TYPE DESIGN INFORMATION PAGE last updated on Tue Jun 18 18:02:50 EDT 2013
FontStructor who made these fonts in 2010: Reeph (wedge serif face), Theen (techno sans), Pewma (fat lettering as in the Puma logo), Clean (a gorgeous rounded elliptical sans), Ambdx (Treefrog-style hand), Twynn Open (dot matrix face), rnd0m, Arcbk-Open (stencil), Arcbk-Regular, Djeom (athletic lettering), Skwar (squarish), Bletr, Serif, Stens (white on black stencil), Strux, Outln (Regular, Shady: art deco meets athletic lettering), Kyrst, Phatt (ultra fat), Psych (a "Western", Italian face), Bloks, Twynn, Zilch, Cyrth (runic), Reimu (blackletter), Kaway (stencil), Kewte (rounded monoline), and Kurvh (dot matrix).
Typefoundry in Köln, Germany. On October 1, 1875, Franz Otto Claus---an employee at J. G. Schelter & Giesecke in Leipzig---became a partner in Kafemann's foundry. In 1882, Franz Otto Claus continued the foundry by himself as J. G. Francke Nachfolger. This foundry produced Danziger Fraktur in 1886. In 1895, Otto Claus, the son of Franz Otto, became a partner. The latter died in 1905. otto Claus himself sold the foundry in 1908 to John Seyfert in Danzig. Seyfert in turn sold the company in 1912 to the company Otto Tech in Berlin. That company was partly absorbed by H. Berthold AG and partly by Emil Gursch in 1917.
Aenigma is the free font foundry of New York-based Brian Kent. The fonts often carry the string BRK in the name. Yet another site. Fontspace link. Dafont link. Typosasis backup. Backup at Fontfreak. Backup at 1001 fonts. Backup at Fortunecity.
The free fonts: Arthritis BRK (2013), Alpha Beta BRK (2013), Amalgamate BRK (2013), Revert (2006), Gyneric (2006), Key Ridge (2006), Double Bogey (2005), Hairball (2005), Whatever (2005), Dyphusion (2005), Blackonimaut (2005, blackletter), Snailets (2005), Vigilance (2005), Wager (2005), Janken (2005), Dented (2005), Syracuse (2005), Symmetry (2005), Nucleus (2005), Underscore (2004), Gesture (2004), Rough Day (2004), Sarcastic (2004), Galapogos (2004), Reason (2004), Slender (2004), Gather (2004), Quadratic (2004), Saunder (2004), NostalgiaBRK (2004), Kinkaid (2004), Jeopardize (2004), Pincers (2004), Fascii (2004), Grapple (2004), WaywardBRK, WaywardShadowBRK (2004), Obstacle (2004), False Positive (2004), Goosebumps (2003), Jargon (2003), Bewilder (2003), 90Stars (2003, snowflake font), Chumbly (2003), Synthetic (2003), Jawbreaker (2003), Mobilize (2003), GreatHeightsBRK (2003), Graveyard (2003), Bend 2 Squares (2003), Redundant (2003), Homespun (2003), Galvanize (2003), Dastardly (2003), Vantage (2003), Quarantine (2003), Knot Maker (2003, with a program for weaving Celtic knots), Combustion (2003), Knot (2003), Enthuse (2003), Weaver (2003), Foreshadow (2003), Rambling (2003), Mincer (2003), Intersect (2003), Technique (2003), Nominal (2003), Unlearned (2003), Brass Knuckle (2003), Quarterly (2003), Zirconia (2003), Zephyrean (2003), Whippersnapper (2003), Ryuker (2003), Discordance (2003), Graze (2003), Gravitate (2003), Edit Undo (2003), Persuasion (2003), Encapsulate (2003), Nymonak (2003), 36DaysAgo (2003), Vertigo (2003), Lights Out (2003), Sequence (2003), Rehearsal (2003), Yearend (2002), SupraGeniusCurvesBRK (2002), SupraGeniusLinesBRK (2002), Faux Snow (2002, snowflakes), Mishmash (2002), Brigadoom (2002), Gyrose (2002), Dystorque (2002), Upraise (2002), QuacksalverBRK (2002), Ravenous Caterpillar (2002), Bumped (2002), Tonik (2002), Jupiter Crash (2002), Mysterons (2002), Sideways (2002), Scalelines (2002), Pneumatics (2002), Granular (2002), Volatile (2002), Aspartame (2002), Bleak Segments (stencil font), Genotype, United, Lynx (2002), Lyneous (2002), Alpha Beta (2002, pixel font), Licorice Strings (2002), Syndrome (2002, futuristic font), Your Complex (2002), Nanosecond (2002), Binary (2002), Dynamic (2002, techno), Qbicle (2002), Flipside (2002), Amplitude (2002), Pindown (2002), Kurvature (2002), Euphoric (2002), Bobcaygeon (2002), Zoetrope (2002), Overhead (2002), Zelda DX (2002, pixel), Telephasic (2002), Hearts (2002), Lamebrain (2002), Compliant Confuse (2002), Line Ding (2002), AE Systematic, Acknowledge, Mini Kaliber, Upheaval (2002), The Code of Life font (2001), Amalgamate (2002), Bandwidth (2001), ClassicTrash (2001), XmasLights (2001, alphadings), Setback (2001), Qlumpy (2001), Regenerate (2001), Konector (2001), registry (2001), Stagnation (2001), Elsewhere (2001), Claw (2001), Cleaved, 8-bitLimit (4 weights), 10.15SaturdayNight-BRK-, 3DLET(BRK), Automatica-BRK-, Bendable-BRK-, BitBlocksTTF-BRK-, Kickflip-BRK-, Withstand-BRK-, Hyde-BRK-, Jekyll-BRK-, Larkspur-BRK-, NotQuiteRight-BRK-, Quandary-BRK- (an LCD font), Thwart-BRK-, Weathered-BRK-, AEnigmaScrawl, Aftermath, Blox-, CandyStripe (1999), Circulate, Collective (4 weights), Conduit, DarkSide, DashDot, Dephunked-, EmbossingTape (3 fonts), Exaggerate, Frizzed, FullyCompletely, Grudge, Hassle, Hillock, Impossibilium, Inertia, InkTank, Lethargic, MoronicMisfire, Numskull, Opiated, Phorfeit, PixelKrud, Powderworks, Pseudo, QuantumFlat, QuantumFlatHollow, QuantumRound, QuantumRoundHollow, QuantumTaper, Ravaged-By-Years-, Raydiate, Relapse, Sorawin-Plain, Spastic-, Splatz-, Stranded-, Swirled-, TRAGIC-, VacantCapz, Wobbly, XeroxMalfunction(BRK), Zenith, ZeroVelocity, Zoidal, simplton, Waver, SaffronColdWars, 3DLET, Bri's-Scrawl, TRAGIC-, AcidReflux, Arthritis, Ataxia, AtaxiaOutline, BlockTilt, ChintzyCPU, ChintzyCPUShadow, Decrepit, Detonate, Draggle, Draggle[overkerned], FatboySlimBLTC, Gasping, Hack&Slash, HeavyBevel, Jagged, Jasper, JasperSolid, Katalyst[active], Katalyst[inactive], LucidTypeA, LucidTypeB, LucidTypeBOutline, LucidTypeAOutline, Neural, NeuralOutline, ObloquyOutline, ObloquySolid, PlasmaDrip, PlasmaDrip[Empty], Queasy, QueasyOutline, Rotund, RotundOutline, SkullCapz (dingbats), Tearful, Tetricide, Turmoil, Ubiquity, Underwhelmed, UnderwhelmedOutline, Vanished, Xhume, Yonder, Yoshi'sStory, ZurklezOutline, ZurklezSolid, Gaposis, Naughts, Ink Swipes, Irritate, Perfect Dark, Forcible, Loopy, GaposisOutline(BRK), GaposisSolid(BRK), Head-DingMaker(BRK), JoltOfCaffeine(BRK), KirbyNoKiraKizzu(BRK), Orbicular(BRK), Xtrusion(BRK).
Commercial fonts at CheapProFonts: Lamebrain BRK Pro, Dynamic BRK Pro, Phorfeit Bundle, Phorfeit Slanted BRK Pro, Genotype Bundle, Genotype S BRK Pro, Genotype H BRK Pro, Classic Trash BRK Pro, Vigilance BRK Pro, Technique Bundle, Technique BRK Pro, Technique Outline BRK Pro, Galapogos BRK Pro, Visitor BRK Pro (pixelish). [Google] [More] ⦿
Aerotype is a foundry in Glendale, CA. It sells the creations of Stephen Miggas. Many typefaces were developed around 1998, and most were rejuvenated and updated in 2005. A list of Aerotype's faces typefaces:
Affolter und Gschwind AG
Werner Affolter ran a phototype and printing company in Basel, Switzerland, called Affolter und Gschwind AG, Fotosatz&Reprotechnik. In 1981, Affolter published an extensive catalog entitled Letterama that showed over one thousand alphabets. Few of those were original, so I suspect he acted as a vendor of sorts, but at least a couple seemed original, or were claimed to be original or exclusive: Guigoz, Moby Dick.
Some examples of the types shown, in alphabetical order: Antique Wood MP363 (art nouveau), Antique Wood MP 364 (oriental simulation face) [the Antique Wood series is quite extensive, and is just numbered], B+T Classic (roman), Bernhard Fett, Beton Fine Line (typewriter), Burko (avant garde family), fonts starting with G, Gaston Fett (a squarish gothic face also called Gipsy), Gaston Halbfett (also called Grassy), Gemini Computer, Germanic Sans (more avant garde and Lubalin-style glyphs), Hollandse Mediaeval, Hollywood (a 3d decorative family), typefaces starting with K, Lineamarca (slabby), Linear (avant garde, geometric monoline), Melen (experimental, geometric), Meola Bookman swash (decorative), Metro (art nouveau, after the Metroploitaine font), Moraine (squarish), the Old Foundry sub-collection [another mysterious numbered collection; examples include some uncials, and some more art nouveau faces, some Victorian ornamental faces (F260 through F262), more art nouveau (MP418 through MP420) and blackletter faces (MP421)], Pierrot (psychedelic, groovy), Phydian (one of many Western style ornamental faces0, Ronda, Roulette, Roulette Schattiert (=Rajah) (more Western fare), Ruby (shaded caps), Runic Small (condensed), Rustic (wood log look), typefaces starting with S, Spengler Gothik, St. Clair (ornamental), Zither (calligraphic script). [Google] [More] ⦿
Afrojet Type Foundry
John Skelton is a type designer from St. Paul, MN, b. 1973. Some sources have him located in Portland, OR, though. He started out in 2008 as afrojet on FontStruct, making many free fonts there. Late in 2009, he set up Afrojet Type Foundry at MyFonts. Cargo Collective link. Behance link. Home page. Dafont link.
FontStructions in 2008: Playtime (an original stencil family), Playtime Pattern Motifs (dings), Playtime Rounded (+Bold), Playtime Cutouts, Mango Solid (ultra fat, rounded), Mooch (experimental), Mooch Squared, Zombies Are The New Black, Jettison Stencil, Micromoog, hewett, hewett_bold, hewett_extended, Mikey (a Mickey Mouse font). Other creations there include Summer Grillz (about which he writes More gangster than Gill with more gold than Garamond, Summer Grillz is type jewelry for your mouth. All letterforms are diamond-kut using the finest type constructing software on the market today. Customize your grill with different fills., Lovestruc, Konstruct (multiline face), Steeplechase, Sawhorse, Sawhorse Braumarks (dingbats of a brewery), Alfred, Chesterfield, Hydroplane, Jettison-Stencil, Pop-Drops (kitchen tile face), Starstruc, Lovestruc, Chesterfield Prince, Chesterfield King, Chesterfield Queen (piano key font), Brainfreeze (ultra fat).
Fontstructions in 2009: the Sans Serious family (a tribute to Dutch Bauhaus designer Jurriaan Schrofer), Factory (stencil), Hunstrüct (blackletter), Slug, Micromoog Remix, Get To The Falcon, Jetstream and Perforate (octagonal, loosely based on several styles of letter and numeral forms observed on various aircrafts at the Evergreen Aviation&Space Museum in McMinnville, Oregon), Get To The Falcon (multiline face), StacheStruct (moustache font), Factory (stencil), Playtime Bolda, Thunderball, Gaga, Gaga Stencil, Pinpression, Sessions (a take on type by Josef Albers; he writes: Having previously played around in Fontstruct with Anni Albers' textile patterns, I thought it time to turn my attention to her husband Josef's work. Josef Albers' constructivist typographic experiments are a perfect match for Fontstruct. Other Fontstructors have done great work with Alber's ideas. Most notably, Saberrider's fontsract and Stewf's Leaflet family. Using Josef Albers' Kombinationsschrift alphabet (1928-1931) as my foundation, I've been having a lot of fun remixing and experimenting with his letters.).
Fonts made in 2010: Whoopee (piano key face), Prog.
Commercial fonts: Sessions (2009, modular).
Aga Silva is an ex-architect/urban designer, who now lives in Krakow, Poland. Creator of the Glitter family (kaleidoscopic, star-shaped, and possibly of use as snow fonts), Stars Promo (2012), Ivy Tiles (2012), Lillius (2012, floral and froggy dingbats), Maya Tiles (2012), Ballpen (2012, handprinted), Mickey Script (2012), and Nillie's Love Letters (2012).
In 2011, Aga designed Grand Duchess (script face), Rosette110621 (kaleidoscopic dingbats), Brasserie (connected script), Marker Script, Skarpa LT (an avant-garde hairline face), Skarpa Regular, Skarpa Bold, Auld Magick (blackletter), Two Am, and Fantasy Dingbats.
FontStructor who made these typefaces in 2010: Tessa (an über fat face), Pomegranate, Archipelago Serif, QQQQQ.
In 2011, these faces were created: Barnhaus (+Lite), Not My Font (clone of zalamera eYeFS by Antonio J. Morata), Mission Design Sans, Soundproof, Naturally Blonde, Sector12 (an army stencil face), Industrial Sans Better, Elegantite, Grey Hand (texture face), Ubnshufr II Hellllp, Havoc, Havoc Thin (scratchy face), Pixels Redefined (texture face), Capitas Lite (texture face), Capitals Woodcut, Adl Capitals (handprinted), Useful Sans, Spirit (tattoo/blackletter face), Wanted 2.0, Detaile, fs Greener Grass (grotesk headline face), Bean (pixelish), Small Sans, Doundproof.
In 2012, Agent Demonic Ladybug made these typefaces: Mechans (upright connected script), Tessa Revived, Minimalist No. 2 (piano key face), Laceys (dot matrix typeface), Roundsclean, Squareup, Barnhaus 2012, Mission Design Sans, Barnhaus (+Lite, +Mono; named after Bauhaus), iFontStruct, Squishypixel, Moredetailes, Who Needs Nonconformity (heavy octagonal), Stuckinneurone Error, Stuckingranite, 220a, Boldish (piano key face), Strategy Bold. [Google] [More] ⦿
Fraktur faces sold by Agfa Monotype (including Elsner&Flake and Linotype faces): Linotype Buckingham Fraktur, Fette Fraktur, Fraktur, EF Fraktur Bold, EF Fraktur Bold Dfr, EF Fraktur CE Bold, EF Fraktur T Bold, EF Fraktur, Hoyerswerda Fraktur, EF Justus Fraktur Bold, EF Justus Fraktur Bold Dfr, EF Justus Fraktur Regular, EF Justus Fraktur Regular Dfr, Linotype Luthersche Fraktur, Linotype Luthersche Fraktur DFR, EF Neue Luthersche Fraktur Medium, EF Neue Luthersche Fraktur Medium Alt, EF Neue Luthersche Fraktur Medium Dfr, EF Neue Luthersche Fraktur Medium Titel, EF Neue Luthersche Fraktur Regular, EF Neue Luthersche Fraktur Regular Alternate, EF Neue Luthersche Fraktur Regular Dfr, EF Neue Luthersche Fraktur, Linotype Richmond Fraktur, Walbaum Fraktur, EF Walbaum Fraktur CE Regular, EF Walbaum Fraktur Regular, EF Walbaum Fraktur Regular Dfr, EF Walbaum Fraktur T Regular, EF Walbaum Fraktur, Wittenberger Fraktur Bold, Wittenberger Fraktur, Alte Schwabacher, EF Alte Schwabacher, Fette Gothic, EF Gotisch Bold, EF Gotisch Bold Dfr, EF Gotisch, Weiss Rundgotisch, Weiss Rundgotisch Antique, EF Weiss Rundgotisch Regular, EF Weiss Rundgotisch Regular Dfr, EF Weiss Rundgotisch, Wilhelm Klingspor Gotisch. [Google] [More] ⦿
Foundry in Offenbach, Germany. Their main specimen book is Haupt-Probe über Schriftgiesserei-Erzeugnisse und Messing-Material (1911, Offenbach am Main). House faces include the blackletters Angelsächsisch, Archiv-Gotisch (1909), Asta (1902), Freigotisch, and Schöffer-Gotisch (ca. 1900). Heinrich (Heinz) König made the blackletter face Germania (1903). Eduard Brox designed Moderne Alt-Fraktur (1907; some give the date 1910). Albert Christian Auspurg created the blackletter faces Apart (1911) and Fraktur-Kursiv (1923). Their art nouveau faces include Apollo, Inserat Kursiv, Neptun, Tedesca. [Google] [More] ⦿
Original fonts for Mac and PC, mostly Latin letters, but also a few kana faces: AKAkubit12H, AKElephant3, AKMyPrince (2004), AKOsaruH, AKOsaruR, AK-Keroyon (2003, alphadings), Akubin (handwriting), AKAppriqueBlack, AKANGEL, AKAppliqueWhite, AKUNCIAL, AKCalligraphy, 09Keroyon (2004), AK Jelly Beans (2004), AK-Piyoko (2004, egg dingbats), AK woopaa, AK Roopaa, AK-Halloween (2004, dings), AK Sweet Prison (2004, Fraktur), AK-BlackCastle (blackletter, 2004), AK-WinterYawns (2004, winter dings). AK-Shanghai 1930 (2005), AK-Japonesque (2005), AK-My Baby (2005, child dingbats), KS Lovers (2007, handwritten Latin and kana). In 2008, they stopped offering free fonts. [Google] [More] ⦿
Alan N. Po
German type designer. He created Mönchs-Gotisch (or: Mediaeval-Gotisch) in 1877 (Schnelle says 1881) at Genzsch & Heyse. In 1876, he made Neue Schwabacher (normal and halbfett) at Genzsch & Heyse (and Klinkhardt). That same type can also be found at J. John&Söhne and at JG Shelter&Giesecke.
Author/editor of Kunstwerke der Schrift Bund für deutsche Sprache und Schrift (Großenkneten 1994).
German type designer, typographer, calligrapher, author and educator, b. Stuttgart (1918), d. 1995. He was art director at the Dresden type foundry VEB Typoart from 1964 until 1977. He founded and led the Institut für Buchgestaltung at the Hochschule für Grafik und Buchkunst at Leipzig from 1956 until 1978. Obituary by Harald Suess. Page at Klingspor. MyFonts page. Catalog of Albert Kapr's typefaces
He designed Faust-Antiqua (1958; this inspired Nick Curtis to design Kaprice NF (2010); in 1993, Steve Jackaman revived it as Faust RR), Leipzig (with Otto Erler in 1963: large x-height), Leipziger-Antiqua (1959, revived by Tim Ahrens in 2004 as JAF Lapture, also digitized--close to the original and under the original name--by Ralph Unger at URW in 2005; and shamelessly digitized by Linotype and sold as Hawkhurst without mentioning the Leipziger Antiqua source, in fact claiming that Hawkhurst is an original), Calendon-Antiqua (1965), Prillwitz-Antiqua (1971), and Magna Kyrillisch (1975). Circa 1975, he created Garamond Cyrillic at Typoart.
A specialist of blackletter, he was passionate about Gotische Bastarda. Author of Fraktur: Form und Geschichte der gebrochenen Schriften (1993, H. Schmidt, Mainz). Max Caflisch, Albert Kapr, Antonia Weiss and Hans Peter Willberg published F.H.Ernst Schneidler Schriftentwerfer, Lehrer, Kalligraph (SchumacherGebler a.o., München, 2002). Author of The art of lettering; The history, anatomy, and aesthetics of the roman letterforms (München, K.G. Saur, 1983, original edition in German by VEB Verlag: Dresden, 1971). [Google] [MyFonts] [More] ⦿
Born and died in Nuremberg, Germany, 1471-1528. Painter, wood carver and copper engraver extraordinaire, famous for many great geometrical and structured capitals and proportioned designs, carried out with compass and ruler. Example from 1524. Another example, ca. 1500. Best known of the books on the geometry of letters is Dürer's Unterweysung der Messung [A Course on the Art of Measurement], published in 1525. See here. His famous set of German Renaissance Capitals (1525), Gothic Capitals, German Minuscule. Scan of his famous rhinoceros (1515) and of his Dürerfraktur (1519).
Graduate of Moscow University of Printing Arts in 2006 where she studied under Alexander Tarbeev. She teaches type design and typography there. In 2007, her book for Russian students on typography was published (English title: Alive Typography). She received many awards for her work and is a frequent speaker at type design conferences.
Designer of the beautiful Cyrillic serif family Leksa (a winner at Paratype K2009) and the accompanying Leksa Sans family from 2004-2007. This was followed by equally gorgeous families such as Fence (2009, an ultra-fat artistic beauty). Skoropix is an experimental pixel face done with FontStruct.
She also made Belladonna (2008, a stunning modern face for Latin and Cyrillic; a winner at Paratype K2009 and Grand Prize winner at Granshan 2011), Skoropix (with FontStruct), and the experimental face Cless (2009). She spoke about Cyrillic at ATypI 2008 in St. Petersburg. She received a TypeArt 05 award for the display family Fourty-nine face. Alternate URL.
At MyFonts, one can buy Gorodets [2009: a Russian decoration face based on traditional wood-painting style from the town Gorodets on the Volga river, Russia], Leksa and Leksa Sans], Blonde Fraktur (2010: written with a quill by Alexandra Korolkova and prepared in digital form by Alexandra Pushkova), Airy (2010, a curly script), Airy Pictures (2010, animal and plant dingbats), Bowman (2010: a blackboard children's script), PT Serif (2011, Paratype's superfamily of 38 fonts, codesigned with Vladimir Yefimov and Olga Umpeleva), PT Circe (2011, a geometric sans family with a neat Thin weight; Third Prize for Cyrillic text faces at Granshan 2011), and Cless (2010: ultra fat and counterless).
FontStructor who made the blackletter face Black Bible (2010). I understand his complaint: We made fonts on FontStruct.com. The website is buggy and difficult to use, but I persevered and Black Bible was born. [Google] [More] ⦿
As a graphic design student at Ringling College of Art and Design (class of 2015) in Sarasota, FL, Alexa Schara created the hybrid typeface Klaus (2012), a mixture of Century Gothic and Fette Fraktur. [Google] [More] ⦿
Added in 2009: Russisch Brot, Block Out (3d face, +Filled1, + Filled2), Bold Stencil Sans, Script Pixelig, Dorky Corners Sans, Haus der Kunst (inspired by the building in München by that name), Fraktur Test, Fette Sans (nice), Emilia, Runde Pixelig (pixel script).
Creations in 2010: Fraktur Test, The Plot (octagonal, architectural), 80s Metal Band, Fieldwork Font (pixel), Black Metal, I slabbed the Seriff, Play (curly face).
Creations in 2011: Obvious Stencil (Bauhaus, or piano key), Supercali (a psychedelic font inspired by the cover for A.R. Kane's "I"), Manuale (with straight slabs; +Manuale Giocoso, 2012), Graphite (fat and rounded), Graphite 2, Hinterland Italic (quaint Victorian face).
From 2012: Linea Fraktur (extended in 2013 to Linea Runde), Black Organic (spiky blackletter), Green Organic (a spurred blackletter), Standard Sans, Modular Blackout Bold Condensed, Viva Las Vegas, Helios, Faux Pas Serif (Egyptian typeface), Nova Thin Extended (this hairline sans is a tour de force---it is the first successful hairline sans face ever made by anyone using FontStruct), Bencraft.
Russian designer of typefaces who collaborates with Ivan Zeifert and specializes in revivals, cyrillizations and beautiful digitizations, some of them done with Anatole Gophmann. There have been complaints about her practice of borrowing fonts from type designers without asking. One typophile writes: I have cracked open fonts she claims as hers, Bolero, Bickham and others, she has copied and pasted glyphs, copyright data, added Cyrillic and changed the copyright string. As an example, Angelica is a copy of Alejandro Paul's Miss Fajardose. Alejandro has drawn the numerals in his font in 2004 to accompany the letters found in an old catalog of alphabets. There is no other source of the numerals, and Angelica has them. Michael Clark writes: I initiated a battle with the illustrious Alexandra "Bitch" from Russia who has renamed Pouty (FontBureau) and copyrighted [it as] Bolero. She and her partner Anatoly shithead. Available on Fonts101.com for anyone who wants it free. The ass's site, Jagdesh, is in Pakistan and we cannot touch him. 260+ viewings and 140+ downloads. Let's see that is 1400$ I will never see! Others have complained as well about her practice of taking and extending fonts without permission. Anyway, her "fonts" are:
Alexandre Saumier Demers
German type designer, b. 1890, Groitzsch, d. 1946, Mühlberg/Elbe. He studied at the Staatlichen Akademie für graphische Künste und Buchgewerbe in Leipzig, where he taught typography from 1934 onwards.
Alfons Schneider created the blackletter face Franken Deutsch (1934-1939, Ludwig Wagner), and the didone family Pergamon Antiqua (1937, Ludwig Wagner; +Mager, +Schmalhalbfett, +halbfett, +fett, +schmalfett), Pergamon Kursiv (1938).
L. Wagner mentions the typefaces Pergamon Werkschrift, Pergamon Kursiv halbfett, Pergamon Kursiv kräftig and Pergamon schmalhalbfett. Schneider published all his typefaces at L. Wagner. [Google] [More] ⦿
Type designer in Freiburg (1906-1969) who was a pupil of Rudolf Koch. Designer of Domino (Ludwig&Mayer, 1954). A digital revival was created by Nick Curtis in 2007, called Idle Fancy NF. Sample of blackletter calligraphy. [Google] [MyFonts] [More] ⦿
Alien Foundery used to be called Bsillkrieg. Thibault Dietlin (b. 1987, Besançon) who runs it is located in Annecy (before that, in Besançon). He makes these fonts freely available via Dafont in 2008: Zfonts (grunge), Pee On Face (grunge), Hardcore Pen (graffiti), La Fraktouille (sketched blackletter face), Crustype crust (grunge), Crust Clean (grunge), My Goth Is Better, city burn night after night and we spraypaint the walls 1.0. Additions in 2009: Black Spoon (minimalist sans with exaggerated x-height), Hurray (clean sans), Tes (sans), Urbana (grungy stencil), Black Spoon, Boa, The City Burn (grunge), Riot AF (grungy stencil), Blind (Braille font). MyFonts link. [Google] [MyFonts] [More] ⦿
French type designer who studied at Fachhochschule Düsseldorf (2009) and at the Ecole supérieure d'art et de design d'Amiens, France. In 2012, her blackletter typeface Eskapade Fraktur was published by Type Together. The angular weights Eskapade Regular and Eskapade Italic were added in 2012.
At Fontyou, Alisa codesigned the stylish Egyptian typeface Achille FY (2012) with Gia Tran, Gregori Vincens, Valentine Proust and Bertrand Reguron. With Gia Tran, Gregori Vincens, Valentine Proust and Elvire Volk, she codesigned the monoline sans display typeface Younion FY (2013). [Google] [MyFonts] [More] ⦿
Aliz Borsa is a packaging designer from Hungary. She graduated with an MA from the University of West Hungary, Institute of Applied Arts (AMI), Sopron, in 2010. She also studied painting in Helnaes, Denmark, and typography at MOME, Budapest. Before studying at KABK Den haag (TypeMedia class of 2012), Aliz worked as junior designer on Subjective Atlas of Hungary with Annelys de Vet at new media lab Kitchen Budapest.
Juan-José Marcos García (b. Salamanca, Spain, 1963) is a professor of classics at the University of Plasencia in Spain. He has developed one of the most complete Unicode fonts named ALPHABETUM Unicode for linguistics and classical languages (classical&medieval Latin, ancient Greek, Etruscan, Oscan, Umbrian, Faliscan, Messapic, Picene, Iberic, Celtiberic, Gothic, Runic, Modern Greek, Cyrillic, Devanagari-based languages, Old&Middle English, Hebrew, Sanskrit, IPA, Ogham, Ugaritic, Old Persian, Old Church Slavonic, Brahmi, Glagolitic, Ogham, ancient Greek Avestan, Kharoshti, Old Norse, Old Icelandic, Old Danish and Old Nordic in general, Bengali, Hindi, Marathi, Phoenician, Cypriot, Linear B with plans for Glagolitic). This font has over 5000 glyphs, and contains most characters that concern classicists (rare symbols, signs for metrics, epigraphical symbols, "Saxon" typeface for Old English, etcetera). A demo font can be downloaded [see also Lucius Hartmann's place]. His Greek font Grammata (2002) is now called Ellenike.
He also created a package of fonts for Latin paleography (medieval handwriting on parchments): Capitalis Elegans, Capitalis Rustica, Uncialis, Insularis Minuscula, Carolingia Minuscula, Gothica Textura Quadrata and Humanistica Antiqua. PDf entitled Fonts For Latin Palaeography (2008-2011), in which Marcos gives an enjoyable historic overview.
Cyrillic OCS (2012) is a pair of Latin fonts that emulate Old Church Slavonic (old Cyrillic).
He created Foldgami, Apollo 13 (techno, futuristic), Fatgami, Origamia, Paper Roll, Alt Retro (2010, multilined family), Alt Tiwo (2010, fat counterless), Alt Matey (2010, a family that includes a multiline style; the piano key typeface Alt Matey V2 followed in 2012), ALT Lautus (2010, a minimalistic monoline sans family), Japanese Cities Type Experiment (2010), ALT Alternatice (2010), ALT Vxt11 (2010, a high-contrast art deco octagonal face), ALT Aeon (2010, a unicase but multiline family), Alt Re 32 (2010, techno), ALT Mun (2010, a curlified family), ALT Breo (2011, octagonal family), ALT Exline (2011), Jun Script (2011, connected contemporary upright script), ALT Ayame (2011, condensed squarish family, +Long), Alt UAV31 (2011, an octagonal experiment), Alt Moav (2011, a striking geometric caps face. Images: i, ii, iii), Alt Geko (2011, an art deco caps face), and Archetype (unicase, Bauhaus).
Typefaces made in 2012: DNR001, ALT Kora (for the identity of Drone), ALT Fat (monospaced squarish caps face), ALT Exodus (sci fi face), Alt Wet (2012, a paint splatter face), Alt Sku (2012, ornamental didone face), Alt Robotechnica (pixel face), Exodus (2012, a blackletter style straight-edged typeface), Juk01 (2012, an ornmaental mechanical typeface), Alt Sake (a thin condensed poster typeface), Modu (2013, alchemic), Modu Deco/a> (2013).
German page advertising a CD with nice old writing samples (in tiff, not ttf!!!). Mostly decorated initials and Fraktur. R.G. Arens' Sütterlin font can be downloaded from this site, which is run by Susanne Ulmke in Arnsberg, Germany. [Google] [More] ⦿
Spanish foundry, est. ca. 2009, and on the web since 2012. It is located in Madrid. Alter Littera's fonts and web site are designed and managed by José Alberto Mauricio, who holds a doctorate degree in Economics and Business Administration, and is Associate Professor of Econometrics at the Universidad Complutense de Madrid.
Alter Littera produces and markets opentype fonts reviving some of the most beautiful bookhands from medieval Western manuscripts, as well as some of the finest European and North-American typefaces from the mid-fifteenth through the early-twentieth centuries. The "Bookhand", "Oldtype" and "Initials" font collections cover gothic and/or blackletter letter forms.
Freeware calligraphic and handwriting fonts, with some Fraktur influences. Font names: ShambhalaInitialsPlain, FrodoBold, FrodoClose, FrodoItalic, FrodoNormal, FrodoOrnate, Alternika-Millenium, Calis-in-Puppetland, Dragongirl-Meander, Elite-Monogram-(Alternika-Fonts) [Fraktur numbers], Fred-is-Alive, Jungles-Severly-Crappy-Font, Lilian-Scheaffer-Gothic-Adorned, Lilian-Scheaffer-Gothic, Tate-Divine-(alternika-courthand), Way-Out-Beyond-Of-by-Maz, Spudly in the Sky with Demons, ALTelite3. Direct downloads. [Google] [More] ⦿
Buenos Aires-based illustrator and designer, who created the hand-printed typeface Stella (2011). Decanata (2012) is a curlified gothic typeface family that comes in styles called Romana, Principia, Fines, Atramenta and Mitis.
Anders Engen (Oslo, Norway) created Letters of Death in 2010. This tattoo / black metal typeface was inspired by the cholo writing of the gangs in Los Angeles. He also made an alchemic typeface for the Sommerøya Elektronika Festival 2012.
Chilean foundry with both free and commercial typefaces. The free faces gre mostly out of Esos tipos de la UTEM, the Escuela de Diseño de la Universidad Tecnológica Metropolitana de Santiago de Chile.:
In Laura Meseguer's class in Barcelona, Andrea Fusinski designed a German expressionist typeface called Shelley (2013).
Tampico, Mexico-based designer of the blackletter typeface Oh Victoria (2012) which was created during a course taken from Francisco Calles.
Andreu Balius Planelles
Born in Barcelona in 1962, Andreu Balius studied Sociology in the Universidad Autonoma de Barcelona, and graphic design at the IDEP School. He founded Garcia Fonts&Co in Barcelona in 1993 to show his experimental designs. He cofounded Typerware in 1996 with Joancarles P. Casasín. Typerware existed until 2001 and was based in Santa Maria de Martorelles, a village near Barcelona. He cofounded Type Republic (see also here), and ran Andreu Balius (tipo)graphic design. He is presently an associate professor at Pompeu Fabra University in Barcelona.
Balius won a Bukvaraz 2001 award for Pradell. Pradell also won an award at the TDC2 Type Directors Club's Type Design Competition 2002. SuperVeloz (codesigned with Alex Trochut) won an award at the TDC2 2005 type competition.
At ATypI 2005 in Helsinki, he spoke on Pradell and Super-Veloz. Speaker at ATypI 2006 in Lisbon. At ATypI 2009 in Mexico City, he spoke about the Imprenta Real.
Author of Type at work. The use of Type in Editorial Design, published in English by BIS (Amsterdam, 2003).
Andrew H. Leman
Andrew Hart is a Corona-based American digital photographer (b. 1988), who runs a small free font archive. Another archive of his. Dafont link. Another URL. Yet another URL. And still another one. And another one. And one more. His later fonts refer to SickCapital.Com.
His own fonts include A Glitch In Time (2013), Giraffe And Co (2013, an African-themed typeface), Chameleon Dreams (2013: a fantastic wacky party typeface), Angelic Serif (2012), Angelic Peace (2012), Pyrite Script (2012), Pyrite Crypt (2012), Body Piercing And Chains (2012), Love til Killed (2012), Hollywood Capital (2012), Donaldo Regrecka (2012), Deadly Black Chain (2012), Dirt2 Copperbolt (2012, grungy copperplate), Truskey (2011, grunge), Sick Capital Kingston (2011), Full Moon On (2011),Grafitik Riot (2011, graffiti face), Electric Panda (2011), Last Draft (2011, grunge typewriter), CaliforniabyDirt2 (2010), JusticebyDirt2 (2010), SC Gum Kids (2010), SC Tinas Baby Shower (2010), Little Ryan (2010, handwriting), Sick Capital Vice (2010), Star Avenue (2009), Cute Tattoo (2009), DuerTWO (2009), Dirt2Stickler (2009), Ithornët (2009, grungy blackletter), NoXWay (2009, graffiti grunge), Skulls and Splatters (2009), Hacjiuza (2009, hand-drawn blackletter; +Dirty), Popstar Autograph (2009, comic book style script), The Quickest Shift (2009, curly script), DuerTwoo (2009, bloody horror font), Malgecito (2009, grunge), Ithornët (2009, grungy medieval pirate font), Little Bliss (2009), Loyal Fame (2009, curly script), Angelic War (2009, grunge), Soulstalker (2009, grungy blackletter), Kings of Pacifica (2009, ransom note font), GanixApec (2009), GoodPeace (2009), KatyBerry (2009), OffTheDrugs (2009), ThinFranq (2009), WILDAFRICA (2009, African-theme multiline face), St. Andrew (2009, a spray type font), Hawaii Lover (2009, grunge calligraphic script), Aristotle Punk (2009, grunge), Juicy Hunt (2009, grunge), Dead Hardy (2009, Victorian), Kate Perry (2009, fifties script), Kate Berry (2009, fifties script), Vloderstone (2009, hairline slab serif), Good Peace, Off The Drugs, Thin Franq (2009, hairline), Ganix Apec (2009, sans), Jailbox1 (2009, grunge), Blast Beat (2008), Ghosttown-BC (2008, Western style), Dead Secretary (2008, grunge), DIRT2-DEATH (2008, grunge), Robot Head (2008), Alpaca 54 (2007, grunge), Hawaii Killer (2007, Coca Cola grunge), Splinter2 (2007, grunge based on Franklin Gothic), Everyday Ghost (2007, grunge), Plague Death (2006, grunge), SEXtalk69 (2007), Screamz1 (2007). [Google] [More] ⦿
Plantation, FL-based designer of GoodCityModernPlain (1991, a blackletter font based on J. Gutenburg's 42-line bible), and LombardocMedium (1991).
Russian designer in St. Petersburg, aka Mister Chek, b. 1983. Dafont carries his free demos. He sells his typefaces here: Horizons, Trueper (tattoo face), Black Queen (metal band face), King Arthur (blackletter).
He created the free faces MCF Revolution Ink (2012, a Treefrog-style handwriting all-caps face), MCF Zelfis (2011, a tattoo font), MCF Bad Manners WW (2009, blackletter), MCF Star Worms (2012, blackletter / tattoo face), and MCF Funera (2010).
This graphic design student in The Netherlands (formerly at San Diego State University) is working on his own face, Stencil Fraktur (2002). In 2004-2005, he became a grad student at the KABK in Den Haag. He joined the typeface development department of Hoefler&Frere-Jones in New York in 2005. [Google] [More] ⦿
Designer of these free fonts: Asgardian Wars (1999, blackletter), Forgotten World (1998, created for Lapland 'Luna Rova', Glasgow Art Fair 1998), Elab (2003, futuristic). His outfit was also called Fontkasten at some point. He calls himself Andrew F on the web. [Google] [More] ⦿
Angelica Baini was born in Castiglion Fiorentino, Italy in 1990. During her studies at the New World School of the Arts in Miami, FL, she designed the blackletter typeface Infinitüm (2013), which can be bought from Ten Dollar Fonts. [Google] [More] ⦿
Angst Free Fonts
Chris Dunfield's free fonts from 1990-1992. Mac PS, MacTT and Win TT. Includes AngstBlackLetter, AngstChartz1, AngstCircus2, AngstDingbatsOne3, AngstForce4, AngstGonzo5, AngstKidz6, AngstKink7, AngstMagicMush11, AngstMindless10, AngstPimp12, AngstProgge13. [Google] [More] ⦿
Angus R. Shamal
Creator of the free blackletter face Ye Olde Shire (2008, +Outline), Coptic Eyes Coptic (2009), and I Crashed Into Gothic (2009). Using FontStruct, she made the Amaya technical family in 2009. Fontsy link. [Google] [More] ⦿
Wernau (was: Wendlingen), Germany-based Anke Arnold's free fonts: aa QWERTZ-Tasten (2012: German keyboard font), aa Halftone (2012: texture face), aa Tafelschrift (2012, school font), Car Go Frame (2011), Car-Go Plain (2011, modeled after German license plate lettering), Typo Garden (2010, alphadings), 80er Teenie Demo (2009), Acki Preschool (2009), Just Another Stamp (2009), Firlefanz (2009, curly letters), Pixelstitch (2006), AnkeHand (2003), Hole-Hearted (2003, Gill Sans with hearts), KRITZEL (scratchy pen), MilkyWay, FrightNight, Eminenz (2002), Scribble, Skribus, Why, TooLazyToPractice, XXX, CheapInkkilledmyPrinter, Storch (alphadings), Alexandras-Stempelkasten, Anatevka-Caps, BulletMix, Catwalk, Duke, Dukeplus (2000, blackletter), Riddleprint, Anke-Print, AnkeCalligraph, Titanic, Wasser, butterbrotpapier, distracted-musician, dyslexic, manko, quixotic, verrutscht, zladdi, barcoded, BulletMix2, CAR-GO-2, Fortunaschwein (nice curly script; no punctuation or numbers), Round, BigBrothers&Sisters, BoringLesson, CrimesceneAfterimage, Incognitype (old typewriter), Jenna'sPopsicles, Japanese Brush (1996), Knuffig (2000), MonkyBusiness, Olympia2000, Samba, Dandelion, Kritzel (2003, scratchy hand), Krystal (2000, snow simulation face based on Gill Sans), Nervous, ParryHotter (2001, a Harry Potter blackletter face), Pffft, Tschiroki, Heart2Heart (heart alphadings), Anke Sans.
Anthony Dathy is a graphic and type designer. He graduated from the École Nationale Supérieure des Arts Décoratifs in Paris in 2008 with a degree in graphic design. Since then he followed the type design programm of André Baldinger and Philippe Millot and worked as freelance designer on a variety of design projects, including identity, editorial and interactive design. Speaker at ATypI 2010 in Dublin. In 2009-2010, with fellow ENSAD students Timm Borg, Perrine Saint Martin and Ok Kyung Yoon, he developed a complete family of fonts that extend blackletter and roman faces by Ulrich Gering that go back to the 1470s. [Google] [More] ⦿
UK-based creator (b. 1967) at FontStruct in 2008 of Metal Vampire (athletic lettering meets vampire), Moonbase Tokyo (neat futuristic oriental simulation), Sir Robin's Minstrels (blackletter), Starscraper (techno), Moonmonkey (outline LED font), First.
In 2010, he added the non-FontStruct faces Chromium (a great special effect face), Clawripper, Dirty Play, HairyMonster, HairyMonsterSolid, Punched, and Slasha, mostly inspired by blood, guts, and murders. Static Buzz (2010) is a texture face. Newcastle (2010) is a castle-themed alphabet. Blinger (2010) is a star-studded outline face. New York Punk (2010) is grungy. Dinosaurs (2011) is a dingbat face. NUFC Shield (2011) is a shield face. Zombified (2011) and Sound Sample (2012) are grunge faces.
In 2013, Robinson published the textured athletic lettering font Robbie Rocketpants, Airlock, Cargo Bay (a great army stencil, with a negative letter option), Dogma (a grungy Lombardic face), and the grungy blackletter face Flesh Wound. MDMA (2013) is a halftone simulation texture face. Barbarian (2013) is an alphading typeface on the theme of swords. Camouflage (2013) is a textured typeface. Atheist (2013) is an outline typeface. Power (2013) is inspired by lettering on pwer buttons. Witching Hour (2013) is a halloween font. Dystopian Future (2013) is a grungy typeface
Nürnberg-based printer who created many interesting typefaces in the late 15th century, as narrated by Christoph Reske in Eine neue Entdeckung zur Druckgeschichte der Schedelschen Weltchronik (note: Schedelschen Weltchronik (1492) is a book by Hartmann Schedel). These include a gorgeous Rotunda and Schwabacher (1492), a Druckbastarda, and other original Fraktur faces, called No. 9 and No. 11 by Reske. Koberger was first and foremost a printer, who made the first illustrated bible in 1475, and printed, as hinted to above, Schedelschen Weltchronik (1492). He died in 1515. MyFonts page. Modern digital types based on Koberger abound:
Czech Fraktur page. It has a lot of information and samples, includes a table (reproduced below), and has a small archive: Gothenburg (WSI), MA-Gotic (Will Software), Magdeburg (Scriptorium), SchwabenAlt-Bold, Diamond-Gothic (Jim Fordyce, 1993), Engrossing (Scriptorium, 1994), Fiorne (WSI), GF-Gesetz (Lorenz Goldnagl, 1999), JGJDrerGothic (Jeffrey Glen Jackson, 1997, based on Albrecht Dürer), OffenbachChancery, Ruritania, Schwabach, WornManuscript (Phillip Andrade, 1999), Suetterlin, MA-Bastarda1 (Will Software), FFraktur1, DSNormalFrakturBold (BfdS, 1997), Old-London, WilhelmKlingsporGotisch-Dfr.
Antonio J. Morata (Almeria, Spain) is a FontStructor (aka elmoyenique) who used FontStruct to make several modular faces starting in 2010. The typeface names start with z. We list them alphabetically:
Antraxja Fonts (or: Atrax)
Antraxja Fonts (or: Atrax) is a (now defunct) Polish foundry which offered these free fonts made by Rafa Brzezinski in 2004: ARTUR, Antraxja Goth 1938 (blackletter), Art (art nouveau), Battlefield (war lettering face), BananaShow-Medium, CrashTest, CrashTestItalic, CrashTestShadow, Cybernetyka (futuristic family), CybernetykaItalic, CybernetykaNormal, CybernetykaOutline, DarkPalladin, History Brush, Kreskwka-Italic, Kreskwka (handwriting), Monster, MonsterShadow, Mortis, Orchidee, Reforma, Returntocastle (gothic), Speed+, Speed+2, Techno, Medusa (blocky lettering), Weronika, Bajareczka, Camilla, Cherif, Top Secret (stencil).
Designer at FontStruct in 2008 of Interest (dot matrix), Order (constructivist), Attica, Continuum (rounded bold), Fairway (+Slab, +Serif), Slant (techno), Cowboy (2008, Western-themed), Lights in the sky, Olymia Bold, Solida (psychedelic), Digi (pixel face), Villa (heavy slab serif) and Olympia Light. In 2009, he added Versional, Crown, Vend, Reed (Slab, Sans, both octagonal), Spaced Out (Bold, Italic, Regular), Jingle, ReMix (kitchen tile), Squire (3d face), Garage Sale (stencil), Signage, Futility (blackletter), Expearemint, Textual, Callout, tweedie, Embolden, Clipped, Economical, Emphasis, Vessel, Honest, Union (+Flat, +Sans, +New), Interest (pixel/dotted face), Venus Sans, Minanim, Diner (rounded), Lights in the Sky (De Stijl-like font), Opine, Charmer (+Inverse), Tweedle, Textual, Solida (ultra round), Slant, Slant, Villa (heavy slab serif), Versional, Vend, Union, Union Sans, Union New Sans, Union New Flat, Paperclip, Poofy, Steel (+Outline: octagonal), Crown, Diner (rounded), Solemn Bold, Solemn, reed Sans Mono (octagonal).
Fonts from 2010: Full Deck (playing card font), Scrollboard, Power Up (piano key face), Groovy Fu, Formality, Union New (+Sans, +Flat), Angle Tutorial, Aurora Light (elliptical monoline sans), Pushpins, Aurora Light, Scrawl (marker face), Evity (a grotesk face), Altipen (upright script).
Fonts from 2011: Obleak (oblique techno face), Likea (a heavy mechanical sans), Uptake (elliptical).
Alternate URL. The history of all fonts used and produced by Apple. A brief summary of this:
Slovenian foundry which specializes in old typefaces found in old prints, books and samples. Typefaces are reproduced as they appeared in print. In order to preserve the original feel of typefaces, no additional characters were added to originals therefore most of fonts consist just of basic character set. Upper case letters, lower case letters, numerals and basic punctuation. It was set up in 2000 by Matevz Medja. Engraving style faces: Kludsky (2006), Garfield (2005), Copperplate Head (2005), Western Iron (2005), Cider (2005), French Shaded (2005), Tilt (2005). The blackletter faces: School Text (2005), Harlem Title (2005), Copperplate Text (2005), Black Title (2005), Chased Black (2005), Tinted (2005), Steeler (2005), Blackcap (2005). Calligraphic faces: Petite Script (2005), Autograph Script (2005), French Script (2005), Penman Script (2005), Magnolia Script (2005), Roundface Script (2005), Roundhand Script (2005). Other faces: American Shadow (2005), Lightface Extended (2005), Grotesque Shaded (2005), Gothic Ornate (2005), Antique Extra Condensed (2005), Antique Extended (2005), Ironlace (2005), Atlantique (2005), Mann (2005), Old Style Condensed (2005), Ribbon (2005), Salisbury Script (2005), Black Title Text (2005, blackletter), German Text (2005, blackletter), Archive Hands (2006, pointing fingers), Archive Woodchild (2006). Distressed faces: Archive Tale (2006), Archive Egipt Compressed (2006). In 2011, he published the Archive Garamond family, which is closer to the unpolished originals. The 2010 catalog has three parts:
Small blackletter archive, largely fonts made by Dieter Steffmann: BreitkopfFraktur, Deutsch-Gothic (by Jim Fordyce), FetteFraD, FettedeutscheSchrift, Fraktur, HumboldtFraktur, Kleist-Fraktur, KochFraktur (by Helzel), Luftwaffe (by WSI), MarsFrakturNormal (by Helzel), Propaganda (by Antifa Publishing), SchmaleAnzeigenschrift, SchwabenAlt-Bold, TannenbergFett, ZentenarFraktur. [Google] [More] ⦿
This guy is something else---I can't find enough superlatives to describe his work. A very creative freelance graphic designer from Budapest, he is best known for his experimental type projects. He published the masterful Ogaki in 2009, the high contrast didone face Sens Away Pro (2010), the freestyle jazz high-contrast face Qalto (2012) and the fat counterless Dubwise Pro (2010) at Die Gestalten. Other typefaces include Milen Serif (2009, organic), Minimalstile (2008), Minimalca (2008, organic), Fade Away and Fancy Fence (2009, geometric blackletter), Muzikal (2010), Type #32 (2010).
ARS Type (was ARS Design)
ARS Type is an Amsterdam-based foundry with some commercial fonts by Angus R. Shamal. Shamal had earlier published fonts with T-26 and Plazm. Fonts can be bought via Fontshop.
The fonts: AudioVisual1, Code, Kamp, Kamp Serif, Retro City, OCRU, Toycube, Mortal, Maquette (1999-2000), Angelring, ARS Bembo, Contrast, Dandy, EcologyModern, Hartu (handwriting), Temper, ARS Novelty (2011, a free hybrid style face), ARS Polythene (pixel font family), Misanthry, Syntax (OsF format sans serif), CensorSans (1994), CensorSerif (1994), Credit (1995), Epilogue.pfa (1995), Exert (T-26), Humain-Graphica (1995), Humain-Synthetica (1995), Platrica (1994), Roscent (1995), ARSFortune (2000, futuristic), District (experimental), Descendiaan, Zero Rate (futuristic), Tegel (1998, stencil, kitchen tile), Twenty (octagonal, techno), Trio (dot matrix fonts), Maquette (1999), Region, Product (2007, sans faces), Mr Archi, Prime (display), Deviata (unicase face), Forum I-AR (after Forum I, a 1948 font by Georg Trump), Freie Initialen-AR (2007, after a 1928 set of caps for Stempel Garamond), Fry's Ornamented (2007; a revival of Ornamented No. 2 which was cut by Richard Austin for Dr. Edmund Fry in 1796), Graphique-AR (2007; a shadowed face based on a 1946 design by Eidenbenz for Haas), Gravur-AR (2007; a digital version of a type designed by Georg Trump and issued as Trump-Gravur by Weber in 1960), Initiales Grecques (after a Firmin Didot design, ca. 1800), Lutetia Open (2007; based on Jan Van Krimpen's Lutetia), Old Face Open (2007; a digitization of Fry's Shaded, an open all caps Baskerville cut by Isaac Moore for Fry, ca. 1788), Open Capitals (2007, after Jan Van Krimpen's 1928 face for Enschedé called Open Kapitalen), Romulus Capitals (2007; after the caps series by Jan Van Krimpen, 1931), Romulus Open (2007; after the Open series by Jan Van Krimpen, 1936), Rosart 811 (2007; open caps after Enschedé no. 811 by Rosart), Zentenar Initialen (2007; based on blackletter initials of F.H.E. Schneidler, ca. 1937). [Google] [MyFonts] [More] ⦿
Arthur Reinders Folmer (or Arthus) is from Haarlem, The Netherlands. He created the free ornamental all-caps face Magical Unicorn (2011), Elerium (2012, an upright italic), and the tringaulated Crystalline (2012). It has been a long wait, but finally someone had the courage to create a typeface with the name Obesitas: Obesitas Sans (2012), advertised as the mother of all fat typefaces. Pylon (2012) was inspired by electricity pylons.
IN 2013, he designed Angellocks, a semi-blackletter typeface.
German punchcutter. Designer at Ludwig&Mayer of the blackletter face Werbekraft (1926) and of the script face Mammut (or Werbeschrift Mammut) (1927; see also L. Wagner in 1928 and 1932). At Schelter & Giesecke, he published Ambra (1924). At Lettergieterij Amsterdam, he created Schaduw Capitals (1919). [Google] [More] ⦿
British designer of Stratford, a blackletter font done at Letterhead Fonts in 2002. Also in 2002, he made the 6-weight Hindlewood fraktur family (in Sans, Soft, or Hard; and Regular or Groteque) and the 3-weight signage font Opening Night (2002). Other fonts include Red Sable Script (2006, photolettering age script), Senatus, Flash Script (signage), LHF Chesham Sans, Wade Grotesque (2003), Wade Dynamic (2008, bold sans), Cincinnati Poster (2003, signage), Tallington (2003, a great gas-pipe lettering font), Stevens Percepta (2003, inspired by showcard writer/designer Mike Stevens), Speedstyle (2004, comic book face), LHF Tideway Script (2004, connected fifties script), Essendine (roman), Stevens Percepta (flared headline sans), Tallington (strong sans), and American Sans. [Google] [More] ⦿
ARTypes is based in Chicago, and is run by Ari Rafaeli. UK-based pre-press production specialist who has made type 1 font revivals in 2006-2007, listed below. I am confused as this outfit seems to have grown out of Angus R. Shamal's ARS Type in Amsterdam. Who is who and what is what? List of typefaces categorized by revival type:
"Founded in 1895 at Ashendene, Hertfordshire, England, by Sir C. H. St. John Hornby and moved in 1899 to Chelsea, London. It was a leader (with the Kelmscott Press and the Doves Press) in the 19th-century revival of fine English printing. Its edition of Dante (1909) is considered an achievement comparable to the Kelmscott Chaucer of William Morris. The Subiaco type used by the Ashendene Press was designed by Sir Emery Walker and S. C. Cockerell from an early Italian typeface. The Ashendene Press, which set all of its editions by hand, issued 40 books in the years from 1895 to 1915 and from 1920 to 1935. " Note: Its Ptolemy Roman type was designed based on the roman lettering of Leonhard Holle used in "Ptolemy" (1482). The Subiaco type (1902) is now owned by Cambridge University Press. Its punches were cut by E.P. Prince. It is a humanist face with blackletter tendencies, and is based on the first roman used in Italy for printing, developed around 1464 at subiaco by Conrad Sweynheym and Arnold Pannartz. The Ashendene Press disappeared in 1936. [Google] [More] ⦿
Association for Insight Meditation (or: Aimwell)
On this site dedicated to Pali fonts, we find Bhikkhu Pesala's free fonts: Akkhara, Cankama (2009, blackletter), Carita (2006, all caps roman), Garava (2006), Guru (2008: made for Buddhist publications, it is a rather complete Latin, Greek and symbol font), Hattha (2007, felt marker face), Kabala (2009, after Kabel...), Lekhana (2008, in Zapf Chancery style), Mandala (2007, geometric sans), Odana (2006), Pali, Talapatta, Talapanna (2007), Veluvana (2006), Verajja (2006), Yolanda (2008, calligraphic). The Pali fonts all have over 1400 Latin characters with diacritics including those needed for Sanskrit and Pali transcriptions. They cover Latin, Vietnamese, chess symbols, and astrological signs, and are based on Zapf's Palatino. Bhikkhu Pesala is a Buddhist monk in London. [Google] [More] ⦿
Commercial foundry in Oak View, CA, est. 2011, by Glenn Parsons. Creator of UXB Stencil and its companion UXB Spray in 2011, rough stencil faces. He also designed the tattoo face Dragon Fang (2011), Sugarbang (2012, comic book style), and the octagonal wedge face Spacepod (2012).
In 2013, Glenn created the comic book style typeface Koo Koo Puff.
Atelier Bubentraum is Anton Studer, a designer located in Zürich.
Other typefaces: Frank (2007, a commercial grotesque blackletter sold by Die Gestalten Verlag), Motion (2008, experimental), Hausbau (2008, free, experimental), Minimeter (2008, free ruler-themed font, for Neo2), Archiv (2008-2010), Goodbye (2009).
Together with Clovis Valois, he set up Nouvelle Noire in 2012 in Zurich. At Nouvelle Noire, he published Rekja (2011) and Medien (2011).
Free fonts at the German outfit Augenbluten (Mac only): Poprock, Destroy Dingbats, Menace, Destroy Gotisch (Fraktur), Excellence (multiline font), Augmented, Maschinen (octagonal), Nano, Mikrokomputer (pixel face). All these fonts are by a group of four people among which we find Axel Pfaender. The group calls itself "interfaces - symposium ueber schrift und sprache". PC versions at Augmented.de.
Letterer and Intertype director of typography from Richmond, VA. Credited with the face Dietz Text, which is also attributed in places to Oswald Cooper. August Dietz patented a blackletter with two incised white lines for Barnhart Brothers&Spindler as Design 79792 on November 5, 1929. [Google] [More] ⦿
Austin Norman Palmer
Designer in 2008 at FontStruct of NuGothicA (blackletter), BauForm, DINAMO (mechanical), Magnum (great industrial strength slab serif headline face), Cocoa (rounded and ultra fat), EUROstruct (thin and architectural), Kaotic (graffiti), Weimar (pixel face), Rondo, Rondo Tail, Fabrica (octagonal), Fabrica Rotula (stencil, octagonal), Quadrat, Electrica, Electrica Dots, Fabrica Screen (horizontally striped octagonal face), Block Black, Bloop, Blackwolf, Guru Blackletter (Indic simulation face), Inslab (slab serif), Inslab II, Minima (stencil), Boxer (ultrafat, octagonal), Bloko (nice ultra-fat face), Steel (macho slab serif), Nextar (pixelish but elegant), Simplex, Ulises 7 (+Serif) (pixel faces), Digita (kitchen tile) and Block (ultra fat), June Cleaver. See America (2008, octagonal) is an octagonal lettering font that was inspired by a travel poster (WPA, 1936) designed by Jerome Roth. Faces made in 2009: Morgana (a beautiful fat piano key face), Manitoba, Machina (+Slab), Old Monk (uncial), NughoticA Brush, LUBA 8 Lowercase (after Lubalin), Nugothic A (blackletter), Dinamo, Ross (strong mechanical face).
Barmee.com (was: Czcionki.com, or: Barme Fonts)
Original fonts by Polishman Bartek Nowak (aka Barme, b. 1973) made in 2000-2001: BukwaNormal (Cyrillic), Nokian (pixel font), Passja, Xar, BarmeReczny, Elementarz (orthographic writing for kids) [see also here], Gotyk-Poszarpany (Fraktur), Afarat Ibn Blady (Arabic simulation face), Hieroglify, Kobajashi, Kwadryga, Magda (Basque), Maszyna (old typewriter), MaszynaAEG, Nerwus (scribbly, sketchy), Pascal, SecesjaPL (curly font: a revival of Herman Ihlenburg's ulktra-Victorian face Nymphic), Zakret, RecycleIt, Sandwich, Keiser Sousa, Manifest.
Font list (with repetitions): 4Mini, BarmeReczny, Elementarz, Fiesta, GotykPoszarpany, GrubaBerta, Hieroglify, Infantyl, KeiserSousa, Kobajashi, Kwadryga, Magda, Manifest-Niski, Manifest, MaszynaAEG, MiniMasa, MiniSet, MiniSter, Nerwus, Nokian, Nokian2, Opeln2001-Prosty, Opeln2001, Opeln2001Szeroki, Pascal, Passja, Premiership, RecycleIt, Sandwich, SecesjaPL, Szablon, Wabene, Xar, Zakret, MiniForma, MiniStrzalki, Miniline, Minitot, Ulisson, Astalamet (2002), Gosford (2002), Volan (2002), Establo, QuatronFat, Infantyl (2002), Quatron (2002), YnduFat (2002), YnduOut (2002).
URL not accessible to my browser (Mac+Firefox).
This site carried these fonts in May 2008: 4Mini, Afarat-ibn-Blady, Astalamet, AstalametPure, BarmeReczny, Cyree, DorBlue, ElementarzDwa, Erton, Establo, EstabloFat, Fiesta, Gosford, GotykPoszarpany, GrubaBerta, Hieroglify, HongKong (oriental simulation), Infantyl, InfantylFat, InfantylItalic, InfantylOut, Jiczyn, KeiserSousa, Kobajashi, Komix, Kwadryga, Lola, Magda, Manifest-Niski, Manifest, MaszynaAEG, MaszynaRoyalDark, MaszynaRoyalLight (typewriter types), MiniBet, MiniForma2, MiniJasc, MiniKongo, MiniLine2, MiniMasa, MiniQuan, MiniQuanMniejszy, MiniSet2, MiniSter, MiniStrzalki, MiniTot, Nerwus, Nokian, Nokian2, Opeln2001-Prosty, Opeln2001, Opeln2001Szeroki-Metro, Opeln2001Szeroki, Pascal, Paskowy, Passja, Quatron, QuatronFat, RecycleIt, Sandwich, SecesjaPL, Sloneczko, Szablon, Tabun, TechnicznaPomoc-Italic, TechnicznaPomoc, TechnicznaPomocRound, Ulisson, Vaderiii, Volan, Wabene, Xar.
Graphic designer (b. Dordrecht, The Netherlands, 1979), who specializes in type and typographic design, and lives in Haarlem. Student from 1999-2003 at the Graphic and Typographic design-course at the Royal Academy of Art (KABK) in the Hague. He graduated in 2004 from the postgraduate design-course on TypeMedia at the same academy. While at the KABK, he made the futuristic/computerized faces Basetype 144 (2003) and Default (2001). Many of his projects involve lettering in public places, such as the application of DTL Haarlemmer for the street signs in Haarlem. His type designs include Small World, Homerus (text face) and Blackletter (a project for the city of Haarlem). Ancient URL. [Google] [More] ⦿
Bastarda (Schwabacher in German) dominated printing in Europe in the last part of the 15th and the first part of the 16th centuries. It breaks with the heavy Textura that Gutenberg used in his first books and his bible. All of the Lutherian books were set in Schwabacher, which was nearer to handwriting. It was probably first used by Johannes Bäumler in Augsburg in 1472. In any case, it was in use in Nürnberg in 1485, and showed up in 1490 in Anton Koberger's Schedelsche Weltchronik and in 1498 in Albrecht Dürer's Apokalypse. Examples: a hand-drawn Schwabacher from 1489, a sample by Johann Schoeffer in Mainz, dated 1521, and a fancy title page. In the middle of the 16th century, it was displaced by fraktur as the most-used German typeface. German link. Characterized by the pointed o (both top and bottom), the Asian-looking "g", the Garamond-like "h" and the "A" that thinks it is a "U", it was rejuvenated in the 18th century by German foundries such as Genzsch and Heyse (Alte Schwabacher, 1835, and Neue Schwabacher, 1876) and Klingspor (Offenbacher Schwabacher, 1900), and type designers such as Ehmcke (1916) and Schneidler (1918) who all produced beautiful readable typefaces. There are many digital Schwabacher faces. See, e.g., Alte Schwabacher by Berthold, Alte Schwabacher by URW++, or Adobe's Duc de Berry, Bigelow's Lucida Blackletter, or P22's SchwarzKopfNew and SchwarzKopfOld. [Google] [More] ⦿
Andreas Seidel lists the blackletter faces published by the Bauersche Giesserei (and I added a few more):
Bazhen Yurchenko is the Kharkov, Ukraine-based designer of BenCat, Grunge, Flowerchild, BenHardLife, BenKrush and BenPioneer (1997). His fonts are here. Encient German Gothic is a blackletter font to which he added a Cyrillic in 1995-1999. Here, you will find the free Cyrillic truetype fonts Ben-Cat-Bold, Ben-Hard-Life-Bold, Ben-Krush, Ben-Pioneer-Bold. See also here. [Google] [More] ⦿
Gifted designer from Lausanne, Switzerland. One of the most talented creators of typefaces with FontStruct.
Typefaces made in 2009: DB72, DBColon, DBPoints Sans, DBCube, and DB13, mostly dot matrix or octagonal fonts.
In 2010, these were followed by db Outline, db Stickers, db Stick, DB Cube New, db MOKI (stencil), db Ciao, db Ticket Light, db 72, DBpoints (dot matrix), DBPoin2, and db Kopix (blackletter), db New Points Italic (dot matrix face).
In 2011, we find dB Stick, dB Sticker, dB Sticker Mono (a monospaced typewriter face), db Prague (fat sans), db Backjumps (an extraordinary fat poster stencil), db Perl, db Perl 1.2 (texture face), db Quarz (2011, +Mix), and db Nox and db Nox II.
Fonts made in 2012: db Como (a simple monospace sans), db Sticker (hairline sans), db Rocko v2 (stencil face), db Today v1 (a beautiful black slab face), db Today v2, db Etroite (2012, in several weights: constructivist), db N3, db Drops (fat counterless face), db Quarz Mix, db Soda, db Klacks, db NQ, db Boxer, db Como (monospaced), db Smoothie (fat stencil face), db Quick Cut (stencil), db Karton (stencil), db Frieda.
German foundry established in 1816 by Benjamin Krebs (1785-1858) and based in Frankfurt, which grew out of Schriftgießerey der Andreäischen Buchhandlung. Many of its shares were acquired by D. Stempel in 1933. A list of the faces:
Andreas Seidel lists the blackletter faces published by the Benjamin Krebs foundry:
German type designer (b. Offenbach, 1905, d. London 1989), who studied under Rudolf Koch from 1924-27 at the Kunstgewerbeschule in Offenbach. He emigrated to England in 1935 because of his Jewish background. Wolpe taught at the Camberwell College of Art (1948-53), at the Royal College of Art in London (1956-75) and at the City&Guilds of London School of Art (from 1975 onwards). From 1941-1978, he worked as a book designer for Faber&Faber in London, designing over 1500 book jackets. He published Schriftvorlagen (Kassel 1934), Marken und Schmuckstücke (Frankfurt am Main, 1937), A Book of Fanfare Ornaments (London, 1939), Renaissance Handwriting (with A. Fairbanks, London 1959), and Architectural Alphabet. J. D. Steingruber (London, 1972). Designer of
Betatype was established in 2003 by Christian Robertson, and is located in Concord, CA. It offers custom type design services as well as commercial fonts. Christian completed the BFA program in Graphic Design at Brigham Young University in Provo, UT, and was a partner at Mansfield Design Company in American Fork, UT. He joined Google where he presently works.
While at at Brigham Young University, he designed Alexandre (2004, a roman influenced by blackletter), Blackletter No.36, Uncial New (2004, an uncial with a unicase feel), Aloe (2003), Betatype No. 28 (2003, a semiserif), Ulysses (2003), Pill Aberration, Raisin Nut, Pill Gothic (2001, a sans family published in 2004 at Umbrella Type/Veer), Beezer Sans, Uncial Slab, Sketch No. 26, Sketch No. 25, Dear Sarah (2004, a contextual handwriting face done with great care, available from Umbrella Type), and Factory. i
Betatype published these fonts:
Bjarne Henning Kvaale
Blackletter, Fraktur, Rotunda
Manfred's fascination with blackletter and its German roots is apparent from the tens of typefaces he designed that are either revivals of historic typefaces or playful and not so playful extensions. Here we go:
[Google] [MyFonts] [More] ⦿
Blackletter site at the Cooper Union. Pages magnificently put together by Peter Bain and Paul Shaw. Blackletter: Type and National Identity (1998, The Cooper Union/Princeton Architectural Press) is a great book by Paul Shaw&Peter Bain. Amazon link. [Google] [More] ⦿
Typophiles list their favorite blackletter typefaces:
Blambot Comics Fonts was founded in 1999 by graphic Designer and illustrator, Nate Piekos. Blambot has a huge number of original free comics fonts and balloons by Nate Piekos (East Providence, RI, b. RI, 1975). Comic Lettering is an alternate URL, where you can also order logo designs, custom fonts, and custom lettering. Fontspace link. The fonts:
Swedish designer born in 1924 in Stockholm. He says of himself: Compositor, Linotype operator, teacher of typography. Type designer in a small matrix factory 1950-51. Calligrapher, book designer, author, lecturer and trade mark specialist. Now retired, but does type design as a hobby and to special orders for museums, ad agencies, companies and even to private persons. Prolific typographer who created beauties such as Boberia LL (1994), a fantastic didone text family with an antique bouquet. Most of his work is available from Linotype and/or Agfa/Monotype.
His fonts include Boberia LL (1994, a fantastic didone text family with an antique bouquet), the Grafilone LL family (1994, an avant-garde family that is almost illegible), Cartesius (2006, a beautiful 5-style family done at T4 in a mix of garalde and Venetian fashions), Byngve (2004, Linotype, in the style of 15th century Italy), Linotype Dala Text (2002, Fraktur, with ornaments and borders), Ornabo dingbats. Art Gallery, Belltrap (1995), Benedict (uncial), Beowulf (uncial), Boscribe (2005), Bosis, Botobe (2011, an informal script), Brigida, Buccardi (1998, Agfa), Caballero Script (2011, inspired by Spanish handwriting from 15th and 16th century), Carl Beck Script (1992, calligraphic), Esseltube, Euclides, Exlibris (1998), Frisans (2005, Monotype), Gertrud (2006, T4, based on 16th century calligraphy), Geometra (2011, T4), Gianpoggio (1992), Golota (1998, Agfa), Grantofte (1995), Hagalind (2011, a calligraphic connected script), Jerrywi (1994), Johabu (Fraktur), Lebensjoy (1994), Läckö, Linotype Dala Borders, Linotype Dala Pict (2002, beautiful dings!), Linotype Hieroglyphes One and Two (2002), Logoform, Magellan, Maricava, Moorbacka, Naniara (1998), Nordik, Olaus Bandus (medieval script), Olaus Magnus, Palekin (1994), Pelegotic (2006, an art deco inspired but minimalist sans), Pelican, PocketType (1994), Picadyll (2011, art deco), Promemoria, Ringlingje, Sabellicus (1997), Space Kid (runes), Swingbill, Trotzkopf (1998), Unotype (1997, mono), Vadstenakursive (1989, blackletter face with almost Lombardic-looking capitals), Viger Spa (runes).
In 2003, these faces were published in the Linotype Taketype 5 collection: Berndal LT Std Bold, Berndal LT Std BoldItalic, Berndal LT Std Italic, Berndal LT Std Regular, Berndal LT Std SC, Siseriff LT Std Black, Siseriff LT Std Bold, Siseriff LT Std BoldItalic, Siseriff LT Std Italic, Siseriff LT Std Light, Siseriff LT Std LightItalic, Siseriff LT Std Regular, Siseriff LT Std Semibold, Siseriff LT Std SemiboldItalic.
Martijn Rijven (BOLT Graphics) is a Den Haag-based Dutch type designer who started out at Kombinat Typefounders. His fonts include Kwadra (octagonal), Berlina (a take on blackletter), Bastard (based on type used in "Bastard", a Thai manga comic book), Frigidaire (fifties display face), Bitscream, and "Dense Dumb and Dirty". [Google] [More] ⦿
Bomparte's Fonts is John Bomparte's (b. Port of Spain, Trinidad, 1959) foundry in Wake Forest, NC. A graphic and type designer, John Bomparte was the assistant to, and a protege of renowned type designer Ed Benguiat, at the legendary Photo-Lettering Inc. It was there that John was surrounded by other great type designers such as Tony Stan, Vic Caruso, Vincent Pacella and Bob Alonso.
John designed the art deco sans face Hamptons BF, and another art deco headline face, Take Two BF.
In 2006, he published the 12-style family Blackletter Sans and the exquisite poster semi-Greek simulation art deco face Abstrak BF (modeled after a 1934 ATF font by Robert Foster called Abstract).
In 2007, he surprises with the 1920s poster font Michelle BF, the hand-printed Brandy BF, its follow-up Johnny Script BF (2008), the quirky Freaky Frog BF, the dot matrix experimental font Subliminal BF, the frizzy Glow Gothic BF (2007), and the gorgeous swashy 3-style blackletter family Black Swan BF (2007).
His 2008 faces: Jacky Sue BF (based on the hand of Jackie Geerlings), SoHo Nights BF, Hamburger Font BF (a rounded fat face), and the art deco sans serif faces Sidewalk Cafe BF (2008) and Hamptons BF (2 weights).
Emerge BF (2009) is a flare serif inspired by Admiral, c.1900, from the Keystone Type Foundry. Freedom Writer BF (2009) is a connected handwriting script face.
Danielle BF (2010) is handprinted, based on the hand of Danielle Paradis. Factor BF (2010) is an electronic / futuristic / techno face. FingerSpeller BF (1994) is an American sign language typeface. Retroscript BF (2010) and Capistrano BF (2010) are beautiful connected scripts.
In 2011, he added the fat felt tip pen face Sherbet BF and the funky rounded display face Dragonfly BF. In that same year, he published the stunted black wood type face Squat (BA Graphics, based on earlier work of or with Bob Alonso).
Fiona Clarke (aka Dead Duckling, Fie Clarke, and Bonez Designs) lives in Birmingham, UK, where she studied at Birmingham City University. She created the angular face Do You Like My Font Andy (2011), Cubee (2011, very fat and cubic), Boutique (2011, grunge), Anorexia (2011, a shrieky scribbled face), Time to Scribble (2011, sketched face).
Bonnie Clas has completed her B.F.A. and M.F.A. at the Savannah College of Art and Design as a major in Graphic Design with a minor in Drawing. She has been developing her career by taking positions as a designer, illustrator, and letterer for SpotCo, Rodrigo Corral Design, and Hsu+Associates in Manhattan. She lives in New York City. Creator of TWD Sans (2011, semi-blackletter), Mecano Neue (2011), Kule Script (calligraphic, for a clothing brand), Kule Slab (2011, didone), Lady Chatterly (curly fashion mag face), Lacie (curly face for Latin and Cyrillic), Methodenstreit (2011, arts and crafts face), Habana (2011, Lost Type), Feverish (2011, experimental), Burlesque (art deco). She also did the lettering for tens of projects. [Google] [More] ⦿
Renton, WA-based Peter R. Wilson's metafont code (2000-2003) for the "bookhands" series of fonts. It was his intention to provide the main examples of manuscript hands from the first century until the invention of printing. Included are the following:
Free package in 2011 maintained at the CTAN teX archive by Michael Sharpe from UCSD, who writes: The PostScript fonts in this package were derived from the STIX OpenType collection, with regular and bold weights of calligraphic, fraktur and double-struck (aka blackboard bold). The font names: BoondoxCalligraphic-Bold, BoondoxCalligraphic-Regular, BoondoxDoubleStruck-Bold, BoondoxDoubleStruck-Regular (blackboard bold style), BoondoxFraktur-Bold, BoondoxFraktur-Regular. Still in 2011, he published Dutch Calligraphic, a reworking of Elzevier's free math calligraphic font ESSTX13. [Google] [More] ⦿
Born in 1975 in Schwäbisch Gmünd, Kahl graduated in 2001 from the Hochschule für Gestaltung in Pforzheim. Boris Kahl is Art Director of the German advertising agency MAGMA (Büro für Gestaltung) since 2001. He cofounded the German type and design weblog Slanted. His type designs are published at Volcano Type (Karlsruhe):
free fonts at Dafont include Filou Medium (2010, calligraphic).
Lutz Schweizer published the text of the decree of January 3, 1941 signed by M. Bormann on behalf of the Nazi party. He declares: "Die sogenannte gotische Schrift als eine deutsche Schrift anzusehen oder zu bezeichnen ist falsch. In Wirklichkeit besteht die sogenannte gotische Schrift aus Schwabacher Judenlettern." [It is wrong to consider the gothic script (Fraktur) as a national German script. It is in fact nothing but Jewish Schwabacher characters.] Lucian Bernhard (1883-1972), one of Germany's main designers, had created Bernhard Fraktur (1913), and this was subsequently used in Der Völkische Beobachter, the central party newspaper and publication. It is ironic, Schweizer notes, that Lucian Bernhard himself was Jewish. On the topic Bormann's decree, Heinrich Heeger wrote Verbot Deutschen Schrift Durch Adolf Hitler in volume 55 (1997) of Die deutsche Schrift. [Google] [More] ⦿
Borutta is the creative studio of Warsaw-based designer Mateusz Machalski. He is the creator of the blackletter-inspired typeface Raus (2012), which also could pass for a Cyrillic simulation font. It was possibly made with Pawel Wypych. He also made Kebab (2012, a fat caps face), Duce (2012, art deco: withdrawn from MyFonts after Charles Borges complained that it was a rip-off of his own Gloria), Fikus (2012), Woodie (2012, a condensed rough wood type face), Polon (2012), Aurora (2012, a German expressionist poster face), Musli (monoline connected script), HWDP (2012, poster font), Wieczorek Script (2012, hand-printed), Hamlet (2012, a sword and dagger typeface, renamed to Prince), Caryca (2012, Cyrillic simulation, done with Pawel Wypych), Bezerro (2012, poster face), Bitmach (2012, pixel face), Meat Script (2012, a caps only market signage brush script), Krac (2012, a tall poster font), Hermes (2012: Ten Dollar Fonts), Berg (2012, a roughened blackletter face), Buldog (2012), Dudu (2012, tall condensed face).
In 2012, Polish designer Wojciech Freudenreich and Mateusz Machalski combined forces to design the techno typeface SYN.
Machalski likes old wood types, which inspired him in 2012 to publish a wood type collection of weathered display faces: Condom, Hype, Whore, Banger, Buka. Elo (2012) and Duce (2012) are fat weathered wood types.
Typefaces made in 2013: Zigfrid (headline face), Salute (letterpress style), Benito (a letterpress or geometric wood typeface), Bojo (heavy wood style poster face), Picadilly (heavily inktrapped open counter sans family), GIT (a manly headline sans), Lito (an eroded poster typeface), Haine (vernacular caps), Aneba (organic sans family), Vitali (sans), Korpo Serif (slab serif), Korpo Sans (elliptical family; +Greek, +Cyrillic), Korpo Sans (+Greek and Cyrillic).
Bosil Unique Fonts
American designer Michael Bosen or Michael Bolen (Bosil Unique Fonts) made these fonts in 2003: Mikie's Christmas List (handprinted), Bosil Unique Regular (comic book face), Bosil Marker, BU DeBoned, BU Boned, Uniquely Sprayed (grunge), Slightly Dinged, Bu Handy Dings (hands, including fists), and "the finger"), Bu Marker SC.
In 2012, he added BU Gothic Hybrid (a hybrid of grunge calligraphy and blackletter).
Typefaces from 2013: BU Dingbats Sans Purpose (scanbats), BU Wicked, BU Richard The Second (textura), Bu 1757 Bordelish (frilly ball terminal caps), Bu Darn Cupids Again (Valentine Day's font), BU Penfield Deco (loosely based on a font by Edward Penfield at the turn of the 20th century), BU Bernhard Pen (loosely based on a style by Bernhard Pankok from the turn of the 20th century), BU Scarecrow (gothic font based on the hand of Walter Crane), BU Glenda, BU Oscar Diggs. [Google] [More] ⦿
Cologne-based group of type designers, founded in 1996: Guido Schneider, Hartmut Schaarschmidt, Martin Bauermeister, René Tillmann, Rolf Zaremba. There are many original free fonts here: Amnesia (René Tillmann; now also sold by URW), Anorexia (G. Schneider, 1996), Battery, Battery Seriph, Battery Leak (Tuschemann, 1996), Matula (G. Schneider, 1997), Nobody (G. Schneider), Paul D (Guido Schneider, 1996), Sanctus, SubZero (Guido Schneider, 1996), SynkopSemi, Veto, Visitor (R. Zaremba, 1996), BiaBia (very avant-garde, G. Schneider, 1996), Corpa Gothic (sold by URW++), Cuba (G. Schneider, 1997), Hone (Piano Dog, 1996), Saw, SoloSans (G. Schneider, 1996), Souper, Styptic, Fluxgold (slabserif, G. Schneider 1999), Rotwang (G. Schneider 1998), Styptic (Tuschemann, 1995), Stoneman (Tuschemann, 1998), Jaruselsky (1997, G. Schneider). Well, that is, these fonts have just the basic alphabet and all numbers 3 and 6 have been removed. The full versions are ultra-expensive, at about 110DM per weight (typically, 4 weights per font). More fonts: Temptice (dingbat by A. Groborsch/G. Schneider 98/99, 80DM), Tara (G. Schneider, 1998, 240DM), Corpa Serif (G. Schneider 1998), Fiona Serif, Slab and Script family (2003, G. Schneider). URW markets these fonts: BF Anorexia, BF Corpa Gothic, BF Corpa Serif, BF Cuba, BF Fluxgold, BF Invicta, BF Jaruselsky, BF Matula, BF Nobody, BF Paul'D, BF Rotwang, BF Solo Sans, BF Stoneman, BF Stypic, BF SubZero, BF Tara.
Custom fonts by Schneider: Girato (Giraffentoast), Fiona (MDR - Mitteldeutscher Rundfunk), Sion Script (Sion Brauerei), Supralux (Super RTL). He is working on Veltro Pro (a script) and Breite Kanzlei (blackletter).
MyFonts sells BF Anorexia (a grunge face by Schneider), BF Corpa Gothic (a DIN-like family done in 1997 by Schneider), BF Corpa Serif (1997, a slab serif family by Schneider), BF Cuba (a pixel face by Schneider), Fiona Script (2006, connected), Fiona Serif, BF Fiona Slab (2006, Guido Schneider), BF Fluxgold (1998, Schneider), BF Invicta (2006, a roman inscriptional family by Schneider), BF Jaruselsky (1997, Guido Schneider), BF Matula (1996, an organic face by Guido Schneider), BF Nobody (1995, a roman face by Schneider with pointy experimental serifs), BF Paul D (a grunge blackletter face by Schneider), BF Rotwang (1997, a roman face by Schneider0, BF Solo Sans (1995, Schneider's grotesk family), BF Stoneman (1997, a decorative poster face by Schneider), BF Styptic (a grunge paperclip face by Schneider), BF Sub Zero (experimental, by Schneider), BF Tara (1999, a humanist sans family by Schneider), BF Girando Pro (a garalde made by Guido Schneider in 2010).
Brett T. Johnson
Brian J. Bonislawsky
Bruce Type Foundry
Founded in New York in 1813, and acquired by ATF in 1901, this foundry made fonts such as Bruce Old Style (now Bitstream), Madisonian (now available from Présence Typo), and Old Style 7 (Linotype, Adobe). Also called D.&G. Bruce, George Bruce, George Bruce&Co., George Bruce's Son, George Bruce's Son&Co., and V.B. Munson. They published a 592-page specimen book in 1901: Bruce Type Foundry: Our Handy Book of Types, Borders, Brass Rule and Cuts, Printing Machinery&General Supplies.. In 1869, George Bruce (b. 1791, Edinburgh, Scotland; d. 1866, New York) published An abridged specimen book Bruce's New York Type-Foundry" (1869), now available as a free Google book. Page with specimen of Great Primer Ornamented No. 5, Meridian Black Open (blackletter), Canon Teutonic Ornamented, Small Pica No. 2, Double Pica Graphotype, all taken from An Abridged Specimen of Printing Types Made at Bruce's New-York Type-Foundry (1868) and stolen from Luc Devroye's web site. Fists by the Bruce Foundry.
Bruce Ornamented No. 6 was digitized by Iza W from Intellecta Design in 2006 as GeodecBruceOrnamented. (2008, FontMesa) is a family of Western style faces based on a Bruce type family from 1865. FontMesa also made Belgian (2008) based on a Bruce Type Foundry design from the 1860s. Bruce 532 Blackletter (2011, Paulo W, Intellecta Design) is an excessively ornamental blackletter face. Michael Hagemann's slab serif family Gold (2011) is based on Bruce's Gold Rush (1865) after removing the shadows. [Google] [MyFonts] [More] ⦿
Great archive with many blackletter fonts. Features fonts such as AngloSaxon 8th, Bastarda, CelticFrames (Omega Font Labs), Celtic Gaelige (Susan K. Zalusky), The Middle Ages (dingbats), Monsters of Stone (dingbats), Stonehenge, Theodoric, Windsor, Magic Medieval (Dave Howell's modification of Goudy Medieval), Kelly Ann Gothic (Mike Allard), Judas, Houters Normal. Has Celtic fonts and Heraldic fonts as well. Page by Bryde the Webmistress. Alternate URL. [Google] [More] ⦿
Bumbayo Font Fabrik
Hungarian foundry with commercial and free fonts, est. 2005 by Attila Zigó. On Deviantart, they claim to be from Rwanda. They specialize in grunge type--some of the fonts are quite gorgeous indeed. Has a fontmaking service.
Magazine dealing with Fraktur (history, font-designers) and German language, est. 1927. Written in German and typed in blackletter. Currently edited by Harald Rösler. Gerda Delbanco of Delbanco Frakturschriften is the wife of Helmut Delbanco, who is the chairman of the Bund. Alternate URL. [Google] [More] ⦿
Stuttgart-based foundry established in 1827, and taken over by D. Stempel in 1970, which in turn became Linotype in the eighties. Their library included Druckhaus Antiqua (1919), Schadow Antiqua (1938), Weber Fraktur (1860) and faces by these designers:
C. H. St. John Hornby
Designer of Black Label (2010), a typeface created as a free version of TEFF's Burgundica. He also made Signmaker CaballoMRK (2010) as a reaction to LHFSignMaker, and Brushworks CaballoMRK as a free alternative to LHF Bushworks. [Google] [More] ⦿
Foundry in Canada, est. 2004 by Rebecca Alaccari in Toronto, and run by her and Patrick Griffin. Interview with Rebecca. Her faces can be bought through YouWorkForThem and MyFonts: Centennial Script (2007, a revival of an 1874-1876 high-contrast calligraphic script by Hermann Ihlenburg), Valet (2006, superb art deco face), Freco (2006, an art deco face loosely based on designs and letters of Fré Cohen), Silk Script (2006, based on 1956 Helmut Matheis script called Primadonna), Dominion (2006, based on an early 1970s film type called Lampoon), Johnny (2006, an art nouveau poster face that revives the Harem/Margit face by Phil Martin, 1969), Guillotine (2007), Mayfair (2006, a calligraphic face based on Mayfair Cursive by Middleton, 1932), Happy Birthday (2006, script), Geronimo (2005, brush style poster font), Rostrum (2005, a revival and expansion of a type called Oleander, designed in 1938 by Julius Kirn for the Genzsch&Heyse foundry in Hamburg), Apricot (2005; based on A.R. Bosco's Romany for ATF, 1934, but a major extension with many ligatures), Heathen (2005), Cougar (2004, a digital version of Martin Wilke's 1968 handwriting face Konzept), Puma (2004, brush face based on Herbert Thannhaeuser's 1954 Kurier), Big Brush (brush), Diva (connected script), Odette (high ascender display face after the Morris Benton 1918 American classic, Announcement Roman), Crucifix (2004, a severe octagonal face), Fore (2004, a bullethole face), Formula, Gamer (2004), Formula (2004), Kofi, Platoon (2004, a stencil face), Verso (2004), Secret Scrypt (2004, a handwriting face), Bluebeard (2004, blackletter by Patrick Griffin), Bolero (2004), Janice (2004, psychedelic), Jimi (2004, also psychedelic), Scroll (2004), Dominique (2004, upright script), Moxie (2004, a fat display family which includes a stencil), StockA (2004), StockB (2004, a fat stencil face), Stalker (2004, a destructionist face), Scroll (2004), Jonah (2005, a hippie face based on an early 1970s film type from Franklin Photolettering called Urban). MyFonts page. Phil Rutter and Patrick Griffin made Coffee Script (2004), the digital version of R. Middleton's Wave design for the Ludlow foundry, circa 1962. Phil Rutter and Rebecca Alaccari designed Almanac (2004), a script face based on Imre Reiner's London Script (1957) (and Rebecca did a subsequent redigitization in 2007 that led to Reiner Hand), Tiger Script (2004, based on Georg Trump's wild brush script Jaguar done in 1967 for C. E. Weber), and Ali Baba (2004), an Arabic simulation face originally designed by Georg Trump as Palomba (1955, C.E. Weber foundry). Patrick Griffin made Leather (2005, after Imre Reiner's 1933 blackletter face), Secret Scrypt (2005), Skullbats (2005), Slang (2004, a blood scratch face), Bluebeard (2004), Expo (2004, an octagonal family), and Dancebats (2004). Simone Wilkie designed Boyscout (2004) after the handwriting of her son. Helmut Matheis' Contact (1963, flowing script/brush) was digitized by Rebecca in 2004 as Bruschetta. Rebecca also made Steiner Special (2007, a revival of Swing, a film type by Peter Steiner, 1974), Genesis (2007, a digitization and extension of Grayda, a 1939 calligraphic script of Frank H. Riley at ATF), Evolver (2006, futuristic family), Redwood (2007, a calligraphic script based on Willard T. Sniffin's Raleigh Cursive (1929, ATF)), Orotund (2005, after the 1970s face Eight Ball; this was extended again in 2006 in her art nouveau typeface Huckleberry, which is a revival of the 1973 face of Gustav Jaeger called Mark Twain), Pendulum (2005, a fantastic flowing script based on Nebiolo's Americana, 1945), Jojo (2005, with B. Jacquet), Mascara (2004), Gala (2004, after Neon (1935, Giulio da Milano at Nebiolo)) and Bella Donna (2004, after a script made by Alessandro Butti in 1948, called Rondine). 2005 faces: Jazz Gothic (Patrick Griffin), Showboat, Hunter (a revival of Imre Reiner's brush script Mustang, 1956), Quanta (stencil), Quiller (a script face based on J.J. Sierke's 1964 face Privat), Rhino (revival of Mobil, a 1960 face by Helmut Matheis for Ludwig&Mayer), Dominique (donated to FontAid), Secret Scrypt (donated to FontAid), Jackpot (2005, Western typeface remotely based on Cooper Playbill which in turn is related to Cooper Black, but it also has hippy 1968 influences), Sincerely (handwriting face based on Karlgeorg Hoefer's 1968 Elegance), Fontella (a digitization of Novarese's calligraphic script Elite), Boondock (digitization of Imre Reiner's Bazaar from 1956), Gumball (digitization of Papageno, a 1958 font by Richard Weber for Bauer), Runway, Gamer, Dominique (OpenType handwriting face), Sterling Script (2005, by Alaccari and Griffin: a 7-weight digitization and extension of Stephenson Blake's 1952 clean copperplate script Youthline Script), Vox (2007, a 24-style monoline sans family done with Patrick Griffin), Vox Round (2013, a softer version), Evolver (2006, a 4-style futuristic family), Ambassador Script (2007, an Alaccari-Griffin revival of the angle-reduced calligraphic script Juliet by Nebiolo, 1955). In 2005, Philip Bouwsma joined Canada Type, and designed a great calligraphic blackletter-inspired family, Torquemada. VIP (2007) is a humanist sans serif uppercase and figures combined with a freshly redrawn revival of the classic VGC Contanze initials originally designed by Harry Brodjian in 1970. Chopper (2007, by Rebecca Alaccari) is a revival of Venture (a 1972 face for VGC by Harry Villhardt). Walter (2007, Rebecca Alaccari) is a digitization of Heritage (1952, ATF, a calligraphic script by Walter H. McKay). Celebrity (2007, Rebecca Alaccari) revives and extends the retro/techno face Latus (Willy Wirtz, 1971). Sympathique (2008, Alaccari) is an ultra-thin and ultra-tall face in the mold of Bernhard Fashion and other era poster or film faces (they say that it is rooted in the film faces Hairstreak and Mossman). Mullen Hand (2008) is a revival of Repro Script (1953, Jerry Mullen, ATF).
German designer (b. Stettin, 1864, d. Stuttgart, 1941). He studied lithography from 1878-1882, and worked as a lithographer in Stuttgart from 1891-1895. After that, until 1939, he was a free-lance graphic designer in Stuttgart. He made these typefaces:
C.G. Naumann is Carl Gustav Naumann, who ran a family printing business in Leipzig. In 1901, he published Schriftproben der Firma C.G. Naumann. Sample pages of that book are shown in the link. Poster by Naumann. [Google] [More] ⦿
Author/editor of Kunstwerke der Schrift Bund für deutsche Sprache und Schrift (Großenkneten 1994). [Google] [More] ⦿
Designer, b. 1989, Mexico. He created the blackletter / gothic / tattoo font Mirage Gothic in 2012.
Carlos Primo, a graphic designer from Madrid, created the super-techno face Sector 85 (2011), and the subdued blackletter family Der Neue Gutenberg (2012). Carlos was educated in Venezuela. [Google] [More] ⦿
Casady & Greene
Casady&Greene, Inc. started out as two separate little companies, CasadyWare and Greene, Inc. CasadyWare, which was founded by Robin Casady in August 1984, began producing Fluent Fonts, which were bitmapped typefaces for the Macintosh. As soon as PostScript fonts appeared, CasadyWare got hold of the first version of Fontographer and produced the first downloadable PostScript fonts, even beating Adobe, the originators of PostScript, to the punch. These were marketed as Fluent Laser Fonts (FLF).
The FLF series includes Abilene (Western), Alexandria (2004, slab serif family), Black Knight (blackletter), Bodoni, BodoniUltra, Bonnard (art nouveau), ButtonHighlight, ButtonPlain, Calligraphy, Campanile (a great didone face), Checkbox, Collegiate (sports lettering), Coventry Script (calligraphic), Cutouts (stencil), Desperado, Dorovar, DryGulch, Epoque (art nouveau), FattiPatti, Fletcher Gothic (1992, art nouveau), Galileo, Gazelle (calligraphic), Gatsby, Giotto, Gregorian (blackletter), Harlequin, Highland Gothic, Jott, Kasse, Kells (modern round Gaelic font, 1988), KeyCaps, La Peruta, Meath (modern round Gaelic font, 1988), Michelle (art deco, marquee face), Micro, MicroExtended, Monterey, Moulin Rouge (1992, an art nouveau face by Richard A. ware), Nouveau (art nouveau), Paladin (blackletter), Pendragon, Phoenix Script, Prelude (connected script), Regency Script (calligraphic), Right Bank (2004), Ritz (2004, art deco), Rocko, SansSerif, Sedona Script (connected, calligraphic), Slender Gold, Vertigo, VertigoPlus, Zephyr Script.
Many fonts were digitized by Richard Ware, and some were designed by Mike Wright. The contact was Terry Kunysz in Salinas, CA.
On July 3, 2003, Casady&Greene closed it doors permanently. However, one of its designers, Mike Wright, writes: I believe that all the fonts that were developed by the company are now in the public domain. Robin Casady and I are thinking of putting up a site with free downloads of all of the old C&G public domain fonts--mainly as a way of attracting Mac users to see iData 2.
Robin Casady in 2003: I founded Casady Company in 1984 to publish fonts for the new Macintosh. The name changed with incorporation to CasadyWare, Inc. Around this time I met Mike Greene who was looking for a software project to do after SpellsWell. I talked him into doing a program that became QuickDEX. Later CasadyWare, Inc. merged with Greene, Inc. and became Casady & Greene, Inc. Over the years, my role in management reduced as my interests in other areas developed. In the last ten years I have had no official management duties at C&G. About a year ago I removed myself from the Board of Directors.
CAT Design Wolgast
Wolgast-based type designer Peter Wiegel (b. 1955) runs CAT Design Wolgast. Designer of these free fonts:
The list of his truetype and opentype faces as of 2011: 18thCenturyInitials, 18thCenturyKurrentStart, 18thCenturyKurrentText, Alfabilder, AlteDIN1451Mittelschrift, AlteDIN1451Mittelschriftgepraegt, AmptmannScript, ApolloASM, Avocado, Barnroof, BerlinEmail, BerlinEmail2, BerlinEmailBold, BerlinEmailBold, BerlinEmailHeavy, BerlinEmailHeavy, BerlinEmailOutline, BerlinEmailOutline, BerlinEmailSchaddow, BerlinEmailSchaddow, BerlinEmailSemibold-Bold, BerlinEmailSemibold-Bold, BerlinEmailSerif, BerlinEmailSerif, BerlinEmailSerifSemibold, BerlinEmailSerifSemibold, BerlinEmailSerifShadow, BerlinEmailWideSemibold, BerlinEmailWideSemibold, Beroga, Beroga, BerogaFettig-Bold, BerogaFettig-Bold, BertholdMainzerFrakturUNZ1A-Italic, BertholdMainzerFrakturUNZ1A, BertholdrMainzerFraktur, Blankenburg-Regular, BlankenburgUNZ1A-Italic, BlankenburgUNZ1A, CasaSans-Regular, CasaSans, CasaSansFettig-Bold, CatShop, CentreClaws, CentreClawsBeam1, CentreClawsSlant, ChunkFiveEx, CntgenKanzley-Regular, CntgenKanzleyAufrecht, DIN1451fetteBreitschrift1936-Regular, DiscipuliBritannica, DiscipuliBritannicaBold, Doergon-Regular, DoergonBackshift, DoergonShift, DoergonWave-Regular, Elb-Tunnel, Elb-TunnelSchatten, Elbaris, ElbarisOutline, ElficCaslin, EricaType-Bold, EricaType-BoldItalic, EricaType-Italic, EricaType-Regular, ErikaOrmig, Eureka, FibelNord-Bold, FibelNord-BoldItalic, FibelNord-Italic, FibelNord, FibelNordKontur, FibelSued-Bold, FibelSued-BoldItalic, FibelSued-Italic, FibelSued, FibelSuedKontur, GoeschenFraktur, GoeschenFrakturUNZ1A-Italic, GoeschenFrakturUNZ1A, Gondrin, GreifswalderTengwar-Regular, GreifswalerDeutscheSchrift, GruenewaldVA-Regular, GruenewaldVA1.Klasse, GruenewaldVA3.Klasse, H1N1, HelvetiaVerbundene, KochFetteDeutscheSchrift, KochFetteDeutscheSchriftUNZ1A-Italic, KochFetteDeutscheSchriftUNZ1A, LeipzigFrakturBold, LeipzigFrakturHeavy-ExtraBold, LeipzigFrakturLF-Bold, LeipzigFrakturLF-Normal, LeipzigFrakturNormal, LeipzigFrakturUNZ1A-Bold, LeipzigFrakturUNZ1A-BoldItalic, LeipzigFrakturUNZ1A-Italic, LeipzigFrakturUNZ1A, Luxembourg1910, Luxembourg1910Contur, Luxembourg1910Ombre, MMX2010-Regular, Maassslicer3D, Maassslicer3D, MaassslicerItalic, MaassslicerItalic, Makushka, MakushkaKontura, MakushkaQuadriga, MakushkaSecunda, MeyneTextur, MeyneTexturUNZ1A-Italic, MeyneTexturUNZ1A, Midroba-Regular, MidrobaSchatten, Moderne3DSchwabacher, ModerneFetteSchwabacher, ModerneFetteSchwabacherUNZ1A-Italic, ModerneFetteSchwabacherUNZ1A, ModerneGekippteSchwabacher, MoradoFelt-Regular, MoradoMarker, MoradoNib, MoradoSharp-Regular, Murrx, Nathan-CondensedRegular, Nathan-ExpandedRegular, Nathan-Semi-expandedRegular, Nathan, NathanAlternates-CondensedRegular, NathanAlternates-ExpandedRegular, NathanAlternates-Semi-expandedRegular, NathanAlternates, Nomitais, Nomitais, Numikki, Numukki-Italic, Numukki-Italic, Numukki, Powerweld, PreussischeIV44Ausgabe3, PreussischeIV44Ausgabe3, PreussischeVI9, PreussischeVI9Linie, PreussischeVI9Schatten-Linie, PreussischeVI9Schatten, Proletarsk, Prsent60, Quimbie, Quimbie3D, QuimbieShaddow, QuimbieUH, Quirkus-Bold, Quirkus-BoldItalic, Quirkus-Italic, Quirkus, QuirkusOut, QuirkusUpsideDown, RostockKaligraph, RotundaPommerania, RotundaPommeraniaUNZ1A-Italic, RotundaPommeraniaUNZ1A, Rudelskopfdeutsch-Aufrecht, SchatternvonPreussischeVI9, Schulfibel-Nord-Linie-2, SchwabenAlt-Bold, SchwabenAltUNZ1A-Italic, SchwabenAltUNZ1A, Stage, StrassburgFraktur-Regular, TGL0-16, TGL0-17, TGL0-17Alt, TGL31034-1, TGL31034-1, TGL31034-2, TGL31034-2, Tank, TengwarOptime, TengwarOptimeDiagon, TitilliumMaps29L-1wt, TitilliumMaps29L-400wt, TitilliumMaps29L-800wt, TitilliumMaps29L-999wt, TitilliumText22L-1wt, TitilliumText22L-250wt, TitilliumText22L-400wt, TitilliumText22L-600wt, TitilliumText22L-800wt, TitilliumText22L-999wt, TitilliumTitle20, UtusiStar-Bold, UtusiStar, VarietScala, Varietee, VarieteeArtist, VarieteeCabaret, VarieteeCascadeur, VarieteeCasino, VarieteeCirque, VarieteeColege, VarieteeConferencier, VarieteeFolies, VarieteeIkarier, VarieteeJongleur, VarieteeMirage, VarieteeRevue, VarieteeTheatre, Via-A-Vis, Vrng, Waschkueche, Waschkueche, WaschkuecheGrob-Ultra, WaschkuecheGrob-Ultra, WiegelKurrent, WiegelKurrent, WiegelKurrentMedium, WiegelKurrentMedium, WiegelLatein, WiegelLateinMedium, WolgastScript, WolgastScript, WolgastTwo, WolgastTwo, WolgastTwoBold, WolgastTwoBold, XAyax, XAyax, XAyaxOutline, XAyaxOutline, YiggivooUnicode-Italic, YiggivooUnicode-Italic, YiggivooUnicode, YiggivooUnicode, YiggivooUnicode3D-Italic, YiggivooUnicode3D-Italic, YiggivooUnicode3D, YiggivooUnicode3D, ZeichenDreihundert-Regular, ZeichenDreihundertAlt, ZeichenHundert-Regular, ZeichenHundertAlt, ZeichenVierhundert-Regular, ZeichenZweihundert-Regular, ZeichenZweihundertAlt, cbe-Bold, cbe-BoldItalic, cbe-Italic, cbe, kaufhalle, kaufhalle, kaufhalleblech, kaufhalleblech, moebius.
His type 1 fonts as of 2011: Avocado, BerlinEmail, BerlinEmail2, BerlinEmailBold, BerlinEmailHeavy, BerlinEmailOutline, BerlinEmailSchaddow, BerlinEmailSemibold-Bold, BerlinEmailSerif, BerlinEmailSerifSemibold, BerlinEmailSerifShadow, BerlinEmailWideSemibold, Beroga, BerogaFettig-Bold, CasaSans, Elb-Tunnel, Elb-TunnelSchatten, Maassslicer3D, MaassslicerItalic, Numukki-Italic, Numukki, Powerweld, PreussischeIV44Ausgabe3, Quimbie, QuimbieUH, RostockKaligraph, TGL31034-1, TGL31034-2, UtusiStar-Bold, UtusiStar, Waschkueche, WaschkuecheGrob-Ultra, WolgastScript, WolgastTwo, WolgastTwoBold, YiggivooUnicode-Italic, YiggivooUnicode, YiggivooUnicode3D-Italic, YiggivooUnicode3D, cbe-Bold, cbe-BoldItalic, cbe-Italic, cbe, kaufhalle, kaufhalleblech.
A list of typefaces in alphabetical order, with descriptive comments provided by Reynir Heidberg Stefansson from Iceland: 18th Century Kurrent (Kurrent-style handwriting, Wiegel-coded), Alfabilder (Alphabetic picture font for the German alphabet), Amptmann Script (Partly-connected, upright writing, used on Prussian Railways pattern drawings), ApolloASM (Jugendstil, vaguely resembling an ornate Bocklin), Avocado (Handwriting, broad-nib pen-style), Berlin Email (Narrow sans-serif, based on emailled signage; Wiegel-coded), Berlin Email Serif (Narrow serif, based on emailled signage; Wiegel-coded), Beroga (All-minuscule, rounded marker-style sans-serif with ca. 8° slope), Berthold Mainzer Fraktur (Fraktur in Wiegel (Regular only) and UNZ1(A) coding), Blankenburg (Semicondensed Tannenberg in Wiegel (Regular only) and UNZ1(A) coding), Casa Sans (Squarish, broad-nib pen-style block writing), CatShop (Serif, soft of an acid-washed didone), cbe Normal (Sans-serif, narrow, somewhat cuneiform), Centre Claws (Sans-serif, Art Deco display, a bit like Broadway), Cöntgen Kanzlei (Cöntgen Kanzley) (Fraktur-based calligraphy by Heinrich Hugo Cöntgen, Wiegel coding), DiffiKult (Sans-serif, display, no horizontal lines), DIN 1451 fette Breitschrift 1936 (The now-withdrawn Wide version of DIN 1451 traffic font), Discipuli Britannica (UK school handwriting), Doergon (Slab-serif, narrow-ish, all majuscule), Elabris (Elbaris) (Sans-serif, caps/smallcaps, shades of DIN1451 Engschrift), Elb-Tunnel (Sans-serif, based on signage in the old Elbe tunnel in Hamburg), Elbic Caslon (Elfic Caslon,Elfic Caslin) (A Caslon for the Queen Galadriel), Erika Type (Erica Type) (Slab-serif, typewriter, comes from Wiegel's old Erika typewriter), Eureka (Serif, caps/smallcaps, Art Deco/Jugendstil), Fibel Nord (Sans-serif, based on German school primer), Fibel Süd (Fibel Sued) (Sans-serif, based on German school primer), Fibel Vienna (Sans-serif, based on Austrian school primer), Fundamental Brigade (Sans-serif, geometric, some UNZ1 ligatures), Göschen Fraktur (Goeschen Fraktur) (Fraktur with a biblical feel, Wiegel (Rg only) and UNZ1 coding), Gondrini (Gondrin) (Sans-serif, geometric, display, shaded outlines, cookie-cutter), Greifswalder Deutsche Schrift (Handwriting, based on Rudolf Koch's Offenbacher Kurrent, Wiegel coding), Greifswalder Tengwar (Tengwar handwriting in Offenbach style), Gruenewald VA (Latin-style schoolhand, Wiegel coding), H1N1 (Heavy display face made of parallel wavetrains), Hardman (Heavy, wide, squarish logotype with connecting letters), Helvetia Verbundene (Swiss handwriting), Immermann (Display, resembles a seriffed Radio/Rundfunk, UNZ1 coding), Kaufhalle (Display, recreation of HO Kaufhalle logotype), Koch Fette Deutsche Schrift (Very plain fraktur, Wiegel (Rg only) and UNZ1 coding), Leipzig Fraktur (Fraktur for bread text, Wiegel coding), Leipzig Fraktur UNZ1A (Fraktur for bread text), Luxembourg 1910 (Sans-serif, Jugendstil display face from old spice drawers), Maass Slicer (Maassslicer) (Sans-serif, oblique display face, orig. logotype), Makushka (Sort-of an Elabris with minuscules, looks overlayable), Men Nefer (Slab-serif, geometric, UNZ1 coding), Midroba (Spur-serif, display, all-majuscule, heavy, octal), MMX2010 (Sans-serif, display, caps/smallcaps, TV game machine feel), Moderne Schwabacher (Heavily reworked, Wiegel coding), Moderne Fette Schwabacher UNZ1A (Heavily reworked, Wiegel coding), Möbius (moebius) (Sans-serif, display, bicolour (u/c = non-spacing fills, l/c = spacing outlines)), Morado (Connected handwriting with nib or marker pen), Murrx (Heavy display face made from ellipsoids on NE-SW axis), Mutter Krause (Serif, slanting, Jugendstil-feel.), Nathan (Slab-serif, hand-drawn.), Nomatais (Nomitais) (Elabris with multiple levels of outlines), Numukki (Conlang, knotted-line, good for separators and scenebreaks), Powerweld (Sans-serif, Bauhaus style, all-minuscule), Präsent 60 (PI font with various East German logos), Preussische IV 44 (PreussischeIV44Ausgabe3) (Repro of Prussian Railways pattern type IV 44 version 3), Preussische VI 9 (Repro of Prussian Railways pattern type VI 9 version 2), Proletarsk (Sans-serif, monoline, doubled-up questionmark), Quast (Brush type, all-majuscule, very rough outline), Quimbie (Sans-serif, all-majuscule, resembles Amelia), Quirkus (Sans-serif), Ring Matrix (LED matrix with ring LEDs, solid LEDs and ring LEDs with shadow), Rostock Kaligraph (Very round calligraphy, resembles rotunda), Rotunda Pommerania (Rotunda style, Wiegel-code (Regular only) or UNZ1-coded), Rudelskopf deutsch (Sans-serif, based on Kurrent-style letterforms), Schwaben Alt (Schwabacher in Wiegel- (Rg only) or UNZ1-coding.), Stage (Sans-serif, narrow, Art Deco, fleeting taste of Broadway), Strassburg Fraktur (Handwritten fraktur, ornate majuscules, Wiegel-coding), Tank (PI font with (gas/petrol) tank station logos), TengwarOptime (Optima for Tengwar), TGL 0-16/0-17 (East German versions of DIN 16 and DIN 17 blueprint types), TGL 31034-1, TGL 31034-2 (East German versions of DIN 6776 / DIN EN ISO 3098 blueprint types), Utusi Star (Sans-serif, slight resemblance with Rundfunk), Varieté (Sans-serif, all-majuscule or caps/smallcaps), Vis-A-Vis (Serif, all-majuscule, split in middle), Volk Redis (Kurrent handwriting, anno 1930-1941), Vrångö (LED matrix type like Ring Matrix), Waschküche (Serif, resembles Antykwa Torunska), Wiegel Kurrent (Kurrent-style handwriting), Wiegel Latein (Latin-style handwriting), Wolgast Script (Sloppy-looking handwriting with a broad-nib pen), Wolgast Two (Latin/Cyrillic handwriting), XAyax (Serif, Jugendstil, narrow, all-majuscule), Yiggivoo Unicode (Sans-serif, wide, tall x, board game packaging feel), Youbilee (PI font with various jubilee laurels), Verkehrszeichen (Zeichen) (PI fonts with traffic signs (in layers)), Verkehrszeichen alt (Zeichen Alt) (PI fonts with old traffic signs (in layers)).
Catharsis is located in Leiden, The Netherlands. Before that, Christian Thalmann's page Cinga.ch was run out of Switzerland, when he was a student at ETH Zürich. It had free typefaces such as the great Arabic simulation face Catharsis Bedouin (2004) (available here), CatharsisCircular, CatharsisRequiem (a unicase pair), CatharsisRequiemBold, CatharsisCargo, Cirnaja Bookhand and Cirnaja Calligraphy (made for his artificial language, Obrenje), Catharsis Macchiato (2005), CatharsisEspresso (2005).
As Catharsis, the commercial foundry, he published Octant in 2013: Octant is an original steampunk display typeface drawing inspiration from Victorian-age steel and brass engineering, as well as from blackletter typography. Gryffensee (2013, in styles called Eins, Zwei and Drei) is designed to be the Futura of blackletter, combining the time-honored gravity and relentlessness of the Gothic script with the clean, contemporary freshness of the geometric sans. It also covers Cyrillic.
Backstein (2013), baked brick, took its inspiration from the broken antiqua lettering in Berlin's old subway stations.
Volantene Script (2013) is a (free) uncial display typeface inspired by the penmanship of Lady Talisa Maegyr-Stark as seen on HBO's Game of Thrones.
Peruvian graphic and web designer. At FontStruct, he created a number of pixel fonts in 2009, such as gridnPix75 (+Light, +nLite), OCR-APix6, cayoPix45, ScrptPix5, sCapsPix4, SerifPix6, moSpPix57, ClassPix5, MicriPix4, CorpoPix5, and BminiPix5. Other fonts there include Proton Type (2009), the geometric pxlNotSqr (2009) and the sturdy headline faces Woznian (2009, inspired by bitmap fonts like Chicago and Charcoal) and Gizmatik (2009), his best font. In 2009, he added NuevoSolStile (in the Eurostile/Microgramma mold), MacroBold (ultra-fat), Steam Punker, Funkadeliai, Monocodigo, FS Mini, FS Remix (horizontally striped), BlackSQRda (blackletter), Fontscript, Scanografia (vertical striping of letters), Stencikal, Bloxed (white on black), BlackSQRda, NSS Unicase (unicase), NuevoSolStile (unicase). [Google] [More] ⦿
Graphic designer in Charlotte, NC, who during her internship with Arzberger Stationers, created some caps faces in 2011; Flora (floriated), Suzy (oriental simulation), Caroline (calligraphic), Sassie (Victorian), and a blackletter face. [Google] [More] ⦿
Cercurius (was: Lars Törnqvist Typografi)
American designer at FontStruct in 2008 of Lucid (monospaced 5x7 LCD font for Latin, Cyrillic, Greek and katakana: white on black), Absinthe (pixel face), Faith (condensed, unicase), Neuerburg (blackletter influences: from the logo for "Haus Neuerburg Zigaretten" designed by Prof. O.H.W. Hadank, 1925), Conform (pixel face), Minim (Textura blackletter). [Google] [More] ⦿
Leipzig-based foundry. It produced faces such as Neuwerk-Type (1908, Georg Schiller's blackletter), Breitkopf-Fraktur (original by JGI Breitkopf, ca. 1760, redone in 1912), Alte Schwabacher, Diadem (1912, a blackletter by Georg Schiller) and Elementar-Deutsch (1911, a blackletter by Georg Schiller). [Google] [More] ⦿
At the Heinrich Heine University of Düsseldorf: SILDoulosIPA-Regular, SILManuscriptIPA-Regular, SILSophiaIPA-Regular, TimesNewRoman-OldEnglish-KT, TimesNewRoman-OldEnglish-KT-BoldItalic, TimesNewRoman-OldEnglish-KT-Bold, TimesNewRoman-OldEnglish-KT-Italic, TimesNewRoman-OldEnglish-KT. [Google] [More] ⦿
Chicago-based punch-cutter, 1841 (Berlin)-1897 (Chicago). His typefaces have late Victorian and early art nouveau elements:
Christian "Cinga" Thalmann
In 2008 he designed Flag Semaphore (+Smooth, Peace), Articulate, Font from NATO (military slab serif), Glockenwerk (pixel clock font), Glockenwerk Uhrzeit, Flags-and-NATO (dingbats), Font from NATO alpha, Tall, Flying-Circus (Western showtime face to imitate the Monty Python titling font), LCD-display, Simple (stencil font with 700 glyphs), TMNT, Tetris, sharp-pixels, Raster, Quad (nice stencil face), Inverted, Propaganda (Cyrillic font simulation), Empty Monospace, Pride, Stadium, Rounded, Dear God (script pixel face), Celtic Style.
In 2009, he added 7x12 Pixel Mono, @bcde, Abstract Letter Patterns, Music, Texture, Diagonal, Gothic, Illusio, Unispace (typewriter type), Narrow Serif, Delta, Alien Double (great!), Donut, Flags-and-NATO, Simple-Fraktur-Initial, Simple-Fraktur, Texture, Friendly Serif, (+Soft), Invisible, Sharp, Heavy Diacritics, Concentrium, Continuous Digital Display, Elves, Pixies, Space Movie (+Ligatures), Flag Semaphore (+Smooth, +Peace), Articulate, BBT Biline Twist, Biline Twist, Empty Monospace, Unfix, Infix, Pride, Tyre Stencil (like tire threads---nifty...), and Overlap.
FontStructions from 2010: Even (gridded), Brilliance, Slalom Vision, Quirky Serif, 7x12PixelMono, Ball Terminator, Gearbox, Prefix, Upside Down, Way Too Small (a minimalist pixel face), Butterfly, Ribbon Gymnastics, 2D Barcode, Horizon Stencil, Biline Twist, Quirky Serif, Blocktur, Symmetricus (alien writing?).
FontStructions in 2011: 12 dice, Monotwist (tall, monospaced), Squarific (fat octagonal), Swirl (curly), Sweet (Victorian), Easter Eggs, 50 Fifty (experimental, geometric), Squarific (+Stencilious), Spiralix (spiral-themed for Latin and Cyrillic), Bloccus, Feet (monospaced).
Creations from 2012: Düpbøl (German expressionist face), Slice, Blocktur, Alien Double, 7:12 serif (pixel face), Blick, Dry Heat (Isolates and Initials, Medials, Finals: an Arabic simulation family), FF9 Coin Slots, FF8 Untalic, FF7 w1de, FF6 Lean Mean, FF5 Bamana, FF4 Circulation, FF3 3times7, FF3 Runization, FF1 Glitchy, Squared, Puzzlish, Steep, Digitalis (octagonal), 50 Fifty (artsy and geometric), Monotwist, Infix. FF stands for Forgotten Fonts.
Creator of the blackletter connected script type Grossmütterchen, made in 1917 for Schelter und Giesecke, Leipzig. It can be seen on the title page of volume 148 of Die Deutsche schrift. [Google] [More] ⦿
German type designer (b. 1956). At Delbanco-Frakturschriften, he created DS-Eisenacher Fraktur (1994), DS Wartburg Fraktur (1998, based on Barock Fraktur), DS-KlingsporBorgis, DS-Kochfraktur, DS-Jessen-Schrift (1998), DS-Schmuck (1998) and DS-Tannenberg. Lives in Siegen, Germany. [Google] [More] ⦿
Co-designer with Richard Kegler of several fonts at P22 type foundry, which she joined in 2000. She graduated from the State University of New York at Buffalo with a BA in Communication Design. Identifont link.
Creator of various display typefaces including the kitchen tile face Voltrona (2011, a kitchen tile typeface), Hate (2012), the kitchen tile typeface Metgeo (2012), the monoline sans face Duplica (2012), the piano key typeface Lucreow (2012: Lucreow is a permutation of Crouwel), Caladan (2012, fat blackletter), Hague (2012, angular), the Bauhaus-style face Joi (2012), the blackletter face Caladan (2012), Rid-G (2012, experimental), Sugar (2012), Cumo (2012, a happy children's book typeface), Domm (2012, stencil face), Zukunft, Iron (2012, an old film typeface), Freight (2012, stencil face), Noir, Shamrock (2012, octagonal athletic shirt typeface), Unison (2012, sans), Basic (2012), Sexy (2012, hairline), Gitter (2012, rounded), Modo (2012, monoline techno face), and SF Mono (2012). [Google] [More] ⦿
Oslo-based Norwegian who was born in Cheltenham, UK, in 1966. Haanes teaches calligraphy, lettering and typography, and is a freelance calligrapher, book designer and typographer. He designed many alphabets, which are mostly calligraphic, but he has also drawn some old Roman lettering and blackletter alphabets. His blog (in Norwegian) has interesting typographic threads, such as this educational comparison between Antiqua faces like Brioso, Adobe Jenson, Bembo, Adobe Garamond, ITC New Baskerville and Linotype Didot. This thread looks at sans faces. He designed a calligraphic alphabet specifically for Cappelen Damm in 2008, which was digitized by Sumner Stone as Litterat. [Google] [More] ⦿
Designer in Cincinnati, OH, b. 1982, who has mainly designed tattoo and black metal faces. Portfolio. In 2010, he made Horst Roman Gothic. In 2011, he added Horst Blackletter (2011). [Google] [More] ⦿
Christopher Saur (1695-1758) began a successful German-American printing business in the American Colonies in 1738, from Pennsylvania to Georgia. He printed the first bible in America (in German, in Germantown (!), 1743), using a Fraktur font from Frankfurt's Luther Foundry. He is credited with the first type specimen printed in America, ca. 1740, Philadelphia. Check also his almanac from 1754. [Google] [More] ⦿
Graphic designer with a BFA in Desigm from UT Austin, 2006. Creator of the blackletter face Butterfly Sushi (2007), a hybrid of Wilhelm Klingspor Gotisch and Caslon 540. No downloads. [Google] [More] ⦿
Clarence Pearson Hornung
Prolific author, b. 1899. His books include the typographically magnificent Handbook of Early Advertising Art, Mainly from American Sources (Dover, 2 volumes). The typeface Lexington is attributed to him, as Mac McGraw writes: Lexington is a font of shaded and decorated letters and figures, drawn for ATF by Wadsworth A. Parker in 1926, from a design by Clarence P. Hornung. It is an ornamental form of roman letter, with curly serifs, and tendrils at the ends of light strokes. It was recast in 1954, and copied in one size by Los Angeles Type.
The book Early Advertising Alphabets, Initials and Typographic Ornaments (1956), edited by Clarence P. Hornung, led Dick Pape to creates these digital fonts in 2008: AltDeutsch, Amorette1889, ArabesqueDesign, BreiteEgyptienne (2008), BreiteverzierteClarendon, ChiswickPressGothicInitials, EarlyScrollAlphabet, EarlySignboards, EnglandInitials1880, ErhardDatdolt, FlorentineInitials, FlorentineInitialsReverse (2008), GothicChancery1880s, GothicClosedLetter (2009-2010, Lombardic), Hollandisch-Gothic (2010), JudendstilAlphabet (2009), LilyoftheValley, Papillon 1760 [First shown in Paris in 1760, and reprinted by Clarence P Hornung in Dover Pictorial Archive Series: Early Advertising Alphabets, Initials a nd Typographic Ornaments (1956, Dover Publications). Hornung's images inspired Pape's typeface], Phantasie (2009-2010), RomaineMidolline (2010), RomanPrintShaded (2010, ornamental roman caps), RusticAlphabet, SilhouetteInitials1880, TheTerrorsofNightLife, VerzierteAltGothic, VerzierteGothic, VictoriaGingerbread1890 (2007).
Classic Font Company
The Classic Font Company is a small foundry with absolutely gorgeous commercial fonts (often revivals of pen drawings) by Tony Nash (b. Bristol, 1944): Abby (blackletter family), Amadeus (1997), Batard, Bede, Byro, Carol (1997, blackletter family), Classic (2000-2002), Copper, Doodles (2000), El Cid (2000), Frameworks, Karen, Kells (celtic uncial), Prima, Priory (1997), Savoy (1997, a great bastarda font family accompanied by Savoy Frames), Scriptoria, Theodore (1995, blackletter font), Tuscany (Lombardic face), Versals (2000, Lombardic capitals). Plus 13 sets of fantastic caps (but not in font format) by Andy Jeffery. Based in North Somerset, UK.
Not to be confused with the rip-off outfit "Classic Font Corporation, USA".
Identifont lists these faces: Abby, Abby Hilite, Abby Lowlite, Abby Open, Abby Split, Amadeus, Carol, Classic, Copper, Doodles (CFC), El-Cid, FW-Leaves, Kells, Priory, Savoy, Theodore, Theodore Fancy, Tuscany (CFC), Versals.
French type designer (b. 1948) who was born in the South of France. He studied typography, calligraphy and painting at the School of Fine Arts in Toulouse. He received the Prix Charles Peignot in 1982. In 1992, the President of France invited him to design the inscriptions for the royal tombs in the Basilique Saint Denis in Paris. He published Calligraphie (Imprimerie Nationale, 1993). Author of Calligraphy (Wommelgem, Belgium, 1996) and Histoire de la calligraphie française (Albin Michel, 2006; examples here). In 2009, with the help of Atelier des Signes, he created a typeface for the signage at Chateau de Fontainebleau. Additional URL. In 2010, Mediavilla cofounded Media type Foundry with Sonia Da Rocha and Joel Vilas Boas in Paris.
Examples of calligraphic alphabets drawn by him and shown in his Histoire de la calligraphie française (2006): Bastarda, Cancellaresca, Carolingian, Cursive gothic 1410, Luxeuil, Roman Capitals, Roman cursive 1st century, Roman cursive 4th century, Rustica 1st century, Textura 14th century, Textura 15th century, , Tourneure 15th century, Uncial 4th century.
Quebec-based typographer and type designer (aka Diogene) who specializes mainly in revivals of obscure or old typefaces.
Graduate of Humber College in Toronto. Burlington, Ontario-based designer (b. 1994) of the (free) blackletter / tattoo typeface Leteske (2013).
French designer in London who has a Masters from Maryse Eloy Art School in Paris, 2011. Behance link.
Born in Amsterdam in 1939, Hofmann started out as a typesetter, and then morphed into a calligrapher and an author on calligraphy.
Designer at URW++ of Altrincham (2003, a sans family), Perugia Cursive (2003, gorgeous calligraphic script), Ramona (2004, shadow face), Romeo (2004, a 3d beveled shadow face), Sax (2008, serif family), Silvestrini (2003, a gorgeous Gando-style ronde), Sirius Caps and Sirius (2003, a garalde family), and FontForum Sax (2008, a serifed display family).
At URW++ in 2011, he revived Herbert Thannhaeuser's 1952 slab serif family, Technotyp, under the same name. Revis (2011) is a formal script based on Daphne, a typeface that was originally designed by German type designer Georg Salden. For some reason, that typeface was withdrawn from the URW++ library some time later. Jason Uncial (2012, URW++) is a unicase uncial design. Holland Gothic (2012, URW++) and Caxtonian Black (2012, URW++) are blackletter typefaces.
Boudewijn Rempt's fonts for imaginary and not-so-imaginary languages: Afaka-Roman (from Surinam, with help from Rob Nierse), Bugis-Makassar, DendenChancelleresca, Eqalar3 (for Pablo Flores' language Draseleq), goidel, gothic-1, Keiaans-(Kayenian), Mandeville-Hebreeuws, Meroitic-boldItalic, Mandeville-Chaldeeuws, Mandeville-Grieks, Mandeville-koptisch, Mandeville-Saracen, Nosjhe-standard (with Christophe Grandsire), hPhags-pa-(rotated), selang, selang-cursief, Ü-chan, ValdyaansKlerkenschrift, 2ValdyaansKlerkenschrift. He created Gothic after the alphabet devised by the Visigothic Bishop Wulfila (Lat. Ulfilas), 311-383 AD. [Google] [More] ⦿
Designer in 2010 at FontStruct of Lolwood (art deco billboard style), Small 2 Big (dot matrix), Strech, Tower (condensed), Loss Goth (blackletter), Wild West, Linchmob, Lycept, Decaration, Quadromanticeacominafosticamer (blackletter), Hand Writing and Grand Theft Auto. [Google] [More] ⦿
Coppers & Brasses
Quebec-based type designer Alexandre Saumier Demers set up Coppers & Brasses in 2011 in Montreal together with Etienne Aubert Bonn. Both graduated from the graphic and type design program at UQAM in Montreal. Creators of these typefaces in 2012: Martha (monospaced slabby grotesque done by both founders), Sardine (fat signage face by Bonn), Freitt (blackletter face by Bonn). Nicole (2012) is an elegant basic sans typeface by Olivier Mercier-Chan Kane. P>In 2013-2014, Alexandre will be studying at the KABK in Den Haag in the Type & Media program. [Google] [More] ⦿
Graduate from Cal Arts (1996), who runs CoreyHolms.Com in Fullerton, near Los Angeles. MyFonts link. MyFonts foundry link. Designer of NE10 (2010, a stencil / neon tube typeface), Area (2008, Umbrella Type, an art deco nightclub face; hints of Avant Garde), Mode (2007, experimental modular type, Umbrella), Babbage (2005, Umbrella Type, a capricious typewriter font), Sange (2002, a dot matrix blackletter font), Brea and Brea Light (2004, a dot matrix blackletter family at Umbrella Type), Mince and Mince Shadow (2004, Umbrella Type), DecadesOS (2002, for Decades Inc), Air-Port (1999), Attractor (2001, based on Alexei Tylevich's NoGlow), Granule (2009, fat rounded sans), Cartridge (2001), Claes (2001, based on a Wim Crouwel design), Consume (1996), Den (1998, for the Digital Entertainment Network), Digital (1997, for "The Apartment"), Empire (1995), Fascia (2002), Hobart (2001, a kitchen tile font), Pea (2005, Veer: letters made up of springs), Phia (another kitchen tile font), Progress (2001, for Progress City), Rasputin, RMX, Savante (1999), Sears (2000), Stencil, Thirty, Untitled and WebType (2000). Many of these fonts are futuristic, experimental, logo-inspired or minimalist. Behance link. [Google] [MyFonts] [More] ⦿
Dutch letterer and calligrapher, 1568-1634 (or 1635). He published the calligraphic masterpiece Gramato graphices in Amsterdam in 1605. This book has several blackletter and chancery alphabets proposed by Boissens. Teaser web site by yours truly. [Google] [More] ⦿
Dead link. Stephan Baitz's informative page about Ancient Scripts and Fonts, including fantasy fonts, alien and sci-fi fonts, Blackletter fonts, uncials, runes, symbolic fonts, Indic simulation fonts, Arabic simulation fonts (such as Caliph) and exotic fonts. Lots of links are provided as well. Fonts are displayed an can be downloaded from an archive. His page looks great too. [Google] [More] ⦿
Manuel Corradine was born in Bogotá in 1973. He graduated from the School of Graphic Design of the National University of Colombia in 1996, and became a graphic designer. He started by custom-designing fonts and by making typefaces for his own company, Casa Papelera El Cedro (The Cedar Papermaking House), for printing invitation cards. With other designers like Carlos Fabián Camargo, John Vargas and César Puertas he formed Tipográfico in 2007 to strengthen the type discipline in Colombia. Corradine Fonts is Manuel Corradine's own foundry in Bogotá, Colombia, founded in 2006. Today, he is one of Colombia's principal type designers.
Fonts from 2007: Kidwriting (a family which includes Kidwriting Dingbats 1 and 2), Garabata (a fantastic handwriting face), Garabata Dingbats, Hexagona Digital, Quadrat (grunge), Quadrat Old (grunge), Quadrat Dirty (grunge), Quadrat Broken, Quadrat Ugly, Neogot (experimental, 8 styles).
Fonts from 2008: Mucura (handwriting), Prissa (handwriting), Salpicon (a script), Cuento Serif (a bouncy hand-printed family), Memoria (brush script), Charco, Happy Day (comic book family with Happy Day Dingbats), Espectro (a swinging script with swashes and a Dingbats style), Furia (handwriting), Candelaria (based on house signs in the La Candelaria neighborhood of Bogotá), Old Village (1600's style), Old Village Ornaments, Rapidda (a successful simulation of quick handwriting), Hueca (an outline children's script), Antigua (an old swashbuckler family), Colegial (a great-looking hand script), Pincel (a fantastic paint brush family with accompanying splatter dingbats), Trazo (Corradine's handwriting), Arcos (a techno family), Caveman (a primitive stone-look type family), Rumba (two styles; an elegant flowing brush script), Parche (graffiti family), Elegance Monoline (a greeting card script face that won an award at Tipos Latinos 2008), Abuelito (script).
Fonts from 2009: Helga (flowing script), Mussica (+Swash, +Antiqued, a delicate Victorian face), Guarapo (handprinted), Toxic (futuristic stencil), Emotion (comic book face), Bloque 3D, Rock and Cola, Betco's Hand, Telefante (comic book family), Nancy's Hand (more comic book hand-printing), Alambre (multiline/paperclip), Sensual (calligraphic hand), Zape (in the style of Tekton), Antrax Tech (grunge), Masato (handwriting), Hu Kou (oriental simulation).
Fonts from 2012: Tecna (a techno family codesigned with Sergio Ramirez), Neuron (a fantastic 16-style rounded elliptical sans family created together with Sergio Ramirez), Bucanera Soft (blackletter), Bucanera Antiqued (grungy blackletter), Official (a simple monoline sans family), Almibar (a connected calligraphic Spencerian script), Eterea (a roman all-caps family), Eterea LC (the lower case set), Canciller (an italic roman, done with Sergio Ramirez), Quarzo (2012, a formal copperplate script done with Sergio Ramirez).
I was floored last week when I saw the New York Times (February 28, 2005) list of top five Windows software products sold in January 2005. In fifth position, after various versions of Office, was COSMI's "1000 Best Fonts" CD, which retails for 8 or 9 US dollars. I refuse to pay any money to this company, so I would appreciate any help from readers about the contents of this CD so that I can make an informed opinion. About themselves, COSMI writes: "COSMI Corporation is a privately held leading developer and publisher of software for the home and office. With corporate headquarters in Carson, CA, COSMI is the #1 publisher in productivity software as tracked by NPD Techworld, an independent research company. Since 1982, COSMI has been committed to delivering quality products and customer service for a value price. With products covering all major categories including: productivity, business, utilities, education, entertainment and PDA software, COSMI has proven itself to be a formidable player in the market. Building upon its relationships with customers and its distribution strengths, COSMI is poised for continued growth in all consumer software categories. With the evolution of new technologies and the resulting consumer needs, COSMI will continue to provide products that meet and exceed their needs." Check their font 66 (1994, blackletter). [Google] [More] ⦿
Designer of Engravers' Old English (1901, ATF) with Morris Fuller Benton, who designed the similar face Wedding Text (1901). McGrew writes: Engravers Old English is a plain, sturdy rendition of the Blackletter style, commonly known as Old English. It was designed in 1901 by Morris Benton and another person identified by ATF only as Cowan, but has also been ascribed to Joseph W. Phinney. It is a modernization of Caslon Text, and has been widely used. Engravers Old English Open was produced by ATF in 1902. Sidney Gaunt designed Engravers Old Black, very similar to Engravers Old English, for BB&S in 1910, but BB&S later produced Engravers English, a copy of Engravers Old English. It has also been copied by Intertype, and by Ludlow as Old English. [Google] [More] ⦿
Crazy Diamond Design Historical Fonts
Wonderful 16-th century (commercial) fonts from this Manchester, UK-based foundry, including the Formal Text Hand package, Written Square Capitals (2005: roman inscriptional caps), Rustic Capitals (2005), Chancery Hand, Italic Hand, Bastard Secretary Hand, Secretary Hand, Hand of the Court of the Common Pleas, 17th Century Print, 17th Century Italic. Most fonts by Alex Moseley. For a fee, get the fonts used in the Harry Potter film, globally called Wizardings: The Wizard Hand, Black Cat Letter (blackletter), Parchment Print&Italic, Wizard Runes, Wizardings. [Google] [More] ⦿
CybaPeeCreations (or: Typoasis)
CybaPee is the nom de plume of Petra Heidorn who lives in Hamburg. She has created may typefaces (listed below) and has cooperated with many on interesting projects. She is undoubtedly best known for her successful web site Typoasis, where one can download her own creations, and those of her many friends. Petra is also heavily involved in several attempts to revive blackletter fonts, in cooperation with Manfred Klein, Dieter Steffmann, Paul Lloyd and others. She organized several revivals of the typefaces of Rudolf Koch and Ernst Schneidler. She also managed the extensive web presence of Manfred Klein.
Her own creations:
Frankfurt-based typefoundry started in 1895 by David Stempel. Took over Roos&June in 1915. Gained a majority share in Klingspor Bros in 1917. Takes over Leipzig's Heinrich Hoffmeister foundry in 1918 and Leipzig's W. Drugulin foundry in 1919. Gains shareholding in the Haas'sche type foundry in 1927, and Benjamin Krebs in 1933. It becomes owner of Klingspor in 1956. In 1985 D. Stempel's type division was taken over by Linotype, and became Linotype's type department. Stempel's history, 1895-1955. Designers and fonts:
Damià Rotger Miró
Dan M. Zadorozny
Dan X. Solo
Dan X. Solo
Dan X. Solo: Digitizations by Dick Pape
Dick Pape based the following digitizations (2008-2010) of blackletter, art deco, Celtic, initial caps, and other ornamental typefaces shown by Dan X. Solo in his Dover books: DXSAlphaMidnight, DXSAlphaTwilight, DXSBeansBold, DXSBlackline (prismatic, art deco), DXSBoboBold, DXSBrusselsInitials, DXSBuckinghamInitials, DXSBust, DXSCharger, DXSCheckmate, DXSCorral, DXSDevon, DXSDevonian, DXSDudleyPNarrow, DXSFatCat, DXSFestival, DXSFrankfortInitials, DXSFuturaInline, DXSGrooviestGothic, DXSGuildhall, DXSHessNeobold, DXSHotline, DXSHuntingtonInitials, DXSJoyceBlack, DXSKupferInitials, DXSLampoon, DXSLeipzigInitials, DXSLeister, DXSLowenbrau, DXSMonogramStencil, DXSMonumentBold, DXSNottinghamInitials, DXSOrbit, DXSOttoHuppInitials, DXSPickfair, DXSPolly, DXSPotsdamInitials, DXSPrismaniaC, DXSPrismaniaP, DXSQuote, DXSRegalBlack, DXSRhythmBold, DXSRickyTick, DXSRoco (art deco), DXSSansSouci, DXSShadyDeal, DXSSheetSteel, DXSSilverShadowBlack, DXSStuttgartInitials, DXSTester, DXSThedaBara (counterless geometric art deco), DXSTulo, DXSTuxedo, DXSUrban (psychedelic), DXSVeronica, DXSWestmorland, DXSWienText, DXSYagiBold.bmp DXSYagiDouble, DXSYorkshireInitials, DXSZany, DXSZephyr.
Images: DXSBlackline, DXSBust, DXSDudleyPNarrow, DXSGrooviestGothic, DXSJoyceBlack, DXSMonogramStencil, DXSPrismania'P', DXSRickyTick, DXSRoco, DXSSheetSteel, DXSTulo, DXSUrban, DXSYagiDouble, DXS Alpha Twilight, DXS Brussels Initials, DXS Kupfer Initials, DXS Lowenbrau, DXS Otto Hupp Initials, DXS Theda Bara, DXS Urban. Download page. [Google] [More] ⦿
Daniel Hernández Sanchez
Designer in 2000 at Fontmonster of 10ptChaos, Bionique (blackletter), BrokenSounds, Euphoria, ImpactPeople, MMCutout, Quel (a tech font), and Timeface. Later he designed MIR, Jab Outline, MIR Research, Double Extra, Truck Stop Puncture, MIR Station, Venue, Time Face (great idea of a stick font!), Rammdisk, Mort, Lacer, Kasper, Lefthand, Felt Script, Frik, Genome TF, Impact Peeps (dingbats), Dieter Con, Egyptian, Etc, Deeter, Crinkle, Control, Broken, 12s6d, 10pt chaos, Crumbs, MortUnicaseBold, MortUnicaseIncised, MortUnicaseThin. [Google] [More] ⦿
American penman. Author of Ames' Guide to Self-Instruction in Practical and Artistic Penmanship (1884). His book contains some explicit alphabets: Roman, Italic Roman, Gothic, German text, Old English, Church Text, Medieval, Egyptian, German Round Hand, Marking and Rustic (elaborate caps). One of the initial caps in that text led Robert Fauver to create the free font Dirty Ames (2006). Handdrawn portrait of Ames found in "Real Pen Work" (1881, knowles and Maxim). [Google] [More] ⦿
Daniel Taupin (1936-2003) held a degree of the ESPCI school and was a doctor in physics. He was a researcher in a solid-state physics lab at Orsay University (Physique des Solides, University Paris-Sud). Obituary. Another obituary with details of his mountain climbing career and death in the mountains. He published ttfmf2t1, a free C program, to clean up the output of Oleg Motygin's ttf2mf program that converts ttf files installed (!!) in Windows to metafont format. Metafont sources for Garamond, Times, Arial, Book Antiqua and Bookman Oldstyle are also at this site. He also codeveloped OpusTeX and Musixtex (for music notation) with Andreas Egler and Ross Mitchell. He published Les polices TTF converties en Metafont and MusiXTeX: L'écriture de la musique polyphonique ou instrumentale avec TEX. Designer of the metafont fraktur font families CM Fraktur and DM Fraktur. CM Fraktur, or cmfrak, is based on Yannis Haralambous' font yfrak (1990). [Google] [More] ⦿
Italian type designer from Viterbo who is working on Guido (2010), a free typeface based on the Italian gothic letterforms (roughly speaking, a blend between blackletter and chancery), or gotica corsiva (used in the fourteenth century for books such as Dante's Divine Comedy). Flickr page. Capo studied at the Faculty of Architecture at the University of Firenze. [Google] [More] ⦿
Das Nest der Qualle
Ren Kiryu is the Japanese creator in 2007 of RN-DawnRaid (handprinted), RN-Digitalian (LED simulation), RN-EasyCirclet-OL, RN-EasyCirclet-WL, RN-EasyCirclet, RN-Fraktur1 (blackletter), RN-Gothic1 (blackletter), RN-HoneyBlade, RN-Italic1, RN-Laboratory, RN-Lagopus, RN-LovelyBaby, RN-MilkCafe, RN-RibbonSweets (curly), RN-RoughhewnRomancer, RN-SealingClub, RN-SugarRuskHoney, RN-SwingingJohn, RN-UncialHalfUncial1, RN-disStrayedGhost. Free downloads. [Google] [More] ⦿
German archive that consists mainly of Fraktur truetype fonts. Has, e.g., London Fraktura, Magdeburg (Scriptorium), Propaganda (Antifa Publishing, Hannover, 1999), Rothenburg Decorative (Alex Winterbottom), Gutenberg (C.H. Wunderlich, 1996). [Google] [More] ⦿
Designer of LHF Orchard (2007), LHF Divine (2007, blackletter), Marie Script (2006, Letterhead), Mister Muster (2006, Letterhead, art deco), Brushwork, Divine (blackletter), Signkit Script, Signmaker, Spirit Script, Stonecutter, Lakeside (2006, Letterhead), Anna Banana (2004, Letterhead), Samster Script (2004, Letterhead), a signboard face, and Basher (2004, brush style). [Google] [More] ⦿
Designer at Letterhead Fonts of Grindle (blackletter), Squeezebox (Victorian) and United Cigar (more Victorian fare).
David A. Hobbs
David A. Hobbs, Inc.&Tolley Studios
David Hobbs (b. Midland, MI, 1943) worked for and with William E. Tolley, a noted Engrosser, the son of A.B. Tolley, the White House Calligrapher for several presidents. He opened his own studio in 1976, and says that he "has done work for kings and presidents". David A. Hobbs, Inc.&Tolley Studios in Washington DC provides calligraphic lettering services. They have developed their own in-house fonts, like Engravers Script, Gothic, Readable Text, Cursive, Old English, Simplified Old English, Roamn and Stump Script. He has developed Hobbsian Script (Based on Zanerian script), Hobbsian Stump Script, Hobbsian Old English, Hobbsian Roman Cap and Hobbsian Readable Text. [Google] [More] ⦿
David A. Occhino
Designer, aka nemoorange, who used FontStruct in 2008 to make Remigius WIP (blackletter), Chambermaiden WIP (blackletter), Masphalt (a rip-off of Black Sabbath by You Work For Them), Minutia, Bloc War, Phantsied, Halliday (ultra stencil), Sally Shadow, Ben Day, Izack (experimental stencil), Clive Rounded, Milius (blackletter), Hamleigh (blackletter), Sabatino, Radish, Rosslyn and Rosslyn Metal (futuristic), and Boritone (squarish), Francero Wide (big slab serif), Squabble, Bradshaw Bold, Gretzatz, Quint City (stencil), Remigius (blackletter), Remigius Heavy. Additions in 2009: Bradshaw Bold, squabble, Tom Tussle (pixel face), Curtis Heavy, Curtis Pixel 14, Hermione Black (slabby),
David Fernando Espinosa Martínez
David Fleming Nalle
David Neustadt ("saberrider") is the designer who used FontStruct in 2008 to make the experimental fonts Eye Pain, Colorblind, Big Blue (like IBM's stripes), Cord, Fontsract (a nice stencil face, based on piano keys), Dice (great; based on an idea of Daniel Pelavin, 1996), Blux (liquid crystal), Blockiger (octagonal), athletica (athletic lettering), divided (two lines, octagonal), edgewalker (heavy slab serif), geomatrix (filled-in letters), olympica. Other creations include Picto People (2008, a great people figure dingbat font), Carmack (2008, octagonal), Pluto (2008, white on black), Pluto Lowercase, Arena Berlin (2008), Katja (2008), Average (2008), Unbalanced (2008), Solido (2008, based on Ata Syed's FS Minimal), Noise (2008, grungy school letters), and Diagonalis (2008, diagonally striped letters).
In 2009, he added Hexastruct, Curvy, Genero (fat face), Plagiacotti (Western saloon font, based on Manicotti, 2007, by David Jonathan Ross), Rasterman (+Bold) (gray effect fonts), Krummbein, Cohen, Mister N (handwriting), Monobono (shadow face), Letter Case, Mikado (3d-stroke font), Boulder (ultra-fat), Night Shift (semi-stencil), Tuvalua, Ripper (fat, counterless), Poff, Blackstruct (blackletter), Borders and Borders2 (outlines of countries).
Typefaces from 2010: Squeeze, Puncture (dot matrix outlined), Yobbo (condensed, counterless).
David Occhino Design (was: Treehouse Graphic Design)
Treehouse Graphic Design was David Occhino's font outlet. It is now called David Occhino Design. The Treehouse collection specialized in Startrek, futuristic, Disney and Indiana Jones style fonts, but has widened lately. Most fonts are commercial, but there are a few free ones:
British type and graphic designer (b. 1948, London) who graduated from Ravensbourne College of Art&Design in 1968, and after working as a graphic designer in London, founded Quay&Gray Lettering with Paul Gray in 1983. David Quay Design started in 1987, and finally, in 1990, he co-founded The Foundry with Freda Sack and Mike Daines in London. The Foundry also develops custom typefaces, marks and logotypes for companies inernationally these include a special typeface to be readable at very small sizes for Yellow pages, corporate fonts for BGplc (British Gas) NatWest Bank, and signage typefaces for both RailTrack in the UK and the Lisbon Metro system in Portugal. He taught typography and design at the Academie St. Joost, Hogeschool Brabant from 2001-2003. He now teaches one month a year at IDEP in Barcelona. He lives and works in Amsterdam. Linotype link. In 2009, he started selling his fonts at MyFonts. Pic. His fonts, in chronological order:
David Thometz Design
David Thometz (b. Everett, WA, 1966) is a designer in South Jordan, UT (near Salt Lake City) who has produced some fonts for his own projects. He is about to move to East Tennessee. The font Architrave (2001) is discussed by a type forum. Designer of a character in the September 11 charity font done for FontAid II. Working on DTD Silvertone Woodtype, DTD Architrave Sans, DTD Tinhorn, DTD Venceremos Latin, DTD Hefeweizen (blackletter), DTD Architrave, DTD Digita (a great screen font), DTD Seriatim, Seriatim Gestalt, Seriatim Uncial (2003), Seriatim Sans (2003), DTD Silvertone Woodtype, DTW Erwin (2004, a Venetian newspaper face for the Erwin Record, a small, weekly newspaper in the town of Erwin in northeastern Tennessee, based on a cross of Plantin and Cloister), and Erwin Gothic (2007), its companion. About Erwin Gothic, he says: The design of Erwin Gothic is based on a series of German grotesque families from the early 1900s, designed originally by Johannes Wagner and distributed originally by Wagner&Schmidt as Wotan (ca. 1914?), Lessing, Reichsgrotesk and Edel Grotesque; and subsequently reworked and re-released by several foundries under these names as well as names such as Annonce Grotesque (ca. 1912?), Aurora Grotesk (ca. 1928), Neue Aurora Grotesk (1964) and Aura. Anzeigen Grotesk (ca. 1943) appears to be another offspring of these designs.
Davide Zomer (Trento, Italy) created the modular typeface REZN7399 (2012) during his studies at the academy of Fine Arts in Bologna. In 2013, he designed the alchemic typeface TMRRW and the blackletter typeface Voelkisch XXI. [Google] [More] ⦿
Daniel Viberg (Dawnland, est. 1999) is a Swedish designer, b. 1976, Nyköping. His early fonts could be downloaded at Dafont. His later fonts can be bought via MyFonts. MyFonts link. In general, Dawnland Fonts are for headlines, posters for event graphics and music/media/game packaging. Klingspor link.
He created the Chaos font series, which comprises Paradox (1999, trembling hand face), Lamenta (1999, scratchy face), Lamenta X (2011), Lilith (2000, initials made with human figures), Nihil (2011, grungy) and Dissonus (2004, a grunge face inspired by the type treatments of Dave McKean as well as the Manson Anti Christ Superstar-artwork).
Dafont link. Other faces include Victualia (brushy), Aeterna (2011, grunge), Paradox X (2011), Pardox Runa (2011, runic), Haakke (2011, a children's hand), Awe (handprinted), Victualia X (2011, a handdrawn brush font), Chaos 1996 (2011, pen illustrations), Massiva GrotesQ (2012), Lore (2012, blackletter: Nokturnia, Nekromantea, Pandemonia, Meep (2013), Blck Phnx (2013, a lava lamp font), Auntie Lee (2013, hand-printed), Uncle Lee (2013, hand-printed), Ponderous (2013, a poster titling face). [Google] [MyFonts] [More] ⦿
De Nada Industries
Mike Allard (DeNada Industries, Gainesville, FL) is the designer in 1992 of many early shareware fonts. The text provided by DeNada: Founded by a grumpy fellow when some software installation actually required a company name in the registration line. DeNada Industries has grown to include one employee (aka Mike Allard). A producer of typefaces in their early years, De Nada has slowly undeveloped over the years to include the odd Theatre Flyer design for out-rageous amounts of money. Their advertising budget is so severely limited as to preclude your being aware of their existence except by sheer accident. DeNada Industries is one of the slowest growing non-corporate entities in all of North America encompassing a wide variety of activities including: Typeface creation, flyer design, theatrical scenic and lighting design (in conjunction with The Shumway Brothers Moving Company) and a wide variety of other activities that defy specific categorization despite the heroic efforts of our staff. Dafont link. His typefaces:
Désigne (was: Calame Design)
Creator of the double-lined Margarette 01 (2008), the piano key face Désigne (2010), the sans display face Explora (2010), the elliptic Bagadek (2010), Fontastique (2010), Rajkeys (2010), the geometric sans Violette01 (2009), the octagonal face Yllia (2008), Nioubes (2008, very geometric hairline face), Julie01 (2008), Frida01 (2008, organic slab serif), Thamara01 (2008, sans), Linea (2008, outlined), and the ultra-contrast faces Lamia (2008, like leaves), Olivia (2008, art deco), Kanis (2009, organic), Kamalo (2009, upright connected script), Ageone (2009, organic), Agnes Serif (2009), Dollis (2009, elliptical), Johanna (2009, upright multiline script), Jalane Light (2009, techno sans), Yatis Black (2009, almost blackletter), Cilogie (2009, organic), Ageone Serif (2009), Kabys (2009), Kyma (2009), DekerS (2009, sans family), Sixty Queens (2009), Alice (2009), Genikas (2009), Naya (2009), Genikas, Cross (2009), Johanna (2009, multiline face), Johanna Bold (2009), Kamalo (2009, +Bold), Sakiane (2009, a counterless geometric face), Balkeno (2010, display sans), Nolla (2008).
Gerda Delbanco's German foundry in Ahlhorn, specializing in blackletter fonts. Great web presentation, and gorgeous glyphs. The company is owned by Gerda Delbanco, but it is not clear if she designed some or all of the faces. Some fonts were designed by Gerhard Helzel, and others by Christian Spremberg. This is one of the best sources of blackletter fonts in the world. Names of the fonts, which are nearly all historical revivals of the great blackletter fonts: Alte Schwabacher, Andreas Schrift, Breitkopf Fraktur, Caslon Gotisch, Claudius (1998, after Rudolf Koch, 1934-1937), Deutsche Kursive, Deutsche Werkschrift (+halbfett), Deutsche Zierschrift, Eckmann Schrift, Eisenacher Fraktur (1994, by Christian Spremberg), Ehmcke Schwabacher, Fette Gotisch, Fichte Fraktur, Frühling (after Rudolf Koch's original from 1917) [sample 1, sample 2, sample 3], DS-Garalang, DS-Garamond, DS Gotenbrg, Hermersdorf, Humboldt Fraktur (after a face by H. Rhode), Kleist Fraktur (1996, after the Walter Tiemann original from 1927-1928), Wilhelm Klingspor Schrift, Koch Fraktur, Rudolf Koch Kurrent (after the original school alphabet by Koch, done in 1935), Kurrent (a connected writing font based on examples from J.B. Henning, ca. 1817), Lincoln Gotisch, DS Maximilian Gotisch, DS Maximilian Zierbuchstaben, Normal Fraktur (this is a nameless face in the group of Biedermeier-Fraktur faces which also includes Schelter's Schulfraktur; also known elsewhere as Armin-Fraktur, Bürenstein-Fraktur, Mars-Fraktur and Pressa-Fraktur), Offenbacher Schwabacher (1996, after the 1899 font by Gustav Ruprecht at Rudhardsche), Old English, Peter Jessen Schrift (1997, after the original from 1924-1929 by Rudolf Koch), Post Fraktur, DS Ratdolt Rotunda, DS Salzmann Fraktur, DS Schmuck, Strassburg, DS Suetterlin, Tannenberg (after a 1933 Stempel face by Emil Meyer), DS Thannhaeuser Fraktur, DS Unger Fraktur (1999), DS Walbaum Fraktur, DS Wallau (1996, after Rudolf Koch, 1924-1936), Wartburg Fraktur, DS Weiss Gotisch, DS Wilhelm Klingspor Schrift, Wohe Kursive and Zentenar Fraktur (1997 (after F.H.E. Schneidler's original from 1937).
Some of the copyright notices refer to the Bund für deutsche Sprache und Schrift, and others to PrimaFont, and this may explain some of the foundry's history. 1994 catalog. Part of the 1999 catalog. Part of the 2002 catalog. [Google] [More] ⦿
FontStructor in Oakland, CA, who made DM/LM (2012: ultra black), dm Subfour (2012, experimentally vertically striped typeface), dm Streamline (2012), dm Clas (2012), dm New Humanist (2012), dm Blockd (2012), dm Scythe (2012), dmcm Erebus (2012, counterless), dm Kronos (2012), dm Parkway (2012, art deco), dm Parkway 3 (2012, for the Oakland Parkway Theater), dm Parkway 2 (2012), dm Xu (pixel face), dm E dim (2012), dm E light (2012), dm Eiros (2012, +Aliens, +Typicals, +Unrecognisables), dm Pop (2012), dm Informe 00 (2012), dm Solidus (2012), dm Me (2012, stencil), dm Nova (2012), dm Supernova (2012, a condensed piano key face), dm S 1 (sans), dm Spira (2012), dm Minium (2012, a jungle face), and the powerhouse slabs dm Banx10 (2012), dm Banx 11 (2012), dm Metrigue (2012, blackletter), dm Istruct (2012, pixel face), dm Wharf (2012), dm Solidis (2012).
Typefaces from 2013: dm Yes, dm Legimono.
Canadian designer of the (free) shadow circus fonts Black Angel (2011), the art nouveau face Freshwater Classic (2011), Candle 3D (2011, +Black), and Topsquare (2011). He created the oriental simulation face Stick Rice (2011) and the display face Melted (2011).
In 2012, he created the shadow face ShowLetters, Pullstar (fat signage script family), Pullstar Holinight (2012), Tracker (handprinted), Medley Script, Rose Heart, Spear Mint, Brick Wall (a texture face), Crispy, Crisp, Armand Chief (connected script), Mystic Arm, Back of Times, Back of Shadow, Fairland (blackletter), Armand Cocktail, and Thorn Heart.
German type designer, b. 1986, Krefeld. He studied graphic design at the University of Applied Sciences Krefeld and designed a blackletter typeface for Volcano in 2010.
Original fonts as well as font links (about 1800). All fonts made by Dennis Palumbo, a writer from New York. Some fonts are free, others are not.
Commercial fonts: Vector 3d (1996), Flash Cards Addition (1998), Clock-Digital, Film Strip, BabyBlock, DecorativeBorders (4 fonts), OldWest, Ceramic Tile (2005), I Beam (2005), Porthole (2000), SanSerifUltra Condensed, SanSerifOutline, OldWest 3D, Brick, ZebraLumber, SerifOutline, Dalmation, Vector (4 fonts), Brick3D, OldEnglishEmbellished (1999, Fraktur), ChainLink, Fractions, SanSerif 3DShadow, Serif3D Shadow, Marquee, First Grade (lined school font), Pennant, USA States, USA Map, Piano Keyboard, Gallya Ornamented (1995), Diamond Plate (2000), Clock Digital (1997), Picket Fence (2000).
Shareware: Bobcat (2 fonts), Panther (4 fonts), Caracal Backslant (2 fonts), Lynx (4 fonts), Ocelot (4 monowidth fonts), Cheetah (2 fonts), Serval (2002), Puma (2000, 4 weights), Ceramic Tile (2005), Film Font (2006), One Stroke (2007, octagonal, hairline). [Google] [More] ⦿
The truetype "MathType" fonts by Design Science include the Euclid family (1999) [Euclid, EuclidSymbol, EuclidExtra, Euclid Fraktur and Euclid Math One and Two], as well as MT Symbol (1995) and MT Extra (1995). Alternate URL. Commercial package, 30 day free trial. [Google] [More] ⦿
Japanese commercial foundry. They offer Latin fonts as well. Among dingbats and special fonts, we cite Benzion, Fraktura, MathFont, Nota, Numerals, Ornament, PiGraphA, PiGraphB. Designers of Takoyaki, sold at Font Pavilion. [Google] [More] ⦿
Dick Pape (Dallas, TX) is digitizing the Dan Solo books one by one, and has digitized many other sources of alphabets and images. He started making fonts ca. 2007. In 2009, he was doing Solo's art deco tome. He is on several font-making forums such as High Logic, and is interested in revivals. "Toto" writes: Dick Pape made hundreds of fonts and here are the links to most of his fonts. This list has not been updated and later additions are found in Rapidshare folders. I've missed some and some links had been deleted by Rapidshare during its migration from .de to .com. Some have also been sent directly to the group, like those based on Mada's alphas. It is hard to tell whether the font has been made by Dick Pape. The only indication that he created the fonts is that the font have "DP" as font vendor and/or has "Digitized by TTD" in the trademark field. Both are not present in some of his fonts. He seems not to want to take credit. He is just a guy who wants to digitize anything he likes. In 2010, he made Bultaco, based on the logotype for Bultaco Motorcycles---see Freehostia.
Dick Pape: ornamental typefaces
Ornamental typefaces made in 2008-2010 by Dick Pape: Abstract Alphabet (2009), Aged Ornaments (2009), Ancient Mortises (2008), Angel Alpha (2009), Angelica Alpha (2009), Ani-Red Jello Alpha (2009), Antique Alphabet (2009), Arabesque Design (2009), Art Deco Dingbat Images (2010), Art Deco Frames (2010), AlphabetArt, AndrewHolmesArtA, AndrewHolmesArtB, AndrewHolmesArtC, AndrewHolmesArtD, AndrewHolmesArtE, AndrewHolmesArtF, AvonInitials, BritishAirwaysNumbers, CaFaitDur, CelticDesignDark, CelticDesigns-Light, Continnental, EckenFlowerBorders, GermanGothicManuscript, KafkaFlourishes, LaxtonCommonRevival, NiceOldAlphabet, Portent, RomanoAlphabet, Weissranken-Initialen, Babylon Initials (2009), Bird Drawings Alphabet (2008), Black Buttons (2010, +Bold), Bold Cameo (2009), Bubble Gum (2010, +Condensed, +Extended), Charcoal family (2010), Chinese Flowers (2008), Chiswick Press (2007), ChrisGreen (2010), Calligraphia Latina (2010), Cardio Black&White (2010), Electronic Alphabet (2011), EstupidoEspezial1, EstupidoEspezial2 (2010, based on the Hoefler Swash variant of OCR_A), TokoFont, Clip People (2010), Compass Rose (2008), Coptic Letters (2010), Cubes, Cups, Cute Lolo Animals, Dark Herald (2011, Celtic caps), Dave's Glyphs, Design Images, Digital Auto Sampler, Drinking Scenes, Drinking Utensils, DunHuang Art, Eating Signs, EcoLeaf, Eduardo Recife, Eggs And Milk, Electronic Alphabet (2011), Extra Initials, Extra Ornaments, Fantasy Butterflies, Fantasy Dragon FX, Fantasy Monster Skulls, Far Away Places Images, Festival Books Borders, Festival Books Initials, Festival Books Ornaments, Fire Letters, Fire Letters Cameo, Fire Letters Monospaced, Fire Letters Monospaced, Floral Initials, Florentine Initials, Florentine Initials Reverse, Flower Panels, Flower Panels Outline, Flower Vines, Fresh Fish, Funky, Funny Numbers, Furore Mexican (2011), Futorisugi Face, Garden Nouveau Initials, Give me a break, Gothic Metal Initials, Goudy Initials, Graph Glyphs, Halbfette Egyptienne, Haunted Initials, Hollandisch-Gothic (2008), Holly Alpha, Hula Ribbon, Hula Ribbon 2, Hula Ribbon1, India Designs, Japanese Design Parts, Japanese Design Templates A, Japanese Design Templates B, Jugendstil A, Jugendstil B, Kelt Ornaments 1, Kelt Ornaments 2, Lichte Jonisch, Mayan Affixes A, Mayan Affixes B, Mayan Main Signs A, Mayan Main Signs B, Mayan Profiles, Mc Call's Magazine, Mimbres Pottery, Moderne-Zelda (2010, after a Dan X. Solo alphabet), Moderne-Zelda Black, More Drinkings Scenes, Mostly Fish, Moto Bykes, Mythological&Fantastic I, Mythological&Fantastic II, Mythological&Fantastic III, Mythological&Fantastic IV, Mythological&Fantastic V, Mythological&Fantastic VI, Mythological&Fantastic VII, Native Designs-Mexico&Peru 1, Native Designs-Mexico&Peru 2, Native Designs-Mexico&Peru 3, New Music, Objects of Nature, Old English Images, Ondawall Versal (2011), Panels&Frames, Random Doodles, RangeMurata, Rankin-Initialen, Really Black Alphabet, Rons Old Patterns, Rons Old Patterns Bare, Rosart Initials, Rustic Alphabet, Sacon Inititals, Schmale Jonisch, Sea Shells of Nature, Shuttershock Vector Demo, Simple China Images, Simple Doodles, Snails&Slugs, Softsquare, Some Guitars, Soviet Founders, Soviet Life Posters I, Soviet Life Posters II, Soviet Life Posters III, Soviet Life Posters IV, Soviet Propaganda Posters, Splish-Splash, Strange Black Blobs, Tauba Auerbach, The Goetia, Tribal Dividers, Tribal Flames, ViaFaceDon Black, ViaFaceDon Black Hats, ViaFaceDon Outline, ViaFaceDon Speckled, Viking Design A, Viking Design B, White Buttons, Wood Type Cheltenham Bold, ZEart Designs, Zelek, Zelek Black, Zelek Boldline, Zelek Shadline.
Die Entwicklung unserer Schrift
Peter Doerling's visual overview of the styles of writing in Germany, for books, official documents (Urkunden) and in letters. For books, he takes us here:
Dieter Steffmann's Homepage
FontShop was the name of Dieter Steffmann's foundry in Kreuztal, Germany (not to be confused with the FontShop foundry and font vendor). He made about 600 self-proclaimed "old-fashioned" fonts, and among these many Fraktur fonts. His site became too expensive to run, and is now hosted by Typoasis. Alternate URL. Current list of fonts. See also here. New stuff. Fontspace link. A nice essay about Fraktur fonts accompanies the fonts. News. As Dieter puts it: I am not a designer but I add missing letters to public domain fonts in order to get a complete character set and I hint the fonts and create new weigths (shadow, inline etc.) His Christbaumkugeln font, and how it was made. The font families:
Digital Type Foundry
Digital Type Foundry is James Banner's (extinct) Seattle-based foundry that produced typefaces such as Angelic, Bamberg-Initials, Bamberg, Burton, Caxton-Initials, Daggers, Enochian, FetteFraktur, Fraktur, Futhark-Gothic, Futhark, Hebrew, Hermetica, Titling-Ornaments-1 and Turkish, around 1991-1992. Some fonts can be downloaded for free at Fontspace. He wrote: I started making fonts in 1988 and still produce work, although as it became more difficult to upload my work or share it using the University of Michigan FTP server, I haven't released much. Most recently, I issued the Geoffroy Tory initial letters as a Type 1 font and separately as EPS files as Freeware. I've produced 20-30 fonts since the DTF Volume Three bundle package came out.
The foundry disappeared. The licensing today is unclear.
Web site of Kent Hertzog. It resets the page size though to fill the screen. Designer of the free pixel fonts Haysom (2002), Hearst (2004), Hayes (2004) and Cafe 405 (2003). He also created the handwriting face Jack's Mannequi (2005) and the blackletter face Queen of Pain (2002). [Google] [More] ⦿
Commercial and free fonts designed by Diane DiPiazza, who lived in Hoboken, New Jersey, and was the original bass player for The Misfits. She is now in Lodi, NJ. Dinc closed its doors in January 2006 but returned some time later in 2006. Most of the fonts evoke the fifties.
Wikipedia states: Diane DiPiazza was the first bass player for the The Misfits, although she does not appear on any album. She left the band, vacating the spot that was quickly filled by Jerry Only. Her name is often incorrectly spelled Diane DiPiaza. Growing up in Lodi, New Jersey, she was a friend of Glenn Danzig, the founder of the Misfits. The first lineup consisted of Glenn on vocals and electric piano, Diane on bass guitar, Jimmy Battle on guitar and Manny Martínez on drums. On the Cough/Cool single, The Misfits first release, she is the Diane who Glenn thanks on the sleeve. Diane DiPiazza is an artist. She is a type designer who distributes free fonts and vintage black and white line art at dinc! She is art director at mystifyinglyGLADdesign, who designs for the web, clothing, and packaging. She designs hand screened gig posters and many other forms of rock 'n roll art, retro art, modern art. A collector of vintage design elements, her style has been called retro/modern. Diane also creates custom hand stamped silver jewelry as well as a line of tattoo inspired pieces. She is in the process of recording a demo LP with the working title Last Year's Fab Rave, on which she plays all the instruments, including bass.
Free fonts include Bobo, Dilettante, Modern-Love, Note-To-Self, Plastic-U, Post-No-Bills, Road-Crew, Saturdays-Girl, Sleeptalk, Sugaree, Mod Guitars, Woof Squared, Hatcheck, Mess Kit, Billy Dolls, Knitwits, Claim to Fame, Girlfriend, Book of Joe, Joybuzzer (2007, rough outline), Autos (2007, old typewriter), U Better, The Con, Claim to Fame, Girlfriend, Book of Joe, Ahmet.
In 2006, she created Road Crew (2006, rough stencil), DINC (2006, blackletter), Post No Bills (2006, stencil), Ashtrays&Art.
Typefaces from 2005: Neat Neat Neat, Shut Up, Hello Hey Joe, Wings For wheels, Trustmaker, Bad To Me, BellBottomBlues, DinkyToy, Funkhouse, Rodeoboy, SaturdaysGirl, SoWhat, Blue Monday, Betcha By Golly Wow, Nathaniel (2005, blackletter), Brillo Blue, Doctor My Eye, Guilt For Dreaming, Rhyming Bells, Bob's Your Uncle, Princess Jasmine, 45, Seven, 7-7000, Ahmet, Alexei, Boxer, Cinema Aisles, Divine Intervention, Synchronicity, Tangled Up In Blue, Tjinder, Untrue, Special Edition 6, 20,000 Roads, Big Diamonds, Charly Baltimore, Dream, Fever In The Funkhouse, Green&Blue, Ring Ring, Swoop Swoop.
Typefaces from 2004: Fuzzbox (2004; not to be confused with Bragagna's pre-2004 font by the same name), Ace In The Hole, Balls, The Christmas Font, Beau Geste, ByeBye, Heart, Loverboy, Sycophant, The Comedians, Fishboy, Truth, King Me, Snapper, Blue Heaven, Oceans Eleven, Fresh Fish Seven, Trason, Your Type, Da Doo Ron Ron, Big Flirt, Dicky Dee, Boxtop, Satellites, Upsmack, Starry, Silicon Chip, Howdy, Grandpa Boy, Scarlet Letter, Capsule, Doggy, Little Eden, Frank Mills, Chewtoy, Jez, OneWitU, BrineShrimp, Joe College (2004, pixel face), stj-fro, One Inch Rock (2004, pixel face), Black Hole, Ya Ya Baby, Blondie, ShaLaLa, Lower Eastside, GeeWhiz, Sixteen, Joe Strummer, Amy Johnson, JoJo, JodiGirl, Zelda, Hipster, LaDolceVita, LittleLove, Mod, MrEarl, Noveltease, QBats, Ranger, Rhymes, BarkingDog, BFBigmouth, BooHoo, Chance, CowardSquared, Cupid, DincCorona, FiftyFive, FunkyBut, Gamble, HelloHello, IdiotWind, JimmyCap, Luck, Metropolitan, MidnightKiss, Mine (2004, letters in hearts), PerfectCouple, Resolution, Spitball, StencilMeIn, TypeToyNight, YrChickens.
Typefaces designed in 2003: 11592003, 2004, BrokenPromise, DincCorona, DoublyBlessed, EchoPark, FiftyFive, Fishing, FunkyBut, HelloHello, Hoboken, InstantKarma, Integrity, KaseyMac, MidnightKiss, PeppermintLump, Resolution, StencilMeIn, ThreeCubicFeet, TypeToyNight, Crybaby, DeepDark, MajorLift, Mikes, MinorFall, Beeper, Kate, Blacktop, Def Caroline, EZ Bake, JoJo, Kima, Bait, Dreamgirl, Sugar Daddy, Friday, Birth of the True, Soul Deep, Virginia Plain, Feelin' Groovy, Sunday SF, Socks, Boy Toy and Sweet Potato, FunnyValentine, Laura, LonelyFrog, Pati, BrokenDoll, Placemats, Satori, Scout, ThousandLies, ThousandOceans, GetTheeGone, Promises, Rudeboy, YuppieFraud.
Typefaces designed in 2002: Emmanuel, Strummer, Teardrops, Busterboy, Evergreen, Blulite, Respect, Pretty Baby, Hickory Wind, Chelsea Boys, Femme Fatale, Tour de Lance, Peppermint Lump, Ce La Luna! Nous, El Goodo (2002, pixel font), Big Boy, Farfallena, Life On Mars, Saturn Return, GeeWhiz, Train in Vain, Massive Blur, Lonely Planet Boy, Littlebits, Secretarial Pool, Eight Bits, Firefly, Fluff, Startone, Cupcake, Diet Dr. Creep, Dr. Creep, messaround, Pencilbox, Crush No 47, Crush No 49, and Dialtone. Mac and PC. Plus Starry F. Hope (1997) at Chank's site.
Commercial fonts: Booboy, Ingigo (2001, script font), Rufus (2001: four pixel/bitmap fonts), Chinese Symbols: Good Fortune, Zen Fontkit, Boxtop Fontset, Bachelorette, Retrobats, Jailbait, Grievous Angel, Milky Way, Spyboy, Light Series: Spotlight, Cameralight, Streetlight, Firelight, Torchlight, Lovelight, Moonlight, Sunlight, YaYa, Alvin, Amplifier, BigBeatBold, BigBox, Bit-Thing, Boxboy, Chatterbox, Chinatown (oriental simulation), Chopsticks, Console, Cup O'Joe, dincBATS, dincINK, Dinette, DincINK (1998), Dixie, Dreamboat, Duojet, Esquire, Fireball, Flashlight, FourWay, Geebot, gomer, goober, Highball, Homework, jacks, Jetage, Jetage Hi-Fi, Jetage Lo-Fi, Kingbats, Light Series, Loverboy, Moondog, Mister Lee, Mr. Big Stuff, PaperTiger, Pipeline, Popstar, Pushpop, Recordhop, Rocketship, Roundup, Rubberduck, Satellite, Scripto, SquareBox, SquareCircle, Speedometer, Starlite, Sugar, Swizzle, Thinman, transistor, TwinTone, Ultramatic, Variable Videobox, W. Square, Wash&Wear, Whatnot, Winky, Yin Yang, Tight Toy Night, Funtime, OCRDINC01, 02 (OCR-like fonts), Whirlwind, Gaslight, Love, Captain, Funtime, FiFi, Fakebook, FlameJob, OCRDINC, Tight Toy Night, Swingbats, Good Fortune, Zen Fontkit, Bachelorette, Retrobats, Jailbait, Grievous Angel, Milky Way, Spyboy, YaYa, Boxtop Fontset, Light Series: Spotlight, Cameralight, Streetlight, Moonlight, Sunlight, Firelight, Torchlight, Hotrod, Iceberg, Gutterball, Homewrecker, Bubba, Starry Night, Lady Luck, Automobile, Hydromatic, Seventeen, Whirlwind, Gaslight, Love, Captain, Swingbats, FiFi, Flamejob, Fakebook, Madness, Apple Scruffs, Marmalade, Queen of Corona, Cupcake, Starry Eyes, Juice, Fivebits (2002, pixel font), Matchbox, Hot Burrito #3, Fishsticks, Eightbits (pixel font), FoolsGold, Drive, Sleepwalk, Icecube, Pruneface, Witness 2HB, Zerogirl (stencil font, 2002), Fairytale of New York, Levi Stubb's Tears, AllModCons, Babylon, BigBoy, ChampsElysees, ConcreteandClay, ElGoodo, Farfallena, Heroes&Villains, LifeOnMars, LittleRamona, MerseyBeat, MetalGuru, Missile, OnYourBike, Pinup, Reconnez, SaturdaysGirl, SaturnReturn, ShepherdsBush, Tatum, TiniestDancer, TumbinDice, VeraGemini, YesterMe, Rising, Treason, Monami Vrai, Robot Girl, Tattooed Sailor, Sunrise, Midnight, Kakadu, Ana, Ace, Yobbo (2002, dot matrix font), GoGo (2002, pixel font), Waltzing Matilda, Memorial Day 911, Good Riddance, Boys, One Tin Soldier, One After 909, Joey , Infidelities.
Designer at FontStruct in 2008 of Waffle, Nice Shot (target alphading face), Plumstruct (a beautiful partition face), Roadblock, and Mthr Fckr (stencil, +Alt). In 2009, we find Trouble and Stripe (vertical stripes), Quarterback (athletic lettering face), Fuzz (experimental texture face), Nice Shot (alphadings), Metric, Fourmat, Mongol Metric (squarish), Volume Metric (3d), Volume Metric (+LO, +HI, 3d faces), Archityped (based on Bayer's Architype), Subbed Station, Neo Modul (counterless), Heffer (counterless), Perfd (dot matrix), South Central Swiss, Jaunt, Checkout II, Kurrupttd, Checkout, Container ISO Regular, Perfd Regular (pixelish), Lost Outline Condensed (pixel face), Nice Shot (alphadings), Korruptica (Helvetica grungified), Aurora (+II), Beagle (blackletter), Yoga, Trouble and Stripe, Roadblock. [Google] [More] ⦿
Born in 1989, Dominic Vielnascher studies at NDU (New Design University) St. Pölten, Austria. His typefaces in 2011 include Naraganda (a beautiful low x-height arts and crafts family), an unnamed modular face, and Fraktur (blackletter).
Cincinnati, OH-based designer of these typefaces in 2011: Frakked (blackletter), Spartan, Octagon, Modern Wood, Wasabi (a free Asian calligraphic simulation face; +Shogun, +Samurai, +Ninja). Behance link. [Google] [More] ⦿
Author (1888-1944) of over 400 books on printing and typography. His life story is told by Scott Bruntjen and Melissa L. Young in Douglas C. McMurtrie, bibliographer and historian of printing (Metuchen, N.J. : Scarecrow Press, 1979). A partial list of his books, limited to the history of typography:
His typefaces include McMurtrie Title, Ultra-Modern&Italic (1928, an art deco typeface published at Ludlow), and Vanity Fair Capitals. Jim Spiece's UltraModernClassicSG is based on Ultra-Modern. And so is Steve Jackaman's Ultra Modern RR (Red Rooster).
Runes and dingbat fonts that used to be at Warhammer, but have been spruced up: Dwarven-Runes, Eldar-Runes, Imperial-Symbols, Ork-Glyphs (1995). They also made the blackletter font Wagner. The fonts have disappeared, it seems. [Google] [More] ⦿
Belgian designer who has a bachelors in graphic design from St. Lucas, Gent (Belgium) and ArtEZ Arnhem (The Netherlands), and a Masters in the same area from both places. He lives in Gent and loves mussels (or, at least, he loves to make posters of mussels). Behance link. He list of typefaces:
Dry Heaves Fonts (was: Phil Fonts)
Not to be confused with Phil's Fonts, Phil Fonts offers charityware fonts by Phillip Andrade who uses the nicknames Dry Bohnz, neatoguy and spamboy. Most fonts are grungy, and were designed roughly between 1999 and 2003.
The list: BlownDroid, Neatified, HappyLarry, IShotTheSheriff, Alien Marksman, EvilCow, Corporate Suit, BadHairDay, Tiptonian, Philbats. Grouped as Scroll fonts from the dead Sea, we find: Habbakuk Scroll (Hebrew), Manual of Discipline (Hebrew), Parthenon (Greek), Ambrosius, Problem Secretary (old typewriter), DeadCircuit, MoldyPillow, Pastorswrit, RadiatedPancake, StolenLlama, Untitled, WetNapkin, Worn Manuscript (1999, grungy blackletter), DustyWombat, NasalDrip, Alphasnail, CarbonatedFont, RaptorAttack (2001), Warped Greased Monkey, Alphasnail (2001), Beth David (1999, Hebrew), Greased Monkey (2001), Lost City (1999, Hebrew), Missing man out (2001), No Brainer (2001), Raptor Kill (2001), Spazbats (2002, dingbats), Speed of Oatmeal (2001), Troglodyte (2001), Polyphemus (2000), Infestation (2000), Hand Drawn Wasabi (2002, katakana font), I Am A Font Designer (2003, scanbats), Neosight (2003), FirstTemple (2003, an old Phoenician lettering font), ScreamingGuitar (2002, guitar dingbats), DHUgaritic (2003), PeskyPhoenicians (2003).
DTP Types Ltd was started in 1989 by Malcolm Wooden (b. London, 1956) from Crawley, West Sussex, England. Wooden worked at Monotype for over 20 years just before that. Malcolm Wooden joined Dalton Maag early 2008 to work on font engineering and production. DTP Types does/did custom font work, and sells hundreds of retail fonts.
In the Headline Font Collection (50 fonts), we find reworked and extended designs (Apollo, New Bodoni Black, Camile, Engravers, and so forth), as well as fresh faces (Hellene handwriting, Finalia Condensed, Birac, Delargo Black, Delargo DT Rounded (comic book family), Dawn Calligraphy).
In the Elite Typeface Library, there are type 1 and truetype faces for Western and East-European languages. For example, Elisar DT (1996, see also elisar DT Infant) is a humanist sans family made by Malcolm and Lisa Wooden. Fuller Sans DT (1996) is a grotesk family by Malcolm Wooden. Greek and Cyrillic included. Other typefaces: Garamond 96, Pen Tip (Tekton-like).
Fonts distributed by ITF and MyFonts.com: Berstrom DT, Beverley Sans DT (2007, comic book style face), Birac DT, Century Schoolbook DT, Convex DT, Delargo DTInformal, Delargo DT Infant, Engravers DT (1990), Finalia DT Condensed, Garamond DT, Garamond Nine Six DT, Goudy Old Style DT, Graphicus DT (1992, a 24-style geometric sans family), Kabel DTCondensed, Leiden DT, Macarena DT, Modus DT (2007), New Bodoni DT (1992), Newhouse DT (1992, a large neo-grotesque family), Office Script DT (1994, copperplate script), Pelham DT, Pen Tip DT, Pen Tip DT Infant, Pretorian DT (a revival of an old Edwardian font by P.M. Shanks done by Ron Carpenter and Malcolm Wooden in 1992; for a free version, see Vivian by Dieter Steffman), Solaire DT, Triest DT, Vigor DT (2000---a slab serif family).
Discussion: Something I don't get is that Vecta DT (2006) is based on Vecta (2005, Wilton Foundry)---same name, same sans family, what gives? Duet DT (2006, a calligraphic script) is by Robbie de Villiers of Wilton, based on his own Duet (2004). MyFonts page. The typophiles reserve harsh judgment: I recognize these designs by their original names. Slightly manipulating Times Roman, Optima, Icone, Franklin Gothic, Sabon, Tekton, does not make them new or original. Many of the designs are identical to the originals they're derived from (Carl Crossgrove), The DTP Types outfit sells the usual rip-off fonts under new and old names (e.g. Century Schoolbook DT, Engravers DT, Goudy Old Style DT, Kabel DT, etc.) (Uli Stiehl).
In 2008, DTP announced a new newspaper and magazine text family, Arbesco DT (PDF), based on a 1980s photolettering family (see also here), and a simple 24-style architectural sans family called Sentico Sans DT (elliptical). They also published the marker family Pen Tip DT Lefty in 2008.
In 2009, the calligraphic Trissino DT was published: it was named after Gian Giorgio Trissino (1478-1550) the Italian Renaissance humanist, poet, dramatist, diplomat and grammarian who was the first to explicitly distinguish I and J as seperate letter sounds.
Damià Rotger Miró (Menorca) is a type designer, letterer and graphic designer at Dúctil in Palma de Mallorca.
His creations in 2008-2009: Lullius (2009, a blackletter named in honor of Ramon Llull (Palma de Mallorca, 1232-1316)), Dúctil (2009, sans family), Crespell (2008, a soft organic sans), Miona (2008, an award winning and stunning serif), Concu (2007, sans family), Lullius Rotunda (2009).
The sans family Ductil was designed in 2011.
Editor of Ausgewählte Druckschriften in Alphabeten, which was published in Leipzig by the Verein Leipziger Buchdruckereibesitzer as an educational aid. The Bund für deutsche Schrift has scanned in a third of the pages and put it on one of their CDs. [Google] [More] ⦿
The Eccentrifuge Blackletter Directory aims to be an exhaustive online reference for all commercially available blackletter fonts (but he only deals with commercial type). Run by John Butler of North Carolina (he was in Atlanta, GA). John Butler designed the Butler Antiqua family (2002) in the style of Ruzicka and Dwiggins. Eccentrifuge assists type designers in navigating and managing the complexity of OpenType feature programming, Euro conversion, character encoding and Unicode, Python scripting, bitmap embedding, and to a certain extent, internationalization. It also specializes in developing connected OpenType font designs at a level of fluidity previously unavailable, allowing your designs to achieve a true handwritten look. Jobs include Emigre's Mrs. Eaves OpenType, an OpenType version of Erik Van Blokland's Kosmik, and Barchowsky Fluent Hand OpenType. [Google] [More] ⦿
British typefounder, d. 1835. Son of Joseph Fry, the founder of the Fry Letter Foundry in Bristol. Quoted from MyFonts: In 1784 he introduced a raised roman letter for the blind, and was awarded a prize by the Edinburgh Society of Arts. Louis Braille's system of lines and dots ultimately proved better. In 1787, he and his brother Henry took over the Fry Letter Foundry from their father. Credited with many great faces, including Fry's Baskerville (1768) and Fry Moxon (or Graisberry), a Gaelic typeface, Fry A Gothic Capitals (ca. 1819), an angular transitional Gaelic face, and Fry B Gaelic Capitals, a transitional Gaelic face (Everson mentions the date 1836, but that would be one year after his death...) and Priory Text.
Mac McGrew writes: Priory Text was the blackletter of the Fry Foundry in England, with some sizes dating back to about 1600, and most sizes shown in 1785. It was revived by Talbot Baines Reed for his History of the Old English Letterfoundries in 1887, and DeVinne used it for his edition of Philobiblon in 1889. The Dickinson foundry, a forerunner of ATF, issued it as Priory Text about that time. It is very similar to Caslon Text (q.v.). BB&S made a near-duplicate type, originally called Reed Text, but later shown as Priory Black Text. Although the latter was shown as late as 1925, these faces had generally been replaced earlier by Cloister Black (q. v.) and other Old English faces with more refined draftsmanship.
About the Gaelic types, Brendan Leen writes: In 1819, Edmund Fry cut a type once again commissioned by the British and Foreign Bible Society. The design of the Fry type signifies a departure from the angular minuscule toward the more rounded form of the half-uncial, a characteristic of Irish typography in the nineteenth century. Sample of Fry Irish type from The Two First Books of the Pentateuch.
Author of Pantographia (1799, Cooper&Wilson, London), a work that shows the scripts of many languages [a careful digitization of some can be found in the font family Pantographia (2010) by Intellecta Design]. The full title is Pantographia; Containing Accurate Copies of All the Known Alphabets in the World; Together with an English Explanation of the Peculiar Force or Power of Each Letter: To Which Are Added, Specimens of All Well-Authenticated Oral Languages; Forming a Comprehensive Digest of Phonology. Examples from that book: Bastard, Bengallee and Berryan, Bulgarian and Bullantic, Chaldean.
German type designer who did mainly blackletter alphabets: Moderne Alt-Fraktur (1906; the date at AG für Schriftgiesserei und Maschinenbau is 1910), Hamburger Fraktur (1907, J. John Söhne; includes also Fette, Halbfette), Faust-Faktur (1910, D. Stempel; includes also Fette, Halbfette, Schmale Halbfette), Neue Moderne Fraktur (normal and halbfett) (1909, elsewhere, this is known as Faust, Richard Wagner, Ideal, Dresdner Amts, Hamburger and Alt Fraktur). [Google] [More] ⦿
Eduard Gustav Haenel
Eduard Wilhelm Tieffenbach
English punchcutter active from 1862 to 1923, associated with seemingly the whole of the blossoming private press movement in England and America, b. 1841, Kennington, d. 1923, North London. His type creations include Tudor Black (1878, Miller&Richard), a face codesigned by Frederick Tarrant. Notable work was for the Kelmscott Press of William Morris, and the Doves Press of Emery Walker&Thomas Cobden-Sanderson. For the Doves Press he cut the revivals of Jenson's type that stimulated an interest in 15th century printing in the wider printing industry. (This Doves type was later thrown into the River Thames by an upset Cobden-Sanderson, over a protracted argument about its authorship). Prince's major design failure is worth noting. He was commissioned by Emery Walker to design type for Count Harry Kessler's Cranach Presse. The roman design was not a problem, for Prince had cut similar designs for the Kelmscott and Doves presses. The italic presented a new challenge though. Based on a type used in a 1525 work of Tagliente, this was the first attempt to recut a chancery italic. Despite help from Edward Johnston, Prince was seemingly unable to do interpret the design, and demanded finished drawings from Johnston, which the Englishman - in accordance with his views on the nature of craftsmanship - was not inclined to provide. It is instructive to note a confession Prince made to Kessler, characterizing himself as "a craftsman carrying out other men's designs". For Kelmscott Press, William Morris (a founder of the Arts and Crafts movement and a forerunner of the influential private press movement in Europe) and Edward Prince (master engraver) designed Golden Type (1890), a robust typeface made after the 1469 roman by Nicolas Jenson [Charles Leonard: The Golden Type was one of the most influential of the 19th century, but doesn't hold a candle to the Venetian revival faces that quickly followed.]. See also ATF Jenson Recut, and the digital Linotype ITC Golden Type. [Google] [MyFonts] [More] ⦿
Type designer (b. 1811) from Philadelphia, who filed some designs with the US patent office. All were assigned to MacKeller Smiths&Jordan. These include an unnamed ornamental blackletter (1881), Shadowed Sunbeams (1878), He also filed this for David Wolfe Bruce of New York: an unnamed blackletter (1888), an unnamed texture face (1886). With Rudolph Gnichwitz, he created an unnamed border type in 1889 for the Mather Manufacturing Company of Philadelphia. [Google] [More] ⦿
Judith Sutcliffe (Audubon, IA) is the Electric Typographer (est. 1986, Santa Barbara, CA). She has made absolutely exquisite highly original faces, which are sold by many foundries and vendors, including Will-Harris.
Her typefaces: Abelard (1988, mediaeval), LeonardoHand (Da Vinci's handwriting--greeeeaaaat), Lutahline (clean hand-printed family), ArabiaFelix, Petroglyph (nice dingbat series), AuntJudy, BlockParty, PetroglyphHawaii, ItalianAElectric, TaglienteInitials (another great calligraphic font), TommysType (letters on a clothesline), Kiilani, and Troubador (1988-1989, mediaeval) and Troubador Initials (1989). Atomic Type sells her fonts. Other fonts: Petroglyph Hawaii (1993), Daylilies, Greene, GreeneGreene, Insecta, Leaves, OldstyleChewed, Finfont, Flourish, Hawaii Set, Maskerade, Santa Barbara Electric (1989, a Lombardic / uncial face; + Barbara Svelte, + Barbara Plump), Schampel, Electric Stamps, Daly Hand, Kiilani, Mesopotamia (1992). Emodigi site. At Will-Harris House, we find these fonts by Judith Sutcliffe: Catastrophe, Tommy, Daly Hand and Daly Text (based on the casual calligraphy of Pacific Northwest artist George Daly), Finfont (fish), Daylilies, Leaves, Flourish (calligraphic family), Greene&Greene (architectral lettering), a Hawaiian set consisting of Kiilani, Hibiscus (alphadings), and RockArt dingbats, Insecta (dings), Oldstyle Chewed, Leonardo (neat handwriting of DaVinci simulated), Petroglyphs, Schampel (blackletter), Serpent, Maskerade (masks), Tagliente (nice old-fashioned lettering and caps).
Designer, type designer and professor in Salvador, Brazil. He made Benedicta (2006), a blackletter-inspired sans. See also here. He also made the geometric blackletter face Tex (2006). [Google] [More] ⦿
Ellinor Maria Rapp
German type foundry in Hamburg established in 1986 by Veronika Elsner and Günther Flake. They offer original fonts as well as improved versions of classical fonts. There are many non-Latin fonts as well. In-house designers include Jessica Hoppe (Carpediem), Verena Gerlach (Aranea), Petra Beisse (PetrasScript), Uwe Melichar, Manuela Frahm (Fritz Dittert), Ralf Borowiak, Lisa von Paczkowski, and Achaz Reuss.
Additions in 2005 include the dingbat faces Beautilities EF Alpha, Ornamental Rules EF, Diavolo Rules EF, Squares EF (Alpha, Beta and Gamma), Topographicals EF Alpha, Typoflorals EF Alpha, Typographicals EF Alpha, Typomix EF Alpha, Typosigns EF Alpha, Typospecs EF Alpha and Beta (which have several fists), Typostuff EF Alpha, Diavolo EF, Schablone EF, Gigant EF, Maloni EF, OCRA EF, EF Unovis (a 16-weight family inspired by Quadrat).
In the hand-printed category, let us mention Filzerhand.
Their blackletter collection includes some bastardas (Alte Schwabacher, Lucida Blackletter), some frakturs (Fraktur, Fette Fraktur EF, Justus Fraktur, NeueLutherscheFraktur, Walbaum-Fraktur), some rotundas (Weiss-Rundgotisch), and some texturas (Gotisch, Old English).
Commissioned fonts include Castrol Sans (2007).
German foundry based in Berlin, active from 1866 until 1917, when it was acquired by H. Berthold AG. Klingspor's file on Gursch. Typefaces published by them include:
Type designer (b. Offenbach, 1898, d. Waldshut, 1983). He created the blackletter faces Tannenberg mager and halbfett (1933-1935, D. Stempel), Woellmer-Fraktur (1937, Wilhelm Woellmer). In several publications and web sites, Emil is called "Erich". Schnelle calls him Erich Mayer. Digitizations of his faces include DS Tannenberg (2001, Delbanco) and Tannenberg (Gerhard Helzel). [Google] [More] ⦿
German typographer, graphic artist, painter, type designer, poet and teacher, b. 1875, Lahr, d. 1942, Meersburg. Weiss made Weiss Roman in 1926, now an Adobe typeface. He also created Weiss-Fraktur (1909, commercialized in 1913 by Bauersche Giesserei, and revived in 2004 by Petra Heidorn and Manfred Klein), Weiss-Fraktur Kursiv (1923-1924, Bauer), Weiss Antiqua (1928; this is W 690 Roman at SoftMaker), Weiss Lapidar mager (1931, revived as Weiss Lapidar in 2002 by Dieter Steffmann), Neue Weiss-Fraktur (1935), Lichte Initialen (1935, revived by Manfred Klein in 2005 as WeissGotnitials), Weiss-Gotisch (1936, a Textura face at Bauer, revived by Petra Heidorn in 2004 under the same name, and by Delbanco as DS-Weiss-Gotisch), Weiss-Kapitale (1931), Weiss-Rundgotisch (1937, Bauer, digitized by Fraktur.de, and in 2009 by Nick Curtis as Garmisch Rund NF), by Elsner and Flake as Weiss Rundgotisch, and by Softmaker as Gothic, and Weiss Rundgotisch Inititalen (1939), all at the Bauersche Giesserei. At Hansestadt Letter Foundry we find Rundgotisch and Uhlen Rundgotisch (1937), the latter becoming a Monotype font in 1938. His Weiß Initials (Series I, II, II Bold, III) from the 1920's have been digitized as Wellsbrook Initials SG (2004, Spiece Graphics), URW Weiss Titling, and Quadrivium NF (Nick Curtis).
Roman designer at FontStruct in 2008 of Mango (ultra fat, rounded), Doodeka (dodecahedron-themed letters---sublime!), Culdesac, Candelabra, Legorama, Legorama Everywhere Fill, Legorama Everywhere, Legorama Fill, Magnetor (shadow outline face), Thuring (athletic lettering), Monkey Pizzazz (pixelized monkeys), Escaptionist (pixel face), Dioptical (optical illusions face), allurium, allurium_welded, avinguda (an octagonal face), Avinguda Light, Myopia, Fast Pussycat, Roboro (techno), Monkey Pizzaz (monkey dings), Solari Platform, avinguda_jagged, beamo (monoline sans, a take on Franklin Gothic), beamo_outline, beamo_pixel, conformista_1, hairdo, minimalia, minimalia_noon, minimalia_rounded, sherif_1, yvette ("a fat font with a belly button), Hairdo, Bee Legacy (blackletter glyphs encased in hexagons), Legorama. He also made the beautiful hairline squarish face Les Bains (2008) which is based on the lettering used for the signs in Les Bains des Docks, by French architect Jean Nouvel.
Fonts from 2010: Bromance (upright connected script), Oliva (open face style), Podio (3d), Thuring (athletic lettering), Budino and Budino Kiri (fat counterless), Escaptionist (pixel), Riba (2010, a ribbon font).
Turkish graphic and type designer, and calligrapher of both Latin and arabic. He lived from 1913-1987. His calligraphy has led to some fine alphabets, including a blackletter and a flared Basque alphabet. Picture.
E-phemera (was: HPLHS Prop Fonts, and earlier: Prop Fonts)
Andrew Leman is a prop designer in Hollywood, CA. The type foundry HPLHS Prop Fonts (was: Ephemera, Prop Fonts) was started by Hollywood's Andrew Leman, and is now located in Pasadena, CA. Some fonts are free, most are commercial.
Brazilian graphic designer and illustrator from Rio de Janeiro, b. 1983. Formed in Graphic Design at SENAI/RJ Technical School and student of Industrial Design at UNESA College. Currently working at Dinamo Design.
His fonts include Philosopher (2008, an organic sans done with Jovanny Lemonad), Chantilly Lace (2011, a thin vertically striped beauty), Old-Gothic (2008, blackletter, done with FontStruct), The-Adrian-Frutiger-Experience (2008, FontStruct), Blow (2008, FontStruct), Todays Meal (2011, chalky face), Yellow Magician (2008, organic headline face, made with FontStruct) and Zillah (2008, using FontStruct). HandTest (2009) was made with Fontcapture.
Erik graduated from Lahti Institute of Design. His fonts include Neon, Mama and Mama Round. Born in Helsinki in 1980, Erik is a type designer for Fenotype, which was founded by his brother Emil Bertell. He holds an MA in graphic design from aalto University in Helsinki. Around 2012, he set up his own foundry, Erik Bertell.
Erik's fonts EB Base Mono (2009, monospaced), EB Futuretro (2002, bilined art deco techno face), EB Neon (2002), EB Boogie Monster (2002, multiline prismatic op art family), EB Vintage Future and EB Humboldt (2002, ultra fat).
EB Martin (2010) is, in his own words, a post modern take on several traditional blackletter types. EB Bellissimo Display (2010) is a rounded monoline geometric sans typeface family. EB Jessica (2011) is part typewriter, part cemetery.
Erik Jarl Bertell
Slovenian designer of fonts such as Board, Counter (dot matrix), DeeDot, Dirty Karlson, Dope, EnfontTerrible (grunge), Exer, Fractual (Fraktur), Frizider (connected 50s style lettering), Gliberto, Jogurt Pi, Kelih, Latirilica, Malomorgen (Fraktur), Manifestina, Ministry of Defense, NoBodyType, OmarSans, OmarSansPlus, Pope-Regular, PopeInline, Siscia, Sugestica, Tune, Telekom Pi, Video-Flat. At Plazm he published Centrifuga (1996), Board (1995). In 2005, he finished the design of a 40-style a typeface family for Delo, one of the leading Slovenian daily newspapers. Ermin lives in Ljubljana. [Google] [More] ⦿
Author of Schrift geschrieben, gezeichnet und angewandt. Ein Lehrbuch für Schriftenmaler, Graphiker und sonstige schriftgestaltende Berufe. (1952, Karl Gröner Verlag, Ulm-Söflingen). Book cover.
Type enthusiast and genealogist in Bad Sassendorf, Germany, who made some Fraktur revivals such as Gutenberg-Bibelschrift, Kirchengotisch, Koberger, Lautenbach-Fraktur, Liebing-Fraktur, and Schönsperger. Home page. [Google] [More] ⦿
Typographer, type designer (b. 1879, Kassel, d. 1967, Bad König), teacher (at the Frankfurt Vocational School and at the College of Arts and Crafts in Offenbach am Main) and author of typographic books. In 1905, Engel became supervisor of in-house printing at the Klingspor foundry.
At his own Ernst Engel Privatpresse (est. 1921; it would later be called Ernst Engel Presse Walter Stähle), he designed Mörike Fraktur (1922) with the punchcutter Rudolf Schiffner. Somehow, this typeface is also associated with Klingspor.
In 1927, he created an art deco face which was revived in 2008 by Nick Curtis as Engel Stabenschrift NF. He made three Unziale that were all unicase ("Einbuchstabenschrift"), in 1927, 1930/31, and 1935, respectively. In 1939, he made a Schwabacher and finished Deutsche Schrift. Picture.
Esos tipos de la UTEM
Chilean type foundry and blog (in Spanish) which grew out of the Escuela de Diseño de la Universidad Tecnológica Metropolitana de Santiago de Chile. The team consists of Roberto Osses (the boss), Javier Quintana (type designer), Fabian Flores and Sebastian "Sea" Contreras. Roberto Osses is professor of digital type design at UTEM. He wrote MANIFIESTO, La Declaración Universal de los Derechos Humanos Ilustrada and has won several graphic design awards. The fonts are free. The font list:
Brazilian graphic design studio which recently branched out into type design. Located in Batel, Curitiba, it is founded and run by Anderson Maschio (b. 1980, Curitiba). Maschio designed Anark Stencil (2007). MyFonts link. Fonts at MyFonts, all by Dado Queiroz: Tritura (2009, grunge textura typeface by Dado Queiroz), Marisco (2007), Riff (2009, slab serif). [Google] [MyFonts] [More] ⦿
Cofounder in 2011 of Coppers & Brasses in Montreal, together with Alexandre Saumier Demers. In 2012, he designed the signage face Sardine and the blackletter face Freitt. Together with Alexandre, he created Martha (a monospaced slabby grotesque), still in 2012. At The Cooper Union, he created Barapa (2012).
Type designer (b. 1911, Hanau, d. 1992, München) who designed Hölderlin (1927, Ludwig&Mayer: a German expressionist typeface, revived by Gerhard Helzel) or Hölderlin-Fraktur (1937-1938, Ludwig&Mayer).
Exclamachine Type Foundry
Choz Cunningham (b. 1975, Santa Cruz, CA) is a Las Vegas and more recently, Nashville, TN-based designer and artist, who set up Exclamachine in 2005. Until 2012, exclamachine published free fonts. In 2012, it went commercial via MyFonts.
Designer of Whiskey Songs (2007), Crass Roots and Crass Roots OFL (2007, stencil), Misqot (2006), The Troubles (2006), Limberjack (2006, an ornate wood titling font), this blackletter-inspired serif face (2006), Futurelic (2006, futuristic), Zugzwang (2006), Sketchy Times Bold (2005, grunge), Sketchy Times (2005, grunge), Basket of Hammers (2005, a nice wallpainting/graffiti font). His company, also called Exclamachine Foundry, where these fonts can be downloaded: The Black Bloc (2006, blackletter-inspired), MISQOT (2006), Kutura Frontalis (2006), PaulMaul (2006), Zugzwang (2006), Sketchy Times (2006), Carlos Caffeinated (2006), Basket of Hammers (2006), Disc Inferno (2006, LED simulation), Rosda Laevigata)2007, handprinting), and this heavy metal band font (2006).
Typefaces from 2013: FinFang (comic book style caps), Lestatic Slashed (+Condensed), Lestatic Obsidian Outline (grungy), Lestatic Lashed (Arabic simulation face), Lestatic Celerite, Lestatic Carved, Lestatic CSS, Lestatic Withered Condensed, Lestatic Withered, Lestatic Sliced.
Exclamations (or: The Boutons)
Gary David Bouton and Barbara Bouton's site is called Exclamations.
Their typefaces: Bouton Kursiv (2008), Odissey (2008), Russel Write (2010), Elephants and Bears (dingbats), GreekDiner Inline, GeotypeTT (1997), WebKnobsTT (1997), Beacon (2008, a Schwabacher), BOUTON Nouveau Ornaments II (2009), BifurFoundation (2010), BifurOverlay (2010, after Cassandre's Bifur), Frankfurter Venetian (2008, fat rounded horizontally striped all caps face), Folks (medieval caps), Nouveau Rococo Deco Dings I (2008, art nouveau ornaments), Simulata (2006, geometric deco face with Bifur influences), Whimsy (comic book font), SymbolsTT (1998, charityware dingbat font).
F25 Digital Typeface Design
Volker Busse (F25 Digital Typeface Design) is a graphic designer at Grafikkontor in Berlin.
Designer of the old typewriter simulation fonts F25 Executive (2008), F25 BlackletterTypewriter (2006), Typewriter Condensed (2007), Telegraphem (2004), Cella (2007) and Daisy Wheel (2007). He also made Am Sans (2005), which he derived from a 1960s sample of Intertype Vogue (itself a geometric and clean-lined sans, ca. 1930), and F25 Bank Printer (a MICR family, 2005).
At FontStruct, he made F25 Borderfont (2009, a multiline family including styles called Alita and Kapata), F25 Fontstruction 157 (2009, experimental), and Hidden Text 01 (2009).
Fabrika de typos
Fabrika de typos is a Brazilian fondry run by Marcio Hirosse (b. 1969) in Sao Paulo. He made Destroyer (2007, splatter grunge), Helena (2007), Boogaloo (2006), Casual (2006), Expedito (2006), Impresso (2006), Club (2006), Qualque Coisa (2006), Pig (2006), Boogaloo, Casual, Error (2006), Sherley XXX (2006), Thailandesa (2006, Thai simulation face), Expedito, Impresso, Club (2006, stencil), Ferrugem (2006, grunge), Qualque Coisa (2006), Saco de Pao (2006, grunge), Clean (2006, experimental), Poesie Noire (2006, a great multiline calligraphic face), Fuck You Las Vegas (2005), Serial Killer (2004, bloodied Arial), Tragedia (2004), Font Macabra (2004), Font Abuso (grunge), Font Cartaz (2004, stencil face), and Font Mexicana. He created Ballom (psychedelic), Anarchy, Macabra, Cartaz, Crash, Tragedia, Abuso, Estragou de novo (1999), Sucata Special, Brother Bear, Floppy Disk, Punk Dingbats (2004-2005, destructionist typefaces), Swiss AntiNormal (2005), Jooy (2007, grunge), Deusdeti (2007, double script), Deux ex Machina (2007, blackletter-inspired), Comunista (2007, constructivist), BONDAGE-DEMO-VERSION (2007), CASULO-DEMO (2007), D-E-S-T-R-O-Y-E-R-D-E-M-O-V-E-R-S-I-O-N (2007), GARTEN-VON-DORNEN-BLACK---DEMO-VERSION (2007), GARTEN-VON-DORNEN-DEMO-VERSION (2007), Load (2007, grunge), LYSSA-DEMO-VERSION (2007), MUMIA-DEMO-VERSION (2007), OFF-SET---DEMO-VERSION (2007, grunge), Pig (2007), PLEASURES-DEMO-VERSION (2007), Querencia-Army-DEMO-VERSION (2007), TETARIA (2007), FDT Sodomy (2008, blackletter), FDT Carreto (2008), all freely downloadable.
Commercial faces: Circus de Terror, Rapariga (curly), Indiana, Hard Core, Iemanjai, Disorder, Joy, Deusdeti, Deux ex Machina, Comunista, Destroyer, Off Set, Pleasures Poesie Noire, Helena, Base, Clean, Casulo, Serial killer.
Norwegian printer Fabritius and Sønner in Oslo worked on its own version of Munthe's letterforms. In 1962, it published the blackletter face Fabritius-skriften, but this face is only available in matrix form at the company, and is hardly ever used today. See also here. [Google] [More] ⦿
Stephen Coles points out the best of the fat blackletter types in the FontShop store.Google] [More] ⦿
FDI (was: Schriftgestaltung)
Georg Seifert (Schriftgestaltung) is a Bitterfeld-Wolfen, Germany-based designer. Photograph. He was a student at the Bauhaus University Weimar and runs Schriftgestaltung.de (Leipzig; now FDI or fonts dot info in Jena) with Ralf Hermann.
Schriftgestaltung's fonts include Oilive Green Mono and Rosa Stencil. All others are FDI fonts:
At ATypI 2009 in Mexico City, he introduced his (free) font editor Glyphs to the world.
Nice designs by Feòrag NìcBhrìde from Edinburgh, Scotland. Her Mac TrueType and PostScript fonts are mostly reproductions of historic type. Styl, Styl Round, Astradyne and DaySquareCut are futurist in inspiration. Chapbook and Chapbook Italic are based on 17th century type and Vespasian is taken from a late 7th century manuscript. Symbats and Orkney Runes are of particular interest to occultists. Flgheadh, my first shareware font, makes the creation of knotwork rows as easy as typing three characters which happen to be next to one another on the keyboard. Viking Runes from the Orkney Isles, Taisean (2010, angular uncial), Accelerando (2009, nice simple techno face), Day Square Cut (1997; based on lettering designed by Lewis Day, some time around 1900), Cianán (Mac type 1 font based on an old Irish manuscript, 1998), Astradyne (based on the font used on Ultravox's Vienna LP from 1980), Symbats (1997-2008, a Pagan dingbats font), Innsmouth Plain (2011, handprinted), Skelett (2011, blackletter). Dafont link. Older URL for her free stuff. [Google] [More] ⦿
Ferdinand Theinhardt Schriftgiesserei Berlin
Berlin-based foundry from the 19th century, whose typefaces included Aldeutsch (aka Psalterium, or as Mainzer Gotisch, 1851). Ferdinand Theinhardt (b. Halle, 1820, d. Berlin, 1909) ran it.
Around 1880, he published four weights of a Royal Grotesk (in 4 styles) for the Prussian Academy of Sciences in Berlin (see, e.g., here or here; here is a sample of his 1895 Breite Grotesk). Akzidenz Grotesk is often given the 1898 date. In 1908, H. Berthold AG took over the Theinhardtsche Giesserei. In 1918, H. Berthold sold that Royal Grotesk as Akzidenz Grotesk.
Theinhardt was also known as a specialist in cutting hieroglyphs. He published Liste der hieroglyphischen typen aus der schriftgiesserei (Berlin, Buchdrückerei der Königl. Akademie der Wissenschaften (G. Vogt), 1875). Royal Grotesk was digitally released by Berthold Types (an American company with no legal connection with the original H. Berthold) in 2009.
Typedia link from which I quote: Akzidenz (sic) Grotesk was released by Berthold in Berlin in 1898, according to their own literature. It was obviously based on faces already offered by other foundries, some of which were later taken over by Berthold. One of the contemporaries of AG was Royal Grotesk from Theinhardt. In Berthold's specimen booklet no. 429, which was most likely released in 1954, Akzidenz Grotesk Mager (light) was still referred to as Royal Grotesk, in brackets. Berthold acquired a typeface in 1908, (when they bought Ferd.Theinhardt) which they released as Akzidenz Grotesk Halbfett (medium). They kept adding weights, some of them from other faces, acquired from other foundries. Every foundry had a version of that type of face, more often than not available in a few sizes only. The original series remained quite divers, individual weights showing not much resemblance but in name. It was mainly a marketing and naming success. That only changed when they cut Series 57, and then Series 58, named for the years of release. These had some sizes (but not all) recut under the direction of Günter Gerhard Lange, who was their (freelance) artistic director at the time. GG Lange always claimed that Berthold had taken some AG weights and sizes from Popplbaum in Vienna, and that is supposed to account for the release date of 1896 or 1898. Popplbaum was not bought by Berthold until 1926. Berthold did take different fonts from all the foundries they bought (and obviously also made deal without buying a foundry) and rename them until they got a family together which still showed the original influences, sometimes even from size to size. The deals between foundries (by 1924 Berthold had bought 17 foundries, in Prague, Riga, Stuttgart, Leipzig, Moscow and St. Petersburg) have never been fully researched, and neither has the complete history of Akzidenz Grotesk been written yet.
Fernando Henrique de Sousa
Fernao de Pina was the chancelor responsable for the creation of Leitura Nova, which was a compilation of books (forais) that should establish the privileges of the villages and all their administrative duties, determined by the monarch D. Manuel I of Portugal. Written from 1496 to 1520, Leitura Nova has a regular and uniform gothic that is more cursive and rounded then the German gothics. [Thanks to Dino dos Santos for help with this information and for this and this picture.] [Google] [More] ⦿
Ferrets N Fonts
Perry Mason is the prolific ozzie creator (based in Newcastle) of Nato, a truetype font apparently made for NATO military vehicle lettering (2001). Since that first font, he has made well over 1000 fonts, mostly in 2001, but some as late as 2003. Back-up of his fonts at Just Us Now, now defunct. Alternate URL for Just Us Now (also defunct). Yet another URL. List of his fonts, by date, and alphabetical list. Perry Mason's dingbats. [Google] [More] ⦿
A new foundry in Cheltenham, UK, started by Michael Harvey and Andy Benedek in 2001. Their output was sold through Faces, but is now marketed via MyFonts. The fonts: Aesop (calligraphic writing), Tisdall Script, the spectacular Songlines, Fine Gothic (blackletter), Marceta (uncial), Braff, Balthasar, Mentor Roman, Mentor Italic. Also sold at Fonts.com. A type designer close to me said: The Mentor and Mentor Sans superfamilies were released last February by Monotype, and nobody even mentioned them. To me they look Michael Harvey's best ever masterpiece, and probably the best new superset to be released this millenium, but nobody's paying attention. [Google] [MyFonts] [More] ⦿
Free truetype fonts: Tai Le Valentinum (for the Tai Le script used in China, Burma and Laos), Valentine Arabic, the faux pixel font Sounds of Apathy, and the unicode faux pixel font Fixedsys Excelsior 2.0 (2007). The latter covers Latin, Greek, Cyrillic, Hebrew, Armenian, Tamil, Hylian, N'Ko, Ethiopic, blackletter, Dehong Dai, Pahawh Hmong, Thaan, Arabic, Thai, Ogham, runic, and IPA. All fonts made by Darien Valentine in 2004. See also here. [Google] [More] ⦿
Japanese foundry in Nagoya that offers these free and commercial Latin fonts made by Ryoichi Tsunekawa, who also runs Bagel & Co, Dharma Type, HolidayType and Prop-A-Ganda. Most of his work was done at Flat-It. His typefaces:
Floodfonts has freeware fonts by Felix Braden (b. Koblenz, Germany, 1974, an ex-student at the Trier College of Design). In 2000 he founded the free-font site Floodfonts with Peter Hoffmann. After working for five years as an art director for Gaga-Design, Koblenz, he decided to set up his own graphic design studio in Cologne. He now lives in Cologne working as a freelance designer and as a art director for MWK Cologne.
His free fonts at Floodfonts include Polaris (2011), Floodicons (2003), Hydrophilia (2003. He writes: Hydrophilia family was created in 2003 by Felix Braden as a further development of Moby and comes with two fonts: The gothic typeface (liquid) is a revised version of the pixel font (iced). Hydrophilia liquid got a lot of letterforms with a diagonal axis, which reminded me of the technical fonts used on early liquid crystal displays.), Squid (2002, free), SquidCaps (2002), Ninetwist (2002), Catherine (2002), Moby (2002, a Bauhaus style corporate and headline font for the Cologne based design bureau Glashaus), Babelfish (2002), Blendfontsexperiment (2001), Incpot (1997), Hammerhead (2001), HammerheadBlack (2001), HammerheadBold (2001), HammerheadMedium (2001), Multikultur (1997, Fraktur font), MultikulturExtraBold (2001), Orchidee (2001), Sadness (2001), Wuestling (1997).
Peter Hoffmann designed Alita (2001) and Lacuna (2001).
In 2004, he cofounded Timetwist with Pia Kolle, where you can download Rabbits (2004, Kolle), Pirates Stoertebecker (2004, Braden at Floodfonts, a ransom note face), Pirates Drake (2004, Braden at Floodfonts), PiratesBlackbeard (2004, Braden at Floodfonts), PiratesBonney (2004, Braden at Floodfonts), Bigfish (2009, a Western billboard face).
At Ductype, Braden published Timetwisteight (2005, a pixel face).
At URW++, he published the Supernormale family (part techno, part pixel) in 2006.
The Orchidee project started in 1999 led to a fantastic free font. Felix: Orchidee was created as a part of the business stationary of the restaurant Orchidee located in the luxory hotel Quellenhof in Aachen, Germany. After the founding of the restaurant the hotel manager realized that there earlier was a bordello in the city with the same name, so he wanted to change the name. At the time when our agency had to presentate the logotype the name was not appointed so I created the font. The restaurant was specialized on crosscultural european-asian cuisine. Because of that I wanted to mix up some elements of traditional asian typography with european typography. The letters are designed in freehand by the repetition of just a few basic elements. To create the rough outline I used xerox-copier because I wanted to have some chaotic elements to give the font a handmade touch.
At FontShop, he published FF Scuba (2012), as an offline companion to Verdana.
Designer born in Duesseldorf, Germany, but living in Los Angeles. Creator of the free fonts King Georg (2012, blackletter), Cinerama (2012), Stadium1946 (2012), Stadium1956 (2012), SoCal (2012, a graffiti face), Tight Writer (2012, old typewriter font).
Font Diner (or: Stu's Font Diner)
Stuart Sandler (Minneapolis) runs six foundries: Font Diner (est. 1996), Sideshow, Breaking The Norm, the Tart Workshop, Font Bros (est. 2006), and Filmotype (est. 2006). He runs a handful of other companies and web shops as well, including Mister Retro (est. 2004). He is passionate about retro type. DaFont link for their free fonts. Fontspace link. Interview.
Free fonts: Rickles (2007, script), AirConditioner (2002, fifties style upright script), BahamaSlim (2004), BlackNight (2002, blackletter), BlackWidow, BubbleMan, ChannelTuning, Corrupter, CreakyFrank, DecayingKuntry, FeaturedItem, FontOnAGrain, FontOnAStick, Fontdinerdotcom, FontdinerdotcomHuggable, FontdinerdotcomLoungy, FontdinerdotcomSparkly, Fontdinerdotcom Jazz Dark, Fontdinerdotcom Jazz Light, Hothead, KeeponTruckinFW, Leftovers (2002), MaverickBE (stencil face), Musicals, PickAx, Rickles (2009; upright script), RocketScript (2002, retro script), Schnookums, SinsofRhonda, Spacearella (2002), StencilGothicBE, ThatsSuper, Turnpike (2009), Witless, XerkerFW.
Commercial fonts: Continental Railway (1998, retro connected script), Anastasia, Chatty Cocktails (1998, art deco), El Nino, Guest Check, Hamburger Sandwitch (1998), Jumping Bean (1998, comic book style), Lionel Classic (1998, an art deco all caps face), Milwaukee, Motor Oil, and the greatest of them all, Coffee Shop (1998, exaggerated ascenders), a must! Other typefaces: Permanent Waves (1998, + Expanded: retro connected script), Yarn Sale (curlies), Fat Sam (not bad!), Etiquette, Taylors (1998, another great display font; codesigned with Dan Taylor), Kentucky Fried (1998, comic book / signage style), Beer Wip, Seuss, Jack Bisio and FinerDiner, Shivering, Dry Cleaners (2002), Singlesville Script (2002), Dripping Blood, Bowlorama, Action Is, Automatic, Chicken King (2002), CocktailShaker (2002, at Chank), Concurso Italian and Concurso Moderne (2003), DoggieBagScript, Johnny Lunchpail (2000, comic book style), Kitchenette (connected retro script), Lil Tipsy (2003), Milwaukee Neon (1998), Milwaukee Neon Shadow (1998), Motorcar Atlas (2000), Regulator, Stovetop (2002), Swinger (2002), WARNING (2002, rough stencil), BEBlob, BECROSS, DecayingAlternate, Decaying, EvilBrew, TheBlob, Insane Asylum, Creepy Crawly, Crossover, Fire Baaaad!, Rotten Teeth, Candy Good, EvilOfFrankenstein, HMan, HManPt2, PlasmaRain, Chicken Basket (2004), Chowderhead (2004), Cocktail Script (2004, upright), Country Store (2004, Western style), Dairyland (2004), Emblem Chief (2004, fifties diner script), Motel King (2004), Queen Rosie (2004), Sweet Rosie (2004, blackboard bold), Secret Recipe (2004), Square Meal (+Hearty) (2004), Bahama Slim (2004), Space Immortalizer, Matchbook and BE Streetwalker. Many font have a cool retro/fifties look. The InFlight Meal font set (2001) includes Al's Motor Inn, American Highway, Kiddie Cocktails, Lionel Text, Mosquito Fiesta, New York to Las Vegas, Pink Flamingo, Refreshment Stand, Starlight Hotel, Volcano King. The LasVegas font set: El Ranchero (2002), Hamburger Menu, Hamburger Menu Marquee, Holiday Ranch, International Palms, Lamplighter Marquee, Lamplighter Script, Las Vegas to Rome (stone chisel face), Leisure Script, Leisure Script Marquee, Mirage Bazaar (2002), Mirage Zanzibar (Arabic theme face), Mister Television, StarburstLanes, Starburst Lanes Twinkle, Vegas Caravan. At ITC, he published ITC Kiddie Cocktail (2003), ITC Mosquito Fiesta (2003), ITC Volcano King (2003).
In 2006, Font Diner acquired the Filmotype collection and its trademark, Filmotype. Sandler writes: Filmotype initially manufactured a simple manual phototype machine utilizing display typeface designs on 2-inch filmstrips. Additional films were sold to start-up typesetting companies in order to increase their product selection. Font Diner will create new digital versions of the Filmotype collection, recreating it to meet todays graphic design standards. [...] We intend to release the Filmotype library in OpenType format so the original designs can be fully realized with a dynamic feature set including alternate glyph forms and automatic substitutive ligatures.
In 2007, Font Diner started publishing digitizations of the collection: Glenlake (condensed Bank Gothic, by Mark Simonson), MacBeth (script), Alice (casual script), Zanzibar (calligraphic), La Salle (brush writing originally by Ray Baker in the 1950s, named after Chicago's LaSalle Street), Ginger (Mark Simonson; masculine headline face genetically linked to Futura), Austin (paintbrush), Brooklyn (handprinted), Honey (handlettered script), Jessy (handwriting), Modern, Vanity, Filmotype Ford.
In 2010, Stuart Sandler published a book entitled Filmotype by the Letter, in which he details the company's history.
Free fonts on the Google Directory, dated 2010: Fontdiner, Swanky, Cherry Cream Soda, Permanent Marker, Homemade Apple, Schoolbell.
In 2012, David Cohen and Stuart Sandler published these faces at Neapolitan: Irish Grover Pro (2010, a bouncy face), Satisfy Pro (2011, a connected retro script face), and Slackey Pro (2010, a paper cut out style face). At the same place, he also published Crafty Girls Pro (2010, codesigned with Crystal Kluge). With Crystal Kluge, he also codesigned the flowing connected script typeface Aya Script (2012).
Jolly Lodger (2012, Google Web Fonts) is an informal retro script.
Andy Benedek's (b. Manchester, UK, 1945) Cotswolds-based outfit for "custom fonts and lettering of distinction", founded by him in 1988. Andy (András) made corporate faces for Umbro, QZERO, Bowater, Lloyds Bank, Royal Free Hospital, Liptons teas, Gordons gin, Marlboro cigarettes, as well as faces for magazines (Royal Academy of Arts, Elle, Blueprint) and for newspapers (The Scotsman). All this was done under the label of The Font Factory. With Michael Johnson and Mike Pratley, he created a font for BT Cellnet. A braille typeface has been developed to aid the production of signage for the blind. In 2001, he co-founded Fine Fonts with Michael Harvey. CV. Typefaces:
Free fonts include Cactus Sandwich (Mexican simulation face), RoadSign, Timepiece, Timepiece 3D, Magic School One and Two (2004, two Harry Potter typefaces), Wild Ride, Tax Cut, Corleone (2001: see also here), Corleone Due (2001), MightyRapids (2001). Also free is the Ferrari logo font FerroRosso (2002).
Michael Hagemann's commercial fonts by year of production:
Font Studio Four
Paul Bokslag is a Kilkenny, Ireland-based type designer.
In 2011, he created Things That Go (car silhouette dingbat face).
Faces from 2012: Crazy Fredericka (poster stencil face), Twisty, Remix Chinese Whispers, Toastbread (wavy, 3d) and Plywood (3d), Field Day (blackboard bold), Transfer Window (bilined), Walk in the woods (dot matrix face), Rock Paper Scissors (bilined), One Way Ticket (bilined), White Knight (outlined blackletter), Black Knight (blackletter), Shelf Life (stylish), Oystercatcher, Broken Promises (multiline typeface), Tarmac, Hibernation (German expressionist face), Glendalough (nibbed face), Tartan Permutations (multiline face), Return Flight, Orbital Flight, Quatermaster, Featherstone, Gorilla Republic, Granny's Bear Hunt (stencil), Detour Ahead (multiline face), Shanghai Express (angular), Cassiopeia, Camelopardalis.
Creations in 2013: Lupo, Skate Park (multiline face), Circumscript, Blinker, Bobs Your Uncle, Snowcat (inline face), Cottage Industry (house silhouettes), Causeway, Springville, Longitude, Pebble Dash, Tulipano, Hitchhiker, Stretcher, Whalewatcher, Solituda, Carbonium, Railway Sleeper (shadowed face), Bricklayer Sans, Candyfloss, Milvi, Bluebell Carpet, Pinball Dingo, Spinfish (blackboard bold), Pelicano (piano key typeface), Metropolaris.
Lin Daniel's huge free font page with useful samples of all faces, nicely organized. A must! Specializing also in blackletter fonts, typewriter, holiday, and handwriting fonts. Helped and supported by P.J. Evans. [Google] [More] ⦿
FONTana is a font design studio in Szeged, Hungary, started in 1999. Free and commercial typefaces (39USD/piece) by Gabor Kóthay (La Danse, Luxury, Sehrgut (Fraktur), Faximile (1999), L&R (1999), Monsoon (1999)), and Amondó Szegi (Telegdi family, which is based on the worn typefaces used by Abbot Nicolaus Telegdi at the Vienna Jesuit press in the 16th Century; Velorex (1999)). Very beautiful web page, and fantastic fonts in all respects!
Early commercial fonts: Woodini (caps), Sleeping Beauty (caps), Zimbalo (1999, Amondó Szegi), Pacalsone (1999, Amondó Szegi), Paradox (1999, Amondó Szegi), Construct (2001, Amondó Szegi), Binario (2000, Amondó Szegi), Bikewrench (2001, Amondó Szegi), Cabin (2001, Gábor Kóthay).
At T-26, in 2001, Amondó Szegi published the commercial faces MuseFace (art nouveau), Glosso (2003), Xodus-History (2001), Kozma-Ornaments, Xodus-Forgotten (2001), Xodus-Regular (2001), Xodus-Italic (2001), all showing old Slavonic influences in Latin letters. In 2000, he made Alian Ornaments (floral ornaments) for T-26.
At T-26, Gábor Kóthay published Adagietto (2000), Minerva (2000), Archetype (2000). At PsyOps, Gábor Kóthay published the formal script Anglia (2001), Berill (2001), and Plexo (2001).
Amondó Szegi's faces at T-26: Nexodus (2008, medieval style), Zenthes (2008), Alien Ornaments, Glosso, Iskola (a medieval face done with Silas Dilworth), Kozma (great ornaments), Melico, Melico Ornaments (2004, another great set), Xodus.
At The Type Trust, he created the playful Gepetto (2006).
Among their custom corporate identity jobs, the Losonczi Hair Salon work (2012) is quite outstanding.
Dubstep (2012) is an experimental trinagulat grid-based typeface.
In 2013, Glosso Novum (2013, Fontana Type Foundry), a remastering of Glosso (2003), was published.
At Fontgrube AH, Andreas Höfeld, a protestant pastor from Erbach/Odenwald, designed these typefaces:
Michel Bujardet (a Frenchman living in West Hollywood, CA) runs Matchfonts, and started Fontmenu.com in August 2001. Commercial fonts, and free demos in all formats.
A partial list of fonts:
Gábor Kóthay (Fontmunkások) is a Hungarian type designer (b. 1962) who lives in Szeged. Gábor Kóthay's fonts include:
A truetype font with the Nazi Swastika in various sizes, and some Fraktur numerals, called "Fahne der Alten Garde der NSDAP", was made in 1999 by Otto Fritzhammer. I am sure that both "Fonto Machina" and "Otto Fritzhammer" do not exist, but I am just reporting what I found in the text area of the font. [Google] [More] ⦿
Fontry West is located in Tulsa, OK. At MyFonts, these Fontry West fonts can be bought: Iron, Toxcons (2008, skulls), WILD1 Firstvision, WILD1 Larra, WILD1 Nobody, WILD1 Ruts, WILD1 Toxia, WILD2 Ghixm, WILD2 Keetoowah (2008). Its type designer is James L. Stirling, who cofounded the Watts, Oklahoma-based design and lettering studio The Fontry in 1992 with Michael Gene Adkins. Born in 1964 in Oklahoma, Stirling codesigned WILD1 Firstvision (1997, techno) and Ironrider and Ironhorse (2008, blackletter faces based on wood types) with Adkins. In 2000, he co-designed the fonts Modern Poster and Modern Roman, based on the lettering of Alf R. Becker, a sign painter from 1932 to 1957. These fonts were published by Agfa-Monotype. Later fonts there include Steel Narrow, Steel Moderne, Chicago Modern. At The Fontry in the early 1990s, he made Klash (comic books style), Peppermint and Peppermint Openface (Southwest influences), Marbles&Strings, and Keetowah. He also made some Greek fonts at The Fontry.
In 2009, James Stirling started a serious digitization program of the art deco fonts of Alf R. Becker (based mostly on his Signs of the Times series), and made ARB 70 Modern Poster, ARB 93 Steel Moderne, ARB 44 Chicago Modern, ARB08ExtremeRomanAUG-32CASNormal (2009; the original is from 1932), and ARB 67 Modern Roman.
The grunge face JLS OverKill Grunge (2009) is free. JLS Smiles (2010) is a family of typefaces consisting of smilies / emoticons. FHA Modernized Ideal Classic (2011, with Michael Gene Adkins) is based on a demonstraton alphabet from Frank H. Atkinson's Atkinson Sign Painting (1908). Typefaces from 2012 include FHA Condensed French (with Michael Gene Adkins), JLS Space X1C (LED style), JLS Space X2C, JLS Space Gothic, JLS Data Gothic.
Fonts For Flash
Toronto-based "Fonts For Flash" (est. April 2002, run by Walter Apai) offers low cost pixel fonts and allows type designers to sell their fonts through the site. Randy caldwell is the name mentioned by dafont.
Free crippled demos: FFF Freedom, FFF Reaction, FFF Compact, FFF Agent, FFF Extras. MyFonts site. See also here. In 2003, Fonts For Flash and TRUTH in Design developed the notion of Superpixel fonts, which are pixel fonts with quarter pixels added to certain blank pixels so that the results show well in Flash. An example is Halogen (2003).
Dafont has some free fonts, and mentions the name Randy Caldwell.
The list of fonts: Abstract, FFFAccess, FFFAccessExtended, FFFAgentCondensed, FFFAgentTrial, FFFAlaska, FFFAlaskaCondensed, FFFAlaskaCondensed, FFFAlaskaCondensed, FFFAntigua, FFFAntiguaBold, FFFAntiguaBoldExtended, FFFAntiguaExtended, FFFAquarius, FFFAquariusBold, FFFAquariusBoldCondensed, FFFAquariusCondensed, FFFAtlantis, FFFAtlantis, FFFAtlantis, FFFAtlantisBold, FFFAtlantisBoldCondensed, FFFAtlantisCondensed, FFFAtlantisTrial, FFFAtlantisTrial, FFFAvantiBoldCondensed, FFFBusiness, FFFBusinessBold, FFFBusinessBoldExtended, FFFBusinessExtended, FFFBytecode, FFFBytecodeExtended, FFFCalypso, FFFCalypsoExtended, FFFCompact, FFFCorporate, FFFCorporateBold, FFFCorporateBoldExtended, FFFCorporateExtended, FFFCorporateRounded, FFFCorporateRoundedBold, FFFCorporateRoundedBoldExtended, FFFCorporateRoundedExtended, FFFCosmos, FFFCosmosCondensed, FFFDaylight, FFFDaylightBold, FFFDaylightBoldExtended, FFFDaylightExtended, FFFDirect, FFFDirectCondensed, FFFDiscotheque, FFFDreamer, FFFDreamerBold, FFFDreamerBoldExtended, FFFDreamerExtended, FFFEnchanted, FFFEnterprise, FFFEnterpriseBold, FFFEnterpriseBoldExtended, FFFEnterpriseExtended, FFFEstudioExtended, FFFExecutive, FFFExecutiveBold, FFFExecutiveBoldExtended, FFFExecutiveExtended, FFFExecutiveTrial, FFFExpresso, FFFExpressoBold, FFFExpressoBoldExtended, FFFExpressoExtended, FFFExtras, FFFExtras2, FFFFamily, FFFFamilyExtended, FFFForward, FFFFreedom, FFFFreedomTrial, FFFFuego, FFFFuegoBold, FFFFuegoBoldExtended, FFFFuegoExtended, FFFGalaxy, FFFGalaxy, FFFGalaxyBold, FFFGalaxyBoldExtended, FFFGalaxyExtended, FFFGalaxyExtended, FFFGalaxyExtraBold, FFFGalaxyExtraBoldExtended, FFFGames, FFFGamesBold, FFFGamesBoldExtended, FFFGamesExtended, FFFGamesThin, FFFGamesThinBold, FFFGamesThinBoldExtended, FFFGamesThinExtended, FFFGardencity, FFFGardencityBold, FFFGardencityBoldExtended, FFFGardencityExtended, FFFGlorious, FFFGloriousBold, FFFGloriousBoldExtended, FFFGloriousExtended, FFFHarmony, FFFHarmony, FFFHarmony, FFFIdea, FFFIdeaCondensed, FFFIntelligent, FFFIntelligentCondensed, FFFIntelligentThin, FFFIntelligentThinCondensed, FFFInterface01, FFFInterface01b, FFFInterface02, FFFInterface02b, FFFInterface03, FFFInterface03b, FFFInterface04, FFFInterface04b, FFFInterface05, FFFInterface05b, FFFInterface06, FFFInterface06b, FFFInterface07, FFFInterface07b, FFFInterface08, FFFInterface08b, FFFLighthouse, FFFLighthouseExtended, FFFMagazine, FFFMagazineBold, FFFMagazineBoldExtended, FFFMagazineExtended, FFFMajestica, FFFMajesticaBold, FFFMajesticaBoldExtended, FFFMajesticaExtended, FFFManagerBold, FFFMetropolis, FFFMetropolisExtended, FFFMinitower, FFFMinitowerBold, FFFMinitowerBoldExtended, FFFMinitowerExtended, FFFMinute, FFFMinuteBold, FFFMinuteBoldExtended, FFFMinuteExtended, FFFModulas, FFFModulasBold, FFFModulasBoldExtended, FFFModulasExtended, FFFMono01, FFFMono01BoldExtended, FFFMono01Extended, FFFNadador, FFFNadadorBold, FFFNadadorBoldCondensed, FFFNadadorBoldTight, FFFNadadorCondensed, FFFNadadorTight, FFFNeostandard, FFFNeostandardBold, FFFNeostandardBoldExtended, FFFNeostandardExtended, FFFNeostandardTrial, FFFPhantom01, FFFPhantom01, FFFPhantom02, FFFPlaneta, FFFPlanetaBold, FFFPlanetaBoldExtended, FFFPlanetaExtended, FFFProfessional, FFFProfessional, FFFProfessional, FFFProfessionalBold, FFFProfessionalBold, FFFProfessionalBoldExtended, FFFProfessionalBoldExtended, FFFProfessionalExtended, FFFProtege, FFFProtegeBold, FFFProtegeBoldExtended, FFFProtegeExtended, FFFReaction, FFFReactionBold, FFFReactionBoldCondensed, FFFReactionBoldExtended, FFFReactionCondensed, FFFReactionCondensed, FFFReactionCondensed, FFFReactionExtended, FFFReactionTrial, FFFRegates, FFFRegatesBold, FFFRegatesBoldCondensed, FFFRegatesCondensed, FFFRegency, FFFRegencyBold, FFFRegencyBoldExtended, FFFRegencyExtended, FFFResolution, FFFResolutionCondensed, FFFSailor, FFFSailor, FFFSilver, FFFSilverExtended, FFFSimplicity, FFFSimplicityExtended, FFFSpacedust, FFFStar, FFFStar, FFFStar, FFFStarBold, FFFStarBoldCondensed, FFFStarCondensed, FFFStrawberry, FFFTimeline01, FFFTimeline02, FFFTraditional, FFFTraditionalExtended, FFFUrban, FFFUrbanBold, FFFUrbanBoldExtended, FFFUrbanExtended, FFFViewpoint, FFFViewpointBold, FFFViewpointBoldExtended, FFFViewpointExtended, FFFZerofactor, FFFZerofactorBold, FFFZerofactorBoldExtended, FFFZerofactorExtended, Lemoine, LemoineExtended, Orgill, OutlinePixel, OutlinePixelExtended, Pixpat10, Pixpat20, RaxelGreek, RaxelGreekBoldBold.
Fontscape shows many font examples in each of these blackletter categories:
Grzegorz Klimczewski, who runs Fonty PL, a commercial Polish foundry etablished in 1994 in Wroclaw, is the Polish designer of a commercial font that mimics the letters found on Polish traffic signs, called Tablica drogowa (free). He also made the commercial faces Tablica Samochodowa (2002: Polish license plate font), Naomi Sans (2004-2011), Rashel Serif (2012), Grawer (monoline with many hairline weights called SL Gingko, SL Helena, SL Switzer and SL Watch), Pismo Szkolne (upright script), OCR-A, OCR-B, eTerminal, and the monospaced/typewriter family EFN AgeMono (10 styles). Pixel fonts by him include include EFN Cena, EFN Elegants, EFN Screen Banners, EFN Impressive, EFN Machines.
His Multifonty package contains these Cyrillic typefaces: Ailanthus, Eliza, Eukalyptus, Bravus, Bureau, Classic, Fagus (Victorian), Gilead, Gilead Condensed, Gingko Biloba, Flores, Olivea, Ritmo, Switzer, Switzer Condensed, Orient, tamar Alba, Tamar Nigra, Switzer Beveled.
His Eurofonty package has Aerton (+Shaded, +Caps), Alphabet (blackletter), AlphaBook, Absolut, Bravus, Abigail, Ailanthus, Edelmann (art nouveau), Dorothy (various brush faces), Cornelius (grunge), Bureau, Credo Chalk, Eunice, EuroGaramond, Gilead, German, Gutenberg, Gaya, Gingko Biloba, Koenig, McGregor (art nouveau), Goldy, Greenfield, Grand Antique, Irbis, Morus, Olivea, Penny Lane (script), Straight, Platea, Pinus, Symeon Old, Random, Schrift, Orient, Switzer (+Condensed, +Round, +Scribbled), Watch, Watch The Line, Tabasco, Techniczne, Rutica, Troya, Flowers, Jasmin, Handy, Fagus, Black Puzzle, Binokle, Breeze, Decorator, Kredki, Daglesia (blackletter), Tablica (chalk font), Detlef, Blackout, Ketling, Etiopia, Eukalyptus, Xtras (fleurons), Rubber, Garage, Machine One (old typewriter face), Wymalowany (brush).
Under the cover of Type Lovers and/or Fontyou in Paris, Gia Tran created the medieval typeface Court Hand (2012) and the blackletter typeface Gothic Fraktur (2012). He also did some great calligraphic pieces.
In 2013, together with Gregori Vincens, Alisa Nowak, Valentine Proust, and Elvire Volk at FontYou, Gia Tran created the monoline geometric sans typeface Younion FY.
Formlos (was: Folio)
Formlos is an independent design bureau, brand consultancy and type foundry, founded in 1999 and originally located in Hellmonsoedt/Vienna, Austria. It seems to be in Berlin right now.
David Hubner (b. 1981, Wels, Austria) is the Austrian designer (based in Hellmonsoedt and Malta) of
Lukas Kerecz created Monocrane (2013) while studying in Berlin.
Link to his studio Dav Marken Design. Alternate URL (2003), where you can find his custom typography. Still another URL, called Folio (2003), where you can find his custom typography. Another URL, where Ventisei can be downloaded. Dafont link. Behance link. [Google] [More] ⦿
German designer in Mönchen-Gladbach of the text family Ginkgo (2008, Linotype), which won an award at TDC2 2009. Typophile discussion of Ginkgo, a face in the spirit of the brushy sturdy Dutch types like Dolly.
Main dates in the history of Fraktur.
Wonderful new foundry run by Friedemann, Volker and Markwart Lindenthal, and specializing in redigitizations of Fraktur fonts. Fonts: Gilgengart (Hermann Zapf, 1938), Gutenberg-Bibelschrift, Jaguar, Legende, Mainzer Fraktur (Carl Albert Fahrenwaldt, 1901), Post Fraktur (Herbert Post, 1933-1935), Rhapsodie (Ilse Schüle at Ludwig&Mayer, 1949-1951), Thannhaeuser Fraktur (Mager, magere Zierversalien, Schmalfett and Halbfett) (Herbert Thannhaeuser, 1937-1938), Wallau (Rudolf Koch, 1926-1934), Weber Mainzer, Weiss Rundgotisch (Emil Rudolf Weiß, 1937), Wilhelm Klingspor Schrift (Rudolf Koch, 1926), Zentenar Fraktur (Friedrich Hermann Ernst Schneidler, 1937-1938). There were plans to digitize Werbedeutsch and HermannGotik.
This explains the mostly handwritten Fraktur documents and folk art practiced by Pennsylvania Germans principally from the mid-eighteenth to the mid-nineteenth centuries. By Joel Clemmer in St. Paul, MN. [Google] [More] ⦿
Spanish lettering master in the 16th century who wrote Arte de Escrevir (1571 [Paulo Heitlinger says that this is 1580, while others mention 1577]), in which he introduced the so-called Spanish Bastarda. Digitizations of his Griffo-style lettering in 1577 include:
Designer at the Benjamin Krebs foundry who made Epoche (1912---well, I think this was by Eduard Lautenbach), Merian Fraktur (1910), Phänomen (1927, a heavy informal script), Ideal Schreibschrift (1927, a condensed formal script; this was later passed to Stempel), Riedingerschrift (1903: for a digital version, see Ridinger Std (2012, Ralph Unger)), Riedinger Mediäval (1929), Rohrfeder Fraktur (1909), Rediviva (1905, blackletter), Altschwabacher Werkschrift (1918; followed by Altschwabacher mager in 1923 and Altschwabacher schmalfett in 1922; also, Altschwabacher Werkschrift Angangsbuchstaben). Reichardt also credits him with Rediviva (1905; halbfett 1906, schmalfett 1907), Riedinger Kursiv (1929), Riedinger Mediäval halbfett (1929), and Brentano Fraktur schmalfett (1917). [Google] [More] ⦿
German designer of GP.F La Muerte (2005, with Ollie Peters), GP.F Bitur 1.0 (2005, bitmap fraktur font), GP.F Mudam (2005, with Ollie Peters) and Jado (2005, FF DIN modified for Jadolabs GmbH). GP.F Bitur 1.0 is on the CD that comes with Fraktur Mon Amour (Hermann Schmidt Verlag, 2006). MyFonts link. Creator of Deja Rip and Deja Web (2010, with Elena Albertoni; Cyrillic included), a family of eight sans typefaces sold via Anatoletype. [Google] [MyFonts] [More] ⦿
FontStructor who uses the alias Star Script Writer. His Fontstructions (from 2010) include Written Thorns (blackletter), HighLight v2, HighLight v1, Childish Handwriting, Small But Strong, FatThinCo (really fat, but gorgeous), 4x4 NonComposed, Bubbly West, Bad Printer, SmallScreenText and FunOne. [Google] [More] ⦿
FontStructor who uses the alias Star Script Writer. His Fontstructions include Written Thorns (blackletter), HighLight v2, HighLight v1, Childish Handwriting, Small But Strong, SmallScreenText and FunOne. [Google] [More] ⦿
Spanish language site for various non-Latin language fonts. A sampling: Afus Deg Wfus 2 (for Berber), AlKatib1 (2001, an Arabic face by Naseem Amjad), Albanian, Alice_0 (Lao face by by Ngakham Southichack), LAOMAY_5 CHAREUNSILP (Lao face by by Soupasith Bouahom), Arial AMU (1999, Armenian face by Ruben Tarumian), BaltFrutigerLight, BaltHelveticaMedium, BaltNewCenturySchoolbookMedium, BaltOptimaMedium, BaltTiffanyMedium, BaltUniversityMedium, CarloAtor (1997, Arabic family by Timm Erickson, Summer Institute of Linguistics), Caligraf-W, Ciula (1996, a Romanian face by Paul Hodor), Cursiv (Romanian), AnlongvillKhek, GabrialAtor (another Arab family by Timm Erickson), Gin, Greek (1993, by Peter J. Gentry&Andrew M. Fountain), HandSign (1993, Sam Wang), HFMassisShantNUnicode (1990-1994, an Armenian unicode face by BYTEC Computers and Massis Graphics), HONGKAD (1994, a family by Dr. Hongkad Souvannavong), IsmarBold, IsmarLight, Lakshmi, X000000A (1994, a lao face by Sith Bouahom), LAOMAY_2-CHAREUNSILP, Alice3Medium, Alice0Medium, Langagedessignes (1998, by Philippe and François Blondel), NorKirk (1997, a great Armenian face by Ruben Tarumian), NovaTempo (for Esperanto), Pazmaveb (for Armenian), ILPRumanianB100 (1996, by Charles J. Coker), Saysettha-Lao, Saysettha-LaoBold, SenzorgaAnhok, Timok, Tribuno, Turn-W, TimesUnicode, ArialAMU, PoliceTypeAPI (for Armenian), Cieszyn-Regular, PoojaNormal, Shibolet (1995, Hebrew), Shree-Ass-0552 (2000, by Modular InfoTech), Tudor-Semi-Lite, Webdunia, TimesNRCzech, TNRLiboriusVII (2001, a fully accented Times face by Libor Sztemon), GreatMoravia (2001 Libor Sztemon, Czechia), Johaansi-ye-Peyravi (2001, a full accent blackletter face by Libor Sztemon, Czechia), TimesNREuskaraEuransiEsperanto (2001, Libor Sztemon). [Google] [More] ⦿
Author, artist, photographer and wood engraver, b. Sandhurst, 1814, d. London, 1862. He published The Book of Ornamental Alphabets, Ancient and Mediaeval (1879, Crosby Lockwood and Co., London), which has plenty of 8th to 11th century alphabets and initials. See also here, here, and here. Another book is Examples of Modern Alphabets, Ornamental and Plain (1864, C. Lockwood and Co, London), which was scanned in and can now be downloaded for free. Further texts: The book of ornamental alphabets, ancient and modern, from the eighth to the nineteenth century, with numerals (1859, E. and F.N. Spon), Medieval alphabets and intials for illuminators (1861, E. and F.N. Spon), and A primer of the art of illumination for the use of beginners (1860, E. and F.N. Spon). Most of his lettering is typical of the Victorian tradition that adds ornament to simple silhouettes. Example: 16th century wood engaving. An Italian alphabet (1864).
Digital typefaces based on his work include Museum Initials (2007, John B. Wundes), Bad Situation (Intellecta Design, 2007: based on an 1864 design called Example Alphabet). [Google] [MyFonts] [More] ⦿
German type designer (b. Dorste, 1863, d. Schönberg, 1943). In 1882, he becomes the type director at the foundry of Schelter&Giesecke in Leipzig, until 1890, and again from 1896-1898. From 1898 until 1911, he is the head of printing at Genzsch&Heyse, first in München and then in Hamburg. From 1911-1924, he taught at the Staatlichen Gewerbeschule Hamburg. At Genzsch&Heyse, he designed Albingia (1906), Bürgerschafts Fraktur (1907; Schnelle claims 1913), Genzsch Antiqua (1906), Genzsch Kursiv (1906), Genzsch Antiqua halbfett (1908), Genzsch Kursiv halbfett (1908), Genzsch Antiqua fett (1910), Genzsch Antiqua schmallfett (1910), Genzsch Fraktur (1931), Genzsch Fraktur halbfett (1932), Heyse Antiqua (1921), Heyse Antiqua halbfett (1924), Heyse Kursiv (1921), Senats Fraktur (1907), Senats Fraktur halbfett (1908), Germanische Antiqua (1911), Germanische Antiqua halbfett (1912), Germanische Kursiv (1911), Hamburger Druckschrift (1904; halbfett and fett in 1908). The first appearance of Nordisk Antiqua (or Genzsch-Antiqua) was in 1906 with a single weight under the name of "Nordisk Antiqua". In 1912 a family of seven weights was announced under the name "Genzsch-Antiqua" honoring the foundry in Hamburg where Bauer had been the manager of composing and printing since 1900. As the foundry Genzsch&Heyse had a lot of customers in Scandinavia, their Nordisk Antiqua became widely spread over the north of Europe. Gerhard Helzel has a digital revival of the Genzsch Antiqua family, in mager, halbfett and kursiv. all his other faces appeared at J.D. Trennert&Sohn: Fortuna (1930), Friedrich-Bauer-Grotesk (1933), Friedrich-Bauer-Grot. kräftig (1934), Friedrich-Bauer-Grot. halbfett (1934), Friedrich-Bauer-Grotesk fett (1934), F.-Bauer-Grot. schmalhalbfett (1934), Friedrich-Bauer-Grotesk licht (1934), Trennert Antiqua (1926), Trennert Kursiv (1927), Trennert Antiqua halbfett (1927), Trennert Antiqua fett (1929), Trennert Kursiv fett (1930), Trennert Antiqua schmalhalbfett (1929), Trennert Latein (1932).
Author of Chrobik der Schriftgiessereien in Dutschland und den deutschsparchigen Nachbarländen (1928, Offenbach am Main). A PDF file exists that was made and expanded by Hans Reichardt in 2011.
Type designer and calligrapher (b. Passau, 1901, d. 1980, Traunstein) who made Gotenburg (1935-1937, D. Stempel) [with Zierversalien, 1936]. This was digitized in 2001 by Delbanco as DS-Gotenburg. GotenburgA and GotenburgB were revived by Dieter Steffmann in 2002. Heinrichsen was associated with the Werkstattgemeinschaft Rudolf Koch. Other faces: Heinrichsen-Kanzlei (1933, Trennert), a gorgeous tall-ascendered blackletter face. His calligraphic work was also outstanding, and includes Initialen, a proposal for Lichte Schwabacher (never actually cut), and numerous handwriting and calligraphic keepsakes. In 1986, Wolfgang Hendlmeier wrote a brief biography. Picture. [Google] [More] ⦿
Type designer, teacher, publisher and calligrapher, b. Berlin (1882), d. Gundelfingen (1956). He worked initially with J.G. Schelter&Giesecke in Leipzig and C.E. Weber in Stuttgart. In the 1930s, he published his type designs with Bauer. From 1920-1948, he was head of the graphics division of the Akademie der bildenden Künste Stuttgart. His oeuvre resides now in the Klingspor Museum in Offenbach. He is famous for his Zentenar Fraktur, Schneidler Mediaeval and Legende. In general, due to his calligraphic tendencies, his types have great rhythm. In his era, he was at the top of his craft (in my view). A list and samples of his work. His faces, by foundry:
For Schneidler, the best source is the book by Max Caflisch, Albert Kapr, Antonia Weiss, and Hans Peter Willberg entitled F.H. Ernst Schneidler Schriftentwerfer Lehrer Kalligraph SchumacherGebler, München, 2002.
German scribe and calligrapher (b. Soborten, Czechoslovakia, 1923, d. Wiesbaden, 1982), and designer of several text families, such as Poppl-Fraktur (1986), Poppl-Antiqua, Poppl-College (1981), Poppl-Exquisit (1970), Poppl-Nero (1982, his last face), Poppl-Laudatio (1982), Poppl-Pontifex (1974), and Poppl-Residenz (1977, classic calligraphy). These typefaces can be bought at Berthold. His neo-gothic typeface Saladin was later digitized and expanded by Patrick Griffin as Lionheart (2006, Canada Type). Hip Hop NF (2007) is a bouncy retro face based on Friedrich Poppl's Dynamische Antiqua (1960, Stempel). Elfort (2009, Iza W, Intellecta Design) is a calligraphic revival of work by Poppl. Poppl Stretto (1969) was at the basis of a revival by Canada Type called Wonder Brush (2012, Kevin Allan King and Patrick Griffin).
Typefounder, b. 1834, Frankfurt am Main, d. 1923, Stuttgart. Designer of Bauersche Fraktur (1905, Bauersche Giesserei) and Gutenberg-Gotisch (1880, Bauersche Giesserei, with Gottfried Wilhelm Theodor Friebel). [Google] [More] ⦿
German type designer, 1878 (Achim)-1956 (Nürtingen). Studied in Berlin. Founder in 1900, with F.H. Ehmcke and Georg Belwe, of the Steglitzer Werkstatt, which he left in 1903. He taught at the Leipzig Academy of Graphic Design and Book Arts from 1903 until 1906. Thereafter he taught in Darmstadt and worked at private presses. From 1924-1931, he was advisor at D. Stempel AG, where he made, e.g., Gotische Antiqua (1914), Helga (1912, with round wide lower-case letters), Helga Antiqua (1913), Ingeborg Antiqua (1910), Omega (1926), Kleukens Scriptura (1926), Ratio Latein (1923), and Kleukens Fraktur (1910-1911) [sample scans: sample text, Zierbuchstaben, alphabet]. Still later, he made Trennert Fraktur (1931) at J.D.Trennert&Sohn. He also made Gutenberg-Fraktur.
Many of his faces were revived. Kleukens Antiqua (Bauersche Giesserei, 1910) was revived by Nick Curtis in 2007 as Kleukens Antiqua NF and by Christine Gertsch at KABK in 2012 as Kleukens Antiqua. Kleukens Scriptura was digitally revived as Kleukens Kursiv NF (2010, Nick Curtis). The Scangraphic collection has his Trieste (1910). Petra Heidorn and her group created a revival of Kleukens Fraktur. Canada Type (Kevin Allan King and Patrick Griffith) published Ratio Modern (2011), a spectacular revival of Kleukens' 1923 didone face. [Google] [MyFonts] [More] ⦿
Author of Das Buch des Setzers (1948), an overview of the hand composition typefaces available by German type foundries at the end of World War II:
Born in 1878 in Hohensalza, Ehmcke died in 1965 in Widdersberg. Graphic artist, book and type designer, and professor. From 1893-1897, he studied lithography in Berlin, and from 1899-1901 he studied at the Kunstgewerbemuseums Berlin. With Georg Belwe and Friedrich W. Kleukens, he founded the Steglitzer Werkstatt in 1900. He taught from 1903 at the Kunstgewerbeschule Düsseldorf, and from 1913-1938 at the Kunstgewerbeschule München . He ran the Rupprecht Presse in Munich from 1913-1934. Since 1941, he worked for the Bund für Deutsche Schrift, which is partially concerned with blackletter type. Finally, from 1946-1948, he was professor at the Hochschule der bildenden Künste München. He designed these typefaces:
Designer who used FontStruct in 2008 to create the bold octagonal faces Mars and Bubbles. He also made Coldletter (blackletter stencil), Influence Engraved, Influence Small Caps (rounded ultra-fat), Artemis, Skylined (dingbat), Cronus, Influence, Pixelated, Modern Serif, Haunt, and Aqua (blocky). [Google] [More] ⦿
Stefan Lundhem started Fyrisfonts. He is the designer of Garajannon (Garamond family), Spartacus (a Roman, CODEX-like lettering font), Beckhem Gothic, Fournament, Primus, Fyris Fraction, Fyris Fraktur, Krabat, Heltime (mix of Times and Helvetica), Terminator, Bessie (2001, multiline art deco face modeled after Marcia Loeb's 1972 alphabet, Rainbow), Billie (2001, art deco titling, modeled after Marcia Loeb's 1972 alphabet, Zig Zag), Jämför abc, Miami Blues and Miami Vice (beautiful, now called Bessie and Billie, respectively). The pages in Swedish contain an in-depth study of Jenson and Adobe Jenson MM, Caslon, Cloister Old Style, Fraktur, Garamond, Minion MM, MultipleMaster fonts, Myriad MM, OpenType, Poynter, RailwayType, Newspaper type, Web fonts, Web typography, and screen typography. [Google] [More] ⦿
Gabriel Martinez Meave
GalloFonts (was: Graphics by Gallo)
GalloFonts is part of Graphics by Gallo, founded in 1974 by Gerald Gallo (b. Lucernemines, PA, 1941), and based in Bethesda, MD. GalloFonts sells all of its 80 fonts to you for 200USD via MyFonts (see also here). The fonts: Display University (2005, athletic lettering), Angulatte Light, Angulatte Medium, Angulatte Bold, Anniversary Seals (2003), Basic Bullets, Blooming Ornaments (2008), Brashee Regular, Brashee Bold, Calendar Font One, Calendar Font Two, Calendar Font Three, Carved Initials, Chiseled Initials, Cleancut, Dexterous (2010, art nouveau), Diamond Monogram - 2 Characters, Diamond Monogram - 3 Characters, Display Black Serif (2010, angular), Display Dots Five (2010), Display Dots Six (2010), Display Grungy (2010), Display Robust (2010), Dooddle, Embossed Shallow, Embossed Medium, Embossed Deep, GG Casual Light (2002, was Gallo Casula: hand printing family), GG Casual Medium, GG Casual Bold, GG Dingbats (was Gallo Dingbats, like Zapf Dingbats), GG Serif (1993, was Gallo Serif), Geometric Arrows, Geometric Ornaments, Gnarlee, Greetings, Home Sweet Home, Isometric Initial Caps - Bird's Eye View (1994), Isometric Initial Caps - Worm's Eye View, Isometric Ornaments, Jackolantern Assortment (2002) Just Bugs, Kruede Light, Kruede Regular (handwriting), Kruede Bold, Leaf Assortment (1994), Leaves Falling, Logotype, Magnificent Ornaments (2006, Victorian era decorations), Make Tracks (2002, animal footprints), Number Ornaments, Numbers 0-99 Style One - Circle Negative, Numbers 0-99 Style One - Circle Positive, Numbers 0-99 Style One - Diamond Negative, Numbers 0-99 Style One - Diamond Positive, Numbers 0-99 Style One - Square Negative, Numbers 0-99 Style One - Square Positive, Numbers 0-99 Style Two - Circle Negative, Numbers 0-99 Style Two - Circle Positive, Numbers 0-99 Style Two - Diamond Negative, Numbers 0-99 Style Two - Diamond Positive, Numbers 0-99 Style Two - Square Negative, Numbers 0-99 Style Two - Square Positive, Numbers 0-99 Style Three - Circle Negative, Numbers 0-99 Style Three - Circle Positive, Numbers 0-99 Style Three - Diamond Negative, Numbers 0-99 Style Three - Diamond Positive, Numbers 0-99 Style Three - Square Negative, Numbers 0-99 Style Three - Square Positive, Ornate Initials - Style One (2002), Ornate Initials - Style Two, Ornate Initials - Style Three, Pleasant Hand Light (2002) Pleasant Hand Medium, Pleasant Hand Bold, Precision, Rolling Ball Cursive, Serene (1993), Slender, Smiling Faces, Snowflake Assortment (1994), Snowflakes Falling (2001), Sport Numbers, Star Assortment (2002), Stature (2010, compressed sans), Swiss Folk Ornaments - Critters&Things, Swiss Folk Ornaments - Floral, Swiss Folk Ornaments - Geometric, Time Clocks, Woozee, Display Prominent (2005), Ultimate Ornaments (2005), Cross Ornaments (2005), Heraldic Creatures (2006), Victorian Leaf Ornaments (2006: great!), Quilt Patterns One (2007), Holy Ornaments (2007), Oriental Ornaments (2007), Gothic Initials One through Six (2007-2008), Interlaced Ornaments (2007), Modest Ornaments (2008), Art Nouveau Flowers (2008), Art Nouveau Ornaments (2008), Quilt Patterns Two (2008), Display Gothic (2008, blackletter), Plant Assortment (2008), Birds Flying (2009), Happy Go Lucky (2009, Victorian), Fish Fresh (2009), Display Dots One (2009, dot matrix face), Display Art Two and Three (2009, art nouveau alphabets), Display Dots Two Serif and Sans (2009, dot matrix faces), Display Dots Three Serif and Sans (2009), Display Dots Four Serif and Sans (2009), Display Robust (2010), Quilt Patterns Three and Four (both 2009), Gothic Initials (Seven, Eight, Nine: 2009), Carefreed (2009, a Halloween script?), Glorita (2009, casual condensed sans), Fancy Flowers (2010), Rectilinear Ornaments (2010), Display Brutal (2010, grunge), Cross Stitch Graceful (2010), Cross Stitch Regal (2011), Cross Stitch Formal (2010), Cross Stitch Discreet (2010), Cross Stitch Classic (2010), Display Dots Seven (2011), Cross Stitch Majestic (2011), Cross Stitch Elaborate (2011), Cross Stitch Medieval (2011), Cross Stitch Ornaments (2013), Display Squares One and Two (2011, gridded or dot matrix faces), Display Digits One through Seven (2011), Display Crisp (2012, octagonal), Blue on Blue (2012, shadow face), Green on Green (2012, 3d shadow face), White on White (2012), Orange on Orange (2012, a 3d shadow face), Victorian Ornaments (2012), Printers Plant Ornaments (2012, a floral typeface), Simple Ornaments, Numbers Style Three Diamond Positiv Regular (2012), Charisma (2013, inspired by the hand lettering used by draftsmen and architects). [Google] [MyFonts] [More] ⦿
Ganlo R. Ithsm
Small Polish Gothic archive. Among the fonts, we find these Autodesk blackletter faces from 1996-1997: GothicE, GothicG, GothicI. Also included are Gotyk Poszarpany (2000, blackletter by flashfont), wnd these faces by Word of Fonts: wofAchancer (2000, blackletter) and wofAmpageBold (calligraphic, 2000). [Google] [More] ⦿
Bournemouth, UK-based graphic and type designer who made some bling type posters, and created a rounded blackletter alphabet and a heavy slab serif font, both nameless, and viewable at Behance. [Google] [More] ⦿
Gary David Bouton
Gate & Lock Co.
Proposed classification of blackletter faces. Main page, by Bernhard Schnelle. He has:
Prolific Australian type designer who has made over 300 free fonts to date. Creations: Bonk Fatty, Worstveld Sling (2003), Quastic Kaps (2003), Quadlateral (2003), Junge Burnout (2003), Choktoff (2003), Hall Fetica (2002), Lady Ice Extra (2002), Gizmo (2002), Arggh@$*# (2002), Republika Ego (a huge family made in 2002, as an extension of the large family Republika by Apostrophe), Zillah Modern Offset Outline (2002), Feldicouth (2002, medieval lettering), GM Exp (2002), Pecot, Pecot #2 and Pecot #3 (2002), Wazoo (2002), JamesEightEleven (2002), AnalSatisfaction (2002), GenericFont (2002), PanAm (2002), Border Base Future (2002), Moondog (2001, with Apostrophe), Equine (2001), Street Corner (2001), Mister Belvedere (2001), Freebooter Script (2001), Street (2001, an 31 font sans and slab serif at the Lab), Choda (2001, with Apostrophe), Walkway (2001, see here), Castorgaate (2001), Heidorn Hill (2001, a Fraktur font with Apostrophe), Labag (2001, with Apostrophe), 11S01 Black Tuesday (2001, for Life Saving Fonts), Endor (2001; a gothic font with Apostrophe), Dekon (2001), Asenine (2001), Eskargot (2001, with Apostrophe, a "tango" font), Brassier (2001, with Apostrophe), Kandide (2001, with Apostrophe), Labrit (2001, a Fraktur font done with Apostrophe), Control Freak, Gilgongo, Eskargot, LabtopGraphed, PhoenixArise, PrussianBrewSolid, YouthanasiaTexture, Dumbledor, Luciferius, Zebrra, Street, Kronika, PrimaryElector (all at Apostrophic Labs), Scaling the Dragon, Primary Elector, Blacksmith Delight, Birthday Dingbats, Halloween 2, Comicbook Smash, AcidDreamer, Arialic, AvQest, Battered Cooper, Beerglass, Berthside, Bloodgutter 99, Blown Away, Boneribbon, Boneribbon Tall, Bunny Rabbits, Callistroke, Carbonized Timber Chizzler, Deathhead KeltCaps Drummon, Family .., Effluence, Ericott, Erozion, Erthqake, Fanfold, Gemerald, GemFont One, Gorlock, Hungover, Impressed Metal, Inked Weird, Inningham, Isildur High, JaggaPoint, KeltCaps, Kharnorric, Kharnorric Royal, Knights Quest, Knights Quest Callig, Lane Humouresque (2000), Layaway, Linear Beam, Line Etch, Maranallo, Melted Moments, Metal Spagetti, NeoSpacial, Niew CroMagnon, Offset Plain, Old Copperfield, Old Oak, Old Virus, Ooky, Parkvane, Pee's Celtic, Pi in the SciFi, Quilted Indian, Ribbon, Ripplemere, Roughhewn, Rounheads, Rusty Sign, Rykindor, Satan Possessed, Seventy Flares, Simpleman, Skunkline, Slinked, Snail n Ink, SnottMM (multiple master), Solid Ooky, Squashed, Static Charge, StaidMM (multiple master), Steamroller, Stiltedman, Stretch, Tear, Tearoff, Textapoint, Thor version 1.5, Time Pundits (a CODEX-like face), Torcing Away, Trilayered, Ulse Freehand, Uncey, Untidy Skrawl, Vale Shadow, Waif Thin, Warpy Roundhead, Whoosit, Wonkers, Woodbrush, Wormfont, Woven Brick, Woven Outline, Yurine Overflow, Dingbats, Americanic, BirdArt, Cattart, Chyld, Culinary Art, Doggart, Doggon, Drinks - Various, EasterArt, Ein Schwein, Gembats 1, Gembats 2, Helloween, JFC, KidClipart 1, KidClipart 2, Komedy Kritters, Krazy Kritters, Luvya Babe, Moolah, Multicasion, Odds N Sods, Sportzs, Teddyber, Teddyber Too, Vehicular, Whethers, Xmas Clipart 1, Xmas Clipart 2, PenicMasturbata, Aliensatemymum, AustralianSunrise, AustralianSunset, Blockstepped, BoldlyGo, BarredOut, Blockstepped3D, BoldlyGoOut, Daemonesque, Efentine, FuzzyXmas, Gazzarelli, Jhunwest, JhunwestConcaveGM, LickcurlPetite, LupusBlight, MilleniGem, PhilteredPhont, SlicedIron, Stargit, StargitVer2, ZappedSticks, AlphaRomanieG98, BraveNewEraG98, BlobfontG98, BoxingBrophius, CacophonyLoud, ChainzG98, CulinaryArt, DarkBastion, FortuneCity, GorlockBold, HornsofDilemma, LlynfyrchFwyrrdynn, Maranallo, OptimisticPessimist, PositiveNhilism, UniversalShatter, Bonk, Bonk College, Bonk Fatty, Bonk Offset, Bonk Outercut, Bonk Undercut, ChefsSliceNovice, MeteorGM, TreasureMapDeadhand, TechnicallyInsane, Futurex (with Apostrophe), Street, Calan, Lady Copra, Thing, Dexetrine, ChizzMM (multiple master, with Apostrophe, 2001), Charrington (2001), Lady Copra (2001), Likkle (2007), Luteous (with Rich Parks, 2001), Thorazine and Thorazone (last eleven at Apostrophic Labs).
URL at Offsite, where we can find Choktoff (2003), Etched Fractals, Film Cryptic (2003), Hardnsharp (2003), Jagged Dreams, Jungle Burnout, Kyiss M'ass (2003), Tall Films (2004), Meichic (2003), Nightmare Blend Revisited, ReducedEfficiency (2003), Wasted in this job, Western Taint (2003), Wytherness, Yuma Sunset (Western style font), and Zone Linear.
Penmanship book written in New York in 1867 by D. Williams and S.S. Packard. It has a few blackletter and other alphabets, and many freehand drawings of birds and animals. Selected alphabets: Grand Capitals, Italian Capitals, Ladies Hand, Roman Capitals, Italian, Half Block, Williams Style German Text, Williams and Packard's Steel Pen German Text, Old English, Williams and Packard's Church Text, Beveled Alphabet, Ribbon Alphabet, (continued), Soft and Twisted Alphabet, (continued), Rustic Alphabet, (continued). Selected drawings: a hand, a bird, a deer, a swan. [Google] [More] ⦿
Gene Buban (aka geneus1) is the creative and prolific designer at FontStruct in 2008-2009 of these faces:
Hamburg-based foundry taken over by Linotype in 1963. Their library included faces by these designers:
Imperial punchcutter at the Reichsdruckerei Berlin, engraver and medalist, b. 1858, Stuttgart, d. 1937, Ravensburg. Type designer at C.F. Rühl (Berthold), where he made these blackletter faces: Neuwerk-Type (1908), Rühlsche Fraktur (1909), Rü-Neudeutsch (1899), Elementar-Deutsch (1911), Diadem (1912). At Rühl in Leipzig, he also made the script face Esther (1913) and the flared sans face Caesar Schrift (1913). [The latter was digitally revived in 2011 by Ralph M. Unger as Caesar Pro (2011).] At Ludwig & Mayer, he made Lyrisch (1907). At Akademie für das Buchgewerbe in Leipzig, he made Akademie-Fraktur (1912). Around 1900, he designed the Jugendstil genre font Germania (Reichsdruckerei), and the blackletter font Borussia (Reichsdruckerei). [Google] [More] ⦿
Georg B. Allmacher
Type designer (b. 1864, d. 1908, Berlin) who created the blackletter faces Barlösius-Gotisch (1907, Bauerische Giesserei), Fette Barlösius-Gotisch (1907, Bauerische Giesserei), and Barlösius-Buchschrift (1906, Bauerische Giesserei). Scan of Barlösius-Schrift (1907, Bauersche Giesserei). [Google] [More] ⦿
We all know Belwe for his Belwe text family (1907 art nouveau font, not my favorite). Based in Berlin, he lived from 1878 (b. Berlin) until 1954 (d. Ronneburg), and was for a long type head of the typography department at the Leipzig Academy for Art. After studies in Berlin, he set up the Steglitzer Werkstatt in 1900 with F.H. Ehmcke and F.W. Kleukens. He taught at the Kunstgewerbschule in Berlin.
His typefaces: Belwe Antiqua (1913), Wieland (1926, a handwriting face done at J.G. Schelter&Giesecke), Schönschrift Mozart (1927), and various versions and additions to Belwe (1907-1914) such as Belwe Kursiv (1914). He made the blackletter font Belwe Gotisch in 1912 at J.G. Schelter&Giesecke.
Codesigner with Marcus Sterz at FaceType of a Victorian type family called Ivory (2009). They state that Ivory is inspired by a beautiful typeface used in an illustrated compendium about pomology from 1882. I did not know what Pomology is but the Urban Dictionary defines a pomosexual (for postmodernism sexual) as an individual who challenges assumptions about gender and sexuality. Now, a pomologist is a fruit tree specialist---that's another thing altogether. He created Aeronaut (2009, FaceType), a textura based on Kirchengotische Schrift, a font that can be found in a German font book from 1879 entitled Vorlegeblätter f&uunl;r Firmenschreiber. Weingut Script (+Ornaments, 2011) is a flourished type family. Mr. Moustache (2011) is a neatly hand-trimmed condensed type family, complete with various sets of ornaments and dingbats. [Google] [MyFonts] [More] ⦿
A giant of German type design, b. Brettheim, 1896, d. München, 1985. Active with Berthold in Berlin from 1930-1935, and with C.E. Weber in Stuttgart from 1937 onwards. From 1934 until 1953, he succeeded Paul Renner as the Director of the Meisterschule für Deutschlands Buchdrucker in München. In 1982 he was awarded the TDC Medal. Ph. Luidl and G.G. Lange published "Hommage für Georg Trump" in 1981. Linotype link. FontShop link. His production:
George Williams's site (now defunct) site was a discovery! George Williams (b. 1959) wrote spline-generating code and then went on to produce several fonts with his software between 1987 and 1998:
George Williams writes: I have been slowly working to provide free unicode postscript fonts for the three major groupings of styles used by european (latin, greek and Cyrillic anyway) type designs: serif, sans-serif and typewriter (or times, helvetica and courier). Monospace is my approximation to courier. Close examination will reveal that it is a bad copy of courier. Caslon is a serif font (designed by William Caslon in 1734), it's not a bad copy of times, it's a bad copy of something else. Caliban is a bad copy of Helvetica. If Microsoft can call their version of Helvetica Arial, then Caliban seems appropriate for mine. Alternate URL. Yet another URL.
George Williams is best known as the inventor and creator of FontForge, the bigest and best free font editor today. It made him the darling of the Open Software community. Interview with OSP.
Diplom Engineer and painter from Hamburg who designed or digitized over 210 Fraktur fonts [see my compilation of his list]. He is heavily involved in the Bund für Deutsche Schrift und Sprache. Helzel is the designer at Delbanco-Frakturschriften of DS-DtWerkschrift (1997), DS-Fruehling (1996), DS-MaximilianGotisch (1994), DS-MaximilianTitel (1994), DS-Post-Fraktur (1997). He has hand-digitized over 200 Fraktur fonts, including
Helzel also offers a free "Frakturconverter" program for Windows which transforms Antiqua fonts into Fraktur fonts.
List of his fonts as of 2009: (Anker-)Schul-Fraktur, Accidenz-Gotisch, Akzidenz-Gotisch, Aldine, Albion-Gotisch, Alt-Fraktur, Alt-Gotisch (Bradley), Alt-Deutsch (after Ferdinand Theinhardt, 1851), Alte Münchner Fraktur (after a 1850 typeface by Gustav Lorenz), Alte deutsche Schreibschrift, Alte Schwabacher, Amts-Fraktur (after Heinrich Wilhelm Hoffmeister), Andreae Fraktur, Andreas-Schrift, Angelsächsisch, Angelsächsisch, Verzierte, Antike Gotisch, Aramäische Quadratschrift, Astra, Bastard, Bernhard-Fraktur, Bismarck-Gotisch, Breite deutsche Anzeigenschrift, Breite Kanzlei, Breitkopf-Fraktur, Britannia (Alt-Gotisch), Büxenstein-Antiqua, Büxenstein-Fraktur (after a house style at D. Stempel, 1912), Canzlei, Caxton, Caxton-Type, Claudius, Courante Gotisch, Danziger Fraktur (after A. W. Kafemann), Derby, Deutsche Reichsschrift (after a 1910 typeface by Wilhelm Woellmer), Deutsche Schrägschrift, Deutsche Schreibschrift (Bismarck-Zeit and Goethe-Zeit: school fonts), Deutsche Schrift, Deutsche Werkschrift, Deutsche Zierschrift, Deutsch-Gotisch, Deutschland, Dresdner Amts-Fraktur, Eckmann-Schrift, Einfache Kanzlei, Elegant, Element, Enge Gotisch (2008, after an 1880 font by Bauersche Giesserei), Enge moderne Kanzlei, Enge König-Type, Enge Kanzlei, Englische Antiqua, Faust-Fraktur, Fette Gotisch, Fette Schwabacher, Fichte-Fraktur, Fractur, Französische Antiqua, Frühling-Fraktur (1997, after Koch's original from 1917), Garamond-Antiqua, Genzsch-Antiqua, Germanen-Fraktur (this is the same as Stempel's Normannia from 1905), Germanisch, Goethe-Fraktur (after Wilheml Woelmmer), Gotenburg, Graeca, Gronau-Gotisch (after Heinrich Ehlert, 1850), Gursch-Fraktur, Gutenberg-Fraktur, Gutenberg-Bibelschrift, Gutenberg-Gotisch, Haenel-Antiqua, Halbfette Aldine, Halbfette Kanzlei, Halbfette Normalfraktur, Halbfette Schwabacher-Flinsch, Halbfette Wallau, Hamburger Druckschrift, Hamburger Fraktur, Hamburger Schwabacher, Hammonia-Gotisch, Hansa-Fraktur, Hansa-Gotisch (after a Genzsch & Heyse original), Hebräisch, Hellenistische Antiqua "Graeca", Hölderlin (after Eugen Weiss, 1927), Holländische Gotisch, Hoyer-Fraktur, Humboldt-Fraktur, Hupp-Fraktur, Ideal-Fraktur, Jean-Paul-Fraktur, Jubiläumsfraktur, Kaiser-Gotisch, Kanzlei, Karl-May-Fehsenfeld-Fraktur, (after a 1870 font used in the Karl-May books) Karl-May-Radebeul (after a 1890 font used in the Karl-May books), Kirchengotisch, Moderne, Kleist-Fraktur, Kleukens-Fraktur, Koch-Antiqua, Koch-Fraktur, König-Fraktur G14, König-Type, Kühne-Gotisch, Kühne-Schrift, Kurante Gotisch, Kurmark, Lichte National, Liebing-Type, Liturgisch (after Otto Hupp, 1906), Logos, Ludlow-Wartburg-Fraktur (after Ludlow, ca. 1920), Magere Wallau, Mainzer Fraktur, Manuskript-Gotisch, Mars-Fraktur, Maximilian-Gotisch, Mediaeval-Gotisch, Leipziger Altfraktur (after a 1912 typeface by Carl Kloberg), Midoline (after Jean Midolle's typeface from 1840 at Julius Klinkhardt), Moderne Kanzlei, Moderne Kirchen-Gotisch (based on an original from ca. 1880), Mönchs-Gotisch, Morris-Gotisch (Uncial-Gotisch, Unzial-Gotisch, after Emil Gursch), Münster-Gotisch, Neu-Gotisch klein, Neudeutsch(-Hupp), Neue (moderne) Fraktur, Neue Schwabacher, Nordisch-Antiqua, Normal-Fraktur (1999, after the font by Gustav Schelter, 1835), Normannia-Fraktur, Nürnberg, Offenbach, Post-Fraktur, Psalter-Gotisch, Ratdolt-Rotunda, Reklame-Fraktur halbfett, Renaissance-Fraktur, Renaissance-Kanzlei, Renata (after a Schwabacher of the Bauersche Giesserei, 1914), Richard-Wagner-Fraktur, Romeo Fraktur (2009, after a Stempel font from 1910), Rundgotisch, Russisch-Römisch, Salzmann-Fraktur, Schmale Accidenz-Gotisch, Schmale Haas-Gotisch, Schmale halbfette Fraktur, Schmale halbfette Gotisch, Schneidler-Schwabacher, Schraffierte Gotisch "Stella", Schreibschrift, Schul-Fraktur, Schwabacher, Schwabacher Mager Gross (after Albert Anklam, 1876), Sonderdruck-Antiqua (2008, after a 1913 face by Deberny and Peignot), Stahl (2007, after a 1937 typeface by Hans Kühne), Stahl Kursiv (2009, after Hans Kühne), Stella, Stempel-Fraktur, Straßburg (a blackletter based on fter H type by H. Berthold, 1926), Tannenberg, Thannhaeuser-Fraktur, Tiemann-Fraktur, Tiemann-Gotisch, Tiemann-Mediaeval, Unger-Fraktur, Verzierte Angelsächsisch, Verzierte Musirte Gotisch, Victoria-Gotisch (Viktoria-Gotisch), Wallau, Wartburg-Fraktur, Weber-Fraktur, Weiß-Fraktur, Werkschrift Germanisch, Wieynck-Gotisch, Wilhelm-Klingspor-Gotisch, Wohe-Kursive (after Wolgang Hendlmeier, 1988), Wohe Textura (2009, after Wolfgang Hendlmeier), Zeitungs-Fraktur, Zeitungs-Schwabacher (halbfette Neue Zeitungs-Schwabacher, to be more precise---based on a 1900 typeface by Pustet), Zentenar-Buchschrift.
Type designer, graphic designer and painter, b. 1892, Dubrow. He lived in Berlin. He created the blackletter face Marggraff-Deutsch (1939, Schriftguss: leicht, halbfett, fett) and the script face Marggraff Kursiv (1928, followed by Marggraff Kursiv Zarte in 1929; at Schriftguss), and Marggraff Light Italic (1929, Schriftguss--the upstrokes in the g, r, m, n are thin and separate from the downstrokes). Some of his work. Marggraff Bold Script was digitized (and modified) by Dan X. Solo as Margie (Solotype). Solotype mentions the Dresden Foundry, not Schriftguss as the source of the latter face. Sometimes his first name is written Gerhardt. [Google] [More] ⦿
Designer (b. 1931) at The Enschedé Font Foundry, who lives in Rotterdam. From 1960-1990 he taught writing and type design at the Royal Academy of Art in The Hague. One of his many students there was Lucas de Groot. His intellectual influence is matched by by his physical heritage, in the form of two talented sons in the field of type design, Christoph and Peter Matthias. Scan of a 1974 postage stamp by Noordzij. Klingspor link.
He published De Handen van de Zeven Zusters with Willem Dijkhuis (Van Oorschot, Amsterdam, 2001), describing his life's work. Nijhof&Lee writes: Gerrit Noordzij, calligrapher, letter-designer, typographer, writer and educator has been one of the most influencial forces in modern day Dutch typography; during his years as educator at the Royal Academy of Arts in The Hague he has had an important influence on the younger generation of letter designers after 1970. Besides having designed the "Dutch Roman" (1980), the "Batavian" (1980) and more recently the "Remer", Noordzij has worked as graphic designer for various Dutch publishers. Since 1978 he has been the "house" designer for the publishing company "Van Oorschot"(who published this book) producing a remarkable oeuvre of work much of which has been acclaimed and awarded.
Other books by him include The Stroke of The Pen and De Staart van de Kat.
Free original fonts and an occasional commercial font by Austria's Lorenz Goldnagl: old typewriter font family GF Halda, labeler family GF Ordner, and the sans serif headliner font GF Vienna. Classy-looking fonts. Recent additions: GF Becker (thick round letters), GF Hubert Caps, GF Gesetz (scanned Fraktur font), GF Krater, GF Fuffiger (modern Gothic font), GF Matilda (handwriting). Alternate URL. Yet another URL. [Google] [More] ⦿
Giesserei Carl Kloberg
Leipzig-based foundry of Carl (or Karl) Kloberg which was taken over by Berthold in 1922.
One of their house faces was Verzierte Schwabacher (1891) (Schwabacher Handtooled), which was revived in 2005 by Petra Heidorn as Schwabach Deko, with further fine-tuning still in 2005 by James Arboghast and Petra Heidorn in Verzierte Schwabacher. Related faces are Hermann-Gotisch by Herbert Thannhaeuser, 1934 and Peter Schlemihl, also known as Lichte Tiemann-Fraktur by Walter Tiemann, 1918-1921. Both were digitized by Dieter Steffmann.
House faces also include Leipziger Altfraktur (1912, mentioned by some as a Berthold face; revived by Gerhard Helzel), Bavaria-Buchschrift (ca. 1900), Bavaria-Brotschrift (ca. 1900), and Gotisch Enge (1882, Berthold).
Gilles Le Corre
Or Giraldo del Prado (b. ca. 1535, d. Almada, 1592). Paulo Heitlinger writes about him in Cadernos vol. 16, 2010. De Prado was a painter, and acted as the calligrapher of the Teodosio II, the duke of Bragança. His home was in Guimaraes, but from 1580 on he lived in Almada. Author of the writing manual Caderno manuscrito de Caligrafia (1560, Lisbon). He seems to have been the first calligraphy specialist in Portugal. Heitlinger used Prado's examples to make his Lomabardian face Uncialis in 2009. Scans: Geometrically formed letters, Chancery hand (1560-1561), Another chancery hand (same year), And another one, Gotica rotunda (1560-1561). [Google] [More] ⦿
GLC --- Gilles Le Corre
French painter born in Nantes in 1950, who lives in Talmont St Hilaire. His fonts include 2010 Cancellaresca Recens (inspired by a chancery type of Francisco Lucas from the late 16th century), 2009 Handymade (comic book style), 2009 Lollipop (chancery style), 2009 GLC Plantin, 2009 Primitive (2009, a rough-edged roman script), 2008 Script 2 (2008), GLC Ornaments One (2008) and 2008 Xmas Fantasy (2008: blackletter). In 2008, he started GLC -- Gilles Le Corre and became commercial. He is best known for his historic revivals:
Self-proclaimed mad scientist, concept artist, illustrator and graphic artist from Burträsk, Sweden (b. 1982). Creator of the rune font Theban Alphabet (2008) and Old Norse Runes (or: Urnordiska Runor) (2008). On behalf of Ba'al Graphics, he made the blackletter face Scaenarium Unus (2008). He also created the dripping blood typeface Terror Production (2008).
Graham David Blakelock
Greater Albion Typefounders (or: GATF)
Paul J. Lloyd's typefoundry in Western Australia, est. 2008. Lloyd (b. UK) made over 100 free truetype fonts before that. He writes: What we will offer is new designs, replete with Edwardian Fun, Victorian distinction, or any other piece of elegance we can manage.
Edwardian creations from 2008-2010: Ark Wright (traditional shop signage), Adantine, Goldbarre, Brosse, Crewekerne, Crewekerne Magna and Crewekerne Magister (arts and crafts face), Larchmont, Brissard, Brossard (slab serif), Bonavia, Bonavia Blanc, Clementhorpe, Veneribe, Chiara Script, Howlett, Svengali Roman, Bonning and Bonnington (1920's style families with ideas from University Roman), Absinette, Bamberforth, Tumbletype, Vertrina, Bromwich, Great Bromwich, Fleete, Helenium. Chipping emulates the Edwardian 1920s. In 2012, he added the Bolton Commercial family (late Edwardian, early art nouveau).
Art deco faces: Oakland (2011, multiline face gleaned from a 1930s French car ad), Zenia (2010, trilined), Plebe (Plebia, 2008: a grotesk emulating the 1930s), Whitehaven (2008, an extensive art deco family with several shadow weights), Merry Fleurons (2008, Christmas ornament dingbats), Braxia (2008), Keynsia (fifties style art deco family with Peignot influences).
Other faces: Haymer is a large sans family made in 2010. Clunic (2008) is a blackletter face. Tectura (2008) is a handwriting font. Eldridge is a slab serif family. Aliqua (2009), Chipperly (2009) and Syondola (2009) are Wild West families. Terazza Tilings (2009) and Valentine's Fleurons (2009) are dingbat faces. Additions in 2009 include Lowndes (soft blackletter), Christmas Fleurons, Merry Snowmen, Cherritt (described as a Victorian era Courier), DoodleBirds, Halloween Fleurons, ButtonFaces, Sabio (neither slab nor sans), Daub (brush graffiti font), Sabinard (a modern swash face), Cullions (futuristic blackletter), Coronard (blackletter / roman hybrid), Easter Fleurons, Chapter Initials, Paveline (19th century calligraphic script), Mellin Sans and Open, Gildersleeve (evoking the 1920s Arts and Crafts movement), Stannard (a 1920's advertising inspired small caps face), Slattery (a horizontally shaded fun face), Slatterine (2009, more retro futurism), Spillsbury (2010, Victorian family), Cirflex (2010, geometric display face based on arcs of circles), Oxonia (2010, a classic roman family) and Vectis (classic Roman elegance, another small caps face).
Creations in 2010: Windevere, Albion's White Christmas, Paragon (a great didone display family with a wood type feel), Compton (slab serif family), Mexborough, Morover (Schwabacher family), Anavio (a classical roman family), Corvone (3d-effect font), Granville (Victorian), Corton (Victorian), Wellingborough (Victorian), Worthing (Victorian), Ark Wright (traditional shop signage), Bonaventure (art nouveau), Federal Streamliner (1950s feel techno face), Deva (classical roman), Crucis Ornaments (crosses), Bronzino (a roman with Arts and Crafts roots), Bertoni (2010, a didone family), Pardon Me Boy (train dingbats), Woodruff (Open Face fonts with a wood type look), Jonquin (based on a WWI poster; +Incised), Luscombe (1920s display family; +Parva), Movella (futuristic from the 1950s), Magdalena Sans (2010: a clear monoline sans), Endymion (2010: Tuscan), Paget (a Tuscan experimental all caps face), Portello (Victorian).
Typefaces made in 2011: Admiral (art nouveau), Tuscaloosa (Tuscan face), Eccles (bombastic Victorian), Wolverhampton (pre-Victorian), Doncaster (Victorian family), Metropole (art nouveau family), Corsham (stone engraved lettering family), Leibix (casual), Albia Nova (an elegant futuristic organic face), Flapper (art nouveau face), Bertolessi (curly Victorian), Tulk's Victorian Banner (all caps banner face), Fitzgerald (Victorian all caps face), Cleveden (Victorian headline family), Spargo (an extensive set of early 20th century-look engraved faces for official documents and securities), Bettendorf (2011, based on a 1900s masthead typeface), Wolvercote (2011, similar to Bettendorf), Pittsburgh (2011, a Western-style engraved face), Chubbly (2011), Portmeirion No. 6 (2011, a Victorian / circus design), Bronzetti (2011; images: i, ii, iii, iv, v, vi), Sophie J (hanprinted), Dem Bones (2011, glyphs made from bones), Stout (2011), Birmingham New Street (a Victorian family inspired by the hand lettered title on a 19th century railway map), Beckinslade (ornamental blackletter).
Production in 2012: Alfere Sans Stripes, Albion's Americana (Western stars and stripes face), Tudor Perpendicular (blackletter), Amici (rounded headline face), Amie (rounded sans), Wolverton Text (Edwardian family), Vinea (10-style display family), Par Avion (retro futuristic), AstroBats (retro sci-fi dingbats), Beeching (+Shadowed), Gondolieri (didone meets Tuscan), Penrose Slabserif (an Escher-like trompe l'oeuil 3d face), Haldane (art nouveau, Arabic look), Solidarius (chubby, fat felt-tip pen font), Bluebottle (angular display face), Merrivale (Victorian), Future Runes (runic simulation), Coliseo, Alfrere Sans (inspired by a 1950s television caption style), Tectura II (Lloyd's answer to Comic Sans), Secombe (Edwardian caps family), Milligan, London Court (Tudor-era caps family).
Typefaces from 2013: Henrician (a set of eight Tudor style display faces), Belle Jardin (art deco marquee face), Lavery (Edwardian), Baldione (a stylized didone), Chequers (a vintage poster face), Turvy Topsy (fat finger face), Merrivaux (faux medieval), Blout (German expressionist typeface), Easter Egg Letters, Isometrica (a banner typeface family), Valentine's Letters, Imperial Granum (roman titling face), Brollo (chunky display face).
Graphic and type designer and art director in Washington, DC. He teaches graphic design at George Mason University and at The Art Institute of Washington. Creator of Skatekey (2012, hexagonal: free), Atreyu (2011, a blackletter face that is free at Lost Type), Swarm (2010, hexagonal modular face), Blackhaus (2009), a mix between Futura and Cloister Black (Morris Fuller Benton, 1904). He also made the pixelish face SWARM (2009), Tercio (2010, a pastiche slab-serif of wood&metal tendencies in his own words---fresh and different), and Camisado (2010, free humanist sans).
In 2013, he published the didone typeface family Forsyth.
GreyWolf WebWorks (was DarkSide Productions)
Now also known as GW3. Original TrueType fonts by Rich Gast from West Lafayette, IN: Abduction, AbductionCyr, AngieBareFoot, AngieGroovin, AngieImpressing, AngiePierced, AngieTanLines, BigTenMania, BlackWolf, BoilermakerSpecial (dingbats by email: 8 Purdue and Big Ten logos), BrocaineDecade (grunge), CannabisSativa (3 cannabis leaves), ChainLetter, DrawnandQuartered (stencil font), EchoDeco (vertically striped art deco face), ExpletiveDeleted, Frazzed, GravitySucks, GreyWolf, GroundZero, Hypmotizin, Kingbats43 (dingbat font with 6 Richard Petty related pics), KissTheSky, LeeBeeSchwarz (1998, Fraktur font), LoisAnn (elegant!), LongCoolGrandma, LongCoolMother, LongCoolWoman, LongCoolWoman8338, Makisupa, MystikOrbs, PepRally, PheanisWickey, PlatinumHubCaps (Western font), PlatinumHubCapsPolished, PlatinumHubCapsSolid, PlatinumHubCapsSpoked, PointedlyMad, PointedlyMadSmallCaps, ShadowTag, ShineOn, SpitShine, StixnStonz, SwedieCruel, Verticalization, WhiteWolf, XactoBlade (a futuristic stencil font), ZZZTop, ChristmasLightsIndoor, ChristmasLightsOutdoor, Demonized, Dusharnbi (Sinhala), FuturexVoyager, Primo, PrimoBright, SpitShine, Suncatcher, SuncatcherFill, TouristTrap, EagleGTII (1999), YouRookMarbelous, Molly Rose.
Ground Control (was: Penny Font Foundry, or: Pennyzine)
As part of the (ex-) Chank Army, Jason Ramirez (b. 1978, Wisconsin) offers free and commercial fonts. He started out as Pennyzine or Penny Fonts, or Penny Font Foundry, with free fonts that were typically made with the Data Becker software program. Later, his fonts became commercial, and the new site changed its name to Ground Control.
The list of their free fonts, which are mostly in the grunge style that was in vogue ca. 2000: Locals Only (2011), Cocaine Nosejob (2008), Made (2004, grunge blackletter), Strip Club Motion Sickness (2003), One Fell Swoop (2003, scratchy calligraphic), Fear of a Punk Planet (2005), Futon Revolutionist (2002), Bill Hicks (2002, grungy blackletter), Elliot Swonger (2002), Elliots Bad Day (grunge), Don Giovonni (2006, grungy typewriter), Don Giovonni Makin Enemies (2006), Gumuski (2002), DUMMY (1999), Acid Reflux Baby (2002), Avenge Me (2004, multiline, octagonal), Times-New-Omen (1999), punk rock rummage sale (2001), Thatluvinfeelin1 (2001, a sexual positions font), cut-n-paste (1999), Maydogg (1999-2002, handwriting), My-wife-sucks (1999), Stamped-out (1999), Stank (1999), StankII (1999), uncle-tom (1999), uno (1999), Coopdeville (2002), Dirtysocks, FourMoreYears (2003), Punkrockrummagesale (2001), Theregoestheneighborhood (2003), Thiskettle (2002, handwriting), Mr. Rogers (2003), Regime Change (2004), Hotel Coral Essex (2006, grunge), Limp Noodle (2006).
Mark Solsburg's outfit located in Westport, CT. Before GroupType, Solsburg worked at ITC, which he left in 1989 to start FontHaus. Later he started TypoBrand and Grosse Pointe Group LLC. Solsburg headed the Type Directors Club for a few years. It seems that the FontHaus collection is now being marketed under the Group Type label at MyFonts. Group Type does technology consultation in the field of providing software and type face fonts for designers, publishers and typographers, related to the selection, purchase and use of design software and type face fonts for use in graphic, industrial, interactive and communications design. They specialize in revivals. Their fonts include
Ilkley, UK-based foundry of Graham David Blakelock (b. 1947, York, England). MyFonts sells his fonts. These include faces used in role playing games, often with a medieval look, all published in 2005: Fifteen36 (Venetian with rough edges), Fourteen64 (Venetian with rough edges), High German (blackletter), ItalicHand (inspired by 11th or 12th century Carolingian hand drawn cursive), Old Russian (fake Cyrillic), Ye-As-Ta (rotated brush style caps), Good Taste (2006), Hieroglyph Informal (2006), Kanjur (2006, Indic simulation face), Mayan (2006, dingbats and Mayan-looking letters), Pepper (2006), Salt (2006).
Gruso Schriftenmappe: Eine Auswahl schöner Gebrauchsschriften für Maler, Graphiker, Schaufensterdekorateure und verwandte Berufe. Heft 3 and Heft 4 (1952) are booklets with tens of alphabets. They were scanned in by Michael Stoll. I cleaned up a subset of the scans, reorganized the set, and commented on them. [Google] [More] ⦿
Designer who used FontStruct in 2008 to create FUSE (based on the work of Neville Brody), ANNA45 (pixel face), ANNA63-Display-small-caps-Regular, ANNA63-small-caps-Regular, ANNA91-regular-Regular, Alto Monospaced (octagonal and monospaced), Alto Capitals Fat (almost pixel version), ANNA Killed (nice fat face), square Out and Square Out2 (pixel faces), Coldplay-Semi-Regular (gorgeous piano key font), Coldplay-Small-Caps-Regular, Coldplay-wide-space-Regular, Coldplay-Regular, Frieda-Regular, HAUS-Small-Caps-Regular (interesting pixelized face), guess-who-Regular. In 2009, these were added: Haus (gridded), HausFraktur (gridded blackletter), Cees (dot matrix), Peace (blocky pixels). [Google] [More] ⦿
Guillem Catala runs Font Reactor, a site that aims to compete with Fontspace and Dafont. But he also makes his own fonts, such as the grungy blackletter typeface Goddess (2012), in which the letters are based on the logo of Goddess of Destruction.
German designer of Fraktur Doppelmittel around 1800. This face was digitally revived by Gerhard Helzel. His Normal-Fraktur (1835) was revived by Helzel in 1999. DS Normal Fraktur is a revival by Delbanco. [Google] [More] ⦿
Brazilian designer (b. 1978) who works in The Netherlands. In 2009, he founded Hipertipo, a small design studio in Amsterdam. Gustavo Ferreira has a Bachelors degree in Graphic and Product Design from ESDI, in Brazil (2003), and a Masters degree in Ctype design from KABK Den Haag. His typefaces:
Coauthor with Paul Carlyle of Letters and Lettering (1938). This book was a big source of inspiration for Nick Curtis. For example, he created the typeface Shishka Bob NF (2005) based on the experimental calligraphy in that book. TaraBulbous NF (2008) is a fat-lettered font by Nick Curtis, also based on Carlyle-Oring lettering. Guinness Extra Stout NF (1999, Nick Curtis) is also based on a Carlyle-Oring script. Kynges X NF (2004, Nick Curtis) is a blackletter semi-Lombardic face based on other work by Carlyle and Oring. Dathan Boardman made Afternoon Tea (2010) based on an art deco design from the book. Anton Scholtz created the art deco typeface Nocturne in 2012 based on work by Carlyle and Oring. The caps in Astoria Titling (Nick Curtis) are based on a 1938 typeface by Carlyle and Oring. [Google] [MyFonts] [More] ⦿
H. Berthold Systeme AG was founded in 1858 in Berlin by Hermann Berthold, the Berthold Typefoundry was the largest in the world by 1918, with offices in Stuttgart, St. Petersburg, Leipzig, Riga, Budapest and Vienna. It grew by acquisitions of many other foundries, see., e.g., here. A partial list:
To complement its typesetting equipment business activities, Berthold developed the Berthold Exklusiv Collection, a collection of typefaces created solely for Berthold by distinguished designers. Günter Gerhard Lange began his association with Berthold in 1952, and was artistic director from 1961-1990. In March 1991, Adobe Systems and H. Berthold AG announced that Adobe was to produce PostScript versions of numerous Berthold Exklusiv ("BE") typefaces - these typefaces were later to be known as Adobe Berthold BE fonts. Until 1999, Adobe marketed its versions of 365 Berthold Exklusivs under agreements with H. Berthold AG, and later Berthold Types Limited. H. Berthold AG also produced its own digital versions of their entire library using the Ikarus system - some of these fonts are later to be known as Berthold BQ. In 1993 the company reported insolvency. A follow-up company, H. Berthold Systeme GmbH was formed, but it finally was dissolved in 1995. Shortly before dissolution, the Berlin-based H. Berthold company signed license agreements with and transferred certain rights and trademarks to a Chicago-based US company that later took the name Berthold Types Limited, now called Berthold Direct Inc. This company now offers digital versions of the "Exklusiv" Berthold typefaces.
Some of its history is explained in this letter. Old blackletter faces from the metal era: Ballade (ca. 1927, Paul Renner), Berthold-Fraktur (1909), Bismarck-Fraktur (1860), Breda-Gotisch (1928, house font), Englische Schreibschrift (1972, version One, version Two; for digital versions elsewhere, see English 157 by Bitstream, or Elegant Script by SoftMaker), Deutschland (ca. 1934), Schraffierte Gotisch (before 1900; aka Stella), Mainzer Fraktur (1901, Carl Albert Fahrenwaldt for Bauer and Berthold), Morris-Gotisch (before 1905, for Bauer and Berthold), Post Fraktur (1935, Herbert Post), Prinzeß Kupferstichschrift (1905, digitized by Ralph M. Unger as Prinzess Gravur in 2010), Sebaldus-Gotisch (1926), Straßburg (1926, a blackletter face; the digital version by Delbanco is called DS Strassburg; see also Strasburg by Gerhard Helzel), Trump-Deutsch (1936, Georg Trump). House faces include Isolde (1912, script face), Augustea Kursiv (1906) and Augustea Fett. Some of the Berthold collection can nowe be bought through Monotype Imaging and Linotype. [Google] [MyFonts] [More] ⦿
German/Swiss foundry established in 1790 (however, see timeline below) and based in Basel/Münchenstein. Many of its shares were acquired by D. Stempel in 1927. Linotype takes over Haas in 1989. Their collection includes:
Hackberry Font Foundry (Was: NuevoDeco Typography, or: Bergsland Design)
In 2009, Hackberry Font Foundry grew out of NuevoDeco Typography, which in turn was a commercial foundry that formed part of Bergsland Design located in Las Lunas, NM and run by David Bergsland (b. 1944, Buffalo, NY), a 1971 graduate of the University of Minnesota. The newest address is in Mankato, MN. Identifont link. Author of Practical Font Design: 2nd Edition: Rewritten for FontLab 5. Klingspor link. His fonts:
Born in 1980 in Saarbrücken, and a recent graduate at HBK Saar. Working as a designer for the town of Saarbrücken. Somehow associated with Kiosk Type in Berlin, where she created these typefaces: Drückerei (2008, grunge), Rex Mundi (2008), Ghana Signpainters Divine Healer (2008), Wüste Fraktale (2008, a pixel blackletter), Ghana Signpainters Safari (2008), Ghana Signpainters Cocktail (2008, comic book and ad style), Black Frituur (2008, blackletter), Steelcut (2008, slab serif based on Woodcut). [Google] [More] ⦿
London-based graphic designer and illustrator, who studied graphic design at London's Architecture and Visual Arts school. Behance link. Her typefaces include Valence (2011, blackletter/tattoo face). Also, starting in 2011, she decided to drawn one letter per day. Shapes (2011) is a geometric face. [Google] [More] ⦿
Type designer, b. 1886 Kempen, d. 1960 Berlin. He studied in Krefeld, Zürich, Düsseldorf and at the Akademie für Graphische Künste und Buchgewerbe in Leipzig.
He created the script face Hoyer Schönschrift (1939, Stempel) and the blackletter face Hoyer-Fraktur (1935, Bauersche Giesserei).
Hanoded is the foundry (est. 2010) of Dutch designer and photographer David Kerkhoff, b. Epe, 1969. In its first year, Hanoded was a free font outfit specializing in handwriting and hand-printed faces. Its creations could be seen at Dafont, Abstract Fonts and Fontspace. Klingspor link.
In 2011, he went partially commercial via MyFonts. His typefaces became more diversified and are quite stunning at times:
Köln-based web page where one can find several pages related to calligraphy and Rechtschreibreform as well as the calligraphic handwriting fonts Hans Hand (1994-1996) and civi4 (1996, based on "Lettres de Civilité", a great medieval handwriting font!), by Hans Zinken. He also made Fraktur Gutenberg B42 (2000). See also here. Juergen Script (1999) seems to be an extension of Hans Hand. [Google] [More] ⦿
Type designer, b. 1894, München, d. 1977, Altenburg: Altenburger Gotisch (1928, a Fraktur font, Ludwig&Mayer), Welt (1931, Ludwig&Mayer, a slab serif family), Largo licht (1937 or 1939, Ludwig&Mayer; but Berthold gives the date 1950) and Wolfram (1930, Ludwig&Mayer, a heavy upright italic, soon to be redone by Neufville). Welt is called Landi by Nebiolo (they added Landi Linear and Landi Echo designed by A. Butti, 1939-1943), Ramses by Fonderie Française and Atlas by Lettergieterij Amsterdam. Digtizations of Largo exist at Scangraphic and at URW. [Google] [More] ⦿