TYPE DESIGN INFORMATION PAGE last updated on Mon Mar 10 06:04:41 EDT 2014
26plus, or 26+ is a foundry located in Kiel, Germany. It is a platform to present and encourage student-created fonts. One of those involved is Jakob Runge from Würzburg, Germany, a graduate of Fachhochschule Würzburg-Schweinfurt. He made the free condensed octagonal face Fracmetrica (2009).
Other faces from 2009-2010 (all at 26plus-zeichen) include Singula, Edelsans (a geometric sans), Sinews (a manly sans which he compares with Klavika and Corpid), JJ Realis (a Swiss sans), Ugl-y (2010), Cojonna (2010; curly--an exercise on ball terminals), Capitalis Nova (2010, dot matrix family), Graphit (2010), Devion (2010, semi-angular serif face), Textrusion (2010, Escher-style trompe l'oeuil), Frgmt (2010, experimental), Samblone (2011, an Asian-look stencil face), TJ Evolette A (2011, with Timo Titzmann---a fashionable geometric grotesque caps family).
In 2010, he went commercial as 2D Typo. The first typeface at 2D typo was the modular pixelish Pressure Drop 2D (2010). This was followed by Ornamental Deco 2D (2010, art deco ornaments), Rally Symbols 2D (2010), Mascaron2D (2010, by Iryna Korchuk), Depot Trapharet 2d (2010, a stencil based on the tram lettering in Lviv), Ascetic 2D (2005-2010), Hutsulyandiya (2010, extraordinary ornaments by Iryna Korchuk), Simeon (2010, calligraphic), Cranked Pipe 2D (2011), Tripyllia 2D (2011, ornaments of the neolithic Trypillya culture), and Ukrainian Barokko (2010, a calligraphic face by Genadij Zarechnjuk), Historism Border (2011, border ornaments), Moreske 2D (2012, ornaments), Geomanticus (2012, modular squarish sans).
Typefaces from 2013: Bandelwerk (borders), Digital Stitch, Modern Wave (ornaments based on Alphonse Mucha), Hopferian (Roman caps after engravings by Daniel Hopfer (1470-1536)---typeface completed with help of Mariya Sokil), Simple Ribbon (art nouveau dingbats).
FontStructor who made these fonts in 2010: Reeph (wedge serif face), Theen (techno sans), Pewma (fat lettering as in the Puma logo), Clean (a gorgeous rounded elliptical sans), Ambdx (Treefrog-style hand), Twynn Open (dot matrix face), rnd0m, Arcbk-Open (stencil), Arcbk-Regular, Djeom (athletic lettering), Skwar (squarish), Bletr, Serif, Stens (white on black stencil), Strux, Outln (Regular, Shady: art deco meets athletic lettering), Kyrst, Phatt (ultra fat), Psych (a "Western", Italian face), Bloks, Twynn, Zilch, Cyrth (runic), Reimu (blackletter), Kaway (stencil), Kewte (rounded monoline), and Kurvh (dot matrix).
Sergiy Tkachenko (b. 1979, Khrystynivka, Cherkasy region, Ukraine) lives in Kremenchuk, Ukraine, and has been a prolific type designer since 2008. Sergiy graduated from Kremenchuk State Polytechnic University in computer systems and networks in 2007. Various other URLs: Microsoft link, Identifont, 4th February, Behance, Klingspor link, Revision Ru, Russian creators, CPLUV Fontspace, Twitter. Kernest link. Sergey Tkachenko's typefaces:
Design site in Moscow. Creators of the geometric figure (Latin) stencil typeface Caribe Modular (2013), which was created as a project for the British Higher School of Art & Design. Intrnal Hybrid (2013) was also completed at the British Higher School of Art & Design in Moscow. Deriz (2013) is a high-contrast didone titling face. Intrnal Hybrid (2013) is a grungy techno Cyrillic typeface. Vintage and Coupage Font emulates various wood type and letterpress styles. [Google] [More] ⦿
A2-Type (or simply, A2) is a type foundry set up in the autumn of 2010 by the London based design studio A2/SW/HK. The designers are Henrik Kubel and Scott Williams. A2's bespoke type design is mainly the responsibility of Henrik Kubel, though every typeface is developed and approved by both partners. Kubel is self-taught, making his first typefaces while studying at Denmark's Design School from 1992-97. Their typefaces:
At ATypI 2013 in Amsterdam, he speaks about New Transport.
In house type designer at Elsner&Flake. He designed an elegant high-contrast art deco display face Miami EF in 1994, the broken black lettering face EF Splitter, the horizon lettering face EF Eastside in 1995, and Nivea in 2000 (for Beiersdorf).
ACME Fonts (or: CHK Design)
C.C. Marshall (b. 1985, Richland Center, WI) is a type designer in Madison, WI. He graduated from Minneapolis College of Art and Design, and founded the multimedia shop and font foundry Active Depth in 2000. Designer of Catenary (2010, an organic sans family). this family includes a Stencil style and a grungy Guerrilla style. At Dafont, one can download the grungy Catenary Stamp (2011). Klingspor link. [Google] [MyFonts] [More] ⦿
A-D Foundry is a small independent type foundry established by Daniel Westwood (of Family) in the UK in early 2010. Their typefaces include the inline face Mason Regular (2010), Kläda (2011, a bilined face made for a UK-based online fashion label), Retail (2011), Process (2011, stencil), and the monolined Agostin family (2010). [Google] [More] ⦿
Design studio in München, Germany. Creator of the organic sans typeface Grey (2013), which is advertized as a free typeface, but there are no download buttons. In 2013, ADGY also designed the stencil typeface Monor. Meat (2013) is an ultra-fat display face.
Typefaces from 2014: PX (pixel face).
FontStructor whose typefaces in 2012 include the De Stijl stencil face DThree Stencil Bold, DFive Other Bricks (dot matrix), DFour Small Bricks (horizontally striped typeface), DTwo Monster Mouth, and One Time. [Google] [More] ⦿
Aenigma is the free font foundry of New York-based Brian Kent. The fonts often carry the string BRK in the name. Yet another site. Fontspace link. Dafont link. Typosasis backup. Backup at Fontfreak. Backup at 1001 fonts. Backup at Fortunecity.
The free fonts: Arthritis BRK (2013), Alpha Beta BRK (2013), Amalgamate BRK (2013), Revert (2006), Gyneric (2006), Key Ridge (2006), 18 Holes (2006: Encircled letters and monograms), Double Bogey (2005), Hairball (2005), Whatever (2005), Dyphusion (2005), Blackonimaut (2005, blackletter), Snailets (2005), Vigilance (2005), Wager (2005), Janken (2005), Dented (2005), Syracuse (2005), Symmetry (2005), Nucleus (2005), Underscore (2004), Gesture (2004), Rough Day (2004), Sarcastic (2004), Galapogos (2004), Reason (2004), Slender (2004), Gather (2004), Quadratic (2004), Saunder (2004), NostalgiaBRK (2004), Kinkaid (2004), Jeopardize (2004), Pincers (2004), Fascii (2004), Grapple (2004), WaywardBRK, WaywardShadowBRK (2004), Obstacle (2004), False Positive (2004), Goosebumps (2003), Jargon (2003), Bewilder (2003), 90Stars (2003, snowflake font), Chumbly (2003), Synthetic (2003), Jawbreaker (2003), Mobilize (2003), GreatHeightsBRK (2003), Graveyard (2003), Bend 2 Squares (2003), Redundant (2003), Homespun (2003), Galvanize (2003), Dastardly (2003), Vantage (2003), Quarantine (2003), Knot Maker (2003, with a program for weaving Celtic knots), Combustion (2003), Knot (2003), Enthuse (2003), Weaver (2003), Foreshadow (2003), Rambling (2003), Mincer (2003), Intersect (2003), Technique (2003), Nominal (2003), Unlearned (2003), Brass Knuckle (2003), Quarterly (2003), Zirconia (2003), Zephyrean (2003), Whippersnapper (2003), Ryuker (2003), Discordance (2003), Graze (2003), Gravitate (2003), Edit Undo (2003), Persuasion (2003), Encapsulate (2003), Nymonak (2003), 36DaysAgo (2003), Vertigo (2003), Lights Out (2003), Sequence (2003), Rehearsal (2003), Yearend (2002), SupraGeniusCurvesBRK (2002), SupraGeniusLinesBRK (2002), Faux Snow (2002, snowflakes), Mishmash (2002), Brigadoom (2002), Gyrose (2002), Dystorque (2002), Upraise (2002), QuacksalverBRK (2002), Ravenous Caterpillar (2002), Bumped (2002), Tonik (2002), Jupiter Crash (2002), Mysterons (2002), Sideways (2002), Scalelines (2002), Pneumatics (2002), Granular (2002), Volatile (2002), Aspartame (2002), Bleak Segments (stencil font), Genotype, United, Lynx (2002), Lyneous (2002), Alpha Beta (2002, pixel font), Licorice Strings (2002), Syndrome (2002, futuristic font), Your Complex (2002), Nanosecond (2002), Binary (2002), Dynamic (2002, techno), Qbicle (2002), Flipside (2002), Amplitude (2002), Pindown (2002), Kurvature (2002), Euphoric (2002), Bobcaygeon (2002), Zoetrope (2002), Overhead (2002), Zelda DX (2002, pixel), Telephasic (2002), Hearts (2002), Lamebrain (2002), Compliant Confuse (2002), Line Ding (2002), AE Systematic, Acknowledge, Mini Kaliber, Upheaval (2002), The Code of Life font (2001), Amalgamate (2002), Bandwidth (2001), ClassicTrash (2001), XmasLights (2001, alphadings), Setback (2001), Qlumpy (2001), Regenerate (2001), Konector (2001), registry (2001), Stagnation (2001), Elsewhere (2001), Claw (2001), Cleaved, 8-bitLimit (4 weights), 10.15SaturdayNight-BRK-, Automatica-BRK (2001), Bendable-BRK (2001), BitBlocksTTF-BRK-, Kickflip-BRK-, Withstand-BRK-, Hyde-BRK-, Ecliptic (2000, a bold rounded monoline techno sans), Jekyll-BRK-, Larkspur-BRK-, NotQuiteRight-BRK-, Quandary-BRK- (an LCD font), Thwart-BRK-, Weathered-BRK-, AEnigmaScrawl, Aftermath, Blox (1999, 3d), CandyStripe (1999), Circulate, Collective (1999), Conduit, Corpulent Caps (2001), DarkSide, DashDot (1999), Dephunked (1999: halftone texture emulation), EmbossingTape (3 fonts), Exaggerate, Frizzed, FullyCompletely, Grudge, Hassle, Hillock, Impossibilium, Inertia, InkTank, Lethargic, MoronicMisfire, Numskull, Opiated, Phorfeit, PixelKrud, Powderworks, Pseudo, QuantumFlat, QuantumFlatHollow, QuantumRound, QuantumRoundHollow, QuantumTaper, Ravaged-By-Years-, Raydiate, Relapse, Sorawin-Plain, Spastic-, Splatz-, Stranded-, Swirled-, TRAGIC-, VacantCapz, Wobbly, XeroxMalfunction(BRK), Zenith, ZeroVelocity, Zoidal, simplton, Waver, SaffronColdWars, 3DLET, Bri's-Scrawl, TRAGIC-, AcidReflux, Arthritis, Ataxia (1999), AtaxiaOutline, BlockTilt, ChintzyCPU, ChintzyCPUShadow, Decrepit BRK (1999), Detonate, Draggle (2000), Draggle[overkerned], FatboySlimBLTC, Gasping, Hack&Slash, HeavyBevel, Jagged, Jasper, JasperSolid, Katalyst[active], Katalyst[inactive], LucidTypeA, LucidTypeB, LucidTypeBOutline, LucidTypeAOutline, Neural, NeuralOutline, ObloquyOutline, ObloquySolid, PlasmaDrip, PlasmaDrip[Empty], Queasy, QueasyOutline, Rotund, RotundOutline, SkullCapz (dingbats), Tearful, Tetricide, Turmoil, Ubiquity, Underwhelmed, UnderwhelmedOutline, Vanished, Xhume, Yonder, Yoshi'sStory, ZurklezOutline, ZurklezSolid, Gaposis, Naughts, Ink Swipes, Irritate, Perfect Dark, Forcible, Loopy, GaposisOutline(BRK), GaposisSolid(BRK), Head-DingMaker(BRK), JoltOfCaffeine(BRK), KirbyNoKiraKizzu(BRK), Orbicular(BRK), Xtrusion(BRK).
Commercial fonts at CheapProFonts: Lamebrain BRK Pro, Dynamic BRK Pro, Phorfeit Bundle, Phorfeit Slanted BRK Pro, Genotype Bundle, Genotype S BRK Pro, Genotype H BRK Pro, Classic Trash BRK Pro, Vigilance BRK Pro, Technique Bundle, Technique BRK Pro, Technique Outline BRK Pro, Galapogos BRK Pro, Visitor BRK Pro (pixelish). [Google] [More] ⦿
Aerotype is a foundry in Glendale, CA. It sells the creations of Stephen Miggas. Many typefaces were developed around 1998, and most were rejuvenated and updated in 2005. A list of Aerotype's faces typefaces:
Afrojet Type Foundry
John Skelton is a type designer from St. Paul, MN, b. 1973. Some sources have him located in Portland, OR, though. He started out in 2008 as afrojet on FontStruct, making many free fonts there. Late in 2009, he set up Afrojet Type Foundry at MyFonts. Cargo Collective link. Behance link. Home page. Dafont link.
FontStructions in 2008: Playtime (an original stencil family), Playtime Pattern Motifs (dings), Playtime Rounded (+Bold), Playtime Cutouts, Mango Solid (ultra fat, rounded), Mooch (experimental), Mooch Squared, Zombies Are The New Black, Jettison Stencil, Micromoog, hewett, hewett_bold, hewett_extended, Mikey (a Mickey Mouse font). Other creations there include Summer Grillz (about which he writes More gangster than Gill with more gold than Garamond, Summer Grillz is type jewelry for your mouth. All letterforms are diamond-kut using the finest type constructing software on the market today. Customize your grill with different fills., Lovestruc, Konstruct (multiline face), Steeplechase, Sawhorse, Sawhorse Braumarks (dingbats of a brewery), Alfred, Chesterfield, Hydroplane, Jettison-Stencil, Pop-Drops (kitchen tile face), Starstruc, Lovestruc, Chesterfield Prince, Chesterfield King, Chesterfield Queen (piano key font), Brainfreeze (ultra fat).
Fontstructions in 2009: the Sans Serious family (a tribute to Dutch Bauhaus designer Jurriaan Schrofer), Factory (stencil), Hunstrüct (blackletter), Slug, Micromoog Remix, Get To The Falcon, Jetstream and Perforate (octagonal, loosely based on several styles of letter and numeral forms observed on various aircrafts at the Evergreen Aviation&Space Museum in McMinnville, Oregon), Get To The Falcon (multiline face), StacheStruct (moustache font), Factory (stencil), Playtime Bolda, Thunderball, Gaga, Gaga Stencil, Pinpression, Sessions (a take on type by Josef Albers; he writes: Having previously played around in Fontstruct with Anni Albers' textile patterns, I thought it time to turn my attention to her husband Josef's work. Josef Albers' constructivist typographic experiments are a perfect match for Fontstruct. Other Fontstructors have done great work with Alber's ideas. Most notably, Saberrider's fontsract and Stewf's Leaflet family. Using Josef Albers' Kombinationsschrift alphabet (1928-1931) as my foundation, I've been having a lot of fun remixing and experimenting with his letters.).
Fonts made in 2010: Whoopee (piano key face), Prog.
Commercial fonts: Sessions (2009, modular).
FontStructor who made these typefaces in 2010: Tessa (an über fat face), Pomegranate, Archipelago Serif, QQQQQ.
In 2011, these faces were created: Barnhaus (+Lite), Not My Font (clone of zalamera eYeFS by Antonio J. Morata), Mission Design Sans, Soundproof, Naturally Blonde, Sector12 (an army stencil face), Industrial Sans Better, Elegantite, Grey Hand (texture face), Ubnshufr II Hellllp, Havoc, Havoc Thin (scratchy face), Pixels Redefined (texture face), Capitas Lite (texture face), Capitals Woodcut, Adl Capitals (handprinted), Useful Sans, Spirit (tattoo/blackletter face), Wanted 2.0, Detaile, fs Greener Grass (grotesk headline face), Bean (pixelish), Small Sans, Doundproof.
In 2012, Agent Demonic Ladybug made these typefaces: Mechans (upright connected script), Tessa Revived, Minimalist No. 2 (piano key face), Laceys (dot matrix typeface), Roundsclean, Squareup, Barnhaus 2012, Mission Design Sans, Barnhaus (+Lite, +Mono; named after Bauhaus), iFontStruct, Squishypixel, Moredetailes, Who Needs Nonconformity (heavy octagonal), Stuckinneurone Error, Stuckingranite, 220a, Boldish (piano key face), Strategy Bold. [Google] [More] ⦿
Prolific type designer, b. London, 1951. Alan started work in 1970 for Graphic Systems as a lettering artist. In 1975, he joined Letraset as the Senior Type Designer and Studio Manager where he was responsible for all the artwork produced by the Letraset studio. During his tenure at Letraset, he designed over 40 popular typefaces, including Bramley, Candice, Bickley Script and Belwe. Most of these faces also showed up in the Scangraphic collection. Together with type director Colin Brignall, Alan contributed to the success of Letraset. All the original typographic artwork produced at Letraset was produced by hand cutting the fonts in Rubylith, a highly-skilled technique known as stencil cutting. Alan was responsible for training the entire Letraset studio in this art. Most of the original Letraset artwork has now been archived at St. Brides Printing Library, London. Today, Alan works independently, specializing in all facets of corporate identity including type design, typography, packaging, and development of logos and symbols.
Edinburgh, Scotland-based designer of the freeware fonts Milk (2002), Jobby (2002, grunge), Matchbox (2002), Dirty Fox (2012, nice grungy caps), Laundry Day (2011), Gorestep (2011, dripping paint font), Stylo (2011), Cable Guy (2011), Bodypump (2002), Aztec Hipster (2012, Mexican simulation typeface), Afro House (2012, tribal), Mashed (2012: a grungy stencil take on the Mash logo), Original Junglist (2012: white on black poster face), Tower Blocks (2013), and AP Digibats (2002). Many of these fonts have no punctuation.
Spanish graphic designer in Alicante, b. 1986. His free fonts include Alber (2009, grungy stencil), Globus (2009, almost counterless atrsy face), Industrial (2009, virile face) and Wind and Bubbles (2009). [Google] [More] ⦿
Born in 1995, aldo Dattoli created the simple hand-printed typeface Aldo Dattoli (2012).
Graphic design student in Monterrey, Mexico.
Alejandro Cabrera Avila
Alex O. Kaczun
Matakana, New Zealand-based multidisciplinary designer whose company is called New Royal Standard. He created the athletic lettering inline face Lockout (2012).
Graphic designer in Johannesburg, South Africa. Behance link.
He created some experimental typefaces, alongside some display fonts. Examples: Kokface (a constructivist beauty), a circle-themed stencil face, Revolt, and an octagonal face. In 2012, he made another set of experimental typefaces called Engineering. [Google] [More] ⦿
Aleksandr Mikhailovich Rodtschenko (1891-1956), or rodchenko, emerged in the 1920s as one of the most influential Russian constructivists. Their lettering is always austere and geometrical, and they influenced all visual arts. A typical Cyrillic family of faces was recreated by Tagir Safayev at ParaType in 1996-2002, called PT Rodchenko. Other reincarnations include the Latin&Cyrillic family Rodchenko Constructed ML and Rodchenko Grotesk ML (2010, Tom Wallace). At Gaslight, the Teco Sans and Teco Serif typefaces (2012) are also said to be influenced by Rodchenko. Also, check P22 Constructivist by Richard Kegler (1995).
Russian creator of the free chess font Chess 7 (2008), the free pixel fonts LED Stadion 7 (2013), Dash Dot Square 7 (2013), Enhanced Dot Digital 7 (2013), Small Dot Digital 7 (2013), Modern Dot Digital 7 (2013), Square Dot Digital 7 (2013), Bold Dot Digital 7 (2013), Serif Dot Digital 7 (2013), Serif LED Board 7 (2013), Modern LED Board 7 (2013), Half Bold Pixel 7 (2013), Dash Pixel 7 (2013), Serif Pixel 7 (2013), Power Pixel 7 (2013), Enhanced LED Board 7 (2013), Thin Pixel 7 (2013), Smallest Pixel 7 (2013), Modern LCD 7 (2013), Advanced LED Board 7 (2012), Digital 7 (2008, LED face), Post Pixel 7 (2013), Triple Dot Digital 7 (2013), Dash Dot Square 7 (2013), Enhanced Dot Digital 7 (2013), Dash Digital 7 (2013), Light Pixel 7 (2013), High Pixel 7 (2013), Mini Pixel 7 (2012), Long Pixel 7 (2013), LED Counter 7 (2013), Digital Counter 7 (2013), LED Digital 7 (2013), LED Board 7 (2013), Light LED Board 7 (2013), Advanced LED Board 7 (2013), Printed Circuit Board 7 (2013), Brick LED 7 (2013), Rounded LED Board 7 (2013), Pixel Dingbats 7 (2013), Square Wood 7 (2013), Small Bold Pixel 7 (2013), Rounded Pixel 7 (2013), Line Pixel 7 (2013), Bold LED Board (2013), Narrow Rectangle 7 (2013), Dot Digital 7 (2013, +Advanced), Square Metal 7 (2012), Stencil Pixel 7, Computer Pixel 7 (2012), Small Pixel 7 (2012), LED Counter Plus 7 (2013), LED 7 Display (2012, +Light), Neon Pixel 7 (2012), Old Pixel 7 (2012), Square Stone 7 (2012), Square Pixel 7 (2012), Pixel Font 7 (2012, +Outline), Pixel LCD7 (2012), Advanced Pixel 7 (2012), Ice Pixel 7 (2012), Void Pixel 7 (2012), Dash Dot LCD 7 (2012), Dash Dot Square 7 (2013), Enhanced Dot Digital 7 (2013), Double Pixel 7 (2012), Advanced Pixel 7, Advanced Dot Digital 7 (2013), ZX Spectrum 7 (2012), Bubble Pixel 7, Cyrillic Pixel 7, Basic Square 7 (2013), Basic Sans Serif 7 (2013), Effective Way 7 (2013), Arrow 7 (2013), Abricos 7 (2013), Computer 7 (2013), Disco 7 (2013), Software Tester 7 (2013), Elegant Line 7 (2013), Soft Lines 7 (2013), Effective Way 7 (2013), and the free LED display font Digital-7 (2008).
Typefaces from 2014: Bold Sans Serif 7, Light Sans Serif 7 (avant-garde sans), Modern Sans Serif 7, Software Kit 7 (dingbats), Advanced Sans Serif 7.
Added in 2009: Russisch Brot, Block Out (3d face, +Filled1, + Filled2), Bold Stencil Sans, Script Pixelig, Dorky Corners Sans, Haus der Kunst (inspired by the building in München by that name), Fraktur Test, Fette Sans (nice), Emilia, Runde Pixelig (pixel script).
Creations in 2010: Fraktur Test, The Plot (octagonal, architectural), 80s Metal Band, Fieldwork Font (pixel), Black Metal, I slabbed the Seriff, Play (curly face).
Creations in 2011: Obvious Stencil (Bauhaus, or piano key), Supercali (a psychedelic font inspired by the cover for A.R. Kane's "I"), Manuale (with straight slabs; +Manuale Giocoso, 2012), Graphite (fat and rounded), Graphite 2, Hinterland Italic (quaint Victorian face).
From 2012: Linea Fraktur (extended in 2013 to Linea Runde), Black Organic (spiky blackletter), Green Organic (a spurred blackletter), Standard Sans, Modular Blackout Bold Condensed, Viva Las Vegas, Helios, Faux Pas Serif (Egyptian typeface), Nova Thin Extended (this hairline sans is a tour de force---it is the first successful hairline sans face ever made by anyone using FontStruct), Bencraft.
Fonts from 2013: Meadow Bold, Lush Capitals, SwiftStroke, Its Slab To Be Square, Mellow Doubt, Ligure Black, Beige Organic, Trafo, Trafo Evolution, Codester Mono (a programming font), Swash Buckle, Nova Thin Extended (a hairline sans), Meson Sans, Burgwald Exquisite Bold Condensed, Editoriale, Coalescimen, A La Carte, Hampton Italic, Baby Elephant (fat grotesque).
Fonts from 2014: Wineshop Stencil, Folds and Rhizones, Viva Las Inline.
Art director and graphic designer in San Francisco who likes the color red. Behance link. Creator of stylish logotype, found art, or display faces: Baroquen (2010), Bent Type (2010), Decoder, Determinant (2010, art deco), Edgewise (2009; art deco stencil, also called a piano key face), Elektrotrash (2009), Estereo (2010), Metrobloc (2010; modular), Eurobloc (modular), Victropolis (serifed), Determinant (more art deco). Behance link. The web page is rather confusing, so it's hard to tell which images are of fonts and which are just pictures of alphabets. Some fonts are free, such as the grungy Antechamber (2011). [Google] [More] ⦿
Russian designer of typefaces who collaborates with Ivan Zeifert and specializes in revivals, cyrillizations and beautiful digitizations, some of them done with Anatole Gophmann. There have been complaints about her practice of borrowing fonts from type designers without asking. One typophile writes: I have cracked open fonts she claims as hers, Bolero, Bickham and others, she has copied and pasted glyphs, copyright data, added Cyrillic and changed the copyright string. As an example, Angelica is a copy of Alejandro Paul's Miss Fajardose. Alejandro has drawn the numerals in his font in 2004 to accompany the letters found in an old catalog of alphabets. There is no other source of the numerals, and Angelica has them. Michael Clark writes: I initiated a battle with the illustrious Alexandra "Bitch" from Russia who has renamed Pouty (FontBureau) and copyrighted [it as] Bolero. She and her partner Anatoly shithead. Available on Fonts101.com for anyone who wants it free. The ass's site, Jagdesh, is in Pakistan and we cannot touch him. 260+ viewings and 140+ downloads. Let's see that is 1400$ I will never see! Others have complained as well about her practice of taking and extending fonts without permission. Anyway, her "fonts" are:
Mexican creator of Maming (2012, spindly), the pixelish face Mattta Ahari (2011), Coluca Modern Side (2011, an octagonal semi-stencil face), the sturdy poster face La Camerino (2011), the grungy Indieo (2010), the condensed faces Tipulada (2011) and Condenzel (2011), the experimental face Autobahn (2011), the squarish NRCO (2011) and the experimental Vai Gone (2011).
Ex-student at the Rietveld Academie in Amsterdam. Italian designer of Equo (2006), a VAG Round style display family which also includes Equo Stencil Caps, Equo Extended, and Equo Extra Fat. Other creations: Shaolin Caps, Stout Caps, Frank-Latin (wide wedge-serifed face), Crasto (serif family). Some fonts are free or have a free test version.
Born in Sicily, he spent half of his life in New York City, and studied for four years in The Netherlands. He worked in Lithuania with a group called Alfa60, and is now based in Turin.
Later fonts: MM Vinny (a multiple master family designed for use by the cosa nostra), Yorker (based on The NewYorker), MM Charlie, Artissima Condensed (a dada poster font), Romano Grotesque, Futura Passata, Novalis Condensed.
Alien Foundery used to be called Bsillkrieg. Thibault Dietlin (b. 1987, Besançon) who runs it is located in Annecy (before that, in Besançon). He makes these fonts freely available via Dafont in 2008: Zfonts (grunge), Pee On Face (grunge), Hardcore Pen (graffiti), La Fraktouille (sketched blackletter face), Crustype crust (grunge), Crust Clean (grunge), My Goth Is Better, city burn night after night and we spraypaint the walls 1.0. Additions in 2009: Black Spoon (minimalist sans with exaggerated x-height), Hurray (clean sans), Tes (sans), Urbana (grungy stencil), Black Spoon, Boa, The City Burn (grunge), Riot AF (grungy stencil), Blind (Braille font). MyFonts link. [Google] [MyFonts] [More] ⦿
Type designer. Not to be confused with "Walden Font", a commercial foundry run by Oliver Weiss. Dafont link. Full list of his work: African (1993; see also here and here for this jungle font), Amelia, Asimov, Beveled, CalculatorItalic, Checkbook (MICR-like font), CrystalItalic, FinalFrontier, FinalFrontierOldStyle, FinalFrontierShipside, Goethe, Japan, Jurassic, Lansbury (1993), Neon Lights, NewYorker, OliviaBrush, StencilExport, Terminator (techno).
Lansbury is a free art nouveau face that mimics the font used in the TV series Murder She Wrote. The actual font used for the title of that series was URW's Art Gothic (specimen). Fletcher Gothic (1992, Casady&Greene) is another free version of it. [Google] [More] ⦿
Bogotá-based Colombian graphic design studio and type foundry Andinistas was founded in 1998 by Carlos Fabián Camargo Guerrero, Lennyn Salinas, Mariangeles Valero, Juan Carlos Valero, Jorge Alexander Camargo Guerrero, Rafael Rincón, and Jordi Teres. It was first located in Caracas, Venezuela, but moved in 2003 to Bogotá, Colombia. New names in its organization include Alexander Moreno. Many of its designers are Venezuelan.
Among their typefaces: Nikona, Magola (2008, puffy script), Angelita, Pepelepu, Zerotipo, Skuke, Retro, Radio Bemba, Pumarosa, Pr1, Oficia, Nativa, Mongol (free), Lirrot, Leroy (1999-2008, computer screen stripes), Leroy Dingbats (1998-2008), Hiroformica, Hibrida, Guerilla, Guerilla Outline, Gruada, Gancho Petare, Escuedra, Esbelta, DSNett, dia-D, Download, Denego, Cristal, Codiga, Codiga Icon, Codiga Destroy, Codiga Codec, Chacao Petare, Cazon Gothic, Boa, Biol, Ave-cedario, Anaira.
Cazon (2007, Camargo Guerrero) is a family of calligraphic origin consisting of 7 styles: Gris, Negra, Uno, Dos, Tres, Dingbats A and B and is based on the paintbrush letters found in the popular markets of La Guaira, Caracas. This family won an award in the experimental typeface category at Tipos Latinos 2008. Lirrot (2007) is a 6-style grunge handwriting face bordering on the psychotic, and comes with Lirrot Dingbats. It too won an award at Tipos Latinos 2008.
PP Lepu (1998-2008) is pixel grunge. Josefina (+Dingbats1) is a curly script also made in 2008. Navaja (2008) and Diad are collections of grunge fonts with grungy dingbats. Lucrecia 1 through 3 (2008) is a fat connected script family ranging from clean to splattered.
Telesforo (2008) radiates anger from its brushy grungy limbs. Telesforo Black won an award at Tiupos Latinos 2012. Ninja 1 and Ninja 2 (2008) are script fonts, and are accompanied by Ninja Dingbats (2008). Dsnet (2008) is a 6-style bare-bones rounded squarish family. Flaminia and Flaminia Dingbats (2008) are useful for food-related signage. Modelia (2008) is thick, informal, and looks like it was brushdrawn. Modelia won an award at Tipos Latinos 2010. Filomena (2008) is a brush family with a goth theme and an accompanying goth dingbats. Obdulia (2008) and Floro (2008) are extreme mural grunge fonts. Marimonda (2009) is grunge calligraphy.
Typefaces from 2012: Demetria (a hellish script), Ciclope (army stencil), Meteora (a sturdy weathered family), Kamuy (a grunge typeface, with dingbats, that links to Asian comic style lettering, and Japan in the Pacific War), Naturalia (an informal sans family).
In 2013, he made Gluten (a poster typeface family), Bengala Script (a distant relative of Mistral), Chef Script (a large signage script influenced by Ross F. George's Speedball lettering manual (1957)), Chef Script Dingbats (hilarious restaurant dings and fists), Sumergible Script.
Graphic designer in Santo Tirso (Porto), Portugal. In 2011, he created the hairline sans face Wayne Thin, the counterless fat slab face Rotula, and the fat round Wayne Black. He also made Virtude (2011, a Garamond revival). In 2012, he added Urbe (3d face).
Typefaces from 2013 include the grid-based modular typeface family Kamo, which comes with Kamo Stencil.
Berlin-based illustrator and graphic designer, who created the squarish semi-stencil typeface Jongehonden in 2012.
Andreu Balius Planelles
Andrew Byrom was born in Liverpool, England in 1971. After Graduating from the University of East London in 1996 he opened his own design studio and worked for various clients including Penguin Books, The British Academy of Composers and Songwriters, The Industrial Design Centre, Time Out Online and The Guardian Newspaper. Around this time he also began teaching graphic design at The University of Luton and Central Saint. Martins. Byrom moved to the USA in 2000 to teach at Northern Illinois University in DeKalb, IL. He has recently been commissioned to design typefaces and type treatments for Elle Decoration, The New York Times Magazine, McGraw-Hill, and Turner Classic Movies. In 2006 he moved to Long Beach to take up an Associate Professor position at California State University, where he is currently the Area Head of the Graphic Design Department. He created the experimental typeface Interiors (2002), about which AIGA writes: Interiors (3D type) is a collaboration between type designer Andrew Byrom and designer Joel Wolter. It was originally conceived as a digital font (Interiors) and was inspired by an old wooden chair in Byrom's office that, when looked at from a certain angle, resembled the letter h. Using the three-dimensional principles of this simple form, and closely adhering to type design conventions, 26 letters of the alphabet were drawn and generated as a font. The characters were then constructed in three dimensions using tubular steel into full-scale furniture frames. Because the underlying design concept is typographical, the end result becomes almost freestyle furniture design. Letters like m, n, o, b and h can be viewed as simple tables and chairs, but other letters, like e, g, a, s, t, v, x and z, become beautifully abstract pieces of furniture. He also made the distressed font Bloodclot, the stencil family Byro Stencil (free), Byro Sans, 1byrosquare (2000), 2byroround (2000), ByroBlock Stencil (2000, stencil), Concussion (dot matrix with various size dots), Easy Vie, Venetian (2009, like Venetian blinds), Fresh (1995, scratchy type), Ply, Rage, St. Auden, Bandaid (2006), 3D Dot Matrix. He divides his time between teaching, designing for various clients and playing with his sons, Auden and Louis. He has recently been commissioned to design typefaces and type treatments for Elle Decoration, The New York Times Magazine, McGraw-Hill, and Turner Classic Movies. In 2006 he moved to Long Beach to take up an Associate Professor position at California State University, where he is currently the Area Head of the Graphic Design Department. Speaker at ATypI 2009 in Mexico City. [Google] [More] ⦿
Independent game developer Andrew McCluskey (Nalgames, Dundee, Scotland, b. 1991) designed the free LED-inspired Kinglify (2011), Digital Display (2012), and Princelify (2011). Manly Man (2011), Metal Arhyrthmetic (2011) and Ace Futurism (2011) are semi-octagonal. Consider Me Vexed (2011) and Pixel Flag (2011) are pixel faces.
In 2012, he made She Curls in the Mist, Xero's Karma, Pastcorps (army stencil), Gnome Splinters, Fought Knight, Vermin Vibes (futuristic), Vermin Vibes 1989 (pixel face), Vermin Vibes 2, Vermin Vibes Diet, Vermin Vibes Redux, Dubbing Star (futuristic), Sorrier Statements, Particulator (an octagonal paper fold typeface), Coder's Crux (a pixel face created for programmers, FontStruct), Triggering Fanfares (octagonal), Alt West, Notalot25 (pixel face), Notalot35 (pixel face), Lord Juusai (inspired by the logo for Lord Tensai from WWE), Zephyr Jubilee (an alien language simulation typeface), Bevel Fifteen, Xero's Theorem (sci-fi), Dubbing Step and Here Be Dubstep (FontStruct), Italic Bricks, Gang Wolfik (angular, +Blade), Ruaturecu, Quous Inno, Electramaniacal, Xodohtro-Nu (a black octagonal typeface), Distortion of the Brain, Berate the elementary (techno face), Not sure if weird or just regular, Opulent Fiend, Rawhide Raw 2012 (techno, inspired by the WWE Raw logo of 2012), Particulator II (octagonal), The Missing Link (trekkie), Thunderstrukk, Understrukk, Ganf Wolfik Blade (a pointy Blade style font).
Typefaces made in 2013: Call of Ops Duty, Spinebiting, Laceration, Casual Hardcore, Zany Races, Vermin Vibes 2 Nightclub, Exoskeleton, Perspire, Piston Pressure (sans), Particulator III, Liberty City Ransom (grunge), Zdyk Leo, Variety Killer (grunge), Savantism, Vermin Vision, Zdyk Sagittarius (a circle-based experimental font), Milestone One (a gaspipe sans), Comfortably Fucked, Noasarck (+Sporadico, +Quattro), Future Time Splitters, Heart Breaking Bad, Jan Hand, Erhank, Exoskeleton, The Rave Is In Your Pants, Minecraft Evenings (inspired by the Minecraft logo), FoughtKnight Victory (a video game font), Piescese, Comic Spans, Cauterise, Dead Font Walking (rough-edged poster font), Cutthroat Clawmarks, Eride (grunge), Effervescent Superbeings, Front Page News, Kill The Noise (brush script), Distort You A Lesson (grungy), Vermin Vibes 2 Black, Vermin Vibes 2 White, Vermin Vibes 2 Soft, Dubstep Cadence, Relapse Into Madness, Kings of Kings Lynn (dadaist), Smorgasbord, Scream When You'Re Ready, I Phone You Phone, Respire, Perspire, Vermin Vibes Slant, Vermin Vibes Dystopia, Sharp, Cursivertex, Rick Lobster (stencil face), Cursivertex, Vermin Vibes Dystopia (cyberpunk), Wabbit Sans, Calligraphy Aquiver, Agra Axera (knife-edged sci-fi face), The Keepsake Days, See You At The Movies, Xero's Proof, Vermin Vibes Out Of Ink (txtured), Melancholic Roadeo, Wickermanor (a stiletto typeface), Lord Juusai Rises, Vermin Vibes Ex, Vermin Vibes Roundhouse, Just in the Firestorm, Stuntcroft (modular), Ghetto Magnetic (grunge), QA Reports (fat finger typeface), Y-Andermo (stiletto style), Dragon Slapper.
Typefaces from 2014: Come Rain or Fall, Xsotik, Sanseriffic (avant-garde sans), Cassius Garrod, Effortless Tattoo, Coder's Crux 2, Radaro, Overdrive Sunset (brush face), Dead CRT, Fatality's Edge, Tolerant, Coder's Crux 2 (dot matrix), Consider Me Vexed (pixel face), Diamante, Pixel Flag, Aardvark CWM Type, Enter The Grid, Vermin Vibes 2 EDM XTC, Byron, See You at the Movies 2, And Then It Ends, God Hates Westboro, Writing Without Ink, Zdyk Aquarius, Curvert, Superdie, Rocky Road, Animal Silence (constructivist), Gnaw Hard, 19th Century Renegade, Trip Trap, Freudian Slit, Digital Dismay (LED face), Zdyk Pisces (circle-based typeface), Zdyk Scorpio, Guilty Treasure (techno), Wolfganger (inspired by Wolfgang Gartner), Xero's Retreat, Sitdown (octagonal), Stencylette.
Russian designer (b. 1975, Moscow) who won an award at Bukvaraz 2001 for Handmade (hand sign font), and for Rouble, a minimalist Latin/Cyrillic font made in 1999-2001. He received a TypeArt 05 award for the dingbat family Astra. Other typefaces include Lenta, Moloko and Svoboda. He graduated from Moscow State University of Art (named after S. Stroganov in 2001). The astronomical signs font Astera was published by Paratype in 2008. Other Paratype fonts by him include Brusque (2008, renamed Rouble), Cliche (2008, stencil face), FastFingers (2008, remake of Handmade), Powerview (2010, with Yana Kutyina) and Vataga (2008, a human faces dingbat font co-designed with Yana Kutyina). [Google] [MyFonts] [More] ⦿
Web developer and designer. Student at Ringling College of Art&Design (Sarasota, FL), working towards a Bachelor's Degree in Graphic&Interactive Communications. Blog. FontStructor of Printed (2010, horizontal stencil face). [Google] [More] ⦿
In 2012, he started Ukrainian Type.
This graphic design student in The Netherlands (formerly at San Diego State University) is working on his own face, Stencil Fraktur (2002). In 2004-2005, he became a grad student at the KABK in Den Haag. He joined the typeface development department of Hoefler&Frere-Jones in New York in 2005. [Google] [More] ⦿
Angus R. Shamal
At Escola Superior de Artes e Design de Caldas da Rainha (ESAD.CR), Portugal, during an exchange program, Anita Abarenkova (Riga, Latvia) created the stencil typeface Anita PT Light (2013). [Google] [More] ⦿
Designer at ACME in London. Her creations include AF Oneline (1998), a geometric hairline monoline stencil font.
Designer at ACME of AF Video Wall (1998, a gridded pixel font).
The Bends (2011) is a hairline curly-yet-straight display face. SansGoma (2011) is a hairline slab poster face. Nu Gothic (2011), Nu Modern (2011) and especially Vironica (2011) are fashion mag display faces. Neu Nouveau (2011) is a curly art nouveau face. Numera (2011) is an organic fashion mag face. Killoton (2011) is super-fat and beautiful.
Typefaces from 2013: Canada (alchemic).
UK-based creator (b. 1967) at FontStruct in 2008 of Metal Vampire (athletic lettering meets vampire), Moonbase Tokyo (neat futuristic oriental simulation), Sir Robin's Minstrels (blackletter), Starscraper (techno), Moonmonkey (outline LED font), First.
In 2010, he added the non-FontStruct faces Chromium (a great special effect face), Clawripper, Dirty Play, HairyMonster, HairyMonsterSolid, Punched, and Slasha, mostly inspired by blood, guts, and murders. Static Buzz (2010) is a texture face. Newcastle (2010) is a castle-themed alphabet. Blinger (2010) is a star-studded outline face. New York Punk (2010) is grungy. Dinosaurs (2011) is a dingbat face. NUFC Shield (2011) is a shield face. Zombified (2011) and Sound Sample (2012) are grunge faces.
In 2013, Robinson published the textured athletic lettering font Robbie Rocketpants, Airlock, Cargo Bay (a great army stencil, with a negative letter option), Dogma (a grungy Lombardic face), and the grungy blackletter face Flesh Wound. MDMA (2013) is a halftone simulation texture face. Barbarian (2013) is an alphading typeface on the theme of swords. Camouflage (2013) is a textured typeface. Atheist (2013) is an outline typeface. Power (2013) is inspired by lettering on pwer buttons. Witching Hour (2013) is a halloween font. Dystopian Future (2013) is a grungy typeface. Olde Stencil (2013) is a stenciled blackletter typeface. Anonbats (2013) has scanbats and dingbats related to the famous hacker group Anonymous. Creature Feature (2013) is a slimy typeface. Ka Blamo (2013) is a comic book font. Beer Goggles (2013), Supercreep (2013), KaBoing (2013), Gloop (2013, an oil slick face), Barbarian (2013), Voodoo Vampire (2013) and Ye Olde Oak (2013) are textured typefaces. Anti Everything (2013) is a blood drip typeface. PCB (2013) is a printed circuit board font. Dickensian Christmas (2013) is a decorative Christmas font.
Typefaces from 2014: Counter Dial.
Designer at FontStruct in 2008 and 2009 of Birka (pixel), Skipper (octagonal), Skipper Stencil (military), Skipper-Modern, Skipper-Slab, Skipper Cap, Skipper Tight, Peteroque (baroque pixel face), Technocrat Cargo (octagonal stencil), Technocrat (octagonal), Retrograde Pix (pixel face), Retrograde Lux (severe octagonal), abstruct, admiral (dot matrix face), glagol, glagol_script_1, marx_1, Admiral (dot matrix), Glagol Rock (constructivist), Retrograde (octagonal/mecahnical), Technocrat (octagonal), WPA Gothic Cyrillic (another poster font), WPA-Gothic-Deco-Cyrillic. Many fonts have Cyrillic letters and/or Cyrillic influences. He made the heavy mechanical slab serif headline face Colonial (2010) and the pixelized face Skippix (2011, +Mono). Peteroque (2009-2010) are decorated pixel capitals. [Google] [More] ⦿
Antonio J. Morata (Almeria, Spain) is a FontStructor (aka elmoyenique) who used FontStruct to make several modular faces starting in 2010. The typeface names start with z. We list them alphabetically:
Antraxja Fonts (or: Atrax)
Antraxja Fonts (or: Atrax) is a (now defunct) Polish foundry which offered these free fonts made by Rafa Brzezinski in 2004: ARTUR, Antraxja Goth 1938 (blackletter), Art (art nouveau), Battlefield (war lettering face), BananaShow-Medium, CrashTest, CrashTestItalic, CrashTestShadow, Cybernetyka (futuristic family), CybernetykaItalic, CybernetykaNormal, CybernetykaOutline, DarkPalladin, History Brush, Kreskwka-Italic, Kreskwka (handwriting), Monster, MonsterShadow, Mortis, Orchidee, Reforma, Returntocastle (gothic), Speed+, Speed+2, Techno, Medusa (blocky lettering), Weronika, Bajareczka, Camilla, Cherif, Top Secret (stencil).
Designer at FontStruct in 2008 of Interest (dot matrix), Order (constructivist), Attica, Continuum (rounded bold), Fairway (+Slab, +Serif), Slant (techno), Cowboy (2008, Western-themed), Lights in the sky, Olymia Bold, Solida (psychedelic), Digi (pixel face), Villa (heavy slab serif) and Olympia Light. In 2009, he added Versional, Crown, Vend, Reed (Slab, Sans, both octagonal), Spaced Out (Bold, Italic, Regular), Jingle, ReMix (kitchen tile), Squire (3d face), Garage Sale (stencil), Signage, Futility (blackletter), Expearemint, Textual, Callout, tweedie, Embolden, Clipped, Economical, Emphasis, Vessel, Honest, Union (+Flat, +Sans, +New), Interest (pixel/dotted face), Venus Sans, Minanim, Diner (rounded), Lights in the Sky (De Stijl-like font), Opine, Charmer (+Inverse), Tweedle, Textual, Solida (ultra round), Slant, Slant, Villa (heavy slab serif), Versional, Vend, Union, Union Sans, Union New Sans, Union New Flat, Paperclip, Poofy, Steel (+Outline: octagonal), Crown, Diner (rounded), Solemn Bold, Solemn, reed Sans Mono (octagonal).
Fonts from 2010: Full Deck (playing card font), Scrollboard, Power Up (piano key face), Groovy Fu, Formality, Union New (+Sans, +Flat), Angle Tutorial, Aurora Light (elliptical monoline sans), Pushpins, Aurora Light, Scrawl (marker face), Evity (a grotesk face), Altipen (upright script).
Fonts from 2011: Obleak (oblique techno face), Likea (a heavy mechanical sans), Uptake (elliptical).
Fonts from 2012: Omit (a bilined stencil face).
B.J. Harvey is the Californian designer at Chank's Store of the free "bj's Halloween Fontpak " (4 fonts, 2001). He is working on a ton of other fonts, like Apollo Sans, Motorpsycho, Geek Gothic (a comic book face), Apollo46, Zimmer, Nu Cairo, Sotoflame (2002), Japanasonic, Japanacea, Japanorama, Eurmama (oriental simulation font), Jawa (oriental simulation), SD Police (stencil, not for sale), Rigby, Neopolitik, Metis, Motorpsycho. Opened Apollo26 in July 2002, where you can buy Flame N Skull, DEFCON 1 through 5 (or: Billabong, Special effects, X-Games 23, Von Zipper and Machine). APOLLO26SumoX (2002) is free. [Google] [More] ⦿
German stencil face and typographic service outfit located in Hamburg. MyFonts site. Besides Caslon Fina Stencil and Serpentine Stencil (Dick Jensen), the following faces or families were made in 1999 by Sigrid Claessens and Günther Flake: Advera Stencil, Stencil Antiqua (1999, by Sigrid Claessens and Günther Flake), Arston Stencil, Chico Stencil, Ferro Stencil, La Pina Stencil, Lasertac Stencil, Reedon Stencil, Rounded Stencil, Walton Stencil, Western Stencil, Glaser Stencil (after a face by Milton Glaser), Bank Stencil (1930s face of Morris Fuller Benton), Geometric Stencil (originally by Paul Renner), Tea Chest Stencil (after a face by Robert Harling, 1939). [Google] [MyFonts] [More] ⦿
aRc (or: Azelea Rodgers Creations)
aRc was established in 2008 by Azelea Rodgers (b. 1974, The Philippines). It is located in Lathrop, CA.
A graduate from Skyline College, she created the alphabet tracing font Kerp (2008) for kids in pre-kindergarten. She also made Rosebud (2008, letters composed of thorny rose stems), Asvet Mono (2009, a playful stencil), Azelea (2009), Edil Script (2010), Laureen (2010, a calm calligraphic script), Alexy (2011, a ribbon script), and Lelet Script (2009).
Architaraz Type is located in Shanghai, China, and Taraz, Kazakhstan. Its type designer, Zhalgas Kassymkulov, was born in 1986 in Kazakhstan. His initial type designs were all done with the help of FontStruct. In 2013, he went commercial as Architaraz Type.
He made a gridded modular face called Targeted (2011). Sliced (2011) is a counterless stencil face. Discostructed (sic) (2011) is a texture face. Mono Dot (2011) is a thin dot matrix face. Mono Hor (2011) is a horizontally striped version of it, Mono Ver (2011) a vertically striped version, and Mono Bold (2011) a bold version. Promo (2011) is purely geometric. Semiz (2011) and Semiz Light (experimental) are partly art deco. Audio (2011) is based on the logo of audiojelly. Arro (2011) has letters with arrowed terminals. Hexa (2011) is hexagonal. Happi (2011) is a fat finger face. Semiz Black (2011) is a free fat pixel face.
Creations from 2012: Pearls of Margar, Korgan, Phunni, Carbo, Carbo ii, Lenta, Phunni, Jambul, Extraterrestrial (sci-fi), Rap My Hip-Hop, Armada 1991 (monospaced), Venus (white on black), Garage Garbage (bold avant-garde design), WHAQ, Extra Fontestrial, Algae, A Tasbaqa, Salem (rounded bold typeface), Thaiana Jones, Salem (fat rounded face), Audio 2012, Balapan, Dalmat, Bonn (an art nouveau army stencil face), Mgla, Teris (white on black), Degoratix (curly), Barney Stencil (a fantastic brushy stencil), Lentalicious, Blackway Str, Schengbers (a great piano key stencil family), Tramcar Typo, Mgia, Brushure (a fat curvy display face), Extralien, Serrific Terif, Missinger, Tolkyn, Murt, Twisture, Soliture, Threedure, Antillic, Garage Garbage, Arro, Happi, Schengbergs Hi.
Typefaces from 2013: AT Dombra (psychedelic typeface after Motter Ombra), AT Hoppy (fat letters), AT Liniya (blackboard bold), AT Karagai, Hed Kandi (techno face), AT Traffa Stencil, AT Schema, Naation, AT Nayman, AT Roughin, AT Rooktura Stencil, AT Duba, AT Archistency, AT Liena, AT Bombarda (fat stencil face), AT Sulfur ii, AT Mad Pilot, AT Tasbaqa, Vaia Con Dios, Betaport, Mooltyashka, AT Stincel (a lively stencil font), Millio, Tamshy, Offelia, Jalgas (retro script: a winner in the FontStruct Connected Script Competition), Laffa (connected stencil script), Dlinalys, Diagona, Kitara (psychedelic), Archtitalic, Bonn (bony stencil), Teka 1, Teka 2, Unknownim, Khara (ultra-heavy slab face), Shlab (slab serif), Unknownim (slab serif), Archtalic, Argyn, Linea Runde, Mechatraps (+Plain), Eliksir, Drilliant, Katamaran (art deco), Lagman, Neurojet (experimental), Jazzure (bullet hole display face), Diagon, Aroth, Pharaoh's Delight (piano key / art deco typeface), Cocomi, AT Burshak, AT Sulfur, AT Taspa, AT Affina.
Typefaces from 2014: AT Knitka (knitting font), AT Sagat, AT Wild Archid, AT Steglo.
Ariel Di Lisio
This guy is something else---I can't find enough superlatives to describe his work. A very creative freelance graphic designer from Budapest, he is best known for his experimental type projects. He published the masterful Ogaki in 2009, the high contrast didone face Sens Away Pro (2010), the calligraphic Caligo (2013), the freestyle jazz high-contrast face Qalto (2012) and the fat counterless Dubwise Pro (2010) at Die Gestalten. Other typefaces include Milen Serif (2009, organic), Minimalstile (2008), Minimalca (2008, organic), Fade Away and Fancy Fence (2009, geometric blackletter), Muzikal (2010), Type #32 (2010).
ARS Type (was ARS Design)
ARS Type is an Amsterdam-based foundry with some commercial fonts by Angus R. Shamal. Shamal had earlier published fonts with T-26 and Plazm. Fonts can be bought via Fontshop.
The fonts: AudioVisual1, Code, Kamp, Kamp Serif, Retro City, OCRU, Toycube, Mortal, Maquette (1999-2000), Angelring, ARS Bembo, Contrast, Dandy, EcologyModern, Hartu (handwriting), Temper, ARS Novelty (2011, a free hybrid style face), ARS Polythene (pixel font family), Misanthry, Syntax (OsF format sans serif), CensorSans (1994), CensorSerif (1994), Credit (1995), Epilogue.pfa (1995), Exert (T-26), Humain-Graphica (1995), Humain-Synthetica (1995), Platrica (1994), Roscent (1995), ARSFortune (2000, futuristic), District (experimental), Descendiaan, Zero Rate (futuristic), Tegel (1998, stencil, kitchen tile), Twenty (octagonal, techno), Trio (dot matrix fonts), Maquette (1999), Region, Product (2007, sans faces), Mr Archi, Prime (display), Deviata (unicase face), Forum I-AR (after Forum I, a 1948 font by Georg Trump), Freie Initialen-AR (2007, after a 1928 set of caps for Stempel Garamond), Fry's Ornamented (2007; a revival of Ornamented No. 2 which was cut by Richard Austin for Dr. Edmund Fry in 1796), Graphique-AR (2007; a shadowed face based on a 1946 design by Eidenbenz for Haas), Gravur-AR (2007; a digital version of a type designed by Georg Trump and issued as Trump-Gravur by Weber in 1960), Initiales Grecques (after a Firmin Didot design, ca. 1800), Lutetia Open (2007; based on Jan Van Krimpen's Lutetia), Old Face Open (2007; a digitization of Fry's Shaded, an open all caps Baskerville cut by Isaac Moore for Fry, ca. 1788), Open Capitals (2007, after Jan Van Krimpen's 1928 face for Enschedé called Open Kapitalen), Romulus Capitals (2007; after the caps series by Jan Van Krimpen, 1931), Romulus Open (2007; after the Open series by Jan Van Krimpen, 1936), Rosart 811 (2007; open caps after Enschedé no. 811 by Rosart), Zentenar Initialen (2007; based on blackletter initials of F.H.E. Schneidler, ca. 1937). [Google] [MyFonts] [More] ⦿
Art deco faces by Nick Curtis: I
Designer in 2008 at FontStruct of the experimental typefaces Gearbox, Gotha (octagonal), Nippon Garden, Labyrinth, Nano (pixel), Machine Script, Plank stencil, Ballistix, San Andreas (recreation of the Grand Theft Auto font), Machina (a macho octagonal heavy face), Electro, Hiro (oriental look), Japanica (oriental look, based on Hiroshi), Mage, Silkscreen Alt (pixel, a modification of Jason Kottke's Silkscreen). [Google] [More] ⦿
Aschwin de Hoog
Head of Cina Associates, Michael Cina (Minneapolis, MN), has started many a typographic and graphic design enterprise in his long career. Associated Typographics was started in 2012.
Typefaces from 2012 include the gas pipe modular typeface family Ramsey.
Commercial foundry in Oak View, CA, est. 2011, by Glenn Parsons. Creator of UXB Stencil and its companion UXB Spray in 2011, rough stencil faces. He also designed the tattoo face Dragon Fang (2011), Sugarbang (2012, comic book style), and the octagonal wedge face Spacepod (2012).
Astype.de is a German foundry started in 2003 by illustrator and type designer Andreas Seidel (b. 1975). He lives in Cottbus, Germany. Home page. See also here. In 2007, he and Ingo Preuss set up The German Type Foundry. The typefaces:
Typefaces made in in 2008 as thalamic: Hello (connected upright script), Epilogie (blocks), WimSoft (+U/C), Chunk Chip, Konstruct (Russian constructivism face), Sensei Says, FS Tributary, Twotype Font, Urge (fat octagonal), Subliminal, FS United One, The Game of Type, Anaximander Zooom!, Corrupt and Corrupt Ed (piano key stencil fonts), Blueprint, Monomum, Synergy, Insert Coin Italic, Write I Careful, Write I Casual, Write I Dump, Loop UC, Loop LC, Emergic, Prick!, Insert Coins Pixels, Retro Electro, Bubble Lab IJ, Bubble Lab Bang, A Needle Pulling Thread, Send, Scan (IBM logo look), Intermittent and Intermittent Sans (stencil faces), Melt x DR and Melt x tDR (dot matrix), Oval x DR and Oval x tDR (original design by theDesignersRepublic for Issey Miyake), On Grid, Indigo (almost blackletter), orange_2 (dot matrix), Scan (horizontal stripes), Bass, Grape (simple pixel face), Nachahmung and Nachahmung Block (fat and extra condensed, Wim Crouwel simulation faces), Nachahmung Block Serif, Conjunction, Interjection, Is It, Sangular (nice experiment), Anonon (nails in square letters), Purple and Purple Very (slab serif headline faces, pixelized), Arc Echo (biline and strutted), The Question (a fantastic 3d paper fold imitation face), FS Minimal (a fantastic ultra fat decorative face), FS FontStructor, Vibrant (multiline labyrinthine or op-art face), Writ (upright pixel script), Castor, Ooki (octagonal), Industrial, The I Flat, The I, Indiscrete, Analog (connected script), Dent (mechanical), Digital (connected script), Hello Hello, and Sensei Says.
In 2009, he made Clone It, Entwined, C64, Helix, Fontsration, Bent, Stripe Zoo, Dull, Indent (stencil), Quartertined (kitchen tile), Firox, Orfix, A Priori, Ignore, Confused, S-Ookii, Ookii (octagonal), Very Becoming, Crisis Averted, Crisis (neat bold octagonal face), Penmanship, Up All Night, Sleep All Dayi, Chunk Chip, Grayletter (upright script), Soso, Mostly Harmless (textured face), Etched, La Cross, Twotype, Etched Bare, Aught (One, To, Three), as: Inflate (Pop, Pfft, Puff, Poof), Istic, Very Becoming, Ignore, Ought, Balance, Broken, Dry Flat (dot matrix), La Cross, Etched (+Bare), Fontsration (+Refined: multilined beauties), FS Institutional (fat multiline face), FS Industrial, FS Pixelayers.
Additions in 2010 as thalamic: fs Section, fs Reboot, fs Easy DNA Auto Stencil, fs Institutional (+Ho, +Elements), fs Quartertined, fs Stencil 2.0, fs Rivet, fs Intaglish, fs Dumb Italic, fs Loop Gap, fs GoTeam (stencil), fs ITilic, fs Kerplunk (Startrek face), fs Dumb Italic, fs Ribbon, fs Beringer, fs Ooki Woodcut, fs Croissant (stencil), fs 45 (octagonal stencil), fsXO, fs Pipe, fs Confused Less.
Fonts from 2011 as thalamic: fs Xenon (a paperclip face), fs Instant, fs Twist, fs WIP (blackletter), fs Sparc, fs Reboot (texture face), fs Pod, fs Flute Tune, fs Special, fs Watch Out (stencil), fs Etched Nyle (labyrinthine face), fs No Kerning Required (2011, connected upright script).
Creations in 2012 as thalamic: fs Flip, fs Mom, fs Noise, fs Noise II, fs Junk, fs You Are Here, fs Flash (outlined), FS Easy Too (paperclip face), FS Strict, FS Fix, fs in three (octagonal stencil face), fs Single, fs Wakarimasen, fs r-failed (white on black), fs Permutation X, fs Pan Am, fs Institutional, fs Institutional 2, fs Chunky (counterless), fs Grayletter (textured face), fsXply (op-art).
Creations in 2013 as thalamic: fs So Not Right, fs Grid Urdu (pixel face), fs Not So Right, fs Six Sticks, fs Half (octagonal family), fs Bored, fs Make it Happen, fs Salvage, fs To Be Discarded, fs Connect (stencil), fs Whomp, fs Praxis, fs Fez (3d face), fs Input, fsTramp, fs Five Alive, fs Hote-Zyd (labyrinthine), fs Patterns (Layers, Quarters), fs Five Alive (origami font), fs Go To Sleep (retro speed font), fs Vaerktoj (inspired by the brand identity of Hoejmark Cycles), fs Permutation B, fs Jester, fs Permutation XII (op-art), fs Insatiable, fs Electronic, fs Carbon (a nice chequered face), fs When We Were Young (multiline typeface), fs Shogun Tiny (a lined kitchen tile typeface), fs Optical, fs When We Were Young (multilined), fs Slate, fs Shogun (gridded), fs Iie (+Filled), fs Blocky (dot matrix), fs Thalamic.
Creations as minimum: fs Oh (2014, piano key style), fs The Italic (2013), Gridlock (2009), Mingle Minx (2009), Mingle Co (2009), Mingle (2009, gridded letters), Bevel (2009, 3d beveled family), illiij (2009, multiline family), m.ove.r (2009, multiline family), Grayscale (2009, multiline family), fs Cubed (2010, 3d-face), Bas Relief (2009, 3d face), Silver (2009, 3d face), Tin (2009), Lead (2009), Bevel (2009), Bevel Just (2009), Bevel Just Shadowed (2009), Ceci n'est pas une vague (2009), A Fault in Reality (2009, optical effect font), Blit Slash (2009, experimental), Blit Hack (2009), Dot Dot Hex (2009), Super Black (2009), fs Overlap (2010), fs Fabric (2010, texture font), fs Original (2010), fs Ink Blot (2010), fs Dots and Dashes (2010), fs I Square (2010), fs Squared Up (2010), fs Super Black (2010), fs Unoriginal (2010), fs Minimum (2010, geometric stencil face), fs Pin and Thread (2010, stitching face), fs Shade (2012, 3d face).
FontStructions from 2011: fs Perpetual (dotted line face), fs Slither, fs No Escape, fs Prompt (a DNA-inspired biochemical lab face), fs Plus H (horizontally striped face), fs Arc Test 2:2 (a modular blackboard bold face), fs V Simple (2010, textured face), fs Instant, fs Permutation V, fs Rehash Monoic (labyrinthine), fs Meta (texture face), fs Scroll, fs Scroll Not (stencil).
FontStructions from 2012: fs Translucent (a texture face), fs Bank, fs Shade, fs Confined (white on black), fs Institutional (+Vo, +HeVe, +Ho, +He, +Ve: texture faces), fs Bang, fs Random (textured face), fs Random Pattern, fs Lead, fs Tungsten.
Atelier Carvalho Bernau
Kai Bernau (b. 1978) studied graphic design at the University of Applied Sciences Schwabisch Gmünd in Germany before relocating to the Netherlands, where he graduated from the Design & Typography course of the KABK in The Hague in 2005 with his successful Neutral Typeface project. He continued in the KABK's Type and Media Master course where he graduated in 2006. Kai teaches type design in the Master in Art Direction program at ECAL in Lausanne, Switzerland. Susana Carvalho and Kai Bernau formed Atelier Carvalho Bernau, which is based in The Hague, The Netherlands.
Atelier Telescopique (Fonderie Nordik)
Fonderie Nordik is a new French foundry in Wasquehal near Lille, which publishes some fonts such as Tomica (2009, a geometric sans done for Wéo Télé Nord Pas de Calais), Le Dixca, Le Cicerond, LaNormal, La Lienne. Founded in 1998 by Xavier Meurice and Sébastien Delobel. Stéphane Meurice and Guillaume Berry are also involved.
Font list: Font list: Scard (2000, Xavier Meurice), Stonehenge, Dixca (free pixel font), Fish, Delory, Lienne (2001, with Delobel), Bizeau, Raoul, La Cidulée, Ader (Xavier Meurice, 2002), Tex (2002, pixel font by Xavier Meurice), Normale (free), PSUS (Xavier Meurisse, 2000), Bépierre, Péro, SV01 (dings), Cicerond (free dot matrix font), Réka (2001, Meurice and Delobel), Nuk, Stéroide, Rosoir (2002, Xavier Meurice, dingbats), Equinox, Acropik, Wazemmes, Kune, Stoneheure (2001, Xavier Meurice), Sphiquesie (Xavier Meurice, 2002, an octagonal font), Nyctalope (2002).
Xavier Meurice participates in the type cooperative Ainsifont in Lille. His typefaces there include:
Design studio in Gijon, Spain. Its designer studied graphic design in Salamanca. Atipo produced the donationware face Cassannet in 2012: this beautiful sans face is modeled after art deco lettering by Cassandre. Images: i, ii, iii, iv, v, vi, vii, viii, ix, x.
The text face Calendas (2011, Paula Gutierrez). Additional weights were custom-made for the magazine Town & Country.
Atlas Font Foundry
Creators of Novel Mono (2012, Christoph Dünst), Novel Sans (2012), Novel Sans Rounded (2012), and Novel Sans Condensed (2012), Heimat Sans (2010), Heimat (2010), Heimat Mono (2013), Heimat Stencil (2013), Novel Sans Office Pro (2013). The Heimat series is characterized by an inverted tail of the y.
Attak is a two-headed graphic design firm formed in 2004 by Peter Korsman (b. 1982) and Casper Herselman. It is based in 's-Hertogenbosch, The Netherlands. They have some free and some commercial typefaces. Behance link. Their fonts, ca. 2009: AT AK-47, AT Babyfat, AT Blaser, AT Concours, AT Dienstuhr, AT Discipline, AT FFW, AT Helix, AT Hide and Seek, AT Hieronymus, AT Janus Kiep, AT Kerremus, AT Klaxon, AT Korsakopf, AT Litewriter, AT Mepper, AT Mohawk, AT Moker, AT Monoload, AT Muntel, AT Peetroleum, AT Praktikum, AT Promille, AT Ramseier, AT Riot, AT Sirca, AT Sirca alternate, AT Slyper, AT Snotnose, AT Streeep, AT Tabak, AT T'Atteljeej, AT TCB, AT Timeline, AT Trash Bold, AT Willi, AT With Machines, AT Zippora. Notable products: AK-47 simulates Cyrillic; Helix is a stencil face; Muntel and Concours are fat art deco faces; Practicum and Tabak are octagonal; Riot leaks blood; Sirca is based on arcs of circles; Streep is a multiline font. I presume that Peter is the main font designer in the team, as he already made fonts as early as 2003 for Burodestruct (see, e.g., BD Burner, BD El Max, BD Sirca, and BD Bardust, downloadable here). A more detailed breakdown per designer:
The students of arts and design at HfG Karlsruhe present their work in 2008: Amoto (Nadja Schoch), Barbarossa (Peter Stahmer: grunge), Cirrus (Antonia Huber: liquid style), Fourty Five Degrees (Emanuel K: octagonal), Hopfen (Martin Borst: display sans), Letrix (Miriam Bauer: modular octagonal), Lokomo (Claudia Kappenberger: experimental), Mayfield Display, Monta (Stefanie Miller), Moto Moto (Piero Glina: octagonal), Nancy (Masa Busic: art deco), Oceanic (Simone Gier: rounded techno), Platine (Lise Naujack: multiline, inspired by chip wiring), Pluk (Simon Roth: poster stencil), Quitt (Marko Greve: experimental multiline), Sophonho (Daniel Schludi: display sans), Vahen (Nicolaz Groll: display sans).
Designer in 2008 at FontStruct of NuGothicA (blackletter), BauForm, DINAMO (mechanical), Magnum (great industrial strength slab serif headline face), Cocoa (rounded and ultra fat), EUROstruct (thin and architectural), Kaotic (graffiti), Weimar (pixel face), Rondo, Rondo Tail, Fabrica (octagonal), Fabrica Rotula (stencil, octagonal), Quadrat, Electrica, Electrica Dots, Fabrica Screen (horizontally striped octagonal face), Block Black, Bloop, Blackwolf, Guru Blackletter (Indic simulation face), Inslab (slab serif), Inslab II, Minima (stencil), Boxer (ultrafat, octagonal), Bloko (nice ultra-fat face), Steel (macho slab serif), Nextar (pixelish but elegant), Simplex, Ulises 7 (+Serif) (pixel faces), Digita (kitchen tile) and Block (ultra fat), June Cleaver. See America (2008, octagonal) is an octagonal lettering font that was inspired by a travel poster (WPA, 1936) designed by Jerome Roth. Faces made in 2009: Morgana (a beautiful fat piano key face), Manitoba, Machina (+Slab), Old Monk (uncial), NughoticA Brush, LUBA 8 Lowercase (after Lubalin), Nugothic A (blackletter), Dinamo, Ross (strong mechanical face).
Babylon Schrift Kontor
Commercial German foundry, est. 2000 by Klaus Bartels (1948-2005). BSK also has on board Wolfgang Talke, Bernd Pillich, and the type experts René Kerfante and Frank Sax. It specializes in major text families, mostly based on fonts from the Berthold collection. Bartels was previously responsible for the digitization of that collection at Berthold, so this is a natural progression. Some amount of renaming of the typefaces seems to have been necessary. Partial list: Adlon Sans BSK, Adlon Serif BSK, Admira BSK, Albion Script BSK, Albion Script 2 BSK, Alte Schwabacher BSK, Ancora BSK, Atlantica BSK, Avenue BSK, Babylon Schreibschrift BSK, Baskerville BSK, Baskerville Text BSK, Bodoni BSK, Bodoni Expert BSK, Bodoni Condensed BSK, Bodoni Text BSK, Bodoni Text Expert BSK, Carissa BSK, Caslon Text BSK, Centra BSK, Champion BSK, Cogita BSK, Elega BSK, Fabiana BSK, Fonica BSK, Francesa BSK, Garamond BSK, Garamond Expert BSK, Herold Reklameschrift BSK, KG privata BSK, KG privata II BSK, KG vera BSK, KG vera II BSK, Lettura BSK, Mirage BSK, Mirage Expert BSK, Mirage New BSK, Pintura BSK, Signal BSK, Standard-Grotesk BSK, Standard-Grotesk Condensed BSK, Standard-Grotesk Extended BSK, Standard-Grotesk Classic BSK, Standard-Grotesk Next BSK, SG Next Condensed BSK, SG Next Extended BSK, SG Next Rounded BSK, SG Next Stencil BSK, SG School BSK, SG School 2 BSK, Story BSK, Supersonic BSK, T & T Form BSK, T & T Form Condensed BSK, T & T Form Ey BSK, Tomos-Antiqua BSK, Tomos-Mediaeval BSK, Trump Tower BSK, Unger Fraktur BSK, Walbaum BSK, Walbaum Expert BSK, Walbaum Fraktur BSK, Walbaum Text BSK. I have no idea what happened after Bartels' death--the page disappeared! [Google] [More] ⦿
Free Latin and Greek fonts: BPLatinNumerals, BPbigHead, BPchildLefty, BPchildFatty, BPchubby, BPchubbyFat, BPdots, BPilialena, BPletterSquares, BPletterSquaresWide, BPmolecules, BPmouse, BPmyhand, BPneon [paperclip face], BPpong [light stencil face], BPsquareHand, BPtall, BP PhD Sans, BP PhD Italic, BP PhD Mono, BP Inktrap, BP Script. These include quite a few handwriting faces. Commercial handwriting fonts at Cannibal: BPPallas, BPOlga, BPMaria, BPHaroula. These fonts were made by George Triantafyllakos (b. 1980) from 2001 to 2005. In 2007, he added BP display black, BP mono and BP mono italics, and BP script. In 2008, BPreplay was created as a correction of MgOpenModata. Creations in 2009 and 2010: BPOApeloig, BPScript, BP Typewrite, BP Imperial (think Impact), BP Dots (30 monospaced dot fonts). In 2004, he was a PhD student, Department of Informatics, Aristotle University of Thessaloniki. Dafont link. Fontsquirrel link. [Google] [More] ⦿
Bagel & Co
Japanese foundry that offers these free Latin fonts made by Ryoichi Tsunekawa around 2005: Kiwi (geometric hairline), Bagel (roundish comic book face), Coconut (noisy outline face), Coconut Split, Fresh Tomato (LED simulation), Dried Tomato (LED simulation), Dutch Style, Mocha Harrar (great stencil face), 103 (experimental, Bank Gothic style), Airhead, ArealBlack, Awkward, BagelNew, BagelOld, Banbino, Bebas (2005, industrial sans), Berlin89, Blackout, Built-1970, Bunyan, Busted, Canstop, Chiangmai (Thai simulation face), DBLline, Dijkstra, Dutchstyle, Fling, Graphite, Harcomaso, Hiexplosive, Hitech, Honeycomb (hexagonal), Junkmix, Kanatypo, KemikalHi, Meegoreng, Mikrob, Natsupopy, Overwork, Palsu, Plamo, Plasitico, REC001, REC002, REC003, Resistance, SQRT, STdigi (LED font), Shandy, Superstar, Tembaga, Tenaga, Tomodachi, Tragedia, Trucker, VRdigital, VRembroidery, Welcome2M, Workaholic, Zeebraa, plot-A, plot-K, Appendix 3, Gesso, Pusab, Sushitaro, Typewrong.
Barcelona-based foundry involved in custom font work, est. 2005. Original fonts: Inclusive (2007), Urbanium (2005, a bold display face), Handwritten, Eixample (2008, octagonal and rounded), Screech (2008) and Begyptienne. Modified fonts (or re-fonts in their words) include Le Grand Palais (stencil, for La Force de l'Art, Paris, 2006), BeTV (for a Belgian TV channel), and VijfTV (a modification of Chalet for a Flemish TV station). Their custom types include Atrapalo, Kipling (a fashion mag family done in 2011), STM Montreal (2011, for the Montreal transportation system), Dialogue, Kidswa, Hangar and Costa Design. One of the main collaborators is Joancarles P. Casasín. Behance link. [Google] [More] ⦿
Typographer and graphic designer, who studied typography at ENSAV La Cambre in Brussels.
He created the free web font Karma (2010, Open Font Library), a slab serif face. Caledo (2010) is a narrow hand-printed church face. Pixacaos (2009) is based on Brazilian graffiti. Castles (2010) is an interlocked design font. Nemoy (2010) is geometric. Strato (2010-2012) is a connected signage script.
In 2013, Bastien Sozeau and Jean Gabriel Franchini set up AmoinsB, a free font foundry.
Gifted designer from Lausanne, Switzerland. One of the most talented creators of typefaces with FontStruct.
Typefaces made in 2009: DB72, DBColon, DBPoints Sans, DBCube, and DB13, mostly dot matrix or octagonal fonts.
In 2010, these were followed by db Outline, db Stickers, db Stick, DB Cube New, db MOKI (stencil), db Ciao, db Ticket Light, db 72, DBpoints (dot matrix), DBPoin2, and db Kopix (blackletter), db New Points Italic (dot matrix face).
In 2011, we find dB Stick, dB Sticker, dB Sticker Mono (a monospaced typewriter face), db Prague (fat sans), db Backjumps (an extraordinary fat poster stencil), db Perl, db Perl 1.2 (texture face), db Quarz (2011, +Mix), and db Nox and db Nox II.
Fonts made in 2012: db Como (a simple monospace sans), db Sticker (hairline sans), db Rocko v2 (stencil face), db Today v1 (a beautiful black slab face), db Today v2, db Etroite (2012, in several weights: constructivist), db N3, db Drops (fat counterless face), db Quarz Mix, db Soda, db Klacks, db NQ, db Boxer, db Como (monospaced), db Smoothie (fat stencil face), db Quick Cut (stencil), db Karton (stencil), db Frieda.
Beaufonts offers nice screen fonts and pixel fonts by Cecilia Garside, David Gibson, David Hand, Jonathan Hitchen, John Humphries, Ian Mitchell, Paul Musgrave, Oliver Payne and Simon Vaughan. Free Mac type 1 fonts, often of the pixel type. Fonts: Backstabber, Baseface, Bummer, Default_20PN55C, Disinformacion, FuckingGoodStencil, MissPeaches, Punkt, SansCounter, Suedehead, Swipe, Untiled. [Google] [More] ⦿
Behaviour (was: type behaviour)
Behaviour was founded in 1996 by Anuthin Wongsunkakon and Nirut Krusuansombat in Bangkok. They do graphic design, mainly. Type Behaviour is the font library of Behaviour. Anuthin teaches graphic design at School of Art and Design, Bangkok University and Chulalongkorn University.
Fonts include OCRX, Aspirin, Interviewer, Songothic (1999), Behaviour, Keystonestate, Effectra, Hydrous, Ideologica, Waveeweekend, Matamorphosis, Berlidin. Commercial fonts available at T26 and PsyOps (where he did Hydrous). Also, many dingbats by Nirut Krusuansombat, again without downloads. Custom-made Thai fonts too.
[T-26] designer of Aspirin, Aspirin Advance, Aspirin Refill (hairline), Automate (2008), Behaviour, Berlidin, Carbon, Cellular One, Cellular Two, Cellular three, Coupe, Datum, Dotto, Dotto Deluxe, Effectra, Harbinger, Hydrous (2009, PsyOps and T-26), Ideologica, Interviewer, Keystone State, Labelo Ext, Labelo Rom, Labelo Uni, Metamorphosis, Myers Sans, OCRBe, OCRX, QR-Type, Son Gothic (+New Son Gothic), Wavee Weekend (upright script, Foto (2006, dingbats), Harbinger (2004, stencil), Myers Sans (2005), Aspirin, Carbon (2003, an octagonal font, which reappeared in 2006 as Carbon C6 and in 2008 at Cadson Demak as carbon Plus), Coupe (2006, 4-weight sans family), Labelo (2003, octagonal, +Varsity), Dotto, Dotto Deluxe (2002, dot matrix font), Behaviour, Berlidin (nice serifs), Ideologica (2000), Interviewer, KeystoneState, Metamorphosis, SonGothic, WaveeWeekend (2000), OCRX (2001, T-26), and Effectra (2001, T-26), Cellular-Complete (2002, T-26), POBox (2002, T-26, dingbats of postal imprints), Datum (2002, pixel font), Baked (2007, T-26), Board (2004, T-26), OCR-Be (2006).
Free font: Katan U Kata Way T (Thai font).
Dingbats: Arvaiyava, Bahnpaburut, I'm icons, Monsoon, Pixxo (pixel-based icons), Prajanbarn, SO-6.
MyFonts sells the athletic lettering fonts Labelo Ext (2007, T-26), Option Sans (2009, T-26), Labelo Varsity and Board Deluxe, Enzyme (2010, Cadson Demak), Amino (2010, Cadson Demak: an organic family).
Typefaces at Katatrad include Ra Bobb Thai (2012, octagonal).
Foundry in München, Germany, run by Adam Bell (b. 1972, Landsberg), who despite his name is a native German. After learning to be a silkscreen printer he studied graphic design in Würzburg. Together with Tanja Kischel and Georg Behringer, he runs a small design agency and shop called Umwerk in München since 2004.
BenBenWorld (or: BB Bureau)
Benoît Bodhuin (aka Ben Ben) lived in Tournai, Belgium, but seems now to be in "chti" country, i.e., in Villeneuve d'Ascq, France. He studied mathematics and graphic design. Freelance graphic designer since 2004. In 2011, he set up Benben World at MyFonts.
Designer of the pixel fonts Logotix (2004), Latham and 5x7 Negatie Moyenne. In 2010, he made the paperclip face La Pipo, which was published in 2011 by Die Gestalten. He created the commercial angular sans face S-L (2006) which was originally made for the University of Arts Saint-Luc in Tournai. It was published by Volcano.
Commercial faces include S-L Bold (2012, a hexagonal face based on his design at St. Luc in 2006), Zigzag (2012, Volcano Type; a font originally made for the Vivat theater), and Marianne (2012, BenBenWorld: an inline and modular typeface family).
French designer of these free faces that can be downloaded at Dafont:
Bernardo Faria is a Brazilian designer specialized in logo and editorial designs. In 2014, he and Tony de Marco (Just in Type) created the masculine typeface family Terrorista, and wrote this blurb: Terrorista is a homage to everyone who fought against the Millitary Regime in Brazil from 1964 to 1985. The Terrorista Marighella features generous inktraps, fits perfect for small sizes. Terrorista Dilma has the same design as the Marighella, but without inktraps, made for display. The last typeface from the package is Terrorista Lamarca, stencil version. This is the font for the political propaganda machine. [Google] [MyFonts] [More] ⦿
Betterfear.us (or: XXII Fonts, Or Doubletwo Studios)
Lecter Johnson (Betterfear.us) published many free fonts between 2007-2012. At Behance, we find the name John Thorn (Germany) and a memtion of Hamburg.
Typefaces: XXII Sinoz DSP (2010-2011, elliptical face), XXII Gory Bastard (2011), XXII BLACKMETAL WARRIOR (2010), XXII Menga (2010, a technical sans family), XXIIARMY (2007, stencil), XXIIDECONSTRUCTION-DESTRUCTION-AREA (2007, grunge), XXIIDONT-MESS-WITH-VIKINGS-HARDCORE (2007, octagonal), XXIISTRAIGHT-ARMY, Army Dirty (grunge stencil), XXIIUltimate-Black-Metal (2007, cracked metal look), XXII Scratch (2007, scratchy face), XXII DEVILS-RIGHT-HAND (handprinted), XXII BLACK-BLOCK (grunge), XXII MISANTHROPIA (2008, a rigid geometric sans family), XXII Arabian Onenightstand (2008: Arabic or Indic simulation face), XXII Urban Cutouts (2009, grunge), and XXII Static (2007, futuristic).
His web site has a threatening nazi sort of look, but the fonts are (were) free. Betterfear.us claims to be located in St. Pauli, Hamburg, and is also known on MyFonts, where some of its fonts can be bought, as Doubletwo Studios. These include XXII Yonia (rounded script family loaded with opentype features), a href="LecterJohnson-XXIIGoreGrinder-2013.jpg">XXII Goregrinder, XXII Grober Bleistift (2013, marker font), XXII Centar (a sans family with a free regular style), XXII Totenkult (2012), XXII Blackened Wood (2013), XXII Candylove (heavy signage or packaging script), XXII Centars Sans (2012), XXII Daemon Runes (2012), XXII Total Death (2012), XXII HandTypewriter (2012), XXII Daemon (2012), XXII Marker (2011), XXII BLACK BLOCK SERIFA (2008), XXII Mescaline (2009 Western style), XXII Misanthropia (2010, geometric sans), XXII Urban Cutouts (2010), XXII Marker (2011), XXII Blasphema (2011) and XXII STREITKRAFT (2008, a stencil family with grungy versions added). Older list of fonts: Devils Right Hand (blackboard script), Black Block (grunge), Static (techno), Ultimate Blackmetal, Scratch, Don't Mess With Vikings, Army Dirty (grunge stencil), Army Straight, Black Block Eroded.
Fonts from 2011: Tabu, Caribbean Tool (roman caps face), Pijamas (handprinted 3d outline face), Nova Solid, Chocolate Dealer, Happy Family (dingbats), Save The Mini, Tosca Zero (grunge), Epidemia (grunge), Skt and Destroy (grunge), High on fire, Manabu, Masterplan, Thrashline (multiline), Triumph Rewind, The Dreamer, Why, Uranium Mafia, Blessed Day, Caribbean Tool (floral caps face), Lost Winner, Dove Love (curly valentine's Day font), Safe Iodine (texture face), Easy Trouble, ArgelFont, BUTECO (sketch font), DIAMONDDUST, Dropping, Ink In The Meat (tattoo font), NORMAL, POPCORN (a great grunge hand-drawn Futura Black), POPCORNSKETCHSKETCH (a sketched face), ROCKETAIR, ShitHappens-Cursive. Panhead (grunge Western face).
Fonts made in 2010: Thrashline, Dotled (a fuzzy texture face), Refurbished, PUNKBABE, CANDYINC, GreenPillow, DIRTYBAGBOLDTRIAL, LEDLIGHT, MAJORGUILTY, Network Vampires, NEWESTTRIAL (Western face), VATOS, Billy Argel Font (calligraphic), ACIDLABEL, BeyondSky-trial, HURTMOLD, TOSCAZERO, TABU (grunge), EASY TROUBLE, BOMBFONT (puffy letters), BILLYARGELFONT (calligraphic), Soap Store (grunge), ANGELTEARS (calligraphic), BUTOXQUEEN-trial, ELECTRICHANDS (cursive hand), FLOWERFLOW-trial, HAPPYFAMILY-TRIAL, HEARTQUAKE (grunge), MSKITOKILLA (grunge), NIGHTSTALKER-TRIAL (grunge), RAINFOREST (handwriting with rough edges), ROADMOVIE, ROSE TATTOO (an outlined hand-printed beauty), TWINPINES (brush), WANNABEME (sketched), WEDDINGNIGHTMAREStrial (calligraphic), BEERNOTE, GREENMIND (grunge), PORNFASHION, MASTERPLAN (grunge), SNIPERSHOT.
Fonts from 2009: COOLECTOR, BODYHUNTER-Bold (grunge), CLUBHAUS-Bold (ultra black, mechanical/octagonal), MAKEMEALPHA (grunge), NewGardenLight, TRIUMPHREWIND (grunge), Nachos and TV, Oxidisaster, Helloween, Lemon Day Semibold (a sketch font), Tosca Zero, Outlaw (Western face), Gangland (scratchy brushy face), B Side (vertical stencil).
Fonts from 2008: Plastic Pill (fat art deco face), Bedspread Assassin, A Bite (grunge), Dirty and Classic (grunge calligraphy), Gas Mask (grunge stencil), PANHEAD (grungy Western billboard font), My Turtle, Cubiculo Gallery (created for the Cubiculo Gallery in Sao Paulo), Ginga (grunge calligraphic--think award-winning grunge!!!), Wallrider, Black-Oak, TOY_SOLDIERS-Bold (grunge), Abite (grunge), ACIDLABEL, Bulldozer, Cheap Stealer, DONOTEXIST, HANGUP (3-d bouncy letters), HYERBA (Far West font), LAZYDAY (handprinted outline caps face), LEDLIGHT, Mon Bijoux (ornamental), MANABU (futuristic), PEIXEFRITO, Positiv-A, Killed DJ (multiline grunge), Sniper (grunge), Black Oak (smudged face), ShAnKed,
Fonts from 2007: Olho de Boi (a great scratchy handwriting font inspired by the first Brazilian postage stamp which was released on August 1, 1843), Skull TS2 (skull dingbats), REBOARD, Hurtmold (rounded octagonal face), PDRPT (grunge), the Soma family (modern stencil), Caatinga (2006, artsy display face), Santos Dumont (handwriting: free at DaFont). [Google] [More] ⦿
Bindustries Heavy Metal
Brian McFeely (Bindustries Heavy Metal) is a designer at Fontmonster who is based in Edinburgh. He made Aulden Times, Trident, Rustic Laminate, Unconform and Unconform Round (in which some letters are stenciled).
Swiss foundry which made several (typically Swiss) techno-sans families, such as Regular (originally created by Norm (Dimitri Bruni and Manuel Krebs) as a lucidly structured and fully formulated headline typeface font back in 1999. In 2006 adapted and rounded out by Nik Thoenen to this current version), Relevant (Michael Mischler and Nik Thoenen, 2007; loosely influenced by 'Record Gothic', created by R. Hunter Middleton for the Ludlow Typograph Company in 1927), T-Star Pro, T-Star TW Pro (typewriter face, Michael Mischler, 2002), and Blender Pro (Nik Thoenen, 2002-2009: an octagonal sans face). Catalog (Michael Mischler and Nik Thoenen, 2005) is a serif family. FRAC (Nik Thoenen, 2003) is octagonal. Korpus (2012) is a text family designed by Mika Mischler and Nik Thoenen.
Bionic Type Engineering
Malte Haust is a German designer at T26 who made the Kernfusion, SynKro, InterFacer (1998) and DorisOrange families in 2000. DorisOrange free download at Maniackers in Japan. Also runs Bionic Type Engineering Labs in Duesseldorf, Germany, where Doris Fuerst (juici) and Malte Haust (dePhrag2.0) showcase their font creations such as the BTEBioterminal family (by Malte Haus). Hit the "decode" button. Synkro is a dot matrix font at T-26. Other fonts at T26 include Cyberwar (2000), Comsat (2000, a stencil family) and Comsat Navy (2000). Full font list in 2002: 01.MB Truth, Alphabot, Comsat, Comsat Navy, Comsat Breakdown, Cyberwar, Doris Orange, Interfacer, Kernfusion, Neo Tokio, SynKro, Team Riders, Technik, Überform. [Google] [MyFonts] [More] ⦿
Graphic design student in Kolding, Denmark, who created Ausfahrt (2012), an undernourished monoline stencil face that was inspired by the German Autobahn. The next day, he showed us the art deco beauty called Jazz (2012), ingeniously massaging in elements of music notation in the design. Barroom (2012) is a 3d art deco done for an imaginary jazz bar in Denmark.
Manolo Guerrero (Blue Typo, San Luis Potosi, Mexico) is the Mexican creator of Deconstructa (2005, grunge), Hybrid Screen (2005), and Optica (2008, an opart or optical illusion texture face). Optica won an award at TDC2 2009 and a grand prize at Tipos Latinos 2010 (in the experimental type category) and can be bought at MyFonts under the Cocijotype label. Optica is a tribute to Colombian artist Omar Rayo's optical art.
FontStructions by him in 2009 include Block 02 (stencil). In 2009, he also made the experimental face MiniBlock (Cocijotype). In 2010, Sticky was published---it is an experimental brick face. P> http://www.behance.net/bluetypo">Behance link. Another Behance link. [Google] [MyFonts] [More] ⦿
Dave Farey's great essay on the history and implementations of Bodoni. All Bodoni faces published today have genetic material from Giambattista Bodoni's original. Below are various implementations:
Polish type designer, b. 1936. Designer at Mecanorma of Glowworm, a truly ugly type family that should be made illegal. He also made Globe 1, 2 and 6 (1979), a shadow font family, and Graph MN, a sans face.
Bill Bogusky runs the design studio Bogusky 2 in Miami, together with his brother. He created Gonzo Bruno, Gonzo Monza and Gonzo Grosso (2007), Sundial (2006, Trajan lettering), Condo (2006, condensed), Ar Deco 1, 2, 3 and Deep (2006), Technia 1 and 2 (2006, athletic lettering or MICR applications), Sport (2006, dingbats), Macarena (2005: art deco), Zanzibar (2006: decorative), 42nd Street (2005: Broadway style lettering), Boffo (2005), Bronco Rose (2005, Wild West style), Decora (2005), Switchback (2005, a computerish face), Capzule (2005, a condensed black face), Tulip (2005, a decorated stencil face), Kondor (2005), Mah Jongg (2005, with many ornaments), Metro (2005, LCD face), Squircle (2005), Zeke (2005, artsy display font), Baby Blox (2005), Kurly (2005), Pipeline (2005), Dealer's Choice (2005), Stencille (2005), Terra, GogoBig and GogoSquat (were free at FontFreak site), Nouville (2006, art deco sans), Back Fence (2005, comic book face), Gogo Latin (2005, condensed), Zandakas (2006), Ameche Pisa (2005), Gogo Serif (2005), Bolo (2005), Hyline (2005), Compado (2005), Ameche Padua (2005), Tera (2005), Xtera (2005), Tudor New (2005), Boffo (2005), Byline (2005), Decora (2005), Quazar (2005), Grafo Graffiti (2005), Acid Bath (2005), Benz (2005), Hulk (2005). These fonts are now commercial and can be obtained at MyFonts.com. A graduate of the School of Industrial Arts in New York City, he worked as an industrial designer in New York before moving to Miami, FL, where he opened Studio Bogusky 2. Dixie Bogusky designed Esquimaux Graphics (2006). [Google] [MyFonts] [More] ⦿
Typefaces: Capibara (squarish, done in 2007 by van Rosmalen), Feisar (techno), Flex (sans), Nitti (monospaced, done in 2008 by van Rosmalen), Panno (sans, done in 2008 by van Rosmalen), Panno Text (2008-2010, a sans by Van Rosmalen and van der Laan), Naomi (1999), Nitti2 typewriter (2009, by Van Rosmalen at Caketype), Nitti3 (2011, like Nitti2, but also with monotonic Greek), Pinup (fat rounded sans, done in 2008 by van Rosmalen), Pixel Package, and Stanley (headline face, done in 2008 by van Rosmalen; includes a stencil).
In 2012, they published the trompe l'oeuil typeface Macula (Jacques Le Bailly).
In 2013, he published Pinup Dotted (a textured typeface) and Oskar. They write: Oskar, designed by Paul van der Laan, is a typeface inspired by Dutch architectural and advertising lettering from the early 20th century. Particularly the style of lettering that was painted on walls and shopfronts, or executed in metal on buildings. This kind of typography did not exist as metal printing types, but was instead painted manually by sign painters, or drawn by architects. Initially the typeface was designed in 2002 for the lettering of a monumental school in The Hague, designed by architect Jan Duiker in 1929.
Pieter designed custom typefaces for worldwide clients amongst others Agis, Audi, Teldesign, KPN, The government of South Korea (road signing), The Ministry of Transport, Public Works and Water Management (OV Chipcard), USA Today and NBCUniversal.
Brad O. Nelson
Brain Eaters Font Co.
BrainEaters is Brad O. Nelson's font outfit in Salt Lake City, Utah (formerly in Orem, UT). Current fonts (mostly commercial, some free) include: BEBlob, BECROSS, Bingo Star, BubbleMan, DecayingAlternate, Decaying, EvilOfFrankenstein, PlasmaRain, SinsofRhonda, Witless, Blood Of Dracula (1.1), Blood Feast (1.1), Cat Women of the Moon, Cat Boxed, Channel Tuning, Demon Night (1.2), EddieFisher (1.4) (early 60's beatnik style sharp serif face), EddieFisher's Brothers (1.1), FrankenTOHO (1.1), H-Man (1.2), H-Man Part 2 (1.1), Keep on truckin (2003, psychedelic), Musicals (psychedelic), Psychatronic (2.0), Psychatronic Two Caps, Shiver (1.1), Spooky One (1.1), Stencil Gothic, Two-Face, Strange Planet, UmAbort, Mysterian, Old Witch, Sinister Urge, Haunted Hillbilly, Shiver, Sinbad 7, Trauma, Ghetto Dan, Burn in Hell, Unmanned Mission, Bloodytronic, A Weird Party (curly!), Amhole, BE Marker, Brain Invaders, Cat Women, KuntryHog&Joe, Matchbook, Space Immortalizer, BE Streetwalker, Butch Wax, Oh My Word, A Weird Party, Amhole, Prosy Script, Ramsesfuad, PsychTest, Circusized, Marker Money FW and CV (2005, an irregular hand), Witless (2008), Xerker, Robot Games, Space Blasterm Hyper Drive, Prosy Script, Ramsesfuad, PsychTest, Circusized, Space Immortalizer, Matchbook, Be Streetwilaker, Butch Wax, Oh My Word, Strange Planet, Um Abort, Mysterian, Old Witch, Sinister Urge.
Designer and illustrator at Hatch in San Francisco, who hails from Boerne, TX. His typefaces include Sasquatch (2011, a bilined custom face), and Milk (2011), a very thin slab face. He is working on the multiline face Hello (2011), and on the Victorian ornamental face San (2011). Flickr link. [Google] [More] ⦿
Icon and logo designer. Creator of two EPS format alphabets in 2010, Geomicons (dingbats) and Papercraft, a paper fold alphabet. Free downloads. Designer in 2008 at FontStruct of FuturaBLKish (Futura Stencil-inspired) and Gobul Arque (Bank Gothic style). [Google] [More] ⦿
Brian Jaramillo Harvey
Bric Type is a typography consultant company based in Brazil and The Netherlands, run by Yomar Augusto, who holds a BA in graphic design (University of Rio de Janeiro, 2000) and MA in type design (Type & Media at the Royal Academy of Art in The Hague, 2005). Personal URL. As a Brazilian graphic artist, he has been involved in two Rojo ArtStorm projects. Yomar lives in Rotterdam. At ATypI 2008 in St. Petersburg, he ran an experimental calligraphy workshop called Kalligraphos.
His typefaces include Den Dekker (2006), and the roundish liquid creations such as Virgem, Rejane, Liquida (2002) and Dizain. No downloads. More recent faces: Duin (2007, octagonal), REMF (2006, stencil), DC (2007, ultra-fat), Fake Human (2005, script), Jana (2006, unicase), War (2007, octagonal), Fuck Shit Up (2007, stencil), Charlie Dee (2002, hairline stencil), Marina Lima (2002), Lasagna (2008, Re-Type: a fat geometric poster family, produced with the help of Miguel Hernandez). In 2009-2010, he created the Adidas Unity typeface [images: i, ii, iii]. In 2011, he designed the multiline headline face Andoverpis. The Dog House Nike (2010) is a custom typeface for The Dog House Athlete center for runners in Amsterdam. [Google] [MyFonts] [More] ⦿
A foundry which made over 500 fonts, mostly in 1998-1999, and seemed to be located in Carlsbad, CA, where Gail Conwell edited their Bright Ideas Magazine at that time. Dafont link. Another URL. Font Squirrel link.
Typefaces in alphabetical order with a few additional fonts mentioned separately later: Abraham, Accumulation, Adderley, Aerosol, Akimbo, Alexander, Amadeus-Regular, Amadeus, Amadeuz, Anderson, Arkitex, Arthur, Ashley, Asphalt, Asphalt'Wicker', Avante, Aztecan, Backlit, Balcony, Banshee, Barbarian, Barnaby, Barney, Beanbag, Bender, Bicycle, Billie, BlackRose, Blanchard, Blazed, Blossom, Bodkin, Bogsley, Boingo, Bonham, Botica, Bradley, Braxton, Brittany, Brownie, Bubbly, Bullwinkle, Bumper, Bunker, Butterscotch, Cajalco, Camelot, Candles, CandlesChrome, Candy, Canterbury, Cappuccino, Capsule, Carbiner, Carousel, Carrington, Carson, Casanova, Catfish, Cathedral, Catnip, Cecily, Ceremony, Challenge, Chamberlain, Chance, Chantilly, Cheetah, Chilled, Chocolate, Chopstick, Chump, Conniption, Corrigan, Corrosion, Crawford, Cyborg, Daffodil, Dakota, Danferno, DantesInferno, Darcie, Daytona, Delineator, Dementia, Diamondhead, Donika, Donnah, Dribble, Einstein, Elizabeth, Energy, Espresso, EspressoBI, FabreseDemi, Fairytale, Fallbrooke, Fiancee, Fido, Fionah, Fontana, Fonture, Fortress, Framed, Frankie, Frazier, Freddy, Frederick, Frizbee, Funhouse, Futana, Gapetto, Gatsby, Gemini, Gershaw, Gobbledygook, Godfrey, Goliath, Gonzales, Gonzo, Gothica, Graphitti, Grasshopper, Grendel, Griffin, Groovy, Habibe, Hannah, Hansel, Haskel, Havisham, Hawthorne, Henderson, Hendrix, Higgins, Highland, Holmes, Horton, Humphry, Hutchinson, Incense, Independence, IndependencefromBrightIdeas, Interpret, Invisible, Jacinda, Jacoby, Jaddarack, Jagger, Jamboe, Jangazoo, Jeremy, Jigsaw, Jokester, Joplin, Joseph, Joshua, Jubilee, Junior, Kaboom, Kamden, Karissa, Katherine, Kaufman, Kayleigh, Kendra, Kennedy, Khaki, KhakiBold, KhakiBoldOblique, KhakiOblique, Khakiripp, Khakiwrink, Kilcher, Killian, Kincade, Kingdom, Kinison, Klinker, Komodo, Kramer, Kromeon, Kryski, Kurrajong, Kyanna, Labrador, Leallie, Leland, Licorice, Limousine, Lindsy, Liquitek, Lockleer, Lockwood, Londonderry, Loyalty, Machine, Maddox, Madman, Magazine, Magellan, Maggie, Magician, Majesty, Malachite, Malone, Mandolin, Margarita, Marilyn, Marley, Marmalade, Marquardt, Martin, Mascara, Masters, McMahon, Mckinsey, Mechanizm, Meddler, Michelle, Milano, Millenium, Moccasin, Mongrel, Monolyth, Monster, Montey, Montoya, Moonstar, Morgan, Morrison, Morteza, Moteefe, Muskrat, Mustard, Napkin, Neolite, Newlywed, Nirvana, Noodles, Nouveau, OldWood, Oliver, Omicron, Pajama, Palooza, Panache, Paperclip, Papercut, Parbuckle, Parkinson, Paschico, Patches, Patriot, Patton, Payton, Pebbles, Pegasus, Perkins, Phantom, Picante, Picasso, Pickles, Pigeon, Pinhead, Pirouette, Platinum, Poodle, Pugsly, Quantum, Quentin, Radford, Ragetta, Ramirez, Rampart, Ramsey, Rapunzel, Rathskeller, Ravage, Ravish, Razor, Rebecca, Recess, Rediculous, Reefrash, Remeus, Revenge, Rhackoon, Rhodes, Ricksha, Riesling, Rockafella, Rockford, Rockola, Romance, Romulus, Rookie, Rutger, Ruxton, SMCChicago, SMCHollywood, SMCMiami, SMCMonteCarlo, SMCPhoenix, Sabien, Sampson, Samurai, Sangrial, Sapphire, Sapporo, Sawyer, Scarab, Scarlet, Scirocco, Scorpio, Scratch, Scrubblack, Scrubbold, Scrubcle, Scrublight, Sebastian, Seymour, Shakah, Shardee, Sheela, Skatty, Sketcher, Skyline, Skywalker, Snoozie, Snowboard, Squared, Stacker, Starsky, Stencil, Stencilla, Stiltskin, Sublime, Sundance, Surkle, Surrender, Swashed, Swingreg., Tagger, Tamarin, Tamborine, Tanner, Tantrum, Tarzana, Taylor, Teriyaki, Thompson, Thrash, Thrust, Tiddwell, Trapeze, Trident, Trinket, TrujillietXtra, Tuolumne, Twinkle, Tybette, Urbana, Vargas, Ventolin, Ventura, Vitrono, Vulmere, Waynne, Weiland, Whitney, Windsong, Winslow, Winton, Wonton, Wookie, Zargon, Ziggie.
Additional fonts not in the list above: Andrew, Boogie, Fracas, Mandrel, Sinclair, Tuxedo, Varsity.
In a 2003 project organized by Jim Richardson of Union Fonts and Max Kisman of Holland Fonts, several typographers are creating and selling their work on a CD for a charitable organization that helps AIDS orphans in Africa. The designers: Jason Arber, Jorge Alderete, Neville Brody (Peace+Love), Lotta Bruhn, Buro Destruct (BDBillDing and BDBillDingLong), David Carson, Cuban Council, Joshua Davis, Fontomas/Dirk Uhlenbrock (Digitalis, DigitalisBold, Kombi, KombiItalic, Oggi), Stephen Kane, Richard Kegler, Max Kisman (the Bfribat and Bfrika families, MundengeRock), Jim Richardson, David Luscombe (Mutenagen), Underware.nl, YouWorkForThem (RiblahBold, RiblahLight, RiblahRegular), John Hersey (helped with the Christmas dingbat font), Erik Spiekermann (helped with the Christmas dingbat face), Sacred Nipple (Brode Vosloo designed Afrodisiac, IAlfabhethi, IZulu, IZuluOutline, MrCVJoint, PleineStr, Rural (a stencil face), the ShoeRepairs family, StarSalon), Thirstype, Claudio Piccinini, Providence Type (Jack Armstrong), Stefan Gandl/Neubau Berlin (NBBlock, NBFett), Marcus McCallion/UNDT (ProfitofDoomLozenge, ProfitofDoomPills. ProfitofDoomSuppository), Pierre Di Sciullo (Aligourane in these weights: Contour, Noir, Orner, Leger and Etroit; Amanar in these weights: Condense, Decor, Demigras, Noir), Neil Summerour (TrussLight, TrussLightOblique, Identikal (B4Plain), P22 (P22 Snowflakes). Many helped providing dings for the Chrimbobat Xmas dingbat font. In 2005, they are publishing a special Tsunami edition of their magazine. [Google] [More] ⦿
Bureau 205 (was: Trafik)
Damien Gautier (b. 1971) studied typography in the Atelier de création typographique at l'Ecole Estienne, Paris. He co-founded Trafik, a type studio in Lyon.
At Typotek, he designed LeQuincaillerie (fifties font, 2000), LeMenuiserie (2000), LeConfiserie (2000, an electronic panel font), LeConfiserie Couleur, L'ekran Dix (a pixel font), LeBoucherie-Ornament (2000), LeBeaune (1998, roman lettering), Alcala (1994).
For Salomon (the ski company brand font), Damien Gautier received a Trophée d'Or nomination at the Integraphic Congress in Paris in 2003.
MyFonts, where his foundry is called Trafik, and then Damien Gautier, then "205", Editions 205, and finally Bureau 205, sells these faces: Colonel (stencil), Laikran (pixel family), Le Bazar, Le Beaune, Le Chaufferie, Le Confiserie, Le Confiserie Couleur, Le Gendarmerie, Le Menuiserie, Le Quincaillerie, Pam (2005, counterless), Robin (2010, a dingbat face with arrows, codesigned with Delphine Sigonney). In 2010, Gautier created Caporal (an elegant clean stencil face), Le Francois (a set of stylish capitals).
In 2009, Damien Gautier designed Bloo (a wedge-serifed typeface). Salomon is a corporate typeface family.
Typefaces of Damien Gautier and Quentin Margat in 2010: Amiral (cargo stencil), Alcala (started in 1994, finished in 2010, this text family is based on renaissance forms and was used to print a Bible).
With Quentin Margat, he created some faces in 2011 such as Maax (an information design sans family), Norr (styles include a didone, a slab serif, and two sanses), Colonel, and Beretta (dot matrix family).
Burghal Design (Tujunga, CA) offers commercial "fonts for the complacent middle class" by Kate Peters (b. California, 1964). She describes herself as a former punk rock photographer, model, photo assistant and Jesus of the Week, who began designing fonts in 1998 as an alternative, drug-free therapy for obsessive compulsive disorder.
A partial list of her fonts: Vamp Trilogy, PsychoVamp, Monkeywrench, Vamp (great!), Stemplate, Prick, BabyDoll (curly letters), Fauntleroy (2007, based on BabyDoll), Crania (2003, the ultimate skulls dingbat font), Graffiti Alphabet Letters (with Leslie Cabarga, based on letters found on New York City's walls), Peace (2003, peace symbol embedded in the letters; an anti-Iraq war tribute; see also here), SissyBoy (curly letters), Neutrinos, Hemingway's Shotgun (1999, handprinted), Huevo Loco (neat!), Crosshair (1999, phenomenal idea), Burgbats, Burghal Babies, SissyBoy (2001, Bitstream), Stemplate (2001, Burghal, a stencil font), Smarty Pants (+ Bold, Super Bold, Doodles, Snowflakes, made in 2004).
burodestruct (or: Typedifferent.com)
Lorenz Lopetz Gianfreda's foundry in Bern, Switzerland, est. 1994, called Burodestruct and Typedifferent.com.
Free fonts include(d) the gorgeous GalaQuadra (by Angela Pestalozzi, 1999), Eject Katakana (1998), Dippex (1995, grunge font), Ticket (1995), Rocket 70 (1996), Ratterbit (1995, pixel font), Plakatbau (1995), Lodel Fizler (1996), Flossy (1995), Faxer (1995), Console Remix (1998), Cravt (1998, by "Katrin"), Stereotype (1998, by M. Brunner), Brockelmann (1995, free), Kristallo (1997, very original display face) and Billiet (1996).
Other fonts: Acidboyz (1998), Alustar (1999), BD Asciimax (1999, ascii art font), BD Billding, Bdr_mono (1999), Brick (1996, like Kalendar), Cluster (1996), Console (1997), Doomed (1998), Eject (1998), Electrobazar (1995), Elside (1995), Globus (1996), Fazer (1996), Lofi (1997), Medled (1995), Paccer (1995), Solaris (1998), Spicyfruits_brush_rmx (1998, a nice high-contrast face), Spicyfruits_rmx, Wurst (free, by Heiwid, 2000), Relaunch (2000), Relaunch Katakana (2000, free), Rainbow (2000), DeLaFrance (2000, free, by Heiwid), Electronic Plastic (2000), Colonius (2001), Cash (2001), Cashbox (2001), Bilding (2001), Meter (2001), Mustang (2001), Bankwell (2001), BD Alm (2001), Balduin (2001), Tatami (2001, oriental look font), Hexades (2001, free), Nippori (2002, techno), Jura (2002), Bonbon (2002, free), Band (2002, free), Navyseals (2002, kitchen tile font), Ritmic (2002), BDR Mono (1999, OCR-like font), Mann (2003, ultra fat stencil), Aroma (2003), Zenith (2003), Nebraska (2003), BD Equipment (2004), BD El Autobus (2004), BD Unexpected (2004), BD Wakarimasu (2004, free kana face), BD Bernebeats (2004, futuristic), BD Deckard (2004), BD Spinner (2004), BD Victoria (2004), BD Designer (2004), BD Kalinka (2005, a curly ultra-fat display face), BD Equipment (2004), BD El Autobus (2004), BD Unexpected (2004), BD Varicolor (2005, stencil), BD Chantilly (2005), BD Memory (2005), BD Emerald (2005, beveled), BD Kalinka (2005, Cyrillic simulation), BD Extrwurst (2005), BD Aquatico (2005), BD Mandarin (2005), BD Polo (2005), BD Beans (2005), BD Tiny (2005, pixel face), BD Times New Digital (2006), BD Panzer (2006), BD Jupiter, BD Jupiter Stencil (2006), BD Pipe (2006), BDR Mono 2006 (2006), BD Fimo Outline (2007, free, by Nathalie Birkle), BD Bermuda (2007, experimental and geometric), BD Smoker (2007, psychedelic), BD Radiogram (2007), BD Mother (2007, exaggerated black Egyptian), BD Fimo Regular (2007, free), BD Demon (2007), BD Reithalle (2007, free), BD Halfpipe (2007, free), BD Broadband (2008, free; not to be confused with the much older fonts BroadbandICG or FLOP Design's Broadband), BD Viewmaster and BD Viewmaster Neon (2008), BD Electrobazaar (2008), BD Motra (2008, stencil), BD Virtual (2008), BD Spacy 125 (2008), BD AsciiMax, BD ElAutobus (2004), BD Equipment (2004), BD Ramen (2003), BD Retrocentric (2009), BDR A3MIK (2009, virile Latin and Cyrillic slab), BD HitBit (2009), BD Unicorse (2010, unicase and techno), BD Telegraph (2011), BD Schablone (2012, stencil face), BD Pankow (2013, stencil), BD Algebra (2014), BD Hiragana Kuro (2014).
Cabrera Typo in Ciudad Valles, Mexico, is the experimental free font outfit of graphic designer Alejandro Cabrera Avila, b. 1970. Creator of CT Pro Lamina (2009, heavy octagonal fare) and CT Aztech (2008, pixel face). Dafont page. All his fonts have been made with FontStruct, where he is known as superhuasteco. Ring (2010) is a lucha libre poster font. Creator in 2008 of aztech (pixel face). Aka superhuasteco. In 2009, he added Pro Lamina (bold octagonal), Pro Lamina 2 (a stencil version), Pro Lamina Segmentada (stencil), Pro Lamina Stencil, Huaxteca (pixel), Texteca (pixel face), Kroma (sturdy), Kromix (+Black), and the Kromos family (Franklin Gothic style). In 2010, he created the lucha libre poster font Ring, and the pixel faces Pro Lamina TNR Pix, Jorongo, Aztechno, Aztech and Yarda Px. The squarish condensed face Pole was added in 2011.
Dan Haag-based Dutch foundry, est. 2004 by Pieter van Rosmalen, who before that designed fonts for GarageFonts and Typotheque. He studied design and advertising at Sint Lucas in Boxtel (The Netherlands) and type design and typography at the postgratuate course Type & Media at the Royal Academy of Arts in The Hague (The Netherlands). For the CakeType library he designed CKTP Alterego, CKTP Capibara Classic, CKTP Capone (6-weight grotesque), and CKTP Pixie. Cake Type is involved in custom and commercial typefaces. Emma is a custom family. Dutchman (b. Eindhoven, 1969, living in Den Haag) Pieter van Rosmalen's fonts are mostly of the pixel type and are sold at Garagefonts: Ministeck (2000, pixel font), Dotted Weekend (1999), Get Back (1999), Martian Telex (1999, dotted pixel font), Monster Droppings (1999), Naomi (1999, handprinted), Nice Weekend (1999), Novella (1998-1999, rounded octagonal face), Porno (1999), Thomas (2000), Rough Weekend (1999), Adore (thin typewriter font), First Street Left, Moved, Passenger (pixel font), Rebel Mono (2000), Shop (arcade game pixel font), Underscore (stitch pixel font), Archive (2000), Ravensburger (2000), Rebel (2000), Adore (2001), FirstStreetLeft (2001), Moved (2001), Passenger (2001), Shop (2001), Underscore (2001), Weekend Web (2002), Archive (2003), Capibara (2003), Melvin (2003), Epos (2003). At Phil's Fonts, get Alter Ego, Capone, Capone Poster (stencil), Galaxy and Pixie (+Mpno, Narrow, Script), all made in 2005. In 2008, van Rosmalen made Nitti (monospaced; followed in 2009 by Nitti Typewriter), Panno (sans) and Pinup (fat rounded sans). In 2009, they published the non-connected hand-printed Aniek. In 2009, he and Paul van der Laan created Audi Type (via MetaDesign), which replaces the old Univers-based Audi Sans.
Foundry in Canada, est. 2004 by Rebecca Alaccari in Toronto, and run by her and Patrick Griffin. Interview with Rebecca. Her faces can be bought through YouWorkForThem and MyFonts: Centennial Script (2007, a revival of an 1874-1876 high-contrast calligraphic script by Hermann Ihlenburg), Valet (2006, superb art deco face), Freco (2006, an art deco face loosely based on designs and letters of Fré Cohen), Silk Script (2006, based on 1956 Helmut Matheis script called Primadonna), Dominion (2006, based on an early 1970s film type called Lampoon), Johnny (2006, an art nouveau poster face that revives the Harem/Margit face by Phil Martin, 1969), Guillotine (2007), Mayfair (2006, a calligraphic face based on Mayfair Cursive by Middleton, 1932), Happy Birthday (2006, script), Geronimo (2005, brush style poster font), Rostrum (2005, a revival and expansion of a type called Oleander, designed in 1938 by Julius Kirn for the Genzsch&Heyse foundry in Hamburg), Apricot (2005; based on A.R. Bosco's Romany for ATF, 1934, but a major extension with many ligatures), Heathen (2005), Cougar (2004, a digital version of Martin Wilke's 1968 handwriting face Konzept), Puma (2004, brush face based on Herbert Thannhaeuser's 1954 Kurier), Big Brush (brush), Diva (connected script), Odette (high ascender display face after the Morris Benton 1918 American classic, Announcement Roman), Crucifix (2004, a severe octagonal face), Fore (2004, a bullethole face), Formula, Gamer (2004), Formula (2004), Kofi, Platoon (2004, a stencil face), Verso (2004), Secret Scrypt (2004, a handwriting face), Bluebeard (2004, blackletter by Patrick Griffin), Bolero (2004), Janice (2004, psychedelic), Jimi (2004, also psychedelic), Scroll (2004), Dominique (2004, upright script), Moxie (2004, a fat display family which includes a stencil), StockA (2004), StockB (2004, a fat stencil face), Stalker (2004, a destructionist face), Scroll (2004), Jonah (2005, a hippie face based on an early 1970s film type from Franklin Photolettering called Urban). MyFonts page. Phil Rutter and Patrick Griffin made Coffee Script (2004), the digital version of R. Middleton's Wave design for the Ludlow foundry, circa 1962. Phil Rutter and Rebecca Alaccari designed Almanac (2004), a script face based on Imre Reiner's London Script (1957) (and Rebecca did a subsequent redigitization in 2007 that led to Reiner Hand), Tiger Script (2004, based on Georg Trump's wild brush script Jaguar done in 1967 for C. E. Weber), and Ali Baba (2004), an Arabic simulation face originally designed by Georg Trump as Palomba (1955, C.E. Weber foundry). Patrick Griffin made Leather (2005, after Imre Reiner's 1933 blackletter face), Secret Scrypt (2005), Skullbats (2005), Slang (2004, a blood scratch face), Bluebeard (2004), Expo (2004, an octagonal family), and Dancebats (2004). Simone Wilkie designed Boyscout (2004) after the handwriting of her son. Helmut Matheis' Contact (1963, flowing script/brush) was digitized by Rebecca in 2004 as Bruschetta. Rebecca also made Steiner Special (2007, a revival of Swing, a film type by Peter Steiner, 1974), Genesis (2007, a digitization and extension of Grayda, a 1939 calligraphic script of Frank H. Riley at ATF), Evolver (2006, futuristic family), Redwood (2007, a calligraphic script based on Willard T. Sniffin's Raleigh Cursive (1929, ATF)), Orotund (2005, after the 1970s face Eight Ball; this was extended again in 2006 in her art nouveau typeface Huckleberry, which is a revival of the 1973 face of Gustav Jaeger called Mark Twain), Pendulum (2005, a fantastic flowing script based on Nebiolo's Americana, 1945), Jojo (2005, with B. Jacquet), Mascara (2004), Gala (2004, after Neon (1935, Giulio da Milano at Nebiolo)) and Bella Donna (2004, after a script made by Alessandro Butti in 1948, called Rondine).
Typefaces made in 2005: Jazz Gothic (Patrick Griffin), Showboat, Hunter (a revival of Imre Reiner's brush script Mustang, 1956), Quanta (stencil), Quiller (a script face based on J.J. Sierke's 1964 face Privat), Rhino (revival of Mobil, a 1960 face by Helmut Matheis for Ludwig&Mayer), Dominique (donated to FontAid), Secret Scrypt (donated to FontAid), Jackpot (2005, Western typeface remotely based on Cooper Playbill which in turn is related to Cooper Black, but it also has hippy 1968 influences), Sincerely (handwriting face based on Karlgeorg Hoefer's 1968 Elegance), Fontella (a digitization of Novarese's calligraphic script Elite), Boondock (digitization of Imre Reiner's Bazaar from 1956), Gumball (digitization of Papageno, a 1958 bubblegum font by Richard Weber for Bauer), Runway, Gamer, Dominique (OpenType handwriting face), Sterling Script (2005, by Alaccari and Griffin: a 7-weight digitization and extension of Stephenson Blake's 1952 clean copperplate script Youthline Script), Vox (2007, a 24-style monoline sans family done with Patrick Griffin), Vox Round (2013, a softer version), Evolver (2006, a 4-style futuristic family), Ambassador Script (2007, an Alaccari-Griffin revival of the angle-reduced calligraphic script Juliet by Nebiolo, 1955).
In 2005, Philip Bouwsma joined Canada Type, and designed a great calligraphic blackletter-inspired family, Torquemada. He designed many other typefaces for Canada Type in subsequent years.
VIP (2007, Rebeca Alaccari) is a humanist sans serif uppercase (and figures) combined with a freshly redrawn revival of the classic VGC Constanze initials originally designed by Harry Brodjian in 1970, and even further back, the Constanze Initials by Joachim Romann (1954-1956, Stempel). Chopper (2007, by Rebecca Alaccari) is a revival of Venture (a 1972 face for VGC by Harry Villhardt). Walter (2007, Rebecca Alaccari) is a digitization of Heritage (1952, ATF, a calligraphic script by Walter H. McKay). Celebrity (2007, Rebecca Alaccari) revives and extends the retro/techno face Latus (Willy Wirtz, 1971). Sympathique (2008, Alaccari) is an ultra-thin and ultra-tall face in the mold of Bernhard Fashion and other era poster or film faces (they say that it is rooted in the film faces Hairstreak and Mossman). Mullen Hand (2008) is a revival of Repro Script (1953, Jerry Mullen, ATF).
Andrew Fitzsimon of Canonical Ltd created the font used in the logo of Ubuntu called Ubuntu-Title in 2005. Free download of this VAG Round type font. Free software supporter who created the spray-paint font Road Stencil (2008) as part of the Open Font Library. Font Squirrel link. [Google] [More] ⦿
Barcelona-based graphic designer. Creator of the Baille simulation face called Braille (1999, Garcia Fonts), the child's handwriting face Loreakop (1995, Garcia Fonts) and the funky display face Calypso (1997). Uses the artistic alias Txarly Brown. He also made the Kafkaesque caps face Vertigo (1996, Garcia Fonts), the stunning stencil face Floridax (1997) and the oriental simulation font NinjaType (1995, Garcia Fonts). [Google] [More] ⦿
Carlos Fabián Camargo Guerrero
Venezuelan graphic and type designer (b. San Cristóbal, Estado Táchira, Venezuela, 1977). He studied Graphic Design between 1995 and 1998 in the Instituto Universitario de Tecnología Antonio José de Sucre (IUTAJS) Extensión Mérida, Venezuela. He runs the design studio Andinistas in Bogotá, Colombia, which he set up in 1998 with a few others. Creator of the beautiful typeface Cazon (1999-2007, a grunge script in 7 styles that includes Gris, Negra, Uno, Dos, Tres, Dingbats A and B) and of Escuadra (2003), Biologia (2003), Denedo (2003; the discussion by typophiles centers around how interesting this 3d font is experimentally---a bit like the type version of M.C. Escher's drawings, full of impossibilities), Modelia (2006), Nikona and Nikona Dual (2006, octagonal, with Rafael Rincón), Avecedario, Btamax (1999-2008, comic book style and grunge), Día D, Nativa, Codiga Icons (dingbats), Codiga (1999-2007, an 8-style octagonal family including Codiga Stencil and Codiga Dingbats), Codiga Pura (octagonal face), Pepelepu, Gancho petare, Guerrilla, and Hirofórmica (grunge). His calligraphic script family Panamericana (2007) comes in many grungy and experimental flavors: Blanca, Gris, Negra, Uno, Dos, Tres, Cuatro, Cinco, Seis and Dingbats. With María Angélica Estrada Cano, he designed the hand-drawn font families Makika (2007) and Lita (2007; in five styles---Gris, Negra, Humo, Molis, and Dingbats). His blog. In the area of combat-ready explosion-inspired letters and dingbats, check his eight-weight family Hiroformica (2007, Andinistas; for a free version, see DaFont). In 2007, he created the calligraphic grunge family Rosadelia, and the grunge lettering and crow dingbats family Gancho Petare. In 2008, he published Heleodora (beautiful scratchy hand), Magola (Negra, Supra Negra and Stencil), Navaja 1 through 4 (a collection of grunge fonts with grungy dingbats), Lucrecia 1 through 3 (a fat connected script family ranging from clean to splattered), Pomarosa (irregular hand) and Pomarosa Dingbats, Bochalema (+Dingbats, a comic book family), and Alcira 1 through 3 (nice scribbly grunge scripts).
Medellin, Colombia-based designer (b. 1972) of the free hand-printed typefaces Astrid (2012), Yelly (2006), Margorosa (2006), Luna (2006), Lush (2006), and CaroHand (2012).
Casady & Greene
Casady&Greene, Inc. started out as two separate little companies, CasadyWare and Greene, Inc. CasadyWare, which was founded by Robin Casady in August 1984, began producing Fluent Fonts, which were bitmapped typefaces for the Macintosh. The 1984 set of fonts have copyright lines that mention Richard A. Ware. As soon as PostScript fonts appeared, CasadyWare got hold of the first version of Fontographer and produced the first downloadable PostScript fonts, even beating Adobe, the originators of PostScript, to the punch. These were marketed as Fluent Laser Fonts (FLF).
The FLF series includes Abilene (Western), Alexandria (1986, slab serif family), Black Knight (1991, blackletter), Bodoni FLF (1986), BodoniUltra (1986, a fat didone), Bonnard (art nouveau), ButtonHighlight, ButtonPlain, Calligraphy (1986), Campanile (a great didone face), Checkbox, Collegiate (1988, sports lettering), Coventry Script (calligraphic), Cutouts FLF (1992, cargo stencil), Desperado, Dorovar Carolus (1988, Carolingian), DryGulch, Epoque (art nouveau), FattiPatti, Fletcher Gothic (1992, art nouveau), Galileo (1987, didone), Gazelle (1988, calligraphic script), Gatsby (1986, pure art deco), Giotto, Gregorian (1986, English Gothic style blackletter), Harlequin FLF (1990), Highland Gothic (1992), Jott, Kasse, Kells (modern round Gaelic font, 1988), KeyCaps, La Peruta, Meath (modern round Gaelic font, 1988), Michelle (1992, art deco, marquee face), Micro, MicroExtend FLF (1986, like Microgamma) , Monterey (1986, Peignotian), Moulin Rouge (1992, an art nouveau face by Richard A. Ware), Nouveau (1990, art nouveau), Paladin (1988, blackletter), Pendragon (1991), Phoenix Script FLF (1990), Prelude (1986, connected script), Regency Script (1986, calligraphic copperplate script), Right Bank (1986, art deco), Ritz (1986, art deco in the style of Broadway), Rocko (1992, rounded like VAG Round), SansSerif FLF (1986, a large geometric sans family), Sedona Script (1990, connected, calligraphic, semi-psychedelic), Slender Gold (1992, script), Vertigo (1992, condensed monoline sans), VertigoPlus, Zephyr Script (1986, brush script).
Many fonts were digitized by Richard Ware, and some were designed by Mike Wright. The contact was Terry Kunysz in Salinas, CA.
On July 3, 2003, Casady&Greene closed it doors permanently. However, one of its designers, Mike Wright, writes: I believe that all the fonts that were developed by the company are now in the public domain. Robin Casady and I are thinking of putting up a site with free downloads of all of the old C&G public domain fonts--mainly as a way of attracting Mac users to see iData 2.
Robin Casady in 2003: I founded Casady Company in 1984 to publish fonts for the new Macintosh. The name changed with incorporation to CasadyWare, Inc. Around this time I met Mike Greene who was looking for a software project to do after SpellsWell. I talked him into doing a program that became QuickDEX. Later CasadyWare, Inc. merged with Greene, Inc. and became Casady & Greene, Inc. Over the years, my role in management reduced as my interests in other areas developed. In the last ten years I have had no official management duties at C&G. About a year ago I removed myself from the Board of Directors.
A graduate of Missouri State University, Casey Conroy now lives and works in Saint Louis, MO. Designer at FontStruct in 2008 of Reilly. His stencil face Bridge was developed between 2008-2010. Other faces by him include Globose (a rounded sans), Xtina (2009), and Ovoid (2008-2009, recreation of Emigre's squarish face Oblong). [Google] [More] ⦿
CAT Design Wolgast
Wolgast-based type designer Peter Wiegel (b. 1955) runs CAT Design Wolgast. Designer of these free fonts:
The list of his truetype and opentype faces as of 2011: 18thCenturyInitials, 18thCenturyKurrentStart, 18thCenturyKurrentText, Alfabilder, AlteDIN1451Mittelschrift, AlteDIN1451Mittelschriftgepraegt, AmptmannScript, ApolloASM, Avocado, Barnroof, BerlinEmail, BerlinEmail2, BerlinEmailBold, BerlinEmailBold, BerlinEmailHeavy, BerlinEmailHeavy, BerlinEmailOutline, BerlinEmailOutline, BerlinEmailSchaddow, BerlinEmailSchaddow, BerlinEmailSemibold-Bold, BerlinEmailSemibold-Bold, BerlinEmailSerif, BerlinEmailSerif, BerlinEmailSerifSemibold, BerlinEmailSerifSemibold, BerlinEmailSerifShadow, BerlinEmailWideSemibold, BerlinEmailWideSemibold, Beroga, Beroga, BerogaFettig-Bold, BerogaFettig-Bold, BertholdMainzerFrakturUNZ1A-Italic, BertholdMainzerFrakturUNZ1A, BertholdrMainzerFraktur, Blankenburg-Regular, BlankenburgUNZ1A-Italic, BlankenburgUNZ1A, CasaSans-Regular, CasaSans, CasaSansFettig-Bold, CatShop, CentreClaws, CentreClawsBeam1, CentreClawsSlant, ChunkFiveEx, CntgenKanzley-Regular, CntgenKanzleyAufrecht, DIN1451fetteBreitschrift1936-Regular, DiscipuliBritannica, DiscipuliBritannicaBold, Doergon-Regular, DoergonBackshift, DoergonShift, DoergonWave-Regular, Elb-Tunnel, Elb-TunnelSchatten, Elbaris, ElbarisOutline, ElficCaslin, EricaType-Bold, EricaType-BoldItalic, EricaType-Italic, EricaType-Regular, ErikaOrmig, Eureka, FibelNord-Bold, FibelNord-BoldItalic, FibelNord-Italic, FibelNord, FibelNordKontur, FibelSued-Bold, FibelSued-BoldItalic, FibelSued-Italic, FibelSued, FibelSuedKontur, GoeschenFraktur, GoeschenFrakturUNZ1A-Italic, GoeschenFrakturUNZ1A, Gondrin, GreifswalderTengwar-Regular, GreifswalerDeutscheSchrift, GruenewaldVA-Regular, GruenewaldVA1.Klasse, GruenewaldVA3.Klasse, H1N1, HelvetiaVerbundene, KochFetteDeutscheSchrift, KochFetteDeutscheSchriftUNZ1A-Italic, KochFetteDeutscheSchriftUNZ1A, LeipzigFrakturBold, LeipzigFrakturHeavy-ExtraBold, LeipzigFrakturLF-Bold, LeipzigFrakturLF-Normal, LeipzigFrakturNormal, LeipzigFrakturUNZ1A-Bold, LeipzigFrakturUNZ1A-BoldItalic, LeipzigFrakturUNZ1A-Italic, LeipzigFrakturUNZ1A, Luxembourg1910, Luxembourg1910Contur, Luxembourg1910Ombre, MMX2010-Regular, Maassslicer3D, Maassslicer3D, MaassslicerItalic, MaassslicerItalic, Makushka, MakushkaKontura, MakushkaQuadriga, MakushkaSecunda, MeyneTextur, MeyneTexturUNZ1A-Italic, MeyneTexturUNZ1A, Midroba-Regular, MidrobaSchatten, Moderne3DSchwabacher, ModerneFetteSchwabacher, ModerneFetteSchwabacherUNZ1A-Italic, ModerneFetteSchwabacherUNZ1A, ModerneGekippteSchwabacher, MoradoFelt-Regular, MoradoMarker, MoradoNib, MoradoSharp-Regular, Murrx, Nathan-CondensedRegular, Nathan-ExpandedRegular, Nathan-Semi-expandedRegular, Nathan, NathanAlternates-CondensedRegular, NathanAlternates-ExpandedRegular, NathanAlternates-Semi-expandedRegular, NathanAlternates, Nomitais, Nomitais, Numikki, Numukki-Italic, Numukki-Italic, Numukki, Powerweld, PreussischeIV44Ausgabe3, PreussischeIV44Ausgabe3, PreussischeVI9, PreussischeVI9Linie, PreussischeVI9Schatten-Linie, PreussischeVI9Schatten, Proletarsk, Prsent60, Quimbie, Quimbie3D, QuimbieShaddow, QuimbieUH, Quirkus-Bold, Quirkus-BoldItalic, Quirkus-Italic, Quirkus, QuirkusOut, QuirkusUpsideDown, RostockKaligraph, RotundaPommerania, RotundaPommeraniaUNZ1A-Italic, RotundaPommeraniaUNZ1A, Rudelskopfdeutsch-Aufrecht, SchatternvonPreussischeVI9, Schulfibel-Nord-Linie-2, SchwabenAlt-Bold, SchwabenAltUNZ1A-Italic, SchwabenAltUNZ1A, Stage, StrassburgFraktur-Regular, TGL0-16, TGL0-17, TGL0-17Alt, TGL31034-1, TGL31034-1, TGL31034-2, TGL31034-2, Tank, TengwarOptime, TengwarOptimeDiagon, TitilliumMaps29L-1wt, TitilliumMaps29L-400wt, TitilliumMaps29L-800wt, TitilliumMaps29L-999wt, TitilliumText22L-1wt, TitilliumText22L-250wt, TitilliumText22L-400wt, TitilliumText22L-600wt, TitilliumText22L-800wt, TitilliumText22L-999wt, TitilliumTitle20, UtusiStar-Bold, UtusiStar, VarietScala, Varietee, VarieteeArtist, VarieteeCabaret, VarieteeCascadeur, VarieteeCasino, VarieteeCirque, VarieteeColege, VarieteeConferencier, VarieteeFolies, VarieteeIkarier, VarieteeJongleur, VarieteeMirage, VarieteeRevue, VarieteeTheatre, Via-A-Vis, Vrng, Waschkueche, Waschkueche, WaschkuecheGrob-Ultra, WaschkuecheGrob-Ultra, WiegelKurrent, WiegelKurrent, WiegelKurrentMedium, WiegelKurrentMedium, WiegelLatein, WiegelLateinMedium, WolgastScript, WolgastScript, WolgastTwo, WolgastTwo, WolgastTwoBold, WolgastTwoBold, XAyax, XAyax, XAyaxOutline, XAyaxOutline, YiggivooUnicode-Italic, YiggivooUnicode-Italic, YiggivooUnicode, YiggivooUnicode, YiggivooUnicode3D-Italic, YiggivooUnicode3D-Italic, YiggivooUnicode3D, YiggivooUnicode3D, ZeichenDreihundert-Regular, ZeichenDreihundertAlt, ZeichenHundert-Regular, ZeichenHundertAlt, ZeichenVierhundert-Regular, ZeichenZweihundert-Regular, ZeichenZweihundertAlt, cbe-Bold, cbe-BoldItalic, cbe-Italic, cbe, kaufhalle, kaufhalle, kaufhalleblech, kaufhalleblech, moebius.
His type 1 fonts as of 2011: Avocado, BerlinEmail, BerlinEmail2, BerlinEmailBold, BerlinEmailHeavy, BerlinEmailOutline, BerlinEmailSchaddow, BerlinEmailSemibold-Bold, BerlinEmailSerif, BerlinEmailSerifSemibold, BerlinEmailSerifShadow, BerlinEmailWideSemibold, Beroga, BerogaFettig-Bold, CasaSans, Elb-Tunnel, Elb-TunnelSchatten, Maassslicer3D, MaassslicerItalic, Numukki-Italic, Numukki, Powerweld, PreussischeIV44Ausgabe3, Quimbie, QuimbieUH, RostockKaligraph, TGL31034-1, TGL31034-2, UtusiStar-Bold, UtusiStar, Waschkueche, WaschkuecheGrob-Ultra, WolgastScript, WolgastTwo, WolgastTwoBold, YiggivooUnicode-Italic, YiggivooUnicode, YiggivooUnicode3D-Italic, YiggivooUnicode3D, cbe-Bold, cbe-BoldItalic, cbe-Italic, cbe, kaufhalle, kaufhalleblech.
A list of typefaces in alphabetical order, with descriptive comments provided by Reynir Heidberg Stefansson from Iceland: 18th Century Kurrent (Kurrent-style handwriting, Wiegel-coded), Alfabilder (Alphabetic picture font for the German alphabet), Amptmann Script (Partly-connected, upright writing, used on Prussian Railways pattern drawings), ApolloASM (Jugendstil, vaguely resembling an ornate Bocklin), Avocado (Handwriting, broad-nib pen-style), Berlin Email (Narrow sans-serif, based on emailled signage; Wiegel-coded), Berlin Email Serif (Narrow serif, based on emailled signage; Wiegel-coded), Beroga (All-minuscule, rounded marker-style sans-serif with ca. 8° slope), Berthold Mainzer Fraktur (Fraktur in Wiegel (Regular only) and UNZ1(A) coding), Blankenburg (Semicondensed Tannenberg in Wiegel (Regular only) and UNZ1(A) coding), Casa Sans (Squarish, broad-nib pen-style block writing), CatShop (Serif, soft of an acid-washed didone), cbe Normal (Sans-serif, narrow, somewhat cuneiform), Centre Claws (Sans-serif, Art Deco display, a bit like Broadway), Cöntgen Kanzlei (Cöntgen Kanzley) (Fraktur-based calligraphy by Heinrich Hugo Cöntgen, Wiegel coding), DiffiKult (Sans-serif, display, no horizontal lines), DIN 1451 fette Breitschrift 1936 (The now-withdrawn Wide version of DIN 1451 traffic font), Discipuli Britannica (UK school handwriting), Doergon (Slab-serif, narrow-ish, all majuscule), Elabris (Elbaris) (Sans-serif, caps/smallcaps, shades of DIN1451 Engschrift), Elb-Tunnel (Sans-serif, based on signage in the old Elbe tunnel in Hamburg), Elbic Caslon (Elfic Caslon, Elfic Caslin) (a Caslon for the Queen Galadriel), Erika Type (Erica Type) (Slab-serif, typewriter, comes from Wiegel's old Erika typewriter), Eureka (Serif, caps/smallcaps, Art Deco/Jugendstil), Fibel Nord (Sans-serif, based on German school primer), Fibel Süd (Fibel Sued) (Sans-serif, based on German school primer), Fibel Vienna (Sans-serif, based on Austrian school primer), Fundamental Brigade (Sans-serif, geometric, some UNZ1 ligatures), Göschen Fraktur (Goeschen Fraktur) (Fraktur with a biblical feel, Wiegel (Rg only) and UNZ1 coding), Gondrini (Gondrin) (Sans-serif, geometric, display, shaded outlines, cookie-cutter), Greifswalder Deutsche Schrift (Handwriting, based on Rudolf Koch's Offenbacher Kurrent, Wiegel coding), Greifswalder Tengwar (Tengwar handwriting in Offenbach style), Gruenewald VA (Latin-style schoolhand, Wiegel coding), H1N1 (Heavy display face made of parallel wavetrains), Hardman (Heavy, wide, squarish logotype with connecting letters), Helvetia Verbundene (Swiss handwriting), Immermann (Display, resembles a seriffed Radio/Rundfunk, UNZ1 coding), Kaufhalle (Display, recreation of HO Kaufhalle logotype), Koch Fette Deutsche Schrift (Very plain fraktur, Wiegel (Rg only) and UNZ1 coding), Leipzig Fraktur (Fraktur for bread text, Wiegel coding), Leipzig Fraktur UNZ1A (Fraktur for bread text), Luxembourg 1910 (Sans-serif, Jugendstil display face from old spice drawers), Maass Slicer (Maassslicer) (Sans-serif, oblique display face, orig. logotype), Makushka (Sort-of an Elabris with minuscules, looks overlayable), Men Nefer (Slab-serif, geometric, UNZ1 coding), Midroba (Spur-serif, display, all-majuscule, heavy, octal), MMX2010 (Sans-serif, display, caps/smallcaps, TV game machine feel), Moderne Schwabacher (Heavily reworked, Wiegel coding), Moderne Fette Schwabacher UNZ1A (Heavily reworked, Wiegel coding), Möbius (moebius) (Sans-serif, display, bicolour (u/c = non-spacing fills, l/c = spacing outlines)), Morado (Connected handwriting with nib or marker pen), Murrx (Heavy display face made from ellipsoids on NE-SW axis), Mutter Krause (Serif, slanting, Jugendstil-feel.), Nathan (Slab-serif, hand-drawn.), Nomatais (Nomitais) (Elabris with multiple levels of outlines), Numukki (Conlang, knotted-line, good for separators and scenebreaks), Powerweld (Sans-serif, Bauhaus style, all-minuscule), Präsent 60 (PI font with various East German logos), Preussische IV 44 (PreussischeIV44Ausgabe3) (Repro of Prussian Railways pattern type IV 44 version 3), Preussische VI 9 (Repro of Prussian Railways pattern type VI 9 version 2), Proletarsk (Sans-serif, monoline, doubled-up questionmark), Quast (Brush type, all-majuscule, very rough outline), Quimbie (Sans-serif, all-majuscule, resembles Amelia), Quirkus (Sans-serif), Ring Matrix (LED matrix with ring LEDs, solid LEDs and ring LEDs with shadow), Rostock Kaligraph (Very round calligraphy, resembles rotunda), Rotunda Pommerania (Rotunda style, Wiegel-code (Regular only) or UNZ1-coded), Rudelskopf deutsch (Sans-serif, based on Kurrent-style letterforms), Schwaben Alt (Schwabacher in Wiegel- (Rg only) or UNZ1-coding.), Stage (Sans-serif, narrow, Art Deco, fleeting taste of Broadway), Strassburg Fraktur (Handwritten fraktur, ornate majuscules, Wiegel-coding), Tank (PI font with (gas/petrol) tank station logos), TengwarOptime (Optima for Tengwar), TGL 0-16/0-17 (East German versions of DIN 16 and DIN 17 blueprint types), TGL 31034-1, TGL 31034-2 (East German versions of DIN 6776 / DIN EN ISO 3098 blueprint types), Utusi Star (Sans-serif, slight resemblance with Rundfunk), Varieté (Sans-serif, all-majuscule or caps/smallcaps), Vis-A-Vis (Serif, all-majuscule, split in middle), Volk Redis (Kurrent handwriting, anno 1930-1941), Vrångö (LED matrix type like Ring Matrix), Waschküche (Serif, resembles Antykwa Torunska), Wiegel Kurrent (Kurrent-style handwriting), Wiegel Latein (Latin-style handwriting), Wolgast Script (Sloppy-looking handwriting with a broad-nib pen), Wolgast Two (Latin/Cyrillic handwriting), XAyax (Serif, Jugendstil, narrow, all-majuscule), Yiggivoo Unicode (Sans-serif, wide, tall x, board game packaging feel), Youbilee (PI font with various jubilee laurels), Verkehrszeichen (Zeichen) (PI fonts with traffic signs (in layers)), Verkehrszeichen alt (Zeichen Alt) (PI fonts with old traffic signs (in layers)).
Catapult is the graphic design studio of Anton De Haan and Philippe Pelsmaekers in Antwerp. Other people involved in Catapult include Karen Van Puymbroeck, Tom Vanwelkenhuyzen, Omar Chafai and Luk Mestdagh. For the house style of Zonienwoud, they designed Son Grotesque and Son Grotesque Stencil in 2010. [Google] [More] ⦿
Peruvian graphic and web designer. At FontStruct, he created a number of pixel fonts in 2009, such as gridnPix75 (+Light, +nLite), OCR-APix6, cayoPix45, ScrptPix5, sCapsPix4, SerifPix6, moSpPix57, ClassPix5, MicriPix4, CorpoPix5, and BminiPix5. Other fonts there include Proton Type (2009), the geometric pxlNotSqr (2009) and the sturdy headline faces Woznian (2009, inspired by bitmap fonts like Chicago and Charcoal) and Gizmatik (2009), his best font. In 2009, he added NuevoSolStile (in the Eurostile/Microgramma mold), MacroBold (ultra-fat), Steam Punker, Funkadeliai, Monocodigo, FS Mini, FS Remix (horizontally striped), BlackSQRda (blackletter), Fontscript, Scanografia (vertical striping of letters), Stencikal, Bloxed (white on black), BlackSQRda, NSS Unicase (unicase), NuevoSolStile (unicase). [Google] [More] ⦿
Cercurius (was: Lars Törnqvist Typografi)
Aka Le Corbusier. Swiss architect, designer, urban planner, sculptor, writer, modern furniture designer, and painter. Born in La Chaux-de-Fonds, Switzerland, in 1887, he died in Roquebrune-Cap-Martin, France, in 1965. His lettering inspired the Letraset rubdown dry transfer face Charrette. He also inspired many digital fonts: Jeanneret NF (2011, a stencil face by Nick Curtis), Le Corbusier (a stencil face by Philippe Desarzens, Lineto), Modular Stencil (1994, stencil face by Gregory La Vardera), and Le Corbusier (2000, stencil face by Nico Schweizer).
In 2013, Henry Valerian created a typeface that is based on the blocky construction of Le Corbusier's Cité Radieuse in Marseille. Villa Savoye (1929-1931) inspired Nicolas Jover to create the compass-and-ruler typeface Savoye Sans in 2013. [Google] [MyFonts] [More] ⦿
Californian designer (b. 1993) with a great motto: No I won't design something just for you. If I make it, it has to be publicly available. Dafont link.
Creator of Liquid Crystal (2012, the ultimate LCD typeface family), Linkin Park, Unbound Pro (2012, a free industrial stencil typeface), Adele, a monoline avant garde sans headline face, modeled after the cover of the CD album Adele 21 by singer and song writer Adele. Couture Bold (2012, free font) is a solid thick sans all caps face based on the Chanel logo.
British outfit located in London. MyFonts sells the double-stroked and African-themed comic book style family Picklepie (2008), the curly Galerie Simpson (2011), the playful Message of the Birds (2009), Lemon Flower (2010), No Liming (2009), Out Back (2009) and Pigeonpie (2009), made jointly by Tim Barnes (b. 1967, London) and his six-year old daughter Lydia Barnes (b. 2001, London).
In 2013, Tim Barnes published the hand-printed caps family Pegasus, Lobo (an interlocking letter typeface), Barb (angular poster face), Ply, and the crazy mixed-glyph typeface Coo Coo I Coo Coo For You Too. [Google] [MyFonts] [More] ⦿
Chris E. Lozos
Or just Christian Laucou, b. 1951, ex-graduate of and professor at Ecole Estienne in Paris. Typographer who worked with lead. He strated Les Editions du Fourneau, later renamed Fornax. In 2000, he founded l'Ouvroir de typographie potentielle.
Designer of Zarbres (2004), a typeface used in the book Nouvelles des arbres, by Gérard Bialestowski. This is a private face, as he explained to Jef Tombeur: Quelques mots sur le Zarbres. Je ne trouvais pas ce qui me plaisait ni en plomb, ni en fonte informatique. Alors je l'ai créé, mais avec un cahier des charges bien précis. Il devait s'approcher du résultat qu'on obtient en gravant dans du bois ou du lino pour s'harmoniser avec les illustrations. Pour cela, il devait être gras, d'un dessin un peu maladroit (taillé à la serpe), quelques lettres hors norme (avec une e bdc à la barre trop oblique, la u bdc un peu onciale, etc.), comme dessiné par un amateur qui ne connaît pas la typo et qui cherche à imiter, à obtenir une hauteur d' assez importante pour réaliser, sans interlignage, des compositions d'un gris très foncé. J'ai fait ainsi un romain, un italique et les deux polices expertes correspondantes (petites capitales et ligatures). Pour l'instant le Zarbres est reste une police exclusive qui ne sort pas de mon ordinateur.
Author of Histoire de l'écriture typographique: Le XIXe siècle français (2013, with Jacques André). From the blurb: Pour montrer toute la richesse de cette période, les auteurs ont choisi d'en raconter les aventures successives: les Anglais avec l'invention des caractères gras, des égyptiennes et des sans-sérifs; la fonderie Gill?é qui devient celle de Balzac puis de De Berny et qui rejoindra, à l'aube du XXe siècle, celle des Peignot; la saga des Didot, de la rigueur de Firmin à l'extravagance de Jules; l'Imprimerie royale, puis impériale ou nationale, ses caractères orientaux et ceux de labeur, qui perdureront tant qu'il y aura du plomb; Louis Perrin, qui réinvente les elzévirs; les grandes fonderies françaises, qui rivalisent d'invention et de copies, et, enfin, les évolutions techniques de tout le siècle. [Google] [More] ⦿
In 2008 he designed Flag Semaphore (+Smooth, Peace), Articulate, Font from NATO (military slab serif), Glockenwerk (pixel clock font), Glockenwerk Uhrzeit, Flags-and-NATO (dingbats), Font from NATO alpha, Tall, Flying-Circus (Western showtime face to imitate the Monty Python titling font), LCD-display, Simple (stencil font with 700 glyphs), TMNT, Tetris, sharp-pixels, Raster, Quad (nice stencil face), Inverted, Propaganda (Cyrillic font simulation), Empty Monospace, Pride, Stadium, Rounded, Dear God (script pixel face), Celtic Style.
In 2009, he added 7x12 Pixel Mono, @bcde, Abstract Letter Patterns, Music, Texture, Diagonal, Gothic, Illusio, Unispace (typewriter type), Narrow Serif, Delta, Alien Double (great!), Donut, Flags-and-NATO, Simple-Fraktur-Initial, Simple-Fraktur, Texture, Friendly Serif, (+Soft), Invisible, Sharp, Heavy Diacritics, Concentrium, Continuous Digital Display, Elves, Pixies, Space Movie (+Ligatures), Flag Semaphore (+Smooth, +Peace), Articulate, BBT Biline Twist, Biline Twist, Empty Monospace, Unfix, Infix, Pride, Tyre Stencil (like tire threads---nifty...), and Overlap.
FontStructions from 2010: Even (gridded), Brilliance, Slalom Vision, Quirky Serif, 7x12PixelMono, Ball Terminator, Gearbox, Prefix, Upside Down, Way Too Small (a minimalist pixel face), Butterfly, Ribbon Gymnastics, 2D Barcode, Horizon Stencil, Biline Twist, Quirky Serif, Blocktur, Symmetricus (alien writing?).
FontStructions in 2011: 12 dice, Monotwist (tall, monospaced), Squarific (fat octagonal), Swirl (curly), Sweet (Victorian), Easter Eggs, 50 Fifty (experimental, geometric), Squarific (+Stencilious), Spiralix (spiral-themed for Latin and Cyrillic), Bloccus, Feet (monospaced).
Creations from 2012: Düpbøl (German expressionist face), Slice, Blocktur, Alien Double, 7:12 serif (pixel face), Blick, Dry Heat (Isolates and Initials, Medials, Finals: an Arabic simulation family), FF9 Coin Slots, FF8 Untalic, FF7 w1de, FF6 Lean Mean, FF5 Bamana, FF4 Circulation, FF3 3times7, FF3 Runization, FF1 Glitchy, Squared, Puzzlish, Steep, Digitalis (octagonal), 50 Fifty (artsy and geometric), Monotwist, Infix. FF stands for Forgotten Fonts.
Typefaces made in 2013: Ribbons And Banners, Digital Rome (pixel face), Censorship, Interlock, Bouma, Glaedelig Script, Hand XL Smooth, Vascomat, Spitzschtruct (emulation of Suetterlin), Neonic, Fish Scales, 7:12 Serif, Analogly, Squarific Fraktastic, Metro Sans (pixelish). [Google] [More] ⦿
Christian Schwartz was born in 1977 in East Washington, NH, and grew up in a small town in New Hampshire. He attended Carnegie Mellon University in Pittsburgh, Pennsylvania, where he graduated in 1999 with a degree in Communication Design. After graduation, he spent three months as the in-house type designer at MetaDesign Berlin, under the supervision of Erik Spiekermann. In January 2000, he joined Font Bureau. Near the end of 2000, he founded Orange Italic with Chicago-based designer Dino Sanchez, and left Font Bureau in August 2001 to concentrate full-time on developing this company. Orange Italic published the first issue of their online magazine at the end of 2001 and released their first set of typefaces in the beginning of 2002. Presently, he is an independent type designer in New York City, and has operated foundries like Christian Schwartz Design and Commercial Type (the latter since 2009). He has designed commercial fonts for Emigre, FontShop, House Industries and Font Bureau as well as proprietary designs for corporations and publications. In 2005, Orange Italic joined the type coop Village.
His presentations. At ATypI 2004 in Prague, he spoke about "The accidental text face". At ATypI 2006 in Lisbon, he and Paul Barnes explained the development of a 200-style font family for the Guardian which includes Guardian Egyptian and Guardian Sans. FontShop's page on his work. Bio at Emigre. At ATypI 2007 in Brighton, he was awarded the Prix Charles Peignot. Jan Middendorp's interview in October 2007. Speaker at ATypI 2009 in Mexico City, where he announced his new typefoundry, simply called Commercial.
A partial list of his creations:
Christina Maria Bee
Christina Bee ("Krizbi") is a type designer from Darmstadt who studied in Den Haag at the KABK in 2006, where she designed the Renaissance Antiqua face Olga while doing a Masters. Olga won an award at TDC2 2007. Christina lives in Hamburg.
She participates in Type Destroyers with Frederik Berlaen.
Creator of various display typefaces including the kitchen tile face Voltrona (2011, a kitchen tile typeface), Hate (2012), the kitchen tile typeface Metgeo (2012), the monoline sans face Duplica (2012), the piano key typeface Lucreow (2012: Lucreow is a permutation of Crouwel), Caladan (2012, fat blackletter), Hague (2012, angular), the Bauhaus-style face Joi (2012), the blackletter face Caladan (2012), Rid-G (2012, experimental), Sugar (2012), Cumo (2012, a happy children's book typeface), Domm (2012, stencil face), Zukunft, Iron (2012, an old film typeface), Freight (2012, stencil face), Noir, Shamrock (2012, octagonal athletic shirt typeface), Unison (2012, sans), Basic (2012), Sexy (2012, hairline), Gitter (2012, rounded), Modo (2012, monoline techno face), and SF Mono (2012). [Google] [More] ⦿
Young Greek type designer. At FontStruct, he created BOMBOM-TheBase, BOMBOM-CityLights, BOMBOM-FullMetal, Roundabout, Structura-SC, Structura-Gothic, Structura, Structura-Alt, StreetPost (stencil) and SlabSlab (squashed slab serif), all in 2008. In 2009, he added the film strip font Berliner, and the stencil face Street Post. [Google] [More] ⦿
Designer who used FontStruct in 2009 to create Staring at the Sky, Early Bird Catches The Worm, Bernstein, Plaskett, Fimbriae, Hard Light, Inauguration, Kunchey Wide, Kunchey, Worst Seats in the House, Burden and 2x2 Struct (pixel-geometric art deco).
Faces made in 2010: Sweet Henry (compact, rounded), Bobolink, Carapace, Riley (optical illusion face), Overfeed (Futura-inspired stencil), Corpus Torsion, Penkala, Mongrel, Guayule (attractive ultra fat didone), Filamentous, Dizygotic (squarish sans), Decorum (condensed display face).
Berlin-based German type designer (b. 1965) who graduated from Fachhochschule Bielefeld in 1992, where she studied under Gerd Fleischmann. She designed great sans serif family appropriately called Kipp at FontFont. Claudia published the following faces at URW++: Aculida (2004), Marin (2006, a severe stencil family), Expansion (2004), Kipp Clean (2004), Les Tres (2005, URW, a geometric sans family). Archive with over 23,000 links to commercial fonts. In 2008, she made and extensive sans family, FontForum Martines (URW++), and a big display family, FontForum Profil. Her FontForum Quadre (2008, URW++) is totally experimental again. And FontForum Siesta is a display sans family with a bit of Neuland playfulness.
Belgian designer (b. 1962) who lives in Brussels where she taught (teaches?) at the École supérieure des arts visuels de La Cambre and at the École supérieure de l'image. Her fonts were published by 2Rebels in Montreal, and by FontHaus in the USA. Her fonts are experimental and geometric in nature.
Some creations: Billes (1995), Boulbar (1995), Boules (1996), BubbleBath (1996), Craaac (1996) Caaarc (1996), Design, Douff, Graphic, Handex (1995; an alphading based on fists), Inbetween (1996), Lines (1994), Lolo (1992, funny figurines), Minimex (1996), Modern (1996), Perles (1995), StencilFull (1997), StencilFullBraille (1997).
She is most famous for her avant-garde geometric fonts Alpha Bloc (1994) and Alpha Geometrique (1994) published by Font Bureau. Alpha Geometrique Compact, for example, is a Bauhaus style stencil face.
The founder of and only designer at at Club 21 is Julian Morey, a graphic designer and font creator from London who designed Pacific (1999, an octic typeface influenced by American naval lettering), VMR (1999), SignPlate (a stencil font), Sigma OT (2008, a sans based on a Stephenson Blake grotesque), Skye (2001, a stencil font), Skye Outline [note: Skye used to be called Axis], Checkout, Alpine (2000), Brassplate, Greenwich (2001, a stencil font with fine breaks; used to be called Bronxville), Codex, Electro, Ionia, Jakarta (2000, an octagonal sports/stencil font; was called Jersey), Kathode, Octago (an octagonal stencil face), Liquid, Simpson Typewriter, Preset, Roadworks (1992, stencil font), Thompson Monospaced, Spacer (1999), Paintworks, Portfolio. FontWorks used to sell their fonts, but now Faces does. [Google] [More] ⦿
Codesign (or: Aviation Partners, or AVP)
Nicholas Garner (b. 1949, Windsor) runs Codesign (or: Aviation Partners), a small London-based design firm which has created these commercial type families:
Coert De Decker
During his studies at the University of Wyoming in Laramie, WY, Cole Lemaster created the blocky stencil typeface In Denial (2013).
Computer Safari (located in Woodland, CA) is a foundry whose early-90s fonts, all made by Jay Pierstorff, are still around in some archives. Look for Airlock-Regular (a trekkie stencil face), Alchemi, Cappiona, LeroyFont, MotorCity, NCC1701A-Regular, NCCINLINE-Regular, Quadrant, Romulus-Plain, Safari-Plain, Sashimi-Regular. Free fonts at the site, all made in 1992: Cappiona, College, LeroyFont, MotorCity, Quadrant. The other fonts can be bought on the SafariGold CD.
Delta, CO (and, earlier, Stamford, CT)-based Joseph Coniglio (b. Niagara Falls, NY, 1955) and a small group of designers. Check out the typewriter families Carbon 14, Passport, Vintage Type, Garnet Euro Typewriter (2004, grungy), and Telepath.
Other fonts: Aspersion, Grasshopper (dada), Burnt Toast (rounded fat finger face), Yardbord Numerals, Snyder Speed, Autocrat, NudE, Jack Rabbit, Felt Marker, Oregon Dry, Sublime, Omaha, Nomad, Aquacia (stencil), Rainmaker (stencil).
Constellation is a creator and publisher of contemporary typefaces and is run by its two partners, Chester Jenkins (based in New York, born in Montreal) and Tracy Jenkins. They also feature typefaces by Magnus Rakeng, Patrick Giasson, Kris Sowersby, Rick Valicenti, and Jeremy Mickel. Constellation contains the main elements of the previous Village and Thirstype foundries. Typefaces:
This 20s-30s movement, with lettering and alphabets done by people such as Wladyslaw Strzeminski, Josef Albers, Kurt Schwitters, Jan Tschichold or Herbert Bayer has no decorations, and uses horizontal and vertical edges and arcs of circles make up the shapes. Fonts in this style include ITC Avant Garde, Avenir, Futura, Industria, Insignia, ITC Kabel and some stencil designs. [Google] [More] ⦿
Free fonts by Swedish designer Martin Fredrikson Core (b. Gothenburg, 1970), whose real name is Martin Lexelius:
Graduate from Cal Arts (1996), who runs CoreyHolms.Com in Fullerton, near Los Angeles. MyFonts link. MyFonts foundry link. Designer of NE10 (2010, a stencil / neon tube typeface), Area (2008, Umbrella Type, an art deco nightclub face; hints of Avant Garde), Mode (2007, experimental modular type, Umbrella), Babbage (2005, Umbrella Type, a capricious typewriter font), Sange (2002, a dot matrix blackletter font), Brea and Brea Light (2004, a dot matrix blackletter family at Umbrella Type), Mince and Mince Shadow (2004, Umbrella Type), DecadesOS (2002, for Decades Inc), Air-Port (1999), Attractor (2001, based on Alexei Tylevich's NoGlow), Granule (2009, fat rounded sans), Cartridge (2001), Claes (2001, based on a Wim Crouwel design), Consume (1996), Den (1998, for the Digital Entertainment Network), Digital (1997, for "The Apartment"), Empire (1995), Fascia (2002), Hobart (2001, a kitchen tile font), Pea (2005, Veer: letters made up of springs), Phia (another kitchen tile font), Progress (2001, for Progress City), Rasputin, RMX, Savante (1999), Sears (2000), Stencil, Thirty, Untitled and WebType (2000). Many of these fonts are futuristic, experimental, logo-inspired or minimalist.
Despite his name, André Vlaanderen was a Dutch designer, 1881-1955. He drew several alphabets, such as Moderne Schabloonletter (1933, a geometric stencil), and Silhouetteletter (1933, a counterless geometric art deco face).
Manuel Corradine was born in Bogotá in 1973. He graduated from the School of Graphic Design of the National University of Colombia in 1996, and became a graphic designer. He started by custom-designing fonts and by making typefaces for his own company, Casa Papelera El Cedro (The Cedar Papermaking House), for printing invitation cards. With other designers like Carlos Fabián Camargo, John Vargas and César Puertas he formed Tipográfico in 2007 to strengthen the type discipline in Colombia. Corradine Fonts is Manuel Corradine's own foundry in Bogotá, Colombia, founded in 2006. Today, he is one of Colombia's principal type designers. He also teaches at Universidad Piloto de Colombia in Bogota.
Fonts from 2007: Kidwriting (a family which includes Kidwriting Dingbats 1 and 2), Garabata (a fantastic handwriting face), Garabata Dingbats, Hexagona Digital, Quadrat (grunge), Quadrat Old (grunge), Quadrat Dirty (grunge), Quadrat Broken, Quadrat Ugly, Neogot (experimental, 8 styles).
Fonts from 2008: Mucura (handwriting), Prissa (handwriting), Salpicon (a script), Cuento Serif (a bouncy hand-printed family), Memoria (brush script), Charco, Happy Day (comic book family with Happy Day Dingbats), Espectro (a swinging script with swashes and a Dingbats style), Furia (handwriting), Candelaria (based on house signs in the La Candelaria neighborhood of Bogotá), Old Village (1600's style), Old Village Ornaments, Rapidda (a successful simulation of quick handwriting), Hueca (an outline children's script), Antigua (an old swashbuckler family), Colegial (a great-looking hand script), Pincel (a fantastic paint brush family with accompanying splatter dingbats), Trazo (Corradine's handwriting), Arcos (a techno family), Caveman (a primitive stone-look type family), Rumba (two styles; an elegant flowing brush script), Parche (graffiti family), Elegance Monoline (a greeting card script face that won an award at Tipos Latinos 2008), Abuelito (script).
Fonts from 2009: Helga (flowing script), Mussica (+Swash, +Antiqued, a delicate Victorian face), Guarapo (handprinted), Toxic (futuristic stencil), Emotion (comic book face), Bloque 3D, Rock and Cola, Betco's Hand, Telefante (comic book family), Nancy's Hand (more comic book hand-printing), Alambre (multiline/paperclip), Sensual (calligraphic hand), Zape (in the style of Tekton), Antrax Tech (grunge), Masato (handwriting), Hu Kou (oriental simulation).
Fonts from 2012: Tecna (a techno family codesigned with Sergio Ramirez), Neuron (a fantastic 16-style rounded elliptical sans family created together with Sergio Ramirez), Bucanera Soft (blackletter), Bucanera Antiqued (grungy blackletter), Official (a simple monoline sans family), Almibar (a connected calligraphic Spencerian script), Eterea (a roman all-caps family), Eterea LC (the lower case set), Canciller (an italic roman, done with Sergio Ramirez), Quarzo (2012, a formal copperplate script done with Sergio Ramirez).
Typefaces from 2013: Neuron Angled (still with Sergio Ramirez), Alianza Slab (a great-looking slab family), Alianza Italic and Alianza Script (a packaging font), all made jointly by Manuel Eduardo Corradine and Sergio Ramirez.
Typefaces from 2014: Sinffonia (a thin informal face with oodles of choices for swashes).
Creative Juncture is Justin Daniels's design company in Salt Lake City, UT.
Santiago, Chili-based designer (b. Santiago, 1977) of the display faces Tosca (2005, Egyptian), RotulaCG and of Paquidermo (2003). He created Origen (2002-2003), about which he writes: "Origen is a sexy soft typeface that not only cares about legibility in small sizes but also the particularity each character has at 24pts. or more. It was created from a logo designed for a potter whose work is based on simple and friendly forms developed from the origin." Origen can be bought at Union Fonts. He has been working on El Chino (2004, a stencil type). He studied Graphic Design at the Finis Terrae University, graduating in 2001. In 2002 he continued his studies at the Typography Diploma in Pontificia Universidad Catolica de Chile, where he started Origen. He now works as an art director in Ce Diseña, one of the most important firms of global branding in Chile, and as an independent designer for several artistic projects. [Google] [More] ⦿
Cruz Fonts was established in Oakland, NJ, in 2004 by Ray Cruz, who has been a designer of custom lettering and custom typefaces to major ad agencies, publishers and corporate clients in the New York City area for almost 30 years. He has created many display faces for Agfa/Monotype, Bitstream, Phil's Fonts and Garage Fonts. Presently Ray Cruz is working as Type Director at Y&R NY, and is an adjunct professor at FIT and Kean University teaching type design. Bio at Agfa/Monotype. Bio at Garagefonts.
Fonts and dingbats for gamers by S. John Ross from Austin, TX, and Denver, CO. Typefaces include Axe Handel (2013, grunge), Sans Sara (2011, organic sans), Growly Grin (2011), Powell and Geary (2011), Gelio (2011, Greek simulation family; +Pasteli), Shock Shimmy (2011), Gelio Greek Diner (2011, Greek simulation face), Rugged Ride (2010, a texture font), A Love of Thunder (2010), The Day That Love Came To Play, Unity Dances (2009), Knits and Scraps (2008), Heirany Slight (2007), Merchant Copy (2006), Hexpaper (commercial: font for printing out hex paper (for puzzles and such)), RisusLCBDingbats, RisusLCBKringlebats, TemphisSweatermonkey, HultogSnowdrift (2006), Hultog Engraved (2006), Encounter Critical, Erthe Gaming Systems (art nouveau), Tender Goliath, Temphis Spidersilk (2005), Ten Ton Ballyhoo (2005, grunge), Vermin Magic (2005), Uneasy, Tombs of Rivulax, Almanac of the Apprentice (2005), Yemite Snow Letters (2005), Seven Miles to Heirany (2005), Bold Marker (2005), Apostate Cancer (2005), Bydee Man (2005, based on the handwriting of Austinite Brian Joseph), Uresia (2005, runic), Dragon Harbour (2005), A Kringle in Time (2004, Christmas dingbats), Vanthian Ragnarok (2004), Regal Demise (2004), Nobody Small (2004), Earwax Wit (2004), Always Joking (2004), Hill Country (2004), Barrel House (2004), Iron Lung (2004), Art Greco (2004, a stone cutter face), Powell and Geary (2004), Wolves Engraven (2003), Homespun (2003), Cup and Talon (2003), Glyphs of Hax (2003), Invader Candy (2003), Temphis Runes (2003, commercial), Temphis Laundry Marker (2012), Temphis Brick (2003), Temphis Knotwork (2003), Temphis Dirty (2005), Struck Dead (2003), Double Slug (2003), Oddbats (2003), Phaeton John (2003), Scrawlings (2003, a gothic font), FountainAvenue (2002), Pokethullu (2002), AtlasoftheMagi (2002), Skuntch (2001), Prison Walls (2002), Downtown Auto (2002), Arvigo (2002), Beccaria (2002, very old typewriter font), Cheap Seven Inches (2002), Nicotine Stains (2002), Apple Butter (2002), Merchant Copy (2006), Mexlar (2002), Eye Socket (2002), Spacedock Stencil (2001), Rutherford (2001), SPARKSScrapbook2001 (2001), Sparks ("from skeletal necromancers to doughty Dwarf warriors to Bigass Ogres to chicks with guns - and now an entire science-fiction set!"), Skull Salad (2001), The Temphis Runes (commercial rune font set), Cock Boat (2001, codesigned with Amy Miles), Marshmallow (2001, by his wife Sandra Ross), Yank (2001, handwriting, by Sandra Ross), Focal Deviance (2001), Darn Ya (2001, faces), Punkinhead (jack-o-lantern shaped letters), Rocket Yo-Ho (2001), Thunder Thighs (2001), Dirty Headline (2001, and Dirty Headline v2, 2012: The most successful of the Cumberland stress-fonts is an unlikely typographic hero, released as it was with huge chunks of even the basic U.S. keyboard set missing (it had no apostrophe, for example, and no smart-quotes). Why so limited? I built it for one thing and one thing only, so it only had what it needed. I never expected to see it spread across the globe on buses, TV and movie screens, book coves, web-banners, lottery tickets, signs and clothing. I also never expected it to introduce me to roller derby girls (a whole team of them!), or to hook me up with a pen-pal who means a lot to me, but it's done all those things and more.), Ninja Bootleg (2001), Face Front, Nameless Harbor, Martian Hull Markings (1999), ProtoRooftops (2001), Zarking (2001), Graalek, High Fiber (2001), LastUniform, Wolves&Ravens (2000), Wolves&Ruin (2003), Pigeon Street (2001), Gravel (2001), TheAlchemist (2001), Deco Freehand (2001), Archipelago (2001), Flagstones (commercial), Newfie (handwriting, by Sandra Ross), Hultog (2000), and Lunatic Regular (handwriting, 1999). 15 USD fontmaking service. At Apostrophic Lab in 2001, he designed FuturexApocalypse. The Temphis Runes font set is commercial.
Foundry, est. ca. 2009 in Johannesburg, South Africa, by Jan Erasmus. Creator of the didone family Lalibela (2008) and of the beautiful medieval-look font Thornface (1997). Commissioned fonts by him include Menyaka (2006, made for FIFA 2010) and a type family for Nando's (1999; done together with Cross Colours), the food chain. Other fonts include Export Unicase (12999, stencil), Mzansi (2007, an African look font), Shaftciti (2008, military stencil), Pixeluxe (2010), Giramundo (2010), Transition (2006).
Parisian designer (b. 1981) of PixArrows (2010, pixelized arrows), BeijingWigoWhat (2005, Indic simulation face), Coin Locker Datura (2005), Fucked Plate (2005, grunge face entirely based on old license plates), Destroyed License Plate (2005), BonesBummer (2005, scratchy handwriting), VerArmy (2005, stencil), Knife Fight (2005), Veru Serif (2005), Belgian Army (2005, no longer offered), Bnko (2005, no longer offered), Abuse (2005, handwriting) and Sweeep (2005, typewriter simulation), PoscaMadThrasherz (2009, graffiti), Rififi Serif (2010, pixel face). Alternate URL. Yet another URL. Old URL. [Google] [More] ⦿
Dan M. Zadorozny
German graphic designer who has his own studio. He created the (free) experimental font family Drebiek (2008) around the theme of the triangle, the morbidly obese Diet-Fat (2008), Cartoons Abstract (2009), the monoline Cinga (2009), the experimental Boss M (2009), the art deco stencil face Trage Keinen Namen (2008) and the simple handwriting face Berger&Berger Caps (2009). One can also download a font tool called Typometer. At Dafont, he calls himself Dundeee. Fontsy link. [Google] [More] ⦿
Darren Scott Typographics (was: Truth Design)
Darren Scott Typographics (was: Truth Design) is Darren Scott's design firm in Manchester, UK. Darren Scott graduated from Salford University in Manchester with a Design Practice Degree in 1996. Formerly the Senior Designer and Typographic Consultant at McCann-Erickson Manchester, Darren now runs his own consultancy, Truth Design. Their type design includes faces such as Aggregate, Amplifier (hairline geometric), Berliner, Como (artsy display), Imprimitur (serif), Mechanic (influenced by the poster types found in advertising during the industrial revolution), Nitrogen (hookish sans), Press On (grunge), Rivo (stencil), Rub On, Sodium. All faces available from FontWorks. Before Truth Design, which started in 2007, Darren Scott sold and licensed his typefaces through various firms:
Designer of wonderful teasing fonts: Alpha Silouettes (three versions), Cherished Teddies. And now, the most exquisite of all erotic fonts, VintageErotique (by Darrian and Itieu), LilGent, DelightfulLilDragons, DarriansSexySilouettes, SexySilouetteStencils, Butterflies by Darrian (dingbat), Hearts by Darrian (dingbat), Equestrian by Darrian (dingbat), EasterGirl, Butterfly Letters, Catstuff (by Glenda Moore and Darrian), Critters by Darrian (dingbat), Lots of Frames (dingbat), DarriansFrames, Buds and Blossoms (dingbat), Dollybat (adult), ElvgrenPin-ups (adult), FloralGarnish, SnowflakeLetters, BatmanandCompany, BeautiesbyBillWard, ButterfliesbyDarrian, ComixCuties, CrittersbyDarrian, CutiesbyCarlos, DarriansFramesTwo, DarriansSexySilhouettes (4 files), Egyptian, EquestrianbyDarrian, FloralGarnish, LatticeLetter, Portrait, Smurf. Since May 2003, the new erotic dingbat fonts (such as Femlin) are no longer free.
Designer, aka nemoorange, who used FontStruct in 2008 to make Remigius WIP (blackletter), Chambermaiden WIP (blackletter), Masphalt (a rip-off of Black Sabbath by You Work For Them), Minutia, Bloc War, Phantsied, Halliday (ultra stencil), Sally Shadow, Ben Day, Izack (experimental stencil), Clive Rounded, Milius (blackletter), Hamleigh (blackletter), Sabatino, Radish, Rosslyn and Rosslyn Metal (futuristic), and Boritone (squarish), Francero Wide (big slab serif), Squabble, Bradshaw Bold, Gretzatz, Quint City (stencil), Remigius (blackletter), Remigius Heavy. Additions in 2009: Bradshaw Bold, squabble, Tom Tussle (pixel face), Curtis Heavy, Curtis Pixel 14, Hermione Black (slabby),
David Fleming Nalle
As a student in Barcelona, David Pascual created the stencil typeface The New Deco (2013).
David Neustadt ("saberrider") is the designer who used FontStruct in 2008 to make the experimental fonts Eye Pain, Colorblind, Big Blue (like IBM's stripes), Cord, Fontsract (a nice stencil face, based on piano keys), Dice (great; based on an idea of Daniel Pelavin, 1996), Blux (liquid crystal), Blockiger (octagonal), athletica (athletic lettering), divided (two lines, octagonal), edgewalker (heavy slab serif), geomatrix (filled-in letters), olympica. Other creations include Picto People (2008, a great people figure dingbat font), Carmack (2008, octagonal), Pluto (2008, white on black), Pluto Lowercase, Arena Berlin (2008), Katja (2008), Average (2008), Unbalanced (2008), Solido (2008, based on Ata Syed's FS Minimal), Noise (2008, grungy school letters), and Diagonalis (2008, diagonally striped letters).
In 2009, he added Hexastruct, Curvy, Genero (fat face), Plagiacotti (Western saloon font, based on Manicotti, 2007, by David Jonathan Ross), Rasterman (+Bold) (gray effect fonts), Krummbein, Cohen, Mister N (handwriting), Monobono (shadow face), Letter Case, Mikado (3d-stroke font), Boulder (ultra-fat), Night Shift (semi-stencil), Tuvalua, Ripper (fat, counterless), Poff, Blackstruct (blackletter), Borders and Borders2 (outlines of countries).
Typefaces from 2010: Squeeze, Puncture (dot matrix outlined), Yobbo (condensed, counterless).
Donald Beekman (DBXL, est. 1999) is a graphic and audiovisual designer (b. Amsterdam, 1961), who studied at the Rietveld Art Academy from 1979 to 1984 and then started his own graphic and music studio in Amsterdam. He designed many typefaces, most of them emanating from logos or artwork designed for his clients, often from the music and entertainment industry. Since 2004 he has been co-hosting Typeradio, the radio- and podcast-station on design and typography. He set up Vette Letters. Dafont link. Alternate URL. His fonts:
de Valence is a graphic design and type design bureau in Saint-Ouen, France, run by Alexandre Dimos and Gaël Étienne. Their typefaces: Dada Grotesk (2007, Optimo), Dodo Grotesk (2005), Trois-cent quinze (2003), Le Gras (2004), Manuel (2003, stencil), Sweet Sweat (2004), Le Gros (2003), Sansas (2005, futuristic). [Google] [More] ⦿
Eric Eaton is a graduate from the California College of Arts and Crafts, San Francisco, CA (1997). He is a design director at Wired Digital in San Francisco, since 1996. He has made some experimental fonts (not downloadable): Bricks Are is a 2001 take on Akzident Grotesque, JAT is a 2000 serif face. Deliberately (2001) is a stencil face, Labyrinth (1999) is the ultimate pixel face, 3 by 3. Popva (1993) is based on a version of a logo for the City of New York (Street Cinema). [Google] [More] ⦿
FontStructor in Oakland, CA, who made DM/LM (2012: ultra black), dm Subfour (2012, experimentally vertically striped typeface), dm Streamline (2012), dm Clas (2012), dm New Humanist (2012), dm Blockd (2012), dm Scythe (2012), dmcm Erebus (2012, counterless), dm Kronos (2012), dm Parkway (2012, art deco), dm Parkway 3 (2012, for the Oakland Parkway Theater), dm Parkway 2 (2012), dm Xu (pixel face), dm E dim (2012), dm E light (2012), dm Eiros (2012, +Aliens, +Typicals, +Unrecognisables), dm Pop (2012), dm Informe 00 (2012), dm Solidus (2012), dm Me (2012, stencil), dm Nova (2012), dm Supernova (2012, a condensed piano key face), dm S 1 (sans), dm Spira (2012), dm Minium (2012, a jungle face), and the powerhouse slabs dm Banx10 (2012), dm Banx 11 (2012), dm Metrigue (2012, blackletter), dm Istruct (2012, pixel face), dm Wharf (2012), dm Solidis (2012).
Typefaces from 2013: dm Yes, dm Legimono.
Designer at FontStruct in 2008 of teste_2, a gorgeous piano key stencil face, which he says is a copy of Crea by Corey. Corey in turn tags Armin Hofmann, the influential Swiss type teacher. [Google] [More] ⦿
Designer of the 19th century (Victorian) display faces Royal Crimson (2014) and Euphoria (2004, Letterhead Fonts) and of the Peignot-inspired Charlotte (2004, Letterhead Fonts). Other typefaces by het at LHF include Boot Camp (letterpress emulation), Cavalero (Victorian), Fat Daddy (fat art deco poster typeface; done with Chuck Davis, based on an original by Alf Becker from the 1940s), Big Daddy (like Fat Daddy) and Shogun (spurred Victorian). [Google] [More] ⦿
Det danske Skriftstøberi Harry Løhr
Rian Hughes studied at the LCP in London before working for an advertising agency, i-D magazine, and a series of record sleeve design companies. Under the name Device he now provides design and illustration for the advertising, entertainment, publishing, and media industries. He works from Richmond, UK, as a comic book artist, letterer and typefounder---his foundry is called Device. He creates mostly display type. List of fonts. Interview. Review by Yves Peters. Monotype Imaging page. Interview by Die Gestalten. Various (overlapping) font listings, still unorganized.
Chris Lozos (aka Dezcom and Dezcom Typefaces) is a Washington, DC-based (well, now Falls Church, VA-based) graphic designer and Vietnam veteran, b. 1944, Pittsburgh, PA. He studied Design at Carnegie Mellon University where he earned a BFA in Graphic Design (1966). While at CMU, he studied with calligraphers Arnold Bank and Howard Glasser, who both brought out the love of historic letter-forms and learned to set hot metal type in the Laboratory Press established there by Jack Stauffacher. Chris also was influenced by guest professors Hermann Zapf, Rudy DeHarek, Martin Krampen and Gui Bonnsieppe (of the HfG Ulm). He attended Graduate School in Visual Communication Design at the Ohio State University from 1972 through 1974.
FontStructor who made the LED style futuristic faces Galaxsea Starlight Mono (v2, v3) (2012), Galaxsea Darkmatter (2012, +Light, +Normal: a techno stencil family), and dNN's Wedgey Tools (2012). [Google] [More] ⦿
Digital artist from Milan who graduated from Politecnico in Milan. She created a branding and wayfinding type family for the city of Genova in 2010. This includes Zena Sans, Zena Pittogrammi, Zena Contrastato (Peignotian), Zena Pixel, Zena Unicase, and Zena Stencil. [Google] [More] ⦿
Dick Pape (Dallas, TX) is digitizing the Dan Solo books one by one, and has digitized many other sources of alphabets and images. He started making fonts ca. 2007. In 2009, he was doing Solo's art deco tome. He is on several font-making forums such as High Logic, and is interested in revivals. "Toto" writes: Dick Pape made hundreds of fonts and here are the links to most of his fonts. This list has not been updated and later additions are found in Rapidshare folders. I've missed some and some links had been deleted by Rapidshare during its migration from .de to .com. Some have also been sent directly to the group, like those based on Mada's alphas. It is hard to tell whether the font has been made by Dick Pape. The only indication that he created the fonts is that the font have "DP" as font vendor and/or has "Digitized by TTD" in the trademark field. Both are not present in some of his fonts. He seems not to want to take credit. He is just a guy who wants to digitize anything he likes. In 2010, he made Bultaco, based on the logotype for Bultaco Motorcycles---see Freehostia.
Dick Pape: February 2013
In February 2013, Dick Pape published a number of typefaces grouped together here. Local download page. The typefaces:
Graphic designer in Medellin, Colombia. Together with Catalina Bustamante and Maria Luisa Arias, he created a stencil typeface called Fortune (2013).
Diego holds a Masters from the KABK in Den Haag, 2004. His thesis project was entitled Tuhun. A typographic exploration of the Mixtec language. He made the stencil face Nairobi Quality, the text face Tuhun (2006), the text face Viko (2004), and a font for the Mixtec language of Oaxaca, Mexico. Currently living in Mexico and working with his wife, Kythzia Barrera, in their studio called Frutas y Verduras. He teaches at the Universidad Iberoamericana, in Mexico City. Mainly interested in typography, graphic design and organic agriculture. Speaker at ATypI 2009 in Mexico City, where he explained the challenges posed by native languages in Mexico. [Google] [More] ⦿
Dieter Steffmann's Homepage
FontShop was the name of Dieter Steffmann's foundry in Kreuztal, Germany (not to be confused with the FontShop foundry and font vendor). He made about 600 self-proclaimed "old-fashioned" fonts, and among these many Fraktur fonts. His site became too expensive to run, and is now hosted by Typoasis. Alternate URL. Current list of fonts. See also here. New stuff. Fontspace link. A nice essay about Fraktur fonts accompanies the fonts. News. As Dieter puts it: I am not a designer but I add missing letters to public domain fonts in order to get a complete character set and I hint the fonts and create new weigths (shadow, inline etc.) His Christbaumkugeln font, and how it was made. The font families:
Freeware fonts of the grunge type made by Catsu!t (sic) using CorelDraw in the 1990s: Bubble Bath, Sludge Bucket, Sugarfish, Romeo, Psycho Poetry, Grimace, Grotto, Due Date (grungy stencil font), SleepTalk, Aural Sects, White Neon and Acid Bath. [Google] [More] ⦿
Dilworth Typographics Inc
Type designer (b. New York, 1975) who used to be on the staff at T-26 in Chicago from 2001-2004. His bio at MyFonts: Silas Dilworth focused his typographic vision as font technician and resident type designer at [T-26] from 2001 through 2004, producing various custom typefaces and overseeing the production of hundreds of new releases. In 2005 he started laying the groundwork for TypeTrust LLC, a font distribution partnership co-founded with fellow type designer, Neil Summerour. Silas has produced custom type for such clients as The Food Network, Converse, Cartoon Network, Caterpillar, Aon Corporation, Time Out Chicago, and Columbia College Chicago. In 2007 he joined VSA Partners in Chicago, producing exclusive type for the acclaimed design firm's private use. One such project, an expansive sans-serif text family, was chosen to anchor IBM's refreshed identity system in the iconic corporation's award-winning 2006 Annual Report. He codesigned Adriane Text with Marconi Lima in 2007.
He codesigned Iskola (2002, T-26) with Amondó Szegi. In 2005, he set up Dilworth Typographics Inc, where his own creations include Bridge (his version of Bank Gothic), Cooter, Dilworth (a sans family), Everafter, Lump, Midinote (futuristic), Oberon (heavy Bank Gothic-style face with great body), Soren, Trauen, Vandermark and Yesterday. His collaborative typefaces are Diego, Fatty (stencil/headline family, designed together with Chris May), Rickety (outline face, done with Chris May), Alphaben (comic book style), Elidel, Majestos Wide, and Sansarah (commissioned handwriting for Columbia College Chicago, based on the hand of Sarah Faust). At The Type Trust, which he helped set up in 2005 with Neil Summerour, we find Diego, Fatty, Cooter, Cooter Deuce (stylish art deco pair of faces, Regular and Plugged), Cooter Slim (like the other Cooters, this makes me think of Pacman), Facebuster (2008, fat slab serif, typeTrust), Vandermark, Everafter, Reservation Wide (2006), Lump, and Rickety. In 2007, he added Breuer Text, Condensed and Breuer Headline (corporate geometric sans families) to The Type Trust. This was followed in 2008 by the 16 weight sans family Heroic Condensed.
Commercial and free fonts designed by Diane DiPiazza, who lived in Hoboken, New Jersey, and was the original bass player for The Misfits. She is now in Lodi, NJ. Dinc closed its doors in January 2006 but returned some time later in 2006. Most of the fonts evoke the fifties.
Wikipedia states: Diane DiPiazza was the first bass player for the The Misfits, although she does not appear on any album. She left the band, vacating the spot that was quickly filled by Jerry Only. Her name is often incorrectly spelled Diane DiPiaza. Growing up in Lodi, New Jersey, she was a friend of Glenn Danzig, the founder of the Misfits. The first lineup consisted of Glenn on vocals and electric piano, Diane on bass guitar, Jimmy Battle on guitar and Manny Martínez on drums. On the Cough/Cool single, The Misfits first release, she is the Diane who Glenn thanks on the sleeve. Diane DiPiazza is an artist. She is a type designer who distributes free fonts and vintage black and white line art at dinc! She is art director at mystifyinglyGLADdesign, who designs for the web, clothing, and packaging. She designs hand screened gig posters and many other forms of rock 'n roll art, retro art, modern art. A collector of vintage design elements, her style has been called retro/modern. Diane also creates custom hand stamped silver jewelry as well as a line of tattoo inspired pieces. She is in the process of recording a demo LP with the working title Last Year's Fab Rave, on which she plays all the instruments, including bass.
Free fonts include Bobo, Dilettante, Modern-Love, Note-To-Self, Plastic-U, Post-No-Bills, Road-Crew, Saturdays-Girl, Sleeptalk, Sugaree, Mod Guitars, Woof Squared, Hatcheck, Mess Kit, Billy Dolls, Knitwits, Claim to Fame, Girlfriend, Book of Joe, Joybuzzer (2007, rough outline), Autos (2007, old typewriter), U Better, The Con, Claim to Fame, Girlfriend, Book of Joe, Ahmet.
In 2006, she created Road Crew (2006, rough stencil), DINC (2006, blackletter), Post No Bills (2006, stencil), Ashtrays&Art.
Typefaces from 2005: Neat Neat Neat, Shut Up, Hello Hey Joe, Wings For wheels, Trustmaker, Bad To Me, BellBottomBlues, DinkyToy, Funkhouse, Rodeoboy, SaturdaysGirl, SoWhat, Blue Monday, Betcha By Golly Wow, Nathaniel (2005, blackletter), Brillo Blue, Doctor My Eye, Guilt For Dreaming, Rhyming Bells, Bob's Your Uncle, Princess Jasmine, 45, Seven, 7-7000, Ahmet, Alexei, Boxer, Cinema Aisles, Divine Intervention, Synchronicity, Tangled Up In Blue, Tjinder, Untrue, Special Edition 6, 20,000 Roads, Big Diamonds, Charly Baltimore, Dream, Fever In The Funkhouse, Green&Blue, Ring Ring, Swoop Swoop.
Typefaces from 2004: Fuzzbox (2004; not to be confused with Bragagna's pre-2004 font by the same name), Ace In The Hole, Balls, The Christmas Font, Beau Geste, ByeBye, Heart, Loverboy, Sycophant, The Comedians, Fishboy, Truth, King Me, Snapper, Blue Heaven, Oceans Eleven, Fresh Fish Seven, Trason, Your Type, Da Doo Ron Ron, Big Flirt, Dicky Dee, Boxtop, Satellites, Upsmack, Starry, Silicon Chip, Howdy, Grandpa Boy, Scarlet Letter, Capsule, Doggy, Little Eden, Frank Mills, Chewtoy, Jez, OneWitU, BrineShrimp, Joe College (2004, pixel face), stj-fro, One Inch Rock (2004, pixel face), Black Hole, Ya Ya Baby, Blondie, ShaLaLa, Lower Eastside, GeeWhiz, Sixteen, Joe Strummer, Amy Johnson, JoJo, JodiGirl, Zelda, Hipster, LaDolceVita, LittleLove, Mod, MrEarl, Noveltease, QBats, Ranger, Rhymes, BarkingDog, BFBigmouth, BooHoo, Chance, CowardSquared, Cupid, DincCorona, FiftyFive, FunkyBut, Gamble, HelloHello, IdiotWind, JimmyCap, Luck, Metropolitan, MidnightKiss, Mine (2004, letters in hearts), PerfectCouple, Resolution, Spitball, StencilMeIn, TypeToyNight, YrChickens.
Typefaces designed in 2003: 11592003, 2004, BrokenPromise, DincCorona, DoublyBlessed, EchoPark, FiftyFive, Fishing, FunkyBut, HelloHello, Hoboken, InstantKarma, Integrity, KaseyMac, MidnightKiss, PeppermintLump, Resolution, StencilMeIn, ThreeCubicFeet, TypeToyNight, Crybaby, DeepDark, MajorLift, Mikes, MinorFall, Beeper, Kate, Blacktop, Def Caroline, EZ Bake, JoJo, Kima, Bait, Dreamgirl, Sugar Daddy, Friday, Birth of the True, Soul Deep, Virginia Plain, Feelin' Groovy, Sunday SF, Socks, Boy Toy and Sweet Potato, FunnyValentine, Laura, LonelyFrog, Pati, BrokenDoll, Placemats, Satori, Scout, ThousandLies, ThousandOceans, GetTheeGone, Promises, Rudeboy, YuppieFraud.
Typefaces designed in 2002: Emmanuel, Strummer, Teardrops, Busterboy, Evergreen, Blulite, Respect, Pretty Baby, Hickory Wind, Chelsea Boys, Femme Fatale, Tour de Lance, Peppermint Lump, Ce La Luna! Nous, El Goodo (2002, pixel font), Big Boy, Farfallena, Life On Mars, Saturn Return, GeeWhiz, Train in Vain, Massive Blur, Lonely Planet Boy, Littlebits, Secretarial Pool, Eight Bits, Firefly, Fluff, Startone, Cupcake, Diet Dr. Creep, Dr. Creep, messaround, Pencilbox, Crush No 47, Crush No 49, and Dialtone. Mac and PC. Plus Starry F. Hope (1997) at Chank's site.
Commercial fonts: Booboy, Ingigo (2001, script font), Rufus (2001: four pixel/bitmap fonts), Chinese Symbols: Good Fortune, Zen Fontkit, Boxtop Fontset, Bachelorette, Retrobats, Jailbait, Grievous Angel, Milky Way, Spyboy, Light Series: Spotlight, Cameralight, Streetlight, Firelight, Torchlight, Lovelight, Moonlight, Sunlight, YaYa, Alvin, Amplifier, BigBeatBold, BigBox, Bit-Thing, Boxboy, Chatterbox, Chinatown (oriental simulation), Chopsticks, Console, Cup O'Joe, dincBATS, dincINK, Dinette, DincINK (1998), Dixie, Dreamboat, Duojet, Esquire, Fireball, Flashlight, FourWay, Geebot, gomer, goober, Highball, Homework, jacks, Jetage, Jetage Hi-Fi, Jetage Lo-Fi, Kingbats, Light Series, Loverboy, Moondog, Mister Lee, Mr. Big Stuff, PaperTiger, Pipeline, Popstar, Pushpop, Recordhop, Rocketship, Roundup, Rubberduck, Satellite, Scripto, SquareBox, SquareCircle, Speedometer, Starlite, Sugar, Swizzle, Thinman, transistor, TwinTone, Ultramatic, Variable Videobox, W. Square, Wash&Wear, Whatnot, Winky, Yin Yang, Tight Toy Night, Funtime, OCRDINC01, 02 (OCR-like fonts), Whirlwind, Gaslight, Love, Captain, Funtime, FiFi, Fakebook, FlameJob, OCRDINC, Tight Toy Night, Swingbats, Good Fortune, Zen Fontkit, Bachelorette, Retrobats, Jailbait, Grievous Angel, Milky Way, Spyboy, YaYa, Boxtop Fontset, Light Series: Spotlight, Cameralight, Streetlight, Moonlight, Sunlight, Firelight, Torchlight, Hotrod, Iceberg, Gutterball, Homewrecker, Bubba, Starry Night, Lady Luck, Automobile, Hydromatic, Seventeen, Whirlwind, Gaslight, Love, Captain, Swingbats, FiFi, Flamejob, Fakebook, Madness, Apple Scruffs, Marmalade, Queen of Corona, Cupcake, Starry Eyes, Juice, Fivebits (2002, pixel font), Matchbox, Hot Burrito #3, Fishsticks, Eightbits (pixel font), FoolsGold, Drive, Sleepwalk, Icecube, Pruneface, Witness 2HB, Zerogirl (stencil font, 2002), Fairytale of New York, Levi Stubb's Tears, AllModCons, Babylon, BigBoy, ChampsElysees, ConcreteandClay, ElGoodo, Farfallena, Heroes&Villains, LifeOnMars, LittleRamona, MerseyBeat, MetalGuru, Missile, OnYourBike, Pinup, Reconnez, SaturdaysGirl, SaturnReturn, ShepherdsBush, Tatum, TiniestDancer, TumbinDice, VeraGemini, YesterMe, Rising, Treason, Monami Vrai, Robot Girl, Tattooed Sailor, Sunrise, Midnight, Kakadu, Ana, Ace, Yobbo (2002, dot matrix font), GoGo (2002, pixel font), Waltzing Matilda, Memorial Day 911, Good Riddance, Boys, One Tin Soldier, One After 909, Joey , Infidelities.
Dino dos Santos
District (was: CV Type)
CV Type, since 2013 called District, is Galen Lawson (b. Greensboro, NC, 1975), an artist who specialized first in graffiti type and logotypes and then expanded to cover all bases, including several distinctive masterpieces such as Blancmange and Hoban. He lives in Washington, DC. In 2013, CV Type became District.
His creations from 2010-2012: Aeron (2010, semi-serifed family, with a crippled lower case h), Hijinx (2009, a headline face), Verlico (2009, a take on Optima), and Frusta (2010, a 5-style slab serif family), Level (2010, an elliptical sans family), Reverie (2011, a curly sans), Encoder (2011, a slabby stencil family), Blancmange (2012: a tall informal semi-brush family), Reverie OT (2012).
Typefaces from 2014: Fair Sans Text.
Slovak designer who lives in Bratislava. He created the sans faces Deva Ideal (2007, 10 styles dedicated to the beauty of women! See also here) and Poleno Sans (2007), a great custom face with the broken look of Preissig's old faces and poster type. Poleno was originally designed in 2006 for the Slovak folk dance ensemble Poleno, as a part of their corporate identity. It has 12 styles now. Dezen (2010) is a contemporary, mechanical grotesque typeface family. It includes a Stencil subfamily. Komu (2010) is constructivist.
His graduation project at the Type and Media MA program of KABK was Preto (2009), a multilingual type family which explores the impact of serifs in legibility and readability (+Sans, +Sans Basic). He says: The three core styles that structure the family (sans, semi and serif) are particularly useful in the context of multilingual typesetting to achieve an even colour in equivalent texts written in different languages.
In 2010, he created Rukou, a script that reminds me of Sütterlin.
In 2011, he made Anca (playful rounded monoline sans).
Green Type is the foundry of creative Russian type designer Dmitrij Greshnev (b. 1975, Lengingrad). Still based in Leningrad, Dmitrij received a TypeArt 05 award for the display family Multicross (2003-2004), which can be bought at ParaType. He will win many more awards.
His typefaces include Stopwatch (2010, LED face), Sokol (Old Slavonic Latin simulation face), Slavica (2010), Reliant (2010, with Iza W at Intellecta Design), Reliant Beveled (2012, free), Logistica (2010, army stencil), Danger (2010, another army stencil), Dusk Thin (2010), and Multicross (2003-2004, stitching font).
He received a TypeArt 05 award for the display family DR Galushki (and DR Galushki Hole, 2011), which was designed for children's books. Other creations: Dekapot (grunge), DR Agu (comic book face), DR Agu Sans (2013), DR Trafaret (army stencil face), DR Vixi, DR UkrGotika Sans, DR UkrGotika Serif.
Designer at FontStruct in 2008 of Waffle, Nice Shot (target alphading face), Plumstruct (a beautiful partition face), Roadblock, and Mthr Fckr (stencil, +Alt). In 2009, we find Trouble and Stripe (vertical stripes), Quarterback (athletic lettering face), Fuzz (experimental texture face), Nice Shot (alphadings), Metric, Fourmat, Mongol Metric (squarish), Volume Metric (3d), Volume Metric (+LO, +HI, 3d faces), Archityped (based on Bayer's Architype), Subbed Station, Neo Modul (counterless), Heffer (counterless), Perfd (dot matrix), South Central Swiss, Jaunt, Checkout II, Kurrupttd, Checkout, Container ISO Regular, Perfd Regular (pixelish), Lost Outline Condensed (pixel face), Nice Shot (alphadings), Korruptica (Helvetica grungified), Aurora (+II), Beagle (blackletter), Yoga, Trouble and Stripe, Roadblock. [Google] [More] ⦿
Hruza runs Dominik Hruza studio in Vienna, Austria. Designer of the old typewriter font Lettera32 (2002), a simulation of Olivetti Pica. He also made Behrens Neue Capitals (2004), the graffiti font Tag.Do (2003), Courier Sans Stencil (2007) and Miinnora (2003), a font in the style of Amelia. Dafont link. [Google] [More] ⦿
FontStructor who made the piano key stencil face Ektarulo (2010), the Futura Black-style Plukamazorg (2010), the macaroni brick face Octomi (2010) and the slabby Octavius (2010). This face has a spectacular lower case g. [Google] [More] ⦿
Belgian designer who has a bachelors in graphic design from St. Lucas, Gent (Belgium) and ArtEZ Arnhem (The Netherlands), and a Masters in the same area from both places. He lives in Gent and loves mussels (or, at least, he loves to make posters of mussels). Behance link. He list of typefaces:
Established in 1994, dstype used to offer free fonts but has gone commercial now. It is run by Dino dos Santos (b. 1971, Oporto) from Oporto, Portugal. He graduated in Graphic Design at ESAD, Matosinhos. He received a Masters degree in Multimedia Arts at FBAUP, Porto. MyFonts place. In 2006 he won the Creative Review Type Design Competition in the Revival/Extension Family. At ATypI 2006 in Lisbon, he spoke about Portuguese lettering since 1700. Interview in 2007. Pic. Klingspor link. Dino created these typefaces:
Dunwich Type Founders
Dunwich Type Founders (or: DTF) in New York City run by James Walker Puckett (b. 1978, Virginia), who graduated from the Corcoran College of Art and Design in Washington, DC. Blog. Behance link. Fontspring link. Type Library. Typefaces:
Ko Sliggers, b. 1952, Bloemendaal, The Netherlands, was a young designer at Studio Dumbar. After that, he became a professional cook in Rotterdam, Italy and France, switched back from food to design, producing challenging visuals at Studio Anthon Beeke and, in 2002, set up a one-man studio in Lalleweer, in the province of Groningen, called Dutchfonts. He was trained by Chris Brand at the St. Joost Academy in Breda. Ko created these commercial faces: DF Tapa (2007, irregular hand), Camino (2006, an austere sans), Ko (1997, six stencil styles), Etalage (2000), Arienne (2000), Staple Mono (monowidth typewriter family), Staple Txt (2005), Pommes (based on type cut out of potatoes; 8 styles), Daantje (dog dingbats) and Ko (1997, rough stencil). His own web site. MyFonts page, where you can buy DF-Arienne, DF-Etalage, DF-Ko, DF-Pommes (2005, potato cut typeface family), DF-Staple Mono, DF-Tapa (2007, grunge), DF-Mercat (2007, dingbats inspired by Barcelona's Ramblas), DF-Pigtail (2008, seventies-style script family), DF-Zzzz (2009), DF Camino (2009, a sans that is modeled on traffic sign sans faces), DF Stromboli (2010: It was written with a coffee spoon, acting like a broad pen, in the ashes of the Stromboli volcano right on top of a scanner. ), DF DejaVuPro (2010, an amalgam of sans faces), DF Game Over (2011, sketched face), DF Scheurze (2012, a great fat rough stencil face).
Design studio in Leicester, UK. Designers of ED Stencil Rund (2012).
There is also a publishing component to Editions 205. Works published by them include Tout le monde connaît Roger Excoffon (2011), which was written by Alan Marshall (director of the Musée de l'imprimerie, Lyon), Tony Simoes Relvas, and Thierry Chancogne. [Google] [MyFonts] [More] ⦿
Designer with Ian Lynam of the heavy stencil face Black-Out (2010, Wordshape) and of Interno (2006-2009; a headline paperclip typeface based on a Walter Ballmer Olivetti logo exploration drawn in 1960). [Google] [MyFonts] [More] ⦿
Designer at ParaGraph of PT Ornament (1992), Numerals (1992, letters in circles), PiGraph A (1992, arrows), PiGraph B (1992, dingbats), PT ITC Studio Script (1994, a Cyrillic extension of Pat Hickson's ITC Studio Script, 1990), Corrida (1989, based on Helmut Matheis' Slogan, 1959), Astron (1991), after a design Gonzales Jeanette by Francisco Gonzales (Photo Lettering Inc). She also made a Cyrillic version of Renner's Futura Black, called Futura Eugenia (1987, Polygraphmash), as well as Parsek (ParaGraph, 1990), based on Brush Script (ATF, 1942, Robert E. Smith).
Emmi Laakso (Chicago, IL) designed Manifesto, which is a friendly, but authoritative open-source stencil typeface intended to be used by non-profit organizations and individuals to propagate sociopolitical messages in public environments. There are Manifesto Rounded and Manifesto Geometric.
Design studio of Ben Wittner, Sascha Thoma and Daniel Fürst, located in Berlin. Custom fonts made by them include Newface 51 (for M4 Models / Newfaces), Rayon51 (2011, a monoline sans for the magazine Animated), Futur-A-Script (2010), Bodoni Stencil (2009, for Chris Holzinger), Baseet (2009, an Arabic script face done with Pascal Zoghbi), Holzinger51 (2008), and the Talib family of typefaces (2008, Arabic simulation fonts). [Google] [More] ⦿
Eric Kindel is a designer, writer and Lecturer in the Department of Typography&Graphic Communication at The University of Reading. He lives in London. Eric Kindel's project at Central Saint Martins College of Art&Design (London) includes an on-line survey of typeforms.
At ATypI in Rome in 2002, he spoke about stencil letters ca. 1700. This talk was followed by a talk on the same topic at ATypI 2006 in Lisbon (with Fred Smeijers). His research (jointly with Fred Smeijers, James Mosley and Andrew Gillmore) involves stencil making, ca. 1700 according to an apparatus escribed in a late seventeenth-century text compiled by Gilles Filleau des Billettes for the French Royal Academy of Sciences. He also researches the Parisian stencil maker Gabriel Bery, from whom Benjamin Franklin purchased a large set of letter stencils and decorative borders in 1781. The stencil set survives in the collections of the American Philosophical Society (APS) in Philadelphia, and was first examined in 2001 as part of the project described above. Editor of Typeform dialogues: a comparative survey of typeform history and description, compiled at Central Saint Martins College of Art&Design (Hyphen Press, 2004), which has articles by himself and Catherine Dixon (who writes on type classification). He describes his research on stencil letters at Reading as follows: The period under consideration begins in the sixteenth century and ends in the present day. The intention is to recover, if possible, a relatively continuous history of stencil letters and stencilling (in the Americas and Europe) by drawing together artefacts and practices that are in many cases now largely forgotten. In addition to forming a broad view of how stencil letters have been designed, made and used over the past five centuries, specific practices will also be examined through an on-going series of articles and papers. The first, `Marked by time', was published in issue 40 of Eye magazine: it offered two contrasting instances of stencil letter-making in Germany and the United States in the mid-twentieth century. Another, `Stencil work in America, 1850-1900', was published in Baseline 38 and unearths innovations in the manufacture and use of stencils in America in the second half of the nineteenth century, and the stories of some of their makers. The article also draws on the writings of Mark Twain for whom stencils served as a literary device on several occasions. And a third, longer, article `Recollecting stencil letters' has been published in Typography papers 5. It discusses the many forms stencil letters take, and how their form is influenced by a number of factors. The article is based on the study of period writings and MSS., patent specifications, collected artefacts and other primary documents and materials. See also Patents progress: the Adjustable Stencil (Journal of the Printing Historical Society, no. 9, 2006). In Typography papers 7, he wrote about another stencil method in a paper entitled The Plaque Découpée Universelle: a geometric sanserif in 1870s Paris (2010).
Mexican creator of the condensed angular face Prototype (2011), the custom ultra-fat display face Enco (2012), the custom face Insurreccion (2012, a goth stencil), the octagonal typeface Autoctono (2012), and the modular typeface SEYB (2012). [Google] [More] ⦿
Austrian type designer. At Volcano Type, he published the art deco era stencil face Reklame Stencil (2010, developed jointly with Zaneta Drgová). MyFonts link. Klingspor link. [Google] [MyFonts] [More] ⦿
ESAL is the Ecole Supérieure d'Art de Lorraine in Metz. One can study type design there. The active group has established a site with some free fonts made by the students. The free typefaces posted in 2013 include Artemis (by Diane Rohn, 2012), Boom (by Cécile Etienne, 2012), Crypt (by Aude Schmittheisler, 2012: a squarish stencil face), Effilé (2012, by Valentin Mirouf), Escape (2012, by Estelle Bizet: a straight-edged typeface), Geomhotic (2012, by Isaline Rivery), Jyk (2012, by Jung Yoon Kim: straight-edged), Kazan (2012, a prismatic typeface by Eric Chapuis), Misenpli (2012, by Céline Kriebs: origami typeface), Morse (2012, a Morse-based typeface by Romuals Kabala), ODR (2012, a modular typeface by Audrey Pereira).
The text family Messine (2012) was created as a cooperative project in workshops at ESAL led by Alejandro Lo Celso and Jérôme Knebusch. Contributors were Céline Kriebs, Romain Gamba, Bernard Gissinger, Aude Schmittheisler, Gaía Fyot, Eric Chapuis, Francis Ramel, Audrey Perreira, Fanny Woimant and Isaline Rivery. Image of Messine Titrage. Image of Messine Quotidienne. [Google] [More] ⦿
American vector artist. Designer of Charged Insomnia (2008, LED font), Mezzanine (2007, ultra-fat), S.O.T.D. (2006, 1890-style caps face), Dog Star (2006, modeled after the Sirius radio font), Blowback (2007, display face), Alpha (2006, outline pixel face) and Pf Animals (2006, a stencil face modeled after Pink Floyd's "ANIMALS" album). [Google] [More] ⦿
Brazilian graphic design studio which recently branched out into type design. Located in Batel, Curitiba, it is founded and run by Anderson Maschio (b. 1980, Curitiba). Maschio designed Anark Stencil (2007). MyFonts link. Fonts at MyFonts, all by Dado Queiroz: Tritura (2009, grunge textura typeface by Dado Queiroz), Marisco (2007), Riff (2009, slab serif). [Google] [MyFonts] [More] ⦿
In 2013, he added fs Slyte, fs Kingsletter (blackletter), fs Gardenia, fs Accordion, fs Badminton (+Mono), fs Lollipop Script, fs Monopixel (Serif, Regular), fs Sphinx, fs Quotable, fs Recalibur, fs Informe 04, FS Typewriter (a huge font that covers Latin and Cyrillic), FS Uno (monospaced), Menora, Excalibur, Cirplex (a circular font), 5x5 Monopixel, Medievia, fs Tahoma 8px, Standard Serif, Zapphire Round (kitchen tile face), fs Smilies, fs Gridded (+lc), fs Midnight Gambler, fs Semiserif Mono, fs Almostencil, fs Glass (textured face), fs Will I Am Not, fs Magnifique (a connected script), fs Karmina, fs Kursiv, fs Handwritten, fs Markitaraz, fs Neon, fs Himali (a connect-the-dots typeface), fs Fontstruct, fs Phille (kitchen tile font), fs Phoneta, fs Curves, fs Wizdom, fs Handwritten, fs Sly Small, fs Quark, Williomnot, fs Sanstruct, fs Direction (arrowed letters).
Typefaces from 2014: FS Lost (a labyrinthine font for Latin and Cyrillic that won an award in the 2014 FontStruct InLine Font Competition). Other typefaces from 2014 include FS Shattern (glaz krak face), FS Zeblin, FS Intrepid (labyrinthine). [Google] [More] ⦿
Ethan Paul Dunham
Swiss decorative artist, poster designer of the art nouveau era, and type designer (b. Lausanne, 1841, d. Sceaux, 1917) who made Étrusque (Fonderie Gustave Peignot&fils, 1900), Grasset (Fonderie Gustave Peignot&fils, 1898-1899), Grasset Initialen (Peignot), Grasset Italiques (Peignot), Grasset Antiqua (1900, Genzsch&Heyse) and Römisch Grasset (1913, Genzsch&Heyse). McGrew: Grasset was designed by Eugène Grasset, French [note: McGrew is wrong...] decorative artist, in 1898 for Deberny&Peignot, French typefounders, and cut by ATF in 1904. It was advertised as a chic, up-to-date face of the day, but has mannerisms that later became quite dated. The Monotype cutting in 1912 was modified and reproportioned to fit the early restrictions of that machine, but retains the quaintness of the foundry originals. His ex libris.
In 2012, Dick Pape created a few typefaces based on Grasset's alphabets. These include LFD Asian Stencilling 205 (original oriental-looking art nouveau drawings by E. Grasset and M. Verneil) and LFD French Printed Type 189 (this warm serif face was used in France for books).
Fabian Leuenberger's foundry is called Europa Type. It is located in Zurich and London. Their typefaces include:
Design and corporate identity studio in Lisbon. Creators of the elegant sans headline typeface Caixa Alta (2013), the stencil typeface Caffein (2011), Beedrones (2011, hexagonal), Ink (2012, a heavy brush face), Ecotour Portugal (2012, brush face), Lusofonia (2012, a decomposable typeface), Arte No Feminino (2012, a mosaic typeface), Ponte Romana (2012, a thin avant-garde wine label typeface).
Moscow-based designer with Michael Puzakov of 12 pt Stencil (2012), a Latin and Cyrillic stencil typeface that was created on commission for 12pt Design Studio.
Exclamachine Type Foundry
Choz Cunningham (b. 1975, Santa Cruz, CA) is a Las Vegas and more recently, Nashville, TN-based designer and artist, who set up Exclamachine in 2005. Until 2012, exclamachine published free fonts. In 2012, it went commercial via MyFonts.
Designer of Whiskey Songs (2007), Crass Roots and Crass Roots OFL (2007, stencil), Misqot (2006), The Troubles (2006), Limberjack (2006, an ornate wood titling font), this blackletter-inspired serif face (2006), Futurelic (2006, futuristic), Zugzwang (2006), Sketchy Times Bold (2005, grunge), Sketchy Times (2005, grunge), Basket of Hammers (2005, a nice wallpainting/graffiti font). His company, also called Exclamachine Foundry, where these fonts can be downloaded: The Black Bloc (2006, blackletter-inspired), MISQOT (2006), Kutura Frontalis (2006), PaulMaul (2006), Zugzwang (2006), Sketchy Times (2006), Carlos Caffeinated (2006), Basket of Hammers (2006), Disc Inferno (2006, LED simulation), Rosda Laevigata)2007, handprinting), and this heavy metal band font (2006).
Typefaces from 2013: FinFang (comic book style caps), Lestatic Slashed (+Condensed), Lestatic Obsidian Outline (grungy), Lestatic Lashed (Arabic simulation face), Lestatic Celerite, Lestatic Carved, Lestatic CSS, Lestatic Withered Condensed, Lestatic Withered, Lestatic Sliced.
Commercial foundry in London that specializes in hand-painted and brush styles. They made the free grunge slab serif font F. Vermont (2013). Commercial faces at 30 pounds a pop: Bronx (2013), St. Germain (2013), Battersea, Big Sur, Lowell (old typewriter), Wisconsin, Dunkirk (stencil), Helsinki, Hamburg, Stockholm, Vermont, Malibu, Belize, Los Alamos, Wilton, Saigon (army stencil). All fonts are in highly detailed vector format.
F37 (or: Face37)
Rick Banks (b. 1985, Manchester) established F37 (Face37) in 2010 in London, UK. He created F37 Xan (2010, a counterless geometric face based on a geometric solid typeface from 1925 by André Vlaanderen) and F37 Form (2010, a mimimalist circular experimental (Bauhaus?) font). He writes about Form: After looking at Armin Hoffman's Die Gute Form poster and Herbert Bayer's universal typeface I constructed an alphabet based on their letterforms. Inspired by Wim Crouwel's Soft Alphabet, I constructed a grid to create the modular alphabet and programmed very tight letterspacing into the font lending itself to the style of Die Gute Form.
Type Trumps are playing cards that feature the main typefaces.
Bella (2011) is an extremely contrasted didone display face, available as F37 Bella at Hype For Type. He says that he was influenced not only by Didot, but also by Pistilli and by Tschichold's Saskia. F37 Bella won an award at TDC Tokyo 2012.
In 2014, he published F37 Ginger (a geometric sans family).
Frank Béla (b. 1978, Orosháza, Hungary) is a graphic design student at Krea Art School in Budapest who uses the pseudonym Fabergraph. Home page. Blog. In 2010, he started out commercially as Faberfonts. Dafont link. Behance link. Klingspor link.
He created the ink trap font Portrait Of A Lady (2009), FR Irisz (2009, didone family), Pontifex (2009), the hand-printed Munkácsy 1120 (2009), the unicase Reka Sans (2009), the thick-thin Azur (2009), the simple sans Babyface (2009), the medieval sorcery font Elmulas (2009), the Valentine;s Day font Sapet (2009), the avant garde sans family Hopper Sans (2009) and the ultra-fat face Rendezvous (2009). Callimachos (2009) is a fun triple-lined hand-printed headline face (with a Cyrillic version added in). Azur Title Font (2009) is a hairline slabbed typewriter type. Pasta Simpla (2009, followed by FR Pasta Mono in 2010) is another experimental jewel. Hobbista (2009) mixes symbols and glyphs. FR Rama Nous (2009) is a free modular font. In 2009, he also made Arrow, Enamel Paint Type, Belonging (Roman caps).
Commercial fonts made in 2010: FR Unalom, FR Sniccer (stencil), FR Ceruza, FR Minta (a dingbat face to make labyrinthine patterns; +Two), FR Tabula (beveled face), FR Smaragdina, FR Mintry One and Two (pattern fonts), and a custom alphabet for Esquire Russia, FR Hopper (monoline sans family).
Swiss typographer at Fontnest who designed MonoBD (monospaced sans), Kagi Mono (mini-serifed stencil), Concrete, Puzzle, Museefont (octagonal), Relief (experimental) and Helveliga (with Jerome Rigaud and Sylvain Aerni). He created the stencil face Montana at Optimo/Gavillet&Rust. [Google] [More] ⦿
Fabio Eduardo Godoy
Fabio Eduardo Godoy (Venezuela) created the rounded signage family Loncherita (2013) and the techno stencil typeface family Caballero (2013). Apparently, Fabio was born in Colombia. [Google] [MyFonts] [More] ⦿
Fabrika de typos
Fabrika de typos is a Brazilian fondry run by Marcio Hirosse (b. 1969) in Sao Paulo. He made Destroyer (2007, splatter grunge), Helena (2007), Boogaloo (2006), Casual (2006), Expedito (2006), Impresso (2006), Club (2006), Qualque Coisa (2006), Pig (2006), Boogaloo, Casual, Error (2006), Sherley XXX (2006), Thailandesa (2006, Thai simulation face), Expedito, Impresso, Club (2006, stencil), Ferrugem (2006, grunge), Qualque Coisa (2006), Saco de Pao (2006, grunge), Clean (2006, experimental), Poesie Noire (2006, a great multiline calligraphic face), Fuck You Las Vegas (2005), Serial Killer (2004, bloodied Arial), Tragedia (2004), Font Macabra (2004), Font Abuso (grunge), Font Cartaz (2004, stencil face), and Font Mexicana. He created Ballom (psychedelic), Anarchy, Macabra, Cartaz, Crash, Tragedia, Abuso, Estragou de novo (1999), Sucata Special, Brother Bear, Floppy Disk, Punk Dingbats (2004-2005, destructionist typefaces), Swiss AntiNormal (2005), Jooy (2007, grunge), Deusdeti (2007, double script), Deux ex Machina (2007, blackletter-inspired), Comunista (2007, constructivist), BONDAGE-DEMO-VERSION (2007), CASULO-DEMO (2007), D-E-S-T-R-O-Y-E-R-D-E-M-O-V-E-R-S-I-O-N (2007), GARTEN-VON-DORNEN-BLACK---DEMO-VERSION (2007), GARTEN-VON-DORNEN-DEMO-VERSION (2007), Load (2007, grunge), LYSSA-DEMO-VERSION (2007), MUMIA-DEMO-VERSION (2007), OFF-SET---DEMO-VERSION (2007, grunge), Pig (2007), PLEASURES-DEMO-VERSION (2007), Querencia-Army-DEMO-VERSION (2007), TETARIA (2007), FDT Sodomy (2008, blackletter), FDT Carreto (2008), all freely downloadable.
Commercial faces: Circus de Terror, Rapariga (curly), Indiana, Hard Core, Iemanjai, Disorder, Joy, Deusdeti, Deux ex Machina, Comunista, Destroyer, Off Set, Pleasures Poesie Noire, Helena, Base, Clean, Casulo, Serial killer.
Fabrizio Schiavi Design (or: FSD)
Fabrizio Schiavi was born in Ponte dell'Olio in the Piacenza province in 1971. FSD Fabrizio Schiavi Design in Piacenza was opened in 1998. With Alessio Leonardi, he co-founded Fontology. He also co-launched the experimental graphics magazine Climax in 1994.
Bio at FontFont where he made FF Mode 01, FF 0069, FF GeabOil, FF9600, FF Trade 01, FF Steel Mix, FF Steel Ring, FF Steel Jones.
[T-26] designer of D44 (1994), Lithium (1994, dingbats), Moore895 (1994), Moore899 (1994), Sidewalker (1994), Exit (1988). Many of his faces are grungy such as Washed (1994). Some are minimalist, such as Monica Due (1999), Monica (1999), and Eco (2001, developed from a logo in the 70s for Ageco). The latter three fonts are very geometric in nature. Other fonts: Washed (1994), Parakalein, Aurora Nintendo (1995), Aurora CW (1995), Mode01 (1995), GeabOil (1995), 9600/0069 (1995), Fontology (1995), FSDItems (2001), FSDforMantraVibes (2001), Pragmata (2001, monospace, OK for programs), PragmataFlash (2002, a pixel font), Pragmata Pro (2011), Essential Pragmata Pro (2011, still monospaced), Sys (2002), SysFlash (2002, a pixel font), Sys 2.0 (2012, a condensed sans designed for very small print), Sys Falso (2013), Virna (2003, a multiline face for Italian MTV, discussed here). The Pragmata and Sys series were optimized for screen usage. In addition, Sys has many ink traps, so it prints well at small sizes, and is more legible than Verdana.
He does some custom typeface design, such as the innovative sans serif family called CPCompany (2000). Other clients include Ferrari and Philip Morris.
In 2013, he published Abitare Sans (30 weights), which was originally commissioned by the group Rizzoli Corriere della Sera. Abitare is an Italian magazine.
At ATypI in Rome in 2002, he spoke about the need for more fonts.
Family Font Mart
Free fonts by Akihiro Oya in truetype format for Mac and PC: Nishichiba, NerimaNumber, BERLIN-REDRAIN-Italic, BERLIN-REDRAIN-Regular, Canarendon-Broken, Chubu-08-Normal, G.B.BOOT, GENERAL, GUNJU (very original stencil font), Horror-Impact-B, KANEIWA-alp-regular (simulated Japanese), Logic-twenty-five-A, Logic-twenty-five-Normal, Logic-twenty-five-Q, MEN'S-COSME, MINIMALHARD, MINIMALHARD2, NAKAMURA, Overheads, R.P.G.-KATAKANA, R.P.G., TAPEMAN, Telavision, VIET-MAP-LOVE, cubic-millimeter, enikusu-HG, square-millimeter, super-detective-kids, tamio-qn6, trattorian-2, videobeast-80's, namco_regular. Two of these are katakana fonts. All of them may be classified as experimental. Many can be used at small sizes on screens ("pixel fonts").
John Baichtal (Famished.org) is the designer (b. 1971) of the art deco face Cronus (2002), Globe (a pixel font), Addled, Creamed Corn, 121, Boa Hamata, One Twenty One, November 14th, Peanut, Pinnacle (a deformed font), Plateau, Quigley, Skinny, Stogie, the kitchen tile face Abacus (2002), Equanimity Stencil (2002), Ripsaw (a Tuscan display font, 2002), Girder (2002), Equanimity Linked (2002), Faxt (2002, pixel font), Purvey Grecian (2002), Gold (2002, sans serif), Mullet (2002), Eidolon (2002), Sloth, Tourmaline (a great art deco face with many gorgeous ligatures), Transaction, Octuple, Mullet (2002, sans), Hellios (2002, a bitmap stencil font with spikes), Nairoby (2002, experimental), Tray (2002), and Dactylic (2003, octagonal). Some free Mac fonts are supposed to be here. [Google] [More] ⦿
Stephen Coles lists fat stencil faces in the FontShop store.
Fatnobrain is Adrien Midzic's design studio in Paris. Born in 1982, he designed these typefaces or type families: Fine (lineal), Blokus (free pixel font, 2009), Cimen (strong sans, designed for Smacl Entraide), Mesquine (lineal), Blitz, Cucha, Stencil Reverse, Huit (2009, a gorgeous didone headline face), Stenha (stencil).
Fonts made in 2010: The ETH family (art deco sans).
Custom typefaces by Midzic: Aquitaine (2013, for Région Aquitaine), Nilka (2013, for his personal identity), No End (2013, a fat didone), Ethon Serif (2013, a perked up serif face for Penguin Books), Kasai Est (2011, for the Congo-based Kasai Est Magazine), Festival De Film Documentaire (2011), Nevenka (2011, condensed sans).
In 2014, Adrien Midzic, Jason Vandenberg, Jérémie Hornus, Julien Priez and Alisa Nowak codesigned the creamy script Vanilla FY. It was renamed Vanille FY after a few days. Still in 2014, Adrien Midzic, Jérémie Hornus aznd Alisa Nowak codesigned the vey humanist sans family Saya FY.
FDI (was: Schriftgestaltung)
Georg Seifert (Schriftgestaltung) is a Bitterfeld-Wolfen, Germany-based designer. Photograph. He was a student at the Bauhaus University Weimar and runs Schriftgestaltung.de (Leipzig; now FDI or fonts dot info in Jena) with Ralf Hermann.
Schriftgestaltung's fonts include Olive Green Mono and Rosa Stencil. All others are FDI fonts:
Feliciano Type Foundry
Mário Feliciano (b. 1969, Caldas da Rainha, Portugal) is the principal of Lisbon-based Feliciano Type Foundry, founded in 2001. For a while, he was associated with Enschedé. He began work as a graphic designer for Surf Portugal magazine in 1993. In 1994 he founded his own design studio in Lisbon, Secretonix. He has been heavily involved in type design since. In 2005, he joined the type coop Village. John Berry reviews Mario's oeuvre. His gorgeous creations include the following:
Graphic designer from Brazil, b. 1989. Designer of FDHelwoodica (2008), a grungified Helvetica (2008), and similarly grungy FD Stenciluxe (2008), FDBateek (2009), FD Stripped for BUP (2009, arched Times New Roman face), FD J Borges (2009, extremely funny dingbats based on the work by Brazilian artist J. Borges), FDIlhoscript (2009, handwriting) and FD Carimboh (2009). Alternate URL. [Google] [More] ⦿
Las Palmas de Gran Canaria, Spain-based designer (b. 1971) of the monoline sans face Depez (2011), Fabada (2011), and the free monoline geometric sans face La Chata (2011). La chatte, in French? Maybe not.
In 2011, he made the monoline organic sans face Lerótica (free at OFL).
In 2012, he created Nabatea (stone chisel typeface), V de Vacia (a grungy outline face), Sabática (organic), the straight-edged data style typeface Gabardina, the grotesk face A Bebedera, the shadow face B de Bonita, D Puntillas, and the deconstructed Qebrada.
In 2013, he designed Yacarena Ultra, H.H. Agallas, Nacimiento (a dymo label font), J Airplane Swash (a psychedelic typeface named after Jefferson Airplane), CA Garrutas (grunge), CA Gatintas (grunge), I Am Telefono (the largest phone dingbat and scanbat face on earth), Wach Op-Art (kaleidoscopic icons), K.O. Activista, I Am Hueca, X Template (stencil), H.H.Samuel (rounded sans), U2 Metalona (a beautiful white-on-black display face), M F Plexus Italic, J.M. Nexus Grotesque (an "thin inline' fat grotesque), Wachinanga, Tabaquera, Pabellona (grunge), El Pececito (video game font), the poster typeface Hobby of Night (OFL), H2O Shadow (outline version of Fabada), Zabatana Poster (a didone-inspired poster font), Oaxaquena Tall, Yacimiento (wood style wedge serif), and Rabanera.
Ferrets N Fonts
Perry Mason is the prolific ozzie creator (based in Newcastle) of Nato, a truetype font apparently made for NATO military vehicle lettering (2001). Since that first font, he has made well over 1000 fonts, mostly in 2001, but some as late as 2003. Back-up of his fonts at Just Us Now, now defunct. Alternate URL for Just Us Now (also defunct). Yet another URL. List of his fonts, by date, and alphabetical list. Perry Mason's dingbats. [Google] [More] ⦿
Martin Fewell is the type designer who started the Fewell foundry in London, and who runs MartinFewell.com and Yolo in Manchester. Martin is also a part time Lecturer at The University of Salford and Chelsea School of Art and Design. His techno fonts are available from [T-26]: Assembler (2004, a paperclip face), Mechwar (2002), Techstep (2002), Sushi (2002), Synthesis (2002, a techno font family) and Turbo (2002).
And now also from MyFonts.com: Memory (a sensational techno font, 2003), Exhaust (2002), Kanister (2003), Datastream (2003, an octagonal font) and the military octagonal stencil font Airbrake (2003). At Union Fonts, he published Memory, Airbrake (octagonal stencil font), Exhaust, Datastream and Kanister in 2003. At Yolo, one can ogle and buy his typefaces: Airbrake (mecahical face), Airframe, Assembler, Datastream (octagonal), Delicious, Exhaust, Insatiable, Kenister (octagonal), Lovebeing, Mechwar, Memory (experimental, techno), Newart, Nova, Rapture, Sushi, Synthesis (techno), Techstep, Turbo.
Batel, Curitiba, Brazil-based foundry of Anderson Maschio (b. 1980, Curitiba).
Creator of the ultra-fat decorative face Chumbitos (2007, a winner in the experimental type category at Tipos Latinos 2008), available from MyFonts (this was followed by Chumbit02). He also made the experimental type family consisting of Anark Diet Stencil, Anark Fat Stencil, and Anark Natural Stencil (2007). Creator of Magricela (2009, octagonal). He is working on Austera (2007, a basic sans) and Phyta (2007, an experimental face with stretched out connected letters).
Japanese foundry in Nagoya that offers these free and commercial Latin fonts made by Ryoichi Tsunekawa, who also runs Bagel & Co, Dharma Type, HolidayType and Prop-A-Ganda. Most of his work was done at Flat-It. His typefaces:
Font Diner (or: Stu's Font Diner)
Stuart Sandler (Minneapolis) runs six foundries: Font Diner (est. 1996), Sideshow, Breaking The Norm, the Tart Workshop, Font Bros (est. 2006), and Filmotype (est. 2006). He runs a handful of other companies and web shops as well, including Mister Retro (est. 2004). He is passionate about retro type. DaFont link for their free fonts. Fontspace link. Interview.
Free fonts: Rickles (2007, script), AirConditioner (2002, fifties style upright script), BahamaSlim (2004), BlackNight (2002, blackletter), BlackWidow, BubbleMan, ChannelTuning, Corrupter, CreakyFrank, DecayingKuntry, FeaturedItem, FontOnAGrain, FontOnAStick, Fontdinerdotcom, FontdinerdotcomHuggable, FontdinerdotcomLoungy, FontdinerdotcomSparkly, Fontdinerdotcom Jazz Dark, Fontdinerdotcom Jazz Light, Hothead, KeeponTruckinFW, Leftovers (2002), MaverickBE (stencil face), Musicals, PickAx, Rickles (2009; upright script), RocketScript (2002, retro script), Schnookums, SinsofRhonda, Spacearella (2002), StencilGothicBE, ThatsSuper, Turnpike (2009), Witless, XerkerFW.
Commercial fonts: Continental Railway (1998, retro connected script), Anastasia, Chatty Cocktails (1998, art deco), El Nino, Guest Check, Hamburger Sandwitch (1998), Jumping Bean (1998, comic book style), Lionel Classic (1998, an art deco all caps face), Milwaukee, Motor Oil, and the greatest of them all, Coffee Shop (1998, exaggerated ascenders), a must! Other typefaces: Permanent Waves (1998, + Expanded: retro connected script), Yarn Sale (curlies), Fat Sam (not bad!), Etiquette, Taylors (1998, another great display font; codesigned with Dan Taylor), Kentucky Fried (1998, comic book / signage style), Beer Wip, Seuss, Jack Bisio and FinerDiner, Shivering, Dry Cleaners (2002), Singlesville Script (2002), Dripping Blood, Bowlorama, Action Is, Automatic, Chicken King (2002), CocktailShaker (2002, at Chank), Concurso Italian and Concurso Moderne (2003), DoggieBagScript, Johnny Lunchpail (2000, comic book style), Kitchenette (connected retro script), Lil Tipsy (2003), Milwaukee Neon (1998), Milwaukee Neon Shadow (1998), Motorcar Atlas (2000), Regulator, Stovetop (2002), Swinger (2002), WARNING (2002, rough stencil), BEBlob, BECROSS, DecayingAlternate, Decaying, EvilBrew, TheBlob, Insane Asylum, Creepy Crawly, Crossover, Fire Baaaad!, Rotten Teeth, Candy Good, EvilOfFrankenstein, HMan, HManPt2, PlasmaRain, Chicken Basket (2004), Chowderhead (2004), Cocktail Script (2004, upright), Country Store (2004, Western style), Dairyland (2004), Emblem Chief (2004, fifties diner script), Motel King (2004), Queen Rosie (2004), Sweet Rosie (2004, blackboard bold), Secret Recipe (2004), Square Meal (+Hearty) (2004), Bahama Slim (2004), Space Immortalizer, Matchbook and BE Streetwalker. Many font have a cool retro/fifties look. The InFlight Meal font set (2001) includes Al's Motor Inn, American Highway, Kiddie Cocktails, Lionel Text, Mosquito Fiesta, New York to Las Vegas, Pink Flamingo, Refreshment Stand, Starlight Hotel, Volcano King. The LasVegas font set: El Ranchero (2002), Hamburger Menu, Hamburger Menu Marquee, Holiday Ranch, International Palms, Lamplighter Marquee, Lamplighter Script, Las Vegas to Rome (stone chisel face), Leisure Script, Leisure Script Marquee, Mirage Bazaar (2002), Mirage Zanzibar (Arabic theme face), Mister Television, StarburstLanes, Starburst Lanes Twinkle, Vegas Caravan. At ITC, he published ITC Kiddie Cocktail (2003), ITC Mosquito Fiesta (2003), ITC Volcano King (2003).
In 2006, Font Diner acquired the Filmotype collection and its trademark, Filmotype. Sandler writes: Filmotype initially manufactured a simple manual phototype machine utilizing display typeface designs on 2-inch filmstrips. Additional films were sold to start-up typesetting companies in order to increase their product selection. Font Diner will create new digital versions of the Filmotype collection, recreating it to meet todays graphic design standards. [...] We intend to release the Filmotype library in OpenType format so the original designs can be fully realized with a dynamic feature set including alternate glyph forms and automatic substitutive ligatures.
In 2007, Font Diner started publishing digitizations of the collection: Glenlake (condensed Bank Gothic, by Mark Simonson), MacBeth (script), Alice (casual script), Zanzibar (calligraphic), La Salle (brush writing originally by Ray Baker in the 1950s, named after Chicago's LaSalle Street), Ginger (Mark Simonson; masculine headline face genetically linked to Futura), Austin (paintbrush), Brooklyn (handprinted), Honey (handlettered script), Jessy (handwriting), Modern, Vanity, Filmotype Ford.
In 2010, Stuart Sandler published a book entitled Filmotype by the Letter, in which he details the company's history.
Free fonts on the Google Directory, dated 2010: Fontdiner, Swanky, Cherry Cream Soda, Permanent Marker, Homemade Apple, Schoolbell.
In 2012, David Cohen and Stuart Sandler published these faces at Neapolitan: Irish Grover Pro (2010, a bouncy face), Satisfy Pro (2011, a connected retro script face), and Slackey Pro (2010, a paper cut out style face). At the same place, he also published Crafty Girls Pro (2010, codesigned with Crystal Kluge). With Crystal Kluge, he also codesigned the flowing connected script typeface Aya Script (2012).
Jolly Lodger (2012, Google Web Fonts) is an informal retro script.
Lots of free (mostly grunge) late 1990s fonts by Matt Dennewitz. List: AFontForTheComputerPeople, AlmostNormal, BlackflyMambo, BongWater, Broken, BusinessSuit, ChunkySoup, ComeToFonty, ComingSoon, Condemnation, Consolidated, CrazyKillers (scratchy hand), Delerium, DietAngst, EclipsedMoon, EclipsedMoonOutline, FanatikaOne, FanatikaTwo, GasHufferPhat, GothicAlarmClock, GrungeTastik, IBuriedPaulNormal, IThinkImTurningJapanese, InkblotBaby, Inspector39, Inversed-Script, MechanicalFun, Misplaced, ModernConformist, NoBodysHome, NotSoSlimJim, OptionExplicit, PopWillEatItself, RuggedStencil, SalemErgotism, SaturdayMorningTelevision, ScaryMonsters, ScrawlOfTheChief, ShadowPuppets, Shadowsaroundus, SlimJimpartone, Smeared, Styx-&-Stoned, SuperMattBatz, WickedSystem, WinfaxAteMyBalls, GrandFunk, Stinky Fisty, Shadow Puppets Demo, InTheYear2000, Digitalle.
Andy Benedek's (b. Manchester, UK, 1945) Cotswolds-based outfit for "custom fonts and lettering of distinction", founded by him in 1988. Andy (András) made corporate faces for Umbro, QZERO, Bowater, Lloyds Bank, Royal Free Hospital, Liptons teas, Gordons gin, Marlboro cigarettes, as well as faces for magazines (Royal Academy of Arts, Elle, Blueprint) and for newspapers (The Scotsman). All this was done under the label of The Font Factory. With Michael Johnson and Mike Pratley, he created a font for BT Cellnet. A braille typeface has been developed to aid the production of signage for the blind. In 2001, he co-founded Fine Fonts with Michael Harvey. CV. Typefaces:
Nabina Ghosh's blog in which he displays his fonts. These include Traffic Police (2008, a stencil face based on signage outside a Kolkata police station), BharatLotus (2008, ornamental), English (2008, Indic simulation), Travels (2008), Service (2008), BeanBags (2008, handwriting), Thane (2008, based on taxi stickers in Navi Mumbai), HornPlease2 (2008, signage font), Don'tTouch (2008, handprinted), Stop Signal (2008, display), Horn OK (2008) and CargoLab (2008, stencil). All fonts are on Indian themes. Free downloads after registration. [Google] [More] ⦿
This foundry's motto is: Font Soup is an independent type foundry that is primarily targeted at helping students and graduates break into the competitive world of being a type designer. Maze (2009) is a free biline stencil font. Font Soup is run by Phil Kiel, who is finishing the final year of his Graphic Arts Degree at Liverpool School of Art&Design. His typefaces include the Logotype family (2009---techno, with a stencil style thrown in), and the poster fonts Quam, P Warning, P Pong, P Fuzzy and P Maze. Behance link. A second Behance link. In 2009, we find Phil Kiel again at Phil Kiel Fonts. [Google] [More] ⦿
Font Studio Four
Paul Bokslag is a Kilkenny, Ireland-based type designer.
In 2011, he created Things That Go (car silhouette dingbat face).
Faces from 2012: Crazy Fredericka (poster stencil face), Twisty, Remix Chinese Whispers, Toastbread (wavy, 3d) and Plywood (3d), Field Day (blackboard bold), Transfer Window (bilined), Walk in the woods (dot matrix face), Rock Paper Scissors (bilined), One Way Ticket (bilined), White Knight (outlined blackletter), Black Knight (blackletter), Shelf Life (stylish), Oystercatcher, Broken Promises (multiline typeface), Tarmac, Hibernation (German expressionist face), Glendalough (nibbed face), Tartan Permutations (multiline face), Return Flight, Orbital Flight, Quatermaster, Featherstone, Gorilla Republic, Granny's Bear Hunt (stencil), Detour Ahead (multiline face), Shanghai Express (angular), Cassiopeia, Camelopardalis.
Creations in 2013: Solo, C Is For Cookie, Early Riser, Firelighter, Timberline (an angular script), Lupo, Polkastruct, Bridger, Six Quinces, Dompteuse, Scandalous, Lane Seven, Singel (cross stitching font), Shadowbox, Hide And Seek, Playroom, Realta 1, Glimpse, Sinistra, Crash Test Dummy, Flightpath, Close Shave, Popover, Switchboard (electrical circuit font), Black and Amber, Wavelength (prismatic), Sightline (multilined), Structurosa Outline, Sparky, Trasna (stencil), Hold Your Horses (Western), Lupo (a winner in the FontStruct Connected Script competition), Skate Park (multiline face), Circumscript, Blinker, Bobs Your Uncle, Snowcat (inline face), Cottage Industry (house silhouettes), Causeway, Springville, Longitude, Pebble Dash, Tulipano, Hitchhiker, Stretcher, Whalewatcher, Solituda, Carbonium, Railway Sleeper (shadowed face), Bricklayer Sans, Candyfloss, Milvi, Bluebell Carpet, Pinball Dingo, Spinfish (blackboard bold), Pelicano (piano key typeface), Metropolaris, Glimpse.
Typefaces from 2014: Canario, Nova Zembla (sci-fi), Sleepless, Things That Go (vehicle dings), Cottage Industry (silhouettes of houses), Glimpse, Ticket to Ride (in the style of Tkachenko's Perfopunt), Oluna, Eyeliner, Linearo, Goldfinger, Permanent Black (fat rounded stencil), Solas (artsy dot matrix face).
Original fonts by Ben Balvanz from Cedar Rapids, Iowa (b. Cedar Rapids, 1975), who now lives in South California. His original Fontalicious domain ceased in 2005 but was repurchased in 2007 with the help of Font Bros. Some fonts can be downloaded here and here. The list: Coney Island (2002), Cheeseburger (2002), Tabletron (2002, LCD font), Senor Pooglins, Plush (2001), Slide, Discotech, Galaxy, Pacfont, Rusty, PinniePoker, Geeves (tall letters--great), Moonpie Cadet, Fidelle, FontTwelve, Mister Easy, Mister Dope, Frosty, Chankenstein, Discotech, VintageVacation, Dazzler, Joinks!, Cyberwhiz, Swinkydad, Sonic Superpowers, Mikey Jax, Klink-o-mite, Caveman, Gloo Gun, Skylab 600, Cyberpop, Cyberjimmy, Smartie Capos, Jenkins, Earwax, Pimpbot 5000, Dreamy, Quinkie, Milkfresh, DateRape (great), SpaceAce, GirlieLeslie, Groovalicious Tweak, Porky's, International Chunkfunk, SuperTrooper, Chachie, Zodiastic, Great Head (dingbats), Chick (sassy!), the Eight Track family, Speedfreek, the Odyssey family, AlphaStep, Alpha Clown, dopenakedfoul, Lounge Bait, SpaceBeach, Jubie, Bean Town, Funkotronic, UndieCrust, and Poppycock, Pornhut, Robokid, Kinkie (Valentine's Day font), BorderMon (dingbat), Technicolor, Tennis (stencil), Moloky, JabbieJunior, Rave Queen, Alpha Niner, Croobie, Wednesday, Populuxe, the nice BoozeBats, Geekbats, Garage Sale, Arcade, Glamocon Retrobats, Fontalicious Thingbats, Good Head, Baby Kruffy, Kruffy, Fine-O-Mite, Disco Inferno, Jokewood, Toggle, Swinger, SurfSafari, OmegaMax, Pogo, Elvis, Trendy University (stencil), Hoedown, Fat, Atomic, Rocket, 12 Good, Moonpie Cadet Good, Dynomite, Superstar DJ (dingbat), Kravitz, Kravitz Thermal, hungrumlaut, Sporto, Sabadoo, Snappy, Chickabiddies (geek dingbats), Mandingo (1999, buncy hand-printed style), Heartbreaker, Smilage, 52 Pickup, Return of the Retrobats (wow!), Wunderland, Omega, Great Head, Air, Blackjack, BlackjackRollin, Borneo, CharlesAtlas, Cheri, CheriLiney (2001, Valentine's Day theme), DeejaySupreme, DigitCube, DigitLoFiShift, DigitLoFi, Digit, DimitriSwank, Dimitri, DiscoInferno, DunebugAlternates45MPH, DunebugAlternates, Dunebug, Dunebug45MPH, Freestyle, Garanimals, Gas, GleeClub, Jenkinsv20, Jenkinsv20Thik, JenkinsKeepinitReal (1998), KravitzExtraThermal, Moderna, MoogSchmoog, Moog, PussycatSassy, PussycatSnickers, Queer, Redensek, Sanka, Schmotto, SchmottoPlotto, Squarodynamic01 through 10 (pixel fonts), Stretch, SupervixenHoneyedOut, Digit, Digit Cube, Supervixen, TheKids (1999), TrendyUniversity, UltraSupervixenHoneyedOut, UltraSupervixen, WeLoveCorey, Manchester (great), Weltron (stencil font), Weltron Power, Mullet, Rolloglide, Planet, Gravity, Alba, BilloDream (2001), Stretch, Pasteris (based on the handwriting of Matthew Pasteris), PornStarAcademy (sports shirt lettering), Mullet, SuperStars (stars), Krupke (2002), Fresh Bionik, Stoney Billy (2001, not free), Hustle (2001, not free), Rustler (2001, Western font, not free).
At T-26: Marshmallow (2001, rounded monoline geometric face), Superfly (2002, a Western font), Thursdoo (2002), Pacfont Good (2002), Thug (2002), Dokyo (2002, a free competitor of Futura Extra Black and Folio Extra Bold), Supreme (2002), Fresh (2002, at Chank's place), Juice (2002), Pinball (2002, not free), RunTron1983 (2002), Pixel Pirate (2002), Odysseus (2002).
Rascal Miniatures, Wonderkid, Smilage Regular, Milk with Peanut Butter and Barnaby Candy machine are 2009 comic book style creations.
Other 2009 fonts include Gringo Enchilada, Brute Strength, Blonk and Sparkle, Cheri Liney, Metroflex, Weltron (techno family), Sanka, Rolloglide (multiline), Pussycat, Poppycock, Pasteris, Moog Schmoog, Moog Synthesizer, Magnum, Krupke, Joinks, Jabbie, Hustle, Hungrumlat, Gravity, Fresh, FineOMite, Dunebug 45mph, Coney Island, Blackjack, Atomic, Air Regular, Shatner, Pixel Pirate, Munkeyshine, Thursdoo, Swinkydad, Surf Safari, Supreme, Stoney Billy, Speed Freaks, Bike Riding Chopper (Tuscan), Popcorn Loaded (ultra fat), Malibu Oceanside, Snafurter (Sinaloa?), Der Weiner Stentzel (stencil), Wordworth Byte, Blingo Diamond and Tiger Roams Jungle (art deco chic).
Interesting geometric and experimental typefaces by Ivan Hristov in Bulgaria:
FontArte (was: Magdart Fonts)
FontArte (est. 2004; ex: Magdart Fonts) is Artur Frankowski's foundry in Warsaw, launched in cooperation with Magdalena Frankowska. Frankowski is a Polish designer (b. 1965, Zamosciu) of a character in the September 11 charity font done for FontAid II. He currently teaches typography at the Technical University of Warsaw. In 2004 he finished his PhD thesis on legibility of type on cartographic maps. He has published type and visual communication-related articles in design&print magazines. Through FontArte he wants to preserve Polish typographic heritage, specially Polish Avantgarde and introduce new directions in Polish type design culture. He spoke at ATypI 2005 in Helsinki on Type on maps and at ATypI 2007 in Brighton on Designing a regional typeface. Co-creator with Henryk Sakwerda in 2006 of Silesiana 2006 (see also here), a great calligraphic font whose development was supported by the Silesian Government. MyFonts link. Author of several typefaces:
Oszkár Boskovitz's Hungarian foundry. Before Fontbistro, he ran Nepfont Digital Foundry. His fonts sold at Fontbistro include Balek, Blabla, Ecsetirás (2001, a brush face based on a face of Zoltán Nagy, 1967), Konwektor (techno), Pannon Antiqua (2001, based on a family by Edit Zigány (1972), Pluto (2006), Shrapnel (organic), Syrup (2005, stencil), Tilos (2002, rough stencil family), Troppauer (2005, unicase), Tubyfex (2005, experimental). [Google] [More] ⦿
Jamie Place (aka FontBlast, b. 2002) is a UK-based FontStructor, allegedly born in 2002 (?), who made these typefaces in 2012: Microstruct (gridded, kitchen tile face), FontStrukt Soft, FontSrukt Clean Soft, Kombinationsschrift, Gridder (a kitchen tile family: +Soft, +Box, +Bold), Skyber, Diabolo (piano key stencil genre), fb Catbop, Hangar Shot, Hangar (army stencil), FontStrukt (+Soft), Braille Full, fb Symbols, Imagine More FB, fb Atarian, Imagine FB, Barkode, Fontstruction No1 (+Extended), Tetraminos, Structurosa Fill, fb Karakter, Minimal Export, Barkode, fb Scoreboard (dot matrix face for Latin and Cyrillic), Wenlock, Small Fonts, Fat Largo, Largo, Kerr, Kerr Bold, fb Mixture Unstable, Freehand, Structurosa Refined, fb Switch, fb Mixture, Vado, NES Forever, Retrotype Dot Matrix, Avant Pixel, fb Tall, Fast Money Clean, Retrotype, Retrotype Too (pixelish), Retrotype Sliced, Braille Caps, Tiger Sans (horizontally striped), Pixelface (smilie face), Karmink (star dingbats), Cofmugg (+Gap: piano key faces).
Typefaces from 2013: Slink, Tuning Fork, Dicey (dice font), Septober, Pico Pop (kitchen tile), Plano (kitchen tile), Dolphin Sans (hairline), New English (stencil), Gadget, Curvaceous Script, Avant Pixel, Barkode, Brailled, Haus (counterless), Zapadni, Curvaceous Script, Metric (a piano key Futura-like stencil face), Mocha, Mocha Book, dm FB Solidis, Tapedeck, Gridder Bold (kitchen tile face), Modulator, Turning Fork, Zapadni (Western), FontStrukt2, Metric (piano key face), Monaco (pixel face), Blackfoot (Pac-Man style), FB Catbop, Peach Condensed, Noodle, Peach Squared, Vaquero, Haus, fb Academy Sans, Peach, Rider.
Fontdeli (or: LF Design, or: 83grafik)
UK-based foundry, est. 2005 by freelance designer Leigh Flurry, with some free and some pay fonts, specializing in the techno look. Creators of the techno face FDshogun (2005). Free: FD Acorn (paino kaey face), FD Shogun, FD Hunterseeker, FD Spank, FD Tounge, FD Twinpines. Pay fonts: FD Bughug, FD Calibre, FD Childsplay, FD Dieselpower, FD Formula One, FD Knukledusta, FD Locust, FD Lungbutter, FD MrMajestic, FD Skylarking, FD Wolfglove, FD Flurry (paperclip font). In 2006, he added FDnaturesfinest, FDNaturesshadows, FDKubi, FDJazzclouds, FD Tek9, FD Xavier (fat, counterless) and FD Insight. Fonts made in 2009: FD Hustla (brush), FD Southbron (graffiti face), FD Parkway (rounded stencil). Fonts from 2010: FD Necromancer (octagonal, dark, and counterless), FD 57RMX, FD Gridlock, FD Jawbreaker, FD Noir, FD Optimus, FD Rainpaper (multiline face), FD Richtea, FD Skylarkdog, FD Warlord. Alternate URL. Behance link. Dafont link. Another Dafont link. [Google] [More] ⦿
Marin Darmonkow is the designer at Fonteam International of Refugee (2002), K-Taj (2002), Jaxon (2002), Inahurry (2002), Fontone (2002). He used to be located in St. Johns, New Foundland. Alternate URL. List of fonts at the site: Aga, Bordy, Clichet (stencil), Darmonkow, Dotmap, Fontone, GiaMagdalena, Grozen, Inahurry, Jaxon, Kitaj, Liveon, Moden A, Newold, Orthodox, Orthodox 2 (cyrillic simulation faces), Ossie 02, Pechat, Refugee, Repenton (gothic), Squaremap (pixel face), Sunny Samuel, Tutiin, Valerie ZD, Vetren Sans (elegant high contrast sans family), Vlast. [Google] [More] ⦿
Fontfabric is the foundry of Svetoslav Simov, a visual designer who is located in Sofia, Bulgaria, b. 1984. Highly innovative designer whose creations have lots of style and flair. Many fonts are for both Latin and Cyrillic. Picture. Behance link. Dafont link. Typegoodness link. YWFT link.
FontHead Design (Wilmington, DE) sells cool fonts designed by Ethan Dunham (b. 1972, Glens Falls, NY). A partial list: Mother Goose (2008), Allise, GoodDogCool, Fontheads (dingbats), Randisious, Greyhound (1997, an arts and crafts face), Rochester, Samurai, AsimovSans, Gurnsey20, Scrawl, BadDog, Holstein, SlackScript, Bessie, SloppyJoe (gone?), Blearex, HandSkriptOne, SmithPremier, BlueMoon, HolyCow, SororityHack, Bonkers, HotCoffeeFont, SpillMilk, BraveWorld, Isepik, Sputnik, Brolga, TekStencil, Carnation, Mekanek (1995), Teknobe (1995), Merlin, Toucan Grunge (gone?), Tycho, TypewriterOldstyle, MotherGoose, Croissant, Democratika (now Americratika--I think Emigre forced FontHead to change the name), Noel (1996-1997, Lombardic all caps face, with an open version added), LillaFunk (gone?), Margo Gothic (gone?), Toddler (gone?), NoelBlack, WashMe, Diesel, Orion, Gritzpop, Pesto, BattleStation, CircusDog, Dandelion, DraftHand, Flowerpot, Navel, ShoeString, Stiltskin, ZipSonik. Plus JohnDoe, and old typewriter font. Free fonts: Font Heads (dings), Smith Premier, Vladimir, Tycho, Typewriter Oldstyle, ScareCrow, Millennia, SpillMilk, GoodDog, Holstein, Red Five. All formats, Mac and PC. In the comic font series, look for Stan Lee (now Comic Talk), FH Excelsior (now Titlex), Grimmy (now Flim Flam), and Kirby (now Grit).
Fonts created in 1999: AppleSeed, Caterpillar, Chinchilla, ChinchillaBlack, ChinchillaDots, CrowBeak, CrowBeakLight, CyberMonkey, DanceParty, DingleHopper, FourScore, FourScoreTitling, Hopscotch, HopscotchPlain, Ladybug, Leaflet-Regular, LeafletBold, LeafletLight, ReadOut, ReadOutSuper, Smoothie, Swizzle, TwoByFour, VeryMerry. Made in 2001: ButterFinger, ButterFingerSerif, CatScratch, Catnip, FighterPilot, FrenchRoast, Handheld, HandheldItalic, HandheldRaised, HandheldRaisedItalic, HandheldRound, HandheldRoundItalic, Kingdom, OldGlory, Quadric, QuadricSlant. MyFonts page.
In 2006, several dingbats fonts were added, such as the ClickBits Arrow series and the ClickBits Icon series.
In 2008, he created InfoBits Things and InfoBits Symbols, Abigail, Assembler, Click Clack, Drawzing (children's font), El Franco (grunge), Good Dog New (handprinted), Helion (futuristic), Lead Paint (brush), Schema (architectural lettering), Skizzers (handprinted), Tachyon (2008, techno, futuristic). Free font download. This place has Allise, Americratika, AppleSeed, AsimovSans, Asterix-Blink-Italic, Asterix-Blink, Asterix-Italic, Asterix-Light-Italic, Asterix-Light, Asterix, BadDog, BattleStation, Beckett, Bessie, BlackBeard, Blearex, BlueMoon, Bonkers, BraveWorld, Brolga, BrownCow, Carnation, CatScratch, Caterpillar, Chinchilla, ChinchillaBlack, ChinchillaDots, CircusDog, CornDog (2004), Croissant, CrowBeak, CrowBeakLight, CyberMonkey, DanceParty, Dandelion, Dannette-Outline, Dannette, DayDream, Democratika, Diesel, DingleHopper, DoomsDay, DraftHand, Flowerpot, Font-Heads, FourScore, FourScoreTitling, FunkyWestern, Goliath, GoodDog-Bones, GoodDog-Cool, GoodKitty, Greyhound, Grimmy, Gritzpop, GritzpopGrunge, Gurnsey20, HandskriptOne, Holstein-Bold, Holstein, HolyCow, Hopscotch, HopscotchPlain, HotCoffeeFont, HotTamale, Isepik, JohnDoe, JollyJack, Keener, Klondike-Bold, Klondike, Ladybug, Leaflet-Regular, LeafletBold, LeafletLight, LillaFunk, LogJam-Inline, LogJam, MargoGothic, MarvelScript, MatrixDot-Condensed, MatrixDot, Mekanek, Merlin, Millennia, Mondo-Loose, MotherGoose, Navel, Network, Noel, NoelBlack, Oatmeal, Orion, Pesto, Randisious, ReadOut, ReadOutSuper, RedFive, Rochester, Samurai, Scarecrow, Scrawl, ShoeString, ShoeStringRound, SlackScript, SloppyJoe, SmithPremier, Smock, Smoothie, SororityHack, SpaceCowboy, SpillMilk, Sputnikk, StanLee-Bold, StanLee-BoldItalic, StanLee-Regular, Stiltskin, Submarine, Swizzle, TekStencil, Teknobe, Torcho, ToucanGrunge, TwoByFour, Tycho, Typewriter2, TypewriterOldstyle, VeryMerry, Vladimir, WashMe, Watertown-Alternate, Watertown-Black, Watertown-Bold, Watertown, ZipSonik-Italic, ZipSonik, ZipSonikSketch-Italic, ZipSonikSketch.
Font Squirrel carries ElliotSix (simple handwriting), GoodDog (children's hand) and Millennia (squarish). In fact, in 2009-2010, Ethan Dunham became a very active web font persona, offering a commercial web font service, Fontspring, and a free font service, Fontsquirrel.
FontMeister is the commercial foundry of Elwin Berlips in Almere, The Netherlands.
In his first life, he ran a free font site called 11th Floor, where he made these free faces in 1999: Civilization (octagonal), Plastik-Film (grungy semi-stencil), Raw (grunge), Rocket-Fuel, Timeline, Greenlight (dot matrix), Interstatic (futuristic), Handsolo, Optimum, Roswell (handwritten), Jean-Pierre (handwriting), 11th Floor (gridded).
At FontMeister, he published
Gábor Kóthay (Fontmunkások) is a Hungarian type designer (b. 1962) who lives in Szeged. Gábor Kóthay's fonts include:
German type foundry of David Waschbüsch (b. 1988), a student at the University of Applied Science in Darmstadt, Germany, who is to graduate in 2011. About his free unicase modular stencil font BS Konstata (2010) he writes: Created for use as stencil for signage it features a set of only 10 different elements out of which you can compose the complete typeface. Therefore it borders between being somewhat grungy, modular and classic. Skyhook Mono (2010, FontomType) is a versatile octagonal family. Behance link. MyFonts link. Old URL. [Google] [MyFonts] [More] ⦿
Fontourist is the Norwegian foundry of Hans Gerhard Meier. The fonts there include Boycott Israel (2003, dingbats), Deathmix (1999, gothic), Stencil or Die (2007, paint drip stencil), Streetart Tribute (2006, dingbats), Yalla, Metoo Pixzi (2001, pixel font), Journal (1999, handwriting and dings), and HubaHuba (1998, a hubcap dingbat font also known as GF HubaHuba at Garagefonts).
Morten Rostgaard Olsen's typefaces include FF Olsen, FP Max (2003, elliptical). Søndergaard has had his own design studio since 1972, and has taught at the Royal Danish Academy of Fine Arts. His most famous font family is FF Signa (2000). He also created Thule Letters (2005) based on carved letters on Knud Rasmussen's monument. Together, they made FP Dancer (2007, an upright part script part sans part serif concoction), FP Palina (stencil, 2005), FP Quality (stencil, 2005), FP Silly (stencil, 2005; free at Fontshop), FP Stage (fat display grunge, 2005). Custom fonts include Elsinore (2005, serif), Public (2005), Signa Tryg (Søndergaard, 2003).
Olsen's Dancer (2007), is described by Jan Middendorp as follows: In the sans serif realm, spelling out human and warm, while avoiding to become childish or silly, isn't as easy as some type designers assume. Morten Olsen's Dancer is one of those new, and newly conceived, text faces that seem to do the job. It strikes a balance between typographic quality and charisma, between conventional wisdom about legibility, and expressiveness. Also, it has an equally eloquent serifed companion. Other Fontpartners fonts: FP Head, FP Head Stencil, FP Head Pro (2011, described by them as a broad headline font, with a blur-style architecture. The typeface has a touch of FP Max, hard and soft at the same time).
Foundry, est. 2005 by Ronald Underwood in Surbiton, Surrey, UK, specializing in display type. Fonts made in 2005: Acron (2005), Foldron (2005, bubbly extra fat), Halfron (2005, extra fat with a horizontal line spliiting the glyphs), Sideron (2005, LED-inspired). In 2007, these were added: Ronsect (stencil), Ronsten (stencil), Runsect and Runsten. Designed in 2008: Herron (a rounded octagonal monoline face), Roncial Untra (ultra fat rounded mechanical face), Squaron Extra Black (ultra fat beauty), Sabron, Phatron, Triron (a futuristic horizontally-striped headline family). Novelties in 2009: Zebron (art deco stripes).
Fonts Lab was an Italianfree font foundry with emphasis on "free", even for commercial use. The first fonts, all made in 2011, included Fonts-lab Gift, Fonts Lab Symphony, Free For Fonts-Lab Subscribers, Lady Jane Old, Five Dollars Matter, Writing Something by Hand, Hint Retro, Hint Retro Grunge, Soul Handwriting (brushy script), Variety, Universal College Draft (2011, a sketched sports jersey alphabet), Handwriting Draft (sketch face), Around 20 (experimental), Adelfy, Old Printing Press (grunge), Frank Handwriting, Sketch Me, Retro Lined Area.
Fonts Lab became Fontscafe, located in Milan.
Production in 2012: Making Lettering Tall, Universal College (grungy athletic letters), Marmellata Jam (connected script), Marmellata Jar 01 and 02 (connected fat signage scripts), Henry Rodeo Circus (Western face), Scrappy-Looking, Contribute Free Version (connected fountain pen script), Basically Serif, I'm Fashionista, Sign Handwriting, Chalk Hand Lettering, Chalk Hand Lettering Shaded, Voluptate (retro connected script), Retroactive (a great connected script face).
Around June 2012, something happened---possibly a complaint from the FontLab software people---, and the name changed from Fonts Lab to Fontscafe. In the same year, a commercial foundry was started via MyFonts.
Typefaces from 2013: Free Sketching, Hand Printing Press [in ten styles such as Meshed, Scraped, Normal, Stencil, Stamps, and Eroded], Egregio Script (retro script), Hand Shop Typography A20 (an 8-style poster font set that includes shadow and inline faces), Hand Shop Typography C30, and many more in the Hand Shop Typography pack, including the frame font Hand Shop Elements.
In 2014, we find My Valentines Love (heart dingbat font).
Ralf Hermann (Jena, Germany) is the designer of Agendia (2002), a free experimental Antiqua-Schrift (see also here), and Logotypia (2003, a face for logotype applications). Moderator of the typografie.info type forum (in German). Author of Index Schrift (2003). In 2004, he set up fonts.info to sell his fonts. Schriftgestaltung.de is a web site he runs with Georg Seifert. [Google] [MyFonts] [More] ⦿
Hans Presto's site about Lettering, Comics, Handwriting, Vintage Steel pen nibs and Calligraphy. Based in Stockholm. It has a subpage about stencil fonts, and includes a small stencil font archive. [Google] [More] ⦿
The stencil competition at FontStruct ended on October 26, 2012. A very popular competition among Fontstructors, the winners are three of FontStruct's best, Beate Limbach (for db Smoothie), Tibor Lantos (for Thorin Stencil), and Paul Bokslag (for Crazy Fredericka). All three are fantastic designs. The judges were Rob Meeks, Ray Larabie and Stephen Coles. [Google] [More] ⦿
Nearly all (Mac only) fonts at Fontyoufonts.com are made by Henrik Kubel, who works at the London-based design studio A2-GRAPHICS/SW/HK in London, which was founded in 2000 by Royal College of Art graduates Scott Williams and Henrik Kubel. Henrik Kubel is visiting lecturer at Royal College of Art since 2009. In 2010, Kubel and Williams set up A2 Typwe. Kubel's text fonts include FY-Battersea, FY-Klampenborg, FY-Neon, FY-ParsonsGreen, FY-M.Carpenter, FY-Gt.Eastern, FY-Stencil, FY-Typewriter, FY-Centera, FY-Cubitt Fax, FY-S.Staton. The display fonts include FY-Grot-7, FY-Boing, FY-Army, FY-Woodblock, FY-Rodeo, FY-Ornamenta, FY-Italic One, FY-Signsystem, FY-Black, FY-Stencil. There are grid-based/pixel fonts such as FY-Lego-Logo, FY-Bauhaus (a kitchen tile font), FY-Link, FY-Optic, FY-Graduate, FY-MeSoHungry, FY-Buckminster, FY-3D (2001), FY-Dictate, FY-Angel, FY-DotZero, FY-Square. Finally, there are the dingbat fonts FY-Pictogrammes, FY-Early Learning Dingbats. Kubel is also the designer at ACME of 4590, AF-Battersea (1999, a grotesque family), AF-CENTERA, AF-Copenhagen, AF-Klampenborg (1997-1999, grotesque sans, done with Scott Williams), CPH-ArabicNumbers, CPH-Medium, Grot-25. With Margaret Calvert, he updated the British Rail fonts in 2009, adding East European characters, for example. At ATypI 2010 in Dublin, he spoke about New Rail Alphabet, a revival of that typeface, still with Margaret Calvert. During the Expert Type Design Class (2011, Plantin Genootschap, Antwerp), he created the text family called Antwerp. [Google] [More] ⦿
Francesco Mistico Canovaro
Computer science student at the University of Hamburg, and supporter of open source code software. Creator of the Open Font Library fonts Tomson Talks (2008, comic lettering), Block Stencil (2008), Far Side (2008, sci-fi) and Futhaark hnias (2008, runes), Tomson Talks (2010, handprinted). Aka Skotan. Dark End is a hand-coded SVG font---check the source code to see what can be done with so little! Devian tart link. [Google] [More] ⦿
German designer (b. Berlin, 1971) who studied Visual Communication at Kunsthochschule Berlin Weissensee from 1993-1998. Shortly after finishing art school in 1998 and two visits to the UK as an exchange student, she founded her own studio for graphic design, type design and typography. She has lectured on type design and typography at Designakademie Berlin since 2003. In 2005, she started Fraugerlach. At ATypI 2006 in Lisbon, she spoke about type in the streets of Berlin (PDF of Verena's presentation). At ATypI 2010 in Dublin, she spoke about her personal experiences with cultural oppression (censorship) in Algeria in 2009. Speaker at ATypI 2013 in Amsterdam: Ala has a pen - a remixed type workshop in Katowice [a report on a type design workshop held in poland in 2012].
Author of Karbid From lettering to type design (2013, coauthored with Fritz Grögel and published by Ypsilon Éditeurs). This book was released on the occasion of the ATypI 2013 conference.
The PTL fonts in the list below were published at Primetype in 2002. Verena Gerlach created these typefaces:
Frenchman (Rodilhan, b. 1984) who created the poster typeface It's A Penalty Kick (2012), Paradise Road (2012), the shadow sci-fi face Far Away Galaxy (2012), the pixel game font Pixel Invaders (2012), Weltmeister (2012, a fat hand-drawn poster font), Chocolate Hippo (2012, hand-printed), Night Train 382 (2012) and Night Train 315 (2012). This font supports many languages, including for example : Romanian, Serbian (Latin and Cyrillic), Croatian, Slovenian, Bosnian (Latin and Cyrillic), Bulgarian, Russian, Belarussian, Macedonian, Turkish.
In 2012, he created the grungy poster face Mezzanine, the condensed pixelish typeface Hauptbahnhof, the grungy In The Streets Of Europe, the techno face Platform Eight, Mastodont (in the obese category), the noisy Second-Hand Shop, the grungy Zagreb Underground, the striped game font Press Any Key To Continue, Dusty Matchbox (children's hand), Slaughterhouse (grungy), the pixel face Back Label Pixel, Please Hold The Line, Under The Bed (grunge), Refrigerator, I Fink U Freaky (a severe sans), Night Prowler (scary dusty caps face), Six Weeks Ago (texture face), Dimension (3d face), Ernestine, Frenchy (thin face).
Typefaces from 2013: Hostile Headline (textured typeface), Emergency Exit (grunge), Lazy Sunday (shadowed outlined face), Moon of Jupiter (octagonal sci-fi face), Birthmark (grungy and condensed), Ruxandra (scribbly face), Auricom, Arcade Nightmare, Volga (grunge caps), Urban Brigade, Evil Conspiracy (poster fonts, +Shadow), Container (grungy stencil), Peach Milk (paper cut face), Brouhaha (a 3d face).
Typefaces from 2014: Old School United (athletic lettering family).
Designer who used FontStruct in 2008 to create the bold octagonal faces Mars and Bubbles. He also made Coldletter (blackletter stencil), Influence Engraved, Influence Small Caps (rounded ultra-fat), Artemis, Skylined (dingbat), Cronus, Influence, Pixelated, Modern Serif, Haunt, and Aqua (blocky). [Google] [More] ⦿
Futura Black circa 1860
This provocative title is used by type historian Eric Kindel for his presentation at ATypI 2013 in Amsterdam. His research is captured in the abstract, which is reproduced verbatim below.
Futura Black, Braggadocio, Transito, Schablone. These typefaces, variously constructed of squares, triangles and circle segments, are blunt and counterpunctual. They are a consolidation of letters (and numbers) that emerged in the work of early European modernists, among them De Souza Cardoso, Léger, Hoerle, Arntz, Berlewi, Lissitsky, Schmidt, Albers and Moholy-Nagy. The Dutch, too, found such letters to their liking: Van der Leck at first, then Sandberg, Elffers, Schrofer, Bons and many others. The letters are emblematic of the first machine age and it impulse to build from or reduce to simple geometric elements. They seem mechanistic but are not obviously made by any specific tool or machine. This presentation will trace this most modernist of letters to its mechanical origins. The trail will lead to the northeastern United States where, in the middle decades of the 19th century, a group of inventor-makers devised letters of this kind for very practical reasons. Their aim was quick and easy stencil cutting. To achieve this, stencil letter punches seemed like a good idea---and so they invented them. When it came to their manufacture, the punches acquired striking features: forms stripped of all vulnerable detail, cut with grinding wheels, hack saws and files, built to withstand relentless hammer blows, driving them through brass into hard wood. Letterform conventions were followed but only so far as manufacture and use would allow. The results were odd, perhaps ugly, but certainly purposeful. In addition to reviewing the idiosyncratic form and manufacture of these letters, the presentation will offer brief profiles of their almost unknown inventor-makers. A range of artefacts associated with stencil letter punches will be illustrated, including stencil-making outfits advertised and sold in the US after 1860, which were bought by enterprising individuals in search of a trade. Requiring only a modest outlay, some initiative and perhaps a decent pair of boots, many purchasers became canvassing stencil cutters, armed with a license, an account book and a small catalogue of designs to tempt the public. The presentation will follow the evolution of stencil letter punches through the later 19th century and into the 20th, when their letters were reborn into a bright modernist world. [Google] [More] ⦿
Creator of the experimental Almost Sanskrit (2009), Zodiac Nice (2009, astrological symbols), Xilo in Zodiac (2009), Xilo-Cordel-Literature (2009, dingbats), Cordel Circo Mambembe (2010), Inside Issue (2009), Stretched Signature Flex (2009), Action of the time (2009, grunge), the dingbat face Ugly Cars (2010), the grunge face Capitão Galdino (2008), the grunge face Saltpeter-N-Fungus (2010), Texture Road (2010, more grunge), BSB DF 50 (2010, grunge), Fine Serif (2009), and the nice dingbat face Ochent Silibrina (2008).
Fonts made in 2010: Sport 4 Ever (dingbats for Olympic Games), 60sPop (multiline face), DotSpot (dot matrix), IRON H METAL (tattoo, gothic), IngaStoneSigns (stone age glyphs), Ode2PasteUp (handprinted), WideSquare (pixelish), ActionoftheTimeNewUL, BSBDF50, Haus-Sweet-Haus, INSIGHT-ISSUE-NEW, Movie Filmstrip, SquareChalk, Action Of The Time New (grunge), CordelValentine (dingbats), IngaStoneSigns (petroglyphs), SustainableAmazon, VeryDamaged (grunge), ParkTechCG (letters as in wired circuits), kidSWritten, Iron H MetallLight, LaceNice (knitted look), Ode2PasteUp, TextureRoad (grunge).
Fonts from 2011: Booklet Cordel (sketched), Cordel Encarnado, Nuclear Accident (texture face), Noncircular (techno), Old Press (grunge), Old Typography (grunge).
Fonts made in 2012: New Press (condensed sans family, +Eroded), Sketch Wall, Comic Gibi, Own Written, Comica BD (comic book shadow font), Cartoon Relief (a 3d cartoon typeface), Riscada Doodle (scratchy hand), Sketch Nice, Needlework Good (a stitching font), Biscuit Made, Just Skinny, Crazy Style, After Cheret (hand-drawn 3d shadowed outline face), Spots in the mirror, TNT Xplosion, Escrita Toska (curly script), Cordel Movies (moviemaking dingbats), Fine N Tall, Cordel Groteska, From Street Art (free graffiti font), Sketch College (sketched athletic shirt font), Thin Press (grungy vernacular type), Sketch Serif, Relief BD, Maxxi Serif (very heavily slabbed serif face), Semi Cursive Gut, Sketch Coursive (sketch face), Salt Pet Non Eroded, Advanced Architecture, Very Fine Serif (a monoline Egyptian), Sketch Nothing, Freehand Nothing, Shark Attack (curly), Do Doodle, Maybe Pollock (dust texture face), Xilo Prosa (grunge), Thin Design, Amazon Palafita (hand-drawn 3d outline face), Snow Times, Snow Traces, USSR Army (rough army stencil with a Russian feel), Needlework US (stitch font), Old Scribe (Greek lapidary face), Nickel Bumpy, Soviet Style (stencil face), Top Modern (heavy slab serif), Lettering Set New, Carton East, Not Tuned TV (sketch font), Scar Bleed (scary font), Maxxi Dots (texture face, +Shadows), Dots Land Gotika (grungy blackletter), Stefanie Dots (textured letters), Karamuruh (textured caps), Broken Type (grunge: a glaz krak font), Touppeka (a Kafkaesque, tribal or painter's font), Old Dreams (grungy), Bad King (sketched typeface), False 3D (hand-printed 3d outline typeface), True2D, I Wrote All, Resistance Until The End.
Typefaces from 2013: Serifa Comica (comic book slab), Press Style Serif (letterpress style), Press Style Large, Triatlhon In (sic: a Greek simulation face), Go 2 Old Western (grungy wood type), Old Serif Gut, Press Style (letterpress style typeface), Dust Serif, Thing Press, Thin Grotesk Serif, Before Collapse (glaz krak face), Stencil Style New (a military stencil), Damaged Serif, Press Serif Cool, Press Feeling, Sketch Toska, Link Parties, Almost Cartoon, Cartoon Toy, Toy Toy Toon, Fine Style (didone caps), Fine Sans (Peignotian), Beyond Blackboard, Forgotten Junk (grunge).
Typoefaces from 2014: Rotunda Geo, Old Figaro Cursive, Cute Cartoon, Sketch Gothic School (sketched blackletter), Fine College (hatched athletic lettering face), Press Felling Eroded (letterpress emulation), School Book New (sketched), Stencil Cargo Army (military stencil), Fine Eroded, Grunge Poster, Education Is A Way, Cartoon Blocks. [Google] [More] ⦿
Gaslight (or: Valery Zaveryaev)
Gaslight-type-foundry is collaboration between two type designers---Valery Zaveryaev and Roman Shchyukin---, founded in 2011. Valery Zaveryaev is a Russian designer (b. Bryansk, 1977) at LetterBe, who created the octagonal family Teco (2005), the display face Brut (2005), the clean sans family Maza (2005), the informal unicase family Rezerv (2009, inspired by a logo he created for Evroterm), Barrez (2010, a techno family inspired by the TC-Helicon logo), and the stencil face Marshrut (2005).
He lives in Bryansk. All his fonts are Latin/Cyrillic.
In 2011, Zaveryaev set up the commercial foundry Gaslight. Fonts there include the elliptical family Maza (2005), the angular elliptical family Barrez (2010), Brut (2005), and the stencil face Marshrut (2005). Electrolize (2011) is a free squarish face available from Google Web Fonts. Bad Script (2011, Google Web Fonts) is an informal hand-printed face made by Roman Shchyukin.
Rock Logo (2012) is a metal band / tattoo font codesigned with Roman Shchyukin. Wide Display and Wide Display Ribbon are unicase headline typefaces. Teco Sans (2012) is an octagonal military typeface family, accompanied by the icon font TecoSymbol (2012) and the stencil family Teco Sans Stencil (2012). Teco Serif (2012) is an octagonal slab version of Teco Sans.
Delgado (2012) is an elegant tall and thin fashion mag typeface for Latin and Cyrillic, made by Roman Shchyukin.
Gavillet&Rust is a design company based in Geneva. It was founded in 2002 by Gilles Gavillet and David Rust, two ECAL (University of Art&Design Lausanne) alumni. Now a four people studio, they develop projects for a range of institutional and private clients such as JRP|Ringier, Zürich and the EPFL (Ecole polytechnique fédérale de Lausanne). Their type, poster and book designs have been awarded numerous times at the Swiss design awards. In 2006, they received the Jan Tschichold Prize from the Swiss Federal Office for Culture. Type designs include Executive, Cargo (Optimo: a stencil family), Hermes, Index, Montana and Politics. Associated with Optimo in Lausanne. They are doing custom type such as the gorgeous bi-line deco face for the Saks Gallery in Geneva (2010). [Google] [More] ⦿
Aka Bud White. Dundee, Scotland-based creator of Winger (2013), Quird (2013), Knat (2013), Chinger (2013), Chum (2013), Plantor (poster face), Ohdoad (2013, an organic sans), Chunq Dipped (2013, blood drip font), Bacon Bad (2013, multilined wavy typeface), Hinge (2013, a thin sans face), Bumple (2013, FontStruct font), Waponi (2013, a military stencil face), Eeroom (2013, hand-printed), Platly (2013), the fun informal straight-edged typeface Bassist (2013), the ink spill typeface Oops (2013), the free brushy signage font Scribbage (2013), the hand-printed Order Up (2013), the tall Kinkich (2013, FontStruct), the paper cut face Chunq (2013), and the shaky typeface Landslide.
George Lygas studied Printing and Graphic Arts at the National Design School (TEI) of Athens. His graduation thesis on Greek Typography was the base for PF Scriptor, a revival of a historic Greek typeface. He collaborated with Panos Vassiliou in the design of PF Stamps (2002-2006, a stencil family, also done with Panos Vassiliou). All his faces cover Greek and Cyrillic He currently works for Parachute. [Google] [MyFonts] [More] ⦿
Dutch type designer, born in Arnhem, The Netherlands, in 1942. He studied at the Gerrit Rietveld Academy in Amsterdam, and taught at the Rhode Island School of Design, the University of Reading, and at the Gerrit Rietveld Academy in Amsterdam. From 1974 on, he designed type, starting his career at Hell in Kiel in 1986. He still teaches at Reading and Rietveld. He has designed stamps, coins, magazines, newspapers, books, logo's, corporate identities, annual reports and many other objects. He designed numerous typefaces:
Designer of Greyton Script (1991, Letraset), an inline calligraphic (engraved) typeface. At Berthold in 1972, he published Gesh Export 233 (stencil), Gesh Introduction and Gesh Ortega Roman 275. [Google] [MyFonts] [More] ⦿
Typographer and industrial designer, b. 1899. A sample of Gerry Powell's work from 1937 for the Lettergieterij Amsterdam, now on the URW CD-ROMs: Arsis (or Onyx (ATF, 1937, now available at Bitstream; the URW version is called Arsis)}, Stymie (ATF, 1931, with Sol Hess; now available at Bitstream), Stencil (ATF, 1937; versions at Bitstream, Adobe and Elsner&Flake), Daily News Gothic and the Spartan Series. Onyx is a condensed elongated fat "modern" face. Cyrillic version of Stencil by A. Chekulaev at ParaType (1997). About Onyx versus Arsis, there has been some discussion by type lovers. Apparently, both were released in 1937, Onyx by ATF and Arsis by Tetterode. It is believed both foundries had a deal on the exchange of some typefaces. Lanston Monotype had a metal Onyx that was probably copied from the ATF version, and the Monotype UK metal Onyx was probably a copy of Lanston Monotype. The current digital version of Monotype seems to be made after the Monotype UK metal version. The Bitstream digital version was copied from the ATF Onyx typeface.
Creator from Managua, Nicaragua, b. 1979, of the grungy display sans Promises Broken Dream (2011), the grungy Policia Corrupta (2012), and the military stencil faces Kripton A and Kripton B (2006-2008). Smash Punkers is a grungy stencil face. Alambrado Infernal (2006, Triton Company) is a barbed wire-inspired face. Cerca of Skulls (2008), Deat+Deat (2011), 1 Dimencion (2011), 5 Mentarios (2011), 48 Ver Lost (2011), One Punk (2011) and Breaksteel (2006) are grunge faces. Black Metal G (2011) are scanbats of black metal bands. Backspacer (2011) is a circled letter face made as a tribute to Pearl Jam.
German foundry, part of Gestalten Designstudio and Die Gestalten Verlag (dgv) in Berlin, a company self-described as follows In 1990, industrial design students Markus Hollmann-Loges, Andreas Peyerl and Robert Klanten began to curate and organise prototype design shows commissioned by the worlds biggest consumer fair in Frankfurt in between attending their lectures and writing their dissertations. Very much aware of the limitations of their field of study, they soon moved to Berlin, where they quickly met key people involved in the local Techno and cultural scenes. With the advent of desktop publishing, they formed a loosely organized graphic design agency called Die Gestalten and started designing flyers and posters for clients such as the groundbreaking club Tresor and the annual Loveparade. Its typefaces, by designer:
Gilberto Moya Perona
Ex-student of the University of Art&Design Lausanne (Ecal) and the Cranbrook Academy of Arts. Geneva-based designer at the Lausanne-based foundry Optimo. With Cornel Windlin at lineto in Zürich, he co-designed these fonts in 1999: Pixel Crude, Vectrex, GravurCondensed, Pixel World, Vectrex World (skyline dingbats), Liquid Crystal and Supermax. Did Autologic (1997, created as a shortcut to make logos), DetroitMM (1997), Kornkuh, Lineto (2001, an octagonal font), Kabin, Chip at Optimo. With David Rust, he cofounded Gavillet&Rust in Geneva in 2002, and co-created these fonts in 2003: Cargo (a stencil face), Hermes (a typewriter family), Index and Politics. In 2004, he created the stencil family Montana (Optimo). In 2005, he and Rust added Hermes Sans to the Hermes family. In 2007, this was followed by Executive, a simple sans family. [Google] [More] ⦿
Gilles Le Corre
GLC --- Gilles Le Corre
French painter born in Nantes in 1950, who lives in Talmont St Hilaire. His fonts include 2010 Cancellaresca Recens (inspired by a chancery type of Francisco Lucas from the late 16th century), 2009 Handymade (comic book style), 2009 Lollipop (chancery style), 2009 GLC Plantin, 2009 Primitive (2009, a rough-edged roman script), 2008 Script 2 (2008), GLC Ornaments One (2008) and 2008 Xmas Fantasy (2008: blackletter). In 2008, he started GLC -- Gilles Le Corre and became commercial. He is best known for his historic revivals:
Global Lithuanian Net
About hundred Lithuanian truetype fonts from the following families: Antique Olive, Compacta, Algiers. Allegro, Arabia, Baltika, Brush Script, Impuls, Sans, ZypfHumanist (sic), Tekton, Trafalgar, Shelley Andante, AmericanText, Ariston, AvantGarde, Eras, Gothic825, Optima, GoudyOldstyle, Shotgun, Century Schoolbook, Letter Gothic, Garamond, Kastler, Memorandum, Mural Script, Palatino, Eurostile, Futura, Bremen, Stencil, Bookman, Blippo, Amazone, Amelia, Charter, Broadway, Brochure, Britannic, Impress, Mister Earl, Park Avenue. All fonts by Jonas Skendelis. JS_ShelleyAllegroScript and JS_Mariage are here. [Google] [More] ⦿
Creator at FontStruct in 2009 of mostly pixel font families such as IMSureItSBeenDoneBefore (in many styles). He also made Material Electrons, as well as The Video Game Arcade Font, CASIOpeia ((+Menus), based on the CASIO fx-7700G Power Graphic Scientific Calculator) and Data Entry (inspired by TechnoDisplayCapsSSK, (C) 1992 Southern Software, Inc. [and 4 glyphs from the MICR font E-13B]). Other fonts: Futuristic Terminal Display (2009, great!), Mag Not Mad Solid (2009, pixel face), Mag Not Max (2009, horizontally striped pixel face), Son of Zaxxon (2009, horizontally striped, +Solid; both based on the 1984 Sega game Future Spy), Goin'Commando (2009, based on a 1985 Capcom game called Commando), Zenny Coins (2009, based on a 1987 Capcom game called Black Tiger), Smoking Gun (2009, based on the game Gun.Smoke (1985, Capcom; used again for 1943: Battle Of Midway, 1987, Capcom)), Bentley Bear (2009, based on 1983 Atari game called Crystal Castles), Temporal Aviator 84 (based on the 1984 Konami game Time Pilot 84), Reindeer Flotilla, Jet Bradley (inspired by the video game logo for "TRON 2.0", 2003 Buena Vista Interactive / Monolith Productions), Alan One (Font from TRON, 1982 Bally Midway Mfg Co), Buzzard Bait (font from Joust, 1982 Williams Electronics Inc., and its sequel, Joust 2: Survival of the Fittest, 1986 Williams Electronics Games, Inc), Genetic Engineering Error (from Robotron: 2084, (C) 1982 Williams Electronics Inc., and its sequel, Blaster, (C) 1983 Williams Electronics Inc), Mutant Bender (from Defender, (C) 1980 Williams Electronics Inc), Stargate Immortals (from Stargate, (C) 1981 Williams Electronics Inc), Separate Ways (from Journey, (C) 1983 Bally Midway Mfg), Deadly Disks (from Discs Of TRON, (C) 1983 Bally Midway Mfg Co), Jerry Belvedere (from Satan's Hollow, (C) 1981 Bally Midway Mfg Co, and from Satan's Hollow, (C) 1981 Bally Midway Mfg Co), Tortuga (from 600, (C) Konami 1981; Turtles, (C) 1981 Stern Electroncs/Konami; and Turpin, (C) 1981 Sega/Konami), OCRA Pixel 15x10, Intelligent Television Dings (Right, Left), Hand Aviator (Palm pilot font family), Intelligent Television (based on typeface used in Intellivision games by Mattel Electronics, and the True Type Font "Intellect"), DMP-200RS (based on the output of the Radio Shack DMP-200 printer), Bubbles (based on Bubbles, (C) 1982 Williams Electronics Inc), Mukor Rules All Galaxies (from Blasteroids, (C) 1987 Atari Games), Futuristic Terminal Display, Winky and the Hallmonsters (from Venture, (C) 1981 Exidy), Bubble City (from Road Blasters, (C) 1987 Atari Games), Mag Not Mad (from Mag Max, (C) 1985 Nichibutsu / Nihonbussan Co., Ltd), The Bacterian Empire (from Thunder Cross, (C) 1988 Konami, and its sequel, Thunder Cross II, (C) 1991 Konami), Solvalou Combat Aircraft (from Xevious, (C) 1982 Namco Ltd / Atari, and its sequel, Super Xevious, (C) 1984 Namco), Red Falcon Organization (from Super Contra, (C) 1988 Konami), Lucas Readies The Lawyers (from Star Fire, (C) 1979 Exidy), Cheese Was The Bait (from Mousetrap, (C) 1981 Exidy), Thunder and Lightning (from Raiden, (C) 1990 Seibu Kaihatsu Inc), Pepper The Zippering Angel (from Pepper II, (C) 1982 Exidy Incorporated), Beware I Live (from Sinistar, (C) 1982 Williams Electronics Inc), Goin Commando (from Commando, (C) 1985 Capcom), The Monkey Biz Gang (from Kangaroo, (C) 1982 Sun Electronics Corp. / Atari), Vic Viper (from Gradius / Nemesis, (C) 1985 Konami), Diskarmor Attack (from Rygar, (C) 1986 Tecmo), Benkin The Jogging Elf (from Mystic Marathon, (C) 1984 Williams Electronics Inc), Qix Are For Kids (from Qix, (C) 1981 Taito America Corporation), Omni Consumer Products (from ROBOCOP, (C) 1987 Data East Corporation), Mister Not Undo (from the Mr. Do series, Lady Bug and Jumping Jack: Lady Bug, (C) 1981 Universal; Mr. Do, (C) 1982 Universal; Mr. Do's Castle, (C) 1983 Universal; Mr. Do's Wild Ride, (C) 1984 Universal; and Jumping Jack, (C) 1984 Universal), Micro Police Pgo Stick Division (from Hopping Mappy, (C) 1983, 1986 Namco), Great Demon World Village (from Ghouls 'N Ghosts, (C) 1988 Capcom), Demon World Village (from Ghosts 'N Goblins, (C) 1985 Capcom), Secret Agent Dabney Coleman (from Cloak&Dagger, (C) 1983 Atari), Getting Away With It (from Electronic's 1991 self-titled album; a variation of Wim Crouwel's "Stedelijk" alphabet, used on his 1966 Vomgevers poster for the Stedelijk Museum in Amsterdam), Galden Tribe Attacks Mu (from Last Duel, (C) 1988 Capcom), Superior Scientists (from Vastar, (C) 1983 Sesame Japan Corp), Keeper of the Zoo (from Zookeeper, (C) 1982 Taito America Corp), Taito 1982 (Font used in the following Taito games: Elevator Action, (C) 1982 Taito Corp; Front Line, (C) 1982 Taito Corp; Jungle Hunt, (C) Taito America Corp / Jungle King, (C)1982 Taito Corp; and Wild Western, (C) 1982 Taito Corporation), Howard Fine&Howard (from The Three Stooges, (C) 1984 Mylstar Electronics), TwinBee And WinBee (from TwinBee, (C) 1985 Konami), Quest For Honor (from Last Mission, (C) 1986 Data East USA, Inc), Street Justice (from Vigilante, (C) 1988 Irem Corp), Colwyn's Glaive (from Krull, (C) 1983 D. Gottlieb And Co.), Command Prompt (a family based on Microsoft system fonts), Temporal Aviator 84 (from Time Pilot '84, (C) 1984 Konami; used again for Contra, (C) 1987 Konami), Helicopter and Jeep (from Silkworm, (C) 1988 Tecmo Ltd), A Different Space Odyssey (from Space Odyssey, (C) 1981 Sega Enterprises Ltd), Cosmic Cruiser (from Kozmik Krooz'r, (C) 1982 Bally Midway Mfg Co), Kaptn Kroozr Goes Wacko (from Wacko, (C) 1982/1983 Bally Midway Mfg Co), Rescuing Astronauts (from S.R.D. Mission, (C) 1986 Taito Corp), Super Joe (from The Speed Rumbler, (C) 1986 Capcom), Alex Murphy (inspired by the RoboCop movie logos), Blazer of Trails (Chevy logo font), Second Vanguard (2010, from Vanguard II, 18=984 SNK Electronics; +Sold). Arthur Decorates (2010) is a kitchen tile/stencil face. Shinobi Child (2010) is based on a type in Nova 2001, (C) 1983 UPL Company Limited / Universal USA Inc; used again for Rad Action, (C) 1987 UPL Company Limited and Ninja Kid II (C) 1987 UPL Company Limited. Dingbats from Rad Action / Ninja Kid II. Smokey and the Dukes (2010) is based on Stocker, (C) 1984 Bally Sente; used again for Rescue Raider, (C) 1987 Bally Sente. Space Patroller Final Star (2010) isbased upon from Star Force, (C) 1984 Tehkan Ltd (Tecmo) and Mega Force, (C) 1984 Tehkan Ltd (Tecmo) / Video Ware. Common People (2010) is based on Vulgus, (C) 1984 Capcom. Bongo Defense Method (2010) is based on a game from Stinger, (C) 1983 Seibu Denshi. Common People (2010) is based on the game Vulgus, (C) 1984 Capcom. Data Man (2010) is inspired by the "M" and horizontal "V" behind Yori in the 1982 movie "TRON" (0:58:08-0:58:54); shares similarities to Ray Larabie's "Para Aminobenzoic" font with just a hint of "Otto Mason SH".
Creations in 2011: Generic Video Game Font 01 and 02, Take A Walk Man (based on the original logo for the Sony Walkman Cassette Tape Players from the 1980s), 21st Century Dot Matrix, Diamond Plate (texture face), Extrude (an experimental 3-D/geometric font, inspired by Mynameiscapo's "Metal Hammer [beta]"), Backtrude, OneQuarterTrude, OneQuarterTrude Inverse, MidTrude, ThreeQuarterTrude, ThreeQuarterTrude Inverse, InTrude, FrontTrude, Diamond Plate, Qbet, Fun With Curves.
Goddess Nadia (or: Bleedsopretty)
Goddess Nadia (or Nadia K, or Nadia Z, or Nadia Zois, or Scarlet Tragedy) is the Washington, DC-based designer (b. 1981) of the irregular handwriting fonts Virmeen t'Kirrrl (2006), Crunchy Cheese (2006, blocky), Dead of Night (2006), Bleed So Pretty (2001), hallowedground-HallowedGround (2001), Mutilate (2003), bleed, muNkiEz kAn flY, Enjoythesilence, Eyesinyourradio1 (2005), hallowedground-HallowedGround, LovethievezMedium, AluminumJesus (2006, pixel face), Biscuitsandheroin (2006, pixel face), Notearsnosympathy (2006, pixel face), Deathwish (2006, pixel face), and eyes in your radio 1 (2001). She also designed Condemnation (2006, grunge), The Hydrogen Prophecy (2006, stencil), Endlink (2006), Carbon Lullaby (2006), Blasphemous Rumors (2006, old typewriter face), Comatose Almost (2006), Carbon Lullaby (2006), Condemnation (2006, grunge), Crunchy Cheese (2006), Aluminum Jesus (2007, outline pixel font), and Silence Process (2006). Dafont link. [Google] [More] ⦿
Gomarice Font (or: Goma Shin)
Japanese foundry, est. in Fukuoka in 2005 by Shintarou Nakayama (Goma Shin), b. 1982. It offers these free fonts, many of which are in the grunge or techno styles: Steel Boy (2005, techno), Manzyu (2005, liquid), The Past (2004), Atama (2004, liquid), Atama Serif G (2010), BAT-MEN__G (2004), BIG-BURGER__G (2010), Ballpoint-Pen (2004), Beer-Cape__G (2006), Boro-Slim__G (2003), Boroboro (2003), Chocolate__G (2008), Coffee-&-Curry-Shop__G (2009), Edamame Western (2012), Fude-Enogu__G (2006), GOMA-STANDARD__G (2010), Gomadelic (2003), Gomanema (2007), Goth-Goma__G (2006), Kamone__G and Kamone 6 (2006-2011, heavy mechanical / octagonal face), Kamone 7 (2012, polygonal typeface), Kigasuru__G (2006), Marker__G (2004), MINI POP__G (2010), Mukasi_Mukasi__G (2003), Mukasi_Mukasi_a__G (2005), Rihapop__G (2006), Rocks__G (2004, stone face), Simple-Slum__G (2005, informal poster face), Steel-Boy__G (2005), Tomipop__G (2006), honey-bone__G (2007), kamone-2__G (2009), kamone-3__G (2010), Yaki Goma (2010), Goma Western (2010), Goma Western 2 (2012), Mousou Recode (2010, ultra fat rounded face), Hot-Chocolate__G (2011), Milk-Chocolate__G (2011), Syouwa Retro Pop G (2011), Spicy Curry Rice (2011), Sikakusimen (2011, fat and rounded), Nantoka Western (2011), Goma Cookie (2012), Sandome G (2012: a beautiful rounded sans display face), Morning Wasabi (2012, a rounded black headline face), Goma Standard 02 (fat and rounded), Doughnut Monster G (fat elliptical typeface), Kaiju Monster (2012), Fine Serif Hosomozi G (2012), Melting Ice Cream, Wasabi Gum (2013, bubblegum face), Soy Sauce Junky (2013), Cyankonabe G (2013: oriental simulation face), Kensuco Stencil G (2013), Omotenashi (2013), Old Book (2013), Rockin Record (2014).
Graham H. Freeman
David Ottley (the Graphic Workman) is a typographer and graphic designer in the UK. He created Erno (2011), introduced as follows: Erno is a humanist sans serif typeface inspired by the brutalist manifestos and architectural practice of the 1960's. Informed by a study of traditional English typefaces by designers such as William Caslon, Eric Gill and John Baskerville. The name for the typeface is taken from the Hungarian born brutalist architect, and inspiration for Bond villian, Erno Goldfinger.
Lisa Johns from Orlando, FL, runs Graphx Edge Fonts, a foundry in Altamonte Springs, FL, offering "high quality pictorial fonts". Their 250-odd collection is surely not made from scratch, especially not their body, script and display fonts. One used to be able to find four great free dingbats here: GE Nautica, GE Zoom, GE Zodiac, GE Holiday Sampler. In the Font Services section, they will make custom pictorial, signature (10USD), or logo (20USD) truetype fonts. For 20 USD, get also packages of 20 fonts such as Absolute Fun Fonts, Absolute Dingbats (60 dingbats, 129USD) or Absolute Script Fonts. Now also called ScriptFonts.Com. Alternate site. Deco fonts, a collection of 4 dingbat fonts for 30 USD. Alternate URL. At this archive, you can find the following fonts: GEBanners, GEClipz, GEComedy, GECurviture, GEElegantScript, GEFiestaMarquee, GEFleet, GEFreeForm, GEFrills, GEGlob, GEHandyScript, GEMontage, GENervousTwitch, GERomanesse, GESheerScript. Partial list of dingbats: GEAngels (I to III), GECarouselHorses, GECelticArt, GEChineseArt, GEChristmasJoy, GEComicalChristmas, GECurviture, GEEdibles, GEEgyptianArt, GEElementsofNature (I and II), GEFloralStencils, GEHolidaySampler, GEIttyBittys, GEJapaneseArt, GEMerryChristmas, GENativeAmericanArt, GENautica, GEOutToSea, GEPennsylvaniaDutch (I and II), GESheerScript, GESnowmen, GESpringtime, GEStorybookTales, GEWhimsicalAnimals (I to IV), GEWildKingdom, GEZodiac, GEZoom. Another alias: Megadownloads. At Joz's Smallwares, you may find Fleet, Romanesse, Frills, Free Form and Comedy, Curviture, Elegant Script, Handy Script, Montage and Sheer Script, Fiesta Marquee, Nervous Twitch, Banners, Clipz and Glob. The list of fonts is long:
Graviton is a small type foundry based in Buenos Aires, Argentina. It was founded by Argentinian type designer Pablo Balcells in 2013.
Balcells created these typefaces in 2012: Engranajes (bike gears), Eslava Inline, Eslava Double Line, Eslava Stencil, Eslava Solid, Eslava Outline, Solida (10-style sci-fi blocky sci-fi typeface), Pixelar, Armadura (a monoline octagonal typeface with a stencil style), Oboe (an ultra-fat blocky typeface), Cuantica (sci-fi) and Led.
In 2013, he published Gubia (a condensed elliptical techno sans), Mensura (a gaspipe sans), Mensura Slab, Mensura Titling (all caps titling typeface family that includes outlined and stencil styles), Mensura Slab Titling, Herradura (an 8-style wide wood type slab serif), and LED.
Gregory La Vardera made fonts for Handcraftedfonts, including HfSecede (1994, inspired by the architectural drawings of Otto Wagner), HfModularStencil (1994, interpreted from LeCorbusier Stencils), HfLaVardera (1994, own handwriting). His fonts are no longer part of Handcrafted fonts, which has now turned into Adcrobatics. Presently, Gregory is an architect and principal of Lami Design. [Google] [More] ⦿
GreyWolf WebWorks (was DarkSide Productions)
Now also known as GW3. Original TrueType fonts by Rich Gast from West Lafayette, IN: Abduction, AbductionCyr, AngieBareFoot, AngieGroovin, AngieImpressing, AngiePierced, AngieTanLines, BigTenMania, BlackWolf, BoilermakerSpecial (dingbats by email: 8 Purdue and Big Ten logos), BrocaineDecade (grunge), CannabisSativa (3 cannabis leaves), ChainLetter, DrawnandQuartered (stencil font), EchoDeco (vertically striped art deco face), ExpletiveDeleted, Frazzed, GravitySucks, GreyWolf, GroundZero, Hypmotizin, Kingbats43 (dingbat font with 6 Richard Petty related pics), KissTheSky, LeeBeeSchwarz (1998, Fraktur font), LoisAnn (elegant!), LongCoolGrandma, LongCoolMother, LongCoolWoman, LongCoolWoman8338, Makisupa, MystikOrbs, PepRally, PheanisWickey, PlatinumHubCaps (Western font), PlatinumHubCapsPolished, PlatinumHubCapsSolid, PlatinumHubCapsSpoked, PointedlyMad, PointedlyMadSmallCaps, ShadowTag, ShineOn, SpitShine, StixnStonz, SwedieCruel, Verticalization, WhiteWolf, XactoBlade (a futuristic stencil font), ZZZTop, ChristmasLightsIndoor, ChristmasLightsOutdoor, Demonized, Dusharnbi (Sinhala), FuturexVoyager, Primo, PrimoBright, SpitShine, Suncatcher, SuncatcherFill, TouristTrap, EagleGTII (1999), YouRookMarbelous, Molly Rose.
Grudnuk has original fonts by Graham H. Freeman: Grudblitter (2001, pixel font), Hygiene (2001), Melbylon (2001, stencil), ModeNine (2001, based on Andrew Bulhak's Mode Seven, in turn based on the screen font of the BBC Micro), Squeeg (2001), Strobo (2001), Tonky (2002, Western font), Weirdmojo (2001), Puddleduck (2002), Loosh (2002), Nottke (2002, inspired by Silkscreen).
GT&CANARY, a New York City design lab, was founded in 2004 by Takaaki Goto (b. 1966, Japan), a.k.a. GT, who specializes in global brand identity and package design. Takaaki Goto designed the slightly arched Kana Sans type family (2012). In 2014, he created the organic sans typeface Morebi Rounded (+Stencil). [Google] [MyFonts] [More] ⦿
Born in Riga, Latvia, in 1943, he has mainly cooperated (since 1990) with Tilde in the font development of East-European languages, and has created the AG fonts collection for Cyrillic. He specializes in Cyrillic and East-european extensions of prominent typefaces (such as the ones in the Bitstream collection). At Linotype, he did Linotype Gneisenauette, Linotype Brewery, Linotype Rowena, and Stencil Moonlight (2003), which won an award at the Linotype International Type Design Contest 2003. He published the AG Fonts collection, mostly between 1992 and 1994. In the AG fonts collection, we find the following families (non-exhaustive list): AGAalen, AGBengaly, AGCenturion, AGCrown, AGFriQUer, AGGalleon, AGGloria, AGLettericaCOMpr, AGMelanie, AGNewHandbook, AGOpus, AGPalatial, AGPresquire, AGReverence, AGZeppelin. MyFonts sells these fonts by him: Baltic Ornaments (1999), Linotype Brewery, Brunch Pro (1996, straight-serifed), Constellation Pro (2009, an avant garde sans family with very thin hairline weights), Exquisite Pro (1998), Linotype Gneisenauette, Kette Pro (2009), Rigaer Tango Pro (2009, a connected script family with high contrast), Robusta Pro (2002, large sans family), Linotype Rowena, Scintilla Pro (2001, delicate text family), Stencil Moonlight (2003), Tourandot Pro (1999), Waldorf Pro (2003, didone), Am Beauty (2011, an art deco family that includes Am Beauty Stencil). FontShop link. Linotype link. Klingspor link.
Known to his peers as GGL. German type designer, born in Frankfurt-an-der-Oder in 1921, d. 2008. He fought in World War II and lost his leg in a battle in France. Starting in 1941, Lange studied as apprentice of Georg Belwe at the Academy of Graphic and Book Arts in Leipzig. After graduation in 1945, until 1949, he was assistant of Professor Walter Tiemann, while also practicing painting and graphic design independently. In 1949, he continued his studies with Professors Hans Ullmann and Paul Strecker at the Hochschule für Bildende Künste in West Berlin. From 1950 onwards, he worked at Berthold AG in Berlin, where he designed his first type, Arena in 1951. In 1955, he became Reader in Typography at the Meisterschule für Graphik, Druck und Werbung in West Berlin. One of his many students was Manfred Klein. He also was Advisor in Visual Communications and Reader at the U5 Academy of Graphic Design and Art Direction Munich, and Instructor at the School of Applied Art in Vienna. H. Berthold AG's artistic director from 1961 to 1990, Lange was responsible for the creation and meticulous production of many of Berthold's typefaces. According to Dieter Hofrichter, his motto was 8 point is the moment of truth (when proofing typefaces). In 1989 he received the Frederic W. Goudy Award from the Rochester Institute of Technology (RIT). Recipient of the year 2000 TDC medal. After ten years of retirement from his position as Berthold AG's artistic director, Lange resumed his design activities in 2000 at Bertholdtypes (now Berthold Direct Inc) in Chicago. Bio at ATypI.
Lange's own designs include his revivals of many classical typefaces. Here is a list, all Berthold faces:
Yvonne Schwemer-Scheddin writes a day after his death: Dear type friends, yesterday morning, the 2nd of December 2008, Günter Gerhard Lange died, 87 years old. We lost an upright, steadfast fighter for quality in type design. Not only Berthold's artistic director, but a friend and objective adviser to many who needed personal help or an evaluation in type design. GGL was Berthold. For Berthold GGL "enhanced" many type designs of other well known type designers. His valued critizism was a great help, because it came from a positively tuned man. GGL transferred the lead heritage and its classical type faces into photocomposition and into the digital format on a high aesthetic and historically authentic level - as for instance Garamond or Van Dijk. Akzidenz-Grotesk is not thinkable without GGL. Bodoni Old Face one of the best contemporary text faces. With his sans serif Imago you can be different and yet classical. And the Americans should be pleased with the revival of Deepdene, which he also turned into a well working textface with a distinct character. But perhaps most important of all, he relentlessly encouraged the young, teaching and talking up to almost the end. Thus opening fences, eyes and hearts to art, architecture, literature and for the values of studies and love for the correct details without which the whole would not function. He was a rare communicator, because he lived his convictions and values. He became an example, a light of orientation. We lost a passionate type lover and expert---an authentic man. An era has come irreversible to its end. [Google] [MyFonts] [More] ⦿
German type designer (b. 1951, Hamburg) who co-founded Elsner&Flake in 1986 with Veronika Elsner. There, he designed many faces, including EF Renova (2006, a boutique sans), EF Beasty (1993, with Gisela Will), Bluset EF (2000-2010, a monoline sans family), EF Casanova Script (2006-2007, with Petra Beisse), EF Cash Monospaced (1994), EF Double Pac, EF TV Nord (a sans family), Eurostile Mono, Glaser Stencil, EF KiddingKid, EF Petras Script, EF StealPlate (1994), EF Thordis Mono, EF TwinPick, Versa Old Style EF.
At Apply Design in 1999, he co-designed a nice series of stencil fonts with Sigrid Claessens: WaltonStencil-BlackRough, WaltonStencil-WhiteRough, LaPinaStencil, LasertacStencil, ReedonStencil, RoundedStencil, SerpentineStencil, StencilAntiqua, TeaChestStencil, WesternStencil, AdveraStencil, ArstonStencil, BankStencil-Medium, BankStencil-MediumRough, CaslonFinaStencil-Black, CaslonFinaStencil-BlackRough, ChicoStencil-Rough, ChicoStencil, FerroStencil, GeometricStencil, GlaserStencil, Futura Headline, Futura Index, Futura Text.
In 2010 he created a digital family based on Morris Fuller Benton's Bank Gothic, called Bank Sans.
Designer of the italic stencil typeface Resolut (1937, Nebiolo). This typeface has seen two revivals:Google] [More] ⦿
Graphic and web design company in Frankfurt. Fonts to their credit: LT Mhai Thaipe (1997, Thai simulation script by Markus Remscheid, Linotype), LT Russisch Brot (1997, Linotype, a grunge face by Helmut Ness and Markus Remscheid), H2D2 Flame (OCR-A face, commercial), H2D2 Pochi (commercial headline face), H2D2 Lefthand (2006, children's handwriting, free). Special designs include a stencil font based on the license plates in Tobago, Alevita (based on Helvetica), H2D2TEXT-8PT (pixel face), Bizz Screen 10pt (pixel face), Audioplast (for a music label by that name), Norma (a futuristic face for V2). Offices in Frankfurt and San Francisco. I suspect that the type designer is Markus Remscheid. Dafont link. [Google] [MyFonts] [More] ⦿
Graphic designer in London. Creator of Central Avenue (2011, a strong display sans with hints of the Victorian era commissioned by the city of Birmingham), Pantograph (2009, Colophon Foundry: Pantograph is an authentic redraw of the typeface employed by the British pantograph etching process), The Lollipop Shoppe (2011, a stencil commissioned by The Lollipop Shoppe).
Hannes von Döhren
German type designer, b. Oberlahnstein, 1891, d. Frankfurt am Main, 1980. He worked mostly for Ludwig&Mayer. Creator of Orplid (Klingspor, 1929: an all caps shadow face), Mondial (1936, D. Stempel, a didone family, of which Mondial Bold is the most successful member) and the fat semi-stencil face Allegro (1936-1937, Ludwig&Mayer; in digital form at Bitstream). He also designed Kuenstler Script (1959), a Linotype font. FontShop link. Digitizations include Fernburner NF (Nick Curtis, 2011).
Hans Gerhard Meier
German designer (b. 1950) of some Linotype fonts. Among his creations, which are mostly handwriting or rough fonts: FontForum Ellenberger (2006, URW), Isometrik (2006, URW, stencil family), Perpedix (2005, URW), Perpedes (2005, URW), Flying Objekts (2005, URW, dingbats), Daedalus (2004, URW, a Greek simulation face), Kilimanjaro (2004, URW), Linotype Albafire (2002), Linotype Albatross (2002), Linotype Albawing (2002, minimalist), Linotype Aspect (1999), Linotype Beluga (2003), Cajoun (2002), Carlin Script (2002, a medieval font that was awarded at the TDC2 2003 competition), Linotype Colibri (1999), Linotype Escript (2003), Linotype Inagur (1999), Mateo (1994), Linotype Pegathlon (1999), Linotype Rana (1997), Linotype Traco (1999, a footstep dingbat font), Linotype Biosymbols (2003), Linotype Chemsymbols (2003), Linotype Chemtools (2003), Linotype Offix (1997), Elementis (2003, which won an award at the TDC2 2005 type competition and at the Linotype International Type Design Contest 2003), and ElleFont.
A follower of Calugi writes: Jonathan is a young illustrator hailing from Pistoia, Italy. It's nearly impossible to not recognize his signature style: what at first appears to be a child-like doodling, a closer look will reveal a world of intricate, carefully crafted patterns and eccentric geometric forms. [Google] [More] ⦿
Greek graphic designer. He created a number of minimalist/pizelish/squarish Latin/Greek fonts in 2009 under the name City Fonts. His Totem Font (2009) is experimental. Nomass Team Font (2009) is a squarish stencil. His typographic posters.