26 Symbols
[Josh Scruggs]

Type blog by Josh Scruggs, a graduate from Kansas University, who teaches type design there starting in January 2009. Creator of this brush script in 2007. Josh is heavily into calligraphy as well. [Google] [More]  ⦿

A brush-stroked type 1 font
[Sandro Mazzucato]

Glabbeek was brushed on paper, scanned in, and transformed into a type 1 font by a program written by Sandro Mazzucato for his M.Sc. thesis in 1995. Goetsenhoven was brushed on paper, scanned in, and transformed into a type 1 font by a program written by Sandro Mazzucato for his M.Sc. thesis in 1995. The highlighted points are control points for the Bezier curves. Random search in automatic font generation (1994) is an article by Luc Devroye and Sandro Mazzucato that describes the entire process. [Google] [More]  ⦿

A2 Graphics--SW--HK
[Scott Williams]

A2 Graphics/SW/HK is a London based design bureau founded in 1999 by Scott Williams and Henrik Kubel. They co-designed AF-Klampenborg (1997-1999) and FY-Brush Script Regular. [Google] [More]  ⦿

Active Sphere
[Ronnie Dela Cruz]

Active Sphere is a foundry in Valenzuela City, The Philippines. It is run by Ronnie Dela Cruz (b. 1963, Manila), a part-time freelance web and graphic designer.

Their fonts include the geometric sans display families Kayla Sans (2008), Kathleen Sans and Serif (2008), Leenyx (2008), Jekatep, Sean Henrich ATF (2009), and Yarikha (2008). Stephanie (2008) and Zirphy (2008) are rounded geometric display fonts, and Kamaru Sans (2008) is an experimental sans face. Mecatoque (2008) is Victorian but pretends to be futuristic, and Sayonachi (2008) is a curly children's book face.

Stanix (2011) and Tsikot (2011) are fat techno faces. Maxine Sans (2011) is a basic humanistic sans family. Tamika (2011) is a gorgeous oriental style brush face. Anino (2011) is a grunge family. Anikka (2011) is a monoline sans family with an extremely thin hairline on one end. Filipina (2011) is an organic sans family. Bradford (2011) is a squarish family. Gretta (2011) is a minimalist sans with missing strokes. Danrex (2011) is Ronnie's contribution to the "fat counterless" craze. Merina (2011) is a fat piano key face. Sailfin is a stylish monoline organic sans family.

Typefaces from 2012: the sturdy geometric display font Zafra, and the fat squarish techno family Mossimo. [Google] [MyFonts] [More]  ⦿

AcuteType
[Stirling H. Alexander]

This outfit used to sell and give away fonts made by Stirling H. Alexander until it closed in 1996. Based in Orinda, California, they also were into custom handwriting and custom calligraphic fonts. Free faces included Lingbats and Ling Print Brush. Alexander made a dozen fonts in all. Acutetype morphed into a porn site and then another site since 1996, but Stirling H. Alexander has nothing to do with that. [Google] [More]  ⦿

Adam Lipien

Graphic designer in Gdansk, Poland, who made an experimental brush face in 2011. [Google] [More]  ⦿

Adamoh

Not the Belgian singer. Designer at iFontMaker of Sketchoh (2011). [Google] [More]  ⦿

Adolf Overbeek

Designer (1905-1969) of Studio (1946, almost brush script face at the Lettergieterij Amsterdam). The bold version is called Flambard. Some write his name as Overbeck. Jan Middendorp writes: Dolf Overbeek was the head of the studio of the Vada printing firm, and around 1948 became the graphic adviser to De Arbeiderspers, a major Dutch publishing and printing house. Overbeek was an authoritative and demanding taskmaster, as well as the designer of prize-winning books and calendars. He was not fond of experiments and preferred conventional no-nonsense typography to fancy modernisms. Annoyed by bad typeface combinations, he analysed the compatibility of faces of different categories and designed the Letterorgel (Letter Organ, after the musical instrument a kind of scientific table) which prescribed exactly which combinations to use, and which to avoid. His types were revived in 2008 by Hans van Maanen as Adams (Canada Type). [Google] [MyFonts] [More]  ⦿

Alan Blackman

Californian calligrapher and letterer Alan Blackman's Galahad (Adobe, 1995) is one of the most beautiful and balanced faces on earth. I hope it will not get overused and abused by pizza joints and holiday-in-Cancun advertisers. He used to write gorgeous calligraphic letters to himself. Alan was a letterform instructor at the Academy of Art College in San Francisco for several years. Linotype page. [Google] [MyFonts] [More]  ⦿

Alan Carr

Partial list of Alan Carr's fonts, made principally between 1992 and 2004: AdLib, AdLibEx, AdLibTh, AdLibWd, Algeria, Animals, Anwik, Arcitectura, BeeBopp, BeeBoppWide, Blast, BlueCard, BusinessIndustrial, BusinessIndustrialDingbats, Busorama, Carolus, CarrAnimalDingbats, CarrArrowsfilled, CarrArrowsoutline, CarrAstroDings, CarrBalloons, CarrDingbats1, CarrDingbats2, CarrDings, CarrElecDingbats, CarrElectronicDingbats, CarrGovernment, CarrKeys, CarrSpace, CarrXmasDingbats, Carrick-Regular, CarrickCaps-Caps:001.001, CaslonAntique, CaslonAntiqueItalic, CaslonAntiqueLefty, CharlemagneBold, Choc, ChocWd, Coco, ComicBook2, Croissant, CroissantEx, CroissantLefty, CroissantWd, Desoto, Electrik-Italic, Electrik, ElectrikCn, ElectrikEx, ElectrikWd, Empire, Enviro, EnviroCapsLefty, ErasContour-Italic, ErasContour, ErasContourEx, ErasContourLeftyWide, ErasContourTh, ErasContourWd, Fletcher-Gothic (art nouveau face, made famous by the TV show Murder She Wrote), Fountainpen, Fragola, Frankfurt, FrankfurtCn, FrankfurtExtended, FrankfurtLefty, GlypicItalic, Graphik, GraphikShadow, Halt, Hobo, HoboLeftified, KabelBook, KabelLeftieBook, Keypunch, KeypunchLeftie, Leigh, Lithos, MathSymbol, MtypeCursive, NewYorker, NewYorkerEngraved, Omnibus, Paintbrush-Italic, Paintbrush, PaintbrushCn, PaintbrushLeftified, PaintbrushWd, PaperClip-Bold, PaperClip-Italic, PaperClip, PaperClipCn-Italic, PaperClipEx-Italic, PaperClipWd, PaperClipsBentToTheLeft, Quadrille, QuickSilver, Revere, Roller, Squire, States, Stop, Tatum, TestFrogRemix, UnitedStates, Uptight-Italic, Uptight, UptightCn, UptightEx, UptightLefti, UptightTh, XmasDings, YankeeEngravedNormal. Dafont link. Fontsy link. [Google] [More]  ⦿

Alejandro Paul

Designer who lives in Buenos Aires and who teaches graphic design and typography at the Universidad de Buenos Aires. He has worked as an art director in prestigious Argentina-based studios, handling high-profile corporate brands such as Arcor, Marta Harff, Morph, SC Johnson, Danone, and Movicom. He runs Estudio Paul. Professor at Facultad de Arquitectura, Universidad de Buenos Aires. Co-creator, with Apostrophe at Apostrophic Laboratory, of Usenet (2000), FontCop I through IV (2000) and the pixel font family Cayetano. Published the dot matrix font Stardust wth T-26 in 2000. Designed the gorgeous font Elektora in 2000. He developed with Michael Lynch a 17-font Tennis set of grid-based pixel fonts. At Typeworx, he published Reflex (2002), a commercial 6-style unicase font family. Another web site by Alejandro. Cofounder of DAS, a design studio in Buenos Aires.

Cofounder of Sudtipos (2003), where he does custom work and creates new typefaces.

His work there includes Tierra (a titling face), Latinaires (originally called Latina Sans), Reflex, Downtempo (2003), Stardust and Mosaico (1999, pixel face).

Still at Sudtipos, he digitized the beautiful handwriting/calligraphic faces by Angel Koziupa called Alma (2005), Murga, Habano and Tiza, which together with his script face Argenta (2004), Oxida (2005), the medieval script face Mama Script (2004, designed with Alfredo Graziani), Divina (2004, with Alfredo Graziani), and the sans family Kautiva (2004) can be bought via Umbrella Type at Veer.

For children's orthography, he developed Estrada Hand, on commission for Editorial Estrada. He was working on the serif family Libertina (2004).

Herencia (2004, a handwriting face done with Diego Giaccone), Grover (2004, slab serif), Milk Script (2004, with Alfredo Graziani), Mama Script (2004, with Alfredo Graziani), Politica (2004, a techno face with a very thin Thin weight) are at Sudtipos.

The Bluemlein Scripts (2004-2005, Umbrella and Veer) are based on the calligraphic renderings of Charles Bluemlein, shown in a 1943 ink catalog: Miss Le Gatees, Mr Rafkin, Mr Keningbeck, Mr Lackboughs, Lady Dawn, Mrs Von Eckley, Mr Sheppards, Mr Dafoe, Mr Canfields, Mr Stalwart, Mr Sandsfort, Mr Leopolde, Mr DeHaviland, Mr Blaketon, Miss Stanfort, Miss Packgope, Miss Fajardose, Mrs Saint-Delafield, Mrs Blackfort, Mr Sopkin, Mr Sheffield, Miss Lankfort, Herr Von Muellerhoff, Dr Sugiyama, Dr Carbfred. (Note: Soft Horizon's Lainie Day (1993) is an earlier free font in the style of Lady Dawn and Mr Lackboughs). In 2011, that series was made available at Google Web Fonts.

Sudestada (2005, Sudtipos) is a handwriting script developed with Diego Giaccone. Cuisine (2005, Umbrella Type) is an informal bold script. Mousse Script (2005, Sudtipos) is based on Glenmoy, a 1932 Stephenson Blake typeface. Suave Script (2005) is a 4am jazz bar script. Ministry (2005) is related in style but less funky, Chocolate (2005) is for sales ads, and Cenizas (2005, with Angel Koziupa) is straight from an old manuscript.

Whomp (2006, Umbrella) was based on a partial sign-painting font by Alf Becker (1930s), and so was Buffet Script (2006, Sudtipos). Affair (2006, Umbrella) is swashy and calligraphic, while Candy Script (2007) and its italic version Sugar Pie (2011) are based on Argentina's market lettering. Galgo Script (2007) is a brush calligraphic font based on a design of Angel Koziupa.

Burgues Script (2007) is an ornate calligraphic script based on the lettering of calligraphy teacher Louis Madarasz (1859-1910) (PDF; award at TDC2 2008). Burgues Script, Adios Script (2008: it won an award at TDC2 2009), Feel Script and Sugar Pie all won awards at Tipos Latinos 2008.

Sinfonieta (2006) and Buffet Script are fifties style connected scripts. Feel Script (2007) is based on lettering that calligrapher and logo designer Rand Holub created in 1950 and that was subsequently captured in Intertype's face Monterey (1958). Some letterforms were redrawn from vintage American magazine ads (some by Holub himself), Cuisine (2008, food advertising script), Pronto (2008, comic book style, by Alejandro Paul and Angel Koziupa), Grover (2004, rounded sans family), Grover Slab (2004). Burgues Script, Adios Script, Feel Script and Sugar Pie all won awards at Tipos Latinos 2008. Calgary Script (2008, Umbrella) is a pure signpainting job.

Accolades from all typophiles for his calligraphic wunderkind, Compendium (2008, see also the slide show).

The 2009 haul: Sugar Pie (signage font), Bravissima Script, Theorem (upright semi-script).

Speaker at ATypI 2009 in Mexico City.

The year 2010 starts off with a bang, five awards at Tipos Latinos 2010: a grand prize for Brownstone Sans, and four standard awards, for Semilla, Kewl Script (for food packaging and store windows), Calgary Script, and for Business Penmanship.

Typefaces from 2010 include the baseball lettering face Fan Script and the tattoo script face Piel Script (piel=skin), which was influenced by Burgues Script and more remotely by showcard lettering by B. Boley (1930s, Sign of the Times Magazine). Piel Script won an award at Tipos Latinos 2012.

In 2011, he and Koziupa made the fat signage face Aventura and Viento (a grunge version of their earlier 2004 face, Brisa).

He added one retro connected signage font to the Filmotype collection in 2012, called Filmotype Kitten (original from 1955).

Storefront (2012) is a swashy signage face based on an incompletete alphabet by Alf Becker. [Google] [MyFonts] [More]  ⦿

Alessandro (Alex) Segalini

Freelance Italian graphic designer in Rome (b. near Piacenza, 1976) who graduated with an M.S. in Industrial Design in 2004 from the Politechnic of Milan with a thesis entitled Ernesto Hemingway: una font tra letteratura e tipografia: a font between literature and typography. In it, he describes his typeface Ernesto Hemingway. At ATypI 2005 in Helsinki, he spoke about that same typeface. He created some fun fonts such as A like Animals (2003, also called A di Animali, an experimental face done together with illustrator Anna Donadelli), and 5G (2002, handwriting). He has made custom type such as Guia Script (2006, for Gelati Carte d'Or Algida), Guia Script Greek (2006), Quintag (2002, handwriting), Forno (2004, handprinted), Dolce (2005, a swift brush face for Barilla), Unione (2005, for a bank), Pacioli (2005, for Accademia Editoriale in Rome), Phoebus (custom sailing boat vinyl lettering). In 2005, he took a position as graphic design instructor at the Department of Graphic Design of Bilkent University (Bilkent, Ankara, Turkey). Since 2007, he is at the Izmir University of Economics, Izmir, Turkey. PDF file with samples of his fonts. Limerick was designed in 2006 together with Marek Brzozowski. At ICTVC 2007, he spoke about 20th century Bodonians. Home page. In 2009, Segalini published Hemingway Pro, a commercial 9-style sans display family, available from Red Rooster. Hemingway Deco Initials is free though. Hemingway was inspired by the prize-winning novel The Old Man and the Sea (1952, Ernest Miller Hemingway). Typophile link. Alessandro's page with hundreds of useful links. Behance link. [Google] [MyFonts] [More]  ⦿

Alexander Dosiehn

German designer Alexander Dosiehn created the font Liga Sans (2001, Linotype). It was part of his graduate thesis at the Fachhochschule Düsseldorf. FontShop link. [Google] [More]  ⦿

Ali Haider

FontStructor who made the brushy caps family Kelly Rio (2009). [Google] [More]  ⦿

Alicia Yeargin

Alicia Yeargin (Redmond, WA) is a computer game designer. Devian Tart link. She created the free brush face Explosive Dawn (2011). [Google] [More]  ⦿

Alistair Palmer

Graphic designer in Cape Town, South Africa. He created the brushy hand MrPrice (2009). Flickr site. [Google] [More]  ⦿

All free original clipart

Small archive with script fonts, computer fonts, stencil fonts and brush fonts. [Google] [More]  ⦿

Allen R. Walden

Type designer. Not to be confused with "Walden Font", a commercial foundry run by Oliver Weiss. Dafont link. Full list of his work: African (1993; see also here and here for this jungle font), Amelia, Asimov, Beveled, CalculatorItalic, Checkbook (MICR-like font), CrystalItalic, FinalFrontier, FinalFrontierOldStyle, FinalFrontierShipside, Goethe, Japan, Jurassic, Lansbury (1993), Neon Lights, NewYorker, OliviaBrush, StencilExport, Terminator (techno).

Lansbury is a free art nouveau face that mimics the font used in the TV series Murder She Wrote. The actual font used for the title of that series was URW's Art Gothic (specimen). Fletcher Gothic (1992, Casady&Greene) is another free version of it. [Google] [More]  ⦿

Alphabytes
[Rob Leuschke]

St. Louis lettering artist Robert Leuschke (who grew up and lives in St. Charles, MO) has made some 250 calligraphic fonts for greeting cards, including many for Hallmark Cards, of which about 80 are commercially available: ITC Arid (1997), a flowing handwriting [see also here], ITC Chivalry (2003), Saliere (1997), Love (2003), SendFlowers (1988), Whisper (2003), RugeBoogie (2004), Ambiance (2004, an informal calligraphic design for Bitstream), and a handprinting font, Roelandt. The IRC Chat Font (smilies) is free.

In 2003, he found an outlet for his work through P22 and published P22Corinthia, P22ImperialScript, P22OhLey [simulating Mexican writing], P22Petemoss and P22Ruthie.

He also made RUSerius (2007, curly handwriting), Alex Brush (2003), Cherish Font (2003), ChildrenPlay ROB (2003), Ephesis (1988), Inspiration (2003), JackieO (2003), Licorice (2003), OoohBabyROB (2004), TheNautiGal (2006), Gideon (2009, roman), Corinthia (2009, calligraphic), Puppies Play (2009), Monte Carlo (2011).

Rob Leuschke's bio. Klingspor PDF.

MyFonts interview. [Google] [MyFonts] [More]  ⦿

American Greetings Corporation
[Courtney Kent Rhodes]

In 1996, the American Greetings Corporation company issued a number of mostly script and blackletter fonts, whose names all start with CAC. These can now be found on many font archives. A partial list: CACCamelot, CACChampagne, CACFuturaCasual, CACFuturaCasualBold, CACFuturaCasualBoldItalic, CACFuturaCasualMedItalic, CACKrazyLegs, CACKrazyLegsBold, CACLaskoCondensed, CACLaskoEvenWeight, CACLeslie, CACLogoAlternate, CACMoose, CACNormHeavy, CACOneSeventy, CACPinafore, CACSaxonBold, CACShishoniBrush, CACValiant, Care-Bear-Family, ShishoniBrush. Founded in 1906 and based in Cleveland, American Greetings Corporation no longer develops or sells fonts. Six of the CAC fonts were designed and produced by graphic designer and Vietnam veteran Courtney Kent Rhodes from Westlake, OH, who worked for AGC from 1988-2003. Dafont link. Archive of most of the CAC fonts. [Google] [More]  ⦿

Ana Raquel Araujo

Editorial designer and illustrator in Guimaraes, Portugal. Creator of a brush all-caps alphabet in 2010 while studying at ESEIG. [Google] [More]  ⦿

Andinistas
[Carlos Fabián Camargo Guerrero]

Bogotá-based Colombian graphic design studio and type foundry founded in 1998 by Carlos Fabián Camargo Guerrero, Lennyn Salinas, Mariangeles Valero, Juan Carlos Valero, Jorge Alexander Camargo Guerrero, Rafael Rincón, and Jordi Teres. It was first located in Caracas, Venezuela, but moved in 2003 to Bogotá, Colombia. New names in its organization include Alexander Moreno. Many of its designers are Venezuelan. Among the shown typefaces: Nikona, Angelita, Pepelepu, Zerotipo, Skuke, Retro, Radio Bemba, Pumarosa, Pr1, Oficia, Nativa, Mongol (free), Lirrot, Leroy (computer screen stripes), Hiroformica, Hibrida, Guerilla, Guerilla Outline, Gruada, Gancho Petare, Escuedra, Esbelta, DSNett, dia-D, Download, Denego, Cristal, Codiga, Codiga Icon, Codiga Destroy, Codiga Codec, Chacao Petare, Cazon Gothic, Boa, Biol, Ave-cedario, Anaira. Cazon (2007, Camargo Guerrero) is a family of calligraphic origin consisting of 7 styles: Gris, Negra, Uno, Dos, Tres, Dingbats A and B and is based on the paintbrush letters found in the popular markets of La Guaira, Caracas. This family won an award in the experimental typeface category at Tipos Latinos 2008. Lirrot (2007) is a 6-style grunge handwriting face bordering on the psychotic, and comes with Lirrot Dingbats. It too won an award at Tipos Latinos 2008. PP Lepu (1998-2008) is pixel grunge. Josefina (+Dingbats1) is a curly script also made in 2008. Navaja 1 through 4 (2008) and Diad are collections of grunge fonts with grungy dingbats. Lucrecia 1 through 3 (2008) is a fat connected script family ranging from clean to splattered. MyFonts page. Telesforo (2008) radiates anger from its brushy grungy limbs. Telesforo Black won an award at Tiupos Latinos 2012. Ninja 1 and Ninja 2 (2008) are script fonts, and are accompanied by Ninja Dingbats (2008). Dsnet (2008) is a 6-style bare-bones rounded squarish family. Flaminia and Flaminia Dingbats (2008) are useful for food-related signage. Modelia (2008) is thick, informal, and looks like it was brushdrawn. Modelia won an award at Tipos Latinos 2010. Filomena (2008) is a brush family with a goth theme and an accompanying goth dingbats. Obdulia (2008) and Floro (2008) are extreme mural grunge fonts. Marimonda (2009) is grunge calligraphy.

View the typefaces designed by Andinistas. [Google] [MyFonts] [More]  ⦿

Angel Koziupa

Argentinian lettering artist who worked for 35 years for McCann Erikson and has produced freelance works for other major agencies like Interbrand, Futurebrand, and others. Veer writes: The talented Angel Koziupa has been lettering, creating type and designing logos for the past 40 years. His handiwork is behind nearly every important packaging logotype in Argentina. He worked 35 years for McCann Erikson and has produced freelance works for other major agencies like Interbrand, Futurebrand, and others. His typefaces include Aventura (2011, Sudtipos), Coche (2011, a signage face done with Alejandro Paul), Aguafina Script (2009, Sudtipos, with Alejandro Paul---free at Google Web Fonts and at OFL), Primavera (2008, a signage face), Angelus (2008), Felipe (2009), Amarinda (2004, Sudtipos), Argenta (2004), Biographer (2009, an upright almost connected script), Bravissima Script (2009), Brisa (2004; its grungified version is Viento, 2011), Bubblegum Sans Pro (2011, with Ale Paul), Cenizas (2008, with Alejandro Paul), Chocolate (2008, Sudtipos, with Alejandro Paul, a market sign family in weights called Amargo, Caliente and Dulce), Condiment (free at Google Web Fonts), Cupcake (2010, a food signage face, with A. Paul), Murga (2003, Sudtipos), Tiza (2003), Tanguera (2007, with Alejandro Paul: shaded signage lettering), Galgo Script (2007, rough-edged calligraphic script), Kilo (2010, signage face), Koziupack (2008), Kozmetica Script (2011, a delicate wedding script or make-up brand script), HabanoST (2003), Argenta (2003), Malbeck (2003), Alma (2005), MobleySans (2003), Malambo, Oxida (2005), Inoxida (2009), Piedra (2010, grunge; free at Google Web Fonts), Pinguino (2005, condensed brush face), Ricotta Script (2011, a true signage face), Romy (2007, graffiti script), Voyeur (2011), Almond Script (2007), Candombe (2007, a script with an African theme), Amorinda (2007), Cafelatte (2006, signage face), Matogrosso Script (2009), Uplink (2009, upright connected script), Aladin (2009, an art nouveau-meets-Arabic face; free at Google Web Fonts and at OFL), Delight Script (2011, with Ale Paul: a 1950s signage face, which won an award at Tipos Latinos 2012), Diplomatic (2009) and MobleySerif (2003) were created by Alejandro Paul based on his letters. They can be purchased as Umbrella Type at Veer. Also at Umbrella, Paul and Koziupa made the casual script face Brisa (2004; its grungified version is Viento, 2011), and the script faces Chocolate Caliente, Amargo and Dulce (2005), Felipe (2005), Cooked (2006, rough-edged), Chicle ST (2007, bubble gum wrapper type, free at Google Web Fonts), Bellas Artes (2007, doubly-lined script), Lombriz (2005), Bakery Script (2006, for signs in stores), and the frizzy Cenizas (2005). [Google] [MyFonts] [More]  ⦿

Anke Art
[Anke Arnold]

Wernau (was: Wendlingen), Germany-based Anke Arnold's free fonts: Car Go Frame (2011), Car-Go Plain (2011, modeled after German license plate lettering), Typo Garden (2010, alphadings), 80er Teenie Demo (2009), Acki Preschool (2009), Just Another Stamp (2009), Firlefanz (2009, curly letters), Pixelstitch (2006), AnkeHand, Hole-Hearted (2003, Gill Sans with hearts), KRITZEL (scratchy pen), MilkyWay, FrightNight, Eminenz (2002), Scribble, Skribus, Why, TooLazyToPractice, XXX, CheapInkkilledmyPrinter, Storch (alphadings), Alexandras-Stempelkasten, Anatevka-Caps, BulletMix, Catwalk, Duke, Dukeplus (2000, blackletter), Riddleprint, Anke-Print, AnkeCalligraph, Titanic, Wasser, butterbrotpapier, distracted-musician, dyslexic, manko, quixotic, verrutscht, zladdi, barcoded, BulletMix2, CAR-GO-2, Fortunaschwein (nice curly script; no punctuation or numbers), Round, BigBrothers&Sisters, BoringLesson, CrimesceneAfterimage, Incognitype (old typewriter), Jenna'sPopsicles, Japanese Brush (1996), Knuffig, MonkyBusiness, Olympia2000, Samba, Dandelion, Krystal, Nervous, ParryHotter, Pffft, Tschiroki, Heart2Heart (heart alphadings), Anke Sans.

English page. For 10DM (5 USD), Anke will make your handwriting into a font! Alternate URL. Dafont link. Another link. Open Font Library link. [Google] [More]  ⦿

Anna Stadnik

Moscovite who created a brush / comic book style Cyrillic typeface in 2012. [Google] [More]  ⦿

Annie de la Vega

Dead link. This was a Philippine site with original fonts by Annie de la Vega [the site used to be called MadCaps]: Annifont, Alcohole, Sira (1998, handwriting), Addict, Chibrush (oriental simulation face), Durian Republik, Happy, Illustrator, Balotro, Book-Illustrator'sHandwriting, Dooling-Bold, Marilen, MiddleEarthNF-Medium, Sira, Stinkin-BoopFont, UppenArmsNF-Medium, Walang-K, Jeepney and Teenick. Anni will make your handwriting into a font for a "minimal" fee.

Dafont link. Abstract Fonts link. [Google] [More]  ⦿

António Carreira

Brazilian designer of OralSex, PaintBrush-Draws, Peace-Symbol, Psicadelic, Sex-Machine, Shaking-Bones, Scully, Sacha, Demon-Bones, Vaca, Virus, Eraser (2006). [Google] [More]  ⦿

Antraxja Fonts (or: Atrax)
[Rafal Brzezinski]

Antraxja Fonts (or: Atrax) is a Polish foundry which offers these free fonts made by Rafa Brzezinski in 2004: ARTUR, AntraxjaGoth1938 (blackletter), Art (art nouveau), BATTLEFIELD (war lettering face), BananaShow-Medium, CrashTest, CrashTestItalic, CrashTestShadow, Cybernetyka (futuristic family), CybernetykaItalic, CybernetykaNormal, CybernetykaOutline, DarkPalladin, HistoryBrush, Kreskwka-Italic, Kreskwka (handwriting), Monster, MonsterShadow, Mortis, Orchidee, REFORMA, RETURNTOCASTLE (gothic), Speed+, Speed+2, Techno, cherif, medusa (blocky lettering), mortis, weronika, Bajareczka, Camilla, Cherif, Top Secret (stencil). Alternate URL. Another URL. Another URL. [Google] [More]  ⦿

Aoki Chinkee

Creator of the free brush faces Teemo Ra (2009) and Seego Script (2009). [Google] [More]  ⦿

Appligraph Ltd

Greek outfit which made AGIerissosE (1993-1995) and AGVienessaC (1997). The latter is a nice Greek script. Download them here. Here, one finds these 1995 fonts for Latin and Greek: AG-Aircraft_B-NPln-NormalItalic, AG-AtlanticInlineExt-Normal, AG-BrushesExt-HeavyItalic, AG-Helvet924Pln-Normal, AG-ImpulsExt-BoldItalic, AG-Kinga_E-Bold, AG-Lithos_E-Normal, AG-MonaLR_E-Normal, AG-Vakus_C-Heavy, AG-Vakus_C-HeavyItalic, AG-Vikings_C-Normal, AG-Vikings_P-NormalRev, AG-Vivis_E-Normal, AG-Zeues_E-Normal, AGAdonisPlnBold, AGBauhausBNPlnNormalItalic. [Google] [More]  ⦿

Arthur Baker Designs (or: Glyph Systems)
[Arthur Baker]

American calligrapher who worked for many foundries, and ran several studios. His fonts have calligraphic influences, of course. MyFonts page. Another MyFonts page. And still another MyFonts page. FontShop link. Some of his work, which is a bit scattered over many foundries:

• He runs Glyph Systems in Andover, MA, where one can find Calligraphica (1995, like Sassafras), Cold Mountain (1995, grunge), Collier Script (1995, calligraphic), Daybreak (1995, grunge), Duckweed (1995), Duckweed Sans, FishFace (dingbats), Hiroshige Sans, Kigali (1994), Mercator (1995, an old mapmaker type family), Oakgraphic, Swooshes (1994, ornaments), Feathers, Florettes, Flowery, Hands (1995, calligraphic fists), Plumes, Swirls, Arrows (1995), and Sassafras (1995, a decorative engraving family).
• At one point, he designed a Maverick Designs Collection (1994): New Amigo, New Marigold, New Oxford, New Pelican, New Visigoth.
• Linotype Amigo.
• Linotype carries Baker Signet (2001, famous for the word Coke on the Coca Cola bottles) [Bitstream also has a version of this], Visigoth, Oxford, Marigold, Amigo, Sassafras and Kigali.
• Agfa-Monotype carries Pelican, and so does Adobe.
• ITC has ITC Tiepolo (1987).
• He had some fonts published under the label AlphaOmega. These all appeared later with Adobe.
• At P22: Calligraphica (2001) and the medieval map writing font Mercator (2001). P22 Matador (2007) is a contemporary Roman font based on the manuscript tradition (digitized by Michael Clark).
• At VGC: Baker Argentina No 1 (1976), Baker Danmark One (1976), Baker Signet (1965). Baker Signet, in its display text weights, was at the basis of Sigvar (Softmaker).

Some explanations by Freddy Nader: The Baker Argentina and Danmark faces were variations on his Signet. Baker originally made Signet for Headliners International in the 1960s, where he worked full time. In 1972 he was approached by VGC and told that they would pay him royalties as well if he made the same face for them. Royalties were a relatively new thing back then - Tommy Thompson was the very first person to ever learn royalties in type (in 1944 for his Thompson Quill script for Photo Lettering Inc), and he wasn't a type designer per se, he was a calligrapher. Lured by the idea of royalties coming his way from two different directions for the same face, Baker did a Signet for VGC. When Bob Evans, owner of Headliners, found out, he threatened to sue VGC for trademark infringement (copyright for typefaces was unheard of at the time - every major photo type house had "similar" fonts, and whenever someone got exclusives made by outside designers under a royalty program, it was only a matter of weeks before they were knocked off and changed slightly by other type houses, big and small). So in order to avoid a trademark infringement lawsuit, VGC called their face Baker Signet, instead of just Signet, and went further by asking Arthur Baker to make a lighter version and a condensed version. The lighter version was called Baker Argentina, the condensed version was called Baker Danmark. The "Number One" prefix was added to both so that when the inevitable knockoffs happened, type buyers would know which type was made first. About Baker Sans, Freddy writes: The Baker Sans was a knockoff of Helvetica. It was a massive family of a lot of fonts, rendered very ugly by camera stretching and slanting. Eddie Bauer used it as their corporate face for a long time in order to avoid the expensive fees of licensing Helvetica. Tim Ryan ended up digitizing it for Arthur Baker in the mid 1990s for a lot of money. That digital version is now being sold by ITF under one of its many companies (either Arthur Baker Design, or Arthur Baker Designs, or maybe Maverick Designs). Klingspor link. %Z Arthur Baker Alpha Omega Arthur Baker Designs Maverick Designs Box 1897 Andover MA 01810 (508) 687-0513 OEM only [Google] [MyFonts] [More]  ⦿

Artist of Design

Commercial foundry in Kensington, MN, run by "André". Most of his fonts are handprinted, such as AZ Cut Script (2011, a script), AZ Pledge, AZ Grampa, AZ Fast Fury, AZ Hello, AZ Dude, AZ Tiki, AZ Script, AZ New Rough, AZ Imperial, AZ College (+Brushed), and AZ Vintage Tattoo, all made ca. 2010-2011. AZ Union (2011) is a Western face. AZ Text (2011) and AZ Dramamine (2011) are grungy handprinted faces. AZ Sailor Tattoo (2011) is an outline tattoo face. AZ Hello Brushed (2011) is a brush face inspired by auto repair signs. AZ Rough Fart (2011) is a squarish mural brush face. AZ Wings (2011) is Victorian. AZ Placid (2011) is an eroded outline face.

Type designs from 2012: AZ Barista (inspired by Leonetto Cappiello's poster art from the 1920s), AZ Indian (signage script), AZ Harpers July (inspired by Edward Penfield's poster art from ca. 1900), AZ Plug Italic (inspired by the poster art of Edward Penfield and Franz Hazenplug, ca. 1900). [Google] [MyFonts] [More]  ⦿

ArtistMike.com

ArtistMike (real name unknown) designed Komica Halftone, Shaded Art Brush, Animal Letters, Gargoyle 11, YellowSub&Dings, Mickey Letters, Mickey Dings, Mickey Mouse Dings&Letters 3.0, Rooster Font, Scary Clowns, School Dings, PinUps, Scrolls Dings, MC Borders, MC Pinup, SandDaisy, ScaryClowns, Donald&Dings, ArtistMike.Orniments12, Sun Dingbats. Get the fonts by email. Logo to font and signature to font conversion service. [Google] [More]  ⦿

Astigmatic One Eye
[Brian J. Bonislawsky]

Astigmatic One Eye (AOE) has lots of nice original fonts by Brian J. Bonislawsky (b. 1973, Pittsburgh, PA). Many are free, others are not. AOE joined Font Brothers Inc in 2006. Brian Bonislawsky currently lives in Las Vegas, NV.

Fontsquirrel link. Dafont link. Fontspace link.

A partial list of the AOE fonts made in 2011: Engagement (2011, a free brush script at Google Web Fonts), Fascinate (2011, an art deco face at Google Web Fonts; +Inline), Original Surfer (2011, a free Google Web Font inspired by a vintage advertisement for the "California Cliffs Caravan Park"), Smokum (2011, a Western / Italian face), Yellowtail (2011, signage face), Redressed (2011), Special Elite (2011, free typewriter face), Aclonica (2011).

Typefaces from 2008 or before: Horseplay AOE (2008, Western style), Cake and Sodomy AOE (2008), Good Eatin AOE (2008), Paradiso AOE (2008, inspired by logotype of the Paris Resort and Casino in Las Vegas), Montelago AOE (2007, a script inspired by the logotype of the Mirage Resort and Casino in Las Vegas), Jack Chain AOE (2007), Henhouse (2007), Schnitzle (2007), Luxurian AOE (2007, inspired by the logo of the Luxor Hotel&Casino in Las Vegas), Digital Disco AOE (2007), Mighty Tuxedo AOE (2007), Makeshift AOE (2007), Clarity AOE (2007, slab serif headline), Red Pigtails AOE (2007), Run Tron 1983 (2002), Eyeliner AOE (2006, Tekton-like), Mother Hen (2007), Gloversville (2007, comic book style), Mighty Tuxedo AOE (2007, condensed sans), Quick Handle AOE (2007), Surfing Bird (2007), Hydrogen (2004), Hardliner (2004, fifties diner style), Big Ruckus (2004), SS Antique No. 5 (20040, Europa Twin (2003), EuroMachina (2003, techno), Lord Rat (2003), Love Anxiety (2003), BuzzSaw (2003), Skullbearer (2003, skull dingbats), Beatnick Blue (2002), Geisha Boy (2002), Mardi Party (2002), Midcrime (2002), Ocovilla (2002), Ruthless (2002), Saltie Doggie (2002), Whiskers (2002), Royal Gothic, Family, Eggit, Jericho, Wild Monkeys (2002), 5FingeredGothSW, AlienArgonautAOE, AlphaMackAOE, AmphibiPrint, AngiomaAOE, AntiChristSuperstar, AntiChristSuperstarSW, AstigmaSolid, BigLimboAOE, BigLimbodOutAOE, BoneRollAOE, BoneRollAOEBold, BoundAOE, BrailleAOE, BulletBallsAOE, ButterflyChromosome, ButterflyChromosomeAOE, ButtonButton, ButtonButtonAOE, CType, CTypeAOE, CelticLionAOE-Bold, CelticLionAOE-BoldItalic, CelticLionAOE-Italic, CelticLionAOE, CharailleAOE, ChickenScratch, ChickenScratchAOE, ClunkerAOE, ClunkerAOE-Bold, CropBats, CropBatsAOE, CropBatsIIAOE, DarkNightAOE, DeadGrit, DeliveryMatrixAOE, DetourAOE, DigitalDiscoAOE, DigitalDiscoAOEOblique, DingleBerries, DoggyPrintAOE, DraxLumaAOE, DungeonKeeperII, DungeonKeeperIIBold, DungeonKeeperIIItalic, EggItAOE, EggitAOE-Italic, EggitOutlineAOE, ElectricHermes, ElectricHermesAOE, ElectricHermesAOECharge, FearAOE, FilthAOE, FishyPrintAOEOne, FishyPrintOneAOE, FishyPrintTwoAOE, FutharkAOE, FutharkAOEInline, FutharkAOEInline, GateKeeperAOE, Ghoulish Fright AOE (2006), GlagoliticAOE (1999, grungy glagolitic), GorgonCocoonAOE, Gotik, GreyAlienSW, HAL9000AOE, HAL9000AOEBold, HAL9000AOEBoldItalic, HAL9000AOEItalic, HandageAOE, HandageAOEBold, HauntAOE, HybridLCDAOE, IDSupernovaSW, IslanderAOE, JokerWildAOE, KillMeCraig, KillMeCraigAOE, Kinderfeld, KittyPrint, KittyPrintAOE, Kornucopia, KornucopiaAOE, LinusFace, LinusFaceAOE, LinusPlayAOE, LinusPlaySW, Lochen, LovesickAOE, Manson, MasterPlan, Microbe, MooCowSW, MotherlodeLoadedAOE-Italic, MotherlodeLoadedAOE, MotherlodeStrippedAOE-Italic, MotherlodeStrippedAOE, MysterioSWTrial, NightmareAOE, OrnaMental, Pantera, PapaManoAOE, PenicillinAOE, PixelGantryAOE, PixelGantryAOEBold, PixelGantryAOEBoldItalic, PixelGantryAOEHeavy, PixelGantryAOEHeavyItalic, PixelGantryAOEItalic, PixelGantryHiliteAOE, PixelGantryHiliteAOEItalic, PoppyAOE, PoseidonAOE, Prick, QuiltedAOE, QuiltedAOEBlack, QuiltedTrial, RippleCrumb, RippleCrumbUltraCon, ROCKY, ROCKYAOE, RustedMachineSW, SSExpAntiqueAOE, Schizm, Schrill, SchrillAOE, SchrillAOEOblique, Scrawn, ScrawnAOE, ScrawnCyrAOE, ScrawnKOI8AOE, ScrewedAOE, ScrewedAOEOblique, ScrewedSW, SeaweedFireAOE, SenthAOE, ShampooSW, ShottyTransferTrial, SkinnerAOE, SlurCrumb, SpatCrumb, SpikeCrumbGeiger, SpikeCrumbSwizzle, SpikeCrumbSwollen, SteelcapRubbingTrial, StruckSW, StrutterAOE, SunspotsAOE, SurferComicTrial, TRANSHUMANALPHABET10, TRANSHUMANKATAKANA20, TannarinAOE, TannarinAOEOblique, TibetanBeefgardenAOE, TibetanBeefgardenAOE, TouristTrapAOE, TransponderAOE, TransponderGridAOE, UglyStickAOE, VanguardIIIAOE-Bold, VanguardIIIAOE-BoldOblique, VanguardIIIAOE-Oblique, VanguardIIIAOE, Ventilate, VentilateAOE, Y2KPopMuzikAOE, Y2KPopMuzikOutlineAOE, YoungItchAOE, ZeichensSW, ZenoPotionAOE, Zombie. Second list: BeatnikBlueAOE, BeatnikBlueFillAOE, GeishaBoyAOE, MardiPartyAOE, MindCrimeAOE, OcovillaAOE, PolynesianTouristAOE, RuthlessAOE, SaltyDoggieAOE, SpruceAOE, WhiskersAOE-Oblique, WhiskersAOE, WhiskersAltCapsAOE-Oblique, WhiskersAltCapsAOE (2002), Habitual, Automatic (techno), Bitrux, Filth, Cake&Sodomy, Gulag, Bad Comp, Detour, Alien Argonaut, Dark Night, GateKeeper, Gargamel Smurf, Invocation, Neuntotter, Geisha Boy, Saratoga Slim, Gobe, Stingwire, Lavatype, Tapehead, Islander, Clunker, Digelectric, Gargamel, Krulo-Tag, Krelesanta, SurferComic, Bound, Culture Vulture, Intruder, Cavalier, Anoxia, Synchrounous (IBM logo style lettering), Luna, Data Error, Lunokhod, Jericho. There are many techno and gothic fonts. Kill Me Craig is the first 26 death scene dingbat font (scenes by Craig Dowsett). KittyPrint takes the LinusFace font concept to more realistic cat head dingbats. Krelesanta (not free) is a funky font inspired by the band Kreamy Electric Santa. The free ButtonButton is useful for making buttons. Lovesick AOE is a scrawly, lovelorn typeface, i's dotted with hearts. Strutter AOE is based on the KISS logo. Senth AOR is a runic font. Charaille is one of the many dot matrix fonts. Cavalero is inspired by the logotype of the Chevy Cavalier.

At Bitstream in 2001, AOE published Cavalero, Stingwire and Tannarin. And in 2002, he published the comic book font Big Limbo, Euro Machina BT and Islander there. Bio at Bitstream.

In 2005, Bonislawsky and Sandler realeased 500 fonts, via Bitstream and MyFonts, under the label Breaking The Norm.

In 2006, Astigmatic published their typewriter collection, which includes Military Document, Bank Statement, State Evidence Small Caps, State Evidence, Urgent telegram, Library Report, Overdrawn Account, Customs Paperwork, Incoming Fax and Office Memorandum.

From the bio and various pieces of information, one is led to believe that Brian was born in Poland, and now lives in Miami, but that may be wrong.

In 2010, he placed a free font at the Google Directory, Syncopate. Along the same lines, we find the derived square serif face Stint Ultra Condensed (2011, Google Web Fonts) and Stint Ultra Expanded (2012).

In 2011, several other faces followed there, like Ultra (fat didone), Maiden Orange, Special Elite, Just Another Hand, Crushed, Luckiest Guy (comic book face), Aclonica, Redressed, Montezuma (a curly connected upright script), Devonshire (brush script), Fondamento (calligraphic lettering), Yellowatil (connected retro script), Righteous (free at Google Web Fonts: inspired by the all capitals letterforms from the deco posters of Hungarian artist Robert Berény for Modiano), Ribeye and Ribeye Marrow> (cartoon and/or tattoo style lettering---free at Google Web Fonts), Spicy Rice (2011, free festive display face at Google Web Fonts).

Contributions in 2012: Uncial Antiqua, Jim Nightshade (2012, free at Google web fonts), Dynalight (2012, a retro script inspired by a vintage luggage tag for the Southern Pacific 4449 Daylight steam locomotive), Yesteryear (2012, a retro script loosely based on the title screen from the 1942 film The Palm Beach Story), Parisienne (Google Web Fonts: casual connected script based on a 1960s ad for bras), Shojumaru (Google Web Fonts: an oriental simulation face inspired by a poster for the Marlon Brando movie Sayonara), Berkshire Swash (Google Web Fonts), Audiowide (Google Web Fonts). [Google] [MyFonts] [More]  ⦿

astype.de
[Andreas Seidel]

Astype.de is a German foundry started in 2003 by illustrator and type designer Andreas Seidel (b. 1975). He lives in Cottbus, Germany. Home page. See also here. In 2007, he and Ingo Preuss set up The German Type Foundry. The typefaces:

• One of his first typefaces was Crayfish (originally a URW font, but withdrawn by Seidel from URW in 2002). Crayfish is a display type originally designed for an American Football club. The Crayfish faces are sold as Thunder Bold and Titan Bold.
• Check his nice weather symbols (not a font).
• He finished Ornaments Thanksgiving and the great ASTYPEOrnaments-WineGrape A (2004).
• He is working on 14th century initials (2003).
• He created Sattler (2003): Joseph Kaspar Sattler, one of the great German art nouveau artists created these nice initials in 1897 for the famous royal monumental book project Die Nibelunge for the Reichsdruckerei Berlin. Only 200 exclusive signed masterpieces were printed in four years from 1900 till 1904. Joseph Sattler was the art director, type designer and designer in one person. The Reichsdruckerei showed samples of the unfinished work in 1900 at the world exhibition in Paris to advertise the high craftsmanship of the German presses.
• He made Heraut (2003), an art nouveau lettering face based on a 1901 design of Heinz Hoffmann.
• He created Sveva AS Versal (2003, art nouveau).
• About Missa Solemnis, he writes: Solemnis was designed by Günter Gerhard Lange and first cut in metal 1953 (this is the date he quotes himself, other sources mention 1950 or 1952). It seems to be one of his earliest typeface designs that he had done as a freelancer for H. Berthold AG in Berlin. [...] Missa Solemnis AS is a new, remastered and extended version of Mr Lange's typeface. The font is available in the OpenType format and comes in two styles: 1953 and 2003. The 1953 style contains all characters of the original metal type, as well as a few additions. [...] The 2003 cut is more delicate and makes extensive use of the OpenType format. It contains over 650 glyphs, covering Roman-based languages of Western and Central Europe. His Solemnis inspired Simeon AS (2003), a 650-glyph uncial style face.
• In 2004, he created Missale Incana, an interpretation of a face from Herbert Thannhaueser.
• Still in 2004, he created ASTYPE Ornaments Christmas A2 and ASTYPE Ornaments Christmas A. These were followed in 2005 by ASTYPE Ornaments Christmas B.
• He made Missale Lunea (2004, uncial). This has astroligical symbols, moon phases and medieval characters.
• In 2005, the exquisite calligraphic script face Gracia was added, consisting of Gracia No. 44, 45, 54 and 55 (graceful calligraphic script), and Gracia Solo.
• Paola is a redesigned, new interpretation of a brush typeface from Carl Rudolf Pohl.
• He made Adana (2005): The roots of Adana going back to the year 1930, to the Berlin-based German graphic designer Wilhelm Berg. His typeface can be interpreted as an answer to Lucian Bernhards Schönschrift. The Initials are nearly close to the original drawings but the Circular typeface was changed dramaticly. Excentric, unusual forms and loops were changed to fit todays needs. Due to the lack of a corresponding Roman letter form, the Regular version was designed including small caps, fitting the contrast and swinging shapes of Adana Circular. Both typefaces play well together in all kinds of adverts, as well with designs like Bodoni or Didot.
• Alea AS Initials (2005) is a floral faced based on the drawings of Maria Ballé.
• Taiko (2006).
• ASTYPE Ornaments Accolades A (2007), and ASTYPE Ornaments Accolades C (2011).
• GTF Toshna Std (2008, German Type Foundry) is a garaldic type family in three optical weights, after a 1955 family called Tschörtner-Antiqua by Hellmuth Tschörtner that was very popular in the DDR.
• Secca (2009, German Type Foundry) is a simple sans family rooted in early German grotesque type designs.
• Nepos (2010) is an experimental modular type kit consisting of ready-made typefaces and a set of special BUILD fonts to build your own letters and ornaments. These BUILD fonts can be used on layers with different colors and overprinting for special effects. The effects like Antiplex can be considered as kitchen tiles. There are also color inversions and stencil types.
• Secca Saloon (2011) is a versatile ornamental Western family.
• Popsil (2011) is a white-on-black handprinted poster face.
• Ademo (2011) is a classic shaded 3d caps face, based on two typefaces designed by Carl Albert Fahrenwaldt that were published in 1931-1932 by Schriftguss AG.

August Rosenberger

German punchcutter, b. 1893, Frankfurt, d. 1980, Frankfurt. At D. Stempel AG, he cut Zapf's flower alphabet. The flower initial caps appear in a book "Das Blumen-ABC", couthored by Hermann Zapf and August Rosenberger, and is based on Zapf's brush drawings from 1943-1946. [Google] [MyFonts] [More]  ⦿

Autographis
[Gert Wiescher]

München-based foundry, est. 2008 by Gert Wiescher, whose main font foundry is Wiescher Design. Myfonts link. Specializing in handwritten scripts and rough fonts, they created Amaro (2011, a signage script family; + Amaro Block, +Amaro Fleurie), Obsession (2011, a calligraphic family), Astara (2010), Golden Love (2010), Homer (2010, a comic character script), Moon Love (2010), Perfecto (2010), Nikita (2009, upright connected script), English Lazy Bird (2009), Script Hand (2009), Angel Eyes (2009), Cheap Thrill (2009), Viva Maria (2009), True Love (2009), WildThing (2009), Doria (2009), Verena (2009), Astria (2009), Chloe (2009), Bea (2009, brush), Xan (2009, rough Japanese-style script), Fat Sally (2009, comic book face), Wally (2009, calligraphic), Ysadora (2009, calligraphic), Zoe (2009, calligraphic), Joyosa (2009), Ulissia (2009, hand-drawn slab serif), Querida (2009), Riana (2008), Quiana (2008), Quirina (2008, calligraphic), Naomi (2009, calligraphic; based on his Nana), Don Julio (2008, calligraphic), Donna Julia (2008, calligraphic), Novita (2008, calligraphic), Novido (2008), Flatpen (2008, a rounded sans face), Kato (2008), Leona (2008, brush script), Tina (2008, fat brush), Maeva (2008, calligraphic script), Oona (2008, like Maeva), the brush script Paula (2008), the upright cursive faces Grazia (2008) and Greta (2008), the brush script Juliana (2008), the comic book style faces Carina (2008), Isara (2008), Kiki (2008), and Fanny (2008), and the calligraphic script faces Dalia (2008), Elisara (2008), Simona (2008), Helenia (2008), Annabella (2008), Brigitta (2008) and Constanza (2008). Gert writes about himself: I went to Paris when I was very young, just for the sake of art. That caused many a sleepless night to my beloved mother, but she accepted my decision. Once I met Salvador Dalí, but he did not take me very seriously. To this day I dont know why! After some years I decided to start a serious life. I got married and studied graphic design at the Hochschule der Künste in Berlin. Making detours, once more to Paris, then to Barcelona, where I designed the OECD pavillion for the Osaka World Expo at the office of Harnden&Bombelli, I reached South Africa. Grey and Young advertising got to know me! I had to fiddle around with Agfa cameras and films, Epol dog-food, several kinds of toilet paper, unbelievable insurance companies and I-dont-know-what. Sometime on a holiday in Munich I stayed there. Someone made me an offer I did not want to refuse. DFS&R-Dorland bought me out of South African slavery! I now became an art-director for Paulaner, CMA, Phillip Morris, and Peugeot. Being a young adventurous man, I changed to the Herrwerth&Partner agency, which at that time was supposed to be the most creative outfit in town. Mister Herrwerth taught me to think simple. I was allowed to introduce IKEA into the German market. Afterwards I became Creative Partner with Lauenstein&Partner. That was OK, til someone discovered his love for horses! Thats when I rented my own office in 1982! Since then I design some typefaces per year, I guide a couple of nice young people (apprentices) along to designer stardom. I write a couple of books and newspaper articles about design, computers, food, drink and crime! As a graphic designer I have nothing but happy clients! I am open to every challenge! [Google] [MyFonts] [More]  ⦿

BA Graphics
[Robert Alonso]

Bob Alonso (b. Bronx, NY, 1946, d.2007), the founder of BA Graphics in 1994, is an American typographer who designed Damage Control (1993, grunge), Mango Gothic (1991), Pimento (1998), Shooby (1992), Pink Mouse (1992, psychedelic), Tequila (1992, a bouncy play on Didot), Alex (1996, child's hand), Chicken Soup (1993), PC Gothic (2005), Rust Bucket (1994), ITC Aftershock (1996), ITC Outback (1997), ITC Serengetti (1996), ITC Ziggy (1997), Gusto Black (2003), Vinchenso (2003), Blog (2007, 1890's style display egyptian), Nine One One BA (2007, grunge). He also designed the clean handwriting face Zipty Do, Serendipity (2006), CEO Roman (2007), Paladium Gothic (2007, a sans), Snip Tuck (1994, a headline face), Rancho Grande (1995), Radiance Brush (1997, a casual brush script), and Sahara Bodoni (1996). 33 years of experience at NewYork's Photo Lettering, and specializing to some extentv in calligraphic script faces, but not exclusively so. BA Graphics was located in Chester, NY, and later in Toms River, NJ, and now sells its fonts through MyFonts.

The complete list: ITC Aftershock, Alexandra Script (a formal script), Allure, Alons Antique, Alons Classic, Angular, Animated Gothic, Barnboard, Bedrock, Bodoni Roma (1993), Cabernet Sauvignon (2007, a take on Didot---I can't believe BA Graphics trademarked this name!), Cafe Aroma, California Sans, Calafragalistic (1992), Caslon Manuscript (1992), Champ Ultra (1995, Western billboard font), Chunky Monkey, Cookie Dough, Crackers, Crescent, Down Under, Elegante, Elephant Bells, Ellington Manor, Equate (1993), Extreme (chalk writing, 1996), Felicity Script, Flix, Freaky Friday Extreme, French Vanilla, Galactic, Geo (2000), Granny Smith, Gusto Black, Headline Gothic, High Intensity, Island Sans, Italian Didot, Kresson Black, Linear Gothic, Lorraine Script, Mardi Gras, Mega, Milano, Nightmare, ITC Outback, Pecos, Ravenwood, Red Dawg, Relaxed Fit, Richmond Hill, Road Gothic (1996), Robertson, Senegal, ITC Serengetti, Shazam, Sign Gothic Bold Condensed, Slam Dunk, Sleepy Hollow, Swank Gothic, Title Gothic Light, Torino Modern, Triumph Gothic, Vinchenso Regular, Wackado, Yakety Yak (1994), Zany, ITC Ziggy, Zipty Do, Queen of Hearts (1991, script), Steel Magnolias (1995, blackletter family), Steeplechase (1992, wild West saloon font), Waimea (1992, poster font), Black Rising (2006, a black military style face), Summer Nights (1993, script), Sugar Shack (1995, curly script), Beaches and Cream (1996, a sans turned into a connected script), Jr High (1994, sports lettering).

Alonso Flair with its flared pants (2008) and Squat (2011, a stunted black wood style face) were started by Alonso, but finished after his death by John Bomparte, who wrote this obituary: Throughout his career at the legendary Photo-Lettering, Inc. (one that spanned four decades), Bob created original typefaces and tailored type by modifying, revising and filling out families, fashioning pieces of type for hand-lettered jobs, as well as being involved with the updating of a number of well-known logotypes. Bob was blessed with natural teaching abilities; and those in social and professional circles who had the good fortune to know him considered him not just a type designer but a mentor and a friend. As one such person close to him put it, he was a "graphic technician... back when computers were not even in site for graphic arts, he would take on any intricate&complex graphic project that others would shy away from and come up with a solution that achieved a masterpiece. I'll always remember someone saying 'this can't be done' and Bob saying let me see it and a short time later, there it was --done&perfect. I would like to think that attitude rubbed off on me. Along with this gift for teaching and explaining the complex, Bob exhibited a level of professionalism that was unsurpassed. A number of years ago when the need came to make the transition from the traditional to digital way of creating fonts, he rose to the challenge admirably. Towards the last few years of Photo-Lettering, Bob played a vital role in the conversion to digital, of many of the typefaces within the collection, notably those fonts that carry the prefix PL. More recently, Bob Alonso released several fonts through ITC, Adobe and his independent foundry, BA Graphics. Bob was on the cutting edge of his best work, and in the circumstance of his untimely passing, left a measure of unfinished designs. However, the spirit of his typographic talents and his fine sense of humor lives on through the many much-loved, and popular fonts he has left us: fonts such as Cookie Dough, Equate, Elephant Bells and Pink Mouse, to name a few.

The final font listing at MyFonts: ITC Aftershock, Alex, Alexandra Script, Allure, Alons Antique, Alons Classic, Alonso Flair, Angular, Animated Gothic, Bad Boy, Barnboard, Bedrock, Bodoni Roma, Brawn, Cabernet Sauvignon, Cafe Aroma, Calafragalistic, California Sans, Cedar Key, CEO Roman, Champ Ultra, Chardonnay, Chicken Feet, Chicken Soup, Chunky Monkey, Clearmont, Coffee Black, Cookie Dough, Crescent, Deco Inline, Deep Rising (2006, constructivist), Down Under, Elegante, Elephant Bells, Ellington Manor, Equate, Extreme, Fashion Didot, Felicity Script, Flix, Fraggle, Freaky Friday Extreme, French Vanilla, Galactic, Geo, Grandeur, Granny Smith, Gusto Black, Hatari, Headline Gothic, High Intensity, Island Sans, Italian Didot, Jr High, Ka Boink, Ker Pow, Key West, Klingon, Kresson Black, Linear Gothic, Lorraine Script, Malibu Heights, Manchester, Mardi Gras, Mega, Metro Gothic, Milano (2004, a didone face), Mission Hills, National Gothic, Nightmare, Oh Sweet Pea, ITC Out of the Fridge, ITC Outback, Paladium Gothic, PC Gothic, Pecos, Pink Mouse, Queen Of Hearts, Radiance Brush, Rancho Grande, Range Gothic, Ravenwood, Relaxed Fit, Road Gothic, Robertson, Rust Bucket, S&L Gothic, Sahara Bodoni, Senegal, Serendipity, ITC Serengetti, Shadow Gothic, Shangrala, Shazam, Shore Bodoni, Sign Gothic Bold Condensed, Slam Dunk, Sleepy Hollow, Sleezy, Snaggle, Snip Tuck, South Beach, Spice, Steel Magnolias, Steeplechase, Summer Nights, Swank Gothic, Tequila, Thats Amore, Title Gothic Light, Triple Condensed Gothic, Triumph Gothic, Vinchenso Regular, Wackado, Waimea, Wall Street Gothic, Wonka, Yakety Yak, Zany, ITC Ziggy, Zipty Do.

FontShop link. Klingspor link.

View Bob Alonso's typefaces. View the BA Graphics typeface collection. [Google] [MyFonts] [More]  ⦿

Babel Press

Creator of the (free) fat brushy typeface Army-F29 (2012), which is based on Army, a font seen on page 89 of The Solotype Catalog of 4,147 Display Typefaces by Dan X. Solo. [Google] [More]  ⦿

Bajoka

Small commercial Japanese foundry specializing in handwritten and extreme brush fonts. [Google] [More]  ⦿

Barta Karoly

Hungarian creator of the bouncy black comic book face Model (2009). He also updated Maurizio Loreti's BrushScriptX and placed the updates here. His roman caps face Livio (2010) is based on S.G. Moye's Livia (1991). He also updated Thatcher Ulrich's Tuffy family in 2010, and made the handy Zapfian dingbat face DTPDingbats (2010). [Google] [More]  ⦿

Bea Stach

German designer of the signage / brush face Laken (2008, Avoid Red Arrows). [Google] [More]  ⦿

Benoît Desprez

Lyon, France-based founder of the BlueRats (les rats bleus) foundry, Frenchman Benoit Desprez (b. 1967) designed many fonts:

• At T26, you can get BlueBrush (1996-98), BlueCentury (1997-98) BlueType (1996-98) and BlueAkkrobat (1997).
• At BlueRats, we have in 1996, BlueTrash.
• In 1997: BlueApplet, BlueArsenal, BlueBond, BlueCake, BlueStuff, BlueTone, BlueStorm, BlueLacke, BlueFlag BlueExpeditt, BlueLittle Horn, BlueNylon, BlueSkin, and BlueCalcium.
• In 1998: BlueBurnt, BlueCarnage, Bluenorma, BlueSmolt, Bluespent, BlueVelvet, Bluepugg, and BlueSandblast.
• In 1999: BlueCopy, BlueFaxSimili, BlueOilstain, BlueLIax, BlueVirtue, BlueWaves, BlueYummy.
• In 2000: BlueFitful, BlueGlobal, BlueJussi-1, BlueJussi-2, BluePlanet. At T-26: BlueBrush, BlueCentury, BlueType.
• In 2001: BlueMecca. MyFonts page.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Bernardo Sar

Early 20th century designer of letters, such as this Heavy Brush Lettering with art nouveau influences. [Google] [More]  ⦿

Best fonts of 2006 (MyFonts)

Based on sales, MyFonts ranks the best fonts for 2006, from first to tenth:

• Swan Song: calligraphic, Canada Type.
• Boycott: grunge, Ryoichi Tsunekawa.
• The NautiGal: brush script, Rob Leuschke.
• Dear Joe Four: handwriting by Joe Bob Graphics.
• P22 Zaner: a penmanship font by Paul Hunt.
• Cyan: a roman face by Wilton Foundry.
• Korotaki: techno face by Ray Larabie.
• Fleurons Two: ornaments by Gert Wiescher.
• Estilo Script: art deco, DS Type.
• Camingo: flexible family, by Jan Fromm.

Billy Argel

Brazilian graphic designer and prolific creator of free typefaces, which often combine calligraphy and grunge. Alternate URL. Fontspace link.

Fonts from 2011: Tabu, Caribbean Tool (roman caps face), Pijamas (handprinted 3d outline face), Nova Solid, Chocolate Dealer, Happy Family (dingbats), Save The Mini, Tosca Zero (grunge), Epidemia (grunge), Skt and Destroy (grunge), High on fire, Manabu, Masterplan, Thrashline (multiline), Triumph Rewind, The Dreamer, Why, Uranium Mafia, Blessed Day, Caribbean Tool (floral caps face), Lost Winner, Dove Love (curly valentine's Day font), Safe Iodine (texture face), Easy Trouble, ArgelFont, BUTECO (sketch font), DIAMONDDUST, Dropping, InkInTheMeat-Tial, NORMAL, POPCORN (a great grunge hand-drawn Futura Black), POPCORNSKETCHSKETCH (a sketched face), ROCKETAIR, ShitHappens-Cursive. Panhead (grunge Western face).

Fonts made in 2010: Thrashline, Dotled (a fuzzy texture face), Refurbished, PUNKBABE, CANDYINC, GreenPillow, DIRTYBAGBOLDTRIAL, LEDLIGHT, MAJORGUILTY, Network Vampires, NEWESTTRIAL (Western face), VATOS, Billy Argel Font (calligraphic), ACIDLABEL, BeyondSky-trial, HURTMOLD, TOSCAZERO, TABU (grunge), EASY TROUBLE, BOMBFONT (puffy letters), BILLYARGELFONT (calligraphic), Soap Store (grunge), ANGELTEARS (calligraphic), BUTOXQUEEN-trial, ELECTRICHANDS (cursive hand), FLOWERFLOW-trial, HAPPYFAMILY-TRIAL, HEARTQUAKE (grunge), MSKITOKILLA (grunge), NIGHTSTALKER-TRIAL (grunge), RAINFOREST (handwriting with rough edges), ROADMOVIE, ROSE TATTOO (an outlined handprinted beauty), TWINPINES (brush), WANNABEME (sketched), WEDDINGNIGHTMAREStrial (calligraphic), BEERNOTE, GREENMIND (grunge), PORNFASHION, MASTERPLAN (grunge), SNIPERSHOT.

Fonts from 2009: COOLECTOR, BODYHUNTER-Bold (grunge), CLUBHAUS-Bold (ultra black, mechanical/octagonal), MAKEMEALPHA (grunge), NewGardenLight, TRIUMPHREWIND (grunge), Nachos and TV, Oxidisaster, Helloween, Lemon Day Semibold (a sketch font), Tosca Zero, Outlaw (Western face), Gangland (scratchy brushy face), B Side (vertical stencil).

Fonts from 2008: Plastic Pill (fat art deco face), Bedspread Assassin, A Bite (grunge), Dirty and Classic (grunge calligraphy), Gas Mask (grunge stencil), PANHEAD (grungy Western billboard font), My Turtle, Cubiculo Gallery (created for the Cubiculo Gallery in Sao Paulo), Ginga (grunge calligraphic--think award-winning grunge!!!), Wallrider, Black-Oak, TOY_SOLDIERS-Bold (grunge), Abite (grunge), ACIDLABEL, Bulldozer, Cheap Stealer, DONOTEXIST, HANGUP (3-d bouncy letters), HYERBA (Far West font), LAZYDAY (handprinted outline caps face), LEDLIGHT, Mon Bijoux (ornamental), MANABU (futuristic), PEIXEFRITO, Positiv-A, Killed DJ (multiline grunge), Sniper (grunge), Black Oak (smudged face), ShAnKed,

Fonts from 2007: Olho de Boi (a great scratchy handwriting font inspired by the first Brazilian postage stamp which was released on August 1, 1843), Skull TS2 (skull dingbats), REBOARD, Hurtmold (rounded octagonal face), PDRPT (grunge), the Soma family (modern stencil), Caatinga (2006, artsy display face), Santos Dumont (handwriting: free at DaFont). [Google] [More]  ⦿

Blackdahlia

American creator with Fontcapture in 2009 of 5 Finger Deathpunch (brush face), Playdoh Snake, Bug-Eyed Girl, and Ghost of Times New Roman (grunge). [Google] [More]  ⦿

Blue Vinyl
[Jess Latham]

Blue Vinyl (est. 1997) has free and commercial designs by Jess Latham (b. 1974, Birmingham, AL): Fancier Script (2011, signage face), Garden Brush (2011, a flowing brush script), Darlena (2010, a swashy didone), Italian Hand (2010, a connected script), Love Romance (2010, Valentine's day dingbats), Giant Head (2008, ultra fat signage face), Synthetique (2008, thin dot matrix), Print Clealy, Dashed and Bold (2008, simple sans), Disko (2008, comic book style), Grumble (1999, grunge), MyScars (2005), My Bleeding Scars (2005), Azuki (2005, Japanese brush simulation), Shimmer (2004, connected cursive handwriting), Spin Cycle (2004), Rock Star 2.0 (2004, dings), Gros Marqueur (2004, marker pen typeface), Hot Fudge (2003), Dia De Los Muertos BV (2003, Halloween-style dingbats), Delorita BV (2003), Dance Craze (2002), Redford (2002, black display font), CharmsBV (2002, dingbats), LearningCurve BV (for children), HornyDevils, Princess (girls stuff dings), TurnTable (2001), Vinyl Smooth (2001), StereoLab, PrintClearly (2006, children's orthographics), 60sChic, Airwave, Cafe Noire, Lucky Charms, Punk Rock, Chains, Slasher, Blue Melody, Sugar Coma (1999, junk food dingbats), Metal on Metal, Hearts, Crushed Out Girl, Nuwave, Deco Cafe, Screen, Rock Star (dingbats), Gothic Ultra Trendy, Film Star, Mary Jane, Turning Japanese, Lushus, Rockabilly, (my favorite thick display letters) Moma Grape, Modular 2000, Cyber Phonic, Comic Zine (3d), Grrlz Stuff, Retro Bats, Terrible Nervz, Pop Up, Moonbow, Tropicana (Luau dingbats), Tiki Tooka, That 70's Ding, Karaoke Superstar, Pippi, Pocket Calculator, Kool Ding, Kool Ding 2, LittleTroubleGirl, Grumble, SeeingStars, AllStarBV, Awesome80sBV, HellcatsBV, HotRodGangBV, Stereolab, SweetHeartsBV, BumbleBeeBV, CandyStoreBV, CHAINSColorFill, ComicZine, CHAINS, EeronautsBV, Charms, Film-Star, JimmyDoodles, LooseCruseBold, LooseCruse, MODULAR, MonkeyWrench, OneTrickPony, PubertyStrike, PUNKROCKColorFill, PUNKROCK, Plexifont (see-through letters), SeeingStars, SooperDooper, TerribleNerves, Pandamonium BV, TrickorTreatBV, WebstarBV. Sonic Reverb and Jacks (2003) at at Chank. Some retro fonts (50s, 60s). Direct access. Commercial fonts: Rodeo Girl BV (2003, handwriting), Jacks BV (2003, free), Majorette, Albedo, Retroclassics (two dingbat fonts), Westmore BV, KnockOut, Spellbound (2000), Speedway, Chocolate Mint Surprise, Pinky, Sparky, Glamorous, Bohemian Garden Party (1999), Fashionista (brush), Pink Martini, ValentinesBV, Macrame BV One (2002, single, double and triple-lined commercial font), Macrame Super Triline (2002), Redford BV (2002), Charms, Wedding Wishes (2002, dingbats), BV Sans (2006), Bric A Brac BV (2002). At MyFonts, you can buy Meringue BV (2002, handprinting), Retro Classics 3BV (2002, dingbats), Roller Baby BV (2003), Swan Song (2004, calligraphic), Taroca (2005), Taroca Extras (2005), Save Her (2007, ecological dingbats), Confection (2007, fancy script), Lavender Script (2008), Parsley Script (2007), Pointed Brush (2007), Synthetique (2008, dot matrix), Lavender Script (2008, calligraphic), Patchouli Display (2009-2010), Secret Admirer (2010, connected script). Fontspace link. Font Squirrel link. Dafont link.

View the typefaces made by Blue Vinyl. [Google] [MyFonts] [More]  ⦿

Bluefonts.com (was: theblueratsfontsarchives, or les rats bleus)
[Benoit Desprez]

The Blue Rats Fonts Archives is a French font archive, maintained and nicely presented by Lyon-based cartoonist Benoit Desprez. Many free fonts, and a few commercial fonts sold by [T-26] such as BlueBrush, BlueCentury, BlueGlobal (2001) and BlueType. Some really nice irregular or graffiti fonts in the bluefonts collection: BlueAkkrobat, BlueApplet, BlueArsenal, BlueBond, BlueBurnt, BlueCake, BlueCalcium, BlueCarnage, BlueExpeditt, BlueLacke, BlueLittleHorn, BlueNorma, BluePax, BluePugg, BlueSkin (my favorite Treefrog-like font), BlueStorm, BlueStuff, BlueTone, BlueJussi, BlueTrash, BlueVelvet, BlueCake Full, BlueFaxSimili, BlueFlag, BlueNylon, BlueSandBlast, BlueSmolt, BlueSpent, BlueVibes. Commercial: BlueBrush, BlueCentury, BlueType, BlueKayack, BlueCookie, BlueKompakt, BlueVertue, BlueCopy, TestFrogRemix, BlueFish Sans (2005, Comic Sans competition?), BluePlanet, BluePadd, BlueScript, BlueMecca, BlueAlpha, BlueGribouille, Camille, BlueLustic, BlueLiner, BlueBeard, BlueLimace, BlueDingbats Heads. [Google] [MyFonts] [More]  ⦿

BluHead Studio LLC
[Steve Zafarana]

Type design studio located in Norwood, MA, est. 2005. Fonts can be bought at MyFonts. BluHead Studio LLC was founded in 2005 by a group of type designers, including Steve Zafarana, who founded Tail Spin Studio in 1999, also in Norwood, MA. The company is currently filling out the character sets and digitizing the font designs of New Zealand designer Joseph Churchward. These include the psychedelic Ta Tiki CW (2006), Conserif CW, Design CW (2006, geometric). Creations by Tallulah Bluhead include Soylent Blu BH (2006).

Roy Preston published the Prenton RP humanist sans family in 2006 and the comic book style families Comixed RP and Roy Hand RP in 2007.

In 2007, BluHead started publishing fonts by Joseph Churchward: Churchward Asia, Churchward Brush, Churchward Heading, Churchward Maori, Churchward Maricia, Churchward Ta Tiki, Churchward Conserif, Churchward Design Lines, Churchward Freedom, Churchward Marianna, Churchward Newstype (2008), Churchward Samoa, Churchward Supascript. Barbara Script BH (2007) is a script after the hand of Barbara Bemiss. Sparkle Bluff BH (2007) is a ball and stick font for children. Notebook BH (2008) is a block letter face. Ciof Script BH (2008) is a felttip font. Churchward Montezuma (2012) is based on an Aztec-inspired design of Joseph Churchward. [Google] [MyFonts] [More]  ⦿

boobearsarse

Julia (aka "boobearsarse") is the Austrian designer of the fat brush typeface One Direction (named after a music band). [Google] [More]  ⦿

BR Type
[Gustavo Lassala]

Gustavo Lassala is a designer and professor in Sao Paulo, Brazil, who runs BR Type. He has a Master's in Education, Art and Culture History from Mackenzie University and a Bachelor's in Design from Sao Judas University.

He created Folha Seca (2012, images of dry leaves), Jalo (2011, handprinted), Tremida (2010, a shaky handwriting set), Pimba (2010, a splashy face), Arbusto (2009, floral dings), Broxa (2009, a roman brush face), Montada (2008, grunge; followed in 2011 by Montada Clean), Borboleta (2008, butterfly dingbats), Boqueta (2006, a modular sans), Adrenalina SP (2004, based on graffiti tags in Sao Paulo, or pixacaos), Elegante (2006), Sampa (2008, Sao Paulo-themed dingbats) and Flozo (2007, flower dings).

Dafont link. He went commercial in 2007. Based on a concept by Danilo Siqueira and Fred Sekkel, the grungy Times To Go was designed in 2009 by Danilo Siqueira and Gustavo Lassala at BrType. Free download. MyFonts link. Behance link.

View the typefaces made by BR Type. [Google] [MyFonts] [More]  ⦿

Bratislav Milenkovic

Illustrator and graphic designer in Belgrade. Behance link. Creator of the free brush face Berliner Mauer Ost (2010). [Google] [More]  ⦿

Brigitte Schuster

Brigitte Schuster is a graphic designer, calligrapher and lettering artist who graduated in 2008 from Concordia University in Montreal (only one block away from Luc's house...). She writes about herself: I am an independent Art Director (Graphic Design), Print Artist and Photographer practicing in Montreal, Canada. I am currently teaching typography and photography courses in the Graphic Design department of a college in Montreal. After attending a three-year graphic design program in Munich, Germany, I spent a few years working there both as an employee for print and web agencies, and as a freelancer. In 2005, I completed a Bachelor in Fine Arts, with a specialization in painting from the Italian Academy of Fine Arts of Carrara, Italy. [...] I moved to Canada in 2005 where I continued working in and for the graphic design industry. In 2008 I completed the Graduate Certificate in Digital Technologies in Design Art Practice at Montreal's Concordia University. In my graphic design practice I ideally work in editorial design, also corporate branding, with a focus on typography. Over the last year or two, I developed a great interest in type, which I express in my calligraphy and lettering work and type design research. Graduate of the Masters program in type design at KABK, 2010. Brush calligraphy with a tree branch (2009). Her typefaces:

• Canella (2010): a book ad magazine family with the angular necessities required for small print. Part of her Masters project at KABK.
• Life Sans (2008).
• A revival of Monotype Plantin (2010).

Brush Art Design Office
[Teruyoshi Matsui]

Brush Art Design Office is the Tokyo-based foundry of brush art designer Teruyoshi Matsui. His brush fonts include Lethal Fake (2009), Brush Type Italic (2009), Brush Type Michiko (2008) and Brush Type Standard (2008). [Google] [MyFonts] [More]  ⦿

Brush Lettering

Brush Lettering is a tutorial book written by Eliza Holliday and Marilyn Reaves. [Google] [More]  ⦿

Brush scripts

Typophiles list their favorite brush scripts.

• Forte.
• Brody.
• Motter Femina.
• Reporter No. 2.
• Stentor.
• Zennor.
• Nearly anything by Alejandro Paul.
• Fabulous, House Script from House Industries.
• Leisure Script and Refreshment Stand from Font Diner.
• Peralta, custom made by Laura Messeguer.

BrushScriptX-Italic
[Maurizio Loreti]

Maurizio Loreti's type 1 brushscript font, BrushScriptX-Italic, with all files needed to use it in TeX. It was slightly modified by Barta karoly (2010), with updates here. [Google] [More]  ⦿

burodestruct (or: Typedifferent.com)
[Gianfredo Lopetz]

Gianfredo Lopetz's foundry in Bern, Switzerland, est. 1994, called Burodestruct and Typedifferent.com. Free fonts include(d) the gorgeous GalaQuadra (by Angela Pestalozzi, 1999), Eject Katakana (1998), Dippex (1995, grunge font), Ticket (1995), Rocket 70 (1996), Ratterbit (1995, pixel font), Plakatbau (1995), Lodel Fizler (1996), Flossy (1995), Faxer (1995), Console Remix (1998), Cravt (1998, by "Katrin"), Stereotype (1998, by M. Brunner), Brockelmann (1995, free), Kristallo (1997, very original display face) and Billiet (1996). Other fonts: Acidboyz (1998), Alustar (1999), BD Asciimax (1999, ascii art font), BD Billding, Bdr_mono (1999), Brick (1996, like Kalendar), Cluster (1996), Console (1997), Doomed (1998), Eject (1998), Electrobazar (1995), Elside (1995), Globus (1996), Fazer (1996), Lofi (1997), Medled (1995), Paccer (1995), Solaris (1998), Spicyfruits_brush_rmx (1998, a nice high-contrast face), Spicyfruits_rmx, Wurst (free, by Heiwid, 2000), Relaunch (2000), Relaunch Katakana (2000, free), Rainbow (2000), DeLaFrance (2000, free, by Heiwid), Electronic Plastic (2000), Colonius (2001), Cash (2001), Cashbox (2001), Bilding (2001), Meter (2001), Mustang (2001), Bankwell (2001), BD Alm (2001), Balduin (2001), Tatami (2001, oriental look font), Hexades (2001, free), Nippori (2002, techno), Jura (2002), Bonbon (2002, free), Band (2002, free), Navyseals (2002, kitchen tile font), Ritmic (2002), BDR Mono (1999, OCR-like font), Mann (2003, ultra fat stencil), Aroma (2003), Zenith (2003), Nebraska (2003), BD Equipment (2004), BD El Autobus (2004), BD Unexpected (2004), BD Wakarimasu (2004, free kana face), BD Bernebeats (2004, futuristic), BD Deckard (2004), BD Spinner (2004), BD Victoria (2004), BD Designer (2004), BD Kalinka (2005, a curly ultra-fat display face), BD Equipment (2004), BD El Autobus (2004), BD Unexpected (2004), BD Varicolor (2005, stencil), BD Chantilly (2005), BD Memory (2005), BD Emerald (2005, beveled), BD Kalinka (2005, cyrillic simulation), BD Extrwurst (2005), BD Aquatico (2005), BD Mandarin (2005), BD Polo (2005), BD Beans (2005), BD Tiny (2005, pixel face), BD Times New Digital (2006), BD Panzer (2006), BD Jupiter, BD Jupiter Stencil (2006), BD Pipe (2006), BDR Mono 2006 (2006), BD Fimo Outline (2007, free, by Nathalie Birkle), BD Bermuda (2007, experimental and geometric), BD Smoker (2007, psychedelic), BD Radiogram (2007), BD Mother (2007, exaggerated black Egyptian), BD Fimo Regular (2007, free), BD Demon (2007), BD Reithalle (2007, free), BD Halfpipe (2007, free), BD Broadband (2008, free; not to be confused with the much older fonts BroadbandICG or FLOP Design's Broadband), BD Viewmaster and BD Viewmaster Neon (2008), BD Electrobazaar (2008), BD Motra (2008, stencil), BD Virtual (2008), BD Spacy 125 (2008), BD AsciiMax, BD ElAutobus (2004), BD Equipment (2004), BD Ramen (2003), BD Retrocentric (2009), BDR A3MIK (2009, virile Latin and Cyrillic slab), BD HitBit (2009), BD Unicorse (2010, unicase and techno), BD Telegraph (2011). Links.

Alternate URL. Dafont link. At Behance, he is known as Lopetz Gianfreda.

View the Typedifferent typeface library. [Google] [MyFonts] [More]  ⦿

C. E. Weber

Stuttgart-based foundry established in 1827, and taken over by D. Stempel in 1970, which in turn became Linotype in the eighties. Their library included Druckhaus Antiqua (1919), Schadow Antiqua (1938), Weber Fraktur (1860) and faces by these designers:

• Albert Auspurg: Start (1935).
• Julius Kirn: Bison (1954-1955). Well, Hans Reichardt says 1938. This brush face became Brush 738 BT (Bitstream).
• Walter Jakobs (or Jacobs): Chronika (1936), Verzierte Chronika (1937), Chronika fett (1938) and Chronika licht (1939).
• Hans Möhring: Gabriele (1938; Hastings mentions 1947).
• Erich Mollowitz: Forelle and Forelle Auszeichnung (1936, script types).
• Willy Schaefer: Neon (1935).
• Friedrich Hermann Ernst Schneidler: Bayreuth (1935), Deutsch Roemisch (1923; Kursiv in 1926, fett in 1930), Roemisch fett (1930), Kontrast (1930), Suevia Fraktur (+halbfett).
• Georg Trump: Amati (1951), Codex (1954), Delphin I and II (1951), Forum I and II (1948 and 1952), Jaguar (1965), Palomba (1954, script), Schadow (Antiqua 1938, Antiqua werk, 1948, Kursiv 1942, Antiqua Fett 1952, Antiqua halbfett 1939, Antiqua Schmalfett 1945), Signum (1955), Time Script (+Light and Medium) (1956), Trump Mediaeval (1954; Kursiv and halbfett in 1956; fett in 1958; Kursiv fett and schmal halbfett in 1962).
• Wagner&Schmidt, Leipzig: Colonna Antiqua (1908; halbfett in 1911), Druckhaus Kursiv, Druckhaus Antiqua (1919; +fett, + halbfett, +schmalhalbfett), Ekkehard (1903), Erika (1920; +halbfett), Margarete (<1927), Orient Antiqua (1914), Parlements Fraktur (1908), Progress Reklameschrift.

CaballoMRK

Designer of Black Label (2010), a typeface created as a free version of TEFF's Burgundica. He also made Signmaker CaballoMRK (2010) as a reaction to LHFSignMaker, and Brushworks CballoMRK as a free alternative to LHF Bushworks. [Google] [More]  ⦿

Canada Type
[Rebecca Alaccari]

Foundry in Canada, est. 2004 by Rebecca Alaccari in Toronto, and run by her and Patrick Griffin. Interview with Rebecca. Her faces can be bought through YouWorkForThem and MyFonts: Centennial Script (2007, a revival of an 1874-1876 high-contrast calligraphic script by Hermann Ihlenburg), Valet (2006, superb art deco face), Freco (2006, an art deco face loosely based on designs and letters of Fré Cohen), Silk Script (2006, based on 1956 Helmut Matheis script called Primadonna), Dominion (2006, based on an early 1970s film type called Lampoon), Johnny (2006, an art nouveau poster face that revives the Harem/Margit face by Phil Martin, 1969), Guillotine (2007), Mayfair (2006, a calligraphic face based on Mayfair Cursive by Middleton, 1932), Happy Birthday (2006, script), Geronimo (2005, brush style poster font), Rostrum (2005, a revival and expansion of a type called Oleander, designed in 1938 by Julius Kirn for the Genzsch&Heyse foundry in Hamburg), Apricot (2005; based on A.R. Bosco's Romany for ATF, 1934, but a major extension with many ligatures), Heathen (2005), Cougar (2004, a digital version of Martin Wilke's 1968 handwriting face Konzept), Puma (2004, brush face based on Herbert Thannhaeuser's 1954 Kurier), Big Brush (brush), Diva (connected script), Odette (high ascender display face after the Morris Benton 1918 American classic, Announcement Roman), Crucifix (2004, a severe octagonal face), Fore (2004, a bullethole face), Formula, Gamer (2004), Formula (2004), Kofi, Platoon (2004, a stencil face), Verso (2004), Secret Scrypt (2004, a handwriting face), Bluebeard (2004, blackletter by Patrick Griffin), Bolero (2004), Janice (2004, psychedelic), Jimi (2004, also psychedelic), Scroll (2004), Dominique (2004, upright script), Moxie (2004, a fat display family which includes a stencil), StockA (2004), StockB (2004, a fat stencil face), Stalker (2004, a destructionist face), Scroll (2004), Jonah (2005, a hippie face based on an early 1970s film type from Franklin Photolettering called Urban). MyFonts page. Phil Rutter and Patrick Griffin made Coffee Script (2004), the digital version of R. Middleton's Wave design for the Ludlow foundry, circa 1962. Phil Rutter and Rebecca Alaccari designed Almanac (2004), a script face based on Imre Reiner's London Script (1957) (and Rebecca did a subsequent redigitization in 2007 that led to Reiner Hand), Tiger Script (2004, based on Georg Trump's wild brush script Jaguar done in 1967 for C. E. Weber), and Ali Baba (2004), an Arabic simulation face originally designed by Georg Trump as Palomba (1955, C.E. Weber foundry). Patrick Griffin made Leather (2005, after Imre Reiner's 1933 blackletter face), Secret Scrypt (2005), Skullbats (2005), Slang (2004, a blood scratch face), Bluebeard (2004), Expo (2004, an octagonal family), and Dancebats (2004). Simone Wilkie designed Boyscout (2004) after the handwriting of her son. Helmut Matheis' Contact (1963, flowing script/brush) was digitized by Rebecca in 2004 as Bruschetta. Rebecca also made Steiner Special (2007, a revival of Swing, a film type by Peter Steiner, 1974), Genesis (2007, a digitization and extension of Grayda, a 1939 calligraphic script of Frank H. Riley at ATF), Evolver (2006, futuristic family), Redwood (2007, a calligraphic script based on Willard T. Sniffin's Raleigh Cursive (1929, ATF)), Orotund (2005, after the 1970s face Eight Ball; this was extended again in 2006 in her art nouveau typeface Huckleberry, which is a revival of the 1973 face of Gustav Jaeger called Mark Twain), Pendulum (2005, a fantastic flowing script based on Nebiolo's Americana, 1945), Jojo (2005, with B. Jacquet), Mascara (2004), Gala (2004, after Neon (1935, Giulio da Milano at Nebiolo)) and Bella Donna (2004, after a script made by Alessandro Butti in 1948, called Rondine). 2005 faces: Jazz Gothic (Patrick Griffin), Showboat, Hunter (a revival of Imre Reiner's brush script Mustang, 1956), Quanta (stencil), Quiller (a script face based on J.J. Sierke's 1964 face Privat), Rhino (revival of Mobil, a 1960 face by Helmut Matheis for Ludwig&Mayer), Dominique (donated to FontAid), Secret Scrypt (donated to FontAid), Jackpot (2005, Western typeface remotely based on Cooper Playbill which in turn is related to Cooper Black, but it also has hippy 1968 influences), Sincerely (handwriting face based on Karlgeorg Hoefer's 1968 Elegance), Fontella (a digitization of Novarese's calligraphic script Elite), Boondock (digitization of Imre Reiner's Bazaar from 1956), Gumball (digitization of Papageno, a 1958 font by Richard Weber for Bauer), Runway, Gamer, Dominique (OpenType handwriting face), Sterling Script (2005, by Alaccari and Griffin: a 7-weight digitization and extension of Stephenson Blake's 1952 clean copperplate script Youthline Script), Vox (2007, a 24-style monoline sans family done with Patrick Griffin), Evolver (2006, a 4-style futuristic family), Ambassador Script (2007, an Alaccari-Griffin revival of the angle-reduced calligraphic script Juliet by Nebiolo, 1955). In 2005, Philip Bouwsma joined Canada Type, and designed a great calligraphic blackletter-inspired family, Torquemada. VIP (2007) is a humanist sans serif uppercase and figures combined with a freshly redrawn revival of the classic VGC Contanze initials originally designed by Harry Brodjian in 1970. Chopper (2007, by Rebecca Alaccari) is a revival of Venture (a 1972 face for VGC by Harry Villhardt). Walter (2007, Rebecca Alaccari) is a digitization of Heritage (1952, ATF, a calligraphic script by Walter H. McKay). Celebrity (2007, Rebecca Alaccari) revives and extends the retro/techno face Latus (Willy Wirtz, 1971). Sympathique (2008, Alaccari) is an ultra-thin and ultra-tall face in the mold of Bernhard Fashion and other era poster or film faces (they say that it is rooted in the film faces Hairstreak and Mossman). Mullen Hand (2008) is a revival of Repro Script (1953, Jerry Mullen, ATF).

Filmotype Giant (2011, a condensed sans) and its italic counterpart, Filmotype Escort (2011) were bth codesigned with Patrick Griffin.

Catalog of its typefaces.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Cape Arcona

In October 2002, Stefan Claudius and Thomas Schostok started Cape Arcona, a foundry with free and commercial fonts, based in Essen, Germany. It also carries some fonts by Raymond Brekelmans.

Catalog of their best selling typefaces.

List of typefaces made before 2005: CIA, Cosmo-Pluto, Cosmo-Saturn, Elvis in Stereo, Moskow Has A Plan, Dr. No, Play-Real, Play-Roman, Play-Script, Play-Dynamic, Play-Wild, Sensuell, Viva Las Vegas. Free fonts: Address Unknown (Raymond Breukelmans), CA Traktor, CA Aircona, Aircona Shadow, Aircona Fill, No Dr. Tall, KissKissBangBang, GingerMint, Stardust, Texas Funeral, Strongman, Aires, Alternative3, AfterMidnightSaleJunk, Koenigsbrueck. In 2004, they designed CA Spy Royal (Thomas Schostok). CA Magic Hour (Stefan Claudius), CA Geheimagent (Stefan Claudius), CA Trasher (Thomas Schostok), CA No Dr. (Thomas Schostok), CA Prologue (Stefan Claudius).

In 2005, they published CA Magic Hour Shadow (free font by Stefan Claudius), and CA Zaracusa (a sans by Stefan Claudius). Still in 2005, we have new free fonts by Stefanie Koerner: CA Dater, CA Fusion, and CA Scribb. The commercial fonts of 2005 include CA BND, CA Wolkenfluff, CA Emeralda (a script face), CA Blitzkrieg pop, CA 12C13C, CA Monodon, and CA Pussy Galore.

In 2006, they added CA After Midnight Sale (free, by Schostok), CA Boiled Beef (free), C.I.A. (original design from 1999 by Thomas Schostok), Dekoria (a saloon font by Stefan Claudius), CA Subbacultcha (dingbats) and CA Zaracusa (a sans family by Stefan Claudius).

In 2007, CAPartyRebel, CARebelParty (both comic book style fonts), CA BND Trash (grunge), CA Kink (Thomas Schostok), CA Uruguay (Thomas Schostok, a lettering for a revolution with huge ink traps), CA Coronado, CA Plushy (free brush script by Stefan Claudius) and CA Fragile were added.

The harvest from 2009: CA Cula, CA Cula Superfat, CA Gothique Superfat, the grunge pack (including CA Nars 1,2,3,X, CA Trasher and CA Wolkenfluff), CA Misfit (by Stefanie Koerner).

Fonts from 2010: CA Normal (grotesque sans, Stefan Claudius), CA Sivle (Elvis backwards: a grunge look, but made based on circular and rectangular overlaid grids; free).

Fonts from 2011: CA Normal Serif (by Stefan Claudius). [Google] [MyFonts] [More]  ⦿

Carl Rudolph Pohl

Designer (b. 1900, Rastenburg, Germany) of the brush script Polo (Typoart, 1960). It was digitally redesigned and reinterpreted by Andreas Seidel as Paola (2003) and by Ralph M. Unger as Polo (2008, URW++). Klingspor link. [Google] [MyFonts] [More]  ⦿

Carlos A. Gonzalez

Mexican creator (b. 1983) of Cockhand (2007, handwriting) and Gallinero (2008, brush face). [Google] [More]  ⦿

Carlos Winkow

Carlos Winkow is a version of his original name, Carl Winckow. He designed the brush script typeface Reporter (1938, the Wagner foundry, a brush face with many alternates for the glyphs), Gong (1945, Johannes Wagner, a chalk script face; Jaspert mentions the date 1951), Alcazar (FT Nacional, 1944, an inline 3d titling font), Electra (FT Nacional, an almost avant-garde sans family, which includes the ultra thin Estrecha Fina weight), Iberica (FT Nacional, 1942, an open shaed inclined 3d lineale), Nacional (1941, Nacional: a calligraphic roman in old medieval Spanish style with Clasico Nacional 1 and Clasico Nacional Negro weights; see Madrid RR by Red Rooster for a digital version), Cursiva Rusinal (FT Nacional: this is identical to Reporter except in the alternates). Roller (1997, Pat Hickson, ITF) is based on Iberica. Romeo (Font Bureau) takes some cues from Electra and says that it is a spectacular art deco sanserif with an unusually fine condensed series. A standard non-chalk version of Gong was done by J. Wagner in 1967, and was published as Jowa Script, which in turn provided inspiration for Iova Nova (2007, Profonts). Lucia Walter revived Winkow's 1931 text face Elzeviriano Ibarra in 2011. Winkow's Numantina (1940) was revived by Nick Curtis as Numancia NF (2011). Linotype page. [Google] [MyFonts] [More]  ⦿

CBdO Fonts Foundry
[Charles Borges de Oliveira]

The CBdO Fonts Foundry is headed by Charles Borges de Oliveira (b. New Orleans, 1971) and is located in Arlington, WA. Borges's typefaces are mostly scripts, signage typefaces and comic book style typefaces:

• Alpine Script (2009). A brushy signage script.
• Avalanche (2004).
• Bounce Script (2004, a fifties style script).
• Chicago Script (2007).
• Enchanted (2007, informal script).
• Gloria (Letterhead): pure art deco.
• Louisiana (2008): a handprinted font based on the hand of Melanie Snedeker.
• Mocha Script (2011): a signage script face.
• Sadey Ann (2009, signage script).
• Sadey Pants (2009).
• Sarah Script (2003).
• Shocard Rodeo (2009).

He also sells through Font Bros and Letterhead. Klingspor link.

View the typeface library of Charles Borges. [Google] [MyFonts] [More]  ⦿

Character

Prolific Woodland Hills, CA-based typophile and type designer (b. 1937) whose portfolio consists largely of revivals. The typefaces:

• Animal dingbat fonts: AbecedarianZoo (2003, created from an alphabet in Art Explosion 200,000), Turf&surf (2005).
• Alphadings: Jennifer's train (2011), ABCPlay (2005), DiddleTheMouse (2005), Silly Set (2005), Stone Carving (2005), Snow Persons (2005), Alaskan Ice (2005), Peppermin Canes (2005), USStarsNStripes (2003, first called USFlags), XmasTree (2002), XmasTree II (2004), Xmas Alpha (2005).
• Erotic alphabets: Flotner (2002, based on a scan of the human character alphabet by Peter Flötner (1534)), SilvestreBodies (2006, based on a figurative alphabet designed by Joseph Balthazar Silvestre in 1834, with engravings made by Girault), ErotiCaps Outline (2007), ErotiCaps Solid (2007), WeygelBodies (2006, adapted from Martin Weygel's 1560 interpretation of Peter Flotner's 1534 figurative alphabet).
• Stained glass themed fonts: ModernStainedGlass (2007), ModernStainedGlass2Tone (2007).
• Capital alphabets: Cameo Antique (2011, after Cameo Antique on page 17 of The Solotype Catalog of 4,147 Display Typefaces---a shadowed outline version of the typeface called NightShade, on the same page of Dan Solo's book; the only known digitized fonts of NightShade are "Shadowed Serif" by James Fordyce (1994) and NigelSadeSH, from Soft Horizons (1993)), Modern French Capitals (2010, after a set of capitals drawn by Alphonse Mucha), Mucha French Capitals (2010, similar?), Marcel Caps (2007; based on "Crossroads" by August Will (1891)), WoodLook (2007, an improvement of 101's Wooden Alpha BlockZ), 3DAlphabet (2008, based on an alphabet coloring book designed by Jean Larcher, 1978), RomantiqueInitials (2007, based on work by Aridi), Blistered, BlisteredFramed, BlisteredReverse (2005, based on Marwan Aridi's Blister from the Initial Caps Vol I), ChiseledRound, Contemporary CH (2010), CourierInitials (2005, based on an alphabet by Johan)), Eclectica (2003, party-theme), FeathersInYourCaps (2002), FlowerSketches (2002), LACETRIM (2002), LeafyStencil (2003), QuiltedStippled (2004, based on an embroidery alphabet created by DesignsInStitches), RetroCapsBW (2004), RetroCapsWB (2004), Rope5 (2004), Rustic Black Shadow (2011. He explains: In the Solotype Catalog of 4,147 typefaces, RUSTIC is shown with a black shadow. RUSTIC WHITESHADOW has a white shadow. However, the Solotype digital font named RUSTIC has no shadow. Similar no-shadow fonts are also available as Pinewood (by Rick Mueller and one by Dieter Steffmann) and as Woody (by DincType). As of October, 2011, no digitized version of Rustic Whiteshadow is known. Character has produced a font named RusticBlackShadow, which matches the font named Rustic in the Solotype Catalog. Dick Pape had created an earlier version named "Pepin Press Caps FA204", based on fonts contained in the Pepin Press book "Fancy Alphabets". ), THINROPE (2002), VALENTINEHEARTS (2002), Printed Circuit (2005), SportsABC (2005), Feathered Flight (2005), Joe Clement (2007, Western pixel face), Ribbon Shadow (2007).
• Fonts based on scans from Awesome Alphabets (Mike Artell, 1999, Good Year): SketchBoards, SketchBones, SketchClothes, SketchLogs, SketchPencils, SketchPipes, SketchTools, all done in 2005.
• Athletic lettering: Real Madrid 2011-2012 (2011, an expansion of a font by "Adriano"), The Football League (2011), Adidas Euro 2008 (2011), Puma World Cup 2010 (2010: based on Crepello, a custom-made font by Paul Barnes for Puma, that was used on the jersey of Italy, Switzerland and Uruguay during the 2010 FIFA World Cup), Adidas Unity (2010), LINKEB+Regular (2008) uses the lettering of the Geaux font used by LSU.
• Pixel or dot matrix style fonts: Dash It All (2007, based on Cooper Black), Even Hearted (2007, an improvement of CK More Hearts), Square 9x9 (2007).
• Brush faces: Skippingbrush (2006), GraffitiPaintBrush (2008).
• Dingbats: Being Sport Pictograms (2008).
• Scanbats: PilobusSilhouettes (2010) is based upon a human alphabet photographed by John Kane.
• Techno: BultacoDual (2010), Dr Who 42 (2007), London MMXII (2008), ArrowheadLake (2009, +Shadows, +Sunlit; based on the nearly blackletter face Arrowhead from the Solotype Catalog and alphabet books).
• Historic faces: Driftwood 67 (2011, Driftwood on page 67 of The Solotype Catalog of 4,147 Display Typefaces), ArrowheadLake and ArrowheadLakeShadows (2011, based on Solotype Catalog p.74), Cutin (2011, a simple rounded monoline sans called Cut-in Medium on page 163 of The Solotype Catalog of 4,147 Display Typefaces),Cutin (2011, a simple rounded monoline sans called Cut-in Medium on page 163 of The Solotype Catalog of 4,147 Display Typefaces), Pepin FA288 (2011, based on Matra, or Bifur, on page 54 of The Solotype Catalog of 4,147 Display Typefaces by Dan X. Solo), Varicka (2010, from "Decorative Condensed Alphabets", by Dan Solo, p. 94. It is similar to Red Rooster's Triple Gothic Condensed, but the Solo's font has different features), MaxfieldParrish140 (2007: From an incomplete (no "N") hand-drawn alphabet by Maxfield Parrish. See figure 140 of "Letters&Lettering" by Frank C. Brown, 1921. This is a different source than the P22 Parrish font family.), Ronde Antique (2009, based on page 110 of the Verlag Gerlach 1881 catalog).
• Other: Emperor AN (2009: this semi-art nouveau face is Emperor on page 42 of The Solotype Catalog of 4,147 Display Typefaces---not the same as Dan Solo's Emperor at MyFonts), Wood Gothic Caps (2011, blackletter), WoodWud (2011), Gallia Two (2010, based on a font found on page 55 of The Solotype Catalog of 4,147 Display Typefaces as Gallia No. 2), Charleston (2010, based on page 46 of The Solotype Catalog of 4,147 Display Typefaces), Azteca Regular (2010: based on Azteca Condensed by Dan X. Solo, page 74 of The Solotype Catalog of 4,147 Display Typefaces), Othello Fill and Solid (2011, derived from Othello on page 155 of The Solotype Catalog of 4,147 Display Typefaces), Sharons Shadows (2010, +Bold), Masked Menace (2012, based on Bodoni Poster).

Fontspace link. Dafont link. Yet another URL. Fontspace link. And another one. See also at abfonts. Dafont link. [Google] [More]  ⦿

Charles Gibbons

Charles Gibbons (b. 1967, Lynn, MA) received an MFA in graphic design from the Rhode Island School of Design. Gibbons spent much of the nineties as a designer for the University of Minnesota in Minneapolis and later as assistant professor of Graphic Design at the University of Wisconsin / Stout where he taught typography and publication design. In 2001, he joined the Library of Congress as the chief designer for the United States Copyright Office.

Designer in 2001 of Aphasia at Bitstream. He co-designed Full Moon Suite with Mary Trafton at Bitstream in 2001. These include FM Black Cherry Moon, Alternate, Ligature, and Doubles. This family won an award at the TDC2 2003 competition.

In 2002, he designed Fleischmann BT Pro, a family heralded by the typophiles as outperforming the DTL Fleischmann.

In 2011, he helped out Stuart Sandler in his Filmotype project, and created the identical lively freestyle faces Filmotype Nemo (original from 1953), Filmotype Niro, and Filmotype Nero (2011), all three the same face but renamed under various scenarios of pressure. In 2011, he also made the signage face Filmotype Atlas. In 2012, he created the art deco fat didone face Filmotype Rose, and the fine brush letter signage face Filmotype Havana. Filmotype Adonis (2012) is a clean hand-drawn typeface.

FontShop link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Charles P. Bluemlein

American designer, famous for his scripts, active in the 1940s. Modern revivals of his scripts include

• KolinskySable SG (Jim Spiece, 2004), based on a 1944 brush design.
• Bender Script (2008) by Alison Argento.
• Alejandro Paul's Bluemlein Scripts (2004-2005, Umbrella and Veer) are based on the calligraphic renderings of Charles P. Bluemlein, shown in a 1944 ink catalog: Miss Le Gatees, Mr Rafkin, Mr Keningbeck, Mr Lackboughs, Lady Dawn, Mrs Von Eckley, Mr Sheppards, Mr Dafoe, Mr Canfields, Mr Stalwart, Mr Sandsfort, Mr Leopolde, Mr DeHaviland, Mr Blaketon, Miss Stanfort, Miss Packgope, Miss Fajardose, Mrs Saint-Delafield, Mrs Blackfort, Mr Sopkin, Mr Sheffield, Miss Lankfort, Herr Von Muellerhoff, Dr Sugiyama, Dr Carbfred. In 2011, that series was made available at Google Web Fonts.
• Soft Horizon's Lainie Day (1993) is an earlier free font in the style of Paul's Lady Dawn and Mr Lackboughs.

Charles Pearce

Calligrapher and painter, b. 1943, Birmingham, UK. He made several calligraphic fonts: Cantabria (first developed at Camberwell School of Art and loosely based on the work of poet and artist, David Jones), Daniel, Fiorentina, Helena, Penkridge, Ullswater (brush script), Umbria (classic calligraphy). Corporate/custom typefaces: RKO Century Warner, Guinness (Cranks Health Foods font redesign). Author of these books:

• Calligraphy, The Art Of Fine Writing (1975). Published by Cumberland Graphics division of British Pens as part of the Penstyle Calligraphy Set.
• Lettering, The Art Of Calligraphy (1978). Published by Platignum as part of their Lettering Set.
• Italic Writing (1979). Published by Platignum as part of their Italic Handwriting Set.
• A Young Person's Guide to Calligraphy (1980). Published by Pentalic as part of A Young Person's Calligraphy Starter Set.
• A Little Manual of Calligraphy (1981). Published by Wm. Collins (worldwide) and Taplinger (USA).
• A Calligraphy Manual for the Beginner (1981). Published by Pentalic as part of the Pentalic Introductory Calligraphy Course.
• The Calligraphy Sampler (1985). Published by Wm. Collins.
• The Anatomy of Letters (1987). Published by Taplinger.

Chatterbox Inc
[Melody Ross]

A scrapbooking company. Designers of CBBrushStrokes, CBClassic, CBVerticalSwirls, CBWednesday, CBWispy (2001), CBX-Anex, CBX-Armymen, CBX-Brushfire, CBX-Chasim, CBX-Chechee, CBX-ChippyCircles, CBX-Feather, CBX-Fingerpaint, CBX-Heber, CBX-JessieJames, CBX-KellysPen, CBX-Labelmaker, CBX-Monument, CBX-OhGoody, CBX-Rust, CBX-Scriptorium, CBX-SodaPop, CBX-Trumpet-Medium, CBX-Watercolor, CBX-Watson (2004). Most of these are "due" to Melody Ross. Later additions: CBBrushStrokes, CBClassic, CBVerticalSwirls, CBWednesday, CBWispy, CBX-ButterfliesEtc-Medium, CBX-Celebrations, CBX-Chessy-Medium, CBX-ChrissyLee-Medium, CBX-Corners&Borders-Medium, CBX-Embellishments-Medium, CBX-Embellishments2-Medium, CBX-Embellishments3-Medium, CBX-Farrell-Medium, CBX-Festivity-Medium, CBX-Flourishes-Medium, CBX-Flourishes2-Medium, CBX-Flowers-Medium, CBX-Flowers2-Medium, CBX-Guys, CBX-Leisure&Travel, CBX-LittleOne, CBX-LoveyDovey-Medium, CBX-Odds&Ends, CBX-Oh, SoGood!-Medium, CBX-OuttaLine-Medium, CBX-Paisleys-Medium, CBX-PhotoCorners-Medium, CBX-PhotoCorners2-Medium, CBX-Platemaker-Medium, CBX-Ribbon-Medium, CBX-Rivet-Medium, CBX-Sugar&Spice, CBX-Tags-Medium, CBX-Title. I do not know where these fonts are today. [Google] [More]  ⦿

Chris Vile

Graphic designer and web developer in Chicago, who moved there from Austin, TX.

Creator of the scratchy scary typeface Dead Bitch (2012), the grungy Redux (2012), the blood drip typefaces Spiked (2012) and XSpiked (2012), and the brushed typeface GwizsK (2012). Home page. Personal home page for Designs By Chris. [Google] [More]  ⦿

Christian Vornehm

Mannheim-based designer of Linotype Seven (1997, brush face) and Linotype Zwitter.

Linotype link. FontShop link. [Google] [MyFonts] [More]  ⦿

Christie

Michigan-based creator of the free brush face Flare (2012). [Google] [More]  ⦿

Christopher Means

Designer in Long Beach, CA.

In 2012, Christopher created CM Western Woodblock, CM Mummy Tape, CM Party Headline (textured caps), CM Shark Week, CM Tropical Script (2012), CM Old Western (2012), CM Cold Request CM Moving Forward (techno face), CM Old Firehouse (grungy).

In 2011, he designed CM Tattoo Dragon, CM Bloat, CM Handwriting One (brush face) and CM Old Halftone. [Google] [More]  ⦿

ChungHui Wang

Savannah, GA-based designer of this brush face (2005). [Google] [More]  ⦿

Churchward Type
[Joseph Churchward]

Joseph Churchward (b. Apia, Samoa, 1933) grew up in Samoa, and moved to New Zealand, where he founded a design studio in Wellington. His early type designs were released as photolettering through Berthold. In 2000, in partnership with Chank, his fonts are finally being converted to the standard electronic formats. In 1984, he won a Silver Prize at the Morisawa Awards competition. In 2009, he was made a life member of The New Zealand Designers Institute DINZ. Klingspor link.

MyFonts wrote: Churchward Type started in 1962 as Joseph Churchward's freelance lettering service. Within six months he had generated enough work to move from his job as Senior Artist into setting up Churchward International Typefaces, which became one of the largest typesetting companies in New Zealand. In 1969 Joseph was asked to submit alphabet designs to Berthold Fototypes and saw immediate success. He later went on to sign distribution agreements with D.Stempel AG, Dr Böger Photosatz GmbH/Linotype, Mecanorma-Polyvroom B.V and Zipatone. He self-published a handful of original fonts in 1978 becoming the first and only company in New Zealand to publish original photo-lettering. Churchward International Typefaces was forced to close in June 1988 but Churchward Type lives on with a fresh set of independent releases. David Buck has taken on the role of digitisation. Joseph continues to draw alphabets and now has a stockpile of over 300 unique alphabets to his name. Klingspor link. Pic. Catalog of Joseph Churchward's typefaces:

• Chank sells ChurchwardHeading, ChurchwardSamoa, Churchward Maori, ChurchwardDesign5Line, ChurchwardBrush. See also Churchward Roundsquare (2002), which reminds me of Apostrophe's Toolego.
• At Berthold, he published Churchward 69 (1969, a fat face), Blackbeauty (1972; this psychedelic type inspired Nick Curtis's 2009 font, Strollin NF), and Churchward 70 (1970, a Bauhaus-style sans family).
• MyFonts sells Churchward Alien (2012), Churchward Maori (2004, frilly), Churchward Marianna (1969, a comic book face; Nick Curtis's Proud Mary NF (2010) is derived from it), Churchward Ta Tiki (2003), Churchward Asia (2003), Churchward Samoa (2003, 6-weight sans family), Churchward Maricia (a Western-style face), Churchward Brush (2006), Conserif CW (2006, BluHead Studio), Churchward Heading (2007), Churchward Supascript (2007), Design CW (2006, BluHead Studio), Freedom CW (2006, BluHead Studio), Ta Tiki CW (2006, BluHead Studio), Churchward Newstype (2008, 8 styles, BluHead Studio), Churchward Chinatype (2008, 5 styles of oriental simulation glyphs), Churchward Heading (2011), Churchward Brush (2009, BluHead Studio), and Churchward Design Lines (1970, a prismatic multiline face), Churchward Montezuma (2012, an Aztec-inspired design digitized by BluHeadStudio).

C.J. Cook

American designer in Oklahoma City (b. 1993) who designed the rough-edged brush typeface Dare (2012). [Google] [More]  ⦿

CJK Unifonts
[Arne Götje]

Arne Götje, a German who lives in Taiwan, works on a project to provide CJK unicode fonts. His work is based on the Arphic fonts AR PL ShanHeiSun Uni and AR PL ZenKai Uni. He added the Chinese dialect phonetic symbols. Furthermore, he merged the embedded Firefly Sung bitmap font into CJKUnifonts. In 2005, the work of the Hong Kong freefonts project (OAKA group) was also merged into CJK Unifonts. Additional URL.

Free high quality Chinese truetype Unicode fonts under the Arphic license (Arphic is based in Taiwan). They contain almost 22000 characters (!!!) and contain glyphs for Big 5 Chinese, GB2312-80 Chinese, ISO8859-1,2,3,4,7,9,10,13,14,15 and Bopomofo extended for Minnan and Hakka (Taiwan). The missing glyphs for Japanese, Korean and HKSCS are under development. The fonts are Uming (Mingti, or printed) and Ukai (Kaiti, or brush stroke). They are gorgeous and reproduce well at small screen sizes. Subprojects include modules for typing the Taiwanese styles Minnan and Hakka. Colloborators: Aaron Cheung, Akar Chen, Alex Ho, Chow Lok Yuen, CP Tung, Eric(EC-graphic), Eric Chan Chi Shing, Firefly, Ga Ming, Jack Tse, John Ma, Kevin Tse, K.M. Lau, Kong, Kwok Wun Yung, Lam Wai Tung, Munkwui Ho, Qianqian Fang, Simon Wong, Shiu Kau Wong, Willy Yuen. [Google] [More]  ⦿

Colin Banks

Born in London in 1932, Colin Banks has been involved in graphic design, corporate identity and typography since 1958 through the London-based partnership Banks&Miles (1958-1998), with John Miles. Author of London's handwriting (London Transport Museum, 1994) about the development of Edward Johnston's Underground Railway Block-Letter. CV. He died in March 2002. Obituary by James Alexander. Banks&Miles had offices in London, Amsterdam, Hamburg and Bruxelles. Their clients, included the British Council (it is unclear if he helped design British Council Sans at Agfa Monotype in 2002: a major controversy erupted in the UK when it was learned that the British Council had paid 50k pounds for British Council Sans), English National Opera, the European Parliament Election campaigns, producing corporate identities for the Post Office, Royal Mail, British Telecom, and other identities for many UK Government agencies and universities. These included the Institute of Mechanical Engineers, Fondation Roi Baudouin, City and Guilds, Commission for Racial Equality, United Nations University, and major publications etc for UNHCR Geneva. He was consultant to London Transport for over thirty years, then Mott Macdonald engineers and Oxford University Press.

The British Council Sans family (2002, Agfa Monotype) is now available for free download here. Included is support for Arabic (Boutros British Council Arabic), Khazak, Greek, Cyrillic, and Azerbaijani. [Google] [MyFonts] [More]  ⦿

Colin Kahn

Type designer from Buffalo, NY. His typefaces were mostly developed at P22. Klingspor link. A partial list of his fonts:

• In 2008, he revived and extended Cigno, a 1950s script face by Aldo Novarese, and called it P22 Cigno.
• LTC Circled Caps.
• P22 Civilité is a joint effort of Colin Kahn, Richard Kegler and Milo Kowalski.
• P22 Curwen. P22 Curwen Poster is a digitized version of a rare wood type used by the Curwen Press in England in the early 20th Century for poster work. P22 Curwen Maxima is a new hyper-stylized re-interpretation of Curwen Poster.
• The great display/comic book font Ebin (and Ebin Outline).
• In 2006, he created the P22 Gauguin font family (Regular, Alternate, Brush and Extras), a script font set based on the writings and sketches of post-impressionist artist Paul Gauguin. i
• Glamour (2006, P22/Lanston; also called LTC Glamour Grotesque) is based on the 1948 design by the same name done at Lanston Monotype, which in turn is based on Imre Reiner's Corvinus.
• Goudy Sans (2006, P22/Lanston, 6 styles): Goudy Sans Bold was originally designed by Frederic Goudy in 1922 as a less formal gothic and finished in 1929. The Light was designed in 1930 and the Light Italic in 1931. Colin Kahn digitized them in 2006 to make a 6-style Goudy Sans family, which includes a Goudy Sans Hairline.
• In 2008, he revisited Richard Kegler's P22 Platten, which was based on lettering found in German fountain pen practice books from the 1920s, and created the extended face P22 Platten Neu.
• Internship (2003), or St G Schrift. P22 swrites: St. G Schrift (2005, P22) is a font based on the type designs of German poet Stefan George. This sans-serif face features a few variations found in books published by George in Berlin. Includes P22 St. G Schrift One, P22 St. G Schrift Two and P22 St. G Italic (an art nouveau version of the roman, newly designed). The original font was cast in 1907 by a small foundry in Germany and was used primarily for the works of George as well as other books including a monumental edition of Dante's Divine Comedy. This may or may not contradict the fact that Marcus Behmer designed Stefan George-Schrift in 1904.
• P22 Tuscan Expanded is a digitization of the mid-19th century wood type font Antique Tuscan Expanded - Wells&Webb 1854.
• P22 Vale (2007, in Roman and Kings Fount styles) are based on types by Charles Ricketts that were used by the Vale Press (which in turn were based on Jenson). The Kings Fount is originally dated 1903.
• In 2007 still, he revived Zebra (P22), a font originally designed in 1963-1965 by Karlgeorg Hoefer.

Colorful Typhoon (or: Kitsch Labo)
[Futaba]

Between 2000 and 2004, Futaba (Colorful Typhoon) designed BeeMarkerInk, Chocolatesyrup, MARUCHIBI, MyBrushwriting, MyMousewriting, MySimplewriting, NANTEN, Sunshine-normal, Sunshine-smart, ChimaChima7, Baby-blocks, DOSUKOI (pixel face), Kuchibue (pixel script), Mukokuseki Kitchen (nice brush face), Mrs-Kichinto (pixel face), Square-rough, homework-normal (handwriting), homework-smart, Baby-blocks, ChimaChima7, DOSUKOI, Go-Go-Go, HARIGANE-RETRO, HARIGANE, Have-a-break, Kuchibue.

Fontspace link. Old URL. [Google] [More]  ⦿

Comicraft (or: Active Images)
[Richard Starkings]

Comicraft was founded by Richard Starkings and John Roshell in 1992. Located in Santa Monica and Los Angeles, they do lettering and design for the comic book industry and make comic book fonts. At one point they were also called Comic Book Fonts. The current presidents are Rita Simpson and Richard Starkings. Alternate URL. T-26 link. Some fonts: Sanctum Sanctorum (2003), Grandguignol (2003), MagicalMysticalFour (2003), Smash (2003), Aztech, Joe Kubert, Gobbledygook, Meanwhile, Matinee Idol [Nick Curtis has a much nicer script font by the same name, sold by MyFonts], Manganese (Asian-lookalike by Richard Starkings), Altogether OOky (by John Roshell), AbsolutelyFabulous, Achtung Baby (1997, Richard Starkings: a brutalist typeface), Adamantium, Alchemite, AstroCity, AstroCity International, Bithead, BrontoBurger, CarryOnScreaming, Chills, ClobberinTime, Comicrazy, Destroyer, DivineRight, DoubleBack, DutchCourage (1995, an art deco family), Elsewhere (art nouveau), Flameon, Framistat (2000, JG), Frostbite, GrimlyFiendish, Hooky, Hellshock, IncyWincySpider, JimLee, JoeMad, KissAndTell, KissAndTell International (2000, JG), Meltdown, MonsterMash, PhasesOnStun, PulpFiction, ResistanceIs..., RunningWithScissors, SchoolsOut (1999, John Roshell), SezWho/SezYou, SpookyTooth, Spills, Splashdown, StandBy4Action, Stormtrooper, TheStorySoFar, ToBeContinued, Thrills, WildWords, WildWords International, YuleTideLog, Zoinks, ZAP Pack, Digital Delivery, Jeff Campbell (2000, by JG), Los Vampiros, DeadMansChest, Cutthroat International (2000), Rigor Mortis (2000, John Roshell), DangerGirl, Thingamajig, Red Star, Red Square, Drop Case, Too Much Coffee Man, NearMyth, Stonehenge, Golem and SwordsAndSorcerers (medieval or runes fonts). Their monster fonts collection includes MonsterMash, CarryOnScreaming, Chills, GooseBumps, CreepyCrawly, Grimly Fiendish, IncyWincySpider, SpookyTooth, Meltdown and TrickorTreat dingbats. In 2005, MyFonts started selling their collection. Fonts by Starkings include Achtung Baby, Carry On Screaming, Clobberin Time, Flame On, Goosebumps, Grimly Fiendish, Sez, Splashdown. The full font list: Absolutely Fabulous (1999), Achtung Baby (1997), Adam Kubert (2005), Adamantium (1999), Alchemite (1997), Altogether Ooky (1999), Area51 (2005), Astro City (2005), Astronauts In Trouble (2005), Atomic Wedgie (2005), Aztech (2005), Battle Cry (2005), Battle Scarred (2005), Belly Laugh (2005), Biff Bam Boom (2005), Bithead (1997), Blah Blah Blah (2005), Bronto Burger (1996), Carry On Screaming (1996), Chatterbox (2005), Cheeky Monkey (2005), Cheese And Crackers (2005), Chills (1997), Clobberin Time (1995), Comicrazy (1995), Creepy Crawly (2005), Cutthroat (2005), Danger Girl (2005), Dave Gibbons (2005), Dead Mans (2005), Dear Diary (2005), Designer Genes (2005), Destroyer (1999), Digital Delivery (2005), Divine Right (1998), Doohickey (2005), Double Back (1998), Dreamland (2005), Drop Case (2005), Dutch Courage (1995), Elsewhere (1998), Euphoria (2005), Exterminate (1999), Face Front (2005), Flame On (1997), Forked Tongue (2005), Framistat (2005), Frostbite (1997), Girls Girls Girls (2005), Gobbledygook (2005), Golem (2005), Goosebumps (2005), Grande Guignol (2005), Grimly Fiendish (1998), Hedge Backwards (2005), Hellshock (1997), Hooky (1999), Hush Hush (2005), Hyperdrive (2005), Incy Wincy Spider (1996), Jeff Campbell (2005), Jeff Campbell Sketchbook (2005), Jim Lee (1998), Joe Kubert (2005), Joe Mad (1999), Kiss And Tell (1999), Ladronn (2005), Los Vampiros (1999), Manganese (1999), Matinee Idol (2005), Meanwhile (2005), Meltdown (1997), Mike Wieringo (2005), Monster Mash (1997), Near Myth (2005, a grunge face, since 2007 also at T26), Nuff Said (2005), Overbyte (2005), Paranoid Android (2005), Pascual Ferry (2005), Pass The Port (2005), Phases On Stun (1995), Primal Scream (2005), Pulp Fiction (1996), Red Square (2005), Red Star (2005), Resistance Is (1997), Rigor Mortis (2005), Rumble (1994), Running With Scissors (1997), Sanctum Sanctorum (1998), Santas Little Helpers (2005), Schools Out (1999), Sean Phillips (2005), Sentinel (2005), Sez (1998), Shannon Wheeler (2005), Shannon Wheeler (2005), Smash (2005), Snowmany Snowmen (2005), Soothsayer (2005), Spellcaster (2005), Spills (1997), Splashdown (1997), Spookytooth (2005), Stand By4 Action (1997), Stonehenge (2005), Stormtrooper (1997), Thats All Folks (2005), The Story So Far (1998), Thingamajig (2005), Thrills (1997), Tim Sale (1999), Tim Sale Brush (2005), Tim Sale Lower (2005), Timelord (2005), To Be Continued (2005), Too Much (2005), Tough Talk (2005), Treacherous (2005), Trick Or Treat (2005), Wall Scrawler (2005), Wiccan Sans (1999), Wiccan Serif (1999), Wiccan Special (1999, see also T-26), Wild And Crazy (1997), Wild Words (1995), Yada Yada Yada (2005), Yeah Baby (2005), Yuletide Log (1996), Zoinks (2005), Phil Yeh (2006), Zzzap (2006), Battle Damaged (2007), Speeding Bullet (2006), Foom (2007), Letterbot (2007), Timsale (2007), Cutthroat (2007), Framistat (2007), Area 51 (2007, techno, octagonal), CC Comicraft (2007), Ratatat (2008), Mad Scientist (2008), Monologous (2008, T-26), HolierThanThou (2008, T26), Elephantmen (2008, grunge face at T26), Storyline (2008, T-26), Primal Scream (2009, T-26), Spillproof (2009, T-26), Sign Language (2008), Moritat (2009, T-26, by John Roshell), Pass The Port (2009, T-26), Credit Crunch (2009), Elsewhere (2009, art nouveau), Code Monkey (2011, monospaced yet informal), Glitter Girl (2011, handprinted), Rassum Frassum (2011, comic book face), Rocket Man (2011, a retro futuristic family), Spaghetti Western (2011, signage face).

View Comicraft's typefaces. [Google] [MyFonts] [More]  ⦿

Conor Design
[Conor O'Driscoll]

Based in Cork, Ireland, Conor O'Driscoll (Conor Design) made the commercial faces Indee and Brushd in 2010. In 2011, he added Gardener. [Google] [More]  ⦿

Corradine Fonts
[Manuel Eduardo Corradine]

Manuel Corradine was born in Bogotá in 1973. He graduated from the School of Graphic Design of the National University of Colombia in 1996, and became a graphic designer. He started by custom-designing fonts and by making typefaces for his own company, Casa Papelera El Cedro (The Cedar Papermaking House), for printing invitation cards. With other designers like Carlos Fabián Camargo, John Vargas and César Puertas he formed Tipográfico in 2007 to strengthen the type discipline in Colombia. Corradine Fonts is Manuel Corradine's own foundry in Bogotá, Colombia, founded in 2006.

Fonts from 2007: Kidwriting (a family which includes Kidwriting Dingbats 1 and 2), Garabata (a fantastic handwriting face), Garabata Dingbats, Hexagona Digital, Quadrat (grunge), Quadrat Old (grunge), Quadrat Dirty (grunge), Quadrat Broken, Quadrat Ugly, Neogot (experimental, 8 styles).

Fonts from 2008: Mucura (handwriting), Prissa (handwriting), Salpicon (a script), Cuento Serif (a bouncy handprinted family), Memoria (brush script), Charco, Happy Day (comic book family with Happy Day Dingbats), Espectro (a swinging script with swashes and a Dingbats style), Furia (handwriting), Candelaria (based on house signs in the La Candelaria neighborhood of Bogotá), Old Village (1600's style), Old Village Ornaments, Rapidda (a successful simulation of quick handwriting), Hueca (an outline children's script), Antigua (an old swashbuckler family), Colegial (a great-looking hand script), Pincel (a fantastic paint brush family with accompanying splatter dingbats), Trazo (Corradine's handwriting), Arcos (a techno family), Caveman (a primitive stone-look type family), Rumba (two styles; an elegant flowing brush script), Parche (graffiti family), Elegance Monoline (a greeting card script face that won an award at Tipos Latinos 2008), Abuelito (script).

Fonts from 2009: Helga (flowing script), Mussica (+Swash, +Antiqued, a delicate Victorian face), Guarapo (handprinted), Toxic (futuristic stencil), Emotion (comic book face), Bloque 3D, Rock and Cola, Betco's Hand, Telefante (comic book family), Nancy's Hand (more comic book hand-printing), Alambre (multiline/paperclip), Sensual (calligraphic hand), Zape (in the style of Tekton), Antrax Tech (grunge), Masato (handwriting), Hu Kou (oriental simulation).

Fonts fgrom 2010: Miel (a curly script), Oferta (a signage script), Corradine Handwriting, Alberto (connected hand), Changua (handprinted).

Fonts from 2011: Plebeya (2011, connected hand), Mimi's Hand Connected, Legendaria (an extensive connected calligraphic family).

Fonts from 2012: Official (a simple monoline sans family), Eterea (a roman all-caps family), Eterea LC (the lower case set).

Klingspor link. MyFonts link. Font Squirrel link. [Google] [MyFonts] [More]  ⦿

Courtney Rhodes Design
[Courtney Kent Rhodes]

Courtney Rhodes Design is the foundry of graphic designer and Vietnam veteran Courtney Kent Rhodes from Westlake, OH. Six of the CAC fonts of the American Greetings Corporation were designed and produced by Rhodes, who worked for AGC from 1988-2003. Dafont link. Archive of most of the CAC fonts. In 2011, she created the round tip brush face Darby Display, and the comic book face Blunder Display (2011). [Google] [MyFonts] [More]  ⦿

Cruz Fonts
[Ray Cruz]

Cruz Fonts was established in Oakland, NJ, in 2004 by Ray Cruz, who has been a designer of custom lettering and custom typefaces to major ad agencies, publishers and corporate clients in the New York City area for almost 30 years. He has created many display faces for Agfa/Monotype, Bitstream, Phil's Fonts and Garage Fonts. Presently working as Type Director at Y&R NY, and is an adjunct professor at FIT and Kean University teaching type design. Bio at Agfa/Monotype. Bio at Garagefonts. His oeuvre:

• Garagefonts: Cruz Grafica (1999), Cruz Grafica Inline, Troubadour.
• Agfa/Monotype: Bandolera, Bandolero, Cruz Handy (2001) and Cruz Swinger. Swinger, in fact, was produced in film type for the John Schaedler Studio in New York in the 1970s. Also, Elegante, Romantica (didone).
• Bitstream: CruzCanteraBT (2003, a stylish informal sans family), Homeland BT (2004, a text face with a large x-height), Vera Cruz (2003, a playful display serif), and Fat Albert (2004).
• Cruz Fonts: Cruz Handy (2004), Troubadour (2004).
• P22: P22 Cruz Ballpoint, P22 Cruz Calligraphic, P22 Cruz Brush.
• Also: BarracudaPlain, Cantina, Cruz Stencil.
• Custom typefaces for Camel Cigarettes, Estee Lauder (1994), New York Life Insurance, The NFL Detroit Lions, Pella Windows, USPS, and Xerox.

Cuong Bui

Vietnamese font designer who "created" [ahem, clearing throat] HoangYen, UHoai, PhuongThao11 (1992, brush), and VU Anh Minh (1992). See also here. Some of his fonts say VISCII 1992 - PhuocHung - VietUnicode2002 Phan2004. [Google] [More]  ⦿

CV Type
[Galen Lawson]

CV Type is Galen Lawson (b. Greensboro, NC, 1975), an artist who specializes in graffiti type and logos. He lives in Washington, DC.

His creations: Aeron (2010, semi-serifed family, with a crippled lower case h), Hijinx (2009, a headline face), Verlico (2009, a take on Optima), and Frusta (2010, a 5-style slab serif family), Level (2010, an elliptical sans family), Reverie (2011, a curly sans), Encoder (2011, a slabby stencil family), Blancmange (2012: a tall informal semi-brush family). [Google] [MyFonts] [More]  ⦿

CybaPeeCreations (or: Typoasis)
[Petra Heidorn]

CybaPee is the nom de plume of Petra Heidorn who lives in Hamburg. She has created may typefaces (listed below) and has cooperated with many on interesting projects. She is undoubtedly best known for her successful web site Typoasis, where one can download her own creations, and those of her many friends. Petra is also heavily involved in several attempts to revive blackletter fonts, in cooperation with Manfred Klein, Dieter Steffmann, Paul Lloyd and others. She organized several revivals of the typefaces of Rudolf Koch and Ernst Schneidler. She also managed the extensive web presence of Manfred Klein.

Fontspace link. Dafont link.

Her own creations:

• Pre 2000 typefaces: the display fonts Scoglietto, ResPublica, SailingJunco, RoteFlora (1999), Pegypta, Pegyptienne (wonderful hieroglyph-inspired typewriter font), Slimliner Micro, Lupinus, CalliBrush, Rammstein, Greex (Latin font with Greek characters), Camouflage, Extemplary (another beauty), Azimech, Charon, SoftAutumn, Hasenchartbreaker, Oetztype (named after the Tyrolian Iceman, Oetzi), Funtastique (1999, for the Fontsanon members) and Oktoberfest. Plus the scanware fonts Diamond Dreams, Royal Gothic Initials, and Deco Caps. Finally, check also her dingbats LightBats and ToolTime, and her Russianized letters in KrasniFellows. And then there are HelvAssim, BirthdayGreetz, CursedKuerbis, Epitough, InkyDinky, Napapiiri, Lupinus, Pachyderm, PostmoderneFraktur, Sagittarius, Stoertebeker, TaraType (named after Sabine Taranowski, it has zodiac symbols), ChaosTheorie, WelcomeY2K, Zodiac. Other fonts include SadLisa, a parody of Lisa Jenkins's Kitchen Tiles, Lurzing Initials (1997, based on a 1908 face by Karl Lürzing; it depicts naked figures).
• 2001 faces: Mothproof Script, MonkeyHouseParty, XmasTerpiece (a Fraktur font based on Rhapsodie by Ilse Schuele), XmasTerpieceSwashes.
• 2002 faces: MuseAsis, ArabDancesMediumItalic (Arabic simulation font), Vogeler Caps.
• 2003 faces: Bayreuth-Black (a nice scan-version of Bayreuth Fraktur by Ernst Schneidler for C.E. Weber in 1932).
• 2004 faces: Manuskript Gotisch (a revival of a 1514 face by Wolfgang Hopyl, which was a house face at the Bauersche Giesserei in 1899), Urdeutsch (1924-1925, Genzsch&Heyse, digitally revival by her here), Weiß Fraktur (with Manfred Klein, after a 1909 original by Emil Rudolf Weiß, which was at the Bauersche Giesserei since 1913), Hohenzollern (1902, Bauersche Giesserei, revived in 2004) and Neue Fraktur and Neue Fraktur ExtraBold, both revivals of faces by Johannes Wagner Schriftgiesserei in 1927. She created HamletOrNot (with Manfred Klein, after the face Hamlet by Edward Johnston for the Cranach Press), Bibelschrift (with Manfred Klein, a Fraktur named after the Bremer Presse, est. 1911, bombed by the Americans in 1944), SchneidlerInitialen and Schneidler Schwabacher (also a blackletter, based on Ernst Schneidler), TipTop (originally released ca. 1900 by Julius Klinkhardt, Leipzig), Bauernschrift (1911, Bauersche Giesserei), Bayreuth, Burte-Fraktur, Kleukens Fraktur, Leibniz-Fraktur, Neue Fraktur, Neudeutsch (after the 1900 original by Otto Hupp for Genzsch&Heyse), Deutscher Schmuck (with Manfred Klein, a revival and extension of the Schmuck für Deutsche Druckschrift by Eduard Ege, Genzsch and Heyse, 1922), SerpentisBlack (a digitization of type by E.W. Tieffenbach for Officina Serpentis, 1913), SchmalfetteGotisch (with Manfred Klein, based on a type of Ernst Schneidler), DeutscheDruckschrift (a revival of Heinz König's 1888 face for Genzsch&Heyse), Weiss-Gotisch (a revival of E.R. Weiss's face by that name, published in 1936 at the Bauersche Giesserei).
• 2005 faces: Heimat (2005, after Wilhelm Weimar's Heimat from 1917, Genzsch&Heyse), Jaecker Schrift (revival of the 1912 blackletter face by Wilhelm Jaecker for D. Stempel), Gotika (2005, after Imre Reiner's 1933 blackletter face for Bauer; no downloads), Holland-Gotisch (with Manfred Klein, a revival of Nederduits by Johann Michael Fleischmann, ca. 1750), Symphonie (a digitization of Imre Reiner's Symphonie from 1938 (renamed Stradivarius in 1945)), Hartwig Schrift (after Hartwig Poppelbaum's Hartwig Schrift from 1927-1928), Moderne Schwabacher (after a ca. 1900 face by the Otto Weisert foundry called Moderne Halbfette Schwabacher), Hans Sachs Gotisch (based on a face by that name of Albert Auspurg, 1911, Genzsch&Heyse), Brahms-Gotisch (with Manfred Klein, a revival of a 1937 Genzsch&Heyse face by that name created by Heinz Beck), Verzierte Schwabacher (with James Arboghast, based on a blackletter font by that name from the Carl Kloberg foundry in 1891), Schwabach Deko (the same as the previous font, only as close to the original as possible). Nordland (originally by Heinz Beck, Trennert&Sohn, 1935) was revied by Petra.

Cyberian Khatru
[Ronnie Cruz]

Ronnie Cruz (Cyberian Khatru) is Filipino type designer, b. 1966, Asinaan, Panaasinan, Philippines. His fonts include techno and gothic faces such as Bone Voyage, Iron Warrior, and Jupiter Squadron (futuristic). Shanghai Babe (2010) is an oriental simulation face. Blue Thunderbird (2011) is based on native American symbolism. Brush With Death (2011) is a brush face. Byrning Bridgez (2011) is a trekkie font. Cyberian Khatru is located in Hayward, CA. [Google] [MyFonts] [More]  ⦿

Dalia R

Creator of the rush face Guapachosa (2009). [Google] [More]  ⦿

Daniel Fischer

German creator of the free handprinted faces Brush Strokes (2010), Sloppy Fingerwriting (2010), Picture Book Smooth (2010), and Picture Book Serif (2010). [Google] [More]  ⦿

Dave Correll

Designer of LHF Orchard (2007), LHF Divine (2007, blackletter), Marie Script (2006, Letterhead), Mister Muster (2006, Letterhead, art deco), Brushwork, Divine (blackletter), Signkit Script, Signmaker, Spirit Script, Stonecutter, Lakeside (2006, Letterhead), Anna Banana (2004, Letterhead), Samster Script (2004, Letterhead), a signboard face, and Basher (2004, brush style). [Google] [More]  ⦿

Dave Fabik

From Portland, OR, Dave Fabik's truetype fonts. Includes fonts such as Slipstream, Willow (1995, Rennie Mackintosh style lettering), DungeonBlocksFilled (1995), GrekoDeco (1992, based on El Greco Adornado by Fundicion Richard Gans), SableBrush, RoughBrush, Zoom, Quainte, DeRoos Caps (Lombardic).

Dafont link. Abstract Fonts link. [Google] [More]  ⦿

David Westwood

Born in the UK in 1949. He trained in the UK, worked for EMI Records and Saatchi&Saatchi and later moved to Southern California, wghere he started his own illustration studio, the David Westwood Studio for lettering (brush style, wood style). Designer of Westwood (Letraset, 1991). FontShop link. [Google] [MyFonts] [More]  ⦿

Dawn Lewandowski

Senior type designer at HypeForType. Based in the UK, she made the monoline slab serif face Rakki (2010), and she codesigned the brush face Lippy Sans (2012) and the chalkboard face Mr Chalk (2012) with Alex Haigh at Thinkdust.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Dawnland
[Daniel Viberg]

Daniel Viberg (Dawnland, est. 1999) is a Swedish designer, b. 1976, Nyköping. His early fonts could be downloaded at Dafont. His later fonts can be bought via MyFonts. MyFonts link. In general, Dawnland Fonts are for headlines, posters for event graphics and music/media/game packaging. Klingspor link.

He created the Chaos font series, which comprises Paradox (1999, trembling hand face), Lamenta (1999, scratchy face), Lamenta X (2011), Lilith (2000, initials made with human figures), Nihil (2011, grungy) and Dissonus (2004, a grunge face inspired by the type treatments of Dave McKean as well as the Manson Anti Christ Superstar-artwork). Dafont link. Other faces include Victualia (brushy), Aeterna (2011, grunge), Paradox X (2011), Pardox Runa (2011, runic), Haakke (2011, a children's hand), Awe (handprinted), Victualia X (2011, a handdrawn brush font), Chaos 1996 (2011, pen illustrations), Massiva GrotesQ (2012). [Google] [MyFonts] [More]  ⦿

De Nada Industries
[Mike Allard]

Mike Allard (DeNada Industries, Gainesville, FL) is the designer in 1992 of many early shareware fonts. The text provided by DeNada: Founded by a grumpy fellow when some software installation actually required a company name in the registration line. DeNada Industries has grown to include one employee (aka Mike Allard). A producer of typefaces in their early years, De Nada has slowly undeveloped over the years to include the odd Theatre Flyer design for out-rageous amounts of money. Their advertising budget is so severely limited as to preclude your being aware of their existence except by sheer accident. DeNada Industries is one of the slowest growing non-corporate entities in all of North America encompassing a wide variety of activities including: Typeface creation, flyer design, theatrical scenic and lighting design (in conjunction with The Shumway Brothers Moving Company) and a wide variety of other activities that defy specific categorization despite the heroic efforts of our staff. Dafont link. His typefaces:

• Script faces: Lauren Script, Heather (updated in 2000 by Mario Arturo), Kavaler Kursive, Machine Script, Juliet, Kelly Brown, E-Brant Script, Miss Brooks.
• Sumdumgoi: a famous oriental simulation face.
• The Celtic font Viking.
• Blackletter faces: MikeAllard-PerryGothic.png, Kelly Ann Gothic.
• Brush faces: Grauman, Striped-Brush,
• Idiosyncratic faces: Alfred Drake, Joe Perry, Kurt Russell, Will Robinson.
• Camelot De Nada (hairline serif).
• Calligraphic: Romeo DN.
• Scimitar2.

Dear Alison
[Alison Argento]

Travel writer based in Cherry Hill, NJ. Designer (b. Augusta, ME, 1977) of the children's scribble font Urly Lurnin (2008), and of Smiley (2008, comic book face), and of the informal handwriting fonts Pickled Sans (2008), Slim Pickens (2008), Smokehouse (2008) and Gladly Mailed (2008). Bender Script (2008) is a brush script developed from an incomplete script drawn by Charles Chas Bluemlein. Barnstormer Script (2010) is a sign painter typeface. [Google] [MyFonts] [More]  ⦿

Decade Typefoundry
[Agung Maskund]

Decade Tytpefoundry (Bandung, Indonesia) is run by Agung Maskund. Fontspace link. Creator of New Black (2012, a metal band typeface) and Chicano Brush (2012, graffiti face). Note: It is possible that Chicano Brush was made by Gilang Purnama. [Google] [More]  ⦿

Dennis Shinobi

Type designer. He created the slightly grungy Uni Magnetic (2007, Substance). MyFonts says that he also designed the fat brush face Ardy Mass (2010). [Google] [MyFonts] [More]  ⦿

d[esign] - Domenico Mazza
[Domenico Mazza]

Located in Melbourne, Australia, d[esign] (Domenicos Design) was founded in 2007 and is headed by Domenico Mazza. He created BoxyBlocks (2008), Brushed (2008), Corrente (2008, zigzagged 3d handprinted look), Pico (2009, pixel) and Geometrix (2008, handprinted), Zepto (2009, pixel face). Dafont link. [Google] [MyFonts] [More]  ⦿

Device Fonts
[Rian Hughes]

Rian Hughes studied at the LCP in London before working for an advertising agency, i-D magazine, and a series of record sleeve design companies. Under the name Device he now provides design and illustration for the advertising, entertainment, publishing, and media industries. He works from Richmond, UK, as a comic book artist, letterer and typefounder---his foundry is called Device. He creates mostly display type. List of fonts. Interview. Review by Yves Peters. Monotype Imaging page. Interview by Die Gestalten. Various (overlapping) font listings, still unorganized.

• Dingbats: Pic_Format, Mastertext Symbols, MacDings, RiansDingbats, Autofont.
• FontFont fonts: Identification (1993), Revolver, Rian's Dingbats, LustaOneSixtySans, Knobcheese, CrashBangWallop, and Outlander.
• [T-26] fonts: English Grotesque (1998), Data90 (2003; a free FontStruct face that is virtually identical to Data90 is Bitrate by Kummaeno (2010)), Flak Heavy (2003, stencil), Flak (2003, stencil), Freeman (2003), Klaxon (2003, kitchen tile font), Cordite, Substation (2003), September (2003), West Way (2003), Egret (2003), Paralucent Complete (2003), Paralucent Condensed, Paralucent Stencil (2003), Mercano Empire (2003), Iconics (2003), Cantaloupe (2003), Gravel (2003), Acton (blocky screen font, 2002), Ainsdale, Amorpheus, Anytime Now (alarm dingbats), Bingo, Blackcurrant (Blackcurrant Cameo (1997) is free), Bordello, Elektron, Haulage (U-Haul lettering, 2002), WexfordOakley, Telecast, Terrazzo, Transit, Untitled, Scrotnig, Skylab (2002), Silesia (1993), SlackCasual, Ritafurey, Reasonist-Medium, Regulator, GameOver, Novak, Quagmire, PicFormat, Jakita Wide (2000, techno font), Metropol-Noir, Motorcity, Mastertext, Mystique (2002), MacDings, Lusta, Laydeez, Sinclair, Paralucent (sans serif), Judgement, Bullroller, Zinger (a fifties font), Citrus (2002), Popgod (2003), Range (2000, a futuristic font), Hounslow, Jemima, Griffin, GranTurismo, Gargoyle, Foonky, DoomPlatoon, Darkside ("remixed" by FontStructor Kummaeno in his Ubangi (2011)), Cyberdelic, Contour, and the very original Stadia Outline family (Stadia is a kitchen tile font).
• List of all fonts by Rian Hughes, as of 2004: Acton, Ainsdale, Amorpheus, Anytime Now, Bingo, Blackcurrant, Bordello, Bull Roller, Chascarillo, Contour, Cottingley (1992), FF CrashBangWallop, Cyberdelic, Darkside, Data90, Doom Platoon (1996), Elektron, English Grotesque, Flak, Foonky, Freeman, Game Over, Gargoyle, Gran Turismo, Griffin, Haulage, Hounslow, Iconics, FF Identification, Jakita, Jemima, Judgement, FF Knobcheese, Laydeez Nite, Lusta (big family), Mac Dings, Mastertext, Men Swear, Metropol Noir, Motorcity, Mystique, Novak, FF Outlander, Paralucent, Pic Format, Platinum, Quagmire, Range, Reasonist, Register (A and B), Regulator, FF Revolver, FF Rian's Dingbats, Ritafurey, Scrotnig, September, Silesia, Sinclair, Skylab, Slack Casual, Space Cadet, Stadia, Substation, Telecast, Terrazzo, Transmat, Untitled One, Vertex, Westway, Wexford Oakley, Why Two Kay, Zinger.
• At Veer, in 2005, these Device fonts were published: Gentry, Gridlocker, Valise Montreal, Custard, Box Office (moviemaking letters), Sparrowhawk, Monitor, Moonstone, Miserichordia, Yolanda (a great playful medieval text face in three styles: Duchess, Princess, Countess), Gusto, Dauphine, Rogue, Ritafurey, Dynasty, Radiogram, Xenotype, Roadkill (grunge), Payload (stencil family comprising Regular, Outline, Spraycan, Narrow, Narrow Outline, Wide, Wide Outline), Catseye, Electrasonic, Absinthe (psychedelic style), Straker, and Chantal (brush).
• In 2006, Veer added these: Profumo, Ironbridge, Cheapside, Battery Park (grunge), Forge, Shenzhen Industrial, Hawksmoor (grunge), Coldharbour Gothic, Wormwood Gothic (grunge), Chase (grunge), Diecast, Roadkill Heavy, Tinderbox (fuzzy blackletter), Dazzle (multiline face), Nightclubber (art deco), Klickclack (comic book face), Vanilla (art deco), Wear it's at (grunge), Diecast, Drexler, Box Office (movie icon font).
• Fonts from 2007: DF Conselheiro (2007, grunge), DF Glitterati (2007), Indy Italic (script), DF Apocrypha (2006, rough outline), DF Quartertone (2007), DF Lagos (2007, rough stencil), DF Pulp Action, DF Reliquary #17 (2006, grunge didone), DF Dukane (2007, octagonal grunge), DF Strand (2007, striped stencil), DF Rocketship from Infinity (2006, futuristic), DF Appointment with Danger (2006), DF Las Perdidas (2006, grunge stencil), DF Kelly Twenty (2007, grunge stencil), DF Heretic, DF Roadkill, DF Ironbridge, DF Forge, DF Shenzhen Industrial, DF Hawksmoor, DF Cheapside, DF Battery Park, DF Saintbride, DF Profumo, DF Coldharbour Gothic, DF Wormwood Gothic, DF Tinderbox, DF Flickclack, DF Vanilla (multiline art deco face), DF Chase, DF Nighclubber (art deco jazz club face), DF Diecast, DF Dazzla, DF Zond Diktat (grunge), DF Yellow Perforated, DF Mulgrave (grunge), DF Ministry B, DF Ministry A (with a hairline weight), DF Gridlocker, DF Gentry, DF Valise Montréal (grunge), DF Custard, DF Box Office, DF Roadkill, DF Payload Wide, DF Payload Narrow, DF Catseye Narrow, DF Catseye, DF Yolanda, DF Xenotype, DF Telstar, DF Straker, DF Sparrowhawk, DF Rogue Serif, DF Rogue Sans Extended, DF Rogue Sans Condensed, DF Rogue Sans, DF Ritafurey B, DF Ritafurey A, DF Radiogram, DF Pitshanger, DF Payload (stencil), DF Outlander Nova, DF Moonstone, DF Monitor, DF Miserichordia, DF Interceptor, DF Gusto, DF Glitterati, DF Galicia (2004), DF Galaxie, DF Electrasonic, DF Dynasty B, DF Dynasty A, DF Drexler, DF Dauphine, DF Chantal, DF Absinthe, DF Register Wide B, DF Register Wide A, DF Register B, DF Register A, DF Quagmire B, DF Cordoba (2007, grunge), Mellotron (2004, stencil), Seabright Monument (2007), Charger (2007, grunge).
• T-26 releases in 2007: Klickclack, Hawksmoor (grunge), Heretic, Ironbridge (old letter simulation), Battery Park (grunge), Chase (grunge), Cheapside (grunge), Dazzle (multiline art deco), Diecast (grunge), and Forge (grunge).
• T-26 releases in 2008: Automoto (fat multiline deco face), Straker (organic). Also from 2008: Mission Sinister (grunge), Gonzalez (grunge).
• FontBros release in 2009: Filmotype Modern. Other Filmotype series fonts include Filmotype Power (2012) and Filmotype Major (2012: this is based on a typeface used as the titling font for the popular children's book by Dr. Seuss entitled One Fish Two Fish Red Fish Blue Fish, 1960). Other 2009 fonts: Degradation (grunge).
• Creations in 2010: Pod (2010, fat round stencil), Korolev (2010, a 20-style monoline sans family based on communist propaganda from 1937), DF Agent of the Uncanny (2010, brush face), DF Destination Unknown (2010, Kafkaesque brush), DF Maraschino Black (a sleek, sophisticated high-contrast swash capital font).

  Creations in 2011: DF Capitol Skyline, DF Capitol Skyline Underline and DF Capitol Skyline Capitals (a multi-weight all-caps pair that epitomizes Streamline Moderne), DF Korolev (a 20-weight sans serif family based on lettering by an anonymous Soviet graphic designer who did the propaganda displays at the Communist Red Square parade in 1937. Named in honor of Sergey Pavlovich Korolyov, or Korolev, considered to be the father of practical astronomics).

• Other: Customised Foonky Starred, Altoona, DfAncestorITC, DfAttitudesPlain, HotRod (2002).

FontShop link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Dex Web

Dex Web or Dex Image is a Japanese font vendor. It also sells Shotai style (brush stroke) kanji fonts. Samples: Dex Ninja, Dex Seigetsu. Other URL. [Google] [More]  ⦿

Digidea Lee

Digidea Lee is a designer from Hailar, China, b. 1991. He created one free emoticon font, available from Dafont: Yolks Emoticons (2008), Dist Inking (2008, a nice paint brush face). [Google] [More]  ⦿

Dobi (was: Toxic Type)
[Rob Dobi]

Site of prolific designer Rob Dobi from Fairfield, CT, who made many freeware/shareware fonts. Some fonts are grungy, but many have a strong calligraphic influence (Killigraphy and Arthur for example). The list: Apocalypse1, Arthur, AssCrack, BallstotheWall, Blasphemy, Bubblegum Superstar (1998, more a brush font than a bubblegum font), Catch22, CrappyCrap, Cringe, CriticalMass, Depraved, DobiType, Doober, DroopyPoopy, Duchess, Dumbass, Entropy, Failure, FluxCapacitor, Geriatric, GreenAppleSplatters, Guillotine, HeavyRotation, HongKongFistFuck, HyperKinetic, Immoral, InKsolBitch, Incest, KaBlooie, Kemuri, KillgraphyBold, Killigraphy (1998), Misconstrued, Misfortune2, MisterSinister, Nicole, PessimisticLines, Piledriver, Plastered, Puke, Salvation, Snot, Splooge, Static, StoneCold, Suicide, TheDrips, Vein. Another site has additional fonts such as Pitty. Toxicomania, Ocular and Pileliner have disappeared.

Dafont link. Abstract Fonts link. [Google] [More]  ⦿

Douglas Vitkauskas

Brazilian resident who specializes in original grunge designs.

Typefaces made in 2012: VTKS Expert (grunge), VTKS Worker, VTKS Chalk 79 (chalk font), VTKS Vinte e Cinco, Good Vibration, VTKS Bagacao, VTKS Message, VTKS Keystorm (texture face), VTKS Scratch, VTKS Minus, VTKS Fail, VTKS Busseta (dymo label font), VTKS Assign, VTKS Contact, VTKS Carrier (grunge), VTKS Lovers Italic, VTKS Good Vibration 2, VTKS Encounter (grunge), VTKS Natural, VTKS Seven.

Typefaces made in 2011: VTKS Message (grunge), VTKS Lovers (frilly), VTKS Carrier (grunge), VTKS Contact (texture typewriter face).

Designs from 2010 include VTKSSIGNOFTIMES, VTKSSIGNOFTIMESbold, VTKS Unidade, VTKS Scream, VTKS Personal, VTKS Noise (texture face), VTKS Mint, VTKS Legal (Treefrog-style hand), VTKS Fresh Mint, VTKS Ink, VTKS Study (a sketch face), VTKS Morning Rain (+3D, +Bold), VTKSEMBROIDERY, VTKSLowRider, VTKSLowRiderBox, VTKSREVERSO, VTKSREVERSOOPTIONB, VTKSURBANTIME, VTKSURBANTIME3d, VTKSURBANTIMEbold, VtksBeautifulDreams, VtksVictory, vtksRudeMetalshadow, vtksarmy, vtksarmy3d, vtksshow, vtkssolution, vtkssolution3d, vtkssolutionbold, vtkssuper, vtkswhitepage3d, VTKSCOMIC, VTKSHIGHLIGHT (2010, a sketched face), VTKSHIGHLIGHT2, VTKSHIGHLIGHT3, VTKSXtra, vtkscrazytime, vtksmorningrain, vtksmorningrain3D, vtksmorningrainBOLD, VTKS Trunkset, VTKS Control, VTKSCURVE, VTKSDOWNTOWN (chalk or brush face), VTKSLOVEANDPEACE, VTKSSOLUOCRIATIVA, VTKSSOLUOCRIATIVADOIS.

In 2009 he designed vtks Water cristals, vtksControl, vtkskeystorm, vtkstrunkset, VTKS Distress (grunge), VTKS Deja Vu, VTKS Giz, VTKS Sunny Day, VTKS Mercearia, VTKSRASURADA (grunge), VTKSSABONETE (grunge), Vtksespinhuda (grungy), and vtkssbadodechuva (grungy).

In 2008, he created VTKSSKULLS, VTKS Focus (curly letters), vtksRascunhoErrado (handprinted), vtksanimal2 (brush/paint), VTKSFLOWERSINOURSOUL, VtksRelaxingBlaze (double script), Quadrada e Gordinha, VTKS Velhos Tempos (great scratchy script face), Squizita, Mural, VTKS Revolt, VTKS General Use, VTKS Good Luck For You, VTKS-BEAUTY, VTKS-CHIP-SET, VTKS-CHOICE, VTKS-CORE, VTKS-No-Name, VTKS-SKULLZ-ME, VTKS-SummerLAnd, Vtks-Blank, Vtks-FININHA, Vtks-Hardness, Vtks-Noba, vtks-Broadband, vtks-alcalina, vtks-caveirada, vtks-squares, vtks-syndicate, VtksCapsLoco (all caps), VtksEntulho (grunge), VtksSonho (elegant scratchy script), vtksalcalina, vtkscaveirada (grunge), vtkstrutagem (grunge), VTKS Encantar (grunge).

In 2007, he designed VtksDesgaste, VtksWineLabel, VtksWineLabelTwo, VTKSBlackLabelNormal, VTKSBlackLabelNormalFilete, VtksBlack, VtksBlackLabel, VTKS Untitled (grunge), VTKS-News-Label, VTKS-ROCK-GARAGE-BAND, VTKS-SCRUBBED, vtks-REPORT-erRoR, VTKS Clean, VTKS Easy Way (informal outline lettering), VTKS Hardness (grunge), VTKS Mural (scratchy script), VTKS Alpes, VTKS No Name (ornamental caps), VTKS Beauty (ornamental caps), VTKS Refused (grunge), VTKS Gore, VTKS Estilosa, VTKS Bandana, VITKS Furious, VITK Colagem, VTKS36, VTKSDearLove (curly lettering), vtks38 (double-lined hand), vtksLemonDrop (comic book face). Dafont link. Earlier creations (2005) include D_OLD_MODERN, D_OLD_MODERN2, Scretch (scratchy face), Busseta, D Old Miner, Assign (handwriting), Fail (grunge) and Minus (scratchy face). Fontspace link. Pay fonts include Beautiful Dreams, Black, Black Label, Bronze Age, Desgaste, Design Pencil, Embroidery, Funny Lines, Good Vibrations, Keep Your Mind Clean, Low Rider, Mixed Job, Natural Style, Number Zero, power Age, Sexy Lines, Shadow, Urban art, Victory, VTKS V2, Warrior, Wine Label, Xtra.

FADU-UBA link. Fontspace link. Fontsy link. . Dafont link. Abstract Fonts link. [Google] [More]  ⦿

Dries Wiewauters

Belgian designer who has a bachelors in graphic design from St. Lucas, Gent (Belgium) and ArtEZ Arnhem (The Netherlands), and a Masters in the same area from both places. He lives in Gent and loves mussels (or, at least, he loves to make posters of mussels). Behance link. He list of typefaces:

• PDU, or Plaque Découpée Universelle (2010). Dries writes: After reading the excellent essay by Eric Kindel: The Plaque Découpée Universelle: a geometric sanserif in 1870s Paris (Typography Papers 7, Reading, 2007), both James Goggin and I got fascinated by the idea of a stencil with which you can draw every letter of the alphabet: uppercase, lowercase, numbers, punctuation. The original stencil was invented in 1876 by Joseph A. David (USA). In order to experience the stencil first hand and because the original is really fragile and very hard to come by, 3 prototypes were laser cut out of 0,5 mm steel. To comply with friends' demand, a small edition of 50 copies was made. To enable smoother drawing these were cut out of 0,2 mm flexible steel.
• PDP, or Plaque Découpée Personnalisée, is the result of further experimentation with the Plaque Découpée Universelle. These 18 fonts were made as part of Feed the Library, an installation by the Werkplaats Typografie during the 2010 NY Art Book Fair.
• Norwich (2005, pixel family).
• Gütz (2006, blackletter).
• Rietveld Fatface (2007, fat sans titling face).
• Hafssól (2007, pixel face).
• Grey Text, Grey Display, Ultra Black (2008-2009). Done for his Masters at St Lucas Academy in Ghent, and The Grey Press. Grey Text is a text face, Grey Display a set of six inline / blackboard bold faces, and Ultra Black a fat brush poster face.
• Interieur2010 (2010): a type family that started out by modeling a chair.
• MAD (2009). Multiline type family started from Machine Aided Design typefaces.

DS Design
[Jane Scarano]

North-Carolinian distributor of Type Designer and creators of the Kidbag type collection. Kid Type Paint was designed by Jane Scarano and Jake Scott. Designer at Creative Alliance of the kid's handwriting faces KidType 1 and 2, as well as DingBrats (1993, dingbats). FontShop link. Jake and Scott Scarano are credited at FontShop with the 1993 creative Alliance ruled kid's lettering face Kid Type Ruled, and the brushy 1993 faces Kid Type Crayon, Kid Type Marker and Kid Type Paint. [Google] [More]  ⦿

D-Studio (Moscow)
[Nikolay Dubina]

DStudio, or Design Studio, is run by Nikolay Dubina, a prolific type designer. He is also a graphic designer, book designer and journalistic writer. He also runs the educational web site ProDTP. Their original Latin/Cyrillic fonts are of the highest quality, and include: Werewolf (2003), Werewolf NU (2003), DS Cosmo, DS Yermak, DS Eraser, DS Showbill, DS Poster Pen, DS Progress, DS Podd Cyr, DS Down Cyr, DS Comedy Cyr, DS Japan Cyr, DS Standart Cyr, DS Zombie Cyr, NewDeli, Stylo, Scrawl, the wonderful DS Nadejda, and DS OlymPix (2001, a pixel font), DPix8Pt (2003, pixel font), DS-Diploma-Bold, DS-Diploma, DSArmyCyr, DSBroadBrush, DS Brushess, DSComedyCyrBold, DSCyrillic, DSDiploma-Bold-Outline-DBL, DSDiplomaArt-Bold, DSDownCyr, DSEraserCyr, DS Initials (ornamental caps), DSJapanCyr--Normal, DSKolovrat, DSMechanicalBold, DSMotterHo, DSMotterStyle, DS Nova Black, DSPixelCyr, DSPoddCyrLight, DS Poster, DSPosterPen, DSProgress-SemiBold, DSRada, DSRussiaDemo, DSSharper, DS Sholom (Hebrew simulation), DSStain, DSStampCyr, DSStandartCyr, DSUstavHand, DSVTCoronaCyr, DSZombieCyr, InavelTetkaCyr, NadejdaBold, NewDeli (great display font!), Scrawl, SeedsCyr-Medium, Stylo-Bold.

Direct access. More direct access. Some fonts are here. DS Century (2000).

Dafont link where one can find DS Goose, DS Motter, DS Arabic and DS Stamper. Old URL. Abstract Fonts link. [Google] [More]  ⦿

DTPTypes Limited
[Malcolm Wooden]

DTP Types Ltd was started in 1989 by Malcolm Wooden (b. London, 1956) from Crawley, West Sussex, England. Wooden worked at Monotype for over 20 years just before that. Malcolm Wooden joined Dalton Maag early 2008 to work on font engineering and production. DTP Types does/did custom font work, and sells hundreds of retail fonts. In the Headline Font Collection (50 fonts), we find reworked and extended designs (Apollo, New Bodoni Black, Camile, Engravers, and so forth), as well as fresh faces (Hellene handwriting, Finalia Condensed, Birac, Delargo Black, Delargo DT Rounded (comic book family), Dawn Calligraphy). In the Elite Typeface Library, there are type 1 and truetype faces for Western and East-European languages. For example, Elisar DT (1996, see also elisar DT Infant) is a humanist sans family made by Malcolm and Lisa Wooden. Fuller Sans DT (1996) is a grotesk family by Malcolm Wooden. Greek and Cyrillic included. New typefaces: Rustikalis (2007, after a lively display film type family), Garamond 96, Pen Tip (Tekton-like). Fonts distributed by ITF and MyFonts.com: Berstrom DT, Beverley Sans DT (2007, comic book style face), Birac DT, Century Schoolbook DT, Convex DT, Delargo DTInformal, Delargo DT Infant, Engravers DT, Finalia DT Condensed, Garamond DT, Garamond Nine Six DT, Goudy Old Style DT, Graphicus DT (1992, a 24-style sans family), Kabel DTCondensed, Leiden DT, Macarena DT, Modus DT (2007), New Bodoni DT, Newhouse DT, Office Script DT, Pelham DT, Pen Tip DT, Pen Tip DT Infant, Pretorian DT (a revival of an old Letraset font by Ron Carpenter and Malcolm Wooden in 1992; for a free version, see Vivian by Dieter Steffman), Solaire DT, Triest DT, Vigor DT. Something I don't get: Vecta DT (2006) is based on Vecta (2005, Wilton Foundry)---same name, same sans family, what gives? Duet DT (2006, a calligraphic script) is by Robbie de Villiers of Wilton, based on his own Duet (2004). MyFonts page. The typophiles reserve harsh judgment: I recognize these designs by their original names. Slightly manipulating Times Roman, Optima, Icone, Franklin Gothic, Sabon, Tekton, does not make them new or original. Many of the designs are identical to the originals they're derived from (Carl Crossgrove), The DTP Types outfit sells the usual rip-off fonts under new and old names (e.g. Century Schoolbook DT, Engravers DT, Goudy Old Style DT, Kabel DT, etc.) (Uli Stiehl). 2007 "creations": Appeal DT, Fatbrush DT, Kardanal DT, Pamela DT (semi-blackletter). In 2008, DTP announced a new newspaper and magazine text family, Arbesco DT (PDF), based on a 1980s photolettering family (see also here), and a simple 24-style architectural sans family called Sentico Sans DT. They also published the marker family Pen Tip DT Lefty in 2008. In 2009, the calligraphic Trissino DT was published: it was named after Gian Giorgio Trissino (1478-1550) the Italian Renaissance humanist, poet, dramatist, diplomat and grammarian who was the first to explicitly distinguish I and J as seperate letter sounds. [Google] [MyFonts] [More]  ⦿

Duncan Wick

German designer (b. 1988) of Dafter Harder Better Stronger (2009, brush) and Weird Tucan-Noobs from Saint Seson (2009, ???). [Google] [More]  ⦿

Dung van Meerbeeck

Vietnamese/Belgian designer (b. Saigon, 1958) who uses brushes and pens to create handwritten fonts in 1994 such as DuMathieu, DuMifu, DuBrush, DuTurner, DuGauguin, DuDuchamp, DuMoore and DuChirico.

His fonts have perfect rhythm, and were published by FontShop in the FontFont collection.

View Dung van Meerbeeck's typefaces. [Google] [MyFonts] [More]  ⦿

Ed Big Daddy Roth

Rich Roat of House Industries has this to say: I wanted to point out that the "Rat Finkbats" are directly taken from our "Rat Fink Fonts". These are highly detailed illustrations done by Ken Barber in 1996 and are sold as part of the Rat Fink Font collection. Part of the proceeds from each sale go to the estate of Ed "Big Daddy" Roth. Credit for the Finkbats should go to Ken Barber and, well, the Snoopy dings maybe should go to Charles Schultz. [...] We licensed the names "Ed 'Big Daddy' Roth", "Rat Fink" and "Fink Fonts" directly from Ed Roth in 1995 for this and some other projects. Ken drew those icons specifically for the "Fink Fonts" and they are called the "Monster Icons". We pay a quarterly licensing fee to the estate of Ed "Big Daddy" Roth based on the sales of the Rat Fink fonts. The Fink series at House Industries consists of Fink Bold (1996), Fink Brush (1996), Fink Casual (1996), Fink Condensed (1996), Fink Gothic (1996), Fink Heavy (1996), Fink Roman (1996), and Fink Sans (1996). [Google] [More]  ⦿

Eduardo Rodríguez Tunni

Buenos Aires-based graphic designer and prolific type designer who runs Graphic Design Firm. Since 2005, he has been teaching typography together with Marcela Romero and Pablo Cosgaya at the Centro Cultural Ricardo Rojas. Behance link. Klingspor link. Google Plus link. His typefaces, haphazardly organized:

• Average (2005, Google Web Fonts). A text face. Average won an award at Tipos Latinos 2008 in the extensive family category.
• Linear Book Serif (2003). A humanist font.
• Colona (2004). A serif family.
• Lineare. A six weight sans family. See also LineareA3Versalita (2004). Lineare Serif (Tipo) is characterized by heavy serifs.
• The roundish titling face Titulata (Tipo). See also here. Accompanied by Titulata Italic (2007).
• The classic text family Gilda Roman.
• Alexa. A sans family.
• With Pablo Cosgaya, he designed Loreto (2004). This family was inspired by the types printed in the Manuale ad Usum (1721). The family appeared in 2009 at Tipo.
• He is (was?) working on Average Italic (2006, serif), Astor (2007, sans) and Yeca Serif (2006).
• Think (Tipo). This face won an award at Tipos Latinos 2008 in the non-text category.
• Club Universo (2008, with Mariana Pariani). This face won an award at Tipos Latinos 2010.
• Changa (2009). This rounded black poster face won an award at Tipos Latinos 2010. See also Changa Italic. Google Font Directory link, where one can download Changa One (2011).
• Lassi Display (2009, with Dario Muhafara). This face won an award at Tipos Latinos 2010.
• Merienda One (2011, a brush script). Free at Google Font Directory.
• This experimental face (2004).
• Mate (2011). A free readable text face at Google Font Directory.
• Arapey (2011, Google Font Directory) is a didone family named after a Uruguayan town.
• Lemon (2011). A free signage face at Google Web Fonts.
• Unlock (2011). A free quadraplegic face at Google Web Fonts.
• Diplomata (2012, +SC) is a free openface typeface publihed at Google Web Fonts).
• Glegoo (2012, Google Web Fonts) is a modern slab serif.
• Imprima (2012, Google Web FontsGraduate (2012, Google Web Fonts) is an athletic lettering font.
• Belleza (2012, Google Web Fonts) is a humanist sans typeface with moderate to high stroke contrast.

Edwin W. Shaar

American type designer, designer, writer, b. 1906 or 1915. For some time he was assistant art director at Monotype and art director at Intertype. He made several phototype typefaces. His typefaces include:

• 1939: Czarin (lowercase only by him), done at Baltimore Type.
• 1939: Flash and Flash Bold (Lanston Monotype), a signage typeface of limited beauty. See also Flash EF. Linotype has a similar fat brush face called Okay. I assume it has the same genetic roots. See Falcon by SoftMaker and Flash EF by Elsner and Flake for a digital version of Flash, and 0670 Script (also by SoftMaker) for a digital version of Okay. Mac McGrew: Flash is an informal brush-drawn script letter, cut by Monotype in 1939. It was the first face designed by Edwin W. Shaar, who designed Flash Bold the following year. The lighter weight is somewhat similar to Dom Diagonal, cut later by ATF. Also compare Balloon.
• 1940: Valiant (Lanston Monotype), a display face. ac McGrew: Valiant is a vigorous thick-and-thin letter with the appearance of having been lettered quickly but well with a broad pen. It was designed by Edwin W. Shaar for Monotype in 1940, and is similar to Lydian Bold Condensed, though a little heavier. It is suggestive of Samson, but condensed.
• 1952: Futura Extra Bold (Intertype), followed by Futura Extra Bold Italic in 1955 at Intertype as well. For a digital version, see Function Script by SoftMaker.
• 1952: Nuptial Script (Intertype).
• 1954: Futura Script (Scangraphic). See Future Script EF by Elsner & Flake.
• 1954: Imperial (+Bold, +Italic), done at Intertype, and called Gazette by Linotype in 1977. The New York Times uses Imperial for its text since 1967, but it is based on in-house scans of the old metal Imperial (an Intertype design from 1954), not on the digital versions from Intertype or Linotype. The typophiles discuss Imperial: Kent Lew states The New York Times text is Imperial. Has been for at least the last several years. Koppa points out that the NY Times Imperial designed by Intertype looks like an ATF Century Old Style rip-off. [...] I will stick with my opinion that the original, the metal Century Old Style, credited to M Benton, is better than the copy-cat Intertype Imperial and most definitely better than the copy-cat digital Imperial I saw on myfonts.com last night. Bitstream made a digital version of Imperial. Mac McGrew: Imperial was designed by Edwin W. Shaar in 1954 as a newspaper text face. Like most other news faces it has a large x-height with short descenders. but unlike most news faces of the time, it blends certain oldstyle and contemporary characteristics, and is a little narrower and more closely fitted. This gives a feeling of friendliness and warmth, but retains a high degree of legibility.
• 1960: Royal (+Italic, +Bold): a sans family that is easy to read in small point sizes.
• 1960: Windsor (+Bold) (Intertype, New York), a newspaper face.
• Vogue Extra Condensed (Intertype).
• 1974: Satellite (+Italic, +Bold), done at Intertype. Mac McGrew: Satellite is a newspaper face designed by Edwin W. Shaar for Intertype in 1974. With large x-height and sturdy hairlines, especially in the bold version, it is designed for legibility under the rigors of high-speed newspaper production, but without sacrificing a stylish appearance.
• Shaar Diane, a Photo-Lettering calligraphic face.

Linotype link. FontShop link. Klingspor PDF.

View Edwin Shaar's typefaces. [Google] [MyFonts] [More]  ⦿

Eileen Schwab

Auckland-based student. Creator of the pretty brush face Black 2310 (2005). [Google] [More]  ⦿

Ekatherina Galuyan

Or Katya Galuyan. Russian type designer. She created the fat brush face Shaltai (2008, Paratype). Klingspor link. [Google] [MyFonts] [More]  ⦿

Elena Novoselova

Born in Ioshkar-oila in 1984, Elena Novoselova graduated from the Moscow State University of Printing Arts in 2006. Currently, she designs type at Art Lebedev Studio, where she made ALS Dereza (2010, a grotesk comic book style face for children's books), ALS Mezzo (2009, a flared sans), ALS Heino (2008, a decorative face with two styles that was inspired by a piece of lettering in an old magazine), ALS Klementina (2011, a calligraphic cursive typeface based on brush pen handwriting), and ALS Mirta (2007), a mild slab serif family that is easy on the eye. MyFonts interview. [Google] [MyFonts] [More]  ⦿

Eliza Ling Suet Fung

Designer of Yuuku, the silver prize in the 6th Morisawa Awards International Typeface Design Competition, 1999. A great brush kanji font. [Google] [More]  ⦿

Elvira Slysh

Designer at ParaGraph of PT Ornament (1992), Numerals (1992, letters in circles), PiGraph A (1992, arrows), PiGraph B (1992, dingbats), PT ITC Studio Script (1994, a Cyrillic extension of Pat Hickson's ITC Studio Script, 1990), Corrida (1989, based on Helmut Matheis' Slogan, 1959), Astron (1991), after a design Gonzales Jeanette by Francisco Gonzales (Photo Lettering Inc). She also made a Cyrillic version of Renner's Futura Black, called Futura Eugenia (1987, Polygraphmash), as well as Parsek (ParaGraph, 1990), based on Brush Script (ATF, 1972, Robert E. Smith). [Google] [More]  ⦿

Emil J. Klumpp

Lettering artist from New York. ATF sales manager and director of typeface design. He created the often-copied calligraphic Murray Hill (now available as Murray Hill EF) in 1956. Versions of Murray Hill are in different places, including most shareware archives. Commercial versions at ICG and Bitstream, for example. He also made the informal script font Catalina (1955) as well as many photolettering faces. Catalina was digitized as Enamel Brush by Ray Larabie in 2009. His life and work are discussed in the link.

MyFonts link. [Google] [MyFonts] [More]  ⦿

enStep Software
[Fritz Richard]

Clip art and brush script fonts at this Beaverton, OR-based outfit run by Fritz Richard. From the web page: The ImageFonts UltraPak (CD) features over 600 one-of-a-kind typefaces for Windows and Macintosh. ImageFonts come in four flavors, Mac TrueType, Mac Postscript, Windows TrueType and PC Postscript. Some claim that the fonts are rehashed public domain fonts. The enStep font collection found mostly on archives (such as here) is dated 1997. It is largely worthless, though. As an exercise, see if you can recognize which original fonts are were used to obtain these enStep fonts: Casmira, Ellis, Excess, Justice.

Free at Dafont: Radagund (script face), Puppylike (psychedelic).

Dafont link. [Google] [More]  ⦿

Erolcan Özdemir

Turkish creator of the gorgeous all-caps brush script Silk Road (2009) and of Grafitrk (2009, graffiti face). Another alias: Selman Ay. [Google] [More]  ⦿

Eurotypo
[Olcar Alcaide]

Institute in Benalmadena, Spain (was: Santa Severa), where one can take 4-week courses at 1450 Euros a shot on the Etruscan alphabet, Trajan, Cuadrata and Rustic Roman Capital letters, and related subjects. They also organize lettering tours in Italy and guided tours in various musea. The teachers are Alberto Di Santo (Professor of the visual communication, Tor Vergata University, Rome; Professor of Graphic Design, Istituto Europeo di design, Rome; Professor of editorial design, La Sapienza University, Rome; Professor of Typography, C.F.P. Sinalunga, Siena) and Olcar Alcaide (b. 1952, Argentina, Professor of Graphic and Typography Design, University of Buenos Aires; Professor of Typography, University of Lanús, and Professor of Graphic Design, Marbella Design School, Spain). Type link jump page.

Eurotypo is also the foundry of Olcar Alcaide.

Catalog of Olcar Alcaide's typefaces.

In 2010, he published the text family Antium and the warm signage faces Mijas Ultra and Lila Pro Heavy.

Typefaces from 2011 include Lila pro, Atenea (a humanist sans family), Agerola Script (a fat flowing signage face), Teja (signage face), Zalea (yet another signage face), and Nabu Pro (a connected signage script). Equalis (2011M, with Juan Lavalle) is a monoline slab face with a huge x-height and wide open counters. It was followed by Equalis Stencil (2011). Ravel (2011) is a fat signage script face. Atenea Egyptian (2011) is a solid slab serif family. Berta (2011) is a signage brush face with connected and unconnected versions. Optic Art (2011) is an ornamental face with building blocks that can be used for overlays. Creator of Eurotypo Bodoni Bold (2011).

Typefaces from 2012: Moliere (2012, an elegant didone family with outspoken ball terminals), Melon Script (a fat curvy signage script family), Riky (comic book family), Chipa (a signage and package design script).

Picture.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Fabian Vera

Chilean designer of the great splashy scratchy paint-simulation face Gantz (2009). [Google] [More]  ⦿

Fenotype
[Emil Karl Bertell]

Fenotype, a Finnish typefoundry, has the original (often techno) designs of Emil Bertell (b. 1983, Helsinki) and his brother Erik Bertell and wife Kea Bertell. Emil has been studying graphic design at University of Art&Industrial Design in Helsinki since 2004. He designed most of his typefaces during 2001-2004, and works as a freelance illustrator. Behance link.

Typefaces made in 2002: Lakmus, Valimo, FUTU, Test1, Foton Torpedo, Personal Computer, Copycut, Unicode 0024, HKI Metro, HKI NightLife, Digital Kauno, Fenotravels (dingbats), Tivoli, Kosmonaut, 10124, JouluFonttiFenotype, Testi, 1laitos, 1120, 0629 (2002, a kitchen tile font), 0927, FTdingsprevi, Fenotypedings#lego3, Genotype, NeoPangaia, NeoPangaiap2, Nipponblocks, Pectopah, Personalcomputer, Pouttu, Samarin (2002, athletic lettering), Unicode0024, URALphat, URALthin, URAL, URAL3d (all Latin/Cyrillic fonts with incomplete punctuation though), Automania (multiline), Copycut, Halo, 222_2003, Tantor, Letters, Rikos, Lastu, ThreeTheHardWay, Bukkake, Halo. Emil's brother Erik designed Neon, Mama and Mama Round. In private email, he calls himself Carl. The foundry evolved from 2theleft.

Fonts made in 2003: Military Dingbats, 08 02 03 Fenotype, Projectsfenotype, Rock-it.

Fonts made in 2004: Scandinavian Titan white, Scandinavian Titan, Nihilist philosophy, Acid Test 2, Acid Test, 080203, Letters11, Linja, Projects, Rock it, Simpletype. Commercial typefaces: Sapluuna, Shortcut, Transeuro-Express, Omega-Uros, Fenotype Dings, Military Dingbats, Nippon Noodle. Typefaces made in 2004: Kolari, Kolari Light, FTfaces, Twisted Ontogenesis. Alternate URL.

In 2005: RoundAbout, Nihilist Philosophy, Boogie Monster, Chunky Hunk (Western), Diy Typeface (kitchen tile style), Futuretro (stencil-like), 3TheHardWayOverrun, Pedant Dilettante, FT Rosecube, 3TheHardWayRMX, Adios Gringo (Western face), Helsingfurt (3d oil glow face), Cream Soda (liquid), Thashed Paper Bag, Big Medium.

In 2006: Rock It Deluxe (grunge), Cassette (dingbats), Kings Garden (Japanese trees as dingbats).

MyFonts link, opened in 2009, where one can buy 080203, 3 The Hard Way Overrun, 3 The Hard Way RMX, Adios Gringo, Depth Charge, FT Helsingfurt, FT Roundabout, FT Scandinavian Titan, FT Twisted Ontogenesis, Ice Cream Soda, Kings Garden, Kolari, Nihilist Philosophy, Old Note, Rock It, November Script, and Majestic Mishmash (ransom note caps), Digital Kauno (2002, upright script), 10.12, EB Vintage Future, Fenotype Dingbats, FT Forest, FT Funghis, FT Military Dingbats, FT Weapon of Choice, Motel Xenia, URAL, Valima.

Additions in 2010: Linguine (connected script), FT Telegraph (slab serif), FT Brush, FT Industry Machine, FT Giorgio, Killer Elephant (signage), FT Supervisor (retro), FT Dead Mans Diary (scribbly), FT Grandpa Script (grunge calligraphy), FT Stamper (angular lettering), FT Tantor (fat, rounded), FT Bronson (fat display face with mustache dings thrown in), FT Master of Poster (bi-level display face with many ligatures and interlocking letters), FT Hidden Forest (tree dingbats), FT Mammoth (grotesque headline face), Rikos (futuristic), Squarendon Extra Bold (2010, a Clarendon), FT Moonshine Script (a Treefrog style face), Billboard (a handprinted rounded caps family), EB Bellissimo Display (rounded monoline sans), Malamondo (an all caps display face with a large number of interlocking ligatures), Linja (2002 and 2010, a rounded ultra condensed family), Punavuori (2002 and 2010: a monoline sans family), Signor (2010, a rounded all caps family), Mrs. Lolita (connected script), Funghi Mania (mushroom dingbats), Funghi Mania Script, Darlington (very open upright connected script family), Archipelago (+Caps: an upright connected script), Tower (pieces that enable one to modularly construct towers when stacked; created as a school assignment at the University of Industrial Art&Design Helsinki in 2006), Monster (just as Tower but for monsters), Verna (informal face with ball terminals), Verner (2010, a connected script version of Verna), Verner (2010, a connected script version of Verna).

Typefaces from 2011: Pepita Script (an upright connected script with small lachrymal terminals), Pepito (its nonconnected version), Barber (upright script family), Banzai Bros (a fat caps-only signage face), Mishka (an upright connected script with tear drop terminals).

In 2012, he created Slim Tony (a bubblegum retro signage face).

Dafont link.

View the Fenotype typeface library. [Google] [MyFonts] [More]  ⦿

Filipa de Araujó

Filipa (Porto, Portugal) used nail files as an idea to build a very interesting brushy face called Lijadora (2011). [Google] [More]  ⦿

Filmotype Sales Company

Filmotype Sales Company was located at 4 West 40th Street in New York City. In 1955, they published a catalog entitled Lettering Styles Display Types, from which some samples are shown in the link. The catalog has no full alphabet specimen and is thus of limited value for type historians and type revival experts. Frank J. Romano writes here: In 1952, Al and Beatrice Friedman [the founders of Filmotype] introduced the Filmotype, a simple manual phototypesetter that was not much bigger than a shoebox and used 2-inch filmstrips with all glyphs in linear order, with marks below them so that the operator could position the letter and expose it to the photo paper. The process was blind in that you could not see the letters as they were exposed. The Friedmans would go on to introduce the Alphatype phototypesetter. The Sybold Report mentions: Filmotype has a 35-year history as a supplier of filmstrip headline setters. Its founders later moved on to start Alphatype Corporation, keeping Filmotype as a subsidiary. In 1987, Harry and Seta Brodjian, who were Alphatype employees, acquired Filmotype with the intention of rejuvenating the company. In 1989, the firm began development of a digital headliner. A year later, it began digitizing its fonts. The company was renamed Filmotype Corporation. The fonts were at one point sold in packages such as a 30 dollar TrueType Font Package of 100 designer typefaces and an EZ Effects Windows program. Typefaces were renamed: Clarendon becomes Clarion, and so forth. At that point, Filmotype had offices in Glenview, IL, and was run by Gary Bunsell. About the renaming practices, the typophiles mention that Filmotype fonts were given letters&numbers by VGC when they pirated a substantial number of them. Their original names were attached by someone going through a dictionary and just picking arbitrary words for Filmotype fonts that were initially just letters and numbers also.

In 2006, the Filmotype collection was bought by Font Diner. In 2007, Font Diner started publishing digitizations of the collection: Glenlake (condensed Bank Gothic, by Mark Simonson), MacBeth (script), Alice (casual script), Zanzibar (calligraphic), La Salle (brush writing originally by Ray Baker in the 1950s, named after Chicago's LaSalle Street), Quiet, Ginger (Mark Simonson; masculine headline face genetically linked to Futura), Austin (paintbrush), Brooklyn (handprinted), Honey (handlettered script), Jessy (handwriting), Modern (i), Vanity.

In 2010, Stuart Sandler published a book entitled Filmotype by the Letter, in which he details the company's history. He also set up Filmotype as a foundry in Eau Claire, WI. Additions to the Filmotype collection in that year include the signage faces Filmotype Kentucky, Filmotype Kingston, Filmotype Harmony and Filmotype Hamlet, and the geometric sans Filmotype Fashion (orig. 1953). The signage faces were originally made by Ray Baker for Filmotype in the 1950s, and were digitized by Patrick Griffin and Rebecca Alaccari.

Activity in 2011. Patrick Griffin and Rebecca Alaccari revived the condensed sans face Filmotype Giant (2011) and its italic counterpart, Filmotype Escort (2011), as well as Filmotype Prima (a sho-card face from 1955). Neil Summerour contributed Filmotype Horizon after an oroginal signage face from 1954. Mark Simonson created Filmotype Gay, a tall monoline sans originally from 1953. Filmotype Ford (2011) is due to Stuart Sandler. Filmotype Quartz is an inline face. [Google] [MyFonts] [More]  ⦿

Fingertip Software

A PO Box company company in Universal City, TX, involved in multilingual computing. It offers some Cyrillic fonts in a decorative pack (Artisan, Brush Stroke, Graceful Script, Kids Hand, Mechanicval Pen, Mechanical Pen Wide, Old Cyrillic, Showtime). Other fonts can be found on various archives: for example, see Timesse CE (1999). [Google] [More]  ⦿

Flat-It
[Ryoichi Tsunekawa]

Japanese foundry in Nagoya that offers these free and commercial Latin fonts made by Ryoichi Tsunekawa, who also runs Bagel & Co, Dharma Type, HolidayType and Prop-A-Ganda. Most of his work was done at Flat-It. His typefaces:

• 2012: Rama Slab (an antiqued wood-style slab serif), Rama Gothic. An antiqued sans serif family that recalls the wood type era), Diamond Ring (an art deco typeface inspired by Japanese cosmetics-packaging designs and posters from the late 19th and early 20th centuries), Yummo (monoline very organic sans), Controller (techno), Revolution Gothic (an extended version of PAG Revolucion), 2008, which was inspired by retro propaganda posters and wallpainting in Cuba from the 60s to 80s), Diamond Ring (art deco).
• 2011: Yummo (monoline organic), Sheepman (based on the wood type No. 506 of William Page), Onick (2011, an art deco neojaponist fat display face done for Wordshape), Design System (2011, a 70-style techno font family), Shiva (2011, hairline sans), Mocha Mattari (2011, grunge), Dharma Slab (2011, inspired by 1800s-style wood type), Dharma Gothic (2011, +P), Rama Gothic (2011, also inspired by 1800s-style wood type), Dimensions (2011, squarish), Design System (2011, based on 70s style techno faces), Speedometer (2011, condensed piano key face).
• 2010: Stereo Gothic (2010: an extended all caps slightly techno sans family), Behrensmeyer Vigesimals (2010, a pixel format connected script), Civilite Vigesimals (2010, pixelized Civilite), Flat10 Arts and Crafts (2010), Flat20 Hippies, Flat10 Segments (2010), Flat10 Antique (2010), Flat20 Gothic (2010), Flat20 Streamer (2009, pixelized ribbon font), Flat10 Fraktur, Flat10 holy, Flat10 Holly, Flat10 Stencil, Flat20 Headline, Flat10 Artdeco, Word From Radio (2008-2010). Cigarette (2007, Bauhaus/Peignot-style type family).
• 2009: African Elephant Trunk (2009), Concrete Script, Concrete Stencil (2009, a stencil calligaphic script), Perfect Magic (2009), HT Maison (2009, signage face), HT Farmacia (2009, connected school script), HT Espresso (2008, upright script), HT Cartoleria (2008, connected script), HT Cafe (2009), Sneaker Script (2009).
• 2007-2008: Bistro Mono (2007, an awkward monoline face), Thousands (2007), Balaghat (2008), Garash Script (2008, a Halloween face), Woodstamp (2008), Banana (2008, brush script), Rebel Train Goes (2008, a piano key font), Rouge (2007, an elegant lipstick-on-the-bathroom-mirror pair of faces), Yasashii (2007, a great geometric art deco Broadway-style family), Lily Wang (2006, calligraphic script), Nothing (2007), Garash (2007, Arabic simulation), Moon Star Soul (2007, Western saloon font), Grandes Vacances (+ Une, Deux) (2007), Pansy Bo (2006, calligraphic), Dremie (2007, an art deco headline face with Open and Fill weights), Grandes Vacances (2007, based on 19th century billboard letters), Xesy (2007, a fantastic "ronde" high-contrast upright connected script), Deluta Black (2007), Cotoris (2007, a 4-style family that takes inspiration from Koch Antiqua and the art nouveau movement).
• 2006: Daisy Lau (2006, calligraphic), Agedage Luxeuil (2006, based on a monasteric script from the 8th century), Agedage Cancellaresca (2006), Agedage Simple Versal (2006, Lombardic caps simplified), Amsterdam Modern (2006, art nouveau influences), Flat10 [Holly, Holy, Stencil, Fraktur] (2006, a set of pixel faces), Machiarge (2006, a heavy connected brushed signage script), Chic Hand (2006, connected script), Double Dagger (2006, geometric stencil family), Fault (2006, an art deco striped lettering face), Killernuts (2006, headline serif face with brush stroke endings), Underconstructionism! (2006, a rectangular look family with associated dingbats), Machia (2006, decorative script), Kiwi (geometric hairline), Bagel (roundish comic book face), Jaguarundi (2006, distressed), Boycott (2006, distressed), Tokyotrail (2006, futuristic techno family), Coconut (noisy outline face), Coconut Split, Fresh Tomato (LED simulation), Dried Tomato (LED simulation), Dutch Style, Mocha Harrar (great stencil face), 103 (experimental, Bank Gothic style), Airhead, ArealBlack, Awkward, BagelNew, BagelOld, Banbino, Bebas (2005, industrial sans), Berlin89, Blackout (redesigned in 2011 as the ulta-narrow Dimensions), Boycott (grunge), Built-1970, Bunyan, Busted, Camera (2007), Canstop, Chiangmai (Thai simulation face), DBLline, Dijkstra, Dutchstyle, Fling, Graphite, Harcomaso, Hiexplosive, Hitech, Honeycomb, Junkmix, Kanatypo, KemikalHi, Machia (2006, a calligraphic family), Meegoreng, Mikrob, Natsupopy, Overwork, Palsu, Plamo, Plasitico, REC001, REC002, REC003, Resistance, SQRT, STdigi (LED font), Shandy, Superstar, Tembaga, Tenaga, Tomodachi, Tragedia, Trucker, VRdigital, VRembroidery, Welcome2M, Workaholic, Zeebraa, plot-A, plot-K, Appendix 3, Gesso (grunge), Pusab (2006, ultra round; one free weight), Sushitaro, Typewrong, Celtics Modern (2006, a Celtic family of fonts). At T-26, he published CRZ (2006), Guppy, Ohana (2006, octagonal), Picnica (2006), and Wearetrippin.

MyFonts link. Fontsquirrel link for their free fonts such as Bebas (2005, industrial sans), Boycott, Gesso, and Pusab. YWFT link. Klingspor link. Dafont link. Dafont link.

Interview.

View Ryoichi Tsunekawa's typefaces. Kernest link. [Google] [MyFonts] [More]  ⦿

Florin Florea

Romanian graphic designer (b. 1963, Timisoara) who lives in Cluj-Napoca, and graduated in 1992 from the University of Arts and Design in Cluj-Napoca. Dafont link. Behance link. Fontspace link. Wordpress link.

Creator of Kogaion SC FR (2011, medieval lettering), Friends (2009), a dandy serifed typeface, and the calligraphic brush script Manualito Flo (2011). Working on Archaic Romanesc and Archaic Cali, which are based on types found in Romanian calligraphy books from ca. 1930. See also these ornamental faces (2009). Check also Alphabattle S (2010). Samples: i, ii. [Google] [More]  ⦿

Foam Train Font Foundry
[Andrew S. Fuller]

Free truetype fonts (PC, Mac) by Andrew Fuller from Portland, OR (was: Lincoln, NE), at his Foam Train Font Foundry: MMMCarbony, Buddy, Derez, Derez Hitek, Deltoid, Gloopy, Hobbit Tattoo-Brush, Hobbit Tattoo-Sloppy, Reeeally Quik Hand, RoundyButt, Unserif, DryToastCaps, Iron Filings, Eeewww Messy Boy, Thirty Months of Victory (2002, handwriting), LeakyPen (2002), Early Western Greek, Samaritan 300BC (2002), Face Eater, Fingerpaint Sans, Inglorious, Rat Brain, ThirtyMonthsOfVictory (2003, nice handwriting), Tory Gothic Caps, Lumpin, Wendus, and InsideOut Cow. Commercial fonts include Blackburn Hand, Salted Slug, Satavahana 200AD (2003), Face Eater, Fingerpaint Sans, Gloopy, MMM Carbony, Rat Brain, Reeeeally Quik Hand. This site has a great glossary as well as subpages on type history, classification, and anatomy. [Google] [More]  ⦿

Fonderie Olive
[Roger Excoffon]

Important French typefoundry established in 1836 in Marseille and originally headed by Marcel Olive. In the middle of the 20th century, Roger Excoffon became its major type designer. In 1978 or 1979, the rights to all faces were transferred to Haas, which in turn was taken over by Linotype in 1989. The typefaces of Fonderie Olive are:

• Antique Olive (1959). The modern Bitstream version is Incised 901. There are also Antigone (Softmaker), Ravenna Serial (Softmaker), Oliva (Autologic), AO (Itek), and Olive (Varityper).
• Banco (1951). By Roger Excoffon. In 1997, Phil Grimshaw created ITC Banco Light based on this.
• Banville.
• Calypso (1958). By Roger Excoffon. A digitization of this texture all-caps face was done by Ralph M. Unger in 2005 at Profonts under the same name.
• Chambord (1945). By Roger Excoffon.
• Choc (1955). The famous fat brush face by Roger Excoffon. Digital versions besides Choc (Linotype) include Chandler (Softmaker, reved in 2012), Staccato 555 (Bitstream) and Chalk (Corel). ITC Choc Light was a creation of Phil Grimshaw.
• Diane (1956). By Roger Excoffon. Modern version: See Diane Script (2008, Mark Simonson), and Diana and Princess by Présence Typo.
• Mistral (1953). The ubiquitous connected script face by Roger Excoffon, based on his own handwriting. Digital versions: Mistral (Linotype), Malaga (Softmaker), Zephyr, Staccato 222 (Bitstream).
• Vendôme (1951-1952). By F. Ganeau. Digital version include V691 Roman (Softmaker), Varennes, and Vendôme (URW, Elsner&Flake).

Font Factory
[Andy Benedek]

Andy Benedek's (b. Manchester, UK, 1945) Cotswolds-based outfit for "custom fonts and lettering of distinction", founded by him in 1988. Andy (András) made corporate faces for Umbro, QZERO, Bowater, Lloyds Bank, Royal Free Hospital, Liptons teas, Gordons gin, Marlboro cigarettes, as well as faces for magazines (Royal Academy of Arts, Elle, Blueprint) and for newspapers (The Scotsman). All this was done under the label of The Font Factory. With Michael Johnson and Mike Pratley, he created a font for BT Cellnet. A braille typeface has been developed to aid the production of signage for the blind. In 2001, he co-founded Fine Fonts with Michael Harvey. CV. Typefaces:

• Aesop (2000, with Michael Harvey): developed from book jacket lettering drawn by Michael Harvey for an edition of Aesops Fables.
• Balthasar (2002, with Michael Harvey): a serifed stencil font.
• Braff (2002, with Michael Harvey, for Monotype Imaging): an outline face.
• Fine Gothic (2002, with Michael Harvey): a blackletter family with a Basque A.
• Marceta (2003, with Michael Harvey): an eighth-century uncial.
• Mentor (2004, with Michael Harvey, for Monotype Imaging): a Times-Roman style family.
• Mentor Sans (2004, with Michael Harvey, for Monotype Imaging): a sans family.
• Songlines (2001, with Michael Harvey): based upon a pen-drawn script drawn by Michael Harvey to illustrate a poem by Johannes Thurman.
• Tisdall Script (2002, with Michael Harvey): based upon the brush-drawn script lettering of Hans Tisdall, who was the designer of many distinctive lettered book jackets for Jonathan Cape in the 1950s.

FontShop link.

View Andy Benedek's typefaces. [Google] [MyFonts] [More]  ⦿

Fontbistro
[Oszkár Boskovitz]

Oszkár Boskovitz's Hungarian foundry. Before Fontbistro, he ran Nepfont Digital Foundry. His fonts sold at Fontbistro include Balek, Blabla, Ecsetirás (2001, a brush face based on a face of Zoltán Nagy, 1967), Konwektor (techno), Pannon Antiqua (2001, based on a family by Edit Zigány (1972), Pluto (2006), Shrapnel (organic), Syrup (2005, stencil), Tilos (2002, rough stencil family), Troppauer (2005, unicase), Tubyfex (2005, experimental). [Google] [More]  ⦿

Fontdeli (or: LF Design, or: 83grafik)
[Leigh Flurry]

UK-based foundry, est. 2005 by freelance designer Leigh Flurry, with some free and some pay fonts, specializing in the techno look. Creators of the techno face FDshogun (2005). Free: FD Acorn (paino kaey face), FD Shogun, FD Hunterseeker, FD Spank, FD Tounge, FD Twinpines. Pay fonts: FD Bughug, FD Calibre, FD Childsplay, FD Dieselpower, FD Formula One, FD Knukledusta, FD Locust, FD Lungbutter, FD MrMajestic, FD Skylarking, FD Wolfglove, FD Flurry (paperclip font). In 2006, he added FDnaturesfinest, FDNaturesshadows, FDKubi, FDJazzclouds, FD Tek9, FD Xavier (fat, counterless) and FD Insight. Fonts made in 2009: FD Hustla (brush), FD Southbron (graffiti face), FD Parkway (rounded stencil). Fonts from 2010: FD Necromancer (octagonal, dark, and counterless), FD 57RMX, FD Gridlock, FD Jawbreaker, FD Noir, FD Optimus, FD Rainpaper (multiline face), FD Richtea, FD Skylarkdog, FD Warlord. Alternate URL. Behance link. Dafont link. Another Dafont link. [Google] [More]  ⦿

Fontdesign by Fidel Peugeot
[Fidel Peugeot]

Fidel Peugeot runs RGB107,6-International (or Radioglaibasel) in Vienna. He also offers some fonts made by his friends at DIE GUTE FUER ALLE. A partial list of Fidel Peugeot's creations: Neue Eurostyle, Peek+Cloppenburg (1999), Sack-Mehl and Sack-Kaffee, Line (very thin-lined geometric font), T-Fon and Telepong (screen fonts), On-Off (dot matrix font), Telepong-Copy, Lying (fun curly font), Mokka (like a child's handwriting), Herr Klee (brush font), and the multitude of screen/pixel fonts at Lomofonts. Fontshop sells Lomo Std OT. [Google] [More]  ⦿

Fontfabric
[Svetoslav Simov]

Fontfabric is the foundry of Svetoslav Simov, a visual designer who is located in Sofia, Bulgaria, b. 1984. Highly innovative designer whose creations have lots of style and flair. Picture. Behance link. Dafont link. Typegoodness link. YWFT link.

• Typefaces from 2008: Cubic (3d face), Clou (cloud-like letters), Colo (double-lined and geometric), Snail, Blou (very thick and counterless letters).
• Typefaces from 2009: United Sans (sans family), Uni Sans (another (the same?) sans family), Kare (psychedelic), File (fat face), Zag (7-style monoline sans), Clou (cloudy letters), Facet (Black and Ultra: paper fold faces), Noveu (psychedelic, art nouveau), Pastel (brush face), Rolka (round ultra-fat and curly lettering), Val (rounded fat), Kvant (severe and octagonal), Duplex (fat techno), Avatar (ultra fat black), Dovde (bubbly, co-designed by Maria Karkova), LOT (fat art deco), MOD (ultra-fat), Oval (rounded sans), Quad (octagonal outline), Portal Strips and Portal Black (hyper-experimental geometric faces), Prisma (more ultra-fat experimentation) and Wigan.
• Creations in 2010: Hero (free sans family), Null (ultra fat, free), Aston (a modern high-contrast rounded display face), DAN (free piano key font; Dan Pro is not free though), Solomon (headline sans family) [Images of Solomon: i, ii, iii, iv, v, vi, vii, viii], Dox (ultra fat geometric poster face), Sudoku (a geometric display family with several biline and triline styles, done with Fontan2), VAL Stencil (a stencil in which repeating letters makes them tilt the other way; free), Code (2010, a fantastic monoline sans family; images: i, ii, iii, iv, v), Dekar (techno), Clipdings Web, Clipdings Travel, Clipdings Graphic Arts, Babydings, Artdings, Reader (Light, Bold: avant garde sans), SAF2010 (comic book/signage: well, Jan Erasms, the designer in 2006 of Menyaka for FIFA WC 2010 is not happy, calling SAF a blatant imitation), Age Free (free fat organic face), GOTA (a free fat finger sans face).
• Typefaces from 2011: Gabriel Sans (grotesk family), La Boheme (signage face), Qero Mite (an organic monoline sans), Code Pro (caps only clean sans headline family), Solomon Sans (a headline monoline sans family).
• Typefaces made in 2012: Hagin (free), Intro (26-style superfamily) and Intro Inline (free Futura-style family for Latin and Cyrillic).

View Fontfabric's typefaces. [Google] [MyFonts] [More]  ⦿

FontHead Design
[Ethan Paul Dunham]

FontHead Design (Wilmington, DE) sells cool fonts designed by Ethan Dunham (b. 1972, Glens Falls, NY). A partial list: Mother Goose (2008), Allise, GoodDogCool, Fontheads (dingbats), Randisious, Greyhound (1997, an arts and crafts face), Rochester, Samurai, AsimovSans, Gurnsey20, Scrawl, BadDog, Holstein, SlackScript, Bessie, SloppyJoe (gone?), Blearex, HandSkriptOne, SmithPremier, BlueMoon, HolyCow, SororityHack, Bonkers, HotCoffeeFont, SpillMilk, BraveWorld, Isepik, Sputnik, Brolga, TekStencil, Carnation, Mekanek (1995), Teknobe (1995), Merlin, Toucan Grunge (gone?), Tycho, TypewriterOldstyle, MotherGoose, Croissant, Democratika (now Americratika--I think Emigre forced FontHead to change the name), Noel (1996-1997, Lombardic all caps face, with an open version added), LillaFunk (gone?), Margo Gothic (gone?), Toddler (gone?), NoelBlack, WashMe, Diesel, Orion, Gritzpop, Pesto, BattleStation, CircusDog, Dandelion, DraftHand, Flowerpot, Navel, ShoeString, Stiltskin, ZipSonik. Plus JohnDoe, and old typewriter font. Free fonts: Font Heads (dings), Smith Premier, Vladimir, Tycho, Typewriter Oldstyle, ScareCrow, Millennia, SpillMilk, GoodDog, Holstein, Red Five. All formats, Mac and PC. In the comic font series, look for Stan Lee (now Comic Talk), FH Excelsior (now Titlex), Grimmy (now Flim Flam), and Kirby (now Grit).

Dafont link.

Fonts created in 1999: AppleSeed, Caterpillar, Chinchilla, ChinchillaBlack, ChinchillaDots, CrowBeak, CrowBeakLight, CyberMonkey, DanceParty, DingleHopper, FourScore, FourScoreTitling, Hopscotch, HopscotchPlain, Ladybug, Leaflet-Regular, LeafletBold, LeafletLight, ReadOut, ReadOutSuper, Smoothie, Swizzle, TwoByFour, VeryMerry. Made in 2001: ButterFinger, ButterFingerSerif, CatScratch, Catnip, FighterPilot, FrenchRoast, Handheld, HandheldItalic, HandheldRaised, HandheldRaisedItalic, HandheldRound, HandheldRoundItalic, Kingdom, OldGlory, Quadric, QuadricSlant. MyFonts page.

In 2006, several dingbats fonts were added, such as the ClickBits Arrow series and the ClickBits Icon series.

In 2008, he created InfoBits Things and InfoBits Symbols, Abigail, Assembler, Click Clack, Drawzing (children's font), El Franco (grunge), Good Dog New (handprinted), Helion (futuristic), Lead Paint (brush), Schema (architectural lettering), Skizzers (handprinted), Tachyon (2008, techno, futuristic). Free font download. This place has Allise, Americratika, AppleSeed, AsimovSans, Asterix-Blink-Italic, Asterix-Blink, Asterix-Italic, Asterix-Light-Italic, Asterix-Light, Asterix, BadDog, BattleStation, Beckett, Bessie, BlackBeard, Blearex, BlueMoon, Bonkers, BraveWorld, Brolga, BrownCow, Carnation, CatScratch, Caterpillar, Chinchilla, ChinchillaBlack, ChinchillaDots, CircusDog, CornDog (2004), Croissant, CrowBeak, CrowBeakLight, CyberMonkey, DanceParty, Dandelion, Dannette-Outline, Dannette, DayDream, Democratika, Diesel, DingleHopper, DoomsDay, DraftHand, Flowerpot, Font-Heads, FourScore, FourScoreTitling, FunkyWestern, Goliath, GoodDog-Bones, GoodDog-Cool, GoodKitty, Greyhound, Grimmy, Gritzpop, GritzpopGrunge, Gurnsey20, HandskriptOne, Holstein-Bold, Holstein, HolyCow, Hopscotch, HopscotchPlain, HotCoffeeFont, HotTamale, Isepik, JohnDoe, JollyJack, Keener, Klondike-Bold, Klondike, Ladybug, Leaflet-Regular, LeafletBold, LeafletLight, LillaFunk, LogJam-Inline, LogJam, MargoGothic, MarvelScript, MatrixDot-Condensed, MatrixDot, Mekanek, Merlin, Millennia, Mondo-Loose, MotherGoose, Navel, Network, Noel, NoelBlack, Oatmeal, Orion, Pesto, Randisious, ReadOut, ReadOutSuper, RedFive, Rochester, Samurai, Scarecrow, Scrawl, ShoeString, ShoeStringRound, SlackScript, SloppyJoe, SmithPremier, Smock, Smoothie, SororityHack, SpaceCowboy, SpillMilk, Sputnikk, StanLee-Bold, StanLee-BoldItalic, StanLee-Regular, Stiltskin, Submarine, Swizzle, TekStencil, Teknobe, Torcho, ToucanGrunge, TwoByFour, Tycho, Typewriter2, TypewriterOldstyle, VeryMerry, Vladimir, WashMe, Watertown-Alternate, Watertown-Black, Watertown-Bold, Watertown, ZipSonik-Italic, ZipSonik, ZipSonikSketch-Italic, ZipSonikSketch.

Font Squirrel carries ElliotSix (simple handwriting), GoodDog (children's hand) and Millennia (squarish). In fact, in 2009-2010, Ethan Dunham became a very active web font persona, offering a commercial web font service, Fontspring, and a free font service, Fontsquirrel. [Google] [MyFonts] [More]  ⦿

FontHouse

An outfit that produced fonts around 1993-1994 like Assembly, Brushwood, HighStreet, MarshRoad, NorthCarolina, OldGreek, ScreamBold, ScreamRegular, SouthCarolina, Vim. [Google] [More]  ⦿

Fontone.net

At this German site, one can download a number of handwriting or handprinted fonts made in 2009: Sahara, ohm8, Tacker, Lisa Kleinkind (for children), Kajan, Schmuddel, Right Round. Creator of Ruban (rough painted face), and Aircloud (rough brush face). Dafont link. The designer is a guy called Jens H. Anoter URL. [Google] [More]  ⦿

Fonts-Lab

Free font foundry with emphasis on "free", even for commercial use. The first fonts, all made in 2011, include Fonts-lab Gift, Fonts Lab Symphony, Free For Fonts-Lab Subscribers, Lady Jane Old, Five Dollars Matter, Writing Something by Hand, Hint Retro, Hint Retro Grunge, Soul Handwriting (brushy script), Variety, Universal College Draft (2011, a sketched sports jersey alphabet), Handwriting Draft (sketch face), Around 20 (experimental), Adelfy, Old Printing Press (grunge), Frank Handwriting, Sketch Me, Retro Lined Area.

Production in 2012: Scrappy-Looking, Contribute Free Version, Basically Serif, I'm Fashionista.

Fontspace link. Dafont link. [Google] [More]  ⦿

Fotonija

Lithuanian foundry which markets the Aistika family for Latin, Lithuanian and Cyrillic. They used to (bit no longer) sell the Lithuanian fonts CourierLT, TimesLT, HelveticaLT, ArialLT. Older Fotonija fonts can still be found on archives such as this one: BrushScriptLT, CourierLT, CourierLTBold, CourierLTBoldItalic, CourierLTItalic, HelveticaLT, HelveticaLTBold, HelveticaLTBoldItalic, HelveticaLTItalic, HelveticaRS, MonospaceLT, TimesLT, TimesLTBold, TimesLTBoldItalic, TimesLTItalic, TimesRS. Here we have CourierLT, TimesLT-Bold, TimesLT-BoldItalic, TimesLT-Italic, TimesLT. [Google] [More]  ⦿

Fractal Font

Based on research by Professor Horace H.S. Ip and Dr. Helena T.F. Wong at the Department of Computer Science of the City University of Hong Kong, two approaches are followed for the generation of Chinese (and other) calligraphic fonts. In the first approach, a truetype font's features are detected using fractals, and this permits generation of characters using calligraphic pens. In a second approach, a (physical) brush model is able to capture the physical effects of the writing process due to brush geometry, brush orientations and motions, ink absorption and depositing by the brush hairs. Resulting papers:

• Horace H S Ip, Helena T F Wong, Florence Y Mong, "Representing Oriental Handwritten Scripts Using Fractals", CPCOL, Computer Processing of Oriental Languages, Vol. 10, No. 1, June 1996, pp. 49-64.
• Horace H S Ip, Helena T F Wong, "Generation of Brush Written Characters with fractal Characteristics from True-type Fonts", ICCPOL, 17th International Conference on Computer Processing of Oriental Languages, pp. 156-161, Hong Kong, April 2-4, 1997.
• Horace H S Ip, Helena T F Wong, "Calligraphic Character Synthesis using Brush Model", CGI'97, Computer Graphics International conference, pp. 13-21, Hasselt-Diepenbeek, Belgium, June 23-27 1997.
• Helena T. F. Wong, Horace H. S. Ip, "Automatic Synthesis of Image Details based on Multiresolution Coherence", The Visual Computer Vol. 13, pp. 412-423, 1997.
• Helena T. F. Wong, Horace H. S. Ip, "Virtual Brush: A Model-Based Synthesis of Chinese Calligraphy ", Computers&Graphics, Vol.24, No.1, 2000.

Francine Pilotto

Designer with Thiago Jenée and Sindy Aimée Figueiredo of the brush font Dom Parquim (2007). [Google] [More]  ⦿

Frida Töpel

Graphic designer and illustrator in Stockholm, Sweden. A graduate from Forsbergs School of Graphic Design and Advertising, she created the brush face Inkling (2010). [Google] [More]  ⦿

Friedrich Poppl

German scribe and calligrapher (b. Soborten, Czechoslovakia, 1923, d. Wiesbaden, 1982), and designer of several text families, such as Poppl-Fraktur (1986), Poppl-Antiqua, Poppl-College (1981), Poppl-Exquisit (1970), Poppl-Nero (1982, his last face), Poppl-Laudatio (1982), Poppl-Pontifex (1974), and Poppl-Residenz (1977, classic calligraphy). These typefaces can be bought at Berthold. His neo-gothic typeface Saladin was later digitized and expanded by Patrick Griffin as Lionheart (2006, Canada Type). Hip Hop NF (2007) is a bouncy retro face based on Friedrich Poppl's Dynamische Antiqua (1960, Stempel). Elfort (2009, Iza W, Intellecta Design) is a calligraphic revival of work by Poppl. Poppl Stretto (1969) was at the basis of a revival by Canada Type called Wonder Brush (2012, Kevin Allan King and Patrick Griffin).

Klingspor link. [Google] [MyFonts] [More]  ⦿

Fundición Tipográfica Nacional

Spanish foundry active in the 20th century, with offices in Barcelona, Madrid and Valencia. It made typefaces such as Numantina, Numancia, Hispalis (digitally revived by Red Rooster as Schiller Antiqua), Clasico Nacional, Electra, Imperio, Radar (brush script), Romana, Ingles 15, and Rusinol (C. Winkow). Catalogo de la Fundicion Tipografica Nacional. [Google] [More]  ⦿

Future Fonts
[Jonathan Edwards]

Future Fonts is the Liverpool-based company run by Jonathan Edwards, the UK-based designer of GFCappuccino (1999, at GarageFonts), Nemesis (2003, brushy handwriting), Nemesis Shareware, CherryCoke (a dadaist face) and Expresso.

Other commercial fonts: Ameticana (handwriting), Bjork (a 2000 update of a 1998 font by Animus), Dragon, Nightingale, Scrooge.

Free fonts: Aftermath, Cherry Coke, Da Bomb, OverExpose, Tribal Funk. They used to have Oberon, Broken, Coca Kola, Willo the Wisp, Not-so-free fonts Santa-Claus, Bitched, and the beautiful Ginseng.

Alternate URL. FontShop link. Dafont link. Alternate site for Cherry Coke. [Google] [MyFonts] [More]  ⦿

Gary D. Jessey

Jenkins, KY-based designer of Art Brush and Karate (oriental simulation face). Alternate URL. He writes about Art Brush: Gary D. Jessey worked at a newspaper and they needed a stylic special font for advertisement purposes. He found this typeface in an old type book from back in the 40s. He had it scanned, then later manufactured a font from the scans. About Karate: Karate was created back in 1992. I worked at a newspaper and we needed a stylic special font for advertisement purposes. I found this typeface in an old type book from back in the 40s. I had it scanned, then later manufactured a font from the scans. Free download. Dafont link. [Google] [More]  ⦿

GemFonts98
[Graham Meade]

Prolific ozzie type designer who has made over 300 free fonts to date. Creations: Worstveld Sling (2003), Quastic Kaps (2003), Quadlateral (2003), Junge Burnout (2003), Choktoff (2003), Hall Fetica (2002), Lady Ice Extra (2002), Gizmo (2002), Arggh@$*# (2002), Republika Ego (a huge family made in 2002, as an extension of the large family Republika by Apostrophe), Zillah Modern Offset Outline (2002), Feldicouth (2002, medieval lettering), GM Exp (2002), Pecot, Pecot #2 and Pecot #3 (2002), Wazoo (2002), JamesEightEleven (2002), AnalSatisfaction (2002), GenericFont (2002), PanAm (2002), Border Base Future (2002), Moondog (2001, with Apostrophe), Equine (2001), Street Corner (2001), Mister Belvedere (2001), Freebooter Script (2001), Street (2001, an 31 font sans and slab serif at the Lab), Choda (2001, with Apostrophe), Walkway (2001, see here), Castorgaate (2001), Heidorn Hill (2001, a Fraktur font with Apostrophe), Labag (2001, with Apostrophe), 11S01 Black Tuesday (2001, for Life Saving Fonts), Endor (2001; a gothic font with Apostrophe), Dekon (2001), Asenine (2001), Eskargot (2001, with Apostrophe, a "tango" font), Brassier (2001, with Apostrophe), Kandide (2001, with Apostrophe), Labrit (2001, a Fraktur font done with Apostrophe), Control Freak, Gilgongo, Eskargot, LabtopGraphed, PhoenixArise, PrussianBrewSolid, YouthanasiaTexture, Dumbledor, Luciferius, Zebrra, Street, Kronika, PrimaryElector (all at Apostrophic Labs), Scaling the Dragon, Primary Elector, Blacksmith Delight, Birthday Dingbats, Halloween 2, Comicbook Smash, AcidDreamer, Arialic, AvQest, Battered Cooper, Beerglass, Berthside, Bloodgutter 99, Blown Away, Boneribbon, Boneribbon Tall, Bunny Rabbits, Callistroke, Carbonized Timber Chizzler, Deathhead KeltCaps Drummon, Family .., Effluence, Ericott, Erozion, Erthqake, Fanfold, Gemerald, GemFont One, Gorlock, Hungover, Impressed Metal, Inked Weird, Inningham, Isildur High, JaggaPoint, KeltCaps, Kharnorric, Kharnorric Royal, Knights Quest, Knights Quest Callig, Lane Humouresque (2000), Layaway, Linear Beam, Line Etch, Maranallo, Melted Moments, Metal Spagetti, NeoSpacial, Niew CroMagnon, Offset Plain, Old Copperfield, Old Oak, Old Virus, Ooky, Parkvane, Pee's Celtic, Pi in the SciFi, Quilted Indian, Ribbon, Ripplemere, Roughhewn, Rounheads, Rusty Sign, Rykindor, Satan Possessed, Seventy Flares, Simpleman, Skunkline, Slinked, Snail n Ink, SnottMM (multiple master), Solid Ooky, Squashed, Static Charge, StaidMM (multiple master), Steamroller, Stiltedman, Stretch, Tear, Tearoff, Textapoint, Thor version 1.5, Time Pundits (a CODEX-like face), Torcing Away, Trilayered, Ulse Freehand, Uncey, Untidy Skrawl, Vale Shadow, Waif Thin, Warpy Roundhead, Whoosit, Wonkers, Woodbrush, Wormfont, Woven Brick, Woven Outline, Yurine Overflow, Dingbats, Americanic, BirdArt, Cattart, Chyld, Culinary Art, Doggart, Doggon, Drinks - Various, EasterArt, Ein Schwein, Gembats 1, Gembats 2, Helloween, JFC, KidClipart 1, KidClipart 2, Komedy Kritters, Krazy Kritters, Luvya Babe, Moolah, Multicasion, Odds N Sods, Sportzs, Teddyber, Teddyber Too, Vehicular, Whethers, Xmas Clipart 1, Xmas Clipart 2, PenicMasturbata, Aliensatemymum, AustralianSunrise, AustralianSunset, Blockstepped, BoldlyGo, BarredOut, Blockstepped3D, BoldlyGoOut, Daemonesque, Efentine, FuzzyXmas, Gazzarelli, Jhunwest, JhunwestConcaveGM, LickcurlPetite, LupusBlight, MilleniGem, PhilteredPhont, SlicedIron, Stargit, StargitVer2, ZappedSticks, AlphaRomanieG98, BraveNewEraG98, BlobfontG98, BoxingBrophius, CacophonyLoud, ChainzG98, CulinaryArt, DarkBastion, FortuneCity, GorlockBold, HornsofDilemma, LlynfyrchFwyrrdynn, Maranallo, OptimisticPessimist, PositiveNhilism, UniversalShatter, Bonk, Bonk College, Bonk Fatty, Bonk Offset, Bonk Outercut, Bonk Undercut, ChefsSliceNovice, MeteorGM, TreasureMapDeadhand, TechnicallyInsane, Futurex (with Apostrophe), Street, Calan, Lady Copra, Thing, Dexetrine, ChizzMM (multiple master, with Apostrophe, 2001), Charrington (2001), Lady Copra (2001), Likkle (2007), Luteous (with Rich Parks, 2001), Thorazine and Thorazone (last eleven at Apostrophic Labs).

Interview.

In March 2001, Graham's Charming Font (done with Andreas Höfeld) won the 2001 Friday Night Type Fights competition.

Alternate URL. Fontfreak link.

URL at Offsite, where we can find Choktoff (2003), Etched Fractals, Film Cryptic (2003), Hardnsharp (2003), Jagged Dreams, Jungle Burnout, Kyiss M'ass (2003), Tall Films (2004), Meichic (2003), Nightmare Blend Revisited, ReducedEfficiency (2003), Wasted in this job, Western Taint (2003), Wytherness, Yuma Sunset (Western style font), and Zone Linear.

Klingspor link. Fontspace link. Dafont link. [Google] [More]  ⦿

Genevieve Cerasoli

Designer of the jungle brush face ITC Arnova (1997). Primafont's Ark is similar.

FontShop link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Genilson Lima

Brazilian designer of Jenelson (2006) and the stroked font Styllo (2007) and of the brushy Carybe (2011). Was called Genilson Santos. [Google] [More]  ⦿

Gennady Baryshnikov

Russian designer of Anons (a Cyrillic sans family), Arbat (1989, ParaType), Inform (ParaType, 1992, based on the brush script font Flash), Decor (ParaType, 1989, with Vladimir Yefimov, a formal script, based on a 1979 design by Pavel Kuzanyan), ITC Machine (1994, with Vladimir Yefimov; original by Tom Carnase and Ronne Bonder, 1970), Fat Face Cyrillic (1993, with Vladimir Yefimov; ParaGraph), and Zhikharev (1989, ParaType, with Vladimir Yefimov; based on an original design at Polygraphmash in 1953 by Igor Zhikharev). FontShop link. Paratype link. [Google] [MyFonts] [More]  ⦿

George Hauser

New York artist and letterer (b. Brooklyn, 1893) and designer of the brush face Hauser Script (Ludlow, 1934), in script and cursive versions. This face is now available from Red Rooster as Hauser Script RR, digitization by Steve Jackaman (1998), and from URW++. FontShop link. [Google] [MyFonts] [More]  ⦿

Gerard E. Bernor

Designer of freeware/shareware fonts, some of which refere to TQF, or "Typset Quality Font): 3-DHotDog, AardvarkBold, AbbotDemi, Andros, Architech, Aristocrat, Ashford, BambiBold (a black didone face), Bankrupt, Blackwoods, BoltedBold, BrushArt, CloisterBlack, DoubleTrouble, GalacticFuss72-Condensed, GalacticFuss72-Ext, GalacticFuss72-SPBold, GalacticFuss72, GalacticFuss72Stch, GalacticFuss72SupCon, Galla, Gallery, HotDog, TQFAllisonScript, TQFAnimals, TQFElectronics, TQFFlorentine, TQF Freight Train, TQFFruitfulBlack, TQFMachine, TQFPCMedium, TQFPlants, TQFWordTrain.

Dafont link. [Google] [More]  ⦿

Glenn Phipps

Cofounder with John Rigby of Smart Artz Publications, a NSW, Australia-based signmaking and type foundry selling fonts at 20USD a shot: PostaScript, Fippy Bold, Phippinline, Flicker Script, Scribe, Lemonade, ThinLizzie, Croak, Kola, Fries, Sprint Car (numerals), Cobb&Co, Goldrush, Rigby, Stockade, Ned Kelly, Prizmatize, Fatstuff, Sydney Jumbo, Dobend, Dobend Condensed, Big Brush, Big Brush Italic. [Google] [More]  ⦿

Gossip

An all caps brush face made in 1997. Designer unknown. [Google] [More]  ⦿

Gottfried Pott

Calligrapher, born in 1939. He studied graphic design at the Werkkunstschule in Wiesbaden under F. Poppl. Since 1988, he is professor of calligraphy at the University for Applied Science and Art at Hildesheim/Holzminden, Germany. Bio. Well-known for the highly decorative bastarda face Duc de Berry (1991, Adobe, and later also at Monotype), for Karolina (1990, Linotype, in the style of the Carolingian Minuskel), for Arioso (1990, Linotype) and for Ruling Script (1992, Linotype, a calligraphic script). The Duc de Berry font was aped in Casual Tudor Script (SSi), Agincourt (Swfte) and Talleyrand (Scriptorium). In 2010, he made the sketchy brush face Potpourri (Linotype).

FontShop link. Klingspor link. [Google] [MyFonts] [More]  ⦿

Grafito Design
[Raul Andres Perez Canseco]

Designers of some free fonts. Raul Andres Perez Canseco (b. 1967) lives in Oaxaca, Mexico. He created the Mexican-look poster font Talacha (2007). Other fonts, all free: Square Kids (2011, white on black), Chamaco (2011, facial dingbats), Buen Chico (2011, funny dingbats), Chango Marango (2011, curly), Fayuca (comic book face), Andrea Karime (2010, a bouncy comic book style face), Appo Paint (2009), Dibujosenlinea (2007, dingbats), Aracnoide (2009, scary handwriting), Maropawi Club (2002, groovy), LCD, LCD Phone (2006, dot matrix), Overload (2011, poster font), Spider Gotic (2004), Fenix Header (2002), Corporea (2005). Dafont link. Fontspace link. [Google] [More]  ⦿

Graphx Edge Fonts

Lisa Johns from Orlando, FL, runs Graphx Edge Fonts, a foundry in Altamonte Springs, FL, offering "high quality pictorial fonts". Their 250-odd collection is surely not made from scratch, especially not their body, script and display fonts. One used to be able to find four great free dingbats here: GE Nautica, GE Zoom, GE Zodiac, GE Holiday Sampler. In the Font Services section, they will make custom pictorial, signature (10USD), or logo (20USD) truetype fonts. For 20 USD, get also packages of 20 fonts such as Absolute Fun Fonts, Absolute Dingbats (60 dingbats, 129USD) or Absolute Script Fonts. Now also called ScriptFonts.Com. Alternate site. Deco fonts, a collection of 4 dingbat fonts for 30 USD. Alternate URL. At this archive, you can find the following fonts: GEBanners, GEClipz, GEComedy, GECurviture, GEElegantScript, GEFiestaMarquee, GEFleet, GEFreeForm, GEFrills, GEGlob, GEHandyScript, GEMontage, GENervousTwitch, GERomanesse, GESheerScript. Partial list of dingbats: GEAngels (I to III), GECarouselHorses, GECelticArt, GEChineseArt, GEChristmasJoy, GEComicalChristmas, GECurviture, GEEdibles, GEEgyptianArt, GEElementsofNature (I and II), GEFloralStencils, GEHolidaySampler, GEIttyBittys, GEJapaneseArt, GEMerryChristmas, GENativeAmericanArt, GENautica, GEOutToSea, GEPennsylvaniaDutch (I and II), GESheerScript, GESnowmen, GESpringtime, GEStorybookTales, GEWhimsicalAnimals (I to IV), GEWildKingdom, GEZodiac, GEZoom. Another alias: Megadownloads. At Joz's Smallwares, you may find Fleet, Romanesse, Frills, Free Form and Comedy, Curviture, Elegant Script, Handy Script, Montage and Sheer Script, Fiesta Marquee, Nervous Twitch, Banners, Clipz and Glob. The list of fonts is long:

• Dingbats: A Childs World, Angels I, Angels II, Angels III, Art Deco, Art Nouveau, Barnyard, Birds, Bride & Groom, Carousel Horses, Celtic Art, Cherubs, Chinese Art, Clothing, Fun Christmas, Deco Animals, Deco Foods, Deco Music, Deco Traveler, Edibles, Egyptian Art, Elements I, Elements II, Food Basket, Floral Stencils, Grab Bag I, Grab Bag II, Halloween, Holiday Sampler, Itty Bittys, Japanese Art, Motion, Native American, Nautica, Out to Sea, Penn Dutch I, Penn Dutch II, Profiles, Reptibian, Santa Claus, Stylized Foods, Ships Ahoy, Snowmen, Stylized People, Springtime, Storybook Tales, Sweet Tooth, Teddy Bears, Toys, Velveteen, Victorian Art, Wedding, Whimsical I, Whimsical II, Whimsical III, Whimsical IV, Wild Animals I, Wild Animals II, Wild Animals III, Wild Animals IV, Women, Merry Christmas, Christmas Joy, Xmas Silhouettes, Zodiac.
• Body fonts: Booker, Century, Chrome, Civilized, Civilized BI, Drover, Early Gothic, Ergonomic, Expression, Headline, Madhouse, Monograph, Novus Sans, Optical, Palladian, Penguin, Pilfering, Quartz, Rhythms, Romulus, Sultan, Timpani.
• Script fonts: Adina, Afresco, Alluring, Amazonia, Arabesque, Arista, Ballantine, Basalt, Brand, Brush Stroke, Clipper, Coterie, Curviture, Cygnus, Darlah, Elegant, Esmeralda, Flair Brush, Fleurish, Formality, Freelancer, Handsome, Handy Script, Journeyman, Lara Script, Light Stroke, Martine, Memograph, Misty, Mona Lisa, Montage, NanoTech, Park Script, Primus, Quilt, Quintet, Ragged, Sentinel, Sepia, Sheer, Signature, Sonatta, Storybook, Travel, Twil, Twine, Twin Peaks, Vibrant, Vienna, Zebra.
• Decorative fonts: Acorn, Army, Arroyo, Astarte, Bagel, Baliff, Banners, Barter, Dough, Buttress, Cadbury, Cameron, Clipz, Cobble, Comedy, Compo, Cortina, Croatia, Crystal, Decco, Delphin, Dimensions, Dipped, Distort, Enchase, Fiesta, Filigree, Firework, Fleurish, Florist, FlChild, Graffiti, Gravid, Greenway, Hawthorne, Ironwork, Ivy, Khevah, Letter Cut, Lollipop, Marble, Marquee, Meso, Milieu, Money, Nervous, Offshore, Oldwest, Saloon, Scroll, Serpent, Sidestep, Snowtop, Spooks, Spotty, Stone, Sunscreen, Sylvan, Bones, Timber, Time Warp, ToolTime, Tree House, Typography Caps, Vortex, Warped, Watershed Caps, Wedgie, William.

Greater Albion Typefounders (or: GATF)
[Paul James Lloyd]

Paul J. Lloyd's typefoundry in Western Australia, est. 2008. Lloyd (b. UK) made over 100 free truetype fonts before that. He writes: What we will offer is new designs, replete with Edwardian Fun, Victorian distinction, or any other piece of elegance we can manage.

Edwardian creations from 2008-2010: Ark Wright (traditional shop signage), Adantine, Goldbarre, Brosse, Crewekerne, Crewekerne Magna and Crewekerne Magister, Larchmont, Brissard, Brossard (slab serif), Bonavia, Bonavia Blanc, Clementhorpe, Veneribe, Chiara Script, Howlett, Svengali Roman, Bonning and Bonnington (1920's style families with ideas from University Roman), Absinette, Bamberforth, Tumbletype, Vertrina, Bromwich, Great Bromwich, Fleete, Helenium. Chipping emulates the Edwardian 1920s.

Art deco faces: Oakland (2011, multiline face gleaned from a 1930s French car ad), Zenia (2010, trilined), Plebe (Plebia, 2008: a grotesk emulating the 1930s), Whitehaven (2008, an extensive art deco family with several shadow weights), Merry Fleurons (2008, Christmas ornament dingbats), Braxia (2008), Keynsia (fifties style art deco family with Peignot influences).

Other faces: Haymer is a large sans family made in 2010. Clunic (2008) is a blackletter face. Tectura (2008) is a handwriting font. Eldridge is a slab serif family. Aliqua (2009), Chipperly (2009) and Syondola (2009) are Wild West families. Terazza Tilings (2009) and Valentine's Fleurons (2009) are dingbat faces. Additions in 2009 include Lowndes (soft blackletter), Christmas Fleurons, Merry Snowmen, Cherritt (described as a Victorian era Courier), DoodleBirds, Halloween Fleurons, ButtonFaces, Sabio (neither slab nor sans), Daub (brush graffiti font), Sabinard (a modern swash face), Cullions (futuristic blackletter), Coronard (blackletter / roman hybrid), Easter Fleurons, Chapter Initials, Paveline (19th century calligraphic script), Mellin Sans and Open, Gildersleeve (evoking the 1920s Arts and Crafts movement), Stannard (a 1920's advertising inspired small caps face), Slattery (a horizontally shaded fun face), Slatterine (2009, more retro futurism), Spillsbury (2010, Victorian family), Cirflex (2010, geometric display face based on arcs of circles), Oxonia (2010, a classic roman family) and Vectis (classic Roman elegance, another small caps face).

Creations in 2010: Windevere, Albion's White Christmas, Paragon (a great didone display family with a wood type feel), Compton (slab serif family), Mexborough, Morover (Schwabacher family), Anavio (a classical roman family), Corvone (3d-effect font), Granville (Victorian), Corton (Victorian), Wellingborough (Victorian), Worthing (Victorian), Ark Wright (traditional shop signage), Bonaventure (art nouveau), Federal Streamliner (1950s feel techno face), Deva (classical roman), Crucis Ornaments (crosses), Bronzino (a roman with Arts and Crafts roots), Bertoni (2010, a didone family), Pardon Me Boy (train dingbats), Woodruff (Open Face fonts with a wood type look), Jonquin (based on a WWI poster; +Incised), Luscombe (1920s display family; +Parva), Movella (futuristic from the 1950s), Magdalena Sans (2010: a clear monoline sans), Endymion (2010: Tuscan), Paget (a Tuscan experimental all caps face), Portello (Victorian).

Typefaces made in 2011: Admiral (art nouveau), Tuscaloosa (Tuscan face), Eccles (bombastic Victorian), Wolverhampton (pre-Victorian), Doncaster (Victorian family), Metropole (art nouveau family), Corsham (stone engraved lettering family), Leibix (casual), Albia Nova (an elegant futuristic organic face), Flapper (art nouveau face), Bertolessi (curly Victorian), Tulk's Victorian Banner (all caps banner face), Fitzgerald (Victorian all caps face), Cleveden (Victorian headline family), Spargo (an extensive set of early 20th century-look engraved faces for official documents and securities), Bettendorf (2011, based on a 1900s masthead typeface), Wolvercote (2011, similar to Bettendorf), Pittsburgh (2011, a Western-style engraved face), Chubbly (2011), Portmeirion No. 6 (2011, a Victorian / circus design), Bronzetti (2011; images: i, ii, iii, iv, v, vi), Sophie J (hanprinted), Dem Bones (2011, glyphs made from bones), Stout (2011), Birmingham New Street (a Victorian family inspired by the hand lettered title on a 19th century railway map), Beckinslade (ornamental blackletter).

Production in 2012: Penrose Slabserif (an Escher-like trompe l'oeuil 3d face), Haldane (art nouveau, Arabic look), Solidarius (chubby, fat felt-tip pen font), Bluebottle (angular display face), Merrivale (Victorian), Future Runes (runic simulation), Coliseo, Alfrere Sans (inspired by a 1950s television caption style), Tectura II (Lloyd's answer to Comic Sans), Secombe (Edwardian caps family), Milligan, London Court (Tudor-era caps family).

Type announcements. Behance link. Klingspor link. Abstract Fonts link. Font Squirrel link. Kernest link. Abstract Fonts link.

View all typefaces by Paul Lloyd.

Images of Paul Lloyd's best-selling typefaces. [Google] [MyFonts] [More]  ⦿

GRIN3
[Bartek Nowak]

A group of independent designers from Poland, heade by Bartek Nowak, and located in Staromiejska. Nowak has been designing typefaces since ca. 2000. Typefaces:

• Inkaust (2011). A grungy face.
• Uniwerek (2011). A sketched hand-drawn family inspired by college and university sportswear.
• Galicya (2011).A handprinted poster family.
• Tygodnik (2011, Bartek Nowak) is a poster font inspired by logo of Polish magazine Tygodnik Powszechny.
• Tentacle Szrift (2011, Bartek Nowak) is a blackletter family.
• Stencimilla (2011) is an army stencil face.
• Goniec (2011) is inspired by graffiti.
• Pascal (2011).A brush script.
• Machina G and Machina R (2011). A pair of grunge typewriter faces.
• Nokian11 (2011). A gridded face.
• Quattro Tempi (2012). A sketched typewriter face.
• Centura Round (2012). A hand-drawn monoline sans family.
• Kidorama (2012) is a hand-drawn script inspired by the calligraphic models used in Polish primary schools.

Dafont link. Klingspor link. Fontspace link. GRIN3 link. Old free font URL.

Showcase of Bartek Nowak's commercial fonts. [Google] [MyFonts] [More]  ⦿

Grummedia
[Graham David Blakelock]

Ilkley, UK-based foundry of Graham David Blakelock (b. 1947, York, England). MyFonts sells his fonts. These include faces used in role playing games, often with a medieval look, all published in 2005: Fifteen36 (Venetian with rough edges), Fourteen64 (Venetian with rough edges), High German (blackletter), ItalicHand (inspired by 11th or 12th century Carolingian hand drawn cursive), Old Russian (fake Cyrillic), Ye-As-Ta (rotated brush style caps), Good Taste (2006), Hieroglyph Informal (2006), Kanjur (2006, Indic simulation face), Mayan (2006, dingbats and Mayan-looking letters), Pepper (2006), Salt (2006). [Google] [MyFonts] [More]  ⦿

Guido Bittner

German designer of the VS Expectation (or simply, Expectation) family of brush script faces (2003, Linotype), which won an award at the Linotype International Type Design Contest 2003. Guido runs a design studio in Wiesbaden. Linotype link. [Google] [MyFonts] [More]  ⦿

Guido Holz

Illustrator and graphic designer (b. 1973) in Germany, who graduated from FH Duesseldorf and whose studio is called Sloper Design. In 2012, he created the black rounded typeface Repro, the outline face Kurvenreicher, and the brush typeface Brush Hour.

Dafont link. [Google] [More]  ⦿

Günter Gerhard Lange

Known to his peers as GGL. German type designer, born in Frankfurt-an-der-Oder in 1921, d. 2008. He fought in World War II and lost his leg in a battle in France. Starting in 1941, Lange studied as apprentice of Georg Belwe at the Academy of Graphic and Book Arts in Leipzig. After graduation in 1945, until 1949, he was assistant of Professor Walter Tiemann, while also practicing painting and graphic design independently. In 1949, he continued his studies with Professors Hans Ullmann and Paul Strecker at the Hochschule für Bildende Künste in West Berlin. From 1950 onwards, he worked at Berthold AG in Berlin, where he designed his first type, Arena in 1951. In 1955, he became Reader in Typography at the Meisterschule für Graphik, Druck und Werbung in West Berlin. One of his many students was Manfred Klein. He also was Advisor in Visual Communications and Reader at the U5 Academy of Graphic Design and Art Direction Munich, and Instructor at the School of Applied Art in Vienna. H. Berthold AG's artistic director from 1961 to 1990, Lange was responsible for the creation and meticulous production of many of Berthold's typefaces. According to Dieter Hofrichter, his motto was 8 point is the moment of truth (when proofing typefaces). In 1989 he received the Frederic W. Goudy Award from the Rochester Institute of Technology (RIT). Recipient of the year 2000 TDC medal. After ten years of retirement from his position as Berthold AG's artistic director, Lange resumed his design activities in 2000 at Bertholdtypes (now Berthold Direct Inc) in Chicago. Bio at ATypI.

Lange's own designs include his revivals of many classical typefaces. Here is a list, all Berthold faces:

• Akzidenz Grotesk AG Book (1969-1972; see Atkins on the SoftMaker MegaFont XXL CD, 2002), AG Book Stencil Pro, AG Old Face, AG Schoolbook.
• Arena (1951-1959): a condensed stocky roman. Now called Arena New.
• Berthold Baskerville (1961). Berthold Baskerville Book appeared in 1980.
• Berthold Bodoni Old Face (1983; see Giambattista on the SoftMaker MegaFont XXL CD, 2002).
• Bodoni Antiqua (1935).
• Boulevard (Berthold, 1955; imitated by Opticast (Brandenburg), Greenstreet (Koepenick), and in Regency and Francis No.982).
• Caslon Buch (1977).
• Champion (1957, a paint brush face revived in 2010 by Ray Larabie as Gloss).
• Concorde (1969; see C791 Roman on the SoftMaker MegaFont XXL CD, 2002), Concorde Nova.
• Deepdene (1982-1983), a revival of Frederick Goudy's Deepdene of 1927-1934.
• Derby (1952-1953). This script face was digitally revived by Gerhard Helzel.
• El Greco (1964).
• Franklin Antiqua (1976; see F820 Roman on the SoftMaker MegaFont XXL CD, 2002).
• Berthold Garamond (1972).
• Imago (1982).
• Berthold Script (1977; see B690 Script on the SoftMaker MegaFont XXL CD, 2002).
• Solemnis (1952-1953, refreshed in 2003; a hybrid uncial remade by Harold Lohner in 2000).
• Walbaum Buch (1975) and Walbaum Standard (1976).
• Whittingham (with Dieter Hofrichter, 2000).

Yvonne Schwemer-Scheddin writes a day after his death: Dear type friends, yesterday morning, the 2nd of December 2008, Günter Gerhard Lange died, 87 years old. We lost an upright, steadfast fighter for quality in type design. Not only Berthold's artistic director, but a friend and objective adviser to many who needed personal help or an evaluation in type design. GGL was Berthold. For Berthold GGL "enhanced" many type designs of other well known type designers. His valued critizism was a great help, because it came from a positively tuned man. GGL transferred the lead heritage and its classical type faces into photocomposition and into the digital format on a high aesthetic and historically authentic level - as for instance Garamond or Van Dijk. Akzidenz-Grotesk is not thinkable without GGL. Bodoni Old Face one of the best contemporary text faces. With his sans serif Imago you can be different and yet classical. And the Americans should be pleased with the revival of Deepdene, which he also turned into a well working textface with a distinct character. But perhaps most important of all, he relentlessly encouraged the young, teaching and talking up to almost the end. Thus opening fences, eyes and hearts to art, architecture, literature and for the values of studies and love for the correct details without which the whole would not function. He was a rare communicator, because he lived his convictions and values. He became an example, a light of orientation. We lost a passionate type lover and expert---an authentic man. An era has come irreversible to its end. [Google] [MyFonts] [More]  ⦿

Haiku Monkey
[Alec Julien]

Commercial foundry, est. 2007 in Burlington, VT, by Alec Julien (b. 1965). Fonts sold through MyFonts include Lockwood (2010, a strong all-caps sans display face), m7 (2010, a slab serif typewriter face), Doctor Cyclops (2009), Grundlagen (2009, retro display sans), I Am A Bird (2009), Yacht (2009, a 1930s movie poster style family), Predicate (+Rounded) (2008, sans), Steel Sedan (2008, a condensed slab serif family), Monumint (2008, comic book style), Aerohop (2008, a sans family), Chittenden (2008, an artsy blackboard math style face), Rany (2008, handprinted), Ashbery (2008, Asian jungle look stick font), Banyan (2007, brush face with a jungle look), Loge (2007, a high-contrast sans), Joules (2007, handprinted family, whose development is described here), Tara (2007, a jungle-look face), Sinn (2007), Set Theory (2007), Bad Marker (2007), Counterfact (2007), Sharp Nine (2007), Groovin Up Slowly (2007), Fractal Caps (2007), Classy Diner (2007), Anthem (2007), Zooey (2007), Imagination Theory (2007), 89 (2007), Skrawl (2007), Zerega (2007), AJ Hand (2007), Scandal (2008), Zone 52 (2008, techno), Gno (2008, techno), Gno Serif (2008), Abbott (2008, a cool handprinted script). Most of these fonts resulted from drawing or doodling experiments. MyFonts link. Free fonts: Lavoisier (2009, sans), Skritch (2008, handwriting), Geekium (2008, a math symbols font based on Gentium), 36 Dots (dot matrix face), Teacher Sez (2007, blackboard script). Devian Tart carries these free fonts/demos: Skritch, Rany, Teacher Sez, Steel Jalopy (2008, based on Steel Sedan), Insolent (2009), I Am A Bird (2009, slab serif family), Myrna (2009). Lavoisier (2009) is a free monoline font, later cyrillicized by Sergey Tkachenko. Working on Modus (2009). Additions in 2010: Blues Vity (condensed display face), m13 (fat slab serif), Mineola, Hunk (fat all-caps display face). Creations from 2011: Zurdo (handprinted). Fontsquirrel link. [Google] [MyFonts] [More]  ⦿

Hakushu

Small commercial Japanese foundry specializing in handwritten and extreme brush fonts. Gorgeous stuff! Examples: Hakushu Sosho Kyo, Hakushu Tensho Kyo, Hakushu Gyosho, Hakushu Kaisho, Hakushu Reisho, Hakushu Sousho. [Google] [More]  ⦿

Hanifa Rinaldi

Bandung, Indonesia-based designer (b. 1987) of Jagged (2011), Whatever (2011, handprinted), Statix (2011, squarish pixelish face), Tape The Font (2010) and Brush That Font (2011). Devian Tart link. Fontspace link. Another Devian Tart link. [Google] [More]  ⦿

Hanoded
[David Kerkhoff]

Hanoded is the foundry (est. 2010) of Dutch designer and photographer David Kerkhoff, b. Epe, 1969. In its first year, Hanoded was a free font outfit specializing in handwriting and handprinted faces. Its creations could be seen at Dafont, Abstract Fonts and Fontspace. Klingspor link.

In 2011, he went partially commercial via MyFonts. His typefaces:

• A: Abysmal Gaze (2011. scratchy face), Aderyn (2012: a poster family), Aint Nothing Fancy (2010). All Over Again (2010), All Over Again All Caps (2010), Allez Hop (2011), Antisocial Behavior (2010), AshesToAshes (2010).
• B: BadPaintjob (2010), Balagan (2010), Baznat (2010), BehindDirtyBlinds (2010), Black Mark (2012, a heavy brush face), Bottle Shop Faded (2010), Bullet in your Head (2010). Business As Usual (2011, scratchy).
• C: Carbonara (2011, grungy typewriter), Celluloid Bliss (2010), Charons Obol (2011, scary brush face), Codswallop (2011, fat handprinted), Corner Shop Chique (2010), Couldnt be bothered (2010), Courant (2011, grungy blackletter), Crayon Crumble (2011, chalk face), Criss Cross (2011), Cul de Sac (2010, 3d outline face, handprinted and sketched).
• D: Deco Pimp (2011), DK Allez Hop (2011). Don Quixote (2011. nice grunge calligraphic hand), Drawing Blood (2010).
• E: Early Morning Coffee (2012), Ersatz Quality (2010).
• F: Face Your Fears (2011), FairNSquare (2010), Fallout Font (2010), Fat Little Piggy (2010), DK Formosa (2012).
• G: Gerards Gold (2010, script face), GerardsGold (2010). Ghost Reverie (2010, a scratchy family), Gulag Decay (2010).
• H: Hanoded Hand (2010), Hanoded-Heavy (2010), Harimau (2012, a rounded children's book font), Harrumph (2011, a fat poster lettering family), Hasty Tasty (2011), HaraldRunicDEMO (2010), Hieratic Numerals (2010), Hummus Chips Salat (2010).
• I: Interstellar Erosion (2010).
• J: Joe Schmoe (2011, handprinted), Just Before Liposuction (2010).
• K: Kerberos Fang (2011). Kolkata Hotelroom (2010), Koshatnik (2011, all caps brush face), Kubikajiri (2011, an India ink brush face), Kusukusu (2011, handprinted).
• L: Leakage (2010, ink splash face).
• M: Mary Ate a Little Lamb (2010), Mayonaise (2011), Midnight Hour (2011), Moi Non Plus (2011), DK Monsieur Le Chat (2012, curly face---can't wait for Madame La Chatte...), Moonlight Shadow (2010, a nice scribbly pair of fonts), Mothman (2011, a sppoky scratchy face).
• N: Neues Bauen (2011). Nightbird (2011, blood drip face), Northumbria (2012: modeled on original 7th and 8th century monastic gospel books from Northern England), DK Nutnik (2012, a mural paint font), Nyctophobia (2010, brush face).
• O: Oei (2010), Oomph (2010).
• P: Pawn Shop Pretty (2010), Pimpernel (2012), Pinda (2011), P.I. (2011, grungy typewriter), Pingo (2012, display face), Plakkaat (2011), Porcupine Pickle (2011), ProjectX (2010), ProjectY (2010), ProjectZ (2010), Promedanenmischung (2010).
• Q: Quid Pro Quo (2011, scratchy calligraphic), Quilted Butterfly (2010), QuoVadisQuasimodo (2010).
• R: Rabbit on the Moon (2011, children's typeface), Rainforest (2010). Rat Infested Mailbox (2010), Rumpelstiltskin (2011, comic book family), Runic Series [Gunfjaun Runic (2010), Modraniht Runic (2010), Leakage (2010), Hyrrokkin Runic (2010), Harald Runic (2010). Gunnar Runic (2010), Nidhogg Runic (2010), Skraeling Runic (2010), Sleipnir Runic (2010), Tjelvar Runic (2010), Yggdrasil Runic (2010), Graip Runic (2010), Fenrir Runic (2010), Beowulf Runic (2010)], Rusty Cage (2011).
• S: Same Same but Different (2010), Sammy Boy (2011, fat poster face), Saturday Sunday Monday (2010), Scurvy Dog (2011, scratchy hand), Sheepman (2012), Shesek (2011, a fat finger face), Single Malta (2010), Sketchy Smiley (2010, smilies), Sketchy Smiley II (2012), Skratch (2010, broken glass face), Sleight of Hand (2010), Slipstream Sweetheart (2010), Spiderlegs (2011. Images: i, ii), SquareOne (2010), SquareOneGrunge (2010). SundayMonday (2010), Sweet Steeffie (2010). Syphon Spritz (2010, a great curly script; a Pro version appeared in 2010 at CheapProFonts).
• T: That Little Piggy (2010), This Little Piggy (2010), Trashtype (2011, grungy), Tripping on Acid (2010), Trollslayer (2011, brush face), Twelve Weeks Pregnant (2010), Tzeva Tari (2010, grunge Hebrew).
• U: Ugh (2010).
• W: Warpspeed (2010), Weekend Warrior (2010), WetDream (2010), WindshieldMassacre, With A Twist (2011).
• Z: Zonnig (2011).

Hans van Maanen

Dutch science journalist who has published extensively in the Volkskrant. He is also into fine arts and illustration, and has even designed a few fonts. MyFonts page. Klingspor link.

• His first production was Lexington and Lexington Handtooled (2006, a revival and major expansion of a 1926 Ludwig Wagner Schriftgiesserei typeface called Titanic. A typical art deco signage face which can be bought at Canada Type, and is characterized by its rabbit-eared k, l, b, d and h).
• He also digitized and expanded Aurora Grotesk (1912, Johannes Wagner foundry) and called it Annonce (2006, Canada Type).
• As explained by Canada Type: The story of Serena is a unique one among revivals. Serena was neither a metal face nor a film one. In fact it never went anywhere beyond Stefan Schlesinger's 1940-41 initial sketches (which he called Saranna). A year later, while working with Dick Dooijes on the Rondo typeface, Schlesinger was sent to a concentration camp where he died, along with any material prospects for the gorgeous letters he'd drawn. The only sketches left of Schlesinger's Saranna work are found in the archives of the Drukkerij Trio (the owner of which was Schlesinger's brother-in-law). The sketches were done in pencil and ink over pencil on four sheets of paper. And now Hans van Maanen revives Schlesinger's spirit as closely as the drawings permit. Hans Van Maanen thus digitized Serena (2007, Canada Type).
• Dutch Mediaeval (2007, 9 styles) is a text family based on Hollandse Mediaeval, the 1912 Sjoerd Hendrik De Roos classic.
• Freco (2006, Canada Type): an art deco font.
• Circulaire (2009, Canada Type) is a set of initial caps designed by Sjoerd Hendrik de Roos in 1926.
• Adams (2008, Canada Type) is a revival and major expansion of Dolf Overbeek's Studio typeface and Flambard, its bold counterpart, originally published by the Amsterdam Type Foundry in 1946 and 1954, respectively.
• Lotto: A brush face originally designed by expert ad artist Herbert Thannhaeuser for East German foundry Typoart in 1955. Revived by Van Maanen at Canada Type in 2009.
• Diploma (2009, Canada Type) is a revival of Diplomat, a metal type made by the in-house team of Ludwig&Mayer and first published in 1964.
• Roos (2009): A 10-style revival and extension of Sjoerd Hendrik de Roos's De Roos Romein (1948), created in cooperation with Patrick Griffin at Canada Type.
• Archie (2010): a heavy techno sans banner face, done at Canada Type as a revival of work by Martin Meijer.
• Agent (2010, Canada Type) is another revival of work by Martin Meijer.
• Aragon (2010, Canada Type): Advertised as a workhorse Dutch Garamond family. Includes an open style called Aragon Initials.
• Naga (+Naga Outline, 2011, Canada Type) is Hans van Maanen's original creation of art deco shapes intersected with intricate mazes of what could be Celtic or Mesoamerican knotwork art.
• Minuet (2007) revives Schlesinger's Rondo.

Harold Brodersen

Designer (b. 1913) at American Typefounders of the informal brush script font Brody (1953), a so-so fifties face later released as BrodyEF at Elsner&Flake. Corel imitated this in Briquet, ClickArt Fonts in Brisk, and Agfa in Brophy Script. MyFonts spells his name Broderson, as does Linotype. FontShop link

Mac McGrew: Brody was designed by Harold Broderson for ATF about 1953, as part of that company's effort to replace its delicate old connecting scripts with con- temporary lettering styles. This rather heavy, vertical design has the appear- ance of being rapidly lettered with a brush. It is the most informal of several faces produced in that program, but makes a very attractive appearance where informality is desired. Compare Kaufmann, Brush, and Repro Script. [Google] [MyFonts] [More]  ⦿

Harold's Fonts
[Harold Lohner]

Harold Lohner was born in upstate New York in 1958. He received an MFA in printmaking from the University at Albany and is Professor of Visual Arts at Sage College of Albany. He began making fonts in 1997 and starting distributing them the next year through Harold's Fonts. He lives in Albany, NY, with his partner, Al Martino. Originally, most of his typefaces were freeware or shareware, but gradually, he started selling most on his site or via FontBros. His typefaces:

• Famous fonts: Auteur (2007, after the handwriting in the opening titles of Jean Cocteau's The Beauty and the Beast, 1946), 12 to the Moon (2000, runes based on the Columbia Pictures movie "12 to the Moon"), Aardvark Café (2000, extrapolated from the famous Hard Rock Café logo), BENSFOLK (2000, adapted from the work of Ben Shahn, in turn adapted from "folk or amateur" alphabets. Font originally developed for The Arts Center of the Capital Region.), BENSFOLK CONDENSED (2000), Bensgothic (1998), BensgothicLigatures (1998), CALAVERAS (2002, a take on Daisyland), Comet Negative (2000, based on the logo of Country Music Television (CMT)), Comet Positive (2000), HonestJohns (2000, based on the lettering in the classic Howard Johnson's restaurants logo), METRODF (2000, based on the Mexico City subway's lettering), Radio (2002, derived from the old NPR (National Public Radio) logo).
• Handlettering: Frank the Architect Bold (2009), National Archive (2009, calligraphic), Rough Draft (2009, sketched font), Greg's Hand (2009), Rudland Hand (2007, inspired by the work of the British artist and designer Peter Rudland), Gamera (2006), Directors Script (2006, based on a film credits script from the 1940s), National Archive (2005, based on the lettering of Timothy Matlack, who wrote the Declaration of Independence), Frank the Architect (2004, based on Frank Ching's lettering, which also gave rise to the Tekton family), Imitation (2003, inspired by the handlettered titles of the film Imitation of Life (1959), directed by Douglas Sirk and artdirected by Richard H. Riedel), Imitation Two (2004), antiestablishment (2000), Christmas Card (2000, based on the handlettered opening titles of the film "It's a Wonderful Life", Art Director: Jack Okey. This font was retired and replaced in 2006 by Testimonial), Espangle (2002, as the lettering for El Corte Ingles), Dad's Recipe (2000, based on his dad's handwriting), Greg's Hand (2001, Greg Smith's writing), Greg's Other Hand (2002), Kaela (1998, reshaped and extended in 2006), Marker Man (1999), Synch (2000, with Phil Campbell, inspired by the work of the artist Stuart Davis), Synchronous (2000, based on Syncopated Script, again made with Phil Campbell), Syncopated Script (1999).
• Blackletter: Waldorf Text (2011, after a 1914 original), Waldorf Heavy Illuminated (2011), Manucrypt (2011), Rude Goth (2007, grunge blackletter), Alsace-Lorraine, Benighted, Chinese Gothic, Christmas Card II, Kombine Regular, Kombine Kursiv (2000), Olde Chicago.
• Woodtype: Blacktops (caps, 1999), Blacktop Small Caps (1999), Cinderella (1998). The Western font Cattle Annie (2006) is an unauthorized digital interpretation of the analog font "Les Catalanes." According to ABZ: More alphabets and other signs by Rothenstein and Gooding, it was designed in 1952 by Enric Crous-Vidal (1908-1987) but was never produced.
• Stencil fonts: JJ Stencil, JJStencilLight (2000, inspired by the work of Jasper Johns), JJStencil Wet, JJStencilMedium, Sideshow (2000, based on the stencilled lettering on a vintage Ouija board), JJStencilSolid (2003), StencilFour (2001, inspired by the logo of Channel 4 (UK); reworked in 2006 into Oaktag), StencilFourReversed (2001).
• Western: Oklahoma (2006, based on the title of the film by that name), Captain Howdy (1999, 2000, Western font based on the lettering on a Ouija board).
• Fraktur fonts: Benighted (2002), AlsaceLorraine (2000), Chinese Gothic (2000), Kombine Regular (2000), Kombine Kursiv (2000).
• Revived Letraset fonts: BLOCK UP family (2000, based on the font family by the same name by Sally Ann Grover (1974) for Letraset), Good Vibes (2001, based on the analog font "Good Vibrations" by Trevor Hatchett for Letraset, 1973), GoodVibesBackbeat (2001), ObliqueTextBold (2000, based on a Letraset font called Obliq, 1984), ObliqueTextLight (2000), ObliqueTextMedium (2000), Wireframe (2000, based on the Letraset font Bombere designed by Carla Bombere (or Carla Ward)).
• Art Nouveau fonts: Cartel (2005, simply gorgeous), based on the lettering of the 1936 movie by that name), Crazy Harold (2009), Road Jester (2009), Onion (2003), Roberta (2003, based on a font of Bob Trogman, 1962), Roberta Raised Shadow (2003), Atlas (tri-line Art Deco style, 2001), Atlas Solid (2001), Boomerang family (1998-2000), LeFilmClassic family (2000, based on the classic Art Deco font of the same name, originally designed by Marcel Jacno and released by Deberny&Peignot, 1927), LeFilmLetters (2000), LeFilmShadow (2000), PopUps (1998, a 3-d art deco font for signboards), Tapeworm (1998, based on the work of artist Ed Ruscha) Farouk (2001, tri-line font, based on an analog font of the same name, as illustrated in Paul E. Kennedy's "Modern Display Alphabets").
• MICR fonts: CMC7 (1998).
• Dingbats: Bingo Dingo (2011, inspired by the classic Mexican game, Loteria), Essene Dingbats (2005), Chapeau (2005, inspired by the 1902 Sears Catalog), Corset (2005, inspired by the 1902 Sears Catalog), Harold's Pips (2004), Alpha Bravo (2003), Rebus, AmericanCheese (1999), Candide Dingbats (1999, a reclinming women dingbat face based on decorations designed by Rockwell Kent for "Candide," circa 1928), Maritime Flags (2000), New Year Dingbats (1999: Japanese patterns).
• Monospace fonts: Chica Mono (2000, based on Apple's Chicago; not really monospaced, by the way), Queer Theory Black, Bold, Regular and Light (1999).
• Arabic simulation faces: Alhambra (2006), Alhambra Deep (2006).
• Oriental simulation fonts: Bruce Mikita (+Solid) (after a metal font by the same name; Dan Solo calls it Lantern), Pad Thai (2006), Mystic Prophet (2002, inspired by Ouija boards), Chines Gothic, Font Shui (inspired by a style of hand-lettering illustrated in Alphabets: Ancient&Modern, compiled by J. B. Russell (Padell, 1946), Rubaiyat Shadow and Inline, Seoul (Korean font simulation), Shazi, Twelve to the moon, Chow Fun (2001, an oriental simulation face based on a sample of hand lettering identified as "Crooks' Stencil Designed Alphabet" in Alphabets: Ancient&Modern, compiled by J. B. Russell and published in 1945 by Padell Book Co), Quasi (1998).
• Cartoon fonts: Laughtrack (2009, based on the work of the cartoonist Jerry Robinson), CokerOne (2000, based on the work of cartoonist Paul Coker Jr), Coker Two (2000) (note: therse fonts were erroneously named. They were renamed to Denney because of this: "The lettering in the fonts you have was developed by Alan Denney at Hallmark in the late 1950s. He also worked for American Greetings Hi Brows from 1960 - 1966 and then returned to Hallmark.... And he later went to a different lettering style when Shoe Box cards became Hallmark's funny card line replacing Contemporary Cards. Alan retired from Hallmark in 1993 and died two years later."), ZITZ (2000, based on the hand lettering in the King Features daily strip "Zits" by Jim Borgman and Jerry Scott), Ohmigosh (2007: 12 styles of comic book lettering).
• Dot matrix fonts: Fortuna Dot (2001).
• Pixel fonts: Larcher (based on a modular font designed by Jean Larcher).
• Medieval script fonts: Sonnet Italic&Swash (2009), Galathea (2000, based on a classic analog font of the same name, "Originalerzeugnis von J. S. Schelter&Giesecke, Leipzig").
• Fonts made in 2011: Institute Stamps (grunge), Magic Carpet, Shoemaker (shoe stitch face).
• Fonts made in 2010: Salmagundi (grunge), Dynamotor (like Dynamo, which was designed by K. Sommer and first released in 1930), Poignant (inspired by the hand-lettered film titles of certain mid-1900s films from Twentieth-Century Fox, including "All About Eve", "Gentleman's Agreement" and "No Way Out."), Pharmacy MMX (unicase), Karta (3d face), Flores MMX.
• Fonts made in 2009: Wexley (revival of a VGC font called Wexford), Sonnet (based on the printed text of Shakespeare, 1609), Fashion Brush, Fashion Script, Imitation One, Two, and Three, Generation B (all at Font Bros), Gainsborough (2009, an art deco face inspired by the hand-lettered titles of an Alfred Hitchcock film, The Lady Vanishes (1938)), Comfy (FontBros: inspired by an example of "Pinselschrift" (brush lettering) by Wilhelm Dechert), Sirena (FontBros: inspired by the hand-lettered opening titles of the film I Married a Witch).
• Fonts made in 2008: Alumino (inspired by Saul Bass's design for the aluminum company Alcoa), République (four fonts inspired by Paris Metro signs---not the familiar Art Nouveau "Metropolitain" signs, but the later Art Deco design by Adolphe Dervaux), Handbill (based on rubber stamps), Flash Mob, Pen Script Monograms, Royal Wedding (commercial set at Font Bros), 2 Clover Monograms, 4 Heart Monograms, Silverliner (based on the opening titles of the 1951 Hitchcock movie Strangers on a Train), Tricot (lettering as done on a sweater, after a design by Nancy Stahl), Silverliner (based on the opening titles of the 1951 Hitchcock movie Strangers on a Train), Tricot (lettering as done on a sweater, after a design by Nancy Stahl), Carbon Copy, Bracelet Mongrams.
• Fonts made in 2007: Aeolian, Pub Bites, Barril and Barril Doble (a digital interpretation of the 1970s Neufville font Barrio), Circle Monograms, XOXO (grunge), Safety Pin (inspired by the cover of the June 1946 Ladies Home Journal), Swizzle Script (a script based on Stylescript, 1940, Sol Hess: compare with Coronet and Trafton), New England (script), Madfont (after MAD magazine's logo), Quince (a brush version of Klumpp's Murray hill), Plumber's Gothic, Gamera.
• Fonts made in 2006: Humdinger (comic book lettering), Stella Dallas (a Koch Antiqua style face based on he hand-lettered titles of the film Stella Dallas), Foam Light, Mean 26 Sans, Mean 26 Serif, Gaudi, Lapis Lazuli (3 calligraphic fonts based on Dan X. Solo's Papyrus), Garden, Boston Line and Philadelphia Line (inspired by Boston Line Type, developed in the 1830s by Samuel Gridley Howe for use in raised-letter printing for the blind; the Philadelphia Line fonts were inspired by another raised-print font, this one developed by Julius Friedlander and adopted in 1837 by his Philadelphia school, now the Overbrook School for the Blind), Honeymoon (a script based on the Holiday Inn lettering), Blooper and Bloop Script (after Cooper Black and Brush Script), Roman monograms.
• Fonts made in 2005: Don Semiformal, Fabulous Prizes, Valentin (inspired by the work of Valentin Haüy, creator of the first books for the blind), Chelt Press (a grungy Cheltenham), National Debt, Pub Smooth (followed in 2007 by Pub Bites), Baronial Monograms, Vine Monograms, Thaleia (revival of Thalia), Harold's Monograms Bold, Blockograms, CarmenMonograms, Profiler, Goya, Jest, Chaser, Rebus (dingbats), Dilemma, The Birds, CVelestial Alphabet.
• Fonts made in 2004: Snowflake Monograms, Upbeat Demi, Pessima, White Birch, Artistamp, Entwined Monograms, Project, Dirty Finger, Koch Dingbats, Yard Sale, Shield Monograms, Gainsborough (inspired by the hand-lettered titles of the Alfred Hitchcock film "The Lady Vanishes", 1938), Jim Dandy (an interpretation of the 19th century face Jim Crow), Gaumont (based on the hand-lettered titles of the film The 39 Steps (1935), a Gaumont-British Picture, directed by Alfred Hitchcock), Imitation2, Sunset, Bend It, Pretz, Cantabile, Echo, Skidz, Columbia Stamp, Trudeau Sans (a companion of his architectural face Trudeau), Frank the Architect (a Frank Ching-inspired face not unlike Tekton).
• Fonts made in 2003: Card Characters, Pieces, Harlequin, Hexagrams&Octograms, Popstars, Level, Peace, Collegiate Monograms, Bead Chain, Marquee.
• Fonts made in 2002: Level, Backhand Brush, Joggle, Script Monograms, Brickletter, Font Shui (oriental simulation), Heartland (for Valentine's day), Melodymaker (for music), Antiestablishment, Penmanship, RingTV, Cabaletta (now called Roosevelt), Graceful Ghost (caps based on an 18th century French design by Pouget&fils), the Ixat family (grunge fonts), PalimpsestBlack (grunge font), PalimpsestDark, PalimpsestLight, PalimpsestRegular, Pearlie, Repent (based on the work of American folk artist Jesse Howard), WillingRace (upper and lower case together).
• Fonts made in 2001: Carmen Caps, Crazy Harold (2001, based on a font of the same name, as illustrated in Paul E. Kennedy's "Modern Display Alphabets"; extended to 8 weights in 2006), Easter Parade (brush script), Famous Label (pen lettering), FLORES (based on a florist's sign in Valencia, Spain), FONT ERROR, Guadalupe (Mexican simulation face), GuadalupeDos, HMBlackDiamondThree, HMBlackDiamondTwo, HMBlackOvalThree, HMBlackOvalTwo, HMWhiteDiamondThree, HMWhiteDiamondTwo, HMWhiteOvalThree, HMWhiteOvalTwo, Handmedown, Hymn, KaffeehausNeon (based on Kaufmann), PubSmooth (a variant of the classic font Publicity Gothic), Roselyn (a script font based on a font in "Lettering and Alphabets" by John Albert Cavanagh), RubaiyatDoubleLine, RubaiyatEngraved, RubaiyatInline, RubaiyatOutline, RubaiyatShadow, RubaiyatSolid, SanitaryBoldCaps, SanitaryDemi, SanitaryRegular, Shazi, ShaziGhost, Subtext (grunge font).
• Fonts made in 2000: Arrobatherapy, Barbeque, Black Oval Monogram, Bruce Mikita (oriental simulation), Bruce Mikita2, Cantabile, CantabileAlternate, Celestial Alphabet, the Goya family (extrapolated from the logo of the GOYA food products company), King Harold (inspired by the lettering on the Bayeux Tapestry), KingXmas, KingXmasStars, KochQuadratFill, KochQuadrat, KochQuadratGuides, KochQuadratInline, KochQuadratOutlines, Koch Rivoli, Lab Rat, Law School (based on the architectural lettering at Albany Law School, Albany, NY, now named Trudeau, after a design by architect Robert Louis Trudeau), Milky Way (based on a style of hand lettering by Ross F. George included in 1930s Speedball lettering books), MilkyWayTwo (2001), Neurotoxin, Pharmacy, Punchhappy (holes in letters, influenced by Apostrophe's Toolego?), Punchhappy Shadow, Quarterround, Quarterround Tile (a kitchen tile font), RedCircle (based on the lettering on Eight O'Clock brand coffees), Ringpin, ScarletRibbons (inspired by a Speedball lettering book from the 30s by Ross F. George), Screwball (font in memory of Madeline Kahn), Solemnity (an uncial font modeled on the analog font SOLEMNIS by Günter Gerhard Lange, 1952), ThreePartySystemA, ThreePartySystemB, ThreePartySystemC, Vasarely (named in honor of Op artist Victor Vasarely; based on a modular font by Jean Larcher).
• Fonts made in 1999: BrideOfTheMonsterStencil, Bubble Gum Rock A and B (1999-2002), CheltPressDark, CheltPressDarkVariegated, CheltPressLigh, CheltPressLightVariegated, CheltPress, Esquivel, EsquivelEngraved, Fulton Artistamp, MADFONT, Smellvetica, SmellveticaOutline, Vedette Blanche (movie roll font), VedetteNoire.
• Fonts made in 1998: BrideOfTheMonster (caps and numbers are based on Rudolph Koch's Neuland), Cheapskate family, Dominican (coffee bean bag font), Landmark, OldeChicago (based on the Apple Chicago font), Ricecakes, SavingsBond extended in 2006 to National Debt, National Debt Hilite and National Debt 3D), StampAct, StampActJumbled, Thanksgiving, Virile Open, Virile Solid.
• Typefaces from 2011: Bingo Dingo (dingbats inspired by the classic Mexican board game, Lotería), ManuCrypt (blackletter), Waldorf Text (blackletter).
• Typefaces from 2012: Curator (a compact handwriting font), Seafare (circus style face).

Link at Dafont. [Google] [More]  ⦿

Hashim Padiyath Mohemmadali

Indian type designer (b. 1969) from Cochin in Kerala. He designed IndusLL (1994, a roman face with features of Lithos) for Linotype's TakeType library "based on the still undeciphered pictographic script of the Indus Valley civilization, circa 5000 BC". He designed the dingbat face Chihnangal, and the following commercial Malayalam fonts: Puthuma, Unniyarcha, Indulekha, Ravivarma, Ambili, Kingini, Thulasi, Orma, Harisri, Atham, Aarcha, Unniyarcha, Nila, Chirutha, Thumba, Vartha&Pampa. He studied under R.K. Joshi. He runs Design Difference, which has created these typefaces (text almost literally taken from their site):

• While working at C-DAC Gist, Pune during 1993-1994, Hashim P M had designed the monoweight semi-condensed Indulekha in 6 variants (Normal, Oblique, Bold, Bold Oblique, Heavy and Heavy Oblique), the calligraphic script Ravivarma in 4 variants (Normal, Italic, Bold and Bold Italic) and the calligraphic serifed Ambili in 4 variants (Normal, Italic, Bold and Bold Italic) apart from Chihnangal a collection of Symbols and Cliparts pertaining to Kerala. Indulekha has become the most favourite display typeface in Malayalam, lapped up by advertisements and publications, Ravivarma is the chosen one for invitations and citations while Ambili retains its uniqueness as the first serif typeface in Malayalam and is used only when a touch of class is asked for.
• While working at Malayala Manorama, Kottayam during 1994-1997, Hashim P M had designed 8 exclusive Malayalam typefaces for them which are stile in use and determine their typographic flavour after several layout revamp exercises. Vartha, Kingini, Puthuma, Chirutha, Nila, Thulasi, Aarcha and Unniyarcha belong to text and display categories. Unniyarcha was used as a text typeface in the daily only for a brief time, while its display counterpart Aarcha is still their headline typeface along with Kingini. The group's other publications including Vanitha, Manorama Weekly, Balarama, Karshakasri, Bhashaposhini, Yearbook also use these typefaces.
• While redesigning Mathrubhumi Daily, its was imperative that their decadent typefaces were also given a contemporary flavour. They took up the challenge, cleaned up their half-century-old designs and made a whole new family out of it which was suited for web-offset printing on newsprint. Mathrubhumi 760 and 762 were the final products which take less space and prints better. For Mathrubhumi Weekly, a new monoweight typeface (Mathrubhumi 560) was created which worked well for text and display and which followed their unique keymap. The end result was so appealing that even the daily and some of their magazines have started using it extensively. Ambadi, a typeface they had developed earlier was used in the recent redesign of Mathrubhumi Weekly.
• Thejas, Malayalam's youngest daily wanted a brand new headline typeface to announce that they are different. Thejas, the headline typeface they designed for them is compressed and dark enough to stand out in the crowd. Instead of giving a lighter version of this, they designed Kadali, a second headline typeface which is more conventional, albeit with a semi-condensed form. Together they create the necessary visual tension in headlines, making Thejas one of the best-looking dailies in the language. Later they also developed an expanded version of Thejas for them.
• For the Signage design of Amrita Institute of Medical Sciences, Cochin they needed a typeface that matched with the Roman typeface wde had selected to use. They developed Amrita modifying Keli. Sakshi is inspired by communist wall-grafitti letters with a dripping paint-brush touch. Ambadi has curled terminals and ink-traps at junctions. Pingala is inspired by DIN Mittleschrift and its bare features.
• They had designed a headline typeface for Deepika daily (the oldest in Malayalam) when we undertook the redesign of the daily. Deepika (nee Atham) is a robust typeface with condensed form loosely inspired by Frankin Gothic. A Normal and Bold version with Oblique make a strong family. The typeface is still the main display typeface for the group's publications even after so many years. They consider it among one of their best type designs to date. They also licensed Orma on a non-exclusive basis to them during the project.
• The display typeface Mangalam was designed for Mangalam Group of Publications when wde redesigned their daily. Thick and thin and condensed in nature, the typeface is currently used by the group in all their publications. They have also licensed Pampa on a non-exclusive basis to Mangalam, which has also become a hot favourite in their publications.
• They developed Thumba as a corporate typeface for D C Books after wde used a draft version of it in th Malayalam CD-ROM Encyclopedia wde developed for them. The very modern Thumba is monoweight, sufficiently expanded and has a relaxed air about it. Regular, Bold and Heavy with their Obliques make a handsome family. Thumba is loosely inspired by Frutiger and is one of their best type designs to date. They had also licensed Pampa and Orma on a non-exclusive basis, for use in their publications. When they were redesigning and streamlining their corporate visual identity, they also put together their logos and symbols as a handy font D C Logos.

Hate Machine
[Stef Harry]

Stef harry (Hate Machine) is the creator of the brush face Alphahate (2012). Dafont link. [Google] [More]  ⦿

Hector Emerson Menjívar

Designer in Soyopango, El Salvador, who made the fat brush face Cangrejas (2011). [Google] [More]  ⦿

Helmut Matheis

German type designer (b. 1917, Speyer). MyFonts page. His typefaces, mostly, but not exclusvely, done at Ludwig&Mayer:

• The calligraphic, yet flowing Charme, originally from Ludwig&Mayer, 1957-1958. Digital versions by Adobe and Linotype. Softmaker's version is C721 Script.
• Slogan (1959), a connected script also done at Ludwig&Mayer. It is the bold version of Charme, but quite different from Nebiolo's Slogan. It is heavier, more coloured, and fully connected. Elvira Slysh created the Latin/Cyrillic extension Corrida (1989, Paratype). Digital versions by Elsner&Flake, Linotype, Softmaker (as Soledad Regular and S760 Script), Corel (as Shogun), and URW (2003, by Ralph Unger, called Unger Script there).
• Primadonna (1956, a formal script, Ludwig&Mayer). The revival and expansion by Rebecca Alaccari of Canada Type is called Silk Script (2006).
• Matheis Mobil (1960, informal script, Ludwig&Mayer). Mobil was revived in 2005 at Canada Type as Rhino.
• Compliment (1965, a confident vertical script, Ludwig&Mayer). Johann Petersen's Kompliment (2003) is based on Compliment. And so is Ralph Unger's Compliment (2004, Profonts).
• Verona (1958-1959, script face, Genzsch&Heyse). Nearly upright script. Not to be confused with Verona from ATF and Stephenson Blake.
• Contact (1963, flowing script/brush) was digitized by Rebecca Alaccari at Canada Type in 2004 as Bruschetta. It was also revived by Ralph M. Unger in 2010 as Contact Pro.

Herbert Thannhäuser

Designer born in 1898 in Berlin, who died in 1963 in Kleinmachnow. He worked in various Berlin graphics bureaus. He was artistic consultant at Max Krause and for many printing shops. From 1933 until 1940, he was artistic consultant at Schelter&Giesecke in Leipzig. From 1951 on, he was artistic director at VEB Typoart in Leipzig. Bio at BfdS. Bio at Linotype. Bio at Klingspor. MyFonts link. A brief biography by Gertrud Thannhaeuser in Die deutsche Schrift, volume 1095, 1992: A, B, C, D.

His typefaces:

• At D. Stempel AG: Adastra (1928), Schwung Adastra (1931).
• At Typoart: Kurier (1939, a brush face digitized by Canada Type's Rebecca Alaccari as Puma (2004)), Typoart Didot Antiqua, Kursive and Halbfett (1958), Erler Versalien (1953, revived in 2006 by Ari Rafaeli), Typoart Garamond (see Garamond No. 5 by Elsner&Flake) and Typoart Garamond Kursiv (1955), Lotto (1955, brush script, revived as Lotto in 2009 by Hans Van Maanen, Canada Type), Liberta Antiqua, Kursive, Antiqua Halbfett and Antiqua extrafett (1956), Liberta Antiqua schmalhalbfett (1959), Liberta Antiqua schmalfett (1960), Magna, Magna Kursiv and Magna Halbfett (1968; see Magna EF by Elsner&Flake, dated 1962 by them), Meister Antiqua (1952, digitized and extended by Ralph M. Unger in 2011 as Meister Antiqua; images: i, ii, iii), Meister Kursiv (1952), Meister Antiqua halbfett (1952), Technotyp schmalhalbfett (1960).
• At Schriftguss: Gravira (1935), Großdeutsch (1935), Hermann Gotisch (1934; revived in 2002 by Dieter Steffmann), Kornett (1939), Parcival Antiqua (1930, or is it 1926?), Parcival Kursiv (1930), Parcival Antiqua fett (1932), Technotyp and Technotyp halbfett (1948), Technotyp Kursiv, Technotyp fett and Technotyp extrafett (1949), Technotyp schmalfett (1951), Thannhaeuser Fraktur and Thannhaeuser Fraktur halbfett (1927-1939, Schelter&Giesecke; Delbanco has a digital version called DS Thannhaeuser Fraktur)), Thannhaeuser Fraktur schmallfett (1939) and Werbedeutsch (1933). The Lindenthal brothers revived Thannhaeuser Fraktur (Mager, magere Zierversalien, Schmalfett and Halbfett). Delbanco revived there ca. 2001.
• At Schriftguss AG: Thannhaeuser Schrift (1929), Thannhaeuser Schrift Kursiv (1933), Thannhaeuser Schrift halbfett (1934). The slab serif family Technotyp was revived in its entirety by Coen Hofmann at URW++ in 2011 under the same name.
• Other faces: Buick schmalfett.

Hermann Zapf

The prolific master designer (born in Nuremberg, 1918, lives in Darmstadt), who made many Antiqua faces and Grotesk faces at URW++ (such as URW Grotesk) and is best known for Palatino, Optima, Melior, Zapf Dingbats, and ITC Zapf Chancery. From 1990 dates URW Palladio Regular. And look at the gorgeous calligraphic font Zapfino (Linotype, 1999, winner of the 1999 Type Directors Club award), released on the occasion of his 80th birthday. Linotype write-up. Zapf lives in Darmstadt, Germany. Pictures of his 80th birthday party at Linotype. Winner of the Gutenberg Prize in 1974. Author of Manuale Typographicum (1954), of which only 1000 copies were printed. Zapf's drawing of a blackletter alphabet in Feder und Stichel (1949, Trajanus Presse, Frankfurt) and Feder und Stichel (1952). Zapf's design of a postage stamp depicting Ottmar Mergenthaler in 1954.

List of his typefaces:

• Alahram Arabisch.
• Arno (Hallmark).
• Aldus Buchschrift (Linotype, 1954): Italic, Roman.
• Alkor Notebook.
• Attika Greek.
• Artemis Greek.
• Aurelia (1985, Hell).
• AT&T Garamond.
• Book (ITC New York). Samples: Book Demi, Book Demi Italic, Book Heavy, Book Heavy Italic, Book Medium Italic. The Zapf Book, Chancery and International fonts are under the name Zabriskie on the SoftMaker MegaFont XXL CD, 2002.
• Brush Borders.
• Comenius Antiqua (1976, Berthold; see C792 Roman on the SoftMaker MegaFont XXL CD, 2002).
• Crown Roman (Hallmark).
• Chancery (officially called ITC Zapf Chancery): Bold, Demi, Italic, Light, Liht Italic, Mediu Italic, Roman.
• Civilité (Duensing). Mac McGrew on the Zapf Civilité: Zapf Civilite is perhaps the latest face to be cut as metal type, having been announced in January 1985, although the designer, Hermann Zapf, had made sketches for such a face as early as 1940, with further sketches in 1971. But matrices were not cut until 1983 and 1984. The cutting was done by Paul Hayden Duensing in Kalamazoo, Michigan. The first Civilite typeface was cut by Robert Granjon in 1557, based on a popular French handwriting style of the time. Other interpretations have been made from time to time, notably the Civilite (q.v.) designed by Morris Benton in 1922 for ATF. The new Zapf design has the same general character but with a more informal and contemporary feeling. A smooth flow between weights of strokes replaces the stark contrast of thick-and-thin in older interpretations. There are several ligatures, and alternate versions of a number of characters, including several terminals. Only the 24-point Didot size is cut or planned.
• Charlemagne (Hallmark).
• Digiset Vario (1982, Hell): a signage face.
• Edison (Hell), Edison cyrillic. Scans: Bold Condensed, Book, Semibold Italic, Semibold, Book Italic.
• Euler (American Mathematical Society). Zapf was also consultant for Don Knuth on his Computer Modern fonts. In 1983, they produced the more calligraphic set now called AMS Euler (+Fraktur, Math Symbols, +script). Taco Hoekwater, Hans Hagen, and Khaled Hosny set out to create an OpenType MATH-enabled font Neo-Euler (2009-2010), by combining the existing Euler math fonts with new glyphs from Hermann Zapf (designed in the period 2005-2008). The result is here.
• Firenze (Hallmark).
• Festliche Ziffern (transl: party numbers).
• Frederika Greek.
• Gilgenart Fraktur (1938, D. Stempel).
• Heraklit Greek.
• Hunt Roman (Pittsburgh).
• International (ITC, 1977). Samples: Demi, Demi Italic, Heavy, Heavy Italic, Light, Light Italic, Medium, Medium Italic.
• Janson (Linotype).
• Jeannette Script (Hallmark).
• Kompakt (1954, D. Stempel).
• Kalenderzeichen (transl: calendar symbols).
• Kuenstler Linien (transl: artistic lines).
• Linotype Mergenthaler.
• Melior (1952, D. Stempel; see Melmac on the SoftMaker MegaFont XXL CD, 2002). Samples: Bold, Bold Italic, Italic, Roman.
• Michelangelo (1950, D. Stempel, a roman caps face; a digital version exists at Berthold and at The Font Company).
• Marconi (1975-1976, Hell; now also available at Elsner&Flake and Linotype; according to Gerard Unger, this was the first digital type ever designed---the original 1973 design was intended for Hell's Digiset system; Marconi is a highly readable text face).
• Medici Script (1971).
• Musica (Musiknoten, transl: music symbols; C.E. Roder, Leipzig).
• Magnus Sans-serif (Linotype, 1960).
• Missouri (Hallmark).
• Novalis.
• Noris Script (1976; a digital version exists at Linotype).
• Optima (1955-1958, D. Stempel: the Bitstream version is called Zapf Humanist 601; see also O801 Flare on the SoftMaker MegaFont XXL CD, 2002; Optima was originally called Neu Antiqua), Optima Greek, Optima Nova (2003, with Akira Kobayashi at Linotype, a new version of Optima that includes 40 weights, half of them italic). Samples: Poster by Latice Washington, Optima, Demibold Italic, Black, Bold, Bold Italic, Demibold, Extra Black, Italic, Medium, Medium Italic, Regular, Italic.
• Orion (1974).
• Palatino (1950, D. Stempel; the original font can still be found as Palazzo on Softmaker's XXL CD, 2002), Palatino Nova (2005, Linotype), Palatino Sans (2006, Linotype, with Akira Kobayashi), Palatino Greek, Palatino Cyrillic. Palatino samples: black, black italic, bold, bold italic, italic, medium, roman, light, light italic.
• Phidias Greek.
• Primavera Schmuck.
• Pan Nigerian.
• Quartz (Zerox Corporation Rochester, NY).
• Renaissance Antiqua (1985, Scangraphic). Samples: Regular, Bold, Book, Light Italic, Swashed Book Italic, Swash Italic.
• Saphir (1953, D. Stempel, see now at Linotype).
• Sistina (1951, D. Stempel).
• Sequoya (Cherokee redesign).
• Scriptura, Stratford (Hallmark).
• Sequoya (for the Cherokee Indians), ca. 1970. This was cut by Walter Hamady and is a Walbaum derivative.
• Linotype Trajanus CyrillicLinotype Trajanus Cyrillic (1957).
• Textura (Hallmark).
• URW Grotesk (1985), URW Antiqua. The URW Grotesk family today contains 59 styles.
• Uncial (Hallmark Kansas City).
• Virtuosa Script (1952, D. Stempel: Zapf's first script face; revived in 2009 as Virtuosa Classic in cooperation with Akira Kobayashi).
• Venture Script (Linotype, 1966; FontShop says 1969).
• Winchester (Hallmark).
• World Book Modern.
• ITC Zapf Dingbats, Zapf Essentials (2002, 372 characters in six fonts: Communication, Arrows (One and Two), Markers, Ornaments, Office, based on drawings of Zapf in 1977 for Zapf Dingbats).
• Zapfino (Linotype Library GmBH 1998): a set of digital calligraphic fonts. Zapfino Four, Zapfino Three, Zapfino Two, Zapfino One, ligatures, Zapfino Ornaments (with plenty of fists).

Pictures of Hermann Zapf: with Lefty, with Rick Cusick, in 2003, with Frank Jonen, with Jill Bell, with Linnea Lundquist and Marsha Brady , with Rick Cusick, with Rick Cusick, with Rick Cusick, with Stauffacher, a toast, with Werner Schneider and Henk Gianotten, with Chris Steinhour, with Rick Cusick, at his 60th birthday party. [Google] [MyFonts] [More]  ⦿

Highground Industries (or: Highground Graffiti Fonts, or: Fulltime Artists)
[Matthew Napolitano]

Matt Napolitano (b. 1977) runs Highground Industries (ex-Highground Graffiti Fonts, ex: Fulltime Artists) in Milpitas, CA. Graffiti Fonts was also run by them. And so is Rase One Full Time Artists over on Dafont.

Commercial graffiti fonts: first, there is a group of such fonts by Matt Napolitano, who runs the site (Wild Style, Pilot Rase, RaseOne Original, RaseOne Outline, Human Rase, New Digital). There are free contributions by Ray Larabie (Funboy, Bomr, Degrassi, Graffiti Treat, Hawkeye, Yytrium), and Johan Waldenström (Writers, Writers2, writers3, Writers Bold, Writers Condensed, Homeboy, 08Underground, 5Cent, B-Boy, Subway). MyFonts site.

Fonts from 2010: Stencil Font, Wild Style (tattoo or metal band font), New English (blackletter), Mad Props (brush), Graffick (futuristic), Olde Gangsta (blackletter), Back Spin, Ruckus, Pre Cursive (lined school font), Caption (brush), CaliCholo (brushy wall writing by LA gangs), Ballers (calligraphic brushy script).

Fonts from before 2010: Standard Cap (2007, brush face), Hardway (2005, graffiti), Burner (2006), Scraper (2007, caps only paintbrush face), Fresh Paint (2006, like Scraper), Street Artist (2008, tag font for graffiti), Skin Art (2010, an all caps tattoo family), Rase Downe (2006, graffiti face), Tough Guy (2001, mechanical family; +Stencil College), Dafunk, Fatcap, Pilot Rase, Califas (2006), Scrawler (2006), Wild Style (2006), Rase Tribals (2006), Uni Wide (2006), Rase One (2004), Magik Marker (2006), Paint Cans (2003), Rase Basic (2003), Same Gang (2004), Gang Bang (2011, graffiti tag style), Scrawl (2011, graffiti style).

Klingspor link. [Google] [MyFonts] [More]  ⦿

Hsin-ju Kuo

Savannah, GA-based designer of this Chinese brush face called Mili (2005). [Google] [More]  ⦿

HtWang Graphics Laboratory
[Dr. Hann-Tzong Wang]

Free Chinese fonts made by Dr. Hann-Tzong Wang from 2002-2004. The CLE project run by "Seventeen" and Edward G. J. Lee has resulted in a number of free Chinese truetype and type 1 fonts, listed below, with corresponding PostScript names: wt001 (HanWangMingLight), wt002 (HanWangMingMedium), wt003 (HanWangMingBold), wt004 (HanWangMingHeavy), wt005 (HanWangMingBlack), wt006 (HanWangYenLight), wt009 (HanWangYenHeavy), wt011 (HanWangHeiLight), wt014 (HanWangHeiHeavy), wt021 (HanWangLiSuMedium), wt024 (HanWangFangSongMedium), wt028 (HanWangKanDaYan), wt034 (HanWangKanTan), wt040 (HanWangZonYi), wt064 (HanWangYanKai), wt071 (HanWangShinSuMedium), wtcc02 (HanWangCC02), wtcc15 (HanWangCC15), wthc06 (HanWangGB06), wtg-06cut1 (HanWangGSolid06cut1), wp010-05 (HanWangMingMediumChuIn), wp110-05 (HanWangMingMediumChuIn1), wp210-05 (HanWangMingMediumChuIn2), wp310-05 (HanWangMingMediumChuIn3), wp010-08 (HanWangKaiMediumChuIn), wp110-08 (HanWangKaiMediumChuIn1), wp210-08 (HanWangKaiMediumChuIn2), wp310-08 (HanWangKaiMediumChuIn3), wts11 (HanWang KaiBold-Gb5), wts43 (HanWang WeiBeiMedium-Gb5), wts47 (HanWang FangSongMedium-Gb5 wts47 wts55 (HanWang SinSongThin-Gb5), WCL-01 (HanWangWCL01), WCL-02 (HanWangWCL02), WCL-03 (HanWangWCL03), WCL-04 (HanWangWCL04), WCL-05 (HanWangWCL05), WCL-06 (HanWangWCL06), WCL-07 (HanWangWCL07), WCL-08 (HanWangWCL08), WCL-09 (HanWangWCL09), WCL-10 (HanWangWCL10). This archive has HanWangCC02, HanWangCC15, HanWangFangSongMedium, HanWangGB06, HanWangGSolid06cut1, HanWangHeiHeavy, HanWangHeiLight, HanWangKaiMediumChuIn, HanWangKanDaYan, HanWangKanTan, HanWangLiSuMedium, HanWangMingBlack, HanWangMingBold, HanWangMingHeavy, HanWangMingLight, HanWangMingMedium, HanWangMingMediumChuIn, HanWangShinSuMedium, HanWangWCL01, HanWangWCL02, HanWangWCL03, HanWangWCL04, HanWangWCL05, HanWangWCL06, HanWangWCL07, HanWangWCL08, HanWangWCL09, HanWangWCL10, HanWangYanKai, HanWangYenHeavy, HanWangYenLight, HanWangZonYi. Some of the WCL fonts are also here. HanWangShinSuMedium is a nice brush script. HanWangFangSongMedium is a clean script. [Google] [More]  ⦿

Hubert Jocham

German über-type designer (b. 1965, Memmingen) who studied graphic design in Augsburg (Germany) and Preston (England). His degree project dealt with the history of the italic type of the renaissance and the relationship between roman and italic. In 1998 he moved to London to work for Henrion, Ludlow and Schmidt in corporate branding. He worked at one point for Frank Magazine in London. Today Hubert Jocham is a freelance designer located once again in Memmingen, Germany. He develops brandmarks and logotypes for leading brand agencies like Interbrand, Landor, Enterprise and Futurbrand. He designs text and headline systems for international magazines like GQ London, Vogue Moscow, Vogue France (2010), Vogue Turkey, L'Officiel Paris, and New York and German publishers like Milchstraße and Gruner&Jahr. He is responsible for the corporate type of Bally in Switzerland, the Kunsthaus Graz and Agfa Photo. He set up Hubert Jocham Type in 2007. MyFonts link. FontShop link. His typefaces:

• Adonis.
• He created the ecccentric serif families Alida Text and Display (2007).
• Bent (sans family).
• The Contra Sans and Contra Serif families.
• The Crema family (2012) has various flowing thick signage script styles.
• Dolce.
• Element.
• Elsner&Flake fonts: EF Havanna (1996), EH Herbert (1996), EF Panther, EF Sahara, EF Keule and EF Tabard.
• The TV-screen-curved Fernseher family.
• Fire.
• The signage brush script face Flavour (2004).
• Flow (sans).
• Glenda (2009). A script face.
• Granat (2009). A 14-style rounded sans family related to Jocham's own Teleplu and Teleneue.
• Jocham (2012). A fat connected signage script family.
• June, New June and New June Serif (1999, after the large x-heighted June, used in W-magazine and Harvey Nichols magazine).
• Keks (2009). A broken angular type.
• The industrial sans family Konsens (with related Konsens Stencil).
• Narziss (a beautiful high-contrast ornamental didone headline typeface, winner at TDC2 2010).
• The serif family Leaf.
• The sans family LegauSans (2007).
• Libris, Bally Libris.
• LTA Identity.
• Madita (2011). An upright connected script family.
• Magazine.
• Matrona (2010). An ultra fat rounded family, awarded at TDC2 2011.
• The display serif face Mighty.
• Mommie (2006) was originally designed as a display typeface for L'Officiel magazine in Paris in 2003. It won a display face award at TDC2 2008, and was followed in 2008 by MommieBrush. Boris Bencic, the art-director asked Jocham to design a script with high contrast in the stroke, in the tradition of Spencerian Hand.
• The wide basic sans family Monday.
• Motora Sans (2011). A simple sans family which according to Hubert is pure gasoline and sweat).
• Neopop (2009). A circular type experiment.
• New Libris Sans. This is a multi-weight extension of Libris, the corporate face of Bally, Switzerland, designed by Jocham in 1999. New Libris Serif.
• Oktober.
• Other Sans.
• Other Oldstyle.
• Perfetto (2008) is a new classic serif family based on a typeface penned by Giovanni Francesco Cresci with an x-height of 8 mm, and published in his book Il perfetto Scrittore in 1570 (also seen in Tschichold's Meisterbuch der Schrift).
• Riccia (2010). A grotesk family with schizophrenic "a" and "g".
• The angular serif face Rudolph.
• Safran (2009). A solid 18-style sans family.
• In 2005, he made the brush script headline faces Schoko and Drop.
• In 2008, he added the brush signage families Schwung and Milk.
• September.
• Softedge.
• Spring (2008).
• Susa (2009). A connected script face.
• The comic book family Tasty (2005).
• Teleneue.
• Venturio (50s diner face).
• Verve Sans and Serif (2006-2007) are a pair of fun birds, especially the frivolous serif originally planned for a women's psychology magazine called Emotion. A few days after their publication, they were renamed Verse Sans and Verse Serif, probably because the name Verve clashed with Adobe's VerveMM font made in 1998 by Brian Sooy (by the way, there is also a Verve type family by Dieter Steffmann, dated 2000).
• Vivid (2009).
• Voice (2004-2005, elliptical sans). Subfamilies include Voice Edge, Voice Sans and Voice Shoulder, all done at URW. In 2007, Voice was removed from URW and is solely available at Hubert Jocham Type&Design. The family was extended and now includes many styles, subdivided in Voice (sans), VoiceEdge, VoiceShoulder, VoiceSerif, Voice Heavy, Voice Medium, Voice Ultra Bold, and TeleVoice.
• The *very* interesting asymmetrically rounded Volt (2007), a sans family he claims improves on similar faces such as Bernhard Gothic, Barmeno, Dax, Prokyon, Voice Shoulder, and Phoenica.
• Weekend.
• Work ahead: this serif face (2005).
• Xmas Rudolph (2006). A free display serif face.

View Hubert Jocham's typefaces. Another view.

Klingspor link. [Google] [MyFonts] [More]  ⦿

Hung Lan Art Design
[Nguyen Hung Lan]

Free fonts by Vietnamese cartoon artist Nguyen Hung Lan (from Ngai Giao) include the brush and handwriting typefaces VNI-Comicbook, VNI-Matisse, VNI-BriquetNormal, VNI-Disney-Normal, VNI-Diudang, VNI-Nhatban, VNI-Baybuom-Normal, VNI-Truck, VNI-Yahoo, VNI-Thanhcao, VNI-Thufap2-Normal, VNI-Thufap3, VNI-Thufapfan-Normal, VNI-Viettay-Normal, VNI-Butlong, VNI-HLThuphap (Treefrog style face), VNI-Netbut, VNI-Thufap1, VNI-Whimsy, VNI-OngDoHL. These faces include some real beauties, such as VNI-HLThuphap, VNI-OngDoHL, VNI-Thufap1, VNI-Thufap2-Normal, and VNI-Thufapfan-Normal. At the end of 2004, I found these downloadable faces: HLButlatre, HLButlong, HLBrush1BK, HLBrush2BK, HLBrush3BK, HLComicBoom, HLComic2, HLFantasy1, HLFantasy2, HLFantasy3, HLFreewrite, HLGiotmuc, HLHoamy, HLNhenhang, HLSlapstickComic, HLDongian, HLThanhcao, HLThuphap1BK, HLThuphap2BK, HLThuphap3BK, HLVungchac. Many are extensions and Vietnamizations of existing faces. His fonts are for dual use in Latin and Vietnamese. Type connoisseurs on a private forum wrote: The 3 Brushes are Ruach, Smudger and Spring. MyFonts (WhatTheFont) didn't give me any match for the other scripts (Butlater, Butlong, Netbutlong and Netco). Nhenhang is Pristina and Thanhcao is Fontdinerdotcom. I didn't find matches for Dongian, Giotmuc and Vungchac. [...] Even Scriptina is in there. [Google] [More]  ⦿

Hydro 74
[Joshua M. Smith]

Joshua M. Smith (Centerville, OH) runs Hydro74, which is located in Sanford, FL. His faces take their themes often from metal rock bands, the goth scene, blackletter, and grunge. They can be bought at MyFonts or here. See also here. More direct access. Dafont link for some free fonts. Legacy of Defeat is a related site with their free fonts. Behance link.

His typefaces: Gestapo Dirty, Gestapo Tech, Terra Firma, Rehab, MissionUK, Messiahcom, Kogji, New York Corp, Texan, Grace For The Fallen. Free fonts include Beast, Broken74, Gatecrashertexan, Heresy, MeaniesThick, MegalomaniaItalic, MegalomaniaNormal, MilitarizeConform, MoogwaiItalic, MoogwaiNormal, MoogwaiThinOblique, OmnipotenceBlack, PietyBlack, Platipus, Proclivitydark, Proven, Resurrection, Revolution, Sacrafical, SailorJerry, Spitfire (2010, tattoo face), Submit, SubmitItalic, SubmitThinItalic, TripleXXX, Conform, Meanies, Megalomania, Moogwai, Platipus, Resurection, Revolution, Proven, Gate Crasher, Agnostic, Working Class hero (Western), Blasphemy, Disestarlishmentarianism, Napalm Vertigo, Black Mass (2005, blackletter / tattoo face).

In 2009, he fired up his creative mind, and started working on a new batch of display faces: Muerte Black, West Coast Soul, Iron Fist, Nue Black, Uber Black (+Caps, blackletter), Le Venom (a phenomenal high-contrast art deco face), Avante (art deco, counterless), Nue Goth (blackletter), The Thickness (ultra fat), Script, Razor Black, Martyr Black, Sentry Black, Imperial Black, Thai Black, Dayton Black (racecar lettering), Slash Black (blood and guts font), Burial Black (blackletter), Cadaver Ink (gothic), Czar (hairline sans), Tramp Stamp, Wolfstien Electro (in the spirit of Sinaloa), Viper Black (scary), Catalyst Solid (ulta fat), Calypso (sans), Suture Slab (gothic), Venice Black (gothic), Black Mamba (metal rock band lettering, Cyrillic influences), Tyranny Gothic (blackletter), Blackmail Sect (more blackletter), Sailor Jerry (bilined), Napalm Vertigo (army stencil), Heresy Gothic (blackletter grunge), Working Class Hero (Western grunge), Golden Age, La Santisma Muerte (scary).

Free faces at Legacy of Defeat, as of 2011: H74Cairissian, H74DemonRacer, H74EastZombieHigh, H74Federation, H74GhettoWolves (scary), H74InfectedZombies, H74Pistola, H74SnakeOilEmbossed, H74SnakeOilSolid, H74Spitfire, H74TheBlackBureau, H74TheGoldenDawn, H74TheGoldenDawnItalic, H74ThunderScript, H74ZombieAttack, Black Label Whiskey, Armored, Blood Tonic, H74 Cadaver Ink (2011, tattoo face), Cortez, Damn Hippies, H74 False Idols (2011), Heathen, Kremlin Ink, H74 Kustom Style (2011, a tattoo/graffiti font), Moscow Moonshine, San Loscisco (2011), Blood Tonic (2011), Snake Whiskey (2011), Time Is Money (2011), Valkyrie (2011), Viva Los Vatos (2011), Warriors (2011), West Coast Soul (2011), Yo Santos (2011).

Commercial faces done in 2011: H74 Warriors (2011), H74 Viva Los Vatos (2011, cholo graffiti), H74 Snake Whiskey (2011, spurred Western face), H74 Norway Black (2011), H74 Her Majesty (2011, spurred face), H74 Muerte (2011), H74 Hellfire (2011, spurred family), H74 Luckys Flash (2011), H74 Le Venom (2011, art deco), H74 Dishonor, H74 Cobra (tattoo face), H74 Pistola, H74 San Loscisco, H74 Wizard Nip (brush), H74 Wizard Staff, H74 The Black Bureau (black slab serif headline face), H74 Zombie Allegiance, H74 Monniker, H74 El Librador, H74 Eastern Star, H74 Dead Empire, H74 Black Diamond, H74 Alcazar, H74 Corpse Black, H74 Corpse Paint. [Google] [MyFonts] [More]  ⦿

I2f

Original fonts, mostly katakana and hiragana, but also some Latin alphabets. Some pixel and manga fonts, but overwhelmingly, this collection is techno. The font names: ArabiaConsole (2002), ArtificialSatellite, AstroN, AstroT, BiscuitBank, Cocoon, ComBattler, CyborgClassic, DanceMixN, DanceMixR, Discotic, DragonBird, EosE, EosK, FatManLite, FirstGundam, FuwafuwaFururuHS, FuwafuwaFururuHW, FuwafuwaFururuKS, FuwafuwaFururuKW, GalaxyI, GalaxyN (2002, pixel font), HappyChicken, Hearts (parts one and two), HyperLalabellEI, HyperLalabellEN, HyperLalabellJI, HyperLalabellJN, Ideon, JointBump, Jojomix, KoukakuE (2002, pixel font), KoukakuJ, MacrossE (2002, pixel font), MacrossJ, MechaPlate, MobileSuit, Potted, PrePrePretty, Raideen, Robodatch, ShortPart, SpaceResortLite, Sunplaza, SuperLovelyI, SuperLovelyN, TechBonR, TechBonS, TechnoBrush, Thoroughbred, TrigunMaximumE, TrigunMaximumJ, TumblinDiceE (dice: note that there are errors in the dice!), TumblinDiceJ, Vifam, VitaminTabletE, VitaminTabletJ, Xanadu (2000, pixel font), Zambot J Lite. [Google] [More]  ⦿

iAi-jp (was Fontage and Kivart)

Free Mac/PC fonts at this Japanese site, including several brush faces, some dingbats of samurai fighters, and several experimental and techno faces: 26Floor, Ange-Italic, Ange-Regular, Ange-Symbol, Anneau, Asie, Ballon-Alphabet, Ballon-HKF, Ballon-KKF, Canne, Canon, Dactylo, Fantome, Faux, Fleur, Garcon, Glace-HIRAKANA, Glace-KATAKANA (3d faces), Goutte-Alphabet, Goutte-HKF, Goutte-KKF, iAi-Alphabet, iAi-HKF, iAi-KKF, iAi-SF, Ivresse-fleurs, Moped, Neige, Ombre, Paresser, Phoque, Pollen-Alphabet, Pollen-HKF, Pollen-KKF, Prise, Punition, Raffine-Hiragana, Raffine-Symbol, Ruban, Slide, Stitch-Beads, Stitch-Single, Stitch-Vase, Stitch-draft, Valse, Vitesse, Volant.

Dafont link. [Google] [More]  ⦿

Iconian Fonts
[Dan M. Zadorozny]

Born in Philadelphia and a resident of Texas, Dan Zadorozny's creations at Iconian. He is a prolific type designer who specializes in techno and sci-fi typefaces. Dafont link. Fontsy link. Abstract Fonts link. Font Squirrel link. His fonts in alphabetical order:

• #44 font (2002), 00Starmap (2001, pixel font), 1st Cav (2008), 2-Tech, 2nd Amendment (2007, guns), 2nd Amendment 2050 (2009, more gun silhouettes), 2Toon, 300 Trojans (2008, comic book family), 4114 Blaster (2008, futuristic), 5th Agent (2008, techno), 7th Service (2002), 911Porscha.
• Achilles, Action-Men (2008), Action Women (2008, female outlines), Aegis (2010, Greek simulation family), Aetherfox, AirCobra (2002), Aircruiser (2011, trekkie family), AirForce (planes and copters), Airstrip One (2003), Aldo's Moon, Aldo's Nova, Alexis (2001), Alien League, Alpha Sentry, Alpha Taurus (2007, octagonal, athletic lettering), Amalgam, Anakefka (2009, ultra-fat family), Anitlles (2009, sans family), Argosy, Arilon (2008), Astropolis (2009), Atlantia (2012, futuristic), Avenger (2008, futuristic).
• Babes&Bond (2009, erotic silhouettes), Babe-alicious (2002, erotic outlines), Bad Robot (2007, computer game look), Bal-Astaral, Bamf (2011, techno family), Battlefield, Beam Rider, Beastian (2011), Ben Zion (2008, Hebrew simulation), Berserker (2008, grunge), Beta Biergärten (2008), Bio-disc, Bio-discSolid, Bio-discThin, Bionic Comic (2002), Bionic Type (2002), Birds of a Feather (2007, dingbats), Block, Blood Crow (2009), Bloodlust (2011, dripping blood face), Blue July (2009), Brin Athyn (2008, uncial/Celtric), Bronic (2004), Bummer (2007, octagonal), Bushido (2008, oriental simulation), Buttons the Bear (2008, children's hand), Byte Police.
• Capella (2011, a wide techno family), CasperComics, Chardin Doihle (2008), a useful informal handprinting family), Charlemagne, Charlie's-Angles, Cheyenne Hand (2008), Christendom, Colossus (2011, old chipped stone look), ComicBookCommando, ComicFX, Commonwealth, Concielian, Corinthian, Coyote Deco (2007, art deco), Crappity-Crap-Crap (2007), Crixus (2011, a squarish sans that includes an athletic lettering style), Cro-Magnum (2003), CryUncial, Cyberia (like Soviet: neat Russian imitation letters).
• DS Man, Daedalus (2008), Dan Stargate (2008), Dan'sHand, Dark Horse (nice brush font), Darkwind, Delta Ray, Department-K, DepartmentH, Deranian (2008), Detonator, DiegoCon (2004), Ding-o-saurs (2007), Direktor (2008, Cyrillic simulation techno), Disco-Dork, Disco Deck (2005), Disco Duck, Dodger, Dotcom (2002), Drafting Table (2008), Dragon Order (oriental simulation), Drid Herder (2002), Droid-Lover (2008), Drosselmeyer (my favorite).
• Eagleclaw (2009), Eaglemania, Earth's Mightiest (2002), Eco-files, Eldebaran (2012), Elder Magic (2009), Election Day (2009), Empire Crown (2011, blackletter), Enduro, Ensign Flandry, Ephesian (2007), Erin Go Bragh (2009, Celtic/uncial), EscapeArtist, EverettSteele'sHand, Excelerate, Excelsior, Exedore (2008), Extechchop (2005).
• Factor, Falconhead, Famous Spaceships (2007), FantasticCreatures, Fantazian (2003), Fantom (2009, bad handwriting), Federal Service (2011), Federapolis (2008, octagonal techno face), Fedyral, Fedyral-II, Feldercarb (2003, octagonal font), Fight Kid (2009), First Order (2001), Flight Corps (2008, techno/pixelish), FlyingLetaherneck (2002), Force Majeure, Free-Agent (2008), FunnyPages, Futurex Grunge (2005).
• Galant, Galaxy-1 (2008), Galaxy Far Far Away (2009, futuristic dingbat font), Galga (2008, futuristic), Gamma Sentry, Gemina (2011, sci-fi / techno family), Generation Nth, GeoBats (2007), Goalie (2008, hockey mask alphading), Gods of War, Governor, Graymalkin (2011, trekky), Grendel's Mother, Grimlord (2009), Guardian (2008), Guardian-Laser (2008), Guardian-Pro (2008), Guardian-Shadow (2008), Gunship, Gunship V2 (2002), Gyrfalcon.
• Hadriatic (2008, roman lettering), Hall of Heroes (2007), Halo, Han Solo, Harrier (2002), Hawkmoon (2011), Heorot (2009, stone age fonts), Heroes Assemble (2011), Highrise Heaven (2007, city skyline dingbats), Holy Empire, Homemade-Robot, Homeworld (2003), Homeworld Translator (2003), Hulkbusters, Hypno Agent.
• ICebox Art (2012), IWantMyTTR!, Iconian (2002), Iconified, Illuminati, Imaginary Forces (2008, mythical dingbats), Imperial Code (2003, Startrek style face), Imperium, Incubus, Incubus-Italic (2008), Incubus-Shadow (2008), Infinity Formula (2003, super techno), Infobubble, Interceptor (2008), International Super Hero (2002), Intrepid, Iron-Cobra (2008), Iron Forge (2012).
• Jackson, Jannisaries, Jerusalem (1999, Hebrew font simulation)[see also here], Jetta, JettaTech, Judge, Judge Hard, Justice (2009), Jumptroops (2003), Justinian.
• Kahless, KameraDings (2009), KarateChop (2009), Kartoons (2008), Katana, Keystone (pixel font), Khazad-Dum (2011), Kid Cobalt (2008, comic book face), Kinex, King Commando (2011), King's Ransom, KnightsTemplar, Knock Furious (2003, dingbats), Kobold (2008, futuristic), Kountry Kodes (2008, international license plate lettering), Kovacs-Spot, Kovacs, Kreeture (2002), Kubrick (2008).
• Lamprey (2012, techno family), LandShark (2001), LandWhale (2001), Laserian, Law and Order (2005, dingbats), LegalTender, Legion, Lightsider (2011, Star Trekkish family), Lincoln Lode, Lionel (2009), Low Gun Screen (2008, a totally square screen type family), Lincoln Chain, Lionheart, Lobo-Tommy (2008), Lord of the Sith, Loveladies, Low Gun Screen (2008, screen face).
• Machiavelli, Mad Marker, Magic Beans (2007), Marathon-II, Marathon, Masked Marvel (2002), Masterdom (2004), Metal Storm 3D (2008), Metroplex, MetroplexLaser, MetroplexShadow, Michaelmas, Micronian (2009, pixelish headline family), Milk Bar (2003), Micronian (2008, extensive pixel-based family), Military-RPG (2008), Missile Man (2002, futuristic), Miss Amanda Jones (2004, brush style), Mobile Infantry, Monsterama (2011, scary face), Moon Dart (2008), Morse Kode, MorseNK, Movie Gallery (2008, dingbats), Mystic Singler (2008, rough brush face).
• National Express (2003), Native Alien, Neo-Geo (like the letters on the Neon cars), Neuralnomicon, Nick Turbo (2001), NifeFite, NifeFiter, NifeFites, Nightrunner (2008, sci-fi), Nightwraith (2011, techno family), Ninjas (2002), NoloContendre, Nostromo, Nyet (2002, Soviet letter simulation).
• Oberon, Oberon-Deux, Obsidiscs (2003, dingbats), Odinson (2007, runes), Olympicons (2003), Omega 3 (2010, futuristic), Omega Sentry, OmniGirl (2003, techno), Opilio (2012), Oramac (2004), Outlands-Truetype (2001), Ozda (2011, a fat techno family with several horizontally striped styles), Ozymandias.
• Pandemonious Puffery (2002), Parker's Hand (2002, handwriting), Perdition, Peregrine, Phaser Bank (2008, techno), Philadelphia, Philly Dings (2003), Piper Pie (2007), Pistoleer (2011), Planet N, Planet S, Planet X, Player 1 Up (2012: architectural family), Postmaster, Power Lord (2011), Presley-Press (2007; + Presley-Press-3D, Presley-Press-Bold, Presley-Press-CondItal, Presley-Press-Condensed, Presley-Press-ExtraBold, Presley-Press-ExtraBold-Ital, Presley-Press-Italic), Press Darling (2012), Procyon, Prokofiev (2009, rounded and squarish), Promethean (2008), Protoplasm, Pseudo Saudi (1999, Arabic simulation), PuffAngel, Pulse Rifle (2009), Pyrabet.
• Quake-&-Shake, Quartermain (2002), Quasitron (2009, futuristic), Quatl (2002, an Inca font), Queen&Country (2009), Quest Knight (2009), Questlok, QuickGear, Quickmark (2004), QuickQuick, QuickStrike, QuickTech.
• RCMP, RadZad, Radio-Space, Realpolitik, Rebecca, Rebel Command (2012, Star Trek family), Redcoat (2008, blackletter), Red Rocket (2011, techno), Regulators, Replicant, Rhalina (2011, a nice upright script), Righteous Kill (2009), Robotaur (2008), Rocket Junk, Rocket Type (2002), Rogue-Hero, Roid Rage (2003), Ro'Ki'Kier (2008), Rosicrucian (2009, stone age font).
• Sable Lion (2002), Sagan (2008, futuristic), Scarab, ScarabScript, Sci-Fi (2008), Sea-Dog, Searider-Falcon (2008), Secret Files (2011), Sever, SisterEurope, Snubfighter (2009, sci-fi), Soldier (2011), Sound FX (2003), Soviet, Space Cruiser, Space Junker, SPQR (2008, grunge roman), Spy Lord (2001), Starduster (2011), Starfighter, Star Navy (2009: dingbats), Strikelord (2011, trekkie family), Stuntman, SuperUltra911, Superago (2002).
• Talkies (2008, dingbats), Taskforce (2008), Tele-Marines, Terra Firma, Texas, Texas2, TheRifleman, The Shire (2009), Thundergod, Thunder-Hawk (2011, an aviation techno face), Timberwolf (2011), Time Warriors (2007), Tool (2012, dingbats of tools), Toon Town Industrial (2005, comic book font), Tracer, Trajia (2008, a techno/stencil/athletic lettering family), Traveler (2008), Travelicons (2009), Travesty (2003, scrawly handwriting), Trek Trooper (2008, Startrek font), Trireme (2011, Star trek family), Tristram (2008, uncial), Troopers (2011, futuristic), Trueheart (2009, Celtic), Tussle (2002), Typeecanoe.
• Uberholme, Uberholme Lazar (2001), UFO Hunter (2009), Ultra 911, Unisol, UniversalJack, Uno Estado (2009, constructivist), U.S.A., USArmy, US Navy (2007), U.S.S. Dallas (2008), Usuzi.
• Valerius (2009, uncial), Valkyrie (2008), Valley Forge (2008), Vampire Games (2001), VariShapes (2001), VideoStar, Vigilante Notes (2003), Vilmos Magyar, voxBOX, Voortrekker Pro (2009: octagonal and athletic lettering family), Vorpal (2012: sci-fi stencil face), Vyper (2008, futuristic stencil).
• War Eagle (2009), War Machine, Warrior Nation (2011), Wars of Asgard (2009), Weaponeer (2008, military lettering), Were-Beast (2008), Whatafont, Ensign Flandry (2003), Whiskey Bravo (2003), Wildcard (2011, Star trek family), Wimp Out (2004), Wolf's Bane, Worldnet (great wordly O), Write Off, Writer's-Block, WyldStallyns.
• Xaphan (2003), XCryption (1999, a hacker face), XPED, Xcelsion (2002), Xenophobia, Xephyr, Xeppelin (2005, zeppelin dingbats), X-Grid (2008), Xiphos (2007), Xoxoxa, X-Racer (2012).
• Yahren, Yama Moto (2009: oriental simulation), Yankee Clipper (2011), Year 2000, Year3000 (2001), Yellow Jacket (2002), Yiroglyphics (2004), Yorstat (oriental simulation), Youngtechs (2008, futuristic), Yukon Tech.
• Za's Vid (2001, pixel font), Zado (2002, dot-matrix font), Zakenstein (2011, caps only grunge), Zamboni Joe (2002), Zealot (2008), Zee Lance, Zen Masters (2002), Zeta Sentry (2009, techno/futuristic), Zone Rider, Zoologic (2009, animal dingbats), Zyborgs, Zymbols.

ImageLine

Virginia-based software company which exists since the mid 1990s and "made" a few thousand fonts (mostly renamed from elsewhere). It is headed by George P. Riddick III. Occasionally, we can find these fonts nowadays in archives such as DaFont. They were involved in a lot of litigation on both sides of the fence, and it appears that they are no longer in the font business. However, they still run a clip art operation and state: For over 20 years Imageline, Inc. has been one of the Computer Industry's leading sources for High-Quality Clip Art and other value-added "Graphic Arts Content", such as templates, logos, and animations. Riddick sues the pants off anyone who uses any of his clip art things on a web site or in a publication. But he himself copied thousands of fonts without blinking an eye. May his breath forever smell like a wildebeest's ass. The fonts:

• AberaHam9-SPBold, AberaHam9, AborigianlKite91-SPBold, AborigianlKite91, AboutFace33-SPBold, AboutFace33, AboutFace33, AboutFace33Stch, Abracadabra91-Ext, Abracadabra91-SPBold, Abracadabra91, Abracadabra91SupCon, AdVentura33-Condensed, AdVentura33-Ext, AdVentura33-SPBold, AdVentura33, AdVentura33, AdVentura33Stch, AdVentura33SupCon, AdriAnna44-Ext, AdriAnna44-SPBold, AdriAnna44, AdriAnna44, AdriAnna44, AdriAnna44Stch, AdriAnna44SupCon, AfterLife113-SPBold, AfterLife113, AfterLife113, AgainstTheWind49-SPBold, AgainstTheWind49, AlexOne83-Ext, AlexOne83-SPBold, AlexOne83, AlexOne83, AlexOne83Stch, AlexOne83SupCon, AlteredStates67-SPBold, AlteredStates67, AncientMariner19-SPBold, AncientMariner19, AnimalSilenceText122-SPBold, AnimalSilenceText122, AnitaFlairWay68-SPBold, AnitaFlairWay68, AnnaLisaFont71-Ext, AnnaLisaFont71-SPBold, AnnaLisaFont71, AnnaLisaFont71Stch, AnnaLisaFont71SupCon, ArtPursuit117, ArtRecord114-Ext, ArtRecord114-SPBold, ArtRecord114, ArtRecord114Stch, ArtTimesReg52, ArtisTicMyth-SPBold, ArtisTicMyth, ArtisTicMythStch, ArtistPursuit117-Condensed, ArtistPursuit117-SPBold, ArtyTimesReg52-Condensed, ArtyTimesReg52-SPBold, AtLeisureWorld76-SPBold, AtLeisureWorld76, AuthurFont110-Condensed, AuthurFont110-Ext, AuthurFont110-SPBold, AuthurFont110, AuthurFont110, AuthurFont110Stch, AuthurFont110Stch, AuthurFont110SupCon, AwkWard8-SPBold, AwkWard8
• BabyMaker35-SPBold, BabyMaker35Stch, BackScratcher-SPBold, BackWater52-SPBold, BadhHabit71-SPBold, BadhHabit71, BadhHabit71SupCon, BadlyChipped66-SPBold, BadlyChipped66, BaggageMasterText79-Condensed, BaggageMasterText79-SPBold, BarnYard77-SPBold, BarnYard77, BarneyWay5-Condensed, BarneyWay5-Ext, BarneyWay5-SPBold, BarneyWay5, BasicClassA156a-SPBold, BasicClassA156a, BathingBeauty66-SPBold, BathingBeauty66, BeachComber65-Condensed, BeachComber65-SPBold, BearMarketGear7-SPBold, BearMarketGear7, BeavertonPlace-Ext, BeavertonPlace, BedFord-SPBold, BedFord, BelindaType67-Condensed, BelindaType67-Ext, BelindaType67-SPBold, BelindaType67, BelindaType67, BelindaType67Stch, BelindaType67SupCon, BestSevenFont77-Ext, BestShotText56-Ext, BestShotText56-SPBold, BestShotText56, BestShotText56, BestShotText56Stch, BestShotText56SupCon, BetaTechFont65-Ext, BetaTechFont65-SPBold, BetaTechFont65, BetaTechFont65, BetaTechFont65Stch, BetaTechFont65SupCon, BigBrushFont19-SPBold, BigBrushFont19, BigFictionText-SPBold, BigFictionText, BillionsFont-Ext, BillionsFont-SPBold, BillionsFont, BillyTheKid65-SPBold, BillyTheKid65, BlazingHeat9-SPBold, BlazingHeat9, BoastingTextLight116-SPBold, BoastingTextLight116, BocciText13-SPBold, BocciText13, BocciWorksBold55-SPBold, BocciWorksBold55, BohemianRap7-SPBold, BohemianRap7, BoobShellText125-SPBold, BoobShellText125, BoogieWoogieBold112-SPBold, BoogieWoogieBold112, BoosterRocketLight83-SPBold, BoosterRocketLight83, BostonLifeToday1-SPBold, BostonLifeToday1, BottomOutOne104-SPBold, BottomOutOne104, BounceBackText110-SPBold, BounceBackText110, BoyHoodDrive-SPBold, BrainChildFont-SPBold, BrainChildFont, BrawnyArmsLight99-SPBold, BrawnyArmsLight99, BrawnyArmsLight99Stch, BrawnyArmsLight99SupCon, BrokenArrowDrive-Condensed, BrokenArrowDrive-Ext, BrokenArrowDrive-SPBold, BrokenArrowDrive, BrushMagicText78-Ext, BrushMagicText78-SPBold, BrushMagicText78, BrushMagicText78Stch, BrushMagicText78SupCon, BrushMasterFont12-Condensed, BrushMasterFont12-Ext, BrushMasterFont12-SPBold, BrushMasterFont12Stch, BurningFactsText79-SPBold
• CanDiceFont35-Ext, CanDiceFont35-SPBold, CanDiceFont35, CanDiceFont35, CanDiceFont35Stch, CanDiceFont35SupCon, CanToshaText63-Ext, CanToshaText63-SPBold, CanToshaText63, CanToshaText63, CanToshaText63Stch, CanToshaText63SupCon, CapSizeBold-SPBold, CapSizeBold, CarParkText33-SPBold, CarParkText33, CarnegieWay32-SPBold, CaterPillarDrive72-SPBold, CaterPillarDrive72, CavilUS115-Ext, CavilUS115-SPBold, CavilUS115, CavilUS115, CavilUS115Stch, CavilUS115SupCon, CelticBreezeLight80-SPBold, CelticBreezeLight80, CelticBreezeLight80SupCon, ChamberDoorsOpen99-SPBold, ChamberDoorsOpen99, ChangeCourseFont56-SPBold, ChangeCourseFont56, CharkText116-Condensed, CharkText116-Ext, CharkText116-Ext, CharkText116-SPBold, CharkText116, CharkText116, CharkText116Stch, CharkText116Stch, CharkText116SupCon, CheersTypeNorm13-Condensed, CheersTypeNorm13-Ext, CheersTypeNorm13-SPBold, CheersTypeNorm13, CheersTypeNorm13Stch, CheersTypeNorm13SupCon, ChildsPlayType64-Condensed, ChildsPlayType64-Ext, ChildsPlayType64-SPBold, ChildsPlayType64, ChildsPlayType64Stch, ChildsPlayType64SupCon, ChinaOneDirect47-SPBold, ChinaOneDirect47, ChristianChicText65-SPBold, ChristianChicText65, ChristianChicText65SupCon, ChristinaFontLight555-Ext, ChristinaFontLight555-SPBold, ChristinaFontLight555, ChristinaFontLight555, ChristinaFontLight555Stch, ChristinaFontLight555SupCon, CityScapeNorm48-Condensed, CityScapeNorm48-Ext, CityScapeNorm48-Ext, CityScapeNorm48-SPBold, CityScapeNorm48-SPBold, CityScapeNorm48, CityScapeNorm48, CityScapeNorm48Stch, CityScapeNorm48Stch, CityScapeNorm48SupCon, ClarkNorm107-Condensed, ClarkNorm107-Ext, ClarkNorm107-Ext, ClarkNorm107-SPBold, ClarkNorm107, ClarkNorm107, ClarkNorm107Stch, ClarkNorm107Stch, ClarkNorm107SupCon, ClassicBookerFont77-Condensed, ClassicBookerFont77-Ext, ClassicBookerFont77-SPBold, ClassicBookerFont77, ClassicBookerFont77Stch, ClassicBookerFont77SupCon, ClassicFont104-Condensed, ClassicFont104-Ext, ClassicFont104-Ext, ClassicFont104-SPBold, ClassicFont104, ClassicFont104, ClassicFont104Stch, ClassicFont104Stch, ClassicFont104SupCon, ClassicFont104SupCon, CleanCut56-SPBold, CleanCut56, ClearFall54-SPBold, ClearFall54, ClearFall54SupCon, ClowningWayText-Condensed, ClowningWayText-Ext, ClowningWayText-SPBold, ClowningWayText, ClowningWayTextStch, ClowningWayTextSupCon, ClowningWayTextSupCon, CoastWise67-Condensed, CoastWise67-Ext, CoastWise67-SPBold, CoastWise67, CoastWise67SupCon, CoinageOfMind-SPBold, CoolHandLuke-SPBold, CoolHandLuke, CoolHandLukeSupCon, CosmicFlushText8-SPBold, CosmicFlushText8, CountryLove3-SPBold, CountryLove3, CountryLove3Stch, CowGirl156a-Condensed, CowGirl156a-Ext, CowGirl156a-SPBold, CowGirl156a, CowGirl156aStch, CowGirl156aSupCon, CreativePower-Condensed, CreativePower-Ext, CreativePower-SPBold, CreativePower, CreativePowerStch, CreativeThoughtText124-SPBold, CreativeThoughtText124, CrossFireFont-Condensed, CrossFireFont-Ext, CrossFireFont-SPBold, CrowsFeetLight94-Condensed, CrowsFeetLight94-Ext, CrowsFeetLight94-SPBold, CrowsFeetLight94, CrowsFeetLight94Stch, CrowsFeetLight94SupCon, CuteEnvy127-Ext, CuteEnvy127-SPBold
• DamselWalkFont71-Condensed, DamselWalkFont71-Ext, DamselWalkFont71-SPBold, DamselWalkFont71, DanaText66-Condensed, DanaText66-Ext, DanaText66-SPBold, DanaText66, DanaText66, DanaText66Stch, DanaText66SupCon, DanceOfTheBrush11-Condensed, DanceOfTheBrush11-Ext, DanceOfTheBrush11-SPBold, DanceOfTheBrush11, DanceOfTheBrush11Stch, DancePrancer, DancerPrancer-SPBold, DancingComfort39-Condensed, DancingComfort39-Ext, DancingComfort39-SPBold, DancingComfort39, DancingComfort39Stch, DancingComfort39SupCon, DangerousScript27-SPBold, DangerousScript27, DangerousScript27SupCon, DarkGray50-Condensed, DarkGray50-Ext, DarkGray50-SPBold, DarkGray50, DarkGray50SupCon, DeGarThin6-Condensed, DeGarThin6-Ext, DeGarThin6-SPBold, DeGarThin6, DeGarThin6Stch, DevotedWorship107-SPBold, DevotedWorship107, DevotedWorship107Stch, DevotedWorship107SupCon, DisCardedWriting85-Ext, DisCardedWriting85-SPBold, DisCardedWriting85SupCon, DisPlacedFont-Condensed, DisPlacedFont-SPBold, DisPlacedFontStch, DoorKeeper41-Condensed, DoorKeeper41-SPBold, DoorKeeper41, DoorKeeper41SupCon, DoubleAgent43-SPBold, DownWardSlope77-Ext, DownWardSlope77-SPBold, DownWardSlope77, DroPcapperType101-Ext, DroPcapperType101-SPBold, DroPcapperType101-SPBold, DroPcapperType101Stch, DroPcapperType101SupCon, DroopingPaintText56-SPBold, DroopingPaintText56, DroopingPaintText56, DropCapsText100-Ext, DropCapsText100-SPBold, DropCapsText100-SPBold, DropCapsText100, DropCapsText100, DropCapsText100Stch, DropCapsText100SupCon
• EagleType121-Ext, EagleType121-Ext, EagleType121-SPBold, EagleType121, EagleType121, EagleType121Stch, EagleType121SupCon, EggBeater86-SPBold, EggShell61-Ext, EggShell61-SPBold, EggShell61Stch, EggShell61SupCon, ElaineFont81-Condensed, ElaineFont81-Ext, ElaineFont81-Ext, ElaineFont81-SPBold, ElaineFont81, ElaineFont81, ElaineFont81Stch, ElaineFont81Stch, ElaineFont81SupCon, ElasticTrainFont59-SPBold, ElasticTrainFont59, ElectricWave7-Ext, ElectricWave7-SPBold, ElectricWave7, ElectricWave7SupCon, Elegance104-Condensed, Elegance104-Ext, Elegance104-SPBold, Elegance104, Elegance104SupCon, ElvisSaxHorn45-Ext, ElvisSaxHorn45-SPBold, ElvisSaxHorn45-SPBold, ElvisSaxHorn45Stch, EmPower42-Condensed, EmPower42-Ext, EmPower42-Ext, EmPower42-SPBold, EmPower42, EmPower42Stch, EmPower42SupCon, EricBrush21-Condensed, EricBrush21-Ext, EricBrush21-SPBold, EricBrush21SupCon, EverettText67-SPBold, EverettText67, ExPertType50-Ext, ExPertType50-SPBold, ExPertType50, ExPertType50Stch, ExPertType50SupCon, ExplosiveNoise119-SPBold
• FairChild85-Condensed, FairChild85-Ext, FairChild85-Ext, FairChild85-SPBold, FairChild85, FairChild85Stch, FairChild85SupCon, FairTrade53-Ext, FairTrade53-SPBold, FancyVapor-SPBold, FancyVapor, FarPoint41-SPBold, FarPoint41, FarPoint41SupCon, FastPardonType32-Ext, FastPardonType32-Ext, FastPardonType32-SPBold, FastPardonType32Stch, FastPardonType32Stch, FatBackPlus14-Ext, FatBackPlus14-SPBold, FatBackPlus14, FatBackPlus14Stch, FatBackPlus14SupCon, FateScriptText29-SPBold, FeltPointNew35-Ext, FeltPointNew35-SPBold, FeltPointNew35Stch, FertileMindPlus-SPBold, FinalMandate77-Ext, FinalMandate77-SPBold, FireWalk36-SPBold, FireWalk36, FireWalk36Stch, FirstHome34-Condensed, FirstHome34-Ext, FirstHome34-SPBold, FirstHome34, FirstHome34SupCon, FlatBrush36-SPBold, FlatBrush36, FlowerCapsText1222-Ext, FlowerCapsText1222-SPBold, FlowerCapsText1222, FlowerCapsText1222Stch, FlowerCapsText1222SupCon, FluctuantLight37-Ext, FluctuantLight37-SPBold, FluctuantLight37, FluctuantLight37Stch, FluctuantLight37SupCon, FlyingDutchMan1-SPBold, FontChordNew62-SPBold, FontChordNew62Stch, FontFever26-Condensed, FontFever26-Ext, FontFever26-SPBold, FontFever26, FontFever26Stch, FontFever26SupCon, FoolHartOld27-Ext, FoolHartOld27-SPBold, FootLoose43-Ext, FootLoose43-SPBold, FootLoose43, FootLoose43Stch, FootLoose43SupCon, FooteDragging911-Condensed, FooteDragging911-SPBold, FootenHold-SPBold, FootenHold, ForeStall-SPBold, ForeStall, FranklinBook49-Ext, FranklinBook49-SPBold, FreeTimeBold14-Ext, FreeTimeBold14-SPBold, FreshCapFont120-Ext, FreshCapFont120-SPBold, FreshCapFont120, FreshCapFont120Stch, FreshCapFont120Stch, FreshCapFont120SupCon, FuddyDuddy118-SPBold, FuddyDuddy118Stch, FutureType59-Condensed, FutureType59-Ext, FutureType59-Ext, FutureType59-SPBold, FutureType59, FutureType59Stch, FutureType59Stch, FutureType59SupCon
• GalacticFuss72-Ext, GalacticFuss72-SPBold, GalacticFuss72, GalacticFuss72Stch, GalacticFuss72SupCon, GambitMoveType103-Condensed, GambitMoveType103-Ext, GambitMoveType103-SPBold, GambitMoveType103, GambitMoveType103Stch, GambitMoveType103SupCon, GanturyFont86-Condensed, GanturyFont86-Ext, GanturyFont86-SPBold, GanturyFont86, GanturyFont86Stch, GanturyFont86SupCon, GarDeningTools84-Condensed, GarDeningTools84-Ext, GarDeningTools84-SPBold, GarDeningTools84, GarDeningTools84Stch, GarDeningTools84SupCon, GatlingGun24-Condensed, GatlingGun24-Ext, GatlingGun24-SPBold, GatlingGun24, GatlingGun24Stch, GatlingGun24SupCon, GeneralMotionFont110-Condensed, GeneralMotionFont110-Ext, GeneralMotionFont110-SPBold, GeneralMotionFont110, GeneralMotionFont110Stch, GeneralMotionFont110SupCon, GhostWriterText-Condensed, GhostWriterText-Ext, GhostWriterText-SPBold, GhostWriterText, GhostWriterTextStch, GhostWriterTextSupCon, GidieonType39-Ext, GidieonType39-Ext, GidieonType39-SPBold, GidieonType39, GidieonType39Stch, GidieonType39Stch, GidieonType39SupCon, GiftOfSong14-SPBold, GilBertText61-Ext, GilBertText61-Ext, GilBertText61-SPBold, GilBertText61, GilBertText61Stch, GilBertText61SupCon, GiveAndTake18-Condensed, GiveAndTake18-Ext, GiveAndTake18-SPBold, GiveAndTake18, GiveAndTake18Stch, GiveAndTake18SupCon, GlobeTrotterPlain20-Ext, GlobeTrotterPlain20-SPBold, GlobeTrotterPlain20Stch, GoalSetterPlus67-SPBold, GoalSetterPlus67, GoodMoodExtra31-Condensed, GoodMoodExtra31-Ext, GoodMoodExtra31-SPBold, GoodMoodExtra31, GoodMoodExtra31Stch, GoodMoodExtra31SupCon, GoodName74-Condensed, GoodName74-Ext, GoodName74-SPBold, GoodName74, GoodName74Stch, GoodName74SupCon, GramMy79-Ext, GramMy79-SPBold, GramMy79, GramMy79, GramMy79Stch, GramMy79SupCon, GraphLand40-Ext, GraphLand40-SPBold, GraphLand40, GraphLand40, GraphLand40Stch, GraphLand40SupCon, GraphicShoesText113-SPBold, GrayBeardPlus112-SPBold, GrayBeardPlus112SupCon, GreenWich4-SPBold
• HackDriverText155-SPBold, HackDriverText155, HandWriting53-Ext, HandWriting53-SPBold, HandWriting53, HandWriting53, HandWriting53Stch, HandWriting53SupCon, HandyMan94-Ext, HandyMan94-SPBold, HandyMan94, HandyMan94Stch, HandyMan94SupCon, HappyLandText27-SPBold, HappyLandText27, HardBrush-SPBold, HardBrush, HardeHeaded150-Condensed, HardeHeaded150-Ext, HardeHeaded150-SPBold, HardeHeaded150, HardeHeaded150Stch, HardeHeaded150SupCon, HardlyLeft55-SPBold, HardlyLeft55, HauntedEyes-SPBold, HauntedEyesSupCon, HeartLightBold70-Condensed, HeartLightBold70-Ext, HeartLightBold70-SPBold, HeartLightBold70, HeartLightBold70Stch, HeartLightBold70SupCon, HedgeHogFont22-Condensed, HedgeHogFont22-Ext, HedgeHogFont22-SPBold, HedgeHogFont22, HedgeHogFont22Stch, HedgeHogFont22SupCon, HelterSkelter83-SPBold, HelterSkelter83, HereAfter114-SPBold, HiResFont52-Ext, HiResFont52-SPBold, HiResFont52, HiResFont52Stch, HiResFont52SupCon, HighEmotions47-SPBold, HighGoal73-SPBold, HighMeaningPlus115-SPBold, HighMeaningPlus115, HighPurchase113-SPBold, HisQuarry4-SPBold, HisQuarry4, HistoricalDistortion117-Condensed, HistoricalDistortion117-Ext, HistoricalDistortion117-SPBold, HistoricalDistortion117, HistoricalDistortion117Stch, HistoricalDistortion117SupCon, HitOrMiss89-Condensed, HitOrMiss89-Ext, HitOrMiss89-SPBold, HitOrMiss89SupCon, HonestStokesLight4-SPBold, HorseManFont66-SPBold, HorseManFont66, HotFootPlain8-SPBold, HusandCurseType66-SPBold
• IdeaBate69-Ext, IdeaBate69-SPBold, ImageMaker25-SPBold, InPlainView76-SPBold, InPlainView76, InovatorFont-Condensed, InovatorFont-SPBold, InovatorFont, InterPlayText-SPBold, IronMaidenType84-SPBold, IronMaidenType84
• JabaCaps105-Ext, JabaCaps105-SPBold, JabaCaps105, JabaCaps105, JabaCaps105Stch, JabaCaps105Stch, JabaCaps105SupCon, JacksonBold72-SPBold, JapanScript911-Ext, JapanScript911-SPBold, JapanScript911, JapanScript911Stch, JapanScript911SupCon, JelindaFont52-Ext, JelindaFont52-SPBold, JelindaFont52, JelindaFont52Stch, JelindaFont52SupCon, JesaBellFont72-Ext, JesaBellFont72-SPBold, JesaBellFont72, JesaBellFont72Stch, JesaBellFont72SupCon, JoKer84-Ext, JoKer84-SPBold, JoKer84, JoKer84, JoKer84Stch, JoKer84SupCon, JohnJones10-Ext, JohnJones10-SPBold, JohnJones10, JohnJones10Stch, JohnsonText103-Condensed, JohnsonText103-Ext, JohnsonText103-Ext, JohnsonText103-SPBold, JohnsonText103, JohnsonText103, JohnsonText103Stch, JohnsonText103Stch, JohnsonText103SupCon, JoustPlus99-Condensed, JoustPlus99-Ext, JoustPlus99-Ext, JoustPlus99-SPBold, JoustPlus99, JoustPlus99, JoustPlus99Stch, JoustPlus99Stch, JoustPlus99SupCon, JulianWay-Condensed, JulianWay-Ext, JulianWay-SPBold, JulianWay, JulianWayStch, JulianWaySupCon, JurasakiFontBold83-Condensed, JurasakiFontBold83-Ext, JurasakiFontBold83-Ext, JurasakiFontBold83-SPBold, JurasakiFontBold83, JurasakiFontBold83, JurasakiFontBold83Stch, JurasakiFontBold83SupCon, JustGood72-Condensed, JustGood72-Ext, JustGood72-SPBold, JustGood72, JustGood72Stch, JustGood72SupCon, JustStewType3-Condensed, JustStewType3-Ext, JustStewType3-SPBold, JustStewType3, JustStewType3Stch, JustStewType3SupCon, JusticePlain112-Condensed, JusticePlain112-Ext, JusticePlain112-Ext, JusticePlain112-SPBold, JusticePlain112, JusticePlain112, JusticePlain112Stch, JusticePlain112Stch, JusticePlain112SupCon
• KeyLogo34-Condensed, KeyLogo34-Ext, KeyLogo34-Ext, KeyLogo34-SPBold, KeyLogo34, KeyLogo34, KeyLogo34Stch, KeyLogo34SupCon, KingsFont125-Condensed, KingsFont125-Ext, KingsFont125-Ext, KingsFont125-SPBold, KingsFont125, KingsFont125, KingsFont125Stch, KingsFont125Stch, KingsFont125SupCon, KizerFaxType65-Condensed, KizerFaxType65-Ext, KizerFaxType65-SPBold, KizerFaxType65, KlaksonType51-Ext, KlaksonType51-SPBold, KlaksonType51, KlaksonType51SupCon, KnocksBold-SPBold.
• LancasterBold-SPBold, LawAndOrder-SPBold, LawAndOrder, LeapYear113-SPBold, LeatherBrushExt24-SPBold, LetterPerfect37-SPBold, LetterPerfect37, LightWave, LightWave114-Ext, LightWave114-SPBold, LightWave114, LightWave114SupCon, LighteFlair10-SPBold, LightingRod60-Ext, LightingRod60-SPBold, LightingRod60, LightingRod60SupCon, LipService90-SPBold, LiquidAssets98-SPBold, LittleSquirtFont13-SPBold, LittleSquirtFont13, LivingWellText52-SPBold, LogicDisk63-SPBold, LogicDisk63, LongTeeth61-SPBold, LowGlow95-SPBold, LucyFont95-Ext, LucyFont95-SPBold, LucyFont95, LucyFont95SupCon
• MacBeth79-SPBold, MachineGun23-SPBold, MagNolia38-Ext, MagNolia38-Ext, MagNolia38-SPBold, MagNolia38, MagNolia38SupCon, Magic117-Ext, Magic117-SPBold, Magic117, Magic117SupCon, MainPhrase112-SPBold, MakeShift27-SPBold, MakenWell16-SPBold, ManCalled68-SPBold, ManChildText69-SPBold, MarketProduct, MarketProduct72-SPBold, MarketProduct72, MasacellaBold155-SPBold, MasterMind18-SPBold, MatterOfFact96-SPBold, MeltedText62-SPBold, MetalPenNew113-Ext, MetalPenNew113-SPBold, MetalPenNew113, MetalPenNew113SupCon, MidVictorian117-SPBold, MidVictorian117Stch, MideEastFont-Condensed, MideEastFont-SPBold, MideEastFont, MideEastFontStch, MilkyWayBold53-SPBold, MillTownBuf64-SPBold, MillTownBuf64, MindSetFont29-SPBold, MindSetFont29, MisConductFont-SPBold, MisConductFont, MissingLink9-SPBold, MoHawkLight82-Ext, MoHawkLight82-Ext, MoHawkLight82-SPBold, MoHawkLight82, MoHawkLight82Stch, MoHawkLight82SupCon, ModernArt71-SPBold, ModernArt71, MoleHill30-SPBold, MoneyScapePlus68-SPBold, MoneyScapePlus68, MonkeyPlusBold62-SPBold, MoonDogText111-Ext, MoonDogText111-Ext, MoonDogText111-SPBold, MoonDogText111, MoonDogText111Stch, MoonDogText111SupCon, MorEhouseType97-Condensed, MorEhouseType97-Ext, MorEhouseType97-SPBold, MorEhouseType97, MorEhouseType97, MorEhouseType97Stch, MorEhouseType97SupCon, MorganWay89-Ext, MorganWay89-SPBold, MorganWay89, MorganWay89Stch, MorganWay89SupCon, MuggyNew84-Ext, MuggyNew84-SPBold, MuggyNew84, MuggyNew84Stch, MuggyNew84SupCon, MummyLikeNew111-Condensed, MummyLikeNew111-SPBold, MuseumPieceFont68-SPBold, MushRoomCloud90-SPBold, MushRoomCloud90, MutualChangeExt-SPBold
• NeedFulThings12-SPBold, NeedFulThings12, NeedleWorker86-SPBold, NeoLith123-Ext, NeoLith123-SPBold, NewModelType127-SPBold, NewModelType127, NewsMessenger120-SPBold, NormalBrush24-SPBold, NormalBrush24, NormalBrush24SupCon, NorthernExposure46-Ext, NorthernExposure46-SPBold, NorthernExposure46, NumbSkull49-SPBold, NumberTest44-Ext, NumberTest44-SPBold, NumberTest44, NuttyCake88-SPBold, NuttyCake88SupCon
• ObjectDArt71-SPBold, ObjectDArt71, ObjectDArt71SupCon, OfficalTyrant17-SPBold, OfficalTyrant17, OldeWallStreet54, OldedGeorge1-SPBold, OldedGeorge1, OldenConnection2-SPBold, OldenConnection2, OldenWestType69-SPBold, OldenWestType69, OlderEnglishCaps118-Ext, OlderEnglishCaps118-SPBold, OlderEnglishCaps118, OlderEnglishCaps118, OlderEnglishCaps118Stch, OlderEnglishCaps118SupCon, OldingSpiriT76-Ext, OldingSpiriT76-SPBold, OldingSpiriT76, OldingSpiriT76, OldingSpiriT76Stch, OldingSpiriT76SupCon, OldyStyleType102-Ext, OldyStyleType102-SPBold, OldyStyleType102, OldyStyleType102, OldyStyleType102Stch, OldyStyleType102SupCon, OliveOil43-SPBold, OliveOil43, OmegaType93-Ext, OmegaType93-SPBold, OmegaType93, OmegaType93, OmegaType93Stch, OmegaType93SupCon, OnTheSpot80-SPBold, OnTheSpot80, OneChildType15-SPBold, OneChildType15, OneChildType15Stch, OneChildType15SupCon, OnesOwnFont79-SPBold, OnesOwnFont79, OnesOwnFont79SupCon, OpenClassicFont74-SPBold, OpenClassicFont74, OtherView-SPBold, OtherView, OutWorn27-SPBold, OutWorn27
• PackAway35-SPBold, PackAway35, PaddedCell65-SPBold, PaddedCell65, PaidInFull32-SPBold, PaidInFull32, PaintStroke, PaintStroke58-Ext, PaintStroke58-SPBold, PaintStroke58, PaintStroke58, PaintStroke58Stch, PaintStroke58SupCon, PaleFace-SPBold, PaleFace, ParagonView38, PasserBy41-SPBold, PasserBy41, PathFinderType5-SPBold, PathFinderType5, PeoplesType121-SPBold, PeoplesType121, PetPeeve61-SPBold, PetPeeve61, PicketsChargeFont59-Condensed, PicketsChargeFont59-SPBold, PicketsChargeFont59, PlatoFontNew113-Ext, PlatoFontNew113-SPBold, PlatoFontNew113, PlatoFontNew113, PlatoFontNew113Stch, PlatoFontNew113SupCon, PoeticDreamer-SPBold, PoeticDreamer, PoetryInMotion101-SPBold, PoetryInMotion101, PoliceMan63-Condensed, PoliceMan63-SPBold, PoliceMan63, PoliceMan63SupCon, PorkBarrelFont-SPBold, PorkBarrelFont, PortLandType-Condensed, PortLandType-SPBold, PortLandType, PortLandTypeStch, PortLandTypeSupCon, PositiveNew45-Condensed, PositiveNew45-SPBold, PositiveNew45, PositiveNew45, PositiveNew45Stch, PositiveNew45Stch, PositiveNew45SupCon, PostBoyText60-Condensed, PostBoyText60-SPBold, PostBoyText60, PostBoyText60Stch, PowerDriverNew20, PowerSymbolPlus-Ext, PowerSymbolPlus-SPBold, PowerSymbolPlus, PresenterPlus64-SPBold, PresenterPlus64, PrestoDone38-SPBold, PrestoDone38, PrettyGirl21-SPBold, PrettyGirl21, PrettyThreatFont69-SPBold, PrettyThreatFont69, ProVisionFont-SPBold, ProVisionFont, ProVisionFontStch, ProVisionFontSupCon, PromisedLandPlus21-SPBold, PromisedLandPlus21, PuppyLikeNew32-Condensed, PuppyLikeNew32-SPBold, PuppyLikeNew32, PutForthNew40-SPBold, PutForthNew40
• QuickJump37-SPBold, QuickJump37, QuickView-SPBold, QuickView
• RaceHorse47-Ext, RaceHorse47-SPBold, RaceHorse47, RaceHorse47, RaceHorse47Stch, RaceHorse47SupCon, RachelNew92-Ext, RachelNew92-SPBold, RachelNew92, RachelNew92, RachelNew92Stch, RachelNew92SupCon, ReCallComplete-SPBold, ReCallComplete, ReMinder106-Ext, ReMinder106-SPBold, ReMinder106, ReMinder106, ReMinder106SupCon, ReaderShipFinal-SPBold, ReaderShipFinal, RealBrush49-SPBold, RealBrush49, RealVirtue19-SPBold, RealVirtue19, RebuffText-Ext, RebuffText-SPBold, RebuffText, RebuffText, RebuffTextSupCon, ReservedText46-SPBold, ReservedText46, ReturnToEarth42-SPBold, ReturnToEarth42, ReversalSubject41-SPBold, ReversalSubject41, RibbonArt68-SPBold, RibbonArt68, RickShaw90-Ext, RickShaw90-SPBold, RickShaw90, RickShaw90, RickShaw90SupCon, RiskyBusiness-SPBold, RiskyBusiness, RiverOfDreams-SPBold, RiverOfDreams, RoaringFire96, RobinHood98-Ext, RobinHood98-SPBold, RobinHood98, RobinHood98, RobinHood98SupCon, RoseyCapsFinal57-SPBold, RoseyCapsFinal57, RoughRiderType60-SPBold, RoughRiderType60, RoyalBaseExt-SPBold, RoyalBaseExt, RoyalBrushNew20-SPBold, RoyalBrushNew20, RoyalLuster67-SPBold, RoyalLuster67, RoyalSireText50-SPBold, RoyalSireText50, RuleOfThumb-SPBold, RuleOfThumb, RumbleSeatFinal-SPBold, RumbleSeatFinal
• SargonOne41-Condensed, SargonOne41-SPBold, SargonOne41, SaucyMozartOne44-SPBold, SaucyMozartOne44, SavorNowText43-Ext, SavorNowText43, ScentedMintExt47-Condensed, ScentedMintExt47-SPBold, ScentedMintExt47, ScentedMintExt47Stch, ScentedMintExt47SupCon, SchoolBoy, SchoolBoyOld80-Condensed, SchoolBoyOld80-Ext, SchoolBoyOld80-SPBold, SchoolBoyOld80, SchoolBoyOld80, SchoolBoyOld80SupCon, ScrewBallFinal-SPBold, ScrewBallFinal, ScriptSongBold15-Condensed, ScriptSongBold15-SPBold, ScriptSongBold15, ScriptWriterText-SPBold, ScriptWriterText, ScuttleButtNew-Ext, ScuttleButtNew-SPBold, ScuttleButtNew, SeamStressFnal-SPBold, SeamStressFnal, SecondNature-SPBold, SecondNature, SelfImage69-Ext, SelfImage69-SPBold, SelfImage69, SelfImage69, SelfImage69SupCon, ShaShaText36-Ext, ShaShaText36-SPBold, ShaShaText36, ShaShaText36, ShaShaText36SupCon, SharpTypeOld-SPBold, SharpTypeOld, ShelmanFont49-Ext, ShelmanFont49-SPBold, ShelmanFont49, ShelmanFont49, ShelmanFont49SupCon, SherWoodFont99-Ext, SherWoodFont99-SPBold, SherWoodFont99, SherWoodFont99, SherWoodFont99SupCon, ShortMemoryNew-SPBold, ShortMemoryNew, SingOutNew62-Ext, SingOutNew62-SPBold, SingOutNew62, SingOutNew62, SingOutNew62SupCon, SketchyIdeaText5-SPBold, SketchyIdeaText5, SkinTightReal74-Ext, SkinTightReal74-SPBold, SkinTightReal74, SkinTightReal74, SkinTightReal74SupCon, SlashTankMaker33-SPBold, SlashTankMaker33, SleepWalkerFinal9, SmallRoseExt45-SPBold, SmallRoseExt45, SmokeAgent150-SPBold, SmokeAgent150, SmoothFontNew75-Ext, SmoothFontNew75-SPBold, SmoothFontNew75, SmoothFontNew75, SmoothFontNew75SupCon, SnowWrite-SPBold, SnowWrite, SodaJerk19-SPBold, SodaJerk19, SoundStudioBold12, SpareTimeFont82, SparrowNew119-Ext, SparrowNew119-SPBold, SparrowNew119, SparrowNew119, SparrowNew119Stch, SparrowNew119SupCon, SpeakingStyleExt106-SPBold, SpeakingStyleExt106, SplashFontStyle, StakeWorks108-Ext, StakeWorks108-SPBold, StakeWorks108, StakeWorks108, StakeWorks108Stch, StakeWorks108SupCon, StandardBrushFont54-Ext, StandardBrushFont54-SPBold, StandardBrushFont54, StandardBrushFont54, StandardBrushFont54Stch, StandardBrushFont54SupCon, StateOfAffairs122-SPBold, StateOfAffairs122, StatelyTypeStyle77-Ext, StatelyTypeStyle77-SPBold, StatelyTypeStyle77, StatelyTypeStyle77, StatelyTypeStyle77Stch, StatelyTypeStyle77SupCon, SteepleChaser71, StickerMade-SPBold, StickerMade, StickerMadeStch, StoneAge124-SPBold, StoneAge124, StudentTeacher111, StyleBrandFinal61-SPBold, StyleBrandFinal61, StyleMongerBold73-Ext, StyleMongerBold73-SPBold, StyleMongerBold73, StyleMongerBold73, StyleMongerBold73SupCon, SunDownBold98-SPBold, SunDownBold98, SuperSederNorm2-SPBold, SuperSederNorm2, SuperSederNorm2SupCon, SuperThinNorm53-Ext, SuperThinNorm53-SPBold, SuperThinNorm53, SuperThinNorm53, SuperTypeStyle99-SPBold, SuperTypeStyle99, SuperTypeStyle99Stch, SwashBuckler13-SPBold, SwashBuckler13, SweetPea16, SweetTime78, SwingDown63, SwishNorm64-Ext, SwishNorm64-SPBold, SwishNorm64, SwishNorm64, SwishNorm64Stch, SwishNorm64SupCon, SwishWorks55, SystemTaker52
• TabithaType32-Ext, TabithaType32-SPBold, TabithaType32, TabithaType32, TabithaType32Stch, TabithaType32SupCon, TabithaType32-SPBold, TabithaType32-Condensed, TadPole-SPBold, TadPole, TailSpin-SPBold, TailSpin, TakeOver, TearGas25-SPBold, TearGas25, TechnoWorks70-Ext, TechnoWorks70-SPBold, TechnoWorks70, TechnoWorks70, TechnoWorks70Stch, TechnoWorks70SupCon, TennisBum64-SPBold, TennisBum64, TextureCover54-SPBold, TextureCover54, TheHawkFont46-SPBold, TheHawkFont46, TheSixtyText63-SPBold, TheSixtyText63, ThrillOfText28-SPBold, ThrillOfText28, TickTock18-SPBold, TickTock18, TigerFont16-SPBold, TigerFont16, TimeScarred119-SPBold, TimeScarred119, TombStoneFont60-Ext, TombStoneFont60-SPBold, TombStoneFont60, TorchHandler56-SPBold, TorchHandler56, TouchDown-SPBold, TouchDown, TouchTheWind59, TracyTracy68-Ext, TracyTracy68-SPBold, TracyTracy68, TracyTracy68, TracyTracy68Stch, TracyTracy68SupCon, TransPose95-SPBold, TransPose95, TriBecca90-Ext, TriBecca90-SPBold, TriBecca90, TriBecca90, TriBecca90Stch, TriBecca90SupCon, TrickyLake11-SPBold, TrickyLake11, TrojanFinal87-Ext, TrojanFinal87-SPBold, TrojanFinal87, TrojanFinal87, TrojanFinal87Stch, TrojanFinal87SupCon, TrueExcess105-SPBold, TrueExcess105, TurnAbout121-SPBold, TurnAbout121, TurnOil27-SPBold, TurnOil27, TurningPoint57-SPBold, TurningPoint57, Twiggy86-Ext, Twiggy86-SPBold, Twiggy86, Twiggy86, Twiggy86SupCon, TwoShakes5-SPBold, TwoShakes5, TylerFont88-Ext, TylerFont88-SPBold, TylerFont88, TylerFont88, TylerFont88SupCon, TypeMaker57-Ext, TypeMaker57-SPBold, TypeMaker57, TypeMaker57, TypeMaker57SupCon, TypeOne9-SPBold, TypeOne9, TypeTalkBold58-SPBold, TypeTalkBold58
• UltiMateText-SPBold, UltiMateText, UnCreative6-SPBold, UnCreative6, UnDiluted-SPBold, UnDiluted, UnExplored-SPBold, UnExplored, UnSnarl60-SPBold, UnSnarl60, UnderGround59-SPBold, UnderGround59, UnderPressure81-SPBold, UnderPressure81, UnderWay69-SPBold, UnderWay69, UnitedLand, UseFulSpectator123-SPBold, UseFulSpectator123
• VageParable39-SPBold, VageParable39, ValueType126-SPBold, ValueType126, VectorType124-Ext, VectorType124, VectorType124, VectorType124SupCon, VerticalSmudge94-SPBold, VerticalSmudge94, ViciousCircle-SPBold, ViciousCircle, VictorianFont64-SPBold, VictorianFont64, VideoCast-SPBold, VideoCast, VisionThick-SPBold, VisionThick, VoCab54-Ext, VoCab54-SPBold, VoCab54, VoCab54, VoCab54SupCon, VoldiFinal96-Ext, VoldiFinal96-SPBold, VoldiFinal96, VoldiFinal96, VoldiFinal96SupCon, VooDooText-SPBold, VooDooText
• WagonMan72-SPBold, WagonMan72, WaistBand, WalkAway-SPBold, WalkAway, WallWriting34, WasteAwayType79-SPBold, WasteAwayType79, WasteBasketFont-SPBold, WasteBasketFont, WaterMarkFont-SPBold, WaterMarkFont, WaveScape48-SPBold, WaveScape48, WayFarer10-SPBold, WayFarer10, WeekenderType123-Ext, WeekenderType123-SPBold, WeekenderType123, WeekenderType123, WeekenderType123SupCon, WeighAnchorFont68-SPBold, WeighAnchorFont68, WellOiled-Condensed, WellOiled-SPBold, WellOiled-SPBold, WellOiled, WellOiledSupCon, WheelerDealer-SPBold, WheelerDealer, WhiteWaterRaft27-SPBold, WhiteWaterRaft27, WhiteWaterRaft27SupCon, WhosItFont42-SPBold, WhosItFont42, WideEyed44-SPBold, WideEyed44, WildWorldNew62-SPBold, WildWorldNew62, WisdomWriterOld-SPBold, WisdomWriterOld, WishingType3-SPBold, WishingType3, WishingType3SupCon, WordsWorthType12-SPBold, WordsWorthType12, WordsWorthType12SupCon, WounSockaFinal66-SPBold, WounSockaFinal66, WounSockaFinal66, WrittenWordsFinal103-SPBold, WrittenWordsFinal103, WrittenWordsFinal103SupCon
• XRayCopy-SPBold, XRayCopy, XanaduFont-Condensed, XanaduFont-SPBold, XanaduFont, XanaduFontSupCon
• YankeeFan-SPBold, YankeeFan, YearBook, YellowJacket-Condensed, YellowJacket-SPBold, YellowJacket
• ZenithBay-SPBold, ZenithBay, ZigSong55, ZipThrough

imagex

Frenchman (b. 1957) who started making fonts in 2010. In that year, he created the free fonts BabyJo (pixel face), Bayday, Chrom (beveled face), LaPresse (grunge), Muffaroo, Poppy, Poppydot, Spacecard, ToonLand (comic book lettering), ToonLandBlack, ToonLandShad, TrashToys (grunge), WorldColors (3d face).

In 2011, he published Francobelge (comic book face), Freepress (grunge), Gamix (Western titling face), Inmyroom (dingbats), Majestrick (calligraphic), Onomatopaf (comic book dings), Outerzone, OuterzoneB, Starz (dingbats), Stenstreet (grunge), Tram, Tramix (texture face), TrashToys02, War-Lettersn, Mixagex, Massive Dynamite (grunge), Not Well (grunge), Actu, Blck, Gling (texture face), HeRioz (silhouettes), Brightoon (cartoonish brush face), Muzo (ink spill face), Sharpy, Space Shop (dingbats), Pulp Dance (handprinted), Essef (2011, art deco), Retro Sign (2011, grunge), Labo (2011, grunge), Exhausted (2011), Komikoz (2011), Puzzled (2011), Strokewith (2010), Strokeless (2010), Toonimals (2011 dings), Penstriped (2011, sketch face), Cashier (2011, grungy)), Dan Hand (2011), Hardwell (2011, grungy caps), Colleged (2011, athletic lettering), Goodjean (2011, jeans texture face), Seaside Things (2011, dingbats), Real Tek (2011, techno), Zou (2011, 3d handprinted caps), Painter, Border Line (grunge), Handout (grunge), Tract (grunge), Pulpatone (grunge), Logos I Love, Pal Antic (chancery hand), Twent (fat rounded display face), DoodFlow (dingbats), Afro Add (texture face), Crump (grunge), Big White, Dark Room (grunge), Manifesto (grunge), Tacketil (a FontStruct font), Otto Land (sketch face), Over (outline face), Under (brush dings), Baskertown (grunge), Nursery Tale, Panic (texture face), BlackNDot (ink spill face), Beyond (striped display face), Advert, Car Crash (grunge), Heartz, Starsteel, Smart Faces, Blackflag (a brushed blackletter), Dock 51 (grungy stencil), Lead (3d face).

In Novemner 2011, he created a number of texture faces: Hotöcop, Pal Mod, Speedy (sketch face), Thirties Gold, Sunset GP.

Further 2011 faces: Poptivi, Shadow Mole, Super Modern Black.

Faces from 2012: Remanence, Winter Days (dingbats), Nowharehouse (grunge), Snuff (grunge), Cup of Tea (3d shadow face), Talk of the wall.

Typefaces from 2012: Egirlz (dingbats), Art Post (white on black poster lettering), Volutes (copperplate calligraphic script), From me 2 you (curly script), PS I Love You, Kolossal (caps only), Kraash, Alexandre (3d engraved headline face), Monstres de poche (dingbats), Alternate (grunge), Warning, Dreams (brush face), Headline Crack, Bump Pad (textured typeface), Carton (grungy white-on-black stencil face), Maybe maybe Not, Frames n Riboons (sic), Blackboard (sketched face), Logotronik (a 3d techno face), Big Bad Dogs (dingbats), Libre Expression (engraved copperplate typeface), Mecagothix (textured blackletter face), Destroy. [Google] [More]  ⦿

immajer-FK

immajer-FK is a truetype font by JamieMR in the style of the logo from the television show "Forever Knight". Mac and PC. An eroded brush look. [Google] [More]  ⦿

Imre Reiner

Typographer, architect, designer and type designer, b. Versec, Hungary, 1900, d. Lugano, Switzerland, 1987. He emigrated from Hungary, and studied at the Staatliche Bildhauerschule Zalatua, the Kunstgewerbeschule Frankfurt, and the Kunstgewerbeschule in Stuttgart, where Prof. F. H. Ernst Schneidler was his teacher. After a brief stint (1923-1925) as a graphic designer in London, Paris, New York and Chicago, he returned to study with Schneidler, and from 1931 onwards, he worked in Ruvigliana near Lugano as painter, graphic designer and illustrator. His list of fonts includes:

• Bazaar or Bazar (1956, D. Stempel; this brush face was revived in 2005 by Patrick Griffin, Canada Type, as Boondock).
• The brush script Contact (Deberny&Peignot, 1952; Ludwig&Mayer, 1968 (according to Jaspert), and 1963 according to others).
• Corvinus (Bauersche Giesserei, 1934; Swisstypedesign mentions 1932-1935). See also here. Corvinus Skyline (1934). Digital typefaces derived from this include Corvinus Skyline (1991, Group Type), Skyline (1992, Jane Patterson, Font Bureau).
• Figaro (1940).
• Florides Initiales (Deberny&Peignot, 1939, 3d horizontally shaded caps).
• The Gotika fraktur font (Bauersche Giesserei, 1933), revived as Gotika by Petra Heidorn (2005, no downloads) and as Leather by Canada Type (2005). Manfred Klein created Gotika Buttons (2005) based on Petra Heidorn's Gotika. Gotika discussion on Typophile. Eric West intends to do a digitization as well, and Neufville is not cooperating.
• London Script (1957). This was digitized twice at Canada Type, once by Phil Rutter in 2004 as Almanac, and once in 2007 by Rebecca Alaccari as Reiner Hand.
• Matura MT (1938, Monotype), Matura Swash (1938).
• Mercurius MT (1957).
• Meridian (1930, Klingspor: a fat display face). Swisstypedesign says 1929.
• Mustang (1956, D. Stempel, a brush script revived in 2005 by Canada Type as Hunter).
• Pepita MT (1959).
• Reiner Black (1955, Berthold, a brush script).
• Reiner Script (1951, Amsterdam). Digitizations of this brush script under the same name include those of Dieter Steffmann and Tobias Frere-Jones (Font Bureau, 1993).
• Sassa (1939).
• Stradivarius (1945, identical to his Symphonie; Bauersche Giesserei, 1938), a formal script font with a compressed straightened lower case alphabet. [Note: Neufville copied it in its Sinfonia later, and in 2005, Petra Heidorn made a digitized version called Symphonie.] Martin Z. Schröder discusses its origins here. Also called Neue Symphony (1938). Digitizations include one by Group Type.

Reiner wrote several books, including Modern and Historical Typography An Illustrated Guide (1946, Paul A. Struck, New York, and 1948, Zollikofer and Comp., St. Gallen). Linotype page on him. [Google] [MyFonts] [More]  ⦿

In The Midnight Hour
[Lauren Harrison]

Lauren Harrison (In the Midnight Hour) is the Leeds, UK-based designer (b. 1992) of the brush face The Hungry Ghost (2009, also called Lauren's font, and of the handprinted decorative caps face Plaisantin (2010). Other faces include Skeleton Sketched (2010), Retro Lights (handprinted outline), HighLight (2010), Dirty (2010), Electro (2008), Hair Line (2010), Retro Italics (2010), Dirty (chalk face), Hyperbole (2010), Bellatrix (2011), Mono (2010) and Tinga (2009, child's hand), Wednesday Printed (2012, grunge).

Dafont link. Devian Tart link. Fontspace link. Old URL called joycrusher. [Google] [More]  ⦿

Infinitype

German company that sells 9999 fonts on a CD for 229 USD. One can download 20 fonts for free, as a teaser. The company is run by Martin Kotulla, owner of Softmaker, who also made the MegaFont CD. Many (most?) fonts are licensed from URW and come with a performance guarantee. Font catalog. Most fonts cover all European languages. Font catalog. Direct download of that catalog. Font name equivalences. The list: Aargau, Abott Old Style, Accent, Accolade, Adelon, AdLib, Advertisers Gothic, Aldebaran, Alfredo, Allstar, Alternate Gothic, Alte Schwabacher, American Text, Ancona, Ancona Condensed, Ancona Extended, Ancona Narrow, Antigone, Antigone Compact, Antigone Nord, Antigone Condensed, Antiqua, Artistic, Avignon, Avignon Condensed, Avignon PS, Ballad Script, Ballantines, Balloon, Barbedor, Barbedor Osf, Baskerville, Baskerville Nova, Baskerville Old Face, Bay Script, Belfast Serial (a remake of Forsberg's Berling), Belfort, Bellboy, Benjamin [based on ITC Benguiat; identical to Softmaker's B693 Roman], Benjamin Condensed, Benjamin Gothic [free here; this comic book style face is based on ITC Benguiat Sans (1979-1980) and is similar to B691 Sans from Softmaker)], Benson, Bergamo, Bergamo Osf, Bernhard Condensed, Bernhard Fashion, Bestseller, Bilbao, Birmingham, Bluff, Boa Script, Bodoni, Bodoni Display, Bodoni No. 2, Bodoni Recut, Bodoni Recut Condensed, Bodoni Standard, Bonita, Book PS, Boston, Boulder, Bravo, Bristol, Broadway, Broadway Engraved, Brush Script, Bryce, Calgary, Calgary Osf, Cambridge, Cambridge Serial, Canossa, Canyon, Carlisle, Casablanca, Casad, Caslon, Caslon Antique, Caslon Osf, Caslon Elegant, Casual, Cathedral Open, Centrum, Century Old Style, Century Expanded, Century PS, Century Schoolbook, Chandler, Chantilly, Chantilly Condensed, Chantilly Extra Condensed, Chantilly Display, Chantilly Serial, Chatelaine, Cheltenham, Cheltenham Condensed, Cheltenham Old Style, Cheltenham Extra Condensed, Cimarron, Clarendon, Clarendon Serial, Clearface, Clearface Serial, Cleargothic, ClearGothic Serial, Colonel, Comix, Commercial Script, Compressed, Computer, Concept, Concept Condensed, Congress, Cooper Black, Copperplate Gothic, Copperplate Condensed, Cornered, Courier PS, Curacao, Curzon, Deco B691, Deco Black, Deco C720, Deco C790, Deco F761, Delano, Delaware, Denver, Derringer, Diamante, Digital, Durango, Disciple, Egyptian Wide, Egyptienne Standard, Elegant Script (revival of the 1972 Berthold formal calligraphic face Englische Schreibschrift), Elmore, Ennis, Entebbe, Estelle, Ewok, Expressa, Falcon, Farnham, Fette Engschrift, Fette Mittelschrift, Flagstaff, Flipper, Florence Script, Fraktur, Franklin Gothic, Franklin Gothic Condensed, Franklin Gothic Condensed Osf, Franklin Original, Frascati, Fremont, Front Page, Fuego, Function, Function Condensed, Function Display, Function Script, Gainsborough, Gandalf, SoftMaker Garamond, SoftMaker Garamond Condensed, SoftMaker Garamond No. 7, Garamond Elegant [based on Letraset Garamond], Garamond Nova, Garamond Nova Condensed, Garamond Original, Garamond Standard, German Garamond"> [based on TypoArt Garamond], Giulio, Glasgow Serial [based on Georg Salden's Polo, 1972-1976], Glendale Stencil, Gotisch, Goudita, Goudy Catalogue, Goudy Handtooled, Goudy Old Style, Goudy Heavyface, Granada, Grenoble, Grotesk, Handmade Script, Harlem Nights, Helium, Henderson, Hobo, Hoboken, Hobson, Honeymoon, Horsham, Hudson, Huntington, Iceberg, Illinois, Imperial Standard, Inverserif, Isonorm, Istria, Italian Garamond [based on Simoncini Garamond], Japanette, Jessica, Joseph Brush, Jugendstil, Kaleidoscope, Karin, Kingston, Koblenz, Kremlin Script, Leamington, Letter Gothic, Lingwood, Litera, Livorno, Lyon, Macao, Madeira, Malaga, Marriage, Marseille, Marseille Serial, Maurice, Medoc, Melbourne, Melville, Mercedes, Metaphor, Mexico, Micro, MicroSquare, MicroStencil, Moab, Mobil Graphics, Montreal, Napoli, Neutral Grotesk, Nevada, Newcastle, Nicolas [after Lanstpn's Nicolas Cochin], OCR-A, OCR-B, Oklahoma, Old Blackletter, OnStage, Opus, Organ Grinder, Orkney, Ornitons, Osborne, Otis, Palazzo, Palladio, Palmer, Pamplona, Park Avenue, Pasadena, Pedro, Pelota, Peoria, Persistent, Persistent Condensed, Persistent Osf, Philadelphia, Pizzicato [based on Letraset's Plaza], Plakette, Pollock, Prescott, Prestige, Quadrat, Raleigh, Roman PS,, Salmon, Sans, Sans Condensed, Sans Diagonal, Sans Extended, Sans Outline, Sans PS, Sans PS Condensed, Savoy, Savoy Osf, Saxony, Scott, Seagull, Sebastian [based on ITC Serif Gothic], Sigvar [based on ATF's Baker Signet], Soledad, Square Serif, Stafford" [based on Rockwell MT], Stafford Serial, Sterling, Stratford, Stymie, Sunset [a version of ITC Souvenir], Sunset Serial, Sydney Serial, Tabasco, Tampa, Tampico, Tioga Script, Toledo [based on Trooper VGC], Typewriter, Typewriter Osf, Typewriter Condensed, Unic, VAG Rounded, Velo, Veracruz, Verona, Violin Script, Winona, Worcester. [Google] [More]  ⦿

Ingofonts
[Ingo Zimmermann]

Ingofonts is a foundry in Augsburg started by Ingo Zimmermann (b. 1967) in 1994. It offers Fraktur fonts, handwriting fonts, sans serif fonts, Antiqua fonts and some pixel fonts. Full fonts go for 50 USD a piece and up. Some fonts are free. Many fonts are adaptations or revivals of historically important fonts. Ingo also practices calligraphy, and in particular, calligraphy for wine labels. The list:

• Absolut Pro (2008) is a classy sans family that comes in Regular, Licht, Thin and Schmuck.
• Amhara (2009): An experimental font inspired by the Ethiopic writing system.
• AnatoleFrance (1997, art deco font): in the style of Georg D. W. Callwey's PlakatschriftCCC, it is in conformity with a script pattern ca. 1920/30, Karl Schäffer.
• Behrens Schrift (2008) is based on Behrens' famous 1902 Jugendstil script.
• Biró Script is a handwriting font (2007).
• CharpentierBaroqueIF, CharpentierClassicItaliqueIF, CharpentierClassicistiqueIF, CharpentierRenaissanceIF (1996, modeled at first from the Roman Capitalis).
• De Borstel (2009): brush face.
• DeFonte (1995): a grungy Helvetica.
• Déformé: grungy Clarendon.
• Deko-Blakk, Deko-Yello (art deco faces from 2007).
• DeKunst (1995, deconstructivist). DeKunst Initialen (2007) is Bauhaus-inspired.
• DePixel (1999: based on Apple's Geneva and Chacago; and Illegible DePixel).
• DeutscheSchriftCallwey (1998): a free handwriting face in the style of the 1800s that was later taught in German schools under the generic name of "Sütterlin type".
• Diesel Rudolf (2011). Patterned after the original handwriting of Rudolf Diesel (b. 1858, Paris).
• Die Überschrift (1998): headline sans.
• Faber Eins, Faber Zwei (1996, legible sans family), Faber Drei, Faber Gotic Text, Faber Gotic Gothic, Faber Gotic Capitals, Faber Fraktur, Faber Sans Pro (2011).
• Façacde Pro (2007, art nouveau brush face). Cyrillic version.
• Fixogum (1998, scratchy handwriting).
• FrakturFaber (1994-2002).
• Graz2006 (1994, a sans family for the 2006 OlumTypographerpic Games in Graz; later renamed by Linotype to Olympia).
• Guhly (2011). An organic family.
• Gutenberg (1995, a textura).
• Hero (angular handwriting).
• Josef (2000), Josefov (slab serif for Josef), JosefPro (2006, a free sans family).
• Klex: calligraphic brush.
• LettreCivilitdeGranjon (1997, a reworking of S. Moye's font by that name).
• Maier's No. 8 (2002) and Maier's Neue No. 8 based on forms found in work of Karl O. Maier from before 1914, which already has the geometrical simplicity characteristic of the Weimar period. Examples: Halbfett, Leicht, Pro, Pro, Pro, No8. Maiers No. 21 (2006) is in the same direction. A precursor of the MICR chequebook fonts, and the FontStruct fonts? Examples: No21 Pro, No21 Pro.
• Marleen Script (2011, with over 400 ligatures).
• Menschenalphabet, based on Peter Flötner's alphabet.
• Novello Pro (2009): The serifed counterpart of his Absolut Pro family.
• OlympiaBuchIF, OlympiaFettIF, OlympiaHalbfettIF, OlympiaLeichtIF, OlympiaSemiSansBuchIF
• Palmona (2008, blackletter).
• Saeculum (1996, cursive connected handwriting).
• Rudolf Diesel (2008-2009): Based on the handwriting of the inventor of the Diesel motor.
• SchwabacherDeutscheReichsbahn (after Koch's first font from 1909).
• Tobyfont (2007) is for children.
• Wendelin (1996, sans family).
• Whole Europe (2008, outlines of countries), now called Countries Of Europe. Pick it up, togeter with many suppoirt files for TeX by Herbert Voss, at CTAN.

Insigne Type Design Studio (was: Dooley Type)
[Jeremy Dooley]

Insigne Type Design Studio (est. 2006) is run by Jeremy Dooley, b. Columbia, SC, 1981, who received a masters in graphic design at Savannah College of Art and Design in 2005. He lived in Atlanta, GA, and is now in Knoxville, TN. From 2004-2006, he ran Dooley Type in Greenville, SC. Behance link. Klingspor link. Font squirrel link. MyFonts interview. His fonts:

• 44th President (2009, based on Obama's handwriting).
• Aberlyth (2006). An informal script face.
• Antigen (2007) is futuristic.
• Arendahl (2007) is a connected but irregular handwriting font.
• Avaloc (2006) is an expanded sans.
• The Aviano superfamily. Aviano Slab (2007), Aviano Serif (2008), 2009 Aviano Didone (2009), Aviano Flare (2010), Aviano Sans (2010), Aviano Future (2011), Aviano Contrast (2012). Aviano Titling (2007) is inspired by Trajan.
• Beastias (2006). An informal script face.
• Biortec (2004).
• Biscuit Boodle (2008) is a fun and crazy script from Portland Studios illustrator Justin Gerard. Biscuit Boodle Ornaments (2009, dingbats).
• Blue Goblet (2005) is a Treefrog-style script developed for the pending illustrated childrens book from Portland Studios, The Blue Goblet. It was codesigned by Cory Godbey of Portland Studios and Jeremy Dooley. In 2011, Cory Godbey added Blue Goblet Christmas Ornaments.
• Boncaire Titling (2012) was iInspired by the type elements of 17th century map of Curacao made by Dutch cartographer Gerard Van Keulen.
• Brigette (2007) is an ink-splattered calligraphic script.
• Caridade.
• Carta Marina is a family of medieval map text faces and dingbats (2007).
• Cavole Slab (2011).
• Chatype is a geometric slab serif typeface family designed in 2012 for the city of Chattanooga, TN, by Robbie de Villiers and Jeremy Dooley.
• Chennai and Chennai Rounded (2007) are playful display sans faces. Chennai Slab (2009).
• Cohort (2010, elliptical sans).
• Coupe (2003).
• Dienstag (2008, 8 styles).
• Donnerstag (2010, extended slab serif).
• Eigerdals (2010, rounded sans family).
• Enzia (2009, an elegant sans family).
• Fizgiger (2006). An informal script face.
• Florencia (2007) is a vintage script.
• Foverdis (2010, a calligraphic family that includes a hairline).
• Insigne Abstractions (2007) and Insigne Fleurons (2008) are dingbats.
• Jon Cary (2004, the handwriting of John Kerry).
• Kairengu (2007) is a comic book family.
• Kasuga (2008) and Kasuga Brush (2009) are fresh new scripts with oriental undertones.
• Kidela (2007) is a sassy scrapbook family. Kidela Sketch (2009).
• Le Havre (2008) is a gorgeous 8-style geometric art deco sans with tall ascenders. In 2010, the Le Havre Sketch family was added. Le Havre Rounded (2009).
• Lorelei (2007, Insigne) is a bouncy script family.
• Lourdes (2007) is an informal script.
• Madeleine (2007) is a basic handwriting face.
• Mahalia (2008) is a retro script.
• Majidah and Majidah Potens (2006) are medieval scripts.
• Marintas (2012).
• Massif (2008) is an aggressive sans family.
• Mittwoch (2009, organic serif).
• Montag (2007) is a casual rounded sans family in six styles.
• Mynaruse (2010; +Titling, +Royale) is another roman inscriptional titling family---it is characterized by skinny flared serifs.
• Nanumunga (2007) is a comic book style face.
• Natalya (2007) is a connected calligraphic script. Natalya Monoline (2007). Natalya Swashes (2009, calligraphic).
• Newcomen (2008) is a 4-style roman titling face.
• Obline (2004, sans).
• Olidia (2008) is calligraphic.
• Orewelia (2004, grunge face).
• Pauline Didone (2011, a curly didone family). Pauline (2008) is a monolinear retro script.
• Promethian (2005, futuristic).
• Questal (2007) is a unicase serif face.
• Qurillian (2006, legible sans).
• RendtPhysic (2006).
• Ript Cure (2005).
• Sancoale (2011, an organic sans family, from Thin to Black). Sancoale Narrow (2011). Sancoale Softened (2012).
• Savigny (2011). Images: Savigny Black Extened, Savigny Regular Condensed.
• Serofina (2010, a calligraphic face).
• Savory Paste (2007). Grunge.
• Shrike2003 (2003).
• Sildetas (2010, a high-contrast script face with tear drop terminals).
• The sans family Sommet (2008; see also Sommet Rounded (2008), Sommet Slab, 2010, and Sommet Serif (2011, a wedge serif family)) is futuristic. Sommet Slab Rounded (2011).
• Sovba (2009, upright italic).
• Stefania (2007) has two calligraphic/chancery styles. Its aged version is called Stefania Antique (2008).
• Stratham (2007) is a medium to black family of legible sans faces.
• Terfens (2007) is an informal and quite rounded sans serif with inspiration from chancery scripts like Stefania.
• Valfieris (2006). Valfieris Aged (2007) imitates medieval printing.
• Xalapa (2008) is a grunge family.
• Yevida and Yevida Potens (2006, scripts).
• Youngblood (2008, +Youngblood Antique, 2010) is non-connected.

Catalog of their typefaces. View Jeremy Dooley's font library. [Google] [MyFonts] [More]  ⦿

Intecsas
[Klaus Herrmann]

Foundry run by Klaus Herrmann from Düsseldorf, whose fonts are distributed by Precision Type and FontHaus. Fonts include basically all of David Rakowski's old shareware fonts. Through Intecsas, David Rakowski has finally gone commercial. The fonts are often redrawn, and have complete international character sets. The library contains 500 fonts, of which about 90 are based on David's old shareware fonts. Among the newer fonts, DwigginsFortyEight (1999). Mark Johansson explains the history of Rakowski's fonts. Atomic Type distributes their fonts as well. Partial font list: Aaaaaaaargh Caps, Aarcover, Adineski, Adine Kernberg Script, Adriana Davidovsky, Air Supply, Alvin Caps, Aminal Initials, Anderson Script, Anne Stone, Avery Jean, Beffle, Bela Drips, Belgian Casual, Bellagio, Benjamin, Bizarro, Blasius, Braille Font, Brandenburger, Brookfield, Brooks Initials, Buffalo Bill, Cardboard Cutout, Carrick, Chalice, Charlotte Tile, Chinese Menu, Christensen Caps, Command Ment, Constructivist, Corsage, Crackling Fire, Crane Initials, Davys Blocks, Davys Dingbats, Davys Key Caps, Davys Big Key Caps, Davys Other Dingbats, Davys Ribbons, DeBellis, Deco Twenty Two, Dewhurst, Dieter Caps, Dilara Caps, Dinderman, Dorothy Initials, Dragonwick, Drawing Pad, Dubiel, Dupuy, Eileen Caps, Elizabeth Ann, Elzevier, Eraser Dust, Even More Face Cuts, Face Cuts, Fetch Scotty, Flicker, Forest, Frisch Script, Garton, Gessele Script, Gouda Old Style, Grab Bag, Gravestone Rubbing, Green Caps, Griffin Dingbats, Ground Hog, Harting, Headhunter, Holtzschue, Horror Show, Horst Caps, Hunan Garden, Ian Bent, Jacobs, Jeff Nichols, Joanna Lee, Judy Finckel, Kastner Casual, KidStuff, Kinigstein Caps, Kioko, Konanur Caps, Korf Caps, Koshgarian Light, Kramer, Lee Caps, Legal Vandal, Lemiesz, Lilith, Logger, Lower East Side, Lucy Script, MalakaLaka-LakaLakaLaka, Man About Town, Mary Monroe, McGarey Fractured, More Face Cuts, Multiform, Munchner Initials, Nauert, Nitemare Caps, No More Face Cuts, Octagon, Paris Metro, Party Down, Pavelle, Phonetic, Pixie Font, Pointage, Polo Semiscript, Randolph, Rechtman Script, Relief, Reynolds Caps, Rhodes Roman, Rounded Relief, Rudelsberg Regular, Rumble, Saint Albans, Scratchy Pen, Showboat, Sjlausmann, Sprecher Initials, Starburst, Still More Face Cuts, Sturbridge Twisted, Taiga, Tejaratchi Caps, Thompson Pond, Toletto, Travis Brush, Trench, Trevor Light, Tucker, Tundra, Upper West Side, Varah Caps, Victoria Casual, Wedgie, Wein Initials, Wharmby, What A Relief, Will Harris, Yasmine, Zaleski, Zallman Caps. At Will-Harris House, we find these fonts by David Rakowski: Cardboard Cutout, Dwiggins 48 (ornamental caps first designed by Dwiggins), Fetch Scotty, Gibbons (a great geometric Bauhaus-style font), Gravestone Rubbing, Greene&Greene (architectral lettering), Davy's Art Nouveau Initials, Gravestone Rubbing, Harting, Handscrifte, Lillith, Lillith Initials, Pointage, Rabbit ears, Rasta Rattin Frattin, Tenderleaf Caps, Tendril, Toletto (toilet paper alphadings), Will-Harris, and Zaleski. [Google] [More]  ⦿

Intertype Studio
[Dubina Nikolay]

Russian company which sells CDs with ornaments (not in font format though) designed by Dubina Nikolay. There is also a free font archive. All fonts designed or codesigned by Dubina Nikolay, and most are Cyrillizations of well-known Latin fonts. A partial list: AirportCyr, Anarchy-Normal, BMspiralCapCyr, BMstampCyr-Normal, CranberryCyr, DPix_8pt, DS-Diploma-Bold, DS-Diploma, DSArabic, DSArmyCyr, DSAyaks-Normal, DSBroadBrush, DSBrushes-Normal, DSCenturyCapitals, DSComedyCyrBold, DSCoptic, DSCrystal, DSCyrillic, DSDiploma-Bold-Outline-DBL, DSDiplomaArt-Bold, DSDots-Medium, DSDownCyr, DSEraser2, DSEraserCyr, DSFlashSerif, DSGoose, DSGreece, DSHiline, DSIzmir-Normal, DSJapanCyr--Normal, DSJugendSCDemo, DSKolovrat, DSKork, DSMechanicalBold, DSMoster, DSMotionDemo-Italic, DSMotterStyle, DSNarrow-Extra-condensedMedium, DSNote, DSNova-Black, DSOlymPix, DSPoddCyrLight, DSPoster, DSPosterPen, DSProgress-SemiBold, DSQuadro-Black, DSRabbit-Medium, DSRada, DSRada_Double, DSReckoningCyr, DSRussiaDemo, DSSharper, DSSholom-Medium, DSShowBill, DSSofachrome-Italic, DSSonOf-Black, DSStain, DSStampCyr, DSStamper, DSStandartCyr, DSSupervixenCyr, DSThompson, DSUncialFunnyHand-Medium, DSUstavHand, DSVTCoronaCyr, DSVanish-Medium, DSYermak_D, DSZombieCyr, DS_Cosmo-Semi-expandedSemiBold, DefWriter|BASECyr, DisneyPark, Eh_cyr, Etude, Frant-Bold, InavelTetkaCyr, Matrix_vs_Miltown, MicroTech, MisirlouCyr, Nadejda-Bold, NewDeli, PixelCyr-Normal, QuakeCyr, Runic, RunicAlt, RunicAltNo, Scrawl, SeedsCyr-Medium, StillTimeCyr, Stylo-Bold, ZrnicCyr-Normal, hooge05_55Cyr2, supercarcyr. [Google] [More]  ⦿

Ioana Avram

Fashion illustrator in Bucharest. She did some brush alphabets in 2010. [Google] [More]  ⦿

IQ Engineering

Foundry that made IQEBrushStroke, IQEEdwardianPos, and IQEModernGothic in 1993. [Google] [More]  ⦿

Itoh Lab

Very interesting software development at Itoh Lab in Japan. Software includes the generation of scratched or brushed calligraphic bitmap images from truetype fonts. Some of the programs use fuzzy reasoning, fractals and "brush-touch" (sic) cursors. [Google] [More]  ⦿

James Greenwood

Creator of the ink splatter face Ram Rod (2006), the ultra-fat display and scanbat face Tough Guys (2008), and the paint brush script Greenwood RS (2008). [Google] [More]  ⦿

James J. Connell Fonts
[James J. Connell]

A designer from Pasadena, CA, who graduated in 2007 from the Art Center College of Design in Pasadena, CA. In 2008, he set up James J. Connell Fonts. His font designs include Paine (2008, humanistic almost Pegnotian sans; one style only) and Sumi Strokes (2008, simple abstract brush strokes). [Google] [MyFonts] [More]  ⦿

James Lambert

Type designer. In 1953, he made a bouncy display face that was digitally revived by Stuart Sandler in 2007 as Filmotype MacBeth. Also in 1953, he drew a brush face for Filmotype. Sandler digitized and expanded it in 2007 as Filmotype Austin. Filmotype Reef (1953) is a fat poster face revived by Sandler in 2011. [Google] [MyFonts] [More]  ⦿

Japanese brush calligraphy

Japanese brush calligraphy (shodo) comes in various styles:

• tensho: the style of seals.
• reisho: scribe's style.
• kaisho (square or block style): write one stroke after another. Time-consuming, and not often used.
• gyosho: semi-cursive style, a bit less legible than kaisho, but more fluent.
• sosho: cursive style, even less legible, but often used.

Javier Guevara Valle

Designer in Lima, Peru, b. 1988. Creator of SSF4 Abuket (2010, a brush face). [Google] [More]  ⦿

Jérôme Delage

French designer of the graffiti faces El&Font Block (2006), El&Font Brush (2006), El&Font (2006), El&Font Destroyl (2011), El&Font Tag (2006), El&Font Gohtic (2006), El&Font Urban Calligraphy (2010, graffiti face), and El&Font Bubble (2006).

Fontsy link. [Google] [More]  ⦿

Jean Grphx

Graphic designer who made the free brush face Ciao (2010). [Google] [More]  ⦿

Jeff Levine: Signage
[Jeff Levine]

Signage typography has also attracted the attention of Jeff Levine. Here are some typefaces in that category: Brushmark JNL, Dubois JNL (2007: DuBois JNL is based on hand lettering designed by Albert DuBois of New York City, and originally titled Round Block, which was found in an old sign painting design book from the early 1900s and has been translated to digital form by Jeff Levine), Eckhardt Brushletter JNL (2011), Eckhardt Casual JNL (2011), Haute Couture JNL (2009; see Signboard JNL for similar lettering), Koehler Sans (2006, a grotesk inspired by a set of cardboard sign kit letters made by the Koehler Sign Company of Missouri in the late 1940 or early 1950s), Laughter JNL (2011), Night Sign JNL (2011, neon sign font), Sheldrake JNL (2006, condensed; the outline version is Sign Decal JNL, 2009), Sign Artist (2006), Sign Crafter JNL (2009, and its reworking, Sign Trade JNL), Sign Crafters JNL (2011), Sign Engraver JNL (2011, a rounded sans), Sign Kit (2006, based on the Webway Font Cabinet sign lettering system), Sign Maker JNL (2009), Sign Project JNL (2011, based on decals by the Meyercord Decal Company of Chicago), Signboard JNL (2008, based on die-cut cardboard display lettering once made by the Duro Decal Company (now Duro Art Industries) of Chicago), Signed JNL (2005), Sign Letterer JNL (2010), Sign Painter JNL (2010, based on a sales catalog sheet from the American Decalcomania Company, ca. 1950), Signed Production JNL (2009), Sign Shop JNL (2010, retro), Sign Card JNL (2011, mad by adding slabs to Sign Shop JNL), Sign Man JNL (2010, hairline face), Stock Signs JNL (2011), Market JNL (2009), Waite Park JNL (2010, also based on the Webway Font Cabinet sign lettering system), Fountain Service JNL (2010). [Google] [MyFonts] [More]  ⦿

Jeff Levine: The Eckhardt Series
[Jeff Levine]

Between 2006 and 2009, Jeff Levine published the Eckhardt Series, named after his friend Albert Eckhardt, Jr. (1929-2005) who had owned Allied Signs in Miami, Florida from 1959 until his passing. Several fonts by Jeff Levine are based on lettering found in an old sign painting book:

• Eckhardt Block JNL (2008).
• Eckhardt Broad Sans JNL (2008).
• Eckhardt Brushletter JNL (2011). Based on signage letteribg found in a 1941 Speedball Lettering Pen instruction book.
• Eckhardt Casual JNL (2011). Based on signage letteribg found in a 1941 Speedball Lettering Pen instruction book.
• Eckhardt Centerline JNL (2011). An inline caps face. Plain Talk JNL (2011) is similar but lacks the thin inline.
• Eckhardt Display Serif (2009).
• Eckhardt Dualine JNL (2011). A black inline all-caps face. The solid version is Sign Crafters JNL (2011).
• Eckhardt Embellishments JNL (2009).
• Eckhardt Freehand JNL (2008, brush script).
• Eckhardt Headline JNL (2009).
• Eckhardt Inline JNL (2008).
• Eckhardt Poster Block JNL (2009) and Eckhardt Poster Deco JNL (2009).
• Eckhardt Poster Display JNL (2011).
• Eckhardt Poster Brush JNL (2009).
• Eckhardt Poster Text JNL (2011).
• Eckhardt Sans JNL (2008).
• Eckhardt Showcard JNL (2008).
• Eckhardt Signwork JNL (2009).
• Eckhardt Signwriter JNL (2008, a Neuland style face).
• Eckhardt Slabserif (2011).
• Eckhardt Speedletter (2006).
• Eckhardt Titling JNL (2009, slightly art deco).
• Eckhardt Trilinear JNL (2011). This face was stripped down to the bilined Cellophane Tape JNL (2011).

Jeff's Fonts
[Jeff Levine]

Prolific type designer in Florida, b. 1952. His fonts were originally free and consisted largely of dingbats. Around 2005 he went commercial, and now sells his work (over 350 fonts as of 2009) via MyFonts. He has branched out into several font styles, with a soft spot for stencil fonts, fonts for signage, and fonts for advertising. Born in New York, his family moved to Florida in 1963, where he has been ever since. An interview. Alternate URL. Yet another URL with his early free fonts.

My pages on him.

Fontsy link. Picture. Dafont link. Abstract Fonts link. MyFonts link. [Google] [MyFonts] [More]  ⦿

Jelloween Font Foundry
[Tjarda Koster]

Dutch designer (b. 1985, Smallingerland), aka Jelloween, who designed the pixel fonts Blinkie 10 (2007), Silky Wonderland (2006, pixel face), Spinach (2006), Spinach Outline (2006), Webbies (2006, web dingbats in pixel format), Chewy Blossom (2006), Charriot Deluxe (2006), Charriot (2006), Spacy Stuff (2006), Smirnof (2006: an elegant dot matrix face), Every Day (2006), JL Quixs (2006, sans), Skinny (2005), Cyborg (2006, futuristic), Cranberry Blues (2006) and Pixelicious (2006). She also made the dingbat face Jellodings (2007, free here), the alphading face Alien-ABC (2006), the modern sans display face Ambrosia (2006), the bouncy typewriter face Humble Bee (2006), the 10-style simple sans family Machinato (2007) and the grunge faces Thoughts (2006; see also here), Smudgers (2006), Zhang (2007, slightly gothic), Vinegar (2008, free transitional face), Jellobrush (2008), Puppeteer (2008, grungy blackletter), Happy-Go-Lucky (2010, dingbats) and the funky family Gubblebum (2007, free). Jesterday (2011) is a bouncy sans family. Dafont link. MyFonts page. Another page. [Google] [MyFonts] [More]  ⦿

Jennifer Glasgow

American designer of the brush face Boulle (2011), a typeface designed for a course at The Art Institute of Austin. [Google] [More]  ⦿

Jim Lyles

Bitstream designer (b. 1955) who lives in Michigan City, IN. At Bitstream, he does in-house work, and has his signature on Candy Bits (1996, an M&M simulation font), Prima Sans (1998), Prima Serif (1998), Prima Sans Monospace (Bitstream, with Sue Zafarana, 1998) and Bitstream Vera (2003). According to Lyles, Bitstream Vera is actually a detuned Bitstream Prima. Gnome asked that we modify some of the characters in the monospace, particularly for coding legibility. We added a center dot to the zero and modified the lcase l to distinquish it from the figure one. Although I designed Vera (Prima), it was actually Sue Zafarana who adapted it to a mono version, at times a very challenging task. The Vera fonts are also here. Vera Sans is at the basis of Menlo (2009), a Snow Leopard system font, about which Apple writes: Apple's Menlo is based upon the Open Source font Bitstream Vera and the public domain font Deja Vu.

He revived some Filmotype fonts from the 1950s: Filmotype Reef (2011), Filmotype MacBeth (2007), and Filmotype Austin (2009, brush face).

Another MyFonts link. [Google] [MyFonts] [More]  ⦿

Jim Pearson

Designer of the freeware fonts Brassfield, Oakwood, Rounders, UrsaBrushSans, UrsaSerif and UrsaSerifEngraved (an open caps face). [Google] [More]  ⦿

Jim Rimmer

One of the great contemporary type designers whose creations had a lot of flair, individuality, and charm. Based in New Westminster (near Vancouver, BC), Jim Rimmer (b. 1934, d. 2010) was also an illustrator. Obituary in the Globe and Mail, dated April 27, 2010. He designed Albertan (Albertan No.977, Albertan No.978 Bold) and Cloister (2000; a roman type family originally done by Morris Fuller Benton) in the Lanston collection. He also designed faces like Juliana Oldstyle (1984), Nephi Mediaeval (1986), Kaatskill (a 1929 face by Goudy, revived and optimized for Lanston in type one format; the Kaatskill Italic was done by Rimmer based on Goudy's Deepdene), RTF Isabelle (Roman and Italic; 2006. A pair of delicate serif faces based on faces by Elizabeth Friedlander) and Fellowship (1986). ATypI states: "Jim began work as a letterpress compositor in 1950. He entered the field of graphic design in 1963, working as a designer lettering artist and illustrator, and freelanced in this capacity from 1972 to 1999 in the same capacity. In 1960, he began collecting letterpress printing and typefounding equipment, and now operates a private press and foundry (Pie Tree Press&Type Foundry). FontShop link. His metal faces at Pie Tree Press include:

• Juliana Oldstyle 18pt, 1981
• Nephi Mediaeval 18pt, 1983
• Fellowship 24pt, 1984
• Albertan 16pt, 1985
• Garamont [not entirely sure that this was done in metal]
• Cartier Roman 14pt, 2004
• Cree Syllabic 14pt, 2006
• Duensing Titling 12, 14, 18, 24, 36, 48&60pt, 2004-07. Duensing in use.
• Hannibal Oldstyle 18pt, 2003
• Quill 14pt, 2006
• Stern 16pt, 2008

• RTF Albertan: A great text family developed between 1982 and 2005.
• RTF Alexander Quill: An artsy fartsy (in the good sense) and slightly 1920s Czech type family.
• RTF Amethyst: A tall ascender serif family.
• RTF Cadmus: A stone slab or Greek simulation face. P22 writes: Rimmer's re-working of a design done by Robert Foster, a hand lettering artist. Foster's type, named Pericles, is a style that he used for a time in lettering magazines and advertising headings. The design is based closely on early inscriptional Greek, but is less formal than the sans types of Fosters time. Cadmus keeps the proportions of Pericles but is overall less quirky than the Foster design.
• RTF Cotillion (1999): A tall ascendered Koch inspired sans family. Looks quite like Bernhard Modern.
• RTF Credo: A six-weight sans family.
• RTF Dokument: An extensive sans family: Dokument was my attempt to make a Sans Grotesque in the general weight of News Gothic (for the Dokument regular) but took nothing from News Gothic. I used some of the basic forms of my Credo series, but made many on-screen changes and broke away entirely from Credo on the range of weights. My plan was to make a typeface that will fill the requirements of financial document setting; things like annual reports and other such pieces of design. It is my hope that the large family of weights and variants will suit Dokument to this kind of work. This family will make some impact in 2006!
• RTF Elizabeth: An elegant tall ascender face about which Rimmer writes: Elizabeth Roman and its companion Italic were designed as a pair by Elizabeth Friedlander, and cut and cast for decades by the historic Bauer foundry of Germany.
• RTF Fellowship: A standard script.
• RTF Lancelot Titling: A roman titling face with Koch-like influences.
• RTF Lapis: A calligraphic serif, inspired by Rudolf Koch.
• RTF Posh Initials: A formal script.
• RTF Poster Paint: A fat irregular poster font inspired by Goudy Stout.
• RTF Zigarre Script: A bouncy brush script with rough outlines.
• RTF Canadian Syllabics (2007): This font was developed as a metal typeface by Jim Rimmer for a special project and is now available in digital form. Containing over 700 glyphs in OpenType format, this font covers most Canadian Aboriginal Languages. RTF Canadian Syllabics is a more calligraphic version of the syllabary developed by Reverend James Evans for the languages of the native tribes of the Canadian provinces in the early 1800s. Jim Rimmer originally designed the characters for the Eastern and Western dialect Cree to be cut as a metal font. The digital version then grew to include all the characters of the Canadian Syllabics Unicode block.
• Nephi Mediaeval (2007), a type heavily reflective of the semi roman of Sweynheim and Pannartz (in Jim's words).
• Stern (2008, RTF) was simultaneously released both digitally and in metal. Named after the late printer Christopher Stern, it is an upright italic intended for poetry. Colin Kahn (P22) has expanded the Pro digital version (originally designed by Jim Rimmer) for a variety of options. The set features Stern Aldine (Small x-height Caps with standard lower case), Regular, Tall Caps (with standard lc)&Small Caps with x-height caps in place of lc). Youtube. David earls writes: I've heard people say that letterpress gives warmth, but I prefer to think of it as giving humanity. That the types interaction on a page is so dependent on the punch cutter, the caster, the compositor, the printer, the humidity, the papermaker and inkmaker gives it a humanity, not a warmth, and decries the demise of letterpress.
• RTF Loxley (2010): The style of Loxley is based on early Roman faces, such as the "Subiaco" type of the late 1400s that was also inspirational to Frederick Goudy for his "Franciscan", "Aries" and "Goudy Thirty" type faces. Loxley displays some of Jim's particular left handed calligraphy and is in a similar style to his "Fellowship" and "Alexander Quill" faces, both of which were made in metal and digital formats.

Jim Rimmer passed away early on January 8, 2010. His friend Richard Kegler (P22) wrote this obituary the next day: Jim was a multi-talented type designer, graphic artist, bookbinder, printer, letterer, technician and a most generous teacher. He was never glory-seeking and turned down most speaking engagements offered to him, not out of vanity or indifference, but rather thinking that he was not worthy of being given a spotlight. Jim offered free typecasting instruction to anyone who asked and came to visit him in his studio in New Westminster BC. He took as much time as needed and was generous to a fault. Anyone who took him up on this open invitation can attest to the intense and elegant chaos of his studio and work habits. I was fortunate enough to know Jim but for only a few years. What started as a business arrangement grew into a mutual respect and ongoing correspondence that I can only describe as life changing for me. His kindness and generosity were exceptional and his diplomacy even when given the opportunity to speak ill of anyone else was measured and kind. Jim's dedication to the craft of type design and related arts was beyond most if not all contemporaries. After his "retirement" from his professional life as a graphic artist and illustrator, he tirelessly worked on type designs for book projects where all aspects of his skills were applied. His book "Leaves from the Pie Tree" (I encouraged him to change the title from his original plan to call it "Droppings from the Pie Tree"...a truly self-effacing Jim Rimmerism) is the best single tome that summarizes his life and work. He designed the book¹s typeface in Ikarus (as he had with the 200+ other type design he created), cut the matrices and cast the type, wrote the text using an autobiographical introduction and continued to explain the process he used to cut pantographic matrices for his metal typefaces. The multi colored lino cut illustrations, book design, individual tipped in sheets and attention to press work and binding would be impressive for one specialist to complete on each component. The fact that Jim did all of this himself is awe inspiring. A trade edition of this book has been printed by Gaspereau press but does not hint at the grandeur of the beautiful book that is Pie Tree. Jim's follow up of his edition of Mark Twain's Tom Sawyer (set in his Hannibal Oldstyle font designed for and fitted onto on a monotype composition caster) was recently completed and is equally if not more imposing as a fine press book, but with a sympathetic humor and humanity that would knock the stuffing of any other fine press attempt at the same material. Almost two years ago I visited Jim for a week and filmed footage for a documentary on his cutting of the Stern typeface. For various reasons the finishing of the film has been delayed. I truly regret that Jim could not see the finished version. With the film and his Pie Tree book, Jim generously conveys information on making metal type that has otherwise been largely lost and previously limited to a now defunct protective guild system. It was his wish that the information and craft be kept alive. Jim's last email to me was in classic Jim form hinting at his tireless dedication to his work: details of a new type family for a new book. He was one of the great ones. He will be missed.

Sumner Stone: Jim's insights into Goudy's typefaces in particular, and his devotion to doing everything in his own shop made me think he was perhaps Fred's reincarnation, but it took me awhile to realize this due to the self-deprecating personality you so accurately describe. His passing is truly a great loss to our craft.

Rod McDonald: I would like to relate a telephone conversation I had with Jim last month because I believe it shows his incredible spirit, and wonderful sense of humor. My wife and I visited Jim in November and were delighted to hear that his doctors had pronounced him cancer free. He looked good, just a little tired, but that was to be expected after his recent radiation treatment. Of course he was also anxious to get back to work. Less than two weeks later I received an email from him informing me that they had discovered that the cancer had spread to his lungs and, not only was it inoperable, he now only had six months to live. This sudden turn of affairs was devastating for me and I called him, hoping I think, to hear that it wasn't as bad as it sounded. He said it was bad and apparently nothing could be done. However he felt he would outlive the six months and in fact we even talked of getting together in the fall. The conversation then turned to his latest type family and when I gently asked him how long he thought it it would take to complete he simply said "I've got lots of time, after all I'm only going to be dying during the last fifteen minutes". I knew Jim for thirty-five years and will miss him more than his work, and that's saying a great deal.

Pictures: Jim Rimmer casts 48pt ATypI keepsake (by John Hudson), Remembering Jim Rimmer (Facebook group), In his studio, a picture taken by the Globe and Mail. Another pic. Making Faces (trailer) (movie by Richard Kegler). ContentDM collection. Jim Rimmer at the Fine Press Book Association.

View all typefaces by Jim Rimmer. An alphabetical listing of Jim Rimmer's typefaces. [Google] [More]  ⦿

Joachim Roussel

Belgian designer in Schaerbeek (b. 1970) who created the beautiful brush / charcoal face Holmes Titling (2010). Dafont link. [Google] [More]  ⦿

João Paulo Evangelista

Creator of the Japanese-look brush face Gyosho (2010). [Google] [More]  ⦿

Jobruce

Jobruce used iFontMaker to create Crimester (2011), a brush face. [Google] [More]  ⦿

Jochen Schuss

German designer of the display faces Linotype Paint It and Paint It Black (2002, part of TakeType 4), ITC Vino Bianco (1998), ITC OutOfTheFridge (1996), ITC Whiskey (1999), ITC Kokoa (1996, inspired by lettering in Ghana), ITC Aspirin (2000), and the sans serif family Linotype Textra (2002, with Jörg Herz), ITC Schuss Hand, ITC Schuss Hand Bold. With Bob Alonso, he designed the brush face ITC Outback.

FontShop link. Klingspor link. Linotype link. [Google] [MyFonts] [More]  ⦿

Jody Burge

Designer of these free fonts in 2006-2007: Dancers (alphadings), Expecting (fat brush), Touch of Class, Deer by Jody Burge (alphadings), Elvis, Go Wildcats (all caps) and The Blob. [Google] [More]  ⦿

JOEBOB Graphics
[Jeroen J.W. Van Der Ham]

Dutchman Jeroen Van Der Ham ("joebob"), who is based in s'Hertogenbosch, designed mostly handwriting fonts: Serial Sue (2012), calligraPhillip (2012), Mixtape Mike (2012, a fat finger face), Dear Joe 3 (2010), Brushtip and Brushtip Travis (2010, two of his nicest faces, with a calligraphic and rough-edged touch), Vince Hand II (2010), Crossword Belle (2009), BrushtipTerrence (2009), Brushtip Texe (2009), OnetrickTony (2009), Christel Line (2009, +Black), Etch A Sketch (2009, grunge), DearJoe 5 Casual (2008), PencilPete (2008, handwriting).

Fonts added in 2007: Curly Joe, Sinister Sam (calligraphic), VincHand (handwriting of Vincent Haenen), DearJoe5, Moan Hand, FancyPens (a calligraphic pen).

Fonts added in 2006: FlutSaus (handprinted; done with Hilde Rikken), Amorrisline, Hilde Caps (based on the handwriting of 9-year old Hilde Rikken), C rial, Hildinia Donut, BrunoBook, BuffaloStance, Stam Pete (grunge), CrosswordBill, DearJoe 1, JoeHand 2, Kali Graff, Billie Barred, Bearer Fond.

His oldes fonts: BillieBarred (multiple-lined handwriting), BillieBob, BillieBoldHand, BillieKid (nice stencil font), BobTag, CalamityJoe, CrappyJoe, DearJoeItalic, DearJoe II, DearJoe IV (antique handwriting, 2005), DoctorBob, FruscianteHand, FuturexBob, JoeBobstraight, JoeHand, MarkerMoeII, MonaLisa (2001), OnepunchJimoutline, Detour Dork (2002).

His fonts are available from MyFonts. Fontspace link. Font Squirrel link. Fontsy link. Alternate URL. Dafont link. Typoasis link. A href="http://www.abstractfonts.com/designer/375/JOEBOB%20graphics">Abstract Fonts link. Klingspor link. [Google] [MyFonts] [More]  ⦿

John Roshell
[John Roshell]

Designer (b. 1970, Mountain View, CA) of many (most) fonts at Comicraft, a comic book font outfit in Los Angeles, CA, a company he cofounded with Richard Starkings in 1992. FontShop link.

Some fonts: Altogether OOky, Addams-AltogetherOoky, Addams-Capitals, Addams-Regular, CCBithead-Bark, CCBithead-Byte, CC Bryan Talbot (2008, created for Bryan Talbot's Alice in Sunderland), CCHooky-Open, CCHooky-Solid, CCAlchemite, CCChills, CCDigitalDelivery, CCDivineRight-Regular, CCDoubleBack-Future, CCDoubleBack-Past, CCElsewhere-Regular, CCFlameOn, CCFrostbite, CCGrimlyFiendish-Regular, CCJimLee, CCJoeMadInt, CCLosVampiros, CCMeanwhile, CCMeltdown, CCMonsterMash, CCSpills, CCSplashdown, CCStormtrooper, CCTheStorySoFar-Regular, CCThrills, CCToBeContinued, WildAndCrazySFX. With Richard Starkings, he designed Achtung Baby (2001), Adamantium and DoubleBack in 2001 for Agfa/Monotype. Other designs: Dave Gibbons (2006), UpUpAndAway (2005), Forked Tongue (2005), Paranoid Android (2005), Snowmany Snowmen (2005), Gibbous (2006), Astronauts in Trouble, Chatterbox, Red Star, Tough Talk, Sean Phillips, Atomic Wedgie, Pass The Port, Divine Right, Shoutout, Battle Scarred, Danger Girl, Primal Scream, PhaseSonStun, Yeah Baby, Nuff Said, Trick Or Treat, MonsterMash, CarryOnScreaming, Chills, Goosebumps, CreepyCrawly, GrimlyFiendish, IncyWincySpider, Spookytooth, Meltdown and TrickOrTreat dingbats, BiffBamBoom, Spellcaster, Cheese And Crackers, FaceFont, Hedge, Meanwhile, Wildwords International, Comicrazy, Storyline (2006), Happy Holidays (2007), Foom (2007).

MyFonts sells these fonts by him: Adamantium, Alchemite, Altogether Ooky, Area51, Aztech, Battle Cry, Bithead, Chills, Dave Gibbons, Dead Mans, Destroyer, Digital Delivery, Divine Right, Drop Case, Elsewhere, Euphoria, CC Fairy Tale (2007), Face Front, Fighting Words, Flame On, Foom, Frostbite, Gibbons Gazette (2009, Gobbledygook, Golem, Grimly Fiendish, Happy Holidays, Hellshock, Hip Flask, Holier Than Thou, Hooky, Hyperdrive, Joe Kubert, Meanwhile, CCMild Mannered (2007), Monologous, Near Myth, Overbyte, Phat Boi, PhilYeh, Rough Tongue, Sanctum Sanctorum, Scott McCloud, Smash, Speeding Bullet, Spills, Splashdown, Spookytooth, Stonehenge, Stormtrooper, Storyline, Thats All Folks, The Story So Far, Thingamajig, Thrills, Tim Sale, Tim Sale Brush, Timelord, Treacherous, Treasure Trove (2007), Up Up And Away, Wild And Crazy, Zzzap, Deadline (2007), Kickback (2007, with David Lloyd), Sticky Fingers (2007, scary).

Typefaces made in 2008: Ratatatat (2008), CC Mad Scientist (2008), HammerHorror (2008), EnemyLines (2008, based on WWII lettering used by the nazis), Cutthroat Lower (2008), Philyeh (2008), Doohickey Lower (2008), CC Sign Language (2008, fruit vendor lettering).

Typefaces made in 2009: SpillProof (2009), Slaphappy (2009), Hooky (2009, spraycan style), Long Underwear (2009), Digital Delivery (2009), Grande Guignol (2009, art nouveau), Bronto Burger (2009), Elsewhere (2009, art nouveau), Exterminate (2009, stone carving face), You Blockhead (2009), CC Rugged Rock (2009),

Creations in 2010: Wild Words Lower (2010), Back Beat (2010), Rick Veitch (2010, based on the lettering of comic book artist Rick Veitch), Credit Extension (2010), Shiver (2010, with Richard Starkings), Shake (2010, with Richard Starkings), Elephantmen (2008-2010, squarish family).

Contributions from 2011: Knobbly Knees, Ed McGuinness (comic book script family), Big Top, Clean Cut Kid, Dash Decent (a very round almost-bubblegum family), Fancy Pants (connected script), Goth Chic (blackletter).

Fonts from 2012: Lunar Modular, Lunar Orbiter, Lunar Rover, Geek Speak. [Google] [MyFonts] [More]  ⦿

John Sheffield

Designer of Bad Seed, a shareware brush-like font. See also here. [Google] [More]  ⦿

John Stevens

Calligrapher and letterer in Winston-Salem, North Carolina, who occasionally designs logo type and is involved in calligraphic-looking custom type. Since he started in 1983, he has published three books on the subject. Scans of some of his work: Suitor and the suit (calligraphy), White Horse Press (logo), Sakura (brush, Fornication (calligraphy), Calligraphy Centre (logo for his business in Winston-Salem).

In 2011, John Stevens and Ryuichi Tateno combined forces to publish the four-font calligraphic brush series Stevens Titling at Linotype. It comprises Stevens Titling Boar Brush, Wolf Brush, Sable Brush and Badger Brush styles, all based on the Trajan style. [Google] [MyFonts] [More]  ⦿

John Viner

Designer of ITC Bodoni Brush (1995), Tiger Rag (1989) and ITC Viner Hand (1995). [Google] [MyFonts] [More]  ⦿

Jon Sperry

Jon Sperry (b. 1981, USA) is also known as Ominous Cat at Dafont. He created the handprinted brush face Sewer Rat (2008). [Google] [More]  ⦿

JonahFonts
[John Nahmias]

Type and logotype company in Polanco, Mexico, run by John Nahmias (b. 1935, New York City). John is a graphic designer who started his career in 1952 in a New York studio with Lucian Bernhard. He left that company in 1958. He now lives in Mexico where he paints and runs his own studio. John's typefaces, mostly but not exclusively scripts, are sold by MyFonts.

• A: Altura (2007, a serif family for covers), Amplia (2008, connected script in the style of Mistral; see also New Amplia (2010)), Annabel Lee (2011, upright connected monoline script), Aristide (2007, grunge), Aros (2009) Arroba (2010, a directionally challenged heavy slab serif), Artichoke (2011, fat signage script).
• B: Bonafide (2009, sans family), Buggy Ride, Bulwark (2011, oddly-serifed).
• C: Caravan Script (2007), Casual Brush (2007), Chatter (2010, influenced by signage), Cherry Lane (2011, fat round signage face), Chit Chat (2009, comic book style), Circuitry (2007, rounded octagonal face), Claxon (2009), Coliseum (2007), Cornerstone, Cornerstone Flair, Credititle (2009).
• D: Designers Gothic (2009, a poster sans family).
• E: Epoch (2009, organic), Etiquette (2009, casual script).
• F: Fabius (2008, a fat-nibbed pen face), Feather Pen (2007), Fidelity Caps (2009), Fountain Pen (2007), Front Page (2011).
• G: Gallivant (6 styles), Garabato (2008, informal hand), Georgie (2011, upright connected script).
• H: Hacienda (2008, handprinted), Honcho (2007). Lucian Bernhard's Magnetype font series is being revived in 2010 by John Namias, starting with Bernhard's Community Low and Community Condensed, which is called Harpsichord.
• I: Interum (2007).
• J: Janagrace (2007, flowing script), Jonah Brush (2010, basic signage font), Jonahpad (2008, handprinted), Joyscript (2007), Juggler (2010, signage / comic book face), Juke Box (2009, calligraphic).
• L: La Rotonda (2009), Lyanna (2008, brush script).
• M: Mark (2010, a grungy marker script), Medalist (2008, flat-nibbed pen script), Meridia script (2009),Metrolite (2011), Mulberry Road (2011, fat retro diner script).
• N: Nebbiolo (2012, a monoline fashion mag sans family).
• P: Palazzo (2007), Paloma (connected script), Pinot Noir (2009, calligraphic), Pony Tale (2009, signage face).
• Q: Qualico (2009, semi-serif 1970s family).
• R: Rave (2011), Regalo (2010, an organic family), Reto (2012).
• S: Scriptelle (2007), Scriptonah (2007; John Downer writes: Scriptonah, in any of its four weights, is not particularly pretty or delicate, but it is far from homely. It is firm and fibrous. It is raw.), Scriptonite (2010, a packaging script), Showtime (2011), Sign Brush (2010, a lively signage face), Singular (2009), Starlette (2009), Steletto (2007, condensed), Steletto Oldstyle, Steletto OS Flair, Steletto Serif, Stumpy (2011, display sans), Suite Slab (2011).
• T: Talento (2007, script), Tiggly Wiggly (2009, handprinted), Tingle (2009, comic book face), Tubo, Twiggs (2009, handprinted).
• U: Unigram (2011, monoline unicase family).
• W: Wordscript (2007, almost a brush script).
• Y: Yacqui (2009, Mayan look face).
• Z: Ziggy (2007).

Jovana Gaspar

Zrenjanin-based Yugoslav designer (b. 1986) of Milkman Conspiracy (2006, brush script), Anime Eyes (2006) and A Lolita Scorned (2006). Home page. Dafont link. [Google] [More]  ⦿

Jukebox Type (was: JAW Arts Fonts)
[Jason Anthony Walcott]

JAW Arts Fonts was created by Jason Walcott (b. Trenton, MI, 1971) from Hollywood, CA. It features many elegant calligraphic fonts, many comic book style faces. His bestsellers at MyFonts. Acroterion JF (2002, formal script), Adage Script JF (2002, formal script), Alpengeist, Andantino (2003), AnnabelleJF (2002, a formal script), Baileywick Curly, Baileywick Festive, Baileywick Gothic, Baileywick Happy Grams (star dingbats), Baroque Text JF (2003, a great Fraktur font based on a hand-lettered alphabet drawn by Ross George), Boxer Script, Bronson Gothic, Buena Park, Cathexis (2010, a heavy poster font), Cavetto, CharadeJF (2001, informal script), Debonair, Fairy Tale, Fanfare (2004, a bouncy serif family), Fenway Park, Friki Tiki, Geometric Soul (2004, an art deco all caps face), Gypsy Switch, Holiday Times, Hucklebuck (2003, upright connected signage face), Jeffriana, John Andrew JF, KonTiki (a family published in 2002 containing Aloha, Enchantment, Hula, Kona, Lanai, Lounge and Trader), Lady Fair, Luxury Royale (2003), Manual Script JF (2002), Martini (2004, a brush script), Mary Helen, Opulence JF (2002, formal script font), Peregroy, Periwinkle (2006), Cabernet (2006, frilly didone), Polynesian (2004, Hawaiian-look face that could also pass for an oriental simulation face), Primrose JF (2002, formal script), Rambler Script, Randolph, Retro Repro (2002, based on a script by Jerry Mullen from 1953), Saharan, Scriptorama (Hostess, Markdown and Tradeshow), Shirley Script JF (2003), Southland, Spaulding Sans, Stanzie, Stella Ann (2005), Stephanie Marie JF (2003), Tamarillo (2005), TwisterJF (2003), Valentina Joy, Varsity Script, Viceroy, Walcott Gothic (Fountain, Hollywood and Sunset), Groovin (2005, Umbrella Type), Wonderboy. The fonts of this West Hollywood, CA-based foundry can be bought at MyFonts.com. In 2003, he started Jukebox Type and started offering his fonts at Veer. In October 2003, Veer acquired Jukebox Type outright.

In 2005, they added Rootin Tootin (Western style), Dulcimer (soft script), Block Party, Dandelion, Marmalade (idyllic script).

In 2006, he created Jukebox Bookman, a 6-weight family, and the brush script face Stephanie Marie.

In 2007, he added Hellenic Wide (after a 19th century ATF font), GiggleScript JF, Savoir Faire (after a handlettered slogan in 1940 for Chesterfield cigarettes), Lollipop.

2008 additions: Hogwash (paintbrush face), Antiquities Technobaby.

2009 additions: Cynthia June (calligraphic).

Typefaces from 2010: Eloquent (a didone in the style of Pistilli). [Google] [MyFonts] [More]  ⦿

Julia Kors

Moscovite who created Brush (2010). [Google] [More]  ⦿

Julius Kirn

Born in 1909 in Stuttgart. In 1938, he designed Oleander at Genzsch&Heyse (which was digitized and expanded as Rostrum (2005, Rebecca Alaccari, Canada Type)). In 1935-1938, he created the brush script / comic book face Bison at Johannes Wagner [see also at C.E. Weber in 1939]. Bison is also known as B731-Deco-Regular (SoftMaker), Blizzard Standard (URW), Fontbank Sprite, Bitstream Brush 738, WSI Handybrush, Berthold Bison and Softmaker Bluff. [Google] [MyFonts] [More]  ⦿

Kai Pelt

Danish designer (Aalborg) in 1937 of the brushy face Stafet (William Simmelkiær Skriftstøberi). This site shows a 1938 note that announces that Kai Pelt had won the type competition held by Grafisk Compagni in 1937 with his typeface Palet, later known as Stafet. [Google] [More]  ⦿

Kapitza
[Nicole Kapitza]

Kapitza ir run by the Oberndorf, Germany-born Kapitza sisters, Nicole and Petra. They relocated to London to study graphic design at Camberwell College of the Arts. They established Kapitza in 2003 in London, where they create imaginative dingbat fonts.

Their typefaces: Wave (2012), Pod (2012), Tape (2012), Orbit (2011, circular scribbles), Dainty (2011), We Love mature Autumn Leaves (2011), We Love Nature Blooms (2010, +Outline), Furry (2010, silhouettes of cats and dogs), We Love Nature Leaves (2010), We Love Nature Bouquet Flowers (2011), We Love Nature Summer Flowers (2011), Roto (2011, kaleidoscopic ornaments), Paris (2010, Paris-themed dingbats T-26), New York (2010, T-26), Dalston (2010), FF Elementary (1995), Moonscape (1995, T-26, grunge font), East End (2005, silhouette fonts consisting of Brick Lane, Liverpool Street and Victoria Park), Blossomy (2005, T-26, flower dingbats), Posy (2009, a flower font inspired by the plant Sison Amomum or Stone Parsley), and LunarOrbiter (1998, T-26, text font), the animal dingbat fonts Furry (2006) and Feathery (2006), Hearts (2007), Pop (2007), Pop Flowers (2007), Architekt (2007), Brick Lane (2005), Victoria Park (2005), Liverpool Street (2005), Painter (2007, a brush face), We Love Nature (2009, flowers), We Love Nature Stems (2010, +Two), We Love Nature Forest (2010), Snow (2009, snow crystals), Manhattan (2009, silhouettes), Cyberkids, Cybergirls and Cyberboys (2007, silhouette faces), Ice Flowers (2009), Geometric (2008, 101 fonts with patterns).

Nicole also makes high quality vector graphics such as this beautiful set of snow crystals. Other vector illustrations include leaves, flowers, a herbarium, blooms, stems, heads of people and pop flowers.

Myfonts link. FontShop link. Interview by MyFonts in 2010. Klingspor link.

Interview in 2010. [Google] [MyFonts] [More]  ⦿

Karen Mosby

Graphic designer in Toronto, who made several handprinted and brush typefaces in 2012, including a typeface family called Bonfire. She also made the ornamental caps face Architecture Type (2012). [Google] [More]  ⦿

Karl Gustav Hans Möhring

Born in Halle, 1894, died in Ludwigsburg, 1958. Painter and commercial artist who was educated at the Leipzig Academy for Graphic Arts from 1912 to 1914 and from 1919 to 1920. Afterwards, he worked independently in Leipzig and Berlin. After the Second World War, he was active in Naumburg.

• At Genzsch&Heyse, he created Phalanx (1931; Jaspert says 1928), a monotone roman with thickened terminals.
• At C. E. Weber, he made the formal medium-weight script Gabriele (1938; both Hastings and Jaspert says this was done in 1947, so I am not sure), the script face Gladiator, and the Peignot-style sans serif capital font Florida (1931). Irt is unclear where Gladiator started as it is also reported by Schriftguss and by Typoart.
• At D. Stempel, he made Elan (1928). Jaspert gives the date 1937. Frank Griesshammer, who did a digital revival of it also called Elan, claims it was done in 1936. In any case, Elan is an ugly heavy informal script.
• Still at D. Stempel, he made Elegant Grotesk (1928-1929), a family of three weights and one inline. Elegant Grotesk is identical to Guildford Sans (Stephenson Blake: they changed the name). There is a digitization and major extension of Elegant Grotesk to four styles by Jo de Baerdemaker, entitled Elegant Contemporary (2009), and to twelve styles by Steve Jackaman and Ashley Muir, entitled Guildford Sans (2011). The bilined face Elegante Lichte (1928) was revived by Nick Curtis as Relampago NF (2011).

Karlgeorg Hoefer

German scribe, type designer and unbelievable calligrapher, b. 1914 in Schlesisch-Drehnow, d. 2000 in Offenbach. Following schooling in Schlesien and Hamburg, he served a four-year typesetting apprenticeship from 1930-1934 in Hamburg and later at the Kunstgewerbeschule (School of Arts and Crafts) in Offenbach am Main. From 1939 until 1945 he was in active military service and became a prisoner of the Russians. After that ordeal, he became a calligraphy teacher at the Werkkunstschule in Offenbach, and developed a universal pen with novel writing and drawing techniques for the company Brause. It is at that point that Hoefer started designing types as well. From 1970 to 1979, Hoefer was a lecturer and later professor at the HfG (School of Design) in Offenbach. From 1981 to 1988, Hoefer ran summer calligraphy workshops in the USA (Los Angeles, San Francisco, Boston, New York, Washington, and other cities). In 1982, Karlgeorg Hoefer founded a calligraphy workshop in Offenbach for everyone, with evening courses and summer school, and in 1987, the registered association "Calligraphy Workshop Klingspor, Offenbach, Supporters of International Calligraphy." From 1987 to 1995, he was the chairman of the association while teaching continuing courses and summer school classes with leading foreign calligraphers. Hoefer has written two books about calligraphy: "Das alles mit einer Feder" (Brause, 1953) and "Kalligraphie, gestaltete Handschrift" (Econ, 1986). Numerous articles about Hoefer's work have appeared in calligraphy journals in Holland, France, the USA, and Japan. In 1989, the book "Schriftkunst/Letterart Karlgeorg Hoefer" was published as part of Calligraphy-Editions Herbert Maring (Die Kalligraphie Edition, Hardheim, Germany, 1989). For his activities as a calligrapher, Hoefer received the Order of Merit of the Federal Republic of Germany in 1993. His typefaces:

• At Klingspor: Salto (1952), Saltino (1953), Saltarello (1954), Monsun (1954). Salto is a famous and often-copied brush script.
• At D. Stempel: Prima (1957), Zebra (1963-1965, D. Stempel, a script that plays on the simulation of grey; revived by Colin Kahn in 2007 under the same name at P22).
• At Ludwig&Mayer: Permanent (1962-1979, a large Grotesk family developed over many years---this was revived by Daylight in 2010 as Permanent Massiv; URW sells Permanent Headline URW D without even a word about the original designer; Softmaker has Plakette Serial and P700 sans), Stereo (1963, an outline poster headline script developed between 1957 and 1968; digitally revived in 1993 as Stereo (Font Bureau)), Elegance (1964, a handwriting script, which was the basis for Sincerely (2005, Canada Type)), Big Band (1974, a fat poster script revived in 2007 by Nick Curtis as Baby Cakes NF), Headline (1964, a poster face that emanated fom Permanent).
• Programm-Grotesk (1970): Hoefer's first digital typeface, commissioned by JT Hellas for the Greek telephone books It was first used in the digital machine Digiset of Dr. Ing. Hell in Kiel.
• From 1978-1980, Karlgeorg got involved in the development of a German license plate font that could withstand forgery by black marker pens. The typeface, FE Mittelschrift/Engschrift, had also input from other sources.
• Lateinischen Ausgangsschrift (1974): a school script for the Linotype phototypesetter. This led later to VA Schrift (Berthold and Linotype).
• At Linotype: Omnia (1990, a unicase face with a Celtic uncial feel), San Marco (1990, round gothic / Rundgotisch), Notre Dame (1991-1993, a full blackletter face), Dominatrix (1994), Sho (1992, Asian brush script), Beneta (1992, a French bastarda inspired by the Littera beneventana, the script of the Benedictine scribes from the 10th to the 12th century).

Kea Bertell

Kea Bertell studied Spatial and Furniture Design at University of Art&Industrial design Helsinki. After being injured she started working as an illustrator with her husband Emil Bertell at Fenotype in Turku, Finland. Her first typeface, done in 2010, is the brushy Biscuits and Gravy. [Google] [MyFonts] [More]  ⦿

Keener Graphics Design Fonts
[Ted Keener]

Ted Keener's fonts (suffixed with KGD): AAWays, AAWays-Outline, Bahston Oldtype, Beverly Caps, Clintonville, Coyle, Eclectic, Eccentricly Squat, FatBrush Serif, Filipbar, FlairBrush, Foster Normal, Galathea, Graybar Book, Greeting Monotone, Hispania, KatieSmallCaps, Loucks Condensed, MySig, Oxford Decorative, Pin-Up, Quaint Roman, Sbeth, Sylphide Italic, TabascoMexico. Some elements are familiar: Foster Normal is like Bernhard Fashion, Beverly-Hills is like Broadway (but a good alternative!), and Greeting Monotone reminds me of Groening, the Simpson's font. Clintonville is a neat display font. In fact, nearly all the fonts are display fonts. The winner for me is Oxford Decorative, although the sans-serif TabascoMexico is a close second. [Google] [More]  ⦿

Ken Barber

Letterer and type director at House Industries. He also teaches experimental typography at the Maryland Institute's College of Art. His interests include the inter-disciplinary relationship between hand-lettering and type design. His typefaces include Maddhouse (1994), Heads of the Household, Fink Bold (1996), Fink Brush (1996), Fink Casual (1996), Fink Condensed (1996), Fink Gothic (1996), Fink Heavy (1996), Fink Roman (1996), Fink Sans (1996). The Rat Fink series was made with Ed Roth. Part of the proceeds from each sale go to the estate of Ed "Big Daddy" Roth. At ATypI 2004 in Prague, he spoke about "Imre Reiner: the alphabet as art". Ken Barber and Tal Leming combined forces in 2008 on the signage script family Studio Lettering Swing (House). He digitized Ed Gothic and Ed Script, both originally designed by Ed Benguiat. These fonts won awards at the TDC2 2005 type competition. Smidgen (2011), Studio Lettering Slant (2008) and Blaktur (2007) won awards at Letter2 in 2011. He spoke at ATypI 2005 in Helsinki on Lettering, typography or somewhere in between. At ATypI 2008 in St. Petersburg, his talk (shared with Tal Leming) was entitled Pac-Man fever, quantum mechanics and the design of digital type. Typographic picture by TDC. [Google] [More]  ⦿

Kevin Byrd

Creator of the free brush face Scary. Dafont link. [Google] [More]  ⦿

KidTYPEPaint

A brush font published by Monotype in 1998. See also here. [Google] [More]  ⦿

Kimberly Geswein

Born in Missouri in 1979, Kimberly moved first to Texas and later (in 2007) to China, and most recently, to Orlando, FL. She made some free fonts (often handwriting styles), and also ran a personal handwriting font service [those fonts have names that start with KGD]. MyFonts link. FontSquirrel link. Home page. Fontspace link. Fontsy link. Abstract Fonts link. Dafont link. Klingspor link. Google Web Font Directory link. Family home page. Her fonts, by year:

• 2007: The grunge faces XiaoGao, More-than-Enough, Eat More Chocolate, JoyfulJuliana (2007, and its Pro version, 2010), LoveYaLikeASister, Colourmepurple, KingcooLKC and You Are Loved (in 2009, Roger S. Nelsson completed it to You Are Loved Pro). She also made the handwriting faces Patient Paige, Promised Freedom, Xiao Gao, Complete in Him (made into a commercial Pro version by Roger S. Nelsson), Burst My Bubble (commercialized at CheapProFonts as Burst My Bubble Pro), JustMeAgainDownHere, Surrendered Heart, It Ain't Rocket Science (in 2010, Roger S. Nelsson made a Pro version at CheapProFonts), Sue-Ellen-Francisco, and the curly Jheri Curls and Tuna-and-Hot-Dogs-on-Rye.
• 2008: the handwriting faces Come Unto Me and Loved by the King.
• 2009: BattyGirl, Bina Bina, Lollipop, NeverLetGo, Scrogglet, Sunshine In My Soul, YooHaeMool, Celebrate The Day (extended by Roger S. Nelsson in 2009 to Celebrate The Day Pro), Mighty To Save, King Kool KC Pro (kid's hand; done with Roger S. Nelsson, CheapProFonts).
• 2010: Shelter Me (handwriting), Elizajane (handwriting), Written on his hands (handwriting), Contrary Mary (handprinted), Shining Like Stars (handprinted), Give You Glory, Nothing You Could Do, Who Needs Consistency, happyhanneke, Zeyada, He Formed My heart, Change Tomorrow Today, Frangipani Rose, Blocked Off, Throw My Hands Up In The Air, Indie Flower, You Wont Bring Me Down, Addis Ababa, Cedarville Pnkfun (1 Cursive, 1 Print), Swanky and Moo Moo, Husband of the Millennium, Soggy Kitten, The Truth of a Thousand Lies, Soli Deo Gloria, Annie Use Your Telescope, Waiting for the Sunrise, La Belle Aurore, Airplanes In The Night Sky Pro, Dawbing of a new day, Shadows into light (+Two), Covered by your grace, Architect's Daughter.
• 2011: A Safe Place to Fall, Shark in the Water, Architects Daughter (architectural lettering), A Year Without Rain, My Hands Are Holding You, Discover Beauty, Lavender Lime, Later Allie-gator, You Found Me, Blessings through raindrops, I missed you, Kate The Great, Pizza Is My Favorite, A Hundred Miles, Hanging by a thread, My Lucky Penny, Jar of hearts, Never grow up, My Lucky Penny, Beautiful Every Time, Never Say Never, Swanky and Moo Moo, Over the Rainbow, Sue Ellen San Francisco, Pineapple Delight, Viva La Vida, The Only Exception, Written in the stars, we are broken, The Only Exception, Brick by boring brick, She paints me blue, Beautiful every time, Jar of hearts, Dancing in the Minefields, My Hands are Holding You, You Found Me, Blessings through raindrops, Stars from our eyes, From where you are, Throw my hands up in the air, The great escape, Today I Feel (emoticons), La belle Aurore, Cedarville Cursive, Coming home, Learning to trust, Viva La Vida, Janda Siesta Sunrise, Janda Curlygirl Chunky, Janda Curlygirl Pop, Janda Sparkle and Shine, Janda Love and Rain, Janda Fabulous, Janda Capslock, Janda Siesta Sunset, Janda Snickerdoodle Serif, Janda Everyday Casual, Janda Curlygirl Serif (handprinted blackboard bold font), Janda Curlygirl Chunky, Janda Romantic, Janda Scrapgirl Dots, Janda Quick Note, Talking to the moon, Set fire to the rain, KG Shadow of the day, Just realize, Ignite the light, Love ya like a sister, Loved by the king, Give you glory, KG small town southern girl, KG Shadow of the day, Gloria Hallelujah, KG Sunny Afternoon, KG Hope for a cure, Janda Polkadot, Janda Capslock, KG June Bug, KG Fall For You, KG Luck of the Irish, KG Domo Is My Favorite< Gloria Hallelujah, KG Love You Through It (2011), KG Shadow of the Night (2011), KG Keep Your Head Up (2011), KG Dancing on the rooftop (2011), KG Party on the Rooftop (2011), KG Like A Skyscraper, KG Mulally, KG God Gave Me You, KG Les Bouquinistes de Paris (neatly handprinted), Janda Swirlygirl (curly), Janda Sparkle and Shine, Janda Lova and Rain (curly), The Great Escape, KG Legacy of Virtue, KG Sweet N Sassy, KG Legacy of Virtue, Just Realize, KG Like a skyscraper, Janda Christmas Doodles, Just Realize, Janda Everyday Casual, Janda Snickerdoodle Serif, Love Ya Like A Sister (sketch face), The Only Exception, KG Luck of the Irish, Janda Fabulous, KG God Gave Me You, KG You Wont Bring Me Down, Set Fire To The Rain, KG You Wont Bring Me Down, KG Mercy in the morning, KG Heart Doodles, KG Skinny Latte.
• Typefaces from 2012: Janda Apple Cobbler, Janda Swirly Twirly, Janda Manatee, Architect's Daughter (2012, a blueprint style typeface), Janda Polkadot (2012), Shadows Into Light (2012, architectural style: see Google Web Fonts), Never Let Go, Janda Spring Doodles, Beautiful every time, Janda scrapgirl Dots, Written in the stars, Nothing you could say, KG Ray of Sunshine, More than enough, A hundred miles, Waiting for the sunrise, Janda Safe and Sound, Janda Silly Monkey, Janda Quirkygirl (curly font), From where you are (paint brush face), KG Empire of Dirt, KG Strawberry Limeade, KG A Thousand Years, Janda Amazing Grace, Janda Happy Day, Janda Elegant Handwriting (connected script), KG Somebody that I used to know.

Kit graphique

Free package with 84 handwriting fonts: A.D.-MONO, ActionIs, Aftermath-(BRK), AiR, Air-Millhouse-Italic, Air-Millhouse-Outline, Akbar, Ala-Carte, Alien-MarksmanRegular, Alphabeta, Anhedonia, Annifont, AntPile, a-picture-alphabet, Apocalypse, Arcitectura, augie, Axaxax-light, BALL-bold, BASEHEAD, BERNARD, BIGARIALLEFT, BIGARIAL-UltraBold, BabOonjaZzbaSsoOn, Back-to-Bay-6, Bad-Films, BadDogSCapsSSK-Bold, Bailey'sCar, BallTack, BalletEngraved, Balls-on-the-rampage, Bard, Bat-Ben, Batmos-Regular, Battered-Cooper, Battlestar, Baumarkt, Baumarkt-Bold, Baumarkt-BoldItalic, Baumarkt-Italic, Beach-House, Beach-House-Italic, Beach-House-Stars-Heavy, Beach-House-Stars-Italic, Beach-House-stars, Beebop, Beehive, BeetleJ, Benjamin-Regular, Berliner, Bert-Regular, Big-Fish-Ensemble, Big-Plain, BigHeadMofo, Big-Truck, Binner-Gothic, Birdland-Aeroplane, Bitchin, Bizarre, Bizarre-Black, Bizarro-Regular, BjBj, Brigitte, Backfire-Medium, GINETTE, Georges, JAMI, Jean-Claude's-hand, JIMMY1, KARINE, Lalex-Big-Badaboum, Michelle, Miss-Claude, Mutter-LVS, Philing, Philippe, Sehnsucht-Font, Sophie, Valerie, Virginie, airbrush-MC.Creative, Bamboo. [Google] [More]  ⦿

Koueisha

Makers of commercial Japanese brush/calligraphic fonts. [Google] [More]  ⦿

Kyra

American pencil artist, b. 1995. Designer of the grunge face Shattered Pixels (2007) and of the brush display face Dragon Song (2007). Fontspace link. [Google] [More]  ⦿

La Boîte Graphique
[Ewen Prigent]

Ewen Prigent was born in 1980 in Saint-Renan and lives in Brest, France. He graduated from the Université d'Arts Plastique de Rennes 2. La Boîte Graphique was founded by him in 2008.

Creator of the counterless octagonal fat face Bunker (2008), and the organic face Ibiscus (2008). In 2009, he created the informal all-caps families Fanfarone, Gram, Quinto, Rondi and Trouble, and the monoline Ficus (2009). In 2010, he added the gothic Rosa.

In 2011, he published the informal paper cut family Brams, the handprinted poster font Nivel, the comic book family Gaspa, the brush faces Zoé and Street, and the handprinted face Behance.

In 2012, he created the beautiful handprinted outline typeface Prune.

Fontsy link. Klingspor link. Dafont link. [Google] [MyFonts] [More]  ⦿

Lapin Design
[Serge Lapin]

Serge Lapin (Lapin Design, Yoshkar-Ola, Russia) created the Latin and Cyrillic families Practicum (2009, a sans family free at Dafont) and Gorgon (2008, as gorgeous brush script), Foliage (2007), Pixelofon (2007, pixel face), Pyxis Bold (2006, pixel face) and Bublic (2006, pixel face). Except for Practicum, there are no downloads. Behance link. [Google] [More]  ⦿

Larabie Fonts
[Ray Larabie]

Well over 500 original designs by Ray Larabie formerly from from Port Credit/Mississauga, Ontario, but now in Nagoya, Japan. Fontspace link. Dafont link. Abstract Fonts link. Another URL. Another URL. Fontsy link.

Ray Larabie's fonts were originally free. The site was discontinued in the summer of 2001. Ray Larabie started a second life in his new commercial foundry, Typodermic, which opened in the Autumn of 2001.

The following fonts are free: Blue Highway (1996-2011, based on American road signs), Strenuous, Tofu, Electoral Blue, Embargo, Lunaurora, MarqueeMoon, President Gas (nice stencil font), Motorcade, Overload, Baltar (2010), Dignity of Labour (1999), DirtyBakersDozen (1998, military stencil), Mufferaw (2000), Kimberley (2002), Typodermic, Mexcellent (2000, a great triline and 3D face), Minya, PulseState, Quinquefoliate, Yadou, Para-Aminobenzoic, Hydrogen Whiskey, Metal Lord (an Iron Maiden font made in 1996), Golden Girdle, DazzleShips, Kredit, Minisystem, Boron, RiotAct, GlazKrak (1996), SoRunDown (1997; visions of Detroit in 2010), YellowPills, Fake Receipt, Tinsnips, Lucky Ape, Bailey's Car, Icicle Country, Home Sweet Home, Let's Eat, Giant Tigers, RoboKoz, Snidely, Xtra-Flexi-Disc, Fluoride Beings, Field Day Filter, Bramalea Beauty (1998), Braeside Lumberboy (stencil font), Oliver's Barney, Rothwell, Fragile Bombers, Yawnovision, Superheterodyne, Massive Retaliation, Instant Tunes, Neurochrome, Xenowort, Balcony Angels, Neuropol Deluxe, Quadaptor, Deftone Stylus, Lady Starlight, LetterSet, Map of You, First Blind, Larabiefont (monospaced, 1999), Monofonto (monospaced, 1999), Orange kid, Thiamine (1999), Green Fuzz, Gunplay (stencil font), Mail Ray Stuff, Walshes Outline, Mississauga, Union city blue, Carbon Phyber (1999-2009), Carbon Block, Plain Cred, First Blind, Walshes, Credit river, Dendritic Voltage, Neuropolitical, Poke, Port Credit, Lesser Concern, Kustom Kar, Mold Papa, Kleptocracy, Blue Highway D, Hots, Coolvetica, Holy Smokes, Chinese Rocks, sudbury Basin, Lilliput steps, Hurontario, Participants, Adriator (1999), Airmole (2000), Airmole Antique (2000), Ethnocentric, Biting My Nails, Biting Outline, Dyspepsia, Vanilla Whale, Libel Suit, Effloresce, BeatMyGuest, DreamOrphans, EffloresceAntique, EnnobledPet, Euphorigenic, EyeRhyme, GotNoHeart, Hamma Mamma Jamma (1998), Octoville, PlainCred1978, Plasmatic, RadiosinMotionHard, Densmore (a modern stencil font), RadiosinMotion (a morse font), Sexsmith, ShouldveKnown, ShouldveKnownShaded, 20thCenturyFontItalic, Counterscraps, Cretino, , Duality, Echelon (1999, + Italic), Effloresce, Fabian, KenyanCoffee, MinyaNouvelle, OliversBarney, Oil Crisis (2002, car dingbats), SybilGreen (2000), Tork (2000), Degrassi, Vibrocentric, Rafika (stencil font), Berylium, Pakenham, Steelfish, Bullpen, Almonte Woodgrain, Sandoval, Sappy Mugs (2002, mugshots), Colourbars, Unispace, Urkelian (1998), Subpear, Stasmic, StreetCred (1998), Zekton Dots, Vademecum, Vectroid (2000), Zeroes One (1999).

The early commercial fonts at Typodermic included Amienne (2004, brush script), Asterisp (named Aplha through Iota, asterisks, 2000), Bomr (2002), Jillican, Tank (2004, an octagonal face), Telidon Ink and Wyvern. Rare Larabie fonts. Mass download. Direct access to some fonts. Noteworthy is that Neuropol is the font in the official logo of the 2006 Olympic Winter Games. Roxio's new Easy Media Creator 7 includes 36 updated Ray Larabie freeware fonts with expanded character sets, kerning, Euro symbol and installable embedding: Arnprior, Baveuse, Berylium, Berylium Bold Italic, Blue Highway (based on the US highway series E font), Blue Highway Condensed, Blue Highway D Type, Blue Highway Bold, Blue Highway Linocut, Burnstown Dam, Carbon Block, Credit Valley (+ B, I,&BI), Earwig Factory, Hurry Up, Kredit, Krystoid, Minya Nouvelle (+ B, I,&BI), Neuropol, Planet Benson 2, Pupcat (unicase), Stereofidelic, Sybil Green (2000, girlish font), Teen (+ B, I, BI, Light, and Light Italic)), Velvenda Cooler, Velvenda MegablackWaker.

Fonts made in 2004-2005: Stentiga (free), Boopee, Zalderdash, First Blind 2, Fenwick Outline, Amienne, Induction, Huxtable, Good Times, Euphorigenic, Neuropolitical, Effloresce, Squealer, Axaxax, Coolvetica, Cretino, Heroid (comic book).

Catalog of the typefaces in the Larabie Fonts collection. [Google] [MyFonts] [More]  ⦿

Lars Manenschijn

Doetinchem, NL-based graphic designer designer (b. 1988, Hengelo) of Johanneke (2010, counterless and outlined family), Sammies Sans (2010, grunge), Chinese-troops-waiting-at-the-border (2009, graffiti), KingjolA (2009, grungy blackletter), Efontlution (2009), sleeperzzzz (2009, grunge), Jersey Stories (2009, script), Unchanged Thoughts (2009), Hey Mom Hey Dad (2009), Shutdown (2009, 3d comic book style face), Hey Boy Hey Girl (2009), Jo wrote a love song (2009, scratchy hand), False Advertising (2009, grunge), Old English Hearts (2009, grunge blackletter), Stone Era Pixels (2009), Waste of Paint (2009, grunge), Baby Eskimo Kisses (2009, outline), Opa Puk (2009, brushy), Bedtime Stories (2009, flowing script), Manenschijn 02 (2009), Create a cartoon (2009), Release Me (2009).

Home page. Alternate URL. Fontsy link. Klingspor link. Dafont link. Abstract Fonts link. [Google] [More]  ⦿

Laurent Savoie

Laurent Savoie (Paint Black Editions) is the French creator of the 3d paint emulation font Paint Black (2009), of the alphading pkSLD (2010), of the ultra grunge faces Jeremiah (2010, after the 1972 Sydney Pollack film Jeremiah Johnson), Outsider (2010), Mika Teuf (2010: done by Tristan Savoie) and Guignol's Band (2010), of the 3d outline face Dead Wallace (2010), OE RMX, OE dans l'O (2009), Yo La Tengo (2009), Anti-Folk PK (2009), PK&Co (2010, brush), Mekano (2010), Do It Yourself (or DIY) (2010), D The Hero (2010, grunge).

Faces from 2011: Monotaure, Shady Lane (3d, handprinted), The Quick Monkey (ransom note face), Cool Hand PK, Figure Writing (Treefrog-style hand), Black Cobra (fat brush face), PK Cobra (chalk font).

Creations from 2012: Trout (a circle-based typeface), Cruel Sun, Dragonfly.

Dafont link. Fontsy link. Fontspace link. Paint Black Editions. [Google] [More]  ⦿

Lazar Dimitrijevic

Lazar Dimitrijevic was born in 1981 in Bajina Basta, Serbia, and lives in Kragujevac, Serbia. He obtained a Master of Graphic Design from the Department of Graphic Design, FILUM Kragujevac, Serbia. Presently, he is art director at Design Studio BOX. His first font, Art Decor (2009), is a brush face in the style of Treefrog. Koma Latin (2009) is a roughly outlined script face. Bajka (2010) is a Baskerville family (Latin, Cyrillic, dingbats, ornamental caps) made for children's fairy tale books. Scarface (2010) is a sublime scratchy hand ideal for torture movies. Kaligraf Latin (2010) is a rough-edged calligraphic face.