TYPE DESIGN INFORMATION PAGE last updated on Wed Mar 22 22:04:24 EDT 2017
FONT RECOGNITION VIA FONT MOOSE
In 2010, he went commercial as 2D Typo. The first typeface at 2D typo was the modular pixelish Pressure Drop 2D (2010). This was followed by Ornamental Deco 2D (2010, art deco ornaments), Rally Symbols 2D (2010), Mascaron2D (2010, by Iryna Korchuk), Depot Trapharet 2d (2010, a stencil based on the tram lettering in Lviv), Ascetic 2D (2005-2010), Hutsulyandiya (2010, extraordinary ornaments by Iryna Korchuk), Simeon (2010, calligraphic), Cranked Pipe 2D (2011), Tripyllia 2D (2011, ornaments of the neolithic Trypillya culture), and Ukrainian Barokko (2010, a calligraphic typeface by Genadij Zarechnjuk), Historism Border (2011, border ornaments), Moreske 2D (2012, ornaments), Geomanticus (2012, modular squarish sans).
Typefaces from 2013: Bandelwerk (borders), Digital Stitch, Modern Wave (ornaments based on Alphonse Mucha), Hopferian (Roman caps after engravings by Daniel Hopfer (1470-1536)---typeface completed with help of Mariya Sokil), Simple Ribbon (art nouveau dingbats).
In 2014, Dmitry Rastvortsev, Lukyan Turetsky, and Henadij Zarechnjuk cooperated on the design of the free Latin / Cyrillic handwriting typeface Kobzar KS, which is based on the handwriting of Taras Shnvchenko, a famous Ukrainian poet, artist and philosopher.
Typefaces from 2015: Finetitle (ornaments for headers), Gothic Herbarium (a floriated ornamental font based on the Gothic Revival ornaments developed by Augustus Pugin (1812-1852)), Old Depot (rough stencil), Francesca (decorative caps).
FontStructor who made these fonts in 2010: Reeph (wedge serif face), Theen (techno sans), Pewma (fat lettering as in the Puma logo), Clean (a gorgeous rounded elliptical sans), Ambdx (Treefrog-style hand), Twynn Open (dot matrix face), rnd0m, Arcbk-Open (stencil), Arcbk-Regular, Djeom (athletic lettering), Skwar (squarish), Bletr, Serif, Stens (white on black stencil), Strux, Outln (Regular, Shady: art deco meets athletic lettering), Kyrst, Phatt (ultra fat), Psych (a "Western", Italian face), Bloks, Twynn, Zilch, Cyrth (runic), Reimu (blackletter), Kaway (stencil), Kewte (rounded monoline), and Kurvh (dot matrix).
Sergiy Tkachenko (b. 1979, Khrystynivka, Cherkasy region, Ukraine) lives in Kremenchuk, Ukraine, and has been a prolific type designer since 2008. Sergiy graduated from Kremenchuk State Polytechnic University in computer systems and networks in 2007. Various other URLs: Microsoft link, Identifont, 4th February, Behance, Klingspor link, Revision Ru, Russian creators, CPLUV Fontspace, Twitter. Kernest link. Sergey Tkachenko's typefaces:
Design site in Moscow. Creators of the geometric figure (Latin) stencil typeface Caribe Modular (2013), which was created as a project for the British Higher School of Art & Design. Intrnal Hybrid (2013) was also completed at the British Higher School of Art & Design in Moscow. Deriz (2013) is a high-contrast didone titling face. Intrnal Hybrid (2013) is a grungy techno Cyrillic typeface. Vintage and Coupage Font emulates various wood type and letterpress styles. [Google] [More] ⦿
A2-Type (or simply, A2) is a type foundry set up in the autumn of 2010 by the London based design studio A2/SW/HK. The designers are Henrik Kubel and Scott Williams. A2's bespoke type design is mainly the responsibility of Henrik Kubel, though every typeface is developed and approved by both partners. Kubel is self-taught, making his first typefaces while studying at Denmark's Design School from 1992 until 1997. Their typefaces:
At ATypI 2013 in Amsterdam, he speaks about New Transport.
In house type designer at Elsner&Flake. He designed an elegant high-contrast art deco display typeface Miami EF in 1994, the broken black lettering typeface EF Splitter, the horizon lettering typeface EF Eastside in 1995, and Nivea in 2000 (for Beiersdorf).
ACME Fonts (or: CHK Design)
Started in 1996, by Christian Küsters and Andy Long (from South London), ACME Fonts is a London-based foundry, offering fonts by Küsters and these designers: Anthony Burrill, Gérard Paris-Clavel&Johannes Bergerhausen, Jean-Lou Désiré, Paul Farrington, Robert Green, Paul Kehra, Henrik Kubel, Simon Piehl, Alex Rich, Carsten Schwesig, Sandy Suffield, Dirk Wachowiak, Anne Wehebrink and Paul Wilson. Christian Küsters is an ex-student of Matthew Carter at Yale. Born in Germany, he now lives in Oberhausen. Buy the fonts at MyFonts. The company evolved, I guess, into CHK Design.
C.C. Marshall (b. 1985, Richland Center, WI) is a type designer in Madison, WI. He graduated from Minneapolis College of Art and Design, and founded the multimedia shop and font foundry Active Depth in 2000. Designer of Catenary (2010, an organic sans family). This family includes a Stencil style and a grungy Guerrilla style. At Dafont, one can download the grungy Catenary Stamp (2011). Klingspor link. [Google] [MyFonts] [More] ⦿
A-D Foundry is a small independent type foundry established by Daniel Westwood (of Family) in the UK in early 2010. Their typefaces include the inline typeface Mason Regular (2010), Kläda (2011, a bilined typeface made for a UK-based online fashion label), Retail (2011), Process (2011, stencil), and the monolined Agostin family (2010).
Manchester, UK-based typographer and digital artist who studied at Pendelton College in Manchester and at The University Of Salford. His stern display typeface High Rise (2010) was inspired by concrete city monsters. In college, he created several other (unfinished) alphabets: i, ii, iii, paper cut typeface, Weekender (counterless, paper cut-out face), Elena (2014, an extreme contrast wedge-serif typeface), McGowan, Mercury (2014, a minimalist stencil typeface), Kraftwerk (2014, octagonal and techno).
Adam Twardoch (b. 1975) was raised in Tychy, Poland, and graduated from the University of Frankfurt/Oder, Germany. He worked at for Agentur GmbH, a Frankfurt/Oder-based design firm. Since 1991, Adam has advised numerous type designers on Central European extensions of their typefaces and has created localized versions of over fifty fonts. He frequently writes on type-related matters, and is the founder of Font.org, a (now defunct) website featuring articles about typography in English and Polish. He works at Fontlab (since 2004, as product and marketing manager), and is typographic consultant at Linotype (since 2002) and Tiro Typeworks (since 2001), and general font specialist at MyFonts (2000-2012). Since 2012 he is based in Berlin.
Adam Twardoch is working in the field of font technology, multilingual typography, CSS webfonts, Unicode and OpenType.
In 2016, a team of designers at Lettersoup that includes Ani Petrova, Botio Nikoltchev, Adam Twardoch and Andreas Eigendorf designed an 8-style Latin / Greek / Cyrillic stencil typeface, Milka, which is based on an original stencil alphabet from 1979 by Bulgarian artist Milka Peikova.
Design studio of Maximilian Hesse and Marina Kraus in München, Germany. Creators of the organic sans typeface Grey (2013), which is advertized as a free typeface, but there are no download buttons. In 2013, ADGY also designed the stencil typeface Monor and the ultra-fat display typeface Meat.
Typefaces from 2014: Nova, Linea, PX (pixel face). The condensed organic sans typeface Schwabing Sans was published in 2015.
FontStructor whose typefaces in 2012 include the De Stijl stencil typeface DThree Stencil Bold, DFive Other Bricks (dot matrix), DFour Small Bricks (horizontally striped typeface), DTwo Monster Mouth, and One Time. [Google] [More] ⦿
Adrien Menard is a graphic and type designer based in Paris. Adrien studied at the ECV Paris and at the KABK in Den Haag, The Netherlands. He holds a Master in Art Direction. His typefaces:
Adult Human Male
Adult Human Male is the typefoundry of Malaysian designer Alex Hy, who is located in Berlin or Ireland. His Twitter account says that he is New York, Paris and Coolock. His Dafont account calls him Irish. Whatever. Alex has two aspects, a commercial one, expressed in his commercial foundry Adult Human Male, and a free one via his Squack site on Dafont.
The commercial Alex created the grunge stencil typeface Butterworth (2011), the hand-drawn Teksi (2011), the monoline squarish family Ebdus (2011), Valis (2011, futuristic), and the thin avant garde monoline typeface New Slang (2011). Gordito (2011) is a graffiti style bubble font that says Smurf.
In 2012, Alex published the poster caps typeface Areaman, Stink Lines (multilined typeface) and Penang (art deco signage typeface seen on Penang by the creator). Straights Light is a beautiful pair of bilined all caps typefaces. Dale Kids is a children's book typeface. Hokkien (2012) is an art deco typeface with Chinese influences. Mister Mustard is a chubby rounded art deco typeface. Barkley (2012) is a textured caps typeface with a chalk board feel. Liner Notes (2012) is a bilined hand-drawn typeface. Bartleby (2012) is a hand-drawn all caps display font.
The free font foundry Squack has the hand-printed typefaces Barker Allcaps (2012), Scrapist (2012, sketched), Billy Boy (2011, 3d), Quito Chicken (2011, 3d), Fred Wild West (2011, a grungy western face), Coolock Black (2011), Zapftig (2011), Ringworm (2011), Suicide Draft (2011), National Granite (2011, a 3d stone chisel face), Whiskey Fingers (2010), Wank Hands (2010) and Middle Man (2010), and the irregular typefaces Zapftig (2011), Shock Corridor, Pollo Asado, Middle Woman, Ghost Words, Late Puberty, Parrannoyed (2010, ransom note face), the hairline typeface Rexic (2011), Black Grapes (2012), Chump (2012, hand-printed capitals), Areman OT (2012), and the grungy Skidmarks (2012).
Typefaces from 2013: Salas (a chunky cartoon face), Rabid (a crayon font), Strokin (a great brush face---part charcoal part paint strokes), Bevel Hands, Bunk (a layered beveled type system absed on a monoline fat rounded sans, Bunk Base 2), Spengler (inline face), Vastra (Bauhaus style, organic), Swingers (curly and cartoonish), Chump Change, Treves Sans (crayon face).
We read that the fonts are designed by EircomTest. Aka Squack, MiddleMan and Alex H.
Aenigma is the free font foundry of New York-based Brian Kent. The fonts often carry the string BRK in the name. Yet another site. Fontspace link. Dafont link. Typosasis backup. Backup at Fontfreak. Backup at 1001 fonts. Backup at Fortunecity.
The free fonts: Arthritis BRK (2013), Alpha Beta BRK (2013), Amalgamate BRK (2013), Revert (2006), Gyneric (2006), Key Ridge (2006), 18 Holes (2006: Encircled letters and monograms), Double Bogey (2005), Hairball (2005), Whatever (2005), Dyphusion (2005), Blackonimaut (2005, blackletter), Snailets (2005), Vigilance (2005), Wager (2005), Janken (2005), Dented (2005), Syracuse (2005), Symmetry (2005), Nucleus (2005), Underscore (2004), Gesture (2004), Rough Day (2004), Sarcastic (2004), Galapogos (2004), Reason (2004), Slender (2004), Gather (2004), Quadratic (2004), Saunder (2004), NostalgiaBRK (2004), Kinkaid (2004), Jeopardize (2004), Pincers (2004), Fascii (2004), Grapple (2004), WaywardBRK, WaywardShadowBRK (2004), Obstacle (2004), False Positive (2004), Goosebumps (2003), Jargon (2003), Bewilder (2003), 90Stars (2003, snowflake font), Chumbly (2003), Synthetic (2003), Jawbreaker (2003), Mobilize (2003), GreatHeightsBRK (2003), Graveyard (2003), Bend 2 Squares (2003), Redundant (2003), Homespun (2003), Galvanize (2003), Dastardly (2003), Vantage (2003), Quarantine (2003), Knot Maker (2003, with a program for weaving Celtic knots), Combustion (2003), Knot (2003), Enthuse (2003), Weaver (2003), Foreshadow (2003), Rambling (2003), Mincer (2003), Intersect (2003), Technique (2003), Nominal (2003), Unlearned (2003), Brass Knuckle (2003), Quarterly (2003), Zirconia (2003), Zephyrean (2003), Whippersnapper (2003), Ryuker (2003), Discordance (2003), Graze (2003), Gravitate (2003), Edit Undo (2003), Persuasion (2003), Encapsulate (2003), Nymonak (2003), 36DaysAgo (2003), Vertigo (2003), Lights Out (2003), Sequence (2003), Rehearsal (2003), Yearend (2002), SupraGeniusCurvesBRK (2002), SupraGeniusLinesBRK (2002), Faux Snow (2002, snowflakes), Mishmash (2002), Brigadoom (2002), Gyrose (2002), Dystorque (2002), Upraise (2002), QuacksalverBRK (2002), Ravenous Caterpillar (2002), Bumped (2002), Tonik (2002), Jupiter Crash (2002), Mysterons (2002), Sideways (2002), Scalelines (2002), Pneumatics (2002), Granular (2002), Volatile (2002), Aspartame (2002), Bleak Segments (stencil font), Genotype, United, Lynx (2002), Lyneous (2002), Alpha Beta (2002, pixel font), Licorice Strings (2002), Syndrome (2002, futuristic font), Your Complex (2002), Nanosecond (2002), Binary (2002), Dynamic (2002, techno), Qbicle (2002), Flipside (2002), Amplitude (2002), Pindown (2002), Kurvature (2002), Euphoric (2002), Bobcaygeon (2002), Zoetrope (2002), Overhead (2002), Zelda DX (2002, pixel), Telephasic (2002), Hearts (2002), Lamebrain (2002), Compliant Confuse (2002), Line Ding (2002), AE Systematic, Acknowledge, Mini Kaliber, Upheaval (2002), The Code of Life font (2001), Amalgamate (2002), Bandwidth (2001), ClassicTrash (2001), XmasLights (2001, alphadings), Setback (2001), Qlumpy (2001), Regenerate (2001), Konector (2001), registry (2001), Stagnation (2001), Elsewhere (2001), Claw (2001), Cleaved, 8-bitLimit (4 weights), 10.15SaturdayNight-BRK-, Automatica-BRK (2001), Bendable-BRK (2001), BitBlocksTTF-BRK-, Kickflip-BRK-, Withstand-BRK-, Hyde-BRK-, Ecliptic (2000, a bold rounded monoline techno sans), Jekyll-BRK-, Larkspur-BRK-, NotQuiteRight-BRK-, Quandary-BRK- (an LCD font), Thwart-BRK-, Weathered-BRK-, AEnigmaScrawl, Aftermath, Blox (1999, 3d), CandyStripe (1999), Circulate, Collective (1999), Conduit, Corpulent Caps (2001), DarkSide, DashDot (1999), Dephunked (1999: halftone texture emulation), EmbossingTape (3 fonts), Exaggerate, Frizzed, FullyCompletely, Grudge, Hassle, Hillock, Impossibilium, Inertia, InkTank, Lethargic, MoronicMisfire, Numskull, Opiated, Phorfeit, PixelKrud, Powderworks, Pseudo, QuantumFlat, QuantumFlatHollow, QuantumRound, QuantumRoundHollow, QuantumTaper, Ravaged-By-Years-, Raydiate, Relapse, Sorawin-Plain, Spastic-, Splatz-, Stranded-, Swirled-, TRAGIC-, VacantCapz, Wobbly, XeroxMalfunction(BRK), Zenith, ZeroVelocity, Zoidal, simplton, Waver, SaffronColdWars, 3DLET, Bri's-Scrawl, TRAGIC-, AcidReflux, Arthritis, Ataxia (1999), AtaxiaOutline, BlockTilt, ChintzyCPU, ChintzyCPUShadow, Decrepit BRK (1999), Detonate, Draggle (2000), Draggle[overkerned], FatboySlimBLTC, Gasping, Hack&Slash, HeavyBevel, Jagged, Jasper, JasperSolid, Katalyst[active], Katalyst[inactive], LucidTypeA, LucidTypeB, LucidTypeBOutline, LucidTypeAOutline, Neural, NeuralOutline, ObloquyOutline, ObloquySolid, PlasmaDrip, PlasmaDrip[Empty], Queasy, QueasyOutline, Rotund, RotundOutline, SkullCapz (dingbats), Tearful, Tetricide, Turmoil, Ubiquity, Underwhelmed, UnderwhelmedOutline, Vanished, Xhume, Yonder, Yoshi'sStory, ZurklezOutline, ZurklezSolid, Gaposis, Naughts, Ink Swipes, Irritate, Perfect Dark, Forcible, Loopy, GaposisOutline(BRK), GaposisSolid(BRK), Head-DingMaker(BRK), JoltOfCaffeine(BRK), KirbyNoKiraKizzu(BRK), Orbicular(BRK), Xtrusion(BRK).
Commercial fonts at CheapProFonts: Lamebrain BRK Pro, Dynamic BRK Pro, Phorfeit Bundle, Phorfeit Slanted BRK Pro, Genotype Bundle, Genotype S BRK Pro, Genotype H BRK Pro, Classic Trash BRK Pro, Vigilance BRK Pro, Technique Bundle, Technique BRK Pro, Technique Outline BRK Pro, Galapogos BRK Pro, Visitor BRK Pro (pixelish). [Google] [More] ⦿
Creator at FontStruct of Aeolien (2011, alphadings), Gazebo Line Aeo (2012), Chateau d'Air (2013, castles), Like Fabergé (2013, oval), Fold Line (2013, a sewing font), Toothache (2013), Linoleum (2013), Sandor Basic Stripes (2013), Compass Norden (2013, a dot matrix font), Sambuccus (2013), Abneuroniques (2013, neurotic typeface), Zebra (2013, horizontally striped), Amazed (2013, maze font), Card Reading (2013), 3paths (2013), Raidho (2013), Floraeolien (2013, flower dings), the Art of Square series (2013), and Ostara Egg Box (2013, ornamental caps for Easter).
Typefaces from 2014: Ceques (op-art), Indentional, The Tunnels of Tralyoxx, ClickPop Beads, Blue Moon, Nurdal's Walk (LED font), Dumultix (techno, in De Stijl fashion, based on Mondrian), Wever Ding, My Unintended, Haltero, Linuta, Murexa, Abfahrt, Arrivee Mercredi, Mabon (vintage slab serif, art nouveau), Treat or Trick, Aerix Stencil Serify, Noba M, Plaque Emaille (white-on-black), Gleiteri, Strega nona, Kubetus (artsy), Kubetuffo, Pixiel, Werner, Free Masonry, Airy Brickwork, Aerix Stencil Sans, Sim Card, Kerbe, Fool's Beans, Gift Tag (alphadings), Tag Letters, Varsity Outline UC.
Typefaces from 2015: 3Fino, S-chablo Sans (stencil), August, Shifted (op-art), Arroed, Apprentice Quill, Spitze, Melusine.
Aerotype is a foundry in Camarillo, CA (formerly in Glendale, CA). It sells the typefaces of Stephen Miggas. Many types were designed around 1998, and most were rejuvenated and updated in 2005. A list of Aerotype's typefaces typefaces:
Afrojet Type Foundry
John Skelton is a type designer from St. Paul, MN, b. 1973. He is currently based in Portland, OR. He started out in 2008 as afrojet on FontStruct, making many free fonts there. Late in 2009, he set up Afrojet Type Foundry at MyFonts.
FontStructions in 2008: Playtime (an original stencil family), Playtime Pattern Motifs (dings), Playtime Rounded (+Bold), Playtime Cutouts, Mango Solid (ultra fat, rounded), Mooch (experimental), Mooch Squared, Zombies Are The New Black, Jettison Stencil, Micromoog, hewett, hewett_bold, hewett_extended, Mikey (a Mickey Mouse font). Other creations there include Summer Grillz (about which he writes More gangster than Gill with more gold than Garamond, Summer Grillz is type jewelry for your mouth. All letterforms are diamond-kut using the finest type constructing software on the market today. Customize your grill with different fills., Lovestruc, Konstruct (multiline face), Steeplechase, Sawhorse, Sawhorse Braumarks (dingbats of a brewery), Alfred, Chesterfield, Hydroplane, Jettison-Stencil, Pop-Drops (kitchen tile face), Starstruc, Lovestruc, Chesterfield Prince, Chesterfield King, Chesterfield Queen (piano key font), Brainfreeze (ultra fat).
Fontstructions in 2009: the Sans Serious family (a tribute to Dutch Bauhaus designer Jurriaan Schrofer), Factory (stencil), Hunstrüct (blackletter), Slug, Micromoog Remix, Get To The Falcon, Jetstream and Perforate (octagonal, loosely based on several styles of letter and numeral forms observed on various aircrafts at the Evergreen Aviation&Space Museum in McMinnville, Oregon), Get To The Falcon (multiline face), StacheStruct (moustache font), Factory (stencil), Playtime Bolda, Thunderball, Gaga, Gaga Stencil, Pinpression, Sessions (a take on type by Josef Albers; he writes: Having previously played around in Fontstruct with Anni Albers' textile patterns, I thought it time to turn my attention to her husband Josef's work. Josef Albers' constructivist typographic experiments are a perfect match for Fontstruct. Other Fontstructors have done great work with Alber's ideas. Most notably, Saberrider's fontsract and Stewf's Leaflet family. Using Josef Albers' Kombinationsschrift alphabet (1928-1931) as my foundation, I've been having a lot of fun remixing and experimenting with his letters.).
Fonts made in 2010: Whoopee (piano key face), Prog.
Commercial fonts: Sessions (2009, modular).
FontStructor who made these typefaces in 2010: Tessa (an über fat face), Pomegranate, Archipelago Serif, QQQQQ.
In 2011, these typefaces were created: Barnhaus (+Lite), Not My Font (clone of zalamera eYeFS by Antonio J. Morata), Mission Design Sans, Soundproof, Naturally Blonde, Sector12 (an army stencil face), Industrial Sans Better, Elegantite, Grey Hand (texture face), Ubnshufr II Hellllp, Havoc, Havoc Thin (scratchy face), Pixels Redefined (texture face), Capitas Lite (texture face), Capitals Woodcut, Adl Capitals (hand-printed), Useful Sans, Spirit (tattoo/blackletter face), Wanted 2.0, Detaile, fs Greener Grass (grotesk headline face), Bean (pixelish), Small Sans, Doundproof.
In 2012, Agent Demonic Ladybug made these typefaces: Mechans (upright connected script), Tessa Revived, Minimalist No. 2 (piano key face), Laceys (dot matrix typeface), Roundsclean, Squareup, Barnhaus 2012, Mission Design Sans, Barnhaus (+Lite, +Mono; named after Bauhaus), iFontStruct, Squishypixel, Moredetailes, Who Needs Nonconformity (heavy octagonal), Stuckinneurone Error, Stuckingranite, 220a, Boldish (piano key face), Strategy Bold. [Google] [More] ⦿
Blackpool, UK-based designer of the hipster typeface Penultimate (2013), which was created during his studies at the University of Huddersfield. In 2014, Aidan created the squarish typeface Second and the geometric all-caps sans typeface Enigma.
German cofounder of Underware (b. Heidelberg, Germany, 1971), a typographic design studio based in Den Haag, founded in 1999 by Akiem Helmling, Sami Kortemäki and Bas Jacobs. Akiem was born in Heidelberg, Germany, in 1971 and lives in Den Haag, where he studied from 1998-2000 at the KABK. He codesigned all Underware fonts: Dolly, Bello, Sauna (2002; +Sauna Mono Pro), Liza (2009), Auto (1, 2 and 3) (2004-2014), Unibody 8 (free) and Fakir (a blackletter typeface). In 2015, Bas Jacobs, Akiem Helmling and Sami Kortemäki published the stencil family Tripper.
Akufadhl (was: Alternatype, or: Akutype)
Cairo, Egypt-based designer, who hails from Surakarta, Indonesia, b. 1996. Creator of the free brush typeface Bruss (2015), the hand-crafted Talisman (2015), Labours (2015) and Summer Time (2015), the vintage sans typeface Manufactur (2015), the vintage titling typeface Kertayasa (2015), the marker typeface Halfway (2015), the watercolor brush face Hale (2015), the free display typeface Biliru (2015), the hand-crafted Supreme (2015), and the spurred display typeface Travelo (2015).
Typefaces from 2016: Amarylis, Protea, Geda Brush (thick and inky), Tarquin AT (+Stencil), Macaron (elegant hand-crafted style), The Falcone, Supreme (hand-crafted), Rolade (rounded sans).
Typefaces from 2017: Egalite (slab serif).
Prolific type designer, b. London, 1951. Alan started working in 1970 for Graphic Systems as a lettering artist. In 1975, he joined Letraset as the Senior Type Designer and Studio Manager where he was responsible for all the artwork produced by the Letraset studio. During his tenure at Letraset, he designed over 40 popular typefaces, including Bramley, Candice, Bickley Script and Belwe. Most of these typefaces also showed up in the Scangraphic collection. Together with type director Colin Brignall, Alan contributed to the success of Letraset. All the original typographic artwork produced at Letraset was produced by hand cutting the fonts in Rubylith, a highly-skilled technique known as stencil cutting. Alan was responsible for training the entire Letraset studio in this art. Most of the original Letraset artwork has now been archived at St. Brides Printing Library, London. Today, Alan works independently, specializing in all facets of corporate identity including type design, typography, packaging, and development of logos and symbols.
Aka Alan Alan and as I Like Fonts. Edinburgh, Scotland-based designer of the freeware fonts Meat Raffle (2016), Milk (2002), Jobby (2002, grunge), Matchbox (2002), Dirty Fox (2012, nice grungy caps), Laundry Day (2011), Gorestep (2011, dripping paint font), Stylo (2011), Cable Guy (2011), Bodypump (2002), Aztec Hipster (2012, Mexican simulation typeface), Afro House (2012, tribal), Mashed (2012: a grungy stencil take on the Mash logo), Original Junglist (2012: white on black poster face), Tower Blocks (2013), and AP Digibats (2002). Many of these fonts have no punctuation.
Philadelphia-based designer and PostScript font hacker who runs Prescott Design. He created three substantial sans typefaces families with many weights starting from hairline, almost in the fashion mag style: Clemente (2011), Ultima (2011), Passion Sans (2011, a Peignotian family). All free at Dafont.
Additional typefaces: the Bizarre series (decorative caps), Advertisers Gothic PD (2010: a large family based on Robert Wiebking's ugly original from 1917), APT Antique, Crayon PDS (2013, a decorative Victorian family), APT Caslon 76 (1997, based on a Compugraphics original), APT Feinen Inline (1997, after Henry Mikiewicz, 1983), APT Millais (1995, unknown origin), APT New Abel Cursive (1996, a revival of Bernie Abel's Abel Cursive (Compugraphic, 1974)), APT New Artcraft (1996), APT New LSC Book (1996, after a 1970 original by Lubalin Smith Carnese), APT New Classic Rubber Stamp (1996: based on DeVinne by G.F. Schroeder, 1890; F.W. Goudy 1898), APT New Hearst (1995, based on an original from Inland Type Foundry, 1901, which was famously ripped off from Goudy; the Italic was by Carl Schraubstadter, 1904), APT New Ticonderoga (1995-1996), APT New Woolly West (1995), APT Horizon Initials (1995), APT New Gill Floriated (1995), Old Gothic Initials Plain (1995: Lombardic caps), Pfister Bible Gothic APT Cameo (1997, blackletter caps), APT Saint Nick (1995: snow-themed caps).
His 19th century series, all made in 1995 or 1996: APT New Abramesque, APT New Alferata (psychedelic), APT New Armenian, APT New Belmont (Victorian), APT New Brenda, APT New Cabinet, APT New Caprice, APT New Dawson, APT New Euclid, APT New Linden, APT New Madison, APT New Moorish, APT New Mystic, APT New Rollo (Victorian), APT New Slapstick (wooden plank font), APT New Spiral, APT New Stephen Ornate, APT New Teahouse, APT New Viola, APT Novelty Script.
The wood type collection of Alan Prescott:
Spanish graphic designer in Alicante, b. 1986. His free fonts include Alber (2009, grungy stencil), Globus (2009, almost counterless atrsy face), Industrial (2009, virile face) and Wind and Bubbles (2009). [Google] [More] ⦿
Born in 1995, aldo Dattoli created the simple hand-printed typeface Aldo Dattoli (2012).
Graphic design student in Monterrey, Mexico.
Alejandro Cabrera Avila
During his studies at Istituto Vittorio Emanuele III di Palermo, in sicily, Alessio d'Amico created the stencil typeface Just Me (2015). He also designed the absolutely wonderful experimental typeface Morse Code in 2015. [Google] [More] ⦿
Alex Jacque (b. 1986, Virginia) is a designer and developer based in Oakland, CA (was: Baltimore, MD). He studied at the University of Michigan School of Art&Design and was located at that time in Ann Arbour, MI. He obtained an MFA from the Maryland Institute College of Art.
Creator of Coop Blackletter (2016, a soft blackletter version of Cooper Black), Dequindre (2015, based on the capitals of Fette Buhe Fraktur by Walter Buhe, 1914-1915), Teip (2014, a multiline layerable all caps typeface), Pila (2014, techno stencil), Handu (2012, hand-drawn sans-serif inspired by the hand-painted type and signage on the streets of Kolkata, India), Atrium (2012, a squarish sans family based on the pen art of W.E. Dennis), Saugatuck (2011, grunge) and Sello (2011, a unicase hand-drawn, geometric sans-serif with a touch of retro).
Alex O. Kaczun
Matakana, New Zealand-based multidisciplinary designer whose company is called New Royal Standard. He created the athletic lettering inline typeface Lockout (2012).
Graphic designer in Johannesburg, South Africa. Behance link.
He created some experimental typefaces, alongside some display fonts. Examples: Kokface (a constructivist beauty), a circle-themed stencil face, Revolt, and an octagonal face. In 2012, he made another set of experimental typefaces called Engineering. [Google] [More] ⦿
Aleksandr Mikhailovich Rodtschenko (1891-1956), or Rodchenko, emerged in the 1920s as one of the most influential Russian constructivists. Their lettering is always austere and geometrical, and they influenced all visual arts. A typical Cyrillic family of typefaces was recreated by Tagir Safayev at ParaType in 1996-2002, called PT Rodchenko. Other reincarnations include the Latin&Cyrillic family Rodchenko Constructed ML and Rodchenko Grotesk ML (2010, Tom Wallace). At Gaslight, the Teco Sans and Teco Serif typefaces (2012) are also said to be influenced by Rodchenko. Also, check P22 Constructivist by Richard Kegler (1995).
Russian creator of the free chess font Chess 7 (2008), the free pixel fonts LED Stadion 7 (2013), Dash Dot Square 7 (2013), Enhanced Dot Digital 7 (2013), Small Dot Digital 7 (2013), Modern Dot Digital 7 (2013), Square Dot Digital 7 (2013), Bold Dot Digital 7 (2013), Serif Dot Digital 7 (2013), Serif LED Board 7 (2013), Modern LED Board 7 (2013), Half Bold Pixel 7 (2013), Dash Pixel 7 (2013), Serif Pixel 7 (2013), Power Pixel 7 (2013), Enhanced LED Board 7 (2013), Thin Pixel 7 (2013), Smallest Pixel 7 (2013), Modern LCD 7 (2013), Advanced LED Board 7 (2012), Digital 7 (2008, LED face), Post Pixel 7 (2013), Triple Dot Digital 7 (2013), Dash Dot Square 7 (2013), Enhanced Dot Digital 7 (2013), Dash Digital 7 (2013), Light Pixel 7 (2013), High Pixel 7 (2013), Mini Pixel 7 (2012), Long Pixel 7 (2013), LED Counter 7 (2013), Digital Counter 7 (2013), LED Digital 7 (2013), LED Board 7 (2013), Light LED Board 7 (2013), Advanced LED Board 7 (2013), Printed Circuit Board 7 (2013), Brick LED 7 (2013), Rounded LED Board 7 (2013), Pixel Dingbats 7 (2013), Square Wood 7 (2013), Small Bold Pixel 7 (2013), Rounded Pixel 7 (2013), Line Pixel 7 (2013), Bold LED Board (2013), Narrow Rectangle 7 (2013), Dot Digital 7 (2013, +Advanced), Square Metal 7 (2012), Stencil Pixel 7, Computer Pixel 7 (2012), Small Pixel 7 (2012), LED Counter Plus 7 (2013), LED 7 Display (2012, +Light), Neon Pixel 7 (2012), Old Pixel 7 (2012), Square Stone 7 (2012), Square Pixel 7 (2012), Pixel Font 7 (2012, +Outline), Pixel LCD7 (2012), Advanced Pixel 7 (2012), Ice Pixel 7 (2012), Void Pixel 7 (2012), Dash Dot LCD 7 (2012), Dash Dot Square 7 (2013), Enhanced Dot Digital 7 (2013), Double Pixel 7 (2012), Advanced Pixel 7, Advanced Dot Digital 7 (2013), ZX Spectrum 7 (2012), Bubble Pixel 7, Cyrillic Pixel 7, Basic Square 7 (2013), Basic Sans Serif 7 (2013), Effective Way 7 (2013), Arrow 7 (2013), Abricos 7 (2013), Computer 7 (2013), Disco 7 (2013), Software Tester 7 (2013), Elegant Line 7 (2013), Soft Lines 7 (2013), Effective Way 7 (2013), and the free LED display font Digital-7 (2008).
Typefaces from 2014: Game Font 7, Square Sans Serif 7, High Sans Serif 7, Smooth Line 7, Bright Line 7, Double Line 7, Rounded Line 7, Rounded Sans Serif 7, Android 7, Arial Narrow 7, Bold Sans Serif 7, Light Sans Serif 7 (avant-garde sans), Modern Sans Serif 7, Software Kit 7 (dingbats), Advanced Sans Serif 7m Strong Line 7.
Typefaces from 2015: Steel Blade 7, Semi Rounded Sans Serif 7, Bold Game Font 7, Double Force 7, Roman Font VII, Game Sans Serif 7, Sans Serif Plus 7, Soft Sans Serif 7, Smooth Pixel 7, Clear Metal 7, Military Font 7 (stencil).
Added in 2009: Russisch Brot, Block Out (3d face, +Filled1, + Filled2), Bold Stencil Sans, Script Pixelig, Dorky Corners Sans, Haus der Kunst (inspired by the building in München by that name), Fraktur Test, Fette Sans (nice), Emilia, Runde Pixelig (pixel script).
Creations in 2010: Fraktur Test, The Plot (octagonal, architectural), 80s Metal Band, Fieldwork Font (pixel), Black Metal, I slabbed the Seriff, Play (curly face).
Creations in 2011: Obvious Stencil (Bauhaus, or piano key), Supercali (a psychedelic font inspired by the cover for A.R. Kane's "I"), Manuale (with straight slabs; +Manuale Giocoso, 2012), Graphite (fat and rounded), Graphite 2, Hinterland Italic (quaint Victorian face).
From 2012: Linea Fraktur (extended in 2013 to Linea Runde), Black Organic (spiky blackletter), Green Organic (a spurred blackletter), Standard Sans, Modular Blackout Bold Condensed, Viva Las Vegas, Helios, Faux Pas Serif (Egyptian typeface), Nova Thin Extended (this hairline sans is a tour de force---it is the first successful hairline sans typeface ever made by anyone using FontStruct), Bencraft.
Fonts from 2013: Meadow Bold, Lush Capitals, SwiftStroke, Its Slab To Be Square, Mellow Doubt, Ligure Black, Beige Organic, Trafo, Trafo Evolution, Codester Mono (a programming font), Swash Buckle, Nova Thin Extended (a hairline sans), Meson Sans, Burgwald Exquisite Bold Condensed, Editoriale, Coalescimen, A La Carte, Hampton Italic, Baby Elephant (fat grotesque).
Fonts from 2014: Terminal One (a basic sans), Fanomino, Fontris (like Tetris), Schlaraffenland (+Variant: great rounded sans family), Crystalline, Tick Brush, Manuale Neue Bold, Terminal One, Sanspura, Italics Study, Mundane Black Extended, Heavy Grain, Wineshop Stencil, Folds and Rhizones, Viva Las Inline.
Fonts from 2015: Augustine, Coleridge, Framtid, Licht-Sans, Quire-Bold, Quire, Static-Grotesk, Tattoo-Parlour, The-Gift-Serif, Tuileries-Black, Usual-Type, Ziseleur, Zungenschlag, Blackesteverblack.
Art director and graphic designer in San Francisco who likes the color red. Behance link. Creator of stylish logotype, found art, or display typefaces: Baroquen (2010), Bent Type (2010), Decoder, Determinant (2010, art deco), Edgewise (2009; art deco stencil, also called a piano key face), Elektrotrash (2009), Estereo (2010), Metrobloc (2010; modular), Eurobloc (modular), Victropolis (serifed), Determinant (more art deco). Behance link. The web page is rather confusing, so it's hard to tell which images are of fonts and which are just pictures of alphabets. Some fonts are free, such as the grungy Antechamber (2011). [Google] [More] ⦿
Russian designer of typefaces who collaborates with Ivan Zeifert and specializes in revivals, cyrillizations and beautiful digitizations, some of them done with Anatole Gophmann. There have been complaints about her practice of borrowing fonts from type designers without asking. One typophile writes: I have cracked open fonts she claims as hers, Bolero, Bickham and others, she has copied and pasted glyphs, copyright data, added Cyrillic and changed the copyright string. As an example, Angelica is a copy of Alejandro Paul's Miss Fajardose. Alejandro has drawn the numerals in his font in 2004 to accompany the letters found in an old catalog of alphabets. There is no other source of the numerals, and Angelica has them. Michael Clark writes: I initiated a battle with the illustrious Alexandra "Bitch" from Russia who has renamed Pouty (FontBureau) and copyrighted [it as] Bolero. She and her partner Anatoly shithead. Available on Fonts101.com for anyone who wants it free. The ass's site, Jagdesh, is in Pakistan and we cannot touch him. 260+ viewings and 140+ downloads. Let's see that is 1400$ I will never see! Others have complained as well about her practice of taking and extending fonts without permission. Anyway, her "fonts" are:
Alexandre Saumier Demers
Mexican creator of Maming (2012, spindly), the pixelish typeface Mattta Ahari (2011), Coluca Modern Side (2011, an octagonal semi-stencil face), the sturdy poster typeface La Camerino (2011), the grungy Indieo (2010), the condensed typefaces Tipulada (2011) and Condenzel (2011), the experimental typeface Autobahn (2011), the squarish NRCO (2011) and the experimental Vai Gone (2011).
Graduate of the Rietveld Academie in Amsterdam. Born in Syracuse, Sicily, he spent half of his life in New York City, and studied for four years in The Netherlands. He worked in Lithuania with a group called Alfa60, and is now based in Turin.
His typefaces: Equo (2006), a VAG Round style display family which also includes Equo Stencil Caps, Equo Extended, Equo Extra Fat, Shaolin Caps, Stout Caps (revised in 2015), Frank-Latin (wide wedge-serifed face), Crasto (serif family), MM Vinny (a multiple master family designed for use by the cosa nostra), Yorker (based on The NewYorker), MM Charlie or Charlie Grotesque (2013, a sans typeface family in the American style of Morris Fuller Benton), Artissima Condensed (a dada poster font, now called Altissma Condensed), Romano Grotesque (angular, chiseled: revised in 2015), Futura Passata (a rounded all caps version of Futura that combines two widths of a wood type version of Futura for use in posters), Novalis Condensed, Bianco (a bespoke sans created for Nero magazine), Bianco Serif (used in some sections of The New York Times), Lago Sans (gemetric superfamily), Arial Grotesque.
Alias is a typefoundry and graphic design agency founded by David James and Gareth Hague, and is based in London. Their fonts can be bought through T-26, ITF and/or FontWorks UK. They also did substantial corporate type design work.
Partial font list: AES (1995, David James), August (1996, a fifties font by Gareth Hague), Caustic (2012, calligraphic script family), Elephant (1994-1995, Gareth Hague), Enabler (1995, David James), Factory, Granite (1995, Gareth Hague), Harbour (1998, Gareth Hague), Intimo (2000), Jackdaw (1997, Gareth Hague), Jude, Key, Klute (1997, Gareth Hague), Mantis (1996, Gareth Hague), Metropolitan (1996, Gareth Hague), Metsys, Sister (1995, Gareth Hague), Text (1995, Gareth Hague).
Corporate typefaces include Prada Candy (2012).
Alien Foundery used to be called Bsillkrieg. Thibault Dietlin (b. 1987, Besançon) who runs it is located in Annecy (before that, in Besançon). He makes these fonts freely available via Dafont in 2008: Zfonts (grunge), Pee On Face (grunge), Hardcore Pen (graffiti), La Fraktouille (sketched blackletter face), Crustype crust (grunge), Crust Clean (grunge), My Goth Is Better, city burn night after night and we spraypaint the walls 1.0. Additions in 2009: Black Spoon (minimalist sans with exaggerated x-height), Hurray (clean sans), Tes (sans), Urbana (grungy stencil), Black Spoon, Boa, The City Burn (grunge), Riot AF (grungy stencil), Blind (Braille font). MyFonts link. [Google] [MyFonts] [More] ⦿
Type designer. Not to be confused with "Walden Font", a commercial foundry run by Oliver Weiss. Dafont link. Full list of his work: African (1993, a jungle font), Amelia, Asimov, Beveled, CalculatorItalic, Checkbook (MICR-like font), CrystalItalic, FinalFrontier (1993), FinalFrontierOldStyle, FinalFrontierShipside, Goethe, Japan, Jurassic, Lansbury (1993), Neon Lights (1993, based on Quantum), NewYorker (after Rea Irvin's irvin Font for tThe NewYorker), OliviaBrush, StencilExport (1993: based on Gerhard Schwekendiek's Gesh Export, 1972), Terminator (techno).
Lansbury is a free art nouveau typeface that mimics the font used in the TV series Murder She Wrote. The actual font used for the title of that series was URW's Art Gothic (specimen). Fletcher Gothic (1992, Casady&Greene) is another free version of it. [Google] [More] ⦿
Lexington, SC-based designer of the industrial strength typefaces Predator 0316 Slab (2016), Predator 0316 Sans (2016), the slab serif typeface Griffin Display (2015), the wood-inspired vintage typeface Woodchuck (2016), the varsity typeface Grizzly0116 (2016), and the stencil typeface Grizzly (2016).
Batel, Curitiba, Brazil-based foundry of Anderson Maschio (b. 1980, Curitiba).
Creator of the ultra-fat decorative face Chumbitos (2007, a winner in the experimental type category at Tipos Latinos 2008), available from MyFonts (this was followed by Chumbit02). He also made the experimental type family consisting of Anark Diet Stencil, Anark Fat Stencil, and Anark Natural Stencil (2007). Creator of Magricela (2009, octagonal). He is working on Austera (2007, a basic sans) and Phyta (2007, an experimental typeface with stretched out connected letters).
In 2016, he made a custom font for Juliano Monteiro Studio.
Bogotá-based Colombian graphic design studio and type foundry Andinistas was founded in 1998 by Carlos Fabián Camargo Guerrero, Lennyn Salinas, Mariangeles Valero, Juan Carlos Valero, Jorge Alexander Camargo Guerrero, Rafael Rincón, and Jordi Teres. It was first located in Caracas, Venezuela, but moved in 2003 to Bogotá, Colombia. New names in its organization include Alexander Moreno. Many of its designers are Venezuelan.
Among their typefaces: Nikona, Magola (2008, puffy script), Angelita, Pepelepu, Zerotipo, Skuke, Retro, Radio Bemba, Pumarosa, Pr1, Oficia, Nativa, Mongol (free), Lirrot, Leroy (1999-2008, computer screen stripes), Leroy Dingbats (1998-2008), Hiroformica, Hibrida, Guerilla, Guerilla Outline, Gruada, Gancho Petare, Escuedra, Esbelta, DSNett, dia-D, Download, Denego, Cristal, Codiga, Codiga Icon, Codiga Destroy, Codiga Codec, Chacao Petare, Cazon Gothic, Boa, Biol, Ave-cedario, Anaira.
Cazon (2007, Camargo Guerrero) is a family of calligraphic origin consisting of 7 styles: Gris, Negra, Uno, Dos, Tres, Dingbats A and B and is based on the paintbrush letters found in the popular markets of La Guaira, Caracas. This family won an award in the experimental typeface category at Tipos Latinos 2008. Lirrot (2007) is a 6-style grunge handwriting typeface bordering on the psychotic, and comes with Lirrot Dingbats. It too won an award at Tipos Latinos 2008.
PP Lepu (1998-2008) is pixel grunge. Josefina (+Dingbats1) is a curly script also made in 2008. Navaja (2008) and Diad are collections of grunge fonts with grungy dingbats. Lucrecia 1 through 3 (2008) is a fat connected script family ranging from clean to splattered.
Telesforo (2008) radiates anger from its brushy grungy limbs. Telesforo Black won an award at Tiupos Latinos 2012. Ninja 1 and Ninja 2 (2008) are script fonts, and are accompanied by Ninja Dingbats (2008). Dsnet (2008) is a 6-style bare-bones rounded squarish family. Flaminia and Flaminia Dingbats (2008) are useful for food-related signage. Modelia (2008) is thick, informal, and looks like it was brushdrawn. Modelia won an award at Tipos Latinos 2010. Filomena (2008) is a brush family with a goth theme and an accompanying goth dingbats. Obdulia (2008) and Floro (2008) are extreme mural grunge fonts. Marimonda (2009) is grunge calligraphy.
Typefaces from 2012: Demetria (a hellish script), Ciclope (army stencil), Meteora (a sturdy weathered family), Kamuy (a grunge typeface, with dingbats, that links to Asian comic style lettering, and Japan in the Pacific War), Naturalia (an informal sans family).
In 2013, he made Gluten (a poster typeface family), Bengala Script (a distant relative of Mistral), Chef Script (a large signage script influenced by Ross F. George's Speedball lettering manual (1957)), Chef Script Dingbats (hilarious restaurant dings and fists), Sumergible Script.
Typefaces from 2014: Citronela (cartoon or Caribbean hotel signage font family), Bemol (a set of script fonts in craftsman style), Nemocon (creamy script), Acustica (a calligraphic Acustica Script, with didone Acustica Caps, and a decorative Acustica Dingbats), Cereal (+ Script (a vampire script), Skin and Dingbats).
Typefaces from 2016: Enjoy (Script, Caps).
Andre Toet Design (was: SO Design)
Andre Toet Design (and before that, SO Design is a Dutch studio run by André Toet (b. 1950, Den Haag). He was educated at the KABK under Gerrit Noordzij from 1974 until 1976, and at the Central School of Art and Design in London under Nicolete Gray from 1976 until 1977. From 1979 until 1980, he worked as a designer at Total Design with Jurriaan Schrofer and Wim Crouwel. Andre Toet Design is located in Amsterdam.
Creator of Artu (2012, monospaced display face), Battersea (multiline face), Billiard (2012), Bloggy (experimental), AT Move Bloggy (2010), Decoupe (experimental), AT Move Decoupé (2012: a modular font based on a French game from 1906), Holborn, Mezzo (mimimalist), AT Move Pipi (2012, a playful textured caps typeface created jointly with Jasper Nijssen), AT Move Mezzo, AT Move Powerplay (1976, and redone in 2011: multilined), Musica, Nath, Powerplay, Tremelo, Wiggle.
Creations from 2012: AT Move Holborn (a 3d outlined neon sign face), AT Move Tremelo (based on the logotype Microtel), Artu, AT Move Wyggle, AT Move Wolfszn, AT Move Skewy (2012), AT Move Specx and AT Move Specx Stencil (a slab serif based on the cover of a 1955 French School-Notebook; help with the design from Jasper Nijssen).
Typefaces made in 2013: AT Move Altera, AT Move Altera, AT Move Herengracht (an inline typeface), AT Move Artu Super Super Heavy, AT Move Bulky (glaz krak font), AT Move Quipo (an amoebic font), AT Move MMM (with Jasper Terra and Jasper Nijssen: a rounded organic sans typeface. They write: The design is based on a old Soap-Powder advertisement. MMM is very useful for headings and/or logotypes.), AT Move Strano (squarish stencil), AT Move Nath (optical illusion typeface first made in 1974 at the Central School of Art and Design in London, and digitized in 2013 with the aid of Jasper Terra).
Typefaces from 2015: Bombola.
Typefaces from 2016: AT Move Bombola (elliptical style).
Graphic designer in Santo Tirso (Porto), Portugal. In 2011, he created the hairline sans typeface Wayne Thin, the counterless fat slab face Rotula, and the fat round Wayne Black. He also made Virtude (2011, a Garamond revival). In 2012, he added Urbe (3d face).
Typefaces from 2013 include the grid-based modular typeface family Kamo, which comes with Kamo Stencil.
Berlin, Germany-based designer of several CE versions of FontFont fonts, such as the CE versions of Ole Schaefer's Fago: FF Fago Office Sans CE, Fago Office Serif CE (2000).
He also helped with the finalization of some fonts at Primetype, e.g., the PTL Maurea family.
He joined Carrois Type Design in Berlin, where he is involved in many type projects. One example is the angular grotesk typeface done by Carrois Type Design in 2008 for the Russian Railways. This work was carried out with Dmitri Lavrow, and invloved Andreas Eigendorf and Ralph du Carrois.
In 2016, a team of designers at Lettersoup that includes Ani Petrova, Botio Nikoltchev, Adam Twardoch and Andreas Eigendorf designed an 8-style Latin / Greek / Cyrillic stencil typeface, Milka, which is based on an original stencil alphabet from 1979 by Bulgarian artist Milka Peikova.
Berlin-based illustrator and graphic designer, who created the squarish semi-stencil typeface Jongehonden in 2012.
Bucharest, Romania and now New York City-based super-artist, award-winning photographer, art director, illustrator and rising star. He showcases extraordinary colored geometric experimental typefaces made in 2007 such as Idea, Trick Fun, Trick Squared, Trick (wow!). In 2009, he made Bs, Merci, Metropolis, Origami, and Think. In 2011, this was followed by Funky.
In 2015, he published the retro signage script typeface Robu Bold (originally created in 2010) and the thin connected script typeface Kitsune at The Designers Foundry.
Typefaces from 2016: Fat Stencil Numerals, and the connected retro script typeface Motorino (The Designers Foundry).
Typefaces from 2017: Zufo (a great children's book or comic strip typeface family), Robu Display (fat didone style).
Andres de Velasquez
Russian propaganda poster art led to Burial (2013), Quickdraw (2013, Western), Aerial (2013) and Aerial Stencil (2013). He also made techno / sports typefaces Enforcer (2013) and Form (2013, techno sans).
Typefaces from 2016: Matter, Form (techno), Hospital, Craze (sharp-edged, free), Foray (squarish), Hospital (squarish style), Hydjakids.
Andreu Balius Planelles
Andrew Byrom was born in Liverpool, England in 1971. After Graduating from the University of East London in 1996 he opened his own design studio and worked for various clients including Penguin Books, The British Academy of Composers and Songwriters, The Industrial Design Centre, Time Out Online and The Guardian Newspaper. Around this time he also began teaching graphic design at The University of Luton and Central Saint. Martins. Byrom moved to the USA in 2000 to teach at Northern Illinois University in DeKalb, IL. He has recently been commissioned to design typefaces and type treatments for Elle Decoration, The New York Times Magazine, McGraw-Hill, and Turner Classic Movies. In 2006 he moved to Long Beach to take up an Associate Professor position at California State University, where he is currently the Area Head of the Graphic Design Department. He created the experimental typeface Interiors (2002), about which AIGA writes: Interiors (3D type) is a collaboration between type designer Andrew Byrom and designer Joel Wolter. It was originally conceived as a digital font (Interiors) and was inspired by an old wooden chair in Byrom's office that, when looked at from a certain angle, resembled the letter h. Using the three-dimensional principles of this simple form, and closely adhering to type design conventions, 26 letters of the alphabet were drawn and generated as a font. The characters were then constructed in three dimensions using tubular steel into full-scale furniture frames. Because the underlying design concept is typographical, the end result becomes almost freestyle furniture design. Letters like m, n, o, b and h can be viewed as simple tables and chairs, but other letters, like e, g, a, s, t, v, x and z, become beautifully abstract pieces of furniture. He also made the distressed font Bloodclot, the stencil family Byro Stencil (free), Byro Sans, 1byrosquare (2000), 2byroround (2000), ByroBlock Stencil (2000, stencil), Concussion (dot matrix with various size dots), Easy Vie, Venetian (2009, like Venetian blinds), Fresh (1995, scratchy type), Ply, Rage, St. Auden, Bandaid (2006), 3D Dot Matrix. He divides his time between teaching, designing for various clients and playing with his sons, Auden and Louis. He has recently been commissioned to design typefaces and type treatments for Elle Decoration, The New York Times Magazine, McGraw-Hill, and Turner Classic Movies. In 2006 he moved to Long Beach to take up an Associate Professor position at California State University, where he is currently the Area Head of the Graphic Design Department. Speaker at ATypI 2009 in Mexico City. [Google] [More] ⦿
Andrew Footit (b. 1984) runs his own typefoundry in Johannesburg, South Africa. He is also known as Arkitype. Until 2014, his type studio was called Virtue Creative and before that, Virtue84. In 2017, he set up Arkitype. His typefaces:
Graphic designer in Jonesboro, AR, who created these typefaces during his studies at Arkansas State University:
Independent game developer Andrew McCluskey (Nalgames, Dundee, Scotland, b. 1991) designed the free LED-inspired Kinglify (2011), Digital Display (2012), and Princelify (2011). Manly Man (2011), Metal Arhyrthmetic (2011) and Ace Futurism (2011) are semi-octagonal. Consider Me Vexed (2011) and Pixel Flag (2011) are pixel typefaces.
In 2012, he made She Curls in the Mist, Xero's Karma, Pastcorps (army stencil), Gnome Splinters, Fought Knight, Vermin Vibes (futuristic), Vermin Vibes 1989 (pixel face), Vermin Vibes 2, Vermin Vibes 3 (2014), Vermin Vibes Diet, Vermin Vibes Redux, Dubbing Star (futuristic), Sorrier Statements, Particulator (an octagonal paper fold typeface), Coder's Crux (a pixel typeface created for programmers, FontStruct), Triggering Fanfares (octagonal), Alt West, Notalot25 (pixel face), Notalot35 (pixel face), Lord Juusai (inspired by the logo for Lord Tensai from WWE), Zephyr Jubilee (an alien language simulation typeface), Bevel Fifteen, Xero's Theorem (sci-fi), Sawchain (2012, FontStruct), Dubbing Step and Here Be Dubstep (FontStruct), Italic Bricks, Gang Wolfik (angular, +Blade), Ruaturecu, Quous Inno, Electramaniacal, Xodohtro-Nu (a black octagonal typeface), Distortion of the Brain, Berate the elementary (techno face), Not sure if weird or just regular, Opulent Fiend, Rawhide Raw 2012 (techno, inspired by the WWE Raw logo of 2012), Particulator II (octagonal), The Missing Link (trekkie), Thunderstrukk, Understrukk, Ganf Wolfik Blade (a pointy Blade style font).
Typefaces made in 2013: Call of Ops Duty, Spinebiting, Laceration, Casual Hardcore, Zany Races, Vermin Vibes 2 Nightclub, Exoskeleton, Perspire, Piston Pressure (sans), Particulator III, Liberty City Ransom (grunge), Zdyk Leo, Variety Killer (grunge), Savantism, Vermin Vision, Zdyk Sagittarius (a circle-based experimental font), Milestone One (a gaspipe sans), Comfortably Fucked, Noasarck (+Sporadico, +Quattro), Future Time Splitters, Heart Breaking Bad, Jan Hand, Erhank, Exoskeleton, The Rave Is In Your Pants, Minecraft Evenings (inspired by the Minecraft logo), FoughtKnight Victory (a video game font), Piescese, Comic Spans, Cauterise, Dead Font Walking (rough-edged poster font), Cutthroat Clawmarks, Eride (grunge), Effervescent Superbeings, Front Page News, Kill The Noise (brush script), Distort You A Lesson (grungy), Vermin Vibes 2 Black, Vermin Vibes 2 White, Vermin Vibes 2 Soft, Dubstep Cadence, Relapse Into Madness, Kings of Kings Lynn (dadaist), Smorgasbord, Scream When You'Re Ready, I Phone You Phone, Respire, Perspire, Vermin Vibes Slant, Vermin Vibes Dystopia, Sharp, Cursivertex, Rick Lobster (stencil face), Cursivertex, Vermin Vibes Dystopia (cyberpunk), Wabbit Sans, Calligraphy Aquiver, Agra Axera (knife-edged sci-fi face), The Keepsake Days, See You At The Movies, Xero's Proof, Vermin Vibes Out Of Ink (textured), Melancholic Roadeo, Wickermanor (a stiletto typeface), Lord Juusai Rises, Vermin Vibes Ex, Vermin Vibes Roundhouse, Just in the Firestorm, Stuntcroft (modular), Ghetto Magnetic (grunge), QA Reports (fat finger typeface), Y-Andermo (stiletto style), Dragon Slapper.
Typefaces from 2014: Man Flu (FontStruct), Zany Races, Big Quicksand, Modern Caveman, Alpha Sapphire (a Pokemon typeface), Omega Ruby (a Pokemon typeface), Schweiz, Beta (FontStruct), Jawbreaker (FontStruct), Tomorrow Wind, Embezzler, Royal, Final Gambit (grungy athletic lettering), NAL Hand, Fingbanger, Dont Waste That Napkin (squarish font), Bold Testament, Cisgender, NonchalantLove, Grelsey Kammar (sic), Valiant (stencil), Anger Management, Italipixel, Ultramarine, Nero (sci-fi font), Bamboozler, Seriffic, High Jinks, Iregula (sic), LNR Phonetic Alphabet, Primary School, Playtime (3d face), Electromagnetic Lungs, Node to Nowhere, Alienated (trekkie font), Questrian, Scars, Da Se Nei (art deco), Dance Floor (dot matrix face), Edge Cutting, Lord Juusai reigns, Superpower Synonym (fat brush), Fought Knight Die (techno), The Thrill of the Kill, Lay of the Land, Deavantgar (art deco), Confidel, Fight Night, Comeback of the Damned, Vermin Vibes Corrupto, Chandstate, Scars, Bustin Jieber (pixel typeface), A Dash of Salt, Come Rain or Fall, Xsotik, Sanseriffic (avant-garde sans), Cassius Garrod, Effortless Tattoo, Coder's Crux 2, Radaro, Overdrive Sunset (brush face), Dead CRT, Fatality's Edge, Tolerant, Coder's Crux 2 (dot matrix), Consider Me Vexed (pixel face), Diamante, Pixel Flag, Aardvark CWM Type, Enter The Grid, Vermin Vibes 2 EDM XTC, Byron, See You at the Movies 2, And Then It Ends, God Hates Westboro, Writing Without Ink, Zdyk Aquarius, Curvert, Superdie, Rocky Road, Animal Silence (constructivist), Gnaw Hard, 19th Century Renegade, Trip Trap, Freudian Slit, Digital Dismay (LED face), Zdyk Pisces (circle-based typeface), Zdyk Scorpio, Guilty Treasure (techno), Wolfganger (inspired by Wolfgang Gartner), Xero's Retreat, Sitdown (octagonal), Stencylette, No More Justice (blackletter), Masterblast (sci-fi), Kesha (sci-fi), Primal Dream, Grandma's Television, Keyboard Warrior, Foughtknight, Blissful Thinking, Positive Reinforcement, The End of Days.
Typefaces from 2015: This Sucks (pixel font), Front Page Neue, Vermin Vibes Mert, Rock Elegance, Stripes.
Typefaces from 2016: Enter The Grid, Fill In The Gaps, FoughtKnight, Grunge Tank, Alt West.
Russian designer (b. 1975, Moscow) who won an award at Bukvaraz 2001 for Handmade (hand sign font), and for Rouble, a minimalist Latin/Cyrillic font made in 1999-2001. He received a TypeArt 05 award for the dingbat family Astra. Other typefaces include Lenta, Moloko and Svoboda. He graduated from Moscow State University of Art (named after S. Stroganov in 2001). The astronomical signs font Astera was published by Paratype in 2008. Other Paratype fonts by him include Brusque (2008, renamed Rouble), Cliche (2008, stencil face), FastFingers (2008, remake of Handmade), Powerview (2010, with Yana Kutyina), Chetwerg (2014, which won an award at Modern Cyrillic 2014), and Vataga (2008, a human typefaces dingbat font co-designed with Yana Kutyina). [Google] [MyFonts] [More] ⦿
Web developer and designer. Graduate of Ringling College of Art&Design (Sarasota, FL), now active as a graphic designer in St. Petersburg, FL. Blog. FontStructor of Printed (2010, horizontal stencil face). In 2016, she designed the display typeface Querk. Behance link. [Google] [More] ⦿
In 2012, he started Ukrainian Type.
Andy Clymer studied at San Diego State University. At that time, he was working on Stencil Fraktur (2002). In 2004-2005, he became a grad student at the KABK in Den Haag. He joined the typeface development department of Hoefler&Frere-Jones in New York in 2005.
In 2015, Jonathan Hoefler and Andy Clymer cooperated on the decorative copperplate engraved emulation typeface Obsidian. Various kinds of 3d illumination in Obsidian were obtained by an algorithmic process. Not to be confused with about ten other fonts called Obsidian--for example, we have Obsidian (pre 2003, Silver Graphics), Obsidian (2014, Steffi Strick), Obsidian (2012, Krzysztof Stryjewski), Obsidian Deco (2013, Yautja), Obsidian (2005, Sparklefonts), and Obsidian Chunks (pre 2002, Jeni Pleskow). [Google] [More] ⦿
Angus R. Shamal
Type designer, b. 1988, Sofia, Bulgaria, who works at Fontfabric, Svetoslav Simov's typefoundry. She completed her Bachelor's degree at The National Academy of Art in Sofia. In 2014 she obtained a Master's degree in type design.
Fontfabric type foundry published the free typeface family Uni Sans Free in 2014: four font weights (with heavy and thin included) set in caps from the best seller font family Uni Sans (2009). Uni Sans Free is designed by Svetoslav Simov (head of Fontfabric), Ani Petrova (Cyrillic alphabet) and Vasil Stanev (font development).
Nexa Rust is a set of 83 weathered letterpress emulation fonts that evolved from Nexa and Nexa Slab. This was a project by Radomir Tinkov, Ani Petrova, Svetoslav Simov and Vasil Stanev.
Together with Asen Petrov, she designed the extensive hand-crafted typeface family PH (2014, Fontfabric). This typeface family is accompanied by a nice set of hand-drawn icons such as PH Icons Food and PH Icons Goodies.
In 2015, Ani Petrova, Svetoslav Simov and Radomir Tinkov codesigned the 214-style mammoth font system Intro Rust, a rough version of Fontfabric's Intro. The fonts are partitioned over Intro Rust, Intro Script, Intro Head and Intro Goodies.
In 2016, she designed Mixa (FontFabric), a connected script font influenced by grotesques.
In 2016, a team of designers at Lettersoup that includes Ani Petrova, Botio Nikoltchev, Adam Twardoch and Andreas Eigendorf designed an 8-style Latin / Greek / Cyrillic stencil typeface, Milka, which is based on an original stencil alphabet from 1979 by Bulgarian artist Milka Peikova.
At Escola Superior de Artes e Design de Caldas da Rainha (ESAD.CR), Portugal, during an exchange program, Anita Abarenkova (Riga, Latvia) created the stencil typeface Anita PT Light (2013). [Google] [More] ⦿
Designer at ACME in London. Her creations include AF Oneline (1998), a geometric hairline monoline stencil font.
Designer at ACME of AF Video Wall (1998, a gridded pixel font).
Another one of my favorite designers, Anthony James (Manchester, UK) has this license for his refreshing art deco typeface Kaiju (2014): It is absolutely free and can be used for personal or commercial use. Downloads: Bold, Regular. Unfortunately, the free offer lasted only briefy---the font is now retail.
Chase (2014) is a free monoline sans. QG (2014) is a minimalist free typeface. Argö (2014) is a commercial decorative fashion mag didone typeface. The slender ball terminal-laden Global (2014) is also meant for magazine titling.
Goku (2014, +Regular, +Stencil) is a multilingual didone fashion mag typeface, initially designed as a stencil font for the Basel & Geneva Watch Launch Event for Watches of Switzerland.
Giza (2015, +free Stencil) is a fashion mag didone [unfortunately named, as David Berlow's famous Egyptian typeface is also called Giza; after I wrote this in June 2015, I noticed that Giza became Giaza in July 2015], and Kaiju II (2015) is a modern art deco typeface.
Typefaces from 2016: Kingston (a fashion mag typeface derived from didones), Jitzu (a multilingual high-contrast fashion didone in ten styles).
The Bends (2011) is a hairline curly-yet-straight display face. SansGoma (2011) is a hairline slab poster face. Nu Gothic (2011), Nu Modern (2011) and especially Vironica (2011) are fashion mag display typefaces. Neu Nouveau (2011) is a curly art nouveau face. Numera (2011) is an organic fashion mag face. Killoton (2011) is super-fat and beautiful.
Typefaces from 2013: Canada (alchemic).
In 2015, he created a series of posters called Vignelliisms illustrating one-liners by Massimo Vignelli.
UK-based creator (b. 1967) at FontStruct in 2008 of Metal Vampire (athletic lettering meets vampire), Moonbase Tokyo (neat futuristic oriental simulation), Sir Robin's Minstrels (blackletter), Starscraper (techno), Moonmonkey (outline LED font), First.
In 2010, he added the non-FontStruct typefaces Chromium (a great special effect face), Clawripper, Dirty Play, HairyMonster, HairyMonsterSolid, Punched, and Slasha, mostly inspired by blood, guts, and murders. Static Buzz (2010) is a texture face. Newcastle (2010) is a castle-themed alphabet. Blinger (2010) is a star-studded outline face. New York Punk (2010) is grungy. Dinosaurs (2011) is a dingbat face. NUFC Shield (2011) is a shield face. Zombified (2011) and Sound Sample (2012) are grunge typefaces.
In 2013, Robinson published the textured athletic lettering font Robbie Rocketpants, Airlock, Cargo Bay (a great army stencil, with a negative letter option), Dogma (a grungy Lombardic face), and the grungy blackletter typeface Flesh Wound. MDMA (2013) is a halftone simulation texture face. Barbarian (2013) is an alphading typeface on the theme of swords. Camouflage (2013) is a textured typeface. Atheist (2013) is an outline typeface. Power (2013) is inspired by lettering on pwer buttons. Witching Hour (2013) is a halloween font. Dystopian Future (2013) is a grungy typeface. Olde Stencil (2013) is a stenciled blackletter typeface. Anonbats (2013) has scanbats and dingbats related to the famous hacker group Anonymous. Creature Feature (2013) is a slimy typeface. Ka Blamo (2013) is a comic book font. Beer Goggles (2013), Supercreep (2013), KaBoing (2013), Gloop (2013, an oil slick face), Barbarian (2013), Voodoo Vampire (2013) and Ye Olde Oak (2013) are textured typefaces. Anti Everything (2013) is a blood drip typeface. PCB (2013) is a printed circuit board font. Dickensian Christmas (2013) is a decorative Christmas font.
Typefaces from 2014: Spondulix (hacker type), War Wound, Lasso of Truth, Counter Dial.
Typefaces from 2015: English Football Club Badges, Fuzzy Cops, Kick to the Face (oriental simulation).
Typefaces from 2016: Squeal Piggy.
Parisian graphic designer who created the fat stencil typeface Fatty Boom Boom (2014), a project finished during his studies at ESAD Amiens. In 2014, Samy Halim, Antoine Eisensohn and the FontYou team codesigned the haedline typeface Ilya FY, which is characterized by flared stem endings.
During his studies at ESAIG Estienne in Paris, Antoine Elsensohn designed the reversed stress typeface Navigator (2016) under the guidance of Franck Jalleau and Michel Derre.
Designer at FontStruct in 2008 and 2009 of Birka (pixel), Skipper (octagonal), Skipper Stencil (military), Skipper-Modern, Skipper-Slab, Skipper Cap, Skipper Tight, Peteroque (baroque pixel face), Technocrat Cargo (octagonal stencil), Technocrat (octagonal), Retrograde Pix (pixel face), Retrograde Lux (severe octagonal), abstruct, admiral (dot matrix face), glagol, glagol_script_1, marx_1, Admiral (dot matrix), Glagol Rock (constructivist), Retrograde (octagonal/mecahnical), Technocrat (octagonal), WPA Gothic Cyrillic (another poster font), WPA-Gothic-Deco-Cyrillic. Many fonts have Cyrillic letters and/or Cyrillic influences. He made the heavy mechanical slab serif headline typeface Colonial (2010) and the pixelized typeface Skippix (2011, +Mono). Peteroque (2009-2010) are decorated pixel capitals. [Google] [More] ⦿
Antonio J. Morata (Almeria, Spain, b. 1968) is a FontStructor (aka elmoyenique) who used FontStruct to make several modular typefaces starting in 2010. The typeface names start with z. We list them alphabetically:
Mexico City-based designer, with the Latinotype team, of the high-contrast fashion mag headline typeface family Gabriela Stencil (2016), which was inspired by 19th century didones. Behance link. [Google] [MyFonts] [More] ⦿
Antraxja Fonts (or: Atrax)
Antraxja Fonts (or: Atrax) is a (now defunct) Polish foundry which offered these free fonts made by Rafa Brzezinski in 2004: ARTUR, Antraxja Goth 1938 (blackletter), Art (art nouveau), Battlefield (war lettering face), BananaShow-Medium, CrashTest, CrashTestItalic, CrashTestShadow, Cybernetyka (futuristic family), CybernetykaItalic, CybernetykaNormal, CybernetykaOutline, DarkPalladin, History Brush, Kreskwka-Italic, Kreskwka (handwriting), Monster, MonsterShadow, Mortis, Orchidee, Reforma, Returntocastle (gothic), Speed+, Speed+2, Techno, Medusa (blocky lettering), Weronika, Bajareczka, Camilla, Cherif, Top Secret (stencil).
Designer at FontStruct in 2008 of Interest (dot matrix), Order (constructivist), Attica, Continuum (rounded bold), Fairway (+Slab, +Serif), Slant (techno), Cowboy (2008, Western-themed), Lights in the sky, Olymia Bold, Solida (psychedelic), Digi (pixel face), Villa (heavy slab serif) and Olympia Light. In 2009, he added Versional, Crown, Vend, Reed (Slab, Sans, both octagonal), Spaced Out (Bold, Italic, Regular), Jingle, ReMix (kitchen tile), Squire (3d face), Garage Sale (stencil), Signage, Futility (blackletter), Expearemint, Textual, Callout, tweedie, Embolden, Clipped, Economical, Emphasis, Vessel, Honest, Union (+Flat, +Sans, +New), Interest (pixel/dotted face), Venus Sans, Minanim, Diner (rounded), Lights in the Sky (De Stijl-like font), Opine, Charmer (+Inverse), Tweedle, Textual, Solida (ultra round), Slant, Slant, Villa (heavy slab serif), Versional, Vend, Union, Union Sans, Union New Sans, Union New Flat, Paperclip, Poofy, Steel (+Outline: octagonal), Crown, Diner (rounded), Solemn Bold, Solemn, reed Sans Mono (octagonal).
Fonts from 2010: Full Deck (playing card font), Scrollboard, Power Up (piano key face), Groovy Fu, Formality, Union New (+Sans, +Flat), Angle Tutorial, Aurora Light (elliptical monoline sans), Pushpins, Aurora Light, Scrawl (marker face), Evity (a grotesk face), Altipen (upright script).
Fonts from 2011: Obleak (oblique techno face), Likea (a heavy mechanical sans), Uptake (elliptical).
Fonts from 2012: Omit (a bilined stencil face).
Fonts from 2013: Emblazoned.
B.J. Harvey is the Californian designer at Chank's Store of the free "bj's Halloween Fontpak " (4 fonts, 2001). He is working on a ton of other fonts, like Apollo Sans, Motorpsycho, Geek Gothic (a comic book face), Apollo46, Zimmer, Nu Cairo, Sotoflame (2002), Japanasonic, Japanacea, Japanorama, Eurmama (oriental simulation font), Jawa (oriental simulation), SD Police (stencil, not for sale), Rigby, Neopolitik, Metis, Motorpsycho. Opened Apollo26 in July 2002, where you can buy Flame N Skull, DEFCON 1 through 5 (or: Billabong, Special effects, X-Games 23, Von Zipper and Machine). APOLLO26SumoX (2002) is free. [Google] [More] ⦿
German stencil typeface and typographic service outfit located in Hamburg. MyFonts site. Besides Caslon Fina Stencil and Serpentine Stencil (Dick Jensen), the following typefaces or families were made in 1999 by Sigrid Claessens and Günther Flake: Advera Stencil, Stencil Antiqua (1999, by Sigrid Claessens and Günther Flake), Arston Stencil, Chico Stencil, Ferro Stencil, La Pina Stencil, Lasertac Stencil, Reedon Stencil, Rounded Stencil, Walton Stencil, Western Stencil, Glaser Stencil (after a typeface by Milton Glaser), Bank Stencil (1930s typeface of Morris Fuller Benton), Geometric Stencil (originally by Paul Renner), Tea Chest Stencil (after a typeface by Robert Harling, 1939).
MyFonts offers these fonts: Arston Stencil, Caslon Fina Stencil, Reedon Stencil, Western Stencil, Stencil Antiqua, Advera Stencil, Glaser Stencil, Rounded Stencil, Bank Stencil, Tea Chest Stencil, Lasertac Stencil, Geometric Stencil, Walton Stencil, Ferro Stencil, Serpentine Stencil, Chico Stencil, La Pina Stencil, OCR-A AI (Apply Interactive). [Google] [MyFonts] [More] ⦿
aRc (or: Azelea Rodgers Creations)
aRc was established in 2008 by Azelea Rodgers (b. 1974, The Philippines). It is located in Lathrop, CA.
A graduate from Skyline College, she created the alphabet tracing font Kerp (2008) for kids in pre-kindergarten. She also made Rosebud (2008, letters composed of thorny rose stems), Asvet Mono (2009, a playful stencil), Azelea (2009), Edil Script (2010), Laureen (2010, a calm calligraphic script), Alexy (2011, a ribbon script), and Lelet Script (2009).
Architaraz Type is located in Shanghai, China, and Taraz, Kazakhstan. Its type designer, Zhalgas Kassymkulov, was born in 1986 in Kazakhstan. His initial type designs were all done with the help of FontStruct. In 2013, he went commercial as Architaraz Type.
He made a gridded modular typeface called Targeted (2011). Sliced (2011) is a counterless stencil face. Discostructed (sic) (2011) is a texture face. Mono Dot (2011) is a thin dot matrix face. Mono Hor (2011) is a horizontally striped version of it, Mono Ver (2011) a vertically striped version, and Mono Bold (2011) a bold version. Promo (2011) is purely geometric. Semiz (2011) and Semiz Light (experimental) are partly art deco. Audio (2011) is based on the logo of audiojelly. Arro (2011) has letters with arrowed terminals. Hexa (2011) is hexagonal. Happi (2011) is a fat finger face. Semiz Black (2011) is a free fat pixel face.
Creations from 2012: Pearls of Margar, Korgan, Phunni, Carbo, Carbo ii, Lenta, Phunni, Jambul, Extraterrestrial (sci-fi), Rap My Hip-Hop, Armada 1991 (monospaced), Venus (white on black), Garage Garbage (bold avant-garde design), WHAQ, Extra Fontestrial, Algae, A Tasbaqa, Salem (rounded bold typeface), Thaiana Jones, Salem (fat rounded face), Audio 2012, Balapan, Dalmat, Bonn (an art nouveau army stencil face), Mgla, Teris (white on black), Degoratix (curly), Barney Stencil (a fantastic brushy stencil), Lentalicious, Blackway Str, Schengbers (a great piano key stencil family), Tramcar Typo, Mgia, Brushure (a fat curvy display face), Extralien, Serrific Terif, Missinger, Tolkyn, Murt, Twisture, Soliture, Threedure, Antillic, Garage Garbage, Arro, Happi, Schengbergs Hi.
Typefaces from 2013: AT Dombra (psychedelic typeface after Motter Ombra), AT Hoppy (fat letters), AT Liniya (blackboard bold), AT Karagai, Hed Kandi (techno face), AT Traffa Stencil, AT Schema, Naation, AT Nayman, AT Roughin, AT Rooktura Stencil, AT Duba, AT Archistency, AT Liena, AT Bombarda (fat stencil face), AT Sulfur ii, AT Mad Pilot, AT Tasbaqa, Vaia Con Dios, Betaport, Mooltyashka, AT Stincel (a lively stencil font), Millio, Tamshy, Offelia, Jalgas (retro script: a winner in the FontStruct Connected Script Competition), Laffa (connected stencil script), Dlinalys, Diagona, Kitara (psychedelic), Archtitalic, Bonn (bony stencil), Teka 1, Teka 2, Unknownim, Khara (ultra-heavy slab face), Shlab (slab serif), Unknownim (slab serif), Archtalic, Argyn, Linea Runde, Mechatraps (+Plain), Eliksir, Drilliant, Katamaran (art deco), Lagman, Neurojet (experimental), Jazzure (bullet hole display face), Diagon, Aroth, Pharaoh's Delight (piano key / art deco typeface), Cocomi, AT Burshak, AT Sulfur, AT Taspa, AT Affina.
Typefaces from 2014: AT Sudoku (each letter is actually a sudoku puzzle!), AT Tactica (tic tac toe voard), AT Sudoku+, AT Pixtensans, AT Ayna, AT Kerey, AT Giveaway, AT Lagman, AT Asotika, AT Tugan, AT Yertegi, AT Nudgera, AT Diagona, AT Golovkin (stencil typeface named after middleweight boxer Gennady GGG Golovkin), AT Arachis (stencil), AT Tugan (fat rounded sans), AT Baktera, AT Jumpa Jumpa (stencil), AT Nudgera, AT Digitta, AT Archaus, AT Ladya (ball terminal stencil), AT Yin Yang, At Keste, AT Yazyk (rounded stencil), AT Sulfurian (techno stecil), AT Fasten Your Seatbelts (diagonally cut stencil), AT Buckle Up (like AT Fasten Your Seatbelts), AT Droppix, AT Knitka (knitting font), AT Sagat, AT Wild Archid (african theme font), AT Steglo.
Typefaces from 2015: AT Giveaway 4, AT Sherit, AT Ribborn.
Typefaces from 2016: Windows Icon Font, William Shakespears.
Ariel Di Lisio
Mexico City-based designer of the Capricho (2014), a high-contrast didone with an additional stencil style. In 2016, he designed the blackletter typeface Toska One and Lapin Brush. Creative Market link. A newer Creative Market link. [Google] [More] ⦿
Extraordinary Hungarian design talent based in Budapest, 1986-2015. I can't find enough superlatives to describe his work or find appropriate ords to express my sadness when I learned of his death due to a bicycle accident on September 4, 2015. He was best known for his experimental type projects. He published the masterful Ogaki in 2009, the high contrast didone typeface Sensaway Pro (2010, Die Gestalten), the calligraphic Caligo (2013), the freestyle jazz high-contrast typeface Qalto (2012) and the fat counterless Dubwise Pro (2010) at Die Gestalten. Other typefaces include Milen Serif (2009, organic), Minimalstile (2008), Minimalca (2008, organic), Fade Away and Fancy Fence (2009, geometric blackletter), Muzikal (2010), Type #32 (2010).
ARS Type (was ARS Design)
ARS Type is an Amsterdam-based foundry with some commercial fonts by Angus R. Shamal. Shamal had earlier published fonts with T-26 and Plazm. Fonts can be bought via Fontshop.
The fonts: AudioVisual1, Code, Kamp, Kamp Serif, Retro City, OCRU, Toycube, Mortal, Maquette (1999-2000), Angelring, ARS Bembo, Contrast, Dandy, EcologyModern, Hartu (handwriting), Temper, ARS Novelty (2011, a free hybrid style face), ARS Polythene (pixel font family), Misanthry, Syntax (OsF format sans serif), CensorSans (1994), CensorSerif (1994), Credit (1995), Epilogue.pfa (1995), Exert (T-26), Humain-Graphica (1995), Humain-Synthetica (1995), Platrica (1994), Roscent (1995), ARSFortune (2000, futuristic), District (experimental), Descendiaan, Zero Rate (futuristic), Tegel (1998, stencil, kitchen tile), Twenty (octagonal, techno), Trio (dot matrix fonts), Maquette (1999), Region, Product (2007, sans typefaces), Mr Archi, Prime (display), Deviata (unicase face), Forum I-AR (after Forum I, a 1948 font by Georg Trump), Freie Initialen-AR (2007, after a 1928 set of caps for Stempel Garamond), Fry's Ornamented (2007; a revival of Ornamented No. 2 which was cut by Richard Austin for Dr. Edmund Fry in 1796), Graphique-AR (2007; a shadowed typeface based on a 1946 design by Eidenbenz for Haas), Gravur-AR (2007; a digital version of a type designed by Georg Trump and issued as Trump-Gravur by Weber in 1960), Initiales Grecques (after a Firmin Didot design, ca. 1800), Lutetia Open (2007; based on Jan Van Krimpen's Lutetia), Old Face Open (2007; a digitization of Fry's Shaded, an open all caps Baskerville cut by Isaac Moore for Fry, ca. 1788), Open Capitals (2007, after Jan Van Krimpen's 1928 typeface for Enschedé called Open Kapitalen), Romulus Capitals (2007; after the caps series by Jan Van Krimpen, 1931), Romulus Open (2007; after the Open series by Jan Van Krimpen, 1936), Rosart 811 (2007; open caps after Enschedé no. 811 by Rosart), Zentenar Initialen (2007; based on blackletter initials of F.H.E. Schneidler, ca. 1937). [Google] [MyFonts] [More] ⦿
Art deco typefaces by Nick Curtis: I
Art deco typefaces by Nick Curtis: II
Designer in 2008 at FontStruct of the experimental typefaces Gearbox, Gotha (octagonal), Nippon Garden, Labyrinth, Nano (pixel), Machine Script, Plank stencil, Ballistix, San Andreas (recreation of the Grand Theft Auto font), Machina (a macho octagonal heavy face), Electro, Hiro (oriental look), Japanica (oriental look, based on Hiroshi), Mage, Silkscreen Alt (pixel, a modification of Jason Kottke's Silkscreen). [Google] [More] ⦿
Aschwin de Hoog
In 2013, he published the eight-style bold geometric stencil family Skol, and created the custom sans typeface family Matterhorn with Matthew Desmond for Disney. In total, Cina made nine custom typefaces for Disney in 2013.
In 2014, he published the squarish sans family Ramsey.
Typefaces from 2016: YWFT Roamer.
Commercial foundry in Oak View, CA, est. 2011, by Glenn Parsons (b. New York City). Creator of UXB Stencil and its companion UXB Spray in 2011, rough stencil typefaces. He also designed the tattoo typeface Dragon Fang (2011), Sugarbang (2012, comic book style), and the octagonal wedge typeface Spacepod (2012).
Typefaces frrom 2015: Barn Owl (layered eroded wood style).
Astype.de is a German foundry started in 2003 by illustrator and type designer Andreas Seidel (b. 1975). He lives in Cottbus, Germany. Home page. See also here. In 2007, he and Ingo Preuss set up The German Type Foundry. The typefaces:
Typefaces made in in 2008 as thalamic: Hello (connected upright script), Epilogie (blocks), WimSoft (+U/C), Chunk Chip, Konstruct (Russian constructivism face), Sensei Says, FS Tributary, Twotype Font, Urge (fat octagonal), Subliminal, FS United One, The Game of Type, Anaximander Zooom!, Corrupt and Corrupt Ed (piano key stencil fonts), Blueprint, Monomum, Synergy, Insert Coin Italic, Write I Careful, Write I Casual, Write I Dump, Loop UC, Loop LC, Emergic, Prick!, Insert Coins Pixels, Retro Electro, Bubble Lab IJ, Bubble Lab Bang, A Needle Pulling Thread, Send, Scan (IBM logo look), Intermittent and Intermittent Sans (stencil typefaces), Melt x DR and Melt x tDR (dot matrix), Oval x DR and Oval x tDR (original design by theDesignersRepublic for Issey Miyake), On Grid, Indigo (almost blackletter), orange_2 (dot matrix), Scan (horizontal stripes), Bass, Grape (simple pixel face), Nachahmung and Nachahmung Block (fat and extra condensed, Wim Crouwel simulation typefaces), Nachahmung Block Serif, Conjunction, Interjection, Is It, Sangular (nice experiment), Anonon (nails in square letters), Purple and Purple Very (slab serif headline typefaces, pixelized), Arc Echo (biline and strutted), The Question (a fantastic 3d paper fold imitation face), FS Minimal (a fantastic ultra fat decorative face), FS FontStructor, Vibrant (multiline labyrinthine or op-art face), Writ (upright pixel script), Castor, Ooki (octagonal), Industrial, The I Flat, The I, Indiscrete, Analog (connected script), Dent (mechanical), Digital (connected script), Hello Hello, and Sensei Says.
In 2009, he made Clone It, Entwined, C64, Helix, Fontsration, Bent, Stripe Zoo, Dull, Indent (stencil), Quartertined (kitchen tile), Firox, Orfix, A Priori, Ignore, Confused, S-Ookii, Ookii (octagonal), Very Becoming, Crisis Averted, Crisis (neat bold octagonal face), Penmanship, Up All Night, Sleep All Dayi, Chunk Chip, Grayletter (upright script), Soso, Mostly Harmless (textured face), Etched, La Cross, Twotype, Etched Bare, Aught (One, Two, Three), as: Inflate (Pop, Pfft, Puff, Poof), Istic, Very Becoming, Ignore, Ought, Balance, Broken, Dry Flat (dot matrix), La Cross, Etched (+Bare), Fontsration (+Refined: multilined beauties), FS Institutional (fat multiline face), FS Industrial, FS Pixelayers.
Additions in 2010 as thalamic: fs Section, fs Reboot, fs Easy DNA Auto Stencil, fs Institutional (+Ho, +Elements), fs Quartertined, fs Stencil 2.0, fs Rivet, fs Intaglish, fs Dumb Italic, fs Loop Gap, fs GoTeam (stencil), fs ITilic, fs Kerplunk (Startrek face), fs Dumb Italic, fs Ribbon, fs Beringer, fs Ooki Woodcut, fs Croissant (stencil), fs 45 (octagonal stencil), fsXO, fs Pipe, fs Confused Less.
Fonts from 2011 as thalamic: fs Xenon (a paperclip face), fs Instant, fs Twist, fs WIP (blackletter), fs Sparc, fs Reboot (texture face), fs Pod, fs Flute Tune, fs Special, fs Watch Out (stencil), fs Etched Nyle (labyrinthine face), fs No Kerning Required (2011, connected upright script).
Creations in 2012 as thalamic: fs Flip, fs Mom, fs Noise, fs Noise II, fs Junk, fs You Are Here, fs Flash (outlined), FS Easy Too (paperclip face), FS Strict, FS Fix, fs in three (octagonal stencil face), fs Single, fs Wakarimasen, fs r-failed (white on black), fs Permutation X, fs Pan Am, fs Institutional, fs Institutional 2, fs Chunky (counterless), fs Grayletter (textured face), fsXply (op-art).
Creations in 2013 as thalamic: fs So Not Right, fs Grid Urdu (pixel face), fs Not So Right, fs Six Sticks, fs Half (octagonal family), fs Bored, fs Make it Happen, fs Salvage, fs To Be Discarded, fs Connect (stencil), fs Whomp, fs Praxis, fs Fez (3d face), fs Input, fsTramp, fs Five Alive, fs Hote-Zyd (labyrinthine), fs Patterns (Layers, Quarters), fs Five Alive (origami font), fs Go To Sleep (retro speed font), fs Vaerktoj (inspired by the brand identity of Hoejmark Cycles), fs Permutation B, fs Jester, fs Permutation XII (op-art), fs Insatiable, fs Electronic, fs Carbon (a nice chequered face), fs When We Were Young (multiline typeface), fs Shogun Tiny (a lined kitchen tile typeface), fs Optical, fs When We Were Young (multilined), fs Slate, fs Shogun (gridded), fs Iie (+Filled), fs Blocky (dot matrix), fs Thalamic.
Creations in 2014 as thalamic: fs Perhaps, fs Perhaps Perhaps, fs Stability (Turmoil, Flux), fs Industrial (an artsy fat dot matrix face), fs Rehash, fs Ah, fs Curly, fs So, fs Flint, fs ICK (blackboard bold style), fs Wiggle, fs Grid, fs Ah.
Creations from 2015 as thalamic: fs B-Chain (bike chain font), fs Risque (art deco), fs Squangular (Impair, Square, Flair, Pair), fs Oval, fs MIP, fs Flower (kitchen tile face).
Creations as minimum: fs Chips (2014), fs Oh (2014, piano key style), fs Stack (2014, +Overflow), fs llljjj (2014), fs Turn Off The Sun (2014, beveled), fs Zag (2013 textured), fs Zig (2013, textured), fs Mullions (2013), fs The Italic (2013), Gridlock (2009), Mingle Minx (2009), Mingle Co (2009), Mingle (2009, gridded letters), Bevel (2009, 3d beveled family), illiij (2009, multiline family), m.ove.r (2009, multiline family), Grayscale (2009, multiline family), fs Cubed (2010, 3d-face), Bas Relief (2009, 3d face), Silver (2009, 3d face), Tin (2009), Lead (2009), Bevel (2009), Bevel Just (2009), Bevel Just Shadowed (2009), Ceci n'est pas une vague (2009), A Fault in Reality (2009, optical effect font), Blit Slash (2009, experimental), Blit Hack (2009), Dot Dot Hex (2009), Super Black (2009), fs Overlap (2010), fs Fabric (2010, texture font), fs Original (2010), fs Ink Blot (2010), fs Dots and Dashes (2010), fs I Square (2010), fs Squared Up (2010), fs Super Black (2010), fs Unoriginal (2010), fs Minimum (2010, geometric stencil face), fs Pin and Thread (2010, stitching face), fs Shade (2012, 3d face).
FontStructions from 2011: fs Perpetual (dotted line face), fs Slither, fs No Escape, fs Prompt (a DNA-inspired biochemical lab face), fs Plus H (horizontally striped face), fs Arc Test 2:2 (a modular blackboard bold face), fs V Simple (2010, textured face), fs Instant, fs Permutation V, fs Rehash Monoic (labyrinthine), fs Meta (texture face), fs Scroll, fs Scroll Not (stencil).
FontStructions from 2012: fs Translucent (a texture face), fs Bank, fs Shade, fs Confined (white on black), fs Institutional (+Vo, +HeVe, +Ho, +He, +Ve: texture typefaces), fs Bang, fs Random (textured face), fs Random Pattern, fs Lead, fs Tin, fs Silver, fs Tungsten.
Atelier Carvalho Bernau
Kai Bernau (b. 1978) studied graphic design at the University of Applied Sciences Schwabisch Gmünd in Germany before relocating to the Netherlands, where he graduated from the Design & Typography course of the KABK in The Hague in 2005 with his successful Neutral Typeface project. He continued in the KABK's Type and Media Master course where he graduated in 2006. Since 2011, Kai teaches type design in the Master in Art Direction program at ECAL in Lausanne, Switzerland. In 2005, Susana Carvalho and Kai Bernau formed Atelier Carvalho Bernau, which is based in The Hague, The Netherlands.
Atelier Telescopique (Fonderie Nordik)
Fonderie Nordik is a new French foundry in Wasquehal near Lille, which publishes some fonts such as Tomica (2009, a geometric sans done for Wéo Télé Nord Pas de Calais), Le Dixca, Le Cicerond, LaNormal, La Lienne. Founded in 1998 by Xavier Meurice and Sébastien Delobel. Stéphane Meurice and Guillaume Berry are also involved.
Font list: Font list: Scard (2000, Xavier Meurice), Stonehenge, Dixca (free pixel font), Fish, Delory, Lienne (2001, with Delobel), Bizeau, Raoul, La Cidulée, Ader (Xavier Meurice, 2002), Tex (2002, pixel font by Xavier Meurice), Normale (free), PSUS (Xavier Meurisse, 2000), Bépierre, Péro, SV01 (dings), Cicerond (free dot matrix font), Réka (2001, Meurice and Delobel), Nuk, Stéroide, Rosoir (2002, Xavier Meurice, dingbats), Equinox, Acropik, Wazemmes, Kune, Stoneheure (2001, Xavier Meurice), Sphiquesie (Xavier Meurice, 2002, an octagonal font), Nyctalope (2002).
Xavier Meurice participates in the type cooperative Ainsifont in Lille. His typefaces there include:
Designer of these typefaces in 2016: Ikndo (a hand-crafted party font), Fisher, Fisher2, Engin (super-techno), Curly, Cruise, Cookies, Chikle, Aeliron, Alphabet Stencils, Akbaal, Agreloy, Adventure, and Omisans. [Google] [More] ⦿
Design studio in Gijon, Spain. Its designer studied graphic design in Salamanca. Atipo produced the donationware typeface Cassannet in 2012. This beautiful sans typeface is modeled after art deco lettering by Cassandre. It was adjusted and expanded to six styles in 2016 as Cassannet Plus.
In 2012, they published the free twitterware round sans family Bariol, which has its own dedicated web page. This was followed by the wonderful set of icons called Bariol Icons. In 2015, they published the tweetware / donationware rounded typeface family Bariol Serif.
The text typeface Calendas (2011, Paula Gutierrez). Additional weights were custom-made for the magazine Town & Country.
They created a bespoke wayfinding font / icon set for London Luton Airport in 2014.
Typefaces from 2015: Geomanist---I guess the name comed from geometric and humanist. In general, I can't imagine a worse marriage but this one actually works.
Typefaces from 2016: Seville (a custom font for Fitbit Blaze, based on Bariol), Semcon (for the Swedish engineering firm Forsman & Bodenfors).
Typefaces from 2017: Noway (Noway was originally designed as a corporate and signage typeface for London Luton Airport. It has 159 icons and five weights, and is an ideal wayfinding font family).
Atlas Font Foundry
Creators of Novel Mono (2012, Christoph Dünst), Novel Sans (2012), Novel Sans Rounded (2012), and Novel Sans Condensed (2012), Novel Sans Office Pro (2013), Novel Sans Hair Pro (2014), Heimat Sans (2010), Heimat (2010), Heimat Mono (2013), Heimat Stencil (2013), Novel Sans Office Pro (2013), Heimat Didone (2014: a 72-style family of high-contrast didones; some styles should be useful for fashion mags), Heimat Display (2015), Novel Display (2017). The Heimat series is characterized by an inverted tail of the y.
Attak is a two-headed graphic design firm formed in 2004 by Peter Korsman (b. 1982) and Casper Herselman. It is based in 's-Hertogenbosch, The Netherlands. They have some free and some commercial typefaces. Behance link. Their fonts, ca. 2009: AT AK-47, AT Babyfat, AT Blaser, AT Concours, AT Dienstuhr, AT Discipline, AT FFW, AT Helix, AT Hide and Seek, AT Hieronymus, AT Janus Kiep, AT Kerremus, AT Klaxon, AT Korsakopf, AT Litewriter, AT Mepper, AT Mohawk, AT Moker, AT Monoload, AT Muntel, AT Peetroleum, AT Praktikum, AT Promille, AT Ramseier, AT Riot, AT Sirca, AT Sirca alternate, AT Slyper, AT Snotnose, AT Streeep, AT Tabak, AT T'Atteljeej, AT TCB, AT Timeline, AT Trash Bold, AT Willi, AT With Machines, AT Zippora. Notable products: AK-47 simulates Cyrillic; Helix is a stencil face; Muntel and Concours are fat art deco typefaces; Practicum and Tabak are octagonal; Riot leaks blood; Sirca is based on arcs of circles; Streep is a multiline font. I presume that Peter is the main font designer in the team, as he already made fonts as early as 2003 for Burodestruct (see, e.g., BD Burner, BD El Max, BD Sirca, and BD Bardust, downloadable here). A more detailed breakdown per designer:
George Triantafyllakos was born in Thessaloniki, Greece, in 1980. In 2004, he was a PhD student, Department of Informatics, Aristotle University of Thessaloniki. Founder, with Manolis Pratsinakis, of Backpacker. He set up the independent foundry Atypical.
His typefaces at Atypical: Atypical (2014), Burger (2014), Cornelius (2014, art deco), Direct (2014, sans), Donmeh (2016), Friday (2014), JoyD (2015, flared and lapidary), Marx in France (2014), Marx in USA (2014, condensed fashion mag style with teardrops), Monotonous (2014, monoline and monospaced), PhD (2014, squarish), Slab (2014), Vs (2017), Walter (2014, art deco, with Hollow and Stencil styles, and a possibility of layering with patterns).
The students of arts and design at HfG Karlsruhe present their work in 2008: Amoto (Nadja Schoch), Barbarossa (Peter Stahmer: grunge), Cirrus (Antonia Huber: liquid style), Fourty Five Degrees (Emanuel K: octagonal), Hopfen (Martin Borst: display sans), Letrix (Miriam Bauer: modular octagonal), Lokomo (Claudia Kappenberger: experimental), Mayfield Display, Monta (Stefanie Miller), Moto Moto (Piero Glina: octagonal), Nancy (Masa Busic: art deco), Oceanic (Simone Gier: rounded techno), Platine (Lise Naujack: multiline, inspired by chip wiring), Pluk (Simon Roth: poster stencil), Quitt (Marko Greve: experimental multiline), Sophonho (Daniel Schludi: display sans), Vahen (Nicolaz Groll: display sans).
Designer in 2008 at FontStruct of NuGothicA (blackletter), BauForm, DINAMO (mechanical), Magnum (great industrial strength slab serif headline face), Cocoa (rounded and ultra fat), EUROstruct (thin and architectural), Kaotic (graffiti), Weimar (pixel face), Rondo, Rondo Tail, Fabrica (octagonal), Fabrica Rotula (stencil, octagonal), Quadrat, Electrica, Electrica Dots, Fabrica Screen (horizontally striped octagonal face), Block Black, Bloop, Blackwolf, Guru Blackletter (Indic simulation face), Inslab (slab serif), Inslab II, Minima (stencil), Boxer (ultrafat, octagonal), Bloko (nice ultra-fat face), Steel (macho slab serif), Nextar (pixelish but elegant), Simplex, Ulises 7 (+Serif) (pixel typefaces), Digita (kitchen tile) and Block (ultra fat), June Cleaver. See America (2008, octagonal) is an octagonal lettering font that was inspired by a travel poster (WPA, 1936) designed by Jerome Roth. Faces made in 2009: Morgana (a beautiful fat piano key face), Manitoba, Machina (+Slab), Old Monk (uncial), NughoticA Brush, LUBA 8 Lowercase (after Lubalin), Nugothic A (blackletter), Dinamo, Ross (strong mechanical face).
Babushke is a design cooperative in Zagreb that includes Marija Juza [a gradutae of School of Applied Arts and Design, Zagreb, the Faculty of Architecture, Zagreb and the School of Design, Zagreb], who is the codesigner with Nikola Djurek of Balkan (2012, Typonine), a sans / stencil type system for Latin and Cyrillic that was awarded by TDC in 2012.
Babushke created Herbert (2012), which is based on Herbert Bayer's early Bauhaus sketches. It is a low contrast 3-style typeface whose function is to properly align text in blocks.
TDC mentions that Marija lives in Zabok, Croatia.
Babylon Schrift Kontor
Commercial German foundry, est. 2000 by Klaus Bartels (1948-2005). BSK also has on board Wolfgang Talke, Bernd Pillich, and the type experts René Kerfante and Frank Sax. It specializes in major text families, mostly based on fonts from the Berthold collection. Bartels was previously responsible for the digitization of that collection at Berthold, so this is a natural progression. Some amount of renaming of the typefaces seems to have been necessary. Partial list: Adlon Sans BSK, Adlon Serif BSK, Admira BSK, Albion Script BSK, Albion Script 2 BSK, Alte Schwabacher BSK, Ancora BSK, Atlantica BSK, Avenue BSK, Babylon Schreibschrift BSK, Baskerville BSK, Baskerville Text BSK, Bodoni BSK, Bodoni Expert BSK, Bodoni Condensed BSK, Bodoni Text BSK, Bodoni Text Expert BSK, Carissa BSK, Caslon Text BSK, Centra BSK, Champion BSK, Cogita BSK, Elega BSK, Fabiana BSK, Fonica BSK, Francesa BSK, Garamond BSK, Garamond Expert BSK, Herold Reklameschrift BSK, KG privata BSK, KG privata II BSK, KG vera BSK, KG vera II BSK, Lettura BSK, Mirage BSK, Mirage Expert BSK, Mirage New BSK, Pintura BSK, Signal BSK, Standard-Grotesk BSK, Standard-Grotesk Condensed BSK, Standard-Grotesk Extended BSK, Standard-Grotesk Classic BSK, Standard-Grotesk Next BSK, SG Next Condensed BSK, SG Next Extended BSK, SG Next Rounded BSK, SG Next Stencil BSK, SG School BSK, SG School 2 BSK, Story BSK, Supersonic BSK, T & T Form BSK, T & T Form Condensed BSK, T & T Form Ey BSK, Tomos-Antiqua BSK, Tomos-Mediaeval BSK, Trump Tower BSK, Unger Fraktur BSK, Walbaum BSK, Walbaum Expert BSK, Walbaum Fraktur BSK, Walbaum Text BSK. I have no idea what happened after Bartels' death--the page disappeared! [Google] [More] ⦿
George Triantafyllakos was born in Thessaloniki, Greece, in 1980. In 2004, he was a PhD student, Department of Informatics, Aristotle University of Thessaloniki. Founder, with Manolis Pratsinakis, of Backpacker, where one can find free Latin and Greek typefaces: BPLatinNumerals, BPbigHead, BPchildLefty, BPchildFatty, BPchubby, BPchubbyFat, BPdots, BPilialena, BPletterSquares, BPletterSquaresWide, BPmolecules, BPmouse, BPmyhand, BPneon [paperclip face], BPpong [light stencil face], BPsquareHand, BPtall, BP PhD Sans, BP PhD Italic, BP PhD Mono, BP Inktrap, BP Script. These include quite a few handwriting typefaces. Commercial handwriting fonts at Cannibal (2001-2005): BPPallas, BPOlga, BPMaria, BPHaroula. In 2007, he added BP display black, BP mono and BP mono italics, and BP script. In 2008, BPreplay was created as a correction of MgOpenModata. Creations in 2009 and 2010: BPOApeloig, BPScript, BP Typewrite, BP Imperial (think Impact), BP Dots (30 monospaced dot fonts).
He set up the independent foundry Atypical.
Designer of TapeBold (2015, iFontMaker).
Bagel & Co
Japanese foundry that offers these free Latin fonts made by Ryoichi Tsunekawa around 2005: Kiwi (geometric hairline), Bagel (roundish comic book face), Coconut (noisy outline face), Coconut Split, Fresh Tomato (LED simulation), Dried Tomato (LED simulation), Dutch Style, Mocha Harrar (great stencil face), 103 (experimental, Bank Gothic style), Airhead, ArealBlack, Awkward, BagelNew, BagelOld, Banbino, Bebas (2005, industrial sans), Berlin89, Blackout, Built-1970, Bunyan, Busted, Canstop, Chiangmai (Thai simulation face), DBLline, Dijkstra, Dutchstyle, Fling, Graphite, Harcomaso, Hiexplosive, Hitech, Honeycomb (hexagonal), Junkmix, Kanatypo, KemikalHi, Meegoreng, Mikrob, Natsupopy, Overwork, Palsu, Plamo, Plasitico, REC001, REC002, REC003, Resistance, SQRT, STdigi (LED font), Shandy, Superstar, Tembaga, Tenaga, Tomodachi, Tragedia, Trucker, VRdigital, VRembroidery, Welcome2M, Workaholic, Zeebraa, plot-A, plot-K, Appendix 3, Gesso, Pusab, Sushitaro, Typewrong.
Cofounder of Underware (b. Wanssum, The Netherlands, 1976), a typographic design studio based in Den Haag, founded in 1999 by Akiem Helmling and Bas Jacobs. Bas lives in Amsterdam since 2001. He studied at the KABK in Den Haag. Bas Jacobs and Akiem Helmling designed Dolly (2001), a 4-font book typeface with flourishes. The Bukvaraz 2001 award they won for it mentions that Lars de Beer and Sami Kortemäki also had a hand in the font. Dolly A Book Typeface with Flourishes is also a book. Bas also codesigned the other Underware fonts after Doly: Bello, Sauna (2002; +Sauna Mono Pro), Liza (2009), Auto (1, 2 and 3) (2004-2014), Unibody 8 (free) and Fakir. In 2015, Bas Jacobs, Akiem Helmling and Sami Kortemäki published the stencil family Tripper.
Barcelona-based foundry involved in custom font work, est. 2005. Original fonts: Inclusive (2007), Urbanium (2005, a bold display face), Handwritten, Eixample (2008, octagonal and rounded), Screech (2008) and Begyptienne. Modified fonts (or re-fonts in their words) include Le Grand Palais (stencil, for La Force de l'Art, Paris, 2006), BeTV (for a Belgian TV channel), and VijfTV (a modification of Chalet for a Flemish TV station). Their custom types include Atrapalo, Kipling (a fashion mag family done in 2011), STM Montreal (2011, for the Montreal transportation system), Dialogue, Kidswa, Hangar and Costa Design. One of the main collaborators is Joancarles P. Casasín. Behance link. [Google] [More] ⦿
Typographer and graphic designer, who studied typography at ENSAV La Cambre in Brussels.
He created the free web font Karma (2010, Open Font Library), a slab serif face. Caledo (2010) is a narrow hand-printed church face. Pixacaos (2009) is based on Brazilian graffiti. Castles (2010) is an interlocked design font. Nemoy (2010) is geometric. Strato (2010-2012) is a connected signage script.
In 2013, Bastien Sozeau and Jean Gabriel Franchini set up AmoinsB, a free font foundry.
The sans serif typeface family Panamera was published in 2015.
Gifted designer from Lausanne, Switzerland. One of the most talented creators of typefaces with FontStruct.
Typefaces made in 2009: DB72, DBColon, DBPoints Sans, DBCube, and DB13, mostly dot matrix or octagonal fonts.
In 2010, these were followed by db Outline, db Stickers, db Stick, DB Cube New, db MOKI (stencil), db Ciao, db Ticket Light, db 72, DBpoints (dot matrix), DBPoin2, and db Kopix (blackletter), db New Points Italic (dot matrix face).
In 2011, we find dB Stick, dB Sticker, dB Sticker Mono (a monospaced typewriter face), db Prague (fat sans), db Backjumps (an extraordinary fat poster stencil), db Perl, db Perl 1.2 (texture face), db Quarz (2011, +Mix), and db Nox and db Nox II.
Fonts made in 2012: db Como (a simple monospace sans), db Sticker (hairline sans), db Rocko v2 (stencil face), db Today v1 (a beautiful black slab face), db Today v2, db Etroite (2012, in several weights: constructivist), db N3, db Drops (fat counterless face), db Quarz Mix, db Soda, db Klacks, db NQ, db Boxer, db Como (monospaced), db Smoothie (fat stencil face), db Quick Cut (stencil), db Karton (stencil), db Frieda.
Typefaces from 2014: db Darling. db Oh Darling, db Melitta (a fantastic brush emulation typeface), db Sticker T, db Points Sans Oblique (dot matrix font), db Como Splitt, db Quirlo (fat rounded poster typeface), db Quirlo Mix, db Limo (angular angry anthroposophic sans), db Limo N, db Slow (a German expressionist typeface), db Bargo Condensed, db TwoLines (an inline font). [Google] [More] ⦿
Beaufonts offers nice screen fonts and pixel fonts by Cecilia Garside, David Gibson, David Hand, Jonathan Hitchen, John Humphries, Ian Mitchell, Paul Musgrave, Oliver Payne and Simon Vaughan. Free Mac type 1 fonts, often of the pixel type. Fonts: Backstabber, Baseface, Bummer, Default_20PN55C, Disinformacion, FuckingGoodStencil, MissPeaches, Punkt, SansCounter, Suedehead, Swipe, Untiled. [Google] [More] ⦿
Behaviour (was: type behaviour)
Behaviour was founded in 1996 by Anuthin Wongsunkakon and Nirut Krusuansombat in Bangkok. They do graphic design, mainly. Type Behaviour is the font library of Behaviour. Anuthin teaches graphic design at School of Art and Design, Bangkok University and Chulalongkorn University.
Fonts include OCRX, Aspirin, Interviewer, Songothic (1999), Behaviour, Keystonestate, Effectra, Hydrous, Ideologica, Waveeweekend, Matamorphosis, Berlidin. Commercial fonts available at T26 and PsyOps (where he did Hydrous). Also, many dingbats by Nirut Krusuansombat, again without downloads. Custom-made Thai fonts too.
[T-26] designer of Aspirin, Aspirin Advance, Aspirin Refill (hairline), Automate (2008), Behaviour, Berlidin, Carbon, Cellular One, Cellular Two, Cellular three, Coupe, Datum, Dotto, Dotto Deluxe, Effectra, Harbinger, Hydrous (2009, PsyOps and T-26), Ideologica, Interviewer, Keystone State, Labelo Ext, Labelo Rom, Labelo Uni, Metamorphosis, Myers Sans, OCRBe, OCRX, QR-Type, Son Gothic (+New Son Gothic), Wavee Weekend (upright script, Foto (2006, dingbats), Harbinger (2004, stencil), Myers Sans (2005), Aspirin, Carbon (2003, an octagonal font, which reappeared in 2006 as Carbon C6 and in 2008 at Cadson Demak as carbon Plus), Coupe (2006, 4-weight sans family), Labelo (2003, octagonal, +Varsity), Dotto, Dotto Deluxe (2002, dot matrix font), Behaviour, Berlidin (nice serifs), Ideologica (2000), Interviewer, KeystoneState (1999: a license plate font), Metamorphosis, SonGothic, WaveeWeekend (2000), OCRX (2001, T-26), and Effectra (2001, T-26), Cellular-Complete (2002, T-26), POBox (2002, T-26, dingbats of postal imprints), Datum (2002, pixel font), Baked (2007, T-26), Board (2004, T-26), OCR-Be (2006).
Free font: Katan U Kata Way T (Thai font).
Dingbats: Arvaiyava, Bahnpaburut, I'm Icons, Monsoon, Pixxo (pixel-based icons), Prajanbarn, SO-6.
MyFonts sells the athletic lettering fonts Labelo Ext (2007, T-26), Option Sans (2009, T-26), Labelo Varsity and Board Deluxe, Enzyme (2010, Cadson Demak), Amino (2010, Cadson Demak: an organic family).
Typefaces at Katatrad include Ra Bobb Thai (2012, octagonal).
Foundry in München, Germany, run by Adam Bell (b. 1972, Landsberg), who despite his name is a native German. After learning to be a silkscreen printer he studied graphic design in Würzburg. Together with Tanja Kischel and Georg Behringer, he runs a small design agency and shop called Umwerk in München since 2004.
BenBenWorld (or: BB Bureau)
Benoît Bodhuin (aka Ben Ben) lived in Tournai, Belgium, and after a brief spell in "chti" country, i.e., in Villeneuve d'Ascq, France, he relocated to Nantes in France. He studied mathematics and graphic design. Freelance graphic designer since 2004. In 2011, he set up Benben World at MyFonts.
Designer of the pixel fonts Logotix (2004), Latham and 5x7 Negatie Moyenne. In 2010, he made the paperclip face La Pipo, which was published in 2011 by Die Gestalten. He created the commercial angular sans typeface S-L (2006) which was originally made for the University of Arts Saint-Luc in Tournai. It was published by Volcano.
Commercial typefaces include S-L Bold (2012, a hexagonal typeface based on his design at St. Luc in 2006), Zigzag (2012, Volcano Type; a font originally made for the Vivat theater), and Marianne (2012, BenBenWorld: an inline and modular typeface family).
In 2013, he published the stencil / fractured typeface Mineral.
In 2014, he designed the experimental triangle-based Bauhaus-inspired Side A typeface.
French designer of these free typefaces that can be downloaded at Dafont:
Bernardo Faria is a Brazilian designer specialized in logo and editorial designs. In 2014, he and Tony de Marco (Just in Type) created the masculine typeface family Terrorista, and wrote this blurb: Terrorista is a homage to everyone who fought against the Millitary Regime in Brazil from 1964 to 1985. The Terrorista Marighella features generous inktraps, and thus is perfectly suited for small sizes. Terrorista Dilma has the same design as the Marighella, but without inktraps, made for display. The last typeface from the package is Terrorista Lamarca, stencil version. This is the font for the political propaganda machine. [Google] [MyFonts] [More] ⦿
Betterfear.us (or: XXII Fonts, Or Doubletwo Studios)
Lecter Johnson (Betterfear.us) published many free fonts between 2007-2012. At Behance, we find the name John Thorn (Germany) and a mention of Hamburg, but also a reference to Greatwhite in Beirut, Lebanon.
Typefaces: XXII Sinoz DSP (2010-2011, elliptical face), XXII Gory Bastard (2011), XXII BLACKMETAL WARRIOR (2010), XXII Menga (2010, a technical sans family), XXIIARMY (2007, stencil), XXIIDECONSTRUCTION-DESTRUCTION-AREA (2007, grunge), XXIIDONT-MESS-WITH-VIKINGS-HARDCORE (2007, octagonal), XXIISTRAIGHT-ARMY, Army Dirty (grunge stencil), XXIIUltimate-Black-Metal (2007, cracked metal look), XXII Scratch (2007, scratchy face), XXII DEVILS-RIGHT-HAND (hand-printed), XXII BLACK-BLOCK (grunge), XXII MISANTHROPIA (2008, a rigid geometric sans family), XXII Arabian Onenightstand (2008: Arabic or Indic simulation face), XXII Urban Cutouts (2009, grunge), and XXII Static (2007, futuristic).
His web site has a threatening nazi sort of look, but the fonts are (were) free. Betterfear.us claims to be located in St. Pauli, Hamburg, and is also known on MyFonts, where some of its fonts can be bought, as Doubletwo Studios. These include XXII Yonia (rounded script family loaded with opentype features), XXII Goregrinder, XXII Grober Bleistift (2013, marker font), XXII Centar (a sans family with a free regular style), XXII Totenkult (2012), XXII Blackened Wood (2013), XXII Candylove (heavy signage or packaging script), XXII Centars Sans (2012), XXII Daemon Runes (2012), XXII Total Death (2012), XXII HandTypewriter (2012), XXII Daemon (2012), XXII Marker (2011), XXII BLACK BLOCK SERIFA (2008), XXII Mescaline (2009 Western style), XXII Misanthropia (2010, geometric sans), XXII Urban Cutouts (2010), XXII Marker (2011), XXII Blasphema (2011) and XXII STREITKRAFT (2008, a stencil family with grungy versions added). Older list of fonts: Devils Right Hand (blackboard script), Black Block (grunge), Static (techno), Ultimate Blackmetal, Scratch, Don't Mess With Vikings, Army Dirty (grunge stencil), Army Straight, Black Block Eroded.
Typefaces from 2014: XXII YeahScript (signage script).
Typefaces from 2017: XXII InAshes (grungy blackletter).
Klingspor link. Alternate URL. Behance link. Dafont link. Another Behance link. Old URL. Another Dafont link Yet another Behance link. And a final Behance link. Creative Market link. [Google] [MyFonts] [More] ⦿
Brazilian graphic designer and prolific creator of free typefaces, which often combine calligraphy and grunge.
Fonts from 2017: Shine, Carolina Hills, Shave The Whales (tattoo script), Diamonde (baseball script), Yananeska, Black Ball, Miss Hanna (signage script).
Fonts from 2016: Sweet Sensations, Breeze (brush script), Christmas Time (script), Propaganda Sight, Modern Stencil, Eyes Wide Open, Bella Donna, Safira Shine, Heaven Matters, Electricity (fifties script), Maccrap Asphalt (textured), Blockhead Dude (beatnik style), Weekend Flower Hunters, Sunset Clouds (tattoo script), Bikinis, Chedelparedon (scartchy font), Dattermatter (connected script), Granada-Blues (connected script), Mistery-Curse (connected script), Walking-Stones (calligraphic), Moderata, Spring Time (calligraphic), Desert Queen, Marriage Moment (wedding script), Angel Tears Neue, Germanika (blackletter), Great Day, Sunday Morning, Texas Tango (weathered Western font), Stenciled, Casablanca Noir, Brasileirinha, Carioca, Asphaltic Grain, Asphaltic Scratch, Nova Stamp (grungy), Bananas (brush script), Enjoy, Reminiscent Drive, Bananas (signage script), Mandela Script, Altamonte (baseball script), Landscape, Landscape Land, Old Type, Sedex, Good News, IA Type, Satisfaction (heavy creamy signage script), Sebastiana (baseball script), Urgh Type (grunge), Texas Tango (spurred Western font), Factory (textured), Rio Glamour (sans), Like (Italian style Western font), Heaven Gate (connected script), Colt (Western font).
Fonts from 2014: BackStab (metal band blackletter font), Strongbox (concave Western font), Goiabada, Bonesoup, Blanc Chateau (tattoo script), Botas Sujas (grungy letterpress font), Bigbobs (cartoon face), Yukathin N Conte Smile, Sambahollyc, Cherry Jam, Cacha (grunge), Rubber Stamp, Yukafont (hand-printed), Cabriolet (brush script), Sweet Correction Roth (tattoo script).
Fonts from 2011: Tabu, Caribbean Tool (roman caps face), Pijamas (hand-printed 3d outline face), Nova Solid (Nova Regular and Bold are from 2014), Chocolate Dealer, Happy Family (dingbats), Save The Mini, Tosca Zero (grunge), Epidemia (grunge), Skt and Destroy (grunge), High on fire, Manabu, Masterplan, Thrashline (multiline), Triumph Rewind, The Dreamer, Why, Uranium Mafia, Blessed Day, Caribbean Tool (floral caps face), Lost Winner, Dove Love (curly valentine's Day font), Safe Iodine (texture face), Easy Trouble, ArgelFont, BUTECO (sketch font), DIAMONDDUST, Dropping, Ink In The Meat (tattoo font), NORMAL, POPCORN (a great grunge hand-drawn Futura Black), POPCORNSKETCHSKETCH (a sketched face), ROCKETAIR, ShitHappens-Cursive. Panhead (grunge Western face).
Fonts made in 2010: Thrashline, Dotled (a fuzzy texture face), Refurbished, PUNKBABE, CANDYINC, GreenPillow, DIRTYBAGBOLDTRIAL, LEDLIGHT, MAJORGUILTY, Network Vampires, NEWESTTRIAL (Western face), VATOS, Billy Argel Font (calligraphic), ACIDLABEL, BeyondSky-trial, HURTMOLD, TOSCAZERO, TABU (grunge), EASY TROUBLE, BOMBFONT (puffy letters), BILLYARGELFONT (calligraphic), Soap Store (grunge), ANGELTEARS (calligraphic), BUTOXQUEEN-trial, ELECTRICHANDS (cursive hand), FLOWERFLOW-trial, HAPPYFAMILY-TRIAL, HEARTQUAKE (grunge), MSKITOKILLA (grunge), NIGHTSTALKER-TRIAL (grunge), RAINFOREST (handwriting with rough edges), ROADMOVIE, ROSE TATTOO (an outlined hand-printed beauty), TWINPINES (brush), WANNABEME (sketched), WEDDINGNIGHTMAREStrial (calligraphic), BEERNOTE, GREENMIND (grunge), PORNFASHION, MASTERPLAN (grunge), SNIPERSHOT.
Fonts from 2009: COOLECTOR, BODYHUNTER-Bold (grunge), CLUBHAUS-Bold (ultra black, mechanical/octagonal), MAKEMEALPHA (grunge), NewGardenLight, TRIUMPHREWIND (grunge), Nachos and TV, Oxidisaster, Helloween, Lemon Day Semibold (a sketch font), Tosca Zero, Outlaw (Western face), Gangland (scratchy brushy face), B Side (vertical stencil).
Fonts from 2008: Plastic Pill (fat art deco face), Bedspread Assassin, A Bite (grunge), Dirty and Classic (grunge calligraphy), Gas Mask (grunge stencil), PANHEAD (grungy Western billboard font), My Turtle, Cubiculo Gallery (created for the Cubiculo Gallery in Sao Paulo), Ginga (grunge calligraphic--think award-winning grunge!!!), Wallrider, Black-Oak, TOY_SOLDIERS-Bold (grunge), Abite (grunge), ACIDLABEL, Bulldozer, Cheap Stealer, DONOTEXIST, HANGUP (3-d bouncy letters), HYERBA (Far West font), LAZYDAY (hand-printed outline caps face), LEDLIGHT, Mon Bijoux (ornamental), MANABU (futuristic), PEIXEFRITO, Positiv-A, Killed DJ (multiline grunge), Sniper (grunge), Black Oak (smudged face), ShAnKed,
Fonts from 2007: Olho de Boi (a great scratchy handwriting font inspired by the first Brazilian postage stamp which was released on August 1, 1843), Skull TS2 (skull dingbats), REBOARD, Hurtmold (rounded octagonal face), PDRPT (grunge), the Soma family (modern stencil), Caatinga (2006, artsy display face), Santos Dumont (handwriting: free at DaFont).
Bindustries Heavy Metal
Brian McFeely (Bindustries Heavy Metal) is a designer at Fontmonster who is based in Edinburgh. He made Aulden Times, Trident, Rustic Laminate, Unconform and Unconform Round (in which some letters are stenciled).
Swiss foundry which made several (typically Swiss) techno-sans families, such as Regular (originally created by Norm (Dimitri Bruni and Manuel Krebs) as a lucidly structured and fully formulated headline typeface font back in 1999. In 2006 adapted and rounded out by Nik Thoenen to this current version), Relevant (Michael Mischler and Nik Thoenen, 2007; loosely influenced by 'Record Gothic', created by R. Hunter Middleton for the Ludlow Typograph Company in 1927), Areal BL, T-Star Pro, T-Star TW Pro (typewriter face, Michael Mischler, 2002), and Blender Pro (Nik Thoenen, 2002-2009: an octagonal sans face). Catalog (Michael Mischler and Nik Thoenen, 2005) is a serif family. FRAC (Nik Thoenen, 2003) is octagonal. Korpus (2012) is a text family designed by Mika Mischler and Nik Thoenen. It was followed by Korpus Grotesk (2014).
Bionic Type Engineering (or: Bionic Systems)
Malte Haust (b. 1974, Kassel) studied graphic design at FH Duesseldorf from 1995 until 2002. With Doris Fürst, he founded Bionic Systems in 1999 in Duesseldorf, using the nicknames juici (for Doris) and dePhrag2.0 (for Malte).
At T26, he published Kernfusion, SynKro (2000, dot matrix font), Cyberwar (2000), Comsat (2000, a stencil family), Comsat Navy (2000), InterFacer (1998) and Doris Orange (2000, free at Maniackers).
Full font list in 2002: 01.MB Truth, Alphabot, BTEBioterminal family (by Malte Haus), Comsat, Comsat Navy, Comsat Breakdown, Cyberwar, Doris Orange, Interfacer, Kernfusion, Neo Tokio, SynKro, Team Riders, Technik, Überform.
Graphic design student in Kolding, Denmark, who created Ausfahrt (2012), an undernourished monoline stencil typeface that was inspired by the German Autobahn. The next day, he showed us the art deco beauty called Jazz (2012), ingeniously massaging in elements of music notation in the design. Barroom (2012) is a 3d art deco done for an imaginary jazz bar in Denmark.
Blue Typo is owned and run by Erendida Mancilla and Manolo Guerrero since 2000. Manolo Guerrero (San Luis Potosi, Mexico) is the Mexican creator of Deconstructa (2005, grunge), Hybrid Screen (2005), and Optica (2008, an opart or optical illusion texture face). Optica won an award at TDC2 2009 and a grand prize at Tipos Latinos 2010 (in the experimental type category) and can be bought at MyFonts under the Cocijotype label. Optica is a tribute to Colombian artist Omar Rayo's optical art.
FontStructions by him in 2009 include Block 02 (stencil). In 2009, he also made the experimental face MiniBlock (Cocijotype). In 2010, Sticky was published---it is an experimental brick face. Sonotipo (2016) is an experimental typeface co-designed with Alfonso Alba. It won an award at Tipos Latinos 2016.
BNF Type Foundry
BNF (or: Brave New Fonts) Type Foundry was established by Dogu Kaya as a collaborative venue for new designers in Istanbul in 2015. Its initial fonts, all free and made by Dogu Kaya, include Five Pixel (2011), Type02 (2015, constructivist), Type03 (2015, constructivist stencil), and Kollektif (2015, a free low-contrast geometric sans).
Dogu Kaya is a graphic designer in Istanbul, Turkey, who created Oh My Gosh (2011, fat octagonal), Fil (2011, sans display face), Five Pixel (free), Kasa (octagonal and monospaced, seemingly for computer programs), Rounded (a monospaced face), and Horoz Unicase in 2011. In 2015, he created the free geometric sans typeface family Kollektif.
Dave Farey's great essay on the history and implementations of Bodoni. All Bodoni typefaces published today have genetic material from Giambattista Bodoni's original. Below are various implementations:
Polish type designer, b. 1936. Designer at Mecanorma of Glowworm MN, a truly ugly oil slick type family that should be made illegal. He also made Globe 1, 2 and 6 (1979), a shadow font family, and Graph MN, a sans typeface. With Trumpian disregard for ethics, Monotype sells Glowworm without any mention of Zochowski or Mecanorma, and gives a date of 2016.
Editorial and graphic designer in Barcelona, b. 1990, who studied at Elisava in Barcelona (2008-2012), the Cooper Union in New York (2014) and the Typemedia program at KABK, class of 2016.
He designed a macho poster headline face in 2012. His graduation typeface at KABK is Lanka. Lanka uses stencil effects in calligraphy, and is inspired by Francisco Palomares's book Arte nueva de escribir (1776). He produced several stencil and text styles for an attractive and highly original ensemble. Behance link. [Google] [More] ⦿
Bill Bogusky runs the design studio Bogusky 2 in Miami, together with his brother. He created Gonzo Bruno, Gonzo Monza and Gonzo Grosso (2007), Sundial (2006, Trajan lettering), Condo (2006, condensed), Ar Deco 1, 2, 3 and Deep (2006), Technia 1 and 2 (2006, athletic lettering or MICR applications), Sport (2006, dingbats), Macarena (2005: art deco), Zanzibar (2006: decorative), 42nd Street (2005: Broadway style lettering), Boffo (2005), Bronco Rose (2005, Wild West style), Decora (2005), Switchback (2005, a computerish face), Capzule (2005, a condensed black face), Tulip (2005, a decorated stencil face), Kondor (2005), Mah Jongg (2005, with many ornaments), Metro (2005, LCD face), Squircle (2005), Zeke (2005, artsy display font), Baby Blox (2005), Kurly (2005), Pipeline (2005), Dealer's Choice (2005), Stencille (2005), Terra, GogoBig and GogoSquat (were free at FontFreak site), Nouville (2006, art deco sans), Back Fence (2005, comic book face), Gogo Latin (2005, condensed), Zandakas (2006), Ameche Pisa (2005), Gogo Serif (2005), Bolo (2005), Hyline (2005), Compado (2005), Ameche Padua (2005), Tera (2005), Xtera (2005), Tudor New (2005), Boffo (2005), Byline (2005), Decora (2005), Quazar (2005), Grafo Graffiti (2005), Acid Bath (2005), Benz (2005), Hulk (2005). These fonts are now commercial and can be obtained at MyFonts.com. A graduate of the School of Industrial Arts in New York City, he worked as an industrial designer in New York before moving to Miami, FL, where he opened Studio Bogusky 2. Dixie Bogusky designed Esquimaux Graphics (2006). [Google] [MyFonts] [More] ⦿
Typefaces: Capibara (squarish, done in 2007 by van Rosmalen), Feisar (techno), Flex (sans), Nitti (monospaced, done in 2008 by van Rosmalen), Panno (sans, done in 2008 by van Rosmalen), Panno Text (2008-2010, a sans by Van Rosmalen and van der Laan), Naomi (1999), Nitti2 Typewriter (2009, by Van Rosmalen at Caketype), Nitti3 (2011, like Nitti2, but also with monotonic Greek), Nitti Grotesk (2012-2014), Nitti Mostro (2015, +Stencil), Pinup (fat rounded sans, done in 2008 by van Rosmalen), Pixel Package, and Stanley (headline face, done in 2008 by van Rosmalen; includes a stencil).
In 2012, they published the trompe l'oeuil typeface Macula (Jacques Le Bailly).
In 2013, he published Pinup Dotted (a textured typeface) and Oskar. They write: Oskar, designed by Paul van der Laan, is a typeface inspired by Dutch architectural and advertising lettering from the early 20th century. Particularly the style of lettering that was painted on walls and shopfronts, or executed in metal on buildings. This kind of typography did not exist as metal printing types, but was instead painted manually by sign painters, or drawn by architects. Initially the typeface was designed in 2002 for the lettering of a monumental school in The Hague, designed by architect Jan Duiker in 1929.
GE Inspira Sans and Serif (Mike Abbink, Paul van der Laan and Pieter van Rosmalen, Bold Monday) won an award in the TDC 2015 Type Design competition.
Pieter designed custom typefaces for worldwide clients amongst others Agis, Audi, Teldesign, KPN, The government of South Korea (road signing), The Ministry of Transport, Public Works and Water Management (OV Chipcard), USA Today (Futura Today, 2012, with Paul van der Laan), and NBC Universal. For Holland Festival in 2014, Paul Van der Laan designed the stencil typeface HF Stencil (in collaboration with design studio Thonik, Amsterdam, and Diana Ovezea), a design inspired by Glaser Stencil.
Brad O. Nelson
Brain Eaters Font Co.
BrainEaters is Brad O. Nelson's font outfit in Salt Lake City, Utah (formerly in Orem, UT). Current fonts (mostly commercial, some free) include: BEBlob, BECROSS, Bingo Star, BubbleMan, DecayingAlternate, Decaying, EvilOfFrankenstein, PlasmaRain, SinsofRhonda, Witless, Blood Of Dracula (1.1), Blood Feast (1.1), Cat Women of the Moon, Cat Boxed, Channel Tuning, Demon Night (1.2), EddieFisher (1.4) (early 60's beatnik style sharp serif face), EddieFisher's Brothers (1.1), FrankenTOHO (1.1), H-Man (1.2), H-Man Part 2 (1.1), Keep on truckin (2003, psychedelic), Musicals (psychedelic), Psychatronic (2.0), Psychatronic Two Caps, Shiver (1.1), Spooky One (1.1), Stencil Gothic, Two-Face, Strange Planet, UmAbort, Old Witch, Sinister Urge, Haunted Hillbilly, Shiver, Sinbad 7, Trauma, Ghetto Dan, Burn in Hell, Unmanned Mission, Bloodytronic, A Weird Party (curly!), Amhole, BE Marker, Brain Invaders, Cat Women, KuntryHog&Joe, Matchbook, Space Immortalizer, BE Streetwalker, Butch Wax, Oh My Word, A Weird Party, Amhole, Prosy Script, Ramsesfuad, PsychTest, Circusized, Marker Money FW and CV (2005, an irregular hand), Witless (2008), Xerker, Robot Games, Space Blasterm Hyper Drive, Prosy Script, Ramsesfuad, PsychTest, Circusized, Space Immortalizer, Matchbook, Be Streetwilaker, Butch Wax, Oh My Word, Strange Planet, Um Abort, Mysterian, Old Witch, Sinister Urge.
Designer and illustrator at Hatch in San Francisco, who hails from Boerne, TX. His typefaces include Sasquatch (2011, a bilined custom face), and Milk (2011), a very thin slab face. He is working on the multiline typeface Hello (2011), and on the Victorian ornamental typeface San (2011). Flickr link. [Google] [More] ⦿
Icon and logo designer. Creator of two EPS format alphabets in 2010, Geomicons (dingbats) and Papercraft, a paper fold alphabet. Free downloads. Designer in 2008 at FontStruct of FuturaBLKish (Futura Stencil-inspired) and Gobul Arque (Bank Gothic style). [Google] [More] ⦿
Brian Jaramillo Harvey
Graduate of the Art Institute of Pittsburgh and the Academy of Art University in San Francisco, class of 2005. Freelance designer in San Francisco who created the free outlined hipster bitmap typeface EightBit (2015, free) and the race car inspired 12-font family Racer (2016), which as a free Medium subfamily, and various overlay, outlined, and stencil styles. [Google] [More] ⦿
Bric Type is a typography consultant company based in Brazil and The Netherlands, run by Yomar Augusto, who holds a BA in graphic design (University of Rio de Janeiro, 2000) and MA in type design (Type & Media at the Royal Academy of Art in The Hague, 2005). Personal URL. As a Brazilian graphic artist, he has been involved in two Rojo ArtStorm projects. Yomar lives in Rotterdam. At ATypI 2008 in St. Petersburg, he ran an experimental calligraphy workshop called Kalligraphos.
His typefaces include Den Dekker (2006), and the roundish liquid creations such as Virgem, Rejane, Liquida (2002) and Dizain. No downloads. More recent typefaces: Duin (2007, octagonal), REMF (2006, stencil), DC (2007, ultra-fat), Fake Human (2005, script), Jana (2006, unicase), War (2007, octagonal), Fuck Shit Up (2007, stencil), Charlie Dee (2002, hairline stencil), Marina Lima (2002), Lasagna (2008, Re-Type: a fat geometric poster family, produced with the help of Miguel Hernandez). In 2009-2010, he created the Adidas Unity typeface [images: i, ii, iii]. In 2011, he designed the multiline headline typeface Andoverpis. The Dog House Nike (2010) is a custom typeface for The Dog House Athlete center for runners in Amsterdam.
A foundry which made over 500 fonts, mostly in 1998-1999, and seemed to be located in Carlsbad, CA, where Gail Conwell edited their Bright Ideas Magazine at that time. Dafont link. Another URL. Font Squirrel link.
Typefaces in alphabetical order with a few additional fonts mentioned separately later: Abraham, Accumulation, Adderley, Aerosol, Akimbo, Alexander, Amadeus-Regular, Amadeus, Amadeuz, Anderson, Arkitex, Arthur, Ashley, Asphalt, Asphalt'Wicker', Avante, Aztecan, Backlit, Balcony, Banshee, Barbarian, Barnaby, Barney, Beanbag, Bender, Bicycle, Billie, BlackRose, Blanchard, Blazed, Blossom, Bodkin, Bogsley, Boingo, Bonham, Botica, Bradley, Braxton, Brittany, Brownie, Bubbly, Bullwinkle, Bumper, Bunker, Butterscotch, Cajalco, Camelot, Candles, CandlesChrome, Candy, Canterbury, Cappuccino, Capsule, Carbiner, Carousel, Carrington, Carson, Casanova, Catfish, Cathedral, Catnip, Cecily, Ceremony, Challenge, Chamberlain, Chance, Chantilly, Cheetah, Chilled, Chocolate, Chopstick, Chump, Conniption, Corrigan, Corrosion, Crawford, Cyborg, Daffodil, Dakota, Danferno, DantesInferno, Darcie, Daytona, Delineator, Dementia, Diamondhead, Donika, Donnah, Dribble, Einstein, Elizabeth, Energy, Espresso, EspressoBI, FabreseDemi, Fairytale, Fallbrooke, Fiancee, Fido, Fionah, Fontana, Fonture, Fortress, Framed, Frankie, Frazier, Freddy, Frederick, Frizbee, Funhouse, Futana, Gapetto, Gatsby, Gemini, Gershaw, Gobbledygook, Godfrey, Goliath, Gonzales, Gonzo, Gothica, Graphitti, Grasshopper, Grendel, Griffin, Groovy, Habibe, Hannah, Hansel, Haskel, Havisham, Hawthorne, Henderson, Hendrix, Higgins, Highland, Holmes, Horton, Humphry, Hutchinson, Incense, Independence, IndependencefromBrightIdeas, Interpret, Invisible, Jacinda, Jacoby, Jaddarack, Jagger, Jamboe, Jangazoo, Jeremy, Jigsaw, Jokester, Joplin, Joseph, Joshua, Jubilee, Junior, Kaboom, Kamden, Karissa, Katherine, Kaufman, Kayleigh, Kendra, Kennedy, Khaki, KhakiBold, KhakiBoldOblique, KhakiOblique, Khakiripp, Khakiwrink, Kilcher, Killian, Kincade, Kingdom, Kinison, Klinker, Komodo, Kramer, Kromeon, Kryski, Kurrajong, Kyanna, Labrador, Leallie, Leland, Licorice, Limousine, Lindsy, Liquitek, Lockleer, Lockwood, Londonderry, Loyalty, Machine, Maddox, Madman, Magazine, Magellan, Maggie, Magician, Majesty, Malachite, Malone, Mandolin, Margarita, Marilyn, Marley, Marmalade, Marquardt, Martin, Mascara, Masters, McMahon, Mckinsey, Mechanizm, Meddler, Michelle, Milano, Millenium, Moccasin, Mongrel, Monolyth, Monster, Montey, Montoya, Moonstar, Morgan, Morrison, Morteza, Moteefe, Muskrat, Mustard, Napkin, Neolite, Newlywed, Nirvana, Noodles, Nouveau, OldWood, Oliver, Omicron, Pajama, Palooza, Panache, Paperclip, Papercut, Parbuckle, Parkinson, Paschico, Patches, Patriot, Patton, Payton, Pebbles, Pegasus, Perkins, Phantom, Picante, Picasso, Pickles, Pigeon, Pinhead, Pirouette, Platinum, Poodle, Pugsly, Quantum, Quentin, Radford, Ragetta, Ramirez, Rampart, Ramsey, Rapunzel, Rathskeller, Ravage, Ravish, Razor, Rebecca, Recess, Rediculous, Reefrash, Remeus, Revenge, Rhackoon, Rhodes, Ricksha, Riesling, Rockafella, Rockford, Rockola, Romance, Romulus, Rookie, Rutger, Ruxton, SMCChicago, SMCHollywood, SMCMiami, SMCMonteCarlo, SMCPhoenix, Sabien, Sampson, Samurai, Sangrial, Sapphire, Sapporo, Sawyer, Scarab, Scarlet, Scirocco, Scorpio, Scratch, Scrubblack, Scrubbold, Scrubcle, Scrublight, Sebastian, Seymour, Shakah, Shardee, Sheela, Skatty, Sketcher, Skyline, Skywalker, Snoozie, Snowboard, Squared, Stacker, Starsky, Stencil, Stencilla, Stiltskin, Sublime, Sundance, Surkle, Surrender, Swashed, Swingreg., Tagger, Tamarin, Tamborine, Tanner, Tantrum, Tarzana, Taylor, Teriyaki, Thompson, Thrash, Thrust, Tiddwell, Trapeze, Trident, Trinket, TrujillietXtra, Tuolumne, Twinkle, Tybette, Urbana, Vargas, Ventolin, Ventura, Vitrono, Vulmere, Waynne, Weiland, Whitney, Windsong, Winslow, Winton, Wonton, Wookie, Zargon, Ziggie.
Additional fonts not in the list above: Andrew, Boogie, Fracas, Mandrel, Sinclair, Tuxedo, Varsity.
In a 2003 project organized by Jim Richardson of Union Fonts and Max Kisman of Holland Fonts, several typographers are creating and selling their work on a CD for a charitable organization that helps AIDS orphans in Africa. The designers: Jason Arber, Jorge Alderete, Neville Brody (Peace+Love), Lotta Bruhn, Buro Destruct (BDBillDing and BDBillDingLong), David Carson, Cuban Council, Joshua Davis, Fontomas/Dirk Uhlenbrock (Digitalis, DigitalisBold, Kombi, KombiItalic, Oggi), Stephen Kane, Richard Kegler, Max Kisman (the Bfribat and Bfrika families, MundengeRock), Jim Richardson, David Luscombe (Mutenagen), Underware.nl, YouWorkForThem (RiblahBold, RiblahLight, RiblahRegular), John Hersey (helped with the Christmas dingbat font), Erik Spiekermann (helped with the Christmas dingbat face), Sacred Nipple (Brode Vosloo designed Afrodisiac, IAlfabhethi, IZulu, IZuluOutline, MrCVJoint, PleineStr, Rural (a stencil face), the ShoeRepairs family, StarSalon), Thirstype, Claudio Piccinini, Providence Type (Jack Armstrong), Stefan Gandl/Neubau Berlin (NBBlock, NBFett), Marcus McCallion/UNDT (ProfitofDoomLozenge, ProfitofDoomPills. ProfitofDoomSuppository), Pierre Di Sciullo (Aligourane in these weights: Contour, Noir, Orner, Leger and Etroit; Amanar in these weights: Condense, Decor, Demigras, Noir), Neil Summerour (TrussLight, TrussLightOblique, Identikal (B4Plain), P22 (P22 Snowflakes). Many helped providing dings for the Chrimbobat Xmas dingbat font. In 2005, they are publishing a special Tsunami edition of their magazine. [Google] [More] ⦿
Design coopertive in London. They created the brass stencil typeface Frank in 2015, and published it at Milieu Grotesque: Frank is a limited edition typeface designed by Bunch and Alberto Hernandez. It was created especially for the rebranding of Cerovski, a print production studio, in 2013, then developed into a commercial full character set by Milieu Grotesque. [Google] [More] ⦿
Bureau 205 (was: Trafik)
Damien Gautier (b. 1971) studied typography in the Atelier de création typographique at l'Ecole Estienne, Paris. He co-founded Trafik, a type studio in Lyon.
At Typotek, he designed LeQuincaillerie (fifties font, 2000), LeMenuiserie (2000), LeConfiserie (2000, an electronic panel font), LeConfiserie Couleur, L'ekran Dix (a pixel font), LeBoucherie-Ornament (2000), LeBeaune (1995-2011, a flared roman lettering typeface created at first for the town of Beaune in Burgundy), Alcala (1994).
For Salomon (the ski company brand font), Damien Gautier received a Trophée d'Or nomination at the Integraphic Congress in Paris in 2003.
MyFonts, where his foundry is called Trafik, and then Damien Gautier, then "205", Editions 205, and finally Bureau 205, sells these typefaces: Colonel (stencil), Laikran (pixel family), Le Bazar, Le Beaune, Le Chaufferie, Le Confiserie, Le Confiserie Couleur, Le Gendarmerie, Le Menuiserie, Le Quincaillerie, Pam (2005, counterless), Plaak (2013-2014, a large sans caps family inspired by French street name signs; codesigned with Olivier Raimbaud and Correntin Noyer), Robin (2010, a dingbat typeface with arrows, codesigned with Delphine Sigonney). In 2010, Gautier created Caporal (an elegant clean stencil face), Le Francois (a set of stylish capitals).
In 2009, Damien Gautier designed Bloo (a wedge-serifed typeface). Salomon is a corporate typeface family.
Typefaces of Damien Gautier and Quentin Margat in 2010: Amiral (cargo stencil), Alcala (started in 1994, finished in 2010, this text family is based on renaissance forms and was used to print a Bible).
With Quentin Margat, he created some typefaces in 2011 such as Maax (an information design sans family), Norr (styles include a didone, a slab serif, and two sanses), Colonel, and Beretta (dot matrix family).
Burghal Design (Tujunga, CA) offers commercial "fonts for the complacent middle class" by Kate Peters (b. California, 1964). She describes herself as a former punk rock photographer, model, photo assistant and Jesus of the Week, who began designing fonts in 1998 as an alternative, drug-free therapy for obsessive compulsive disorder.
A partial list of her fonts: Vamp Trilogy, PsychoVamp, Monkeywrench, Vamp (great!), Stemplate, Prick, BabyDoll (curly letters), Fauntleroy (2007, based on BabyDoll), Crania (2003, the ultimate skulls dingbat font), Graffiti Alphabet Letters (with Leslie Cabarga, based on letters found on New York City's walls), Peace (2003, peace symbol embedded in the letters; an anti-Iraq war tribute; see also here), SissyBoy (curly letters), Neutrinos, Hemingway's Shotgun (1999, hand-printed), Huevo Loco (neat!), Crosshair (1999, phenomenal idea), Burgbats, Burghal Babies, SissyBoy (2001, Bitstream), Stemplate (2001, Burghal, a stencil font), Smarty Pants (+ Bold, Super Bold, Doodles, Snowflakes, made in 2004).
burodestruct (or: Typedifferent.com)
Lorenz Lopetz Gianfreda's foundry in Bern, Switzerland, est. 1994, called Burodestruct and Typedifferent.com.
Free fonts include(d) the gorgeous GalaQuadra (by Angela Pestalozzi, 1999), Eject Katakana (1998), Dippex (1995, grunge font), Ticket (1995), Rocket 70 (1996), Ratterbit (1995, pixel font), Plakatbau (1995), Lodel Fizler (1996), Flossy (1995), Faxer (1995), Console Remix (1998), Cravt (1998, by "Katrin"), Stereotype (1998, by M. Brunner), Brockelmann (1995, free), Kristallo (1997, very original display face) and Billiet (1996).
Other fonts: Acidboyz (1998), Alustar (1999), BD Asciimax (1999, ascii art font), BD Billding, Bdr_mono (1999), Brick (1996, like Kalendar), Cluster (1996), Console (1997), Doomed (1998), Eject (1998), Electrobazar (1995), Elside (1995), Globus (1996), Fazer (1996), Lofi (1997), Medled (1995), Paccer (1995), Solaris (1998), Spicyfruits_brush_rmx (1998, a nice high-contrast face), Spicyfruits_rmx, Wurst (free, by Heiwid, 2000), Relaunch (2000), Relaunch Katakana (2000, free), Rainbow (2000), DeLaFrance (2000, free, by Heiwid), Electronic Plastic (2000), Colonius (2001), Cash (2001), Cashbox (2001), Bilding (2001), Meter (2001), Mustang (2001), Bankwell (2001), BD Alm (2001), Balduin (2001), Tatami (2001, oriental look font), Hexades (2001, free), Nippori (2002, techno), Jura (2002), Bonbon (2002, free), Band (2002, free), Navyseals (2002, kitchen tile font), Ritmic (2002), BDR Mono (1999, OCR-like font), Mann (2003, ultra fat stencil), Aroma (2003), Zenith (2003), Nebraska (2003), BD Equipment (2004), BD El Autobus (2004), BD Unexpected (2004), BD Wakarimasu (2004, free kana face), BD Bernebeats (2004, futuristic), BD Deckard (2004), BD Spinner (2004), BD Victoria (2004), BD Designer (2004), BD Kalinka (2005, a curly ultra-fat display face), BD Equipment (2004), BD El Autobus (2004), BD Unexpected (2004), BD Varicolor (2005, stencil), BD Chantilly (2005), BD Memory (2005), BD Emerald (2005, beveled), BD Kalinka (2005, Cyrillic simulation), BD Extrwurst (2005), BD Aquatico (2005), BD Mandarin (2005), BD Polo (2005), BD Beans (2005), BD Tiny (2005, pixel face), BD Times New Digital (2006), BD Panzer (2006), BD Jupiter, BD Jupiter Stencil (2006), BD Pipe (2006), BDR Mono 2006 (2006), BD Fimo Outline (2007, free, by Nathalie Birkle), BD Bermuda (2007, experimental and geometric), BD Smoker (2007, psychedelic), BD Radiogram (2007), BD Mother (2007, exaggerated black Egyptian), BD Fimo Regular (2007, free), BD Demon (2007), BD Reithalle (2007, free), BD Halfpipe (2007, free), BD Broadband (2008, free; not to be confused with the much older fonts BroadbandICG or FLOP Design's Broadband), BD Viewmaster and BD Viewmaster Neon (2008), BD Electrobazaar (2008), BD Motra (2008, stencil), BD Virtual (2008), BD Spacy 125 (2008), BD AsciiMax, BD ElAutobus (2004), BD Equipment (2004), BD Ramen (2003), BD Retrocentric (2009), BDR A3MIK (2009, virile Latin and Cyrillic slab), BD HitBit (2009), BD Unicorse (2010, unicase and techno), BD Telegraph (2011), BD Schablone (2012, stencil face), BD Pankow (2013, stencil), BD Algebra (2014), BD Hiragana Kuro (2014), BD Qualle (2014, a fat poster typeface), BD Tribler (2015, a tribal font). <>Alphabetical listing of their pre-2015 free typefaces: Algebra, Alm, Apotheke, AsciiMax, Baldrian, Band, Bankwell, Bardust, Beans, Billding, Billiet, Bonbon, Brockelmann, Burner, Cash, Cashbox, Chantilly, Circo, Console, Console Remix, Cravt, Delafrance, Designer, Destination, Dippex, Eject Katakana, ElAutobus, Elmax, Elside, Equipment, Faxer, Fazer, Fimo, Flossy, Fluke, Galaquadra, Geminis, Halfpipe, Hexades, Hiragana Kuro, Jayn Fonta, Kristallo, Lodelfizler, Lofi, Medled, Meter, Mustang, Outline, Paccer, Pipe, Plakatbau, Plankton, Polo, Ragout, Ramen, Ratterbit, Reithalle, Relaunch, Relaunch Ktna, Rocket70, Sirca, Sirca Rmx, Solaris, Spacy125, Spicyfruits, Spinner, Stella, Stencler, Stereotype, Ticket, Times New Digital, TinyFont, Tribler, Unfold, Wakarimasu.
Alphabetical listing of their pre-2015 commercial typefaces: A3mik, Acidboyz, Alustar, Aquatico, Aroma, Balduin, BDR Mono 2006, Bermuda, Bernebeats, Breakbeat, Brick, Broadband, Calamares, Central, Cluster (Corporate), Colonius, Deckard, Demon, Discount, Doomed, Edding850, Eject, Electrobazar 2008, Electronicplastic, Elk, Emerald, Endless, Extrawurst, Fontabello, Globus, Good Wood, Hell, Hitbit, Jupiter, Jura, Kalinka, Kameron, Kinski, Las Palmas, Mandarin, Mann, Memory, Mother, Motra, Naranino, Navyseals, Nebraska, Nippori, Nokio, Orlando, Pankow, Panzer, Qualle, Radiogram, Rainbow, Retrocentric, Ritmic, Robotron, Schablone, Showlong, Smoker, St.Moritz, Stalker, Stonehenge, Sweethome, Tatami, Telegraph, Unexpected, Unicorse, Varicolor, Victoria, Viewmaster, Virtual, Wotka, Wurst, Wurst Directors Cut, Zenith.
In 2015, Gianfreda designed BD Barbeaux (a condensed typeface with the fashionable chic of the French art nouveau or film noir).
Typefaces from 2016: BD Kickrom Mono (LED emulation type).
Brand and digital design agency in Coimbra, Portugal, est. 2005. Behance link. In 2015, they published the semi-stencil bilined typeface Nomada (by Bruno Rodrigues), and a set of icons called Building Pictogram. Behance link. [Google] [More] ⦿
Cabrera Typo in Ciudad Valles, Mexico, is the experimental free font outfit of graphic designer Alejandro Cabrera Avila, b. 1970. Creator of CT Pro Lamina (2009, heavy octagonal fare) and CT Aztech (2008, pixel face). Dafont page. All his fonts have been made with FontStruct, where he is known as superhuasteco. Ring (2010) is a lucha libre poster font. Creator in 2008 of aztech (pixel face). Aka superhuasteco. In 2009, he added Pro Lamina (bold octagonal), Pro Lamina 2 (a stencil version), Pro Lamina Segmentada (stencil), Pro Lamina Stencil, Huaxteca (pixel), Texteca (pixel face), Kroma (sturdy), Kromix (+Black), and the Kromos family (Franklin Gothic style). In 2010, he created the lucha libre poster font Ring, and the pixel typefaces Pro Lamina TNR Pix, Jorongo, Aztechno, Aztech and Yarda Px. The squarish condensed typeface Pole was added in 2011.
Dan Haag-based Dutch foundry, est. 2004 by Pieter van Rosmalen, who before that designed fonts for GarageFonts and Typotheque. He studied design and advertising at Sint Lucas in Boxtel (The Netherlands) and type design and typography at the postgratuate course Type & Media at the Royal Academy of Arts in The Hague (The Netherlands). For the CakeType library he designed CKTP Alterego, CKTP Capibara Classic, CKTP Capone (6-weight grotesque), and CKTP Pixie. Cake Type is involved in custom and commercial typefaces. Emma is a custom family. Dutchman (b. Eindhoven, 1969, living in Den Haag) Pieter van Rosmalen's fonts are mostly of the pixel type and are sold at Garagefonts: Ministeck (2000, pixel font), Dotted Weekend (1999), Get Back (1999), Martian Telex (1999, dotted pixel font), Monster Droppings (1999), Naomi (1999, hand-printed), Nice Weekend (1999), Novella (1998-1999, rounded octagonal face), Porno (1999), Thomas (2000), Rough Weekend (1999), Adore (thin typewriter font), First Street Left, Moved, Passenger (pixel font), Rebel Mono (2000), Shop (arcade game pixel font), Underscore (stitch pixel font), Archive (2000), Ravensburger (2000), Rebel (2000), Adore (2001), FirstStreetLeft (2001), Moved (2001), Passenger (2001), Shop (2001), Underscore (2001), Weekend Web (2002), Archive (2003), Capibara (2003), Melvin (2003), Epos (2003). At Phil's Fonts, Alter Ego, Capone, Capone Poster (stencil), Galaxy and Pixie (+Mono, Narrow, Script), all made in 2005. In 2008, van Rosmalen made Nitti (monospaced; followed in 2009 by Nitti Typewriter), Panno (sans) and Pinup (fat rounded sans). In 2009, they published the non-connected hand-printed Aniek. In 2009, he and Paul van der Laan created Audi Type (via MetaDesign), which replaces the old Univers-based Audi Sans.
Based in Steenvoorde, France. Designer of the free font KM Standard TT (2014, OFL) during a course at ERG in Brussels. This typeface is based on Alexey Kryukov's Old Standard TT (2006-2008). It is a bold didone family for Latin, Cyrillic and Greek with small stencil cuts in the Latin section.
Foundry in Canada, est. 2004 by Rebecca Alaccari in Toronto, and run by her and Patrick Griffin. Interview with Rebecca. Her typefaces can be bought via MyFonts: Storyville (2015, a curly script), Centennial Script (2007, a revival of an 1874-1876 high-contrast calligraphic script by Hermann Ihlenburg), Valet (2006, superb art deco face), Freco (2006, an art deco typeface loosely based on designs and letters of Fré Cohen), Silk Script (2006, based on 1956 Helmut Matheis script called Primadonna), Dominion (2006, based on an early 1970s film type called Lampoon), Johnny (2006, an art nouveau poster typeface that revives the Harem/Margit typeface by Phil Martin, 1969), Guillotine (2007), Mayfair (2006, a calligraphic typeface based on Mayfair Cursive by Middleton, 1932), Happy Birthday (2006, script), Geronimo (2005, brush style poster font), Rostrum (2005, a revival and expansion of a type called Oleander, designed in 1938 by Julius Kirn for the Genzsch&Heyse foundry in Hamburg), Apricot (2005; based on A.R. Bosco's Romany for ATF, 1934, but a major extension with many ligatures), Heathen (2005), Cougar (2004, a digital version of Martin Wilke's 1968 handwriting typeface Konzept), Puma (2004, brush typeface based on Herbert Thannhaeuser's 1954 Kurier), Big Brush (brush), Diva (connected script), Odette (high ascender display typeface after the Morris Benton 1918 American classic, Announcement Roman), Crucifix (2004, a severe octagonal face), Fore (2004, a bullethole face), Formula, Gamer (2004), Formula (2004), Kofi, Platoon (2004, a stencil face), Verso (2004), Secret Scrypt (2004, a handwriting face), Bluebeard (2004, blackletter by Patrick Griffin), Bolero (2004), Janice (2004, psychedelic), Jimi (2004, also psychedelic), Scroll (2004), Dominique (2004, upright script), Moxie (2004, a fat display family which includes a stencil), StockA (2004), StockB (2004, a fat stencil face), Stalker (2004, a destructionist face), Scroll (2004), Jonah (2005, a hippie typeface based on an early 1970s film type from Franklin Photolettering called Urban). MyFonts page. Phil Rutter and Patrick Griffin made Coffee Script (2004), the digital version of R. Middleton's Wave design for the Ludlow foundry, circa 1962. Phil Rutter and Rebecca Alaccari designed Almanac (2004), a script typeface based on Imre Reiner's London Script (1957) (and Rebecca did a subsequent redigitization in 2007 that led to Reiner Hand), Tiger Script (2004, based on Georg Trump's wild brush script Jaguar done in 1967 for C. E. Weber), and Ali Baba (2004), an Arabic simulation typeface originally designed by Georg Trump as Palomba (1955, C.E. Weber foundry). Patrick Griffin made Leather (2005, after Imre Reiner's 1933 blackletter face), Secret Scrypt (2005), Skullbats (2005), Slang (2004, a blood scratch face), Bluebeard (2004), Expo (2004, an octagonal family), and Dancebats (2004). Simone Wilkie designed Boyscout (2004) after the handwriting of her son. Helmut Matheis' Contact (1963, flowing script/brush) was digitized by Rebecca in 2004 as Bruschetta. Rebecca also made Steiner Special (2007, a revival of Swing, a film type by Peter Steiner, 1974), Genesis (2007, a digitization and extension of Grayda, a 1939 calligraphic script of Frank H. Riley at ATF), Evolver (2006, futuristic family), Redwood (2007, a calligraphic script based on Willard T. Sniffin's Raleigh Cursive (1929, ATF)), Orotund (2005, after the 1970s typeface Eight Ball; this was extended again in 2006 in her art nouveau typeface Huckleberry, which is a revival of the 1973 typeface of Gustav Jaeger called Mark Twain), Pendulum (2005, a fantastic flowing script based on Nebiolo's Americana, 1945), Jojo (2005, a flower child typeface after Spring, by Bernard Jacquet), Mascara (2004), Gala (2004, after Neon (1935, Giulio da Milano at Nebiolo)) and Bella Donna (2004, after a script made by Alessandro Butti in 1948, called Rondine).
Typefaces made in 2005: Jazz Gothic (Patrick Griffin), Showboat, Hunter (a revival of Imre Reiner's brush script Mustang, 1956), Quanta (stencil), Quiller (a script typeface based on J.J. Sierke's 1964 typeface Privat), Rhino (revival of Mobil, a 1960 typeface by Helmut Matheis for Ludwig&Mayer), Dominique (donated to FontAid), Secret Scrypt (donated to FontAid), Jackpot (2005, Western typeface remotely based on Cooper Playbill which in turn is related to Cooper Black, but it also has hippy 1968 influences), Sincerely (handwriting typeface based on Karlgeorg Hoefer's 1968 Elegance), Fontella (a digitization of Novarese's calligraphic script Elite), Boondock (digitization of Imre Reiner's Bazaar from 1956), Gumball (digitization of Papageno, a 1958 bubblegum font by Richard Weber for Bauer), Runway, Gamer, Dominique (OpenType handwriting face), Sterling Script (2005, by Alaccari and Griffin: a 7-weight digitization and extension of Stephenson Blake's 1952 clean copperplate script Youthline Script), Vox (2007, a 24-style monoline sans family done with Patrick Griffin), Vox Round (2013, a softer version), Swan Song (2006: a calligraphic typeface based on the hand of Alexander Nesbitt. A later document states that it is based on work by British artist Rachel Yallop from 1986), Evolver (2006, a 4-style futuristic family), Ambassador Script (2007, an Alaccari-Griffin revival of the angle-reduced calligraphic script Juliet by Nebiolo, 1955).
In 2005, Philip Bouwsma joined Canada Type, and designed a great calligraphic blackletter-inspired family, Torquemada. He designed many other typefaces for Canada Type in subsequent years.
VIP (2007, Rebeca Alaccari) is a humanist sans serif uppercase (and figures) combined with a freshly redrawn revival of the classic VGC Constanze initials originally designed by Harry Brodjian in 1970, and even further back, the Constanze Initials by Joachim Romann (1954-1956, Stempel). Chopper (2007, by Rebecca Alaccari) is a revival of Venture (a 1972 typeface for VGC by Harry Villhardt). Walter (2007, Rebecca Alaccari) is a digitization of Heritage (1952, ATF, a calligraphic script by Walter H. McKay). Celebrity (2007, Rebecca Alaccari) revives and extends the retro/techno typeface Latus (Willy Wirtz, 1971). Sympathique (2008, Alaccari) is an ultra-thin and ultra-tall typeface in the mold of Bernhard Fashion and other era poster or film typefaces (they say that it is rooted in the film typefaces Hairstreak and Mossman). Mullen Hand (2008) is a revival of Repro Script (1953, Jerry Mullen, ATF).
Andrew Fitzsimon of Canonical Ltd created the font used in the logo of Ubuntu called Ubuntu-Title in 2005. Free download of this VAG Round type font. Free software supporter who created the spray-paint font Road Stencil (2008) as part of the Open Font Library. Open Font Library link. Font Squirrel link. [Google] [More] ⦿
Caoca Studio (or: Heroglyphs)
Bandung, Indonesia-based designer of these typefaces in 2017: Baker Sweet, Avocados.
Typefaces from 2016: Ineffable (regular and grunge), Saqanone, Salmonberry, Huckleberries, Mongli (a sharp-edged sans), Retros (inline), Andrade (brush style), Amecas (squarish), Queenata (signage script), Ranania (script), Paradise (calligraphic), Valery, The Mastiff, Little Edelweiss (curly informal typeface), Loverstruck, Calamandria, Pulsate (stencil), Peanut, Sedalia, Delaboean, Rhapsody (blackletter), Chiqarine (connected script), Berretti (a Broadway style art deco typeface), Cupello Sons (a geometric serif), Quella (brush script), Hello Alpha, Historia, Desmosedici. In 2014, during her studies in Bandung, Indonesia, Olivia Theresa created the frilly ornamental caps typeface Sambasa (2014), which was designed on a Georgia skeleton.
List of typefaces made before 2005: CIA, Cosmo-Pluto, Cosmo-Saturn, Elvis in Stereo, Moskow Has A Plan, Dr. No, Play-Real, Play-Roman, Play-Script, Play-Dynamic, Play-Wild, Sensuell, Viva Las Vegas. Free fonts: Address Unknown (Raymond Breukelmans), CA Traktor, CA Aircona, Aircona Shadow, Aircona Fill, No Dr. Tall, KissKissBangBang, GingerMint, Stardust, Texas Funeral, Strongman, Aires, Alternative3, AfterMidnightSaleJunk, Koenigsbrueck. In 2004, they designed CA Spy Royal (Thomas Schostok). CA Magic Hour (Stefan Claudius), CA Geheimagent (Stefan Claudius), CA Trasher (Thomas Schostok), CA No Dr. (Thomas Schostok), CA Prologue (Stefan Claudius).
In 2005, they published CA Magic Hour Shadow (free font by Stefan Claudius), and CA Zaracusa (a sans by Stefan Claudius). Still in 2005, we have new free fonts by Stefanie Koerner: CA Dater, CA Fusion, and CA Scribb. The commercial fonts of 2005 include CA BND, CA Wolkenfluff (a creamy sans with a stencil, a gloss (bubblegum), and a trash style), CA Emeralda (a script face), CA Blitzkrieg pop, CA 12C13C, CA Monodon (+Ultra), and CA Pussy Galore.
In 2006, they added CA After Midnight Sale (free, by Schostok), CA Boiled Beef (free), C.I.A. (original design from 1999 by Thomas Schostok), Dekoria (a saloon font by Stefan Claudius), CA Subbacultcha (dingbats) and CA Zaracusa (a sans family by Stefan Claudius).
In 2007, CAPartyRebel, CARebelParty (both comic book style fonts), CA BND Trash (grunge), CA Kink (Thomas Schostok), CA Uruguay (Thomas Schostok, a lettering for a revolution with huge ink traps), CA Coronado, CA Plushy (free brush script by Stefan Claudius) and CA Fragile were added.
The harvest from 2009: CA Cula, CA Cula Superfat, CA Gothique Superfat, the grunge pack (including CA Nars 1,2,3,X, CA Trasher), CA Misfit (by Stefanie Koerner).
Fonts from 2010: CA Normal (grotesque sans, Stefan Claudius), CA Sivle (Elvis backwards: a grunge look, but made based on circular and rectangular overlaid grids; free).
Fonts from 2011: CA Normal Serif (by Stefan Claudius).
Fonts from 2013: CA Postal (Stefan Claudius).
Typefaces from 2016: CA Fourty Open (blackboard bold style).
Typefaces from 2017: CA Coronado (a painted layerable all caps poster typeface with western influences).
Barcelona-based graphic designer. Creator of the Baille simulation typeface called Braille (1999, Garcia Fonts), the child's handwriting typeface Loreakop (1995, Garcia Fonts) and the funky display typeface Calypso (1997). Uses the artistic alias Txarly Brown. He also made the Kafkaesque caps typeface Vertigo (1996, Garcia Fonts), the stunning stencil typeface Floridax (1997) and the oriental simulation font NinjaType (1995, Garcia Fonts). [Google] [More] ⦿
Palma de Mallorca, Spain-based designer of the text typeface Thoreau (2015) and the piano key Bauhaus stencil typeface Gehape (2015). In 2016, he designed the sans typeface Palo. Behance link. Home page. [Google] [More] ⦿
Carlos Fabián Camargo Guerrero
Venezuelan graphic and type designer (b. San Cristóbal, Estado Táchira, Venezuela, 1977). He studied Graphic Design between 1995 and 1998 in the Instituto Universitario de Tecnología Antonio José de Sucre (IUTAJS) Extensión Mérida, Venezuela. He runs the design studio Andinistas in Bogotá, Colombia, which he set up in 1998 with a few others. Creator of the beautiful typeface Cazon (1999-2007, a grunge script in 7 styles that includes Gris, Negra, Uno, Dos, Tres, Dingbats A and B) and of Escuadra (2003), Biologia (2003), Denedo (2003; the discussion by typophiles centers around how interesting this 3d font is experimentally---a bit like the type version of M.C. Escher's drawings, full of impossibilities), Modelia (2006), Nikona and Nikona Dual (2006, octagonal, with Rafael Rincón), Avecedario, Btamax (1999-2008, comic book style and grunge), Día D, Nativa, Codiga Icons (dingbats), Codiga (1999-2007, an 8-style octagonal family including Codiga Stencil and Codiga Dingbats), Codiga Pura (octagonal face), Pepelepu, Gancho petare, Guerrilla, and Hirofórmica (grunge). His calligraphic script family Panamericana (2007) comes in many grungy and experimental flavors: Blanca, Gris, Negra, Uno, Dos, Tres, Cuatro, Cinco, Seis and Dingbats. With María Angélica Estrada Cano, he designed the hand-drawn font families Makika (2007) and Lita (2007; in five styles---Gris, Negra, Humo, Molis, and Dingbats). His blog. In the area of combat-ready explosion-inspired letters and dingbats, check his eight-weight family Hiroformica (2007, Andinistas; for a free version, see DaFont). In 2007, he created the calligraphic grunge family Rosadelia, and the grunge lettering and crow dingbats family Gancho Petare. In 2008, he published Heleodora (beautiful scratchy hand), Magola (Negra, Supra Negra and Stencil), Navaja 1 through 4 (a collection of grunge fonts with grungy dingbats), Lucrecia 1 through 3 (a fat connected script family ranging from clean to splattered), Pomarosa (irregular hand) and Pomarosa Dingbats, Bochalema (+Dingbats, a comic book family), and Alcira 1 through 3 (nice scribbly grunge scripts).
Medellin, Colombia-based designer (b. 1972) who graduated from UPB University in 1998. Creator of the free hand-printed typefaces Astrid (2012), Yelly (2006), Margorosa (2006), Luna (2006), Lush (2006), and CaroHand (2012).
She started selling her own fonts in 2013. Commercial, mostly hand-drawn, typefaces from 2014 include Grilled Font, Roman Classic, Kimble, Doggie Bold, Doggie, Yuju, First Step, Farmer, Nigel, Lola, Barrel and Enjoy. Typefaces from 2013: Freelast, Heats Dingbats, Fresh Regular, Chispa, Freshitalic, Cristian, Chains Condensed, Melisa, Chains, Paty, Slim, Miranda, Tiny Script, Snow, Second Chance, Simplecaps.
Typefaces from 2015: Afinity (brushed typeface), Quakes, Dalina Script, Bonita, Caro Thin, Great Font, Fini Font, Grilled Ornaments, Finetrace (architectural style alphabet).
Casady&Greene, Inc. started out as two separate little companies, CasadyWare and Greene, Inc. CasadyWare, which was founded by Robin Casady in August 1984, began producing Fluent Fonts, which were bitmapped typefaces for the Macintosh. The 1984 set of fonts have copyright lines that mention Richard A. Ware. As soon as PostScript fonts appeared, CasadyWare got hold of the first version of Fontographer and produced the first downloadable PostScript fonts, even beating Adobe, the originators of PostScript, to the punch. These were marketed as Fluent Laser Fonts (FLF).
The FLF series includes Abilene (Western), Alexandria (1986, slab serif family), Black Knight (1991, blackletter), Bodoni FLF (1986), BodoniUltra (1986, a fat didone), Bonnard (art nouveau), ButtonHighlight, ButtonPlain, Calligraphy (1986), Campanile (a great didone face), Checkbox, Chicago FLF, Collegiate (1988, sports lettering), Coventry Script (calligraphic), Cutouts FLF (1992, cargo stencil), Desperado, Dorovar Carolus (1988, Carolingian), DryGulch, Epoque (art nouveau), FattiPatti, Fletcher Gothic (1992, art nouveau), Galileo (1987, didone), Gazelle (1988, calligraphic script), Gatsby (1986, pure art deco), Giotto, Gregorian (1986, English Gothic style blackletter), Harlequin FLF (1990), Highland Gothic (1992), Jott, Kasse (1992), Kells (modern round Gaelic font, 1988), KeyCaps, La Peruta, Meath (modern round Gaelic font, 1988), Michelle (1992, art deco, marquee face), Micro, MicroExtend FLF (1986, like Microgamma) , Monterey (1986, Peignotian), Moulin Rouge (1992, an art nouveau typeface by Richard A. Ware), Nouveau (1990, art nouveau), Paladin (1988, blackletter), Pendragon (1991), Phoenix Script FLF (1990), Prelude (1986, connected script), Regency Script (1986, calligraphic copperplate script), Right Bank (1986, art deco), Ritz (1986, art deco in the style of Broadway), Rocko (1992, rounded like VAG Round), SansSerif FLF (1986, a large geometric sans family), Sedona Script (1990, connected, calligraphic, semi-psychedelic), Slender Gold (1992, script), Vertigo (1992, condensed monoline sans), VertigoPlus, Zephyr Script (1986, brush script).
Many fonts were digitized by Richard Ware, and some were designed by Mike Wright. The contact was Terry Kunysz in Salinas, CA.
On July 3, 2003, Casady&Greene closed it doors permanently. However, one of its designers, Mike Wright, writes: I believe that all the fonts that were developed by the company are now in the public domain. Robin Casady and I are thinking of putting up a site with free downloads of all of the old C&G public domain fonts--mainly as a way of attracting Mac users to see iData 2.
Robin Casady in 2003: I founded Casady Company in 1984 to publish fonts for the new Macintosh. The name changed with incorporation to CasadyWare, Inc. Around this time I met Mike Greene who was looking for a software project to do after SpellsWell. I talked him into doing a program that became QuickDEX. Later CasadyWare, Inc. merged with Greene, Inc. and became Casady & Greene, Inc. Over the years, my role in management reduced as my interests in other areas developed. In the last ten years I have had no official management duties at C&G. About a year ago I removed myself from the Board of Directors.
A graduate of Missouri State University, Casey Conroy now lives and works in Saint Louis, MO, and is associated wth webster University. Designer at FontStruct in 2008 of Reilly. His stencil typeface Bridge was developed between 2008-2010. Other typefaces by him include Globose (a rounded sans), Xtina (2009), and Ovoid (2008-2009, recreation of Emigre's squarish typeface Oblong). In 2014, he designed Webster Today Icons for Webster University. Behance link. [Google] [More] ⦿
Designs by Jason Castle from San Rafael, CA, who studied psychology at Dominican University of California. He does custom font design and sells commercial typefaces through MyFonts and FontShop. Blog. These include:
CAT Design Wolgast
Wolgast-based type designer Peter Wiegel (b. 1955) runs CAT Design Wolgast. Designer of these free fonts:
The list of his truetype and opentype typefaces as of 2011: 18thCenturyInitials, 18thCenturyKurrentStart, 18thCenturyKurrentText, Alfabilder, AlteDIN1451Mittelschrift, AlteDIN1451Mittelschriftgepraegt, AmptmannScript, ApolloASM, Avocado, Barnroof, BerlinEmail, BerlinEmail2, BerlinEmailBold, BerlinEmailBold, BerlinEmailHeavy, BerlinEmailHeavy, BerlinEmailOutline, BerlinEmailOutline, BerlinEmailSchaddow, BerlinEmailSchaddow, BerlinEmailSemibold-Bold, BerlinEmailSemibold-Bold, BerlinEmailSerif, BerlinEmailSerif, BerlinEmailSerifSemibold, BerlinEmailSerifSemibold, BerlinEmailSerifShadow, BerlinEmailWideSemibold, BerlinEmailWideSemibold, Beroga, Beroga, BerogaFettig-Bold, BerogaFettig-Bold, BertholdMainzerFrakturUNZ1A-Italic, BertholdMainzerFrakturUNZ1A, BertholdrMainzerFraktur, Blankenburg-Regular, BlankenburgUNZ1A-Italic, BlankenburgUNZ1A, CasaSans-Regular, CasaSans, CasaSansFettig-Bold, CatShop, CentreClaws, CentreClawsBeam1, CentreClawsSlant, ChunkFiveEx, CntgenKanzley-Regular, CntgenKanzleyAufrecht, DIN1451fetteBreitschrift1936-Regular, DiscipuliBritannica, DiscipuliBritannicaBold, Doergon-Regular, DoergonBackshift, DoergonShift, DoergonWave-Regular, Elb-Tunnel, Elb-TunnelSchatten, Elbaris, ElbarisOutline, ElficCaslin, EricaType-Bold, EricaType-BoldItalic, EricaType-Italic, EricaType-Regular, ErikaOrmig, Eureka, FibelNord-Bold, FibelNord-BoldItalic, FibelNord-Italic, FibelNord, FibelNordKontur, FibelSued-Bold, FibelSued-BoldItalic, FibelSued-Italic, FibelSued, FibelSuedKontur, GoeschenFraktur, GoeschenFrakturUNZ1A-Italic, GoeschenFrakturUNZ1A, Gondrin, GreifswalderTengwar-Regular, GreifswalerDeutscheSchrift, GruenewaldVA-Regular, GruenewaldVA1.Klasse, GruenewaldVA3.Klasse, H1N1, HelvetiaVerbundene, KochFetteDeutscheSchrift, KochFetteDeutscheSchriftUNZ1A-Italic, KochFetteDeutscheSchriftUNZ1A, LeipzigFrakturBold, LeipzigFrakturHeavy-ExtraBold, LeipzigFrakturLF-Bold, LeipzigFrakturLF-Normal, LeipzigFrakturNormal, LeipzigFrakturUNZ1A-Bold, LeipzigFrakturUNZ1A-BoldItalic, LeipzigFrakturUNZ1A-Italic, LeipzigFrakturUNZ1A, Luxembourg1910, Luxembourg1910Contur, Luxembourg1910Ombre, MMX2010-Regular, Maassslicer3D, Maassslicer3D, MaassslicerItalic, MaassslicerItalic, Makushka, MakushkaKontura, MakushkaQuadriga, MakushkaSecunda, MeyneTextur, MeyneTexturUNZ1A-Italic, MeyneTexturUNZ1A, Midroba-Regular, MidrobaSchatten, Moderne3DSchwabacher, ModerneFetteSchwabacher, ModerneFetteSchwabacherUNZ1A-Italic, ModerneFetteSchwabacherUNZ1A, ModerneGekippteSchwabacher, MoradoFelt-Regular, MoradoMarker, MoradoNib, MoradoSharp-Regular, Murrx, Nathan-CondensedRegular, Nathan-ExpandedRegular, Nathan-Semi-expandedRegular, Nathan, NathanAlternates-CondensedRegular, NathanAlternates-ExpandedRegular, NathanAlternates-Semi-expandedRegular, NathanAlternates, Nomitais, Nomitais, Numikki, Numukki-Italic, Numukki-Italic, Numukki, Powerweld, PreussischeIV44Ausgabe3, PreussischeIV44Ausgabe3, PreussischeVI9, PreussischeVI9Linie, PreussischeVI9Schatten-Linie, PreussischeVI9Schatten, Proletarsk, Prsent60, Quimbie, Quimbie3D, QuimbieShaddow, QuimbieUH, Quirkus-Bold, Quirkus-BoldItalic, Quirkus-Italic, Quirkus, QuirkusOut, QuirkusUpsideDown, RostockKaligraph, RotundaPommerania, RotundaPommeraniaUNZ1A-Italic, RotundaPommeraniaUNZ1A, Rudelskopfdeutsch-Aufrecht, SchatternvonPreussischeVI9, Schulfibel-Nord-Linie-2, SchwabenAlt-Bold, SchwabenAltUNZ1A-Italic, SchwabenAltUNZ1A, Stage, StrassburgFraktur-Regular, TGL0-16, TGL0-17, TGL0-17Alt, TGL31034-1, TGL31034-1, TGL31034-2, TGL31034-2, Tank, TengwarOptime, TengwarOptimeDiagon, TitilliumMaps29L-1wt, TitilliumMaps29L-400wt, TitilliumMaps29L-800wt, TitilliumMaps29L-999wt, TitilliumText22L-1wt, TitilliumText22L-250wt, TitilliumText22L-400wt, TitilliumText22L-600wt, TitilliumText22L-800wt, TitilliumText22L-999wt, TitilliumTitle20, UtusiStar-Bold, UtusiStar, VarietScala, Varietee, VarieteeArtist, VarieteeCabaret, VarieteeCascadeur, VarieteeCasino, VarieteeCirque, VarieteeColege, VarieteeConferencier, VarieteeFolies, VarieteeIkarier, VarieteeJongleur, VarieteeMirage, VarieteeRevue, VarieteeTheatre, Via-A-Vis, Vrng, Waschkueche, Waschkueche, WaschkuecheGrob-Ultra, WaschkuecheGrob-Ultra, WiegelKurrent, WiegelKurrent, WiegelKurrentMedium, WiegelKurrentMedium, WiegelLatein, WiegelLateinMedium, WolgastScript, WolgastScript, WolgastTwo, WolgastTwo, WolgastTwoBold, WolgastTwoBold, XAyax, XAyax, XAyaxOutline, XAyaxOutline, YiggivooUnicode-Italic, YiggivooUnicode-Italic, YiggivooUnicode, YiggivooUnicode, YiggivooUnicode3D-Italic, YiggivooUnicode3D-Italic, YiggivooUnicode3D, YiggivooUnicode3D, ZeichenDreihundert-Regular, ZeichenDreihundertAlt, ZeichenHundert-Regular, ZeichenHundertAlt, ZeichenVierhundert-Regular, ZeichenZweihundert-Regular, ZeichenZweihundertAlt, cbe-Bold, cbe-BoldItalic, cbe-Italic, cbe, kaufhalle, kaufhalle, kaufhalleblech, kaufhalleblech, moebius.
His type 1 fonts as of 2011: Avocado, BerlinEmail, BerlinEmail2, BerlinEmailBold, BerlinEmailHeavy, BerlinEmailOutline, BerlinEmailSchaddow, BerlinEmailSemibold-Bold, BerlinEmailSerif, BerlinEmailSerifSemibold, BerlinEmailSerifShadow, BerlinEmailWideSemibold, Beroga, BerogaFettig-Bold, CasaSans, Elb-Tunnel, Elb-TunnelSchatten, Maassslicer3D, MaassslicerItalic, Numukki-Italic, Numukki, Powerweld, PreussischeIV44Ausgabe3, Quimbie, QuimbieUH, RostockKaligraph, TGL31034-1, TGL31034-2, UtusiStar-Bold, UtusiStar, Waschkueche, WaschkuecheGrob-Ultra, WolgastScript, WolgastTwo, WolgastTwoBold, YiggivooUnicode-Italic, YiggivooUnicode, YiggivooUnicode3D-Italic, YiggivooUnicode3D, cbe-Bold, cbe-BoldItalic, cbe-Italic, cbe, kaufhalle, kaufhalleblech.
A list of typefaces in alphabetical order, with descriptive comments provided by Reynir Heidberg Stefansson from Iceland: 18th Century Kurrent (Kurrent-style handwriting, Wiegel-coded), Alfabilder (Alphabetic picture font for the German alphabet), Amptmann Script (Partly-connected, upright writing, used on Prussian Railways pattern drawings), ApolloASM (Jugendstil, vaguely resembling an ornate Bocklin), Avocado (Handwriting, broad-nib pen-style), Berlin Email (Narrow sans-serif, based on emailled signage; Wiegel-coded), Berlin Email Serif (Narrow serif, based on emailled signage; Wiegel-coded), Beroga (All-minuscule, rounded marker-style sans-serif with ca. 8° slope), Berthold Mainzer Fraktur (Fraktur in Wiegel (Regular only) and UNZ1(A) coding), Blankenburg (Semicondensed Tannenberg in Wiegel (Regular only) and UNZ1(A) coding), Casa Sans (Squarish, broad-nib pen-style block writing), CatShop (Serif, soft of an acid-washed didone), cbe Normal (Sans-serif, narrow, somewhat cuneiform), Centre Claws (Sans-serif, Art Deco display, a bit like Broadway), Cöntgen Kanzlei (Cöntgen Kanzley) (Fraktur-based calligraphy by Heinrich Hugo Cöntgen, Wiegel coding), DiffiKult (Sans-serif, display, no horizontal lines), DIN 1451 fette Breitschrift 1936 (The now-withdrawn Wide version of DIN 1451 traffic font), Discipuli Britannica (UK school handwriting), Doergon (Slab-serif, narrow-ish, all majuscule), Elabris (Elbaris) (Sans-serif, caps/smallcaps, shades of DIN1451 Engschrift), Elb-Tunnel (Sans-serif, based on signage in the old Elbe tunnel in Hamburg), Elbic Caslon (Elfic Caslon, Elfic Caslin) (a Caslon for the Queen Galadriel), Erika Type (Erica Type) (Slab-serif, typewriter, comes from Wiegel's old Erika typewriter), Eureka (Serif, caps/smallcaps, Art Deco/Jugendstil), Fibel Nord (2009, sans-serif, based on German school primer), Fibel Sued (2009, sans-serif, based on German school primer), Fibel Vienna (Sans-serif, based on Austrian school primer), Fundamental Brigade (Sans-serif, geometric, some UNZ1 ligatures), Göschen Fraktur (Goeschen Fraktur) (Fraktur with a biblical feel, Wiegel (Rg only) and UNZ1 coding), Gondrini (Gondrin) (Sans-serif, geometric, display, shaded outlines, cookie-cutter), Greifswalder Deutsche Schrift (Handwriting, based on Rudolf Koch's Offenbacher Kurrent, Wiegel coding), Greifswalder Tengwar (Tengwar handwriting in Offenbach style), Gruenewald VA (Latin-style schoolhand, Wiegel coding), H1N1 (Heavy display typeface made of parallel wavetrains), Hardman (Heavy, wide, squarish logotype with connecting letters), Helvetia Verbundene (Swiss handwriting), Immermann (Display, resembles a seriffed Radio/Rundfunk, UNZ1 coding), Kaufhalle (Display, recreation of HO Kaufhalle logotype), Koch Fette Deutsche Schrift (Very plain fraktur, Wiegel (Rg only) and UNZ1 coding), Leipzig Fraktur (Fraktur for bread text, Wiegel coding), Leipzig Fraktur UNZ1A (Fraktur for bread text), Luxembourg 1910 (Sans-serif, Jugendstil display typeface from old spice drawers), Maass Slicer (Maassslicer) (Sans-serif, oblique display face, orig. logotype), Makushka (Sort-of an Elabris with minuscules, looks overlayable), Men Nefer (Slab-serif, geometric, UNZ1 coding), Midroba (Spur-serif, display, all-majuscule, heavy, octal), MMX2010 (Sans-serif, display, caps/smallcaps, TV game machine feel), Moderne Schwabacher (Heavily reworked, Wiegel coding), Moderne Fette Schwabacher UNZ1A (Heavily reworked, Wiegel coding), Möbius (moebius) (Sans-serif, display, bicolour (u/c = non-spacing fills, l/c = spacing outlines)), Morado (Connected handwriting with nib or marker pen), Murrx (Heavy display typeface made from ellipsoids on NE-SW axis), Mutter Krause (Serif, slanting, Jugendstil-feel.), Nathan (Slab-serif, hand-drawn.), Nomatais (Nomitais) (Elabris with multiple levels of outlines), Numukki (Conlang, knotted-line, good for separators and scenebreaks), Powerweld (Sans-serif, Bauhaus style, all-minuscule), Präsent 60 (PI font with various East German logos), Preussische IV 44 (PreussischeIV44Ausgabe3) (Repro of Prussian Railways pattern type IV 44 version 3), Preussische VI 9 (Repro of Prussian Railways pattern type VI 9 version 2), Proletarsk (Sans-serif, monoline, doubled-up questionmark), Quast (Brush type, all-majuscule, very rough outline), Quimbie (Sans-serif, all-majuscule, resembles Amelia), Quirkus (Sans-serif), Ring Matrix (LED matrix with ring LEDs, solid LEDs and ring LEDs with shadow), Rostock Kaligraph (Very round calligraphy, resembles rotunda), Rotunda Pommerania (Rotunda style, Wiegel-code (Regular only) or UNZ1-coded), Rudelskopf deutsch (Sans-serif, based on Kurrent-style letterforms), Schwaben Alt (Schwabacher in Wiegel- (Rg only) or UNZ1-coding.), Stage (Sans-serif, narrow, Art Deco, fleeting taste of Broadway), Strassburg Fraktur (Handwritten fraktur, ornate majuscules, Wiegel-coding), Tank (PI font with (gas/petrol) tank station logos), TengwarOptime (Optima for Tengwar), TGL 0-16/0-17 (East German versions of DIN 16 and DIN 17 blueprint types), TGL 31034-1, TGL 31034-2 (East German versions of DIN 6776 / DIN EN ISO 3098 blueprint types), Utusi Star (Sans-serif, slight resemblance with Rundfunk), Varieté (Sans-serif, all-majuscule or caps/smallcaps), Vis-A-Vis (Serif, all-majuscule, split in middle), Volk Redis (Kurrent handwriting, anno 1930-1941), Vrångö (LED matrix type like Ring Matrix), Waschküche (Serif, resembles Antykwa Torunska), Wiegel Kurrent (Kurrent-style handwriting), Wiegel Latein (Latin-style handwriting), Wolgast Script (Sloppy-looking handwriting with a broad-nib pen), Wolgast Two (Latin/Cyrillic handwriting), XAyax (Serif, Jugendstil, narrow, all-majuscule), Yiggivoo Unicode (Sans-serif, wide, tall x, board game packaging feel), Youbilee (PI font with various jubilee laurels), Verkehrszeichen (Zeichen) (PI fonts with traffic signs (in layers)), Verkehrszeichen alt (Zeichen Alt) (PI fonts with old traffic signs (in layers)).
Catapult is the graphic design studio of Anton De Haan and Philippe Pelsmaekers in Antwerp. Other people involved in Catapult include Karen Van Puymbroeck, Tom Vanwelkenhuyzen, Omar Chafai and Luk Mestdagh. For the house style of Zonienwoud, they designed Son Grotesque and Son Grotesque Stencil in 2010. [Google] [More] ⦿
Peruvian graphic and web designer. At FontStruct, he created a number of pixel fonts in 2009, such as gridnPix75 (+Light, +nLite), OCR-APix6, cayoPix45, ScrptPix5, sCapsPix4, SerifPix6, moSpPix57, ClassPix5, MicriPix4, CorpoPix5, and BminiPix5. Other fonts there include Proton Type (2009), the geometric pxlNotSqr (2009) and the sturdy headline typefaces Woznian (2009, inspired by bitmap fonts like Chicago and Charcoal) and Gizmatik (2009), his best font. In 2009, he added NuevoSolStile (in the Eurostile/Microgramma mold), MacroBold (ultra-fat), Steam Punker, Funkadeliai, Monocodigo, FS Mini, FS Remix (horizontally striped), BlackSQRda (blackletter), Fontscript, Scanografia (vertical striping of letters), Stencikal, Bloxed (white on black), BlackSQRda, NSS Unicase (unicase), NuevoSolStile (unicase). [Google] [More] ⦿
Designer of the free font Trocchou (2014, OFL) during a course at ERG in Brussels. This typeface is a stencil version of Vernon Adams's Trocchi (2012). In 2015, she created Medulla, a modification of Didot Elder. Behance link. [Google] [More] ⦿
Cercurius (was: Lars Törnqvist Typografi)
Cesc (Francesc) Aldabó (Ceskus Disseny) is based in Sant Cugat des Valles and/or Terrassa, Spain. Studio Ceskus Disseny created Climb (2011, a decorative typeface), Dingbat Space Invaders (2013, FontStruct: a pixel font inspired by the 1978 video game by Taito Corporation), Letterplayground (a space and alphabets created by Nate Williams), and Grafftastics (2013, a graffiti font used for a festival in Sabadell). In 2014, they made the decorative typeface Climb.
In 2014, Aldabó made Climb Font (based on climbing gear), Tipoencuentro (poster face), Typoasi (modular), 15M Typestencil, and I Love Climbing.
French type designer at the open source typefoundry Velvetyne in Paris. His creations include Kurtz (2014, rounded stencil typeface) and Boeticher (2014, rounded spurred Tuscan typeface). [Google] [More] ⦿
Aka Le Corbusier. Swiss architect, designer, urban planner, sculptor, writer, modern furniture designer, and painter. Born in La Chaux-de-Fonds, Switzerland, in 1887, he died in Roquebrune-Cap-Martin, France, in 1965. His lettering inspired the Letraset rubdown dry transfer typeface Charrette. He also inspired many digital fonts:
Californian designer (b. 1993) with a great motto: No I won't design something just for you. If I make it, it has to be publicly available. Dafont link.
Creator of Liquid Crystal (2012, the ultimate LCD typeface family), Linkin Park, Unbound Pro (2012, a free industrial stencil typeface), Adele, a monoline avant garde sans headline face, modeled after the cover of the CD album Adele 21 by singer and song writer Adele. Couture Bold (2012, free font) is a solid thick sans all caps typeface based on the Chanel logo.
Chelsea Weaver (Portland, OR and before that, Camarillo, CA) studied graphic design at California State University Channel Islands. She designed Newspaper (2012, an experimental typeface) and Piri Piri (2013, a curvy display typeface). [Google] [More] ⦿
Chequered Ink (est. 2015) is a two-man design studio consisting of Andrew McCluskey (b. 1992, UK) and Daniel Johnston. Fonts here are predominantly by Andrew. Typefaces from 2015, mostly made with FontStruct: Heartbeat Synchronicity, Sawchain, Man Flu, Ace Adventure, Disco Nectar, Hex Girlfriend, Future Now, Lycra, Rygarde (pixel font), Empire Straight (avant garde caps), Kitty Katastrophe, Gang Wolfik Craze, O.K.Retro, Xxrdcore, the blocky sans serif Horticulture, the modular angular Heartbreaker, Ninja Thing, Fort Brewith, Urgently, Baxter's Slab (heavy octagonal style), Lady Radical (pixel font), Provisionary, Quickfyr, Vermin Vore, Even Stevens.
Typefaces from 2016: Sportscream, Assvssin, Brandsom (ransom note font), BromineCocktail, DestinationMercury, Eviscera, Halloween*Heresy, IReallyReallyReallyReallyReallyReallyLikeFonts, Viadukt, Yetimology, Indocorno, Overdose Sunrise (dry brush), Happy Talk, Camaraderie, Death Hector (sci-fi), Scones And Crossbows, Casual Softcore, Notepads & Roleplay, Order in Chaos, Stencil of Destiny, ViceVersus, Magenta Flow, Prick Habit, Go Faster, BlackboardRovers, Caperput, Chavelite, Lovecraftimus, RawhideRaw2016, SmackLaidethDown2016, SmackLaidethDown2016Oblique, Pelode, The Nineties Called They Want Their Font Back, You Can't Kill Old School, Thoroughbred, Card Shark, Sheeping Dogs, Zen Monolith, The Joy Facade, Cerulean Nights, Pounds of Violence, Altered Quest (octagonal), Thrash Decision (dripping paint font), Afroed Dizzy Yak (hand-crafted style), Circulus (octagonal style), 53 Dollars and 92 Cents, Endless Boss Battle (pixel font), Guest Circus Paradiso, Niagaraphobia (sans), Noseblood (squarish italic), Shake Your Plums, The Light Brigade (trekkie font), Beautiful Heartbeat (hand-crafted), Poisoned Paradigm (dripping paint font), Development Hell (modular), Energetic Star (stencil), Men Down (display or poster type), Apple Korea (Hangul emulation typeface), Zdyk Capricorn, CQ Mono (a rounded monoline monospaced sans programming font), Pyrsing, Executionist, Mono a Mano (pixel typeface), Toxico, Swiggity (hexagonal), Mono a Mano (pixel font), Dissolved Exchange, Thundercover, Hors d'oeuvres The Garter, Distortion Dos Digital, Acetate, Arcapulse, ChelseaSmile, Headshots, Here&NotFound, IregulaTo, Japers, MidnightsontheShore, RallyBlade, Sothin (a great ultra-condensed squarish typeface), VerminVibes4Helium, 6Cells, DistortionDosAnalogue, SpotMonkey, Summoners, UnderwearProtest (Piano key style), VerminVibes4, Shapeshifters, Puerto Magnifico (Mexican party style font), Zdyk Gemini (intergalactic font), Bones To Your Generic Script Font, Breathe Fire (medieval style), Escalatio (hipster style), Pocket Monka (beatnik style), Jack Frost, Hiruleon, Cfour, CrystalCathedral, DigitalDust (LED font), DotLirium, Griefmachine, KillerCollege, OfMaidsandMen (oriental emulation typeface), Red Dragons, Grimeplex, Iron Amore, Twizzled, ZedSaid, Vermin Vibes, Major League Duty (military stencil), Moist (dripping paint font), Wondertribute, Of the Blue Colour of her Eyes, Anastasia (script).
Typefaces from 2017: Aquamarina (rounded sans), Amateur Camcorder, Mighty Squidge, Track & Shield (multilined), Wander Z, Gardenfreude, The Wild Breath of Zelda, Effective Power, Techno Agony, LED Specimen (textured), Projectionist, Splinter Wonderland, Shiny Eyes, Uncopyrightable, Hallowed Grad, Peace and Equality, Steriliser (heavy sans), Electro Shackle, Castforce (titling sans), Butterfly Reflect.
British outfit located in London. MyFonts sells the double-stroked and African-themed comic book style family Picklepie (2008), the curly Galerie Simpson (2011), the playful Message of the Birds (2009), Lemon Flower (2010), No Liming (2009), Out Back (2009) and Pigeonpie (2009), made jointly by Tim Barnes (b. 1967, London) and his six-year old daughter Lydia Barnes (b. 2001, London).
In 2013, Tim Barnes published the hand-printed caps family Pegasus, Lobo (an interlocking letter typeface), Barb (angular poster face), Ply, and the crazy mixed-glyph typeface Coo Coo I Coo Coo For You Too. [Google] [MyFonts] [More] ⦿
Chris E. Lozos
During her studies at ERG in Brussels, Christelle Debono created a free stencil version, Gentius (2014, OFL), of the well-known Gentium typeface (2003-2008, J. Victor Gaultney and Annie Olsen). [Google] [More] ⦿
Or just Christian Laucou, b. 1951, ex-graduate of and professor at Ecole Estienne in Paris. Typographer who worked with lead. He started Les Editions du Fourneau, later renamed Fornax. In 2000, he founded l'Ouvroir de typographie potentielle.
Designer of Zarbres (2004), a typeface used in the book Nouvelles des arbres, by Gérard Bialestowski. This is a private face, as he explained to Jef Tombeur: Quelques mots sur le Zarbres. Je ne trouvais pas ce qui me plaisait ni en plomb, ni en fonte informatique. Alors je l'ai créé, mais avec un cahier des charges bien précis. Il devait s'approcher du résultat qu'on obtient en gravant dans du bois ou du lino pour s'harmoniser avec les illustrations. Pour cela, il devait être gras, d'un dessin un peu maladroit (taillé à la serpe), quelques lettres hors norme (avec une e bdc à la barre trop oblique, la u bdc un peu onciale, etc.), comme dessiné par un amateur qui ne connaît pas la typo et qui cherche à imiter, à obtenir une hauteur d' assez importante pour réaliser, sans interlignage, des compositions d'un gris très foncé. J'ai fait ainsi un romain, un italique et les deux polices expertes correspondantes (petites capitales et ligatures). Pour l'instant le Zarbres est reste une police exclusive qui ne sort pas de mon ordinateur.
Author of Histoire de l'écriture typographique: Le XIXe siècle français (2013, with Jacques André). From the blurb: Pour montrer toute la richesse de cette période, les auteurs ont choisi d'en raconter les aventures successives: les Anglais avec l'invention des caractères gras, des égyptiennes et des sans-sérifs; la fonderie Gill?é qui devient celle de Balzac puis de De Berny et qui rejoindra, à l'aube du XXe siècle, celle des Peignot; la saga des Didot, de la rigueur de Firmin à l'extravagance de Jules; l'Imprimerie royale, puis impériale ou nationale, ses caractères orientaux et ceux de labeur, qui perdureront tant qu'il y aura du plomb; Louis Perrin, qui réinvente les elzévirs; les grandes fonderies françaises, qui rivalisent d'invention et de copies, et, enfin, les évolutions techniques de tout le siècle. [Google] [More] ⦿
In 2008 he designed Flag Semaphore (+Smooth, Peace), Articulate, Font from NATO (military slab serif), Glockenwerk (pixel clock font), Glockenwerk Uhrzeit, Flags-and-NATO (dingbats), Font from NATO alpha, Tall, Flying-Circus (Western showtime typeface to imitate the Monty Python titling font), LCD-display, Simple (stencil font with 700 glyphs), TMNT, Tetris, sharp-pixels, Raster, Quad (nice stencil face), Inverted, Propaganda (Cyrillic font simulation), Empty Monospace, Pride, Stadium, Rounded, Dear God (script pixel face), Celtic Style.
In 2009, he added 7x12 Pixel Mono, @bcde, Abstract Letter Patterns, Music, Texture, Diagonal, Gothic, Illusio, Unispace (typewriter type), Narrow Serif, Delta, Alien Double (great!), Donut, Flags-and-NATO, Simple-Fraktur-Initial, Simple-Fraktur, Texture, Friendly Serif, (+Soft), Invisible, Sharp, Heavy Diacritics, Concentrium, Continuous Digital Display, Elves, Pixies, Space Movie (+Ligatures), Flag Semaphore (+Smooth, +Peace), Articulate, BBT Biline Twist, Biline Twist, Empty Monospace, Unfix, Infix, Pride, Tyre Stencil (like tire threads---nifty...), and Overlap.
FontStructions from 2010: Even (gridded), Brilliance, Slalom Vision, Quirky Serif, 7x12PixelMono, Ball Terminator, Gearbox, Prefix, Upside Down, Way Too Small (a minimalist pixel face), Butterfly, Ribbon Gymnastics, 2D Barcode, Horizon Stencil, Biline Twist, Quirky Serif, Blocktur, Symmetricus (alien writing?).
FontStructions in 2011: 12 dice, Monotwist (tall, monospaced), Squarific (fat octagonal), Swirl (curly), Sweet (Victorian), Easter Eggs, 50 Fifty (experimental, geometric), Squarific (+Stencilious), Spiralix (spiral-themed for Latin and Cyrillic), Bloccus, Feet (monospaced).
Creations from 2012: Düpbøl (German expressionist face), Slice, Blocktur, Alien Double, 7:12 serif (pixel face), Blick, Dry Heat (Isolates and Initials, Medials, Finals: an Arabic simulation family), FF9 Coin Slots, FF8 Untalic, FF7 w1de, FF6 Lean Mean, FF5 Bamana, FF4 Circulation, FF3 3times7, FF3 Runization, FF1 Glitchy, Squared, Puzzlish, Steep, Digitalis (octagonal), 50 Fifty (artsy and geometric), Monotwist, Infix. FF stands for Forgotten Fonts.
Typefaces made in 2013: Ribbons And Banners, Digital Rome (pixel face), Censorship, Interlock, Bouma, Glaedelig Script, Hand XL Smooth, Vascomat, Spitzschtruct (emulation of Suetterlin), Neonic, Fish Scales, 7:12 Serif, Analogly, Squarific Fraktastic, Metro Sans (pixelish).
Typefaces from 2014: Word Games, Shadows, Yuuroppuna pixel, Spines, Numbers, Tal Dansk, Zahlen Deutsch, Insular Typewriter, Nudge Nudge (dot matrix), 7:12 Serif (monospaced pixel font), Jovian, Squarafic Fraktastic, Computer Says No, Runic, Fluorescent (neon tube typeface). [Google] [More] ⦿
Christian Schwartz was born in 1977 in East Washington, NH, and grew up in a small town in New Hampshire. He attended Carnegie Mellon University in Pittsburgh, Pennsylvania, where he graduated in 1999 with a degree in Communication Design. After graduation, he spent three months as the in-house type designer at MetaDesign Berlin, under the supervision of Erik Spiekermann. In January 2000, he joined Font Bureau. Near the end of 2000, he founded Orange Italic with Chicago-based designer Dino Sanchez, and left Font Bureau in August 2001 to concentrate full-time on developing this company. Orange Italic published the first issue of their online magazine at the end of 2001 and released their first set of typefaces in the beginning of 2002. Presently, he is an independent type designer in New York City, and has operated foundries like Christian Schwartz Design and Commercial Type (the latter since 2009). He has designed commercial fonts for Emigre, FontShop, House Industries and Font Bureau as well as proprietary designs for corporations and publications. In 2005, Orange Italic joined the type coop Village.
His presentations. At ATypI 2004 in Prague, he spoke about "The accidental text face". At ATypI 2006 in Lisbon, he and Paul Barnes explained the development of a 200-style font family for the Guardian which includes Guardian Egyptian and Guardian Sans. FontShop's page on his work. Bio at Emigre. At ATypI 2007 in Brighton, he was awarded the Prix Charles Peignot. Jan Middendorp's interview in October 2007. Speaker at ATypI 2009 in Mexico City, where he announced his new typefoundry, simply called Commercial.
A partial list of his creations:
Christina Maria Bee
Christina Bee ("Krizbi") is a type designer from Darmstadt who studied in Den Haag at the KABK in 2006, where she designed the Renaissance Antiqua typeface Olga while doing a Masters. Olga won an award at TDC2 2007. Christina lives in Hamburg.
She participates in Type Destroyers with Frederik Berlaen.
Creator of various display typefaces including the kitchen tile typeface Voltrona (2011, a kitchen tile typeface), Hate (2012), the kitchen tile typeface Metgeo (2012), the monoline sans typeface Duplica (2012), the piano key typeface Lucreow (2012: Lucreow is a permutation of Crouwel), Caladan (2012, fat blackletter), Hague (2012, angular), the Bauhaus-style typeface Joi (2012), the blackletter typeface Caladan (2012), Rid-G (2012, experimental), Sugar (2012), Cumo (2012, a happy children's book typeface), Domm (2012, stencil face), Zukunft, Iron (2012, an old film typeface), Freight (2012, stencil face), Noir, Shamrock (2012, octagonal athletic shirt typeface), Unison (2012, sans), Basic (2012), Sexy (2012, hairline), Gitter (2012, rounded), Modo (2012, monoline techno face), and SF Mono (2012). [Google] [More] ⦿
Young Greek type designer. At FontStruct, he created BOMBOM-TheBase, BOMBOM-CityLights, BOMBOM-FullMetal, Roundabout, Structura-SC, Structura-Gothic, Structura, Structura-Alt, StreetPost (stencil) and SlabSlab (squashed slab serif), all in 2008. In 2009, he added the film strip font Berliner, and the stencil typeface Street Post. [Google] [More] ⦿
Designer who used FontStruct in 2009 to create Staring at the Sky, Early Bird Catches The Worm, Bernstein, Plaskett, Fimbriae, Hard Light, Inauguration, Kunchey Wide, Kunchey, Worst Seats in the House, Burden and 2x2 Struct (pixel-geometric art deco).
Faces made in 2010: Sweet Henry (compact, rounded), Bobolink, Carapace, Riley (optical illusion face), Overfeed (Futura-inspired stencil), Corpus Torsion, Penkala, Mongrel, Guayule (attractive ultra fat didone), Filamentous, Dizygotic (squarish sans), Decorum (condensed display face).
Berlin-based German type designer (b. 1965) who graduated from Fachhochschule Bielefeld in 1992, where she studied under Gerd Fleischmann. She designed great sans serif family appropriately called Kipp at FontFont. Claudia published the following typefaces at URW++: Aculida (2004), Marin (2006, a severe stencil family), Expansion (2004), Kipp Clean (2004), Les Tres (2005, URW, a geometric sans family). Archive with over 23,000 links to commercial fonts. In 2008, she made and extensive sans family, FontForum Martines (URW++), and a big display family, FontForum Profil. Her FontForum Quadre (2008, URW++) is totally experimental again. And FontForum Siesta is a display sans family with a bit of Neuland playfulness.
Belgian designer (b. 1962) who lives in Brussels where she taught (teaches?) at the École supérieure des arts visuels de La Cambre and at the École supérieure de l'image. Her fonts were published by 2Rebels in Montreal, and by FontHaus in the USA. Her fonts are experimental and geometric in nature.
Some creations: Billes (1995), Boulbar (1995), Boules (1996), BubbleBath (1996), Craaac (1996) Caaarc (1996), Design, Douff, Graphic, Handex (1995; an alphading based on fists), Inbetween (1996), Lines (1994), Lolo (1992, funny figurines), Minimex (1996), Modern (1996), Perles (1995), StencilFull (1997), StencilFullBraille (1997).
She is most famous for her avant-garde geometric fonts Alpha Bloc (1994) and Alpha Geometrique (1994) published by Font Bureau. Alpha Geometrique Compact, for example, is a Bauhaus style stencil face.
The founder of and only designer at at Club 21 is Julian Morey, a graphic designer and font creator from London who designed Pacific (1999, an octic typeface influenced by American naval lettering), VMR (1999), SignPlate (a stencil font), Sigma OT (2008, a sans based on a Stephenson Blake grotesque), Skye (2001, a stencil font), Skye Outline [note: Skye used to be called Axis], Checkout, Alpine (2000), Brassplate, Greenwich (2001, a stencil font with fine breaks; used to be called Bronxville), Codex, Electro, Ionia, Jakarta (2000, an octagonal sports/stencil font; was called Jersey), Kathode, Octago (an octagonal stencil face), Liquid, Simpson Typewriter, Preset, Roadworks (1992, stencil font), Thompson Monospaced, Spacer (1999), Paintworks, Portfolio. FontWorks used to sell their fonts, but now Faces does.
Codesign (or: Aviation Partners, or AVP)
Nicholas Garner (b. 1949, Windsor) runs Codesign (or: Aviation Partners), a small London-based design firm which has created these commercial type families:
Coert De Decker
During his studies at the University of Wyoming in Laramie, WY, Cole Lemaster created the blocky stencil typeface In Denial (2013).
A graphic designer from Hermosa Beach, CA, and San Luis Obispo, CA, b. 1986. Home page of Colectiv Community. Creator of the octagonal all-caps stencil typeface ColecTECH Caps 1 (2008). [Google] [More] ⦿
Graphic design collective in Orchamps near Besançon, France, est. 2012, consisting of graduates in the Masters program of the École des Beaux-Arts de Besançon, i.e., Clément Moussard, Antonin Buchwalter, and Simon-Pierre Chapuis. Their typeface creations:
Computer Safari (located in Woodland, CA) is a foundry whose early-90s fonts, all made by Jay Pierstorff, are still around in some archives. Look for Airlock-Regular (a trekkie stencil face), Alchemi, Cappiona, LeroyFont, MotorCity, NCC1701A-Regular, NCCINLINE-Regular, Quadrant, Romulus-Plain, Safari-Plain, Sashimi-Regular. Free fonts at the site, all made in 1992: Cappiona, College, LeroyFont, MotorCity, Quadrant. The other fonts can be bought on the SafariGold CD.
Delta, CO (and, earlier, Stamford, CT)-based Joseph Coniglio (b. Niagara Falls, NY, 1955) and a small group of designers. Check out the typewriter families Carbon 14, Passport, Vintage Type, Garnet Euro Typewriter (2004, grungy), and Telepath.
Other fonts: Aspersion, Grasshopper (dada), Burnt Toast (rounded fat finger face), Yardbord Numerals, Snyder Speed, Autocrat, NudE, Jack Rabbit, Felt Marker, Oregon Dry, Sublime, Omaha, Nomad, Aquacia (stencil), Rainmaker (stencil).
Constellation is a creator and publisher of contemporary typefaces and is run by its two partners, Chester Jenkins (based in New York, born in Montreal) and Tracy Jenkins. They also feature typefaces by Magnus Rakeng, Patrick Giasson, Kris Sowersby, Rick Valicenti, and Jeremy Mickel. Constellation contains the main elements of the previous Village and Thirstype foundries. Typefaces:
This 20s-30s movement, with lettering and alphabets done by people such as Wladyslaw Strzeminski, Josef Albers, Kurt Schwitters, Jan Tschichold or Herbert Bayer has no decorations, and uses horizontal and vertical edges and arcs of circles make up the shapes. Fonts in this style include ITC Avant Garde, Avenir, Futura, Industria, Insignia, ITC Kabel and some stencil designs. [Google] [More] ⦿
Coppers & Brasses
Quebec-based type typefoundry Coppers & Brasses was set up in 2011 by Alexandre Saumier Demers and Étienne Aubert Bonn in the plateau area of Montreal. Both graduated from the graphic and type design program at UQAM in Montreal.
Creators of these typefaces in 2012: Martha (monospaced slabby grotesque done by both founders), Sardine (fat signage typeface by Bonn), Freitt (blackletter typeface by Bonn). Nicole (2012) is an elegant basic sans typeface by Olivier Mercier-Chan Kane.
In 2013, Etienne graduated from the Type & Media program at KABK in Den Haag. In 2014, Alexandre in turn graduated from the Type & Media program at KABK. For his graduation, Alexandre developed the didone typeface family Lewis. He writes: Lewis is a typeface designed for mathematical typesetting, specifically for the TeX typesetting system. It consists of 3 text styles (Roman, Bold, Italic) and 3 math styles (Math Italic, Greek, Blackboard) for use as variables. The text Italic relates to the Roman while the Math Italic stand out with its cursive construction. Likewise, the Greek differentiate easily from Latin characters. The Blackboard inlines are adapted for text sizes with their wide and open cut. Lewis features many size variants and extending shapes, ideal in displayed equations.
The list of their retail and custom fonts:
Free fonts by Swedish designer Martin Fredrikson Core (b. Gothenburg, 1970), whose real name is Martin Lexelius:
Designer of Compunabula (2015), NE10 (2010, a stencil / neon tube typeface), This (a stencil typeface), Area (2008, Umbrella Type, an art deco nightclub face; hints of Avant Garde), Mode (2007, experimental modular type, Umbrella), Babbage (2005, Umbrella Type, a capricious typewriter font), Sange (2002, a dot matrix blackletter font), Brea and Brea Light (2004, a dot matrix blackletter family at Umbrella Type), Mince and Mince Shadow (2004, Umbrella Type), DecadesOS (2002, for Decades Inc), Air-Port (1999), Attractor (2001, based on Alexei Tylevich's NoGlow), Granule (2009, fat rounded sans), Cartridge (2001), Claes (2001, based on a Wim Crouwel design), Consume (1996), Den (1998, for the Digital Entertainment Network), Digital (1997, for "The Apartment"), Empire (1995), Fascia (2002), Hobart (2001, a kitchen tile font), Pea (2005, Veer: letters made up of springs), Phia (another kitchen tile font), Progress (2001, for Progress City), Rasputin, RMX, Savante (1999), Sears (2000), Stencil, Thirty, Untitled and WebType (2000). Many of these fonts are futuristic, experimental, logo-inspired or minimalist.
New York City-based designer who is originally from Perth, Australia. Designer of these typefaces: Vinum (2014: a gothic psychedelic typeface inspired by Electric Wizard's "Dopethrone" album), Inflated (2015, an oily bubblegum typeface), and 375 (2015: a striped experimental typeface in 3 weights, Window, Facade and Earthquake). Behance link. Old URL. [Google] [More] ⦿
Despite his name, André Vlaanderen was a Dutch designer, 1881-1955. He drew several alphabets, such as Moderne Schabloonletter (1933, a geometric stencil), and Silhouetteletter (1933, a counterless geometric solid art deco face).
Manuel Eduardo Corradine Mora was born in Bogotá in 1973. He graduated from the School of Graphic Design of the National University of Colombia in 1996, and became a graphic designer. He started by custom-designing fonts and by making typefaces for his own company, Casa Papelera El Cedro (The Cedar Papermaking House), for printing invitation cards. With other designers like Carlos Fabián Camargo, John Vargas and César Puertas he formed Tipográfico in 2007 to strengthen the type discipline in Colombia. Corradine Fonts is Manuel Corradine's own foundry in Bogotá, Colombia, founded in 2006. Today, he is one of Colombia's principal type designers. He also teaches at Universidad Piloto de Colombia in Bogota.
Fonts from 2007: Kidwriting (a family which includes Kidwriting Dingbats 1 and 2), Garabata (a fantastic handwriting face), Garabata Dingbats, Hexagona Digital, Quadrat (grunge), Quadrat Old (grunge), Quadrat Dirty (grunge), Quadrat Broken, Quadrat Ugly, Neogot (experimental, 8 styles).
Fonts from 2008: Mucura (handwriting), Prissa (handwriting), Salpicon (a script), Cuento Serif (a bouncy hand-printed family), Memoria (brush script), Charco, Happy Day (comic book family with Happy Day Dingbats), Espectro (a swinging script with swashes and a Dingbats style), Furia (handwriting), Candelaria (based on house signs in the La Candelaria neighborhood of Bogotá), Old Village (1600's style), Old Village Ornaments, Rapidda (a successful simulation of quick handwriting), Hueca (an outline children's script), Antigua (an old swashbuckler family), Colegial (a great-looking hand script), Pincel (a fantastic paint brush family with accompanying splatter dingbats), Trazo (Corradine's handwriting), Arcos (a techno family), Caveman (a primitive stone-look type family), Rumba (two styles; an elegant flowing brush script), Parche (graffiti family), Elegance Monoline (a greeting card script typeface that won an award at Tipos Latinos 2008), Abuelito (script).
Fonts from 2009: Helga (flowing script), Mussica (+Swash, +Antiqued, a delicate Victorian face), Guarapo (hand-printed), Toxic (futuristic stencil), Emotion (comic book face), Bloque 3D, Rock and Cola, Betco's Hand, Telefante (comic book family), Nancy's Hand (more comic book hand-printing), Alambre (multiline/paperclip), Sensual (calligraphic hand), Zape (in the style of Tekton), Antrax Tech (grunge), Masato (handwriting), Hu Kou (oriental simulation).
Fonts from 2012: Tecna (a techno family codesigned with Sergio Ramirez), Neuron (a fantastic 16-style rounded elliptical sans family created together with Sergio Ramirez), Bucanera Soft (blackletter), Bucanera Antiqued (grungy blackletter), Official (a simple monoline sans family), Almibar (a connected calligraphic Spencerian script), Eterea (a roman all-caps family), Eterea LC (the lower case set), Canciller (an italic roman, done with Sergio Ramirez), Quarzo (2012, a formal copperplate script done with Sergio Ramirez).
Typefaces from 2013: Neuron Angled (still with Sergio Ramirez), Alianza Slab (a great-looking slab family), Alianza Italic and Alianza Script (a packaging font), all made jointly by Manuel Eduardo Corradine and Sergio Ramirez.
Typefaces from 2014: Whisky (a large blackletter family with inlines and fills for layering co-designed with Sergio Ramirez; related to German expressionism, it won an award at Tipos Latinos 2016), Whisky Italics, Beauty Script (with Juan Sebastian Rincon), Emblema and Emblema Headline (tall-legged art deco sans family by Duvan Cardenas), Wild Pen (a 1200-glyph set of typefaces that can be used to simulate handwriting thanks to smart replacements in Opentype), Sinffonia (a thin informal typeface with oodles of choices for swashes).
Typefaces from 2016: Naugles (thick display face based on the Naugles logo), Scrans (a modern signage script), Bloque (heavy slab family), Bloque Italic.
Typefaces from 2017: Almibar Pro (connected calligraphic script).
Cozy Fonts Foundry
Creator of the Arabic simulation typeface Aladdin (2012), Skratchbook (2012), Toms Finger (2013, hand-printed cartoon typeface, +Toms Pinky, +Toms Thumb), Noodlerz (2013), Posterface (2014, +Sans; modular poster font family), Speener (hand-printed), Victory Script (2015), Archiva (2016: a useful rounded yet squarish condensed typeface family, +Stencil, +Dropline), Slenderz (2016: a hand-crafted sans family), and Ds Hand (2016, based on the hand of Danielle Nikosey).
Santiago, Chili-based designer (b. Santiago, 1977) of the display typefaces Tosca (2005, Egyptian), RotulaCG and of Paquidermo (2003). He created Origen (2002-2003), about which he writes: "Origen is a sexy soft typeface that not only cares about legibility in small sizes but also the particularity each character has at 24pts. or more. It was created from a logo designed for a potter whose work is based on simple and friendly forms developed from the origin." Origen can be bought at Union Fonts. He has been working on El Chino (2004, a stencil type). He studied Graphic Design at the Finis Terrae University, graduating in 2001. In 2002 he continued his studies at the Typography Diploma in Pontificia Universidad Catolica de Chile, where he started Origen. He now works as an art director in Ce Diseña, one of the most important firms of global branding in Chile, and as an independent designer for several artistic projects. [Google] [More] ⦿
Cruz Fonts was established in Oakland, NJ, in 2004 by Ray Cruz, who has been a designer of custom lettering and custom typefaces to major ad agencies, publishers and corporate clients in the New York City area for almost 30 years. He has created many display typefaces for Agfa/Monotype, Bitstream, Phil's Fonts and Garage Fonts. Presently Ray Cruz is working as Type Director at Y&R NY, and is an adjunct professor at FIT and Kean University teaching type design. Bio at Garagefonts.
Game writer, game designer, graphic artist, and the creator and owner of Cumberland Games & Diversions, b. Cumberland, MD, 1971. He lived in Austin, TX, but is presently in Denver, CO. Typefaces by S. John Ross include Kentucky Fireplace (2016), Bad Guy Black (2015, an engraved currency font), Silvery Tarjay (2015), Iron and Brine (2015), Afton James (2015), Fountain Avenue (2013), Axe Handel (2013, grunge), Sans Sara (2011, geometric organic sans), Growly Grin (2011, grunge), Gelio (2011, Greek simulation family; +Pasteli), Shock Shimmy (2011), Gelio Greek Diner (2011, Greek simulation face), Rugged Ride (2010, a texture font), A Love of Thunder (2010), The Day That Love Came To Play, Unity Dances (2009), Knits and Scraps (2008), Heirany Slight (2007), Merchant Copy (2006), Hexpaper (commercial: font for printing out hex paper (for puzzles and such)), RisusLCBDingbats, RisusLCBKringlebats, TemphisSweatermonkey, HultogSnowdrift (2006), Hultog Engraved (2006), Encounter Critical, Erthe Gaming Systems (art nouveau), Tender Goliath (a heavy slab serif), Temphis Spidersilk (2005), Ten Ton Ballyhoo (2005, grunge), Vermin Magic (2005), Uneasy, Tombs of Rivulax, Almanac of the Apprentice (2005), Yemite Snow Letters (2005), Seven Miles to Heirany (2005), Bold Marker (2005), Apostate Cancer (2005), Bydee Man (2005, based on the handwriting of Austinite Brian Joseph), Uresia (2005, runic), Dragon Harbour (2005), A Kringle in Time (2004, Christmas dingbats), Vanthian Ragnarok (2004), Regal Demise (2004), Nobody Small (2004), Earwax Wit (2004), Always Joking (2004), Hill Country (2004), Barrel House (2004), Iron Lung (2004), Art Greco (2004, a stone cutter face), Powell and Geary (2004), Wolves Engraven (2003), Homespun (2003), Cup and Talon (2003), Glyphs of Hax (2003), Invader Candy (2003), Temphis Runes (2003, commercial), Temphis Laundry Marker (2012), Temphis Brick (2003), Temphis Knotwork (2003), Temphis Dirty (2005), Struck Dead (2003), Double Slug (2003), Oddbats (2003), Phaeton John (2003), Scrawlings (2003, a gothic font), FountainAvenue (2002), Pokethullu (2002), AtlasoftheMagi (2002), Skuntch (2001), Prison Walls (2002), Downtown Auto (2002), Arvigo (2002), Beccaria (2002, very old typewriter font), Cheap Seven Inches (2002), Nicotine Stains (2002), Apple Butter (2002), Merchant Copy (2006), Mexlar (2002), Eye Socket (2002), Spacedock Stencil (2001), Rutherford (2001), SPARKSScrapbook2001 (2001), Sparks ("from skeletal necromancers to doughty Dwarf warriors to Bigass Ogres to chicks with guns - and now an entire science-fiction set!"), Skull Salad (2001), The Temphis Runes (commercial rune font set), Cock Boat (2001, codesigned with Amy Miles), Marshmallow (2001, by his wife Sandra Ross), Yank (2001, handwriting, by Sandra Ross), Focal Deviance (2001), Darn Ya (2001, typefaces), Punkinhead (jack-o-lantern shaped letters), Rocket Yo-Ho (2001), Thunder Thighs (2001), Dirty Headline (2001, and Dirty Headline v2, 2012: The most successful of the Cumberland stress-fonts is an unlikely typographic hero, released as it was with huge chunks of even the basic U.S. keyboard set missing (it had no apostrophe, for example, and no smart-quotes). Why so limited? I built it for one thing and one thing only, so it only had what it needed. I never expected to see it spread across the globe on buses, TV and movie screens, book coves, web-banners, lottery tickets, signs and clothing. I also never expected it to introduce me to roller derby girls (a whole team of them!), or to hook me up with a pen-pal who means a lot to me, but it's done all those things and more.), Ninja Bootleg (2001), Face Front, Nameless Harbor, Martian Hull Markings (1999), ProtoRooftops (2001), Zarking (2001), Graalek, High Fiber (2001), LastUniform, Wolves&Ravens (2000), Wolves&Ruin (2003), Pigeon Street (2001), Gravel (2001), TheAlchemist (2001), Deco Freehand (2001), Archipelago (2001), Flagstones (commercial), Newfie (handwriting, by Sandra Ross), Hultog (2000), and Lunatic Regular (handwriting, 1999). 15 USD fontmaking service. At Apostrophic Lab in 2001, he designed FuturexApocalypse. The Temphis Runes font set is commercial.
Foundry, est. ca. 2009 in Johannesburg, South Africa, by Jan Erasmus. Jan currently resides in Johannesburg and taught font design for 10 years at University of Johannesburg and Stellenbosch University. His professional activities include typography, websites, brochure design, packaging, branding and type design. He also designed custom fonts for corporations of which Menyaka (for the FIFA world cup soccer 2010) and Nando's fast foods (1999; done together with Cross Colours) are the most noted.
Jan's debut display font family was Thornface (1997, a beautiful medieval font). He then released Transition, Lalibela (2009, didone), Pixeluxe and Azania (Tuscan, Western). Other fonts include Sade (a relative of Garamond), Export Unicase (1999, stencil), Mzansi (2007, an African look font), Shaftciti (2008, military stencil), Pixeluxe (2010), Giramundo (2010), Transition (2006), Ethereum (2015, a Cyrillic emulation typeface).
Vienna, Austria-based designer (b. 1964) of Brooks (2016: Peignotian), Plagiata (2016, a modular sans typeface) and Bernd (2016, a stylish script typeface).
Typefaces from 2017: Antaris St CF (stencil), Antaris CF, Madame Flacon (inspired by the logo of Marionnaud Parfumeries). Dafont link. Devian Tart link. Store where one can buy some of his fonts. [Google] [More] ⦿
Parisian designer (b. 1981) of PixArrows (2010, pixelized arrows), BeijingWigoWhat (2005, Indic simulation face), Coin Locker Datura (2005), Fucked Plate (2005, grunge typeface entirely based on old license plates), Destroyed License Plate (2005), BonesBummer (2005, scratchy handwriting), VerArmy (2005, stencil), Knife Fight (2005), Veru Serif (2005), Belgian Army (2005, no longer offered), Bnko (2005, no longer offered), Abuse (2005, handwriting) and Sweeep (2005, typewriter simulation), PoscaMadThrasherz (2009, graffiti), Rififi Serif (2010, pixel face). Alternate URL. Yet another URL. Old URL. [Google] [More] ⦿
Dan M. Zadorozny
German graphic designer who has his own studio. He created the (free) experimental font family Drebiek (2008) around the theme of the triangle, the morbidly obese Diet-Fat (2008), Cartoons Abstract (2009), the monoline Cinga (2009), the experimental Boss M (2009), the art deco stencil typeface Trage Keinen Namen (2008) and the simple handwriting typeface Berger&Berger Caps (2009). One can also download a font tool called Typometer. At Dafont, he calls himself Dundeee.
Sheffield, UK-based creator of Sidekick (2016, an all caps typeface for children), Incido (2016, a straight-edged typeface family), Plate Mono (2015, a monospaced all caps stencil typeface), Paper Cut (2012, a geometric typeface) and Ivory (2015, a rounded octagonal titling sans).
Darren Scott Typographics (was: Truth Design)
Darren Scott Typographics (was: Truth Design) is Darren Scott's design firm in Manchester, UK. Darren Scott graduated from Salford University in Manchester with a Design Practice Degree in 1996. Formerly the Senior Designer and Typographic Consultant at McCann-Erickson Manchester, Darren now runs his own consultancy, Truth Design. Their type design includes typefaces such as Aggregate, Amplifier (hairline geometric), Berliner, Como (artsy display), Imprimitur (serif), Mechanic (influenced by the poster types found in advertising during the industrial revolution), Nitrogen (hookish sans), Press On (grunge), Rivo (stencil), Rub On, Sodium. All typefaces available from FontWorks. Before Truth Design, which started in 2007, Darren Scott sold and licensed his typefaces through various firms:
Designer of wonderful teasing fonts: Alpha Silouettes (three versions), Cherished Teddies. And now, the most exquisite of all erotic fonts, VintageErotique (by Darrian and Itieu), LilGent, DelightfulLilDragons, DarriansSexySilouettes, SexySilouetteStencils, Butterflies by Darrian (dingbat), Hearts by Darrian (dingbat), Equestrian by Darrian (dingbat), EasterGirl, Butterfly Letters, Catstuff (by Glenda Moore and Darrian), Critters by Darrian (dingbat), Lots of Frames (dingbat), DarriansFrames, Buds and Blossoms (dingbat), Dollybat (adult), ElvgrenPin-ups (adult), FloralGarnish, SnowflakeLetters, BatmanandCompany, BeautiesbyBillWard, ButterfliesbyDarrian, ComixCuties, CrittersbyDarrian, CutiesbyCarlos, DarriansFramesTwo, DarriansSexySilhouettes (4 files), Egyptian, EquestrianbyDarrian, FloralGarnish, LatticeLetter, Portrait, Smurf. Since May 2003, the new erotic dingbat fonts (such as Femlin) are no longer free.
Designer, aka nemoorange, who used FontStruct in 2008 to make Remigius WIP (blackletter), Chambermaiden WIP (blackletter), Masphalt (a rip-off of Black Sabbath by You Work For Them), Minutia, Bloc War, Phantsied, Halliday (ultra stencil), Sally Shadow, Ben Day, Izack (experimental stencil), Clive Rounded, Milius (blackletter), Hamleigh (blackletter), Sabatino, Radish, Rosslyn and Rosslyn Metal (futuristic), and Boritone (squarish), Francero Wide (big slab serif), Squabble, Bradshaw Bold, Gretzatz, Quint City (stencil), Remigius (blackletter), Remigius Heavy. Additions in 2009: Bradshaw Bold, squabble, Tom Tussle (pixel face), Curtis Heavy, Curtis Pixel 14, Hermione Black (slabby),
David Fleming Nalle
As a student in Barcelona, David Pascual created the stencil typeface The New Deco (2013).
David Neustadt ("saberrider") is the designer who used FontStruct in 2008 to make the experimental fonts Eye Pain, Colorblind, Big Blue (like IBM's stripes), Cord, Fontsract (a nice stencil face, based on piano keys), Dice (great; based on an idea of Daniel Pelavin, 1996), Blux (liquid crystal), Blockiger (octagonal), athletica (athletic lettering), divided (two lines, octagonal), edgewalker (heavy slab serif), geomatrix (filled-in letters), olympica. Other creations include Picto People (2008, a great people figure dingbat font), Carmack (2008, octagonal), Pluto (2008, white on black), Pluto Lowercase, Arena Berlin (2008), Katja (2008), Average (2008), Unbalanced (2008), Solido (2008, based on Ata Syed's FS Minimal), Noise (2008, grungy school letters), and Diagonalis (2008, diagonally striped letters).
In 2009, he added Hexastruct, Curvy, Genero (fat face), Plagiacotti (Western saloon font, based on Manicotti, 2007, by David Jonathan Ross), Rasterman (+Bold) (gray effect fonts), Krummbein, Cohen, Mister N (handwriting), Monobono (shadow face), Letter Case, Mikado (3d-stroke font), Boulder (ultra-fat), Night Shift (semi-stencil), Tuvalua, Ripper (fat, counterless), Poff, Blackstruct (blackletter), Borders and Borders2 (outlines of countries).
Typefaces from 2010: Squeeze, Puncture (dot matrix outlined), Yobbo (condensed, counterless).
Donald Beekman (DBXL, est. 1999) is a graphic and audiovisual designer (b. Amsterdam, 1961), who studied at the Rietveld Art Academy from 1979 to 1984 and then started his own graphic and music studio in Amsterdam. He designed many typefaces, most of them emanating from logos or artwork designed for his clients, often from the music and entertainment industry. Since 2004 he has been co-hosting Typeradio, the radio- and podcast-station on design and typography. He set up Vette Letters. Dafont link. Alternate URL. His fonts:
de Valence is a graphic design and type design bureau in Saint-Ouen, France, run by Alexandre Dimos and Gaël Étienne. Their typefaces: Dada Grotesk (2007, Optimo), Dodo Grotesk (2005), Trois-cent quinze (2003), Le Gras (2004), Manuel (2003, stencil), Sweet Sweat (2004), Le Gros (2003), Sansas (2005, futuristic). [Google] [More] ⦿
Eric Eaton is a graduate from the California College of Arts and Crafts, San Francisco, CA (1997). He is a design director at Wired Digital in San Francisco, since 1996. He has made some experimental fonts (not downloadable): Bricks Are is a 2001 take on Akzident Grotesque, JAT is a 2000 serif face. Deliberately (2001) is a stencil face, Labyrinth (1999) is the ultimate pixel face, 3 by 3. Popva (1993) is based on a version of a logo for the City of New York (Street Cinema). [Google] [More] ⦿
FontStructor in Oakland, CA, who made DM/LM (2012: ultra black), dm Subfour (2012, experimentally vertically striped typeface), dm Streamline (2012), dm Clas (2012), dm New Humanist (2012), dm Blockd (2012), dm Scythe (2012), dmcm Erebus (2012, counterless), dm Kronos (2012), dm Parkway (2012, art deco), dm Parkway 3 (2012, for the Oakland Parkway Theater), dm Parkway 2 (2012), dm Xu (pixel face), dm E dim (2012), dm E light (2012), dm Eiros (2012, +Aliens, +Typicals, +Unrecognisables), dm Pop (2012), dm Informe 00 (2012), dm Solidus (2012), dm Me (2012, stencil), dm Nova (2012), dm Supernova (2012, a condensed piano key face), dm S 1 (sans), dm Spira (2012), dm Minium (2012, a jungle face), and the powerhouse slabs dm Banx10 (2012), dm Banx 11 (2012), dm Metrigue (2012, blackletter), dm Istruct (2012, pixel face), dm Wharf (2012), dm Solidis (2012).
Typefaces from 2013: dm Yes, dm Legimono.
Designer at FontStruct in 2008 of teste_2, a gorgeous piano key stencil face, which he says is a copy of Crea by Corey. Corey in turn tags Armin Hofmann, the influential Swiss type teacher. [Google] [More] ⦿
Det danske Skriftstøberi Harry Løhr
Rian Hughes studied at the LCP in London before working for an advertising agency, i-D magazine, and a series of record sleeve design companies. Under the name Device he now provides design and illustration for the advertising, entertainment, publishing, and media industries. He works from Richmond, UK, as a comic book artist, letterer and typefounder---his foundry is called Device. He creates mostly display type. List of fonts. Interview. Review by Yves Peters. Monotype Imaging page. Interview by Die Gestalten. Various (overlapping) font listings, still unorganized.
Chris Lozos (aka Dezcom and Dezcom Typefaces) is a Washington, DC-based (well, now Falls Church, VA-based) graphic designer and Vietnam veteran, b. 1944, Pittsburgh, PA. He studied Design at Carnegie Mellon University where he earned a BFA in Graphic Design (1966). While at CMU, he studied with calligraphers Arnold Bank and Howard Glasser, who both brought out the love of historic letter-forms and learned to set hot metal type in the Laboratory Press established there by Jack Stauffacher. Chris also was influenced by guest professors Hermann Zapf, Rudy DeHarek, Martin Krampen and Gui Bonnsieppe (of the HfG Ulm). He attended Graduate School in Visual Communication Design at the Ohio State University from 1972 through 1974.
FontStructor who made the LED style futuristic typefaces Galaxsea Starlight Mono (v2, v3) (2012), Galaxsea Darkmatter (2012, +Light, +Normal: a techno stencil family), and dNN's Wedgey Tools (2012). [Google] [More] ⦿
Digital artist from Milan who graduated from Politecnico in Milan. She created a branding and wayfinding type family for the city of Genova in 2010. This includes Zena Sans, Zena Pittogrammi, Zena Contrastato (Peignotian), Zena Pixel, Zena Unicase, and Zena Stencil. [Google] [More] ⦿
Born close to the Black Sea coast in Romania, Diana moved to Austria as a child, where she attended the American International School. After graduating from the New Design University in St. Pölten, she worked as a graphic designer, mainly on book and corporate design projects. In 2013, she graduated from the Type & Media program at KABK in Den Haag.
Creator of the hairline face Opium (2010) characterized by teardrop terminals. Creator of Paige (2011), developed at the tipoRenesansa 3rd international type design workshop in Ljubljana, Slovenia. This is an attractive and bouncy papercut display face. Marge (2011) is edgy and highly legible even at very small sizes---it was developed at the tipoRenesansa 2nd international type design workshop. Paige Italic (2012) was done at tipoRenesansa 4 and TypeClinic 5 (2012).
Her KABK graduation typeface was Editura (2013), a a type family for serious publications, magazines, as well as non-fiction books.
At The 8th Interantional Typeclinic in 2014, she continued work on an untitled text typeface. At Die Gestalten, she published Paiper, an extraordinarily balanced and readable 6-style text family with angular flared glyphs that are genetically related to folded paper strips.
In 2014, Diana collaborated on the design of HF Stencil with Bold Monday and Studio Thonik. Made for Holland Festival, HF Stencil is based on Glaser Stencil.
Dick Pape (Dallas, TX) is digitizing the Dan Solo books one by one, and has digitized many other sources of alphabets and images. He started making fonts ca. 2007. In 2009, he was doing Solo's art deco tome. He is on several font-making forums such as High Logic, and is interested in revivals. "Toto" writes: Dick Pape made hundreds of fonts and here are the links to most of his fonts. This list has not been updated and later additions are found in Rapidshare folders. I've missed some and some links had been deleted by Rapidshare during its migration from .de to .com. Some have also been sent directly to the group, like those based on Mada's alphas. It is hard to tell whether the font has been made by Dick Pape. The only indication that he created the fonts is that the font have "DP" as font vendor and/or has "Digitized by TTD" in the trademark field. Both are not present in some of his fonts. He seems not to want to take credit. He is just a guy who wants to digitize anything he likes. In 2010, he made Bultaco, based on the logotype for Bultaco Motorcycles---see Freehostia.
Dick Pape: February 2013
In February 2013, Dick Pape published a number of typefaces grouped together here. Local download page. The typefaces:
Graphic designer in Medellin, Colombia. Together with Catalina Bustamante and Maria Luisa Arias, he created a stencil typeface called Fortune (2013).
Diego holds a Masters from the KABK in Den Haag, 2004. His thesis project was entitled Tuhun. A typographic exploration of the Mixtec language. He made the stencil typeface Nairobi Quality, the text typeface Tuhun (2006), the text typeface Viko (2004), and a font for the Mixtec language of Oaxaca, Mexico. Currently living in Mexico and working with his wife, Kythzia Barrera, in their studio called Frutas y Verduras. He teaches at the Universidad Iberoamericana, in Mexico City. Mainly interested in typography, graphic design and organic agriculture. Speaker at ATypI 2009 in Mexico City, where he explained the challenges posed by native languages in Mexico. [Google] [More] ⦿
Dieter Steffmann's Homepage
FontShop was the name of Dieter Steffmann's foundry in Kreuztal, Germany (not to be confused with the FontShop foundry and font vendor). He made about 600 self-proclaimed "old-fashioned" fonts, and among these many Fraktur fonts. His site became too expensive to run, and is now hosted by Typoasis. Alternate URL. Current list of fonts. See also here. New stuff. Fontspace link. A nice essay about Fraktur fonts accompanies the fonts. News. As Dieter puts it: I am not a designer but I add missing letters to public domain fonts in order to get a complete character set and I hint the fonts and create new weigths (shadow, inline etc.) His Christbaumkugeln font, and how it was made. The font families:
Freeware fonts of the grunge type made by Catsu!t (sic) using CorelDraw in the 1990s: Bubble Bath, Sludge Bucket, Sugarfish, Romeo, Psycho Poetry, Grimace, Grotto, Due Date (grungy stencil font), SleepTalk, Aural Sects, White Neon and Acid Bath. [Google] [More] ⦿
Dilworth Typographics Inc
Type designer (b. New York, 1975) who used to be on the staff at T-26 in Chicago from 2001-2004. His bio at MyFonts: Silas Dilworth focused his typographic vision as font technician and resident type designer at [T-26] from 2001 through 2004, producing various custom typefaces and overseeing the production of hundreds of new releases. In 2005 he started laying the groundwork for TypeTrust LLC, a font distribution partnership co-founded with fellow type designer, Neil Summerour. Silas has produced custom type for such clients as The Food Network, Converse, Cartoon Network, Caterpillar, Aon Corporation, Time Out Chicago, and Columbia College Chicago. In 2007 he joined VSA Partners in Chicago, producing exclusive type for the acclaimed design firm's private use. One such project, an expansive sans-serif text family, was chosen to anchor IBM's refreshed identity system in the iconic corporation's award-winning 2006 Annual Report. He codesigned Adriane Text with Marconi Lima in 2007.
He codesigned Iskola (2002, T-26) with Amondó Szegi. In 2005, he set up Dilworth Typographics Inc, where his own creations include Bridge (his version of Bank Gothic), Cooter, Dilworth (a sans family), Everafter, Lump, Midinote (futuristic), Oberon (heavy Bank Gothic-style typeface with great body), Soren, Trauen, Vandermark and Yesterday. His collaborative typefaces are Diego, Fatty (stencil/headline family, designed together with Chris May), Rickety (outline face, done with Chris May), Alphaben (comic book style), Elidel, Majestos Wide, and Sansarah (commissioned handwriting for Columbia College Chicago, based on the hand of Sarah Faust). At The Type Trust, which he helped set up in 2005 with Neil Summerour, we find Diego, Fatty, Cooter, Cooter Deuce (stylish art deco pair of typefaces, Regular and Plugged), Cooter Slim (like the other Cooters, this makes me think of Pacman), Facebuster (2008, fat slab serif, typeTrust), Vandermark, Everafter, Reservation Wide (2006), Lump, and Rickety. In 2007, he added Breuer Text, Condensed and Breuer Headline (corporate geometric sans families) to The Type Trust. This was followed in 2008 by the 16 weight sans family Heroic Condensed.
Graphic designer in Lier, Belgium, who created several geometric and poster typefaces in 2015, including one called Easy Grid. He also made the stencil typeface Stenson (2015). Behance link. [Google] [More] ⦿
Commercial and free fonts designed by Diane DiPiazza, who lived in Hoboken, New Jersey, and was the original bass player for The Misfits. She is now in Lodi, NJ. Dinc closed its doors in January 2006 but returned some time later in 2006. Most of the fonts evoke the fifties.
Wikipedia states: Diane DiPiazza was the first bass player for the The Misfits, although she does not appear on any album. She left the band, vacating the spot that was quickly filled by Jerry Only. Her name is often incorrectly spelled Diane DiPiaza. Growing up in Lodi, New Jersey, she was a friend of Glenn Danzig, the founder of the Misfits. The first lineup consisted of Glenn on vocals and electric piano, Diane on bass guitar, Jimmy Battle on guitar and Manny Martínez on drums. On the Cough/Cool single, The Misfits first release, she is the Diane who Glenn thanks on the sleeve. Diane DiPiazza is an artist. She is a type designer who distributes free fonts and vintage black and white line art at dinc! She is art director at mystifyinglyGLADdesign, who designs for the web, clothing, and packaging. She designs hand screened gig posters and many other forms of rock 'n roll art, retro art, modern art. A collector of vintage design elements, her style has been called retro/modern. Diane also creates custom hand stamped silver jewelry as well as a line of tattoo inspired pieces. She is in the process of recording a demo LP with the working title Last Year's Fab Rave, on which she plays all the instruments, including bass.
Free fonts include Bobo, Dilettante, Modern-Love, Note-To-Self, Plastic-U, Post-No-Bills, Road-Crew, Saturdays-Girl, Sleeptalk, Sugaree, Mod Guitars, Woof Squared, Hatcheck, Mess Kit, Billy Dolls, Knitwits, Claim to Fame, Girlfriend, Book of Joe, Joybuzzer (2007, rough outline), Autos (2007, old typewriter), U Better, The Con, Claim to Fame, Girlfriend, Book of Joe, Ahmet.
In 2006, she created Road Crew (2006, rough stencil), DINC (2006, blackletter), Post No Bills (2006, stencil), Ashtrays&Art.
Typefaces from 2005: Neat Neat Neat, Shut Up, Hello Hey Joe, Wings For wheels, Trustmaker, Bad To Me, BellBottomBlues, DinkyToy, Funkhouse, Rodeoboy, SaturdaysGirl, SoWhat, Blue Monday, Betcha By Golly Wow, Nathaniel (2005, blackletter), Brillo Blue, Doctor My Eye, Guilt For Dreaming, Rhyming Bells, Bob's Your Uncle, Princess Jasmine, 45, Seven, 7-7000, Ahmet, Alexei, Boxer, Cinema Aisles, Divine Intervention, Synchronicity, Tangled Up In Blue, Tjinder, Untrue, Special Edition 6, 20,000 Roads, Big Diamonds, Charly Baltimore, Dream, Fever In The Funkhouse, Green&Blue, Ring Ring, Swoop Swoop.
Typefaces from 2004: Fuzzbox (2004; not to be confused with Bragagna's pre-2004 font by the same name), Ace In The Hole, Balls, The Christmas Font, Beau Geste, ByeBye, Heart, Loverboy, Sycophant, The Comedians, Fishboy, Truth, King Me, Snapper, Blue Heaven, Oceans Eleven, Fresh Fish Seven, Trason, Your Type, Da Doo Ron Ron, Big Flirt, Dicky Dee, Boxtop, Satellites, Upsmack, Starry, Silicon Chip, Howdy, Grandpa Boy, Scarlet Letter, Capsule, Doggy, Little Eden, Frank Mills, Chewtoy, Jez, OneWitU, BrineShrimp, Joe College (2004, pixel face), stj-fro, One Inch Rock (2004, pixel face), Black Hole, Ya Ya Baby, Blondie, ShaLaLa, Lower Eastside, GeeWhiz, Sixteen, Joe Strummer, Amy Johnson, JoJo, JodiGirl, Zelda, Hipster, LaDolceVita, LittleLove, Mod, MrEarl, Noveltease, QBats, Ranger, Rhymes, BarkingDog, BFBigmouth, BooHoo, Chance, CowardSquared, Cupid, DincCorona, FiftyFive, FunkyBut, Gamble, HelloHello, IdiotWind, JimmyCap, Luck, Metropolitan, MidnightKiss, Mine (2004, letters in hearts), PerfectCouple, Resolution, Spitball, StencilMeIn, TypeToyNight, YrChickens.
Typefaces designed in 2003: 11592003, 2004, BrokenPromise, DincCorona, DoublyBlessed, EchoPark, FiftyFive, Fishing, FunkyBut, HelloHello, Hoboken, InstantKarma, Integrity, KaseyMac, MidnightKiss, PeppermintLump, Resolution, StencilMeIn, ThreeCubicFeet, TypeToyNight, Crybaby, DeepDark, MajorLift, Mikes, MinorFall, Beeper, Kate, Blacktop, Def Caroline, EZ Bake, JoJo, Kima, Bait, Dreamgirl, Sugar Daddy, Friday, Birth of the True, Soul Deep, Virginia Plain, Feelin' Groovy, Sunday SF, Socks, Boy Toy and Sweet Potato, FunnyValentine, Laura, LonelyFrog, Pati, BrokenDoll, Placemats, Satori, Scout, ThousandLies, ThousandOceans, GetTheeGone, Promises, Rudeboy, YuppieFraud.
Typefaces designed in 2002: Emmanuel, Strummer, Teardrops, Busterboy, Evergreen, Blulite, Respect, Pretty Baby, Hickory Wind, Chelsea Boys, Femme Fatale, Tour de Lance, Peppermint Lump, Ce La Luna! Nous, El Goodo (2002, pixel font), Big Boy, Farfallena, Life On Mars, Saturn Return, GeeWhiz, Train in Vain, Massive Blur, Lonely Planet Boy, Littlebits, Secretarial Pool, Eight Bits, Firefly, Fluff, Startone, Cupcake, Diet Dr. Creep, Dr. Creep, messaround, Pencilbox, Crush No 47, Crush No 49, and Dialtone. Mac and PC. Plus Starry F. Hope (1997) at Chank's site.
Commercial fonts: Booboy, Ingigo (2001, script font), Rufus (2001: four pixel/bitmap fonts), Chinese Symbols: Good Fortune, Zen Fontkit, Boxtop Fontset, Bachelorette, Retrobats, Jailbait, Grievous Angel, Milky Way, Spyboy, Light Series: Spotlight, Cameralight, Streetlight, Firelight, Torchlight, Lovelight, Moonlight, Sunlight, YaYa, Alvin, Amplifier, BigBeatBold, BigBox, Bit-Thing, Boxboy, Chatterbox, Chinatown (oriental simulation), Chopsticks, Console, Cup O'Joe, dincBATS, dincINK, Dinette, DincINK (1998), Dixie, Dreamboat, Duojet, Esquire, Fireball, Flashlight, FourWay, Geebot, gomer, goober, Highball, Homework, jacks, Jetage, Jetage Hi-Fi, Jetage Lo-Fi, Kingbats, Light Series, Loverboy, Moondog, Mister Lee, Mr. Big Stuff, PaperTiger, Pipeline, Popstar, Pushpop, Recordhop, Rocketship, Roundup, Rubberduck, Satellite, Scripto, SquareBox, SquareCircle, Speedometer, Starlite, Sugar, Swizzle, Thinman, transistor, TwinTone, Ultramatic, Variable Videobox, W. Square, Wash&Wear, Whatnot, Winky, Yin Yang, Tight Toy Night, Funtime, OCRDINC01, 02 (OCR-like fonts), Whirlwind, Gaslight, Love, Captain, Funtime, FiFi, Fakebook, FlameJob, OCRDINC, Tight Toy Night, Swingbats, Good Fortune, Zen Fontkit, Bachelorette, Retrobats, Jailbait, Grievous Angel, Milky Way, Spyboy, YaYa, Boxtop Fontset, Light Series: Spotlight, Cameralight, Streetlight, Moonlight, Sunlight, Firelight, Torchlight, Hotrod, Iceberg, Gutterball, Homewrecker, Bubba, Starry Night, Lady Luck, Automobile, Hydromatic, Seventeen, Whirlwind, Gaslight, Love, Captain, Swingbats, FiFi, Flamejob, Fakebook, Madness, Apple Scruffs, Marmalade, Queen of Corona, Cupcake, Starry Eyes, Juice, Fivebits (2002, pixel font), Matchbox, Hot Burrito #3, Fishsticks, Eightbits (pixel font), FoolsGold, Drive, Sleepwalk, Icecube, Pruneface, Witness 2HB, Zerogirl (stencil font, 2002), Fairytale of New York, Levi Stubb's Tears, AllModCons, Babylon, BigBoy, ChampsElysees, ConcreteandClay, ElGoodo, Farfallena, Heroes&Villains, LifeOnMars, LittleRamona, MerseyBeat, MetalGuru, Missile, OnYourBike, Pinup, Reconnez, SaturdaysGirl, SaturnReturn, ShepherdsBush, Tatum, TiniestDancer, TumbinDice, VeraGemini, YesterMe, Rising, Treason, Monami Vrai, Robot Girl, Tattooed Sailor, Sunrise, Midnight, Kakadu, Ana, Ace, Yobbo (2002, dot matrix font), GoGo (2002, pixel font), Waltzing Matilda, Memorial Day 911, Good Riddance, Boys, One Tin Soldier, One After 909, Joey , Infidelities.
Dino dos Santos
District (was: CV Type)
CV Type, since 2013 called District, is Galen Lawson (b. Greensboro, NC, 1975), an artist who specialized first in graffiti type and logotypes and then expanded to cover all bases, including several distinctive masterpieces such as Blancmange and Hoban. He lives in Washington, DC. In 2013, CV Type became District.
His creations from 2010 until 2012: Aeron (2010, semi-serifed family, with a crippled lower case h), Hijinx (2009, a headline face), Verlico (2009, a take on Optima), and Frusta (2010, a 5-style slab serif family), Level (2010, an elliptical sans family), Reverie (2011, a curly sans), Encoder (2011, a slabby stencil family), Blancmange (2012: a tall informal semi-brush family), Reverie OT (2012).
Slovak designer who lives in Bratislava. He created the sans typefaces Deva Ideal (2007, 10 styles dedicated to the beauty of women! See also here) and Poleno Sans (2007), a great custom typeface with the broken look of Preissig's old typefaces and poster type. Poleno was originally designed in 2006 for the Slovak folk dance ensemble Poleno, as a part of their corporate identity. It has 12 styles now. Dezen (2010) is a contemporary, mechanical grotesque typeface family. It includes a Stencil subfamily. Komu (2010) is constructivist.
His graduation project at the Type and Media MA program of KABK was Preto (2009), a multilingual type family which explores the impact of serifs in legibility and readability (+Sans, +Sans Basic). He says: The three core styles that structure the family (sans, semi and serif) are particularly useful in the context of multilingual typesetting to achieve an even colour in equivalent texts written in different languages.
In 2010, he created Rukou, a script that reminds me of Sütterlin.
In 2011, he made Anca (playful rounded monoline sans).
Typefaces from 2014: Preto Semi.
Typefaces from 2015: Kontrast Grotesk.
Ukrainian type designer (b. 1977, Buryn) who graduated from Sumy State University in 1999. Since 2002, he creates digital fonts. He also works at Dancor advertising in Sumy, Ukraine, since 1997. Very prolific, his work includes a substantial number of commissioned typefaces for magazines and companies.
He received a TypeArt 05 award for the display family DR Galushki (and DR Galushki Hole, 2011), which was designed for children's books. Other creations: LQ Wow and LQ Anisett (2010, for women's magazine LQ), LQ Didot (2011, also for LQ), Dekapot (grunge), Gomorrah (2013), Usquaebach (2013), Kinescope (2013), Goshen (2013), Rhode Black (2014), UT Magazine (2014), Madmix (2014, for Esquire), Variety Square (2015, for the nmagazine Variety), DR Agu (comic book face), DR Agu Sans (2013), DR Agu Script (2016), DR Trafaret (army stencil face), DR Vixi, DR UkrGotika Sans, DR UkrGotika Serif, Tsar Peter, Pelican (for Esquire magazine), Fugue.
In 2014, Gayaneh Bagdasaryan and Dmitry Rastvortsev created the Latin / Cyrillic sans typeface family Brutal Type (Brownfox) that is genetically linked to DIN.
In 2014, Dmitry Rastvortsev, Lukyan Turetsky, and Henadij Zarechnjuk cooperated on the design of the free Latin / Cyrillic handwriting typeface Kobzar KS, which is based on the handwriting of Taras Shnvchenko, a famous Ukrainian poet, artist and philosopher.
Istanbul, Turkey-based designer (b. 1993, Bandirma) who studied fine arts at Marmara University and set up his own commercial typefoundry in 2014. Creator of the free poster font Bakunin (2014: Regular, Outline, Stencil), which is named after anarchist philosopher Mikhail Alexandrovich Bakunin.
In 2015, he created the deco typeface A Demetracopulo, named after the architect, and the octagonal typeface Rolanti.
Designer at FontStruct in 2008 of Waffle, Nice Shot (target alphading face), Plumstruct (a beautiful partition face), Roadblock, and Mthr Fckr (stencil, +Alt). In 2009, we find Trouble and Stripe (vertical stripes), Quarterback (athletic lettering face), Fuzz (experimental texture face), Nice Shot (alphadings), Metric, Fourmat, Mongol Metric (squarish), Volume Metric (3d), Volume Metric (+LO, +HI, 3d typefaces), Archityped (based on Bayer's Architype), Subbed Station, Neo Modul (counterless), Heffer (counterless), Perfd (dot matrix), South Central Swiss, Jaunt, Checkout II, Kurrupttd, Checkout, Container ISO Regular, Perfd Regular (pixelish), Lost Outline Condensed (pixel face), Nice Shot (alphadings), Korruptica (Helvetica grungified), Aurora (+II), Beagle (blackletter), Yoga, Trouble and Stripe, Roadblock. [Google] [More] ⦿
Hruza runs Dominik Hruza studio in Vienna, Austria. Designer of the old typewriter font Lettera32 (2002), a simulation of Olivetti Pica. He also made Behrens Neue Capitals (2004), the graffiti font Tag.Do (2003), Courier Sans Stencil (2007) and Miinnora (2003), a font in the style of Amelia. Dafont link. [Google] [More] ⦿
Double Alex Team
Cyrillic type outfit, whose fonts were mostly designed by Alexey Chekulaev in the mid 1990s as extensions of Latin fonts. Double Alex stands for Alexey Gunin and Alexey Chekulaev. The list of fonts, all in Cyrillic and many in Latin as well:
In 2014, he designed these typefaces at Paratype: Suvenir Rus (inspired by (psychedelic) artwork of Grigory Klikushin; the original at Double Alex is from 1994), Demosfen (Greek simulation font). Still in 2014, Chekulaev and Akira Kobayashi (Monotype) won a Granshan 2014 award for the Cyrillic typeface SST.
Down10 is San Francisco-based Jesse Burgheimer, the designer of the wormy font Munificent (1997) based on the logo of the Muni (San Francisci Municipal Railway) designed by Walter Landor, of Swerve (2000, octagonal), of Jamtoaster (2000, based on the logo of Adaptec), and of McLawsuit (2000, based on McDonald's lettering for the arches). Spokes (2004) is a heavy geometric typeface based on the English IDM recording artists Plaid, from the cover of their album Spokes. The original typeface design was made in The Designers Republic for Warp Records.
There is also a Down10---probably Jesse Burgheimer---at FontStruct, where several modular typefaces made in 2015 can be downloaded: Billing-Black, Billing-Bold, Billing-Heavy, Billing, Bitties, Changeup, Enforcement-Bold, Enforcement-Light, Enforcement, Fipi-Lele, Fipi-Lele-Shadow, Foilness (a textured halftone typeface), Grateful (Western font), MICRal (a MICR font), Munificence (an inline typeface), Ordinance-Bold, Ordinance-Light, Ordinance (stencil font), Scanlord, Stripelane, Tracking-Blur, Tracking-Outline, Tracking (pixel typeface).
FontStructor who made the piano key stencil typeface Ektarulo (2010), the Futura Black-style Plukamazorg (2010), the macaroni brick typeface Octomi (2010) and the slabby Octavius (2010). This typeface has a spectacular lower case g. [Google] [More] ⦿
Belgian designer who has a bachelors in graphic design from St. Lucas, Gent (Belgium) and ArtEZ Arnhem (The Netherlands), and a Masters in the same area from both places. He lives in Gent and loves mussels (or, at least, he loves to make posters of mussels). Behance link. He list of typefaces:
Established in 1994, dstype used to offer free fonts but has gone commercial now. It is run by Dino dos Santos (b. 1971, Oporto) from Oporto, Portugal. He graduated in Graphic Design at ESAD, Matosinhos. He received a Masters degree in Multimedia Arts at FBAUP, Porto. MyFonts place. In 2006 he won the Creative Review Type Design Competition in the Revival/Extension Family. At ATypI 2006 in Lisbon, he spoke about Portuguese lettering since 1700. Interview in 2007. Pic. Klingspor link. Dino created these typefaces:
Dunwich Type Founders
Dunwich Type Founders (or: DTF) in New York City run by James Walker Puckett (b. 1978, Virginia), who graduated from the Corcoran College of Art and Design in Washington, DC. Blog. Behance link. Fontspring link. Type Library. Typefaces:
Ko Sliggers, b. 1952, Bloemendaal, The Netherlands, was a young designer at Studio Dumbar. After that, he became a professional cook in Rotterdam, Italy and France, switched back from food to design, producing challenging visuals at Studio Anthon Beeke and, in 2002, set up a one-man studio in Lalleweer, in the province of Groningen, called Dutchfonts. He was trained by Chris Brand at the St. Joost Academy in Breda. Ko created these commercial typefaces: DF Tapa (2007, irregular hand), Camino (2006, an austere sans), Ko (1997, six stencil styles), Etalage (2000), Arienne (2000), Staple Mono (monowidth typewriter family), Staple Txt (2005), Pommes (based on type cut out of potatoes; 8 styles), Daantje (dog dingbats) and Ko (1997, rough stencil). His own web site. MyFonts page, where you can buy DF-Arienne, DF-Etalage, DF-Ko, DF-Pommes (2005, potato cut typeface family), DF-Staple Mono, DF-Tapa (2007, grunge), DF-Mercat (2007, dingbats inspired by Barcelona's Ramblas), DF-Pigtail (2008, seventies-style script family), DF-Zzzz (2009), DF Camino (2009, a sans that is modeled on traffic sign sans typefaces), DF Stromboli (2010: It was written with a coffee spoon, acting like a broad pen, in the ashes of the Stromboli volcano right on top of a scanner. ), DF DejaVuPro (2010, an amalgam of sans typefaces), DF Game Over (2011, sketched face), DF Scheurze (2012, a great fat rough stencil face).
Typefaces from 2015: DF Charlie Go (free typeface designed immediately after the Charlie Hebdo attack in Paris), DF Park (experimental font started in 2013, originally made to dress up the facades of a food exhibition).
Design studio in Leicester, UK. Designers of ED Stencil Rund (2012).
There is also a publishing component to Editions 205. Works published by them include Tout le monde connaît Roger Excoffon (2011), which was written by Alan Marshall (director of the Musée de l'imprimerie, Lyon), Tony Simoes Relvas, and Thierry Chancogne.
Moscow-based designer. With Peter Bankov at the Prague School of Design, he created an experimental stick font (2016). He also made the Latin / Cyrillic stencil typeface Modul (2016). [Google] [More] ⦿
Originally trained as a journalist in 2009, Ekaterina Kochkina became Art director of the DesignDepot group in Moscow, art director of the Kak magazine and tutor at the British Higher School of Art & Design, also in Moscow. In the TypeMedia program at KABK in Den Haag, Ekaterina Kochkina (Moscow) designed Samsa (2015), an angular display typeface family that has a fat stencil style. [Google] [More] ⦿
Designer with Ian Lynam of the heavy stencil typeface Black-Out (2010, Wordshape) and of Interno (2006-2009; a headline paperclip typeface based on a Walter Ballmer Olivetti logo exploration drawn in 1960). [Google] [MyFonts] [More] ⦿
Graphic designer in London who graduated from Camberwell College of Arts, University of the Arts London. She designed the humanist sans typeface Henk (2016) and the stencil typeface New Shoes Theatre (2014). Behance link. [Google] [More] ⦿
Ellmer Stefan & Johannes Lang
Stefan Ellmer is a Norwegian type designer based in Oslo. In 2014, he set up the commercial typefoundry Ellmer Stefan & Johannes Lang with Johannes Lang.
Codesigner with Joakim Jansson and Dag Laska of the bespoke typeface Aker Brygge Display (2012). For an architecture magazine, he created Corvus Corax at Skin Designstudio. The Science typeface family was commissioned by Work AS.
Other typefaces in development include Amalgam and Yorrick Tristram (a baroque typeface). He also designed the grotesque typeface family Georges. Still in 2013, Johannes Lang and Stefan Ellmer codesigned the free display typeface Brevier Viennese (Langustefonts). It is based on a Victorian typeface called Viennese by the Fann Street Foundry from 1874.
In 2014, he created Ur 1927 and writes: Ur 1927 is a digital reanimation of the original sketches by Paul Renner made for the typeface that later became Futura as part of the social-housing program Das Neue Frankfurt in 1927. Ur 1927 is not an auto-traced imitation neither an interpretation of the original source---like other revivals of pre-digital type---but an attempt to grasp the inherent design principles of the original design and the ideological impetus intended by its maker. Ur 1927 is sticking stubbornly to the sketches made in 1927---not performing any optical compensations or deviations from geometrical construction. In addition it incorporates all (!) alternative---radical even to contemporary eyes---letter shapes drawn by Renner.
Schouss Plass (2014) is an angular display typeface developed for Schous Plass, a youth café and concert hall in Grünerløkka, Oslo.
In 2014, Johannes Lang and Stefan Ellmer revived the frilly Victorian typeface Stencil Gothic originally designed by John West in 1885.
Sentralen Oslo (2016). They write: A set of 3 text and one display typefaces for the branding of a new multidisciplinary cultural site based in the old town of Oslo, Kvadraturen. The text styles are based on the former stationary of the Oslo Sparebank, which later became the foundation responsible for the redefintion of the old bank building. The display typeface is a derivate of the logotype (not shown) and is intended for use in the site's wayfinding system. These typefaces were commissioned by and developed in close collaboration with Metric Design, Oslo.
For a school project, Eloi Canals Serra (Barcelona, Spain) created the free Gaudi-inspired curly and curvy typeface Gaudinia (2011, Farga Catalana de Fonts). In 2015, he created the fun erotism-inspired La Castiglione (2015), and the futuristic stencil font Hangar 18. Still drawing inspiration from his hometown, he designed Barcelona City Block in 2016. This octagonal typeface reflects on the characteristic octagonal intersections in the city. Behance link. [Google] [More] ⦿
Designer at ParaGraph of PT Ornament (1992), Numerals (1992, letters in circles), PiGraph A (1992, arrows), PiGraph B (1992, dingbats), PT ITC Studio Script (1994, a Cyrillic extension of Pat Hickson's ITC Studio Script, 1990), Corrida (1989, based on Helmut Matheis' Slogan, 1959), Astron (1991), after a design Gonzales Jeanette by Francisco Gonzales (Photo Lettering Inc). She also made a Cyrillic version of Renner's Futura Black, called Futura Eugenia (1987, Polygraphmash), as well as Parsek (ParaGraph, 1990), based on Brush Script (ATF, 1942, Robert E. Smith).
Emmi Laakso (Chicago, IL) designed Manifesto, which is a friendly, but authoritative open-source stencil typeface intended to be used by non-profit organizations and individuals to propagate sociopolitical messages in public environments. There are Manifesto Rounded and Manifesto Geometric.
Design studio of Ben Wittner, Sascha Thoma and Daniel Fürst, located in Berlin. Custom fonts made by them include Newface 51 (for M4 Models / Newfaces), Rayon51 (2011, a monoline sans for the magazine Animated), Futur-A-Script (2010), Bodoni Stencil (2009, for Chris Holzinger), Baseet (2009, an Arabic script typeface done with Pascal Zoghbi), Holzinger51 (2008), and the Talib family of typefaces (2008, Arabic simulation fonts). [Google] [More] ⦿
Ergo Hiki (or: Ergo Fonts)
Buenos Aires-based designer of the free abstract display typefaces Lain (2014) and Ohmu (2014). He also made Kuurude or Kuudure or Sona (2014, a fashion mag font), Sahaquiel (2014), Kirishiki (2014) and Magnesia (2014).
In 2015, he made Chiba (thick hand-crafted vernacular signage font), Ganguro (a free piano key typeface), Mizore (a free pixel font), Touka (sans), Kohta, Asuna, Ayanami (free), Usumi (a brushy script), Sumire (fat finger font), Nagato (Peignotian caps), Eiga (a free octagonal typeface), Shiro (octagonal piano key typeface), Bishoujo (brush script), Misato (brush script), Mikuru (brush script), Sensei (free brush script), Chizuru (watercolor brush script), Yamcha (free hand-crafted typeface), Gasai (a grungy textured typeface), Hokage, Kaneda (free), Kagome (free), Metagross and Kagura (a severe but free modular type inspired by religious repression in the middle ages). His fonts are made with FontStruct.
Typefaces from 2016: Gessekai, Amaterasu (textured all caps typeface), Boketto (free unicase), Obake.
Typefaces from 2017: Natsu (brushed font).
Eric Kindel is a designer, writer and Lecturer in the Department of Typography&Graphic Communication at The University of Reading. He lives in London. Eric Kindel's project at Central Saint Martins College of Art&Design (London) includes an on-line survey of typeforms.
At ATypI in Rome in 2002, he spoke about stencil letters ca. 1700. This talk was followed by a talk on the same topic at ATypI 2006 in Lisbon (with Fred Smeijers). His research (jointly with Fred Smeijers, James Mosley and Andrew Gillmore) involves stencil making, ca. 1700 according to an apparatus escribed in a late seventeenth-century text compiled by Gilles Filleau des Billettes for the French Royal Academy of Sciences. He also researches the Parisian stencil maker Gabriel Bery, from whom Benjamin Franklin purchased a large set of letter stencils and decorative borders in 1781. The stencil set survives in the collections of the American Philosophical Society (APS) in Philadelphia, and was first examined in 2001 as part of the project described above. Editor of Typeform dialogues: a comparative survey of typeform history and description, compiled at Central Saint Martins College of Art&Design (Hyphen Press, 2004), which has articles by himself and Catherine Dixon (who writes on type classification). He describes his research on stencil letters at Reading as follows: The period under consideration begins in the sixteenth century and ends in the present day. The intention is to recover, if possible, a relatively continuous history of stencil letters and stencilling (in the Americas and Europe) by drawing together artefacts and practices that are in many cases now largely forgotten. In addition to forming a broad view of how stencil letters have been designed, made and used over the past five centuries, specific practices will also be examined through an on-going series of articles and papers. The first, `Marked by time', was published in issue 40 of Eye magazine: it offered two contrasting instances of stencil letter-making in Germany and the United States in the mid-twentieth century. Another, `Stencil work in America, 1850-1900', was published in Baseline 38 and unearths innovations in the manufacture and use of stencils in America in the second half of the nineteenth century, and the stories of some of their makers. The article also draws on the writings of Mark Twain for whom stencils served as a literary device on several occasions. And a third, longer, article `Recollecting stencil letters' has been published in Typography papers 5. It discusses the many forms stencil letters take, and how their form is influenced by a number of factors. The article is based on the study of period writings and MSS., patent specifications, collected artefacts and other primary documents and materials. See also Patents progress: the Adjustable Stencil (Journal of the Printing Historical Society, no. 9, 2006). In Typography papers 7, he wrote about another stencil method in a paper entitled The Plaque Découpée Universelle: a geometric sanserif in 1870s Paris (2010).
Speaker at ATypI 2011 in Reykjavik on the topic of stencils. Speaker at ATypI 2013 in Amsterdam: Futura Black, circa 1860. Speaker at ATypI 2016 in Warsaw on The stencilled poster in Paris in the 19th century.
In 2013, Christopher Burke, Eric Kindel and Sue Walker co-edited the wonderfully informative book Isotype Design and Contexts 1925-1971 (Hyphen Press), which includes a full discussion of Otto Neurath's work. [Google] [More] ⦿
Mexican creator of the condensed angular typeface Prototype (2011), the custom ultra-fat display typeface Enco (2012), the custom typeface Insurreccion (2012, a goth stencil), the octagonal typeface Autoctono (2012), and the modular typeface SEYB (2012). [Google] [More] ⦿
ESAL is the Ecole Supérieure d'Art de Lorraine in Metz. One can study type design there. The active group has established a site with some free fonts made by the students. The free typefaces posted in 2013 include Artemis (by Diane Rohn, 2012), Boom (by Cécile Etienne, 2012), Crypt (by Aude Schmittheisler, 2012: a squarish stencil face), Effilé (2012, by Valentin Mirouf), Escape (2012, by Estelle Bizet: a straight-edged typeface), Geomhotic (2012, by Isaline Rivery), Jyk (2012, by Jung Yoon Kim: straight-edged), Kazan (2012, a prismatic typeface by Eric Chapuis), Misenpli (2012, by Céline Kriebs: origami typeface), Morse (2012, a Morse-based typeface by Romuals Kabala), ODR (2012, a modular typeface by Audrey Pereira).
The text family Messine (2012) was created as a cooperative project in workshops at ESAL led by Alejandro Lo Celso and Jérôme Knebusch. Contributors were Céline Kriebs, Romain Gamba, Bernard Gissinger, Aude Schmittheisler, Gaía Fyot, Eric Chapuis, Francis Ramel, Audrey Perreira, Fanny Woimant and Isaline Rivery. Image of Messine Titrage. Image of Messine Quotidienne. Facebook page. Their seminar series is called Let's Type. [Google] [More] ⦿
American vector artist. Designer of Charged Insomnia (2008, LED font), Mezzanine (2007, ultra-fat), S.O.T.D. (2006, 1890-style caps face), Dog Star (2006, modeled after the Sirius radio font), Blowback (2007, display face), Alpha (2006, outline pixel face) and Pf Animals (2006, a stencil typeface modeled after Pink Floyd's "ANIMALS" album). [Google] [More] ⦿
Brazilian graphic design studio which recently branched out into type design. Located in Batel, Curitiba, it is founded and run by Anderson Maschio (b. 1980, Curitiba). Maschio designed Anark Stencil (2007). MyFonts link. Fonts at MyFonts, all by Dado Queiroz: Tritura (2009, grunge textura typeface by Dado Queiroz), Marisco (2007), Riff (2009, slab serif). Postuma (2005) is a calligraphic typeface by Beto Janz. [Google] [MyFonts] [More] ⦿
In 2013, he added fs Slyte, fs Kingsletter (blackletter), fs Gardenia, fs Accordion, fs Badminton (+Mono), fs Lollipop Script, fs Monopixel (Serif, Regular), fs Sphinx, fs Quotable, fs Recalibur, fs Informe 04, FS Typewriter (a huge font that covers Latin and Cyrillic), FS Uno (monospaced), Menora, Excalibur, Cirplex (a circular font), 5x5 Monopixel, Medievia, fs Tahoma 8px, Standard Serif, Zapphire Round (kitchen tile face), fs Smilies, fs Gridded (+lc), fs Midnight Gambler, fs Semiserif Mono, fs Almostencil, fs Glass (textured face), fs Will I Am Not, fs Magnifique (a connected script), fs Karmina, fs Kursiv, fs Handwritten, fs Markitaraz, fs Neon, fs Himali (a connect-the-dots typeface), fs Fontstruct, fs Phille (kitchen tile font), fs Phoneta, fs Curves, fs Wizdom, fs Handwritten, fs Sly Small, fs Quark, Williomnot, fs Sanstruct, fs Direction (arrowed letters).
Typefaces from 2014: FS Score 3D, FS Vincent, FS Vandyx, FS Wizdom, FS Dot Serif, FS Handwritten, FS Lost (a labyrinthine font for Latin and Cyrillic that won an award in the 2014 FontStruct InLine Font Competition). Other typefaces from 2014 include FS Cookie, FS Cookie Clean, FS Pentagale, FS Gardenia, FS Monopixel Regular, FS Shattern (glaz krak face), FS Zeblin, FS Intrepid (labyrinthine).
Ethan Paul Dunham
Étienne is a graduate of the graphic and type design program at UQAM in Montreal. Cofounder in 2011 of Coppers & Brasses in Montreal, together with Alexandre Saumier Demers. In 2012, he designed the signage typeface Sardine and the blackletter typeface Freitt. Together with Alexandre, he created Martha (a monospaced slabby grotesque), still in 2012. At The Cooper Union, he created Barapa (2012). His fonts at Coppers Brasses:
Swiss decorative artist, poster designer of the art nouveau era, and type designer (b. Lausanne, 1841, d. Sceaux, 1917) who made Étrusque (Fonderie Gustave Peignot&fils, 1900), Grasset (Fonderie Gustave Peignot&fils, 1898-1899), Grasset Initialen (Peignot), Grasset Italiques (Peignot), Grasset Antiqua (1900, Genzsch&Heyse) and Römisch Grasset (1913, Genzsch&Heyse). McGrew: Grasset was designed by Eugène Grasset, French [note: McGrew is wrong...] decorative artist, in 1898 for Deberny&Peignot, French typefounders, and cut by ATF in 1904. It was advertised as a chic, up-to-date typeface of the day, but has mannerisms that later became quite dated. The Monotype cutting in 1912 was modified and reproportioned to fit the early restrictions of that machine, but retains the quaintness of the foundry originals. His ex libris.
In 2012, Dick Pape created a few typefaces based on Grasset's alphabets. These include LFD Asian Stencilling 205 (original oriental-looking art nouveau drawings by E. Grasset and M. Verneil) and LFD French Printed Type 189 (this warm serif typeface was used in France for books). In the book Divertimento (Editlivre, Paris), Albert Legault (UQAM, Montreal, Canada) published the decorative art nouveau caps alphabet Eugene Grasset (2015).
Fabian Leuenberger's foundry is called Europa Type. It is located in Zurich and London. Their typefaces include:
Located in Bakersfield, CA, Evan Eckard created the hipster typeface Socalibre (2014), which has a distant relationship with Californian graffiti. Other commercial typefaces include the rounded sans typeface Road House (2014) and the semi-stencil typeface Brigade (2014).
Design and corporate identity studio in Lisbon. Creators of the elegant sans headline typeface Caixa Alta (2013), the stencil typeface Caffein (2011), Beedrones (2011, hexagonal), Ink (2012, a heavy brush face), Ecotour Portugal (2012, brush face), Lusofonia (2012, a decomposable typeface), Arte No Feminino (2012, a mosaic typeface), Ponte Romana (2012, a thin avant-garde wine label typeface).
Moscow, Russia-based designer who made the free piano key stencil typeface Promplate Stencil (2016), the ultra black counterless typeface Blot (2011), the Italian typeface Utug (2015), and the free constructivist art deco typeface Eleventh Square (2015, published by Typetype). He also made nice Transport pictograms (2011, FontStruct).
Moscow-based designer with Michael Puzakov of 12 pt Stencil (2012), a Latin and Cyrillic stencil typeface that was created on commission for 12pt Design Studio.
Exclamachine Type Foundry
Choz Cunningham (b. 1975, Santa Cruz, CA) is a Las Vegas and more recently, Nashville, TN-based designer and artist, who set up Exclamachine in 2005. Until 2012, exclamachine published free fonts. In 2012, it went commercial via MyFonts.
Designer of Whiskey Songs (2007), Crass Roots, Crass Roots Alt (2016), and Crass Roots OFL (2007, stencil), Misqot (2006), The Troubles (2006), Limberjack (2006, an ornate wood titling font), this blackletter-inspired serif face (2006), Futurelic (2006, futuristic), Zugzwang (2006), Sketchy Times Bold (2005, grunge), Sketchy Times (2005, grunge), Basket of Hammers (2005, a nice wallpainting/graffiti font). His company, also called Exclamachine Foundry, where these fonts can be downloaded: The Black Bloc (2006, blackletter-inspired), MISQOT (2006), Kutura Frontalis (2006), PaulMaul (2006), Zugzwang (2006), Sketchy Times (2006), Carlos Caffeinated (2006), Basket of Hammers (2006), Disc Inferno (2006, LED simulation), Rosda Laevigata)2007, handprinting), and this heavy metal band font (2006).
Typefaces from 2013: FinFang (comic book style caps), Lestatic Slashed (+Condensed), Lestatic Obsidian Outline (grungy), Lestatic Lashed (Arabic simulation face), Lestatic Celerite, Lestatic Carved, Lestatic CSS, Lestatic Withered Condensed, Lestatic Withered, Lestatic Sliced.
Stencil company from the 20th century that grew out of the Stencil-It company. Jeff Levine writes: Formed by Bernie Aronson [a relative of the Libauers who owned the Stenso Lettering Company and who once worked for them] along with a financial partner (noted artist) Sidney Levyne, the company [Stencil-It] was soon put out of existence by a court action. It re-emerged in 1956 as the E-Z Letter Stencil Company and existed until the 1990s.
F is for Fonts
Commercial foundry in London that specializes in hand-painted and brush styles. Their web site does not work on Firefox. F Is For Fonts made the free grunge slab serif font F. Vermont (2013). Commercial typefaces at 30 pounds a pop: Bronx (2013), St. Germain (2013), Battersea, Big Sur (a great ultra-fat brush face), Lowell (old typewriter), Wisconsin, Dunkirk (stencil), Helsinki, Hamburg (brush typeface), Stockholm, Vermont, Malibu, Belize, Los Alamos, Wilton, Saigon (army stencil), Kojima (2015, grunge and textured hand-painted font), Kansas (2015, hand-painted), Amsterdam, (2015, a fantastic inky poster script). All fonts are in highly detailed vector format.
Typefaces from 2017: F Saint Tropez.
F37 (or: Face37)
Frank Béla (b. 1978, Orosháza, Hungary) is a graphic design student at Krea Art School in Budapest who uses the pseudonym Fabergraph. Home page. Blog. In 2010, he started out commercially as Faberfonts. Dafont link. Behance link. Klingspor link.
He created the ink trap font Portrait Of A Lady (2009), FR Irisz (2009, didone family), Pontifex (2009), the hand-printed Munkácsy 1120 (2009), the unicase Reka Sans (2009), the thick-thin Azur (2009), the simple sans Babyface (2009), the medieval sorcery font Elmulas (2009), the Valentine;s Day font Sapet (2009), the avant garde sans family Hopper Sans (2009) and the ultra-fat typeface Rendezvous (2009). Callimachos (2009) is a fun triple-lined hand-printed headline typeface (with a Cyrillic version added in). Azur Title Font (2009) is a hairline slabbed typewriter type. Pasta Simpla (2009, followed by FR Pasta Mono in 2010) is another experimental jewel. Hobbista (2009) mixes symbols and glyphs. FR Rama Nous (2009) is a free modular font. In 2009, he also made Arrow, Enamel Paint Type, Belonging (Roman caps).
Commercial fonts made in 2010: FR Unalom, FR Sniccer (stencil), FR Ceruza, FR Minta (a dingbat typeface to make labyrinthine patterns; +Two), FR Tabula (beveled face), FR Smaragdina, FR Mintry One and Two (pattern fonts), and a custom alphabet for Esquire Russia, FR Hopper (monoline sans family).
Graduate of ESIAJ (Albert Jacquard), class of 2014, who works in Brussels. In 2015, he designed the (great!) free 14-style typeface family Butler, which was influenced by Bodoni and Dala Floda, and includes great styles for use in fashion magazines and on posters, in addition to two stencil styles. Open Font Library link. Behance link. [Google] [More] ⦿
Swiss typographer at Fontnest who designed MonoBD (monospaced sans), Kagi Mono (mini-serifed stencil), Concrete, Puzzle, Museefont (octagonal), Relief (experimental) and Helveliga (with Jerome Rigaud and Sylvain Aerni). He created the stencil typeface Montana at Optimo/Gavillet&Rust. [Google] [More] ⦿
During his studies at the Indian Institute of Technology Hyderabad, Hyderabad, India-based Fabin Rasheed created a rice writing stencil font (for Latin) in 2015, based on the South Indian tradition of Vidyarambham. Behance link. [Google] [More] ⦿
Buenos Aires-based designer, b. 1971, Buenos Aires. Graduate of the Universidad Nacional de La Plata, class of 1993. Since 1993, he teaches at that same university. Author of Libro Expósitos. La tipografía en Buenos Aires 1780-1824. In 2013, he received the FADU Prize for his work Expósitos. Revalorización patrimonial tipográfica del Buenos Aires virreinal (1780-1810).
In 2013, Fabio Ares and Octavio Osores created the vernacular railroad signage typefaces FC Sud, FC Norte, and FC Monte Chingolo, which is based on iron signage found in train stations in Argentina. In 2010, he designed the colonial typeface family Expositos (in redondo, cursiva and vinñetas styles). There is also a book called Expositos La tipografia en Buenos Aires 1780-1824.
In 2014, he designed Garrigos Ornamental (a set of ornaments based on the period between 1780 and 1824 in Buenos Aires). The Ferrocarril series continues with FC Nefa (+Stencil).
In 2016, he published Garrigos at TipoType. Garrigos is a set of ornaments based on the decorative motifs used by the first typographic workshop in Buenos Aires, Imprenta de Niños Expósitos, between 1780 and 1824.
Fabio Eduardo Godoy Angel
Fabrika de typos
Fabrika de typos is a Brazilian fondry run by Marcio Hirosse (b. 1969) in Sao Paulo. He made Destroyer (2007, splatter grunge), Helena (2007), Boogaloo (2006), Casual (2006), Expedito (2006), Impresso (2006), Club (2006), Qualque Coisa (2006), Pig (2006), Boogaloo, Casual, Error (2006), Sherley XXX (2006), Thailandesa (2006, Thai simulation face), Expedito, Impresso, Club (2006, stencil), Ferrugem (2006, grunge), Qualque Coisa (2006), Saco de Pao (2006, grunge), Clean (2006, experimental), Poesie Noire (2006, a great multiline calligraphic face), Fuck You Las Vegas (2005), Serial Killer (2004, bloodied Arial), Tragedia (2004), Font Macabra (2004), Font Abuso (grunge), Font Cartaz (2004, stencil face), and Font Mexicana. He created Ballom (psychedelic), Anarchy, Macabra, Cartaz, Crash, Tragedia, Abuso, Estragou de novo (1999), Sucata Special, Brother Bear, Floppy Disk, Punk Dingbats (2004-2005, destructionist typefaces), Swiss AntiNormal (2005), Jooy (2007, grunge), Deusdeti (2007, double script), Deux ex Machina (2007, blackletter-inspired), Comunista (2007, constructivist), BONDAGE-DEMO-VERSION (2007), CASULO-DEMO (2007), D-E-S-T-R-O-Y-E-R-D-E-M-O-V-E-R-S-I-O-N (2007), GARTEN-VON-DORNEN-BLACK---DEMO-VERSION (2007), GARTEN-VON-DORNEN-DEMO-VERSION (2007), Load (2007, grunge), LYSSA-DEMO-VERSION (2007), MUMIA-DEMO-VERSION (2007), OFF-SET---DEMO-VERSION (2007, grunge), Pig (2006, rough stencil typeface), PLEASURES-DEMO-VERSION (2007), Querencia-Army-DEMO-VERSION (2007), TETARIA (2007), FDT Sodomy (2008, blackletter), FDT Carreto (2008), all freely downloadable.
Commercial typefaces: Circus de Terror, Rapariga (curly), Indiana, Hard Core, Iemanjai, Disorder, Joy, Deusdeti, Deux ex Machina, Comunista, Destroyer, Off Set, Pleasures Poesie Noire, Helena, Base, Clean, Casulo, Serial killer.
In 2015, he made FDT Wonderland.
Fabrizio Schiavi Design (or: FSD)
Fabrizio Schiavi was born in Ponte dell'Olio in the Piacenza province in 1971. FSD Fabrizio Schiavi Design in Piacenza was opened in 1998. With Alessio Leonardi, he co-founded Fontology. He also co-launched the experimental graphics magazine Climax in 1994.
Bio at FontFont where he made FF Mode 01, FF 0069, FF GeabOil, FF9600, FF Trade 01, FF Steel Mix, FF Steel Ring, FF Steel Jones.
[T-26] designer of D44 (1994), Lithium (1994, dingbats), Moore895 (1994), Moore899 (1994), Sidewalker (1994), Exit (1988). Many of his typefaces are grungy such as Washed (1994). Some are minimalist, such as Monica Due (1999), Monica (1999), and Eco (2001, developed from a logo in the 70s for Ageco). The latter three fonts are very geometric in nature.
Other fonts: Washed (1994), Parakalein, Aurora Nintendo (1995), Aurora CW (1995), Mode01 (1995), GeabOil (1995), 9600/0069 (1995), Fontology (1995), FSDItems (2001), FSDforMantraVibes (2001), Pragmata (2001, monospace, designed for programs), PragmataFlash (2002, a pixel font), Essential Pragmata Pro (2011, still monospaced), Sys (2002), SysFlash (2002, a pixel font), Sys 2.0 (2012, a condensed sans designed for very small print), Virna (2003, a multiline typeface for Italian MTV, discussed here). The Pragmata and Sys series were optimized for screen usage. In addition, Sys has many ink traps, so it prints well at small sizes, and is more legible than Verdana.
He does some custom typeface design, such as the innovative sans serif family called CPCompany (2000). Other clients include Ferrari and Philip Morris.
In 2007, he produced a stencil and signage font, Siruca (see also here), for the Al Hamra Complex, one of highest skyscrapers in the world, located in Kuwait. Siruca Pictograms (2008) is free. In 2015, he followed that up by a non-stencil rounded sans called Sirucanorm: Designed using golden ratio formulas, it's inspired to DIN and Isonorm typeface.
Typefaces from 2014: Nove (a German expressionist typeface inspired by B movie typography: Nove freshly reworks exploitation film era movie poster lettering, refitting the genre to a contemporary audience. The expressive typeface was done for a Nike Italy spoof campaign featuring 1970s cult film director Enzo Castellari and a recently found film reel from his archives, featuring several current Italian athletes and American basketball star Kobe Bryant).
The rounded sans typeface Widiba Bank (2015) was codesigned with Jekyll & Hyde in 2015 for the brand identity of the new bank of Gruppo Monte dei Paschi di Siena.
In 2016, he designed the custom corporate typeface R&M in art nouveau style.
At ATypI in Rome in 2002, he spoke about the need for more fonts.
Fadhl Waliy Ul Haqq
Family Font Mart
Free fonts by Akihiro Oya in truetype format for Mac and PC: Nishichiba, NerimaNumber, BERLIN-REDRAIN-Italic, BERLIN-REDRAIN-Regular, Canarendon-Broken, Chubu-08-Normal, G.B.BOOT, GENERAL, GUNJU (very original stencil font), Horror-Impact-B, KANEIWA-alp-regular (simulated Japanese), Logic-twenty-five-A, Logic-twenty-five-Normal, Logic-twenty-five-Q, MEN'S-COSME, MINIMALHARD, MINIMALHARD2, NAKAMURA, Overheads, R.P.G.-KATAKANA, R.P.G., TAPEMAN, Telavision, VIET-MAP-LOVE, cubic-millimeter, enikusu-HG, square-millimeter, super-detective-kids, tamio-qn6, trattorian-2, videobeast-80's, namco_regular. Two of these are katakana fonts. All of them may be classified as experimental. Many can be used at small sizes on screens ("pixel fonts").
John Baichtal (Famished.org) is the designer (b. 1971) of the art deco typeface Cronus (2002), Globe (a pixel font), Addled, Creamed Corn, 121, Boa Hamata, One Twenty One, November 14th, Peanut, Pinnacle (a deformed font), Plateau, Quigley, Skinny, Stogie, the kitchen tile typeface Abacus (2002), Equanimity Stencil (2002), Ripsaw (a Tuscan display font, 2002), Girder (2002), Equanimity Linked (2002), Faxt (2002, pixel font), Purvey Grecian (2002), Gold (2002, sans serif), Mullet (2002), Eidolon (2002), Sloth, Tourmaline (a great art deco typeface with many gorgeous ligatures), Transaction, Octuple, Mullet (2002, sans), Hellios (2002, a bitmap stencil font with spikes), Nairoby (2002, experimental), Tray (2002), and Dactylic (2003, octagonal). Some free Mac fonts are supposed to be here. [Google] [More] ⦿
Stephen Coles lists fat stencil typefaces in the FontShop store.
Fatnobrain is Adrien Midzic's design studio in Paris. Born in 1982, he designed these typefaces or type families: Fine (lineal), Blokus (free pixel font, 2009), Cimen (strong sans, designed for Smacl Entraide), Mesquine (lineal), Blitz, Cucha, Stencil Reverse, Huit (2009, a gorgeous didone headline face), Stenha (stencil).
Fonts made in 2010: The ETH family (art deco sans).
Custom typefaces by Midzic: Aquitaine (2013, for Région Aquitaine), Nilka (2013, for his personal identity), No End (2013, a fat didone), Ethon Serif (2013, a perked up serif typeface for Penguin Books), Kasai Est (2011, for the Congo-based Kasai Est Magazine), Festival De Film Documentaire (2011), Nevenka (2011, condensed sans).
In 2014, Adrien Midzic, Jason Vandenberg, Jérémie Hornus, Julien Priez and Alisa Nowak codesigned the creamy script Vanilla FY. It was renamed Vanille FY after a few days. Still in 2014, Adrien Midzic, Jérémie Hornus and Alisa Nowak codesigned the very humanist sans family Saya FY and Saya Semisans FY. Adrrien Midzic and Joana Correia codesigned Saya Serif FY (2015).
In 2015, he made the 3-style sans typeface Suber for an art fair in Paris. Bota Serif (2015), which was inspired by Cochin, designed by Charles Peignot in 1912, is a custom font designed for Hotel des ventes de Poitiers.
In 2016, Adrien designed the bold titling typeface Debeo and the modern condensed Latin/Arabic typeface 29LT Adir (with Naji El Mir; at 29 Letters).
FDI (was: Schriftgestaltung)
Georg Seifert (Schriftgestaltung) is a Bitterfeld-Wolfen and/or Jena, Germany-based designer, born in Halle in 1978. Photograph. He was a student at the Bauhaus University Weimar and runs Schriftgestaltung.de (Leipzig; now FDI or fonts dot info in Jena) with Ralf Hermann. He is best known for the free font editor Glyphs, released in 2011. Seifert lives and works in Berlin.
Schriftgestaltung's fonts include Olive Green Mono and Rosa Stencil. All others are FDI fonts:
Feliciano Type Foundry
Mário Feliciano (b. 1969, Caldas da Rainha, Portugal) is the principal of Lisbon-based Feliciano Type Foundry, founded in 2001. For a while, he was associated with Enschedé. He began work as a graphic designer for Surf Portugal magazine in 1993. In 1994 he founded his own design studio in Lisbon, Secretonix. He has been heavily involved in type design since. In 2005, he joined the type coop Village. John Berry reviews Mario's oeuvre. His gorgeous creations include the following:
Graphic designer from Brazil, b. 1989. Designer of FDHelwoodica (2008), a grungified Helvetica (2008), and similarly grungy FD Stenciluxe (2008), FDBateek (2009), FD Stripped for BUP (2009, arched Times New Roman face), FD J Borges (2009, extremely funny dingbats based on the work by Brazilian artist J. Borges), FDIlhoscript (2009, handwriting) and FD Carimboh (2009). Alternate URL. [Google] [More] ⦿
Born in Carmelo, Colonia, Uruguay in 1983, then based in Geneva, Switzerland, where he studied Visual Communication at the Haute Ecole d'Art et de Design, and now back in Montevideo, Uruguay, this graphic designer created the counterless geometric typeface Circ (2011), and the triangulated experimental typeface VIGA (2011). Fermin has a Bachelors degree in Industrial Design (2009). At his foundry, also called Fermin Guerrero, one can buy VIGA and MANIFESTA (2012, a De Stijl typeface).
For his Bachelors thesis at HEAD in Geneva, he created the typeface Genève (2014): In developing Genève I was inspired by the typeface used by French printer/editor/publisher Henri II Estienne in his famous book Thesaurus Linguae Graecae, published in Geneva in 1572. This typeface was brought to Geneva by Henri's father, Robert Estienne, who, before settling in Geneva and working as Calvin's printer, was the printer of France's King, François I. This typeface highly influenced the typographers and printers in Geneva at that time. Henri and Robert Estienne's work in Geneva helped it to become one of the most important cities in Europe for print and typography in the sixteenth century. Genève consists of four styles: Classique (humanist serif), Austère (geometric serif), Spontanée (humanist sans-serif) and Alternative (stencil, display version).
Graduate of the MATD program at the University of Reading, class of 2015. His graduation typeface was Exentra which was was conceived for publications promoting forward-thinking through a contemporary and experimental vision of modern culture and trends. It supports Latin, Gurmukhi and Greek. In addition, Fermin added the fat face didone / gothic mixture mixture font Black Display for applications in fashion, and the super-angular and scary Franky as sub-styles of Exentra.
In 2017, he published Thesaurus, the renaming and outgrowth of Genève, at Typotheque.
Las Palmas de Gran Canaria, Ampuero and Laredo, Spain-based designer (b. 1971) of the monoline sans typeface Depez (2011), Fabada (2011), and the free monoline geometric sans typeface La Chata (2011). La chatte, in French? Maybe not.
In 2011, he made the monoline organic sans typeface Lerótica (free at OFL).
In 2012, he created Nabatea (stone chisel typeface), V de Vacia (a grungy outline face), Sabática (organic), the straight-edged data style typeface Gabardina, the grotesk typeface A Bebedera, the shadow typeface B de Bonita, D Puntillas, and the deconstructed Qebrada.
In 2013, he designed Yacarena Ultra, H.H. Agallas, Nacimiento (a dymo label font), J Airplane Swash (a psychedelic typeface named after Jefferson Airplane), CA Garrutas (grunge), CA Gatintas (grunge), I Am Telefono (the largest phone dingbat and scanbat typeface on earth), Wach Op-Art (kaleidoscopic icons), K.O. Activista, I Am Hueca, X Template (stencil), H.H.Samuel (rounded sans), U2 Metalona (a beautiful white-on-black display face), M F Plexus Italic, J.M. Nexus Grotesque (an "thin inline' fat grotesque), Wachinanga, Tabaquera, Pabellona (grunge), El Pececito (video game font), the poster typeface Hobby of Night (OFL), H2O Shadow (outline version of Fabada), Zabatana Poster (a didone-inspired poster font), Oaxaquena Tall, Yacimiento (wood style wedge serif), and Rabanera.
Typefaces from 2014: Babalusa Cut, A Cuchillada, Sabandija (a plump round display typeface), F2 Tecnocratica, F1 Secuencia Quad (pixel face), La Pejina FFP (bilined), Tabaiba Wild, Gabachita (ultra-condensed rounded sans).
Typefaces from 2015: Tabarra Pro (Swiss style sans family for Latin, Cyrillic and Greek), A Sogra Ruth (ultra-condensed art deco), Gaban (an outline version of Tabardo), Tabardo (a heavy blocky font), Wacamoler Caps (a Tuscan typeface inspired opening credits of the Western movie Winchester '73 directed by Anthony Mann in 1950), Ubicada (condensed geometric sans), Rabiosa (neurotic font), Zacatecas (condensed shadowed sans), F3 Secuencia Round, La Babaca (a powerful black condensed sans in the style of Impact), Obcecada Serif, Obcecada Sans (condensed sans), Eacologica Round Slab (a nice commercial font with an incomplete set of numerals), Palim Script (curly), Vacaciones (signage face), de La Cruz.
Typefaces from 2016: Yugoslavia (calligraphic), Love Box (stencil), Cienfuegos (connected retro script named after the Cuban her Camilo Cienfuegos), Gaitera Ball (round fat script), The Black Box (a retro banner font), Durum Kebab (shadow sans), Jolgoria In Town (script), Yerbaluisa (signage script), Escobeta One (brush script), Posteratus Rex, Bastardilla (a cursive font), Rotulona Hand, The Juke Box (retro juke box lettering), Angelique Rose (connected monoline script), Promenades, Bucanera (a swashbuckle font), Lucemita, Panama Road (a casual calligraphic font), Deslucida, Disoluta, Sucesion Slab, Tabarra Pro Round, Qebab Pro Shadow, Monserga (white on black), Indulta SemiSerif.
Typefaces from 2017: 6th Anniversario, Tribal Box (squarish sans, with tattoo ornaments and a great environment for borders), Candy Pop (bubblegum font), Sargento Gorila (army stencil font), Libertinas + co (a curly calligraphic script; the free version has no numerals).
Ferrets N Fonts
Perry Mason is the prolific ozzie creator (based in Newcastle) of Nato, a truetype font apparently made for NATO military vehicle lettering (2001). Since that first font, he has made well over 1000 fonts, mostly in 2001, but some as late as 2003. Back-up of his fonts at Just Us Now, now defunct. Alternate URL for Just Us Now (also defunct). Yet another URL. List of his fonts, by date, and alphabetical list. Perry Mason's dingbats. [Google] [More] ⦿
Martin Fewell is the type designer who started the Fewell foundry in London, and who runs MartinFewell.com and Yolo in Manchester. Martin is also a part time Lecturer at The University of Salford and Chelsea School of Art and Design. His techno fonts are available from [T-26]: Assembler (2004, a paperclip face), Mechwar (2002), Techstep (2002), Sushi (2002), Synthesis (2002, a techno font family) and Turbo (2002).
And now also from MyFonts.com: Memory (a sensational techno font, 2003), Exhaust (2002), Kanister (2003), Datastream (2003, an octagonal font) and the military octagonal stencil font Airbrake (2003). At Union Fonts, he published Memory, Airbrake (octagonal stencil font), Exhaust, Datastream and Kanister in 2003. At Yolo, one can ogle and buy his typefaces: Airbrake (mecahical face), Airframe, Assembler, Datastream (octagonal), Delicious, Exhaust, Insatiable, Kenister (octagonal), Lovebeing, Mechwar, Memory (experimental, techno), Newart, Nova, Rapture, Sushi, Synthesis (techno), Techstep, Turbo.
Japanese foundry in Nagoya that offers these free and commercial Latin fonts made by Ryoichi Tsunekawa, who also runs Bagel & Co, Dharma Type, HolidayType and Prop-A-Ganda. Most of his work was done at Flat-It. His typefaces: