110design
[Alexei Vanyashin]

Russian graphic and web design studio in Moscow, run by Alexei Vanyashin, Fedor Balashov and Kate Semenova. Alexei Vanyashin studied typography at Stroganov University under Dmitry Kirsanov from 2002-2003. He graduated in graphic design from the Institute of Design in Moscow in 2008. In 2009-2010, he worked on the Florian Diploma project at the Type and Typography course at the British Higher School of Art and Design in Moscow under Ilya Ruderman. Florian is a 9-style angular (wedge serif) text family. Florian and Geo Text won First Prize at Granshan 2010 in the Cyrillic text typeface category. Alexei designed the curlified Bodonito Display (2009), Eurotesque, Wire (2009, monoline sans), and ModL (2009). Schmale Antiqua (2010) is a very thin Latin and Cyrillic didone face that revives a 19th century typeface widely used for setting book titles. Behance link.

Cofounder in 2011 of Cyreal, a Russian foundry. There, he designed faces such as Rationale (2011, with OlexaVolochay and VladimirPavlikov), Vidaloka (2011, a didone done with Olga Karpushina), Alike (2009, with Svetlana Sebyakina), and Adamina (2011, a text face for small print: free at OFL). I am not sure if Iceland (2011, Cyreal: free at Google Web Fonts) is also his.

Typefaces made in 2012: Junge (a delicate roman face, free at Google Web Fonts, which was inspired by the calligraphy of Günther Jung). [Google] [More]  ⦿

1919 Type Foundry
[Scott Sullivan]

1919 Type Foundry presents the typographic work of Scott Sullivan, who is currently a graphic design major at Ohio University in Athens, Ohio, scheduled to graduate in 2009. About the name: All fonts are heavily based in geometry, therefore: Dosim OKT, Geovlad (2009, constructivist, based on the posters of Georgii and Vladimir Stenberg), 44X34X (2009, futuristic, free). The Triflig Paradigm is another project of his. There he is developing some fonts such as Moon Man, and one can download Gnashraw-Spaced (2009) and two of his FontStruct (pixel) fonts, pgdm001 and pgdm002 (2009). Designmoo link. [Google] [More]  ⦿

195.206.35.44

Neat archive, mostly consisting of Paul J. Lloyd fonts, plus about 300 Cyrillic truetype fonts. [Google] [More]  ⦿

22 Soft

Designers of Cyrillic fonts including New York Plain. [Google] [More]  ⦿

4th February
[Sergiy Tkachenko]

Sergiy Tkachenko (b. 1979, Khrystynivka, Cherkasy region, Ukraine) lives in Kremenchuk, Ukraine, and has been a prolific type designer since 2008. Sergiy graduated from Kremenchuk State Polytechnic University in computer systems and networks in 2007. Various other URLs: Microsoft link, Identifont, 4th February, Behance, Klingspor link, Revision Ru, Russian creators, CPLUV Fontspace, Twitter. Kernest link. Sergey Tkachenko's typefaces:

• 2008: the techno faces Bladi One 4F, Bladi One Slab 4F, Bladi Two 4F, Abia Wide 4F Thin.
• 2009: Serifiqo (a (free) thin didone fashion mag display face), Codename Coder 4F (monospace programming font), Droporado 4F (using circles only), Tovstun (futuristic, ultra-fat and rounded), Perfocard 4F, Modularico (five modular faces based on a logo from Master Kremenchug a company for which Sergiy worked for 4 years), Boldesqo Serif 4F (a splendid informal fat didone, now with Greek support), Tkachenko Sketch, Unicase Slab (a techno slab), Laftatic, Logofontik 4F (techno), PC.DE Stencil (+Italic; custom stencil font), Stenciliqo 4F, Tiap Liap 4F (handwriting), Nut Kit 4F, Rezzzistor 4F, Wrongo 4F, the inline modular face Grand Hotel, and Bijou 4F.
• 2010: PädIn (a custom typeface for Pädagogische Initiative e.V.: rounded fat informal face), Fat Quad (in the fatty trend), Veselka (a free multiline face), Smeshariki Black (+ Gleams: a bubble gum font made for an animation company), Republica 4F (a fat family), Rodeqa Slab 4F, ComFi (semi-octagonal), Grotesqa 4F, Nowy Geroy 4F, Fabryka 4F (a monospaced typewriter family), Placarto4F-Italic (an ultra fat art deco), Lavina 4F (a hairline sans with lachrymal terminals).
• 2011: Kylie 4F (bilined and geometric), Waldemar 4F (a large didone style fat face family), Dinesqo (2011, a monoline sans of utter simplicity), Qargotesk (+Cyrillic) [images: i, ii, iii, iv], Neultica 4F (black unicase family), Squartiqa 4F (2011, constructivist), Clarenta 4F Black (after Clarendon---a great family), Designosaur (free sans), Perfopunto (based on perforated circles and squares), OlaScript 4F, Bayadera 4F (a tamed upright monoline script), Febrotesk4FUnicase (squarish unicase family).
• 2012: Ukraintica 4F Wide (a monoline wide-bowled sans family), Sports World (free athletic lettering font), Web Serveroff (free computer geek font).
• Cyrillizations: several typefaces such as Lavoisier (by Alec Julien), Budmo Jiggler (Ray Larabie) and JoAnne Display (Sandy Cerovich), Gnuolane (of a Ray Larabie font), Paranoid Cyrillic (based on Kevin Lo's Paranoid), Movavi Grotesque Black (+Cyrillic; ; numerals), Azoft Sans (made for Azoft, and free here).
• Custom fonts: Blue Pill, Sansus Webissimo (since 2011 free at Open Font Library), Minaeff ECT (2011, a free legible family for Latin and Cyrillic, custom-made for and downloadable from WebhostingRating.com), Web Serveroff, Movavi Grotesque, Azoft Sans, PÄd In, Smeshariki, Fat Cow, Comfi, PC.de, League Gothic Cyrillic, Paranoid Cyrillic, 28 Days Later Cyrillic, Acid Label Cyrillic, Dead Secretary Cyrillic, Rezland Cyrillic, Sweet Leaf Cyrillic, Droid Cyrillic, Jo Anne Display Cyrillic, Gnuolane Free Cyrillic, Bosox Cyrillic, Budmo Jiggler Cyrillic.

Abstract Fonts link. Dafont link. [Google] [MyFonts] [More]  ⦿

A. Grachev

Russian designer of the deco face Plein (1993, with A. Kustov). [Google] [More]  ⦿

A. Jorde

WT_Russisch truetype font. [Google] [More]  ⦿

A. Shchur

Russian designer of Rublenaya Shadow (1957). [Google] [More]  ⦿

A. Shishkin

Designer at Soft union of the Cyrillic fonts Half-Ustav (1994) and Evangelie (1994), with Nikita Vsesvetskii. [Google] [More]  ⦿

Abkhaz alphabet

Abkhaz is a Caucasian language with about 300,000 speakers in Georgia, Turkey and Russia. Literary Abkhaz is based on the Abzhui dialect which is spoken in the capital of Abkhazia, Sukhumi. Abkhaz has been written with the Latin, Georgian and Cyrillic alphabets. This page includes the Abkhaz fonts Abzia and Amra. [Google] [More]  ⦿

ABSTRKT
[Roman Gornitsky]

St. Petersburg, Russia-based foundry. All fonts are by Roman Gornitsky (b. 1986, Leningrad).

Their fonts include Nowie Vremena (2011), Fun City (2010, an extensive family of typefaces designed for multi-layered use; each letter is designed on the same grid, so overlays can create great effects), The Stroke Sans (2010, a computer-generated nibbed pen family), Differentura (2010, grotesk), Krisis Sans (2008), Lawyer Gothic (2008), Littera Plain (2008), Littera Text (2008, an interpretation of the most popular sans family in Russia) and Proto Sans (2008, a 42-style constructivist family). Vremena (2009) and Vremena Grotesk (2009) each has 8 styles, and are their interpretation of Times and Arial, respectively.

In 2011, Gornitsky published a great art deco-meets avant garde family called Lineatura. Images of the various styles of Lineatura: i, ii, iii, iv, v, vi.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Academy
[Lyubov Kuznetsova]

Cyrillic font available from Paratype. Academy was designed circa 1910 at the Berthold type foundry (St.-Petersburg). It was based on Sorbonne (H. Berthold, Berlin, 1905), which represented the American Type Founders' reworking of Cheltenham of 1896 (designed in turn by Bertram G. Goodhue and Morris Fuller Benton) and Russian typefaces of the mid-18th century. Paratype: A low-contrast text typeface with historical flavour. The modern digital version was designed at Polygraphmash type design bureau in 1989 by Lyubov Kuznetsova. [Google] [More]  ⦿

Adrian Englert

Swiss type technology expert of Russian origin. At ATypI 2005 in Helsinki, he spoke on Church Slavonic. [Google] [More]  ⦿

Adrien Vasquez

Graduate of the University of Reading in 2011 who lives in Grenoble and Valence, France. His graduation typeface was Modern Seven (2011), a didone family for Latin and Cyrillic that comes with its own Modern Slab Serif. [Google] [More]  ⦿

AEnglish Dictionary

The Windows Cyrillic font ACyr. [Google] [More]  ⦿

Agfa Monotype

Monotype's Cyrillic fonts include these: ArialMT, Arial-BoldMT, Arial-BoldItalicMT, Arial-ItalicMT, ArialNarrow, ArialNarrow-Bold, ArialNarrow-BoldItalic, ArialNarrow-Italic, BookAntiqua, CenturySchoolbook, CourierNewPSMT, CourierNewPS-BoldMT, CourierNewPS-BoldItalicMT, CourierNewPS-ItalicMT, Courier, Courier, FranklinGothic-Book, FranklinGothic-BookItalic, FranklinGothic-Demi, FranklinGothic-DemiCond, FranklinGothic-DemiItalic, FranklinGothic-Heavy, FranklinGothic-HeavyItalic, FranklinGothic-Medium, FranklinGothic-MediumCond, FranklinGothic-MediumItalic, Helvetica-Black_cyr-Bold, Helvetica_cyr-BoldOblique, Helvetica_cyr-Bold, Helvetica_cyr-Oblique, TimesNRCyrMT, TimesNRCyrMT-Bold, TimesNRCyrMT-BoldInclined, TimesNewRomanPS-ItalicMT, Arial-Black, Impact, BookmanOldStyle, BookmanOldStyle-Bold, BookmanOldStyle-BoldItalic, BookmanOldStyle-Italic, Garamond, Garamond-Bold, Garamond-Italic, Haettenschweiler, Monotypecom. [Google] [More]  ⦿

Ahoi

Paul Rädle's great jump page for foreign fonts and phonetic fonts. [Google] [More]  ⦿

Akina686

Anna (Akina 686) is the Russian designer of the spiky almost medieval faces Cactus (2011) and Cactus Cyrillic (2011). [Google] [More]  ⦿

Akira Uchida

Akira Uchida (Hitachi, Ltd. and TypeBank Co, Ltd) developed a very useful free full Latin/Kanji/unicode "didone style" font called XANO-mincho-U32 (2003). Opentype included. A thing of beauty. Direct download. He also made another full (free) didone-style unicode font, Kandata (2004). Here you can download his Tsuitiku-Kana family from 2004-2005. [Google] [More]  ⦿

akkobank

Russian archive with 1.5MB worth of Russian truetype fonts. [Google] [More]  ⦿

Aksakal ABC

250 Cyrillic fonts in this archive: 612Koshey-Bold, 612KosheyLine-Bold, LC-Construct, Marusya, LC-Fence, LC-Embroidery, Acadian-Cyr, Acquest-Script, Adine-Kirnberg, Adventure, Agatha-Modern, AgitProp-Medium, Aktau, Alexandra-Script, Alexandra-Zeferino-One, Alexandra-Zeferino-Ornamental, Alexandra-Zeferino-Three, Alexandra-Zeferino-Two, AnastasiaScript, Angelica, Annabelle, Arbat, Ariston-Normal, Arkhive, ArtScript, Asessor, Astra, Aurora-Script, BandyCyr, Baveuse, Beast-Impacted-Regular, Beast-vs-SpreadTall, Bedrock-Cyr, Ben-Cat-Normal-Normal, Ben-Hard-Life-Bold, Ben-Krush, Beresta, Bickham-Script-Alt-Four, Bickham-Script-Alt-One, Bickham-Script-Alt-Three, Bickham-Script-Alt-Two, Bickham-Script-One, Bickham-Script-Three, Bickham-Script-Two, Bikham-Cyr-Script, Blaze, Bolero-script, Bolid, Boyarsky-Bold-Italic:00, Brody, Bulka, Burlak, Burlak, Calligraph, Calligrapher, Calligrapher, Calligraphia-One, Calligraphia-Two, Carolina, Cassandra, Ceremonious-One, Ceremonious-Three, Ceremonious-Two, Champignon-script, CheapPizza-Heavy, China, Choc-Borissov, Connetable, Copyist-Thin, Corinthia, Corrida-Bold, Corrida-Cyrillic, CyrillicChancellor, CyrillicRibbon, DS-BroadBrush, DS-Note, DS-Rabbit-Medium, Decor-Italic, Decor, Decorlz, Decree-Art-One, Decree-Art-Two, Decree-Narrow, Decree-Thin, Demian-Cyr-Plain1.0, Derby, Destiny-Light, Deutsch-Gothic, DisneyPark, Dollar, DomCasual-Normal, Domkrat-Normal, Dotf1, Dr.Po-GothicRu, DrPoDecorRu, Edisson, Edisson, Ekaterina-Velikaya-One, Ekaterina-Velikaya-Two, Elzevir, Encient-German-Gothic, English-Script, Epson1, Esenin-script-One, Esenin-script-Two, Favorit, festus, Figured, Final, Flowerchild, FloydianCyr, Geisha, Globus, Gloria, Grunge, Heading, Heather-Script-One, Heather-Script-Two, HeinrichScript, Heinrich-Text, Hortensia, Hrom, Imperial, Inform-Bold, Isabella-Decor, Italiano, Jikharev, Joke, Kaliakra, Karmen, Knyaz-cyr, KremlinCTT, KursivC, LC-Body, LC-Bagira, LC-Blowzy, LC-Chalk, Lazy-Crazy, LehmannC, Liana, LirussTYGRA, Logger, Ludvig-van-Bethoveen, Macarena, Macaroni, Madera-TYGRA, Manuscript, Margarita-script, Margit, Marianna, Markiz-de-Sad-script, Medieval, Menuet-script, MinusmanC, Monofonto, Moonchild-Normal, Nestor, Neuropol-Medium, Newland-Black, Newland, Ocean-Normal, Odessa-Script-Cyr, OdessaScriptFWF-Regular, Ograda-Normal, Ograda-Normal, Ordens_VK-Normal, Ouverture-script, P22-Kilkenny-Initial-Cap, P22-Kilkenny-Pro, PG-Isadora-Cyr-Pro-Regular, Park-Avenue-Normal, Parsek-Cyrillic, Patience, Pechkin, Pero, Pero, Pompadur, PresentScript-Cyrillic, Propisi, Redinger, Remeslo, Roland, Romana-Script, Romvel-Cyr, Rosamunda-One-Normal, Rosamunda-Two, RoscherkDL, Round-Script-Italic, Rublik, Rurintania, SVOBODA, Saffron_Cyr, Saksonia, Script-Thin-Pen, Scriptorama, Sevilla-Decor, Skidoos-Cyr-Italic, Still-Time-Cyr, Stilla, Stonehenge, Stylo-Bold, Terminator-Cyr-4-Semi-expanded-Bold, Ticker-Tape, Torhok-Italic, VLADOVSKIY, Venecia, Venski-Sad-Two-Medium, Venski-sad-One-Medium, Vesna, VictorianCyr, Vityaz-cyr, VivaldiD, VivaldiD-CL, Viza, Washington, Whirl-Cyrillic, Willamette-SF, Wolfgang-Amadeus-Mozart, Wooden-Ship-Decorated, Xorx_Toothy-Cyr, Xorx_windy-Cyr, Young-Love-ES, Zanerian-Two, ZapfinoExtraLT-Alternate, ZapfinoExtraLT-Four, ZapfinoExtraLT-Ligatures, ZapfinoExtraLT-One, ZapfinoExtraLT-Ornaments, ZapfinoExtraLT-SmallCaps, ZapfinoExtraLT-Three, ZapfinoExtraLT-Two, ZapfinoExtraLTPro, ZapfinoForteLT-Alternate, ZapfinoForteLT-One, ZapfinoForteLTPro, Zeferino-Three, Zipper1-Cyr, m_612Koshey-Bold, m_Acadian, m_Agit-Prop-Medium, m_Andes-Normal, m_Baveuse, m_Ben-Krush, m_Bolid, m_Brody, m_Macaroni. [Google] [More]  ⦿

Aktobe.com

From Kirgizia, a 2MB font file with the standard Microsoft truetype collection. [Google] [More]  ⦿

Alatau

Free Kazak Times fonts for PC and Mac. [Google] [More]  ⦿

Albert Kapitonov

Russian type and graphic designer. Creator of PT Reforma-Grotesk (ParaType, 1999). This face is based on the letterforms of the Russian pre-revolutionary hand composition typefaces, Uzky Tonky Grotesk ("Condensed Thin Sans"), Poluzhirny Knizhny Grotesk ("Semibold Book Sans"), and Reforma, of H. Berthold and O. Lehmann foundries (St. Petersburg). An extra compressed sans serif, typical for display fonts of the end of 19th and early 20th centuries, it received the Galina Prize for the creative exploration of the Russian typographic tradition at the Kyrillitsa'99 international type design competition in Moscow.

FontShop link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Albert Kapr

German type designer, typographer, calligrapher, author and educator, b. Stuttgart (1918), d. 1995. He was art director at the Dresden type foundry VEB Typoart from 1964 until 1977. He founded and led the Institut für Buchgestaltung at the Hochschule für Grafik und Buchkunst at Leipzig from 1956 until 1978. Obituary by Harald Suess. Page at Klingspor. MyFonts page. Catalog of Albert Kapr's typefaces

He designed Faust-Antiqua (1958; this inspired Nick Curtis to design Kaprice NF (2010); in 1993, Steve Jackaman revived it as Faust RR), Leipzig (with Otto Erler in 1963: large x-height), Leipziger-Antiqua (1959, revived by Tim Ahrens in 2004 as JAF Lapture, also digitized--close to the original and under the original name--by Ralph Unger at URW in 2005; and shamelessly digitized by Linotype and sold as Hawkhurst without mentioning the Leipziger Antiqua source, in fact claiming that Hawkhurst is an original), Calendon-Antiqua (1965), Prillwitz-Antiqua (1971), and Magna Kyrillisch (1975). Circa 1975, he created Garamond Cyrillic at Typoart.

A specialist of blackletter, he was passionate about Gotische Bastarda. Author of Fraktur: Form und Geschichte der gebrochenen Schriften (1993, H. Schmidt, Mainz). Max Caflisch, Albert Kapr, Antonia Weiss and Hans Peter Willberg published F.H.Ernst Schneidler Schriftentwerfer, Lehrer, Kalligraph (SchumacherGebler a.o., München, 2002). Author of The art of lettering; The history, anatomy, and aesthetics of the roman letterforms (München, K.G. Saur, 1983, original edition in German by VEB Verlag: Dresden, 1971). [Google] [MyFonts] [More]  ⦿

Aleksander Shevchuk

Art director in Moscow. His (mostly free) typefaces include the ultra fat art deco face Beyond Cyrillic (2009) and Eyelevation Pro (2009, for Eyelevation magazine (in Russian): free at dafont since 2012), Bifurk Asmod (2006, display face), FatC (2010, a rounded curly didone display face), Kodzini (2008, a great asian simulation face) and SheruPro (2009, another great (free) faux oriental face), AleksandraC (2010, +Vintage: free at Dafont).

Alternate URL. Dafont link. Behance link. [Google] [More]  ⦿

Aleksandr Savenkov

Russian creator of the pixelized typeface Upheaval Pro (2012). [Google] [More]  ⦿

Aleksandra Egorova

Russian type designer in St. Petersburg who made the faux oriental font Han Zi in 2008 at Paratype. [Google] [MyFonts] [More]  ⦿

Aleksandra Korolkova

Graduate of Moscow University of Printing Arts in 2006 where she studied under Alexander Tarbeev. She teaches type design and typography there. In 2007, her book for Russian students on typography was published (English title: Alive Typography). She received many awards for her work and is a frequent speaker at type design conferences.

Designer of the beautiful Cyrillic serif family Leksa (a winner at Paratype K2009) and the accompanying Leksa Sans family from 2004-2007. This was followed by equally gorgeous families such as Fence (2009, an ultra-fat artistic beauty). Skoropix is an experimental pixel face done with FontStruct.

She also made Belladonna (2008, a stunning modern face for Latin and Cyrillic; a winner at Paratype K2009 and Grand Prize winner at Granshan 2011), Skoropix (with FontStruct), and the experimental face Cless (2009). She spoke about Cyrillic at ATypI 2008 in St. Petersburg. She received a TypeArt 05 award for the display family Fourty-nine face. Alternate URL.

At MyFonts, one can buy Gorodets [2009: a Russian decoration face based on traditional wood-painting style from the town Gorodets on the Volga river, Russia], Leksa and Leksa Sans], Blonde Fraktur (2010: written with a quill by Alexandra Korolkova and prepared in digital form by Alexandra Pushkova), Airy (2010, a curly script), Airy Pictures (2010, animal and plant dingbats), Bowman (2010: a blackboard children's script), PT Serif (2011, Paratype's superfamily of 38 fonts, codesigned with Vladimir Yefimov and Olga Umpeleva), PT Circe (2011, a geometric sans family with a neat Thin weight; Third Prize for cyrillic text faces at Granshan 2011), and Cless (2010: ultra fat and counterless).

Together with Isabella Chaeva, she made PT Mono (2012, Google Web Fonts).

MyFonts interview. Kernest link. Klingspor link.

View Alexandra Korolkova's typefaces. [Google] [MyFonts] [More]  ⦿

Aleksei Archipov

Russian designer of the blurry Latin/Cyrillic font FD Median (2003). He calls himself the "Flying Dutchman". [Google] [More]  ⦿

Aleksei Kondakov

Russian creator of the ornamental caps face Fusion II. [Google] [More]  ⦿

Aleksey Grigoriev

Russian designer of the Cyrillic/Latin font PremudryCyr, based on an original by Tom Murphy. He also made Rublik (2001). [Google] [More]  ⦿

Aleksey Maslov

Russian codesigner (with Ivan Gladkikh and Alexandr Kalachëv) of Days and Days One (2009, a display sans face), and with Lemonad of Metro (2009, constructivist). Behance link. [Google] [More]  ⦿

Aleksey Nelubov

Graphic designer and photographer in Odessa, Ukraine. He created a number of great logotypes that could serve as dingbats for many applications, especially in vodka bars. [Google] [More]  ⦿

Alena Skarina

Designer in Toronto (b. 1986, Siberia) who has some nice botanical illustrations in her Erobotanica (2012), including some called Nepeta Lactone.

Behance link. [Google] [More]  ⦿

Alex Color

Ukrainian designer of the OFL family OldSlavs (2011, Cyrillic). [Google] [More]  ⦿

Alex Dscheremet

The Cyrillic font Saltan (2002) was designed by Alex Dscheremet. [Google] [More]  ⦿

Alexander Arhipov

Russian type designer. His Colmena (2009, ParaType) was designedfor books for children. This font used to be called FD Harvey. Klingspor link. [Google] [MyFonts] [More]  ⦿

Alexander Garkavets

Another archive of Cyrillic and Armenian fonts managed by Alexander Garkavets of the Center of Eurasian Studies: ArTarGrqiNorGar, ArTarGrqiNorGarBold, ArTarGrqiNorGarItalic, ArTarumianMatenagirGar, ArTarumianMatenagirGarBold, ArTarumianMatenagirGarItalic, ArTarumianTimesGar, ArTarumianTimesGarBold, ArTarumianTimesGarItalic, ArialArmenGar, ArialArmenGarBold, ArialArmenGarItalic, ArmoldGar, SchoolBookAC-Bold, SchoolBookAC-BoldItalic, SchoolBookAC-Italic, SchoolBookAC-Regular, TimesUrumNewBold-Italic, TimesUrumNewBold, TimesUrumNewItalic, TimesUrumNewNormal, TmsRoman, TmsRomanBold, TmsRomanBoldItalic, TmsRomanItalic, VusillusOldFaceItalic, QypchaqDiacriticBold (Garkavets, 2000), BookmanUrum, ArialArmenGar. [Google] [More]  ⦿

Alexander Kazantsev

Russian designer of the Cyrillic/Latin version of Allen R. Walden's font Terminator. Obsolete home page. [Google] [More]  ⦿

Alexander Kokorin

Russian codesigner with Olga Chekina of Tsar Saltan, a display font which won an award at Paratype K2009. [Google] [More]  ⦿

Alexander Kuliev

Behance link. This graphic designer from Moscow made typographic compositions of Vladimir Yefimov's Cyrillization font called Mason (2010), which is based in turn on earlier work by Jonathan Barnbrook). [Google] [More]  ⦿

Alexander L. Romanov

Designer of Techno (1993) and RussianH (Bersearch). [Google] [More]  ⦿

Alexander Minchuk

Russian designer of the Cyrillic/Latin version of Friedrich Poppl's font Laudatio. [Google] [More]  ⦿

Alexander Rodchenko

Aleksandr Mikhailovich Rodtschenko (1891-1956) emerged in the 1920s as one of the most influential Russian constructivists. Their lettering is always austere and geometrical, and they influenced all visual arts. A typical Cyrillic family of faces was recreated by Tagir Safayev at ParaType in 1996-2002, called PT Rodchenko. Other reincarnations include the Latin&Cyrillic family Rodchenko Constructed ML (2010, Tom Wallace). MyFonts link. [Google] [MyFonts] [More]  ⦿

Alexander Sergeyevich Pushkin

Alexander Sergeyevich Pushkin (1799-1837) was a Russian author of the Romantic era who is considered to be the greatest Russian poet and the founder of modern Russian literature. His handwriting has been used in several digital fonts, such as Letter 1882 (1996, Paratype), Pushkin (1999; based on Pushkin's handwriting from 1875; free download here), and newPushkin (2009, free). [Google] [More]  ⦿

Alexander Sizenko

Russian creator of the free chess font Chess 7 (2008) and the free LED display font Digital-7 (2008).

Fontspace link. See also here. [Google] [More]  ⦿

Alexandr Dragin

Graphic designer and illustrator in Krasnodar, Russia. He created some experimental typefaces in 2009-2010. [Google] [More]  ⦿

Alexandra Dolgopolova

Illustrator in Togliatti, Russia. She created the Latin / Cyrillic face Archway (2011). [Google] [More]  ⦿

Alexandra Leopoldovna Gophmann

Russian designer of typefaces who collaborates with Ivan Zeifert and specializes in revivals, cyrillizations and beautiful digitizations, some of them done with Anatole Gophmann. There have been complaints about her practice of borrowing fonts from type designers without asking. One typophile writes: I have cracked open fonts she claims as hers, Bolero, Bickham and others, she has copied and pasted glyphs, copyright data, added Cyrillic and changed the copyright string. As an example, Angelica is a copy of Alejandro Paul's Miss Fajardose. Alejandro has drawn the numerals in his font in 2004 to accompany the letters found in an old catalog of alphabets. There is no other source of the numerals, and Angelica has them. Michael Clark writes: I initiated a battle with the illustrious Alexandra "Bitch" from Russia who has renamed Pouty (FontBureau) and copyrighted [it as] Bolero. She and her partner Anatoly shithead. Available on Fonts101.com for anyone who wants it free. The ass's site, Jagdesh, is in Pakistan and we cannot touch him. 260+ viewings and 140+ downloads. Let's see that is 1400$ I will never see! Others have complained as well about her practice of taking and extending fonts without permission. Anyway, her "fonts" are:

• A: Adine Kirnberg (2005, the Cyrillic version), Advokat Modern (2008), Afisha, Afisha Cap, Agatha-Modern, AlexandraScript, Amadeus, American Text C, American-Retro (2008), Ametist [based on Lorelei] (2008), AmpirDeco, Andantino-script (2008), Andantinoscript, Anfisa Grotesk (2008), Angelica, Annabelle, Antikvar (2008), Antikvar Shadow (2008), Antonella Script (2008), Antonella Script X (2008), Antract, Aquarelle, Ariadnascript, Ariston-Normal, Arkadia (2008), Arkhive, Arlekino, Art-Decoretta (2008), Art-Decorina (2008), Art-Metropol, Art-Nouveau Initial (2008), Art-Nouveau1895, Art-Nouveau1895-Contour, Art-Nouveau1900, Art-Nouveau1910, Art-Victorian (2008), ArtNouveau-Bistro, ArtNouveau-Cafe, Artemis Deco (2008), Artemon (2008, psychedelic), Arthur Gothic, Artist-Modern, Astoria Deco (2008), Atlas Deco A (2008), Atlas Deco B (2008), Auction, Augusta One, Augusta Two, AvalonMedium.
• B: Ball-Point Pen, Bankir-Retro, Barocco Floral Initial (2008), Barocco Initial (2008), Baron Munchausen, Batik Deco (2008), Belukha, BelukhaCapital, BickhamScriptAltFour, BickhamScriptAltOne, BickhamScriptAltThree, BickhamScriptAltTwo, BickhamScriptOne, BickhamScriptThree, BickhamScriptTwo, Birusa (2008), Bodoni Initials (2008), Boleroscript, Bonapart-Modern, Briolin, Brokgauz&Efron, Brokgauz&Efron-Italic.
• C: Caberne, Cafe Paris C, Calligraph-Medium, Campanella (2008), Capitol Deco (2008), Carmen, Carolina, Casanova (art nouveau) (2008), Cassandra, Castileo (2008), Certificate of Birth (2008), Chocogirl (2008), ClassicDecor (ornaments), Classica-One (2008), Classica-Two (2008), Cleopatra (2008), Conkordia (2008), Cordeballet, Corinthia, Corleone, CorleoneDue.
• D: Dama Bubey (grunge) (2008), Debut (art deco in the style of Broadway) (2008), Decadance Cursiv (2007), Decor Initial (2009: decorative caps, a Cyrillic extension of a face by Pampa Type), Decor Line (2008), DeutschGothic (blackletter), Donaldina (2008).
• E: Edisson (blackletter), Egipet-Bold, Ekaterina Velikaya One (2005), Ekaterina Velikaya Two (2005), English Rose (2008), EnglishScript, EseninscriptOne, EseninscriptTwo, Evgenia Deco (2008).
• F: Fairy Tale (2008), Fantasia (2008), Fata Morgana, Favorit, Favorit Grotesk (2008), Flamingo (2008), Fortuna Gothic FlorishC (2009, blackletter).
• G: Geisha (2006), Gertruda Victoriana (2008), Globus (2006), Gloriascript, Goudy Decor InitialC (2009, ornamental caps), Goudy Decor ShodwnC, Goudy OrnateC, Graceful Mazurka (2008).
• H: HeatherScriptOne, HeatherScriptTwo, HeinrichText, Hogarth Script (2005).
• I: Isabella-Decor, Italy-A (2008), Italy-B (2008), Izis One (monoline sans), Izis Two.
• K: Kabriolet Decor (2009), Kamelia (2009, Victorian face), Kareta-A (2007), Kareta-B (2008), KarnacOne, KarnacTwo, Konkord-Retro, Konrad-Modern (2008), Konstrukto-Deco (2008) (2008), Kot Leopold (2008), Kumparsita.
• L: Lastochka (2008), Le Grand, Leokadia Deco (2008), Lombardia, Lombardina One, Lombardina Two, Lombardina-Initial-One (2008), Lombardina-Initial-Two (2008), Lombardina-One-Roman (2008), Lombardina-Two (2008), Ludvig van Beethoveen (sic) (2005).
• M: Majestic X-2, Majestic-, MajesticX, Malahit-Bold, Margaritascript, Marianna, MarkizdeSadscript, MartaDecor One and Two, MartaDecorTwo, Martina Script C, Masquerade (2008), Matilda, Matreshka, Maya (2008), Medieval English, Melange Nouveau (2008), Menuetscript, Metro Modern, Metro Retro B (2008), Metro Retro C (2008), Metro-Retro A (2008), ModernistNouveau, ModernistOne, ModernistThree, ModernistTwo, ModernoNouveau, ModernoOne, ModernoThree, ModernoTwo, Modestina (Victorian), Mon Amour Two (both jointly copyrighted with David Rakovsky) (2008), Mon Amoure One (2008), Monte-Carlo, Monte-Kristo, Monti-Decor A B, Moonlight, Moonstone, Moonstone Stars, Morpheus, Moulin Rouge (2008).
• N: Nocturne (2005), Nostalgia (2008).
• O: Old Comedy, OldBoutique, Olietta-script-BoldItalic (2008), Olietta-script-Lyrica-BoldItalic (2008), Olietta-script-Poesia-BoldItalic (2008), Orpheus, Ouverture Script (2004, calligraphic).
• P: Parisian, Picaresque One, Picaresque-Two (2008), Pilotka (2008), Plimouth, Port-Arthur (2008), Poste Retro (2008), Postmodern One, Postmodern Two, Promenad Deco (2008), Prospect-Deco (2008), Pudelina (2008), Pudelinka (2008).
• R: Red Sunset, Regina Kursiv (2008), Renaldo Modern, Rochester, RochesterLine, RockletterSimple, RockletterTransparent, Romantica Script, Romashka Deco (2008), Romashulka (2008), Rondo Ancient One (2008), Rondo Ancient Two (2008), Rondo Calligraphic (2008), Rondo Twin (2008), Rosa Marena, Rosalia (2008), RosamundaOne-Normal, RosamundaTwo, Rotterdam, Rubius, Rurintania (sic) (2005).
• S: Samba DecorC (2006), San Remo, Sapphire C (2008), Scriptorama (a clone of Scriptina), Secession-Afisha, Sevilla Decor X, SevillaDecor, Sladkoeshka (2008), Stereovolna (2008), Stereovolna Black (2008), Stradivari Script (2008), Stradivari Script [the Latin part copyrighted by Grosse Pointe Group] (2008), Stravinski Deco (2008).
• T: Taverna, Teddy Bear [Latin by House Industries] (2008), Telegraph, TelegraphLine, TelegraphShodwn, TelegraphSmall, Terpsichora (2008, psychedelic), Theater (2009, Victorian), Theater Afisha, Topaz, Trafaret Kit (2008), Trafaret Kit Hatched (2008), Trafaret Kit Transparent (stencil) (2008), Traktir-Modern, Traktir-Modern3-D, Traktir-ModernContour, Turandot.
• V: Valentina (2008), Variete (2008), VenskiSadTwo-Medium, VenskisadOne-Medium, Vera Crouz, VeronaGothic (blackletter), VeronaGothicFlourishe (blackletter), Veronica-script-One (2008), Veronica-script-Two (2008), Victorian-Gothic-One (2007), Victorian-Gothic-Two (2008), Victoriana, Vizit (2010, engraved face).
• W: Wolfgang Amadeus Mozart (2005), Wonderland (2008), Wonderland Star (2008).
• Z: ZanerianTwo, Zeferino Two (2004), Zeferino Three (2005), Zeferino One (2004).

Alexandra Pushkova

Digital type artist at ParaType. Among her contributions is the digital version of a blackletter alphabet (Blonde Fraktur, 2010) that was drawn with a quill by Alexandra Korolkova. [Google] [More]  ⦿

Alexei Tsvetkov

Russian in Munich who designed the Mac font "Russian" in 1993. [Google] [More]  ⦿

Alexej Kryukov

Developer of these free font families, quite exquisite and complete:

• Old Standard TT (2008-2010): a high quality didone 2-style family, suitable for classical, biblical and medieval studies as well as for general-purpose typesetting in languages which use Greek or Cyrillic script, as well as Latin. Many math symbols are included. Old Standard is part of the Google open font directory of free web fonts, and was adapted for TeX use. He writes: Old Standard is supposed to reproduce the actual printing style of the early 20th century, reviving a specific type of Modern (classicist) style of serif typefaces, very commonly used in various editions of the late 19th and early 20th century, but almost completely abandoned later. It supports typesetting of Old and Middle English, Old Icelandic, Cyrillic (with historical characters, extensions for Old Slavonic and localised forms), Gothic transliterations, critical editions of Classical Greek and Latin, and many more.
• Tempora LGC Unicode: Kryukov writes Tempora LGC Unicode was my first attempt to create a multilingual font supporting Latin, Greek (including polytonic characters) and Cyrillic scripts. This family is based on two well-known free typefaces similar to Adobe Times: Nimbus Roman No 9 L by URW (russified by Valek Filippov), and the Omega Serif family, developed by Yannis Charalambous. However, all basic components of the font, and especially its Greek and Cyrillic parts, have suffered serious modifications, so that currently Tempora LGC Unicode represents an independent typeface, quite different from its predecessors.
• Theano Classical fonts: Theano Didot is a classicist face, with both its Roman and Greek parts implemented in Didot style. Theano Modern has Greek letters designed in the Porsonic style. It is based on Figgins Pica No. 3 / Small Pica No. 2, one of the most successful Porsonic Greek typefaces. Theano Old Style is a modernized "Old Style" Greek font with a large number of historic ligatures and alternate forms, modelled after some early 19th century types designed by Figgins' type foundry. It is accompanied by a Latin face based on some "Old Style" Roman fonts of the late 19th and early 20th century.
• CM-LGC (2003): The CM-LGC package contains Type 1 fonts converted from METAFONT sources of the Computer Modern font families. The following encodings are supported: T1, T2A (Cyrillic), LGR (Greek) and TS1. This package includes also Unicode virtual fonts for use with Omega/Lambda. CM-LGC is the first Type 1 font package for LaTeX which supports all European scripts (LGC means `Latin, Greek and Cyrillic'). Alexej Kryukov used Textrace to create CM-LGC.

He contributed to the GNU Freefont project via FreeSerif Cyrillic, and some of the Greek symbols. He also provided valuable direction about Cyrillic and Greek typesetting.

Kernest link. Fontspace link. Another URL. [Google] [More]  ⦿

Alexey

Russian graphic and type designer. His mostly experimental faces include Isopronto (2011, geometric), Vampire (2011), Blamed Neverland (2011, a connect-the-dots face), Lighter (techno), and Coffee (2011, ultra-condensed). [Google] [More]  ⦿

Alexey Bokov

Russian designer of TypeWriterNormal and EuroStyle. In 2010, he made the perforated plate font Performance (ParaType). FontShop link. [Google] [MyFonts] [More]  ⦿

Alexey Dombrovskiy

Alexey Dombrovskiy was born in 1964 in Russia (Uzlovaya, Tula region). He graduated from the Tula Polytechnical Institute in 1986. He works in book design. He cooperates with various publishing houses and designs books for the Russian Academy of Sciences, the Russian Entomological Society, the Moscow State University, the Tula State University, and printed matter for the Bolshoi Theatre, the Moscow Kremlin Museums, the State Hermitage Museum. Author of some articles on the history of initials, a topic about which he spoke at ATypI 2008 in St. Petersburg. In that talk, he covered these phases of initial caps development in Russia:

• Cyrillic printed initial caps by 15-17th centuries as the Civil prototype.
• First slavic capitals as serif (1494).
• Francisco Scorina's modernization of cyrillic type and capital letters (1517-1525).
• Gothic motives in Moscow floriated letters by Ivan Fyodorov and his followers (1564-1677).
• Alternative cyrillic typefaces at Moskovia's western remote area (17th cent.).
• Sobornoye Ulozhenie by czar Alexey Mikhaylovich: Ltin style of capital letters in Russian corpus juris (1649).
• The Civil type's initials in Peter the Great's editions (1708-1725).

Alexey Frolov

Designer in St. Petersburg, Russia, b. 1992, who made the free fonts Tetra (2011. +Cyrillic), Pacifica (2011), Perforama (2010), Velvet Drop (2010) and Bardelin (2010), Sumkin (2010, a fat signage face for Latin and Cyrillic), SumkinfreetypeMRfrukta2010, TotShrift-BoldBold (2010), Bext (2010), the leaf-themed display face Kaori (2010, Latin and Cyrillic), Grandnover (2010), and the futuristic faces Kvadro (2009), Brava Novella (2010, heavy slab serif) and Kardon (2010), downloadable here. Behance link. [Google] [More]  ⦿

Alexey Gunin

Russian type designer. In 1992, he and Alexey Chekulaev formed Double Alex. They codesigned Bastion Kontrast at Double Alex Font Studio, a family based on Helvetica, and a number of other typefaces. [Google] [More]  ⦿

Alexey Lysogorov

Russian graphic designer. Does some corporate identity design. [Google] [More]  ⦿

Alexey Shevtsov

Designer at Type Market (Moscow) of the Cyrillic font family EuropeCond (1995). [Google] [More]  ⦿

Alexey Zhurov

Industrial designer in Moscow. He created some funny and original stick figure dingbats called Lettrism (2009). Bones (2011) is a Cyrillic display face. Pseudo LCD (2011) is a hexagonal LCD face. Serpenta Serif (2011) is labyrinthine. [Google] [More]  ⦿

Alghorie Std

Indonesian creator from Jatiwangi (b. 1985) of Alghorie Std (2012) and Alghorie Neue (2011). Latin and Cyrillic. Aka Manifestoyz. [Google] [More]  ⦿

All About Type's Journal

Russian language type news and blog site managed by the Jakovlev Type Foundry. Subpage on Russian fonts. [Google] [More]  ⦿

Almaty Telecom

KZArial is a Kazakhstan version of Monotype's Arial, generated by Andrey Karchin for the Izet Company. [Google] [More]  ⦿

Alphabetum
[Juan-José Marcos García]

Juan-José Marcos García (b. Salamanca, Spain, 1963) is a professor of classics at the University of Plasencia in Spain. He has developed one of the most complete Unicode fonts named ALPHABETUM Unicode for linguistics and classical languages (classical&medieval Latin, ancient Greek, Etruscan, Oscan, Umbrian, Faliscan, Messapic, Picene, Iberic, Celtiberic, Gothic, Runic, Modern Greek, Cyrillic, Devanagari-based languages, Old&Middle English, Hebrew, Sanskrit, IPA, Ogham, Ugaritic, Old Persian, Old Church Slavonic, Brahmi, Glagolitic, Ogham, ancient Greek Avestan, Kharoshti, Old Norse, Old Icelandic, Old Danish and Old Nordic in general, Bengali, Hindi, Marathi, Phoenician, Cypriot, Linear B with plans for Glagolitic). This font has over 5000 glyphs, and contains most characters that concern classicists (rare symbols, signs for metrics, epigraphical symbols, "Saxon" typeface for Old English, etcetera). A demo font can be downloaded [see also Lucius Hartmann's place]. His Greek font Grammata (2002) is now called Ellenike. He also created a package of fonts for Latin paleography (medieval handwriting on parchments): Capitalis Elegans, Capitalis Rustica, Uncialis, Insularis Minuscula, Carolingia Minuscula, Gothica Textura Quadrata and Humanistica Antiqua. PDf entitled Fonts For Latin Palaeography (2008-2011), in which Marcos gives an enjoyable historic overview.

Alphabetum is not Marcos's only excursion into type design. In 2011, he created two simulation fonts called Sefarad and Al Andalus which imitate Hebrew and Arabic calligraphy, respectively. [Google] [More]  ⦿

Alya Boldovskaya

Moscow-based type and graphic designer who was born in 1991 in Ardatov. Creator of Alya Hand (2010, a curly face based on her handwriting, which was done with Konstantin Boldovskiy of the Russian foundry Konst.ru. [Google] [MyFonts] [More]  ⦿

Amadeus Information Systems
[Phil Chastney]

Amadeus Information Systems Limited / Phil Chastney are the designers of SImPL (1999-2001) and Sixpack Medium (2009), great Courier-like monospace fonts with many diacritics and symbols, filling many of the Unicode pages. The designer is Phil Chastney, who writes One of the design aims of the font was to provide a complete set of all known APL symbols, plus sufficient characters to allow prompts, comments, etc., to be expressed in every European language known to be in current use. Basically, that means the Latin, Greek and Cyrillic alphabets, plus accented and variant letter forms as required for other European languages using these alphabets.. Incidentally, Armenian and Cyrillic are also covered, and the number of mathematical symbols is staggering. [Google] [More]  ⦿

Amazingmax

Kazan, Russia-based creator (b. 1997) of some futuristic/game fonts in 2009: AmazXakep, AmazDooMLeft, AmazDooMLeft2, AmazDooMLeftOutline, AmazDooMRight, AmazDooMRight2, AmazDooMRightOutline, AmazS.T.A.L.K.E.R.Italic, AmazS.T.A.L.K.E.R.v.2.0. In 2010, he made the AmazGoda family of comic book faces. In 2011, he added AmazHand_First, AmazHand_First_Alt, AmazHand_First_Alt_X, AmazHand_First_Hard, AmazHand_First_Smooth. [Google] [More]  ⦿

amk2000
[Anatole]

Russian fonts designed after historical examples. Free downloads. The list: Arkhive, Belukha1, BrokgauzItalic, Brokgauz, Edisson, Elzevir, Figured, Gloria, Heading (2004, by Anatole), Imperial, Italiano, Karmen, Medieval, Redinger, RomanaScr, Round-Italic, Saksonia, ScriptEnglishItalic, ScriptThinPen, Tcheconin41, Tchekhonin2, Venecia (2004, by Anatole), Washington (2004, by Anatole), Zecession, AAlbionicTitulNrSh, Flomast (handwriting), flomaster-Bold (handwriting), Flomaster (handwriting). [Google] [More]  ⦿

AMS fonts

AMS Euler (a calligraphic font, designed by Herman Zapf), AMS Cyrillic, AMS Computer Modern, AMS extra math symbols (msam, msbm). In metafont and type 1 formats. [Google] [More]  ⦿

Anastasia Babalyan

Russian designer at TypeMarket of AllegroScript (1995), Palladium (1994-1995), SonetSerif (1996, based on Stone Serif from 1987), Anastasia Script (1996, based on Shelley Script (Matthew Carter, 1972), and Oliver New (1995, TypeMarket, based on Antique Olive by Roger Excoffon, Olive, 1962-1968). ParaType link. [Google] [More]  ⦿

Anastasia Belozerova

Russian graphic designer. She made the neon-sign based Cyrillic face Provoloka (2009). [Google] [More]  ⦿

Anastasia Larina

Russian poet who designed the handwriting fonts 47 (2008) and Denistina (2007). Aka X-tina and as Christina-S. Dafont link, where the designer is called Chrissette. [Google] [More]  ⦿

Anastasija Davydchik

Russian type designer who received a TypeArt 05 award for the display family EZZ. [Google] [More]  ⦿

Anatole Type Foundry
[Elena Albertoni]

Elena Albertoni (Anatole Type Foundry) is an Italian type designer (b. 1979, Bergamo) who studied at ESAD Amiens and the Ecole Estienne in Paris, before taking a position as type designer at FontFabrik in Berlin. She cofounded Anatole Type Foundry with Pascal Duez.

At the Rencontres de Lure 2005, she spoke about OpenType and Latin characters.

Her script typeface Dolce (2005) won an award at the TDC2 2005 type competition. She created Dyna (connected feminine script). Review of Dolce & Dyna.

Other faces include Kigara, Scritta (connected calligraphic script), Dolce (2005, connected script), Helene (squarish face), Valora, Schneider, Gregoria (a Gregorian chant font that won an award at TDC2 2007), Deja Rip and Deja Web (2010, eight-style sans family of great utility, codesigned with Fred Bordfeld; cyrillic included).

Acuta (2010) is an all-purpose type family.

Scritta Nuova (2011) is a rhythmic upright connected script, which evokes retro calligraphic styles taught in Italian schools around the 1950s.

Nouvelle Vague (2011) is a connected display script along the lines of Mistral.

Spinnaker (2011) is a sans design based on French and UK lettering found on posters for travel by ship.

Alternate URL. MyFonts link. Behance link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Anatoliy Kudryavtsev

Also written Anatolij Kudrjavcev. Russian type designer who developed the extensive Cyrillic sans family PT Parangon from 1996-2002. Paratype states: This type family belonges to Neogrotesque subclass of closed Sans Serif. Letterforms of lower case is based on the tradition of 1710 Civil type and some modern Italic types. For Parangon Poluustav and Parangon Ustav, he received two awards at TypeArt 05. [Google] [MyFonts] [More]  ⦿

Anatoliy Vasilyevich Shchukin

Russian type designer, b. 1906, Moscow, d. 1994, Moscow. He was also a graphic artist. He designed type at VNII Polygraphmash and participated in the following typeface projects: Latinskaya (later Literaturnaya), New Standard, Journal Sans, Lazurski. Faces include Latinshkash (1936), Akademicheskash (1941), Journal Sans (1940-1956, a popular geometric sans family based on Erbar-Grotesk (1929, Ludwig&Mayer, by Jakob Erbar), and on Metro (1929, Mergenthaler Linotype, by William A. Dwiggins), Schkolnash (1962), Ladoga (1968; digitization by Viktor Kharyk, 2005-2006). Paratype link. [Google] [More]  ⦿

Anatoly Shchukin

Russian type designer and project manager in 1940 at Polygraphmash during the design of the extensive Cyrillic/Latin didone family "New Standard", based on the text typefaces of the late 19th and early 20th centuries of the Obyknovennaya ("common") group. The digital version was developed at ParaGraph in 1996 by Vladimir Yefimov. ParaType explains: Initially designed for a collection of works by Lenin, this typeface was widely used in Soviet Union for technical and scientific books, both for text and display. He designed Paratype Journal Sans (1994, Latin letters) and Paratype Journal Sans Cyrillic. He is also credited with Ladoga (1968, Polygraphmash; digitized and extended by Viktor Kharyk in 2010 at ParaType), Rukopisnaya Korobkovoy (1953, calligraphic), and Rukopisnaya Zhihareva (1953, calligraphic). FontShop link. [Google] [More]  ⦿

Anatoly Vyalikh

Graphic designer and illustrator in Moscow. Creator of a colorful type poster (2009) for a children's book based on Futura. From it he derived a painted-look version of Futura (2009). Home page. Another URL. Another typeface. [Google] [More]  ⦿

Anatomy of a typeface

Russian type glossary and links. [Google] [More]  ⦿

Anatomy of fonts

A Russian language page with visual illustrations of font terminology. [Google] [More]  ⦿

Andre Varvarin

Russian creator of an experimental font obtained by combining several fonts made by students at the British Higher School of Art and Design in Moscow. [Google] [More]  ⦿

Andrei Izotov

Andrei Izotov (Moscow State University) is the creator of the old Slavonic face Church AI (1995), which can be found here. [Google] [More]  ⦿

Andrei Izotov

Designer at Moscow State University of the Cyrillic fonts Church AI (1995) and Church plus (1995). [Google] [More]  ⦿

Andrei Nesterov

Russian designer of the beautiful Open Font Library uncial Cyrillic typeface Ostromirovo (2008), which is based on Ostromirovo evangeliye [Ostromir Gospel] (1056-1057). Other faces there include Rus Sans Pokrytie (2009, based on Luxi Sans; withdrawn in 2010) and Rus Sans 3 (2010). [Google] [More]  ⦿

Andrei Zhitkov

Russian type designer. Agfa/Monotype designer of the Cyrillic fonts Bodoni Poster Cyrillic, Nevsky (Western style), Pskov (octagonal font), Tatlin (in the style of early Russian constructivism). [Google] [MyFonts] [More]  ⦿

Andrew Morev

Moscow-based motion graphics designer. He created the comic book style face Fence Font (2009). Home page. Another URL. [Google] [More]  ⦿

Andrey Andreev

Designer at ATRI, Graphic bureau Az-Zet of the Cyrillic/Latin font AZ NewsPaperC (1990-1995), which is similar to News Gothic by Morris Fuller Benton, ATF, 1908. [Google] [More]  ⦿

Andrey Belogonov

Russian designer of POWERVIEW (2010, with Yana Kutyina), a scanbat font with players like Bush, Castro, Gorbachev, Osama Bin-Laden, and Reagan. Vataga (2008, Paratype, with Yana Kutyina) is a really funny dingbat face. Other typefaces: Astera, Cliche, Fast Fingers, Brusque (2008, Paratype: a brutalist face). Brusque was originally named Rouble and under this name it was awarded a first degree diploma of the Typefaces nomination at the Graphite Graphic Design Festival, 1999, and a diploma at the ATypI International Type Design Contest Bukva:raz!, 2001. [Google] [MyFonts] [More]  ⦿

Andrey Belonogov

Russian designer (b. 1975, Moscow) who won an award at Bukvaraz 2001 for Handmade (hand sign font), and for Rouble, a minimalist Latin/Cyrillic font made in 1999-2001. He received a TypeArt 05 award for the dingbat family Astra. Other typefaces include Lenta, Moloko and Svoboda. He graduated from Moscow State University of Art (named after S. Stroganov in 2001). The astronomical signs font Astera was published by Paratype in 2008. Other Paratype fonts by him include Brusque (2008, renamed Rouble), Cliche (2008, stencil face), FastFingers (2008, remake of Handmade), Powerview (2010, with Yana Kutyina) and Vataga (2008, a humnan faces dingbat font co-designed with Yana Kutyina). [Google] [MyFonts] [More]  ⦿

Andrey Chernevich

Russian designer in St. Petersburg, aka Mister Chek, b. 1983. Dafont carries his free demos. He sells his typefaces here: Horizons, Trueper (tattoo face), Black Queen (metal band face), King Arthur (blackletter).

He created the free faces MCF Revolution Ink (2012, a Treefrog-style handwriting all-caps face), MCF Zelfis (2011, a tattoo font), MCF Bad Manners WW (2009, blackletter), MCF Star Worms (2012, blackletter / tattoo face), and MCF Funera (2010).

Dafont link. Devian Tart link. Abstract Fonts link. [Google] [More]  ⦿

Andrey Davydov

Moscow-based creator of Mary Poppins (2011), a legible text family for Latin and Cyrillic. [Google] [More]  ⦿

Andrey Kryukov

Moscow-based graphic and type designer (1923-1997). Designer of ParaType Magistral (1997, which was digitized by Dmitry Kirsanov), a geometric display sans based on the artwork of Kryukov (1923-1997). Also available at URW. Both Latin and Cyrillic versions exist. During 20 years starting from early 60s he headed the Studio of Applied Graphics at Moscow Artists' Union. He worked as a designer for large Russian companies and organizations like Vneshtorgizdat, Trade Chamber, Muzyka Publishing and Melodia. [Google] [MyFonts] [More]  ⦿

Andrey Kudryavtsev Type Foundry (or: AKTF)
[Andrey Kudryavtsev]

Foundry from Irkutsk in Siberia. Andrey Kudryavtsev designed Flexy Sans (2011), Otrada (2011, signage script), Micronica (2008), a font shaped like old TV screens, Karlson (2009), Imperator (2010, a Trajan face), Alter (2010), Sommelier (2011), Alebarda (2009), Rubicon (2009) and Flexy Sans (2009).

Typefaces made in 2012 include the macho slight;ly flared Antey (Latin and Cyrillic).

Behance link. Myfonts link. Klingspor link.

View the typefaces made by AKTF. [Google] [MyFonts] [More]  ⦿

Andrey Makarov

Russian type designer. He created the free monospaced Anka Coder family in 2010, which was developed for printing of source code. The fonts cover Latin and Cyrillic, among other things. The font names: AnkaCoder-C75-b, AnkaCoder-C75-bi, AnkaCoder-C75-i, AnkaCoder-C75-r, AnkaCoder-C87-b, AnkaCoder-C87-bi, AnkaCoder-C87-i, AnkaCoder-C87-r, AnkaCoder-b, AnkaCoder-bi, AnkaCoder-i, AnkaCoder-r. [Google] [More]  ⦿

Andrey Melman

Designer of the Cyrillic font Dollar (2002, after a Latin original by S. Deken), which can be found here. [Google] [More]  ⦿

Andrey Mel'man

Russian designer of the Cyrillic/Latin version of Ray Larabie's fonts Monofonto and Neuropol, and of Newland Black (after Rudolf Koch's Neuland, 1923). He also made OCR B (a Cyrillic version) and Dollar. [Google] [More]  ⦿

Andrij Type
[Andrij Shevchenko]

Andrij Shevchenko (b. 1973) (aka Andrij Che) is the Berdyansk-based Ukrainian designer of the following typefaces, somne of which can also be had from MyFonts. Behance link.

• Agarsky (2006, a bold casual script face) which used to be called Agara until Berthold complained about the possible confusion with Agora.
• Zion Train (2007, an experimental sans in 20 styles).
• Andrij Script. See here.
• Andrij Hand (a cyrillic handwriting font, 2002-2006; see discussion).
• Strudel (2002, informal handprinting).
• ALS Agrus (2005-2006, a script face, Art Lebedev Studio).
• Machinegun (2005, octagonal military look).
• Magela (2003, a Cyrillic sans).
• Hajdamaka (2004, a bouncy Latin/Cyrillic script).
• Also check out his lettering (not fonts) in Kozaku (2005, a flowing Cyrillic script), XLibna (2005, another Cyrillic script) and here (2005).
• The semi-serifed Oksana (2007, 6 styles), Oksana Sans (2007, +Condensed), Oksana Text (2008), Oksana Cyrillic (2007), Oksana Greek (2007), and Oksana Text Swash (2008). This was followed by Oksana Text Narrow (2011), Oksana Sans (+Wide) and Oksana Sans Compressed (2011), which have hairline weights.
• Osnova Pro (2010): a sans family that covers Cyrillic, Greek and Latin.
• Ababa (2002, Cyrillic lettering).
• Turbota (2010) is a rounded Latin / Cyrillic type family that was was developed as part of an identity system for Turbota, a center for disabled children in the Ukraine.
• Seaside (2011) is a Peignotian face.
• Bandera Pro (2011) is a useful workhorse square serif type family that covers Latin, Greek and Cyrillic.

Showcase of Andrij Shevchenko's typefaces at MyFonts. [Google] [MyFonts] [More]  ⦿

Andryushkin Artem

Russian co-designer with Jovanny Lemonad of Flow (2010, a free pair of Latin handprinted typefaces). [Google] [More]  ⦿

Andrzej Wartkowsky

St. Petersburg (Russia)-based designer of Lemur Light (2007) and Berta Drug (2008). Dafont link. Another URL. [Google] [More]  ⦿

Angella Poghosova

Armenian type designer who won an award at Granshan 2009 for her Armenian typeface Goga. She also created the ASF Angela family for Armenian, Latin, Greek and Cyrillic. This family was awarded Second Prize in the Granshan 2010 competition for Armenian text types, and Second Prize in the Granshan 2010 competition for Cyrillic text types. Her name is also spelled Anzhella Poghosova. [Google] [More]  ⦿

Anna Chaykovskaya

Anna Chaykovskaya was born in Severodvinsk in 1961. An art-critique, journalism, teacher. Since 2001 Anna Chaykovskaya is an assistant editor-in-chief of the "Kuitpohod" magazine in Moscow. At ATypI 2008 in St. Petersburg, she spoke about the end of the era of wood type. [Google] [More]  ⦿

Anna Grosh

Born in Siberia and now a resident of San Francisco, Anna Grosh finished her first masters in Moscow at the Open Social Academy of Design and is in the process of getting her second masters in graphic design at the Academy of Art University. She specializes in typographic design, illustration and graphic design. In 2010, she embarked on an ornamental typeface. [Google] [More]  ⦿

Anna Grosh

Anna Grosh was born in Krasnoyarsk city, Siberia and now resides in San Francisco, California. She earned a Bachelor degree in Architecture from the Krasnoyarsk State Academy of Architecture and Construction, and completed a Masters in Interior Deign at the Open Social Academy of Design in Moscow. She is working on an ornamental caps typeface. [Google] [More]  ⦿

Anna Lyubimova

This Moscovite designed Band Regular and Band Rounded, a pair of angular faces for Latin and Cyrillic. [Google] [More]  ⦿

Anna Shmeleva

Anna Shmeleva is a freelance journalistic author. She has worked with a number of local and professional periodicals in Russia on machine translation of texts, speech recognition, artifical intelligence, computer graphics and type design. Together with Vladimir Yefimov, she is the author of a series of books entitled Great typefaces, volumes 1 and 2. At ATypI 2008 in St. Petersburg, she spoke about Script faces and graphology. She is associated with ParaType. [Google] [More]  ⦿

Anna Stadnik

Moscovite who created a brush / comic book style Cyrillic typeface in 2012. [Google] [More]  ⦿

Anton Bisiajew

Designer at Graphic bureau Az-Zet of the Cyrillic/Latin font AZGaramondC (1990-1995). Anton published Dikovina and DikovinaBildchen at Type Market in Moscow in 1995. [Google] [More]  ⦿

Anton Geroev

Russian designer of Kuzma, a typeface that won an award at Paratype K2009. [Google] [More]  ⦿

Anton Krylov

Russian designer in the South Ural. Creator of the Western font families IFC Wild Rodeo (2010), Rio Grande (2010), IFC Railroad (2010), I.F.C.LOSBANDITOS-Bold (2010, Tuscan), IFC Hotrod Type (2011, nuts and bolts face), IFC Hardball (2011), IFC Boothill (2012, Western face), and IFC Insane Rodeo (2010). IFC stands for Inked Font Customs. [Google] [More]  ⦿

Anton Kudin

Anton Kudin (Abstrukt) is the Russian co-designer with Jovanny Lemonad of Hardpixel (2010, free). He also made Bicubik (2010). All his fonts are for both Latin and Cyrillic. Fontspace link. [Google] [More]  ⦿

Anton Sokolov

St. Petersburg-based graphic designer who made the experimental face Can You Read Music (2010), in which letters are replaced by music notes. [Google] [More]  ⦿

Anton Terekhov

Designer at FontStruct in 2008 and 2009 of Birka (pixel), Skipper (octagonal), Skipper Stencil (military), Skipper-Modern, Skipper-Slab, Skipper Cap, Skipper Tight, Peteroque (baroque pixel face)< Technocrat Cargo (octagonal stencil), Technocrat (octagonal), Retrograde Pix (pixel face), Retrograde Lux (severe octagonal), abstruct, admiral (dot matrix face), glagol, glagol_script_1, marx_1, Admiral (dot matrix), Glagol Rock (constructivist), Retrograde (octagonal/mecahnical), Technocrat (octagonal), WPA Gothic Cyrillic (another poster font), WPA-Gothic-Deco-Cyrillic. Many fonts have Cyrillic letters and/or Cyrillic influences. He made the heavy mechanical slab serif headline face Colonial (2010) and the pixelized face Skippix (2011, +Mono). Peteroque (2009-2010) are decorated pixel capitals. [Google] [More]  ⦿

Antony Zonne

Russian designer of the Victorian face Chelyabinsk Trucker (2009, copyright RockSquare). [Google] [More]  ⦿

anttarr.com

Medium-sized archive. Includes many Cyrillic truetype fonts. [Google] [More]  ⦿

Apostrophic Laboratory
[Fredrick M. Nader]

One of the most dynamic foundries from 2000 until 2003. The "Lab" was run by Apostrophe (Fredrick Nader) and was based in Toronto. It has produced well over 1000 original free fonts, in all formats (type 1, truetype, and opentype, PC and Mac), and nearly all fonts have full character sets. Many have character sets for extended European languages and Cyrillic as well. It was for a few years the only active producer of multiple master fonts. Download site at Typoasis. Original URL, now being reworked. Highlights:

• Miltown (from the Matrix movie).
• Fluoxetine (old typewriter).
• Desyrel (handwriting, Dana Rice).
• PicaHole-1890Morse font.
• Ritalin has almost 500 glyphs, and is a family designed for Latin, Greek, Turkish, eastern European, Cyrillic and Baltic.
• The 3-axis multiple master ImpossibleMM (of Mission Impossible fame).
• Carbolith Trips (letters from cuneiforms).
• Diehl Deco (revival of 1940 lettering by Wooster Bard Field; with Marley Diehl).
• Textan (with Rich Parks or Richard D. Parker; inspired by the Chinese Tangram).
• Poultrygeist (horror comic font).
• Hard Talk (an R-rated font by Slovenian Marjan Bozic).
• Independant (with Phynette; a faithful revival of a 1930s font by Collette and Dufour for Maison Plantin in Belgium---a fantastic Art Deco font family).
• Metrolox ("Enemy of the State" font, with Karen Clemens; a Unicode font with 567 glyphs for over 20 Latin-based languages and some math symbols).
• Komikaze, Komikazba, Komikahuna and Komikazoom (comic book fonts: 1280 glyphs for Latin, Greek, Cyrillic, Baltic, Turkish, East-European, with dingbats and Braille).
• Republika (a 300-font techno family; read about it here).
• ChizzlerMM (3-axis multiple master, a reworked version of Graham Meade's Chizzler).
• Street (a 87-font family by Graham Meade).
• Amerika (fantastic Armenian-look font series, with support for Greek, Cyrillic/Russian, Baltic, Turkish and Central European).
• The dingbats Eyecicles and Texticles, both with Graham Meade.
• Insula (2001, a Celtic/uncial font with Cybapee).
• Komika (2001, 50 comic book fonts designed with Vigilante).
• Labrit (a great Fraktur font, with Graham Meade).
• Frigate (a Roman-kana font by Melinda Windsor).
• Scriptina (an unbelievable calligraphic font by Apostrophe, 2000-2001). In 2010, CheapProFonts published an extension, Scriptina Pro.
• Freebooter Script (an equally unbelievable calligraphic font by Graham Meade, 2001).
• Choda (a display font like none you have seen before; Apostrophe and Meade, 2001).
• Endor (with Meade, a Gothic font; 2001).

• Apostrophe: Day Roman (2002, the first digitization of Fr. Guyot's "Two Line Double Pica Roman", designed in the early 1600s), Bombardier (2002), Propaganda (2002), PropagandaCyrillic (2002), PropagandaGreek (2002), Contra (2003), Ergonome (2002), Ergonomix (2002, techno dingbats), Alfabetix (2002), SoMM (2002, a multiple master font), Templo (2001, a pixelish font), Zoloft, Miltown, Witches Brew, Celexa, Labrat, Effexor, Fluoxetine, Tralfamadore, Halcion, RxMM, Paxil, Valium, Fight This, Ritalin, Xanax, Maskalin, PicaHole, ImposMM, MiltownII, Carbolith, Komikaze, Komikazoom, Komikahuna, Diogenes, Komikazba, MistressScript, Sledge, Mary Jane, Republika, StarBat, Merkin, Erectlorite, Halter, Estrogen, Steinem (based on Dalton Maag's British Steel typeface), Lab Mix, Mary Jane II, Amerika, Masque, Konfuciuz, Mastodon, Broad, Amerika Sans, Scriptina, Karnivore, Cholo, Sedillo and Reprobate (all three based on Mike Sedillo's handwriting, 2001), Templo (screen font family, 2001).
• Marjan Bozic and Apostrophe: Hard Talk.
• Karen Clemens and Apostrophe: Wellbutrin, Metrolox, Jagz.
• CybaPee and Apostrophe: Cyclin, Lady Ice, Insula.
• CybaPee, Graham Meade and Apostrophe: Yellowswamp, Lady Ice revisited.
• Steve Deffeyes: Loopy.
• Marley Diehl and Apostrophe: Diehl Deco.
• Fleisch and Apostrophe: Colwell, Hadley.
• Steve Graham: Hypnosis.
• Frank Guillemette and Apostrophe: Ankora.
• Jeri Ingalls and Apostrophe: Paxil.
• Neumat Ick and Apostrophe: Icklips, Powderfinger.
• Keya Kirkpatrick: Extasy
• Keya Kirkpatrick and Apostrophe: Kimono.
• Jeff Lan: Healthy Alternative, Haven Code.
• Su Lucas and Apostrophe: Barbarello.
• Brigido Maderal and Apostrophe: Lab Bats.
• Graham Meade: Quastic Kaps (8-weight family, 2003), Quixotte (2002), Mechanihan (2002), Kameleon (2002), Lady Ice Extra (2002), Gizmo (2002), Zillah Modern (2002), Wazoo (2002), JamesEightEleven (2002), Equine (2001), Street Corner (2001), Freebooter Script, Street (31 font sans and slab serif), Bipolar Control, Lane, Street, Street Slab, 2nd Street, Kronika, Thong, Whackadoo Upper, Charrington, Lady Copra, Zebra, Extra Meade Pack, Control Freak, Dekon, Asenine, Heidorn Hill (a Fraktur font), Castorgate, Troglodyte.
• Graham Meade and Apostrophe: Moondog (2001), Choda, Futurex, Duralith, Epyval, BooterMM, Pamelor, Sabril, Erinal, Karisma, Whackadoo, Bicicles, Drummon, Primary Elector, Youthanasia, Grunja, Prussian Brew, ChizMM, Luciferus, Labtop, Gilgongo, Labrit, Kandide, Brassiere (which became the commercial face Ipscus in 2009), Eskargot, Endor, Labag.
• Graham Meade and Rich Parks: Luteous, Luteous II.
• Link Olsson and Apostrophe: Librium, Severina, Poultrygeist, Extrano, Komikandy.
• Rich Parks and Apostrophe: Textan, Glaukous, Textan Round, TexSquareMM, TexRoundMM.
• Alejandro Paul and Apostrophe: Fontcop, Usenet, Cayetano, Elektora.
• Evelyne Pichler: Sindrome.
• Evelyne Pichler and Apostrophe: 1910 Vienna.
• Phynette and Apostrophe: Independant.
• Peter Ramsey and Apostrophe: Distro, Futurex Distro (2001).
• Dana Rice and Apostrophe: Desyrel, Lilly.
• Wayne Sharpe: Ovulution I and II.
• Jessica Slater: Wiggles.
• Jessica Slater and Apostrophe: McKloud.
• Derek Vogelpohl: Phosphorus, Florence sans, Plasmatica, Covington, Avondale, Phosphorus II.
• Melinda Windsor: Plastic, Frigate.
• Robby Woodard: Ashby (2001).
• WolfBainX and Apostrophe: Tribal, Komika.
• Yol: Traceroute.

Arabia Ware Benelux

Vendor of Mac and PC fonts for several languages and from a variety of companies. Only commercial stuff for Japanese, Chinese, Russian, Arabic, Hebrew, Persian, Urdu, Tamazight, Turkish, Greek, Indic, Thai, Eastern European, and Korean. [Google] [More]  ⦿

Area Download

Free Georgian, Cyrillic, Greek, Armenian, Coptic and Gothic Truetype fonts. [Google] [More]  ⦿

Areopag.com

Victor Kalashnikov's Greek, Hebrew and Old Church Slavonic truetype font archive. Contains a few goodies such as the dingbats called FaithOrnaments (Proclaim Communications, 1994) and OldChurchSlavonic (Monotype). In all, about 100 Greek, Old Church Slavonic and Hebrew fonts. Among the Hebrew fonts, we find Moses Judaika, Pecan Sonc, and Gideon Medium. [Google] [More]  ⦿

Arev Fonts
[Stephen Schrenk]

Motivated by mathematical applications, the "Arev" set of fonts adds Greek, Cyrillic, Latin-A, and some Latin-B, and Symbol characters (music and math, mainly) to Bitstream's Vera fonts. Stephen Schrenk (whose nom de plume is Tavmjong Bah) created the Arev Sans font. The text accompanying the Arev Sans package is: The package arev provides virtual fonts and LaTeX packages for using Arev Sans. Arev Sans is a derivative of Bitstream Vera Sans created by Tavmjong Bah by adding support for Greek and Cyrillic characters. Bah also added a few variant letters that are more appropriate for mathematics. The primary purpose for using Arev Sans in LaTeX is presentations, particularly when using a computer projector. Arev Sans is quite readable for presentations, with large x-height, "open letters," wide spacing, and thick stems. The style is very similar to the SliTeX font lcmss, but heavier. Stephen Hartke converted Arev Sans to Type 1 format, and created the virtual fonts and packages for using Arev Sans in LaTeX. [Google] [More]  ⦿

arh.ru

Five standard Cyrillic truetype fonts. [Google] [More]  ⦿

Arial Unicode MS

Monotype's Arial Unicode MS is a hugeMonotype font available in Office2000 and various random sites (such as the Microsoft link provided). Developed in 1999 by Robin Nicholas and Patricia Saunders, it is a full kerning-pairless unicode font with 51180 glyphs. [Google] [More]  ⦿

Arisugava

Designer of the Cyrillic font Champignon Script (2004), which can be found here. [Google] [More]  ⦿

Arisugava

Russian creator of the (free) calligraphic script fonts Allegretto script One and Two (2004), which can be found here. [Google] [More]  ⦿

Arkady M

Russian designer of Propisi7 (2004, a connected Cyrillic school script). [Google] [More]  ⦿

Arsenal Company

The old pages were shareware: Arsenal Font Collections Volumes 1 through 7 (25MB in total). With the new page, I have no idea any longer how to download. They say that all their truetype fonts support European Number, estimated symbol, Spain, France, Italy, UK currency symbols and seventeen European languages: English, Albanian, Breton, Dutch, Danish, Irish, Icelandic, Spanish, Italian, Catalan, German, Norwegian, Portuguese, French, Finnish, Swedish, as well as Speech-Romance. The font families: Lanset, Simpler, Technocrat, Triangler, Algidus, Campus, ReportSans, Broker, Frudger, LineaSans, Plakat, Dodger, Calyx, Glade, Kena, Lugger, Bento, Vizora, Writ, Noter, Meccano, Runder, Simpler 3D, Harder 3D. Many of the fonts in the Arsenal collection were designed by W. Chufarofsky, and some jointly by W. Chufarofsky and I. Slutsker, ca. 1998. List of 1206 fonts that I compiled for the historic record. [Google] [More]  ⦿

Art Lebedev
[Artemius Lebedev]

Art Lebedev is Artemis Lebedev's design studio in Moscow. It has a subsection on Russian typography. Designers of nice script faces such as ALS Agrus and ALD Dulsinea (by Vera Evstafieva). He also made the Latin/Cyrillic sans family ALS Ekibastuz (2007, art director Roma Voroneschkin).

View the typefaces designed by Art Lebedev Studio. [Google] [MyFonts] [More]  ⦿

artelecom

Small Russian shareware font archive. [Google] [More]  ⦿

Artem Kaluzhniy

Kazakhstan designer of the beautiful Cyrillic/Latin font Moonchild. Home page. [Google] [More]  ⦿

Artem Moiseev

St. Petersburg-based Russian designer of Reflex, a face that marries old ustav influences with modern scripts, SirSerif, Line Font (pixelish), Taliman (angular), Griffit, Malevich (totally experimental), Zavitok Font (upright script), and Face (script). Alternate URL. Behance link. [Google] [More]  ⦿

Artemy Perevertin

Designer located in Moscow. Behance link. Creator of the free alchemic typeface Indi Bonga (2012). [Google] [More]  ⦿

Artyom Utkin

Russian designer of Solution, a type family that won an award at Paratype K2009. [Google] [More]  ⦿

Ascender Corporation

Elk Grove Village, IL-based company established in 2004, which specializes in font development, licensing and IP protection. It rose from the ashes of a major fire at Agfa/Monotype at the end of 2003. Its founders are Steve Matteson (type designer, formerly with Agfa/Monotype), Thomas Rickner (of Microsoft fame, where he hinted many Microsoft families), Ira Mirochnick (founder and President of Monotype Typography Inc in 1989 (where he was until 2000) and a Senior Vice President and director of Agfa Monotype Corporation (2000-2003), a self-proclaimed expert in font licensing issues and IP protection), and Bill Davis (most recently the Vice President of Marketing for Agfa Monotype). Also included in this group are Josh Hadley, Brian Kraimer, Jim Ford (since 2005), and Jeff Finger (as Chief Research Scientist, since 2006). On December 8, 2010, Ascender was acquired by Monotype for 10.2 million dollars.

Their typefaces include Endurance (2004, Steve Matteson, an "industrial strength" Grotesk designed to compete with Helvetica and Arial; it supports Greek, Cyrillic and East European languages).

In April 2005, Ascender announced that it would start selling the Microsoft font collection, which is possibly their most popular collection to date. They also started selling and licensing IBM's Heisei family of Japanese fonts in April 2005: Heisei Kaku Gothic, Heisei Maru Gothic and Heisei Mincho. Also in 2005, they started distributing Y&Y's Lucida family.

In October 2005, Ascender announced the development of Convection, a font used for Xbox 360 video games. Their South Asian fonts cover Bengali, Devanagari, Gujarati, Gurmukhi, Kannada, Malayalam, Tamil and Telugu, amnd include Ascender Uni, Ascender UniDuo and Arial Unicode for general use across all Indic languages, and, in particular, the Microsoft fonts Vrinda (Bengali), Mangal (Devanagari), Shruti (Gujarati), Raavi (Gurmukhi), Tunga (Kannada), Kartika (Malayalam), Latha (Tamil) and Gautami (Telugu). Khmer SBBIC (2011) is a Khmer font at Open Font Library.

It does more type trading and licensing than type creation, although Steve Matteson has contributed fairly well to their new typefaces. Their brand value took a hit when they started selling scrapbook, handwriting and wedding fonts under the name FontMarketplace.com.

Recent contributions: Crestwood (2006, a house face, possibly by Steve Matteson) is an updated version of an elegant semi-formal script typeface originally released by the Ludlow Type Foundry in 1937.

In 2009, they started a subpage called GoudyFonts.Com to sell their Goudy revivals.

In 2010, they announced a new collection of OpenType fonts created specifically for use in Microsoft Office 2010: Comic Sans 2010 (including new italic and bold italic fonts), Trebuchet 2010 (including new black&black italic fonts), Impact 2010, Pokerface 2010, Rebekah 2010 and Rebus Script 2010. Ligatures in Comic Sans?

New releases.

View Ascender's typefaces. [Google] [MyFonts] [More]  ⦿

ASCON
[Sergey Komarov]

Russian outfit, credited with the Latin/Cyrillic sans serif faces GOST-2.304-81typeA and GOST-2.304-81typeB (1996 and 2000). Check also here for GOST 26.00885 and Symbol 26.00885, also semi-technical drawing faces, possibly derived from CAD applications. Designer: Sergey Komarov (Ukraine). This site has GOST-forDrawing, GOST-2.304-81typeA, GOST-typeA, GOST-2.304-81typeB, GOST_type_B. See also here. [Google] [More]  ⦿

Ashley&Holmes Sofia

Designers of the free Bulgarian Cyrillic face AshleyCapitaliSofia. [Google] [More]  ⦿

Astigmatic One Eye
[Brian J. Bonislawsky]

Astigmatic One Eye (AOE) has lots of nice original fonts by Brian J. Bonislawsky (b. 1973, Pittsburgh, PA). Many are free, others are not. AOE joined Font Brothers Inc in 2006. Brian Bonislawsky currently lives in Las Vegas, NV.

Fontsquirrel link. Dafont link. Fontspace link.

A partial list of the AOE fonts made in 2011: Engagement (2011, a free brush script at Google Web Fonts), Fascinate (2011, an art deco face at Google Web Fonts; +Inline), Original Surfer (2011, a free Google Web Font inspired by a vintage advertisement for the "California Cliffs Caravan Park"), Smokum (2011, a Western / Italian face), Yellowtail (2011, signage face), Redressed (2011), Special Elite (2011, free typewriter face), Aclonica (2011).

Typefaces from 2008 or before: Horseplay AOE (2008, Western style), Cake and Sodomy AOE (2008), Good Eatin AOE (2008), Paradiso AOE (2008, inspired by logotype of the Paris Resort and Casino in Las Vegas), Montelago AOE (2007, a script inspired by the logotype of the Mirage Resort and Casino in Las Vegas), Jack Chain AOE (2007), Henhouse (2007), Schnitzle (2007), Luxurian AOE (2007, inspired by the logo of the Luxor Hotel&Casino in Las Vegas), Digital Disco AOE (2007), Mighty Tuxedo AOE (2007), Makeshift AOE (2007), Clarity AOE (2007, slab serif headline), Red Pigtails AOE (2007), Run Tron 1983 (2002), Eyeliner AOE (2006, Tekton-like), Mother Hen (2007), Gloversville (2007, comic book style), Mighty Tuxedo AOE (2007, condensed sans), Quick Handle AOE (2007), Surfing Bird (2007), Hydrogen (2004), Hardliner (2004, fifties diner style), Big Ruckus (2004), SS Antique No. 5 (20040, Europa Twin (2003), EuroMachina (2003, techno), Lord Rat (2003), Love Anxiety (2003), BuzzSaw (2003), Skullbearer (2003, skull dingbats), Beatnick Blue (2002), Geisha Boy (2002), Mardi Party (2002), Midcrime (2002), Ocovilla (2002), Ruthless (2002), Saltie Doggie (2002), Whiskers (2002), Royal Gothic, Family, Eggit, Jericho, Wild Monkeys (2002), 5FingeredGothSW, AlienArgonautAOE, AlphaMackAOE, AmphibiPrint, AngiomaAOE, AntiChristSuperstar, AntiChristSuperstarSW, AstigmaSolid, BigLimboAOE, BigLimbodOutAOE, BoneRollAOE, BoneRollAOEBold, BoundAOE, BrailleAOE, BulletBallsAOE, ButterflyChromosome, ButterflyChromosomeAOE, ButtonButton, ButtonButtonAOE, CType, CTypeAOE, CelticLionAOE-Bold, CelticLionAOE-BoldItalic, CelticLionAOE-Italic, CelticLionAOE, CharailleAOE, ChickenScratch, ChickenScratchAOE, ClunkerAOE, ClunkerAOE-Bold, CropBats, CropBatsAOE, CropBatsIIAOE, DarkNightAOE, DeadGrit, DeliveryMatrixAOE, DetourAOE, DigitalDiscoAOE, DigitalDiscoAOEOblique, DingleBerries, DoggyPrintAOE, DraxLumaAOE, DungeonKeeperII, DungeonKeeperIIBold, DungeonKeeperIIItalic, EggItAOE, EggitAOE-Italic, EggitOutlineAOE, ElectricHermes, ElectricHermesAOE, ElectricHermesAOECharge, FearAOE, FilthAOE, FishyPrintAOEOne, FishyPrintOneAOE, FishyPrintTwoAOE, FutharkAOE, FutharkAOEInline, FutharkAOEInline, GateKeeperAOE, Ghoulish Fright AOE (2006), GlagoliticAOE (1999, grungy glagolitic), GorgonCocoonAOE, Gotik, GreyAlienSW, HAL9000AOE, HAL9000AOEBold, HAL9000AOEBoldItalic, HAL9000AOEItalic, HandageAOE, HandageAOEBold, HauntAOE, HybridLCDAOE, IDSupernovaSW, IslanderAOE, JokerWildAOE, KillMeCraig, KillMeCraigAOE, Kinderfeld, KittyPrint, KittyPrintAOE, Kornucopia, KornucopiaAOE, LinusFace, LinusFaceAOE, LinusPlayAOE, LinusPlaySW, Lochen, LovesickAOE, Manson, MasterPlan, Microbe, MooCowSW, MotherlodeLoadedAOE-Italic, MotherlodeLoadedAOE, MotherlodeStrippedAOE-Italic, MotherlodeStrippedAOE, MysterioSWTrial, NightmareAOE, OrnaMental, Pantera, PapaManoAOE, PenicillinAOE, PixelGantryAOE, PixelGantryAOEBold, PixelGantryAOEBoldItalic, PixelGantryAOEHeavy, PixelGantryAOEHeavyItalic, PixelGantryAOEItalic, PixelGantryHiliteAOE, PixelGantryHiliteAOEItalic, PoppyAOE, PoseidonAOE, Prick, QuiltedAOE, QuiltedAOEBlack, QuiltedTrial, RippleCrumb, RippleCrumbUltraCon, ROCKY, ROCKYAOE, RustedMachineSW, SSExpAntiqueAOE, Schizm, Schrill, SchrillAOE, SchrillAOEOblique, Scrawn, ScrawnAOE, ScrawnCyrAOE, ScrawnKOI8AOE, ScrewedAOE, ScrewedAOEOblique, ScrewedSW, SeaweedFireAOE, SenthAOE, ShampooSW, ShottyTransferTrial, SkinnerAOE, SlurCrumb, SpatCrumb, SpikeCrumbGeiger, SpikeCrumbSwizzle, SpikeCrumbSwollen, SteelcapRubbingTrial, StruckSW, StrutterAOE, SunspotsAOE, SurferComicTrial, TRANSHUMANALPHABET10, TRANSHUMANKATAKANA20, TannarinAOE, TannarinAOEOblique, TibetanBeefgardenAOE, TibetanBeefgardenAOE, TouristTrapAOE, TransponderAOE, TransponderGridAOE, UglyStickAOE, VanguardIIIAOE-Bold, VanguardIIIAOE-BoldOblique, VanguardIIIAOE-Oblique, VanguardIIIAOE, Ventilate, VentilateAOE, Y2KPopMuzikAOE, Y2KPopMuzikOutlineAOE, YoungItchAOE, ZeichensSW, ZenoPotionAOE, Zombie. Second list: BeatnikBlueAOE, BeatnikBlueFillAOE, GeishaBoyAOE, MardiPartyAOE, MindCrimeAOE, OcovillaAOE, PolynesianTouristAOE, RuthlessAOE, SaltyDoggieAOE, SpruceAOE, WhiskersAOE-Oblique, WhiskersAOE, WhiskersAltCapsAOE-Oblique, WhiskersAltCapsAOE (2002), Habitual, Automatic (techno), Bitrux, Filth, Cake&Sodomy, Gulag, Bad Comp, Detour, Alien Argonaut, Dark Night, GateKeeper, Gargamel Smurf, Invocation, Neuntotter, Geisha Boy, Saratoga Slim, Gobe, Stingwire, Lavatype, Tapehead, Islander, Clunker, Digelectric, Gargamel, Krulo-Tag, Krelesanta, SurferComic, Bound, Culture Vulture, Intruder, Cavalier, Anoxia, Synchrounous (IBM logo style lettering), Luna, Data Error, Lunokhod, Jericho. There are many techno and gothic fonts. Kill Me Craig is the first 26 death scene dingbat font (scenes by Craig Dowsett). KittyPrint takes the LinusFace font concept to more realistic cat head dingbats. Krelesanta (not free) is a funky font inspired by the band Kreamy Electric Santa. The free ButtonButton is useful for making buttons. Lovesick AOE is a scrawly, lovelorn typeface, i's dotted with hearts. Strutter AOE is based on the KISS logo. Senth AOR is a runic font. Charaille is one of the many dot matrix fonts. Cavalero is inspired by the logotype of the Chevy Cavalier.

At Bitstream in 2001, AOE published Cavalero, Stingwire and Tannarin. And in 2002, he published the comic book font Big Limbo, Euro Machina BT and Islander there. Bio at Bitstream.

In 2005, Bonislawsky and Sandler realeased 500 fonts, via Bitstream and MyFonts, under the label Breaking The Norm.

In 2006, Astigmatic published their typewriter collection, which includes Military Document, Bank Statement, State Evidence Small Caps, State Evidence, Urgent telegram, Library Report, Overdrawn Account, Customs Paperwork, Incoming Fax and Office Memorandum.

From the bio and various pieces of information, one is led to believe that Brian was born in Poland, and now lives in Miami, but that may be wrong.

In 2010, he placed a free font at the Google Directory, Syncopate. Along the same lines, we find the derived square serif face Stint Ultra Condensed (2011, Google Web Fonts) and Stint Ultra Expanded (2012).

In 2011, several other faces followed there, like Ultra (fat didone), Maiden Orange, Special Elite, Just Another Hand, Crushed, Luckiest Guy (comic book face), Aclonica, Redressed, Montezuma (a curly connected upright script), Devonshire (brush script), Fondamento (calligraphic lettering), Yellowatil (connected retro script), Righteous (free at Google Web Fonts: inspired by the all capitals letterforms from the deco posters of Hungarian artist Robert Berény for Modiano), Ribeye and Ribeye Marrow> (cartoon and/or tattoo style lettering---free at Google Web Fonts), Spicy Rice (2011, free festive display face at Google Web Fonts).

Contributions in 2012: Uncial Antiqua, Jim Nightshade (2012, free at Google web fonts), Dynalight (2012, a retro script inspired by a vintage luggage tag for the Southern Pacific 4449 Daylight steam locomotive), Yesteryear (2012, a retro script loosely based on the title screen from the 1942 film The Palm Beach Story), Parisienne (Google Web Fonts: casual connected script based on a 1960s ad for bras), Shojumaru (Google Web Fonts: an oriental simulation face inspired by a poster for the Marlon Brando movie Sayonara), Berkshire Swash (Google Web Fonts), Audiowide (Google Web Fonts). [Google] [MyFonts] [More]  ⦿

Astra TPI

Russian font archive. [Google] [More]  ⦿

Astronaut Design
[Slava Kirilenko]

Astronaut Design is located in Almaty, Kazakhstan. It is run by Slava Kirilenko. Behance link.

Her typefaces include the free rounded sans family Static (2012, Fontfabric), 1204 Grotesque (1212), Neue Standart Grotesk (2012), the free font Archive (also at Fontfabric: both Latin and Cyrillic), Svalbard Chrome (2012), and Weimar (2012). [Google] [More]  ⦿

Asya Alexandrova

Talented Russian illustrator in Saint Petersburg. Flickr page. She made some nice ornamental caps alphabet [perhaps not a font] and drew interesting typographic posters such as Logoman (2011). [Google] [More]  ⦿

Asya Alexandrova

Drawing artist and illustrator from St. Petersburg, Russia. Flickr page. She created some beautiful illustrated caps in 2009. Also of interest is her Logoman ink on paper drawing (2010). [Google] [More]  ⦿

Asya Sucholutsky

Canadian art student, b. 1989. Designer of the constructivist fonts Truth and Real Truth (2009), both named after Pravda. Fonts2u link. [Google] [More]  ⦿

ATRI

Russian type foundry. Their Cyrillic/Latin fonts include: AZ HighWay (Leonid Silkin, 1990-1995, based on Broadway by Morris Fuller Benton, ATF, 1928), AZ LatinWide (1990-1995, by Kirill Tchouvashew, based on Stephenson Blake's Wide Latin), AZ LifeSigns (1990-1995, Serge Agronsky: astrological symbols), AZ McLeud (1990-1995, by Victor Kuchmin, based on American Uncial by Victor Hammer, 1943), AZ NewsPaper (1990-1995, by Andrey Andreev, based on News Gothic by Morris Fuller Benton, ATF, 1908), AZ ParagonNord (1990-1995, by Serge Agronsky, based on Elizavetinskaya, Lehmann type foundry (St. Petersburg, 1904-1907), which in turn was based on Russian metal faces of the mid-18th century), AZ Poligon (1990-1995, by Leonid Silkin: a kitchen tile font). [Google] [More]  ⦿

Avalon

(Extinct?) Russian foundry that produced Latin, Armenian and Cyrillic fonts. Fonts included Chiseled 1 and 2, Stratos, Jacker, Serpentine Bold and Domingo. [Google] [More]  ⦿

AZ

Creator from Osh, Kyrgyzstan, who made the fun ransom note face Puchakhon (2011), Puchakhon Hypnosis (2011, + dingbats), the texture face Puchakhon Rain (2011), the sketch face Pucha Dawn (2011), the halftone texture face Puchakhon Magnifier3 (2011), and the dusty texture face Pucha Smoke Telegraph (2011). Aka Fine Line Progressive Decorating Band. [Google] [More]  ⦿

Babis Touglis

Babis Touglis studied graphic design at the National Design School (TEI) /Athens and graduated in 1995. Before opening his own studio, he worked for the national newspaper BHMA and the advertising agency Karamella. In 2007 he founded the Odd Company studio with three other designers. He has collected several national and international awards including 7 EVGE Awards and 2 Ermis Awards. He participated with his works in several art exhibitions for Amnesty International and the ED Awards. Babis specializes in web design which is one of the reasons he designed several pixel fonts. PFUniform, PFPixelscript, PFBasic and PFAlfaPix are his first designs for Parachute which include Latin, Greek and Cyrillic scripts. [Google] [More]  ⦿

Babushke
[Marija Juza]

Babushke is a design cooperative in Zagreb that includes Marija Juza, who is the codesigner with Nikola Djurek of Balkan (2012, Typonine), a type system for Latin and Cyrillic that was awarded by TDC in 2011. Babushke created Herbert (2012), which is based on Herbert Bayer's early Bauhaus sketches. It is a low contrast 3-style typeface whose function is to properly align text in blocks.

Behance link. [Google] [More]  ⦿

Bakoma fonts
[Basil K. Malyshev]

The Bakoma fonts were made by Basil Malyshev, author of Bakoma TeX. BaKoMa TeX uses fonts in ATM compatible PostScript Type 1 format These fonts was produced by automatical conversion from Knuth's Computer Modern MetaFont codes. The conversion technology was designed by Basil K. Malyshev in 1994-1995. Later, the technology was improved to handle hint replacement, and the collection was extended by additional fonts. Some of Bakoma TeX is commercial now, but the fonts are still free. They are originally in type 1, but subsequent truetype and opentype versions have been developed too. Here is a grouped listing:

• Roman (+italic, +bold, +slanted): cmb10, cmbx10, cmbx12, cmbx5, cmbx6, cmbx7, cmbx8, cmbx9, cmbxsl10, cmbxti10, cmcsc10, cmcsc8, cmcsc9, cmr10, cmr12, cmr17, cmr5, cmr6, cmr7, cmr8, cmr9, cmsl10, cmsl12, cmsl8, cmsl9, cmti10, cmti12, cmti7, cmti8, cmti9.
• Typewriter: cmcitt10, cmtt10, cmtt12, cmtt8, cmtt9, cmvtt10, cmsltt10, cmitt10, cmtcsc10.
• Sans: cmss10, cmss12, cmss17, cmss8, cmss9, cmssbx10, cmssdc10, cmssi10, cmssi12, cmssi17, cmssi8, cmssi9, cmssq8, cmssqi8.
• Computer Modern Exotic: cmdunh10, cmff10, cmfi10, cmfib8, cminch, cmu10, cmtcsc10, cmtex10, cmtex8, cmtex9.
• Math fonts: cmbsy10, cmbsy5, cmbsy6, cmbsy7, cmbsy8, cmbsy9, cmex10, cmex7, cmex8, cmex9, cmmi10, cmmi12, cmmi5, cmmi6, cmmi7, cmmi8, cmmi9, cmmib10, cmmib5, cmmib6, cmmib7, cmmib8, cmmib9, cmsy10, cmsy5, cmsy6, cmsy7, cmsy8, cmsy9.
• LaTex fonts: circle10, circlew10, lasy10, lasy5, lasy6, lasy7, lasy8, lasy9, lasyb10, line10, linew10, LCMSS8, LCMSSB8, LCMSSI8.
• Metafont logo fonts: logo10, logo8, logo9, logobf10, logosl10.
• AMS fonts 2.1, Euler font family: euex10, euex7, euex8, euex9, eufb10, eufb5, eufb6, eufb7, eufb8, eufb9, eufm10, eufm5, eufm6, eufm7, eufm8, eufm9, eurb10, eurb5, eurb6, eurb7, eurb8, eurb9, eurm10, eurm5, eurm6, eurm7, eurm8, eurm9, eusb10, eusb5, eusb6, eusb7, eusb8, eusb9, eusm10, eusm5, eusm6, eusm7, eusm8, eusm9.
• AMS fonts 2.2: msam10, msam5, msam6, msam7, msam8, msam9, msbm10, msbm5, msbm6, msbm7, msbm8, msbm9.
• LamsTeX Commutative Diagram Drawing Fonts, dated 1997: lams1, lams2, lams3, lams4, lams5.
• Xy-Pic Drawing Fonts, dated 1997: XYATIP10, XYBSQL10, XYBTIP10, XYCIRC10, XYCMAT10, XYCMAT11, XYCMAT12, XYCMBT10, XYCMBT11, XYCMBT12, XYDASH10, XYEUAT10, XYEUAT11, XYEUAT12, XYEUBT10, XYEUBT11, XYEUBT12, XYLINE10, XYMISC10, XYQC10.
• Computer Modern Cyrillic Fonts, with the cyrillic extension due to N. Glonty and A. Samarin in Institute for High Energy Physics (IHEP) in 1990: cmcb10, cmcbx10, cmcbx12, cmcbx5, cmcbx6, cmcbx7, cmcbx8, cmcbx9, cmcbxsl10, cmcbxti10, cmccsc10, cmccsc8, cmccsc9, cmcinch72, cmcitt10, cmcsc10, cmcsc8, cmcsc9, cmcsl10, cmcsl12, cmcsl8, cmcsl9, cmcsltt10, cmcss10, cmcss12, cmcss17, cmcss8, cmcss9, cmcssbx10, cmcssdc10, cmcssi10, cmcssi12, cmcssi17, cmcssi8, cmcssi9, cmcssq8, cmcssqi8, cmcti10, cmcti12, cmcti7, cmcti8, cmcti9, cmctt10, cmctt12, cmctt8, cmctt9, cmcu10, cmcyr10, cmcyr12, cmcyr17, cmcyr5, cmcyr6, cmcyr7, cmcyr8, cmcyr9.

BaKoMa TeX

Free software by Basyl K. Malyshev: BaKoMa TeX is a complete TeX system for Microsoft Windows 95/98/NT/2000. It supports type 1, type 3, truetype, OpenType, and TeX PK formats, and enables PostScript in TeX. The system includes about *1500* typefaces in PostScript Type 1 and Type 3 font format including the following fonts: CM (including LaTeX and Logo fonts + vf for T1 with CX, AMS Fonts (Euler, Math Symbols), EC/TC, LH (T2A), Concrete (Math, ECC), Malvern, CMCyr + vf for T2A/LCY, Scripting fonts, CMPica, Punk, Stmaryrd, Wasy, Rsfs, YHMath, BlackBoard (bbm, doublestroke), Lams, Astro Symbols (cmastro, astrosym, moonphase), Barcodes (barcodes, wlean, wlc*), Logical (loggates, milstd), timing, MusiXTeX, Chess/CChess, Go, Backgammon, Dingbats/NiceFrame. PDF output supported. Direct access to the fonts. [Google] [More]  ⦿

Banzai Tokyo
[Sergey Epifanov]

Experimental foundry in Toulouse. Run by Sergey Epifanov (b. 1978, Kostroma, Russia), a graphic designer and an illustrator, it sells fonts like Banzai Moloko (2009) via MyFonts. [Google] [MyFonts] [More]  ⦿

Barmee.com (was: Czcionki.com, or: Barme Fonts)
[Bartek Nowak]

Original fonts by Polishman Bartek Nowak (aka Barme, b. 1973) made in 2000-2001: BukwaNormal (Cyrillic), Nokian (pixel font), Passja, Xar, BarmeReczny, Elementarz (orthographic writing for kids) [see also here], Gotyk-Poszarpany (Fraktur), Afarat Ibn Blady (Arabic simulation face), Hieroglify, Kobajashi, Kwadryga, Magda (Basque), Maszyna (old typewriter), MaszynaAEG, Nerwus (scribbly, sketchy), Pascal, SecesjaPL (curly font: a revival of Herman Ihlenburg's ulktra-Victorian face Nymphic), Zakret, RecycleIt, Sandwich, Keiser Sousa, Manifest.

Alternate URL.

Font list (with repetitions): 4Mini, BarmeReczny, Elementarz, Fiesta, GotykPoszarpany, GrubaBerta, Hieroglify, Infantyl, KeiserSousa, Kobajashi, Kwadryga, Magda, Manifest-Niski, Manifest, MaszynaAEG, MiniMasa, MiniSet, MiniSter, Nerwus, Nokian, Nokian2, Opeln2001-Prosty, Opeln2001, Opeln2001Szeroki, Pascal, Passja, Premiership, RecycleIt, Sandwich, SecesjaPL, Szablon, Wabene, Xar, Zakret, MiniForma, MiniStrzalki, Miniline, Minitot, Ulisson, Astalamet (2002), Gosford (2002), Volan (2002), Establo, QuatronFat, Infantyl (2002), Quatron (2002), YnduFat (2002), YnduOut (2002).

URL not accessible to my browser (Mac+Firefox).

This site carried these fonts in May 2008: 4Mini, Afarat-ibn-Blady, Astalamet, AstalametPure, BarmeReczny, Cyree, DorBlue, ElementarzDwa, Erton, Establo, EstabloFat, Fiesta, Gosford, GotykPoszarpany, GrubaBerta, Hieroglify, HongKong (oriental simulation), Infantyl, InfantylFat, InfantylItalic, InfantylOut, Jiczyn, KeiserSousa, Kobajashi, Komix, Kwadryga, Lola, Magda, Manifest-Niski, Manifest, MaszynaAEG, MaszynaRoyalDark, MaszynaRoyalLight (typewriter types), MiniBet, MiniForma2, MiniJasc, MiniKongo, MiniLine2, MiniMasa, MiniQuan, MiniQuanMniejszy, MiniSet2, MiniSter, MiniStrzalki, MiniTot, Nerwus, Nokian, Nokian2, Opeln2001-Prosty, Opeln2001, Opeln2001Szeroki-Metro, Opeln2001Szeroki, Pascal, Paskowy, Passja, Quatron, QuatronFat, RecycleIt, Sandwich, SecesjaPL, Sloneczko, Szablon, Tabun, TechnicznaPomoc-Italic, TechnicznaPomoc, TechnicznaPomocRound, Ulisson, Vaderiii, Volan, Wabene, Xar.

In 2011, he established the commercial foundry GRIN3. [Google] [MyFonts] [More]  ⦿

Bashkirian

Bashkirian letters on top of the wncyr (Cyrillic metafont from Washington University), developed by Joerg Knappen. These letters are also sufficent for the writing of mongolian in cyrillic. [Google] [More]  ⦿

Bashnet

Free Cyrillic fonts by Vladimir G. Ardashov (LIC Ltd, 1993): ATimes, Pragmatica, School. And an original family, Bashkort. [Google] [More]  ⦿

Bayer Corp

A collection of fonts from Bayer Corp (1995): AlbertusExtraBoldW1, AlbertusMediumW1, AntiqueOliveW1, AntiqueOliveW1Bold, AntiqueOliveW1Italic, AvantGardeBook, AvantGardeBookOblique, AvantGardeDemi, AvantGardeDemiOblique, Bookman, BookmanDemi, BookmanDemiItalic, BookmanItalic, CGOmegaW1, CGOmegaW1Bold, CGOmegaW1BoldItalic, CGOmegaW1Italic, CGTimesW1, CGTimesW1Bold, CGTimesW1BoldItalic, CGTimesW1Italic, CenturySchlbkBold, CenturySchlbkBoldItalic, CenturySchlbkItalic, CenturySchlbkRoman, ClarendonCondensedW1Bold, CoronetW1Italic, GaramondW1Antiqua, GaramondW1Halbfett, GaramondW1Kursiv, GaramondW1KursivHalbfett, Helvetica-Narrow, Helvetica-NarrowBold, Helvetica-NarrowBoldItalic, Helvetica-NarrowItalic, Helvetica, HelveticaBlack, HelveticaBlackOblique, HelveticaBold, HelveticaBoldItalic, HelveticaItalic, HelveticaLight, HelveticaLightOblique, LetterGothicW1, LetterGothicW1Bold, LetterGothicW1Italic, MarigoldW1, PalatinoBold, PalatinoBoldItalic, PalatinoItalic, PalatinoRoman, UniversCondensedW1Bold, UniversCondensedW1BoldItalic, UniversCondensedW1Medium, UniversCondensedW1MediumItalic, UniversW1Bold, UniversW1BoldItalic, UniversW1Medium, UniversW1MediumItalic, ZapfChanceryMediumItalic, ZapfDingbats. See also here. Further fonts are here. Bayer's Courier families for Greek, East-European, Cyrillic, Turkish and Latin. Type 1 collection. All these fonts are in fact part of an old Lexmark printer package. [Google] [More]  ⦿

Bazhen D. Yurchenko

Bazhen Yurchenko is the Kharkov, Ukraine-based designer of BenCat, Grunge, Flowerchild, BenHardLife, BenKrush and BenPioneer (1997). His fonts are here. Encient German Gothic is a blackletter font to which he added a Cyrillic in 1995-1999. Here, you will find the free Cyrillic truetype fonts Ben-Cat-Bold, Ben-Hard-Life-Bold, Ben-Krush, Ben-Pioneer-Bold. See also here. [Google] [More]  ⦿

BC Fonts

A 1999 series of mathematical and cyrillic fonts that used to be on the web, but is no longer easy to discover: BCCYR, BCSYMA, BCSYMB, BCSYMX, BCCYRBold, BCSYMABold, BCSYMBBold, BCSYMXBold. The fonts are needed for old math typesetting software such as EXP. [Google] [More]  ⦿

Belinka

Cyrillic and dingbat fonts in the "rar" files: AGBenguiatCyrBook, AGBenguiatCyrBoldBold, AGLetterica-BoldOblique, AGLetterica-Oblique, AGLetterica-Roman, AGOpus-Bold, AGOpus-BoldOblique, AGOpus-Oblique, AGOpus-Roman, AGSouvenirCyrRoman, AGSouvenirCyrBold, AGSouvenirCyrBoldItalic, AGSouvenirCyrItalic, AmbassadoreType-Italic, AmbassadoreType, Arbat-Bold, Arbat, Chance, Decorations, FUNFACE, DecorCTT, ErikaC, GlasnostBold, GlasnostLightFWF, GlastenBold, GlastenNormal, PaladinPCRusMedium, GothicRusMedium, GothicRusMedium, JakobCTT-Regular, JakobCTT-Bold, JakobExtraCTT-Regular, MilestonesTT, Zbats-PS-, MonotypeSorts, NTHarmonica-Bold, NTHarmonica-Black-Normal, NTHarmonica-Normal, Optimal, Ornament, OrnamentTT, Ornament_TM, Penta-Light, RUBICKNormal, TimesNRCyrMT, TimesNRCyrMT-Bold, TimesNRCyrMT-Inclined, ZapfDingbatsITCbyBT-Regular, ABCTypeWriterRussian, Webdings, Wingdings-Regular, Wingdings2, Wingdings3, Herold. [Google] [More]  ⦿

Bepa Fonts
[Danilo Segan]

Danilo Segan added Cyrillic glyphs to Bitstream's Vera sans family, and created the Bepa family. Alternate URL. Apparently, they are now outdated, having been replaced by the DejaVu Sans and Serif families. He maintains the Cyrillic glyph set in DejaVu. The URW-CYR family contains cleaned-up and fixed Serbian glyphs---these are now outdated, since Valek Filipov has merged (and first improved) them back into upstream URW-CYR fonts available here. Danilo Segan also created Nova and Nova Light (2003-2004), an art deco Cyrillic unicase family. [Google] [More]  ⦿

Bersearch
[Dmitry Akindinov]

Bersearch is a distributor of Cyrillic typefaces. RussianH has four weights, and was made in Moscow by Russian typographers Dmitry Akindinov and Alex Romanov. Free demo fonts. [Google] [More]  ⦿

Besed

Russian page with scans of several Russian ornamental and display alphabets. [Google] [More]  ⦿

Bigelow&Holmes
[Charles Bigelow]

Bigelow&Holmes was founded by Charles Bigelow and Kris Holmes. Charles Bigelow (b. 1945, Detroit) is a type designer and teacher, who runs his own studio, Bigelow&Holmes. In mid-2006, Bigelow accepted the Melbert B. Cary Distinguished Professorship at Rochester Institute of Technology's School of Print Media. Typefaces designed by Bigelow:

• The Lucida family (1985) is used in several scientific publications. I find it more appropriate for screens than paper, but that is just a personal view. The Lucida family contains LucidaConsole (1993), LucidaSansTypewriter (1991), LucidaFax, LucidaCalligraphy, LucidaBright, Lucida Blackletter (1991, a bastarda) and Lucida Handwriting. It has been recently expanded to comply with the Unicode Standard, and includes non-Latin scripts such as Cyrillic, Greek, Arabic and Hebrew. Charles Bigelow created the font families Lucida Math (with Kris Holmes, 1993), Lucida Sans (with Kris Holmes, 1985), Lucida Typewriter Sans (with Kris Holmes, 1985) and Lucida Serif (with Kris Holmes, 1993).
• Syntax Phonetic.
• Leviathan (1979).
• Apple Chicago (1991), Apple Geneva (1991).
• Microsoft Wingdings (1992).

Bill Tavolga

Desitgner of four free truetype Cyrillic fonts. [Google] [More]  ⦿

Bitstream

Cyrillic fonts at Bitstream include BankGothicRUSSMedium, Dutch801CyrillicBT-Roman, Swiss721BT-Roman, Swiss721BT-Italic, Swiss721BT-Bold, Swiss721BT-BoldItalic, Dutch801BT-Roman, Dutch801BT-Italic, Dutch801BT-Bold, Dutch801BT-BoldItalic, BaskervilleBT-Roman, BaskervilleBT-Italic, BaskervilleBT-Bold, BaskervilleBT-BoldItalic, CenturySchoolbookBT-Roman, CenturySchoolbookBT-Italic, CenturySchoolbookBT-Bold, CenturySchoolbookBT-BoldItalic, PosterBodoniBT-Roman, ZurichBT-Roman, ZurichBT-Italic, ZurichBT-Bold, ZurichBT-BoldItalic, ZurichWin95BT-Black, FuturaBlackBT-Regular, Courier10PitchBT-Roman, Courier10PitchBT-Bold, Monospace821BT-Roman, Monospace821BT-Bold, AdLibBT-Regular, OzHandicraftBT-Roman, ChiantiBT-Roman, ChiantiBT-Italic, ChiantiBT-Bold, ChiantiBT-BoldItalic. [Google] [More]  ⦿

Bitstream Cyberbit

From Bitstream's web page: "Bitstream Cyberbit is our award-winning international font. Based on one of our most popular and readable type designs (Dutch 801 BT [note: Bitstream's version of Times and Times New Roman]), it includes all the typographic characters for most of the world's major languages. Cyberbit is now available! The product release includes the roman weight of Dutch 801 BT, a "serif" font. (A serif font has small finishing strokes at the end of the main stems, arms, and tails of characters, while a sanserif font does not.) The font is in TrueType format for Windows 95 and Windows NT. Future releases will provide support for "sanserif" typefaces, other platforms, other font formats, and even more languages. Bitstream Cyberbit is a work in progress. Bitstream is now distributing the roman weight of Cyberbit, free of charge, over the Internet! Remember, this release is in TrueType format for Windows 95 and Windows NT". --- Well, Bitstream no longer offers the font. It is still out there however. Try here, here, here, or here. Has these unicode ranges: Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, Spacing Modifier Letters, Greek, Cyrillic, Hebrew Extended (A and B blocks combined), Thai, Latin Extended Additional, General Punctuation, Currency Symbols, Letterlike Symbols, Number Forms, Arrows, Mathematical Operators, Miscellaneous Technical, Box Drawing, Block Elements, Geometric Shapes, Miscellaneous Dingbats, Alphabetic Presentation Forms, Combining Diacritical Marks, Enclosed Alphanumerics, Arabic, Arabic Presentation Forms-A and -B, CJK (Chinese, Japanese, Korean) Symbols and Punctuation, Hiragana, Katakana, Bopomofo, Hangul Compatibility Jamo, Enclosed CJK Letters and Months, CJK Compatibility, Hangul, CJK Unified Ideographs, CJK Compatibility Ideographs, CJK Compatibility Forms, Small Form Variants, and Halfwidth and Fullwidth Forms. [Google] [More]  ⦿

Blanca Berning

Graduate of the University of Reading in 2011 who was born in Germany. Her graduation typeface was Clint (2011), a text family for Latin, Greek and Cyrillic. Clint suffers from a multiple personality disease, with asymmetric serifs, a strange axis, some timid ball terminals, and other exogenetic details. [Google] [More]  ⦿

Blits-One

Designers of Blits (2007), a rather severe condensed sans. Has cyrillics as well. [Google] [More]  ⦿

Bmeluyek Mschupztpch

Russian designer of the Latin/Cyrillic font Ocean (2002). He works at Portfolio.kg. [Google] [More]  ⦿

Bodlek Nemshnbo

Russian designer of the Cyrillic font OCR B. [Google] [More]  ⦿

Bohdan Hdal

Ukrainian designer in Kiev who created a fun readable Cyrillic script face, Veles (2011, free). Behance link. [Google] [More]  ⦿

bol.bg

Huge (1000+ truetype files) Cyrillic font archive. [Google] [More]  ⦿

Bolotov

Five standard Cyrillic truetype fonts. [Google] [More]  ⦿

Bolt Cutter Design (or: Mahoney Fine Arts)

Creators in 2008 of a series of detailed free fonts: Eutemia (connected calligraphic script), Deborah Extra Ornaments, Prozac Buzz (grungy and neurotic), Phat Grunge Bold, Metal Macabre (scary), Kremlin-Advisor-Display-Kaps-Bold, Kremlin-Samovar-Extra-Bold, Kremlin-Samovar, KremlinAlexander-Bold, KremlinBolshevik-Bold, KremlinDuma-Bold, KremlinEmpire, KremlinGeorgianI3D, KremlinGrandDuke, KremlinKiev, KremlinOrthodoxChurch, KremlinStarets (all Cyrillic simulation faces), Deborah Fancy Dress (saloon font), Deborah (1880s style). Dafont link. Full list, at the end of 2008: AngstRidden (angst-ridden handwriting, dated 2002 under the label Mahoney Fine Arts), Bolt-Cutter-Light, Bolt-Cutter-Nasty, Bolt-Cutter, CSAR-Italic, CSARVESTMENT (illuminated caps), Bloody Irish Bastard or Congeal (2001), Deborah (Western), DeborahCondensed, DeborahExtrasOrnaments, DeborahFancyDress, Dominatrix, EutemiaI-Italic, EutemiaII-BoldItalic, EutemiaIII-BoldItalic, EutemiaOrnaments, GeneticEngine, GideonPlexus, KREMLINMINISTRY-DemiBoldItalic, Kremlin-Advisor-Display-Kaps-Bold, Kremlin-Samovar-Extra-Bold, Kremlin-Samovar, Kremlin-Soviet-Italic, Kremlin-Tsaritsa-Italic, Kremlin, KremlinAdviser, KremlinAlexander-Bold, KremlinBolshevik-Bold, KremlinComrade, KremlinCzar, KremlinDuma-Bold, KremlinEmperor-Bold, KremlinEmpire, KremlinGeorgianI3D, KremlinGrandDuke, KremlinImperial, KremlinKiev, KremlinKommisar, KremlinKourier-II, KremlinKourierII-Bold, KremlinMenshevik-Bold, KremlinMenshevik-BoldItalic, KremlinMinister-Black, KremlinMinister-Bold, KremlinMinister, KremlinMinisterBlack3D-Bold, KremlinOrthodoxChurch, KremlinPravda-Italic, KremlinPravda, KremlinPremier, KremlinStarets, KremlinSynod, MarquisDeSade, MarquisDeSadeAlternates, MarquisDeSadeOrnaments, Kremlin Chairman, Metal-Macabre, NewSymbolFont, ODINS-SPEAR-HOLLOW (2002, runes), ODINS-SPEAR (runic), OurSacredRights-Bold, PhatGrunge-Bold, Precious, StarmanCrusader, TEK-HED-AGGRESIVE (the TEK (techno) series is from 2003), tEK-HED-ANGRY, TEK-HED-BOLIMIC, TEK-HED-LAZY, TekHedRegular, ThorsHammerCarved (2008, chiseled look), csar, csarparadedress. Fonts from 2009: Vlad tepes II (creepy). Fonts from 2010: Sarcophagus. Fontspace link. [Google] [More]  ⦿

Bonnie Clas

Bonnie Clas has completed her B.F.A. and M.F.A. at the Savannah College of Art and Design as a major in Graphic Design with a minor in Drawing. She has been developing her career by taking positions as a designer, illustrator, and letterer for SpotCo, Rodrigo Corral Design, and Hsu+Associates in Manhattan. She lives in New York City. Creator of TWD Sans (2011, semi-blackletter), Mecano Neue (2011), Kule Script (calligraphic, for a clothing brand), Kule Slab (2011, didone), Lady Chatterly (curly fashion mag face), Lacie (curly face for Latin and Cyrillic), Methodenstreit (2011, arts and crafts face), Habana (2011, Lost Type), Feverish (2011, experimental), Burlesque (art deco). She also did the lettering for tens of projects. [Google] [More]  ⦿

Boris Brodsky

Russian creator of Titling (1986). [Google] [More]  ⦿

Boris Kuznetsov

Lyubertsy, Russia-based graphic designer. Creator of the free font Polkadog (2009), designed in memory of his dog Artur. Behance link. [Google] [More]  ⦿

Boris Popov

Russian designer of the experimental font PT Duetto (2002, Paratype).

FontShop link. Klingspor link. . [Google] [MyFonts] [More]  ⦿

Borissov

Designer of the Cyrillic font Choc Borissov (1996, after Choc), which can be found here. [Google] [More]  ⦿

Brama Computing
[L. Jake Jacobson]

Brama Computing has two Cyrillic fonts for Slavists: "Constantin" and "Methodius" in TrueType and Type One formats. Designed by L. Jake Jacobson in 1994 at the University of Pittsburgh. [Google] [More]  ⦿

BRAMA Computing and Software

Links on Ukrainian fonts for UNIX (BDF format), Windows and Mac. Alternate URL. [Google] [More]  ⦿

Brian Jongseong Park

Seoul-based designer who is working on the serif faces Naxia (2007, Greek) and Dobong (2006). He created Dobong (2006), which covers Latin, Greek, Cyrillic and Hangul. [Google] [More]  ⦿

Brian Wofford

Born in 1951 in Kyrgyzstan, but now located in the boring safety of midwest Florida, Brian Wofford created the gothic/metal face TransMutation in 2009. [Google] [More]  ⦿

Brill
[John Hudson]

Academic publisher in Leiden, The Netherlands. In 1989, DecoType produced the first ever computer-typeset Persian and English dictionary for them. In 2009, Brill has resumed its 325 year old tradition of Arabo-Dutch typography by adapting Tasmeem for its Arabic texts. In 2008, Brill commissioned John Hudson to make a text face. Hudson's PDF explains how Brill had been working mostly with Baskerville, so the new Brill typeface is also transitional, but narrower, resulting in savings of paper. Greek and Cyrillic are covered by Brill as well. [Google] [More]  ⦿

British Higher School of Art and Design, Moscow

18-month program in Russian type design, also called Type and Typography. Teachers: Vladimir Yefimov (type history), Tagir Safayev (personal experience), Vladimir Krichevsky (type&typography), Alexander Tarbeev (type technologies), Eugeny Dobrovinsky (calligraphy&typography), Yury Gordon (personal experience), Valery Golyzhenkov (modern typography), Vera Evstaf'eva (calligraphy), Ilya Ruderman (modern typography; coordinator of the program), Denis Serikov (FontLab course), Alexey Shevzov (type copyrighting, type as a business), Yury Yarmola (FontLab, future type technologies), Andy Clymer (modern production technologies). The class of 2010 got together and made a free font, Amperisk [PDF file], which is a composite of 11 fonts made by them during trheor studies. [Google] [More]  ⦿

British Library

Publishers of the free font Reader Sans, which covers Cyrillic, Greek, Latin, Hebrew and Slavonic. The copyright says Bitstream. [Google] [More]  ⦿

Brownfox
[Gayaneh Bagdasaryan]

Brownfox is independent type foundry based in Moscow, and managed by Gayaneh Bagdasaryan. They specialize in the design and production of Latin and Cyrillic fonts for print and for screen. Their first typefaces in 2012, all posted at Google Web Fonts, include Simonetta (readable angular typeface: see here), Sevillana (curly upright script by Olga Umpeleva), and Henny Penny (a playful decorative typeface, also by Olga Umpeleva). [Google] [More]  ⦿

Bukvi

Cyrillic fonts: BukviDecorative, BukviRoman, BukviSchool. [Google] [More]  ⦿

Bulgarian Academy

About 60 Cyrillic fonts at this Bulgarian FTP site. The majority are fonts by DemaSoft (1993), like the Lozen, EngineCyr, FreeStyleCyr_Bold, GermanCondensedX_Bold, and Iskar_Bold families. Also here are great families (HebarB, Journal, Karina), and nice individual fonts such as the Courier-like Maritsa, the display font FuturaEG_HH, and the artsy font Izhi. Great site. [Google] [More]  ⦿

Bulgarian font archive

[More]  ⦿

Bulgarian--Russian Cyrillic Fonts for MS-Windows
[Ilya Talev]

Ilya Talev's free original Bulgarian cyrillic fonts: BookvarBold, BookvarItalic, BookvarNormal, Bulgarian-Ariel, Bulgarian-Courier, Bulgarian-DutchRomanItalic, Bulgarian-DutchRoman, Bulgarian-GaramondItalic, Bulgarian-Garamond, Bulgarian-Italic, Bulgarian-Kursiv, Palatia-Regular, Bulgarian-Roman, Bulgarian-RomanItalic, Bulgarian-Times, Bulgarian-TimesItalic, TimokBold, TimokBoldItalic, TimokItalic, TimokPlain. The fonts with names that start with Bulgarian are due to Talev, and were made in 1995. An older page of his also had Church, NewsPrint Fonts, Garamond, Courier, Roman, Stamp (kinda arty), Times, Tribune, Zora, fonts that were shareware from Galt Technology, accompanied by the notice The fonts are in Unicode ttf format and are suitable for MS-Word 97 and the new MS-Word 2000 for Windows NT, 95/98. [Google] [More]  ⦿

burodestruct (or: Typedifferent.com)
[Gianfredo Lopetz]

Gianfredo Lopetz's foundry in Bern, Switzerland, est. 1994, called Burodestruct and Typedifferent.com. Free fonts include(d) the gorgeous GalaQuadra (by Angela Pestalozzi, 1999), Eject Katakana (1998), Dippex (1995, grunge font), Ticket (1995), Rocket 70 (1996), Ratterbit (1995, pixel font), Plakatbau (1995), Lodel Fizler (1996), Flossy (1995), Faxer (1995), Console Remix (1998), Cravt (1998, by "Katrin"), Stereotype (1998, by M. Brunner), Brockelmann (1995, free), Kristallo (1997, very original display face) and Billiet (1996). Other fonts: Acidboyz (1998), Alustar (1999), BD Asciimax (1999, ascii art font), BD Billding, Bdr_mono (1999), Brick (1996, like Kalendar), Cluster (1996), Console (1997), Doomed (1998), Eject (1998), Electrobazar (1995), Elside (1995), Globus (1996), Fazer (1996), Lofi (1997), Medled (1995), Paccer (1995), Solaris (1998), Spicyfruits_brush_rmx (1998, a nice high-contrast face), Spicyfruits_rmx, Wurst (free, by Heiwid, 2000), Relaunch (2000), Relaunch Katakana (2000, free), Rainbow (2000), DeLaFrance (2000, free, by Heiwid), Electronic Plastic (2000), Colonius (2001), Cash (2001), Cashbox (2001), Bilding (2001), Meter (2001), Mustang (2001), Bankwell (2001), BD Alm (2001), Balduin (2001), Tatami (2001, oriental look font), Hexades (2001, free), Nippori (2002, techno), Jura (2002), Bonbon (2002, free), Band (2002, free), Navyseals (2002, kitchen tile font), Ritmic (2002), BDR Mono (1999, OCR-like font), Mann (2003, ultra fat stencil), Aroma (2003), Zenith (2003), Nebraska (2003), BD Equipment (2004), BD El Autobus (2004), BD Unexpected (2004), BD Wakarimasu (2004, free kana face), BD Bernebeats (2004, futuristic), BD Deckard (2004), BD Spinner (2004), BD Victoria (2004), BD Designer (2004), BD Kalinka (2005, a curly ultra-fat display face), BD Equipment (2004), BD El Autobus (2004), BD Unexpected (2004), BD Varicolor (2005, stencil), BD Chantilly (2005), BD Memory (2005), BD Emerald (2005, beveled), BD Kalinka (2005, cyrillic simulation), BD Extrwurst (2005), BD Aquatico (2005), BD Mandarin (2005), BD Polo (2005), BD Beans (2005), BD Tiny (2005, pixel face), BD Times New Digital (2006), BD Panzer (2006), BD Jupiter, BD Jupiter Stencil (2006), BD Pipe (2006), BDR Mono 2006 (2006), BD Fimo Outline (2007, free, by Nathalie Birkle), BD Bermuda (2007, experimental and geometric), BD Smoker (2007, psychedelic), BD Radiogram (2007), BD Mother (2007, exaggerated black Egyptian), BD Fimo Regular (2007, free), BD Demon (2007), BD Reithalle (2007, free), BD Halfpipe (2007, free), BD Broadband (2008, free; not to be confused with the much older fonts BroadbandICG or FLOP Design's Broadband), BD Viewmaster and BD Viewmaster Neon (2008), BD Electrobazaar (2008), BD Motra (2008, stencil), BD Virtual (2008), BD Spacy 125 (2008), BD AsciiMax, BD ElAutobus (2004), BD Equipment (2004), BD Ramen (2003), BD Retrocentric (2009), BDR A3MIK (2009, virile Latin and Cyrillic slab), BD HitBit (2009), BD Unicorse (2010, unicase and techno), BD Telegraph (2011). Links.

Alternate URL. Dafont link. At Behance, he is known as Lopetz Gianfreda.

View the Typedifferent typeface library. [Google] [MyFonts] [More]  ⦿

Byzantine Catholics in Slovakia
[David Pancza]

The following fonts can be downloaded at this Slovak site of the Byzantine catholic church in Slovakia: the music fonts Juhasevic (2006, David Pancza), Lviv (2006, David Pancza), Lvov (2006, David Pancza), Manjava (2006, David Pancza), and the Olsavica family (also 2006, David Pancza). Also: S407 (David Pancza), Izitsa StarosloviencinaA (1995, old Slavonic), bwgrkl (1994, Michael S. Bushell), pismotest, znamC (David Pancza). [Google] [More]  ⦿

c2ps

Free source code for transforming C code into PostScript format, by Dmitri Shtilman and Dmitri Makarov. Includes free Russian KOI-code fonts. [Google] [More]  ⦿

Cade
[Christopher Diehm]

Christopher Diehm (Cade) (b. 1985) is the Australian/Russian designer of the Latin handwriting font Arthritical (2003). Alternate URL. He lives in Northern Queensland. [Google] [More]  ⦿

Callig.ru

Russian calligraphic blog. Russian type and calligraphy glossary and links. [Google] [More]  ⦿

Calmius Software
[Vladislav V. Dorosh]

Calmius Software is a Russian company at which Vladislav V. Dorosh designed the Cyrillic font family Irmologion in 1996. This includes Evangelie-Ucs, Feofan-Ucs, Indycton-ieUcs, IndyctonUcs, Irmologion-Caps-Ucs-SpacedOut, Irmologion-Caps-Ucs, Irmologion-Caps-ieUcs-SpacedOut, Irmologion-Caps-ieUcs, Irmologion-Caps-kUcs-SpacedOut, Irmologion-Caps-kUcs, Irmologion-Ucs-SpacedOut, Irmologion-Ucs, Irmologion-ieUcs-SpacedOut, Irmologion-ieUcs, Irmologion-kUcs-SpacedOut, Irmologion-kUcs, Pochaevsk-Caps-Ucs-SpacedOut, Pochaevsk-Caps-Ucs, Pochaevsk-Caps-ieUcs-SpacedOut, Pochaevsk-Caps-ieUcs, Pochaevsk-Caps-kUcs-SpacedOut, Pochaevsk-Caps-kUcs, Pochaevsk-Ucs-SpacedOut, Pochaevsk-Ucs, Pochaevsk-ieUcs-SpacedOut, Pochaevsk-ieUcs, Pochaevsk-kUcs-SpacedOut, Pochaevsk-kUcs, Psaltyr-Ucs-SpacedOut, Psaltyr-Ucs, Psaltyr-ieUcs-SpacedOut, Psaltyr-ieUcs, Psaltyr-kUcs-SpacedOut, Psaltyr-kUcs, Render-Script, Slavjanic-Ucs-SpacedOut, Slavjanic-Ucs, Slavjanic-ieUcs-SpacedOut, Slavjanic-ieUcs, Slavjanic-kUcs-SpacedOut, Slavjanic-kUcs, Triodion-Caps-Ucs-SpacedOut, Triodion-Caps-Ucs, Triodion-Caps-ieUcs-SpacedOut, Triodion-Caps-ieUcs, Triodion-Caps-kUcs-SpacedOut, Triodion-Caps-kUcs, Triodion-Ucs-SpacedOut, Triodion-Ucs, Triodion-ieUcs-SpacedOut, Triodion-ieUcs, Triodion-kUcs-SpacedOut, Triodion-kUcs, VertogradUcs, Zlatoust-Ucs-SpacedOut, Zlatoust-Ucs, Zlatoust-ieUcs-SpacedOut, Zlatoust-ieUcs, Zlatoust-kUcs-SpacedOut, Zlatoust-kUcs. Pochaevsk was made after an original by Nikita Simmons. See also here. Here we find some Old Slavonic fonts made in 2008 by Dorosh: Wilno-Ostrog.ttf, Wilno-Ostrog_2.ttf, WilnoCapsUcs.

Here we find these fonts by Dorosh: Irmologion-Caps-Ucs-SpacedOut, Irmologion-Caps-Ucs, Irmologion-Caps-ieUcs-SpacedOut, Irmologion-Caps-ieUcs, Irmologion-Caps-kUcs-SpacedOut, Irmologion-Caps-kUcs, Irmologion-Ucs-SpacedOut, Irmologion-Ucs, Irmologion-ieUcs-SpacedOut, Irmologion-ieUcs, Irmologion-kUcs-SpacedOut, Irmologion-kUcs, Pochaevsk-Caps-Ucs-SpacedOut, Pochaevsk-Caps-Ucs, Pochaevsk-Caps-ieUcs-SpacedOut, Pochaevsk-Caps-ieUcs, Pochaevsk-Caps-kUcs-SpacedOut, Pochaevsk-Caps-kUcs, Pochaevsk-Ucs-SpacedOut, Pochaevsk-Ucs, Pochaevsk-ieUcs-SpacedOut, Pochaevsk-ieUcs, Pochaevsk-kUcs-SpacedOut, Pochaevsk-kUcs. [Google] [More]  ⦿

Cango.net

About 30 Cyrillic truetype fonts, including Caslon (Soft, 1992), Cooper (tilde, AG Fonts, 1992), KabelCTT-Medium (Dmitry Komissarov, 1994), Kladez (Soft, 1992), Mysl (ParaGraph, 1990), Newjournal (Soft, 1992), Pragmatica (Soft, 1992), Rubic (A.Kustov, 1993). [Google] [More]  ⦿

Canonical Design
[Dalton Maag]

Design team that is related to Ubuntu. In 2010, they cooperated with the type design team of Dalton Maag to bring us free fonts for Ubuntu (called Ubuntu). Download the fonts: Ubuntu-Bold, Ubuntu-BoldItalic, Ubuntu-Italic, Ubuntu-Regular. Google Directory link for Ubuntu Mono (2010) and for Ubuntu Condensed. Announcement pages. The initial package contains Latin A+B Ext, Greek Polytonic and Cyrillic Extended, but lots of extensions are expected over the next few years.

The package description reads: The Ubuntu Font Family are a set of matching new libre/open fonts in development during 2010–2011. The development is being funded by Canonical Ltd on behalf the wider Free Software community and the Ubuntu project. The technical font design work and implementation is being undertaken by Dalton Maag. Both the final font Truetype/OpenType files and the design files used to produce the font family are distributed under an open licence and you are expressly encouraged to experiment, modify, share and improve. Ralf Herrmann likes the font family but recalls that other typographers find Ubuntu too close to DTL Prokyon. [Google] [More]  ⦿

Carmelo Lupins

Designer of the free font "Greek Garamond". The page also archives some fonts by others, such as Academiury-ITV, CopticNormal, CopticNormal_II, Cyrillic-Regular, Greek-garamond-1.1, Greek-garamond, Greek, Linear-B, Masis, Ultima-Runes----ALL-CAPS, gothic-1. [Google] [More]  ⦿

Carnegie-Mellon University

Four Cyrillic fonts, and the phonetic series SILDoulosIPA-Regular, SILManuscriptIPA-Regular, SILSophiaIPA-Regular. [Google] [More]  ⦿

Carrot

Polish designer (b. 1988) of the Slavonic alphabet font gagolica (2005). [Google] [More]  ⦿

Castle Type
[Jason Castle]

Designs by Jason Castle from San Rafael, CA, who graduated from Dominican University of California. He does custom font design and sells commercial faces through MyFonts and FontShop. Blog. These include:

• A: AfrikaBorders, Afrika Motifs, Agency Open (M. F. Benton, 1934, revival Jason Castle), Agency Gothic Inline, Ampersands, Azbuka (2005, a heavy slab serif).
• B: Brasileiro (2007, a new art deco face).
• Carisma (2007, a clean geometric sans), Carlos (art deco inspired by Elektra), Castle Fleurons, Chinoise (2008, based on hand lettering that is reminiscent of a style of ancient Chinese square-cut ideograms), Cloister Black, Copperplate Script.
• D: Deko Initials (1993, discontinued in 2007; based on NADA0 drawn in 1972 by Marcia Loeb), Dionisio (2008, didone).
• E: Eden (Bold, Light; originally designed by Robert H. Middleton in 1934).
• S: Sencia (2008, based on Spanish art deco stock certificate lettering from 1941).
• F: Fat Freddie, Futura CT and Futura CT Inline (2007, based on Futura ND, but discontinued after only a few weeks).
• G: Goudy Lombardy (Lombardic), GoudyStout, Goudy Text, Goudy Trajan (1994-2010, free; +alternates).
• H: Handsome (2002, nice finger dingbats, aka fists).
• J: Jensen Arabique (left field art deco, based on work of Gustav Jensen, 1933).
• K: Koloss (art deco).
• L: Latin CT (2008,, 6 styles), Latin Wide, Laureat, Lise Informal (2008, handprinted), Lombardy.
• M: Maximilian CS (Rudolf Koch, 1917), Metropolis Bold and Shaded (based on the 1932 Stempel cut as designed by W. Schwerdtner), Minotaur (2008, an original monoline design based on an Oscan votive inscription from the second century BC; looks like simulated Greek).
• N: Norberto (2009, an all-caps Bodoni).
• O: Ogun (2008, inspired by an Egyptian-style Russian block alphabet and useful for athletic lettering; formerly named Azbuka).
• P: Plantain (2002, a digital version of Plantin Adweight, a 1913 face by F. H. Pierpont), Plantain Stencil (2009), Progreso (2010, a condensed, unicase, serif gothic type design inspired by the hand-lettering on Russian posters from the 1920s).
• R: Radiant, Radiant Extra Condensed CT (both Radiants are revivals of Roger Middleton's face by that name, 1940), Ransahoff (2002, ultra condensed didone), Rudolf (1992).
• S: Samira (2008, art nouveau style), Shango (1993, based on Schneidler Initials by F.H.E. Schneidler (1936), and including a digital version of Schneidler Cyrillic (1992); extended in 2007 to Shango Gothic and in 2008 to a 3-d shadow version, Shango Chiseled, and in 2009 to Shango Sans), Sculptura (2005, an all caps face based on Diethelm's Sculptura from 1957), Sencia (2008, based on Spanish art deco stock certificate lettering from 1941), Sonrisa (2009, art deco family---Sonrisa Thin is free), Standard CT (a neo-grotesque family).
• Tambor (Light, Black, Inline, Adornado) (1992) (note: Jason claims that it was remotely based on Rudolf, which in turn was based on calligraphy of Rudolf Koch), Trio (an art deco sansserif), Trooper Roman (discontinued).
• V: Vincenzo (2008, a slabby didone), Warrior (2009, a 3d font based on Ogun).
• X: Xavier (art deco family based on Ashley Crawford by Ashley Havinden, 1930, revival by Jason Castle in 1992).
• Z: Zagora, Zamenhof (2011: an all caps poster face with constructivist ancestry, named after the inventor of Esperanto), Zuboni Stencil (2009, Latin and Cyrillic, constructivist).

Central Machine

Latin/Cyrillic fonts from ParaGraph: FranklinGothicBookC, FranklinGothicBookC-Italic, FranklinGothicMediumC, FranklinGothicMediumC-Italic, FranklinGothicDemiC, FranklinGothicDemiC-Italic, FranklinGothicHeavyC, FranklinGothicHeavyC-Italic, MagistralBlackC, MagistralC-Bold, MagistralC, PetersburgCTT-Regular, PetersburgCTT-Italic, PetersburgCTT-Bold, PetersburgCTT-BoldItalic. [Google] [More]  ⦿

Cerement

American designer at FontStruct in 2008 of Lucid (monospaced 5x7 LCD font for Latin, Cyrillic, Greek and katakana: white on black), Absinthe (pixel face), Faith (condensed, unicase), Neuerburg (blackletter influences: from the logo for "Haus Neuerburg Zigaretten" designed by Prof. O.H.W. Hadank, 1925), Conform (pixel face), Minim (Textura blackletter). [Google] [More]  ⦿

Character webzone
[Sergey Vladimirovich Kuznetsov]

This site is devoted to Russian characters: the history of the written language, paleography, Cyrillic characters, Glagolitic characters, photos of manuscripts, fonts made in Russia, miniatures, dropped characters, vignettes. Even though in Cyrillic, this is a superb site to look at! By Sergey Vladimirovich Kuznetsov. [Google] [More]  ⦿

Charis SIL

Charis SIL (1997-2006) is similar to Bitstream Charter, one of the first fonts designed specifically for laser printers. It is highly readable and holds up well in less-than-ideal reproduction environments. It also has a full set of styles---regular, italic, bold, bold italic. Charis is a serif, proportionally-spaced font optimized for readability in long printed documents. Above all, it is a free four-weight Unicode-based font for all European and Slavic languages. Phonetic symbols are also covered. Contributors include Walt Agee, Miriam Martin, Annie Olsen, Victor Gaultney, Lorna Priest, Alan Ward, Bob Hallissy, Martin Hosken, Sharon Correll, Jon Coblentz, and Jonathan Kew. Typedia link. [Google] [More]  ⦿

Chebykin

An on-line compariso of the main Windows fonts for Cyrillic: Arial, Arial Black, Arial Narrow, Arial Unicode MS, Book Antiqua, Bookman Old Style, Calibri, Cambria, Candara, Century, Century Gothic, Comic Sans MS, Consolas, Constantia, Corbel, Courier New, Franklin Gothic Medium, Garamond, Georgia, Impact, Lucida Console, Lucida Sans Unicode, Microsoft Sans Serif, Mistral, Monotype Corsiva, Palatino Linotype, Segoe Print, Segoe Script, Segoe UI, Sylfaen, Tahoma, Times New Roman, Trebuchet MS, Verdana. [Google] [More]  ⦿

chel.su

Russian archive with about 150 Cyrillic, Latin and mixed TrueType fonts. [Google] [More]  ⦿

Chiezo

Three Cyrillic fonts: BetinaScriptCBold, CyrillicGaramondBold, XeniaBold. [Google] [More]  ⦿

Christian Munk

Danish designer (b. 1991), aka CMunk, who used FontStruct in 2008 to create Flag Semaphore (+Smooth, Peace), Articulate, Font from NATO (military slab serif), Glockenwerk (2008, pixel clock font), Glockenwerk Uhrzeit (2008), Flags-and-NATO (dingbats), Font from NATO alpha, Tall, Flying-Circus (Western showtime face to imitate the Monty Python titling font), LCD-display, Simple (stencil font with 700 glyphs), TMNT, Tetris, sharp-pixels, Raster, Quad (2008, nice stencil face), Inverted (2008), Propaganda (2008, Cyrillic font simulation), Empty Monospace (2008), Pride (2008), Stadium (2008), Rounded (2008), Dear God (script pixel face), Celtic Style (2008).

In 2009, he added 7x12 Pixel Mono, @bcde, Abstract Letter Patterns, Music, Texture, Diagonal, Gothic, Illusio, Unispace (typewriter type), Narrow Serif, Delta, Alien Double (great!), Donut, Flags-and-NATO, Simple-Fraktur-Initial, Simple-Fraktur, Texture, Friendly Serif, (+Soft), Invisible, Sharp, Heavy Diacritics, Concentrium, Continuous Digital Display, Elves, Pixies, Space Movie (+Ligatures), Flag Semaphore (+Smooth, +Peace), Articulate, BBT Biline Twist, Biline Twist, Empty Monospace, Unfix, Infix, Pride, Tyre Stencil (like tire threads---nifty...), and Overlap.

FontStructions from 2010: Even (gridded), Brilliance, Slalom Vision, Quirky Serif, 7x12PixelMono, Ball Terminator, Gearbox, Prefix, Upside Down, Way Too Small (a minimalist pixel face), Butterfly, Ribbon Gymnastics, 2D Barcode, Horizon Stencil, Biline Twist, Quirky Serif, Blocktur, Symmetricus (alien writing?).

FontStructions in 2011: 12 dice, Monotwist (tall, monospaced), Squarific (fat octagonal), Swirl (curly), Sweet (Victorian), Easter Eggs, 50 Fifty (experimental, geometric), Squarific (+Stencilious), Spiralix (spiral-themed for Latin and Cyrillic), Bloccus, Feet (monospaced).

Creations from 2012: Blick, Dry Heat (Isolates and Initials, Medials, Finals: an Arabic simulation family), FF9 Coin Slots, FF8 Untalic, FF7 w1de, FF6 Lean Mean, FF5 Bamana, FF4 Circulation, FF3 3times7, FF3 Runization, FF1 Glitchy. FF stands for Forgotten Fonts. [Google] [More]  ⦿

Christoph Singer

Web page on the russification of Windows and related Slavic language font links. Christoph Singer who used to be based in Tübingen, Germany, created these (free) fonts: an old Russian lettering font Old Cyrillic, Metropol 95, Kirillica Nova Unicode (1998), Kirillica Wincyr (Old Church Slavonic), as well as the old cyrillic fonts XSerif Trediakovskij, Xserif Old Russian, and XSerif Unicode. Singer's page on Unicode-compliant fonts. [Google] [More]  ⦿

Chuck Masterson

Cincinnati, OH-based student who designed Cyril (2005, serif). [Google] [More]  ⦿

Church Slavonic Resources

Many links and downloads of Church Slavonic fonts. Included are

• CyrillicOld (VNLabs, 1992).
• Evangeljie (1995).
• The Irmologion family (Vladislav V. Dorosh, Calmius Software, 1996).
• Izhitsa (ParaGraph, 1992).
• Kirillica Wincyr.
• Kirilttf (by Tanya Laleva and Miguel Angel Durán Pascual, Filología Eslava, Universidad Complutense, Madrid, 1994).
• Kliment-8.aug.1997 (Kiril Ribarov, 1997).
• Lavra (1995), Novgorod (1995).
• Old Church Slavonic Cyr (with and without Latin characters, either by Monotype or modified based on a Monotype font).

Chuvashia
[Mareev Ju]

Archive with Cyrillic fonts: Antiqua, Antiqua-Bold, ArialCyrMT, Baltica, Baltica-Bold, Baltica-Italic, Jikharev, JournalSans-Bold, JournalSans-Italic, JournalSans, Journal, Journal-Bold, Antiqua-BoldItalic, Antiqua-Italic, Antiqua, Antiqua-Bold, Pragmatica, Pragmatica-BoldItalic, Pragmatica-BoldItalic, Pragmatica-Italic, Pragmatica-Bold, Pragmatica, Tahoma-Bold, WLCHB, WLCHBI, WLCHI, WLCH, TimesET-BoldItalic, TimesET-Bold, TimesET-Italic, TimesET, TimesNRCyrMT, TimesNRCyrMT-Bold, TimesNRCyrMT-BoldInclined, TimesNRCyrMT-Inclined, TimesNRCyrMT, TimesNRCyrMT-Bold, TimesNRCyrMT-BoldInclined, TimesET, TimesET, TimesET-Bold, TimesET-BoldItalic, TimesET-Italic, TimesDL, TimesDL-Bold, TimesDL-Bold-Italic, TimesDL-Italic. The Times ET series is due to Mareev Ju. This page has Baltica, Baltica-Bold, Baltica-Italic, BalticaBold, Baltica, Baltica-Bold, Baltica-Italic, Baltica-BoldItalic, Baltica-Bold, Baltica-Italic, BalticaItalic, Decor, Decor-Bold, Decor-Italic, Decor, TimesET, TimesET, TimesET-Bold, TimesET-BoldItalic, TimesET-Italic, TimesET-BoldItalic, TimesET-Italic, TimesET-Bold, TimesET-Italic, TimesET-BoldItalic. [Google] [More]  ⦿

Chuvfonts

Cyrillic fonts: Antiqua-Italic-Chuv-CNP, Arabskiy-Chu-CNP, Arial-Cyr-BoldIt-Chuv, Arial-Cyr-Chuv-CNP, Arial-Cyr-Chuv, Astron-Chu-CNP, Balt-Chv, Bernhard_chu, Czar-Bold-Italic-Cuv-CNP, Czar-Italic-Chu-CNP, Czar, Gazetnaja3-Chu-CNP, Izhitsa-Chu-CNP, Jikharev-Chv-CNPI, Journal-ChCNP, Journal-Italic-Chuv-CNP, Korinna-Bold-Chu-CNP, Peterburg-Chuv-Bold, Peterburg-Chuv-Italic, Pragmatica-BoldChvFVI, PragmaticaChvFVI, TimesET-Chuvash-Bold-Italic, TimesET-Chuvash-Bold, TimesET-Chuvash-Italic, TimesET-Chuvash, Xenia-Bold-Chu-CNP. [Google] [More]  ⦿

cica (ftp)

Font archive at Swedish University Network SUNET, mirrored from cica. Has a Bengali font, a Telugu font, a Tamil font, a Tarot font, Sanskrit font and several Cyrillic fonts. [Google] [More]  ⦿

CICA March 1996

Small Cyrillic font archive. [Google] [More]  ⦿

Cirilica

This site devoted to cyrillic type and typography has many cyrillic fonts. The "cir" series listed below, as well as the NK and most other series were designed in 2006-2007. The list:

• Evangelie-Ucs
• Feofan-Ucs
• Irmologion-Caps-Ucs-SpacedOut, Irmologion-Caps-Ucs, Irmologion-Caps-ieUcs-SpacedOut, Irmologion-Caps-ieUcs, Irmologion-Caps-kUcs-SpacedOut, Irmologion-Caps-kUcs, Irmologion-Ucs-SpacedOut, Irmologion-Ucs, Irmologion-ieUcs-SpacedOut, Irmologion-ieUcs, Irmologion-kUcs-SpacedOut, Irmologion-kUcs
• Lugomir-E, Lugomir
• Pochaevsk-Caps-Ucs-SpacedOut, Pochaevsk-Caps-Ucs, Pochaevsk-Caps-ieUcs-SpacedOut, Pochaevsk-Caps-ieUcs, Pochaevsk-Caps-kUcs-SpacedOut, Pochaevsk-Caps-kUcs, Pochaevsk-Ucs-SpacedOut, Pochaevsk-Ucs, Pochaevsk-ieUcs-SpacedOut, Pochaevsk-ieUcs, Pochaevsk-kUcs-SpacedOut, Pochaevsk-kUcs
• Psaltyr-Ucs-SpacedOut, Psaltyr-Ucs, Psaltyr-ieUcs-SpacedOut, Psaltyr-ieUcs, Psaltyr-kUcs-SpacedOut, Psaltyr-kUcs
• RUSIJA-01, RUSIJA-02
• SBibSlav
• Slavjanic-Ucs-SpacedOut, Slavjanic-Ucs, Slavjanic-ieUcs-SpacedOut, Slavjanic-ieUcs, Slavjanic-kUcs-SpacedOut, Slavjanic-kUcs
• StaroUspenskaya-Caps-Ucs-SpacedOut, StaroUspenskaya-Caps-Ucs, StaroUspenskaya-Caps-ieUcs-SpacedOut, StaroUspenskaya-Caps-ieUcs, StaroUspenskaya-Caps-kUcs-SpacedOut, StaroUspenskaya-Caps-kUcs, StaroUspenskaya-Ucs-SpacedOut, StaroUspenskaya-Ucs, StaroUspenskaya-ieUcs-SpacedOut, StaroUspenskaya-ieUcs, StaroUspenskaya-kUcs-SpacedOut, StaroUspenskaya-kUcs
• Triodion-Caps-Ucs-SpacedOut, Triodion-Caps-Ucs, Triodion-Caps-ieUcs-SpacedOut, Triodion-Caps-ieUcs, Triodion-Caps-kUcs-SpacedOut, Triodion-Caps-kUcs, Triodion-Ucs-SpacedOut, Triodion-Ucs, Triodion-ieUcs-SpacedOut, Triodion-ieUcs, Triodion-kUcs-SpacedOut, Triodion-kUcs
• Vertograd-Ucs
• Zlatoust-Ucs-SpacedOut, Zlatoust-Ucs, Zlatoust-ieUcs-SpacedOut, Zlatoust-ieUcs, Zlatoust-kUcs-SpacedOut, Zlatoust-kUcs
• cirEVROSTILE-Crn, cirEVROSTILE-CrnEkst, cirEVROSTILE-CrnEkstKos, cirEVROSTILE-CrnKond, cirEVROSTILE-CrnKondKos, cirEVROSTILE-CrnKos, cirEVROSTILE-Deb, cirEVROSTILE-DebKos, cirEVROSTILE-Med, cirEVROSTILE-MedEkst, cirEVROSTILE-MedEkstKos, cirEVROSTILE-MedKond, cirEVROSTILE-MedKondKos, cirEVROSTILE-MedKos, cirEVROSTILEe-Crn, cirEVROSTILEe-CrnEkst, cirEVROSTILEe-CrnEkstKos, cirEVROSTILEe-CrnKond, cirEVROSTILEe-CrnKondKos, cirEVROSTILEe-CrnKos, cirEVROSTILEe-Deb, cirEVROSTILEe-DebKos, cirEVROSTILEe-Med, cirEVROSTILEe-MedEkst, cirEVROSTILEe-MedEkstKos, cirEVROSTILEe-MedKond, cirEVROSTILEe-MedKondKos, cirEVROSTILEe-MedKos
• cirHELVn-Crn-E, cirHELVn-Crn, cirHELVn-CrnEkst-E, cirHELVn-CrnEkst, cirHELVn-CrnEkstKos-E, cirHELVn-CrnEkstKos, cirHELVn-CrnKond-E, cirHELVn-CrnKond, cirHELVn-CrnKondKos-E, cirHELVn-CrnKondKos, cirHELVn-CrnKurziv-E, cirHELVn-CrnKurziv, cirHELVn-DebEkst-E, cirHELVn-DebEkst, cirHELVn-DebEkstKos-E, cirHELVn-DebEkstKos, cirHELVn-DebKond-E, cirHELVn-DebKond, cirHELVn-DebKondKos-E, cirHELVn-DebKondKos, cirHELVn-DebKurziv-E, cirHELVn-DebKurziv, cirHELVn-DebOkvir-E, cirHELVn-DebOkvir, cirHELVn-Debeo-E, cirHELVn-Debeo, cirHELVn-MedEkst-E, cirHELVn-MedEkst, cirHELVn-MedEkstKos-E, cirHELVn-MedEkstKos, cirHELVn-MedKond-E, cirHELVn-MedKond, cirHELVn-MedKondKos-E, cirHELVn-MedKondKos, cirHELVn-MedKurziv-E, cirHELVn-MedKurziv, cirHELVn-Medijum-E, cirHELVn-Medijum, cirHELVn-StandEkst-E, cirHELVn-StandEkst, cirHELVn-StandEkstKos-E, cirHELVn-StandEkstKos, cirHELVn-StandKond-E, cirHELVn-StandKond, cirHELVn-StandKondKos-E, cirHELVn-StandKondKos, cirHELVn-StandKurziv-E, cirHELVn-StandKurziv, cirHELVn-Standard-E, cirHELVn-Standard, cirHELVn-SvetEkst-E, cirHELVn-SvetEkst, cirHELVn-SvetEkstKos-E, cirHELVn-SvetEkstKos, cirHELVn-SvetKond-E, cirHELVn-SvetKond, cirHELVn-SvetKondKos-E, cirHELVn-SvetKondKos, cirHELVn-SvetKurziv-E, cirHELVn-SvetKurziv, cirHELVn-Svetli-E, cirHELVn-Svetli, cirHELVn-TezEkst-E, cirHELVn-TezEkst, cirHELVn-TezEkstKos-E, cirHELVn-TezEkstKos, cirHELVn-TezKond-E, cirHELVn-TezKond, cirHELVn-TezKondKos-E, cirHELVn-TezKondKos, cirHELVn-TezKurziv-E, cirHELVn-TezKurziv, cirHELVn-Tezak-E, cirHELVn-Tezak, cirHELVn-Tnk-E, cirHELVn-Tnk, cirHELVn-TnkEkst-E, cirHELVn-TnkEkst, cirHELVn-TnkEkstKos-E, cirHELVn-TnkEkstKos, cirHELVn-TnkKond-E, cirHELVn-TnkKond, cirHELVn-TnkKondKos-E, cirHELVn-TnkKondKos, cirHELVn-TnkKurziv-E, cirHELVn-TnkKurziv, cirHELVn-VrloCrnKond-E, cirHELVn-VrloCrnKond, cirHELVn-VrloCrnKondKos-E, cirHELVn-VrloCrnKondKos, cirHELVn-Vtnk-E, cirHELVn-Vtnk, cirHELVn-VtnkEkst-E, cirHELVn-VtnkEkst, cirHELVn-VtnkEkstKos-E, cirHELVn-VtnkEkstKos, cirHELVn-VtnkKond-E, cirHELVn-VtnkKond, cirHELVn-VtnkKondKos-E, cirHELVn-VtnkKondKos, cirHELVn-VtnkKurziv-E, cirHELVn-VtnkKurziv
• cirJUNTD-S-CrnKond, cirJUNTD-S-DebKond, cirJUNTD-S-DebPKond, cirJUNTD-S-MedKond, cirJUNTD-S-MedPKond, cirJUNTD-S-PDebKond, cirJUNTD-S-PDebPKond, cirJUNTD-S-ShabKond, cirJUNTD-S-SvetKond, cirJUNTD-S-SvetPKond, cirJUNTD-S-VSvetKond, cirJUNTD-S-VSvetPKond, cirJUNTD-Se-CrnKond, cirJUNTD-Se-DebKond, cirJUNTD-Se-DebPKond, cirJUNTD-Se-MedKond, cirJUNTD-Se-MedPKond, cirJUNTD-Se-PDebKond, cirJUNTD-Se-PDebPKond, cirJUNTD-Se-ShabKond, cirJUNTD-Se-SvetKond, cirJUNTD-Se-SvetPKond, cirJUNTD-Se-VSvetKond, cirJUNTD-Se-VSvetPKond
• cirKVITm-01-Crn-E, cirKVITm-01-Crn, cirKVITm-01-CrnKurziv-E, cirKVITm-01-CrnKurziv, cirKVITm-01-Deb-E, cirKVITm-01-Deb, cirKVITm-01-DebKurziv-E, cirKVITm-01-DebKurziv, cirKVITm-01-Kniga-E, cirKVITm-01-Kniga, cirKVITm-01-KnigaKurz-E, cirKVITm-01-KnigaKurz, cirKVITm-01-MedKurziv-E, cirKVITm-01-MedKurziv, cirKVITm-01-Medijum-E, cirKVITm-01-Medijum, cirKVITm-01-Standard-E, cirKVITm-01-Standard, cirKVITm-01-StdKurziv-E, cirKVITm-01-StdKurziv, cirKVITm-01-SvetKurz-E, cirKVITm-01-SvetKurziv, cirKVITm-01-Svetli-E, cirKVITm-01-Svetli, cirKVITm-01-Tnk-E, cirKVITm-01-Tnk, cirKVITm-01-TnkKurziv-E, cirKVITm-01-TnkKurziv, cirKVITm-01-VDeb-E, cirKVITm-01-VDeb, cirKVITm-01-VDebKurziv-E, cirKVITm-01-VDebKurziv, cirKVITm-01-VSvetKurz-E, cirKVITm-01-VSvetKurziv, cirKVITm-01-VSvetli-E, cirKVITm-01-VSvetli, cirKVITm-02-Crn-E, cirKVITm-02-Crn, cirKVITm-02-CrnKurziv-E, cirKVITm-02-CrnKurziv, cirKVITm-02-Deb-E, cirKVITm-02-Deb, cirKVITm-02-DebKurziv-E, cirKVITm-02-DebKurziv, cirKVITm-02-Kniga-E, cirKVITm-02-Kniga, cirKVITm-02-KnigaKurz-E, cirKVITm-02-KnigaKurz, cirKVITm-02-MedKurziv-E, cirKVITm-02-MedKurziv, cirKVITm-02-Medijum-E, cirKVITm-02-Medijum, cirKVITm-02-Standard-E, cirKVITm-02-Standard, cirKVITm-02-StdKurziv-E, cirKVITm-02-StdKurziv, cirKVITm-02-SvetKurz-E, cirKVITm-02-SvetKurziv, cirKVITm-02-Svetli-E, cirKVITm-02-Svetli, cirKVITm-02-Tnk-E, cirKVITm-02-Tnk, cirKVITm-02-TnkKurziv-E, cirKVITm-02-TnkKurziv, cirKVITm-02-VDeb-E, cirKVITm-02-VDeb, cirKVITm-02-VDebKurziv-E, cirKVITm-02-VDebKurziv, cirKVITm-02-VSvetKurz-E, cirKVITm-02-VSvetKurziv, cirKVITm-02-VSvetli-E, cirKVITm-02-VSvetli, cirKVITv-01-Crn-E, cirKVITv-01-Crn, cirKVITv-01-CrnKurziv-E, cirKVITv-01-CrnKurziv, cirKVITv-01-Deb-E, cirKVITv-01-Deb, cirKVITv-01-DebKurziv-E, cirKVITv-01-DebKurziv, cirKVITv-01-Kniga-E, cirKVITv-01-Kniga, cirKVITv-01-KnigaKurz-E, cirKVITv-01-KnigaKurz, cirKVITv-01-MedKurziv-E, cirKVITv-01-MedKurziv, cirKVITv-01-Medijum-E, cirKVITv-01-Medijum, cirKVITv-01-Standard-E, cirKVITv-01-Standard, cirKVITv-01-StdKurziv-E, cirKVITv-01-StdKurziv, cirKVITv-01-SvetKurz-E, cirKVITv-01-SvetKurziv, cirKVITv-01-Svetli-E, cirKVITv-01-Svetli, cirKVITv-01-Tnk-E, cirKVITv-01-Tnk, cirKVITv-01-TnkKurziv-E, cirKVITv-01-TnkKurziv, cirKVITv-01-VDeb-E, cirKVITv-01-VDeb, cirKVITv-01-VDebKurziv-E, cirKVITv-01-VDebKurziv, cirKVITv-01-VSvetKurz-E, cirKVITv-01-VSvetKurziv, cirKVITv-01-VSvetli-E, cirKVITv-01-VSvetli, cirKVITv-02-Crn-E, cirKVITv-02-Crn, cirKVITv-02-CrnKurziv-E, cirKVITv-02-CrnKurziv, cirKVITv-02-Deb-E, cirKVITv-02-Deb, cirKVITv-02-DebKurziv-E, cirKVITv-02-DebKurziv, cirKVITv-02-Kniga-E, cirKVITv-02-Kniga, cirKVITv-02-KnigaKurz-E, cirKVITv-02-KnigaKurz, cirKVITv-02-MedKurziv-E, cirKVITv-02-MedKurziv, cirKVITv-02-Medijum-E, cirKVITv-02-Medijum, cirKVITv-02-Standard-E, cirKVITv-02-Standard, cirKVITv-02-StdKurziv-E, cirKVITv-02-StdKurziv, cirKVITv-02-SvetKurz-E, cirKVITv-02-SvetKurziv, cirKVITv-02-Svetli-E, cirKVITv-02-Svetli, cirKVITv-02-Tnk-E, cirKVITv-02-Tnk, cirKVITv-02-TnkKurziv-E, cirKVITv-02-TnkKurziv, cirKVITv-02-VDeb-E, cirKVITv-02-VDeb, cirKVITv-02-VDebKurziv-E, cirKVITv-02-VDebKurziv, cirKVITv-02-VSvetKurz-E, cirKVITv-02-VSvetKurziv, cirKVITv-02-VSvetli-E, cirKVITv-02-VSvetli
• cirMETA-Crn-Eksp, cirMETA-Crn-br1, cirMETA-Crn-br2, cirMETA-CrnKurziv-Eksp, cirMETA-CrnKurziv-br1, cirMETA-CrnKurziv-br2, cirMETA-CrnKurzivVM-Eksp, cirMETA-CrnKurzivVM-br1, cirMETA-CrnKurzivVM-br2, cirMETA-CrnVM-Eksp, cirMETA-CrnVM-br1, cirMETA-CrnVM-br2, cirMETA-MedKurziv-Eksp, cirMETA-MedKurziv-br1, cirMETA-MedKurziv-br2, cirMETA-MedKurzivVK-Eksp, cirMETA-MedKurzivVK-br1, cirMETA-MedKurzivVK-br2, cirMETA-Medijum-Eksp, cirMETA-Medijum-br1, cirMETA-Medijum-br2, cirMETA-MedijumVM-Eksp, cirMETA-MedijumVM-br1, cirMETA-MedijumVM-br2, cirMETA-Standard-Eksp, cirMETA-Standard-br1, cirMETA-Standard-br2, cirMETA-StandardVM-Eksp, cirMETA-StandardVM-br1, cirMETA-StandardVM-br2, cirMETA-StdKurziv-Eksp, cirMETA-StdKurziv-br1, cirMETA-StdKurziv-br2, cirMETA-StdKurzivVM-Eksp, cirMETA-StdKurzivVM-br1, cirMETA-StdKurzivVM-br2
• cirMRD-CrnKond-E, cirMRD-CrnKond, cirMRD-CrnKondKurz-E, cirMRD-CrnKondKurz, cirMRD-DebKond-E, cirMRD-DebKond, cirMRD-DebKondKurz-E, cirMRD-DebKondKurz, cirMRD-StdKond-E, cirMRD-StdKond, cirMRD-StdKondKurz-E, cirMRD-StdKondKurz, cirMRD-SvetKond-E, cirMRD-SvetKond, cirMRD-SvetKondKurz-E, cirMRD-SvetKondKurz
• cirTNORcrn, cirTNORcrnE, cirTNORcrnKurziv, cirTNORcrnKurzivE, cirTNORkurziv, cirTNORkurzivE, cirTNORnorm, cirTNORnormE, cirTNORsvetli, cirTNORsvetliE, cirTNORsvetliKurziv, cirTNORsvetliKurzivE
• cirWNK-D-Crn-E, cirWNK-D-Crn, cirWNK-D-CrnKurziv-E, cirWNK-D-CrnKurziv, cirWNK-D-MedKurziv-E, cirWNK-D-MedKurziv, cirWNK-D-Medijum-E, cirWNK-D-Medijum, cirWNK-D-StandKurziv-E, cirWNK-D-StandKurziv, cirWNK-D-Standard-E, cirWNK-D-Standard, cirWNK-D-SvetKurziv-E, cirWNK-D-SvetKurziv, cirWNK-D-Svetli-E, cirWNK-D-Svetli, cirWNK-P-Crn-E, cirWNK-P-Crn, cirWNK-P-CrnKurziv-E, cirWNK-P-CrnKurziv, cirWNK-P-MedKurziv-E, cirWNK-P-MedKurziv, cirWNK-P-Medijum-E, cirWNK-P-Medijum, cirWNK-P-Standard-E, cirWNK-P-Standard, cirWNK-P-StdKurziv-E, cirWNK-P-StdKurziv, cirWNK-P-SvetKurziv-E, cirWNK-P-SvetKurziv, cirWNK-P-Svetli-E, cirWNK-P-Svetli, cirWNK-S-Crn-E, cirWNK-S-Crn, cirWNK-S-CrnKurziv-E, cirWNK-S-CrnKurziv, cirWNK-S-MedKurziv-E, cirWNK-S-MedKurziv, cirWNK-S-Medijum-E, cirWNK-S-Medijum, cirWNK-S-Standard-E, cirWNK-S-Standard, cirWNK-S-StdKurziv-E, cirWNK-S-StdKurziv, cirWNK-S-SvetKurziv-E, cirWNK-S-SvetKurziv, cirWNK-S-Svetli-E, cirWNK-S-Svetli, cirWNK-T-Crn-E, cirWNK-T-Crn, cirWNK-T-CrnKurziv-E, cirWNK-T-CrnKurziv, cirWNK-T-MedKurziv-E, cirWNK-T-MedKurziv, cirWNK-T-Medijum-E, cirWNK-T-Medijum, cirWNK-T-Standard-E, cirWNK-T-Standard, cirWNK-T-StdKurziv-E, cirWNK-T-StdKurziv, cirWNK-T-SvetKurz-E, cirWNK-T-SvetKurz, cirWNK-T-Svetli-E, cirWNK-T-Svetli
• cirWTNbroj-Crn, cirWTNbroj-CrnKurziv, cirWTNbroj-Deb, cirWTNbroj-DebKurziv, cirWTNbroj-Kniga, cirWTNbroj-KnigaKurziv, cirWTNbroj-MedKurziv, cirWTNbroj-Medijum, cirWTNbroj-PoluDeb, cirWTNbroj-PoluDebKurziv, cirWTNbroj-SvetKurziv, cirWTNbroj-Svetli, cirWTNind-NegKrug-01-E, cirWTNind-NegKrug-01, cirWTNind-NegKrug-02-E, cirWTNind-NegKrug-02, cirWTNind-NegKrug-Deb-E, cirWTNind-NegKrug-Deb, cirWTNind-NegKrug-Med-E, cirWTNind-NegKrug-Med, cirWTNind-NegKvad-01-E, cirWTNind-NegKvad-01, cirWTNind-NegKvad-02-E, cirWTNind-NegKvad-02, cirWTNind-NegKvad-Deb-E, cirWTNind-NegKvad-Deb, cirWTNind-NegKvad-Med-E, cirWTNind-NegKvad-Med, cirWTNind-PozKrug-01-E, cirWTNind-PozKrug-01, cirWTNind-PozKrug-02-E, cirWTNind-PozKrug-02, cirWTNind-PozKrug-Deb-E, cirWTNind-PozKrug-Deb, cirWTNind-PozKrug-Med-E, cirWTNind-PozKrug-Med, cirWTNind-PozKvad-01-E, cirWTNind-PozKvad-01, cirWTNind-PozKvad-02-E, cirWTNind-PozKvad-02, cirWTNind-PozKvad-Deb-E, cirWTNind-PozKvad-Deb, cirWTNind-PozKvad-Med-E, cirWTNind-PozKvad-Med, cirWTNslo-Crn-E, cirWTNslo-Crn, cirWTNslo-CrnKond-E, cirWTNslo-CrnKond, cirWTNslo-CrnKurziv-E, cirWTNslo-CrnKurziv, cirWTNslo-Deb-E, cirWTNslo-Deb, cirWTNslo-DebKond-E, cirWTNslo-DebKond, cirWTNslo-DebKurziv-E, cirWTNslo-DebKurziv, cirWTNslo-Kniga-E, cirWTNslo-Kniga, cirWTNslo-KnigaKond-E, cirWTNslo-KnigaKond, cirWTNslo-KnigaKurziv-E, cirWTNslo-KnigaKurziv, cirWTNslo-MedKond-E, cirWTNslo-MedKond, cirWTNslo-MedKurziv-E, cirWTNslo-MedKurziv, cirWTNslo-Medijum-E, cirWTNslo-Medijum, cirWTNslo-PoluDeb-E, cirWTNslo-PoluDeb, cirWTNslo-PoluDebKond-E, cirWTNslo-PoluDebKond, cirWTNslo-PoluDebKurz-E, cirWTNslo-PoluDebKurziv, cirWTNslo-Svetli-E, cirWTNslo-Svetli, cirWTNslo-SvetliKond-E, cirWTNslo-SvetliKond, cirWTNslo-SvetliKurziv-E, cirWTNslo-SvetliKurziv, cirWTNslo-VM-Crn-E, cirWTNslo-VM-Crn, cirWTNslo-VM-CrnKurziv-E, cirWTNslo-VM-CrnKurziv, cirWTNslo-VM-Deb-E, cirWTNslo-VM-Deb, cirWTNslo-VM-DebKurz-E, cirWTNslo-VM-DebKurziv, cirWTNslo-VM-Kniga-E, cirWTNslo-VM-Kniga, cirWTNslo-VM-KnigaKurz-E, cirWTNslo-VM-KnigaKurziv, cirWTNslo-VM-MedKurz-E, cirWTNslo-VM-MedKurziv, cirWTNslo-VM-Medijum-E, cirWTNslo-VM-Medijum, cirWTNslo-VM-PoluDeb-E, cirWTNslo-VM-PoluDeb, cirWTNslo-VM-PoluDebKurz-E, cirWTNslo-VM-PoluDebKurz, cirWTNslo-VM-SvetKurziv-E, cirWTNslo-VM-SvetKurziv, cirWTNslo-VM-Svetli-E, cirWTNslo-VM-Svetli
• cirZAPFINO-Dodatak, cirZAPFINO-Dva, cirZAPFINO-Tri
• Other fonts at the site: ATLANTIDA, Azbuka03_D, Azbuka04, Azbuka05_D, Azbuka06, BAS-CELIK_K, BAS-CELIK_N, BAS_CELIK, BLAGIVEST_5_UKRAS, BLAGO, BLAGOVEST, BLAGOVEST_2, BLAGOVEST_3, BLAGOVEST_4, BLAGOVEST_4s, BLAGOVEST_5, BLAGOVEST_5s, BLAGOVEST_6, BRRR, Blagovest_1, Brock-Script_D, Nikola-Kovanovic-Cirilica-Pisana-Nova_D, DVOJNICE, FRULA, GORAN, GORAN_C, IVAN, Izvestija, JAGODINA, JAGODINA_PRAZNA, JAGODINA_PRAZNA_KOSA, KARTE, KOPNO, KURZIV_CRNI_D, KURZIV_D, Kovanovic-Cirilica-Polupisana, Kovanovic-Cirilica-Stampana, LITOS_S, LUSA, LithosC-Light, LithosD, MAJA, MORAVA, Miroslav, MiroslavCrn, MiroslavljevoJevandjelje, MiroslavljevoOriginal, MonahCifre, MonahKurentLevi, MonahKurentSrednji, MonahVerzalLevi, MonahVerzalSrednji, NAOPAK, NIKOLA, NIKOLA_L, the NK series (over 100 fonts), NK_01d_Pisana, NK_02_Dekorativni_D, NK_03, NK_04_Politika, NK_05-Italic_D, NK_GRCKA, NK_IRMOLIGION, NK_KOMBI_BROJEVI_1, NK_KOMBI_BROJEVI_2, NK_Monotype-Corsiva, NK_SLAVJANICA, NK_VITEZ, NK_Zlatoust_IE, NOCNA-PATROLA, NOCNA-STRAZA, NOTE, Naum, PETRICIC, PI01, PI02, PI03, PI04, PI05, PI06, PISTALJKA, PRAVOSLAV, PRST, PRST_S, PSALTIR, Penta-Light, Pisar-Cifre, Pisar-Ligature, PisarKurentLevi, PisarKurentSrednji, PisarVerzalLevi, PisarVerzalSrednji, the RADE series, the RALE series, the SLOBA series, SPOMENAR2, SPOMENAR3, SPOMENAR4, SPOMENAR5, SPOMENAR6, SPOMENAR7, SPOMENAR8, SRP, the SRPSKA_KNIGA series, SRP_E, STRAZAR, SVETI_SAVA, SVETI_SAVA1, SVETI_SAVA2, SVETI_SAVA3, SVETI_SAVA4, SVETI_SAVA5, SVETI_SAVA6, SVETI_SAVA7, SVIRALA, SavaPro-Black, SavaPro-Bold, SavaPro-Light, SavaPro-Medium, SavaPro-Regular, SavaPro-Semibold, Stencil, TEKILA, the TESLA series, TRAG, TRUBA, TipikStudenica, VAZDUH, VA_KO_VO, VIZANTUM, VIZANT_U, VODA, the VUK series, ZABAVNIK, ZEDJ, ZIVA. Most of these are again by Nikola Kovanovic.
• The Garamond family: GMOND-PodNaslov-Crn, GMOND-PodNaslov-CrnKurz, GMOND-PodNaslov-Med, GMOND-PodNaslov-MedKurz, GMOND-PodNaslov-PCrn, GMOND-PodNaslov-PCrnKurz, GMOND-PodNaslov-Std, GMOND-PodNaslov-StdKurz, GMOND-PodNaslovS-CrnKurz, GMOND-PodNaslovS-MedKurz, GMOND-PodNaslovS-PCrnKurz, GMOND-PodNaslovS-StdKurz, GMOND-PodNaslovVM-Crn, GMOND-PodNaslovVM-CrnKurz, GMOND-PodNaslovVM-Med, GMOND-PodNaslovVM-MedKurz, GMOND-PodNaslovVM-PCrn, GMOND-PodNaslovVM-PCrnKurz, GMOND-PodNaslovVM-Std, GMOND-PodNaslovVM-StdKurz, GMOND-Prikaz-Crn, GMOND-Prikaz-CrnKurz, GMOND-Prikaz-Med, GMOND-Prikaz-MedKurz, GMOND-Prikaz-PCrn, GMOND-Prikaz-PCrnKurz, GMOND-Prikaz-Std, GMOND-Prikaz-StdKurz, GMOND-Prikaz-SvetKurz, GMOND-Prikaz-Svetli, GMOND-PrikazS-CrnKurz, GMOND-PrikazS-MedKurz, GMOND-PrikazS-PCrnKurz, GMOND-PrikazS-StdKurz, GMOND-PrikazS-SvetKurz, GMOND-PrikazVM-Crn, GMOND-PrikazVM-CrnKurz, GMOND-PrikazVM-Med, GMOND-PrikazVM-MedKurz, GMOND-PrikazVM-PCrn, GMOND-PrikazVM-PCrnKurz, GMOND-PrikazVM-Std, GMOND-PrikazVM-StdKurz, GMOND-PrikazVM-SvetKurz, GMOND-PrikazVM-Svetli, GMOND-Regular-Crn, GMOND-Regular-CrnKurz, GMOND-Regular-Med, GMOND-Regular-MedKurz, GMOND-Regular-PCrn, GMOND-Regular-PCrnKurz, GMOND-Regular-Std, GMOND-Regular-StdKurz, GMOND-RegularS-CrnKurz, GMOND-RegularS-MedKurz, GMOND-RegularS-PCrnKurz, GMOND-RegularS-StdKurz, GMOND-RegularVM-Crn, GMOND-RegularVM-CrnKurz, GMOND-RegularVM-Med, GMOND-RegularVM-MedKurz, GMOND-RegularVM-PCrn, GMOND-RegularVM-PCrnKurz, GMOND-RegularVM-Std, GMOND-RegularVM-StdKurz, GMOND-Sitan-Crn, GMOND-Sitan-CrnKurz, GMOND-Sitan-Med, GMOND-Sitan-MedKurz, GMOND-Sitan-PCrn, GMOND-Sitan-PCrnKurz, GMOND-Sitan-Std, GMOND-Sitan-StdKurz, GMOND-SitanS-CrnKurz, GMOND-SitanS-MedKurz, GMOND-SitanS-PCrnKurz, GMOND-SitanS-StdKurz, GMOND-SitanVM-Crn, GMOND-SitanVM-CrnKurz, GMOND-SitanVM-Med, GMOND-SitanVM-MedKurz, GMOND-SitanVM-PCrn, GMOND-SitanVM-PCrnKurz, GMOND-SitanVM-Std, GMOND-SitanVM-StdKurz, GMONDe-PodNaslov-Crn, GMONDe-PodNaslov-CrnKurz, GMONDe-PodNaslov-Med, GMONDe-PodNaslov-MedKurz, GMONDe-PodNaslov-PCrn, GMONDe-PodNaslov-PCrnKurz, GMONDe-PodNaslov-Std, GMONDe-PodNaslov-StdKurz, GMONDe-PodNaslovS-CrnKurz, GMONDe-PodNaslovS-MedKurz, GMONDe-PodNaslovS-PCrnKurz, GMONDe-PodNaslovS-StdKurz, GMONDe-PodNaslovVM-Crn, GMONDe-PodNaslovVM-CrnKurz, GMONDe-PodNaslovVM-Med, GMONDe-PodNaslovVM-MedKurz, GMONDe-PodNaslovVM-PCrn, GMONDe-PodNaslovVM-PCrnKurz, GMONDe-PodNaslovVM-Std, GMONDe-PodNaslovVM-StdKurz, GMONDe-Prikaz-Crn, GMONDe-Prikaz-CrnKurz, GMONDe-Prikaz-Med, GMONDe-Prikaz-MedKurz, GMONDe-Prikaz-PCrn, GMONDe-Prikaz-PCrnKurz, GMONDe-Prikaz-Std, GMONDe-Prikaz-StdKurz, GMONDe-Prikaz-SvetKurz, GMONDe-Prikaz-Svetli, GMONDe-PrikazS-CrnKurz, GMONDe-PrikazS-MedKurz, GMONDe-PrikazS-PCrnKurz, GMONDe-PrikazS-StdKurz, GMONDe-PrikazS-SvetKurz, GMONDe-PrikazVM-Crn, GMONDe-PrikazVM-CrnKurz, GMONDe-PrikazVM-Med, GMONDe-PrikazVM-MedKurz, GMONDe-PrikazVM-PCrn, GMONDe-PrikazVM-PCrnKurz, GMONDe-PrikazVM-Std, GMONDe-PrikazVM-StdKurz, GMONDe-PrikazVM-SvetKurz, GMONDe-PrikazVM-Svetli, GMONDe-Regular-Crn, GMONDe-Regular-CrnKurz, GMONDe-Regular-Med, GMONDe-Regular-MedKurz, GMONDe-Regular-PCrn, GMONDe-Regular-PCrnKurz, GMONDe-Regular-Std, GMONDe-Regular-StdKurz, GMONDe-RegularS-CrnKurz, GMONDe-RegularS-MedKurz, GMONDe-RegularS-PCrnKurz, GMONDe-RegularS-StdKurz, GMONDe-RegularVM-Crn, GMONDe-RegularVM-CrnKurz, GMONDe-RegularVM-Med, GMONDe-RegularVM-MedKurz, GMONDe-RegularVM-PCrn, GMONDe-RegularVM-PCrnKurz, GMONDe-RegularVM-Std, GMONDe-RegularVM-StdKurz, GMONDe-Sitan-Crn, GMONDe-Sitan-CrnKurz, GMONDe-Sitan-Med, GMONDe-Sitan-MedKurz, GMONDe-Sitan-PCrn, GMONDe-Sitan-PCrnKurz, GMONDe-Sitan-Std, GMONDe-Sitan-StdKurz, GMONDe-SitanS-CrnKurz, GMONDe-SitanS-MedKurz, GMONDe-SitanS-PCrnKurz, GMONDe-SitanS-StdKurz, GMONDe-SitanVM-Crn, GMONDe-SitanVM-CrnKurz, GMONDe-SitanVM-Med, GMONDe-SitanVM-MedKurz, GMONDe-SitanVM-PCrn, GMONDe-SitanVM-PCrnKurz, GMONDe-SitanVM-Std, GMONDe-SitanVM-StdKurz
• Vezbanka_1.0, Vezbanka_1.1, Vezbanka_1.2, Vezbanka_1.3, Vezbanka_1.4, Vezbanka_1.5, Vezbanka_1.6, Vezbanka_1.7, Vezbanka_1.8, Vezbanka_1.9, Vezbanka_2.0, Vezbanka_2.1, Vezbanka_2.2, Vezbanka_2.3, Vezbanka_2.4, Vezbanka_2.5, Vezbanka_2.6, Vezbanka_2.7, Vezbanka_2.8, Vezbanka_2.9, Vezbanka_3.0, Vezbanka_3.1, Vezbanka_3.2, Vezbanka_3.3, Vezbanka_3.4, Vezbanka_3.5, Vezbanka_3.6, Vezbanka_3.7, Vezbanka_3.8, Vezbanka_4.0, Vezbanka_4.1, Vezbanka_4.2, Vezbanka_4.3, Vezbanka_4.4, Vezbanka_4.5, Vezbanka_4.6, Vezbanka_4.7, Vezbanka_4.8, Vezbanka_5.0, Vezbanka_5.1, Vezbanka_5.2, Vezbanka_5.3, Vezbanka_5.4, Vezbanka_5.5, Vezbanka_5.6, Vezbanka_5.7, Vezbanka_5.8, Vezbanka_6.0, Vezbanka_Hrana
• The Bodoni family: nkBODcirCrn, nkBODcirCrnE, nkBODcirCrnEkond, nkBODcirCrnEkurziv, nkBODcirCrnKond, nkBODcirCrnKurziv, nkBODcirKniga, nkBODcirKnigaE, nkBODcirKnigaEkurziv, nkBODcirKnigaKurziv, nkBODcirNorm, nkBODcirNormE, nkBODcirNormEkurziv, nkBODcirNormKurziv, nkBODcirPoster, nkBODcirPosterE, nkBODcirPosterEkomp, nkBODcirPosterEkurziv, nkBODcirPosterKomp, nkBODcirPosterKurziv, nkBODcirPosterUCEkomp, nkBODcirPosterUCkomp, nkBODcirPosterUEkomp, nkBODcirPosterUkomp.

Cirilica na Internetu

Cyrillic jump page with fonts and links to font sites. [Google] [More]  ⦿

cirilica.org

Ranko Tomic's Serbian page: "Cyrillic alphabet on computers and internet, free cyrillic fonts and programs." [Google] [More]  ⦿

Citkit.ru

Russian type technology site with articles. [Google] [More]  ⦿

Claus Eggers Sørensen

Also known by insiders as El Pato Loco Atomico. Danish type designer (b. 1973) who obtained his BDes from The Gerrit Rietveld Academie in Amsterdam, and his MA in typeface design from The University of Reading (2009), based on his type family Markant, which was specifically designed for newspapers and cares about ink traps, wide open bowls, inflection points and other special features. It supports Greek and Cyrillic as well. He says: I created a new design again taking inspiration from the early sketches of Dwiggins' Experimental No. 223. I was able to use the very open aperture design of the e in this experiment. The a again explored a inflexion points within the counters, and this was too integrated in the design. Finally lightly rounded wedge shaped base serifs were chosen.

In 2011, Claus placed Playfair Display on the Google Font Directory. He explains: Playfair Display is a transitional design. From the time of enlightenment in the late 18th century, the broad nib quills were replaced by pointed steel pens. This influenced typographical letterforms to become increasingly detached from the written ones. Developments in printing technology, ink and paper making, made it possible to print letterforms of high contrast and fine hairlines. This design lends itself to this period, and while it is not a revival of any particular design, it takes influence from the printer and typeface designer John Baskerville's designs, the punchcutter William Martin's typeface for the Boydell Shakespeare (sic) edition, and from the Scotch Roman designs that followed thereafter. As the name indicates, Playfair Display is well suited for titling and headlines. Claus lives in Amsterdam. Google Font Directory link. Speaker at ATypI 2011 in Reykjavik on the topic of typography for touch-screen devices. [Google] [More]  ⦿

ClearlyU BDF font

Mark Leisher's creation: "ClearlyU is a set of BDF (bitmap) 12 point, 100 dpi fonts that provides glyphs that can be used for Unicode text. The font contains over 4000 glyphs, including numerous additional glyphs for alternate forms and ligatures. The ClearlyU typeface was originally inspired by Donald Knuth's Computer Modern typeface, but has been slowly evolving into something else." Supported are: Navajo, Armenian, Cyrillic, Georgian, Greek and Coptic, Hebrew, Lao, Thai. [Google] [More]  ⦿

client-bank

Cyrillic, Latvian and English fonts: the Rim family (Times, Souvenir, etc.) by AG Fonts. The PragmaticaLatvian family by ParaGraph JV.&E. Gailis&Y. Ivanov. BaltHelvetica by AG Baltia. The Peterburg family by Atech Software. Dead link. [Google] [More]  ⦿

CM Unicode
[Andrey Panov]

Free font package from 2009 by Andrey Panov, specially adapted for TeX. CM Unicode (or: Computer Modern Unicode) is an OpenType and Type 1 unicode version of Knuth's Computer Modern font family. The OIpenType fonts include CMUBright-Bold, CMUSerif-BoldItalic, CMUSerif-BoldSlanted, CMUBright-Oblique, CMUBright-Roman, CMUBright-SemiBoldOblique, CMUBright-SemiBold, CMUTypewriter-Light, CMUTypewriter-LightOblique, CMUSerif-Bold, CMUBright-BoldOblique, CMUClassicalSerif-Italic, CMUTypewriter-Italic, CMUConcrete-BoldItalic, CMUConcrete-Bold, CMUConcrete-Roman, CMUConcrete-Italic, CMUSerif-BoldNonextended, CMUSerif-Roman, CMUSansSerif-Oblique, CMUSerif-RomanSlanted, CMUSansSerif-BoldOblique, CMUSansSerif, CMUSansSerif-DemiCondensed, CMUTypewriter-Oblique, CMUSansSerif-Bold, CMUTypewriter-Bold, CMUSerif-Italic, CMUTypewriter-Regular, CMUTypewriter-BoldItalic, CMUSerif-UprightItalic, CMUTypewriterVariable-Italic, CMUTypewriterVariable. [Google] [More]  ⦿

cmcyr
[Nana Glonti]

Cyrillic (meta)fonts created by Nana Glonti and Alexander Samarin at the Institute for High Energy Physics, Protvino, USSR. In 1993 Basil K. Malyshev from IHEP released Type 1 outlines of these fonts under the title `Paradissa font collection'. You can download these computer-modern-fonts-with-cyrillic-extensions here. [Google] [More]  ⦿

cmcyralt

Based on the Cyrillic (meta)fonts created by Nana Glonti and Alexander Samarin at the Institute for High Energy Physics, Protvino, USSR. cmcyralt is Russian fonts in alternative encoding: the first half of code table (0-127) coincides with standard ASCII, and cyrillic characters are located in second part of the table (128-255). Developed by Alexander Harin. [Google] [More]  ⦿

CM-Super font package
[Vladimir Volovich]

CM Super is a huge type 1 family of fonts released under the GNU license by Vladimir Volovich in October 2001. For the cognoscenti: The CM-Super package contains Type 1 fonts converted from METAFONT fonts and covers entire EC/TC and LH fonts (Computer Modern font families). All European and Cyrillic writings are covered. Each Type 1 font program contains ALL glyphs from the following standard LaTeX font encodings: T1, TS1, T2A, T2B, T2C, X2, and also Adobe StandardEncoding (585 glyphs per non-SC font and 468 glyphs per SC font), and could be reencoded to any of these encodings using standard dvips or pdftex facilities (the corresponding support files are also included). Fonts were created using TeXtrace (based on AutoTrace and Ghostscript), t1utils and a bunch of Perl scripts, and were optimized and hinted using FontLab 3.1. The set of UniqueID values was registered at Adobe. Each font shape comes in 14 font sizes ranging from 5pt to 35.83pt (or 11 font sizes for typewriter fonts ranging from 8pt to 35.83pt). The developers offer this overview:

The list of provided font shapes is included below: rm, Modern Roman sl, Modern Slanted ti, Modern Italic cc, Modern Caps and Small Caps ui, Modern Unslanted Italic sc, Modern Slanted Caps and Small Caps ci, Modern Classical Serif Italic bx, Modern Bold Extended bl, Modern Bold Extended Slanted bi, Modern Bold Extended Italic xc, Modern Bold Extended Caps and Small Caps oc, Modern Bold Extended Slanted Caps and Small Caps rb, Modern Roman Bold bm, Modern Roman Bold Variant ss, Modern Sans Serif si, Modern Sans Serif Slanted sx, Modern Sans Serif Bold Extended so, Modern Sans Serif Bold Extended Slanted tt, Modern Typewriter st, Modern Typewriter Slanted it, Modern Typewriter Italic tc, Modern Typewriter Caps and Small Caps vt, Modern Variable Width Typewriter vi, Modern Variable Width Typewriter Italic dh, Modern Dunhill Roman fb, Modern Fibonacci Medium fs, Modern Fibonacci Slanted ff, Modern Funny Roman fi, Modern Funny Italic Each font shape comes in 14 font sizes ranging from 5pt to 35.83pt (or 11 font sizes for typewriter fonts ranging from 8pt to 35.83pt). Also, the following 13 one-sized font shapes are included, Computer Modern SliTeX Sans Serif Quotation sfli8, Modern SliTeX Sans Serif Quotation Inclined sflb8, Modern SliTeX Sans Serif Quotation Bold sflo8, Modern SliTeX Sans Serif Quotation Bold Oblique sfltt8, Modern LaTeX Typewriter isflq8, Modern SliTeX Sans Serif Quotation Invisible isfli8, Modern SliTeX Sans Serif Quotation Inclined Invisible isflb8, Modern SliTeX Sans Serif Quotation Bold Invisible isflo8, Modern SliTeX Sans Serif Quotation Bold Oblique Invisible isfltt8, Modern LaTeX Typewriter Invisible sfsq8, Modern Sans Serif Quotation sfqi8, Modern Sans Serif Quotation Inclined sfssdc10, Modern Sans Serif Demi Condensed Also, the following 14 fonts from Computer Modern Concrete family are included (font file names correspond to the scheme used in EC Concrete fonts), .. sform10, Modern Concrete Roman sfosl5 .. sfosl10, Modern Concrete Slanted sfoti10, Modern Concrete Italic sfocc10, Modern Concrete Caps and Small Caps Also, the following 19 fonts from Computer Modern Bright family are included (font file names correspond to the scheme used in European Computer Modern Bright fonts), Computer Modern Bright Roman sfbmo{8,9,10,17}, Modern Bright Oblique sfbsr{8,9,10,17}, Modern Bright Semibold sfbso{8,9,10,17}, Modern Bright Semibold Oblique sfbbx10, Modern Bright Bold Extended sfbtl10, Modern Typewriter Light sfbto10. Modern Typewriter Light Oblique Fonts were created using TeXtrace (based on AutoTrace and Ghostscript), t1utils and a bunch of Perl scripts, and were optimized and hinted using FontLab 3.1. The set of UniqueID values was registered at Adobe. We use AGL compliant glyph names when possible (there are some glyphs which are neither present in AGL nor in Unicode). It should also be noted that the fonts use precise (non-integer) glyph widths which better match the TFM widths than just rounding to the nearest integer. These widths are generated using the best approximation (based on continued fractions) with the denominator not exceeding 107 to fit in 1 byte in CharString. Apparently, such subtle technique was used first in BSR/Y&Y CM fonts. I'd like to thank Peter Szabo for TeXtrace, Martin Weber for AutoTrace, and FontLab Ltd. for providing a copy of FontLab. It should be noted that while creating these fonts we intentionally and on principle used only automatic methods which do not require font designers talents. The aim was to use TOTALLY automatic conversion of METAFONT fonts to Type 1 format, automatic optimization and hinting, with the best achievable quality of final Type 1 fonts, to be able to re-generate the fonts if necessary (e.g., when a new version of original METAFONT fonts will be released). Undoubtedly, there are fields for improvement of this approach, which we will use in future versions of the fonts, but even now the fonts seem to look and print quite good (we hope :-). It appears that careless approach to FontLab's optimization and auto-hinting facilities could lead to loss of quality of the original font (some glyph shapes could be broken), so we used the most precise optimization, and hope that optimized and hinted fonts are indeed better than original traced fonts (also, they are significantly smaller in size). So far, we did not find any bugs in optimized fonts. There are 434 Type 1 outline fonts (*.pfb) in the CM-Super font set, and they cover 2536 TeX fonts!

Read about the package in CM-Super: Automatic creation of efficient Type 1 fonts from METAFONT fonts (Vladimir Volovich, TUGBoat, 24(1):75-78, 2003). The font names: ISFLB8, ISFLI8, ISFLO8, ISFLQ8, ISFLTT8, SFBBX10, SFBI0500, SFBI0600, SFBI0700, SFBI0800, SFBI0900, SFBI1000, SFBI1095, SFBI1200, SFBI1440, SFBI1728, SFBI2074, SFBI2488, SFBI2986, SFBI3583, SFBL0500, SFBL0600, SFBL0700, SFBL0800, SFBL0900, SFBL1000, SFBL1095, SFBL1200, SFBL1440, SFBL1728, SFBL2074, SFBL2488, SFBL2986, SFBL3583, SFBM0500, SFBM0700, SFBM0900, SFBM1000, SFBM1095, SFBM1200, SFBM1440, SFBM1728, SFBM2074, SFBM2488, SFBM2986, SFBM3583, SFBMO10, SFBMO17, SFBMO8, SFBMO9, SFBMR10, SFBMR17, SFBMR8, SFBMR9, SFBSO10, SFBSO17, SFBSO8, SFBSO9, SFBSR10, SFBSR17, SFBSR8, SFBSR9, SFBTL10, SFBTO10, SFBX0500, SFBX0600, SFBX0700, SFBX0800, SFBX0900, SFBX1000, SFBX1095, SFBX1200, SFBX1440, SFBX1728, SFBX2074, SFBX2488, SFBX2986, SFBX3583, SFCC0500, SFCC0600, SFCC0700, SFCC0800, SFCC0900, SFCC1000, SFCC1095, SFCC1200, SFCC1440, SFCC1728, SFCC2074, SFCC2488, SFCC2986, SFCC3583, SFCI0500, SFCI0600, SFCI0700, SFCI0800, SFCI0900, SFCI1000, SFCI1095, SFCI1200, SFCI1440, SFCI1728, SFCI2074, SFCI2488, SFCI2986, SFCI3583, SFDH0500, SFDH0600, SFDH0700, SFDH0800, SFDH0900, SFDH1000, SFDH1095, SFDH1200, SFDH1440, SFDH1728, SFDH2074, SFDH2488, SFDH2986, SFDH3583, SFFB0500, SFFB0600, SFFB0700, SFFB0800, SFFB0900, SFFB1000, SFFB1095, SFFB1200, SFFB1440, SFFB1728, SFFB2074, SFFF0900, SFFF1000, SFFF1095, SFFF1200, SFFF1440, SFFF2488, SFFI0900, SFFI1000, SFFI1095, SFFI1200, SFFI1440, SFFI1728, SFFI2074, SFFS0500, SFFS0600, SFFS0700, SFFS0800, SFFS0900, SFFS1000, SFFS1095, SFFS1200, SFFS1440, SFFS1728, SFFS2074, SFIT0800, SFIT0900, SFIT1000, SFIT1095, SFIT1200, SFIT1440, SFIT1728, SFIT2074, SFIT2488, SFLB8, SFLI8, SFLO8, SFLQ8, SFLTT8, SFOC0500, SFOC0600, SFOC0700, SFOC0800, SFOC0900, SFOC1000, SFOC1095, SFOC1200, SFOC1440, SFOC1728, SFOC2074, SFOC2488, SFOC2986, SFOC3583, SFOCC10, SFORM10, SFORM5, SFORM6, SFORM7, SFORM8, SFORM9, SFOSL10, SFOSL5, SFOSL6, SFOSL7, SFOSL8, SFOSL9, SFOTI10, SFQI8, SFRB0500, SFRB0600, SFRB0700, SFRB0800, SFRB0900, SFRB1000, SFRB1095, SFRB1200, SFRB1440, SFRB1728, SFRB2074, SFRB2488, SFRB2986, SFRB3583, SFRM0500, SFRM0600, SFRM0700, SFRM0800, SFRM0900, SFRM1000, SFRM1095, SFRM1200, SFRM1440, SFRM1728, SFRM2074, SFRM2488, SFRM2986, SFRM3583, SFSC0500, SFSC0600, SFSC0700, SFSC0800, SFSC0900, SFSC1000, SFSC1095, SFSC1200, SFSC1440, SFSC1728, SFSC2074, SFSC2488, SFSC2986, SFSC3583, SFSI0500, SFSI0600, SFSI0700, SFSI0800, SFSI0900, SFSI1000, SFSI1095, SFSI1200, SFSI1440, SFSI1728, SFSI2074, SFSI2488, SFSI2986, SFSI3583, SFSL0500, SFSL0600, SFSL0700, SFSL0800, SFSL0900, SFSL1000, SFSL1095, SFSL1200, SFSL1440, SFSL1728, SFSL2074, SFSL2488, SFSL2986, SFSL3583, SFSO0500, SFSO0600, SFSO0700, SFSO0800, SFSO0900, SFSO1000, SFSO1095, SFSO1200, SFSO1440, SFSO1728, SFSO2074, SFSO2488, SFSO2986, SFSO3583, SFSQ8, SFSS0500, SFSS0600, SFSS0700, SFSS0800, SFSS0900, SFSS1000, SFSS1095, SFSS1200, SFSS1440, SFSS1728, SFSS2074, SFSS2488, SFSS2986, SFSS3583, SFSSDC10, SFST0800, SFST0900, SFST1000, SFST1095, SFST1200, SFST1440, SFST1728, SFST2074, SFST2488, SFST2986, SFST3583, SFSX0500, SFSX0600, SFSX0700, SFSX0800, SFSX0900, SFSX1000, SFSX1095, SFSX1200, SFSX1440, SFSX1728, SFSX2074, SFSX2488, SFSX2986, SFSX3583, SFTC0800, SFTC0900, SFTC1000, SFTC1095, SFTC1200, SFTC1440, SFTC1728, SFTC2074, SFTC2488, SFTC2986, SFTC3583, SFTI0500, SFTI0600, SFTI0700, SFTI0800, SFTI0900, SFTI1000, SFTI1095, SFTI1200, SFTI1440, SFTI1728, SFTI2074, SFTI2488, SFTI2986, SFTI3583, SFTT0800, SFTT0900, SFTT1000, SFTT1095, SFTT1200, SFTT1440, SFTT1728, SFTT2074, SFTT2488, SFTT2986, SFTT3583, SFUI0500, SFUI0600, SFUI0700, SFUI0800, SFUI0900, SFUI1000, SFUI1095, SFUI1200, SFUI1440, SFUI1728, SFUI2074, SFUI2488, SFUI2986, SFUI3583, SFVI0800, SFVI0900, SFVI1000, SFVI1095, SFVI1200, SFVI1440, SFVI1728, SFVI2074, SFVI2488, SFVI2986, SFVI3583, SFVT0800, SFVT0900, SFVT1000, SFVT1095, SFVT1200, SFVT1440, SFVT1728, SFVT2074, SFVT2488, SFVT2986, SFVT3583, SFXC0500, SFXC0600, SFXC0700, SFXC0800, SFXC0900, SFXC1000, SFXC1095, SFXC1200, SFXC1440, SFXC1728, SFXC2074, SFXC2488, SFXC2986, SFXC358. [Google] [More]  ⦿

Colin Banks

Born in London in 1932, Colin Banks has been involved in graphic design, corporate identity and typography since 1958 through the London-based partnership Banks&Miles (1958-1998), with John Miles. Author of London's handwriting (London Transport Museum, 1994) about the development of Edward Johnston's Underground Railway Block-Letter. CV. He died in March 2002. Obituary by James Alexander. Banks&Miles had offices in London, Amsterdam, Hamburg and Bruxelles. Their clients, included the British Council (it is unclear if he helped design British Council Sans at Agfa Monotype in 2002: a major controversy erupted in the UK when it was learned that the British Council had paid 50k pounds for British Council Sans), English National Opera, the European Parliament Election campaigns, producing corporate identities for the Post Office, Royal Mail, British Telecom, and other identities for many UK Government agencies and universities. These included the Institute of Mechanical Engineers, Fondation Roi Baudouin, City and Guilds, Commission for Racial Equality, United Nations University, and major publications etc for UNHCR Geneva. He was consultant to London Transport for over thirty years, then Mott Macdonald engineers and Oxford University Press.

The British Council Sans family (2002, Agfa Monotype) is now available for free download here. Included is support for Arabic (Boutros British Council Arabic), Khazak, Greek, Cyrillic, and Azerbaijani. [Google] [MyFonts] [More]  ⦿

Commercial Type
[Christian Schwartz]

Foundry, est. 2009 or 2010 by Paul Barnes (London) and Christian Schwartz (New York). Their own blurb: Commercial Type is a joint venture between Paul Barnes and Christian Schwartz, who have collaborated since 2004 on various typeface projects, most notably the award winning Guardian Egyptian. The company publishes retail fonts developed by Schwartz and Barnes, their staff, and outside collaborators, and also represents the two when they work together on typedesign projects. Following the redesign of The Guardian, as part of the team headed by Mark Porter, Schwartz and Barnes were awarded the Black Pencil from the D&AD. The team were also nominated for the Design Museum's `Designer of the Year' prize. In September 2006, Barnes and Schwartz were named two of the 40 most influential designers under 40 in Wallpaper. Klingspor link.

In house type designers in 2010: Paul Barnes, Christian Schwartz, Berton Haasebe, and Abi Huynh.

Compuart

Russian page about initial caps in Cyrillic, with images of examples from the XVIth century. [Google] [More]  ⦿

Computec International

Four Cyrillic Helvetica and Cyrillic Times truetype fonts. [Google] [More]  ⦿

Computer Aided Learning programs for Actuarial Maths&Statistics

The r16fzip file has these fonts: From Monotype, BookAntiqua, BritannicBold, CenturySchoolbook, CenturySchoolbook-Bold, CenturySchoolbook-BoldItalic, CenturySchoolbook-Italic. Other fonts: Fences (Microsoft, 1992), OPAC92-Special (a phonetic font, The British Library, 1993), OPAC92-Cyrillic (The British Library, 1993), SvobodaFWF (a Latin/Cyrillic font by Casady&Greene, 1991). [Google] [More]  ⦿

Computer Modern Unicode fonts
[Andrey V. Panov]

Andrey V. Panov developed Computer Modern Unicode fonts in 2003-2007 by conversions from metafont sources using textrace and fontforge (former pfaedit). He wanted to create free good quality fonts for use in X applications that support many languages. Currently the fonts contain glyphs from Latin1 (Metafont ec, tc), Cyrillic (la, rx) and Greek (cbgreek) code sets. There are 33 fonts in the family: CMUClassicalSerif-Italic, CMUSansSerif-Bold, CMUSansSerif-BoldOblique, CMUSansSerif-Demi-Condensed, CMUSansSerif-Oblique, CMUSansSerif, CMUSerif-Bold-Nonextended, CMUSerif-Bold-Slanted, CMUSerif-Bold, CMUSerif-BoldItalic, CMUSerif-Italic, CMUSerif-Roman-Slanted, CMUSerif-Roman, CMUSerif-Unslanted-Italic, CMUTypewriter-Bold, CMUTypewriter-BoldItalic, CMUTypewriter-Italic, CMUTypewriter-Oblique, CMUTypewriter-Regular, CMUTypewriterVariable-Italic, CMUTypewriterVariable. The fonts come in type 1 and SFD, the universal spline format used by FontForge. Istok Web (2011) was published at the Google Font Directory. In 2008, he made Heuristica (or Evristika), a serif family that extends Adobe's Utopia. Free download. Direct download.

Alternate URL. Kernest link. Klingspor link. [Google] [More]  ⦿

Constantin I. Spektorov

Russian type designer. This site has several old Slavonic fonts made by him, ca. 2008: Bukvica UCS has caps that were used in the Moscow "Pechatny Dvor" (Printing Yard) in the 1st half of the 17th century. Grebnev UCS (2009, with Nikita Simmons) is based on the Tushka font by an unknown author. This font was modified by the printing establishment of the Preobrazhensky Bogadelenny Don at beginning of the 20th century, whicxh was founded by Luka Arefyevich Grebnev. Still in 2009, Constantin I. Spektorov created Ostromirov UCS [based on Ostromirov XCS&AC by Nikita Simmons, which in turn was based on the letters of "Ostromirovo Evangelie" (Ostromir's Gospel) of 1056-57] and Pechatny Dvor UCS [based on Fedorovsk XCS&AC by Nikita Simmons, which in turn were based on the Russian pre-Nikon church books of the Moscow Pechatny Dvor (printing court), 1st half of the XVII century]. [Google] [More]  ⦿

Cool webmasters

An archive with 33 Cyrillic fonts. [Google] [More]  ⦿

Cossack.jp
[Hiroya Sato]

Fonts by Hiroya Sato. The two free fonts here are cossamoji (dingbats of figures dancing like cossacks), Elena (kana and kanji, handscripted) and hetarosia (handwritten cyrillic font). Alternate URL. [Google] [More]  ⦿

Courier New KOI

Cyrillic/Roman/Greek/East-European version of Courier. In truetype. [Google] [More]  ⦿

Cronyx

Cyrillic font collection in BDF format. [Google] [More]  ⦿

CSS Tips and tricks

Examples of CSS font styles for Cyrillic font choices. Latin sub-page. [Google] [More]  ⦿

Cyreal
[Gayaneh Bagdasaryan]

Cyreal is a type foundry with expertise in both Latin and Cyrillic scripts. Its founders are lecturers at the British Higher School of Art and Design in Moscow. They are

• Gayaneh Bagdasaryan. Gayaneh began working as a type designer in ParaType in 1996. She has done cyrillization work at ParaType, Typotheque, Linotype, Bitstream, The Font Bureau, ITC, Berthold and Emigre. Her typeface Red Klin received a TDC2 2000 Award. Her New Letter Gothic won an Award for Excellence in Type Design at the Kyrillitsa 99 International Type Design competition in Moscow, 1999. Gayaneh graduated from the Print Design Department of Moscow State University of Printing Arts (2000), and Ryazan College of Art (1992). Designer in 1999 at Paratype of LetterGothic Baltic, LetterGothic Central European, LetterGothic Cyrillic Asian, LetterGothic Cyrillic International, LetterGothic Cyrillic Old Russian, LetterGothic Multi Lingual, LetterGothic Turkish, LetterGothic Western. She made the Cyrillic version of Licko's Base Nine and Base Twelve families (2003) and of Albert Boton's ITC Eras (called PT ITC Eras). Klin Black (2004, Paratype, decorative caps in the style of Russian fine art ca. 1900) is an original. Finally, she designed ParaType New Letter Gothic (1999) and ParaType Original Garamond (2000).
• Alexei Vanyashin. Type designer with expertise in Cyrillics. Winner at the Granshan 2010 International Type Design competition with Florian (Second place in the Cyrillic Text Typeface category). He completed the Type&Typography Master Level course in 2010, and studied typography at the Stroganov University of Arts and Industry.

Fonts:

• Cyrillizations: Akzidenz-Grotesk Condensed, AG Book, Apack (Pisa), Base Nine, Charlie, Fedra Sans, Fedra Serif, Filosofia, Greta, Griffith Gothic, Eras (ITC), Lobster (free, 2011, after Pablo Impallari's Lobster), Neuland, Original Garamond, Renault.
• Armenian: Newton Armenian, Pragmatica Armenian, Haykakan Kar.
• Custom: GEO Text, GEO Display.
• Retail: New Letter Gothic, Red Klin, Schmale, Florian.
• Free at Fontsquirrel: Artifika (2011), Brawler (2011), Rationale (done with Olexa Volochay and Vladimir Pavlikov).
• Free fonts at Google Font Directory: Artifika (2011, by Yulya Zhdanova and Ivan Petrov), Aubrey (2011, art nouveau by Gayaneh Bagdasaryan), Vidaloka (2011, a didone done by Alexei Vanyashin and Olga Karpushina), Lora (2011, a contemporary serif by Olga Karpushina), Federant (2011, by Olexa Volochay: this revives the Reklameschrift typeface Feder Antiqua by Otto Ludwig Nägele (1911)), Federo (2011, high-contrast sans by Olexa Volochay based on J. Erbar's 1909 font Feder Grotesk), Podkova (2011, slab serif), Wire One (2011, monoline sans).

Cyrillic

Two Cyrillic fonts. [Google] [More]  ⦿

Cyrillic ATM

ATM for Russians, complete with tons of Cyrillic fonts from Adobe. [Google] [More]  ⦿

Cyrillic Fest 2008

Annual typography and calligraphy festival, which took place from 24-25 May 2008 in Kharkiv (Ukraine). This year it included type seminars, a presentation by Vitalij Mitchenko, type games and exhibition of typefaces and calligraphy from Ukraine, Russia, Belarus and Bulgaria. Photo reports: 1, 2, 3, 4. Report in the Ukrainian newspaper Novynar. [Google] [More]  ⦿

Cyrillic font specs

Specs for Cyrillic fonts at Adobe. [Google] [More]  ⦿

Cyrillic fonts

Cyrillic font archive. [Google] [More]  ⦿

Cyrillic Fonts Plus

Belarussian site. Arial, Courier and Times in Cyrillic versions. They have the Cyrillic vowels (a,o,u,e,y,ja,jo,ju,je,i) with accents, the Belarussian Latin "u short" and the letter "Jat" added on. [Google] [More]  ⦿

Cyrillic FontStruct fonts

There are tens of fonts. These include

• By Dada: Kenaz Cyr (2009), Morgenstern Cyr (2009), Offer (2009), Old Gamer Cyr (2009).
• By Yarvu: BUD Pixel (2009).
• By Lex Kominek: Nuclear Depot Radium (pixel face), and its sister fonts Nuclear Depot { Uranium, Americum, Neptunium, Plutonium }, all made in 2009.
• By Diego Sanz: The Sencilla family (2009).
• By Dmitry Taranov: 8080 (2009, stencil face).

Cyrillic ForWWW TrueType fonts

Standard Cyrillic TrueType font package. [Google] [More]  ⦿

Cyrillica

Cyrillic truetype font archive: CyrBScript, CyrBook-Italic, CyrBook-Regular, CyrCourier-Bold, CyrCourier-BoldItalic, CyrCourier-Italic, CyrCourier, CyrHeadLine, CyrHelv-Bold, CyrHelv-BoldItalic, CyrSans-Bold, CyrSans-BoldItalic, CyrSans-Italic, CyrSans-Regular, CyrScriptWS, CyrTimes-Bold, CyrTimes-BoldItalic, CyrTimes-Italic, CyrTimes-Regular, CyrTimes, Cyr_Garam-Bold-Italic, Cyr_Garam-Bold, Cyr_Garam-Italic, Cyr_Garam-Regular, Cyrillic, CyrillicBold-Italic, CyrillicBold, CyrillicNormal-Italic. [Google] [More]  ⦿

Cyrillic.com

Lots of free fonts can be downloaded here. This includes Ilya Talev's Bulgarian truetype font series, as well as Gavin Helf's ER font series. [Google] [More]  ⦿

Cyrillic-T1

FTP source of code for using Cyrillic-T1 fonts in Latex, by Daniel Taupin. [Google] [More]  ⦿

Cyr-RFX
[Dmitry Yu. Bolkhovityanov]

Free PCF typefaces for Cyrillic. CYR-RFX started as a collection of cyrillic fonts for X-Window ("CYR-RFX" stands for "CYRillic Raster Fonts for X"). Now it includes several cyrillic encodings and two Latin ones (both with Euro sign). These fonts are modified (mainly with cyrillics added) versions of standard X-Window fonts. Cyrillic and Euro glyphs in all of these fonts, and linedrawing glyphs in 75dpi fonts, as well as CYR-RFX distribution and "CYR-RFX" logo are copyright by Dmitry Bolkhovityanov. [Google] [More]  ⦿

D. Green

Designer of Danger Cyr, a Cyrillic stencil face (2004). [Google] [More]  ⦿

D. Gulinoff

Designer at Type Market (Moscow) of the Cyrillic font family OfficeTypeSans (1995) and of Unicum Condensed (1998, based on Univers). [Google] [More]  ⦿

D. Tamir

Designer of these Mongolian-Cyrillic fonts in 1993: DTAdverGothicBold, DTAntiqua, DTAntiquaBold, DTAntiquaItalic, DTBaltic, DTBalticBold, DTBalticItalic, DTFreeset, DTFreesetBold, DTFuturaEugeniaBold, DTFuturis, DTFuturisBold, DTInform, DTJournalSans, DTJournalSansBold, DTJournalSansBoldItalic, DTJournalSansItalic, DTSchoolbook, DTSchoolbookBold, DTSchoolbookBoldItalic, DTSchoolbookItalic, DTTimesType, DTTimesTypeBold, DTTimesTypeBoldItalic, DTTimesTypeItalic, DTZhikharevItalic. These can be found here. [Google] [More]  ⦿

Daak.ru

Russian pixel font archive. It has 04b03, 04b03b, 04b08, 7LineDigital, Abstract, AcknowledgeTT-BRK-, AddWBitmap09, Alien-ABC, Arcadepix, BMnecoA29, BMtubeA10, Baby-blocks, Bangalore, BitBold, BitBox, BitDotted, BitDustTwo, BitLow, BitMicro01, BitNanov33, Borgnine, C&CRedAlert[LAN], CWebLarge, CWebSmall, Digitalix, Ernest, GraphicPixel, H5Bitjun, Handy00, Large9Normal, LeviWindowsExtraLight, M04_FATAL-FURY-BLACK, M04_FATAL-FURY, M39_SQUAREFUTURE, MeganSerif, MizuFontAlphabet-Regular, PEPgenius10, PFEastaSeven, PFEastaSevenCondensed, PFRondaSeven-Bold, PFRondaSeven, PFTempestaFive-Bold, PFTempestaFive, PFTempestaFiveCompressed-Bold, PFTempestaFiveCompressed, PFTempestaFiveCondensed-Bold, PFTempestaFiveCondensed, PFTempestaFiveExtended-Bold, PFTempestaFiveExtended, PFTempestaSeven-Bold, PFTempestaSeven, PFTempestaSevenCompressed-Bold, PFTempestaSevenCompressed, PFTempestaSevenCondensed-Bold, PFTempestaSevenCondensed, PFTempestaSevenExtended-Bold, PFTempestaSevenExtended, Paskowy, PixelSix01, PixelSix02, PixelSix14, PixelYourLife, Pixelade, Pixelation, Pixelicious, Redensek, SFPixelate-Bold, SFPixelate-BoldOblique, SFPixelate-Oblique, SFPixelate, SFPixelateShaded-Bold, SFPixelateShaded-BoldOblique, SFPixelateShaded-Oblique, SFPixelateShaded, Silkscreen-Bold, Silkscreen-Expanded, Silkscreen-ExpandedBold, Silkscreen, SkrewdUpSoulz, SmallBars, Spaidersimbol, Superpointrounded, Superpointsquare, Technicality, Technicality1, Uni0553, Uni0554, Uni0563, Uni0564, V5ProphitCell, V5ProphitDot, V5ProphitFading, VentouseOfThePoulp, Victor'sPixelFont, VisitorTT1BRK, VisitorTT2BRK, Volter(Goldfish)-Regular, dymsmall, microN56, rtscreenloft8-Bold, rtscreenloft8, snapix. [Google] [More]  ⦿

Designer in 2008 at FontStruct of Queen Mab CE, which was cloned from Ben Hamm's Queen Mab. [Google] [More]  ⦿

Daap.ru

Russian blackletter font archive. [Google] [More]  ⦿

Dada

Russian creator of FontStruct fonts in 2009: the Paradigma Block family (dot matrix), the Paradigma family (squarish), Morgenstern Cyr (cyrillic pixel face), Kenaz Cyr (Cyrillic), Offer (Latin and Cyrillic), Old Gamer Cyr (pixelish game font), 8PixNew. [Google] [More]  ⦿

Daily Type
[Ilya Ruderman]

Daily Type is a creative project run by four Russian type designers. Regularly updated page with many new type designs and ideas. Based on a concept of Yury Ostromentsky & Dasha Yarzhambek, the site features designs by Yury Gordon, Yury Ostromentsky, Dasha Yarzhambek, Dmitry Jakovlev and Ilya Ruderman, and was launched in 2005. Daily Type is a creative project run by several russian type designers. Day by day, they create original typefaces and post their results along with routine. [Google] [More]  ⦿

Dangels

Cyrillic font archive links. [Google] [More]  ⦿

Daniel Djambov

Small Bulgarian archive: Bulgarian-Ariel, Bulgarian-Courier, Bulgarian-DutchRoman, Bulgarian-Garamond, Bulgarian-GaramondItalic, Bulgarian-Italic, Bulgarian-Kursiv, Bulgarian-Roman, Bulgarian-RomanItalic, Bulgarian-Times, Bulgarian-TimesItalic, ComicSansMS-Bold, ComicSansMS, Hebar, HebarBold, HebarBoldItalic, HebarItalic, HebarNormal, Palatia-Regular, TimokBold, TimokBoldItalic, TimokItalic, TimokPlain. All fonts have Latin and Cyrillic character sets. The fonts starting with "Bulgarian" were generated by Ilya Talev. [Google] [More]  ⦿

Daniel Johnson

Designer at the Open Font Library of Jura (2011, in the style of Eurostile), Didact Gothic (2010, a simple and readable sans), Judson (2010, designed for African literacy), Megrim (2010, a monoline drawing table sans), Aguardiente (2010, heavy sans), Deka (2010, a monospace font designed for very small display sizes), Rahel (2009, Hebrew), Sacco-Vanzetti (2009, sans), Travelogue (2008), Grana Padano (2010), Pfennig (2010, an extensive humanist sans family) and Jura (2009, sans family with support for Burmese, Cyrillic and Greek).

Johnson explains: Jura is a family of sans-serif fonts in the Eurostile vein. It was originally inspired by some work I was doing for the FreeFont project in designing a Kayah Li range for FreeMono. (Kayah Li is a language used by a minority people group in Burma. Because the Burmese government suppresses the teaching of minority scripts, the Kayah Li script is taught only in schools in refugee camps in Thailand.) I wanted to create a Roman alphabet using the same kinds of strokes and curves as the Kayah Li glyphs, and thus Jura was born. Triod Postnaja (2010) attempts to mimic the typefaces used to publish Old Church Slavonic service books prior to the 20th century. It also provides a range of Latin letters in the same style.

Dafont link. Kernest link. Fontsquirrel link.

He contributed to the GNU Freefont project. In particular, he created by hand a Cherokee range specially for FreeFont to be "in line with the classic Cherokee typefaces used in 19th century printing", but also to fit well with ranges previously in FreeFont. Then he made Unified Canadian Syllabics in Sans, and a Cherokee and Kayah Li in Mono. And never to be outdone by himself, then did UCAS Extended and Osmanya. His GNU Freefont ranges:

• Armenian (serif) (U+0530-U+058F)
• Cherokee (U+13A0-U+13FF)
• Unified Canadian Aboriginal Syllabics (U+1400-U+167F)
• UCAS Extended (U+18B0-U+18F5)
• Kayah Li (U+A900-U+A92F)
• Tifinagh (U+2D30-U+2D7F)
• Vai (U+A500-U+A62B)
• Latin Extended-D (Mayanist letters) (U+A720-U+A7FF)
• Osmanya (U+10480-U+104a7)

Klingspor link. Dafont link. Fontspace link. [Google] [More]  ⦿

Daniel Pouzeot

Graphic designer from Pavlodar, Kazakhstan. He created the octagonal face Furore (2009), as well as Trajan Pro Cyrillic (2009). He cyrillicized Yanone Kaffeesatz in 2009. [Google] [More]  ⦿

Daniel Ralph

London-based illustrator and graphic designer. Creator of Fred Fredburger (2011), the Cartoon Network type family, which covers Latin, Greek, Cyrillic, Arabic and Hebrew. [Google] [More]  ⦿

Daniel Shurovich Chirkov

Dan Chirkov updated the FreeSerif font with the missing Cyrillic glyphs needed to conform to Unicode 3.2. The effort is part of the Slavjanskij package for Mac OS X. Bukvica (2003) is a free truetype font with over a thousand glyphs, adapted from a 1999 URW+ font. [Google] [More]  ⦿

Danya Orlovsky

Or danila Orlovsky. Student at the Stroganov Moscow State Academy of Applied and Industrial Arts, 2006-2012. Danya (Danila) is the Moscow-based designer of the constructivist version of Didot called Circus Didot (2010, Paratype).

MyFonts link. Behance link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Darko Zubrinic

Darko Zubrinic from the Faculty of Electrical Engineering and Computing Av. Vukovar 39, Zagreb, Croatia, has created a set of TeX and METAFONT files called Croatian Glagolitic (1995-1996). It contains 367 symbols covering Croatian Glagolitic (round, angular, Baska Tablet, quickscript, about 60 ligatures, Baromic broken ligatures, calligraphic letters), Croatian Cyrillic, Stechak ornaments, and Croatian wattle patterns. See also here. The fonts are described in his paper "Croatian fonts", TUGboat, Vol. 17, 1996. This page also has links to other Glagolitic fonts. Old URL. [Google] [More]  ⦿

Darya Fomicheva

Russian designer of some experimental fonts (2011). [Google] [More]  ⦿

Dataestradi Software Publishing Company

Finnish company selling Cyrillic typefaces and barcode fonts and software. Webmaster Joni-Pekka Kurronen. [Google] [More]  ⦿

David Glaude

Site run by David Glaude. Archive with over 300 Cyrillic truetype fonts. [Google] [More]  ⦿

Decor

This site contains various versions (Latin and/or Cyrillic) of the formal script face Decor: Decor Cyrillic (1992, ParaGraph), DecorCTT (1994, TeamAXis Corp), Decor (1991, Atech Software). [Google] [More]  ⦿

Defaultess
[Vasil Shishovski]

Cyrillic and old Cyrillic fonts: 1M-StaroSloven, AristonCirilicaA, CHelv, CTimes, Miroslavljevo, ArtsansLightC (by Vasil Shishovski, Shiva, Makidonija), Staromakedonskopismo. [Google] [More]  ⦿

DejaVu Fonts
[Stepan Roh]

The DejaVu fonts form an open source font family based on the Bitstream Vera Fonts. Free download. Its purpose is to provide a wider range of characters (see Current status page for more information) while maintaining the original look and feel through the process of collaborative development. Included are DejaVuSans-Bold, DejaVuSans-BoldOblique, DejaVuSans-Oblique, DejaVuSans, DejaVuSansCondensed-Bold, DejaVuSansCondensed-BoldOblique, DejaVuSansCondensed-Oblique, DejaVuSansCondensed, DejaVuSansMono-Bold, DejaVuSansMono-BoldOb, DejaVuSansMono-Oblique, DejaVuSansMono-Roman, DejaVuSerif-Bold, DejaVuSerif-BoldOblique, DejaVuSerif-Oblique, DejaVuSerif-Roman, DejaVuSerifCondensed-Bold, DejaVuSerifCondensed-BoldOblique, DejaVuSerifCondensed-Oblique, DejaVuSerifCondensed.

Authors and contributors comprise Adrian Schroeter, Ben Laenen, Dafydd Harries, Danilo Segan (Cyrillic), David Jez, David Lawrence Ramsey, Denis Jacquerye, Dwayne Bailey, James Cloos, James Crippen, Keenan Pepper, Mashrab Kuvatov, Misu Moldovan (Romanian), Ognyan Kulev, Ondrej Koala Vacha, Peter Cernák, Sander Vesik, Stepán Roh (project manager; Polish), Tavmjong Bah, Valentin Stoykov, and Vasek Stodulka. The idea is to eventually cover most of unicode. Currently, this is covered: Latin (+supplement, extended A and part of extended B), IPA, Greek, Coptic, Cyrillic, Georgian, Armenian, Hebrew, N'ko, Tifinagh, Lao, Canadian aboriginal syllabics, Ogham, Arabic, math symbols, arrows, Braille, chess, and many dingbats.

Alternate download site. Wiki page with download information.

Fontspace link. [Google] [More]  ⦿

Delta Computer Homepage

Font vendor: has OCRA and B, APL, LetterGothic, Courier, Script, Arabic, Katakana, Korean, and Russian fonts. [Google] [More]  ⦿

Denis Bashev

Russian designer of Reflex, a face that marries old ustav influences with modern scripts. His LineFont is a pixel experiment. [Google] [More]  ⦿

Denis Masharov

Born in Moscow in 1973, he has a Bachelor of Arts degree. A professional designer since 1996, he now designs type and is involved in typographic projects. At Google Font Directory, we can download his Latin/Cyrillic poster font Ruslan (or Rusland) Display (2011), the freehand lettering face Marck Script (2011, based on the hand of Marck Fogel), and the angular Kelly Slab (2011).

Bolster (2011) is a unicase fat Western face.

Forum (2011) is a classical roman face.

Ruslan Display (2011) was co-designed with Vladimir Rabdu, this decorative face is in the poluustav style dating from the 16th century.

In 2011, he set up the Denis Masharov foundry at MyFonts.

Free fonts published at Google Web Fonts in 2012: Ledger (Ledger was likened to Zapf's Melior by Nick Shinn, but Masharov says that it is closer to Swift), Glass Antiqua. This is a revival of the 1913 typeface Glass Antiqua by Genzsch & Heyse (original by Franz Paul Glass, 1912). Poiret (2012, free at Google Web fonts) is a Latin / Cyrillic geometric grotesque that combines art deco with avant garde.

Bolster (2012) is a great Italian wood type face.

Tenor Sans (2012) is a Peignotian typeface (free at Google Web Fonts).

Klingspor link. Behnace link. [Google] [MyFonts] [More]  ⦿

Denis Sherbak

Russian designer. In 2008, he created a number of commercial Cyrillic/Latin typefaces, including Capitalism, NoName, Antarktika, and Alenoushka. In 2010, he made the fuzzy face Guilloche. Dafont link where one can download Capitalist and Bird Cherry (2009, sans). [Google] [More]  ⦿

Denis Smirnov

Graphic designer in Cheboksary, Russia. He has designed some alphabets in 2001. [Google] [More]  ⦿

Denis Yatsutko

Russian designer of Yatsutko Glagolitsa. Home page. [Google] [More]  ⦿

DEPOTzNET

Organized font archive. Many subcategories including Party fonts, Holiday fonts, Balloons, Halloween, Christmas, screen fonts, phonetic fonts, African, Balinese, Bengali, Burmese, Cambodian, Croata-glagolitic, Cyrillic, Ethiopic, Georgian, Greek, Hebrew, Hindi, Hmong, Japanese, Javanese, Khmer, Lao, Malayan, Nepali, Nko, runes, Tamil, Vietnamese. [Google] [More]  ⦿

Design Station
[Evgeny Bulash]

Evgeny Bulash (Design Station), is a Russian designer, b. 1978, who lives in Stavropol. He created the ornamental caps faces UniLeaf-Italic, Ornatix and Ornatique in 2009. He also did Bladeline (2009), Republic (2009) and Unileaf (2009). Another URL. Home page. Fontspace link. Dafont link. Another URL. [Google] [More]  ⦿

Design Studio (mirror?)

Nice fonts from Design Studio in Moscow. Is this a mirror? [Google] [More]  ⦿

Design Tourist
[Henning Brehm]

Calling himself a design tourist, German designer Henning Brehm makes fonts for films. His company in Berlin is also called Design Tourist. Agitka (2010, 8 styles) contains Latin and Cyrillic characters, in a constructivist theme, and has a Neon sub-style that was used in the film Bourne Ultimatum. This family can be bought at Gestalten. In 2010, he published Kraut, a round outline face, and Koffer (a screen font family).

Pandorum (2012, a spaceship typeface, by Henning Brehm and Alejandro Lecuna) was especially designed for film sets in the science fiction movie Pandorum starring Ben Foster, Antje Traue and Denis Quaid.

Klingspor link. [Google] [MyFonts] [More]  ⦿

DEsign--Moscow
[Evgenij Dobrovinskii]

Russian foundry. Evgenij Dobrovinskii designed Faktor, Inessa Cyrillic (calligraphic handwriting) and Magister Cyrillic (book) there. Mac fonts. A. Kustov's Aksent (TypeMarket, 1993) was based on a design of Dobrovinskii. [Google] [More]  ⦿

Devillo Devianti

Manchester, UK-based artist (b. 1984) who created Daggarland (2004, a scratchy handwriting face). No downloads. [Google] [More]  ⦿

Diai

Diai is a great Russian foundry, with about 100 free original fonts, Cyrillic adaptations of Latin fonts. Also known under the name Diai JS Font Collection, most fonts have been made in the 1995-1997 period. They include ArbatDi, BinnerDi, MicraDi and Rodeo95. They have a separtae page on script fonts, which includes the good-looking Kursiv95. [Google] [More]  ⦿

Diana Gibadulina

Designer at Ria Novosti News Agency in Moscow. During her education at the British Higher School of Art and Design (Moscow), she created the modular typeface Melodia (2012, Cyrillic). [Google] [More]  ⦿

Diego Sanz Salas

Peruvian creator (b. 1984, Arequipa) at FontStruct in 2009 of Sencilla (+Cuadrada, +Morena), a family that covers Latin, Cyrillic, Extended Latin, Hebrew, Greek, Armenian, Coptic, Arabic, Thai, and Devanagari. At FontStruct in 2008, he made mercury and mercury_bold. At Cocijotype, he created the artsy Incan stone wall-inspired Quincha (2009), which according to this site is the first commercial font made in Peru. It won an award in the experimental category at Tipos Latinos 2010.

Amarilis (2011) is an ornamental caps face, which can be bought here.

Chicha (2012) is a bouncy curvy layered set of typefaces published by Cocijotype.

MyFonts link. Logo. Interview in March 2010. Behance link. Klingspor link. [Google] [MyFonts] [More]  ⦿

diffraction

Cyrillic fonts such as Calligraph, TimesNewRoman, GothicRusMedium and Arial. [Google] [More]  ⦿

Digital Photo
[Konstantin Sirotkin]

Digital Photo is a Ukrainian outfit (based in Kiev) where two fonts were made by Konstantin Sirotkin, KSScript (handwriting) and Digital (a pixel font). See also here. [Google] [More]  ⦿

Dima Buko

Dima Buko (Minsk, Belarus) created the children's face Bookie (2011) for Latin and Cyrillic. Behance link. [Google] [More]  ⦿

Dimitri Yarynych

Ukrainian type designer who made Terraformer (2011, Die Gestalten), which is a sans family with Latin and Cyrillic parts. [Google] [More]  ⦿

Dimitris Foussekis

Famous Greek illustrator, who studied geology and paleontology and worked as a specialist designer for archeological findings. Among his influences are Edmund Guy and Philip Burke. His designs appear weekly in magazines and often in advertising campaigns. He has designed several typefaces for Parachute such as PF Wonderland Pro (2003-2006, a curly/angular face with fantastic dingbats, a font for fairy tales), PF MyWay, PF ManicAttack, as well as Da Vinci Script Pro (2001-2006, with Panos Vassiliou, covers Latin, Greek and Cyrillic). [Google] [MyFonts] [More]  ⦿

Dino Art Corporation

Cyrillic fonts by the Dino Art Corporation, dating from 1993, include Cirilica60, Cirilica80, AmericanUncialCirilica, ArabiaCirilica, AardvarkCirilicaBold, AardvarkCirilica, ArialCirilicaBold, ArialCirilicaItalic, Arial-Cirilica, ArialCirilicaBoldItalic, AristonCirilicaBoldItalic, AtletaCirilica, BahamasCirilica, BangkokCirilicaBold, BangkokCirilica, BedrockCirilica, BekerCirilicaBold, BodoniCirilicaBold, BodoniCirilicaItalic, BodoniCirilica, BodoniRomanCirilica, BodoniCirilicaBoldItalic, BookCirilicaBold, BookCirilicaItalic, BookCirilica, BookCirilicaBoldItalic, BremenCirilica, BroadwayCirilica, BrushScriptCirilica, CaligraphCirilica, CenturyCirilicaItalic, CenturyCirilica, CzarCirilicaBold, CzarCirilicaItalic, CzarCirilica, CzarCirilicaBoldItalic, GoliatCirilicaBold, Goliat-Cirilica, HelveticaCirilicaBold, HelveticaCirilicaItalic, HelveticaCirilica, HelveticaCirilicaBoldItalic, HippoCirilicaBold, Madrone-Cirilica, MemorandumCirilica, Miroslavljeva-Cirilica, MurmanskCirilica, OdessaScriptCirilica, RenfrewCirilica, SouthernCirilicaItalic, Southern-Cirilica, TimesCirilicaBold, TimesCirilicaItalic, Times-Cirilica, TimesRomanCirilicaItalic, TimesRomanCirilica, TimesRomanCirilicaBoldItalic, TimesCirilicaBoldItalic, UnicornCirilica. They can be downloaded at the site of the Serbian Orthodox Church. Some are also here. [Google] [More]  ⦿

Dmitri Lavrow

Born in 1961 in Leningrad, Dmitri designed Hardcase at FontShop. He also made Hannover Milennial (sans; at Die Gestalten) and HardCase-Striped (free font at Die Gestalten). [Google] [MyFonts] [More]  ⦿

Dmitrij Greshnev

Green Type is the foundry of creative Russian type designer Dmitrij Greshnev (b. 1975, Lengingrad). Still based in Leningrad, Dmitrij received a TypeArt 05 award for the display family Multicross (2003-2004), which can be bought at ParaType. He will win many more awards. His typefaces include Stopwatch (2010, LED face), Sokol (Old Slavonic Latin simulation face), Slavica (2010), Reliant (2010, with Iza W at Intellecta Design), Reliant Beveled (2012, free), Logistica (2010, army stencil), Danger (2010, another army stencil), Dusk Thin (2010), and Multicross (2003-2004, stitching font). Typefaces from 2011: Zoo300 (techno sans; +Shadow, +yrillic). Behance link.

View Dmitry Greshnev's typefaces. [Google] [MyFonts] [More]  ⦿

Dmitriy Aladkin

Nizhniy Novgorod, Russia-based illustrator and designer. Creator in 2012 of the Cyrillic typeface FEDR, and of MephodiyD (old slavonic). He also made Prut (2012) and Favor (2012). [Google] [More]  ⦿

Dmitriy Ivanov

Creator of Franzisk (2001, with Ivan Arbatskiy). [Google] [More]  ⦿

Dmitriy Konovalov

Russian designer of these typefaces: Prokofe (elegant display face), eleQtronique (LED simulation). [Google] [More]  ⦿

Dmitriy Shchetinskiy

Russian type designer who made the calligraphic greetings face Congratulatory (2010) and the curly all-caps face Lemonchello (2011). [Google] [MyFonts] [More]  ⦿

Dmitriy Terskov

Russian designer of Killer's Sketchbook (2010, handprinted Latin font). He also made the octagonal display face Counterstrike (2010) and the grunge faces Invaders Must Die (2010) and Draff (2010). Dafont link. [Google] [More]  ⦿

Dmitry Bazhanov

Russian type and book designer, 1902-1945 or 1946. His characters were made into alphabets in 1961 by Mihail Grigorevich Rovenskiy, who called the type family Bazhanov. [Google] [More]  ⦿

Dmitry Busarev

Vector artist in St. Petersburg, Russia. Creator of the handprinted (Latin) outline face Mirvoshar Stroked (2010). Dafont link. [Google] [More]  ⦿

Dmitry Dervenjov

Russian designer with Nikolay Dubina of the Runic font series (2001). See also here. [Google] [More]  ⦿

Dmitry Goloub

Moscow-based codesigner with Lucas Perdidaão of the free grid-based art deco typeface Bobber (2012, in ai format).

Behance link. [Google] [More]  ⦿

Dmitry Kachanov

Designer of the Latin/Cyrillic book family simply called Freedom Typeface (2010) while he was a student at the British Higher School of Art and Design in Moscow. [Google] [More]  ⦿

Dmitry Komissarov

Russian type designer who produced many cyrillizations of Western fonts. He was associated with the TeamAxis collection and later with ParaGraph. Creations include PigraphBTT and OrnamentTT (1994), QuantAntiquaCTT (1994), ArtSans, CourtierC, KarinaC, KursivC, TenseC (all 1994, TeamAxis), Izhitsa (1992, ParaGraph), KabelCTT-Medium. [Google] [More]  ⦿

Dmitry Manoshin

Designer of the Cyrillic font LirussTYPGRA (1994), which can be found here. [Google] [More]  ⦿

Dmitry Morozhnikov

Aka dmiceman, Dmitry Morozhnikov is the designer of the free Latin/Cyrillic font DMScript (2008). [Google] [More]  ⦿

Dmitry Rastvortsev

Ukrainian type designer (b. 1977, Buryn) who graduated from Sumy State University in 1999. Since 2002, he creates digital fonts. He works at Dancor advertising in Sumy, Ukraine, since 1997. He received a TypeArt 05 award for the display family DR Galushki (and DR Galushki Hole, 2011), which was designed for children's books. Other creations: Dekapot (grunge), DR Agu (comic book face), DR Vixi, DR UkrGotika Sans, DR UkrGotika Serif. His funny DR Krokodila won an award at Paratype K2009. MyFonts link. [Google] [MyFonts] [More]  ⦿

Dmitry Taranov

Rostov-based Russian designer of Ludmila023 (2003, sans serif) and Modern Usual Pixel Edit (2003).

Creator at FontStruct in 2009 of Lexip (pixel face) and 8080 (a stencil face for Latin and Cyrillic). [Google] [More]  ⦿

Dmitry Yu. Bolkhovityanov

Cyrillic fonts for UNIX and Linux. Special attention paid to X11. [Google] [More]  ⦿

Double Alex Team
[Alexei Chekulayev]

Cyrillic type outfit, whose fonts were mostly designed by Alexey Chekulaev in the mid 1990s as extensions of Latin fonts. Double Alex stands for Alexey Gunin and Alexey Chekulaev. The list of fonts, all in cyrillic and many in Latin as well:

• Decorative: Angelica (1996), Apostol, Arabskij (1993, Arabic simulation face based on an artwork of designer Oleg Snarsky), ArtScript, Blagovest (a series of Old Slavonic types), BorjomiDecor, CalipsoCyrillic, CalligraphRuss, Camerton, CooperDAT, CoventryCyr, Demosfen, Drops, E2, E4, Electronica, ElectronicaS, Eskiz, 1, Eskiz, 2, FavoritTraf, Finist, Hitman, Inicial, Italiansky, Jokey, Josephine, KeyFont, Kisty, Manuscript, Mistica, Mobul, Nelma, Ottisk, Petrovsky, PresentDAT, Radius, Repriza, SansDecor, Strob, SuvenirRus, TabloFont, Triline, Verbena, Vodevile.
• Sans serif: Acsioma (1996), AcsiomaNext, Apical (1995, based on Agfa Aurora; Apical Bold is identical to Bitstream's Aurora Bold Condensed; for another version, see Castcraft's OPTI-Aurora Grotesk No. 9), Bastion, BastionKontrast (1992; codesigned with Alexey Gunin, and based on Helvetica), Blits, Block A, Block B, Bloknot, CyberCyr, Ecyr, Eurofont, Favorit, Favorit, Condensed, Freestyle, Kekur, Mania, MetRonom, Normalize, Orenburg, PaperGothic, Pinta, Plastica, Positiv, Pravda, Priamoj, PriamojProp, Regina, Rostislav, Rotonda, Rubrica, Sistemnyj, TornadoCyr.
• Serif: Adamant, Alliance (1995, based on Berkeley Old Style by Frederic W. Goudy, 1938), APCCourier, APCGaramond, BaskervilleDAT, Bodoni Cyrillic (1970), Borjomi, ClassicRuss, Coliseum, DietDido, Egypetskij, Grand, Grenader, Ideal, Jargon, Laguna, Latinskij, Legenda, Madrigal, Metropol, Shakula (1996, a heavy slab serif by Alexey Chekulaev, based on Monotype's Rockwell), Surpriz (1993, by Alexey Chekulaev, based on ITC Souvenir by Benguiat), Talisman, Vacansia.
• Special: Interfont, Plumb.

Linotype link. Paratype link. [Google] [MyFonts] [More]  ⦿

DP StudioArt Compiler

Russian foundry. In 2008, they produced these Old Slavonic typefaces: Archimandrite, Arhimandrite 2, Kalinov_Most, Moscowit-Capital, Moscowit, Nikodym, Pelagy, Pelagy_SG, Plyusnin, Serebro, Uglich. [Google] [More]  ⦿

Dr. Emil Hersak

Croatian designer from Zagreb (b. 1957) who created the Glagolitic faces GlagolicaUnicode (1998) and Staroslavenski unicode (1998). These fonts can be found here and here. [Google] [More]  ⦿

Dr. Gia Bokuchava

TbilisiCaps, TbilisiText Georgian fonts by Daniel J. Kai/XenoType Technologies (Truetype), plus some Cyrillic fonts, Windows and Mac. At Dr. Gia Bokuchava's site. [Google] [More]  ⦿

Dr. Nikolaos Trunte

Slavic language specialist at the University of Bonn, who discusses the fonts for Cyrillic, Old Cyrillic and Glagolitic. [Google] [More]  ⦿

DS Progress

From Moscow's D-Studio, Nikolay Dubina's shareware decoration cyrillic font. Mirror. [Google] [More]  ⦿

D-Studio (Moscow)
[Nikolay Dubina]

DStudio, or Design Studio, is run by Nikolay Dubina, a prolific type designer. He is also a graphic designer, book designer and journalistic writer. He also runs the educational web site ProDTP. Their original Latin/Cyrillic fonts are of the highest quality, and include: Werewolf (2003), Werewolf NU (2003), DS Cosmo, DS Yermak, DS Eraser, DS Showbill, DS Poster Pen, DS Progress, DS Podd Cyr, DS Down Cyr, DS Comedy Cyr, DS Japan Cyr, DS Standart Cyr, DS Zombie Cyr, NewDeli, Stylo, Scrawl, the wonderful DS Nadejda, and DS OlymPix (2001, a pixel font), DPix8Pt (2003, pixel font), DS-Diploma-Bold, DS-Diploma, DSArmyCyr, DSBroadBrush, DS Brushess, DSComedyCyrBold, DSCyrillic, DSDiploma-Bold-Outline-DBL, DSDiplomaArt-Bold, DSDownCyr, DSEraserCyr, DS Initials (ornamental caps), DSJapanCyr--Normal, DSKolovrat, DSMechanicalBold, DSMotterHo, DSMotterStyle, DS Nova Black, DSPixelCyr, DSPoddCyrLight, DS Poster, DSPosterPen, DSProgress-SemiBold, DSRada, DSRussiaDemo, DSSharper, DS Sholom (Hebrew simulation), DSStain, DSStampCyr, DSStandartCyr, DSUstavHand, DSVTCoronaCyr, DSZombieCyr, InavelTetkaCyr, NadejdaBold, NewDeli (great display font!), Scrawl, SeedsCyr-Medium, Stylo-Bold.

Direct access. More direct access. Some fonts are here. DS Century (2000).

Dafont link where one can find DS Goose, DS Motter, DS Arabic and DS Stamper. Old URL. Abstract Fonts link. [Google] [More]  ⦿

dstype
[Dino dos Santos]

Established in 1994, dstype used to offer free fonts but has gone commercial now. It is run by Dino dos Santos (b. 1971, Oporto) from Oporto, Portugal. He graduated in Graphic Design at ESAD, Matosinhos. He received a Masters degree in Multimedia Arts at FBAUP, Porto. MyFonts place. In 2006 he won the Creative Review Type Design Competition in the Revival/Extension Family. At ATypI 2006 in Lisbon, he spoke about Portuguese lettering since 1700. Interview in 2007. Pic. Klingspor link. Dino created these typefaces:

• Access (1997).
• Acta, Acta Display and Acta Poster (2011, +Poster swashes). A didone fashion mag family. First designed for Chilean newspaper La Tercera in 2010, DSType's Acta family is a clean information design type system. It includes Acta Symbols, an extensive dingbat family.
• Acto (2012). Acto is a type system designed as the sans serif counterpart of the previous released Acta. Both type families were designed in 2010 for the redesign of the Chilean newspaper La Tercera.
• Andrade Pro (a modern) and Andrade Pro Script: based on the calligraphy of Andrade de Figueiredo, ca. 1766.
• Anubis (2003): a unicase face.
• Apud and Apud Display (2010): a high-contrast serif family.
• Aquila (2004).
• Boldina (2004). A fat informal poster family with 18 weights and styles.
• Braga (2011, Dino dos Santos and Pedro Leal). This is a layered font design family. Dino writes: Braga is an exuberant baroque typeface, named after a portuguese city, also known as the baroque capital of Portugal. Our latest typographic extravaganza comes with a multitude of fonts designed to work like layers, allowing to insert color, lines, gradients, patterns, baroque, floral swashes, and many other graphic elements. Starting with Braga Base, you can add any of the twenty-three available styles, to create colourful typographic designs.
• Capsa (2008): a family that was inspired by, but is not a revival of the Claude Lamesle types Gros Romain Ordinaire and Saint Augustin Gros Oeil.
• Ception (2001): a futuristic sans family.
• Decline (1996).
• Dione (2003): a sans; redone in 2009 as Dobra at TypeTrust. See also Dobra Slab (2009).
• Esta (2004-2005): extensive (transitional) text and newsprint family.
• Estilo (2005): a gorgeous and simple art deco-ish geometric headline face. This was accompanied by Estilo Script (2006), Estilo Text (2007, a 6-style rounded sans family), and later, Estilo Pro (2010, +Hairline).
• Ezzo: a sans family.
• Factor (1997).
• Finura (2009): this face has hints of University Roman.
• Fragma (2003): squarish techno family.
• Girga (+Italic, +Engraved, +Banner, +Stencil) is a strong black Egyptian family designed in 2012 together with Pedro Leal at DS Type.
• Glosa (2008): Glosa is a meaty multi-style didone family. Glosa Text and Glosa Headline all followed a bit later in 2008, and Glosa Display in 2009.
• Hades (2012). A yummy and free blackletter typeface.
• Hypergrid (2002): octagonal.
• Kartago (2005): based on Roman inscriptions from Cartago.
• Large (1999) and Large Pro (2006).
• Leitura, Leitura Headline, Leitura News, Leitura Sans, Leitura Symbols, Leitura Display (2007): this 31 styles were all made in 2007.
• Maga (2012). A text family.
• Methodo (2005): calligraphic penman faces.
• Missiva (2004).
• Monox and Monox Serif (1998-2000): a monospaced family.
• Musee (2006): a transitional family with ornaments and borders.
• Otite (1995).
• Outside (1996): grunge.
• Plexes (2003). See also Plexes Pro (2006).
• Pluma (2005): a series of three exquisite calligraphic flowing scripts called PlumaPrimeyra, PlumaSegunda and PlumaTerceyra). Inspired by the typographic work of Manoel de Andrade de Figueiredo that was published in 1722: "Nova Escola para Aprender a Ler, Escrever e Contar, offerecida a Augusta Magestade do Senhor Dom Jao V, Rey de Portugal".
• Poesis (1999).
• Prelo (2008): A sans family for magazines, it has styles that include Hairline, Hairline Italic, Extra Light, Extra Light Italic, Light, Light Italic, Book, Book Italic, Medium, Medium Italic, Semi Bold, Semi Bold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Black, Black Italic, Slab and Prelo Condensed.
• Priva Pro (2006): a sans family that includes Greek and Cyrillic).
• Quadricula (1998).
• Quaestor and Quaestor Sans (2004). Roman inscriptional faces.
• Resea (2004) and Resea Consensed: Bank Gothic style faces.
• Synuosa (1999): an experimental face showing only the top half of the characters.
• Terminal (1996).
• Titan and Titan Text (2003).
• User (2012), User Upright (2012), and User Stencil (2012). Monospace type families.
• Velino (2010): an extensive family including Velino Text, Velino, Velino Condensed, Velino Compressed, Velino Poster, Velino Sans, Velino Sans Condensed, Velino Display (+Compressed Display, +Condensed Display). This didone superfamily is sure to win a ton of awards.
• Ventura (2006): based on the calligraphy of Portuguese calligrapher Joaquim José Ventura da Silva, ca. 1802, who wrote Regras methodicas para se aprender a escrever os caracteres das letras Ingleza, Portugueza, Aldina, Romana, Gotica-Italica e Gotica-Germanica in 1820. It had a "Portuguese Script". Do not confuse Ventura with Dieter Steffmann's font by the same name made many years earlier. Ventura won an award at TDC2 2008).
• Volupia (2005): a connected advertising face.

View Dino dos Santos's typefaces. [Google] [MyFonts] [More]  ⦿

DTC (Digital Typeface Company)

DTC (Digital Typeface Company, est. 1999, closed in 2004) was a Hungarian outfit founded and run by printer-typographer Attila Derecskei that developed and sells OpenType, truetype and Type 1 fonts on CDs or via downloads for just about every platform. One of their products was called ProFonts Library. An earlier name of the company was ScanDer Ltd, established by Derecskei in 1993. Other typographers at ScanDer included Leslie Egerer and Cathy Saufert. They said: "2500 TrueType&PostScript font for Windows 3.1x / 95 / 98 / Me / NT / 2000 / XP / OS2 / Linux / MacOs with Unicode. Some fonts with Cyrillic, Greek and Hebrew characters. Special pack is the PixelFonts Library for Flash. Developed by Digital Typeface Co. USA. Managed by Jon Stern." MyFonts link. [Google] [MyFonts] [More]  ⦿

dubna.su

4MB worth of Cyrillic fonts in about 5 files. [Google] [More]  ⦿

Duran Duran

Small font archive. [Google] [More]  ⦿

Dusan Jelesijevic

Serbian graphic designer. Cofounder in 2009 with Slobodan Jelesijevic, his father, of the Serbian foundry Tour de Force. MyFonts link. His most popular typefaces showcased. Fontspring link. Klingspor link. Creator of these typefaces:

• Dusan Script (2009, Ascender: a monoline informal handprinted script).
• Artvod (2009, slabby and octagonal at the same time).
• Qiltray (2009, handwriting for long texts).
• Punkerro Crust (2009, delicious scratchy type).
• Rough the Type (2009, blackboard style).
• Shuma (2009, handwriting).
• Dolina Script (2010).
• Econs (2010, ecology dingbats).
• Sensor (2010, an ink-trap monoline face).
• Enforcer (2010, an elliptical headline sans).
• Passage (2010, a great art deco family, including Initials and Borders).
• Amanet (2011). A flared display face.
• Osmacka azbukovica (2011). A Cyrillic font made by his kids in school.
• The clean-cut semi-humanist sans family Centim (2011).
• The Egyptian faces Saxophone Soprano and Saxophone Baritone.
• Debelly (2011), one of the best faces to come out of Tour de Force. They say about this elegant fat poster face: Debelly is catchy fat typeface, with lovely geometric shapes. Inspired with contrast strokes, with square joins, Debelly gives an impression of retro style combined with contemporary trends. It is designed specially for packaging, posters, logotypes or headlines, even it can be pretty handfull in smaller sizes. Contains 375 glyphs.
• Epitet (2011). A simple monoline family built around elegant elliptical shapes.
• Refren (2012): A monoline script face.

View Dusan Jelesijevic's typefaces. [Google] [MyFonts] [More]  ⦿

Ectaco

In 1999, this company produced a number of fonts that combine Latin with other languages such as Cyrillic, Greek, Turkish and Arabic. Download here. [Google] [More]  ⦿

Edik Ghabuzyan

Head of the Department of Creating and Keeping Armenian fonts of the National Book Chamber in Yerevan, Armenia. Edik Ghabuzyan has been creating Armenian computer fonts since about 1988---a total of about 300 digital fonts. In 1997, one of his fonts won the Best Font prize in HiArt Armenian Fonts competition. In 2005, his Vernatun and ArmTimesST fonts were awarded the main prizes and the Titghosagir the first prize in Mashtots-1600 Electronic Fonts competition. In 2006, several of his fonts won the main prizes in Armenian Schoolbook Fonts competition. He has designed Armenian letters in Unicode and later Latin, Cyrillic and Greek letters, preserving a uniform style /across the spectrum. Today, Edik Ghabuzyan works at the National Book Chamber of Armenia as the head of the section of Saving and Creating Armenian Fonts. He won several awards at Granshan 2008, and organized both Granshan 2008 and 2009.

He created (free) Armenian extensions of Microsoft's Tahoma, GHEA Tahoma (Regular, Bold), in 1996. His winning entries in Granshan 2009 include Aragast (for Cyrillic), Asparez, Parmani, Notgrir, and Diana.

He also designed GHEA Tigran (2008, awarded the Grand price in the Granshan 2008 International Type Design competition), GHEA Koryun (2011), GHEA Gohar (2009), GHEA Aspet (2011), GHEA Lilit (2012, a nice text family), GHEA Narek (2012, a sans family with built-in contrasts). Most of his fonts cover Latin, Greek, Cyrillic and Armenian.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Eesti Keele Instituut

Phonetic font archive in Estonia with the RusEE family [RusEEBold, RusEEBoldItalic, RusEEItalic, RusEE, RusEERItalic, RusEER] (Monotype, 1992, a Microsoft core font), Venelane (Cyrillic), VenelaneTrans (Latin), Fone (Corel), and the Phonetic Times family (Monotype, 1992) [PhoneticTimesC, PhoneticTimesCBold, PhoneticTimesCBoldItalic, PhoneticTimesCItalic, PhoneticTimesEMS, PhoneticTimesEMSBold, PhoneticTimesEMSBoldItalic, PhoneticTimesEMSItalic, PhoneticTimesIMSK, PhoneticTimesIMSKBold, PhoneticTimesIMSKItalic, PhoneticTimesIMSKBoldItalic, PhoneticTimesISBoldItalic, PhoneticTimesS, PhoneticTimesSBold, PhoneticTimesSBoldItalic, PhoneticTimesSItalic, PhoneticTimesSL, PhoneticTimesSLBold, PhoneticTimesSLBoldItalic, PhoneticTimesSLItalic, PhoneticTimesV, PhoneticTimesVBold, PhoneticTimesVBoldItalic, PhoneticTimesVItalic]. Site maintained by Indrik Hein. Some of the weights of Phonetic Times are by Esko Oja (Türnpu 11-3, Tallinn EE0001, Estonia) for the Institute of Estonian Language (Roosikrantsi 6, Tallinn). [Google] [More]  ⦿

EFI Home Page (Educational Fontware)

Sells handwriting-fonts designed to exactly replicate many educational handwriting styles. In particular, they have these:

• D'Nealian: DN Cursive and DN Manuscript.
• Zaner-Bloser: ZB Manuscript, ZB Cursive, OZ Manuscript, OZ Cursive.
• A Beka: AB Cursive and AB Manuscript, based on the style shown in workbooks developed by A Beka Book, Inc.
• Bob Jones University: CCU Cursive and CCU Manuscript, ugly fonts based on materials copyrighted by Bob Jones University.
• DKL Cursive and DKR Cursive, patterned after the handwriting methods in the workbooks Cursive Writing Skills (Educators Publishing Service, Inc, 31 Smith Place, Cambridge, MA), by Diana Hanbury King.
• Frank Schaffer: FS Classic, FS Contemporary, and FS Manuscript, developed using materials copyrighted by Frank Schaffer Publishing.
• Getty-Dubay Italic: GDI Basic, GDI Combined, and GDI Cursive, a handwriting method developed by Barbara M. Getty and Inga S. Dubay at Portland State University, Continuing Education Press. EFI worked with Getty and Dubay to develop its GDI fonts.
• Handwriting Without Tears: HWT Cursive and HWT Manuscript, pretty upright cursives and a hairline geometric sans. Handwriting Without Tears is a registered trademarked of Jan Z. Olsen.
• Harcourt Brace: HB Cursive and HB Manuscript.
• Loops and Groups: LG Cursive, based on the handwriting samples in the copyrighted Instructor's Manual Loops and Other Groups---A Kinesthetic Writing System by Mary Benbow.
• McDougal, Littell: McD Cursive and McD Manuscript, based on materials copyrighted by McDougal, Littell&Company.
• Palmer: Palmer Manuscript (simple hairline sans), Vintage Palmer and New Palmer, which include several variations of the cursive handwriting style that constitute the Palmer Method. Vintage Palmer is based on a 1923 workbook, and New Palmer on a 1987 workbook.
• Pentime: PT Cursive and PT Manuscript, developed for use by the Amish communities, through workbooks rather than directly with computers. The fonts were created for JKL Services, who use the fonts to produce handwriting materials for the Amish community.
• Peterson Directed Handwriting: PM Cursive, PM Block, and PM Slant.
• Queensland: QM Cursive and QBA Manuscript, based on samples from workbooks by Horowitz Martin Education.
• Russian: RU Cursive and Manuscript families (9 fonts) for Cyrillic.
• Seattle School District: SSD Cursive and SSD Printscript, based on handwriting samples and methods developed by Patricia Heller and Elaine M. Aoki for the Seattle Public Schools. samples were found in a 1993 K-5 handwriting manual called Write It Right (Seattle Public Schools).
• Steck Vaughn: SV Cursive and SV Manuscript, developed using materials copyrighted by Steck Vaughn Company.
• Specialty Fonts: four Ball-and-stick and Dashes fonts, Braille 24 and Braille 24 Hollow, Clocks, EFI Count Dots on Numbers, EFI Direct Instruction, EFI Music Symbols, Emo-faces, Fingerletters (for American Sign Language), Lettersound Pictures, Morse Code, Phonetics Phont, POSTNET-16.

Egor Suvorov

Belarussian typographer and type designer. His typefaces include Slim (2010) and Kvadrocircle (2010, an angular Latin/Cyrillic face done while studying with Ilya Ruderman). [Google] [More]  ⦿

Ekaterina Anenko

Designer of the Latin/Cyrillic text superfamily Fregata (2010) while she was a student at the British Higher School of Art and Design in Moscow. Pic. Promotional samples of Fregata (serif and sans, regular and bold, Latin and Cyrillic) while we are waiting for the awards to roll in: i, ii, iii, iv, v, vi, vii, viii, ix, x, xi, xii, xiii, xiv, xv, xvi, xvii, xviii. [Google] [More]  ⦿

Ekaterina Maslova

Russian type designer, b. St. Petersburg, 1978. She entered the St. Petersburg State Academy of Arts and Design in 2000. Her typefaces include Cube, India, Daiga and Messo. She received a TypeArt 05 award for the display family Daiga, which was created on the basis of the poluustav handwriting published in the 17th century in the collection of hagiographies for Avvakum and Epifany. [Google] [More]  ⦿

Ekaterina Pulenko

Russian designer at Paratype of the ink-splatter script face Dew Cyrillic (2009). [Google] [More]  ⦿

Ekaterina Vorobieva

Designer of the Latin/Cyrillic slab serif Provinciale (2009). [Google] [More]  ⦿

Ekatherina Galuyan

Or Katya Galuyan. Russian type designer. She created the fat brush face Shaltai (2008, Paratype). Klingspor link. [Google] [MyFonts] [More]  ⦿

Eldesign

A discussion of Russian typography books. In Russian. [Google] [More]  ⦿

Electronic Font Foundry
[Edward Detyna]

The Electronic Font Foundry (EFF) sells most classical fonts at about 15 dollars per weight, and makes custom fonts. It is hard to believe they designed all these fonts themselves from scratch. Here is a sample of EFF Lipa. Cyrillic fonts. EFF Times Phonetic and other phonetic fonts. Some claim Vain is a rip-off of Rotis. The font "designer" is Edward Detyna. On July 4, 2002, Apostrophe wrote this: "I'm currently having a difficult time trying to predict the past of EFF LondonA, EFF Liz, EFF Eric and EFF Formal, to name a few. I have a feeling that these folks just happen to be twins with entities that are currently across the Atlantic from them, namely Adobe Garamond, Cooper Black, Gill Sans and Copperplate Gothic." A friend of Detyna's writes this: When I met him at least twenty years ago, Edward and his associates had a font design studio based in Ascot, near London. He is a mathematician/statistician turned typographer, and was really on top of type design at the time. There are academic articles published on mathematical subjects on the internet. He's an old man now, but still a very smart guy. When he started, with fonts for Acorn RISC-OS (now defunct, but leading-edge British computer of mid-eighties to -nineties), he had very advanced and sophisticated algorithms for anti-aliasing and hinting, and his hand-hinting is still better than almost any other fonts I have used for screen work. He still sells fonts and adapts to user requirements promptly. I recently asked him to adjust the hinting on a font and he turns it around in a day. [Google] [More]  ⦿

Elena Alexandrovna Trofimova

Russian type designer, b. 1943, Moscow. [Google] [More]  ⦿

Elena Balakhnova

Graphic designer in Shenzhen, China. ArtMy (2010) is an ornamental art nouveau face that was based on letters hand-drawn by herself. [Google] [More]  ⦿

Elena Kolesnikova

Russian type designer. She received a TypeArt 05 award for the display family Calm Hour. In 2009, Paratype published Quiet Time (Latin & Cyrillic). Klingspor link. [Google] [More]  ⦿

Elena Kowalski

Russian brander from Ufa who created the Latin / Cyrillic face Sreda Slab Serif (2011), Road Radio Sans Serif (2011) and Affect Sans Serif (2011, a fashion sans family for Latin and Cyrillic). [Google] [More]  ⦿

Elena Novoselova

Born in Ioshkar-oila in 1984, Elena Novoselova graduated from the Moscow State University of Printing Arts in 2006. Currently, she designs type at Art Lebedev Studio, where she made ALS Dereza (2010, a grotesk comic book style face for children's books), ALS Mezzo (2009, a flared sans), ALS Heino (2008, a decorative face with two styles that was inspired by a piece of lettering in an old magazine), ALS Klementina (2011, a calligraphic cursive typeface based on brush pen handwriting), and ALS Mirta (2007), a mild slab serif family that is easy on the eye. MyFonts interview. [Google] [MyFonts] [More]  ⦿

Elena Tzaregorodtseva

Russian type designer who designed

• Baskerville (1961, at Polygraphmash). See here for the URW+ version of this family.
• the sans family TextBook (1958, at Polygraphmash). This was digitized at Paratype in 2008 (Isabella Chaeva and Emma Zakharova).
• Paratype Journal Book (first designed at the Polygraphmash type foundry in 1951-53 by Lev Malanov and Elena Tzaregorodceva, based on the typeface Excelsior (1931, Mergenthaler Linotype, Chauncey H. Griffith); digital version at Paratype, 1994).
• Schoolbook (1949-1961, Polygraphmash; based on Shkolnaya (school) typeface (1939, project manager Evgeny Chernevsky), which in turn was a version of Century Schoolbook of American Type Founders (1915-1923, Morris F. Benton). URW writes: "The low-contrast text typeface of the Ionic-Legibility group, it is designed expressly for schoolbooks and children books."

Elnara Elizabeth Browers

American type designer, b. 1984, Baku, Azerbaijan. She earned a degree in International Law from Western University in Baku, Azerbaijan and paralegal certificate from the National Paralegal College in Arizona. In 2010, she created the ink-stained handprinting font Jeyran together with Michael Jason Browers. [Google] [MyFonts] [More]  ⦿

Elro

Company that made Cyrillic versions of six fonts used by Nike: Knockout 94 Ultimate Sumo Cyrillic, Acropolis Black Cyrillic, Agency FB Black Wide Cyrillic, Knockout 29 Junior Lightweight Cyrillic, Knockout 69 Full Lightweight Cyrillic. [Google] [More]  ⦿

Elvira Slysh

Designer at ParaGraph of PT Ornament (1992), Numerals (1992, letters in circles), PiGraph A (1992, arrows), PiGraph B (1992, dingbats), PT ITC Studio Script (1994, a Cyrillic extension of Pat Hickson's ITC Studio Script, 1990), Corrida (1989, based on Helmut Matheis' Slogan, 1959), Astron (1991), after a design Gonzales Jeanette by Francisco Gonzales (Photo Lettering Inc). She also made a Cyrillic version of Renner's Futura Black, called Futura Eugenia (1987, Polygraphmash), as well as Parsek (ParaGraph, 1990), based on Brush Script (ATF, 1972, Robert E. Smith). [Google] [More]  ⦿

Elvis Mehmedovic

Croatian designer of PX Glagolitic 01, a freeware pixel font for glagolitic script. Regalar and bold versions are available. Recommended usage size is 8pt. He also made the great free pixel family PX Sans Nouveaux (2008), about which he writes: Sans nouveaux is designed for the malcontents. [...] Sans nouveaux is serious business. Dafont link. [Google] [More]  ⦿

Emma Zakharova

Russian type and graphic designer. She worked for VNII Polygraphmash as a type designer. Later, she worked as a type designer for ParaGraph. Her oeuvre includes

• Tip Times (with Gennady Baryshnikov).
• TextBook (1987). Italic and Latin sets added to the 1958 Polygraphmash typeface of Yelena Tzaregorodtseva.
• TextBook New (2007-2008, Isabella Chaeva, ParaType) is based on Bukvarnaya (TextBook) photocomposing version designed in 1987 by Emma Zakharova. The initial Bukvarnaya for metal composition was created at Polygraphmash in 1958 by Elena Tsaregorodtseva specifically for first level school textbooks.
• Mysl. Designed at the Polygraphmash type design bureau in 1986 by Isay Slutsker, Svetlana Yermolaeva ans Emma Zakharova. It was based on the Polytizdatkaya type family (1966 Vera Chiminova), which in turn was inspired by the typefaces of Garamond. The family was initially developed for Mysl Publishers, Moscow, for text matter. Available now as ParaType Mysl in both Latin and Cyrillic versions, and also sold by URW. MyslNarrow (1992-1996, Intermicro, with Svetlana Yermolayeva and Isay Slutsker).
• PT ITC Flora (1993). Co-designed with Vladimir Yefimov. She did the Cyrillization.

FontShop link. [Google] [MyFonts] [More]  ⦿

Energy

A 24MB rar file with hundreds of Cyrillic truetype fonts. [Google] [More]  ⦿

ER Univers
[Gavin Helf]

ER UniversIF2 and ER UniversIV2 are a pair of Cyrillic typefaces originally designed by Gavin Helf in 1994. Subsequent modifications were by Curt Ford (1998) and Ken Petersen (1998). [Google] [More]  ⦿

Erik Spiekermann

German type designer and graphic designer par excellence, born in 1947 in Stadthagen. He set up MetaDesign in Berlin in 1979. In 1988 he set up FontShop, home of the FontFont collection. He holds an honorary professorship at the Academy of Arts in Bremen, is board member of ATypI and the German Design Council, and president of the ISTD (International Society of Typographic Designers). In July 2000, Erik left MetaDesign Berlin. He now lives and works in Berlin, London and San Francisco, designing publications, complex design systems and more typefaces. He collaborated on the publication of the comprehensive FontBook. He teaches typography at the Art Academy in Bremen, and is guest-lecturer at several schools around the world.

In October 2003, he received the third Gerrit Noordzij Prize, which is given every other year to a designer who has played an important role in the field of type design and typography. It is an initiative of the postgraduate course in Type&Media at the Hague Royal Academy of Art with the Meermanno Museum (The Hague).

His essay on information design.

Biography. Bio alt Linotype. Laudatio by John Walters of Eye Magazine. Blog.

Presentation at ATypI 2006 in Lisbon. Presentation at ATypI 2008 in St. Petersburg. Interviewed in 2006 by Rob Forbes. Speaker at ATypI 2010 in Dublin.

He made the following typefaces and type families:

• Lo-Type (1913, Louis Oppenheim) was digitally adapted by Spiekermann for Berthold in 1979-1980. BERTLib sells it as Adlon Serif ST.
• PT 55 (1986), the precursor of FF Meta.
• Berthold Block
• Berliner Grotesk (1979-1980, Berthold): based on an old Berthold AG face from 1923.
• FF Govan
• The huge families FF Meta1, FF Meta2, FF Meta3 (2003), FF Meta Condensed (1998) and FFMetaCorrespondence. The FF Meta families (1985) were originally designed for Bundespost, which did not use it--it stayed with Helvetica for a while and now uses Frutiger. Meta comes with CE, Cyrillic, Greek and Turkish sets as well. Weights like Meta Light (Thin, Hairline) Greek are available too. Spiekermann is a bit upset that Linotype's Textra (2002, a face by Jochen Schuss and Jörg Herz) looks like it was cloned off Meta.
• Meta Serif by Christian Schwartz and Erik Spiekermann, promised for May 2007. Kris Sowersby will also help, but the 2007 deadline seems to have been optimistic.
• ITC Officina in versions Sans Book (1989-1990) and Serif Book (1989-1990).
• Boehringer Sans and Antiqua (1996): custom types.
• Grid, which appeared in FUSE 3.
• Codesigner with Ole Schaefer (FontShop, 2000) of FF InfoDisplay and FF InfoText in 1997 and of FF InfoOffice in 2000.
• NokiaSans and NokiaSerif (2002, company identity family). This was in cooperation with Jelle Bosma. Before Nokia Sans and Serif, Nokia used Rotis. Nokia Sans and Serif were replaced by Nokia Pure (Bruno Maag) in 2011.
• Glasgow Type (1999), for the city of Glasgow, taking inspiration from the Rennie Macintosh types.
• Heidelberg Gothic (1999).
• Symantec Sans and Serif (2003): custom types.
• FF Unit (2003-2004; see also here), another sans family, which won an award at TDC2 2004. This was followed by FF Unit Rounded. And FF Unit Rounded started according to Erik as Gravis, the largest Apple dealer in Germany. FF Unit Slab (2009) is the product of a cooperation between Kris Sowersby, Christian Schwartz, and Erik Spiekermann.
• ITC Officina Display (2001).
• FF Meta Thin Light and Hairline (2003) and FF Meta Headline (2005).
• Bosch Sans and Bosch Serif (2004).
• The SeatMeta family (2003) for Seat.
• DB Type in six styles (Serif, Sans, Head, Condensed, Compressed, News): designed in 2005 in collaboration with Christian Schwartz for the Deutsche Bahn (train system in Germany). Some typohiles say that it reminds them of Bell Gothic and Vesta.
• A Volkswagen company family based on a correction of Futura.
• The DWR House Numbers Series (2006): four fonts with numerals for house numbers: Contemporary House Numbers, Tech House Numbers, Classic House Numbers (based on Bodoni), Industrial House Numbers (stencil). DWR stands for Design Within Reach.
• Tech (2008, FontStruct), a rounded squarish headline face.
• Axel (2009): developed jointly with Erik van Blokland and Ralph du Carrois, it is a system font with these features:
  • Similar letters and numbers are clearly distinguishable (l, i, I, 1, 7; 0, O; e, c #).
  • Increased contrast between regular and bold.
  • High legibility on the monitor via Clear Type support.
  • Seems to outperform Courier New, Verdana, Lucida Sans, Georgia, Arial and Calibri, according to their tests (although I would rank Calibri at or above Axel for many criteria).

Picture of Eric Spiekermann shot by Chris Lozos at Typo SF in 2012.

FontShop link.

View Erik Spiekermann's typefaces. [Google] [MyFonts] [More]  ⦿

ERK Democratic Party

Free Uzbek Cyrillic fonts: AardvarkUzbNormal, AcademyUzb, RusTimesNormal, RusTimesNormalItalic. The latter two fonts are by Ishtar Software (1993). [Google] [More]  ⦿

Erté

Erté (Romain de Tirtoff) was a well-known art deco era artist. Born in St. Petersburg, Russia in 1892, he died in 1990 in Paris. In 1912, Erté moved to Paris. In 1915, he began an association with Harper's Bazaar by designing covers of each of their magazines for the next 22 years. He became known for elegant lithographs and sculptures for the fashion industry. On these pages, you find an elegant set of capitals and numerals in which the glyphs are formed by elegantly drawn naked women.

Wikipedia. [Google] [More]  ⦿

escort@chat.ru

Arial and Times Cyrillic families (truetype). [Google] [More]  ⦿

Eugen Divjak

Croatian designer from Zagreb of the Glagolitic font Krcka glagoljska kurziva (2002, also called Kr*ka notarska *kola), a glagolitic quickscript from the island of Krk. This face can be found here and here. [Google] [More]  ⦿

Eugene Moklyak

A designer in Moscow who created a hairline Cyrillic didone face called Apple (2011). In 2006, he graduated from the Faculty of Design and Fashion. [Google] [More]  ⦿

Eugene Yukechev

Designer of the Latin/Cyrillic text family Kafka (2010) while he was a student at the British Higher School of Art and Design in Moscow. Kafka (Sans, Serif) was intended for intellectual magazines. Scans of Kafka: i, ii, iii, iv, v, vi, vii, viii, ix. [Google] [More]  ⦿

Europaea

At the site of the "Europeanists": A file with about 15 fonts. Included are some Cyrillic fonts, uropean-Helvetica (Howard M. Berlin, 1993), Greek-Symbols (Monotype), I-PAtimes, Times-New-Roman-CE (Monotype), East-European Times, GreekSymbols, and Vocabolarjo. Alternate URL. [Google] [More]  ⦿

Eurotype

Russian foundry. A sampling of its fonts: AvantiBoldItalic, AvantiBold, AvantiItalic, BreezeBold, Breeze, Breeze, CourierETBoldOblique, CourierETBold, CourierETOblique, CourierET, DomkratBoldItalic, DomkratBold, DomkratItalic, DomkratNormal, Domkrat, Eurotype, KaliakraNormal, Kaliakra, Kaliakra, KarinaBlackItalic, KarinaBlack, KarinaBoldItalic, KarinaBold, KarinaItalic, Karina, VetrenBold, Vetren. [Google] [More]  ⦿

EversonMono for MacOs

Free Mac fonts in the EversonMono series for CSX, Celtic, Croatian, Cyrillic, Esperanto, Gaelic, Georgian, Greek, Icelandic, Inuktitut, Ogham, Romanian, Sami, and Turkish. [Google] [More]  ⦿

Every Witch Way
[D. Paul Alecsandri]

D. Paul Alecsandri designed the runic fonts Futharc (2001), NewSymbolFont (2000) and Samaritan (2001). We also find the rather complete Unicode truetype font Roman-Unicode (2001), which cover all European, Arabic, Hebrew, Greek, Cyrillic, Thai and Indic languages, and provide kana as well (but not kanji). All parts of unicode covered. See also here.

Samaritan (2001) deals with a pre-Samaritan or pre-Babylonian Hebrew.

Originally designed for linguistics, the free typeface Chrysanthi Unicode (2001) contains all Unicode Latin characters (including Basic Latin, Latin 1 Supplement, Latin Extended A&B, IPA, and Latin Extended Additional) as well as Greek, Cyrillic, Hebrew, and everal others.

Fontspace link. [Google] [More]  ⦿

Evgeni Chernevski

Russian type designer who designed Schoolbook in 1939, a Cyrillic extension of Morris F. Benton's design (ATF, 1915-1923). [Google] [More]  ⦿

Evgeniy Baranov

Ukrainian designer of the dot matrix font (Latin/Cyrillic) Matricha (1999). [Google] [More]  ⦿

Evgeniy Beluha

Russian type designer. This scan of a Duerer-style alphabet with compass and ruler was found on a slide prepared by Victor Kharyk for a talk Victor was going to give at ATypI 2009 in Mexico City (but didn't because he could not pass through transit in the USA due to the office of Homeland Insecurity). [Google] [More]  ⦿

Evgeniy Tarasenko

Russian FontStructor who made the ultra black counterless face Blot (2011). Home page. He also made nice Transport pictograms (2011). [Google] [More]  ⦿

Evgeny Sadko

Russian type designer. At ParaType, he cyrillicized Baker Signet (Arthur Baker in 1965 for Visual Graphic Corporation; first digitized in the Bitstream library) in 2008. [Google] [More]  ⦿

Evgeny Zotov

Russian designer of the elegant Latin / Cyrillic script face Cheldon (2010) and of a cyrillized version of Walbaum. Zotov lives in Krasnoyarsk. Behance link. [Google] [More]  ⦿

exe Ltd

Slovak IT company, est. 1990. It is a vendor for Monotype fonts, among other things. It also sells Central and Eastern European fonts developed under license from Bitstream. Some of their typefaces are sold on a CD called Fontotéka. [Google] [More]  ⦿

Extending Cyrillic

Article by Adobe's Thomas Phinney on how to tackle extensions of Cyrillic in future Adobe releases (in line with the Unicode specs), in the hope of covering these languages as well (population numbers in parentheses): Abaza (45K), Adyghian (300K), Avar (600K), Buryat (440K), Chechen (1M), Dungan (50K), Ingush (230K), Kabardian (650K), Kalmyk (160K), Kara-Kalpak (200K), Kazakh (8M), Kyrgyz (1.5M), Lakh (145K), Lezgi (400K), Mongolian (5M), Tabasaran (100K), Tajik (4.4M), Tatar (7M), Turkmen (6.4M), Tuvan (200K), Uzbek (16.5M). [Google] [More]  ⦿

Faberfonts
[Frank Béla]

Frank Béla (b. 1978, Orosháza, Hungary) is a graphic design student at Krea Art School in Budapest who uses the pseudonym Fabergraph. Home page. Blog. In 2010, he started out commercially as Faberfonts. Dafont link. Behance link. Klingspor link.

He created the ink trap font Portrait Of A Lady (2009), FR Irisz (2009, didone family), Pontifex (2009), the handprinted Munkácsy 1120 (2009), the unicase Reka Sans (2009), the thick-thin Azur (2009), the simple sans Babyface (2009), the medieval sorcery font Elmulas (2009), the Valentine;s Day font Sapet (2009), the avant garde sans family Hopper Sans (2009) and the ultra-fat face Rendezvous (2009). Callimachos (2009) is a fun triple-lined handprinted headline face (with a Cyrillic version added in). Azur Title Font (2009) is a hairline slabbed typewriter type. Pasta Simpla (2009, followed by FR Pasta Mono in 2010) is another experimental jewel. Hobbista (2009) mixes symbols and glyphs. FR Rama Nous (2009) is a free modular font. In 2009, he also made Arrow, Enamel Paint Type, Belonging (Roman caps).

Commercial fonts made in 2010: FR Unalom, FR Sniccer (stencil), FR Ceruza, FR Minta (a dingbat face to make labyrinthine patterns; +Two), FR Tabula (beveled face), FR Smaragdina, FR Mintry One and Two (pattern fonts), and a custom alphabet for Esquire Russia, FR Hopper (monoline sans family).

Activity in 2011: A didone-inspired face called MFA Dagi that was was commissioned for a catalog of an exhibition at The Museum of Fine Arts (Budapest, Hungary). [Google] [MyFonts] [More]  ⦿

Faik Schakirdshanovich Tagirov

Russian type designer, b. 1906. Faces include Operativnash Targova (1966), Gurmukhi Narodnash (1968), Bhilai Targova (1965) and Akzidentnash Targova (1971). [Google] [More]  ⦿

Far PluGRinG Site

Russian page. Download various Latin/Cyrillic bitmap files, typically in ".fon" format. These include families by Vladislav Kornienko (Terminal Font Cyr, 2001), Oleg Melnikov (OS-2 warp Font 8x18, 2003), Alexander Abrosov (Terminal Fonts, 2003), Sergey Dindikov (Console Font, 2002), Igor Palkin (Terminal Fonts Belarus, 2001), and Alex Pakhotin (DOS Terminal Font, 1999). It has one Latin/Cyrillic truetype typewriter face, Sourier New (based on, or identical to Courier New). [Google] [More]  ⦿

Fedor Balashov

Designer (aka Opex) who used FontStruct in 2008 to create the faces font Wooster together with Alexei Vanyashin and Kate Semenova. He runs 110design in Moscow. [Google] [More]  ⦿

Fedor Saveliev

Russian designer of the 3d outline face Leshy (2003, with Olga Ryabinina at Paratype). Klingspor link. [Google] [MyFonts] [More]  ⦿

Fenotype
[Emil Karl Bertell]

Fenotype, a Finnish typefoundry, has the original (often techno) designs of Emil Bertell (b. 1983, Helsinki) and his brother Erik Bertell and wife Kea Bertell. Emil has been studying graphic design at University of Art&Industrial Design in Helsinki since 2004. He designed most of his typefaces during 2001-2004, and works as a freelance illustrator. Behance link.

Typefaces made in 2002: Lakmus, Valimo, FUTU, Test1, Foton Torpedo, Personal Computer, Copycut, Unicode 0024, HKI Metro, HKI NightLife, Digital Kauno, Fenotravels (dingbats), Tivoli, Kosmonaut, 10124, JouluFonttiFenotype, Testi, 1laitos, 1120, 0629 (2002, a kitchen tile font), 0927, FTdingsprevi, Fenotypedings#lego3, Genotype, NeoPangaia, NeoPangaiap2, Nipponblocks, Pectopah, Personalcomputer, Pouttu, Samarin (2002, athletic lettering), Unicode0024, URALphat, URALthin, URAL, URAL3d (all Latin/Cyrillic fonts with incomplete punctuation though), Automania (multiline), Copycut, Halo, 222_2003, Tantor, Letters, Rikos, Lastu, ThreeTheHardWay, Bukkake, Halo. Emil's brother Erik designed Neon, Mama and Mama Round. In private email, he calls himself Carl. The foundry evolved from 2theleft.

Fonts made in 2003: Military Dingbats, 08 02 03 Fenotype, Projectsfenotype, Rock-it.

Fonts made in 2004: Scandinavian Titan white, Scandinavian Titan, Nihilist philosophy, Acid Test 2, Acid Test, 080203, Letters11, Linja, Projects, Rock it, Simpletype. Commercial typefaces: Sapluuna, Shortcut, Transeuro-Express, Omega-Uros, Fenotype Dings, Military Dingbats, Nippon Noodle. Typefaces made in 2004: Kolari, Kolari Light, FTfaces, Twisted Ontogenesis. Alternate URL.

In 2005: RoundAbout, Nihilist Philosophy, Boogie Monster, Chunky Hunk (Western), Diy Typeface (kitchen tile style), Futuretro (stencil-like), 3TheHardWayOverrun, Pedant Dilettante, FT Rosecube, 3TheHardWayRMX, Adios Gringo (Western face), Helsingfurt (3d oil glow face), Cream Soda (liquid), Thashed Paper Bag, Big Medium.

In 2006: Rock It Deluxe (grunge), Cassette (dingbats), Kings Garden (Japanese trees as dingbats).

MyFonts link, opened in 2009, where one can buy 080203, 3 The Hard Way Overrun, 3 The Hard Way RMX, Adios Gringo, Depth Charge, FT Helsingfurt, FT Roundabout, FT Scandinavian Titan, FT Twisted Ontogenesis, Ice Cream Soda, Kings Garden, Kolari, Nihilist Philosophy, Old Note, Rock It, November Script, and Majestic Mishmash (ransom note caps), Digital Kauno (2002, upright script), 10.12, EB Vintage Future, Fenotype Dingbats, FT Forest, FT Funghis, FT Military Dingbats, FT Weapon of Choice, Motel Xenia, URAL, Valima.

Additions in 2010: Linguine (connected script), FT Telegraph (slab serif), FT Brush, FT Industry Machine, FT Giorgio, Killer Elephant (signage), FT Supervisor (retro), FT Dead Mans Diary (scribbly), FT Grandpa Script (grunge calligraphy), FT Stamper (angular lettering), FT Tantor (fat, rounded), FT Bronson (fat display face with mustache dings thrown in), FT Master of Poster (bi-level display face with many ligatures and interlocking letters), FT Hidden Forest (tree dingbats), FT Mammoth (grotesque headline face), Rikos (futuristic), Squarendon Extra Bold (2010, a Clarendon), FT Moonshine Script (a Treefrog style face), Billboard (a handprinted rounded caps family), EB Bellissimo Display (rounded monoline sans), Malamondo (an all caps display face with a large number of interlocking ligatures), Linja (2002 and 2010, a rounded ultra condensed family), Punavuori (2002 and 2010: a monoline sans family), Signor (2010, a rounded all caps family), Mrs. Lolita (connected script), Funghi Mania (mushroom dingbats), Funghi Mania Script, Darlington (very open upright connected script family), Archipelago (+Caps: an upright connected script), Tower (pieces that enable one to modularly construct towers when stacked; created as a school assignment at the University of Industrial Art&Design Helsinki in 2006), Monster (just as Tower but for monsters), Verna (informal face with ball terminals), Verner (2010, a connected script version of Verna), Verner (2010, a connected script version of Verna).

Typefaces from 2011: Pepita Script (an upright connected script with small lachrymal terminals), Pepito (its nonconnected version), Barber (upright script family), Banzai Bros (a fat caps-only signage face), Mishka (an upright connected script with tear drop terminals).

In 2012, he created Slim Tony (a bubblegum retro signage face).

Dafont link.

View the Fenotype typeface library. [Google] [MyFonts] [More]  ⦿

Filip Cvitic

Creator of the beautiful font Epistula Croatica (2011), a Glagolitic face. [Google] [More]  ⦿

Fingertip Software

A PO Box company company in Universal City, TX, involved in multilingual computing. It offers some Cyrillic fonts in a decorative pack (Artisan, Brush Stroke, Graceful Script, Kids Hand, Mechanicval Pen, Mechanical Pen Wide, Old Cyrillic, Showtime). Other fonts can be found on various archives: for example, see Timesse CE (1999). [Google] [More]  ⦿

Fingertip Software

Designers of Couriere Cyr (1996-1998). [Google] [More]  ⦿

Fingertip Software

Fonts and software for multilingual computing. From Universal City, TX, a commercial site covering most major languages, especially Cyrillic, East-European and Slavic languages. [Google] [More]  ⦿

Fingertip Software (Windows--Mac)

Fonts and utilities for Cyrillic, Central European, Latin, and Middle Eastern language support. [Google] [More]  ⦿

Fiodor Sumkin

Byelorussian illustrator who fled his country when he was 18 years old. He sold paintings in Moscow and now lives in Amsterdam. His drawings are straight out of the 19th century, ornamental and playful. He is also inspired by the psychedelic lettering of the 1960s. Discussion of his work by Coles. Typefaces, all made or drawn in 2006-2007: Rodopi, Fashion Condensed, Farringdon, Hopkins, Rondell (Western style face), Abramesque (ornamental caps), Mansard Trimmed (19th century emulation), Wedlock, Silverado, Shimmer Wide (cyrillic), Mona (extra-wide slab serif), Flirt Chloe (more 19th century ornamental glyphs), Jubilee (constructivist cyrillic lettering), Big Cyrillic pixels (many great pixelized alphabets), Cuba, Gingerbread (Victorian), and St. Clair. Alternate URL. Check out his gorgeous country maps designed for the aeroflot in-flight magazine in 2008. [Google] [More]  ⦿

Fishbone Crew

Russian designer of Classic Amiga CLI Font v1.2 Amiga Topaz Unicode Rus (2010). [Google] [More]  ⦿

Fixedsys
[Darien Valentine]

Free truetype fonts: Tai Le Valentinum (for the Tai Le script used in China, Burma and Laos), Valentine Arabic, the faux pixel font Sounds of Apathy, and the unicode faux pixel font Fixedsys Excelsior 2.0 (2007). The latter covers Latin, Greek, Cyrillic, Hebrew, Armenian, Tamil, Hylian, N'Ko, Ethiopic, blackletter, Dehong Dai, Pahawh Hmong, Thaan, Arabic, Thai, Ogham, runic, and IPA. All fonts made by Darien Valentine in 2004. See also here. [Google] [More]  ⦿

Fly Art

Moscow-based industrial design group which made the techno face Fly Font (2010). [Google] [More]  ⦿

Font archive

Russian mini-archive and link site for old slavonic typefaces. In Russian. Many bad links. [Google] [More]  ⦿

FONT BANK

Font vendor located in Korea. It covers Latin (fonts by Adobe, Agfa, Bitstream, Emigre, FontFont, Garagefonts, ITC, Linotype-Hell, Monotype, T-26, URW, and others), Korean, Japanese (fonts by Morisawa, Dynalab and Fontworks), Chinese (FZ series fonts), Arabic (Kitabi LS, Lateefi LS, Nargisi LS), and Cyrillic. [Google] [More]  ⦿

Font City
[Igor&Kate Shipovsky]

Font City is a Russian foundry headed by Igor (b. Volgograd, Tver (Russia), 1965)&Katherine (b. 1990, Russia) Shipovsky. Their typefaces: City of Lipetsk, City of Ivanovo, City of Chudovo, City of Oryol, City of Magadan, City of Tsaritsyn, City of Suzdal, City of Khabarovsk (oriental simulation font), City of Moskva, City of Plesetsk, City of Samara, City of Cherkizovo, City of Ostankino. All fonts are for Latin and Cyrillic. They were sued in August 2003 by Berthold because the foundry's name, Font City, is too close to Berthold's trademarked font name, "City". [Google] [MyFonts] [More]  ⦿

Font Project VEDI

Dead link. This was a Russian font cooperative. It had many font downloads, including fonts by these artists: D-Studio, litera, Bazhen Yurchenko, V. Vyazminov, Oleg Martos, Alexis V. Ryumin, Y. Warhol, LazyCrazy, VM Studio. [Google] [More]  ⦿

Font Trainer

On-line font testing page, in Latin and Cyrillic. [Google] [More]  ⦿

Fontboard (was Nyelvészeti Fontok)
[Gyula Zsigri]

Free truetype fonts for linguistics by Gyula Zsigri include Uralica, Saecula Hungarica, OctoCyrillic and ExtraLow. All are fonts with plenty of accents for Hungarian and Cyrillic. Linguistic fonts: direct link. Alternate URL. Check out Gyula Zsigri's cards font called "Cards" (1998). Hungarian mirror. Another Hungarian mirror. Uralica and OctoCyrillic are also here. [Google] [More]  ⦿

FontFabrik
[Lucas de Groot]

FontFabrik was established in 1997 in Berlin by Luc(as) de Groot (b. 1962, Noordwijkerhout, The Netherlands). He studied at the Royal Academy of Fine Arts in Den Haag, worked from 1989-1993 as a freelancer at the design bureau Premsela Voonk. From 1993-1997, he was with Meta Design in Berlin as typographic director in charge of many corporate design projects. In 1997, he set up his own studio, FontFabrik. Since 2000 his fonts are also sold under the Lucasfonts label. He creates retail and custom fonts, and made his reputation with his humongous font family Thesis. Originally, he published most of his retail fonts with FontFont, but his "FF" fonts were withdrawn from FontFont in 1999, and renamed with LF instead of FF, where LF stands for LucasFonts. Here is a partial list of his fonts:

• TheAntiquaB (1999 Type Directors Club award), TheAntiquaE, TheAntiquaSun. TheAntiqua received a TypeArt 05 award.
• FF Thesis.
• FF TheSans, now LF The Sans Classic, LF The Sans Basic and LF The Sans Office.
• FF TheMix, now LF The Mix Classic, LF The Mix Basic and LF The Mix Office.
• FF TheSerif, now LF The Serif Classic, LF The Serif Basic and LF The Serif Office.
• LF The Sans Condensed, LF The Sans Mono, LF The Sans Mono Dc, LF The Sans Mono 11pitch, LF The Sans Mono Cd Office, LF The Sans Typewriter (was FF The Sans Typewriter (1996)). An OEM was made for the SPD party called SPD 2002 TheSans.
• Grundfos TheSans (2007): a commissioned font.
• FF Nebulae, now LF Nebulae.
• FF Jesus Loves You all, now LF Jesus Loves You all.
• FF TheSansMono and others.
• MoveMeMM (erotic multiple master font)
• ThesisMono (multiple master font).
• Agrofont (1997, for the Dutch Ministry of Agriculture, Environment and Fisheries), Agro Sans, developed in collaboration with the Dutch design bureau Studio Dumbar.
• Fohla Serif (2001, for a Brazilian newspaper in Sao Paulo: this collection includes a multiple master font, FohlaMM).
• Spiegel and SpiegelSans (for Der Spiegel). Alkso called LF Spiegel Sans and LF Spiegel Serif. The Sans comes from Franklin Gothic, and the Serif from Linotype Roitation.
• Sun (1997, for Sun Microsystems).
• Taz (sans family, 2002), Taz III (2003, including a hairline weight) and Taz Text (for "taz", the magazine). Are these the same fonts as Tazzer and Tazzer Text?
• LucPicto (dingbats for private use at FontFabrik). Not available to the world.
• Volkswagen Headline and Volkswagen Copy (1996), extensions of Futura. Note: the other Volkswagen house font is VW Utopia, a descendant of Utopia.
• Rondom (finished in the LF Punten family: Punten Straight, Punten Extremo and Punten Rondom).
• Corpid III (sans family, 2002-2007, with support now for Cyrillic, Greek and Turkish).
• BellSouth Basis, Serif and Bold, developed with Dutchman Roger van den Bergh.
• LeMonde (2002, new headline family). An OEM family made for LeMonde in 2001 includes Lucas-Bold, Lucas-BoldItalic, Lucas-ExtraLight, Lucas-ExtraLightItalic, Lucas-Italic, Lucas-Light, Lucas-LightItalic, Lucas-SemiBold, Lucas-SemiBoldItalic, Lucas.
• BolletjeWol (1997, Fontshop).
• Transit and Transit Pict (both at FontShop).
• MetaPlus (1993, with Erik Spiekermann).
• Calibri and Consolas (2004), two OpenType font families designed for Microsoft's ClearType project (Latin, Greek and Cyrillic glyphs). Calibri received a TypeArt 05 award. Also, it won an award at the TDC2 2005 type competition.

FontShop link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Fontforfree.com

Archive with over 9000 free fonts. The Russian counterpart is FontDarom.cwx.ru. [Google] [More]  ⦿

Fontmania

Russian font archive. Has mostly Latin fonts. Blackletter subpage. Cyrillic subpage. Display font subpage. Cyrillic script subpage. [Google] [More]  ⦿

Fontodrom

Large Russian font archive. See also here. [Google] [More]  ⦿

Fonts für Patristiker

List of links and free fonts collected by Martin Walraff (University of Bonn), for Greek, Coptic, Hebrew, Armenian, Ethiopian, Church Slavonic, Georgian and Syriac. [Google] [More]  ⦿

FontShow 98

Balda Dumbs' free font manager (handles Cyrillic too). [Google] [More]  ⦿

Fontsmith
[Jason Smith]

Jason Smith is the British corporate typeface designer who founded Fontsmith in 1999, where he retails his own designs from his office in London. He has created a typographic identity for the Post Office in the UK. His fonts include FS Sinclair (2008, octagonal), Casey, Seat, Tractebel, PPP Healthcare, Powergen, Allied Irish Bank, UUnet, Channel 4, FS Ingrid, FS Rome, FS Albert (2002, a soft-cornered sans family), and Saudi Aramco. Of these, only FS Albert (2002), FS Rome and FS Ingrid can be purchased. Newest fonts: Champions (Regular, Bold, Headline; done in 2009 for the UEAFA Champions League), FS Rufus (a slab serif by Mitja Miklavcic, Jason Smith and Emanuela Conidi), FS Sophie (2004, sans), FS Rigsby (2005, sans), FS Clerkenwell (2004, with Phil Garnham, slab serif), FS Pele (2007, ultra fat), FS Kitty (2007), FS Sinclair (2007, rounded octagonal), FS Alver (2007), FS Dillon (influenced by the Bauhaus quest for simplicity), FS Lola (2006, for Wechsler Ross&Portet; done with Phil Garnham, it is advertised byFontsmith as a transgender type). In 2007, he made the custom face Xerox Sans as a modification of his FS Albert, to which Greek and Cyrillic alphabets were added as well. Mencap, a British company that works with people with a learning disability, asked Smith to design a font, FS Mencap (also known as FS Me), for the learning disabled---easy to read, yet elegant.

Custom typefaces include More4 (2005, for the Channel 4 Adult Entertainment channel), ITV (2006, for the ITV network), BBC ONE (2006, for the BBC), Post Office Sans (2003), FS Conrad (2009, a multiline display face). Vernon Adams and Fontsmith got into a quarrel about Vernon's Mako, which was submitted and rejected by Fontsmith, which published its own similar face Lurpak a few weeks later. [Google] [MyFonts] [More]  ⦿

Fonts.org.ua
[Genadij Zarechnjuk]

Ukrainian font foundry run by Genadij (also spelled Henadij) Zarechnjuk (b. 1961) who lives in Lviv. Nice historically accurate free fonts made by him in the period 2000-2003: Abetka Kirnarskoho, Ancient Kyiv, Luchtein-Bold, Luchtein, LuchteinLight, NarbutClassic, NarbutNarrowContrast, NarbutWhirlSans-Serif, Narbut Abetka, Skoropys-XVII, SnarskyUstav, SnarskyjOldStyleNarrow, SnarskyjUstavNew, Traditional-Heavy, Yakutovych-Black. Chomenkivska (2007) is a semi-slab serif Cyrillic beauty.

In 2010, he created the art deco face New Hotinok 2D (2D Typo), together with Viktor Kharyk, as well as the nice calligraphic face Ukrainian Barokko 2D. Khomenkivska (done with Viktor Kharyk) is based on a 1965 design by Basil Khomenko (1912-1984). Baumans (2011, Google Web Fonts) is a geometric typeface for headlines. Its letterforms are inspired by Bauhaus typefaces and preconstructivist forms.

MyFonts link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Fontworld
[Israel Seldowitz]

"Quality-crafted multiple language fonts." Based in New York and run by Mark Seldowitz, they sell Arabic, Russian, Greek, Vietnamese, Hebrew, Baltic and Central European faces. Mark sold the Hebrew fonts made by his brother Israel Seldowitz, who studied in Israel with Henry Friedlaender, the creator of the Hadassah typeface. [Google] [More]  ⦿

Fontworld (Russian)

Russian faces in packages at about 12 dollars per face. [Google] [More]  ⦿

Forgotten Scripts by Dino Manzella

Dino Manzella's draft on a book entitled Forgotten Scripts: a Book of Runes. Fantastic pages in all respects! Many fonts can be downloaded. Includes Academiury-ITV (Georgian, by Alexander&Temuri Imnaishvili), Rashi, Alex and ChayaBold (by Aaron Schmiedel), Angelic and Enochian (by Digital Type Foundry), several rune fonts by Dan Smith, Beth-Luis-Fearn and Beth-Luis-Nion (by Curtis Clark), Cherokee (by Joseph LoCicero), Moonrune (Morton Bek, 1995), Eshmoon (by Salim G. Khalaf, Family Health International), Glagoljica UGL and Glagoljica OBL (old Croatian; by Zox), RK Meroitic, RK Sanskrit, RK Ugaritic, Mendel Siddur, Nug-Soth (by Daniel U. Thibault), Tzipporah and RuthFancy (by AFS Ltd), and RNIB Braille. [Google] [More]  ⦿

FORTECH

Designers of the Latvian-Russian typefaces LR_Architect, LR_Baltica-Bold, LR_Baltica-BoldItalic, LR_Baltica-Italic, LR_Baltica, LR_Benguiat-Bold, LR_Compact-Italic, LR_Compact, LR_Helvetica-Bold, LR_Helvetica-BoldItalic, LR_Helvetica-RegularItalic, LR_Lazurski-Bold, LR_Lazurski-BoldItalic, LR_Lazurski-Italic, LR_Lazurski, LR_Optima-Bold, LR_Optima, LR_Souvenir, LR_Times-Bold, LR_Times-BoldItalic, LR_Times-Italic, LR_Times, LR_University-Roman. [Google] [More]  ⦿

Forth.org

The 39MB rar file contains a number of Cyrillic fonts, including ER-Architect-866, ER-Architect-KOI-8, ER-BukinistKOI-8Bold, ER-BukinistKOI-8BoldItalic, ER-BukinistKOI-8Italic, ER-BukinistKOI-8, ER-Kurier866Bold, ER-Kurier866BoldItalic, ER-Kurier866Italic, ER-Kurier866, ER-KurierKOI-8Bold, ER-KurierKOI-8BoldItalic, ER-KurierKOI-8Italic, ER-KurierKOI-8, ER-UniversKOI-8Bold, ER-UniversKOI-8BoldItalic, ER-UniversKOI-8Italic, ER-UniversKOI-8. [Google] [More]  ⦿

ForWWW Fonts

Cyrillic ForWWW TrueType fonts designed by Gavin Helf. [Google] [More]  ⦿

Fotonija

Lithuanian foundry which markets the Aistika family for Latin, Lithuanian and Cyrillic. They used to (bit no longer) sell the Lithuanian fonts CourierLT, TimesLT, HelveticaLT, ArialLT. Older Fotonija fonts can still be found on archives such as this one: BrushScriptLT, CourierLT, CourierLTBold, CourierLTBoldItalic, CourierLTItalic, HelveticaLT, HelveticaLTBold, HelveticaLTBoldItalic, HelveticaLTItalic, HelveticaRS, MonospaceLT, TimesLT, TimesLTBold, TimesLTBoldItalic, TimesLTItalic, TimesRS. Here we have CourierLT, TimesLT-Bold, TimesLT-BoldItalic, TimesLT-Italic, TimesLT. [Google] [More]  ⦿

Franciscus Skoryna

Also Francysk Skaryna, b. 1486 Polazk (white Russia), d. 1541 Prague. First printer in white Russia (Belarussia). Skaryna was one of the first to publish in the Cyrillic alphabet, but not the very first as Oktoikh was published by Schweipolt Fiol in 1491. [Google] [More]  ⦿

Franck Jalleau

French designer and type specialist (b. 1962). Works at the Imprimerie Nationale in Paris, and teaches typography at the Ecole Estienne. As an OEM for the Imprimerie, he designed some fantastic fonts between 1990 and 1998, including Arin (1986; Morisawa award 1987), Garamont (1995), Grandjean (1997), Jalleau (1996), Perrin (1997), Roma (1996), and Scripto (Morisawa award 1996), Virgile (1995, Agfa) and Oxalis (1996, Agfa). Francesco (1998) too is fantastic: based on the letters of Francesco Griffo, it is a renaissance revival face---although first designed in 1998, it was published only in 2010 at BAT Foundry, which Franck helped co-found. It also covers Greek and Cyrillic. In 2002, he created Le Brive, commissioned by senator and mayor Bernard Murat of Brive-la-Gaillarde. In 2005, he digitized the Grec du Roi based on original characters and ligatures by Claude Garamond for François 1er, 1544-1550. In 2009, he created Le Maghrébin based on material in the Imprimerie Nationale. The original from 1846 and 1850 was cut by Marcellin Legrand. This version of Arabic is also called western, or African (africain), and features many ligatures. Fascinating interview (in French). [Google] [MyFonts] [More]  ⦿

Frane Paro

Creator with Anton Katunar of the Baromich breviary style angular glagolitic (1493 incunabulum) typeface Glagoljica Breviar. This face can be found here and here. [Google] [More]  ⦿

Fred Bordfeld

German designer of GP.F La Muerte (2005, with Ollie Peters), GP.F Bitur 1.0 (2005, bitmap fraktur font), GP.F Mudam (2005, with Ollie Peters) and Jado (2005, FF DIN modified for Jadolabs GmbH). GP.F Bitur 1.0 is on the CD that comes with Fraktur Mon Amour (Hermann Schmidt Verlag, 2006). MyFonts link. Creator of Deja Rip and Deja Web (2010, with Elena Albertoni; cyrillic included), a family of eight sans typefaces sold via Anatoletype. [Google] [MyFonts] [More]  ⦿

Frederic Rich

Frenchman (b. 1984) who created the pixel game font Pixel Invaders (2012), Night Train 382 (2012) and Night Train 315 (2012). This font supports many languages, including for example : Romanian, Serbian (Latin and Cyrillic), Croatian, Slovenian, Bosnian (Latin and Cyrillic), Bulgarian, Russian, Belarussian, Macedonian, Turkish.

In 2012, he created the grungy poster face Mezzanine.

Dafont link. [Google] [More]  ⦿

Free-fonts-ttf.org

Font archive with over 3,600 truetype fonts, including the Arsenal collection. [Google] [More]  ⦿

FREELANG Fuentes

Spanish language site for various non-Latin language fonts. A sampling: Afus Deg Wfus 2 (for Berber), AlKatib1 (2001, an Arabic face by Naseem Amjad), Albanian, Alice_0 (Lao face by by Ngakham Southichack), LAOMAY_5 CHAREUNSILP (Lao face by by Soupasith Bouahom), Arial AMU (1999, Armenian face by Ruben Tarumian), BaltFrutigerLight, BaltHelveticaMedium, BaltNewCenturySchoolbookMedium, BaltOptimaMedium, BaltTiffanyMedium, BaltUniversityMedium, CarloAtor (1997, Arabic family by Timm Erickson, Summer Institute of Linguistics), Caligraf-W, Ciula (1996, a Romanian face by Paul Hodor), Cursiv (Romanian), AnlongvillKhek, GabrialAtor (another Arab family by Timm Erickson), Gin, Greek (1993, by Peter J. Gentry&Andrew M. Fountain), HandSign (1993, Sam Wang), HFMassisShantNUnicode (1990-1994, an Armenian unicode face by BYTEC Computers and Massis Graphics), HONGKAD (1994, a family by Dr. Hongkad Souvannavong), IsmarBold, IsmarLight, Lakshmi, X000000A (1994, a lao face by Sith Bouahom), LAOMAY_2-CHAREUNSILP, Alice3Medium, Alice0Medium, Langagedessignes (1998, by Philippe and François Blondel), NorKirk (1997, a great Armenian face by Ruben Tarumian), NovaTempo (for Esperanto), Pazmaveb (for Armenian), ILPRumanianB100 (1996, by Charles J. Coker), Saysettha-Lao, Saysettha-LaoBold, SenzorgaAnhok, Timok, Tribuno, Turn-W, TimesUnicode, ArialAMU, PoliceTypeAPI (for Armenian), Cieszyn-Regular, PoojaNormal, Shibolet (1995, Hebrew), Shree-Ass-0552 (2000, by Modular InfoTech), Tudor-Semi-Lite, Webdunia, TimesNRCzech, TNRLiboriusVII (2001, a fully accented Times face by Libor Sztemon), GreatMoravia (2001 Libor Sztemon, Czechia), Johaansi-ye-Peyravi (2001, a full accent blackletter face by Libor Sztemon, Czechia), TimesNREuskaraEuransiEsperanto (2001, Libor Sztemon). [Google] [More]  ⦿

freetype.newmail.ru

Has NewtonCTT (1996, ParaGraph), a Cyrillic truetype font. It has some big type 1 zip files that still need to be checked out. [Google] [More]  ⦿

free.type.org.ua

Free font link collection pointing to Latin and Cyrillic fonts. [Google] [More]  ⦿

FTP

KOI8 fonts: 8 Cyrillic TrueType fonts archived here. [Google] [More]  ⦿

ftp.cocos.ru

Russian mini-archive with 8 Cyrillic TrueType fonts. [Google] [More]  ⦿

ftp.gu.net

Archive with 650 mostly Cyrillic truetype fonts. [Google] [More]  ⦿

Fuentes

Spanish font archive. The A-Fonts file has some nice Cyrillic beauties such as NadejdaBold, NewDeli, Stylo-Bold, AntiDecor-Bold-Italic. [Google] [More]  ⦿

FUENTES

Small Spanish-language archive. Includes a collection of decorative Cyrillic truetype fonts by Nikolay Dubina (D-Studio): AntiDecor-Bold-Italic, B52, NadejdaBold, NewDeli, Scrawl.ttf Stylo-Bold. Truetype only. [Google] [More]  ⦿

Fuentes.rar

About 170MB worth of fonts in one file. This has mainly fonts geared towards Cyrillic, but contains only standard collections such as those from Letraset, Bitstream, Arsenal, and Soft Horizons. [Google] [More]  ⦿

Fulvio Bisca

Italian illustrator and designer from Torino (b. 1970) who made Antitled, a sans serif family at T-26 (2001, completed in 2004). Ex-graduate of Institute G.B. Bodoni in Torino in 1989.

In 2010, he made Cutoff Pro (URW++, +Bold), a serif family with serifs cut off in odd ways, and which covers all European scripts, including Cyrillic and Greek. Behance link. Logo. Klingspor link. [Google] [MyFonts] [More]  ⦿

Funet Russian archive

Free Russian and Slavonic TrueType fonts, including Vera Humana 95 (by BX fonts; contains codepages Cyrillic (1251), Central European (1250), and Baltic (1257)), Kirillica Wincyr (by Christopher Singer), Fixed system Kurier (by Steve Luckau), ER fonts (by Gavin Helf), and many other fonts. List and archive compiled by Glaude David. Nice links, great downloads. [Google] [More]  ⦿

Fyristorg

Danube (accented font by Ralph Hancock, 1994), and the cyrillic font Pravda (Translation Experts Ltd, 1994). [Google] [More]  ⦿

fys.uio.no

About 1MB worth of Cyrillic fonts (ER-Bukinist, ER-Kurier) in all basic encodings. Truetype. [Google] [More]  ⦿

Galeb

Cyrillic, Old Church Slavonic, and Byzantine Greek font archive: UB-Byzantine (1993, by Unibrain SA), SymbolGreekPF (Payne Loving Trust), OdysseaF (Payne Loving Trust), NB-Byzantine (1999, Nikolaos), Miroslavljeva Cirilica (1993, Dino Art Corporation), MgGreekArchaic Plain (1989), Ciril Studenica (1993), C_Sveti_NIKOLA Normal (1993, Predrag Milivojevic, Belgrade), ALBXHRNormal (1994, Im Grhgorioy). [Google] [More]  ⦿

Galina Andreevna Bannikova

Russian type designer, 1901-1972 (d. Moscow). Faces include Bannikovskaya (1946-1951, at Polygrafmash, which was inspired by the Russian Grazhdansky early and mid 18th century typefaces: the digital version is Paratype Bannikova (1999), revived by L. Kuznetsova), Baikonoer (1960-1969) and Kama (1967-1971). Lyubov Kuznetsova at Paratype created Bannikova (1999; Baltic, Central European, Cyrillic, Old Russian, Multilingual, Turkish, Western, Cyrillic Asian), a clean serif text family.

See here for a picture, which shows without a shadow of a doubt that she was Donald Rumsfeld's real mother. Alternate URL. [Google] [MyFonts] [More]  ⦿

Gamma Productions

Outfit in San Diego, CA, which used tyo sell international commercial fonts in the 1990s, including Cyrillic fonts mostly from Paragraph. WL PashtoNaskh (1995) is one of their Arabic fonts. Other fonts include WLGreekTimesAncient-Regular for Greek and WL-ArabicNaskh for Arabic. [Google] [More]  ⦿

Garkavets

At the UNESCO site in Kazakhstan, type 1 and truetype font families for Cyrillic and East-European languages, by Garkavets, made in 2000: BookmanUrum, BookmanUrumBold, BookmanUrumItalic, QypchakDiacritic, QypchakDiacriticBold, QypchakDiacriticBoldItalic, QypchakDiacriticItalic, TimesUrumNewBold-Italic, TimesUrumNewBold, TimesUrumNewItalic, TimesUrumNewNormal. Plus VusillusOldFaceItalic (Ralph Hancock, 1999) and SchoolBookAC (ParaGraph, 1992). [Google] [More]  ⦿

Gaslight (or: Valery Zaveryaev)
[Valery Zaveryaev]

Gaslight-type-foundry is collaboration between two type designers---Valery Zaveryaev and Roman Shchyukin---, founded in 2011. Valery Zaveryaev is a Russian designer (b. Bryansk, 1977) at LetterBe, who created the octagonal family Teco (2005), the display face Brut (2005), the clean sans family Maza (2005), the informal unicase family Rezerv (2009, inspired by a logo he created for Evroterm), Barrez (2010, a techno family inspired by the TC-Helicon logo), and the stencil face Marshrut (2005).

He lives in Bryansk. All his fonts are Latin/Cyrillic.

In 2011, Zaveryaev set up the commercial foundry Gaslight. Fonts there include the elliptical family Maza (2005), the angular elliptical family Barrez (2010), Brut (2005), and the stencil face Marshrut (2005). Electrolize (2011) is a free squarish face available from Google Web Fonts. Bad Script (2011, Google Web Fonts) is an informal handprinted face made by Roman Shchyukin.

Rock Logo (2012) is a metal band / tattoo font codesigned with Roman Shchyukin. Teco Sans (2012) is an octagonal military typeface family, accompanied by the icon font TecoSymbol (2012) and the stencil family Teco Sans Stencil (2012). Still in 2012, Zaveryev designed the fat display overlay families Quadratish Serif and Quadratish Solid.

Klingspor link. Fontspring link. Behance link. Another Behance link. [Google] [MyFonts] [More]  ⦿

Genady Fridman

Russian designer of the bouncy script Amore (2004, Paratype), Zubilo Black (2004, Paratype: comic book face), Jefferson (2005, based on the handwriting of Thomas Jefferson), Peter Skoropis (2003, Paratype, based on the samples of Russian handwriting of the reign of Peter The Great (early 18th century) named skoropis), Pushkin One, Two and Three (1999-2004, Paratype, based on the autographs of Alexander Pushkin, the eminent Russian poet (1799-1837)), and the informal handwriting fonts PT Lightning (2009, Paratype), PT Earthquake (2009), Jeff Script (2009, based on the handwriting of Vladimir Yefimov), Nina, Olga, Tatiana, Betina Script, and Katherine (2007, Paratype).

Telegraph, designed for ParaType in 2003 by Gennady Fridman, is based on the type of CTA-M-67 telegraph lettersetting machine widely used in the USSR from 1960-1980. The character set corresponds to Rules for Telegraph Connection Service of the Russian Federation.

FontShop link. ParaType link. Klingspor link.

View Gennady Fridman's typefaces. [Google] [MyFonts] [More]  ⦿

Gennady Baryshnikov

Russian designer of Anons (a Cyrillic sans family), Arbat (1989, ParaType), Inform (ParaType, 1992, based on the brush script font Flash), Decor (ParaType, 1989, with Vladimir Yefimov, a formal script, based on a 1979 design by Pavel Kuzanyan), ITC Machine (1994, with Vladimir Yefimov; original by Tom Carnase and Ronne Bonder, 1970), Fat Face Cyrillic (1993, with Vladimir Yefimov; ParaGraph), and Zhikharev (1989, ParaType, with Vladimir Yefimov; based on an original design at Polygraphmash in 1953 by Igor Zhikharev). FontShop link. Paratype link. [Google] [MyFonts] [More]  ⦿

Georg Duffner

Designer who is trying hard to give the free software world an excellent qualitatively competitive free Garamond family. At Google Web Fonts, we find his EB Garamond family (2011), which covers both Latin and Cyrillic. It is named after Egelnoff and Berner. He explains: The source for the letterforms is a scan of a specimen known as the Berner specimen, which, composed in 1592 by Conrad Berner, son-in-law of Christian Egenolff and his successor at the Egenolff print office, shows Garamont's roman and Granjon's italic fonts at different sizes. Hence the name of this project: Egenolff-Berner Garamond. Also planned are polytonic Greek, IPA and ornaments. [Google] [More]  ⦿

Georg Ross&Co

St. Petersburg-based foundry acquired in 1901 H. Berthold AG. [Google] [More]  ⦿

George Lygas

George Lygas studied Printing and Graphic Arts at the National Design School (TEI) of Athens. His graduation thesis on Greek Typography was the base for PF Scriptor, a revival of a historic Greek typeface. He collaborated with Panos Vassiliou in the design of PF Stamps (2002-2006, a stencil family, also done with Panos Vassiliou). All his faces cover Greek and Cyrillic He currently works for Parachute. [Google] [MyFonts] [More]  ⦿

Georgi Ravanski

Professor of graphic design at IT Academy Alexandria in Skopje, Macedonia. In 2010, he created the geometric face Ravan Sans. [Google] [More]  ⦿

Gerber Fonts

Manchester, CT-based company that sells a font package, as well as a number of fonts for Arabic, Cyrillic, Greek, Hebrew and Thai. See also here. [Google] [More]  ⦿

Gernot Stangl

Designed abc, an experimental Roman-Cyrillic font. [Google] [More]  ⦿