TYPE DESIGN INFORMATION PAGE last updated on Sat May 19 09:08:12 EDT 2012



Octagonal typefaces

Luc Devroye
McGill University
Montreal, Canada
lucdevroye@gmail.com
http://luc.devroye.org
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15shapes

Designer at FontStruct in 2008 of the blocky faces Fifteen Rounded, no15a and 15Square. [Google] [More]  ⦿

26plus zeichen
[Jakob Runge]

26plus, or 26+ is a foundry located in Kiel, Germany. It is a platform to present and encourage student-created fonts. One of those involved is Jakob Runge from Würzburg, Germany, a graduate of Fachhochschule Würzburg-Schweinfurt. He made the free condensed octagonal face Fracmetrica (2009). Dafont link. Additional URL. Other faces from 2009-2010 (all at 26plus-zeichen) include Singula, Edelsans (a geometric sans), Sinews (a manly sans which he compares with Klavika and Corpid), JJ Realis (a Swiss sans), Ugl-y (2010), Cojonna (2010; curly--an exercise on ball terminals), Capitalis Nova (2010, dot matrix family), Graphit (2010), Devion (2010, semi-angular serif face), Textrusion (2010, Escher-style trompe l'oeuil), Frgmt (2010, experimental), Samblone (2011, an Asian-look stencil face), TJ Evolette A (2011, with Timo Titzmann---a fashionable geometric grotesque caps family).

Klingspor link. [Google] [MyFonts] [More]  ⦿

A2 Type
[Henrik Kubel]

A2-Type (or simply, A2) is a type foundry set up in the autumn of 2010 by the London based design studio A2/SW/HK. The designers are Henrik Kubel and Scott Williams. A2's bespoke type design is mainly the responsibility of Henrik Kubel, though every typeface is developed and approved by both partners. Kubel is self-taught, making his first typefaces while studying at Denmark's Design School from 1992-97. Their typefaces:

Custom type by them include a masthead for Toronto Life (2010), a custom face for Weekendavisen (2007-2010), Design Museum London (2010), Faber&Faber (2009-2010), Afterall Publishing (2006-2010), Faulkner Browns Architects (2007), Penguin Press (2005), and Norrebro Bryghus (2005).

Klingspor link. [Google] [MyFonts] [More]  ⦿

Aaron Nicholls

Graphic design student at the University of Creative Arts, Epsom, UK. Worthing, UK-based creator of the sans family Static (2010). MyFonts link to his foundry and to his persona. He designed the monoline octagonal face Exogenetic (2010). Behance link. MyFonts link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Aaron Scamihorn

Aka Ron Lewhorn, a graphic designer, typographer and photographer in Indianapolis. Behance link. Creator of a piecewise linear octagonal counterless fat face, CockBlock (2009). [Google] [More]  ⦿

Abdul

Lebanese designer who created Beantown (2004, an athletic lettering font), Staubach (2004, an athletic lettering face based on the lettering of the Dallas Cowboys), Wagner Modern (2011), Kroftsmann (2004, on octagonal face), Kavelry (2004, based on the Kemper Insurance logo), 4th and inches (2008, rounded octagonal; based on the proprietary font used by Russell Athletic, makers of sports apparel as used by Georgia Tech BKB, Washington State, Alabama State, Tennessee State, Mississippi Valley State, and many others in college football), and PopWarner (2004, a Bank Gothic lookalike), Wagner Zip Change (grotesque), Richardson Fancy Block. Creator of some free soccer team lettering alphabets in 2010: Louisville, Puff Script, Red Raiders, Richardson Fancy Block, Wagner Zip-Change (based on grotesque signage letters), ACMilan2009, ASRoma, ChampionsLeague, England2007, MLSUniform, RealMadrid2009. About his GeauxXPDF face (2010), he writes: I had extracted a nearly complete set on this one a few years back, except for J and Z which I created on my own. As best I can tell, it only exists as an upper case font without most punctuation, so I created that too to make it more useable. I don't know how much LSU [Louisiana State University] paid for this design, but to me it always looked like something that Larabie or Iconian would have given away. He also extracted HDRadioAlphabet from a rounded Arial face he found on HD radio. His UScoreRGK (2012) is a blocky angular font used on-screen by Fox Sports. LCD Display (2012) is a 28-segment LED font.

See also here. Dafont link. Fontspace link. Another URL. [Google] [More]  ⦿

Abed Loutfi

French graphic designer Abed Loutfi created the octagonal face Antec (2011), the honeycomb-inspired Mecanorganic (2011) and the piano key face Muse (2011). [Google] [More]  ⦿

Abneurone Typografix (or: Abneurone Trauma Types)

French foundry on the margins of type society, obsessed with psychotherapeutic experiments, hyper-experimental, and indeed mental, typefaces. This outfit goes under various names. At FontStruct, where most of its fonts are produced, it is known as Neurone Error. At Dafont, it is known as Abneurone Fluid Types. Its commercial branch at MyFonts is called Abneurone Typografix or Abneurone Trauma Types.

Their first commercial fonts are ATT49 Fanfare, ATT48 Thrax, ATT47 Candies, ATT46 Exlixir, ATT45 Transfix, ATT44 X-Cute, ATT43 Small Proteus, ATT42 Childhook, ATT41 Arcane, ATT40 Lysergic4a, ATT39 Liquor, ATT38 Once Upon A Damned, ATT37 Innocence, ATT36 Kidding, ATT35 Bestiaire (2011), ATT34 Lysergic 2a (2011), ATT33 Koan (2011), ATT32 Faun Call (2011), ATT31 Paraphilia (2011), ATT30 Lysergic 1b (2011), ATT29 Mad Hatter (2011), ATT28 Minimori (2011), ATT27 Tripton (2011), ATT26 Lysrergic3a (2011), ATT25 Multicoloured Rythm (2011), ATT24 Swallow (2011), ATT23 Artlien (2011), ATT22 Dopamine (2011), ATT21 ABTOY (2011), ATT20 Rankle (2011), ATT19 Ink Lust (2011), ATT18 Overabundance (2011), ATT17 Ink Circus (2011), ATT16 The Orgians (2011), ATT15 For Whom The Bell Tolls (2011), ATT10 Stereo (2011), ATT11 Heterodoxa (2011), ATT12 Psilocybine (2011), ATT13 Sync (2011), ATT14 Prehisto (2011), ATT8 Human Decay (2011), ATT9 Eroded Eclosion (2011), AT4 Parallax (2011), ATT7 Medieval Sweet Shop (2011), ATT6 Detected Future (2011), ATT5 Hard Sync (2011), ATT4 Chalice (2011), ATT3 Outer Christ (2011), ATT2 Macpanic (2011), ATT1 Nimal Nimoy (2011), AT54 Intermezzo (2011), AT26 Metamorph Candies (2011), AT29 Dystrogonyx (2011), AG2 Placenta (2011), AT17 Farandole (2011), AT27 Innocence (2011), AT3 Nuclear Project (2011), AT38 Nanogonyx (2011), AT49 Neuromicr (2011), AT16 Faun Call (2011), AG1 Neuroticons (2011), AT55 Neo Geo (2011), AT36 Mad Hatter (2011), AT51 Pharmaceutic (2011) and AT5 Childhook (2011).

The FontStruct production in 2011: 00dot 5 TRANSFIX, 00dot 15 DYSTROPHIE POLYGONALE, 00dot 20 CURSED, 00dot 13 PARALLAX, 00dot 12 NUCLEAR TARGET, 00dot_7_nimal_nimoy, 00dot 17 SYNDROME F.K., 00dot 9 NEW TO, 00dot 6 DECLINE AND CODE, 00dot 3 ROBOX, 00dot 2 MINIDECO, 0dot 26 INKSECTS, 00dot 32 STEREO, 00dot 10 SMART PLAYGROUND, 00dot 33 FUTURE NOW, 00dot 23 BLING STREET, 00dot 4 TOXINE, 00dot 31 FAUN CALL, 00dot 19 ELIXIR, 00dot 30 DWARF LOGIC, 00dot 8 THRAX, 00dot 14 A NEW FORM OF BEAUTY, 00dot 22 HETERODOXA, 00dot 27 KIDDING, 00dot 21 INNOCENCE, 00dot 34 PICTORIAL ABUSE, 00ne Stretched Empty Cow (2011, a piano key stencil face), 00ne Empty Cow (2011), 00ne Medication (2011), 00ne Pills, 00ne Minipills, 00ne Stency, 00ne Neurelm, 000tag6 LYSERGIC, 000tag4 ROBOX, 000tag NUCLEAR WARFARE, 00ne dat / dot, 00ne Bat Kidding (+Stencil, +Stencil Quadrillé), 00ne Stencirc, 00ne Neurocirc Neue Deco, 00ne Neurocirc, 00ne Neurologo, 00ne Nutech, 00ne Nutech Black, 00ne Top Pix (+Clean), 00ne Not So Atroce Pixels (+Black), 00ne Videotech, 00ne Videotech Tamagochi, 0One Bad Video, 0One Exagg Superstrong, 00ne Blockollida, 00ne Minicut, 00ne Neuromoog, 00ne Exagg, 00ne XChurch, 00ne NeuroNeoq, 00ne Imprimante Matricielle, 00ne C64 NeurOOpart2, 00ne Heterodoxa, 00neZnorg, 00ne Znorg Heads, 00ne Zwrappearing (dotted and textured), 00neVideotech, A Present for Intaglio (2011, cloned from Intaglio's Wallachia), Inicial 1 (2010, an improvement of a face by Infotipografia), Neo Geo (2011), NE XS, NE 4x4 Technirement, NE Religious Migraine, NE Abtechre. NE Churching, NE Strange Light Pax Pact, NE Cellphone Cutie Punched Cards, NE Cellphone Cutie, NE Obl. NE Pax Pact, NE Pictorial Abuse, NE Charlie Chaplin Cybernetic Brains, NE Chaplin Cyborg, NE Unknown Remix, NE Neurofat, NE Neurocompressor, NE Neurocompressed Pictograms, NE Alien Orders, NE Filament Techneriment, NE Strange Light Pax Pact, NE The Eye, NE Moving Parallels, NE Alien Orders, NE Reordered Alien Orders, the NE New Newbix family, Parallax (2011).

Typefaces made in 2012 at FontStruct: AFT1 Heterodoxa, AFT2 Forbidden Apple, AFT3 Kidding, AFT4 Spacelab Parallax, AFT5 Detected Future, AFT6 Lysergic 2b, AFT7 Lysergic 2a, AFT8 Transfix, AFT8 Smart Kids, AFT10 Candies, AFT12 Neo Geo, AFT13 Arcane, AFT15 Hard Sync, AFT17 Cortech Hallucination, AFT18 Lysergic1b, AFT20 Abtech, AFT21 Bling Chief Story, AFT22 Ink Lust, AFT23 Faun Call, AFT24 Toying, AFT27 Fluffy Clown, AFT30 Koan, AFT31 Innocence, AFT33 ETPheuneHeume, AFT34 Neuromicr, AFT35 Tripton, AFT36 Intermezzo, AFT37 Rankle, AFT38 Dark Rankle, AFT39 Rankle Distone, AFT40 Smart Kids, AFT41 Smart Playground, AFT42 Lysergic 4a, AFT43 Small Proteus, AFT44 Lysergic 3a, AFT45 New Forgee, AFT46 Space Connect, AFT47 Mondrian Drone, AFT48 Bark At The Code, AFT49 Stereo, AFT50 Artlien, AFT51 Liquor, AFT52 Neuromecha, AFT53 Lysergic 1a, AFT54 Dinoxyde, AFT55 Human Decay, AFT56 Eroded Eclosion, AFT57 Outer Christ, AFT58 Boing Code, AFT59 Nimal Nimoy, AFT60 X-Church, AFT61 Macpanic, AFT62 Lovely Breeze, AFT63 Mad Hatter, AFT64 The Orgians, AFT65 Chalice, AFT66 Ssaammothrax, AFT67 Panthrax, AFT68 Less Is More Neuromicr 2, AFT69 Paraphilia, AFT70 Psilocybine, AFT71 Childhook, AFT72 Once Upon A Damned, AFT73 For Whom The Bell Tolls, AFT74 Medieval sweetshop, AFT75 Nanoprehistoryx, AFT76 Pictorial Abuse, AFT77 Bestiaire, AFT78 Fanfare From Outer Space, AFT79 X-Cute, AFT80 Medication, AFT81 Wrong DNA, AFT82 Wrong DNA, AFT83 Minimal Disto, AFT84 Abacadabra, AFT85 Pharmaceutical, AFT86 Code Flu, AFT89 High-Diving Blindness, AFT90 Nopix, AFT91 Floppy Disk O, BUT1 Quarx, BUT2 Newbix, BUT3 Disto Matricielle, BUT4 Tomono, BUT5 Blurred Clown, BUT7 Religious Pill, BUT8 Nopix (octagonal), BUT9 Tipi Video, BUT10 Slanxic Acid, BUT11 Metamphetamental, BUT12 Znorgs, BUT13 Soyokaze, BUT15 Stick Tech, BUT16 Uninteresting Tech. [Google] [MyFonts] [More]  ⦿

ACME Fonts (or: CHK Design)
[Christian Küsters]

Started in 1996, by Christian Küsters and Andy Long (from South London), ACME Fonts is a London-based foundry, offering fonts by Küsters and these designers: Anthony Burrill, Gérard Paris-Clavel&Johannes Bergerhausen, Jean-Lou Désiré, Paul Farrington, Robert Green, Paul Kehra, Henrik Kubel, Simon Piehl, Alex Rich, Carsten Schwesig, Sandy Suffield, Dirk Wachowiak, Anne Wehebrink and Paul Wilson. Christian Küsters is an ex-student of Matthew Carter at Yale. Born in Germany, he now lives in Oberhausen. Buy the fonts at Font Factory or MyFonts. The company evolved, I guess, into CHK Design.

Interview. Klingspor link. The ACME font list:

  • By Christian Küsters: AF Angel (1998, based on an old woodblock typeface), AF Satellite, AFWendingen, Cashier 1 AF (1999, dot matrix), AF Champ Fleury (1996, a Codex-like face), AF Hybrid (1996), AF Hadrian Roman (1998, art nouveau), AF Interface One and Two (1998, grotesque sans), AF Retrospecta (1998, exaggerated wedge serif family), AF Track AF One and Two (1998, white on black dot matrix printing), Unzialis (1994), Zip Code AF 30, 40, 50 and 60 (2001, hairline squarish sans family). Christian had a nice connection at Plazm, where he published Hadrian (1996), Retrospecta (1994), Unzialis (1994), Hybrid (1996) and Interface One (1996).
  • By Robert Green: AF PAN (1997, octagonal).
  • By Henrik Kubel: 4590, AF-Battersea (1999, a grotesque family), AF-CENTERA, AF-Copenhagen, AF-Klampenborg (2000, grotesque sans), CPH-ArabicNumbers, CPH-Medium, Grot-25.
  • By Sandy Suffield: CarPlatesCarPlates, AF Carplates (1998, squarish, including Carplates AF Bold Stencil).
  • By Paul Wilson: AF Screen (1999).
  • By Pete McCracken: INKy-black (1994).
  • By Carsten Schwesig: Nicoteen 13 AF (1998, grunge), AF Syrup (1998, slab serif).
  • By Paul Farrington: Camberwell AF One (1998, grotesque sans), AF Tasience (1998), Amateur 69 AF (1998, grunge).
  • By Dirk Wachowiak: AF Diwa (2002, large squarish sans), AF Generation (2002, huge squarish sans families called A, A2, A2A, Z, and ZaZ).
  • By Jean-Lou Désiré: Kub AF (2002, experimental).
  • By Johannes Bergerhausen and Gerard Paris-Clavel: LeBuro AF (2003, grunge in weights called Breau, Crade, Louche, Extra Crade, Demi Beau).
  • By Sylvia and Daniel Janssen: AF Nitro (2004, techno family in subfamilies called Intro, Riton, Trion).
  • By Anne Wehebrink: Oneline AF (1998, squarish sans).
  • By Paul Kehra: PostSoviet AF (2001, geometric sans family; with Cyrillic and Latin letters; weights called Culture, Free Latvian, Free Revolution, Ideology, Revolution).
  • By Simon Piehl: Spin AF (1998, squarish sans).
  • By Anthony Burrill: Video Wall AF (1998).
  • By Christian Küsters, based on lettering of H.T. Wijdeveld: Wendingen AF (1998, LED simulation).
  • Other: AFConstants (1998), Allen, Indy 500, Interface, AFLogotype (1998).

View ACME's typefaces. [Google] [MyFonts] [More]  ⦿

Adam Gibson

Designer from Melbourne. He created the rounded octagonal techno face Dream of Düsseldorf (2006). [Google] [More]  ⦿

Adam Ladd

Graphic designer in Cincinnati, OH. FontStructor, who made the octagonal face Ladd Block (2011). MyFonts link. His commercial faces include Cut Block (2012: white-on-black sketched letters), Tape Back (2012), Inked Balterm (2011, a monoline hand-drawn sans with ball terminals added in) and Inked Classic (2011, blackboard bold).

Klingspor linkAdam Ladd [Google] [MyFonts] [More]  ⦿

Adit Wardhana

Graphic designer in Sydney who made the octagonal face Angkara (2011). [Google] [More]  ⦿

Aerotype
[Stephen Miggas]

Aerotype is a foundry in Glendale, CA. It sells the creations of Stephen Miggas. Many typefaces were developed around 1998, and most were rejuvenated and updated in 2005. A list of Aerotype's faces typefaces:

  • Pixel fonts: Airlock, AirlockWebDings, Fronteer One, Fronteer Two, Microtooth, Microtooth Web Dings, No Biggie One (+Bold), No Biggie Two (+Bold).
  • Old typewriter fonts: Obsolete (+Bold, XBold, Light, XLight).
  • Handwriting or informal scripts: Bountiful, BountifulBold, Khaki (2007, fun script), Khaki Alternate, Mission, Sanscripta (+Heavy), Siesta, Southbee, Stay True (2011, tattoo-inspired) Boundless, Chillin, Angeleno, Game Street, Jumpshot.
  • Stencil faces: Expedition Stencil (+Heavy, +Thin).
  • Blackletter: Kingshead (+Alternate, Alternate Gothic, Alternate Light, Gothic, Light), Ladybat (+Alternate, Alternate Light, Light), Ravenwood One (+Bold, Condensed), Ravenwood Two (+Bold, Condensed), Wilhelmschrift, Ravenwood, Octoberfest (blackletter), Gothicus (2006, after Rudolf Koch's Maximilian), Dractura, Dracena.
  • Destructionist: Dogjaw (2009), Thunderhouse (2009), Sluicebox (2008), Americanus, Conquistador Medium, Derailer (2006), Fiesta, Indigo Medium, Rebound (+Bold, Light, Super, XLight), Coldsmith, Blackstock, Boilerplate, Geoduck, Ghost train.
  • Techno: Durandal (+Black, Flat, FlatBlack, FlatLight, Light, Recycle.
  • Octagonal faces: Expedition (+Heavy, Thin, Super, StencilSuper), Protocol (+Alternate, Alternate Light, Alternate Bold, Bold, Light).
  • Dymo label simulation faces: Recycle Alternate, Recycle Alternate Reverse, Recycle Reverse, Recycle Standard), Public Works.
  • Display faces: Pacifico (2009), Rebound, Roughneck, Fiesta (Mexican style), Mediterano, Pitchfork, Serendipity.
  • Western style: Buckboard (2009), Bootstrap (2010), Planchette, Protocol, Leadville (Egyptian), Saloon After, Saloon Before, Boxwood, Caboose, Copperjack (2006, Egyptian), Silverton (Egyptian).
  • Pre 1999 faces that have been discontined or renamed: Clique Serif, Bevel-Broken, CliqueWedge, Vector, Corrode, Looneywood.
  • Dingbats: Antique Macabre Ornaments (2007).
  • Wood type: Applewood (+Alternate, 2009).
  • Stencil faces: Hogwild (2010).
  • Calligraphic faces: Keepsake (2012, also advertised as a tattoo script typeface family), Spindrift (2012).

View Stephen Miggas's typefaces. [Google] [MyFonts] [More]  ⦿

Afrojet Type Foundry
[John Skelton]

John Skelton is a type designer from St. Paul, MN, b. 1973. Some sources have him located in Portland, OR, though. He started out in 2008 as afrojet on FontStruct, making many free fonts there. Late in 2009, he set up Afrojet Type Foundry at MyFonts. Cargo Collective link. Behance link. Home page. Dafont link.

FontStructions in 2008: Playtime (an original stencil family), Playtime Pattern Motifs (dings), Playtime Rounded (+Bold), Playtime Cutouts, Mango Solid (ultra fat, rounded), Mooch (experimental), Mooch Squared, Zombies Are The New Black, Jettison Stencil, Micromoog, hewett, hewett_bold, hewett_extended, Mikey (a Mickey Mouse font). Other creations there include Summer Grillz (about which he writes More gangster than Gill with more gold than Garamond, Summer Grillz is type jewelry for your mouth. All letterforms are diamond-kut using the finest type constructing software on the market today. Customize your grill with different fills., Lovestruc, Konstruct (multiline face), Steeplechase, Sawhorse, Sawhorse Braumarks (dingbats of a brewery), Alfred, Chesterfield, Hydroplane, Jettison-Stencil, Pop-Drops (kitchen tile face), Starstruc, Lovestruc, Chesterfield Prince, Chesterfield King, Chesterfield Queen (piano key font), Brainfreeze (ultra fat).

Fontstructions in 2009: the Sans Serious family (a tribute to Dutch Bauhaus designer Jurriaan Schrofer), Factory (stencil), Hunstrüct (blackletter), Slug, Micromoog Remix, Get To The Falcon, Jetstream and Perforate (octagonal, loosely based on several styles of letter and numeral forms observed on various aircrafts at the Evergreen Aviation&Space Museum in McMinnville, Oregon), Get To The Falcon (multiline face), StacheStruct (moustache font), Factory (stencil), Playtime Bolda, Thunderball, Gaga, Gaga Stencil, Pinpression, Sessions (a take on type by Josef Albers; he writes: Having previously played around in Fontstruct with Anni Albers' textile patterns, I thought it time to turn my attention to her husband Josef's work. Josef Albers' constructivist typographic experiments are a perfect match for Fontstruct. Other Fontstructors have done great work with Alber's ideas. Most notably, Saberrider's fontsract and Stewf's Leaflet family. Using Josef Albers' Kombinationsschrift alphabet (1928-1931) as my foundation, I've been having a lot of fun remixing and experimenting with his letters.).

Fonts made in 2010: Whoopee (piano key face), Prog.

Commercial fonts: Sessions (2009, modular).

The commercial fonts by Afrojet type foundry include Sessions, Playtime, Hydroplane, Lovestruc, Dansa, Pinpressions, Micromoog, Widjiwagen, Mooch, Hunstrüct, Slug, and Brutal Exchange.

Cargocollective link. [Google] [MyFonts] [More]  ⦿

Agent Demonic Ladybug

FontStructor who made these typefaces in 2010: Tessa (an über fat face), Pomegranate, Archipelago Serif, QQQQQ.

In 2011, these faces were created: Barnhaus (+Lite), Not My Font (clone of zalamera eYeFS by Antonio J. Morata), Mission Design Sans, Soundproof, Naturally Blonde, Sector12 (an army stencil face), Industrial Sans Better, Elegantite, Grey Hand (texture face), Ubnshufr II Hellllp, Havoc, Havoc Thin (scratchy face), Pixels Redefined (texture face), Capitas Lite (texture face), Capitals Woodcut, Adl Capitals (handprinted), Useful Sans, Spirit (tattoo/blackletter face), Wanted 2.0, Detaile, fs Greener Grass (grotesk headline face), Bean (pixelish), Small Sans, Doundproof.

In 2012, Agent Demonic Ladybug made these typefaces: Mechans (upright connected script), Tessa Revived, Minimalist No. 2 (piano key face), Laceys (dot matrix typeface), Roundsclean, Squareup, Barnhaus 2012, Mission Design Sans, Barnhaus (+Lite, +Mono; named after Bauhaus), iFontStruct, Squishypixel, Moredetailes, Who Needs Nonconformity (heavy octagonal), Stuckinneurone Error, Stuckingranite, 220a, Boldish (piano key face), Strategy Bold. [Google] [More]  ⦿

AisleOne
[Antonio Carusone]

Interesting graphic design and typography news and blog site by Antonio Carusone. His CV in his own words: Born in Queens, NY into a colorful Italian family, Antonio Carusone has been in the creative arts since he was a child. His early artistic talents led him to NYCs esteemed, High School of Art and Design, where he graduated in 1997. He then attended Pratt Institute in Brooklyn, NY and The Academy of Art College in San Francisco, where he studied Computer Animation. Currently Antonio resides in NYC, where he is a Senior Art Director at Ogilvy. Prior to Ogilvy he was an Art Director at Atmosphere BBDO where he worked on projects which have included Lays, Dial, Red Stripe, AOL, NFL, Gillette, Cingular, Audi, Verizon, and Bank of America. Type subpage. Commercial faces: Enotmik (2008, a monocase display typeface available in two weights, Light and Bold. Designed on a grid, Enotmik (2008) is made up of 90 and 45 degree angles). See also here. [Google] [More]  ⦿

AJ Paglia

Talented graphic designer from Providence, RI, who made these free fonts: Sarabelle (2012, irregular hand), Iron Sans (2011), Wicked Grit (2011, grungy), Anchor Jack (2011, art deco display face), Beagle Brigade (2010), Providence (2010, slab face), Amperzand (2010), Ackbar (2010, a great heavy sans display face), Alley Oop (2010, mechanical style), Wicked Scary Movie (2010, comic book style), Excelsior Sans (2009, ink trap exercise), Amity Jack (2009, black headline sans), Aldo The Apache (2009, black octagonal), Arm Wrestler (2009, slightly flared display sans; for 95% based on OliJo by Manfred Klein, 2002), Wicked Woman (2009, based on or a copy of Rutaban by Jason Pagura, 2001), Mighty Mighty Friars (2009, based on or a copy of Plumber's Gothic by Harold Lohner, 2007), Vive La Revoluzione (2009, based on or a copy of Headline One HPLHS by Andrew Leman, 2002). Dafont link. Font Squirrel link. Kernest link. [Google] [More]  ⦿

Alberto Arellano

Alberto Arellano (Memela Studio, Guadalajara, Mexico) designed Cali (2010, octagonal) and Marga (2010, geometric display sans). [Google] [More]  ⦿

Alberto Diaz

Graphic designer in Alicante, Spain, who make Octagon (2010). Aka Prosaiper or Alber. [Google] [More]  ⦿

Alberto Diaz Tormo

Graphic and industrial designer, post-producer and writer born in Alicante, Spain. He created a number of free faces in 2011 that are available via Devian Tart: Octagon, Bubbles, EcoLive, Industrial, Filler. [Google] [More]  ⦿

Alessandro Fulciniti

Alessandro Fulciniti (Axel or Alex Fulton) is the designer at FontStruct in 2008 of Digg (based on the Digg.Com logo), SmartShop, Triple-X, Last Brick (3d brick face), Last Brick Neon, Bubble Gum, Maxxell, Pico (pixel face), Omino (dingbats of men), jelly_fish_1, pixel_runner, red_light_district (dot matrix face), three_am. Son of Statement and Statement are heavy block fonts. Other faces: Acchooga (condensed), Dottic (2008, pixel face), Headshop (2008), Three AM (2008), Red Light District (2008, dot matrix face) and Fat Bit Lova (2008, pixel face), Brooklin Bros (2008, octagonal), Absurd, Dottic (pixel face), Hybrid Boost, Five AM, Futuristica (Bank Gothic-inspired), HeadShop, Americana (American flag-themed glyphs), Elevator (lightbulb signage font), Bombay (Indic simulation), Regent (octagonal, between two horizontal lines), Spaceman (pixel meets kitchen tile), Faster Baby, Fontharrt, Subpixel, Promises, Best-before-end (horizontal stripes), Weekend (fat headline face), Predator's Alphabet, Futures, Magnus (constructivist), Zeppa (great---Far West meets LED), Wide Horizon, Pixelity, Wide Horizon Rounded, Snipers' Font, Gunny (heavy metal stencil), Pinball Special 5, Gallop, Horizon Condensed, Western Zappa (Far West font), Wide Horizon Rounded, Nano Spaceman (nice fat kitchen tile style), Black Sheep, Best-before-end, Black-Sheep, Bubble-Gum, Crazy-Pixel, Faster,-baby!, Gallop, Horizon-Condensed, Last-Brick, Little-Spaceman, Magnus, Pinball-Special-5, Promises, Spaceman, Teenage-Mutant-Ninja-Font, Weekend, Zeppa, maxxell, pic. Born in 1975 in Northern Italy, he is a columnist for the Italian web design portal html.it since 2003, who has written extensively on CSS, javascript and web design. Web site. [Google] [More]  ⦿

Alessandro Petta

Creator of the octagonal face Ensi Low 45 (2011, FontStruct). [Google] [More]  ⦿

Alex Banks

UK-based graphic designer. Creator of the octagonal font Sliced AB (2006). [Google] [More]  ⦿

Alex J. Purdy

Alex Purdy is a visual communicator and illustrator, and type enthusiast, who lives in Delaware. He graduated from the University of the Arts in Philadelphia, earning his BFA graphic design in 2003. He made nice hand-drawn fonts (images only on his web page: lightning stencil, illuminati font, flim flam, puzzle stencil, old school wifi), and created many modular/octagonal fonts (computer destroy, prick, impalia, boxcutter, bubble deco,&plasmasoft). His illustrated caps font called Hypertype, done with Luke Ramsey in 2008, is a piece of art. [Google] [More]  ⦿

Alex Macsoda

Art director in Bucharest, Romania. Behance link. Creator of the futuristic poster face Einstein (2010) and the rounded octagonal face Element (2010). Behance link [Google] [More]  ⦿

Alexander Gordon

Graphic designer in Johannesburg, South Africa. Behance link.

He created some experimental typefaces, alongside some display fonts. Examples: Kokface (a constructivist beauty), a circle-themed stencil face, Revolt, and an octagonal face. In 2012, he made another set of experimental typefaces called Engineering. [Google] [More]  ⦿

Alexander Sperl

German designer (aka laynecom) at FontStruct in 2008 of band, blokk_2, maiden, substance, Fette Serif (fat, octagonal), Runde Pixelig, Velvet, Thin Sans, Constr, Clear Serif, Blokk. Added in 2009: Russisch Brot, Block Out (3d face, +Filled1, + Filled2), Bold Stencil Sans, Script Pixelig, Dorky Corners Sans, Haus der Kunst (inspired by the building in München by that name), Fraktur Test, Fette Sans (nice), Emilia, Runde Pixelig (pixel script). Creations in 2010: Fraktur Test, The Plot (octagonal, architectural), 80s Metal Band, Fieldwork Font (pixel), Black Metal, I slabbed the Seriff, Play (curly face). Creations in 2011: Obvious Stencil (Bauhaus, or piano key), Supercali (a psychedelic font inspired by the cover for A.R. Kane's "I"), Manuale (with straight slabs), Graphite (fat and rounded), Graphite 2, Hinterland Italic (quaint Victorian face). Klingspor link. [Google] [More]  ⦿

Alexander Wise

Graphic designer, who has made Thin (2009, octagonal), Arrow (2009), Decade (2009), Fat (2009), Hiploe (2009), Player (2009, upright connected script), Mini (Bauhaus style), Winter (pasperclip face), and Unic (experimental). Some typefaces can be bought. [Google] [More]  ⦿

Alexandro Mattt Briones

Mexican creator of Maming (2012, spindly), the pixelish face Mattta Ahari (2011), Coluca Modern Side (2011, an ocragonal semi-stencil face), the sturdy poster face La Camerino (2011), the grungy Indieo (2010), the condensed faces Tipulada (2011) and Condenzel (2011), the experimental face Autobahn (2011), the squarish NRCO (2011) and the experimental Vai Gone (2011). Behance link. [Google] [More]  ⦿

Alexey Malkov

Graphic designer from Kiev, Ukraine. He created the geometric face Midnight (2010), which was inspired by Herb Lubalin. Switch Connect (2011) is a high contrast art deco face. Lighter (2011) is a techno face that cries speed. Times New Fuck (2011) is a Peignotian sans with stiletto terminals on some glyphs. Blamed Neverland (2011) is a connect-the-dots avant-garde display face. Vampire (2011) is a gothic octagonal face. Geometria (2011) is a minimalist straight-edged face. Behance link. [Google] [More]  ⦿

Ali Almasri

Zarga, Jordan-based designer (b. 1986) of the experimental faces X-Fire (2006), Relaxic (2005) and Graphiro (2005). Gerlaneu (2006) is a 6-style octagonal and geometric family. [Google] [MyFonts] [More]  ⦿

Alicia García

Palma de Mallorca-based creator of a nice typographioc collection of posters entitled Carteles Leo Bassi (2011), which mix the Western circus poster style and art nouveau elements. Typefaces created by er include the paper cut face Diplodocus (2011), and the octagonal typeface That Tune (2012).

View her Y Modaba poster (2011). [Google] [More]  ⦿

ALT Foundry
[Andreas Leonidou]

ALT is the type foundry of Andreas Leonidou, a graphic design student from Limassol, Cyprus, b. 1986. Flickr link. Behance link. Klingspor link.

He created Foldgami, Apollo 13 (techno, futuristic), Fatgami, Origamia, Paper Roll, Alt Retro (2010, multilined family), Alt Tiwo (2010, fat counterless), Alt Matey (2010, a family that includes a multiline style), ALT Lautus (2010, a minimalistic monoline sans family), Japanese Cities Type Experiment (2010), ALT Alternatice (2010), ALT Vxt11 (2010, a high-contrast art deco octagonal face), ALT Aeon (2010, a unicase but multiline family), Alt Re 32 (2010, techno), ALT Mun (2010, a curlified family), ALT Breo (2011, octagonal family), ALT Exline (2011), Jun Script (2011, connected contemporary upright script), ALT Ayame (2011, condensed squarish family, +Long), Alt UAV31 (2011, an octagonal experiment), Alt Moav (2011, a striking geometric caps face. Images: i, ii, iii), Alt Geko (2011, an art deco caps face), and Archetype (unicase, Bauhaus).

Free fonts at Devian Tart: Alt Retro (2010, multilined family), ALT Hiroshi (2011, ornamental), ALT Deville (2011, spurred), Alt Wet (2012, a paint splatter face), Alt Sku (2012, ornamental didone face), Alt Robotechnica (pixel face). [Google] [MyFonts] [More]  ⦿

Amanda Selin

Student at the University of Wisconsin Milwaukeem, who will get a Bachelor's degree in Architecture in 2012. Creator of the angular straight-line face Cosmos (2011). [Google] [More]  ⦿

Ana Graciela Cárdenas Alaní­s

Creator (b. 1989) of the futuristic octagonal face Rocketfont (2011). [Google] [More]  ⦿

Ana Reinert

Co-designer with Carlos Segura, Tnop Wangsillapakun and Ben Husmann of the octagonal typeface Square 45 (T26, 2000), and with Carlos Segura of Square 40. [Google] [MyFonts] [More]  ⦿

Anders Schmidt Hansen

Danish creator (b. 1989) of the hairline octagonal font Aciddotica (2009). He lives in Aarhus. [Google] [More]  ⦿

Anderson Façanha

Designer in Sao Paulo, Brazil. Behance link. Creator of the octagonal face KRD (2011). [Google] [More]  ⦿

Andrea Maizzi

FontStructor who made the octagonal face Octagon (2011). [Google] [More]  ⦿

Andreas Siess

German designer. Dafont link.

Creator of the free octagonal / mechanical typeface family Amboss (2012), and of the handprinted Anilin (2012). [Google] [More]  ⦿

Andrei Zhitkov

Russian type designer. Agfa/Monotype designer of the Cyrillic fonts Bodoni Poster Cyrillic, Nevsky (Western style), Pskov (octagonal font), Tatlin (in the style of early Russian constructivism). [Google] [MyFonts] [More]  ⦿

Andres Lugo

Art director in Metairie, LA, who designed a few display faces in 2011: Eclipse, Eclipped, Regression (octagonal), JUNKY boy (ultra-fat, counterless), Gorilla. [Google] [More]  ⦿

Andrew Collette

Student at the School of Visual Arts who lives in New York City. Creator of the thin condensed octagonal typeface New York City (2012).

Behance link. [Google] [More]  ⦿

Andrew McCluskey

Independent game developer Andrew McCluskey (Nalgames, Dundee, UK, b. 1991) designed the free LED-inspired Kinglify (2011), Digital Display (2012), and Princelify (2011). Manly Man (2011), Metal Arhyrthmetic (2011) and Ace Futurism (2011) are semi-octagonal. Consider Me Vexed (2011) and Pixel Flag (2011) are pixel faces.

In 2012, he made Vermin Vibes (futuristic), Dubbing Star (futuristic), Sorrier Statements, Particulator (an octagonal paper fold typeface), Coder's Crux (a pixel face created for programmers, FontStruct), Triggering Fanfares (octagonal), Alt West, Notalot25 (pixel face), Notalot35 (pixel face), Lord Juusai (inspired by the logo for Lord Tensai from WWE), Zephyr Jubilee (an alien language simulation typeface), Bevel Fifteen, Xero's Theorem (sci-fi), Dubbing Step and Here Be Dubstep (FontStruct), Italic Bricks, Gang Wolfik (angular), Ruaturecu, Electramaniacal.

Dafont link. Most of his faces were made using FontStruct, where he is known as NAL or Notalot. [Google] [More]  ⦿

Andrew Sabatier

Brand identity designer in London. He created a typeface for the identity of Life Bank (2009). Another typeface by him is Pressure (2009, severe octagonal). Behance link. [Google] [More]  ⦿

Andrew Wilson

Creator of the octagonal typeface Loaded (2012). Dafont link.

Andrew Wilson is located in Washington, DC. [Google] [More]  ⦿

Andrij Type
[Andrij Shevchenko]

Andrij Shevchenko (b. 1973) (aka Andrij Che) is the Berdyansk-based Ukrainian designer of the following typefaces, somne of which can also be had from MyFonts. Behance link.

  • Agarsky (2006, a bold casual script face) which used to be called Agara until Berthold complained about the possible confusion with Agora.
  • Zion Train (2007, an experimental sans in 20 styles).
  • Andrij Script. See here.
  • Andrij Hand (a cyrillic handwriting font, 2002-2006; see discussion).
  • Strudel (2002, informal handprinting).
  • ALS Agrus (2005-2006, a script face, Art Lebedev Studio).
  • Machinegun (2005, octagonal military look).
  • Magela (2003, a Cyrillic sans).
  • Hajdamaka (2004, a bouncy Latin/Cyrillic script).
  • Also check out his lettering (not fonts) in Kozaku (2005, a flowing Cyrillic script), XLibna (2005, another Cyrillic script) and here (2005).
  • The semi-serifed Oksana (2007, 6 styles), Oksana Sans (2007, +Condensed), Oksana Text (2008), Oksana Cyrillic (2007), Oksana Greek (2007), and Oksana Text Swash (2008). This was followed by Oksana Text Narrow (2011), Oksana Sans (+Wide) and Oksana Sans Compressed (2011), which have hairline weights.
  • Osnova Pro (2010): a sans family that covers Cyrillic, Greek and Latin.
  • Ababa (2002, Cyrillic lettering).
  • Turbota (2010) is a rounded Latin / Cyrillic type family that was was developed as part of an identity system for Turbota, a center for disabled children in the Ukraine.
  • Seaside (2011) is a Peignotian face.
  • Bandera Pro (2011) is a useful workhorse square serif type family that covers Latin, Greek and Cyrillic.
Additional URL. MyFonts sells the 4-weight futuristic type family Machine Gun (2005), Oksana, Oksana Sans and Andrij Script.

Showcase of Andrij Shevchenko's typefaces at MyFonts. [Google] [MyFonts] [More]  ⦿

Andy Babb (was: Planet Buzz Font Foundry)
[Andrew Babb]

Fonts by Brooklyn, NY-based art director Andrew Babb: Dog Eared (2012, a paper fold typeface), Lava Vision (a great rounded original font), Polygon (2009, octagonal, gridded structure), First Attempt, Tuskey-San (2000), Gear Crank, Oh Balloney (2000), Lestat (2001), and QuietInfinity (2000).

Old site. Dafont link. Aka Buzzbum. [Google] [MyFonts] [More]  ⦿

Anna Issabekian

Yerevan, Armenia-born and Paris-based graphic designer. Creator of Shape Type (2012, an octagonal or paper fold typeface).

Behance link. [Google] [More]  ⦿

Anton Terekhov

Designer at FontStruct in 2008 and 2009 of Birka (pixel), Skipper (octagonal), Skipper Stencil (military), Skipper-Modern, Skipper-Slab, Skipper Cap, Skipper Tight, Peteroque (baroque pixel face)< Technocrat Cargo (octagonal stencil), Technocrat (octagonal), Retrograde Pix (pixel face), Retrograde Lux (severe octagonal), abstruct, admiral (dot matrix face), glagol, glagol_script_1, marx_1, Admiral (dot matrix), Glagol Rock (constructivist), Retrograde (octagonal/mecahnical), Technocrat (octagonal), WPA Gothic Cyrillic (another poster font), WPA-Gothic-Deco-Cyrillic. Many fonts have Cyrillic letters and/or Cyrillic influences. He made the heavy mechanical slab serif headline face Colonial (2010) and the pixelized face Skippix (2011, +Mono). Peteroque (2009-2010) are decorated pixel capitals. [Google] [More]  ⦿

Antonio J. Morata

Antonio J. Morata (Almeria, Spain) is a FontStructor (aka elmoyenique) who used FontStruct to make several modular faces starting in 2010. The typeface names start with z. We list them alphabetically:

[Google] [More]  ⦿

Antrepo
[Mehmet Gozetlik]

Mehmet Gozetlik runs Antrepo in Istanbul, Turkey. A digital artist and designer, he created a modular font family aptly named Modul (2008). Behance link. These commercial pixel-based techno families are marketed as Modul 300 dpi (2008) and Modul 72 dpi (2008). In 2009, he made Public Gothic, a free version of New Deal, the custom font used in The Public Enemies made by Jeff Knowles and Neville Brody for this film. Public Gothic is an industrial but also vintage family of free fonts consisting of PB Square, PB Vintage, PB Circular, and PB Federal. Free download here. Additional links: Antrepo4, A2591, Video of his TypeCon 2011 presentation.

Scans of Public Gothic: A | B | C | D | E | F | G | H | I | J | K | K | L | M | N | O | P | Q | R | S | T | U | V. [Google] [More]  ⦿

Aparat
[Domen Fras]

Aparat is Domen Fras's commercial foundry in Ljubljana, Slovenia. His largely experimental work:

  • Brutildo (2006): squarish headline lettering.
  • Butalci (1998, a pixel font) is a part of Domen's diploma project at Faculty of Architecture in Ljubljana, supervised by Janez Suhadolc.
  • Gyro (1998-2001) is an octagonal monospace font with 3 weights.
  • Exlibris (2001-2003) is an experimental face.
  • Pozor (1999) is a squarish sans, as for traffic signage.
  • Terragni (1998) is an alphabet study based on the floor plan composition analysis of the house 'Casa del Fascio' in Como by the architecta Giuseppe Terragni.
  • DinoUnicase (1997) is a variation on DIN Mittelschrift.
  • Narod (2003) was made for designing commemorative coins at 60th anniversary of Kocevje Summit.
  • JH Luzern (1999) is based on a scan of a hotel room card.
  • Pesjan Debu (2011) is a fat angular poster face created during TipoBrda 2011.
  • Narod Krepak (2010) is an art deco sans titling face created during TipoBrda 2010000000
[Google] [More]  ⦿

aphoria

Designer at FontStruct in 2008 of Interest (dot matrix), Order (constructivist), Attica, Continuum (rounded bold), Fairway (+Slab, +Serif), Slant (techno), Cowboy (2008, Western-themed), Lights in the sky, Olymia Bold, Solida (psychedelic), Digi (pixel face), Villa (heavy slab serif) and Olympia Light. In 2009, he added Versional, Crown, Vend, Reed (Slab, Sans, both octagonal), Spaced Out (Bold, Italic, Regular), Jingle, ReMix (kitchen tile), Squire (3d face), Garage Sale (stencil), Signage, Futility (blackletter), Expearemint, Textual, Callout, tweedie, Embolden, Clipped, Economical, Emphasis, Vessel, Honest, Union (+Flat, +Sans, +New), Interest (pixel/dotted face), Venus Sans, Minanim, Diner (rounded), Lights in the Sky (De Stijl-like font), Opine, Charmer (+Inverse), Tweedle, Textual, Solida (ultra round), Slant, Slant, Villa (heavy slab serif), Versional, Vend, Union, Union Sans, Union New Sans, Union New Flat, Paperclip, Poofy, Steel (+Outline: octagonal), Crown, Diner (rounded), Solemn Bold, Solemn, reed Sans Mono (octagonal). Fonts from 2010: Full Deck (playing card font), Scrollboard, Power Up (piano key face), Economical, Groovy Fu, Formality, Union New (+Sans, +Flat), Angle Tutorial, Aurora Light (elliptical monoline sans), Pushpins, Aurora Light, Scrawl (marker face), Evity (a grotesk face), Altipen (upright script).

Fonts from 2011: Obleak (oblique techno face), Likea (a heavy mechanical sans), Uptake (elliptical). [Google] [More]  ⦿

Arfurware
[Arthur Lui]

Arthur Lui (Arfurware) is the designer of Sports Jersey (2004, athletic face), and Etobicoke (2004, squarish face). [Google] [More]  ⦿

ARS Type (was ARS Design)
[Angus R. Shamal]

ARS Type is an Amsterdam-based foundry with some commercial fonts by Angus R. Shamal. Shamal had earlier published fonts with T-26 and Plazm. Fonts can be bought via Fontshop.

The fonts: AudioVisual1, Code, Kamp, Kamp Serif, Retro City, OCRU, Toycube, Mortal, Maquette (1999-2000), Angelring, ARS Bembo, Contrast, Dandy, EcologyModern, Hartu (handwriting), Temper, ARS Novelty (2011, a free hybrid style face), ARS Polythene (pixel font family), Misanthry, Syntax (OsF format sans serif), CensorSans (1994), CensorSerif (1994), Credit (1995), Epilogue.pfa (1995), Exert (T-26), Humain-Graphica (1995), Humain-Synthetica (1995), Platrica (1994), Roscent (1995), ARSFortune (2000, futuristic), District (experimental), Descendiaan, Zero Rate (futuristic), Tegel (1998, stencil, kitchen tile), Twenty (octagonal, techno), Trio (dot matrix fonts), Maquette (1999), Region, Product (2007, sans faces), Mr Archi, Prime (display), Deviata (unicase face), Forum I-AR (after Forum I, a 1948 font by Georg Trump), Freie Initialen-AR (2007, after a 1928 set of caps for Stempel Garamond), Fry's Ornamented (2007; a revival of Ornamented No. 2 which was cut by Richard Austin for Dr. Edmund Fry in 1796), Graphique-AR (2007; a shadowed face based on a 1946 design by Eidenbenz for Haas), Gravur-AR (2007; a digital version of a type designed by Georg Trump and issued as Trump-Gravur by Weber in 1960), Initiales Grecques (after a Firmin Didot design, ca. 1800), Lutetia Open (2007; based on Jan Van Krimpen's Lutetia), Old Face Open (2007; a digitization of Fry's Shaded, an open all caps Baskerville cut by Isaac Moore for Fry, ca. 1788), Open Capitals (2007, after Jan Van Krimpen's 1928 face for Enschedé called Open Kapitalen), Romulus Capitals (2007; after the caps series by Jan Van Krimpen, 1931), Romulus Open (2007; after the Open series by Jan Van Krimpen, 1936), Rosart 811 (2007; open caps after Enschedé no. 811 by Rosart), Zentenar Initialen (2007; based on blackletter initials of F.H.E. Schneidler, ca. 1937). [Google] [MyFonts] [More]  ⦿

Arthur Maria

Designer in 2008 at FontStruct of the experimental typefaces Gearbox, Gotha (octagonal), Nippon Garden, Labyrinth, Nano (pixel), Machine Script, Plank stencil, Ballistix, San Andreas (recreation of the Grand Theft Auto font), Machina (a macho octagonal heavy face), Electro, Hiro (oriental look), Japanica (oriental look, based on Hiroshi), Mage, Silkscreen Alt (pixel, a modification of Jason Kottke's Silkscreen). [Google] [More]  ⦿

Artill Typs
[Lukas Bischoff]

Artill Typs is Lukas Bischoff's foundry in Trier, Germany, est. 2009. German stylist and designer in Trier. Dafont link where one can download Sketch Rockwell (2008), one of the nicest sketched style fonts anywhere. Commercial faces include Luco Sans (2009), Sketch Block (2009) and the octagonal family Wombat (2009). Yaa (2010) is a hand-sketched headline font. Dock 11 (2011) is a (free) heavy art deco headline face. Sketch Gothic (2011) is a sketched Franklin Gothic. Behance link. Blog. [Google] [MyFonts] [More]  ⦿

Arto Hatanpää

Finnish designer of the octagonal techno font Nouveau IBM (2009). [Google] [More]  ⦿

Astrolux
[Glenn Parsons]

Commercial foundry in Oak View, CA, est. 2011, by Glenn Parsons. Creator of UXB Stencil and its companion UXB Spray in 2011, rough stencil faces. He also designed the tattoo face Dragon Fang (2011), Sugarbang (2012, comic book style), and the octagonal wedge face Spacepod (2012).

Klingspor link. [Google] [MyFonts] [More]  ⦿

Asyl Design

Japanese company which has made some commercial typefaces, typically sans serif: Asyl (Black and Dot), Composite (Bold New, Bold Old, Light, 360, 2000, 90's, 1900: sans adjusted to periods), Effects (New Regular, New Wide, Bold, Light: an octagonal family), Minimal (Regular, Round), Amsterdam (Regular, Bold, Light), Tadadah, 26 Dots, Hong Kong Express (black display sans). I don't know who among the staff designed these faces: Naoki Sato, Kazuki Ohashi, Yuu Sato, Rie Amaki, Mitsugu Mizobata, Shinichi Arakawa. [Google] [More]  ⦿

Atelier Telescopique (Fonderie Nordik)
[Xavier Meurice]

Fonderie Nordik is a new French foundry in Wasquehal near Lille, which publishes some fonts such as Tomica (2009, a geometric sans done for Wéo Télé Nord Pas de Calais), Le Dixca, Le Cicerond, LaNormal, La Lienne. Founded in 1998 by Xavier Meurice and Sébastien Delobel. Stéphane Meurice and Guillaume Berry are also involved. Font list: Scard (2000, Xavier Meurice), Stonehenge, Dixca (free pixel font), Fish, Delory, Lienne (2001, with Delobel), Bizeau, Raoul, La Cidulée, Ader (Xavier Meurice, 2002), Tex (2002, pixel font by Xavier Meurice), Normale (free), PSUS (Xavier Meurisse, 2000), Bépierre, Péro, SV01 (dings), Cicerond (free dot matrix font), Réka (2001, Meurice and Delobel), Nuk, Stéroide, Rosoir (2002, Xavier Meurice, dingbats), Equinox, Acropik, Wazemmes, Kune, Stoneheure (2001, Xavier Meurice), Sphiquesie (Xavier Meurice, 2002, an octagonal font), Nyctalope (2002). [Google] [More]  ⦿

Attak Fonts
[Peter Korsman]

Attak is a two-headed graphic design firm formed in 2004 by Peter Korsman and Casper Herselman. It is based in 's-Hertogenbosch, The Netherlands. They have some free and some commercial typefaces. Behance link. Their fonts, ca. 2009: AT AK-47, AT Babyfat, AT Blaser, AT Concours, AT Dienstuhr, AT Discipline, AT FFW, AT Helix, AT Hide and Seek, AT Hieronymus, AT Janus Kiep, AT Kerremus, AT Klaxon, AT Korsakopf, AT Litewriter, AT Mepper, AT Mohawk, AT Moker, AT Monoload, AT Muntel, AT Peetroleum, AT Praktikum, AT Promille, AT Ramseier, AT Riot, AT Sirca, AT Sirca alternate, AT Slyper, AT Snotnose, AT Streeep, AT Tabak, AT T'Atteljeej, AT TCB, AT Timeline, AT Trash Bold, AT Willi, AT With Machines, AT Zippora. Notable products: AK-47 simulates Cyrillic; Helix is a stencil face; Muntel and Concours are fat art deco faces; Practicum and Tabak are octagonal; Riot leaks blood; Sirca is based on arcs of circles; Streep is a multiline font. I presume that Peter is the main font designer in the team, as he already made fonts as early as 2003 for Burodestruct (see, e.g., BD Burner, BD El Max, BD Sirca, and BD Bardust, downloadable here). A more detailed breakdown per designer:

  • Tim van de Kimmenade: AT AK-47 (2005), AT Helix (2004), AT Trash Boldf (2003).
  • Peter Korsman: AT Babyfat (2006), AT Concours (2005), AT Korsakopf (2004), AT Ramseier (2004), AT Streeep (2005), AT TCB (2005), AT With Machines (2004).
  • Casper Herselman: AT Blaser (2005), AT FFW (2004), AT FFW Stencil (2004), AT Mepper (2005), AT Mohawk (2006), AT Praktikum (2004), AT Promille (2005), AT Riot (2004), AT T'Atteljeej (2008).
  • Rutger Paulusse: AT Discipline (2008).
  • Rens vanden Berge: AT Hide and Seek (2006).
[Google] [More]  ⦿

Autodidakt (or: Letters from Sweden)
[Göran Söderström]

Göran Söderström (b. 1974) is based in Stockholm. He worked at Gernandt and now runs Autodidakt (MyFonts link). Fountain sells many of his faces. MyFonts link. Behance link. Interview in 2010. In 2011, he set up Letters from Sweden with Fredrik Andersson. His fonts:

  • The beautiful understated modern Neptuna sans family, on which he has worked for 14 years. This font eventually became Exemplar Pro (1996-2008, PsyOps).
  • Autostyler (2006). A free comic book style face.
  • Trentor (2006): octagonal and bi-lined. This is accompanied by Trentor Script (2006, octagonal).
  • Shabash (2008). Shabash is rooted in an identity design project for Kashmir, an Indian restaurant in Stockholm.
  • Navelfluff (2008, grunge).
  • Flieger (2007). A great grid-based connected retro script at Fountain. The accompanying Flieger Dingbats were by Lotta Bruhn.
  • Meadow (2009). A rounded sans family at Fountain.
  • In 2009, Göran Söderström and Peter Bruhn published Trailering Heroine, which was inspired by the typeface Windsor, designed by Eleisha Pechey in 1905. Windsor is the typeface used in the titles of many Woody Allen movies. The 9-style family Heroine was published at Fountain.
  • SEB Basic is the new sans type family for Skandinaviska Enskilda Banken AB (2009).
  • The Satura Suite (2010, with Peter Bruhn). A versatile set of fonts from sans to zwans: Satura Pro, Satura Parts, Satura Text (elliptical), Satura Core.
  • Meadow Pro (2009-2010) and Meadow Pro Condensed (2010). A strong headline sans family, done at Fountain.
  • FF Dagny (2009). FF Dagny OT Thin is free! This family was created with O. Nordling.
  • LFS Siri (2011, Letters from Sweden) is a variable contrast humanist sans family.
  • Trim (2012). A large x-height sans family whose letters were squeezed through a narrow door.
[Google] [MyFonts] [More]  ⦿

Avoid Red Arrows

The students of arts and design at HfG Karlsruhe present their work in 2008: Amoto (Nadja Schoch), Barbarossa (Peter Stahmer: grunge), Cirrus (Antonia Huber: liquid style), Fourty Five Degrees (Emanuel K: octagonal), Hopfen (Martin Borst: display sans), Letrix (Miriam Bauer: modular octagonal), Lokomo (Claudia Kappenberger: experimental), Mayfield Display, Monta (Stefanie Miller), Moto Moto (Piero Glina: octagonal), Nancy (Masa Busic: art deco), Oceanic (Simone Gier: rounded techno), Platine (Lise Naujack: multiline, inspired by chip wiring), Pluk (Simon Roth: poster stencil), Quitt (Marko Greve: experimental multiline), Sophonho (Daniel Schludi: display sans), Vahen (Nicolaz Groll: display sans).

Avoid Red Arrows is run by Marko Grewe, Stefanie Miller, Simon Roth, and Peter Stahmer. [Google] [More]  ⦿

Axel Leyer

Designer in 2008 at FontStruct of NuGothicA (blackletter), BauForm, DINAMO (mechanical), Magnum (great industrial strength slab serif headline face), Cocoa (rounded and ultra fat), EUROstruct (thin and architectural), Kaotic (graffiti), Weimar (pixel face), Rondo, Rondo Tail, Fabrica (octagonal), Fabrica Rotula (stencil, octagonal), Quadrat, Electrica, Electrica Dots, Fabrica Screen (horizontally striped octagonal face), Block Black, Bloop, Blackwolf, Guru Blackletter (Indic simulation face), Inslab (slab serif), Inslab II, Minima (stencil), Boxer (ultrafat, octagonal), Bloko (nice ultra-fat face), Steel (macho slab serif), Nextar (pixelish but elegant), Simplex, Ulises 7 (+Serif) (pixel faces), Digita (kitchen tile) and Block (ultra fat), June Cleaver. See America (2008, octagonal) is an octagonal lettering font that was inspired by a travel poster (WPA, 1936) designed by Jerome Roth. Faces made in 2009: Morgana (a beautiful fat piano key face), Manitoba, Machina (+Slab), Old Monk (uncial), NughoticA Brush, LUBA 8 Lowercase (after Lubalin), Nugothic A (blackletter), Dinamo, Ross (strong mechanical face).

Faces made in 2010: Sketch Pix and Sketch Pix 2. [Google] [More]  ⦿

Bababau
[Xavier Puig]

Xavier Puig is a type and graphic designer, born in Artés, Barcelona. He moved to London in 2003 where he graduated in Visual Communication and Typography at the London College of Communication. He created the severe octagonal face Ihavebeenwaitingforyou (2009) and the LED face Water In My Casio (2009). In 2010, he added Sexything. Dafont link. [Google] [More]  ⦿

Barske.com
[Helge Barske]

German foundry that had some free offerings by Berlin-based graphic designer, typographer and illustrator, Helge Barske. In 2001, he made Dirty Bitch, Kombuese, Badfag, Gogogogo, Kloezzler, Klozzbats, Krossklozz, Mahoney, Pixelplastique, Plastiquekingdom, Sinner (constructivist), Snowbats, Stanzefett, Suplex. Several dot matrix and pixel fonts. The fonts typically had no punctuation though. At some point, the free font pages disappeared. KingConvex (2009, hairline) was shown at Behance. Schneusel Sans (2010) is a soft octagonal face.

Klingspor link. Fontspace link. Dafont link. [Google] [More]  ⦿

BaseLAB
[Joancarles P. Casasíin]

Barcelona-based foundry involved in custom font work, est. 2005. Original fonts: Inclusive (2007), Urbanium (2005, a bold display face), Handwritten, Eixample (2008, octagonal and rounded), Screech (2008) and Begyptienne. Modified fonts (or re-fonts in their words) include Le Grand Palais (stencil, for La Force de l'Art, Paris, 2006), BeTV (for a Belgian TV channel), and VijfTV (a modification of Chalet for a Flemish TV station). Their custom types include Atrapalo, Kipling (a fashion mag family done in 2011), STM Montreal (2011, for the Montreal transportation system), Dialogue, Kidswa, Hangar and Costa Design. One of the main collaborators is Joancarles P. Casasíin. Behance link. [Google] [More]  ⦿

Beate

Talented designer at FontStruct in 2009 of DB72, DBColon, DBPoints Sans, DBCube, and DB13, mostly dot matrix or octagonal fonts.

In 2010, these were followed by db Outline, db Stickers, db Stick, DB Cube New, db MOKI (stencil), db Ciao, db Ticket Light, db 72, DBpoints (dot matrix), DBPoin2, and db Kopix (blackletter), db New Points Italic (dot matrix face).

In 2011, we find dB Stick, dB Sticker, dB Sticker Mono (a monospaced typewriter face), db Prague (fat sans), db Backjumps (an extraordinary fat poster stencil), db Perl, db Perl 1.2 (texture face), db Quarz (2011, +Mix), and db Nox and db Nox II.

Fonts made in 2012: db Sticker (hairline sans), db Rocko v2 (stencil face), db Today v1 (a beautiful black slab face), db Today v2, db Etroite (2012, in several weights: constructivist), db N3 (2012), db Drops (2012, fat counterless face), db Quarz Mix (2012). [Google] [More]  ⦿

beccaelizabeth's dojo

Creator of the free condensed octagonal typeface Highlander.

Fontspace link. [Google] [More]  ⦿

Behaviour (was: type behaviour)
[Anuthin Wongsunkakon]

Behaviour was founded in 1996 by Anuthin Wongsunkakon and Nirut Krusuansombat in Bangkok. They do graphic design, mainly. Type Behaviour is the font library of Behaviour. Anuthin teaches graphic design at School of Art and Design, Bangkok University and Chulalongkorn University.

Interview.

Fonts include OCRX, Aspirin, Interviewer, Songothic (1999), Behaviour, Keystonestate, Effectra, Hydrous, Ideologica, Waveeweekend, Matamorphosis, Berlidin. Commercial fonts available at T26 and PsyOps (where he did Hydrous). Also, many dingbats by Nirut Krusuansombat, again without downloads. Custom-made Thai fonts too.

[T-26] designer of Aspirin, Aspirin Advance, Aspirin Refill (hairline), Automate (2008), Behaviour, Berlidin, Carbon, Cellular One, Cellular Two, Cellular three, Coupe, Datum, Dotto, Dotto Deluxe, Effectra, Harbinger, Hydrous (2009, PsyOps and T-26), Ideologica, Interviewer, Keystone State, Labelo Ext, Labelo Rom, Labelo Uni, Metamorphosis, Myers Sans, OCRBe, OCRX, QR-Type, Son Gothic (+New Son Gothic), Wavee Weekend (upright script, Foto (2006, dingbats), Harbinger (2004, stencil), Myers Sans (2005), Aspirin, Carbon (2003, an octagonal font, which reappeared in 2006 as Carbon C6 and in 2008 at Cadson Demak as carbon Plus), Coupe (2006, 4-weight sans family), Labelo (2003, octagonal, +Varsity), Dotto, Dotto Deluxe (2002, dot matrix font), Behaviour, Berlidin (nice serifs), Ideologica (2000), Interviewer, KeystoneState, Metamorphosis, SonGothic, WaveeWeekend (2000), OCRX (2001, T-26), and Effectra (2001, T-26), Cellular-Complete (2002, T-26), POBox (2002, T-26, dingbats of postal imprints), Datum (2002, pixel font), Baked (2007, T-26), Board (2004, T-26), OCR-Be (2006).

Free font: Katan U Kata Way T (Thai font).

Dingbats: Arvaiyava, Bahnpaburut, I'm icons, Monsoon, Pixxo (pixel-based icons), Prajanbarn, SO-6.

MyFonts sells the athletic lettering fonts Labelo Ext (2007, T-26), Option Sans (2009, T-26), Labelo Varsity and Board Deluxe, Enzyme (2010, Cadson Demak), Amino (2010, Cadson Demak: an organic family).

Typefaces at Katatrad include Ra Bobb Thai (2012, octagonal).

FontShop link. Klingspor link.

View Anuthin Wongsunkakon's typefaces. [Google] [MyFonts] [More]  ⦿

Belldorado
[Adam Bell]

Foundry in München, Germany, run by Adam Bell (b. 1972, Landsberg), who despite his name is a native German. After learning to be a silkscreen printer he studied graphic design in Würzburg. Together with Tanja Kischel and Georg Behringer, he runs a small design agency and shop called Umwerk in München since 2004.

Creator of the octagonal family called Longhorn (2012), which includes a 3d style as well as a stencil style. [Google] [MyFonts] [More]  ⦿

Bem Olaguera

Creator (b. 1984) of the counterless octagonal face Daydream Daily (2010). Bem lives in Manila (or Quezon City), The Philippines. Home page. Behance link. [Google] [More]  ⦿

Ben Husmann

Designer at T26 of the Element15 family (2001, pixel family), the octagonal face Square 45 (2000, with Carlos Segura, Ana Reinert and Tnop Wangsillapakun, who was the original designer), ItsOVER-Captain (2000, based on the original design of Tnop Wangsillapakun) and Nominal5 (2001, a free pixel font). T26 link. [Google] [MyFonts] [More]  ⦿

Bent Hamm

Designer at FontStruct in 2008 of Anchorage (loosely based on a combination of the lettering of Mark Simonson's "Alaska Fish House" sign and Emigre's "Brothers Bold"), procrastination_sans, procrastination_serif, queen_mab (octagonal), and Queen Mab Small Caps. [Google] [More]  ⦿

Betterfear.us (or: XXII Fonts, Or Doubletwo Studios)
[Lecter Johnson]

Lecter Johnson (Betterfear.us) is the creator of the free fonts XXII Sinoz DSP (2010-2011, elliptical face), XXII Gory Bastard (2011), XXII BLACKMETAL WARRIOR (2010), XXII Menga (2010, a technical sans family), XXIIARMY (2007, stencil), XXIIDECONSTRUCTION-DESTRUCTION-AREA (2007, grunge), XXIIDONT-MESS-WITH-VIKINGS-HARDCORE (2007, octagonal), XXIISTRAIGHT-ARMY, Army Dirty (grunge stencil), XXIIUltimate-Black-Metal (2007, cracked metal look), XXII Scratch (2007, scratchy face), XXII DEVILS-RIGHT-HAND (handprinted), XXII BLACK-BLOCK (grunge), XXII MISANTHROPIA (2008, a rigid geometric sans family), XXII Arabian Onenightstand (2008: Arabic or Indic simulation face), XXII Urban Cutouts (2009, grunge), and XXII Static (2007, futuristic).

His web site has a threatening nazi sort of look, but the fonts are (were) free. Betterfear.us claims to be located in St. Pauli, Hamburg, and is also known on MyFonts, where some of its fonts can be bought, as Doubletwo Studios. These include XXII Total Death (2012), XXII HandTypewriter (2012), XXII Marker (2011), XXII BLACK BLOCK SERIFA (2008), XXII Mescaline (2009 Western style), XXII Misanthropia (2010, geometric sans), XXII Urban Cutouts (2010), XXII Marker (2011), XXII Blasphema (2011) and XXII STREITKRAFT (2008, a stencil family with grungy versions added). Old URL. Older list of fonts: Devils Right Hand (blackboard script), Black Block (grunge), Static (techno), Ultimate Blackmetal, Scratch, Don't Mess With Vikings, Army Dirty (grunge stencil), Army Straight, Black Block Eroded.

Klingspor link. Alternate URL. Behance link. Dafont link. [Google] [MyFonts] [More]  ⦿

Bettina Schuller

FontStructor who made Bassline (2011, horizontally striped), Galanic SML (2011), Asifa Robotic (2011, +SFT, +Condensed) and Eazygoin (2011). The latter three fonts are pixelish or octagonal. Aka Captain Heiki. [Google] [More]  ⦿

Bill Walker

FontStructor in Fort Riley, KS, b. 1974, who made several heavy and severe-looking octagonal faces in 2010 and 2011, including Brakemen CLE, Bullhorn, Commando 2011, Wild Bull, Rudius, Battalion, Goth Spike, Brakeman New, Universitario, Tuff Commando, Saber, Vengeance2, Valley Forge, Griff (loosely based on the NHL 2011 All Star Game font), Assault Vertical, Bullhorn Spike, Universitario Trace, Vengeance, Rails, Assault Hockey, Emerald City, Brigade, Amateur Pacifist (2011, athletic lettering), Paradise, Vengeance 2011, Assault, Brakemen CLE. Some fonts are in the techno / futuristic style, and others are tattoo fonts.

Abstract Fonts link. Dafont link. [Google] [More]  ⦿

Billy Argel

Brazilian graphic designer and prolific creator of free typefaces, which often combine calligraphy and grunge. Alternate URL. Fontspace link.

Fonts from 2011: Tabu, Caribbean Tool (roman caps face), Pijamas (handprinted 3d outline face), Nova Solid, Chocolate Dealer, Happy Family (dingbats), Save The Mini, Tosca Zero (grunge), Epidemia (grunge), Skt and Destroy (grunge), High on fire, Manabu, Masterplan, Thrashline (multiline), Triumph Rewind, The Dreamer, Why, Uranium Mafia, Blessed Day, Caribbean Tool (floral caps face), Lost Winner, Dove Love (curly valentine's Day font), Safe Iodine (texture face), Easy Trouble, ArgelFont, BUTECO (sketch font), DIAMONDDUST, Dropping, InkInTheMeat-Tial, NORMAL, POPCORN (a great grunge hand-drawn Futura Black), POPCORNSKETCHSKETCH (a sketched face), ROCKETAIR, ShitHappens-Cursive. Panhead (grunge Western face).

Fonts made in 2010: Thrashline, Dotled (a fuzzy texture face), Refurbished, PUNKBABE, CANDYINC, GreenPillow, DIRTYBAGBOLDTRIAL, LEDLIGHT, MAJORGUILTY, Network Vampires, NEWESTTRIAL (Western face), VATOS, Billy Argel Font (calligraphic), ACIDLABEL, BeyondSky-trial, HURTMOLD, TOSCAZERO, TABU (grunge), EASY TROUBLE, BOMBFONT (puffy letters), BILLYARGELFONT (calligraphic), Soap Store (grunge), ANGELTEARS (calligraphic), BUTOXQUEEN-trial, ELECTRICHANDS (cursive hand), FLOWERFLOW-trial, HAPPYFAMILY-TRIAL, HEARTQUAKE (grunge), MSKITOKILLA (grunge), NIGHTSTALKER-TRIAL (grunge), RAINFOREST (handwriting with rough edges), ROADMOVIE, ROSE TATTOO (an outlined handprinted beauty), TWINPINES (brush), WANNABEME (sketched), WEDDINGNIGHTMAREStrial (calligraphic), BEERNOTE, GREENMIND (grunge), PORNFASHION, MASTERPLAN (grunge), SNIPERSHOT.

Fonts from 2009: COOLECTOR, BODYHUNTER-Bold (grunge), CLUBHAUS-Bold (ultra black, mechanical/octagonal), MAKEMEALPHA (grunge), NewGardenLight, TRIUMPHREWIND (grunge), Nachos and TV, Oxidisaster, Helloween, Lemon Day Semibold (a sketch font), Tosca Zero, Outlaw (Western face), Gangland (scratchy brushy face), B Side (vertical stencil).

Fonts from 2008: Plastic Pill (fat art deco face), Bedspread Assassin, A Bite (grunge), Dirty and Classic (grunge calligraphy), Gas Mask (grunge stencil), PANHEAD (grungy Western billboard font), My Turtle, Cubiculo Gallery (created for the Cubiculo Gallery in Sao Paulo), Ginga (grunge calligraphic--think award-winning grunge!!!), Wallrider, Black-Oak, TOY_SOLDIERS-Bold (grunge), Abite (grunge), ACIDLABEL, Bulldozer, Cheap Stealer, DONOTEXIST, HANGUP (3-d bouncy letters), HYERBA (Far West font), LAZYDAY (handprinted outline caps face), LEDLIGHT, Mon Bijoux (ornamental), MANABU (futuristic), PEIXEFRITO, Positiv-A, Killed DJ (multiline grunge), Sniper (grunge), Black Oak (smudged face), ShAnKed,

Fonts from 2007: Olho de Boi (a great scratchy handwriting font inspired by the first Brazilian postage stamp which was released on August 1, 1843), Skull TS2 (skull dingbats), REBOARD, Hurtmold (rounded octagonal face), PDRPT (grunge), the Soma family (modern stencil), Caatinga (2006, artsy display face), Santos Dumont (handwriting: free at DaFont). [Google] [More]  ⦿

Binnenland.Ch
[Nik Thoenen]

Swiss foundry which made several (typically Swiss) techno-sans families, such as Regular (originally created by Norm (Dimitri Bruni and Manuel Krebs) as a lucidly structured and fully formulated headline typeface font back in 1999. In 2006 adapted and rounded out by Nik Thoenen to this current version), Relevant (Michael Mischler and Nik Thoenen, 2007; loosely influenced by 'Record Gothic', created by R. Hunter Middleton for the Ludlow Typograph Company in 1927), T-Star Pro, T-Star TW Pro (typewriter face, Michael Mischler, 2002), and Blender Pro (Nik Thoenen, 2002-2009: an octagonal sans face). Catalog (Michael Mischler and Nik Thoenen, 2005) is a serif family. FRAC (Nik Thoenen, 2003) is octagonal. Korpus (2012) is a text family designed by Mika Mischler and Nik Thoenen.

Klingspor link for Nik Thoenen. [Google] [More]  ⦿

Blaine

American creator of Steam Font (2011, octagonal). [Google] [More]  ⦿

Bob Wertz

Designer at FontStruct in 2008 of pixa (octagonal face). [Google] [More]  ⦿

BOLT Graphics
[Martijn Rijven]

Martijn Rijven (BOLT Graphics) is a Den Haag-based Dutch type designer who started out at Kombinat Typefounders. His fonts include Kwadra (octagonal), Berlina (a take on blackletter), Bastard (based on type used in "Bastard", a Thai manga comic book), Frigidaire (fifties display face), Bitscream, and "Dense Dumb and Dirty". [Google] [More]  ⦿

BOODAS.DE
[Boris Schandert]

Sankt Augustin, Germany-based creator (b. 1981) of the pixel face BOODASDREIECKE (2007): all the pixels are in fact small triangles. He also designed BOODAS.DE|Subtract (2007, negative octagonal), My (2007), Boodas.de|My|Regular (2007, octagonal, free), Redhead (2007, geometric, experimental), Bourier (2007, like Courier with bowls filled in and frills added), Slimbo (2008, hairline geometric). All his fonts are free. [Google] [More]  ⦿

Bou Fonts
[Agustín Luis Bou]

Hailing from Rosario, Argentina, this designer (b. 1992) created the free athletic lettering faces Bou Collegiate (2008) and Bou College (2008), the handprinted Bou Handwriting (2009) and Handform (2009), the dot matrix face Score Board (2009), Squarefont (2011), Movie Letters (2011), and BOU Western (2011). [Google] [More]  ⦿

Bric Type
[Yomar Augusto]

Bric Type is a typography consultant company based in Brazil and The Netherlands, run by Yomar Augusto, who holds a BA in graphic design (University of Rio de Janeiro, 2000) and MA in type design (Type & Media at the Royal Academy of Art in The Hague, 2005). Personal URL. As a Brazilian graphic artist, he has been involved in two Rojo ArtStorm projects. Yomar lives in Rotterdam. At ATypI 2008 in St. Petersburg, he ran an experimental calligraphy workshop called Kalligraphos.

His typefaces include Den Dekker (2006), and the roundish liquid creations such as Virgem, Rejane, Liquida (2002) and Dizain. No downloads. More recent faces: Duin (2007, octagonal), REMF (2006, stencil), DC (2007, ultra-fat), Fake Human (2005, script), Jana (2006, unicase), War (2007, octagonal), Fuck Shit Up (2007, stencil), Charlie Dee (2002, hairline stencil), Marina Lima (2002), Lasagna (2008, Re-Type: a fat geometric poster family, produced with the help of Miguel Hernandez). In 2009-2010, he created the Adidas Unity typeface [images: i, ii, iii]. In 2011, he designed the multiline headline face Andoverpis. The Dog House Nike (2010) is a custom typeface for The Dog House Athlete center for runners in Amsterdam. [Google] [MyFonts] [More]  ⦿

Bryntaub

Creator at FontStruct of the blackboard bold octagonal face Heinrich (2009). [Google] [More]  ⦿

Burnhaus Studios
[Jason Burnhaus]

Creator of these typefaces in 2012: Monogram (octagonal), Phys Ed Dept (athletic lettering), Wild Modern (spurred Far West face), and Queens Bridge (bubblegum, psychedelic).

Jason lives in New York city. All the fonts can be downloaded from his site (Burnhaus Studios), but three of the four downloads do not work.

Behance link. Personal web site. [Google] [More]  ⦿

Buro Lazer
[Andreas Münch]

Andreas Münch (Buro Lazer, Nuremberg and Berlin) created the hairline octagonal face VS Lazor Racor (2010). Dafont link. [Google] [More]  ⦿

C. Birkmeier

Creator of the multipatterned texture faces Amor Infiniti (2011) and Youniek (2011). [Google] [More]  ⦿

C. Hough

Designer of the octagonal face Lambchop and Lambchop Series II (2008, FontStruct) which was based on the logo of Lambretta. [Google] [More]  ⦿

C. Zawada

Designer at FontStruct in 2008 of franck, franck_alt, harvey (octagonal). [Google] [More]  ⦿

Cabrera Typo
[Alejandro Cabrera Avila]

Cabrera Typo in Ciudad Valles, Mexico, is the experimental free font outfit of graphic designer Alejandro Cabrera Avila, b. 1970. Creator of CT Pro Lamina (2009, heavy octagonal fare) and CT Aztech (2008, pixel face). Dafont page. All his fonts have been made with FontStruct, where he is known as superhuasteco. Ring (2010) is a lucha libre poster font. Creator in 2008 of aztech (pixel face). Aka superhuasteco. In 2009, he added Pro Lamina (bold octagonal), Pro Lamina 2 (a stencil version), Pro Lamina Segmentada (stencil), Pro Lamina Stencil, Huaxteca (pixel), Texteca (pixel face), Kroma (sturdy), Kromix (+Black), and the Kromos family (Franklin Gothic style). In 2010, he created the lucha libre poster font Ring, and the pixel faces Pro Lamina TNR Pix, Jorongo, Aztechno, Aztech and Yarda Px. The squarish condensed face Pole was added in 2011. [Google] [More]  ⦿

Cadson Demak

Thai foundry in Bangkok (ex Cadson Demak pi), est. 2002. It originally published picture fonts designed by several designers including Anuthin Wongsunkakon, Supisa Wattanasansanee, and Pitipa Silapipat.

These included Pok Pong (2008, crazy animals---a great typeface), Planto (2008, plants), PawPack (2007, animals), POBox (2002), Gun Smith (2007, guns), Sun Burst (2007, kaleidoscopic), Arronts (2008, arrows), Cake Walk (2008, food dings), PalPack (2008), RetroTraveler (2008), Speak-Up (2008, text ropes), Road Show (2007, road sign outlines).

Fonts sold through T26 and MyFonts. Home page.

In 2009, Latin fonts were added, such as Option Sans (Anuthin Wongsunkakon: a reworking of his Coupe), Carbon Plus (Anuthin Wongsunkakon: a reworking of his Carbon of 2003 at T26), and Bangkokean (Anuthin Wongsunkakon) and Knight Sans (by Ekaluck Peanpanawate). Cadson Demak himself designed Bangkokean (2009, serif family), Carbon Plus (2009, rounded octagonal), Gun Smith (gun dingbats), Symbloc (dingbats), and Sun Burst (caleidoscope style dingbats) at T-26. In 2008, he created Robo (T-26, robot dingbats). In 2009 he made Bolder (a shadow face).

Due (2011) is a clean humanistic sans family.

New Son Gothic No1 through No 7 (2012) is a widely spaced gothic sans family. [Google] [MyFonts] [More]  ⦿

Cake Type
[Pieter van Rosmalen]

Dan Haag-based Dutch foundry, est. 2004 by Pieter van Rosmalen, who before that designed fonts for GarageFonts and Typotheque. He studied design and advertising at Sint Lucas in Boxtel (The Netherlands) and type design and typography at the postgratuate course Type & Media at the Royal Academy of Arts in The Hague (The Netherlands). For the CakeType library he designed CKTP Alterego, CKTP Capibara Classic, CKTP Capone (6-weight grotesque), and CKTP Pixie. Cake Type is involved in custom and commercial typefaces. Emma is a custom family. Dutchman (b. Eindhoven, 1969, living in Den Haag) Pieter van Rosmalen's fonts are mostly of the pixel type and are sold at Garagefonts: Ministeck (2000, pixel font), Dotted Weekend (1999), Get Back (1999), Martian Telex (1999, dotted pixel font), Monster Droppings (1999), Naomi (1999, handprinted), Nice Weekend (1999), Novella (1998-1999, rounded octagonal face), Porno (1999), Thomas (2000), Rough Weekend (1999), Adore (thin typewriter font), First Street Left, Moved, Passenger (pixel font), Rebel Mono (2000), Shop (arcade game pixel font), Underscore (stitch pixel font), Archive (2000), Ravensburger (2000), Rebel (2000), Adore (2001), FirstStreetLeft (2001), Moved (2001), Passenger (2001), Shop (2001), Underscore (2001), Weekend Web (2002), Archive (2003), Capibara (2003), Melvin (2003), Epos (2003). At Phil's Fonts, get Alter Ego, Capone, Capone Poster (stencil), Galaxy and Pixie (+Mpno, Narrow, Script), all made in 2005. In 2008, van Rosmalen made Nitti (monospaced; followed in 2009 by Nitti Typewriter), Panno (sans) and Pinup (fat rounded sans). In 2009, they published the non-connected handprinted Aniek. In 2009, he and Paul van der Laan created Audi Type (via MetaDesign), which replaces the old Univers-based Audi Sans. [Google] [MyFonts] [More]  ⦿

caliopigio

FontStructor in 2010, who made the useful sans and slab faces Periodica and Periodica Serif. Still in 2010, he made Draft, Radio, Cristina Light and Medium (clean octagonal family), Reyman, Wilburn, and Hiponomia, Nomius, Nomina Serif, Nomina Hard Serif, Formal Roman, Carlstown, Manco, Willburn. Cubica (2009) is a fat display face. I suspect that his 2009 faces were more or less practice on the way to Periodica: Fuenteovejuna, Cuadratica, Greif-bleit, CariSerif, Combi, Redonda, Hiponomia. [Google] [More]  ⦿

Canada Type
[Rebecca Alaccari]

Foundry in Canada, est. 2004 by Rebecca Alaccari in Toronto, and run by her and Patrick Griffin. Interview with Rebecca. Her faces can be bought through YouWorkForThem and MyFonts: Centennial Script (2007, a revival of an 1874-1876 high-contrast calligraphic script by Hermann Ihlenburg), Valet (2006, superb art deco face), Freco (2006, an art deco face loosely based on designs and letters of Fré Cohen), Silk Script (2006, based on 1956 Helmut Matheis script called Primadonna), Dominion (2006, based on an early 1970s film type called Lampoon), Johnny (2006, an art nouveau poster face that revives the Harem/Margit face by Phil Martin, 1969), Guillotine (2007), Mayfair (2006, a calligraphic face based on Mayfair Cursive by Middleton, 1932), Happy Birthday (2006, script), Geronimo (2005, brush style poster font), Rostrum (2005, a revival and expansion of a type called Oleander, designed in 1938 by Julius Kirn for the Genzsch&Heyse foundry in Hamburg), Apricot (2005; based on A.R. Bosco's Romany for ATF, 1934, but a major extension with many ligatures), Heathen (2005), Cougar (2004, a digital version of Martin Wilke's 1968 handwriting face Konzept), Puma (2004, brush face based on Herbert Thannhaeuser's 1954 Kurier), Big Brush (brush), Diva (connected script), Odette (high ascender display face after the Morris Benton 1918 American classic, Announcement Roman), Crucifix (2004, a severe octagonal face), Fore (2004, a bullethole face), Formula, Gamer (2004), Formula (2004), Kofi, Platoon (2004, a stencil face), Verso (2004), Secret Scrypt (2004, a handwriting face), Bluebeard (2004, blackletter by Patrick Griffin), Bolero (2004), Janice (2004, psychedelic), Jimi (2004, also psychedelic), Scroll (2004), Dominique (2004, upright script), Moxie (2004, a fat display family which includes a stencil), StockA (2004), StockB (2004, a fat stencil face), Stalker (2004, a destructionist face), Scroll (2004), Jonah (2005, a hippie face based on an early 1970s film type from Franklin Photolettering called Urban). MyFonts page. Phil Rutter and Patrick Griffin made Coffee Script (2004), the digital version of R. Middleton's Wave design for the Ludlow foundry, circa 1962. Phil Rutter and Rebecca Alaccari designed Almanac (2004), a script face based on Imre Reiner's London Script (1957) (and Rebecca did a subsequent redigitization in 2007 that led to Reiner Hand), Tiger Script (2004, based on Georg Trump's wild brush script Jaguar done in 1967 for C. E. Weber), and Ali Baba (2004), an Arabic simulation face originally designed by Georg Trump as Palomba (1955, C.E. Weber foundry). Patrick Griffin made Leather (2005, after Imre Reiner's 1933 blackletter face), Secret Scrypt (2005), Skullbats (2005), Slang (2004, a blood scratch face), Bluebeard (2004), Expo (2004, an octagonal family), and Dancebats (2004). Simone Wilkie designed Boyscout (2004) after the handwriting of her son. Helmut Matheis' Contact (1963, flowing script/brush) was digitized by Rebecca in 2004 as Bruschetta. Rebecca also made Steiner Special (2007, a revival of Swing, a film type by Peter Steiner, 1974), Genesis (2007, a digitization and extension of Grayda, a 1939 calligraphic script of Frank H. Riley at ATF), Evolver (2006, futuristic family), Redwood (2007, a calligraphic script based on Willard T. Sniffin's Raleigh Cursive (1929, ATF)), Orotund (2005, after the 1970s face Eight Ball; this was extended again in 2006 in her art nouveau typeface Huckleberry, which is a revival of the 1973 face of Gustav Jaeger called Mark Twain), Pendulum (2005, a fantastic flowing script based on Nebiolo's Americana, 1945), Jojo (2005, with B. Jacquet), Mascara (2004), Gala (2004, after Neon (1935, Giulio da Milano at Nebiolo)) and Bella Donna (2004, after a script made by Alessandro Butti in 1948, called Rondine). 2005 faces: Jazz Gothic (Patrick Griffin), Showboat, Hunter (a revival of Imre Reiner's brush script Mustang, 1956), Quanta (stencil), Quiller (a script face based on J.J. Sierke's 1964 face Privat), Rhino (revival of Mobil, a 1960 face by Helmut Matheis for Ludwig&Mayer), Dominique (donated to FontAid), Secret Scrypt (donated to FontAid), Jackpot (2005, Western typeface remotely based on Cooper Playbill which in turn is related to Cooper Black, but it also has hippy 1968 influences), Sincerely (handwriting face based on Karlgeorg Hoefer's 1968 Elegance), Fontella (a digitization of Novarese's calligraphic script Elite), Boondock (digitization of Imre Reiner's Bazaar from 1956), Gumball (digitization of Papageno, a 1958 font by Richard Weber for Bauer), Runway, Gamer, Dominique (OpenType handwriting face), Sterling Script (2005, by Alaccari and Griffin: a 7-weight digitization and extension of Stephenson Blake's 1952 clean copperplate script Youthline Script), Vox (2007, a 24-style monoline sans family done with Patrick Griffin), Evolver (2006, a 4-style futuristic family), Ambassador Script (2007, an Alaccari-Griffin revival of the angle-reduced calligraphic script Juliet by Nebiolo, 1955). In 2005, Philip Bouwsma joined Canada Type, and designed a great calligraphic blackletter-inspired family, Torquemada. VIP (2007) is a humanist sans serif uppercase and figures combined with a freshly redrawn revival of the classic VGC Contanze initials originally designed by Harry Brodjian in 1970. Chopper (2007, by Rebecca Alaccari) is a revival of Venture (a 1972 face for VGC by Harry Villhardt). Walter (2007, Rebecca Alaccari) is a digitization of Heritage (1952, ATF, a calligraphic script by Walter H. McKay). Celebrity (2007, Rebecca Alaccari) revives and extends the retro/techno face Latus (Willy Wirtz, 1971). Sympathique (2008, Alaccari) is an ultra-thin and ultra-tall face in the mold of Bernhard Fashion and other era poster or film faces (they say that it is rooted in the film faces Hairstreak and Mossman). Mullen Hand (2008) is a revival of Repro Script (1953, Jerry Mullen, ATF).

Filmotype Giant (2011, a condensed sans) and its italic counterpart, Filmotype Escort (2011) were bth codesigned with Patrick Griffin.

Catalog of its typefaces.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Candism

FontStructor who made the very dark condensed octagonal face Elephantitus (2010), originally called Elephantiasis. [Google] [More]  ⦿

Carlos Fabián Camargo Guerrero

Venezuelan graphic and type designer (b. San Cristóbal, Estado Táchira, Venezuela, 1977). He studied Graphic Design between 1995 and 1998 in the Instituto Universitario de Tecnología Antonio José de Sucre (IUTAJS) Extensión Mérida, Venezuela. He runs the design studio Andinistas in Bogotá, Colombia, which he set up in 1998 with a few others. Creator of the beautiful typeface Cazon (1999-2007, a grunge script in 7 styles that includes Gris, Negra, Uno, Dos, Tres, Dingbats A and B) and of Escuadra (2003), Biologia (2003), Denedo (2003; the discussion by typophiles centers around how interesting this 3d font is experimentally---a bit like the type version of M.C. Escher's drawings, full of impossibilities), Modelia (2006), Nikona and Nikona Dual (2006, octagonal, with Rafael Rincón), Avecedario, Btamax (1999-2008, comic book style and grunge), Día D, Nativa, Codiga Icons (dingbats), Codiga (1999-2007, an 8-style octagonal family including Codiga Stencil and Codiga Dingbats), Codiga Pura (octagonal face), Pepelepu, Gancho petare, Guerrilla, and Hirofórmica (grunge). His calligraphic script family Panamericana (2007) comes in many grungy and experimental flavors: Blanca, Gris, Negra, Uno, Dos, Tres, Cuatro, Cinco, Seis and Dingbats. With María Angélica Estrada Cano, he designed the hand-drawn font families Makika (2007) and Lita (2007; in five styles---Gris, Negra, Humo, Molis, and Dingbats). His blog. In the area of combat-ready explosion-inspired letters and dingbats, check his eight-weight family Hiroformica (2007, Andinistas; for a free version, see DaFont). In 2007, he created the calligraphic grunge family Rosadelia, and the grunge lettering and crow dingbats family Gancho Petare. In 2008, he published Heleodora (beautiful scratchy hand), Magola (Negra, Supra Negra and Stencil), Navaja 1 through 4 (a collection of grunge fonts with grungy dingbats), Lucrecia 1 through 3 (a fat connected script family ranging from clean to splattered), Pomarosa (irregular hand) and Pomarosa Dingbats, Bochalema (+Dingbats, a comic book family), and Alcira 1 through 3 (nice scribbly grunge scripts). Dafont link. [Google] [MyFonts] [More]  ⦿

Carlos Teles

Graphic design student in Sao Paulo. He created Little Charles Cubic Font (2012, octagonal). [Google] [More]  ⦿

Carlos Zubia

Carlos Zubia (Perro Bravo) is a designer in Chihuahua, Mexico. He created the octagonal typeface Ara (2010). Russell Brands link. [Google] [More]  ⦿

Carnoky Design
[Samuel Carnoky]

Carnoky Design (or Carnoky Type) is run by Samuel Carnoky in Kluknava, Slovakia. He created these fonts: LECO 1988 (2011, a display sans based on lettering a LECO bottle from 1988), 2D3D Molcak (2010, octagonal), Samo Sans, LECO 1983 (poster face), LECO 1976 (squarish pixelish family), Arcus (2010, a free rounded type family).

MyFonts link. Behance link. [Google] [MyFonts] [More]  ⦿

Caroline Brewer

Graphic designer in Anderson, SC, who created the octagonal athletic jersey typeface Skyhook (2012). She graduated from Anderson University.

Caroline Brewer Photography link. [Google] [More]  ⦿

CAT Design Wolgast
[Peter Wiegel]

Wolgast-based type designer Peter Wiegel (b. 1955) runs CAT Design Wolgast. Designer of these free fonts:

  • In 2012: Men Nefer (a Memphis lookalike), Fette Unz Fraktur (like Fette Fraktur), Mutter Krause (for the reconstruction of the 1929 silent movie "Mutter Krausens Fahrt ins Glück", where it is used for intertitles, that where missing. The font is redrawn from the original intertitles), Youbilee (a font with laurels).
  • In 2010: Alfabilder (dingbats), Gondrin (athletic lettering with a 3d effect), HelvetiaVerbundene (making Helverica into a school script?), Proletarsk (a grotesk face), Vis-à-vis (great idea--a double-storied serif face), ApolloASM (Victorian), BertholdrMainzerFraktur, Doergon-Regular (license plate font), DoergonBackshift, DoergonShift, Eureka (Victorian, ornamental face), GoeschenFraktur (1880-style Fraktur used in Sammlung Göschen books), Makushka, MakushkaKontura, MakushkaQuadriga, MakushkaSecunda, Moderne3DSchwabacher, ModerneGekippteSchwabacher, StrassburgFraktur, TGL0-16 (same as DIN 16), TGL0-17 (same as DIN 17), TGL0-17Alt, Tank (emblems of gas companies), EricaType-Bold, EricaType-BoldItalic, EricaType-Italic, EricaType-Regular (typewriter), ErikaOrmig, Fibel Vienna (2012, a high-legged sans), GreifswalderTengwar-Regular, GreifswalerDeutscheSchrift (German Schreibschrift), Midroba-Regular (a strong mechanical octagonal face), MidrobaSchatten, MMX2010 (futuristic), Präsent60, Rotunda Pommerania (blackletter), TengwarOptime, TengwarOptimeDiagon, cbe-Bold, cbe-BoldItalic, cbe-Italic, cbe.
  • In 2009: 18thCenturyInitials, 18thCenturyKurrent-Regular, 18thCenturyKurrentAlternates, German writing from the 18th century), CentreClaws, CentreClawsBeam1, CentreClawsSlant, Cöntgen Kanzley Regular (blackletter), Cöntgen Kanzley Aufrecht (2009), ElficCaslin, H1N1, Loxembourg1910Shadow (an art nouveau-influenced stencil face), Luxembourg1910, VarietScala (an art deco sans family), Varietee, VarieteeArtist, VarieteeCabaret, VarieteeCascadeur, VarieteeCasino, VarieteeCirque, VarieteeColege, VarieteeConferencier, VarieteeFolies, VarieteeIkarier, VarieteeJongleur, VarieteeMirage, VarieteeRevue, VarieteeTheatre, KochFetteDeutscheSchrift (blackletter), MoradoFelt-Regular (upright connected script), MoradoMarker (2009), MoradoNib, PreussischeVI9 (DIN-like family), PreussischeVI9Linie, PreussischeVI9Schatten-Linie, PreussischeVI9Schatten, SchatternvonPreussischeVI9, Stage (art deco), Ring Matrix (dot matrix), Nathan, Amptmann Script (2009, upright connected script), Cat Shop, Blankenburg (blackletter), Murrx (arched face), Schwaben Alt (1988, bastarda), Vrango, 14LED (Regular, Phattt-Heavy, Rised-Black), 24LED (+Bright, +Grid, +Modul), DIN1451fetteBreitschrift1936-Regular, FibelNord (basic sans family with an architectural twist), FibelSued (family), PaneuropaBankette, PaneuropaCrashbarrier-Black, PaneuropaFreeway, PaneuropaHighway, PaneuropaRoad, PaneuropaStreet, PaneuropaWrongWay, Quirkus (family), RingMatrix (dot matrix family), RingMatrix3D, RingMatrixTwo, DiscipuliBritannica (connected script), GruenewaldVA-Regular (connected school script), Rudelskopfdeutsch-Aufrecht, WiegelLatein (connected school script), WiegelLateinMedium (2009), Morado, Moebius Bicolor (art deco), Elbaris (sans), ElbarisOutline, Nomitais (multiline face), RostockKaligraph, Waschkueche, WaschkuecheGrob-Ultra, WiegelKurrent (traditional German school script), WiegelKurrentMedium, XAyax, XAyaxOutline (2009), Kaufhalle (squarish), Quimbie (art deco), CasaSans-Regular, Elb-Tunnel, MeyneTextur (blackletter), Yiggivoo, TGL 31034-1 (futuristic sans), Beroga (a simple organic sans).
  • Before 2009: Xayax, PreussischeIV44Ausgabe3 (2006, a severe sans), Utusi Star (1989, very condensed all-caps face), Avocado (2006, script face), CbeNormal (2006, script face), Leipzig Fraktur (+Bold) (2006), Berlin Email (2006, a condensed sans family, followed in 2009 by Berlin Email Serif), MaassslicerItalic (2006, a futuristic face made for Rudolf Maass + Partner GmbH), Powerweld (a gorgeous avant-garde face made for OPTI Pumpen und Technik GmbH), WolgastScript (2005), WolgastTwo (2006, connected script), WolgastTwoBold, ZeichenDreihundert-Regular, ZeichenHundert-Regular, ZeichenVierhundert-Regular, ZeichenZweihundert-Regular (2006, traffic dingbats), Djerba simplified (Arabic font, Computer and Technologie, Hamburg, 1995; it can be downloaded here), Titus FrakturBaltic (1998), TITUS FrakturEast Normal (1998), and TITUS FrakturWest Normal (1998) [which used to be downloadable here; these fonts were retired and the Titus name dropped; most of the glyphs made it to Schwaben Alt].
Dafont link. One more URL. Fontspace link. Yet another URL. Font Squirrel link. Fontsy link.

The list of his truetype and opentype faces as of 2011: 18thCenturyInitials, 18thCenturyKurrentStart, 18thCenturyKurrentText, Alfabilder, AlteDIN1451Mittelschrift, AlteDIN1451Mittelschriftgepraegt, AmptmannScript, ApolloASM, Avocado, Barnroof, BerlinEmail, BerlinEmail2, BerlinEmailBold, BerlinEmailBold, BerlinEmailHeavy, BerlinEmailHeavy, BerlinEmailOutline, BerlinEmailOutline, BerlinEmailSchaddow, BerlinEmailSchaddow, BerlinEmailSemibold-Bold, BerlinEmailSemibold-Bold, BerlinEmailSerif, BerlinEmailSerif, BerlinEmailSerifSemibold, BerlinEmailSerifSemibold, BerlinEmailSerifShadow, BerlinEmailWideSemibold, BerlinEmailWideSemibold, Beroga, Beroga, BerogaFettig-Bold, BerogaFettig-Bold, BertholdMainzerFrakturUNZ1A-Italic, BertholdMainzerFrakturUNZ1A, BertholdrMainzerFraktur, Blankenburg-Regular, BlankenburgUNZ1A-Italic, BlankenburgUNZ1A, CasaSans-Regular, CasaSans, CasaSansFettig-Bold, CatShop, CentreClaws, CentreClawsBeam1, CentreClawsSlant, ChunkFiveEx, CntgenKanzley-Regular, CntgenKanzleyAufrecht, DIN1451fetteBreitschrift1936-Regular, DiscipuliBritannica, DiscipuliBritannicaBold, Doergon-Regular, DoergonBackshift, DoergonShift, DoergonWave-Regular, Elb-Tunnel, Elb-TunnelSchatten, Elbaris, ElbarisOutline, ElficCaslin, EricaType-Bold, EricaType-BoldItalic, EricaType-Italic, EricaType-Regular, ErikaOrmig, Eureka, FibelNord-Bold, FibelNord-BoldItalic, FibelNord-Italic, FibelNord, FibelNordKontur, FibelSued-Bold, FibelSued-BoldItalic, FibelSued-Italic, FibelSued, FibelSuedKontur, GoeschenFraktur, GoeschenFrakturUNZ1A-Italic, GoeschenFrakturUNZ1A, Gondrin, GreifswalderTengwar-Regular, GreifswalerDeutscheSchrift, GruenewaldVA-Regular, GruenewaldVA1.Klasse, GruenewaldVA3.Klasse, H1N1, HelvetiaVerbundene, KochFetteDeutscheSchrift, KochFetteDeutscheSchriftUNZ1A-Italic, KochFetteDeutscheSchriftUNZ1A, LeipzigFrakturBold, LeipzigFrakturHeavy-ExtraBold, LeipzigFrakturLF-Bold, LeipzigFrakturLF-Normal, LeipzigFrakturNormal, LeipzigFrakturUNZ1A-Bold, LeipzigFrakturUNZ1A-BoldItalic, LeipzigFrakturUNZ1A-Italic, LeipzigFrakturUNZ1A, Luxembourg1910, Luxembourg1910Contur, Luxembourg1910Ombre, MMX2010-Regular, Maassslicer3D, Maassslicer3D, MaassslicerItalic, MaassslicerItalic, Makushka, MakushkaKontura, MakushkaQuadriga, MakushkaSecunda, MeyneTextur, MeyneTexturUNZ1A-Italic, MeyneTexturUNZ1A, Midroba-Regular, MidrobaSchatten, Moderne3DSchwabacher, ModerneFetteSchwabacher, ModerneFetteSchwabacherUNZ1A-Italic, ModerneFetteSchwabacherUNZ1A, ModerneGekippteSchwabacher, MoradoFelt-Regular, MoradoMarker, MoradoNib, MoradoSharp-Regular, Murrx, Nathan-CondensedRegular, Nathan-ExpandedRegular, Nathan-Semi-expandedRegular, Nathan, NathanAlternates-CondensedRegular, NathanAlternates-ExpandedRegular, NathanAlternates-Semi-expandedRegular, NathanAlternates, Nomitais, Nomitais, Numikki, Numukki-Italic, Numukki-Italic, Numukki, Powerweld, PreussischeIV44Ausgabe3, PreussischeIV44Ausgabe3, PreussischeVI9, PreussischeVI9Linie, PreussischeVI9Schatten-Linie, PreussischeVI9Schatten, Proletarsk, Prsent60, Quimbie, Quimbie3D, QuimbieShaddow, QuimbieUH, Quirkus-Bold, Quirkus-BoldItalic, Quirkus-Italic, Quirkus, QuirkusOut, QuirkusUpsideDown, RostockKaligraph, RotundaPommerania, RotundaPommeraniaUNZ1A-Italic, RotundaPommeraniaUNZ1A, Rudelskopfdeutsch-Aufrecht, SchatternvonPreussischeVI9, Schulfibel-Nord-Linie-2, SchwabenAlt-Bold, SchwabenAltUNZ1A-Italic, SchwabenAltUNZ1A, Stage, StrassburgFraktur-Regular, TGL0-16, TGL0-17, TGL0-17Alt, TGL31034-1, TGL31034-1, TGL31034-2, TGL31034-2, Tank, TengwarOptime, TengwarOptimeDiagon, TitilliumMaps29L-1wt, TitilliumMaps29L-400wt, TitilliumMaps29L-800wt, TitilliumMaps29L-999wt, TitilliumText22L-1wt, TitilliumText22L-250wt, TitilliumText22L-400wt, TitilliumText22L-600wt, TitilliumText22L-800wt, TitilliumText22L-999wt, TitilliumTitle20, UtusiStar-Bold, UtusiStar, VarietScala, Varietee, VarieteeArtist, VarieteeCabaret, VarieteeCascadeur, VarieteeCasino, VarieteeCirque, VarieteeColege, VarieteeConferencier, VarieteeFolies, VarieteeIkarier, VarieteeJongleur, VarieteeMirage, VarieteeRevue, VarieteeTheatre, Via-A-Vis, Vrng, Waschkueche, Waschkueche, WaschkuecheGrob-Ultra, WaschkuecheGrob-Ultra, WiegelKurrent, WiegelKurrent, WiegelKurrentMedium, WiegelKurrentMedium, WiegelLatein, WiegelLateinMedium, WolgastScript, WolgastScript, WolgastTwo, WolgastTwo, WolgastTwoBold, WolgastTwoBold, XAyax, XAyax, XAyaxOutline, XAyaxOutline, YiggivooUnicode-Italic, YiggivooUnicode-Italic, YiggivooUnicode, YiggivooUnicode, YiggivooUnicode3D-Italic, YiggivooUnicode3D-Italic, YiggivooUnicode3D, YiggivooUnicode3D, ZeichenDreihundert-Regular, ZeichenDreihundertAlt, ZeichenHundert-Regular, ZeichenHundertAlt, ZeichenVierhundert-Regular, ZeichenZweihundert-Regular, ZeichenZweihundertAlt, cbe-Bold, cbe-BoldItalic, cbe-Italic, cbe, kaufhalle, kaufhalle, kaufhalleblech, kaufhalleblech, moebius.

His type 1 fonts as of 2011: Avocado, BerlinEmail, BerlinEmail2, BerlinEmailBold, BerlinEmailHeavy, BerlinEmailOutline, BerlinEmailSchaddow, BerlinEmailSemibold-Bold, BerlinEmailSerif, BerlinEmailSerifSemibold, BerlinEmailSerifShadow, BerlinEmailWideSemibold, Beroga, BerogaFettig-Bold, CasaSans, Elb-Tunnel, Elb-TunnelSchatten, Maassslicer3D, MaassslicerItalic, Numukki-Italic, Numukki, Powerweld, PreussischeIV44Ausgabe3, Quimbie, QuimbieUH, RostockKaligraph, TGL31034-1, TGL31034-2, UtusiStar-Bold, UtusiStar, Waschkueche, WaschkuecheGrob-Ultra, WolgastScript, WolgastTwo, WolgastTwoBold, YiggivooUnicode-Italic, YiggivooUnicode, YiggivooUnicode3D-Italic, YiggivooUnicode3D, cbe-Bold, cbe-BoldItalic, cbe-Italic, cbe, kaufhalle, kaufhalleblech. [Google] [More]  ⦿

Characters
[René Verkaart]

René Verkaart (Maastricht, The Netherlands, b. 1970) established Characters in 2004. His type designs:

  • Cucaracha (2005, Volcano Type). It includes Cucaracha Icons.
  • Ballet Mechanique (2006). A custom-designed unicase font for musician Jeroen Borrenbergs, aka Ballet Mechanique.
  • Plan (2005). A corporate typeface made for Plan A Ontwerp, a graphic design studio based in Eindhoven, The Netherlands, based on sketches by Frank Vogt.
  • Reethi Rah (2006). See also here.
  • Siventi Logo Wide (2005). A Startrek face. Verkaart writes: This custom font was created from the Siventi Products BV logo, which was part of a Brand Identity concept done by Stoere Binken Design (SBD). The concept behind the handlettered Siventi logo was a playful concept, a colorful corporate identity that would change appearance like a chameleon to fit its purpose. Fresh and friendly on poppy plastic products, serious and distinguished on office desk materials.
  • Insider (2004). A sans serif custom face done for Insider Consulting in Duesseldorf, German. It became retail in 2011, and is sold as a warm grotesque family.
  • Nordic Narrow is a clean, stylistic font with a scandinavian touch. For an early development of the Nordic series, see Nordic A (2003, sans, sold through Fountain).
  • Savant (2012). A free informal face.
  • ShellShock (2005). A display typeface.
  • Accelerator. A techno / Startrek face solds via T-26.
  • Nantua (2003), Nantua Flava XL (2003, display typefaces sold through Union Fonts). In 2011, the octagonal typeface Nantua was offered for free download at Dafont.
  • Encrypted Wallpaper (2006) is a playful squarish typeface for creating textual wallpapers and decorations.
  • Vagebond (2003) is a monoline elliptical geometric font that is inspired by 60s television design.
  • Other fonts designed by René Verkaart include BorVer, Bionix, FatBoy One, Freaky Animals, Kryptonite, Porta, SBD Block.

He co-founded Stoere Binken Design. Blog. Klingspor link. Behance link. Dafont link.

View René Verkaart's typefaces. [Google] [MyFonts] [More]  ⦿

Charles Casimiro

Creator of the 4-style family Airborne (2005), an octagonal set of faces that is used on hulls of ships like the USS Enterprise. Fontspace link. [Google] [More]  ⦿

Charlie Witham-Kozma

UK-based creator of the Rebirth family (2011), which includes a stencil and many octagonal faces. That type family was inspired by Wim Crouwel's New Alphabet. [Google] [More]  ⦿

Chego

Designer of Morbida (1999, a gothic font), Ceremonial (2000) and Cyber Daemon (2000), a rough octagonal font. [Google] [More]  ⦿

Chester Jenkins

With just one name (the other one was lost in an accident!), Chester, the type designer, was born in Montreal in 1971, and worked at Thirstype in Chicago. In 2005, he started up the type coop Village, which is located in New York. His fonts include Syzygy, Schmelvetica (at FontShop), Psyche (unreleased), Orbit (2003, with Rob Irrgang), Rheostat (1996, a grunge dot matrix font family), HateNote, Panderella (2000-2001, ultra geometric), Eclogues (1999, an absolutely stunning romantic high-ascender-descender family), LoveHateCollection, JohnHadANightmareLastNight (2001), Alexey (2003, a stencil family, with Rick Valicenti), Apex Serif (2003, with Rick Valicenti), Exchange (dot matrix), Pizzelle Italic, Phatso (2003), Satchel Paige (2003, a wood type face made with Tracy Jenkins), Pixella (2003, pixel font), Nillennium (2000, an octagonal family), Freedumb (2004), Galaxie Polaris (2004, a sans) and Virgil, the last twelve fonts at Thirstype. At Village, he published Mavis (2005), Apex Sans and then Apex New (2005), which has a hairline weight, Apex New Thin. In 2009, he codesigned the large x-height text family Galaxie Copernicus with Kris Sowersby at Village. In 2010, he and Jeremy Mickel made the poster type family Aero, which took inspiration from Roger Excoffon's Antique Olive. It won an award at TDC2 2011.

His custom-made faces from 2006-2007 include these: Rewards (with Kris Sowersby), Always Radio (with Markus Rakeng), 2Wice Egyptian, Apex Compact, Apex New Condensed, Baro Heavy, Baro Light, Baro Medium, Baro Super, DPA Gothic, Endzone, Galaxie Ariane, Galaxie Copernicus, LMVDR, Modernismo, Snickers. [Google] [MyFonts] [More]  ⦿

Chico Pausini

Designer at FontStruct in 2008 of Quadrantis (a thin octagonal typewriter face), Redondilla (fat and round), and Chico's (scratchy children's hand). [Google] [More]  ⦿

Chris' British Road Directory
[Nathaniel Porter]

Chris Marshall's web site on British roads and traffic signs. He has a subpage on fonts used on British highways. Based on these specifications, Nathaniel Porter and John Prentice (who added Greek characters, based on Greek road signs) made a set of free fonts that follow the British highway system. These include Transport Medium, Medium Greek and Heavy (the main British highway font), Motorway Permanent (for numbers on signs), Motorway Temporary (for use on temporary signs), Pavement (for painted lettering on the road surface), and VMS (an octagonal font for use in light-up panels). Erik Spiekermann blasts his implementation of Transport: A gentleman called Nathaniel Porter has digitized Transport Heavy, and it is being used by various agencies. The data is even worse than the Swedish Tratex font which must have been done by an amateur on on Ikarus system without corrections. This one here is just a raw scan. Amazingly, it works as a font. Too heavy for signs, but just shows how good font software has become if it can actually make a working font from a scan that looks like a piece of German rye bread. I suspect that this version of Transport Heavy is being used in Italy and Spain. And in Greece as well. They also made Old Road Sign Font after the road sign lettering in the UK in use before 1964. Its origins go back to 1944. [Google] [More]  ⦿

Christian Munk

Danish designer (b. 1991), aka CMunk, who used FontStruct in 2008 to create Flag Semaphore (+Smooth, Peace), Articulate, Font from NATO (military slab serif), Glockenwerk (2008, pixel clock font), Glockenwerk Uhrzeit (2008), Flags-and-NATO (dingbats), Font from NATO alpha, Tall, Flying-Circus (Western showtime face to imitate the Monty Python titling font), LCD-display, Simple (stencil font with 700 glyphs), TMNT, Tetris, sharp-pixels, Raster, Quad (2008, nice stencil face), Inverted (2008), Propaganda (2008, Cyrillic font simulation), Empty Monospace (2008), Pride (2008), Stadium (2008), Rounded (2008), Dear God (script pixel face), Celtic Style (2008).

In 2009, he added 7x12 Pixel Mono, @bcde, Abstract Letter Patterns, Music, Texture, Diagonal, Gothic, Illusio, Unispace (typewriter type), Narrow Serif, Delta, Alien Double (great!), Donut, Flags-and-NATO, Simple-Fraktur-Initial, Simple-Fraktur, Texture, Friendly Serif, (+Soft), Invisible, Sharp, Heavy Diacritics, Concentrium, Continuous Digital Display, Elves, Pixies, Space Movie (+Ligatures), Flag Semaphore (+Smooth, +Peace), Articulate, BBT Biline Twist, Biline Twist, Empty Monospace, Unfix, Infix, Pride, Tyre Stencil (like tire threads---nifty...), and Overlap.

FontStructions from 2010: Even (gridded), Brilliance, Slalom Vision, Quirky Serif, 7x12PixelMono, Ball Terminator, Gearbox, Prefix, Upside Down, Way Too Small (a minimalist pixel face), Butterfly, Ribbon Gymnastics, 2D Barcode, Horizon Stencil, Biline Twist, Quirky Serif, Blocktur, Symmetricus (alien writing?).

FontStructions in 2011: 12 dice, Monotwist (tall, monospaced), Squarific (fat octagonal), Swirl (curly), Sweet (Victorian), Easter Eggs, 50 Fifty (experimental, geometric), Squarific (+Stencilious), Spiralix (spiral-themed for Latin and Cyrillic), Bloccus, Feet (monospaced).

Creations from 2012: Blick, Dry Heat (Isolates and Initials, Medials, Finals: an Arabic simulation family), FF9 Coin Slots, FF8 Untalic, FF7 w1de, FF6 Lean Mean, FF5 Bamana, FF4 Circulation, FF3 3times7, FF3 Runization, FF1 Glitchy. FF stands for Forgotten Fonts. [Google] [More]  ⦿

Christopher Perry

Swedish designer who made 35mm (2011, a movie strip font), Aviator (2011, techno), Bad Analogy (2011) and Well Mister (2011, octagonal). Behance link. [Google] [More]  ⦿

Christopher Sleboda

Christopher Sleboda Art&Design offers free fonts: Blocksystem01 (dot matrix), Heavypet (pixel font, 2002), Lazer (2002, octagonal), Deschanel (2001), Electrobit (pixel font), Grassicraft. There are many other fonts, all packed under the name Gluekit. Alternate URL. [Google] [More]  ⦿

Christos Tsolerides

Young Greek type designer. At FontStruct, he created BOMBOM-TheBase, BOMBOM-CityLights, BOMBOM-FullMetal, Roundabout, Structura-SC, Structura-Gothic, Structura, Structura-Alt, StreetPost (stencil) and SlabSlab (squashed slab serif), all in 2008. In 2009, he added the film strip font Berliner, and the stencil face Street Post. [Google] [More]  ⦿

Chumillart

Fontstructor who made fonts such as Modulana (2011, rounded octagonal) and Faraona Slab (2011, western slab face). [Google] [More]  ⦿

Clara

Designer in 2009 over at FontStruct of Carrémond, an octagonal slab face. [Google] [More]  ⦿

Claudia C. Sandor

Norwegian designer of Tom Yum Superslim (2001-2002) and Tom Yum Superfat (2001-2002). She also designed the Thai simulation faces Decomposing Lover (2003) and Tom Yum Superhot (2002). The Birchleaf (sans) typeface, done for Bjørka, a workshop for art photography in Oslo, is still under development. Snøfnugg is a fat paperclip font. Sucomandante (2002) is octagonal and computer-inspired. Bjørkeblad (2002-2003) is futuristic. CC Lisbao (2005) is experimental and modular. Museum X (2005, codesigned with Halvor Bodin and Tone Hansen) was a custom type done for Museum X for kunst/arkitektur/design. Claudia lives and works in Oslo. [Google] [More]  ⦿

Clideone

Polish graphic designer in Gdansk. Creator of the futuristic octagonal face C82 (2007). [Google] [More]  ⦿

Club 21
[Julian Morey]

The founder of and only designer at at Club 21 is Julian Morey, a graphic designer and font creator from London who designed Pacific (1999, an octic typeface influenced by American naval lettering), VMR (1999), SignPlate (a stencil font), Sigma OT (2008, a sans based on a Stephenson Blake grotesque), Skye (2001, a stencil font), Skye Outline [note: Skye used to be called Axis], Checkout, Alpine (2000), Brassplate, Greenwich (2001, a stencil font with fine breaks; used to be called Bronxville), Codex, Electro, Ionia, Jakarta (2000, an octagonal sports/stencil font; was called Jersey), Kathode, Octago (an octagonal stencil face), Liquid, Simpson Typewriter, Preset, Roadworks (1992, stencil font), Thompson Monospaced, Spacer (1999), Paintworks, Portfolio. FontWorks used to sell their fonts, but now Faces does. [Google] [More]  ⦿

Cody Thompson

Westminster, CO-based designer of the modular octagonal face Absence (2010). Graphic design student at the Rocky Mountain College of Art + Design (RMCAD). [Google] [More]  ⦿

Comicraft (or: Active Images)
[Richard Starkings]

Comicraft was founded by Richard Starkings and John Roshell in 1992. Located in Santa Monica and Los Angeles, they do lettering and design for the comic book industry and make comic book fonts. At one point they were also called Comic Book Fonts. The current presidents are Rita Simpson and Richard Starkings. Alternate URL. T-26 link. Some fonts: Sanctum Sanctorum (2003), Grandguignol (2003), MagicalMysticalFour (2003), Smash (2003), Aztech, Joe Kubert, Gobbledygook, Meanwhile, Matinee Idol [Nick Curtis has a much nicer script font by the same name, sold by MyFonts], Manganese (Asian-lookalike by Richard Starkings), Altogether OOky (by John Roshell), AbsolutelyFabulous, Achtung Baby (1997, Richard Starkings: a brutalist typeface), Adamantium, Alchemite, AstroCity, AstroCity International, Bithead, BrontoBurger, CarryOnScreaming, Chills, ClobberinTime, Comicrazy, Destroyer, DivineRight, DoubleBack, DutchCourage (1995, an art deco family), Elsewhere (art nouveau), Flameon, Framistat (2000, JG), Frostbite, GrimlyFiendish, Hooky, Hellshock, IncyWincySpider, JimLee, JoeMad, KissAndTell, KissAndTell International (2000, JG), Meltdown, MonsterMash, PhasesOnStun, PulpFiction, ResistanceIs..., RunningWithScissors, SchoolsOut (1999, John Roshell), SezWho/SezYou, SpookyTooth, Spills, Splashdown, StandBy4Action, Stormtrooper, TheStorySoFar, ToBeContinued, Thrills, WildWords, WildWords International, YuleTideLog, Zoinks, ZAP Pack, Digital Delivery, Jeff Campbell (2000, by JG), Los Vampiros, DeadMansChest, Cutthroat International (2000), Rigor Mortis (2000, John Roshell), DangerGirl, Thingamajig, Red Star, Red Square, Drop Case, Too Much Coffee Man, NearMyth, Stonehenge, Golem and SwordsAndSorcerers (medieval or runes fonts). Their monster fonts collection includes MonsterMash, CarryOnScreaming, Chills, GooseBumps, CreepyCrawly, Grimly Fiendish, IncyWincySpider, SpookyTooth, Meltdown and TrickorTreat dingbats. In 2005, MyFonts started selling their collection. Fonts by Starkings include Achtung Baby, Carry On Screaming, Clobberin Time, Flame On, Goosebumps, Grimly Fiendish, Sez, Splashdown. The full font list: Absolutely Fabulous (1999), Achtung Baby (1997), Adam Kubert (2005), Adamantium (1999), Alchemite (1997), Altogether Ooky (1999), Area51 (2005), Astro City (2005), Astronauts In Trouble (2005), Atomic Wedgie (2005), Aztech (2005), Battle Cry (2005), Battle Scarred (2005), Belly Laugh (2005), Biff Bam Boom (2005), Bithead (1997), Blah Blah Blah (2005), Bronto Burger (1996), Carry On Screaming (1996), Chatterbox (2005), Cheeky Monkey (2005), Cheese And Crackers (2005), Chills (1997), Clobberin Time (1995), Comicrazy (1995), Creepy Crawly (2005), Cutthroat (2005), Danger Girl (2005), Dave Gibbons (2005), Dead Mans (2005), Dear Diary (2005), Designer Genes (2005), Destroyer (1999), Digital Delivery (2005), Divine Right (1998), Doohickey (2005), Double Back (1998), Dreamland (2005), Drop Case (2005), Dutch Courage (1995), Elsewhere (1998), Euphoria (2005), Exterminate (1999), Face Front (2005), Flame On (1997), Forked Tongue (2005), Framistat (2005), Frostbite (1997), Girls Girls Girls (2005), Gobbledygook (2005), Golem (2005), Goosebumps (2005), Grande Guignol (2005), Grimly Fiendish (1998), Hedge Backwards (2005), Hellshock (1997), Hooky (1999), Hush Hush (2005), Hyperdrive (2005), Incy Wincy Spider (1996), Jeff Campbell (2005), Jeff Campbell Sketchbook (2005), Jim Lee (1998), Joe Kubert (2005), Joe Mad (1999), Kiss And Tell (1999), Ladronn (2005), Los Vampiros (1999), Manganese (1999), Matinee Idol (2005), Meanwhile (2005), Meltdown (1997), Mike Wieringo (2005), Monster Mash (1997), Near Myth (2005, a grunge face, since 2007 also at T26), Nuff Said (2005), Overbyte (2005), Paranoid Android (2005), Pascual Ferry (2005), Pass The Port (2005), Phases On Stun (1995), Primal Scream (2005), Pulp Fiction (1996), Red Square (2005), Red Star (2005), Resistance Is (1997), Rigor Mortis (2005), Rumble (1994), Running With Scissors (1997), Sanctum Sanctorum (1998), Santas Little Helpers (2005), Schools Out (1999), Sean Phillips (2005), Sentinel (2005), Sez (1998), Shannon Wheeler (2005), Shannon Wheeler (2005), Smash (2005), Snowmany Snowmen (2005), Soothsayer (2005), Spellcaster (2005), Spills (1997), Splashdown (1997), Spookytooth (2005), Stand By4 Action (1997), Stonehenge (2005), Stormtrooper (1997), Thats All Folks (2005), The Story So Far (1998), Thingamajig (2005), Thrills (1997), Tim Sale (1999), Tim Sale Brush (2005), Tim Sale Lower (2005), Timelord (2005), To Be Continued (2005), Too Much (2005), Tough Talk (2005), Treacherous (2005), Trick Or Treat (2005), Wall Scrawler (2005), Wiccan Sans (1999), Wiccan Serif (1999), Wiccan Special (1999, see also T-26), Wild And Crazy (1997), Wild Words (1995), Yada Yada Yada (2005), Yeah Baby (2005), Yuletide Log (1996), Zoinks (2005), Phil Yeh (2006), Zzzap (2006), Battle Damaged (2007), Speeding Bullet (2006), Foom (2007), Letterbot (2007), Timsale (2007), Cutthroat (2007), Framistat (2007), Area 51 (2007, techno, octagonal), CC Comicraft (2007), Ratatat (2008), Mad Scientist (2008), Monologous (2008, T-26), HolierThanThou (2008, T26), Elephantmen (2008, grunge face at T26), Storyline (2008, T-26), Primal Scream (2009, T-26), Spillproof (2009, T-26), Sign Language (2008), Moritat (2009, T-26, by John Roshell), Pass The Port (2009, T-26), Credit Crunch (2009), Elsewhere (2009, art nouveau), Code Monkey (2011, monospaced yet informal), Glitter Girl (2011, handprinted), Rassum Frassum (2011, comic book face), Rocket Man (2011, a retro futuristic family), Spaghetti Western (2011, signage face).

View Comicraft's typefaces. [Google] [MyFonts] [More]  ⦿

Cory Pelligreno

FontStructor who made Shades (2012, octagonal), and two derived fonts with horizontal and vertical stripes, respectively. [Google] [More]  ⦿

Crate Design
[Gabe Ferreira]

Cypress, CA-based artist Gabe Ferreira (Crate Art Design in Long Beach, CA) designed the wedge serif face Thera Standard (2010) and the slab serif face Crate (2010).

Creator of the octagonal techno typeface Time Never Quits Turning (2012).

Facebook page. [Google] [More]  ⦿

Creation Freefont (or: C-font; was Creation Design Font)
[Masato Shimojima]

From Iwata City, Japan, Masato Shimojima's fonts at C-font/Creation Freefont include about 90 free fonts (Mac PS, PC truetype): Cabin (2011, beveled face), The JapaneseBaseball dingbat font (2006), Check (2007), Chair07 (2007), Corner (2007, octagonal), Chape2AL (2005), Chape-001 (2005), Century Solid (2004), Cream Bold (2004), Cream Regular (2003), Caldia (2003), Hope Regular (2003, typewriter type), Speed Solid (2003), Speed (2002), CeresTriangle (2002), PC Button (2003), Cask4Bitmap (2002), CoolBitmap9 (2002), Cheese (bitmap), Crash, Crash Bold, Camel Open, Crash-12Bit, C-Numf, CamelBold, CamelliaExtraBold, CamelOpen, Camellia, CandyBold, CelboBold, CelboExtraBold, Celbo, CelonBold, ChaingothicBold, ChaingothicExtraBold, ChaingothicLight, Chaingothic, ChapeOpen, CharacterBold, CharacterOpen, CharacterShadow, Circle20, CityBold, CityExtraBold, City, ClearBold, ClearKana, ClearLigh, Clear, CliperBold, CliperLKana, CliperOKana, CliperOpen, CliperSKana, CliperShadow, ComdoBold, ComdoShadow, ComonsBold, ComonsExtraBold, ComonsLight, Comons, Consolekana, ContactBold, ContactExtraBold, ContactLight, Contact, Coronaslyz, Cosmos, CootBitmap, CubeBitmap, CreamLight, Cube2000, Cube2000Open, CupolaBold, CupolaOpen, Cupola, CupolaRoman, Cute (oriental simulation font), Cool, CoronaBold, Crossbar, Coot2000, Coot2002, Comdot series. Font Pavilion sells Chape, Connect and Console. Go here for Chain, Chair, Chariot and Condle.

Direct access. Newest fonts. The shareware fonts are called C-NUM followed by two digits. Some fonts have katakana versions.

Dafont link. [Google] [More]  ⦿

Cris Bernabe-Sanchez

Typographer, illustrator and web designer in Westwood Village, CA. Graduate from UCLA's Design|Media Arts program. . Designer of the octagonal techno face Digital Circuit (2010). [Google] [More]  ⦿

Cuda Wianki
[Aleksandra Debniak]

Cuda Wianki graphic design studio in Warsaw, Poland, was founded by Aleksandra Dabniak and Paulina Rek, two graduates from the Warsaw Academy of Fine Arts.

In 2011, they made the grunge faces Paciak, Fs Ornaments, Ony, Printed Claude and Xylograph (grunge). Totem (2011) is an octagonal face. Too Sweet To Eat (2011) is a 3d hand-drawn family.

Typefaces created in 2012: Pisak (handprinted), Makata (decorative), Lalalo (a monoline sans overlay system) and Lalalo Frames.

Behance link. Cuda Wianki Studio. [Google] [MyFonts] [More]  ⦿

D. Pommella

FontStructor who made the (incomplete) octagonal counterless face Dinge (2008). [Google] [More]  ⦿

Daan Gei

Dutch graphic designer in Breda. Designer of the custom octagonal face Barst for Breda Barst in 2010. He also made the paper fold face Tree Font (2010). Pic. [Google] [More]  ⦿

Dan Schechner

Designer from Richmond, VA (aka fontcollector) on whom I bestow the title King of octagonal typefaces. Dafont link.

  • He used FontStruct in 2008 to create the ultra fat octagonal faces ShortFatStrangerMono and TallDarkStrangerMono after his Bank Gothic-themed series called EZMonoA through EZMonoG. Other creations: MaxiFiveMono, MaxiFiveTallMono, MaxiFiveTooTallMono, CurvedFiveMono, SkinnyMinnieMono (think skinny and octagonal), KaleidoscopeMono (dingbats), NervosaMono (thin, angular and jittery). CourieresqueMono, HeavyMono, SuperHeavyMono, SkinnierMinnierMono, SkinniestMinniestMono, DiamondsMono, LucDevroyeMono1 and LucDevroyeMono1 (based on my own Yonkaku fonts), PortraitMono (each character on an easel), PortraitText Mono, RollingStockInverseMono (characters on wheels), OctagonoMonoA, OctagonoMonoB, AmazonoMono (a macho octagonal face), BlackboardTallMono (white on black), ScoreBoardInverseMono, VarionoMono, TeflonoMono, SymmetronoMono (geometric patterns), VerticalSlatsMono, VerticalSlatsTallMono, BlackboardMono, BlackboardTallMono, SteepFifteenStretchMono, SteepFifteenSuperStretchMono, SteepFifteenMono, RockSolidMono, RockSolidStretchMono, RockSolidSuperStretchMono, YugoFiveUltraTallMono, KitchenTilesMono, PrimoMono, OctagonoMonoC (+Tall, +ExtraBold), LotsaDotsMono, OvaltinoMono, OctagonoPropC (+Tall).
  • Fonts made in 2009: Bevel's Advocate Mono, Mammoth Mono, NovaMono (+Inverse), OctoMono, PortraitMono, GravitonoMono, PortraitTextSteepMono, XLMono, XLProportional, ScallopiniMonoInverse, BrickbatsMono (dingbats), IconoMono (white on black dings), KaleidoscopeMono, DiamondsMono, ShortFatStrangerMono, QuattroMono (+SC), OvaltinoMono, GargantuaMono, EdgeMono, FacetedSuperFiveStretchMono, MegaloMonoGrande, OctagonoMonoExtraBold (+SuperSteep), MegaloMono, KitchenTilesMono (#1, #2, #3), PrimoMonoTall, StereophoneMono (+Inverse), GrecoRomanoMono (+Ultimo), FacetedFiveMono, YugoFiveMono, TopsyCurvy, DiamondLinkMono, RunningOnEmpty.
  • Fonts made in 2010-2011: XLMonoAlt, XLProportionalAlt, Octagonico (octagonal inline face; +Dark), White Elephant 3 (2011, a 3d shadow face), White Rhino (outlined athletic lettering, Black Rhino), Albino Rhino (2011, black on white), Striped Rhino (2011), Curvilino (ultra-condensed), Rondino (2011, similar), BAPSolid (2011, octagonal).
  • Frons from 2012: BAP Outline.
[Google] [More]  ⦿

Dancemade
[Jens Nilsson]

Swedish graphic designer responsible for the blackened octagonal obsese face Dance Made (2008), used in its logo. He lives in Stockholm. [Google] [More]  ⦿

Daniel Dahn

Oslo-based Norwegian designer of the octagonal monoline face Twode.no (2011). Home page. Freelance motion designer and animator. Daniel has a Bachelors in Motion Graphics from Curtin University in Australia. [Google] [More]  ⦿

Daniel Hosoya

Web and graphic designer in Mexico City, who created Future Block (2009, a fat futuristic octagonal face). Behance link. [Google] [More]  ⦿

Daniel Jung

Hungarian creator (b. 1993) of the severe-looking octagonal typeface Agero (2012). [Google] [More]  ⦿

Daniel Montoya

FontStructor who made Oner, Oner2 and Oner Blocks in 2010. These are modular octagonal faces without any hint of roundness. [Google] [More]  ⦿

Daniel Mulyadi

Student at Nanyang University in Singapore. Creator of a few modular typefaces in 2011. [Google] [More]  ⦿

Daniel Pouzeot

Graphic designer from Pavlodar, Kazakhstan. He created the octagonal face Furore (2009), as well as Trajan Pro Cyrillic (2009). He cyrillicized Yanone Kaffeesatz in 2009. [Google] [More]  ⦿

David Jiménez

Mexican designer of Polifónica (octagonal), mentioned here. [Google] [More]  ⦿

David Kassl

Vienna-based designer (aka Agitprop) of The Great IT (2005), an octagonal techno font. [Google] [More]  ⦿

David Leon Senger

German creator in Berlin (b. 1976) of I Robot (2008, FontStruct), and Wecker (2009, LED/octagonal). Blog. [Google] [More]  ⦿

David Neustadt

David Neustadt ("saberrider") is the designer who used FontStruct in 2008 to make the experimental fonts Eye Pain, Colorblind, Big Blue (like IBM's stripes), Cord, Fontsract (a nice stencil face, based on piano keys), Dice (great; based on an idea of Daniel Pelavin, 1996), Blux (liquid crystal), Blockiger (octagonal), athletica (athletic lettering), divided (two lines, octagonal), edgewalker (heavy slab serif), geomatrix (filled-in letters), olympica. Other creations include Picto People (2008, a great people figure dingbat font), Carmack (2008, octagonal), Pluto (2008, white on black), Pluto Lowercase, Arena Berlin (2008), Katja (2008), Average (2008), Unbalanced (2008), Solido (2008, based on Ata Syed's FS Minimal), Noise (2008, grungy school letters), and Diagonalis (2008, diagonally striped letters).

In 2009, he added Hexastruct, Curvy, Genero (fat face), Plagiacotti (Western saloon font, based on Manicotti, 2007, by David Jonathan Ross), Rasterman (+Bold) (gray effect fonts), Krummbein, Cohen, Mister N (handwriting), Monobono (shadow face), Letter Case, Mikado (3d-stroke font), Boulder (ultra-fat), Night Shift (semi-stencil), Tuvalua, Ripper (fat, counterless), Poff, Blackstruct (blackletter), Borders and Borders2 (outlines of countries).

Typefaces from 2010: Squeeze, Puncture (dot matrix outlined), Yobbo (condensed, counterless).

Typefaces from 2012: Thunderdome. [Google] [More]  ⦿

David Soto

David Soto (DS Designs, Forest Hills, NY, b. 1986) created Box Bend DS (2009, octagonal face) and Square Nic (2009), an experimental face. [Google] [More]  ⦿

David Villouta

New York-based illustrator and graphic designer who made the octagonal face Quadratus (2011) and the wiry typeface Monte (2011). [Google] [More]  ⦿

Davyboy723

Designer of the octagonal face MTV2C (2005) and the athletic lettering face Allstar4 (2008). [Google] [More]  ⦿

DBXL
[Donald Beekman]

Donald Beekman (DBXL, est. 1999) is a graphic and audiovisual designer (b. Amsterdam, 1961), who studied at the Rietveld Art Academy from 1979 to 1984 and then started his own graphic and music studio in Amsterdam. He designed many typefaces, most of them emanating from logos or artwork designed for his clients, often from the music and entertainment industry. Since 2004 he has been co-hosting Typeradio, the radio- and podcast-station on design and typography. He set up Vette Letters. Dafont link. Alternate URL. His fonts:

  • At FontFont: Automatic, FF Atomium (2007), FF Beekman (1999), Backbone, Imperial, Droids, FF Massive (2010: a logo family consisting of ultra-fat octagonal designs), Overdose, Stargate (1999), Totem, Tsunami, FF Flava (2003: Beekman calls this a hip-hop font), FF Manga Steel, FF Manga Stone, FF Webfonts, FF Backbone 2 (2003, a futuristic face) and FF Noni (2000).
  • At the DBXL web site: DBXL Softsoul, DBXL Monodon, Brak Bold, DBXL Hardsoul, DBXL Atonium, DBXL Nightfever (free).
  • At Die Gestalten: Breeze, Beatbox (2007, tilted stencil).
  • At Vette Letters: VLNL Brokken (2009, fat octagonal face), VLNL Brak, VLNL Decks, VLNL Breakz.
[Google] [MyFonts] [More]  ⦿

Débora Mello

Design student at Universidade do Estado de Minas Gerais in Belo Horizonte, Brazil. She created an unnamed modular octagonal typeface in 2011, as well as a rounded scriptish face called Skeight (2011). [Google] [More]  ⦿

Désigne (was: Calame Design)
[Benoit Sjöholm]

Désigne (which was Calame Design is run by Benoit Sjöholm from Rennes, France, b. 1980. Dafont link. Old URL. Fonts and font blog. Creator of the double-lined Margarette 01 (2008), the piano key face Désigne (2010), the sans display face Explora (2010), the elliptic Bagadek (2010), Fontastique (2010), Rajkeys (2010), the geometric sans Violette01 (2009), the octagonal face Yllia (2008), Nioubes (2008, very geometric hairline face), Julie01 (2008), Frida01 (2008, organic slab serif), Thamara01 (2008, sans), Linea (2008, outlined), and the ultra-contrast faces Lamia (2008, like leaves), Olivia (2008, art deco), Kanis (2009, organic), Kamalo (2009, upright connected script), Ageone (2009, organic), Agnes Serif (2009), Dollis (2009, elliptical), Johanna (2009, upright multiline script), Jalane Light (2009, techno sans), Yatis Black (2009, almost blackletter), Cilogie (2009, organic), Ageone Serif (2009), Kabys (2009), Kyma (2009), DekerS (2009, sans family), Sixty Queens (2009), Alice (2009), Genikas (2009), Naya (2009), Genikas, Margarette 01, Cross (2009), Johanna (2009, multiline face), Johanna Bold (2009), Kamalo (2009, +Bold), Sakiane (2009, a counterless geometric face), Balkeno (2010, display sans), Rachel (2011, minimalist sans), Marilou (2011, elliptical monoline sans), Melody (2011), Sophie (2011), Judit (2011), Monika (2011, handprinted), Fabrik (2011), Eve Isabelle (2011) and Nolla (2008). [Google] [More]  ⦿

DeeAit
[Mathias Doblhammer]

Mathias Doblhammer (DeeAit) is a graphic designer and illustrator from Vienna, His typefaces include Benchmark (2007), Fashion Victim (2009, hairline avant-garde face), Bowler (2008, rounded and ultra-fat), and Lazy Fox (2009, connected octagonal experiment). Behance link. [Google] [More]  ⦿

DEEAIT and CREATES

Studio in Vienna. Creators of the octagonal / rhombic typeface Symbolis (2012).

Behance link. [Google] [More]  ⦿

defalign
[David Millhouse]

David Millhouse is the UK-based creator of the gothic face SAR Lupe (Volcano Type). His web site, joint with Éloïse Parrack, is defalign. The fonts there include DInterf (grunge), Gottlieb (grunge), Kimberlite Rich (octagonal family), Kimberlite, DTruck and Intro-Basic. The themes in all these fonts are anarchy and angst. Klingspor link. [Google] [MyFonts] [More]  ⦿

Delve Fonts (was: Delve Media Arts)
[Delve Withrington]

Delve Withrington (Alameda, CA; b. 1970, Asheville, NC) studied at the Savannah College of Art and Design, designed signage, print projects and web pages in addition to designing custom typefaces, worked for Fontshop, and in 2004, joined the type team at Agfa Monotype, which morphed into Monotype Imaging, Redwood City, CA. From Asheville, NC, he moved around and ended up in San Francisco. In 1996, he founded Delve Fonts in Berkeley, CA (in fact, Delve Media Arts, and later renamed Delve Fonts). He has collected a virtually complete list of books on typography. Author index. New books. One of the first places to consult, in my view. New type books. MyFonts link. Designer of these typefaces:

  • Blasphemy Initials: a free (and also commercial...) spooky font.
  • Blot Test (1999): a dingbat font inspired by the work of noted German psychologist Hermann Rorschach [1885-1922].
  • Cody (1999): an informal comic book face.
  • Continuo (1996): an all caps bilined outline face.
  • Cortina (2011). A futuristic family by Joachim Müller-Lancé.
  • Delve Hand (1996-2003).
  • Eucalyptus Regular.
  • Eulipia (1997-2003): organic.
  • Helfa (2011). Delve writes: Readability is baked in with a generous x-height, fine proportions that have a medium height to width ratio, and reasonable contrast in stroke weight variation.
  • Peso (1999): an octagonal family inspired by a parking sign discovered in Guanajuato, Mexico.
  • Quara (2009): a techno sans.
  • Tilden Sans (2004-2009): low contrast, large x-height.
  • Uppercut Angle (2011). A signage face by Joachim Müller-Lancé. It was originally developed for the Krav Maga training center of San Francisco.
  • Ysobel (2009; winner of an award at TDC2 2010). Delve codesigned the newspaper type family Ysobel (Monotype) with type designers Robin Nicholas, head of type design at Monotype, and Alice Savoie (Frenchtype, Monotype). The sales pitch: According to Nicholas, the idea for the Ysobel faces started when he was asked to create a custom, updated version of the classic Century Schoolbook typeface, which was designed to be an extremely readable typeface - one that made its appearance in school textbooks beginning in the early 1900s.
His Art work often involves type. Bitstream's Type Odyssey 2 (2002) has Continuo, Blot Test, Peso, Peso Negative. In 2009, Steven Skaggs designed Rieven Uncial and Rieven Italic at Delve Fonts. Pic. [Google] [MyFonts] [More]  ⦿

Deniart Systems
[Jan Koehler]

Great fonts for astrology, hieroglyphics, alchemy and the occult, by Toronto's Jan and Denise Koehler, mostly designed between 1993 and 1995. They moved to Litomerice, the Czech Republic, recently. MyFonts sells the fantastic Meso Americano dingbats, Hypnotica, AlchemySymbols (two fonts), BlackMagick, Border Twins (2010), CastlesShields, Curly Jane (2010), Cubista Geometrica (2010), DaggersAlphabet, Dendera (ancient Egyptian Zodiac symbols), Dragons, Eggnog (2010), Fontazia Papilio (2009), Fontazia Pop62 (2011, dingbats of flowers), Fontazia AquaFlorium (2010, fishtank dingbats), Fontazia Mazzo (2010, vases), Fontazia Stiletto (2011), Fontazia Y3K (2009, aliens), the Hieroglyph family (dingbats, really), Jolly Jester (2010, curly hand), MagiWriting, Meandros (2010, a paperclip design inspired by the Greek Key, or Fret, motif), Phaistos, Pocket Wrench (2010, octagonal), Polka Dot Wrench (2010), PowersofMarduk, Praha Deco (2010, inspired by the Prague art deco movement), the RongoRongo family (Easter Island script), SkeletonAlphabet, Sublimina, Superchunk, WhiteMagick, Yenda (2010, bold and angular).

List of font packages: Aglab, Alchemy Symbols, American Sign Alphabet, Ancient Writings Vol. 1, Ancient Writings Vol. 2, Angelica, The Astrologer Bundle, Astrologer, Aztec Day Signs, Black Magick, Braille Alphabet, Castles&Shields, Celestial Writing, Celtic Astrologer, Certar, Chinese Zodiac, Coptic Alphabet, Daggers Alphabet, Dendera, Dinosauria, Dragons, Egyptian Deities, Enochian Writing, Egypt. Hieroglyphics Vol 1, Egypt. Hieroglyphics Vol 2, Egypt. Hieroglyphics Vol 3, Egypt. Hieroglyphics Vol 4, Futhark, Greco, Hebrew Basic, Hypnotica, Magi Writing, Magick&Mystic, Malachim Writing, Masonic Writing, Maya Day Names, Maya Month Glyphs, Meso Americano, Meso Deko, Morse Code, Old Persian Cuneiform, Passing the River, Phaistos, Pike's Alphabets, Powers of Marduk, RongoRongo, Sanskrit Writing, Semaphore Code, Signals&Signs, Skeleton Alphabet, Sublimina, Tengwanda Gothic, Tengwanda Namarie, Theban Alphabet, The Egyptologist, Tolkien Scripts, WhiteMagick, Skeleton Alphabet, Hebrew Basic, Sanskrit Writing. Note: I cannot find an entry for Jan Koehler at MyFonts, where all Deniart fonts are said to have been made by Denise Koehler. [Google] [MyFonts] [More]  ⦿

DENK
[Murat Sönmez]

Creator of the free octagonal constructivist face Skov (2009). Flickr page. [Google] [More]  ⦿

Dennis Ortiz-Lopez

Prolific NY-based designer (born in East Los Angeles) who specializes in faithful revivals of old masters and logotype, in Latin and Hebrew. He made over 500 fonts including. He is also a translator and illuminator of Biblical period Hebrew and Aramaic. His clients include The Vatican (Pope John Paul II's Holocaust commemerative CD) and Hadassah, the Women's Zionist Organization of America. His specialties are translations worded in the language and style of the period in which the Biblical text was composed. His translation and enumeration of kabbalistic writings, otherwise known as Hebrew Mysticism and numerology, demonstrate the mathematical base of Biblical miracles.

His typefaces: OL Braggadocio (Braggadocio is a 1930 design by William A. Woolley), OL Candida Medium Condensed / Extra Condensed, OL Caslon Light / Bold, OL Chamfer Woodtype, OL Contact Bold Condensed, OL Contact Deco Caps, OL Corvinus Bold Condensed, OL Corvinus Versailles, OL Edenesque, OL Egiziano (+Comstock, 2005), OL Egmont (2005, +Medium, Medium Italic, Condensed: after Sjoerd Hendrik de Roos), OL Engraver's Roman, OL Engraver's Classic Roman (2009), OL Franklin Wide, OL Franklin Extra Bold / Extra Bold Italic, OL Franklin Triple Condensed, OL Garamond (2003), OL Gotham Gothic, OL Grecian Classic Bold Condensed / Bold Extra Condensed, OL Grecian Display, OL Grecian Modern (the Grecian series imitates wood type), OL Gothic Wide and Bold, OL Hairline Gothic (2009), OL Headline Gothic Triple Condensed, OL Heavy Metal Grecian, OL Jenson Bold Condensed / Extra Bold Condensed, OL Latin Classic Condensed, OL Lightline Gothic, OL Marksman Shot, OL Marla Bold, OL Miehle Classic (2009, +Condensed), OL Newsbytes Gothic, OL Purrrbank Gothic, OL Qumran Torah Hebraic Set, OL Racer Roman, OL Raleigh Gothic, OL Roman Compressed (2004), OL Roman Wide Deco Caps, OL Smokler (2006), OL Sharon Gothic Stoned, OL Sinead Stoned and Pointy, OL Smokler, OL Smokler Deco Caps, OL Thorne with Shadow, OL Twenty-five Deco Semicondensed, OL Windowpane Gothic, OL Woody Blocked, OL Avril Roman (2003, a flared face, after Emil Rudolf Weiss), OL Brierwood Grecian, OL Butterfly, OL Egyptian, OL Franklin, OL Garamond, OL London Black, OL Machina Black (2003, octagonal, mechanical), OL Manhattan, OL Marquee, OIL Newsbytes (2003, bold and black newsprint faces), OL Radiant, OL Round Gothic, OL Siynnamin Gothic, OL Skeleton Gothic, and HispanicHeritage (1999).

His fonts are sold through Phil's Fonts, Dshnhaus and International Typefounders. His 2001 fonts are signed Siynn bar-Diyonn, which is his Hebrew name. His Hebrew fonts published in 2007 include OL Hebrew Formal Script, OL Hebrew Neo Black, OL Hebrew Block, OL Hebrew Calligraphica, OL Hebrew Chisel, OL Hebrew Cursive, OL Hebrew Deco, OL Hebrew Handwriting, OL Hebrew Handwriting Deco, OL Hebrew Headline, OL Hebrew Prismatic, OL Hebrew With Tagin, and OL Qumran Torah.

Buy his fonts at MyFonts. Interview at the end of 2002, in which he recalls the start of his career at Rolling Stone magazine in 1979.

Showcase of Dennis Ortiz-Lopez's typefaces at MyFonts. [Google] [MyFonts] [More]  ⦿

Dennis Palumbo

Original fonts as well as font links (about 1800). All fonts made by Dennis Palumbo, a writer from New York. Some fonts are free, others are not. Easy downloads, all formats. A wonderful source of information, to be bookmarked by everyone. Commercial fonts: Vector 3d (1996), Flash Cards Addition (1998), Clock-Digital, Film Strip, BabyBlock, DecorativeBorders (4 fonts), OldWest, Ceramic Tile (2005), I Beam (2005), Porthole (2000), SanSerifUltra Condensed, SanSerifOutline, OldWest 3D, Brick, ZebraLumber, SerifOutline, Dalmation, Vector (4 fonts), Brick3D, OldEnglishEmbellished (1999, Fraktur), ChainLink, Fractions, SanSerif 3DShadow, Serif3D Shadow, Marquee, First Grade, Pennant, USA States, USA Map, Piano Keyboard, Gallya Ornamented (1995), Diamond Plate (2000), Clock Digital (1997), Picket Fence (2000). Shareware: Bobcat (2 fonts), Panther (4 fonts), Caracal Backslant (2 fonts), Lynx (4 fonts), Ocelot (4 fonts), Cheetah (2 fonts), Serval (2002), Puma (2000, 4 weights), Ceramic Tile (2005), Film Font (2006), One Stroke (2007, octagonal, hairline). [Google] [More]  ⦿

Derik Schneider

Creator of these free fonts: the sci-fi faces AlphaBot (2012, inspired by Bionic Systems), Fade to Blak, Jupiter (2012, inspired by Mass Effect) and Andvari (2012, an octagonal typeface inspired by Planetside), the pixel faces VsNano (2012), Xen (2012), and Onyx (2012), and the hand-drawn typeface Villain (1998, adapted for two-coloring).

Old URL. [Google] [More]  ⦿

Designers HIGH (or: Keisuke Asami Design)
[Keisuke Asami]

Keisuke Asami's fonts at Designers HIGH include kana and Latin versions for each typeface. Commercial, sold through Font Pavilion: KSKD3 (2003), DAF (2003, liquid crystal font), Strange Days, Arc and Line (1999), Octagon (1999), Massive, Ecoda. Free: 4or5H, Bitween10A, Bitween10A2, Bumpy (pixel font), COMMUNICATIONA, COMMUNICATIONH, COMMUNICATIONK, EDIFICE, EDITION12A, Elephant A, Elephant K, EQUIPMENT10, EQUIPMENTMONO, EQUIPMENTMONOLight, EQUIPMENTMONORoundLight, EQUIPMENTMONORoundRegular, FONTDELIC, KEY14A, KSKDATA10 (2000, pixel face), MASSIVE10A, MASSIVE10K, MULTIPLIESH, NERIMA, QUIPMonoRegular. Almost all are geometric techno fonts with Roman and Japanese versions. In Font Pavilion 12 (2000), they published MASSIVE, a Latin/kana font family. At FRONTLINE 01, they published Elephant (2002) (Elephanta, 2003). [Google] [More]  ⦿

Diego de Oliveira

Designer in Valinhos, Brazil (b. 1987) of the free industrial-strength octagonal font Power Chord (2011). Behance link. [Google] [More]  ⦿

Digifonts

Spanish language foundry. Sells Chill Out (organic sans), Newine, Predec (experimental serif placement), Corporation (organic italic sans), Galas (outline headline face), Literal (display), Metropolis (octagonal style), Tecno Funk (grunge), Baldosas (3d cubes, stacked), Klee, Overexpose Bi (grunge), Overexpose Tri (grunge), Air Bag (grunge). [Google] [More]  ⦿

DigitalDreamDesign
[Yoshiyasu Ito]

Yoshiyasu Ito's free fonts (Roman and Katakana): the gorgeous Calligraphism, the interesting Labyrinthism. More complete list: D3-Archism, D3-Archism-I, D3-Beatmapism, D3-Beatmapism-Curve, D3-Beatmapism-Neo, D3-Biscuitism, D3-Biscuitism-Bold, D3-Calligraphism, D3-Concretism-typeA, D3-Concretism-typeB, D3-Cosmism, D3-Cosmism-Hiragana, D3-Cosmism-Hiragana-Oblique, D3-Cosmism-Katakana, D3-Cosmism-Katakana-Oblique, D3-Cosmism-Oblique, D3 Craftism (3d face), D3-Cubism, D3-Digitalism, D3-Digitalism-Italic, D3 Egoistism (octagonal), D3-Euronism, D3-Factorism-Alphabet, D3-Factorism-Italic, D3-Factorism-Katakana, D3-Factorism-Katakana-Italic, D3-Guitarism, D3-Honeycombism, D3-Honeycombism-Bold, D3-Honeycombism-Sorround, D3-Isotopism, D3-Labyrinthism-katakana, D3-Labyrinthism, D3-Mochism, D3-Mouldism-Alphabet, D3-Mouldism-Round-Italic, D3-Mouldism-Katakana, D3-Mouldism-Round-Alphabet, D3-Parallelism, D3-PazzlismA, D3-PazzlismB, D3-PipismS, D3-PipismW, D3-RoundSquarism, D3-Stonism, D3-Streetism, D3-Streetism-Katakana, D3-Sufism, D3-Surfism_I, D3-Surfism_IO. Alternate download place where you can also find D3-Circuitism, D3-Circuitism-Oblique, D3-Concretism-typeA, D3-Concretism-typeB, D3-Cozmism, D3-Cozmism-Hiragana, D3-Cozmism-Hiragana-Oblique, D3-Cozmism-Katakana, D3-Cozmism-Katakana-Oblique, D3-Cozmism-Oblique, D3-Electronism, D3-Electronism-Katakana, D3-Smartism-TypeA, D3-Smartism-TypeB, D3-Witchism.

Dafont link. [Google] [More]  ⦿

Diogo Oliveira

Portuguese designer who used FontStruct to make the modular (slabby or octogonal) faces Sexta-Feira (+Sans) and Mini-Bodoni in 2008-2009. Home page. [Google] [More]  ⦿

DM Founts
[Drew Maughan]

DM Founts is Drew Maughan (b. London, 1982), an artist and web developer. He created the fat counterless modular mechanical face STKR (2009) and the squarish face DM Unarmed (2010). [Google] [MyFonts] [More]  ⦿

Dmitriy Terskov

Russian designer of Killer's Sketchbook (2010, handprinted Latin font). He also made the octagonal display face Counterstrike (2010) and the grunge faces Invaders Must Die (2010) and Draff (2010). Dafont link. [Google] [More]  ⦿

Dogu Kaya

Graphic designer in Istanbul, Turkey, who created Oh My Gosh (2011, fat octagonal), Fil (2011, sans display face), Five Pixel, Kasa (octagonal and monospaced, seemingly for computer programs), Rounded (a monospaced face), and Horoz Unicase in 2011. [Google] [More]  ⦿

Don Sapozzo

Designer at FontStruct in 2008 of the hookish octagonal face Don Sapozzo. [Google] [More]  ⦿

Doug Best

Cincinnati, OH-based designer of these typefaces in 2011: Frakked (blackletter), Spartan, Octagon, Modern Wood, Wasabi (a free Asian calligraphic simulation face; +Shogun, +Samurai, +Ninja). Behance link. [Google] [More]  ⦿

Down10
[Jesse Burgheimer]

Down10 is San Francisco-based Jesse Burgheimer, the designer of the wormy font Munificent (1997) based on the logo of the Muni (San Francisci Municipal Railway) designed by Walter Landor, of Swerve (2000, octagonal), of Jamtoaster (2000, based on the logo of Adaptec), and of McLawsuit (2000, based on McDonald's lettering for the arches). Spokes (2004) is a heavy geometric face based on the English IDM recording artists Plaid, from the cover of their album Spokes. The original typeface design was made in The Designers Republic for Warp Records.

Fontspace link. Dafont link. [Google] [More]  ⦿

Dr. Grit

FontStructor who made Physical Graffiti (fat outline face), Get Mad, Trees, Hammer Of The Gods, Lime Time, Abyss (piano key face) Glorification (octagonal), and a few other typefaces in 2011. [Google] [More]  ⦿

Dragan Bonjak

Dragan Bonjak&Damir Bonjak designed Iron-Maiden, an octagonal font. [Google] [More]  ⦿

Dratsum

DR Hyperspace-31629-5000 (2011, FontStruct) is an all caps monospaced octagonal typeface that was influenced by fonts seen in vintage vector video games such as Asteroids, Tempest, Star Wars and Battlezone. [Google] [More]  ⦿

dstype
[Dino dos Santos]

Established in 1994, dstype used to offer free fonts but has gone commercial now. It is run by Dino dos Santos (b. 1971, Oporto) from Oporto, Portugal. He graduated in Graphic Design at ESAD, Matosinhos. He received a Masters degree in Multimedia Arts at FBAUP, Porto. MyFonts place. In 2006 he won the Creative Review Type Design Competition in the Revival/Extension Family. At ATypI 2006 in Lisbon, he spoke about Portuguese lettering since 1700. Interview in 2007. Pic. Klingspor link. Dino created these typefaces:

  • Access (1997).
  • Acta, Acta Display and Acta Poster (2011, +Poster swashes). A didone fashion mag family. First designed for Chilean newspaper La Tercera in 2010, DSType's Acta family is a clean information design type system. It includes Acta Symbols, an extensive dingbat family.
  • Acto (2012). Acto is a type system designed as the sans serif counterpart of the previous released Acta. Both type families were designed in 2010 for the redesign of the Chilean newspaper La Tercera.
  • Andrade Pro (a modern) and Andrade Pro Script: based on the calligraphy of Andrade de Figueiredo, ca. 1766.
  • Anubis (2003): a unicase face.
  • Apud and Apud Display (2010): a high-contrast serif family.
  • Aquila (2004).
  • Boldina (2004). A fat informal poster family with 18 weights and styles.
  • Braga (2011, Dino dos Santos and Pedro Leal). This is a layered font design family. Dino writes: Braga is an exuberant baroque typeface, named after a portuguese city, also known as the baroque capital of Portugal. Our latest typographic extravaganza comes with a multitude of fonts designed to work like layers, allowing to insert color, lines, gradients, patterns, baroque, floral swashes, and many other graphic elements. Starting with Braga Base, you can add any of the twenty-three available styles, to create colourful typographic designs.
  • Capsa (2008): a family that was inspired by, but is not a revival of the Claude Lamesle types Gros Romain Ordinaire and Saint Augustin Gros Oeil.
  • Ception (2001): a futuristic sans family.
  • Decline (1996).
  • Dione (2003): a sans; redone in 2009 as Dobra at TypeTrust. See also Dobra Slab (2009).
  • Esta (2004-2005): extensive (transitional) text and newsprint family.
  • Estilo (2005): a gorgeous and simple art deco-ish geometric headline face. This was accompanied by Estilo Script (2006), Estilo Text (2007, a 6-style rounded sans family), and later, Estilo Pro (2010, +Hairline).
  • Ezzo: a sans family.
  • Factor (1997).
  • Finura (2009): this face has hints of University Roman.
  • Fragma (2003): squarish techno family.
  • Girga (+Italic, +Engraved, +Banner, +Stencil) is a strong black Egyptian family designed in 2012 together with Pedro Leal at DS Type.
  • Glosa (2008): Glosa is a meaty multi-style didone family. Glosa Text and Glosa Headline all followed a bit later in 2008, and Glosa Display in 2009.
  • Hades (2012). A yummy and free blackletter typeface.
  • Hypergrid (2002): octagonal.
  • Kartago (2005): based on Roman inscriptions from Cartago.
  • Large (1999) and Large Pro (2006).
  • Leitura, Leitura Headline, Leitura News, Leitura Sans, Leitura Symbols, Leitura Display (2007): this 31 styles were all made in 2007.
  • Maga (2012). A text family.
  • Methodo (2005): calligraphic penman faces.
  • Missiva (2004).
  • Monox and Monox Serif (1998-2000): a monospaced family.
  • Musee (2006): a transitional family with ornaments and borders.
  • Otite (1995).
  • Outside (1996): grunge.
  • Plexes (2003). See also Plexes Pro (2006).
  • Pluma (2005): a series of three exquisite calligraphic flowing scripts called PlumaPrimeyra, PlumaSegunda and PlumaTerceyra). Inspired by the typographic work of Manoel de Andrade de Figueiredo that was published in 1722: "Nova Escola para Aprender a Ler, Escrever e Contar, offerecida a Augusta Magestade do Senhor Dom Jao V, Rey de Portugal".
  • Poesis (1999).
  • Prelo (2008): A sans family for magazines, it has styles that include Hairline, Hairline Italic, Extra Light, Extra Light Italic, Light, Light Italic, Book, Book Italic, Medium, Medium Italic, Semi Bold, Semi Bold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Black, Black Italic, Slab and Prelo Condensed.
  • Priva Pro (2006): a sans family that includes Greek and Cyrillic).
  • Quadricula (1998).
  • Quaestor and Quaestor Sans (2004). Roman inscriptional faces.
  • Resea (2004) and Resea Consensed: Bank Gothic style faces.
  • Synuosa (1999): an experimental face showing only the top half of the characters.
  • Terminal (1996).
  • Titan and Titan Text (2003).
  • User (2012), User Upright (2012), and User Stencil (2012). Monospace type families.
  • Velino (2010): an extensive family including Velino Text, Velino, Velino Condensed, Velino Compressed, Velino Poster, Velino Sans, Velino Sans Condensed, Velino Display (+Compressed Display, +Condensed Display). This didone superfamily is sure to win a ton of awards.
  • Ventura (2006): based on the calligraphy of Portuguese calligrapher Joaquim José Ventura da Silva, ca. 1802, who wrote Regras methodicas para se aprender a escrever os caracteres das letras Ingleza, Portugueza, Aldina, Romana, Gotica-Italica e Gotica-Germanica in 1820. It had a "Portuguese Script". Do not confuse Ventura with Dieter Steffmann's font by the same name made many years earlier. Ventura won an award at TDC2 2008).
  • Volupia (2005): a connected advertising face.

View Dino dos Santos's typefaces. [Google] [MyFonts] [More]  ⦿

Dúctil
[Damià Rotger Miró]

Damià Rotger Miró (Menorca) is a type designer, letterer and graphic designer at Dúctil in Palma de Mallorca.

His creations in 2008-2009: Lullius (2009, a blackletter named in honor of Ramon Llull (Palma de Mallorca, 1232-1316)), Dúctil (2009, sans family), Crespell (2008, a soft organic sans), Miona (2008, an award winning and stunning serif), Concu (2007, sans family), Lullius Rotunda (2009).

In 2010, these fonts were added: Cintax (octagonal, modular), Lullius Textura, Lullius Borders, Moll (+Italic).

The sans family Ductil was designed in 2011.

In 2012, we find these new typefaces: Nuada, Lullius Textura Modula. [Google] [More]  ⦿

Duncan Keith

Free original fonts by Duncan Keith: CalcQE (calculator buttons), Gretton, Speculum (an octagonal monospaced font, 1999), Speculum Outline. Dafont link. [Google] [More]  ⦿

Dusan Jelesijevic

Serbian graphic designer. Cofounder in 2009 with Slobodan Jelesijevic, his father, of the Serbian foundry Tour de Force. MyFonts link. His most popular typefaces showcased. Fontspring link. Klingspor link. Creator of these typefaces:

  • Dusan Script (2009, Ascender: a monoline informal handprinted script).
  • Artvod (2009, slabby and octagonal at the same time).
  • Qiltray (2009, handwriting for long texts).
  • Punkerro Crust (2009, delicious scratchy type).
  • Rough the Type (2009, blackboard style).
  • Shuma (2009, handwriting).
  • Dolina Script (2010).
  • Econs (2010, ecology dingbats).
  • Sensor (2010, an ink-trap monoline face).
  • Enforcer (2010, an elliptical headline sans).
  • Passage (2010, a great art deco family, including Initials and Borders).
  • Amanet (2011). A flared display face.
  • Osmacka azbukovica (2011). A Cyrillic font made by his kids in school.
  • The clean-cut semi-humanist sans family Centim (2011).
  • The Egyptian faces Saxophone Soprano and Saxophone Baritone.
  • Debelly (2011), one of the best faces to come out of Tour de Force. They say about this elegant fat poster face: Debelly is catchy fat typeface, with lovely geometric shapes. Inspired with contrast strokes, with square joins, Debelly gives an impression of retro style combined with contemporary trends. It is designed specially for packaging, posters, logotypes or headlines, even it can be pretty handfull in smaller sizes. Contains 375 glyphs.
  • Epitet (2011). A simple monoline family built around elegant elliptical shapes.
  • Refren (2012): A monoline script face.

View Dusan Jelesijevic's typefaces. [Google] [MyFonts] [More]  ⦿

Dvir Moyal

Sydney, Australia-based designer of Three (2011), Lisa (2011, octagonal face). Behance link. Creator of New Hebrew Font (2011). [Google] [More]  ⦿

ECHT
[Johan Manschot]

ECHT is the foundry of Johan Manschot (b. 1974, Utrecht), a Dutch graphic designer who lives in Utrecht. His typefaces includes the counterless octagonal Pavement (2010) and the Indic simulation face Barharen Phir Bi (2010). The latter face is based on the Hindi text found on Guru Dutt's Baharen Phir Bi Aayengi -film poster (1966). [Google] [MyFonts] [More]  ⦿

Ekaluck Peanpanawate

Thai designer of the minimalist 8-style sans family Krart (2007, T-26) and the basic octagonal family Kridpages (2007, T-26). Knight Sans (2009, 3 styles) was done for Cadson Demak. Kondolar (2010, 4 styles) is a slab serif also published with Cadson Demak. In 2012, he added the Kurry family, still at Cadson Demak. [Google] [MyFonts] [More]  ⦿

El Chupacabra

Designer who used FontStruct to make the piano key font Oppo (2009), the heavy octagonal face Zeta (2010), and the display faces Cheese (2009), Horizon (+Black), Okvimia (2009) and Camonedon (2009). [Google] [More]  ⦿

Elena Schneider

Graphic designer in Dortmund, Germany. Her design company is called Elefont. Graduate of the University of Reading in 2011. Creator of these typefaces: Eskorte (2011, her graduation project), Eskorte Persian (2011), Klebo (2011, mechanical / octagonal), Eskorte Armenian (2011), and Paroli (2011, a bold rounded signage face). [Google] [More]  ⦿

Eli Sebastian Brumbaugh

Graphic designer and illustrator currently attending KCAI in Kansas City, Missouri. Behance link. Eli used FontStruct to make condensed skinny octagonal face Dayta (2012, Ten Dollar Fonts). Eli says: I wanted the typeface to embody these three characteristics: adventurous, infotastic, and resolute.. [Google] [More]  ⦿

Emanuel Klieber

German designer of the modular octagonal face Fourty Five Degree (2008, Avoid Red Arrows). [Google] [More]  ⦿

Emech Zeinali

Dubai-based creator of the octagonal paper fold face Yumm Sans (2011). [Google] [More]  ⦿

Emilia Fiedorowicz

Polish graphic designer who created the octagonal experimental font Waniliowa. She also did the circular arc font Papaya (2009). [Google] [More]  ⦿

Emilio Ignozza

Roman designer at FontStruct in 2008 of Mango (ultra fat, rounded), Doodeka (dodecahedron-themed letters---sublime!), Culdesac, Candelabra, Legorama, Legorama Everywhere Fill, Legorama Everywhere, Legorama Fill, Magnetor (shadow outline face), Thuring (athletic lettering), Monkey Pizzazz (pixelized monkeys), Escaptionist (pixel face), Dioptical (optical illusions face), allurium, allurium_welded, avinguda (an octagonal face), Avinguda Light, Myopia, Fast Pussycat, Roboro (techno), Monkey Pizzaz (monkey dings), Solari Platform, avinguda_jagged, beamo (monoline sans, a take on Franklin Gothic), beamo_outline, beamo_pixel, conformista_1, hairdo, minimalia, minimalia_noon, minimalia_rounded, sherif_1, yvette ("a fat font with a belly button), Hairdo, Bee Legacy (blackletter glyphs encased in hexagons), Legorama. He also made the beautiful hairline squarish face Les Bains (2008) which is based on the lettering used for the signs in Les Bains des Docks, by French architect Jean Nouvel.

Additions in 2009: Chauncey, Sixto (ultra fat octagonal face made at FontStruct; obese geometry in his own words), Proclama (a cold war font), Lamina.

Fonts from 2010: Bromance (upright connected script), Oliva (open face style), Podio (3d), Thuring (athletic lettering), Budino and Budino Kiri (fat counterless), Escaptionist (pixel), Riba (2010, a ribbon font).

Fonts from 2011: Arancito (upright connected script).

Home page at House 42. Behance link. [Google] [More]  ⦿

Eran Bachrach

Israeli type designer who created these faces at Masterfont: Blender MF (2003, with Ido Zemach), Amit MF, May One MF (2004, with Ido Zemach), Caveret MF (2003, octagonal Hebrew face, with Ido Zemach). [Google] [MyFonts] [More]  ⦿

e-Types

Danish foundry founded in 1997 by ex-graduates from the Denmark Design School and the Royal Art Academy. They designed a lot for corporations, such as for Framfab (Point Sans and Point Serif), the Danish Film Institute (Millton, 1998), the Källemo catalogue (Källemo) and the Danish State Archive, and are the main competitor of Kontrapunkt. After the ATypI meeting in Denmark in 2001, I learned that this is one of Denmark's main foundries. Based in Copenhagen, it sells fonts by its founders:

  • Jonas Hecksher: Cendia (1997), DenmarkSerif (1998), Mega (1999), Olic (1999), Point Sans (1999), Point Serif (1999), Underton (1998), Movie (2001, a very black sans), iD:00 (2001, a sans), Fletch (1998, a sans), DeLuca (Bodoni-like, 2001), NinetySix K (2001, a serif).
  • Jens Kajus: Premiere (2001, a sans).
  • Rasmus Koch.
  • Rasmus Drucker Ibfelt.
  • Marie Lübecker.
  • Adrian Täckman.
Jazz is a free font of the month at TypOasis. Press won an award at the TDC2 2003 competition. In 2006, they open a sub-foundry called Playtype. Alternate URL. Types at Playtype are shown without mention of who the designers are---here is a list as of 2007: Access (sans), Access Code, Bingo Sans and Serif, Bon (pixelish), Cable, CVendia, Contribute, Danmark Serif and Book, Deluca (roman), Fletch (sans), GT (sans), iD:00 (Sans, Serif and Slab Serif), Italian Plate, Julius, Laura, MDD, Mega+ (sans), Millton (sans), Movie (condensed headline sans), New-Press (heavy slab serif), Ninetysix K (sans), Point (Mono, Sans and Serif), Premiere (sans), Symphony (roman), Primo Sans and Serif, Press Sans and Serif, Trood (octagonal), Underton Sans and Serif, Zetta Sans and Serif. [Google] [More]  ⦿

Eugen Philippi

Eugen Philippi (b. 1978) is a German digital painter, aka Elspiko and as Doodle Lee Doo. He created Black Blocckks (2008), ConeOfSilence (2008, grunge), atthewindowPRO (2008, simple monowidth sans), Circleized (2008), Stencil Writer (2008) and Murder of Mayday (2008, octagonal, 4 styles). Stencil Writer is based on a workshop with Underware in which the plane is partitioned into 20 segments, and each character consists of a subset of these segments (without translating or turning any). This principle is a bit like that of a pixel font with non-square shapes. [Google] [More]  ⦿

Eugene OR

FontStructor who made the octagonal face Space Bound (2010). [Google] [More]  ⦿

Evolutionzone
[Marius Watz]

Norwegian type designer Marius Watz created the very nice pixel fonts Protozoan square (1996; well, this is really a squarish organic face) and Amoeba_FivePX (1996). He is part of the Norwegian group "Function", together with Halvor Bodin and Kim Hiorthøy. With the latter two, he designed F Shinjuku in 1997 in the experimental FUSE series, based on Tokyo graffiti and inspired by the hip-hop culture. In the same series, he did F Where the Dog is Buried (octagonal, with Norwegian style dingbats), also in FUSE 17 in 1997. I-Ching (1997) is a three-font dingbat series consisting of Classic, Batman and Kogu. Psychoboy (1997) is a scratchy script. [Google] [More]  ⦿

Ezza Adhreza Brahma

Based in Bandung, Indonesia, Adhreza Brahma (b. 1987) is a typoographer and illustrator. At Dafont, one can download Attic (2009) and Vol (2009), both (incomplete) techno fonts. Bite of Crab (2010) is a monoline octagonal shell. [Google] [More]  ⦿

Fabian de Lange

Digital artist in Heerlen, The Netherlands, who created Back To Black (2011, experimental face), Hello Type (2011, sans headline face), Just Meet Me Halfway (2009), an experimental font made for two-coloring, and Eclectic (2011, a free octagonal face).

At OFL, he makes 01 Base (2010, sans) available.

Dafont link. Devian Tart link. [Google] [More]  ⦿

Fabian Monod

Swiss typographer at Fontnest who designed MonoBD (monospaced sans), Kagi Mono (mini-serifed stencil), Concrete, Puzzle, Museefont (octagonal), Relief (experimental) and Helveliga (with Jerome Rigaud and Sylvain Aerni). He created the stencil face Montana at Optimo/Gavillet&Rust. [Google] [More]  ⦿

Fabien Laborie

Frenchman who started out in Grenoble in paris, but is now based in Montreal. Designer of the octagonal paper fold typeface Danses Libres (2012) and the titling font Nougatine (2012). These fonts are free.

Behance link. [Google] [More]  ⦿

Fafik

Czech FontStructor who made these fonts in 2009 and 2010: Husi BRK, Baculka (octagonal), Topol (condensed), Krasopis Script, Krasopis (connected upright script), Kyklop (ultra fat deco face), Kolecka (2010, curly face), Dvojlom, Bublifuk, Rozeklany, Robustni, and Nedotazane. In 2011, he created the bilined face Svinutek, the octagonal face Shishoid, Zapadlo (octagonal), and Puntiky (texture face). [Google] [More]  ⦿

Famished.org
[John Baichtal]

John Baichtal (Famished.org) is the designer (b. 1971) of the art deco face Cronus (2002), Globe (a pixel font), Addled, Creamed Corn, 121, Boa Hamata, One Twenty One, November 14th, Peanut, Pinnacle (a deformed font), Plateau, Quigley, Skinny, Stogie, the kitchen tile face Abacus (2002), Equanimity Stencil (2002), Ripsaw (a Tuscan display font, 2002), Girder (2002), Equanimity Linked (2002), Faxt (2002, pixel font), Purvey Grecian (2002), Gold (2002, sans serif), Mullet (2002), Eidolon (2002), Sloth, Tourmaline (a great art deco face with many gorgeous ligatures), Transaction, Octuple, Mullet (2002, sans), Hellios (2002, a bitmap stencil font with spikes), Nairoby (2002, experimental), Tray (2002), and Dactylic (2003, octagonal). Some free Mac fonts are supposed to be here. [Google] [More]  ⦿

Fanette Mellier

French graphic and type designer in Paris. Between 1997 and 2007, she created these fonts (no downloads or sales though): Simplette (sans), Anthrite (experimental), Futurenner, Machine, Insitu, Annabelle (connected upright script), Régule, Singe, Serafine, Chantilly (VAG Round style), Remix 1, Remix 2, Elico (octagonal, mechanical), Fracture, Poule (dot matrix), Texto (experimental, dot matrix). [Google] [More]  ⦿

Federico Landini

Designer in Barcelona who was born in 1982 in Pistoia, Italy. MyFonts link. MyFonts foundry link. Behance link. He created the ultra fat counterless face Virgola Mobile (2010) and the elegant art deco face Fabrizio (2011). In 2011, he created an original octagonal face called Excellens: Excellens is the first font totally created using Microsoft EXCEL 97. The glyph design was done using a standard EXCEL 97 worksheet, adding some border and diagonal color to draw the letters shape. The final result is something that reminds one of the Cholo Graffiti Calligraphy used by Mexican gangs in Los Angeles, but in a new digital and elegant way. Anunnaki (2011) is an artificial language font. [Google] [MyFonts] [More]  ⦿

Feliciano Type Foundry
[Mário Feliciano]

Mário Feliciano (b. 1969, Caldas da Rainha, Portugal) is the principal of Lisbon-based Feliciano Type Foundry, founded in 2001. For a while, he was associated with Enschedé. He began work as a graphic designer for Surf Portugal magazine in 1993. In 1994 he founded his own design studio in Lisbon, Secretonix. He has been heavily involved in type design since. In 2005, he joined the type coop Village. John Berry reviews Mario's oeuvre. His gorgeous creations include the following:

  • Escrita ([T-26], a great calligraphic font), Gazz, MexSans (1997, [T-26]), AureaUltra (1997, [T-26]), Bronz (1997, [T-26]), Cepo, Tpac family (1996, [T-26], under the name Mariachi Fontexperience), Strumpf (1994, comic book font family at Adobe), Caligrafia Debula (1997, PsyOps).
  • Geronimo (2010, Enschedé; not to be confused with an earlier 2005 font at Canada Type called Geronimo) was started in 1997. He says: Geronimo is a historical revival, a digital interpretation of the types cut by Geronimo Gil in Spain in the eighteenth century. In fact it is not only the first digital version, but as far as I can tell it is also the first typeface family ever designed using Gil's types as a model. Working in Madrid, Geronimo Gil produced an enormous collection of very interesting and idiosyncratic types that can be found in Muestras de los Nuevos Punzones y Matrices para la Letra de Imprenta executados por Orden de S.M. y de su Caudal destinado a la Dotacion de su Real Biblioteca, a specimen from 1787. It shows titling and text faces both in italic and roman styles. His typefaces are not only very Spanish but they are also very sophisticated when compared to the ones of contemporaries such as Eudald Pradell and Antonio Espinosa. Geronimo's typefaces have a sense of modernism but they are not modern in a Bodoni or Didot kind of way. Yet they are actually very old style---particularly the lowercase letters--but with reduced contrast and a generous x-height. Even in the bigger cuts, ascenders and descenders are not long but appear to be even shorter than in text sizes. This creates a kind of rolling effect while reading.
  • He is working on Espinosa, Merlo, and Eudaldo (a face in the style of and apparently predating the successful Pradell by Andreu Balius Planelles).
  • MyFonts sells BsLandscope, BsMonofaked (octagonal), BsKombat (1998), BsLooper (stencil), BsArchae, BsRetchnov (constructivist), BsMandrax (octagonal).
  • Stella (2001, a humanist sans family with 26 weights). FTF Stella 2 is a 2005 upgrade of this family.
  • The 14-weight Rongel serif family (2001, updated in 2005 as FTF Rongel V2) is his best work. Feliciano states: "an interpretation of the types showed in eighteenth century's Spanish catalogue: "Muestras de los Punzones y Matrices de Letra que se funde en el Obrador de la Imprenta Real, Madrid, Ano de 1799", and titled with the name Rongel, whom I suppose, cut them. Another example of these types can be found in "Las Eroticas, y Traduccion de Boecio" by Villegas and printed by António de Sancha in Madrid, 1774."
  • In 2003, he won an award for the extensive FTF Morgan family at the TDC2 2003 competition (subfamilies have suffixes Avec, Sans, Sans Condensed, Big, Poster, Poster Avec and Tower). Morgan Sans was originally developed in 2001 with 44 weights. Each version of Morgan has multiple weights as well---for example, Morgan Big (2001) is a 12-weight titling family. Avec denotes Slab Serif.
  • FTF Grotzec Headline Condensed (1998, created for Surf Portugal magazine).
  • FTF Merlo (2004): an interpretation of the 18th century Spanish types cut by Ismal Merlo.
  • FTF Flama (2002, a neutral sans). Flama is used, along with Greta Text and Sunday Times Modern, by the Sunday Times.
  • FTF Garda Titling (1998): an exceptional caps only family with both serifed and sans inscriptional letters.
  • Sueca (2009): a new typefacce for the Swedish newspaper Svenska Dagbladet, which writes: Sueca is a family of serif, slab, sans serif, text typeface and typeface for listing. The idea behind Sueca is to be able to talk with the same clear voice but be able to change the tone of voice in different section. During the work with developing Sueca, SvD had help from the design consultants Palmer Watson from Edinburgh, Scotland as the second opinion.

Klingspor link. FontShop link.

View Mario Feliciano's typefaces. [Google] [MyFonts] [More]  ⦿

Felipe Hort

Brusque, Brazil-based art director and graphic designer. He created the octagonal face Futura WEFT (2010). [Google] [More]  ⦿

Fewell Foundry
[Martin Fewell]

Martin Fewell is the type designer who started the Fewell foundry in London, and who runs MartinFewell.com and Yolo in Manchester. Martin is also a part time Lecturer at The University of Salford and Chelsea School of Art and Design. His techno fonts are available from [T-26]: Assembler (2004, a paperclip face), Mechwar (2002), Techstep (2002), Sushi (2002), Synthesis (2002, a techno font family) and Turbo (2002).

And now also from MyFonts.com: Memory (a sensational techno font, 2003), Exhaust (2002), Kanister (2003), Datastream (2003, an octagonal font) and the military octagonal stencil font Airbrake (2003). At Union Fonts, he published Memory, Airbrake (octagonal stencil font), Exhaust, Datastream and Kanister in 2003. At Yolo, one can ogle and buy his typefaces: Airbrake (mecahical face), Airframe, Assembler, Datastream (octagonal), Delicious, Exhaust, Insatiable, Kenister (octagonal), Lovebeing, Mechwar, Memory (experimental, techno), Newart, Nova, Rapture, Sushi, Synthesis (techno), Techstep, Turbo.

Klingspor link.

View Martin Fewell's typefaces. [Google] [MyFonts] [More]  ⦿

Fictionalhead (was: Smashmethod)
[Dan Meyer]

Fictionalhead is the outfit of Dan Meyer (Michigan, b. 1982), who before that had a web site (now obsolete) called Smashmethod.

His Smashmethod fonts have names that start with SM: SM_contextisM (2003, octagonal), SMPixelism (2005), SM Pianoism (2004), SM Perceptionism (2004), SM ContextisM (2004), SM ReversisM (2003, techno), Sugar Water, Glue, Wide Angle, Mad Flava, SMballerisM (2003, circle dingbats), SMpletzisM, SMshenisM (2003, sans), SMreversisM (2004), SMsuggestivisM (2003, erotic outline font), SMvinylisM (2004), SMscriptisM (2004, handwriting), SMcrystalisM (2004), SMwaterisM (2004), SM_middlisM-Bold (2005), SM_middlisM (2005), SM_obscenisM-Bold (2005), SM_obscenisM (2005), SM_scriptisM (2004), SMbluisM (2003), SMbournisM-Bold (2006), SMbournisM (2006), SMhollyisM (2006), SM_coarsisM (2006), SM_euphorisM (2006), SM_inkisM (2006), SM_ownisM (2006), SM_phantisM (2006), SM_pigisM (2006), SM_recussionisMCaps (2006), SM_recussionisMRegular (2006).

His Fictionalhead fonts have names that start with Fh and are all dated 2007: Fh_Euphoria, Fh_Ink (sketch font), Fh_Letter, Fh_Nicole, Fh_Obscene, Fh_Reverse, Fh_Scribble, Fh_Script, Fh_Space, Fh_Ugly, Fh_Sheena, Fh_Perception, Fh_Owned, Fh_Join, Fh_Holly, Fh_Faith, Fh_Blue, Fh_Annie. o

Additions in 2009: Fh Lentil, Fh_Allisa. These are mostly handwritring and techno fonts.

In 2012, he added FH Hyperbole.

Devian tart link. Home page. Dafont link. Another Dafont link. [Google] [More]  ⦿

Filip &Lslash;ysyszyn

Polish graphic designer, b. 1989, based in Warsaw. Creator of WIP July (2009), a text serif face modeled after some 19th century designs, with full support for East-European languages. In 2010, he made the heavy geometric sans face Sonatic, the octagonal techno face Speeds, and the ronde squarish face Agrotos. Digart link. Behance link. [Google] [More]  ⦿

Filip Rafstedt

Swedish art director and graphic designer in Malmö. Behance link. His first typeface is Rutger Serif (2010, with all serifs and edges massaged into round relaxed shapes; +Italic). Constructed (2010) is modular and octagonal. Three Sixty (2010) is an extremely black octagonal face. [Google] [More]  ⦿

flag.cc
[Bastien Aubry]

Zürich-based design firm of Bastien Aubry and Dimitri Broquard, who designed interesting fonts (no sales or downloads though): Bundesrat (2006, octagonal), Macaroni (2006: letters from circles), Courier Fleurie (2006), Flop (2006). Both graduated from HGK Zürich in 2002. [Google] [More]  ⦿

Flat-It
[Ryoichi Tsunekawa]

Japanese foundry in Nagoya that offers these free and commercial Latin fonts made by Ryoichi Tsunekawa, who also runs Bagel & Co, Dharma Type, HolidayType and Prop-A-Ganda. Most of his work was done at Flat-It. His typefaces:

  • 2012: Rama Slab (an antiqued wood-style slab serif), Rama Gothic. An antiqued sans serif family that recalls the wood type era), Diamond Ring (an art deco typeface inspired by Japanese cosmetics-packaging designs and posters from the late 19th and early 20th centuries), Yummo (monoline very organic sans), Controller (techno), Revolution Gothic (an extended version of PAG Revolucion), 2008, which was inspired by retro propaganda posters and wallpainting in Cuba from the 60s to 80s), Diamond Ring (art deco).
  • 2011: Yummo (monoline organic), Sheepman (based on the wood type No. 506 of William Page), Onick (2011, an art deco neojaponist fat display face done for Wordshape), Design System (2011, a 70-style techno font family), Shiva (2011, hairline sans), Mocha Mattari (2011, grunge), Dharma Slab (2011, inspired by 1800s-style wood type), Dharma Gothic (2011, +P), Rama Gothic (2011, also inspired by 1800s-style wood type), Dimensions (2011, squarish), Design System (2011, based on 70s style techno faces), Speedometer (2011, condensed piano key face).
  • 2010: Stereo Gothic (2010: an extended all caps slightly techno sans family), Behrensmeyer Vigesimals (2010, a pixel format connected script), Civilite Vigesimals (2010, pixelized Civilite), Flat10 Arts and Crafts (2010), Flat20 Hippies, Flat10 Segments (2010), Flat10 Antique (2010), Flat20 Gothic (2010), Flat20 Streamer (2009, pixelized ribbon font), Flat10 Fraktur, Flat10 holy, Flat10 Holly, Flat10 Stencil, Flat20 Headline, Flat10 Artdeco, Word From Radio (2008-2010). Cigarette (2007, Bauhaus/Peignot-style type family).
  • 2009: African Elephant Trunk (2009), Concrete Script, Concrete Stencil (2009, a stencil calligaphic script), Perfect Magic (2009), HT Maison (2009, signage face), HT Farmacia (2009, connected school script), HT Espresso (2008, upright script), HT Cartoleria (2008, connected script), HT Cafe (2009), Sneaker Script (2009).
  • 2007-2008: Bistro Mono (2007, an awkward monoline face), Thousands (2007), Balaghat (2008), Garash Script (2008, a Halloween face), Woodstamp (2008), Banana (2008, brush script), Rebel Train Goes (2008, a piano key font), Rouge (2007, an elegant lipstick-on-the-bathroom-mirror pair of faces), Yasashii (2007, a great geometric art deco Broadway-style family), Lily Wang (2006, calligraphic script), Nothing (2007), Garash (2007, Arabic simulation), Moon Star Soul (2007, Western saloon font), Grandes Vacances (+ Une, Deux) (2007), Pansy Bo (2006, calligraphic), Dremie (2007, an art deco headline face with Open and Fill weights), Grandes Vacances (2007, based on 19th century billboard letters), Xesy (2007, a fantastic "ronde" high-contrast upright connected script), Deluta Black (2007), Cotoris (2007, a 4-style family that takes inspiration from Koch Antiqua and the art nouveau movement).
  • 2006: Daisy Lau (2006, calligraphic), Agedage Luxeuil (2006, based on a monasteric script from the 8th century), Agedage Cancellaresca (2006), Agedage Simple Versal (2006, Lombardic caps simplified), Amsterdam Modern (2006, art nouveau influences), Flat10 [Holly, Holy, Stencil, Fraktur] (2006, a set of pixel faces), Machiarge (2006, a heavy connected brushed signage script), Chic Hand (2006, connected script), Double Dagger (2006, geometric stencil family), Fault (2006, an art deco striped lettering face), Killernuts (2006, headline serif face with brush stroke endings), Underconstructionism! (2006, a rectangular look family with associated dingbats), Machia (2006, decorative script), Kiwi (geometric hairline), Bagel (roundish comic book face), Jaguarundi (2006, distressed), Boycott (2006, distressed), Tokyotrail (2006, futuristic techno family), Coconut (noisy outline face), Coconut Split, Fresh Tomato (LED simulation), Dried Tomato (LED simulation), Dutch Style, Mocha Harrar (great stencil face), 103 (experimental, Bank Gothic style), Airhead, ArealBlack, Awkward, BagelNew, BagelOld, Banbino, Bebas (2005, industrial sans), Berlin89, Blackout (redesigned in 2011 as the ulta-narrow Dimensions), Boycott (grunge), Built-1970, Bunyan, Busted, Camera (2007), Canstop, Chiangmai (Thai simulation face), DBLline, Dijkstra, Dutchstyle, Fling, Graphite, Harcomaso, Hiexplosive, Hitech, Honeycomb, Junkmix, Kanatypo, KemikalHi, Machia (2006, a calligraphic family), Meegoreng, Mikrob, Natsupopy, Overwork, Palsu, Plamo, Plasitico, REC001, REC002, REC003, Resistance, SQRT, STdigi (LED font), Shandy, Superstar, Tembaga, Tenaga, Tomodachi, Tragedia, Trucker, VRdigital, VRembroidery, Welcome2M, Workaholic, Zeebraa, plot-A, plot-K, Appendix 3, Gesso (grunge), Pusab (2006, ultra round; one free weight), Sushitaro, Typewrong, Celtics Modern (2006, a Celtic family of fonts). At T-26, he published CRZ (2006), Guppy, Ohana (2006, octagonal), Picnica (2006), and Wearetrippin.

MyFonts link. Fontsquirrel link for their free fonts such as Bebas (2005, industrial sans), Boycott, Gesso, and Pusab. YWFT link. Klingspor link. Dafont link. Dafont link.

Interview.

View Ryoichi Tsunekawa's typefaces. Kernest link. [Google] [MyFonts] [More]  ⦿

floodfonts
[Felix Braden]

Floodfonts has freeware fonts by Felix Braden (b. Koblenz, Germany, 1974, an ex-student at the Trier College of Design). In 2000 he founded the free-font site Floodfonts with Peter Hoffmann. After working for five years as an art director for Gaga-Design, Koblenz, he decided to set up his own graphic design studio in Cologne. He now lives in Cologne working as a freelance designer and as a art director for MWK Cologne.

His free fonts at Floodfonts include Floodicons (2003), Hydrophilia (2003. He writes: Hydrophilia family was created in 2003 by Felix Braden as a further development of Moby and comes with two fonts: The gothic typeface (liquid) is a revised version of the pixel font (iced). Hydrophilia liquid got a lot of letterforms with a diagonal axis, which reminded me of the technical fonts used on early liquid crystal displays.), Squid (2002, free), SquidCaps (2002), Ninetwist (2002), Catherine (2002), Moby (2002), Babelfish (2002), Blendfontsexperiment (2001), Incpot (1997), Hammerhead (2001), HammerheadBlack (2001), HammerheadBold (2001), HammerheadMedium (2001), Multikultur (1997, Fraktur font), MultikulturExtraBold (2001), Orchidee (2001), Sadness (2001), Wuestling (1997).

Peter Hoffmann designed Alita (2001) and Lacuna (2001).

Commercial fonts at Fountain: Grimoire, Sadness.

In 2004, he cofounded Timetwist with Pia Kolle, where you can download Rabbits (2004, Kolle), Pirates Stoertebecker (2004, Braden at Floodfonts, a ransom note face), Pirates Drake (2004, Braden at Floodfonts), PiratesBlackbeard (2004, Braden at Floodfonts), PiratesBonney (2004, Braden at Floodfonts), Bigfish (2009, a Western billboard face).

At Ductype, Braden published Timetwisteight (2005, a pixel face).

At URW++, he published the Supernormale family (part techno, part pixel) in 2006.

At Volcano, he made the rounded display face Bikini (2010).

At Fountain, he published the geometric monoline sans face Capri Pro (2011, related to both Futura and Avant Garde).

At FontShop, he published FF Scuba (2012), as an offline companion to Verdana.

FontShop link. Klingspor link. Fontspace link. Dafont link. Behance link. Fontsquirrel link. Personal page. [Google] [MyFonts] [More]  ⦿

Fly Fonts
[Lee Henry]

Foundry based in London, UK, set up by Lee Henry (b. 1982, Gateshead, UK). Lee studied Graphic Design in Newcastle and first got involved in font design when he designed GOTHFEST for a magazine project. He now works in London as a newspaper designer and continues to produce new and original font designs. Creations include Modernist (2006, a MICR style family), Arctic Chunky (2006), Gothfest (2006), Bogus (2006, in the style of Toolego), Bad Azz (2006, grid-based), Cubist (2006, thin octagonal family), and React (2006, also grid-based), Modernist (2006, monoline sans), 1up (pixel face), Allstar (2009, constructivist), Ole (2009, fat and squarish). [Google] [MyFonts] [More]  ⦿

FM: FontMaker
[Dieter Schumacher]

"Free fonts for free people" by Dieter Schumacher. Interesting designs: Darkskin (textured letters), Movieboard, Zacken (in sacks), Storm, Stripesstars, and Triangle. All fonts are in TrueType and PostScript formats for Windows. List of 84 fonts thus far: 309Italic, 309, AnasthesiaItalic, Anasthesia, AtoZ, BALLbold, Baumarkt, BaumarktBoldItalic, BaumarktBold, BaumarktItalic, BIGARIALUltraBold, BIGARIALLEFT, BizarreBlack, Bizarre, Brialpointed, Bulgari, Certified, CertifiedItalic, CIRCLINEcrazyjumpedBold, CIRCLINEHeavy, CIRCLINEItalic, CIRCLINE2Light, CIRCLINE, Coffeebeans, Competent, Danceclub, DarSkin, Datacut, DatacutItalic, DomoAregatoItalic (oriental simulation), DomoAregatoNormal, Energy Dimension (3d face), Eniltuo, FatmarkerItalic, Fatmarker, FontmakersChoiceItalic, FontmakersChoiceThinItalic, FontmakersChoice (octagonal), FontmakerSlash, Fracksausen, Gawain, HOLE, HOLE2cursive, HOLE3cursiveoutline, HOUSEPIPESItalic, HOUSEPIPESNormal, KingArthurSpecialNormal, LateNite, LoveParade, LoveParadeoutlineBold, LoveParadeitalian, LoveParadewidebold, Mage1999 (pixel), Magehunter, Mage, Mayday, MaydayItalic, MovieTimes, Movieboard, OneworldonefutureExtraBold, OneworldonefutureLight, OpenMindItalic, OpenMind, Palms, Parts, Perlenkette, Rave, Serifonwide, SerifonwideItalic, SerifonNormal, Shreddedforyou, SquareUniqueExtraBold, SquareUniqueNormal, SquareUniqueThin, Starbats, StormExtraBold, STRIPESSTARSNormal, TriangleNormal, University (athletic lettering), Whereistherest, WhereistherestItalic, WoodCut, WoodCutItalic, ZackenNormal, ZoltanKiss, Dornen, FM College (athletic lettering), Beach House Stars, Fontovision, 37 Kilobyte, Grave Digger, Nails and remake Of Fabulous, Milkdrops, Platsch (comic book) and Slimania. This site disappeared and was revived by CybaPee at Moorstation.

Links: Jami, FontNThings, Fontspace. Dafont link. Abstract Fonts link.

Catalog. [Google] [More]  ⦿

Font Devil

FontStructor who made OctaTope (2011, octagonal), Dinosaur Land II (2011, font from Super Mario World), Lights Plus Camera TT (2011), AD 1693 (2011, from Castlevania 2's title screen). [Google] [More]  ⦿

Fontasmic
[Sawyer Hume]

Fontasmic is located in Hesperia, CA. It is run by Sawyer Hume (b. 1971, Victorville, CA), the designer of Woodchip (2008, Kafkaesque grunge), IronOn (2008, a masculine octagonal collection), Hondo (2008, a Western billboard obeso-sign typeface) and Hondo Grunge (2008). Machismo (+Titling) are display-size plump faces made in 2009---ideal for posters. [Google] [MyFonts] [More]  ⦿

Fontastic Indonesia
[Adien Gunarta]

Fontastic Indonesia is Adien Gunarat, an Indonesian FontStructor (b. 1995) in Probolinggo, East Java. Adien Gunarta made Kabupaten (2011, a sketch font), Social Monster (2011), Buka Pusa Bersama (2011), Ceria Lebaran (2011), Pajarakan Studs (2011), Batik Gangster (2011), the pixel face Benci Malaysia (2010), Maharani (2011, handprinted), Lovely Eunike Hans (2011, handprinted), the texture face Kawung Textile (2011), Wildan Izzur Gunarta (2011), Genius Jempolan Royal (2011, scanbats), Pray For Japan (2011), Quantum of Bali (2011), X-Code from East (2011, Javanese script), Hangeul (2011, Korean simulation face), Halidians Blockserif (2011), New Madura (2012), Moanday Earn Bored (2011), the paper cut face Malingsia (2011), the handprinted Nyonya Gendut (2010), the squarish face Hutan (2010) and the irrgularly sized Madura Regular (2010). He also made the texture / knitting face Batik (2010), FoOleD bY GaYUs (2010), Probolinggo (2010, organic), Smasasinema (2010, display face), the texture face Serangkaian Pattern (2010), Indo-Malay Confrontation (2010, pixelish), Koruptor and the Bitches (2010, gothic), Qurban Feast (2010), and the curly native pattern face Mlungker (2010).

In 2011, he made Awesome Java, Mesin Hitung (an LCD face), Eenvoudige Batik (stitching face), Antique Paleoindonesia (patterned face), Kebencian (scratchy face), Kemasyuran Jawa (a display face with an Indonesian look), Probolinggo Sans (2011), Londo Chino (2011), Urban (paper cut face), Bikang Struck (2011), Chana Remedy (2011), Indonesian Woman (pixel dings), People Diverse (pixel dings), DBA Muslim (pixel dings), Turk and Nusa (ball terminal face), Jakarta Recycle (paper fold octagonal face), Halida Sans (a swirly version of Ubuntu), Buka Puasa Bersama, Social Monster (grunge), Ceria Lebaran Normal, Dukungan, Dukungan, Sanjaya Epoch, and Jakarta Sunken (angular face).

In 2012, he created Moro Seneng, Endutt Normal, Antibalon, Hayyu Kaget, and Quick Argani.

Fontspace link. Home page at Fontastic Indonesia. Devian Tart link. Klingspor link. Dafont link. [Google] [More]  ⦿

Fontazilla (Was: Psychographers)
[Kou Nakamura]

Fontazilla (was: Psychographers) is a Japanese foundry that offers free and commercial comic book fonts made by Kou Nakamura. Free fonts: Bradlies (2006, athletic lettering), Garbage (2002), GIANtX (2001, octagonal athletic letters), GORG (2001), KICKS (2001, comic book style), Losers (2007), Monomen (2007), QUICKONE (2004), Saucerama, SAUCERAMA2, Sparkle (2007), Wheels (2007). Commercial fonts: Saucerama (athletic lettering), Laserboy, and Birdish (2002, FRONTLINE01), A-Bop (Frontline 02). [Google] [More]  ⦿

Fontdeli (or: LF Design, or: 83grafik)
[Leigh Flurry]

UK-based foundry, est. 2005 by freelance designer Leigh Flurry, with some free and some pay fonts, specializing in the techno look. Creators of the techno face FDshogun (2005). Free: FD Acorn (paino kaey face), FD Shogun, FD Hunterseeker, FD Spank, FD Tounge, FD Twinpines. Pay fonts: FD Bughug, FD Calibre, FD Childsplay, FD Dieselpower, FD Formula One, FD Knukledusta, FD Locust, FD Lungbutter, FD MrMajestic, FD Skylarking, FD Wolfglove, FD Flurry (paperclip font). In 2006, he added FDnaturesfinest, FDNaturesshadows, FDKubi, FDJazzclouds, FD Tek9, FD Xavier (fat, counterless) and FD Insight. Fonts made in 2009: FD Hustla (brush), FD Southbron (graffiti face), FD Parkway (rounded stencil). Fonts from 2010: FD Necromancer (octagonal, dark, and counterless), FD 57RMX, FD Gridlock, FD Jawbreaker, FD Noir, FD Optimus, FD Rainpaper (multiline face), FD Richtea, FD Skylarkdog, FD Warlord. Alternate URL. Behance link. Dafont link. Another Dafont link. [Google] [More]  ⦿

Fontfabric
[Svetoslav Simov]

Fontfabric is the foundry of Svetoslav Simov, a visual designer who is located in Sofia, Bulgaria, b. 1984. Highly innovative designer whose creations have lots of style and flair. Picture. Behance link. Dafont link. Typegoodness link. YWFT link.

  • Typefaces from 2008: Cubic (3d face), Clou (cloud-like letters), Colo (double-lined and geometric), Snail, Blou (very thick and counterless letters).
  • Typefaces from 2009: United Sans (sans family), Uni Sans (another (the same?) sans family), Kare (psychedelic), File (fat face), Zag (7-style monoline sans), Clou (cloudy letters), Facet (Black and Ultra: paper fold faces), Noveu (psychedelic, art nouveau), Pastel (brush face), Rolka (round ultra-fat and curly lettering), Val (rounded fat), Kvant (severe and octagonal), Duplex (fat techno), Avatar (ultra fat black), Dovde (bubbly, co-designed by Maria Karkova), LOT (fat art deco), MOD (ultra-fat), Oval (rounded sans), Quad (octagonal outline), Portal Strips and Portal Black (hyper-experimental geometric faces), Prisma (more ultra-fat experimentation) and Wigan.
  • Creations in 2010: Hero (free sans family), Null (ultra fat, free), Aston (a modern high-contrast rounded display face), DAN (free piano key font; Dan Pro is not free though), Solomon (headline sans family) [Images of Solomon: i, ii, iii, iv, v, vi, vii, viii], Dox (ultra fat geometric poster face), Sudoku (a geometric display family with several biline and triline styles, done with Fontan2), VAL Stencil (a stencil in which repeating letters makes them tilt the other way; free), Code (2010, a fantastic monoline sans family; images: i, ii, iii, iv, v), Dekar (techno), Clipdings Web, Clipdings Travel, Clipdings Graphic Arts, Babydings, Artdings, Reader (Light, Bold: avant garde sans), SAF2010 (comic book/signage: well, Jan Erasms, the designer in 2006 of Menyaka for FIFA WC 2010 is not happy, calling SAF a blatant imitation), Age Free (free fat organic face), GOTA (a free fat finger sans face).
  • Typefaces from 2011: Gabriel Sans (grotesk family), La Boheme (signage face), Qero Mite (an organic monoline sans), Code Pro (caps only clean sans headline family), Solomon Sans (a headline monoline sans family).
  • Typefaces made in 2012: Hagin (free), Intro (26-style superfamily) and Intro Inline (free Futura-style family for Latin and Cyrillic).

View Fontfabric's typefaces. [Google] [MyFonts] [More]  ⦿

FontGroup
[Michael Hernan]

Creator of the Neotechnic series of (free) fonts: Accudigit Regular, Accudigit Body, Parma, Intermatrix (1998), Matricies, Hako, Basic. The designer, Michael Hernan made these fonts between 1995-1998, and writes: About Neotechnic Series: This series of Fonts reflect the information industry at the end of the 20th century and its obsession with classification. Each typeface captures a different aspect of our recent info-culture. He obtained an MA in typeface design from the University of Reading in 2008. At Reading, he designed Pseudo (2008). He started FontGroup in 2008. His old site, sitehernan, has not been updated in many years. The typefaces now shown at FontGroup (without downloads): Isoglyph (2009), Pseudo (2008-2009), Helvetica Kiss Fit (2006), Helvetica PointSign, Helvetica MultiDigit, UnicaDeux (2006, after an André Gürtler design), KataKana, Galactic Slab, Hako (dot matrix), Bodoni Arabic Numerals, Accudigit Body (1997, pixel face), AfterModule (1997, pixelish), Basic RCT (1995, pixel face), Block Normal (1993), EuroPop, 469 (numerals), g1055, InterMatrix (1998, dot matrix), Matricies Positive (1996, gridded), Matricies Negative (1996), Newer Alphabet, Octane (2005, octagonal and geometric), Fuiji Numbers (pixel face), Parma Sixtyeight (1996, inspired by a No. 6 on the side of Nelson Piquet's 1984 Brabham Racing car), Photo Numbers (pixel face), Pre Recollect, Quartz, Readable Dog, Shasyoku Moji II, Steiner Numbers (2005, numerals), Week Day, Alumi (1996, a squarish face based on a design by Paul Rand), Astra (1996, after a 1973 Letraset face called Star Marquee), Epps Evans (1995-1997, after Herbert Spencer), New Alphabet (1996, experimental, minimal, based on Wim Crouwel's alphabet), Volume Control (1999, dings), Fine Line (1994), Humana, Clock Face (1995, numbers for clocks). See also here. [Google] [More]  ⦿

Fontguru

Creator of free octagonal and / or modular faces in 2011: Arrows, Square Sharp, Round Edges, Edgy, Slim-Rounded, Sharps, Narrow Lines, Shapes (faces). [Google] [More]  ⦿

FontMeister
[Elwin Berlips]

FontMeister is the commercial foundry of Elwin Berlips in Almere, The Netherlands.

In his first life, he ran a free font site called 11th Floor, where he made these free faces in 1999: Civilization (octagonal), Plastik-Film (grungy semi-stencil), Raw (grunge), Rocket-Fuel, Timeline, Greenlight (dot matrix), Interstatic (futuristic), Handsolo, Optimum, Roswell (handwritten), Jean-Pierre (handwriting), 11th Floor (gridded).

At FontMeister, he published

  • FM Eva (2011). A handprinted chalkboard or poster face.
  • FM Bebel (2011). A monoline organic rounded sans family.
  • FM Secessionist (2011). Inspired by the Vienna secessionist Joseph Maria Olbrich, as seen on his architectural drawings from the 1920s.
  • FM Rossija (2011). A modular CD label face.
  • FM Julie (2011). An architectural hand.
  • FM Aloysius (2011). Also inspired by the Viennese secessionists.
  • FM Monomo (2011) is a simple, all caps, monospaced font.
  • FM Kaantaa (2011) is a bold typeface that draws inspiration from stencil and technical typfaces.
[Google] [MyFonts] [More]  ⦿

Fontom Type
[David Waschbüsch]

German type foundry of David Waschbüsch (b. 1988), a student at the University of Applied Science in Darmstadt, Germany, who is to graduate in 2011. About his free unicase modular stencil font BS Konstata (2010) he writes: Created for use as stencil for signage it features a set of only 10 different elements out of which you can compose the complete typeface. Therefore it borders between being somewhat grungy, modular and classic. Skyhook Mono (2010, FontomType) is a versatile octagonal family. Behance link. MyFonts link. Old URL. [Google] [MyFonts] [More]  ⦿

Fontoville (was: Fresh Media)
[Raymond Brekelmans]

Raymond Brekelmans (Fresh Media) is the Dutch designer in Eindhoven of fonts such as Fame&Fortune, GoodDoggy, 7chipmunks, Hairy60, Elvisinstereo (2002), Gforgiraffe, GrndmsterB, Highheeledsneakersnormal, HighheeledsneakersThin, Itsmartinitime, JohnnyBbad, Kickpunchblock, MrMustage, OrpheusBoldItalic, OrpheusBold, OrpheusItalic, OrpheusLightItalic, OrpheusLight, Orpheus, Quatrodeadmosquitos (see also the Fontomas CD), Rudisrevenge, Sirsheep, Thebends, TheDukesGeneralLee, TheDukesLuke, TheDukesBo, BeebopalulaOneLiner, BeebopalulaFillItUp, BeebopalulaDoubleOrNothing, freekisgek-#5, freekisgek-#5_inverse_italic, freekisgek-#5_italic, Zothezebra, CiaoMonkey, Hot Rod Ford, Naughty Farmergirl, Typing With Rudolf, Anything But Sue, Font-o-ville At Night, Snails&Sausages. All these fonts were made in 2001-2002 and are free.

Additions in 2005: Caramba, Surfing Bird, Vertigo (nice retro poster font!), Mufoefoe, Reverbb, Fasto (octagonal, free). Elvis in Stereo (2002, Cape-Arcona) and Address Unknown (Cape Arcona, grunge) are commercial. Prozaque is a groovy face.

Direct downloads. Mac downloads.

Dafont link. Font Bros link. Dafont link,. Fontsy link<--a>. Klingspor link. [Google] [MyFonts] [More]  ⦿

Fontron
[Ronald Underwood]

Foundry, est. 2005 by Ronald Underwood in Surbiton, Surrey, UK, specializing in display type. Fonts made in 2005: Acron (2005), Foldron (2005, bubbly extra fat), Halfron (2005, extra fat with a horizontal line spliiting the glyphs), Sideron (2005, LED-inspired). In 2007, these were added: Ronsect (stencil), Ronsten (stencil), Runsect and Runsten. Designed in 2008: Herron (a rounded octagonal monoline face), Roncial Untra (ultra fat rounded mechanical face), Squaron Extra Black (ultra fat beauty), Sabron, Phatron, Triron (a futuristic horizontally-striped headline family). Novelties in 2009: Zebron (art deco stripes). [Google] [MyFonts] [More]  ⦿

Fontsmith
[Jason Smith]

Jason Smith is the British corporate typeface designer who founded Fontsmith in 1999, where he retails his own designs from his office in London. He has created a typographic identity for the Post Office in the UK. His fonts include FS Sinclair (2008, octagonal), Casey, Seat, Tractebel, PPP Healthcare, Powergen, Allied Irish Bank, UUnet, Channel 4, FS Ingrid, FS Rome, FS Albert (2002, a soft-cornered sans family), and Saudi Aramco. Of these, only FS Albert (2002), FS Rome and FS Ingrid can be purchased. Newest fonts: Champions (Regular, Bold, Headline; done in 2009 for the UEAFA Champions League), FS Rufus (a slab serif by Mitja Miklavcic, Jason Smith and Emanuela Conidi), FS Sophie (2004, sans), FS Rigsby (2005, sans), FS Clerkenwell (2004, with Phil Garnham, slab serif), FS Pele (2007, ultra fat), FS Kitty (2007), FS Sinclair (2007, rounded octagonal), FS Alver (2007), FS Dillon (influenced by the Bauhaus quest for simplicity), FS Lola (2006, for Wechsler Ross&Portet; done with Phil Garnham, it is advertised byFontsmith as a transgender type). In 2007, he made the custom face Xerox Sans as a modification of his FS Albert, to which Greek and Cyrillic alphabets were added as well. Mencap, a British company that works with people with a learning disability, asked Smith to design a font, FS Mencap (also known as FS Me), for the learning disabled---easy to read, yet elegant.

Custom typefaces include More4 (2005, for the Channel 4 Adult Entertainment channel), ITV (2006, for the ITV network), BBC ONE (2006, for the BBC), Post Office Sans (2003), FS Conrad (2009, a multiline display face). Vernon Adams and Fontsmith got into a quarrel about Vernon's Mako, which was submitted and rejected by Fontsmith, which published its own similar face Lurpak a few weeks later. [Google] [MyFonts] [More]  ⦿

foopy.com
[Christopher Wood]

Christopher Wood of Zone 23 started this commercial spin-off offering fonts like the foopy series (symbols he likes to call foopies), alphadings (two kinds of love: letters in hearts), 3d foops, alphashapes, circles, crosses, diamonds, hexagons, octagons, ovals, pentagons, squares. Free: Ghoul (Halloween face), Lightning Bolts, DoubleVision, Furry, Ghoul, Ghoul Headline, Ghoul Outline, Ghoul Outline Fill, Lightning Bolts, Melting, Melting Outline. Dafont link. [Google] [More]  ⦿

FourfiveX
[Alexander Lis]

Design outfit active from 2006-2009. Their fontys in that period included Dreieck RW, Diamant2 (octagonal) and riesig-Billig. Founded by Alexander Lis and Tim Heiler in 2005, fourfiveX was joined by Kai Bergmann in 2009. Blog. [Google] [More]  ⦿

Fresko Design
[Katiuscia Mari]

Firenze, Italy-based design group, which made the free grotesque monospace face Fresko (2010), and the bold techno face Peppermint (2010). In 2011, they made Diamante, Opificio, Tape Rail, and Square Block (octagonal). Behance link. Fresko Design is Andrea Cerboneschi, Giada Bargellini and Katiuscia Mari. In this group, Katiuscia Mari (a graduate of the Accademia di Belle Arti di Firenze) seems to be the type design specialist. Filetto (2009) is a sans modeled after DIN 1451 done with Debora Manetti and Francisco Canovaro. [Google] [More]  ⦿

FrozenSerif

Designer who used FontStruct in 2008 to create the bold octagonal faces Mars and Bubbles. He also made Coldletter (blackletter stencil), Influence Engraved, Influence Small Caps (rounded ultra-fat), Artemis, Skylined (dingbat), Cronus, Influence, Pixelated, Modern Serif, Haunt, and Aqua (blocky). [Google] [More]  ⦿

Fulguro

Designer at Die Gestalten of Adhesive (octagonal script). [Google] [More]  ⦿

Fulvio Mhu Calzamiglia

Creator of the free octagonal display font WikiMhu (2006). [Google] [More]  ⦿

Gabe Re

Inspiring octagonal multicolored lettering by Gabe Re. [Google] [More]  ⦿

Gabriel Cante

Graphic and type designer in Paris and Bordeaux. He created a retro family that was inspired by the famous fifties car, the Facel Vega. His octagonal Ktulu face (2010) is also quite interesting. [Google] [More]  ⦿

GalloFonts (was: Graphics by Gallo)
[Gerald Gallo]

GalloFonts is part of Graphics by Gallo, founded in 1974 by Gerald Gallo (b. Lucernemines, PA, 1941), and based in Bethesda, MD. GalloFonts sells all of its 80 fonts to you for 200USD via MyFonts (see also here). The fonts: Display University (2005, athletic lettering), Angulatte Light, Angulatte Medium, Angulatte Bold, Anniversary Seals (2003), Basic Bullets, Blooming Ornaments (2008), Brashee Regular, Brashee Bold, Calendar Font One, Calendar Font Two, Calendar Font Three, Carved Initials, Chiseled Initials, Cleancut, Dexterous (2010, art nouveau), Diamond Monogram - 2 Characters, Diamond Monogram - 3 Characters, Display Black Serif (2010, angular), Display Dots Five (2010), Display Dots Six (2010), Display Grungy (2010), Display Robust (2010), Dooddle, Embossed Shallow, Embossed Medium, Embossed Deep, GG Casual Light (2002, was Gallo Casula: hand printing family), GG Casual Medium, GG Casual Bold, GG Dingbats (was Gallo Dingbats, like Zapf Dingbats), GG Serif (1993, was Gallo Serif), Geometric Arrows, Geometric Ornaments, Gnarlee, Greetings, Home Sweet Home, Isometric Initial Caps - Bird's Eye View (1994), Isometric Initial Caps - Worm's Eye View, Isometric Ornaments, Jackolantern Assortment (2002) Just Bugs, Kruede Light, Kruede Regular (handwriting), Kruede Bold, Leaf Assortment (1994), Leaves Falling, Logotype, Magnificent Ornaments (2006, Victorian era decorations), Make Tracks (2002, animal footprints), Number Ornaments, Numbers 0-99 Style One - Circle Negative, Numbers 0-99 Style One - Circle Positive, Numbers 0-99 Style One - Diamond Negative, Numbers 0-99 Style One - Diamond Positive, Numbers 0-99 Style One - Square Negative, Numbers 0-99 Style One - Square Positive, Numbers 0-99 Style Two - Circle Negative, Numbers 0-99 Style Two - Circle Positive, Numbers 0-99 Style Two - Diamond Negative, Numbers 0-99 Style Two - Diamond Positive, Numbers 0-99 Style Two - Square Negative, Numbers 0-99 Style Two - Square Positive, Numbers 0-99 Style Three - Circle Negative, Numbers 0-99 Style Three - Circle Positive, Numbers 0-99 Style Three - Diamond Negative, Numbers 0-99 Style Three - Diamond Positive, Numbers 0-99 Style Three - Square Negative, Numbers 0-99 Style Three - Square Positive, Ornate Initials - Style One (2002), Ornate Initials - Style Two, Ornate Initials - Style Three, Pleasant Hand Light (2002) Pleasant Hand Medium, Pleasant Hand Bold, Precision, Rolling Ball Cursive, Serene (1993), Slender, Smiling Faces, Snowflake Assortment (1994), Snowflakes Falling (2001), Sport Numbers, Star Assortment (2002), Stature (2010, compressed sans), Swiss Folk Ornaments - Critters&Things, Swiss Folk Ornaments - Floral, Swiss Folk Ornaments - Geometric, Time Clocks, Woozee, Display Prominent (2005), Ultimate Ornaments (2005), Cross Ornaments (2005), Heraldic Creatures (2006), Victorian Leaf Ornaments (2006: great!), Quilt Patterns One (2007), Holy Ornaments (2007), Oriental Ornaments (2007), Gothic Initials One through Six (2007-2008), Interlaced Ornaments (2007), Modest Ornaments (2008), Art Nouveau Flowers (2008), Art Nouveau Ornaments (2008), Quilt Patterns Two (2008), Display Gothic (2008, blackletter), Plant Assortment (2008), Birds Flying (2009), Happy Go Lucky (2009, Victorian), Fish Fresh (2009), Display Dots One (2009, dot matrix face), Display Art Two and Three (2009, art nouveau alphabets), Display Dots Two Serif and Sans (2009, dot matrix faces), Display Dots Three Serif and Sans (2009), Display Dots Four Serif and Sans (2009), Display Robust (2010), Quilt Patterns Three and Four (both 2009), Gothic Initials (Seven, Eight, Nine: 2009), Carefreed (2009, a Halloween script?), Glorita (2009, casual condensed sans), Fancy Flowers (2010), Rectilinear Ornaments (2010), Display Brutal (2010, grunge), Cross Stitch Graceful (2010), Cross Stitch Regal (2011), Cross Stitch Formal (2010), Cross Stitch Discreet (2010), Cross Stitch Classic (2010), Display Dots Seven (2011), Cross Stitch Majestic (2011), Cross Stitch Elaborate (2011), Cross Stitch Medieval (2011), Display Squares One and Two (2011, gridded or dot matrix faces), Display Digits One through Seven (2011), Display Crisp (2012, octagonal), Blue on Blue (2012, shadow face), Green on Green (2012, 3d shadow face), White on White (2012), Orange on Orange (2012, a 3d shadow face), Victorian Ornaments (2012). [Google] [MyFonts] [More]  ⦿

Gary Tennant

British designer at T26 of the Urbanite family (2000, octagonal, techno) and of Linotype Submerge One (2002), Linotype Submerge Two (2002) and Linotype Sharquefin (2004, a destructionist face).

Linotyper link. FontShop link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Gaslight (or: Valery Zaveryaev)
[Valery Zaveryaev]

Gaslight-type-foundry is collaboration between two type designers---Valery Zaveryaev and Roman Shchyukin---, founded in 2011. Valery Zaveryaev is a Russian designer (b. Bryansk, 1977) at LetterBe, who created the octagonal family Teco (2005), the display face Brut (2005), the clean sans family Maza (2005), the informal unicase family Rezerv (2009, inspired by a logo he created for Evroterm), Barrez (2010, a techno family inspired by the TC-Helicon logo), and the stencil face Marshrut (2005).

He lives in Bryansk. All his fonts are Latin/Cyrillic.

In 2011, Zaveryaev set up the commercial foundry Gaslight. Fonts there include the elliptical family Maza (2005), the angular elliptical family Barrez (2010), Brut (2005), and the stencil face Marshrut (2005). Electrolize (2011) is a free squarish face available from Google Web Fonts. Bad Script (2011, Google Web Fonts) is an informal handprinted face made by Roman Shchyukin.

Rock Logo (2012) is a metal band / tattoo font codesigned with Roman Shchyukin. Teco Sans (2012) is an octagonal military typeface family, accompanied by the icon font TecoSymbol (2012) and the stencil family Teco Sans Stencil (2012). Still in 2012, Zaveryev designed the fat display overlay families Quadratish Serif and Quadratish Solid.

Klingspor link. Fontspring link. Behance link. Another Behance link. [Google] [MyFonts] [More]  ⦿

Gene Buban

Gene Buban (aka geneus1) is the creative and prolific designer at FontStruct in 2008-2009 of these faces:

  • Aerologica (2009): 3-d headline face.
  • Alphadings: DeTracks.
  • Altitudinus (2010).
  • Amplifica (+Carved, 2010).
  • Arkham Bloodletters (2008).
  • bay6
  • Bauhaus style: Slink (2009) is a tribute to Josef Albers---one could also call it a piano key font. Codename Bauhaus (2010).
  • Arc Brick 1:1 and 2:2 (2010).
  • Bevelicious (2009): 3d shadow face.
  • Bezziaiare (2010): an imitation of Futura.
  • Brikd is a fantastic headline face.
  • Bubble Lab EF (2008) and Bubble Lab Bang (2008): dingbat fonts.
  • Calligraphique (2010).
  • ChequereBoard (2008): a 3d face.
  • Christmas fonts: Kallosia Decorative (2009, blackletter), Snowflakes (2009).
  • Clone War (2008).
  • code2
  • Codename Bauhaus (2010).
  • Country Fried (Western style)
  • Decorata (stylized art deco)
  • Didone fonts: Legality (2009, sharply serifed), Petrissage (2009).
  • Dingbats: DeTrayne (graffiti-clad trains), Happy Halloween (2009).
  • Egalite (2010): a blackletter face.
  • ElSeeDee (2008, white on a black grid, inspired by the baggage claim LED scrolling message system at the Oakland Airport)
  • Effleurage (2009).
  • Eurostijl (2008)
  • Exersia, Excursia
  • Ferno (hell?)
  • filmstryp
  • Flameon (2008) is a vertically striped athletic lettering font.
  • Fluoralei (2008) and Fluoralyte (2008) are all caps floral-themed typefaces.
  • Futuro (2008) and Futuro Extra Bold (2008).
  • Futurity Watch (2009).
  • Framestore (2008).
  • Gappy and Gappy LC (2010).
  • Geolateral
  • Glossierre (2009).
  • Graffikki (2010): graffiti face.
  • Hammerslab (2008) is a very thick heavy slab serif face.
  • Happy Halloween (2008): Halloween dingbats.
  • HellStruct (2008): flamed letters.
  • hollo, holloback, holloblack
  • HulkSmash has the look of cracked concrete blocks---has to be seen to be believed!
  • HyperLynk (2010).
  • Indiglo (2010).
  • Interblok Cylindrome (2011) and Interblok Stroke (2009): labyrinthine / Celtic knot / texture faces.
  • IronManic (2008, letters resemble armor steel plates with bolts)
  • IsoMatrix 3D (2009, an Escher deception in 3D), Bevelluzian (2010, 3d beveled checkerboard illusion).
  • Jaggs (2010): angular.
  • Karuso 68 (2009).
  • Leefer is a kitchen tile font.
  • Legere (2010, a roman face).
  • LegoManiax (2008).
  • Modulus and Modulus Black, ultra fat fonts.
  • Motternal (2011), a version of Othmar Motter's Motter Tektura.
  • Mucro Bold, a heavy metal band font
  • Multiverse Diagonality (2009).
  • Nontroppo (2010).
  • Outlier (2010).
  • Paradoxx (2011). Peignotian.
  • Periculum (2010): monoline sans.
  • pixsle
  • Pixsle (2010).
  • Predatoric ad Predatoric2 (2010).
  • Prikkle (2010): angular.
  • Requiemme Decorum (Sept. 14th, 2009): blackletter. He writes: Exactly one year ago two of my cousins, Chris and Cleofe, got into a dealer-loaned Lexus for a trip after their main car was being repaired. Cleofe's husband, a CHP officer, was driving and their teen daughter was along for the ride. While on the freeway, the accelerator became stuck and they lost control of the car. As the runaway vehicle sped up to over 100 mph, all four passengers were killed in a fiery crash in the San Diego River. The loss was unquantifiably devastating. This immensely tragic event led my aunt to testify before congress with damning evidence that would initiate the recall of millions of Toyota vehicles. Requiemme Decorum was created on the way down to southern California for the funeral services. For Chris, Cleofe, Mark, and Mahala, may you all rest in peace and love.
  • Renovare (2010, +Renovare S1, S2): a slab serif.
  • Roboscript (2008): an upright connected school script.
  • Rubrix (2008): a Rubik cube dingbat font.
  • Scipio (2010).
  • Scribble Not (2010) is a texture face.
  • Sequencia (2010).
  • sedagive
  • Seriface and Seriface 2.0 (2010, a roman all-caps set).
  • Sharp-serifed almost modern faces: Legality, Petrissage, Effleurage, Karuso68.
  • Sonorous (2010).
  • Spartan Tech (2010): inspired by the multiplayer game Halo3.
  • Stanley Twobrick (pointy minimalist face)
  • Startrek faces: Transformicon (2009).
  • Streamlyne (2010, squarish, outlined).
  • Structurocca and Structurozza (2009): Horizontally stencilled black faces.
  • Tangience and Tangience Solid (2008) are fonts in which the glyphs are built up from circles glued together.
  • Tetrisyde
  • The Pax Man (2009): metallic whatever.
  • Trelief and Trelief Rounded (2010): multilined 3d beveled faces.
  • Tubric (2010): counterless.
  • Upriteous and Upriteous Black, condensed protestant fonts.
  • Victoriana (Victorian caps)
  • Wall-F: white squarish letters in black circles
  • Waverly, with scary pointed barbs like on German WWI helmets.
  • Weaver (Celtic knot-themed letters)
  • Xerro (2010): like Helvetica.
  • Yeomamuh, a fat look face.
  • Wypeout (2010)
[Google] [More]  ⦿

Geoffroy Tobé

French designer of these fonts (no downloads): NSBC (stencil), Opening (octagonal), 2/3 (experimental), Didi, Chatsworth Road (comic book face). [Google] [More]  ⦿

Gergely Lukacs

Hungarian graphic designer who made the heavy octagonal typeface Code (2012). [Google] [More]  ⦿

Gershon Paul

Jerusulam-based graphic designer. Klean Regular (2011, octagonal) is a typeface based on Wim Crouwel's New Alphabet. [Google] [More]  ⦿

Gestalten

German foundry, part of Gestalten Designstudio and Die Gestalten Verlag (dgv) in Berlin, a company self-described as follows In 1990, industrial design students Markus Hollmann-Loges, Andreas Peyerl and Robert Klanten began to curate and organise prototype design shows commissioned by the worlds biggest consumer fair in Frankfurt in between attending their lectures and writing their dissertations. Very much aware of the limitations of their field of study, they soon moved to Berlin, where they quickly met key people involved in the local Techno and cultural scenes. With the advent of desktop publishing, they formed a loosely organized graphic design agency called Die Gestalten and started designing flyers and posters for clients such as the groundbreaking club Tresor and the annual Loveparade. Its typefaces, by designer:

  • Bowling Club: Victor.
  • Boris Dworschak: Basic, Exakt (stencil), Ikiru Sans (organic).
  • Stefan Gandl: DS Yakuti (experimental).
  • Alexander Puell: dtype (fuzzy typewriter), Online Gothic.
  • Frank Rocholl: Nuri (sans family).
  • Alexander Wise: Mini (hip display sans), Hiploe, Winter (modernistic two-line display face).
  • Marc Schilkowski: Traffic Wide.
  • Soffi Beier: Pemba (connected 50s script), Engel (sans family).
  • Fulguro: Adhesive (octagonal script).
  • Pau Misser: Agrafia (LED simulation), Bustia (futuristic), Escacs, Fastig, Hodierna, Natja, Oliosa, trifasic (futuristic), Quelcome.
  • Clarissa Tossin: Arvore (experimental).
  • Nik Thönen: Regular Cargo (stencil;; the Bold version is free), Blender (sans), Regular (sans).
  • André Nossek: Sassy (2006).
  • Martin Aleith: Boxen, Haudegen (octagonal style), Halunken (rpounded octagonal), Feixen, Braten Fat, Logasmen.
  • Michael Luther: Forza (was: Pilot).
  • Alexander Meyer: Lacrima (typewriter face).
  • Donald Beekman: Beatbox, Breeze.
  • Mika Mischler: Brother (stencil), T-Star Mono Round (monospace).
  • Birte Ludwig: Yogasaan (Indic simulation).
  • Pact: BR Jaeger (gothic).
  • Dimitri Lavrow: Hard Case Striped, Hannover Milennial (sans).
  • Erik Worsoe Eriksen: Friends (sans), Kit Fat.
  • Critzla: Flomaster (with JayOne), Starlet (fifties script), Franz Jaeger (ultra fat).
  • Jutojo: Inbetween (experimental).
  • Alexander Tibus: Wirefox (experimental).
  • Timo Gässner: 123 Naiv (2006).
Free fonts include Regular Cargo Bold by Nik Thoenen, RussianBread, DrEye and Doener Kebap Strong by Lund Sundson, as well as HardCase-Striped by Dimitri Lavrow. New releases. [Google] [More]  ⦿

Gilles Gavillet

Ex-student of the University of Art&Design Lausanne (Ecal) and the Cranbrook Academy of Arts. Geneva-based designer at the Lausanne-based foundry Optimo. With Cornel Windlin at lineto in Zürich, he co-designed these fonts in 1999: Pixel Crude, Vectrex, GravurCondensed, Pixel World, Vectrex World (skyline dingbats), Liquid Crystal and Supermax. Did Autologic (1997, created as a shortcut to make logos), DetroitMM (1997), Kornkuh, Lineto (2001, an octagonal font), Kabin, Chip at Optimo. With David Rust, he cofounded Gavillet&Rust in Geneva in 2002, and co-created these fonts in 2003: Cargo (a stencil face), Hermes (a typewriter family), Index and Politics. In 2004, he created the stencil family Montana (Optimo). In 2005, he and Rust added Hermes Sans to the Hermes family. In 2007, this was followed by Executive, a simple sans family. [Google] [More]  ⦿

gilligan09

Student of Graphic & Web Design at DMACC (Des Moines Area Community College). FontStructor who made Gilligan's Fontland (2011, octagonal typeface). [Google] [More]  ⦿

Golden Roman

FontStructor who made Edge (2012), Impression (2012), Mount Krabi (2012), Fish Hooks (2012), On The Go (2012), Octagon (2012), Fast Forward (2012) and 50-50 (2012). [Google] [More]  ⦿

Gomarice Font (or: Goma Shin)
[Shintarou Nakayama]

Japanese foundry, est. in Fukuoka in 2005 by Shintarou Nakayama (Goma Shin), b. 1982. It offers these free fonts, many of which are in the grunge or techno styles: Steel Boy (2005, techno), Manzyu (2005, liquid), The Past (2004), Atama (2004, liquid), Atama Serif G (2010), BAT-MEN__G (2004), BIG-BURGER__G (2010), Ballpoint-Pen (2004), Beer-Cape__G (2006), Boro-Slim__G (2003), Boroboro (2003), Chocolate__G (2008), Coffee-&-Curry-Shop__G (2009), Fude-Enogu__G (2006), GOMA-STANDARD__G (2010), Gomadelic (2003), Gomanema (2007), Goth-Goma__G (2006), Kamone__G and Kamone 6 (2006-2011, heavy mechanical / octagonal face), Kamone 7 (2012, polygonal typeface), Kigasuru__G (2006), Marker__G (2004), MINI POP__G (2010), Mukasi_Mukasi__G (2003), Mukasi_Mukasi_a__G (2005), Rihapop__G (2006), Rocks__G (2004, stone face), Simple-Slum__G (2005, informal poster face), Steel-Boy__G (2005), Tomipop__G (2006), honey-bone__G (2007), kamone-2__G (2009), kamone-3__G (2010), Yaki Goma (2010), Goma Western (2010), Mousou Recode (2010, ultra fat rounded face), Hot-Chocolate__G (2011), Milk-Chocolate__G (2011), Syouwa Retro Pop G (2011), Spicy Curry Rice (2011), Sikakusimen (2011, fat and rounded), Nantoka Western (2011), Goma Cookie (2012), Sandome G (2012: a beautiful rounded sans display face).

Dafont link. [Google] [More]  ⦿

Grafik Industries Ltd.

Company that made the mechanical octagonal faces ORU (2010) and Rockdafonkybit (2009). [Google] [More]  ⦿

Green Aoyama

FontStructor who made the octagonal face Genki (2011). [Google] [More]  ⦿

Greg Thompson

Born in Nebraska, 1958. He graduated in 1985 from the Art Center College of Design in Los Angeles, California. In 1989 he began using Fontographer to make PostScript versions of existing typefaces for Chicago area design firms. At the invitation of Roger Black and David Berlow he became the first independent designer to contribute to the Font Bureau library.

Based in Mount Dora, FL, Greg Thompson is the designer of Bodega Sans and Bodega Serif at Font Bureau. Allan Haley reviews Bodega. He also created Agenda, FB Century Bold Condensed (1992, after the 1906 design at ATF by Morris Fuller Benton), Clicker (1992-2005), Commerce (1991).

About Clicker: Greg Thompson's original soft octagonal Clicker was drawn in 1992 for TV Guide and has since been used by CSI, Pepsi One, and Quicksilver. In 2005, Thompson has expanded the design, initially inspired by machine-readable type, to 44 new styles including italics and small caps.

At Thirstype, he created Ooga Booga (1994, with Rick Valicenti). Bluty (2000) seems to be a copy of Agenda.

View Greg Thompson's typefaces. [Google] [MyFonts] [More]  ⦿

Grundlecream

FontStructor who made the heavy octagonal slab serif caps face Blackistan (2012) and the paper fold typeface Electric Tape (2012). [Google] [More]  ⦿

guentersen

Designer who used FontStruct in 2008 to create FUSE (based on the work of Neville Brody), ANNA45 (pixel face), ANNA63-Display-small-caps-Regular, ANNA63-small-caps-Regular, ANNA91-regular-Regular, Alto Monospaced (octagonal and monospaced), Alto Capitals Fat (almost pixel version), ANNA Killed (nice fat face), square Out and Square Out2 (pixel faces), Coldplay-Semi-Regular (gorgeous piano key font), Coldplay-Small-Caps-Regular, Coldplay-wide-space-Regular, Coldplay-Regular, Frieda-Regular, HAUS-Small-Caps-Regular (interesting pixelized face), guess-who-Regular. In 2009, these were added: Haus (gridded), HausFraktur (gridded blackletter), Cees (dot matrix), Peace (blocky pixels). [Google] [More]  ⦿

Guillaume Vallaeys

Designer who used FontStruct in 2009 to make the kitchen tile family Fraille, and the bold family Buttslamming, as well as the octagonal Joris is My Homeboy. Aka The Kiejoom. [Google] [More]  ⦿

Guy Cornet

Graphic designer in Abu Dhabi. He created Block Ribbon (2010) and Streak Type (2010). [Google] [More]  ⦿

Gyorgy Szabo

Los Angeles-based designer of Maze Technology (2003, octagonal). [Google] [More]  ⦿

Han Bit

Seoul-based Korean graphic and type designer. Home page. In 2008, he designed Plamodel (LED font), Layer, and Piece (octagonal and minimalist). No downloads. [Google] [More]  ⦿

Haoz Xiong

FontStructor who made Creme (2012), Gsuga (2010, octagonal), Gsuga Mosaic (2011, texture face), Trixonn (2011), Inotia (2011, octagonal), Aubrey (2011, tall condensed), RezRox (2011), HZP001 (2010), HAOZ (2010), Nilt (2011), Adlex (2011, paper fold face), Stonair (2010), Stonair II (2012). Aka Bear Gogh.

Catalog. [Google] [More]  ⦿

Helen Ebert

Type designer. She created the octagonal family Novice (2005, Elsner&Flake). [Google] [MyFonts] [More]  ⦿

Highground Industries (or: Highground Graffiti Fonts, or: Fulltime Artists)
[Matthew Napolitano]

Matt Napolitano (b. 1977) runs Highground Industries (ex-Highground Graffiti Fonts, ex: Fulltime Artists) in Milpitas, CA. Graffiti Fonts was also run by them. And so is Rase One Full Time Artists over on Dafont.

Commercial graffiti fonts: first, there is a group of such fonts by Matt Napolitano, who runs the site (Wild Style, Pilot Rase, RaseOne Original, RaseOne Outline, Human Rase, New Digital). There are free contributions by Ray Larabie (Funboy, Bomr, Degrassi, Graffiti Treat, Hawkeye, Yytrium), and Johan Waldenström (Writers, Writers2, writers3, Writers Bold, Writers Condensed, Homeboy, 08Underground, 5Cent, B-Boy, Subway). MyFonts site.

Fonts from 2010: Stencil Font, Wild Style (tattoo or metal band font), New English (blackletter), Mad Props (brush), Graffick (futuristic), Olde Gangsta (blackletter), Back Spin, Ruckus, Pre Cursive (lined school font), Caption (brush), CaliCholo (brushy wall writing by LA gangs), Ballers (calligraphic brushy script).

Fonts from before 2010: Standard Cap (2007, brush face), Hardway (2005, graffiti), Burner (2006), Scraper (2007, caps only paintbrush face), Fresh Paint (2006, like Scraper), Street Artist (2008, tag font for graffiti), Skin Art (2010, an all caps tattoo family), Rase Downe (2006, graffiti face), Tough Guy (2001, mechanical family; +Stencil College), Dafunk, Fatcap, Pilot Rase, Califas (2006), Scrawler (2006), Wild Style (2006), Rase Tribals (2006), Uni Wide (2006), Rase One (2004), Magik Marker (2006), Paint Cans (2003), Rase Basic (2003), Same Gang (2004), Gang Bang (2011, graffiti tag style), Scrawl (2011, graffiti style).

Klingspor link. [Google] [MyFonts] [More]  ⦿

hisham4444

Designer who used FontStruct in 2008 to create I Love U Joined (letters in hearts), New Minimal, I Love U Black, I Love U BnW, I Love U 2 Seperated, I Love U 2, Marbles Light, I Love U, BATMANia (the Batman font), Traffic Light (billboard light font), Marbles Dark (dot matrix), the fat octagonal face Strong Simple and the stencil face Break It. Additions in 2009: Strong Simple, I Lov U 2, Recursive. Additions in 2010: Tiles. [Google] [More]  ⦿

HiType (was: DMTR.ORG)
[Dimitre Lima]

Dimitre Lima is a Sao Paulo-based Brazilian designer (b. 1979) who created a few faces in his Fluid Typeface Project in 2005. In 2005, Dimitre Lima set up DMTR.ORG and started selling his fonts at MyFonts. These include O AFerrugem (unicase, techno), Opus (2005, a computer-look modular sans), Gatu (2005, futuristic semicircle face), Clave de Fá (2006, experimental), O Geena (2007, straight-lined outlines), Arame (2006, an octagonal family including a stencil version), Velocipede (2009) and O Decomputer (techno sans).

In 2010, he started HiType [initial catalog].

Typefaces from 2012 include Geena Mono (a techno or programming monospaced font).

Klingspor link.

View Dimitre Lima's typefaces. [Google] [MyFonts] [More]  ⦿

Holland Fonts
[Max Kisman]

Max Kisman (b. 1953, Doetinchem) is a Dutch freelance graphic designer who graduated in 1977 in graphic design, typography, illustration and animation at the Gerrit Rietveld Academy in Amsterdam. In 1986, he co-founded TYP/Typografisch Papier, and taught graphic design and typography at various colleges in the Netherlands in the years following that. He is principal of MKDSGN, his studio in Mill Valley, California, and founded Holland Fonts, a foundry for his typeface designs in 2002. Max teaches graphic design, typography and typeface design in San Francisco. He currently lives in Mill Valley, CA.

His early typefaces: ExtendedMaxMixOne (1991), Rosetta, Jacque (1991, FontFont), Fudoni (1991), the experimental font Linear Konstruct (FUSE 2).

He wrote a coffeetable book on typography in the streets of Paris, but no book store in Paris seems to have it, and I have looked! He is editor of Tribe.

In 2002, he started Holland Fonts. His fonts there: Bebedot Blonde (2002), Bebedot Black, Bfrika (2002, an interesting African lettering font), Cattlebrand (2002), Chip 96 (2002), Chip 02 (2002), Circuit Closed (2002), Circuit Open, Interlace Single (2002), Interlace Double, Mundenge Rock (2002), Nevermind (2003, a cut-out style reminiscent of Saul Bass's movie titling types), Pacific Sans (2003), Pacific Serif (2003), Pacific Standard L, Pacific Standard B, Pacific Classic L (2002, artsy, stylish), Pacific Classic B, Quickstep Regular (2002, an angular font), Quickstep Bold, Quickstep Sans R, Quickstep Sans B, Submarine (2003, an octagonal font family), Traveller Regular (2002), Traveller Bold, Tribe Mono (2003, a tech font), Zwartvet (2002, a Van Doesburg/ De Stijl type font).

Four free ransom note fonts made in 2003: Dutch Doubles, Frisco Remix, We Love Your Font, MaxMix One. At Union Fonts, he (re-)published Bebedot, BFRIKA, Cattlebrand, Chip01, Chip02, Pacific, Quickstep, Submarine and Traveller in 2003, and Mata Hari (Indic simulation face in weights called Exotique, Hollandaise and Parisienne) and Xbats (2004, Christmas dingbats) in 2004.

Speaker at ATypI 2004 in Prague.

FontShop link. Klingspor link.

His bestselling fonts at MyFonts. Pic. [Google] [MyFonts] [More]  ⦿

Honey and Death
[Mitsutoshi Nobusawa]

Honey and Death offers free fonts designed by Mitsutoshi Nobusawa: The list: BlackoronAlp (2003), BlackoronKat, BlindfaithB (2003, experimental), BlindfaithBO, BlindfaithL, BlindfaithLO, BlindfaithO, BlindfaithR, BlindfaithRB, BlindfaithRBO, BlindfaithRL, BlindfaithRLO, BlindfaithRO, BlindfaithRR, ConnectlinePlains (2003, upright connected script), ConnectlineRail, ConnectlineSta, Constellation (2003, a planar graph), CooberBlackKat (2004, named after Cooper Black), CooberBlackOblKat, Dotline (2007, dotted line face), DotlineBold, DotlineHeavy, DotlineKat, DotlineLight, FatfontInline (2004, psychedelic), FatfontOutline, FatfontSolid, GalaxyfaceAno (2003, experimental), GalaxyfaceHirAno, GalaxyfaceHirReg, GalaxyfaceKatAno, GalaxyfaceKatReg, GalaxyfaceReg, Griffinize (2003), HoneycombOut, HoneycombReg (2004), HoneycombSol, Ironbeadsfont (2005), Judaslike (2006), JudaslikeBegin, JudaslikeEnd, Keymaps (2004, a dot font), KnitfontA (2005), KnitfontB, LayerfaceOutline (2003, comic book style), LayerfaceSolid, LayerfaceUnion, Lightningvolt (2005), Lovedrops (2004), MakestencilAlp (2004), MechamaruAlp (2006), MechamaruKat, Paddleface (2003, Western), RyusenHir (2003), RyusenKat, Saigi, SeizaHir (2003), SeizaKat, Skateandfont (2003), Spacy (2003, letters made of bubbles), Sparkling (2003, another planar graph), Strongcil (2003, octagonal stencil), TansanHir (2003), TansanKat, TapefontAlp (2004), TapefontAlt, TapefontKat, Westerner (2006, Western face), Zigzag (2003). Direct download of the type 1 fonts and the truetype fonts. Fontspace link. [Google] [More]  ⦿

Honey Design
[Rina Miele]

Rina Miele (Honey Design, Sleepy Hollow, NY) is a web designer and art director. She created Pug (2010, free here), Razor Blade (2010, futuristic), Untitled Fat Font (2010), Honey Hand (2010), and Honeyfit 250 (2010, octagonal). She also made the iFontmaker font Cloud Doodle (2010). She sells through I am a design whore. [Google] [More]  ⦿

House of Burvo
[Matthew Burvill]

UK-based foundry of Matthew Burvill (b. 1984, Kent, UK) located in Colwyn Bay, Wales. Fonts: the art deco stencil faces Burvo (2007), Baby's Definate Hit (2007, art deco heavy stencil) and Indivisual (2007), Killer (2007, octagonal), Bürvo Konstrukteur (2007, octagonal), Angel of Death (2007, techno), Neg Space (2007, pixelish), Beauty Full (2007, rounded), PUMP (2007, ultra black art deco), Architect (2007), Optical (2007, geometric, experimental), GHS (2010---GHS stands for Geometric Hairline Serif; high-contrast didone influences), Links (2010, modular), Checks (2010, borders), Neue Konstrukteur Square and Round (2010, an engineered, mechanical typewriter font), FreeDee (2010, 3d face), NK Fracht (2010, an octagonal family), Poster Hand (2010), Big Softie (2011, a fat round bubble gum face destined to become a hit), Sequencia (2011, a monospace and semi-monospace face done at Die Gestalten). MyFonts link. Behance link. [Google] [MyFonts] [More]  ⦿

Hula Hula
[Enrique Ollervides Uribe]

Mexican foundry run by Enrique "Quique" Ollervides from Mexico City. Faces include Polvora (2005-2007, a gunslinger face). Other faces: Bicolor (2007, fat VAG Rounded style in two colors), Bloke (2000, blocky), Fierros (2001, grid-based), Khaki (2002, sans), LED Gothic (2000), Luchita Payol (2001, lively poster lettering, with Mexican wrestling dingbats thrown in the ring as well), Mono (2006, experimental geometric face), Mutis (1999, sign language hands), Primero B (1999, designed by Cha, cutout lettering), Tabique (1999, corporate identity for Escenica), Urbe (2000, octagonal). Enrique is a speaker at ATypI 2009 in Mexico City. [Google] [More]  ⦿

Ice Cream For Free
[Oliver Wiegner]

ICE CREAM FOR FREE is a Berlin-based design studio founded in 2005 by Oliver Wiegner. The main focus is on print. Home page. Creator of the Frequenza font (2009, octagonal). [Google] [More]  ⦿

Iconian Fonts
[Dan M. Zadorozny]

Born in Philadelphia and a resident of Texas, Dan Zadorozny's creations at Iconian. He is a prolific type designer who specializes in techno and sci-fi typefaces. Dafont link. Fontsy link. Abstract Fonts link. Font Squirrel link. His fonts in alphabetical order:

  • #44 font (2002), 00Starmap (2001, pixel font), 1st Cav (2008), 2-Tech, 2nd Amendment (2007, guns), 2nd Amendment 2050 (2009, more gun silhouettes), 2Toon, 300 Trojans (2008, comic book family), 4114 Blaster (2008, futuristic), 5th Agent (2008, techno), 7th Service (2002), 911Porscha.
  • Achilles, Action-Men (2008), Action Women (2008, female outlines), Aegis (2010, Greek simulation family), Aetherfox, AirCobra (2002), Aircruiser (2011, trekkie family), AirForce (planes and copters), Airstrip One (2003), Aldo's Moon, Aldo's Nova, Alexis (2001), Alien League, Alpha Sentry, Alpha Taurus (2007, octagonal, athletic lettering), Amalgam, Anakefka (2009, ultra-fat family), Anitlles (2009, sans family), Argosy, Arilon (2008), Astropolis (2009), Atlantia (2012, futuristic), Avenger (2008, futuristic).
  • Babes&Bond (2009, erotic silhouettes), Babe-alicious (2002, erotic outlines), Bad Robot (2007, computer game look), Bal-Astaral, Bamf (2011, techno family), Battlefield, Beam Rider, Beastian (2011), Ben Zion (2008, Hebrew simulation), Berserker (2008, grunge), Beta Biergärten (2008), Bio-disc, Bio-discSolid, Bio-discThin, Bionic Comic (2002), Bionic Type (2002), Birds of a Feather (2007, dingbats), Block, Blood Crow (2009), Bloodlust (2011, dripping blood face), Blue July (2009), Brin Athyn (2008, uncial/Celtric), Bronic (2004), Bummer (2007, octagonal), Bushido (2008, oriental simulation), Buttons the Bear (2008, children's hand), Byte Police.
  • Capella (2011, a wide techno family), CasperComics, Chardin Doihle (2008), a useful informal handprinting family), Charlemagne, Charlie's-Angles, Cheyenne Hand (2008), Christendom, Colossus (2011, old chipped stone look), ComicBookCommando, ComicFX, Commonwealth, Concielian, Corinthian, Coyote Deco (2007, art deco), Crappity-Crap-Crap (2007), Crixus (2011, a squarish sans that includes an athletic lettering style), Cro-Magnum (2003), CryUncial, Cyberia (like Soviet: neat Russian imitation letters).
  • DS Man, Daedalus (2008), Dan Stargate (2008), Dan'sHand, Dark Horse (nice brush font), Darkwind, Delta Ray, Department-K, DepartmentH, Deranian (2008), Detonator, DiegoCon (2004), Ding-o-saurs (2007), Direktor (2008, Cyrillic simulation techno), Disco-Dork, Disco Deck (2005), Disco Duck, Dodger, Dotcom (2002), Drafting Table (2008), Dragon Order (oriental simulation), Drid Herder (2002), Droid-Lover (2008), Drosselmeyer (my favorite).
  • Eagleclaw (2009), Eaglemania, Earth's Mightiest (2002), Eco-files, Eldebaran (2012), Elder Magic (2009), Election Day (2009), Empire Crown (2011, blackletter), Enduro, Ensign Flandry, Ephesian (2007), Erin Go Bragh (2009, Celtic/uncial), EscapeArtist, EverettSteele'sHand, Excelerate, Excelsior, Exedore (2008), Extechchop (2005).
  • Factor, Falconhead, Famous Spaceships (2007), FantasticCreatures, Fantazian (2003), Fantom (2009, bad handwriting), Federal Service (2011), Federapolis (2008, octagonal techno face), Fedyral, Fedyral-II, Feldercarb (2003, octagonal font), Fight Kid (2009), First Order (2001), Flight Corps (2008, techno/pixelish), FlyingLetaherneck (2002), Force Majeure, Free-Agent (2008), FunnyPages, Futurex Grunge (2005).
  • Galant, Galaxy-1 (2008), Galaxy Far Far Away (2009, futuristic dingbat font), Galga (2008, futuristic), Gamma Sentry, Gemina (2011, sci-fi / techno family), Generation Nth, GeoBats (2007), Goalie (2008, hockey mask alphading), Gods of War, Governor, Graymalkin (2011, trekky), Grendel's Mother, Grimlord (2009), Guardian (2008), Guardian-Laser (2008), Guardian-Pro (2008), Guardian-Shadow (2008), Gunship, Gunship V2 (2002), Gyrfalcon.
  • Hadriatic (2008, roman lettering), Hall of Heroes (2007), Halo, Han Solo, Harrier (2002), Hawkmoon (2011), Heorot (2009, stone age fonts), Heroes Assemble (2011), Highrise Heaven (2007, city skyline dingbats), Holy Empire, Homemade-Robot, Homeworld (2003), Homeworld Translator (2003), Hulkbusters, Hypno Agent.
  • ICebox Art (2012), IWantMyTTR!, Iconian (2002), Iconified, Illuminati, Imaginary Forces (2008, mythical dingbats), Imperial Code (2003, Startrek style face), Imperium, Incubus, Incubus-Italic (2008), Incubus-Shadow (2008), Infinity Formula (2003, super techno), Infobubble, Interceptor (2008), International Super Hero (2002), Intrepid, Iron-Cobra (2008), Iron Forge (2012).
  • Jackson, Jannisaries, Jerusalem (1999, Hebrew font simulation)[see also here], Jetta, JettaTech, Judge, Judge Hard, Justice (2009), Jumptroops (2003), Justinian.
  • Kahless, KameraDings (2009), KarateChop (2009), Kartoons (2008), Katana, Keystone (pixel font), Khazad-Dum (2011), Kid Cobalt (2008, comic book face), Kinex, King Commando (2011), King's Ransom, KnightsTemplar, Knock Furious (2003, dingbats), Kobold (2008, futuristic), Kountry Kodes (2008, international license plate lettering), Kovacs-Spot, Kovacs, Kreeture (2002), Kubrick (2008).
  • Lamprey (2012, techno family), LandShark (2001), LandWhale (2001), Laserian, Law and Order (2005, dingbats), LegalTender, Legion, Lightsider (2011, Star Trekkish family), Lincoln Lode, Lionel (2009), Low Gun Screen (2008, a totally square screen type family), Lincoln Chain, Lionheart, Lobo-Tommy (2008), Lord of the Sith, Loveladies, Low Gun Screen (2008, screen face).
  • Machiavelli, Mad Marker, Magic Beans (2007), Marathon-II, Marathon, Masked Marvel (2002), Masterdom (2004), Metal Storm 3D (2008), Metroplex, MetroplexLaser, MetroplexShadow, Michaelmas, Micronian (2009, pixelish headline family), Milk Bar (2003), Micronian (2008, extensive pixel-based family), Military-RPG (2008), Missile Man (2002, futuristic), Miss Amanda Jones (2004, brush style), Mobile Infantry, Monsterama (2011, scary face), Moon Dart (2008), Morse Kode, MorseNK, Movie Gallery (2008, dingbats), Mystic Singler (2008, rough brush face).
  • National Express (2003), Native Alien, Neo-Geo (like the letters on the Neon cars), Neuralnomicon, Nick Turbo (2001), NifeFite, NifeFiter, NifeFites, Nightrunner (2008, sci-fi), Nightwraith (2011, techno family), Ninjas (2002), NoloContendre, Nostromo, Nyet (2002, Soviet letter simulation).
  • Oberon, Oberon-Deux, Obsidiscs (2003, dingbats), Odinson (2007, runes), Olympicons (2003), Omega 3 (2010, futuristic), Omega Sentry, OmniGirl (2003, techno), Opilio (2012), Oramac (2004), Outlands-Truetype (2001), Ozda (2011, a fat techno family with several horizontally striped styles), Ozymandias.
  • Pandemonious Puffery (2002), Parker's Hand (2002, handwriting), Perdition, Peregrine, Phaser Bank (2008, techno), Philadelphia, Philly Dings (2003), Piper Pie (2007), Pistoleer (2011), Planet N, Planet S, Planet X, Player 1 Up (2012: architectural family), Postmaster, Power Lord (2011), Presley-Press (2007; + Presley-Press-3D, Presley-Press-Bold, Presley-Press-CondItal, Presley-Press-Condensed, Presley-Press-ExtraBold, Presley-Press-ExtraBold-Ital, Presley-Press-Italic), Press Darling (2012), Procyon, Prokofiev (2009, rounded and squarish), Promethean (2008), Protoplasm, Pseudo Saudi (1999, Arabic simulation), PuffAngel, Pulse Rifle (2009), Pyrabet.
  • Quake-&-Shake, Quartermain (2002), Quasitron (2009, futuristic), Quatl (2002, an Inca font), Queen&Country (2009), Quest Knight (2009), Questlok, QuickGear, Quickmark (2004), QuickQuick, QuickStrike, QuickTech.
  • RCMP, RadZad, Radio-Space, Realpolitik, Rebecca, Rebel Command (2012, Star Trek family), Redcoat (2008, blackletter), Red Rocket (2011, techno), Regulators, Replicant, Rhalina (2011, a nice upright script), Righteous Kill (2009), Robotaur (2008), Rocket Junk, Rocket Type (2002), Rogue-Hero, Roid Rage (2003), Ro'Ki'Kier (2008), Rosicrucian (2009, stone age font).
  • Sable Lion (2002), Sagan (2008, futuristic), Scarab, ScarabScript, Sci-Fi (2008), Sea-Dog, Searider-Falcon (2008), Secret Files (2011), Sever, SisterEurope, Snubfighter (2009, sci-fi), Soldier (2011), Sound FX (2003), Soviet, Space Cruiser, Space Junker, SPQR (2008, grunge roman), Spy Lord (2001), Starduster (2011), Starfighter, Star Navy (2009: dingbats), Strikelord (2011, trekkie family), Stuntman, SuperUltra911, Superago (2002).
  • Talkies (2008, dingbats), Taskforce (2008), Tele-Marines, Terra Firma, Texas, Texas2, TheRifleman, The Shire (2009), Thundergod, Thunder-Hawk (2011, an aviation techno face), Timberwolf (2011), Time Warriors (2007), Tool (2012, dingbats of tools), Toon Town Industrial (2005, comic book font), Tracer, Trajia (2008, a techno/stencil/athletic lettering family), Traveler (2008), Travelicons (2009), Travesty (2003, scrawly handwriting), Trek Trooper (2008, Startrek font), Trireme (2011, Star trek family), Tristram (2008, uncial), Troopers (2011, futuristic), Trueheart (2009, Celtic), Tussle (2002), Typeecanoe.
  • Uberholme, Uberholme Lazar (2001), UFO Hunter (2009), Ultra 911, Unisol, UniversalJack, Uno Estado (2009, constructivist), U.S.A., USArmy, US Navy (2007), U.S.S. Dallas (2008), Usuzi.
  • Valerius (2009, uncial), Valkyrie (2008), Valley Forge (2008), Vampire Games (2001), VariShapes (2001), VideoStar, Vigilante Notes (2003), Vilmos Magyar, voxBOX, Voortrekker Pro (2009: octagonal and athletic lettering family), Vorpal (2012: sci-fi stencil face), Vyper (2008, futuristic stencil).
  • War Eagle (2009), War Machine, Warrior Nation (2011), Wars of Asgard (2009), Weaponeer (2008, military lettering), Were-Beast (2008), Whatafont, Ensign Flandry (2003), Whiskey Bravo (2003), Wildcard (2011, Star trek family), Wimp Out (2004), Wolf's Bane, Worldnet (great wordly O), Write Off, Writer's-Block, WyldStallyns.
  • Xaphan (2003), XCryption (1999, a hacker face), XPED, Xcelsion (2002), Xenophobia, Xephyr, Xeppelin (2005, zeppelin dingbats), X-Grid (2008), Xiphos (2007), Xoxoxa, X-Racer (2012).
  • Yahren, Yama Moto (2009: oriental simulation), Yankee Clipper (2011), Year 2000, Year3000 (2001), Yellow Jacket (2002), Yiroglyphics (2004), Yorstat (oriental simulation), Youngtechs (2008, futuristic), Yukon Tech.
  • Za's Vid (2001, pixel font), Zado (2002, dot-matrix font), Zakenstein (2011, caps only grunge), Zamboni Joe (2002), Zealot (2008), Zee Lance, Zen Masters (2002), Zeta Sentry (2009, techno/futuristic), Zone Rider, Zoologic (2009, animal dingbats), Zyborgs, Zymbols.
[Google] [More]  ⦿

Identikal Foundry
[Nick and Adam Hayes]

Identikal is a UK foundry run by identical twins Nick and Adam Hayes. Fonts made in 2000, sold through Atomic Type and/or [T26]: 21stA, 21stB, 21stComplete (2007, a rounded sans family), 22ndClosed, 22nd Open, 45degrees, ACTStern (2001), Angol (octagonal), Attac, B4, Breeze, Bully, Canal Extra, Chord, Click (2003), Corisande (2003), Positec (2003, techno), Curvature, Dieppe (2002, techno family in six weights), DigiGraf (2002), Distilla (2009, sans, HypeForType), Formatt, Kanal, Kneeon, Curvature (futuristic, 2002), Rebirth (futuristic, 2002), Masta, Metron, Monark (2003), Camo Sans (2003, T-26, an octagonal stencil font), Multimedia Blitz, Panic, Phat, Phlex (dot matrix font), Phuture, Plotta, Podium, Rally, Rayzor, Reaction, Rebirth, Revalo Classic (2003; regular weight is free), Revalo Modern (2003), Robustik (2003), Sampler, Seize, Sharp, Skak (2003, octaogonal font), Stalk, Trak, Tremble, UNDA Series 1, 21st, UNDA Series 2, Wages (2002, dot matrix font), Wired, Zero (2000, Nick Hays, an octagonal font), Angol (2003, an octagonal font), Skrean (a stitching font, T-26), 22nd Closed and 22nd Open (2006, T-26, stencils), Loxley Serif (2006), Emporio (2006), Alwyn (2006), Direkt (T26, 2006), Baksheesh (2006, simple sans), Loxley Sans (2006, T-26), Loxley Mix (2006, T-26), Kowboy (2006, T-26: futuristic), Kelt (2006, 6 weights, T-26), Neutraliser Sans, Caps and Serif (2006, 24 weights in all, T26), Ramblok (2006, T26), Identikal Sans (2006, T26, 8 weights), BQE (2011, piano key family, T-26). Some pixel font families, and many futuristic designs.

Fontworks site. Catalog. Klingspor link.

View Identikal's typefaces. [Google] [MyFonts] [More]  ⦿

illllli.com (was: YaFontWeb)
[Yoshihide Arai]

Yoshihide Arai's Japanese foundry which produced these free fonts from 2003-2007: Acidpunk, Aqutone Circle (opnly black circles), Blockbox3D, BlockboxHeay, BlockboxLigh, BlockboxMaruheay, BoxboxboxHeay, Bubble, CharacerAfro, ChildrenLigh (children's scribbles), Circle, Genjiko, Genshi, Gucle Bold, Handoo, Heainz, Hexagon (hexagonal letters), Hieroglico A, Korrekt (techno), Korrekt Oblique (techno), Majipane (kana face), Marudo (pixel face), Mimot Bold (curly), Mixertype (dings), MonolinRegular (upright script), Morphon, Newdo99 (pixel face), Nwnwn, Omocha No. 1 and No. 2 (dingbats), Rippen Regular and Bold (octagonal), Teks Bitmap, Ufons, Webicon1 (dingbats), Acidpunk. Old URL of its predecessor, YaFontWeb. Dafont link. [Google] [More]  ⦿

Impacto Laser (was: SuperFlexia)
[Yorlmar Campos]

Impacto Laser is a type and design group in Caracas, Venezuela headed by J. Campos, Felix Molina and Yorlmar Campos (b. 1976). Yorlmar designed RNS Underwood (2010, Western face), RNS Bobo Dylan (2007, art deco headline), RNS Baruta Black (2004, fat display face based on the Letraset Frankfurter font from 1974), RNS Round Stencil (2011), RNS Cochinilla (2011, avant garde), RNS Camelia (2009), RNS-TNT (2003, counterless and octagonal), and RNS Serial (2003, fat octagonal sports T-shirt font). All fonts are free. Alternate URL. Another URL. Old URL called SuperFlexia. [Google] [More]  ⦿

Incac

Designer of the octagonal face Incac (2011). [Google] [More]  ⦿

Ingrimayne Type (was: The Bovine Rebellion)
[Robert Schenk]

Ingrimayne Type was established in 1988 by Robert Schenk to sell his fonts via the web and via CDs such as the No-Hype Type CD (2500 typefaces in trueType and PostScript, with mostly original typefaces). Robert Schenk (b. 1946, Minnesota) lives in Rensselaer, IN. Before Ingrimayne, Schenk's type was distributed by Wayzata Technology. Free fonts at his site included Red Letter, Zirkle, Sallonext, Zarrow, Serpent.

Specimen book. Alternate URL.

Dingbat fonts: XPhyngern (1990, pointing fingers), XPointedDesert and XSimpleHands (1994, more fists), Schneeflaken (two snow fonts, now available as XSchneeFlaken), ComputerBugz (nice butterflies, now available as XCompuTerBuggz), Galaxies (around the theme of the sun and stars), GlitzyFlash (1990), Grandecort (1994), LeakOrLeach (1995), Baumfuss (1990), LeafMeAlone (leaves), StarsAndStripes, StarPieces, Fingers, SimpleHands, PointedDesert, IngyDing (1996, 3 dingbat fonts in the style of Zapf Dingbats; in 2010 overhauled into one 1400-ornament monster face, Ingy Ding MCD, containing smilies, arrows, Zapfian ornaments, dice, chess pieces, fists, weather dingbats, and so forth), IngyDingLeftovers.

A list of fonts:

  • A: Aabced-Bold-Italic, Aabced-Bold, Aabced-Italic, Aabced-Regular, Aabced, AabcedBold, AabcedBoldItalic, AabcedExtraBold, AabcedItalic, AabcedRoman, AabcedXBold-Bold, AabcedXBold, Abagail-Regular, AbagailJackson, AccruedInterest, AcornSwash-Regular, AcornSwash, AcornSwashAltern-Regular, AcornSwashAltern, AcornSwashRoman, Accrued Interest, Albert Betenbuch (blackletter), AlbertBetenbuchExtrude, AllSmiles, AmericanMorseCodeIT, AnarckWarp, Anarckhie, AnarckhieBold, AnarckhieBoldItalic, AnarckhieDecayed, AnarckhieItalic, AnarckhieJiggled, AnarckhieRagged, AnarckhieShadow, AndrewAndreasBold, AndrewAndreasPlain, AndrewAndreasXBold, Andrew Andy College (athletic lettering), AndrewAndyKactus, AndrewAndyStencil, AndrewAndyStencilBold, AndyEight, AntsyPantsy, ArgentBobSquish, Argenta, ArgentaBobbWig, ArgentaBobbed, ArgentaBold, ArgentabObbed, Asterx-Regular, Asterx, Auldroon-Regular, Auldroon (blackletter), AndrewAndyKactus, AntsyPantsy.
  • B: Baker Half (2004, an experimental hexagonally designed family), Balboat-Regular, BalboatBold, BalboatPlain, Barefoot, BaumSquiggle, Baumfuss-Regular, Baumfuss, BaumfussTwo-Regular, BaumfussTwo, BearButteTBold, BearButteTBoldItalic, BearButteTItalic, BearButteTPlain, BearButteTSpecial, BeastlyFont, Bene, BeneCryptExtrude, BeneCryptine-Regular, BeneCryptine (blackletter), BeneCryptineDistorted, BeneScriptine-Regular, BeneScriptine (blackletter), BetterEuroika, BetterEuroikaBold, BetterEuroikaBoldItalic, BetterEuroikaHybrid, BetterEuroikaHybridBold, BetterEuroikaItalic, BetterIngriana, BetterIngrianaBold, BetterIngrianaBoldItalic, BetterIngrianaHybrid, BetterIngrianaHybridBold, BetterIngrianaItalic, BetterKamp, BetterKampBold, BetterKampBoldItalic, BetterKampItalic, BetterTypeRightBold, BetterTypeRightBoldItalic, BetterTypeRightItalic, BetterTypeRightMedium, BetterTypeRightPlain, BetterTypeRightThin, BetterTypeRightThinItalic, BetterTypeRiteSpec, BetterTypeRiteSpecBold, Big-Regular, BigBottom, Bigtop-Regular, Bigtop, Bilevel, BiteOfApple, Bizaro, BizaroRES, Blockboys, Bluster Left, BobsExtraPictures, BobsStandardChess, Bouncer, Bowling, BringInTheFrowns, Brrrrr-Regular, Brrrrr, BuggyFont, BumberShoot.
  • C: Cennerik-Bold, Cennerik-Regular, Cennerik, CennerikBold, CennerikEBold, CennerikExtraBold, CennerikPlain, CennerikSpiked, CennerikXBold-Bold, ChainLetterOne, ChainLetterTwo, CheckMateRES, ChessNut, ChessNutTwo, Chessterton, ChesstertonTwo, Circlet, CoffeeMug, CompassOne, CompuTerBuggz, ConcavWarp, ConcavexCaps, ConcavexCapsWave, ConcavexStepper, CoughingNails, Court-Regular, CourtGesture, CourtJesterFrizzy, CrippledFont, CuthbMangle, CuthbeNick, Cuthbert.
  • D: DavidBurry, DavidFarewell, DavidFarewellBold, David Farewell Stencil, Dear John, Demotte-Bold, Demotte-Regular, Demotte, DemotteBold, DemotteWarp, Dinner-Regular, Dinner, Dottie, DrivEddie, Dschoyphul.
  • E: EdsDream, EdwardEdwinBold, EdwardEdwinPlain (1994, copperplate script), Eldroon, Erkball, ErkballBold, Euroika-Bold-Italic, Euroika-Bold, Euroika-Italic, Euroika-Regular, EuroikaBold, EuroikaBoldItalic, EuroikaItalic, EuroikaKamp, EuroikaKampBold, EuroikaKampBoldItalic, EuroikaKampItalic, EuroikaRoman, Euroika, Eyebel, EyebelBold, EyebelRuff.
  • F: FansiPensle (1990, connected signage script), FansiPensleBold, FansiPenslePlain, FansiPensleTwo, FansiPensleTwoBold (1990), FansiPensleTwoPlain, Febdrei, FebdreiBold, Federhozen-Bold-Italic, Federhozen-Italic, Federhozen-Regular, Federhozen, FederhozenBold, FederhozenBoldItalic, FederhozenItalic, FederhozenPlain, FeggoliteDancing, FeggoliteDancingItalic, FeggoliteHatched, FeggoliteKeyed, FeggoliteMonoBold, FeggoliteMonoPlain, FeggoliteRuffled, Fezdaz, Fishhook, FiveOhOne, FiveOhTwo, FlagDayFour, FlagDayOne, FlagDayThree, FlagDayTwo, Fly High, FlyHighBold, FlyHighBoldItalic, FlyHighItalic, ForTheBirds, FourJuly, FourJulyG, FourJulyH, Framo-Regular.
  • G: GLitzy, GLitzyBarbed, GLitzyPlain-Regular, GLitzyStripe, GLitzyVStriped, Galexica-Bold-Italic, Galexica-Bold, Galexica-Italic, Galexica-Regular, Galexica, GalexicaBold, GalexicaBoldItalic, GalexicaExtraBold, GalexicaItalic, GalexicaMono-Bold, GalexicaMono-Regular, GalexicaMono, GalexicaMonoBold, GalexicaMonoPlain, GalexicaPlain, GalexicaXBold-Bold, GlitzyCurl-Regular, GlitzyCurl, GlitzyFlash-Regular, GlitzyFlash, GlitzyJewel-Regular, GlitzyJewel, Gothamburg (blackletter), GothamburgBold, GothamburgShadowed, GothicHorror, GothicRock, GranCanaries, GrancMitSripes, GrandecortBold, GrandecortHoly, GrandecortMedium, GrandecortShadow, GretchenHelloBold, GretchenHelloPlain, Grundee.
  • H: Hammered, HandanaBold, HandanaPlain, HandmadeFont, HeartMatrixed, Hermainita, HermainitaBold, HermainitaPlain, HeyPumkin, HippityDippityBold, HippityDippityInline, HippityDippityPlain.
  • I: IanSegoe, IggoliteMono, IngBurried, IngDingLeftover, Ingone, IngoneSaw, IngoneShadow, IngrianEuroikHybrid, IngrianEuroikHybridBold, IngrianEuroikaH, IngrianEuroikaHBold, IngrianEuroikaHBoldItalic, IngrianEuroikaHItalic, Ingriana, IngrianaBold, IngrianaBoldItalic, IngrianaCasual, IngrianaCasualBold, IngrianaCasualBoldItalic, IngrianaCasualItalic, IngrianaCasualPlain, IngrianaExtraBold, IngrianaItalic, IngrianaPlain, IngyArrows, IngyArrowsTwo, IngyDingThree, IngyDings, InsideLetters, InternationalMorseCodeIT, IrritationOne, IrritationTwo.
  • J: JabcedHy, JabcedHyBold, JabcedHyBoldItalic, JabcedHyItalic, JasperSqueeze, JasperSqueezeBold, JasperSqueezeBoldItalic, JasperSqueezeEB, JasperSqueezeEBItalic, JasperSqueezeItalic, JenneriCurved, Jennerik, JennerikBold, JennerikExtraBold, JennerikInfml-Bold, JennerikInfml, JennerikInfmlBold, JennerikInfmlExtraBold, JennerikInfmlPlain, JennerikInfmlXBold, JennerikRoman, Jester, JesterRES (Tuscan), JesterTwo (Tuscan), Jestres, JetJanBoldItalicGray, JetJaneButton, JetJaneMonoBold, JetJaneMonoBoldItalic, JetJaneMonoCapsBold, JetJaneMonoCapsPlain, JetJaneMonoCapsThin, JetJaneMonoItalic, JetJaneMonoPlain, JetJaneMonoThinBook, JetJaneMonoThinItalic.
  • K: KampFriendshipBold, KampFriendshipBoldItalic, KampFriendshipItalic, KampFriendshipPlain, KampIngrianaH, KampIngrianaHBold, KampIngrianaHBoldItalic, KampIngrianaHItalic, KampIngrianaHybrid, KampIngrianaHybridBold, KampRipple, Karlisbad, KiddyChessFont, KlipJoint, Knaudens-Regular, Knaudens, Kneebls, KneeblsBold, KneeblsExtruded, KneeblsPlain, KneeblsRuffled, KneeblsThin, KnewFont, KnewFontBold, KnewFontJagged, KnewFontPlain, KnewFontWaisted, KnewFontWaistedBold, KnightMares, KolSpotted, KolStriped, KolkFizzy, Kolkman-Bold, KolkmanDimly, KolkmanGray, KolkmanShatter, KolkmanStriped, Kwersity, KwersityBold, KwersityWider, KwersityWiderBold, Kwodsity, KyhotaBarbed, KyhotaOne, KyhotaTwo.
  • L: LaserTrain, LaserTrainBold, LastBigFling, LastBigFlingBold, LastMinuteChess, Laudens, LeakorLeach, LeakorLeachLeft, LeefMeAlone, LeefMeAloneHoles, LeekorLeech, Letrinth, LetterTrain-Regular, LetterTrain, LetterTrainBold, LetterTrainBoldItalic, LetterTrainItalic, LetterTrainPlain, Lettergical (1994, blackletter with Lombardic capitals), LettergicalWave, LetunicalBold, LetunicalInline, LetunicalNormal, LetunicalShadow, LetunicalWarp, Library-Italic, Library-Regular, Life After College (2008, athletic lettering family), LineDrive, LineDriveBold, LineDriveOutlined, LineDrivePlain, LineDriveShadow.
  • M: MITuscan, MMCheckered, MMDrawings, MMPattern, Mangaled, Masheen (1990, octagonal font), MasheenBold, MasheenConvicted, MasheenFlag, MasheenIIID, MasheenOutlined, MatthewTwo, MattsFastFont, MedicineShelf, MedievalGunslinger, MedievalGunslingerShadow, Minimalist-Regular, Minimalist, Minniesoda, MinniesodaBold, Modsten-Bold, Modsten-Regular, Modsten (stencil, 1990), ModstenBold, ModstenRoman, MoreTexture, MousyFont, MushmellowBold, MushmellowCactus, MushmellowOutline, MushmellowPlain, MuskitosCaps, MuskitosCapsShadDown, Myhota, MyhotaBarbed, MyhotaBold, MyhotaHatched, MyhotaHatchedBold, MyhotaPlain, MyhotaWithSpikes.
  • N: NailsNStaples, NairobiNormal, NeedALilly, NerdishHex, NerdishHexBold, Neu Altisch (blackletter), NeuAltischBold, NeuAltischGray, NeuAltischPlain, NeuAltischShadLeft, NeuAltischShadow, NeuAltischWormEaten, NeuropolMedium, NewLaudens, NewLibrary, NewLibraryItalic, NewNerdShadowed, NewNerdishBold, NewNerdishPlain, NewNerdishThin, NoPainRight, NoPainRightBold, NopainLeft, NopainLeftBold.
  • O: OakParkAve, OakParkAvePlain, OakParkBlvdPlain, OakParkExtruded, OakParkSpeckled, OakParkSquaRe, OakParkZiggy, OakParksTripped, Old Harold Ree (1992, a modification of PhederFract, which was a calligraphic fraktur face also by Schenk), OldHaroldReeBold, OldHaroldReePlain, Onyon (1997).
  • P: PastedWarp, PattyDay, PawnShop, Pedestrian, PencilFat, PencilIn, PencilOut, PensleCaligraf-Bold, PensleCaligraf-Regular, PensleCaligraf, PensleCaligrafBold, PensleCaligrafPlain, PeterPierreBold, PeterPierreCondensed, PeterPierrePlain, PeterPierreXBold, Pheder Frack (blackletter), PhederFrackBold, PhederFrackDtsh, PhederFrackDtshBold, PhederFrackDtshThin, PhederFrackPlain, PhederFrackShadowed, PhederFrackThin, PhrackCack, PhrackSle, PhrackSleBold, PhrackSlePlain, Phraxtured (blackletter), PhraxturedDeutsch, PhraxturedPlain, PhraxturedShadowed, Phyngern, Pigknot, PigknotBold, PlainPensle, PlainPensleBold, PlainPensleBoldItalic, PlainPensleItalic, PlainPenslePlain, PlainPensleXBold, PlainPensleXBoldItalic, Porker, PorkerGrey, PutMyFootDown, Pzytupid.
  • Q: Qualettee, QualetteeBold, QualetteeMedium, Quatsity, Quidic, QuidicHatched, QuidicHoley, QuidicItalic, QuidicRoman, QuidicShotUp, Quirtly, Qwatick (1992), QwatickBold, QwatickPlacard.
  • R: Ranger (1996, octagonal), RangerWider, Rankensteen, Rataczak-Regular, RataczakBold, RataczakBoldItalic, RataczakCandied, RataczakCondItalic, RataczakCondPlain, RataczakExtraBold, RataczakItalic, RataczakRoman, RataczakSwash, Rauchens, Razephu, Red-Regular, RedLetter, Renslaer, RoomingHouse, Rosary, RosaryBold, RoundUp, RoundUpBold, RoundUpShadow, RoundWhy, RoundWhyBold, RummageSaleOne, Rumpled, RundigPencilBold, RundigPencilMedium, RundigPencilNormal, Rundigsburg (1994), RundigsburgBold, RundigsburgMedium, RundigsburgPlain, RundigsburgShadowLeft, RundigsburgShadowRight.
  • S: SafetyPinned, Salloon, SalloonAStripe, SalloonCracked, SalloonHStripe, SalloonStripeBottom, SalloonStripeEnds, SalloonStripeMiddle, SalloonStriped, Saloon-Regular, SaloonExt, SaloonFrilled, Sansville, SansvilleBold, SarahfSlob, SarahfSlobItalic, SchneeFlaken, SchneeFlakenTwo, Screwged, Sdrawkcab-Regular, Sdrawkcab, Seasick, SeasickBold, SeasickMirror, SeasickMirrorBold, SeasonsGreetings, SeederChess, SeederChessSmall, Sergury, Serpent-Regular, ShadyCharacters, ShirlyUJest, SimpleChessFont, Sirpent, Skagwae, SkagwaeMono, Skigway, SkwareDots, SlimpiSquares, SmokeHausShadow, SmokeHaus (1998), SmokeHouseRough, SmokeHouseShatter, SmokeHouseWave, Spicandspan, SquiggleRES, SquiggleRESBold, Stamper, Substance, SusiScript, SusiScriptBold, SusiScriptPlain, Swanville-Regular, Swanville, Swirlity, SwirlityBold, SwirlityScript, SwirlityText.
  • T: TOCinRings, TRGrunge, Tacky (2005), Talloween, TapedUp, Teapot (1999), Teethee, TexturesOne, TiedUp, Tieroh, TierohBold, TierohSans, TierohSansBold, Tinkerer, TiredOfCourier, TiredOfCourierBold, TiredOfCourierBoldItalic, TiredOfCourierItalic, TiredOfCourierPlain, TiredOfCourierThin, TiredOfCourierThinItalic, ToothBrush, TootsieBold, TuskcandyBold, TuskcandyInline, TuskcandyPlain, Twigglee-Regular, Twigglee (1990, inspired by the hand lettering on the plates in a 19th century book on ornaments by Owen Jones), TwiggleeBold, TwiggleePlain, TwiggleeWarped, TwoTonedStoned.
  • U: UUeirdieBold, UUeirdieRoman, UUeirdieWarp, Unikled, UnikledBold, UnikledPlain, UnikledSpotted, UnivoxAtomLight, UpsideDown, UrbanScrawl.
  • V: ValManGal, Valenteena, ValenteenaBroken, ValentinaContour, Valentine-Regular, Valgal, ValgalBold, Vglee, VunderScriptBold, VunderScriptPlain.
  • W: WalcomeOne, WalcomeOneBold, Watchmaker, WatchmakerBold, WaterCloset, WaterWorksCaps (1992), WaterWorksCaps-Bold, WaterWorksCaps-Regular, WaterWorksCapsBold, WaterWorksCapsPlain, WeirdChessFont, Wetetque (1991, an all caps multiline family), WetetqueBold, WetetquePlain (1991), Whichit, WhichitBold, WhichitTwo, WhichitTwoBold, WrenchedLetters, WurstCactus, WurstHassen, WurstchenDotted, WurstchenOutlined, WurstchenSplatted, WyomingMacroni, WyomingMacroniPegged, WyomingMacroniShadRight, WyomingMacroniShadowed, Wyoming Pastad (1994, Western slab face), WyomingPastadShadLeft, WyomingPastadShadowed, WyomingSpaghettiBold, WyomingSpaghettiPlain, Wyoming Strudel (Far West type).
  • X: XBobsExtraPictures, XBobsStandardChess, XChessNut, XChessNutTwo, XChesstertonTwo, XCompuTerBuggz, XGalaxies, XGalaxyOne, XIngDingLeftover, XIngyArrows, XIngyArrowsBetween, XIngyArrowsTwo, XIngyDingIII, XIngyDingTwo, XIngyDings, XInterntnlMorseCodeIT, XKiddyChessFont, XKnightMares, XLaserTrainBold, XLaserTrainPlain, XLastMinuteChess, XLeef Me Alone (leaf dingbats), XMMCheckered, XMMDrawings, XMMPattern, XMattsAnimalsOne, XMoreTexture, XPatColumRow, XPatCzeckerz, XPawnShop, XPhyngern (fists), XPointedDesert, XRoomingHouse, XSchneeFlaken (1995), XSchneeFlaken, XSchneeFlakenTwo, XSeederChess, XSeederChessSmall, XSimpleHands, XStarPieces, XStarsAndStripesOne, XStarsAndStripesTwo, XStellaStern, XStellaSternBright, XSternStellaNight, XTexturesOne, Xahosch, Xaltid, XaltidBold, XaltidPlain. The X fonts are predominantly dingbats.
  • Y: YahoschBold, YahoschMedium, YahoschPlain, YahoschWormy, YngreEBStripe, Yngreena, YngreenaBold, YngreenaBoldItalic, YngreenaExtraBold, YngreenaItalic, YngreenaPlain, Youbee, YoubeeBold, YoubeeBoldItalic, YoubeeItalic, YoubeeShadow.
  • Z: Zarrow-Regular, Zarrow, ZcriptBold, ZcriptPlain, Zebraw, ZebrawOS, ZimpleBlack, ZirkStressed, ZirkleOne-Bold, ZirkleOne-Regular, ZirkleOne, ZirkleOneBold, ZirkleOneRoman, ZumbelsburgBold, Zumbelsburg (blackletter, 1996).

Klingspor link. Dafont link. Abstract Fonts link.

View Robert Schenk's typefaces. [Google] [MyFonts] [More]  ⦿

Intaglio

Prolific designer of these faces at FontStruct in 2008: Mausoleum, Quarantino, Strontium (heavy octagonal), Redactor (inline; athletic lettering), Coppertones, Copperthief Gothic, Disarticulate, Adamantine, Spindlery, Thalamicus, Monolog, Abstruction, Banned Rotunda, Less Rotunda, Blabbermouth, Hackney, Circumfence, Circle Play, Outlandish, Cannibaal, Valedictory, Hegemony, Sansibal, Shoptima, Toobatu, Dwarven, Evonce, Magog, Fuego, Empyreus, Upscale, Quickie, Svengali, Amanuensis (hairline), Whitechapel, Interzone, Annexia, Mugwump, Misterioso, Slitcom, Mud Indigo, Integer, Optimist, Interim, Tredd (athletic lettering face), Brilliant Corners, Palimpsest, Trudge Fix, Plangent Shaven, Plain James Bond, Spikeful, Plain James, Portia, Juliette, Rotunda One, Dystopian, Fed Up, Mag Lev, Eensy, Simpatico, Afterburn, Fongeray, Less-Sirvere, Levio-sah, Oddity-oldstyles, Planar-light, Plangent, Plangent-semi-serif, Plangent-shaven, Prester-John, Spin Doctrine, Tabula, X-Sirvere, abricado, aubrey, chunki-phat, chunki-slim, chunki, cold-shoulders, emerald-city, epistrophy, experiment, flawa-pawa, fongamatah, gematria-experiment1, gematria, malinki, massif, modnera, nutty-slab, okey-dokey, patina, planar-book, planar, plangent, simplex-b, slantfest, slinky, solidad, solitude, souvlaki, space-oddity, spin-doctrine, splayful, too-much-caffeine, travelclock-alt, travelclock, tredd, trudge-fix, Zinzan (blocky headline face), Sir Vere (haha---he writes A Bodoni that won't take its meds; still, a great-looking simulation of Bodoni's balls), More Sirvere and Less Sirvere (derived from Sir Vere), Ugly Beauty, Tito Puente, Plain James Bold (octagonal), and First Sampler.

Faces from 2009: Infrastruct Hairline, Untag, Scansion, Manganesi, Curly Queues, Culdeslack, Clerestory, Snurkle, Arabica, Mishmash, Processor, Insomnia, Spatial Test, Furtiva, Wedgistry, Semiotica, Prince Edward, Imprimatur, Reverie, Spikenard (octagonal), Brusque (heavy slab serif), Flikki Crude, Crudenza, Arvid, Makizmo (black mechanical), Purdy, Whaddya, Timaru, jehoshophat, Octane, Purdy, spikenard, Slabba Dabba Doo, Attempa, Meshugge, Shvoss, Ruffian, Leterodoxi, Anuva, Jehoshophat, Octane, Tagliana (typewriter style), Mocktura (fat octagonal), Pustulate, Fuego, Souvlaki, Palimpsest, Onsquared (about which he writes Please excuse the X. He badly needs to go for a pee), Octavia (octagonal art deco face), Queasy Peasy, Slubgob, Squibnib, Micro Splotchika, Mixter (octagonal), Odile, Transept.

Typefaces from 2010: Ropey Sans, Compositor, Dooble Trouble, Flopsical, Dulcet, Sprig Latin, Flux, Yabadaba, Holdem (Western style), Elvira (octagonal), Adhoc, Little Schema, Fiddledy-Dee, Triplecheck, Rusty Blades, Crudenza, Zingaling (kitchen tile), Ornery, Strictly Boardroom, Serif Test, Merenge, Ugly Sister, Cholestera (heavy mechanical face), Prefab.

Production in 2011: Albedo (Egyptian), Candyrock Mountain, Cooperite (Cooper Black relative), Ran Tan, Rangitoto (fat, almost-blackletter face), This Little Piggy, Boxica (an angry angular face), Carpathian (almost blackletter), Kinnybuns (almost art deco), Wallachia (stencil blackletter), Ubend (organic, almost LED face), Quickstep, Basket Case, Flik Flack, Effigy, Laguna, Barbary.

Typefaces from 2012: Heresy Arcfun (a play on positive and negative spaces), Morphology (wide elliptical display face), Sausinges. [Google] [More]  ⦿

Intecsas
[Klaus Herrmann]

Foundry run by Klaus Herrmann from Düsseldorf, whose fonts are distributed by Precision Type and FontHaus. Fonts include basically all of David Rakowski's old shareware fonts. Through Intecsas, David Rakowski has finally gone commercial. The fonts are often redrawn, and have complete international character sets. The library contains 500 fonts, of which about 90 are based on David's old shareware fonts. Among the newer fonts, DwigginsFortyEight (1999). Mark Johansson explains the history of Rakowski's fonts. Atomic Type distributes their fonts as well. Partial font list: Aaaaaaaargh Caps, Aarcover, Adineski, Adine Kernberg Script, Adriana Davidovsky, Air Supply, Alvin Caps, Aminal Initials, Anderson Script, Anne Stone, Avery Jean, Beffle, Bela Drips, Belgian Casual, Bellagio, Benjamin, Bizarro, Blasius, Braille Font, Brandenburger, Brookfield, Brooks Initials, Buffalo Bill, Cardboard Cutout, Carrick, Chalice, Charlotte Tile, Chinese Menu, Christensen Caps, Command Ment, Constructivist, Corsage, Crackling Fire, Crane Initials, Davys Blocks, Davys Dingbats, Davys Key Caps, Davys Big Key Caps, Davys Other Dingbats, Davys Ribbons, DeBellis, Deco Twenty Two, Dewhurst, Dieter Caps, Dilara Caps, Dinderman, Dorothy Initials, Dragonwick, Drawing Pad, Dubiel, Dupuy, Eileen Caps, Elizabeth Ann, Elzevier, Eraser Dust, Even More Face Cuts, Face Cuts, Fetch Scotty, Flicker, Forest, Frisch Script, Garton, Gessele Script, Gouda Old Style, Grab Bag, Gravestone Rubbing, Green Caps, Griffin Dingbats, Ground Hog, Harting, Headhunter, Holtzschue, Horror Show, Horst Caps, Hunan Garden, Ian Bent, Jacobs, Jeff Nichols, Joanna Lee, Judy Finckel, Kastner Casual, KidStuff, Kinigstein Caps, Kioko, Konanur Caps, Korf Caps, Koshgarian Light, Kramer, Lee Caps, Legal Vandal, Lemiesz, Lilith, Logger, Lower East Side, Lucy Script, MalakaLaka-LakaLakaLaka, Man About Town, Mary Monroe, McGarey Fractured, More Face Cuts, Multiform, Munchner Initials, Nauert, Nitemare Caps, No More Face Cuts, Octagon, Paris Metro, Party Down, Pavelle, Phonetic, Pixie Font, Pointage, Polo Semiscript, Randolph, Rechtman Script, Relief, Reynolds Caps, Rhodes Roman, Rounded Relief, Rudelsberg Regular, Rumble, Saint Albans, Scratchy Pen, Showboat, Sjlausmann, Sprecher Initials, Starburst, Still More Face Cuts, Sturbridge Twisted, Taiga, Tejaratchi Caps, Thompson Pond, Toletto, Travis Brush, Trench, Trevor Light, Tucker, Tundra, Upper West Side, Varah Caps, Victoria Casual, Wedgie, Wein Initials, Wharmby, What A Relief, Will Harris, Yasmine, Zaleski, Zallman Caps. At Will-Harris House, we find these fonts by David Rakowski: Cardboard Cutout, Dwiggins 48 (ornamental caps first designed by Dwiggins), Fetch Scotty, Gibbons (a great geometric Bauhaus-style font), Gravestone Rubbing, Greene&Greene (architectral lettering), Davy's Art Nouveau Initials, Gravestone Rubbing, Harting, Handscrifte, Lillith, Lillith Initials, Pointage, Rabbit ears, Rasta Rattin Frattin, Tenderleaf Caps, Tendril, Toletto (toilet paper alphadings), Will-Harris, and Zaleski. [Google] [More]  ⦿

Ipsum Planet
[Pedro Pan]

Design group associated with Neo2 magazine in Spain, for which they created some (free) experimental typefaces. The designer seems to be Pedro Pan. These include the paperclip face Aria (2002), the bold rounded face Bassel (2002), Barco.D.A. (2006), Web (2002, pixel face), Teletype (2003, stitching font), Video (2002, blocky face), Puntogotic (2002, fuzzy blackletter), Gallega (octagonal), Zarautz (2006, fashionable simple sans, free here), Track (octagonal), Ciclo (2007, bike chain-themed glyphs), Rotring (arc-themed), Paperfont (2006, alphabet made out of paper), Canaletto (2006, rounded monoline font), New Euro (2002, vertically etched all-caps face), Pixar Five (2002, pixel face), Quiniela (2002, stitching font), Steroid (2008, Star Trek font), Spectrum (2002, rectangularly-pixeled face), Regaliz (2005, a multiline face), Icon (2002, a multiline face), Alpha and Airline (2002, octagonal monoline faces), Elo (2004, a good-looking art deco face), Tipod (2006, dot matrix face), Button (2002, dot matrix face), Lobula (2007, art deco), Bit (2002, pixel face), TCK-2000 (2000, futuristic), Rubik (2002, art deco), Error PostScript (2002), Strokes (2003, a multiline face), Maciza (2003), DNNR (2004), Sector-96 (2007, modular), Novich (2007, glyphs based on musical notes), Funk (2003, simple sans), De Stijl (2002), Hi-Fi (2002, pixelish), Salami. [Google] [More]  ⦿

Irina Smirnova

Graduate of the Masters program in type design at KABK, 2010. Befgore that, she studied type design at the Moscow State University of Printing Arts and graduated in 2001. She worked as free-lance designer for ParaType Inc under Tagir Safayev. During 2002-2006 she taught courses on type design and lettering at the Institute of Modern Art in Moscow. She was also affiliated with the British Higher School of Design (2008-2011) in Moscow. Currently Irina works as type designer at Laterica and/or Art Lebedev Studio.

She created Inder (2011), which can be downloaded at Google Web Fonts and Fontsquirrel, where it was published by Sorkin Type.

Her fonts at Art Lebedev Studio include ALS Kraft (2008, an octagonal face) and ALS Klinkopis (2008, calligraphic). The latter fdont was named after Yana Klink (an illustrator at Art Lebedev Studio).

Creator of Zwoelf (2008, with Oleg Pashchenko and Zakhar Yaschin).

Klingspor link. Google Plus link. [Google] [MyFonts] [More]  ⦿

Isaac Stanfield

Chicago-based designer of the octagonal grid/screen font Spongebob Evilpants (2003). [Google] [More]  ⦿

Isaac Tobin

Designer of Ferdinand (Egyptian, a cross between Futura and Clarendon according to Tobin), Attleboro (sans), Field (octagonal) and Rivadavia (octagonal and mechanical). Tobin is based in Chicago, and studied graphic design at the Rhode Island School of Design (2002). He is a book designer at the University of Chicago Press. [Google] [More]  ⦿

J. Marquez

Creator at FontStruct in 2008 of Goticula 1.3 (blackletter), Reposicao (octagonal), Frank Castle, Tomatix (rounded letters) and Tazaver (bold, rounded). In 2009, he made Corrida (multilined; +Evolved), Drible (+Drible 2.0), Lastico (octagonal), PixelSoulScript2X, DoneBefore, Ficha Serif, Ficha Sans, Sloppy, StrikeOver, Bad Point (dotted line upright script), Osoyotoyo (octagonal), Redundant, Solstice1X (pixel script), CuttingOldEdge, KickBack, MarkMyWork, Styl=0 (dotted line font), Bad Point (dotted line font), Eyelash, Garfield, Comitto, trapish, Nullam, Minipix (pixel script), Coppa, Chunky (octagonal), Douchebag Regular (as a favor for Melissa Hunt), Foxtrot, Torsion, Serifeito (slab serif), Comitto (rounded octagonal), Torsion Alt. In 2010, he made the dotted line face Redonda and the blackletter stencil BlindFold, as well as Lump (fat counterless), Taller, Dribble, Rumble, TheItalicJob SportsComp (techno), CryBaby, Crystallized (dotted), Hiatus (stencil blackletter). In 2011, he made the grotesk face Geomyk. [Google] [More]  ⦿

Jack Curry

Los Angeles-based type and brand designer, who has a BFA (2008-2011) from California State University at Long Beach. He also studied typeface design at The Cooper Union for the Advancement of Science and Art in 2011.

Author of Typodarium 2012 (Verlag Hermann Schmidt Mainz, August 2011), The 3D Type Book (Laurence King Publishing, June 2011), and Typography 31 / TDC 2010 Annual (Collins Design, Dec. 2010).

His typefaces:

  • Foundation Grotesque (2011-2012). Developed at The Cooper Union, it is vaguely based on an early 20th century typeface by Linotype called Philadelphia Gothic.
  • Dash (2010). A free octagonal typeface.

His blog. [Google] [More]  ⦿

Jack Vanzet

Melbourne-based graphic designer. In 2009, he made Home Baked Type, an octagonal constructivist face, inspired by old Russian propaganda posters. Behance link. [Google] [More]  ⦿

jacniel

Creator of Gothicked (2008, FontStruct). [Google] [More]  ⦿

Jacob1

FontStructor who designed Dragoons (2010, ocagonal) and Emblazeing (2010). [Google] [More]  ⦿

Jake Crawford

Harrisburg, PA-based designer of the circle-based face California Bungalow (2011). Chameleon (2011) is a wonderful extra-condensed piano key/octagonal face. [Google] [More]  ⦿

James George Dunn

Typographer and graphic designer in Newcastle upon Tyne, UK. He created Barcelona Octagon (2010), a name that everyone who has visited Barcelona will understand. In 2011, he added the experimental faces Interlaced and Eixample. Airship 27 (2011, Lost Type) is a tall condensed industrial sans face. Behance link. [Google] [More]  ⦿

James Hamsher

London-based designer of various modular typefaces in 2012. [Google] [More]  ⦿

James Key

Designer of the rigorously octagonal face Desk Graffiti (2000). Fontspace link. [Google] [More]  ⦿

James Vipond

Creator of Vipondoctic (2008), an octagonal beauty, with the help of FontStruct. Other creations at FontStruct in 2008: vipond_angular, vipond_chubby, Fast Money, Vipond Octic, Lampoon, Fast Money (gridded face), Unity Titling (art deco), Vipond Angular (octagonal), Ringling (Victorian circus font). [Google] [More]  ⦿

Jan Novák

Czech designer. Dafont also mentions the name Heinz Newman. Creator of the 3-d pixel fonts Khalijaka Black and Outline (2007) and the hairline octagonal face Boulder (2007). [Google] [More]  ⦿

Jan Schmoeger

Born in Prague in 1949, Jan Schmoeger emigrated to Australia in 1980, and is a book designer in Mentone, Victoria. Creator of the rounded octagonal headline sans faces Paragraph (2007, Paragraph), Paragraph Stretch (2011, Paragraph; a unicase effect Porsche-look family), Bentwood (2008, Paragraph), Circula (2010, a geometric caps-only sans based on arcs), Diagond (2010, organic), Mentone (2008, Paragraph, along the lines of Frutiger/Myriad), ParaCaps (2008, Paragraph, geometric caps), Galette (2008, 6 styles of a screen sans with hint of art nouveau, originally called Alfons but renamed), Tertre (2009, octagonal, based on French signage; Tertre Extra Bold is free), Tenby Eight, Seven, Six, Five and Four (2008, Paragraph, squarish geometric display sans series), Tenby Stencil (2011), Springsteel (2009, Paragraph, a tense sans serif), Springsteel Extreme (2011), Springsteel Serif (2011) and Paperclip (2007, Paragraph).

Dafont page (where three styles of Paperclip, Diagond, and the sans face Mentone are free). Home page. Pic.

Showcase of Jan Schmoeger's typefaces at MyFonts. [Google] [MyFonts] [More]  ⦿

Jayvee D. Enaguas

Jayvee lives in Al-Khobar, Saudi Arabia, and was born in 1996. He also calls himself Nippon Central Fontmaster, and uses the abbreviation NC in all his fonts.

Home page. Dafont link. Devian tart link. Another Devian Tart link. And yet another Devian Tart link. FontStruct link.

In 2009, he made Reality Pursuit NC.

In 2010, he created the handprinted faces Retrieve NC, NipCen's Print, NipCen's Handwriting, CartoonicMassive, CartoonicMassive3D, CartoonicMassiveCollage, CartoonicMassiveWacky, Cartonsix NC, and Basic Comical (a take on Comic Sans). Other 2010 faces include Retroville NC (pixel), Matthan Sans (mechanical sans), Monkirta Pursuit NC (squarish face), AeromaticsSmallCapsNC (techno), DynoNC (octagonal, techno), MatrixComplex3DNC (dot matrix face), MatrixComplexNC, MatrixComplexWaveNC, SpotlightTypewriterNC, SuplexmentaryComicNC, Coyotris (handprinted), SMWTextNC (pixel family), and AeromaticsNC (angular face).

In 2011, he made Neon Teocho NC (a techno face), Burbin Casual (2011, a casual sans face), Curse Casual (2011), Squaren Daren NC (2011, constructivisit), Hauracherell NC (2011, a movie lettering font based on "Senorella and the Haurache", 1961), Burvetica (2011, grungy), Allegre Sans (2011), 8bitoperator JVE (2011, pixel face done at FontStruct), The 2K12 (2011, dot matrix face, FontStruct), and Big Bimbo (2011, handprinted).

Typefaces from 2012: New Era Casual (based on Dom Casual, 1951), Splendid Plan 9 (headline all-caps sans face), Aeromatics (inspired by Plan 9 from Outer Space), Destroyed Aero, Aeromatics Stencil, That's Font Folks (after the famous That's All Folks of Looney Tunes fame, 1930s), Dyno Sans, Stanberry (handprinted), Pixisma (techno), Ander Hedge (octagonal), Jengle Jungallery, Freedom, Freeroad, Receiptional Receipt (dot matrix), Dimbo, Capital Daren. [Google] [More]  ⦿

Jérémie Nuel

Designer who made BlueMono and Octogone in 2009. [Google] [More]  ⦿

jebitter

Creator of the geometric stencil face JB Strikethrough (2012, FontStruct). [Google] [More]  ⦿

Jecko Development

Italian company which offers a free 500-set font package, of which five were made by Jecko, according to their web site: Jecko Legacy, JD LCD Rounded, JD Familla, JD Stars, JD Rings.

Fontspace link. Dafont link.

FontStructor who designed the dot matrix face JD LCD Rounded (2011).

Fontspace has several fonts made in 2011: JD LED 3 (dot matrix face), JD Scarabeo (white on black face for Scrabble tiles, +Light), JD Erica Regular (octagonal), Jecko Legacy, JD Jessica Regular (dot matrix face), JD Garden Regular (octagonal outline face), JD LCD Rounded, JD Eugeni (octagonal, white-on-black), JD Gina Regular, JD Star Regular, JD Rings Regular, and JD Nadia Regular, JD Brush, JD Stefania, JD Jerk, JD Hands, JD LED3 (dot matrix face), JD Familla, JD Treasure (handprinted), JD Rossella (handprinted), JD Fabiola (handprinted), JD Techno (handprinted), JD Teresa (handprinted), JD Lecce (octagonal), JD Eugenia (white on black), JD Code (octagonal), JD Stars. [Google] [More]  ⦿

Jed Bridges

San Diego-based designer of Cerus (2010), an octagonal typeface inspired by arcade games. Free download. Designmoo link. [Google] [More]  ⦿

Jedi Master of Design

FontStructor who made the octagonal display face Remo Williams The Type Begins (2011). [Google] [More]  ⦿

Jeff Levine: Octagonal typefaces
[Jeff Levine]

Octagonal faces made by Jeff Levine: Arvada JNL (2009), Borough Hall (2006), Celluloid NL (2010), Diagon JNL (2007), Directory Board JNL (2010), Eckhardt Poster Display JNL (2011), Government Issue (2006), Hayfork JNL (2011, based on wood type sans faces from the 1880s), Inventory JNL (2007), KP Duty (2006), Mailbox Letters Two JNL (2008), Mechanized JNL (2011), Quirkley JNL (2006), Stadium JNL (2011). [Google] [MyFonts] [More]  ⦿

Jeff's Fonts
[Jeff Levine]

Prolific type designer in Florida, b. 1952. His fonts were originally free and consisted largely of dingbats. Around 2005 he went commercial, and now sells his work (over 350 fonts as of 2009) via MyFonts. He has branched out into several font styles, with a soft spot for stencil fonts, fonts for signage, and fonts for advertising. Born in New York, his family moved to Florida in 1963, where he has been ever since. An interview. Alternate URL. Yet another URL with his early free fonts.

My pages on him.

Fontsy link. Picture. Dafont link. Abstract Fonts link. MyFonts link. [Google] [MyFonts] [More]  ⦿

Jekyll&Hyde
[Marco Molteni]

Jekyll&Hyde is an Italian studio founded in Milan in 1996 by Marco Molteni and Margherita Monguzzi. Mainly involved in corporate logos, this studio also produced some typefaces, notably Contaminato (1997), Pop (2001, geometric letters consisting of very few atomic elements), and Apocalisse (1996, grunge). These are not on their interesting but useless web page. They made the hairline octagonal face Otto (2008, octagonal), Peggy (2005, organic), Swimming (2001, organic). [Google] [More]  ⦿

Jeppe Drensholt

Copenhagen-based graphic designer, who created a gridded octagonal typeface, Block Type (2012).

Behance link. [Google] [More]  ⦿

Jeppe Drensholt

Copenhagen-based designer of Kryle (2011), an octagonal typeface. Behance link. [Google] [More]  ⦿

Jeruel Aaron Amar

Designer who used FontStruct in 2008 to make Pointers and Pointersoft (pixel arrow fonts), Eleaves, AcidSpeed, Parallelofont (octagonal), Missing Block, Acid Square, The First Font, Danubee (organic), Thorns, ReilyBill Richkid, Tabloid, AcidSquare, StillAliveForNow, StillAlive, and The Curve.

In 2009, he added Unbranded, Nokia 6000, Pointers (pixel arrows), Quickening, Bump it up, Corte (3d shadow face), Unbranded, Piloton (techno), Tahoma (pixel family), Raft, Paper Company (octagonal), Afro Style, Arko, 7th Service (stencil), Thorns, and Afro Superstar.

In 2012, he created Malibata Neue, a modernized and simplified Baybayin/Alibata. [Google] [More]  ⦿

jhejka

Michigan-based creator in 2009 at FontStruct of Haus der Kunst (dot matrix), Epic Cubed, Dominoes, DigiClock Solid, Identity, Braille, Morse Code, House MD, Stedelijk (pixel face), Mojo (+Raised, + Inlay: piano key faces), and Epic Sphered. Additions in 2009 include the military stencil look family Goshawk, Razz, Razzle Dazzle, Tic Tax (pixel), Invasion. [Google] [More]  ⦿

Jiri Nvk

Jiří Novák (b. 1973) is the Czech FontStructor whose fonts in 2011 include Repropolis, Cyklopilot (a nice Peignotian face), Duotwin (De Stijl stencil face), Polystereon (counterless, octagonal), Plexilesk (square stencil), Naocetka (pixelish), Motodidakt (pixelish), Kultivar (stencil), Autogramot, and Uradia (octagonal). In 2012, he made Sadorost. [Google] [More]  ⦿

Jóhann Geir Úlfarsson

Icelandic designer. Creator of Shake (2011), an octagonal face with a few quarter circles thrown in. [Google] [More]  ⦿

Joaquim Ramalho

Portuguese creator of the octagonal face 7ABL3 (2010) and the white-on-black ransom note face crew Hassan (2010). KINZ, his home page and design blog. Maia Ideograph (2010) is a face of ornaments used on Maian calendars. [Google] [More]  ⦿

Jochen Isensee

Jochen Isensee (aka Jooki) is the German creator at FontStruct of the free techno fonts Imagine Earth (2009) and Imagine Font (2009) and Imagine Font 2 (2011, octagonal). He lives in Braunschweig. Dafont link. In 2011, he went commercial at MyFonts. [Google] [MyFonts] [More]  ⦿

Joël Roth

Joël Roth (b. 1991) created the thin slabby octagonal face Mantodea (2010). Inside the font, we read Musterschrift is a trademark of Denise Brühwiler. Huh? [Google] [More]  ⦿

Joey Stephen Maul

Born in Bedford, IN, in 1959, Joey runs Joey Maul in Paoli, IN. Creator of the ultra-fat Duro (2008), Finelight (2009), Smitty (2009), Quatrus (2009, pixel), Rainsong (2010, a display font inspired by the art and symbols of the Native Americans), Bunkhouse (2009, mechanical/octagonal), Tranzit (2009, rounded architectural drawing face), Ampmosphere (2010, music instruments), Spring #7 (2011), Applbitz (2011, a pixel family), and the techno face Crubster (2009).

Klingspor link. [Google] [MyFonts] [More]  ⦿

Johannes Erler

Johannes Erler was born in 1965 in Hamburg. While studying graphic design in Kiel, he worked with Lo Breier in Hamburg and on joint projects with Neville Brody. In 1992 he graduated in communication design from the Muthesius Academy, School of Applied Arts in Kiel. His thesis was about a typeface with information and warning symbols for packaging. FontShop liked the concept and published it as FF Care Pack in 1992. He created the octagonal family FF Pullman in 1997.

FontShop's Jürgen Siebert soon suggested that a modern alternative to Zapf Dingbats would be needed. Though Hermann Zapf's symbol font was pre-installed on nearly every computer, it was too incomplete, inconsistent, and out of date, according to Siebert. The result was FF Dingbats, co-designed with Olaf Stein and launched in 1993, just as Johannes Erler and Olaf Stein launched Factor Design. The fonts have become a fixture in communication design worldwide. In 2007, the extensive update FF Dingbats 2.0 by Johannes Erler and Helmut Skibbe was published. FFDingbests (with Olaf Stein) is a free sampler of FF Dingbats. Erler Dingbats (2011) is free.

Fontshop link. [Google] [MyFonts] [More]  ⦿

John Alfonso

Designer whose fonts can be bought at FontHaus: Inverse Recto (dingbats), Quantum, Quantumex. The latter two are extensive futuristic / octagonal families. [Google] [More]  ⦿

John Lopez

FontStruct artist who made the upright retro connected script face Flapjacks (2008), the filled-in octagonal face Oppression (2008), the heavy display faces Private Dick (2009, +SmallCaps), Facestomper (2009), Science Fiction (2009), Oppression (2009), Dystemic (2009), the pixel face Pixco (2009) and the kitchen tile face Nine (2008). Latest fonts from 2009: Rodney (alarm clock letters), Sophisticate (pixelish), Rhodesia (piano key font). [Google] [More]  ⦿

John Russell

American John Russell designed Russell Square (1973, VGC), which was named after a London neighborhood. It is a monoweight straight-line octagonal sans with angled stroke endings. [Google] [MyFonts] [More]  ⦿

John Thai

John Thai ("Thaipografik") is located in Toronto, where he practices design and typography. Behance link. His fonts from 2009: Farsity (athletic numbering face), FortyFive (counterless, octagonal). [Google] [More]  ⦿

John Washington

Codesigner with Keith Bates of the mechanical typeface Bolton750 (2003, KType). [Google] [More]  ⦿

Jon Glarbo

Graduate of the Masters program in type design at KABK, 2010. He is from Denmark, where he practices graphic design in general. His graduation project involved an angular angry octagonal face, Brida (2010). [Google] [More]  ⦿

Jon Olav Rolfsnes

Norwegian designer whi hails a small island in Norway called Bømlo and went to Bergen to study graphic design for two years. He created Overlook Black (2011, octagonal face) and Wells Serif (2011, based on the type used in the control panel of the machine in the movie The Time Machine, 1960). Sailor Slant (2011) is based on the same type used on the back of the boat called Orca in the movie, Jaws. [Google] [More]  ⦿

JonahFonts
[John Nahmias]

Type and logotype company in Polanco, Mexico, run by John Nahmias (b. 1935, New York City). John is a graphic designer who started his career in 1952 in a New York studio with Lucian Bernhard. He left that company in 1958. He now lives in Mexico where he paints and runs his own studio. John's typefaces, mostly but not exclusively scripts, are sold by MyFonts.

  • A: Altura (2007, a serif family for covers), Amplia (2008, connected script in the style of Mistral; see also New Amplia (2010)), Annabel Lee (2011, upright connected monoline script), Aristide (2007, grunge), Aros (2009) Arroba (2010, a directionally challenged heavy slab serif), Artichoke (2011, fat signage script).
  • B: Bonafide (2009, sans family), Buggy Ride, Bulwark (2011, oddly-serifed).
  • C: Caravan Script (2007), Casual Brush (2007), Chatter (2010, influenced by signage), Cherry Lane (2011, fat round signage face), Chit Chat (2009, comic book style), Circuitry (2007, rounded octagonal face), Claxon (2009), Coliseum (2007), Cornerstone, Cornerstone Flair, Credititle (2009).
  • D: Designers Gothic (2009, a poster sans family).
  • E: Epoch (2009, organic), Etiquette (2009, casual script).
  • F: Fabius (2008, a fat-nibbed pen face), Feather Pen (2007), Fidelity Caps (2009), Fountain Pen (2007), Front Page (2011).
  • G: Gallivant (6 styles), Garabato (2008, informal hand), Georgie (2011, upright connected script).
  • H: Hacienda (2008, handprinted), Honcho (2007). Lucian Bernhard's Magnetype font series is being revived in 2010 by John Namias, starting with Bernhard's Community Low and Community Condensed, which is called Harpsichord.
  • I: Interum (2007).
  • J: Janagrace (2007, flowing script), Jonah Brush (2010, basic signage font), Jonahpad (2008, handprinted), Joyscript (2007), Juggler (2010, signage / comic book face), Juke Box (2009, calligraphic).
  • L: La Rotonda (2009), Lyanna (2008, brush script).
  • M: Mark (2010, a grungy marker script), Medalist (2008, flat-nibbed pen script), Meridia script (2009),Metrolite (2011), Mulberry Road (2011, fat retro diner script).
  • N: Nebbiolo (2012, a monoline fashion mag sans family).
  • P: Palazzo (2007), Paloma (connected script), Pinot Noir (2009, calligraphic), Pony Tale (2009, signage face).
  • Q: Qualico (2009, semi-serif 1970s family).
  • R: Rave (2011), Regalo (2010, an organic family), Reto (2012).
  • S: Scriptelle (2007), Scriptonah (2007; John Downer writes: Scriptonah, in any of its four weights, is not particularly pretty or delicate, but it is far from homely. It is firm and fibrous. It is raw.), Scriptonite (2010, a packaging script), Showtime (2011), Sign Brush (2010, a lively signage face), Singular (2009), Starlette (2009), Steletto (2007, condensed), Steletto Oldstyle, Steletto OS Flair, Steletto Serif, Stumpy (2011, display sans), Suite Slab (2011).
  • T: Talento (2007, script), Tiggly Wiggly (2009, handprinted), Tingle (2009, comic book face), Tubo, Twiggs (2009, handprinted).
  • U: Unigram (2011, monoline unicase family).
  • W: Wordscript (2007, almost a brush script).
  • Y: Yacqui (2009, Mayan look face).
  • Z: Ziggy (2007).
[Google] [MyFonts] [More]  ⦿

José Luis Cóyotl Mixcoatl

Mexican designer in Puebla of the 4-weight semi-blackletter display family El Chamuco (2004, T-26), the pixel/modular family Zoomanic (2007, an award winner at Tipos Latinos 2010), the script face Santanara (2004, consisting of Cha Cha Cha and Rhumba), the purely geometric and linear Mixcoatl (2005), the octagonal face Vulcana (2004), and of the pixelated face Pixetl (2004, T-26).

At Tiypo, we find his futuristic face Cachirul, the futuristic Rayos Gama, Forever, the starry face Galaxia, Gen, Gum Sans, Gum Organica, the squarish Ix Sans, the organic Latex, Mimetic, Monique, the techno face Neutron, Pancracia, Pixetl, the Broadway face Pocket, Super, the script face Santanera, and the octagonal Vulcana.

In 2012, he designed the angular typeface Anahuak.

He lives in Tlaxcalancingo, Puebla. His company is called The Coyote Lab of Design. At Tipos Latinos 2010, he won awards for Zoomanic and for Cubomatics Icons.

Klingspor link. T-26 link. Behance link. [Google] [MyFonts] [More]  ⦿

José Maria Cerezo

Spanish type designer who runs the digital type foundry Cajabaja. He designed Bravo (1990-1997, an octagonal family published in 1996 at Neufville), Fractura ND (1997, Neufville: a semi-stencil), Neutra, Neometric and Menú (1990-1997). See also here. [Google] [MyFonts] [More]  ⦿

José Velázquez

Monterrey, Mexico-based designer of Fontera (2011) and VUJ (2012, octagonal). Creator of the neon typeface Rech Neon PseudoScript (2012) done for Brazilian film maker Rafael Rech.

Behance link. Home page. [Google] [More]  ⦿

Joseph Allison Graphic Design
[Joe Allison]

Joe Allison (Joseph Allison Graphic Design) is a UK-based FontStructor (student at Bristol UWE) who created Rebuild Metal, Newbuild Featherlight, Skylight, Newbuild, Picaresque, Newbuild Reflecto, Convention (a great experimental face), Newbuild Demi, Newbuild Bold, Newbuild Modular (octagonal), Familiar Face Inkjet, Familiar Face Grey (texture face) and The New Alphabet (a Wim Crouwel face) in 2008 and 2009. In 2010, he made Global Village (an organic grotesk). His blog. [Google] [More]  ⦿

Joshua Brand

Graphic designer from Minneapolis, MN, who created the squarish / octagonal face Paper Mill (2011). Behance link. [Google] [More]  ⦿

J.P. Luyb

FontStructor who made the ultra fat face Fuck Off (2010), the squarish face Albert's (2010), and the pixelized faces Lolzomgftw and The Big One (2010). [Google] [More]  ⦿

Juan Casco

Designer from from Puyo, Ecuador, b. 1991. Home page. Dafont link. Home page. Fontspace link. Fontsy link. Alternate URL. Creator of these faces:

  • Amazonica (2009) is a curlified roman face.
  • Artesanias (2011).
  • Básica (2010, an organic octagonal sans done with FontStruct) and Básica Unicode (2010).
  • Black Audio (2010): gridded.
  • Bohemia (2010): grunge face.
  • Borracho (2009).
  • Bosque Encantado (2010).
  • Cabaret (2011).
  • Chave (2010) and Gato (2010) are handprinted faces.
  • Colonial (2010).
  • Cuneiforme (2010): cuneiform simulation face.
  • The scary gothic faces La Flama y La Espina, Pasión Acústica (2009), Dark Pix (2010, FontStruct), Goth Stencil (2009, blackletter stencil), Goth Stencil Premium (2009), Ming Imperial (2009) and Ming Gothic (2009, was Chino Gotico before that). The latter two faces have an Asian look. Pasion Gotica (2010, FontStruct).
  • Fam Fuerte (2011, grungy).
  • Furia&Venganza (2011). A tattoo face.
  • Hangul Love2 (2010).
  • La Rosa Muerta (2010).
  • Lejana (2010): a curly script.
  • Luismi Murder (2009).
  • Narn Font (2011). Inspired by The Chronicles of Narnia.
  • No Hubo Tiempo (2009) is a timid handwriting face.
  • PercanceFatal (2009).
  • Pixel faces: Trium (2010), DarkPix (2009, done with FontStruct).
  • The blackletter faces Por Siempre Gótica (2011), Artesanias (2011), Fraktura (2011), Neue Goth (2011), Estilographica (2011).
  • The curly scribbly faces Romance Fatal 2.0 and 3.0 (2009, based on his own hand), Romance Fatal Pix (2010), Romance Fatal (2009, +Serif), Romance Fatal Goth (2009), Romance Fatal Sans (2011).
  • Scars Before Christmas (2010).
  • Schindler's Font (2011). Inspired by the movie.
  • Sucker Font (2011). A metal band face.
  • Tatida Versal (2009), Tatida Rocking (2009).
  • Tattoo Sailor (2010).
  • A custom font for Teller Of Tales: A Fib Fit For A King, a 2011 movie by Woody Lindsey.
  • The Fire Regular (2011).
  • Tipófila (2010).
  • Valle Lejano (2010, FontStruct).
  • Verde Amazonico (2011).
  • Versal-Gothic (2009).
  • Xefora (2011). A spindly blackletter.
  • Schindler's Font (2011). Based on the movie sequence.
[Google] [More]  ⦿

Juart Little

Juart aka Juart Little is a graphic designer living and working in Paris (France). He also calls himself the Digital Blue Collar Worker. His typefaces: JAH (2012, a strong uppercase headline face), Someothaship (2012, a script face), Vador (2012, an octagonal typeface), and Juart (2012, a tattoo typeface).

Behance link. [Google] [More]  ⦿

Julia

Julia is Valerio Di Lucente (Italy), Erwan Lhuissier (France) and Hugo Timm (Brazil). They met at the Royal College of Art in London having come from different professional backgrounds in editorial design, web and art direction. The studio was founded in 2008 upon their graduation. Together, they on books, typefaces, posters, websites, identities and exhibition design. They teach as visiting lecturers at Kingston University. Typefaces: Above Magazine (2009, an almost typewriter type), Copan (2010, a multilined face commissioned by Wallpaper's Born in Brazil issue), Riso, Herman (octagonal, done for Wired Magazine in 2010), Modo (2008, an experiment on a superposition of shifted strokes), Gill Sans Rounded (2007), Serious Sans (2008, anti--Comic sans), Volt (2009, a sans done for Volt Magazine). [Google] [More]  ⦿

Julie Echavidre

Parisian designer iof the octagonal semi-architectural face Chiver's (2011). [Google] [More]  ⦿

Julien Adam

Belgian designer (b. 1978) of Lazy Sunday (2007, octagonal, mechanical) and SNC Bishop (2007, grunge). Dafont link. Goes under the alias Magic Chicon. [Google] [More]  ⦿

Julien Tourdot

Julien Tourdot writes about himself: I am Juart Little aka The Digital Blue Collar Worker. I am a graphic&web designer residing in Paris (France). Behance link. Dafont link. Devian tart link.

In 2010, he created the script face Someothaship, the octagonal faces Vador and Bionic, and the hairline face Lafine. In 2011, he made the Juart script face. [Google] [More]  ⦿

Julmeme
[Julien Mercier]

Foundry in Tokyo. Creator of the techno faces Naname Kun (2010, a 3d octagonal family), Otsuki Sama (2011, a delicate high-contrast geometric fashion mag font), Julmeme Kun (2009) and Kaminari Kun (2009).

The foundry is run by Swiss-born Julien Mercier (b. 1983), who works as a graphic designer in Tokyo.

YWFT link. Behance link. Klingspor linkJulien Mercier [Google] [MyFonts] [More]  ⦿

Juraj Chrastina

Freelance designer from Slovakia, b. 1981, Zilina. He set up shop at MyFonts in 2009. His first typeface was Stanislawski (2009, display sans), and his second Bonatti (2009, simplified sans). Motyka (2009) is an octagonal family.

Cassin (2010) ad Primitive Icons (2011) are dingbat fonts. Birkenmajer (2010) combines blackletter and curly. Ruman (2010) is a piano key fonts not unlike many of the modular fonts made over at FontStruct. Komarnicki (2010) is geometric---it is largely based on arcs of a circle. Batura (2010) is a font of ornaments. Flexi Social Icons (2010) is a set of 64 social network and media buttons. Messner (2010) is a hairline sans. Kammerlander (2010) is a high-contrast all caps Peignotian face that Juraj claims is well suited for fashion mags. Runout (2010) is a black marker face. Walker (2010) is a floral dingbat face. Trango (2010) is an unevenly spaced fun childish handprinted face. Chogolisa (2010) is an elliptical sans family.

Manaslu (2011) is his first cartoon font. Baltoro Sans (2011) is a humanistic sans. Masherbrum Slab Thin (2011, hairline slab) is made for fashion mags. Latok (2011) is a fat keyhole-themed art deco display face. The flower dingbat face Makalu (2011) was inspired by the lovely drawings of the famous illustrator Zdenìk Miler. Besley Hand (2011) is a handprinted didone. Ambassador (2011) is a hairline roman capitals face, ideal for glossy fashion mags. Its high-contrast Peignotian companion is Snob (2011). Greenhorn (2011) is a comic book face. Gamba (2011) is an elliptical typeface. Valibuk (2011) is a strong black sans headline face. Lomidrevo (2011) is a grunge stencil derived from Valibuk. Baronessa (2011) and Baron are handprinted poster faces.

Pic. Myfonts link. Klingspor link. MyFonts catalog.

Showcase of Juraj Chrastina's typefaces at MyFonts. Behance link. [Google] [MyFonts] [More]  ⦿

Just Another Foundry
[Tim Ahrens]

Just Another Foundry was established in 2005 by Tim Ahrens (b. 1976, Heidelberg, Germany). He studied architecture at the University of Kasrlsruhe and type design at the University of Reading (2007). He now lives in Oxford, where he works as a type designer and architect. In 2005 he established Just Another Foundry. His typefaces:

At ATypI 2008 in St. Petersburg, he spoke about Font Remix Tools and on Optical Sizes. In 2010, he started a web font service. In 2011, I found his name listed as an employee of the web font service Typekit.

Abstract Fonts link. MyFonts page. FontShop link. Linotype page. Home page. Klingspor link. [Google] [MyFonts] [More]  ⦿

Justin Kostelansky

Pittston, PA-based creator of Grecian Gunslinger (2012, octagonal and slabby), Kostel Infinity Sans (2012, gaspipe typeface), Defiance (2012, a didone headline face designed for photographer Ronald N. Tan's upcoming book "Defiance"), Hedron (2012, octagonal and slabby), and Kostel Slab Serif (2012).

Behance link. [Google] [MyFonts] [More]  ⦿

K and T

Foundry in the UK. Creators of the modular or gridded typefaces K&T Heidi (2009, an almost stencil face inspired by the pennant numbers on British Royal Navy warships), K&T Martine (2009, octagonal) and K&T Sasha (2009, tile face). [Google] [MyFonts] [More]  ⦿

K. Basler

Designer who used FontStruct in 2008 to create Structica Solid and True (octagonal). [Google] [More]  ⦿

K Projects
[Simone Girgio]

Simone Giorgio (b. 1985, K Projects) is the Italian graphic and type designer, who made these free fonts in 2010: W Bill, K Bill (both western faces), Antique Angles (octagonal), and Alfabeto. [Google] [More]  ⦿

K Projects
[Simone Giorgio]

Simone Giorgio (K-Projects) is an Italian Fontstructor who created the Western typefaces W Bill (2010) and K Bill (2009), which were inspired by an old Italian comic called Cocco Bill. He also designed the octagonal Antique Angles (2009), the counterless Simple Pop (2010), Xetra (2009), Alfabeto (2010) and the 3d shadow face Shadow45 (2010). [Google] [More]  ⦿

K. Smith

Creator at FontStruct of the octagonal fonts Drewburr and Shari Canari, and the caps faces Hyperiona and Crius. [Google] [More]  ⦿

Kanoshita

Japanese designer of the octagonal face Bimyouna JI (2008, FontStruct). [Google] [More]  ⦿

Kasper Pyndt

Danish minimalist designer who made various typefaces in 2010, including a monoline sans caps face, a Peignotian high-contrast caps face and a paper fold face, and the geometric face Ottoman. Ottoman was part of the visual identity made for a nightclub named OTTOMAN, located at Dunkel in the heart of Copenhagen). Wondair (2011) is a rounded monoline logotype made for a fictituous airline. Gemini (2011) is a bilined geometric art deco typeface. Behance link. Pyndt lives in Roskilde / Copenhagen. [Google] [More]  ⦿

Katatrad (was: Behaviour)
[Stawix Ruecha]

The idea of Katatrad originally comes from the vision and support of Cadson Demak design team. Started out by a type design exhibition project and transformed itself to a boutique font collection. Katatrad, which is located in Bangkok, offers fonts from new and up coming designers from Thailand. The collection is also available in standard Latin set and Latin&Thai version of the same font. Stawix Ruecho (Katatrad) designed the super-contrasted didone family Xree (2011) and the rounded octagonal family Nubb (2012). They covers Thai and Latin. Katatrad was previously known as Behaviour, est. 1996. In 2006, Katatrad published Fiber Eno, a cross between OCRA and OCRB. In 2005, they did OCR-Be. In fact, many of their typefaces have octagonal roots. Katatrad published Beauty in 2011. Pharmasee (2011) has medical dingbats.

In 2012, Stawix was established in Bangkok. At Stawix, Ruecha published Seravee (2012, a didone family), and Letra Pro Headline (2012, a manicured and permed didone).

Images of their best-selling typefaces. [Google] [MyFonts] [More]  ⦿

KearneyRocholl Corporate Communications
[Frank Rocholl]

Frank Rocholl of KearneyRocholl Corporate Communications in Frankfurt is the designer of the futuristic sans family NURI (2003), which can now be bought from Die Gestalten. He also made the octagonal typeface Nya (2005). Old URL. FontShop link. [Google] [More]  ⦿

Kevin Allan King

Kevin Allan King is from Toronto. In 2010, he co-designed Robur and Wagner Grotesk, Slinger (an art nouveau face) and Sol Pro (a 20-style monoline sans family based on the classic Sol design by Marty Goldstein and C.B. Smith, published by VGC in 1973) with Patrick Griffin at Canada Type.

Still with Griffin at Canada Type, he revived a psychedelic / art nouveau face called Fortunata (1971, Karlo Wagner) and called it Spadina (2010). He also has a Facebook group on type crimes called TCI: Typographic Crime Investigators. Wagner Grotesk is the elaborate digital version of Edel Grotesque Bold Condensed (also known as Lessing, Reichgrotesk, and Wotan Bold Condensed) a 1914 typeface by Johannes Wagner, which was later adopted by pretty much every European type foundry, exported into the Americas, and used on war propaganda posters on either side of the Atlantic.

In 2011, he and Patrick Griffin published the refined Orpheus Pro family, which was based on the elegant Orpheus by Walter Tiemann (1926-1928, Klingspor), and its Italic which was called Euphorion (Walter Tiemann, 1936). Their enthusiastic description: The Orpheus Pro fonts started out as a straightforward revival of Tiemann's Orpheus and Euphorion. It was as simple as a work brief can be. But did we ever get carried away, and what should have been finished in a few weeks ended up consuming the best part of a year, countless jugs of coffee, and the merciless scrutiny of too many pairs of eyeballs. The great roman caps just screamed for plenty of extensions, alternates, swashes, ligatures, fusions from different times, and of course small caps. The roman lowercase wanted additional alternates and even a few ligatures. The italic needed to get the same treatment for its lowercase that Tiemann envisioned for the uppercase. So the lowercase went overboard plenty alternates and swashes and ligatures. Even the italic uppercase was augmented by maybe too many extra letters. Orpheus Pro has been a real ride. Images of Orpheus: i, ii, iii, iv, v.

In 2011, Griffin and King co-designed Walter Script, a calligraphic script that revives Troubadour (1926, Wagner&Schmidt).

Still in 2011, King and Griffin completed work on an exceptionally beautiful revival, Ratio Modern (the original by F.W. Kleukens is from 1923). This is a didone family with a refined humanistic trait. Images of Ratio Modern: i, ii, ii, iv, v, vi, vii.

Still in 2011, he and Patrick Griffin created the 18-style sans family Recta, a considerable extension of Novarese's Recta. And they also completed Kumlien Pro, a revival and expansion of a beautiful transitional typeface designed in 1943 by Akke Kumlien. King Tut (2011) is a restoration and expansion of the original Egyptian Expanded, a single bold face cut in 1850 by Miller&Richard. Libertine (done with Patrick Griffin) is an angular calligraphic script inspired by the work of Dutchman Martin Meijer (1930s): This is the rebel yell, the adrenaline of scripts.

Paganini (with Patrick Griffin) is another jewel in Canada Type's drawers: Designed in 1928 by Alessandro Butti under the direction of Raffaello Bertieri for the Nebiolo foundry, Paganini defies standard categorization. While it definitely is a classic foundry text face with obvious roots in the oldstyle of the Italian renaissance, its contrast reveals a clear underlying modern influence. i, ii, iii, iv, v, vi, vii.

The year 2012 starts out with a bang. King and Patrick Griffin published Wonder Brush (partly based on a signage brush script called Poppl Stretto (1969) by Friedrich Poppl), Wagner Script (a revival of Troubadour (1926, Wagner&Schmidt)), Spade (a super-heavy slab face), and Louis (a faithful digital rendition and expansion of a design called Fanfare, originally drawn by Louis Oppenheim in 1927, and redrawn in 1993 by Rod McDonald as Stylus). King Wood (2012) is an octagonal flared wood type family with a set of dingbats, King Wood Extras.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Khaito Gengo

Khaito Gengo (Des Moines, WA, and Seattle, WA) graduated from High School in Australia. From 2005 to 2008, he worked as a graphic designer at his father's interior design company, Gengo Space Design Institute, in Japan. After that, he graduated from Highline Community College, WA, and was mentored by Laura Worthington. Sola (2011) is a minimalist modern sans serif type face with rounded corners. It features a standard set of information design pictograms. Asbel (2011) is an octagonal family. Hideko (2011) is midway between sans and serif, and is rooted in Japanese calligraphy. Air Factory (2011) is a simple geometric sans work horse family, that includes a Stencil style.

In 2012, he published Mr and Mrs Peter.

Behance link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Kiedra

Designer (b. 1989, Poland) of the rune simulation face Latin Runes (2011, FontStruct). [Google] [More]  ⦿

Kimera Type (was: Diseño Kimera)
[Gabriel Martinez Meave]

Kimera Type (was: Diseño Kimera) is a Mexican design firm founded in 1994 by Gabriel Martinez Meave (b. Mexico City, 1972), who is by far Mexico's most prolific and talented type designer. Meave.org deals with illustrations and other occult arts. Behance link. Speaker at ATypI 2009 in Mexico City. Interview. Some of his early faces were published at Tiypo. Diseño Kimera has made numerous custom fonts for Mexican clients. His typefaces:

  • Arcana (2000, +Manuscript) won an award at Bukvaraz in 2001. The script font Arcana was traced out with a pointed metal quill and then digitized to give it a thoroughly 19th century look. It won an award at TDC 2000.
  • In 2006, he made the powerful serif face Artifex.
  • Aztlan (1998) is a fun artsy slab serif.
  • Basilica (1999, +Rotunda) is an extra-condensed experimental font based on a modern high-contrast design. Award winner at TDC2.
  • Comanda (handwritten).
  • Darka (2005) is a roman blackletter face. This face wo an award at TDC2 2006. Images: i, ii, iii.
  • Economista is a text face created for the Mexican business newspaper El Economista.
  • Ferra Sabs, commisioned by the the department stores El Palacio de Hierro.
  • Fulgora (medieval).
  • Indio (handwriting). Commissioned for a beer ad.
  • Integra a contemporary roman sans family.
  • For Lagarto (2001) is based on the hand of a 16th century Mexican calligrapher. It won an award at Bukvaraz 2011.
  • Mexica (1996) is a large octagonal font family created to set text in náhuatl.
  • Mystix is a rune font based on a secret alphabet for a Delaware Punch promotional program.
  • Neocodex (1996) is an organic family.
  • At Adobe he designed the OpenType face Organica (2000), a semiserif.
  • Pearson Calligraphic (1999).
  • Presidencia (2008) won an award at TDC2 2008 and at Tipos Latinos 2008 (for extensive text family). He writes about Presidencia Sans: Inspired by Toltec and Aztec architecture, the letterforms of Presidencia follow a humanist sans-serif scheme that combines Mexican character with Latin structure. This grand family was commissioned by the Mexican Federal Government, to suit its new identity program, impeccably designed by Mexican firm Ideograma. The type family comprises twenty variants, to cover a full spectrum of possibilities, from official documents to corporate signage, billboards and nation-wide campaigns in all media.
  • Puuc, according to Meave, was inspired by the Mayan puuc style of modular architecture.
  • Rondana (2002) is a rounded character family in the style of VAG Round.
  • Sol and Solida. Sol was made for a beer ad.
  • In 2011, he created the Telcel Sans family, which was commissioned by Mexico's main telecommunications company for use in corporate communication, advertising and printed matter, as well as billboards, television and many other visual media. It won an award at Tipos Latinos 2012.
  • Tlatoani Sans won an award at Tipos Latinos 2010.
  • Tolteca.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Kix
[Christoph Windmueller]

German designer of First Strike (2008, FontStruct) and First Strike Spaced, a grid-overlay of First Strike. Other FontStruct fonts from 2008: Canned Heat (dingbats), Guttermouth (slab serif), Guttermouth Spaced (dashed version), Guttermouth Bold, Bloc Party Outline Shadowed, BabyBaby (toy blocks), Possibly Winged Polepieces, Skylines, Canned Heat, Simplicity, Stadium, Brussels (inspired by the Atomium), Cardboarder (nice 3d face), Crazytown (a Western font, an hommage to Maurice de Bevere, creator of Lucky Luke, 1923-2001), Itallica, Orica*cut, Orica, Pavement, Moduli, Tinka, Tinka Filled, Moduli, Loreylane, FS United One, ariapenciroman (gorgeous sketched letters), babybaby, bellevue, bloc-party-outline-shadowed, brussels-contourized, elceedee, eurofiction, horrorhouse, plenum, scratch-me-if-you-can, simplicity, skylines, sophia---superlight (hairline), stadium, werkshalle (Ferrari lettering font?), schachmatt (stitching font).

In 2009, he added Terence Kill (blackletter), Cellophone, Amanerd (texture face), Drenama, Poster Classic, Midnight Diner, Sunburst, Signo, Multiverse (Basic, Striped, Alaska, Couch), Pointless Task, Broadway (dotted outline), Mostly, Terence Kill (blackletter), Pole Position (dot matrix), Antares 37 (Startrek font), Figure Collection Part 1 (dingbats), and College Pornmag. In 2010, he made Motown Motel, Olympic Spirit (dot matrix outlined), Cyclobe Pro (octagonal), Gappy, Burtonesque. In 2011, he FontStructed the gorgeous face Vuvuzela, Dance (dancing men), and Zapotek (elliptical face), Legendary (eleven movie stars). Based in Recklinghausen, Germany. [Google] [More]  ⦿

Konstantin Klatt

German FontStructor who made the white-on-black-grid face Pacto (2010), the thin condensed face Sycamore (2011), Sansybar Wide (2011), and the octagonal family Telamon (2010). Klatt runs Konstantin Klatt Mediendesign in Berlin, and makes fonts as kla2t. [Google] [More]  ⦿

Konst.ru
[Konstantin Boldovskiy]

Moscow-based Russian foundry of Konstantin Boldovskiy (b, 1966, Pereyaslavka, Russia). He graduated in 1988 as an architect from the Khabarovsk Polytechnic Institute. MyFonts link. Creator of Hexadot, Hexadot Thin and Hexadot Light (2011, a textured family), BK Monolith (2010), InSign Hand (2010, an octagonal face with a sketched style), BK Bird (2010), and Alya Hand (2010, a curly face based on the handwriting of Alya Boldovskaya). Type Tile (2010) is an experimental family. Hexial Pixel 2 (2010) is a dot matrix face. Behance link. [Google] [MyFonts] [More]  ⦿

Kontour
[Sibylle Hagmann]

Swiss designer Sibylle Hagmann (b. 1965) runs Kontour, est. 2000. She designed Odile (2005, Kontour, also released at Village), Twin Cities (2002, Kontour: an octagonal face), Cholla (a large rounded sans family, a slab family, a wide family and a unicase subfamily; in 1999 at Emigre). Odile is based on an experimental typeface of W.A. Dwiggins. With a BFA in 1989 from the Basel School of Design and an MFA from the California Institute of Arts in Valencia in 1996, she became art director of the USC School of Architecture in Los Angeles, and she is now working as a designer and art director for institutional publications and she teaches at the University of Houston in the graphic communications program. Cholla won at Bukvaraz 2001. She also won an award at Granshan 2008. CV. Bio at Emigre. FontShop link. [Google] [MyFonts] [More]  ⦿

KRFX Kazekami

Greek graphic designer who has created some experimental typefaces such as Krok (2009, octagonal), MDMX (2009, kitchen tile), AFEX Box Type (2009; see also , , , , and ). Alternate URL. [Google] [More]  ⦿

Krisp Designs
[Isaac Art Grant]

Barcelona-based Isaac Grant (Krisp Designs) created the circular monoline face Tax Free (2011), the modular face Monotone (2011, free), and the octagonal display face Brandold (2011).

Behance link. MyFonts link. Dafont link. [Google] [MyFonts] [More]  ⦿

Kristen Goffard

Kristen Goffard from Menomonie, WI, created the minimalist octagonal typeface Trap Doors (2011). [Google] [More]  ⦿

Kristina Klinkmüller

Designer (b. 1983) at Volcano of Geomi (2009, a very geometric face), Aneira Dingbats (2010) and Aneira (2010, octagonal face). From 2004-2010, she is at FH Mainz. [Google] [MyFonts] [More]  ⦿

K-Type
[Keith Bates]

K-Type is Keith Bates' (b. 1951, Liverpool) foundry in Manchester, UK, est. 2003. Keith works as an Art&Design teacher at a Salford High School. Dafont link. Yet another URL. Fontspace link. Fontsy link. Behance link. They custom design type, and sell some of their own creations.

Commercial faces:

  • Adequate (2012). A basic geometric monoline sans family.
  • Adventuring (2010, comic book style)
  • Alan Hand (2005, based on some blobby lettering, handwritten by printer and mail artist, Alan Brignull)
  • Alex (2002-2004)
  • Alright (2004, cursive script)
  • Anna (2002-2007)
  • Axis
  • Bank of England (2012, blackletter): Bank of England is loosely based on blackletter lettering from the Series F English twenty pound banknote introduced in 2007. The font also takes inspiration from German Kanzlei (Chancery) typefaces and the 17th century London calligrapher, John Ayres.
  • Building&Loan (2007, engaved face)
  • Bigfoot (2005, a Western font based on the slab capitals used by Victor Moscoso in his 1960s psychedelic rock posters)
  • Bolshy (2009)
  • Bolton750 (2003, a mechanical face done with John Washington)
  • Chock (2009)
  • Circa (geometric sans)
  • Club
  • Collegiate (2009)
  • Component (2012). A font for lost civilizations and dungeon rituals.
  • Context (experimental)
  • Credit Card (2010, font for simulating bank cards)
  • Cyberscript (2006, connected squarish face)
  • Designer
  • Digitalis
  • English
  • Excite
  • Flip (2011), a western grotesk billboard face.
  • Flyer (2009, techno)
  • Frank Bellamy (2009, an all-capitals family based on the hand lettering of English artist, Frank Bellamy, most famous for his comic art for Eagle and TV21, and his Dr Who illustrations for Radio Times)
  • Future Imperfect
  • Gill New Antique (2003)
  • Greetings
  • Helvetiquette
  • Hapshash (2010): an all capitals font inspired by the 1960s psychedelic posters of British designers Hapshash and the Coloured Coat (Michael English and Nigel Waymouth), in particular their 1968 poster for the First International Pop Festival in Rome. A dripping paint font.
  • Ivan Zemtsov (2009)
  • Kato (2007, oriental simulation face)
  • Keith's Hand
  • Klee Print (2010, Klee Print is based on the handwriting of American artist Emma Klee)
  • Lexia (an improved or "adult" version of Comic Sans) and Lexia Readable (2006).
  • Matchbox
  • Max
  • Ming
  • Modernist Stencil (2009)
  • Modulario (2010): a contemporary sans.
  • New Old English (2010, blackletter)
  • Norton (2006)
  • Nowa (2004, a play on Futura)
  • NYC (octagonal)
  • Openline (2008, an art deco pair)
  • Oriel Chambers Liverpool: A Lombardic small caps font based on the masonry lettering on Peter Ellis's 1864 building, Oriel Chambers, on Water Street in Liverpool.
  • Pentangle (2008, based on album lettering from 1967)
  • Pixel
  • PixL (2002-2004)
  • Plasterboard (2004-2005)
  • Pop Cubism (2010) is a set of four texture fonts, combining elements of cubism and pop art.
  • Poster Sans
  • Rick Griffin (2006, more psychedelic fonts inspired by a 1960s Californian artist)
  • Roundel (2009, white on black)
  • Runestone (2010, runic).
  • Sans Culottes (2008, grunge)
  • Serifina
  • Solid State (2008, art deco blocks)
  • Solus (2004, a revival of Eric Gill's 1929 face Solus which has never been digitized; read about it here)
  • Stockscript (2008, down-to-earth script based on the pen lettering of the writer, Christopher Stocks)
  • Susanna (2004)
  • Ticketing (2011): pixelish.
  • Total and Total Eclipse (2004, squarish display faces based on the four characters of Jaroslav Supek's title lettering for his 1980s mailart magazine, Total)
  • Transport New (2009: a redrawing of the typeface designed for British road signs. In addition to the familiar Heavy and Medium weights, Transport New extrapolates and adds a previously unreleased Light weight font originally planned for back-lit signage but never actually applied. Originally designed by Jock Kinneir and Margaret Calvert beginning in 1957, the original Transport font has subtle eccentricities which add to its distinctiveness, and drawing the New version has involved walking a tightrope between impertinently eliminating awkwardness and maintaining idiosyncrasy.)
  • Union Jack (octagonal)
  • Victor Moscoso (2008, psychedelic)
  • Wanda (2007, art nouveau)
  • Waverly
  • Wes Wilson (2007, psychedelic, inspired by 1960s psychedelic poster artist Wes Wilson)
  • 3x5
  • Zabars (2001): a Western face.

His free fonts are here:

  • Blue Plaque (2006: a distressed font based on English heritage plaques)
  • Blundell Sans (2009)
  • Celtica (2007) has Celtic influences
  • Dalek (2005, stone/chisel face: Dalek is a full font based on the lettering used in the Dalek Book of 1964 and in the Dalek's strip in the TV21 comic, spin-offs from the UK science fiction TV show, Doctor Who. The font has overtones of Phoenician, Greek and Runic alphabets)
  • Designer Block (2006)
  • Flat Pack (2006)
  • Future Imperfect (2006, grunge)
  • Gommogravure (2005)
  • Greetings (2006), Greetings Bold (2006)
  • Insecurity (2005, experimental) won an award at the 2005 FUSE type competition.
  • International Times (2006, inspired by the masthead of the International Times underground newspaper of the 1960s and 1970s)
  • Keep Calm (2011). Related to London Underground.
  • Klee Capscript (2005: based on the handwriting and capitals drawn by artist Emma Klee (USA) for her Color Museum Mail Art invitation. The upper case is based on Emma's capitals and the lower case is freely adapted from her script)
  • Lexia and Lexia Bold (2004)
  • MAGraphics (2004)
  • Magical Mystery Tour (2005, outlined shadow face), Magical Mystery Tour Outline Shadow (2005)
  • Mailart (2004), MailartRubberstamp (2004)
  • Mandatory (2004, a UK number plate font based on the Charles Wright typeface used in UK vehicle registration plates)
  • Ray Johnson (2006-2008)
  • Roadway (2005, based on New York roadside lettering).
  • Savor (2011). An art nouveau family.
  • Soft Sans (2010)
  • Subway Ticker (2005)
  • This Corrosion (2005)

Custom / corporate typefaces: With Liverpool-based art director Liz Harry, Bates created a personalized font, loosely based on Coco Sumner's handwritten capitals, for the band I Blame Coco. Medium and Semibold weights of Gill New Antique were commissioned by LPK Design Agency. Stepping Hill Hospital and Bates created Dials, a pictorial font to help hospital managers input data about improvements. A custom font was designed for Bolton Strategic Economic Partnership. [Google] [MyFonts] [More]  ⦿

La Boîte Graphique
[Ewen Prigent]

Ewen Prigent was born in 1980 in Saint-Renan and lives in Brest, France. He graduated from the Université d'Arts Plastique de Rennes 2. La Boîte Graphique was founded by him in 2008.

Creator of the counterless octagonal fat face Bunker (2008), and the organic face Ibiscus (2008). In 2009, he created the informal all-caps families Fanfarone, Gram, Quinto, Rondi and Trouble, and the monoline Ficus (2009). In 2010, he added the gothic Rosa.

In 2011, he published the informal paper cut family Brams, the handprinted poster font Nivel, the comic book family Gaspa, the brush faces Zoé and Street, and the handprinted face Behance.

In 2012, he created the beautiful handprinted outline typeface Prune.

Fontsy link. Klingspor link. Dafont link. [Google] [MyFonts] [More]  ⦿

La Foneria
[Albert Pereta]

Albert Pereta is a communication designer associated with Eina University in Barcelona. In 2010, he and Santi Grau co-founded the foundry La Foneria. Designer of some beautiful fonts: Kadabra (2010, a high-contrast octagonal didone), Coconut (a warm Latin signage face), Kranne (a thin slab serif), Locked. [Google] [More]  ⦿

Language of Radical Design

L.O.R.D. (Language of Radical Design) is located in Mumbai. Designers of an ultra-fat octagonal logotype in 2011. [Google] [More]  ⦿

Langustefonts
[Johannes Lang]

Johannes Lang (Langustefonts) is a graduate of the KABK in Den Haag in 2008. Originally from Vienna, he created the transitional text family Dendra as a student at KABK. Alternate URL. Other fonts made by him at his Langustefonts: Audiotypi (filled in art deco letters), Baguette (smudged), Canard (octagonal), Donotiron (glyphs like clothes), Elfenfreund (handwriting), Ella (connected upright script), Fontball Field, Fontballet (soccer dingbats), Hellvetica, Kapitalschaden (grunge), Klatschmohn, Lichtenberg, Overdressed, Schnoerkel2512, Setzkasten, Tak (child's hand), Unisize, Vin rouge (handwriting with scratchy hairy endings). No downloads or sales. He also made the Armenian text face Foltyn (2011). [Google] [More]  ⦿

Larabie Fonts
[Ray Larabie]

Well over 500 original designs by Ray Larabie formerly from from Port Credit/Mississauga, Ontario, but now in Nagoya, Japan. Fontspace link. Dafont link. Abstract Fonts link. Another URL. Another URL. Fontsy link.

Ray Larabie's fonts were originally free. The site was discontinued in the summer of 2001. Ray Larabie started a second life in his new commercial foundry, Typodermic, which opened in the Autumn of 2001.

The following fonts are free: Blue Highway (1996-2011, based on American road signs), Strenuous, Tofu, Electoral Blue, Embargo, Lunaurora, MarqueeMoon, President Gas (nice stencil font), Motorcade, Overload, Baltar (2010), Dignity of Labour (1999), DirtyBakersDozen (1998, military stencil), Mufferaw (2000), Kimberley (2002), Typodermic, Mexcellent (2000, a great triline and 3D face), Minya, PulseState, Quinquefoliate, Yadou, Para-Aminobenzoic, Hydrogen Whiskey, Metal Lord (an Iron Maiden font made in 1996), Golden Girdle, DazzleShips, Kredit, Minisystem, Boron, RiotAct, GlazKrak (1996), SoRunDown (1997; visions of Detroit in 2010), YellowPills, Fake Receipt, Tinsnips, Lucky Ape, Bailey's Car, Icicle Country, Home Sweet Home, Let's Eat, Giant Tigers, RoboKoz, Snidely, Xtra-Flexi-Disc, Fluoride Beings, Field Day Filter, Bramalea Beauty (1998), Braeside Lumberboy (stencil font), Oliver's Barney, Rothwell, Fragile Bombers, Yawnovision, Superheterodyne, Massive Retaliation, Instant Tunes, Neurochrome, Xenowort, Balcony Angels, Neuropol Deluxe, Quadaptor, Deftone Stylus, Lady Starlight, LetterSet, Map of You, First Blind, Larabiefont (monospaced, 1999), Monofonto (monospaced, 1999), Orange kid, Thiamine (1999), Green Fuzz, Gunplay (stencil font), Mail Ray Stuff, Walshes Outline, Mississauga, Union city blue, Carbon Phyber (1999-2009), Carbon Block, Plain Cred, First Blind, Walshes, Credit river, Dendritic Voltage, Neuropolitical, Poke, Port Credit, Lesser Concern, Kustom Kar, Mold Papa, Kleptocracy, Blue Highway D, Hots, Coolvetica, Holy Smokes, Chinese Rocks, sudbury Basin, Lilliput steps, Hurontario, Participants, Adriator (1999), Airmole (2000), Airmole Antique (2000), Ethnocentric, Biting My Nails, Biting Outline, Dyspepsia, Vanilla Whale, Libel Suit, Effloresce, BeatMyGuest, DreamOrphans, EffloresceAntique, EnnobledPet, Euphorigenic, EyeRhyme, GotNoHeart, Hamma Mamma Jamma (1998), Octoville, PlainCred1978, Plasmatic, RadiosinMotionHard, Densmore (a modern stencil font), RadiosinMotion (a morse font), Sexsmith, ShouldveKnown, ShouldveKnownShaded, 20thCenturyFontItalic, Counterscraps, Cretino, , Duality, Echelon (1999, + Italic), Effloresce, Fabian, KenyanCoffee, MinyaNouvelle, OliversBarney, Oil Crisis (2002, car dingbats), SybilGreen (2000), Tork (2000), Degrassi, Vibrocentric, Rafika (stencil font), Berylium, Pakenham, Steelfish, Bullpen, Almonte Woodgrain, Sandoval, Sappy Mugs (2002, mugshots), Colourbars, Unispace, Urkelian (1998), Subpear, Stasmic, StreetCred (1998), Zekton Dots, Vademecum, Vectroid (2000), Zeroes One (1999).

The early commercial fonts at Typodermic included Amienne (2004, brush script), Asterisp (named Aplha through Iota, asterisks, 2000), Bomr (2002), Jillican, Tank (2004, an octagonal face), Telidon Ink and Wyvern. Rare Larabie fonts. Mass download. Direct access to some fonts. Noteworthy is that Neuropol is the font in the official logo of the 2006 Olympic Winter Games. Roxio's new Easy Media Creator 7 includes 36 updated Ray Larabie freeware fonts with expanded character sets, kerning, Euro symbol and installable embedding: Arnprior, Baveuse, Berylium, Berylium Bold Italic, Blue Highway (based on the US highway series E font), Blue Highway Condensed, Blue Highway D Type, Blue Highway Bold, Blue Highway Linocut, Burnstown Dam, Carbon Block, Credit Valley (+ B, I,&BI), Earwig Factory, Hurry Up, Kredit, Krystoid, Minya Nouvelle (+ B, I,&BI), Neuropol, Planet Benson 2, Pupcat (unicase), Stereofidelic, Sybil Green (2000, girlish font), Teen (+ B, I, BI, Light, and Light Italic)), Velvenda Cooler, Velvenda MegablackWaker.

Fonts made in 2004-2005: Stentiga (free), Boopee, Zalderdash, First Blind 2, Fenwick Outline, Amienne, Induction, Huxtable, Good Times, Euphorigenic, Neuropolitical, Effloresce, Squealer, Axaxax, Coolvetica, Cretino, Heroid (comic book).

Catalog of the typefaces in the Larabie Fonts collection. [Google] [MyFonts] [More]  ⦿

Laval Chabon

Québec City-based creator of the octagonal font VEGESIGNES (2009, FontStruct). This font also appeared in 2010 at Open Font Library. It consists of almost 3,000 glyphs. And I have no idea what these glyphs are supposed to be used for. Dafont link. Aka Leaurend-Lavie-Hyppere (Laval) Chabon. [Google] [More]  ⦿

Leander Lenz

Darmstadt, Germany-based graphic designer who used FontStruct in 2009 to create Afrobeat (+II, a piano key family), Afroblack, Samoa, Serpentine, Freestyle, Underground, Criss Cross, Apollo, Samoa (+Ultabold), Freestyle, Shadow (fat rounded), Explorer, Beatboy Rounded, Contemporary (kitchen tile face), Fiesta (2009, ultra-fat octagonal), Battista (2009, an organic font with Bodoni influences), Boldy (2009), Breezy (2009, octagonal, ultra-fat), Jin-Jin (playful), Odyssey (art deco ultra-black), Disco Queen (2009), Sketch (slab serif), Mister O (+Bold), Clockwise, My Name Is Font, Beatboy Square, Mister O (dot matrix), No Room For Squares, Accident (Grotesque, Arabesque (a gridded version)), Tony Montana (+Divided), Turning Point, VincentVega (+Outline, +Bold), Beatboy (pixel family), Circles Horizon, Papua (ultra fat), Papua Square (kitchen tile), Winky Light, Winky, Circles, Nu Edge Regular, Cosmos, Toasty, Around The Block, Wave (kitchen tile), Nu Edge, OneMore Time (stencil), Techno Mouse (white on black pixel face), Techno Dog. Behance link. [Google] [More]  ⦿

Lee Fasciani

London-based [T-26] designer of Paggio (2004), Astro (2004), Devine Town (an Indic simulation font), T-Minus (2003), Jones (2002), Duty (2002), Napier (2003), Doctarine (2002), Pescara (2001) and Fasciani Senza. The grunge family Process was made in 1997. Lee works at Intro in London. At Union Fonts, he published Chube, Dispose, Engage, Headroom (an octagonal almost mechanical font), Quarantine, System02 and Vlad in 2003. At The Type Trust, we find Novacane (futuristic), System02, Dispose and NeoGothic.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Lee Mullen

Designer in Newcastle, UK. Creator of the beautiful mechanical / octagonal typeface Ball Breaker (2012). Behance link. [Google] [More]  ⦿

Leftloft
[Andrea Braccaloni]

Leftloft is a visual communications studio in Milan, founded in 1997 by graphic designer Andrea Braccaloni (b. Bologna, 1973), Francesco Cavalli, Bruno Genovese and David Pasquali. The studio is mainly engaged in corporate identity, and now also has an office in New York. Andrea Braccaloni teaches visual communication at the III Faculty of Architecture/Design at the Politecnico di Milano. At ATypI in Rome in 2002, he spoke about new typefaces he designed the old-fashioned way, as a handicraft. Within the studio, there is a small lab for type design, called "Die kleine Fonderie", at which Andrea Braccaloni and Veronika Burian are active. Designs include LL Egeo (1999, shifted letters), LL Mila (2002, a condensed sans with a trademark "g"), LL Etica (2001-2002, a sans family that derives its name from Helvetica, and has soft strokes and wide apertures---in 2009, Etica Seriffo was published by Type Together as the "trappist type family"), LL Chicane (2001, geometric and experimental, between paperclip and neon sign), LL Impresa (2001, octagonal-themed font), LL SanSiro (masculine sans family), LL EU (a delicate sans), LL Alice ditalunghe (transitional text face), LL Officiel (extreme didone titling face, developed for French fashion magazine L'Officiel, in collaboration with Patricia Sartori), LL Crudo (experimental, now LFT Crudo), LL Ubu Re (2002, made by lines and circles only), Lemon (1998), L'Amante Perduto (1999), Solferino Text (2007, with Luciano Perondi, for Corriere della Sera). [Google] [More]  ⦿

Leo ITN

FontStructor who made Werder Bremen 1011 (2010), an octagonal face. [Google] [More]  ⦿

LetterBe
[Rustam Gabbasov]

LetterBe is Rustam Gabbasov's Russian foundry, located in Ufa, Bashkortostan. He designed Booster and Booster Amp (2005) and Truefaret (2005, stencil). All fonts have Latin and Cyrillic characters. Valery Zaveryaev designed the display face Brut (2005), the stencil face Marshrut (2005), the fat display family Quadratish (2012) and the octagonal family Teco. MyFonts link. [Google] [MyFonts] [More]  ⦿

Letterhead Studio VG Fonts
[Valery Golyzhenkov]

Letterhead Studio is located in Moscow. One of its designers, Valery Golyzhenkov (b. 1965, Moscow) cofounded Letterhead Studio, ca. 1998 and has since designed over 100 typefaces. Still based in Moscow, he published the following Cyrillic fonts at Letterhead: 04.07 (1998), Alfavita (awarded at Paratype K2009), Atlas 1904 (2010), Barrytone (2005), Bort#1 (2000), CardHolder (1997), Channel (2004-2007: 24-style rectangular family), Chellebrity (2004, screen), DBL Cheque (2009, 22 styles), Cracker (1997), Cubes (2000), DBL Check, Dead Metro (1997), Do Not Touch (1997), Dream Team (2000), First Prize, Formalista (2001, squarish), Gamering (+Sans, 2009: a game font), Garbage (12997), GarbEdge (1997), Garmony (1997), Grammatika (1997), HandsOn (1997), Hole Down (1997), Ice Cola (2000), Kabotage (1998, octagonal), Karkas (2010; images: i, ii), Kassa (2002, octagonal), Kren (1998), Laborant (2000), Lavert Noise (1997), Lexica (2010), Local Xellebrity (2010), Matrrolla (2001, octagonal), Medved (2010, angular), Mnickers, Mono (2000), Musor (1997), Odessa 1832, OneCode (1998), Primitiv (1998), Principal (1998-1999), Recruit (2004, octagonal), Remont (2000), Rounded Slab (2009), Rounds (basic dingbats), Silver Winner (2000), Sklad (2000), Stampit (2000), Upadok (1997, futuristic), YE Stencil (2009), Zaplyv (1997), Zanoza (2005). Paratype link. Dailytype link. [Google] [MyFonts] [More]  ⦿

Letterhead Studio YG
[Yuri Gordon]

Letterhead is Yuri Gordon's (b. Moscow, 1958) Moscow-based foundry which publishes mainly Cyrillic fonts. Its coowners are Valery Golyzhenkov and Olga Vassilkova and it was established in 1998. It evolved from Garbage Type Foundry. Not to be confused with Chuck Davis' Letterhead. The main designer is Yuri (or: Jury) Gordon, the Moscow-based designer of the Type Directors Club 1999 award-winning designs Dve Kruglyh and FaRer Cyrillic, available from Paratype. URL at Yakovlev's Foundry. Picture. Article in the Moscow Times (2006), in which he proclaims: Better to make five fun and tasty new display fonts than one old, boring (and you thought it would look fresh!) text font. He is a graphic designer, illustrator, type designer, engraver and copyrighter. He is Art Director of several magazines.

  • Yuri Gordon created AntiQuasi (2008, a nice lightly slabbed serif family), Babaev [1996; inspired by the Russian Art Nouveau typefaces, initially created as a part of a corporate identity programme for Babayevskoye AO of Moscow], Artemius (custom designed family for Art Lebedev Studio), Barrizmo (2004), Bistro (1997, handprinted), Chantage (2000, handwriting), Conqueror Text, Conqueror Slab and Conqueror Display (large families), Conqueror Sans (2005-2010), Conqueror Text (2005-2010), Costa Brava (fun script), Costa Dorada, Dva Probela (1997-1998), Dve Kruglyh (1997), Excession (1999), FaRer [1996; art deco face inspired by the work of Russian graphic artists Vladimir Favorsky (1886-1964) and Ivan Rerberg (1892-1957), especially by Favorsky's lettering of 1924 and by Rerberg's of 1935. Dedicated to the Moscow Underground (Metro). Obtained an award at the 1997 TDC competition], Forward No. 10 (1995-1996), Forward Grotesque No. 9 (1998-2000), Gordoni (his take on Bodoni), hAndy, HotSause (1997, irregular handwriting), Karkas (2004, a manly sans), Little Shift (1999), Method (2002, a sans family), Minusmanscript (1998, calligraphic), Mr. Mixter (2011), Non System (2000), OptiMyst (1997), ResPublicana (1999), Sivtzev Vrazhek (1999, + mono), Michelle (2004, medieval), Naylorville (2004), Probel (1997-1998).
  • Illarion Gordon made the fun fonts Strelochnik (1996, irregular hand), Probbarius (1996), Monte Summa (1997), as well as Rahit (1998, kid's handwriting), Rough (2000, blotchy hand), Simpel (kid's hand), St. Valentin (2001), Accept (1998), Kartofel (2000, irregular handwriting), LangobardR (1999), Ospa (1997, funky handwriting), pLatinum (1999, informal script).
  • Valery Golyzhenkov's fonts from before 2000 are typically destructionist. He made 04.07 (1998), Bort#1 (2000), CardHolder (1997), Chellebrity (2004, screen), Cracker (1997), Cubes (2000), Dead Metro (1997), Do Not Touch (1997), Dream Team (2000), Formalist (2001), Gamering (+Sans, 2009: a game font), Garbage (12997), GarbEdge (1997), Garmony (1997), Grammatika (1997), HandsOn (1997), Hole Down (1997), Hot Sauce (2009, Yuri Gordon), Ice Cola (2000), Kabotage (1998, octagonal), Kassa (2002, octagonal), Kren (1998), Laborant (2000), Lavert Noise (1997), Matrrolla (2001, octagonal), Mono (2000), Musor (1997), OneCode (1998), Primitiv (1998), Principal (1998-1999), Recruit (2004, octagonal), Remont (2000), Rounds (basic dingbats), Silver Winer (2000), Sklad (2000), Stampit (2000), Upadok (1997, futuristic), YE Stencil (2009), Zaplyv (1997), Zanoza (2005).
  • Custom faces for companies or special projects: 19 o'clock, AlfaBank, Always, Anteus, Artemius, Alexey, Atlas-1904, Bat Sans, Bat Roman, Calendarus, Carlis, Cifirki, CTC Screen, Digrol, Digimag, Esquire, Gulliver UTS, Gurmania_MA (2004, handwriting), Hi Afisha, In CaST, Ka, Kater, Komet, Kostro, Lumene Script, N.B.T., Nochnoi Dozor, Odessa, Progress Custom, Redd's, Robb Report New, Rolling Stone 2003, Rolling Stone 2005, Rosbank Sans, RMA 2006, Salon Script (2007, calligraphic), Salon Antiqua (2007), Seventeen, N.Side, W.Side, Sivtzev Vrazhek, Snickers, Sovereign, STS Vizion, Svyaznoy RF (2008, sans), ToShi, Trust, Whiskas lettering, Zabava.
  • Typefaces and/or lettering from 2009: Barocco Mortale (curly script), Barocco Mortale Borders, Alfavita (ornamental caps by Goluzhenkov), Fleurs du mal, DBL Cheque (by Goluzhenkov), Medved (by Goluzhenkov), YE Stencil (by Goluzhenkov), 21Cent (or 21st Century; +Cyrillic; +Thin; +Black; advertised as not Century, not Clarendon, this fresh family is sure to win awards), Antiquasi, Around the world, Bazaarban, Blacksteel, EsqGuardi (for Esquire), the curly Naska, with accompanying dingbats Naska Kozliki, the bird dingbats Udo Birdo, and more at Flickr.
  • Production in 2012: Baroque Mortale (an award-quality ornamental alphabet).

Author of the acclaimed 384-page book Book of Letters From  to ” (2007, Art. Lebedev Studio). Art by Yuri. Issuu link. Klingspor link.

View Letterhead YG's typefaces. [Google] [MyFonts] [More]  ⦿

Lex Kominek

Calgary-based designer of Naranja (2005), an experimental typeface built up of quarter circles and L-brackets. Its dingbats are inspired by Clockwork Orange. Faces made with FontStruct in 2008: Robot Builder (Solid, Shaded and Open: squarish faces), Polygonal Lasso (Far West type: 938 glyphs for Latin, Latin Extended A & B, Greek, Cyrillic, and Katakana), Marshmallow Script (based on Einhorn, Eclat, Deftone Stylus, and Magneto, all connected diner scripts), Crazy Eights (deck of cards), Ficus Stencil (+Compressed, +Condensed, +Extended, +Regular, +Zebra, +StencilOpen), Big Fat (+Vibrate, +Solid, +Shaded), Negatron (Regular, Solid and Fill), Tuscan Radar, Nuclear Depot Americum (495 glyphs consisting of stars), Nuclear Depot (Radioum, Neptunium, Plutonium, Uranium: a futuristic family that covers Cyrillic), Am I see are you pee see, eh? (a font that combines MICR with UPC-A). The links: big_fat_shaded, crazy_eights, ficus_stencil_compressed, ficus_stencil_condensed, marshmallow_script, negatron_fill, negatron_regular, negatron_solid, serpent_like_bold, tuscan_radar.

2009 creations: Haemophobe (pixel), Star Wreck, Mouthcaster (a bilined face based on the lettering on the front of the 1978 edition of the Scoutmaster's Handbook), Pasta (white on black), Medical Station Alpha (techno), Disco Stud (Chrome, Solid, Chrome Oblique, Solid Oblique), Affix, Infix (experimental and minimalist), Pinball Blizzard, Tears in Rain (a simplistic textura), Five Minute Hair Colour (slab serif), Seg Sixteen (LED face), Trajedy (pixel), Nobody 8 Italic (pixel), Home Sweet Home (a cross-stitch font), Wotan, Tiki Deaky, Writetyper, Chromatose (shadow family), Chocobot (an octagonal family containing Dark, Stacked (multilined), Milk, White), Big Fat (Shaded, Vibrate, Solid).

2010 creations: Fungal Sharp, Fungal Rounded (described by himself as a unicase stovepipe sans), Elliptical Lasso (Western ornamental caps), Astral Projection (a dot matrix face that updates Astra, a Letraset font designed by François Robert and Natacha Falda in 1973), Brick-block tops (3d effect), Knots, Spacerock (an extensive arc-based geometric family), Telephone (counterless), Pixular, StarWreck the Next Generation, Hockey Club, Brick-Block Tops, Bubblemania, Ziabelle Remix (outline, 3d, shaded), Hextone, Falcone (robotic face), but I didn't Trap the Deputy (Egyptian), Dinosaur Gothic.

Fonts from 2011: Apé'ritif (bilined), Csillagok (a futuristic face based on a hungarian Star Wars poster), Valhalla (faux runic), Birodalom, Haboruja, Piezo, Felix (black art deco face). [Google] [More]  ⦿

Little Asshole
[Agnese Pagliano]

Berlin-based designer of the mostly free fonts Little Cut (2010), Little Retro (2011), Little Hand (2011, handprinted), Little Wave (2011), Little Space (2011, octagonal), Little Line (2011), Little Techno (2011: fat and counterless), Little Brush (2011), Little Flower (2011, floriated), Little Future (2011). At Handmade Font, we learn that the author is Agnese Pagliano. [Google] [More]  ⦿

Little Fonts
[Max Little]

Little Fonts is a type foundry in Norwich, UK, run by Max Little (b. London, 1986). Max Little studied graphic communication at Norwich University.

Inspired by the work of Wim Crouwel, he designed the massive mechanical octagonal super-heavy stencil typeface Mass (2012). Loop and Loopo Stencil (2012) are circle-based stencil typefaces.

Behance link. Home page. [Google] [MyFonts] [More]  ⦿

L.L. Daddy

Designer who used FontStruct in 2009 to create Noon (condensed pixel face), Parallea (similar), Mazey, Letterpress (3d face), i-Ching (horizontal stripes), Broaden, Dot Screen, Mazey, Shadowman (3d shadow face) and One Stroke (octagonal paperclip face). In 2010, he added the stitching font Stitchery. [Google] [More]  ⦿

Lorenzo Geiger Typewerk
[Lorenzo Geiger]

Swiss designer who made the commercial families Bastard (6-weight grotesk), Dinomono (typewriter, monospaced) and Trans-Am (octagonal). Born in 1982 in Bern, Geiger studied visual communication at the BFH Haute Ecole des Arts de Berne from 2002-2007 and did an internship with Philippe Apeloig in Paris. He works in Bern. MyFonts link. Behance link. [Google] [MyFonts] [More]  ⦿

Los Andes Type

Chilean foundry, est. 2011 by Jorge Cisterna, Jko Contreras, Miguel Hernández and "LCF". The first faces include Muralista (2008, poster or wall font by Jorge Cisterna), Fatta (2011, round and fat---by Miguel Hernandez), Pantano (2011, a grungy script by LCF), and Fierro (2011, an octagonal face by Jko Contreras). [Google] [MyFonts] [More]  ⦿

Louis Rivera

Graphic designer in New York City, who heads the St. George Press. Born in manhattan, and raised on Staten Island, he attended The School of Visual Arts in New York. Behance link.

He created a gorgeous tall octagonal monoline typeface called Hudson Terminal (2012), which was apparently designed for Grove Street Bicycles. [Google] [More]  ⦿

Luedy

FontStructor who made the dot matrix face Assoalho (2011), and the octagonal face Preto (2011). [Google] [More]  ⦿

Luke Breadon

Luke (b. 1987) is a graphic designer based in Sydney, who specializes in custom typography, brand identity and web design. Dafont link. Creator in 2009 of Liqueur, Origami, Bauhaus Two, Genome (futuristic) and Manufact (squarish), Breathe Slow, Streamline, Blockade, Like Luke, Interest, and Method. [Google] [More]  ⦿

Lunicus

FontStructor who made Wolfcastle (2010, based on the logo of Wolfenstein) and Lunicus Downhill Line (2010, connected oblique futuristic face). [Google] [More]  ⦿

Maarten van 't Wout

Lisse, The Netherlands-based creator of the clean monoline sans face Code (2011), of the alchemic typeface Arctic (2012), and of the octagonal paper fold typeface Fabric (2012, Ten Dollar Fonts). Alumia (2012, Ten Dollar Fonts) was designed for logos. Monorail (2012) is squarish but slightly rounded, and is monolined.

Behance link. [Google] [More]  ⦿

MADType (mattdesmond.com)
[Matthew Desmond]

MADtype (est. 1996) is Matt Desmond's place in the type world. He has had a prolific career that started out with shareware fonts while Matt was at the Minneapolis Technical and Community College. His page back then said A haven for quality shareware type for the Mac. Later, Matt started mattdesmond.com, and co-founded the Test Pilot Collective (est. 1998 with Joseph Kral and Mike Cina). Many of his early faces were experimental and/or futuristic. In late 2003, mattdesmond.com disappeared, and MADtype, commercial now, resurfaced at the MyFonts site. Currently, Matt is based in Atlanta, GA. He has also lived in Fayetteville, GA, Rochester, NY, Redwood City, CA, and San Francisco, CA. His fonts can also be purchased via You Work For Them. He also does commissioned type design. Some fonts are freely available at the Google Font Directory.

Retail types as of 2011:

  • Abel (2011, Google Font Directory).
  • Aldrich (2011). A Bank Gothic style face, free at OFL.
  • Amber (2000): kitchen tile face.
  • American Gothic (1998): squarish.
  • Audebaud (2010): a 19-th century style French Clarendon (wood type look). The design was inspired by the work of Constant Audebaud, an engraver of wooden type that was used for posters. Audebaud's work appeared in the 1880s in the Deux-Sèvres département of France.
  • Beat (1998): rounded OCR face.
  • Brauhaus (2004): Textura face.
  • Cagliostro (2011). A free font at Google Web Fonts that is based on the handlettering of Ozwald Cooper.
  • Curbdog (1998).
  • Desmond Text (1998): a roman that has features of University Roman.
  • Distill (2009): a De Stijl font that shouts 1920s.
  • Dunelm (1996): emulation of 17th century printing styles.
  • Dwiggins Deco (2009): This typeface was originally designed in 1930 by W.A. Dwiggins as the cover for the book "American Alphabets" by Paul Hollister. Only the 26 letters of the alphabet were included on the cover, so the rest of the numbers, punctuation, symbols, and accented characters have been crafted in a matching [art deco] style.
  • Findon (2007): stencil.
  • Futuristic category: ER9 (1999), KAH (2005, LCD style), Lunarmod (1997), Retron (1997; can be considered as a retro upright connected script as well), Shifty (1998).
  • Grunge category: Bulletin (1997), Gothico Antiqua (1999), Rubba (1997), Stomper (1997--a rubber stamp font), Zapatista (1998-2007).
  • Handwriting, handprinting category: Casino Hand (2005), Ghouliez (1996), Handegypt (2002---hand-drawn slab serif), Handy Sans (1997, hand-drawn sans), Joppa (1997), Pufficlaude BT (1998).
  • Hessian (2009): Tuscan style wood type.
  • Hydrochlorica (2004): organic.
  • Invoice (1997).
  • Ironside Crosses (2004): dingbat face.
  • Marble Roman (2004-2009): angular roman all caps type.
  • Pacioli or Luca Pacioli Caps (2007: emulating a mathematically constructed caps font by Pacioli (1509) published in his treatise De divina proportione.
  • Pixel category: Basis (1999), Mang (1997).
  • Plenti (2004): ultra plump.
  • Quantico (2007): octagonal.
  • Stencil category: Bandoleer (2009, +Tracer: a couple of stencil fonts with art deco and army influences), Madison (2007, slab serif stencil), Mercado (2005; has a non-stencil Mercado Sans).
  • Variable (2004-2010): a sans-serif monoline face that includes ultra thin weights.
  • Vexed (2005): sketched face.
  • Wolfsburg (2007): blackletter stencil.
  • Wooddale (1999): wood type emulation.

Free types as of 2010: Marble Roman, Environ regular, Dorkbutt, Europa, Exsect, Inthacity, Liquidy Bulbous, Lustria (2012, Google Web Fonts), Stomper.

Commissioned types: 77kids (2007, for the children's brand; the sketched faces were done with Justin Thomas Kay), AE Aerie (2005-206, American eagle Outfitters), AE Newburgh (2005-206, American eagle Outfitters), AE Summer Fonts (2007, all for American Eagle Outfitters), EEL Futura (2006, for Enjoying Everyday Life), Nike World Cup (2006), Virgin America (2006).

Orphaned types that disappeared or were planned but never executed: BrotherMan, Caprice, Convolve, HipstersDelight, Lugubrious, ModestaSmallCaps, Serifity, Skitzoid, Sliver, ThrowupSolid, Auresh (1998, futuristic; Test Pilot Collective), Kcap6 (1998, with Cina; Test Pilot Collective), Epiphany (1997; Test Pilot Collective), Testacon (with Kral and Cina; Test Pilot Collective), Civicstylecom (1999; Test Pilot Collective), Lutix (1998; Test Pilot Collective), Xerian (1997; Test Pilot Collective), Swoon, Furtive (2004, a sans), the display face Flathead (2004), the blackletter face Bahn (2004), Mesotone BT (2006, Bitstream, a monoline sans), Practical (a monoline connec script, planned in 2007 but not published), Poliphili (planned in 2007, as a revival of an Aldus/Griffo font), Wutupdo (1996, Garage Fonts), GFDesmond (Garage Fonts), Drone.

View Matt Desmond's typefaces. [Google] [MyFonts] [More]  ⦿

Magic Sam

Designer at FontStruct in 2008 of Around The Block (fat octagonal), Wave (kitchen tile), Nu Edge (kitchen tile), One More Time (crosshair font), Techno mouse (white on black and pixelish), and Techno Dog. [Google] [More]  ⦿

Magpie Fonts
[Diane Ehlers]

Monterey, CA-based Diane Ehlers (Magpie Fonts, Font Queen 100) made all her fonts with either Fontstruct or Font Creator from High-Logic. FontStruct (2008-2010) carries AllLinedUp-MP, Bigfoot-MP, ChainOfFools-MP, ChipOffTheOldBlock-MP, FancySansationCaps-MP, Fuzzy Concept, KnotMyFont-MP (multilined face), LeanMeanFontMachine-MP, New-Sansation-MP, Nickish-MP (named after Nick Curtis), NoClue-MP, NotReally3D-MP (athletic lettering), OddlyDisconnected-MP, Really2D-MP (athletic lettering), SerifsUpDude-MP, SerifsUpDudeFat-MP, SerifsUpDudeSkinny-MP, SonOfBigfoot-MP, Stacked-MP, StarRoars-MP, Cushy-MP (fashionably ultra-fat), FutureDeco-MP, Xs-n-Os-MOP (a stitching font), DizzyDiamonds-MP (another stitching font), Spires-MP, SeeSpot-MP, MazedAndConfused-MP, Pearlies-MP, FacetFolly-MP, SortaDingy-MP, OhSoStudly-MP, Marcelled-MP, Scodi-MP, ToxicAssets-MP, and Keyholed-MP. With the help of John Hill, some her fonts made it to the Open Font Library, where one can find Chain of FoolsMP, Dizzy DiamondsMP, FacetFollyMP and FutureDecoMP (all made in 2008).

Creations from 2012 include West n Wild (a Far West face), FutureDeco2-MP (art deco), Trellis MP (caps with Dalmatian spots). [Google] [More]  ⦿

Mahmoud Abdoun

Graphic designer in Algiers. He created the octagonal Latin face Lizerta (2009). [Google] [More]  ⦿

Maniackers Design (or: MKS)
[Masayuki Sato]

About 150 free original fonts by Masayuki Sato (from Futaba, Japan), over half of them pixel fonts. For most fonts, he has a Latin alphabet (denoted by AL) and a katakana alphabet (denoted by KT). Some also have a hiragana version (denoted by HR). All fonts were made between 1998 and 2009.

  • By Masayuki Sato&Tsuyoshi Nagae: Merumo-AL, KT, PonyPony-AL, KT, HR, Topo-AL, TM Extended-AL / 2Type, MinnanoUta-AL, KT, HR, Seele-AL / 2Type, Robin-AL, Peco-AL, KT, Honey-AL, Blur-AL.
  • By Masayuki Sato&Eri Nagae: Stitch-AL.
  • By Masayuki Sato&T. Waka: Chihuahua-AL, KT, HR / 3Type.
  • By Masayuki Sato&Mami Kobayashi: Alphabet Man, Detroit Type City-AL, Foood-AL, KT, Pokupoku-AL, KT, HR, Ball2-AL, Box2-AL, Button2-AL, Xtal-AL, KT, HR, Ikaho-AL, KT, MD Radiogram-KT, HR, Nepon-AL.
  • By Mami Kobayashi: Ikaho-HR, TypeCantabile-KT, Kotodama-KT, Sandy-AL / 2Type, Yonimofushigina-AL, KT, Cloooud-AL, Yonimofushigina-HR, Timber-AL,KT, HR, Sunday-AL / 3Weight, Hyonnakotokara-AL, KT, HR.
  • By Eiji Sunaga: Tanrei 2.0-KT.
  • By Junya Yamada (Channel 67): Drip-KT, Bobo-AL.
  • By Masayuki Sato&Junya Yamada: Maniac 2-AL, KT.
  • By Atsushi Moda: Angle.
  • By Shinji Naka: Typobokan katakana (at least, the graphics of this comic book style font were by Shinji Naka).
  • By Masakazu Fukushima: Lucha-doll mask (a fantastic mask dingbat font).
  • By Atsuko Onozato: Pazool.
  • By Malte Haust of Bionic Systems: DorisOrange.
  • By André Nossek: Collage Rmx-AL, Hard Rmx-AL.
  • By Masayuki Sato&Hiroko Takiguchi: Holiday Bitmap14-AL, Holiday Ultra-AL, KT, HR, Holiday Bold-AL, KT, HR, Holiday-AL, KT, HR, Holiday-illust, Holiday Tategaki-KT, HR, Holiday-MDJP03 / 2Byte, Holiday-MDJP02, Ribbontic 2.0-AL.
  • By Masayuki Sato and Masashi Kato: Pico (2009, rounded comic book style).
  • By Masashi Kato&Mayucco: Yakitori-AL, KT, HR / 2Byte.
  • By Masayuki Sato&Ryo Asoda: Wallpainting-AL, Cosmic-AL, Bellows-AL, KT.
  • By Masayuki Sato&Kaori Inada: Sennin-AL.
  • By Masayuki Sato&Shizuka Yamazaki: SwingingBird-AL, KT, HR.
  • By Masayuki Sato&Junichi Omi: Omiyage-AL, KT, HR.
  • By Masayuki Sato&Rollingcradle: Poranger-AL, Lucha doll-mask.
  • By Masayuki Sato&Omnikono: Gt informat-AL, KT.
  • By Masayuki Sato: Donki-KT (2010), Cherry-Cherry KT (2010), 239 Schablone-AL (2010), RBIO-AL (2010), FSB08 Klang-AL (2010), 224 MKSD-AL (2010), 223 MKSD-AL (2010), 235MKSD (2009, thin octagonal), Nepon-KT, Nepon-HR, Monday-AL / 3Type, Childish-AL, KT, HR, Volt-AL, KT, HR, Gavadon Ultra-KT, Building 2-AL, KT, Gachapon 2-KT, CinemaMa-AL, KT, HR, Skinny-AL, Magatama-AL, Astro 3.0-AL, KT, 160MKSD-AL, KT, TypoBokan-KT (3DCG), Lunch-KT, HR, Partner-AL / 3Type, Pico Super Ultra Bold-AL, 096MKSD-Synapse-AL, Millennium 5lines-AL, Tekuteku Round-AL, Warp-AL, Cherry Cherry-KT, Donki-KT, 078MKSD Medium Con-AL, Poco-AL, Temporary Extra-AL, 071MKSD Medium-AL, KT, 071MKSD Bold-AL, KT, Paco-AL, Collage-AL, Zerozero Nine-AL, KT, HR, Finger Five-AL, Electronica Nine-AL, Drifter Five-AL, Ultra Seven-AL / 3Type, Thaitype Ten-Thai, AL, KT, Gogo Five 2.0-AL, System Seven-AL / 7Type, 201MKSD-AL / 4Type, Fluorescent-AL / 2Type, FSB07 Astra-AL, KT, HR / 4Type, Nihonbashi 2.0-AL, KT, 176MKSD-AL, Continue-AL, Spaghettini-AL / 3Type, Pinponpan2, 3, 4-HR / 3Type, Pico-AL / 2Type, Kokecco2-KT, Charakyoro-AL, Coppepan-AL, KT, HR, Sardinen-KT, HR, Hachipochi Eight-AL, KT, Janis Heavy-AL, Futaba-KT, April Fool-AL, KT, HR, Arawasu-KT, Airline-AL, KT, HR, Astro 2.0-KT, Snail-AL, KT, Akachan-AL, KT, HR (Flop Design), Dorisorange-AL, KT (T26), Parade20-AL, KT, UFOnt-51silhouette, Rabbit35-silhouette, Dog30-Silhouette, Coil-AL, KT / 3Type, Frankfurter Custum Black-AL, COLOR-AL, Fivemani-AL, KT, Astroro-AL, KT, Puco-AL, 184MKSD Omnibus-AL, Alfadental-AL, FSB08 Klang-AL, KT / 3Type, TDA140607-AL, Shotaro V3-AL, KT, Colopocle-AL, KT, Melt-AL / 3Type, Tekuteku-AL, Crayon-AL, Digits-AL, Performar-AL, Pinponpan-HR, Airplane 2.0-AL, KT, Button-AL, Ball-AL, Box-AL, OLD CUBE-AL, Elekitel-HR, Retroket-AL, MKS Dot-AL, RikuKaiKu-Illust, Angle-AL, FontRemix 02 (36-kanji dingbat font). Font Pavilion sells these fonts: Building, Gavadon (kata), Volt (romaji, kata), Colopocle (katakana, romaji), Shotaro (katakana, romaji). Typo Bokan, Sennin, Snail. At Digitalogue, he published the screen font series Zerozero in 2000.
Abstractfonts link. Fontspace link. Artistic rendering of a kanji character. [Google] [More]  ⦿

Manuel Ramos

Valencia, Spain-based creator of these typefaces in 2012: Artistica (art deco), Iniciatica (bilined), Isabel (bilined caps-only face), Regard (hairline), Glubgraff (graffiti), Graffont (graffiti font), Extraterrestrial, Expresiva, Rotorica (spiky), Passion (a hairline avant-garde face), Infinita (hairline avant-garde sans), Cosmonautica (fashion mag typeface with just capitals; also called Eternal), New World (thin octagonal), Modes (condensed and straight-edged), Modesta (thin octagonal) and Garbage.

Dafont link. Fontspace link. [Google] [MyFonts] [More]  ⦿

Maquii Saravia

Uruguayan designer of Randall (2007, octagonal family made in memory of the guitarist Dimebag Darrell). [Google] [More]  ⦿

Marcel van den Berg

Graphic designer in Den Haag, The Netherlands. At Behance, his pen name is Joost Marcellis. Home page.

His typefaces include Anna Mono (2010, octagonal).

FontStructor of these gridded faces in 2010: Stanna Klein, Stanna Diap. He also made the Esque and Fastlane families in 2010 at FontStruct.

In 2011, he published the multistyle poster family Geplakt. Images: i, ii, iii, iv, v, vi. [Google] [More]  ⦿

Marcio Duarte

Marilia, Brazil-based digital artist, who created the techno face Nucleo (2010) and the organic experimental face Wabi (2009, free). The organic face Sayuri followed in 2010. Behance link. Blog. At FontStruct, he made Nucleo (2011) and Geo MD (2012, octagonal). [Google] [More]  ⦿

Marco Sterk

Amsterdam-based designer of Lugthart (2004, an experimental octagonal face). [Google] [More]  ⦿

Marcus Kelman

Scottish graphic designer who is based in Edinburgh.

Creator of Symmetrical Typeface (2012), a hairline gemetric sans that has the feature that each glyph is the same if flipped horizontally. He also made the hairline octagonal typeface Mono (2012), a monowidth, monospaced font in which each glyph of the same width and height.

Behance link. [Google] [More]  ⦿

Marnie Newton

Photographer in Melbourne, who created the strong horizontally-striped octagonal face Digital Bounce (2011). [Google] [More]  ⦿

Marte Veys Berg

Graphic designer in Oslo. Behance link. For an editorial design project, she made the typeface KEY (2011), in which all horizontal strokes are required the follow one of five possible lines (as for music notes). The face has a monoline octagonal look. [Google] [More]  ⦿

Martin Aleith

Designer at Die Gestalten of Laminat (2007), Logosmen (2003, geometric display face), Braten Fat (2004), Haudegen (2002, severe bold octagonal face), Halunken Spezial (2004, rounded octagonal), Boxen (2003, a slashed zero font), Esposito (2002, a paperclip font), Galotta (2002), Feixen (2007, paperclip inspired). His fonts can also be found at Pfadfinderei. In 2009, he made the fat rounded modular family Knochen (Die Gestalten). [Google] [More]  ⦿

Martin Dusek

Graphic designer in Litomerice, Czech Republic. Behance link. He created Grideater (2011) based on the grid design that characterizes the work of Wim Crouwel and so many others. Grideater has many weights that were designed together, as a whole. The design is modular and octagonal, and consists of Grideater Stencil and Grideater Semiround in various weights. [Google] [More]  ⦿

Martin Frostner

http://www.martinfrostner.se/ [Google] [More]  ⦿

Martin LaBar

Designer at Southern Wesleyan University of the octagonal font Hex-Nut. [Google] [More]  ⦿

Matrero G

Lanus, Argentina-based designer of Gayacos Primaria Bastarda (2002), Tapi (2006, monoline octagonal), Negada (2006, handwriting), Cementeria (2006), Chingolo Pro (2006), Letrograda (2006, bad typewriter), Bloqueada (2006), Alsina (2006), Reienhardt (2006, scratchy handwriting), Cholo Sperry Rand R20 (2006, old typewriter), Daft (2006, handwriting), Kill All Fonts (2006, experimental stencil), Venerada (2002, shadow face), Thapkie MG (2002, pixel face). [Google] [More]  ⦿

Matt Chase

Designer in Washington, DC. Behance link. He created the manly octagonal face, Hellforge (2011), which he called a working-class slab. [Google] [More]  ⦿

Matt Vanden Boomen

Green Bay, WI-based designer of Hand-Drawn Display Font (2012, an octagonal typeface). [Google] [More]  ⦿

Matteo Gallinelli

Graphic designer in Rome. He created a semi-octagonal typeface for logotypes and advertising called Tumentu (2012). [Google] [More]  ⦿

Matthew Gadd

British creator (b. 1990) of CIL (2010, squarish), Rownd (2009), DST (2009), Rational (2009, sans), Gadolinium (2009, techno) and Gadolinium Script (2009, handwriting), Resolute (2010, octagonal). [Google] [More]  ⦿

Max Senden

Rotterdam-based designer of the thin octagonal typeface A4 Z4 (2012).

Behance link. [Google] [More]  ⦿

Mendoza&Vergara
[Luciano Vergara]

MendozaVergara is Luciano Vergara, a Chilean graphic designer from Concepcion (b. 1979), and Guisela Mendoza. Vergara created the sans face Conce (2004), Pepona (2006, T-26, a pixel face), Sketch (2008, T-26), Trauco (2006, T-26, a wonderful display face), Otto (2006, T-26, anotyer pixel face), Roketu (2007, T-26, rounded octagonal face) and Hisla Negra (2004), the serif face Patua (2003; Patua One is free at Google Web Fonts), the pixel face Xerif (2004), the pixel face Sinaptix (2004), the pixel face UNXERIF (2004), the pixel face Don Paul (2004, named after Paul Renner), the liquid display face Revolución (2006), the pixel family Renex (2004) and the pixel face O'Higgins (2003).

At Latinotype (which Vergara co-founded with Daniel Hernandez in 2007), he created the dingbat face Chilean Bugs (2006) (free at Dafont), as well as Biotech, Fidel Black (2011, a strong rounded sans, +Stencil Black), Patua (serif), Patagon (2011, Latinotype: a rounded wood-inspired poster face done with Miguel and Daniel Hernandez), Pantano Pro (2012: Pantano is a handmade grunge typeface inspired by the rustic style of Amazonia), and Regia (2008, hairline condensed sans).

At FontStruct, he experimented with Flaca (2008). Suisside (2011) is a humanist sans.

At his Flickr site, check out more commercial typefaces: Fidel (strong sans), Regia and Trasans (two light, even hairline, sans faces), Biotech, Cachiyuyo (2011, a pixel family), Machi (2011, titling sans), Los Lana Pro (2011, an angular poster face), Antartida (2012, an 8-style family at Latinotype). Working on a short-ascendered sans face called Midas (2010).

Klingspor link. Dafont link.

View Lucian Vergara's typefaces. [Google] [MyFonts] [More]  ⦿

MIA
[Miriam Magdalena Tetzlaff]

Berlin-based graphic designer, who has a degree in information science and media design from the Faculty of Graphic Design, University of Applied Sciences Augsburg, Germany. Creator of Mia Logotype (2008), Script01 (2005), NHM Regular (2008, octagonal), Tape Type (2005, rectangular). No downloads. Behance link. [Google] [More]  ⦿

Michael Hirst

Graphic communication student at UCA Farnham (UK). Creator of the octagonal origami typeface Modular (2012). [Google] [More]  ⦿

Michael Seymour

Graphic designer in Derby, UK. He created the grid-based octagonal typeface Trile TypeM (2012). [Google] [More]  ⦿

Michelle McCallister

Student at Flagler College in Tallahassee, FL. Creator of the great experimental octagonal face Mobio (2011). [Google] [More]  ⦿

Miguel Carillo

Peruvian creator (aka Doriard) of the octagonal outline EPS-format font Tetramino (2011). [Google] [More]  ⦿

Mike D. Kowalczyk

Polish American illustrator in Chicago. Creator at FontStruct in 2009 of Prof. Downer's Iowa Tonic (inspired by Brothers and Council, by Downer), Fleet (alomost octagonal), Bankowy Gotycki (outline face patterned after Ban Gothic), Bolt Plate, Garibaldi (+Bold, +Black), Nocturnis, Lastustruct (kitchen tile) and Macrogular. In 1999, he created the very original Aborigine (1999). Additional URL. Home page. [Google] [More]  ⦿

Military type fonts

Archivette with "military" style fonts: AmarilloUSAF, Bank-Gothic-Medium-BT, RAF_PW_ATH, RCAF_60SQO_ATH, SF-Fedora-Titles-Shadow, Stencil-Gothic-BE, USAAF-code. [Google] [More]  ⦿

Milkwort (or: Fontscape)
[Hiroki Tanaka]

Great free pixel face designs by Hiroki Tanaka, all made in 2004: MW_BISHOP (octagonal letters), MW_SMART (rounded techno), MW_BLOC (pixel face), MW_CHIPS (pixel face), MW_PITHY (pixel face), MW_PLAIN (pixel face), MW_POLKA (dot matrix face), MW_POLKA2 (dot matrix face), MW_CODE (sans), MW_TALON, MW_ISLET, MW_HONE, MW_QUOIN, MW_BRICK. [Google] [More]  ⦿

Mohammed Rahman

British MI5 agent who created Super Retro (2009), Face Off M54 (2010), Pulp Fiction M54 (2009, octagonal), Wanted M54 (2009, heavy octagonal face), Franklin M54 (2009), Cafe Nero M54 (2010, squarish), WashCareSymbolsM54 (2010), Outcast M54 (2010, an angular outline face), AcademicM54 (2009, athletic lettering), CharlieBrownM54 (2010, techno), JerseyM54 (2010, athletic lettering), Legend M54 (2010, grotesk), LifestyleM54 (2010, slab serif), LifestyleMarkerM54, LifestyleRoundedM54, Motor-Oil-1937-M54 (2009, an art deco grotesque), NewAthleticM54 (2010, athletic lettering), SuperstarM54 (2010, athletic lettering). Aka Just me. Fontspace link. [Google] [More]  ⦿

mpdr

FontStructor who made these fonts in 2012: Football Jersey, Traffic (octagonal), Pixelated Round, Fill Me Up, Follow The Arrows, Valentine, Pinhole. [Google] [More]  ⦿

Mr. Dogo

Parisian-Chinesegraphic designer who created Comma (2012, a geometric typeface), FoldFont (2011), Croxxtypo (2011, octagonal), and CrossTypo (2011). [Google] [More]  ⦿

Mr. Komlev

FontStructor who made the mechanical octagonal face Mrk 01 7x7 Mono (2010). [Google] [More]  ⦿

Mr. Koumana

Creator of the octagonal face Saturn 5 (2011). [Google] [More]  ⦿

Multiple Master Fonts

Invented by Adobe as an extension of their type 1 PostScript fonts, a Multiple Master font permits interpolation in any cube between masters. The dimension of the cube is called the number of axes. Typically, one axis is for weight (bold to light) and one for width (extended to condensed). If there are n axes, then 2 to the power n master fonts are required, so few multiple master fonts have more than two axes. Other possible axes are for optical size and style, but a priori, one can make axes for whatever property one wants to interpolate over. Something as wacky as curliness of a serif or roundness of joints in an octagonal font can be considered as well. As an example, Myriad has weight and width axes, and Adobe Jenson has axes for weight and optical size. The wiki is wrong in many respects. It states that Multiple Master fonts were superseded by OpenType, which is false: OpenType has no interpolation capabilities). It also states that there are no known freeware multiple master fonts, which is contradicted by those made by Apostrophic Laboratories. So, here is a list of multiple master fonts, still very incomplete:

  • Free, from Apostrophic Laboratories: SoMM, Chizzler MM (Graham Meade), ImpossibleMM, Tex Rounded MM (Richard D. Parker and Apostrophe), Tex Square MM (Richard D. Parker and Apostrophe). Impossible MM and Chizzler MM have three axes each.
  • Free from Gaham Meade: Chizz MM, Staid MM, Snot MM.
  • Free, from Dimitri Yupavetskii: MagCMM (Latin and Cyrillic).
  • Free, from Ray Buetens: Stub MM.
  • By Lucas Degroot: MoveMe MM, Thesis Mono, Folha MM.
  • By Dirk Wachowiak: Generation.
  • By Alphabets Inc: AI Quanta (Peter Fraterdeus), AI Veritas (Brian Sooy), AI Koch Antiqua (Randall Jones).
  • By Calvin Glenn: Steelhand.
  • By T. Olsson: Vadau, DejaVue.
  • By Chris MacGregor: Fleming.
  • By David Rakowski: Lassus.
  • By Hrant Papazian: some Armenian multiple masters.
  • By Jun Itadani: Millio NN (katakana).
  • By Luis Siquot: Siquot Antiqua.
  • By Dennis Pasternak: Littleton MM.
  • By Saikix in Japan: Syntech.
  • By HermesSoft: Universum, Grotesk MM.
  • By Adobe and affiliates: ITC Avant Garde MM, Bickham Script MM, Briem Akademi MM, Briem Script MM, Caflisch Script MM, Chaparral MM, Conga Brava MM, Cronos MM, Ex Ponto MM, ITC Garamond MM, Graphite MM, Adobe Jenson MM, Jimbo MM, Kepler MM, Kinesis MM, Mezz MM, Minion MM, ITC Motter Corpus MM, Myriad MM, Nueva MM, Ocean Sans MM, Penumbra MM, Reliq MM, Sanvito MM, Adobe Serif MM, Adobe Sans MM, Tekton MM, Verve MM, Viva MM, Waters Titling MM.
[Google] [More]  ⦿

N. Le Poidevin

FontStructor who made Daded (2010, dot matrix face) and Razor's Edge (2010). [Google] [More]  ⦿

Naotib

Designer at FontStruct in 2008 of norwegia (an octagonal face). [Google] [More]  ⦿

Nate Skogen

Minneapolis-based graphic designer (b. 1982) who created the rounded octagonal face GRIDLOCK (2008). [Google] [More]  ⦿

Nathan Caldecott

UK-based designer. Creator of Ruba (2009, FontStruct), Shanghai (2009), Beijing (2009, rounded octagonal), Beijing Redux, French Electric (2009, a horizontally striped techno face), Team Icaras (2009, futuristic font based on the logo and slogan 'Flying High' for Icaras, a team in the Wipeout series), Intercorp II (2009, techno), Team Feisar (2009, a futuristic font based on the logo and slogan 'The Future Is Euro' for Feisar, a team in the Wipeout series), Team Goteki 45 Font (2009, a futuristic font based on the logo and slogan 'Future Proof' for Goteki 45, a team in the Wipeout series), Xiaku (2009, a techno oriental simulation face), Cutting Edge (2009, poster font), Y.Vlone (2009, techno), Team Qirex (2009, a FontStruct font based on the logo and slogan 'High Speed Revolution' for Qirex, a team in the Wipeout series), and WipeoutHD (2009, techno). Serif Neu (2009) is constructivist. More fonts basded on Wipeout series, all made in 2009, and most but not all based on FontStruct: Team Icaras [also called In Its Right Place, copyright "tople"], Empire, Multiplex, Piranha. Intercorp (2009, +Redux; made with FontStruct) is a futuristic font based in some of The Designer's Republic work. Zeta (2009, FontStruct) is based on the futuristic logo for Sylva, a fictional company in the Wipeout series. In 2009, he also made a series of blocky fonts such as The Elements Fire, The Elements Water, the Elements Air, and The Elements Earth. Creations in 2010: Itralia (Lalte, Fitra, Trale: retro, art deco), Alba (angular sans family), Cancranacancarnaca, Intliga family (FontStruct; octagonal), Kiki (geometric family), Chrome (constructivist), Ieil. [Google] [More]  ⦿

Ned C. Wright

American graphic designer. Alternate URL. He created the delicate artsy lettering face Chocolate Truffles (2007). Other typefaces include Union Made (2009), Happy Inc (2009, thin sans) and Venison Slab (a gorgeous Western style octagonal slab face). No downloads. Alternate URL. [Google] [More]  ⦿

Neder Font Foundry
[Rafael Neder]

Neder Font Foundry, or Neder Type, is Rafael Neder's outfit in Belo Horizonte, Brazil. Neder is a graphic designer.

He created Discord (2006, an octagonal monoline type family with some grunge and stencil styles thrown in), Eklipse (2009, a fat octagonal face), Neder Pixeleite (2005), a free pixel face. Pixeleite was published with T-26 in 2005. Nova Sans (2009, with Francisco Martins) is a modern geometric sans-serif font which captures the spirit of Bossa Nova.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Negro
[Ariel Di Lisio]

Negro is a design site where some commercial fonts can be found, all designed by Ariel Di Lisio who lives in Buenos Aires. Marzo (2008) is a hairline vogue face commissioned by the Argentinian mag Atypica, and Donuts (2008) is a layer of round upon a layer of round. Paz Font is a stylish night club or fashion magazine family---stunning. Lynda (2008) is an octagonal/mechanical face. Lunes (2007), Day (2007), Friday (2007) and Nigga (2007) are an ultra-fat art deco faces with an experimental edge. Love (2007) is a mini-serifed geometric beauty. Santino (2008) tries to bring waves into a simple sans face. Normal (2008) is gorgeous, geometric and galant. Mate (2008) is a geometric all caps face for magazine headlines. Caracas (2008), Soko (2009), and Stola (2008) have more geometric fantasies. Pink (2008) is experimental. Cascabel (2009) is a kitchen tile face digitized by Alejandro Paul at Sudtipos. James Font (2009) is a bullet hole-themed face. Inlove (2009, Sudtipos) is a Lubalin-style poster face designed by Di Lisio and digitized by Alejandro Paul. Typefaces shown in 2010, mostly experimental / geometric / art deco: Destiny, Drimpy, Hongki, Mobile, Moonglow, Normal, Vincent.

In 2011, Ariel published the futurismo face Saturna at Sudtipos [and I do not understand HypeForType's claim that it is an exclusve HypeForType font]. Their offices are in Buenos Aires and Caracas.

Typefaces from 2012 include Uma (with Alejandro Paul at Sudtipos: a gorgeous two-weight monoline sans family).

Behance link. [Google] [MyFonts] [More]  ⦿

Neil Manansala

American designer (b. 1993 aka LuigiFreak101) of the octagonal typeface Mario Luigi 2 (2007) and the handwriting faces Scoder Hand (2008) and Scoder Refined (2011). Alternate URL. The designer lives in Los Angeles. [Google] [More]  ⦿

Neogrey
[Ivan Phillipov]

Ivan Phillipov (Neogrey, also written as Ivan Filipov) designed the techno faces Research Remix (1993), Neogrey (2004) and Red October (2004, inspired by Soviet poster art; can be used for Cyrillic simulation; followed by Red October Stencil, 2009). Release Yourself (octagonal), Research Remix (rounded octagonal), Arkitech Light, Discophat and Neogrey Medium appeared in 2009. In 2011, he published Artitech Round and Syntha. Neogrey has offices in Plovdiv, Bulgaria and Turkey.

In 2012, the round monoline face Syntha and the techno face Arkitech Medium were published.

Alternate URL. Dafont link. Fontspace link. Abstractfonts link. Behance link. [Google] [More]  ⦿

Nepfont Digital Foundry
[Oszkár Boskovitz]

Oszkár Boskovitz ran Nepfont Digital Foundry, and at some point, ca. 2009, changed its name to Fontbistro, where one can now buy his fonts. He is a Hungarian type designer who digitized the award-winning typeface family Pannon (2001) made by Edit Zigány in 1972. He is working on a book that will summarize Hungarian type in the 1970s and 1980s. His repertoire:

  • Experimental faces: Balek (2005), Cassius (2001), Tubyfex (2005).
  • Stencil: Syrup (2005), Digital Sherpa (2002), Tilos (2002, rough stencil family), Wagon (2001, another rough-edged family).
  • Brush style: Ecsetirás (2001, based on a face of Zoltán Nagy, 1967).
  • Techno: Krax (2001, free), Konwektor (2001), Moab (2002, family), Shrapnel (2004, octagonal family).
  • Signpainting: Thaifun (2003).
  • Simple monospaced fonts: Monostar (2002).
  • Unicase: Troppauer (2005, many weights).
  • Text families: Pannon Antiqua (2001, based on a family by Edit Zigány (1972).
  • Testosterone enhanced faces: Pluto (2006).
[Google] [More]  ⦿

Neubau Laden (or: NB Typography)
[Stefan Gandl]

Stefan Gandl was the designer at Designer Shock in Berlin of the pixel fonts DS1D, DS2D, DS3D, DSClone, DSClone3D, DSCutout, DSImitate, DSMufdi, DSMufdi3DL, DSMufdi3DR, DSNSW45, DSNSW55, DSNSW65, DSNSW75, DSNSW85, DSNSW95, DSP9RMX (with Markus Angermeier), DSP9RMX3D, DSSQR35, DSSQR45, DSSQR55, DSSQR553DL, DSSQR553DR, DSSQR65, DSSQR75, DSSQR85, DSTicket35, DSTicket45, DSTicket55, DSTicket65, DSTicket75, DSTicket85, DSTicket95, DSVDOTXT1, DSVDOTXT2, DSVDOTXTError. At the end of 2001, he established Neubau Berlin or NB Typography. He created DS Yakuti (experimental) and DS Lane (2001, trilined) at Die Gestalten. Fonts at Neubau include NB55RMS, NB55RBX, NB55RLS, NB55MS, NB55BX, NB55SET, NBFETT, NBFORM, NBRUND, NBTRANSFER, NBUNIVERS, and NBBLOCK, which are all mostly futuristoc-looking designs. In 2008, they added the beautiful 6-weight (35, 45, 55, 65, 75, 85) NBGrotesk family, also by Stefan Gandl. Alternate URL. Yet another URL. [Google] [More]  ⦿

Neutura
[Alexander McCracken]

Neutura was formed in 2003 by Alexander McCracken, who is located in San Francisco. His typefaces have a large geometric component: Aperture (slab serif family), Autobahn, Belfast (octagonal black-bowled headline face), Children (paperclip face), Circle (avant garde style), Deuce (ultrafat), Deuce Round (fat and counterless), Estrella (2011, a high-contrast fat vogue didone titling face), Frank (fat and counterless), Frank Stencil, Interpol (texture face), Magnum (2006, for Neo2 magazine: free), Neutrino (ultra-fat futuristic beauty, 2006), Neutura (clean geometric sans family), Orange (geometric hairline sans), Orange Round, Rabbit, Register (architectural sans), Royale (fat decorative didone), Saber (octagonal), Sarcophagus (very original blackletter), Spade (fat and counterless), Syrup (paperclip font), Vendella (2011), Wafer (ultrafat). At T-26, he published Children (2006, a paperclip font), Deuce and Sarcophagus.

Behance link. Klingspor link. Abstract Fonts link. [Google] [MyFonts] [More]  ⦿

Nicholas Mueller

Graphic designer in Milwaukee, WI. Student at Milwaukee Institute of Art and Design (MIAD). Creator of an octagonal typeface in (2011). Behance link. [Google] [More]  ⦿

Nick Curtis: Typefaces from 2012
[Nick Curtis]

Typefaces made by Nick Curtis in 2012:

  • Capital Ideas 1 NF features numbers and uppercase letters rendered in nixietube displays, along with an alphabet patterned after Milton Glaser's Hologram. Capital Ideas 2 NF features K. H. Schaefer's Versalien (1927, Schriftguss AG) and Walter Haettenschweilers Breitfette Unziale (1958).
  • Iso Metrix NF: Based on Isonorm, developed by the International Standards Organisation in Switzerland in 1980.
  • Koralle NF: Based on a crisp monoline sans face in the 1915 catalog of Schelter & Giesecke.
  • Recepts NF: a futuristic face with a neo-retro twist, based on the logotype for the 1990s tank-warfare videogame for the Mac, Spectre.
  • Rio Rita NF: based on lettering by Samuel Welo.
  • Spiffily NF: a fat didone based on John Pistilli's Pistilli Roman (VGC, 1970s).
  • Trochilida NF: Based on the multiline open face style caps typeface by Albert Auspurg (1915, Schelter & Giesecke), which was originally called Kolibri.
  • Welo Casual NF: based on Samuel Welo's work.
  • Jacopo Mediaeval NF (2012). Based on Jakob Erbar's Erbar Mediaeval (1914, Ludwig & Mayer).
  • Easy Eights NF (2012). A revival of the octagonal typeface Octic (1884, Palmer & Rey).
[Google] [MyFonts] [More]  ⦿

Nick Fitzgerald

Creator of the free octagonal techno face Tech-Nick (2010, FontStruct). [Google] [More]  ⦿

Nick3216

Designer at FontStruct in 2008 of the heavy octagonal face 80s House. [Google] [More]  ⦿

Nicolas Schreyer

Nicolas Schreyer (Schreyer Design) created the square anthropogenic (rounded octagonal) font Quadrat NX (2011, FontStruct). Aka geuzle. [Google] [More]  ⦿

Nippa Downey

Nippa Downey (DJ Nippa) is the creator in 2008 at FontStruct of these faces: NCD Paperclip (2008), NCD Paperclip Closed, the NCD Black Square family (2008, he wtites: The Black Square of Kazimir Malevich is one of the most famous creations of Russian art in the last century. The first Black Square was painted in 1915 to become the turning point in the development of Russian avant-garde.), Snake, Snake Rebel, Mooch Rounded II and Mooch Squared II. Additions in 2009: The NCD Dot Matrix family (many styles), NCD Grand Theft Autostruct (based on the logo for the Playstation/Xbox computer game "Grand Theft Auto"), NCD Dorky Corners Sans, NCD Amphibian (+Stencil), NCD Blagger (+Stencil), NCD Gigantica2, NCD Gigantica, NCD Brick Stacker, NCD Amoeba family (dot matrix), NCD Deejayon (nice), NCD Blagger (+Stencil), NCD Phusion Bold (octagonaal), NCD PS Magazine (+2) (octagonal), NCD Fabrica 50 (vertical stripes), NCD Scansion, NCD Octangle 20, NCD Neopolicia Harlequin, NCD Reinforcia (piano key, stencilized), NCD White Picket Fence, NCD Autonium Small Caps (not free...). In 2010, he created the NCD Chromica family (athletic lettering faces) and NCD Bezica 10 (elliptical), NCD Nu Arc Stencil Linked, NCD Nu Arc Linked Stencil, NCD Edding 5.0 (brush), NCD Patchwork (texture face), NCD Embroidery (+Comp Size), NCD Snippa Sharp (2011), NCD Nufraktura Gothic (2009). [Google] [More]  ⦿

Nirmal Biswas

Indian graphic designer. FontStructor who made Charlie (2011), Charlie Dotted (2011, dot matrix face), Meek (2011), Abstract (+Slab, 2011), TypeOne (2011, unicase square display typeface), TypeTwo (2011, octagonal) and TypeThree (2011). Behance link. He is at Picatype Design Studio in Mumbai. Dafont link. [Google] [More]  ⦿

Noah PostScript Type 1 Font Editor
[Yeah Noah]

Yeah Noah's free Windows-based PostScript Type 1 font editor has been around since 2000. This editor is based on code changing, not mouse dragging. It gives a lot of control to the user, and with a bit of a coding mindset this can be a wonderful tool. Alternate URL. Yeah's first font is Existence Light (2004, OpenType), a monoline sans. He also made the octagonal face Trivial (2008). Yet another URL. Fontsquirrel link. [Google] [More]  ⦿

noisebox

FontStructor who made the white on black octagonal face Blocks (2011) and the handdrawn outline face Graffiti (2011). [Google] [More]  ⦿

Nopanon Itthiakarapong

Thai designer of the free octagonal sharp-edged typeface Kayasul (2012). Aka Nuengstno. [Google] [More]  ⦿

OCR-A

In 1968, American Type Founders produced OCR-A, one of the first optical character recognition typefaces to meet the criteria set by the U.S. Bureau of Standards. The design is simple so that it can be read by a machine, but it is slightly more difficult for the human eye to read. OCR-A follows the 1981 standard set by the American National Standards Institute (ANSI), X-3.17-1981 (size I). The same design is also specified for the German DIN 66008 standard. The letters are rounded and octagonal, a true monstrosity in vogue ca. 2001 in Swiss and German graphic design circles. [Google] [More]  ⦿

octagon typography

Defective page. Foundry with designs by Bradford Cox. [Google] [More]  ⦿

Ohminato.jp (was: Ohminato Kazuaki Design, or OK's Design)
[Kazuaki Ohminato]

Kazuaki Ohminato designed commercial commercial fonts: Chocolate Cream, Metallic Element, Magnet, Conect, Common, Common katakana, Common hiragana, Common Slide, Twist, Common Dot, Framework, Music, Moment (architecural letters), Soft Font, Kitchen Room (at the basis of the awful Uniqlo sans face, as well as double and triple-lined versions), Visual Sensation, Soft Font Sun, Structure (an octagonal family), New Twist, Crystal, Common Flash, Sensibility. Ohminato Kazuaki's fonts were also sold through Font Pavilion: Metallic is a mathematical graph font with roman, katakana and hiragana versions. Common is free. So is RogoFont (1999, dingbats). In Font Pavilion 12 (2000): ChocolateCream, Conect-Regular, Twist-Regular. [Google] [More]  ⦿

Okaycat
[Luke William Turvey]

Takamatsu, Japan-based design division of The LOLO, a content creation company, which was established in 2006. Luke William Turvey (b. London, Ontario, 1978) who lives in Japan started out with street murals but is doing digital work now. His fonts include Giacinta Ornate (2008, a lovely bastarda), Parabrite (2008, techno), Stefani EHYO Sans Rounded (2008, a clean geometric sans), Antikka (2008, art deco), Calisso (2008, experimental), LOLO Dingcats (2008), Clementine (2008: artsy serif), Okaytext (2008, a fashionable geometric sans in the style of Bernhard Fashion), Okay Cursive (2008, an upright connected script), Okay Crayon (2008), Okay Paint (2008), Japanese Brush Master (2008), Tag Banger (2008, graffiti font), Bapalopa (2008, more graffiti), Hive Mind (2008, nuts and bolts look), Trees of Africa (2008, dings), 3D Fantablock Beveled (2008), Shababa (2008, shadow font), LOLO Animals (2008), LOLO City (2008, inner city dingbat face), LOLO Cursive (2008, curly handwriting), Japoneh (2008, a great oriental-look drippy paintbrush font), Arco Crayon (2009, blackboard writing), 3D Blocky (2009, with Natsuko Hayashida), Carbon Neutral (2009), Hand Writing OC (2009), Okay Cotton (2009), Hand Cursive (2008), Stitch Cursive (2008), Antique Dubplate (2009), Porto (2009, rough calligraphic), Brush Writing OC (2009), Nouveau Rock (2009, engraved), Shababa (2009), 3D Techno (2009), Stefani EHYO (2009, 4-style geocratic sans), Uncertainty (2010, grunge). Japanese calligraphy poster. With Natsuko Hayashida, he did Rustic Stamp (2009, grungy). CASU Aerospatiale (2010) is an etched 3d font family. Geodot (2010) is a dot matrix face. Zampichi (2010) is a video game font family. Country Charm (2010, Natsuko Hayashida) is a dingbat face. The Inlines No Inlines (2010, Natsuko Hayashida) is a black rounded minimalist sans. CC Angular (2010, Turvey) is an octagonal face that comes with an outlined and shadowed style. Pentastic (2010) is handprinted. Candy Cursive (2010) is a monoline connected script. Okay-A (2011) lets one make 3D letters that look to be fastened down with screws. Teselka (2011) is a 3d outlined shadow face. Joopica (2011) is a casual face created together with Natsulo Hayashida. [Google] [MyFonts] [More]  ⦿

Oleg Zhuravlev

Russian graphic designer. With Jovanny Lemonad, he created the octagonal family Bender (2009). In 2009, he made the diagonally shaded face Absu. In 2010, he made the free handprinted font Five Minutes, the octagonal face Red Apple, the corporate family Articul (organic), Toothy (Helvetica with horns), and the free dot matrix face Dited. MyFonts link. Behance link. Cargocollective link (with downloads). [Google] [MyFonts] [More]  ⦿

Othmar Motter

Austrian graphic designer (b. 1927, Austria, d. 2010, Hard, near Bregenz) who set up Vorarlberger Graphik Studio in 1951 in the town of Hard am Bodensee (Lake Constance) after graduating in 1950 from a graphic arts academy in Vienna. He specialized in poster design, and in the late 1960s, early 1970s, he turned to logo and type design. Picture. His typefaces:

  • At Berthold and Letraset, these display phototypes, his first set of typefaces: Motter Tektura (1975; used for the original Apple logo and the corporate face for Reebok; see also the free FontStruct font by Gene Buban called Motternasl (2011)), Motter Ombra (1972, a famous and popular psychedelic face), Motter Alustyle (1972), Motter Femina (early 1970s, a headline face). MotterFemD (URW, 1994) is a clone of Motter Femina.
  • ITC: ITC Motter Sparta (1997), ITC Motter Corpus Bold. ITC Motter Corpus (1994, + Condensed) was turned by Adobe staff into a multiple master family. A free outlined typeface based on ITC Motter Corpus is Nick Curtis's Toyland NF.
  • Fontshop: FF Motter Festival (2000).
  • At Motter Design, in chronological order: Motter Danubia, Motter Ornata (psychedelic), Motter Ductus, Motter Forte, Motter Ferrum (octagonal), Motter Austriana, Motter Bodan, Motter Sans Book, Motter Neo-Tech (fat octagonal), Motter Factum, Motter Air (2009, techno).
Linotype link. FontShop link.

The web site Motter Fonts is managed by Othmar's grandchildren, Peter and Siegmund. An excerpt from his obituary at FontShop: Motter was the first Austrian designer who managed to establish his type designs on the international scene. In the early 70s four of his headline faces were produced by Berthold and Letraset: the striking ornate display sans Motter Ombra; the aforementioned Motter Tektura, a constructed sans; the striking geometric all lowercase face Motter Alustyle; and the curvaceous bold display script Motter Femina. In the following years the all-round graphic designer interrupted his type design activities, profiling himself through international assignments as a logo designer, winning several competitions.

View Othmar Motter's typefaces. [Google] [MyFonts] [More]  ⦿

Oujou

Designer who used FontStruct in 2008 to make Boxes-Round, I-Am-An-Alarm-Clock (LED simulation), Serviceable, Tiny-Spikes (octagonal). [Google] [More]  ⦿

Our House Graphics
[Russell McGorman]

Russell McGorman (b. 1954) runs Our House Graphics. He is a designer and illustrator in Richmond Hill, Ontario. He is a signage design coordinator at Metrolinx in Toronto.

He created the free dot matrix face Campcraft (2010). The retail version of Campcraft has improved tracking and kerning, a few more glyphs and one (yes, just one) open type feature. It is available in four weights that can be combined to form a multi-layer (chromatic) font.

Baro Black (2010) is a fat display face in the piano key or Futura style---it was initially called Bolo.

Silex Black (2011) is a pointy octagonal face, characterized by McGorman as Silex Black is a solid, hard-edged, masculine display font suitable for [...] wrestlers or mixed martial arts fighters.

Kush Fat and Kush Shade (2011) are plump packaging faces described by McGorman in this way: Kush is what happens when you let your fonts sit around watching cartoons and eating cake and ice-cream all day---when their vectors are freed from constraints and allowed to follow their bliss. Kush has filled its insides to just the other side of contentment and comes to you on a sugar high with a head full of Loony Tunes. And... it's two ply!

Typefaces made in 2012: Reo (a fourties truck grill style typeface), Tynne (wedge serif family), Metro Bots (on the theme of city skies), Reo (a retro car grille-inspired typeface).

MyFonts link. Dafont link. His blog. . Klingspor link. Abstractfonts link. [Google] [MyFonts] [More]  ⦿

P. Brigham

Creator of Kikakee (2008), an octagonal display face named after Camp Kikakee in Ernest Goes to Camp. [Google] [More]  ⦿

Pablo Barrio

Creator of the constructivist face Russian (2010). [Google] [More]  ⦿

Palmer and Rey
[John J. Palmer]

Typefounders and printing press in San Francisco. The Miller&Richard Type Foundry of Scotland opened a branch in San Francisco in 1878, headed by John J. Palmer. This branch was sold to Palmer and Valentine J. A. Rey in 1882. In 1884, Palmer&Rey acquired the assets of the Pacific Type Foundry. The company then merged into American Type Founders in 1892. They published New specimen book (1884, San Francisco), in which we find several original typefaces, such as the Octic series (athletic lettering, octagonal) and the very Victorian face Oxford.

Digitizations: In 2010, Nick Curtis created a digital version of their Courier, and called it Pony Xpress NF. Rightly So NF (2011, Nick Curtis) is a squarish face based on Geometric Gothic from the 1884 specimen book of Palmer and Rey---it is hard to imagine that this almost pixelish style was around at that epoch. Oxford was revived by Nick Curtis as Palmer Oxonian NF (2011). Octic was revived in 2012 by Nick Curtis as Easy Eights NF. [Google] [MyFonts] [More]  ⦿

Paolo Batori

Small archive by Paolo Batori, who is the Italian designer (b. 1976) of the artsy octagonal face Batho (2007). Dafont link. Another URL. [Google] [More]  ⦿

Parallax (Dave's Free Fonts)
[David C. Lovelace]

Free futuristic fonts by David C. Lovelace from Broad Brook, CT: Penn Station (2000), Litebrite1975 (1999), Pentomino (1999), SquarrelRounded, Umop (1999), UmopMedium (1999), Y2K Kill, Triangel (1999), Rebecca (2003, curly), Stinky Kitty (2001), Irresistor (2001, pixel), Octicity (2001), Christmas on Crack (2001, gothic and curly), Spastic Nerve Bag (2002).

Alternate URL. Dafont link. Fontspace link. [Google] [More]  ⦿

Paramdeep Bahia

British graphic and type designer. His (commercial) fonts include LDN Digital (2008, a dot matrix face), Cono Blok (2008, a beautiful fat condensed display face), and D1 (heavy octagonal face). [Google] [More]  ⦿

Patrick Griffin

Type designer at Canada Type. Wikipedia tells us that Patrick Griffin had been locked away in a mental institution by Carter and Barbara, after he walked in on his mother performing oral sex on Jackie Gleason. He had a nervous breakdown and was sent to a mental hospital, where he came to the conclusion that Gleason was evil because he was fat, leading him to hate fat people. His work is summarized in this 2009 interview by MyFonts. It includes lots of custom work for banks, TV stations, and companies/groups like New York Times, Pixar, Jacquin's, University of Toronto, and the Montreal Airport. His retail fonts include the following.

  • Ambassador Script (2007): a digital version of Juliet, Aldo Novarese's 1955 almost upright calligraphic (copperplate style) connected script, with hundreds of alternates, swashes, ends, and so forth. Done with Rebecca Alaccari.
  • Autobats (2005).
  • Bigfoot (2008), the fattest font ever made (sic).
  • Blackhaus (2005), an extension of Kursachsen Auszeichnung, a blackletter face designed in 1937 by Peterpaul Weiß for the Schriftguss foundry in Dresden.
  • Blanchard (2009): a revival and elaborate extension of Muriel, a 1950 metal script face made by Blanchard Trochut for the Fonderie Typographique Française, that was published simultaneously by the Spanish Gans foundry under the name Juventud.
  • Bluebeard (2004), a blackletter face.
  • Book Jacket (2010): this is a digital extension of the film type font Book Jacket by Ursula Suess, published in 1972.
  • Boondock (2005): a revival of Imre Reiner's brush script face Bazaar from 1956.
  • Broken (2006): grunge.
  • Caper or Caper Comic (2008): a 4-style comic book family.
  • Captain Comic (2007).
  • Chalice (2006). Religious and cyrillic influences.
  • Chapter 11 (2009): an old typewriter face.
  • Chikita (2008): an upright ronde script done with Rebecca Alaccari, and rooted in the work of 1930s Dutch lettering artist Martin Meijer.
  • Clarendon Text (2007). A 20-style slab serif that uses inspiration from 1953 faces by Hoffmann and Eidenbenz and the 1995 font Egizio by Novarese.
  • Classic Comic (2010).
  • Coconut and Coconut Shadow (2006). Great techno pop faces.
  • Coffee Script (2004): the digital version of R. Middleton's Wave design for the Ludlow foundry, circa 1962. Designed with Phil Rutter.
  • Collector Comic (2006). A comic balloon lettering family.
  • Counter (2008): A futuristic beauty with a double-lined cursive thrown in. Available exclusively from P22. This face was based on the idea for an uncredited film face called Whitley, published by a little known English typesetting house in the early 1970s.
  • Cryptozoo (2009): Late director of design for VANOC, the Vancouver 2010 Olympic Committee, Leo Ostbaum, commissioned Canada Type to make a typeface for the Vancouver Winter Olympics. Patrick Griffin came up with a rounded signage font called Cryptozoo, whose Notice reads Concept and design by Leo Obstbaum, VANOC Brand & Creative Services. Additional character data and technical production by Canada Type. Copyright 2007 VANOC Brand&Creative Services.
  • Dancebats (2004).
  • Dominion (2006). Based on an early 1970s film type called Lampoon. Dominions severely geometric shapes are a strange cross between early Bauhaus minimalism and later sharp square faces used for instance in Soviet propaganda posters.
  • Doobie (2006). 60s psychedelic style.
  • Driver Gothic (2008): based on the typeface used for Ontario license plates. Although unique among Canadian provincial license plates, this face is very similar to, if not outright identical with, the face used on car plates in 22 American states: Arizona, California, Connecticut, Florida, Illinois, Iowa, Kentucky, Louisiana, Maine, Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Mexico, Ohio, Oklahoma, Vermont, Washington, and West Virginia. Ideal for license plate forgers.
  • Expo (2004): an octagonal family.
  • Fab (2007). A tube-design family reminiscent of the 1980s. Ricardo Cordoba writes: Fab reminds me of leafing through my first Letraset catalog in the mid-1980s all those decorative typefaces with rounded ends and tubular shapes, trying to imitate the look of neon signage. But Fab, with its contemporary twist on that aesthetic, and its unicase characters, manages to look like a cross between Cholla Bold and Frankfurter Highlight. Its handtooled, narrow shapes are perfectly suited to pop subject matter and bright colors. Fab Trio can be used to create layered chromatic effects, but its components can stand alone, too. The Seventies sure aint drab in Patrick Griffin's hands.
  • Fantini (2006). An update of the curly art nouveau face Fantan, a film type from 1970 by Custom Headings International.
  • Fido (2009) is the official font of dog owners everywhere. Has Saul Bass influences.
  • Filmotype Alice (2008): a casual handprinted design based on a 1958 alpohabet by Filmotype.
  • Filmotype Brooklyn (2009): a casual script based on a 1958 Filmotype font.
  • Filmotype Jessy (2009): a flowing upright connected script based on a 19058 design by Filmotype.
  • Filmotype Giant (2011, a condensed sans) and its italic counterpart, Filmotype Escort (2011). Both done with Rebecca Alaccari.
  • Filmotype LaSalle (2008): based on a 1952 retro script by Ray Baker for Filmotype. Other Filmotype faces by Ray Baker (digitized in 2011) include Filmotype Harmony (original from 1950), Filmotype Kentucky (a 1955 original), Filmotype Kingston (a 1953 original), Filmotype Lucky (2012), and Filmotype Hamlet (a 1955 original), all in the connected signage type category, and all done by Patrick Griffin and Rebecca Alaccari. Filmotype Panama (2012) is a flared casual serif face based on a 1958 original. Filmotype Prima (2011, with Rebecca Alaccari).
  • Filmotype Quiet (2010): based on a 1954 military stencil face by Filmotype.
  • Flirt (2005). Based on an art deco face found in a Dover specimen book.
  • Fuckbats (2007).
  • Fury (2008): an angry techno family.
  • Gala (2005). By Griffin and Alaccari. Gala is the digitization of the one of the most important Italian typefaces of the twentieth century: G. da Milanos 1935 Neon design for the Nebiolo foundry. This designs importance is in being the predecessor - and perhaps direct ancestor - of Aldo Novareses Microgramma (and later Eurostile), which paved the worlds way to the gentle transitional, futuristic look we now know and see everywhere. It is also one of the very first designs made under the direction of Alessandro Butti, a very important figure in Italian design.
  • Gallery (2004): art deco.
  • Gamer (2--4-2006), by Griffin and Alaccari: modeled after a few 1972 magazine advertisement letters, the origin of which was later identified as a common film type called Checkmate.
  • Gaslon (2005): a modification of A. Bihari's Corvina Black from 1973.
  • Gator (2007). A digital version of Friedrich Poppl's Poppl Heavy (1972), which in turn was one of the many responses by type designers to Cooper Black.
  • Genie (2006): a psychedlic face based on a 1970s film type called Jefferson Aeroplane.
  • Gibson (2011, with Kevin King and Rod McDonald). This 8-style humanist sans family is a revival of McDonald's own Monotype face, Slate. It was named to honour John Gibson FGDC (1928-2011), Rod's long-time friend and one of the original founders of the Society of Graphic Designers of Canada. All the revenues from its sale will be donated by Canada Type to the GDC, where they will be allocated to a variety of programs aiming to improve the creative arts and elevate design education in Canada.
  • Go (2005): a techno face.
  • Goudy Two Shoes (2006): a digitization and expansion of a 1970s type called Goudy Fancy, which originated with Lettergraphics as a film type.
  • Gumball (2005).
  • Hamlet (2006): medieval. Based on an old type called Kitterland.
  • Happy (2005). Happy is the digital version of one the most whimsical takes on typewriters ever made, an early 1970s Tony Stan film type called Ap-Ap. Some of the original characters were replaced with more fitting ones, but the original ones are still accessible as alternates within the font. We also made italics and bolds to make you Happy-er.
  • Heathen (2005). A grunge calligraphic script: The original Heathen was made by redrawing Phil Martin's Polonaise majuscules and superposing them over the majuscules of Scroll, another Canada Type font. The lowercase is a superposition of Scrolls lowercase atop a pre-release version of Sterling Script, yet another Canada Type font.
  • Hortensia (2009): a semi-script face modeled after Emil Gursch's Hortensia (1900). Codesigned with Rebecca Alaccari.
  • Hunter (2005). A revival of a brush script by Imre Reiner called Mustang (1956).
  • Hydrogen (2007, a rounded geometric unicase family.
  • Informa (2009): a comprehensive 36-style sans serif text family based on traditional lettering. He says: While some faces classified as such exhibit too much calligraphy (like Gill Sans, Syntax and Optima), and others tend to favor geometric principles in rhythm and proportion (like Agenda, Frutiger and Myriad), Informa stays true to the humanist ideology by maintaining the proper equilibrium between the two influences that drive the genre, and keeping the humanistic traits where they make better visual sense.
  • Jackpot (2005): The idea for Jackpot came from a photo type called Cooper Playbill, which as the name implies was simply a westernized version of Cooper Black. The recipe was simple: Follow Mr. Coopers big fat hippy idea, cowboy it with heavy slabs, give it true italics, then swash away at both for beautiful mixture. And there you have the bridge between groovy and all-American. There you have the country lover shaking hands with the rock and roll enthusiast. There you have your perfect substitute for the very overused Cooper Black.
  • Jazz Gothic (2005): an expansion of an early 1970s film type from Franklin Photolettering called Pinto Flare.
  • Jezebel (2007).
  • Johnny (2006): with Rebecca Alaccari; based on Phil Martin's Harem or Margit fonts from 1969.
  • Jupiter (2007): based on Roman lettering.
  • Leather (2005): an expansion of Imre Reiner's blackletter face Gotika (1933).
  • Libertine (2011). Libertine (done with Kevin Allan King) is an angular calligraphic script inspired by the work of Dutchman Martin Meijer (1930s): This is the rebel yell, the adrenaline of scripts.
  • Lionheart (2006). A digitization and extension of Friedrich Poppl's neo-gothic typeface Saladin.
  • Lipstick (2006): handwriting.
  • Louis (2012). A faithful digital rendition and expansion of a design called Fanfare, originally drawn by Louis Oppenheim in 1927, and redrawn in 1993 by Rod McDonald as Stylu.
  • Maestro (2009) is a 40 style chancery family, in 2 weights each, with 3350 characters per font, codesigned with calligrapher Philip Bouwsma. This has to be the largest chancery/calligraphy family on earth.
  • Martie (2006). Done with Rebecca Alaccari. Based on the handwriting of Martie S. Byrd.
  • Marvin (2010): a fat comic book face.
  • Memoriam (2009): An extreme-contrast vogue display script which was commissioned by art director Nancy Harris for the cover of the 2008 commemorative issue of the New York Times magazine. He also did the typography and fonts for the 2010 issue. This became an unbelievably successful family, and was extended in 2011 with headline, Outline and Iline variants.
  • Merc (2007). Based on an all-cap rough-brush metal face called Agitator, designed by Wolfgang Eickhoff and published by Typoart in 1960.
  • Messenger (2010), a calligraphic script. Patrick Griffin writes about Messenger (2010, Canada Type): Messenger is a redux of two mid-1970s Markus Low designs: Markus Roman, an upright calligraphic face, and Ingrid, a popular typositor-era script. Through the original film faces were a couple of years apart and carried different names, they essentially had the same kind of Roman/Italic relationship two members of the same typeface family would have. The forms of both faces were reworked and updated to fit in the Ingrid mold, which is the truer-to-calligraphy one.
  • Middleton Brush (2010): a redigitization of R.H. Middleton's connected brush face Wave, ca. 1962; see also an early Canada Type face, Coffee Script.
  • Miedinger (2007). Created after Max Miedinger's 1964 face, Horizontal. Canada Type writes: The original film face was a simple set of bold, panoramically wide caps and figures that give off a first impression of being an ultra wide Gothic incarnation of Microgramma. Upon a second look, they are clearly more than that. This face is a quirky, very non-Akzidental take on the vernacular, mostly an exercise in geometric modularity, but also includes some unconventional solutions to typical problems (like thinning the midline strokes across the board to minimize clogging in three-storey forms). This digital version introduces a new lighter weight alongside the bold original..
  • Militia (2007). An octagonal and threatening stencil.
  • Militia Sans (2007).
  • Neil Bold (2010): an extension of the fat face Neil Bold (1966, Wayne J. Stettler).
  • Nightlife (2005): inspired by a pre-desktop publishing grid design by L. Meuffels.
  • Nuke (2005): a fat stencil grunge weith pizzazz.
  • In 2011, he and Kevin Allan King published the refined Orpheus Pro family, which was based on the elegant Orpheus by Walter Tiemann (1926-1928, Klingspor), and its Italic which was called Euphorion (Walter Tiemann, 1936). Their enthusiastic description: The Orpheus Pro fonts started out as a straightforward revival of Tiemann's Orpheus and Euphorion. It was as simple as a work brief can be. But did we ever get carried away, and what should have been finished in a few weeks ended up consuming the best part of a year, countless jugs of coffee, and the merciless scrutiny of too many pairs of eyeballs. The great roman caps just screamed for plenty of extensions, alternates, swashes, ligatures, fusions from different times, and of course small caps. The roman lowercase wanted additional alternates and even a few ligatures. The italic needed to get the same treatment for its lowercase that Tiemann envisioned for the uppercase. So the lowercase went overboard plenty alternates and swashes and ligatures. Even the italic uppercase was augmented by maybe too many extra letters. Orpheus Pro has been a real ride. Images of Orpheus: i, ii, iii, iv, v.
  • Outcast (2010): a grunge family.
  • Oxygen (2006): a great grid-based design.
  • Paganini (with Kevin Allan King) is another jewel in Canada Type's drawers: Designed in 1928 by Alessandro Butti under the direction of Raffaello Bertieri for the Nebiolo foundry, Paganini defies standard categorization. While it definitely is a classic foundry text face with obvious roots in the oldstyle of the Italian renaissance, its contrast reveals a clear underlying modern influence. i, ii, iii, iv, v, vi, vii.
  • Player (2007). An 11-style athletic lettering family.
  • Plywood (2007): a retro face based on Franklin Typefounders's Barker Flare from the early 1970s.
  • Press Gothic (2007). A revival of Aldo Novarese's Metropol typeface, released by Nebiolo in 1967 as a competitor to Stephenson Blakes Impact.
  • Quanta (2005, stencil).
  • In 2011, Patrick Allan King and Patrick Griffin completed work on an exceptionally beautiful revival, Ratio Modern (the original by F.W. Kleukens is from 1923). This is a didone family with a refined humanistic trait. Images of Ratio Modern: i, ii, ii, iv, v, vi, vii.
  • Rawhide (2006): a bouncy Western saloon font based on cover page lettering of the Belgian comic book series Lucky Luke.
  • Recta (2011, with Kevin King). This is eighteen-stye sans family that extends Novarese's Recta.
  • Rhino (2005): a revival of the informal face Mobil (1960, Helmu Matheis, Ludwig&Mayer).
  • Noteworthy (2009). A font commissioned for the Apple iPad. It is based on Griffin's earlier revival face Filmotype Brooklyn.
  • Ronaldson (2008), a 17-style oldstyle family based on the 1884 classic by Alexander Kay, Ronaldson Old style (MacKellar, Smith&jordan). Done with Alaccari, Griffin reconstructed this family from the metal face and from many scans from rare documents provided by Stephen O. Saxe, Philippe Chaurize and Rebecca Davis.
  • Roos (2009): A 10-style revival of Sjoerd Hendrik de Roos's De Roos Romein (1948), created in cooperation with Hans van Maanen.
  • Robur (2010): Done with Kevin King, this set of two fonts revives George Auriol's Robur Noir from 1909.
  • Runway (2004): racetrack lettering.
  • Rush (2005): futuristic.
  • Sailor (2005): digital rendition of West Futura Casual (late 1970s film type).
  • Salome (2008). Done with Rebecca Alaccari, this is a revival and expansion of a photolettering era typeface called Cantini (1972, Letter Graphics).
  • Santini (2004): Bauhaus-inspired architectural lettering.
  • Screener (2006): an extensive octagonal family, including Screener Symbols.
  • Secret Scrypt (2004): four shaky script styles done for a New York restaurant. With Alaccari.
  • Semplicita Pro (2011). A grand revival of Alessandro Butti's Futura-like Semplicità, executed between 2009 and 2011 by Patrick Griffin and Bill Troop. Image of the Medium weight.
  • Shred (2010): an octagonal heavy metal face.
  • Siren Script (2009-2010): Done with Rebecca Alaccari, this six-style script family is based on the metal face Stationers Semiscript (BBS, 1899).
  • Skullbats (2005).
  • Serial Killer (2005): bloody.
  • Slang (2004): a blood scratch face.
  • Slinger (2010): a flared art nouveau face.
  • Social Gothic (2007). After Tom Hollingsworth's Informal Gothic, a squarish unicase grotesk done in 1965. Followed by Social Stencil (2011-2012).
  • Soft Press (2012). A rounded version of Canada Type's Press Gothic.
  • Sol Pro (2010): a 20-style revival and extension of the monoline sans face Sol by Marty Goldstein and C.B. Smith (1973, VGC), done with Kevin Allan King. Griffin writes: This is not your grandfather's Eurostile. This is your offspring's global hope, optimism, and total awareness.
  • Spade (2012). A super-heavy slab face, done with Kevin King.
  • Spadina (2010): a psychedelic / art nouveau revival with Kevin Allan King of Karlo Wagner's Fortunata (1971, Berthold).
  • Sterling Script (2005): done with Rebecca Alaccari. Sterling Script was initially meant to a be digitization/reinterpretation of a copperplate script widely used during what effectively became the last decade of metal type: Stephenson Blake's Youthline, from 1952. Many alternates were added, so this is a virtually new type family.
  • Sultan: a Celtic-Arabic simulation face after "Mosaik" (1954) by Martin Kausche.
  • Stretto (2008) is a revival and expansion of Sintex 1 (Aldo Novarese, Nebiolo, 1973), a funky nightclub face. It was used as the basis of Cowboy Hippie (2010, CheapProFonts).
  • Swan Song (2006): a calligraphic face based on the hand of Alexander Nesbitt. [A later document states that it is based on work by British artist Rachel Yallop.]
  • Symposium Pro (2011). This Carolingian family was drawn by Philip Bouwsma. Patrick helped with the production.
  • Taboo (2009) is a geometric display face that was inspired by lettering by Armenian artist Fred Africkian in 1984.
  • Testament (2010): a calligraphic uncial family done with Philip Bouwsma.
  • Tomato (2005): done with Rebecca Alaccari, this is the digitization and quite elaborate expansion of an early 1970s Franklin Photolettering film type called Viola Flare.
  • Treasury (2006): a huge type family based on a calligraphic script by Hermann Ihlenburg from the late 19th century. Canada Type writes: The Treasury script waited over 130 years to be digitized, and the Canada Type crew is very proud to have done the honors. And then some. After seven months of meticulous work on some of the most fascinating letter forms ever made, we can easily say that Treasury is the most ambitious, educational and enjoyable type journey we've embarked upon, and we're certain you will be quite happy with the results. Treasury goes beyond being a mere revival of a typeface. Though the original Treasury script is quite breathtaking in its own right, we decided to bring it into the computer age with much more style and functionality than just another lost script becoming digital. The Treasury System is an intuitive set of fonts that takes advantage of the most commonly used feature of todays design software: Layering.
  • Trump Gothic (2005): a revival and expansion of two different takes on Signum (1955, Weber), Georg Trumps popular mid-twentieth-century condensed gothic: Less than one year after Signum, the Czech foundry Grafotechna released Stanislav Marso's Kamene, a reinterpretation of Signum. The differences between the two were quite subtle in most forms, but functionally proved to offer different levels of visual flexibility. Marso changed a few letters, most notably the wonderful a and g he added, and also made a bold weight. Trump Gothic West is a revival of Trump's original Signum, but in three weights and italics for each. Trump Gothic East is a revival of Marso's Kamene, but also in three weights and corresponding italics..
  • Trump Script (2010) revives the African look script by Georg Trump called Jaguar (1962). An improvement on an earlier Canada type family called Tiger Script.
  • Tuba (2010).
  • Valet (2006): inspired by an uncredited early 1970s all-cap film type called Expression.
  • Veronica Polly (2005).
  • Vox (2007): a 24-style monoline sans family done with Rebecca Alaccari.
  • Wagner Grotesk (2010): a sturdy grotesk, after a face from the Johannes Wagner foundry. Kevin King is also credited.
  • Wagner Script Pro (2011). Done together with Kevin King, this is a revival of Troubadour (1926, Wagner&Schmidt).
  • King and Patrick Griffin published Wonder Brush in 2012. This is partly based on a signage brush script called Poppl Stretto (1969) by Friedrich Poppl.
  • Opentype programming help for several fonts by Michael Doret, such as Deliscript (2009), Dynascript (2011) and Steinweiss Script (2010). Deliscript (a winner at TDC2 2010) is an upright connected script with accompanying slanted version. Steinweiss Script is a 2200-glyph curly script face called Steinweiss Script (2010), which captures a lot of the spirit of Steinweiss's album covers from the late 1930s and 1940s.
[Google] [MyFonts] [More]  ⦿

Patrick Hubbuch

Born in 1986 in Bruchsal, Germany, and a graduate in 2009 in visual communication from HS Pforzheim Fakultät für Gestaltung. Designer in 2008 at the German foundry Volcano of Machtwerk Slanted, a gloomy angular type family. Still at Volcano, he added the handprinted families Handjob and Handsome in 2009. This was followed by Drei D, TT Youth, Vier Module, Zwoelf Ton, and Zwoelf Ton B (octagonal). In 2010, he made the blackletter family Die Fette Hubbuch (at Volcano). [Google] [MyFonts] [More]  ⦿

Patrick Nas

Designer who used FontStruct in 2008 to create Naumburg (rounded squarish letters), Cars (dingbats), PN Box (stencil), Massive, 20-block (dot matrix face for headlines), 4-block (pixel face), almost-there, bau-hause, belly (elegant art deco), bite-me, blackline, carree, digit (LED simulation), hell-yeah!, hooked, meca-no (simulation of a steel plate with bolts), no-way! (dashed outlines), oneblock, petroes, petroeska, petroeskaja, pointilism, showcase (octagonal, thick), slimbold, starblock, super-stretched, woolly, lilium, showcase (octagonal), bau hause. [Google] [More]  ⦿

Patrik Sneyd

German designer. Creator of the octagonal face Ascsys (2005). Dafont link. [Google] [More]  ⦿

Paul Hornoff

Designer (aka "Zini") who used FontStruct in 2009 to create the ink effect faces Punkt 1451 (+Bold, +Light), the stencil face Zini Two, and the octagonal face Zini Drei. In addition, we find the stitching fonts Kreuzstich and Kreuzstich Fraktur, and the dotted line family Konstrukteur (Serif, Sans). Additions in 2010: Schwarzmaler, Urvater's Pixel (grayish family), Fuenfer Uni Soft. [Google] [More]  ⦿

Paul Willocks

British logotype and type designer (b. 1979) who created the avant garde face Evolution (2007-2008). In 2010, Paul made the modular kitchen tile face Consume Or Die, the octagonal face Wipeout, and the geometric arc-based MSD10. See also here. The copyright notice says that the font is codesigned by Matt Schoch. [Google] [More]  ⦿

Paulus M. Dreibholz

Typographer and graphic designer Paulus M. Dreibholz was born in 1977 in Graz, Austria. In order to study communication design he moved to London, where, after obtaining a Bachelor degree in graphic and media design from the London College of Printing, and a Masters degree in communication design from Central Saint Martins College of Art and Design, he founded The Atelier for Typography and Graphic Design in London in 2003. Creator of Christoffel-Book (2008, sans), Nilo-Enrico (2007, monospace), and Eam (2005, octagonal face). [Google] [More]  ⦿

Pedro Muñoz Pastor

Spanish creator (b. 1993) of the octagonal/pixel fonts Limh and Limh II (2009, FontStruct), GameOver (2009), Greek (2009, octagonal Greek simulation face, FontStruct) and 1896 (2009, constructivist). Aka Fodkito, he lives in Córdoba. Dafont link. [Google] [More]  ⦿

Pedro Vitale

Brazilian designer in Sao Paulo, b. 1989, who created Octopustype (2011, angular---almost blacklettered), and Ginga Inter or Ginga PV (2010, octagonal). [Google] [More]  ⦿

Pelayo Rodríguez

Designer of the counterless octagonal family Cubesity (2010), and of Elevant (2011). [Google] [More]  ⦿

Penny Font Foundry (or: Pennyzine)
[Jason Ramirez]

As part of the Chank Army, Jason Ramirez (Penny Fonts, Brooklyn, NY) offers mainly grunge fonts, many of which were made with the Data Becker software program.

The list of their free fonts, which are mostly in the grunge style that was in vogue ca. 2000: Locals Only (2011), Cocaine Nosejob (2008), Made (2004, grunge blackletter), Strip Club Motion Sickness (2003), One Fell Swoop (2003, scratchy calligraphic), Fear of a Punk Planet (2005), Futon Revolutionist (2002), Bill Hicks (2002), Elliot Swonger (2002), Elliots Bad Day (grunge), Don Giovonni (2006), Don Giovonni Makin Enemies (2006), Gumuski (2002), DUMMY (1999), Acid Reflux Baby (2002), Avenge Me (2004, multiline, octagonal), Times-New-Omen (1999), punk rock rummage sale (2001), Thatluvinfeelin1 (2001, a sexual positions font), cut-n-paste (1999), Maydogg (1999-2002, handwriting), My-wife-sucks (1999), Stamped-out (1999), Stank (1999), StankII (1999), uncle-tom (1999), uno (1999), Coopdeville (2002), Dirtysocks, FourMoreYears (2003), Punkrockrummagesale (2001), Theregoestheneighborhood (2003), Thiskettle (2002, handwriting), Mr. Rogers (2003), Regime Change (2004), Hotel Coral Essex (2006, grunge), Limp Noodle (2006).

Alternate URL. Direct downloads. Alternate direct download path.

Commercial fonts: Redneck Superstar (2002, Chank's).

Dafont link. Yet another URL. Another link. Fontspace link. [Google] [More]  ⦿

Peter Skwiot Smith

Graphic designer who made the rounded octagonal poster font Thread (2008, free). [Google] [More]  ⦿

Peter Van Lancker

Flemish web log about the history and mechanics of type, run by Belgian graphic designer Peter Van Lancker. There is a lot of information on the early printing and typefounding by Joos Lambrecht in Gent, ca. 1539. His Flickr page has many nice shots of old presses (lithography, copperplate, etc.). He is working on this octagonal face and a rhythmic broad nib pen. [Google] [More]  ⦿

Phein Lein

FontStructor who made Schattendasein (2009, 3d shadow face), Ombra (2009, shadow face) and Blackblock (2011, counterless and octagonal). [Google] [More]  ⦿

Philip Garnham

London-based Phil Garnham joined Fontsmith in June 2003 as designer to assist in the development and production of new alphabets for the Fontsmith font library. He is a 2002 graduate of Middlesex University. FontShop link. Most of his fonts are codesigned with Jason Smith. In 2004, he designed the slab serif FS Clerkenwell. Other fonts by him: FS Alvar (octagonal stencil), FS Kitty, FS Pele, FS Sinclair (2008, rounded octagonal), FS Conrad, FS Sally, FS Albert Pro, FS Lola. He made a custom face for the Northern Ireland Tourist Board in 2010. [Google] [More]  ⦿

Pierfrancesco Annicchiarico

Freelance graphic designer. Stones inspired Pierfrancesco Annicchiarico (Grottaglie, Italy) to design the experimental typeface Secco (2009). The Cà brùtta building by Giovanni Muzio in Milan got him to design Monumentale (2009). The 2010 logo for Bar Marangi in his home town is also quite refreshing. He also made the experimental geometric faces Cutoff (2011) and Apulia Round (2010).

In 2012, he creted the monoline octagonal typeface Segmentum.

Pierfrancesco's logo and typography work includes beauties such as a fash called Aperitivo (2011), and a foot illustration called Walking (2011).

Behance link. [Google] [More]  ⦿

Piero Di Biase

Italian graphic designer and typographer. Creator of the monospaced VWK Mono (2009), Dot (2009, dot matrix), Figures (2009), and Wagon (2009, soft octagonal face). [Google] [More]  ⦿

Pierre Nguyen

Pierre Nguyen (Welcome to Cloud) lives and works in Paris as a graphic designer. His poster typefaces include Papercut (2007), Director (2007, octagonal), Toyz (2007, art deco), Helium (2007, bloated glyphs), and Architype (2007). [Google] [More]  ⦿

Pixelspread
[Matt McInerney]

Graphic designer currently working at Pentagram Design in New York. He graduated from Savannah College of Art and Design, and is originally from Western Massachusetts. At the Typesites page, Matt McInerney looks at sites that have great typographic design. He created Raleway (2009, a free hairline sans), New Alphabet (2008), an octagonal font based on Wim Crouwel's New Alphabet, using FontStruct. (For a commercial version of New Alphabet, check Architype New Alphabet (The Foundry). He also made Pentagrid (2009, on a 5x5 grid).

Orbitron (2009) is a great free futuristic sans family published at The League of Movable Type: it is a geometric sans related to both Eurostile and Bank Gothic. Romina Vespasiano made a great specimen poster for Orbitron in 2012.

Allerta (+Stencil) (2010) is an open source typeface designed for use in signage. Allerta was designed to be easily and quickly read from a distance. Each letter exploits the most unique aspects of that individual letter so that each character can be easily distinguished from any other.

Google Directory link. [Google] [More]  ⦿

Playtype

Place to buy fonts made by E-type designers. Located in Copenhagen and started in 2006. Another URL. The face were designed by Jonas Hecksher (JH), Henrik Kubel (HK), and Jens Kajus (JK). By category:

  • Humanist sans: Abidale (JH), Bingo Sans (JH), Flavin (HK), ID00 Sans (JH, a huge family), Ole (HK), Parsons Green (HK), Premiere (JK), Test (HK), Triumph (HK).
  • Grotesk: Academy Sans (JH), Battersea 2010 (HK), Boing (HK, fat rounded), Cabo (JK), Contribute (JK, semi-octagonal), Dane (HK), Fletch Text (JH), Grot 10 (HK), Hall (JH), Hill (JH), Jazz House (JH), Lettre Gothic (JH), London (HK), Magna (HK), Mari (JH), Naive (HK), Norwegian (JH), Republic (JH), The Wave (JH), Vertigo (JH), Willumsen (JH).
  • Slab serif: Academy Serif (JH), FM (HK), Outsiders (HK, typewriter style).
  • Geometric sans: Agita (JK), Cubitt Solid (HK, rounded octagonal and techno), Geometric (JH), Noir Text (JH, avant-garde), Nosferato (HK, squarish), Square (HK, squarish).
  • Monospaced: Access Code (JH), Italian Plate (JH).
  • Square Sans: JP Special Sans (JH), Zetta Round and Zetta Sans (JH).
  • Didone: De Archie (JH), JP Special Serif (JH), Monday (unknown designer), Venti Quattro (JH).
  • Garalde: ID00 Serif (JH), Primo Serif (JH).
  • Modern: Bingo Serif (JH), Kunstuff (HK), Maximum (HK).
  • Display serif: CPH Signs, De Archie Display (JH), Fru Olsen (JH), Home Display (JH), Impacto (HK), Signsystem (HK), S4AE (HK), Symphony Display (JH), Trojan (HK), Vogue Floral (HK), Vogue Paris (HK).
  • Ordinary body text serif: Home Text (JH), Typewriter (HK).
  • Stencil: Danmark (HK), Staton (HK).
  • Various display types: 4590 (HK, thin octagonal), 60 Display (HK), Agriculture (HK), Archi (HK), Aveny T (HK), Banknote (HK), Bauhause (HK, kitchen tile face), CPH Tram (HK), CWM (HK, octagonal), Collecting (unknown designer; +Stencil), Copenhagen (HK), Donny Playtype (unknown designer; fat face), Du Nord Dingbats (JH, circled letters), Elephant (JH, art nouveau), Eyes Lies (unknown designer), Gameover (unknown designer), Glendale (JK, Peignotian), Hazelwood (JH), Hermes Baby (JH, old typewriter), Julius (JH), Klampenborg 2010 (HK), Movie Playtype (JH), New Press (JH, slab serif), Optic (unknown designer, dot matrix), Ornamenta (HK), Safety (JH), Speed Playtype (JH, octagonal, techno), Tagstyle (HK, handprinted), Tempo Playtype (JK, dot matrix), Tobe (HK, mechanical), Trood (JH, octagonal), Zadie (HK, ornamental).
  • Dingbats: Flowers (HK).
[Google] [More]  ⦿

Positype
[Neil Summerour]

Positype was founded in 2002 by Athens, GA-based designer and type designer Neil Summerour (b. 1972, Azores, Portugal). Neil began developing typefaces in 1996 with the 1996 Olympic Brick Paver Project proprietary typeface. He is the co-principal and senior designer of Athens-based interactive, design, and advertising agency Genetic:ICG. In the summer of 2003, he began teaching Advanced Electronic Design in the Graphic Design Department at The University of Georgia. In 2001, Neil published his first two type designs with [T-26] Digital Type Foundry in Chicago, IL. Since then, he has released tens of font families including hiragana and katakana fonts. Positype fonts are sold by Myfonts.com and [T-26].

Klingspor link. Link at Veer. Facebook link. Blog. Union Fonts link.

The list of his fonts:

  • Aaux, Aaux Office (2002), Aaux Pro (2004), Aaux Next (2009, 72 typefaces), Aaux Alphanumera, Aaux Emoticons.
  • The Air Superfamily (2011), which consists of 81 sans faces. Followed by Air Soft (2011).
  • Altar (8-weight Gothic family).
  • Akagi (2008): 20 style sans family. Extended and refreshed in 2011 into Akagi Pro.
  • AMP (at Union fonts).
  • Anarcharsis (2002): a serif family inspired by incomplete rubbing made from a stone wall located in the Bahamas.
  • Angel Script (2009, TypeTrust).
  • Baka (2005, a fantastic scratchy handwriting face), Baka Too (2006; followed in 2010 by Baka Expert).
  • The Bodoniesque family (Umbrella Type).
  • Claustrum (2003).
  • Cynapse (2003). Cynapse Pro (2004, 12 weights) is a sans family.
  • Donatora (2004).
  • Ego (2003, octagonal family).
  • Epic (2007-2009, a 12-style contemporary garalde).
  • Ether, Ether Connected.
  • Eva (2003).
  • Filmotype Horizon (2011).
  • Friendly (2012). In part based on Morris Fuller Benton's upright script face Announcement.
  • Fugu (2009, rough-outlined script family, winner at TDC2 2010).
  • Ginza (2008, a squarish techno family), and Ginza Narrow (2011).
  • Headcold (2004).
  • Iru1, Iru2.
  • Juicy (T-26, 2004, brushdrawn family).
  • Kari and Kari Pro (2005): a connected upright script. Kari Display (2009).
  • Kryptk Flash (2003).
  • Kurosawa Bastard, Kurosawa Hand, Kurosawa Sans, Kurosawa Serif, Kurosawa Hiragana, Kurosawa Katakana.
  • Luce (2004).
  • Lush Script (2011). A connected script inspired by the 1940s.
  • The Type Trust: Magneta (2009, The Type Trust). Includes a Condensed subfamily.
  • Muscle (2009, TypeTrust---a futuristic family).
  • Nori (2010): a calligraphic brush face obtained by applying the Pilot Japan Kanji Fude brush pen on paper. It has over 1100 glyphs, 250 ligatures, 487 alternate characters, 125+ swash and titling alternates, lining and old style numerals. Awarded at TDC2 2011.
  • Organic (2009, sans family).
  • Penumbra.
  • Plastek (2004-2009).
  • The R.E.M. Athens project involves three fonts published in 2009, REM Orange, REM Accelerate and REM Tourfont. They are based on ideas by Chris Bilheimer for the band R.E.M. (Michael Stipe and Chris Bilheimer). Both attended the fine arts program at the University of Georgia. Michael Stipe, singer and lyricist, formed R.E.M. in 1980. Bilheimer began working with the band in 1994.
  • Romp (2009, condensed handprinted).
  • Rhythm (2011). An italic inline and solid display family based on ATF's Ratio (ca. 1930).
  • Sneakers (2003-2004): athletic lettering family. Also, Sneakers Script.
  • Tactical (2011, octagonal mechanical face; +Stencil).
  • Truss Ultra Light (2006): hairline architectural font.
  • Vekta Serif (2009), Vekta Neo and Vekta Sans (2009, a sans family at TypeTrust).
  • Wasabi (2010): an organic elliptical family, based on Iru.
  • Yumi (2003, techno font, Union Fonts).

His life in hiw own words: Neil Summerour is a type designer, lettering artist, calligrapher and designer based in Georgia, USA with one foot in Takamatsu, Japan. After graduating from The University of Georgia Lamar Dodd School of Art with a BFA in Graphic Design, he soon found himself opening his own studio to deal with the flow of freelance work. [...] Neil opened his personal type foundry, Positype, in 2000 to feed his ever-growing desire for type design. He later co-founded TypeTrust (2002) with Silas Dilworth as his addiction to type and lettering grew. [...] He was an adjunct art professor at The University of Georgia in graphic design and taught graphic design at the Governor's School for the Arts. [...] As a typeface designer, he has published over 60 typeface families and produced numerous custom typefaces for clients worldwide. [...] He has won the Type Directors Club Certificate of Excellence in Type Design in 2010 and 2011 for Fugu and Nori, respectively.

Showcase of Neil Summerour's fonts. [Google] [MyFonts] [More]  ⦿

Post Typography
[Nolen Strals]

Originally conceived in 2001 as an avant-garde anti-design movement by Nolen Strals and Bruce Willen, Post Typography specializes in graphic design, conceptual typography, and custom lettering/illustration with additional forays into art, apparel, music, curatorial work, design theory, and vandalism. In 2007, Strals and Willen incorporated Post Typography as a full time design studio. Their type and lettering subpage describes some custom typographic work. Noteworthy are Conjoined Font (2006), Negative Font (2006) and Pattern Font (2003, octagonal). [Google] [More]  ⦿

Process Type Foundry
[Eric Olson]

Located in Minneapolis, MN, Process Type Foundry is Eric Olson's foundry created in 2002. Its fonts:

  • Anchor.
  • Bryant (2002, sans serif with simple forms). Bryant 2.0 (2005, Standard&Pro), Bryant Compressed, Bryant Condensed (all three form a neat geometric sans family), Bryant Pro.
  • Chrono (2012). Olson writes: Chrono: The nearly geometric sans serif. Chrono is a refined oval sans serif of 20th century origins and 21st century sensibilities. Influences ranging from the gruff Aurora Grotesk series to the elegant Neuzeit are paired with a subtle geometry and typographic utility to inform this family of sans serifs. Chrono was renamed Colfax later in 2012.
  • Colfax (2012). The blurb: Colfax is a refined oval sans serif of 20th century origins and 21st century sensibilities. Influences ranging from the gruff Aurora Grotesk series to the elegant Neuzeit are paired with a subtle geometry and typographic utility to inform this family of sans serifs. It was formerly called Chrono. A complaint from another foundry with a similarly named font led to the name change. The only one I can think of is Cronos (Robert Slimbach, Adobe).
  • Elderkin (2005). Eric Olson; A few of my typefaces were made for very specific projects (Process Grotesque + Elderkin) and really have no contribution to make beyond that. Sure they look fine, but who cares? I'm not thrilled with them and plan on removing them this spring.
  • Entovo (2006, rectangular).
  • FIG-Sans, FIG-Script, FIG-Serif (2002, as in needlepoint lettering, in imitation of the figlet ascii-to-letter program).
  • FindReplace (2004).
  • A free monospaced font, Indivisible (2002).
  • Kettler (Courier-like font).
  • Klavika (2004, an extensive sans family). Followed in 2008 by Klavika Basic.
  • Lingua (2003, an octagonal face with about 200 ligatures).
  • Locator (2003), Locator Display: an information design sans family.
  • Maple (2005, a grotesque family that includes a beautiful Black).
  • Process Grotesque (or: Process Grot).
  • Seravek (2007, a linear and simple sans created for information design).
  • Stratum 1 and 2 (2004, contemporaray geometric faces genetically linked to Bank Gothic).
Before Process Type Foundry, Eric used to run Information Repair, where he did "typeface design and print design for clients within the cultural sector including the Walker Art Center, Minneapolis College of Art and Design (MCAD), Intermedia Arts and the Design Institute at the University of Minnesota" and made the fonts Novo Grotesk, Necrophones, Fibo001. Fonts sold by MyFonts. Behance link.

View the Process Type Foundry typeface library. [Google] [MyFonts] [More]  ⦿

Proportional Lime
[Shane Brandes]

Oberlin, OH-based foundry of Shane Brandes (b. Lakefield, MN, 1974), who made the historic semi-blackletter revival Augsburger2009 (2009), which was inspired by one of Ernhardt Ratdolt's (1442-1528) many beautiful typefaces. Ratdolt was a printer from Augsburg, hence the name. River Liffey (2009) is based on a typeface used by James Williams an Irish printer active in Dublin during the late 18th century. Rising Sun (2009, blackletter) was inspired by Gering and Remboldt's work during the late 1490s in Paris.

Charlemagne (2010) is an imaginary medieval script. Fleurious (2010) are ornaments. Sweynheym Pannartz (2010) is modeled after an example Conrad Sweynheym and Arnold Pannartz used in their early printing venture in Subiaco, Italy which began around 1465. Ballard (2010) was inspired by a font used by Henrie Ballard, who operated on Fleet Street at the Signe of the Bear in London from ca. 1597-1608. White Now (2010) is a music note font. Enn'agrammaton (2010) is a cryptographic font. Pluton (2010) is a fixed width font with over 1400 glyphs. Old Venexia (2010) simulates an irregular medieval type. Black Tie (2010) is a simple monoline sans family. Azabercna (2010) is based on gothic principles. Alchimistes (2010) is a medieval symbol face, while Florati (2010) provides a set of ornamental caps. Wappenstein (2010) is an angular stone-carved face: The font Wappenstein was inspired by the carving on a memorial stone located in Paderborn, Germany. The stone was a Epitaph of the Brenkener family, and the carver is known as the Meister des Brenkener Familienepitaphs. The carving, dating to 1562, currently is curated by the Erzbischöfliches Diözesanmuseum in the city of Paderborn and was originally in the Brenkener Pfarr Kirche. Boston 1851 (2010) is based on a stereotype used by Wier and White, Printers of Boston, that was created by the New England Stereoype Foundry under the auspices of Hobart and Robbins, also of Boston. Cruxially (2010) is a 500-glyph dingbat font with crosses.

Gaspardo (2011) is an art deco display face. Anguillette (2011) is a quaint grungy face. Ernst (2011) is a very simple but large handprinted face. The blackletter face Schoeffer (2011) is based on Typ.7:146/148G also known as Gesellschaft für Typenkunde plate no. 258, by Peter the Younger (son of Peter Schoeffer), cut ca. 1509-1520. Printers in Marks is a printer mark dingbat face created in 2011. Cat E Poultry (2011) is a scanbat face of cats. Lucas Brandis (2011) is based on section headings used by printer Lucas Brandis the first printer to operate in the city of Lübeck around 1473.

Creations in 2012: Vine Street, Nicolaus Kesler (a blackletter type based on one of the typefaces of Basel-based Nicolaus Kessler, 15th century), Modality Antiqua (straight-edged and mechanical), Martin Crantz (2012: Martin Crantz (or sometimes Krantz) of the three, including Ulrich Gering and Michael Friburger, that set up a press at the Sorbonne in 1470 was likely the fellow who had the technical know how how to cast the type itself, hence the name of this new face that is based on his work.). Modality Antiqua and Modality Novus are explorations of the octagonal principle. Zainer is a rough-edges renaissance era typeface named after Augsburg-based printer Günther Zainer who was active from 1468-1478. Swine And Roses (2012) is based on a Free Mason script. Ammurapi (2012) is a Ugaritic script face.

. [Google] [MyFonts] [More]  ⦿

Protoform Project (was: Fontshack)
[Neale Davidson]

Free original designs, often with a science fiction feel, by Neale Davidson (b. 1971). Does some custom font work. Adventure. See also here and here, here, and here. Klingspor link. Abstract Fonts link. Devian Tart link.

Fonts: 4E Dings (based on those used in WotC's 4E Dungeons and Dragons game), AdventureNormal (1998), AdventureSubtitlesNormal, Alpha Mutation (2012, based on the title logo to the 2011 version of "Gammaworld"), Alternity, AlternityNormal, Anglorunic, Artifact (2011; became Ravenwood), Aurebesh (based on the WEG version of Star Wars Imperial Writing), BattleBeasts (2000), BeastWars, Bienvenu (2011, pixel face), Broadmoor (2012, art deco), Carlton (2012), Celestial, Chapleau (2012, art deco), Chinyen (2005, oriental simulation), Classic Robot (2011), Colony Wars (replaced by Gallonigher), Comic Book, Constitution Class Hull, Convoy (2011, based on the logo for "Armada" and "Robots in Disguise"), Crystal Deco (2008), CuniformEnglishNormal, Cybertron Generations (dingbats; replaced by Transdings), Cybertron Metals, Cyberverse (2011, futuristic), Daedra (2012: based on the Elder Scrolls series of games), DalelandsNormal (a Celtic face based on the lettering used in early TSR Dungeons and Dragons products), Decahedron (2012), Dethek Stone (runes), DiamondFantasyNormal, Dinobots (based on the Dinobots logo from Hasbro's Beast Machines line), Dodecahedron (2012), Dragonmaster, Dunkin (2012, based on the rounded fat letters of the Dunkin Donuts logo), Duodecahedron (2012), Eladrin (based on the third edition version of the Elven font used in Dungeons and Dragons), Elminster, Emotion Engine (2012, based on the Playstation 2 logo from Sony), Emulator (based on the old Nintendo game font), Energon (2011), Equestria (2012: based on the My Little Pony Line), Espruar, Flipbash (2012, an octagonal typeface that is based on the logo of Hasbro's Bot Shots), Flynn (2011, futuristic stencil face), Fontana (2011, techno-futuristic), Furmanite (2011), Gaiking (2012: Based on the logo of Mattel's Giant Robot toyline, Shogun Warriors), Galaxy Force (2011, based on Hasbro's Transformers: Cybertron logo), Gallonigher (was Colony Wars), Gamedings, Gargoyles, Geddes (2011), Generation Two, Gold Box (2012, a pixel face based on the in-game lettering from the classic SSI "Gold Box" game collection, featuring Dungeons and Dragons: Pool of Radiance, Curse of the Azure Bonds, and so on), GothamNightsNormal, GutcruncherNormal, Harpers (runes), Hauser (octagonal, futuristic; Former "Action Force", based on the logo of GI Joe), Hexahedron (2012: dice), Hyperspace (2012, thin monoline octagonal, based on the original Atari vector font from Battlezone, and on Asteroids), Imaki (futuristic; was Cybertron Metals; based on the logo of the Japanese Beast Wars Metals series), Instruction (2012, monospaced and monoline caps face for engineering applications), Invaders (2012), Jedi (2012: Star Wars logo font), JediHollowNormal, JediSolidNormal, Jefferies (former Constitution Class Hull, based on the original Star Trek Enterprise lettering), Jhiaxus (2011), Joystick (2011), Jumpman (2012, based on the logo of the original Donkey Kong game from Nintendo), Kanno (formerly called Sharon Apple), Ketchum (a comic book face based on the logo of the popular Pokemon franchise), Kreon (2011, a round techno face based on the logo of Hasbro's Kre-O line), LaBouf (2011, techno: based on Indiana Jones subtitles), Laser Rod (based on the Transformers line), Majoram (2012, a hairline avnat garde typeface), Manga (oriental simulation), Masterforce, MasterforceHollow, MasterforceSolid, MaximalBeasts, Maximus, Medabots (based on the Hasbro toy line), Megatron (2011, based on the logo of the live-action Transformers movies), Microgramma Extended (later replaced by Probert), Minerva (2012: based on the logos used for Shout's releases of Transformers: Headmasters, Masterforce, and Victory), Montalban (2011, based on the title credits of Star Trek II: The Wrath of Khan), Moria (runes), Morse Tech, MysticEtchingsNormal, Nakadai (2011, a unicase techno font based on Hasbro's Transformers: Prime figures), Neo Gen (2011, based on the logo for the SD Gundam series of games), Neostar (2012, sci-fi), Neverwinter (2001, based on the logo of the popular "Neverwinter Nights" computer game from Bioware) (see also here), Night Warrior, Nippon Tech (faux oriental), Nite Club (2011, dot matrix), Octohedron (2012), Okuda (formerly Okudagrams; based on the LCARS characters from Star Trek: The Next Generation), Omnicron, Optimus, Orion (2012, a techno-style font based on the "Robots in Disguise" logo from Hasbro's 2012 Transformers toyline), Overseer (2011), Pacmania, Planewalker (formerly called Magic Cards. Based on the text used in older Magic: The Gathering cards), Pokemon, Powerpuff (based on the logo of "The Powerpuff Girls" from Cartoon Network), PredaconBeasts, Probert (replaces Microgramma Extended), Protoculture (2012, based on the franchise logo of Robotech), Quintanar (2011), Ravenwood (2011), Regen (2012: a science-fiction font based on the logo used on the cover of the Transformers: Regeneration One comics), Resavy (2012, a Broadway style art deco beauty), Rio Oro (2012, a Far West Tuscan marquee font), Robot Masters (now called Takara), Roddenberry (2011, based on the StarTrek logo), Roughknight (formerly Materia Arms. Based on the Wild Arms 5 video game logo), RunicEnglishNormal, SandsofFireNormal, Schnaubelt (2011, rounded technical caps face), Sierra Madre (2012: an avant-garde face based on the Sierra Madre casino's logo from Fallout: New Vegas: Dead Money), Silverball Oblique (2012, LED font), Simple Runes, SkeksisNormal, Skir, StarcraftNormal, Starfleet (2004), Stark (2012: based on the title logo of the Iron Man and Iron Man 2 movies), Steampuff (2012), Steamwreck (2012), Sternbach (2011), Taibaijan (faux Arabic), Takara (former Robot Masters; based on the "Robot Masters" logo from Takara's Transformers), Tandysoft (2011, based on the old typeface of the MC-10 computer), Tetrahedron (2012), Thorass (runes), Thundercats, Toril, Transdings (replaces Cybertron Generations), Transformers, TransformersHollowNormal, TransformersSolidNormal, Transmaidens, TransmetalsNormal, Tsa Script, Turok, Turtles, Vector Sigma (based on the secondary "Beast Machines" logo), Visionaries, Warlords (based on the logo of the game series), YsgarthEnglishNormal (almost blackletter), Zarathos (2012, based on the titles for the Ghost Rider movie series). [Google] [More]  ⦿

Pucker(type)
[Chris Risdon]

Chris Risdon (b. 1972, New York, NY) founded Pucker(type) in 2004. Rison holds an MFA in type design. Pucker(type) is located in Savannah, GA.

He designed Cheek (techno family), SAV Display (2005, T-26), and Satellite (3-weight octagonal family). MyFonts sells Cheek PT, Satellite PT (octagonal) and SAV PT (2005, medieval).

These fonts can also be found at T-26 and Monotype Imaging. Klingspor link. [Google] [MyFonts] [More]  ⦿

Pulpa Roja
[Carlos Carpintero]

Carlos Carpintero (Pulpa Roja) is the Buenos Aires-based designer (b. Buenos Aires, 1974) who created Desprecio (2005, dingbats), Death in Bangalore (2003, a dingbat font to appear at Sudtipos), Rolinga Renner Extravaganza (2003, an octagonal display face, free at Sudtipos), Desprecio (2006), the ornmamental face AR Bangalore Vive (2006), El Aparecido (dingbat face at Union Fonts), and Welcome Home Caps (2003, free at Buenos Aires de Diseño). In Buenos Aires, he cooperates with Daniela Boquete Aguiar at RemaDG and teaches design and communication at the University of Buenos Aires. FADU-UBA link. [Google] [More]  ⦿

PumpCurry

Japanese foundry with these free fonts: GD-TiVangerion-JA, GD-Digit13LED-OTF (pixel font), GD-HighwayGothicJA-OTF (highway lettering, kanji included), GD-AirportRunway-OTF (2008, octagonal lettering), GD-TiVangerionJA (2006, kana). Fonts without downloads: GD-HyperElectricJA, GD-HyperSuperEnergyJA, GD-OCR-K_JA, GD-SunnyEgg320, GD-MorseBarcode-JA, GD-InaniwaUdon, GD-ProjectNotes, GD-Koigokoro-JA, GD-ComicTitle-JA, GD-Digit17LED. [Google] [More]  ⦿

Q-BO
[Carlos Matteoli]

Q-BO is the foundry of Carlos Matteoli, a type designer, b. 1980, from Santiago del Estero, Argentina. Dafont link. Home page. Klingspor link. His typefaces, both free and commercial:

  • Djs Symbols (2011). A scanbat font of famous disc jockeys.
  • Q-Bo (2011) is a fat face in which each glyph occupies a perfect square.
  • 2Lines (2011) is a squarish bilined caps face.
  • Equ (2011).
  • Ovnis (2011, a flying saucer dingbat face).
  • Voker (2011, +Rounded: a techno family) and Basica (2011; +Basica 2.0, 2012), Teio (2011), Sistema (2011), Ameba (2011) and Abix (2011) are techno faces.
  • Bim (2011) is an outlined techno face.
  • Hexa (2011) is an experimental hexagonal face.
  • Cable (2011) is an experimental face.
  • Crakos (2011) is slightly grungy.
  • Kram (2011, +Espaciada) is a rounded techno / sci-fi / stencil face.
  • Spac3 (2011, a sci-fi all caps face), Spac3 Halftone (2012), Spac3 Destroyed (2011), Spac3 Neon (2011), and Spac3 Tech (2011, a tech stencil face).
  • Digital (2011), Digital Cognitive (2011) and Digital Tech (2011): semi-pixelized.
  • Bim (2011).
  • Djs Symbols (2012). A scanbat of disc jockeys.
  • Plig (2012). An avant garde family.
  • Capital (2012). A squarish all caps typeface.
  • Zuber (2012) and Zuber Future (2012). A fat counterless octagonal typeface.
[Google] [MyFonts] [More]  ⦿

Qimplef

FontStructor whose fonts in 2011 include several pixel faces, as well as Kinex (dotted outline face), Amazeling (white on black mazed letters), Blocked, Way Too Long (super-tall letters), Sketch, Split, Block Stack, TI-83 (based on the Texas Instruments TI-83 calculator), Impossibly Thin (the tallest pixel font in existence), Xtra Wide, 3 by 3 smooth, Blah, Royal Tile, Space Out, Triangular and Gridlines, Stripes, FS Logo Deco Version, Tilt A Grid, Grille, Outline, Px 7x13, Mission (dot matrix face), Simple (stencil), Easygoing (mechanical / octagonal), PX 8x8 (pixel face), Nine Zero (squarish), Insanity (labyrinthine), Mainframe (an octagonal typewriter face), Highlight (3d shadow face), Ribbon (piano key face), Paper Cut (kitchen tile face).

Creations from 2012: Brackets, Super 8, Chunky, Pipeline (outlined), Fontstruct2 (monospaced fat pixel face), No Signal. [Google] [More]  ⦿

Qube Konstrukt

Aussie company which is into graphic design and branding. They created a number of typefaces such as NAB (for National Australia Bank), Neuglow (neon light face), titling faces for Artichoke Magazine, Noise (2005, a pixel face for the Noise festival), various faces for Riot Magazine (ca. 2006), MTV Tapedeck Bold (2008), MTV Fan vs Band (2009, counterless, techno), Streetmuse (2009), Neon (or Consort) (2009, octagonal, counterless techno), MADC Annual (2009, metal band face). [Google] [More]  ⦿

Quentin Schmerber

Fontstructor (aka styk) who made Greedo Unicase (2012, octagonal). [Google] [More]  ⦿

Quix Maiquez

Illustrator from the Philippines. Home page. Behance link. Creator in 2008-2009 of the techno fonts Amputa Bangiz, Digital Ninja and qx_01, and the playful We_Wabbits_quikijiki. In 2010, he made the ultra-fat octagonal face Betlog. Behance link. Devian Tart link. [Google] [More]  ⦿

Rafael Rincón

Creative Director in Caracas, Venezuela where he works for a Trade Marketing company called Nexus. He was born in 1973 in Cúcuta, Norte de Santander, Colombia, and is a type designer at the Colombian foundry Andinistas. He codesigned the octagonal typefaces Nikona and Nikona Dual with Carlos Fabián Camargo in 2006: X1 (+Negra), X2 (+Gris), X3 (+Blanca), Stencil (+Dingbats). [Google] [MyFonts] [More]  ⦿

Raihan Nizar

Raihan Nizar (b. 1977) is the Indonesian FontStructor who made Cubos (2011, squarish and geometric), Pixelized Handwriting (2011), Lost in Future (2011, sci-fi face), Valdero (2011), Simplicity (2011, kitchen tile face), Bold Type (2011, octagonal), Fat Cribbo (2011, gridded), Block Out (2011, in the style of the commercial face Pincoya), Smooth (kitchen tile face), Quadro, Minimal (geometric, gridded, almost a kitchen tile face), Zkratchy (scratchy face), Retro Mania (almost a Western face), Techno Light, Blockz, Box Building (3d outline face), Metropol (outline techno face), Space Adventure, Electric City, Cubix, Revolution, Pixel, High Volume, and Letters In The Blocks in 2011. Many of these faces are pixelish.

Typefaces from 2012: Mr. Ken (very fat face), Squadlest (squarish), Neonize (dot matrix face), Simplicity (kitchen tile face), Sound System (squarish), High Volume, Bajaj Sans (gaspipe sans), Bulat (fat counterless typeface), Elektro (blocky, counterless), Elektro Forest, The Slabbers (Egyptian).

Aka cablecomputer. Fontspace link. [Google] [More]  ⦿

Randi Giles

Graduate of Montserrat College, who lives in Beverly, MA. Creator of the paper fold / octagonal typeface Modern Square (2012). [Google] [More]  ⦿

Raphael Pazoumian

Parisian student who used FontStruct to make the octagonal 3d shadow face Beastie Boys (2011). [Google] [More]  ⦿

RAS Design
[Rodrigo Araya Salas]

RAS Design is Rodrigo German or Rodrigo Araya Salas, a designer from Santiago, Chile, b. 1987.

Dafont link. Behance link. Fontspace link. Fontsy link. Abstract Fonts link. Old URL.

Creator of many hand-drawn free fonts. His typefaces from 2008 and 2009: Super (2009, for signage), Snow (2009), Mari (2009), El Cubano (2009, dingbats of faces), Mental Freak (2009, outline), Freak Animals (2009), Kona (2009), Brigada Ramona Parra (2009, dingbats), Happie (2009, dingbats), Santiago Icono (2009), Icono Skate Dingbat (2009), 78 Skate (2009), The Sorden (2009), Estilo Urbano (2009, stencil), Tetris (2009), Techno (2009), Kona (2009, childish hand), Parody Logoskate (2009, dingbats), Fat Love (2009), La Rata Bizarra (2008), Tabla (2008), A Mano Alza (2009), Maribel (2009, handwriting), Stencil (2009), Rayando (2008, chalky writing), Klam, Loco TV, Monos Frekis (2008, funny dingbats), Tabla (2008), Happie (2009, more funny dingbats), Funny Icons (2009), Kiltro (2008, dog dingbats), Pokemona (dingbats), Maniatico (scratchy outlined hand), Bizarro 1 (outline hand), Chile (dingbats), Freaky (2008, dingbats), Esquiso (outlined handwriting), Crazy Ras (outlined and handprinted), Skatelove (2008, dingbats), Los de Abajo (2008, dingbats), Logoskate (2008), David (2008, flowing ultra fat face), Destruccion (2008, grungy), Skateboarding (2008, ransom note face), Mike Valley (2008, skateboard dingbats), Rodney Mullen King (2009, skateboard dingbats), El Chavo del 8 (2008, scanbats), Grande Maradona (2008, scanbats), Saintfont (2009, handprinted), New Tetris (2009), September 11 Icon (2009, a powerful set of dingbats), Icono BMX (2009, bike dingbats).

Typefaces from 2010: Commando X (2010, a pixel dingbat face for computer games), Raya Irregular, Mari+David, Depressive Icon, Esquiso, Ego (2010), El Cubano (dingbats with faces), Barras Bravas (almost graffiti face), Globe Face (award winner at Tipos Latinos 2010).

Fonts done in 2011: Logo Font, Buen Dia (ransom note face), Drugstore (blackletter), Condorita (dingbats), KingKöng (a nice fat letter comic book face), Rolo (fat letter face), Logo, Comando X (a pixelized dingbat face based on video games), Catbox (2011, fat and rounded), Joia (a thin octagonal face), Plop (a "hip hop font").

Typefaces from 2012: Nollie, Rocka (triangulated), Mosku (paint or blood drip face), Gigio Italia Bizarre (dingbats), Conny Rocket, Retro Hand Type (stitched), Wood (wood type simulation), Tritona, Nollie, Zdravo Maria (children's hand).

Vectorlove won an award at Tipos Latinos 2012. [Google] [MyFonts] [More]  ⦿

Rasfi Romany

Rasfi Romany, aka Atrox, created the (free) industrial octagonal typeface Atrox (1996).

Dafont link. [Google] [More]  ⦿

Raslani Seraphin

He states that his name is also Raslens Shaa Abedossen. Whatever. Creator (b. 1987) of Tribal Garamond (2010), Raslens Abedossen (2009: outlined, shadowed handprinted face), Raslani-Shaashimov (2009, splattered paint font), RaslaniKavaliarKaiser (2009, blood dripping paint font), Raslani und so weiter (2008, grunge), Raslani Ames Brisées (2008), RaslaniDestroyedSouls (2008), RaslaniMessenger (2008), Raslani American Letters (2008, hand-drawn athletic letters), Raslani Kaplash (2008), Raslani Tribal (2008), RaslaniAncientScript (2007), RaslaniUndaground-Bold (2007), RaslanihOoH (2007), Raslani the Pharaoh (2007, brush hand), Raslani-Hip-Hop (2007), Raslani-Horrorz (2007), Raslani-Melissa (2007). Home page. Another page. He lives in Tampon on Ile Reunion. [Google] [More]  ⦿

Ray Meadows

Aka p2pnut, b. Wales, 1943, who started making fonts in 2009 at FontStruct. Alternate URL. Dafont link. Klingspor link. In 2010, Ray Meadows set up shop at MyFonts.

Prolific creator at FontStruct in 2009 of the 3d faces Alphabox, Alphabox Reverse, Alphabox Lite, Alphabox Lite Complete, Alphabox Shadow and Alphabox Basic. He also made RM Playtime (outlined 3d family), Art DECOrated, Single DECOr, Romantic (+Carved, +Carved Shadow), TripleDECOr, New Romantic, SOFA, Mondrianish, Eye Test, Meltdown (grunge), Amesian (American Sign Language), DECO Noir, DECOction, DECOserif (+Bold), DECOoction (+Bold Open), DEChrome, DECOpix, DECOr (a pure art deco face like Levine's Art Lover JNL), DECOThin (+Medium), Scrapheap, Westward (Far West font), Cheese Fondue, Alphabox Reverse (shadow font), AlphaRune, Spaced, Gothicky, Grand Prix, Entrees (alphadings), Compround, Phatzzo (nice!), DECOr8, Gothicky, Gothicky Grey, RM Ginger, RM Albion (blackletter), and Opening (outline face). RM Squarial (2009) is a hairline sans. Its 3d version is RM Squarial 3D. RM Typewriter (2009, +Medium, +Bold, +Old) is an old typewriter face. RM Serifangle (outline art nouveau face, +3D, +Chrome, +3DChrome) and RM Corrugation (postage stamp, white on black style) are both interesting. RM DECO Serif (2009) is in the RM Typewriter style series. RM Bowie Basic is a futuristic face based on the face used on Mars in "The Waters of Mars" (2009). RM Playtime Stencil (2009) is a rounded stencil face based on RM Playtime Solid. There are more styles such as RM Playtime 3D.

Additions in 2010: RM New Albion (blackletter), RM Lined, RM Serifangle (+3D, +3D Chrome), RM Serifancy (Western face), RM Almanack (+Old), RM Tubeway (+Chrome), RM Thinny, RN White Letter, RM Blacklet, RM Squarial (+Ribbon), RM Typewriter Old, RM 7even, RM SideSlip, RM Teeny, RM Teeny 1.5, RM Narrowboat (+3D) (athletic lettering).

His faces at MyFonts include RM Victoriana (2010, caps only Victorian face), RM Whiteletter (2010), RM Signwriter (athletic lettering), RM Deco (pure Broadway art deco), RM True to Type (typewriter face), RM Scrapheap, RM Elegance (condensed, with high ascenders), RM Playtime, Graphite

Creations in 2011: RM Celtic, RM Uncialic, RM A Sign of the Times, RM Sans, RM Oliver (bold rounded sans), RM Soft Sans (wonderfully round sans), RM True To Old Type (old typewriter), RM True to Type (new typewriter), RM Phatso, RM Phatso 2.0, RM Phatso 2.0 Solid (texture faces).

Creations in 2012: RM Basic Serif (roamn face).

Creations in 2012: RM Slab. [Google] [MyFonts] [More]  ⦿

Rectangular

Designer at FontStruct in 2008 of the octagonal face Blockidette. [Google] [More]  ⦿

Red Kitten
[Timothée Génot]

Timothée Génot (aka Red Kitten) is a Belgian freelance graphic designer who graduated from ENSAV La Cambre, Brussels, 2002. He then moved to Minneapolis, MN, where he still works. FontStructor who made TRK Softbunker (2008-2010), an octagonal stencil face. [Google] [More]  ⦿

RelisH
[George Verall]

George Verall (RelisH) made the octagonal techno face Zoomgroove (2003). [Google] [More]  ⦿

renoxxx

FontStructor who made Stars and Dots (2011), Straight (2011), Tschakka (2011), and Rund (2011). [Google] [More]  ⦿

Reserves
[Michael Jarboe]

Commercial foundry offering mostly techno faces. It is located in Carlsbad, CA, and run by Michael Jarboe. Flickr site. Behance link. MyFonts link.

The earliest typefaces: Base (stencil), Evac (octagonal), Claes (a heavy blacked out display face named after Swedish sculptor Claes Oldenburg), Raider, Error (LED simulation face), Reserves03 (2009), Output II (2009), Scape (octagonal stencil), Void, Vacant (2009, monoline stencil), Debacle (2009), Scam (2009; a fun geometric experiment), Immortality, Asecs, Analog SE, Scheme (pixel face).

Typefaces made in 2010: Idiom (2010, a piano key family inspired by P22 Albers), Vector RG (2010, an octagonal face inspired by the 1979 Atari Asteroids video game UI screen font), Sevigne (2010, monoline geometric avant-garde sans that looks a bit like a stencil), Velvet (2010, a heavy rounded block retro face inspired by the typeset album covers of the protopunk rock band The Velvet Underground), Monocle (2010, monospaced and monoline geometric sans).

Typefaces made in 2011: Idiom (2011, a stencil piano key face), Scape (2011, rounded monoline stencil family), Velvet (2011), Defense (2011, octagonal slabbed stencil), Offense (2011, strong octagonal mechanical family), Vanitas Bold (2011, Peignotian fashion mag face rooted in didones).

In 2012, Mike published Vanitas Stencil and Memoire (a charming fashion mag monoline hairline stencil).

Klingspor link. [Google] [MyFonts] [More]  ⦿

Resistenza
[Giuseppe Salerno]

Giuseppe Salerno (aka Resistenza.es) is an Italian graphic designer, specializing in web design. He currently lives and works in Valencia, Spain.

In 2010, he made the circular multiline face Afrobeat (+Light), the fat counterless face Vito Sans (2010), Wonderwall (2010, like a skeletal construction), the high-contrast art deco face Zaza (2010), and the pure Italian vintage art deco face Luxx (futurism).

His type blog is called It's Not My Type. Behance link. Klingspor link. Creattica link.

Other work: an art deco poster.

Direct links to his fonts: Zaza, Afrobeat, Vito Sans, Luxx, Wonder Wall, Afrobeat Light.

Creations from 2011: Ratatan, Bodoni At Home (a handpainted Bodoni), Arcanotype (2011, delicate caps, individually drawn using Chinese ink on Japanese calligraphy paper), Babushka (2011), Dolce Caffe (2011, handprinted), Adelaida (handprinted poster face), Monella (octagonal).

Production in 2012: BLAQ (an ornamental blackletter caps face inspired by Henry W. Troy), The Bay (handprinted all caps poster face), Bratislove (an artsy hand-drawn typeface), Modernissimo. [Google] [MyFonts] [More]  ⦿

Reuben Rosh

Tel Aviv-based graphic and type designer. Behance link. Creator of the Hebrew type families DBLR Bloop (2009, rounded), DBLR Snack (2009, octagonal), DBLR Solid (2008) and DBLR Milkman (2008). [Google] [More]  ⦿

Ricardo Cordoba

Designer in New York. Creator of a beautiful squarish poster font called Barrio (2006). As SquarePeg at FontStruct, he made the Braille font family Braille Basic (2008), as well as blob, Ligne Claire (2009, tri-line font), Bonset (based loosely on a 1919 alphabet by Theo van Doesburg, whose pseudonym for Dada poetry was I.K. Bonset), ribbon_inline, Ribbon (octagonal stencil), Tape Writer (shadow font based on the Dymo label writers), InstaFrieze, International Morse Code Stacked, Prometheus, Prometheus Light and Prometheus Shadow (2008, all inspired by a Fonderie Peignot typeface simply called No. 1229, dated 1896, and on condensed Grecian typefaces by Darius Wells and William Hamilton Page), Brite Lite (white on black billboard light font), strata_blocks, strata_dots, strata_dots_inverted, Chocobot Solid (Dark, Milk, White; cloned from the Chocobot series by Lex Kominek), Strata Blocks Caps (2009), Strata Dots Caps (2009), and Strat Blocks 2.0 (fountain effect dot matrix font). [Google] [More]  ⦿

Rio Suzandy

Rio Suzandy (Depok, Indonesia, b. 1979) is the designer (b. 1979) of the octagonal face TUPS 000 (2010) and of Brokencalk (2011), Lazy Day (2012, scratchy hand) and Rustyfatty (2011). Aka Rheeo79. Home page. [Google] [More]  ⦿

Ro Dif

Creator of the thin octagonal typeface Azimuth (2012). Home page. [Google] [More]  ⦿

Roast Horse Fonts

Designers of the octagonal stencil face Carrier Stencil. [Google] [More]  ⦿

RoastHorse Type Foundry
[Joe Baldwin]

Joe Baldwin (b. UK, 1973) runs RoastHorse Type Foundry. He is the designer of the pixel font Flash Script (2002, italic), the sarcastic RHBertholdRegularIndustryofTyrany RHBurroughs, RHCarrierStencil (2004, a free font created because of Berthold's "abuse of copyright"; it is an octagonal stencil font), Linx Pro (a MICR and dot matrix family), the pixel face RHBurroughs, the fat Western style face Hubbard Hand Lettered (2003, available at T-26), and the flash-optimized Kerouac (2002, T-26).

His home page. Alternate URL. [Google] [MyFonts] [More]  ⦿

Rob Kandefer

Aka Maker21. Los Angeles-based designer (b. 1975) at T-26 of the 6-weight octagonal family Nightjar Text (2006) and its 7-weight curly/blackletter sister family Nightjar (2006).

Alternate URL. Klingspor link. [Google] [MyFonts] [More]  ⦿

Rob Scotcher

Oxford, UK-based illustrator and designer, who made the blocky octagonal counterless face Dot By Four (2011). Behance link. [Google] [More]  ⦿

Robert Green

Designer at Acme of AF Pan (1996-1997) based on the octagonal lettering of old Nat West bank machines.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Robert J Howell Productions (RJH Productions)
[Robert J. Howell]

Robert J. Howell at RJH Productions made the following fonts:

  • Roughedge (1998). A wonderful Treefrog-style grunge font, available from T-26.
  • Madness Black, Madness Charred, Madness Juvenile, Madness Scratch, and Madness Tight: grungy/scratchy fonts.
  • Lightbrick. A dot matrix family.
  • Anglecut. A bold all caps typeface with octagonally cut corners.

Monotype link.

Robert Howell works in the TV and movie industries: As creative director of Paramount Digital Design, Robert created title sequences for film and television and designed and directed live-action spots for Mattel, Star Trek Voyager, Instant Replay Sports and Komu Japan. At H Design, Robert designed main titles for MTV and art directed the 2002 broadcast graphics package for National Geographic Channel International. For the CBS show CSI: Crime Scene Investigation, he designed episodes of enhanced television which were nominated for an Interactive Emmy Award. He recently completed the broadcast package for Fox's surf/skate television show 54321. [Google] [MyFonts] [More]  ⦿

Rodrigo Buim

Brazilian designer of the experimental octagonal face Type Tube (2011). [Google] [More]  ⦿

Rogério Oliveira

Brazilian photographer, consultant and web designer (b. 1983) who lives in Sao Paulo. Creator of the free octagonal font Typograff (2009). Dafont link. [Google] [More]  ⦿

Ronne Bonder

American designer in New York associated with ITC. Creator of ITC Bolt (1970), ITC Machine (1970, octagonal font), ITC Grizzly (1970), ITC Ronda (1970), ITC Gorilla (1970), ITC Grouch (1970), ITC Pioneer (1970), ITC Honda, ITC Tom's Roman (1970, with Tom Carnase). His fonts are available from ITC, Bitstream and Elsner&Flake (such as Pioneer No2 EF). ITC Machine equivalences: Machine, Motor (Corel-branded version of Bitstream's Machine), Automaton Caps (SSK), Mechanic (Softmaker), Pittsburgh (SWFTE), Metal Encasement (SWFTE), Monotone (WSI/IMSI). Linotype link. FontShop link. [Google] [MyFonts] [More]  ⦿

Ross Gonzalez

Sioux Falls, SD-based designer of Octagami (2011). [Google] [More]  ⦿

RP
[Radim Pesko]

RP is a small scale digital type-foundry established in 2009 by Czech designer Radim Pesko, who currently lives in Amsterdam. He is a regular contributor to various publications including Dot Dot Dot magazine. He currently teaches at Rietveld Akademie in Amsterdam and co-guides a project for ECAL/University of Art and Design in Lausanne. His creations:

  • Boymans was originally designed in 2003 as part of the identity developed by Mevis & Van Deursen for Museum Boijmans van Beuningen in Rotterdam. Its primary inspiration was the typeface designed by Lance Wyman for the Olympic Games in Mexico City in 1968. Boymans responded to the identity's need for a flexible as well as playful design. Designed in ten weights, each font has three versions: single line, double line, and triple line. By combining, layering, or coloring these versions, Boymans can generate an endless number of variations.
  • Correspondance: a reconstruction from memory of the typeface created by Adrian Frutiger for the Parisian Metro signage system. Its shapes might resemble those of Frutiger's famous typeface Univers.
  • F Grotesk, in 3 weights.
  • Fugue (2010, 2 weights): Fugue was originally designed for `Wonder Years', a book published in late 2008 by Roma Publications to mark the tenth anniversary of the Werkplaats Typografie in Arnhem. It contains genetic material of Paul Renner.
  • Larish Alte (2006) was originally designed for the identity of the contemporary art space Secession in Vienna. Its primary inspiration was a series of prints designed by Rudolf von Larisch and published at the turn of 20th century. Larish Alte is not available for licensing.Larish Neue is a by-product of Larish Alte. This version resulted from an attempt to create a contemporary looking typeface with the DNA of the original. Larish Neue is available in a single weight. Its cursive is in process and is expected in 2010.
  • Mercury: Conceived in 2001, this is an easy-going rounded monoline family.
  • Mitim: a family of fonts characterized by its triangular serifs, developed in collaboration with Louis Lüthi and Stuart Bailey. Mitim is a work in progress exclusively designed for Dot Dot Dot magazine and is not available for licensing. It has many dingbats.
  • Septima, a typewriter or monoline face, has asymmetrical letter forms that are individually adjusted---according to the space they occupy in a glyph window---in order to achieve equal tone of letter as well as to create highly recognizable forms for each character. Septima is a monospaced font available in a single weight supporting twenty-three Latin and five Cyrillic languages. Septima Cyrillic was developed in collaboration with Roman Gornitsky.
  • Sol (2004), an octagonal face.
  • Specta. Custom font for the Eastside Projects of Birmingham. Used in BBC headlines. Not for sale.
  • Union is a synthesis of Arial and Helvetica.
[Google] [More]  ⦿

R-Type (or: Rui Abreu)
[Rui Abreu]

R-Type was founded by Rui Abreu in 2008. Rui graduated from FBAUP (Faculdade de Belas Artes da Universidade do Porto) in 2003. He has been working as an interactive media designer in different design agencies, and he has been designing typefaces. Based in Porto, he created Tirana (2006, sans family at T26), Catacumba (2007, a gorgeous bold didone titling face, T26; in 2009 at Fountain/PsyOps), Cifra (2006, a lovely ten weight sans family, T26), Nomada (2007, a monoline slab serif), Salto Alto (2006, avant garde sans family, with octagonal influences), Foral (2008, monoline slab serif; published by Fountain in 2010), and Forma (2006, stencil family, T26). In 2008, he published Orbe (Fountain), an exotic all-caps blackletter inspired by Portuguese calligraphy [it deservedly won an award at TDC2 2009], Gesta (2008, sans family), Foral Pro (2011, an elliptical slab serif), Catacumba (2011, a high-contrast ball terminal wedge serif family), Aria Pro (2011, a delicate high-contrast serif family), Forma Solid (T26).

MyFonts page. T-26 page. Old home page. Klingspor link.

View Rui Abreu's typefaces. [Google] [MyFonts] [More]  ⦿

Ruiji

FontStructor who made several pixel or pixelish typefaces from 2010-2012, such as Cho Bit, Simple03, Num S01, Plas01, Plas02, Plas03 (Indic simulation or plastic model faces), Cubi01 (cubic face), Beta01, and Angular (mechanical octagonal). [Google] [More]  ⦿

Ryan Clark

American designer at Virb. Also, front-end coder, illustrator and typographer. He says about Liberator (2011, Lost Type Coop): This bomber-inspired face provides a masculine punch to any project or design. [Google] [More]  ⦿

Ryan Teixeira

Torontonian designer who is working on this octagonal font (2006). [Google] [More]  ⦿

s-001

FontStructor who made the octagonal face Black Gothic (2011). [Google] [More]  ⦿

Sacha Rein

Designer of Aldo (2005) and Spastika (2006, octagonal) at the Trypo foundry in Brussels, which he set up with Gilles Pegel in 2005. Both graduated in 2005 from the ERG (Ecole de Recherche Graphique Brussels) and were born in Luxembourg. In 2006, he created the dot matrix-style face Calix (free), which is inspired by Arabic culture and pixel grids. It was intended for a cybercafe named prog, located at La Maison du Citoyen, Schaerbeek, Brussels. Alternate URL. [Google] [More]  ⦿

Samene Celeca

Japanese designer. FontStructor who made these typefaces in 2012: 38 Segment (dot matrix), Crystallize (octagonal), Lain Bow, Thimple, Cyberbuild (contrasted octagonal). [Google] [More]  ⦿

Saptarshi Bagchi

Aka softhunterdevil, Saptarshi Bagchi (b. 1985, India) lives in Kolkata. As FontStructor, he made 3 Strokes (2010), a multiline face, SlamDunk (201) and Diagonal Knife (2009, octagonal). At Graphic River, one can buy Pixel Knife (2009), also a FontStruction. Memories (2010) is a grunge face. In Her Memory (2011) is a semi script face with tall ascenders. [Google] [More]  ⦿

Sascha Wohlgemuth

Sascha Wohlgemuth (Schmieso) designed the mini-slabbed family Gemba in 2010. He also made the octagonal face Mango (2010). He lives in Witten, Germany. [Google] [More]  ⦿

saza

Designer at FontStruct in 2008 of kinder2, kindergaden (multiline face), twobees, pyramid (octagonal), Slize, Rich, Omax, Saza (octagonal), format (great vertical stencil face) and Stereo (LED look). [Google] [More]  ⦿

Scadu

Designer of the octagonal blocky face Brick Sharp (2008, FontStruct). [Google] [More]  ⦿

Scannerlicker (was: Loligo Vulgaris)
[Fábio Duarte Martins]

Graphic and media designer and art director in Espinho, Portugal, b. 1984. He is the son of an Arts and Crafts teacher and grandson of a typographer. He has designed some typefaces, such as Illiad Sans (2008, a 4-style family), Exablock (2008, modular ultra-fat face), Moo (2010, another fat geometric face), and Space Mace (2008, pixel face). Moo (2009) is a free geometric outline font. His octagonal Geomelia was renamed Gerusa (2009, OCR-like face).

Typefaces from 2010: Menta (an organic monoline sans), Gerusa (minimalist sans), SuperBlack (fat, counterless), Tucátulá 2010 (handprinted, with Ricardo Gomes and Carla Estrada).

Other faces include Catorze (geometric sans; substyles include Catorze 27 Style 1 (2011)), Horta (slab serif), Illiad, Menta (2010), Ulular, and Pixelmixel.

MyFonts link. Dafont link. Loligo Vulgaris at MyFonts. Behance link. Another Behance link. [Google] [MyFonts] [More]  ⦿

Scholtz Fonts
[Anton Scholtz]

Scholtz Fonts was started by Anton Scholtz (b. Durban, 1941) in 1997. This South African design company is located in Durban, where the Zulu culture of the region has greatly influenced Anton's font design. Klingspor link

Scholtz sells a fine selection of display types that ooze African themes. An alphabetical list:

  • A: Assegai (2007), Amanzi (1999), African Gold (2007), Asakire (2006), Afrimod-Black, African Textile (2007), Afrimod-Normal, African Elegance, African Pattern Font-01 (2004), African Pattern Font-02 (2004), AfroFlare, African Jungle (2007), Aarde (2005), Aarde-Black, Aarda-Brush, African Jazz (2005), Amaboxi (2007, white on black background), Art Nouveau SCF (2008), Affable (2008, calligraphic), African Patchwork (2008), Aplomb (2008), Arabesque SCF (2009, a flowing calligraphic face), Archivo (2011), Always (2010, a fantastic swashy calligraphic face, and its multiline sister, Filigree, 2010), Amabhokisi, African Pattern (2008), Aqua Casual (2008, script), Ability (2009, calligraphic), African Shield (2005, patterned after the cow-hide shields of the Zulu tribe; made by Anton and Merle Scholtz).
  • B: Bongo, Baobab, Black Tie (2007), Baluba, Baluba-snake, Bakuba, Brillig (2008, informal hand), Blackout SCF (2008), Button (2008), Bad Girl (2008, grunge), Bongani (2008), Banquet SCF (2007, brush script), Brazza (2008, brush), Buzz (2008), Blythe (2009, connected script).
  • C: Collette (2007, after an art deco font called "Independant" designed in 1930 by Collette and Dufour), Centric (2007), Camy (2009, handprinted), Carve (2008, chiseled look), Catholic Girls (2008, script), Certificate (2008, calligraphic), Comic SCF (2007), Coral (2008, handwriting), Coral Pro (2012).
  • D: Deco Doni Fat (2011), Delikat (2010, script). Doorn (1998), Doorn Body, Doorn Display, Dragon Fyre (2008, calligraphic), Dufour (2011, after an art deco font called "Independant" designed in 1930 by Collette and Dufour), Dusktil Dawn (2012, art deco).
  • E: Elegance SF Diamond (2005, art deco), Excalibur SCF (2007, beautiful rough-edged hand).
  • F: Fable (2007, a type family for wizards), FadedRose, Figment (2008), Fracture (2008, like GlazKrak).
  • G: Gossamer (2011, a wedding script), Grunge Piazza (2007), Genial (2009, flowing connected script), Giraffe Skin (2007), Genevieve (2007, calligraphic), Girl Script (2008, curly hand), Girltalk (2008, curly script), Greek (2008, chiseled), Groom (2007, brush script), Groom (2007, connected brush script), Grunge Standard (2009).
  • H: Hobi (2008, ghastly), Honeybird (2011), Hard Rain (2007).
  • I: Iliad (2007), Inja.
  • J: Josephine (2007, art deco), Jazz.
  • K: Klatter (2007), Kuba (2007, a tribal stencil of sorts), Kassena (2006), Kunjani (2008, African look).
  • L: Leah (2008, handwriting), Leopard Skin (2005), Lovers Pro (2011, a fantastic calligraphic hand---ready for red carpet treatment...), Lualaba Snake (2007), Lumina (2008), Lagos.
  • MN: Madrigalle (2011, calligraphic; wedding script), Martini Script (2011), Maypole (2007), Makonde (2007), Mafuta (2006), Melodica (2012), Mtwane (2009), Miss Donna (2009, script family), Nocturne (2012: an art deco family based on work from the 1920s by Paul Carlyle and Guy Oring.
  • O: Oxamu (2009, a wonderful angular African-themed font).
  • PQ: Pacific Script (2011, a font inspired by an alphabet created by Howard Trafton in the 1930s), Palm Court (2007, a Bauhaus face by Merle Scholtz), Parchemin (2008, parchment look), Phat Chance (2008, organic), Piazza (2007), Proper (2008), Qotho (2010, an almost architectural sans family, done with Merle Scholtz), Queen (2008, nice handwriting).
  • R: Refresh (1950s script), Riposte (2009, a dynamic script), Romi (2008, thin calligraphic), Rondalia (2008).
  • S: Scrittura Moderna (2011, calligraphic; +Antiqua, +Fantasia), Shapely (2010, swashy calligraphic face), Spaza (2007, African look), Scratch SCF (2007, scratchy hand), Sangoma (2007), Siyabonga, Sondela (2007), Sand Writing (2007), Silken (2009, calligraphic), Silver Dagger (2007), Smart Casual (2007, an artsy architectural face by Merle Scholtz), Sprig (2010, signpainting face), Stoan (2008), Stone Wash (2008, grunge), Sage (2008, brush script).
  • T: Thystle (2010), Tshikona (2005), Tsotsi (2007), Tamboti, Tabwa (2007, inspired by Koch's Neuland), Tertius, Tertius Romantic and Tertius Crenellated (2008, scripts based on the Carolingian hand), Thought (2009, script family), Tokoloshe (2008), Toulouse (2007, art nouveau handlettering), Tshikona (2005, handprinted).
  • U: Umkhonto (2003), Ubuvila (2004), Utshani (2000, African theme), Umoya (2009, organic).
  • VW: Wild Song (2010, calligraphic script), Woodcarve, Write Now (2008, connected script), WriteHand (2008).
  • XY: Yseult (2009, script).
  • Z: Zim (2007, octagonal), Zebra Skin (2007), Zulu Shield, Zest (2007), Zaire SF (2007), Zulu-Ndebele Pattern (2007).

View the typefaces designed by Anton Scholtz. [Google] [MyFonts] [More]  ⦿

Scott Byrne

FontStructor (aka Zarvon) who made the octagonal faces Raven Sans, Raven Bold and Raven Slab, the slab face Berthald (inspired by Berthold City), the pixel face Sciptal Pixel, the squarish face Quizzical Pitch (2011), the constructivist Ascention (+Pixel), Neoletter (2011, tattoo face), and the round squarish face The Great Mutato, all done in 2011, mostly using FontStruct. Dafont link. [Google] [More]  ⦿

Sean Bartlett

Houston, TX-based designer, b. 1983. Dafont link.

Creator of the simple octagonal typeface family SB Modern (2012). [Google] [More]  ⦿

Sean Juarez

Graphic design student at Brigham Young University. He FontStructed mainly pixel and octagonal faces, all in 2011: Clair Regular Monospace, Commodore Neue, Clean Code, Clair Light, Commodore Tall, Nokia Text. [Google] [More]  ⦿

Sentinel Type
[James Arboghast]

James Arboghast (b. Melbourne, Australia, 1963) runs Sentinel Type, which he started in 2003 out of Collingwood, Victoria. He is now in Kew East, Victoria. He is a freelance advertising creative. His first commercial face was Ganymede (2003), which was later extended to Ganymede 3D (2005). He also made BigNoodleTitling-Oblique (2003) and BigNoodleTitling (2003) [for these, you are asked to send a cheque to Maurice Dorisio in Victoria, Australia], Citizen Kern (2003, free), Maus (2003, free octagonal block-shadow face), Rhodaelian (2004), Primex (2003, a gaspipe family), Sten (2004, a heavy mechanical stencil family that includes Sten Cyrillic), Adam Gorry (2004, a traditional inline all caps family), Midnight Kernboy (2004), DeLouisville (2004, Western billboard face), Jellybrush (2005), Euphonia (2003), Verzierte Schwabacher (2005, Typoasis, with Petra Heidorn, based on a blackletter font by that name from the Carl Kloberg foundry in 1891; also called Schwabach Deko), Sibyl (2005, an inline Schwabacher, Blue Vinyl), Bug Blatter Mega Grotesk (2007), Amity (2007, a unicase type design in the spirit of Bayer Universal), Soft Serve (2005, comic book or ice cream cone ad typeface designed by Haley Fiege and James Arboghast), Pykes Peak and Pyke's Peak Zero (2008, avant garde), Jabberwub (2008, chewing gum type) and Big Noodle Titling (2008). Arboghast is his professional name (as he states: I write ads and I create professional pseudonyms for artists and brand names for a living, among other things.).

His free faces are at TypOasis and Dafont. Abstract Fonts link. Klingspor link.

View the typefaces made by James Arboghast. [Google] [MyFonts] [More]  ⦿

Seunghan Bae

Korean designer (aka pear94210) who used FontStruct in 2009 to make Shadow (shadow font), Outside (bilined), Squaline (gridded), 5to5 (pixel), Shine, Heart Negative, Heartbreaker (octagonal), Octagon, Basic, Neos, Heaven, Remember (kitchen tile), Genie (bold, condensed), and Heaven. In 2010, these fonts were added: Chocolate, Piece (dotted font). [Google] [More]  ⦿

sfac079

FontStructor who made the white on black octagnal face Keyboard (2011). [Google] [More]  ⦿

ShyFoundry (was: ShyFonts)
[Derek Vogelpohl]

ShyFoundry (formerly ShyFonts Type Foundry), located in Elkhorn, NE, was founded in 1995 by Derek Vogelpohl (b. Phoenix, AZ, 1971), whose (often techno) fonts used to be free. His original free font site closed down in February 2001. The fonts were thereafter available at CybaPee's site. Fontspace link.

Derek briefly joined ApostrophicLabs in March 2001. His first font there is Phosphorus. In 2001, he created the beautiful Plasmatica family, PhosphorusII, Avondale (a great display family), and the large Covington text family, which is also available now for the Tex community. Dafont link.

In 2008, he took his operation to MyFonts. Each type family comes in 8 to 12 styles.

  • His old free font list: AlienEncounters, ArcheryBlack, AftershockDebris, AlienEncounters, AmericanaDreams, SF DigitalReadout [1999; in 2009, a commercial version, SF Digital Readout Pro appeared], DistantGalaxy, GrooveMachine, HollywoodHills (octagonal, like wood type), MoviePoster, OuterLimits, PlanetaryOrbiter, SFAtarianSystem, SFBigWhiskey, SFCosmicAge, SFFortuneWheel, SFGothican, SF Junk Culture, SFJuggernaut, SFNewRepublic, SFOldRepublic, SFSportsNight, SFSquareHead, SFTattleTales, SFTechnodelight, SFZeroGravity, SFCollegiate, SFMoviePoster, SolarSailer, StarDust, Telegraphic, ViperSquadron, SF IronSides, SF GrooveMachine, SF TransRobotics, SF Balloons, SF Intellivised, SF Obliquities, SF Willamette, ActionMan, Arborcrest, Automaton, Buttercup, ChromeFenders, SF Espionage, SF Square Head Pro (2009, with Roger S. Nelsson at CheapProFonts), SF Square Root, EccentricOpus, GrungeSans, Intermosaic (pixel family), Intoxicated, IronGothic, Laundromatic, Quartzite, SlapstickComic (comic book font family), SynthonicPop, SF Wasabi (oriental simulation), TheraminGothic, Ferretopia, Toontime, Retroesque, Chaerilidae, Gushing Meadow (dripping blood family), Shai Fontai, Retro Splice.
  • Free fonts made in 2008: SF Fourche, SF Florencesans (a huge family), SF Plasmatica, SF Slapstick Comic, SF Speedywaystar.
  • Commercial fonts: SF Groove Machine Pro, SF Quartzite Pro, SF Animatron (2008, a redesign of the techno family SF TransRobotics), SF Tekamah (2008, futuristic), SF Portabello (2008, bold and edgy headline family), SF Hallucination, SF Hypocrisy (2009, simple sans), SF Pale Bottom (2009), SF Outer Limits (2009), SF Orson Casua (2009), SF Old Republic (2009), SF Obliquities (2009), SF New Republic (2009), SF Movie Poster (2009), SF Minced Meat (2009), SF Chrome Fenders (2009), SF Eccentric Opus (2009), SF Buttacup (2009), SF Chaerilidae (2009), SF Covington (2009), SF Espionage (2009), SF Deco Techno (2009), SF Baroquesque (2009), SF Ferretopia (2009), SF Chromium 24 (2009), SF Avondale (2009), SF Electrotome (2009), SF Cosmic Age (2009), SF Hallucination (2009), SF Florencesans (2009), SF Zimmerman (2009, handprinted).
[Google] [MyFonts] [More]  ⦿

Sigfried Odermatt

Swiss type designer, b. 1926, Neuheim. Creator of Antiqua Classica (1971, a high-contrast didone; Engler Text-Bild-Integration AG), and Marabu (1972, a counterless octagonal display face; Engler Text-Bild-Integration AG). [Google] [More]  ⦿

Silvino González Morales

Colombian designer in Bogota. Behance link. He created the octagonal face Macro (2010). [Google] [More]  ⦿

Simon Geist

Aka Zorrobs. FontStructor who made the octagonal typeface Love And Kill (2012) for a course taught by Florian Hardwig in Germany. [Google] [More]  ⦿

Simon Thomaschke

German designer of Amputierte (2009), Bubblegum (2009), Derail (octagonal) and McLovin (2009, outline face), Giantypo (2009, constructivist). [Google] [More]  ⦿

Simon Wiesmayr

German designer of Costura (2006, stitching font), a three-weight stitching font family. He also made the octagonal stencil font family Autobahn (2007). His foundry is called Rebellion.

Dafont link. And another URL. Klingspor link. Font Squirrel link. [Google] [More]  ⦿

Sindicato de la Imagen (or: Cooperativa de Fundicion Tipografica)
[Joaquín (jko) Contreras]

Santiago, Chili-based type cooperative where some free fonts have been produced: CNI (2004, a scary pixel face named after the Central Nacional de Información, the notorious Chilean intelligence bureau), CFT maestro rosamel, Masapunk (grunge, available from Latinotype), Jara (pixel face, Latinotype), Themo. The main designer is Joaquín (jko) Contreras, a Chilean based in Santiago. He won awards at Tipos Latinos 2008 for Romances (an exquisite calligraphic family) and Epístola. Other typefaces: LTT Jara, LTT Ferretería. Contreras wrote a thesis at the Faculty of Architecture of the University in Chile in 2007 entitled Diseño de fuentes tipográficas, basadas en los libros integramente caligrafiados por Mauricio Amster en Chile. In 2011, he cofounded Los Andes Type, and published the octagonal face Fierro (2011) there. [Google] [MyFonts] [More]  ⦿

Sketchbook B
[Bob Wertz]

Free font outfit by Bob Wertz that started production in 2009, mostly based on FontStruct: Micro 205 (dot matrix face), Scoreboard (athletic lettering), Valdes Poster Sans (2009, a casual handprinted bold sans done in cooperation with Zoo Valdes), Aiken (art deco done at FontStruct), CerealBox (+Fill), Technobabble, Aiken, Transmission (+Bold; FontStruct), Psuedoscript (2010, upright connected angular script), Powergrid (constructivist, FontStruct), Substation (constructivist, FontStruct), Dradis (FontStruct, kitchen tile face), Woodrow (FontStruct, octagonal; +Light), Infield (FontStruct), Grande (fat piano key font, FontStruct), Big Thursday (Wild West face, FontStruct), Dingbots and Monsters (pixel dingbat face, FontStruct), Foxtrot Sierra (maritime flags), Cerealbox (+Fill).

He writes about himself: Bob Wertz is a graphic designer and art director living in Columbia, SC. In addition to working as designer, Bob has been an adjunct professor at the University of South Carolina. He was a founding member of the AIGA South Carolina board, serving as vice president for two years and then as president for two years. He also made some fonts with iFontMaker in 2010: SketchPad, LilyPad. Fonstructions in 2011 include Dingbots and Monsters XL. [Google] [More]  ⦿

Skin
[Justin Sola]

Skin is Justin Skola. Designer of the techno face Klunk (2007, T-26) and of the octagonal Anglegrinder (2009, T-26).

MyFonts page. [Google] [MyFonts] [More]  ⦿

Slashed Zero Fonts

Mini-archive. Fonts with a slashed zero in them: ArialMT, Crystal (by Jerry Fitzpatrick), GlassGauge (by URW, an octagonal font), Ham, HyperFont, K9YY_C1, K9YY_C2, K9YY_C3, T93Y, VAGRound. [Google] [More]  ⦿

SMeltery Fonts
[Jack Usine]

SMeltery is the French foundry of Jack Usine. Free fonts: Megalopolis Extra (2008), Vidange (2008-2009, a sans at PsyOps; in 2010, a commercial version appeared), Geronto Bis (2008), Telerysm Mono 2 (2008), Bankrutt (2008), Trottoir (2007, inspired by the writing on the sewer covers of Pont-à-Mousson), Stigmate (2007), Sans Merci (2006), Jules Vernacular (2006, upright script), Alusine (2005), Geronto (2005, wow!), Justice (2004, octagonal), Megalopolis (2004), Mon Nom (2004, mono), Oh My God (2004, experimental), Telerysm (2004), Telerysm Mono 2, Heretica (2004, gothic), Consume More (2004), Est-ce que (2004), Bankrutt (2004, blackletter stencil), Audimat (2003), Audimat Mono (2005), Patronne (2003, octagonal), Enfer (2003), Redevance (2003, fifties diner font), Outil (2003), Work (2003), Watch TV (2003, stencil), Kebab (2003), Consume (2003, dingbats), Gazole (2003), Icone (2003), Ax&Swar (2003, artsy), TwentyOne (2003), Phylloxera (2002), Jack Usine (2002, great techno face), Charles (2002), Fat (2002). No longer supplied: Laplakett, Bogota, Lamemoire, Lafacture, Hustla, Goody, UseIn, CPUX, Daplakijtt, Zero. Commercial fonts: Vidange (2008, PsyOps), Rouge Sans (2007), Sans Merci (2006), Vernissage (2006, stencil), Manifest Destiny (T26, 2006). In 2006, Usine and Fanny Garcia published Soupirs A through E, nifty ornaments based on the soupiraux found in Bordeaux). Experiments: Toypography (2004), TypoClock (2003).

Alternate URL. MyFonts page. Klingspor link. [Google] [MyFonts] [More]  ⦿

Software Refinery
[Rob Hawke]

Rob Hawke, or Ewan McNulty, designed the metal band octagonal face HardWar (1999-2000). Fontspace link. [Google] [More]  ⦿

soulmansi

Designer of the fat octagonal faces RAand RA(2008, FontStruct). [Google] [More]  ⦿

ssaamm

FontStructor who made these fonts in 2009: 5x5 (pixel face), SignaPix (pixel script), MegaPixel, Steamwriter, Minimalista (4x4 pixel face), Square Off (programming font), 12segment (pixel face), Oriental Theatre, (+Smooth: condensed piano key faces), 7x7:1 basic Serif (pixel face), 7x7:2 Classic (pixel face), Square On, Sharp Perforation, Modern Monospace.

In 2010, he created Squeaky, Texico (a gorgeous Tex-Mex party headline face), Dutts Sans, Dutts Serif (dotted faces), Concrete Block (octagonal). Squareplane (+Sharp) and Tacky (a coffee bean font), Cancerous (pixl), Squrave (pixelish), Variable (pixel face), Impossible (pixel), Super (dotted), S-Video Real, Odds and Ends, Edward, Reversey, Rocky, Tacky (dotted), It Pops (athletic lettering), Bulge, Brick Block (3d face), Whoops, Gradient, Uniform Heavy, Uniform 2, Here Is Your Receipt, Filmstrip, 4444, Offf, Leave It To The Mind, Wayvee, Illusiyellow, Jot It Down, QweABC, Bleach, 5x7 Practicali, Fancy 5x7 (pixel), Crispy, NoNoNo, S-Video, Blockish.

Creations from 2012: Hardclips (military stencil). [Google] [More]  ⦿

Stelios Constantinides

Designer who used FontStruct to make Bouldo (2010, dotted face), TNR Bold (2009), Balltype (2009), Octastruct (2009), Weejie (2009), Times Neue Roman (2009, called the illegitimate child of Times New Roman and Helvetica Neue (Condensed)), Elion (2009, dor matrix pixel script), Tweed (2009, squarish), Akia (2009, experimental slab serif), Tesla (2009, dotted font based on Superpois), Pressure (2009, severe octagonal family; +Compressed, +Extended), Simplest (2009), Agora, Agora3D and Agora Dots (2009), Simplest (2009), Billboard (2009), Avant (2009), Imprinted (2009, dotted lines), Pivot Fill (2009), Pivot (2009), Handgloves Neue (2009), Paperclipped (2009), Handgloves (2009), Heart (2009), Foldstruct Pix (2009), Foldstruct (2009), Lino (2009), Linea (2009), Eurotype (2009), Stack (2009), Bloc Stripe (2009), Bloc (2009), Stencileaf (2009), Paul Was Here (2009), Sweetness (2009), Squidlike (2009), Rokice (2009), Current (2008), Theory (2008), Apatype (2008), Dot Script (2008), Dotize (2008), Poiis (2008), Poiis Wide (2008), Wired (2008, white on black), Bloct (2008, pixel shadow font), Construct (2008, like Bloct with a crane effect), Mazal (a great rectangular white on black idea), Keyal (Indic simulation with multilines), Squarial (pixelish), Classico, Unireal, Yoko (simple stencil), Splice (squarish condensed), Goodmorning Tokyo (labyrinth-like glyphs), Poii (pixel face), Gogic, Giant, Wikial (diner script simulation), Futoni (squarish letters). [Google] [More]  ⦿

Stella Roberts Foundry
[Stella Roberts]

Type Designer in Sunrise, FL, who created a coop style foundry for a charity that pays for the medical bills of her siblings. Some typefaces are made by guest designers such as Jeff Levine, Ray Larabie, Matt Yow, and Brad O. Nelson. The list of typefaces:

  • Ali SRF (2012). By Ray Larabie.
  • Austrual SRF (2012). By Jeff Levine: star dingbats.
  • Big Jim Roberts SRF (2012). Named after Stella's father, this is a seventies retro face.
  • Cardholder Dispute SRF (2012). By Ray Larabie, based on his own old freeware font Cardholder Dispute SRF.
  • Consonant SRF (2012). By Jeff Levine based on an old Ray Larabie font.
  • Dastardly Deeds SRF (2012). A stick font by Ray Larabie and Jeff Levine.
  • Devama SRF (2012). A mini-stenciled face by Ray Larabie.
  • Dirty Money SRF (2012). A dollar bill font designed by Brad O. Nelson.
  • Femi SRF (2012): a black monoline grotesk caps face.
  • Fenimore SRF (2012). An art deco face by Jeff Levine, related to hius own Theater District JNL.
  • Fitz Sans SRF (2012). By Matt Yow.
  • Hem and Haw SRF (2012). A stitching font by Ray Larabie based on his earlier typeface Stitchen.
  • Infantry SRF (2012). By Jeff Levine, an update of his old freeware dingbat font Infantry (1999).
  • Mancave SRF (2012). A stone age face by Jeff Levine.
  • Marginal Notes SRF (2012). A handprinted typeface by Ray Larabie.
  • Mevada SRF (2012). By Ray Larabie.
  • Ovala SRF (2012). By Ray Larabie.
  • Playya SRF (2012). A graffiti tag font by Ray Larabie.
  • Ranger Rays Rocketeers SRF (2012). By Jeff Levine, based on an old freeware space-age dingbat font.
  • Seminar SRF (2012). Jeff Levine overhauled a Peignotian / Optima-style typeface by Ray Larabie.
  • Transaction SRF (2012). A dot matrix font by Ray Larabie.
  • Wesley SRF (2012). A Ray Larabie original.
  • Wrenchworks SRF (2012). Ray Larabie and Jeff Levine cooperated to bring this mechanical octagonal outline face.

View the typefaces at Stella Roberts Foundry. [Google] [MyFonts] [More]  ⦿

Stereoplastika
[Alberto Rodríguez]

Spanish graphic design, poster design and illustration outfit of Alberto Rodríguez in Toledo. Some free artsy fonts on this site include Xstrema (2011, octagonal and experimental), GROTESKA (2009), Gordala (2009), Metal (2009), Tozuna (2009), Amable (2009, like the previous two, counterless fat octagonal faces) and Sierra (2009). Behance link. [Google] [More]  ⦿

Stewart Scott-Curran

Atlanta, GA-based graphic designer and illustrator. His typefaces include Hampden (2011, an art deco caps face), Geometra (2011, octagonal) and Skyler (2011, a great high-contrast fashion mag face). [Google] [More]  ⦿

Stig Taftø

Graphic designer in Oslo. He used FontStruct in 2008 to create these faces: Donna 80, Donna 82, Donna 85, Lofoten Wave Starter, Donna Circels Black. The Donna series consists of glyphs entirely composed of hollow circles. [Google] [More]  ⦿

Stockholm Design Lab
[Thomas Eriksson]

Stockholm Design Lab is a multidisciplinary design agency in Sweden, founded in 1998 by Björn Kusoffsky and Thomas Eriksson. They do custom type work. These logotypes and custom types include:

  • Stadium AB (for Norrk&oum;ping-based Stadium AB, the largest sporting goods retailer in Scandinavia). Done in 2007, and somehow connected with Monotype, the sturdy sportsy Stadium Sans family includes Stadium Sans Pictograms.
  • K-World, a logotyoe for an educational TV channel in Sweden.
  • SAS. A logotype.
  • Vin&Sprit. A corporate identity tye family called V&S and Monoline VS for the booze group that markets Absolut Vodka.
  • Kapp Ahl. A logotype for the clothing brand.
  • Moderna Museet. Stockholm Design Lab, together with Henrik Nygren and Greger Ulf Nilson, created a comprehensive identity program for Moderna Museet. It included a new graphic identity. The typeface is called Gridnik MM (2004, octagonal).
  • IKEA Food. The typeface is called IKEA Sans.
  • UKK. An interesting 3d cubic type design for UKK, Uppsala Konsert Kongress.
  • Agnette. A serifed logotype.
  • Astoria. A modular headline design for the Astoria cinemas and restaurants, and a sans and serif type family.
  • DICE. DICE or Digital Illusions Creative Entertainment is a proud member of the EA Games Group. DICE creates top-quality computer games and is the leading game development studio in Scandinavia. They produced award-winning games such as the Battlefield series. Stockholm Design Lab has created a comprehensive design program that covers a corporate identity and product development.
  • Morphic. Corporate identity and logotype for the wind generator company.
  • Cubus. New corporate identity done in 2007 for this women's fashion brand.
  • Magnusson Fine Wine. Magnusson Fine Wine offers first class wine valuation, consultancy and storage services. Stockholm Design Lab has together with TEA created a visual identity program and interiors for the facility in Stockholm.
  • Peak Performance. Identity and logotype for this sportswear company.
  • Bonnier. Bonnier is a multi-channel media company. SDL created a design program covering corporate identity, imagebank, website and the annual report 2008.
  • Linnéuniversitetet (2010). Corporate identity for Linnaeus University.
  • Norrlandsoperan. A logotype for this opera ensemble.
  • Ohmine Shuzou. A logotype and identity for a sake brand in Japan, Takeshi Akiyama.
  • Hemtex. A logotype.
  • The Swedish Institute (SI) is a public agency that promotes interest and confidence in Sweden around the world. Stockholm Design Lab has been involved in updating the identity and refining the logotype. The font used is Akkurat SI.
  • Spritmuseum is the new name for Vin och Sprithistoriska Museet which is constructing its new home in a beautiful location in Kungl, with a finish date of 2012. Identity and logotype.
  • Bella Sky is part of Comwell and is Scandinavia's largest hotel---it is located in Copenhagen. SDL has created the new identity and signage system for the 814 room hotel. The new (octagonal) typeface is called Bella Sky.
  • KMH (Royal College of Music) is one of the oldest and most prestigious music colleges in Sweden. Its new visual identity has been developed by Stockholm Design Lab in 2011.
  • Ahlens (2011). The type family Ahlens Sans is part of the visual identity SDL did for Åhléns Klubb.
[Google] [More]  ⦿

Studio Charlie

Italian graphic design group headed by Gabriele Rigamonti (b. Italy, 1976), Carla Scorda (b. Italy, 1976), Vittorio Turla (b. Italy, 1975). The company is located in Rovato, Brescia, Italy.

Fonts sold by MyFonts: the DIN-inpired 6-style sans family Superbastone (2006), the futuristic Stereotype family (2005), the skull dingbat font Catacumbes (2006), the ransom note font Cavillus (2006), the dog dingbat font Charliedog (2006), the leafs dingbat font (2006), the Stencil G family (2006) and the rounded octagonal family Pied de Poule Text (2006) were codesigned by all three founders.

In 2007, they added Insects (dingbats), Design We Like (dingbats), MyFace (an award-deserving collection of faces), Friz Biz (simple children's hand), Washing Machine (dingbats), Superbastone (sans family), Superclosed, Supersquared, Superstarlike, and Superwood.

In 2008, we saw the publication of Retrofont, a very condensed high contrast sans.

In 2009, the dot matrix face Superpois saw the light.

Behance link. [Google] [MyFonts] [More]  ⦿

Studio Kmzero (or: ZeroFont)
[Francesco Mistico Canovaro]

Italian design firm in Firenze consisting of three graphic designers, Francesco Canovaro, Debora Manetti, and Cosimo Lorenzo Pancini. Dafont link. Canovaro's Behance link. Also called ZeroFont and Zetafonts. Typefaces:

  • Antipasto (2007). A clean elegant sans by Canovaro.
  • Arista (2007) and Arista 2.0 (2010). A simpole bold sans face desgned by Francesco Canovaro and Adolfo Monti.
  • Arsenale White and Arsenale Blue (2009). Children's hands, done by Cosimo Lorenzo Pancini, Francesco Canovaro, Andrea Mi, Debora Manetti, Katiuscia Mari, and Jonathan Calugi.
  • Bistecca (2005). A bellissima extra-condensed serif font created for ego[n] 5 and for the cover of ego[n] 4.
  • Braciola (2006). Monospaced and octagonal, with stencil styles added.
  • Byron (2006). Handwriting.
  • In 2010, Canovaro designed the Bubblebody Fat and Bubbleboddy Extra Light.
  • Cibreo. A basic sans face by Canovaro and Monti.
  • Delizioso (2008). Art deco.
  • Docporn (comic book style).
  • Duepuntozero (2010). By Canovaro.
  • Filetto (2009). A sans modeled after DIN 1451 done by Canovaro, Debora Manetti and Katiuscia Mari.
  • Handvetica (2005). Arched.
  • Modulo3 (2008). An artsy beauty.
  • New Romantic (curly grunge).
  • Prozak. Consists of zProzak-Bold, zProzak and zProzakLight (2006). A basic sans face by Canovaro and Monti.
  • Sala de Fiestas (2005-2006).
  • Square80 (2009).
  • Sugo (2007). By Canovaro and Monti.
  • Taller (2009). Ultra-condensed.
  • Taller Evolution (2009). A geometric sans.
  • Tallest (2009). Ultra-condensed.
  • Targa Monospace. Inspired by license plate lettering.
  • Targa (2002), TargaMS (2002), TargaMSHand (2002).
  • Tutor (2006). Rectangular, pixelish---what I call a piano key font.
[Google] [MyFonts] [More]  ⦿

Studio Moccoro

Architecturally oriented FontStructor who made the Latin / Greek squarish faces Oh Suzie Q, Oh Mikron, Oh Mega, and Oh My Font in 2011. Home page. Catalog. [Google] [More]  ⦿

SUBFLUX experiment
[Mickey Rossi]

Mickey Rossi graduated in 1986 from the Philadelphia College of the Arts. He then worked in Maryland and Virginia, such as at AOL in Dulles, VA, and is a creative director in Atlanta, GA since2004.

He offers these free typefaces under the Subflux label: Alpha Male Modern (1997), AthleticSupporter, BallparkWeiner (connected fifties script), BarBenderBold, BobbiTheHippie, BongoFraktur (in Koch's Neuland style), CargoCrate (stencil), CollegeBoy (athletic lettering), FlandersRideItalic, FlandersRide, Fleetwilly, FlyTrapExtended, Hair Brush, HighlightsCondensed, Helga Broad, Hilda Broad, JimThorpeHigh (octagonal / mechanical), LevelFourteenDruid (medieval), LifestyleCondensed (avant garde), NotANumber, On That Shark (angular), RetroSuperSkinny (Peignotian), SatansMinions, Scrawlly, Scritchy Eye, Zerengetti (African look), ZiggyStandard. Rossi calls himself also "Loveless".

Dafont link. Klingspor link. Abstract Fonts link. [Google] [More]  ⦿

Subtitude
[Sébastien Théraulaz]

Sébastien Théraulaz from Lausanne lives in Montreal since 1997. There, he started his type foundry Subtitude (as part of Sub Communications Inc). The first fonts: Subix (2005, bitmap font), Subedge (2005), Subamera (2005, free), Subaccuz-Bold, Subaccuz-Light, Subaccuz-Regular (2003, all free), Subinter (2003, with Valérie Desrochers), SubinterLightCondensed (2003), Subelair (2005), Subeve (erotic outlines, free), Subroyal (2005, octagonal), Subalde (2005, Valérie Desrochers), Subikto_one (2005, a beautiful hand sign dingbat font), Subikto Two (2007, flowers and leaves), Subikto Tree (2010, tree silhouettes), Subyep (2005, pixel face), Subzoete (2005, cultural calendar icons), Subelek (2009, heavy geometric face), and Suboel (2005, Christmas icons pixelized; by Theraulaz and Desrochers). Working on Subytro (2006) and Subima (2006). MyFonts site. Dafont link. Behance link. [Google] [MyFonts] [More]  ⦿

Subtype (was: Typisc or Suprb)
[Andreas Pihlström]

Swedish commercial foundry, est. 2006, earlier called Suprb or Typisc. Commercial fonts: NTMY (2009, ultra-black), Alasca (2008), Quick16 (2008: pure geometry), ASCA (2008, "the cousin of OCR"), Myld (2008, avant garde ideas), Wyld (2010, hairline version of Myld), DIRR (2007, an unreadable extra black concoction), ASCA and ASCA-D (2007, rounded octagonal), LIW (techno, in bold and regular versions), Wyld (2007, Avant Garde to the extreme), Quick16 (2008, experimental), Alkasca (2008), Building (2006), Asphalt (2007, avant garde). Free fonts: Quart (2008, kitchen tile style), SWEM (2007, experimental), Cloud (2006, hairline font with connected letters, by Andreas Pihlström). Alternate URL. YWFT link. [Google] [More]  ⦿

Sucich

Student of Graphic & Web Design at DMACC (Des Moines Area Community College). FontStructor who made Phato (2012, octagonal face). [Google] [More]  ⦿

Sueh Li Tan

Graphic and type designer from Penang, Malaysia, who is currently in The Netherlands. Graduate of the Type and Media program at KABK, 2009. There, Tan tried a revival of Bembo (2008) and created Callie Text and Callie Display (2009), a text family, as his graduation project. In 2010, in collaboration with Martin Frostner, she created the custom octagonal / calligraphic face Biskop Arnö for Nordic Folk High School, Biskops Arnö at Mälaren. [Google] [More]  ⦿

Suitcase Type Foundry
[Tomás Brousil]

Suitcase Type is a Czech foundry, est. 2004 by Tomas Brousil, who lives in Prague. Fonts include the interesting Tabac type system (2010; includes the humanist Tabac Sans (+Hair); sure to win awards in the near future!!!), Monopol (a six-weight condensed sans that includes a hairline weight), Idealista (2010, organic, a mix of styles), Nudista (2009, a multistyle take on DIN), Kulturista (2009, a part slab part serif extension of Nudista), Comenia Sans (2008, a 12-style complementary family to Storm's Comenia Serif for school textbooks), Metalista (2008, unicase octagonal metallic face), Bistro Script (2007, fifties diner style script), Corpulent (2007), Gloriola (2007, a sans in 14 styles, including a hairline. This family won an award at TDC2 2008 and at Typographica's Best of 2007. Stephen Coles likes its position between the cool sterility of de Groot's monolinears and the warmth of Latin designers: With a broad range of weights, a complete Western character set, and a sack of ligatures and alternates, Gloriola has the depth required for complex identity systems and publication design. This shrewd response to the fashions of today is going to be useful for many years to come.), Purista (2007, a 10-style cousin of Bank Gothic, which includes hairlines. Ellen Lupton: I've been feeling hungry for a stylish, edgy sans who enjoys evenings out on the town and long mornings of crisp conversation. In other words, I've been craving a font who likes to party but who can also help out with the dishes.), Teimer's Antiqua (2006: a didone family based onn unpublished 1967 design by Pavel Teimer), Rokoko (2006, an octagonal custom face for the Rokoko Theatre in Prague), Sandwich (2006, a lively display caps set), Vafle (2006: based on an original concept by Marek Pistora from 1997, with minor adaptations and 11 new weights), Dederon Sans and Serif (2005, the sans version being inspired by TypoArt's Liberta; see also here for a comparison with Underware's Dolly), Fishmonger (2004, a sans family), RePublic (a 2004 revival, done with Radek Sidun, of Public by Stanislav Marso, 1955. Note that Public was used to set the text of a Czechoslovak Communist party newspaper, Rudé Právo), Botanika (2005, a sans family including many typewriter styles and several mono weights), Atrament (2003, a narrowed grotesque inspired by the lettering used on the title of the almanac "Devetsil - Revolucni slovnik" (1922) edited by Karel Teige, in 30 styles!), Magion (2004, a simple geometric font), Fishmonger (2004, a broad 50-weight futuristic family), Katarine (2004, a warm sans family with appropriate dingbats added in), and Orgovan (2004-2005, a punk/brush family). Tomas lives in Prague. MyFonts page. Behance link. [Google] [MyFonts] [More]  ⦿

Suomi Type Foundry
[Tomi Haaparanta]

Tomi Haaparanta (b. Vaasa, Finland, 1967) is a Finnish type designer and art director. He created many great fonts, and founded Suomi Type Foundry in 2005. Speaker at ATypI 2005 in Helsinki. MyFonts link. FontShop link. Klingspor link. His typefaces, suboptimally grouped:

  • Typefaces from 2011: Tow (a headline font family), Grumpy Black (Black 24 is based on the headline face ITC Grouch (1970, Tom Carnase), and the other styles are increasingly of higher contrast).
  • Creations in 2010: Tenner (very plump and round, good for signage), Tart Heavy (fat slabs to drool over), That (a display family, +Open, +Irregular, +Bold), Thud (an industrial belt octagonal/mechanical family), Steelworks (a sturdy mechanical sans), Taste This (sans family), Telltale, Titillation (rounded), Tide (connected script emulating ink flow), Taffee (narrow sans), Televisio, Tournedot (a very cute and lively semi-serif headline face), Tempest, Tristan (handprinted), Cider Script, Toffee Script (after an art nouveau face called Regina Cursive). Tonsure Script (a high-contrast connected script), Ticketbook (for movie posters), Suomi Sans (a family with special counters).
  • Creations in 2009: Tar (rounded sans family), Marimekko (a slab family for a Finnish clothing company, adapted from its 1954 Olivetti typewriter roots), Vektori (monoline octagonal), Kaapeli (Tomi's take on Kabel), Suomi Slab Serif (related to American Typewriter), Marimekko Sans, Tee Franklin (gothic sans family, made for The British Vogue---check out the light weight), Tobacco (octagonal, based on drawing program emulation), Pannartz (based on a scan of a 1476 text by Sweynheim&Pannartz), Suomi Hand (FontShop), That (4-weight serif family), Talbot (connected script patterned after the Talbot car logo), Taint (modular ink trap face), Tailor (slab serif), Tink, Tale 40, Tale 20, Story 40, Story 20 (all pixel fonts), Tictac (a 3D face), Giro (done on purpose to mimic the ugly Giro d'Italia geometric logo font), Tame (rounded sans), Suomi Script, Explosion (grunge).
  • Creations in 2007: Caxton Script (blackletter).
  • At ITC: ITC Tetra (2005, squarish face), ITC Tomism (2005, modeled after Church Slavonic), ITC Tyke (2004, a take on Cooper Black).
  • At Psy-Ops: Temporal, Torus.
  • At T-26: Talmud (1998, faux Hebrew), TyrantRoman (1998, an Exocet-style face, T-26), Tumbler, Torino-Book, Tonic, Terylene, Tension, Teebone, Task-Toobig, Target (2004), Tantalus, Aged (1999), and Taper (2009, slab serif), the experimental sans families Target Recut (2004).
  • At FUSE: FutuRoman (FUSE95).
  • Tang (2004, an anti-inkbleed sans family done for very small point sizes).
  • At Agfa Creative Alliance: Tangerine, Teethreedee, Twinkle.
  • With Klaus Haapaniemi and Brian Kaszonyi: the 15-font War family in 1999-2000.
  • At Linotype: TeebrushPaint LT Std (2003).
  • Game (family).
  • Tubby.

View Tomi Haaparanta's typefaces. [Google] [MyFonts] [More]  ⦿

Superieur Graphique
[Sven Stueber]

Superieur Graphique is Sven Stueber's graphic design company in Berlin. Sven is involved in some logo and corporate font design. For example, he made the octagonal face Coastboy (2002) and the rounded sans face 52 Nord (2002). [Google] [More]  ⦿

supernerd64

FontStructor who made the octagonal stencil font Powerfont (2012). [Google] [More]  ⦿

Tabo Garcia

Tabo (Gustavo) Garcia (alternate URL) is based in New York. He designed these fonts:

  • 2004: Almaga, Sketch Book, Tokiorama (Regular, Bold and Hashi: oriental font simulation).
  • 2005: Chubby Round, Chubby square, Classic 1952, Ishtencil popular, Round Balcony.
  • 2006: Bonfim, Com Las Manos.
  • 2007: Brocos Tortos (octagonal), Bad Tattoo Artist, Electro Punk, Molecula Toxica, Roundin.
[Google] [More]  ⦿

TAM Page

TAM Line Font Normal and Bold are two free architectural octagonal fonts. [Google] [More]  ⦿

Tauba Auerbach

German designer who created the free hairline octagonal face Pomegranate in 2007 for Neo2, a Spanish magazine. She also has many nice typographic posters in her gallery. [Google] [More]  ⦿

Tayrine Cruz

Brazilian designer of Frankenstein (2012, a semi-octagonal typeface). [Google] [More]  ⦿

Teamoore

Designer of the octagonal face Teamoore (2010, FontStruct). [Google] [More]  ⦿

Tema Lebedev

Designer in 2008 at FontStruct of Salo Power (octagonal). [Google] [More]  ⦿

Terry Sampson

Designer of these faces at FontStruct in 2008: Upson Downs, Big Block Sans, Serabunde (outline face), Sampson Mono Sans, Spandantic, Decal (athletic lettering face), Collegiate Solid, Iconic Louvre, Ma Bennett, Collegiate Outline, Blockhead, Zataganges, Micro G (based on Microgramma), This Way Up, Fraktured Bubbles, Movie Clip Reversed, Domtext (blackletter), Guido (flowery caps face), Guido Light, Misery (pixel face), T-Squared, Whisper, Samus, Rybald, Easter Island, Rybald Normal, Hairy Bugger II Clone, Texture Fancy and Texture Graph paper (both based on Wolfkrim's blackletter face Texture), Sausage Factory, Klingon Blade II Heavy, New Gotham, Whipstitch (stitching face). Additions in 2010: Sectarian, Sectarian Outline. [Google] [More]  ⦿

Textaxis
[Iñigo Jerez Quintana]

Spanish/Catalan foundry run by Barcelona-based Iñigo Jerez Quintana since 1995. His beautiful typefaces include Scozia (2011, didone), Amy, CX Type, School (fat octagonal face), Hidalgo, Poster (didone), ASM, 112 Type, Point (2011, rounded typewriter family), Papers (2011, a fat fashion mag didone display family), Slim (2011), Batin (2005, neat garalde family), Palo (2000), Dinamo (1999), Oneline (1998), On Serif (2001), On Sans (2001; with On-Serif, a winner at Bukvaraz 2001), Blok (2004, poster face), Track (2004, octagonal), Plus (2004, octagonal), Bonus (2004, ink trap face), Interfunktionen (2004, old typewriter), SuiteSerif (2003), Xquare (2003), Interpol (2002), Maeda (2002), Luomo (2002), Borneo (2002), Suite (2001), Self (1999, sans family), Valeria (1997, liquid serif), Inercia (1995, a rounded organic sans done at Garcia Fonts), Latina Sans (1998, a winner at Bukvaraz 2001), Latina Serif (1998), Textaxis (2000, sans). Suite won an award at the TDC2 2003 competition. His Quixote text family (2005) won an award at TDC2 2006 and at Tipo-Q. [Google] [More]  ⦿

The Amber Singh

FontStructor who made the texture face TheAmberSingh (2011), a clone of Intaglio's Boxica (2011). [Google] [More]  ⦿

The Fontry
[Michael Gene Adkins]

The Fontry is a Watts, OK, based outfit, est. 1992 by Michael Gene Adkins (b. 1965, OK) and James L. Stirling (b. 1964, OK): Digital type for computer-aided signmaking, with fonts designed for signmakers by signmakers.

Since 2009, they have been producing various digitizations of alphabets designed by Alf R. Becker in the 1930s and 1940s. Gene Adkins designed ARB 85 Modern Poster JAN-39 (2011, after Modern Poster Script, 1939), ARB-70 (1995), ARB-67 (1998), ARB-66 Neon (2010, +Block, +Line), ARB-44 (1995), ARB-96 Jitter Display DEC-39 (1999), SCRIPT1 ARB-85 Poster Script Normal (2000), ARB-66 Neonline Block, ARB114 Hillbilly Roman JUN-41 Normal (1999), ARB-187 Moderne Caps AUG-47 CAS family (2009, a beautiful didone display face), the ARB 08 Extreme Roman AUG-32 CAS family (2009), ARB-218 Big Blunt (2010), ARB-218 Neon Blunt.

Another product is the Wild Bunch Pak #3: Danthr Skal, Kastaka, Gas Bumps, Skrawl 613, Sharrpe Gothik, Levo Fraz, Kommerce, Stellar Spice, Infected Hurt.

Wild Bunch Pak #2 (50 USD) has Marbles&Strings, Keetoowah, Peppermint, Ghixm (2008: a retrospective of the horror comics and movie posters of the 1960s and the 1970s), Klash, all outline fonts. In Wild Bunch Pak #1, look for Toxia. Race Pak #1 contains 5 chiseled fonts, including ARB67, Brannt Chiseled, Excursions, JLS Ultra, and Race Checkers. 50 USD. There are also Greek Pak #1 (12 Greek fonts for 25 USD, including GRK Orbit, GRK Universe City, GRK Albert, and GREK Bodnaut) and Signfaces Narrow Pak #1. At Garagefonts, Wild Larra, Wild Ruts, Wild Toxia, Wild Nobody families (1999).

Adkins also designed the commercial font First Vision at GarageFonts in 1998. Review at &Type. List of the fonts on his CD.

MyFonts sells FTY Garishing Worse (2011---there is a free version at Dafont), SCRIPT1 Team (2010), SCRIPT1 Toon (2010), SCRIPT1 Voodoo Script (1999-2009, signage script), What Sound Pounds (2009), WILD3InfectedHurtNormal (2010), WILD1 Firstvision (1997), WILD1 Larra (1997, grunge), WILD1 Nobod (1997, grunge), WILD1 Ruts (1997), WILD1 Toxia (1997) and the blackletter faces Ironhorse and Ironrider (2007), revivals of classic wood type faces. FontShop link.

Some fonts are inspired by sign painter Frank H. Atkinson. These include the Broken Poster series done in 2010 and FHA Modernized Ideal Classic (2011).

In 2008, The Fontry published the Greek Font Set, Copper Penny DTP (after Copperplate Gothic), Droeming (an eerie family) and Earth A.D. (more eerie stuff, metallic, and with sharp serifs). It then generated a break-away subfoundry that carries fonts solely designed by James Stirling, Fontry West. Fontry West is located in Tulsa, OK. At MyFonts, these Fontry West fonts can be bought: Iron, WILD1 Firstvision, WILD1 Larra, WILD1 Nobody, WILD1 Ruts, WILD1 Toxia, WILD2 Ghixm, Greek Font Sets 1 and 2 (not Greek, only Geek-ish, made for fraternity use), and a large Comic Fanboy set which includes glyphs painted with stars and stripes (CFB1 American Patriot, CFB1 Captain Narrow, CFB1 Shielded Avenger, all made by Adkins). The CFB1AmericanPatriot family (2009), and the SCRIPT1 Rager Hevvy family (2009) are free here. JLS Overkill (2009, Bloque, Stencil, Grunge, Champion [athletic lettering], Hammer) is a sturdy family covering everything from SUV-strength stencils to grunge stencils and macho slab serif headline faces. After Disaster (2008), FHA Eccentric French Normal (2008, wood type after an alphabet created by Frank H. Atkinson in 1908), WHATSOUNDPOUNDS?Normal (2009) are free at Dafont. Sinder (2010) is a grunge face. FTY Konkrete (2010) is constructivist, and has a beveled weight. FTY Strategycide (2010) is a similar severe headline sans family. Sinder (2010) and Demon Sker (2011) are free grunge faces. American Purpose (2011) is a grotesk family. American Purpose Casual and American Purpose Stripe (2011) are follow-ups. Garishing Worse (2011) is a casual bold face. Sharpe Gothik (2011) is hand-drawn. American Captain (2011, a manly retro squarish propaganda headline face). Deathe Maach (2012) is a sturdy 6-style display family. Avengeance (2012) is a techno typeface.

Fontspace link. [Google] [MyFonts] [More]  ⦿

The Golden Black

Commercial display type foundry in Florida, est. 2009. Their selection includes Orthodox (2011, a spiked display face), Golden Blackletter, Catalyst Black (Lined, Solid; by Hydro74), Iron King (2011, inspired by cigar box labels), Chief (monoline octagonal face), Fearless Script (2011), Inked Script (copperplate calligraphic script), Muerte Black (by Hydro74), Black Mamba (by Hydro74), Viper Black (by Hydro74), West Coast Soul (by Hydro74), Bushido Ink, Iron Fist, Blackmail Sect, Golden Age, Tyranny Gothic. Infamous (2011, +Shaded) is a custom display font based on typography by the Sanborn Company designs issued in the 1800s. Perfecta (2011) and Fantasma (2011, spurred, all caps) are art nouveau fonts.

Golden Bones (2011) is free.

http://www.behance.net/thegoldenblack">Behance link. Dafont link. [Google] [More]  ⦿

The Letter D (was: Entica Typograffiti)
[Dan Pike]

Aussie design and type company, est. 2003 by Dan Pike from Brisbane. Their typefaces include Airport (2004, fantastic airport tile font), FourFive (2001, thin octagonal face), Block (2004), Pixel (2002), Route (2006), Slabamond (2002), Stencil (1999), Theo Fine (2005) and Theo (2000, inspired by the work of two great Bauhaus movers, Theo van Doesburg [1883-1938] and Theo Ballmer [1902-1965] both of whom created an alphabet based on a basic 5x5 grid system), Font 705 (2003, pixel face), Schwarz*Weiss (2003, swooshy face), Grave Archaize (2003, this is unbelievable--to be seen!), Flip&Rotate (2003), Valetta (2003). Most fonts are by Dan Pike. Some are by "Phil". Designer at FontStruct in 2008 of Font Airport (stencil-like), Font Theo Fine, Font Theo, Font Block and Font Pixel, and in 2009 of Font Pixel (SC, OB, BD, OS), Font Stencil (stencilized pixel face), and Font Theo Fine. [Google] [More]  ⦿

The Northern Block (TNB)
[Jonathan Hill]

The Northern Block (TNB) is Jonathan Hill's foundry based in Leeds and/or Sheffield, UK, est. 2006. Maybe it's on the Snake Pass? The designer is Jonathan Hill (b. Sheffield, 1971) who lives in Warrington, UK. Home page. Free fonts by him at Dafont and Fontspace. Another Dafont link. MyFonts link. Behance link. Klingspor link. Abstract Fonts link. Alternate URL. Images of some of Jonathan Hill's commercial typefaces.

In 2010, he started FontStructing faces. His first was the grungy wooden plank face Timber Remnants. Also in this category is Laser Disco (2008, futuristic).

Typefaces from 2006-2008: Sylar (2008, a techno family in 16 styles), Geta Robo (2008, a mechanical typeface influenced by Japanese animation), Arctic Patrol (angular family), Dokter Bryce (2008, octagonal and severe), Orange Royale (2008, 8 styles of fat techno and stencil fonts), CorTen (2008, octagonal ultra-fat stencil), QueueBrick (2008, LED simulation), Center Forward (2008, futuristic), Platform One (2008, a futuristic family), Line Wire (2008, octagonal, influenced by the work of Dutch designer #Wim Crouwel), StealWerks (2006, LED-inspired stencil face; published at T-26) and Blockout (2007, 5 weights of a futuristic blocky type family). In 2008, these were followed by more computer-related typefaces such as VideoTech (futuristic), JoyRider and AstroNaut (octagonal+futuristic, now at T-26). WerkHaus (2008) is a 5-style family inspired by the minimal sans faces of Herbert Bayer and the Bauhaus movement.

Typefaces from 2009: Scriber (2009, octagonal techno family), Get A Robo (2009, a 10-weight mechanical family influenced by Japanese animation (Anime)), Ten Gu (2009, paperclip font remastered from the 1970's Letragraphica font Tangui), Orange Royal (2009, rounded stencil), VideoTech (2009, inspired by computer games for the Commodore 64), SkyWing (2009, rounded face inspired by Japanese computer console games, such as Captain Tsubasa created by Yoichi Takahashi), VanBerger (2009, an octagonal family influenced by the De Stijl movement), Logan Five (2009, techno family inspired by the 1976 sci-fi film Logan's Run), Zaius (2009, a bold sans family that includes a stencil style, all based on Ed Benguiat's work for the 1968 movie poster for Planet of the Apes), Oric Neo (2009, a free octagonal techno family; +Stencil), VanBerger Stencil (2009, a free geometric sans influenced by Theo Van Doesburg and the De Stijl movement), Aldo (2009, +Open: a bold stylized type face re-worked from the original 1970s movie poster The Battle For The Planet Of The Apes), Sylar Stencil, Aldo Open.

Typefaces from 2010: Intropol (2010; image), Arcle (a monoline organic sans), Hoxton (humanist sans family), Lintel (monoline sans family with a large x-height), Knul (monoline sans), Dohrma (a machismo geometric face; +Inline), Planer (a technical writing family), Otomo (a Japanese techno family that includes a stencil), Yodo (a geometric experimental family in 3 weights), Nu Order (a sans family that includes a very thin weight), PyeMan (2009, a piano key font named after the PacMan game), ProtoFet, DraftWerk (a minimal rounded typeface inspired by architecture and furniture detail drawings), DyeLine (a geometric face with a great hairline weight), Cobol (2010, great octagonal monowidth face), Draftwerk (architectural lettering), Olympik (a gorgeous multiline family based on Letraset's Optex, 1970), Kaine (a slab family inspired by 1960s spaghetti westerns: +Stencil, +Outline, +Italic +Block; Hill says that The grid template is based on Welt Extra Bold from Letraset with detailed changes, additional characters and new style variations.), Brion (a modernization and extension of A. Mailay's rounded sans font Arpad (1971, VGC); kaine Block, the counterless version, is free at Dafont). Mekon (2010) is a fat sans display face with a free horizontally striped style. MarkusLow (2010) is a revival and extension of Basilea (1965, Markus Low, VGC). Teletex (2010; +Ultra Light, +Light, +Medium) is a typewriter style slab serif whose design was influenced by Rockwell.

Typefaces from 2011: Dekal (nice fat multiline family, +Inline), Norpeth (2011, humanist sans family), Bosko (+Stencil, +Block), Bosko Block (2011, free), Woolworth (sans family), NeoGram (sans family), Juhl (an organic/ geometric sans family with the bowls of b, c, d. p and q modeled after chairs). Millar (2011) is a simple monoline sans family. Tondu (2011) is a strong sans poster face. Gelder Sans (2011) is a clean modern sans serif typeface. Brokman (2011) is a contemporary 10-style sans family. Vitro (2011) is a monoline geometric sans family. Beval (2011) is a humanistic sans family. Nurom (2011), Monsal (2011), Tadao (2011) and Kuro (2011) are additional sans families. Heltar (2011) is a revamping, TNB style, of Helvetica. Regan Slab is a readable slab family.

Jonathan Hill's most popular typefaces.

Type designs done in 2012: Borda (octagonal), Savile (humanist sans), Metrik (a nice geometric---borderline organic---sans family).

View Jonathan Hill's typefaces. [Google] [MyFonts] [More]  ⦿

Theo Vuong

Graphic and web designer in Paris. He created the octagonal display face Révolte (2009). Behance link. [Google] [More]  ⦿

Theygraphics

TheyGraphics is a multidisciplinary graphic design studio. Working in advertising, retail, fashion, company profiles, broadcast, illustration, type design and music. Their offices are in Stockholm, Sweden and Prague, Czech Republic. The designers: Fredrik Forsberg (Stockholm), Jiri Adamik-Novak (Stockholm), Zdenek Patak (Prague). The fonts: Leda (experimental), Motion (hairline octagonal), Prank (Amelia-inspired), Logarex and Garamond Preissig. [Google] [More]  ⦿

Thierry Blancpain

Zürich-based graphic designer (b. 1985). He designed the geometric sans face Loop (2005), the octagonal sans face Panzer Bold (2006) and Casual (2005, no downloads). [Google] [More]  ⦿

Thijs Mertens

Designer who used FontStruct in 2009 to create ThM PurSans, ThM BlackBox (stencil), ThM For Minimal, ThM Papercut, ThM Monomode, ThM Firefly, and ThM Freaktur (sic). In 2011, he made ThM Tomahawk, ThM Thin (thin and octagonal). [Google] [More]  ⦿

Thirdlounger

FontStructor who made Metricurv Sans (2012) and Zwolfbox (2012, octagonal). [Google] [More]  ⦿

Thomas Thiemich

German type designer who graduated from the Hochschule für Grafik und Buchkunst in Leipzig. Designer, aka Ixel, who used FontStruct in 2008 to create Dolores Alpha (chunky blackletter), Pulgo 2.0 (fat stencil), Blone (octagonal stencil), Rimski (fat hexadecimal face), Figaro (artsy octagonal stencil), AGRAR Unicase (+Black), an elegant ultra-fat type family. He also made the techno face Ixelator 0.1. Alternate download.

He is best known though for his humanist sans superfamily called Alto (2008, OurType). At OurType, he also published the grotesk family Fakt (2010).

Thomas Thiemich has also made some custom typefaces. These include Weinviertel (2009, with Maurice Goeldner), a handwriting typeface designed for a wine distributor in Vienna.

Klingspor link. Ourtype link. [Google] [More]  ⦿

Thumbnail Designs
[Andrew Martin]

Andrew Martin (Thumbnail Designs) is a Manchester, UK-based type and graphic designer. He will do custom type design, including signatures. His fonts, dated ca. 2008: Black Swirl (blackletter), Blade (techno/octagonal), Diablo (gothic), Ornate (scratchy), Quantum Leap (futuristic), Serif Regular (constipated and condensed), Script (a calligraphic face "ripped off" from Feel Script by Sudtipos, and because of that, discontinued), and Wolverine (faux oriental). Beloved Script (2009) is an elegant upright connected script face. No downloads or sales. Behance link. [Google] [More]  ⦿

Tiago Kingwell

Design student from Figueira da Foz, Portugal. In 2011, he designed the thin octagonal stencil face Qual. [Google] [More]  ⦿

Tiago Pompeu

Tiago Pompeu lives in Itapira, Sao Paulo, and was born in 1978. He designed the minimalist monoline display sans face Paola (2010), the octagonal face CEAB (2010) and Swim (2010, a scanbat font of swimmers). [Google] [More]  ⦿

Tibor Lantos

Budapest-based creator (aka Frodo 7) in 2009 at FontStruct of FontMoot 01 (pixel face), Brego, Magor (minimalist), Andromeda Strain, Elrond (Tengwar font), Oil Stencil, Optill 2A and 2B and 3A and 3B (optical illusion fonts), Rivendell (Celtic weaving), Cubeology (patterned cubes), The Two Towers, Mike Wazowski (emoticon face), Edoras Stencil, Elessar, Earendil, LE Meta (dot matrix), Coccinella (dot matrix), +Two, +TwoB, Picosec, Picosec Rounded (ultra fat retro), Palindrome, Valimar, Fundin Eco, Fundin Regular, Lost Entropy (series of rectangular fonts), Bombs and Men (2009, modular and blocky), Eärendil, Chromosomes, Denethor-Sans (octagonal), Edoras-, Elspeth-, Elspeth-Grey, FontMoot-01 (pixel face), French-Defence-v2 (chess font), French-Defence (chess font), Gilgalad-v2, Gilgalad (octagonal), Hommage-a-Escher-LC1, Hommage-a-Escher-LC2, Legolas-Codex-Stencil, Legolas-Codex (blackletter family), Legolas-Stencil (+v2; art nouveau style), Mirkwood-Regular and Mirkwood Outline (pixel faces), Nimrodel-FS, Faramir (gridded), Faramir Black (octagonal, mechanical), Elessar, Vertebrae, Etudes Pour Noir et Blanc (01, 02, 02 Vertebrae), Eomer FS, Karyotype (horizontal stripes), Snooker Ball, Aragorn, Mirkwood Nano (pixel face), Mirkwood Second Iteration, Mirkwood First Iteration, Haldir (pixel face).

Creations in 2010: Hasta Siempre (military stencil), Hasta Siempre Supplement (Fontstruct rendering of the iconic photograph of Che Guevara by Alberto Korda), Belfalas, Fractal Font, Sierpinski White, Sierpinski Black, Sierpinski Dalmatian, Remolino Stencil, Boikot Stencil, Legolas Pixel, Brego, Vortices (dings), Gamling, Coccinella Two (+B), Cyrillic 02, Waves, Hommage à Escher v2 extLat.

Creations in 2011: Midori Dot (2011, a dotted kana face), Sierpinski Black Initials (a stunning decorative caps face based on Sierpinski triangles), Fontstructivism (constructivist Latin/Cyrillic face), Sierpinski White Initials, Vasarely Squares (experimental---letters based on Victor Vasarely's work), Hurin (counterless, created after Nagasaki by Tom Muller), Strider (an optical illusion 3d multilined face), Dot Dot White (texture face), Dot Dot Black (texture face), Garamond Italic SP (a pixelized version of Garamond Italic), Rohan (+NE01, +NE03: a textured lined 3d logotype family, +NE04, +NE10), Gray Scale (a very interesting texture experiment in which gray scales are "simulated" by simple font mechanisms).

Fonts made in 2012: Font Neuf. [Google] [More]  ⦿

Timothée Goguely

French design student from Clermont-Ferrand, b. 1991. In 2009, he created Folda (octagonal), Braille, Stencila, and Grafical. Some of these were made with FontStruct. [Google] [More]  ⦿

Tipografía--Montevideo

Uruguayan type jump page. It has a blog, a schedule of local type events, and a group of type designers who present their creations. These include

  • Fernanda Nuñez: Churritos (2007).
  • Vicente Lamónaca: Económica Sans Serif (2007).
  • Martín Abud: Escrin (2006, an organic sans).
  • Juan A. Odriozola: Flopi (2007, an organic sans).
  • José de los Santos: Mixa (2006, based on the logotype of the rock group El Silencio).
  • Fernando Díaz: Quadratta Serif (2007). See also here.
  • Maquii Saravia: Randall (2007, octagonal family made in memory of the guitarist Dimebag Darrell).
  • Gustavo Wojciechowski, aka Maca: Yaugurú (2007), so condensed that the letters simulate barcodes.
[Google] [More]  ⦿

TipografiaRamis
[Ramiz Guseynov]

Ramiz Guseynov was born in Russia and educated as an architect and graphic designer. After moving to the USA in 1991, where he worked as a graphic designer, Ramiz Guseynov became a part-time type designer who published his work at T-26. In 2004, he set up his own foundry, TipografiaRamis in Highland Park, IL.

Klingspor link. Behance link.

His typefaces:

View Ramiz Guseynov's typefaces. [Google] [MyFonts] [More]  ⦿

Tobias Cohen

Designer at FontStruct in 2008 of majium (a battered octagonal font). [Google] [More]  ⦿

Tobias Sommer

Tobias Sommer ("Shasta") is the Geneva, Switzerland-based designer (b. 1986) at FontStruct in 2008 of Great Depression (influenced by headline fonts from 1929), Brutto (headline slab serif), Lame Dude (dripping paint), Toytype (an interesting Indic simulation face based on an earlier block font by him called Block On), Teatral and Teatral Fill (gorgeous Western circus style decorative faces), Fickle Mickle, Hard Light (shadow face), Tangram, Tangram Grid, Tangram Grid Rounded (kitchen tile), and Tangram Rounded (octagonal/kitchen tile). In 2009, he added Stylita, Vasyugan, Block On, Cupra, Disparador (mechanical octagonal: +Stencil, +Filled), Exempla Slab Serif, Exempla Sans (Strict, Medium, Ultra Light, Stencil: octagonal family), Stitched Outline, Escheresk (impossible outlines), Capitalia (+Rounded), Vjatka (constructivist), Punched Out (+Fill: pixelish), Cupra.

Additions in 2010: Punchline Filled (athletic lettering), High Voltage, Punchline (ultra heavy octagonal slab; +Filled), Nicotiana (slab serif), Exempla Slab Medium, Punched Out, Exempla Sans Medium (fat octagonal0, Pixel Pandemonium, Tradita, Frostletter (blackletter), Scrambled Script (blackletter), Circle Cult (circle-themed sans).

Typefaces made in 2012: Apodosa (octagonal).

Dafont link. Fontspace link. Blogspot link. [Google] [More]  ⦿

TobiasMik

Designer at FontStruct in 2008 of kongstrukt_3x4_1 (a blacked-out octagonal fat face), kongstrukt_3x4_70ies, kongstrukt_3x4_lowercase_alternative, kongstrukt_45, lowbar_1. [Google] [More]  ⦿

Tobiasz Konieczny

Polish designer of Neogeo (2008, FontStruct: gridded solid letters), Sonny Boy Williamson (2008, FontStruct) and Superlue (2008, FontStruct, rounded octagonal). [Google] [More]  ⦿

Tom Balchin

UK-based designer who graduated in graphic design from Central St. Martins in 2009. He made several typefaces, including Detain (2011, a high-contrast octagonal face), DDR 1967 (2011, an ultra-fat beauty). Behance link. [Google] [More]  ⦿

Tom Barden

Tom Barden created the geometric but also playful typeface Evolution (2009). He also made Africa Type (2010) and the octagonal athletic lettering face There It Is (2009). Visually Interesting (2009) is a type experiment. Unity (2011) is a heavy octagonal poster face. He is also working on Airport Icons (2011). He is based in London and is a graphic designer and photographer. Home page. [Google] [More]  ⦿

Tom Hingston

Tom Hingston runs Tom Hingston Studio in London. Designer in the FUSE 16 collection (1997) of Condition Birth, Conception, Mutated, Pulse, and in FUSE 14 (1995) of Chaos. In 2000, he made Whappen based on an American woodcut typeface called Poster Gothic. Simon Gofton has designed the octagonal font Working (2000) at the studio for a Japanese music client. [Google] [More]  ⦿

Tom McFadden

Creator of the free octagonal font A Okay (2010) and of Zebra Deco (2010). Dafont link. [Google] [More]  ⦿

Tomas Pasma

Designer in Delft, The Netherlands. Creator of the straight-edged face Geometric (2011) and the octagonal grunge face Scruffy (2011). [Google] [More]  ⦿

Tomo Alien

FontStructor who made these typefaces in 2010: Nitro Acid (very grungy), Ixxon (techno), Techatech, Squeezed (squarish), Squishaton (texture face), Metal Pipes, Kaufzentrum (kitchen tile, based on Kaufland's logo), Fade of the second generation, Cubly (3D, pixelish), Anpifo (pixel face), Fontstruct Time (like letters on a Timex watch), Vector Dream (horizontal stripes), C64 Smooth, C64 Neuroelectronics, C64 Nomono (pixel), Horic (horizontal stripes), Tribute to Neurone Error, Retrotech, Laser Connection, Collida (like Impact), Collida Compustencil (interesting techno stencil), C64 Pearly, Octavian Cutter, LED Grater (texture face), Cubly, Metal Pipes, Anpifo (pixelish), FontStruct Time (LED font), Sixty Four (pixel face), Gone Wide, Slatside, Alien Zone (futuristic), Extremely Tiny Font, Fith, Prgdmg Clean, Prgdmg, Scratch Corrosion, Popping Pixel.

Fonts made in 2012: Pixels in Bevel, Cosmocubus, Pillarian. [Google] [More]  ⦿

Tony Wang

Graphic designer in Singapore, who created Twiiterholic (2011, texture face), Facebooker (2011), The Link (2011, paperclip face), as well as octagonal and slabby font families. His work on Behance. [Google] [More]  ⦿

Trivitown

Creator at FontStruct of the octagonal face Makario. [Google] [More]  ⦿

Trollax Kinora

Australian designer (b. 1984, based in Newcastle) of Old Republic (2007, headline sans), 5x5 (2006, pixel), Blokhed (2006, a fat octagonal face), Runic Font (2004) and Charon Script (2004), used for an artificial language. Dafont link. [Google] [More]  ⦿

Troy Tucker

FontStructor who made the vertically striped (texture) octagonal caps face Venetian Stencil (2011). [Google] [More]  ⦿

TS Design Media Agentur
[Ewald Strassmann]

Graphic design studio in Höxter, Germany. At FontStruct in 2009, they made TS Comtom (octagonal), TS High Paper, TS Pixeldotzz (Regular, Narrow), TS HighFly (stencil), TS Rounded Block, Club M, TS MyBlock77, and TS Tokio Rounded Serif (oriental simulation). The designer is Ewald Strassmann. [Google] [More]  ⦿

Tuaha Badar

Graphic designer in Karachi, Pakistan, who created Solid (2012), a heavy mechanical face with a 3d version. [Google] [More]  ⦿

Tuscani Cardoso

Graphic designer in Johannesburg, South Africa, who made the very thin display face Rebanada (2010) and the Peignotian fashion mag face Mayfith (2011). [Google] [More]  ⦿

Two dogs
[Yuichi Fukai]

Japanese foundry which has these free Latin fonts, made by Yuichi Fukai in 2005-2007: FF64Round (pixelish), FF64Squarish, FFAcrossConstellation (stitched look), FFAcrossLine (octagonal), FFAcrossStud (dot matrix), FFBlackbird (art deco, very dark), FFClipLight, FFClip (minimalist), FF-Depth, FFDiamondsNormal (LED look), FFDiamondsWithThin, FFEmpire, FFFixingHR (pixel face), FFFixingKT, FFFixing33, FFFixing44, FFFixing55, FFNailRound, FFNailSharp, FFPiggies, FFPrudenceBold, FFPrudenceHeavy, FFPrudenceLight, FFPrudenceMedium, FFRubberSoulBold, FFRubberSoulMedium, FFRubberSoul, FFSodaDown, FFSomething (dingbats), FFSodaUp, FFSubmarine, FFTaxman (octagonal), FFTETRAEasyBlack, FFTETRAEasyWhite, FFTETRANormalBlack, FFTETRANormalWhite, FFUniverse, FFWalrusBlack, FFWalrusNormal (3d look), FFWalrusShadow, FFWalrusWire, FFWaster, FFWindingRound, FFWindingSquarish. [Google] [More]  ⦿

Tyler Jerome Rymer

Graphic designer who runs several blogs, including an interesting one on typography. Designer of Water Your Garden (2008), Ratt Attack (pure octagonalism), Tylor (2008, a triangular typeface). He also has a list of preferred geometric fonts:

[Google] [More]  ⦿

Type Machine
[Tim Drabandt]

Tim Drabandt (Type Machine, located in Minneapolis, MN) is the designer of Eighthourday (2009, a commissioned sans face), Airborne (2009, octagonal face based on WWII airplane lettering), Eggman, an irregular font (2002), Savalas, Victor Hailey (2001) and Whipple (2002, an architectural font), also shown here, MiG (handwriting). These free fonts are incomplete and under development. At Chank, he published the calligraphic font Brimley (2003) and the falred roman face Venis (2003). You Work For Them link. Krakt (2009, You Work For Them) is an homage to the geometric typefaces used during the De Stijl movement. The letterforms are primarily composed of geometric shapes, which aid in it's modularity. [Google] [More]  ⦿

Type Minds
[Tucker Myers]

Foundry of Tucker Myers in Spartanburg, SC, est. 2010. Creator of Piano Keybuild (2010) and Cell (2010, octagonal and futuristic). He also made Piano Keybuild (2011, piano key dingbat face) and Hydragyrum (2011, a squarish almost techno sans family). [Google] [MyFonts] [More]  ⦿

Type of its Own

Designer at FontStruct in 2008 of Let It Out (an octagonal piano key font), FRANK (3d billboard letters), Be-Bop Don't Stop, Get You, Jubilee Line, Cop Talk, Victoria Line, Get It, Jeez (geometric), 4Wood March, Tetrux (tetris pieces), Tetrix (tiles), 4Wood, Chew It, Lime Scale, Boogie Ripple, Streetier (ultra condensed), Built Up (octagonal art deco), Britanya, Ponder World, Tube Station (tiles), Sharp Prpgress, Bubbles Strong, Bubbles, WideBol, James, Struction, PowerZap (tiles), Power Zomg, Power Zip, Power Zoom Mai King, Pixel Hand, Retro Perspective, CCaps, CurbCaps, Neogeo Linesman, Sans Spamalot. [Google] [More]  ⦿

Type Supply
[Tal Leming]

Type Supply, Tal Leming's company, designs typefaces for corporations and publications. For example, they created

  • Baxter. An informal face used as a casula typeface in MyPublisher's BookMaker software. Commissioned by Christian Schwartz.
  • Bullet (House). Bullet is based on a bit of lettering drawn by Ken Barber for the House Industries Pop Art package.
  • Burbank. Signage, animation, or pakage lettering face.
  • House Gothic 23. Tal Leming writes: The family was originally designed by Allen Mercer for use on the company's commissions, most notably the legendary promotions for Custom Papers Group. In 1995, House released the family to the public with modest success, but it was largely relegated to the back of House's catalogs. House went through a bit of a sans serif obsession in the early 2000s and decided that it was time to give House Gothic its time in the spotlight. Rich Roat asked me to polish up House Gothic and make it a bit more usable. I completely reworked Allen's original drawings, making the letterforms work better in headlines, added accented glyphs, reorganized the styles and more. Once that was done, I added completely new Extended and Text styles. The family more than doubled its size into 23 total fonts and was rechristened House Gothic 23.
  • Mission and Control. An athletic lettering family commissioned by Reebok for their 2008 NFL Sideline and NHL Center Ice collections.
  • Ohm. A neon type family.
  • Runway (House). Runway is an ode to House's sans serif obsession of the early 2000s.
  • Shag Lounge. a signage family: When I was working at House Industries, we decided that we should develop a font kit inspired by the work of Josh "Shag" Agle. Josh hadn't done much lettering work so we asked him to send us samples of lettering that he liked. Many of the things he sent featured whimsical, hand-cut lettering from the 1960s. We were really into this as well, so that formed the starting point for Shag Lounge. The typeface evolved into an amalgamation of a neo-grotesque style sans serif and hand-cut lettering.
  • Torque. An octagonal family with a great inline style.
  • United Ark. A military stencil face: Clint Schultz hired me to create a custom version of United for use on props in a Paramount feature film. The main goal of the project was to perfectly match stenciled lettering seen in a film released 27 years earlier. How exciting was it to make a typeface for a sequel to a classic film that I grew up with? Very, very, very, very exciting. This font is not, and will never be, available for relicensing, so please don't ask.
  • United. House industries commissioned me to develop the United family as an homage to stereotypical U.S. Military lettering styles. [...] United has become quite popular since its release and it has been seen just about everywhere from NFL coverage on FOX to the New York Times editorial page.

Its designer and principal is Baltimore, MD-based Tal Leming: Tal Leming is a type designer, lettering artist and type technology specialist living and working in Baltimore, Maryland. After graduating from Louisiana State University in 1997 he worked for DSI-LA where he specialized in corporate identity and communication design. After his tenure at DSI-LA, he handled brand and promotion design duties at Zoom Design (now Bochanis Rogan Zoom) for a wide array of national and international clients. In 2001 he joined the legendary type foundry House Industries as a resident jack of all trades. While at House, he designed and produced a staggering number of over-inked, hyper-detailed catalogs and advertisements in addition to developing new typefaces for the House library. In 2005 he set out on his own to found Type Supply where he focuses on developing original typefaces and lettering while pushing the boundaries of type technology. [Google] [More]  ⦿

Typeco.com
[James Grieshaber]

James Grieshaber earned a BFA in Graphic Design from Rochester Institute of Technology. Based first in Rochester, NY, and now in Chicago, IL, Grieshaber ran Typeco, a typographic services and solutions company established in 2002. James Grieshaber (b. Detroit, 1967) most recently was on staff of P22 Type Foundry, where he designed many type families and helped establish International House of Fonts. He has been honoured with an award of Excellence in Type Design from Association Typographique International (ATypI) for his Gothic Gothic (2004, blend of blackletter and English style), and by TypeArt'05 (for Operina Cyrillic). Designer and Co-editor of the Indie Fonts book series, Grieshaber now teaches typography at RIT and runs Typeco. MyFonts sells his fonts now. YouWorkForThem sells the Super Duty family (stencil), Glyphic Neue, the Trapper families, Chunk Feeder, Gothic Gothic and Cusp. Identifont page. FontShop link. Behance link. Details on some of his faces:

  • Gothic Gothic (2001), an extended blackletter codesigned with Christina Torre. In 2004, he received an award of Excellence in Type Design from Association Typographique International (ATypI) for his Gothic Gothic type design.
  • The Glyphic Neue display family was inspired by the Op Art style of lettering in the United States that ran rampant in many photo type houses in the 1960's and 1970's---I like to call it the "piano key style".
  • Chunkfeeder (2002) is a beautiful monospaced octagonal OCR-like family.
  • Cypher (2003, an LED/LCD family) has 24 weights. Of these, Cypher7 is free.
  • Duty (2002) is a sans face codesigned at T26 with Lee Fasciani.
  • The stencil family Super Duty (2004) has 8 variations. There are also techno variant called Superduty Condensed, Superduty Regular, Superduty Narrow and Superduty Text.
  • Cusp (2001-2005): a techno display family with 18 weights, including an LED style, art deco styles and Cusp De Stijl.
  • Trapper (2004) is an 8-weight exaggerated ink trap font family which comes in Trapper Round and Trapper Sharp versions.
  • Zaftig (2008, Typeco) is a super-fat face.
  • P22 Operina (2003, in Romano, Corsivo and Fiore versions) is based on Vicentino Ludovico degli Arrighi's calligraphy used in his 1522 instructional lettering book La Operina da Imparare di scrivere littera Cancellarescha. This book contains what is considered to be the earliest printed examples of Chancery Cursive. P22 Operina won an award at TypeArt 05. Operina Pro contains over 1200 glyphs. In 2010, Paulo Heitlinger compared P22 Operina favorably to another digital chancery font, Poetica (by Robert Slimbach, Adobe), which, according to him [and I agree], lacks vigor and dynamism.
  • P22 Posada (2003, with Richard Kegler): based on lettering of Mexican printmaker José Guadalupe Posada (1851-1913) that was used for some of his posters and broadsides.
  • P22 Arts and Crafts Tall (1995, art nouveau), P22 Arts and Crafts Hunter (1995). Both based on alphabets by Dard Hunter, 1908-1910.
  • P22 Art Deco Chic (2002), based on the Art Deco hand lettering of Samuel Welo, ca. 1930. P22 Art Deco Display (2002) is a Broadway style face.
  • Churchy (2002).
  • He offered (offers?) a handwriting font service for 100 USD. Free trial face Reenie Beanie (2002). Signature font service for 50 USD. Reenie Beanie (2002) is now offered (as a joke, I assume) as part of the Google open font directory (for free web fonts).
  • P22 Garamouche (2004, with Richard Kegler). Comes with Garamouche Ornaments (2004).
  • Segoe Print (2006, Monotype Imaging). [Isn't this Googlee's competition?] This is an informally handprinted face co-designed with Brian Allen, Carl Crossgrove, James Grieshaber and Karl Leuthold at Ascender.
  • P22 Cezanne Pro (2006). Has over 1,200 glyphs.
  • P22 Yule (2005; Heavy, Inline): a stone chisel family with a hint of Neuland.
  • P22 Numismatic (2005): originally offered by the Devinne Press, and based on ornaments and letters used by 15th and 16th century engravers of seals and coins; however it looks very much like Otto Hupp's Numismatisch (1900, Genzsch&Heyse).
  • Black Ops One (2011) is a military stencil face, available at the Google Font Directory.
  • Short Stack (2011) is Grieshaber's free contribution to the Comic Sans genre. It was published by Sorkin Type and can be downloaded from Dafont.
  • Atomic Age (2011) is a free font at Google Font Directory. It was inspired by 1950s era connected scripts seen on nameplates of American cars.
  • Supermercado One (2011, Google Font Directory) is a low contrast semi geometric typeface inspired by naive industrial letters. More a signage face than a web font.
[Google] [MyFonts] [More]  ⦿

Typecuts
[Andrea Tinnes]

Andrea Tinnes is a German type designer who occasionally teaches type design. She is associated with the Das Deck agency in Berlin. Through her own label, Typecuts, which she founded in 2004, she publishes as well as promotes all her type designs. Also, Andrea teaches courses in type and typography at the Bergen National Academy of the Arts in Norway where she has a Professor II position. Klingspor link. Her fonts:

  • PTL Skopex Gothic (5 weights) and Serif (3 weights) for a total of 96 fonts, published at Primetype and Typecuts (2000-2006) (see also here). She says: Spektro (now PTL Skopex) was customized for the new identity system of the Minneapolis College of Art and Design. Under the supervision of Jan Jancourt and Matthew Rezac several new weights were added to the original family. In addition, the letters of the word MCAD were slightly altered and turned into a logotype font that works with the whole Spektro family.
  • DasDeck (2001), a family ranging from thin octagonal to thick stencil.
  • WeddingSans (2002), a contemporary sans family, quite useful.
  • Haircrimes No. 1 through 4 (2001), a modular and slightly crazy set of fonts.
  • Switch (2002): geometric and unicase.
  • Stitch-Me (2001).
  • Mimesis (2001), a typographic experiment.
  • Volvox (2001), five caleidoscopic fonts.
  • Custom fonts such as Eastern Columbia commissioned by Reverb Studio, Los Angeles, Viceroy (2007; with Verena Gerlach; for the Viceroy Hotel in-house style), Broadway Hollywood Script commissioned by Reverb Studio, Los Angeles, and Trivium commissioned by Anne Burdick, the Offices of Anne Burdick, Los Angeles.
[Google] [MyFonts] [More]  ⦿

TypeOff
[Dan Reynolds]

Typeoff is an Offenbach-based German type collective, est. 2004 by Daniel John Andrew Reynolds (b. 1979, USA), who blogs happily and frequently. Dan grew up in various cities in the USA, received a BFA in graphic design from the Rhode Island School of Design (RISD) in 2002, and moved to Offenbach, Germany, in 2003 to study typography with Professor Fritz Friedl. Dan was an intern at Linotype, and is still affiliated with Linotype. In 2004, he founded Typeoff.de. In 2007 he moved to the University of Reading for graduate studies.

Typefaces created by the collective include Argos, AT Stencil, Disco 3000, Ignaz Text, Ignaz Titling, India Gothic, Janus, Jeans, Pater Noster, Proportia, Sweet Pea, Teppic, Used to Love Her. The designers include the founder Dan Reynolds, and his collaborators David Borchers, Lara Glück, Till Hopstock, and Lukas Schneider.

Dan's own typefaces at TypeOff include Ignaz Text (2004, originally called Ignaz Textura, and based on letters he found on a sepulchral memorial outside of St. Ignaz church in Mainz (Germany)), Ignaz Lombard Caps (2004), Ignaz Titling (2004), Janus (2004, a pixel face), Pater Noster (2004-2009, an uncial), Proportia (2004, a geometric sans), Sweet Pea (2004, an octagonal face), and Used to Love Her (2004, experimental). He is working on a Lombard Capitals face (2004), Teutonia Serif (2005, based on Teutonia, a geometric display face that was cut in Offenbach by the Roos & Junge type foundry in 1902; this squarish family is released under the name Mountain at Volcano Type in 2006) and Farewell Street (2004, sans family). Working on this condensed didone (2007).

In 2007, he worked with Kobayashi at Linotype to produce a revival and extension of a 1930 sans family of Morris Fuller Benton, and named it Morris Sans (Small Caps), which could be viewed as an organic version of Bank Gothic. Morris Sans was published in 2008 by Linotype.

In 2008, he designed the serif family Martel in partial fulfilment of the requirements for the MA in typeface design at the University of Reading---it covers Latin and Devanagari.

He is working on a Condensed Serif.

Malabar (2008) won an award at TDC2 2009. Malabar also won the German Design Prize in Gold 2010.

Codesigner with Matthew Carter in 2010 of Carter Sans (ITC), a flared typeface.

Type events of 2008 reviewed by Dan. Volcano Type link. Speaker at ATypI 2010 in Dublin and at ATypI 2011 in Reykjavik. Klingspor link. [Google] [MyFonts] [More]  ⦿

Typetype
[Dirk Uhlenbrock]

Foundry with free and commercial fonts, started in June 2002 by Dirk Uhlenbrock. Partial font list: Leni, Kazoo, Dandruff, Webmap (2001, dingbats for making a web map), Rung, Dole, ViceVersa, Perform, Girl, CellPics, Sauerkraut, Hamburgotische (more octagonal than blackletter), Neutrum (futuristic octagonal), Laurel and Hardy, Trans (futuristic), Cyanide, Diet, Race (squarish), Girl, Lollop. Originally called Hellvetica, it lasted a few days before Linotype complained about its name. It is now known as Typetype. Part of Signalgrau Designbureau in Essen, Germany. [Google] [More]  ⦿

Typodermic
[Ray Larabie]

Ray Larabie (b. 1970) ran Typodermic in Mississauga, ON, which opened in the Fall of 2001. In 2006, it moved to Vancouver, BC, and in 2009 it moved on to Nagoya, Japan. Dafont page. Of course, Ray Larabie has been making fonts since 1996, but those early fonts were freeware. His pre 2001 fonts are grouped under the label Larabie Fonts. In 2001, he set up Typodermic. Latest additions.

The Typodermic fonts:

  • 2012: Permanence (a retro=futuristic font based on Alvin Toffler's cover of Future Shok, 1970), Clockpunk (octagonal and quaint), Battlemaze (trekkie face), Mixolydian (industrial sans).
  • 2011: Ugocranis (a brutalist typeface), Clipwave, Wheaton (MICR-inspired), Mango Scribble, TRS Million (dot matrix face), Ugogranis (constructivist), Gomoku (paper cut face), From The Internet.
  • 2010: Cranberry Gin (2010, octagonal), Restore (all caps, geometric sans), From The Stars (an elliptical techno family done with Chikako Larabie), Thrusters (space age face), Dream Orphanage, Kengwin (rounded slab serif), Gleaming The Cube (Greek simulation face), Vectipede (a slab serif family), Great Escape (an elliptical sans family), Subrocs (connected script), Hackensack (with Chikako Larabie), Polarband (bilined headline face), Naked Power, Special Forces (a great macho slab serif headline face---watch for awards to roll in), Warugaki (handpainted), Warmer, Honfleur (art deco; with Chikako Larabi), Voivode (a headline face done with Chikako Larabie), Hachimitsu (Asian look face, done with Chikako Larabie), Kadeworth (rounded retro look sans, done with Chikako Larabie), Gnuolane Jump (2010, with Chikako Larabie), Markerfield (brush), Board of Directors (Bank Gothic style family, done with Chikako Larabie), GGX88 (a Swiss sans family), Body Goat, Reversal, Gord (techno), Computechnodigitronic (LED, LCD geek-look font), Bench Grinder, Inklea (a bubbly face), Skygirls (retro brush script), Gloss (a paint brush face based on Champion, 1957, G.G. Lange).
  • 2010: Galderglynn Esquire.
  • 2009: Maqui (an industrial headline sans family), Zingende (art deco family: caps only), Misadventures, Gaz (large retro sans family), Meloriac (heavy display sans), Acrylic Brush, Enamel Brush (a digitization of Catalina, 1955, Emil J. Klumpp), DDT (neutral sans), Thump (fat, casual), Desperate Glamour, Pricedown (an update of his free 1990s font, patterned after the lettering on The Price Is Right show), Mitigate (monoline and slabbed; has some typewriter styles), Catwing, Walken (slab serif stencil), Silicone (soft rounded sans family), Movatif (sans), Gunplay (a stencil family inspired by the poster for the 1972 Steve McQueen/Ali MacGraw film The Getaway), Fragile Bombers (octagonal), Forgotten Futurist (techno sans, 19 styles), Bullpen (slab serif), Coolvetica, Duality, Good Times, Strenuous, Shlop (paint-drip style), Dirty Baker's Dozen (stencil), Junequil (VAG Rounded style), Owned (graffiti), Domyouji, Threefourtysixbvarrel (stencil), Enacti, Uniwars (futuristic, 16 styles).
  • 2008: Madawaska (a rugged slab serif), Ebenezer (grunge), Gnuolane Stencil, Raincoat, Report School (avant garde sans), Jesaya, Carouselambra (art nouveau), Debusen (rounded), Barge (military font), Renju (grunge), Otoboke (handlettered), Hit (informal hand), R6 D8 (futuristic sans family), Rexlia (an octagonal machinistic family), Hybrea (a display sans with TV screen rounding), Sweater School, Tussilago (2008, a neutral sans family), Presicav (extended sans), Hover Unit, Addlethorpe (grunge), Scheme (rounded sans), Usurp (bouncy poster lettering), Negotiate (technical sans family), Divulge, Sewn, Gnoulane (condensed sans), Moja, Teeshirt (old typewriter face), Pound (art deco marries grunge), Graveblade (heavy metal font), Synthemesc (psychedelic anti-Starbucks font), Chysotile (white on black grunge), Cardigan (sans), Gurkner (balloon style), Reagan (grunge).
  • 2007: Tight (a copy of Dean Morris's 1976 Letraset font Quicksilver), Headlight, Meloche (a 3-style grotesk), Octin Spraypaint (grunge stencil), Octin Vintage (grunge), Bouffant (script), Octin Prison (stencil), Octin Sports (octagonal), Octin College (octagonal, for sports jerseys), Octin Stencil (free octagonal font family), Burnaby Stencil (stencil), Superclarendon, Conceal, Ohitashi, Stud (grunge), Bristles (grunge), Skirt, Cotton (grunge), Kelvingrove (a bit of copperplate gothic, rounded and shaved), Augustine, Containment, Snowa, Veriox, Scrubby, Transmute, Sheaff, Injekuta (techno), Rinse (grunge), Polyflec, Domyouji (square sans), Winthorpe (old style), Cutiful (script), Flyswim (grunge), Dirtstorm (spray-painted stencil), Shnixgun (grunge), Neuzon (grunge), Oxeran (old typewriter), PRINTF (grunge all caps monospaced), Akazan (sans), Nyxali (a metal tag face), Meloriac (an extra bold Futura inspired face), Nesobrite (25 styles of Bank Gothic lookalikes), Meloriac (headline sans), Walnut (graffiti face), Gnuolane (a narrow sans), Edifact (a damaged computer font), Darkheart, Stampoo (squarish), Raymond (rough script), Hayate (oriental look), Telephoto. The entire Octin series is free at DaFont.
  • 2006: Octynaz (grunge), Paltime (ornamented), Jolie Ecriture Desard (children's hand), Mango (comic book face), Desard (child's hand), Bulltoad, Lerku (eroded serif), Charbroiled (also eroded), Ceroxa (eroded stencil), Nagomi (a chiseled-look Asian font based on calligraphy of Chikako Suzuki from Nagoya), Whiterock, Yellande, Chilopod (a futuristic face inspired by the logo from the 1980s videogame, Atari Centipede), Order, Goldburg (based on a typeface by George Bowditch, 1957), Laserjerks, Milibus (futuristic), Bonobo (serifed), Ohitashi, Sarasori (TV-tube shaped face in the style of Oban), Structia (an octagonal family), Betaphid (octagonal), Gendouki (futuristic stencil), Slugger (athletic lettering), Marianas (a gorgeous art deco face), Lineavec (octagonal), Corzinair (serif family), Buxotic (a great caps face), Cinecav X (for closed caption TV and DVD), Salsbury (comic book face), Lonsdale (loosely based on a font called Parkway Script, which was designed by Emil Hirt in 1964), Alepholon (futuristic), Kwokwi, Mikadan (a tribute to Stephenson Blake's Verona from 1948, which was in turn based on William Dana Orcutt's Humanistic from 1904), Marion (a beautiful transitional family), Quasix (hookish), Skraype (grunge stencil), Bleeker (casual lettering), Linefeed (monospaced line printer font), Draculon (a casual face inspired by the letterforms of William Orcutt's humanistic font from 1904 which was in turn based on an Italian manuscript from 1485), Mahavishnu (a mix between 1970s psychedelics and art nouveau), Doradani (a corporate identity sans family), Korotaki (futuristic).
  • 2005: Kadonk (a Halloween face), Report (a VAG-Rounded style face), Croteau (a poster face), Heroid (ook face), Barrista (informal script), Wyvern (sans serif), Wubble (like puddles of water), Caryn (casual script), Folder (a rigid sans family), Venacti (a futuristic family), Xenara (a keyboard lettering family), Emory (a destructionist sans family), Ligurino (neat sans&serif family), Biondi (update of Copperplate Gothic; followed in 2010 by Biondi Sans; these copperplate style faces are in the style of AT Sackers), Byington (Trajan column lettering), Sayso Chic, Expressway (28 weights, a highway signage family), Algol (pixel type), Meposa (fat display face), Tandelle (condensed), Vigo, Maychurch, Mecheria, Vactic (dot matrix), Zosma, Topstitch, Windpower, Llandru, Soap (a creative extension of Cooper Black, with dingbats), Kleptocracy (1999-2005), Owned, Rimouski (sans), Sinzano (sans with opentype ligatures galore; compare, e.g., House Ed Interlock), Zamora.
  • 2004: Affluent, Threefortysixbarrel (stencil face), Tank, Telidon (dot matrix face), Funboy, Neuropol X, Neuropol Nova, Mufferaw (comic book face), Larabiefont, Zekton (techno), Strenuous 3D, Silentina (advertised as "a silent movie font"), Amienne (brush script), Fenwick Outline (free), Betsy Flanagan (1998, a keyboard face), Boopee (children's handwriting), Pirulen (in the general Bank Gothic style), Zalderdash.
  • 2003: Zupiter, Blue Highway.
  • Before 2002: the dot matrix family Telidon, Telidon Ink, the architectural font Jillican (octagonal), Snowgoose, Bomr, Pakenham, Neuropol, Nasalization, Fenwick, Kleptocracy DLX, Sui Generis, Dirty Bakers Dozen (faded stencil), Minya Nouvelle, Asterisp, Chinese Rocks, Jillsville (great artsy Courier), Ulian, Wevli (including Wevli Dingbats), Sappy Mugs (funny mugshots), Sofachrome (1999, inspired by Pontiac car emblems), Eden Mills (1999).

Catalog of the Typodermic library in decreasing order of popularity. [Google] [MyFonts] [More]  ⦿

UFF Portugal
[Nuno Alves]

Nuno Alves (b. 1978, Lisbon) is the FontStructor who made Terramoto (2010), an earthquake font.

In 2012, he went commercial as UFF Portugal, located in Tomar. His commercial typefaces include Branca Poster (2012: a high-contrast poster family), and Shearman STD (2012: a rounded octagonal typeface). [Google] [MyFonts] [More]  ⦿

Upir Typo
[Vaclav Krejci]

Upir Typo is Vaclav Krejci's Czech foundry. Designer of GUI Design Icons (2009), Upirpaw (handwriting), Pixelanky (2006), Skicack (2007, a scribbled version of Times), and Scribel CE (2006, handwriting), Suprexy CE (2006, octagonal monospaced font). Dafont link. MyFonts page. Yet another URL. [Google] [MyFonts] [More]  ⦿

Valentin Adam

French graphic designer who spent 2007-2009 at Ensaama Olivier de Serres in Paris. He does experimental type. His creations include Fake, Madone, Composite, Eleanor (hard sans), Marlene (octagonal), Magdalena, Versailles, Strates (multilined), Vanina-Vanina (artsy hairline sans), Quarante Cinq, TweenLady, Tatiana (hairline) and Lettuce. [Google] [More]  ⦿

Valter Bispo

Based in Rio de Janeiro, Valter Bispo (b. 1988) studied at PUC-Rio. Dafont link. He created the octagonal face VLOBJ (2010). [Google] [More]  ⦿

Vanielle

Designer at FontStruct in 2008 of the dingbats Kitchen Floor and We Like Sheep, and of Film (a film strip font), Candy Kane (diagonally striped glyphs) and Empire Line (octagonal and geometric). In 2010, she added the texture face Simply Stitching. [Google] [More]  ⦿

Verginiya Kadina

Is it possible to design a typeface that is simultaneously octagonal and elliptical? The answer is an emphatic yes---as Verginiya Kadina shows in her 2011 creation called Kadina, which was finished while she was an MFA student at Lindenwood University in Saint Charles, MO. [Google] [More]  ⦿

Vette Letters
[Donald Beekman]

Dutch foundry, est. 1997 by Donald Beekman. We find commercial fonts by several designers:

  • Donald Beekman and Erik van Blokland: Bint (inspired by potatoes).
  • Donald Beekman: Brak (octagonal), Breakz (octagonal), Brokken (rounded octagonal), Decks, Gaufre, Hollandsche Nieuwe, Irish Stew, Kadetje (based on wood type), Knoffel, Spaghetti (upright connected script), Wasabi, Woodburger.
  • Jacques Le Bailly: Sardines (2008), VLNL Neue Sardines (2010).
  • Donald Roos: VLNL Bint (2009).
MyFonts link. [Google] [MyFonts] [More]  ⦿

Vic Fieger

American graphic designer (b. 1982) located in Medway, MA, who has created many free fonts, and some low cost commercial fonts. He is also known for his web comic, Dubmarine. Until 2006, all his fonts were free, but starting in 2006, he started selling them via MyFonts. Fontsy link. Font Squirrel link. Fontspace link. Kernest link . Devian Tart link. Dafont link. Urban Fonts link. Aka Xaviera Comics.

In 2004, he created Airstrip Four, AlphaEcho, BostonTraffic (stencil), Breakaway, CarbonType (old typewriter), Corporate HQ, DataControl (nice octagonal face), DataControlUnifon, Delta Echo, Eurocentric, FormerAirline, GangofThree (oriental simulation), Helsinki, IonicCharge (LCD simulation), JamPact, KarmaticArcade, KnowYourProduct (stencil), LandSpeedRecord, MajorSnafu (stencil), NervousRex, Osaka-SansSerif (techno), PillboxOpaque (dripping blood face), QuickEndJerk, Refrigeration, SiameseKatsong, Tetroserbogia, Umbrage, Virgo01, Whitehall1212, Xenophone (+Pro version in 2011), Yukarimobile, ZonaArmada. In 2005, he designed FrauleinUnifon, Fraulein, Fraulain II, Fraulein Hex, KarmaticArcade, NukuNuku (oriental simulation face), OffshoreBankingBusiness, PlannedObsolescence, TerryScript, Wunderbar, YachtingType, Zero&Zero-Is, Xerography, FrauleinHex, ICBMSS20, ICBMSS25 (stencil faces), Hydrogen Type, Gumbercules, Kremlin (Cyrillic letter simulation; followed in 2010 by Kremlin Pro at CheapProFonts), Johnny Homicide, Lilac Malaria, Motorway, Offshore Banking Business, Planned Obsolescence, Nuku Nuku Paradiso (Asian simulation), Quadrophonic, Ruth Script, Shoplifter (ransom note font), Under Influence (scratchy face), Viva Allende, KarmaticRevolution (with Mike "Karma" Alkire), RanmorianStd-B (artificial language script) and Ex (kana).

His 2006 additions, still free: Big in America, Maxine Script, Gisele Script, Siamese Katsong (oriental simulation), Pokopen, Grecian Formula (Greek simulation), Edo (brush; this became Edo Pro in 2010), Armalite Rifle (grunge stencil; a Pro version followed in 2010), Ruth Script, Terry Script, Oil Age Heiroglyphs (grunge), Nyamomobile (gorgeous futuristic stencil face), Q-Bert's Funeral, Xtreme Chrome, Fawn Script, Ukiah Caps (a hip all caps face), Banzai (fake Japanese), 106 Beats That, Azudings1, Fawn Script, Freelance Kamchatka, and Daisy Script.

Commercial fonts: Sixpak (2008, pixel face), Jaipur (2007, Indic script simulation), Santa Mensch (2006, brush face), Celonius Mark XIX (2006 geometric design), Argon Type (2006, futuristic), India Echo (2007, futuristic), How to Consume Oxygen (2007, grunge), Statue Of Liberty's Underwear (2007, Russian constructivist style), Moon Corps (2007, katakana), Underwood Champion (2008, distressed typewriter), Heavy Data (2008, computer simulation face). Perlmutter (2008) is a Hebrew and Yiddish font designed for the purpose of legibility at great distance (included are niqqud, letters with dagesh, punctuation, sheqel sign, and aleph-lamed ligature). In 2009, he created Edifice Wrecks (graffiti), Damon Script (comic book face) and Maritime Flags and Curses (dingbat face). Fonts made in 2010: Single Sleeve.

Fonts at FontStruct in 2009: Newhome (LED simulation).

Free fonts made in 2011: Death to Smudgey (grunge), Lino Chisel (2011). [Google] [MyFonts] [More]  ⦿

Viktor Kharyk

Ukrainian designer, b. Kiev, 1957. Graduated from the Senior College for Print and Design in Kiev in 1982, and became art director at Sphera in Kiev. Main type designer at Düsseldorf-based company Unique GmbH since 1998. He designs Armenian, Greek, Georgian, Devanagari, Hebrew, Cyrillic and Arabic fonts. His work:

  • At Elsner and Flake, he published EF Bilibin (2004, uncial), EF Abetka (2004), EF Gandalf (2004, uncial), Bilbo (2004-2008, an uncial family), Kiev EF (2002), Lanzug EF (2002, letters as zippers), Rose Deco EF (2001), EF Elf (2002, imitating Tolkien's writing), EF Deco Uni (2001-2004), EF Deco Akt Light (2001-2004), EF Fairy Tale (2003-2008, caps face), EF Varbure (2004, an experimental family), Rose Garden EF (2001, initial caps ornamented with roses; the text is uncial), and Viktors Raven EF (a spectacular caps font with letters made out of a raven).
  • At MasterFont: Abetka MF (1999, with Alexeev), Kiev MF (1976-2003), and Netta MF (1999, text family). These fonts have Latin and Hebrew components.
  • At Paratype, he published Uni Opt (2007, Op Art letters based on free brush technique similar to experimental lettering of the early decades of the 20th century; for instance to Graficheskaya Azbuka (Graphic ABC) by Peter Miturich and works by Victor Vasareli), Joker (1978, a subtractive font---since 2000, also in Cyrillic, Latin, Hebrew, Greek, Georgian, Armenian and Arabic), Blooming Meadow (2007, flowery ornaments), Bogdan Rejestrowy and Bogdan Siczowy (2006, based on Ukrainian Skoropis (fast handwriting) of the 16th and 17th centuries, and named after Ukrainian Getman Bogdan Khmelnitsky. The character set contains Cyrillic, Old Slavonic, Glagolitic, Latin and Greek alphabets), Lidia (2006, a lined engraving face based on a 1967 font by Iraida Chepil for Polygraphmash).
  • At 2D Typo: Florentin 2D (2011, angular family), New Hotinok 2D (2010, with Henadij Zarechnijuk).
  • Other work: Simeon 2D (2011, 2D Typo), some fonts at Face Typesetting (1970s), Getto (1970s), White Raven (2002), Handwritten Poluustav Ioan cyrillic (1999-2001), Letopis (1983), New Zelek (1980s), UniAkt (2001, based on Unifont, an erotic caps face, done with Natalia Makievska).
  • Free fonts at Google Web Fonts, published via Cyreal: Iceberg (2012, octagonal).
  • Cyrillizations by Viktor Kharyk: Data 70 (1976; original from 1970 by R. Newman), ITC American Typewriter, Bullion Shadow (1984; of the shadow font Bullion Shadow (1978; original from 1970 by Face Photosetting), Calypso (1984; of Excoffon's 1958 original), Lazybones (1980s; of a 1972 Letraset font with the same name), Glagolitic (1983, Elvira Slysh, digitized in 2003), Augustea (1947, Allessandro Butti), Stencil (after a 1938 face by R.H. Middleton called Stencil), Columna (1980s; after Max Caflisch's original from 1955), Sistina (1951, Hermann Zapf), Weiss Kapitale (1935, Emil Rudolf Weiss), Vivaldi (1965, Friedrich Peter), ITC Tiffany (1974, Ed Benguiat, digitized in 1995), ITC Bookman Herb Lubalin (1974, digitized in 1980s), Berthold Cyrillic Helvetica Cyrillic (1980), Churchward Galaxy (1970s, J. Churchward, digitized in 1980s), Olive Bold Condensed (1980s, original of Roger Excoffon in 1962-1966), Motter Ombra (1980, original by O. Motter in 1975), Sinaloa (1981, original by Odermatt and Tissi in 1972), Serif Gothic (1990, original by Herb Lubalin and Tony DiSpigna in 1974), Dynamo (1980s, original of K. Sommer in 1930), EF Gimli and EF Gloin (2004-2010, mediaeval faces done at Elsner&Flake together with Marina Belotserkovskaja).

At TypeArt 01, he won first prize with Varbur Grotesque (1999-2001, with Natalia Makeyeva), third prize with Joker (1970-2000), and honorable mention with Abetka. At TypeArt 05, he received awards for UniOpt (2002, Kafkaeqsue display style) and Blooming Meadow (dingbats). At ATypI 2005 in Helsinki he spoke about Ukrainian fonts. At ATypI 2007 in Brighton, his talk is entitled Old Slavic alphabets and new fonts. At ATypI 2009 in Mexico City, he spoke (well, was supposed to speak) on Old Roman Styles and Cyrillic. In 2009, his 2006 digitization of Anatoly Shchukin's 1968 face Ladoga (+Text, +Display, +Ladoga Armenian) won an award at Paratype K2009. MyFonts page. Victor's friends: a Ukrainian/Russian news blog. FontShop link. Author of Non-Latin Fonts Cyrillic and Other (2004, Düsseldorf). [Google] [MyFonts] [More]  ⦿

Vincenzo Crisafulli

[T-26] designer of LST (2011, octagonal), of the beautiful stencil font Crisafulli and the VAG-Rounded lookalike Chocolat (2007). Klingspor link. [Google] [MyFonts] [More]  ⦿

Vladimir Makhalov

Russian creator of the octagonal face Hamburger (2008). [Google] [More]  ⦿

Vladislav Sergeevich

Ukrainian designer. FontStructor who made Fraps (2010, white on black pixel face), Terminal (2010), Standond (2010, octagonal), and Karandilo (2010, handprinted). [Google] [More]  ⦿

We Are Not You
[Jared Eberhardt]

Los Angeles-based group interested in art direction, typography, print design, branding and graphic design. They designed these typefaces: Amare (2008, a severely octagonal face), Nauris (2008, a grunge stencil face), Opega (2008, octagonal), Dead Western Giant (2008, Western saloon face), Deco Ghost (2008, art deco), Worn (2008, by Sruli Recht and Jared Eberhardt of We Are Not You), Syrillic (2008, an experimental face by Sruli Recht and Jared Eberhardt of We Are Not You). Their new studio is located in New York. [Google] [More]  ⦿

webviking6

Designer of Font7, Font4 (letters made with bricks), Font7-Bold, Font26 and Font9 (heavy octagonal), all done with FontStruct in 2008. [Google] [More]  ⦿

Weedhopper Press
[Jeremiah Morris]

Some partially stacked demo fonts made in 1998 by Jeremiah Morris such as BOLDFinger, Praktise, Mighty Mite (handwriting), Rondelle, DKC Forever (octagonal Batman-style face), Egglien (alien font), HierArc. Company run by Jeremiah Morris and Thomas M. Falgout. Fontspace link. [Google] [More]  ⦿

Weltfremd
[Malwin Béla Hürkey]

Malwin Béla Hürkey (b. 1989, Mainz, Germany) is a German graphic designer, photographer and also the founder of Weltfremd (est. 2010). Home page. He created the ultra-fat octagonal face MARS Weltfremd (2010). Merkur (2011) is a triangulated face. Initially, the fonts were free, but from 2011, they became commercial. Dafont link. MyFonts link. Behance link. [Google] [MyFonts] [More]  ⦿

WeWorkForThem

Commercial faces at this site: 6x7OCT (I think, it's hard to read: anyway, it's a dot matrix font made in 1997), Blackgold (2000, pixel), Blessed (2001, pixel), Formation (1999, octagonal font), Macil (1999, octagonal), Pakt (1999), Reversion (1999, pixel), Trisect (1998, tri-line font), Ultramagnetic2 (1996), Unfinished (2001, pixel), Unisect (1998). One of the subdivisions is YouWorkForThem. Offices in Baltimore, MD, and Minneapolis, MN. The fonts are all (I think) by Mike Cina. [Google] [More]  ⦿

Whood91

FontStructor who made Stroke (2010, an octagonal texture face). [Google] [More]  ⦿

Wim Crouwel

Willem Hendrik Crouwel is a Dutch graphic designer who was born in Groningen in 1928. He studied at the Academy Minerva from 1947-1949. In 1952, he founded his design agency, and in 1963, he created the Total Design agency together with four others. In 1967, he created his New Alphabet for cathode ray tubes---it had only vertical and horizontal strokes. It was used in the Dutch pavillon at the World Exhibition in Osaka in 1970. Crouwel became professor of industrial graphic design in 1973 at the Technical University of Delft and was also professor of art at the Erasmus University in Rotterdam. From 1963-1984, Crouwel managed all posters and catalogs for Stedelijk Museum Amsterdam. In 1981, he became director of Museum Boijmans-Van Beuningen, and remained directoruntil 1991. Besides New Alphabet (1967), he also designed Stedelijk (1968, for his poster for Stedelijk Museum Amsterdam), and the Fodor Alphabet (1969, pixelish). He led Total Design in the 70s. His typeface Gridnik (1974), an octagonal face made for a typewriter, was never released as a font. Crouwel's love for grids had earned him the nickname Gridnik. Creator o Dutch postage stamps in 1976.

In 2009, Crouwel wins the Gerrit Noordzij prize. Biography.

In 2007, there was a special Crouwel event in Paris. Pictures of Crouwel by Michael Levy: Crouwel with Pierre Bernard, Crouwel and Étienne Robial, Crouwel signing books, portrait.

Many have continued along the path shown by Crouwel:

Flickr group on Wim Crouwel. Picture. Scans of some of his work: I, II, III, IV, V. Picture. Another picture. And another one. And one more. [Google] [MyFonts] [More]  ⦿

Wino Sutarmin Kadir

Indonesian designer, b. 1979, from Bogor, Jakarta. Alternate URL. Behance link. Dafont link. Fontspace link. Klingspor link. Creator of the unicase sans face Weknow (2009) and the roundish MisstyPoland (2009). Most of his faces are experimental.

From 2010: Helenfont (2010), Dennis Vallera (2010), Kasumichan, Karitza, Mozzie, Wings, Sharon, Noakatz, dearladysandra, arachnidlove, Alexandra, Monica (2010), Natalie, Wayner 8088, Anime Queen (2010, pixelized), Nano (2010, pixel face), Glover (2010, circular face), Frozen Pandaman (geometric), Joenine (circular), Fun Record (geometric), Gembira (circular), Gabrielle, Solgas (circular), lifeforfun (2010), znowwhite (2010), Snowmask (2010), Nine (2010), Znowwhite (2010), Cecile (2010, experiment with triangles), Coreldraw (2010, geometric, monoline), DennisVallera (2010, inspired by the vector art of Canadian Dennis Vallera), Helenfont (2010).

Designs from 2011: Michelle (circle-based), Emmilia (circle-based), Raynaliz, Polysoup, Seba, Selfregion (concentric glyphs), Wings of the dragons (octagonal), Spider, The Training Artist, Chewed Kandi, Sandra, Saintfighteraqua (geometric), Alexey (circle-based), Kristina (circle-based), Graphic Dream, Crystalcore (techno), Dominique (fat rounded), Formalart, Henderson (circle-based), Intanputripratiwi (circle-based), Kioshima (geometric), Gitchgitch (geometric), Justta, Dismecha, Self Region (labyrinthine), Alberto (monoline geometric), Abstrasctik (rounded and experimental), Nicole, Robotoc, Laggastic, Masterpanda, Mohr, Maruciel, Gabrielle, Carlos (a circle-based face), Life For Fun (geometric monoline sans), Lois Cesarano (hexagonal), Heather Thomas (circles and lines), Picaee (modular and leafy), Owaikeo (a circle and arc face), Celeste, The World, Future, Lanitta, Earthearth, Basic, Beautiful, Internationalist (monoline rounded sans caps face), Midnight Show, Plastic, Victory, Perfect, Superpower, Katarzyna, Invasion, Block, Wonderfull, Sweetest, Direction, Funrecord, Eternal Flame, Coreldarw, James Glover (circle-based), Superstar, Inside, Parallel, Million, Ocean, Never Ending Maze, Silverbend, Dragon Fly, Whatever You Want, Swinging Swan, Funatic, Soulmate, Superhero, Zetland, Letting The Cable Sleep, Weknow World, Universalisme, Ocean, Smiley Turtle, Family&Friend, Flower in the window, You&Me&Everyone Else, Astonishing, Grass Hopper, Merpati Putih, Extra Hot, Trees of Happiness, Blowing Bubble, Brain Storm, Good Morning, Flower Lover, Honestly, Jaguar, Modern Aristocrat, Pure and Simple Everytime, Ride the lightning, Proffesional (sic), Flight Stewardess, Antique Retro, Natural Technologies, Nurmaya, Conversation, Earth Heart.

Designs from 2012: Sweater (texture face), Fish Bone, Delicious Ketchup. The Dark Knight, String and Wire, Little Ant, Xtrapower, Standard International, Nice dream come true, Bavaria, Queen of the modern age, Science Fiction, Greatest View, Queen of the Modern Age, Made in earth, Arabian Knight, Emperor of Japan, Bill Gates Windows, Maximum Kilometer, Mineral Oil Resources, Motorcycle (curly caps), Eskimo and Polar Bear, Gladiator Sport, Aero Dynamic, Optical Fiber, High Logic, Generation (a nice all-caps shadow face), My Heart, Play Ground (multiline face), Cartoon Character, Windows in Japan, Quantum Leap (dymo label face), Computer Love, Electric City, and Copper, Valentine In Love, Weknow Windows, Punk, Graphic Design, Billy Jean Style, LMAO (rounded bold sans face), Take and Give, Indonesia Tanah Air, Swimmer Browser, Diamonds are forever (hexagonal and rounded), Tortoise, My Dear, Get Ready, Export Import, Miracle, Digital Ninja, Funtastic Million Moment, Funny and Cute, Samurai in UK, Bookmark, Once Upon A Time, Bird Feather, Respect, Aruna Aira Jasmine, Extra Cheese, Beauty and the beast, Kung Fu Master (oriental simulation typeface), Game Player (art deco), Modern Building, Trade and Mark, Grovy (sic) Kind of Life, King of Font and Typography, ABC (comic book face), Metro City (extended monoline typeface), The Art, Sprout and the bean, Scooter experiment, Sundown Sunrise (a rounded monoline sans), Art Heart, WindowsObject, Authentic Love, Dolphin Ocean Wave, British Pop Music, Master (sci-fi), Sneak Peeks, Like This, Crumble, Zebra Cross, Star Constellation, Water and Gasoline, Autumn, Aviator, So Cute, Crow Chief (bow and arrow font), Beard Rider, Skateboard, Panel, Swallow Sky Night, Hotel Motel (fat finger face), Techno Various, Zooming Track, Robo Cop, Dance Fever, West Java, Ivory Culture, Push The Button (art deco), Highway Patrol (blocked black typeface), Sausage, Little Atom, Mick Jagged, Life Is Final (copperplate), Total Hammer, Cybertooth, Modern Craft, Riding The World, Boarder (counterless), Essential Arrangement, Sensation, Helmet, Smile, Little Think Big Impact, Airplane, Young and Free, The Futurist. [Google] [More]  ⦿

Wouter Depaemelaere

Belgian designer who used FontStruct in 2008 to create a striped display face called Structica Stripes, which is based on his Structica. He also made Structica Black and Cloudy, as well as Squrbed, Squrbed2 and Squrbed Rounded. Anotherone and Anotheronebis are heavy octagonal faces, with the latter being a slab serif version of the former. Fatty is an ultra-fat face following the 2007-2008 trend in such faces. Fonts from 2009: Pixel Grotesque, Structica (+Black), AnotherOne, AnotherOneBis (octagonal, mechanical), Yet Another Pixel Font, You Finish It (outlined, athletic lettering). Additions in 2010: Oekaf (+Mono, +Slab), Px (pixel family, with Slab, Uni, Sans, Nrrow), Minimalist, FFF Lettertype, Ptit Sans. [Google] [More]  ⦿

Xenophilius
[Ganlo R. Ithsm]

American Fontstructor who also uses Fontspace to display his work. He uses the alias Ganlo R. Ithsm, which is probably a permutation of Logan R. Smith.

Typefaces from 2010: Aztec, Barely, Braille, Digital Watch, Game Serif (+Outline), Serifial, Future Sans Tall, Future Watch Monospaced (LED face), Minimalist Everything, LegiPixel, Outlinecial, Teencial, Technically Pixels, Digital Watch, Minimal, Interest, and a few other pixelish faces.

Typefaces from 2011: LusumTypus (octagonal, mechanical), Italic Dotts, Stretchy (stretched pixel face), Modernistical, Pactim, Elite (constructivist), Shiny Dotts, Game Serif Italic, Garamond Pixelle, Performa (pixel face), Simpole Mono (pixel face), Slaant (angular face), Konsul Mono (pixel face based on Monaco), Thinnest Slats, Thin Slats, Lateral Slats, Kanureed Thys (pixel face), X Marks The Font, Habimo, A Stroke of Geneus (blackletter), Kurcive, Quasoid (kitchen tile, piano key face), Target Aims The Font (dotted), Uncialogo (kitchen tile face), xe Callig Better (blackletter), xe Dotcial (dot matrix face based on American Uncial), xe Dogma, xe Inktrap, xe Inktrap Bold, Koch Black (a remake of one of Koch's blackletter faces), xe Bard (blackletter). [Google] [More]  ⦿

xyz.ch
[Alexander Meyer]

Zürich-based designer (b. 1977) who started publishing his typefaces at Die Gestalten. In 2008, he set up xyz.ch where he sells his own creations. Designer of these faces:

Since 2010, partner with Timo Gaessner in Milieu Grotesque. [Google] [More]  ⦿

YOFonts
[Yasuhiro Yamaoka]

YOFonts offers beautiful fonts like Trafica and Engraver Sans by Yasuhiro Yamaoka. Most are commercial. Some can be downloaded as freeware or shareware. Fontsquirrel link [where one can download Eau (+Douce Sans, +Naturelle Sans, 2003), EPF (1999-2006), Grov (2000-2002), Midiet (1990-2009, sans and serif), Nord (1992-2000, elliptical), and Telegrama (1992, pixelish)]. Freeware fonts (Mac/PC): Crematec Bold, Glyphian (runic), Grov Alphabet Regular / Italic / Condensed (1999), Grov Katakana, Grov Hiragana, Laitty (1993-1997, upright connected script), Lapidit (1994-2002, experimental), Liq (1995, LCD face), IgnorantModern (1993), Initia (geometric, circular), OneZero Alphabet, OneZero Katakana (pixel face), Ovals (border font), Quads (borderfont), SmooHG, SmooKK, Opuscula (2008-2011), Practica, Ovals Regular (Border font), Quads Regular (Border font). Font of the month (free): Philo AB, Philo KK, Philo HG.

Other fonts: Angrite-Regular (1998), ArchaeoDeco (2001, art deco), Botaniq (organic, 2001-2002), Circles, CremSBold (1995-1997), CremacBea, CremacBeaBold, Crematec (techno), Cybertalk (2000), DippleKKS (1998, organic, molecular), Elementa (1990-1998, a techno family in Sans, Serif and Script styles), Engraver Sans (1995, Greek simulation family), Fact (1995-2005, information design family), Fol (1995, octagonal family), LiqMono, LiqMonoOblique, LiqRegular, LiqRegularOblique, ModCircle (1995), ModQuad (1996), Moderno (1997-2002, sans), Philo (1995-1996), Pica (1993-2005), Pixe (1992-1998), Practica (1991-2002, +Practica MsF), Nord-Bold (1998), OneZero-ABOneZero (1998), OneZero-ABZeroOne (1998), OneZero-ABZeroZero (1998), OneZero-KKOneOne (1998), OneZero-KKOneZero (1998), OneZero-KKZeroOne (1998), OneZero-KKZeroZero (1998), Serian (1997-2005, a German Schreibschrift), Trafica (1999-2002). In Font Pavilion 12: Smoo (1997-1998, Latin, katakana, hiragana). [Google] [More]  ⦿

YouWorkForThem (was: Cinahaus, or TrueIsTrue)
[Michael Cina]

Michael Cina (Minneapolis) is the cofounder of WeWorkForThem and YouWorkForThem (in 2002), also known as YWFT. Before that, he ran TrueIsTrue, and before that was partner in Test Pilot Collective (which he left in 2001), and before that he ran Cinahaus. YWFT is located in Baltimore, MD.

Cina's fonts include the pixel fonts Caliper (1998), 6x7oct (1998) and BlackGold; the handwriting font Cinahand; Blessed (1999, techno), Cam (1998), CommunityService, Crossover (1998, dot matrix with stars instead of dots), Composite (1998, octagonal), Formation (1999, a big octagonal family), Jute, Maetl (1999, octagonal, angular family), Novum, Pakt, Reversion (1997, squarish), Selector, Selek (1998, pixelish), Service (2001-2002, an octagonal family), Trisect (1999, three-lined family, now also available at Veer), Unisect (1999, organic monoline sans), Ultramagnetic (1998), Ultramagnetic2 (1999), Unfinished. Bastard (1998), Kcap6 (with Matt Desmond), Cheese (1998), Novum (2002), Overcross (2002, unfocused letters), Stem (1998), Testacon (with Kral and Desmond, 1999). Alternate URL. Interview. Other typefaces: Praun (2002, pixel faces), OneCross (2002, pixelish stitching family), Estenceler (2004, a great stencil family), Graphium (2004, octagonal Western style family), Expos (2004, graffiti or poster face), Vox (2007, monoline sans), Militia Sans (2007, like a Russian constructivist stencil), Jupiter (roman), Militia (2007, heavier stencil), Merc (2007, grunge), Guild (2007), Clarendon Text (2007, a complete revival), Jezebel (2007, script), Ambassador Script (2007, a digital revival of Novarese's typeface by that name), Enam (2002, influenced by Crouwel), Enigmatic Hand (2007), Dusty (2007, a Tuscan-eared Western font), Poplock (2007, experimental), Pakt (2007, geometric sans), Sudsy (2007), Black Sabbath (2008, ultra black slab serif, by Stefan Kjartansson), Agostina (2008), Bitwood (2009, pixelish western face), Mullino (2009), Trithart (2008, grunge by Emma Trithart), Tapscott (2008, in the style of Rennie Mackintosh), Habano (2008, script), Amorinda (signage script), Retron (2008, connected script), MD01 (medical-themed dingbats), Adelaide (script), Centennial Script (calligraphic), Alexia (calligraphic), Ultramagnetic (experimental), Nash (1997, grunge), Amber (kitchen tile), Fab (3d), 6x7 Oct (1998, pixels and dots), Wool (2009, stencil), Matter (2009, a wide bold grotesque), Merriam (2009, slab serif).

Blog. His lovely g poster (2010).

House fonts at YWFT by unknown designers: Dogma (22012, alchemic), Attic (sppoky poster face, in EPS format), Riblah (2003, dot matrix), YWFT Fraktur (tattoo face). [Google] [MyFonts] [More]  ⦿

Yuliyan Ilev

Future web site. German creator of Nowadays (2010), Contemporary (2010), Childwood (2009, hand-drawn octagonal face), Neo Trash (2009, grunge), Light From Behind (2009). [Google] [More]  ⦿

Yves Bachmann

Zurich-based illustrator and art director who made the octagonal face Qbik in 2010. Home page. [Google] [More]  ⦿

Zakhar Yaschin

Russian designer (also spelled Zahar Yaschin) of some fonts at Paratype. Harry Plotter, He created the blockish font Quasimode at Studio Dezygn. At Art Lebedev, he made ALS Ekibastuz (2006, sans family), ALS Tonguin (2006, oriental simulation face) and ALS Story (2008, together with Taisiya Lushenko). He also made the Latin/Cyrillic sans family SansSay (2007) and MainStormZ, Harry Plotter New (Paratype), the script faces Rondo Script, Treasure (as in signatures), the handprinted faces Art Brush, Art Pencil, Auktyon Z (2001, ParaType, handprinted), Auktyon Dot Z, Kapelka (2005, ParaType, connected brush lettering), KvadratZ (2001, ParaType: fun octagonal, including dingbats)), KvadratWoodZ, KvadratPictZ, the futuristic faces Astra, Avangard, the display faces MainStormZ, Harry Plotter (2003, ParaType), Elektro_Mech, Elektro_DC, Elektro_AC, the slab face Egypt, and the comic book face Comicz. Other creations include the delicate sans face Solovets (2008), and Zwoelf (2008, woth Oleg Pashchenko and Irina smirnova). He lives in Oryol and works as a graphic and web designer. Alternate URL. [Google] [MyFonts] [More]  ⦿

Zenkilla Fonts
[Stéphane Mondesir]

Stéphane Mondesir (Zenkilla Fonts) is the French creator (b. 1980) in 2009 at FontStruct of Paperface, Ceed, Dconstruct, LightA, Zen F, Twodays, Bad Bold and Bad Bold College (athletic lettering stencil face). In 2010, he added Erika (+Deco). Home page. He lives in Montreuil sous Bois. Behance link. [Google] [More]  ⦿

ZESD

Located in the UK, this outfit created the experimental face Plinth (2011) and the octagonal techno face Ramscoop (2011). They also made some modular typefaces in 2011---one is called Flux. Cartalog. [Google] [More]  ⦿

Zetafonts

Zetafonts is a font foundry created by Francesco Canovaro, Cosimo Lorenzo Pancini and Debora Manetti. Almost all of these fonts were created as part of the design process for logos and printed materials. Many were created for the experimental magazine ego[n]. Foundry in Florence, Italy, although the Behance page places them in the United States. [z]fonts is the font development section of Studio Kmzero, a Florence (Italy) based Design and Communication Agency. Studio Kmzero is an Italian design firm in Firenze consisting of three graphic designers, Francesco Canovaro, Debora Manetti, and Cosimo Lorenzo Pancini.

Also called ZeroFont.

Francesco Canovaro and Adolfo Monti are the designers of the simple bold sans face Arista (2007). They also made the basic sans faces Cibreo, zProzak-Bold, zProzak and zProzakLight in 2006, and Sugo in 2007. We also find Antipasto (2007, clean elegant sans), Arsenale White and ArsenaleBlue (2009, children's hands, done by Cosimo Lorenzo Pancini, Francesco Canovaro and Jonathan Calugi), Bistecca (2005, a bellissima extra-condensed serif font created for ego[n] 5 and for the cover of ego[n] 4), Braciola (2006; monospaced and octagonal, with stencil styles added), Bubblebody, Byron (2006, handwriting), Delizioso (2008, art deco), Docporn (comic book style), Duepuntezero, Handvetica (2005, arched), Happyfruhzero, Modulo3 (2008, an artsy beauty), New Romantic (curly grunge), Prozak, Sala de Fiestas (2005-2006), Senzacuore, Square80 (2009), Sugo, Taller Evolution (2009, geometric sans), Taller, Tallest Tallest (2009, ultra-condensed), Targa Monospace (inspired by license plate lettering), Targa (2002), TargaMS (2002), TargaMSHand (2002), Tutor (2006, rectangular, pixelish---what I call a piano key font), Toller (2009, ultra-condensed), Filetto (2009, a sans modeled after DIN 1451 done with Francisco Canovaro and Katiuscia Mari).

Dafont link. MyFonts link. [Google] [MyFonts] [More]  ⦿

zhuk

FontStructor who made these faces in 2011: Monochrome (techno), Lofty. In 2009, he made Diabolus Lite CYR, Diabolus Dark, Quadrius Circularis, Moonkey Pixel, Motorcar Struct (retro face), Krugly, Modern Structure, Disney Symbols, Diabolus Lite, My Torrent (fat, octagonal), Pixel Art Structure (3d face). [Google] [More]  ⦿

Zuttec

Designer at FontStruct in 2009 of Quadrato (dot matrix) and 45 degree, 45 typologic and 45 typologic rounded (bold octagonal faces). [Google] [More]  ⦿