatum (2011, a severe sans)
• Ornamental Versals (2011, ornamental caps)
• Pennybridge 1563 (2010, blackletter)
• Pharmount (2014). A calligraphic connected script.
• Phraell (2013). A great italic formal calligraphic script with optional swashes.
• Pineapple (2012).
• Prime Script (2012).
• Prognostic (2011)
• Quickier Pro (2012). A swashy calligraphic script face.
• R-2014 (2011, LED face)
• Radio 187.5 (2010, techno family)
• Recorda Script (2013). A formal calligraphic script.
• Reditum (2014). A decorative script.
• Remachine Script (2013). Retro signage script.
• Respective (2011, calligraphic script, +Swashes)
• Rider (2011, a 30-style "versal" sans family)
• Ringer (circle and arc-based sans)
• Roskrift (2011, calligraphic; + Roskrift Clean)
• Ruthless Wreckin (graffiti faces), Ruthless Drippin' (dripping paint family)
• Sculptor's Hand (2011, connected chancery hand)
• Second Lyrics (2011, Treefrog-style handwriting)
• Servin' for Salute (2011)
• Shipped Goods (2011). A copperplate calligraphic script.
• Shortbrush (2011)
• Signerica (2011, connected flowing hand)
• Sketchica (2011, sketchy face)
• Society Editor (2013, connected script).
• Snacker Comic (2013).
• Snowstreet (2013, an octagonal typeface) and Snowy (2013).
• Some Weatz (2011, calligraphic, copperplate; +Swashes)
• Southern Aire (2013, connected script face).
• Square Worm (2011)
• Stainy (2013). A signage script.
• Stroke Dimension (2011, 3d face)
• Suecos Locos (2011---yummy!).
• Sultan Cafe (2014). An interlocking poster typeface.
• Sverige Script (2012). Calligraphic wedding font.
• Tamoro Script (2014).
• Tevegraphy (2011, elliptical)
• The World is Yours (2011, quaint)
• Throwupz (2011)
• Tipbrush Script (2011).
• Top Comic (2013). A very fat cartoon bubble face.
• Treehouse (2011, upright connected script; +Snowhouse for a snow-covered version)
• Tusch Touch 1 (2011)
• Two and Three (2011: a tattoo parlor blackletter family)
• Typographic Onedalism (2011, graffiti simulation face)
• Ventography (2013). A bold signage script.
• Walk Da Walk One
• Wankstaberg Battles (2010, a tall fat script)
• Wild Growth (2011).
• Xtreem (2012).
• Yanty, Yanty Big, Yanty Script, and Yanty Script Big (2012).
• Yoghurt (2011).

View Mans Grebäck's typefaces.

Abstract Fonts link. Fontspace link. MyFonts link. Another URL. Dafont link. Klingspor link. Buy fonts directly from Måns Grebäck. Old URL. [Google] [MyFonts] [More]  ⦿

Armand

Creator of the free connected retro script face Armand (2012). [Google] [More]  ⦿

Art City
[Daniel Bak]

Artcity is a digital type foundry and lettering studio based in Legionowa, Poland. Artcity specializes in designing fonts for comic books and books for children. The principal, Daniel Bak, is the Warsaw, Poland-based designer of the free monoline signage typeface Sweet Melody (2012). In 2014, Sweet Melody became a commercial typeface. He also designed the comic book typefaces Uzurpator (2014) and Angry Ronin (2014) and the Latin / Cyrillic / Greek children's book typeface Cornelius (2014).

Dafont link. Creative Market link. Behance link. [Google] [MyFonts] [More]  ⦿

Arthur Vanson

British designer of Stratford, a blackletter font done at Letterhead Fonts in 2002. Also in 2002, he made the 6-weight Hindlewood fraktur family (in Sans, Soft, or Hard; and Regular or Groteque) and the 3-weight signage font Opening Night (2002). Other fonts include Red Sable Script (2006, photolettering age script), Senatus, Flash Script (signage), LHF Chesham Sans, Wade Grotesque (2003), Wade Dynamic (2008, bold sans), Cincinnati Poster (2003, signage), Tallington (2003, a great gas-pipe lettering font), Stevens Percepta (2003, inspired by showcard writer/designer Mike Stevens), Speedstyle (2004, comic book face), LHF Tideway Script (2004, connected fifties script), Essendine (roman), Stevens Percepta (flared headline sans), Tallington (strong sans), and American Sans. [Google] [More]  ⦿

Artimasa

Artimasa (Banda Aceh, Indonesia) designed the calligraphic typeface Prada in 2013.

In 2014, Artimasa added Zakia (script) and Baliho (signage script), and the free 60s signage or baseball script typeface Streetwear.

Artimasa's typefaces can be bought at Creative Market. Behance link. [Google] [More]  ⦿

Artist of Design
[André Zottolo]

Commercial foundry that was in Kensington and/or Moorhead, MN, but is now in Park Rapids, MN, run by André Zottolo. Most of his fonts are handprinted, such as AZ Cut Script (2011, a script), AZ Pledge, AZ Grampa, AZ Fast Fury, AZ Hello, AZ Dude, AZ Tiki, AZ Script, AZ New Rough, AZ Imperial, AZ College (+Brushed), and AZ Vintage Tattoo, all made ca. 2010-2011.

His earliest fonts were free. They included Alpha, Barracuda, Collem, Cornelia, Declan, Funtime, Roughfart, Tiki, MessyGirl.

Typefaces from 2011: AZ Union is a Western face. AZ Text and AZ Dramamine are grungy hand-printed faces. AZ Sailor Tattoo is an outline tattoo face. AZ Hello Brushed is a brush face inspired by auto repair signs. AZ Rough Fart is a squarish mural brush face. AZ Wings is Victorian. AZ Placid is an eroded outline face.

Type designs from 2012: AZ Mavericks (based on a skateboard logo), AZ Barista (inspired by Leonetto Cappiello's poster art from the 1920s), AZ Indian (signage script), AZ Harpers July (inspired by Edward Penfield's poster art from ca. 1900), AZ Plug Italic (inspired by the poster art of Edward Penfield and Franz Hazenplug, ca. 1900), AZ Audiotape, AZ Kiss (sketched type), AZ Varsity (athletic lettering), AZ Varsity Brush (textured version), AZ Claire (fat signage script).

Typefaces from 2013: AZ Watercolor, AZ Brand (connect-the=dots script), , AZ Hobie (signage script), AZ Storm (Western look), AZ Declan (scratchy typeface), AZ Clouds (spurred).

Typefaces from 2014: AZ Retro, AZ Postcard 3D.

Klingspor link. Creative Market link. Fontspring link.

View the typeface library of Artist of Design. [Google] [MyFonts] [More]  ⦿

Ashley West

Ashley West (Montreal, Quebec) designed the oily signage face Florida Macaroni (2013) and the dot matrix face Peggo (2013).

Behance link. [Google] [More]  ⦿

Astigmatic One Eye
[Brian J. Bonislawsky]

Astigmatic One Eye (AOE) has lots of nice original fonts by Brian J. Bonislawsky (b. 1973, Pittsburgh, PA). Many are free, others are not. AOE joined Font Brothers Inc in 2006. Brian Bonislawsky currently lives in Las Vegas, NV.

Fontsquirrel link. Dafont link. Fontspace link.

A partial list of the AOE fonts made in 2011: Engagement (2011, a free brush script at Google Web Fonts), Fascinate (2011, an art deco face at Google Web Fonts; +Inline), Original Surfer (2011, a free Google Web Font inspired by a vintage advertisement for the "California Cliffs Caravan Park"), Smokum (2011, a Western / Italian face), Yellowtail (2011, signage face), Redressed (2011), Special Elite (2011, free typewriter face), Aclonica (2011).

Typefaces from 2008 or before: Horseplay AOE (2008, Western style), Cake and Sodomy AOE (2008), Good Eatin AOE (2008), Paradiso AOE (2008, inspired by logotype of the Paris Resort and Casino in Las Vegas), Montelago AOE (2007, a script inspired by the logotype of the Mirage Resort and Casino in Las Vegas), Jack Chain AOE (2007), Henhouse (2007), Schnitzle (2007), Luxurian AOE (2007, inspired by the logo of the Luxor Hotel&Casino in Las Vegas), Digital Disco AOE (2007), Mighty Tuxedo AOE (2007), Makeshift AOE (2007), Clarity AOE (2007, slab serif headline), Red Pigtails AOE (2007), Run Tron 1983 (2002), Eyeliner AOE (2006, Tekton-like), Mother Hen (2007), Gloversville (2007, comic book style), Mighty Tuxedo AOE (2007, condensed sans), Quick Handle AOE (2007), Surfing Bird (2007), Hydrogen (2004), Hardliner (2004, fifties diner style), Big Ruckus (2004), SS Antique No. 5 (2004), Europa Twin (2003), EuroMachina (2003, techno), Lord Rat (2003), Love Anxiety (2003), BuzzSaw (2003), Skullbearer (2003, skull dingbats), Beatnick Blue (2002), Geisha Boy (2002), Mardi Party (2002), Midcrime (2002), Ocovilla (2002), Ruthless (2002), Saltie Doggie (2002), Whiskers (2002), Royal Gothic, Family, Eggit, Jericho, Wild Monkeys (2002), 5FingeredGothSW, AlienArgonautAOE, AlphaMackAOE, AmphibiPrint, AngiomaAOE, AntiChristSuperstar, AntiChristSuperstarSW, AstigmaSolid, BigLimboAOE, BigLimbodOutAOE, BoneRollAOE, BoneRollAOEBold, BoundAOE, BrailleAOE, BulletBallsAOE, ButterflyChromosome, ButterflyChromosomeAOE, ButtonButton, ButtonButtonAOE, CType, CTypeAOE, CelticLionAOE-Bold, CelticLionAOE-BoldItalic, CelticLionAOE-Italic, CelticLionAOE, CharailleAOE, ChickenScratch, ChickenScratchAOE, ClunkerAOE, ClunkerAOE-Bold, CropBats, CropBatsAOE, CropBatsIIAOE, DarkNightAOE, DeadGrit, DeliveryMatrixAOE, DetourAOE, DigitalDiscoAOE, DigitalDiscoAOEOblique, DingleBerries, DoggyPrintAOE, DraxLumaAOE, DungeonKeeperII, DungeonKeeperIIBold, DungeonKeeperIIItalic, EggItAOE, EggitAOE-Italic, EggitOutlineAOE, ElectricHermes, ElectricHermesAOE, ElectricHermesAOECharge, FearAOE, FilthAOE, FishyPrintAOEOne, FishyPrintOneAOE, FishyPrintTwoAOE, FutharkAOE, FutharkAOEInline, FutharkAOEInline, GateKeeperAOE, Ghoulish Fright AOE (2006), GlagoliticAOE (1999, grungy glagolitic), GorgonCocoonAOE, Gotik, GreyAlienSW, HAL9000AOE, HAL9000AOEBold, HAL9000AOEBoldItalic, HAL9000AOEItalic, HandageAOE, HandageAOEBold, HauntAOE, HybridLCDAOE, IDSupernovaSW, IslanderAOE, JokerWildAOE, KillMeCraig, KillMeCraigAOE, Kinderfeld, KittyPrint, KittyPrintAOE, Kornucopia, KornucopiaAOE, LinusFace, LinusFaceAOE, LinusPlayAOE, LinusPlaySW, Lochen, LovesickAOE, Manson, MasterPlan, Mervale Script (2012: a brushy script based on the 1940's Fawcett Publications Mary Marvel comic), Microbe, MooCowSW, MotherlodeLoadedAOE-Italic, MotherlodeLoadedAOE, MotherlodeStrippedAOE-Italic, MotherlodeStrippedAOE, MysterioSWTrial, NightmareAOE, OrnaMental, Pantera, PapaManoAOE, PenicillinAOE, PixelGantryAOE, PixelGantryAOEBold, PixelGantryAOEBoldItalic, PixelGantryAOEHeavy, PixelGantryAOEHeavyItalic, PixelGantryAOEItalic, PixelGantryHiliteAOE, PixelGantryHiliteAOEItalic, PoppyAOE, PoseidonAOE, Prick, QuiltedAOE, QuiltedAOEBlack, QuiltedTrial, RippleCrumb, RippleCrumbUltraCon, ROCKY, ROCKYAOE, RustedMachineSW, SSExpAntiqueAOE, Schizm, Schrill, SchrillAOE, SchrillAOEOblique, Scrawn, ScrawnAOE, ScrawnCyrAOE, ScrawnKOI8AOE, ScrewedAOE, ScrewedAOEOblique, ScrewedSW, SeaweedFireAOE, SenthAOE, ShampooSW, ShottyTransferTrial, SkinnerAOE, SlurCrumb, SpatCrumb, SpikeCrumbGeiger, SpikeCrumbSwizzle, SpikeCrumbSwollen, SteelcapRubbingTrial, StruckSW, StrutterAOE, SunspotsAOE, SurferComicTrial, TRANSHUMANALPHABET10, TRANSHUMANKATAKANA20, TannarinAOE, TannarinAOEOblique, TibetanBeefgardenAOE, TibetanBeefgardenAOE, TouristTrapAOE, TransponderAOE, TransponderGridAOE, UglyStickAOE, VanguardIIIAOE-Bold, VanguardIIIAOE-BoldOblique, VanguardIIIAOE-Oblique, VanguardIIIAOE, Ventilate, VentilateAOE, Y2KPopMuzikAOE, Y2KPopMuzikOutlineAOE, YoungItchAOE, ZeichensSW, ZenoPotionAOE, Zombie. Second list: BeatnikBlueAOE, BeatnikBlueFillAOE, GeishaBoyAOE, MardiPartyAOE, MindCrimeAOE, OcovillaAOE, PolynesianTouristAOE, RuthlessAOE, SaltyDoggieAOE, SpruceAOE, WhiskersAOE-Oblique, WhiskersAOE, WhiskersAltCapsAOE-Oblique, WhiskersAltCapsAOE (2002), Habitual, Automatic (techno), Bitrux, Filth, Cake&Sodomy, Gulag, Bad Comp, Detour, Alien Argonaut, Dark Night, GateKeeper, Gargamel Smurf, Invocation, Neuntotter, Geisha Boy, Saratoga Slim, Gobe, Stingwire, Lavatype, Tapehead, Islander, Clunker, Digelectric, Gargamel, Krulo-Tag, Krelesanta, SurferComic, Bound, Culture Vulture, Intruder, Cavalier, Anoxia, Synchrounous (IBM logo style lettering), Luna, Data Error, Lunokhod, Jericho. There are many techno and gothic fonts. Kill Me Craig is the first 26 death scene dingbat font (scenes by Craig Dowsett). KittyPrint takes the LinusFace font concept to more realistic cat head dingbats. Krelesanta (not free) is a funky font inspired by the band Kreamy Electric Santa. The free ButtonButton is useful for making buttons. Lovesick AOE is a scrawly, lovelorn typeface, i's dotted with hearts. Strutter AOE is based on the KISS logo. Senth AOR is a runic font. Charaille is one of the many dot matrix fonts. Cavalero is inspired by the logotype of the Chevy Cavalier.

At Bitstream in 2001, AOE published Cavalero, Stingwire and Tannarin. And in 2002, he published the comic book font Big Limbo, Euro Machina BT and Islander there. Bio at Bitstream.

In 2005, Bonislawsky and Sandler realeased 500 fonts, via Bitstream and MyFonts, under the label Breaking The Norm.

In 2006, Astigmatic published their typewriter collection, which includes Military Document, Bank Statement, State Evidence Small Caps, State Evidence, Urgent telegram, Library Report, Overdrawn Account, Customs Paperwork, Incoming Fax and Office Memorandum.

From the bio and various pieces of information, one is led to believe that Brian was born in Poland, and now lives in Miami, but that may be wrong.

In 2010, he placed a free font at the Google Directory, Syncopate. Along the same lines, we find the derived square serif face Stint Ultra Condensed (2011, Google Web Fonts) and Stint Ultra Expanded (2012).

In 2011, several other faces followed there, like Ultra (fat didone), Maiden Orange, Special Elite, Just Another Hand, Crushed, Luckiest Guy (comic book face), Aclonica, Redressed, Montezuma (a curly connected upright script), Devonshire (brush script), Fondamento (calligraphic lettering), Yellowatil (connected retro script), Righteous (free at Google Web Fonts: inspired by the all capitals letterforms from the deco posters of Hungarian artist Robert Berény for Modiano), Ribeye and Ribeye Marrow> (cartoon and/or tattoo style lettering---free at Google Web Fonts), Spicy Rice (2011, free festive display face at Google Web Fonts).

Contributions in 2012: Marcellus (2012, Trajan, flared roman), Eagle Lake (a free calligraphic font at Google Web Fonts), Uncial Antiqua, Jim Nightshade (2012, free at Google web fonts), Dynalight (2012, a retro script inspired by a vintage luggage tag for the Southern Pacific 4449 Daylight steam locomotive), Yesteryear (a retro script loosely based on the title screen from the 1942 film The Palm Beach Story), Parisienne (Google Web Fonts: casual connected script based on a 1960s ad for bras), Shojumaru (Google Web Fonts: an oriental simulation face inspired by a poster for the Marlon Brando movie Sayonara), Berkshire Swash (Google Web Fonts), Audiowide (Google Web Fonts), Romanesco (Google Web Fonts: a narrow calligraphic style), Galindo (Google Web Fonts), Oregano (Google Web Fonts: based on cartoon style lettering of calligrapher and logo designer Rand Holub. This style of hand lettering adorned many retro brochures and advertisements of the late 40's through the 1960's), Peralta (Google Web Fonts: an Egyptian comic book face), Eagle Lake (Google Web Fonts: calligraphic), McLaren (Google Web Fonts: comic book style alphabet), Freckle Face, Hanalei Fill, Hanalei [Polynesian bamboo or tiki lettering], Purple Purse, Margarine, Risque, Clicker Script [image], Stalemate [a gracious script, by Jim Lyles for AOE], Mouse Memoirs, Quintessential [Google Web Fonts: chancery hand], Bigelow Rules, Englebert [Google Web Fonts: from the title screen of the 1930's film titled Der blue Engel, starring Marlene Dietrich], Sacramento [Google Web Fonts: connected script].

Typefaces from 2013: Freckle Face (grunge), Grand Hotel, Purple Purse (Purple Purse draws its inspiration from a vintage Ivory Soap ad from the 1950's. Somewhat of a cross between Bodoni and Pixie, this font finds that it never truly takes itself seriously).

Stiggy & Sands is the American typefoundry of Brian Bonislawsky and Jim Lyles, est. 2013. Their first commercial typefaces, all jointly designed, are Luckiest Guy Pro (a fat comic book font based on vintage 1950s ads) and Marcellus Pro (a flared roman inscriptional typeface with both upper and lower case, originally published in 2012 by Astigmatic).

View Astigmatic's typeface library. View the typefaces made by Brian Bonislawsky. [Google] [MyFonts] [More]  ⦿

Attila Acs

Hungarian designer (b. 1982) of the grungy typewriter face AA Typewriter (2010), and the handwritten Budapest Markets (2010). Home page. He lives in Burley Heights and/or Gold Coast, Australia.

Behance link. Dafont link. [Google] [More]  ⦿

Autographis
[Gert Wiescher]

München-based foundry, est. 2008 by Gert Wiescher, whose main font foundry is Wiescher Design. Myfonts link. Specializing in handwritten scripts and rough fonts, they created Obsession A through F (2012, a penmanship typeface family), Pigalle Swing (2012), Amaro (2011, a signage script family; + Amaro Block, +Amaro Fleurie), Obsession (2011, a calligraphic family), Astara (2010), Golden Love (2010), Homer (2010, a comic character script), Moon Love (2010), Perfecto (2010), Nikita (2009, upright connected script), English Lazy Bird (2009), Script Hand (2009), Angel Eyes (2009), Cheap Thrill (2009), Viva Maria (2009), True Love (2009), WildThing (2009), Doria (2009), Verena (2009), Astria (2009), Chloe (2009), Bea (2009, brush), Xan (2009, rough Japanese-style script), Fat Sally (2009, comic book face), Wally (2009, calligraphic), Ysadora (2009, calligraphic), Zoe (2009, calligraphic), Joyosa (2009), Ulissia (2009, hand-drawn slab serif), Querida (2009), Riana (2008), Quiana (2008), Quirina (2008, calligraphic), Naomi (2009, calligraphic; based on his Nana), Don Julio (2008, calligraphic), Donna Julia (2008, calligraphic), Novita (2008, calligraphic), Novido (2008), Flatpen (2008, a rounded sans face), Kato (2008), Leona (2008, brush script), Tina (2008, fat brush), Maeva (2008, calligraphic script), Oona (2008, like Maeva), the brush script Paula (2008), the upright cursive faces Grazia (2008) and Greta (2008), the brush script Juliana (2008), the comic book style faces Carina (2008), Isara (2008), Kiki (2008), and Fanny (2008), and the calligraphic script faces Dalia (2008), Elisara (2008), Simona (2008), Helenia (2008), Annabella (2008), Brigitta (2008) and Constanza (2008). Gert writes about himself: I went to Paris when I was very young, just for the sake of art. That caused many a sleepless night to my beloved mother, but she accepted my decision. Once I met Salvador Dalí, but he did not take me very seriously. To this day I dont know why! After some years I decided to start a serious life. I got married and studied graphic design at the Hochschule der Künste in Berlin. Making detours, once more to Paris, then to Barcelona, where I designed the OECD pavillion for the Osaka World Expo at the office of Harnden&Bombelli, I reached South Africa. Grey and Young advertising got to know me! I had to fiddle around with Agfa cameras and films, Epol dog-food, several kinds of toilet paper, unbelievable insurance companies and I-dont-know-what. Sometime on a holiday in Munich I stayed there. Someone made me an offer I did not want to refuse. DFS&R-Dorland bought me out of South African slavery! I now became an art-director for Paulaner, CMA, Phillip Morris, and Peugeot. Being a young adventurous man, I changed to the Herrwerth&Partner agency, which at that time was supposed to be the most creative outfit in town. Mister Herrwerth taught me to think simple. I was allowed to introduce IKEA into the German market. Afterwards I became Creative Partner with Lauenstein&Partner. That was OK, til someone discovered his love for horses! Thats when I rented my own office in 1982! Since then I design some typefaces per year, I guide a couple of nice young people (apprentices) along to designer stardom. I write a couple of books and newspaper articles about design, computers, food, drink and crime! As a graphic designer I have nothing but happy clients! I am open to every challenge! [Google] [MyFonts] [More]  ⦿

Bai Mellon
[Sideshow]

[MyFonts] [More]  ⦿

Bastien Sozeau

Typographer and graphic designer, who studied typography at ENSAV La Cambre in Brussels.

He created the free web font Karma (2010, Open Font Library), a slab serif face. Caledo (2010) is a narrow hand-printed church face. Pixacaos (2009) is based on Brazilian graffiti. Castles (2010) is an interlocked design font. Nemoy (2010) is geometric. Strato (2010-2012) is a connected signage script.

In 2013, he added Lil Grotesk (a sans), Beon (a stencil face), Young Serif, Futura Renner, and LS (a rounded sans designed for the Libertine Supersport party).

In 2013, Bastien Sozeau and Jean Gabriel Franchini set up AmoinsB, a free font foundry.

Cargo collective link. Open Font Library link. [Google] [More]  ⦿

Bea Stach

German designer of the signage / brush face Laken (2008, Avoid Red Arrows). [Google] [More]  ⦿

Benny Demmer

German creator of the Tuscan font Beans (2009) and the italic signage face Garcia (2009). Dafont link. [Google] [More]  ⦿

Benoît Santiard

Graphic designer in Paris, b. 1980. Teacher at the École d'Architecture de la Ville&des territoires in Marne-la-Vallée. Creator of the traffic-like sans face capitale (2009) for the signage of a concert hall. Werkman Letterpress (2009) is a font designed from letterpress woodblocks. It was inspired by the first issue of the magazine The Next Call (1923) by Hendrik Nicolaas Werkman. UnkleBenz (2009) is based on his own handwriting. [Google] [More]  ⦿

Bertrand Reguron

French designer of Achille FY (2012, a slab serif face done with Gia Tran, Alisa Nowak, Valentine Proust, Elvire Volk, and Gregori Vincens). This typeface was published at Fontyou.

Codesigner of Kaili FY (2013: an exotic typeface with crazy ligatures, inspired by Indian scripts, by Gregori Vincens, Bertrand Reguron, Gia Tran and Alisa Nowak) at Fontyou.

The EPS format display typeface Alice FY (2013) was codesigned by Alisa Nowak, Micaela Neustadt, Gia Tran, Bertrand Reguron and Valentine Proust at Fontyou. It was inspired by Adrien Genevard's lettering. Sub-themes are Alice in Wonderland and playing cards. The EPS format frilly script typeface Lullaby FY (2013) was codesigned by Alisa Nowak, Micaela Neustadt, Gia Tran, Bertrand Reguron and Valentine Proust at Fontyou. It too was inspired by Adrien Genevard's lettering. Exquise FY (2013) is a fashion mag didone codesigned by Bertrand Reguron, Alisa Nowak, Valentine Proust, Elvire Volk and Gia Tran at Fontyou. Gia Tran, Alisa Novak, Micaela Neustadt, Bertrand Reguron and Grégori Vincens codesigned the curvy stressed elliptical sans typeface Bruum FY (2013). In 2013, Denis Moulin, Bertrand Reguron, Valentine Proust, Laurène Girbal and Julia Joffre codesigned the hipster typeface Theory FY (2013, alchemic).

In 2014, Gia Tran and Bertrand Reguron codesigned the zombie script Vidok FY (free at Dafont).

The punchy poster typeface Kraaken FY (2014) was designed by the FontYou team of Bertrand Reguron, Alice Resseguier, Valentine Proust, Julien Priez, Gia Tran, Jérémie Hornus, and Alisa Nowak.

Bertrand Reguron, Alice Resseguier and Gia Tran codesigned the retro signage script typeface Coco FY (2014). [Google] [MyFonts] [More]  ⦿

Betterfear.us (or: XXII Fonts, Or Doubletwo Studios)
[Lecter Johnson]

Lecter Johnson (Betterfear.us) published many free fonts between 2007-2012. At Behance, we find the name John Thorn (Germany) and a memtion of Hamburg.

Typefaces: XXII Sinoz DSP (2010-2011, elliptical face), XXII Gory Bastard (2011), XXII BLACKMETAL WARRIOR (2010), XXII Menga (2010, a technical sans family), XXIIARMY (2007, stencil), XXIIDECONSTRUCTION-DESTRUCTION-AREA (2007, grunge), XXIIDONT-MESS-WITH-VIKINGS-HARDCORE (2007, octagonal), XXIISTRAIGHT-ARMY, Army Dirty (grunge stencil), XXIIUltimate-Black-Metal (2007, cracked metal look), XXII Scratch (2007, scratchy face), XXII DEVILS-RIGHT-HAND (handprinted), XXII BLACK-BLOCK (grunge), XXII MISANTHROPIA (2008, a rigid geometric sans family), XXII Arabian Onenightstand (2008: Arabic or Indic simulation face), XXII Urban Cutouts (2009, grunge), and XXII Static (2007, futuristic).

His web site has a threatening nazi sort of look, but the fonts are (were) free. Betterfear.us claims to be located in St. Pauli, Hamburg, and is also known on MyFonts, where some of its fonts can be bought, as Doubletwo Studios. These include XXII Yonia (rounded script family loaded with opentype features), XXII Goregrinder, XXII Grober Bleistift (2013, marker font), XXII Centar (a sans family with a free regular style), XXII Totenkult (2012), XXII Blackened Wood (2013), XXII Candylove (heavy signage or packaging script), XXII Centars Sans (2012), XXII Daemon Runes (2012), XXII Total Death (2012), XXII HandTypewriter (2012), XXII Daemon (2012), XXII Marker (2011), XXII BLACK BLOCK SERIFA (2008), XXII Mescaline (2009 Western style), XXII Misanthropia (2010, geometric sans), XXII Urban Cutouts (2010), XXII Marker (2011), XXII Blasphema (2011) and XXII STREITKRAFT (2008, a stencil family with grungy versions added). Older list of fonts: Devils Right Hand (blackboard script), Black Block (grunge), Static (techno), Ultimate Blackmetal, Scratch, Don't Mess With Vikings, Army Dirty (grunge stencil), Army Straight, Black Block Eroded.

Klingspor link. Alternate URL. Behance link. Dafont link. Another Behance link. Old URL. Another Dafont link. [Google] [MyFonts] [More]  ⦿

Blue Vinyl
[Jess Latham]

Blue Vinyl (est. 1997) has free and commercial designs by Jess Latham (b. 1974, Birmingham, AL).

The early typefaces (before 2003): Grumble (1999, grunge), Hot Fudge (2003), Dia De Los Muertos BV (2003, Halloween-style dingbats), Delorita BV (2003), Dance Craze (2002), Redford (2002, black display font), CharmsBV (2002, dingbats), LearningCurve BV (for children), HornyDevils, Princess (girls stuff dings), TurnTable (2001), Vinyl Smooth (2001), StereoLab, 60sChic, Airwave, Cafe Noire, Lucky Charms, Punk Rock, Chains, Slasher, Blue Melody, Sugar Coma (1999, junk food dingbats), Metal on Metal, Hearts, Crushed Out Girl, Nuwave, Deco Cafe, Screen, Rock Star (dingbats), Gothic Ultra Trendy, Film Star, Mary Jane, Turning Japanese, Lushus, Rockabilly, (my favorite thick display letters) Moma Grape, Modular 2000, Cyber Phonic, Comic Zine (3d), Grrlz Stuff, Retro Bats, Terrible Nervz, Pop Up, Moonbow, Tropicana (Luau dingbats), Tiki Tooka, That 70's Ding, Karaoke Superstar, Pippi, Pocket Calculator, Kool Ding, Kool Ding 2, LittleTroubleGirl, Grumble, SeeingStars, AllStarBV, Awesome80sBV, HellcatsBV, HotRodGangBV, Stereolab, SweetHeartsBV, BumbleBeeBV, CandyStoreBV, CHAINSColorFill, ComicZine, CHAINS, EeronautsBV, Charms, Film-Star, JimmyDoodles, LooseCruseBold, LooseCruse, MODULAR, MonkeyWrench, OneTrickPony, PubertyStrike, PUNKROCKColorFill, PUNKROCK, Plexifont (see-through letters), SeeingStars, SooperDooper, TerribleNerves, Pandamonium BV, TrickorTreatBV, WebstarBV, Sonic Reverb (2003), Jacks (2003), Rodeo Girl BV (2003, handwriting), Jacks BV (2003, free), Majorette, Albedo, Retroclassics (two dingbat fonts), Westmore BV, KnockOut, Spellbound (2000), Speedway, Chocolate Mint Surprise, Pinky, Sparky, Glamorous, Bohemian Garden Party (1999), Fashionista (brush), Pink Martini, ValentinesBV, Macrame BV One (2002, single, double and triple-lined commercial font), Macrame Super Triline (2002), Redford BV (2002), Charms, Wedding Wishes (2002, dingbats), Bric A Brac BV (2002), Meringue BV (2002, handprinting), Retro Classics 3BV (2002, dingbats), Roller Baby BV (2003).

2004: Swan Song (calligraphic), Shimmer (connected cursive handwriting), Spin Cycle, Rock Star 2.0 (dings), Gros Marqueur (marker pen typeface).

2005: MyScars, My Bleeding Scars, Azuki (Japanese brush simulation), Taroca, Taroca Extras.

2006: BV Sans (2006), PrintClearly (2006, children's orthographics).

2007: Save Her (ecological dingbats), Confection (fancy script), Parsley Script, Pointed Brush.

2008: Synthetique (dot matrix), Lavender Script ( calligraphic), Giant Head (ultra fat signage face), Synthetique (thin dot matrix), Print Clearly, Dashed and Bold (simple sans), Disko (comic book style).

2010: Darlena (a swashy didone), Italian Hand (a connected script), Love Romance (Valentine's day dingbats), Patchouli Display (2009-2010), Secret Admirer (connected script).

2011: Fancier Script (signage face), Garden Brush (a flowing brush script).

2013: Blue Vinyl (signage script). Barmbrack (a decorative, almost sign-painted typeface).

Fontspace link. Font Squirrel link. Dafont link. Klingspor link.

View the typefaces made by Blue Vinyl. [Google] [MyFonts] [More]  ⦿

Borutta
[Mateusz Machalski]

Borutta is the creative studio of Warsaw-based designer Mateusz Machalski. He is the creator of the blackletter-inspired typeface Raus (2012), which also could pass for a Cyrillic simulation font. It was possibly made with Pawel Wypych. He also made Kebab (2012, a fat caps face), Duce (2012, art deco: withdrawn from MyFonts after Charles Borges complained that it was a rip-off of his own Gloria), Fikus (2012), Woodie (2012, a condensed rough wood type face), Polon (2012), Aurora (2012, a German expressionist poster face), Musli (monoline connected script), HWDP (2012, poster font), Wieczorek Script (2012, hand-printed), Hamlet (2012, a sword and dagger typeface, renamed to Prince), Caryca (2012, Cyrillic simulation, done with Pawel Wypych), Bezerro (2012, poster face), Bitmach (2012, pixel face), Meat Script (2012, a caps only market signage brush script), Krac (2012, a tall poster font), Hermes (2012: Ten Dollar Fonts), Berg (2012, a roughened blackletter face), Buldog (2012), Dudu (2012, tall condensed face).

In 2012, Polish designer Wojciech Freudenreich and Mateusz Machalski combined forces to design the techno typeface SYN.

Machalski likes old wood types, which inspired him in 2012 to publish a wood type collection of weathered display faces: Condom, Hype, Whore, Banger, Buka. Elo (2012) and Duce (2012) are fat weathered wood types.

Typefaces made in 2013: Wood Type Collection 2 (which includes Brie, Kaszti, Mader, Modi, Rena, Roast, Ursus), Zigfrid (headline face), Salute (letterpress style), Benito (a letterpress or geometric wood typeface), Bojo (heavy wood style poster face), Picadilly (heavily inktrapped open counter sans family), GIT (a manly headline sans), Lito (an eroded poster typeface), Haine (vernacular caps), Aneba (organic sans family), Vitali (sans), Korpo Serif (slab serif), Korpo Sans (elliptical family; +Greek, +Cyrillic), Korpo Sans (+Greek and Cyrillic).

Typefaces from 2014: Tupperware Pro.

Home page. Behance link. [Google] [MyFonts] [More]  ⦿

Brian J. Bonislawsky
[Astigmatic One Eye]

[MyFonts] [More]  ⦿

Brian Magner

Brooklyn-based foundry Brian Magner (of Brian Magner Design&Direction) created the hand-painted signage face Lobster Hand (2011). [Google] [MyFonts] [More]  ⦿

Brody Neuenschwander's calligraphy

Brody Neuenschwander was born in Houston, Texas in 1958. He studied art history at Princeton University and the Courtauld Institute, London, receiving his PhD in 1986. He studied calligraphy at Roehampton Institute under Ann Camp and then became assistant to Donald Jackson. Since 1988 he has worked as a free-lance calligrapher, first in Wales and now in Bruges, Belgium. Clients have included the U.S., UK, and Belgian governments, the BBC, Time-Life Books, and the Royal Mail. He has worked with director Peter Greenaway on several films, including "Prospero's Books" and "The Pillow Book." Brody is currently working to install trilingual signage in the Coptic quarter of Cairo. Brody got the Belle Lettere Award in 1997. John Berry's report of a presentation. His presentation at Sonoma State University. [Google] [MyFonts] [More]  ⦿

Calderon Estudio Type Foundry
[Felipe Calderón]

Felipe Calderón Arteara is a graduate of the Academy of Professional Drawing Cali, Colombia, who runs Calderon Design and Calderon Estudio Type Foundry. As an illustrator, calligrapher and graphic designer based in Cali, he won an award in the display type category at Tipos Latinos 2012 for Letrista Script (a signage script).

In 2013, he designed the signage script typeface Tulipan, which comes with Broken Caps and several sets of ornaments.

Typefaces from 2014: Risotto Script (a calligraphic signage script with slightly rough edges), Planet Express.

Blogspot link. Behance link. [Google] [MyFonts] [More]  ⦿

Camila Gonzalez

Chilean designer of Frititas (2008, a fat comic book and/or signage face; Tipos de Cartagua) who studied type design at the University of Chile. [Google] [More]  ⦿

Carine de Wandeleer

Carine de Wandeleer was born in Argentina to a French-Belgian immigrant family. She studied fine arts and graphic design at University of Buenos Aires, but lives and works in Spain.

Kycka (2011) is a hand-printed slab serif family designed for children's books. Karty (2011, Eurotypo) is a blackboard bold pair of faces inspired by Baskerville. Marilyn (2011, Eurotypo) is an informal bouncy heavy sans face. Natalie (2011) is a condensed slab serif face.

In 2012, she published the connected script family Gilda, the informal cursive typefaces Zanya, Miss Seshat (Eurotypo) and Belha, the script typeface Lirio (Eurotypo), the hand-printed Pimpin, and the fat finger family Souffle.

Typefaces from 2013: Aleka (a vampire script in the style of Bombshell Pro), Mots (a light feminine script), Vernaccia, Eydis (connected script), Bonna (a successful calligraphic family), Rocha (funky cartoon style), Mussa (a curly children's book font), Onna (multiline script), Blondy (curly signage script), Gemma (connected script), Gemmadonati (another connected script), Lavinia (signage script), Ameglia (seductive upright flourished vernacular script).

Typefaces from 2014: Gardeny (script), Eroli (connected calligraphic script), Andria (script), Kumma (script), Tout, Tout Web Icons, Tout Restaurant Icons.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Carl Reiter Reissberger

Austrian graphic designer, who taught drawing and typography in Vienna. He died in 1983. Creator of Forte (Agfa-Monotype, 1962), a bold unconnected signage script. For another (free) interpretation, see Chyrllene K's Forte (2013).

Linotype link. FontShop link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Carlos Fabián Camargo Guerrero
[Andinistas]

[MyFonts] [More]  ⦿

CBdO Fonts Foundry
[Charles Borges de Oliveira]

The CBdO Fonts Foundry is headed by Charles Borges de Oliveira (b. New Orleans, 1971) and is located in Arlington, WA. Borges's typefaces are mostly scripts, signage typefaces and comic book style typefaces. many of them were first done at or are copublished with Letterhead Fonts.

• Aloha Script and Aloha Script Casual (2013): signage scripts. Developed together with Pierre Tardif.
• Alpine Script (2009). A brushy signage script.
• Avalanche (2004).
• Bounce Script (2004, a fifties style script). Published by P22 in 2013.
• Chicago Script (2007). A fat baseball or signage script published by Letterhead Fonts.
• Desire (2013). A didone typeface with 644 glyphs for swash and titling work.
• Enchanted (2007, informal script). Published by P22 in 2013.
• LHF Gloria (2011, Letterhead): pure art deco caps.
• Louisiana (2008): a hand-printed font based on the hand of Melanie Snedeker. It comes with Louisian Grab bag which has text balloons and arrows.
• Mocha Script (2011): a signage script face jointly developed by Borges and sign painter Bruce Bowers.
• Sadey Ann (2009, signage script).
• Sadey Pants (2009).
• Sarah Script (2003).
• Shocard Rodeo (2009).

He also sells through Font Bros and Letterhead. Klingspor link.

View the typeface library of Charles Borges. Fontspring link. Interview in 2013.

View Charles Borges's typefaces. [Google] [MyFonts] [More]  ⦿

Chank Fonts -- Chankstore
[Charles R. Anderson]

Foundry in Minnesota run by "Chank", who has been making fonts since 1992. Free fonts sub-page. Chank Diesel from Minneapolis (Charles Andermack in the NY Times and Charles R. Anderson, b. Edmonton, 1970, elsewhere) is Chank, the prolific designer. He runs Chank Fonts with Heidi Olmack ("El Mack de los Toros"). Earlier notices in his faces refer to CAKE Publications (2401 University Ave. NE, Mpls, MN 55418), Chank Foo, Schmopyright, and Exploding (PO Box 90100, San Diego, CA 92169). Bio by Susan Froyd. See also here or here or here or here. Handwriting font service for 95USD. 95 USD Go font Yourself font service based on filling out a form. Piece on Chank in the MinnPost. Chank is a popular and colorful figure who said this about himself: I like to drink a lot, and would like to think I'm known for it. Several of my fonts were inspired by booze, and I like to encourage other people to drink more, too. My best font is called Liquorstore.

A partial list of his faces:

• 200proofmoonshineremix.
• A: Adrianna (2004, a sans family), Ammonia, Anger-Prerelease, Asswipe, AsswipeDeluxxe, AztecPezRegular, Adrianna Extended (2005).
• B: BabOonjaZzbaSsoOn, Badoni, Bastard, Bawdy, BawdyBoldItalic, BawdyItalic, the Blinctype pack (Gomorrah, Sodom, Golgotha, Hamilton Offset, Player Piano), Birthday Girl, Blinkers, Bonehead, Braingelt (gothic), Brainhead, Bric-A-Brac BV (2002), Bridie, Brieincarnation, Brubecks Cube (2004), Buckethead, ButtplugTaft, The BLINCtype Letterpress Fontpak (2004, commercial: Gideon, Golgotha, Gomorrah, Goshen, Hamilton Offset, Player Piano, Prospect Modern and Sodom), Billsville (T-26).
• C: Chaloops (2005, comic book face), Chankbats Objects, Chankbats Critters (2001), Chankbats Flowers, Chankbats Flakes, Chankflakes (2002), ChauncyDecaf, ChauncyFatty, ChauncyPerkins, ChauncySnowman [this popular series from 1996-1998 is the first font family Chank ever made based on his own handwriting], Cheesewiddler, Chicken, ChickenBonus, Chippewa Falls (2005), Chub, Chumley (2002, first grade handwriting), Chunder (1996), Cleptomania, CollateralDamage, Corndog, CorndogClean, Coronette (2006, slab serif), Cosmic (1996), Couchlover97, CouchloverTruncata, CowboyRhumbahut (2000), CrotchlessTeddyRoosevelt, Crusti, CrustiEr, CrustiEst, CrustiWacky, CurbDog, Cookie Dough (2002), Cowboy Rhumbahaut (2000, Matt Frost).
• D: DarlingNikki, Dekapot (2007), DickwhippedLincoln, DongCasual, Drunk Cowboy (T-26), Dry Cowboy (2006, Tuscan), Dutch-Oven, Dutch-Treat.
• E: Easterbuns (2008, Ascender Corp: a signage face), EatpooChubby, EatpooSkinny, EatpooTall [note: the latter three fonts were renamed Eatwell], Evergreen.
• F: Fatthinfog, Flutterby (2006, free), Fucker, FriskyFlakes (2004), Fastlab (by David Cushman), Fosho (2014).
• G: Girl77, Glovebox, Goshen, Groovies-Normal.
• H: Halebopp, Harvester 3D (2008), HelveticaInaHamper, Hermenaut, HieronymousBoschian, HildeSharpie, HipstersDelight, HooskerDont, HooskerDoo, Hoover, Hystrix, HystrixHystrax, HystrixHystraxBordex, HystrixHystraxSleestax.
• I: Imastar, IndustrialSchizophrenic, Instructor, Isotope.
• J: Jawbox, JawboxChanky, Jawbreaker, Jeffersonofabitch, Johnson, Jingles (with Mike Cina).
• K: Kat Walk (geometric sans), Keester Black (2002), Kaiser, KlippyDingbats, Kraftwerk, KraftwerkNarrow, Kroozr, Kwikfont, Kegger (2007, a collegiate lettering face).
• L: Lambretta, Laundry, Laundrette, Lavaman, LemonadeSpeedster, Liquor 3D, Liquorstore (1997, a squarish face; since 2005 also in OT as Liquorstore 3D), Luncheonette.
• M: Mars (2007), Mantisboy, Marcusia, Metolurgy2typeindexcom, Mikrokoszmo, MinglerNipsy, MinglerRitzy, MinglerTipsy, Miss Amylin, MisterFrisky, MisterLincoln, Mister Twiggy (woodsy design), Monko-Blocky, Moonshine, MoonshineMurky, MC Auto (2002), McKraken.
• N: NailedToTheCross, NapkinTheModern, Nicotine, Nicotine Jazz, Nomadic, Nube.
• O: Ollivette and Ollivette Elite (old typewriter faces), Omnivore, Oooopsie (this 1997 font is just Helvetica with some circles dropped on top of it. The Helvetica trademark and Adobe copyright notices are still in the font!), OooopsieReverse, Ooopsie, Orbital, OrbusBjorkus, OrbusMultiserif.
• P: Panefresco (2011, 16 styles---a free sans family), PHreAkKruSty, Panzer, Paregos, Parkway-Hotel, Parkway-Motel, Parkway-Resortotel, PhysicsAlpha, PhysicsBeta, PlasticLasso, Player Piano (old stencil), Poker Party (2003), Polaroid22, Porkshop (1997, based on immigrant Manhattan signage), PorkshopGoodluck, Portastat, Prickly, Professor Minty (2005, curly), ProletarianBeta, Prospect-Modern, Puckfont.
• R: Redherring, RhumbaHut, Ribjoint, Rubble, Rosemary (2000-2001, T-26, a sign painters font).
• S: Saltwater, Schwinger (2003, script face), Schwing Shift (2003), Shadowboxer, Shakopee, SharpieStylie, SisterFrisky, SkippySharpie, SaucyMillionaire, Snipple, SooperCosmic, SpaceKrafty, SpaceToaster, Spacesuit, Spunkflakes (2002), StarryFHope, Sundayluck, Sunflower (2006, distressed typewriter), Swingdancer (2002, a custom connected script font first made for P. Puff Company), Swister (2004), GFY Santa Script (2004), Skylab, Shatner, Sunshine (2000-2001, T-26, grunge).
• T: Tabitha, Tacklebox, TackleboxFive, Thymesans, ThymesansItalic, Transam, Transam03 (2003, commercial version), Trucker.
• U: Ultramagnetic (by Mike Cina), UncleStinky.
• V: VenerealDisease, Venis (2002, big text family, T-26: reviewed by Hrant Papazian), Venis Small Caps (2004, T-26).
• W: Westsac (2003), Whorn, Wichita, Woodrow, Wordy Diva (1995, based on the handwriting of Lisa Bralts).
• Y: Yearling (2000).
• Z: ZsazsaGalore.

At Ascender, where one can buy the mostly hand-printed faces Birthday Girl, Bleacher, Bobby Zee, Chauncy Decaf, Churros, Collateral Damage, Couchlover, Easterbuns, Loopy Fiesta, Mister Marker, Mister Twiggy, Prickly, Snowballs, Space Toaster, Tipsy, Twigdancer, Younger Than Me (2009, grunge).

Interview by MyFonts in 2011. [Google] [MyFonts] [More]  ⦿

Charles Borges de Oliveira
[CBdO Fonts Foundry]

[MyFonts] [More]  ⦿

Charles Gibbons

Charles Gibbons (b. 1967, Lynn, MA) received an MFA in graphic design from the Rhode Island School of Design. Gibbons spent much of the nineties as a designer for the University of Minnesota in Minneapolis and later as assistant professor of Graphic Design at the University of Wisconsin / Stout where he taught typography and publication design. In 2001, he joined the Library of Congress as the chief designer for the United States Copyright Office.

Designer in 2001 of Aphasia at Bitstream. He co-designed Full Moon Suite with Mary Trafton at Bitstream in 2001. These include FM Black Cherry Moon, Alternate, Ligature, and Doubles. This family won an award at the TDC2 2003 competition.

In 2002, he designed Fleischmann BT Pro, a family heralded by the typophiles as outperforming the DTL Fleischmann.

In 2011, he helped out Stuart Sandler in his Filmotype project, and created the identical lively freestyle faces Filmotype Nemo (original from 1953), Filmotype Niro, and Filmotype Nero (2011), all three the same face but renamed under various scenarios of pressure. In 2011, he also made the signage face Filmotype Atlas.

In 2012, he created the art deco fat didone face Filmotype Rose, and the fine brush letter signage face Filmotype Havana. Filmotype Adonis (2012) is a clean hand-drawn typeface. Filmotype Royal (2012) is a transitional typeface family.

Typefaces from 2013: Filmotype Orlando (cartoonish), Filmotype Parade (cartoonish), Filmotype Zeal (a formal almost-copperplate script).

Typefaces from 2014: Ciao Bella (with Cindy Kinash at Cultivated Mind: a hand-drawn copperplate script emulation with four lovely hand-drawn sets of floral ornaments).

FontShop link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Charles Nix
[New Fonts]

[MyFonts] [More]  ⦿

Charles R. Anderson
[Chank Fonts -- Chankstore]

[MyFonts] [More]  ⦿

Cheyenne Russell

Student at Savannah College of Art and Design, 2008-2012. Creator of the signage typeface One Shot Script (2012). [Google] [More]  ⦿

Chiara Quaggia

During his studies in Milan, Chiara Quaggia created the signage typeface Ray Ban (2013) by reverse-engineering the famous Ray Ban logo. [Google] [More]  ⦿

Christin Arnhold

Designer in Trier, Germany. She used the lettering on a shop in Mainz to develop the signage script face Lapina (2011). [Google] [More]  ⦿

Chuck Davis
[Letterhead Fonts]

[MyFonts] [More]  ⦿

Claude Médiavilla

French type designer (b. 1948) who was born in the South of France. He studied typography, calligraphy and painting at the School of Fine Arts in Toulouse. He received the Prix Charles Peignot in 1982. In 1992, the President of France invited him to design the inscriptions for the royal tombs in the Basilique Saint Denis in Paris. He published Calligraphie (Imprimerie Nationale, 1993). Author of Calligraphy (Wommelgem, Belgium, 1996) and Histoire de la calligraphie française (Albin Michel, 2006; examples here). In 2009, with the help of Atelier des Signes, he created a typeface for the signage at Chateau de Fontainebleau. Additional URL. In 2010, Mediavilla cofounded Media type Foundry with Sonia Da Rocha and Joel Vilas Boas in Paris.

His typefaces:

• Galba: an elegant roman face, done at Mecanorma in 1987.
• Media Script (Mecanorma, 1985).
• Mediavilla (CCT, 1976).
• Mediavilla Script (Graphitel, 1986).
• Palazzo (Mecanorma, 1984).
• Tory (1991).

Examples of calligraphic alphabets drawn by him and shown in his Histoire de la calligraphie française (2006): Bastarda, Cancellaresca, Carolingian, Cursive gothic 1410, Luxeuil, Roman Capitals, Roman cursive 1st century, Roman cursive 4th century, Rustica 1st century, Textura 14th century, Textura 15th century, , Tourneure 15th century, Uncial 4th century.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Claude Pelletier

Quebec-based typographer and type designer (aka Diogene) who specializes mainly in revivals of obscure or old typefaces.

Dafont link. Yet another URL. Abfonts carries many of his fonts. Fontspace link.

His typefaces:

• Salamandre (2012). A tall 19-th century style slab face based on Iguana, a design of Sally-Ann Grover.
• Aerolite C Pone (2013). A calligraphic connected copperplate script.
• Angelica CP (2011)
• Banner Star (2012). An American flag-themed display typeface.
• Barrio CP (2011). An inline face.
• BeansCP (2010, after a font found on page 10 of Art Deco Display Alphabets: 100 Complete Fonts by Dan X. Solo).
• Bienetresocial (2003), BienetresocialBold (2003).
• Bizarre and Bizarrerie (2010; based on Edwards and Inland, both designed in 1895 by Nicholas J. Werner at the Inland Type Foundry; renamed in 1925 by BBS)
• Bloque Demo (2011). Experimental.
• Bold (2008)
• Carre (2009, athletic numerals).
• Caslon CP (2012, based on Caslon 223 Bold).
• Champignon (1999-2009, a formal calligraphic script)
• Chartrand (2010, Victorian)
• Chomage (2009)
• Chopin Script (1999-2010, calligraphic; after Polonaise by Phil Martin)
• Constanze Initials (2010). After Constanze Initials by Joachim Romann (1956).
• Crayonnette (2000)
• DeClaude (2010, patterned and named after DeVinne)
• Derniere (1999)
• Dojo CP (2011)
• Dynamic CP (2010, based on page 48 of The Solotype Catalog of 4,147 Display Typefaces as Dynamic Deco)
• Ebony (2011). Based on a Marder&Luse design from 1890. Ebony is on page 38 of 100 Ornamental Alphabets by Dan X. Solo and also on page 43 of The Solotype Catalog of 4,147 Display Typefaces.
• Embrionic 85 (sic) (2012, +Swash Caps) and Embrionic 55 Swash (2012): an ink trap sans display family.
• Essai (2003)
• Euclid CP (2011): based on an 1880 face at Central Type Foundry.
• Fancy Text (2004, blackletter)
• Fantaisie1 (1999)
• Gourmandise (2013), an exquisite Normandian-style didone display typeface.
• Haricot (2010, a fat modular face based on Beans in the Dan Solo catalog)
• Humeur (2001-2002, funny smilies)
• IEC5000 (2011). A symbol font with electrical and other icons.
• Initiales Medium (2011)
• JohnHancockCP-Medium (2010, bold didone)
• Landi Echo (2011). A remake of Landi Echo by Alessandro Butti (1939-1943).
• La Tribune (2011). A newspaper type.
• Le Golf or Le Trou (2010, art nouveau face by Antoine Szczebanski, digitized by Claude Pelletier; also on page 71 of the Solotype catalog)
• Les Etoiles (2013): an inline typeface
• Lionel P (2010, a multiline face inspired by Letraset's 1973 face Stripes)
• Malvern (1999)
• Manquis CP (2012). A roman typeface.
• Maratre (2013). A delicious connected copperplate calligraphic script.
• Monterey Wide (2011). A Tuscan ornamental face, based on a showing on page 22 of The Solotype Catalog of 4,147 Display Typefaces.
• Motscroises (1997)
• Niaisage (2012). A lachrymal caps only typeface.
• Oxford CP (2010, a multiline face, based on the 1960s face by Christine Lord)
• Pasdecourbe (2003)
• Pasdenom (2001, no punctuation)
• Pepinot (2012), an art nouveau face based on Coral Inline on page 190 of The Solotype Catalog of 4,147 Display Typefaces.
• Pistilli Roman (2011, after the original by Pistilli)
• Postface (2012). A bold signage script face.
• Rita Smith (2012). After Primavera by Rita Major.
• Rogers, Rogers2 (1997). He says that it is not his font---that he just rearranged the glyphs. According to Claude, can be found in the book Treasury of Authentic Art Nouveau Alphabets, ed. Petzendorfer, Plate 23. It was made in 1902 by A.V. Haight for Inland Typefoundry.
• Simplement (2011) is Cut-in Medium on page 163 of The Solotype Catalog of 4,147 Display Typefaces.
• Stylie Stymus (2012).
• TriangleETcircleShadow, TriangleETcircleShadowed (2010, 3d iron work style face)
• UptightC (2010, multiline face).
• YagiUHFNo2 (2012).

Clément Nicolle
[Zone Erogene (was: Dasklem)]

[More]  ⦿

Cocijotype
[Elí Castellanos Chávez]

A 2004 graduate of Universidad Autonoma de San Luis Potosi. As a student at CEAD in Mexico, Elí Castellanos Chávez (b. 1980) is the director of Cocijotype, a foundry located in Oaxaca. He teaches editorial design and typography in Loma Bonita, Mexico. Cocijotype was earlier called Sexytype.

Behance link. Flickr page.

Their typefaces:

• Koch's Neuland inspired Elí to create Barrilito (2009). This anthroposophic face won an award at Tipos Latinos 2010 in the script category.
• Barricada (2008, Sudtipos) is a fat rounded signage face that was awarded in the Tipos Latinos 2008 competition in the non-text category.
• Lucecita (2009) is a dot matrix LED font. It won an award at Tipos Latinos 2010 in the screen face category.
• Barronegro (2009) is a text family on which he has been working between 2006 and 2009. Barronegro is based on the cultural heritage of Oaxaca, as found on local posters, menus, shops, clothing, and art.
• Miniblock (2009, by Manuel Guerrero) is created to stack letters next to each other to look like labyrinths. It won an award in the Tipos Latinos 2008 competition for best text family.
• Optica (2008, Manolo Guerrero) is a tribute to Colombian artist Omar Rayo's optical art.
• Block02 (2009, Manolo Guerrero) is a FontStruct font that is part pixelized, part stencil.
• Optica (2008, Manolo G) is an optical experiment.
• Chicha (2012, Diego Sanz) is based on Peruvian market signs.
• Quincha (2009, Diego Sanz) is the quechua word for stone wall. Letters can be packed together in a way that reminds one of ancient Inca art.
• Casiopea (2010) is a corporate or signage type family that comes in six weights including Bold and Thin.
• Zipolite (2011). A mix of grotesk and humanist. See also Zipolite Rounded (2013). Zipolite won an award at Tipos Latinos 2014.
• Hola is a text typeface that won an award at Tipos Latinos 2014.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Coen Hofmann

Born in Amsterdam in 1939, Hofmann started out as a typesetter, and then morphed into a calligrapher and an author on calligraphy, and finally into a type designer.

Designer at URW++ of Altrincham (2003, a sans family), Perugia Cursive (2003, gorgeous calligraphic script), Ramona (2004, shadow face), Romeo (2004, a 3d beveled shadow face), Sax (2008, serif family), Silvestrini (2003, a gorgeous Gando-style ronde), Sirius Caps and Sirius (2003, a garalde family), and FontForum Sax (2008, a serifed display family).

At URW++ in 2011, he revived Herbert Thannhaeuser's 1952 slab serif family, Technotyp, under the same name. Revis (2011) is a formal script based on Daphne, a typeface that was originally designed by German type designer Georg Salden. For some reason, that typeface was withdrawn from the URW++ library some time later. Jason Uncial (2012, URW++) is a unicase uncial design. Holland Gothic (2012, URW++) and Caxtonian Black (2012, URW++) are blackletter typefaces.

In 2013, still at URW++, he created Signpainters Script (a connectd copperplate script), and Seizieme Pro (based on the 1905 font Série 16 by Peignot, which was mainly used or scientific publications).

Klingspor link. [Google] [MyFonts] [More]  ⦿

Context Foundry
[Alex Liebold]

Context Foundry is run by Alex Liebold out of Savannah, GA. Alex Liebold's typefaces include Monster Party (2007, monster-themed caps) and Cougher (2008, a grotesque based on the lettering of E. McKnight Kauffer).

Fresh Produce (2008) is a hand-painted signage face by Greg Christman.

Ghoulies (2008) is a ghost-themed all-caps alphabet, drawn by Greg Christman.

Montreal (2008) is a fat counterless face by Jenna Holcombe.

Eric Schwartzwelder drew Chiropractor (2008), a bold mechanical face, and the display typeface Jayhawker (2014).

Cougher Black (2010) is a big bold face inspired by E. McKnight Kauffer and vintage travel posters. [Google] [MyFonts] [More]  ⦿

Coppers & Brasses
[Alexandre Saumier Demers]

Quebec-based type designer Alexandre Saumier Demers set up Coppers & Brasses in 2011 in Montreal together with Etienne Aubert Bonn. Both graduated from the graphic and type design program at UQAM in Montreal. Creators of these typefaces in 2012: Martha (monospaced slabby grotesque done by both founders), Sardine (fat signage face by Bonn), Freitt (blackletter face by Bonn). Nicole (2012) is an elegant basic sans typeface by Olivier Mercier-Chan Kane.

In 2013, Etienne graduated from the Type & Media program at KABK in Den Haag. In 2014, Alexandre is scheduled from the same program in Den Haag. [Google] [More]  ⦿

Corradine Fonts
[Manuel Eduardo Corradine]

Manuel Corradine was born in Bogotá in 1973. He graduated from the School of Graphic Design of the National University of Colombia in 1996, and became a graphic designer. He started by custom-designing fonts and by making typefaces for his own company, Casa Papelera El Cedro (The Cedar Papermaking House), for printing invitation cards. With other designers like Carlos Fabián Camargo, John Vargas and César Puertas he formed Tipográfico in 2007 to strengthen the type discipline in Colombia. Corradine Fonts is Manuel Corradine's own foundry in Bogotá, Colombia, founded in 2006. Today, he is one of Colombia's principal type designers. He also teaches at Universidad Piloto de Colombia in Bogota.

Fonts from 2007: Kidwriting (a family which includes Kidwriting Dingbats 1 and 2), Garabata (a fantastic handwriting face), Garabata Dingbats, Hexagona Digital, Quadrat (grunge), Quadrat Old (grunge), Quadrat Dirty (grunge), Quadrat Broken, Quadrat Ugly, Neogot (experimental, 8 styles).

Fonts from 2008: Mucura (handwriting), Prissa (handwriting), Salpicon (a script), Cuento Serif (a bouncy hand-printed family), Memoria (brush script), Charco, Happy Day (comic book family with Happy Day Dingbats), Espectro (a swinging script with swashes and a Dingbats style), Furia (handwriting), Candelaria (based on house signs in the La Candelaria neighborhood of Bogotá), Old Village (1600's style), Old Village Ornaments, Rapidda (a successful simulation of quick handwriting), Hueca (an outline children's script), Antigua (an old swashbuckler family), Colegial (a great-looking hand script), Pincel (a fantastic paint brush family with accompanying splatter dingbats), Trazo (Corradine's handwriting), Arcos (a techno family), Caveman (a primitive stone-look type family), Rumba (two styles; an elegant flowing brush script), Parche (graffiti family), Elegance Monoline (a greeting card script face that won an award at Tipos Latinos 2008), Abuelito (script).

Fonts from 2009: Helga (flowing script), Mussica (+Swash, +Antiqued, a delicate Victorian face), Guarapo (handprinted), Toxic (futuristic stencil), Emotion (comic book face), Bloque 3D, Rock and Cola, Betco's Hand, Telefante (comic book family), Nancy's Hand (more comic book hand-printing), Alambre (multiline/paperclip), Sensual (calligraphic hand), Zape (in the style of Tekton), Antrax Tech (grunge), Masato (handwriting), Hu Kou (oriental simulation).

Fonts fgrom 2010: Miel (a curly script), Oferta (a signage script), Corradine Handwriting, Alberto (connected hand), Changua (handprinted).

Fonts from 2011: Plebeya (2011, connected hand), Mimi's Hand Connected, Legendaria (an extensive connected calligraphic family).

Fonts from 2012: Tecna (a techno family codesigned with Sergio Ramirez), Neuron (a fantastic 16-style rounded elliptical sans family created together with Sergio Ramirez), Bucanera Soft (blackletter), Bucanera Antiqued (grungy blackletter), Official (a simple monoline sans family), Almibar (a connected calligraphic Spencerian script), Eterea (a roman all-caps family), Eterea LC (the lower case set), Canciller (an italic roman, done with Sergio Ramirez), Quarzo (2012, a formal copperplate script done with Sergio Ramirez).

Typefaces from 2013: Neuron Angled (still with Sergio Ramirez), Alianza Slab (a great-looking slab family), Alianza Italic and Alianza Script (a packaging font), all made jointly by Manuel Eduardo Corradine and Sergio Ramirez.

Typefaces from 2014: Sinffonia (a thin informal face with oodles of choices for swashes).

Klingspor link. MyFonts link. Font Squirrel link.

View Corradine's typefaces. [Google] [MyFonts] [More]  ⦿

Cruz Fonts
[Ray Cruz]

Cruz Fonts was established in Oakland, NJ, in 2004 by Ray Cruz, who has been a designer of custom lettering and custom typefaces to major ad agencies, publishers and corporate clients in the New York City area for almost 30 years. He has created many display faces for Agfa/Monotype, Bitstream, Phil's Fonts and Garage Fonts. Presently Ray Cruz is working as Type Director at Y&R NY, and is an adjunct professor at FIT and Kean University teaching type design. Bio at Garagefonts.

His oeuvre:

• Garagefonts: Cruz Grafica (1999), Cruz Grafica Inline, Troubadour.
• Agfa/Monotype: Bandolera, Bandolero, Cruz Handy (2001) and Cruz Swinger. Swinger, in fact, was produced in film type for the John Schaedler Studio in New York in the 1970s. Also, Elegante, Romantica (didone).
• Bitstream: CruzCanteraBT (2003, a stylish informal sans family), Homeland BT (2004, a text face with a large x-height), Vera Cruz (2003, a playful display serif), and Fat Albert (2004).
• Cruz Fonts: Cruz Handy (2004), Troubadour (2004), Cruz Stencil (2012), Cantina, Bandolero, Cruz Swinger (fat semi-psychedelic signage face), Bandolera, Romantica Pro (2013, a condensed didone), Dot Script (2013, dot matrix face), Cruz Script Pro (2013: original from 2005).
• P22: P22 Cruz Ballpoint, P22 Cruz Calligraphic, P22 Cruz Brush.
• BarracudaPlain.
• Custom typefaces for Camel Cigarettes, Estee Lauder (1994), New York Life Insurance, The NFL Detroit Lions, Pella Windows, USPS, and Xerox.

Bio at Garagefonts. P22 link. FontShop link. PDF catalog.

View Ray Cruz's typefaces. [Google] [MyFonts] [More]  ⦿

Cubanica Fonts
[Pablo A. Medina]

Pablo A. Medina designs all fonts at Cubanica Fonts in New York. He is a Communication Design professor at Parsons the New School for Design and lives in the East Village of New York City. He has also taught at Maryland Institute College of Art. MyFonts page.

Cubanica fonts: Medina Gothic (2005, a clean sans family), Diablitos (2011), Calaveras (2011), Sailor Gothic (2003), Imbalance (2002, an experimental sans), North Bergen (1996, a vernacular sans), Cuba (1996, 3d signage face based on a sign for the restaurant La Flor de Cuba on Bergenline Avenue in Union City, New Jersey), Vitrina (1996, connected lettering signage face), 1st Avenue, Sombra, 24hrs, Union Square (a bold stitching font), Calaveras (2011, based on a signage style in Buenos Aires called Fileteado), and Marquee. At Plazm, he made First Avenue (Plazm, 2000, based on an old metal neon sign) and Vitrina.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Damien Aresta

pleaseletmedesign is a duo of Belgian graphic designers comprising Pierre Smeets (b. 1981) and Damien Aresta (b. 1979). They set up their own graphic design studio in 2004 after graduating from Saint-Luc Higher School of Arts in Liège (Belgium) and spending almost a full year in ERG (Graphic Research School) in Brussels (Belgium). The projects of pleaseletmedesign range from graphic design, books, posters, identities and stationnery to exhibition design, signage, titles sequences, and website in cultural sectors as diverse as music, architecture, cinema and advertising clients. Toyota Belgium used a car to design the outlines of an upright script called iQ (2009). Free download. The font was made by Pleaseletmedesign. [Google] [More]  ⦿

Daniel Adamko

Hungarian designer of HUN-DIN 1451 (2012). [Google] [More]  ⦿

Daniel Bak
[Art City]

[MyFonts] [More]  ⦿

Daniel Hernández Sanchez
[Hernández Type (was: Estudio de diseño Calderón)]

[MyFonts] [More]  ⦿

Daniel Petrino

Daniel Petrino (Birmingham, AL) created Moustache Script (retro signage font) in 2013.

Behance link. [Google] [More]  ⦿

Daniel Utz

Daniel Utz lives in Stuttgart, Germany. Involved in corporate (graphic and type) and interactive design, he also teaches digital typography at the Hochschule für Gestaltung in Schwäbisch Gmünd. Designer of FF Netto (2008), a simple rounded sans family created for minimalist designs, signage, and pictograms.

Typedia link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Darío Manuel Muhafara
[Tipo]

[MyFonts] [More]  ⦿

Dave Rowland
[Schizotype]

[MyFonts] [More]  ⦿

David A. Occhino
[David Occhino Design (was: Treehouse Graphic Design)]

[More]  ⦿

David Fleming Nalle
[Scriptorium (Ragnarok Press, Fontcraft)]

[MyFonts] [More]  ⦿

David Occhino Design (was: Treehouse Graphic Design)
[David A. Occhino]

Treehouse Graphic Design was David Occhino's font outlet. It is now called David Occhino Design. The Treehouse collection specialized in Startrek, futuristic, Disney and Indiana Jones style fonts, but has widened lately. Most fonts are commercial, but there are a few free ones:

• Exclusive Designs: Tangaroa (2009, tiki font), TradeWind, Nautilus, Graviton, Voyager, Cinema, Firefly, Forest, Emblem.
• Signage faces: Craftsmen (2010), Craftsmen Ornaments (2010).
• Movie Fonts: Safari (1996, based on the famous Indiana Jones movie logo created by Mike Salisbury and David Willardson; version 2 in 2011), Venture, Astro, Galax-E, Time Travel, Iron Hero, Knight, Blade, Aeronaut (1997, avant-garde).
• Art Deco Fonts: Aeronaut (1997; Aeronaut 2.0 in 2011), Cinema, Pan-Pacific (2010: based on the classic 1940s lettering style that was used for the signage for the famous Pan-Pacific Auditorium).
• Theme Park Fonts: Kingdom (1996, blackletter), Mansion, Encounter, World.
• Sci-Fi Fonts: Astro SE, Basestar, Blade, Encounter, Galax-E, Graviton, Nautilus, Time Travel, Voyager.
• Halloween Fonts: Hocus Pocus, Nautilus, Mansion 3.0 (1996-2009), MansionCryptBats (2009, free).
• Education Fonts: School.
• Free Fonts: Aurebesh, Forbidden Eye, Tangaroa Glyphs (Hawaiian petroglyphs, 2009), World Symbols, Big Thunder Dingbats (2009: Western dingbats).
• Western fonts: Big Thunder (2009).
• Fonts I can no longer find: Aurebesh, DNealianArrows, DNealianGuides, DNealianRegular, Starspeeder, StarspeederUpright, Pyramid's Venture, Victorian Mansion.

Abstract Fonts link. [Google] [More]  ⦿

David Quay

British type and graphic designer (b. 1948, London) who graduated from Ravensbourne College of Art&Design in 1968, and after working as a graphic designer in London, founded Quay&Gray Lettering with Paul Gray in 1983. David Quay Design started in 1987, and finally, in 1990, he co-founded The Foundry with Freda Sack and Mike Daines in London. The Foundry also develops custom typefaces, marks and logotypes for companies inernationally these include a special typeface to be readable at very small sizes for Yellow pages, corporate fonts for BGplc (British Gas) NatWest Bank, and signage typefaces for both RailTrack in the UK and the Lisbon Metro system in Portugal. He taught typography and design at the Academie St. Joost, Hogeschool Brabant from 2001-2003. He now teaches one month a year at IDEP in Barcelona. He lives and works in Amsterdam. Linotype link. In 2009, he started selling his fonts at MyFonts. Pic. His fonts, in chronological order:

• Custom lettering and type for the Penthouse calendar.
• 1983: Santa Fe (monoline script), Agincourt (1983, ITC, blackletter), Blackmoor (1983, ITC, English-style blackletter).
• 1984: Titus, Vegas.
• 1985: Quay, Milano.
• 1986: Bronx.
• 1987: Bordeaux, Bordeaux Script.
• 1988: Latino Elongated, Mekanik.
• 1989: Aquinas, Robotik, Helicon (1989, Berthold).
• 1990: Quay Sans, Digitek, Teknik.
• 1991: Letraset Arta.
• 1992: Coptek, La Bamba, Lambada (1992, Victorian; Letraset), Scriptek (angular design, ITC).
• 1993: Marguerita.
• 2010: Kade (Re-Type---it is a display/semi display sans family of fonts based on vernacular lettering photographed around the harbours of Amsterdam and Rotterdam).
• 2011: Bath (2010-2011), a typeface developed with Ramiro Espinoza for the the signage and orientation of the city of Bath. It comes in Bath Serif and Bath Sans versions.

David Vereschagin
[Quadrat Communications]

[MyFonts] [More]  ⦿

David Waschbüsch
[Fontom Type]

[MyFonts] [More]  ⦿

Dear Alison
[Alison Argento]

Travel writer based in Cherry Hill, NJ. Designer (b. Augusta, ME, 1977) of the children's scribble font Urly Lurnin (2008), and of Smiley (2008, comic book face), and of the informal handwriting fonts Pickled Sans (2008), Slim Pickens (2008), Smokehouse (2008) and Gladly Mailed (2008).

Bender Script (2008) is a brush script developed from an incomplete script drawn by Charles Chas Bluemlein.

Barnstormer Script (2010) is a sign painter typeface. Gonte (2013) is a sketchbook script typeface.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Decade Typefoundry
[Agung Maskund]

Decade Typefoundry (Bandung, Indonesia, est. 2008) is run by Agung Maskund or Agung Gumilang Sugih, b. 1987, Bandung. It specializes in Victorian and vintage type. Creator of Authentic Labels (2013), New Black (2012, a metal band typeface) and Chicano Brush (2012, graffiti face). Note: It is possible that Chicano Brush was made by Gilang Purnama.

In 2013, they published Reckless (by Gilang Purnama: a retro car font), Fabulous Drop Cap (with a free demo font), Los Santos (graffiti style), Logotype Frenzy (brushy signage face), Insurance Maps (inspired by the Sanborn Map Company's 1909 insurance map catalog), Basingstoke (a spurred display typeface by Gilang Purnama Jaya), Hustlers Rough (Western Tuscan signage font), Lakester (another Tuscan signage font with layering), and Griba (alchemic typeface).

Another great typeface project is the National Currency Font (2013), which features spurs and an engraved look. Stay Gold Script (2013) is a vintage signage typeface. Aesthetique (2013) is a Victorian ornamental Tuscan design.

Typefaces from 2014: Herschel.

Behance link. Fontspace link. Behance link for Agung Maskund. [Google] [MyFonts] [More]  ⦿

Delve Fonts (was: Delve Media Arts)
[Delve Withrington]

Delve Withrington (Alameda, CA; b. 1970, Asheville, NC) studied at Savannah College of Art and Design, designed signage, print projects and web pages in addition to designing custom typefaces, worked for Fontshop, and in 2004, joined the type team at Agfa Monotype, which morphed into Monotype Imaging, Redwood City, CA. From Asheville, NC, he moved around and ended up in San Francisco. In 1996, he founded Delve Fonts in Berkeley, CA (in fact, Delve Media Arts, and later renamed Delve Fonts). He has collected a virtually complete list of books on typography. Author index. New books. One of the first places to consult, in my view. New type books. MyFonts link. Designer of these typefaces:

• Blasphemy Initials: a free (and also commercial...) spooky font.
• Blot Test (1999): a dingbat font inspired by the work of noted German psychologist Hermann Rorschach [1885-1922].
• Cody (1999): an informal comic book face.
• Continuo (1996): an all caps bilined outline face.
• Cortina (2011). A futuristic family by Joachim Müller-Lancé.
• Delve Hand (1996-2003).
• Eucalyptus Regular.
• Eulipia (1997-2003): organic.
• Helfa (2011). Delve writes: Readability is baked in with a generous x-height, fine proportions that have a medium height to width ratio, and reasonable contrast in stroke weight variation.
• Oktal Mono (2012, a rounded octagonal modular typeface by Joachim Müller-Lancé and Erik Adigard of MAD studio in Sausalito).
• Peso (1999): an octagonal family inspired by a parking sign discovered in Guanajuato, Mexico.
• Quara (2009): a techno sans.
• Tilden Sans (2004-2009): low contrast, large x-height.
• Uppercut Angle (2011). A signage face by Joachim Müller-Lancé. It was originally developed for the Krav Maga training center of San Francisco.
• Ysobel (2009; winner of an award at TDC2 2010). Delve codesigned the newspaper type family Ysobel (Monotype) with type designers Robin Nicholas, head of type design at Monotype, and Alice Savoie (Frenchtype, Monotype). The sales pitch: According to Nicholas, the idea for the Ysobel faces started when he was asked to create a custom, updated version of the classic Century Schoolbook typeface, which was designed to be an extremely readable typeface - one that made its appearance in school textbooks beginning in the early 1900s. See also Ysobel eText Pro (2013).

Delve Withrington
[Delve Fonts (was: Delve Media Arts)]

[MyFonts] [More]  ⦿

Denis Libon

Canadian designer of the (free) shadow circus fonts Black Angel (2011), the art nouveau face Freshwater Classic (2011), Candle 3D (2011, +Black), and Topsquare (2011). He created the oriental simulation face Stick Rice (2011) and the display face Melted (2011).

In 2012, he created the shadow face ShowLetters, Pullstar (fat signage script family), Pullstar Holinight (2012), Tracker (handprinted), Medley Script, Rose Heart, Spear Mint, Brick Wall (a texture face), Crispy, Crisp, Armand Chief (connected script), Mystic Arm, Back of Times, Back of Shadow, Fairland (blackletter), Armand Cocktail, and Thorn Heart.

In 2013, he published Jess Font and Jessy Heart.

Dafont link. [Google] [More]  ⦿

Dexsar Harry Anugrah
[Majestype]

[MyFonts] [More]  ⦿

Dialekt Design (was: Robert Beck Design)
[Robert Beck]

Canadian graphic designer and creative director Bob Beck has been living in the Montreal area since 1995. In 1999, he set up Dialekt Design. His typographic oeuvre is extensive:

• Learned Behaviour (1996-1997), Manipulator, LaPlaya, 1996, all experimental/exploratory typefaces available from 2Rebels.
• Table Manners, 1997, PsyOps, 2Rebels, Prototype Experimental Foundry (defunct). Beck: Table Manners was born out of the desire for a highly readable text typeface with a subtle graphic edge that would amplify with size. This otherwise simple and geometric type shows its mischief through devilishly spiked-serifs and unexpected curves.
• Loop. 1998. The loop typeface is a pure research project designed by Dialekt in order to investigate the development of simple letterforms through rigid, bold geometric structures and rigorous grid systems.
• RagingBoner, 1999. Custom typeface designed for Burton Snowboards for product packaging and communications materials.
• Hermetique (2001), designed initially for Cascades Paper's exclusive use on paper sample swatchbooks, soon to be released in modified form as a full family.
• Private Press, 2001. This typeface was letterpress printed from an original 1858 10-Line woodtype specimen from the Wells, NY type foundry, and then digitzed in ultra high resolution to retain all the character and wear of this aged alphabet. It is available for purchase as a bitmap TIFF image collection only.
• Asylum, 2005. Asylum is a hand-lettered typeface designed specifically for a snowboard project application for Performance Boardshop in Quebec. It contains 1,313 unique individual glyphs and comes in OpenType format.
• Blaikie, 2006. Blaikie is a custom commission for Canadian Law Office Heenan Blaikie, a national copyright and patent law office. It was developed for proprietary use in all communications materials, as well as signage and wayfinding needs internally for all offices Canada-wide.

Diego Quintana

Creator (b. 1988) of a geometric type family in 2009. He is based in Santiago, Chile, where he studied type design at the University of Chile and runs a graphic design and photo illustration business. Techno font made in 2009 according to strict geometric rules. Hetilica (2009) is a free shop signage font. Halfway (2009) is a free experimental face in which half of the strokes are missing. Link at Tipos de Cartagua, where one can download Hetilica. Scans of Unnamed Font 2 (2010): i, ii. [Google] [More]  ⦿

Diego Sanz Salas

Peruvian creator (b. 1984, Arequipa) at FontStruct in 2009 of Sencilla (+Cuadrada, +Morena), a family that covers Latin, Cyrillic, Extended Latin, Hebrew, Greek, Armenian, Coptic, Arabic, Thai, and Devanagari. At FontStruct in 2008, he made mercury and mercury_bold. At Cocijotype, he created the artsy Incan stone wall-inspired Quincha (2009), which according to this site is the first commercial font made in Peru. It won an award in the experimental category at Tipos Latinos 2010.

Amarilis (2011) is an ornamental caps face, which can be bought here.

Chicha (2012) is a bouncy curvy layered set of typefaces published by Cocijotype. It is based upon Peruvian market signs.

MyFonts link. Logo. Interview in March 2010. Behance link. Klingspor link. [Google] [MyFonts] [More]  ⦿

DIN 1451

German highway, railway and industrial typeface that is based on strict specifications. Linotype writes: The abbreviation "DIN" stands for Deutsches Institut für Normung (The German Institute for Industrial Standards). In 1936, this standards committee settled upon DIN 1451 as the primary lettering style for use in the areas of technology, traffic, administration, and business. The committee chose a sans serif design because of its legibility, and because its forms are also easy to reproduce. This faces design was not foreseen to be used in advertisements or other "artistically oriented purposes," and there were disagreements about its aesthetic qualities. Nevertheless, the DIN face has been set everywhere in Germany since its adoption, especially on signs for town names and traffic directions. Over the decades, it has managed to make its way into advertisements, too, perhaps because of its ease of recognition. The contemporary font version of DIN 1451 has been adopted and used by designers in other countries as well, solidifying its world-wide design reputation. Try it out today for signage, magazine layouts, book covers, or flyers. DIN 1451s industrial heritage makes it surprisingly functional in just about any conceivable application. Poster by Federico Arguissein (2013). [Google] [More]  ⦿

Dirk Heider

Creator of Zierfische (2011, a signage face): Zierfische is based on an exterior sign for a tropical fish store in East Berlin (GDR). The original sign was salvaged and now resides in the Buchstaben Museum in Berlin. The museum commissioned the sign's original designer, Manfred Gensicke, to complete an alphabet based on the sign, which was then digitized by Dirk Heider resulting in the finished font "Zierfische." [Google] [More]  ⦿

Disney Fonts

A list of fonts commissioned by Disney: Atlantean (movie Atlantis: The Lost Empire), Hunnypot (for Winnie the Pooh branding), Kem Weber (art deco typeface used on signage at Walt Disney Studios and theme parks), Mara (Indiana Jones and the Temple of the Forbidden Eye), and World Bold (for use on Epcot signage and media).

Fonts licensed for Disney software include

• Disney Comic (rebranding of Snap) - various Disney Print Studio titles
• Disney Heroic - Hercules Print Studio
• Disney Print (rebranding of Apache) - various Disney Print Studio titles
• Disney Simple (aka Pooh) (rebranding of Fontoon) - various Disney Print Studio titles
• Donald - various Disney Print Studio titles
• Flik (rebranding of Zemke Hand) - A Bug's Life Print Studio, Incredibles Print Studio
• Flounder (rebranding of Clover) - Little Mermaid Print Studio, Incredibles Print Studio
• Hyena - Lion King Print Studio
• Jungle Fever - Lion King Print Studio
• Lucky (rebranding of Ad Lib) - 101 Dalmations Print Studio
• Mickey - various Disney Print Studio titles
• Mickey Shadow (rebranding of Bertram) - Incredibles Print Studio
• Minnie - various Disney Print Studio titles
• Mushu (rebranding of Arnova) - Mulan Print Studio, Incredibles Print Studio
• Perdy (spotted restyling of Sprocket Deluxe) - 101 Dalmations Print Studio
• Pongo (rebranding of Sprocket) - 101 Dalmations Print Studio
• Sebastian (rebranding of La Bamba) - Little Mermaid Print Studio, Incredibles Print Studio
• Tribal - Lion King Print Studio
• Wizzer (rebranding of Mister Earl) - 101 Dalmations Print Studio

Commercial fonts inspired by Disney designs include several fonts by David Occhino such as Aeronaut (The Rocketeer logotype), Big Thunder (Big Thunder Mountain Railroad logotype), Encounter (Alien Encounter signage), Galaxie (Wall E logotype), Mansion (Haunted Mansion signage---based on Rubens), and World (Epcot signage). Lettering Delights created LD Walt, LD Mick E). Jukebox Type designed Alpengeist (Matterhorn poster lettering), Baileywick (Mary Blair lettering/artwork; renamed from Blairesque), Fairytale (Sleeping Beauty poster lettering) and Peregroy (101 Dalmations). Parachute created PF Wonderland Pro (Alice in Wonderland 2010 logotype and titles). [Google] [More]  ⦿

Dmitry Rodionoff

Moscow-based graphic designer and photographer. During his studies at the British Higher School of Design in Moscow, he created the Latin/Cyrillic packaging script face Convienta (2013), the psychedelic typeface Jimmi Hendrix (2013), and the blackletter poluustav hybrid typeface Frakstav (2013, Latin and Cyrillic). Behance link. [Google] [More]  ⦿

Doyald Young
[Doyald Young: Logotypes and Letterforms]

[MyFonts] [More]  ⦿

Doyald Young: Logotypes and Letterforms
[Doyald Young]

Graphic designer, typographer, type designer, author, teacher and lecturer, born in 1926 in Holliday, TX. He died on February 28, 2011 due to complications following a recent heart operation. Picture. He attended Los Angeles City College, Los Angeles Trade Technical Jr. College, and Art Center College of Design where he has taught for 27 years and holds the honorary title Inaugural Master of the School. Doyald drew characters, often of a calligraphic or handlettered nature. He was deeply influenced by his mentor, Hermann Zapf.

Steve Heller writes: When digital programs like Fontographer made it easy for anyone with a computer to create typefaces, many of them purposefully inelegant, he advocated a high level of craftsmanship that he believed had been lost. In so doing, Mr. Young challenged a new generation to reject so-called grunge design in favor of precision. When the American Institute of Graphic Arts awarded Young its 2009 Medal for Lifetime Achievement, Marian Bantjes wrote Taste. Practicality. Formality. Understated prestige. The combination of those qualities forms as perfect a descriptor of Young's work as any you are likely to find, both in the process and the result. Although he is widely known for his elegant curves and scripts, he has never been a showy designer---there is not a trace of ego in his work. The range of letterforms able to flow at any time from his hand is great, and there is no way to particularly define Young's mark unless you have seen the hand-drawn comp. That is where his work is unmistakable: perfect letterforms drawn in pencil at a surprisingly small size without so much as a mark of hesitation or awkwardness. The style varies but the fluidity and perfection do not.

Links and media: Scott Erickson's movie on Doyald Young. FontShop link. Klingspor link. Short obituary and video. Longer video about his life. Steven Heller's obituary in the New York Times. Obituary by Marian Bantjes for AIGA.

He was adored and respected for his craft and gentleness. Portrait. Another portrait (credit: Louise Sandhaus). Author of several influential texts:

• Logotypes and Letterforms (1993, Delphi Press). Review. It includes the corporate typefaces and original and revised logotypes he created for General Electric, Sony, Hilton International, John Deere and other businesses. Steve Heller: It was well received by designers for its defiance of fashionable trends.
• Fonts&Logos (1999, Delphi Press, and 2000, Sherman Oaks). A book of examples, it includes many logos designed by him for the cosmetic, fashion and entertainment industries. Review. Bette Midler logo (2002). Grammy Awards logo (1988). Prince, The Hits Collecton, cover (2000). Sinatra, The Man and his Music TV Special (1981). Logo for Apex Engraving (1974).
• The Art of the Letter (2003, Smart Papers, Hamilton, Ontario).
• Dangerous Curves Mastering Logotype Design (2008, Delphi Press). Delphi Press was his own company.

His typefaces include the extra bold condensed sports scripts fonts Home Run Sanscript (1999) and Home Run Script (1999, a connected bold retro signage script), Young Gallant (2010, a formal calligraphic script based on the alphabets his teacher, Leach, trained him on), ITC Eclat (1985, 1992, fat script face, which was used for titles by Comedy Central and the Queen Latifah movie Beauty Shop), Young Finesse (2003, an Optima-inspired thin headline face used in his book, Fonts&Logos), Young Finesse Italic (2006), Guts (1976, VGC), and Young Baroque (1984, 1992, Letraset; calligraphic Spencerian copperplate script). [Google] [MyFonts] [More]  ⦿

E&F Gyles

London-based foundry at the end of the 19th century. Creators of Quill Pen Script, an art nouveau signage face. [Google] [More]  ⦿

Eduardo Rodríguez Tunni

Buenos Aires-based graphic designer and prolific type designer who runs Graphic Design Firm. Since 2005, he has been teaching typography together with Marcela Romero and Pablo Cosgaya at the Centro Cultural Ricardo Rojas. Behance link. Klingspor link. Fontspace link. Google Plus link. Interview by MyFonts. His typefaces, haphazardly organized:

• Average (2005, Google Web Fonts). A text face. The sister family is Average Sans (2012, Google Web Fonts). Average won an award at Tipos Latinos 2008 in the extensive family category.
• Linear Book Serif (2003). A humanist font.
• Colona (2004). A serif family.
• Lineare. A six weight sans family. See also LineareA3Versalita (2004). Lineare Serif (Tipo) is characterized by heavy serifs.
• The roundish titling face Titulata (Tipo). See also here. Accompanied by Titulata Italic (2007).
• The classic text family Gilda Roman.
• Alexa. A sans family.
• With Pablo Cosgaya, he designed Loreto (2004). This family was inspired by the types printed in the Manuale ad Usum (1721). The family appeared in 2009 at Tipo.
• He is (was?) working on Average Italic (2006, serif), Astor (2007, sans) and Yeca Serif (2006).
• Think (Tipo). This face won an award at Tipos Latinos 2008 in the non-text category.
• Club Universo (2008, with Mariana Pariani). This face won an award at Tipos Latinos 2010.
• Changa (2009). This rounded black poster face won an award at Tipos Latinos 2010. See also Changa Italic. Google Font Directory link, where one can download Changa One (2011).
• Lassi Display (2009, with Dario Muhafara). This face won an award at Tipos Latinos 2010.
• Merienda One (2011, a brush script). Free at Google Web Fonts.
• This experimental face (2004).
• Mate (2011). A free readable text face at Google Font Directory.
• Arapey (2011, Google Font Directory) is a didone family named after a Uruguayan town.
• Lemon (2011). A free signage face at Google Web Fonts.
• Unlock (2011). A free quadraplegic face at Google Web Fonts.
• Diplomata (2012, +SC) is a free openface typeface publihed at Google Web Fonts).
• Glegoo (2012, Google Web Fonts) is a modern slab serif.
• Imprima (2012, Google Web Fonts) is a very readable humanist sans with large counters and a large x-height.
• Graduate (2012, Google Web Fonts) is an athletic lettering font.
• Belleza (2012, Google Web Fonts) is a humanist sans typeface with moderate to high stroke contrast.
• Orienta (2012) is a free sans face at Google Web Fonts.
• Warnes (2012). A fifties diner connected script that is free at Google Web Fonts.
• Orienta (2012, Google Web Fonts) is a large x-height wide-eyed sans.
• Combo (2012, Google Web Fonts) is an eggheaded headline face.
• Paprika (2012) is an expressive informal typeface. Free at Google Web Fonts.
• Unica (2012) is a unicase sans, also at Google Web Fonts.
• Strait (2012) is a cold sans. Google Web Fonts link.
• Faster (2012, Google Web Fonts) is a retro face that gives the illusion of speed.
• Kite One (2012, Google Web Fonts) is a rounded monoline humanist sans.
• Offside (2012, Google Web Fonts) is a monoline stroke font.
• Joti One (2012, Google Web Fonts. A retro futuristic typeface.
• Croissant (2012, Google Web Font). A non-connected formal upright script.
• Gilda Display (2012, Google Web Fonts) is a serifed face with high stroke contrast.
• Sintony/a> (2013, Google Web Fonts).
• Gabriela (2013, Google Web Fonts).
• Pathway Gothic One (2013).
• Fauna One (2013).

Eduardo Souza

Brazilian graphic designer. Creator of Muerte (2011, FontStruct). Behance link. A vernacular bar sign inspired him to create the script face Barbosa (2011). An old poster for aguardente de cana gave enough material for a Tuscan typeface called Sao Paulo (2011). [Google] [More]  ⦿

Edwin W. Shaar

American type designer, designer, writer, b. 1906 or 1915. For some time he was assistant art director at Monotype and art director at Intertype. He made several phototype typefaces. His typefaces include:

• 1939: Czarin (lowercase only by him), done at Baltimore Type.
• 1939: Flash and Flash Bold (Lanston Monotype), a signage typeface of limited beauty. See also Flash EF. Linotype has a similar fat brush face called Okay. I assume it has the same genetic roots. See Falcon by SoftMaker and Flash EF by Elsner and Flake for a digital version of Flash, Brush Hand (by WSI), Brush Hand New (a free font by Keith Bates) and 0670 Script (also by SoftMaker) for a digital version of Flash and/or Okay. Mac McGrew: Flash is an informal brush-drawn script letter, cut by Monotype in 1939. It was the first face designed by Edwin W. Shaar, who designed Flash Bold the following year. The lighter weight is somewhat similar to Dom Diagonal, cut later by ATF. Also compare Balloon.
• 1940: Valiant (Lanston Monotype), a display face. ac McGrew: Valiant is a vigorous thick-and-thin letter with the appearance of having been lettered quickly but well with a broad pen. It was designed by Edwin W. Shaar for Monotype in 1940, and is similar to Lydian Bold Condensed, though a little heavier. It is suggestive of Samson, but condensed.
• 1952: Futura Extra Bold (Intertype), followed by Futura Extra Bold Italic in 1955 at Intertype as well. For a digital version, see Function Script by SoftMaker.
• 1952: Nuptial Script (Intertype).
• 1954: Futura Script (Scangraphic). See Future Script EF by Elsner & Flake.
• 1954: Imperial (+Bold, +Italic), done at Intertype, and called Gazette by Linotype in 1977. The New York Times uses Imperial for its text since 1967, but it is based on in-house scans of the old metal Imperial (an Intertype design from 1954), not on the digital versions from Intertype or Linotype. The typophiles discuss Imperial: Kent Lew states The New York Times text is Imperial. Has been for at least the last several years. Koppa points out that the NY Times Imperial designed by Intertype looks like an ATF Century Old Style rip-off. [...] I will stick with my opinion that the original, the metal Century Old Style, credited to M Benton, is better than the copy-cat Intertype Imperial and most definitely better than the copy-cat digital Imperial I saw on myfonts.com last night. Bitstream made a digital version of Imperial. Mac McGrew: Imperial was designed by Edwin W. Shaar in 1954 as a newspaper text face. Like most other news faces it has a large x-height with short descenders. but unlike most news faces of the time, it blends certain oldstyle and contemporary characteristics, and is a little narrower and more closely fitted. This gives a feeling of friendliness and warmth, but retains a high degree of legibility.
• 1960: Royal (+Italic, +Bold): a sans family that is easy to read in small point sizes.
• 1960: Windsor (+Bold) (Intertype, New York), a newspaper face.
• Vogue Extra Condensed (Intertype).
• 1974: Satellite (+Italic, +Bold), done at Intertype. Mac McGrew: Satellite is a newspaper face designed by Edwin W. Shaar for Intertype in 1974. With large x-height and sturdy hairlines, especially in the bold version, it is designed for legibility under the rigors of high-speed newspaper production, but without sacrificing a stylish appearance.
• Shaar Diane, a Photo-Lettering calligraphic face.

Linotype link. FontShop link. Klingspor PDF.

View Edwin Shaar's typefaces. [Google] [MyFonts] [More]  ⦿

Edy Type
[Ricardo Victor Rousselot Schmitt]

Ricardo Victor Rousselot is a calligrapher and type designer born in Argentina in 1936. He was trained in the sixties in Chicago in the studio Ficho&Corley Inc., which was led by a disciple of Frederic Goudy and Oswald Cooper, Carl Corley. After that, he returned to Buenos Aires, and in 1975, he settled permanently in Barcelona, where he teaches at the University of Barcelona.

His typefaces include Carlomagno (1997-2000) and Uncial Romana (1996), released by Neufville.

He sells his fonts nowadays through his foundry, Edy Type. For example, in 2010, Edy Type launched the lively connected handwriting font Despeinada, which, Ricardo says, tries to find the middle between Mistral and Zapfino. Chevronne (2010, not my favorite) is based on mediaeval / gothic forms but tries to be contemporary. Drumbeat (2011) is a calligraphic script face, and Bambola (2011) is a curly signage script.

Klingspor link Behance link. MyFonts link. [Google] [MyFonts] [More]  ⦿

Elena Schneider

Graphic designer in Dortmund, Germany. MyFonts lists her last name as scheider, not Schneider. Her design company is called Elefont. Graduate of the University of Reading in 2011.

Creator of these typefaces: Eskorte (2011, her graduation project), Eskorte Persian (2011), Klebo (2011, mechanical / octagonal), Eskorte Armenian (2011), and Paroli (2011, a bold rounded signage face), Biec (2012).

In 2013, Eskorte was published by Rosetta Rosetta Type. Eskorte supports Arabic, Farsi, Urdu, and over ninety languages using the Latin script. Titus Nemeth was consulted for the Arabic portion.

Cargo Collective link. [Google] [MyFonts] [More]  ⦿

Elí Castellanos Chávez
[Cocijotype]

[MyFonts] [More]  ⦿

Elias Duran

Creator of the angular signage typeface Lyna Kety (2012), the brush script Aula 402 (2012), the brush face Joshe (2012), and Found It On Dafont (2012). [Google] [More]  ⦿

Ellen Morales

Designer of the signage script typeface Lollypop (2012). [Google] [More]  ⦿

Elliott Amblard

Together, Elliott Amblard (France) and Gia Tran created the bold signage / retro baseball script typeface Paname FY at FontYou in 2014. FontYou link. [Google] [MyFonts] [More]  ⦿

Elsö Magyar Betüöntöde

Typefoundry in Budapest where Zoltán Nagy published most of his typefaces. These include Ungarische Grotesk breitfett (1967), Ecsetiras (18=967) and Reklam Kurziv (a signage face). [Google] [More]  ⦿

Emanuele Fonticoli

Roman graphic designer who created the signage typeface Fonticoli (2012). [Google] [More]  ⦿

Emil Karl Bertell
[Fenotype]

[MyFonts] [More]  ⦿

Emilie Rigaud
[Aisforapple]

[More]  ⦿

Enrique Arellano
[Estudio Arellano Type Foundry]

[MyFonts] [More]  ⦿

Erica Jung

Brazilian printmaker, graphic artist and illustrator, b. 1975. Her fonts at PintassilgoPrints include Daft Brush (2014, a vernacular brush), Tuesnight (2014, offbeat poster font), Periplus (2013), Marujo (2013: a decorative typeface inspired by paintings of Arthur Bispo do Rosário, a Brazilian artist who lived for 50 years in a psychiatric institution), Brush Up (2013: a rough brush script), Undersong (a stackable script system), Tremendous (2013: a retro poster typeface), Rockinstead (2013), Runcible (2013, +Cleft, its glaz krak version), Mamute (2013: a layered letterpress style type system), Sabotage (2013: squarish poster font inspired by the iconic Vertigo movie poster by Saul Bass), Sheldon (2013, based on posters by the Polish graphic artist Marian Stachurski; +Extras), Dranskof (2013, inspired by a page from a publication for children by Serbian writer, poet and journalist Dusko Radovic), Gentil (2012, an all caps poster font), Sundowners (retro poster face), Kokoschka (2012, based on the the lettering on the poster of an expressionist play by Austrian painter, printmaker and writer Oskar Kokoschka in 1909), Monstrinhos (2012, dingbats), YWFT Duncan (2012), Card-o-mat (2012, bird dingbats), Soundtrack (2012), Monstro (2012, fat poster face), Attic (2012).

Typefaces from 2011: Melkslijter (2011, a stylish art deco face based on a brochure by Dutch graphic artist Dirk Hart), Polyspring (2011, a Victorian typeface hand-drawn based on Italia Condensed, Keystone, 1906), Berimbau (2011), Populaire (2011, a handdrawn poster caps face that was inspired by the electrifying posters from May 1968 by Atelier Populaire, and loaded with alternates to give a random effect), Manicuore (2011, a hand-drawn typeface inspired by Italian movie posters by the prolific movie poster artist Symeoni, aka Sandro Simeoni), Smashing (2011, a fat hand-printed poster face), Smashing (2011, a fat hand-printed poster face), Chancellor (2011), the eccentric poster face Polygraph (2011, based on lettering of the Polish poster artist Leszek Zebrowski. Images: i, ii, iii, iv, v, vi, vii, viii, ix, x), the vintage serif face Organically (2011), Transitore (2011: Transitore is a lively hand-drawn font with loads of alternates and ligatures which, managed by advanced OpenType features, help create a convincing handcrafted look), the poster display face Sforzando (2011; +Alto), the signage face Jongleur (2011).

Typefaces from 2010: the Cuban poster face Transmogrifier (2010, based on lettering by Cuban poster artist Eduardo Muñoz Bachs), the ultra-fat art deco face Loudine (), Crocante (2010, comic book face), Love Birds Pattern (2010), Swung Note (2010), Amarelinha (2010, hand-printed), Cuadrifonte (2010, a fat hand-printed family including styles called Pics, Sketch (regular), Fill and Line), Xylo Sans (2010, wooden texture face), Ritornelos (2010, a curly all caps hand-printed face), Roadway (2010, based on wood Clarendons), Bandoliers (2010, an informal hand-printed sketched face, with 3D versions such as Beefy, High and Rocky), Changing (2010), Vitrines (2010, hand-printed), Prokaryotic (2010, a "bacterial attack" face), Football World (2010, soccer silhouettes), Singela (2010), Butterfly Effect (2010), Tonal (2010, ultra-fat with mini-counters), Dynatomic (2010, inspired by the hand-drawn lettering of a 1964 polish movie poster designed by Andrzej Krajewski), Lovebirds (2010, bird silhouettes), Somewhat (2010, hand-drawn), Oyster (2010, hand-drawn dingbats), Grante (2009, a lively poster face), Mondiale (2009), Nanquim (2009, sketched letters), Merceria Antique (2009) and Arca (2009, + Dashed). All have an informal and attractive look, and were codesigned with Ricardo Marcin.

The prints of Horst Janssen had a characteristic uneven hand-printed lettering that led Erica Jung and Ricardo Marcin to design the multi-featured opentype typeface Horst (2010). Nova Horst followed in 2012.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Estudio Arellano Type Foundry
[Enrique Arellano]

Enrique Arellano (b. Colombia) runs Estudio Arellano Type Foundry in Mexico City. Behance link. Creator of Barata Display (2012, a free signage typeface).

In 2013, Arellano went commercial. [Google] [MyFonts] [More]  ⦿

Etienne Aubert Bonn

Etienne is a graduate of the graphic and type design program at UQAM in Montreal. Cofounder in 2011 of Coppers & Brasses in Montreal, together with Alexandre Saumier Demers. In 2012, he designed the signage face Sardine and the blackletter face Freitt. Together with Alexandre, he created Martha (a monospaced slabby grotesque), still in 2012. At The Cooper Union, he created Barapa (2012).

In 2013, Etienne graduated from the Type & Media program at KABK in Den Haag. His graduation typeface is called Nurraq. He explains this Latin/ Inuktitut typeface: Nurraq is a multi-script typeface system that matches a latin serif text face with a Canadian aboriginal syllabics character set for the Inuktitut language. The very different nature and origin of these two scripts creates an interesting context for both typefaces to share influences coming from each other's tradition, and, by doing so, bridging the gap that usually separates these two forms of writing. [Google] [More]  ⦿

Eurotypo
[Olcar Alcaide]

Institute in Benalmadena, Spain (was: Santa Severa), where one can take 4-week courses at 1450 Euros a shot on the Etruscan alphabet, Trajan, Cuadrata and Rustic Roman Capital letters, and related subjects. They also organize lettering tours in Italy and guided tours in various musea. The teachers are Alberto Di Santo (Professor of the visual communication, Tor Vergata University, Rome; Professor of Graphic Design, Istituto Europeo di design, Rome; Professor of editorial design, La Sapienza University, Rome; Professor of Typography, C.F.P. Sinalunga, Siena) and Olcar Alcaide (b. 1952, Argentina, Professor of Graphic and Typography Design, University of Buenos Aires; Professor of Typography, University of Lanús, and Professor of Graphic Design, Marbella Design School, Spain). Type link jump page.

Eurotypo is also the foundry of Olcar Alcaide.

Catalog of Olcar Alcaide's typefaces.

In 2010, he published the text family Antium and the warm signage faces Mijas Ultra and Lila Pro Heavy.

Typefaces from 2011 include Lila pro, Atenea (a humanist sans family), Agerola Script (a fat flowing signage face), Teja (signage face), Zalea (yet another signage face), and Nabu Pro (a connected signage script). Equalis (2011M, with Juan Lavalle) is a monoline slab face with a huge x-height and wide open counters. It was followed by Equalis Stencil (2011). Ravel (2011) is a fat signage script face. Atenea Egyptian (2011) is a solid slab serif family. Berta (2011) is a signage brush face with connected and unconnected versions. Optic Art (2011) is an ornamental face with building blocks that can be used for overlays. Creator of Eurotypo Bodoni Bold (2011).

Typefaces from 2012: Cubus (dingbats), Saxo Deco (art deco), Moliere (2012, an elegant didone family with outspoken ball terminals), Melon Script (a fat curvy signage script family), Riky (comic book family), Chipa (a signage and package design script), Heket (an expressive curly script), Lenga (a slab serif typeface family), Mikal (brush script). Duktus is a 1940s style script in the style of Donatello (1935, Wagner & Schmidt), Troubadour (1927, Wagner & Schmidt), Liberty Script (1927, Willard T. Sniffin), Trafton Script (1933, Howard Allen Trafton), and Coronet (1937, R.H. Middleton).

Picture.

Typefaces from 2013: Dignus (influenced by Bank Gothic and Eurostile), Bague (old Dutch style with little contrast, in the style of Jan Van Krimpen), Lugo (a heavy signage or advertising script), Brittes (copperplate script), Talis (contrast-rich sans family), Fiesole (display family with an awkward back-curled lower case d), C Duflos (after a bâtarde coulée by Claude Duflos, a French engraver who was acitve around 1690).

Typefaces from 2014: Ritts (a heavy script-like display family), Ritts Cursive (in the style of the brush signage scripts descending from Robert E. Smith's Brush Script for ATF in 1942).

Klingspor link. [Google] [MyFonts] [More]  ⦿

E.V. Norat II

American designer of RailroadRoman1916 (2010), NPS 1935 (2008), NPS Signage 1945 (2010; replica of an art deco type of font that is used since 1916 on numerous signs/signage within national parks of the USA), 914 (2009, techno sans family modeled after the Porsche's logo), a beautiful art deco face. He also made Teletype 1945-1985 (2008) and Redring 1969 (2008, sans). Born in 1945. [Google] [More]  ⦿

Evgeny Zotov

Russian designer of the elegant Latin / Cyrillic script faces Elza (2012, a revamping of Elzevir), and Cheldon (2010) and of a cyrillized version of Walbaum. Zotov lives in Krasnoyarsk. In 2014, he designed the signage / packaging font Label Food.

Behance link. [Google] [More]  ⦿

Fábio Augusto

Brazilian graphic designer from Sao Paulo. He made the 9x6 pixel fonts Pico Sans and Pico Serif (2003). In 2005, he co-custom-designed EstadoSerif with Eduilson Wessler Coan and Ericson Straub for the Jornal O Estado do Paraná. Other typefaces: Titane (2006, a clean sans family), Temp (2005, a semi-organic display face), Favela (2005, an angry street signage type). Pixel faces by him include Ampla Screen (2005), Chemo Screen (2006), Extended Screen (2006), Matrize Screen (2006), Nikola Screen (2006, Soviet look), Station Screen (2006), Xquadra Screen (2006), Xquadra Tiny Screen (2006).

Old URL. Behance link. Klingspor link. [Google] [More]  ⦿

Fabrizio Schiavi
[Fabrizio Schiavi Design (or: FSD)]

[MyFonts] [More]  ⦿

Fabrizio Schiavi Design (or: FSD)
[Fabrizio Schiavi]

Fabrizio Schiavi was born in Ponte dell'Olio in the Piacenza province in 1971. FSD Fabrizio Schiavi Design in Piacenza was opened in 1998. With Alessio Leonardi, he co-founded Fontology. He also co-launched the experimental graphics magazine Climax in 1994.

Behance link. FontShop link. Klingspor link. Font Squirrel link. Dafont link.

Bio at FontFont where he made FF Mode 01, FF 0069, FF GeabOil, FF9600, FF Trade 01, FF Steel Mix, FF Steel Ring, FF Steel Jones.

[T-26] designer of D44 (1994), Lithium (1994, dingbats), Moore895 (1994), Moore899 (1994), Sidewalker (1994), Exit (1988). Many of his faces are grungy such as Washed (1994). Some are minimalist, such as Monica Due (1999), Monica (1999), and Eco (2001, developed from a logo in the 70s for Ageco). The latter three fonts are very geometric in nature. Other fonts: Washed (1994), Parakalein, Aurora Nintendo (1995), Aurora CW (1995), Mode01 (1995), GeabOil (1995), 9600/0069 (1995), Fontology (1995), FSDItems (2001), FSDforMantraVibes (2001), Pragmata (2001, monospace, OK for programs), PragmataFlash (2002, a pixel font), Pragmata Pro (2011), Essential Pragmata Pro (2011, still monospaced), Sys (2002), SysFlash (2002, a pixel font), Sys 2.0 (2012, a condensed sans designed for very small print), Sys Falso (2013), Virna (2003, a multiline face for Italian MTV, discussed here). The Pragmata and Sys series were optimized for screen usage. In addition, Sys has many ink traps, so it prints well at small sizes, and is more legible than Verdana.

He does some custom typeface design, such as the innovative sans serif family called CPCompany (2000). Other clients include Ferrari and Philip Morris.

In 2007, he produced a stencil and signage font, Siruca (see also here), for the Al Hamra Complex, one of highest skyscrapers in the world, located in Kuwait. Siruca Pictograms (2008) is free.

In 2013, he published Abitare Sans (30 weights), which was originally commissioned by the group Rizzoli Corriere della Sera. Abitare is an Italian magazine.

At ATypI in Rome in 2002, he spoke about the need for more fonts.

Showcase of Fabrizio Schiavi's typefaces. [Google] [MyFonts] [More]  ⦿

Fatnobrain
[Adrien Midzic]

Fatnobrain is Adrien Midzic's design studio in Paris. Born in 1982, he designed these typefaces or type families: Fine (lineal), Blokus (free pixel font, 2009), Cimen (strong sans, designed for Smacl Entraide), Mesquine (lineal), Blitz, Cucha, Stencil Reverse, Huit (2009, a gorgeous didone headline face), Stenha (stencil).

Fonts made in 2010: The ETH family (art deco sans).

Custom typefaces by Midzic: Aquitaine (2013, for Région Aquitaine), Nilka (2013, for his personal identity), No End (2013, a fat didone), Ethon Serif (2013, a perked up serif face for Penguin Books), Kasai Est (2011, for the Congo-based Kasai Est Magazine), Festival De Film Documentaire (2011), Nevenka (2011, condensed sans).

In 2014, Adrien Midzic, Jason Vandenberg, Jérémie Hornus, Julien Priez and Alisa Nowak codesigned the creamy script Vanilla FY. It was renamed Vanille FY after a few days. Still in 2014, Adrien Midzic, Jérémie Hornus and Alisa Nowak codesigned the very humanist sans family Saya FY and Saya Semisans FY.

Dafont link. Klingspor link. Behance link. Another Behance link. [Google] [MyFonts] [More]  ⦿

Felipe Calderón
[Calderon Estudio Type Foundry]

[MyFonts] [More]  ⦿

Fenotype
[Emil Karl Bertell]

Fenotype, a Finnish typefoundry, has the original (often techno) designs of Emil Bertell (b. 1983, Helsinki) and his brother Erik Bertell and wife Kea Bertell. Emil has been studying graphic design at University of Art&Industrial Design in Helsinki since 2004. He designed most of his typefaces during 2001-2004, and works as a freelance illustrator. Behance link.

Typefaces made in 2002: Disco (prismatic), Lakmus, Valimo, FUTU, Test1, Foton Torpedo, Cheaptype, Personal Computer, Copycut, Unicode 0024, HKI Metro, HKI NightLife, Digital Kauno, Fenotravels (dingbats), Tivoli, Kosmonaut, 10124, JouluFonttiFenotype, Testi, 1laitos, 1120, 0629 (2002, a kitchen tile font), 0927, 0210, FTdingsprevi, Fenotypedings#lego3, Genotype, NeoPangaia, NeoPangaia 2, Nipponblocks, Pectopah, Personalcomputer, Pouttu, Samarin (2002, athletic lettering), Unicode0024, URALphat, URALthin, URAL, URAL3d (all Latin/Cyrillic fonts with incomplete punctuation though), Automania (multiline), Copycut, Halo, 222_2003, Tantor, Letters, Rikos, Lastu, ThreeTheHardWay, Bukkake, Halo. Emil's brother Erik designed Neon (paperclip face), Mama and Mama Round (paperclip faces). In private email, he calls himself Carl. The foundry evolved from 2theleft.

Fonts made in 2003: Military Dingbats, 08 02 03 Fenotype, Projectsfenotype, Rock-it.

Fonts made in 2004: Scandinavian Titan white, Scandinavian Titan, Acid Test 2, Acid Test (texture faces), 080203, Letters11, Linja, Projects, Rock it, Simpletype. Commercial typefaces: Sapluuna, Shortcut, Transeuro-Express, Omega-Uros, Fenotype Dings, Military Dingbats, Nippon Noodle. Typefaces made in 2004: Kolari, Kolari Light, FTfaces, Twisted Ontogenesis. Alternate URL.

In 2005: RoundAbout, Nihilist Philosophy, Boogie Monster, Chunky Hunk (Western), Diy Typeface (kitchen tile style), Futuretro (stencil-like), 3TheHardWayOverrun, Pedant Dilettante, FT Rosecube, FT Blockbuster, 3TheHardWayRMX, Adios Gringo (Western face), Helsingfurt (3d oil glow face), Cream Soda (liquid), Thashed Paper Bag, Big Medium.

In 2006: Rock It Deluxe (grunge), Cassette (dingbats), Kings Garden (Japanese trees as dingbats).

MyFonts link, opened in 2009, where one can buy 080203, 3 The Hard Way Overrun, 3 The Hard Way RMX, Adios Gringo, Depth Charge, FT Helsingfurt, FT Roundabout, FT Scandinavian Titan, FT Twisted Ontogenesis, Ice Cream Soda, Kings Garden, Kolari, Nihilist Philosophy, Old Note, Rock It, November Script, and Majestic Mishmash (ransom note caps), Digital Kauno (2002, upright script), 10.12, EB Vintage Future, Fenotype Dingbats, FT Forest, FT Funghis, FT Military Dingbats, FT Weapon of Choice, Motel Xenia, URAL, Valima.

Additions in 2010: Linguine (connected script), FT Telegraph (slab serif), FT Brush, FT Industry Machine, FT Giorgio, Killer Elephant (signage), FT Supervisor (retro), FT Dead Mans Diary (scribbly), FT Grandpa Script (grunge calligraphy), FT Stamper (angular lettering), FT Tantor (fat, rounded), FT Bronson (fat display face with mustache dings thrown in), FT Master of Poster (bi-level display face with many ligatures and interlocking letters), FT Hidden Forest (tree dingbats), FT Mammoth (grotesque headline face), Rikos (futuristic), Squarendon Extra Bold (2010, a Clarendon), FT Moonshine Script (a Treefrog style face), Billboard (a hand-printed rounded caps family), EB Bellissimo Display (rounded monoline sans), Malamondo (an all caps display face with a large number of interlocking ligatures), Linja (2002 and 2010, a rounded ultra condensed family), Punavuori (2002 and 2010: a monoline sans family), Signor (2010, a rounded all caps family), Mrs. Lolita (connected script), Funghi Mania (mushroom dingbats), Funghi Mania Script, Darlington (very open upright connected script family), Archipelago (+Caps: an upright connected script), Tower (pieces that enable one to modularly construct towers when stacked; created as a school assignment at the University of Industrial Art&Design Helsinki in 2006), Monster (just as Tower but for monsters), Verna (informal face with ball terminals), Verner (2010, a connected script version of Verna), Verner (2010, a connected script version of Verna).

Typefaces from 2011: Pepita Script (an upright connected script with small lachrymal terminals), Pepito (its nonconnected version), Barber (upright script family), Banzai Bros (a fat caps-only signage face), Mishka (an upright connected script with tear drop terminals).

In 2012, he created Salamander Script, Taiga (connected upright script), Mercury Script (a set of upright connected script typefaces), Slim Tony (a bubblegum retro signage face) and Mercury Ornaments.

Typefaces from 2013: No. Seven (a successful brushy signage or baseball script), Alek and Alek Ornaments (an upright signage script), Voyage (a vintage script), Barracuda Script (brushy signage face), Bonbon (signage script), Bonbon Ornaments, Scaramouche (a playful connected script).

Typefaces from 2014: In and Out (a connected retro signage script), The Carpenter (a script family in the style of Mercury Script).

Dafont link. Behance link. MyFonts interview.

View the Fenotype typeface library.

View Emil Bertell's typefaces. [Google] [MyFonts] [More]  ⦿

Fernanda Marinho

Belo Horizonte, Brazil-based designer of the creamy signage typeface Marinho (2012). [Google] [More]  ⦿

Filmotype Sales Company

Filmotype Sales Company was located at 4 West 40th Street in New York City. In 1955, they published a catalog entitled Lettering Styles Display Types, from which some samples are shown in the link. The catalog has no full alphabet specimen and is thus of limited value for type historians and type revival experts. Frank J. Romano writes here: In 1952, Al and Beatrice Friedman [the founders of Filmotype] introduced the Filmotype, a simple manual phototypesetter that was not much bigger than a shoebox and used 2-inch filmstrips with all glyphs in linear order, with marks below them so that the operator could position the letter and expose it to the photo paper. The process was blind in that you could not see the letters as they were exposed. The Friedmans would go on to introduce the Alphatype phototypesetter. The Sybold Report mentions: Filmotype has a 35-year history as a supplier of filmstrip headline setters. Its founders later moved on to start Alphatype Corporation, keeping Filmotype as a subsidiary. In 1987, Harry and Seta Brodjian, who were Alphatype employees, acquired Filmotype with the intention of rejuvenating the company. In 1989, the firm began development of a digital headliner. A year later, it began digitizing its fonts. The company was renamed Filmotype Corporation. The fonts were at one point sold in packages such as a 30 dollar TrueType Font Package of 100 designer typefaces and an EZ Effects Windows program. Typefaces were renamed: Clarendon becomes Clarion, and so forth. At that point, Filmotype had offices in Glenview, IL, and was run by Gary Bunsell. About the renaming practices, the typophiles mention that Filmotype fonts were given letters&numbers by VGC when they pirated a substantial number of them. Their original names were attached by someone going through a dictionary and just picking arbitrary words for Filmotype fonts that were initially just letters and numbers also.

In 2006, the Filmotype collection was bought by Font Diner. In 2007, Font Diner started publishing digitizations of the collection: Glenlake (condensed Bank Gothic, by Mark Simonson), MacBeth (script), Alice (casual script), Zanzibar (calligraphic), La Salle (brush writing originally by Ray Baker in the 1950s, named after Chicago's LaSalle Street), Quiet, Ginger (Mark Simonson; masculine headline face genetically linked to Futura), Austin (paintbrush), Brooklyn (handprinted), Honey (handlettered script), Jessy (handwriting), Modern (i), Vanity.

In 2010, Stuart Sandler published a book entitled Filmotype by the Letter, in which he details the company's history. He also set up Filmotype as a foundry in Eau Claire, WI. Additions to the Filmotype collection in that year include the signage faces Filmotype Kentucky, Filmotype Kingston, Filmotype Harmony and Filmotype Hamlet, and the geometric sans Filmotype Fashion (orig. 1953). The signage faces were originally made by Ray Baker for Filmotype in the 1950s, and were digitized by Patrick Griffin and Rebecca Alaccari.

Activity in 2011. Patrick Griffin and Rebecca Alaccari revived the condensed sans face Filmotype Giant (2011) and its italic counterpart, Filmotype Escort (2011), as well as Filmotype Prima (a sho-card face from 1955). Neil Summerour contributed Filmotype Horizon after an oroginal signage face from 1954. Mark Simonson created Filmotype Gay, a tall monoline sans originally from 1953. Filmotype Ford (2011) and Filmotype Jamboree (2012, an informal script based on a 1965 original) are due to Stuart Sandler. Filmotype Quartz is an inline face.

Activity in 2012. Alejandro Paul contributed two scripts, Filmotype Yukon (based on Palmer style penmanship) and Filmotype Zephyr (formal italic roman). Later in 2012-2014, the production took off, with many contributions by Patrick Griffin and Charles Gibbons (who created Filmotype Zeal in 2013 for example). [Google] [MyFonts] [More]  ⦿

Flat-It
[Ryoichi Tsunekawa]

Japanese foundry in Nagoya that offers these free and commercial Latin fonts made by Ryoichi Tsunekawa, who also runs Bagel & Co, Dharma Type, HolidayType and Prop-A-Ganda. Most of his work was done at Flat-It. His typefaces:

• 2013: Spoon (organic, rounded, monoline sans family), Antoinette Monogrammes (based on early 1900s embroideries by Janon Co; with frames), Clonoid (a sci-fi family that pays tribute to arcade game logos in 80s and 90s), All Round Gothic Demi (a sans based on perfect circles),Griffon (copperplate titling face), Antique Spenserian (based on Spencerian Script by Mackellar, Smiths and Jordan).
• 2012: Geom Graphic (a retro sci-fi family that can be considered as a squarish version of Eurostile), Sheepman (modular), House of Cards, Space Colony (a lovely monoline futuristic techno family), Rama Slab (an antiqued wood-style slab serif), Rama Gothic. An antiqued sans serif family that recalls the wood type era), Diamond Ring (an art deco typeface inspired by Japanese cosmetics-packaging designs and posters from the late 19th and early 20th centuries), Controller (techno meets organic in this rounded squaris sans family), Revolution Gothic (an extended version of PAG Revolucion), 2008, which was inspired by retro propaganda posters and wallpainting in Cuba from the 60s to 80s; Revolution Gothic P followed in 2014), Diamond Ring (art deco).
• 2011: Yummo (monoline organic sans), Sheepman (based on the wood type No. 506 of William Page), Onick (2011, an art deco neojaponist fat display face done for Wordshape), Shiva (2011, hairline sans), Mocha Mattari (2011, grunge), Dharma Slab (2011, inspired by 1800s-style wood type), Dharma Gothic (2011, +P), Rama Gothic (2011, also inspired by 1800s-style wood type), Dimensions (2011, squarish), Design System (2011, a large family based on 70s style techno faces), Speedometer (2011, condensed piano key face).
• 2010: Stereo Gothic (2010: an extended all caps slightly techno sans family), Behrensmeyer Vigesimals (2010, a pixel format connected script), Civilite Vigesimals (2010, pixelized Civilite), Flat10 Arts and Crafts (2010), Flat20 Hippies, Flat10 Segments (2010), Flat10 Antique (2010), Flat20 Gothic (2010), Flat20 Streamer (2009, pixelized ribbon font), Flat10 Fraktur, Flat10 holy, Flat10 Holly, Flat10 Stencil, Flat20 Headline, Flat10 Artdeco, Word From Radio (2008-2010). Cigarette (2007, Bauhaus/Peignot-style type family).
• 2009: African Elephant Trunk (2009), Concrete Script, Concrete Stencil (2009, a stencil calligraphic script), Perfect Magic (2009), HT Maison (2009, signage face), HT Farmacia (2009, connected school script), HT Espresso (2008, upright script), HT Cartoleria (2008, connected script), HT Cafe (2009), Sneaker Script (2009).
• 2007-2008: Bistro Mono (2007, an awkward monoline face), Thousands (2007), Balaghat (2008), Garash Script (2008, a Halloween face), Woodstamp (2008), Banana (2008, brush script), Rebel Train Goes (2008, a piano key font), Rouge (2007, an elegant lipstick-on-the-bathroom-mirror pair of faces), Yasashii (2007, a great geometric art deco Broadway-style family), Lily Wang (2006, calligraphic script), Nothing (2007), Garash (2007, Arabic simulation), Moon Star Soul (2007, Western saloon font), Grandes Vacances (+ Une, Deux) (2007), Pansy Bo (2006, calligraphic), Dremie (2007, an art deco headline face with Open and Fill weights), Grandes Vacances (2007, based on 19th century billboard letters), Xesy (2007, a fantastic "ronde" high-contrast upright connected script), Deluta Black (2007, a soft blackletter), Cotoris (2007, a 4-style family that takes inspiration from Koch Antiqua and the art nouveau movement).
• 2006: Daisy Lau (2006, calligraphic), Agedage Luxeuil (2006, based on a monasteric script from the 8th century), Agedage Cancellaresca, Agedage Beneventan, Agedage Simple Versal (2006, Lombardic caps simplified), Amsterdam Modern (2006, art nouveau influences), Flat10 [Holly, Holy, Stencil, Fraktur] (2006, a set of pixel faces), Machiarge (2006, a heavy connected brushed signage script), Chic Hand (2006, connected script), Double Dagger (2006, geometric stencil family), Fault (2006, an art deco striped lettering face), Killernuts (2006, headline serif face with brush stroke endings), Underconstructionism! (2006, a rectangular look family with associated dingbats), Machia (2006, decorative script), Kiwi (geometric hairline), Bagel (roundish comic book face), Jaguarundi (2006, distressed), Boycott (2006, distressed), Tokyotrail (2006, futuristic techno family), Coconut (noisy outline face), Coconut Split, Fresh Tomato (LED simulation), Dried Tomato (LED simulation), Dutch Style, Mocha Harrar (great stencil face), 103 (experimental, Bank Gothic style), Airhead, ArealBlack, Awkward, BagelNew, BagelOld, Banbino, Bebas (2005, industrial sans), Berlin89, Blackout (redesigned in 2011 as the ulta-narrow Dimensions), Boycott (grunge), Built-1970, Bunyan, Busted, Camera (2007), Canstop, Chiangmai (Thai simulation face), DBLline, Dijkstra, Dutchstyle, Fling, Graphite, Harcomaso, Hiexplosive, Hitech, Honeycomb, Junkmix, Kanatypo, KemikalHi, Machia (2006, a calligraphic family), Meegoreng, Mikrob, Natsupopy, Overwork, Palsu, Plamo, Plasitico, REC001, REC002, REC003, Resistance, SQRT, STdigi (LED font), Shandy, Superstar, Tembaga, Tenaga, Tomodachi, Tragedia, Trucker, VRdigital, VRembroidery, Welcome2M, Workaholic, Zeebraa, plot-A, plot-K, Appendix 3, Gesso (grunge), Pusab (2006, ultra round; one free weight), Sushitaro, Typewrong, Celtics Modern (2006, a Celtic family of fonts). At T-26, he published CRZ (2006), Guppy, Ohana (2006, octagonal), Picnica (2006), and Wearetrippin.

MyFonts link. Fontsquirrel link for their free fonts such as Bebas (2005, industrial sans), Boycott, Gesso, and Pusab. YWFT link. Bagel & Co. link. Klingspor link. Dafont link. Dafont link.

Interview.

View Ryoichi Tsunekawa's typefaces. Kernest link. [Google] [MyFonts] [More]  ⦿

Flora Argemí

Chilean designer of La Choly, a signage typeface that won an award at Tipos Latinos 2008 in the non-text face category. Her Rakatan Negra (2011) is a comic book face that can be had for free at Andez.

At Tipos Latinos 2012, Flora Argemí won an award in the display type category for Perejil. [Google] [More]  ⦿

Florencia Maryis Iglesias

Graduate from FADU, University of Buenos Aires, who created the typeface Tomato Soup (2008), which, as the name indicates, should be a script reserved for cans of Campbell's. Behance link. [Google] [More]  ⦿

Fondue Fontes
[Juliano Augusto]

Marcelo Dante (b. 1965) and Juliano Augusto founded the 45Jujubas studio in Belo Horizonte, Brazil. They offer these free fonts: Abrusquita (2010, calligraphic), Joana (2010, a Clarendon; +JoanaO, an outline version), Oferta (2010, a signage face). On their home page, we find illustrations, custom fonts, font posters and general graphic design. [Google] [More]  ⦿

Font Diner (or: Stu's Font Diner)
[Stuart Sandler]

Stuart Sandler (Minneapolis) runs six foundries: Font Diner (est. 1996), Sideshow, Breaking The Norm, the Tart Workshop, Font Bros (est. 2006), and Filmotype (est. 2006). He runs a handful of other companies and web shops as well, including Mister Retro (est. 2004). He is passionate about retro type. DaFont link for their free fonts. Fontspace link. Interview.

Catalog of the best selling Font Diner fonts. Images of Stuart Sandler's best-selling fonts.

Free fonts: Rickles (2007, script), AirConditioner (2002, fifties style upright script), BahamaSlim (2004), BlackNight (2002, blackletter), BlackWidow, BubbleMan, ChannelTuning, Corrupter, CreakyFrank, DecayingKuntry, FeaturedItem, FontOnAGrain, FontOnAStick, Fontdinerdotcom, FontdinerdotcomHuggable, FontdinerdotcomLoungy, FontdinerdotcomSparkly, Fontdinerdotcom Jazz Dark, Fontdinerdotcom Jazz Light, Hothead, KeeponTruckinFW, Leftovers (2002), MaverickBE (stencil face), Musicals, PickAx, Rickles (2009; upright script), RocketScript (2002, retro script), Schnookums, SinsofRhonda, Spacearella (2002), StencilGothicBE, ThatsSuper, Turnpike (2009), Witless, XerkerFW.

Commercial fonts: Continental Railway (1998, retro connected script), Anastasia, Chatty Cocktails (1998, art deco), El Nino, Guest Check, Hamburger Sandwitch (1998), Jumping Bean (1998, comic book style), Lionel Classic (1998, an art deco all caps face), Milwaukee, Motor Oil, and the greatest of them all, Coffee Shop (1998, exaggerated ascenders), a must! Other typefaces: Permanent Waves (1998, + Expanded: retro connected script), Yarn Sale (curlies), Fat Sam (not bad!), Etiquette, Taylors (1998, another great display font; codesigned with Dan Taylor), Kentucky Fried (1998, comic book / signage style), Beer Wip, Seuss, Jack Bisio and FinerDiner, Shivering, Dry Cleaners (2002), Singlesville Script (2002), Dripping Blood, Bowlorama, Action Is, Automatic, Chicken King (2002), CocktailShaker (2002, at Chank), Concurso Italian and Concurso Moderne (2003), DoggieBagScript, Johnny Lunchpail (2000, comic book style), Kitchenette (connected retro script), Lil Tipsy (2003), Milwaukee Neon (1998), Milwaukee Neon Shadow (1998), Motorcar Atlas (2000), Regulator, Stovetop (2002), Swinger (2002), WARNING (2002, rough stencil), BEBlob, BECROSS, DecayingAlternate, Decaying, EvilBrew, TheBlob, Insane Asylum, Creepy Crawly, Crossover, Fire Baaaad!, Rotten Teeth, Candy Good, EvilOfFrankenstein, HMan, HManPt2, PlasmaRain, Chicken Basket (2004), Chowderhead (2004), Cocktail Script (2004, upright), Country Store (2004, Western style), Dairyland (2004), Emblem Chief (2004, fifties diner script), Motel King (2004), Queen Rosie (2004), Sweet Rosie (2004, blackboard bold), Secret Recipe (2004), Square Meal (+Hearty) (2004), Bahama Slim (2004), Space Immortalizer, Matchbook and BE Streetwalker. Many font have a cool retro/fifties look. The InFlight Meal font set (2001) includes Al's Motor Inn, American Highway, Kiddie Cocktails, Lionel Text, Mosquito Fiesta, New York to Las Vegas, Pink Flamingo, Refreshment Stand, Starlight Hotel, Volcano King. The LasVegas font set: El Ranchero (2002), Hamburger Menu, Hamburger Menu Marquee, Holiday Ranch, International Palms, Lamplighter Marquee, Lamplighter Script, Las Vegas to Rome (stone chisel face), Leisure Script, Leisure Script Marquee, Mirage Bazaar (2002), Mirage Zanzibar (Arabic theme face), Mister Television, StarburstLanes, Starburst Lanes Twinkle, Vegas Caravan. At ITC, he published ITC Kiddie Cocktail (2003), ITC Mosquito Fiesta (2003), ITC Volcano King (2003).

In 2006, Font Diner acquired the Filmotype collection and its trademark, Filmotype. Sandler writes: Filmotype initially manufactured a simple manual phototype machine utilizing display typeface designs on 2-inch filmstrips. Additional films were sold to start-up typesetting companies in order to increase their product selection. Font Diner will create new digital versions of the Filmotype collection, recreating it to meet todays graphic design standards. [...] We intend to release the Filmotype library in OpenType format so the original designs can be fully realized with a dynamic feature set including alternate glyph forms and automatic substitutive ligatures.

In 2007, Font Diner started publishing digitizations of the collection: Glenlake (condensed Bank Gothic, by Mark Simonson), MacBeth (script), Alice (casual script), Zanzibar (calligraphic), La Salle (brush writing originally by Ray Baker in the 1950s, named after Chicago's LaSalle Street), Ginger (Mark Simonson; masculine headline face genetically linked to Futura), Austin (paintbrush), Brooklyn (handprinted), Honey (handlettered script), Jessy (handwriting), Modern, Vanity, Filmotype Ford.

In 2010, Stuart Sandler published a book entitled Filmotype by the Letter, in which he details the company's history.

Free fonts on the Google Directory, dated 2010: Fontdiner, Swanky, Cherry Cream Soda, Permanent Marker, Homemade Apple, Schoolbell.

In 2012, David Cohen and Stuart Sandler published these faces at Neapolitan: Irish Grover Pro (2010, a bouncy face), Satisfy Pro (2011, a connected retro script face), and Slackey Pro (2010, a paper cut out style face). At the same place, he also published Crafty Girls Pro (2010, codesigned with Crystal Kluge). With Crystal Kluge, he also codesigned the flowing connected script typeface Aya Script (2012).

At Sideshow, he published the pen-drawn connected script Mister Brown (2013) and the retro signage script typeface Cocktail Sauce (2014).

View Stuart Sandler's typefaces.

Jolly Lodger (2012, Google Web Fonts) is an informal retro script.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Font Fridays
[Nabina Ghosh]

Nabina Ghosh's blog in which he displays his fonts. These include Traffic Police (2008, a stencil face based on signage outside a Kolkata police station), BharatLotus (2008, ornamental), English (2008, Indic simulation), Travels (2008), Service (2008), BeanBags (2008, handwriting), Thane (2008, based on taxi stickers in Navi Mumbai), HornPlease2 (2008, signage font), Don'tTouch (2008, handprinted), Stop Signal (2008, display), Horn OK (2008) and CargoLab (2008, stencil). All fonts are on Indian themes. Free downloads after registration. [Google] [More]  ⦿

Fontaste
[Miguel Reyes]

Miguel Reyes (b. 1984) is a graphic and type designer from Puebla, Mexico, who studied at Benemérita Universidad Autónoma de Puebla. He obtained a Masters in Type Design from Centro de Estudios Gestalt Veracruz. Since 2010, he cooperates with Typerepublic in Barcelona. Founder of Fontaste. Graduate of the TypeMedia program at KABK Den Haag in 2012.

His graduation project consisted of two display faces, Naila (a wedge serif) and Rocco (a fattish round sans face).

Typefaces at Fontaste, ca. 2013: Plastilina (+Display, +Deco: signpainter family), Sancho, Candela (signpainter script).

He joined Commercial Type in New York City in 2013. Miguel's grandest achievement to date is Duplicate (2013, Commercial Type: with Christian Schwartz), a typeface family that comes in three substyles, Slab, Sans and Ionic. Commercial Type writes: Christian Schwartz wanted to see what the result would be if he tried to draw Antique Olive from memory. He was curious whether this could be a route to something that felt contemporary and original, or if the result would be a pale imitation of the original. Most of all, he wanted to see what he would remember correctly and what he would get wrong, and what relationship this would create between the inspiration and the result. Though it shares some structural similarities with Antique Olive and a handful of details, like the shape of the lowercase a, Duplicate Sans is not a revival, but rather a thoroughly contemporary homage to Excoffon. Duplicate Sans was finally finished at the request of Florian Bachleda for his 2011 redesign of Fast Company. Bachleda wanted a slab companion for the sans, so Schwartz decided to take the most direct route: he simply added slabs to the sans in a straightforward manner, doing as little as he could to alter the proportions, contrast, and stylistic details in the process. The bracketed serifs and ball terminals that define the Clarendon genre (also known as Ionic) first emerged in Britain in the middle of the 19th century. While combining these structures with a contemporary interpretation of a mid-20th century French sans serif seems counterintutive, the final result feels suprisingly natural. The romans are a collaboration between Christian Schwartz and Miguel Reyes, but the italic is fully Reyes's creation, departing from the sloped romans seen in Duplicate Sans and Slab with a true cursive. Mark Porter and Simon Esterson were the first to use the family, in their 2013 redesign of the Neue Züricher Zeitung am Sonntag. Because the Ionic genre has long been a common choice for text in newspapers, Duplicate Ionic is a natural choice for long texts.

Early in 2014, Christian Schwartz, Paul Barnes and Miguel Reyes joined forces to create the manly didone typeface family Caponi, which is based on the early work of Bodoni, who was at that time greatly influenced by the roccoco style of Pierre Simon Fournier. It is named after Amid Capeci, who commissioned it in 2010 for his twentieth anniversary revamp of Entertainment Weekly. Caponi comes in Display, Slab and Text subfamilies. [Google] [More]  ⦿

Fontcaster
[Mårten Thavenius]

Swedish designer, born in 1965. He lives in Belgium and Sweden, and his foundry is called Fontcaster. Mårten Thavenius has a side-interest in screen typography. He develops user interfaces for online solutions, mostly complex web based applications and portal systems, and is currently working as a Senior GUI Architect at IBM. He designed FF Rattle Script in 2000. In 2006, he created two legible families (28 styles in all), Aptifer Sans and Aptifer Slab, both published via Linotype. In 2010, he created Skilt Gothic (Font Bureau), about which Font Bureau writes: In the 1920s, Danish architect, printer, and designer Knud V. Engelhardt (1882-1931) prepared a series of striking types for signage, including those for the street signs in Gentofte, north of Copenhagen. Swedish designer Mårten Thavenius built upon some of the structural elements from Engelhardt's work to arrive at Skilt Gothic. [Google] [MyFonts] [More]  ⦿

Fontfabric
[Svetoslav Simov]

Fontfabric is the foundry of Svetoslav Simov, a visual designer who is located in Sofia, Bulgaria, b. 1984. Highly innovative designer whose creations have lots of style and flair. Many fonts are for both Latin and Cyrillic. Picture. Behance link. Dafont link. Typegoodness link. YWFT link.

• Typefaces from 2008: Cubic (3d face), Clou (cloud-like letters), Colo (double-lined and geometric), Snail, Blou (very thick and counterless letters).
• Typefaces from 2009: United Sans (sans family), Uni Sans (another (the same?) sans family), Kare (psychedelic), File (fat face), Zag (7-style monoline sans with tear drop terminals; it include Zag Drps and Zag Deco), Clou (cloudy letters), Facet (Black and Ultra: paper fold faces), Noveu (psychedelic, art nouveau), Pastel (brush face), Rolka (round ultra-fat and curly lettering), Val (rounded fat), Kvant (severe and octagonal), Duplex (fat techno), Avatar (ultra fat black), Dovde (bubbly, co-designed by Maria Karkova), LOT (fat art deco), MOD (ultra-fat), Oval (rounded sans), Quad (octagonal outline), Portal Strips and Portal Black (hyper-experimental geometric faces), Prisma (more ultra-fat experimentation) and Wigan (Wigan Thin and Bold of this paperclip typeface appeared in 2014).
• Creations in 2010: Hero (free sans family), Null (ultra fat, free), Aston (a modern high-contrast rounded display face), DAN (free piano key font; Dan Pro is not free though), Solomon (headline sans family) [Images of Solomon: i, ii, iii, iv, v, vi, vii, viii], Dox (ultra fat geometric poster face), Sudoku (a geometric display family with several biline and triline styles, done with Fontan2), VAL Stencil (a stencil in which repeating letters makes them tilt the other way; free), Code (2010, a fantastic monoline sans family; images: i, ii, iii, iv, v), Dekar (techno), Clipdings Web, Clipdings Travel, Clipdings Graphic Arts, Babydings, Artdings, Reader (Light, Bold: avant garde sans), SAF2010 (comic book/signage: well, Jan Erasms, the designer in 2006 of Menyaka for FIFA WC 2010 is not happy, calling SAF a blatant imitation), Age Free (free fat organic face), GOTA (a free fat finger sans face).
• Typefaces from 2011: Gabriel Sans (grotesk family), La Boheme (signage face), Qero Mite (an organic monoline sans), Code Pro (caps only clean sans headline family), Solomon Sans (a headline monoline sans family).
• Typefaces made in 2012: Nexa (a geometric sans in 16 styles), Nexa, Rex (free octagonal family for Latin and Cyrillic), Hagin (free), Intro (26-style superfamily) and Intro Inline (free Futura-style family for Latin and Cyrillic). Intro Condensed was created in 2014.
• Typefaces from 2013: Nexa Slab, Nexa Slab XBold, Nexa Slab Bold, Nexa Slab Book, Nexa Slab Light. [Recognize the typeface by the a and the g (an 8 with a small piece missing).

View Fontfabric's typefaces.

Klingspor link. Dafont link. [Google] [MyFonts] [More]  ⦿

Fontom Type
[David Waschbüsch]

German type foundry of David Waschbüsch (b. 1988), a student at the University of Applied Science in Darmstadt, Germany, who is to graduate in 2011. About his free unicase modular stencil font BS Konstata (2010) he writes: Created for use as stencil for signage it features a set of only 10 different elements out of which you can compose the complete typeface. Therefore it borders between being somewhat grungy, modular and classic. Skyhook Mono (2010, FontomType) is a versatile octagonal family. Behance link. MyFonts link. Old URL. [Google] [MyFonts] [More]  ⦿

Fontscafe (was: Fonts-Lab)

Fonts Lab was an Italianfree font foundry with emphasis on "free", even for commercial use. The first fonts, all made in 2011, included Fonts-lab Gift, Fonts Lab Symphony, Free For Fonts-Lab Subscribers, Lady Jane Old, Five Dollars Matter, Writing Something by Hand, Hint Retro, Hint Retro Grunge, Soul Handwriting (brushy script), Variety, Universal College Draft (2011, a sketched sports jersey alphabet), Handwriting Draft (sketch face), Around 20 (experimental), Adelfy, Old Printing Press (grunge), Frank Handwriting, Sketch Me, Retro Lined Area.

Fonts Lab became Fontscafe, located in Milan.

Production in 2012: Making Lettering Tall, Universal College (grungy athletic letters), Marmellata Jam (connected script), Marmellata Jar 01 and 02 (connected fat signage scripts), Henry Rodeo Circus (Western face), Scrappy-Looking, Contribute Free Version (connected fountain pen script), Basically Serif, I'm Fashionista, Sign Handwriting, Chalk Hand Lettering, Chalk Hand Lettering Shaded, Voluptate (retro connected script), Retroactive (a great connected script face).

Around June 2012, something happened---possibly a complaint from the FontLab software people---, and the name changed from Fonts Lab to Fontscafe. In the same year, a commercial foundry was started via MyFonts.

Typefaces from 2013: Free Sketching, Hand Printing Press [in ten styles such as Meshed, Scraped, Normal, Stencil, Stamps, and Eroded], Egregio Script (retro script), Hand Shop Typography A20 (an 8-style poster font set that includes shadow and inline faces), Hand Shop Typography C30, and many more in the Hand Shop Typography pack, including the frame font Hand Shop Elements.

In 2014, we find My Valentines Love (heart dingbat font) and Bold Pressing (vintage letterpress typeface family, with ornaments).

Fontspace link. Dafont link. Abstractfonts link. Behance link. [Google] [MyFonts] [More]  ⦿

Fontyou
[Gia Tran]

Fontyou was set up in Paris by Gregori Vincens ca. 2013. Gregori is the CEO, and Gia Tran is its type director.

Under the cover of Type Lovers and/or Fontyou in Paris, Gia Tran created the medieval typeface Court Hand (2012) and the blackletter typeface Gothic Fraktur (2012). He also did some great calligraphic pieces.

In 2013, together with Gregori Vincens, Alisa Nowak, Valentine Proust, and Elvire Volk at FontYou, Gia Tran created the monoline geometric sans typeface Younion FY. Younion One FY is free at Dafont. With Franck Montfermé, he codesigned the ball terminal beauty Squirrel FY. The letters of this ultra-fat didone reveal audacious geometric smoothness at large sizes.

Codesigner of Kaili FY (2013: an exotic typeface with crazy ligatures, inspired by Indian scripts, by Gregori Vincens, Bertrand Reguron, Gia Tran and Alisa Nowak) at Fontyou.

The EPS format display typeface Alice FY (2013) was codesigned by Alisa Nowak, Micaela Neustadt, Gia Tran, Bertrand Reguron and Valentine Proust at Fontyou. It was inspired by Adrien Genevard's lettering. Sub-themes are Alice in Wonderland and playing cards. The EPS format frilly script typeface Lullaby FY (2013) was codesigned by Alisa Nowak, Micaela Neustadt, Gia Tran, Bertrand Reguron and Valentine Proust at Fontyou. It too was inspired by Adrien Genevard's lettering. Exquise FY (2013) is a fashion mag didone codesigned by Bertrand Reguron, Alisa Nowak, Valentine Proust, Elvire Volk and Gia Tran at Fontyou. Gia Tran and Jason Vandenberg created the decorative typeface Ella FY (2013, Fontyou). Gia Tran, Alisa Novak, Micaela Neustadt, Bertrand Reguron and Grégori Vincens codesigned the curvy stressed elliptical sans typeface Bruum FY (2013).

Beaurencourt FY (2013) is a 19th centery secretary's hand codesigned with Jeremie Hornus.

Gregori Vincens, Gia Tran, J&eacxute;rémie Hornus and Alisa Nowak codesigned the humanist sans typeface Klaus FY (2013).

At Fontyou, Benjamin Lieb, Gia Tran and Julien Priez codesigned the hand-drawn typeface Brixton FY (2013). Not to be confused with two earlier typefaces called Brixton, one by Tom Chalky, and one by Luke Ferrand. Since two of the three Brixtons are commercial, I expect FontYou to change the name imminently.

In 2014, Gia Tran and Bertrand Reguron codesigned the zombie script Vidok FY (free at Dafont). Together, Elliott Amblard (France) and Gia Tran created the bold signage / retro baseball script typeface Paname FY at FontYou in 2014. Minuit FY (2014, by Jason Vandenberg and Gia Tran) is a beautiful angular angry calligraphic display typeface. The punchy poster typeface Kraaken FY (2014) was designed by the FontYou team of Bertrand Reguron, Alice Resseguier, Valentine Proust, Julien Priez, Gia Tran, Jérémie Hornus, and Alisa Nowak.

Bertrand Reguron, Alice Resseguier and Gia Tran codesigned the retro signage script typeface Coco FY (2014).

Alice Resseguier and Gia Tran codesigned the girly script typeface Lola Lola FY (2014). This typeface was forcibly renamed Chelly FY a few days after its first appearance, possibly because there already was a typeface called Lola by Laura Messeguer.

Codesigner with illustrator Quentin Vijoux of the hand-printed typeface Léon FY (2014).

In 2014, he published the modular kitchen tile typeface Dorum FY with Julien Thébault.

Another URL. Behance link. Dafont link. [Google] [MyFonts] [More]  ⦿

Francesca Schiro

Italian graduate of the Politecnico di Milano. Her signage style typeface Fiorucci (2011) is based on the logo of the Italian company Fiorucci. [Google] [More]  ⦿

Francis Stephen Lestingi
[Signs of Gold]

[MyFonts] [More]  ⦿

Frank H. Atkinson

Sign painter from the art nouveau era, who lived in Chicago and worked mostly for Cadillac. In 1908, he published Sign Painting, a book that influenced hand lettering and signpainting for many years afterwards. The following digital fonts are based on his designs:

• FHA Nicholson French (2012). An art nouveau face digitized by The Fontry.
• FHA Condensed French (2012, by Michael Gene Adkins and James L. Stirling) is based on Frank H. Atkinson's examples.
• FHA French Eccentric (2009), by Frank Smith and Michael Gene Adkins. FHA Eccentric French Normal (2008) is free at Dafont.
• FHA Modernized Ideal Classic (2011) by Michael Gene Adkins and James L. Stirling.
• Bulletin Stub (The Fontry).
• Book Poster (2010). A series of fonts at The Fontry.
• Beauvoir (1993, David Nalle).
• French Plug (2007, HiH).
• Payzant Pen NF (Nick Curtis) is based on an Atkinson design shown in A Show at Sho-Cards: Comprehensive, Complete, Concise (1918).
• Atkinson Eccenteric, Atkinson Boomtown and Atkinson Egyptian, all made by David Nalle at Scriptorium.
• Still by The Fontry: the Broken Poster family (2010). In 2013, Michael Gene Adkins and James Stirling followed this up with the layered system Broken Gothic, which is based on Book Poster as well.
• Dick Pape created these revival fonts in 2009: ArtNouveauSigns, FHA1908ClassicPlug, FHAAdvertisersThickThinPl, FHAAntiqueBlock, FHAAntiqueRoman, FHAArtNouveau, FHAArtNouveauSigns, FHABradley, FHABulletinPlug, FHABulletinRoman, FHAChicagoTuscan, FHAClassicBlock, FHACondensedFrench, FHAEccentricFrench, FHAEccentricRoman, FHAEngrossingText, FHAExtremeFrenchBold, FHAFrenchRoman, FHAFrenchRomanLight, FHAFullClassicRoman, FHAGunningSingleStroke, FHAHalfClassicRoman, FHAModernizedIdealClassic, FHAModifiedAntiqueTuscanRom, FHAModifiedPlug, FHANewYorkRoman, FHANicholsonFrench, FHAPosterBlock, FHARoundBlockThickThin, FHARoundFullBlock, FHAShowCardFrench, FHASignPaintersPlymouth, FHASingleStrokeBlock, FHASingleStrokeTuscan, FHASpikeSpurFrench, FHAStonehouseEgyptian, FHAWesternLightTuscan, FHAWesternRoman, FHAWesternSingleStroke. Download page. [Google] [MyFonts] [More]  ⦿

Frantisek Storm
[Storm Type Foundry]

[MyFonts] [More]  ⦿

Friedrich Groegel

Born in Wassertrüdingen, Germany, Friedrich studied graphic design at FHP Potsdam/Berlin and then moved to Den Haag where he obtained a Masters in type design from the KABK in 2010. His project there led to the signage family Hinterland (2010), and to Builderdyke (2010), a revival project with Paul van der Laan: a digital reinterpretation of Johann Michael Fleischmann's Mediaan Romein. Glupsisch (2010) is a round piano key face created with the help of Typecooker. Fritzskript is a flowing connected script that was done at the Ecole supérieure Estienne, Paris. Estelita (2010) is a calligraphic hand that was inspired by the titles of a French art deco silent movie by Marcel L'Herbier called L'Inhumaine. Flickr page. Old URL for Fritz Grögel. [Google] [More]  ⦿

Friedrich Poppl

German scribe and calligrapher (b. Soborten, Czechoslovakia, 1923, d. Wiesbaden, 1982), and designer of several text families, such as Poppl-Fraktur (1986), Poppl-Antiqua, Poppl-College (1981), Poppl-Exquisit (1970), Poppl-Nero (1982, his last face), Poppl-Laudatio (1982; see the clones OPTI Peach (Castcraft) and Poem Lavish (Softmaker)), Poppl-Pontifex (1974), and Poppl-Residenz (1977, classic calligraphy). These typefaces can be bought at Berthold.

Revivals: His neo-gothic typeface Saladin was later digitized and expanded by Patrick Griffin as Lionheart (2006, Canada Type). Hip Hop NF (2007) is a bouncy retro face based on Friedrich Poppl's Dynamische Antiqua (1960, Stempel). Elfort (2009, Iza W, Intellecta Design) is a calligraphic revival of work by Poppl. Poppl Stretto (1969) was at the basis of a revival by Canada Type called Wonder Brush (2012, Kevin Allan King and Patrick Griffin).

Klingspor link. [Google] [MyFonts] [More]  ⦿

Gareth Hague

British type designer. With David James, [T-26] co-designer of AES, August. At Alias (a company he founded with David James in London), he made Asperity (2012), Asphalt (2012), Aspic (2012), Caustic and Caustic Web (2012, chiseled), Lily (2012), Oban (2011, a gorgeous high-contrast didone family influenced by Thorowgood; with blackboard bold styles included), Ano (2012, a simple monoline sans family), Cactus (2004, a condensed typeface family), Aspic (2011, a signage script), Asphalt (2011, signage script), Perla and Perla Outline (2004, an elegant artdeco unicase didone with teardrop terminals), Klute (Black, Capitals, White: an ugly and useless octagonal family that could be used for gnawing German expressionist pieces), Anomoly (2004), Key, Elephant, Harbour (2008: a medieval, broken look, with wedge serifs), Civility (2002, connected handwriting), Factory, Aminta, Granite (1995), Intimo, Jackdaw, Progress, Progress Two (2012), Sylvia, Jude (1999, a big text family), Mantis, Metropolitan, Metsys (1997), Pop (triline font), Sister (1995), Text.

In 2009, he designed 2012 Headline for the London Olympics---typophiles are generally disappointed with this daring design in the general angular category, and refer to better representatives of this genre such as Cyrus Highsmith's Occupant Gothic, Emigre's Elektrix, Hubert Jocham's Keks, and Chris Lozos's Dez Sans Script.

With David James, he designed Noah Text (2013).

Fontworks interview. Catalog of Gareth Hague's typefaces. FontShop link. Klingspor link. MyFonts interview. [Google] [MyFonts] [More]  ⦿

Gary Godby

Sign designer. He made the Victorian signage font families Tyler (2003, inspired by a typeface by E.L. Brown from the late 1800's), Palmer, Brien (2003, inspired by the Clive Barker "Imajica" book cover by lettering artist Iskra Johnson), and Dixie at Letterhead. Tyler was inspired by E.L. Brown who taught penmanship and engrossing in the late 1800's. At SignDNA, he published the script typeface Monika. Letterhead had this bio: Gary Godby's career as a sign artist has spanned nearly 28 years. He has worked in commercial sign shops in Virginia and Florida. While in Florida he spent thirteen years at Disney's in-house sign shop. In 1995 he returned to his native Virginia to work for Graphic Services, Inc., a large commercial shop in Manassas. Graphic Services is a full service sign and display company that primarily works for builders and developers. The shop employs 42 people with Gary's primary role as designer. "When you're designing," Gary says, "you see a project go from concept to reality, and I get alot of gratification out of that."

Klingspor link. [Google] [More]  ⦿

GautFonts
[J.F.Y. Daniel Gauthier]

J.F.Y. Daniel Gauthier (GautFonts) was born in Montreal in 1964, and lives in Hamilton, Ontario. His fonts from 2005 and before include BarrelOfMonkeys, ChainFontOpen, ChangChang, ChangChangWoodcut, DirtyDarren, FireStarter, GriffinDucks, Jenna Myles, LollipopLettering, Lymphnodes, PooCorny, PooSmooth, Quake3ArenaBats (scanbats), SapphireSativa (2005), ZappaBats, Judas Priest (2004), Caviar Rancid (2004), BackPage (2003), BatFont (2003), MagicCatalog (2003), Samdan (2003), The One Ring (2003), The 3 Stooges (2003), Yahoo Font (2003), BikerBones, CBGBFont, Cortesia, DryGulchBlack, DryGulchOpen, FlyLegs, Frank, MissingLink, PotLand, Punk, SheCreature, SweetLeaf, ThaiPedicure, TypoNegative, VectorBlack, VoodooDollLetters, VoodooDolls, VoodooDollsPinned, ZappaBats, Griffin (2002), GriffinBold (2002), HeadHunter (2002), Montezuma (2002), MontezumaAncient (2002), MrBubbleFont (2002), PhoenixOne (2002), PhoenixTwo (2002), Spliffs (2002), SteelTown (2002), TattooLettering Black (2002), TattooLettering Open (2002), VladDraculBats (2002), Beatnik Hayseed (2002), ChangChang (2002, oriental lookalike), Crumb (2002), GearBox (2002), Happening (2002), LogFont (2002), Piranha (2002), Sardines (2002), Tilt-A-Whirl (2002), ChineseWatchShop (2002), DickVanDyke (2002), Göt (2002), KamikazeBats (2002), Springfield Tablets, AlphabetFridgeMagnets, Beethoven, BeethovenRough, BeethovenRougher, Bicycle (outlined), BicycleFancy, BoobToob, Burris (Old West font), BurrisGhostTown, BurrisShootOut, CBGB (pearly letters), Chain Font Black, CheapSign, ChickenFarm, CornFed, CrappyDan, CrappyDanLowercase, DimWitGauche, DimWitRight, Eastwood, FantasticFont, Fear, FearlessVampireKillers, FeltCrappyDan, FrootStand, GassyGaut, GauFontExposition (trilined), Gauts, GautsMotelLowerLeft, GautsMotelLowerRight, GautsMotelUpperLeft, GautsMotelUpperRight, Gearbox (geary alphading face), Göt (blackletter), HoaryGaut, Houdini, IncantationOne, IncantationTwo, IrwinAllen, JackOLantern, Jagged, JoeJack, KathleenLowercase, KathleenUppercase, KentuckyFriedFont, KentuckyFriedChickenFont (2004, signage), LeadType, LeadTypeBoldInked, MadScience, Moscoso (morphed Western titling font, psychedelic), OogieBoogie, OrganDonorGuts, OrganDonorSkin, PinkCandyPopcornFont, PooCorny, PooSmooth, Potland (marihuana alphadings), Punk, RapaNuiLetters, RapaNuiMoaiBats, RapaNuiMoaiFont, RedStar (2004, pretty handwriting based on the pen of Linda Cappel), RedStarBold, RockFont (Flintsones font?), Sasquatch, Sea Creature, Shaman, ShermlockMadstyle, ShermlockSolid, Shock, ShockThick, SpookyMagic, StagTickets, StartlingFont, TattooParlour (2004, scanbats), ToOsamaLoveGeorge, TypewriterKeys, Vector, WebPress, WebPressBold, Weird, WereWolf, ZootAllures. He has some comic book fonts, some dingbats, and several fonts around the theme of magic.

Interview. Fontspace link. Dafont link. [Google] [More]  ⦿

Gayle Sato

Designer of MVB Calliope (2005, MvB), a market script.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Geen Bitter
[Thom Janssen]

Geen Bitter (Den Haag, The Netherlands) consists of Thom Janssen, Jorn Henkes and Rogier van der Sluis. All three are graduates of the Graphic Design course at the Royal Academy of Art in The Hague, The Netherlands. The work of Geen Bitter has a strong typographical influence and covers designing typefaces, books, websites and identities, all with a typographic approach.

In 2013, they published Gewone letters Gerrit's early models. The blurb: A couple of years back, while cleaning the letterpress workshop at the KABK in The Hague, we had an amazing find. A package that hasn't been opened for some time. We opened it and found eighteen printing plates in mint condition. The printing plates, we soon found out, were made by Gerrit Noordzij and date back to the late 1960s. They contain a brief lesson about writing with the broad nib and, once familiar with this basis, writing and drawing some different techniques. Since it seemed the plates are never published before, we decided to do so and made a book containing prints from the plates. Next to the plates we asked former students if they still had old work and sketches with comments by Gerrit Noordzij. The result is a collection of sketches and material, together with five writings about the plates, Gerrit Noordzij and his contribution to the field of type and typography. The text has contributions by Albert-Jan Pool, Frank E. Blokland, Aad van Dommelen, Huug Schipper, and Petr van Blokland. It was published in 2013 by Uitgeverij De Buitenkant, Amsterdam.

Their commercial typefaces:

• Bex (2013). This sans typeface family is based on Thom Janssen's graduation project.
• Cramp (2012). A casual hand-printed typeface by Rogier van der Sluis.
• Herman (2013, Rogier van der Sluis). An elliptical monospaced signage typeface family with possibilities of layering and shadow effects. It is quite attractive and one of the finest typefaces in its genre.

Geoff Gunning

Aka Bud White. Dundee, Scotland-based creator of Winger (2013), Quird (2013), Knat (2013), Chinger (2013), Chum (2013), Plantor (poster face), Ohdoad (2013, an organic sans), Chunq Dipped (2013, blood drip font), Bacon Bad (2013, multilined wavy typeface), Hinge (2013, a thin sans face), Bumple (2013, FontStruct font), Waponi (2013, a military stencil face), Eeroom (2013, hand-printed), Platly (2013), the fun informal straight-edged typeface Bassist (2013), the ink spill typeface Oops (2013), the free brushy signage font Scribbage (2013), the hand-printed Order Up (2013), the tall Kinkich (2013, FontStruct), the paper cut face Chunq (2013), and the shaky typeface Landslide.

Typefaces from 2014: Baddit (bilined), Cobac (shadow face). [Google] [More]  ⦿

Georg Wilkens

Born in 1921, Georg was a co-student of G.G. Lange in high school. He worked as packaging designer. This led him to develop several packaging typefaces, which were then produced by G.G. Lange at Berthold.

Designer of the fat script face Manessa (1971, Berthold) and the tri-lined Tri-Star (1976, Berthold). [Google] [More]  ⦿

George Abbate

Type designer who published these fonts at Photo Lettering: Aqua Bold (signage font), Black Gothic Condensed, Gothic Bold, Nixon (a soft poster face), Stencil Condensed. [Google] [More]  ⦿

Gert Wiescher
[Wiescher Design]

[MyFonts] [More]  ⦿

Gert Wiescher
[Autographis]

[MyFonts] [More]  ⦿

Gesine Todt

Gesine Todt is a Berlin-based graphic and typeface designer. She studied type design under Lucas De Groot at FH Potsdam from 2004-2006, where she created the sans typeface Gabelle. At HTW Berlin University she studied graphic design and graduated in 2007.

In 2009 she graduated with an MA in Typeface Design from the University of Reading. Since then she works as a freelancer and enjoys the view from her studio in Berlin Kreuzberg. Her graduation project at Reading involved the sans typeface You Are Here. This typeface was made for wayfinding, and was compared in her thesis with famous wayfinding faces such as FF Info Display, FF DIN, Folio, Frutiger, ITC Johnston, Simple, Univers, Vectora, OfficinaSans, and Interstate.

In 2011, she put one her typefaces up for free download at Google Web Font Directory: Amaranth (an upright italic), Bigshot One (a showy didone display face), Snippet (2011), Leckerli One (2011, fat signage face).

Fontspace link. Klingspor link. Fontsquirrel link. [Google] [More]  ⦿

Gia Tran
[Fontyou]

[MyFonts] [More]  ⦿

Gonzalo Castro

Valparaiso, Chile-based designer of the signage typeface A Golpe De Pincel (2013). Behance link. [Google] [More]  ⦿

Grant Cook

Grant Cook (Afrenasia, Melbourne, Australia) created a signage lettering typeface for a vinyl figurine project. He called it Afr Aspabozi (2013).

Behance link. [Google] [More]  ⦿

Great Lakes Lettering
[Molly Jacques Erickson]

Great Lakes Lettering in Eau Claire, WI, showcases the type designs of Dathan Boardman and Molly Jacques Erickson. They jointly designed the illustrative handwriting font Frosted in 2012.

In 2013, they designed the script faces Asterism, Kailey Force (signage script in three styles, The Bold, The Brave, The Beautiful), Icing and Saint Agnes.

Typefaces from 2014: Helsing (a quirky serif inspired by Bram Stoker's Dracula (1897) and Edward Gorey's rendition of that story), Icing Blizzard, Frosted Blizzard. [Google] [MyFonts] [More]  ⦿

Greater Albion Typefounders (or: GATF)
[Paul James Lloyd]

Paul J. Lloyd's typefoundry in Western Australia, est. 2008. Lloyd (b. UK) made over 100 free truetype fonts before that. He writes: What we will offer is new designs, replete with Edwardian Fun, Victorian distinction, or any other piece of elegance we can manage.

Edwardian creations from 2008-2010: Ark Wright (traditional shop signage), Adantine, Goldbarre, Brosse, Crewekerne, Crewekerne Magna and Crewekerne Magister (arts and crafts face), Larchmont, Brissard, Brossard (slab serif), Bonavia, Bonavia Blanc, Clementhorpe, Veneribe, Chiara Script, Howlett, Svengali Roman, Bonning and Bonnington (1920's style families with ideas from University Roman), Absinette, Bamberforth, Tumbletype, Vertrina, Bromwich, Great Bromwich, Fleete, Helenium. Chipping emulates the Edwardian 1920s. In 2012, he added the Bolton Commercial family (late Edwardian, early art nouveau).

Art deco faces: Oakland (2011, multiline face gleaned from a 1930s French car ad), Zenia (2010, trilined), Plebe (Plebia, 2008: a grotesk emulating the 1930s), Whitehaven (2008, an extensive art deco family with several shadow weights), Merry Fleurons (2008, Christmas ornament dingbats), Braxia (2008), Keynsia (fifties style art deco family with Peignot influences).

Other faces: Haymer is a large sans family made in 2010. Clunic (2008) is a blackletter face. Tectura (2008) is a handwriting font. Eldridge is a slab serif family. Aliqua (2009), Chipperly (2009) and Syondola (2009) are Wild West families. Terazza Tilings (2009) and Valentine's Fleurons (2009) are dingbat faces. Additions in 2009 include Lowndes (soft blackletter), Christmas Fleurons, Merry Snowmen, Cherritt (described as a Victorian era Courier), DoodleBirds, Halloween Fleurons, ButtonFaces, Sabio (neither slab nor sans), Daub (brush graffiti font), Sabinard (a modern swash face), Cullions (futuristic blackletter), Coronard (blackletter / roman hybrid), Easter Fleurons, Chapter Initials, Paveline (19th century calligraphic script), Mellin Sans and Open, Gildersleeve (evoking the 1920s Arts and Crafts movement), Stannard (a 1920's advertising inspired small caps face), Slattery (a horizontally shaded fun face), Slatterine (2009, more retro futurism), Spillsbury (2010, Victorian family), Cirflex (2010, geometric display face based on arcs of circles), Oxonia (2010, a classic roman family) and Vectis (classic Roman elegance, another small caps face).

Creations in 2010: Windevere, Albion's White Christmas, Paragon (a great didone display family with a wood type feel), Compton (slab serif family), Mexborough, Morover (Schwabacher family), Anavio (a classical roman family), Corvone (3d-effect font), Granville (Victorian), Corton (Victorian), Wellingborough (Victorian), Worthing (Victorian), Ark Wright (traditional shop signage), Bonaventure (art nouveau), Federal Streamliner (1950s feel techno face), Deva (classical roman), Crucis Ornaments (crosses), Bronzino (a roman with Arts and Crafts roots), Bertoni (2010, a didone family), Pardon Me Boy (train dingbats), Woodruff (Open Face fonts with a wood type look), Jonquin (based on a WWI poster; +Incised), Luscombe (1920s display family; +Parva), Movella (futuristic from the 1950s), Magdalena Sans (2010: a clear monoline sans), Endymion (2010: Tuscan), Paget (a Tuscan experimental all caps face), Portello (Victorian).

Typefaces made in 2011: Admiral (art nouveau), Tuscaloosa (Tuscan face), Eccles (bombastic Victorian), Wolverhampton (pre-Victorian), Doncaster (Victorian family), Metropole (art nouveau family), Corsham (stone engraved lettering family), Leibix (casual), Albia Nova (an elegant futuristic organic face), Flapper (art nouveau face), Bertolessi (curly Victorian), Tulk's Victorian Banner (all caps banner face), Fitzgerald (Victorian all caps face), Cleveden (Victorian headline family), Spargo (an extensive set of early 20th century-look engraved faces for official documents and securities), Bettendorf (2011, based on a 1900s masthead typeface), Wolvercote (2011, similar to Bettendorf), Pittsburgh (2011, a Western-style engraved face), Chubbly (2011), Portmeirion No. 6 (2011, a Victorian / circus design), Bronzetti (2011; images: i, ii, iii, iv, v, vi), Sophie J (hanprinted), Dem Bones (2011, glyphs made from bones), Stout (2011), Birmingham New Street (a Victorian family inspired by the hand lettered title on a 19th century railway map), Beckinslade (ornamental blackletter).

Production in 2012: Alfere Sans Stripes, Albion's Americana (Western stars and stripes face), Tudor Perpendicular (blackletter), Amici (rounded headline face), Amie (rounded sans), Wolverton Text (Edwardian family), Vinea (10-style display family), Par Avion (retro futuristic), AstroBats (retro sci-fi dingbats), Beeching (+Shadowed), Gondolieri (didone meets Tuscan), Penrose Slabserif (an Escher-like trompe l'oeuil 3d face), Haldane (art nouveau, Arabic look), Solidarius (chubby, fat felt-tip pen font), Bluebottle (angular display face), Merrivale (Victorian), Future Runes (runic simulation), Coliseo, Alfrere Sans (inspired by a 1950s television caption style), Tectura II (Lloyd's answer to Comic Sans), Secombe (Edwardian caps family), Milligan, London Court (Tudor-era caps family).

Typefaces from 2013: Speedblur, Belhampton (Edwardian), Merry Baubles (Christmas tree dings), Merry Bauble Letters (Christmas alphadings), Wroxeter (blackletter), Thurbrooke (+Banner, +Initials, +Black, +Reverso, all based on 19th century banner headings and engraved lettering), Bourne (a rounded type system), Henrician (a set of eight Tudor style display faces), Belle Jardin (art deco marquee face), Lavery (Edwardian), Baldione (a stylized didone), Chequers (a vintage poster face), Turvy Topsy (fat finger face), Merrivaux (faux medieval), Blout (German expressionist typeface), Easter Egg Letters, Isometrica (a banner typeface family), Valentine's Letters, Imperial Granum (roman titling face), Brollo (chunky display face).

Typefaces from 2014: Lanvier (1930s-style caps typeface family), Bonlivet (a hyper-decorative capitals alphabet from the late Victoian or early art nouveau era), Ames Text (a didone family with rounded brackets), Ames Roman (related to didones but with wedge serifs), Ames Weathered, Ames Shadow, Ames Shaded, Amersham (vintage signage family, 2013-2014).

Type announcements. Behance link. Klingspor link. Abstract Fonts link. Font Squirrel link. Kernest link. Abstract Fonts link. Hellofont link.

View all typefaces by Paul Lloyd. Images of Paul Lloyd's best-selling typefaces. Greater Albion Typefounders: typeface collection./ [Google] [MyFonts] [More]  ⦿

Greg Christman

Greg drew Ghoulies (2008, Context Foundry, Savannah, GA), a ghost-themed all-caps alphabet. He also made Fresh Produce (2008), a hand-painted signage face. [Google] [More]  ⦿

Greyscale Type
[Jason Vandenberg]

Jason Vandenberg (Greyscale Type, Toronto) created the 8-style Grey Sans family in 2013. Gia Tran and Jason Vandenberg created the decorative typeface Ella FY (2013, Fontyou). The slender display typeface Sérafine FY (2013) was codesigned by Jason Vandenberg, Jérémie Hornus and Alisa Nowak. At the end of 2013, Jason Vandenberg and Jérémie Hornus codesigned the groovy poster typeface Jack FY.

In 2014, Adrien Midzic, Jason Vandenberg, Jérémie Hornus, Julien Priez and Alisa Nowak codesigned the creamy script Vanilla FY. It was renamed Vanille FY after a few days.

Minuit FY (2014, by Jason Vandenberg and Gia Tran) is a beautiful angular angry calligraphic display typeface.

Fontspring link. Behance link. Monotype link. [Google] [MyFonts] [More]  ⦿

Gunnar Link

Type designer born 1983 in Schramberg, Germany. He studied Kommunikationsdesign at Fachhochschule Mainz from 2007 to 2011.

Creator of Royal Oak Decor (Victorian ornaments), Royal Oak Sans (2009, Edwardian headline sans) and Royal Oak Serif (Western headline face). All were done in 2009 at Die Typonauten and were joint work with Ingo Krepinsky and Stefan Kroemer.

In 2011, he designed the Cooper Black-style face Frido Black at 26 plus zeichen. See also Frido Narrow (2011).

Ingo Krepinsky and Gunnar Link made the fun hand-drawn Western family Oklahoma Pro (2012) in styles called Deputy, Sheriff, Marshal and Scrawls (dingbats), and

In 2012, he published Selva, a modern take on the textura style, at Die Typonauten. Riga (2012) is a lively fat signage typeface.

Typefaces from 2014: Donki (fat signage script).

Typedia page. MyFonts foundry page. Klingspor link. Behance link. [Google] [MyFonts] [More]  ⦿

H.A. Simon

German type designer of fonts like the signage face Market (1996), and the graffiti face FF Marker (1994, codesigned with Thomas Marecki).

FontShop link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Hagilda

Hagilda is an independent type foundry in Israel est. by Michal Sahar and Danny Meirav, Hatayas (the "pilot"), who both graduated from "Bezalel Academy of Art&Design, Jerusalem" (1996, 1998) and who each runs his own graphic design studio in Tel Aviv. Its Hebrew fonts, mostly made from 2002-2007, include everything from signage faces to text faces: Artic, Kartiv, Infra, Font #37, Arbel Hagilda, Lemon Araq, Maccabi Block, A Glass of Milk Dfus, A Glass of Milk, SpeedMan, Plastic, Blender (+Condensed), The Smoker (Sans, Serif), Sothy, SouthWest, Raanan, Exclam, Alenbi (Sans, Serif), Mann, Semi Comeback, Palestina, Cristyle, New Font, New Hybrid Type, Simple, TLV, Uzi Slanted, Dots, HatzviG, AharoniG, FrankG, MiriamG, HaimG, HaimG Soft. [Google] [More]  ⦿

Haley Fiege
[Kingdom of Awesome]

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Hannes von Döhren
[HVD Fonts]

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Hans van Maanen

Dutch science journalist who has published extensively in the Volkskrant. He is also into fine arts and illustration, and has even designed a few fonts. MyFonts page. Klingspor link.

• His first production was Lexington and Lexington Handtooled (2006, a revival and major expansion of a 1926 Ludwig Wagner Schriftgiesserei typeface called Titanic. A typical art deco signage face which can be bought at Canada Type, and is characterized by its rabbit-eared k, l, b, d and h).
• He also digitized and expanded Aurora Grotesk (1912, Johannes Wagner foundry) and called it Annonce (2006, Canada Type).
• As explained by Canada Type: The story of Serena is a unique one among revivals. Serena was neither a metal face nor a film one. In fact it never went anywhere beyond Stefan Schlesinger's 1940-41 initial sketches (which he called Saranna). A year later, while working with Dick Dooijes on the Rondo typeface, Schlesinger was sent to a concentration camp where he died, along with any material prospects for the gorgeous letters he'd drawn. The only sketches left of Schlesinger's Saranna work are found in the archives of the Drukkerij Trio (the owner of which was Schlesinger's brother-in-law). The sketches were done in pencil and ink over pencil on four sheets of paper. And now Hans van Maanen revives Schlesinger's spirit as closely as the drawings permit. Hans Van Maanen thus digitized Serena (2007, Canada Type).
• Dutch Mediaeval (2007, 9 styles) is a text family based on Hollandse Mediaeval, the 1912 Sjoerd Hendrik De Roos classic. Followed in 2013 by Dutch Mediaeval Book ST (done together with Patrick Griffin), which was engineered specifically for science writing.
• Freco (2006, Canada Type): an art deco font.
• Circulaire (2009, Canada Type) is a set of initial caps designed by Sjoerd Hendrik de Roos in 1926.
• Adams (2008, Canada Type) is a revival and major expansion of Dolf Overbeek's Studio typeface and Flambard, its bold counterpart, originally published by the Amsterdam Type Foundry in 1946 and 1954, respectively.
• Lotto: A brush face originally designed by expert ad artist Herbert Thannhaeuser for East German foundry Typoart in 1955. Revived by Van Maanen at Canada Type in 2009.
• Diploma (2009, Canada Type) is a revival of Diplomat, a metal type made by the in-house team of Ludwig&Mayer and first published in 1964.
• Roos (2009): A 10-style revival and extension of Sjoerd Hendrik de Roos's De Roos Romein (1948), created in cooperation with Patrick Griffin at Canada Type.
• Archie (2010): a heavy techno sans banner face, done at Canada Type as a revival of work by Martin Meijer.
• Agent (2010, Canada Type) is another revival of work by Martin Meijer.
• Aragon (2010, Canada Type): Advertised as a workhorse Dutch Garamond family. Includes an open style called Aragon Initials.
• Naga (+Naga Outline, 2011, Canada Type) is Hans van Maanen's original creation of art deco shapes intersected with intricate mazes of what could be Celtic or Mesoamerican knotwork art.
• Zilvertype (2012). A 590-glyph typeface revival published by Canada Type: Right on the heels of the tremendous popularity wave that made Hollandse Mediaeval the most used Dutch typeface during the Great War years, Sjoerd H. de Roos was asked to design a 15 point type for De Zilverdistel, Jean-François van Royen's publishing company. So between 1914 and 1916, de Roos and van Royen collaborated on the typeface eventually known as Zilvertype, and which both parties viewed as an improved version of Hollandse Mediaeveal. Like Hollandse Mediaeval, Zilvertype was based on the Jenson model, but it is simpler, with more traditional metrics, and lighter and more classic in colour.
• Minuet (2007) revives Schlesinger's Rondo.
• Grippo (2012). A layered font in six styles, with a general art deco look.
• Gaulois (2012). Based on Scribe (1937, Marcel Jacno), an art deco era signage and advertising script.
• Wilke Kursiv (2013) is based on Martin Wilke's Wilke Kursiv from 1932.
• Aragon ST (2013, with Patrick Griffin). Related to Garamond, this family was designed for science writing, thanks to the incorporation of SciType. SciType is a flexible combination of oft-ignored letterforms and innovative OpenType programming that can be incoporated into existing text fonts in order for them to function seamlessly when including common science formulas and equations in regular text.

Henrik Kubel
[A2 Type]

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Hermann Zapf

The prolific master designer (born in Nuremberg, 1918, lives in Darmstadt), who made many Antiqua faces and Grotesk faces at URW++ (such as URW Grotesk) and is best known for Palatino, Optima, Melior, Zapf Dingbats, and ITC Zapf Chancery. From 1990 dates URW Palladio Regular. And look at the gorgeous calligraphic font Zapfino (Linotype, 1999, winner of the 1999 Type Directors Club award), released on the occasion of his 80th birthday. Linotype write-up. Zapf lives in Darmstadt, Germany. Pictures of his 80th birthday party at Linotype. Winner of the Gutenberg Prize in 1974.

Author of Manuale Typographicum (1954), of which only 1000 copies were printed. Author of Typografische Variationen (1963, Stempel), of which only 500 copies were printed.

Zapf's drawing of a blackletter alphabet in Feder und Stichel (1949, Trajanus Presse, Frankfurt) and Feder und Stichel (1952). Zapf's design of a postage stamp depicting Ottmar Mergenthaler in 1954.

List of his typefaces:

• Alahram Arabisch.
• Arno (Hallmark).
• Aldus Buchschrift (Linotype, 1954): Italic, Roman. Digital version by Adobe.
• Alkor Notebook.
• Attika Greek.
• Artemis Greek.
• Aurelia (1985, Hell).
• AT&T Garamond.
• Book (ITC New York). Samples: Book Demi, Book Demi Italic, Book Heavy, Book Heavy Italic, Book Medium Italic. The Zapf Book, Chancery and International fonts are under the name Zabriskie on the SoftMaker MegaFont XXL CD, 2002.
• Brush Borders.
• Comenius Antiqua (1976, Berthold; see C792 Roman on the SoftMaker MegaFont XXL CD, 2002).
• Crown Roman (Hallmark).
• Chancery (officially called ITC Zapf Chancery): Bold, Demi, Italic, Light, Liht Italic, Mediu Italic, Roman.
• Civilité (Duensing). Mac McGrew on the Zapf Civilité: Zapf Civilite is perhaps the latest face to be cut as metal type, having been announced in January 1985, although the designer, Hermann Zapf, had made sketches for such a face as early as 1940, with further sketches in 1971. But matrices were not cut until 1983 and 1984. The cutting was done by Paul Hayden Duensing in Kalamazoo, Michigan. The first Civilité typeface was cut by Robert Granjon in 1557, based on a popular French handwriting style of the time. Other interpretations have been made from time to time, notably the Civilité (q.v.) designed by Morris Benton in 1922 for ATF. The new Zapf design has the same general character but with a more informal and contemporary feeling. A smooth flow between weights of strokes replaces the stark contrast of thick-and-thin in older interpretations. There are several ligatures, and alternate versions of a number of characters, including several terminals. Only the 24-point Didot size is cut or planned.
• Charlemagne (Hallmark).
• Digiset Vario (1982, Hell): a signage face.
• Edison (Hell), Edison cyrillic. Scans: Bold Condensed, Book, Semibold Italic, Semibold, Book Italic.
• Euler (American Mathematical Society). Zapf was also consultant for Don Knuth on his Computer Modern fonts. In 1983, they produced the more calligraphic set now called AMS Euler (+Fraktur, Math Symbols, +script). Taco Hoekwater, Hans Hagen, and Khaled Hosny set out to create an OpenType MATH-enabled font Neo-Euler (2009-2010), by combining the existing Euler math fonts with new glyphs from Hermann Zapf (designed in the period 2005-2008). The result is here.
• Firenze (Hallmark).
• Festliche Ziffern (transl: party numbers).
• Frederika Greek.
• Gilgenart Fraktur (1938, D. Stempel).
• Heraklit Greek.
• Hunt Roman (1961-1962, Pittsburgh). A display face exclusively designed for the Hunt Botanical Library (Hunt Institute for Botanical Documentation since 1971), situated on campus of Carnegie Mellon University in Pittsburgh, to accompany their text face Spectrum. Review by Ferdinand Ulrich.
• International (ITC, 1977). Samples: Demi, Demi Italic, Heavy, Heavy Italic, Light, Light Italic, Medium, Medium Italic.
• Janson (Linotype).
• Jeannette Script (Hallmark).
• Kompakt (1954, D. Stempel).
• Kalenderzeichen (transl: calendar symbols).
• Kuenstler Linien (transl: artistic lines).
• Linotype Mergenthaler.
• Melior (1952, D. Stempel; see Melmac on the SoftMaker MegaFont XXL CD, 2002). Samples: Bold, Bold Italic, Italic, Roman.
• Michelangelo (1950, D. Stempel, a roman caps face; a digital version exists at Berthold and at The Font Company).
• Marconi (1975-1976, Hell; now also available at Elsner&Flake and Linotype; according to Gerard Unger, this was the first digital type ever designed---the original 1973 design was intended for Hell's Digiset system; Marconi is a highly readable text face).
• Medici Script (1971).
• Musica (Musiknoten, transl: music symbols; C.E. Roder, Leipzig).
• Magnus Sans-serif (Linotype, 1960).
• Missouri (Hallmark).
• Novalis.
• Noris Script (1976; a digital version exists at Linotype).
• Optima (1955-1958, D. Stempel--Optima was originally called Neu Antiqua), Optima Greek, Optima Nova (2003, with Akira Kobayashi at Linotype, a new version of Optima that includes 40 weights, half of them italic). Samples: Poster by Latice Washington, Optima, Demibold Italic, Black, Bold, Bold Italic, Demibold, Extra Black, Italic, Medium, Medium Italic, Regular, Italic. Digital clones: Zapf Humanist 601 by Bitstream, O801 Flare on the SoftMaker MegaFont XXL CD (2002), Opus by Softmaker, Columbia Serial by Softmaker, Mg Open Cosmetica, Ottawa by Corel, October by Scangraphic, CG Omega by Agfa compugraphic, Chelmsford by URW, Classico by URW and Optus by URW.
• Orion (1974).
• Palatino (1948, D. Stempel; the original font can still be found as Palazzo on Softmaker's XXL CD, 2002), Palatino Nova (2005, Linotype), Palatino Sans (2006, Linotype, with Akira Kobayashi), Palatino Greek, Palatino Cyrillic. In 2013, Linotype released Palatino eText which has a larger x-height and wider spacing. Palatino samples: black, black italic, bold, bold italic, italic, medium, roman, light, light italic. Poster by M. Tuna Kahya (2012). Poster by Elena Shkarupa. Poster by Wayne YMH (2012).
• Phidias Greek.
• Primavera Schmuck.
• Pan Nigerian.
• Quartz (Zerox Corporation Rochester, NY).
• Renaissance Antiqua (1985, Scangraphic). Samples: Regular, Bold, Book, Light Italic, Swashed Book Italic, Swash Italic.
• Saphir (1953, D. Stempel, see now at Linotype).
• Sistina (1951, D. Stempel).
• Sequoya (Cherokee redesign).
• Scriptura, Stratford (Hallmark).
• Sequoya (for the Cherokee Indians), ca. 1970. This was cut by Walter Hamady and is a Walbaum derivative.
• Linotype Trajanus Cyrillic (1957).
• Textura (Hallmark).
• URW Grotesk (1985), URW Antiqua. The URW Grotesk family today contains 59 styles.
• Uncial (Hallmark Kansas City).
• Virtuosa Script (1952, D. Stempel: Zapf's first script face; revived in 2009 as Virtuosa Classic in cooperation with Akira Kobayashi).
• Venture Script (Linotype, 1966; FontShop says 1969).
• Winchester (Hallmark).
• World Book Modern.
• ITC Zapf Dingbats [see this poster by Jessica Rauch], Zapf Essentials (2002, 372 characters in six fonts: Communication, Arrows (One and Two), Markers, Ornaments, Office, based on drawings of Zapf in 1977 for Zapf Dingbats).
• Zapfino (Linotype Library GmBH 1998): a set of digital calligraphic fonts. Zapfino Four, Zapfino Three, Zapfino Two, Zapfino One, ligatures, Zapfino Ornaments (with plenty of fists). Poster by Nayla Masood (2013).

Pictures of Hermann Zapf: with Lefty, with Rick Cusick, in 2003, with Frank Jonen, with Jill Bell, with Linnea Lundquist and Marsha Brady , with Rick Cusick, with Rick Cusick, with Stauffacher, a toast, with Werner Schneider and Henk Gianotten, with Chris Steinhour, at his 60th birthday party.

Linotype link. [Google] [MyFonts] [More]  ⦿

Hernández Type (was: Estudio de diseño Calderón)
[Daniel Hernández Sanchez]

Estudio de diseño Calderón in Chile had the work of two Chilean designers:

• Daniel Hernández has some free fonts at Dafont and Font Squirrel. Klingspor link. His award-winning fonts include Stgotic textura (2006), Stgotic Fracktur (pixel blackletter), and the (free) unicase piano key font Pincoya Black (2008), which was based on Spanish Civil War poster, and won an award at Tipos Latinos 2010. He calls his ultra fat Roxy (2009) tipografia desde el culo del mundo.

  Behance link. His Flickr page. His lettering.

  Hernandez Bold (2010, Sudtipos) has slabs, serifs, and plenty of round curves. It won an award at Tipos Latinos 2012.

  Rita (2010, Sudtipos) is an ultra-slab face inspired by the fat wood types. Merced (2011) is a thin monoline sans. Sanchez (2011, Latinotype and YWFT) is a slab serif family with a free weight. In 2013, he published the beautiful sequel, Sanchez Slab, which is patterned after Rockwell.

• Javier Quintana created the smooth and delectable text family Berenjena in 2007. He also made the roundish display face Botota (2007), which is reminiscent of market signage in Santiago.
• Monroe (2010, Sudtipos) is a swashy slab family. See it in action in this I Love New York poster.
• Patagon (2011, Latinotype) is a rounded wood-inspired poster face done with Daniel Hernandez and Luciano Vergara.
• Guadalupe (+Gota, 2011, Latinotype). A hairline didone family with sufficient contrast and frilliness to satisfy the fashion mags.
• Andes (2011, Latinotype). This is a playful slightly swashy sans family. Followed by Andes Italic (2012) and Andes Condensed (2012).
• Bosque (2012) is a wood style family codesigned with Paula Nazal at Latinotype.
• Magallanes (2012, Daniel Hernandez) is a contemporary neohumanist sans serif typeface family covering Ultra Light to Black. This typeface was followed by the 8-style Magallanes Essential (2012) and by Magallanes Condensed (2013).
• Trend (2013). A layered type system done together with Paula Nazal Selaive. Followed by Trend Hand Made also in 2013.
• With Eli Hernandez, Daniel Hernandez published the unicase typeface family Grota in 2013.
• Roble (2013): A slab serif font family which Daniel places halfway between Andes and Sanchez. It is characterized by its clampy backbitten lower case c.
• Together with Miguel Hernandez at Latinotype in 2014, Daniel Hernandez designed the 1930s sans family Arquitecta, which is promoted as an alternative for Futura, Kabel and Avant Garde.

The foundry became Hernández Type at some point. The fonts there, repeated from the former foundry, include Patagon, Merced, Hernandez Bold, Monroe, Pincoya Black Pro, Rita Bold and Fat, and Pincoya Black Free. [Google] [MyFonts] [More]  ⦿

Hrvoje Dominko

Graphic design student in Zagreb, whose mentor is Nikola Djurek. Under Djurek's guidance, he created a few script typefaces, included the plump Zembo Script (2012, appropriate for signage) and Doyald Script (2012, a calligraphic script after Doyald Young). [Google] [More]  ⦿

Hubert Jocham

German über-type designer (b. 1965, Memmingen) who studied graphic design in Augsburg (Germany) and Preston (England). His degree project dealt with the history of the italic type of the renaissance and the relationship between roman and italic. In 1998 he moved to London to work for Henrion, Ludlow and Schmidt in corporate branding. He worked at one point for Frank Magazine in London. Today Hubert Jocham is a freelance designer located once again in Memmingen, Germany. He develops brandmarks and logotypes for leading brand agencies like Interbrand, Landor, Enterprise and Futurbrand. He designs text and headline systems for international magazines like GQ London, Vogue Moscow, Vogue France (2010), Vogue Turkey, L'Officiel Paris, and New York and German publishers like Milchstraße and Gruner&Jahr. He is responsible for the corporate type of Bally in Switzerland, the Kunsthaus Graz and Agfa Photo. He set up Hubert Jocham Type in 2007. MyFonts link. FontShop link. His typefaces:

• Adonis.
• He created the ecccentric serif families Alida Text and Display (2007).
• Bent (sans family).
• The Contra Sans and Contra Serif families.
• The Crema family (2012) has various flowing thick signage script styles.
• Dolce.
• Element.
• Elsner&Flake fonts: EF Havanna (1996), EH Herbert (1996), EF Panther, EF Sahara, EF Keule and EF Tabard.
• The TV-screen-curved Fernseher family.
• Fire.
• The signage brush script face Flavour (2004).
• Flow (sans).
• Glenda (2009). A script face.
• Granat (2009). A 14-style rounded sans family related to Jocham's own Teleplu and Teleneue.
• Jocham (2012). A fat connected signage script family that won an award at TDC 2013.
• June, New June and New June Serif (1999, after the large x-heighted June, used in W-magazine and Harvey Nichols magazine).
• Keks (2009). A broken angular type.
• The industrial sans family Konsens (with related Konsens Stencil).
• Narziss (a beautiful high-contrast ornamental didone headline typeface, winner at TDC2 2010). Followed in 2012 by Narziss Pro Cyrillic.
• The serif family Leaf.
• The sans family LegauSans (2007).
• Libris, Bally Libris.
• LTA Identity.
• Madita (2011). An upright connected script family.
• Magazine.
• Matrona (2010). An ultra fat rounded family, awarded at TDC2 2011.
• The display serif face Mighty.
• Mommie (2006) was originally designed as a display typeface for L'Officiel magazine in Paris in 2003. It won a display face award at TDC2 2008, and was followed in 2008 by MommieBrush. Boris Bencic, the art-director asked Jocham to design a script with high contrast in the stroke, in the tradition of Spencerian Hand.
• The wide basic sans family Monday.
• Motora Sans (2011). A simple sans family which according to Hubert is pure gasoline and sweat).
• Neopop (2009). A circular type experiment.
• New Libris Sans. This is a multi-weight extension of Libris, the corporate face of Bally, Switzerland, designed by Jocham in 1999. New Libris Serif.
• Oktober.
• Other Sans.
• Other Oldstyle.
• Perfetto (2008) is a new classic serif family based on a typeface penned by Giovanni Francesco Cresci with an x-height of 8 mm, and published in his book Il perfetto Scrittore in 1570 (also seen in Tschichold's Meisterbuch der Schrift).
• Riccia (2010). A grotesk family with schizophrenic "a" and "g".
• The angular serif face Rudolph.
• Safran (2009). A solid 18-style sans family.
• In 2005, he made the brush script headline faces Schoko and Drop.
• In 2008, he added the brush signage families Schwung and Milk.
• September.
• Softedge.
• Spring (2008).
• Susa (2009). A connected script face.
• The comic book family Tasty (2005).
• Teleneue.
• Venturio (50s diner face).
• Verve Sans and Serif (2006-2007) are a pair of fun birds, especially the frivolous serif originally planned for a women's psychology magazine called Emotion. A few days after their publication, they were renamed Verse Sans and Verse Serif, probably because the name Verve clashed with Adobe's VerveMM font made in 1998 by Brian Sooy (by the way, there is also a Verve type family by Dieter Steffmann, dated 2000).
• Vivid (2009).
• Voice (2004-2005, elliptical sans). Subfamilies include Voice Edge, Voice Sans and Voice Shoulder, all done at URW. In 2007, Voice was removed from URW and is solely available at Hubert Jocham Type&Design. The family was extended and now includes many styles, subdivided in Voice (sans), VoiceEdge, VoiceShoulder, VoiceSerif, Voice Heavy, Voice Medium, Voice Ultra Bold, and TeleVoice.
• The *very* interesting asymmetrically rounded Volt (2007), a sans family he claims improves on similar faces such as Bernhard Gothic, Barmeno, Dax, Prokyon, Voice Shoulder, and Phoenica.
• Weekend.
• Work ahead: this serif face (2005).
• Xmas Rudolph (2006). A free display serif face.

View Hubert Jocham's typefaces. Another view.

Klingspor link. MyFonts interview. [Google] [MyFonts] [More]  ⦿

Hunt Brothers
[Walter Bernard "Ben" Hunt]

Walter Bernard "Ben" Hunt (b. 1888, Greenfield, WI, d. 1970) was an American artist, outdoor educator and author. His books covered native American arts, woodworking, scouting, pioneering, jewelry making, metalworking, and calligraphy. Quoting wikipedia: Hunt was born in Greenfield, Wisconsin and grew up in a log cabin. He attended Milwaukee's South Division High School, but did not graduate, dropping out to become lithographic engraver at the Bruce Publishing Company. Hunt moved to Hales Corners, Wisconsin with his wife, Laura, in 1920. In 1924, Hunt, along with his father-in-law and brother, Edwin C. Hunt, built a log cabin behind his home. The cabin, a 16x28-foot structure, made of tamarack logs, was the subject of Hunt's first article, How We Built Our Log Cabin. During the late 1930s, Hunt began to study the work of Native American artists. As part of his research, Hunt met with artists and leaders such as Nick Black Elk, Frank Smart (or Chief Gogeoweosh), and James F. "Buck" Burshears. Hunt shared his knowledge of "Indian lore" with Milwaukee's boy scout leaders and, in 1942, Hunt started writing articles for Boy's Life. He became a regular member of its staff, ultimately writing over 1,000 articles. Hunt's work for Boy's Life, led him to serve on the staff of the National Boy Scout Jamboree in 1950, 1953, 1957, and 1960.

Edwin and Ben Hunt published Fifty Alphabets (1931), Lettering of Today (1935, revised in 1941), 60 Alphabets (1935, Bruce Publishing), and 101 Alphabets (1954, 1958). Several digital typefaces resulted from those publications. Grouped by type designer:

• Pablo Mateu: HFF Hunts Deco (2012). Based on an alphabet designed by the Hunt Brothers in Lettering of Today.
• Nick Curtis: Moonshine Script NF (2004). A casual connected script patterned based on 60 Alphabets.
• Dick Pape created 11 fonts in 2012 that are based on 101 Alphabets, all named HuntBros101Plate followed by a plate number. Plate 02 is a Trajan typeface. Plate 5 is a Trajan face. Plate 6 is an art nouveau face. Plate 7 is a flared caps typeface. Plate 10 is a textured poster typeface. Plate 11 is an ornamental caps face. Plate 13 is a condensed caps face. Plate 14 could be considered as a Mexican vernicular typeface. Plate 18 is an antique italic face. Plate 25 is an upright script. Plate 26 Brush is fifties brush signage at its best. Plate 29 (octagonal), Plate 46 (Celtic), Plate 52 (German expressionist), Plate 54 Blackletter, Plate 56 (Lombardic), Plate 62 (uncial), Plate 63 Script, Plate 65 (Victorian ornamental caps), Plate 66 (Western typeface), Plate 74 (Mexican fiesta font), Plate 68 (Arabic simulation), Plate 71, Plate 76 (architectural lettering), Plate 77 (inline caps) and Plate 83 (stencil face) complete the collection.

Download some typefaces based on the latter publication. Flickr site sith images of 101 Alphabets, courtesy of Diane Zerr. Local download of 101 Alphabets. Download link for Pape's typefaces. [Google] [More]  ⦿

HVD Fonts
[Hannes von Döhren]

Hannes von Döhren (b. 1979, Berlin) is a Berlin-based designer (b. 1979). His foundry is HVD Fonts. He started out with free handwriting and grunge fonts such as HVD Comic Serif Pro (2009, an alternative to Comic Sans, according to HVD), The Subway Types (2009, a graffiti family: Shik (New York), Deon (Paris) and Etan (Berlin) came together to show the typical tag styles of their respective metropolitan areas. The fonts were digitized, spaced, kerned and programmed by Hannes von Döhren).

Later he went commercial, first at T-26, and then under his own label, HVD Fonts. His typefaces: Shelton (2008, T-26), HVD Peace (2008, an army stencil font), HVD Comic Serif (2007, a serifed spoof on Comic Sans), HVD Rowdy (2007), HVDSpencils-Block (2007, stencil), HVDSpencils (2007, stencil), HVD Steinzeit (2005), HVD Edding 780, HVD Rawcut (2005), HVD Age 11 (2006), HVD Shelton (2008, T-26: wood type grunge), HVD Bodedo (2009, potato-Bodoni lettering), Quench Pro (2008, Linotype), HVD Peace (2008), and HVD Poster (2006, grunge).

Typefaces made in 2009: Grandma (great hand-printed style---move over, Comic Sans), Christmas Dingbats, ITC Chino (a soft-edged signage and sans family, done with Livius Dietzel), Klint (sans family, +Rounded), Brevia (a soft sans in seven styles), Cowboyslang (a Western slab serif family), Embryo (superblack), Embryo Open, and Opal, a classy old style text family with tall ascenders. Bumper (2009) is an ultra-black sans family in a style related to Impact.

Typefaces from 2010: FF Basic Gothic (a grotesk family done with Livius Dietzel), Reklame Script, Shelton (grunge), Blow Up is a fat balloon font. His masterpiece of 2010 and perhaps of his career thus far is the Brandon Grotesque family that relives the 20s and 30s. [A year after I wrote the previous sentence, Brandon Grotesque won an award at TDC2 2011, and all during 2011, it was the most sold face at MyFonts.] Livory (2010, with Livius Dietzel) is a rounded serif type family of four fonts influenced by the French Renaissance Antiquas from the 16th century.

Production in 2011: Brix Slab and Brix Slab Condensed (24 styles in all, done with Livius Dietzel), Pluto (16-style semi-scriptish sans family, +Italics), Cheap Pine (a wood type caps family), Supria Sans (free web font family; +Black). Together with Supria Sans Condensed, this 36-style family is a basic sans workhorse. It won an award at TDC2 2011.

Typefaces from 2012: Shelton Slab (eroded wood type look), Diamonds (geometric caps only family), Pluto Sans, Love Potion No. 10.

Typefaces from 2013: Embryo Tiny, Niveau Serif (an engravers / copperplate style typeface), Niveau Grotesk, Mikado (signage family for games, food and advertising with a lot of genetic material from Brandon Grotesque: Mikado Bold Demo is free), Brandon Text (similar to, but with a higher x-height and more rounded corners than Brandon Grotesque, it is more appropriate for long texts and small print), FF Mark (together with Christoph Koeberlin and the FontFont team: this font is marketed as Ze new Germanetric sans; one weight is free).

Typefaces from 2014: Brandon Printed (a caps-only letterpress version of Brandon Grotesque).

Dafont link. URL at T-26. Abstract Fonts link. Another URL. Behance link. Alternate URL. MyFonts link. Font Squirrel link. Fontspring link. Fontsy link. Pic.

View Hannes von Döhren's typefaces. [Google] [MyFonts] [More]  ⦿

Iara Adeodato

Brazilian designer who looks like Woody Allen. His typefaces include Chora na Rampa (2012, signage family), Fonte Gorda (2011, pixelish) and Fonte Galhos (2010, dot matrix face). [Google] [More]  ⦿

imagex

Frenchman (b. 1957) who started making fonts in 2010, after a career in illustration, comics, and video games. In 2010, he created the free fonts BabyJo (pixel face), Bayday, Chrom (beveled face), LaPresse (grunge), Muffaroo, Poppy, Poppydot, Spacecard, Strokewith, Strokeless, ToonLand (comic book lettering), ToonLandBlack, ToonLandShad, TrashToys (grunge), WorldColors (3d face).

In 2011, he published Francobelge (comic book face), Freepress (grunge), Gamix (Western titling face), Inmyroom (dingbats), Majestrick (calligraphic), Onomatopaf (comic book dings), Outerzone, OuterzoneB, Starz (dingbats), Stenstreet (grunge), Tram, Tramix (texture face), TrashToys02, War-Lettersn, Mixagex, Massive Dynamite (grunge), Not Well (grunge), Actu, Blck, Gling (texture face), HeRioz (silhouettes), Brightoon (cartoonish brush face), Muzo (ink spill face), Sharpy, Space Shop (dingbats), Pulp Dance (handprinted), Essef (art deco), Retro Sign (grunge), Labo (grunge), Exhausted, Komikoz, Puzzled, Toonimals (dings), Penstriped (sketch face), Cashier (grungy), Dan Hand, Hardwell (grungy caps), Colleged (athletic lettering), Goodjean (jeans texture face), Seaside Things (dingbats), Real Tek (techno), Zou (3d hand-printed caps), Painter, Border Line (grunge), Handout (grunge), Tract (grunge), Pulpatone (grunge), Logos I Love, Pal Antic (chancery hand), Twent (fat rounded display face), DoodFlow (dingbats), Afro Add (texture face), Crump (grunge), Big White, Dark Room (grunge), Manifesto (grunge), Tacketil (a FontStruct font), Otto Land (sketch face), Over (outline face), Under (brush dings), Baskertown (grunge), Nursery Tale, Panic (texture face), BlackNDot (ink spill face), Beyond (striped display face), Advert, Car Crash (grunge), Heartz, Starsteel, Smart Faces, Blackflag (a brushed blackletter), Dock 51 (grungy stencil), Lead (3d face).

In November 2011, he created a number of texture faces: Hotöcop, Pal Mod, Speedy (sketch face), Thirties Gold, Sunset GP.

Further 2011 faces: Poptivi, Shadow Mole, Super Modern Black.

Faces from 2012: Remanence, Winter Days (dingbats), Nowharehouse (grunge), Snuff (grunge), Cup of Tea (3d shadow face), Talk of the wall.

Typefaces from 2012: Egirlz (dingbats), Art Post (white on black poster lettering), Volutes (copperplate calligraphic script), From me 2 you (curly script), PS I Love You, Kolossal (caps only), Kraash, Alexandre (3d engraved headline face), Monstres de poche (dingbats), Alternate (grunge), Warning, Dreams (brush face), Headline Crack, Bump Pad (textured typeface), Carton (grungy white-on-black stencil face), Maybe maybe Not, Frames n Riboons (sic), Blackboard (sketched face), Logotronik (a 3d techno face), Big Bad Dogs (dingbats), Libre Expression (engraved copperplate typeface), Mecagothix (textured blackletter face), Destroy, Destroy Helpers, Buy More, Things we said (curly face), Lost Saloon (Tuscan), Salon de Coiffure (beveled), Brighton Pier (grunge), Motel Vacancy (grunge), Bates Shower (dripping blood typeface), Venus Furs (texture typeface), Showmen, True Men Tattoos (dingbats), Quicker (sketch font), Romanum Est (grungy Trajan face), Also (scratchy letters), Lazy Day (3d font), Pusher, Hard Dumb, The Idiot, Overflowing (grunge), Fast Foont (sketched), Melange (grunge), Jumbo Parade (circus font), Happy Monsters, Zozox (experimental), Magic Sound (packaging typeface), Arena Mascaras (dingbats), Top View (3d face), Flagadoum, Last King Quest, Rhythm n Blacks (textured face), Troll Sketched, Superpoz (a 3d painted typeface of exceptional beauty), HalloCuties (Halloween font), Gothik Steel (circus font), Silvestre Relief (3d titling face), Just Like That (comic book face), Numero 10 (athletic lettering), Tet de Mor (skulls), Facelook, Xmas Dad, Instant Marker, Ragtimer, Punk Dots (textured face), Onomato Vlam (comic book balloons), 8th Cargo (textured mechanical octagonal face), Zu Kabarett (creepy curly German expressionist face), Unusual Day One, Happy New One (party font), Xmas Doods, Xmas Doods 2, Higher, Usual Day One, Team 401 (athletic lettering), Doonga (comic strip letters), Killer's Move.

Typefaces from 2013: Them (fat brush), Ghost Code, Tiny Heroes (figurines), Over There (sci-fi), Higher than High, Abandon (sketched face), Broken Hearts, True Stories, A wolf at the door (wood style poster face), Elo Hand, Bots n Droids (dingbats), Toonimals 2 (dingbats), Halftoned Backup (textured face), Novlang (textured poster face), Come With Us, Ptits Pirates (pirate figurines), Board Dudes (skateboard dingbats), Big Bro's Watch (grungy), Doonga Slash (comic book face), Round About, Signz, Lethal League (grungy athletic lettering), Dark Times, Dandy Hat Trick, tardots (textured typeface), Dinoz (dinosaur dingbats), Big Surprise (fat script), Comix Loud, Arlequin, Fanzine Title, Scotch Taped, Phoenix (dingbats), Rock's Death (grunge), Tuamotu (textured), Trees Friends (dingbats), King Arthur Legend (blackletter), Fairy Strange, Flame On, Mystery, Money Go Round (ransom note font), Seven of One, Captain's Talk, Peaches en Regalia (sketch font), Wrong Board (textured or crayon typeface), Subito (comic book face), Extra Sales (signage face), Gimme Danger (grunge stencil), Alphabet City (graffiti font), Raleigh Rock, Rysky Lines, Splash, Good Vibers (comic book figurines), Tequilla Sunrise (3d shadow face), Graphers Blog, Star Waves, Splash, Action Comics, Wild Trails (wood plank typeface), Tiki Club (dingbats), Bad Striped (sketched face), Come With Me (paint drip face), Famous Oldies (textured face), Girly Toons (dingbats), Eshop Advert, Full Pack 2025, Dickson's Tale (a great grungy caps face), Hand Typewriter, Campus Relief (athletic lettering), ZalienZ (dingbats), Manga Style (oriental brush), Journal du Soir (letterpress emulation), Royal Delight (3d sketched face), Gothix Fate, Lettrisme (a letterpress ransom note font), NYC Zone 123 (graffiti face), Tedz (teddy bear dingbats), Merry Xmas, Last Day On Earth (textured typeface).

Typefaces from 2014: Perversionist, Dex's Jobs (Treefrog-style typeface), Ptit Coeur d'Amour, Mickey's School (athletic lettering), One Way or Another (a hand-drawn poster typeface), Californian Cars (license plates), Building State Empire, Back on Lime (shadow face), Next Ups (graffiti face), PatchFun (textured face), Railway to Hells, Shut'em Down, Misunderstanding, Another Brick (textureface), Perversionist (grunge), Destination Future.

Dafont link. [Google] [More]  ⦿

Incinerator
[Scott Ulrich]

Scott Ulrich (Incinerator) is the designer of freeware/shareware fonts in 1993: CheapSignage-Standard, CriminalHand, DINGarbageschrift, Distemper, EvilClown, Garbageschrift, Garden, GeekSkinny, Misfortune, SeverelyExtreme, TapeGun, Thickhead.

Alternate URL. Fontspace link. Dafont link. Fontspace link. [Google] [More]  ⦿

Ingrimayne Type (was: The Bovine Rebellion)
[Robert Schenk]

Ingrimayne Type was established in 1988 by Robert Schenk to sell his fonts via the web and via CDs such as the No-Hype Type CD (2500 typefaces in trueType and PostScript, with mostly original typefaces). Robert Schenk (b. 1946, Minnesota) lives in Rensselaer, IN. Before Ingrimayne, Schenk's type was distributed by Wayzata Technology. Free fonts at his site included Red Letter, Zirkle, Sallonext, Zarrow, Serpent.

Specimen book. Alternate URL.

Dingbat fonts: XPhyngern (1990, pointing fingers), XPointedDesert and XSimpleHands (1994, more fists), Schneeflaken (two snow fonts, now available as XSchneeFlaken), ComputerBugz (nice butterflies, now available as XCompuTerBuggz), Galaxies (around the theme of the sun and stars), GlitzyFlash (1990), Grandecort (1994), LeakOrLeach (1995), Baumfuss (1990), LeafMeAlone (leaves), StarsAndStripes, StarPieces, Fingers, SimpleHands, PointedDesert, IngyDing (1996, 3 dingbat fonts in the style of Zapf Dingbats; in 2010 overhauled into one 1400-ornament monster face, Ingy Ding MCD, containing smilies, arrows, Zapfian ornaments, dice, chess pieces, fists, weather dingbats, and so forth), IngyDingLeftovers.

A list of fonts:

• A: Aabced-Bold-Italic, Aabced-Bold, Aabced-Italic, Aabced-Regular, Aabced, AabcedBold, AabcedBoldItalic, AabcedExtraBold, AabcedItalic, AabcedRoman, AabcedXBold-Bold, AabcedXBold, Abagail-Regular, AbagailJackson, AccruedInterest, AcornSwash-Regular, AcornSwash, AcornSwashAltern-Regular, AcornSwashAltern, AcornSwashRoman, Accrued Interest, Albert Betenbuch (blackletter), AlbertBetenbuchExtrude, AllSmiles, AmericanMorseCodeIT, AnarckWarp, Anarckhie, AnarckhieBold, AnarckhieBoldItalic, AnarckhieDecayed, AnarckhieItalic, AnarckhieJiggled, AnarckhieRagged, AnarckhieShadow, AndrewAndreasBold, AndrewAndreasPlain, AndrewAndreasXBold, Andrew Andy College (athletic lettering), AndrewAndyKactus, AndrewAndyStencil, AndrewAndyStencilBold, AndyEight, AntsyPantsy, ArgentBobSquish, Argenta, ArgentaBobbWig, ArgentaBobbed, ArgentaBold, ArgentabObbed, Asterx-Regular, Asterx, Auldroon-Regular, Auldroon (blackletter), AndrewAndyKactus, AntsyPantsy.
• B: Baker Half (2004, an experimental hexagonally designed family), Balboat-Regular, BalboatBold, BalboatPlain, Barefoot, BaumSquiggle, Baumfuss-Regular, Baumfuss, BaumfussTwo-Regular, BaumfussTwo, BearButteTBold, BearButteTBoldItalic, BearButteTItalic, BearButteTPlain, BearButteTSpecial, BeastlyFont, Bene, BeneCryptExtrude, BeneCryptine-Regular, BeneCryptine (blackletter), BeneCryptineDistorted, BeneScriptine-Regular, BeneScriptine (blackletter), BetterEuroika, BetterEuroikaBold, BetterEuroikaBoldItalic, BetterEuroikaHybrid, BetterEuroikaHybridBold, BetterEuroikaItalic, BetterIngriana, BetterIngrianaBold, BetterIngrianaBoldItalic, BetterIngrianaHybrid, BetterIngrianaHybridBold, BetterIngrianaItalic, BetterKamp, BetterKampBold, BetterKampBoldItalic, BetterKampItalic, BetterTypeRightBold, BetterTypeRightBoldItalic, BetterTypeRightItalic, BetterTypeRightMedium, BetterTypeRightPlain, BetterTypeRightThin, BetterTypeRightThinItalic, BetterTypeRiteSpec, BetterTypeRiteSpecBold, Big-Regular, BigBottom, Bigtop-Regular, Bigtop, Bilevel, BiteOfApple, Bizaro, BizaroRES, Blockboys, Bluster Left, BobsExtraPictures, BobsStandardChess, Bouncer, Bowling, BringInTheFrowns, Brrrrr-Regular, Brrrrr, BuggyFont, BumberShoot.
• C: Cennerik-Bold, Cennerik-Regular, Cennerik, CennerikBold, CennerikEBold, CennerikExtraBold, CennerikPlain, CennerikSpiked, CennerikXBold-Bold, ChainLetterOne, ChainLetterTwo, CheckMateRES, ChessNut, ChessNutTwo, Chessterton, ChesstertonTwo, Circlet, CoffeeMug, CompassOne, CompuTerBuggz, ConcavWarp, ConcavexCaps, ConcavexCapsWave, ConcavexStepper, CoughingNails, Court-Regular, CourtGesture, CourtJesterFrizzy, CrippledFont, CuthbMangle, CuthbeNick, Cuthbert.
• D: DavidBurry, DavidFarewell, DavidFarewellBold, David Farewell Stencil, Dear John, Demotte-Bold, Demotte-Regular, Demotte, DemotteBold, DemotteWarp, Dinner-Regular, Dinner, Dottie, DrivEddie, Dschoyphul.
• E: EdsDream, EdwardEdwinBold, EdwardEdwinPlain (1994, copperplate script), Eldroon, Erkball, ErkballBold, Euroika-Bold-Italic, Euroika-Bold, Euroika-Italic, Euroika-Regular, EuroikaBold, EuroikaBoldItalic, EuroikaItalic, EuroikaKamp, EuroikaKampBold, EuroikaKampBoldItalic, EuroikaKampItalic, EuroikaRoman, Euroika, Eyebel, EyebelBold, EyebelRuff.
• F: FansiPensle (1990, connected signage script), FansiPensleBold, FansiPenslePlain, FansiPensleTwo, FansiPensleTwoBold (1990), FansiPensleTwoPlain, Febdrei, FebdreiBold, Federhozen-Bold-Italic, Federhozen-Italic, Federhozen-Regular, Federhozen, FederhozenBold, FederhozenBoldItalic, FederhozenItalic, FederhozenPlain, FeggoliteDancing, FeggoliteDancingItalic, FeggoliteHatched, FeggoliteKeyed, FeggoliteMonoBold, FeggoliteMonoPlain, FeggoliteRuffled, Fezdaz, Fishhook, FiveOhOne, FiveOhTwo, FlagDayFour, FlagDayOne, FlagDayThree, FlagDayTwo, Fly High, FlyHighBold, FlyHighBoldItalic, FlyHighItalic, ForTheBirds, FourJuly, FourJulyG, FourJulyH, Framo-Regular.
• G: GLitzy, GLitzyBarbed, GLitzyPlain-Regular, GLitzyStripe, GLitzyVStriped, Galexica-Bold-Italic, Galexica-Bold, Galexica-Italic, Galexica-Regular, Galexica, GalexicaBold, GalexicaBoldItalic, GalexicaExtraBold, GalexicaItalic, GalexicaMono-Bold, GalexicaMono-Regular, GalexicaMono, GalexicaMonoBold, GalexicaMonoPlain, GalexicaPlain, GalexicaXBold-Bold, GlitzyCurl-Regular, GlitzyCurl, GlitzyFlash-Regular, GlitzyFlash, GlitzyJewel-Regular, GlitzyJewel, Gothamburg (blackletter), GothamburgBold, GothamburgShadowed, GothicHorror, GothicRock, GranCanaries, GrancMitSripes, GrandecortBold, GrandecortHoly, GrandecortMedium, GrandecortShadow, GretchenHelloBold, GretchenHelloPlain, Grundee.
• H: Hammered, HandanaBold, HandanaPlain, HandmadeFont, HeartMatrixed, Hermainita, HermainitaBold, HermainitaPlain, HeyPumkin, HippityDippityBold, HippityDippityInline, HippityDippityPlain.
• I: IanSegoe, IggoliteMono, IngBurried, IngDingLeftover, Ingone, IngoneSaw, IngoneShadow, IngrianEuroikHybrid, IngrianEuroikHybridBold, IngrianEuroikaH, IngrianEuroikaHBold, IngrianEuroikaHBoldItalic, IngrianEuroikaHItalic, Ingriana, IngrianaBold, IngrianaBoldItalic, IngrianaCasual, IngrianaCasualBold, IngrianaCasualBoldItalic, IngrianaCasualItalic, IngrianaCasualPlain, IngrianaExtraBold, IngrianaItalic, IngrianaPlain, IngyArrows, IngyArrowsTwo, IngyDingThree, IngyDings, InsideLetters, InternationalMorseCodeIT, IrritationOne, IrritationTwo.
• J: JabcedHy, JabcedHyBold, JabcedHyBoldItalic, JabcedHyItalic, JasperSqueeze, JasperSqueezeBold, JasperSqueezeBoldItalic, JasperSqueezeEB, JasperSqueezeEBItalic, JasperSqueezeItalic, JenneriCurved, Jennerik, JennerikBold, JennerikExtraBold, JennerikInfml-Bold, JennerikInfml, JennerikInfmlBold, JennerikInfmlExtraBold, JennerikInfmlPlain, JennerikInfmlXBold, JennerikRoman, Jester, JesterRES (Tuscan), JesterTwo (Tuscan), Jestres, JetJanBoldItalicGray, JetJaneButton, JetJaneMonoBold, JetJaneMonoBoldItalic, JetJaneMonoCapsBold, JetJaneMonoCapsPlain, JetJaneMonoCapsThin, JetJaneMonoItalic, JetJaneMonoPlain, JetJaneMonoThinBook, JetJaneMonoThinItalic.
• K: KampFriendshipBold, KampFriendshipBoldItalic, KampFriendshipItalic, KampFriendshipPlain, KampIngrianaH, KampIngrianaHBold, KampIngrianaHBoldItalic, KampIngrianaHItalic, KampIngrianaHybrid, KampIngrianaHybridBold, KampRipple, Karlisbad, KiddyChessFont, KlipJoint, Knaudens-Regular, Knaudens, Kneebls, KneeblsBold, KneeblsExtruded, KneeblsPlain, KneeblsRuffled, KneeblsThin, KnewFont, KnewFontBold, KnewFontJagged, KnewFontPlain, KnewFontWaisted, KnewFontWaistedBold, KnightMares, KolSpotted, KolStriped, KolkFizzy, Kolkman-Bold, KolkmanDimly, KolkmanGray, KolkmanShatter, KolkmanStriped, Kwersity, KwersityBold, KwersityWider, KwersityWiderBold, Kwodsity, KyhotaBarbed, KyhotaOne, KyhotaTwo.
• L: LaserTrain, LaserTrainBold, LastBigFling, LastBigFlingBold, LastMinuteChess, Laudens, LeakorLeach, LeakorLeachLeft, LeefMeAlone, LeefMeAloneHoles, LeekorLeech, Letrinth, LetterTrain-Regular, LetterTrain, LetterTrainBold, LetterTrainBoldItalic, LetterTrainItalic, LetterTrainPlain, Lettergical (1994, blackletter with Lombardic capitals), LettergicalWave, LetunicalBold, LetunicalInline, LetunicalNormal, LetunicalShadow, LetunicalWarp, Library-Italic, Library-Regular, Life After College (2008, athletic lettering family), LineDrive, LineDriveBold, LineDriveOutlined, LineDrivePlain, LineDriveShadow.
• M: MITuscan, MMCheckered, MMDrawings, MMPattern, Mangaled, Masheen (1990, octagonal font), MasheenBold, MasheenConvicted, MasheenFlag, MasheenIIID, MasheenOutlined, MatthewTwo, MattsFastFont, MedicineShelf, MedievalGunslinger, MedievalGunslingerShadow, Minimalist-Regular, Minimalist, Minniesoda, MinniesodaBold, Modsten-Bold, Modsten-Regular, Modsten (stencil, 1990), ModstenBold, ModstenRoman, MoreTexture, MousyFont, MushmellowBold, MushmellowCactus, MushmellowOutline, MushmellowPlain, MuskitosCaps, MuskitosCapsShadDown, Myhota, MyhotaBarbed, MyhotaBold, MyhotaHatched, MyhotaHatchedBold, MyhotaPlain, MyhotaWithSpikes.
• N: NailsNStaples, NairobiNormal, NeedALilly, NerdishHex, NerdishHexBold, Neu Altisch (blackletter), NeuAltischBold, NeuAltischGray, NeuAltischPlain, NeuAltischShadLeft, NeuAltischShadow, NeuAltischWormEaten, NeuropolMedium, NewLaudens, NewLibrary, NewLibraryItalic, NewNerdShadowed, NewNerdishBold, NewNerdishPlain, NewNerdishThin, NoPainRight, NoPainRightBold, NopainLeft, NopainLeftBold.
• O: OakParkAve, OakParkAvePlain, OakParkBlvdPlain, OakParkExtruded, OakParkSpeckled, OakParkSquaRe, OakParkZiggy, OakParksTripped, Old Harold Ree (1992, a modification of PhederFract, which was a calligraphic fraktur face also by Schenk), OldHaroldReeBold, OldHaroldReePlain, Onyon (1997).
• P: PastedWarp, PattyDay, PawnShop, Pedestrian, PencilFat, PencilIn, PencilOut, PensleCaligraf-Bold, PensleCaligraf-Regular, PensleCaligraf, PensleCaligrafBold, PensleCaligrafPlain, PeterPierreBold, PeterPierreCondensed, PeterPierrePlain, PeterPierreXBold, Pheder Frack (blackletter), PhederFrackBold, PhederFrackDtsh, PhederFrackDtshBold, PhederFrackDtshThin, PhederFrackPlain, PhederFrackShadowed, PhederFrackThin, PhrackCack, PhrackSle, PhrackSleBold, PhrackSlePlain, Phraxtured (blackletter), PhraxturedDeutsch, PhraxturedPlain, PhraxturedShadowed, Phyngern, Pigknot, PigknotBold, PlainPensle, PlainPensleBold, PlainPensleBoldItalic, PlainPensleItalic, PlainPenslePlain, PlainPensleXBold, PlainPensleXBoldItalic, Porker, PorkerGrey, PutMyFootDown, Pzytupid.
• Q: Qualettee, QualetteeBold, QualetteeMedium, Quatsity, Quidic, QuidicHatched, QuidicHoley, QuidicItalic, QuidicRoman, QuidicShotUp, Quirtly, Qwatick (1992), QwatickBold, QwatickPlacard.
• R: Ranger (1996, octagonal), RangerWider, Rankensteen, Rataczak-Regular, RataczakBold, RataczakBoldItalic, RataczakCandied, RataczakCondItalic, RataczakCondPlain, RataczakExtraBold, RataczakItalic, RataczakRoman, RataczakSwash, Rauchens, Razephu, Red-Regular, RedLetter, Renslaer, RoomingHouse, Rosary, RosaryBold, RoundUp, RoundUpBold, RoundUpShadow, RoundWhy, RoundWhyBold, RummageSaleOne, Rumpled, RundigPencilBold, RundigPencilMedium, RundigPencilNormal, Rundigsburg (1994), RundigsburgBold, RundigsburgMedium, RundigsburgPlain, RundigsburgShadowLeft, RundigsburgShadowRight.
• S: SafetyPinned, Salloon, SalloonAStripe, SalloonCracked, SalloonHStripe, SalloonStripeBottom, SalloonStripeEnds, SalloonStripeMiddle, SalloonStriped, Saloon-Regular, SaloonExt, SaloonFrilled, Sansville, SansvilleBold, SarahfSlob, SarahfSlobItalic, SchneeFlaken, SchneeFlakenTwo, Screwged, Sdrawkcab-Regular, Sdrawkcab, Seasick, SeasickBold, SeasickMirror, SeasickMirrorBold, SeasonsGreetings, SeederChess, SeederChessSmall, Sergury, Serpent-Regular, ShadyCharacters, ShirlyUJest, SimpleChessFont, Sirpent, Skagwae, SkagwaeMono, Skigway, SkwareDots, SlimpiSquares, SmokeHausShadow, SmokeHaus (1998), SmokeHouseRough, SmokeHouseShatter, SmokeHouseWave, Spicandspan, SquiggleRES, SquiggleRESBold, Stamper, Substance, SusiScript, SusiScriptBold, SusiScriptPlain, Swanville-Regular, Swanville, Swirlity, SwirlityBold, SwirlityScript, SwirlityText.
• T: Tescellations (2012), Tessie Dingies (2012), TOCinRings, TRGrunge, Tacky (2005), Talloween, TapedUp, Teapot (1999), Teethee, TexturesOne, TiedUp, Tieroh, TierohBold, TierohSans, TierohSansBold, Tinkerer, TiredOfCourier, TiredOfCourierBold, TiredOfCourierBoldItalic, TiredOfCourierItalic, TiredOfCourierPlain, TiredOfCourierThin, TiredOfCourierThinItalic, ToothBrush, TootsieBold, TuskcandyBold, TuskcandyInline, TuskcandyPlain, Twigglee-Regular, Twigglee (1990, inspired by the hand lettering on the plates in a 19th century book on ornaments by Owen Jones), TwiggleeBold, TwiggleePlain, TwiggleeWarped, TwoTonedStoned.
• U: UUeirdieBold, UUeirdieRoman, UUeirdieWarp, Unikled, UnikledBold, UnikledPlain, UnikledSpotted, UnivoxAtomLight, UpsideDown, UrbanScrawl.
• V: ValManGal, Valenteena, ValenteenaBroken, ValentinaContour, Valentine-Regular, Valgal, ValgalBold, Vglee, VunderScriptBold, VunderScriptPlain.
• W: WalcomeOne, WalcomeOneBold, Watchmaker, WatchmakerBold, WaterCloset, WaterWorksCaps (1992), WaterWorksCaps-Bold, WaterWorksCaps-Regular, WaterWorksCapsBold, WaterWorksCapsPlain, WeirdChessFont, Wetetque (1991, an all caps multiline family), WetetqueBold, WetetquePlain (1991), Whichit, WhichitBold, WhichitTwo, WhichitTwoBold, WrenchedLetters, WurstCactus, WurstHassen, WurstchenDotted, WurstchenOutlined, WurstchenSplatted, WyomingMacroni, WyomingMacroniPegged, WyomingMacroniShadRight, WyomingMacroniShadowed, Wyoming Pastad (1994, Western slab face), WyomingPastadShadLeft, WyomingPastadShadowed, WyomingSpaghettiBold, WyomingSpaghettiPlain, Wyoming Strudel (Far West type).
• X: XBobsExtraPictures, XBobsStandardChess, XChessNut, XChessNutTwo, XChesstertonTwo, XCompuTerBuggz, XGalaxies, XGalaxyOne, XIngDingLeftover, XIngyArrows, XIngyArrowsBetween, XIngyArrowsTwo, XIngyDingIII, XIngyDingTwo, XIngyDings, XInterntnlMorseCodeIT, XKiddyChessFont, XKnightMares, XLaserTrainBold, XLaserTrainPlain, XLastMinuteChess, XLeef Me Alone (leaf dingbats), XMMCheckered, XMMDrawings, XMMPattern, XMattsAnimalsOne, XMoreTexture, XPatColumRow, XPatCzeckerz, XPawnShop, XPhyngern (fists), XPointedDesert, XRoomingHouse, XSchneeFlaken (1995), XSchneeFlaken, XSchneeFlakenTwo, XSeederChess, XSeederChessSmall, XSimpleHands, XStarPieces, XStarsAndStripesOne, XStarsAndStripesTwo, XStellaStern, XStellaSternBright, XSternStellaNight, XTexturesOne, Xahosch, Xaltid, XaltidBold, XaltidPlain. The X fonts are predominantly dingbats.
• Y: YahoschBold, YahoschMedium, YahoschPlain, YahoschWormy, YngreEBStripe, Yngreena, YngreenaBold, YngreenaBoldItalic, YngreenaExtraBold, YngreenaItalic, YngreenaPlain, Youbee, YoubeeBold, YoubeeBoldItalic, YoubeeItalic, YoubeeShadow.
• Z: Zarrow-Regular, Zarrow, ZcriptBold, ZcriptPlain, Zebraw, ZebrawOS, ZimpleBlack, ZirkStressed, ZirkleOne-Bold, ZirkleOne-Regular, ZirkleOne, ZirkleOneBold, ZirkleOneRoman, ZumbelsburgBold, Zumbelsburg (blackletter, 1996).

Klingspor link. Dafont link. Abstract Fonts link.

View Robert Schenk's typefaces. View Ingrimayne's typeface library. [Google] [MyFonts] [More]  ⦿

Intellecta Design
[Paulo W]

Design company in Brazil run by Paulo W (b. 1970) from Recife. Paulo W is a gaúcho (Brazilian southerner), with interests in multiple areas, including poetry (he has published the digital opus Magical Book), graphic design and, most recently, type design.

Dafont link. MyFonts. MyFonts link. Abstract Fonts link. YWFT link. Behance link. Blog. Home page. Fonthaus. Monotype. Eshops. Facebook. Flickr. Klingspor link. Wordpress. Devian tart. T26. Linkedin. Identifont. Linotype. ITC. Faces.co. His typefaces:

• Free fonts: CornPop Three (borders), Too Good To Be True (2013, retro script), Blanchard Inland (2013), Living Together (2013), Arresto (2013, brush script), Hertziano (2013, non-connected fat script), Japanese Tourist (2013), Nouveau Never Dies Free (2013), The Beat Goes On (2012, fifties script), Stencix (2012), Figgins Brute Trash (grunge), Fontaniolo Beveled (2011, ornamental caps), Czech Gotika (2011), Random Dingbats (2011), Victorian Free Ornaments (2011), Rustic (2011), Armorial (2011), Woman Silhouettes (2011), The Nile Song (2010, hieroglyphics), Smith Typewriter (2009), Sign Flags (2010, semaphore dingbats), Senectus Morbus (2010), MesoAmerica (2010, Indian symbols), ClassicSketches (2010, dingbats), Columns (2010, dingbats of Greek and Roman columns), EasyCuneiform (2010), EasyLombardicTwo (2010), EasyOpenFace (2010, blackboard bold style), Egidia (2010), Significante (2010, dingbats with, e.g., gender symbols), WhiteDominoes (2010, domino pieces), Easy Heraldics (2010), Intellecta Heraldics (2010), Heraldic Devices (2011), KidingsFree (2010, dingbats), RoughTuscan (2010), The French (2009, Fleur de Lys dings), AprendizCaligrafico (2010), Volitiva (2006, Trajan caps and chancery lower case, all based on work by Ludovico Vicentino Arrighi), Gaivota (2006), KurrentKupferstichThin (2006), PaulKlein (2010), PaulKleinTwo (2010), PortuguesArcaicoLectura (2005), ReproxScript (2009, based on Jerry Mullen's Repro Script from 1953-1954), RickGearyHomage (2007, scanbats), WestBalaio (2006, ornamental caps), Corto Maltese (2006, scanbats), Renaissance Coiffure (2006), Renaissance Ornaments (2007), Renaissance Shoes (2012, free), TTF Tattoef (2006, tattoo-inspired dingbats), ExperiTypo5 (2006), Lower Metal (2006), Geometric Serif PW (2006), Geometric (2006), Geometric Petras PW (2006), War II Warplanes (2005), Carbono (2005), Times New Vespasian (2005), BoldBold (2005), Vengeance (2005), Doppleganger (2005), Chancelaresca (2005), Cursivo Saxonio (2005), Gotische Minuskel 1269 (2005: a Kanzlei Schrift after Dekan Hermann zu Soest, 1269) and Guto Lacaz (2005, dingbats).
• Richard Gans revival project: Gans Tipo Adorno, Gans Lath Modern, Gans Titular Adornada (2006), Gans Ibarra (2006), Gans Antigua (2006), Gans Antigua Manuscrito (2006), Gans Radio Lumina (2006), Gans Fulgor (2006), Gans Carmem Adornada (2006), Gans Italiana (2006, extensive Italian-style slab serif family), Gans Titania (2007), Gans Titania Adornada (2007), Gans Titular (2007), Gans Gotico Globo (2007: 9 styles by Iza W), Gans Royality (2007: 3 styles by Iza W), Gans Headpieces (2008), Gans Rasgos Escritura (2010: filets---followed in 2011 by Rasgos Escritura Nuevos), Gan Esquinazos (2010, frames), Gans Blasones (2010, shields), Gans Neoclassic Fleurons (2008), Gans Classical Fleurons, Gans Ding.
• Wood-inspired faces: Dead Wood Rustic (2007), Taranatiritza (5 wood type styles, after William Hamilton Page), Majestade (2007, by Iza W---two Tuscan style faces), Decorative Tuscanian (2007), Concave Tuscan (2010, wood type), Palermo (2007, by Iza W---Tuscan style family), Teatro (2009, Tuscan), Bruce Double Pica (2009, Tuscan; the Beveled weight is free), Antique Extended (2010, slab serif wood type), Dark Wood (2009, gothic), Dark Wood Beveled (2011).
• Charles Bluemlein's script revivals: Bluelmin Kisaburo (2013), Bluelmin Ralph (2012), Bluelmin Ronald (2012), Bluelmin Sandsfort (2012) and Bluelmin Benedict (2012). (2012).
• Blackletter: Salterio (2012, +Trash, +Three, +Gradient, +Shadow, +Shadow Two), Leothric (2011, bastarda), Bruce 532 Blackletter (2011, after George Bruce), Schneider Buch Deutsch (2007, +Trash, +Shadow, +Shadow Two), Schneidler halb fette Deutsch (2009, +Beveled), Schneidler Zierbuchstaben, Hostetler Fette Ultfraktur Ornamental (2007, blackletter caps), Gothic 16 CG (2007), Gothic 16 CG Decorative (2007, blackletter caps), Schneidler Grobe Gotisch (2008, Iza W, T-26), Allerlei Zierat (2008, ornament fonts based on a 1902 catalog of Schelter & Giesecke), Allerlei Zierat Capitals (2007), Psalter Gotisch (2009, a blackletter after the Benjamin Krebs blackletter face by the same name, ca. 1890), Münster-Gotische (2009, a blackletter family after a 1896 face by the same created by Schelter&Giesecke), Koberger N24 Schwabacher (2007), Student's Alphabet (2007, blackletter), Like Gutemberg Caps (2007), Nürnberg Schwabacher, Gotische Frame (2007: four framed blackletter styles by Iza W), Gotische (2007: ten ornate blackletter styles by Iza W), Gothic Garbage, Gothic Shadow, Gothic Trashed, Gothic Flourish (2009), Gotica Moderna (octagonal, blackletter), AltDeutsch (2007, four severe blackletter fonts by Iza W), Fin Fraktur, Gotische Bouffard, Heimat RGS, Gothic Handtooled Bastarda (2006), HostetlerFetteUltfrakturOrnamental (2007, blackletter caps), Gothic Handtooled Bastarda (2006).
• Historical revivals: Pantographia (2010: a digitization, as is, of several alphabets from Edmund Fry's Pantographia, 1799), Caslon2000, Caslon B, Delamotte Large Relief (2010), Figgins Brute (2007: 8 heavy Egyptian styles by Iza W based on Figgins' 1817 specimen book), Erased Figgins Brute (2007), Gras Vibert (2007, a didone family; followed by Gras Vibert Two in 2009).
• Erotic or human alphabets: American Way of Life (2011), Roman Silhouettes (2011), Silvestre Weygel (2007, named after Martin Weygel'a erotic alphabet from 1560, which in turn was based on Peter Flötner's 1534 alphabet), Gravure (caps face made of human silhouettes), Innocence (2007, dingbats of girls).
• Medieval chancery hand: Portugues Arcaico (2005, three medieval handwriting styles), Kurrent Kupfertisch (2006, a medieval hand done with Fernanda Salmona), Dovtrina Christam 1622 (authentic old manuscript face), Catania (2007, exquisite medieval caps in 3 styles by Iza W).
• Typewriter faces: Remix Typewriter (2012), Smith Trash (2012), Neo Bulletin (2010, +Trash), Remington PW (old typewriter face), Olivetti Linea (old typewriter face), Erased Typewriter 2 (2007: 4 styles by Paulo W), RIP Typewriter (2009), Shadow Typewriter (2007), Underwood Typewriter (by Iza W).
• Calligraphic: Bradstone Parker Script (after Zaner's penmanship), Jan van den Velde Script (2011, based on the penmanship of Jan van den Velde as illustrated in vna den Velde's 1605 book Spieghel der schrijfkonste; developed jointly by Paulo and Iza W), Penabico (2010, with Iza W); Penabico is a free interpretation of the copperplate script styles to be found in the Universal Penman, London, 1741, by George Bickham---it contains over 1500 calligraphic glyphs and 250 ornaments. Samples of Penabico: i, ii, iii, iv, v, vi, vii, viii, ix), Easy Calig, Intellecta Mixed Script (2008), Spencerian Constancia (2008), Calligraphia Latina Soft4 (2010, quilled ornaments), Intellecta Script commercial (2009), Spencerian By Product (2009), Spencerian Palmer Penmanship Pro (2010), Indenture English Penman (2010), Calligraphia Latina (2008-2010, in weights called Soft2, Dense, 3, Soft4, Mixed, Square Edition).
• Victorian, Edwardian: Engel (2007, by Iza W in 15 styles that have a 1870s look), Compendium (Victorian), Costado (2009, a Victorian / Western face).
• Ornamental caps: Doppel Mittel Lapidar Azure (2012), Musirte Antiqua (2012), The House of Usher (2012), Peterlon (2012), Dolphus Mieg Alphabet (2011, +Two), Dolphus Mieg Monograms (2011), Human Nature (2011), English Arabesque Revival 1900 (2011), Imprenta Royal Nonpareil (2011), XVI Century Shaw Woodcuts (2011), Ichweis Caps (2011), Cherubim Caps (2011), Rara Beleza (2011), Gothic 1880 Revival (2011), Angelicaps (2010), Unnamed Caps Two (2010), VertiCaps (2010) Rebimboca Caps (2010), Rebimboca Beveled (2012, free), Rebimboca Gradient (2012, free), Rebimboca Trash (2012, free), Rebimboca Outlined (2012, free), Republica Presente (2010), Speedball Metropolitan Caps (2010, after a design by Ross F. George), Nice Initials (2010), Morphelic (2010), DurerGotischCapitals (2010), Egmontian (2007, ornamental caps family), Saducismus Triumphatus (ornamental caps), Vogus (Victorian caps), Victorian Ornamental Capitals (2009) and Frompac 1889 Arabesque (2007) [both are classical arabesques published in Ludwig Petzendorfer's Schriften-Atlas. Eine Sammlung der wichtigsten Schreib- und Druckschriften aus alter und neuer Zeit nebst Initialen, Monogrammen, Mappen, Landeskarten und heraldischen Motiven fur die praktischen Zwecke des Kunstgewerbes, 1889], Lettrines Petin (+Ornée), Numa Initials (2006), Gradl Initialen, Vampirevich (2009, ornamental caps), Paulus Franck 1602 (2006, ornate caps), Geodec (2006, baroque caps), HostetlerFetteUltfrakturOrnamental (2007, blackletter caps), Cadels (2007, ornate caps by Iza W), Manuscript XIV Century (2007, by Iza W--four Lombardic caps), Merona (2007, by Iza W--ten Lombardic caps fonts), Selena (2007, by Iza W---ornate Victorian caps), Leyenda (great Victorian era ornamental caps), Mixed Capital Style (2007, caps), Lenda (2008, capitals), Kidnaped at Old Times (2008, ornamental caps, ransom note style), Mortised Capitals, Is Not ABrazilian Font (handprinted blackboard bold caps), Robur The Conqueror (2009, ornamental caps), Georgia Capitals (2009), Decadence avec Elegance (exaggerated ornamental caps).
• The American Advertise series: American Advertise No. 9 (2008), American Advertise No. 17 (2007, 19th century caps), American Advertise 018 and 019 (2008), American Advertise Square Series (2007), American Advertise 003 (2012), American Advertise 004 (2010), American Advertise 005 (2010), American Advertise 006 (2010, alphadings), American Advertise 007 (2010, ornamental caps).
• Ornaments, fleurons: Unpublished Ornaments Two (2013), Classix (2012), Cornucopia of Dingbats (2012, +Two, +Three, +Four, +Five, +Six), Cornucopia of Ornaments (2013; +Two, +Three, +Four, +Five, +Six, 2014), Cornucopia Caligrafica (2012), Vintage Hands (2012), Human Silhouettes (2012; +Free, 2013; +Two, 2013; +Human Silhouettes Three, 2013; +Four, 2013; +Five, 2014; +Six, 2014; +Seven, 2014), Easy Fleurons (2012), Floreale Two (2012), Neoclassic Fleurons Free (2011), Calligraphic Frames Soft (2011, +Two), Jugendstil Flowers Free (2011), Easy Ornaments (2011), Blasons (2011), Blasons Free (2012), Armorial (2011), Monograms Soft (2010, with Iza W), Easy Tiles (2010), Free Tiles (2010), Rough Fleurons Two (2010), Vegetable Breath (2010), Corn Pop Plus (2010), Mortised Fleurons (2010), Mortised Ornaments (2011), Mortised Ornaments Free Two (2013), Golden Times (2010), Stahlhelme und Kronen (2010), Rough Fleurons (2006), Nouveau Never Dies (2009, ornaments), GeodecBruceOrnamented6 (2006, after a sample from the Bruce Type Foundry), Grave Ornamental (2006), BlackOrnaments (2008), Hera Hedelix (2009, ornamental tiles), Mortised Ornaments (2009), Soft Fleurons (2007), Half Flower (2007), Frames 1 (2007, by Iza W), Flower Essences, Micro Fleurons (2009), Naturella (2009, leaf and grape dingbats by Iza W), Black Fleurons (2010), Easy Fleurons Two (2011), Intellecta Borders (2008, by Iza W), Intellecta Style (2007, borders).
• Fonts made before 2007: Brute Aldine (2007, Western family), Bad Situation (2007, after a design by Freeman Delamotte from 1864), Benjamin Franklin (2007), Geodec Petras Enhanced (2006), Deutsche Poster (2006), FatFontGrotesk (2006), Orchis (2006, an art deco family by Iza W), Fantis (2006), Frompac (2006, with Iza W), Geodec Fog (2006), Intellecta Modern (2006), Intellecta Modern 2 (2006), Intellecta Romana Humanistica (2006), Advantage (2006, together with Iza W), Biza (2006, together with Iza W), Elegancy (2006, together with Iza W), Estiliza (2006, a sans family together with Iza W), Experitypo 4, Stairway to Heaven, Copperplate PW, Dings PW, Roger Dean, Gliphs PW, Luxeuil, Watchtower Bible 1965, Gabinete Portugues (11 fonts), Elara (2009), Xilografuras (dingbats), Beta, Alta, Paleolitica Nacional, Shakespeare Studs, Copperplate collection (5 fonts), Wine, Ampersamp, James Poem, Leal Conselheiro, Haeckel Enygma, Iza B, Of, Lementa (2006, ornate family), Pirates (dingbats), Wire Clip (2009), Divina Proportione (2009, dingbats), Tharagaverung (2007), Correo (2009, a nice manly bold face), Titivilus (2007, Roman lettering), Pirates De Luxe (2007, dingbats), Geodec Minuskel (2006), Geodec Spyral (2006), Copperplate Decorative (2006), Feosa (2006), Francesco Decorative (2006, Iza W), Geodec Petras Enhanced (2006), Ibarra Flourished (2006), Intellecta Decorative 017 (2006), Intellecta Decorative 018 (2006), Intellecta Slab Bold (2006), Kansas Decorative (2006), Pingente (2006), Sixties Living (2006), Caractere Doublet (2007), DeutschePosterSteinschrift (2007; by Iza W), GP Casual Script (2007), Colonia Portuguesa (2007), Contouration (2007), Deco Experiment 3 (2007), Floresco (2007), Flower Jars (2007, by Iza W---a very nice idea), Frutisis (2007), Intellecta Monograms (2007: 19 monogram fonts by Paulo W), Intellecta Monograms Random Sample (2012-2013: several typefaces), Peloponeso (2007, by Iza W), Porcupine (2007, by Iza W), Southern Flight (2007, by Iza W---condensed), TTF TTTOEF 4 (2007, by Iza W---dingbats), GeodecBruceFlourished, HostetlerNormande, Victorian Ultra Parphernalia (2007), Angels (2007), Angels Free (2013), Mondrongo (2007), Oorlog (2007).
• Fonts in 2008: Das Riese (3d engraved caps, +Shadow), Economica (sans, T26), Antiqua Double 12, Bad Baltimore (+Beveled, +Typewriter), Calligraphia Latina (2008-2009, in weights called Soft2, Dense, 3, Mixed, Square Edition, Free), Fry's Alphabet, Grissom (bug dingbats, by Iza W), Latinish (by Iza W), Lettering Deco (by Iza W), Litho Romana Inland, Quadratta Serif (a slab serif by Fernando Diaz), TTF TATTOEF 7 (by Iza W).
• Fonts made in 2009: Eingraviert (engraved; scans: i, ii, iii), Eingraviert Beveled (2011), Greko Roman Oldstyle, Ortodoxa do oriente, Sans Square, Speedball (by Iza W, Victorian style), Speedball Western Letters (after Ross F. George's lettering), Elara (2009), Intellecta Roman Tall, Force Brute & Ignorance, Sunamy Caps, Starret, The Pilgrim (alphadings), Renaisperian (alphadings), Real Caps Two, Mateus Bold (4 bold styles), Intellecta Crafts (arts and crafts family), Bruce 1490, Bradley Dingies (five dingbat faces, after William H. Bradley), Allerlei Zierat Renaissance, Grave Plus, the grungy Monkey series (Victorian Monkey, Monkey Poesy, Monkey Messed Gutenberg Caps, Monkey Was Here, Monkey Insinuation, Monkey In The Middle Ages), Montezuma (dingbats), Grotesque and Arabesque, Calhambeque (old car dingbats), Eiger (2009, a 3d sketched headline face).
• Faces made in 2010: Polen, Pencraft (capitals were inspired in Swagger Capitals, an original design from Carl Stephen Junge, at Barnhart Brothers & Spindler; lowercase based Pencraft Specials, an ornamental variation of the Pencraft Oldstyle series, as displayed in the BBS catalog from 1922), Salamemingoe (children's hand), BarberPoles, Beware the neighbors (scary), BlackInitialText, CaligrafiaDivina, CornPop, CowboyHippie Pro, Grotesca3-D, Nardis, Senzacuore, Speedball Metropolitan Poster (2010, after a design by Ross F. George), TagWood, Tosca, TypographyTribute, Zooland, Bubbleboddy-Fat, bubbleboddylight-Light, Pretoria Gross (a Victorian family done with Iza W), Wood Font Five, Wood Font Four, Herr Foch (art nouveau), Rebimboca, Octagon French (a 3d beveled face due to George Nesbitt, 1838), Picuxuxo (retro futuristic, comic book style), Large Old English Riband, Ornamental Riband, Kidings (Dutch dingbats), Hostil (originally done in 2007: a headline family; followed by Hostil Shadow Two (free, 2012) and Hostil Gradient (free, 2012)), Grotesca, Heptagon French, Antiquariaat (condensed), Cortinado, Sanoxio (3d headline face), Violentia (grunge), Swirlies (spiral dings).
• Faces from 2011: Dia de los Muertos (fantastic skeletal masks), Inland Becker, Rasgos Escritura Nuevos, Jaggard (2007, a renaissance penmanship caps typeface modeled after Joachim Romann's Queen (1954-1956, Stempel)), Jaggard Two, Naive Ornaments Black, Augustus (+Beveled: roman letters), Sayonara (oriental simulation face; the Beveled style is free), Trash Barusa (inline ornamental face), Free Ribbons, Black Ornaments Three, Calligraphia Latina Soft 5, Heraldic Devices Premium, Ornate Blackboards, Benjamin Franklin Beveled, Baltimore Typewriter Beveled, Bernardo Beveled, Van den Velde Script (a free interpretation of the work of the famous master penman Jan van den Velde, found in the Spieghel der schrijfkonste, in den welcken ghesien worden veelderhande gheschrifften met hare fondementen ende onderrichtinghe (Haarlen, 1605)), Indenture English Penmanship, Penmanship Birds and Ornaments (2012), Beware The Neighboors Shadow (texture face), White Free (shadow face), Delamotte Large Relief Beveled.
• Typefaces made in 2012: Porosa, Presto, Derradeira (signage script), About Sweet Memories (brush script), Intellecta Ribbons, Irrelevante (beveled caps), Laus Sus Chris (Christian dingbats), Unpublished Ornaments, Heavy Squared Writing (brush face), Mezcla Titan, Sweet About (retro script), Publicité, Hard to read monograms, Free Medieval, Doctor Polidori (initial caps), Mixed Silhouettes, Glosilla Castellana Cursiva (inline type family), Sayonax (a textured version of the oriental simulation typeface Sayonara), Wood Stevens (free), Rockabilly (fifties script), Interdite Script (heavy calligraphic face), Prismatica (free), Cristalid (free prismatic face), Zed Leppelin (free), Neo Bulletin Outline (free), Neo Bulletin College (2012), Victorian Free Ornaments (+Two), Spanish Army Shields (+Two), Varius Multiplex, Stephens Heavy Titling.
• Typefaces from 2013: Face of Yesterday (calligraphic script), Ribbon in the sky, Dreamer (a flowing upright semi-connected script), Vorname (blackletter), Barocque Capitals, Close To You (a rabbit-eared script), Wappen (heraldic shields), Eletroz (hand-printed), Morcrepito (blackletter), Metropolitan Poster Black, Animal Solihouettes, Intellecta Pointers and Hands, The Loyalist (script), Vonnegut (a left-leaning script), Perhaps Love (left-leaning script), So Lonely (script), Exposition (upright script), Plaster of Paris (connected script), Volstead (connected script), Versitia (connected script), Porongo (heavy brush script), Fat Fantasy, Das Krieg (soldier dingbats), Corn Pop Two (ornamental corners), Corn Pop Four, Corn Pop Five, Astrodings, Vulnavia Sans (comic book face), Capitular Heraldica, Mirella Initials Ornamntals (a swashy calligraphic script; with Iza W), Carpete (retro script), Free Writer, Round Hand, Exclusivite (fifties script), Hertz Oscillations (fat retro script), Heavy Rock (fifties script), Raindrops (retro script), Ralph Walker (ronde), Exiles (retro signage script), Mr. Richmond Caps (art nouveau alphadings), Berengard Caps Two.
• Typefaces from 2014: Take a Pebble, Corn Pop Five (borders), Kidnapped at German Lands (ransom note font), Kidnapped at German Lands 2.