TYPE DESIGN INFORMATION PAGE last updated on Sat Apr 10 17:26:06 EDT 2021
FONT RECOGNITION VIA FONT MOOSE
Alex Joganic (1871 Project) is the Birmingham, AL-based designer of Matches (2016, an octagonal typeface), Ciclista (2016, a casual monoline typeface), Superior (2016, a hand-crafted sans), The Victor (2016, hand-crafted), Zara Elyse (2016: script), Fernweh (2016, a hand-crafted typeface with a vintage wood type look) and Xander (2016, in Sans and Serif: 19th century all caps typeface family with a wood type look).
Madrid (and before that, Lebanon)-based Arabic type designer who runs the Arab type news and blog site called Arabic Typography. KHTT link. An ex-student of the KABK in 2006, he currently is a part time instructor of design and typography at Notre Dame University, Louaize, Lebanon, as well as a part time instructor of typography at the American University of Beirut (AUB), both since 2007. His Arabic type foundry is called 29letters.
At ATypI 2008 in St. Petersburg, he ran a workshop on the Arabic Kufi script. Speaker at ATypI 2010 in Dublin on the topic of political resistance and expression through graffiti in Lebanon and Palestine. His contributions to type design:
In 2010, he went commercial as 2D Typo. The first typeface at 2D typo was the modular pixelish Pressure Drop 2D (2010). This was followed by Ornamental Deco 2D (2010, art deco ornaments), Rally Symbols 2D (2010), Mascaron2D (2010, by Iryna Korchuk), Depot Trapharet 2d (2010, a stencil based on the tram lettering in Lviv), Ascetic 2D (2005-2010), Hutsulyandiya (2010, extraordinary ornaments by Iryna Korchuk), Simeon (2010, calligraphic), Cranked Pipe 2D (2011), Tripyllia 2D (2011, ornaments of the neolithic Trypillya culture), and Ukrainian Barokko (2010, a calligraphic typeface by Genadij Zarechnjuk), Historism Border (2011, border ornaments), Moreske 2D (2012, ornaments), Geomanticus (2012, modular squarish sans).
Typefaces from 2013: Bandelwerk (borders), Digital Stitch, Modern Wave (ornaments based on Alphonse Mucha), Hopferian (Roman caps after engravings by Daniel Hopfer (1470-1536)---typeface completed with help of Mariya Sokil), Simple Ribbon (art nouveau dingbats).
In 2014, Dmitry Rastvortsev, Lukyan Turetsky, and Henadij Zarechnjuk cooperated on the design of the free Latin / Cyrillic handwriting typeface Kobzar KS, which is based on the handwriting of Taras Shnvchenko, a famous Ukrainian poet, artist and philosopher.
Typefaces from 2015: Finetitle (ornaments for headers), Gothic Herbarium (a floriated ornamental font based on the Gothic Revival ornaments developed by Augustus Pugin (1812-1852)), Old Depot (rough stencil), Francesca (decorative caps).
Typefaces from 2017: Military Symbols.
Typefaces from 2018: Strapwork (four ornamental typefaces with friezes, borders and motifs modeled after Balthasar Bos (1554) and 16th century mannerism).
Typefaces from 2020: Lo Fi Copy (grungy and pixelish).
FontStructor who made these fonts in 2010: Reeph (wedge serif face), Theen (techno sans), Pewma (fat lettering as in the Puma logo), Clean (a gorgeous rounded elliptical sans), Ambdx (Treefrog-style hand), Twynn Open (dot matrix face), rnd0m, Arcbk-Open (stencil), Arcbk-Regular, Djeom (athletic lettering), Skwar (squarish), Bletr, Serif, Stens (white on black stencil), Strux, Outln (Regular, Shady: art deco meets athletic lettering), Kyrst, Phatt (ultra fat), Psych (a "Western", Italian face), Bloks, Twynn, Zilch, Cyrth (runic), Reimu (blackletter), Kaway (stencil), Kewte (rounded monoline), and Kurvh (dot matrix).
Aka Lilco and Co, and as Lili Lieber-Lövei. Born and raised in Hungary, Lili Lieber lives in Copenhagen and/or Budapest. Designer of (mostly) hand-crafted type. Her typefaces include Apolline (2019: a deco sans), Floyd (2019: a display sans), Shifter (2018: reversed letters), Fulio (2018), Oliwe Sans (2018), Lotto Sans Serif (2017: circle-based and monoline), Jenice (2017), Bilbao (2017), Honey Beast (2017), Azille (2017), Easy Tiger (2017, counterless), Maxetti (2017), Argenta (2017), Yeahsayer (2017, a Bohemian sans), Twin Pines (2017), the avant garde sans typeface Avellino (2017), the neat hand-printed typeface Quimper (2017), Copertino (2017), Pompidour (2017), Bolden (2017), the display typeface Gin & Tonic (2017), Shiraz (2017, primitive script), West Coast (2017, sans), and the monoline sans typefaces Quest (2016, +Stencil) and Knots (2016, +Knotted).
Sergiy Tkachenko (b. 1979, Khrystynivka, Cherkasy region, Ukraine) lives in Kremenchuk, Ukraine, and has been a prolific type designer since 2008. Sergiy graduated from Kremenchuk State Polytechnic University in computer systems and networks in 2007. Various other URLs: Microsoft link, Identifont, 4th February, Behance, Klingspor link, Revision Ru, Russian creators, CPLUV Fontspace, Twitter. Kernest link. Sergey Tkachenko's typefaces:
Design site in Moscow. Creators of the geometric figure (Latin) stencil typeface Caribe Modular (2013), which was created as a project for the British Higher School of Art & Design. Intrnal Hybrid (2013) was also completed at the British Higher School of Art & Design in Moscow. Deriz (2013) is a high-contrast didone titling face. Intrnal Hybrid (2013) is a grungy techno Cyrillic typeface. Vintage and Coupage Font emulates various wood type and letterpress styles. [Google] [More] ⦿
A2-Type (or simply, A2) is a type foundry set up in the autumn of 2010 by the London based design studio A2/SW/HK. The designers are Henrik Kubel and Scott Williams. A2's bespoke type design is mainly the responsibility of Henrik Kubel, though every typeface is developed and approved by both partners. Kubel is self-taught, making his first typefaces while studying at Denmark's Design School from 1992 until 1997. Their typefaces:
At ATypI 2013 in Amsterdam, he spoke about New Transport. Winner of the type design prize at the Tokyo Type Directors Club TDC 2019, with Matt Willey, for the New York Times Magazine Olympic font. [Google] [MyFonts] [More] ⦿
Designer of the Indic versions of Oli Grotesk (2019, Typotheque), a typeface family by Shiva Nallaperumal. They plan to support all the writing scripts of India (Devanagari, Bangla, Gujarati, Gurmukhi, Urdu, Oriya, Tamil, Malayalam, Telugu and Kannada) in the same wide range of weights as its Latin fonts. [Google] [MyFonts] [More] ⦿
Abdul Malik Wisnu
Indonesian designer of the stencil typeface Stenciland (2019), the brush typefaces Blackball (2019) and Baleria (2019), and the script typefaces Landmark (2019), Painted (2019), Vonday (2019), Evallia (2019), South Walles (2019), Better Caller (2019) and Wanted Signature (2019). [Google] [More] ⦿
Gifted designer from Epalinges, Lausanne, Switzerland. One of the most talented creators of typefaces with FontStruct.
Typefaces made in 2009: DB72, DBColon, DBPoints Sans, DBCube, and DB13, mostly dot matrix or octagonal fonts.
In 2010, these were followed by db Outline, db Stickers, db Stick, DB Cube New, db MOKI (stencil), db Ciao, db Ticket Light, db 72, DBpoints (dot matrix), DBPoin2, and db Kopix (blackletter), db New Points Italic (dot matrix face).
In 2011, we find dB Stick, dB Sticker, dB Sticker Mono (a monospaced typewriter face), db Prague (fat sans), db Backjumps (an extraordinary fat poster stencil), db Perl, db Perl 1.2 (texture face), db Quarz (2011, +Mix), and db Nox and db Nox II.
Fonts made in 2012: db Como (a simple monospace sans), db Sticker (hairline sans), db Rocko v2 (stencil face), db Today v1 (a beautiful black slab face), db Today v2, db Etroite (2012, in several weights: constructivist), db N3, db Drops (fat counterless face), db Quarz Mix, db Soda, db Klacks, db NQ, db Boxer, db Como (monospaced), db Smoothie (fat stencil face), db Quick Cut (stencil), db Karton (stencil), db Frieda.
Typefaces from 2014: db Darling. db Oh Darling, db Melitta (a fantastic brush emulation typeface), db Sticker T, db Points Sans Oblique (dot matrix font), db Como Splitt, db Quirlo (fat rounded poster typeface), db Quirlo Mix, db Limo (angular angry anthroposophic sans), db Limo N, db Slow (a German expressionist typeface), db Bargo Condensed, db TwoLines (an inline font).
Typefaces from 2015: DB Caryptis, DB Oleumi, DB Caroli Plain, DB Caroli, DB Seimeins Serif, DB Seimains, DB Sago, DB Sago II, DB Sthlm (+Light), DB Gertrude, DB Track, DB Track Too.
Typefaces from 2016: DB Maquette, DB Largo, DB For You (winner in the 2016 Fontstruct Love competition), DB Bargo Slanted.
Typefaces from 2017: DB Jojo, DB Scrape, DB Tape Noir, DB Tape Slab, DB Tape, DB Pins, DB Monoto Sans, DB Mrs Back n Black, DB Dr. Bob, DB Tilda, DB Rondo Mix, DB Rondo, DB Shop.
Beate set up Acces Design ca. 2017. The typefaces available there are ad Backjumps (stencil), ad Bargo, ad Como, ad Concierge, ad Darling, ad Oh Darling, ad Frieda, ad Klacks, ad Limo, ad Lucky, ad Magritte, ad Melitta, ad Mill, ad Points, ad Quirlo, ad Slow, ad Soda and ad Soda Plex.
Typefaces from 2018: ad Falter (blackletter).
Typefaces from 2019: ad Dorma (sans), ad Flieger, ad Louise, ad Hobby, ad Journal, ad Juli (sans), ad Tape, ad Violetts (hand-crafted), ad Tape (sans).
Typefaces from 2020: ad Ander, ad Sticker Mono, ad Juli (sans), ad Magritte (sans and serif; for posters).
In house type designer at Elsner&Flake. He designed an elegant high-contrast art deco display typeface Miami EF in 1994, the broken black lettering typeface EF Splitter, the horizon lettering typeface EF Eastside in 1995, and Nivea in 2000 (for Beiersdorf).
ACME Fonts (or: CHK Design)
Started in 1996, by Christian Küsters and Andy Long (from South London), ACME Fonts is a London-based foundry, offering fonts by Küsters and these designers: Anthony Burrill, Gérard Paris-Clavel&Johannes Bergerhausen, Jean-Lou Désiré, Paul Farrington, Robert Green, Paul Kehra, Henrik Kubel, Simon Piehl, Alex Rich, Carsten Schwesig, Sandy Suffield, Dirk Wachowiak, Anne Wehebrink and Paul Wilson. Christian Küsters is an ex-student of Matthew Carter at Yale. Born in Germany, he now lives in Oberhausen. Buy the fonts at MyFonts. The company evolved, I guess, into CHK Design.
London-based studio. In 2015, it published the stencil typeface A.S. Koops. In 2016, they added the high-contrast typeface Apposite. In 2018, they published the beveled arched typeface Sushi. [Google] [More] ⦿
C.C. Marshall (b. 1985, Richland Center, WI) is a type designer in Madison, WI. He graduated from Minneapolis College of Art and Design, and founded the multimedia shop and font foundry Active Depth in 2000. Designer of Catenary (2010, an organic sans family). This family includes a Stencil style and a grungy Guerrilla style. At Dafont, one can download the grungy Catenary Stamp (2011).
Born close to the Black Sea coast in Romania, Diana moved to Austria as a child, where she attended the American International School. After graduating from the New Design University in St. Pölten, she worked as a graphic designer, mainly on book and corporate design projects. In 2013, she graduated from the Type & Media program at KABK in Den Haag. Some time later, she set up Acute Studio in Amsterdam under the motto: We like sharp outlines, tight curves, and edgy designs.
Creator of the hairline face Opium (2010) characterized by teardrop terminals. Creator of Paige (2011), developed at the tipoRenesansa 3rd international type design workshop in Ljubljana, Slovenia. This is an attractive and bouncy papercut display face. Marge (2011) is edgy and highly legible even at very small sizes---it was developed at the tipoRenesansa 2nd international type design workshop. Paige Italic (2012) was done at tipoRenesansa 4 and TypeClinic 5 (2012).
Her KABK graduation typeface was Editura (2013), a a type family for serious publications, magazines, as well as non-fiction books.
At The 8th International Typeclinic in 2014, she continued work on an untitled text typeface. At Die Gestalten, she published Paiper, an extraordinarily balanced and readable 6-style text family with angular flared glyphs that are genetically related to folded paper strips.
In 2016, Diana published Equitan Sans and Equitan Slab at Indian Type Foundry, marrying industrial era rustiness with modern functionality. In 2017, she designed Tiny Sans and Albert Samuels Clock Type.
Codesigner in 2017 with Samo Acko and Sabina Chipara of the typefaces Passenger Display (2017) and Passenger Serif (released in 2019: a Clarendon). Passenger Display is a high-contrast didone-style font family. It is intended for use in headlines, signs, or posters. Passenger Display is a high-contrast didone-style font family. It is intended for use in headlines, signs, or posters. In 2019, Diana Ovezea and Samo Acko added Passenger Sans, which is characterized by horizontal and vertical terminal strokes and small apertures, and delivers a relaxing read in long texts.
At Future Fonts, she published Bizzarrini (together with Sabina Chipara) and Silverspoon, ca. 2018. She writes about the wonderful Bizzarrini: Though the idea originates from a Stefan Schlesinger ad sketch for a Paris couture house, we straightened up this typeface and made it seem engineered and sharp. It gets its name from the Bizzarrini Manta, a wedge-shaped concept car designed in 1968 by Giorgetto Giugiaro. Bizzarrini has extremely long wedge serifs. Following Schlesinger's sketch, it features very tall capitals with an out-of proportion middle-line (very big heads on S, B and R). Silverspoon is a contemporary take on Copperplate Gothic.
Typefaces from 2020: Silverknife (a tall and skinny version of Silverspoon), Capra (a headline typeface with a bouncy baseline. This project started as a one-day challenge to recreate a piece of lettering on the Glass Menagerie poster designed by David Klein in 1958).
Designer of Britney.
In 2021, Barbara Bigosinska, Rafa Buchner and Diana Ovezea set up Blast Foundry.
A-D Foundry is a small independent type foundry established by Daniel Westwood (of Family) in the UK in early 2010. Their typefaces include the inline typeface Mason Regular (2010), Kläda (2011, a bilined typeface made for a UK-based online fashion label), Retail (2011), Process (2011, stencil), and the monolined Agostin family (2010).
Polish type designer who is based in Szczecin. At the 13th Typeclinic in Slovenia in 2016, Ada Krawczak designed Easy-a (sans typeface). At the 15th Typeclinic, held in 2017, she added Sciaga, a sans that has regular, inktrapped and stencil styles. [Google] [More] ⦿
Manchester, UK-based typographer and digital artist who studied at Pendelton College in Manchester and at The University Of Salford. His stern display typeface High Rise (2010) was inspired by concrete city monsters. In college, he created several other (unfinished) alphabets: i, ii, iii, paper cut typeface, Weekender (counterless, paper cut-out face), Elena (2014, an extreme contrast wedge-serif typeface), McGowan, Mercury (2014, a minimalist stencil typeface), Kraftwerk (2014, octagonal and techno).
Graphic designer in Cincinnati, OH. FontStructor, who made the octagonal typeface Ladd Block (2011). MyFonts link. His commercial typefaces include Cut Block (2012: white-on-black sketched letters), Tape Back (2012), Inked Balterm (2011, a monoline hand-drawn sans with ball terminals added in) and Inked Classic (2011, blackboard bold).
Free typefaces from 2015: Poster Cut, Poster Line.
Typefaces from 2017: Neato Serif (followed in 2018 by Neato Serif Rough), Highest Praise (brush script), Citrus Gothic, Bakerie (42 hand-drawn typefaces), Trailmade, Farmhand (Farmhand is a textured, hand drawn, condensed font family featuring serif, sans, inline, italic, and extras styles suited for display titling), Garlic Salt, Likely (brush script), Likely Sans, Active (an upright brush script).
Typefaces from 2018: Config (a condensed geometric sans; see also Config Condensed and Config Ultra in 2019), Config Rounded, Quiche (in Text, Display, Fine and Stencil substyles, for a total of 52 ball terminal-themed fonts), Quiche Sans (Peignotian), Cheddar Gothic Sans Two, Botany, Braisetto (connected signature font).
Typefaces from 2019: Skie (a big gothic sans family with low contrast, small x-height and tall ascenders), Quiche Flare, Magdelin (a 40-style gothic sans), Fractul (a geometric sans characterized by its dramatic squarish "a"), Gopher (a reverse contrast family), Konnect (a geometric sans family).
Typefaces from 2020: Lufga (an 18-style low-contrast sans with large x-height and short ascenders and descenders), Gopher Mono (a 16-style reverse stress monospaced sans), Quiche Display, Neulis (a sans typeface with a script lower case "l" and "s"), Zuume (a high impact condensed all-caps sans family), Zuume Rough, Zuume Soft.
Adam Twardoch (b. 1975) was raised in Tychy, Poland, and graduated from the University of Frankfurt/Oder, Germany. He worked at for Agentur GmbH, a Frankfurt/Oder-based design firm. Since 1991, Adam has advised numerous type designers on Central European extensions of their typefaces and has created localized versions of over fifty fonts. He frequently writes on type-related matters, and is the founder of Font.org, a (now defunct) website featuring articles about typography in English and Polish. Adam Twardoch is Director of Products of FontLab (since 2004), and is typographic consultant at Linotype (since 2002) and Tiro Typeworks (since 2001), and general font specialist at MyFonts (2000-2012). Since 2012 he is based in Berlin.
Adam Twardoch is working in the field of font technology, multilingual typography, CSS webfonts, Unicode and OpenType.
Design studio of Maximilian Hesse and Marina Kraus in München, Germany. Creators of the organic sans typeface Grey (2013), which is advertized as a free typeface, but there are no download buttons. In 2013, ADGY also designed the stencil typeface Monor and the ultra-fat display typeface Meat.
Typefaces from 2014: Nova, Linea, PX (pixel face). The condensed organic sans typeface Schwabing Sans was published in 2015.
FontStructor whose typefaces in 2012 include the De Stijl stencil typeface DThree Stencil Bold, DFive Other Bricks (dot matrix), DFour Small Bricks (horizontally striped typeface), DTwo Monster Mouth, and One Time. [Google] [More] ⦿
Five of the Bauhaus treasures were revived in 2018 by him under the supervision of Erik Spiekermann:
Fatnobrain was Adrien Midzic's design studio in Paris. Born in 1982, he co-founded Pizza Typefaces with Luc Borho in 2018. Midzic designed these typefaces or type families: Fine (lineal), Blokus (free pixel font, 2009), Cimen (strong sans, designed for Smacl Entraide), Mesquine (lineal), Blitz, Cucha, Stencil Reverse, Huit (2009, a gorgeous didone headline face), Stenha (stencil).
Fonts made in 2010: The ETH family (art deco sans).
Custom typefaces by Midzic: Aquitaine (2013, for Région Aquitaine), Nilka (2013, for his personal identity), No End (2013, a fat didone), Ethon Serif (2013, a perked up serif typeface for Penguin Books), Kasai Est (2011, for the Congo-based Kasai Est Magazine), Festival De Film Documentaire (2011), Nevenka (2011, condensed sans).
In 2014, Adrien Midzic, Jason Vandenberg, Jérémie Hornus, Julien Priez and Alisa Nowak co-designed the creamy script Vanilla FY. It was renamed Vanille FY after a few days. Still in 2014, Adrien Midzic, Jérémie Hornus and Alisa Nowak co-designed the very humanist sans family Saya FY and Saya Semisans FY. Adrien Midzic and Joana Correia co-designed Saya Serif FY (2015).
At the free font cooperative Velvetyne, he published the sans typeface Lack (2014).
In 2015, he made the 3-style sans typeface Suber for an art fair in Paris. The roman transitional typeface Bota Serif (2015), which was inspired by Cochin (designed by Charles Peignot in 1912) is a custom font designed for Hotel des ventes de Poitiers. In 2017, it was finally released for retail.
In 2016, Adrien designed the bold titling typeface Debeo and the modern condensed Latin/Arabic typeface 29LT Adir (with Naji El Mir; at 29 Letters).
In 2017, he published the piano key typeface Mixal, which became a large experiment on variable fonts and is free for everyone.
Typefaces from 2018: Kern, Kern Office (a sans with some Futura features), Forno (sans), VTF Lack (a free single weight monoline geometric sans for Latin, Greek and Cyrillic, published by Velvetyne), Metal (an all caps multi-width variable font originally designed for marché Dauphine), Orelo (a 120-style high-contrast fashion mag font family; +Orelo Hangul, 2020).
Typefaces from 2019: Ultra Solar (experimental), 1871 Mane (a custom sans typeface), Wasa (a tense sans in seven styles), Shrill, Gangster Grotesk (free), Stupid (a hacker / hipster font), Kern (geometric sans).
Typefaces from 2020: Shreck Issue (very tall and ultra-condensed), Metal (brutalist), Version ACT (a two-axis variable font), Debeo (a heavy sans), Dozza (a hybrid family named after ITC Mendoza by Jose Mendoza Almeida), XMX (experimental).
Adult Human Male
Adult Human Male is the type foundry of Malaysian designer Alex Hy, who is located in Berlin or Ireland. His Twitter account says that he is New York, Paris and Coolock. His Dafont account calls him Irish. Whatever. Alex has two aspects, a commercial one, expressed in his commercial foundry Adult Human Male, and a free one via his Squack site on Dafont.
The commercial Alex created the grunge stencil typeface Butterworth (2011), the hand-drawn Teksi (2011), the monoline squarish family Ebdus (2011), Valis (2011, futuristic), and the thin avant garde monoline typeface New Slang (2011). Gordito (2011) is a graffiti style bubble font that says Smurf.
In 2012, Alex published the poster caps typeface Areaman, Stink Lines (multilined typeface) and Penang (art deco signage typeface seen on Penang by the creator). Straights Light is a beautiful pair of bilined all caps typefaces. Dale Kids is a children's book typeface. Hokkien (2012) is an art deco typeface with Chinese influences. Mister Mustard is a chubby rounded art deco typeface. Barkley (2012) is a textured caps typeface with a chalk board feel. Liner Notes (2012) is a bilined hand-drawn typeface. Bartleby (2012) is a hand-drawn all caps display font.
The free font foundry Squack has the hand-printed typefaces Barker Allcaps (2012), Scrapist (2012, sketched), Billy Boy (2011, 3d), Quito Chicken (2011, 3d), Fred Wild West (2011, a grungy western face), Coolock Black (2011), Zapftig (2011), Ringworm (2011), Suicide Draft (2011), National Granite (2011, a 3d stone chisel face), Whiskey Fingers (2010), Wank Hands (2010) and Middle Man (2010), and the irregular typefaces Zapftig (2011), Shock Corridor, Pollo Asado, Middle Woman, Ghost Words, Late Puberty, Parrannoyed (2010, ransom note face), the hairline typeface Rexic (2011), Black Grapes (2012), Chump (2012, hand-printed capitals), Areman OT (2012), and the grungy Skidmarks (2012).
Typefaces from 2013: Salas (a chunky cartoon face), Rabid (a crayon font), Strokin (a great brush face---part charcoal part paint strokes), Bevel Hands, Bunk (a layered beveled type system absed on a monoline fat rounded sans, Bunk Base 2), Spengler (inline face), Vastra (Bauhaus style, organic), Swingers (curly and cartoonish), Chump Change, Treves Sans (crayon face), Quincey (2017).
We read that the fonts are designed by EircomTest. Aka Squack, MiddleMan and Alex H.
Aenigma is the free font foundry of New York-based Brian Kent. The fonts often carry the string BRK in the name. Yet another site. Fontspace link. Dafont link. Typosasis backup. Backup at Fontfreak. Backup at 1001 fonts. Backup at Fortunecity.
The free fonts: Arthritis BRK (2013), Alpha Beta BRK (2013), Amalgamate BRK (2013), Revert (2006), Gyneric (2006), Key Ridge (2006), 18 Holes (2006: Encircled letters and monograms), Double Bogey (2005), Hairball (2005), Whatever (2005), Dyphusion (2005), Blackonimaut (2005, blackletter), Snailets (2005), Vigilance (2005), Wager (2005), Janken (2005), Dented (2005), Syracuse (2005), Symmetry (2005), Nucleus (2005), Underscore (2004), Gesture (2004), Rough Day (2004), Sarcastic (2004), Galapogos (2004), Reason (2004), Slender (2004), Gather (2004), Quadratic (2004), Saunder (2004), NostalgiaBRK (2004), Kinkaid (2004), Jeopardize (2004), Pincers (2004), Fascii (2004), Grapple (2004), WaywardBRK, WaywardShadowBRK (2004), Obstacle (2004), False Positive (2004), Goosebumps (2003), Jargon (2003), Bewilder (2003), 90Stars (2003, snowflake font), Chumbly (2003), Synthetic (2003), Jawbreaker (2003), Mobilize (2003), GreatHeightsBRK (2003), Graveyard (2003), Bend 2 Squares (2003), Redundant (2003), Homespun (2003), Galvanize (2003), Dastardly (2003), Vantage (2003), Quarantine (2003), Knot Maker (2003, with a program for weaving Celtic knots), Combustion (2003), Knot (2003), Enthuse (2003), Weaver (2003), Foreshadow (2003), Rambling (2003), Mincer (2003), Intersect (2003), Technique (2003), Nominal (2003), Unlearned (2003), Brass Knuckle (2003), Quarterly (2003), Zirconia (2003), Zephyrean (2003), Whippersnapper (2003), Ryuker (2003), Discordance (2003), Graze (2003), Gravitate (2003), Edit Undo (2003), Persuasion (2003), Encapsulate (2003), Nymonak (2003), 36DaysAgo (2003), Vertigo (2003), Lights Out (2003), Sequence (2003), Rehearsal (2003), Yearend (2002), SupraGeniusCurvesBRK (2002), SupraGeniusLinesBRK (2002), Faux Snow (2002, snowflakes), Mishmash (2002), Brigadoom (2002), Gyrose (2002), Dystorque (2002), Upraise (2002), QuacksalverBRK (2002), Ravenous Caterpillar (2002), Bumped (2002), Tonik (2002), Jupiter Crash (2002), Mysterons (2002), Sideways (2002), Scalelines (2002), Pneumatics (2002), Granular (2002), Volatile (2002), Aspartame (2002), Bleak Segments (stencil font), Genotype, United, Lynx (2002), Lyneous (2002), Alpha Beta (2002, pixel font), Licorice Strings (2002), Syndrome (2002, futuristic font), Your Complex (2002), Nanosecond (2002), Binary (2002), Dynamic (2002, techno), Qbicle (2002), Flipside (2002), Amplitude (2002), Pindown (2002), Kurvature (2002), Euphoric (2002), Bobcaygeon (2002), Zoetrope (2002), Overhead (2002), Zelda DX (2002, pixel), Telephasic (2002), Hearts (2002), Lamebrain (2002), Compliant Confuse (2002), Line Ding (2002), AE Systematic, Acknowledge, Mini Kaliber, Upheaval (2002), The Code of Life font (2001), Amalgamate (2002), Bandwidth (2001), ClassicTrash (2001), XmasLights (2001, alphadings), Setback (2001), Qlumpy (2001), Regenerate (2001), Konector (2001), registry (2001), Stagnation (2001), Elsewhere (2001), Claw (2001), Cleaved, 8-bitLimit (4 weights), 10.15SaturdayNight-BRK-, Automatica-BRK (2001), Bendable-BRK (2001), BitBlocksTTF-BRK-, Kickflip-BRK-, Withstand-BRK-, Hyde-BRK-, Ecliptic (2000, a bold rounded monoline techno sans), Jekyll-BRK-, Larkspur-BRK-, NotQuiteRight-BRK-, Quandary-BRK- (an LCD font), Thwart-BRK-, Weathered-BRK-, AEnigmaScrawl, Aftermath, Blox (1999, 3d), CandyStripe (1999), Circulate, Collective (1999), Conduit, Corpulent Caps (2001), DarkSide, DashDot (1999), Dephunked (1999: halftone texture emulation), EmbossingTape (3 fonts), Exaggerate, Frizzed, FullyCompletely, Grudge, Hassle, Hillock, Impossibilium, Inertia, InkTank, Lethargic, MoronicMisfire, Numskull, Opiated, Phorfeit, PixelKrud, Powderworks, Pseudo, QuantumFlat, QuantumFlatHollow, QuantumRound, QuantumRoundHollow, QuantumTaper, Ravaged-By-Years-, Raydiate, Relapse, Sorawin-Plain, Spastic-, Splatz-, Stranded-, Swirled-, TRAGIC-, VacantCapz, Wobbly, XeroxMalfunction(BRK), Zenith, ZeroVelocity, Zoidal, simplton, Waver, SaffronColdWars, 3DLET, Bri's-Scrawl, TRAGIC-, AcidReflux, Arthritis, Ataxia (1999), AtaxiaOutline, BlockTilt, ChintzyCPU, ChintzyCPUShadow, Decrepit BRK (1999), Detonate, Draggle (2000), Draggle[overkerned], FatboySlimBLTC, Gasping, Hack&Slash, HeavyBevel, Jagged, Jasper, JasperSolid, Katalyst[active], Katalyst[inactive], LucidTypeA, LucidTypeB, LucidTypeBOutline, LucidTypeAOutline, Neural, NeuralOutline, ObloquyOutline, ObloquySolid, PlasmaDrip, PlasmaDrip[Empty], Queasy, QueasyOutline, Rotund, RotundOutline, SkullCapz (dingbats), Tearful, Tetricide, Turmoil, Ubiquity, Underwhelmed, UnderwhelmedOutline, Vanished, Xhume, Yonder, Yoshi'sStory, ZurklezOutline, ZurklezSolid, Gaposis, Naughts, Ink Swipes, Irritate, Perfect Dark, Forcible, Loopy, GaposisOutline(BRK), GaposisSolid(BRK), Head-DingMaker(BRK), JoltOfCaffeine(BRK), KirbyNoKiraKizzu(BRK), Orbicular(BRK), Xtrusion(BRK).
Commercial fonts at CheapProFonts: Lamebrain BRK Pro, Dynamic BRK Pro, Phorfeit Bundle, Phorfeit Slanted BRK Pro, Genotype Bundle, Genotype S BRK Pro, Genotype H BRK Pro, Classic Trash BRK Pro, Vigilance BRK Pro, Technique Bundle, Technique BRK Pro, Technique Outline BRK Pro, Galapogos BRK Pro, Visitor BRK Pro (pixelish). [Google] [More] ⦿
Creator at FontStruct of Aeolien (2011, alphadings), Gazebo Line Aeo (2012), Chateau d'Air (2013, castles), Like Fabergé (2013, oval), Fold Line (2013, a sewing font), Toothache (2013), Linoleum (2013), Sandor Basic Stripes (2013), Compass Norden (2013, a dot matrix font), Sambuccus (2013), Abneuroniques (2013, neurotic typeface), Zebra (2013, horizontally striped), Amazed (2013, maze font), Card Reading (2013), 3paths (2013), Raidho (2013), Floraeolien (2013, flower dings), the Art of Square series (2013), and Ostara Egg Box (2013, ornamental caps for Easter).
Typefaces from 2014: Ceques (op-art), Indentional, The Tunnels of Tralyoxx, ClickPop Beads, Blue Moon, Nurdal's Walk (LED font), Dumultix (techno, in De Stijl fashion, based on Mondrian), Wever Ding, My Unintended, Haltero, Linuta, Murexa, Abfahrt, Arrivee Mercredi, Mabon (vintage slab serif, art nouveau), Treat or Trick, Aerix Stencil Serify, Noba M, Plaque Emaille (white-on-black), Gleiteri, Strega nona, Kubetus (artsy), Kubetuffo, Pixiel, Werner, Free Masonry, Airy Brickwork, Aerix Stencil Sans, Sim Card, Kerbe, Fool's Beans, Gift Tag (alphadings), Tag Letters, Varsity Outline UC.
Typefaces from 2015: 3Fino, S-chablo Sans (stencil), August, Shifted (op-art), Arroed, Apprentice Quill, Spitze, Melusine.
Aerotype is a foundry in Camarillo, CA (formerly in Glendale, CA). It sells the typefaces of Stephen Miggas. Many types were designed around 1998, and most were rejuvenated and updated in 2005. A list of Aerotype's typefaces typefaces:
Afrojet Type Foundry
John Skelton is a type designer from St. Paul, MN, b. 1973. He is currently based in Portland, OR. He started out in 2008 as afrojet on FontStruct, making many free fonts there. Late in 2009, he set up Afrojet Type Foundry at MyFonts.
FontStructions in 2008: Playtime (an original stencil family), Playtime Pattern Motifs (dings), Playtime Rounded (+Bold), Playtime Cutouts, Mango Solid (ultra fat, rounded), Mooch (experimental), Mooch Squared, Zombies Are The New Black, Jettison Stencil, Micromoog, hewett, hewett_bold, hewett_extended, Mikey (a Mickey Mouse font). Other creations there include Summer Grillz (about which he writes More gangster than Gill with more gold than Garamond, Summer Grillz is type jewelry for your mouth. All letterforms are diamond-kut using the finest type constructing software on the market today. Customize your grill with different fills., Lovestruc, Konstruct (multiline face), Steeplechase, Sawhorse, Sawhorse Braumarks (dingbats of a brewery), Alfred, Chesterfield, Hydroplane, Jettison-Stencil, Pop-Drops (kitchen tile face), Starstruc, Lovestruc, Chesterfield Prince, Chesterfield King, Chesterfield Queen (piano key font), Brainfreeze (ultra fat).
Fontstructions in 2009: the Sans Serious family (a tribute to Dutch Bauhaus designer Jurriaan Schrofer), Factory (stencil), Hunstrüct (blackletter), Slug, Micromoog Remix, Get To The Falcon, Jetstream and Perforate (octagonal, loosely based on several styles of letter and numeral forms observed on various aircrafts at the Evergreen Aviation&Space Museum in McMinnville, Oregon), Get To The Falcon (multiline face), StacheStruct (moustache font), Factory (stencil), Playtime Bolda, Thunderball, Gaga, Gaga Stencil, Pinpression, Sessions (a take on type by Josef Albers; he writes: Having previously played around in Fontstruct with Anni Albers' textile patterns, I thought it time to turn my attention to her husband Josef's work. Josef Albers' constructivist typographic experiments are a perfect match for Fontstruct. Other Fontstructors have done great work with Alber's ideas. Most notably, Saberrider's fontsract and Stewf's Leaflet family. Using Josef Albers' Kombinationsschrift alphabet (1928-1931) as my foundation, I've been having a lot of fun remixing and experimenting with his letters.).
Fonts made in 2010: Whoopee (piano key face), Prog.
Commercial fonts: Sessions (2009, modular).
FontStructor who made these typefaces in 2010: Tessa (an über fat face), Pomegranate, Archipelago Serif, QQQQQ.
In 2011, these typefaces were created: Barnhaus (+Lite), Not My Font (clone of zalamera eYeFS by Antonio J. Morata), Mission Design Sans, Soundproof, Naturally Blonde, Sector12 (an army stencil face), Industrial Sans Better, Elegantite, Grey Hand (texture face), Ubnshufr II Hellllp, Havoc, Havoc Thin (scratchy face), Pixels Redefined (texture face), Capitas Lite (texture face), Capitals Woodcut, Adl Capitals (hand-printed), Useful Sans, Spirit (tattoo/blackletter face), Wanted 2.0, Detaile, fs Greener Grass (grotesk headline face), Bean (pixelish), Small Sans, Doundproof.
In 2012, Agent Demonic Ladybug made these typefaces: Mechans (upright connected script), Tessa Revived, Minimalist No. 2 (piano key face), Laceys (dot matrix typeface), Roundsclean, Squareup, Barnhaus 2012, Mission Design Sans, Barnhaus (+Lite, +Mono; named after Bauhaus), iFontStruct, Squishypixel, Moredetailes, Who Needs Nonconformity (heavy octagonal), Stuckinneurone Error, Stuckingranite, 220a, Boldish (piano key face), Strategy Bold. [Google] [More] ⦿
Ahmad Ramzi Fahruddin
Blackpool, UK-based designer of the hipster typeface Penultimate (2013), which was created during his studies at the University of Huddersfield. In 2014, Aidan created the squarish typeface Second and the geometric all-caps sans typeface Enigma.
Ainsifont (was: Atelier Telescopique, or: Fonderie Nordik)
Fonderie Nordik was a French type foundry in Wasquehal near Lille, which published some fonts such as Tomica (2009, a geometric sans done for Wéo Télé Nord Pas de Calais), Le Dixca, Le Cicerond, LaNormal, La Lienne. Founded in 1998 by Xavier Meurice and Sébastien Delobel, it changed its name in 2007 to Atelier Telescopique and then to Ainsifont. Stéphane Meurice and Guillaume Berry are also involved.
Font list: Font list: Scard (2000, Xavier Meurice), Stonehenge, Dixca (free pixel font), Fish, Delory, Lienne (2001, with Delobel), Bizeau, Raoul, La Cidulée, Ader (Xavier Meurice, 2002), Tex (2002, pixel font by Xavier Meurice), Normale (free), PSUS (Xavier Meurisse, 2000), Bépierre, Péro, SV01 (dings), Cicerond (free dot matrix font), Réka (2001, Meurice and Delobel), Nuk, Stéroide, Rosoir (2002, Xavier Meurice, dingbats), Equinox, Acropik, Wazemmes, Kune, Stoneheure (2001, Xavier Meurice), Sphiquesie (Xavier Meurice, 2002, an octagonal font), Nyctalope (2002).
Xavier Meurice participates in the type cooperative Ainsifont in Lille. His typefaces there include:
German cofounder of Underware (b. Heidelberg, Germany, 1971), a typographic design studio based in Den Haag, founded in 1999 by Akiem Helmling, Sami Kortemäki and Bas Jacobs. Akiem studied from 1998-2000 at the KABK. He co-designed all Underware fonts: Dolly, Bello, Sauna (2002; +Sauna Mono Pro), Liza (2009), Auto (1, 2 and 3) (2004-2014), Unibody 8 (free) and Fakir (a blackletter typeface). In 2015, Bas Jacobs, Akiem Helmling and Sami Kortemäki published the stencil family Tripper Pro.
In 2017, Underware developed the super-adaptive and parametric typeface family Duos Pro.
MyFonts page. FontShop link. Klingspor link. Speaker at ATypI 2017 in Montreal. At ATypI 2018 in Antwerp, Bas Jacobs and Akiem Helmling introduced the high order interpolation system for fonts called HOI. [Google] [MyFonts] [More] ⦿
Born in 1960 in Niigata, Japan. Studied at the Musashino Art University in Tokyo. He also studied calligraphy at the London College of Printing. He became a freelance designer in 1997. Akira Kobayashi, who was based in Tokyo prior to his move to the Franfurt area, is an accomplished type designer who has created numerous typefaces for Sha-Ken, Dainippon Screen (where he made the kanji font Hiragino Mincho), TypeBank (from 1993-1997), ITC and Linotype, where he is Type Director since 2001. Interview. His numerous awards include the Type Directors Club awards in 1998 (ITC Woodland), 1999 (the art deco styled ITC Silvermoon, and ITC Japanese Garden), and 2000 (FF Clifford), the 1999 Kyrillitsa award for ITC Japanese Garden, the 3rd International Digital Type Design Contest by Linotype Library (for the informal and quirky 4-style Linotype Conrad (1999): Linotype states that Kobayashi took his inspiration from a print typeface of the 15th century created by two German printers named Konrad Sweynheim and Arnold Pannartz), and the 5th Morisawa International Typeface Competition (in which he received an Honourable Mention for his typeface Socia Oldstyle). CV at bukvaraz. Interview in 2006. His typefaces:
Speaker at ATypI 2012 in Hong Kong: Rounded sans in Japan.
Akufadhl (was: Alternatype, or: Akutype, or: Alterna Type foundry)
Cairo, Egypt-based designer, who hails from Surakarta, Indonesia, b. 1996. Akufadhl, or Fadhl Waliy Haqq, or Fadhl Waliy Ul Haqq, started Alternatype, then Akutype, then Akufadhl, and finally Eyetype.
Creator of the free brush typeface Bruss (2015), the hand-crafted Talisman (2015), Labours (2015) and Summer Time (2015), the vintage sans typeface Manufactur (2015), the vintage titling typeface Kertayasa (2015), the marker typeface Halfway (2015), the watercolor brush face Hale (2015), the free display typeface Biliru (2015), the hand-crafted Supreme (2015), and the spurred display typeface Travelo (2015).
Typefaces from 2016: Amarylis, Protea, Geda Brush (thick and inky), Tarquin AT (+Stencil), Macaron (elegant hand-crafted style), The Falcone, Supreme (hand-crafted), Rolade (rounded sans).
British designer of LCD (1981, Letraset, ITC, and then Linotype), Crystal (1981, cyrillicized in 1993 by A. Kustov), Letraset Bitmax (1990), Rubber Stamp (1983, a grungy military stencil), and Synchro (1984).
Pottstown (Philadelphia)-based designer and PostScript font hacker who ran Prescott Design and now Alan Jay Prescott Typography, but was also involved in other ventures such as the Black Walnut Winery. Originally from Greenfield, MA, he graduated from Saddleback College. He advertizes himself as Leader in PostScript Open Type Font development specializing in the revival of print-only letterforms into digital typographic materials. Alan created three substantial sans typefaces families with many weights starting from hairline, almost in the fashion mag style: Clemente (2011), Ultima (2011), Passion Sans (2011, a Peignotian family).
Additional typefaces: the Bizarre series (decorative caps), Advertisers Gothic PD (2010: a large family based on Robert Wiebking's ugly original from 1917), APT Antique, Crayon PDS (2013, a decorative Victorian family), APT Caslon 76 (1997, based on a Compugraphics original), APT Feinen Inline (1997, after Henry Mikiewicz, 1983), APT Millais (1995, unknown origin), APT New Abel Cursive (1996, a revival of Bernie Abel's Abel Cursive (Compugraphic, 1974)), APT New Artcraft (1996), APT New LSC Book (1996, after a 1970 original by Lubalin Smith Carnese), APT New Classic Rubber Stamp (1996: based on DeVinne by G.F. Schroeder, 1890; F.W. Goudy 1898), APT New Hearst (1995, based on an original from Inland Type Foundry, 1901, which was famously ripped off from Goudy; the Italic was by Carl Schraubstadter, 1904), APT New Ticonderoga (1995-1996), APT New Woolly West (1995), APT Horizon Initials (1995), APT New Gill Floriated (1995), Old Gothic Initials Plain (1995: Lombardic caps), Pfister Bible Gothic APT Cameo (1997, blackletter caps), APT Saint Nick (1995: snow-themed caps).
His 19th century series, all made in 1995 or 1996: APT New Abramesque, APT New Alferata (psychedelic), APT New Armenian, APT New Belmont (Victorian), APT New Brenda, APT New Cabinet, APT New Caprice, APT New Dawson, APT New Euclid, APT New Linden, APT New Madison, APT New Moorish, APT New Mystic, APT New Rollo (Victorian), APT New Slapstick (wooden plank font), APT New Spiral, APT New Stephen Ornate, APT New Teahouse, APT New Viola, APT Novelty Script.
The wood type collection of Alan Prescott:
Prolific type designer, b. London, 1951. Alan started working in 1970 for Graphic Systems as a lettering artist. In 1975, he joined Letraset as the Senior Type Designer and Studio Manager where he was responsible for all the artwork produced by the Letraset studio. During his tenure at Letraset, he designed over 40 popular typefaces, including Bramley, Candice, Bickley Script and Belwe. Most of these typefaces also showed up in the Scangraphic collection. Together with type director Colin Brignall, Alan contributed to the success of Letraset. All the original typographic artwork produced at Letraset was produced by hand cutting the fonts in Rubylith, a highly-skilled technique known as stencil cutting. Alan was responsible for training the entire Letraset studio in this art. Most of the original Letraset artwork has now been archived at St. Brides Printing Library, London. Today, Alan works independently, specializing in all facets of corporate identity including type design, typography, packaging, and development of logos and symbols.
Aka Alan Alan and as I Like Fonts. Edinburgh, Scotland-based designer of the freeware fonts Meat Raffle (2016), Milk (2002), Jobby (2002, grunge), Matchbox (2002), Dirty Fox (2012, nice grungy caps), Laundry Day (2011), Gorestep (2011, dripping paint font), Stylo (2011), Cable Guy (2011), Bodypump (2002), Aztec Hipster (2012, Mexican simulation typeface), Afro House (2012, tribal), Mashed (2012: a grungy stencil take on the Mash logo), Original Junglist (2012: white on black poster face), Tower Blocks (2013), and AP Digibats (2002). Many of these fonts have no punctuation.
Graduate of the Emily Carr University of Art + Design in Vancouver, class of 2013. During her final year in the communication design program at Emily Carr, Alanna Munro created the dot matrix typeface Pig (2012).
In 2016, at Lost Type, she designed the 8-weight sans typeface family Tofino, which is advertized as a West Coast Swiss. I hope that the name will stick, but surely, Greg Nicholls (designer of an earlier typeface called Tofino) and the foundry Tofino Type in Kelowna, BC, can't be too thrilled.
Designer of the stencil typeface Sahlia (2020).
Designer of the calligraphic typeface Avona (2020) and the text typeface Avona Serif (2021): The Avona family of fonts are inspired by fantasy games and calligraphy. Avona Serif is intended for flavourful user interfaces. Avona Serif draws inspiration from Carolingian letter forms and aims to captured the calligraphic round, wide structure.
Spanish graphic designer in Alicante, b. 1986. His free fonts include Alber (2009, grungy stencil), Globus (2009, almost counterless atrsy face), Industrial (2009, virile face) and Wind and Bubbles (2009). [Google] [More] ⦿
Born in 1995, aldo Dattoli created the simple hand-printed typeface Aldo Dattoli (2012).
Ale Navarro Miranda
Designer and letter artist in Puente Alto and Santiago, Chile. Some of his typefaces are published by Compania Tipografica de Chile, which he co-founded in 2018 together with Raul Israel and Franco Jonas. Future Fonts link. His typefaces:
Graphic design student in Monterrey, Mexico.
Alejandro Cabrera Avila
During his studies at Istituto Vittorio Emanuele III di Palermo, in sicily, Alessio d'Amico created the stencil typeface Just Me (2015). He also designed the absolutely wonderful experimental typeface Morse Code in 2015. [Google] [More] ⦿
The Due Studio (or: Due Collective) of Alessio Pompadura and Massimiliano Vitti, both based in Perugia, Italy, co-designed the grid-based stencil typeface Nodo in 2017.
In 2018. they developed PVF Display for the identity of Palazzo Vertemate Franchi.
In 2019, they designed Grotta, and wrote: Grotta is an irreverent contemporary neo-grotesk typeface with strong geometric accent and sharp contrast in its form. Characterized by tight apertures and an overall dynamic feeling it is suited for both display and text sizes. It is our interpretation of the 21st century grotesk, exuberant, irruptive and [...] winks at [...] Venus-Grotesk and Monotype Grotesque. It shows influences of hipstertism in the way strokes are joined in the 1, N, M, V, W, and other letters.
The semi-pixel typeface Analo Grotesk was codesigned in 2019 by Alessio Pompadura and Massimiliano Vitti.
In 2020, he released Decay White: Decay is a modern serif that brings the idiosyncratic philosophy of Decadent Movement into our darkest future, mixing sinuous curves with eccentric pointed serifs and drastic ligatures between multiple and single letters. A typeface on the border between irrational aesthetics and rational function. [Google] [More] ⦿
Moscow-based artist who created these typefaces in 2016: Buena Onda, Londa (a connected script), Foie Gras (signage script), Fuego, Cama (a thick connected script), Blackthorn, Savoiardi (connected monoline script), Savoiardi Sans, Savoiardi Display, Zimbra (a zebra stripe font), Signal, the Vincent Van Gogh-inspired Absinth, the Russian fairy tale font Anchor, the hand-crafted Swan, the weathered Cliché Font, the constructed extraterrestrial font Structure, the geometric solid typeface Forma, the semi-calligraphic Absinthe and Glasgow, the calligraphic oriental brush typeface Yakudza, and the brush typefaces Augenblick and Barbada.
Typefaces from 2017: Curator (a curvy decorative didone), Gluck (a rounded monoline sans family with outlined and double outlined styles), Laser Dots, Zarathustra (a soft blackletter typeface family), Pedrera and Pedrera Script, Hooley (advertized as a party font), Forma (free counterless typeface), Fuego (calligraphic script), Arc Boutant (a vintage ballpoint-laden text typeface), Moloko (script), Etalon (a 33-style organic sans family), Molodos All Caps, Click (Stripes, Black), Geometry Pair, Venzel (an interesting experimental deco typeface), Batllo (inspired by Gaudi), Pluma (handwriting).
Typefaces from 2018: Pistoletto (a jelly or toothpaste script inspired by the work of Roy Lichtenstein and Michelangelo Pistoletto), Lento (a monoline script family), Rajomon (a dry brush typeface), Solomonk (an inky script), Ma Tilda, Warka, Abudabi (connected script), Lunar, Tilda (a monoline sans with character), Jeunes (connected script), Danken (a textured all caps typeface family), Salud (a hand-drawn slab serif, with some interesting sketched and arched styles), Hoochie, Brutto (stencil with alyering and coloring potential), Hvala, Mafond (slab serif), Tadaam, Liberal (a simple monoline sans).
Typefaces from 2021: Riley Wow (a round oily font for emulating glows).
Alex Jacque (b. 1986, Virginia) is a designer and developer based in Oakland, CA (was: Baltimore, MD). He studied at the University of Michigan School of Art&Design and was located at that time in Ann Arbour, MI. He obtained an MFA from the Maryland Institute College of Art.
Creator of Coop Blackletter (2016, a soft blackletter version of Cooper Black), Dequindre (2015, based on the capitals of Fette Buhe Fraktur by Walter Buhe, 1914-1915), Teip (2014, a multiline layerable all caps typeface), Pila (2014, techno stencil), Handu (2012, hand-drawn sans-serif inspired by the hand-painted type and signage on the streets of Kolkata, India), Atrium (2012, a squarish sans family based on the pen art of W.E. Dennis), Saugatuck (2011, grunge) and Sello (2011, a unicase hand-drawn, geometric sans-serif with a touch of retro).
Alex O. Kaczun
Kerikeri and/or Matakana, New Zealand-based multidisciplinary designer whose company is called New Royal Standard. He created the athletic lettering inline typeface Lockout (2012).
In 2013, he created the beautiful art deco typeface New Royal Stencil, and simple and iconic Stackable Animal Illustrations. Other typefaces include the free pixelish typeface Stopwatch. [Google] [More] ⦿
Graphic designer in Johannesburg, South Africa. Behance link.
He created some experimental typefaces, alongside some display fonts. Examples: Kokface (a constructivist beauty), a circle-themed stencil face, Revolt, and an octagonal face. In 2012, he made another set of experimental typefaces called Engineering. [Google] [More] ⦿
Aleksandr Mikhailovich Rodtschenko (1891-1956), or Rodchenko, emerged in the 1920s as one of the most influential Russian constructivists. Their lettering is always austere and geometrical, and they influenced all visual arts. A typical Cyrillic family of typefaces was recreated by Tagir Safayev at ParaType in 1996-2002, called PT Rodchenko. Other reincarnations include the Latin&Cyrillic family Rodchenko Constructed ML and Rodchenko Grotesk ML (2010, Tom Wallace). At Gaslight, the Teco Sans and Teco Serif typefaces (2012) are also said to be influenced by Rodchenko. Also, check P22 Constructivist by Richard Kegler (1995).
Russian creator of the free chess font Chess 7 (2008), the free pixel fonts LED Stadion 7 (2013), Dash Dot Square 7 (2013), Enhanced Dot Digital 7 (2013), Small Dot Digital 7 (2013), Modern Dot Digital 7 (2013), Square Dot Digital 7 (2013), Bold Dot Digital 7 (2013), Serif Dot Digital 7 (2013), Serif LED Board 7 (2013), Modern LED Board 7 (2013), Half Bold Pixel 7 (2013), Dash Pixel 7 (2013), Serif Pixel 7 (2013), Power Pixel 7 (2013), Enhanced LED Board 7 (2013), Thin Pixel 7 (2013), Smallest Pixel 7 (2013), Modern LCD 7 (2013), Advanced LED Board 7 (2012), Digital 7 (2008, LED face), Post Pixel 7 (2013), Triple Dot Digital 7 (2013), Dash Dot Square 7 (2013), Enhanced Dot Digital 7 (2013), Dash Digital 7 (2013), Light Pixel 7 (2013), High Pixel 7 (2013), Mini Pixel 7 (2012), Long Pixel 7 (2013), LED Counter 7 (2013), Digital Counter 7 (2013), LED Digital 7 (2013), LED Board 7 (2013), Light LED Board 7 (2013), Advanced LED Board 7 (2013), Printed Circuit Board 7 (2013), Brick LED 7 (2013), Rounded LED Board 7 (2013), Pixel Dingbats 7 (2013), Square Wood 7 (2013), Small Bold Pixel 7 (2013), Rounded Pixel 7 (2013), Line Pixel 7 (2013), Bold LED Board (2013), Narrow Rectangle 7 (2013), Dot Digital 7 (2013, +Advanced), Square Metal 7 (2012), Stencil Pixel 7, Computer Pixel 7 (2012), Small Pixel 7 (2012), LED Counter Plus 7 (2013), LED 7 Display (2012, +Light), Neon Pixel 7 (2012), Old Pixel 7 (2012), Square Stone 7 (2012), Square Pixel 7 (2012), Pixel Font 7 (2012, +Outline), Pixel LCD7 (2012), Advanced Pixel 7 (2012), Ice Pixel 7 (2012), Void Pixel 7 (2012), Dash Dot LCD 7 (2012), Dash Dot Square 7 (2013), Enhanced Dot Digital 7 (2013), Double Pixel 7 (2012), Advanced Pixel 7, Advanced Dot Digital 7 (2013), ZX Spectrum 7 (2012), Bubble Pixel 7, Cyrillic Pixel 7, Basic Square 7 (2013), Basic Sans Serif 7 (2013), Effective Way 7 (2013), Arrow 7 (2013), Abricos 7 (2013), Computer 7 (2013), Disco 7 (2013), Software Tester 7 (2013), Elegant Line 7 (2013), Soft Lines 7 (2013), Effective Way 7 (2013), and the free LED display font Digital-7 (2008).
Typefaces from 2014: Game Font 7, Square Sans Serif 7, High Sans Serif 7, Smooth Line 7, Bright Line 7, Double Line 7, Rounded Line 7, Rounded Sans Serif 7, Android 7, Arial Narrow 7, Bold Sans Serif 7, Light Sans Serif 7 (avant-garde sans), Modern Sans Serif 7, Software Kit 7 (dingbats), Advanced Sans Serif 7m Strong Line 7.
Typefaces from 2015: Steel Blade 7, Semi Rounded Sans Serif 7, Bold Game Font 7, Double Force 7, Roman Font VII, Game Sans Serif 7, Sans Serif Plus 7, Soft Sans Serif 7, Smooth Pixel 7, Clear Metal 7, Military Font 7 (stencil).
Typefaces from 2019: Clear Line 7.
Added in 2009: Russisch Brot, Block Out (3d face, +Filled1, + Filled2), Bold Stencil Sans, Script Pixelig, Dorky Corners Sans, Haus der Kunst (inspired by the building in München by that name), Fraktur Test, Fette Sans (nice), Emilia, Runde Pixelig (pixel script).
Creations in 2010: Fraktur Test, The Plot (octagonal, architectural), 80s Metal Band, Fieldwork Font (pixel), Black Metal, I slabbed the Seriff, Play (curly face).
Creations in 2011: Obvious Stencil (Bauhaus, or piano key), Supercali (a psychedelic font inspired by the cover for A.R. Kane's "I"), Manuale (with straight slabs; +Manuale Giocoso, 2012), Graphite (fat and rounded), Graphite 2, Hinterland Italic (quaint Victorian face).
From 2012: Linea Fraktur (extended in 2013 to Linea Runde), Black Organic (spiky blackletter), Green Organic (a spurred blackletter), Standard Sans, Modular Blackout Bold Condensed, Viva Las Vegas, Helios, Faux Pas Serif (Egyptian typeface), Nova Thin Extended (this hairline sans is a tour de force---it is the first successful hairline sans typeface ever made by anyone using FontStruct), Bencraft.
Fonts from 2013: Meadow Bold, Lush Capitals, SwiftStroke, Its Slab To Be Square, Mellow Doubt, Ligure Black, Beige Organic, Trafo, Trafo Evolution, Codester Mono (a programming font), Swash Buckle, Nova Thin Extended (a hairline sans), Meson Sans, Burgwald Exquisite Bold Condensed, Editoriale, Coalescimen, A La Carte, Hampton Italic, Baby Elephant (fat grotesque).
Fonts from 2014: Terminal One (a basic sans), Fanomino, Fontris (like Tetris), Schlaraffenland (+Variant: great rounded sans family), Crystalline, Tick Brush, Manuale Neue Bold, Terminal One, Sanspura, Italics Study, Mundane Black Extended, Heavy Grain, Wineshop Stencil, Folds and Rhizones, Viva Las Inline.
Fonts from 2015: Augustine, Coleridge, Framtid, Licht-Sans, Quire-Bold, Quire, Static-Grotesk, Tattoo-Parlour, The-Gift-Serif, Tuileries-Black, Usual-Type, Ziseleur, Zungenschlag, Blackesteverblack.
Art director and graphic designer in San Francisco who likes the color red. Behance link. Creator of stylish logotype, found art, or display typefaces: Baroquen (2010), Bent Type (2010), Decoder, Determinant (2010, art deco), Edgewise (2009; art deco stencil, also called a piano key face), Elektrotrash (2009), Estereo (2010), Metrobloc (2010; modular), Eurobloc (modular), Victropolis (serifed), Determinant (more art deco). Behance link. The web page is rather confusing, so it's hard to tell which images are of fonts and which are just pictures of alphabets. Some fonts are free, such as the grungy Antechamber (2011). [Google] [More] ⦿
Alexandr Galuzin (was: Tangramus)
Pavlodar, Kazakhstan-based designer (b. 1987) of the medieval calligraphic typeface Square Capitals (2014, Latin and Cyrillic), the uncial typeface Uncial (2015) and the Trajan typeface Capitalis Monumentalis (2015). In 2015, he designed the angular and angry straight-edged typeface KZ Kirpich, the tangram-inspired German expressionist typeface Tangramus, and the Latin / Cyrillic deco typeface Kvadrat.
In 2015, he set up the commercial type foundry Alexandr Galuzin. His first commercial typeface is Golovolomka (a modern blackletter).
In 2017, he designed the fat stenci typeface Growling.
Russian designer of typefaces who collaborates with Ivan Zeifert and specializes in revivals, cyrillizations and beautiful digitizations, some of them done with Anatole Gophmann. There have been complaints about her practice of borrowing fonts from type designers without asking. One typophile writes: I have cracked open fonts she claims as hers, Bolero, Bickham and others, she has copied and pasted glyphs, copyright data, added Cyrillic and changed the copyright string. As an example, Angelica is a copy of Alejandro Paul's Miss Fajardose. Alejandro has drawn the numerals in his font in 2004 to accompany the letters found in an old catalog of alphabets. There is no other source of the numerals, and Angelica has them. Michael Clark writes: I initiated a battle with the illustrious Alexandra "Bitch" from Russia who has renamed Pouty (FontBureau) and copyrighted [it as] Bolero. She and her partner Anatoly shithead. Available on Fonts101.com for anyone who wants it free. The ass's site, Jagdesh, is in Pakistan and we cannot touch him. 260+ viewings and 140+ downloads. Let's see that is 1400$ I will never see! Others have complained as well about her practice of taking and extending fonts without permission. Anyway, her "fonts" are:
Alexandre Saumier Demers
Mexican creator of Maming (2012, spindly), the pixelish typeface Mattta Ahari (2011), Coluca Modern Side (2011, an octagonal semi-stencil face), the sturdy poster typeface La Camerino (2011), the grungy Indieo (2010), the condensed typefaces Tipulada (2011) and Condenzel (2011), the experimental typeface Autobahn (2011), the squarish NRCO (2011) and the experimental Vai Gone (2011).
Designer of Old Ranger (2017), Grunge Slab Serif (2016), Old West (2016). In 2014, he designed Military Alphabet (an EPS format military stencil) and Grunge Alphabet. In 2013, he published the bilined Retro Alphabet. [Google] [More] ⦿
Saint Petersburg, Russia-based designer of the decorative typeface Boroda (2019: stencil, and oriental emulation), Tetris (2019: pixelish) and Blender (2019: prismatic). All typefaces cover Latin and Cyrillic. [Google] [More] ⦿
Alexis Navarro Miranda
French type and graphic designer (b. 1974) who lives in Asnières-sur-Seine and works in Paris. Educated at Ecole Estienne, Paris, and ANRT, Nancy, he designs custom-made typefaces and has released several commercial fonts including Adso and Mihaly. He co-founded BAT foundry in 2009 and set up Alfab in 2019. His typefaces:
Graduate of the Rietveld Academie in Amsterdam. Born in Syracuse, Sicily, he spent half of his life in New York City, and studied for four years in The Netherlands. He worked in Lithuania with a group called Alfa60, and is now based in Turin.
Alfredo Marco Pradil
Alias is a type foundry and graphic design agency founded in 1996 by David James and Gareth Hague. It is based in London. Their fonts can be bought through T-26, ITF and/or FontWorks UK. They also did substantial corporate type design work.
Partial font list: AES (1995, David James), August (1996, a fifties font by Gareth Hague), Caustic (2012, calligraphic script family), Elephant (1994-1995, Gareth Hague), Enabler (1995, David James), Factory, Granite (1995, Gareth Hague), Harbour (1998, Gareth Hague), Intimo (2000), Jackdaw (1997, Gareth Hague), Jude, Key, Klute (1997, Gareth Hague), Mantis (1996, Gareth Hague), Metropolitan (1996, Gareth Hague), Metsys, Sister (1995, Gareth Hague), Text (1995, Gareth Hague).
Corporate typefaces include Prada Candy (2012).
Type designer. Not to be confused with "Walden Font", a commercial foundry run by Oliver Weiss. Dafont link. Full list of his work: African (1993, a jungle font), Amelia, Asimov, Beveled, CalculatorItalic, Checkbook (MICR-like font), CrystalItalic, FinalFrontier (1993), FinalFrontierOldStyle, FinalFrontierShipside, Goethe, Japan, Jurassic, Lansbury (1993), Neon Lights (1993, based on Quantum), NewYorker (after Rea Irvin's irvin Font for tThe NewYorker), OliviaBrush, StencilExport (1993: based on Gerhard Schwekendiek's Gesh Export, 1972), Terminator (techno).
Lansbury is a free art nouveau typeface that mimics the font used in the TV series Murder She Wrote. The actual font used for the title of that series was URW's Art Gothic (specimen). Fletcher Gothic (1992, Casady&Greene) is another free version of it. [Google] [More] ⦿
Indonesian designer of the brush script Sometimes (2019), the high contrast serif typeface Quakiez (2019), the serif typeface Romerio (2019), the condensed all caps piano key typeface Romestone (2019), and the script typefaces Cherolina (2019), Photorichies (2019), Photography Script (2019), Retrochips (2019), Mountecarlo (2019: monoline), Beautinela (2019: monoline), Ophelie (2019, Script+Sans), Denalova (2019), Shelline (2019), and Mathelline (2019).
Typefaces from 2020: Banana Juice, Bella Sweety, Bubble Bobble (a bubblegum font), Dear Sunshine, Oatlander (retro baseball script), Sweet Purple, Monieta (an inky and creamy rabbit ear script), Orange Milk (a playful hand-crafted typeface), Rockbitz (a children's book font), Seathera, Avocado Creamy, Bolyvina, Charlie Angela (an inky calligraphic script), Lovemy, Chadelova (an enhanced script), Grumbear, The Mezirane, Charlotte Amalie, Crash Soul (a dry brush script), Costiera (a dry brush script), Handestonie (a monoline script), Mentality (a signage script), Technovier (a monolinear squarish sans), Antiquesta (a dry brush script), Belgium Catherine, Cronisse (a display serif), Pronave (an all caps display typeface), Uniser (condensed all caps sans), Westack (a display serif), Avone (a stencil serif), The Roletta (a dry brush script), Waluxe (a fashion mag all caps sans with flared stems), Dear Sunshine, Mikalotta (poster script), Walker Knight (a vintage all caps typeface), Towards (stencil), Cronisse (a decorative serif), Avaneonz (a neon font), The Heista Killer (a dry brush horror font), Someone (a dry brush font), Vicenza (an all caps skyline font), Bristone (a wide sans in six styles; perhaps for car tire ads), Shutterlocks (a dry brush script), Romantics (a creamy script), Revoxa, Yippie Yeah, Wonderful Day (calligraphic), Girly (a girly script), Kamelitta (a wild curvy script), Roadstore (a spurred vintage all caps typeface), Springloved (a paper cutout typeface and a a fine inline poster font), Saturated, Choxr, Blackheat (a super condensed all caps sans), Retrohols, Alibabe, Lordcorps (an octagonal sports or military font; with a stencil style), Headcorps (a sports shirt or military stencil font), Pineforest (with soft spurs), Airborne 86 (a military stencil), Orchide (a dry brush script), Beneficha (wild calligraphy), Radens (a retro bold signage script), Brokenz (a heavy condensed sans), Delninoys (a playful sans), Lorenza (sans), Elcatraz (Mexican simulation font), Hubby Bunny, Rosadetta (script), Swingsnug, Chickens Lovers, Rollinkland, Grumbear, Bubble Bobble (a bubblegum font), Blackheat (a heavy ultra condensed typeface), Brokenz (a muscular display sans), Lorenza (a fashion mag sans), Belgium Catherine (a signature script), Amazed Breath (script), Rockmore (a brush script), Empirez (an octagonal slab serif sports font), Amazed Breath.
Typefaces from 2021: Author Think (a signature script), Bionetha (calligraphic), Bouncyland (a stylish wild script), Little Knight (a scrapbook typeface), The Brushentica (a beautiful dry brush script), The Soulmate (a dry brush script), Bettawork (a dry brush script), Philips Dutcher (a signature script), Recons (a techno font), Heezpiero (futuristic), Milky Quaker (a playful supermarket font), Rostemary (a fat finger font), Therestone (a Flintstone font), The Checkmate, Chick Chack (a heavy rushed script), Retroman (an Italian Western font), Brown House (a national park font), Emeralde Chamerions (a serif and script duo), Redzein (an octagonal slab serif), Rostera (a bold script), Sketchup (a sketched font), Thealiens (a condensed all caps sans), Williesh (a meaty display serif), Amazing Sweety (a scrapbook font), Heellaaz (an all caps children's book font), Almeira, Americans Classy, The Corps 86 (a military stencil), Brexo (a techno font with solid and stencil versions), Romeline (a scrapbook font), Yippie Yeah (a rounded monolinear marker pen font), Avaneonz (a neon or paperclip font), Sangira (a stylish serif), The Blackheads (a bold script), Kandaline, Marinaga 9a creamy brush script), Mochalosta (script), Morning Sweety, Rockmore (a bold script), Deloire (a 4-style all caps sans), Montelova (script), Quinger (a monolinear decorative serif), Wonderella, Wonderful Sunset, Bellachia (a scrapbook script), Choxr (a very condensed all caps sans), Keepsmile (a rounded children's book font), Lovely Sweetie (a scrapbook font), Melanista (a wild script), Rollinkland (a brush font), Bellamona (a monolinear script), Bettanesia (handwriting), Bonalisha (script), Overwave (wavy), Beautimy (a wild script), Melatie (a wild script), Memorita (a wild script), The Handnature (a Treefrog script), Heinch (a 5-style all caps sans), Sweetie Banana (a scrapbook script), Sweetie Moment (a wild calligraphic script), The Dear (a retro script), Winterline (a wild script), Young Evaline (a signature script), Salt + Pepper, Sindenetta (a signature script), Autumnilla, Bella Ciao, Rosadetta (a wild calligraphic script), Saturated (a wild calligraphic script), Wondiletta, Bubblez, Lovely Orange, Milkalotta, Luxoorea (a stylish fashion-model-skinny all caps typeface), Momotako (a paper cutout font), Neonblitz (a neon font), Unione Force (an octagonal sports or military font; with a stencil style), Westman (a Western font), Delamoore (an all caps high-contrast display serif), Delaproza (an all caps display serif), Kinglead (a cartoonish font), Modesfa (an all caps display serif), Hexore (a slab serif), Deluxes (a stylish display sans), Kenzomaru (an oriental brush font), Lumbero (wooden plank font), Pineforest (a Victorian label or sign painting font), Beneficha (a wild calligraphic script), Brokenz (a bold condensed sans), Orchide (a dry brush script), Revoxa (a 4-style sans), Romantics (script), Schein (a sans and slab serif pair), Someone (a dry brush script), Towards (a minimalist stencil font), Averox (a futuristic all caps sans), Chicken Lovers (a playful informal font), Hubby Bunny (a cute display sans), Swingsnug (an informal monolinear sans).
Alphabet Agency Font Foundry
Aka Alphabet Agency and Alphabet Agent. Jon (or Jonathan) Swinn is based in Preston, UK. He designed these typefaces in 2014: Hellfire, Halberdier, Norseman, Order of Calatrava, Lancaster Castle, Santa Rosa (ornamental caps), Arcade, Captain Regular, Captain Shipwreck, Strobe Stencil, Gunslinger (spurred Western font), Street Stencil (+Overspray, +Grime), Abandoned Saloon Font (Western typeface).
In 2015, he made the free speed-themed sports font Top Speed, the baseball logo font Benchmark, the tattoo font Hellfire Club and the decorative caps typeface Santa Rosa.
Typefaces from 2016: Rangers (spurred), Four Potato Farm, Peacemaker (spurred family), Potato Farm, Hammer & Anvil, Mughals (Victorian), Mughals Distressed, Zero 2 Sixty (speed emulation techno font), Neodigital (free; inside the font we find the date 2012 though).
Typefaces from 2017: Megapowerz (all caps, cartoon or comic book style typeface), Physico (techno), Gamerica (beveled techno typeface), Monster Truck, Shift (a technical speed emulation font), Urban Tribe (grungy stencil).
Typefaces from 2018: Ice Champs, Baseball Champs, Pro Hockey Champs.
Typefaces from 2019: Cicero, Sports Headline (an octagonal sports font), Outline 99.
Lexington, SC-based designer of the industrial strength typefaces Predator 0316 Slab (2016), Predator 0316 Sans (2016), the slab serif typeface Griffin Display (2015), the wood-inspired vintage typeface Woodchuck (2016), the varsity typeface Grizzly0116 (2016), and the stencil typeface Grizzly (2016).
Typefaces from 2017: AE Armada, AE Incline, Rivalry (modular, beveled, layered, in 22 styles, perhaps ideal for athletic lettering). Creative Market link. Behance link. Newer Creative Market link. [Google] [More] ⦿
Ampersand (or: Vladocar)
Verona, Italy-based web and type designer. In 2015, he made the commercial typefaces Hand Drawn Font, Monster Font and Hammer Font (spurred vintage style).
Typefaces from 2016: Urban Stencil, Slab Classico, Slab Lungo.
Typefaces from 2020: Barista (hand-crafted, blackboard bold), Alphabet and Letters, Autumn Leaves SVG, Azzurro SVG, Blue Orange Color SVG, Bold Unicorn, Branch, Bubble Letter (a bubblegum font), Christmas Stars, College Sport, Color Cubes, Color Dots, Color Hearts, Color Stars, Comic Next, Crazy Brush Neue, Dashed Line, Dino World, Dog Paw, Doodle Classic, Dripping Zombie Halloween, Galactica Grid, Grigio 3D SVG Color, Halloween Monster, Hammer, Hand Drawn, Hipster Hand Drawn, Jungle Zoo, Love Stencil 3D, Milan Stencil, Moustache, Old School 80s, Old West, Pumpkin Halloween, Retro 3D SVG, Santa Ugly Sweater, Slab Forte, Snowflakes Christmas, Space Slab, Star Slab, Stitched Letters SVG, Stitched Line, Swiss Cheese, Turquoise Brush SVG, Urban Brush SVG, Zombie Attack Halloween. [Google] [More] ⦿
Batel, Curitiba, Brazil-based foundry of Anderson Maschio (b. 1980, Curitiba).
Creator of the ultra-fat decorative face Chumbitos (2007, a winner in the experimental type category at Tipos Latinos 2008), available from MyFonts (this was followed by Chumbit02). He also made the experimental type family consisting of Anark Diet Stencil, Anark Fat Stencil, and Anark Natural Stencil (2007). Creator of Magricela (2009, octagonal). He is working on Austera (2007, a basic sans) and Phyta (2007, an experimental typeface with stretched out connected letters).
In 2016, he made a custom font for Juliano Monteiro Studio.
Bogotá-based Colombian graphic design studio and type foundry Andinistas was founded in 1998 by Carlos Fabián Camargo Guerrero, Lennyn Salinas, Mariangeles Valero, Juan Carlos Valero, Jorge Alexander Camargo Guerrero, Rafael Rincón, and Jordi Teres. It was first located in Caracas, Venezuela, but moved in 2003 to Bogotá, Colombia. New names in its organization include Alexander Moreno. Many of its designers are Venezuelan.
Among their typefaces: Nikona, Magola (2008, puffy script), Angelita, Pepelepu, Zerotipo, Skuke, Retro, Radio Bemba, Pumarosa, Pr1, Oficia, Nativa, Mongol (free), Lirrot, Leroy (1999-2008, computer screen stripes), Leroy Dingbats (1998-2008), Hiroformica, Hibrida, Guerilla, Guerilla Outline, Gruada, Gancho Petare, Escuedra, Esbelta, DSNett, dia-D, Download, Denego, Cristal, Codiga, Codiga Icon, Codiga Destroy, Codiga Codec, Chacao Petare, Cazon Gothic, Boa, Biol, Ave-cedario, Anaira.
Cazon (2007, Camargo Guerrero) is a family of calligraphic origin consisting of 7 styles: Gris, Negra, Uno, Dos, Tres, Dingbats A and B and is based on the paintbrush letters found in the popular markets of La Guaira, Caracas. This family won an award in the experimental typeface category at Tipos Latinos 2008. Lirrot (2007) is a 6-style grunge handwriting typeface bordering on the psychotic, and comes with Lirrot Dingbats. It too won an award at Tipos Latinos 2008.
PP Lepu (1998-2008) is pixel grunge. Josefina (+Dingbats1) is a curly script also made in 2008. Navaja (2008) and Diad are collections of grunge fonts with grungy dingbats. Lucrecia 1 through 3 (2008) is a fat connected script family ranging from clean to splattered.
Telesforo (2008) radiates anger from its brushy grungy limbs. Telesforo Black won an award at Tiupos Latinos 2012. Ninja 1 and Ninja 2 (2008) are script fonts, and are accompanied by Ninja Dingbats (2008). Dsnet (2008) is a 6-style bare-bones rounded squarish family. Flaminia and Flaminia Dingbats (2008) are useful for food-related signage. Modelia (2008) is thick, informal, and looks like it was brushdrawn. Modelia won an award at Tipos Latinos 2010. Filomena (2008) is a brush family with a goth theme and an accompanying goth dingbats. Obdulia (2008) and Floro (2008) are extreme mural grunge fonts. Marimonda (2009) is grunge calligraphy.
Typefaces from 2012: Demetria (a hellish script), Ciclope (army stencil), Meteora (a sturdy weathered family), Kamuy (a grunge typeface, with dingbats, that links to Asian comic style lettering, and Japan in the Pacific War), Naturalia (an informal sans family).
In 2013, he made Gluten (a poster typeface family), Bengala Script (a distant relative of Mistral), Chef Script (a large signage script influenced by Ross F. George's Speedball lettering manual (1957)), Chef Script Dingbats (hilarious restaurant dings and fists), Sumergible Script.
Typefaces from 2014: Citronela (cartoon or Caribbean hotel signage font family), Bemol (a set of script fonts in craftsman style), Nemocon (creamy script), Acustica (a calligraphic Acustica Script, with didone Acustica Caps, and a decorative Acustica Dingbats), Cereal (+ Script (a vampire script), Skin and Dingbats).
Typefaces from 2016: Enjoy (Script, Caps).
Sonora won an award at Tipos Latinos 2014. Combine Script and Combine Caps (layerable colorable fonts), and Nemocon, won awards at Tipos Latinos 2016. Winner at Tipos Latinos 2018 for Clothing, a titling typeface published at Andinistas by Camilo Zamora and Carlos Fabian Camargo.
Typefaces from 2021: Caribe (Script, Caps, Shields).
Andmicro Studio (or: Scratchones)
Perhaps Andika Putra. Bali, Indonesia-based designer of these mostly hand-crafted typefaces in 2020: Mogella, Bellmoco Handcola, Qomallida, Bellmeta, Aquarium, Quacko Mahaka (a decorative blackletter), Ragellia Mellinda, Ameyallinda Signature, Romantic Hanimun, Mellinda Creative, Helala, Azazax, Kreatife, Saraba, Sayang, Sayanag, Adadaha, Dadagata, Esenene, Agamama, Adaaba, Mamanada, Nomer, Manararo, Kakatama (blackletter), Yandilove, Amellia, Vadimbrush, Kajumillan (a signature font), Rollina (a display serif), Bellania (script), Homework (script), Orlline (script), Amboqia Boriango (a dislay serif), Bollando (a creamy script), Aku Sayang, Designer (stencil), Calligraphy, Rassika Love, Student, Shells and Starfish, Ayuku Love, Bahagia Jarah (a rabbit ear script), Smart Sport (squarish), Student Smart, Besbogo, Bellbion, Sunrise Minimalist, Hanmade, Balloman, Bonogoda, Balfa Hode, Malliboro, Garangan, Mangolia, Bllodir Smart, Bollgania, Fonmini, Amekanu, Typography (a painter's font).
The following Dafiont sites all go back to the same designer:
Andre Toet Design (was: SO Design)
Andre Toet Design (and before that, SO Design is a Dutch studio run by André Toet (b. 1950, Den Haag). He was educated at the KABK under Gerrit Noordzij from 1974 until 1976, and at the Central School of Art and Design in London under Nicolete Gray from 1976 until 1977. From 1979 until 1980, he worked as a designer at Total Design with Jurriaan Schrofer and Wim Crouwel. Andre Toet Design is located in Apeldoorn (was: Amsterdam).
Creator of Artu (2012, monospaced display face), Battersea (multiline face), Billiard (2012), Bloggy (experimental), AT Move Bloggy (2010), Decoupe (experimental), AT Move Decoupé (2012: a modular font based on a French game from 1906), Holborn, Mezzo (mimimalist), AT Move Pipi (2012, a playful textured caps typeface created jointly with Jasper Nijssen), AT Move Mezzo, AT Move Powerplay (1976, and redone in 2011: multilined), Musica, Nath, Powerplay, Tremelo, Wiggle.
Creations from 2012: AT Move Holborn (a 3d outlined neon sign face), AT Move Tremelo (based on the logotype Microtel), Artu, AT Move Wyggle, AT Move Wolfszn, AT Move Skewy (2012), AT Move Specx and AT Move Specx Stencil (a slab serif based on the cover of a 1955 French School-Notebook; help with the design from Jasper Nijssen).
Typefaces made in 2013: AT Move Altera, AT Move Altera, AT Move Herengracht (an inline typeface), AT Move Artu Super Super Heavy, AT Move Bulky (glaz krak font), AT Move Quipo (an amoebic font), AT Move MMM (with Jasper Terra and Jasper Nijssen: a rounded organic sans typeface. They write: The design is based on a old Soap-Powder advertisement. MMM is very useful for headings and/or logotypes.), AT Move Strano (squarish stencil), AT Move Nath (optical illusion typeface first made in 1974 at the Central School of Art and Design in London, and digitized in 2013 with the aid of Jasper Terra).
Typefaces from 2015: Bombola.
Typefaces from 2016: AT Move Bombola (elliptical style).
Typefaces from 2017: Tremelo.
Typefaces from 2018: Powerplay (trilined).
Graphic designer in Santo Tirso (Porto), Portugal. In 2011, he created the hairline sans typeface Wayne Thin, the counterless fat slab face Rotula, and the fat round Wayne Black. He also made Virtude (2011, a Garamond revival). In 2012, he added Urbe (3d face).
Typefaces from 2013 include the grid-based modular typeface family Kamo, which comes with Kamo Stencil.
Berlin, Germany-based font engineer. Designer of several CE versions of FontFont fonts, such as the CE versions of Ole Schaefer's Fago: FF Fago Office Sans CE, Fago Office Serif CE (2000).
He also helped with the finalization of some fonts at Primetype, e.g., the PTL Maurea family.
He joined Carrois Type Design in Berlin, where he is involved in many type projects. One example is the angular grotesk typeface done by Carrois Type Design in 2008 for the Russian Railways. This work was carried out with Dmitri Lavrow, and invloved Andreas Eigendorf and Ralph du Carrois.
In December 2014, Andreas Eigendorf and type designer Stephan Müller founded a font-production, type-technology, and knowledge hub based in Berlin, Alphabet Type. Its expertise and custom tools help type designers and foundries turn their typefaces into fully functional software.
In 2016, a team of designers at Lettersoup that includes Ani Petrova, Botio Nikoltchev, Adam Twardoch and Andreas Eigendorf designed an 8-style Latin / Greek / Cyrillic stencil typeface, Milka, which is based on an original stencil alphabet from 1979 by Bulgarian artist Milka Peikova.
Berlin-based illustrator and graphic designer, who created the squarish semi-stencil typeface Jongehonden in 2012.
Graphic designer from Bucharest (and now Burriana, Spain) who made these typefaces in 2011: STT, Rock, Square, Desgraciado, Cylon, Kalypso, Dgtl, Passio, Sting, and VCT. Via Dos Cabrones, he partners with Vian Peanu.
Andres de Velasquez
Art director in San Antonio, TX (and before that, Metairie, LA), who designed a few display typefaces in 2011: Eclipse, Eclipped, Regression (octagonal), JUNKY boy (ultra-fat, counterless), Gorilla (straight-edged).
Russian propaganda poster art led to Burial (2013), Quickdraw (2013, Western), Aerial (2013) and Aerial Stencil (2013). He also made techno / sports typefaces Enforcer (2013) and Form (2013, techno sans).
Typefaces from 2016: Matter, Form (techno), Hospital, Craze (sharp-edged, free), Foray (squarish), Hospital (squarish style), Hydjakids.
Typefaces from 2017: Triton (sports font), Carson (beatnik font), Tomahawk (hipster style).
Typefaces from 2018: Pirlo (techno), Spartan (an octagonal font and military stencil), Scoreline (athletic lettering).
Andreu Balius Planelles
Andrew Byrom was born in Liverpool, England in 1971. After Graduating from the University of East London in 1996 he opened his own design studio and worked for various clients including Penguin Books, The British Academy of Composers and Songwriters, The Industrial Design Centre, Time Out Online and The Guardian Newspaper. Around this time he also began teaching graphic design at The University of Luton and Central Saint. Martins. Byrom moved to the USA in 2000 to teach at Northern Illinois University in DeKalb, IL. He has recently been commissioned to design typefaces and type treatments for Elle Decoration, The New York Times Magazine, McGraw-Hill, and Turner Classic Movies. In 2006 he moved to Long Beach to take up an Associate Professor position at California State University, where he is currently the Area Head of the Graphic Design Department. He created the experimental typeface Interiors (2002), about which AIGA writes: Interiors (3D type) is a collaboration between type designer Andrew Byrom and designer Joel Wolter. It was originally conceived as a digital font (Interiors) and was inspired by an old wooden chair in Byrom's office that, when looked at from a certain angle, resembled the letter h. Using the three-dimensional principles of this simple form, and closely adhering to type design conventions, 26 letters of the alphabet were drawn and generated as a font. The characters were then constructed in three dimensions using tubular steel into full-scale furniture frames. Because the underlying design concept is typographical, the end result becomes almost freestyle furniture design. Letters like m, n, o, b and h can be viewed as simple tables and chairs, but other letters, like e, g, a, s, t, v, x and z, become beautifully abstract pieces of furniture. He also made the distressed font Bloodclot, the stencil family Byro Stencil (free), Byro Sans, 1byrosquare (2000), 2byroround (2000), ByroBlock Stencil (2000, stencil), Concussion (dot matrix with various size dots), Easy Vie, Venetian (2009, like Venetian blinds), Fresh (1995, scratchy type), Ply, Rage, St. Auden, Bandaid (2006), 3D Dot Matrix. He divides his time between teaching, designing for various clients and playing with his sons, Auden and Louis. He has recently been commissioned to design typefaces and type treatments for Elle Decoration, The New York Times Magazine, McGraw-Hill, and Turner Classic Movies. In 2006 he moved to Long Beach to take up an Associate Professor position at California State University, where he is currently the Area Head of the Graphic Design Department. Speaker at ATypI 2009 in Mexico City. [Google] [More] ⦿
Graphic designer in Jonesboro, AR, who created these typefaces during his studies at Arkansas State University:
Independent game developer Andrew McCluskey (NAL Games, Dundee, Scotland, b. 1991) published hundreds of free typefaces before 2015 under the NAL label. In 2015, Andrew McCluskey, after becoming Allison James, joined forces with Daniel Johnston and set up Chequered Ink in bath, UK. They live in Newport, Wales. Andrew's pre-merger fonts are listed here.
Andrew McCluyskey designed the free LED-inspired Kinglify (2011), Digital Display (2012), and Princelify (2011). Manly Man (2011), Metal Arhyrthmetic (2011) and Ace Futurism (2011) are semi-octagonal. Consider Me Vexed (2011) and Pixel Flag (2011) are pixel typefaces.
In 2012, he made She Curls in the Mist, Xero's Karma, Pastcorps (army stencil), Gnome Splinters, Fought Knight, Vermin Vibes (futuristic), Vermin Vibes 1989 (pixel face), Vermin Vibes 2, Vermin Vibes 3 (2014), Vermin Vibes Diet, Vermin Vibes Redux, Dubbing Star (futuristic), Sorrier Statements, Particulator (an octagonal paper fold typeface), Coder's Crux (a pixel typeface created for programmers, FontStruct), Triggering Fanfares (octagonal), Alt West, Notalot25 (pixel face), Notalot35 (pixel face), Lord Juusai (inspired by the logo for Lord Tensai from WWE), Zephyr Jubilee (an alien language simulation typeface), Bevel Fifteen, Xero's Theorem (sci-fi), Sawchain (2012, FontStruct), Dubbing Step and Here Be Dubstep (FontStruct), Italic Bricks, Gang Wolfik (angular, +Blade), Ruaturecu, Quous Inno, Electramaniacal, Xodohtro-Nu (a black octagonal typeface), Distortion of the Brain, Berate the elementary (techno face), Not sure if weird or just regular, Opulent Fiend, Rawhide Raw 2012 (techno, inspired by the WWE Raw logo of 2012), Particulator II (octagonal), The Missing Link (trekkie), Thunderstrukk, Understrukk, Ganf Wolfik Blade (a pointy Blade style font).
Typefaces made in 2013: Call of Ops Duty, Spinebiting, Laceration, Casual Hardcore, Zany Races, Vermin Vibes 2 Nightclub, Exoskeleton, Perspire, Piston Pressure (sans), Particulator III, Liberty City Ransom (grunge), Zdyk Leo, Variety Killer (grunge), Savantism, Vermin Vision, Zdyk Sagittarius (a circle-based experimental font), Milestone One (a gaspipe sans), Comfortably Fucked, Noasarck (+Sporadico, +Quattro), Future Time Splitters, Heart Breaking Bad, Jan Hand, Erhank, Exoskeleton, The Rave Is In Your Pants, Minecraft Evenings (inspired by the Minecraft logo), FoughtKnight Victory (a video game font), Piescese, Comic Spans, Cauterise, Dead Font Walking (rough-edged poster font), Cutthroat Clawmarks, Eride (grunge), Effervescent Superbeings, Front Page News, Kill The Noise (brush script), Distort You A Lesson (grungy), Vermin Vibes 2 Black, Vermin Vibes 2 White, Vermin Vibes 2 Soft, Dubstep Cadence, Relapse Into Madness, Kings of Kings Lynn (dadaist), Smorgasbord, Scream When You'Re Ready, I Phone You Phone, Respire, Perspire, Vermin Vibes Slant, Sharp, Cursivertex, Rick Lobster (stencil face), Cursivertex, Vermin Vibes Dystopia (cyberpunk), Wabbit Sans, Calligraphy Aquiver, Agra Axera (knife-edged sci-fi face), The Keepsake Days, See You At The Movies, Xero's Proof, Vermin Vibes Out Of Ink (textured), Melancholic Roadeo, Wickermanor (a stiletto typeface), Lord Juusai Rises, Vermin Vibes Ex, Vermin Vibes Roundhouse, Just in the Firestorm, Stuntcroft (modular), Ghetto Magnetic (grunge), QA Reports (fat finger typeface), Y-Andermo (stiletto style), Dragon Slapper.
Typefaces from 2014: Man Flu (FontStruct), Zany Races, Big Quicksand, Modern Caveman, Alpha Sapphire (a Pokemon typeface), Omega Ruby (a Pokemon typeface), Schweiz, Beta (FontStruct), Jawbreaker (FontStruct), Tomorrow Wind, Embezzler, Royal, Final Gambit (grungy athletic lettering), NAL Hand, Fingbanger, Dont Waste That Napkin (squarish font), Bold Testament, Cisgender, NonchalantLove, Grelsey Kammar (sic), Valiant (stencil), Anger Management, Italipixel, Ultramarine, Nero (sci-fi font), Bamboozler, Seriffic, High Jinks, Iregula (sic), LNR Phonetic Alphabet, Primary School, Playtime (3d face), Electromagnetic Lungs, Node to Nowhere, Alienated (trekkie font), Questrian, Scars, Da Se Nei (art deco), Dance Floor (dot matrix face), Edge Cutting, Lord Juusai reigns, Superpower Synonym (fat brush), Fought Knight Die (techno), The Thrill of the Kill, Lay of the Land, Deavantgar (art deco), Confidel, Fight Night, Comeback of the Damned, Vermin Vibes Corrupto, Chandstate, Scars, Bustin Jieber (pixel typeface), A Dash of Salt, Come Rain or Fall, Xsotik, Sanseriffic (avant-garde sans), Cassius Garrod, Effortless Tattoo, Coder's Crux 2, Radaro, Overdrive Sunset (brush face), Dead CRT, Fatality's Edge, Tolerant, Coder's Crux 2 (dot matrix), Consider Me Vexed (pixel face), Diamante, Pixel Flag, Aardvark CWM Type, Enter The Grid, Vermin Vibes 2 EDM XTC, Byron, See You at the Movies 2, And Then It Ends, God Hates Westboro, Writing Without Ink, Zdyk Aquarius, Curvert, Superdie, Rocky Road, Animal Silence (constructivist), Gnaw Hard, 19th Century Renegade, Trip Trap, Freudian Slit, Digital Dismay (LED face), Zdyk Pisces (circle-based typeface), Zdyk Scorpio, Guilty Treasure (techno), Wolfganger (inspired by Wolfgang Gartner), Xero's Retreat, Sitdown (octagonal), Stencylette, No More Justice (blackletter), Masterblast (sci-fi), Kesha (sci-fi), Primal Dream, Grandma's Television, Keyboard Warrior, Foughtknight, Blissful Thinking, Positive Reinforcement, The End of Days.
Typefaces from 2015: This Sucks (pixel font), Front Page Neue, Vermin Vibes Mert, Rock Elegance, Stripes.
Typefaces from 2016: Enter The Grid, Fill In The Gaps, FoughtKnight, Grunge Tank, Alt West.
Russian designer (b. 1975, Moscow) who won an award at Bukvaraz 2001 for Handmade (hand sign font), and for Rouble, a minimalist Latin/Cyrillic font made in 1999-2001. He received a TypeArt 05 award for the dingbat family Astra. Other typefaces include Lenta, Moloko and Svoboda. He graduated from Moscow State University of Art (named after S. Stroganov in 2001). The astronomical signs font Astera was published by Paratype in 2008. Other Paratype fonts by him include Brusque (2008, renamed Rouble), Cliche (2008, stencil face), FastFingers (2008, remake of Handmade), Powerview (2010, with Yana Kutyina), Chetwerg (2014, which won an award at Modern Cyrillic 2014), and Vataga (2008, a human typefaces dingbat font co-designed with Yana Kutyina). [Google] [MyFonts] [More] ⦿
Web developer and designer. Graduate of Ringling College of Art&Design (Sarasota, FL), now active as a graphic designer in St. Petersburg, FL. Blog. FontStructor of Printed (2010, horizontal stencil face). In 2016, she designed the display typeface Querk. Behance link. [Google] [More] ⦿
In 2012, he started Ukrainian Type.
In 2014, he made the grunge font Okas and the white-on-black stencil typeface Propaganda. In 2015, he made Kriips, and in 2016 Summr Sketch and Scribble 2.
Andy Clymer grew up in Irvine, CA and studied at San Diego State University in 1998. At that time, he was working on Stencil Fraktur (2002). In 2004-2005, he studied type design in the Masters program of the KABK in Den Haag. He joined the typeface development department of Hoefler&Frere-Jones in New York in 2005. He has been an instructor in the Type@Cooper program in New York since 2011.
From 2005 until 2018, Andy worked at the Hoefler&Co. type foundry, where he contributed to the typefaces Vitesse, Forza, Ideal Sans, Archer, Surveyor, and spearheaded the design of Operator and Obsidian (2015: a decorative copperplate engraved emulation typeface---various kinds of 3d illumination in Obsidian were obtained by an algorithmic process.
Angus R. Shamal
Type designer, b. 1988, Sofia, Bulgaria, who works at Fontfabric, Svetoslav Simov's type foundry. She completed her Bachelor's degree at The National Academy of Art in Sofia. In 2014 she obtained a Master's degree in type design.
Fontfabric type foundry published the free typeface family Uni Sans Free in 2014: four font weights (with heavy and thin included) set in caps from the best seller font family Uni Sans (2009). Uni Sans Free is designed by Svetoslav Simov (head of Fontfabric), Ani Petrova (Cyrillic alphabet) and Vasil Stanev (font development).
Nexa Rust is a set of 83 weathered letterpress emulation fonts that evolved from Nexa and Nexa Slab. This was a project by Radomir Tinkov, Ani Petrova, Svetoslav Simov and Vasil Stanev.
Together with Asen Petrov, she designed the extensive hand-crafted typeface family PH (2014, Fontfabric). This typeface family is accompanied by a nice set of hand-drawn icons such as PH Icons Food and PH Icons Goodies.
In 2015, Ani Petrova, Svetoslav Simov and Radomir Tinkov co-designed the 214-style mammoth font system Intro Rust, a rough version of Fontfabric's Intro. The fonts are partitioned over Intro Rust, Intro Script, Intro Head and Intro Goodies.
In 2016, she designed Mixa (FontFabric), a connected script font influenced by grotesques.
In 2016, a team of designers at Lettersoup that includes Ani Petrova, Botio Nikoltchev, Adam Twardoch and Andreas Eigendorf designed an 8-style Latin / Greek / Cyrillic stencil typeface, Milka, which is based on an original stencil alphabet from 1979 by Bulgarian artist Milka Peikova.
Typefaces from 2018: Vocal (Latin and Cyrillic; published by Lettersoup). Vocal has slightly tapered stems and tilted terminals that give the 28-weight typeface family warmth, pizzazz and oomph.
Codesigner of Mozer (2019, by Svetoslav Simov, Ani Petrova, Mirela Belova and Nikolay Petrousenko: a condensed headline sans family that covers Latin, Greek and Cyrillic; Mozer SemiBold is free). [Google] [MyFonts] [More] ⦿
At Escola Superior de Artes e Design de Caldas da Rainha (ESAD.CR), Portugal, during an exchange program, Anita Abarenkova (Riga, Latvia) created the stencil typeface Anita PT Light (2013). [Google] [More] ⦿
Designer at ACME in London. Her creations include AF Oneline (1998), a geometric hairline monoline stencil font.
Designer at ACME of AF Video Wall (1998, a gridded pixel font).
The Bends (2011) is a hairline curly-yet-straight display face. SansGoma (2011) is a hairline slab poster face. Nu Gothic (2011), Nu Modern (2011) and especially Vironica (2011) are fashion mag display typefaces. Neu Nouveau (2011) is a curly art nouveau face. Numera (2011) is an organic fashion mag face. Killoton (2011) is super-fat and beautiful.
Typefaces from 2013: Canada (alchemic).
In 2015, he created a series of posters called Vignelliisms illustrating one-liners by Massimo Vignelli.
UK-based creator (b. 1967) at FontStruct in 2008 of Metal Vampire (athletic lettering meets vampire), Moonbase Tokyo (neat futuristic oriental simulation), Sir Robin's Minstrels (blackletter), Starscraper (techno), Moonmonkey (outline LED font), First.
In 2010, he added the non-FontStruct typefaces Chromium (a great special effect face), Clawripper, Dirty Play, HairyMonster, HairyMonsterSolid, Punched, and Slasha, mostly inspired by blood, guts, and murders. Static Buzz (2010) is a texture face. Newcastle (2010) is a castle-themed alphabet. Blinger (2010) is a star-studded outline face. New York Punk (2010) is grungy. Dinosaurs (2011) is a dingbat face. NUFC Shield (2011) is a shield face. Zombified (2011) and Sound Sample (2012) are grunge typefaces.
In 2013, Robinson published the textured athletic lettering font Robbie Rocketpants, Airlock, Cargo Bay (a great army stencil, with a negative letter option), Dogma (a grungy Lombardic face), and the grungy blackletter typeface Flesh Wound. MDMA (2013) is a halftone simulation texture face. Barbarian (2013) is an alphading typeface on the theme of swords. Camouflage (2013) is a textured typeface. Atheist (2013) is an outline typeface. Power (2013) is inspired by lettering on pwer buttons. Witching Hour (2013) is a halloween font. Dystopian Future (2013) is a grungy typeface. Olde Stencil (2013) is a stenciled blackletter typeface. Anonbats (2013) has scanbats and dingbats related to the famous hacker group Anonymous. Creature Feature (2013) is a slimy typeface. Ka Blamo (2013) is a comic book font. Beer Goggles (2013), Supercreep (2013), KaBoing (2013), Gloop (2013, an oil slick face), Voodoo Vampire (2013) and Ye Olde Oak (2013) are textured typefaces. Anti Everything (2013) is a blood drip typeface. PCB (2013) is a printed circuit board font. Dickensian Christmas (2013) is a decorative Christmas font.
Typefaces from 2014: Spondulix (hacker type), War Wound, Lasso of Truth, Counter Dial.
Typefaces from 2015: English Football Club Badges, Fuzzy Cops, Kick to the Face (oriental simulation).
Typefaces from 2016: Squeal Piggy.
Typefaces from 2019: Footy Scarf.
Parisian graphic designer who created the fat stencil typeface Fatty Boom Boom (2014), a project finished during his studies at ESAD Amiens. In 2014, Samy Halim, Antoine Eisensohn and the FontYou team co-designed the haedline typeface Ilya FY, which is characterized by flared stem endings.
During his studies at ESAIG Estienne in Paris, Antoine Elsensohn designed the reversed stress typeface Navigator (2016) under the guidance of Franck Jalleau and Michel Derre.
Typefaces from 2017: Damocles (a demi-contrast lapidary typeface), Tactic (a wide sans).
Designer at FontStruct in 2008 and 2009 of Birka (pixel), Skipper (octagonal), Skipper Stencil (military), Skipper-Modern, Skipper-Slab, Skipper Cap, Skipper Tight, Peteroque (baroque pixel face), Technocrat Cargo (octagonal stencil), Technocrat (octagonal), Retrograde Pix (pixel face), Retrograde Lux (severe octagonal), abstruct, admiral (dot matrix face), glagol, glagol_script_1, marx_1, Admiral (dot matrix), Glagol Rock (constructivist), Retrograde (octagonal/mecahnical), Technocrat (octagonal), WPA Gothic Cyrillic (another poster font), WPA-Gothic-Deco-Cyrillic. Many fonts have Cyrillic letters and/or Cyrillic influences. He made the heavy mechanical slab serif headline typeface Colonial (2010) and the pixelized typeface Skippix (2011, +Mono). Peteroque (2009-2010) are decorated pixel capitals. [Google] [More] ⦿
Antonio J. Morata (Almeria, Spain, b. 1968) is a FontStructor (aka elmoyenique) who used FontStruct to make several modular typefaces starting in 2010. The typeface names start with z. We list them alphabetically:
Mexico City-based designer, b. Huauchinango. He studied graphic design at Universidad del Valle de Mexico in Queretaro City, and received a diplome in corporate identity from lisava in Barcelona in 2005. He opened his own graphic design studio in Mexico City in 2016.
With the Latinotype team, he designed the high-contrast fashion mag headline typeface family Gabriela Stencil (2016), which was inspired by 19th century didones. Gabriela Stencil won an award at Tipos Latinos 2018.
In 2018, Antonio Mejia Lechuja designed the handwriting typeface Handasa (programming by Ivan Moreno, Veracruz, Mexico). Handasa imitates the handwriting of architect Pedro Pablo Velasco Ochoa in his thesis Handasa: La epica en la arquitectura.
Antonio Mejia Lechuga
Antraxja Fonts (or: Atrax)
Antraxja Fonts (or: Atrax) is a (now defunct) Polish foundry which offered these free fonts made by Rafa Brzezinski in 2004: ARTUR, Antraxja Goth 1938 (blackletter), Art (art nouveau), Battlefield (war lettering face), BananaShow-Medium, CrashTest, CrashTestItalic, CrashTestShadow, Cybernetyka (futuristic family), CybernetykaItalic, CybernetykaNormal, CybernetykaOutline, DarkPalladin, History Brush, Kreskwka-Italic, Kreskwka (handwriting), Monster, MonsterShadow, Mortis, Orchidee, Reforma, Returntocastle (gothic), Speed+, Speed+2, Techno, Medusa (blocky lettering), Weronika, Bajareczka, Camilla, Cherif, Top Secret (stencil).
Portland, Oregon-based designer of these typefaces in 2019: Countdown (spurred; Rough, Outline & Ornament), Countdown Ville, The Hotling (brush font), Sihaloho (signage script), Blues Vacations, Hacrley Serif, Roller Coaster (Victorian), Orlando (a monoline signature font), Fairing Brush (a Halloween brush font), Lydiani, Rusty The Buttcher, Anetha Faith Signature, Gibsons Co Vol.2, Tunnels (dry brush), Hellena Jeslyn (a signature font duo), Gibsons Co, Saint Quard Serif, The Wolfman SignPainted, The Beatcher Typeface (a vintage all caps titling typeface).
Typefaces from 2020: marotho, Leatherhand Stencil.
Typefaces from 2021: Future Unwritten, The Luxury (Sans, serif), Theodore Bagwell (font duo), Chammer Beauty, Broken Letters, Manasco (stencil), PQRS Handpainted, Holluise Vintage, Freestyle. [Google] [More] ⦿
Miass, Russia-based type designer offering mainly hand-crafted script or brush fonts. Her typefaces from 2021: Cupid, Vegan.
Her typefaces from 2020: Orchid (an ornamented sans), Avocado (a stylish display serif), mWanderlust, Snowflake, Warmth (a retro brush font for Latin and Cyrillic), Sunshine, Breaking Rules (a paper cutout typeface), Feel Free, Bravo (a prismatic SVG font for Latin and Cyrillic), Virgo (a serif stencil), Grotesque, Ander, America, Quirky Spring (a playful rounded hand-drawn typeface), Retro Vibes.
Typefaces from 2019: Nuova (a modern stencil family), Caramel (an upright script), Daenerys (a script and serif duo), Didone (an over-the-top swashy ball terminal didone), Mood Board (script), One Upon A Time (an octagonal and script font duo), Abstract, Summer in Paris (font duo), Nordic Dream, Organic, Poster (a heavy sans), Throne (a free dry brush SVG font), Primavera (brush script), Emotion Sans, Emotion SVG, Emotions Brush, Mobile (a modular sans), Fleuriste (a decorative duoline font), Lovely (a tall monoline script), School SVG, Aloha SVG (a watercolor script), Sport, Alpha & Omega (a signature script), Rio Love, Delight Grunge, Quirky, Oh My Child (textured).
Typefaces from 2018: Protect, Shadow (an all caps fashion mag titling sans family in ten styles), Ultra Violet (sans), Fall in Love Script, White Christmas (a brushed SVG font), Golden Leaves Script, Alesya (script), Rush. [Google] [More] ⦿
Apex Type Foundry
In 2016, he designed the delightful fat sans display typeface Marsel Black, and writes: What could have happened if Roger Excoffon and Eric Gill gathered in Marcel Olive's backyard in Marseille to share a few Pastis back in the days? In some way, Marsel could be the result of this hypothetical experiment. A colourful fat sans with uncanny high contrasts and utter personality. While flirting with the strangeness of Gill's Kayo, Marsel primarily stands as a very distant hommage to Excoffon's mythical Antique, a reminiscence of a Latin taste for exuberance.
Typefaces from 2018: Pyros (a didone with Hebrwew influences), Peckham (transitional).
Typefaces from 2019: Kellar (a smashing quirky headline didone named after Thomas McKellar).
Typefaces from 2020: Gortex (an agate typeface), Hazel Display Nerw (stencil), Smithee (a condensed American gothic; Alex writes: The basis for Smithee was found in an old French foundry's wood type specimen in the archives of the Musée de l'imprimerie et de la communication graphique, in Lyon), Almeria (a display typeface developed between 2015 and 2020).
Apfel Type Foundry (London, UK) was launched in 2020. The initial team consists of Kirsty Carter (Director), Emma Thomas (Director), Daniel Griffiths (Associate Director), Joanna Rutter (Senior Designer), Olivia Diaz (Senior Designer), and Matt Kay (Junior Designer). Apfel stands for A Practice for Everyday Life. It engages in custom and retail type. Initially, in 2020, it had four retail typefaces:
Custom typefaces include Piloti (a light flared sans with large x-height, for Feilden Fowles), Elle Play Display (2017, a headline typeface for Elle UK), House of Voltaire, Apfel AB (a quadrangulated typeface done with Anthony Burrill), Camulodunum (2011; Display and Stencil), Camper (2014; in SS15, SS16 and AW15 styles), V&A Dundee (stencil), Royal Docks, Asia art Archive Display. [Google] [More] ⦿
Designer at FontStruct in 2008 of Interest (dot matrix), Order (constructivist), Attica, Continuum (rounded bold), Fairway (+Slab, +Serif), Slant (techno), Cowboy (2008, Western-themed), Lights in the sky, Olymia Bold, Solida (psychedelic), Digi (pixel face), Villa (heavy slab serif) and Olympia Light. In 2009, he added Versional, Crown, Vend, Reed (Slab, Sans, both octagonal), Spaced Out (Bold, Italic, Regular), Jingle, ReMix (kitchen tile), Squire (3d face), Garage Sale (stencil), Signage, Futility (blackletter), Expearemint, Textual, Callout, tweedie, Embolden, Clipped, Economical, Emphasis, Vessel, Honest, Union (+Flat, +Sans, +New), Interest (pixel/dotted face), Venus Sans, Minanim, Diner (rounded), Lights in the Sky (De Stijl-like font), Opine, Charmer (+Inverse), Tweedle, Textual, Solida (ultra round), Slant, Slant, Villa (heavy slab serif), Versional, Vend, Union, Union Sans, Union New Sans, Union New Flat, Paperclip, Poofy, Steel (+Outline: octagonal), Crown, Diner (rounded), Solemn Bold, Solemn, reed Sans Mono (octagonal).
Fonts from 2010: Full Deck (playing card font), Scrollboard, Power Up (piano key face), Groovy Fu, Formality, Union New (+Sans, +Flat), Angle Tutorial, Aurora Light (elliptical monoline sans), Pushpins, Aurora Light, Scrawl (marker face), Evity (a grotesk face), Altipen (upright script).
Fonts from 2011: Obleak (oblique techno face), Likea (a heavy mechanical sans), Uptake (elliptical).
Fonts from 2012: Omit (a bilined stencil face).
Fonts from 2013: Emblazoned.
B.J. Harvey is the Californian designer at Chank's Store of the free "bj's Halloween Fontpak " (4 fonts, 2001). He is working on a ton of other fonts, like Apollo Sans, Motorpsycho, Geek Gothic (a comic book face), Apollo46, Zimmer, Nu Cairo, Sotoflame (2002), Japanasonic, Japanacea, Japanorama, Eurmama (oriental simulation font), Jawa (oriental simulation), SD Police (stencil, not for sale), Rigby, Neopolitik, Metis, Motorpsycho. Opened Apollo26 in July 2002, where you can buy Flame N Skull, DEFCON 1 through 5 (or: Billabong, Special effects, X-Games 23, Von Zipper and Machine). APOLLO26SumoX (2002) is free. [Google] [More] ⦿
German stencil typeface and typographic service outfit located in Hamburg. MyFonts site. Besides Caslon Fina Stencil and Serpentine Stencil (Dick Jensen), the following typefaces or families were made in 1999 by Sigrid Claessens and Günther Flake: Advera Stencil, Stencil Antiqua (1999, by Sigrid Claessens and Günther Flake), Arston Stencil, Chico Stencil, Ferro Stencil, La Pina Stencil, Lasertac Stencil, Reedon Stencil, Rounded Stencil, Walton Stencil, Western Stencil, Glaser Stencil (after a typeface by Milton Glaser), Bank Stencil (1930s typeface of Morris Fuller Benton), Geometric Stencil (originally by Paul Renner), Tea Chest Stencil (after a typeface by Robert Harling, 1939).
MyFonts offers these fonts: Arston Stencil, Caslon Fina Stencil, Reedon Stencil, Western Stencil, Stencil Antiqua, Advera Stencil, Glaser Stencil, Rounded Stencil, Bank Stencil, Tea Chest Stencil, Lasertac Stencil, Geometric Stencil, Walton Stencil, Ferro Stencil, Serpentine Stencil, Chico Stencil, La Pina Stencil, OCR-A AI (Apply Interactive). [Google] [MyFonts] [More] ⦿
Danish graphic and type designer in Copenhagen, who studied at The Royal Danish Academy of Fine Arts, School of Design (2010-2016) and The Royal Academy of Art, The Hague (2014-15). In 2020, he set up Approximate Type. His typefaces:
aRc (or: Azelea Rodgers Creations)
aRc was established in 2008 by Azelea Rodgers (b. 1974, The Philippines). It is located in Lathrop, CA.
A graduate from Skyline College, she created the alphabet tracing font Kerp (2008) for kids in pre-kindergarten. She also made Rosebud (2008, letters composed of thorny rose stems), Asvet Mono (2009, a playful stencil), Azelea (2009), Edil Script (2010), Laureen (2010, a calm calligraphic script), Alexy (2011, a ribbon script), and Lelet Script (2009).
Architaraz Type (or: Kassymkulov Design)
Architaraz Type (Kassymkulov Design) is located in Shanghai, China, and Taraz, Kazakhstan. Its type designer, Zhalgas Kassymkulov, was born in 1986 in Kazakhstan. His initial type designs were all done with the help of FontStruct. In 2013, he went commercial as Architaraz Type.
He made a gridded modular typeface called Targeted (2011). Sliced (2011) is a counterless stencil face. Discostructed (sic) (2011) is a texture face. Mono Dot (2011) is a thin dot matrix face. Mono Hor (2011) is a horizontally striped version of it, Mono Ver (2011) a vertically striped version, and Mono Bold (2011) a bold version. Promo (2011) is purely geometric. Semiz (2011) and Semiz Light (experimental) are partly art deco. Audio (2011) is based on the logo of audiojelly. Arro (2011) has letters with arrowed terminals. Hexa (2011) is hexagonal. Happi (2011) is a fat finger face. Semiz Black (2011) is a free fat pixel face.
Creations from 2012: Pearls of Margar, Korgan, Phunni, Carbo, Carbo ii, Lenta, Phunni, Jambul, Extraterrestrial (sci-fi), Rap My Hip-Hop, Armada 1991 (monospaced), Venus (white on black), Garage Garbage (bold avant-garde design), WHAQ, Extra Fontestrial, Algae, A Tasbaqa, Salem (rounded bold typeface), Thaiana Jones, Salem (fat rounded face), Audio 2012, Balapan, Dalmat, Bonn (an art nouveau army stencil face), Mgla, Teris (white on black), Degoratix (curly), Barney Stencil (a fantastic brushy stencil), Lentalicious, Blackway Str, Schengbers (a great piano key stencil family), Tramcar Typo, Mgia, Brushure (a fat curvy display face), Extralien, Serrific Terif, Missinger, Tolkyn, Murt, Twisture, Soliture, Threedure, Antillic, Garage Garbage, Arro, Happi, Schengbergs Hi.
Typefaces from 2013: AT Dombra (psychedelic typeface after Motter Ombra), AT Hoppy (fat letters), AT Liniya (blackboard bold), AT Karagai, Hed Kandi (techno face), AT Traffa Stencil, AT Schema, Naation, AT Nayman, AT Roughin, AT Rooktura Stencil, AT Duba, AT Archistency, AT Liena, AT Bombarda (fat stencil face), AT Sulfur ii, AT Mad Pilot, AT Tasbaqa, Vaia Con Dios, Betaport, Mooltyashka, AT Stincel (a lively stencil font), Millio, Tamshy, Offelia, Jalgas (retro script: a winner in the FontStruct Connected Script Competition), Laffa (connected stencil script), Dlinalys, Diagona, Kitara (psychedelic), Archtitalic, Bonn (bony stencil), Teka 1, Teka 2, Unknownim, Khara (ultra-heavy slab face), Shlab (slab serif), Unknownim (slab serif), Archtalic, Argyn, Linea Runde, Mechatraps (+Plain), Eliksir, Drilliant, Katamaran (art deco), Lagman, Neurojet (experimental), Jazzure (bullet hole display face), Diagon, Aroth, Pharaoh's Delight (piano key / art deco typeface), Cocomi, AT Burshak, AT Sulfur, AT Taspa, AT Affina.
Typefaces from 2014: AT Sudoku (each letter is actually a sudoku puzzle!), AT Tactica (tic tac toe voard), AT Sudoku+, AT Pixtensans, AT Ayna, AT Kerey, AT Giveaway, AT Lagman, AT Asotika, AT Tugan, AT Yertegi, AT Nudgera, AT Diagona, AT Golovkin (stencil typeface named after middleweight boxer Gennady GGG Golovkin), AT Arachis (stencil), AT Tugan (fat rounded sans), AT Baktera, AT Jumpa Jumpa (stencil), AT Nudgera, AT Digitta, AT Archaus, AT Ladya (ball terminal stencil), AT Yin Yang, At Keste, AT Yazyk (rounded stencil), AT Sulfurian (techno stecil), AT Fasten Your Seatbelts (diagonally cut stencil), AT Buckle Up (like AT Fasten Your Seatbelts), AT Droppix, AT Knitka (knitting font), AT Sagat, AT Wild Archid (african theme font), AT Steglo.
Typefaces from 2015: ATAday, ATArchistruct, ATAttache, ATBogomol, ATCastleryRock, ATChaperon, ATKitay (oriental simulation), ATQuba, ATRaushan, ATRoyal, ATShlanga, ATSkos, ATTrassa, AT Giveaway 4, AT Sherit, AT Ribborn.
Typefaces from 2016: ATArchaus2, ATArchistructOutline, ATDornach, ATDrogo, ATEnschede, ATExtrema, ATGiveawayNo5, ATGiveawayNo6, ATHadamard, ATTwelve, Windows Icon Font.
Typefaces from 2017: ATBals, ATBevelour, ATEsrever, ATHitchook, ATImagiro, ATLauda, ATMigdalia, ATRozalla, ATUniversiade, ATYangster, ATZabor, ATThinnetry.
Typefaces from 2018: KD Eight, KD Tramcar, KD Algae Brush, Forza Juve (inspired by Juventus FC's logo), KD Hachure (a multiline typeface family), KD Half Arc, KD Space Band, KD Hachure (+Inline, +Outline), KDAnniversary, Armiya (army stencil), KD Baba Yaga (multiline).
Typefaces from 2019: KD Para, KD Pempo (a multiline art deco font).
Falmouth, UK-based designer of Tetsuo AT (2019: a geometric, futuristic and monospaced typeface; +Stencil), High Tide AT (2019: inspired by the lettering of the fishermen of Cornwall), and the copperplate-inspired all caps typeface, Caeli AT (2019), for Latin, Greek and Cyrillic. [Google] [MyFonts] [More] ⦿
Arief Setyo Wahyudi
Ariel Di Lisio
Arkitype (was: Virtue Creative)
Andrew Footit (b. 1984) runs his own type foundry in Johannesburg, South Africa. He is also known as Arkitype. Until 2014, his type studio was called Virtue Creative and before that, Virtue84. In 2017, he set up Arkitype. His typefaces:
Arktype (was: Atelier René Knip)
Dutch type designer located in Bloemendaal. Jan Middendorp wrote about him in A.R.K. Ten Years of Type Related Projects 1994-2004 (2004), summarizing Knip's work at Atelier René Knip, mostly experiments in type design. Knip (b. 1963) is a graduate from the St. Joost Academy in Breda, class of 1990. Since 1992, Knip has operated a design studio in Amsterdam, Atelier René Knip.
Recently, Knip and his brother Edgar formed a new company, Gebroeders Knip, which produces furniture and accessories in which letterforms are integral parts of the objects design.
One of his experiments, a unicase typeface with an Arabic feel, was digitized by Nick Curtis as Turban Hey NF (2008).
In October 2012, Knip and another Dutch designer cofounded Arktype, but by 2020, the other Dutch designer left that company.
Typefaces at Knip's site as of 2020:
Mexico City-based designer of the Capricho (2014), a high-contrast didone with an additional stencil style. In 2016, he designed the blackletter typeface Toska One and Lapin Brush. Creative Market link. A newer Creative Market link. [Google] [More] ⦿
Extraordinary Hungarian design talent based in Budapest, 1986-2015. I can't find enough superlatives to describe his work or find appropriate words to express my sadness when I learned of his death due to a bicycle accident on September 4, 2015. He was best known for his experimental type projects. He published the masterful Ogaki in 2009, the high contrast didone typeface Sensaway Pro (2010, Die Gestalten), the calligraphic Caligo (2013), the freestyle jazz high-contrast typeface Qalto (2012) and the fat counterless Dubwise Pro (2010) at Die Gestalten. Other typefaces include Milen Serif (2009, organic), Minimalstile (2008), Minimalca (2008, organic), Fade Away and Fancy Fence (2009, geometric blackletter), Muzikal (2010), Type #32 (2010).
ARS Type (was ARS Design)
ARS Type is an Amsterdam-based foundry with some commercial fonts by Angus R. Shamal. Shamal had earlier published fonts with T-26 and Plazm. Fonts can be bought via Fontshop.
The fonts: AudioVisual1, Code, Kamp, Kamp Serif, Retro City, OCRU, Toycube, Mortal, Maquette (1999-2000), Angelring, ARS Bembo, Contrast, Dandy, EcologyModern, Hartu (handwriting), Temper, ARS Novelty (2011, a free hybrid style face), ARS Polythene (pixel font family), Misanthry, Syntax (OsF format sans serif), CensorSans (1994), CensorSerif (1994), Credit (1995), Epilogue.pfa (1995), Exert (T-26), Humain-Graphica (1995), Humain-Synthetica (1995), Platrica (1994), Roscent (1995), ARSFortune (2000, futuristic), ARS Region (2002, Bauhaus sans), District (experimental), Descendiaan (1998), Zero Rate (futuristic), Tegel (1998, stencil, kitchen tile), Twenty (octagonal, techno), Trio (dot matrix fonts), Maquette (1999), Region, Product (2007, sans typefaces), Mr Archi, Prime (display), Deviata (unicase face), Forum I-AR (after Forum I, a 1948 font by Georg Trump), Freie Initialen-AR (2007, after a 1928 set of caps for Stempel Garamond), Fry's Ornamented (2007; a revival of Ornamented No. 2 which was cut by Richard Austin for Dr. Edmund Fry in 1796), Graphique-AR (2007; a shaded typeface based on a 1946 design by Eidenbenz for Haas), Gravur-AR (2007; a digital version of a type designed by Georg Trump and issued as Trump-Gravur by Weber in 1960), Initiales Grecques (after a Firmin Didot design, ca. 1800), Lutetia Open (2007; based on Jan Van Krimpen's Lutetia), Old Face Open (2007; a digitization of Fry's Shaded, an open all caps Baskerville cut by Isaac Moore for Fry, ca. 1788), Open Capitals (2007, after Jan Van Krimpen's 1928 typeface for Enschedé called Open Kapitalen), Romulus Capitals (2007; after the caps series by Jan Van Krimpen, 1931), Romulus Open (2007; after the Open series by Jan Van Krimpen, 1936), Rosart 811 (2007; open caps after Enschedé no. 811 by Rosart), Zentenar Initialen (2007; based on blackletter initials of F.H.E. Schneidler, ca. 1937).
Art deco typefaces by Nick Curtis: I
Art deco typefaces by Nick Curtis: II
Ahmad Ramzi Fahruddin (aka Ramzehhh and as Ramz Fahruddin, b. 1993) established Arterfak Project in 2015. He is the Palembang, Indonesia-based designer of the display typefaces Aidah (2015, spurred), Temenyut (2015, spurred), Basenglah (2015, a geometric solid typeface), Local Genius (2015), Oropitem (2015, blackletter), Cakmacak (2015), Maeninaja (2015), Yagitudeh (2015, a free doodle font), Cagar (2015, free), Pletakrutuk (2015) and Beguyur (2015), the free experimental techno typeface Semravut (2015), the lava lamp typeface Cagar (2015) and the free spurred vintage typeface Outromoro (2015).
Typefaces from 2016: Anehena (a beveled ornamental typeface), Bongoknian (spurred), Sebasengan (sketched, arched, stitched, textured, eroded and embossed substyles), Sekatoon (Victorian), Bekelakar (Victorian), Sambeltigo, Wayawaya (free bilined art deco), Geroboktuo, Bedengkang, Ringam, Cindo Kato (spurred Victorian typeface), Ngopi Doken (a layered hand-crafted typeface family), Bedesau (Victorian), Temenyut (spurred Victorian style), Sirugino (a spurred tattoo / blackletter type), Buyanbengak (spurred), Geradakan (dry brush type).
Typefaces from 2017: Martinez (Tuscan), Hughoney, Rockrace, Monabelia (Victorian), Philosophiya, Love Quake, Childwood, Circulat Decorative Frames, Dakmodal, Yasaman, Bsakoja, Meringam, Besigetz (Victorian), Bedempank, Ngamboel (a modern inline), Jemahok (an inline typeface), Sirunian (decorative blackletter), Belinjangan (brush style), Cerudikan, Kanjian (Victorian deco).
Typefaces from 2018: Mirandah (monoline, vintage), Subversia (Victorian), Bertha (a free display family that includes Shadow Line, Sans and Spurred substyles), Quickers, Marchelle (art deco), Lourena, Mellynda, Leophard (octagonal), Wishteria, Slashback, Katheryna, Febiolla, Tropicane, Maretha (a monoline script).
Typefaces from 2019: Requeiro (a spurred inline vintage font), Mourich (an all caps display typeface), Newston (a tall condensed news headline typeface family), The Black Sugare (blackletter-inspired), Magnies (an elegant stencil), Hermona (a spurred vintage label font), Bronzier (a sports font), Mayhena (a monoline script), Amnestia (a vintage all caps typeface), Highrush (font duo), Humeira (for children's books), Montheim (retro signage font), Hodgeson (a slab serif family), Delaroca, (a spurred black metal band font) Banda Niera, Bargers Distressed (spurred, Victorian), The Realita, Newston (a compressed skyline-style font), Ariestha Script, The Black Square, Requiem (Victorian or rococo inline caps), Invasible, Ferguson (an almost monoline slab serif family), Mirenath (a rounded vintage monoline typeface), Afolkalips (a tribal painted font inspired by the Papuan culture), Mellandry, Masterson (a slab serif western font), Marsheila (art deco), Kanjian, Belinjangan, Sirunian (a decortaive spurred typeface), Quickers, Marcheile (slightly art nouveau), Marcheile, Monabelia, Nourishe (a fashion mag sans).
Typefaces from 2020: Trashbone, Burgery (a monolinear all caps children's book font), The Brande and Lotaline (a decorative serif), Rimba Andalas (a tribal font), Bronela (a decorative serif), Wonder Night (a beatnik font), Malinsha (a signage script), Marones (spurred, vintage, all caps), Katenila (a fat finger font), Meliana Script (a brush script), Romelio (sans / script pair), Bondrians (a vintage label font), Black Ravens (a dry brush font), Shinkoya (vernacular lettering), Brothership, Novante (stylish caps), Almatine Script (a flat pen calligraphic script, with perhaps a touch of Arabic script emulation), Almatine Sans, Wargate (a military stencil font family), Bragley (a cartoon font), Varino (a rounded unicase sans family), Ranille (a bold display serif), Neilvard (a vintage label font family), Nagietha, Khodijah (an Arabic emulation font), Sometimes Rough, Savaneta (a vintage all caps typeface), Valmera (a Peignotian sans), Hargalia (classic calligraphy), Cherione (a unicase font), Revans (a display sans).
Typefaces from 2021: Rusthack (a stylish brush typeface), Mustopha (an upright typeface in arabesque style), Marviona (a marker pen font), Marviona (a marker pen font), Niquitta Mirzani (script), Shikamaru (emulating a Japanese brush), Mortend (a 5-style expanded all caps sans), Barlock (an all caps and spurred varsity font), Northash (stencil), Motteka (a beatnik font), Sharely (a brush font), Rompies (a condensed titling sans), Beardsons (a vintage label font), Broken Crush (dry brush).
Designer in 2008 at FontStruct of the experimental typefaces Gearbox, Gotha (octagonal), Nippon Garden, Labyrinth, Nano (pixel), Machine Script, Plank stencil, Ballistix, San Andreas (recreation of the Grand Theft Auto font), Machina (a macho octagonal heavy face), Electro, Hiro (oriental look), Japanica (oriental look, based on Hiroshi), Mage, Silkscreen Alt (pixel, a modification of Jason Kottke's Silkscreen). [Google] [More] ⦿
Aka Opentypes. Indonesian designer, b. 1983, of Mantra (2019: signage script), Tokyo Drift (2019: a speedster font), Louvre (2019: a fashionable display sans), Billian (2019: an autocrat's sans), Sigma (2019), Angettypes (2019: a bold script), Neuron (2019: sans), In The Dark (2019: based on the ACDC logo), Bodhi (2019: a wild brush font), Sylvanna Script (2019), Emely Script (2019), Tom Harvey (2019: a weathered script), Brave Heart (2019: Victorian), Riogrande (2019: a retro signage script), Reaverock (2019: a spurred black metal typeface), Brotherjhon (2019, Bold and stencil), and Gajetto (2019: a bold geometric sans). Creative Fabrica link. [Google] [More] ⦿
ArtOne CreativeWorks (was: Locomotype)
ArtOne Digital (formerly Locomotype) is the type foundry of Arwan Sutanto, a graphic designer in Yogyakarta, Indonesia, who also owns ArtOne Creativeworks. Arwan created the elliptical sans face Fonquero (2014), the free brush typeface Belepotan (2014, +Italic), Fonesia (2014), Fonesh (2014), Fonia (2014), and the free outline typeface Fonarto XT (2014; updated in 2019 to Fonarto v2). Fondian (2014) is a commercial rounded Comic Sans style typeface. Fonago (2014) is a vintage font. Tinta Script (2014) is an upright script.
Typefaces from 2015: Fonesia, Cemara (brush script typeface), Garris (monoline script), Fonstyle, Fonari, Fonderful, Fonjava (a rhythmic script), Fonjazz, Fonino (brush script).
Typefaces from 2016: Om Telolet Om (free), Sumptuous (sans), Sumptuous Light, Boldero Brush (inspired by graffiti art), Hotline (a monoline connected signage script), Jogjakartype, Jogjakartype Logos.
Typefaces from 2019: Crimstone (a weathered octagonal typeface), Noiry (script), Bonega (an all caps inscriptional sans), Pantura (a playful casual font), Kaftice, Redsniper (Victorian), True Happiness, Harmona (Script, Sans), Pestapora, Lendiga (a monoline script), Zoelander, Wkwk, Romantick, Sweet Pancake (calligraphic script).
Typefaces from 2020: Reffort (a fourteen-style sans showing emotion in its counters), Sandega (a stencil font), Halokia (a condensed monoline connected sans), Shelda, Nilakandi (an upright script), Bakso Sapi, Komikula, Antario (a stylish sans), Giga Sans (an 18-style geometric sans), Toska (squarish).
Aschwin de Hoog
Bayu Noor Witarsa set up Asenbayu in Bandung, Indonesia, in 2020. In 2020, he designed Simarigo (a stencil typeface), Nextrue (a 12-style sans with squarish counters), Eugello (a display serif), Eugenic (a heavy display serif), Rozelle (a rounded decorative serif), Alacrity Sans, Bosque Line (a condensed sans), Silver Miranda and Lancea (a sharp-edged mini-serif font in one style).
Associated Typographics (or: Public Type)
In 2013, he published the eight-style bold geometric stencil family Skol, and created the custom sans typeface family Matterhorn with Matthew Desmond for Disney. In total, Cina made nine custom typefaces for Disney in 2013.
In 2014, he published the squarish sans family Ramsey.
Typefaces from 2016: YWFT Roamer.
Typefaces from 2018: Query (2018). A sans family that is insired by civil rights posters from 1968.
Typefaces from 2020: Ghostly Gothic.
Commercial foundry in Oak View, CA, est. 2011, by Glenn Parsons (b. New York City). Creator of UXB Stencil and its companion UXB Spray in 2011, rough stencil typefaces. He also designed the tattoo typeface Dragon Fang (2011), Sugarbang (2012, comic book style), and the octagonal wedge typeface Spacepod (2012).
Typefaces frrom 2015: Barn Owl (layered eroded wood style).
Typefaces from 2017: Digideco (retro-futuristic).
astype.de (or: Astype)
Astype.de is a German foundry started in 2003 by illustrator and type designer Andreas Seidel (b. 1975, bad saarow, near Berlin, Germany). He lives in Cottbus, Germany. In 1998, he obtained a Masters degree in business administration. In 2007, he and Ingo Preuss set up The German Type Foundry. In 2017, he joined the initial crew at Fust & friends. The typefaces:
Ngawi, Indonesia-basedc designer. His/her typefaces from 2021 include the script or hand-crafted fonts Fagleflag, Dashpeer, Calcaties and Beauty Baey (monolinear), and the free sci-fi stencil typeface Aquiver. [Google] [More] ⦿
Typefaces made in in 2008 as thalamic: Hello (connected upright script), Epilogie (blocks), WimSoft (+U/C), Chunk Chip, Konstruct (Russian constructivism face), Sensei Says, FS Tributary, Twotype Font, Urge (fat octagonal), Subliminal, FS United One, The Game of Type, Anaximander Zooom!, Corrupt and Corrupt Ed (piano key stencil fonts), Blueprint, Monomum, Synergy, Insert Coin Italic, Write I Careful, Write I Casual, Write I Dump, Loop UC, Loop LC, Emergic, Prick!, Insert Coins Pixels, Retro Electro, Bubble Lab IJ, Bubble Lab Bang, A Needle Pulling Thread, Send, Scan (IBM logo look), Intermittent and Intermittent Sans (stencil typefaces), Melt x DR and Melt x tDR (dot matrix), Oval x DR and Oval x tDR (original design by theDesignersRepublic for Issey Miyake), On Grid, Indigo (almost blackletter), orange_2 (dot matrix), Scan (horizontal stripes), Bass, Grape (simple pixel face), Nachahmung and Nachahmung Block (fat and extra condensed, Wim Crouwel simulation typefaces), Nachahmung Block Serif, Conjunction, Interjection, Is It, Sangular (nice experiment), Anonon (nails in square letters), Purple and Purple Very (slab serif headline typefaces, pixelized), Arc Echo (biline and strutted), The Question (a fantastic 3d paper fold imitation face), FS Minimal (a fantastic ultra fat decorative face), FS FontStructor, Vibrant (multiline labyrinthine or op-art face), Writ (upright pixel script), Castor, Ooki (octagonal), Industrial, The I Flat, The I, Indiscrete, Analog (connected script), Dent (mechanical), Digital (connected script), Hello Hello, and Sensei Says.
In 2009, he made Clone It, Entwined, C64, Helix, Fontsration, Bent, Stripe Zoo, Dull, Indent (stencil), Quartertined (kitchen tile), Firox, Orfix, A Priori, Ignore, Confused, S-Ookii, Ookii (octagonal), Very Becoming, Crisis Averted, Crisis (neat bold octagonal face), Penmanship, Up All Night, Sleep All Dayi, Chunk Chip, Grayletter (upright script), Soso, Mostly Harmless (textured face), Etched, La Cross, Twotype, Etched Bare, Aught (One, Two, Three), as: Inflate (Pop, Pfft, Puff, Poof), Istic, Very Becoming, Ignore, Ought, Balance, Broken, Dry Flat (dot matrix), La Cross, Etched (+Bare), Fontsration (+Refined: multilined beauties), FS Institutional (fat multiline face), FS Industrial, FS Pixelayers.
Additions in 2010 as thalamic: fs Section, fs Reboot, fs Easy DNA Auto Stencil, fs Institutional (+Ho, +Elements), fs Quartertined, fs Stencil 2.0, fs Rivet, fs Intaglish, fs Dumb Italic, fs Loop Gap, fs GoTeam (stencil), fs ITilic, fs Kerplunk (Startrek face), fs Dumb Italic, fs Ribbon, fs Beringer, fs Ooki Woodcut, fs Croissant (stencil), fs 45 (octagonal stencil), fsXO, fs Pipe, fs Confused Less.
Fonts from 2011 as thalamic: fs Xenon (a paperclip face), fs Instant, fs Twist, fs WIP (blackletter), fs Sparc, fs Reboot (texture face), fs Pod, fs Flute Tune, fs Special, fs Watch Out (stencil), fs Etched Nyle (labyrinthine face), fs No Kerning Required (2011, connected upright script).
Creations in 2012 as thalamic: fs Flip, fs Mom, fs Noise, fs Noise II, fs Junk, fs You Are Here, fs Flash (outlined), FS Easy Too (paperclip face), FS Strict, FS Fix, fs in three (octagonal stencil face), fs Single, fs Wakarimasen, fs r-failed (white on black), fs Permutation X, fs Pan Am, fs Institutional, fs Institutional 2, fs Chunky (counterless), fs Grayletter (textured face), fsXply (op-art).
Creations in 2013 as thalamic: fs So Not Right, fs Grid Urdu (pixel face), fs Not So Right, fs Six Sticks, fs Half (octagonal family), fs Bored, fs Make it Happen, fs Salvage, fs To Be Discarded, fs Connect (stencil), fs Whomp, fs Praxis, fs Fez (3d face), fs Input, fsTramp, fs Five Alive, fs Hote-Zyd (labyrinthine), fs Patterns (Layers, Quarters), fs Five Alive (origami font), fs Go To Sleep (retro speed font), fs Vaerktoj (inspired by the brand identity of Hoejmark Cycles), fs Permutation B, fs Jester, fs Permutation XII (op-art), fs Insatiable, fs Electronic, fs Carbon (a nice chequered face), fs When We Were Young (multiline typeface), fs Shogun Tiny (a lined kitchen tile typeface), fs Optical, fs When We Were Young (multilined), fs Slate, fs Shogun (gridded), fs Iie (+Filled), fs Blocky (dot matrix), fs Thalamic.
Creations in 2014 as thalamic: fs Perhaps, fs Perhaps Perhaps, fs Stability (Turmoil, Flux), fs Industrial (an artsy fat dot matrix face), fs Rehash, fs Ah, fs Curly, fs So, fs Flint, fs ICK (blackboard bold style), fs Wiggle, fs Grid, fs Ah.
Creations from 2015 as thalamic: fs B-Chain (bike chain font), fs Risque (art deco), fs Squangular (Impair, Square, Flair, Pair), fs Oval, fs MIP, fs Flower (kitchen tile face).
Creations as minimum: fs Chips (2014), fs Oh (2014, piano key style), fs Stack (2014, +Overflow), fs llljjj (2014), fs Turn Off The Sun (2014, beveled), fs Zag (2013 textured), fs Zig (2013, textured), fs Mullions (2013), fs The Italic (2013), Gridlock (2009), Mingle Minx (2009), Mingle Co (2009), Mingle (2009, gridded letters), Bevel (2009, 3d beveled family), illiij (2009, multiline family), m.ove.r (2009, multiline family), Grayscale (2009, multiline family), fs Cubed (2010, 3d-face), Bas Relief (2009, 3d face), Silver (2009, 3d face), Tin (2009), Lead (2009), Bevel (2009), Bevel Just (2009), Bevel Just Shadowed (2009), Ceci n'est pas une vague (2009), A Fault in Reality (2009, optical effect font), Blit Slash (2009, experimental), Blit Hack (2009), Dot Dot Hex (2009), Super Black (2009), fs Overlap (2010), fs Fabric (2010, texture font), fs Original (2010), fs Ink Blot (2010), fs Dots and Dashes (2010), fs I Square (2010), fs Squared Up (2010), fs Super Black (2010), fs Unoriginal (2010), fs Minimum (2010, geometric stencil face), fs Pin and Thread (2010, stitching face), fs Shade (2012, 3d face).
FontStructions from 2011: fs Perpetual (dotted line face), fs Slither, fs No Escape, fs Prompt (a DNA-inspired biochemical lab face), fs Plus H (horizontally striped face), fs Arc Test 2:2 (a modular blackboard bold face), fs V Simple (2010, textured face), fs Instant, fs Permutation V, fs Rehash Monoic (labyrinthine), fs Meta (texture face), fs Scroll, fs Scroll Not (stencil).
FontStructions from 2012: fs Translucent (a texture face), fs Bank, fs Shade, fs Confined (white on black), fs Institutional (+Vo, +HeVe, +Ho, +He, +Ve: texture typefaces), fs Bang, fs Random (textured face), fs Random Pattern, fs Lead, fs Tin, fs Silver, fs Tungsten.
Atelier Carvalho Bernau
Kai Bernau (b. 1978) studied graphic design at the University of Applied Sciences Schwabisch Gmünd in Germany before relocating to the Netherlands, where he graduated from the Design & Typography course of the KABK in The Hague in 2005 with his successful Neutral Typeface project. He continued in the KABK's Type and Media Master course where he graduated in 2006. Since 2011, Kai teaches type design in the Master in Art Direction program at ECAL in Lausanne, Switzerland. In 2005, Susana Carvalho and Kai Bernau formed Atelier Carvalho Bernau, which is based in The Hague, The Netherlands.
Vienna, Austria-based design studio, est. 2002 by Peter Olschinsky and Verena Weiss. They published the type family Ato (2012), which has Sans, Slab and Display (art deco) subfamilies. Outer Space (2012), Sato (2012, a bilined display typeface), Neopolis (2012, futurismo), Deconstruct (2012), Chaos (2012) and Construct (2012) are experimental. Bato (2012) is an alchemic type family. And Vato (2012) is a wonderful brushy poster headline face.
In 2017, he published the bespoke typeface BirdYard, the free AO Grotesk (with poygonal outlines), free display sans typeface family Matol, the free geometric solid typeface AOX, which comes in Stencil and Regular styles, the free polygonal typeface family AO Mono, and the free monospaced Minimal Mono.
Typefaces from 2020: Kaomo (monlinear, monospaced), AO Mono (polygonal).
Design studio in Gijon, Spain, set up by Asturian designers Raul Garcia del Pomar and Ismael Gonzalez. One of them studied graphic design in Salamanca. Atipo produced the donationware typeface Cassannet in 2012. This beautiful sans typeface is modeled after art deco lettering by Cassandre. It was adjusted and expanded to six styles in 2016 as Cassannet Plus.
In 2012, they published the free twitterware round sans family Bariol, which has its own dedicated web page. This was followed by the wonderful set of icons called Bariol Icons. In 2015, they published the tweetware / donationware rounded typeface family Bariol Serif.
The text typeface Calendas (2011, Paula Gutierrez). Additional weights were custom-made for the magazine Town & Country.
They created a bespoke wayfinding font / icon set for London Luton Airport in 2014.
Typefaces from 2015: Geomanist---I guess the name comed from geometric and humanist. In general, I can't imagine a worse marriage but this one actually works.
Typefaces from 2016: Seville (a custom font for Fitbit Blaze, based on Bariol), Semcon (for the Swedish engineering firm Forsman & Bodenfors).
Typefaces from 2017: Archia (a techniocal / architectural sans family), Noway (Noway was originally designed as a corporate and signage typeface for London Luton Airport. It has 159 icons and five weights, and is an ideal wayfinding font family), Noway Round.
Typefaces from 2018: Solano & Catalan (a corporate typeface), Aceña (a corporate typeface), Silka (a geometric descendant of Futura), Musetta (a fashion mag thin sans), Basier (a Helvetica-style neutral sans family with horizontal and vertical terminals, with a choice of round or square tittles).
Typefaces from 2019: Parking (an all caps art deco by Marc Valli), Basier Mono, Bould, Chaney (caps only, for display).
Typefaces from 2020: Sawton (a 15-style monolinear condensed geometric sans family consisting of Circular, Industrial and Bauhaus subfamilies), Silka Mono, Wotfard (a malleable geometric sans: time for soulful functionality), Argesta (a fashion mag typeface).
Typefaces from 2021: Scilla Display ( an elegant high-contrast serif typeface inspired by the shapes of the flowers with sharp edges and organic curves).
Atlas Font Foundry
Creators of Novel Mono (2012, Christoph Dünst), Novel Sans (2012), Novel Sans Rounded (2012), and Novel Sans Condensed (2012), Novel Sans Office Pro (2013), Novel Sans Hair Pro (2014), Heimat Sans (2010), Heimat (2010), Heimat Mono (2013), Heimat Stencil (2013), Novel Sans Office Pro (2013), Heimat Didone (2014: a 72-style family of high-contrast didones; some styles should be useful for fashion mags), Heimat Display (2015: characterized by an inverted tail of the y), Novel Display (2017), Edit Serif Pro (2017), Edit Serif Cyrillic (2018), Edit Serif Arabic (2018).
Attak is a two-headed graphic design firm formed in 2004 by Peter Korsman (b. 1982) and Casper Herselman. It is based in 's-Hertogenbosch, The Netherlands. In May 2016, Peter Korsman left Attak to start Autograph. Attak has some free and some commercial typefaces. Behance link. Their fonts, ca. 2009: AT AK-47, AT Babyfat, AT Blaser, AT Concours, AT Dienstuhr, AT Discipline, AT FFW, AT Helix, AT Hide and Seek, AT Hieronymus, AT Janus Kiep, AT Kerremus, AT Klaxon, AT Korsakopf, AT Litewriter, AT Mepper, AT Mohawk, AT Moker, AT Monoload, AT Muntel, AT Peetroleum, AT Praktikum, AT Promille, AT Ramseier, AT Riot, AT Sirca, AT Sirca alternate, AT Slyper, AT Snotnose, AT Streeep, AT Tabak, AT T'Atteljeej, AT TCB, AT Timeline, AT Trash Bold, AT Willi, AT With Machines, AT Zippora. Notable products: AK-47 simulates Cyrillic; Helix is a stencil face; Muntel and Concours are fat art deco typefaces; Practicum and Tabak are octagonal; Riot leaks blood; Sirca is based on arcs of circles; Streep is a multiline font. I presume that Peter is the main font designer in the team, as he already made fonts as early as 2003 for Burodestruct (see, e.g., BD Burner, BD El Max, BD Sirca, and BD Bardust, downloadable here).
By 2017, their catalog includes AT AK-47, AT Baballero, AT Babyfat, AT Blaser, AT Concise, AT Concours, AT De Palm, AT Dienstuhr, AT Discipline, AT El Muerte, AT Falten, AT FFW, AT Ginn, AT Helix, AT Hide and Seek, AT Hieronymus, AT Hindenburg, AT Imperiale, AT Janus Kiep, AT Kerremus, AT Klaxon, AT Korsakopf, AT Kuhn, AT Litewriter, AT Mepper, AT Mohawk, AT Moker, AT Monoload, AT Muntel, AT Peetroleum, AT Praktikum, AT Promille, AT Ramseier, AT Riot, AT Sang Noir, AT Sirca, AT Sirca alternate, AT Slyper, AT Snotnose Heavy, AT Streeep, AT Syndicate, AT Tabak, AT tAtteljeej, AT TCB, AT Timeline, AT Trash Bold, AT Willem II, AT Willi, AT With Machines, AT Zippora, BD Bardust, BD Burner, BD El Max, BD Sirca.
A more detailed breakdown per designer:
George Triantafyllakos was born in Thessaloniki, Greece, in 1980. In 2004, he was a PhD student, Department of Informatics, Aristotle University of Thessaloniki. Founder, with Manolis Pratsinakis, of Backpacker. He set up the independent foundry Atypical.
His typefaces at Atypical: Atypical (2014), Burger (2014), Cornelius (2014, art deco), Direct (2014, sans), Donmeh (2016), Friday (2014), JoyD (2015, flared and lapidary), Marx in France (2014), Marx in USA (2014, condensed fashion mag style with teardrops), Monotonous (2014, monoline and monospaced), PhD (2014, squarish), Slab (2014), Vs (2017), Walter (2014, art deco, with Hollow and Stencil styles, and a possibility of layering with patterns).
At the open source type foundry Velvetyne, he added the Greek chracters to Lucas Le Bihan's Sporting Grotesque (2016).
The students of arts and design at HfG Karlsruhe present their work in 2008: Amoto (Nadja Schoch), Barbarossa (Peter Stahmer: grunge), Cirrus (Antonia Huber: liquid style), Fourty Five Degrees (Emanuel K: octagonal), Hopfen (Martin Borst: display sans), Letrix (Miriam Bauer: modular octagonal), Lokomo (Claudia Kappenberger: experimental), Mayfield Display, Monta (Stefanie Miller), Moto Moto (Piero Glina: octagonal), Nancy (Masa Busic: art deco), Oceanic (Simone Gier: rounded techno), Platine (Lise Naujack: multiline, inspired by chip wiring), Pluk (Simon Roth: poster stencil), Quitt (Marko Greve: experimental multiline), Sophonho (Daniel Schludi: display sans), Vahen (Nicolaz Groll: display sans).
Designer in 2008 at FontStruct of NuGothicA (blackletter), BauForm, DINAMO (mechanical), Magnum (great industrial strength slab serif headline face), Cocoa (rounded and ultra fat), EUROstruct (thin and architectural), Kaotic (graffiti), Weimar (pixel face), Rondo, Rondo Tail, Fabrica (octagonal), Fabrica Rotula (stencil, octagonal), Quadrat, Electrica, Electrica Dots, Fabrica Screen (horizontally striped octagonal face), Block Black, Bloop, Blackwolf, Guru Blackletter (Indic simulation face), Inslab (slab serif), Inslab II, Minima (stencil), Boxer (ultrafat, octagonal), Bloko (nice ultra-fat face), Steel (macho slab serif), Nextar (pixelish but elegant), Simplex, Ulises 7 (+Serif) (pixel typefaces), Digita (kitchen tile) and Block (ultra fat), June Cleaver. See America (2008, octagonal) is an octagonal lettering font that was inspired by a travel poster (WPA, 1936) designed by Jerome Roth. Faces made in 2009: Morgana (a beautiful fat piano key face), Manitoba, Machina (+Slab), Old Monk (uncial), NughoticA Brush, LUBA 8 Lowercase (after Lubalin), Nugothic A (blackletter), Dinamo, Ross (strong mechanical face).
Babushke is a design cooperative in Zagreb that includes Marija Juza [a gradutae of School of Applied Arts and Design, Zagreb, the Faculty of Architecture, Zagreb and the School of Design, Zagreb], who is the codesigner with Nikola Djurek of Balkan (2012, Typonine), a sans / stencil type system for Latin and Cyrillic that was awarded by TDC in 2012.
Babushke created Herbert (2012), which is based on Herbert Bayer's early Bauhaus sketches. It is a low contrast 3-style typeface whose function is to properly align text in blocks.
TDC mentions that Marija lives in Zabok, Croatia.
Babylon Schrift Kontor
Commercial German foundry, est. 2000 by Klaus Bartels (1948-2005). BSK also has on board Wolfgang Talke, Bernd Pillich, and the type experts René Kerfante and Frank Sax. It specializes in major text families, mostly based on fonts from the Berthold collection. Bartels was previously responsible for the digitization of that collection at Berthold, so this is a natural progression. Some amount of renaming of the typefaces seems to have been necessary. Partial list: Adlon Sans BSK, Adlon Serif BSK, Admira BSK, Albion Script BSK, Albion Script 2 BSK, Alte Schwabacher BSK, Ancora BSK, Atlantica BSK, Avenue BSK, Babylon Schreibschrift BSK, Baskerville BSK, Baskerville Text BSK, Bodoni BSK, Bodoni Expert BSK, Bodoni Condensed BSK, Bodoni Text BSK, Bodoni Text Expert BSK, Carissa BSK, Caslon Text BSK, Centra BSK, Champion BSK, Cogita BSK, Elega BSK, Fabiana BSK, Fonica BSK, Francesa BSK, Garamond BSK, Garamond Expert BSK, Herold Reklameschrift BSK, KG privata BSK, KG privata II BSK, KG vera BSK, KG vera II BSK, Lettura BSK, Mirage BSK, Mirage Expert BSK, Mirage New BSK, Pintura BSK, Signal BSK, Standard-Grotesk BSK, Standard-Grotesk Condensed BSK, Standard-Grotesk Extended BSK, Standard-Grotesk Classic BSK, Standard-Grotesk Next BSK, SG Next Condensed BSK, SG Next Extended BSK, SG Next Rounded BSK, SG Next Stencil BSK, SG School BSK, SG School 2 BSK, Story BSK, Supersonic BSK, T & T Form BSK, T & T Form Condensed BSK, T & T Form Ey BSK, Tomos-Antiqua BSK, Tomos-Mediaeval BSK, Trump Tower BSK, Unger Fraktur BSK, Walbaum BSK, Walbaum Expert BSK, Walbaum Fraktur BSK, Walbaum Text BSK. I have no idea what happened after Bartels' death--the page disappeared! [Google] [More] ⦿
George Triantafyllakos was born in Thessaloniki, Greece, in 1980. In 2004, he was a PhD student, Department of Informatics, Aristotle University of Thessaloniki. Founder, with Manolis Pratsinakis, of Backpacker, where one can find free Latin and Greek typefaces: BPLatinNumerals, BPbigHead, BPchildLefty, BPchildFatty, BPchubby, BPchubbyFat, BPdots, BPilialena, BPletterSquares, BPletterSquaresWide, BPmolecules, BPmouse, BPmyhand, BPneon [paperclip face], BPpong [light stencil face], BPsquareHand, BPtall, BP PhD Sans, BP PhD Italic, BP PhD Mono, BP Inktrap, BP Script. These include quite a few handwriting typefaces. Commercial handwriting fonts at Cannibal (2001-2005): BPPallas, BPOlga, BPMaria, BPHaroula. In 2007, he added BP display black, BP mono and BP mono italics, and BP script. In 2008, BPreplay was created as a correction of MgOpenModata. Creations in 2009 and 2010: BPOApeloig, BPScript, BP Typewrite, BP Imperial (think Impact), BP Dots (30 monospaced dot fonts).
He set up the independent foundry Atypical.
Designer of TapeBold (2015, iFontMaker).
In 2016, he released the free all caps sans typeface Hellenica for Latin, Greek and Cyrillic.
In 2017 he participated in the team of designers who won the competition for the design of the new visual identity of the National Library of Greece (George D. Matthiopoulos, Dimitris Papazoglou, George Triantafyllakos and Axel Peemöller).
Bagel & Co
Japanese foundry that offers these free Latin fonts made by Ryoichi Tsunekawa around 2005: Kiwi (geometric hairline), Bagel (roundish comic book face), Coconut (noisy outline face), Coconut Split, Fresh Tomato (LED simulation), Dried Tomato (LED simulation), Dutch Style, Mocha Harrar (great stencil face), 103 (experimental, Bank Gothic style), Airhead, ArealBlack, Awkward, BagelNew, BagelOld, Banbino, Bebas (2005, industrial sans), Berlin89, Blackout, Built-1970, Bunyan, Busted, Canstop, Chiangmai (Thai simulation face), DBLline, Dijkstra, Dutchstyle, Fling, Graphite, Harcomaso, Hiexplosive, Hitech, Honeycomb (hexagonal), Junkmix, Kanatypo, KemikalHi, Meegoreng, Mikrob, Natsupopy, Overwork, Palsu, Plamo, Plasitico, REC001, REC002, REC003, Resistance, SQRT, STdigi (LED font), Shandy, Superstar, Tembaga, Tenaga, Tomodachi, Tragedia, Trucker, VRdigital, VRembroidery, Welcome2M, Workaholic, Zeebraa, plot-A, plot-K, Appendix 3, Gesso, Pusab, Sushitaro, Typewrong.
Barnbrook (was: VirusFonts, Virus Foundry, Studio 12)
Jonathan Barnbrook was born in 1966 in Luton, England. He is a type and graphic designer and filmmaker. Since 1990 he has worked with cultural institutions, activist groups and charities and produced a steady stream of posters. He is also known for his collaborations with Adbusters and Damien Hirst, his work for David Bowie, and his typefaces released by Emigre and Virus (his own foundry). He started Virus in 1997, and works out of the Barnbook Studio (now Studio 12) in London's Soho. Virus Foundry became just Barnbrook ca. 2017. He specializes in cult-type typefaces.
In 2007, Mathieu Réguer wrote a thesis at Estienne on Barnbrook.
Barnbrook designed these typefaces:
Dutch graphic and type designer, b. Wanssum, The Netherlands, 1976. In 1999, together with Akiem Helmling, he cfounded Underware in Den Haag. Bas studied at the KABK in Den Haag and lives in Amsterdam since 2001. His type design work:
At ATypI 2004 in Prague, he spoke about education in type design. FontShop link. Speaker at ATypI 2010 in Dublin and at ATypI 2017 in Montreal. At ATypI 2018 in Antwerp, Bas Jacobs and Akiem Helmling introduced the high order interpolation system for fonts called HOI. [Google] [MyFonts] [More] ⦿
Barcelona-based foundry involved in custom font work, est. 2005. Original fonts: Inclusive (2007), Urbanium (2005, a bold display face), Handwritten, Eixample (2008, octagonal and rounded), Screech (2008) and Begyptienne. Modified fonts (or re-fonts in their words) include Le Grand Palais (stencil, for La Force de l'Art, Paris, 2006), BeTV (for a Belgian TV channel), and VijfTV (a modification of Chalet for a Flemish TV station). Their custom types include Atrapalo, Kipling (a fashion mag family done in 2011), STM Montreal (2011, for the Montreal transportation system), Dialogue, Kidswa, Hangar and Costa Design. One of the main collaborators is Joancarles P. Casasín. Behance link. [Google] [More] ⦿
Bastardatype (was: No Name Type Foundry)
Bogota, Colombia-based outfit, est. 2017 by Jason Guzman, Sebastian Castellanos and Federico Parra. Sebastian Castellanos graduated from the MATD program at the University of Reading in 2015. His graduation project was Orca (2015). It covers Latin, Greek and Thai: Orca was inspired by alcoholic beverage labels. It is constructed of a blend of sharp serifs and brush out-strokes which create a dynamic combination of angular lines and curves.
The list of type designs:
Bayu Noor Witarsa
Beaufonts offers nice screen fonts and pixel fonts by Cecilia Garside, David Gibson, David Hand, Jonathan Hitchen, John Humphries, Ian Mitchell, Paul Musgrave, Oliver Payne and Simon Vaughan. Free Mac type 1 fonts, often of the pixel type. Fonts: Backstabber, Baseface, Bummer, Default_20PN55C, Disinformacion, FuckingGoodStencil, MissPeaches, Punkt, SansCounter, Suedehead, Swipe, Untiled. [Google] [More] ⦿
Behaviour (was: type behaviour)
Behaviour was founded in 1996 by Anuthin Wongsunkakon and Nirut Krusuansombat in Bangkok. They do graphic design, mainly. Type Behaviour is the font library of Behaviour. Anuthin teaches graphic design at School of Art and Design, Bangkok University and Chulalongkorn University.
Fonts include OCRX, Aspirin, Interviewer, Songothic (1999), Behaviour, Keystonestate, Effectra, Hydrous, Ideologica, Waveeweekend, Matamorphosis, Berlidin (1999). Commercial fonts available at T26 and PsyOps (where he did Hydrous). Also, many dingbats by Nirut Krusuansombat, again without downloads. Custom-made Thai fonts too.
[T-26] designer of Aspirin, Aspirin Advance, Aspirin Refill (hairline), Automate (2008), Behaviour, Berlidin (1999), Carbon, Cellular One, Cellular Two, Cellular three, Coupe, Datum, Dotto, Dotto Deluxe, Effectra, Harbinger, Hydrous (2009, PsyOps and T-26), Ideologica, Interviewer, Keystone State, Labelo Ext, Labelo Rom, Labelo Uni, Myers Sans, OCRBe, OCRX, QR-Type, Son Gothic (+New Son Gothic), Wavee Weekend (upright script, Foto (2006, dingbats), Harbinger (2004, stencil), Myers Sans (2005), Aspirin, Carbon (2003, an octagonal font, which reappeared in 2006 as Carbon C6 and in 2008 at Cadson Demak as carbon Plus), Coupe (2006, 4-weight sans family), Labelo (2003, octagonal, +Varsity), Dotto, Dotto Deluxe (2002, dot matrix font), Behaviour, Berlidin (1999: nice serifs), Ideologica (2000), Interviewer, KeystoneState (1999: a license plate font), Metamorphosis, SonGothic, WaveeWeekend (2000), OCRX (2001, T-26), and Effectra (2001, T-26), Cellular-Complete (2002, T-26), POBox (2002, T-26, dingbats of postal imprints), Datum (2002, pixel font), Baked (2007, T-26), Board (2004, T-26), OCR-Be (2006).
Free font: Katan U Kata Way T (Thai font).
Dingbats: Arvaiyava, Bahnpaburut, I'm Icons, Monsoon, Pixxo (pixel-based icons), Prajanbarn, SO-6.
MyFonts sells the athletic lettering fonts Labelo Ext (2007, T-26), Option Sans (2009, T-26), Labelo Varsity and Board Deluxe, Enzyme (2010, Cadson Demak), Amino (2010, Cadson Demak: an organic family).
Typefaces at Katatrad include Ra Bobb Thai (2012, octagonal).
Anuthin Wongsunkakon collaborated with Akira Kobayashi and Monotype Studio on Avenir Next Thai (2021).
Foundry in München, Germany, run by Adam Bell (b. 1972, Landsberg), who despite his name is a native German. After learning to be a silkscreen printer he studied graphic design in Würzburg. Together with Tanja Kischel and Georg Behringer, he runs a small design agency and shop called Umwerk in München since 2004.
Savio Bellini (Bellini Studio, Capua, Italy) designed the free monoline sans typeface Inprimis (2016) and the informal typeface Sgriffo (2016).
In 2018, he designed the semi-stencil typeface Omologo and the ampersand typeface Etaday.
BenBenWorld (or: BB Bureau)
Benoît Bodhuin (aka Ben Ben) lived in Tournai, Belgium, and after a brief spell in "chti" country, i.e., in Villeneuve d'Ascq, France, he relocated to Nantes in France. He studied mathematics and graphic design. Freelance graphic designer since 2004. In 2011, he set up Benben World at MyFonts.
Designer of the pixel fonts Logotix (2004), Latham and 5x7 Negatie Moyenne. In 2010, he made the paperclip typeface Pipo (first published in 2011 by Die Gestalten, and in 2017 by bb-bureau). He created the commercial angular sans typeface S-L (2006) which was originally made for the University of Arts Saint-Luc in Tournai. It was published by Volcano.
Commercial typefaces include S-L Bold (2012, a hexagonal typeface based on his design at St. Luc in 2006), Zigzag (2012, Volcano Type; a font originally made for the Vivat theater), and Marianne (2012, BenBenWorld: an inline and modular typeface family).
In 2013, he published the stencil / fractured typeface Mineral.
In 2014, he designed the experimental triangle-based Bauhaus-inspired Side A typeface.
Typefaces from 2019: Grotesk Remix (extended to Grotesk Remix Monospace and Grotesk Remix Variable in 2020), Tme (experimental: an update of Sl drawn in 2006 for the University of Arts Saint-Luc de Tournai), Standard-bb, Pickle Standard (extravagant and thought-provoking).
Typefaces from 2020: Gikit (in Text and Title version, for a perfect gridnik feel), Ballpill (designed for printing at very small sizes). Volcano Type link. View Bodhuin's commercial typefaces. [Google] [MyFonts] [More] ⦿
French designer of these free typefaces that can be downloaded at Dafont:
Chilean designer (b. 1985) who lives in Tamuco. His typefaces:
Bernardo Faria is a Brazilian designer specialized in logo and editorial designs. In 2014, he and Tony de Marco (Just in Type) created the masculine typeface family Terrorista, and wrote this blurb: Terrorista is a homage to everyone who fought against the Millitary Regime in Brazil from 1964 to 1985. The Terrorista Marighella features generous inktraps, and thus is perfectly suited for small sizes. Terrorista Dilma has the same design as the Marighella, but without inktraps, made for display. The last typeface from the package is Terrorista Lamarca, stencil version. This is the font for the political propaganda machine. [Google] [MyFonts] [More] ⦿
Betterfear.us (or: XXII Fonts, Or Doubletwo Studios)
Lecter Johnson (Betterfear.us) published many free fonts between 2007-2012. At Behance, we find the name John Thorn (Germany) and a mention of Hamburg, but also a reference to Greatwhite in Beirut, Lebanon.
Typefaces: XXII Sinoz DSP (2010-2011, elliptical face), XXII Gory Bastard (2011), XXII BLACKMETAL WARRIOR (2010), XXII Menga (2010, a technical sans family), XXIIARMY (2007, stencil), XXIIDECONSTRUCTION-DESTRUCTION-AREA (2007, grunge), XXIIDONT-MESS-WITH-VIKINGS-HARDCORE (2007, octagonal), XXIISTRAIGHT-ARMY, Army Dirty (grunge stencil), XXIIUltimate-Black-Metal (2007, cracked metal look), XXII Scratch (2007, scratchy face), XXII DEVILS-RIGHT-HAND (hand-printed), XXII BLACK-BLOCK (grunge), XXII MISANTHROPIA (2008, a rigid geometric sans family), XXII Arabian Onenightstand (2008: Arabic or Indic simulation face), XXII Urban Cutouts (2009, grunge), and XXII Static (2007, futuristic).
His web site has a threatening nazi sort of look, but the fonts are (were) free. Betterfear.us claims to be located in St. Pauli, Hamburg, and is also known on MyFonts, where some of its fonts can be bought, as Doubletwo Studios. These include XXII Yonia (rounded script family loaded with opentype features), XXII Goregrinder, XXII Grober Bleistift (2013, marker font), XXII Centar (a sans family with a free regular style), XXII Totenkult (2012), XXII Blackened Wood (2013), XXII Candylove (heavy signage or packaging script), XXII Centars Sans (2012), XXII Daemon Runes (2012), XXII Total Death (2012), XXII HandTypewriter (2012), XXII Daemon (2012), XXII Marker (2011), XXII BLACK BLOCK SERIFA (2008), XXII Mescaline (2009 Western style), XXII Misanthropia (2010, geometric sans), XXII Marker (2011), XXII Blasphema (2011) and XXII STREITKRAFT (2008, a stencil family with grungy versions added). Older list of fonts: Devils Right Hand (blackboard script), Black Block (grunge), Static (techno), Ultimate Blackmetal, Scratch, Don't Mess With Vikings, Army Dirty (grunge stencil), Army Straight, Black Block Eroded.
Typefaces from 2014: XXII YeahScript (signage script).
Typefaces from 2018: XXII Geom Slab.
Brazilian graphic designer and prolific creator of free typefaces, which often combine calligraphy, retro signage, and grunge.
Fonts from 2019: Talk Sing, New Garden Two (a circle-based sans), Hearts Garden, Garden Black, Adalgisa, Mellissa, Mattisse, Universal Sans, Universal Script, The Light, Campesina, Babeface, Soulstice, Movements, Love Empure, No Stress (grungy sans), Flowers (script), Magical Day, North Shore (a weathered slab serif), Theodora, Amandita, Brilhant, Alamoana, Palomita, Superworld, Black Rose, Mistical, Rocks (grungy), Marvelous, Dinasty, Magic Touch, Hot Jacket (brush script), Simplicity (beatnik face), Ibiza Crystal, Mystical Eyes, Allicia, Misterios del Amor, Sugar Kisses, Gonna Getha (weathered sans), Valentine Day, Secretss, Honey Lips, Got to be real, Afternoon in Stereo, Hotel Costes, Wall Paper,
Fonts from 2018: Children's Party, Music Magic, Awesome Season, Lavelle, Wonderful Night, Chapter One, Atmospherica, Lost Sunset, Claudina, Run To The Hills, Placid Pool, New Balance, Euphoria, Claudia, Barbecue, Salsa Parrilla, Pilsen Extra, Morphine, Love is the Law, United Forces, Smell a Daisy, Allegratta, Hamburguer, Gingerale, Anette, Marshmallow, Bunch of Flowers, Cinderela, Antonine, Sepetiba, Anastasia Script, Alliance, Mustard, Superstar, Makeup, Flowers of Summer, Honeybe, Mirella, Fantastic (signage script), Inked Skin, Girls Got Rhythm, Dirty Queen, Ipanema, Antidote, Galaxie, Moving Star, Miraflor, Beredith, Allessa, Worldwide, Andorra, Single case, Carpenters, Monster Party (eerie font), Dontchastop, Love Strong, The Hills, Romantica, Attraction, Burning Heart (monoline script), Local Motion, Summer Daisy, Pumpkins, Space Jam, Sweet Movements, California Sun, Body & Soul, Choppers, Magical Waste, Over The Seas, Vegan Yummy, Glamour Girls, Flower Power, Quick Kiss, Star Light, Costa Rica, Nuclear Boots, Amore Mio, Lovely Summer, Roses Everywhere, Love Is The Antidote, Wisdom Words, Limousines, Mysteries of Passion, Moving Pictures, Blackberry Jam, Movie Poster, Beauty Mountains, Bunch Blossoms, Flora, Inked Angels (tattoo font), Loveland, Beautiful Lovers, Belle et Belle, Cherry Blossom, Let It Be, Casual Chance, Caranda, Aromabar, Capable of Loving, Miss Daisy, Mardi Gras, Last Frontier, Nouvelle Vague, Travel Light, Mind Rescue, Bella Fashion, Amarula, Sweet Easy, Indian Strength, Everlast, Megan, Hello Beauty, Vegan Style, Andaluzia, Ambar Pearl, New Era, Candice, Hometown, Sunrise Place, Lemon Jelly, Nature Beauty, Natural Beauty, Black Pearl, Tan Pumpkins, Acid Label II, Thrasher, Inked Babes, Ribbons in the wind, Calligraphy (inky), Amsterdam, Sweet Sixteen, Sunset Beach, Star King, Countryside, Crazy Love, Little Sister, Creature, House Queen, Dr Phibes (beatnik style), Moskitoes, Nirvana (script), Iceland, The Cure, Mr. Fink (beatnik style), Sea Balance, Hot Dog, Blow Up, Blow Me (crayon font), Sunrise, Joes Burguer, Splatted, Moonbeam, Tomatoes, Beautiful People, Hamsters, Vacations in Paradise, Lover Artefacts, School Days, Traffic, Campus (weathered athletics font), Universidad (weathered athletics font), Sundance, Siberian, Rich The Barber, Aurora, Dove of Peace, Clipper, The Quick Fox, Daisy Days, Dieselpower (grungy texture), Progress, Loud and Clear, Generator, Wannabees, Ripmonsters, Shity Chats, Death Before Chocolate, Karmacoma, Clever Couple, Astrovegan, Clarification, Breakfast on the beach, Graceland (signage script), Beauty Bright, Atlantida (letterpress grunge), Cassandra, Gene Loves Jezabel (brush), Great Cities, Crackerdown, Lost Ages, Bite Chocolate (script), Sunflowers (script), Mon Cherry (script), Lovely Day (heart font), Miracle Place, Ebony Eyes, Skywalker, Zabritzkyes, Black (grungy octagonal slab serif).
Fonts from 2017: Waiting a Silver Moon, Master of Comics, Millenia, Fantastic Reason (signage script), Varukers (dry brush), Awakening (grunge), Majestic (signage script, Emotional Rescue, Misstral, Elements, Alouette, Cure of Pain (ink splash type), Farenheight (octagonal), Peacemaker (upright retro script), Altavista (creamy script), Ananda (script), Alexandra (script), Paper Rib (script with paper rib outlines), Honeymoon (script), Gotcha (heavy headline type), Christmas Day (signage script), Clarice, Orange (signage script), Indiana (baseball script), Magnificent (blackletter), Sketching Summer (signage), September Five, Cross Town (weathered), Saturday Nights (signage script), Blessed (baseball script), Blobbers (baseball script), Jam Sessions, Moon Walker (dry brush), Drawing Nature, Sketching Stars, Lone Wolf, Cubika Script, Bonneville Co, Walk (wide wood type), Rio Black (counterless), Secret Agent, Trouble (blackletter), Trouble II (blackletter), Living Colours, Crystal, Sepia (letterpress poster font), Rainbow Bridge, Black Diamonds (signage script), Candy Shop, Enthrall (sharp-edged retro signage script), Movie Makers (script), Sunshine Boulevard, Black Napkins (grungy), Brush Stroke, Carolina Mountains, South Gardens, Calling Angels, Cherry Kisses (candy script), Messenger Pigeons (script), Shine, Carolina Hills, Shave The Whales (tattoo script), Diamonde (baseball script), Yananeska, Black Ball, Miss Hanna (signage script).
Fonts from 2016: Sweet Sensations, Breeze (brush script), Christmas Time (script), Propaganda Sight, Modern Stencil, Eyes Wide Open, Bella Donna, Safira Shine, Heaven Matters, Electricity (fifties script), Maccrap Asphalt (textured), Blockhead Dude (beatnik style), Weekend Flower Hunters, Sunset Clouds (tattoo script), Bikinis, Chedelparedon (scartchy font), Dattermatter (connected script), Granada-Blues (connected script), Mistery-Curse (connected script), Walking-Stones (calligraphic), Moderata, Spring Time (calligraphic), Desert Queen, Marriage Moment (wedding script), Angel Tears Neue, Germanika (blackletter), Great Day, Sunday Morning, Texas Tango (weathered Western font), Stenciled, Casablanca Noir, Brasileirinha, Carioca, Asphaltic Grain, Asphaltic Scratch, Nova Stamp (grungy), Bananas (brush script), Enjoy, Reminiscent Drive, Bananas (signage script), Mandela Script, Altamonte (baseball script), Landscape, Landscape Land, Old Type, Sedex, Good News, IA Type, Satisfaction (heavy creamy signage script), Sebastiana (baseball script), Urgh Type (grunge), Texas Tango (spurred Western font), Factory (textured), Rio Glamour (sans), Like (Italian style Western font), Heaven Gate (connected script), Colt (Western font).
Fonts from 2014: BackStab (metal band blackletter font), Strongbox (concave Western font), Goiabada, Bonesoup, Blanc Chateau (tattoo script), Botas Sujas (grungy letterpress font), Bigbobs (cartoon face), Yukathin N Conte Smile, Sambahollyc, Cherry Jam, Cacha (grunge), Rubber Stamp, Yukafont (hand-printed), Cabriolet (brush script), Sweet Correction Roth (tattoo script).
Fonts from 2011: Tabu, Caribbean Tool (roman caps face), Pijamas (hand-printed 3d outline face), Nova Solid (Nova Regular and Bold are from 2014), Chocolate Dealer, Happy Family (dingbats), Save The Mini, Tosca Zero (grunge), Epidemia (grunge), Skt and Destroy (grunge), High on fire, Manabu, Masterplan, Thrashline (multiline), Triumph Rewind, The Dreamer, Why, Uranium Mafia, Blessed Day, Caribbean Tool (floral caps face), Lost Winner, Dove Love (curly valentine's Day font), Safe Iodine (texture face), Easy Trouble, ArgelFont, BUTECO (sketch font), DIAMONDDUST, Dropping, Ink In The Meat (tattoo font), NORMAL, Popcorn (a great grunge hand-drawn Futura Black), POPCORNSKETCHSKETCH (a sketched face), ROCKETAIR, ShitHappens-Cursive. Panhead (grunge Western face).
Fonts made in 2010: Thrashline, Dotled (a fuzzy texture face), Refurbished, PUNKBABE, CANDYINC, GreenPillow, DIRTYBAGBOLDTRIAL, LEDLIGHT, MAJORGUILTY, Network Vampires, NEWESTTRIAL (Western face), VATOS, Billy Argel Font (calligraphic), ACIDLABEL, BeyondSky-trial, HURTMOLD, TOSCAZERO, TABU (grunge), EASY TROUBLE, BOMBFONT (puffy letters), BILLYARGELFONT (calligraphic), Soap Store (grunge), ANGELTEARS (calligraphic), BUTOXQUEEN-trial, ELECTRICHANDS (cursive hand), FLOWERFLOW-trial, HAPPYFAMILY-TRIAL, HEARTQUAKE (grunge), MSKITOKILLA (grunge), NIGHTSTALKER-TRIAL (grunge), RAINFOREST (handwriting with rough edges), ROADMOVIE, ROSE TATTOO (an outlined hand-printed beauty), TWINPINES (brush), WANNABEME (sketched), WEDDINGNIGHTMAREStrial (calligraphic), BEERNOTE, GREENMIND (grunge), PORNFASHION, MASTERPLAN (grunge), SNIPERSHOT.
Fonts from 2009: COOLECTOR, BODYHUNTER-Bold (grunge), CLUBHAUS-Bold (ultra black, mechanical/octagonal), MAKEMEALPHA (grunge), NewGardenLight, TRIUMPHREWIND (grunge), Nachos and TV, Oxidisaster, Helloween, Lemon Day Semibold (a sketch font), Tosca Zero, Outlaw (Western face), Gangland (scratchy brushy face), B Side (vertical stencil).
Fonts from 2008: Plastic Pill (fat art deco face), Bedspread Assassin, A Bite (grunge), Dirty and Classic (grunge calligraphy), Gas Mask (grunge stencil), PANHEAD (grungy Western billboard font), My Turtle, Cubiculo Gallery (created for the Cubiculo Gallery in Sao Paulo), Ginga (grunge calligraphic--think award-winning grunge!!!), Wallrider, TOY_SOLDIERS-Bold (grunge), Abite (grunge), ACIDLABEL, Bulldozer, Cheap Stealer, DONOTEXIST, HANGUP (3-d bouncy letters), HYERBA (Far West font), LAZYDAY (hand-printed outline caps face), LEDLIGHT, Mon Bijoux (ornamental), MANABU (futuristic), PEIXEFRITO, Positiv-A, Killed DJ (multiline grunge), Sniper (grunge), Black Oak (smudged face), ShAnKed,
Fonts from 2007: Olho de Boi (a great scratchy handwriting font inspired by the first Brazilian postage stamp which was released on August 1, 1843), Skull TS2 (skull dingbats), REBOARD, Hurtmold (rounded octagonal face), PDRPT (grunge), the Soma family (modern stencil), Caatinga (2006, artsy display face), Santos Dumont (handwriting: free at DaFont).
Bindustries Heavy Metal
Brian McFeely (Bindustries Heavy Metal) is a designer at Fontmonster who is based in Edinburgh. He made Aulden Times, Trident, Rustic Laminate, Unconform and Unconform Round (in which some letters are stenciled).
Swiss foundry that made several (typically Swiss) techno-sans families. Their worK:
Bionic Type Engineering (or: Bionic Systems)
Malte Haust (b. 1974, Kassel) studied graphic design at FH Duesseldorf from 1995 until 2002. With Doris Fürst, he founded Bionic Systems in 1999 in Duesseldorf, using the nicknames juici (for Doris) and dePhrag2.0 (for Malte).
At T26, he published Kernfusion, SynKro (2000, dot matrix font), Cyberwar (2000), Comsat (2000, a stencil family), Comsat Navy (2000), InterFacer (1998) and Doris Orange (2000, free at Maniackers).
Full font list in 2002: 01.MB Truth, Alphabot, BTEBioterminal family (by Malte Haus), Comsat, Comsat Navy, Comsat Breakdown, Cyberwar, Doris Orange, Interfacer, Kernfusion, Neo Tokio, SynKro, Team Riders, Technik, Überform.
Graphic design student in Kolding, Denmark, who created Ausfahrt (2012), an undernourished monoline stencil typeface that was inspired by the German Autobahn. The next day, he showed us the art deco beauty called Jazz (2012), ingeniously massaging in elements of music notation in the design. Barroom (2012) is a 3d art deco done for an imaginary jazz bar in Denmark.
Type foundry in Paris, est. 2016 by Jérémie Hornus, who is the design lead. Type designers associated with Black Foundry include Alisa Nowak and Ilya Naumoff. They initially bought the font collection of FontYou. Typefaces not included in the original FontYou collection:
Aceh, Indonesia-based designer of these sometimes eerie display typefaces in 2019: Neo Thomasy, Queen of Sahara, The Jungle, The Viper Stone (a vampire script with a monogram style), Droidlady, Soulring, Braxica Lily, Arch Diary, Avenomous, Oscar, Neptunes (octagonal, sci-fi, stencil).
Typefaces from 2021: Sweet Honey (a scrapbook script), Fathiyya Script (calligraphic), Atjeh Night (a lava lamp typeface), Holy Mordigan (cursive; with calligraphic undertones), The Stacy (an upright retro signage script), Arcandias Downtown (a decorative serif), The Florest (floriated caps). [Google] [MyFonts] [More] ⦿
Blue Typo is owned and run by Erendida Mancilla and Manolo Guerrero since 2000. Manolo Guerrero (San Luis Potosi, Mexico) is the Mexican creator of Deconstructa (2005, grunge), Hybrid Screen (2005), and Optica (2008, an opart or optical illusion texture face). Optica won an award at TDC2 2009 and a grand prize at Tipos Latinos 2010 (in the experimental type category) and can be bought at MyFonts under the Cocijotype label. Optica is a tribute to Colombian artist Omar Rayo's optical art.
FontStructions by him in 2009 include Block 02 (stencil). In 2009, he also made the experimental face MiniBlock (Cocijotype). In 2010, Sticky was published---it is an experimental brick face. Sonotipo (2016) is an experimental typeface co-designed with Alfonso Alba. It won an award at Tipos Latinos 2016.
BNF Type Foundry
BNF (or: Brave New Fonts) Type Foundry was established by Dogu Kaya as a collaborative venue for new designers in Istanbul in 2015. Its initial fonts, all free and made by Dogu Kaya, include Five Pixel (2011), Type02 (2015, constructivist), Type03 (2015, constructivist stencil), and Kollektif (2015, a free low-contrast geometric sans).
Dogu Kaya is a graphic designer in Istanbul, Turkey, who created Oh My Gosh (2011, fat octagonal), Fil (2011, sans display face), Five Pixel (free), Kasa (octagonal and monospaced, seemingly for computer programs), Rounded (a monospaced face), and Horoz Unicase in 2011. In 2015, he created the free geometric sans typeface family Kollektif.
Dave Farey's great essay on the history and implementations of Bodoni. All Bodoni typefaces published today have genetic material from Giambattista Bodoni's original. Below are various implementations:
Polish type designer, b. 1936. Designer at Mecanorma of Glowworm MN, a truly ugly oil slick type family that should be made illegal. He also made Globe 1, 2 and 6 (1979), a shadow font family, and Graph MN, a sans typeface. With Trumpian disregard for ethics, Monotype sells Glowworm without any mention of Zochowski or Mecanorma, and gives a date of 2016.
Editorial and graphic designer in Barcelona, b. 1990, who studied at Elisava in Barcelona (2008-2012), the Cooper Union in New York (2014) and the Typemedia program at KABK, class of 2016. In 2018, he joined the faculty in the Masters of Type Design program at Elisava in Barcelona.
He designed a macho poster headline face in 2012. His graduation typeface at KABK is Lanka. Lanka uses stencil effects in calligraphy, and is inspired by Francisco Palomares's book Arte nueva de escribir (1776). He produced several stencil and text styles for an attractive and highly original ensemble.
Bill Bogusky runs the design studio Bogusky 2 in Miami, together with his brother. He created Gonzo Bruno, Gonzo Monza and Gonzo Grosso (2007), Sundial (2006, Trajan lettering), Condo (2006, condensed), Ar Deco 1, 2, 3 and Deep (2006), Technia 1 and 2 (2006, athletic lettering or MICR applications), Sport (2006, dingbats), Macarena (2005: art deco), Zanzibar (2006: decorative), 42nd Street (2005: Broadway style lettering), Boffo (2005), Bronco Rose (2005, Wild West style), Decora (2005), Switchback (2005, a computerish face), Capzule (2005, a condensed black face), Tulip (2005, a decorated stencil face), Kondor (2005), Mah Jongg (2005, with many ornaments), Metro (2005, LCD face), Squircle (2005), Zeke (2005, artsy display font), Baby Blox (2005), Kurly (2005), Pipeline (2005), Dealer's Choice (2005), Stencille (2005), Terra, GogoBig and GogoSquat (were free at FontFreak site), Nouville (2006, art deco sans), Back Fence (2005, comic book face), Gogo Latin (2005, condensed), Zandakas (2006), Ameche Pisa (2005), Gogo Serif (2005), Bolo (2005), Hyline (2005), Compado (2005), Ameche Padua (2005), Tera (2005), Xtera (2005), Tudor New (2005), Boffo (2005), Byline (2005), Decora (2005), Quazar (2005), Grafo Graffiti (2005), Acid Bath (2005), Benz (2005), Hulk (2005). These fonts are now commercial and can be obtained at MyFonts.com. A graduate of the School of Industrial Arts in New York City, he worked as an industrial designer in New York before moving to Miami, FL, where he opened Studio Bogusky 2. Dixie Bogusky designed Esquimaux Graphics (2006). [Google] [MyFonts] [More] ⦿
Mads Wildgaard (Bold Decisions, Arnhem and now Amsterdam, The Netherlands) designs type. His typefaces include
Bold Monday is an independent font foundry established by Paul van der Laan and Pieter van Rosmalen and based in The Hague, The Netherlands. Pieter van Rosmalen (Eindhoven, The Netherlands) studied advertising and graphic design at Sint Lucas in Boxtel and graduated from the postgraduate Type & Media program at the Royal Academy of Art (KABK) in The Hague in 2002. He runs Bold Monday's Eindhoven office.
In 2018, Bold Monday joined The Type Network.
Pieter van Rosmalen has designed retail as well as custom typefaces for clients worldwide, such as NBC Universal, Audi AG, General Electric and KPN. One of Pieter's designs is used for street signs in South Korea. Pieter's retail typefaces in the Bold Monday catalog include
Bold Monday also has typefaces by other designers. In 2012, Bold Monday published the trompe l'oeuil typeface Macula (Jacques Le Bailly) which is based on designs by Oscar Reutersvärd. Oskar (2002-2013). They write: Oskar, designed by Paul van der Laan, is a typeface inspired by Dutch architectural and advertising lettering from the early 20th century. Particularly the style of lettering that was painted on walls and shopfronts, or executed in metal on buildings. This kind of typography did not exist as metal printing types, but was instead painted manually by sign painters, or drawn by architects. Initially the typeface was designed in 2002 for the lettering of a monumental school in The Hague, designed by architect Jan Duiker in 1929. In 2012, they published the trompe l'oeuil typeface Macula (Jacques Le Bailly) which is based on designs by Oscar Reutersvärd.
Further typefaces include Feisar (techno), Flex (sans), Naomi (1999) and Pixel Package.
GE Inspira Sans and Serif (Mike Abbink, Paul van der Laan and Pieter van Rosmalen, Bold Monday) won an award in the TDC 2015 Type Design competition.
In 2018, Pieter published the experimental pixel-inspired typeface family Alterego.
Typefaces from 2021: Stanley: Bold and broad-shouldered, Stanley is a poster typeface collection in three styles rooted in the first sans-serif designs of the 19th century---the grotesques. Stanley is available in Normal, Stencil, and Stencil Rough.
Pieter designed custom typefaces for worldwide clients amongst others Agis, Audi, Teldesign, KPN, The government of South Korea (road signing), The Ministry of Transport, Public Works and Water Management (OV Chipcard), USA Today (Futura Today, 2012, with Paul van der Laan), and NBC Universal. For Holland Festival in 2014, Paul van der Laan designed the stencil typeface HF Stencil (in collaboration with design studio Thonik, Amsterdam, and Diana Ovezea), a design inspired by Glaser Stencil.
Bold Studio (was: Studio BB)
Brad O. Nelson
Brain Eaters Font Co.
BrainEaters is Brad O. Nelson's font outfit in Salt Lake City, Utah (formerly in Orem, UT). Current fonts (mostly commercial, some free) include: BEBlob, BECROSS, Bingo Star, BubbleMan, DecayingAlternate, Decaying, EvilOfFrankenstein, PlasmaRain, SinsofRhonda, Witless, Blood Of Dracula (1.1), Blood Feast (1.1), Cat Women of the Moon, Cat Boxed, Channel Tuning, Demon Night (1.2), EddieFisher (1.4) (early 60's beatnik style sharp serif face), EddieFisher's Brothers (1.1), FrankenTOHO (1.1), H-Man (1.2), H-Man Part 2 (1.1), Keep on truckin (2003, psychedelic), Musicals (psychedelic), Psychatronic (2.0), Psychatronic Two Caps, Shiver (1.1), Spooky One (1.1), Stencil Gothic, Two-Face, Strange Planet, UmAbort, Old Witch, Sinister Urge, Haunted Hillbilly, Shiver, Sinbad 7, Trauma, Ghetto Dan, Burn in Hell, Unmanned Mission, Bloodytronic, A Weird Party (curly!), Amhole, BE Marker, Brain Invaders, Cat Women, KuntryHog&Joe, Matchbook, Space Immortalizer, BE Streetwalker, Butch Wax, Oh My Word, A Weird Party, Amhole, Prosy Script, Ramsesfuad, PsychTest, Circusized, Marker Money FW and CV (2005, an irregular hand), Witless (2008), Xerker, Robot Games, Space Blasterm Hyper Drive, Prosy Script, Ramsesfuad, PsychTest, Circusized, Space Immortalizer, Matchbook, Be Streetwilaker, Butch Wax, Oh My Word, Strange Planet, Um Abort, Mysterian, Old Witch, Sinister Urge.
Designer and illustrator at Hatch in San Francisco, who hails from Boerne, TX. His typefaces include Sasquatch (2011, a bilined custom face), and Milk (2011), a very thin slab face. He is working on the multiline typeface Hello (2011), and on the Victorian ornamental typeface San (2011). Flickr link. [Google] [More] ⦿
Icon and logo designer. Creator of two EPS format alphabets in 2010, Geomicons (dingbats) and Papercraft, a paper fold alphabet. Free downloads. Designer in 2008 at FontStruct of FuturaBLKish (Futura Stencil-inspired) and Gobul Arque (Bank Gothic style). [Google] [More] ⦿
Brian Jaramillo Harvey
Bric Type is a typography consultant company based in Brazil and The Netherlands, run by Yomar Augusto, who holds a BA in graphic design (University of Rio de Janeiro, 2000) and MA in type design (Type & Media at the Royal Academy of Art in The Hague, 2005). Personal URL. As a Brazilian graphic artist, he has been involved in two Rojo ArtStorm projects. Yomar lives in Rotterdam. At ATypI 2008 in St. Petersburg, he ran an experimental calligraphy workshop called Kalligraphos.
His typefaces include Den Dekker (2006), and the roundish liquid creations such as Virgem, Rejane, Liquida (2002) and Dizain. No downloads. More recent typefaces: Duin (2007, octagonal), REMF (2006, stencil), DC (2007, ultra-fat), Fake Human (2005, script), Jana (2006, unicase), War (2007, octagonal), Fuck Shit Up (2007, stencil), Charlie Dee (2002, hairline stencil), Marina Lima (2002), Lasagna (2008, Re-Type: a fat geometric poster family, produced with the help of Miguel Hernandez). In 2009-2010, he created the Adidas Unity typeface [images: i, ii, iii]. In 2011, he designed the multiline headline typeface Andoverpis. The Dog House Nike (2010) is a custom typeface for The Dog House Athlete center for runners in Amsterdam.
Bright Ideas Fonts
A foundry which made over 500 fonts, mostly in 1998-1999, and was located in Carlsbad, CA, where Gail Conwell edited their Bright Ideas Magazine at that time, and Rick Hutchinson is listed as one of the directors / managers / owners. Dafont link. Another URL. Font Squirrel link.
Typefaces in alphabetical order with a few additional fonts mentioned separately later: Abraham, Accumulation, Adderley, Aerosol, Akimbo, Alexander, Amadeus-Regular, Amadeus, Amadeuz, Anderson, Arkitex, Arthur, Ashley, Asphalt, Asphalt'Wicker', Avante, Aztecan, Backlit, Balcony, Banshee, Barbarian, Barnaby, Barney, Beanbag, Bender, Bicycle, Billie, BlackRose, Blanchard, Blazed, Blossom, Bodkin, Bogsley, Boingo, Bonham, Botica, Bradley, Braxton, Brittany, Brownie, Bubbly, Bullwinkle, Bumper, Bunker, Butterscotch, Cajalco, Camelot, Candles, CandlesChrome, Candy, Canterbury, Cappuccino, Capsule, Carbiner, Carousel, Carrington, Carson, Casanova, Catfish, Cathedral, Catnip, Cecily, Ceremony, Challenge, Chamberlain, Chance, Chantilly, Cheetah, Chilled, Chocolate, Chopstick, Chump, Conniption, Corrigan, Corrosion, Crawford, Cyborg, Daffodil, Dakota, Danferno, DantesInferno, Darcie, Daytona, Delineator, Dementia, Diamondhead, Donika, Donnah, Dribble, Einstein, Elizabeth, Energy, Espresso, EspressoBI, FabreseDemi, Fairytale, Fallbrooke, Fiancee, Fido, Fionah, Fontana, Fonture, Fortress, Framed, Frankie, Frazier, Freddy, Frederick, Frizbee, Funhouse, Futana, Gapetto, Gatsby, Gemini, Gershaw, Gobbledygook, Godfrey, Goliath, Gonzales, Gonzo, Gothica, Graphitti, Grasshopper, Grendel, Griffin, Groovy, Habibe, Hannah, Hansel, Haskel, Havisham, Hawthorne, Henderson, Hendrix, Higgins, Highland, Holmes, Horton, Humphry, Hutchinson, Incense, Independence, IndependencefromBrightIdeas, Interpret, Invisible, Jacinda, Jacoby, Jaddarack, Jagger, Jamboe, Jangazoo, Jeremy, Jigsaw, Jokester, Joplin, Joseph, Joshua, Jubilee, Junior, Kaboom, Kamden, Karissa, Katherine, Kaufman, Kayleigh, Kendra, Kennedy, Khaki, KhakiBold, KhakiBoldOblique, KhakiOblique, Khakiripp, Khakiwrink, Kilcher, Killian, Kincade, Kingdom, Kinison, Klinker, Komodo, Kramer, Kromeon, Kryski, Kurrajong, Kyanna, Labrador, Leallie, Leland, Licorice, Limousine, Lindsy, Liquitek, Lockleer, Lockwood, Londonderry, Loyalty, Machine, Maddox, Madman, Magazine, Magellan, Maggie, Magician, Majesty, Malachite, Malone, Mandolin, Margarita, Marilyn, Marley, Marmalade, Marquardt, Martin, Mascara, Masters, McMahon, Mckinsey, Mechanizm, Meddler, Michelle, Milano, Millenium, Moccasin, Mongrel, Monolyth, Monster, Montey, Montoya, Moonstar, Morgan, Morrison, Morteza, Moteefe, Muskrat, Mustard, Napkin, Neolite, Newlywed, Nirvana, Noodles, Nouveau, OldWood, Oliver, Omicron, Pajama, Palooza, Panache, Paperclip, Papercut, Parbuckle, Parkinson, Paschico, Patches, Patriot, Patton, Payton, Pebbles, Pegasus, Perkins, Phantom, Picante, Picasso, Pickles, Pigeon, Pinhead, Pirouette, Platinum, Poodle, Pugsly, Quantum, Quentin, Radford, Ragetta, Ramirez, Rampart, Ramsey, Rapunzel, Rathskeller, Ravage, Ravish, Razor, Rebecca, Recess, Rediculous, Reefrash, Remeus, Revenge, Rhackoon, Rhodes, Ricksha, Riesling, Rockafella, Rockford, Rockola, Romance, Romulus, Rookie, Rutger, Ruxton, SMCChicago, SMCHollywood, SMCMiami, SMCMonteCarlo, SMCPhoenix, Sabien, Sampson, Samurai, Sangrial, Sapphire, Sapporo, Sawyer, Scarab, Scarlet, Scirocco, Scorpio, Scratch, Scrubblack, Scrubbold, Scrubcle, Scrublight, Sebastian, Seymour, Shakah, Shardee, Sheela, Skatty, Sketcher, Skyline, Skywalker, Snoozie, Snowboard, Squared, Stacker, Starsky, Stencil, Stencilla, Stiltskin, Sublime, Sundance, Surkle, Surrender, Swashed, Swingreg., Tagger, Tamarin, Tamborine, Tanner, Tantrum, Tarzana, Taylor, Teriyaki, Thompson, Thrash, Thrust, Tiddwell, Trapeze, Trident, Trinket, TrujillietXtra, Tuolumne, Twinkle, Tybette, Urbana, Vargas, Ventolin, Ventura, Vitrono, Vulmere, Waynne, Weiland, Whitney, Windsong, Winslow, Winton, Wonton, Wookie, Zargon, Ziggie.
Additional fonts not in the list above: Andrew, Boogie, Fracas, Mandrel, Sinclair, Tuxedo, Varsity.
In a 2003 project organized by Jim Richardson of Union Fonts and Max Kisman of Holland Fonts, several typographers are creating and selling their work on a CD for a charitable organization that helps AIDS orphans in Africa. The designers: Jason Arber, Jorge Alderete, Neville Brody (Peace+Love), Lotta Bruhn, Buro Destruct (BDBillDing and BDBillDingLong), David Carson, Cuban Council, Joshua Davis, Fontomas/Dirk Uhlenbrock (Digitalis, DigitalisBold, Kombi, KombiItalic, Oggi), Stephen Kane, Richard Kegler, Max Kisman (the Bfribat and Bfrika families, MundengeRock), Jim Richardson, David Luscombe (Mutenagen), Underware.nl, YouWorkForThem (RiblahBold, RiblahLight, RiblahRegular), John Hersey (helped with the Christmas dingbat font), Erik Spiekermann (helped with the Christmas dingbat face), Sacred Nipple (Brode Vosloo designed Afrodisiac, IAlfabhethi, IZulu, IZuluOutline, MrCVJoint, PleineStr, Rural (a stencil face), the ShoeRepairs family, StarSalon), Thirstype, Claudio Piccinini, Providence Type (Jack Armstrong), Stefan Gandl/Neubau Berlin (NBBlock, NBFett), Marcus McCallion/UNDT (ProfitofDoomLozenge, ProfitofDoomPills. ProfitofDoomSuppository), Pierre Di Sciullo (Aligourane in these weights: Contour, Noir, Orner, Leger and Etroit; Amanar in these weights: Condense, Decor, Demigras, Noir), Neil Summerour (TrussLight, TrussLightOblique, Identikal (B4Plain), P22 (P22 Snowflakes). Many helped providing dings for the Chrimbobat Xmas dingbat font. In 2005, they are publishing a special Tsunami edition of their magazine. [Google] [More] ⦿
Design coopertive in London. They created the brass stencil typeface Frank in 2015, and published it at Milieu Grotesque: Frank is a limited edition typeface designed by Bunch and Alberto Hernandez. It was created especially for the rebranding of Cerovski, a print production studio, in 2013, then developed into a commercial full character set by Milieu Grotesque. [Google] [More] ⦿
In 2020, he released Afire (a thorny sans family).
Bureau 205 (was: Trafik)
Damien Gautier (b. 1971) studied typography in the Atelier de création typographique at l'Ecole Estienne, Paris. He co-founded Trafik, a type studio in Lyon. More recently, his fonts are distributed via 205 Corp and 205 TF, which he founded. He also teaches graphic design at Ecole Nationale Supérieure des beaux-arts de Lyon. He runs the publishing house Editions deux-cent-cinq which publishes books on graphic design and typography.
At Typotek, he designed LeQuincaillerie (fifties font, 2000), LeMenuiserie (2000), LeConfiserie (2000, an electronic panel font), LeConfiserie Couleur, L'ekran Dix (a pixel font), LeBoucherie-Ornament (2000), LeBeaune (1995-2011, a flared roman lettering typeface created at first for the town of Beaune in Burgundy), Alcala (1994).
For Salomon (the ski company brand font), Damien Gautier received a Trophée d'Or nomination at the Integraphic Congress in Paris in 2003.
MyFonts, where his foundry is called Trafik, and then Damien Gautier, then "205", Editions 205, and finally Bureau 205, sells these typefaces: Colonel (stencil), Laikran (pixel family), Le Bazar, Le Beaune, Le Chaufferie, Le Confiserie, Le Confiserie Couleur, Le Gendarmerie, Le Menuiserie, Le Quincaillerie, Pam (2005, counterless), Plaak (2013-2014, a large sans caps family inspired by French street name signs; co-designed with Olivier Raimbaud and Corentin Noyer), Robin (2010, a dingbat typeface with arrows, co-designed with Delphine Sigonney). In 2010, Gautier created Caporal (an elegant clean stencil face), Le Francois (a set of stylish capitals).
In 2009, Damien Gautier designed Bloo (a wedge-serifed typeface). Salomon is a corporate typeface family.
Typefaces of Damien Gautier and Quentin Margat in 2010: Amiral (cargo stencil), Alcala (started in 1994, finished in 2010, this text family is based on renaissance forms and was used to print a Bible).
With Quentin Margat, he created some typefaces in 2011 such as Maax (an information design sans family), Norr (styles include a didone, a slab serif, and two sanses), Colonel, and Beretta (dot matrix family).
In 2019, he published Plaax as an extension of Plaak. Subfamilies include Sathonay (super-condensed), Griffo, Pradel, Terme, Foch and Ney, from super-condensed to wide.
In 2021, Damien Gautier published the experimental sans typeface Heliuum in which letters can have different baseline heights.
Burghal Design (Tujunga, CA) offers commercial "fonts for the complacent middle class" by Kate Peters (b. California, 1964). She describes herself as a former punk rock photographer, model, photo assistant and Jesus of the Week, who began designing fonts in 1998 as an alternative, drug-free therapy for obsessive compulsive disorder.
A partial list of her fonts: Vamp Trilogy, PsychoVamp, Monkeywrench, Vamp (great!), Stemplate, Prick, BabyDoll (curly letters), Fauntleroy (2007, based on BabyDoll), Crania (2003, the ultimate skulls dingbat font), Graffiti Alphabet Letters (with Leslie Cabarga, based on letters found on New York City's walls), Peace (2003, peace symbol embedded in the letters; an anti-Iraq war tribute; see also here), SissyBoy (curly letters), Neutrinos, Hemingway's Shotgun (1999, hand-printed), Huevo Loco (neat!), Crosshair (1999, phenomenal idea), Burgbats, Burghal Babies, SissyBoy (2001, Bitstream), Stemplate (2001, Burghal, a stencil font), Smarty Pants (+ Bold, Super Bold, Doodles, Snowflakes, made in 2004).
burodestruct (or: Typedifferent.com)
Lorenz Lopetz Gianfreda's foundry in Bern, Switzerland, est. 1994, called Burodestruct and Typedifferent.com.
Free fonts include(d) the gorgeous GalaQuadra (by Angela Pestalozzi, 1999), Eject Katakana (1998), Dippex (1995, grunge font), Ticket (1995), Rocket 70 (1996), Ratterbit (1995, pixel font), Plakatbau (1995), Lodel Fizler (1996), Flossy (1995), Faxer (1995), Console Remix (1998), Cravt (1998, by "Katrin"), Stereotype (1998, by M. Brunner), Brockelmann (1995, free), Kristallo (1997, very original display face) and Billiet (1996).
Other fonts: Acidboyz (1998), Alustar (1999), BD Asciimax (1999, ascii art font), BD Billding, Bdr_mono (1999), Brick (1996, like Kalendar), Cluster (1996), Console (1997), Doomed (1998), Eject (1998), Electrobazar (1995), Elside (1995), Globus (1996), Fazer (1996), Lofi (1997), Medled (1995), Paccer (1995), Solaris (1998), Spicyfruits_brush_rmx (1998, a nice high-contrast face), Spicyfruits_rmx, Wurst (free, by Heiwid, 2000), Relaunch (2000), Relaunch Katakana (2000, free), Rainbow (2000), DeLaFrance (2000, free, by Heiwid), Electronic Plastic (2000), Colonius (2001), Cash (2001), Cashbox (2001), Bilding (2001), Meter (2001), Mustang (2001), Bankwell (2001), BD Alm (2001), Balduin (2001), Tatami (2001, oriental look font), Hexades (2001, free), Nippori (2002, techno), Jura (2002), Bonbon (2002, free), Band (2002, free), Navyseals (2002, kitchen tile font), Ritmic (2002), BDR Mono (1999, OCR-like font), Mann (2003, ultra fat stencil), Aroma (2003), Zenith (2003), Nebraska (2003), BD Equipment (2004), BD El Autobus (2004), BD Unexpected (2004), BD Wakarimasu (2004, free kana face), BD Bernebeats (2004, futuristic), BD Deckard (2004), BD Spinner (2004), BD Victoria (2004), BD Designer (2004), BD Kalinka (2005, a curly ultra-fat display face), BD Equipment (2004), BD El Autobus (2004), BD Unexpected (2004), BD Varicolor (2005, stencil), BD Chantilly (2005), BD Memory (2005), BD Emerald (2005, beveled), BD Kalinka (2005, Cyrillic simulation), BD Extrwurst (2005), BD Aquatico (2005), BD Mandarin (2005), BD Polo (2005), BD Beans (2005), BD Tiny (2005, pixel face), BD Times New Digital (2006), BD Panzer (2006), BD Jupiter, BD Jupiter Stencil (2006), BD Pipe (2006), BDR Mono 2006 (2006), BD Fimo Outline (2007, free, by Nathalie Birkle), BD Bermuda (2007, experimental and geometric), BD Smoker (2007, psychedelic), BD Radiogram (2007), BD Mother (2007, exaggerated black Egyptian), BD Fimo Regular (2007, free), BD Demon (2007), BD Reithalle (2007, free), BD Halfpipe (2007, free), BD Broadband (2008, free; not to be confused with the much older fonts BroadbandICG or FLOP Design's Broadband), BD Viewmaster and BD Viewmaster Neon (2008), BD Electrobazaar (2008), BD Motra (2008, stencil), BD Virtual (2008), BD Spacy 125 (2008), BD AsciiMax, BD ElAutobus (2004), BD Equipment (2004), BD Ramen (2003), BD Retrocentric (2009), BDR A3MIK (2009, virile Latin and Cyrillic slab), BD HitBit (2009), BD Unicorse (2010, unicase and techno), BD Telegraph (2011), BD Schablone (2012, stencil face), BD Pankow (2013, stencil), BD Algebra (2014), BD Hiragana Kuro (2014), BD Qualle (2014, a fat poster typeface), BD Tribler (2015, a tribal font).
Alphabetical listing of their pre-2015 free typefaces: Algebra, Alm, Apotheke, AsciiMax, Baldrian, Band, Bankwell, Bardust, Beans, Billding, Billiet, Bonbon, Brockelmann, Burner, Cash, Cashbox, Chantilly, Circo, Console, Console Remix, Cravt, Delafrance, Designer, Destination, Dippex, Eject Katakana, ElAutobus, Elmax, Elside, Equipment, Faxer, Fazer, Fimo, Flossy, Fluke, Galaquadra, Geminis, Halfpipe, Hexades, Hiragana Kuro, Jayn Fonta, Kristallo, Lodelfizler, Lofi, Medled, Meter, Mustang, Outline, Paccer, Pipe, Plakatbau, Plankton, Polo, Ragout, Ramen, Ratterbit, Reithalle, Relaunch, Relaunch Ktna, Rocket70, Sirca, Sirca Rmx, Solaris, Spacy125, Spicyfruits, Spinner, Stella, Stencler, Stereotype, Ticket, Times New Digital, TinyFont, Tribler, Unfold, Wakarimasu.
Alphabetical listing of their pre-2015 commercial typefaces: A3mik, Acidboyz, Alustar, Aquatico, Aroma, Balduin, BDR Mono 2006, Bermuda, Bernebeats, Breakbeat, Brick, Broadband, Calamares, Central, Cluster (Corporate), Colonius, Deckard, Demon, Discount, Doomed, Edding850, Eject, Electrobazar 2008, Electronicplastic, Elk, Emerald, Endless, Extrawurst, Fontabello, Globus, Good Wood, Hell, Hitbit, Jupiter, Jura, Kalinka, Kameron, Kinski, Las Palmas, Mandarin, Mann, Memory, Mother, Motra, Naranino (2012: a children;s script), Navyseals, Nebraska, Nippori, Nokio, Orlando, Pankow, Panzer, Qualle, Radiogram, Rainbow, Retrocentric, Ritmic, Robotron, Schablone, Showlong, Smoker, St.Moritz, Stalker, Stonehenge, Sweethome, Tatami, Telegraph, Unexpected, Unicorse, Varicolor, Victoria, Viewmaster, Virtual, Wotka, Wurst, Wurst Directors Cut, Zenith.
In 2015, Gianfreda designed BD Barbeaux (a condensed typeface with the fashionable chic of the French art nouveau or film noir).
Typefaces from 2016: BD Kickrom Mono (LED emulation type).
Typefaces from 2018: BD Westwork.
Bülent Yüksel (was: World of the Fonts)
Bülent Yüksel (b. 1973 or 1974, Istanbul) is a graphic designer, illustrator and painter, who graduated from Anadolu University, and started working in 1996 as art director at Sabah Newspaper. His first font was Formetic (2013). In 2014, he created the wavy typeface Cansum Hand, the modular techno typeface Formetic, and the slab serif typeface Finalist Round Slab.
In 2015, he published the connected script typeface Yasemin.
Typefaces from 2017: Sympathetic Font (textured typeface family in 48 styles).
Typefaces from 2020: Istanbul Type (a decorative high-contrast sans family), Trakya Rounded, Trakya Sans, Trakya Slab, Cryptocurrency (a dingbat font with the logos of over 200 block chain / bitcoin logos), Perspective Sans (a layerable 3d typeface family).
Brand and digital design agency in Coimbra, Portugal, est. 2005. Behance link. In 2015, they published the semi-stencil bilined typeface Nomada (by Bruno Rodrigues), and a set of icons called Building Pictogram. Behance link. [Google] [More] ⦿
Cabrera Typo in Ciudad Valles, Mexico, is the experimental free font outfit of graphic designer Alejandro Cabrera Avila, b. 1970. Creator of CT Pro Lamina (2009, heavy octagonal fare) and CT Aztech (2008, pixel face). Dafont page. All his fonts have been made with FontStruct, where he is known as superhuasteco. Ring (2010) is a lucha libre poster font. Creator in 2008 of aztech (pixel face). Aka superhuasteco. In 2009, he added Pro Lamina (bold octagonal), Pro Lamina 2 (a stencil version), Pro Lamina Segmentada (stencil), Pro Lamina Stencil, Huaxteca (pixel), Texteca (pixel face), Kroma (sturdy), Kromix (+Black), and the Kromos family (Franklin Gothic style). In 2010, he created the lucha libre poster font Ring, and the pixel typefaces Pro Lamina TNR Pix, Jorongo, Aztechno, Aztech and Yarda Px. The squarish condensed typeface Pole was added in 2011.
Dan Haag-based Dutch foundry, est. 2004 by Pieter van Rosmalen, who before that designed fonts for GarageFonts and Typotheque. He studied design and advertising at Sint Lucas in Boxtel (The Netherlands) and type design and typography at the postgratuate course Type & Media at the Royal Academy of Arts in The Hague (The Netherlands). For the CakeType library he designed CKTP Alterego, CKTP Capibara Classic, CKTP Capone (6-weight grotesque), and CKTP Pixie. Cake Type is involved in custom and commercial typefaces. Emma is a custom family. Dutchman (b. Eindhoven, 1969, living in Den Haag) Pieter van Rosmalen's fonts are mostly of the pixel type and are sold at Garagefonts: Ministeck (2000, pixel font), Dotted Weekend (1999), Get Back (1999), Martian Telex (1999, dotted pixel font), Monster Droppings (1999), Naomi (1999, hand-printed), Nice Weekend (1999), Novella (1998-1999, rounded octagonal face), Porno (1999), Thomas (2000), Rough Weekend (1999), Adore (thin typewriter font), First Street Left, Moved, Passenger (pixel font), Rebel Mono (2000), Shop (arcade game pixel font), Underscore (stitch pixel font), Archive (2000), Ravensburger (2000), Rebel (2000), Adore (2001), FirstStreetLeft (2001), Moved (2001), Passenger (2001), Shop (2001), Underscore (2001), Weekend Web (2002), Archive (2003), Capibara (2003), Melvin (2003), Epos (2003). At Phil's Fonts, Alter Ego, Capone, Capone Poster (stencil), Galaxy and Pixie (+Mono, Narrow, Script), all made in 2005. In 2008, van Rosmalen made Nitti (monospaced; followed in 2009 by Nitti Typewriter), Panno (sans) and Pinup (fat rounded sans). In 2009, they published the non-connected hand-printed Aniek. In 2009, he and Paul van der Laan created Audi Type (via MetaDesign), which replaces the old Univers-based Audi Sans.
Based in Steenvoorde, France. Designer of the free font KM Standard TT (2014, OFL) during a course at ERG in Brussels. This typeface is based on Alexey Kryukov's Old Standard TT (2006-2008). It is a bold didone family for Latin, Cyrillic and Greek with small stencil cuts in the Latin section.
Foundry in Canada, est. 2004 by Rebecca Alaccari in Toronto, and run by her and Patrick Griffin. Interview with Rebecca. Her typefaces can be bought via MyFonts: Storyville (2015, a curly script), Centennial Script (2007, a revival of an 1874-1876 high-contrast calligraphic script by Hermann Ihlenburg), Valet (2006, superb art deco face), Freco (2006, an art deco typeface loosely based on designs and letters of Fré Cohen), Silk Script (2006, based on 1956 Helmut Matheis script called Primadonna), Dominion (2006, based on an early 1970s film type called Lampoon), Johnny (2006, an art nouveau poster typeface that revives the Harem/Margit typeface by Phil Martin, 1969), Guillotine (2007), Mayfair (2006, a calligraphic typeface based on Mayfair Cursive by Middleton, 1932), Happy Birthday (2006, script), Geronimo (2005, brush style poster font), Rostrum (2005, a revival and expansion of a type called Oleander, designed in 1938 by Julius Kirn for the Genzsch&Heyse foundry in Hamburg), Apricot (2005; based on A.R. Bosco's Romany for ATF, 1934, but a major extension with many ligatures), Heathen (2005), Cougar (2004, a digital version of Martin Wilke's 1968 handwriting typeface Konzept), Puma (2004, brush typeface based on Herbert Thannhaeuser's 1954 Kurier), Big Brush (brush), Diva (connected script), Odette (a high ascender display typeface after the Morris Fuller Benton 1918 American classic, Announcement Roman), Crucifix (2004, a severe octagonal face), Fore (2004, a bullethole face), Formula, Gamer (2004), Formula (2004), Kofi, Platoon (2004, a stencil face), Verso (2004), Secret Scrypt (2004, a handwriting face), Bluebeard (2004, blackletter by Patrick Griffin), Bolero (2004), Janice (2004, psychedelic), Jimi (2004, also psychedelic), Scroll (2004), Dominique (2004, upright script), Moxie (2004, a fat display family which includes a stencil), StockA (2004), StockB (2004, a fat stencil face), Stalker (2004, a destructionist face), Scroll (2004), Jonah (2005, a hippie typeface based on an early 1970s film type from Franklin Photolettering called Urban). MyFonts page. Phil Rutter and Patrick Griffin made Coffee Script (2004), the digital version of R. Middleton's Wave design for the Ludlow foundry, circa 1962. Phil Rutter and Rebecca Alaccari designed Almanac (2004), a script typeface based on Imre Reiner's London Script (1957) (and Rebecca did a subsequent redigitization in 2007 that led to Reiner Hand), Tiger Script (2004, based on Georg Trump's wild brush script Jaguar done in 1967 for C. E. Weber), and Ali Baba (2004), an Arabic simulation typeface originally designed by Georg Trump as Palomba (1955, C.E. Weber foundry). Patrick Griffin made Leather (2005, after Imre Reiner's 1933 blackletter face), Secret Scrypt (2005), Skullbats (2005), Slang (2004, a blood scratch face), Bluebeard (2004), Expo (2004, an octagonal family), and Dancebats (2004). Simone Wilkie designed Boyscout (2004) after the handwriting of her son. Helmut Matheis' Contact (1963, flowing script/brush) was digitized by Rebecca in 2004 as Bruschetta. Rebecca also made Steiner Special (2007, a revival of Swing, a film type by Peter Steiner, 1974), Genesis (2007, a digitization and extension of Grayda, a 1939 calligraphic script of Frank H. Riley at ATF), Evolver (2006, futuristic family), Redwood (2007, a calligraphic script based on Willard T. Sniffin's Raleigh Cursive (1929, ATF)), Orotund (2005, after the 1970s typeface Eight Ball; this was extended again in 2006 in her art nouveau typeface Huckleberry, which is a revival of the 1973 typeface of Gustav Jaeger called Mark Twain), Pendulum (2005, a fantastic flowing script based on Nebiolo's Americana, 1945), Jojo (2005, a flower child typeface after Spring, by Bernard Jacquet), Mascara (2004), Gala (2004, after Neon (1935, Giulio da Milano at Nebiolo)) and Bella Donna (2004, after a script made by Alessandro Butti in 1948, called Rondine).
Typefaces made in 2005: Jazz Gothic (Patrick Griffin), Showboat, Hunter (a revival of Imre Reiner's brush script Mustang, 1956), Quanta (stencil), Quiller (a script typeface based on J.J. Sierke's 1964 typeface Privat), Rhino (revival of Mobil, a 1960 typeface by Helmut Matheis for Ludwig&Mayer), Dominique (donated to FontAid), Secret Scrypt (donated to FontAid), Jackpot (2005, Western typeface remotely based on Cooper Playbill which in turn is related to Cooper Black, but it also has hippy 1968 influences), Sincerely (handwriting typeface based on Karlgeorg Hoefer's 1968 Elegance), Fontella (a digitization of Novarese's calligraphic script Elite), Boondock (digitization of Imre Reiner's Bazaar from 1956), Gumball (digitization of Papageno, a 1958 bubblegum font by Richard Weber for Bauer), Runway, Gamer, Dominique (OpenType handwriting face), Sterling Script (2005, by Alaccari and Griffin: a 7-weight digitization and extension of Stephenson Blake's 1952 clean copperplate script Youthline Script), Vox (2007, a 24-style monoline sans family done with Patrick Griffin), Vox Round (2013, a softer version), Swan Song (2006: a calligraphic typeface based on the hand of Alexander Nesbitt. A later document states that it is based on work by British artist Rachel Yallop from 1986), Evolver (2006, a 4-style futuristic family), Ambassador Script (2007, an Alaccari-Griffin revival of the angle-reduced calligraphic script Juliet by Nebiolo, 1955).
In 2005, Philip Bouwsma joined Canada Type, and designed a great calligraphic blackletter-inspired family, Torquemada. He designed many other typefaces for Canada Type in subsequent years.
VIP (2007, Rebeca Alaccari) is a humanist sans serif uppercase (and figures) combined with a freshly redrawn revival of the classic VGC Constanze initials originally designed by Harry Brodjian in 1970, and even further back, the Constanze Initials by Joachim Romann (1954-1956, Stempel). Chopper (2007, by Rebecca Alaccari) is a revival of Venture (a 1972 typeface for VGC by Harry Villhardt). Walter (2007, Rebecca Alaccari) is a digitization of Heritage (1952, ATF, a calligraphic script by Walter H. McKay). Celebrity (2007, Rebecca Alaccari) revives and extends the retro/techno typeface Latus (Willy Wirtz, 1971). Sympathique (2008, Alaccari) is an ultra-thin and ultra-tall typeface in the mold of Bernhard Fashion and other era poster or film typefaces (they say that it is rooted in the film typefaces Hairstreak and Mossman). Mullen Hand (2008) is a revival of Repro Script (1953, Jerry Mullen, ATF).
In 2020, they released the variable informal sans typeface Bananas: Bananas was sourced from multiple American film era faces, all from 1950s and 1960s, when the casual sans genre was at its popular peak. Headliners' Catalina and its very similar cousin, Letter Graphics' Carmel, served as initial study points.
Andrew Fitzsimon of Canonical Ltd created the font used in the logo of Ubuntu called Ubuntu-Title in 2005. Free download of this VAG Round type font. Free software supporter who created the spray-paint font Road Stencil (2008) as part of the Open Font Library. Open Font Library link. Font Squirrel link. [Google] [More] ⦿
Caoca Studio (or: Heroglyphs)
Bandung, Indonesia-based type designer.
Typefaces from 2020: Winter Holidays.
Typefaces from 2018: Adabame, Uniquely, Sunfday Hawaii, Summer Seas, Pool Party (monoline), The Lettering Font, The Great Circus, Brain Wash, Parents Greet, Monday Lovers (athletic lettering), Moms Note (hand-crafted), Meidy, Maldisa, Historia, Laborations (sans stencil), Magic Trick, Kajika, Little Edelweiss, Hello Alpha, Hairmusk (brush), Gallerina, Father and Son (sans), Summer Peach, The Patriot (all caps sans), Vaganza (spurred), The Harison, Twigs (brush script), Valery (vintage), Torberta (spurred), Sants (squarish sans), Out Hill, Super Slayers, Sun Street, Summery, Summer Nude, Retros, Keripik (fat marker font), LaVonn (sans), Happy Valentine's Day (dingbats), Valentine's Edition Dingbats, Irish Green, The Stoothgart, Tying The Knot, San Barley (horizontally hatched), Easton (monoline sans), Pop Fist (condensed sans), Oracles (all caps sans), Pandoura, Popera, Loverstruck.
Typefaces from 2017: Right Brush, Spooky Tricks (halloween font), Treasure Script, Summer Joy, Brave Hearted (outline font), Father And Son, Super Slayers, Earth and Sky, Almondia, Hello People (comic book script), Northern, Looking, Parents Greet, Baker Sweet, Avocados.
Typefaces from 2016: Ineffable (regular and grunge), Saqanone, Salmonberry, Huckleberries, Mongli (a sharp-edged sans), Retros (inline), Andrade (brush style), Amecas (squarish), Queenata (signage script), Ranania (script), Paradise (calligraphic), Valery, The Mastiff, Little Edelweiss (curly informal typeface), Loverstruck, Calamandria, Pulsate (stencil), Peanut, Sedalia (brush script), Delaboean, Rhapsody (blackletter), Chiqarine (connected script), Berretti (a Broadway style art deco typeface), Cupello Sons (a geometric serif), Quella (brush script), Hello Alpha, Historia, Desmosedici. In 2014, during her studies in Bandung, Indonesia, Olivia Theresa created the frilly ornamental caps typeface Sambasa (2014), which was designed on a Georgia skeleton.
List of typefaces made before 2005: CIA, Cosmo-Pluto, Cosmo-Saturn, Elvis in Stereo, Moskow Has A Plan, Dr. No, Play-Real, Play-Roman, Play-Script, Play-Dynamic, Play-Wild, Sensuell, Viva Las Vegas. Free fonts: Address Unknown (Raymond Breukelmans), CA Traktor, CA Aircona, Aircona Shadow, Aircona Fill, No Dr. Tall, KissKissBangBang, GingerMint, Stardust, Texas Funeral, Strongman, Aires, Alternative3, AfterMidnightSaleJunk, Koenigsbrueck. In 2004, they designed CA Spy Royal (Thomas Schostok). CA Magic Hour (Stefan Claudius: a speed emulation font), CA Geheimagent (Stefan Claudius), CA Trasher (Thomas Schostok), CA No Dr. (Thomas Schostok), CA Prologue (Stefan Claudius).
In 2005, they published CA Magic Hour Shadow (free font by Stefan Claudius), and CA Zaracusa (a sans by Stefan Claudius). Still in 2005, we have new free fonts by Stefanie Koerner: CA Dater, CA Fusion, and CA Scribb. The commercial fonts of 2005 include CA BND, CA Wolkenfluff (a creamy sans with a stencil, a gloss (bubblegum), and a trash style), CA Emeralda (a script face), CA Blitzkrieg pop, CA 12C13C, CA Monodon (+Ultra), and CA Pussy Galore.
In 2006, they added CA After Midnight Sale (free, by Schostok), CA Boiled Beef (free), C.I.A. (original design from 1999 by Thomas Schostok), Dekoria (a saloon font by Stefan Claudius), CA Subbacultcha (dingbats) and CA Zaracusa (a sans family by Stefan Claudius).
In 2007, CAPartyRebel, CARebelParty (both comic book style fonts), CA BND Trash (grunge), CA Kink (Thomas Schostok), CA Uruguay (Thomas Schostok, a lettering for a revolution with huge ink traps), CA Coronado, CA Plushy (free brush script by Stefan Claudius) and CA Fragile were added.
The harvest from 2009: CA Cula, CA Cula Superfat, CA Gothique Superfat, the grunge pack (including CA Nars 1,2,3,X, CA Trasher), CA Misfit (by Stefanie Koerner).
Fonts from 2010: CA Normal (grotesque sans, Stefan Claudius), CA Sivle (Elvis backwards: a grunge look, but made based on circular and rectangular overlaid grids; free).
Fonts from 2011: CA Normal Serif (by Stefan Claudius).
Fonts from 2013: CA Postal (Stefan Claudius).
Typefaces from 2016: CA Fourty Open (blackboard bold style).
Typefaces from 2017: CA Coronado (a painted layerable all caps poster typeface with western influences), CA Negroni (a layered typeface by Stefan Claudius based on hand-drawn logotypes from the early part of the 20th century by artists such as Wilhelm Deffke (1887-1950)).
Barcelona-based graphic designer. Creator of the Baille simulation typeface called Braille (1999, Garcia Fonts), the child's handwriting typeface Loreakop (1995, Garcia Fonts) and the funky display typeface Calypso (1997). Uses the artistic alias Txarly Brown. He also made the Kafkaesque caps typeface Vertigo (1996, Garcia Fonts), the stunning stencil typeface Floridax (1997) and the oriental simulation font NinjaType (1995, Garcia Fonts). [Google] [More] ⦿
Palma de Mallorca, Spain-based designer of the text typeface Thoreau (2015) and the piano key Bauhaus stencil typeface Gehape (2015). In 2016, he designed the sans typeface Palo. Behance link. Home page. [Google] [More] ⦿
Carlos Fabián Camargo Guerrero
Venezuelan graphic and type designer (b. San Cristóbal, Estado Táchira, Venezuela, 1977). He studied Graphic Design between 1995 and 1998 in the Instituto Universitario de Tecnología Antonio José de Sucre (IUTAJS) Extensión Mérida, Venezuela. He runs the design studio Andinistas in Bogotá, Colombia, which he set up in 1998 with a few others. Creator of the beautiful typeface Cazon (1999-2007, a grunge script in 7 styles that includes Gris, Negra, Uno, Dos, Tres, Dingbats A and B) and of Escuadra (2003), Biologia (2003), Denedo (2003; the discussion by typophiles centers around how interesting this 3d font is experimentally---a bit like the type version of M.C. Escher's drawings, full of impossibilities), Modelia (2006), Nikona and Nikona Dual (2006, octagonal, with Rafael Rincón), Avecedario, Btamax (1999-2008, comic book style and grunge), Día D, Nativa, Codiga Icons (dingbats), Codiga (1999-2007, an 8-style octagonal family including Codiga Stencil and Codiga Dingbats), Codiga Pura (octagonal face), Pepelepu, Gancho petare, Guerrilla, and Hirofórmica (grunge). His calligraphic script family Panamericana (2007) comes in many grungy and experimental flavors: Blanca, Gris, Negra, Uno, Dos, Tres, Cuatro, Cinco, Seis and Dingbats. With María Angélica Estrada Cano, he designed the hand-drawn font families Makika (2007) and Lita (2007; in five styles---Gris, Negra, Humo, Molis, and Dingbats). His blog. In the area of combat-ready explosion-inspired letters and dingbats, check his eight-weight family Hiroformica (2007, Andinistas; for a free version, see DaFont). In 2007, he created the calligraphic grunge family Rosadelia, and the grunge lettering and crow dingbats family Gancho Petare. In 2008, he published Heleodora (beautiful scratchy hand), Magola (Negra, Supra Negra and Stencil), Navaja 1 through 4 (a collection of grunge fonts with grungy dingbats), Lucrecia 1 through 3 (a fat connected script family ranging from clean to splattered), Pomarosa (irregular hand) and Pomarosa Dingbats, Bochalema (+Dingbats, a comic book family), and Alcira 1 through 3 (nice scribbly grunge scripts).
Graphic designer in Rio de Janeiro associated with Plau Design. At Miami Ad School, as a student, he created Minimal Fraktur (2015). In 2018, he designed the corporate art deco typeface Chez Lalu 70. In 2019, he co-designed Muda, a corporate typeface for the fashion brand Oficina Muda with Ana Laura Ferraz, Gabriel Menezes and Rodrigo Saiani. In 2020, still at Plau, he designed the custom all caps sports company typeface Brio. With Rodrigo Saiani, Carlos Mignot designed the video game font family (+stencil, +Cyrillic) either called Killing Sans or Nine to Five (2020). Still in 2020, Mignot designed the flared Koch Antiqua-style custom typeface Xilo.
In 2021, Ana Laura Ferraz, Valter Costa, Carlos Mignot and Rodrigo Saiani designed the hand-crafted black poster and branding typeface Vinila for the identity of grammar teacher Eduardo Valladares' personal brand EDU VLLD (Edu stands for Eduardo and Education while VLLD represents Valladares and Vulnerability). Carlos Mignot and Felipe Casaprima designed the corporate family iN Serif and iN Sans (+Mono) for iN Consultoria de Marcas in 2021. Still in 2021, Carlos Mignot and Rodrigo Saiani designed a few hip typefaces for the Brazilian TV channel Canal Brasil. [Google] [More] ⦿
Medellin, Colombia-based designer (b. 1972) who graduated from UPB University in 1998. Creator of the free hand-printed typefaces Astrid (2012), Yelly (2006), Margorosa (2006), Luna (2006), Lush (2006), and CaroHand (2012).
She started selling her own fonts in 2013. Commercial, mostly hand-drawn, typefaces from 2014 include Grilled Font, Roman Classic, Kimble, Doggie Bold, Doggie, Yuju, First Step, Farmer, Nigel, Lola, Barrel and Enjoy. Typefaces from 2013: Freelast, Heats Dingbats, Fresh Regular, Chispa, Freshitalic, Cristian, Chains Condensed, Melisa, Chains, Paty, Slim, Miranda, Tiny Script, Snow, Second Chance, Simplecaps.
Typefaces from 2015: Afinity (brushed typeface), Quakes, Dalina Script, Bonita, Caro Thin, Great Font, Fini Font, Grilled Ornaments, Finetrace (architectural style alphabet).
Casady&Greene, Inc. started out as two separate little companies, CasadyWare and Greene, Inc. CasadyWare, which was founded by Robin Casady in August 1984, began producing Fluent Fonts, which were bitmapped typefaces for the Macintosh. The 1984 set of fonts have copyright lines that mention Richard A. Ware. As soon as PostScript fonts appeared, CasadyWare got hold of the first version of Fontographer and produced the first downloadable PostScript fonts, even beating Adobe, the originators of PostScript, to the punch. These were marketed as Fluent Laser Fonts (FLF) out of Carmel, CA.
The FLF series includes Abilene (Western), Alexandria (1986, slab serif family), Black Knight (1991, blackletter), Bodoni FLF (1986), BodoniUltra (1986, a fat didone), Bonnard (art nouveau), ButtonHighlight, ButtonPlain, Calligraphy (1986), Campanile (a great didone face), Checkbox, Chicago FLF (free at OFL), Collegiate (1988, sports lettering), Coventry Script (calligraphic), Cutouts FLF (1992, cargo stencil), Desperado, Dorovar Carolus (1988, Carolingian; see also D790 at Softmaker and Carolingia (1991, William Boyd)), DryGulch, Epoque (art nouveau), FattiPatti, Fletcher Gothic (1992, art nouveau), Galileo (1987, didone), Gazelle (1988, calligraphic script), Gatsby (1986, pure art deco), Giotto, Gregorian (1986, English Gothic style blackletter), Harlequin FLF (1990), Highland Gothic (1992), Jott, Kasse (1992), Kells (modern round Gaelic font, 1988), KeyCaps, La Peruta, Meath (modern round Gaelic font, 1988), Michelle (1992, art deco, marquee face), Micro, MicroExtend FLF (1986, like Microgramma), Monterey (1986, Peignotian), Moulin Rouge (1992, an art nouveau typeface by Richard A. Ware), Nouveau (1990, art nouveau), Paladin (1988, blackletter), Pendragon (1991), Phoenix Script FLF (1990), Prelude (1986, connected script), Regency Script (1986, calligraphic copperplate script), Right Bank (1986, art deco), Ritz (1986, art deco in the style of Broadway), Rocko (1992, rounded like VAG Round), SansSerif FLF (1986, a large geometric sans family), Sedona Script (1990, connected, calligraphic, semi-psychedelic), Slender Gold (1992, script), Vertigo (1992, condensed monoline sans), VertigoPlus, Zephyr Script (1986, brush script).
Many fonts were digitized by Richard Ware, and some were designed by Mike Wright. The contact was Terry Kunysz in Salinas, CA.
On July 3, 2003, Casady&Greene closed it doors permanently. However, one of its designers, Mike Wright, writes: I believe that all the fonts that were developed by the company are now in the public domain. Robin Casady and I are thinking of putting up a site with free downloads of all of the old C&G public domain fonts--mainly as a way of attracting Mac users to see iData 2.
Robin Casady in 2003: I founded Casady Company in 1984 to publish fonts for the new Macintosh. The name changed with incorporation to CasadyWare, Inc. Around this time I met Mike Greene who was looking for a software project to do after SpellsWell. I talked him into doing a program that became QuickDEX. Later CasadyWare, Inc. merged with Greene, Inc. and became Casady & Greene, Inc. Over the years, my role in management reduced as my interests in other areas developed. In the last ten years I have had no official management duties at C&G. About a year ago I removed myself from the Board of Directors.
A graduate of Missouri State University, Casey Conroy now lives and works in Saint Louis, MO, and is associated wth webster University. Designer at FontStruct in 2008 of Reilly. His stencil typeface Bridge was developed between 2008-2010. Other typefaces by him include Globose (a rounded sans), Xtina (2009), and Ovoid (2008-2009, recreation of Emigre's squarish typeface Oblong). In 2014, he designed Webster Today Icons for Webster University. Behance link. [Google] [More] ⦿
Designs by Jason Castle from San Rafael, CA, who studied psychology at Dominican University of California. He does custom font design and sells commercial typefaces through MyFonts and FontShop. Blog. These include:
CAT Design Wolgast
Wolgast-based type designer Peter Wiegel (b. 1955) runs CAT Design Wolgast. Designer of these free fonts:
The list of his truetype and opentype typefaces as of 2011: 18thCenturyInitials, 18thCenturyKurrentStart, 18thCenturyKurrentText, Alfabilder, AlteDIN1451Mittelschrift, AlteDIN1451Mittelschriftgepraegt, AmptmannScript, ApolloASM, Avocado, Barnroof, BerlinEmail, BerlinEmail2, BerlinEmailBold, BerlinEmailBold, BerlinEmailHeavy, BerlinEmailHeavy, BerlinEmailOutline, BerlinEmailOutline, BerlinEmailSchaddow, BerlinEmailSchaddow, BerlinEmailSemibold-Bold, BerlinEmailSemibold-Bold, BerlinEmailSerif, BerlinEmailSerif, BerlinEmailSerifSemibold, BerlinEmailSerifSemibold, BerlinEmailSerifShadow, BerlinEmailWideSemibold, BerlinEmailWideSemibold, Beroga, Beroga, BerogaFettig-Bold, BerogaFettig-Bold, BertholdMainzerFrakturUNZ1A-Italic, BertholdMainzerFrakturUNZ1A, BertholdrMainzerFraktur, Blankenburg-Regular, BlankenburgUNZ1A-Italic, BlankenburgUNZ1A, CasaSans-Regular, CasaSans, CasaSansFettig-Bold, CatShop, CentreClaws, CentreClawsBeam1, CentreClawsSlant, ChunkFiveEx, CntgenKanzley-Regular, CntgenKanzleyAufrecht, DIN1451fetteBreitschrift1936-Regular, DiscipuliBritannica, DiscipuliBritannicaBold, Doergon-Regular, DoergonBackshift, DoergonShift, DoergonWave-Regular, Elb-Tunnel, Elb-TunnelSchatten, Elbaris, ElbarisOutline, ElficCaslin, EricaType-Bold, EricaType-BoldItalic, EricaType-Italic, EricaType-Regular, ErikaOrmig, Eureka, FibelNord-Bold, FibelNord-BoldItalic, FibelNord-Italic, FibelNord, FibelNordKontur, FibelSued-Bold, FibelSued-BoldItalic, FibelSued-Italic, FibelSued, FibelSuedKontur, GoeschenFraktur, GoeschenFrakturUNZ1A-Italic, GoeschenFrakturUNZ1A, Gondrin, GreifswalderTengwar-Regular, GreifswalerDeutscheSchrift, GruenewaldVA-Regular, GruenewaldVA1.Klasse, GruenewaldVA3.Klasse, H1N1, HelvetiaVerbundene, KochFetteDeutscheSchrift, KochFetteDeutscheSchriftUNZ1A-Italic, KochFetteDeutscheSchriftUNZ1A, LeipzigFrakturBold, LeipzigFrakturHeavy-ExtraBold, LeipzigFrakturLF-Bold, LeipzigFrakturLF-Normal, LeipzigFrakturNormal, LeipzigFrakturUNZ1A-Bold, LeipzigFrakturUNZ1A-BoldItalic, LeipzigFrakturUNZ1A-Italic, LeipzigFrakturUNZ1A, Luxembourg1910, Luxembourg1910Contur, Luxembourg1910Ombre, MMX2010-Regular, Maassslicer3D, Maassslicer3D, MaassslicerItalic, MaassslicerItalic, Makushka, MakushkaKontura, MakushkaQuadriga, MakushkaSecunda, MeyneTextur, MeyneTexturUNZ1A-Italic, MeyneTexturUNZ1A, Midroba-Regular, MidrobaSchatten, Moderne3DSchwabacher, ModerneFetteSchwabacher, ModerneFetteSchwabacherUNZ1A-Italic, ModerneFetteSchwabacherUNZ1A, ModerneGekippteSchwabacher, MoradoFelt-Regular, MoradoMarker, MoradoNib, MoradoSharp-Regular, Murrx, Nathan-CondensedRegular, Nathan-ExpandedRegular, Nathan-Semi-expandedRegular, Nathan, NathanAlternates-CondensedRegular, NathanAlternates-ExpandedRegular, NathanAlternates-Semi-expandedRegular, NathanAlternates, Nomitais, Nomitais, Numikki, Numukki-Italic, Numukki-Italic, Numukki, Powerweld, PreussischeIV44Ausgabe3, PreussischeIV44Ausgabe3, PreussischeVI9, PreussischeVI9Linie, PreussischeVI9Schatten-Linie, PreussischeVI9Schatten, Proletarsk, Prsent60, Quimbie, Quimbie3D, QuimbieShaddow, QuimbieUH, Quirkus-Bold, Quirkus-BoldItalic, Quirkus-Italic, Quirkus, QuirkusOut, QuirkusUpsideDown, RostockKaligraph, RotundaPommerania, RotundaPommeraniaUNZ1A-Italic, RotundaPommeraniaUNZ1A, Rudelskopfdeutsch-Aufrecht, SchatternvonPreussischeVI9, Schulfibel-Nord-Linie-2, SchwabenAlt-Bold, SchwabenAltUNZ1A-Italic, SchwabenAltUNZ1A, Stage, StrassburgFraktur-Regular, TGL0-16, TGL0-17, TGL0-17Alt, TGL31034-1, TGL31034-1, TGL31034-2, TGL31034-2, Tank, TengwarOptime, TengwarOptimeDiagon, TitilliumMaps29L-1wt, TitilliumMaps29L-400wt, TitilliumMaps29L-800wt, TitilliumMaps29L-999wt, TitilliumText22L-1wt, TitilliumText22L-250wt, TitilliumText22L-400wt, TitilliumText22L-600wt, TitilliumText22L-800wt, TitilliumText22L-999wt, TitilliumTitle20, UtusiStar-Bold, UtusiStar, VarietScala, Varietee, VarieteeArtist, VarieteeCabaret, VarieteeCascadeur, VarieteeCasino, VarieteeCirque, VarieteeColege, VarieteeConferencier, VarieteeFolies, VarieteeIkarier, VarieteeJongleur, VarieteeMirage, VarieteeRevue, VarieteeTheatre, Via-A-Vis, Vrng, Waschkueche, Waschkueche, WaschkuecheGrob-Ultra, WaschkuecheGrob-Ultra, WiegelKurrent, WiegelKurrent, WiegelKurrentMedium, WiegelKurrentMedium, WiegelLatein, WiegelLateinMedium, WolgastScript, WolgastScript, WolgastTwo, WolgastTwo, WolgastTwoBold, WolgastTwoBold, XAyax, XAyax, XAyaxOutline, XAyaxOutline, YiggivooUnicode-Italic, YiggivooUnicode-Italic, YiggivooUnicode, YiggivooUnicode, YiggivooUnicode3D-Italic, YiggivooUnicode3D-Italic, YiggivooUnicode3D, YiggivooUnicode3D, ZeichenDreihundert-Regular, ZeichenDreihundertAlt, ZeichenHundert-Regular, ZeichenHundertAlt, ZeichenVierhundert-Regular, ZeichenZweihundert-Regular, ZeichenZweihundertAlt, cbe-Bold, cbe-BoldItalic, cbe-Italic, cbe, kaufhalle, kaufhalle, kaufhalleblech, kaufhalleblech, moebius.
His type 1 fonts as of 2011: Avocado, BerlinEmail, BerlinEmail2, BerlinEmailBold, BerlinEmailHeavy, BerlinEmailOutline, BerlinEmailSchaddow, BerlinEmailSemibold-Bold, BerlinEmailSerif, BerlinEmailSerifSemibold, BerlinEmailSerifShadow, BerlinEmailWideSemibold, Beroga, BerogaFettig-Bold, CasaSans, Elb-Tunnel, Elb-TunnelSchatten, Maassslicer3D, MaassslicerItalic, Numukki-Italic, Numukki, Powerweld, PreussischeIV44Ausgabe3, Quimbie, QuimbieUH, RostockKaligraph, TGL31034-1, TGL31034-2, UtusiStar-Bold, UtusiStar, Waschkueche, WaschkuecheGrob-Ultra, WolgastScript, WolgastTwo, WolgastTwoBold, YiggivooUnicode-Italic, YiggivooUnicode, YiggivooUnicode3D-Italic, YiggivooUnicode3D, cbe-Bold, cbe-BoldItalic, cbe-Italic, cbe, kaufhalle, kaufhalleblech.
A list of typefaces in alphabetical order, with descriptive comments provided by Reynir Heidberg Stefansson from Iceland: 18th Century Kurrent (Kurrent-style handwriting, Wiegel-coded), Alfabilder (Alphabetic picture font for the German alphabet), Amptmann Script (Partly-connected, upright writing, used on Prussian Railways pattern drawings), ApolloASM (Jugendstil, vaguely resembling an ornate Bocklin), Avocado (Handwriting, broad-nib pen-style), Berlin Email (Narrow sans-serif, based on emailled signage; Wiegel-coded), Berlin Email Serif (Narrow serif, based on emailled signage; Wiegel-coded), Beroga (All-minuscule, rounded marker-style sans-serif with ca. 8° slope), Berthold Mainzer Fraktur (Fraktur in Wiegel (Regular only) and UNZ1(A) coding), Blankenburg (Semicondensed Tannenberg in Wiegel (Regular only) and UNZ1(A) coding), Casa Sans (Squarish, broad-nib pen-style block writing), CatShop (Serif, soft of an acid-washed didone), cbe Normal (Sans-serif, narrow, somewhat cuneiform), Centre Claws (Sans-serif, Art Deco display, a bit like Broadway), Cöntgen Kanzlei (Cöntgen Kanzley) (Fraktur-based calligraphy by Heinrich Hugo Cöntgen, Wiegel coding), DiffiKult (Sans-serif, display, no horizontal lines), DIN 1451 fette Breitschrift 1936 (The now-withdrawn Wide version of DIN 1451 traffic font), Discipuli Britannica (UK school handwriting), Doergon (Slab-serif, narrow-ish, all majuscule), Elabris (Elbaris) (Sans-serif, caps/smallcaps, shades of DIN1451 Engschrift), Elb-Tunnel (Sans-serif, based on signage in the old Elbe tunnel in Hamburg), Elbic Caslon (Elfic Caslon, Elfic Caslin) (a Caslon for the Queen Galadriel), Erika Type (Erica Type) (Slab-serif, typewriter, comes from Wiegel's old Erika typewriter), Eureka (Serif, caps/smallcaps, Art Deco/Jugendstil), Fibel Nord (2009, sans-serif, based on German school primer), Fibel Sued (2009, sans-serif, based on German school primer), Fibel Vienna (Sans-serif, based on Austrian school primer), Fundamental Brigade (Sans-serif, geometric, some UNZ1 ligatures), Göschen Fraktur (Goeschen Fraktur) (Fraktur with a biblical feel, Wiegel (Rg only) and UNZ1 coding), Gondrini (Gondrin) (Sans-serif, geometric, display, shaded outlines, cookie-cutter), Greifswalder Deutsche Schrift (Handwriting, based on Rudolf Koch's Offenbacher Kurrent, Wiegel coding), Greifswalder Tengwar (Tengwar handwriting in Offenbach style), Gruenewald VA (Latin-style schoolhand, Wiegel coding), H1N1 (Heavy display typeface made of parallel wavetrains), Hardman (Heavy, wide, squarish logotype with connecting letters), Helvetia Verbundene (Swiss handwriting), Immermann (Display, resembles a seriffed Radio/Rundfunk, UNZ1 coding), Kaufhalle (Display, recreation of HO Kaufhalle logotype), Koch Fette Deutsche Schrift (Very plain fraktur, Wiegel (Rg only) and UNZ1 coding), Leipzig Fraktur (Fraktur for bread text, Wiegel coding), Leipzig Fraktur UNZ1A (Fraktur for bread text), Luxembourg 1910 (Sans-serif, Jugendstil display typeface from old spice drawers), Maass Slicer (Maassslicer) (Sans-serif, oblique display face, orig. logotype), Makushka (Sort-of an Elabris with minuscules, looks overlayable), Men Nefer (Slab-serif, geometric, UNZ1 coding), Midroba (Spur-serif, display, all-majuscule, heavy, octal), MMX2010 (Sans-serif, display, caps/smallcaps, TV game machine feel), Moderne Schwabacher (Heavily reworked, Wiegel coding), Moderne Fette Schwabacher UNZ1A (Heavily reworked, Wiegel coding), Möbius (moebius) (Sans-serif, display, bicolour (u/c = non-spacing fills, l/c = spacing outlines)), Morado (Connected handwriting with nib or marker pen), Murrx (Heavy display typeface made from ellipsoids on NE-SW axis), Mutter Krause (Serif, slanting, Jugendstil-feel.), Nathan (Slab-serif, hand-drawn.), Nomatais (Nomitais) (Elabris with multiple levels of outlines), Numukki (Conlang, knotted-line, good for separators and scenebreaks), Powerweld (Sans-serif, Bauhaus style, all-minuscule), Präsent 60 (PI font with various East German logos), Preussische IV 44 (PreussischeIV44Ausgabe3) (Repro of Prussian Railways pattern type IV 44 version 3), Preussische VI 9 (Repro of Prussian Railways pattern type VI 9 version 2), Proletarsk (Sans-serif, monoline, doubled-up questionmark), Quast (Brush type, all-majuscule, very rough outline), Quimbie (Sans-serif, all-majuscule, resembles Amelia), Quirkus (Sans-serif), Ring Matrix (LED matrix with ring LEDs, solid LEDs and ring LEDs with shadow), Rostock Kaligraph (Very round calligraphy, resembles rotunda), Rotunda Pommerania (Rotunda style, Wiegel-code (Regular only) or UNZ1-coded), Rudelskopf deutsch (Sans-serif, based on Kurrent-style letterforms), Schwaben Alt (Schwabacher in Wiegel- (Rg only) or UNZ1-coding.), Stage (Sans-serif, narrow, Art Deco, fleeting taste of Broadway), Strassburg Fraktur (Handwritten fraktur, ornate majuscules, Wiegel-coding), Tank (PI font with (gas/petrol) tank station logos), TengwarOptime (Optima for Tengwar), TGL 0-16/0-17 (East German versions of DIN 16 and DIN 17 blueprint types), TGL 31034-1, TGL 31034-2 (East German versions of DIN 6776 / DIN EN ISO 3098 blueprint types), Utusi Star (Sans-serif, slight resemblance with Rundfunk), Varieté (Sans-serif, all-majuscule or caps/smallcaps), Vis-A-Vis (Serif, all-majuscule, split in middle), Volk Redis (Kurrent handwriting, anno 1930-1941), Vrångö (LED matrix type like Ring Matrix), Waschküche (Serif, resembles Antykwa Torunska), Wiegel Kurrent (Kurrent-style handwriting), Wiegel Latein (Latin-style handwriting), Wolgast Script (Sloppy-looking handwriting with a broad-nib pen), Wolgast Two (Latin/Cyrillic handwriting), XAyax (Serif, Jugendstil, narrow, all-majuscule), Yiggivoo Unicode (Sans-serif, wide, tall x, board game packaging feel), Youbilee (PI font with various jubilee laurels), Verkehrszeichen (Zeichen) (PI fonts with traffic signs (in layers)), Verkehrszeichen alt (Zeichen Alt) (PI fonts with old traffic signs (in layers)).
Catapult is the graphic design studio of Anton De Haan and Philippe Pelsmaekers in Antwerp. Other people involved in Catapult include Karen Van Puymbroeck, Tom Vanwelkenhuyzen, Omar Chafai and Luk Mestdagh. For the house style of Zonienwoud, they designed Son Grotesque and Son Grotesque Stencil in 2010. [Google] [More] ⦿
Peruvian graphic and web designer. At FontStruct, he created a number of pixel fonts in 2009, such as gridnPix75 (+Light, +nLite), OCR-APix6, cayoPix45, ScrptPix5, sCapsPix4, SerifPix6, moSpPix57, ClassPix5, MicriPix4, CorpoPix5, and BminiPix5. Other fonts there include Proton Type (2009), the geometric pxlNotSqr (2009) and the sturdy headline typefaces Woznian (2009, inspired by bitmap fonts like Chicago and Charcoal) and Gizmatik (2009), his best font. In 2009, he added NuevoSolStile (in the Eurostile/Microgramma mold), MacroBold (ultra-fat), Steam Punker, Funkadeliai, Monocodigo, FS Mini, FS Remix (horizontally striped), BlackSQRda (blackletter), Fontscript, Scanografia (vertical striping of letters), Stencikal, Bloxed (white on black), BlackSQRda, NSS Unicase (unicase), NuevoSolStile (unicase). [Google] [More] ⦿
Kudus, Indonesia-based designer, b. 2000, of the script typeface Dapka (2019), the condensed sans family Engula (2019), the thin upright script typeface Quesky (2019) and the sports stencil font Debrosee (2019).
Typefaces from 2020: Gillebra (script), Rakeboom, Sahur Bosku (a monoline script), Sweety Meilita, Beskill, Hambu Radul, Febyetska, Arlista (script), Bordershine Script, Bordershine (a monoline script).
Designer of the free font Trocchou (2014, OFL) during a course at ERG in Brussels. This typeface is a stencil version of Vernon Adams's Trocchi (2012). In 2015, she created Medulla, a modification of Didot Elder. Behance link. [Google] [More] ⦿
Cercurius (was: Lars Törnqvist Typografi)
Cesc Design (was: Ceskus Disseny)
Cesc (Francesc) Aldabó (Ceskus Disseny) is based in Sant Cugat des Valles and/or Terrassa, Spain. Studio Ceskus Disseny created Climb (2011, a decorative typeface), Dingbat Space Invaders (2013, FontStruct: a pixel font inspired by the 1978 video game by Taito Corporation), Letterplayground (a space and alphabets created by Nate Williams), and Grafftastics (2013, a graffiti font used for a festival in Sabadell). In 2014, they made the decorative typeface Climb.
In 2014, Aldabó made Climb Font (based on climbing gear), Tipoencuentro (poster face), Typoasi (modular), 15M Typestencil, and I Love Climbing.
Typefaces from 2017: Walls Talk.
Graphic designer in Barcelona who designed these typefaces in 2016: Oasi, TypeStencil, Climb (dingbats). In 2017, C32K created the pixacao graffiti-inspired typeface Grafftastics Sabadell. [Google] [More] ⦿
French type designer who started out as Hayloft". At the open source type foundry Velvetyne in Paris, he published Hemingway (2015, a compass and anchor-themed display typeface named after Ernest Hemingway in reference to The Old Man and the Sea), Kurtz (2014, rounded stencil typeface) and Boeticher (2014, rounded spurred Tuscan typeface). [Google] [More] ⦿
Aka Le Corbusier. Swiss architect, designer, urban planner, sculptor, writer, modern furniture designer, and painter. Born in La Chaux-de-Fonds, Switzerland, in 1887, he died in Roquebrune-Cap-Martin, France, in 1965. His lettering inspired the Letraset rubdown dry transfer typeface Charrette. He also inspired many digital fonts:
Californian designer (b. 1993) with a great motto: No I won't design something just for you. If I make it, it has to be publicly available. Dafont link.
Creator of Liquid Crystal (2012, the ultimate LCD typeface family), Linkin Park, Unbound Pro (2012, a free industrial stencil typeface), Adele, a monoline avant garde sans headline face, modeled after the cover of the CD album Adele 21 by singer and song writer Adele. Couture Bold (2012, free font) is a solid thick sans all caps typeface based on the Chanel logo.
Chelsea Weaver (Portland, OR and before that, Camarillo, CA) studied graphic design at California State University Channel Islands. She designed Newspaper (2012, an experimental typeface) and Piri Piri (2013, a curvy display typeface). [Google] [More] ⦿
Chequered Ink (est. 2015) is a two-man design studio consisting of Daniel Johnston (b. 1993) and Allison James (b. 1991; Allison is a reincarnation of Andrew McCluskey). Their business is based in Bath, England but they currently reside in Newport, Wales. Before 2015, Andrew McCluskey operated as NAL Games. That font collection was merged with Chequered Ink. As of early 2019, they designed 912 fonts, virtually all downloadable at Fontspace. For detailed attributions, we have:
Typefaces from 2015, mostly made with FontStruct: Heartbeat Synchronicity, Sawchain, Man Flu, Ace Adventure, Disco Nectar, Hex Girlfriend, Future Now, Lycra, Rygarde (pixel font), Empire Straight (avant garde caps), Kitty Katastrophe, Gang Wolfik Craze, O.K.Retro, Xxrdcore, the blocky sans serif Horticulture, the modular angular Heartbreaker, Ninja Thing, Fort Brewith, Urgently, Baxter's Slab (heavy octagonal style), Lady Radical (pixel font), Provisionary, Quickfyr, Vermin Vore, Even Stevens.
Typefaces from 2016: Sportscream, Assvssin, Brandsom (ransom note font), BromineCocktail, DestinationMercury, Eviscera, Halloween*Heresy, IReallyReallyReallyReallyReallyReallyLikeFonts, Viadukt, Yetimology, Indocorno, Overdose Sunrise (dry brush), Happy Talk, Camaraderie, Death Hector (sci-fi), Scones And Crossbows, Casual Softcore, Notepads & Roleplay, Order in Chaos, Stencil of Destiny, ViceVersus, Magenta Flow, Prick Habit, Go Faster, BlackboardRovers, Caperput, Chavelite, Lovecraftimus, RawhideRaw2016, SmackLaidethDown2016, SmackLaidethDown2016Oblique, Pelode, The Nineties Called They Want Their Font Back, You Can't Kill Old School, Thoroughbred, Card Shark, Sheeping Dogs, Zen Monolith, The Joy Facade, Cerulean Nights, Pounds of Violence, Altered Quest (octagonal), Thrash Decision (dripping paint font), Afroed Dizzy Yak (hand-crafted style), Circulus (octagonal style), 53 Dollars and 92 Cents, Endless Boss Battle (pixel font), Guest Circus Paradiso, Niagaraphobia (sans), Noseblood (squarish italic), Shake Your Plums, The Light Brigade (trekkie font), Beautiful Heartbeat (hand-crafted), Poisoned Paradigm (dripping paint font), Development Hell (modular), Energetic Star (stencil), Men Down (display or poster type), Apple Korea (Hangul emulation typeface), Zdyk Capricorn, CQ Mono (a rounded monoline monospaced sans programming font), Pyrsing, Executionist, Mono a Mano (pixel typeface), Toxico, Swiggity (hexagonal), Mono a Mano (pixel font), Dissolved Exchange, Thundercover, Hors d'oeuvres The Garter, Distortion Dos Digital, Acetate, Arcapulse, ChelseaSmile, Headshots, Here&NotFound, IregulaTo, Japers, MidnightsontheShore, RallyBlade, Sothin (a great ultra-condensed squarish typeface), VerminVibes4Helium, 6Cells, DistortionDosAnalogue, SpotMonkey, Summoners, UnderwearProtest (Piano key style), VerminVibes4, Shapeshifters, Puerto Magnifico (Mexican party style font), Zdyk Gemini (intergalactic font), Bones To Your Generic Script Font, Breathe Fire (medieval style), Escalatio (hipster style), Pocket Monka (beatnik style), Jack Frost, Hiruleon, Cfour, CrystalCathedral, DigitalDust (LED font), DotLirium, Griefmachine, KillerCollege, OfMaidsandMen (oriental emulation typeface), Red Dragons, Grimeplex, Iron Amore, Twizzled, ZedSaid, Vermin Vibes, Major League Duty (military stencil), Moist (dripping paint font), Wondertribute, Of the Blue Colour of her Eyes, Anastasia (script).
Typefaces from 2017: Technoma (rounded sans), Gothiqua, Tune Up De Ting, Diary of an 8-bit mage, Night Machine, The Wastes of Space, Nuernberg Messe, Torque Sense, Crevice Stencil, Glitch Slop, Balloonatic, Typist's Pseudonym, Flob Out A Bork, Tumbling Down (grungy), Onomber, Have a Banana (angular style), Not The Far East (oriental simulation font), Electric Shocker, Lady Radical 2 (pixel), AmidVerrion, Basilisk, Beillingsday, Butcher the Baker (a gory brush), CQ-Full-Stretch, Chillit, Diagon, Durmstrong, Embryonoid, Gravedigger, Gridget (gridded), Gridlocked, Hannover-Messe-Sans, Hannover-Messe-Serif (pixel), Ineptic, I Shot the Serif, JesusFrank, Messe Muenchen (slab serif), Ode-to-Idle-Gaming, Punishment (grungy stencil), Rumutocu (squarish), Slitter, Slim Stradiva, Supercarver, Technoma, VitruvianMan, VoiceInMyHead, Riemann Theatre (art deco), The Messenger, Revengeance, Pimlico, North to South, Qui Finn, Oganesson, Xmas Sweater Stitch, Tinsel Christmas, Inky Thin Pixels, Saint Knick Knack, Cookie Cutter Culture, Talking Baseball, Balls of Bastille, Vegan Abattoir, Oxen Crossbow, Thumbs Down, Enter the Harbinger, Im Not Like Most Fonts, We Used To Be Friends, Trendgetter, Strings Theory, Carnival trash, The Life of Flight, Sci Auralieph (rounded sci-fi style), Foreplayer, Pixel or GTFO, Block Stock, Unability, Swore Games (military stencil), Clintwood (Western, spurred), Floral Compass, Skull and Void, Weymouth Ribbon (7 pixel font), Four Mad Dogs, Blaize, Chisholm Heliport, ConfettiWestern, EdgyMarker, Ganymedian, Klein Bottle, LeipzigerMesse, LifeInTheFastLane, Messe-Duesseldorf, MilestoneOutline, Oilrig, QueenofClubs, Peking Assignment, Racetrack-Stencil (trilined typeface), RodentRage, Spoopy Ghost Pixels, SquareRaising, Whisperer, ZdykLibra, Equalize (sci-fi), Helicopta (sci-fi), Saveloy, Hangar Nine, Robo Arriba (a font with Mexican-patterned texture), Clutching Toth, Freestyling Centipede, Idiot Stax, Lorra Lorra Dates (an image font simulated on FontStruct), Rampant, Typingrad (constructivist), Lovesauce (squarish), Scaremonger, Happy Accidents, Aztechno (Mexican Aztec culture emulation typeface), BeastofRage, ComicKhazi, DaisyRoots, DogRough (ink splatter font), Drowsy, FrankfurtMesse-Serif, FrankfurtMesse-Wide, FrontPageSupplement, HipsterHandGrenade, MerrimentHelicopter, OffspringRemorse, PlacktheHanet, RevolutionWillBeHypnotised, SomersetBarnyard, Almond Rocks, Gridking, Rollcage (circle-themed sans), Satire, Some Kinda Madness, Blackletter Buffoonery, Toe the Lineless, Merriment Helicopter, Revolution Will Be Hypnotised, Long Haired Freaky People, Sui Coward, Pirates of Cydonia, Old School Adventures (pixel style), Mersey Cowboy, Disco Everyday Value, Koln Messe-Deutz, Stress Genesis, Vermin Vibesy, Madness Hyperactive, Nebulous Content, Toe The Line, Chunky Felt, Madness Hyperactive, Member Kinglify, Bristol and Bath, Dirty Princess, Modern Bohemian, Chocolate Cavalcade, Capital Clickbait, Frogotype, Ipscrik, Front Page Supplement, Sex Drugs and Fidget Spinners, Pickle Pushing, Thickedy Grunge (crayon font), Knockout Grunge, League of Extraordinary Justice, Thickedy Quick, Avenged for Yourself, Zoon Hoot, Ambidextrose, Thinly Handled, Sketchit Means Sketchit, Return of the Grid, Fierce Brosnan, Chubby Thumbs, Pseudonumb, West End Knights, Cybercrime 2004, Reflecques, Death Knell, Fake News, Zealousy, Aquamarina (rounded sans), Amateur Camcorder, Mighty Squidge, Track & Shield (multilined), Wander Z, Gardenfreude, The Wild Breath of Zelda, Effective Power, Techno Agony, LED Specimen (textured), Projectionist, Splinter Wonderland, Shiny Eyes, Uncopyrightable, Hallowed Grad, Peace and Equality, Steriliser (heavy sans), Electro Shackle, Castforce (titling sans), Butterfly Reflect.
Typefaces from 2018: January Fair, Scared of the Unknown, Teddy Bears, Wicked Jumps, Enter The Grid 2, Chump Change, Take Me Out, Breathe Fire II, Toon Around, Tabloid Scuzzball, The Jjester, Play Pretend, A Friend In Deed, Girlesque, Bumblebear, Joyful Theatre, Snow Deep, Car Lock, Digital Display (an LED font), Game Played, Seldom Scene, The Shape Of Things, Candy Beans, Internal Rainbows, Pride Thusly, Armwarmer, Futuristic Armour, Refresher (dry brush), Brick Shapers, Frostbite Boss, Armed and Traitorous (a rough-edged stencil typeface), Ambystoma Mexixana, The Slug and Lion, Gourmet Hearth, Virtu, Star Doors, Winter Spice Cake, Canvas Bags, Shocking Headline, Tiny Islanders (pixel font), Yumi, Nobody Talks, Finished Sympathy (white on black), One Slice, Somerton Dense, Sunday Afternoon, Close & Open, Another Flight, Kuiper Belt, Platonica, Smoother, Ladders, Cold Warm, Name Smile, Shepherdy, Friend Head, Kevlar Underwear, Scrambled Tofu, Dillydallier, Joy Kim, Office Square, You've Gotta Point, District Four, Scare Arms (grunge), 22 September, Alimony, Xmas Fairy Lights, Segreteria, Leg Hug, Coded Message, Madeleina Sans, Trample Over Beauty, Emerald Grey, Fine Allie, Bottled It, Glee Finder, Pill Anthropic, Achtung! Polizei, Say the Words, Outcome, First In Line, Brain Wants, Green Strand, Die Grinsekatze, Eight Bit Dragon (a pixel typeface), KreepTown, Loudhailer, Progesterone, Insomniax, Quick Fuse, Rowdy Space Pirates, Oestrogen, Whisper Quiet, Zosilla, Construction Lines, Construction Lines, Juxtaposer, Tommi, Under The Weather, Xero's Punishment, Betryal of Mind, Rustic Love Tattoo, Younger Love (heavy octagonal typeface), Gossamer Girls (a pixel font), Dispence, Time Won, Blessings of Babylon, Requires Moonshine, Stroud, Hot Bleb, Nightmare Codehack, Manilla Cellos, Teeny Tiny Pixls, Ava Meridian, Wonders of the Orient, Float The Boat, Cute Zealand, Super Renewables, Lean Foreword, Mister Fisher, Love Nature, Exposure Salary, A Goblin Appears (pixel type), Project H, There Must Be, Charlestoning, Sportsquake, Violet Wasteland (dry brush), Clubbed to Life (sans), Moonwalk Miss, Best Tease, Reach The End (art deco), Slalom, A Grazing Mace, Boomer Tantrum, Disarmer (military stencil), Hell Underwater, Carnival Centenary (Tuscan), Mahalo Brother, Glue Gun, Tyrannothesaurus, Casanova Scotia, Fatherland Faker, Daughter Of A Glitch, Sparkles, Europhonic, Betelgeuze, Goregeous, Supermarketed, All The Way To The Sun, Russia Five, Soccer Scoreboard, Cinqcent, Megan June, Big Old Boldy, 501, Earthshattering, Sheeping Cats, Thousandyard, Closet Dwellers, Clicky Bricks, Painter Decorator, The 27 Club, Adventure ReQuest, Miamagon, Nineteen Ninety Seven, Vermin Verile, Great Attraction, Great Attraction, Zirconia, Oh Beehive (hexagonal), Gofuyo (experimental geometric sans), Wideboy, Im Spiegelland, Battenberg and Custard, Bugfast, Robotic Harlequin, Scouser Ste, Blend Her, Ancient Venusian, Sivereign State (constructivist), Daily Mix 3, Brushstroke Horror, Hellgrazer, Corporation Games (sci-fi), Pride Cometh (dry brush), Squirk (stone cut), Mecklabecka (octagonal), Nineteen Ninety Three (pixel), Dominian (octagonal), Perfectly Together, Super Comic, Nrvsbrkdwn, Bottom Brazil, Don't Delay Act Now, Nu Home, Just My Type, techno at Dusk, Starbirl, Hate Agent, Fool's errand, Bullet Rain, Orchestra of Strings, One Pill Makes You Larger, Interlewd, Fandomonium, Ball Bearing, Jamboree, Hot Thin Roof, No Added Sugar, X Termination, Real Fun Time, Der Neue Spargel, Nineteen Eight Seven (pixel), Bittypix Countdown, Nineteen Ninety Six, Fasterisq, Peekavous, Modest Felt, Im Wunderland, Megarok, Sunk Foal Brother, Skydiver, Chasing Rabbits, Background Noise, Viridian College, Sacred Hertz, Sawyers Whitewash, Brittle, Cupcake Smiles, Machine Gunk, Dubspikes, Onslaughter, Eyes Wide Suicide, Boatycabiners, All Square Now (pixel), Hawking Bowen (octagonal), Style Thief, Tagon (octagonal), Withheld Data (LED font), Dubstep Blackletter, Pixabubble, Hopelelessly in Lurve, Springtime Daydream, Techno Til Dawn, Fluid Lighter, Rush Rush (stencil), Incompetent Landlord, Danger on the Motorway (dot matrix), Hippopotamus Apocalypse (hexagonal), Homunculus, Bittypix Monospace (pixel font), Unicorn Scribbles, Rockout, Truly Madly Dpad, Tincture, Virtual Pet Sans (dot matrix font), How Are You Today (ultra-condensed), Juicebox, Chemical Superior, Organic Teabags, Broadsheet Bubble, Document Two, Slope Opera, Blockbrokers, Off The Haze, Gang Wolfik, Gnorts Mr A, Radiator Falls, Take Me On, Cyberspace Raceway, Rocket Rinder, May We, The Citadels, Life Is Okay, Astrolab, Simple Stitch, Feeding A Moment, Gooseberry Juice, Namso, Rabbit Fire, Texas Drop, Short Xurkit, Maiden Crimes, Hysterix, Introducing Pretentiousness, Lullaby Weight, Slumbers Weight, Vampires, Veal Nerve (a neurotic typeface), Be Kind To Earth, Aardvark Sk8, Ancient Modern Tales (blackletter), Spider Talent (Halloween font), Pooch Doo, Plan G, Rhapsodies (art deco), Lab Pulsar (sci-fi), Hamburg Messe (blackletter), Xide, Scrawling Pad, Bun Ting, Speedeasy, Itty Bity Notebook.
Typefaces from 2019: Hindsight 2020, Provicali, Go Everywhere, Smack Laideth Down 2019, China Fad, Monster Twenty, Into Deep (sci-fi), Mandatory Plaything, Galaxy Girl, San Marino Beach (a shadowed font), Acorn Caravan (a rounded sans stencil), Hairy Beard, Phonograph, Sterelict (futuristic), Egosurf, Bankruptcy, Wayfarer's Toy Box (a pixel font), Fox Cavalier, Heartisan, Modular Amplitude (heavy octagonal, Dolphin with a Massive Shotgun (a glitch font), Jasmine Laslo, Earth Spirit, Nemesis Grant, Daily Mix 4 (an all caps blackboard bold typeface), Uplifting, Ministry of Moron (a heavy sans), Extinction Event, Cut Deep, Q For The Memories, Wozcott, Super Legend Boy (pixelish), Chopsic, Lesotho Beach (octagonal), Illiead, Ten Pin, Isite, Motorstrike, Hwyl Fawr Hello, Undersided, Shut Up and Love Me (shaky letters), Terminal Day, I Am A Designer, Born to Grille (a semi-stencil), Amuse-Bouche, Die Frau, Err Hostess (octagonal), Cthulhu's Calling, Fresh Eaters, Gamma Orionis, Greatsby Gat, Hands Oversaturation (sans), Joy Multiplication, Kotoba, Midnight Champion (an extra tall sans), She Smiles, Read Wharf, Ohno (poster sans), Prodigy Forever (a blood and paint splatter font), Questrian 2 (sans), Nau Sea (squarish), The Macabre, Long Fox, Roll Accurate (stencil), Princess Saves You (pixel font), Clone Machine, Cyberpunk Sealion, Misery Garment, Klimaschutz, Space Obsessed, Serpentire, Squidgy Sweets (fat rounded sans), Yokelvision (fat letters), Coral Colour, None Away From The Moon (counterless), Squidgy Sweets, Yokelvision, Coral Colour, None Away from the Moon, Robot Roc, Figure Things, Gaeilge Kids, FoughtKnight Haymaker, Medical Shape, Revenant (octagonal), Pinch My Ride, Dire Gramme, Assembled from Scratch, Premier 2019 (squarish).
Typefaces from 2020: Hardigan (a titling sans), Petrichor Sublimey, Bardolatry, Star Trebek, Fast Hand (sci-fi), Bonk Robbers, Neuterous, Demoness, Lucid Streams (sci-fi), Fosterama (an elliptical sans), Woman, Shock Mint Fund (octagonal), Milletun (an all caps slab serif), Mille, Vudotronic, Elder Head, Dead Revolution, Charge Off, Asleepytiming, Questrian3, SplendidConfusion, XXIX, Septacharge, Dark Seed, Hawkeye, Dustfine, We Are Survivors, Be A St, Computo Monospace, Dealer Strikes, Zdyk Virgo, Bathrind, Honk, Revamped, Clease Plap, Zdyk Cancer, Cyberway Riders, Memorial Lane, Doubleplus, Ominus (italic), Army Buster (stencil), Tudor Victors (a grungy stencil), Romantic Chemicals, Migraine Machine, Warhead (constructivist), X-Heighting.
British outfit located in London. MyFonts sells the double-stroked and African-themed comic book style family Picklepie (2008), the curly Galerie Simpson (2011), the playful Message of the Birds (2009), Lemon Flower (2010), No Liming (2009), Out Back (2009) and Pigeonpie (2009), made jointly by Tim Barnes (b. 1967, London) and his six-year old daughter Lydia Barnes (b. 2001, London).
In 2013, Tim Barnes published the hand-printed caps family Pegasus, Lobo (an interlocking letter typeface), Barb (angular poster face), Ply, and the crazy mixed-glyph typeface Coo Coo I Coo Coo For You Too. [Google] [MyFonts] [More] ⦿
Chris E. Lozos
During her studies at ERG in Brussels, Christelle Debono created a free stencil version, Gentius (2014, OFL), of the well-known Gentium typeface (2003-2008, J. Victor Gaultney and Annie Olsen). [Google] [More] ⦿
Or just Christian Laucou, b. 1951, ex-graduate of and professor at Ecole Estienne in Paris. Typographer who worked with lead. He started Les Editions du Fourneau, later renamed Fornax. In 2000, he founded l'Ouvroir de typographie potentielle.
Designer of Zarbres (2004), a typeface used in the book Nouvelles des arbres, by Gérard Bialestowski. This is a private face, as he explained to Jef Tombeur: Quelques mots sur le Zarbres. Je ne trouvais pas ce qui me plaisait ni en plomb, ni en fonte informatique. Alors je l'ai créé, mais avec un cahier des charges bien précis. Il devait s'approcher du résultat qu'on obtient en gravant dans du bois ou du lino pour s'harmoniser avec les illustrations. Pour cela, il devait être gras, d'un dessin un peu maladroit (taillé à la serpe), quelques lettres hors norme (avec une e bdc à la barre trop oblique, la u bdc un peu onciale, etc.), comme dessiné par un amateur qui ne connaît pas la typo et qui cherche à imiter, à obtenir une hauteur d' assez importante pour réaliser, sans interlignage, des compositions d'un gris très foncé. J'ai fait ainsi un romain, un italique et les deux polices expertes correspondantes (petites capitales et ligatures). Pour l'instant le Zarbres est reste une police exclusive qui ne sort pas de mon ordinateur.
Author of Histoire de l'écriture typographique: Le XIXe siècle français (2013, with Jacques André). From the blurb: Pour montrer toute la richesse de cette période, les auteurs ont choisi d'en raconter les aventures successives: les Anglais avec l'invention des caractères gras, des égyptiennes et des sans-sérifs; la fonderie Gill?é qui devient celle de Balzac puis de De Berny et qui rejoindra, à l'aube du XXe siècle, celle des Peignot; la saga des Didot, de la rigueur de Firmin à l'extravagance de Jules; l'Imprimerie royale, puis impériale ou nationale, ses caractères orientaux et ceux de labeur, qui perdureront tant qu'il y aura du plomb; Louis Perrin, qui réinvente les elzévirs; les grandes fonderies françaises, qui rivalisent d'invention et de copies, et, enfin, les évolutions techniques de tout le siècle. [Google] [More] ⦿
In 2008 he designed Flag Semaphore (+Smooth, Peace), Articulate, Font from NATO (military slab serif), Glockenwerk (pixel clock font), Glockenwerk Uhrzeit, Flags-and-NATO (dingbats), Font from NATO alpha, Tall, Flying-Circus (Western showtime typeface to imitate the Monty Python titling font), LCD-display, Simple (stencil font with 700 glyphs), TMNT, Tetris, sharp-pixels, Raster, Quad (nice stencil face), Inverted, Propaganda (Cyrillic font simulation), Empty Monospace, Pride, Stadium, Rounded, Dear God (script pixel face), Celtic Style.
In 2009, he added 7x12 Pixel Mono, @bcde, Abstract Letter Patterns, Music, Texture, Diagonal, Gothic, Illusio, Unispace (typewriter type), Narrow Serif, Delta, Alien Double (great!), Donut, Flags-and-NATO, Simple-Fraktur-Initial, Simple-Fraktur, Texture, Friendly Serif, (+Soft), Invisible, Sharp, Heavy Diacritics, Concentrium, Continuous Digital Display, Elves, Pixies, Space Movie (+Ligatures), Flag Semaphore (+Smooth, +Peace), Articulate, BBT Biline Twist, Biline Twist, Empty Monospace, Unfix, Infix, Pride, Tyre Stencil (like tire threads---nifty...), and Overlap.
FontStructions from 2010: Even (gridded), Brilliance, Slalom Vision, Quirky Serif, 7x12PixelMono, Ball Terminator, Gearbox, Prefix, Upside Down, Way Too Small (a minimalist pixel face), Butterfly, Ribbon Gymnastics, 2D Barcode, Horizon Stencil, Biline Twist, Blocktur, Symmetricus (alien writing?).
FontStructions in 2011: 12 dice, Monotwist (tall, monospaced), Squarific (fat octagonal), Swirl (curly), Sweet (Victorian), Easter Eggs, 50 Fifty (experimental, geometric), Squarific (+Stencilious), Spiralix (spiral-themed for Latin and Cyrillic), Bloccus, Feet (monospaced).
Creations from 2012: Düpbøl (German expressionist face), Slice, Blocktur, Alien Double, 7:12 serif (pixel face), Blick, Dry Heat (Isolates and Initials, Medials, Finals: an Arabic simulation family), FF9 Coin Slots, FF8 Untalic, FF7 w1de, FF6 Lean Mean, FF5 Bamana, FF4 Circulation, FF3 3times7, FF3 Runization, FF1 Glitchy, Squared, Puzzlish, Steep, Digitalis (octagonal), 50 Fifty (artsy and geometric), Monotwist, Infix. FF stands for Forgotten Fonts.
Typefaces made in 2013: Ribbons And Banners, Digital Rome (pixel face), Censorship, Interlock, Bouma, Glaedelig Script, Hand XL Smooth, Vascomat, Spitzschtruct (emulation of Suetterlin), Neonic, Fish Scales, 7:12 Serif, Analogly, Squarific Fraktastic, Metro Sans (pixelish).
Typefaces from 2014: Word Games, Shadows, Yuuroppuna pixel, Spines, Numbers, Tal Dansk, Zahlen Deutsch, Insular Typewriter, Nudge Nudge (dot matrix), 7:12 Serif (monospaced pixel font), Jovian, Squarafic Fraktastic, Computer Says No, Runic, Fluorescent (neon tube typeface).
Typefaces from 2015: Hexagonia, Kapow (a comic book font), Fauxreign (a Thai emulation font).
Typefaces from 2016: Ziplock (art deco), Vexillum (maritime signal flags).
Christian Schwartz was born in 1977 in East Washington, NH, and grew up in a small town in New Hampshire. He attended Carnegie Mellon University in Pittsburgh, Pennsylvania, where he graduated in 1999 with a degree in Communication Design. After graduation, he spent three months as the in-house type designer at MetaDesign Berlin, under the supervision of Erik Spiekermann. In January 2000, he joined Font Bureau. Near the end of 2000, he founded Orange Italic with Chicago-based designer Dino Sanchez, and left Font Bureau in August 2001 to concentrate full-time on developing this company. Orange Italic published the first issue of their online magazine at the end of 2001 and released their first set of typefaces in the beginning of 2002. Presently, he is an independent type designer in New York City, and has operated foundries like Christian Schwartz Design and Commercial Type (the latter since 2009). He has designed commercial fonts for Emigre, FontShop, House Industries and Font Bureau as well as proprietary designs for corporations and publications. In 2005, Orange Italic joined the type coop Village.
His presentations. At ATypI 2004 in Prague, he spoke about "The accidental text face". At ATypI 2006 in Lisbon, he and Paul Barnes explained the development of a 200-style font family for the Guardian which includes Guardian Egyptian and Guardian Sans. FontShop's page on his work. Bio at Emigre. At ATypI 2007 in Brighton, he was awarded the Prix Charles Peignot. Jan Middendorp's interview in October 2007. Speaker at ATypI 2009 in Mexico City, where he announced his new type foundry, simply called Commercial.
A partial list of his creations:
Christina Maria Bee
Christina Bee ("Krizbi") is a type designer from Darmstadt who studied in Den Haag at the KABK in 2006, where she designed the Renaissance Antiqua typeface Olga while doing a Masters. Olga won an award at TDC2 2007. Christina lives in Hamburg.
She participates in Type Destroyers with Frederik Berlaen.
Creator of various display typefaces including the kitchen tile typeface Voltrona (2011, a kitchen tile typeface), Hate (2012), the kitchen tile typeface Metgeo (2012), the monoline sans typeface Duplica (2012), the piano key typeface Lucreow (2012: Lucreow is a permutation of Crouwel), Caladan (2012, fat blackletter), Hague (2012, angular), the Bauhaus-style typeface Joi (2012), the blackletter typeface Caladan (2012), Rid-G (2012, experimental), Sugar (2012), Cumo (2012, a happy children's book typeface), Domm (2012, stencil face), Zukunft, Iron (2012, an old film typeface), Freight (2012, stencil face), Noir, Shamrock (2012, octagonal athletic shirt typeface), Unison (2012, sans), Basic (2012), Sexy (2012, hairline), Gitter (2012, rounded), Modo (2012, monoline techno face), and SF Mono (2012). [Google] [More] ⦿
Young Greek type designer. At FontStruct, he created BOMBOM-TheBase, BOMBOM-CityLights, BOMBOM-FullMetal, Roundabout, Structura-SC, Structura-Gothic, Structura, Structura-Alt, StreetPost (stencil) and SlabSlab (squashed slab serif), all in 2008. In 2009, he added the film strip font Berliner, and the stencil typeface Street Post. [Google] [More] ⦿
Designer who used FontStruct in 2009 to create Staring at the Sky, Early Bird Catches The Worm, Bernstein, Plaskett, Fimbriae, Hard Light, Inauguration, Kunchey Wide, Kunchey, Worst Seats in the House, Burden and 2x2 Struct (pixel-geometric art deco).
Faces made in 2010: Sweet Henry (compact, rounded), Bobolink, Carapace, Riley (optical illusion face), Overfeed (Futura-inspired stencil), Corpus Torsion, Penkala, Mongrel, Guayule (attractive ultra fat didone), Filamentous, Dizygotic (squarish sans), Decorum (condensed display face).
Cofounder of Now Type, Cláudio Rocha is an Italian Brazilian illustrator and designer (b. 1957) who was first based in sao Paulo, then in Treviso, Italy, and currently in The Netherlands. Now Type is jointly run with his son Lucas Franco (b. 2001). He edited Tupigrafia, a magazine dedicated to typography and calligraphy in Brazil. Partner of Oficina Tipografica Sao Paulo. His typefaces include:
He published the books "Projet Tipográfico" (Ed. Rosari), "Trajan e Franklin Gothic" (Ed. Rosari), and "Tipografia Comparada" (Ed. Rosari). Claudio now lives in Treviso, Italy, from where he launched the type magazine Tipoitalia in 2009.
Swedish painter, designer, illustrator, jazz musician and inventor, b. 1944, who studied under lettering artist Erik Lindegren. In 1976, Nordenstam drew a typeface originally called Quickstep. Letters from Sweden, who turned this into a font called Sväng in 2019, writes: Sväng was his initial foray into type design. We feel Sväng is one of the most original display faces from the 1970s. Exploring concepts similar to Aldo Novarese's Stop and Othmar Motter's Motter Tektura, it is more versatile and can be used for a broader range of applications. By removing parts of the letters, Nordenstam created surprising stencil letterforms. The dynamic geometric shapes display a strong 1970s vibe that is impossible to ignore. [Google] [More] ⦿
Berlin-based German type designer (b. 1965) who graduated from Fachhochschule Bielefeld in 1992, where she studied under Gerd Fleischmann. She designed great sans serif family appropriately called Kipp at FontFont. Claudia published the following typefaces at URW++: Aculida (2004), Marin (2006, a severe stencil family), Expansion (2004), Kipp Clean (2004), Les Tres (2005, URW, a geometric sans family). Archive with over 23,000 links to commercial fonts. In 2008, she made and extensive sans family, FontForum Martines (URW++), and a big display family, FontForum Profil. Her FontForum Quadre (2008, URW++) is totally experimental again. And FontForum Siesta is a display sans family with a bit of Neuland playfulness.
Belgian designer (b. 1962) who lives in Brussels where she taught (teaches?) at the École supérieure des arts visuels de La Cambre and at the École supérieure de l'image. Her fonts were published by 2Rebels in Montreal, and by FontHaus in the USA. Her fonts are experimental and geometric in nature.
Some creations: Billes (1995), Boulbar (1995), Boules (1996), BubbleBath (1996), Craaac (1996) Caaarc (1996), Design, Douff, Graphic, Handex (1995; an alphading based on fists), Inbetween (1996), Lines (1994), Lolo (1992, funny figurines), Minimex (1996), Modern (1996), Perles (1995), StencilFull (1997), StencilFullBraille (1997).
She is most famous for her avant-garde geometric fonts Alpha Bloc (1994) and Alpha Geometrique (1994) published by Font Bureau. Alpha Geometrique Compact, for example, is a Bauhaus style stencil face.
Cloud9 Type Dept and Paavola Type Studio
Cloud9 Type Dept and Paavola Type Studio are type foundries based in Helsinki, both run by Jani Paavola. On the day the Fins lost the semifinal in the hockey tournament in Sochi, Paavola published the 3-style geometric grotesque typeface family Result (2014). Result Ultra style is especially attractive. At the end of 2014, he published the condensed sans typefaces Varial, Varial Medium, Varial Rounded Medium (this one is from 2015) and Varial Rounded.
In 2017, Paavola designed the German expressionist typeface Aunque.
In 2020, at Paavola Type Studio, he released Seigneur Serif Display, a high-contrast serif in the Dutch tradition (his own words).
The founder of and only designer at Club 21 is Julian Morey, a graphic designer and font creator from London who designed Pacific (1999, an octic typeface influenced by American naval lettering), VMR (1999), SignPlate (a stencil font), Sigma OT (2008, a sans based on a Stephenson Blake grotesque), Skye (2001, a stencil font), Skye Outline [note: Skye used to be called Axis], Checkout, Alpine (2000), Brassplate, Greenwich (2001, a stencil font with fine breaks; used to be called Bronxville), Codex, Electro, Ionia, Jakarta (2000, an octagonal sports/stencil font; was called Jersey), Kathode, Octago (an octagonal stencil face), Liquid, Simpson Typewriter, Preset, Roadworks (1992, stencil font), Thompson Monospaced, Spacer (1999), Paintworks, Portfolio.
Codesign (or: Aviation Partners, or AVP)
Nicholas Garner (b. 1949, Windsor) runs Codesign (or: Aviation Partners), a small London-based design firm which has created these commercial type families:
Coert De Decker
During his studies at the University of Wyoming in Laramie, WY, Cole Lemaster created the blocky stencil typeface In Denial (2013).
A graphic designer from Hermosa Beach, CA, and San Luis Obispo, CA, b. 1986. Home page of Colectiv Community. Creator of the octagonal all-caps stencil typeface ColecTECH Caps 1 (2008). [Google] [More] ⦿
Graphic design collective in Orchamps near Besançon, France, est. 2012, consisting of graduates in the Masters program of the École des Beaux-Arts de Besançon, i.e., Clément Moussard, Antonin Buchwalter, and Simon-Pierre Chapuis. Their typeface creations:
Colophon Foundry is a London and Los Angeles-based digital type foundry established in 2009. Its members comprise Benjamin Critton (US), Edd Harrington (UK), and Anthony Sheret (UK). The foundry's commissioned work in type design is complemented by independent and interdependent initiatives in editorial design, publishing, curation, and pedagogy. It grew out of the Brighton-based design studio, The Entente (Anthony Sheret&Edd Harrington) in April 2009. Benjamin Critton (Brooklyn, NY) joined them later. Fonts:
Comicraft (was: Active Images)
Comicraft was founded by Richard Starkings and John Roshell in 1992. Located in Santa Monica and Los Angeles, they do lettering and design for the comic book industry and make comic book fonts. At one point they were also called Comic Book Fonts. The current presidents are Rita Simpson and Richard Starkings. Alternate URL. T-26 link. Creative Market link. Some fonts: Sanctum Sanctorum (2003), Grandguignol (2003), MagicalMysticalFour (2003), Smash (2003), Aztech, Joe Kubert, Gobbledygook, Meanwhile, Matinee Idol [Nick Curtis has a much nicer script font by the same name, sold by MyFonts], Manganese (Asian-lookalike by Richard Starkings), Altogether OOky (by John Roshell), AbsolutelyFabulous, Achtung Baby (1997, Richard Starkings: a brutalist typeface), Adamantium, Alchemite, AstroCity, AstroCity International, Bithead, BrontoBurger, CarryOnScreaming, Chills, ClobberinTime, Comicrazy, Destroyer, DivineRight, DoubleBack, DutchCourage (1995, an art deco family), Elsewhere (art nouveau), Flameon, Framistat (2000, JG), Frostbite, GrimlyFiendish, Hooky, Hellshock, IncyWincySpider, JimLee, JoeMad, KissAndTell, KissAndTell International (2000, JG), Meltdown, MonsterMash, PhasesOnStun, PulpFiction, ResistanceIs..., RunningWithScissors, SchoolsOut (1999, John Roshell), SezWho/SezYou, SpookyTooth, Spills, Splashdown, StandBy4Action, Stormtrooper, TheStorySoFar, ToBeContinued, Thrills, WildWords, WildWords International, YuleTideLog, Zoinks, ZAP Pack, Digital Delivery, Jeff Campbell (2000, by JG), Los Vampiros, DeadMansChest, Cutthroat International (2000), Rigor Mortis (2000, John Roshell), DangerGirl, Thingamajig, Red Star, Red Square, Drop Case, Too Much Coffee Man, NearMyth, Stonehenge, Golem and SwordsAndSorcerers (medieval or runes fonts). Their monster fonts collection includes MonsterMash, CarryOnScreaming, Chills, GooseBumps, CreepyCrawly, Grimly Fiendish, IncyWincySpider, SpookyTooth, Meltdown and TrickorTreat dingbats. In 2005, MyFonts started selling their collection. Fonts by Starkings include Achtung Baby, Carry On Screaming, Clobberin Time, Flame On, Goosebumps, Grimly Fiendish, Sez, Splashdown. The full font list: Absolutely Fabulous (1999), Achtung Baby (1997), Adam Kubert (2005), Adamantium (1999), Alchemite (1997), Altogether Ooky (1999, vampire script), Area51 (2005, an octagonal typeface with a military stencil)), Astro City (2005), Astronauts In Trouble (2005), Atomic Wedgie (2005), Aztech (2005), Battle Cry (2005), Battle Scarred (2005), Belly Laugh (2005), Biff Bam Boom (2005), Bithead (1997), Blah Blah Blah (2005), Bronto Burger (1996), Carry On Screaming (1996), Chatterbox (2005), Cheeky Monkey (2005), Cheese And Crackers (2005), Chills (1997), Clobberin Time (1995), Comicrazy (1995), Creepy Crawly (2005), Cutthroat (2005), Danger Girl (2005), Dave Gibbons (2005), Dead Mans (2005), Dear Diary (2005), Designer Genes (2005), Destroyer (1999), Digital Delivery (2005), Divine Right (1998), Doohickey (2005), Double Back (1998), Dreamland (2005), Drop Case (2005), Dutch Courage (1995), Elsewhere (1998), Euphoria (2005), Exterminate (1999), Face Front (2005), Flame On (1997), Forked Tongue (2005), Framistat (2005), Frostbite (1997), Girls Girls Girls (2005), Gobbledygook (2005), Golem (2005), Goosebumps (2005), Grande Guignol (2003), Grimly Fiendish (1998), Hedge Backwards (2005), Hellshock (1997), Hooky (1999), Hush Hush (2005), Hyperdrive (2005), Incy Wincy Spider (1996), Jeff Campbell (2005), Jeff Campbell Sketchbook (2005), Jim Lee (1998), Joe Kubert (2005), Joe Mad (1999), Kiss And Tell (1999), Ladronn (2005), Los Vampiros (1999), Manganese (1999), Matinee Idol (2005), Meanwhile (2005), Meltdown (1997), Mike Wieringo (2005), Monster Mash (1997), Near Myth (2005, a grunge face, since 2007 also at T26), Nuff Said (2005), Overbyte (2005), Paranoid Android (2005), Pascual Ferry (2005), Pass The Port (2005), Phases On Stun (1995), Primal Scream (2005), Pulp Fiction (1996), Red Square (2005), Red Star (2005), Resistance Is (1997), Rigor Mortis (2005), Rumble (1994), Running With Scissors (1997), Sanctum Sanctorum (1998), Santas Little Helpers (2005), Schools Out (1999), Sean Phillips (2005), Sentinel (2005), Sez (1998), Shannon Wheeler (2005), Shannon Wheeler (2005), Smash (2005), Snowmany Snowmen (2005), Soothsayer (2005), Spellcaster (2005), Spills (1997), Splashdown (1997), Spookytooth (2005), Stand By4 Action (1997), Stonehenge (2005), Stormtrooper (1997), Thats All Folks (2005), The Story So Far (1998), Thingamajig (2005), Thrills (1997), Tim Sale (1999), Tim Sale Brush (2005), Tim Sale Lower (2005), Timelord (2005), To Be Continued (2005), Too Much (2005), Tough Talk (2005), Treacherous (2005), Trick Or Treat (2005), Wall Scrawler (2005), Wiccan Sans (1999), Wiccan Serif (1999), Wiccan Special (1999, see also T-26), Wild And Crazy (1997), Wild Words (1995), Yada Yada Yada (2005), Yeah Baby (2005), Yuletide Log (1996), Zoinks (2005), Phil Yeh (2006), Zzzap (2006), Battle Damaged (2007), Speeding Bullet (2006), Foom (2007), Letterbot (2007), Timsale (2007), Cutthroat (2007), Framistat (2007), Area 51 (2007, techno, octagonal), CC Comicraft (2007), Ratatat (2008), Mad Scientist (2008), Monologous (2008, T-26), HolierThanThou (2008, T26), Elephantmen (2008, grunge typeface at T26), Storyline (2008, T-26), Primal Scream (2009, T-26), Spillproof (2009, T-26), Sign Language (2008), Moritat (2009, T-26, by John Roshell), Pass The Port (2009, T-26), Credit Crunch (2009), Elsewhere (2009, art nouveau), Code Monkey (2011, monospaced yet informal), Glitter Girl (2011, hand-printed), Rassum Frassum (2011, comic book face), Rocket Man (2011, a retro futuristic family), Spaghetti Western (2011, signage face), Sunrise Till Sunset (2012), Samaritan and Samaritan Tall (2013, with John Roshell).
In 2014, John Roshell published the school font Dash To School.
Typefaces from 2016: Questionable Things (with John Roshell: a question mark font).
Typefaces from 2021: Scoundrel (a comic book face by Richard Starkings and John Roshell).
Computer Safari (located in Woodland, CA) is a foundry whose early-90s fonts, all made by Jay Pierstorff, are still around in some archives. Look for Airlock-Regular (a trekkie stencil face), Alchemi, Cappiona, LeroyFont, MotorCity, NCC1701A-Regular, NCCINLINE-Regular, Quadrant, Romulus-Plain, Safari-Plain, Sashimi-Regular. Free fonts at the site, all made in 1992: Cappiona, College, LeroyFont, MotorCity, Quadrant. The other fonts can be bought on the SafariGold CD.
Delta, CO (and, earlier, Stamford, CT)-based Joseph Coniglio (b. Niagara Falls, NY, 1955) and a small group of designers. Check out the typewriter families Carbon 14, Passport, Vintage Type, Garnet Euro Typewriter (2004, grungy), and Telepath.
Other fonts: Aspersion, Grasshopper (dada), Burnt Toast (rounded fat finger face), Yardbord Numerals, Snyder Speed, Autocrat, NudE, Jack Rabbit, Felt Marker, Oregon Dry, Sublime, Omaha, Nomad, Aquacia (stencil), Rainmaker (stencil).
Constellation is a creator and publisher of contemporary typefaces and is run by its two partners, Chester Jenkins (based in New York, born in Montreal) and Tracy Jenkins. They also feature typefaces by Magnus Rakeng, Patrick Giasson, Kris Sowersby, Rick Valicenti, and Jeremy Mickel. Constellation contains the main elements of the previous Village and Thirstype foundries. Typefaces including bespoke typefaces by Chester Jenkins:
This 20s-30s movement, with lettering and alphabets done by people such as Wladyslaw Strzeminski, Josef Albers, Kurt Schwitters, Jan Tschichold or Herbert Bayer has no decorations, and uses horizontal and vertical edges and arcs of circles make up the shapes. Fonts in this style include ITC Avant Garde, Avenir, Futura, Industria, Insignia, ITC Kabel and some stencil designs. [Google] [More] ⦿
Type foundry established in 2017 by Winston Scully & Scott Biersack, aka Scinston & Wott. Both graduated from the Type@Cooper program. Scott Biersack is a designer and illustrator, while Winston Scully is a lettering artist and type designer.
Coppers & Brasses
Quebec-based type type foundry Coppers & Brasses was set up in 2011 by Alexandre Saumier Demers and Étienne Aubert Bonn in the plateau area of Montreal. Both graduated from the graphic and type design program at UQAM in Montreal and went on do the Type and Media program at KABK in The Hague, The Netherlands.
Creators of these typefaces in 2012: Martha (monospaced slabby grotesque done by both founders), Sardine (fat signage typeface by Bonn), Freitt (blackletter typeface by Bonn). Nicole (2012) is an elegant basic sans typeface by Olivier Mercier-Chan Kane.
In 2013, Etienne graduated from the Type & Media program at KABK in Den Haag. In 2014, Alexandre in turn graduated from the Type & Media program at KABK. For his graduation, Alexandre developed the didone typeface family Lewis. He writes: Lewis is a typeface designed for mathematical typesetting, specifically for the TeX typesetting system. It consists of 3 text styles (Roman, Bold, Italic) and 3 math styles (Math Italic, Greek, Blackboard) for use as variables. The text Italic relates to the Roman while the Math Italic stand out with its cursive construction. Likewise, the Greek differentiate easily from Latin characters. The Blackboard inlines are adapted for text sizes with their wide and open cut. Lewis features many size variants and extending shapes, ideal in displayed equations.
The list of their retail and custom fonts:
Alexandre spends most of his time since 2016 working on variable font projects for The Type Network (ex-Font Font Bureau). Home page of Alexandre Saumier Demers. Behance link for Coppers and Brasses. [Google] [More] ⦿
During his studies at Graphic Arts School (AGR) in Nantes, France, Corentin Riviere designed the free font College Stencil (2018). He writes: It began as an experimental project as a tribute to the College de France and is now a fully functioning classically styled font. [Google] [More] ⦿
Free fonts by Swedish designer Martin Fredrikson Core (b. Gothenburg, 1970), whose real name is Martin Lexelius:
Designer of Compunabula (2015), NE10 (2010, a stencil / neon tube typeface), This (a stencil typeface), Area (2008, Umbrella Type, an art deco nightclub face; hints of Avant Garde), Mode (2007, experimental modular type, Umbrella), Babbage (2005, Umbrella Type, a capricious typewriter font), Sange (2002, a dot matrix blackletter font), Brea and Brea Light (2004, a dot matrix blackletter family at Umbrella Type), Mince and Mince Shadow (2004, Umbrella Type), DecadesOS (2002, for Decades Inc), Air-Port (1999), Attractor (2001, based on Alexei Tylevich's NoGlow), Granule (2009, fat rounded sans), Cartridge (2001), Claes (2001, based on a Wim Crouwel design), Consume (1996), Den (1998, for the Digital Entertainment Network), Digital (1997, for "The Apartment"), Empire (1995), Fascia (2002), Hobart (2001, a kitchen tile font), Pea (2005, Veer: letters made up of springs), Phia (another kitchen tile font), Progress (2001, for Progress City), Rasputin, RMX, Savante (1999), Sears (2000), Stencil, Thirty, Untitled and WebType (2000). Many of these fonts are futuristic, experimental, logo-inspired or minimalist.
New York City-based designer who is originally from Perth, Australia. Designer of these typefaces: Vinum (2014: a gothic psychedelic typeface inspired by Electric Wizard's "Dopethrone" album), Inflated (2015, an oily bubblegum typeface), and 375 (2015: a striped experimental typeface in 3 weights, Window, Facade and Earthquake). Behance link. Old URL. [Google] [More] ⦿
Despite his name, André Vlaanderen was a Dutch designer, 1881-1955. He drew several alphabets, such as Moderne Schabloonletter (1933, a geometric stencil), and Silhouetteletter (1933, a counterless geometric solid art deco face).
Manuel Eduardo Corradine Mora was born in Bogotá in 1973. He graduated from the School of Graphic Design of the National University of Colombia in 1996, and became a graphic designer. He started by custom-designing fonts and by making typefaces for his own company, Casa Papelera El Cedro (The Cedar Papermaking House), for printing invitation cards. With other designers like Carlos Fabián Camargo, John Vargas and César Puertas he formed Tipográfico in 2007 to strengthen the type discipline in Colombia. Corradine Fonts is Manuel Corradine's own foundry in Bogotá, Colombia, founded in 2006. Today, he is one of Colombia's principal type designers. He also teaches at Universidad Piloto de Colombia in Bogota.
Fonts from 2007: Kidwriting (a family which includes Kidwriting Dingbats 1 and 2), Garabata (a fantastic handwriting face), Garabata Dingbats, Hexagona Digital, Quadrat (grunge), Quadrat Old (grunge), Quadrat Dirty (grunge), Quadrat Broken, Quadrat Ugly, Neogot (experimental, 8 styles).
Fonts from 2008: Mucura (handwriting), Prissa (handwriting), Salpicon (a script), Cuento Serif (a bouncy hand-printed family), Memoria (brush script), Charco, Happy Day (comic book family with Happy Day Dingbats), Espectro (a swinging script with swashes and a Dingbats style), Furia (handwriting), Candelaria (based on house signs in the La Candelaria neighborhood of Bogotá), Old Village (1600's style), Old Village Ornaments, Rapidda (a successful simulation of quick handwriting), Hueca (an outline children's script), Antigua (an old swashbuckler family), Colegial (a great-looking hand script), Pincel (a fantastic paint brush family with accompanying splatter dingbats), Trazo (Corradine's handwriting), Arcos (a techno family), Caveman (a primitive stone-look type family), Rumba (two styles; an elegant flowing brush script), Parche (graffiti family), Elegance Monoline (a greeting card script typeface that won an award at Tipos Latinos 2008), Abuelito (script).
Fonts from 2009: Helga (flowing script), Mussica (+Swash, +Antiqued: a delicate Victorian typeface; followed in 2017 by Mussica Italic), Guarapo (hand-printed), Toxic (futuristic stencil), Emotion (comic book face), Bloque 3D, Rock and Cola, Betco's Hand, Telefante (comic book family), Nancy's Hand (more comic book hand-printing), Alambre (multiline/paperclip), Sensual (calligraphic hand), Zape (in the style of Tekton), Antrax Tech (grunge), Masato (handwriting), Hu Kou (oriental simulation).
Fonts from 2012: Tecna (a techno family co-designed with Sergio Ramirez), Neuron (a fantastic 16-style rounded elliptical sans family created together with Sergio Ramirez), Bucanera Soft (blackletter), Bucanera Antiqued (grungy blackletter), Official (a simple monoline sans family), Almibar (a connected calligraphic Spencerian script), Eterea (a roman all-caps family), Eterea LC (the lower case set), Canciller (an italic roman, done with Sergio Ramirez), Quarzo (2012, a formal copperplate script done with Sergio Ramirez).
Typefaces from 2013: Neuron Angled (still with Sergio Ramirez), Alianza Slab (a great-looking slab family), Alianza Italic and Alianza Script (a packaging font), all made jointly by Manuel Eduardo Corradine and Sergio Ramirez.
Typefaces from 2014: Whisky (a large blackletter family with inlines and fills for layering co-designed with Sergio Ramirez; related to German expressionism, it won an award at Tipos Latinos 2016), Whisky Italics, Beauty Script (with Juan Sebastian Rincon), Emblema and Emblema Headline (tall-legged art deco sans family by Duvan Cardenas), Wild Pen (a 1200-glyph set of typefaces that can be used to simulate handwriting thanks to smart replacements in Opentype), Sinffonia (a thin informal typeface with oodles of choices for swashes).
Typefaces from 2016: Naugles (thick display face based on the Naugles logo), Scrans (a modern signage script), Bloque (heavy slab family), Bloque Italic.
Typefaces from 2017: Cristal (layered, triangulated and beveled font family, including exquisite Cristal Dingbats and Cristal Frames), Almibar Pro (connected calligraphic script).
Typefaces from 2019: Austera Text (a comfortable workhorse serif).
Typefaces from 2020: Kidwriting Pro.
Cozy Fonts Foundry
Creator of the Arabic simulation typeface Aladdin (2012), Skratchbook (2012), Toms Finger (2013, hand-printed cartoon typeface, +Toms Pinky, +Toms Thumb), Noodlerz (2013), Posterface (2014, +Sans; modular poster font family), Speener (hand-printed), Victory Script (2015), Archiva (2016: a useful rounded yet squarish condensed typeface family, +Stencil, +Dropline), Slenderz (2016: a hand-crafted sans family), and Ds Hand (2016, based on the hand of Danielle Nikosey).
Typefaces from 2017: Civic Sans (a 13-style sans family for billboards).
Typefaces from 2018: Irongate.
Typefaces from 2019: Flintlock.
Craig Black is a Scottish-born graphic designer, lettering artist and typographer, who graduated from University West of Scotland in 2013. Having spent the first few years of his career in leading design agencies in London, he currently runs his own design studio in Gourock, Scotland. In 2020, Monotype released FS Renaissance, a stencil serif typeface by Pedro Arilla and Craig Black. [Google] [MyFonts] [More] ⦿
Creative Toucan (was: Leo Supply Co)
Cakovec, Croatia and Washington Park, WA-based designer (b. 1995) of preponderantly grunge typefaces. In 2013, he created Funny Classic, Lion Pro, Lover, War is in the Air (military stencil), Aussen (squarish), Ensione (outlined), Rangle, Gaon, Momgers, Escapea (athletic lettering), Campus A (athletic lettering), Zebraliner, The Alistaren, Goteros, Collegerion (athletic lettering face), Prestinia Pro (grungy serif face), Fast Ostrich, Funny Trip, Boro, Electric (grungy face), On The Left, Power Balloon, Heavy Bomb (grungy), Kid From Hell, Army Stamp (rough army stencil), Jump Party, Comic Type, Commy, Faster, Fati, Funny me, Hypnotize, Half Half, My Day, Totally Outline, First Day, Funny Kid, Waterline, Piranha, Fish (grunge face), Modern Sketch, Beboline (dymo label grunge), Metalic (sic), Moter (grungy outline face), Privjet, ShadowM (shaded typeface), Old Movie, Strong Boy, Russian Line, Long Leg, Cool Day, Jungle Tree, Funny Teca, End of Era, DeLeo, Buble Muble, Morris, Funky Monkey, Leonards (a scratchy typeface), Dead John (grunge), Square Baby (grunge), Handwriter, Outline Storm, Mejiko (grungy Western font), Bird Fly, Died, Close To (grungy dymo label font).
Typefaces from 2014: Dabre, Handeer, Bad Land, Thron, 806 Typography (wood style didone), Rypote.
Typefaces from 2015: Debeli Bridge (faded, grungy and gorgeous), Rustal, Madalen, Stiquez, Vallyns (grungy, stamped typeface), Falsthan (brush face), Areson, Summeron (brush script), Surpal Lovely (Victorian kitsch), Summer 2, Megeon (+Grunge), Dabre Grunge (textured caps).
Typefaces from 2016: Taramda, Endless Script, Riot Ton, Dabre (grungy stamped style), La Tequila (Western font), Originals (painted letters), Originals is out, Avenue Drift, Amoky (sketched), Bastielle Script, Ipsum Script, Baroquey Script, Pomah Type (brush script), Vrown Fox (dry brush), Time Machino (dry brush), The Gohe Go, My Boquet Script, The Sellen, Baley Sun, Brushed Traveler, Salone Strand, Aple Time (brush), Bert Loch (brush), Brushed Car, Last and Chaos (brush), Thin Zeus (brush), Top Light (fat brush typeface), Summer Soul Script, Summter (connected script), Summdraw, Planine Script, Samtak Script, Astel Script, Rostek Old, Megiline, Sally Script, Rolley, Naila Script, Amoky (textured letterpress emulation typeface family), Reeld (dry brush typeface), Stamped Navy (textured).
Typefaces from 2017: Musterion (brush script), Wolvos (rough brush), Xenos, Descolorido, Mushroom (an angulara children's book font), California Jackpot, Zondas, Codiac (rough brush), Gullias (signage script), California or California Jackpot (brush font), Rhinos Rocks (brushy), Quick Toy (inky brush script), Italiano (dry brush), Gode (thick brush), Ananas Lips, Kiwano Apple, Cup of Sea, Fly N Walk, Sign 45 (vintage grungy poster style), Jaoy, Gas Rock, Acids.
Typefaces from 2018: Storehouse (a vintage all caps copperplate family with small wedge serifs; by Nicolas Massi and Leonard Posavec; it includes a stencil style), San Francisco, Quick Pick (brush), Mick's, Jumper, Alask (brush), Royal Twins, Clas (brush script), Yolloy, Scolarship (sketched).
Typefaces from 2019: Planina, Athletica (letterpress style), Costa La Vista (font duo), Springs, Originals 2 (dry brush), Astana.
Typefaces from 2020: Myla (a display typeface).
Santiago, Chili-based designer (b. Santiago, 1977) of the display typefaces Tosca (2005, Egyptian), RotulaCG and of Paquidermo (2003). He created Origen (2002-2003), about which he writes: "Origen is a sexy soft typeface that not only cares about legibility in small sizes but also the particularity each character has at 24pts. or more. It was created from a logo designed for a potter whose work is based on simple and friendly forms developed from the origin." Origen can be bought at Union Fonts. He has been working on El Chino (2004, a stencil type). He studied Graphic Design at the Finis Terrae University, graduating in 2001. In 2002 he continued his studies at the Typography Diploma in Pontificia Universidad Catolica de Chile, where he started Origen. He now works as an art director in Ce Diseña, one of the most important firms of global branding in Chile, and as an independent designer for several artistic projects. [Google] [More] ⦿
Cruz Fonts was established in Oakland, NJ, in 2004 by Ray Cruz, who has been a designer of custom lettering and custom typefaces to major ad agencies, publishers and corporate clients in the New York City area for almost 30 years. He has created many display typefaces for Agfa/Monotype, Bitstream, Phil's Fonts and Garage Fonts. Presently Ray Cruz is working as Type Director at Y&R NY, and is an adjunct professor at FIT and Kean University teaching type design. Bio at Garagefonts.
Game writer, game designer, graphic artist, and the creator and owner of Cumberland Games & Diversions, b. Cumberland, MD, 1971. He lived in Austin, TX, but is in Denver, CO, since 2014. Typefaces by S. John Ross include Guacamole Quickstep (2019), Cynocel Poster (2019), Monesque (2019), Flagstones (2018), Kentucky Fireplace (2016), Bad Guy Black (2015, an engraved currency font), Silvery Tarjay (2015), Iron and Brine (2015), Afton James (2015), Fountain Avenue (2013), Axe Handel (2013, grunge), Sans Sara (2011, geometric organic sans), Growly Grin (2011, grunge), Gelio (2011, Greek simulation family; +Pasteli), Shock Shimmy (2011), Gelio Greek Diner (2011, Greek simulation face), Rugged Ride (2010, a texture font), A Love of Thunder (2010), The Day That Love Came To Play, Unity Dances (2009), Knits and Scraps (2008), Heirany Slight (2007), Merchant Copy (2006), Hexpaper (commercial: font for printing out hex paper (for puzzles and such)), RisusLCBDingbats, RisusLCBKringlebats, TemphisSweatermonkey, HultogSnowdrift (2006), Hultog Engraved (2006), Encounter Critical, Erthe Gaming Systems (art nouveau), Tender Goliath (a heavy slab serif), Temphis Spidersilk (2005), Ten Ton Ballyhoo (2005, grunge), Vermin Magic (2005), Uneasy, Tombs of Rivulax, Almanac of the Apprentice (2005), Yemite Snow Letters (2005), Seven Miles to Heirany (2005), Bold Marker (2005), Apostate Cancer (2005), Bydee Man (2005, based on the handwriting of Austinite Brian Joseph), Uresia (2005, runic), Dragon Harbour (2005), A Kringle in Time (2004, Christmas dingbats), Vanthian Ragnarok (2004), Regal Demise (2004), Nobody Small (2004), Earwax Wit (2004), Always Joking (2004), Hill Country (2004), Barrel House (2004), Iron Lung (2004), Art Greco (2004, a stone cutter face), Powell and Geary (2004), Wolves Engraven (2003), Homespun (2003), Cup and Talon (2003), Glyphs of Hax (2003), Invader Candy (2003), Temphis Runes (2003, commercial), Temphis Laundry Marker (2012), Temphis Brick (2003), Temphis Knotwork (2003), Temphis Dirty (2005), Struck Dead (2003), Double Slug (2003), Oddbats (2003), Phaeton John (2003), Scrawlings (2003, a gothic font), FountainAvenue (2002), Pokethullu (2002), AtlasoftheMagi (2002), Skuntch (2001), Prison Walls (2002), Downtown Auto (2002), Arvigo (2002), Beccaria (2002, very old typewriter font), Cheap Seven Inches (2002), Nicotine Stains (2002), Apple Butter (2002), Merchant Copy (2006), Mexlar (2002), Eye Socket (2002), Spacedock Stencil (2001), Rutherford (2001), SPARKSScrapbook2001 (2001), Sparks ("from skeletal necromancers to doughty Dwarf warriors to Bigass Ogres to chicks with guns - and now an entire science-fiction set!"), Skull Salad (2001), The Temphis Runes (commercial rune font set), Cock Boat (2001, co-designed with Amy Miles), Marshmallow (2001, by his wife Sandra Ross), Yank (2001, handwriting, by Sandra Ross), Focal Deviance (2001), Darn Ya (2001, typefaces), Punkinhead (jack-o-lantern shaped letters), Rocket Yo-Ho (2001), Thunder Thighs (2001), Dirty Headline (2001, and Dirty Headline v2, 2012: The most successful of the Cumberland stress-fonts is an unlikely typographic hero, released as it was with huge chunks of even the basic U.S. keyboard set missing (it had no apostrophe, for example, and no smart-quotes). Why so limited? I built it for one thing and one thing only, so it only had what it needed. I never expected to see it spread across the globe on buses, TV and movie screens, book coves, web-banners, lottery tickets, signs and clothing. I also never expected it to introduce me to roller derby girls (a whole team of them!), or to hook me up with a pen-pal who means a lot to me, but it's done all those things and more.), Ninja Bootleg (2001), Face Front, Nameless Harbor, Martian Hull Markings (1999), ProtoRooftops (2001), Zarking (2001), Graalek, High Fiber (2001), LastUniform, Wolves&Ravens (2000), Wolves&Ruin (2003), Pigeon Street (2001), Gravel (2001), TheAlchemist (2001), Deco Freehand (2001), Archipelago (2001), Flagstones (commercial), Newfie (handwriting, by Sandra Ross), Hultog (2000), and Lunatic Regular (handwriting, 1999). 15 USD fontmaking service. At Apostrophic Lab in 2001, he designed FuturexApocalypse. The Temphis Runes font set is commercial.
CybaPeeCreations (or: Typoasis)
CybaPee is the nom de plume of Petra Heidorn who lives in Hamburg. She has created many typefaces (listed below) between 1997 and 2005 and has cooperated with several type designers on interesting projects. She is undoubtedly best known for her successful web site Typoasis (discontinued in 2016), where one could download her own creations, and those of her many friends. Petra was also heavily involved in several attempts to revive blackletter fonts, in cooperation with Manfred Klein, Dieter Steffmann, Paul Lloyd and others. She organized several revivals of the typefaces of Rudolf Koch and Ernst Schneidler. She also managed the extensive web presence of Manfred Klein.
Foundry, est. ca. 2009 in Johannesburg, South Africa, by Jan Erasmus. Jan currently resides in Johannesburg and taught font design for 10 years at University of Johannesburg and Stellenbosch University. His professional activities include typography, websites, brochure design, packaging, branding and type design. He also designed custom fonts for corporations of which Menyaka (for the FIFA world cup soccer 2010) and Nando's fast foods (1999; done together with Cross Colours) are the most noted.
Jan's debut display font family was Thornface (1997, a beautiful medieval font). He then released Transition, Lalibela (2009, didone), Pixeluxe and Azania (Tuscan, Western). Other fonts include Sade (a relative of Garamond), Export Unicase (1999, stencil), Mzansi (2007, an African look font), Shaftciti (2008, military stencil), Pixeluxe (2010), Giramundo (2010), Transition (2006), Ethereum (2015, a Cyrillic emulation typeface). [Google] [MyFonts] [More] ⦿
Surabaya, Indonesia-based designer, b. 1987, of these typefaces in 2017: Clone Line, Blitz, Genio Script, Rhythm Script, Luzhniki, Cendana, Wow, Single, Mantra, Lovable, Eruption, Finger Dance, Never Old, Bravo, Funday, Lexa Sans, Supernova, Ventura sans, Lol Signature, Frysca, Granite, Signsation, Addictive, Magic Wave, Vallent (sans), Signora, Magic Wave, Signature Talk, Alexis, Prologue, Bullet, Red Blood, Talkin Talk, Tsamina, Jealous Boy, Almost Soul Mate, Romantic Story, Alayhome Dirty, Angle Silence, Wave of Love, Sleeping Child, Move On, Hompimpa, Cheap Road, Cheerful, Stay Close, Wholess Script, Morning Painters, Slow Down Script, Empty Family, Jumping Pack, Signaspies (signature font), Private Emotion, Cubby Cheeks, Lonely, Cat Cute, Thin Man, Sheep Horn, Angelie, Aza (brush script), Wrong Way, Solid, Swirling, Slash, Child Write, Ink Scratches, Stalk, Being Lazy, Longitudinal End, Unchained, Curbside, Naura, Lay, Elastic, and Ladies Sky.
Typefaces from 2018: Dilan Signature, Syndrom, Ground (rounded sans), Glass, Flowrish (floriated), Aline (multiline), Salting (script), Sellow, Marion, Melting, Move Closer, Reflection, Cavalry, Sway Script, Chenthini, Vero, Inner, City, Break, Bat Hill.
Typefaces from 2019: Pring, Racheto (bilined), Alusans, Tooth (Tuscan), Apache, Analyst (stencil), Amblas (geometric monoline sans), Nona (oriental look), Pieces, Black Forest (textured caps), Drops.
Typefaces from 2020: Barella, Bound, Fillet, Gigs, Greysia, Playon, Rindang, Squad, Tuman, Ampera, Asolola, Britania, Coobra, Focus, Force, Gopoh, Rumput, Black Boxes, Canthink, Garage, Ledre, Pashion, Vonari, Ambyar, Bendoyo, Bergomi, Buroq, Cydro, Gresix, Langgam, Laron, Risole, Super Fans, Trailer. [Google] [More] ⦿
Vienna, Austria-based designer (b. 1964) of Brooks (2016: Peignotian), Plagiata (2016, a modular sans typeface) and Bernd (2016, a stylish script typeface).
Typefaces from 2017: Antaris St CF (stencil), Antaris CF, Madame Flacon (inspired by the logo of Marionnaud Parfumeries). Dafont link. Devian Tart link. Store where one can buy some of his fonts. [Google] [More] ⦿
Highlands Ranch / Denver, CO-based designer of the free all caps ink-trapped typeface Krisha (2019), the free piano key stencil typeface Modernia (2019), the sans typeface Floane (2019), the heavy sans typeface Goodlight (2019), and Tele Brush (2019).